[{"id":"1057","cataloger_name":["Klara,du Plessis"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Véhicule Art (Montréal) Inc. fonds (P027)"],"source_collection_label":["Véhicule Art (Montréal) Inc. fonds (P027)"],"collection_contributing_unit":["Concordia University Library Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of ten series, many of them subdivided into sub-series. The documents cover the period 1972 to 1982, however, the great majority of the documents were created between 1973 and 1976. This finding aid deals with the administrative, financial files of this organization as well as the artist and exhibition files, the publicity material (posters, art catalogues), and photographs. There is little documentation for the activities of the Vu00e9hicule Art Inc. gallery from 1976 to 1982. During this time the gallery experienced both administrative and financial difficulties. Frequent changes of staff and insufficient funding contributed to the weakening of the gallery and its activities. The original order of the documents quite faithfully reflected the internal organization of the gallery. Thus, the documents dating from 1972 to 1975, were relatively well organized and required no further arrangement; on the other hand, those covering the 1976-1982 period needed complete reorganization. The fonds is organized into the following series: P027/01 Organization P027/02 Personnel P027/03 Finances P027/04 Programming P027/05 Artists, exhibitions and performances P027/06 Associations P027/07 Correspondence P027/08 Photographs P027/09 Sound recordings P027/10 Posters"],"collection_source_collection_id":["P027"],"persistent_url":["https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"item_title":["Open Reading Side One Nov. 20/77 (1/2)"],"item_title_source":["Handwritten on back of box"],"item_title_note":["P0027-11-0003 4th Poetry Marathon"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright belongs to the creator(s).Reproductions are allowed for the purpose of research and private study. Use of material in a publication may only be done with written consent of the copyright owner(s).\"source: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"creator_names":["Unknown"],"creator_names_search":["Unknown"],"creators":["[{\"url\":\"\",\"name\":\"Unknown\",\"dates\":\"\",\"notes\":\"This is a marathon open mic event switching reader every few minutes. The presenter never introduces himself.\",\"nation\":[],\"role\":[\"-1\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"Readers: Unknown male (host); Dan Hastings; Noah Zacharin; Steven Mayoff; Carl Yaroshevitz; Christian Williams; Vivien Katz; Bela Ededing; Fred Hurskowitz\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":[""],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/410/P0027-11-0003.png\",\"other\":\"Different fonds number on box than on reel, P027.9.SR3\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"1.5 Mil Polyester Base 7\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"P0027-11-0003.1\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:01:38\",\"precision\":\"\",\"size\":\"622.1 MB\",\"bitrate\":\"1,411 kbps\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977-11-20\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Date taken from container\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Véhicule Art Inc.\",\"notes\":\"source of address: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds\",\"address\":\" 61, Ste. Catherine St. West, Montreal, Quebec, Canada\",\"latitude\":\"45.5095887 \",\"longitude\":\"-73.5647249\"}]"],"Address":[" 61, Ste. Catherine St. West, Montreal, Quebec, Canada"],"Venue":["Véhicule Art Inc."],"City":["Montreal, Quebec"],"contents":["00:00:00 male voice announces Fourth Annual Spring Marathon; 00:01:20 reads “Spring”; 00:04:43 reads “Wordlessly”; 00:07:55 Dan Hastings reads untitled poem; 00:09:45 reads three untitled poems; 00:14:13 reads untitled poem; 00:14:48 Noah Zacharin reads untitled poem; 00:15:53 reads “Trio”; 00:16:55 reads “They Wait”; 00:18:00 reads “IfI” (If I as one word); 00:20:00 Steven Mayoff reads untitled poem; 00:23:07 reads “Neighbourhood”; 00:25:12 reads “Phone booth”; 00:28:41 reads “The One who sits in the Park”; 00:29:57 reads “Telephone”; 00:31:20 reads “Frostbite”; 00:33:17 Carl Yaroshevitz reads “With this power vested”; 00:35:17 reads “Opal”; 00:39:23 “1 o’clock World”; 00:40:25 reads “Nominal Outlines”; 00:42:08 reads untitled poem; 00:43:23 reads “Procession”; 00:44:36 (break) 00:45:45 Christian Williams reads “Sunday Set”; 00:46:35 reads “Cold Guts”; 00:47:40 reads “Fleeting gesture home”; 00:49:16 reads “When exchanging”; 00:49:53 reads “City Bus Ride”; 00:51:11  Vivien Katz reads untitled poem; 00:52:08 reads “The Plant”; 00:52:42 reads “Insomnia”; 00:53:46 Bela Ededing reads four untitled short poems; 00:56:22 Fred Hurskowitz reads “Melba the Nebbish”"],"Note":["[{\"note\":\"There are two CDs digitizing this reading.  Second part is digitized as P0027-11-0003.2. This recording includes a series of short open mic-style readings of predominantly poetry.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548068892672,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1058","cataloger_name":["Klara,du Plessis"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Véhicule Art (Montréal) Inc. fonds (P027)"],"source_collection_label":["Véhicule Art (Montréal) Inc. fonds (P027)"],"collection_contributing_unit":["Concordia University Library Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of ten series, many of them subdivided into sub-series. The documents cover the period 1972 to 1982, however, the great majority of the documents were created between 1973 and 1976. This finding aid deals with the administrative, financial files of this organization as well as the artist and exhibition files, the publicity material (posters, art catalogues), and photographs. There is little documentation for the activities of the Vu00e9hicule Art Inc. gallery from 1976 to 1982. During this time the gallery experienced both administrative and financial difficulties. Frequent changes of staff and insufficient funding contributed to the weakening of the gallery and its activities. The original order of the documents quite faithfully reflected the internal organization of the gallery. Thus, the documents dating from 1972 to 1975, were relatively well organized and required no further arrangement; on the other hand, those covering the 1976-1982 period needed complete reorganization. The fonds is organized into the following series: P027/01 Organization P027/02 Personnel P027/03 Finances P027/04 Programming P027/05 Artists, exhibitions and performances P027/06 Associations P027/07 Correspondence P027/08 Photographs P027/09 Sound recordings P027/10 Posters"],"collection_source_collection_id":["P027"],"persistent_url":["https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"item_title":["Side Two 4th Poetry Marathon on slowspeed (2/2)"],"item_title_source":["Handwritten on back of box"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright belongs to the creator(s).Reproductions are allowed for the purpose of research and private study. Use of material in a publication may only be done with written consent of the copyright owner(s).\"source: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"creator_names":["Unknown"],"creator_names_search":["Unknown"],"creators":["[{\"url\":\"\",\"name\":\"Unknown\",\"dates\":\"\",\"notes\":\"This is a marathon open mic event switching reader every few minutes. The presenter never introduces himself.\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"Readers: Jack Nathanson; Michael Morré; Daniel Grimaud; Julie McNeil; Paul Smith; Kevin Laruche; Nathan Fong\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":[""],"Publication_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/451/P0027-11-0003.png\",\"other\":\"Different fonds number on box than on reel, P027.9.SR3\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"1.5 Mil Polyester Base 7\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"P0027-11-0003.2\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:56:23\",\"precision\":\"\",\"size\":\"569.1 MB\",\"bitrate\":\"1,411 kbps\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977-11-20\",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"Date taken from container\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Véhicule Art Inc.\",\"notes\":\"source of address: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds\",\"address\":\" 61, Ste. Catherine St. West, Montreal, Quebec, Canada\",\"latitude\":\"45.5095887 \",\"longitude\":\"-73.5647249\"}]"],"Address":[" 61, Ste. Catherine St. West, Montreal, Quebec, Canada"],"Venue":["Véhicule Art Inc."],"City":["Montreal, Quebec"],"contents":["00:00:08 Jack Nathanson reads “Alex in Wonderland”; 00:12:52 Michael Morré reads untitled poem; 00:17:56 reads “For Lee”; 00:22:21 Daniel Grimaud reads in French; 00:25:15 reads from “Poësie Complet”; 00:28:44 reads untitled poem; 00:29:41 does performance project, cuts himself with razors; 00:31:31 host makes statement about Véhicule and novelty; 00:33:05 Julie McNeil reads untitled poem; 00:34:08 reads “Contributors”; 00:35:02 reads a fairy tale about Virginia Woolf; 00:38:53 reads untitled poem; 00:40:26 Paul Smith reads “Companion Piece”; 00:42:30 reads two haikus; 00:43:27 reads “Notes 1”; 00:44:35 reads untitled poem; 00:45:55 reads a poem for Joe; 00:47:42 Kevin Laruche reads “The Binding”; 00:49:57 introduces haiku genre; 00:50:18 reads “Interviews with Water”; 00:53:17 Nathan Fong reads “Realism Paradise”; reel warps and trails out right at the end"],"Note":["[{\"note\":\"First half digitized as P0027-11-0003.1. This recording contains the second half of the Fourth Annual Spring Marathon, a series of short, open-mic-style readings. This recording has both narrative and poetic works, and notably a performance piece by French poet Daniel Grimaud during which he cuts himself with razors.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548132855808,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1059","cataloger_name":["Klara,du Plessis"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Véhicule Art (Montréal) Inc. fonds (P027)"],"source_collection_label":["Véhicule Art (Montréal) Inc. fonds (P027)"],"collection_contributing_unit":["Concordia University Library Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of ten series, many of them subdivided into sub-series. The documents cover the period 1972 to 1982, however, the great majority of the documents were created between 1973 and 1976. This finding aid deals with the administrative, financial files of this organization as well as the artist and exhibition files, the publicity material (posters, art catalogues), and photographs. There is little documentation for the activities of the Vu00e9hicule Art Inc. gallery from 1976 to 1982. During this time the gallery experienced both administrative and financial difficulties. Frequent changes of staff and insufficient funding contributed to the weakening of the gallery and its activities. The original order of the documents quite faithfully reflected the internal organization of the gallery. Thus, the documents dating from 1972 to 1975, were relatively well organized and required no further arrangement; on the other hand, those covering the 1976-1982 period needed complete reorganization. The fonds is organized into the following series: P027/01 Organization P027/02 Personnel P027/03 Finances P027/04 Programming P027/05 Artists, exhibitions and performances P027/06 Associations P027/07 Correspondence P027/08 Photographs P027/09 Sound recordings P027/10 Posters"],"collection_source_collection_id":["P027"],"persistent_url":["https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"item_title":["Poetry Reading Mattie Falworth & Guy Burchard"],"item_title_source":["Title typed on sticker stuck on spine of box"],"item_title_note":["Spelling error--Guy Birchard"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright belongs to the creator(s).Reproductions are allowed for the purpose of research and private study. Use of material in a publication may only be done with written consent of the copyright owner(s).\"source: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"creator_names":["Mattie Falworth","Guy Birchard"],"creator_names_search":["Mattie Falworth","Guy Birchard"],"creators":["[{\"url\":\"https://viaf.org/viaf/1529239/#Falworth,_Mattie\",\"name\":\"Mattie Falworth\",\"dates\":\"1930-\",\"notes\":\"Her reading is missing. It might not have been digitized from the original reel.\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"\",\"name\":\"Guy Birchard\",\"dates\":\"\",\"notes\":\"Unable to identify. Reading is only by him\",\"nation\":[],\"role\":[\"-1\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/629/P0027-11-0001.png\",\"other\":\"Additional stickers on box include: \",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Tape starting to unravel\",\"track_configuration\":\"2 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Reel in a plastic casing and box\",\"other_physical_description\":\"Stored in a Scotch Brand box\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"P0027-11-0001 Falworth, Mattie & Burchard, Guy\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:29:24\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970-\",\"type\":\"Production Date\",\"notes\":\"Exact date is uncertain.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Véhicule Art Inc.\",\"notes\":\"source of address: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds\",\"address\":\" 61, Ste. Catherine St. West, Montreal, Quebec, Canada\",\"latitude\":\"45.5095887 \",\"longitude\":\"-73.5647249\"}]"],"Address":[" 61, Ste. Catherine St. West, Montreal, Quebec, Canada"],"Venue":["Véhicule Art Inc."],"City":["Montreal, Quebec"],"contents":["00:00:05 Background voice and mic adjustment; 00:00:21 Guy Birchard introduces his work, quoting John Cage; 00:01:21 Reads untitled work; 00:02:28 Reads “The Shape of the Mouth”; 00:02:51 Introduces “Pan Poems”; 00:03:12 Reads from “Pan Poems”; 00:03:42 Reads “Jets”; 00:04:07 Reads “Some notes on the colour of the cosmos”; 00:07:17 Reads untitled poem; 00:08:41 Reads “Everest”; 00:11:12 Introduces poem written for Antonio Gaudi; 00:11:59 Reads “For Antonio Gaudi”; 00:13:21 Introduces “What is the poem about”; 00:13:39 Reads “What is the poem about”; 00:14:14 Reads “Truth and fiction”; 00:15:02 Reads “Flora and fauna”; 00:15:47 Reads untitled poem; 00:16:37 Reads “Manhole cover”; 00:17:35 Introduces a childhood poem; 00:18:08 Reads a childhood poem; 00:18:43 Reads “Jamaica”; 00:19:33 Reads “I gape”; 00:20:15 “Reads “Jack’s Heart”; 00:21:09 Reads “Nights downtime”; 00:23:29 Introduces a poem dedicated to his travel partners; 00:23:51 Reads untitled poem; 00:24:35 Introduces two poems from “The Divine Names” book project; 00:25:09 Reads untitled poem; 00:26:47 Reads untitled poem; 00:27:59 Introduces a broadside that Lucy and Adrian from The Word Bookstore in Montreal printed; 00:28:16 Reads broadside"],"Note":["[{\"note\":\"Although this recording is titled as being by both Mattie Falworth and Guy Birchard, it only contains a reading by the latter. Recording contains a substantial hour-long reading by Birchard.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548134952960,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1060","cataloger_name":["Klara,du Plessis"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Véhicule Art (Montréal) Inc. fonds (P027)"],"source_collection_label":["Véhicule Art (Montréal) Inc. fonds (P027)"],"collection_contributing_unit":["Concordia University Library Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of ten series, many of them subdivided into sub-series. The documents cover the period 1972 to 1982, however, the great majority of the documents were created between 1973 and 1976. This finding aid deals with the administrative, financial files of this organization as well as the artist and exhibition files, the publicity material (posters, art catalogues), and photographs. There is little documentation for the activities of the Vu00e9hicule Art Inc. gallery from 1976 to 1982. During this time the gallery experienced both administrative and financial difficulties. Frequent changes of staff and insufficient funding contributed to the weakening of the gallery and its activities. The original order of the documents quite faithfully reflected the internal organization of the gallery. Thus, the documents dating from 1972 to 1975, were relatively well organized and required no further arrangement; on the other hand, those covering the 1976-1982 period needed complete reorganization. The fonds is organized into the following series: P027/01 Organization P027/02 Personnel P027/03 Finances P027/04 Programming P027/05 Artists, exhibitions and performances P027/06 Associations P027/07 Correspondence P027/08 Photographs P027/09 Sound recordings P027/10 Posters"],"collection_source_collection_id":["P027"],"persistent_url":["https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"item_title":["Poetry Reading Kenneth Koch February 27, 1977"],"item_title_source":["Title typed on sticker stuck on spine of box"],"item_title_note":["Different fonds number on box than on reel, P027.9.SR2"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright belongs to the creator(s).Reproductions are allowed for the purpose of research and private study. Use of material in a publication may only be done with written consent of the copyright owner(s).\"source: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"creator_names":["Kenneth Koch"],"creator_names_search":["Kenneth Koch"],"creators":["[{\"url\":\"https://viaf.org/viaf/110467351/#Koch,_Kenneth,_1925-2002\",\"name\":\"Kenneth Koch\",\"dates\":\"1925-2002\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/630/P0027-110002.png\",\"other\":\"Additional stickers on box include \",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Reel in a plastic casing and box\",\"other_physical_description\":\"Stored in a Scotch Brand box\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"P0027-11-0002 Koch, Kenneth\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:01:57\",\"precision\":\"\",\"size\":\"625.3 MB\",\"bitrate\":\"1,411 kbps\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977-02-27\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Date typed on sticker on spine of box\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Véhicule Art Inc.\",\"notes\":\"source of address: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds\",\"address\":\" 61, Ste. Catherine St. West, Montreal, Quebec, Canada\",\"latitude\":\"45.5095887 \",\"longitude\":\"-73.5647249\"}]"],"Address":[" 61, Ste. Catherine St. West, Montreal, Quebec, Canada"],"Venue":["Véhicule Art Inc."],"City":["Montreal, Quebec"],"contents":["00:00:11 Kenneth Koch announces that he will read for about and hour without a break; 00:00:44 Reads from “The Art of Love”; 00:00:52 Reads “The Magic of Numbers”; 00:02:51 Introduces “Reflections on Morocco”; 00:05:00 Reads from “Reflections on Morocco”; 00:21:07 Reads “The New Sport”; 00:23:07 Introduces new book “The Duplications”; 00:25:41 Read final pages from “The Duplications”; 00:34:14 Introduces “The Problem of Anxiety”; 00:34:22 Reads “The Problem of Anxiety”; 00:48:22 Discusses “The Problem of Anxiety”; 00:48:48 Introduces “Fate”; 00:49:07 Reads “Fate”; 00:53:10 Introduces “Our Hearts”; 00:53:25 Reads “Our Hearts”"],"Note":["[{\"note\":\"An hour-long reading by Kenneth Koch. The amount of references he includes to other artists and writers of his era provides an insightful inner look at his creative community.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548138098688,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1061","cataloger_name":["Klara,du Plessis"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Véhicule Art (Montréal) Inc. fonds (P027)"],"source_collection_label":["Véhicule Art (Montréal) Inc. fonds (P027)"],"collection_contributing_unit":["Concordia University Library Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of ten series, many of them subdivided into sub-series. The documents cover the period 1972 to 1982, however, the great majority of the documents were created between 1973 and 1976. This finding aid deals with the administrative, financial files of this organization as well as the artist and exhibition files, the publicity material (posters, art catalogues), and photographs. There is little documentation for the activities of the Vu00e9hicule Art Inc. gallery from 1976 to 1982. During this time the gallery experienced both administrative and financial difficulties. Frequent changes of staff and insufficient funding contributed to the weakening of the gallery and its activities. The original order of the documents quite faithfully reflected the internal organization of the gallery. Thus, the documents dating from 1972 to 1975, were relatively well organized and required no further arrangement; on the other hand, those covering the 1976-1982 period needed complete reorganization. The fonds is organized into the following series: P027/01 Organization P027/02 Personnel P027/03 Finances P027/04 Programming P027/05 Artists, exhibitions and performances P027/06 Associations P027/07 Correspondence P027/08 Photographs P027/09 Sound recordings P027/10 Posters"],"collection_source_collection_id":["P027"],"persistent_url":["https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"item_title":["Artie Gold Poetry Reading April 17, 1977 (1/6)"],"item_title_source":["Handwritten sticker on front of box"],"item_title_note":["Also handwritten \"Marathon '77\" on spine of box; back of reel handwritten \"Side One Left: Artie Gold April 17, 1977; different fonds number on box P027.9.SR4. There are 6 digitized CDs coinciding with this event"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright belongs to the creator(s).Reproductions are allowed for the purpose of research and private study. Use of material in a publication may only be done with written consent of the copyright owner(s).\"source: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"This is a marathon event with different readers every few minutes.\",\"nation\":[],\"role\":[\"-1\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"Readers: Unknown male (host), Fred Hurskowitz, Noah Zacharin, Patience Wingman, Menette Thomas, Andrea Remenovitz, David Satley, Marcia Goldberg\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":[""],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/636/P0027-11-0004.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Reel in plastic casing and box\",\"other_physical_description\":\"Stored in hard plastic box\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"P0027-11-004.1 Artie Gold & Poetry Marathon\",\"channel_field\":\"\",\"sample_rate\":\"44.100 kHz\",\"duration\":\"T00:49:59\",\"precision\":\"\",\"size\":\"504.5 MB\",\"bitrate\":\"1,411 kbps\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977-04-17\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Date taken from container\"}]"],"Location":["[{\"url\":\"source of address: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds\",\"venue\":\"Véhicule Art Inc.\",\"notes\":\"\",\"address\":\" 61, Ste. Catherine St. West, Montreal, Quebec, Canada\",\"latitude\":\"45.5095887 \",\"longitude\":\"-73.5647249\"}]"],"Address":[" 61, Ste. Catherine St. West, Montreal, Quebec, Canada"],"Venue":["Véhicule Art Inc."],"City":["Montreal, Quebec"],"contents":["00:00:01 Male voice introduces Fred Hurskowitz; 00:00:44 Fred Hurskowitz reads “A Prayer for the Soul”; 00:03:23 reads “The Night Visit: An Allegory”; 00:07:31Noah Zacharin reads untitled work; 00:09:08 reads untitled work; 00:10:40 reads “Phoenix Begets Phoenix”; 00:12:31 Patience Wingman reads untitled work; 00:13:57 reads “Drought”; 00:16:00 reads “The Warblers Come”; 00:16:58 reads “Home Thoughts from at Home Lake St-Louis”; 00:19:14 Menette Thomas reads untitled work; 00:20:26 reads untitled work; 00:21:24 reads “For some powers that be”; 00:23: 21 reads “In Blues Time?” (dialect poem); 00:24:48 reads untitled dialect poem;  00:29:45 Andrea Remenovitz reads untitled poem; 00:34:17 (break) 00:34:47 David Satley reads untitled work; 00:36:25 reads “Prison Zone”; 00:36:59 reads untitled work; 00:37:44 reads “Less from Laughter”; 00:39:32 Marcia Goldberg reads untitled sonnet; 00:41:11 reads “On Lake Iriquois”; 00:43:00 reads “Going Home”; 00:44:16 reads “Space Shot”; 00:48:29 reads untitled poem"],"Note":["[{\"note\":\"This marathon poetry reading is digitized on 6 consecutive discs. This disc includes readings by 7 poets, each 5-10 minutes in duration. Marcia Goldberg is one of three poets visiting from Vermont.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548142292992,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1062","cataloger_name":["Klara,du Plessis"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Véhicule Art (Montréal) Inc. fonds (P027)"],"source_collection_label":["Véhicule Art (Montréal) Inc. fonds (P027)"],"collection_contributing_unit":["Concordia University Library Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of ten series, many of them subdivided into sub-series. The documents cover the period 1972 to 1982, however, the great majority of the documents were created between 1973 and 1976. This finding aid deals with the administrative, financial files of this organization as well as the artist and exhibition files, the publicity material (posters, art catalogues), and photographs. There is little documentation for the activities of the Vu00e9hicule Art Inc. gallery from 1976 to 1982. During this time the gallery experienced both administrative and financial difficulties. Frequent changes of staff and insufficient funding contributed to the weakening of the gallery and its activities. The original order of the documents quite faithfully reflected the internal organization of the gallery. Thus, the documents dating from 1972 to 1975, were relatively well organized and required no further arrangement; on the other hand, those covering the 1976-1982 period needed complete reorganization. The fonds is organized into the following series: P027/01 Organization P027/02 Personnel P027/03 Finances P027/04 Programming P027/05 Artists, exhibitions and performances P027/06 Associations P027/07 Correspondence P027/08 Photographs P027/09 Sound recordings P027/10 Posters"],"collection_source_collection_id":["P027"],"persistent_url":["https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"item_title":["Artie Gold Poetry Reading April 17, 1977 (2/6)"],"item_title_source":["Handwritten on back of box"],"item_title_note":["There are 6 digitized CDs coinciding with this event"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright belongs to the creator(s).Reproductions are allowed for the purpose of research and private study. Use of material in a publication may only be done with written consent of the copyright owner(s).\"source: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"creator_names":["Unknown"],"creator_names_search":["Unknown"],"creators":["[{\"url\":\"\",\"name\":\"Unknown\",\"dates\":\"\",\"notes\":\"This is a marathon open mic event switching reader every few minutes. The presenter never introduces himself.\",\"nation\":[],\"role\":[\"-1\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"Readers: Unknown male, Roger Stone, Robert Raver, Unknown male\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"Readers: Tinker Greene, Arthur Stone, Robert Raver, Unknown male\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":["",""],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/637/P0027-11-0004.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Reel in plastic casing and box\",\"other_physical_description\":\"Stored in hard plastic box\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"P0027-11-004.2 Artie Gold & Poetry Marathon\",\"channel_field\":\"\",\"sample_rate\":\"44.100 kHz\",\"duration\":\"T00:36:27\",\"precision\":\"\",\"size\":\"368 MB\",\"bitrate\":\"1,411 kbps\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977-04-17\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Written on container\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Véhicule Art Inc.\",\"notes\":\"source of address: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds\",\"address\":\" 61, Ste. Catherine St. West, Montreal, Quebec, Canada\",\"latitude\":\"45.5095887 \",\"longitude\":\"-73.5647249\"}]"],"Address":[" 61, Ste. Catherine St. West, Montreal, Quebec, Canada"],"Venue":["Véhicule Art Inc."],"City":["Montreal, Quebec"],"contents":["Tinker Greene\n00:00:02  \nReads “An Empty Beer Glass”.\n\nTinker Greene\n00:01:43 \nReads poem dedicated to Robin Blaser.\n\nTinker Greene\n00:03:38 \nReads untitled poem.\n\nTinker Greene\n00:04:23 \nIntroduces a poem to a friend who passed away.\n\nTinker Greene\n00:05:33 \nReads “The Wire and the Rose”\n\nArthur Stone\n00:08:43 \nReads “Night”.\n\nArthur Stone\n00:09:39 \nReads “Spice”.\n\nArthur Stone\n00:10:25  \nReads “Notes on the Imperial Verification of Death”.\n\nArthur Stone\n00:14:15 \nReads “Teeth of Salt”.\n\nArthur Stone\n00:15:48 \nReads “The Drivers”.\n\nArthur Stone\n00:16:48 \nReads “Appearances”.\n\nArthur Stone\n00:17:40 \nReads “Elmore Idyll”. \n\nArthur Stone\n00:21:05 \nReads “News Item”.\n\nRobert Raver\n00:21:51  \nReads untitled poem.\n\nUnknown [male with heavy accent]\n00:29:25  \nReads “Cranes”.\n\nUnknown [male with heavy accent]\n00:33:27 \nReads untitled poem.\n\nEND\n00:33:28"],"Note":["[{\"note\":\"This marathon reading is digitized on 6 discs of which this is the second disc. This disc includes readings by 4 poets; Tinker Greene and Arthur Stone are guests from Vermont.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548143341568,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1063","cataloger_name":["Klara,du Plessis"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Véhicule Art (Montréal) Inc. fonds (P027)"],"source_collection_label":["Véhicule Art (Montréal) Inc. fonds (P027)"],"collection_contributing_unit":["Concordia University Library Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of ten series, many of them subdivided into sub-series. The documents cover the period 1972 to 1982, however, the great majority of the documents were created between 1973 and 1976. This finding aid deals with the administrative, financial files of this organization as well as the artist and exhibition files, the publicity material (posters, art catalogues), and photographs. There is little documentation for the activities of the Vu00e9hicule Art Inc. gallery from 1976 to 1982. During this time the gallery experienced both administrative and financial difficulties. Frequent changes of staff and insufficient funding contributed to the weakening of the gallery and its activities. The original order of the documents quite faithfully reflected the internal organization of the gallery. Thus, the documents dating from 1972 to 1975, were relatively well organized and required no further arrangement; on the other hand, those covering the 1976-1982 period needed complete reorganization. The fonds is organized into the following series: P027/01 Organization P027/02 Personnel P027/03 Finances P027/04 Programming P027/05 Artists, exhibitions and performances P027/06 Associations P027/07 Correspondence P027/08 Photographs P027/09 Sound recordings P027/10 Posters"],"collection_source_collection_id":["P027"],"persistent_url":["https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"item_title":["Artie Gold Poetry Reading April 17, 1977 (3/6)"],"item_title_source":["Handwritten sticker on front of box"],"item_title_note":["Also handwritten \"Marathon '77\" on spine of box; back of reel handwritten \"Side One Left: Artie Gold April 17, 1977; different fonds number on box P027.9.SR4. There are 6 digitized CDs coinciding with this event"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright belongs to the creator(s).Reproductions are allowed for the purpose of research and private study. Use of material in a publication may only be done with written consent of the copyright owner(s).\"source: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"creator_names":["Artie Gold"],"creator_names_search":["Artie Gold"],"creators":["[{\"url\":\"https://viaf.org/viaf/77789307/#Gold,_Artie\",\"name\":\"Artie Gold\",\"dates\":\"1947-2007\",\"notes\":\"This CD 3/6 includes only a reading by Gold.\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/638/P0027-11-0004.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Reel in plastic casing and box\",\"other_physical_description\":\"Stored in hard plastic box\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"P0027-11-004.3 Artie Gold & Poetry Marathon\",\"channel_field\":\"\",\"sample_rate\":\"44.100 kHz\",\"duration\":\"T00:42:47\",\"precision\":\"\",\"size\":\"431.8 MB\",\"bitrate\":\"1,411 kbps\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"P0027-11-004.3 Artie Gold & Poetry Marathon\",\"channel_field\":\"\",\"sample_rate\":\"44.100 kHz\",\"duration\":\"T00:42:47\",\"precision\":\"\",\"size\":\"431.8 MB\",\"bitrate\":\"1,411 kbps\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"P0027-11-004.3 Artie Gold & Poetry Marathon\",\"channel_field\":\"\",\"sample_rate\":\"44.100 kHz\",\"duration\":\"T00:42:47\",\"precision\":\"\",\"size\":\"431.8 MB\",\"bitrate\":\"1,411 kbps\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977-04-17\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Written on container\"}]"],"Location":["[{\"url\":\"source of address: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds\",\"venue\":\"Véhicule Art Inc.\",\"notes\":\"\",\"address\":\" 61, Ste. Catherine St. West, Montreal, Quebec, Canada\",\"latitude\":\"45.5095887 \",\"longitude\":\"-73.5647249\"}]"],"Address":[" 61, Ste. Catherine St. West, Montreal, Quebec, Canada"],"Venue":["Véhicule Art Inc."],"City":["Montreal, Quebec"],"contents":["00:00:07 Artie Gold is introduced and future readings are advertised; 00:02:04 Artie Gold introduces his work; 00:02:39 reads untitled poem; 00:03:25 reads untitled poem; 00:04:17 reads long prose piece; 00:16:03 talks about leaving copies of his books at Santropol; 00:17:09 reads untitled poem; 00:18:51 reads very short poem; 00:19:09 reads untitled poem; 00:20:36 reads a cat poem; 00:21:33 reads untitled poem; 00:24:58 reads untitled poem; 00:28:51 reads turtle poem; 00:32:43 reads untitled poem; 00:33:36 reads untitled poem; 00:34:35 reads untitled poem; 00:36:46 reads untitled poem; 00:37:50 reads a poem dedicated to Dwight Gardener; 00:39:50 reads “Sounds” and “Bites of Bites”"],"Note":["[{\"note\":\"This is disc 3 of 6 from a marathon event. This disc includes one long reading by Artie Gold. There is a definite sense of excitement in the audience to hear him read. Gold states that he's only reading unpublished work. A light radio hum is audible in the background.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548145438720,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1064","cataloger_name":["Klara,du Plessis"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Véhicule Art (Montréal) Inc. fonds (P027)"],"source_collection_label":["Véhicule Art (Montréal) Inc. fonds (P027)"],"collection_contributing_unit":["Concordia University Library Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of ten series, many of them subdivided into sub-series. The documents cover the period 1972 to 1982, however, the great majority of the documents were created between 1973 and 1976. This finding aid deals with the administrative, financial files of this organization as well as the artist and exhibition files, the publicity material (posters, art catalogues), and photographs. There is little documentation for the activities of the Vu00e9hicule Art Inc. gallery from 1976 to 1982. During this time the gallery experienced both administrative and financial difficulties. Frequent changes of staff and insufficient funding contributed to the weakening of the gallery and its activities. The original order of the documents quite faithfully reflected the internal organization of the gallery. Thus, the documents dating from 1972 to 1975, were relatively well organized and required no further arrangement; on the other hand, those covering the 1976-1982 period needed complete reorganization. The fonds is organized into the following series: P027/01 Organization P027/02 Personnel P027/03 Finances P027/04 Programming P027/05 Artists, exhibitions and performances P027/06 Associations P027/07 Correspondence P027/08 Photographs P027/09 Sound recordings P027/10 Posters"],"collection_source_collection_id":["P027"],"persistent_url":["https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"item_title":["Artie Gold Poetry Reading April 17, 1977 (4/6)"],"item_title_source":["Handwritten sticker on front of box"],"item_title_note":["Also handwritten \"Marathon '77\" on spine of box; back of reel handwritten \"Side One Left: Artie Gold April 17, 1977; different fonds number on box P027.9.SR4. There are 6 digitized CDs coinciding with this event"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright belongs to the creator(s).Reproductions are allowed for the purpose of research and private study. Use of material in a publication may only be done with written consent of the copyright owner(s).\"source: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"creator_names":["Artie Gold"],"creator_names_search":["Artie Gold"],"creators":["[{\"url\":\"https://viaf.org/viaf/77789307/#Gold,_Artie\",\"name\":\"Artie Gold\",\"dates\":\"1947-2007\",\"notes\":\"This is a collaboration based on collages by Opal Nations (1941-)\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/639/P0027-11-0004.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Reel in plastic casing and box\",\"other_physical_description\":\"Stored in hard plastic box\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"P0027-11-004.4 Artie Gold & Poetry Marathon\",\"channel_field\":\"\",\"sample_rate\":\"44.100 kHz\",\"duration\":\"T00:33:07\",\"precision\":\"\",\"size\":\"334.4 MB\",\"bitrate\":\"1,411 kbps\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977-04-17\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Date taken from container\"}]"],"Location":["[{\"url\":\"source of address: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds\",\"venue\":\"Véhicule Art Inc.\",\"notes\":\"\",\"address\":\" 61, Ste. Catherine St. West, Montreal, Quebec, Canada\",\"latitude\":\"45.5095887 \",\"longitude\":\"-73.5647249\"}]"],"Address":[" 61, Ste. Catherine St. West, Montreal, Quebec, Canada"],"Venue":["Véhicule Art Inc."],"City":["Montreal, Quebec"],"contents":["00:00:09 Background piano music; 00:01:05 Artie Gold discusses his work as a collaboration with 16 collages of Opal Nations; 00:02:36 reads “A Race for Freedom”"],"Note":["[{\"note\":\"This is disc 4 of 6 of a marathon event. This disc includes Artie Gold reading one long, narrative piece which is based on 16 collages by Opal Nations. There is a vague radio hum in the background.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548146487296,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1065","cataloger_name":["Klara,du Plessis"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Véhicule Art (Montréal) Inc. fonds (P027)"],"source_collection_label":["Véhicule Art (Montréal) Inc. fonds (P027)"],"collection_contributing_unit":["Concordia University Library Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of ten series, many of them subdivided into sub-series. The documents cover the period 1972 to 1982, however, the great majority of the documents were created between 1973 and 1976. This finding aid deals with the administrative, financial files of this organization as well as the artist and exhibition files, the publicity material (posters, art catalogues), and photographs. There is little documentation for the activities of the Vu00e9hicule Art Inc. gallery from 1976 to 1982. During this time the gallery experienced both administrative and financial difficulties. Frequent changes of staff and insufficient funding contributed to the weakening of the gallery and its activities. The original order of the documents quite faithfully reflected the internal organization of the gallery. Thus, the documents dating from 1972 to 1975, were relatively well organized and required no further arrangement; on the other hand, those covering the 1976-1982 period needed complete reorganization. The fonds is organized into the following series: P027/01 Organization P027/02 Personnel P027/03 Finances P027/04 Programming P027/05 Artists, exhibitions and performances P027/06 Associations P027/07 Correspondence P027/08 Photographs P027/09 Sound recordings P027/10 Posters"],"collection_source_collection_id":["P027"],"persistent_url":["https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"item_title":["Artie Gold Poetry Reading April 17, 1977 (5/6)"],"item_title_source":["Handwritten sticker on front of box"],"item_title_note":["Also handwritten \"Marathon '77\" on spine of box; back of reel handwritten \"Side One Left: Artie Gold April 17, 1977; different fonds number on box P027.9.SR4. There are 6 digitized CDs coinciding with this event"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright belongs to the creator(s).Reproductions are allowed for the purpose of research and private study. Use of material in a publication may only be done with written consent of the copyright owner(s).\"source: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"creator_names":["Unknown"],"creator_names_search":["Unknown"],"creators":["[{\"url\":\"\",\"name\":\"Unknown\",\"dates\":\"\",\"notes\":\"This is a marathon event with different readers every few minutes.\",\"nation\":[],\"role\":[\"-1\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"Readers: Tom Ezzi, Richard Summer, Artie Gold, Ken Norris and André Farkas (accompanied by double bass by Steven Barry)\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":[""],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/640/P0027-11-0004.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Reel in plastic casing and box\",\"other_physical_description\":\"Stored in hard plastic box\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"P0027-11-004.5 Artie Gold & Poetry Marathon\",\"channel_field\":\"\",\"sample_rate\":\"44.100 kHz\",\"duration\":\"T00:47:33\",\"precision\":\"\",\"size\":\"480 MB\",\"bitrate\":\"1,411 kbps\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"P0027-11-004.5 Artie Gold & Poetry Marathon\",\"channel_field\":\"\",\"sample_rate\":\"44.100 kHz\",\"duration\":\"T00:47:33\",\"precision\":\"\",\"size\":\"480 MB\",\"bitrate\":\"1,411 kbps\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977-04-17\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Date taken from container\"}]"],"Location":["[{\"url\":\"source of address: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds\",\"venue\":\"Véhicule Art Inc.\",\"notes\":\"\",\"address\":\" 61, Ste. Catherine St. West, Montreal, Quebec, Canada\",\"latitude\":\"45.5095887 \",\"longitude\":\"-73.5647249\"}]"],"Address":[" 61, Ste. Catherine St. West, Montreal, Quebec, Canada"],"Venue":["Véhicule Art Inc."],"City":["Montreal, Quebec"],"contents":["00:00:04 audience asked not to smoke indoors; 00:00:25 Tom Ezzi reads “Incident in the Deep South”; 00:10:13 Richard Summer introduces his children’s poem; 00:12:11 reads  “The Giant Sunrise Bird”; 00:24:11 Artie Gold introduces his work; 00:24:55 reads untitled poem; 00:26:11 reads untitled poem; 00:33:50 Ken Norris and André Farkas read a collaborative poem for two voices “Where Men, It Is”; 00:36:48 André Farkas (accompanied by double bass by Steven Barry) reads “No Parking”"],"Note":["[{\"note\":\"This is disc 5 of 6 of a marathon reading. This disc includes four main readings, notably a collaborative reading for two voices by Ken Norris and André Farkas, as well as Farkas accompanied by double bass.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548156973056,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1066","cataloger_name":["Klara,du Plessis"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Véhicule Art (Montréal) Inc. fonds (P027)"],"source_collection_label":["Véhicule Art (Montréal) Inc. fonds (P027)"],"collection_contributing_unit":["Concordia University Library Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of ten series, many of them subdivided into sub-series. The documents cover the period 1972 to 1982, however, the great majority of the documents were created between 1973 and 1976. This finding aid deals with the administrative, financial files of this organization as well as the artist and exhibition files, the publicity material (posters, art catalogues), and photographs. There is little documentation for the activities of the Vu00e9hicule Art Inc. gallery from 1976 to 1982. During this time the gallery experienced both administrative and financial difficulties. Frequent changes of staff and insufficient funding contributed to the weakening of the gallery and its activities. The original order of the documents quite faithfully reflected the internal organization of the gallery. Thus, the documents dating from 1972 to 1975, were relatively well organized and required no further arrangement; on the other hand, those covering the 1976-1982 period needed complete reorganization. The fonds is organized into the following series: P027/01 Organization P027/02 Personnel P027/03 Finances P027/04 Programming P027/05 Artists, exhibitions and performances P027/06 Associations P027/07 Correspondence P027/08 Photographs P027/09 Sound recordings P027/10 Posters"],"collection_source_collection_id":["P027"],"persistent_url":["https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"item_title":["Artie Gold Poetry Reading April 17, 1977 (6/6)"],"item_title_source":["Handwritten sticker on front of box"],"item_title_note":["Also handwritten \"Marathon '77\" on spine of box; back of reel handwritten \"Side One Left: Artie Gold April 17, 1977; different fonds number on box P027.9.SR4. There are 6 digitized CDs coinciding with this event"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright belongs to the creator(s).Reproductions are allowed for the purpose of research and private study. Use of material in a publication may only be done with written consent of the copyright owner(s).\"source: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"Readers: Ken Norris, André Farkas, Stephen Morrissey, Opal L. Nations\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":[""],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/641/P0027-11-0004.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Reel in plastic casing and box\",\"other_physical_description\":\"Stored in hard plastic box\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"P0027-11-004.6 Artie Gold & Poetry Marathon\",\"channel_field\":\"\",\"sample_rate\":\"44.100 kHz\",\"duration\":\"T00:44:28\",\"precision\":\"\",\"size\":\"449 MB\",\"bitrate\":\"1,411 kbps\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977-04-17\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Date taken from container\"}]"],"Location":["[{\"url\":\"source of address: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds\",\"venue\":\"Véhicule Art Inc.\",\"notes\":\"\",\"address\":\" 61, Ste. Catherine St. West, Montreal, Quebec, Canada\",\"latitude\":\"45.5095887 \",\"longitude\":\"-73.5647249\"}]"],"Address":[" 61, Ste. Catherine St. West, Montreal, Quebec, Canada"],"Venue":["Véhicule Art Inc."],"City":["Montreal, Quebec"],"contents":["00:00:04 Ken Norris makes a snide comment about bringing a band next time; 00:01:41reads work that is in conversation with T.S. Eliot; 00:05:49 (break) 00:06:32 André Farkas introduces work inspired by Romantic literature; 00:08:11 reads untitled poem; 00:14:45 Stephen Morrissey plugs John McAuley’s book; 00:15:46 reads excerpts from “Divisions”; 00:18:13 reads “The Things I have Failed at”; 00:22:02 Opal L. Nations introduces his work; 00:22:48 reads long narrative work dedicated to Ken Norris;  00:44:06 closing remarks and thanks"],"Note":["[{\"note\":\"This is disc 6 of 6 of a marathon event. This disc includes 4 readings by members of Véhicule Art Inc.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548160118784,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1067","cataloger_name":["Klara,du Plessis"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Véhicule Art (Montréal) Inc. fonds (P027)"],"source_collection_label":["Véhicule Art (Montréal) Inc. fonds (P027)"],"collection_contributing_unit":["Concordia University Library Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of ten series, many of them subdivided into sub-series. The documents cover the period 1972 to 1982, however, the great majority of the documents were created between 1973 and 1976. This finding aid deals with the administrative, financial files of this organization as well as the artist and exhibition files, the publicity material (posters, art catalogues), and photographs. There is little documentation for the activities of the Vu00e9hicule Art Inc. gallery from 1976 to 1982. During this time the gallery experienced both administrative and financial difficulties. Frequent changes of staff and insufficient funding contributed to the weakening of the gallery and its activities. The original order of the documents quite faithfully reflected the internal organization of the gallery. Thus, the documents dating from 1972 to 1975, were relatively well organized and required no further arrangement; on the other hand, those covering the 1976-1982 period needed complete reorganization. The fonds is organized into the following series: P027/01 Organization P027/02 Personnel P027/03 Finances P027/04 Programming P027/05 Artists, exhibitions and performances P027/06 Associations P027/07 Correspondence P027/08 Photographs P027/09 Sound recordings P027/10 Posters"],"collection_source_collection_id":["P027"],"persistent_url":["https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"item_title":["12/12/76 Mattie Falworth & Guy Birchard"],"item_title_source":["Handwritten sticker on front of box"],"item_title_note":["Spelling error on sticker; title typed on sticker stuck on spine of box; different fonds number on box P027/SR5"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright belongs to the creator(s).Reproductions are allowed for the purpose of research and private study. Use of material in a publication may only be done with written consent of the copyright owner(s).\"source: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"creator_names":["Mattie Falworth"],"creator_names_search":["Mattie Falworth"],"creators":["[{\"url\":\"https://viaf.org/viaf/1529239/#Falworth,_Mattie\",\"name\":\"Mattie Falworth\",\"dates\":\"1930-\",\"notes\":\"This reading is billed as Falworth and Guy Burchard, but only contains a reading by Falworth--P0027-11-0001 is billed identically but only contained a reading by Burchard. These recordings are therefore a pair.\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/642/P0027-11-0005.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Tape starting to unravel\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Stored in hard plastic box\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"P0027-11-005 Poetry Reading: Mattie Falworth & Guy Burchard\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:55:18\",\"precision\":\"\",\"size\":\"558.2 MB\",\"bitrate\":\"1,411 kbps\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"12 December 1976\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Date taken from container\"}]"],"Location":["[{\"url\":\"source of address: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds\",\"venue\":\"Véhicule Art Inc.\",\"notes\":\"\",\"address\":\" 61, Ste. Catherine St. West, Montreal, Quebec, Canada\",\"latitude\":\"45.5095887 \",\"longitude\":\"-73.5647249\"}]"],"Address":[" 61, Ste. Catherine St. West, Montreal, Quebec, Canada"],"Venue":["Véhicule Art Inc."],"City":["Montreal, Quebec"],"contents":["00:00:09 mic adjustment; 00:00:18 Mattie Falworth fumbles with papers; 00:01:02 reads “The Death and the Birth of the Seneca”; 00:02:43 reads “Kahnawake”;  00:03:20 reads “Progress”; 00:04:24 reads “Kahnawake Conference”; 00:06:00 reads “Adult Extension”; 00:07:24 preambles; 00:08:45 reads “Bangladesh”; 00:09:58 reads “Genre Report”; 00:11:24 tells that Louis Dudek told her to become less politically involved; 00:11:54 reads untitled poem; 00:13:05 reads “Silent Seasons”; 00:14:24 reads “Lover”; 00:15:27 reads “Land Claim”; 00:16:31 reads “Flower Child”; 00:19:49 reads “Deception”; 00:21:12 reads “Dwelling”; 00:22:50 reads “Parchment”; 00:24:15 reads “When will you be at term”; 00:26:12 reads “Generation”; 00:27:19 reads “Handmaiden”; 00:28:47 (break cuts out); 00:28:52 reads poem; 00:31:21 reads “October 26, 1813”; 00:33:06 reads “The Battle”; 00:35:13 preambles; 00:36:06 reads untitled poem; 00:37:26 reads “Odyssey”; 00:39:08 reads “St. Agnes”; 00:40:04 reads poem; 00:42:37 reads “Poet”; 00:43:25 reads “Sell-Out”; 00:45:23 reads untitled poem; 00:47:51 reads “Streets”; 00:49:25 notes that her poems are all very gloomy; 00:49:34 reads poem; 00:50:34 reads “Libby remembers Hepatitis”; 00:52:51 reads “Peacefully In Bed”; 00:53:35 reads “Headline”"],"Note":["[{\"note\":\"Recording includes hour-long reading by Mattie Falworth. Many of the chosen poems deal with politically engaged Indigenous issues in Canada, as well as historical material. \",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548172701696,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1068","cataloger_name":["Klara,du Plessis"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Véhicule Art (Montréal) Inc. fonds (P027)"],"source_collection_label":["Véhicule Art (Montréal) Inc. fonds (P027)"],"collection_contributing_unit":["Concordia University Library Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of ten series, many of them subdivided into sub-series. The documents cover the period 1972 to 1982, however, the great majority of the documents were created between 1973 and 1976. This finding aid deals with the administrative, financial files of this organization as well as the artist and exhibition files, the publicity material (posters, art catalogues), and photographs. There is little documentation for the activities of the Vu00e9hicule Art Inc. gallery from 1976 to 1982. During this time the gallery experienced both administrative and financial difficulties. Frequent changes of staff and insufficient funding contributed to the weakening of the gallery and its activities. The original order of the documents quite faithfully reflected the internal organization of the gallery. Thus, the documents dating from 1972 to 1975, were relatively well organized and required no further arrangement; on the other hand, those covering the 1976-1982 period needed complete reorganization. The fonds is organized into the following series: P027/01 Organization P027/02 Personnel P027/03 Finances P027/04 Programming P027/05 Artists, exhibitions and performances P027/06 Associations P027/07 Correspondence P027/08 Photographs P027/09 Sound recordings P027/10 Posters"],"collection_source_collection_id":["P027"],"persistent_url":["https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"item_title":["Open Reading Nov. 20/77 (2/2)"],"item_title_source":["Handwritten on back of box"],"item_title_note":["Different fonds number P027.9.SR6 on box"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright belongs to the creator(s).Reproductions are allowed for the purpose of research and private study. Use of material in a publication may only be done with written consent of the copyright owner(s).\"source: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"This is a marathon event with different readers every few minutes.\",\"nation\":[],\"role\":[\"-1\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"Readers: Lobie, Dave Stracken, Julian Labadane (French), Stephen Morrissey, unknown male, Alison Denning, Bob Caswell, Arthur Stone\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":[""],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/643/P0027-11-0006.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Stored in cardboard BASF box\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"P0027-11-06 Open Reading\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:52:19\",\"precision\":\"\",\"size\":\"528.1 MB\",\"bitrate\":\"1,411 kbps\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"30 November 1977\",\"type\":\"Production Date\",\"notes\":\"Uncertain. Concordia Special Collections has archived this event as taking place on 30 November 1977, but the sticker on the box reads 20 November 1977.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"source of address: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds\",\"venue\":\"Véhicule Art Inc.\",\"notes\":\"\",\"address\":\" 61, Ste. Catherine St. West, Montreal, Quebec, Canada\",\"latitude\":\"45.5095887 \",\"longitude\":\"-73.5647249\"}]"],"Address":[" 61, Ste. Catherine St. West, Montreal, Quebec, Canada"],"Venue":["Véhicule Art Inc."],"City":["Montreal, Quebec"],"contents":["00:00:05 Lobie reads untitled poem; 00:03:32 reads “Sea”; 00:07:52  Dave Stracken reads untitled poem; 00:09:10 reads “Torro”; 00:10:02 reads untitled poem; 00:11:27 (break) 00:11:52 Julian Labadane (French) reads “La Lune Ronde”; 00:13:10 reads “J’Avais Oublié”; 00:13:53 reads “Soleil Rouge”; 00:16:03 Stephen Morrissey reads untitled poem; 00:17:50 reads poem for Max Ernst; 00:19:33 reads from “Montreal English Poetry from the 70s”; 00:22:02 reads “Poem”; 00:24:47 host reads “Anglophobia Francophobia”; 00:28:37 Alison Denning reads “The Myth of Fame”; 00:30:46 reads “Dissheveled”; 00:33:43 reads postcard poems, “Postcard from Miami Beach”; 00:35:00 reads untitled farm poem; 00:35:55 reads “Virgins, Grandmothers and a Japanese Print”; 00:37:27 reads “Aurora”; 00:38:48 Bob Caswell reads “Evening Trip 1957”; 00:43:42 reads untitled poem”; 00:46:47 reads “On the death of Robert Lowell”; 00:49:52 Arthur Stone reads “A Gathering”"],"Note":["[{\"note\":\"This is the second of two discs of an Open Reading marathon event. Eight readers present short open-mic style readings. The host introduces five poets visiting from Burlington, Vermont, but only three are recorded.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548177944576,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1069","cataloger_name":["Klara,du Plessis"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Véhicule Art (Montréal) Inc. fonds (P027)"],"source_collection_label":["Véhicule Art (Montréal) Inc. fonds (P027)"],"collection_contributing_unit":["Concordia University Library Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of ten series, many of them subdivided into sub-series. The documents cover the period 1972 to 1982, however, the great majority of the documents were created between 1973 and 1976. This finding aid deals with the administrative, financial files of this organization as well as the artist and exhibition files, the publicity material (posters, art catalogues), and photographs. There is little documentation for the activities of the Vu00e9hicule Art Inc. gallery from 1976 to 1982. During this time the gallery experienced both administrative and financial difficulties. Frequent changes of staff and insufficient funding contributed to the weakening of the gallery and its activities. The original order of the documents quite faithfully reflected the internal organization of the gallery. Thus, the documents dating from 1972 to 1975, were relatively well organized and required no further arrangement; on the other hand, those covering the 1976-1982 period needed complete reorganization. The fonds is organized into the following series: P027/01 Organization P027/02 Personnel P027/03 Finances P027/04 Programming P027/05 Artists, exhibitions and performances P027/06 Associations P027/07 Correspondence P027/08 Photographs P027/09 Sound recordings P027/10 Posters"],"collection_source_collection_id":["P027"],"persistent_url":["https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"item_title":["Open Reading Nov. 20/77 (1/2)"],"item_title_source":["Handwritten on back of box"],"item_title_note":["Different fonds number P027.9.SR6 on box"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright belongs to the creator(s).Reproductions are allowed for the purpose of research and private study. Use of material in a publication may only be done with written consent of the copyright owner(s).\"source: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"creator_names":["Unknown"],"creator_names_search":["Unknown"],"creators":["[{\"url\":\"\",\"name\":\"Unknown\",\"dates\":\"\",\"notes\":\"This is a marathon event with different readers every few minutes.\",\"nation\":[],\"role\":[\"-1\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"Readers: Unknown male, Steven Mayoff, Vivien Katz, Fred Hurskowitz, Anthony Grahamm Lobie\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"Readers: Unknown male, Steven Mayoff, Vivien Katz, Fred Hurskowitz, Anthony Graham,  Lobie\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":["",""],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/644/P0027-11-0006.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Stored in cardboard BASF box\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"P0027-11-06 Open Reading\",\"channel_field\":\"\",\"sample_rate\":\"44.100 kHz\",\"duration\":\"T00:29:50\",\"precision\":\"\",\"size\":\"301.1 MB\",\"bitrate\":\"1,411 kbps\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"P0027-11-06 Open Reading\",\"channel_field\":\"\",\"sample_rate\":\"44.100 kHz\",\"duration\":\"T00:29:50\",\"precision\":\"\",\"size\":\"301.1 MB\",\"bitrate\":\"1,411 kbps\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"30 November 1977\",\"type\":\"Production Date\",\"notes\":\"Uncertain. Concordia Special Collections has archived this event as taking place on 30 November 1977, but the sticker on the box reads 20 November 1977.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"source of address: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds\",\"venue\":\"Véhicule Art Inc.\",\"notes\":\"\",\"address\":\" 61, Ste. Catherine St. West, Montreal, Quebec, Canada\",\"latitude\":\"45.5095887 \",\"longitude\":\"-73.5647249\"}]"],"Address":[" 61, Ste. Catherine St. West, Montreal, Quebec, Canada"],"Venue":["Véhicule Art Inc."],"City":["Montreal, Quebec"],"contents":["00:00:01 unknown male voice reads “Tribute to Paul Rose”; 00:01:49 reads “But Still”; 00:02:44 reads “One More Migration”; 00:04:42 reads “Blues and a Giggle”; 00:05:31 reads a Montreal poem; 00:05:58 reads “Gone Tripping”; 00:06:21 Steven Mayoff reads from an upcoming book called “From my one free hand”; 00:06:36 reads “Phone booth”; 00:07:47 reads “Hand Job”; 00:08:37 reads “Centrefold”; 00:09:13 reads “The one who sits in the park”; 00:10:14 reads “Thirst”; 00:10:51 reads “Telephone”; 00:12:15 Vivien Katz reads untitled poem; 00:14:37 reads untitled poem; 00:14:59 reads untitled poem; 00:15:27 Fred Hurskowitz reads “The Statesmen”; 00:16:22 reads “God is black”; 00:17:33 reads “The Critic”; #00:18:18.72# reads “Fads”; 00:18:24 reads “Renaissance Painting”; 00:19:52 reads “The Free Morning Paper”; 00:20:27 Anthony Graham reads “English Landscape”; 00:21:52 reads “Canadian Landscape”; 00:22:45 reads “Waiting”; 00:24:02 reads “Graffito for Pierre”; 00:25:55 Lobie reads untitled poem; 00:26:58 sound cuts out"],"Note":["[{\"note\":\"This is disc one of two from an Open Reading marathon event. A series of poets read for 5-10 minutes each, open mic-style.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548183187456,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1070","cataloger_name":["Klara,du Plessis"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Véhicule Art (Montréal) Inc. fonds (P027)"],"source_collection_label":["Véhicule Art (Montréal) Inc. fonds (P027)"],"collection_contributing_unit":["Concordia University Library Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of ten series, many of them subdivided into sub-series. The documents cover the period 1972 to 1982, however, the great majority of the documents were created between 1973 and 1976. This finding aid deals with the administrative, financial files of this organization as well as the artist and exhibition files, the publicity material (posters, art catalogues), and photographs. There is little documentation for the activities of the Vu00e9hicule Art Inc. gallery from 1976 to 1982. During this time the gallery experienced both administrative and financial difficulties. Frequent changes of staff and insufficient funding contributed to the weakening of the gallery and its activities. The original order of the documents quite faithfully reflected the internal organization of the gallery. Thus, the documents dating from 1972 to 1975, were relatively well organized and required no further arrangement; on the other hand, those covering the 1976-1982 period needed complete reorganization. The fonds is organized into the following series: P027/01 Organization P027/02 Personnel P027/03 Finances P027/04 Programming P027/05 Artists, exhibitions and performances P027/06 Associations P027/07 Correspondence P027/08 Photographs P027/09 Sound recordings P027/10 Posters"],"collection_source_collection_id":["P027"],"persistent_url":["https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"item_title":["Open Reading Dec. 19 1976 (1/2)"],"item_title_source":["Handwritten on back of box"],"item_title_note":["Different fonds number P027.9.SR7 on box"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright belongs to the creator(s).Reproductions are allowed for the purpose of research and private study. Use of material in a publication may only be done with written consent of the copyright owner(s).\"source: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"This is a marathon event with different readers every few minutes.\",\"nation\":[],\"role\":[\"-1\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"Readers are not introduced. Seven male voices and two female voices read.\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":[""],"Production_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/645/P0027-11-0007.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Stored in hard plastic box\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"P0027-11-07 Open Reading\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:51:32\",\"precision\":\"\",\"size\":\"520.2 MB\",\"bitrate\":\"1,411 kbps\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"19 December 1976\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Date taken from container\"}]"],"Location":["[{\"url\":\"source of address: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds\",\"venue\":\"Véhicule Art Inc.\",\"notes\":\"\",\"address\":\" 61, Ste. Catherine St. West, Montreal, Quebec, Canada\",\"latitude\":\"45.5095887 \",\"longitude\":\"-73.5647249\"}]"],"Address":[" 61, Ste. Catherine St. West, Montreal, Quebec, Canada"],"Venue":["Véhicule Art Inc."],"City":["Montreal, Quebec"],"contents":["00:00:00 testing mic; 00:00:37 unknown woman reads “Starlings, an Early Memory”; 00:03:28 reads “Why R&R”; 00:07:32 unknown man reads “The Windows”; 00:08:42 reads untitled poem; 00:09:32 reads a five-part poem based on Robin Blaser; 00:12:55 unknown man reads “Midsummer”; 00:18:45 unknown man reads “Milestones”; 00:20:03 reads “Overheard”; 00:21:32 reads untitled poem; 00:22:33 reads “Improvisations”; 00:23:56 unknown man reads “Brunch”; 00:24:41 reads “Teen Angel”; 00:25:31 reads “Fallout Lyric”; 00:26:02 reads “Jeep”; 00:26:56 reads “Finger Paints”; 00:27:35 reads “The Possessions”; 00:29:07 reads “Siberia”; 00:30:21 unknown man reads untitled poem; 00:31:37 reads “His Territory”; 00:33:14 reads “The Violets”; 00:33:56 reads “The Snowpeas”; 00:34:26 reads “The Crimson Sun”; 00:36:01 unknown woman reads “Homecoming”; 00:37:44 reads untitled poem; 00:38:33 reads untitled dialect poem; 00:40:28 reads “I accuse you”; 00:41:01 unknown man reads untitled poem; 00:41:21 reads for “Alex Cova”; 00:43:23 reads “Evening”; 00:46:02 unknown man reads “Once Upon a Life”; 00:48:00 reads untitled poem; 00:48:56 reads “The Slur on my Hand”"],"Note":["[{\"note\":\"This is the first of two discs of an Open Reading marathon event. Nine poets read short sections of work, open-mic-style. No one is introduced and no one introduces themselves.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548187381760,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1071","cataloger_name":["Klara,du Plessis"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Véhicule Art (Montréal) Inc. fonds (P027)"],"source_collection_label":["Véhicule Art (Montréal) Inc. fonds (P027)"],"collection_contributing_unit":["Concordia University Library Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of ten series, many of them subdivided into sub-series. The documents cover the period 1972 to 1982, however, the great majority of the documents were created between 1973 and 1976. This finding aid deals with the administrative, financial files of this organization as well as the artist and exhibition files, the publicity material (posters, art catalogues), and photographs. There is little documentation for the activities of the Vu00e9hicule Art Inc. gallery from 1976 to 1982. During this time the gallery experienced both administrative and financial difficulties. Frequent changes of staff and insufficient funding contributed to the weakening of the gallery and its activities. The original order of the documents quite faithfully reflected the internal organization of the gallery. Thus, the documents dating from 1972 to 1975, were relatively well organized and required no further arrangement; on the other hand, those covering the 1976-1982 period needed complete reorganization. The fonds is organized into the following series: P027/01 Organization P027/02 Personnel P027/03 Finances P027/04 Programming P027/05 Artists, exhibitions and performances P027/06 Associations P027/07 Correspondence P027/08 Photographs P027/09 Sound recordings P027/10 Posters"],"collection_source_collection_id":["P027"],"persistent_url":["https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"item_title":["Open Reading Dec. 19 1976 (2/2)"],"item_title_source":["Handwritten on back of box"],"item_title_note":["Different fonds number P027.9.SR7 on box"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright belongs to the creator(s).Reproductions are allowed for the purpose of research and private study. Use of material in a publication may only be done with written consent of the copyright owner(s).\"source: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"This is a marathon event with different readers every few minutes.\",\"nation\":[],\"role\":[\"-1\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"Readers not introduced. Three male and three female voices read.\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":[""],"Production_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/646/P0027-11-0007.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Stored in hard plastic box\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"P0027-11-07 Open Reading\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:34:30\",\"precision\":\"\",\"size\":\"348.2 MB\",\"bitrate\":\"1,411 kbps\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"19 December 1976\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Date taken from container\"}]"],"Location":["[{\"url\":\"source of address: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds\",\"venue\":\"Véhicule Art Inc.\",\"notes\":\"\",\"address\":\" 61, Ste. Catherine St. West, Montreal, Quebec, Canada\",\"latitude\":\"45.5095887 \",\"longitude\":\"-73.5647249\"}]"],"Address":[" 61, Ste. Catherine St. West, Montreal, Quebec, Canada"],"Venue":["Véhicule Art Inc."],"City":["Montreal, Quebec"],"contents":["00:00:15 unknown man suggests that his work should be performed with a band; 00:00:35 reads “Random song to a girl on the road”; 00:03:31 cuts abruptly; 00:03:37 reads untitled poem; 00:08:42 unknown woman reads a Christmas poem, “Patterns”; 00:11:25 reads “Grendyl’s Resurection”; 00:14:05 unknown man reads untitled poem about McGill University; 00:15:29 reads untitled poem; 00:17:02 reads untitled poem; 00:18:52 unknown man reads “Trying not to make it sound too obvious”; 00:22:16 unknown woman reads untitled poem; 00:25:42 unknown woman reads untitled poem; 00:26:38 reads “Numbering at Bethlehem”; 00:28:46 reads “Jiggery Pokery”; 00:30:17 reads poem based on Shulamith legend "],"Note":["[{\"note\":\"This is the second of two discs of an Open Reading marathon event. Six readers share short 5 minute selections of their poetry. No one is introduced and no one introduces themselves.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548190527488,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1072","cataloger_name":["Klara,du Plessis"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Véhicule Art (Montréal) Inc. fonds (P027)"],"source_collection_label":["Véhicule Art (Montréal) Inc. fonds (P027)"],"collection_contributing_unit":["Concordia University Library Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of ten series, many of them subdivided into sub-series. The documents cover the period 1972 to 1982, however, the great majority of the documents were created between 1973 and 1976. This finding aid deals with the administrative, financial files of this organization as well as the artist and exhibition files, the publicity material (posters, art catalogues), and photographs. There is little documentation for the activities of the Vu00e9hicule Art Inc. gallery from 1976 to 1982. During this time the gallery experienced both administrative and financial difficulties. Frequent changes of staff and insufficient funding contributed to the weakening of the gallery and its activities. The original order of the documents quite faithfully reflected the internal organization of the gallery. Thus, the documents dating from 1972 to 1975, were relatively well organized and required no further arrangement; on the other hand, those covering the 1976-1982 period needed complete reorganization. The fonds is organized into the following series: P027/01 Organization P027/02 Personnel P027/03 Finances P027/04 Programming P027/05 Artists, exhibitions and performances P027/06 Associations P027/07 Correspondence P027/08 Photographs P027/09 Sound recordings P027/10 Posters"],"collection_source_collection_id":["P027"],"persistent_url":["https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"item_title":["burwell / toop (1/2)"],"item_title_source":["Printed on inleaf"],"item_title_note":["Different fonds number P027/SR17 on cassette "],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright belongs to the creator(s).Reproductions are allowed for the purpose of research and private study. Use of material in a publication may only be done with written consent of the copyright owner(s).\"source: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"creator_names":["David Toop","Paul Burwell"],"creator_names_search":["David Toop","Paul Burwell"],"creators":["[{\"url\":\"https://en.wikipedia.org/wiki/David_Toop\",\"name\":\"David Toop\",\"dates\":\"1949-\",\"notes\":\"Role: composer and performer\",\"nation\":[],\"role\":[\"-1\"]},{\"url\":\"https://en.wikipedia.org/wiki/Paul_Burwell\",\"name\":\"Paul Burwell\",\"dates\":\"1949-2007\",\"notes\":\"Role: composer and performer\",\"nation\":[],\"role\":[\"-1\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/647/P027-11-0017.png\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"Plastic casing and paper inleaf with photo image of mummy\"}]"],"material_designations":["Cassette"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"P0027-11-17 Burwell / Toop\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:42:29\",\"precision\":\"\",\"size\":\"428.9 MB\",\"bitrate\":\"1,411 kbps\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976\",\"type\":\"Production Date\",\"notes\":\"Exact date unknown\",\"source\":\"Written on artifact\"}]"],"Location":["[{\"url\":\"source of address: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds\",\"venue\":\"Véhicule Art Inc.\",\"notes\":\"\",\"address\":\" 61, Ste. Catherine St. West, Montreal, Quebec, Canada\",\"latitude\":\"45.5095887 \",\"longitude\":\"-73.5647249\"}]"],"Address":[" 61, Ste. Catherine St. West, Montreal, Quebec, Canada"],"Venue":["Véhicule Art Inc."],"City":["Montreal, Quebec"],"contents":["00:04.64-00:42:29 Noise music / soundscape by Paul Burwell and David Toop"],"Note":["[{\"note\":\"This recording contains one continuous experimental music performance including at least percussion, trumpet, fiddle, flutes and electric guitar.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548197867520,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1073","cataloger_name":["Klara,du Plessis"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Véhicule Art (Montréal) Inc. fonds (P027)"],"source_collection_label":["Véhicule Art (Montréal) Inc. fonds (P027)"],"collection_contributing_unit":["Concordia University Library Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of ten series, many of them subdivided into sub-series. The documents cover the period 1972 to 1982, however, the great majority of the documents were created between 1973 and 1976. This finding aid deals with the administrative, financial files of this organization as well as the artist and exhibition files, the publicity material (posters, art catalogues), and photographs. There is little documentation for the activities of the Vu00e9hicule Art Inc. gallery from 1976 to 1982. During this time the gallery experienced both administrative and financial difficulties. Frequent changes of staff and insufficient funding contributed to the weakening of the gallery and its activities. The original order of the documents quite faithfully reflected the internal organization of the gallery. Thus, the documents dating from 1972 to 1975, were relatively well organized and required no further arrangement; on the other hand, those covering the 1976-1982 period needed complete reorganization. The fonds is organized into the following series: P027/01 Organization P027/02 Personnel P027/03 Finances P027/04 Programming P027/05 Artists, exhibitions and performances P027/06 Associations P027/07 Correspondence P027/08 Photographs P027/09 Sound recordings P027/10 Posters"],"collection_source_collection_id":["P027"],"persistent_url":["https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"item_title":["burwell / toop (2/2)"],"item_title_source":["Printed on inleaf"],"item_title_note":["Different fonds number P027/SR17 on cassette "],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright belongs to the creator(s).Reproductions are allowed for the purpose of research and private study. Use of material in a publication may only be done with written consent of the copyright owner(s).\"source: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"creator_names":["Paul Burwell","David Toop","David Toop"],"creator_names_search":["Paul Burwell","David Toop","David Toop"],"creators":["[{\"url\":\"https://en.wikipedia.org/wiki/Paul_Burwell\",\"name\":\"Paul Burwell\",\"dates\":\"1949-2007\",\"notes\":\"Role: composer and performer\",\"nation\":[],\"role\":[\"-1\"]},{\"url\":\"https://en.wikipedia.org/wiki/David_Toop\",\"name\":\"David Toop\",\"dates\":\"1949-\",\"notes\":\"Role: composer and performer\",\"nation\":[],\"role\":[\"-1\"]},{\"url\":\"https://en.wikipedia.org/wiki/David_Toop\",\"name\":\"David Toop\",\"dates\":\"1949-\",\"notes\":\"Role: composer and performer\",\"nation\":[],\"role\":[\"-1\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/648/P027-11-0017.png\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"Plastic casing and paper inleaf with photo image of mummy\"}]"],"material_designations":["Cassette"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"P0027-11-17 Burwell / Toop\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:44:50\",\"precision\":\"\",\"size\":\"452.6 MB\",\"bitrate\":\"1,411 kbps\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976\",\"type\":\"Production Date\",\"notes\":\"Exact date unknown\",\"source\":\"Written on artifact\"}]"],"Location":["[{\"url\":\"source of address: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds\",\"venue\":\"Véhicule Art Inc.\",\"notes\":\"\",\"address\":\" 61, Ste. Catherine St. West, Montreal, Quebec, Canada\",\"latitude\":\"45.5095887 \",\"longitude\":\"-73.5647249\"}]"],"Address":[" 61, Ste. Catherine St. West, Montreal, Quebec, Canada"],"Venue":["Véhicule Art Inc."],"City":["Montreal, Quebec"],"contents":["00:06.29-44:50.36 Noise music / soundscape by Paul Burwell and David Toop"],"Note":["[{\"note\":\"This recording contains one continuous experimental music performance including at least percussion, trumpet, fiddle, flutes and electric guitar.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548204158976,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1074","cataloger_name":["Klara,du Plessis"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Véhicule Art (Montréal) Inc. fonds (P027)"],"source_collection_label":["Véhicule Art (Montréal) Inc. fonds (P027)"],"collection_contributing_unit":["Concordia University Library Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of ten series, many of them subdivided into sub-series. The documents cover the period 1972 to 1982, however, the great majority of the documents were created between 1973 and 1976. This finding aid deals with the administrative, financial files of this organization as well as the artist and exhibition files, the publicity material (posters, art catalogues), and photographs. There is little documentation for the activities of the Vu00e9hicule Art Inc. gallery from 1976 to 1982. During this time the gallery experienced both administrative and financial difficulties. Frequent changes of staff and insufficient funding contributed to the weakening of the gallery and its activities. The original order of the documents quite faithfully reflected the internal organization of the gallery. Thus, the documents dating from 1972 to 1975, were relatively well organized and required no further arrangement; on the other hand, those covering the 1976-1982 period needed complete reorganization. The fonds is organized into the following series: P027/01 Organization P027/02 Personnel P027/03 Finances P027/04 Programming P027/05 Artists, exhibitions and performances P027/06 Associations P027/07 Correspondence P027/08 Photographs P027/09 Sound recordings P027/10 Posters"],"collection_source_collection_id":["P027"],"persistent_url":["https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"item_title":["Rober Racine"],"item_title_source":["Handwritten on inleaf"],"item_title_note":["Different fonds number P027/SR18 on cassette"],"item_language":["French"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright belongs to the creator(s).Reproductions are allowed for the purpose of research and private study. Use of material in a publication may only be done with written consent of the copyright owner(s).\"source: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"creator_names":["Rober Racine"],"creator_names_search":["Rober Racine"],"creators":["[{\"url\":\"https://fr.wikipedia.org/wiki/Rober_Racine\",\"name\":\"Rober Racine\",\"dates\":\"1956-\",\"notes\":\"This seems to be a recording for radio broadcast.\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/649/P0027-11-018.png\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"\",\"accompanying_material\":\"Transparent plastic casing and paper inleaf\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"P0027-11-18 Rober Racine\",\"channel_field\":\"\",\"sample_rate\":\"44.100 kHz\",\"duration\":\"T00:13:46\",\"precision\":\"\",\"size\":\"139 MB\",\"bitrate\":\"1,411 kbps\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"P0027-11-18 Rober Racine\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:13:46\",\"precision\":\"\",\"size\":\"139 MB\",\"bitrate\":\"1,411 kbps\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970\",\"type\":\"Production Date\",\"notes\":\"Circa 1970. Exact year not known.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"source of address: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds\",\"venue\":\"Véhicule Art Inc.\",\"notes\":\"\",\"address\":\" 61, Ste. Catherine St. West, Montreal, Quebec, Canada\",\"latitude\":\"45.5095887 \",\"longitude\":\"-73.5647249\"}]"],"Address":[" 61, Ste. Catherine St. West, Montreal, Quebec, Canada"],"Venue":["Véhicule Art Inc."],"City":["Montreal, Quebec"],"contents":["00:00:00 Unknown male voice from Radio Quebec Montreal states in French that this is a radio recording; 01:07.68-00:13:45 Noise music / soundscape by Rober Racine"],"Note":["[{\"note\":\"A male voice announces that this is a recording for Radio Quebec Montreal. The announcement is followed by a short performance of noise music / soundscape-style abstract music.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548225130496,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1075","cataloger_name":["Klara,du Plessis"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Véhicule Art (Montréal) Inc. fonds (P027)"],"source_collection_label":["Véhicule Art (Montréal) Inc. fonds (P027)"],"collection_contributing_unit":["Concordia University Library Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of ten series, many of them subdivided into sub-series. The documents cover the period 1972 to 1982, however, the great majority of the documents were created between 1973 and 1976. This finding aid deals with the administrative, financial files of this organization as well as the artist and exhibition files, the publicity material (posters, art catalogues), and photographs. There is little documentation for the activities of the Vu00e9hicule Art Inc. gallery from 1976 to 1982. During this time the gallery experienced both administrative and financial difficulties. Frequent changes of staff and insufficient funding contributed to the weakening of the gallery and its activities. The original order of the documents quite faithfully reflected the internal organization of the gallery. Thus, the documents dating from 1972 to 1975, were relatively well organized and required no further arrangement; on the other hand, those covering the 1976-1982 period needed complete reorganization. The fonds is organized into the following series: P027/01 Organization P027/02 Personnel P027/03 Finances P027/04 Programming P027/05 Artists, exhibitions and performances P027/06 Associations P027/07 Correspondence P027/08 Photographs P027/09 Sound recordings P027/10 Posters"],"collection_source_collection_id":["P027"],"persistent_url":["https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"item_title":["Without Senza Senza has spoken I have sad exhaustive answers"],"item_title_source":["Record title"],"item_title_note":["The archive includes two copies of the same record. Different fonds number P027.9.SR15 on record."],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright belongs to the creator(s).Reproductions are allowed for the purpose of research and private study. Use of material in a publication may only be done with written consent of the copyright owner(s).\"source: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"creator_names":["Augusto Concato"],"creator_names_search":["Augusto Concato"],"creators":["[{\"url\":\"https://viaf.org/viaf/47649075/#Concato,_Augusto_1939-\",\"name\":\"Augusto Concato\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/650/Screen Shot 2019-09-29 at 3.45.23 PM.png\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Disc\",\"physical_composition\":\"Vinyl\",\"accompanying_material\":\"\",\"other_physical_description\":\"Paper folder, professionally produced/not by Véhicule\"}]"],"material_designations":["Disc"],"physical_compositions":["Vinyl"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"P0027-11-15 Without\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:03:37\",\"precision\":\"\",\"size\":\"36.6 MB\",\"bitrate\":\"1,411 kbps\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"16 May 1977\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Transcribed from artifact\"}]"],"Location":["[{\"url\":\"source of address: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds\",\"venue\":\"Véhicule Art Inc.\",\"notes\":\"\",\"address\":\" 61, Ste. Catherine St. West, Montreal, Quebec, Canada\",\"latitude\":\"45.5095887 \",\"longitude\":\"-73.5647249\"}]"],"Address":[" 61, Ste. Catherine St. West, Montreal, Quebec, Canada"],"Venue":["Véhicule Art Inc."],"City":["Montreal, Quebec"],"contents":["00:00:00-00:03:37 Experimental vocal sound performance by Augusto Concato"],"Note":["[{\"note\":\"This recording contains a single, short track of an experimental vocal performance. The style can be described as something between noise, sound poetry and throat singing.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548227227648,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1076","cataloger_name":["Klara,du Plessis"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Véhicule Art (Montréal) Inc. fonds (P027)"],"source_collection_label":["Véhicule Art (Montréal) Inc. fonds (P027)"],"collection_contributing_unit":["Concordia University Library Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of ten series, many of them subdivided into sub-series. The documents cover the period 1972 to 1982, however, the great majority of the documents were created between 1973 and 1976. This finding aid deals with the administrative, financial files of this organization as well as the artist and exhibition files, the publicity material (posters, art catalogues), and photographs. There is little documentation for the activities of the Vu00e9hicule Art Inc. gallery from 1976 to 1982. During this time the gallery experienced both administrative and financial difficulties. Frequent changes of staff and insufficient funding contributed to the weakening of the gallery and its activities. The original order of the documents quite faithfully reflected the internal organization of the gallery. Thus, the documents dating from 1972 to 1975, were relatively well organized and required no further arrangement; on the other hand, those covering the 1976-1982 period needed complete reorganization. The fonds is organized into the following series: P027/01 Organization P027/02 Personnel P027/03 Finances P027/04 Programming P027/05 Artists, exhibitions and performances P027/06 Associations P027/07 Correspondence P027/08 Photographs P027/09 Sound recordings P027/10 Posters"],"collection_source_collection_id":["P027"],"persistent_url":["https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"item_title":["Bill Jamieson Edward Sanden"],"item_title_source":["Handwritten on spine of cassette"],"item_title_note":["Different fonds number P027/SR16 on cassette"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright belongs to the creator(s).Reproductions are allowed for the purpose of research and private study. Use of material in a publication may only be done with written consent of the copyright owner(s).\"source: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"creator_names":["Bill Jamieson","Edward Sanden"],"creator_names_search":["Bill Jamieson","Edward Sanden"],"creators":["[{\"url\":\"\",\"name\":\"Bill Jamieson\",\"dates\":\"?\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Edward Sanden\",\"dates\":\"?\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/651/P027-11-0016.png\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"Yellow plastic casing\"}]"],"material_designations":["Cassette"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"P0027-11-16 Bill Jamieson / Edward Sanden\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:30:45\",\"precision\":\"\",\"size\":\"310.4 MB\",\"bitrate\":\"1,411 kbps\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970\",\"type\":\"Production Date\",\"notes\":\"Circa 1970. Exact year not known.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"source of address: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds\",\"venue\":\"Véhicule Art Inc.\",\"notes\":\"\",\"address\":\" 61, Ste. Catherine St. West, Montreal, Quebec, Canada\",\"latitude\":\"45.5095887 \",\"longitude\":\"-73.5647249\"}]"],"Address":[" 61, Ste. Catherine St. West, Montreal, Quebec, Canada"],"Venue":["Véhicule Art Inc."],"City":["Montreal, Quebec"],"contents":["00:12.64-00:30:45 Musical performance by Bill Jamieson, jazz inflected"],"Note":["[{\"note\":\"This recording contains one continuous free jazz-style musical performance.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548229324800,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1077","cataloger_name":["Klara,du Plessis"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Véhicule Art (Montréal) Inc. fonds (P027)"],"source_collection_label":["Véhicule Art (Montréal) Inc. fonds (P027)"],"collection_contributing_unit":["Concordia University Library Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of ten series, many of them subdivided into sub-series. The documents cover the period 1972 to 1982, however, the great majority of the documents were created between 1973 and 1976. This finding aid deals with the administrative, financial files of this organization as well as the artist and exhibition files, the publicity material (posters, art catalogues), and photographs. There is little documentation for the activities of the Vu00e9hicule Art Inc. gallery from 1976 to 1982. During this time the gallery experienced both administrative and financial difficulties. Frequent changes of staff and insufficient funding contributed to the weakening of the gallery and its activities. The original order of the documents quite faithfully reflected the internal organization of the gallery. Thus, the documents dating from 1972 to 1975, were relatively well organized and required no further arrangement; on the other hand, those covering the 1976-1982 period needed complete reorganization. The fonds is organized into the following series: P027/01 Organization P027/02 Personnel P027/03 Finances P027/04 Programming P027/05 Artists, exhibitions and performances P027/06 Associations P027/07 Correspondence P027/08 Photographs P027/09 Sound recordings P027/10 Posters"],"collection_source_collection_id":["P027"],"persistent_url":["https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"item_title":["Spare"],"item_title_source":["Handwritten on sticker on cassette"],"item_title_note":["Typed on sticker on cassette “Honey Novick 414 Bathurst Street Toronto Ontario M5T 2S6”; sticky note on cassette “repaired by Roger Tyrell in April 2007”; different fonds number P027/SR19 on cassette."],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright belongs to the creator(s).Reproductions are allowed for the purpose of research and private study. Use of material in a publication may only be done with written consent of the copyright owner(s).\"source: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"creator_names":["Honey Novick"],"creator_names_search":["Honey Novick"],"creators":["[{\"url\":\"\",\"name\":\"Honey Novick\",\"dates\":\"?\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/652/P0027-11-0019.png\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"P0027-11-19 Spare\",\"channel_field\":\"\",\"sample_rate\":\"44.100 kHz\",\"duration\":\"T00:16:09\",\"precision\":\"\",\"size\":\"163 MB\",\"bitrate\":\"1,411 kbps\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"P0027-11-19 Spare\",\"channel_field\":\"\",\"sample_rate\":\"44.100 kHz\",\"duration\":\"T00:16:09\",\"precision\":\"\",\"size\":\"163 MB\",\"bitrate\":\"1,411 kbps\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970\",\"type\":\"Production Date\",\"notes\":\"Circa 1970. Exact year not known.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"source of address: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds\",\"venue\":\"Véhicule Art Inc.\",\"notes\":\"\",\"address\":\" 61, Ste. Catherine St. West, Montreal, Quebec, Canada\",\"latitude\":\"45.5095887 \",\"longitude\":\"-73.5647249\"}]"],"Address":[" 61, Ste. Catherine St. West, Montreal, Quebec, Canada"],"Venue":["Véhicule Art Inc."],"City":["Montreal, Quebec"],"contents":["00:00:00-00:16:09 continuous piano and vocals by Honey Novick"],"Note":["[{\"note\":\"This recording is of a short, experimental performance, including abstract vocals and interactive sounds, such as clapping and stamping.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548230373376,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1078","cataloger_name":["Klara,du Plessis"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Véhicule Art (Montréal) Inc. fonds (P027)"],"source_collection_label":["Véhicule Art (Montréal) Inc. fonds (P027)"],"collection_contributing_unit":["Concordia University Library Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of ten series, many of them subdivided into sub-series. The documents cover the period 1972 to 1982, however, the great majority of the documents were created between 1973 and 1976. This finding aid deals with the administrative, financial files of this organization as well as the artist and exhibition files, the publicity material (posters, art catalogues), and photographs. There is little documentation for the activities of the Vu00e9hicule Art Inc. gallery from 1976 to 1982. During this time the gallery experienced both administrative and financial difficulties. Frequent changes of staff and insufficient funding contributed to the weakening of the gallery and its activities. The original order of the documents quite faithfully reflected the internal organization of the gallery. Thus, the documents dating from 1972 to 1975, were relatively well organized and required no further arrangement; on the other hand, those covering the 1976-1982 period needed complete reorganization. The fonds is organized into the following series: P027/01 Organization P027/02 Personnel P027/03 Finances P027/04 Programming P027/05 Artists, exhibitions and performances P027/06 Associations P027/07 Correspondence P027/08 Photographs P027/09 Sound recordings P027/10 Posters"],"collection_source_collection_id":["P027"],"persistent_url":["https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"item_title":["Carole Ten Brink + Janet Kask (1/2)"],"item_title_source":["Handwritten on spine of box"],"item_title_note":["Handwritten on back of box \"March 5/78 Poetry Reading Carole Ten Brink; different fonds number P027.9.SR9 on box"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright belongs to the creator(s).Reproductions are allowed for the purpose of research and private study. Use of material in a publication may only be done with written consent of the copyright owner(s).\"source: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"creator_names":["Carole Ten Brink","Janet Kask"],"creator_names_search":["Carole Ten Brink","Janet Kask"],"creators":["[{\"url\":\"https://viaf.org/viaf/316912566/#Brink,_Carole_L._Ten,_1940-\",\"name\":\"Carole Ten Brink\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"\",\"name\":\"Janet Kask\",\"dates\":\"19-?\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/653/P0027-11-0009.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Stored in cardboard BASF box\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"P0027-11-09 Ten Carol Brink & Janet Kask\",\"channel_field\":\"\",\"sample_rate\":\"44.100 kHz\",\"duration\":\"T00:55:28\",\"precision\":\"\",\"size\":\"559.9 MB\",\"bitrate\":\"1,411 kbps\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"P0027-11-09 Ten Carol Brink & Janet Kask\",\"channel_field\":\"\",\"sample_rate\":\"44.100 kHz\",\"duration\":\"T00:55:28\",\"precision\":\"\",\"size\":\"559.9 MB\",\"bitrate\":\"1,411 kbps\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"5 March 1978\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Written on artifact\"}]"],"Location":["[{\"url\":\"source of address: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds\",\"venue\":\"Véhicule Art Inc.\",\"notes\":\"\",\"address\":\" 61, Ste. Catherine St. West, Montreal, Quebec, Canada\",\"latitude\":\"45.5095887 \",\"longitude\":\"-73.5647249\"}]"],"Address":[" 61, Ste. Catherine St. West, Montreal, Quebec, Canada"],"Venue":["Véhicule Art Inc."],"City":["Montreal, Quebec"],"contents":["00:00:05 host introduces Carole Ten Brink; 00:00:52 Carole Ten Brink preambles, will be reading new work; 00:01:56 she speaks of her understanding of what poetry is; 00:14:15 reads “Golden Molten Line”; 00:15:30 introduces “Fumes of Light”; 00:16:43 reads “Fumes of Light”; 00:17:33 introduces “Dragons”; 00:17:45 reads “Dragons”; 00:19:25 introduces “Welding Time Together”; reads “Welding Time Together”; 00:21:12 preambles; 00:22:16 reads untitled poem; 00:24:26 preambles; 00:25:07 reads “Eve of the Year 2000”; 00:25:45 reads “Genesis”; 00:26:41 preambles about experimental poetry; 00:27:52 reads “Soft Circles” after Gertrude Stein; 00:29:35 preambles about Paul Klee; 00:30:41 reads “The Orange Ship”; 00:32:13 reads from “Klee’s Before the Snow”; 00:34:21 reads untitled poem; 00:35:25 reads “Klee’s Landscape of Young Birds”; 00:37:39 preambles about new book “Far and Fire”; 00:37:48 “Far and Fire”; 00:39:59 reads untitled poem based on Mozart; 00:41:50 reads “When the Sky Begins to Roar”; 00:43:18 reads “Green”; 00:43:52 preambles about personal and cosmic relationships; 00:44:11 reads “My Horizon Line”; 00:46:45 reads “Silver Fish Hooks”; 00:48:28 reads “Gesture of Roots”; 00:49:37 preambles about “Christmas Carols”; 00:51:59 reads “Christmas Carols”; 00:53:03 preambles; 00:53:34 reads “Eulogy to my African Ghost Girl”; 00:54:56 says “Amen”"],"Note":["[{\"note\":\"This recording is one of two. It features a solo reading by Carole Ten Brink. Notably, she begins her reading with a lengthy preamble on what she understands poetry and the art of writing poetry to be.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548231421952,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1079","cataloger_name":["Klara,du Plessis"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Véhicule Art (Montréal) Inc. fonds (P027)"],"source_collection_label":["Véhicule Art (Montréal) Inc. fonds (P027)"],"collection_contributing_unit":["Concordia University Library Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of ten series, many of them subdivided into sub-series. The documents cover the period 1972 to 1982, however, the great majority of the documents were created between 1973 and 1976. This finding aid deals with the administrative, financial files of this organization as well as the artist and exhibition files, the publicity material (posters, art catalogues), and photographs. There is little documentation for the activities of the Vu00e9hicule Art Inc. gallery from 1976 to 1982. During this time the gallery experienced both administrative and financial difficulties. Frequent changes of staff and insufficient funding contributed to the weakening of the gallery and its activities. The original order of the documents quite faithfully reflected the internal organization of the gallery. Thus, the documents dating from 1972 to 1975, were relatively well organized and required no further arrangement; on the other hand, those covering the 1976-1982 period needed complete reorganization. The fonds is organized into the following series: P027/01 Organization P027/02 Personnel P027/03 Finances P027/04 Programming P027/05 Artists, exhibitions and performances P027/06 Associations P027/07 Correspondence P027/08 Photographs P027/09 Sound recordings P027/10 Posters"],"collection_source_collection_id":["P027"],"persistent_url":["https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"item_title":["Carole Ten Brink + Janet Kask (2/2)"],"item_title_source":["Handwritten on spine of box"],"item_title_note":["Handwritten on back of box \"March 5/78 Poetry Reading Carole Ten Brink; different fonds number P027.9.SR9 on box"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright belongs to the creator(s).Reproductions are allowed for the purpose of research and private study. Use of material in a publication may only be done with written consent of the copyright owner(s).\"source: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"creator_names":["Carole Ten Brink","Janet Kask"],"creator_names_search":["Carole Ten Brink","Janet Kask"],"creators":["[{\"url\":\"https://viaf.org/viaf/316912566/#Brink,_Carole_L._Ten,_1940-\",\"name\":\"Carole Ten Brink\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"\",\"name\":\"Janet Kask\",\"dates\":\"19-?\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/654/P0027-11-0009.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Stored in cardboard BASF box\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"P0027-11-09 Ten Carol Brink & Janet Kask\",\"channel_field\":\"\",\"sample_rate\":\"44.100 kHz\",\"duration\":\"T00:45:28\",\"precision\":\"\",\"size\":\"458.9 MB\",\"bitrate\":\"1,411 kbps\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"5 March 1978\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Written on artifact\"}]"],"Location":["[{\"url\":\"source of address: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds\",\"venue\":\"Véhicule Art Inc.\",\"notes\":\"\",\"address\":\" 61, Ste. Catherine St. West, Montreal, Quebec, Canada\",\"latitude\":\"45.5095887 \",\"longitude\":\"-73.5647249\"}]"],"Address":[" 61, Ste. Catherine St. West, Montreal, Quebec, Canada"],"Venue":["Véhicule Art Inc."],"City":["Montreal, Quebec"],"contents":["00:00:00 Janet Kask preambles about children and reads a few poems by children; 00:04:42 Carole Ten Brink reads poems by children; 00:09:32 Janet Kask preambles about writing poetry; 00:11:58 reads “The Foghorns”; 00:13:51 preambles; 00:14:09 reads “Mushrooms”; 00:15:39 preambles about feminism; 00:17:06 reads “Aurora”; 00:18:15 preambles; 00:20:28 reads “Needlepoint”; 00:23:20 preambles about her daughters; 00:23:44 reads “Daughters 11 and 12”; 00:24:50 reads untitled poem; 00:25:23 preambles about feminism; 00:26:20 reads “The Waltz”; 00:27:22 preambles about politics and spirituality; 00:28:39 reads haiku; 00:30:47 reads “Ontario Woods”; 00:31:50 reads “Seagull”; 00:33:15 shows images of multimedia poem, “Blueberries”; 00:33:59 reads “Blueberries”; 00:34:46 preambles about the ‘70s; 00:35:26 reads untitled poem; 00:35:58 preambles about found poetry; 00:37:53 reads “Princeton Graduate”"],"Note":["[{\"note\":\"Recording two of two, this disc contains a solo reading by Janet Kask, including preambles about writing poetry, feminism, and politically engaged poetics.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548232470528,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1080","cataloger_name":["Klara,du Plessis"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Véhicule Art (Montréal) Inc. fonds (P027)"],"source_collection_label":["Véhicule Art (Montréal) Inc. fonds (P027)"],"collection_contributing_unit":["Concordia University Library Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of ten series, many of them subdivided into sub-series. The documents cover the period 1972 to 1982, however, the great majority of the documents were created between 1973 and 1976. This finding aid deals with the administrative, financial files of this organization as well as the artist and exhibition files, the publicity material (posters, art catalogues), and photographs. There is little documentation for the activities of the Vu00e9hicule Art Inc. gallery from 1976 to 1982. During this time the gallery experienced both administrative and financial difficulties. Frequent changes of staff and insufficient funding contributed to the weakening of the gallery and its activities. The original order of the documents quite faithfully reflected the internal organization of the gallery. Thus, the documents dating from 1972 to 1975, were relatively well organized and required no further arrangement; on the other hand, those covering the 1976-1982 period needed complete reorganization. The fonds is organized into the following series: P027/01 Organization P027/02 Personnel P027/03 Finances P027/04 Programming P027/05 Artists, exhibitions and performances P027/06 Associations P027/07 Correspondence P027/08 Photographs P027/09 Sound recordings P027/10 Posters"],"collection_source_collection_id":["P027"],"persistent_url":["https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"item_title":["Property of Ted Dawson (capac) "],"item_title_source":["Handwritten on front of box"],"item_title_note":["Also handwritten on front of box \"Tape for Vehicule Show 1/4 track dub of 1) the land of nurr (1975) 2) chameleon for solo amplified flute (1974-75) 3) concerto grosso I (1973074) * make sure that tape is tensed after switching from rewind to forward playing mode.\"; different fonds number P027.9.SR12"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright belongs to the creator(s).Reproductions are allowed for the purpose of research and private study. Use of material in a publication may only be done with written consent of the copyright owner(s).\"source: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"creator_names":["Ted Dawson"],"creator_names_search":["Ted Dawson"],"creators":["[{\"url\":\"https://viaf.org/viaf/265572520/#Dawson,_Ted,_1951-\",\"name\":\"Ted Dawson\",\"dates\":\"1951-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/655/Screen Shot 2019-09-29 at 3.56.22 PM.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Stored in cardboard AMPEX box\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"P0027-11-12 Dawson, Ted\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:55:47\",\"precision\":\"\",\"size\":\"563 MB\",\"bitrate\":\"1,411 kbps\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970\",\"type\":\"Production Date\",\"notes\":\"Circa 1970. Exact year not known.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"source of address: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds\",\"venue\":\"Véhicule Art Inc.\",\"notes\":\"\",\"address\":\" 61, Ste. Catherine St. West, Montreal, Quebec, Canada\",\"latitude\":\"45.5095887 \",\"longitude\":\"-73.5647249\"}]"],"Address":[" 61, Ste. Catherine St. West, Montreal, Quebec, Canada"],"Venue":["Véhicule Art Inc."],"City":["Montreal, Quebec"],"contents":["00:00:06-00:55:46 Experimental music performance / ambient soundscape by Ted Dawson"],"Note":["[{\"note\":\"This recording contains one continuous experimental sound performance. Some woodwind instruments can be detected. The mood is mostly ambient, despite lacking a melodic arc.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548233519104,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1081","cataloger_name":["Klara,du Plessis"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Véhicule Art (Montréal) Inc. fonds (P027)"],"source_collection_label":["Véhicule Art (Montréal) Inc. fonds (P027)"],"collection_contributing_unit":["Concordia University Library Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of ten series, many of them subdivided into sub-series. The documents cover the period 1972 to 1982, however, the great majority of the documents were created between 1973 and 1976. This finding aid deals with the administrative, financial files of this organization as well as the artist and exhibition files, the publicity material (posters, art catalogues), and photographs. There is little documentation for the activities of the Vu00e9hicule Art Inc. gallery from 1976 to 1982. During this time the gallery experienced both administrative and financial difficulties. Frequent changes of staff and insufficient funding contributed to the weakening of the gallery and its activities. The original order of the documents quite faithfully reflected the internal organization of the gallery. Thus, the documents dating from 1972 to 1975, were relatively well organized and required no further arrangement; on the other hand, those covering the 1976-1982 period needed complete reorganization. The fonds is organized into the following series: P027/01 Organization P027/02 Personnel P027/03 Finances P027/04 Programming P027/05 Artists, exhibitions and performances P027/06 Associations P027/07 Correspondence P027/08 Photographs P027/09 Sound recordings P027/10 Posters"],"collection_source_collection_id":["P027"],"persistent_url":["https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"item_title":["Claude Beausoleil / H. S. Poets (1/2)"],"item_title_source":["Handwritten on spine of box"],"item_title_note":["Handwritten on back of box \"Side One: Claude Beausoleil + Yolande Villemarie Side Two: The High School Poets March 25, 1979; different fonds number P027.9.SR10"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright belongs to the creator(s).Reproductions are allowed for the purpose of research and private study. Use of material in a publication may only be done with written consent of the copyright owner(s).\"source: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"creator_names":["Unknown"],"creator_names_search":["Unknown"],"creators":["[{\"url\":\"\",\"name\":\"Unknown\",\"dates\":\"\",\"notes\":\"This is a marathon event with readers changing every few minutes.\",\"nation\":[],\"role\":[\"-1\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"Host: Tom Konyves; Readers: Sherry McCallen, Sherry Yaroshewitz, Lillian Pifco, Ross Leones, Joyce Wong, unknown female voice (French), unknown female voice, Heather Williams, Shanka Row\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"Host: Tom Konyves, Carol Leckner; Readers: Sherry McCallen, Sherry Yaroshewitz, Lillian Pifco, Carry Snowdon, Ross Leones, Joyce Wong, unknown female voice (French), Cynthia Roberts, Heather Williams, Shanka Row\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":["",""],"Production_Date":[1979],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/656/P0027-11-0010.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Stored in cardboard BASF box\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"P0027-11-10 Poetry Reading: Claude Beausoleil, Yolande Villemarie & The High School Poets\",\"channel_field\":\"\",\"sample_rate\":\"44.100 kHz\",\"duration\":\"T00:48:21\",\"precision\":\"\",\"size\":\"488.1 MB\",\"bitrate\":\"1,411 kbps\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"P0027-11-10 Poetry Reading: Claude Beausoleil, Yolande Villemarie & The High School Poets\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:48:21\",\"precision\":\"\",\"size\":\"488.1 MB\",\"bitrate\":\"1,411 kbps\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"25 March 1979\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"From item\"}]"],"Location":["[{\"url\":\"source of address: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds\",\"venue\":\"Véhicule Art Inc.\",\"notes\":\"\",\"address\":\" 61, Ste. Catherine St. West, Montreal, Quebec, Canada\",\"latitude\":\"45.5095887 \",\"longitude\":\"-73.5647249\"}]"],"Address":[" 61, Ste. Catherine St. West, Montreal, Quebec, Canada"],"Venue":["Véhicule Art Inc."],"City":["Montreal, Quebec"],"contents":["00:00:03 Tom Konyves introduces the event; 00:04:14 Carol Leckner introduces the event and Roof Anthology; 00:06:29 Sherry McCallen (grade 8) reads “Calendrier”; 00:07:23 reads “Rocking Chair”; 00:08:07 Sherry Yaroshewitz (grade 9) reads “ A Conversation”; 00:11:10 reads untitled poem; 00:11:51 reads untitled poem; 00:13:08 Lillian Pifco (grade 10) reads “The Storm’s War”; 00:15:31 reads untitled poem; 00:17:18 reads “Sunset”; 00:18:32 Carry Snowdon (grade 11) reads “Dreams”; 00:20:10 reads “Beach”; 00:20:45 reads “Love Is”; 00:22:33 Ross Leones (grade 11) reads “Vampire”; 00:23:56 Joyce Wong (grade 11) reads “Pride”; 00:25:05 reads “Time”; 00:26:07 reads “A Gift”; 00:26:57 reads “A Sense of Humour”; 00:28:04 (break) 00:28:48 unknown girl (grade 11, French); 00:29:44 reads “The Sun”; 00:30:13 Cynthia Roberts (grade 11) reads “The Embryo”; 00:32:09 reads “Working the Land”; 00:34:32 reads “The Stairs”; 00:37:58 Heather Williams (graduated) reads “Reflections”; 00:39:00 reads “Once Upon a Time”; 00:39:32 reads “The Candle”; 00:39:48 reads “If Only You Knew”; 00:40:28 Shanka Row (graduated) reads “The Refugee”; 00:46:35 Carol Leckner cancels one more reader"],"Note":["[{\"note\":\"This disc contains one of two recordings, although the second is unrelated containing a reading by Claude Beausoleil; this first disc contains a showcase of ten Montreal-based high-school poets. The event is motivated as nurturing a generation of future poets.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548233519105,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1082","cataloger_name":["Klara,du Plessis"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Véhicule Art (Montréal) Inc. fonds (P027)"],"source_collection_label":["Véhicule Art (Montréal) Inc. fonds (P027)"],"collection_contributing_unit":["Concordia University Library Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of ten series, many of them subdivided into sub-series. The documents cover the period 1972 to 1982, however, the great majority of the documents were created between 1973 and 1976. This finding aid deals with the administrative, financial files of this organization as well as the artist and exhibition files, the publicity material (posters, art catalogues), and photographs. There is little documentation for the activities of the Vu00e9hicule Art Inc. gallery from 1976 to 1982. During this time the gallery experienced both administrative and financial difficulties. Frequent changes of staff and insufficient funding contributed to the weakening of the gallery and its activities. The original order of the documents quite faithfully reflected the internal organization of the gallery. Thus, the documents dating from 1972 to 1975, were relatively well organized and required no further arrangement; on the other hand, those covering the 1976-1982 period needed complete reorganization. The fonds is organized into the following series: P027/01 Organization P027/02 Personnel P027/03 Finances P027/04 Programming P027/05 Artists, exhibitions and performances P027/06 Associations P027/07 Correspondence P027/08 Photographs P027/09 Sound recordings P027/10 Posters"],"collection_source_collection_id":["P027"],"persistent_url":["https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"item_title":["Lubomyr Melnyck piano pt. 1. Limits MASTER (1/2)"],"item_title_source":["Handwritten on sticker on spine"],"item_title_note":["Handwritten on paper insert with reel \"3 1/4 - stereo piano excerpt from LIMITS xy=10ly Lubomyr Melnyck 18 Feb. Part I one & half hour recorded at Véhicule (ecm270+F27) Feb 18, 19 / 1977, Tail out ignore writing on the reel\"; handwritten on reel \"J J Holmes\"; different fonds number P027.9.SR11 on box"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright belongs to the creator(s).Reproductions are allowed for the purpose of research and private study. Use of material in a publication may only be done with written consent of the copyright owner(s).\"source: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"creator_names":["Lubomyr Melnyck"],"creator_names_search":["Lubomyr Melnyck"],"creators":["[{\"url\":\"https://en.wikipedia.org/wiki/Lubomyr_Melnyk\",\"name\":\"Lubomyr Melnyck\",\"dates\":\"1949-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/657/P0027-11-0011.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Stored in hard plastic BASF box and soft plastic BASF casing\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"P0027-11-11 Limits\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:53:19\",\"precision\":\"\",\"size\":\"538.2 MB\",\"bitrate\":\"1,411 kbps\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"18, 19 February 1977\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"From item\"}]"],"Location":["[{\"url\":\"source of address: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds\",\"venue\":\"Véhicule Art Inc.\",\"notes\":\"\",\"address\":\" 61, Ste. Catherine St. West, Montreal, Quebec, Canada\",\"latitude\":\"45.5095887 \",\"longitude\":\"-73.5647249\"}]"],"Address":[" 61, Ste. Catherine St. West, Montreal, Quebec, Canada"],"Venue":["Véhicule Art Inc."],"City":["Montreal, Quebec"],"contents":["00:00:00-53:19:04 Ambient solo piano performance by Lubomyr Melnyck"],"Note":["[{\"note\":\"This recording is the first of two discs containing ambient piano solo music. The music appears to be one continuous composition or improvisation\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548234567680,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1083","cataloger_name":["Klara,du Plessis"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Véhicule Art (Montréal) Inc. fonds (P027)"],"source_collection_label":["Véhicule Art (Montréal) Inc. fonds (P027)"],"collection_contributing_unit":["Concordia University Library Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of ten series, many of them subdivided into sub-series. The documents cover the period 1972 to 1982, however, the great majority of the documents were created between 1973 and 1976. This finding aid deals with the administrative, financial files of this organization as well as the artist and exhibition files, the publicity material (posters, art catalogues), and photographs. There is little documentation for the activities of the Vu00e9hicule Art Inc. gallery from 1976 to 1982. During this time the gallery experienced both administrative and financial difficulties. Frequent changes of staff and insufficient funding contributed to the weakening of the gallery and its activities. The original order of the documents quite faithfully reflected the internal organization of the gallery. Thus, the documents dating from 1972 to 1975, were relatively well organized and required no further arrangement; on the other hand, those covering the 1976-1982 period needed complete reorganization. The fonds is organized into the following series: P027/01 Organization P027/02 Personnel P027/03 Finances P027/04 Programming P027/05 Artists, exhibitions and performances P027/06 Associations P027/07 Correspondence P027/08 Photographs P027/09 Sound recordings P027/10 Posters"],"collection_source_collection_id":["P027"],"persistent_url":["https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"item_title":["Claude Beausoleil / H. S. Poets (2/2)"],"item_title_source":["Handwritten on spine of box"],"item_title_note":["Handwritten on back of box \"Side One: Claude Beausoleil + Yolande Villemarie Side Two: The High School Poets March 25, 1979; different fonds number P027.9.SR10"],"item_language":["French"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright belongs to the creator(s).Reproductions are allowed for the purpose of research and private study. Use of material in a publication may only be done with written consent of the copyright owner(s).\"source: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"creator_names":["Claude Beausoleil","Yolande Villemarie"],"creator_names_search":["Claude Beausoleil","Yolande Villemarie"],"creators":["[{\"url\":\"https://viaf.org/viaf/79042116/#Beausoleil,_Claude,_1948-....\",\"name\":\"Claude Beausoleil\",\"dates\":\"1948-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"https://fr.wikipedia.org/wiki/Yolande_Villemaire\",\"name\":\"Yolande Villemarie\",\"dates\":\"1949-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1979],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/658/P0027-11-0010.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Stored in cardboard BASF box\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"P0027-11-10 Poetry Reading: Claude Beausoleil, Yolande Villemarie & The High School Poets\",\"channel_field\":\"\",\"sample_rate\":\"44.100 kHz\",\"duration\":\"T00:37:55\",\"precision\":\"\",\"size\":\"382.7 MB\",\"bitrate\":\"1,411 kbps\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"25 March 1979\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"From item\"}]"],"Location":["[{\"url\":\"source of address: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds\",\"venue\":\"Véhicule Art Inc.\",\"notes\":\"\",\"address\":\" 61, Ste. Catherine St. West, Montreal, Quebec, Canada\",\"latitude\":\"45.5095887 \",\"longitude\":\"-73.5647249\"}]"],"Address":[" 61, Ste. Catherine St. West, Montreal, Quebec, Canada"],"Venue":["Véhicule Art Inc."],"City":["Montreal, Quebec"],"contents":["#00:00:02.83# unknown woman and man introduce Claude Beausoleil in French; #00:01:11.29# Claude Beausoleil reads “Circonstances”; #00:20:55.45# Yolande Villemarie reads continuation of same work"],"Note":["[{\"note\":\"This recording features one continuous readings first by Claude Beausoleil and then by Yolande Villemarie in French. It is accompanied by a vague soundtrack in the background throughout.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548236664832,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1084","cataloger_name":["Klara,du Plessis"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Véhicule Art (Montréal) Inc. fonds (P027)"],"source_collection_label":["Véhicule Art (Montréal) Inc. fonds (P027)"],"collection_contributing_unit":["Concordia University Library Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of ten series, many of them subdivided into sub-series. The documents cover the period 1972 to 1982, however, the great majority of the documents were created between 1973 and 1976. This finding aid deals with the administrative, financial files of this organization as well as the artist and exhibition files, the publicity material (posters, art catalogues), and photographs. There is little documentation for the activities of the Vu00e9hicule Art Inc. gallery from 1976 to 1982. During this time the gallery experienced both administrative and financial difficulties. Frequent changes of staff and insufficient funding contributed to the weakening of the gallery and its activities. The original order of the documents quite faithfully reflected the internal organization of the gallery. Thus, the documents dating from 1972 to 1975, were relatively well organized and required no further arrangement; on the other hand, those covering the 1976-1982 period needed complete reorganization. The fonds is organized into the following series: P027/01 Organization P027/02 Personnel P027/03 Finances P027/04 Programming P027/05 Artists, exhibitions and performances P027/06 Associations P027/07 Correspondence P027/08 Photographs P027/09 Sound recordings P027/10 Posters"],"collection_source_collection_id":["P027"],"persistent_url":["https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"item_title":["Lubomyr Melnyck piano pt. 1. Limits MASTER (2/2)"],"item_title_source":["Handwritten on sticker on spine"],"item_title_note":["Handwritten on paper insert with reel \"3 1/4 - stereo piano excerpt from LIMITS xy=10ly Lubomyr Melnyck 18 Feb. Part I one & half hour recorded at Véhicule (ecm270+F27) Feb 18, 19 / 1977, Tail out ignore writing on the reel\"; handwritten on reel \"J J Holmes\"; different fonds number P027.9.SR11 on box"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright belongs to the creator(s).Reproductions are allowed for the purpose of research and private study. Use of material in a publication may only be done with written consent of the copyright owner(s).\"source: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"creator_names":["Lubomyr Melnyk"],"creator_names_search":["Lubomyr Melnyk"],"creators":["[{\"url\":\"https://en.wikipedia.org/wiki/Lubomyr_Melnyk\",\"name\":\"Lubomyr Melnyk\",\"dates\":\"1949-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/659/P0027-11-0011.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Stored in hard plastic BASF box and soft plastic BASF casing\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"P0027-11-11 Limits\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:42:25\",\"precision\":\"\",\"size\":\"428.3 MB\",\"bitrate\":\"1,411 kbps\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"18, 19 February 1977\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"From item\"}]"],"Location":["[{\"url\":\"source of address: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds\",\"venue\":\"Véhicule Art Inc.\",\"notes\":\"\",\"address\":\" 61, Ste. Catherine St. West, Montreal, Quebec, Canada\",\"latitude\":\"45.5095887 \",\"longitude\":\"-73.5647249\"}]"],"Address":[" 61, Ste. Catherine St. West, Montreal, Quebec, Canada"],"Venue":["Véhicule Art Inc."],"City":["Montreal, Quebec"],"contents":["00:00:00-42:25:40 Ambient solo piano performance by Lubomyr Melnyck"],"Note":["[{\"note\":\"This recording is the second of two discs containing ambient piano solo music. The music appears to be one continuous composition or improvisation\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548239810560,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1085","cataloger_name":["Klara,du Plessis"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Véhicule Art (Montréal) Inc. fonds (P027)"],"source_collection_label":["Véhicule Art (Montréal) Inc. fonds (P027)"],"collection_contributing_unit":["Concordia University Library Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of ten series, many of them subdivided into sub-series. The documents cover the period 1972 to 1982, however, the great majority of the documents were created between 1973 and 1976. This finding aid deals with the administrative, financial files of this organization as well as the artist and exhibition files, the publicity material (posters, art catalogues), and photographs. There is little documentation for the activities of the Vu00e9hicule Art Inc. gallery from 1976 to 1982. During this time the gallery experienced both administrative and financial difficulties. Frequent changes of staff and insufficient funding contributed to the weakening of the gallery and its activities. The original order of the documents quite faithfully reflected the internal organization of the gallery. Thus, the documents dating from 1972 to 1975, were relatively well organized and required no further arrangement; on the other hand, those covering the 1976-1982 period needed complete reorganization. The fonds is organized into the following series: P027/01 Organization P027/02 Personnel P027/03 Finances P027/04 Programming P027/05 Artists, exhibitions and performances P027/06 Associations P027/07 Correspondence P027/08 Photographs P027/09 Sound recordings P027/10 Posters"],"collection_source_collection_id":["P027"],"persistent_url":["https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"item_title":["1+1+1=1 Hans Raedler Organ Jimmy Brown Percusive Drums Ben Segal Guitar + Bass May 16th Monday / 77"],"item_title_source":["Handwritten on back of box"],"item_title_note":[" Different fonds number P027.9.SR14 on box"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright belongs to the creator(s).Reproductions are allowed for the purpose of research and private study. Use of material in a publication may only be done with written consent of the copyright owner(s).\"source: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"creator_names":["Hans Raedler","Jimmy Brown","Ben Segal"],"creator_names_search":["Hans Raedler","Jimmy Brown","Ben Segal"],"creators":["[{\"url\":\"\",\"name\":\"Hans Raedler\",\"dates\":\"19--?\",\"notes\":\"Organ \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Jimmy Brown\",\"dates\":\"19--?\",\"notes\":\"Percussive Drums\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Ben Segal\",\"dates\":\"19--?\",\"notes\":\" Guitar and Bass\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/660/Screen Shot 2019-09-29 at 3.49.39 PM.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Stored in cardboard Scotch Brand box\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"P0027-11-14 Concert at Véhicule - Hans Raedler, Jimmy Brown & Ben Segal\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:50:48\",\"precision\":\"\",\"size\":\"512.7 MB\",\"bitrate\":\"1,411 kbps\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"16 May 1977\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Written on item\"}]"],"Location":["[{\"url\":\"source of address: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds\",\"venue\":\"Véhicule Art Inc.\",\"notes\":\"\",\"address\":\" 61, Ste. Catherine St. West, Montreal, Quebec, Canada\",\"latitude\":\"45.5095887 \",\"longitude\":\"-73.5647249\"}]"],"Address":[" 61, Ste. Catherine St. West, Montreal, Quebec, Canada"],"Venue":["Véhicule Art Inc."],"City":["Montreal, Quebec"],"contents":["00:00:11-00:50:47 Experimental music performance / soundscape, vaguely electronic-sounding by Hans Raedler, Jimmy Brown and Ben Segal"],"Note":["[{\"note\":\"This recording contains one continuous musical performance. The style is vaguely electronic with gentle percussive sounds. It is more melodic than some of the other experimental performances at Véhicule and builds progressively more dramatic.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548240859136,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1086","cataloger_name":["Klara,du Plessis"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Véhicule Art (Montréal) Inc. fonds (P027)"],"source_collection_label":["Véhicule Art (Montréal) Inc. fonds (P027)"],"collection_contributing_unit":["Concordia University Library Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of ten series, many of them subdivided into sub-series. The documents cover the period 1972 to 1982, however, the great majority of the documents were created between 1973 and 1976. This finding aid deals with the administrative, financial files of this organization as well as the artist and exhibition files, the publicity material (posters, art catalogues), and photographs. There is little documentation for the activities of the Vu00e9hicule Art Inc. gallery from 1976 to 1982. During this time the gallery experienced both administrative and financial difficulties. Frequent changes of staff and insufficient funding contributed to the weakening of the gallery and its activities. The original order of the documents quite faithfully reflected the internal organization of the gallery. Thus, the documents dating from 1972 to 1975, were relatively well organized and required no further arrangement; on the other hand, those covering the 1976-1982 period needed complete reorganization. The fonds is organized into the following series: P027/01 Organization P027/02 Personnel P027/03 Finances P027/04 Programming P027/05 Artists, exhibitions and performances P027/06 Associations P027/07 Correspondence P027/08 Photographs P027/09 Sound recordings P027/10 Posters"],"collection_source_collection_id":["P027"],"persistent_url":["https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"item_title":["During the first moment of your death, remember / Les Levine"],"item_title_source":["Handwritten on front of box"],"item_title_note":["Different fonds number P027.9.SR13 on box"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright belongs to the creator(s).Reproductions are allowed for the purpose of research and private study. Use of material in a publication may only be done with written consent of the copyright owner(s).\"source: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"creator_names":["Les Levine"],"creator_names_search":["Les Levine"],"creators":["[{\"url\":\"https://viaf.org/viaf/8199192/#Levine,_Les,_1935-....\",\"name\":\"Les Levine\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/661/Screen Shot 2019-09-29 at 3.53.12 PM.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Stored in cardboard Scotch Brand box\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"P0027-11-13 During the first moment of your death, remember\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:23:16\",\"precision\":\"\",\"size\":\"235 MB\",\"bitrate\":\"1,411 kbps\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"February 1977\",\"type\":\"Production Date\",\"notes\":\"Exact date unclear\",\"source\":\"Previous archival note\"}]"],"Location":["[{\"url\":\"source of address: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds\",\"venue\":\"Véhicule Art Inc.\",\"notes\":\"\",\"address\":\" 61, Ste. Catherine St. West, Montreal, Quebec, Canada\",\"latitude\":\"45.5095887 \",\"longitude\":\"-73.5647249\"}]"],"Address":[" 61, Ste. Catherine St. West, Montreal, Quebec, Canada"],"Venue":["Véhicule Art Inc."],"City":["Montreal, Quebec"],"contents":["00:00:01 Voice announces, “During the first moment of your death, remember, by Les Levine\"; 00:00:09-00:23:16 Narrative vocal performance"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548240859137,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1087","cataloger_name":["Klara,du Plessis"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Véhicule Art (Montréal) Inc. fonds (P027)"],"source_collection_label":["Véhicule Art (Montréal) Inc. fonds (P027)"],"collection_contributing_unit":["Concordia University Library Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of ten series, many of them subdivided into sub-series. The documents cover the period 1972 to 1982, however, the great majority of the documents were created between 1973 and 1976. This finding aid deals with the administrative, financial files of this organization as well as the artist and exhibition files, the publicity material (posters, art catalogues), and photographs. There is little documentation for the activities of the Vu00e9hicule Art Inc. gallery from 1976 to 1982. During this time the gallery experienced both administrative and financial difficulties. Frequent changes of staff and insufficient funding contributed to the weakening of the gallery and its activities. The original order of the documents quite faithfully reflected the internal organization of the gallery. Thus, the documents dating from 1972 to 1975, were relatively well organized and required no further arrangement; on the other hand, those covering the 1976-1982 period needed complete reorganization. The fonds is organized into the following series: P027/01 Organization P027/02 Personnel P027/03 Finances P027/04 Programming P027/05 Artists, exhibitions and performances P027/06 Associations P027/07 Correspondence P027/08 Photographs P027/09 Sound recordings P027/10 Posters"],"collection_source_collection_id":["P027"],"persistent_url":["https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"item_title":["First Annual Spring Poetry Marathon Tape 1 (1/4)"],"item_title_source":["Handwritten on back"],"item_title_note":["Aalso handwritten \"R. Atlas, M. Adelman, M. Springate, R. Marisa, R. Carson, A. Gold, The Couple, M. Fair, D. Collin, A. Snyder, M. Falworth, Lamel Cass, P. Cane, H. Kazaki, I. Burgess, Shulamis, K. Norris, P. Webb, G. Alexander, D. Keating; handwritten sticker on reel \"some o' da coasters greatest hits ooo wheeee\"; different fonds number P027.9.SR8.1 on box"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright belongs to the creator(s).Reproductions are allowed for the purpose of research and private study. Use of material in a publication may only be done with written consent of the copyright owner(s).\"source: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"creator_names":["Unknown"],"creator_names_search":["Unknown"],"creators":["[{\"url\":\"\",\"name\":\"Unknown\",\"dates\":\"\",\"notes\":\"This is a marathon event with different readers every few minutes.\",\"nation\":[],\"role\":[\"-1\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"Readers: unknown male voice, Ricky Atlas, Mona Adelman, Michael Springgate, Robert Morrison, Ritchie Carson, Artie Gold\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":[""],"Production_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/662/P0027-11-0008.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Stored in cardboard AMPEX box\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"P027-11-08 1st Annual Spring Poetry Marathon\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:56:14\",\"precision\":\"\",\"size\":\"567.7 MB\",\"bitrate\":\"1,411 kbps\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970\",\"type\":\"Production Date\",\"notes\":\"Circa 1970. Exact year not known.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"source of address: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds\",\"venue\":\"Véhicule Art Inc.\",\"notes\":\"\",\"address\":\" 61, Ste. Catherine St. West, Montreal, Quebec, Canada\",\"latitude\":\"45.5095887 \",\"longitude\":\"-73.5647249\"}]"],"Address":[" 61, Ste. Catherine St. West, Montreal, Quebec, Canada"],"Venue":["Véhicule Art Inc."],"City":["Montreal, Quebec"],"contents":["00:00:05 background noise and reel warping; 00:01:46 unknown man reads “Change of season”; 00:03:46 reads “Room in Acapulco”; 00:04:25 reads “Mother and Daughter”; 00:05:48 reads “From your lover like an Orchestra”; 00:08:10 reads “Something larger than ourselves”; 00:10:44 Ricky Atlas reads untitled poem; 00:13:23 reads poem based on pictures; 00:14:38 Mona Adelman reads “Penny Candy”; 00:21:10 Michael Springgate reads “Creation”; 00:22:37 reads “A Pact”; 00:28:36 reads “Pillars of Wisdom”; 00:30:09 Robert Morrison preambles; 00:31:52 reads “The Underground Grotto”; 00:41:45 Ritchie Carson reads from an upcoming book; 00:42:27 reads untitled poem; 00:47:53 Artie Gold preambles; 00:49:14 reads “I sing the body eclectic”"],"Note":["[{\"note\":\"This recording is the first of four discs containing readings from the First Annual Spring Marathon event. This is an open-mic style reading with seven poets sharing short selections of work. More mic adjustment than other recordings and audible excitement from the audience when Artie Gold performs.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548241907712,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1088","cataloger_name":["Klara,du Plessis"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Véhicule Art (Montréal) Inc. fonds (P027)"],"source_collection_label":["Véhicule Art (Montréal) Inc. fonds (P027)"],"collection_contributing_unit":["Concordia University Library Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of ten series, many of them subdivided into sub-series. The documents cover the period 1972 to 1982, however, the great majority of the documents were created between 1973 and 1976. This finding aid deals with the administrative, financial files of this organization as well as the artist and exhibition files, the publicity material (posters, art catalogues), and photographs. There is little documentation for the activities of the Vu00e9hicule Art Inc. gallery from 1976 to 1982. During this time the gallery experienced both administrative and financial difficulties. Frequent changes of staff and insufficient funding contributed to the weakening of the gallery and its activities. The original order of the documents quite faithfully reflected the internal organization of the gallery. Thus, the documents dating from 1972 to 1975, were relatively well organized and required no further arrangement; on the other hand, those covering the 1976-1982 period needed complete reorganization. The fonds is organized into the following series: P027/01 Organization P027/02 Personnel P027/03 Finances P027/04 Programming P027/05 Artists, exhibitions and performances P027/06 Associations P027/07 Correspondence P027/08 Photographs P027/09 Sound recordings P027/10 Posters"],"collection_source_collection_id":["P027"],"persistent_url":["https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"item_title":["First Annual Spring Poetry Marathon Tape 1 (2/4)"],"item_title_source":["Handwritten on back"],"item_title_note":["Aalso handwritten \"R. Atlas, M. Adelman, M. Springate, R. Marisa, R. Carson, A. Gold, The Couple, M. Fair, D. Collin, A. Snyder, M. Falworth, Lamel Cass, P. Cane, H. Kazaki, I. Burgess, Shulamis, K. Norris, P. Webb, G. Alexander, D. Keating; handwritten sticker on reel \"some o' da coasters greatest hits ooo wheeee\"; different fonds number P027.9.SR8.1 on box"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright belongs to the creator(s).Reproductions are allowed for the purpose of research and private study. Use of material in a publication may only be done with written consent of the copyright owner(s).\"source: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"creator_names":["Unknown"],"creator_names_search":["Unknown"],"creators":["[{\"url\":\"\",\"name\":\"Unknown\",\"dates\":\"\",\"notes\":\"This is a marathon event with different readers every few minutes.\",\"nation\":[],\"role\":[\"-1\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"Readers: unknown male and female voices (read simultaneously), Morgana Fair, Douglas Colin, Airy Snyder, John Healey, Mattie Falworth, Janet Kask, Peter Kay, Helen Kacaki\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":[""],"Production_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/663/P0027-11-0008.1.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Stored in cardboard AMPEX box\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"P027-11-08 1st Annual Spring Poetry Marathon\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:53:42\",\"precision\":\"\",\"size\":\"542.1 MB\",\"bitrate\":\"1,411 kbps\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970\",\"type\":\"Production Date\",\"notes\":\"Circa 1970. Exact year not known.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"source of address: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds\",\"venue\":\"Véhicule Art Inc.\",\"notes\":\"\",\"address\":\" 61, Ste. Catherine St. West, Montreal, Quebec, Canada\",\"latitude\":\"45.5095887 \",\"longitude\":\"-73.5647249\"}]"],"Address":[" 61, Ste. Catherine St. West, Montreal, Quebec, Canada"],"Venue":["Véhicule Art Inc."],"City":["Montreal, Quebec"],"contents":["00:00:04 recording starts in the middle of a piece, unknown man and woman read simultaneously; 00:05:14 reads “Leftover Cake”; 00:08:25 Morgana Fair reads “Forgive me”; 00:13:24 Douglas Colin reads untitled poem; 00:15:04 reads untitled poem; 00:15:42 reads untitled poem; 00:16:55 reads untitled poem; 00:18:29 reads untitled poem; 00:20:38 Airy Snyder preambles; 00:21:17 reads “City Planning”; 00:22:20 reads poem; 00:27:25 preambles; 00:27:50 reads “Tribute to Paul Rose”; 00:28:08  reads “Lines to Leonore”; 00:30:58 Mattie Falworth reads “Time and Chance to All”; 00:33:01 reads “Competition”; 00:34:21 reads “Invocation”; 00:37:03 Janet Kask preambles; 00:38:51 reads “Jade Suit”; 00:40:16 reads haikus; 00:41:42 host queries who wants to read; 00:41:56 Peter Kay reads untitled poem; 00:43:40 reads “Author’s Right to Life”; 00:45:53 reads “Oratoire St-Joseph”; 00:47:44 Helen Kacaki reads “Shadows 3”; 00:50:10 reads “Transformations”; reads “Day”; 00:52:58 reads “Lovers”"],"Note":["[{\"note\":\"This disc is the third of four recording the First Annual Spring Marathon event. Nine poet share short open-mic-style selections of their work.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548242956288,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1053","cataloger_name":["Tomasz,Neugebauer"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Quality Assurance collection"],"source_collection_label":["Quality Assurance collection"],"collection_contributing_unit":["Quality Assurance Unit"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["A test collection with maximum record complexity."],"collection_source_collection_id":["SGWU_77657/Concordia"],"persistent_url":[""],"item_title":["John Wieners at Sir George Williams University, The Poetry Series, 8 October 1966 - COPY"],"item_title_source":["Catalgouer"],"item_title_note":["\"J. WIENES I006/SR119\" written on sticker on the spine of the tape's box. J. WIENES refers to John Wieners. Wieners is mispelled "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_series_description":["This is a test description of a series."],"item_subseries_title":["Poetry 1"],"item_subseries_description":["subseries description for Poetry 1, swallow ID 141"],"item_identifiers":["[I006/SR119]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"rights_license":["Creative Commons Attribution, Non-Commercial, No Derivatives (BY-NC-ND)"],"rights_notes":["May use for research and teaching purposes. Non commercial use, with full citation."],"creator_names":["Wieners, John"],"creator_names_search":["Wieners, John"],"creators":["[{\"url\":\" http://viaf.org/viaf/90723960\",\"name\":\"Wieners, John\",\"dates\":\"1934-2002\",\"notes\":\" American poet, playwright and essayist John Wieners was born in Boston on January 6, 1934. In 1934, Wieners earned a B.A. in English from Boston College, and subsequently worked at Harvard University’s Lamont Library. A 1955 poetry reading by Charles Olson inspired Wieners to attend Black Mountain College in North Carolina, where he met and was mentored by Charles Olson and Robert Duncan. After completing studies in 1956, John Wieners moved back to Boston and started Measure, a (short-lived) literary magazine, as well as becoming involved in the Poet’s Theater in Cambridge. At the age of 24, (in 1958) Wieners moved to San Francisco and met Beat Poets Jack Kerouac, Jack Spicer and Allen Ginsberg, and published his first book of poems, The Hotel Wentley Poems (Dave Haselwood Publishing, 1965). John Wieners’ San Francisco journal, The Journal of John Wieners Is To Be Called 707 Scott Street for Billie Holiday, 1959, was published in 1966 by Sun & Moon Press. Wieners wrote plays that were never published during this time, until 1964 when he published Ace of Pentacles (published by James F. Carr & Robert A. Wilson). Charles Olson asked Wieners to be a graduate student and a teaching assistant at the State University of New York at Buffalo in 1965, and Wieners eventually became the university’s chair of poetics, when he left by 1967. John Wieners suffered from mental illness, and was institutionalized for the second time in 1969, where he wrote Asylum Poems (For My Father) (Press of the Black Flag Raised). In 1970, he published Nerves (Cape Goliard Press), an internationally published book of poetry, and between 1967 to 1972, he published six smaller books of poetry. Behind the State Capitol; or, Cincinnati Pike (Good Gay Poets Press) was published in 1975 and thus marked the last of his published poems. John Wieners’ poetry, while highly appraised by Beat Poets, Black Mountain Poets and his peers, did not achieve wide public acclaim or readership. In 1985, however, Selected Poems, 1958-1984 (Black Sparrow Press) was compiled with the help of Robert Creeley and Allen Ginsberg. In the 70’s, John Wieners lived and became involved with anti-war movements and became an activist for gay rights, living at 44 Joy Street in Boston. Becoming more and more reclusive after the mid 70’s, John Wieners died of an apparent stroke on March 1, 2002. Michael Carr edited a posthumous collection of Wiener’s 1971 journals which was published in 2007.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Layton, Irving"],"contributors_names_search":["Layton, Irving"],"contributors":["[{\"url\":\"https://viaf.org/viaf/66482092/#Layton,_Irving,_1912-2006.\",\"name\":\"Layton, Irving\",\"dates\":\"1912-2006\",\"notes\":\"Irving Layton was on the Poetry Series organizing committee the year that John Wieners read at Sir George Williams University.\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1966],"material_description":["[{\"side\":\"Single Track\",\"image\":\"../Uploads/11552/I0006_11_0119_tape.jpg\",\"other\":\"The reel is shorter than most in the Poetry Series, with no additional real documenting this event. One wonders why it was recorded at 7.5 ips if only a 5 inch reel was available.\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch RB-5\",\"generations\":\"Original\",\"Conservation\":\"Not baked before being digitized.\",\"equalization\":\"None\",\"playback_mode\":\"Mono\",\"playing_speed\":\"7 1/2 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:00:24\",\"physical_condition\":\"Good\",\"track_configuration\":\"Half-track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Cardboard tape box.\",\"other_physical_description\":\"In good condition.\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"Dates":["[{\"date\":\"1966 10 08\",\"type\":\"Performance Date\",\"notes\":\"The date of the performance was originally found in the Howard Fink inventory list, and then corroborated with reference to student newspaper articles.\",\"source\":\"Previous researcher\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Art Gallery\",\"notes\":\"The Hall Building Art Gallery is currently occupied by Reggie's Pub and The Hive Co-op restaurant.\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Art Gallery"],"City":["Montreal, Quebec"],"content_notes":["John Wieners reads from Ace of Pentacles (Carr & Wilson, 1964) as well as works published in 1985 in Selected Poems, 1958-1984 (Black Sparrow Press)."],"contents":["john_wieners_i006-11-119.mp3\n\nJohn Wieners\n00:00:00\nReads “Invocation to Summer” [recording begins abruptly].\n \nJohn Wieners\n00:01:09\n\"Invitation Au Voyage: II\". Do you know that poem of Baudelaire's [https://www.wikidata.org/wiki/Q501]? It's something at the end of the world. He’s speaking to his beloved, very simple. You know, lots of the German Romanticism was very simple.\n \nJohn Wieners\n00:01:30\nReads \"Invitation Au Voyage: II\".\n \nJohn Wieners\n00:03:15\nWell let's go back to the old poems then, that have been published. Stuart Montgomery, well it doesn't matter. But that--I can send it off to England [https://www.wikidata.org/wiki/Q21] to the Fulcrum Press [https://www.wikidata.org/wiki/Q5507820] doing a lot of Basil Bunting [https://www.wikidata.org/wiki/Q2886803] and the English poet of 65, resuscitated in America [https://www.wikidata.org/wiki/Q30] again, it's about time.\n \nJohn Wieners\n00:03:44\nReads \"Long Nook\" [from Ace of Pentacles].\n \nJohn Wieners\n00:04:38\nI'll just make random choices. \"At Big Sur\".\n \nJohn Wieners\n00:04:53\nReads \"At Big Sur” [from Ace of Pentacles].\n \nJohn Wieners\n00:05:12\n\"Louise\".\n \nJohn Wieners\n00:05:21\nReads \"Louise\" [from Ace of Pentacles].\n \nJohn Wieners\n00:05:48\n\"The Pool of Light\".\n \nJohn Wieners\n00:05:53\nReads \"The Pool of Light\" [from Ace of Pentacles].\n \nJohn Wieners\n00:06:14\nFor Mari--No, this is “For Marion\".\n \nJohn Wieners\n00:06:19\nReads \"For Marion\" [from Ace of Pentacles].\n \nJohn Wieners\n00:07:05\n“The Mermaid Song”, forgive me for this, I thought the other poems would carry me through, but I'm reading and keeping with the mood for tonight, it seems to be more lyrical. \"The Serpent's Hiss\".\n \nJohn Wieners\n00:07:52\nReads \"The Serpent's Hiss\" [published later in Selected Poems, 1958-1984].\n \nJohn Wieners\n00:08:37\nAnd this is called \"Tuesday, 5 pm\".\n \nJohn Wieners\n00:08:43\nReads \"Tuesday, 5 pm\" [published later as “Tuesday 7:00 PM” in Selected Poems, 1958-1984].\n \nJohn Wieners\n00:10:45\nI'm going to read the \"The Imperatrice\". Ace of Pentacles is a card in the Tarot deck, but the book should be called ‘pente’ which all the words that appeared in a hypnagogic vision, hypnagogic is the state between waking and sleeping, it's what Jung [https://www.wikidata.org/wiki/Q41532] practiced and his Marie Louise Franz would take down the things that came to him in the state between waking and sleeping and the letters ‘pente’ appeared in that state and I didn't know what they meant so I kept hunting around and I made the word 'pinnacles' out of it and somebody said why don't you call it \"Ace of Pinnacles\" and we made a whole thing about the Tarot deck, but that's not the title of the book. It should be ‘pente’ and that's from the Greek  which is ‘wall’. And I'd like have as a fronts piece for the book William Blake's [https://www.wikidata.org/wiki/Q41513] \"The Chimney Sweep\"  [https://www.wikidata.org/wiki/Q2587725] the second version of that from the \"Songs of Experience\" [https://www.wikidata.org/wiki/Q27890603] when he says that my mum and father have gone up to the church to pray and they make a heaven of my misery. That kind of thing. Imperatrice there's another card from the Tarot deck it's the third card of the deck.\n \nJohn Wieners\n00:12:09\nReads \"The Imperatrice\" [published later in Selected Poems, 1958-1984].\n \nJohn Wieners\n00:13:38\nThere is something else I thought I'd like to read after that one. I'll read a poem for Sylvia Plath [https://www.wikidata.org/wiki/Q133054] who was an American poet who married an English man, Ted Hughes [https://www.wikidata.org/wiki/Q272194] and had mental troubles and wrote a novel about it called The Bell Jar [https://www.wikidata.org/wiki/Q1213085] under a pseudonym Victoria Lucas, so not to embarrass her mother, and then things became too much for her and I think in 1963, she did away with herself in London [https://www.wikidata.org/wiki/Q84], and it was a great loss, some people feel that and some do not, they feel that at least--Lowell has written an introduction to her poems posthumously printed called Ariel [https://www.wikidata.org/wiki/Q224733] and her first book was The Colossus [https://www.wikidata.org/wiki/Q29889462]. But Victoria Lucas was, The Bell Jar, was, you could buy it through William Hiderman and it came down from Canada [https://www.wikidata.org/wiki/Q16] to the United States and it's never been printed in the country. This is \"The Suicide\".\n \nJohn Wieners\n00:15:06\nReads \"The Suicide\" [published later in Selected Poems, 1958-1984].\n \nJohn Wieners\n00:16:57\nLet's read some happy poems, I'm getting depressed.\n\nUnknown\n00:17:03\n[Cut or edit made in tape].\n\nJohn Wieners\n00:17:04\nReads \"Ode on a Common Fountain\" [from Ace of Pentacles; recording jumps to mid-poem].\n \nJohn Wieners\n00:19:51\nThat's the first poem, I ever, I was twenty, so that was twelve years ago, that poem was written. Now I can go back--I'm still writing about Acis [https://www.wikidata.org/wiki/Q419156] and Galatea [https://www.wikidata.org/wiki/Q241070] but these are terribly sentimental and distraught, drunken poems, you can call them. Maybe we'll have one more, or is that anything from that first reading that you'd like to hear again? I'd rather not go into it. [Unknown audience member suggests poem. Title unintelligible]. Okay, that's what Spender [https://www.wikidata.org/wiki/Q448764] did say to me, he said you look like a de-frocked priest, so. Which I thought was awfully cruel, but I think I am one, my sister was a nun, I'll be a priest. Poets are priests, you know.\n \nJohn Wieners\n00:20:54\nReads “There are holy orders in life...” [published later in Selected Poems, 1958-1984].\n \nEND\n00:21:42\n"],"Note":["[{\"note\":\"Year-Specific Information:\\n\\n From 1965-67, John Wieners was at State University of New York (SUNY) at Buffalo, either working as a graduate student or as the chair of poetics. At that time, Charles Olson left SUNY in 1966, to be replaced by Robert Creeley. Wieners’ The Journal of John Wieners Is To Be Called 707 Scott Street for Billie Holiday, 1959, was published in 1966.\",\"type\":\"General\"},{\"note\":\"Local Connections:\\n\\nNo direct connections between John Wieners and Sir George Williams University are known, however Wieners was an important poet, connected with poets from both the Black Mountain school and Beat movements. \\n\",\"type\":\"General\"},{\"note\":\"Original transcript, research, introduction and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Ali Barillaro.\",\"type\":\"Cataloguer\"},{\"note\":\"Reel-to-reel tape>CD>digital file (mp3)\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/oxford-encyclopedia-of-american-literature/oclc/769478515&referer=brief_results\",\"citation\":\"Foster, Edward Halsey. \\\"Gay Literature: Poetry and Prose\\\". The Oxford Encyclopedia of American Literature. Jay Parini (ed). Oxford University Press, 2004. \"},{\"url\":\"https://www.independent.co.uk/news/obituaries/john-wieners-9143191.html\",\"citation\":\"Ward, Geoff. “John Joseph Wieners, poet, Jan. 6th 1934 - March 1st 2002”. The Independent, 15 March 2000.\"},{\"url\":\"https://www.worldcat.org/title/ace-of-pentacles-a-new-book-of-poems-by-john-wieners/oclc/702932793?referer=di&ht=edition\",\"citation\":\"Wieners, John. Ace of Pentacles. New York: Carr & Wilson, 1964\"},{\"url\":\"https://www.worldcat.org/title/selected-poems-1958-1984/oclc/743392421&referer=brief_results\",\"citation\":\"Wieners, John. Selected Poems, 1958-1984. Santa Barbara: Black Sparrow Press, 1985.\"},{\"url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/john-wieners-at-sgwu-1966/\",\"citation\":\"Thoms, Kathleen. “Poetry Readings Inaugurated”. The Georgian. Montreal: Sir George Williams University, 10 October 1966, p. 6. \"},{\"url\":\"\",\"citation\":\"“Wieners, John, 1934-”. Literature Online Biography. Literature Online: ProQuest, 2009. \"},{\"url\":\"https://drive.google.com/drive/folders/12H55HcY0pAZtzJ9AmxLabbX2hdjvCaX0\",\"citation\":\"“Poetry Readings”. OP-ED. Montreal: Sir George Williams University, 6 October 1967, page 6. \"}]"],"_version_":1853670548245053440,"timestamp":"2026-01-07T14:59:52.745Z","digital_description":["[{\"file_url\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"file_path\":\"My Drive>Sir George Williams TIme-Stamped Transcripts>Spokenweb Tape Case Photos taken by Drew Bernet\",\"filename\":\"I0006_11_0119_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"John Wieners Tape Box - Front\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"file_path\":\"My Drive>Sir George Williams TIme-Stamped Transcripts>Spokenweb Tape Case Photos taken by Drew Bernet\",\"filename\":\"I0006_11_0119_side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"John Wieners Tape Box - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/john_wieners_i006-11-119.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"john_wieners_i006-11-119.mp3\",\"channel_field\":\"Standard\",\"sample_rate\":\"44.1kHz\",\"duration\":\"00:21:42\",\"precision\":\"Double\",\"size\":\"52.1 MB\",\"bitrate\":\"320 Kbps\",\"encoding\":\"compressed\",\"contents\":\"John Wieners\\n00:00:00\\nReads “Invocation to Summer” [recording begins abruptly].\\n \\nJohn Wieners\\n00:01:09\\n\\\"Invitation Au Voyage: II\\\". Do you know that poem of Baudelaire's [https://www.wikidata.org/wiki/Q501]? It's something at the end of the world. He’s speaking to his beloved, very simple. You know, lots of the German Romanticism was very simple.\\n \\nJohn Wieners\\n00:01:30\\nReads \\\"Invitation Au Voyage: II\\\".\\n \\nJohn Wieners\\n00:03:15\\nWell let's go back to the old poems then, that have been published. Stuart Montgomery, well it doesn't matter. But that--I can send it off to England [https://www.wikidata.org/wiki/Q21] to the Fulcrum Press [https://www.wikidata.org/wiki/Q5507820] doing a lot of Basil Bunting [https://www.wikidata.org/wiki/Q2886803] and the English poet of 65, resuscitated in America [https://www.wikidata.org/wiki/Q30] again, it's about time.\\n \\nJohn Wieners\\n00:03:44\\nReads \\\"Long Nook\\\" [from Ace of Pentacles].\\n \\nJohn Wieners\\n00:04:38\\nI'll just make random choices. \\\"At Big Sur\\\".\\n \\nJohn Wieners\\n00:04:53\\nReads \\\"At Big Sur” [from Ace of Pentacles].\\n \\nJohn Wieners\\n00:05:12\\n\\\"Louise\\\".\\n \\nJohn Wieners\\n00:05:21\\nReads \\\"Louise\\\" [from Ace of Pentacles].\\n \\nJohn Wieners\\n00:05:48\\n\\\"The Pool of Light\\\".\\n \\nJohn Wieners\\n00:05:53\\nReads \\\"The Pool of Light\\\" [from Ace of Pentacles].\\n \\nJohn Wieners\\n00:06:14\\nFor Mari--No, this is “For Marion\\\".\\n \\nJohn Wieners\\n00:06:19\\nReads \\\"For Marion\\\" [from Ace of Pentacles].\\n \\nJohn Wieners\\n00:07:05\\n“The Mermaid Song”, forgive me for this, I thought the other poems would carry me through, but I'm reading and keeping with the mood for tonight, it seems to be more lyrical. \\\"The Serpent's Hiss\\\".\\n \\nJohn Wieners\\n00:07:52\\nReads \\\"The Serpent's Hiss\\\" [published later in Selected Poems, 1958-1984].\\n \\nJohn Wieners\\n00:08:37\\nAnd this is called \\\"Tuesday, 5 pm\\\".\\n \\nJohn Wieners\\n00:08:43\\nReads \\\"Tuesday, 5 pm\\\" [published later as “Tuesday 7:00 PM” in Selected Poems, 1958-1984].\\n \\nJohn Wieners\\n00:10:45\\nI'm going to read the \\\"The Imperatrice\\\". Ace of Pentacles is a card in the Tarot deck, but the book should be called ‘pente’ which all the words that appeared in a hypnagogic vision, hypnagogic is the state between waking and sleeping, it's what Jung [https://www.wikidata.org/wiki/Q41532] practiced and his Marie Louise Franz would take down the things that came to him in the state between waking and sleeping and the letters ‘pente’ appeared in that state and I didn't know what they meant so I kept hunting around and I made the word 'pinnacles' out of it and somebody said why don't you call it \\\"Ace of Pinnacles\\\" and we made a whole thing about the Tarot deck, but that's not the title of the book. It should be ‘pente’ and that's from the Greek  which is ‘wall’. And I'd like have as a fronts piece for the book William Blake's [https://www.wikidata.org/wiki/Q41513] \\\"The Chimney Sweep\\\"  [https://www.wikidata.org/wiki/Q2587725] the second version of that from the \\\"Songs of Experience\\\" [https://www.wikidata.org/wiki/Q27890603] when he says that my mum and father have gone up to the church to pray and they make a heaven of my misery. That kind of thing. Imperatrice there's another card from the Tarot deck it's the third card of the deck.\\n \\nJohn Wieners\\n00:12:09\\nReads \\\"The Imperatrice\\\" [published later in Selected Poems, 1958-1984].\\n \\nJohn Wieners\\n00:13:38\\nThere is something else I thought I'd like to read after that one. I'll read a poem for Sylvia Plath [https://www.wikidata.org/wiki/Q133054] who was an American poet who married an English man, Ted Hughes [https://www.wikidata.org/wiki/Q272194] and had mental troubles and wrote a novel about it called The Bell Jar [https://www.wikidata.org/wiki/Q1213085] under a pseudonym Victoria Lucas, so not to embarrass her mother, and then things became too much for her and I think in 1963, she did away with herself in London [https://www.wikidata.org/wiki/Q84], and it was a great loss, some people feel that and some do not, they feel that at least--Lowell has written an introduction to her poems posthumously printed called Ariel [https://www.wikidata.org/wiki/Q224733] and her first book was The Colossus [https://www.wikidata.org/wiki/Q29889462]. But Victoria Lucas was, The Bell Jar, was, you could buy it through William Hiderman and it came down from Canada [https://www.wikidata.org/wiki/Q16] to the United States and it's never been printed in the country. This is \\\"The Suicide\\\".\\n \\nJohn Wieners\\n00:15:06\\nReads \\\"The Suicide\\\" [published later in Selected Poems, 1958-1984].\\n \\nJohn Wieners\\n00:16:57\\nLet's read some happy poems, I'm getting depressed.\\n\\nUnknown\\n00:17:03\\n[Cut or edit made in tape].\\n\\nJohn Wieners\\n00:17:04\\nReads \\\"Ode on a Common Fountain\\\" [from Ace of Pentacles; recording jumps to mid-poem].\\n \\nJohn Wieners\\n00:19:51\\nThat's the first poem, I ever, I was twenty, so that was twelve years ago, that poem was written. Now I can go back--I'm still writing about Acis [https://www.wikidata.org/wiki/Q419156] and Galatea [https://www.wikidata.org/wiki/Q241070] but these are terribly sentimental and distraught, drunken poems, you can call them. Maybe we'll have one more, or is that anything from that first reading that you'd like to hear again? I'd rather not go into it. [Unknown audience member suggests poem. Title unintelligible]. Okay, that's what Spender [https://www.wikidata.org/wiki/Q448764] did say to me, he said you look like a de-frocked priest, so. Which I thought was awfully cruel, but I think I am one, my sister was a nun, I'll be a priest. Poets are priests, you know.\\n \\nJohn Wieners\\n00:20:54\\nReads “There are holy orders in life...” [published later in Selected Poems, 1958-1984].\\n \\nEND\\n00:21:42\",\"notes\":\"John Wieners reads from Ace of Pentacles (Carr & Wilson, 1964) as well as works published in 1985 in Selected Poems, 1958-1984 (Black Sparrow Press).\\n\\n00:00- Reading “Invitation to Summer” [recording does not start at beginning of poem]\\n01:09- Introduces “Invitation Au Voyage” [INDEX: German Romanticism]\\n01:30- Reads “Invitation Au Voyage”\\n03:15- Introduces “Long Nook” [Howard Fink list “One Look”] [INDEX: Stuart Montgommery, Fulcrum Press, Basil Bunting]\\n03:44- Reads “Long Nook”\\n04:38- Introduces “At Big Sur”\\n04:53- Reads “At Big Sur”\\n05:12- Introduces “Louise”\\n05:21- Reads “Louise”\\n05:48- Introduces “The Pool of Light”\\n05:53- Reads “The Pool of Light”\\n06:14- Introduces “Not For Marion” [Howard Fink List “I have found her snow white in my head”]\\n06:19- Reads “For Marion”\\n07:05- Introduces “The Serpent’s Hiss”\\n07:52- Reads “The Serpent’s Hiss”\\n08:37- Introduces “Tuesday, 5 pm” [published as “Tuesday 7:00 PM”]\\n08:43- Reads “Tuesday, 5 pm”\\n10:45- Introduces “Imperatrice” [INDEX: Ace of Pentacles, Tarot, hypnogogic, Karl Yung, Marie Louise Franz, William Blake’s “The Chimney Sweep”, “Songs of Experience”]\\n12:09- Reads “Imperatrice”\\n13:38- Introduces “The Suicide” [INDEX: Sylvia Plath, Ted Hughes, mental illness, The Bell Jar 1963, Ariel, The Colossus, Victoria Lucas, William Hiderman]\\n15:06- Reads “The Suicide”\\n17:04- Introduces unknown poem, mid-sentence “About your pipes and mouth...” [Howard Fink first line “In patience wait the flooding...”]\\n19:51- Introduces unknown poem “I was born to be a priest...” [Howard Fink first line “There are holy orders in life...] [INDEX: Asis, Galatea, Spender]\\n20:54- Reads unknown poem\\n21:24.91- END OF RECORDING\\n\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0119_tape.jpg\",\"file_path\":\"My Drive>Sir George Williams TIme-Stamped Transcripts>Spokenweb Tape Case Photos taken by Drew Bernet\",\"filename\":\"I0006_11_0119_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"John Wieners Tape Box - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"file_path\":\"My Drive>Sir George Williams TIme-Stamped Transcripts>Spokenweb Tape Case Photos taken by Drew Bernet\",\"filename\":\"I0006_11_0119_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"John Wieners Tape Box - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/rbr-62/rb757a\"}]"],"score":0.01643844},{"id":"1054","cataloger_name":["Tomasz,Neugebauer"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Quality Assurance collection"],"source_collection_label":["Quality Assurance collection"],"collection_contributing_unit":["Quality Assurance Unit"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["A test collection with maximum record complexity."],"collection_source_collection_id":["SGWU_77657/Concordia"],"persistent_url":[""],"item_title":["Words and Music at Casa del Popolo 2003-09-21 - Lillian Allen Show - COPY"],"item_title_source":["Container"],"item_title_note":["On MDs: \"L. Allen casa 21/9 2003\"; \"CASA L.Allen SET 2+Brian Chappell\"; \"W+M Sep 2003 Lillian Allen #3 Fortner Anderson \"."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Words and Music Show"],"item_subseries_title":["Series 1 - Mini Disk Years"],"item_subseries_description":["this is the subseries descriotion for mini disk years, swallow class 143"],"item_identifiers":["[WM20030921]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"rights_license":["Creative Commons Attribution, Non-Commercial, No Derivatives (BY-NC-ND)"],"rights_notes":["The permissions process for the Words and Music Show is ongoing."],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"Ian Ferrier Introduces performers and also performs in the show.\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["Allen, Lillian","Anderson, Fortner","Ferrier, Ian","Kellough, Kaie","Kidd, Catherine","May, Erin","Manchilde","O'Hara, Alexis","Baxter, Vince","Campbell, Brian"],"contributors_names_search":["Allen, Lillian","Anderson, Fortner","Ferrier, Ian","Kellough, Kaie","Kidd, Catherine","May, Erin","Manchilde","O'Hara, Alexis","Baxter, Vince","Campbell, Brian"],"contributors":["[{\"url\":\"http://viaf.org/viaf/33686390\",\"name\":\"Allen, Lillian\",\"dates\":\"1951-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/106026246\",\"name\":\"Anderson, Fortner\",\"dates\":\"1955-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1951-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/68351676\",\"name\":\"Kellough, Kaie\",\"dates\":\"1975-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"https://viaf.org/viaf/13542322/\",\"name\":\"Kidd, Catherine\",\"dates\":\"1967-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"May, Erin\",\"dates\":\"\",\"notes\":\"Not on databases.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Manchilde\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/106457511\",\"name\":\"O'Hara, Alexis\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Baxter, Vince\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Campbell, Brian\",\"dates\":\"\",\"notes\":\"Credited as musical guest on event poster.\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Allen, Lillian","Anderson, Fortner","Ferrier, Ian","Kellough, Kaie","Kidd, Catherine","May, Erin","Manchilde","O'Hara, Alexis","Baxter, Vince","Campbell, Brian"],"Production_Date":[2003],"material_description":["[{\"side\":\"Only one side on a minidisc\",\"image\":\"../Uploads/11554/TDK_MiniDisc_and_AA-battery_200703.jpg\",\"other\":\"MD tracks: 39; 82; 128.\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony\",\"generations\":\"Original\",\"Conservation\":\"No process has been performed on the disc.\",\"equalization\":\"None\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"3 Minidiscs: 120 Minutes\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"Magneto-Optical\",\"accompanying_material\":\"Label with green masking tape on disc case indicates date.\",\"other_physical_description\":\"Disc is in clean condition.\"}]"],"material_designations":["Minidisc"],"physical_compositions":["Magneto-Optical"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"Dates":["[{\"date\":\"2003-09-21\",\"type\":\"Production Date\",\"notes\":\"Dates were written on the MiniDisc case.\",\"source\":\"Container\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa del Popolo (Montreal)\",\"notes\":\"The show took place in the main room of the Casa Del Popolo, before they had a concert room next door.\",\"address\":\"4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada\",\"latitude\":\"45,5222118\",\"longitude\":\"-73,5905321\"}]"],"Address":["4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada"],"Venue":["Casa del Popolo (Montreal)"],"City":["Montreal, Quebec"],"content_notes":["The Words & Music Show – \nCasa del Popolo – September 21, 2003\n\nSet 1\n\nIntro\n\nName\tAgreed?\tApproximate Length\tBio\nErin May\tYes\t8 minutes\tErin May was the easy winner of the Festivale Voix d\"Ameriques Poetry Slam in 2002.  Her work bridges genres from theatre to dance to voice improv.\n\nPadraic Scanlon\tYes\t7 minutes\tA young poet who wonm the League of Canadian Poets Young poet award this year.  This was his second appearnace at the Words & Music Show\nJeff Heinrich\tNot asked\t7 minutes\tA reporter for the Gazette newspaper.  This was the first time he ever publicly read a poem\nPaula Belina\tYes\t9 minutes\tPaula Belina is one of the new voices in the Montreal spoken word scene, but has made a strong impact in a very short time. Founder of Streeteaters litzine (now in its 16th issue) Paula's work appeared most recently in the Running with Scissors anthology from Cumulus Press. She has performed in the Wired on Words & Music shows numerous times, and last year was also featured in the Centaur Theatre's Wildside festival. She was born and lives in Montreal, and is currently a student at Concordia University.\n\nKaie Kellough\t\t\tKaie Kellough is a Montreal poet, performer, freelance writer.  His first book of poetry is currently being edited by George Elliott Clark for release in 2003-2004 by Cumulus Press.  A writer, performer and radio host. he has written for matrix, filling station, canadian dimension, and the globe and mail.  Kellough was a finalist in the CBC's Poetry Face-off event, and has coordinated radio segments for them as well.  He has performed in vancouver, calgary, toronto and montreal.  He recently released a chapbook titled \"fire escapes,\" and a 4-piece CD entitled Uptown Rundown.\n\n \n\nSet 2\n\nIntro\n\nIan Ferrier (with Bryan Highbloom on saxophone)\tYes\t7 minutes\tIan Ferrier is one of the core poet/performers in the North American performance literature scene.  His first CD/book-Exploding Head Man-was released by Planète Rebelle Press to national acclaim.   Ferrier is a founder of the Wired on Words performance literature label, and performs in Canada, the United States and Europe.\n\nCatherine Kidd\tYes\t15 minutes\n(tech problem; the music cut out).  If necessary, This piece was also recorded last year by Jane Lewis at CBC Montreal for their Urban Tales Series.\tCatherine Kidd is one of Montreal's most accomplished writer performers.  Her new CD/Book Sea Peach was released by Conundrum Press last fall (2002).  Her first performance collaborations with dj/composer jack beets were also released by Conundrum press in the cassette/book Everything I wanted to know about love I learned from taxidermy.  Kidd is just back from shows in England and Norway, and is considered one of the top names in the field of literature in performance.    \n\nLillian Allen\tNot asked\t25 minutes\t\nAlexis O’Hara\tYes\t11 minutes\tAlexis O'Hara's newest spoken word CD In Abulia was released in 2002.  Back in Montreal after a tour of North America, she is a triligual artist who writes, performs and improvises with musicians.  Last year she sent almost daily updates as she featured in over twenty shows in the States, Canada, and the Yukon (hey that's still Canada).\n\n\n \nSet 3\n\nFortner Anderson\tYes\t10 minutes\tExpatriate Tennessee preacher of the millennial news and patron saint of the Montreal Performance Poetry scene; \nlong-time host of CKUT radio's \"Dromotexte\" spoken word show, as well as promoter of Brazen Oralities spoken word reviews, Fortner tours and performs in eastern Canada, and resides in Montreal.  His last CD was Sometimes I think, \n(Wired on Words 2000), and his new one will be available this year.\nExcelano Project\tNot asked\t35 minutes\tThese were some American writers doing an international project to support hiv charities in Africa.  A lot of us objected to their material, which seemed like the appropriation of struggles and injustices that were not theirs to talk about\nManchilde\tYes\t8 minutes\tManchilde is one of the best-known names in Montreal's hip-hop and performance scene.  As a solo performer, and as a member of the Butta Babees, a Montreal based hiphop crew that have been crafting their sound over the last 5 years, Manchilde is both an excellent performer and a strong voice on the history of the community.  \n\nVince Baxter\tNot asked\t10 minutes\tA stand up comic from Edmonton\nBrian Campbell\tNot asked\t10 minutes\tA singer/songwriter\n\n"],"contents":["The Words and Music show presents Canadian dub legend Lillian Allen, performing alongside some of the best of Montreal's spoken word scene. The event poster boasts Fortner Anderson, Ian Ferrier, Kaie Kellough, Catherine Kidd, Erin May, Manchilde, Alexis O'Hara. The evening is rounded off with comic improv by Vince Baxter and music by Brian Campbell. At the Casa, $5, doors at 8PM."],"Note":["[{\"note\":\"This was a special edition of the Words and Music show devoted to the work of Lillian Allen.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/52540882?oclcNum=52540882\",\"citation\":\"Kellough, Kaie, lettricity (Montreal: Cumulus Press, 2004). 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The event poster boasts Fortner Anderson, Ian Ferrier, Kaie Kellough, Catherine Kidd, Erin May, Manchilde, Alexis O'Hara. The evening is rounded off with comic improv by Vince Baxter and music by Brian Campbell. At the Casa, $5, doors at 8PM.\",\"notes\":\"The Words & Music Show – \\nCasa del Popolo – September 21, 2003\\n\\nSet 1\\n\\nIntro\\n\\nName\\tAgreed?\\tApproximate Length\\tBio\\nErin May\\tYes\\t8 minutes\\tErin May was the easy winner of the Festivale Voix d\\\"Ameriques Poetry Slam in 2002.  Her work bridges genres from theatre to dance to voice improv.\\n\\nPadraic Scanlon\\tYes\\t7 minutes\\tA young poet who wonm the League of Canadian Poets Young poet award this year.  This was his second appearnace at the Words & Music Show\\nJeff Heinrich\\tNot asked\\t7 minutes\\tA reporter for the Gazette newspaper.  This was the first time he ever publicly read a poem\\nPaula Belina\\tYes\\t9 minutes\\tPaula Belina is one of the new voices in the Montreal spoken word scene, but has made a strong impact in a very short time. Founder of Streeteaters litzine (now in its 16th issue) Paula's work appeared most recently in the Running with Scissors anthology from Cumulus Press. She has performed in the Wired on Words & Music shows numerous times, and last year was also featured in the Centaur Theatre's Wildside festival. She was born and lives in Montreal, and is currently a student at Concordia University.\\n\\nKaie Kellough\\t\\t\\tKaie Kellough is a Montreal poet, performer, freelance writer.  His first book of poetry is currently being edited by George Elliott Clark for release in 2003-2004 by Cumulus Press.  A writer, performer and radio host. he has written for matrix, filling station, canadian dimension, and the globe and mail.  Kellough was a finalist in the CBC's Poetry Face-off event, and has coordinated radio segments for them as well.  He has performed in vancouver, calgary, toronto and montreal.  He recently released a chapbook titled \\\"fire escapes,\\\" and a 4-piece CD entitled Uptown Rundown.\\n\\n \\n\\nSet 2\\n\\nIntro\\n\\nIan Ferrier (with Bryan Highbloom on saxophone)\\tYes\\t7 minutes\\tIan Ferrier is one of the core poet/performers in the North American performance literature scene.  His first CD/book-Exploding Head Man-was released by Planète Rebelle Press to national acclaim.   Ferrier is a founder of the Wired on Words performance literature label, and performs in Canada, the United States and Europe.\\n\\nCatherine Kidd\\tYes\\t15 minutes\\n(tech problem; the music cut out).  If necessary, This piece was also recorded last year by Jane Lewis at CBC Montreal for their Urban Tales Series.\\tCatherine Kidd is one of Montreal's most accomplished writer performers.  Her new CD/Book Sea Peach was released by Conundrum Press last fall (2002).  Her first performance collaborations with dj/composer jack beets were also released by Conundrum press in the cassette/book Everything I wanted to know about love I learned from taxidermy.  Kidd is just back from shows in England and Norway, and is considered one of the top names in the field of literature in performance.    \\n\\nLillian Allen\\tNot asked\\t25 minutes\\t\\nAlexis O’Hara\\tYes\\t11 minutes\\tAlexis O'Hara's newest spoken word CD In Abulia was released in 2002.  Back in Montreal after a tour of North America, she is a triligual artist who writes, performs and improvises with musicians.  Last year she sent almost daily updates as she featured in over twenty shows in the States, Canada, and the Yukon (hey that's still Canada).\\n\\n\\n \\nSet 3\\n\\nFortner Anderson\\tYes\\t10 minutes\\tExpatriate Tennessee preacher of the millennial news and patron saint of the Montreal Performance Poetry scene; \\nlong-time host of CKUT radio's \\\"Dromotexte\\\" spoken word show, as well as promoter of Brazen Oralities spoken word reviews, Fortner tours and performs in eastern Canada, and resides in Montreal.  His last CD was Sometimes I think, \\n(Wired on Words 2000), and his new one will be available this year.\\nExcelano Project\\tNot asked\\t35 minutes\\tThese were some American writers doing an international project to support hiv charities in Africa.  A lot of us objected to their material, which seemed like the appropriation of struggles and injustices that were not theirs to talk about\\nManchilde\\tYes\\t8 minutes\\tManchilde is one of the best-known names in Montreal's hip-hop and performance scene.  As a solo performer, and as a member of the Butta Babees, a Montreal based hiphop crew that have been crafting their sound over the last 5 years, Manchilde is both an excellent performer and a strong voice on the history of the community.  \\n\\nVince Baxter\\tNot asked\\t10 minutes\\tA stand up comic from Edmonton\\nBrian Campbell\\tNot asked\\t10 minutes\\tA singer/songwriter\\n\\n\",\"title\":\"The Lillian Allen Show\",\"credit\":\"Recorded by Steve Godin\",\"caption\":\"Sound recording of the \\\"Lillian Allen Show\\\", special edition of the Words and Music Show.\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"\"}]"],"score":0.01643844},{"id":"1055","cataloger_name":["Tomasz,Neugebauer"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Véhicule Art (Montréal) Inc. fonds (P027)"],"source_collection_label":["Véhicule Art (Montréal) Inc. fonds (P027)"],"collection_contributing_unit":["Concordia University Library Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of ten series, many of them subdivided into sub-series. The documents cover the period 1972 to 1982, however, the great majority of the documents were created between 1973 and 1976. This finding aid deals with the administrative, financial files of this organization as well as the artist and exhibition files, the publicity material (posters, art catalogues), and photographs. There is little documentation for the activities of the Vu00e9hicule Art Inc. gallery from 1976 to 1982. During this time the gallery experienced both administrative and financial difficulties. Frequent changes of staff and insufficient funding contributed to the weakening of the gallery and its activities. The original order of the documents quite faithfully reflected the internal organization of the gallery. Thus, the documents dating from 1972 to 1975, were relatively well organized and required no further arrangement; on the other hand, those covering the 1976-1982 period needed complete reorganization. The fonds is organized into the following series: P027/01 Organization P027/02 Personnel P027/03 Finances P027/04 Programming P027/05 Artists, exhibitions and performances P027/06 Associations P027/07 Correspondence P027/08 Photographs P027/09 Sound recordings P027/10 Posters"],"collection_source_collection_id":["P027"],"persistent_url":["https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"item_title":["During the first moment of your death remember"],"item_title_source":["Title taken from item"],"item_title_note":["In Les Levine's \"Media: the bio-tech rehearsal for leaving the body\" the poem title is listed as:\"During the first moment of your death: remember\" https://www.worldcat.org/title/media-the-bio-tech-rehearsal-for-leaving-the-body/oclc/8609947"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["\"Copyright belongs to the creator(s).Reproductions are allowed for the purpose of research and private study. Use of material in a publication may only be done with written consent of the copyright owner(s).\"source: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"creator_names":["Levine, Les","Levine, Les"],"creator_names_search":["Levine, Les","Levine, Les"],"creators":["[{\"url\":\"http://www.isni.org/isni/0000000078315070\",\"name\":\"Levine, Les\",\"dates\":\"1935- \",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://www.isni.org/isni/0000000078315070\",\"name\":\"Levine, Les\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/137/Les Levine images.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"Reel-to-reel tape stored in temperature and humidity controlled vault\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977-02\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Véhicule Art Inc.\",\"notes\":\"source of address: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds\",\"address\":\"  61, Ste. Catherine St. West, Montreal, Quebec, Canada\",\"latitude\":\"45.5095887 \",\"longitude\":\"-73.5647249\"}]"],"Address":["  61, Ste. Catherine St. West, Montreal, Quebec, Canada"],"Venue":["Véhicule Art Inc."],"City":["Montreal, Quebec"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"http://www.worldcat.org/oclc/8609947\",\"citation\":\"Levine, Les. 1979. Media: the bio-tech rehearsal for leaving the body. Calgary: Alberta College of Art Gallery.\"},{\"url\":\"http://ccca.concordia.ca/resources/searches/event_detail.html?languagePref=en&vk=7136&fbclid=IwAR2cofqiFtmHLZBQsCAko0XFLh7VlKAk1Jsvo7fw99vUCRPA913zewtaCYM\",\"citation\":\"Les Levine: During the First Moments of Your Death - Remember. Exhibition. February 25, 1977 - March 17, 1977. Véhicule Art, Montréal.\"}]"],"_version_":1853670548259733504,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1056","cataloger_name":["Tomasz,Neugebauer"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Véhicule Art (Montréal) Inc. fonds (P027)"],"source_collection_label":["Véhicule Art (Montréal) Inc. fonds (P027)"],"collection_contributing_unit":["Concordia University Library Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of ten series, many of them subdivided into sub-series. The documents cover the period 1972 to 1982, however, the great majority of the documents were created between 1973 and 1976. This finding aid deals with the administrative, financial files of this organization as well as the artist and exhibition files, the publicity material (posters, art catalogues), and photographs. There is little documentation for the activities of the Vu00e9hicule Art Inc. gallery from 1976 to 1982. During this time the gallery experienced both administrative and financial difficulties. Frequent changes of staff and insufficient funding contributed to the weakening of the gallery and its activities. The original order of the documents quite faithfully reflected the internal organization of the gallery. Thus, the documents dating from 1972 to 1975, were relatively well organized and required no further arrangement; on the other hand, those covering the 1976-1982 period needed complete reorganization. The fonds is organized into the following series: P027/01 Organization P027/02 Personnel P027/03 Finances P027/04 Programming P027/05 Artists, exhibitions and performances P027/06 Associations P027/07 Correspondence P027/08 Photographs P027/09 Sound recordings P027/10 Posters"],"collection_source_collection_id":["P027"],"persistent_url":["https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"item_title":["Poetry Reading Mattie Falworth & Guy Burchard"],"item_title_source":["Title taken from item"],"item_title_note":["P0027-11-0001 Falworth, Mattie & Burchard, Guy"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["\"Copyright belongs to the creator(s).Reproductions are allowed for the purpose of research and private study. Use of material in a publication may only be done with written consent of the copyright owner(s).\"source: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"creator_names":["Falworth, Mattie"],"creator_names_search":["Falworth, Mattie"],"creators":["[{\"url\":\"https://viaf.org/viaf/1529239/\",\"name\":\"Falworth, Mattie\",\"dates\":\"1930-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Birchard, Guy","Sagoyewatha"],"contributors_names_search":["Birchard, Guy","Sagoyewatha"],"contributors":["[{\"url\":\"https://viaf.org/viaf/5153182719226792097\",\"name\":\"Birchard, Guy\",\"dates\":\"1949-\",\"notes\":\"\",\"nation\":[],\"role\":[\"-1\"]},{\"url\":\"https://viaf.org/viaf/14935071/\",\"name\":\"Sagoyewatha\",\"dates\":\"175?-1830‏\",\"notes\":\"Mattie Falworth reads a quote attributed to Red Jacket.\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":["Sagoyewatha"],"Production_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/149/Falworth Burchard.png\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"Reel-to-reel tape stored in temperature and humidity controlled vault\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Sticky shed syndrome\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-12-12\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"date taken from container\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Véhicule Art Inc.\",\"notes\":\"source of address: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds\",\"address\":\" 61, Ste. Catherine St. West, Montreal, Quebec, Canada\",\"latitude\":\"45.5095887 \",\"longitude\":\"-73.5647249\"}]"],"Address":[" 61, Ste. Catherine St. West, Montreal, Quebec, Canada"],"Venue":["Véhicule Art Inc."],"City":["Montreal, Quebec"],"contents":["<item label=\"Mattie Falworth Reading\"> \n<span label=\"Mattie Falworth Reads Red Jacket's Response to Reverend Mr. Cram from The Death and Rebirth of the Seneca\" \nbegin=\"00:01:00.00\" \nend=\"00:02:45.00\">\n</span>\n</item>"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"http://www.worldcat.org/oclc/1079385917\",\"citation\":\"Wallace, Anthony F. C. The Death and Rebirth of the Seneca. New York: Random House, 1972. Print.\"}]"],"_version_":1853670548260782080,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1089","cataloger_name":["Klara,du Plessis"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Véhicule Art (Montréal) Inc. fonds (P027)"],"source_collection_label":["Véhicule Art (Montréal) Inc. fonds (P027)"],"collection_contributing_unit":["Concordia University Library Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of ten series, many of them subdivided into sub-series. The documents cover the period 1972 to 1982, however, the great majority of the documents were created between 1973 and 1976. This finding aid deals with the administrative, financial files of this organization as well as the artist and exhibition files, the publicity material (posters, art catalogues), and photographs. There is little documentation for the activities of the Vu00e9hicule Art Inc. gallery from 1976 to 1982. During this time the gallery experienced both administrative and financial difficulties. Frequent changes of staff and insufficient funding contributed to the weakening of the gallery and its activities. The original order of the documents quite faithfully reflected the internal organization of the gallery. Thus, the documents dating from 1972 to 1975, were relatively well organized and required no further arrangement; on the other hand, those covering the 1976-1982 period needed complete reorganization. The fonds is organized into the following series: P027/01 Organization P027/02 Personnel P027/03 Finances P027/04 Programming P027/05 Artists, exhibitions and performances P027/06 Associations P027/07 Correspondence P027/08 Photographs P027/09 Sound recordings P027/10 Posters"],"collection_source_collection_id":["P027"],"persistent_url":["https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"item_title":["First Annual Spring Poetry Marathon Tape 1 (3/4)"],"item_title_source":["Handwritten on back"],"item_title_note":["Aalso handwritten \"R. Atlas, M. Adelman, M. Springate, R. Marisa, R. Carson, A. Gold, The Couple, M. Fair, D. Collin, A. Snyder, M. Falworth, Lamel Cass, P. Cane, H. Kazaki, I. Burgess, Shulamis, K. Norris, P. Webb, G. Alexander, D. Keating; handwritten sticker on reel \"some o' da coasters greatest hits ooo wheeee\"; different fonds number P027.9.SR8.1 on box"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright belongs to the creator(s).Reproductions are allowed for the purpose of research and private study. Use of material in a publication may only be done with written consent of the copyright owner(s).\"source: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"creator_names":["Unknown"],"creator_names_search":["Unknown"],"creators":["[{\"url\":\"\",\"name\":\"Unknown\",\"dates\":\"\",\"notes\":\"This is a marathon event with different readers every few minutes.\",\"nation\":[],\"role\":[\"-1\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"Readers: Ian Burgess, Shulamis Nasriala, Ken Norris, Patty Web, Gary Alexander, unknown male voice, unknown female voice.\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":[""],"Production_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/664/P0027-11-0008.1.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Stored in cardboard AMPEX box\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"P027-11-08 1st Annual Spring Poetry Marathon\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:49:28\",\"precision\":\"\",\"size\":\"499.3 MB\",\"bitrate\":\"1,411 kbps\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970\",\"type\":\"Production Date\",\"notes\":\"Circa 1970. Exact year not known.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"source of address: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds\",\"venue\":\"Véhicule Art Inc.\",\"notes\":\"\",\"address\":\" 61, Ste. Catherine St. West, Montreal, Quebec, Canada\",\"latitude\":\"45.5095887 \",\"longitude\":\"-73.5647249\"}]"],"Address":[" 61, Ste. Catherine St. West, Montreal, Quebec, Canada"],"Venue":["Véhicule Art Inc."],"City":["Montreal, Quebec"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548261830656,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1094","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Le Cagibi 2009-05-03"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian \",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"contributors_names":["Katalyst","Pharmakon MTL","Akulukjuk, Tommy","Lento, Allan","Gamble, Lisa"],"contributors_names_search":["Katalyst","Pharmakon MTL","Akulukjuk, Tommy","Lento, Allan","Gamble, Lisa"],"contributors":["[{\"url\":\"\",\"name\":\"Katalyst\",\"dates\":\"\",\"notes\":\"Announced but missing\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Pharmakon MTL\",\"dates\":\"\",\"notes\":\"Announced but missing\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Akulukjuk, Tommy\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Lento, Allan\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/102864158\",\"name\":\"Gamble, Lisa\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Katalyst","Pharmakon MTL","Akulukjuk, Tommy","Lento, Allan","Gamble, Lisa"],"Performance_Date":[2009],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\" In folder: 3 audio, 3 misc. In folder2: 5 docs, 4 images, 1 misc.\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Set of 2 event audio recordings (+ edit)\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"Uploads/1094/Poster 2009-05-03.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital","Digital"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2009/05/\",\"file_path\":\"\",\"filename\":\"STE-001.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:30:01\",\"precision\":\"\",\"size\":\"317.8 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-001.wav [File 1 of 2]\\n\\nIan Ferrier\\n00:00:00\\nIntroduces Tommy Akulukjuk [recording begins abruptly]. \\n\\nAudience \\n00:00:02\\nApplause.\\n\\nTommy Akulukjuk\\n00:00:32\\nAddresses audience.\\n\\nAudience \\n00:00:38\\nApplause.\\n\\nTommy Akulukjuk\\n00:00:43\\nIntroduces unnamed poem.\\n\\nTommy Akulukjuk\\n00:01:09\\nReads unnamed poem in Inuktitut.\\n\\nTommy Akulukjuk\\n00:01:22\\nTranslates previous poem in English.\\n\\nTommy Akulukjuk\\n00:01:42\\nIntroduces unnamed poem.\\n\\nTommy Akulukjuk\\n00:01:52\\nReads unnamed poem. | Keywords: Jerry Springer [https://www.wikidata.org/wiki/Q890908]; Teletubbies [https://www.wikidata.org/wiki/Q41403]; Jack LaLanne [https://www.wikidata.org/wiki/Q1677099]; George Foreman [https://www.wikidata.org/wiki/Q213919]; Celine Dion [https://www.wikidata.org/wiki/Q5105]; MuchMusic [https://www.wikidata.org/wiki/Q1857828]\\n\\nTommy Akulukjuk\\n00:02:43\\nIntroduces \\\"Hugh John's Osteoid Osteoma\\\".\\n\\nTommy Akulukjuk\\n00:02:53\\nReads \\\"Hugh John's Osteoid Osteoma\\\". | Keywords: Mayo Clinic [https://www.wikidata.org/wiki/Q1130172]\\n\\nAudience \\n00:04:40\\nApplause.\\n\\nTommy Akulukjuk\\n00:04:45\\nIntroduces unnamed poem.\\n\\nTommy Akulukjuk\\n00:05:12\\nReads unnamed poem. \\n\\nAudience \\n00:06:00\\nApplause.\\n\\nIan Ferrier\\n00:06:18\\nThanks Tommy Akulukjuk.\\n\\nAudience \\n00:06:21\\nApplause.\\n\\nIan Ferrier\\n00:06:27\\nIntroduces Allan Lento. | Keywords: Salvador Dali [https://www.wikidata.org/wiki/Q5577]\\n\\nAudience \\n00:06:44\\nApplause.\\n\\nAllan Lento\\n00:07:49\\nAmbient Sound [voice, guitar]\\n\\nAllan Lento\\n00:09:27\\nReads unidentified line of poetry.\\n\\nAllan Lento\\n00:10:00\\nPerforms unnamed song.\\n\\nAudience \\n00:13:58\\nLaughter and applause.\\n\\nAllan Lento\\n00:14:28\\nPerforms unnamed song.\\n\\nAudience \\n00:18:32\\nApplause.\\n\\nAllan Lento\\n00:18:45\\nPerforms unnamed song.\\n\\nAudience \\n00:23:45\\nApplause.\\n\\nAllan Lento\\n00:24:00\\nPerforms unnamed song.\\n\\nAudience \\n00:29:20\\nApplause.\\n\\nAllan Lento\\n00:29:27\\nThanks audience. \\n\\nAudience \\n00:29:31\\nApplause.\\n\\nIan Ferrier\\n00:29:47\\nThanks Allan Lento. \\n\\nAudience \\n00:29:49\\nApplause.\\n\\nIan Ferrier\\n00:29:51\\nAnnounces intermission. | Keywords: Lisa Gamble; Katalyst; Pharmakon MTL\\n\\nEND\\n00:30:01\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2009/05/\",\"file_path\":\"\",\"filename\":\"Lisa Gamble.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:11:48\",\"precision\":\"\",\"size\":\" 125.7 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"Lisa Gamble.wav  [File 2 of 2]\\n\\nIan Ferrier\\n00:00:00\\nIntroduces Lisa Gamble. | Keywords: Toronto [https://www.wikidata.org/wiki/Q172]; Clues [band] \\n\\nAudience\\n00:00:45\\nApplause.\\n\\nLisa Gamble\\n00:00:48\\nPerforms unnamed song. \\n\\nAudience\\n00:10:55\\nApplause.\\n\\nUnknown\\n00:11:07\\nAmbient Sound [voices].\\n\\nAudience\\n00:11:22\\nApplause.\\n\\nUnknown\\n00:11:28\\nAmbient Sound [music; source uncertain].\\n\\nEND\\n00:11:48\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2009 05 03\",\"type\":\"Performance Date\",\"notes\":\"Date indicated on event poster and other. document\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/5764056585\",\"venue\":\"Le Cagibi\",\"notes\":\"\",\"address\":\"6596 St Laurent Blvd, Montreal, QC, H2S 3C6\",\"latitude\":\"45.5312505\",\"longitude\":\"-73.6111446\"}]"],"Address":["6596 St Laurent Blvd, Montreal, QC, H2S 3C6"],"Venue":["Le Cagibi"],"City":["Montreal, Quebec"],"content_notes":["This event features the first live poetry performance by Inuk artist Tommy Akulukjuk, music by Montrealer Allan Lento, as well as an innovative sound performance by Lisa Gamble. Additional performances by Katalyst and Pharmakon MTL, described as “poetry/trance/improv” on the event poster, are announced but missing from the audio recordings."],"contents":["STE-001.wav [File 1 of 2]\n\nIan Ferrier\n00:00:00\nIntroduces Tommy Akulukjuk [recording begins abruptly]. \n\nAudience \n00:00:02\nApplause.\n\nTommy Akulukjuk\n00:00:32\nAddresses audience.\n\nAudience \n00:00:38\nApplause.\n\nTommy Akulukjuk\n00:00:43\nIntroduces unnamed poem.\n\nTommy Akulukjuk\n00:01:09\nReads unnamed poem in Inuktitut.\n\nTommy Akulukjuk\n00:01:22\nTranslates previous poem in English.\n\nTommy Akulukjuk\n00:01:42\nIntroduces unnamed poem.\n\nTommy Akulukjuk\n00:01:52\nReads unnamed poem. | Keywords: Jerry Springer [https://www.wikidata.org/wiki/Q890908]; Teletubbies [https://www.wikidata.org/wiki/Q41403]; Jack LaLanne [https://www.wikidata.org/wiki/Q1677099]; George Foreman [https://www.wikidata.org/wiki/Q213919]; Celine Dion [https://www.wikidata.org/wiki/Q5105]; MuchMusic [https://www.wikidata.org/wiki/Q1857828]\n\nTommy Akulukjuk\n00:02:43\nIntroduces \"Hugh John's Osteoid Osteoma\".\n\nTommy Akulukjuk\n00:02:53\nReads \"Hugh John's Osteoid Osteoma\". | Keywords: Mayo Clinic [https://www.wikidata.org/wiki/Q1130172]\n\nAudience \n00:04:40\nApplause.\n\nTommy Akulukjuk\n00:04:45\nIntroduces unnamed poem.\n\nTommy Akulukjuk\n00:05:12\nReads unnamed poem. \n\nAudience \n00:06:00\nApplause.\n\nIan Ferrier\n00:06:18\nThanks Tommy Akulukjuk.\n\nAudience \n00:06:21\nApplause.\n\nIan Ferrier\n00:06:27\nIntroduces Allan Lento. | Keywords: Salvador Dali [https://www.wikidata.org/wiki/Q5577]\n\nAudience \n00:06:44\nApplause.\n\nAllan Lento\n00:07:49\nAmbient Sound [voice, guitar]\n\nAllan Lento\n00:09:27\nReads unidentified line of poetry.\n\nAllan Lento\n00:10:00\nPerforms unnamed song.\n\nAudience \n00:13:58\nLaughter and applause.\n\nAllan Lento\n00:14:28\nPerforms unnamed song.\n\nAudience \n00:18:32\nApplause.\n\nAllan Lento\n00:18:45\nPerforms unnamed song.\n\nAudience \n00:23:45\nApplause.\n\nAllan Lento\n00:24:00\nPerforms unnamed song.\n\nAudience \n00:29:20\nApplause.\n\nAllan Lento\n00:29:27\nThanks audience. \n\nAudience \n00:29:31\nApplause.\n\nIan Ferrier\n00:29:47\nThanks Allan Lento. \n\nAudience \n00:29:49\nApplause.\n\nIan Ferrier\n00:29:51\nAnnounces intermission. | Keywords: Lisa Gamble; Katalyst; Pharmakon MTL\n\nEND\n00:30:01\n\n\nLisa Gamble.wav  [File 2 of 2]\n\nIan Ferrier\n00:00:00\nIntroduces Lisa Gamble. | Keywords: Toronto [https://www.wikidata.org/wiki/Q172]; Clues [band] \n\nAudience\n00:00:45\nApplause.\n\nLisa Gamble\n00:00:48\nPerforms unnamed song. \n\nAudience\n00:10:55\nApplause.\n\nUnknown\n00:11:07\nAmbient Sound [voices].\n\nAudience\n00:11:22\nApplause.\n\nUnknown\n00:11:28\nAmbient Sound [music; source uncertain].\n\nEND\n00:11:48"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548261830657,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1095","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Le Cagibi 2009-06-14"],"item_title_source":["Cataloguer"],"item_title_note":["Full event audio not found"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"(Performs with Pharmakon MTL)\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\",\"Performer\"]}]"],"contributors_names":["Unknown Male","deBruijn, Andrea","Christopher, Jaya","Larochette, Nathanael","Rose, Jessica","Partridge, Taqralik","Del Fabbro, Guido","Naccarato, Alessandra","Clark, Moe","Mah, Kris"],"contributors_names_search":["Unknown Male","deBruijn, Andrea","Christopher, Jaya","Larochette, Nathanael","Rose, Jessica","Partridge, Taqralik","Del Fabbro, Guido","Naccarato, Alessandra","Clark, Moe","Mah, Kris"],"contributors":["[{\"url\":\"\",\"name\":\"Unknown Male \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"deBruijn, Andrea\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Christopher, Jaya\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Larochette, Nathanael\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Rose, Jessica\",\"dates\":\"\",\"notes\":\"Announced but missing \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/15154257780224150501\",\"name\":\"Partridge, Taqralik\",\"dates\":\"\",\"notes\":\"Announced but missing \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/316976880\",\"name\":\"Del Fabbro, Guido\",\"dates\":\"1980-\",\"notes\":\"Announced but missing\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/10152380054301761774\",\"name\":\"Naccarato, Alessandra\",\"dates\":\"1984-\",\"notes\":\"(With Pharmakon MTL)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/317024729\",\"name\":\"Clark, Moe \",\"dates\":\"\",\"notes\":\"(With Pharmakon MTL)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Mah, Kris\",\"dates\":\"\",\"notes\":\"(With Pharmakon MTL)\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["deBruijn, Andrea","Christopher, Jaya","Larochette, Nathanael","Rose, Jessica","Partridge, Taqralik","Del Fabbro, Guido","Naccarato, Alessandra","Clark, Moe ","Mah, Kris"],"Speaker_name":["Unknown Male "],"Performance_Date":[2009],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/1095/June 14th Show Poster_01.jpg\",\"other\":\"In folder: 9 audio, 11 docs, 2 images, 14 misc. ) \",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Set of 3 event audio recordings (+ copies and edits)\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"Dates":["[{\"date\":\"2009 06 14\",\"type\":\"Performance Date\",\"notes\":\"Date indicated on event poster\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/5764056585\",\"venue\":\"Le Cagibi\",\"notes\":\"\",\"address\":\"6596 St Laurent Blvd, Montreal, QC, H2S 3C6\",\"latitude\":\"45.5312505\",\"longitude\":\"-73.6111446\"}]"],"Address":["6596 St Laurent Blvd, Montreal, QC, H2S 3C6"],"Venue":["Le Cagibi"],"City":["Montreal, Quebec"],"content_notes":["This event features Vancouver spoken word poet Jaya Christopher, a performance by voice-music improv project Pharmakon MTL, which consists of Ian Ferrier, Moe Clark, Kris Mah, and the words and voice of Alessandra Naccarato as a special addition for the June 14th 2009 W&M Show at Le Cagibi. After Pharmakon's set, there was some confusion in the room that can be heard on the recordings before an unknown male speaker from the audience delivers an impromptu story. The scheduled performances then resume and conclude with poetry and music by guitarist and writer Nathanael Larochette"],"contents":["STE-001 jaya christopher at cagibi.wav [File 1 of 3]\n\nIan Ferrier\n00:00:17\nIntroduces event. | Keywords: New Orleans [https://www.wikidata.org/wiki/Q34404]\n\nIan Ferrier\n00:00:23\nIntroduces Jaya Christopher. | Keywords: Vancouver [https://www.wikidata.org/wiki/Q24639] \n\nAudience\n00:00:38\nApplause.\n\nJaya Christopher\n00:00:53\nThanks audience.\n\nJaya Christopher\n00:00:56\nIntroduces unnamed poem/song. | Keywords: Montreal [https://www.wikidata.org/wiki/Q340]\n\nJaya Christopher\n00:01:23\nPerforms unnamed poem/song. \n\nAudience\n00:02:58\nApplause.\n\nJaya Christopher\n00:03:03\nIntroduces unnamed poem/song. | Keywords: British Columbia [https://www.wikidata.org/wiki/Q1974]\n\nJaya Christopher\n00:03:14\nPerforms unnamed poem/song.\n\nAudience\n00:07:17\nApplause.\n\nJaya Christopher\n00:07:24\nIntroduces unnamed poem. | Keywords: Montreal; Vancouver\n\nJaya Christopher\n00:08:51\nPerforms unnamed poem.\n\nAudience\n00:12:38\nApplause.\n\nJaya Christopher\n00:12:42\nThanks audience and Ian Ferrier [https://www.wikidata.org/wiki/Q87138884]. | Keywords: Montreal\n\nIan Ferrier\n00:13:07\nThanks Jaya Christopher.\n\nAudience\n00:13:09\nApplause.\n\nIan Ferrier\n00:13:15\nAnnounces intermission. | Keywords: Pharmakon MTL\n\nEND\n00:13:36\n\n\nSTE-002 pharmakon then crrazy guy, then other poets.wav [File 2 of 3]\n\nIan Ferrier\n00:00:00\nAddresses audience [recording begins abruptly]. \n\nPharmakon MTL\n00:00:30\nPerforms sound check.\n\nIan Ferrier\n00:00:42\nIntroduces Moe Clark [https://www.wikidata.org/wiki/Q65116392]. | Keywords: Alberta [https://www.wikidata.org/wiki/Q1951]\n\nAudience\n00:00:49\nApplause.\n\nMoe Clark\n00:00:50\nAddresses audience.\n\nIan Ferrier\n00:00:55\nIntroduces Kris Mah.\n\nAudience\n00:00:57\nApplause.\n\nPharmakon MTL\n00:01:02\nPerforms unnamed song.\n\nAudience\n00:08:32\nApplause.\n\nMoe Clark\n00:08:38\nAddresses audience. | Keywords: Ian [Ferrier]\n\nIan Ferrier\n00:08:44\nAddresses Moe Clark.\n\nMoe Clark\n00:08:46\nAddresses audience.\n\nPharmakon MTL\n00:09:08\nPerforms unnamed song.\n\nUnknown\n00:18:20\nAmbient Sound [voices]\n\nIan Ferrier\n00:18:40\nAddresses Audience Member 1.\n\nAudience Member 1\n00:18:56\nAddresses audience.\n\nAudience\n00:21:14\nApplause.\n\nUnknown\n00:21:22\nAmbient Sound [voices].\n\nMoe Clark\n00:21:55\nAdresses Alessandra Naccarato.\n\nIan Ferrier\n00:22:24\nAddresses Alessandra Naccarato.\n\nAlessandra Naccarato\n00:22:36\nBegins to introduce poem.\n\nIan Ferrier\n00:22:45\nIntroduces Alessandra Naccarato [audience applause throughout]. | Keywords: Throw Collective; Sablo Kafe; Regie Cabico [https://www.wikidata.org/wiki/Q7308357]\n\nPharmakon MTL\n00:23:13\nPerforms unnamed instrumental.\n\nAlessandra Naccarato\n00:23:27\nPerforms unnamed poem accompanied by Pharmakon MTL.\n\nAudience\n00:30:41\nApplause.\n\nIan Ferrier\n00:30:51\nAddresses Andrea deBrujin.\n\nAudience\n00:30:58\nApplause.\n\nIan Ferrier\n00:31:02\nIntroduces Andrea deBrujin [audience applause throughout]. | Keywords: Ottawa [https://www.wikidata.org/wiki/Q1930]\n\nPharmakon MTL\n00:32:00\nPerforms unnamed instrumental.\n\n Andrea deBruijn\n00:32:16\nPerforms unnamed poem accompanied by Pharmakon MTL.\n\nAudience\n00:35:08\nApplause.\n\nIan Ferrier\n00:35:14\nAnnounces intermission. | Keywords: Jessica Rose; Taqralik Partridge; Guido del Fabbro\n\nAudience\n00:35:27\nApplause.\n\nEND\n00:35:37\n\n\nSTE-004 Nathanael Larochette at CAGIBI.wav [File 3 of 3]\n\nIan Ferrier\n00:00:01\nPromotes 3-2-1 THROW [CD] [recording begins abruptly].\n\nIan Ferrier\n00:00:11\nIntroduces Nathanael Larochette.\n\nAudience\n00:00:14\nApplause.\n\nNathanael Larochette\n00:00:22\nAddresses audience, exchange with audience follows [audience laughter throughout].\n\nNathanael Larochette\n00:01:02\nThanks audience, Ian Ferrier and Moe Clark. \n\nNathanael Larochette\n00:01:13\nIntroduces unnamed poem.\n\nNathanael Larochette\n00:01:31\nPerforms unnamed poem.\n\nAudience\n00:02:29\nApplause.\n\nNathanael Larochette\n00:02:36\nAddresses audience, exchange with audience follows [audience laughter throughout].\n\nNathanael Larochette\n00:03:23\nIntroduces \"B-e-a-u-t-i-f-u-l\" from Threshold of Transformation [CD].\n\nNathanael Larochette\n00:03:45\nPerforms \"B-e-a-u-t-i-f-u-l\" from Threshold of Transformation, accompanying himself on guitar.\n\nAudience\n00:05:39\nApplause.\n\nNathanael Larochette\n00:05:49\nAddresses audience [audience applause and laughter throughout]. | Keywords: Raffi [https://www.wikidata.org/wiki/Q199846]\n\nNathanael Larochette\n00:06:57\nIntroduces unnamed poem.\n\nNathanael Larochette\n00:07:08\nPerforms unnamed poem. | Keywords: Vietnam [https://www.wikidata.org/wiki/Q881]; World War II [https://www.wikidata.org/wiki/Q362]\n\nAudience\n00:09:53\nApplause.\n\nNathanael Larochette\n00:09:59\nThanks audience.\n\nNathanael Larochette\n00:10:02\nAddresses audience. | Keywords: Afghanistan [https://www.wikidata.org/wiki/Q889]\n\nNathanael Larochette\n00:10:24\nIntroduces unnamed song. \n\nNathanael Larochette\n00:10:44\nPerforms unnamed song.\n\nAudience\n00:14:36\nApplause.\n\nNathanael Larochette\n00:14:49\nAddresses audience [audience laughter throughout].\n\nNathanael Larochette\n00:15:04\nIntroduces \"When She Paints\" from Threshold of Transformation. \n\nNathanael Larochette\n00:15:36\nPerforms \"When She Paints\" from Threshold of Transformation.\n\nAudience\n00:18:14\nApplause.\n\nNathanael Larochette\n00:18:18\nThanks audience introduces unnamed song. \n\nNathanael Larochette\n00:18:44\nPerforms unnamed song .\n\nAudience\n00:21:14\nApplause.\n\nNathanael Larochette\n00:21:17\nThanks audience and begins to introduce unnamed series of poems [audience laughter throughout].\n\nNathanael Larochette\n00:21:36\nAddresses audience [audience laughter throughout]. | Keywords: Ottawa Public Health [https://www.wikidata.org/wiki/Q59535403] \n\nNathanael Larochette\n00:23:07\nResumes introduction of unnamed poems from Threshold of Transformation.\n\nNathanael Larochette\n00:23:14\nPerforms a series of poems from Threshold of Transformation [with audience participation]. | Keywords: Montreal\n\nAudience\n00:28:55\nApplause.\n\nNathanael Larochette\n00:28:58\nThanks and addresses audience [audience laughter and applause throughout].\n\nAudience\n00:29:42\nApplause.\n\nIan Ferrier\n00:29:58\nAddresses Nathanael Larochette [audience laughter and applause throughout].\n\nIan Ferrier\n00:30:02\nThanks the performers. \n\nIan Ferrier\n00:30:12\nAnnounces future show.\n\nAudience\n00:30:20\nApplause.\n\nEND\n00:30:25"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548270219264,"timestamp":"2026-01-07T14:59:52.745Z","digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2009/06/\",\"file_path\":\"\",\"filename\":\"STE-001 jaya christopher at cagibi.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:13:36\",\"precision\":\"\",\"size\":\"156.7 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-001 jaya christopher at cagibi.wav [File 1 of 3]\\n\\nIan Ferrier\\n00:00:17\\nIntroduces event. | Keywords: New Orleans [https://www.wikidata.org/wiki/Q34404]\\n\\nIan Ferrier\\n00:00:23\\nIntroduces Jaya Christopher. | Keywords: Vancouver [https://www.wikidata.org/wiki/Q24639] \\n\\nAudience\\n00:00:38\\nApplause.\\n\\nJaya Christopher\\n00:00:53\\nThanks audience.\\n\\nJaya Christopher\\n00:00:56\\nIntroduces unnamed poem/song. | Keywords: Montreal [https://www.wikidata.org/wiki/Q340]\\n\\nJaya Christopher\\n00:01:23\\nPerforms unnamed poem/song. \\n\\nAudience\\n00:02:58\\nApplause.\\n\\nJaya Christopher\\n00:03:03\\nIntroduces unnamed poem/song. | Keywords: British Columbia [https://www.wikidata.org/wiki/Q1974]\\n\\nJaya Christopher\\n00:03:14\\nPerforms unnamed poem/song.\\n\\nAudience\\n00:07:17\\nApplause.\\n\\nJaya Christopher\\n00:07:24\\nIntroduces unnamed poem. | Keywords: Montreal; Vancouver\\n\\nJaya Christopher\\n00:08:51\\nPerforms unnamed poem.\\n\\nAudience\\n00:12:38\\nApplause.\\n\\nJaya Christopher\\n00:12:42\\nThanks audience and Ian Ferrier [https://www.wikidata.org/wiki/Q87138884]. | Keywords: Montreal\\n\\nIan Ferrier\\n00:13:07\\nThanks Jaya Christopher.\\n\\nAudience\\n00:13:09\\nApplause.\\n\\nIan Ferrier\\n00:13:15\\nAnnounces intermission. | Keywords: Pharmakon MTL\\n\\nEND\\n00:13:36\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2009/06/\",\"file_path\":\"\",\"filename\":\"STE-002 pharmakon then crrazy guy, then other poets.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:35:37\",\"precision\":\"\",\"size\":\"410.2 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-002 pharmakon then crrazy guy, then other poets.wav [File 2 of 3]\\n\\nIan Ferrier\\n00:00:00\\nAddresses audience [recording begins abruptly]. \\n\\nPharmakon MTL\\n00:00:30\\nPerforms sound check.\\n\\nIan Ferrier\\n00:00:42\\nIntroduces Moe Clark [https://www.wikidata.org/wiki/Q65116392]. | Keywords: Alberta [https://www.wikidata.org/wiki/Q1951]\\n\\nAudience\\n00:00:49\\nApplause.\\n\\nMoe Clark\\n00:00:50\\nAddresses audience.\\n\\nIan Ferrier\\n00:00:55\\nIntroduces Kris Mah.\\n\\nAudience\\n00:00:57\\nApplause.\\n\\nPharmakon MTL\\n00:01:02\\nPerforms unnamed song.\\n\\nAudience\\n00:08:32\\nApplause.\\n\\nMoe Clark\\n00:08:38\\nAddresses audience. | Keywords: Ian [Ferrier]\\n\\nIan Ferrier\\n00:08:44\\nAddresses Moe Clark.\\n\\nMoe Clark\\n00:08:46\\nAddresses audience.\\n\\nPharmakon MTL\\n00:09:08\\nPerforms unnamed song.\\n\\nUnknown\\n00:18:20\\nAmbient Sound [voices]\\n\\nIan Ferrier\\n00:18:40\\nAddresses Audience Member 1.\\n\\nAudience Member 1\\n00:18:56\\nAddresses audience.\\n\\nAudience\\n00:21:14\\nApplause.\\n\\nUnknown\\n00:21:22\\nAmbient Sound [voices].\\n\\nMoe Clark\\n00:21:55\\nAdresses Alessandra Naccarato.\\n\\nIan Ferrier\\n00:22:24\\nAddresses Alessandra Naccarato.\\n\\nAlessandra Naccarato\\n00:22:36\\nBegins to introduce poem.\\n\\nIan Ferrier\\n00:22:45\\nIntroduces Alessandra Naccarato [audience applause throughout]. | Keywords: Throw Collective; Sablo Kafe; Regie Cabico [https://www.wikidata.org/wiki/Q7308357]\\n\\nPharmakon MTL\\n00:23:13\\nPerforms unnamed instrumental.\\n\\nAlessandra Naccarato\\n00:23:27\\nPerforms unnamed poem accompanied by Pharmakon MTL.\\n\\nAudience\\n00:30:41\\nApplause.\\n\\nIan Ferrier\\n00:30:51\\nAddresses Andrea deBrujin.\\n\\nAudience\\n00:30:58\\nApplause.\\n\\nIan Ferrier\\n00:31:02\\nIntroduces Andrea deBrujin [audience applause throughout]. | Keywords: Ottawa [https://www.wikidata.org/wiki/Q1930]\\n\\nPharmakon MTL\\n00:32:00\\nPerforms unnamed instrumental.\\n\\n Andrea deBruijn\\n00:32:16\\nPerforms unnamed poem accompanied by Pharmakon MTL.\\n\\nAudience\\n00:35:08\\nApplause.\\n\\nIan Ferrier\\n00:35:14\\nAnnounces intermission. | Keywords: Jessica Rose; Taqralik Partridge; Guido del Fabbro\\n\\nAudience\\n00:35:27\\nApplause.\\n\\nEND\\n00:35:37\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2009/06/\",\"file_path\":\"\",\"filename\":\"STE-004 Nathanael Larochette at CAGIBI.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:30:25\",\"precision\":\"\",\"size\":\"350.6 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-004 Nathanael Larochette at CAGIBI.wav [File 3 of 3]\\n\\nIan Ferrier\\n00:00:01\\nPromotes 3-2-1 THROW [CD] [recording begins abruptly].\\n\\nIan Ferrier\\n00:00:11\\nIntroduces Nathanael Larochette.\\n\\nAudience\\n00:00:14\\nApplause.\\n\\nNathanael Larochette\\n00:00:22\\nAddresses audience, exchange with audience follows [audience laughter throughout].\\n\\nNathanael Larochette\\n00:01:02\\nThanks audience, Ian Ferrier and Moe Clark. \\n\\nNathanael Larochette\\n00:01:13\\nIntroduces unnamed poem.\\n\\nNathanael Larochette\\n00:01:31\\nPerforms unnamed poem.\\n\\nAudience\\n00:02:29\\nApplause.\\n\\nNathanael Larochette\\n00:02:36\\nAddresses audience, exchange with audience follows [audience laughter throughout].\\n\\nNathanael Larochette\\n00:03:23\\nIntroduces \\\"B-e-a-u-t-i-f-u-l\\\" from Threshold of Transformation [CD].\\n\\nNathanael Larochette\\n00:03:45\\nPerforms \\\"B-e-a-u-t-i-f-u-l\\\" from Threshold of Transformation, accompanying himself on guitar.\\n\\nAudience\\n00:05:39\\nApplause.\\n\\nNathanael Larochette\\n00:05:49\\nAddresses audience [audience applause and laughter throughout]. | Keywords: Raffi [https://www.wikidata.org/wiki/Q199846]\\n\\nNathanael Larochette\\n00:06:57\\nIntroduces unnamed poem.\\n\\nNathanael Larochette\\n00:07:08\\nPerforms unnamed poem. | Keywords: Vietnam [https://www.wikidata.org/wiki/Q881]; World War II [https://www.wikidata.org/wiki/Q362]\\n\\nAudience\\n00:09:53\\nApplause.\\n\\nNathanael Larochette\\n00:09:59\\nThanks audience.\\n\\nNathanael Larochette\\n00:10:02\\nAddresses audience. | Keywords: Afghanistan [https://www.wikidata.org/wiki/Q889]\\n\\nNathanael Larochette\\n00:10:24\\nIntroduces unnamed song. \\n\\nNathanael Larochette\\n00:10:44\\nPerforms unnamed song.\\n\\nAudience\\n00:14:36\\nApplause.\\n\\nNathanael Larochette\\n00:14:49\\nAddresses audience [audience laughter throughout].\\n\\nNathanael Larochette\\n00:15:04\\nIntroduces \\\"When She Paints\\\" from Threshold of Transformation. \\n\\nNathanael Larochette\\n00:15:36\\nPerforms \\\"When She Paints\\\" from Threshold of Transformation.\\n\\nAudience\\n00:18:14\\nApplause.\\n\\nNathanael Larochette\\n00:18:18\\nThanks audience introduces unnamed song. \\n\\nNathanael Larochette\\n00:18:44\\nPerforms unnamed song .\\n\\nAudience\\n00:21:14\\nApplause.\\n\\nNathanael Larochette\\n00:21:17\\nThanks audience and begins to introduce unnamed series of poems [audience laughter throughout].\\n\\nNathanael Larochette\\n00:21:36\\nAddresses audience [audience laughter throughout]. | Keywords: Ottawa Public Health [https://www.wikidata.org/wiki/Q59535403] \\n\\nNathanael Larochette\\n00:23:07\\nResumes introduction of unnamed poems from Threshold of Transformation.\\n\\nNathanael Larochette\\n00:23:14\\nPerforms a series of poems from Threshold of Transformation [with audience participation]. | Keywords: Montreal\\n\\nAudience\\n00:28:55\\nApplause.\\n\\nNathanael Larochette\\n00:28:58\\nThanks and addresses audience [audience laughter and applause throughout].\\n\\nAudience\\n00:29:42\\nApplause.\\n\\nIan Ferrier\\n00:29:58\\nAddresses Nathanael Larochette [audience laughter and applause throughout].\\n\\nIan Ferrier\\n00:30:02\\nThanks the performers. \\n\\nIan Ferrier\\n00:30:12\\nAnnounces future show.\\n\\nAudience\\n00:30:20\\nApplause.\\n\\nEND\\n00:30:25\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"score":0.01643844},{"id":"1096","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Le Cagibi 2009-08-23"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"contributors_names":["Belina, Paula","Hibbs, Angela","Naccarato, Alessandra","Andrusyshyn, Larissa","Martonfi, Ilona"],"contributors_names_search":["Belina, Paula","Hibbs, Angela","Naccarato, Alessandra","Andrusyshyn, Larissa","Martonfi, Ilona"],"contributors":["[{\"url\":\"\",\"name\":\"Belina, Paula\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/39156424\",\"name\":\"Hibbs, Angela\",\"dates\":\"1978-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/10152380054301761774\",\"name\":\"Naccarato, Alessandra\",\"dates\":\"1985-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/120416186\",\"name\":\"Andrusyshyn, Larissa\",\"dates\":\"1978-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/102818325\",\"name\":\"Martonfi, Ilona\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Belina, Paula","Hibbs, Angela","Naccarato, Alessandra","Andrusyshyn, Larissa","Martonfi, Ilona"],"Performance_Date":[2009],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/1096/Paula Larissa Angela Poster Aug 2009.jpeg\",\"other\":\"In folder: 4 docs, 1 image, 1 misc. In folder2: 7 audio files\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"Dates":["[{\"date\":\"2009 08 23\",\"type\":\"Performance Date\",\"notes\":\"Date indicated in document\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/5764056585\",\"venue\":\"Le Cagibi\",\"notes\":\"\",\"address\":\"6596 St Laurent Blvd, Montreal, QC, H2S 3C6\",\"latitude\":\"45.5312505\",\"longitude\":\" --73.6111446\"}]"],"Address":["6596 St Laurent Blvd, Montreal, QC, H2S 3C6"],"Venue":["Le Cagibi"],"City":["Montreal, Quebec"],"content_notes":["This Sunday, 23 August 2009 “Wired on Words and Music” was dubbed a show of WORDS BY WOMEN featuring women poets, writers and performers.  It welcomed from London, Ontario poet, performer and zinemaker Paula Belina, who, with Larissa Andrusyshyn (another performer on the bill) founded the long-running alt literature zine Streeteaters. Angela Hibbs performed work from her first poetry collection, Passport (DC Books, 2007), and from the manuscript of a forthcoming title. Other Montreal-based readers were Alessandra Naccarato, poet and former editor of the quarterly journal, Lips: Politics & Poetics, and poet Ilona Martonfi, organizer of The Yellow Door poetry reading series, and the annual Lovers and Others readings."],"contents":["STE-005.wav [File 1 of 3]\n\nAudience\n00:00:00\nApplause [recording begins abruptly].\n\nIan Ferrier\n00:00:02\nAddresses audience and introduces Angela Hibbs [audience applause throughout]. | Keywords: Paula Belina; London [https://www.wikidata.org/wiki/Q92561]; Ontario [https://www.wikidata.org/wiki/Q1904]; Passport [book]; Insomniac Press [https://www.wikidata.org/wiki/Q6038286]; Wanton [book]\n\nAudience\n00:00:40\nApplause. \n\nAngela Hibbs\n00:00:50\nAddresses Ian Ferrier [https://www.wikidata.org/wiki/Q87138884] and audience, exchange follows. | Keywords: Michael Jackson [https://www.wikidata.org/wiki/Q2831]\n\nAngela Hibbs\n00:01:51\nIntroduces \"A Standard\" from Wanton [audience laughter throughout]. | Keywords: \"My Heart Belongs to Daddy\" [https://www.wikidata.org/wiki/Q3137581]\n\nAngela Hibbs\n00:02:43\nReads \"A Standard\" from Wanton.\n\nAngela Hibbs\n00:05:11\nIntroduces \"Points of Entry\" from Wanton [audience laughter throughout]. \n\nAngela Hibbs\n00:05:36\nReads \"Points of Entry\" from Wanton. \n\nAngela Hibbs\n00:06:54\nDiscusses her reading and introduces \"Night\". \n\nAngela Hibbs\n00:07:18\nReads \"Night\". \n\nAngela Hibbs\n00:09:23\nIntroduces \"Champion of Wanton Orphans\" from Wanton. | Keywords: Newfoundland [[https://www.wikidata.org/wiki/Q48335]]\n\nAngela Hibbs\n00:09:49\nReads \"Champion of Wanton Orphans\" from Wanton.\n\nAngela Hibbs\n00:12:35\nAddresses audience. \n\nAudience\n00:12:38\nApplause.\n\nIan Ferrier\n00:12:51\nAddresses audience and introduces Ilona Martonfi. | Keywords: Le Cagibi; Casa [Del Popolo; https://www.wikidata.org/wiki/Q3538292]; Victoria Arts' Centre; Westmount [https://www.wikidata.org/wiki/Q139497]; Yellow Door; Blue Poppy [book]\n\nAudience\n00:13:57\nApplause.\n\nIlona Martonfi\n00:14:17\nThanks audience and Ian [Ferrier] and introduces \"A Funeral Song For Magda\" from Blue Poppy.\n\nIlona Martonfi\n00:14:44\nReads \"A Funeral Song For Magda\" from Blue Poppy.\n\nIlona Martonfi\n00:16:03\nReads \"Childhood Stories\". \n\nIlona Martonfi\n00:16:41\nIntroduces [\"Childhood Stories: The Shape of the Street\" (?)].\n\nIlona Martonfi\n00:16:46\nReads \"Childhood Stories: The Shape of the Street\".\n\nIlona Martonfi\n00:17:25\nAddresses audience, exchange follows [audience laughter throughout]. \n\nIlona Martonfi\n00:18:07\nIntroduces \"Night Wedding\" [from Blue Poppy]. | Keywords: Ian [Ferrier]\n\nIlona Martonfi\n00:18:35\nReads \"Night Wedding\" from Blue Poppy.\n\nIlona Martonfi\n00:19:32\nIntroduces \"Blue Taffeta\".\n\nIlona Martonfi\n00:19:43\nReads \"Blue Taffeta\".\n\nIlona Martonfi\n00:21:29\nThanks audience. \n\nAudience\n00:21:32\nApplause. \n\nIan Ferrier\n00:21:53\nThanks Ilona [Martonfi] and introduces Alessandra Naccarato. \n\nAudience\n00:22:36\nApplause. \n\nAlessandra Naccarato\n00:22:46\nAddresses audience and introduces unnamed poem. \n\nAlessandra Naccarato\n00:23:39\nPerforms unnamed poem. | Keywords: Neil Young [https://www.wikidata.org/wiki/Q633]; Ontario\n\nAlessandra Naccarato\n00:27:00\nThanks audience. \n\nAudience\n00:27:02\nApplause.\n\nAlessandra Naccarato\n00:27:12\nIntroduces \"The Diaspora of Crows\". | Keywords: Paula [Belina]\n\nAlessandra Naccarato\n00:27:50\nPerforms \"The Diaspora of Crows\". | Keywords: Lomé [https://www.wikidata.org/wiki/Q3792]; Togo [https://www.wikidata.org/wiki/Q945]; West Africa [https://www.wikidata.org/wiki/Q4412]; Accra [https://www.wikidata.org/wiki/Q3761]; Ghana [https://www.wikidata.org/wiki/Q117]; Toronto [https://www.wikidata.org/wiki/Q172]; Canada [https://www.wikidata.org/wiki/Q16]; North America [https://www.wikidata.org/wiki/Q49]; Mauritania [https://www.wikidata.org/wiki/Q1025]\n\nAudience\n00:31:02\nApplause. \n\nAlessandra Naccarato\n00:31:13\nIntroduces unnamed poem.\n\nAlessandra Naccarato\n00:31:37\nPerforms unnamed poem. | Keywords: Mexico [https://www.wikidata.org/wiki/Q96]\n\nAudience\n00:34:34\nApplause. \n\nAlessandra Naccarato\n00:34:41\nIntroduces unnamed poem. | Keywords: Shane Koyczan [https://www.wikidata.org/wiki/Q6483777]; Toronto; Montreal [https://www.wikidata.org/wiki/Q340]; \"Atlantis\" [poem]\n\nAlessandra Naccarato\n00:35:57\nBegins to read unnamed poem.\n\nEND\n00:36:07\n[cut off abruptly]. \n\nSTE-006.wav [File 2 of 3]\n\nUnknown\n00:00:00\nAmbient Sound [voices].\n\nIan Ferrier\n00:00:04\nIntroduces Paula Belina, exchange follows [audience applause and laughter throughout]. | Keywords: Larissa Andrusyshyn; Street Eaters [magazine]; Montreal \n\nAudience\n00:01:20\nApplause. \n\nPaula Belina\n00:01:29\nAddresses audience [barely audible; audience laughter throughout]. | Keywords: London; Ontario; Ottawa [https://www.wikidata.org/wiki/Q1930]; Winnipeg [https://www.wikidata.org/wiki/Q2135]; Victoria [https://www.wikidata.org/wiki/Q2132]; Calgary [https://www.wikidata.org/wiki/Q36312]; Montreal; New York City [https://www.wikidata.org/wiki/Q60]\n\nEND\n00:16:59\n[cut off abruptly]. \n\nSTE-007.wav [File 3 of 3]\n\nIan Ferrier\n00:00:00\nAddresses Paula [Belina] and audience and introduces Larissa Andrusyshyn. | Keywords: Quebec Writers' Federation [https://www.wikidata.org/wiki/Q3413953]; Dorval [https://www.wikidata.org/wiki/Q141963]; Little Burgundy [https://www.wikidata.org/wiki/Q3377317]; Street Eaters; Concordia [University; https://www.wikidata.org/wiki/Q326342]\n\nAudience\n00:00:51\nApplause. \n\nLarissa Andrusyshyn\n00:00:58\nThanks Ian [Ferrier] and Le Cagibi [audience applause throughout]. | Keywords: Montreal \n\nLarissa Andrusyshyn\n00:01:29\nAddresses audience and introduces \"The Heart Attack\". | Keywords: Concordia [University]\n\nLarissa Andrusyshyn\n00:02:05\nReads \"The Heart Attack\". \n\nLarissa Andrusyshyn\n00:02:47\nIntroduces \"Homunculus\".\n\nLarissa Andrusyshyn\n00:02:51\nReads \"Homunculus\". | Keywords: Mont-Royal [https://www.wikidata.org/wiki/Q1757764]\n\nLarissa Andrusyshyn\n00:04:25\nIntroduces \"Vestigial\".\n\nLarissa Andrusyshyn\n00:04:46\nReads \"Vestigial\".\n\nLarissa Andrusyshyn\n00:05:45\nIntroduces \"In Which The Mammoth Goes To School\". | Keywords: Siberia [https://www.wikidata.org/wiki/Q5428]\n\nLarissa Andrusyshyn\n00:06:33\nReads \"In Which The Mammoth Goes To School\". | Keywords: Cal Tech [https://www.wikidata.org/wiki/Q161562]\n\nAudience\n00:06:50\nLaughter. \n\nLarissa Andrusyshyn\n00:06:51\nStops reading to address audience.\n\nLarissa Andrusyshyn\n00:06:59\nResumes \"In Which The Mammoth Goes To School\". | Keywords: Pepsi [https://www.wikidata.org/wiki/Q47719]\n\nAudience\n00:09:21\nLaughter. \n\nLarissa Andrusyshyn\n00:09:22\nStops reading to address audience.\n\nLarissa Andrusyshyn\n00:09:28\nResumes \"In Which the Mammoth Goes to School\". | Keywords: New Jersey [https://www.wikidata.org/wiki/Q1408]\n\nLarissa Andrusyshyn\n00:11:08\nDiscusses \"In Which the Mammoth Goes to School\" and introduces \"No Mammoth is an Island\" [audience laughter throughout]. | Keywords: Ukraine [https://www.wikidata.org/wiki/Q212]\n\nLarissa Andrusyshyn\n00:11:53\nReads \"No Mammoth is an Island\". | Keywords: Oprah [https://www.wikidata.org/wiki/Q694106]; The Daily Show [https://www.wikidata.org/wiki/Q824192]; David Letterman [https://www.wikidata.org/wiki/Q858778]\n\nLarissa Andrusyshyn\n00:12:46\nIntroduces \"Voyager\". | Keywords: Jimmy Carter [https://www.wikidata.org/wiki/Q23685]; Carl Sagan [https://www.wikidata.org/wiki/Q410]; Chuck Berry [https://www.wikidata.org/wiki/Q5921]\n\nLarissa Andrusyshyn\n00:13:37.45\nReads \"Voyager\". | Keywords: [Johann Sebastian] Bach [https://www.wikidata.org/wiki/Q1339]; [Wolfgang Amadeus] Mozart [https://www.wikidata.org/wiki/Q254]; [Ludwig Van] Beethoven [https://www.wikidata.org/wiki/Q255]; [Igor] Stravinsky [https://www.wikidata.org/wiki/Q7314]; \"The Rite of Spring\" [https://www.wikidata.org/wiki/Q206015]; 'Johnny B. Goode\" [https://www.wikidata.org/wiki/Q931481]; Pompei [https://www.wikidata.org/wiki/Q36471]\n\nLarissa Andrusyshyn\n00:15:18\nThanks audience.\n\nAudience\n00:15:20\nApplause. \n\nIan Ferrier\n00:15:30\nThanks audience and announces future event. | Keywords: Gillian Sze; Jason [Camlot]; Casa Del Popolo \n\nAudience\n00:15:58\nApplause. \n\nEND\n00:16:04"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548272316416,"timestamp":"2026-01-07T14:59:52.745Z","digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2009/08/\",\"file_path\":\"\",\"filename\":\"STE-007.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:16:04\",\"precision\":\"\",\"size\":\"185.1 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-007.wav [File 3 of 3]\\n\\nIan Ferrier\\n00:00:00\\nAddresses Paula [Belina] and audience and introduces Larissa Andrusyshyn. | Keywords: Quebec Writers' Federation [https://www.wikidata.org/wiki/Q3413953]; Dorval [https://www.wikidata.org/wiki/Q141963]; Little Burgundy [https://www.wikidata.org/wiki/Q3377317]; Street Eaters; Concordia [University; https://www.wikidata.org/wiki/Q326342]\\n\\nAudience\\n00:00:51\\nApplause. \\n\\nLarissa Andrusyshyn\\n00:00:58\\nThanks Ian [Ferrier] and Le Cagibi [audience applause throughout]. | Keywords: Montreal \\n\\nLarissa Andrusyshyn\\n00:01:29\\nAddresses audience and introduces \\\"The Heart Attack\\\". | Keywords: Concordia [University]\\n\\nLarissa Andrusyshyn\\n00:02:05\\nReads \\\"The Heart Attack\\\". \\n\\nLarissa Andrusyshyn\\n00:02:47\\nIntroduces \\\"Homunculus\\\".\\n\\nLarissa Andrusyshyn\\n00:02:51\\nReads \\\"Homunculus\\\". | Keywords: Mont-Royal [https://www.wikidata.org/wiki/Q1757764]\\n\\nLarissa Andrusyshyn\\n00:04:25\\nIntroduces \\\"Vestigial\\\".\\n\\nLarissa Andrusyshyn\\n00:04:46\\nReads \\\"Vestigial\\\".\\n\\nLarissa Andrusyshyn\\n00:05:45\\nIntroduces \\\"In Which The Mammoth Goes To School\\\". | Keywords: Siberia [https://www.wikidata.org/wiki/Q5428]\\n\\nLarissa Andrusyshyn\\n00:06:33\\nReads \\\"In Which The Mammoth Goes To School\\\". | Keywords: Cal Tech [https://www.wikidata.org/wiki/Q161562]\\n\\nAudience\\n00:06:50\\nLaughter. \\n\\nLarissa Andrusyshyn\\n00:06:51\\nStops reading to address audience.\\n\\nLarissa Andrusyshyn\\n00:06:59\\nResumes \\\"In Which The Mammoth Goes To School\\\". | Keywords: Pepsi [https://www.wikidata.org/wiki/Q47719]\\n\\nAudience\\n00:09:21\\nLaughter. \\n\\nLarissa Andrusyshyn\\n00:09:22\\nStops reading to address audience.\\n\\nLarissa Andrusyshyn\\n00:09:28\\nResumes \\\"In Which the Mammoth Goes to School\\\". | Keywords: New Jersey [https://www.wikidata.org/wiki/Q1408]\\n\\nLarissa Andrusyshyn\\n00:11:08\\nDiscusses \\\"In Which the Mammoth Goes to School\\\" and introduces \\\"No Mammoth is an Island\\\" [audience laughter throughout]. | Keywords: Ukraine [https://www.wikidata.org/wiki/Q212]\\n\\nLarissa Andrusyshyn\\n00:11:53\\nReads \\\"No Mammoth is an Island\\\". | Keywords: Oprah [https://www.wikidata.org/wiki/Q694106]; The Daily Show [https://www.wikidata.org/wiki/Q824192]; David Letterman [https://www.wikidata.org/wiki/Q858778]\\n\\nLarissa Andrusyshyn\\n00:12:46\\nIntroduces \\\"Voyager\\\". | Keywords: Jimmy Carter [https://www.wikidata.org/wiki/Q23685]; Carl Sagan [https://www.wikidata.org/wiki/Q410]; Chuck Berry [https://www.wikidata.org/wiki/Q5921]\\n\\nLarissa Andrusyshyn\\n00:13:37.45\\nReads \\\"Voyager\\\". | Keywords: [Johann Sebastian] Bach [https://www.wikidata.org/wiki/Q1339]; [Wolfgang Amadeus] Mozart [https://www.wikidata.org/wiki/Q254]; [Ludwig Van] Beethoven [https://www.wikidata.org/wiki/Q255]; [Igor] Stravinsky [https://www.wikidata.org/wiki/Q7314]; \\\"The Rite of Spring\\\" [https://www.wikidata.org/wiki/Q206015]; 'Johnny B. Goode\\\" [https://www.wikidata.org/wiki/Q931481]; Pompei [https://www.wikidata.org/wiki/Q36471]\\n\\nLarissa Andrusyshyn\\n00:15:18\\nThanks audience.\\n\\nAudience\\n00:15:20\\nApplause. \\n\\nIan Ferrier\\n00:15:30\\nThanks audience and announces future event. | Keywords: Gillian Sze; Jason [Camlot]; Casa Del Popolo \\n\\nAudience\\n00:15:58\\nApplause. \\n\\nEND\\n00:16:04\",\"notes\":\"File needs to be added to folder indicated in File Url\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2009/08/\",\"file_path\":\"\",\"filename\":\"STE-006.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:16:59\",\"precision\":\"\",\"size\":\"195.8 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-006.wav [File 2 of 3]\\n\\nUnknown\\n00:00:00\\nAmbient Sound [voices].\\n\\nIan Ferrier\\n00:00:04\\nIntroduces Paula Belina, exchange follows [audience applause and laughter throughout]. | Keywords: Larissa Andrusyshyn; Street Eaters [magazine]; Montreal \\n\\nAudience\\n00:01:20\\nApplause. \\n\\nPaula Belina\\n00:01:29\\nAddresses audience [barely audible; audience laughter throughout]. | Keywords: London; Ontario; Ottawa [https://www.wikidata.org/wiki/Q1930]; Winnipeg [https://www.wikidata.org/wiki/Q2135]; Victoria [https://www.wikidata.org/wiki/Q2132]; Calgary [https://www.wikidata.org/wiki/Q36312]; Montreal; New York City [https://www.wikidata.org/wiki/Q60]\\n\\nEND\\n00:16:59\\n[cut off abruptly]. \",\"notes\":\"File needs to be added to folder indicated in File Url\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2009/08/\",\"file_path\":\"\",\"filename\":\"STE-005.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:36:07\",\"precision\":\"\",\"size\":\"416.1 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-005.wav [File 1 of 3]\\n\\nAudience\\n00:00:00\\nApplause [recording begins abruptly].\\n\\nIan Ferrier\\n00:00:02\\nAddresses audience and introduces Angela Hibbs [audience applause throughout]. | Keywords: Paula Belina; London [https://www.wikidata.org/wiki/Q92561]; Ontario [https://www.wikidata.org/wiki/Q1904]; Passport [book]; Insomniac Press [https://www.wikidata.org/wiki/Q6038286]; Wanton [book]\\n\\nAudience\\n00:00:40\\nApplause. \\n\\nAngela Hibbs\\n00:00:50\\nAddresses Ian Ferrier [https://www.wikidata.org/wiki/Q87138884] and audience, exchange follows. | Keywords: Michael Jackson [https://www.wikidata.org/wiki/Q2831]\\n\\nAngela Hibbs\\n00:01:51\\nIntroduces \\\"A Standard\\\" from Wanton [audience laughter throughout]. | Keywords: \\\"My Heart Belongs to Daddy\\\" [https://www.wikidata.org/wiki/Q3137581]\\n\\nAngela Hibbs\\n00:02:43\\nReads \\\"A Standard\\\" from Wanton.\\n\\nAngela Hibbs\\n00:05:11\\nIntroduces \\\"Points of Entry\\\" from Wanton [audience laughter throughout]. \\n\\nAngela Hibbs\\n00:05:36\\nReads \\\"Points of Entry\\\" from Wanton. \\n\\nAngela Hibbs\\n00:06:54\\nDiscusses her reading and introduces \\\"Night\\\". \\n\\nAngela Hibbs\\n00:07:18\\nReads \\\"Night\\\". \\n\\nAngela Hibbs\\n00:09:23\\nIntroduces \\\"Champion of Wanton Orphans\\\" from Wanton. | Keywords: Newfoundland [[https://www.wikidata.org/wiki/Q48335]]\\n\\nAngela Hibbs\\n00:09:49\\nReads \\\"Champion of Wanton Orphans\\\" from Wanton.\\n\\nAngela Hibbs\\n00:12:35\\nAddresses audience. \\n\\nAudience\\n00:12:38\\nApplause.\\n\\nIan Ferrier\\n00:12:51\\nAddresses audience and introduces Ilona Martonfi. | Keywords: Le Cagibi; Casa [Del Popolo; https://www.wikidata.org/wiki/Q3538292]; Victoria Arts' Centre; Westmount [https://www.wikidata.org/wiki/Q139497]; Yellow Door; Blue Poppy [book]\\n\\nAudience\\n00:13:57\\nApplause.\\n\\nIlona Martonfi\\n00:14:17\\nThanks audience and Ian [Ferrier] and introduces \\\"A Funeral Song For Magda\\\" from Blue Poppy.\\n\\nIlona Martonfi\\n00:14:44\\nReads \\\"A Funeral Song For Magda\\\" from Blue Poppy.\\n\\nIlona Martonfi\\n00:16:03\\nReads \\\"Childhood Stories\\\". \\n\\nIlona Martonfi\\n00:16:41\\nIntroduces [\\\"Childhood Stories: The Shape of the Street\\\" (?)].\\n\\nIlona Martonfi\\n00:16:46\\nReads \\\"Childhood Stories: The Shape of the Street\\\".\\n\\nIlona Martonfi\\n00:17:25\\nAddresses audience, exchange follows [audience laughter throughout]. \\n\\nIlona Martonfi\\n00:18:07\\nIntroduces \\\"Night Wedding\\\" [from Blue Poppy]. | Keywords: Ian [Ferrier]\\n\\nIlona Martonfi\\n00:18:35\\nReads \\\"Night Wedding\\\" from Blue Poppy.\\n\\nIlona Martonfi\\n00:19:32\\nIntroduces \\\"Blue Taffeta\\\".\\n\\nIlona Martonfi\\n00:19:43\\nReads \\\"Blue Taffeta\\\".\\n\\nIlona Martonfi\\n00:21:29\\nThanks audience. \\n\\nAudience\\n00:21:32\\nApplause. \\n\\nIan Ferrier\\n00:21:53\\nThanks Ilona [Martonfi] and introduces Alessandra Naccarato. \\n\\nAudience\\n00:22:36\\nApplause. \\n\\nAlessandra Naccarato\\n00:22:46\\nAddresses audience and introduces unnamed poem. \\n\\nAlessandra Naccarato\\n00:23:39\\nPerforms unnamed poem. | Keywords: Neil Young [https://www.wikidata.org/wiki/Q633]; Ontario\\n\\nAlessandra Naccarato\\n00:27:00\\nThanks audience. \\n\\nAudience\\n00:27:02\\nApplause.\\n\\nAlessandra Naccarato\\n00:27:12\\nIntroduces \\\"The Diaspora of Crows\\\". | Keywords: Paula [Belina]\\n\\nAlessandra Naccarato\\n00:27:50\\nPerforms \\\"The Diaspora of Crows\\\". | Keywords: Lomé [https://www.wikidata.org/wiki/Q3792]; Togo [https://www.wikidata.org/wiki/Q945]; West Africa [https://www.wikidata.org/wiki/Q4412]; Accra [https://www.wikidata.org/wiki/Q3761]; Ghana [https://www.wikidata.org/wiki/Q117]; Toronto [https://www.wikidata.org/wiki/Q172]; Canada [https://www.wikidata.org/wiki/Q16]; North America [https://www.wikidata.org/wiki/Q49]; Mauritania [https://www.wikidata.org/wiki/Q1025]\\n\\nAudience\\n00:31:02\\nApplause. \\n\\nAlessandra Naccarato\\n00:31:13\\nIntroduces unnamed poem.\\n\\nAlessandra Naccarato\\n00:31:37\\nPerforms unnamed poem. | Keywords: Mexico [https://www.wikidata.org/wiki/Q96]\\n\\nAudience\\n00:34:34\\nApplause. \\n\\nAlessandra Naccarato\\n00:34:41\\nIntroduces unnamed poem. | Keywords: Shane Koyczan [https://www.wikidata.org/wiki/Q6483777]; Toronto; Montreal [https://www.wikidata.org/wiki/Q340]; \\\"Atlantis\\\" [poem]\\n\\nAlessandra Naccarato\\n00:35:57\\nBegins to read unnamed poem.\\n\\nEND\\n00:36:07\\n[cut off abruptly]. \",\"notes\":\"File needs to be added to folder indicated in File Url\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"score":0.01643844},{"id":"1097","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2009-09-20"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"contributors_names":["Shaughnessy, Kyra","Sze, Gillian","Camlot, Jason","Joannides, Amos"],"contributors_names_search":["Shaughnessy, Kyra","Sze, Gillian","Camlot, Jason","Joannides, Amos"],"contributors":["[{\"url\":\"\",\"name\":\"Shaughnessy, Kyra\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/102895499\",\"name\":\"Sze, Gillian\",\"dates\":\"1985-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/90740324\",\"name\":\" Camlot, Jason\",\"dates\":\"1967-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Joannides, Amos\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Shaughnessy, Kyra","Sze, Gillian"," Camlot, Jason","Joannides, Amos"],"Performance_Date":[2009],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/1097/Gillian & Amos Poster Sept  2009_01.jpg\",\"other\":\"In folder: 5 audio, 4 misc. In folder2: 4 audio, 4 misc. In folder3 : 4 docs, 8 images, 1 misc.\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Set of 2 event audio recordings (+ copies and edits)\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"Dates":["[{\"date\":\"2009 09 20\",\"type\":\"Performance Date\",\"notes\":\"Date indicated on event poster, in radio ad, and in document\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118\",\"longitude\":\" -73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["The September 2009 Words and Music Show kicked off at 9 p.m. with a performance by Quebec poet and singer Kyra Shaughnessy promoting her CD \"One Step Closer,\" followed by a reading by Gillian Sze featuring works from her book \"Fish Bones\" (DC Books 2009) and poems later published in \"The Anatomy of Clay\" (ECW Press 2011). Jason Camlot also read a number of excerpts from his third collection of poems entitled \"The Debaucher\" (Insomniac Press 2008), while the night capped off with music from folk singer-songwriter Amos Joannides’ album \"I want to see you smile.\""],"contents":["Sept 2009 Casa W&M Kyra & Gillian.wav [File 1 of 2]\n\nIan Ferrier\n00:00:00\nIntroduces event [recording begins abruptly]. \n\nAudience\n00:00:04\nApplause.\n\nIan Ferrier\n00:00:05\nIntroduces Kyra Shaughnessy. | Keywords: One Step Closer [CD]; Mégantic [https://www.wikidata.org/wiki/Q2991353]; Quebec [https://www.wikidata.org/wiki/Q176]\n\nAudience\n00:00:26\nApplause.\n\nKyra Shaughnessy\n00:00:35\nIntroduces unnamed poem. | Keywords: Eastern Townships [https://www.wikidata.org/wiki/Q1122368]\n\nKyra Shaughnessy\n00:00:53\nPerforms unnamed poem. \n\nAudience\n00:06:07\nApplause.\n\nKyra Shaughnessy\n00:06:19\nIntroduces \"It’s A Long Way Down\" [from One Step Closer].\n\nKyra Shaughnessy\n00:06:29\nPerforms \"It’s A Long Way Down\" from One Step Closer.\n\nAudience\n00:10:14\nApplause.\n\nKyra Shaughnessy\n00:10:24\nThanks audience and introduces unnamed poem. | Keywords: New York City [https://www.wikidata.org/wiki/Q60]; 9/11 [https://www.wikidata.org/wiki/Q10806]\n\nKyra Shaughnessy\n00:11:05\nPerforms unnamed poem.\n\nAudience\n00:16:21\nApplause.\n\nKyra Shaughnessy\n00:16:31\nIntroduces \"One Day\" from One Step Closer.\n\nKyra Shaughnessy\n00:16:46\nPerforms \"One Day\" from One Step Closer.\n\nAudience\n00:19:07\nApplause.\n\nKyra Shaughnessy\n00:19:10\nThanks Ian Ferrier [https://www.wikidata.org/wiki/Q87138884] [audience applause continues throughout].\n\nIan Ferrier\n00:19:26\nThanks Kyra Shaughnessy.\n\nAudience\n00:19:28\nApplause.\n\nIan Ferrier\n00:19:33\nIntroduces Gillian Sze. | Keywords: Fish Bones [book]\n\nAudience\n00:20:01\nApplause.\n\nGillian Sze\n00:20:14\nThanks Ian Ferrier and addresses audience. | Keywords: Montreal [https://www.wikidata.org/wiki/Q340]; Toronto [https://www.wikidata.org/wiki/Q172]  \n\nGillian Sze\n00:20:35\nIntroduces \"Fragmented\" from Fish Bones. | Keywords: Montreal\n\nGillian Sze\n00:21:00\nReads \"Fragmented\" from Fish Bones.\n\nGillian Sze\n00:21:53\nIntroduces \"Cantaloupe\" from Fish Bones.\n\nGillian Sze\n00:22:07\nReads \"Cantaloupe\" from Fish Bones.\n\nAudience\n00:22:50\nApplause.\n\nGillian Sze\n00:22:56\nIntroduces \"Highway 132\" [later published in The Anatomy of Clay [book]]. | Keywords: Quebec\n\nGillian Sze\n00:23:15\nReads \"Highway 132\" [later published in The Anatomy of Clay].\n\nGillian Sze\n00:24:40\nDiscusses Kyra Shaughnessy’s performance and introduces \"Hatchlings\" [later published in The Anatomy of Clay] [audience laughter throughout]. | Keywords: Toronto\n\nGillian Sze\n00:25:15\nReads \"Hatchlings\" [later published in The Anatomy of Clay].\n\nGillian Sze\n00:26:20\nIntroduces \"Thumbelina\" [from Conclave: A Journal of Character [Issue 2, 2009-2010]].\n\nGillian Sze\n00:27:07\nReads \"Thumbelina\" from Conclave: A Journal of Character [Issue 2, 2009-2010].\n\nGillian Sze\n00:28:01\nIntroduces \"All About Jorinde\". | Keywords: Brothers Grimm [https://www.wikidata.org/wiki/Q2793]\n\nGillian Sze\n00:28:16\nReads \"All About Jorinde\".\n\nGillian Sze\n00:29:16\nIntroduces \"Sensible Elsie\" from Conclave: A Journal of Character [ Issue 2, 2009-2010] and thanks audience and Ian Ferrier. | Keywords: Brothers Grimm\n\nGillian Sze\n00:29:36\nReads \"Sensible Elsie\" from Conclave: A Journal of Character [Issue 2, 2009-2010].\n\nAudience\n00:31:12\nApplause.\n\nIan Ferrier\n00:31:31\nThanks Gillian Sze and promotes Fish Bones.\n\nIan Ferrier\n00:31:\nAnnounces future event and introduces Jason Camlot [https://www.wikidata.org/wiki/Q3162905]. | Keywords: Throw [Collective]; O’Hara’s Pub; Nathanael Larochette; Ottawa [https://www.wikidata.org/wiki/Q1930]; Puggy Hammer [band]\n\nAudience\n00:32:28\nApplause.\n\nJason Camlot\n00:32:44\nThanks Ian Ferrier and introduces \"The Lost Wine: Sonnet after Valéry\" from The Debaucher [book] [audience laughter throughout]. | Keywords: Kyra [Shaugnessy]; Gillian [Sze]; La Chanson de Roland [https://www.wikidata.org/wiki/Q185427]\n\nJason Camlot\n00:34:31\nReads \"The Lost Wine: Sonnet after Valéry\" from The Debaucher.\n\nJason Camlot\n00:35:30\nIntroduces \"The Slave\" from The Debaucher.\n\nJason Camlot\n00:36:09\nReads \"The Slave\" from The Debaucher.\n\nJason Camlot\n00:38:34\nIntroduces \"Advice on Angry Mourning\" from The Debaucher [audience laughter throughout]. | Keywords: The Fall [https://www.wikidata.org/wiki/Q909916]; Manchester [https://www.wikidata.org/wiki/Q18125]\n\nJason Camlot\n00:39:22\nReads \"Advice on Angry Mourning\" from The Debaucher.\n\nJason Camlot\n00:40:30\nIntroduces \"After the Red Angle\" [later published in What The World Said [book]]. | Keywords: Montreal; Betty Goodwin [https://www.wikidata.org/wiki/Q2900236]; Anne Carson [https://www.wikidata.org/wiki/Q2633699]\n\nJason Camlot\n00:42:08\nReads \"After the Red Angle\" [later published in What The World Said].\n\nJason Camlot\n00:45:25\nIntroduces \"From the Angel Wire\". \n\nJason Camlot\n00:45:59\nReads \"From the Angel Wire\".\n\nAudience\n00:51:07\nApplause.\n\nIan Ferrier\n00:51:24\nDiscusses \"From the Angel Wire\" and announces intermission. | Keywords: Eastern Townships; Amos Joannides\n\nAudience\n00:52:07\nApplause [cut off].\n\nEND\n0:52:12\n\n\nAmos Joannides.wav [File 2 of 2]\n\nUnknown\n00:00:00\nAmbient Sound [music].\n\nIan Ferrier\n00:00:03\nIntroduces Amos Joannides and promotes My name is Amos [CD]. | Keywords: The Burgundy Lion\n\nAudience\n00:00:40\nApplause.\n\nAmos Joannides\n00:00:43\nThanks audience and introduces \"Be Strong\" from I want to see you smile [CD]. \n\nAmos Joannides\n00:01:04\nPerforms \"Be Strong\" from I want to see you smile.\n\nAudience\n00:04:17\nApplause.\n\nAmos Joannides\n00:04:20\nThanks and addresses audience, exchange follows [audience applause and laughter throughout].\n\nAmos Joannides\n00:05:39\nIntroduces unnamed song.\n\nAmos Joannides\n00:05:52\nPerforms unnamed song.\n\nAudience\n00:09:35\nApplause.\n\nAmos Joannides\n00:09:37\nThanks audience and discusses unnamed song [audience applause continues throughout]. | Keywords: 9/11; Florida [https://www.wikidata.org/wiki/Q812]\n\nAmos Joannides\n00:10:26\nIntroduces \"Fire Escape\" from I want to see you smile [audience laughter throughout].\n\nAmos Joannides\n00:11:18\nPerforms \"Fire Escape\" from I want to see you smile.\n\nAudience\n00:14:54\nApplause.\n\nAmos Joannides\n00:14:58\nThanks audience and introduces \"The Pot Song\" [audience applause continues throughout].\n\nAmos Joannides\n00:15:14\nPerforms \"The Pot Song\".\n\nAudience\n00:16:42\nApplause.\n\nAmos Joannides\n00:16:44\nThanks audience and introduces unnamed song, exchange follows [audience applause and laughter throughout].\n\nAmos Joannides\n00:17:24\nPerforms unnamed song.\n\nAudience\n00:20:41\nApplause.\n\nAmos Joannides\n00:20:48\nAddresses audience and introduces [\"Be with me Baby\" from I want to see you smile].\n\nAmos Joannides\n00:21:25\nPerforms \"Be with me Baby\" from I want to see you smile.\n\nAudience\n00:25:35\nApplause.\n\nAmos Joannides\n00:25:38\nThanks and addresses audience, exchange follows [audience applause and laughter throughout].\n\nAmos Joannides\n00:26:44\nIntroduces [\"Hiding in a shell\" from I want to see you smile]. | Keywords: Florida; Ocala [https://www.wikidata.org/wiki/Q918195] \n\nAmos Joannides\n00:27:22\nPerforms \"Hiding in a shell\" from I want to see you smile.\n\nAudience\n00:29:23\nApplause.\n\nAmos Joannides\n00:29:25\nThanks audience and introduces [\"Even Though\" from I want to see you smile] [audience applause continues throughout].\n\nAmos Joannides\n00:29:27\nPerforms \"Even Though\" from I want to see you smile\n\nAmos Joannides\n00:29:50\nRestarts \"Even Though\" from I want to see you smile.\n\nAudience\n00:34:10\nApplause.\n\nAmos Joannides\n00:34:14\nThanks Ian Ferrier, audience, and other performers [audience applause continues throughout]. \n\nAudience\n00:34:42\nApplause.\n\nIan Ferrier\n00:34:51\nThanks the performers and announces future event. | Keywords: Amos Joannides; Gillian Sze; Kyra Shaughnessy; Jason Camlot; La Sala Rossa\n\nAudience\n00:35:14\nApplause [cut off].\n\nEND\n00:35:21"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548274413568,"timestamp":"2026-01-07T14:59:52.745Z","digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2009/09/\",\"file_path\":\"\",\"filename\":\"Amos Joannides.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:35:21\",\"precision\":\"\",\"size\":\"374.2 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"Amos Joannides.wav [File 2 of 2]\\n\\nUnknown\\n00:00:00\\nAmbient Sound [music].\\n\\nIan Ferrier\\n00:00:03\\nIntroduces Amos Joannides and promotes My name is Amos [CD]. | Keywords: The Burgundy Lion\\n\\nAudience\\n00:00:40\\nApplause.\\n\\nAmos Joannides\\n00:00:43\\nThanks audience and introduces \\\"Be Strong\\\" from I want to see you smile [CD]. \\n\\nAmos Joannides\\n00:01:04\\nPerforms \\\"Be Strong\\\" from I want to see you smile.\\n\\nAudience\\n00:04:17\\nApplause.\\n\\nAmos Joannides\\n00:04:20\\nThanks and addresses audience, exchange follows [audience applause and laughter throughout].\\n\\nAmos Joannides\\n00:05:39\\nIntroduces unnamed song.\\n\\nAmos Joannides\\n00:05:52\\nPerforms unnamed song.\\n\\nAudience\\n00:09:35\\nApplause.\\n\\nAmos Joannides\\n00:09:37\\nThanks audience and discusses unnamed song [audience applause continues throughout]. | Keywords: 9/11; Florida [https://www.wikidata.org/wiki/Q812]\\n\\nAmos Joannides\\n00:10:26\\nIntroduces \\\"Fire Escape\\\" from I want to see you smile [audience laughter throughout].\\n\\nAmos Joannides\\n00:11:18\\nPerforms \\\"Fire Escape\\\" from I want to see you smile.\\n\\nAudience\\n00:14:54\\nApplause.\\n\\nAmos Joannides\\n00:14:58\\nThanks audience and introduces \\\"The Pot Song\\\" [audience applause continues throughout].\\n\\nAmos Joannides\\n00:15:14\\nPerforms \\\"The Pot Song\\\".\\n\\nAudience\\n00:16:42\\nApplause.\\n\\nAmos Joannides\\n00:16:44\\nThanks audience and introduces unnamed song, exchange follows [audience applause and laughter throughout].\\n\\nAmos Joannides\\n00:17:24\\nPerforms unnamed song.\\n\\nAudience\\n00:20:41\\nApplause.\\n\\nAmos Joannides\\n00:20:48\\nAddresses audience and introduces [\\\"Be with me Baby\\\" from I want to see you smile].\\n\\nAmos Joannides\\n00:21:25\\nPerforms \\\"Be with me Baby\\\" from I want to see you smile.\\n\\nAudience\\n00:25:35\\nApplause.\\n\\nAmos Joannides\\n00:25:38\\nThanks and addresses audience, exchange follows [audience applause and laughter throughout].\\n\\nAmos Joannides\\n00:26:44\\nIntroduces [\\\"Hiding in a shell\\\" from I want to see you smile]. | Keywords: Florida; Ocala [https://www.wikidata.org/wiki/Q918195] \\n\\nAmos Joannides\\n00:27:22\\nPerforms \\\"Hiding in a shell\\\" from I want to see you smile.\\n\\nAudience\\n00:29:23\\nApplause.\\n\\nAmos Joannides\\n00:29:25\\nThanks audience and introduces [\\\"Even Though\\\" from I want to see you smile] [audience applause continues throughout].\\n\\nAmos Joannides\\n00:29:27\\nPerforms \\\"Even Though\\\" from I want to see you smile\\n\\nAmos Joannides\\n00:29:50\\nRestarts \\\"Even Though\\\" from I want to see you smile.\\n\\nAudience\\n00:34:10\\nApplause.\\n\\nAmos Joannides\\n00:34:14\\nThanks Ian Ferrier, audience, and other performers [audience applause continues throughout]. \\n\\nAudience\\n00:34:42\\nApplause.\\n\\nIan Ferrier\\n00:34:51\\nThanks the performers and announces future event. | Keywords: Amos Joannides; Gillian Sze; Kyra Shaughnessy; Jason Camlot; La Sala Rossa\\n\\nAudience\\n00:35:14\\nApplause [cut off].\\n\\nEND\\n00:35:21\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2009/09/\",\"file_path\":\"\",\"filename\":\"Sept 2009 Casa W&M Kyra & Gillian.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:52:12 \",\"precision\":\"\",\"size\":\"552.5 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"Sept 2009 Casa W&M Kyra & Gillian.wav [File 1 of 2]\\n\\nIan Ferrier\\n00:00:00\\nIntroduces event [recording begins abruptly]. \\n\\nAudience\\n00:00:04\\nApplause.\\n\\nIan Ferrier\\n00:00:05\\nIntroduces Kyra Shaughnessy. | Keywords: One Step Closer [CD]; Mégantic [https://www.wikidata.org/wiki/Q2991353]; Quebec [https://www.wikidata.org/wiki/Q176]\\n\\nAudience\\n00:00:26\\nApplause.\\n\\nKyra Shaughnessy\\n00:00:35\\nIntroduces unnamed poem. | Keywords: Eastern Townships [https://www.wikidata.org/wiki/Q1122368]\\n\\nKyra Shaughnessy\\n00:00:53\\nPerforms unnamed poem. \\n\\nAudience\\n00:06:07\\nApplause.\\n\\nKyra Shaughnessy\\n00:06:19\\nIntroduces \\\"It’s A Long Way Down\\\" [from One Step Closer].\\n\\nKyra Shaughnessy\\n00:06:29\\nPerforms \\\"It’s A Long Way Down\\\" from One Step Closer.\\n\\nAudience\\n00:10:14\\nApplause.\\n\\nKyra Shaughnessy\\n00:10:24\\nThanks audience and introduces unnamed poem. | Keywords: New York City [https://www.wikidata.org/wiki/Q60]; 9/11 [https://www.wikidata.org/wiki/Q10806]\\n\\nKyra Shaughnessy\\n00:11:05\\nPerforms unnamed poem.\\n\\nAudience\\n00:16:21\\nApplause.\\n\\nKyra Shaughnessy\\n00:16:31\\nIntroduces \\\"One Day\\\" from One Step Closer.\\n\\nKyra Shaughnessy\\n00:16:46\\nPerforms \\\"One Day\\\" from One Step Closer.\\n\\nAudience\\n00:19:07\\nApplause.\\n\\nKyra Shaughnessy\\n00:19:10\\nThanks Ian Ferrier [https://www.wikidata.org/wiki/Q87138884] [audience applause continues throughout].\\n\\nIan Ferrier\\n00:19:26\\nThanks Kyra Shaughnessy.\\n\\nAudience\\n00:19:28\\nApplause.\\n\\nIan Ferrier\\n00:19:33\\nIntroduces Gillian Sze. | Keywords: Fish Bones [book]\\n\\nAudience\\n00:20:01\\nApplause.\\n\\nGillian Sze\\n00:20:14\\nThanks Ian Ferrier and addresses audience. | Keywords: Montreal [https://www.wikidata.org/wiki/Q340]; Toronto [https://www.wikidata.org/wiki/Q172]  \\n\\nGillian Sze\\n00:20:35\\nIntroduces \\\"Fragmented\\\" from Fish Bones. | Keywords: Montreal\\n\\nGillian Sze\\n00:21:00\\nReads \\\"Fragmented\\\" from Fish Bones.\\n\\nGillian Sze\\n00:21:53\\nIntroduces \\\"Cantaloupe\\\" from Fish Bones.\\n\\nGillian Sze\\n00:22:07\\nReads \\\"Cantaloupe\\\" from Fish Bones.\\n\\nAudience\\n00:22:50\\nApplause.\\n\\nGillian Sze\\n00:22:56\\nIntroduces \\\"Highway 132\\\" [later published in The Anatomy of Clay [book]]. | Keywords: Quebec\\n\\nGillian Sze\\n00:23:15\\nReads \\\"Highway 132\\\" [later published in The Anatomy of Clay].\\n\\nGillian Sze\\n00:24:40\\nDiscusses Kyra Shaughnessy’s performance and introduces \\\"Hatchlings\\\" [later published in The Anatomy of Clay] [audience laughter throughout]. | Keywords: Toronto\\n\\nGillian Sze\\n00:25:15\\nReads \\\"Hatchlings\\\" [later published in The Anatomy of Clay].\\n\\nGillian Sze\\n00:26:20\\nIntroduces \\\"Thumbelina\\\" [from Conclave: A Journal of Character [Issue 2, 2009-2010]].\\n\\nGillian Sze\\n00:27:07\\nReads \\\"Thumbelina\\\" from Conclave: A Journal of Character [Issue 2, 2009-2010].\\n\\nGillian Sze\\n00:28:01\\nIntroduces \\\"All About Jorinde\\\". | Keywords: Brothers Grimm [https://www.wikidata.org/wiki/Q2793]\\n\\nGillian Sze\\n00:28:16\\nReads \\\"All About Jorinde\\\".\\n\\nGillian Sze\\n00:29:16\\nIntroduces \\\"Sensible Elsie\\\" from Conclave: A Journal of Character [ Issue 2, 2009-2010] and thanks audience and Ian Ferrier. | Keywords: Brothers Grimm\\n\\nGillian Sze\\n00:29:36\\nReads \\\"Sensible Elsie\\\" from Conclave: A Journal of Character [Issue 2, 2009-2010].\\n\\nAudience\\n00:31:12\\nApplause.\\n\\nIan Ferrier\\n00:31:31\\nThanks Gillian Sze and promotes Fish Bones.\\n\\nIan Ferrier\\n00:31:\\nAnnounces future event and introduces Jason Camlot [https://www.wikidata.org/wiki/Q3162905]. | Keywords: Throw [Collective]; O’Hara’s Pub; Nathanael Larochette; Ottawa [https://www.wikidata.org/wiki/Q1930]; Puggy Hammer [band]\\n\\nAudience\\n00:32:28\\nApplause.\\n\\nJason Camlot\\n00:32:44\\nThanks Ian Ferrier and introduces \\\"The Lost Wine: Sonnet after Valéry\\\" from The Debaucher [book] [audience laughter throughout]. | Keywords: Kyra [Shaugnessy]; Gillian [Sze]; La Chanson de Roland [https://www.wikidata.org/wiki/Q185427]\\n\\nJason Camlot\\n00:34:31\\nReads \\\"The Lost Wine: Sonnet after Valéry\\\" from The Debaucher.\\n\\nJason Camlot\\n00:35:30\\nIntroduces \\\"The Slave\\\" from The Debaucher.\\n\\nJason Camlot\\n00:36:09\\nReads \\\"The Slave\\\" from The Debaucher.\\n\\nJason Camlot\\n00:38:34\\nIntroduces \\\"Advice on Angry Mourning\\\" from The Debaucher [audience laughter throughout]. | Keywords: The Fall [https://www.wikidata.org/wiki/Q909916]; Manchester [https://www.wikidata.org/wiki/Q18125]\\n\\nJason Camlot\\n00:39:22\\nReads \\\"Advice on Angry Mourning\\\" from The Debaucher.\\n\\nJason Camlot\\n00:40:30\\nIntroduces \\\"After the Red Angle\\\" [later published in What The World Said [book]]. | Keywords: Montreal; Betty Goodwin [https://www.wikidata.org/wiki/Q2900236]; Anne Carson [https://www.wikidata.org/wiki/Q2633699]\\n\\nJason Camlot\\n00:42:08\\nReads \\\"After the Red Angle\\\" [later published in What The World Said].\\n\\nJason Camlot\\n00:45:25\\nIntroduces \\\"From the Angel Wire\\\". \\n\\nJason Camlot\\n00:45:59\\nReads \\\"From the Angel Wire\\\".\\n\\nAudience\\n00:51:07\\nApplause.\\n\\nIan Ferrier\\n00:51:24\\nDiscusses \\\"From the Angel Wire\\\" and announces intermission. | Keywords: Eastern Townships; Amos Joannides\\n\\nAudience\\n00:52:07\\nApplause [cut off].\\n\\nEND\\n0:52:12\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"score":0.01643844},{"id":"1098","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at La Sala Rossa 2009-10-25"],"item_title_source":["Cataloguer"],"item_title_note":["100th Show"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"(Performs with Pharmakon MTL)\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\",\"Performer\"]}]"],"contributors_names":["Anderson, Fortner","Sharma, Yuyutsu R.D.","Kellough, Kaie","Partridge, Taqralik","Del Fabbro, Guido","Cowan, T.L.","Doug Stein","Mah, Kris","Clark, Moe","Tinguely, Vince","Kimm, D.","O'Hara, Alexis","Letarte, Geneviève","Locke, Jack"],"contributors_names_search":["Anderson, Fortner","Sharma, Yuyutsu R.D.","Kellough, Kaie","Partridge, Taqralik","Del Fabbro, Guido","Cowan, T.L.","Doug Stein","Mah, Kris","Clark, Moe","Tinguely, Vince","Kimm, D.","O'Hara, Alexis","Letarte, Geneviève","Locke, Jack"],"contributors":["[{\"url\":\"http://viaf.org/viaf/106026246\",\"name\":\"Anderson, Fortner\",\"dates\":\"1955-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/13154239\",\"name\":\"Sharma, Yuyutsu R.D.\",\"dates\":\"1960-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/68351676\",\"name\":\"Kellough, Kaie\",\"dates\":\"1975-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/15154257780224150501\",\"name\":\"Partridge, Taqralik\",\"dates\":\"\",\"notes\":\"(Recorded performance with Guido Del Fabbro)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/316976880\",\"name\":\"Del Fabbro, Guido\",\"dates\":\"1980-\",\"notes\":\"(Recorded performance with Taqralik Partridge)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Cowan, T.L.\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Doug Stein\",\"dates\":\"\",\"notes\":\"(With Pharmakon MTL)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Mah, Kris\",\"dates\":\"\",\"notes\":\"(With Pharmakon MTL)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/317024729\",\"name\":\"Clark, Moe\",\"dates\":\"\",\"notes\":\"(With Pharmakon MTL)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/36425179\",\"name\":\"Tinguely, Vince\",\"dates\":\"1959-\",\"notes\":\"Guest co-host\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/92085899\",\"name\":\" Kimm, D.\",\"dates\":\"1959-\",\"notes\":\"Solo and with Alexis O'Hara\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/106457511\",\"name\":\"O'Hara, Alexis\",\"dates\":\"\",\"notes\":\"Solo and with D. Kimm\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/73478579\",\"name\":\"Letarte, Geneviève\",\"dates\":\"1955-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/106743787\",\"name\":\"Locke, Jack\",\"dates\":\"1957-\",\"notes\":\"Facilitates book auction\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"performer_name":["Anderson, Fortner","Sharma, Yuyutsu R.D.","Kellough, Kaie","Partridge, Taqralik","Del Fabbro, Guido","Cowan, T.L.","Doug Stein","Mah, Kris","Clark, Moe"," Kimm, D.","O'Hara, Alexis","Letarte, Geneviève"],"Presenter_name":["Tinguely, Vince"],"Speaker_name":["Locke, Jack"],"Performance_Date":[2009],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/1098/100th show poster_page-0001.jpg\",\"other\":\"In folder: 15 audio, 1 doc, 17 misc. In folder2: 6 docs, 1 image, 2 misc.\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Copies and edits\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"Dates":["[{\"date\":\"2009 10 25\",\"type\":\"Performance Date\",\"notes\":\"Date indicated on event poster, in radio ad, and in document\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/3280917743\",\"venue\":\"La Sala Rossa\",\"notes\":\"\",\"address\":\"4848 St Laurent Blvd, Montreal, QC, H2T 1R5\",\"latitude\":\" 45.5210975\",\"longitude\":\" -73.5888689\"}]"],"Address":["4848 St Laurent Blvd, Montreal, QC, H2T 1R5"],"Venue":["La Sala Rossa"],"City":["Montreal, Quebec"],"content_notes":["To celebrate reaching the landmark 100th Words and Music Show, a wide range of musical and poetic acts were invited to participate in a packed night of performances by both W&M regulars and newcomers. Some of the night’s highlights include spoken word by Fortner Anderson and Kaie Kellough, sound performances in both French and English by interdisciplinary artists D. Kimm, Alexis O’Hara, and T.L. Cowan, experimental sound and music from Pharmakon MTL, and French spoken word poetry set to music by Genevieve Letarte. The night also featured a special appearance and reading by renowned Nepalese-Indian poet Yuyutsu R.D. Sharma and an auction of copies of “Leonard Cohen, You’re Our Man: 75 Poets Reflect on the Poetry of Leonard Cohen” (Foundation for Public Poetry 2009) presided over by the book’s editor, Jack Locke, created to raise funds for the Montreal Slam Team. Ian Ferrier closed the evening by playing a musical/spoken word performance by Taqralik Partridge and musician Guido Del Fabbro originally performed and recorded at the Tusarniq Festival."],"contents":["STE-001.wav\n\nVince Tinguely\n00:00:00\nIntroduces Fortner Anderson [https://www.wikidata.org/wiki/Q83688183] [recording begins abruptly]. | Keywords: Montreal [https://www.wikidata.org/wiki/Q340]; Genoa International Poetry Festival; Poesie Berlin Festival; Banff [https://www.wikidata.org/wiki/Q58337]; Festival Voix d'Amériques [https://www.wikidata.org/wiki/Q3070022]\n\nAudience\n00:00:41\nApplause.\n\nFortner Anderson\n00:01:00\nPerforms unnamed poem.\n\nAudience\n00:12:26\nApplause.\n\nVince Tinguely\n00:12:48\nThanks Fortner Anderson.\n\nAudience\n00:12:50\nApplause.\n\nVince Tinguely\n00:12:54\nIntroduces D. Kimm [https://www.wikidata.org/wiki/Q3011063]. | Keywords: Montreal; Les Filles Électriques [https://www.wikidata.org/wiki/Q3232632]; Festival Voix d'Amériques  \n\nIan Ferrier\n00:13:35\nIntroduces D. Kimm. \n\nAudience\n00:14:02\nApplause.\n\nD. Kimm\n00:14:17\nIntroduces \"Le Peu Qu’il Reste\". \n\nD. Kimm\n00:14:56\nPerforms \"Le Peu Qu’il Reste\" in French.\n\nAudience\n00:19:04\nApplause.\n\nD. Kimm\n00:19:11\nIntroduces Mankind member [Alexis O’Hara; https://www.wikidata.org/wiki/Q4721503] and unnamed story. | Keywords: Le Cagibi; Ambiances Magnétiques [https://www.wikidata.org/wiki/Q4741397]\n\nD. Kimm\n00:20:07\nTells unnamed story accompanied by Alexis [O’Hara].  \n\nAudience\n00:25:58\nApplause.\n\nD. Kimm\n00:26:05\nAnnounces future event [audience applause continues throughout]. | Keywords: Ursula Rucker [https://www.wikidata.org/wiki/Q267039]; Festival Voix d’Amériques; La Sala Rossa\n\nAudience\n00:26:24\nApplause.\n\nIan Ferrier\n00:26:36\nDiscusses D.Kimm’s performance.\n\nAudience\n00:26:40\nApplause.\n\nIan Ferrier\n00:26:42\nAnnounces intermission. | Keywords: Pharmakon MTL; Geneviève Letarte [https://www.wikidata.org/wiki/Q85112916]; Nepal [https://www.wikidata.org/wiki/Q837]; Alexis O'Hara\n\nAudience\n00:26:58\nApplause.\n\nUnknown\n00:27:03\nAmbient Sound [music and voices].\n\nVince Tinguely\n00:47:53\nAddresses audience.\n\nAudience\n00:48:14\nApplause.\n\nVince Tinguely\n00:48:16\nAddresses audience and introduces Pharmakon MTL. | Keywords: Ian Ferrier [https://www.wikidata.org/wiki/Q87138884]; Kris Mah; Doug Stein; Moe Clark [https://www.wikidata.org/wiki/Q65116392]\n\nAudience\n00:49:02\nApplause [cut off].\n\nIan Ferrier\n00:49:33\nIntroduces unnamed improvised poem/song [audience laughter throughout]. | Keywords: Kris Mah; Dorval [https://www.wikidata.org/wiki/Q141963]; Dorval Airport [https://www.wikidata.org/wiki/Q736627]\n\nPharmakon MTL\n00:50:49\nPerforms unnamed improvised poem/song.\n\nAudience\n01:00:33\nApplause.\n\nIan Ferrier\n01:00:39\nThanks audience and introduces unnamed improvised poem/song [audience applause and laughter throughout]. | Keywords: Doug [Stein]; Kris [Mah]\n\nIan Ferrier\n01:01:13\nIntroduces Doug Stein.\n\nAudience\n01:01:15\nApplause.\n\nMoe Clark\n01:01:31\nIntroduces Kris Mah.\n\nAudience\n01:01:34\nApplause.\n\nPharmakon MTL\n01:01:41\nPerforms unnamed improvised poem/song.\n\nAudience\n01:12:49\nApplause.\n\nIan Ferrier\n01:12:50\nThanks audience and introduces Moe Clark, Kris Mah, and Doug Stein as band members [audience applause continues throughout].\n\nVince Tinguely\n01:13:38\nThanks Pharmakon MTL.\n\nAudience\n01:13:40\nApplause.\n\nVince Tinguely\n01:13:47\nAddresses audience and introduces Genevieve Letarte [audience laughter throughout]. | Keywords: Mavis Gallant [https://www.wikidata.org/wiki/Q2550824]; A Fairly Good Time [book]; Paris [https://www.wikidata.org/wiki/Q90]; France [https://www.wikidata.org/wiki/Q142]; Y a des jours comme ça [show]; Le Mystère du bois Blanc [show]\n\nAudience\n01:14:51\nApplause.\n\nGenevieve Letarte\n01:15:12\nThanks Ian Ferrier in French [audience applause and laughter throughout]. | Keywords: Montreal\n\nGenevieve Letarte\n01:15:55\nPerforms unnamed poem in French and English.\n\nAudience\n01:27:40\nApplause.\n\nGenevieve Letarte\n01:27:45\nThanks audience in French [audience applause continues throughout].\n\nVince Tinguely\n01:27:59\nThanks Genevieve Letarte.\n\nAudience\n01:28:08\nApplause.\n\nVince Tinguely\n01:28:14\nIntroduces Yuyutsu R.D. Sharma [https://www.wikidata.org/wiki/Q8062237]. | Keywords: Montreal; Festival International de Poésie de Trois-Rivières; Nepal; New York City [https://www.wikidata.org/wiki/Q60]\n\nAudience\n01:29:00\nApplause.\n\nYuyutsu R.D. Sharma\n01:29:09\nAddresses audience. | Keywords: Nepal; Everest [https://www.wikidata.org/wiki/Q513]\n\nYuyutsu R.D. Sharma\n01:29:35\nIntroduces \"Mules\". \n\nYuyutsu R.D. Sharma\n01:30:13\nPerforms \"Mules\".\n\nAudience\n01:31:55\nApplause.\n\nYuyutsu R.D. Sharma\n01:32:01\nIntroduces \"RIver\" [audience laughter throughout]. | Keywords: Nepal; Everest; Sagarmatha\n\nYuyutsu R.D. Sharma\n01:32:46\nPerforms \"River\".\n\nAudience\n01:34:33\nApplause.\n\nYuyutsu R.D. Sharma\n01:34:41\nThanks audience and introduces “Glacier”. | Keywords: Everest; Annapurna [https://www.wikidata.org/wiki/Q159621]; Edmund Hillary [https://www.wikidata.org/wiki/Q33817]\n\nYuyutsu R.D. Sharma\n01:35:50\nPerforms \"Glacier”.\n\nAudience\n01:36:28\nApplause.\n\nYuyutsu R.D. Sharma\n01:36:36\nIntroduces \"Space Cake Amsterdam\" from Space Cake Amsterdam and Other Poems From Europe and America [book] [audience laughter throughout]. | Keywords: Howling Dog Press; Amsterdam [https://www.wikidata.org/wiki/Q727]; Ian [Ferrier]; Kathmandu [https://www.wikidata.org/wiki/Q3037]\n\nYuyutsu R.D. Sharma\n01:37:37\nPerforms \"Space Cake Amsterdam\" from Space Cake Amsterdam and Other Poems From Europe and America.\n\nAudience\n01:41:24\nApplause.\n\nVince Tinguely\n01:41:44\nIntroduces Alexis O’Hara. | Keywords: The City of Sighs [performance]; SQUEEEEQUE! [a.k.a.] The Improbable Igloo [sound installation]\n\nAudience\n01:42:36\nApplause.\n\nAlexis O’Hara\n01:42:45\nAddresses audience [barely audible]. \n\nAlexis O’Hara\n01:43:40\nIntroduces unnamed poem [audience laughter throughout]. \n\nAlexis O’Hara\n01:44:48\nPerforms unnamed poem.\n\nAudience\n01:51:05\nApplause.\n\nAlexis O’Hara\n01:51:19\nIntroduces unnamed song [audience laughter throughout]. | Keywords: Deepak Chopra [https://www.wikidata.org/wiki/Q318506]; Massey Hall [https://www.wikidata.org/wiki/Q1122776]\n\nAlexis O’Hara\n01:52:01\nPerforms unnamed song.\n\nAudience\n02:00:43\nApplause.\n\nIan Ferrier\n02:00:59\nThanks Alexis O’Hara.\n\nAudience\n02:01:02\nApplause.\n\nIan Ferrier\n02:01:07\nIntroduces T.L. Cowan [audience applause throughout]. | Keywords: [Festival] Voix d’Amériques; Montreal\n\nAudience\n02:01:57\nApplause.\n\nT.L. Cowan\n02:02:10\nIntroduces unnamed poem.\n\nT.L. Cowan\n02:02:35\nPerforms unnamed poem.\n\nAudience\n02:05:17\nApplause.\n\nT.L. Cowan\n02:05:19\nThanks audience and Ian Ferrier [audience applause continues throughout]. | Keywords: Alexis [O’Hara]; Montreal \n\nAudience\n02:05:57\nApplause.\n\nT.L. Cowan\n02:05:59\nIntroduces unnamed poem from The Twisted She Project. | Keywords: Mickey Vallee \n\nT.L. Cowan\n02:06:45\nPerforms unnamed poem from The Twisted She Project.\n\nAudience\n02:15:04\nApplause.\n\nVince Tinguely\n02:15:20\nIntroduces Kaie Kellough [https://www.wikidata.org/wiki/Q6347628]. | Keywords: Vancouver [https://www.wikidata.org/wiki/Q24639]; Calgary [https://www.wikidata.org/wiki/Q36312]; Montreal; Canada [https://www.wikidata.org/wiki/Q16]; Lettricity [book]; Talking Book [anthology]; Cumulus Press; Toronto International Dub Poetry Festival; Maple Leaf Rag [book]\n\nAudience\n02:16:08\nApplause.\n\nKaie Kellough\n02:16:17\nThanks audience, promotes Maple Leaf Rag, and introduces \"Night Gallery: Reggae Nights at the Night Gallery, Calgary circa 1995\". \n\nKaie Kellough\n02:17:13\nPerforms \"Night Gallery: Reggae Nights at the Night Gallery, Calgary circa 1995\" later published in Maple Leaf Rag.\n\nAudience\n02:19:59\nApplause.\n\nKaie Kellough\n02:20:04\nThanks audience and introduces \"-isery\" later published in Maple Leaf Rag [audience applause and laughter throughout].\n\nKaie Kellough\n02:20:26\nPerforms \"-isery\" later published in Maple Leaf Rag.\n\nAudience\n02:23:04\nApplause.\n\nKaie Kellough\n02:23:11\nIntroduces \"word sound system #2\" [later published in Maple Leaf Rag].\n\nKaie Kellough\n02:23:29\nPerforms \"word sound system #2\" later published in Maple Leaf Rag.\n\nAudience\n02:24:43\nApplause.\n\nKaie Kellough\n02:24:47\nThanks audience [audience applause continues throughout].\n\nIan Ferrier\n02:24:57\nDiscusses Kaie Kellough’s performance. \n\nAudience\n02:25:08\nApplause.\n\nIan Ferrier\n02:25:13\nThanks Vince Tinguely and introduces Jack Locke. | Keywords: Throw Collective; Victoria [https://www.wikidata.org/wiki/Q2132]; Leonard Cohen; You’re Our Man: 75 Poets Reflect on the Poetry of Leonard Cohen [book]\n\nJack Locke\n02:25:50\nFacilitates auction for copies of Leonard Cohen, You’re Our Man: 75 Poets Reflect on the Poetry of Leonard Cohen [audience laughter, applause, and commentary throughout]. | Keywords: Montreal; Leonard Cohen [https://www.wikidata.org/wiki/Q1276]; Foundation for Public Poetry; Margaret Atwood [https://www.wikidata.org/wiki/Q183492]; Ian [Ferrier]; Moe [Clark]; Andre Farkas \n\nUnknown\n02:29:28\nAmbient Sound [voices].\n\nUnknown\n02:29:46\nSilence. \n\nIan Ferrier\n02:30:07\nPromotes Tusarniq Festival and introduces recording of a performance by Taqralik Partridge and Guido Del Fabbro. \n\nTaqralik Partridge\n02:30:42\nPerforms unnamed poem accompanied by Guido Del Fabbro [recorded].\n\nAudience\n02:34:58\nApplause. \n\nUnknown\n02:35:09\nSilence.\n\nEND\n02:49:48"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548280705024,"timestamp":"2026-01-07T14:59:52.745Z","digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2009/10/\",\"file_path\":\"\",\"filename\":\"STE-001.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"02:49:48\",\"precision\":\"\",\"size\":\"1.96 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-001.wav\\n\\nVince Tinguely\\n00:00:00\\nIntroduces Fortner Anderson [https://www.wikidata.org/wiki/Q83688183] [recording begins abruptly]. | Keywords: Montreal [https://www.wikidata.org/wiki/Q340]; Genoa International Poetry Festival; Poesie Berlin Festival; Banff [https://www.wikidata.org/wiki/Q58337]; Festival Voix d'Amériques [https://www.wikidata.org/wiki/Q3070022]\\n\\nAudience\\n00:00:41\\nApplause.\\n\\nFortner Anderson\\n00:01:00\\nPerforms unnamed poem.\\n\\nAudience\\n00:12:26\\nApplause.\\n\\nVince Tinguely\\n00:12:48\\nThanks Fortner Anderson.\\n\\nAudience\\n00:12:50\\nApplause.\\n\\nVince Tinguely\\n00:12:54\\nIntroduces D. Kimm [https://www.wikidata.org/wiki/Q3011063]. | Keywords: Montreal; Les Filles Électriques [https://www.wikidata.org/wiki/Q3232632]; Festival Voix d'Amériques  \\n\\nIan Ferrier\\n00:13:35\\nIntroduces D. Kimm. \\n\\nAudience\\n00:14:02\\nApplause.\\n\\nD. Kimm\\n00:14:17\\nIntroduces \\\"Le Peu Qu’il Reste\\\". \\n\\nD. Kimm\\n00:14:56\\nPerforms \\\"Le Peu Qu’il Reste\\\" in French.\\n\\nAudience\\n00:19:04\\nApplause.\\n\\nD. Kimm\\n00:19:11\\nIntroduces Mankind member [Alexis O’Hara; https://www.wikidata.org/wiki/Q4721503] and unnamed story. | Keywords: Le Cagibi; Ambiances Magnétiques [https://www.wikidata.org/wiki/Q4741397]\\n\\nD. Kimm\\n00:20:07\\nTells unnamed story accompanied by Alexis [O’Hara].  \\n\\nAudience\\n00:25:58\\nApplause.\\n\\nD. Kimm\\n00:26:05\\nAnnounces future event [audience applause continues throughout]. | Keywords: Ursula Rucker [https://www.wikidata.org/wiki/Q267039]; Festival Voix d’Amériques; La Sala Rossa\\n\\nAudience\\n00:26:24\\nApplause.\\n\\nIan Ferrier\\n00:26:36\\nDiscusses D.Kimm’s performance.\\n\\nAudience\\n00:26:40\\nApplause.\\n\\nIan Ferrier\\n00:26:42\\nAnnounces intermission. | Keywords: Pharmakon MTL; Geneviève Letarte [https://www.wikidata.org/wiki/Q85112916]; Nepal [https://www.wikidata.org/wiki/Q837]; Alexis O'Hara\\n\\nAudience\\n00:26:58\\nApplause.\\n\\nUnknown\\n00:27:03\\nAmbient Sound [music and voices].\\n\\nVince Tinguely\\n00:47:53\\nAddresses audience.\\n\\nAudience\\n00:48:14\\nApplause.\\n\\nVince Tinguely\\n00:48:16\\nAddresses audience and introduces Pharmakon MTL. | Keywords: Ian Ferrier [https://www.wikidata.org/wiki/Q87138884]; Kris Mah; Doug Stein; Moe Clark [https://www.wikidata.org/wiki/Q65116392]\\n\\nAudience\\n00:49:02\\nApplause [cut off].\\n\\nIan Ferrier\\n00:49:33\\nIntroduces unnamed improvised poem/song [audience laughter throughout]. | Keywords: Kris Mah; Dorval [https://www.wikidata.org/wiki/Q141963]; Dorval Airport [https://www.wikidata.org/wiki/Q736627]\\n\\nPharmakon MTL\\n00:50:49\\nPerforms unnamed improvised poem/song.\\n\\nAudience\\n01:00:33\\nApplause.\\n\\nIan Ferrier\\n01:00:39\\nThanks audience and introduces unnamed improvised poem/song [audience applause and laughter throughout]. | Keywords: Doug [Stein]; Kris [Mah]\\n\\nIan Ferrier\\n01:01:13\\nIntroduces Doug Stein.\\n\\nAudience\\n01:01:15\\nApplause.\\n\\nMoe Clark\\n01:01:31\\nIntroduces Kris Mah.\\n\\nAudience\\n01:01:34\\nApplause.\\n\\nPharmakon MTL\\n01:01:41\\nPerforms unnamed improvised poem/song.\\n\\nAudience\\n01:12:49\\nApplause.\\n\\nIan Ferrier\\n01:12:50\\nThanks audience and introduces Moe Clark, Kris Mah, and Doug Stein as band members [audience applause continues throughout].\\n\\nVince Tinguely\\n01:13:38\\nThanks Pharmakon MTL.\\n\\nAudience\\n01:13:40\\nApplause.\\n\\nVince Tinguely\\n01:13:47\\nAddresses audience and introduces Genevieve Letarte [audience laughter throughout]. | Keywords: Mavis Gallant [https://www.wikidata.org/wiki/Q2550824]; A Fairly Good Time [book]; Paris [https://www.wikidata.org/wiki/Q90]; France [https://www.wikidata.org/wiki/Q142]; Y a des jours comme ça [show]; Le Mystère du bois Blanc [show]\\n\\nAudience\\n01:14:51\\nApplause.\\n\\nGenevieve Letarte\\n01:15:12\\nThanks Ian Ferrier in French [audience applause and laughter throughout]. | Keywords: Montreal\\n\\nGenevieve Letarte\\n01:15:55\\nPerforms unnamed poem in French and English.\\n\\nAudience\\n01:27:40\\nApplause.\\n\\nGenevieve Letarte\\n01:27:45\\nThanks audience in French [audience applause continues throughout].\\n\\nVince Tinguely\\n01:27:59\\nThanks Genevieve Letarte.\\n\\nAudience\\n01:28:08\\nApplause.\\n\\nVince Tinguely\\n01:28:14\\nIntroduces Yuyutsu R.D. Sharma [https://www.wikidata.org/wiki/Q8062237]. | Keywords: Montreal; Festival International de Poésie de Trois-Rivières; Nepal; New York City [https://www.wikidata.org/wiki/Q60]\\n\\nAudience\\n01:29:00\\nApplause.\\n\\nYuyutsu R.D. Sharma\\n01:29:09\\nAddresses audience. | Keywords: Nepal; Everest [https://www.wikidata.org/wiki/Q513]\\n\\nYuyutsu R.D. Sharma\\n01:29:35\\nIntroduces \\\"Mules\\\". \\n\\nYuyutsu R.D. Sharma\\n01:30:13\\nPerforms \\\"Mules\\\".\\n\\nAudience\\n01:31:55\\nApplause.\\n\\nYuyutsu R.D. Sharma\\n01:32:01\\nIntroduces \\\"RIver\\\" [audience laughter throughout]. | Keywords: Nepal; Everest; Sagarmatha\\n\\nYuyutsu R.D. Sharma\\n01:32:46\\nPerforms \\\"River\\\".\\n\\nAudience\\n01:34:33\\nApplause.\\n\\nYuyutsu R.D. Sharma\\n01:34:41\\nThanks audience and introduces “Glacier”. | Keywords: Everest; Annapurna [https://www.wikidata.org/wiki/Q159621]; Edmund Hillary [https://www.wikidata.org/wiki/Q33817]\\n\\nYuyutsu R.D. Sharma\\n01:35:50\\nPerforms \\\"Glacier”.\\n\\nAudience\\n01:36:28\\nApplause.\\n\\nYuyutsu R.D. Sharma\\n01:36:36\\nIntroduces \\\"Space Cake Amsterdam\\\" from Space Cake Amsterdam and Other Poems From Europe and America [book] [audience laughter throughout]. | Keywords: Howling Dog Press; Amsterdam [https://www.wikidata.org/wiki/Q727]; Ian [Ferrier]; Kathmandu [https://www.wikidata.org/wiki/Q3037]\\n\\nYuyutsu R.D. Sharma\\n01:37:37\\nPerforms \\\"Space Cake Amsterdam\\\" from Space Cake Amsterdam and Other Poems From Europe and America.\\n\\nAudience\\n01:41:24\\nApplause.\\n\\nVince Tinguely\\n01:41:44\\nIntroduces Alexis O’Hara. | Keywords: The City of Sighs [performance]; SQUEEEEQUE! [a.k.a.] The Improbable Igloo [sound installation]\\n\\nAudience\\n01:42:36\\nApplause.\\n\\nAlexis O’Hara\\n01:42:45\\nAddresses audience [barely audible]. \\n\\nAlexis O’Hara\\n01:43:40\\nIntroduces unnamed poem [audience laughter throughout]. \\n\\nAlexis O’Hara\\n01:44:48\\nPerforms unnamed poem.\\n\\nAudience\\n01:51:05\\nApplause.\\n\\nAlexis O’Hara\\n01:51:19\\nIntroduces unnamed song [audience laughter throughout]. | Keywords: Deepak Chopra [https://www.wikidata.org/wiki/Q318506]; Massey Hall [https://www.wikidata.org/wiki/Q1122776]\\n\\nAlexis O’Hara\\n01:52:01\\nPerforms unnamed song.\\n\\nAudience\\n02:00:43\\nApplause.\\n\\nIan Ferrier\\n02:00:59\\nThanks Alexis O’Hara.\\n\\nAudience\\n02:01:02\\nApplause.\\n\\nIan Ferrier\\n02:01:07\\nIntroduces T.L. Cowan [audience applause throughout]. | Keywords: [Festival] Voix d’Amériques; Montreal\\n\\nAudience\\n02:01:57\\nApplause.\\n\\nT.L. Cowan\\n02:02:10\\nIntroduces unnamed poem.\\n\\nT.L. Cowan\\n02:02:35\\nPerforms unnamed poem.\\n\\nAudience\\n02:05:17\\nApplause.\\n\\nT.L. Cowan\\n02:05:19\\nThanks audience and Ian Ferrier [audience applause continues throughout]. | Keywords: Alexis [O’Hara]; Montreal \\n\\nAudience\\n02:05:57\\nApplause.\\n\\nT.L. Cowan\\n02:05:59\\nIntroduces unnamed poem from The Twisted She Project. | Keywords: Mickey Vallee \\n\\nT.L. Cowan\\n02:06:45\\nPerforms unnamed poem from The Twisted She Project.\\n\\nAudience\\n02:15:04\\nApplause.\\n\\nVince Tinguely\\n02:15:20\\nIntroduces Kaie Kellough [https://www.wikidata.org/wiki/Q6347628]. | Keywords: Vancouver [https://www.wikidata.org/wiki/Q24639]; Calgary [https://www.wikidata.org/wiki/Q36312]; Montreal; Canada [https://www.wikidata.org/wiki/Q16]; Lettricity [book]; Talking Book [anthology]; Cumulus Press; Toronto International Dub Poetry Festival; Maple Leaf Rag [book]\\n\\nAudience\\n02:16:08\\nApplause.\\n\\nKaie Kellough\\n02:16:17\\nThanks audience, promotes Maple Leaf Rag, and introduces \\\"Night Gallery: Reggae Nights at the Night Gallery, Calgary circa 1995\\\". \\n\\nKaie Kellough\\n02:17:13\\nPerforms \\\"Night Gallery: Reggae Nights at the Night Gallery, Calgary circa 1995\\\" later published in Maple Leaf Rag.\\n\\nAudience\\n02:19:59\\nApplause.\\n\\nKaie Kellough\\n02:20:04\\nThanks audience and introduces \\\"-isery\\\" later published in Maple Leaf Rag [audience applause and laughter throughout].\\n\\nKaie Kellough\\n02:20:26\\nPerforms \\\"-isery\\\" later published in Maple Leaf Rag.\\n\\nAudience\\n02:23:04\\nApplause.\\n\\nKaie Kellough\\n02:23:11\\nIntroduces \\\"word sound system #2\\\" [later published in Maple Leaf Rag].\\n\\nKaie Kellough\\n02:23:29\\nPerforms \\\"word sound system #2\\\" later published in Maple Leaf Rag.\\n\\nAudience\\n02:24:43\\nApplause.\\n\\nKaie Kellough\\n02:24:47\\nThanks audience [audience applause continues throughout].\\n\\nIan Ferrier\\n02:24:57\\nDiscusses Kaie Kellough’s performance. \\n\\nAudience\\n02:25:08\\nApplause.\\n\\nIan Ferrier\\n02:25:13\\nThanks Vince Tinguely and introduces Jack Locke. | Keywords: Throw Collective; Victoria [https://www.wikidata.org/wiki/Q2132]; Leonard Cohen; You’re Our Man: 75 Poets Reflect on the Poetry of Leonard Cohen [book]\\n\\nJack Locke\\n02:25:50\\nFacilitates auction for copies of Leonard Cohen, You’re Our Man: 75 Poets Reflect on the Poetry of Leonard Cohen [audience laughter, applause, and commentary throughout]. | Keywords: Montreal; Leonard Cohen [https://www.wikidata.org/wiki/Q1276]; Foundation for Public Poetry; Margaret Atwood [https://www.wikidata.org/wiki/Q183492]; Ian [Ferrier]; Moe [Clark]; Andre Farkas \\n\\nUnknown\\n02:29:28\\nAmbient Sound [voices].\\n\\nUnknown\\n02:29:46\\nSilence. \\n\\nIan Ferrier\\n02:30:07\\nPromotes Tusarniq Festival and introduces recording of a performance by Taqralik Partridge and Guido Del Fabbro. \\n\\nTaqralik Partridge\\n02:30:42\\nPerforms unnamed poem accompanied by Guido Del Fabbro [recorded].\\n\\nAudience\\n02:34:58\\nApplause. \\n\\nUnknown\\n02:35:09\\nSilence.\\n\\nEND\\n02:49:48\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"score":0.01643844},{"id":"1099","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2009-11-08"],"item_title_source":["Cataloguer"],"item_title_note":["Full audio not found"],"item_language":["English"],"item_production_context":["Studio recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"(With Pharmakon MTL)\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\",\"Performer\"]}]"],"contributors_names":["Brown, Jay Alexander","Maggs, Randall","Masson, Chris","Lush, Caytee","Mah, Kris"],"contributors_names_search":["Brown, Jay Alexander","Maggs, Randall","Masson, Chris","Lush, Caytee","Mah, Kris"],"contributors":["[{\"url\":\"\",\"name\":\"Brown, Jay Alexander\",\"dates\":\"\",\"notes\":\"Announced but missing\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/16493979\",\"name\":\"Maggs, Randall\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Masson, Chris\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Lush, Caytee\",\"dates\":\"\",\"notes\":\"Announced but missing\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Mah, Kris\",\"dates\":\"\",\"notes\":\"(With Pharmakon MTL)\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Brown, Jay Alexander","Maggs, Randall","Mah, Kris"],"Speaker_name":["Lush, Caytee"],"Performance_Date":[2009],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/1099/November 8th, Caytee and Jay_page-0001.jpg\",\"other\":\"In folder: 3 audio, 3 misc. In folder2: 6 docs, 2 images, 1 misc.\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Copies and edits\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"Dates":["[{\"date\":\"2009 11 08\",\"type\":\"Performance Date\",\"notes\":\"Date indicated on event poster, in radio ad, and in document\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"Refers to location of the event announced and not to where the recording was produced\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118\",\"longitude\":\" -73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["From Ian Ferrier’s host script for this Sunday, 8 November 2009 edition of the Words and Music Show, we learn that it featured slam poets Caytee Lush and Jay Alexander Brown, a set of “narratives, whispers and music” by Pharmakon MTL, and special guest Newfoundland poet Randall Maggs possibly reading from Night Work; The Sawchuck Poems (Brick Books, 2007). It took place at the Casa del Popolo. Doors opened at 8pm, show started at 9pm, and it cost $5 to attend."],"contents":["W&M Randal Maggs Set 1 Nov 2009.wav [File 1 of 2]\n\nUnknown\n00:00:01\nSilence [muted].\n\nIan Ferrier\n00:00:43\nIntroduces event.\n\nIan Ferrier\n00:01:00\nAddresses audience. | Keywords: Montreal [https://www.wikidata.org/wiki/Q340]\n\nAudience Member 1\n00:01:07\nAddresses Ian Ferrier [https://www.wikidata.org/wiki/Q87138884]. | Keywords: Caytee Lush\n\nIan Ferrier\n00:01:12\nAddresses Audience Member 1.\n\nAudience\n00:01:12\nApplause.\n\nIan Ferrier\n00:01:17\nPromotes The Burning Alphabet by Barry Dempster [https://www.wikidata.org/wiki/Q4864161], Tiny Courts in a World Without Scales [by David Bromige https://www.wikidata.org/wiki/Q5231780], Walking Into the Night Sky by Lyn King, Letters From a Long Illness with the World by Barry Dempster. | Keywords: Brick Books\n\nUnknown\n00:01:38\nAmbient Sound [voices].\n\nAudience\n00:01:47\nApplause.\n\nIan Ferrier\n00:01:49\nIntroduces Randall Maggs [https://www.wikidata.org/wiki/Q7291579]. | Keywords: Newfoundland [https://www.wikidata.org/wiki/Q48335]; Terry Sawchuk [https://www.wikidata.org/wiki/Q520254]; Night Work: The Sawchuk Poems [by Randall Maggs]\n\nAudience\n00:02:23\nApplause.\n\nRandall Maggs\n00:02:42\nThanks Ian Ferrier [audience laughter throughout].\n\nRandall Maggs\n00:03:08\nAddresses audience [audience laughter throughout]. | Keywords: Montreal; Royal Canadian Air Force [https://www.wikidata.org/wiki/Q25456]; Leonard Cohen [https://www.wikidata.org/wiki/Q1276]; Mordecai Richler [https://www.wikidata.org/wiki/Q452282]; Irving Layton [https://www.wikidata.org/wiki/Q1673289]; Louise Forestier [https://www.wikidata.org/wiki/Q2425449]; Robert Charlebois [https://www.wikidata.org/wiki/Q464534]; Montreal Canadiens [https://www.wikidata.org/wiki/Q188143]; Place des Arts [https://www.wikidata.org/wiki/Q1326219]; The Band [https://www.wikidata.org/wiki/Q600344]; Garth Hudson [https://www.wikidata.org/wiki/Q554422]\n\nRandall Maggs\n00:05:20\nIntroduces Night Work: The Sawchuk Poems. | Keywords: Bill White [https://www.wikidata.org/wiki/Q359072]; Chicago Blackhawks [https://www.wikidata.org/wiki/Q209636]; Halifax [https://www.wikidata.org/wiki/Q2141]; Canadian Prairies [https://www.wikidata.org/wiki/Q1364746]; Newfoundland; Quebec [https://www.wikidata.org/wiki/Q176]\n\nRandall Maggs\n00:06:02\nIntroduces unnamed poem from Nightwork: The Sawchuk Poems. | Keywords: Bobby Orr [https://www.wikidata.org/wiki/Q348017]\n\nEND\n00:06:24\n[cut off abruptly]\n\nW&M Kris and Ian & Jay Alexander Brown Set 2 Nov 2009.wav [File 2 of 2]\n\nUnknown\n00:00:00\nAmbient Sound [music].\n\nIan Ferrier\n00:00:05\nPromotes 3-2-1 THROW by The Throw Collective [CD]. | Keywords: Montreal; Chris Masson\n\nChris Masson\n00:00:23\nAddresses Ian Ferrier.\n\nIan Ferrier\n00:00:25\nAddresses audience. | Keywords: Chris Masson\n\nAudience\n00:00:28\nLaughter.\n\nIan Ferrier\n00:00:30\nAddresses audience. | Keywords: Chris Masson\n\nIan Ferrier\n00:00:35\nAddresses Caytee Lush, exchange with Lush follows. | Keywords: Andrea deBrujin \n\nAudience\n00:00:46\nApplause. \n\nIan Ferrier\n00:00:53\nIntroduces \"Exploding Head Man\" [audience applause throughout].\n\nIan Ferrier\n00:01:35\nPerforms \"Exploding Head Man\".\n\nAudience\n00:03:24\nApplause.\n\nIan Ferrier\n00:03:31\nThanks audience and introduces Kris Mah. | Keywords: Concordia University [https://www.wikidata.org/wiki/Q326342]; Pharmakon MTL\n\nAudience\n00:04:11\nLaughter.\n\nIan Ferrier\n00:04:13\nPerforms unnamed song on guitar and voice accompanied by Kris Mah. \n\nEND\n00:06:42\n[cut off abruptly]"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548282802176,"timestamp":"2026-01-07T14:59:52.745Z","digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Randal Maggs Set 1 Nov 2009.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:06:24\",\"precision\":\"\",\"size\":\" 67.7 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"W&M Randal Maggs Set 1 Nov 2009.wav [File 1 of 2]\\n\\nUnknown\\n00:00:01\\nSilence [muted].\\n\\nIan Ferrier\\n00:00:43\\nIntroduces event.\\n\\nIan Ferrier\\n00:01:00\\nAddresses audience. | Keywords: Montreal [https://www.wikidata.org/wiki/Q340]\\n\\nAudience Member 1\\n00:01:07\\nAddresses Ian Ferrier [https://www.wikidata.org/wiki/Q87138884]. | Keywords: Caytee Lush\\n\\nIan Ferrier\\n00:01:12\\nAddresses Audience Member 1.\\n\\nAudience\\n00:01:12\\nApplause.\\n\\nIan Ferrier\\n00:01:17\\nPromotes The Burning Alphabet by Barry Dempster [https://www.wikidata.org/wiki/Q4864161], Tiny Courts in a World Without Scales [by David Bromige https://www.wikidata.org/wiki/Q5231780], Walking Into the Night Sky by Lyn King, Letters From a Long Illness with the World by Barry Dempster. | Keywords: Brick Books\\n\\nUnknown\\n00:01:38\\nAmbient Sound [voices].\\n\\nAudience\\n00:01:47\\nApplause.\\n\\nIan Ferrier\\n00:01:49\\nIntroduces Randall Maggs [https://www.wikidata.org/wiki/Q7291579]. | Keywords: Newfoundland [https://www.wikidata.org/wiki/Q48335]; Terry Sawchuk [https://www.wikidata.org/wiki/Q520254]; Night Work: The Sawchuk Poems [by Randall Maggs]\\n\\nAudience\\n00:02:23\\nApplause.\\n\\nRandall Maggs\\n00:02:42\\nThanks Ian Ferrier [audience laughter throughout].\\n\\nRandall Maggs\\n00:03:08\\nAddresses audience [audience laughter throughout]. | Keywords: Montreal; Royal Canadian Air Force [https://www.wikidata.org/wiki/Q25456]; Leonard Cohen [https://www.wikidata.org/wiki/Q1276]; Mordecai Richler [https://www.wikidata.org/wiki/Q452282]; Irving Layton [https://www.wikidata.org/wiki/Q1673289]; Louise Forestier [https://www.wikidata.org/wiki/Q2425449]; Robert Charlebois [https://www.wikidata.org/wiki/Q464534]; Montreal Canadiens [https://www.wikidata.org/wiki/Q188143]; Place des Arts [https://www.wikidata.org/wiki/Q1326219]; The Band [https://www.wikidata.org/wiki/Q600344]; Garth Hudson [https://www.wikidata.org/wiki/Q554422]\\n\\nRandall Maggs\\n00:05:20\\nIntroduces Night Work: The Sawchuk Poems. | Keywords: Bill White [https://www.wikidata.org/wiki/Q359072]; Chicago Blackhawks [https://www.wikidata.org/wiki/Q209636]; Halifax [https://www.wikidata.org/wiki/Q2141]; Canadian Prairies [https://www.wikidata.org/wiki/Q1364746]; Newfoundland; Quebec [https://www.wikidata.org/wiki/Q176]\\n\\nRandall Maggs\\n00:06:02\\nIntroduces unnamed poem from Nightwork: The Sawchuk Poems. | Keywords: Bobby Orr [https://www.wikidata.org/wiki/Q348017]\\n\\nEND\\n00:06:24\\n[cut off abruptly]\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"W&M Kris and Ian & Jay Alexander Brown Set 2 Nov 2009.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:06:42\",\"precision\":\"\",\"size\":\"71.1 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"W&M Kris and Ian & Jay Alexander Brown Set 2 Nov 2009.wav [File 2 of 2]\\n\\nUnknown\\n00:00:00\\nAmbient Sound [music].\\n\\nIan Ferrier\\n00:00:05\\nPromotes 3-2-1 THROW by The Throw Collective [CD]. | Keywords: Montreal; Chris Masson\\n\\nChris Masson\\n00:00:23\\nAddresses Ian Ferrier.\\n\\nIan Ferrier\\n00:00:25\\nAddresses audience. | Keywords: Chris Masson\\n\\nAudience\\n00:00:28\\nLaughter.\\n\\nIan Ferrier\\n00:00:30\\nAddresses audience. | Keywords: Chris Masson\\n\\nIan Ferrier\\n00:00:35\\nAddresses Caytee Lush, exchange with Lush follows. | Keywords: Andrea deBrujin \\n\\nAudience\\n00:00:46\\nApplause. \\n\\nIan Ferrier\\n00:00:53\\nIntroduces \\\"Exploding Head Man\\\" [audience applause throughout].\\n\\nIan Ferrier\\n00:01:35\\nPerforms \\\"Exploding Head Man\\\".\\n\\nAudience\\n00:03:24\\nApplause.\\n\\nIan Ferrier\\n00:03:31\\nThanks audience and introduces Kris Mah. | Keywords: Concordia University [https://www.wikidata.org/wiki/Q326342]; Pharmakon MTL\\n\\nAudience\\n00:04:11\\nLaughter.\\n\\nIan Ferrier\\n00:04:13\\nPerforms unnamed song on guitar and voice accompanied by Kris Mah. \\n\\nEND\\n00:06:42\\n[cut off abruptly]\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"score":0.01643844},{"id":"1100","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2010-01-24"],"item_title_source":["Cataloguer"],"item_title_note":["Haiti relief show"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"contributors_names":["Kellough, Kaie","Tija, Sherwin","Kidd, Catherine","Christoff, Stefan"],"contributors_names_search":["Kellough, Kaie","Tija, Sherwin","Kidd, Catherine","Christoff, Stefan"],"contributors":["[{\"url\":\" http://viaf.org/viaf/68351676\",\"name\":\"Kellough, Kaie\",\"dates\":\"1975-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Tija, Sherwin\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/13542322\",\"name\":\"Kidd, Catherine\",\"dates\":\"1967-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/106422154\",\"name\":\"Christoff, Stefan\",\"dates\":\"1981-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"performer_name":["Kellough, Kaie","Kidd, Catherine"],"Speaker_name":["Tija, Sherwin","Christoff, Stefan"],"Performance_Date":[2010],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/1100/Poster for Jan 24th Show_page-0001.jpg\",\"other\":\" In folder: 9 audio, 6 misc. In folder2: 4 docs, 1 image. \",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Set of 3 event audio recordings (+ copies and edits)\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"Dates":["[{\"date\":\"2010 01 24\",\"type\":\"Performance Date\",\"notes\":\"Date indicated on event poster and in radio ad\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118\",\"longitude\":\" -73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["The funds raised at this event were collected for Haiti disaster relief. The event features a presentation by Sherwiin Tija unveiling his work-in-progress graphic novel (eventually published as \"Plummet\" (Conundrum 2019)), discussing his process and inspiration, and promoting his previous book \"The Hipless Boy\" (Conundrum 2009). The focus then shifts to poetry with a spoken word performance by Kaie Kellough and a multimedia poetry reading by Catherine Kidd, incorporating music, video footage, and live voice."],"contents":["W&M Casa Jan  2010 Sherwin Tjia.wav [File 1 of 3] \n\nIan Ferrier\n00:00:15\nIntroduces event. | Keywords: Casa Del Popolo [https://www.wikidata.org/wiki/Q3538292]\n\nIan Ferrier\n00:00:49\nPromotes The Hipless Boy [book].\n\nAudience\n00:00:55\nApplause.\n\nIan Ferrier\n00:00:56\nIntroduces Sherwin Tija.\n\nAudience\n00:01:12\nApplause.\n\nSherwin Tija\n00:01:20\nIntroduces himself [audience laughter throughout].\n\nSherwin Tija\n00:02:17\nDiscusses and presents Plummet [graphic novel] [audience laughter throughout]. | Keywords: 9/11 [https://www.wikidata.org/wiki/Q10806?wprov=srpw1_0]; Buffy [The Vampire Slayer; https://www.wikidata.org/wiki/Q183513]\n\nAudience\n00:06:57\nLaughter and applause.\n\nSherwin Tija\n00:07:00\nResumes discussion and presentation of Plummet [audience laughter throughout]. \n\nAudience\n00:23:49\nApplause.\n\nIan Ferrier\n00:24:09\nThanks Sherwin Tija and promotes The Hipless Boy.\n\nIan Ferrier\n00:24:24\nAnnounces intermission. | Keywords: Kaie Kellough [https://www.wikidata.org/wiki/Q6347628]\n\nAudience\n00:24:27\nApplause [cut off].\n\nEND\n00:24:33\n\n\nW&M Casa Jan  2010 Stefan & Kaie Kellough.wav [File 2 of 3]\n\nUnknown\n00:00:00\nAmbient Sound [music; cut off]. \n\nIan Ferrier\n00:00:08\nDiscusses Haiti fund [audience applause throughout]. | Keywords: Haiti [https://www.wikidata.org/wiki/Q790?wprov=srpw1_0]\n\nIan Ferrier\n00:00:21\nIntroduces Stefan Christoff [https://www.wikidata.org/wiki/Q7606050].\n\nStefan Christoff\n00:00:35\nThanks Ian Ferrier [https://www.wikidata.org/wiki/Q87138884] [audience applause throughout].\n\nStefan Christoff\n00:00:37\nDiscusses \"Artists For Haiti\" [https://www.wikidata.org/wiki/Q4801310] | Keywords: Montreal  [https://www.wikidata.org/wiki/Q340]; Haiti; Nomadic Massive [https://www.wikidata.org/wiki/Q24963332]; La Sala Rossa; Vox Sambou; Paul Cargnello [https://www.wikidata.org/wiki/Q15452647]; MC Karma; Limbé [https://www.wikidata.org/wiki/Q2229438]; Suoni Per Il Popolo; CKUT [https://www.wikidata.org/wiki/Q2931672]; Pop Montreal [https://www.wikidata.org/wiki/Q477655]; Cinema Politica [https://www.wikidata.org/wiki/Q5120752]; Public Transit Records   \n\nAudience\n00:02:53\nApplause.\n\nIan Ferrier\n00:03:00\nAddresses audience and introduces Kaie Kellough. | Keywords: Hotel2Tango [https://www.wikidata.org/wiki/Q5911118]; Lettricity [book]; Maple Leaf Rag [book]\n\nAudience\n00:03:47\nApplause.\n\nKaie Kellough\n00:04:12\nIntroduces \"Goodbye Pork Pie Hat\". | Keywords: Maple Leaf Rag; [Barack] Obama [https://www.wikidata.org/wiki/Q76]; Charles Mingus [https://www.wikidata.org/wiki/Q107432]\n\nKaie Kellough\n00:05:39\nPerforms \"Goodbye Pork Pie Hat\".\n\nKaie Kellough\n00:06:12\nPerforms \"Bye Bye Blackbird\".\n\nAudience\n00:06:47\nApplause.\n\nKaie Kellough\n00:06:53\nPerforms \"Bye Bye Miss American Pie\".\n\nAudience\n00:07:44\nApplause.\n\nKaie Kellough\n00:07:49\nIntroduces unnamed poem [audience laughter throughout]. | Keywords: Steve Jobs [https://www.wikidata.org/wiki/Q19837]\n\nKaie Kellough\n00:07:59\nPerforms unnamed poem.\n\nAudience\n00:11:12\nApplause.\n\nKaie Kellough\n00:11:23\nIntroduces \"-isery\" from Maple Leaf Rag [audience laughter throughout].\n\nKaie Kellough\n00:12:05\nPerforms \"-isery\" from Maple Leaf Rag.\n\nAudience\n00:13:28\nApplause.\n\nKaie Kellough\n00:13:32\nThanks audience and introduces \"word sound system #2\" from Maple Leaf Rag [audience laughter throughout]. | Keywords: Stefan Christoff\n\nKaie Kellough\n00:14:30\nPerforms \"word sound system #2\" from Maple Leaf Rag.\n\nAudience\n00:17:03\nApplause.\n\nKaie Kellough\n00:17:16\nIntroduces \"Goodbye Hip Hop\" [audience laughter throughout]. \n\nKaie Kellough\n00:18:14\nPerforms \"Goodbye Hip Hop\" [audience laughter and applause throughout].\n\nAudience\n00:20:05\nApplause.\n\nKaie Kellough\n00:20:10\nThanks audience [audience applause continues throughout] and introduces \"Goodbye Goodbye\" [audience laughter throughout]. | Keywords: Shambhala Centre; Haiti\n\nKaie Kellough\n00:21:15\nPerforms \"Goodbye Goodbye\".\n\nAudience\n00:23:07\nApplause.\n\nIan Ferrier\n00:23:26\nThanks Kaie Kellough.\n\nAudience\n00:23:29\nApplause.\n\nIan Ferrier\n00:23:33\nAnnounces intermission. | Keywords: Catherine Kidd\n\nUnknown\n00:23:39\nAmbient Sound [music].\n\nEND\n00:24:20\n\n\nW&M Casa Jan  2010 Cat Kidd.wav [File 3 of 3]\n\nIan Ferrier\n00:00:00\nAnnounces future event [recording begins abruptly; audience applause throughout]. | Keywords: Alessandra Naccarato; Ritalin; Ottawa [https://www.wikidata.org/wiki/Q1930]; 3-2-1 THROW! [CD]\n\nIan Ferrier\n00:00:18\nIntroduces Catherine Kidd. | Keywords: Nova Scotia [https://www.wikidata.org/wiki/Q1952]; Canada Council for the Arts [https://www.wikidata.org/wiki/Q2993809]\n\nAudience\n00:00:38\nApplause.\n\nCatherine Kidd\n00:00:42\nThanks Ian Ferrier and audience.\n\nAudience\n00:00:50\nApplause.\n\nCatherine Kidd\n00:00:51\nAddresses audience [audience applause continues throughout].\n\nCatherine Kidd\n00:01:06\nIntroduces \"Artsy Fartsy Bums\" [audience laughter throughout].\n\nCatherine Kidd\n00:01:45\nPerforms \"Artsy Fartsy Bums\" [audience laughter and applause throughout].\n\nAudience\n00:05:54\nApplause.\n\nCatherine Kidd\n00:06:00\nThanks audience [audience applause continues throughout] and introduces \"Lion Queen\" [audience laughter throughout]. | Keywords: South Africa [https://www.wikidata.org/wiki/Q258]\n\nCatherine Kidd\n00:07:56\nPerforms \"Lion Queen\" accompanied by video footage.\n\nAudience\n00:15:13\nApplause.\n\nCatherine Kidd\n00:15:25\nThanks audience [audience applause continues throughout] and introduces \"No ID\" [audience laughter throughout].\n\nCatherine Kidd\n00:16:08\nPerforms \"No ID” accompanied by video footage [audience laughter throughout].\n\nCatherine Kidd\n00:19:29\nDiscusses her performance and thanks audience.\n\nAudience\n00:19:32\nApplause.\n\nCatherine Kidd\n00:19:43\nIntroduces \"Hyena Subpoena\". | Keywords: South Africa\n\nCatherine Kidd\n00:20:50\nPerforms \"Hyena Subpoena\" accompanied by video footage.\n\nCatherine Kidd\n00:21:14\nStops performance due to technical difficulty.\n\nCatherine Kidd\n00:21:34\nResumes performance of \"Hyena Subpoena\".\n\nAudience\n00:30:52\nApplause.\n\nIan Ferrier\n00:31:18\nThanks Catherine Kidd and audience. | Keywords: Haiti\n\nIan Ferrier\n00:31:31\nAnnounces future event [audience laughter throughout]. | Keywords: Sherwin Tija\n\nAudience\n00:32:01\nApplause.\n\nUnknown\n32:17:\nAmbient Sound [music].\n\nEND\n00:32:21"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548283850752,"timestamp":"2026-01-07T14:59:52.745Z","digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2010/01/\",\"file_path\":\"\",\"filename\":\"W&M Casa Jan  2010 Cat Kidd.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:32:21\",\"precision\":\"\",\"size\":\"342.3 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"W&M Casa Jan  2010 Cat Kidd.wav [File 3 of 3]\\n\\nIan Ferrier\\n00:00:00\\nAnnounces future event [recording begins abruptly; audience applause throughout]. | Keywords: Alessandra Naccarato; Ritalin; Ottawa [https://www.wikidata.org/wiki/Q1930]; 3-2-1 THROW! [CD]\\n\\nIan Ferrier\\n00:00:18\\nIntroduces Catherine Kidd. | Keywords: Nova Scotia [https://www.wikidata.org/wiki/Q1952]; Canada Council for the Arts [https://www.wikidata.org/wiki/Q2993809]\\n\\nAudience\\n00:00:38\\nApplause.\\n\\nCatherine Kidd\\n00:00:42\\nThanks Ian Ferrier and audience.\\n\\nAudience\\n00:00:50\\nApplause.\\n\\nCatherine Kidd\\n00:00:51\\nAddresses audience [audience applause continues throughout].\\n\\nCatherine Kidd\\n00:01:06\\nIntroduces \\\"Artsy Fartsy Bums\\\" [audience laughter throughout].\\n\\nCatherine Kidd\\n00:01:45\\nPerforms \\\"Artsy Fartsy Bums\\\" [audience laughter and applause throughout].\\n\\nAudience\\n00:05:54\\nApplause.\\n\\nCatherine Kidd\\n00:06:00\\nThanks audience [audience applause continues throughout] and introduces \\\"Lion Queen\\\" [audience laughter throughout]. | Keywords: South Africa [https://www.wikidata.org/wiki/Q258]\\n\\nCatherine Kidd\\n00:07:56\\nPerforms \\\"Lion Queen\\\" accompanied by video footage.\\n\\nAudience\\n00:15:13\\nApplause.\\n\\nCatherine Kidd\\n00:15:25\\nThanks audience [audience applause continues throughout] and introduces \\\"No ID\\\" [audience laughter throughout].\\n\\nCatherine Kidd\\n00:16:08\\nPerforms \\\"No ID” accompanied by video footage [audience laughter throughout].\\n\\nCatherine Kidd\\n00:19:29\\nDiscusses her performance and thanks audience.\\n\\nAudience\\n00:19:32\\nApplause.\\n\\nCatherine Kidd\\n00:19:43\\nIntroduces \\\"Hyena Subpoena\\\". | Keywords: South Africa\\n\\nCatherine Kidd\\n00:20:50\\nPerforms \\\"Hyena Subpoena\\\" accompanied by video footage.\\n\\nCatherine Kidd\\n00:21:14\\nStops performance due to technical difficulty.\\n\\nCatherine Kidd\\n00:21:34\\nResumes performance of \\\"Hyena Subpoena\\\".\\n\\nAudience\\n00:30:52\\nApplause.\\n\\nIan Ferrier\\n00:31:18\\nThanks Catherine Kidd and audience. | Keywords: Haiti\\n\\nIan Ferrier\\n00:31:31\\nAnnounces future event [audience laughter throughout]. | Keywords: Sherwin Tija\\n\\nAudience\\n00:32:01\\nApplause.\\n\\nUnknown\\n32:17:\\nAmbient Sound [music].\\n\\nEND\\n00:32:21\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2010/01/\",\"file_path\":\"\",\"filename\":\"W&M Casa Jan  2010 Stefan & Kaie Kellough.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:24:20\",\"precision\":\"\",\"size\":\"257.5 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"W&M Casa Jan  2010 Stefan & Kaie Kellough.wav [File 2 of 3]\\n\\nUnknown\\n00:00:00\\nAmbient Sound [music; cut off]. \\n\\nIan Ferrier\\n00:00:08\\nDiscusses Haiti fund [audience applause throughout]. | Keywords: Haiti [https://www.wikidata.org/wiki/Q790?wprov=srpw1_0]\\n\\nIan Ferrier\\n00:00:21\\nIntroduces Stefan Christoff [https://www.wikidata.org/wiki/Q7606050].\\n\\nStefan Christoff\\n00:00:35\\nThanks Ian Ferrier [https://www.wikidata.org/wiki/Q87138884] [audience applause throughout].\\n\\nStefan Christoff\\n00:00:37\\nDiscusses \\\"Artists For Haiti\\\" [https://www.wikidata.org/wiki/Q4801310] | Keywords: Montreal  [https://www.wikidata.org/wiki/Q340]; Haiti; Nomadic Massive [https://www.wikidata.org/wiki/Q24963332]; La Sala Rossa; Vox Sambou; Paul Cargnello [https://www.wikidata.org/wiki/Q15452647]; MC Karma; Limbé [https://www.wikidata.org/wiki/Q2229438]; Suoni Per Il Popolo; CKUT [https://www.wikidata.org/wiki/Q2931672]; Pop Montreal [https://www.wikidata.org/wiki/Q477655]; Cinema Politica [https://www.wikidata.org/wiki/Q5120752]; Public Transit Records   \\n\\nAudience\\n00:02:53\\nApplause.\\n\\nIan Ferrier\\n00:03:00\\nAddresses audience and introduces Kaie Kellough. | Keywords: Hotel2Tango [https://www.wikidata.org/wiki/Q5911118]; Lettricity [book]; Maple Leaf Rag [book]\\n\\nAudience\\n00:03:47\\nApplause.\\n\\nKaie Kellough\\n00:04:12\\nIntroduces \\\"Goodbye Pork Pie Hat\\\". | Keywords: Maple Leaf Rag; [Barack] Obama [https://www.wikidata.org/wiki/Q76]; Charles Mingus [https://www.wikidata.org/wiki/Q107432]\\n\\nKaie Kellough\\n00:05:39\\nPerforms \\\"Goodbye Pork Pie Hat\\\".\\n\\nKaie Kellough\\n00:06:12\\nPerforms \\\"Bye Bye Blackbird\\\".\\n\\nAudience\\n00:06:47\\nApplause.\\n\\nKaie Kellough\\n00:06:53\\nPerforms \\\"Bye Bye Miss American Pie\\\".\\n\\nAudience\\n00:07:44\\nApplause.\\n\\nKaie Kellough\\n00:07:49\\nIntroduces unnamed poem [audience laughter throughout]. | Keywords: Steve Jobs [https://www.wikidata.org/wiki/Q19837]\\n\\nKaie Kellough\\n00:07:59\\nPerforms unnamed poem.\\n\\nAudience\\n00:11:12\\nApplause.\\n\\nKaie Kellough\\n00:11:23\\nIntroduces \\\"-isery\\\" from Maple Leaf Rag [audience laughter throughout].\\n\\nIan Ferrier\\n00:12:05\\nPerforms \\\"-isery\\\" from Maple Leaf Rag.\\n\\nAudience\\n00:13:28\\nApplause.\\n\\nKaie Kellough\\n00:13:32\\nThanks audience and introduces \\\"word sound system #2\\\" from Maple Leaf Rag [audience laughter throughout]. | Keywords: Stefan Christoff\\n\\nKaie Kellough\\n00:14:30\\nPerforms \\\"word sound system #2\\\" from Maple Leaf Rag.\\n\\nAudience\\n00:17:03\\nApplause.\\n\\nKaie Kellough\\n00:17:16\\nIntroduces \\\"Goodbye Hip Hop\\\" [audience laughter throughout]. \\n\\nKaie Kellough\\n00:18:14\\nPerforms \\\"Goodbye Hip Hop\\\" [audience laughter and applause throughout].\\n\\nAudience\\n00:20:05\\nApplause.\\n\\nKaie Kellough\\n00:20:10\\nThanks audience [audience applause continues throughout] and introduces \\\"Goodbye Goodbye\\\" [audience laughter throughout]. | Keywords: Shambhala Centre; Haiti\\n\\nKaie Kellough\\n00:21:15\\nPerforms \\\"Goodbye Goodbye\\\".\\n\\nAudience\\n00:23:07\\nApplause.\\n\\nIan Ferrier\\n00:23:26\\nThanks Kaie Kellough.\\n\\nAudience\\n00:23:29\\nApplause.\\n\\nIan Ferrier\\n00:23:33\\nAnnounces intermission. | Keywords: Catherine Kidd\\n\\nUnknown\\n00:23:39\\nAmbient Sound [music].\\n\\nEND\\n00:24:20\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2010/01/\",\"file_path\":\"\",\"filename\":\"W&M Casa Jan  2010 Sherwin Tjia.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:24:33\",\"precision\":\"\",\"size\":\" 259.9 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"W&M Casa Jan  2010 Sherwin Tjia.wav [File 1 of 3] \\n\\nIan Ferrier\\n00:00:15\\nIntroduces event. | Keywords: Casa Del Popolo [https://www.wikidata.org/wiki/Q3538292]\\n\\nIan Ferrier\\n00:00:49\\nPromotes The Hipless Boy [book].\\n\\nAudience\\n00:00:55\\nApplause.\\n\\nIan Ferrier\\n00:00:56\\nIntroduces Sherwin Tija.\\n\\nAudience\\n00:01:12\\nApplause.\\n\\nSherwin Tija\\n00:01:20\\nIntroduces himself [audience laughter throughout].\\n\\nSherwin Tija\\n00:02:17\\nDiscusses and presents Plummet [graphic novel] [audience laughter throughout]. | Keywords: 9/11 [https://www.wikidata.org/wiki/Q10806?wprov=srpw1_0]; Buffy [The Vampire Slayer; https://www.wikidata.org/wiki/Q183513]\\n\\nAudience\\n00:06:57\\nLaughter and applause.\\n\\nSherwin Tija\\n00:07:00\\nResumes discussion and presentation of Plummet [audience laughter throughout]. \\n\\nAudience\\n00:23:49\\nApplause.\\n\\nIan Ferrier\\n00:24:09\\nThanks Sherwin Tija and promotes The Hipless Boy.\\n\\nIan Ferrier\\n00:24:24\\nAnnounces intermission. | Keywords: Kaie Kellough [https://www.wikidata.org/wiki/Q6347628]\\n\\nAudience\\n00:24:27\\nApplause [cut off].\\n\\nEND\\n00:24:33\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"score":0.01643844},{"id":"1102","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2010-03-21"],"item_title_source":["Cataloguer"],"item_title_note":["\"Women and Words: On and Off the Screen\" show. Full event audio not found"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ian Ferrier"],"creator_names_search":["Ian Ferrier"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ian Ferrier\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["Leadbeater, Kate","Melting Tallow, Chandra","Lee, Katie","Wilson, Sheri-D","Clark, Moe","Haley, Heather Susan","Weijs, Harlene","Guzmán, Coco","Allison, Luna"],"contributors_names_search":["Leadbeater, Kate","Melting Tallow, Chandra","Lee, Katie","Wilson, Sheri-D","Clark, Moe","Haley, Heather Susan","Weijs, Harlene","Guzmán, Coco","Allison, Luna"],"contributors":["[{\"url\":\"\",\"name\":\"Leadbeater, Kate\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Melting Tallow, Chandra\",\"dates\":\"\",\"notes\":\"With Mourning Coup (Sarah Tracy, Katie Lee, Marie Horstead, Gabrielle Gerard Charé) \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Lee, Katie\",\"dates\":\"\",\"notes\":\"Solo and with Mourning Coup (Chandra Melting Tallow, Sarah Tracy, Katie Lee, Marie Horstead, Gabrielle Gerard Charé)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/6636281\",\"name\":\"Wilson, Sheri-D\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/317024729\",\"name\":\"Clark, Moe\",\"dates\":\"\",\"notes\":\"Guest host and video poem creator (her piece is missing from the recording)\",\"nation\":[],\"role\":[\"Presenter\",\"Performer\"]},{\"url\":\"\",\"name\":\"Haley, Heather Susan\",\"dates\":\"\",\"notes\":\"Announced but missing (Video poem)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Weijs, Harlene\",\"dates\":\"\",\"notes\":\"Announced but missing (Video poem)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/317003568\",\"name\":\"Guzmán, Coco\",\"dates\":\"1979-\",\"notes\":\"Coco Riot (stage name) (With Luna Allison; announced but missing) \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Allison, Luna\",\"dates\":\"\",\"notes\":\"(With Coco Riot; announced but missing)\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Leadbeater, Kate","Melting Tallow, Chandra","Lee, Katie","Wilson, Sheri-D","Clark, Moe","Haley, Heather Susan","Weijs, Harlene","Guzmán, Coco","Allison, Luna"],"Presenter_name":["Clark, Moe"],"Performance_Date":[2010],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/1102/Poster for March 21st Moe Show fINAL_page-0001.jpg\",\"other\":\"In folder: 11 audio, 6 misc. In folder2: 9 docs, 4 images, 3 misc. \",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Set of 2 event audio recordings (+copies and edits)\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2010/03/\",\"file_path\":\"\",\"filename\":\"Casa W&M March 2010 Moe Video Show 1.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:14:17\",\"precision\":\"\",\"size\":\"13.7 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"Casa W&M March 2010 Moe Video Show 1.wav [File 1 of 2]\\n\\nKate Leadbeater\\n00:00:00\\nPerforms unnamed poem [recording begins abruptly].\\n\\nAudience\\n00:01:18\\nApplause.\\n\\nKate Leadbeater\\n00:01:25\\nIntroduces \\\"Tampons\\\".\\n\\nKate Leadbeater\\n00:01:31\\nPerforms \\\"Tampons\\\".\\n\\nAudience\\n00:02:02\\nApplause.\\n\\nKate Leadbeater\\n00:02:09\\nThanks audience and introduces \\\"Childbirth\\\".\\n\\nKate Leadbeater\\n00:02:15\\nPerforms \\\"Childbirth\\\".\\n\\nAudience\\n00:03:41\\nApplause.\\n\\nMoe Clark\\n00:03:49\\nThanks Kate Leadbeater [audience applause continues throughout].\\n\\nMoe Clark\\n00:04:09\\nIntroduces Sheri-D Wilson [https://www.wikidata.org/wiki/Q7494839], Heather Susan Haley, and Harlene Wejis. | Keywords: Calgary [https://www.wikidata.org/wiki/Q36312]; Calgary International Spoken Word Festival; Vancouver [https://www.wikidata.org/wiki/Q24639]; Visible Verse [festival]; Winnipeg [https://www.wikidata.org/wiki/Q2135]; Cypress Hills [https://www.wikidata.org/wiki/Q1148229]; Morganne Klemke; “Intersecting Circles” \\n\\nSheri-D Wilson\\n00:07:05\\nPerforms \\\"Panty Portal\\\" accompanied by video footage.\\n\\nUnknown\\n00:13:45\\nSilence.\\n\\nEND\\n00:14:17\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2010/03/\",\"file_path\":\"\",\"filename\":\"Casa W&M March 2010 Moe Video Show 2.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:21:42\",\"precision\":\"\",\"size\":\"20.8 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"Casa W&M March 2010 Moe Video Show 2.wav [File 2 of 2]\\n\\nMoe Clark\\n00:00:00\\nIntroduces Chandra Melting Tallow and Mourning Coup (Sarah Tracy, Katie Lee, Marie Horstead, Gabrielle Gerard Charé) [audience applause throughout]. | Keywords: Siksika Nation [https://www.wikidata.org/wiki/Q485070]; Calgary \\n\\nAudience\\n00:01:39\\nApplause.\\n\\nChandra Melting Tallow\\n00:01:49\\nIntroduces unnamed song [audience laughter throughout]. \\n\\nMourning Coup\\n00:02:37\\nPerforms unnamed song.\\n\\nAudience\\n00:06:55\\nApplause.\\n\\nChandra Melting Tallow\\n00:07:13\\nIntroduces \\\"Snow Day\\\" [audience laughter throughout].\\n\\nMourning Coup\\n00:08:35\\nPerforms \\\"Snow Day\\\".\\n\\nAudience\\n00:11:50\\nApplause.\\n\\nChandra Melting Tallow\\n00:12:09\\nIntroduces unnamed song.\\n\\nChandra Melting Tallow\\n00:12:46\\nPerforms unnamed song in Arabic.\\n\\nAudience\\n00:14:48\\nApplause.\\n\\nChandra Melting Tallow\\n00:14:54\\nThanks Mourning Coup [audience applause continues throughout]. | Keywords: Sarah Tracy; Katie Lee; Marie Horstead; Gabrielle Gerard Charé \\n\\nAudience\\n00:15:31\\nApplause.\\n\\nMourning Coup\\n00:15:41\\nPerforms unnamed song.\\n\\nAudience\\n00:20:24\\nApplause.\\n\\nMoe Clark\\n00:20:39\\nThanks Katie Lee [audience applause continues throughout].\\n\\nMoe Clark\\n00:21:01\\nThanks Chandra Melting Tallow and Mourning Coup.\\n\\nAudience\\n00:21:05\\nApplause.\\n\\nMoe Clark\\n00:21:10\\nIntroduces Luna Allison and Coco Riot.\\n\\nUnknown\\n00:21:35\\nAmbient Sound [music].\\n\\nEND\\n00:21:42\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2010 03 21\",\"type\":\"Performance Date\",\"notes\":\"Date indicated on event poster and in document\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118\",\"longitude\":\" -73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["Sunday March 23rd, 2010 was a special edition of the Words and Music Show that focused on celebrating female artists and that was fittingly hosted by multitalented Métis artist and W&M Show regular Moe Clark. The recording kicks off with an \"apocalyptic\" poetry reading by Kate Leadbeater, followed by a presentation of Sheri-D Wilson's video poem \"Panty Portal.\" Although Clark, Susan Haley, and Harlene Weijs' video poems are announced, they are unfortunately absent from the recordings. However, the experimental musical performance by Chandra Melting Tallow and Mourning Coup from that night is included."],"contents":["Casa W&M March 2010 Moe Video Show 1.wav [File 1 of 2]\n\nKate Leadbeater\n00:00:00\nPerforms unnamed poem [recording begins abruptly].\n\nAudience\n00:01:18\nApplause.\n\nKate Leadbeater\n00:01:25\nIntroduces \"Tampons\".\n\nKate Leadbeater\n00:01:31\nPerforms \"Tampons\".\n\nAudience\n00:02:02\nApplause.\n\nKate Leadbeater\n00:02:09\nThanks audience and introduces \"Childbirth\".\n\nKate Leadbeater\n00:02:15\nPerforms \"Childbirth\".\n\nAudience\n00:03:41\nApplause.\n\nMoe Clark\n00:03:49\nThanks Kate Leadbeater [audience applause continues throughout].\n\nMoe Clark\n00:04:09\nIntroduces Sheri-D Wilson [https://www.wikidata.org/wiki/Q7494839], Heather Susan Haley, and Harlene Wejis. | Keywords: Calgary [https://www.wikidata.org/wiki/Q36312]; Calgary International Spoken Word Festival; Vancouver [https://www.wikidata.org/wiki/Q24639]; Visible Verse [festival]; Winnipeg [https://www.wikidata.org/wiki/Q2135]; Cypress Hills [https://www.wikidata.org/wiki/Q1148229]; Morganne Klemke; “Intersecting Circles” \n\nSheri-D Wilson\n00:07:05\nPerforms \"Panty Portal\" accompanied by video footage.\n\nUnknown\n00:13:45\nSilence.\n\nEND\n00:14:17\n\n\nCasa W&M March 2010 Moe Video Show 2.wav [File 2 of 2]\n\nMoe Clark\n00:00:00\nIntroduces Chandra Melting Tallow and Mourning Coup (Sarah Tracy, Katie Lee, Marie Horstead, Gabrielle Gerard Charé) [audience applause throughout]. | Keywords: Siksika Nation [https://www.wikidata.org/wiki/Q485070]; Calgary \n\nAudience\n00:01:39\nApplause.\n\nChandra Melting Tallow\n00:01:49\nIntroduces unnamed song [audience laughter throughout]. \n\nMourning Coup\n00:02:37\nPerforms unnamed song.\n\nAudience\n00:06:55\nApplause.\n\nChandra Melting Tallow\n00:07:13\nIntroduces \"Snow Day\" [audience laughter throughout].\n\nMourning Coup\n00:08:35\nPerforms \"Snow Day\".\n\nAudience\n00:11:50\nApplause.\n\nChandra Melting Tallow\n00:12:09\nIntroduces unnamed song.\n\nChandra Melting Tallow\n00:12:46\nPerforms unnamed song in Arabic.\n\nAudience\n00:14:48\nApplause.\n\nChandra Melting Tallow\n00:14:54\nThanks Mourning Coup [audience applause continues throughout]. | Keywords: Sarah Tracy; Katie Lee; Marie Horstead; Gabrielle Gerard Charé \n\nAudience\n00:15:31\nApplause.\n\nMourning Coup\n00:15:41\nPerforms unnamed song.\n\nAudience\n00:20:24\nApplause.\n\nMoe Clark\n00:20:39\nThanks Katie Lee [audience applause continues throughout].\n\nMoe Clark\n00:21:01\nThanks Chandra Melting Tallow and Mourning Coup.\n\nAudience\n00:21:05\nApplause.\n\nMoe Clark\n00:21:10\nIntroduces Luna Allison and Coco Riot.\n\nUnknown\n00:21:35\nAmbient Sound [music].\n\nEND\n00:21:42"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548285947904,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1103","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2010-04-18"],"item_title_source":["Cataloguer"],"item_title_note":["Climate change show. Full event audio not found"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["Dexter X","Jim","Hazelton, Hugh","Mouré, Erin","Anderson, Fortner","Chvostek, Annabelle","Tinguely, Vince"],"contributors_names_search":["Dexter X","Jim","Hazelton, Hugh","Mouré, Erin","Anderson, Fortner","Chvostek, Annabelle","Tinguely, Vince"],"contributors":["[{\"url\":\"\",\"name\":\" Dexter X\",\"dates\":\"\",\"notes\":\"Stage name; real name Hayden Thais\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Jim\",\"dates\":\"\",\"notes\":\"Last name uncertain, announced but missing\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/335896\",\"name\":\" Hazelton, Hugh\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/22186962\",\"name\":\"Mouré, Erin\",\"dates\":\"1955-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/106026246\",\"name\":\"Anderson, Fortner\",\"dates\":\"1955-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/106499651\",\"name\":\"Chvostek, Annabelle\",\"dates\":\"1973-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/36425179\",\"name\":\"Tinguely, Vince\",\"dates\":\"1959-\",\"notes\":\"Guest host; also reads a poem at the start of the show\",\"nation\":[],\"role\":[\"Presenter\",\"Performer\"]}]"],"performer_name":["Jim"," Hazelton, Hugh","Mouré, Erin","Anderson, Fortner","Chvostek, Annabelle","Tinguely, Vince"],"Presenter_name":["Tinguely, Vince"],"Speaker_name":[" Dexter X"],"Performance_Date":[2010],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\" In folder: 4 audio, 2 misc. \",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Set of 3 event audio recordings\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"Dates":["[{\"date\":\"2010 04 18\",\"type\":\"Performance Date\",\"notes\":\" https://vintin.wordpress.com/2010/04/12/melt-poetry-on-the-theme-of-climate-change/\",\"source\":\"Blog Post\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118\",\"longitude\":\" -73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["The theme of this event centred around climate change and ecology and featured a poetry reading by curator and guest host Vince Tinguely. Tinguely's introduction was followed by a performance of ecocentric works by writer and translator Hugh Hazelton, a reading by Erin Mouré from her books \"Furious\" (House of Anansi Press 1988) and \"O Resplandor\" (House of Anansi Press 2010), and spoken word by Fortner Anderson. The night experiences a change of pace  when Dexter X is invited on stage for a q&a about his experiences filming a documentary in Nunavut. The end of the night then takes another turn with music by folk artist Annabelle Chvostek."],"contents":["STE-001.wav [File 1 of 3]\n\nUnknown\n00:00:00\nAmbient Sound [voices]\n\nVince Tinguely\n00:00:15\nAddresses Sherwin [Tija], exchange follows.\n\nVince Tinguely\n00:00:27\nIntroduces event. | Keywords: Casa Del Popolo [https://www.wikidata.org/wiki/Q3538292]; The League of Canadian Poets [https://www.wikidata.org/wiki/Q6509004]; Quebec Writers’ Federation [https://www.wikidata.org/wiki/Q3413953]; Canada Council for the Arts [https://www.wikidata.org/wiki/Q2993809]\n\nVince Tinguely\n00:01:10\nIntroduces unnamed poem. \n\nVince Tinguely\n00:01:32\nReads unnamed poem.\n\nAudience\n00:03:50\nApplause.\n\nVince Tinguely\n00:03:54\nIntroduces Hugh Hazelton [https://www.wikidata.org/wiki/Q27942438]. | Keywords: Le Cheval Blanc; Mitsiko Miller; Vache Enragée [event series]; Montreal [https://www.wikidata.org/wiki/Q340]; Concordia University [https://www.wikidata.org/wiki/Q326342]; Antimatter [book]; Broken Jaw Press\n\nAudience\n00:05:07\nApplause.\n\nHugh Hazelton\n00:05:31\nIntroduces \"Emergency\". \n\nHugh Hazelton\n00:05:51\nPerforms \"Emergency\".\n\nAudience\n00:10:15\nApplause.\n\nHugh Hazelton\n00:10:54\nIntroduces \"Product\".\n\nHugh Hazelton\n00:11:35\nPerforms \"Product\".\n\nAudience\n00:13:34\nApplause.\n\nHugh Hazelton\n00:13:47\nIntroduces \"Drought\".\n\nHugh Hazelton\n00:13:52\nPerforms \"Drought\".\n\nAudience\n00:16:34\nApplause.\n\nHugh Hazelton\n00:16:42\nIntroduces \"Ragnarok\".\n\nHugh Hazelton\n00:16:47\nPerforms \"Ragnarok\".\n\nAudience\n00:23:08\nApplause.\n\nVince Tinguely\n00:23:29\nAddresses audience and thanks Hugh Hazelton.\n\nVince Tinguely\n00:24:21\nIntroduces Erin Mouré [https://www.wikidata.org/wiki/Q3398327]. | Keywords: Montreal; CKUT [https://www.wikidata.org/wiki/Q2931672]; West South West [book]; Sheepish beauty, civilian love [book]; Furious [book]; Governor General’s Award [https://www.wikidata.org/wiki/Q283256]; Nicole Brossard [https://www.wikidata.org/wiki/Q3341018]; Robert Majzels [https://www.wikidata.org/wiki/Q7347292]; Galicia [https://www.wikidata.org/wiki/Q3908]; Chus Pato [https://www.wikidata.org/wiki/Q3311831]; Chile [https://www.wikidata.org/wiki/Q298]; Andres Ajens; Fernando Pessoa [https://www.wikidata.org/wiki/Q173481]; O Resplandor [book]\n\nAudience\n00:26:07\nApplause.\n\nErin Mouré\n00:26:18\nIntroduces \"The Producers\" from Furious. \n\nErin Mouré\n00:26:50\nReads \"The Producers\" from Furious.\n\nAudience\n00:28:35\nApplause.\n\nErin Mouré\n00:28:43\nIntroduces \"Doubled Elegy, Ethical\" from O Resplandor.\n\nErin Mouré\n00:29:18\nReads \"Doubled Elegy, Ethical\" from O Resplandor.\n\nAudience\n00:30:35\nApplause.\n\nErin Mouré\n00:30:41\nIntroduces \"Cronica Five (An urgent missive written from Tokyo to Chus Pato in Lalin, Galicia, but in the language of no one, so that it can't be read)\" from O Resplandor [audience laughter throughout].\n\nErin Mouré\n00:31:07\nReads \"Cronica Five (An urgent missive written from Tokyo to Chus Pato in Lalin, Galicia, but in the language of no one, so that it can't be read)\" from O Resplandor.\n\nErin Mouré\n00:31:59\nIntroduces \"Optimal Elegy: Aurora Borealis\" from O Resplandor.\n\nErin Mouré\n00:32:09\nReads \"Optimal Elegy: Aurora Borealis\" from O Resplandor.\n\nAudience\n00:35:48\nApplause.\n\nErin Mouré\n00:35:58\nIntroduces \"Hommage to the Mineral of the Onion 1\" from Little Theatres [book]. | Keywords: Iraq [https://www.wikidata.org/wiki/Q796]\n\nErin Mouré\n00:37:21\nReads \"Hommage to the Mineral of the Onion 1\" from Little Theatres in Galician.\n\nErin Mouré\n00:38:12\nReads \"Hommage to the Mineral of the Onion 1\" from Little Theatres in English.\n\nAudience\n00:38:59\nApplause.\n\nErin Mouré\n00:39:05\nIntroduces \"Hommage to the Mineral of the Onion 2\" from Little Theatres.\n\nErin Mouré\n00:39:13\nReads \"Hommage to the Mineral of the Onion 2\" from Little Theatres in Galician.\n\nErin Mouré\n00:40:04\nReads \"Hommage to the Mineral of the Onion 2\" from Little Theatres in English.\n\nAudience\n00:40:50\nApplause.\n\nErin Mouré\n00:40:59\nIntroduces \"Anthem to Garlic Without Water\" from Little Theatres.\n\nErin Mouré\n00:41:10\nReads \"Anthem to Garlic Without Water\" from Little Theatres.\n\nAudience\n00:41:43\nApplause.\n\nVince Tinguely\n00:41:53\nThanks Erin Mouré.\n\nVince Tinguely\n00:42:11\nIntroduces Fortner Anderson [https://www.wikidata.org/wiki/Q83688183]. | Keywords: Lollapalooza [https://www.wikidata.org/wiki/Q889643]; Montreal; Phoenix Cafe; Poetry Nation; The Short Fuse Anthology; Sometimes I Think [CD]; Wired on Words; Six Silk Purses; “He Sings” [song]; Tapehead [band]; Banff Centre [https://www.wikidata.org/wiki/Q4854863]; The Rivoli; Toronto [https://www.wikidata.org/wiki/Q172]; St Mark’s Church; New York City [https://www.wikidata.org/wiki/Q60]; Genoa [https://www.wikidata.org/wiki/Q1449]; Italy [https://www.wikidata.org/wiki/Q38]; Genoa International Poetry Festival\n\nAudience\n00:43:27\nApplause.\n\nFortner Anderson\n00:43:45\nReads unnamed poem.\n\nAudience\n00:57:26\nApplause.\n\nVince Tinguely\n00:57:37\nThanks Fortner Anderson.\n\nVince Tinguely\n00:57:42\nAnnounces intermission. | Keywords: Dexter X\n\nEND\n00:58:06\n\n\nSTE-002.wav [File 2 of 3]\n\nVince Tinguely\n00:00:00\nAddresses audience [recording begins abruptly]. \n\nAudience\n00:00:02\nApplause.\n\nVince Tinguely\n00:00:02\nAnnounces future events, exchange with audience follows. | Keywords: C.R. Avery [https://www.wikidata.org/wiki/Q16768060]; O’Hara’s Pub; Divan Orange [https://www.wikidata.org/wiki/Q3032209]; La Sala Rossa; Katalyst 5 Project; Souliloquies [CD]; Groundfood [band]; DJ Lugo; Segal Centre for Performing Arts [https://www.wikidata.org/wiki/Q2944881]; Circus of Words [event]; Miriam [Sachi (?)]; Jessica Rose; Monk E; Groupe de Poesie Moderne; Frank [Lien (?)]; Paul Van Dyk; Centre St Pierre; Tar Sands: Life and Death Downstream [event]; Georges Poitras\n\nVince Tinguely\n00:02:46\nIntroduces Dexter X. | Keywords: CKUT; Greenpeace [https://www.wikidata.org/wiki/Q81307]; The Gazette [https://www.wikidata.org/wiki/Q1549535]; Montreal; The Ruckus Society\n\nAudience\n00:03:54\nApplause.\n\nDexter X\n00:04:03\nAddresses audience, exchange follows.\n\nDexter X\n00:04:44\nDiscusses unnamed documentary [audience laughter throughout]. | Keywords: Nunavut [https://www.wikidata.org/wiki/Q2023]\n\nDexter X\n00:05:32\nAnswer audience questions [audience laughter throughout]. | Keywords: Nunavut; Igloolik [https://www.wikidata.org/wiki/Q999339]; Penyatuk; Baffin Island [https://www.wikidata.org/wiki/Q81178]\n\nAudience\n00:31:00\nApplause.\n\nVince Tinguely\n00:31:13\nThanks Dexter X and introduces Annabelle Chvostek [https://www.wikidata.org/wiki/Q4767711]. | Keywords: Unusual Suspects Show; [Izzard (?)]; Resilience [CD;https://www.wikidata.org/wiki/Q7315540]; Roma Baran [https://www.wikidata.org/wiki/Q7361472]; Laurie Anderson [https://www.wikidata.org/wiki/Q235066]; Vivian Stoll\n\nAudience\n00:31:58\nApplause [cut off].\n\nAnnabelle Chvostek\n00:32:40\nIntroduces \"Firewalker\" from Resilience.  \n\nAnnabelle Chvostek\n00:33:02\nPerforms \"Firewalker\" from Resilience.\n\nAudience\n00:36:14\nApplause.\n\nAnnabelle Chvostek\n00:36:22\nThanks audience and introduces \"Say It Right\".\n\nAnnabelle Chvostek\n00:36:48\nPerforms \"Say It Right\" [later recorded on Be The Media [CD]].\n\nAudience\n00:40:34\nApplause.\n\nAnnabelle Chvostek\n00:40:48\nAddresses audience. | Keywords: British Columbia [https://www.wikidata.org/wiki/Q1974]\n\nAnnabelle Chvostek\n00:41:39\nIntroduces \"The Sioux\" from Resilience. \n\nAnnabelle Chvostek\n00:42:03\nPerforms \"The Sioux\" from Resilience.\n\nAudience\n00:46:02\nApplause.\n\nAnnabelle Chvostek\n00:46:11\nIntroduces \"All Have Some\". | Keywords: Almanac of the Dead [book; https://www.wikidata.org/wiki/Q4733682]; Leslie Marmon Silko [https://www.wikidata.org/wiki/Q273001]\n\nAnnabelle Chvostek\n00:46:42\nPerforms \"All Have Some\" [later recorded on Rise [CD]].\n\nAudience\n00:50:48\nApplause.\n\nAnnabelle Chvostek\n00:51:01\nIntroduces \"Resilience\" from Resilience. \n\nAnnabelle Chvostek\n00:52:28\nPerforms \"Resilience\" from Resilience.\n\nAudience\n00:56:18\nApplause.\n\nAnnabelle Chvostek\n00:56:34\nIntroduces \"I Left My Brain\" from Resilience.\n\nAnnabelle Chvostek\n00:56:57\nPerforms \"I Left My Brain\" from Resilience.\n\nAudience\n01:01:33\nApplause.\n\nAnnabelle Chvostek\n01:01:44\nThanks audience and Vince Tinguely. | Keywords: Casa Del Popolo\n\nAnnabelle Chvostek\n01:02:18\nIntroduces \"Equal Rights\" [originally by Peter Tosh; https://www.wikidata.org/wiki/Q273049]. | Keywords: The Wailers [https://www.wikidata.org/wiki/Q383016]; “Get Up, Stand Up” [song; https://www.wikidata.org/wiki/Q1519922]; Dexter X\n\nAnnabelle Chvostek\n01:03:22\nPerforms \"Equal Rights\" [originally by Peter Tosh].\n\nAudience\n01:09:07\nApplause.\n\nAnnabelle Chvostek\n01:09:17\nThanks audience.\n\nVince Tinguely\n01:09:34\nAddresses audience and Dexter X [cut off].\n\nEND\n01:09:50\n\n\nSTE-003.wav [File 3 of 3]\n\nDexter X\n00:00:00\nAddresses audience.\n\nAudience\n00:00:17\nApplause.\n\nEND\n00:00:28"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548286996480,"timestamp":"2026-01-07T14:59:52.745Z","digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2010/04/\",\"file_path\":\"\",\"filename\":\"STE-001.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:58:06\",\"precision\":\"\",\"size\":\" 614.9 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-001.wav [File 1 of 3]\\n\\nUnknown\\n00:00:00\\nAmbient Sound [voices]\\n\\nVince Tinguely\\n00:00:15\\nAddresses Sherwin [Tija], exchange follows.\\n\\nVince Tinguely\\n00:00:27\\nIntroduces event. | Keywords: Casa Del Popolo [https://www.wikidata.org/wiki/Q3538292]; The League of Canadian Poets [https://www.wikidata.org/wiki/Q6509004]; Quebec Writers’ Federation [https://www.wikidata.org/wiki/Q3413953]; Canada Council for the Arts [https://www.wikidata.org/wiki/Q2993809]\\n\\nVince Tinguely\\n00:01:10\\nIntroduces unnamed poem. \\n\\nVince Tinguely\\n00:01:32\\nReads unnamed poem.\\n\\nAudience\\n00:03:50\\nApplause.\\n\\nVince Tinguely\\n00:03:54\\nIntroduces Hugh Hazelton [https://www.wikidata.org/wiki/Q27942438]. | Keywords: Le Cheval Blanc; Mitsiko Miller; Vache Enragée [event series]; Montreal [https://www.wikidata.org/wiki/Q340]; Concordia University [https://www.wikidata.org/wiki/Q326342]; Antimatter [book]; Broken Jaw Press\\n\\nAudience\\n00:05:07\\nApplause.\\n\\nHugh Hazelton\\n00:05:31\\nIntroduces \\\"Emergency\\\". \\n\\nHugh Hazelton\\n00:05:51\\nPerforms \\\"Emergency\\\".\\n\\nAudience\\n00:10:15\\nApplause.\\n\\nHugh Hazelton\\n00:10:54\\nIntroduces \\\"Product\\\".\\n\\nHugh Hazelton\\n00:11:35\\nPerforms \\\"Product\\\".\\n\\nAudience\\n00:13:34\\nApplause.\\n\\nHugh Hazelton\\n00:13:47\\nIntroduces \\\"Drought\\\".\\n\\nHugh Hazelton\\n00:13:52\\nPerforms \\\"Drought\\\".\\n\\nAudience\\n00:16:34\\nApplause.\\n\\nHugh Hazelton\\n00:16:42\\nIntroduces \\\"Ragnarok\\\".\\n\\nHugh Hazelton\\n00:16:47\\nPerforms \\\"Ragnarok\\\".\\n\\nAudience\\n00:23:08\\nApplause.\\n\\nVince Tinguely\\n00:23:29\\nAddresses audience and thanks Hugh Hazelton.\\n\\nVince Tinguely\\n00:24:21\\nIntroduces Erin Mouré [https://www.wikidata.org/wiki/Q3398327]. | Keywords: Montreal; CKUT [https://www.wikidata.org/wiki/Q2931672]; West South West [book]; Sheepish beauty, civilian love [book]; Furious [book]; Governor General’s Award [https://www.wikidata.org/wiki/Q283256]; Nicole Brossard [https://www.wikidata.org/wiki/Q3341018]; Robert Majzels [https://www.wikidata.org/wiki/Q7347292]; Galicia [https://www.wikidata.org/wiki/Q3908]; Chus Pato [https://www.wikidata.org/wiki/Q3311831]; Chile [https://www.wikidata.org/wiki/Q298]; Andres Ajens; Fernando Pessoa [https://www.wikidata.org/wiki/Q173481]; O Resplandor [book]\\n\\nAudience\\n00:26:07\\nApplause.\\n\\nErin Mouré\\n00:26:18\\nIntroduces \\\"The Producers\\\" from Furious. \\n\\nErin Mouré\\n00:26:50\\nReads \\\"The Producers\\\" from Furious.\\n\\nAudience\\n00:28:35\\nApplause.\\n\\nErin Mouré\\n00:28:43\\nIntroduces \\\"Doubled Elegy, Ethical\\\" from O Resplandor.\\n\\nErin Mouré\\n00:29:18\\nReads \\\"Doubled Elegy, Ethical\\\" from O Resplandor.\\n\\nAudience\\n00:30:35\\nApplause.\\n\\nErin Mouré\\n00:30:41\\nIntroduces \\\"Cronica Five (An urgent missive written from Tokyo to Chus Pato in Lalin, Galicia, but in the language of no one, so that it can't be read)\\\" from O Resplandor [audience laughter throughout].\\n\\nErin Mouré\\n00:31:07\\nReads \\\"Cronica Five (An urgent missive written from Tokyo to Chus Pato in Lalin, Galicia, but in the language of no one, so that it can't be read)\\\" from O Resplandor.\\n\\nErin Mouré\\n00:31:59\\nIntroduces \\\"Optimal Elegy: Aurora Borealis\\\" from O Resplandor.\\n\\nErin Mouré\\n00:32:09\\nReads \\\"Optimal Elegy: Aurora Borealis\\\" from O Resplandor.\\n\\nAudience\\n00:35:48\\nApplause.\\n\\nErin Mouré\\n00:35:58\\nIntroduces \\\"Hommage to the Mineral of the Onion 1\\\" from Little Theatres [book]. | Keywords: Iraq [https://www.wikidata.org/wiki/Q796]\\n\\nErin Mouré\\n00:37:21\\nReads \\\"Hommage to the Mineral of the Onion 1\\\" from Little Theatres in Galician.\\n\\nErin Mouré\\n00:38:12\\nReads \\\"Hommage to the Mineral of the Onion 1\\\" from Little Theatres in English.\\n\\nAudience\\n00:38:59\\nApplause.\\n\\nErin Mouré\\n00:39:05\\nIntroduces \\\"Hommage to the Mineral of the Onion 2\\\" from Little Theatres.\\n\\nErin Mouré\\n00:39:13\\nReads \\\"Hommage to the Mineral of the Onion 2\\\" from Little Theatres in Galician.\\n\\nErin Mouré\\n00:40:04\\nReads \\\"Hommage to the Mineral of the Onion 2\\\" from Little Theatres in English.\\n\\nAudience\\n00:40:50\\nApplause.\\n\\nErin Mouré\\n00:40:59\\nIntroduces \\\"Anthem to Garlic Without Water\\\" from Little Theatres.\\n\\nErin Mouré\\n00:41:10\\nReads \\\"Anthem to Garlic Without Water\\\" from Little Theatres.\\n\\nAudience\\n00:41:43\\nApplause.\\n\\nVince Tinguely\\n00:41:53\\nThanks Erin Mouré.\\n\\nVince Tinguely\\n00:42:11\\nIntroduces Fortner Anderson [https://www.wikidata.org/wiki/Q83688183]. | Keywords: Lollapalooza [https://www.wikidata.org/wiki/Q889643]; Montreal; Phoenix Cafe; Poetry Nation; The Short Fuse Anthology; Sometimes I Think [CD]; Wired on Words; Six Silk Purses; “He Sings” [song]; Tapehead [band]; Banff Centre [https://www.wikidata.org/wiki/Q4854863]; The Rivoli; Toronto [https://www.wikidata.org/wiki/Q172]; St Mark’s Church; New York City [https://www.wikidata.org/wiki/Q60]; Genoa [https://www.wikidata.org/wiki/Q1449]; Italy [https://www.wikidata.org/wiki/Q38]; Genoa International Poetry Festival\\n\\nAudience\\n00:43:27\\nApplause.\\n\\nFortner Anderson\\n00:43:45\\nReads unnamed poem.\\n\\nAudience\\n00:57:26\\nApplause.\\n\\nVince Tinguely\\n00:57:37\\nThanks Fortner Anderson.\\n\\nVince Tinguely\\n00:57:42\\nAnnounces intermission. | Keywords: Dexter X\\n\\nEND\\n00:58:06\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2010/04/\",\"file_path\":\"\",\"filename\":\"STE-002.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:09:50\",\"precision\":\"\",\"size\":\" 739.1 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-002.wav [File 2 of 3]\\n\\nVince Tinguely\\n00:00:00\\nAddresses audience [recording begins abruptly]. \\n\\nAudience\\n00:00:02\\nApplause.\\n\\nVince Tinguely\\n00:00:02\\nAnnounces future events, exchange with audience follows. | Keywords: C.R. Avery [https://www.wikidata.org/wiki/Q16768060]; O’Hara’s Pub; Divan Orange [https://www.wikidata.org/wiki/Q3032209]; La Sala Rossa; Katalyst 5 Project; Souliloquies [CD]; Groundfood [band]; DJ Lugo; Segal Centre for Performing Arts [https://www.wikidata.org/wiki/Q2944881]; Circus of Words [event]; Miriam [Sachi (?)]; Jessica Rose; Monk E; Groupe de Poesie Moderne; Frank [Lien (?)]; Paul Van Dyk; Centre St Pierre; Tar Sands: Life and Death Downstream [event]; Georges Poitras\\n\\nVince Tinguely\\n00:02:46\\nIntroduces Dexter X. | Keywords: CKUT; Greenpeace [https://www.wikidata.org/wiki/Q81307]; The Gazette [https://www.wikidata.org/wiki/Q1549535]; Montreal; The Ruckus Society\\n\\nAudience\\n00:03:54\\nApplause.\\n\\nDexter X\\n00:04:03\\nAddresses audience, exchange follows.\\n\\nDexter X\\n00:04:44\\nDiscusses unnamed documentary [audience laughter throughout]. | Keywords: Nunavut [https://www.wikidata.org/wiki/Q2023]\\n\\nDexter X\\n00:05:32\\nAnswer audience questions [audience laughter throughout]. | Keywords: Nunavut; Igloolik [https://www.wikidata.org/wiki/Q999339]; Penyatuk; Baffin Island [https://www.wikidata.org/wiki/Q81178]\\n\\nAudience\\n00:31:00\\nApplause.\\n\\nVince Tinguely\\n00:31:13\\nThanks Dexter X and introduces Annabelle Chvostek [https://www.wikidata.org/wiki/Q4767711]. | Keywords: Unusual Suspects Show; [Izzard (?)]; Resilience [CD;https://www.wikidata.org/wiki/Q7315540]; Roma Baran [https://www.wikidata.org/wiki/Q7361472]; Laurie Anderson [https://www.wikidata.org/wiki/Q235066]; Vivian Stoll\\n\\nAudience\\n00:31:58\\nApplause [cut off].\\n\\nAnnabelle Chvostek\\n00:32:40\\nIntroduces \\\"Firewalker\\\" from Resilience.  \\n\\nAnnabelle Chvostek\\n00:33:02\\nPerforms \\\"Firewalker\\\" from Resilience.\\n\\nAudience\\n00:36:14\\nApplause.\\n\\nAnnabelle Chvostek\\n00:36:22\\nThanks audience and introduces \\\"Say It Right\\\".\\n\\nAnnabelle Chvostek\\n00:36:48\\nPerforms \\\"Say It Right\\\" [later recorded on Be The Media [CD]].\\n\\nAudience\\n00:40:34\\nApplause.\\n\\nAnnabelle Chvostek\\n00:40:48\\nAddresses audience. | Keywords: British Columbia [https://www.wikidata.org/wiki/Q1974]\\n\\nAnnabelle Chvostek\\n00:41:39\\nIntroduces \\\"The Sioux\\\" from Resilience. \\n\\nAnnabelle Chvostek\\n00:42:03\\nPerforms \\\"The Sioux\\\" from Resilience.\\n\\nAudience\\n00:46:02\\nApplause.\\n\\nAnnabelle Chvostek\\n00:46:11\\nIntroduces \\\"All Have Some\\\". | Keywords: Almanac of the Dead [book; https://www.wikidata.org/wiki/Q4733682]; Leslie Marmon Silko [https://www.wikidata.org/wiki/Q273001]\\n\\nAnnabelle Chvostek\\n00:46:42\\nPerforms \\\"All Have Some\\\" [later recorded on Rise [CD]].\\n\\nAudience\\n00:50:48\\nApplause.\\n\\nAnnabelle Chvostek\\n00:51:01\\nIntroduces \\\"Resilience\\\" from Resilience. \\n\\nAnnabelle Chvostek\\n00:52:28\\nPerforms \\\"Resilience\\\" from Resilience.\\n\\nAudience\\n00:56:18\\nApplause.\\n\\nAnnabelle Chvostek\\n00:56:34\\nIntroduces \\\"I Left My Brain\\\" from Resilience.\\n\\nAnnabelle Chvostek\\n00:56:57\\nPerforms \\\"I Left My Brain\\\" from Resilience.\\n\\nAudience\\n01:01:33\\nApplause.\\n\\nAnnabelle Chvostek\\n01:01:44\\nThanks audience and Vince Tinguely. | Keywords: Casa Del Popolo\\n\\nAnnabelle Chvostek\\n01:02:18\\nIntroduces \\\"Equal Rights\\\" [originally by Peter Tosh; https://www.wikidata.org/wiki/Q273049]. | Keywords: The Wailers [https://www.wikidata.org/wiki/Q383016]; “Get Up, Stand Up” [song; https://www.wikidata.org/wiki/Q1519922]; Dexter X\\n\\nAnnabelle Chvostek\\n01:03:22\\nPerforms \\\"Equal Rights\\\" [originally by Peter Tosh].\\n\\nAudience\\n01:09:07\\nApplause.\\n\\nAnnabelle Chvostek\\n01:09:17\\nThanks audience.\\n\\nVince Tinguely\\n01:09:34\\nAddresses audience and Dexter X [cut off].\\n\\nEND\\n01:09:50\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2010/04/\",\"file_path\":\"\",\"filename\":\"STE-003.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:00:28\",\"precision\":\"\",\"size\":\" 5 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-003.wav [File 3 of 3]\\n\\nDexter X\\n00:00:00\\nAddresses audience.\\n\\nAudience\\n00:00:17\\nApplause.\\n\\nEND\\n00:00:28\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"score":0.01643844},{"id":"1104","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2010-05-16"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"contributors_names":["O'Hara, Alexis","Shaughnessy, Kyra","Lapell, Abigail"],"contributors_names_search":["O'Hara, Alexis","Shaughnessy, Kyra","Lapell, Abigail"],"contributors":["[{\"url\":\"http://viaf.org/viaf/106457511\",\"name\":\"O'Hara, Alexis\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Shaughnessy, Kyra\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Lapell, Abigail\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["O'Hara, Alexis","Shaughnessy, Kyra","Lapell, Abigail"],"Performance_Date":[2010],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"In folder: 42 audio,10 images, 28 misc. In folder2: 4 audio, 3 misc.\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Set of 3 event audio recordings (+copies and edits)\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"Dates":["[{\"date\":\"2010 05 16\",\"type\":\"Performance Date\",\"notes\":\"Date indicated in radio ad\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118\",\"longitude\":\" -73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["This music-centred event featured both an acapella and a banjo-accompanied performance by Kyra Shaughnessy featuring songs later recorded on her self-titled CD. Alexis O'Hara then performs a few original songs, some with live music, some that she describes as her take on \"karaoke.\" The third and final set brings together harmonica, guitar, and vocals by Canadian folk singer-songwriter Abigail Lapell showcasing songs later recorded on her CD \"Great Survivor.\""],"contents":["STE-000.wav [File 1 of 3]\n\nUnknown\n00:00:00\nAmbient Sound [music; fades out quickly].\n\nIan Ferrier\n00:00:32\nIntroduces event [audience laughter throughout]. | Keywords: Montreal Canadiens [https://www.wikidata.org/wiki/Q188143]; CKUT [https://www.wikidata.org/wiki/Q2931672]\n\nIan Ferrier\n00:00:58\nIntroduces Kyra Shaughnessy. | Keywords: Sexualization [zine]; One Step Closer [CD]\n\nAudience\n00:01:14\nApplause.\n\nKyra Shaughnessy\n00:01:24\nThanks audience and introduces \"Winds of Change\". | Keywords: Eastern Townships [https://www.wikidata.org/wiki/Q1122368]; Lac-Mégantic [https://www.wikidata.org/wiki/Q142020]\n\nKyra Shaughnessy\n00:01:59\nPerforms \"Winds of Change\" [later recorded on Kyra Shaughnessy [CD]].\n\nAudience\n00:05:18\nApplause.\n\nKyra Shaughnessy\n00:05:29\nIntroduces \"When The Sun Rise Up\".\n\nKyra Shaughnessy\n00:06:02\nPerforms \"When The Sun Rise Up\" [later recorded on Kyra Shaughnessy [CD]].\n\nAudience\n00:10:29\nApplause.\n\nKyra Shaughnessy\n00:10:38\nIntroduces \"Take Me Away\".\n\nKyra Shaughnessy\n00:10:50\nPerforms \"Take Me Away\" [later recorded on Kyra Shaughnessy [CD]].\n\nAudience\n00:14:28\nApplause.\n\nKyra Shaughnessy\n00:14:37\nIntroduces \"Walk By Me Awhile\" [audience laughter throughout]. | Keywords: Eastern Townships\n\nKyra Shaughnessy\n00:15:39\nPerforms \"Walk By Me Awhile\" [later recorded on Kyra Shaughnessy [CD]].\n\nAudience\n00:18:43\nApplause.\n\nIan Ferrier\n00:18:59\nThanks Kyra Shaughnessy and announces intermission. | Keywords: Alexis O'Hara [https://www.wikidata.org/wiki/Q4721503]\n\nAudience\n00:19:11\nApplause [cut off]\n\nEND\n00:19:20\n\n\nSTE-001.wav [File 2 of 3]\n\nAlexis O’Hara\n00:00:00\nIntroduces unnamed song [recording begins abruptly; audience laughter throughout]. | Keywords: Habs [https://www.wikidata.org/wiki/Q188143]; Philadelphia Flyers [https://www.wikidata.org/wiki/Q192083]; Britney Spears [https://www.wikidata.org/wiki/Q11975]\n\nAlexis O’Hara\n00:01:25\nPerforms unnamed song.\n\nAlexis O’Hara\n00:02:07\nStops performance and addresses audience [audience laughter throughout].\n\nAudience\n00:02:17\nApplause.\n\nAlexis O’Hara\n00:02:21\nIntroduces unnamed song [audience laughter throughout]. \n\nAlexis O’Hara\n00:02:33\nPerforms unnamed song.\n\nAudience\n00:10:01\nApplause.\n\nAlexis O’Hara\n00:10:16\nIntroduces unnamed song. \n\nAlexis O’Hara\n00:10:23\nPerforms unnamed song.\n\nAlexis O’Hara\n00:15:49\nIntroduces [\"Do Not Resuscitate\"].\n\nAlexis O’Hara\n00:16:07\nPerforms \"Do Not Resuscitate\".\n\nAudience\n00:21:13\nApplause.\n\nAlexis O’Hara\n00:21:58\nPerforms unnamed song.\n\nAudience\n00:28:40\nApplause.\n\nAlexis O’Hara\n00:28:41\nThanks audience [audience applause continues throughout].\n\nAlexis O’Hara\n00:28:51\nIntroduces unnamed song [audience laughter throughout]. | Keywords: Words and Music; New Orleans [https://www.wikidata.org/wiki/Q34404]; New Brunswick [https://www.wikidata.org/wiki/Q1965]; Le Corps de la Femme [book]\n\nAlexis O’Hara\n00:30:54\nPerforms unnamed song.\n\nAudience\n00:34:52\nApplause [cut off].\n\nAlexis O’Hara\n00:35:04\nAddresses audience and announces future event. | Keywords: Meow Mix [event]; Ina unt Ina [band]; Toronto [https://www.wikidata.org/wiki/Q172]\n\nAudience\n00:35:36\nApplause [cut off].\n\nIan Ferrier\n00:35:45\nAnnounces intermission. | Keywords: Cat Call [show]; Abigail Lapell [https://www.wikidata.org/wiki/Q43383985]\n\nAudience\n00:36:01\nApplause [cut off].\n\nEND\n00:36:07\n\n\nSTE-002.wav [File 3 of 3]\n\nIan Ferrier\n00:00:08\nIntroduces Abigail Lapell.\n\nAudience\n00:00:28\nApplause [cut off].\n\nAbigail Lapell\n00:00:50\nThanks Ian Ferrier [https://www.wikidata.org/wiki/Q87138884], Alexis O'Hara, and Kyra Shaughnessy.\n\nAudience\n00:01:19\nApplause.\n\nAbigail Lapell\n00:01:28\nPerforms [\"Paper\" later recorded on Great Survivor [CD]].\n\nAudience\n00:05:25\nApplause.\n\nAbigail Lapell\n00:05:33\nThanks audience and address sound technician.\n\nAbigail Lapell\n00:05:49\nIntroduces [\"Beautiful\" from Love Songs + More New Songs (2002-2003) [CD]].\n\nAbigail Lapell\n00:05:52\nPerforms \"Beautiful\" from Love Songs + More New Songs (2002-2003).\n\nAudience\n00:09:57\nApplause.\n\nAbigail Lapell\n00:10:09\nThanks audience\n\nAbigail Lapell\n00:10:25\nPerforms [\"Crescent Moon\" later recorded on Great Survivor].\n\nAudience\n00:13:06\nApplause\n\nAbigail Lapell\n00:13:14\nThanks audience and introduces \"Yellow Rose\".\n\nAbigail Lapell\n00:13:44\nPerforms \"Yellow Rose\" [later recorded on Great Survivor].\n\nAudience\n00:18:35\nApplause.\n\nAbigail Lapell\n00:18:42\nThanks audience [audience applause continues throughout] and Ian Ferrier. | Keywords: Words and Music\n\nAudience\n00:18:53\nApplause.\n\nAbigail Lapell\n00:18:56\nAddresses audience. | Keywords: Kyra [Shaughnessy]; Alexis [O’Hara]; Toronto; Rae Spoon [https://www.wikidata.org/wiki/Q7281933]\n\nAbigail Lapell\n00:19:39\nIntroduces [\"Twenty-Nine\"].\n\nAbigail Lapell\n00:19:45\nPerforms \"Twenty-Nine\" [later recorded on Great Survivor].\n\nAudience\n00:22:26\nApplause.\n\nAbigail Lapell\n00:22:34\nThanks audience [audience applause continues throughout] and introduces [\"Great Survivor\"].\n\nAbigail Lapell\n00:23:10\nPerforms \"Great Survivor\" [later recorded on Great Survivor].\n\nAudience\n00:26:15\nApplause.\n\nIan Ferrier\n00:26:50\nAddresses the performers.\n\nIan Ferrier\n00:27:12\nAnnounces future event and thanks audience.\n\nAudience\n00:27:21\nApplause [cut off].\n\nEND\n00:27:29"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548294336512,"timestamp":"2026-01-07T14:59:52.745Z","digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2010/05/\",\"file_path\":\"\",\"filename\":\"STE-000.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:19:20\",\"precision\":\"\",\"size\":\" 204.5 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-000.wav [File 1 of 3]\\n\\nUnknown\\n00:00:00\\nAmbient Sound [music; fades out quickly].\\n\\nIan Ferrier\\n00:00:32\\nIntroduces event [audience laughter throughout]. | Keywords: Montreal Canadiens [https://www.wikidata.org/wiki/Q188143]; CKUT [https://www.wikidata.org/wiki/Q2931672]\\n\\nIan Ferrier\\n00:00:58\\nIntroduces Kyra Shaughnessy. | Keywords: Sexualization [zine]; One Step Closer [CD]\\n\\nAudience\\n00:01:14\\nApplause.\\n\\nKyra Shaughnessy\\n00:01:24\\nThanks audience and introduces \\\"Winds of Change\\\". | Keywords: Eastern Townships [https://www.wikidata.org/wiki/Q1122368]; Lac-Mégantic [https://www.wikidata.org/wiki/Q142020]\\n\\nKyra Shaughnessy\\n00:01:59\\nPerforms \\\"Winds of Change\\\" [later recorded on Kyra Shaughnessy [CD]].\\n\\nAudience\\n00:05:18\\nApplause.\\n\\nKyra Shaughnessy\\n00:05:29\\nIntroduces \\\"When The Sun Rise Up\\\".\\n\\nKyra Shaughnessy\\n00:06:02\\nPerforms \\\"When The Sun Rise Up\\\" [later recorded on Kyra Shaughnessy [CD]].\\n\\nAudience\\n00:10:29\\nApplause.\\n\\nKyra Shaughnessy\\n00:10:38\\nIntroduces \\\"Take Me Away\\\".\\n\\nKyra Shaughnessy\\n00:10:50\\nPerforms \\\"Take Me Away\\\" [later recorded on Kyra Shaughnessy [CD]].\\n\\nAudience\\n00:14:28\\nApplause.\\n\\nKyra Shaughnessy\\n00:14:37\\nIntroduces \\\"Walk By Me Awhile\\\" [audience laughter throughout]. | Keywords: Eastern Townships\\n\\nKyra Shaughnessy\\n00:15:39\\nPerforms \\\"Walk By Me Awhile\\\" [later recorded on Kyra Shaughnessy [CD]].\\n\\nAudience\\n00:18:43\\nApplause.\\n\\nIan Ferrier\\n00:18:59\\nThanks Kyra Shaughnessy and announces intermission. | Keywords: Alexis O'Hara [https://www.wikidata.org/wiki/Q4721503]\\n\\nAudience\\n00:19:11\\nApplause [cut off]\\n\\nEND\\n00:19:20\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2010/05/\",\"file_path\":\"\",\"filename\":\"STE-001.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:36:06\",\"precision\":\"\",\"size\":\"382.2 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-001.wav [File 2 of 3]\\n\\nAlexis O’Hara\\n00:00:00\\nIntroduces unnamed song [recording begins abruptly; audience laughter throughout]. | Keywords: Habs [https://www.wikidata.org/wiki/Q188143]; Philadelphia Flyers [https://www.wikidata.org/wiki/Q192083]; Britney Spears [https://www.wikidata.org/wiki/Q11975]\\n\\nAlexis O’Hara\\n00:01:25\\nPerforms unnamed song.\\n\\nAlexis O’Hara\\n00:02:07\\nStops performance and addresses audience [audience laughter throughout].\\n\\nAudience\\n00:02:17\\nApplause.\\n\\nAlexis O’Hara\\n00:02:21\\nIntroduces unnamed song [audience laughter throughout]. \\n\\nAlexis O’Hara\\n00:02:33\\nPerforms unnamed song.\\n\\nAudience\\n00:10:01\\nApplause.\\n\\nAlexis O’Hara\\n00:10:16\\nIntroduces unnamed song. \\n\\nAlexis O’Hara\\n00:10:23\\nPerforms unnamed song.\\n\\nAlexis O’Hara\\n00:15:49\\nIntroduces [\\\"Do Not Resuscitate\\\"].\\n\\nAlexis O’Hara\\n00:16:07\\nPerforms \\\"Do Not Resuscitate\\\".\\n\\nAudience\\n00:21:13\\nApplause.\\n\\nAlexis O’Hara\\n00:21:58\\nPerforms unnamed song.\\n\\nAudience\\n00:28:40\\nApplause.\\n\\nAlexis O’Hara\\n00:28:41\\nThanks audience [audience applause continues throughout].\\n\\nAlexis O’Hara\\n00:28:51\\nIntroduces unnamed song [audience laughter throughout]. | Keywords: Words and Music; New Orleans [https://www.wikidata.org/wiki/Q34404]; New Brunswick [https://www.wikidata.org/wiki/Q1965]; Le Corps de la Femme [book]\\n\\nAlexis O’Hara\\n00:30:54\\nPerforms unnamed song.\\n\\nAudience\\n00:34:52\\nApplause [cut off].\\n\\nAlexis O’Hara\\n00:35:04\\nAddresses audience and announces future event. | Keywords: Meow Mix [event]; Ina unt Ina [band]; Toronto [https://www.wikidata.org/wiki/Q172]\\n\\nAudience\\n00:35:36\\nApplause [cut off].\\n\\nIan Ferrier\\n00:35:45\\nAnnounces intermission. | Keywords: Cat Call [show]; Abigail Lapell [https://www.wikidata.org/wiki/Q43383985]\\n\\nAudience\\n00:36:01\\nApplause [cut off].\\n\\nEND\\n00:36:07\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2010/05/\",\"file_path\":\"\",\"filename\":\"STE-002.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:27:29\",\"precision\":\"\",\"size\":\"291 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-002.wav [File 3 of 3]\\n\\nIan Ferrier\\n00:00:08\\nIntroduces Abigail Lapell.\\n\\nAudience\\n00:00:28\\nApplause [cut off].\\n\\nAbigail Lapell\\n00:00:50\\nThanks Ian Ferrier [https://www.wikidata.org/wiki/Q87138884], Alexis O'Hara, and Kyra Shaughnessy.\\n\\nAudience\\n00:01:19\\nApplause.\\n\\nAbigail Lapell\\n00:01:28\\nPerforms [\\\"Paper\\\" later recorded on Great Survivor [CD]].\\n\\nAudience\\n00:05:25\\nApplause.\\n\\nAbigail Lapell\\n00:05:33\\nThanks audience and address sound technician.\\n\\nAbigail Lapell\\n00:05:49\\nIntroduces [\\\"Beautiful\\\" from Love Songs + More New Songs (2002-2003) [CD]].\\n\\nAbigail Lapell\\n00:05:52\\nPerforms \\\"Beautiful\\\" from Love Songs + More New Songs (2002-2003).\\n\\nAudience\\n00:09:57\\nApplause.\\n\\nAbigail Lapell\\n00:10:09\\nThanks audience\\n\\nAbigail Lapell\\n00:10:25\\nPerforms [\\\"Crescent Moon\\\" later recorded on Great Survivor].\\n\\nAudience\\n00:13:06\\nApplause\\n\\nAbigail Lapell\\n00:13:14\\nThanks audience and introduces \\\"Yellow Rose\\\".\\n\\nAbigail Lapell\\n00:13:44\\nPerforms \\\"Yellow Rose\\\" [later recorded on Great Survivor].\\n\\nAudience\\n00:18:35\\nApplause.\\n\\nAbigail Lapell\\n00:18:42\\nThanks audience [audience applause continues throughout] and Ian Ferrier. | Keywords: Words and Music\\n\\nAudience\\n00:18:53\\nApplause.\\n\\nAbigail Lapell\\n00:18:56\\nAddresses audience. | Keywords: Kyra [Shaughnessy]; Alexis [O’Hara]; Toronto; Rae Spoon [https://www.wikidata.org/wiki/Q7281933]\\n\\nAbigail Lapell\\n00:19:39\\nIntroduces [\\\"Twenty-Nine\\\"].\\n\\nAbigail Lapell\\n00:19:45\\nPerforms \\\"Twenty-Nine\\\" [later recorded on Great Survivor].\\n\\nAudience\\n00:22:26\\nApplause.\\n\\nAbigail Lapell\\n00:22:34\\nThanks audience [audience applause continues throughout] and introduces [\\\"Great Survivor\\\"].\\n\\nAbigail Lapell\\n00:23:10\\nPerforms \\\"Great Survivor\\\" [later recorded on Great Survivor].\\n\\nAudience\\n00:26:15\\nApplause.\\n\\nIan Ferrier\\n00:26:50\\nAddresses the performers.\\n\\nIan Ferrier\\n00:27:12\\nAnnounces future event and thanks audience.\\n\\nAudience\\n00:27:21\\nApplause [cut off].\\n\\nEND\\n00:27:29\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"score":0.01643844},{"id":"1105","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2010-06-27"],"item_title_source":["Cataloguer"],"item_title_note":["League of Canadian Poets benefit show"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"contributors_names":["Ilona Martonfi","Berger, Maxianne","Anderson, Fortner","Kellough, Kaie","Hazelton, Hugh","Boire, Jennifer","Kidd, Catherine","Doyle, Sophie","Campbell, Brian","Tinguely, Vince","Papukaru, Rebecca Lea"],"contributors_names_search":["Ilona Martonfi","Berger, Maxianne","Anderson, Fortner","Kellough, Kaie","Hazelton, Hugh","Boire, Jennifer","Kidd, Catherine","Doyle, Sophie","Campbell, Brian","Tinguely, Vince","Papukaru, Rebecca Lea"],"contributors":["[{\"url\":\"http://viaf.org/viaf/102818325\",\"name\":\"Ilona Martonfi\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/68636238\",\"name\":\"Berger, Maxianne\",\"dates\":\"1949-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/106026246\",\"name\":\"Anderson, Fortner\",\"dates\":\"1955-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/68351676\",\"name\":\"Kellough, Kaie\",\"dates\":\"1975-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/335896\",\"name\":\" Hazelton, Hugh\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/50973169\",\"name\":\" Boire, Jennifer\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/13542322\",\"name\":\"Kidd, Catherine\",\"dates\":\"1967-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Doyle, Sophie\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/102770517\",\"name\":\" Campbell, Brian\",\"dates\":\"1957-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/36425179\",\"name\":\"Tinguely, Vince\",\"dates\":\"1959-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Papukaru, Rebecca Lea\",\"dates\":\"\",\"notes\":\"Spelling uncertain\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Ilona Martonfi","Berger, Maxianne","Anderson, Fortner","Kellough, Kaie"," Hazelton, Hugh"," Boire, Jennifer","Kidd, Catherine","Doyle, Sophie"," Campbell, Brian","Tinguely, Vince","Papukaru, Rebecca Lea"],"Performance_Date":[2010],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/1105/139fb460-cbd1-415d-be32-47be5e139e11-0.jpg\",\"other\":\" In folder: 4 audio. In folder2: 5 audio, 5 misc. In folder3: 4 audio, 4 misc (radio spot).In folder4: 2 docs. \",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Set of 3 event audio recordings (+ copies and edits)\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"Dates":["[{\"date\":\"2010 06 27\",\"type\":\"Performance Date\",\"notes\":\"Date indicated on event poster, in radio ad and document\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118\",\"longitude\":\" -73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["From the radio advertisement, poster and host script, we know that the Sunday, 27 June 2010 Words and Music Show presented “a celebration of poetry”, featuring Catherine Kidd, Fortner Anderson, Kaie Kellough, as well as readings by a gathering of local members of the League of Canadian Poets, including Maxianne Berger, Jennifer Boire, Brian Campbell, Hugh Hazelton, Charlotte Hussey, Ilona Martonfi, Lesley Pasquin, and rebecca Schwartz. In the audio recording we hear a series of short poetry readings by Maxianne Berger, Hugh Hazelton, Jennifer Boire, Ilona Martonfi, and Rebecca Lea Papukaru, Catherine Kidd's second live performance of Hyena Subpoena, a reading of prose poems by Brian Campbell from his book Passenger Flight (Signature Editions 2009), folk music by singer/songwriter Sophie Doyle, a poem about climate change from Vince Tinguely, and spoken word performances by Kaie Kellough and Fortner Anderson. The proceeds from this event were donated to the League of Canadian Poets. "],"contents":["STE-001.wav [File 1 of 3]\n\nIan Ferrier\n00:00:00\nIntroduces event [recording begins abruptly; audience laughter throughout]. | Keywords: League of Canadian Poets [https://www.wikidata.org/wiki/Q6509004]\n\nIan Ferrier\n00:00:29\nIntroduces Maxianne Berger.\n\nAudience\n00:00:39\nApplause.\n\nMaxianne Berger\n00:00:53\nIntroduces \"Their Hearts\" from Dismantled Secrets: Poems [book].\n\nMaxianne Berger\n00:01:43\nReads \"Their Hearts\" from Dismantled Secrets: Poems.\n\nAudience\n00:03:39\nApplause.\n\nMaxianne Berger\n00:03:44\nIntroduces \"The ABCs of Desire\" from Dismantled Secrets: Poems.\n\nMaxianne Berger\n00:03:59\nReads \"The ABCs of Desire” from Dismantled Secrets: Poems [audience laughter throughout].\n\nAudience\n00:06:51\nApplause.\n\nIan Ferrier\n00:07:03\nDiscusses Berger's performance and introduces Hugh Hazelton [https://www.wikidata.org/wiki/Q27942438] [audience laughter throughout].\n\nAudience\n00:07:25\nApplause.\n\nHugh Hazelton\n00:07:38\nReads \"Nine\".\n\nHugh Hazelton\n00:08:19\nIntroduces \"The Fascists are Back\" [from Iguana: escribir el exilio [book]] [audience laughter throughout]. | Keywords: G8 [https://www.wikidata.org/wiki/Q37143]; G20 [https://www.wikidata.org/wiki/Q19771]\n\nHugh Hazelton\n00:08:29\nReads \"The Fascists are Back\" from Iguana: escribir el exilio.\n\nAudience\n00:13:18\nApplause.\n\nIan Ferrier\n00:13:28\nDiscusses Hugh Hazelton's performance and introduces Jennifer Boire [audience laughter throughout]. | Keywords: CSIS [https://www.wikidata.org/wiki/Q1032405]; Stefan Christoff [https://www.wikidata.org/wiki/Q7606050]; West Island [https://www.wikidata.org/wiki/Q2564277]\n\nAudience\n00:14:17\nApplause.\n\nJennifer Boire\n00:14:24\nIntroduces \"Three Little Pills and a Pomegranate\". | Keywords: Ontario [https://www.wikidata.org/wiki/Q1904]\n\nJennifer Boire\n00:14:44\nReads \"Three Little Pills and a Pomegranate\".\n\nJennifer Boire\n00:15:51\nReads \"Birth and Death Mother\".\n\nAudience\n00:20:21\nApplause.\n\nIan Ferrier\n00:20:32\nThanks Jennifer Boire and introduces Ilona Martonfi. | Keywords: Yellow Door; Visual Arts Centre; Blue Poppy [book]\n\nAudience\n00:20:50\nApplause.\n\nIlona Martonfi\n00:21:04\nThanks Ian Ferrier [https://www.wikidata.org/wiki/Q87138884] and introduces [\"Louisiana Bayou\"].\n\nIlona Martonfi\n00:21:17\nReads \"Louisiana Bayou\".\n\nIlona Martonfi\n00:22:32\nReads \"Hallway Open to Snow\".\n\nIlona Martonfi\n00:23:49\nIntroduces \"Song of [Munga of Koringi (?)]\". | Keywords: Australia [https://www.wikidata.org/wiki/Q408]\n\nIlona Martonfi\n00:24:03\nReads \"Song of [Munga of Koringi (?)]\".\n\nAudience\n00:25:27\nApplause.\n\nIan Ferrier\n00:25:39\nIntroduces Rebecca Lea Papukaru. | Keywords: France [https://www.wikidata.org/wiki/Q142]\n\nAudience\n00:25:55\nApplause.\n\nRebecca Lea Papukaru\n00:26:04\nIntroduces \"Namur Metro\". \n\nRebecca Lea Papukaru\n00:26:33\nReads \"Namur Metro\".\n\nRebecca Lea Papukaru\n00:27:27\nIntroduces \"Some Girls\" [audience laughter throughout]. | Keywords: The Rolling Stones [https://www.wikidata.org/wiki/Q11036]; Liza [Minnelli; https://www.wikidata.org/wiki/Q14441]; Farrah [Fawcett; https://www.wikidata.org/wiki/Q102341]; Mick Jagger [https://www.wikidata.org/wiki/Q128121]\n\nRebecca Lea Papukaru\n00:28:35\nReads \"Some Girls\" [audience laughter throughout].\n\nRebecca Lea Papukaru\n00:29:29\nIntroduces \"If I Had Your Cock\".\n\nRebecca Lea Papukaru\n00:29:34\nReads \"If I Had Your Cock\" [audience laughter throughout].\n\nAudience\n00:30:47\nApplause.\n\nIan Ferrier\n00:30:59\nAnnounces intermission. | Keywords: Catherine Kidd; Sophie Doyle; Vince Tinguely\n\nEND\n00:31:12\n\n\nSTE-002.wav [File 2 of 3]\n\nIan Ferrier\n00:00:02\nIntroduces Catherine Kidd. | Keywords: Montreal [https://www.wikidata.org/wiki/Q340]\n\nAudience\n00:00:22\nApplause.\n\nCatherine Kidd\n00:00:29\nIntroduces \"Hyena Subpoena\".\n\nCatherine Kidd\n00:01:10\nPerforms \"Hyena Subpoena\" [later recorded on Hyena Subpoena [CD]].\n\nAudience\n00:09:58\nApplause.\n\nIan Ferrier\n00:10:14\nThanks Catherine Kidd [audience applause continues throughout] and introduces Sophie Doyle.\n\nUnknown\n00:10:33\nSilence.\n\nUnknown\n00:11:18\nAmbient Sound [voices].\n\nIan Ferrier\n00:11:33\nIntroduces Sophie Doyle.\n\nAudience\n00:11:35\nApplause.\n\nSophie Doyle\n00:11:43\nIntroduces \"5 a.m.\" [audience laughter and applause throughout].\n\nSophie Doyle\n00:12:56\nPerforms \"5 a.m.\".\n\nAudience\n00:15:41\nApplause.\n\nSophie Doyle\n00:15:51\nIntroduces \"Yellow\". | Keywords: Coldplay [https://www.wikidata.org/wiki/Q45188]; “Yellow” [https://www.wikidata.org/wiki/Q529026]\n\nSophie Doyle\n00:16:13\nPerforms \"Yellow\".\n\nSophie Doyle\n00:16:27\nStops performance.\n\nSophie Doyle\n00:16:33\nResumes performance of “Yellow”.\n\nAudience\n00:19:39\nApplause.\n\nSophie Doyle\n00:19:53\nIntroduces unnamed song [audience laughter throughout].\n\nSophie Doyle\n00:20:04\nPerforms unnamed song.\n\nAudience\n00:23:15\nApplause.\n\nSophie Doyle\n00:23:26\nIntroduces unnamed song [audience laughter throughout].\n\nSophie Doyle\n00:23:36\nPerforms unnamed song.\n\nSophie Doyle\n00:23:41\nStops performance.\n\nSophie Doyle\n00:23:51\nResumes performance.\n\nAudience\n00:28:46\nApplause.\n\nIan Ferrier\n00:29:06\nThanks Sophie Doyle.\n\nAudience\n00:29:09\nApplause.\n\nIan Ferrier\n00:29:14\nIntroduces Brian Campbell. | Keywords: League of Canadian Poets\n\nAudience\n00:29:26\nApplause.\n\nBrian Campbell\n00:29:33\nThanks Ian Ferrier [https://www.wikidata.org/wiki/Q87138884] and introduces \"Slick\" from Passenger Flight [book]. | Keywords: Canada [https://www.wikidata.org/wiki/Q16] \n\nBrian Campbell\n00:30:32\nReads \"Slick\" from Passenger Flight.\n\nBrian Campbell\n00:31:02\nIntroduces \"Systolic: 167\" from Passenger Flight [audience laughter and applause throughout].\n\nBrian Campbell\n00:31:22\nReads \"Systolic: 167\" from Passenger Flight.\n\nBrian Campbell\n00:31:48\nIntroduces \"The Stillness Minnow\" from Passenger Flight. \n\nBrian Campbell\n00:31:58\nReads \"The Stillness Minnow\" from Passenger Flight.\n\nAudience\n00:33:07\nApplause.\n\nBrian Campbell\n00:33:14\nIntroduces \"Nobody's Business\".\n\nBrian Campbell\n00:33:19\nReads \"Nobody's Business\".\n\nAudience\n00:34:15\nLaughter and applause.\n\nBrian Campbell\n00:34:22\nIntroduces \"Green Satelite Shimmer Report\" [audience laughter throughout].\n\nBrian Campbell\n00:34:55\nReads \"Green Satelite Shimmer Report\" [later published in Shimmer Report [book]].\n\nAudience\n00:36:10\nApplause.\n\nIan Ferrier\n00:36:23\nIntroduces Vince Tinguely [audience laughter throughout]. | Keywords: Impure: Reinventing the Word: the Theory, Practice, and Oral History of Spoken Word in Montreal [book]; Patch Dreams [book]\n\nAudience\n00:36:41\nApplause.\n\nVince Tinguely\n00:36:46\nIntroduces \"This is Not a Letter, This is a Lament\" [audience laughter throughout]. | Keywords: League of Canadian Poets; Ilona Martonfi; Blue Poppy; Brian Campbell; Kaie Kellough [https://www.wikidata.org/wiki/Q6347628]; Catherine Kidd; The Walrus [https://www.wikidata.org/wiki/Q7773368]\n\nVince Tinguely\n00:38:45\nReads \"This is Not a Letter, This is a Lament\".\n\nAudience\n00:40:56\nApplause.\n\nVince Tinguely\n00:41:00\nThanks audience and introduces unnamed poem.\n\nVince Tinguely\n00:41:09\nReads unnamed poem.\n\nAudience\n00:42:45\nApplause.\n\nIan Ferrier\n00:42:54\nThanks Vince Tinguely. | Keywords: Global TV [https://www.wikidata.org/wiki/Q1142327]\n\nIan Ferrier\n00:43:04\nAnnounces intermission. | Keywords: Fortner Anderson [https://www.wikidata.org/wiki/Q83688183]; Kaie Kellough\n\nUnknown\n00:43:23\nAmbient Sound [music; cut off abruptly]. \n\nEND\n00:43:31\n\n\nSTE-003.wav [File 3 of 3]\n\nUnknown\n00:00:00\nAmbient Sound [music and voices].\n\nIan Ferrier\n00:00:17\nIntroduces Kaie Kellough. | Keywords: League of Canadian Poets [https://www.wikidata.org/wiki/Q6509004]; Maple Leaf Rag [book]\n\nAudience\n00:00:44\nApplause.\n\nKaie Kellough\n00:00:54\nIntroduces \"Block Rock for Campbell Park, Little Burgundy, Mont Real\", exchange with audience follows. | Keywords: Little Burgundy [https://www.wikidata.org/wiki/Q3377317]\n\nKaie Kellough\n00:01:46\nPerforms \"Block Rock for Campbell Park, Little Burgundy, Mont Real\".\n\nAudience\n00:04:17\nApplause.\n\nKaie Kellough\n00:04:35\nIntroduces \"Boyhood Dub\" [from Maple Leaf Rag].\n\nKaie Kellough\n00:04:51\nPerforms \"Boyhood Dub\" from Maple Leaf Rag.\n\nAudience\n00:07:07\nApplause.\n\nIan Ferrier\n00:07:18\nIntroduces Fortner Anderson.\n\nAudience\n00:07:26\nApplause.\n\nFortner Anderson\n00:07:43\nIntroduces \"August 6th\" from The Very Large Poem Project, exchange with audience follows [audience laughter throughout]. | Keywords: Montreal\n\nFortner Anderson\n00:10:53\nReads \"August 6th\" from The Very Large Poem Project.\n\nFortner Anderson\n00:11:57\nReads \"August 30th\" from The Very Large Poem Project.\n\nAudience\n00:12:45\nApplause [one audience member].\n\nFortner Anderson\n00:12:47\nDiscusses the applause [audience laughter throughout].\n\nFortner Anderson\n00:12:51\nReads \"September 30th\" from The Very Large Poem Project.\n\nFortner Anderson\n00:13:49\nReads \"October 7th\" from The Very Large Poem Project.\n\nFortner Anderson\n00:14:26\nReads \"October 16th\" from The Very Large Poem Project.\n\nFortner Anderson\n00:15:43\nReads \"Thursday, December 16th\" from The Very Large Poem Project.\n\nFortner Anderson\n00:16:51\nReads \"April 26th: One Year\" from The Very Large Poem Project.\n\nAudience\n00:17:38\nApplause.\n\nIan Ferrier\n00:17:50\nThanks audience [audience applause continues throughout] and announces future events. | Keywords: League of Canadian Poets [https://www.wikidata.org/wiki/Q6509004]; Elf Children...They Exist! [band]; DJ Killa-Jewel\n\nAudience\n00:18:12\nApplause.\n\nEND\n00:18:16"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548295385088,"timestamp":"2026-01-07T14:59:52.745Z","digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2010/06/\",\"file_path\":\"\",\"filename\":\"STE-001.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:31:12\",\"precision\":\"\",\"size\":\"330.3 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-001.wav [File 1 of 3]\\n\\nIan Ferrier\\n00:00:00\\nIntroduces event [recording begins abruptly; audience laughter throughout]. | Keywords: League of Canadian Poets [https://www.wikidata.org/wiki/Q6509004]\\n\\nIan Ferrier\\n00:00:29\\nIntroduces Maxianne Berger.\\n\\nAudience\\n00:00:39\\nApplause.\\n\\nMaxianne Berger\\n00:00:53\\nIntroduces \\\"Their Hearts\\\" from Dismantled Secrets: Poems [book].\\n\\nMaxianne Berger\\n00:01:43\\nReads \\\"Their Hearts\\\" from Dismantled Secrets: Poems.\\n\\nAudience\\n00:03:39\\nApplause.\\n\\nMaxianne Berger\\n00:03:44\\nIntroduces \\\"The ABCs of Desire\\\" from Dismantled Secrets: Poems.\\n\\nMaxianne Berger\\n00:03:59\\nReads \\\"The ABCs of Desire” from Dismantled Secrets: Poems [audience laughter throughout].\\n\\nAudience\\n00:06:51\\nApplause.\\n\\nIan Ferrier\\n00:07:03\\nDiscusses Berger's performance and introduces Hugh Hazelton [https://www.wikidata.org/wiki/Q27942438] [audience laughter throughout].\\n\\nAudience\\n00:07:25\\nApplause.\\n\\nHugh Hazelton\\n00:07:38\\nReads \\\"Nine\\\".\\n\\nHugh Hazelton\\n00:08:19\\nIntroduces \\\"The Fascists are Back\\\" [from Iguana: escribir el exilio [book]] [audience laughter throughout]. | Keywords: G8 [https://www.wikidata.org/wiki/Q37143]; G20 [https://www.wikidata.org/wiki/Q19771]\\n\\nHugh Hazelton\\n00:08:29\\nReads \\\"The Fascists are Back\\\" from Iguana: escribir el exilio.\\n\\nAudience\\n00:13:18\\nApplause.\\n\\nIan Ferrier\\n00:13:28\\nDiscusses Hugh Hazelton's performance and introduces Jennifer Boire [audience laughter throughout]. | Keywords: CSIS [https://www.wikidata.org/wiki/Q1032405]; Stefan Christoff [https://www.wikidata.org/wiki/Q7606050]; West Island [https://www.wikidata.org/wiki/Q2564277]\\n\\nAudience\\n00:14:17\\nApplause.\\n\\nJennifer Boire\\n00:14:24\\nIntroduces \\\"Three Little Pills and a Pomegranate\\\". | Keywords: Ontario [https://www.wikidata.org/wiki/Q1904]\\n\\nJennifer Boire\\n00:14:44\\nReads \\\"Three Little Pills and a Pomegranate\\\".\\n\\nJennifer Boire\\n00:15:51\\nReads \\\"Birth and Death Mother\\\".\\n\\nAudience\\n00:20:21\\nApplause.\\n\\nIan Ferrier\\n00:20:32\\nThanks Jennifer Boire and introduces Ilona Martonfi. | Keywords: Yellow Door; Visual Arts Centre; Blue Poppy [book]\\n\\nAudience\\n00:20:50\\nApplause.\\n\\nIlona Martonfi\\n00:21:04\\nThanks Ian Ferrier [https://www.wikidata.org/wiki/Q87138884] and introduces [\\\"Louisiana Bayou\\\"].\\n\\nIlona Martonfi\\n00:21:17\\nReads \\\"Louisiana Bayou\\\".\\n\\nIlona Martonfi\\n00:22:32\\nReads \\\"Hallway Open to Snow\\\".\\n\\nIlona Martonfi\\n00:23:49\\nIntroduces \\\"Song of [Munga of Koringi (?)]\\\". | Keywords: Australia [https://www.wikidata.org/wiki/Q408]\\n\\nIlona Martonfi\\n00:24:03\\nReads \\\"Song of [Munga of Koringi (?)]\\\".\\n\\nAudience\\n00:25:27\\nApplause.\\n\\nIan Ferrier\\n00:25:39\\nIntroduces Rebecca Lea Papukaru. | Keywords: France [https://www.wikidata.org/wiki/Q142]\\n\\nAudience\\n00:25:55\\nApplause.\\n\\nRebecca Lea Papukaru\\n00:26:04\\nIntroduces \\\"Namur Metro\\\". \\n\\nRebecca Lea Papukaru\\n00:26:33\\nReads \\\"Namur Metro\\\".\\n\\nRebecca Lea Papukaru\\n00:27:27\\nIntroduces \\\"Some Girls\\\" [audience laughter throughout]. | Keywords: The Rolling Stones [https://www.wikidata.org/wiki/Q11036]; Liza [Minnelli; https://www.wikidata.org/wiki/Q14441]; Farrah [Fawcett; https://www.wikidata.org/wiki/Q102341]; Mick Jagger [https://www.wikidata.org/wiki/Q128121]\\n\\nRebecca Lea Papukaru\\n00:28:35\\nReads \\\"Some Girls\\\" [audience laughter throughout].\\n\\nRebecca Lea Papukaru\\n00:29:29\\nIntroduces \\\"If I Had Your Cock\\\".\\n\\nRebecca Lea Papukaru\\n00:29:34\\nReads \\\"If I Had Your Cock\\\" [audience laughter throughout].\\n\\nAudience\\n00:30:47\\nApplause.\\n\\nIan Ferrier\\n00:30:59\\nAnnounces intermission. | Keywords: Catherine Kidd; Sophie Doyle; Vince Tinguely\\n\\nEND\\n00:31:12\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2010/06/\",\"file_path\":\"\",\"filename\":\"STE-002.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:43:31\",\"precision\":\"\",\"size\":\"460.6 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-002.wav [File 2 of 3]\\n\\nIan Ferrier\\n00:00:02\\nIntroduces Catherine Kidd. | Keywords: Montreal [https://www.wikidata.org/wiki/Q340]\\n\\nAudience\\n00:00:22\\nApplause.\\n\\nCatherine Kidd\\n00:00:29\\nIntroduces \\\"Hyena Subpoena\\\".\\n\\nCatherine Kidd\\n00:01:10\\nPerforms \\\"Hyena Subpoena\\\" [later recorded on Hyena Subpoena [CD]].\\n\\nAudience\\n00:09:58\\nApplause.\\n\\nIan Ferrier\\n00:10:14\\nThanks Catherine Kidd [audience applause continues throughout] and introduces Sophie Doyle.\\n\\nUnknown\\n00:10:33\\nSilence.\\n\\nUnknown\\n00:11:18\\nAmbient Sound [voices].\\n\\nIan Ferrier\\n00:11:33\\nIntroduces Sophie Doyle.\\n\\nAudience\\n00:11:35\\nApplause.\\n\\nSophie Doyle\\n00:11:43\\nIntroduces \\\"5 a.m.\\\" [audience laughter and applause throughout].\\n\\nSophie Doyle\\n00:12:56\\nPerforms \\\"5 a.m.\\\".\\n\\nAudience\\n00:15:41\\nApplause.\\n\\nSophie Doyle\\n00:15:51\\nIntroduces \\\"Yellow\\\". | Keywords: Coldplay [https://www.wikidata.org/wiki/Q45188]; “Yellow” [https://www.wikidata.org/wiki/Q529026]\\n\\nSophie Doyle\\n00:16:13\\nPerforms \\\"Yellow\\\".\\n\\nSophie Doyle\\n00:16:27\\nStops performance.\\n\\nSophie Doyle\\n00:16:33\\nResumes performance of “Yellow”.\\n\\nAudience\\n00:19:39\\nApplause.\\n\\nSophie Doyle\\n00:19:53\\nIntroduces unnamed song [audience laughter throughout].\\n\\nSophie Doyle\\n00:20:04\\nPerforms unnamed song.\\n\\nAudience\\n00:23:15\\nApplause.\\n\\nSophie Doyle\\n00:23:26\\nIntroduces unnamed song [audience laughter throughout].\\n\\nSophie Doyle\\n00:23:36\\nPerforms unnamed song.\\n\\nSophie Doyle\\n00:23:41\\nStops performance.\\n\\nSophie Doyle\\n00:23:51\\nResumes performance.\\n\\nAudience\\n00:28:46\\nApplause.\\n\\nIan Ferrier\\n00:29:06\\nThanks Sophie Doyle.\\n\\nAudience\\n00:29:09\\nApplause.\\n\\nIan Ferrier\\n00:29:14\\nIntroduces Brian Campbell. | Keywords: League of Canadian Poets\\n\\nAudience\\n00:29:26\\nApplause.\\n\\nBrian Campbell\\n00:29:33\\nThanks Ian Ferrier [https://www.wikidata.org/wiki/Q87138884] and introduces \\\"Slick\\\" from Passenger Flight [book]. | Keywords: Canada [https://www.wikidata.org/wiki/Q16] \\n\\nBrian Campbell\\n00:30:32\\nReads \\\"Slick\\\" from Passenger Flight.\\n\\nBrian Campbell\\n00:31:02\\nIntroduces \\\"Systolic: 167\\\" from Passenger Flight [audience laughter and applause throughout].\\n\\nBrian Campbell\\n00:31:22\\nReads \\\"Systolic: 167\\\" from Passenger Flight.\\n\\nBrian Campbell\\n00:31:48\\nIntroduces \\\"The Stillness Minnow\\\" from Passenger Flight. \\n\\nBrian Campbell\\n00:31:58\\nReads \\\"The Stillness Minnow\\\" from Passenger Flight.\\n\\nAudience\\n00:33:07\\nApplause.\\n\\nBrian Campbell\\n00:33:14\\nIntroduces \\\"Nobody's Business\\\".\\n\\nBrian Campbell\\n00:33:19\\nReads \\\"Nobody's Business\\\".\\n\\nAudience\\n00:34:15\\nLaughter and applause.\\n\\nBrian Campbell\\n00:34:22\\nIntroduces \\\"Green Satelite Shimmer Report\\\" [audience laughter throughout].\\n\\nBrian Campbell\\n00:34:55\\nReads \\\"Green Satelite Shimmer Report\\\" [later published in Shimmer Report [book]].\\n\\nAudience\\n00:36:10\\nApplause.\\n\\nIan Ferrier\\n00:36:23\\nIntroduces Vince Tinguely [audience laughter throughout]. | Keywords: Impure: Reinventing the Word: the Theory, Practice, and Oral History of Spoken Word in Montreal [book]; Patch Dreams [book]\\n\\nAudience\\n00:36:41\\nApplause.\\n\\nVince Tinguely\\n00:36:46\\nIntroduces \\\"This is Not a Letter, This is a Lament\\\" [audience laughter throughout]. | Keywords: League of Canadian Poets; Ilona Martonfi; Blue Poppy; Brian Campbell; Kaie Kellough [https://www.wikidata.org/wiki/Q6347628]; Catherine Kidd; The Walrus [https://www.wikidata.org/wiki/Q7773368]\\n\\nVince Tinguely\\n00:38:45\\nReads \\\"This is Not a Letter, This is a Lament\\\".\\n\\nAudience\\n00:40:56\\nApplause.\\n\\nVince Tinguely\\n00:41:00\\nThanks audience and introduces unnamed poem.\\n\\nVince Tinguely\\n00:41:09\\nReads unnamed poem.\\n\\nAudience\\n00:42:45\\nApplause.\\n\\nIan Ferrier\\n00:42:54\\nThanks Vince Tinguely. | Keywords: Global TV [https://www.wikidata.org/wiki/Q1142327]\\n\\nIan Ferrier\\n00:43:04\\nAnnounces intermission. | Keywords: Fortner Anderson [https://www.wikidata.org/wiki/Q83688183]; Kaie Kellough\\n\\nUnknown\\n00:43:23\\nAmbient Sound [music; cut off abruptly]. \\n\\nEND\\n00:43:31\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2010/06/\",\"file_path\":\"\",\"filename\":\"STE-003.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:18:16\",\"precision\":\"\",\"size\":\"193.4 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-003.wav [File 3 of 3]\\n\\nUnknown\\n00:00:00\\nAmbient Sound [music and voices].\\n\\nIan Ferrier\\n00:00:17\\nIntroduces Kaie Kellough. | Keywords: League of Canadian Poets [https://www.wikidata.org/wiki/Q6509004]; Maple Leaf Rag [book]\\n\\nAudience\\n00:00:44\\nApplause.\\n\\nKaie Kellough\\n00:00:54\\nIntroduces \\\"Block Rock for Campbell Park, Little Burgundy, Mont Real\\\", exchange with audience follows. | Keywords: Little Burgundy [https://www.wikidata.org/wiki/Q3377317]\\n\\nKaie Kellough\\n00:01:46\\nPerforms \\\"Block Rock for Campbell Park, Little Burgundy, Mont Real\\\".\\n\\nAudience\\n00:04:17\\nApplause.\\n\\nKaie Kellough\\n00:04:35\\nIntroduces \\\"Boyhood Dub\\\" [from Maple Leaf Rag].\\n\\nKaie Kellough\\n00:04:51\\nPerforms \\\"Boyhood Dub\\\" from Maple Leaf Rag.\\n\\nAudience\\n00:07:07\\nApplause.\\n\\nIan Ferrier\\n00:07:18\\nIntroduces Fortner Anderson.\\n\\nAudience\\n00:07:26\\nApplause.\\n\\nFortner Anderson\\n00:07:43\\nIntroduces \\\"August 6th\\\" from The Very Large Poem Project, exchange with audience follows [audience laughter throughout]. | Keywords: Montreal\\n\\nFortner Anderson\\n00:10:53\\nReads \\\"August 6th\\\" from The Very Large Poem Project.\\n\\nFortner Anderson\\n00:11:57\\nReads \\\"August 30th\\\" from The Very Large Poem Project.\\n\\nAudience\\n00:12:45\\nApplause [one audience member].\\n\\nFortner Anderson\\n00:12:47\\nDiscusses the applause [audience laughter throughout].\\n\\nFortner Anderson\\n00:12:51\\nReads \\\"September 30th\\\" from The Very Large Poem Project.\\n\\nFortner Anderson\\n00:13:49\\nReads \\\"October 7th\\\" from The Very Large Poem Project.\\n\\nFortner Anderson\\n00:14:26\\nReads \\\"October 16th\\\" from The Very Large Poem Project.\\n\\nFortner Anderson\\n00:15:43\\nReads \\\"Thursday, December 16th\\\" from The Very Large Poem Project.\\n\\nFortner Anderson\\n00:16:51\\nReads \\\"April 26th: One Year\\\" from The Very Large Poem Project.\\n\\nAudience\\n00:17:38\\nApplause.\\n\\nIan Ferrier\\n00:17:50\\nThanks audience [audience applause continues throughout] and announces future events. | Keywords: League of Canadian Poets [https://www.wikidata.org/wiki/Q6509004]; Elf Children...They Exist! [band]; DJ Killa-Jewel\\n\\nAudience\\n00:18:12\\nApplause.\\n\\nEND\\n00:18:16\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"score":0.01643844},{"id":"1106","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2010-07-18"],"item_title_source":["Cataloguer"],"item_title_note":["Radio ad; no event audio found"],"item_language":["English"],"item_production_context":["Studio recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["Elf Chidlren...They Exist","Ferrier, Ian","Fainer, Julie"],"contributors_names_search":["Elf Chidlren...They Exist","Ferrier, Ian","Fainer, Julie"],"contributors":["[{\"url\":\"\",\"name\":\"Elf Chidlren...They Exist\",\"dates\":\"\",\"notes\":\"(Band) Announced but missing\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/317018321\",\"name\":\"Fainer, Julie\",\"dates\":\"\",\"notes\":\"Referred to by her stage name, DJ Killa Jewel. Announced but missing\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Elf Chidlren...They Exist","Fainer, Julie"],"Speaker_name":["Ferrier, Ian"],"Performance_Date":[2010],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/1106/Poster for July Elf Children_page-0001.jpg\",\"other\":\"In folder: 3 audio, 8 docs. In folder2: 1 audio\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Copies and edits\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2010 07 18\",\"type\":\"Performance Date\",\"notes\":\"Refers to the date of the announced show and not the date of the recording of the radio ad\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"Refers to the location of the announced show and not that of the radio ad recording\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118\",\"longitude\":\" -73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["The Sunday, 18 July 2010 Words and Music Show was advertised as “all music” with performances by Elf Children...They Exist, a duo improvising trance sounds on guitar, drums and laptop, and special guest DJ Killa Jewel (Julie Fainer)."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548297482240,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1107","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2010-08-22"],"item_title_source":["Cataloguer"],"item_title_note":["\"Stars of Spoken Words & Music\" show"],"item_language":["English, French, Spanish"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"contributors_names":["NEeMA","El-Mohtar, Amal","Allison, Luna","Wilson, Sheri-D","Roberts, Elizabeth","Cabico, Regie"],"contributors_names_search":["NEeMA","El-Mohtar, Amal","Allison, Luna","Wilson, Sheri-D","Roberts, Elizabeth","Cabico, Regie"],"contributors":["[{\"url\":\"http://viaf.org/viaf/316987881\",\"name\":\"NEeMA\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/220478700\",\"name\":\"El-Mohtar, Amal\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Allison, Luna\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/6636281\",\"name\":\"Wilson, Sheri-D\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\" Roberts, Elizabeth\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/56219281\",\"name\":\" Cabico, Regie\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["NEeMA","El-Mohtar, Amal","Allison, Luna","Wilson, Sheri-D"," Roberts, Elizabeth"," Cabico, Regie"],"Performance_Date":[2010],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/1107/Poster for August 22nd 2010 Stars of Spoken Word.jpg\",\"other\":\" In folder: 6 audio, 4 misc. In folder2: 7 audio, 5 misc.\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Set of 3 event audio recordings (+copies and edits)\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"Dates":["[{\"date\":\"2010 08 22\",\"type\":\"Performance Date\",\"notes\":\"Date indicated on event poster and in radio ad\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\" 45.5222118\",\"longitude\":\"-73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["The Casa Del Popolo stage was filled with stars of the spoken word poetry scene on Sunday August 22nd, 2010, beginning at 9 p.m. with Amal El-Mohtar who read a few works including her Rhysling award winning short poem \"Song for an Ancient City.\" We then hear a series of \"jazz poems,\" \"stories\" and \"rants\" from Luna Allison and more stories and poetry from Sheri-D Wilson, some of which are accompanied by live French translations by Elizabeth Roberts. The night concludes with a high energy performance by NYC’s Regie Cabico and folk music by NEeMA from her album \"Watching You Think.\""],"contents":["STE-000.wav [File 1 of 3]\n\nIan Ferrier\n00:00:02\nIntroduces event. | Keywords: North America [https://www.wikidata.org/wiki/Q49] \n\nAudience\n00:00:33\nApplause.\n\nIan Ferrier\n00:00:35\nIntroduces Amal El-Mohtar [https://www.wikidata.org/wiki/Q20631001] [audience applause throughout]. | Keywords: The Honey Month [book]; Ottawa [https://www.wikidata.org/wiki/Q1930]; United Kingdom [https://www.wikidata.org/wiki/Q145]\n\nAudience\n00:01:04\nApplause\n\nAmal El-Mohtar\n00:01:11\nAddresses audience and introduces \"Song For An Ancient City\". |  Keywords: Rhysling Award [https://www.wikidata.org/wiki/Q1423953]; Damascus [https://www.wikidata.org/wiki/Q3766]\n\nAmal El-Mohtar\n00:02:09\nReads \"Song For An Ancient City\".\n\nAudience\n00:04:04\nApplause.\n\nAmal El-Mohtar\n00:04:16\nIntroduces \"Sheherazade\". | Keywords: Catherynne Valente; Apocrypha [book]\n\nAmal El-Mohtar\n00:04:46\nReads \"Sheherazade\".\n\nAudience\n00:06:52\nApplause.\n\nAmal El-Mohtar\n00:07:00\nIntroduces \"Peach-Creamed Honey\" from The Honey Month [book] [audience laughter throughout]. | Keywords: Danielle [Suker (?)]; New Jersey [https://www.wikidata.org/wiki/Q1408]; The Diner; New York [https://www.wikidata.org/wiki/Q60]; Ottawa\n\nAmal El-Mohtar\n00:08:30\nReads \"Peach-Creamed Honey\" from The Honey Month.\n\nAudience\n00:10:44\nApplause.\n\nAmal El-Mohtar\n00:10:56\nIntroduces \"French Rhododendron Honey\" from The Honey Month. | Keywords: Montreal [https://www.wikidata.org/wiki/Q340]\n\nAmal El-Mohtar\n00:11:11\nReads \"French Rhododendron Honey\" from The Honey Month\" in French and English.\n\nAudience\n00:11:24\nLaughter and applause.\n\nAmal El-Mohtar\n00:11:32\nIntroduces \"Leatherwood Honey\" from The Honey Month.\n\nAmal El-Mohtar\n00:12:00\nReads \"Leatherwood Honey\" from The Honey Month [audience laughter throughout].\n\nAudience\n00:14:27\nApplause.\n\nAmal El-Mohtar\n00:14:37\nIntroduces \"French Chestnut Honey\" from The Honey Month.\n\nAmal El-Mohtar\n00:14:51\nReads \"French Chestnut Honey\"  from The Honey Month.\n\nAudience\n00:18:32\nApplause.\n\nIan Ferrier\n00:18:47\nThanks Amal El-Mohtar and promotes The Honey Month.\n\nIan Ferrier\n00:19:01\nIntroduces Luna Allison [audience laughter throughout]. | Keywords: Urban Lullabies [CDs]; Radio Centre-Ville [https://www.wikidata.org/wiki/Q2931531]; “Rip Tide” [song]; Stanley Asher; Ottawa\n\nAudience\n00:19:44\nApplause.\n\nLuna Allison\n00:20:02\nAddresses audience and introduces \"Spark\" [audience laughter throughout]. | Keywords: Banff Centre [https://www.wikidata.org/wiki/Q4854863]; Sheri-D Wilson [https://www.wikidata.org/wiki/Q7494839]\n\nAudience\n00:21:02\nApplause.\n\nLuna Allison\n00:21:08\nResumes introduction of \"Spark\".\n\nLuna Allison\n00:21:17\nPerforms \"Spark\".\n\nAudience\n00:23:36\nApplause.\n\nLuna Allison\n00:23:49\nIntroduces \"Gay in the DNA\" [audience laughter throughout]. | Keywords: Science Dude [podcast]\n\nLuna Allison\n00:25:03\nReads \"Gay in the DNA\" [audience laughter throughout].\n\nAudience\n00:29:55\nApplause.\n\nLuna Allison\n00:30:05\nThanks audience and introduces \"Secondhand Smoke\" from Bitter Sour Salty Sweet [chapbook].\n\nLuna Allison\n00:30:53\nReads \"Secondhand Smoke\" from Bitter Sour Salty Sweet.\n\nAudience\n00:36:03\nApplause.\n\nLuna Allison\n00:36:15\nThanks audience and introduces \"A Gift of Roots\", exchange with audience follows. | Keywords: Yasodhara Ashram; British Columbia [https://www.wikidata.org/wiki/Q1974]; Nelson [https://www.wikidata.org/wiki/Q1779015]\n\nLuna Allison\n00:37:44\nReads \"A Gift of Roots\".\n\nAudience\n00:40:43\nApplause.\n\nLuna Allison\n00:40:54\nThanks audience and introduces \"Riptide\" from Urban Lullabies [audience laughter throughout]. | Keywords: Ian [Ferrier; https://www.wikidata.org/wiki/Q87138884]\n\nLuna Allison\n00:42:16\nPerforms \"Riptide\" from Urban Lullabies.\n\nAudience\n00:44:00\nApplause.\n\nIan Ferrier\n00:44:17\nThanks Luna Allison and announces intermission. | Keywords: Regie Cabico [https://www.wikidata.org/wiki/Q7308357]; Sheri-D Wilson; NEeMA\n\nEND\n00:44:34\n\n\nSTE-001.wav [File 2 of 3]\n\nIan Ferrier\n00:00:00\nAnnounces future events [audience applause throughout]. | Keywords: Mile End Poets’ Festival; The Canadian Review of Literature in Performance; Vince Tinguely; Canada Council for the Arts [https://www.wikidata.org/wiki/Q2993809]\n\nIan Ferrier\n00:00:59\nintroduces Sheri-D Wilson. | Keywords: Calgary International Spoken Word Festival; Banff [https://www.wikidata.org/wiki/Q58337]\n\nAudience\n00:01:20\nApplause.\n\nSheri-D Wilson\n00:01:46\nAddresses audience [audience applause and laughter throughout]. | Keywords: Rachna [Vohra]; Regie [Cabico]\n\nSheri-D Wilson\n00:04:48\nIntroduces \"Ode to a Microscopic Life\" [audience laughter throughout]. | Keywords: Vancouver [https://www.wikidata.org/wiki/Q24639]; Front Magazine\n\nSheri-D Wilson\n00:06:11\nPerforms \"Ode to a Microscopic Life\" [audience laughter throughout].\n\nAudience\n00:09:26\nApplause.\n\nSheri-D Wilson\n00:09:36.50\nIntroduces \"I Visited the Bridge of Your Ghost on a Full Moon Morning\" from her book \"Autopsy of a Turvy World\" [audience laughter throughout]. | Keywords: Reena Virk\n\nSheri-D Wilson\n00:11:31\nReads \"I Visited the Bridge of Your Ghost on a Full Moon Morning\" from Autopsy of a Turvy World [book].\n\nAudience\n00:16:24\nApplause.\n\nSheri-D Wilson\n00:16:35\nIntroduces Elizabeth Roberts [audience laughter and applause throughout]. | Keywords: Montreal \n\nAudience\n00:17:16\nApplause.\n\nSheri-D Wilson\n00:17:42\nIntroduces \"Roses\". | Keywords: Brussels [https://www.wikidata.org/wiki/Q239]; Europe [https://www.wikidata.org/wiki/Q46]\n\nElizabeth Roberts\n00:18:35\nTranslates Sheri-D Wilson's introduction in French.\n\nSheri-D Wilson\n00:18:40\nReads \"Roses\" with live French translation by Elizabeth Roberts [audience laughter throughout].\n\nAudience\n00:19:55\nLaughter and applause.\n\nSheri-D Wilson\n00:20:10\nAddresses Elizabeth Roberts.\n\nElizabeth Roberts\n00:20:13\nAddresses Sheri-D Wilson.\n\nSheri-D Wilson\n00:20:35\nPerforms unnamed improvised poem with live Spanish translation by Elizabeth Roberts [audience laughter and applause throughout].\n\nAudience\n00:26:29\nLaughter and applause.\n\nIan Ferrier\n00:26:59\nDiscusses Sheri-D Wilson and Elizabeth Roberts' performance [audience laughter throughout].\n\nIan Ferrier\n00:27:12\nIntroduces Regie Cabico [audience laughter and applause throughout]. | Keywords: Rogers Cup [https://www.wikidata.org/wiki/Q595467]; Montreal \n\nRegie Cabico\n00:27:59\nThanks Ian Ferrier [audience applause continues].\n\nRegie Cabico\n00:28:07\nPerforms \"Gregorian Rants on Hyperspeed\" [audience laughter throughout].\n\nRegie Cabico\n00:30:04\nAddresses audience.\n\nAudience\n00:30:07\nApplause.\n\nRegie Cabico\n00:30:12\nAddresses audience [audience applause and laughter throughout]. | Keywords: Tina Turner [https://www.wikidata.org/wiki/Q131814]; Safeway [https://www.wikidata.org/wiki/Q1508234]; Canada [https://www.wikidata.org/wiki/Q16]; Sheri-D Wilson\n\nRegie Cabico\n00:32:22\nIntroduces \"Arctic Lover\".\n\nRegie Cabico\n00:32:25\nReads \"Arctic Lover\".\n\nRegie Cabico\n00:32:32\nDiscusses \"Arctic Lover\" [audience laughter throughout].\n\nRegie Cabico\n00:33:03\nIntroduces \"Big Extinct Hairy Fucker\". \n\nRegie Cabico\n00:33:06\nPerforms \"Big Extinct Hairy Fucker\" [audience laughter throughout].\n\nRegie Cabico\n00:33:15\nDiscusses \"Big Extinct Hairy Fucker\" [audience laughter throughout].\n\nRegie Cabico\n00:33:33\nIntroduces \"Culinary Ejaculatory\".\n\nRegie Cabico\n00:33:36\nPerforms \"Culinary Ejaculatory\".\n\nAudience\n00:33:42\nLaughter and applause.\n\nRegie Cabico\n00:33:47\nAddresses audience [audience laughter and applause throughout]. | Keywords: Washington, D.C. [https://www.wikidata.org/wiki/Q61]\n\nRegie Cabico\n00:34:11\nIntroduces \"Networking\".\n\nRegie Cabico\n00:34:14\nPerforms \"Networking\" [audience laughter throughout]. \n\nAudience\n00:36:42\nApplause.\n\nRegie Cabico\n00:36:51\nIntroduces \"There's No Place Like the Ghetto or If Tracy Chapman Sung Judy Garland Songs\".\n\nAudience\n00:36:58\nLaughter.\n\nRegie Cabico\n00:37:05\nPerforms \"There's No Place Like the Ghetto or If Tracy Chapman Sung Judy Garland Songs\" [audience laughter throughout].\n\nAudience\n00:37:17\nLaughter and applause.\n\nRegie Cabico\n00:37:27\nIntroduces unnamed poem [audience laughter throughout]. | Keywords: San Francisco [https://www.wikidata.org/wiki/Q62] \n\nRegie Cabico\n00:37:45\nPerforms unnamed poem [audience laughter and applause throughout].\n\nAudience\n00:41:24\nApplause.\n\nRegie Cabico\n00:41:36\nDiscusses unnamed poem [audience laughter throughout].\n\nRegie Cabico\n00:41:57\nIntroduces \"Smells\" and thanks Ian Ferrier [audience laughter and applause throughout].\n\nRegie Cabico\n00:42:29\nPerforms \"Smells\" [audience laughter and applause throughout].\n\nAudience\n00:45:07\nApplause.\n\nRegie Cabico\n00:45:16\nIntroduces \"Letter to Philipino Celebrity #3: Letter to Dante Bosco”, exchange with audience follows [audience laughter and applause throughout]. | Keywords: Def Poetry Jam [https://www.wikidata.org/wiki/Q654283]; Dante Bosco; Hook [https://www.wikidata.org/wiki/Q646389]\n\nRegie Cabico\n00:47:03\nPerforms \"Letter to Philipino Celebrity #3: Letter to Dante Bosco\" [audience laughter and applause throughout]. \n\nAudience\n00:48:40\nApplause.\n\nRegie Cabico\n00:48:45\nAddresses audience and introduces \"Learning To Be My Father's Son\" [audience applause throughout]. | Keywords: Montreal; Queen Ka; Alessandra [Naccarato]; Deanna Smith; Banff; Elizabeth Roberts; Jason Blackbird Selman; Sheri-D [Wilson]; Canada; Ian [Ferrier]\n\nRegie Cabico\n00:49:50\nPerforms \"Learning To Be My Father's Son\". \n\nAudience\n00:52:18\nApplause.\n\nIan Ferrier\n00:52:35\nThanks Regie Cabico and announces intermission [audience applause throughout]. | Keywords: NEeMA\n\nAudience\n00:52:49\nApplause.\n\nEND\n00:52:54\n\n\nSTE-002.wav [File 3 of 3]\n\nIan Ferrier\n00:00:00\nAddresses Regie Cabico [audience applause throughout]. \n\nIan Ferrier\n00:00:20\nIntroduces NEeMA. | Keywords: Canada; Watching You Think [CD]\n\nAudience\n00:00:29\nApplause.\n\nNEeMA\n00:00:36\nThanks audience and introduces \"Elsa's Lullaby\" from Watching You Think. | Keywords: Words and Music\n\nAudience\n00:01:06\nApplause.\n\nNEeMA\n00:01:10\nPerforms \"Elsa's Lullaby\" from Watching You Think.\n\nAudience\n00:05:10\nApplause.\n\nNEeMA\n00:05:20\nThanks audience and introduces \"Sidewalk\". | Keywords: Canada; Words and Music\n\nNEeMA\n00:06:02\nPerforms \"Sidewalk\".\n\nAudience\n00:08:53\nApplause.\n\nNEeMA\n00:09:05\nThanks audience and introduces \"Eternity\" from Watching You Think [audience laughter throughout].\n\nNEeMA\n00:11:59\nPerforms \"Eternity\" from Watching You Think.\n\nAudience\n00:16:18\nApplause.\n\nNEeMA\n00:16:29\nThanks audience and introduces \"Running\" from Watching You Think. \n\nNEeMA\n00:17:14\nPerforms \"Running\" from Watching You Think.\n\nAudience\n00:21:56\nApplause.\n\nNEeMA\n00:22:09\nThanks Regie Cabico, addresses audience, and introduces \"Ayii Woole\" from Masi Choi [CD] [audience laughter throughout]. | Keywords: Canada; Yellowknife [https://www.wikidata.org/wiki/Q2061]\n\nNEeMA\n00:25:36\nPerforms \"Ayii Woole\" from Masi Choi.\n\nAudience\n00:30:24\nApplause.\n\nNEeMA\n00:30:36\nThanks audience [audience applause continues throughout], addresses audience, and thanks Ian Ferrier.\n\nAudience\n00:31:03\nApplause, discussion, and laughter.\n\nIan Ferrier\n00:31:27\nThanks audience and performers. | Keywords: NEeMA; Sheri-D Wilson; Regie Cabico; Luna Allison; Amal El-Mohtar\n\nIan Ferrier\n00:31:34\nAnnounces future event.\n\nAudience\n00:31:51\nApplause [cut off].\n\nEND\n00:31:56"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548298530816,"timestamp":"2026-01-07T14:59:52.745Z","digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2010/08/\",\"file_path\":\"\",\"filename\":\"STE-000.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:44:34\",\"precision\":\"\",\"size\":\"471.7 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-000.wav [File 1 of 3]\\n\\nIan Ferrier\\n00:00:02\\nIntroduces event. | Keywords: North America [https://www.wikidata.org/wiki/Q49] \\n\\nAudience\\n00:00:33\\nApplause.\\n\\nIan Ferrier\\n00:00:35\\nIntroduces Amal El-Mohtar [https://www.wikidata.org/wiki/Q20631001] [audience applause throughout]. | Keywords: The Honey Month [book]; Ottawa [https://www.wikidata.org/wiki/Q1930]; United Kingdom [https://www.wikidata.org/wiki/Q145]\\n\\nAudience\\n00:01:04\\nApplause\\n\\nAmal El-Mohtar\\n00:01:11\\nAddresses audience and introduces \\\"Song For An Ancient City\\\". |  Keywords: Rhysling Award [https://www.wikidata.org/wiki/Q1423953]; Damascus [https://www.wikidata.org/wiki/Q3766]\\n\\nAmal El-Mohtar\\n00:02:09\\nReads \\\"Song For An Ancient City\\\".\\n\\nAudience\\n00:04:04\\nApplause.\\n\\nAmal El-Mohtar\\n00:04:16\\nIntroduces \\\"Sheherazade\\\". | Keywords: Catherynne Valente; Apocrypha [book]\\n\\nAmal El-Mohtar\\n00:04:46\\nReads \\\"Sheherazade\\\".\\n\\nAudience\\n00:06:52\\nApplause.\\n\\nAmal El-Mohtar\\n00:07:00\\nIntroduces \\\"Peach-Creamed Honey\\\" from The Honey Month [book] [audience laughter throughout]. | Keywords: Danielle [Suker (?)]; New Jersey [https://www.wikidata.org/wiki/Q1408]; The Diner; New York [https://www.wikidata.org/wiki/Q60]; Ottawa\\n\\nAmal El-Mohtar\\n00:08:30\\nReads \\\"Peach-Creamed Honey\\\" from The Honey Month.\\n\\nAudience\\n00:10:44\\nApplause.\\n\\nAmal El-Mohtar\\n00:10:56\\nIntroduces \\\"French Rhododendron Honey\\\" from The Honey Month. | Keywords: Montreal [https://www.wikidata.org/wiki/Q340]\\n\\nAmal El-Mohtar\\n00:11:11\\nReads \\\"French Rhododendron Honey\\\" from The Honey Month\\\" in French and English.\\n\\nAudience\\n00:11:24\\nLaughter and applause.\\n\\nAmal El-Mohtar\\n00:11:32\\nIntroduces \\\"Leatherwood Honey\\\" from The Honey Month.\\n\\nAmal El-Mohtar\\n00:12:00\\nReads \\\"Leatherwood Honey\\\" from The Honey Month [audience laughter throughout].\\n\\nAudience\\n00:14:27\\nApplause.\\n\\nAmal El-Mohtar\\n00:14:37\\nIntroduces \\\"French Chestnut Honey\\\" from The Honey Month.\\n\\nAmal El-Mohtar\\n00:14:51\\nReads \\\"French Chestnut Honey\\\"  from The Honey Month.\\n\\nAudience\\n00:18:32\\nApplause.\\n\\nIan Ferrier\\n00:18:47\\nThanks Amal El-Mohtar and promotes The Honey Month.\\n\\nIan Ferrier\\n00:19:01\\nIntroduces Luna Allison [audience laughter throughout]. | Keywords: Urban Lullabies [CDs]; Radio Centre-Ville [https://www.wikidata.org/wiki/Q2931531]; “Rip Tide” [song]; Stanley Asher; Ottawa\\n\\nAudience\\n00:19:44\\nApplause.\\n\\nLuna Allison\\n00:20:02\\nAddresses audience and introduces \\\"Spark\\\" [audience laughter throughout]. | Keywords: Banff Centre [https://www.wikidata.org/wiki/Q4854863]; Sheri-D Wilson [https://www.wikidata.org/wiki/Q7494839]\\n\\nAudience\\n00:21:02\\nApplause.\\n\\nLuna Allison\\n00:21:08\\nResumes introduction of \\\"Spark\\\".\\n\\nLuna Allison\\n00:21:17\\nPerforms \\\"Spark\\\".\\n\\nAudience\\n00:23:36\\nApplause.\\n\\nLuna Allison\\n00:23:49\\nIntroduces \\\"Gay in the DNA\\\" [audience laughter throughout]. | Keywords: Science Dude [podcast]\\n\\nLuna Allison\\n00:25:03\\nReads \\\"Gay in the DNA\\\" [audience laughter throughout].\\n\\nAudience\\n00:29:55\\nApplause.\\n\\nLuna Allison\\n00:30:05\\nThanks audience and introduces \\\"Secondhand Smoke\\\" from Bitter Sour Salty Sweet [chapbook].\\n\\nLuna Allison\\n00:30:53\\nReads \\\"Secondhand Smoke\\\" from Bitter Sour Salty Sweet.\\n\\nAudience\\n00:36:03\\nApplause.\\n\\nLuna Allison\\n00:36:15\\nThanks audience and introduces \\\"A Gift of Roots\\\", exchange with audience follows. | Keywords: Yasodhara Ashram; British Columbia [https://www.wikidata.org/wiki/Q1974]; Nelson [https://www.wikidata.org/wiki/Q1779015]\\n\\nLuna Allison\\n00:37:44\\nReads \\\"A Gift of Roots\\\".\\n\\nAudience\\n00:40:43\\nApplause.\\n\\nLuna Allison\\n00:40:54\\nThanks audience and introduces \\\"Riptide\\\" from Urban Lullabies [audience laughter throughout]. | Keywords: Ian [Ferrier; https://www.wikidata.org/wiki/Q87138884]\\n\\nLuna Allison\\n00:42:16\\nPerforms \\\"Riptide\\\" from Urban Lullabies.\\n\\nAudience\\n00:44:00\\nApplause.\\n\\nIan Ferrier\\n00:44:17\\nThanks Luna Allison and announces intermission. | Keywords: Regie Cabico [https://www.wikidata.org/wiki/Q7308357]; Sheri-D Wilson; NEeMA\\n\\nEND\\n00:44:34\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2010/08/\",\"file_path\":\"\",\"filename\":\"STE-001.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:52:54\",\"precision\":\"\",\"size\":\"560 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-001.wav [File 2 of 3]\\n\\nIan Ferrier\\n00:00:00\\nAnnounces future events [audience applause throughout]. | Keywords: Mile End Poets’ Festival; The Canadian Review of Literature in Performance; Vince Tinguely; Canada Council for the Arts [https://www.wikidata.org/wiki/Q2993809]\\n\\nIan Ferrier\\n00:00:59\\nintroduces Sheri-D Wilson. | Keywords: Calgary International Spoken Word Festival; Banff [https://www.wikidata.org/wiki/Q58337]\\n\\nAudience\\n00:01:20\\nApplause.\\n\\nSheri-D Wilson\\n00:01:46\\nAddresses audience [audience applause and laughter throughout]. | Keywords: Rachna [Vohra]; Regie [Cabico]\\n\\nSheri-D Wilson\\n00:04:48\\nIntroduces \\\"Ode to a Microscopic Life\\\" [audience laughter throughout]. | Keywords: Vancouver [https://www.wikidata.org/wiki/Q24639]; Front Magazine\\n\\nSheri-D Wilson\\n00:06:11\\nPerforms \\\"Ode to a Microscopic Life\\\" [audience laughter throughout].\\n\\nAudience\\n00:09:26\\nApplause.\\n\\nSheri-D Wilson\\n00:09:36.50\\nIntroduces \\\"I Visited the Bridge of Your Ghost on a Full Moon Morning\\\" from her book \\\"Autopsy of a Turvy World\\\" [audience laughter throughout]. | Keywords: Reena Virk\\n\\nSheri-D Wilson\\n00:11:31\\nReads \\\"I Visited the Bridge of Your Ghost on a Full Moon Morning\\\" from Autopsy of a Turvy World [book].\\n\\nAudience\\n00:16:24\\nApplause.\\n\\nSheri-D Wilson\\n00:16:35\\nIntroduces Elizabeth Roberts [audience laughter and applause throughout]. | Keywords: Montreal \\n\\nAudience\\n00:17:16\\nApplause.\\n\\nSheri-D Wilson\\n00:17:42\\nIntroduces \\\"Roses\\\". | Keywords: Brussels [https://www.wikidata.org/wiki/Q239]; Europe [https://www.wikidata.org/wiki/Q46]\\n\\nElizabeth Roberts\\n00:18:35\\nTranslates Sheri-D Wilson's introduction in French.\\n\\nSheri-D Wilson\\n00:18:40\\nReads \\\"Roses\\\" with live French translation by Elizabeth Roberts [audience laughter throughout].\\n\\nAudience\\n00:19:55\\nLaughter and applause.\\n\\nSheri-D Wilson\\n00:20:10\\nAddresses Elizabeth Roberts.\\n\\nElizabeth Roberts\\n00:20:13\\nAddresses Sheri-D Wilson.\\n\\nSheri-D Wilson\\n00:20:35\\nPerforms unnamed improvised poem with live Spanish translation by Elizabeth Roberts [audience laughter and applause throughout].\\n\\nAudience\\n00:26:29\\nLaughter and applause.\\n\\nIan Ferrier\\n00:26:59\\nDiscusses Sheri-D Wilson and Elizabeth Roberts' performance [audience laughter throughout].\\n\\nIan Ferrier\\n00:27:12\\nIntroduces Regie Cabico [audience laughter and applause throughout]. | Keywords: Rogers Cup [https://www.wikidata.org/wiki/Q595467]; Montreal \\n\\nRegie Cabico\\n00:27:59\\nThanks Ian Ferrier [audience applause continues].\\n\\nRegie Cabico\\n00:28:07\\nPerforms \\\"Gregorian Rants on Hyperspeed\\\" [audience laughter throughout].\\n\\nRegie Cabico\\n00:30:04\\nAddresses audience.\\n\\nAudience\\n00:30:07\\nApplause.\\n\\nRegie Cabico\\n00:30:12\\nAddresses audience [audience applause and laughter throughout]. | Keywords: Tina Turner [https://www.wikidata.org/wiki/Q131814]; Safeway [https://www.wikidata.org/wiki/Q1508234]; Canada [https://www.wikidata.org/wiki/Q16]; Sheri-D Wilson\\n\\nRegie Cabico\\n00:32:22\\nIntroduces \\\"Arctic Lover\\\".\\n\\nRegie Cabico\\n00:32:25\\nReads \\\"Arctic Lover\\\".\\n\\nRegie Cabico\\n00:32:32\\nDiscusses \\\"Arctic Lover\\\" [audience laughter throughout].\\n\\nRegie Cabico\\n00:33:03\\nIntroduces \\\"Big Extinct Hairy Fucker\\\". \\n\\nRegie Cabico\\n00:33:06\\nPerforms \\\"Big Extinct Hairy Fucker\\\" [audience laughter throughout].\\n\\nRegie Cabico\\n00:33:15\\nDiscusses \\\"Big Extinct Hairy Fucker\\\" [audience laughter throughout].\\n\\nRegie Cabico\\n00:33:33\\nIntroduces \\\"Culinary Ejaculatory\\\".\\n\\nRegie Cabico\\n00:33:36\\nPerforms \\\"Culinary Ejaculatory\\\".\\n\\nAudience\\n00:33:42\\nLaughter and applause.\\n\\nRegie Cabico\\n00:33:47\\nAddresses audience [audience laughter and applause throughout]. | Keywords: Washington, D.C. [https://www.wikidata.org/wiki/Q61]\\n\\nRegie Cabico\\n00:34:11\\nIntroduces \\\"Networking\\\".\\n\\nRegie Cabico\\n00:34:14\\nPerforms \\\"Networking\\\" [audience laughter throughout]. \\n\\nAudience\\n00:36:42\\nApplause.\\n\\nRegie Cabico\\n00:36:51\\nIntroduces \\\"There's No Place Like the Ghetto or If Tracy Chapman Sung Judy Garland Songs\\\".\\n\\nAudience\\n00:36:58\\nLaughter.\\n\\nRegie Cabico\\n00:37:05\\nPerforms \\\"There's No Place Like the Ghetto or If Tracy Chapman Sung Judy Garland Songs\\\" [audience laughter throughout].\\n\\nAudience\\n00:37:17\\nLaughter and applause.\\n\\nRegie Cabico\\n00:37:27\\nIntroduces unnamed poem [audience laughter throughout]. | Keywords: San Francisco [https://www.wikidata.org/wiki/Q62] \\n\\nRegie Cabico\\n00:37:45\\nPerforms unnamed poem [audience laughter and applause throughout].\\n\\nAudience\\n00:41:24\\nApplause.\\n\\nRegie Cabico\\n00:41:36\\nDiscusses unnamed poem [audience laughter throughout].\\n\\nRegie Cabico\\n00:41:57\\nIntroduces \\\"Smells\\\" and thanks Ian Ferrier [audience laughter and applause throughout].\\n\\nRegie Cabico\\n00:42:29\\nPerforms \\\"Smells\\\" [audience laughter and applause throughout].\\n\\nAudience\\n00:45:07\\nApplause.\\n\\nRegie Cabico\\n00:45:16\\nIntroduces \\\"Letter to Philipino Celebrity #3: Letter to Dante Bosco”, exchange with audience follows [audience laughter and applause throughout]. | Keywords: Def Poetry Jam [https://www.wikidata.org/wiki/Q654283]; Dante Bosco; Hook [https://www.wikidata.org/wiki/Q646389]\\n\\nRegie Cabico\\n00:47:03\\nPerforms \\\"Letter to Philipino Celebrity #3: Letter to Dante Bosco\\\" [audience laughter and applause throughout]. \\n\\nAudience\\n00:48:40\\nApplause.\\n\\nRegie Cabico\\n00:48:45\\nAddresses audience and introduces \\\"Learning To Be My Father's Son\\\" [audience applause throughout]. | Keywords: Montreal; Queen Ka; Alessandra [Naccarato]; Deanna Smith; Banff; Elizabeth Roberts; Jason Blackbird Selman; Sheri-D [Wilson]; Canada; Ian [Ferrier]\\n\\nRegie Cabico\\n00:49:50\\nPerforms \\\"Learning To Be My Father's Son\\\". \\n\\nAudience\\n00:52:18\\nApplause.\\n\\nIan Ferrier\\n00:52:35\\nThanks Regie Cabico and announces intermission [audience applause throughout]. | Keywords: NEeMA\\n\\nAudience\\n00:52:49\\nApplause.\\n\\nEND\\n00:52:54\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2010/08/\",\"file_path\":\"\",\"filename\":\"STE-002.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:31:56\",\"precision\":\"\",\"size\":\"338 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-002.wav [File 3 of 3]\\n\\nIan Ferrier\\n00:00:00\\nAddresses Regie Cabico [audience applause throughout]. \\n\\nIan Ferrier\\n00:00:20\\nIntroduces NEeMA. | Keywords: Canada; Watching You Think [CD]\\n\\nAudience\\n00:00:29\\nApplause.\\n\\nNEeMA\\n00:00:36\\nThanks audience and introduces \\\"Elsa's Lullaby\\\" from Watching You Think. | Keywords: Words and Music\\n\\nAudience\\n00:01:06\\nApplause.\\n\\nNEeMA\\n00:01:10\\nPerforms \\\"Elsa's Lullaby\\\" from Watching You Think.\\n\\nAudience\\n00:05:10\\nApplause.\\n\\nNEeMA\\n00:05:20\\nThanks audience and introduces \\\"Sidewalk\\\". | Keywords: Canada; Words and Music\\n\\nNEeMA\\n00:06:02\\nPerforms \\\"Sidewalk\\\".\\n\\nAudience\\n00:08:53\\nApplause.\\n\\nNEeMA\\n00:09:05\\nThanks audience and introduces \\\"Eternity\\\" from Watching You Think [audience laughter throughout].\\n\\nNEeMA\\n00:11:59\\nPerforms \\\"Eternity\\\" from Watching You Think.\\n\\nAudience\\n00:16:18\\nApplause.\\n\\nNEeMA\\n00:16:29\\nThanks audience and introduces \\\"Running\\\" from Watching You Think. \\n\\nNEeMA\\n00:17:14\\nPerforms \\\"Running\\\" from Watching You Think.\\n\\nAudience\\n00:21:56\\nApplause.\\n\\nNEeMA\\n00:22:09\\nThanks Regie Cabico, addresses audience, and introduces \\\"Ayii Woole\\\" from Masi Choi [CD] [audience laughter throughout]. | Keywords: Canada; Yellowknife [https://www.wikidata.org/wiki/Q2061]\\n\\nNEeMA\\n00:25:36\\nPerforms \\\"Ayii Woole\\\" from Masi Choi.\\n\\nAudience\\n00:30:24\\nApplause.\\n\\nNEeMA\\n00:30:36\\nThanks audience [audience applause continues throughout], addresses audience, and thanks Ian Ferrier.\\n\\nAudience\\n00:31:03\\nApplause, discussion, and laughter.\\n\\nIan Ferrier\\n00:31:27\\nThanks audience and performers. | Keywords: NEeMA; Sheri-D Wilson; Regie Cabico; Luna Allison; Amal El-Mohtar\\n\\nIan Ferrier\\n00:31:34\\nAnnounces future event.\\n\\nAudience\\n00:31:51\\nApplause [cut off].\\n\\nEND\\n00:31:56\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"score":0.01643844},{"id":"1108","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2010-09-19"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\",\"Performer\"]}]"],"contributors_names":["Clark, Moe","Kellough, Kaie","Christoff, Stefan"],"contributors_names_search":["Clark, Moe","Kellough, Kaie","Christoff, Stefan"],"contributors":["[{\"url\":\"http://viaf.org/viaf/317024729\",\"name\":\"Clark, Moe\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/68351676\",\"name\":\"Kellough, Kaie\",\"dates\":\"1975-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/106422154\",\"name\":\"Christoff, Stefan\",\"dates\":\"1981-\",\"notes\":\"(Solo and with Ian Ferrier)\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Clark, Moe","Kellough, Kaie","Christoff, Stefan"],"Performance_Date":[2010],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/1108/Poster for September19th 2010 show AGAIN.jpg\",\"other\":\" In folder: 2 audio, 2 misc. In folder2: 46 audio, 3 docs, 24 misc. In folder3: 4 audio, 3 docs, 4 misc. In folder4: 1 doc.\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Set of 2 event audio recordings (+copies and edits) \",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"Dates":["[{\"date\":\"2010 09 19\",\"type\":\"Performance Date\",\"notes\":\"Date indicated on event poster, in radio ad and document\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC,  H2T 1R6\",\"latitude\":\"45.5222118\",\"longitude\":\" -73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC,  H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["September 19th, 2010 at the Casa was all about a perfect balance of words and music, as exemplified by the first set of the night which featured poetry and songs by Moe Clark. Kaie Kellough also performed a selection of spoken word pieces. Host and series organizer Ian Ferrier took on a third role with an instrumental performance on electric guitar, followed by a duet with pianist Stefan Christoff, who then closed the show with a solo set. Though the radio ad and poster announce the presence of “the intriguing Vincent Tinguely” and “music by street guitarist Tim Lafontaine,” they are not found on the audio recordings of the event."],"contents":["STE-000.wav [File 1 of 2]\n\nMoe Clark\n00:00:00\nPerforms \"I Give\" from Within [CD] [recording begins abruptly].\n\nAudience\n00:04:03\nApplause.\n\nMoe Clark\n00:04:17\nIntroduces unnamed song. | Keywords: Calgary [https://www.wikidata.org/wiki/Q36312]; Alberta [https://www.wikidata.org/wiki/Q1951]\n\nMoe Clark\n00:05:26\nPerforms unnamed song.\n\nAudience\n00:09:07\nApplause.\n\nMoe Clark\n00:09:16\nIntroduces [\"An Ode to Brazil\" (?)].\n\nMoe Clark\n00:09:22\nPerforms [\"An Ode to Brazil\" (?)].\n\nAudience\n00:12:09\nApplause.\n\nMoe Clark\n00:12:15\nThanks audience and introduces \"I Find Grace\" from Within. | Keywords: Moncton [https://www.wikidata.org/wiki/Q457334]; Patti Smith [https://www.wikidata.org/wiki/Q557]; Patty Griffin [https://www.wikidata.org/wiki/Q457190]\n\nMoe Clark\n00:12:54 \nPerforms \"I Find Grace\" from Within.\n\nAudience\n00:16:32\n Applause [cut off].\n\nIan Ferrier\n00:16:51\nThanks Moe Clark [https://www.wikidata.org/wiki/Q65116392] and announces future events. | Keywords: Throw Collective; Divan Orange; Regie Cabico [https://www.wikidata.org/wiki/Q7308357]; Mile End Poets Festival; The Zen Centre; The Off Space\n\nIan Ferrier\n00:17:43\nAnnounces intermission. | Keywords: Kaie Kellough [https://www.wikidata.org/wiki/Q6347628]l Stefan Christoff [https://www.wikidata.org/wiki/Q7606050]\n\nAudience\n00:17:49\nApplause [cut off].\n\nEND\n00:17:53\n\n\nSTE-001.wav [File 2 of 2]\n\nIan Ferrier\n00:00:00\nIntroduces Kaie Kellough. | Keywords: Montreal [https://www.wikidata.org/wiki/Q340]; Stefan [Christoff]; Maple Leaf Rag [book]\n\nAudience\n00:00:44\nApplause.\n\nKaie Kellough\n00:00:54\nAddresses Ian Ferrier [https://www.wikidata.org/wiki/Q87138884] and audience [audience laughter throughout]. | Keywords: St Michel; Plateau [Mont-Royal; https://www.wikidata.org/wiki/Q2624008]\n\nKaie Kellough\n00:02:25\nIntroduces unnamed poem [audience laughter throughout]. | Keywords: Cariefiesta\n\nKaie Kellough\n00:03:06\nPerforms unnamed poem.\n\nAudience\n00:05:12\nApplause.\n\nKaie Kellough\n00:05:23\nThanks audience and discusses poem. | Keywords: Cariefiesta\n\nKaie Kellough\n00:05:43\nPerforms unnamed poem.\n\nAudience\n00:09:25\nApplause.\n\nKaie Kellough\n00:09:35\nDiscusses performance [audience laughter throughout].\n\nKaie Kellough\n00:10:04\nIntroduces \"Didn't Dues\" from Vox Versus [CD]. \n\nKaie Kellough\n00:10:31\nPerforms \"Didn't Dues\" from Vox Versus.\n\nAudience\n00:12:52\nApplause.\n\nKaie Kellough\n00:12:59\nThanks audience and introduces [\"i-Dea\" (?) [audience laughter throughout]].\n\nKaie Kellough\n00:13:21\nPerforms [\"i-Dea\" (?)].\n\nAudience\n00:16:37\nApplause.\n\nKaie Kellough\n00:16:42\nThanks audience [audience applause continues throughout].\n\nIan Ferrier\n00:17:05\nThanks Kaie Kellough.\n\nAudience\n00:17:07\nApplause.\n\nIan Ferrier\n00:17:12\nDiscusses Kaie Kellough's performance and introduces \"Where Will I Find You?\" [audience laughter throughout]. | Keywords: Montreal; DigiTech [https://www.wikidata.org/wiki/Q6055330]\n\nIan Ferrier\n00:18:43\nPerforms \"Where Will I Find You?\".\n\nAudience\n00:24:06\nApplause.\n\nIan Ferrier\n00:24:15\nIntroduces Stefan Christoff. | Keywords: Kaie [Kellough]; British Columbia [https://www.wikidata.org/wiki/Q1974]; Gaza [https://www.wikidata.org/wiki/Q47492]; Philippines [https://www.wikidata.org/wiki/Q928]; La Sala Rossa\n\nAudience\n00:25:21\nApplause.\n\nIan Ferrier\n00:25:39\nPerforms \"CSIS and Desist\" accompanied by Stefan Christoff on piano.\n\nAudience\n00:32:30\nApplause.\n\nIan Ferrier\n00:32:41\nThanks audience and introduces Stefan Christoff [audience laughter throughout].\n\nAudience\n00:32:55\nApplause.\n\nStefan Christoff\n00:33:03\nThanks Ian Ferrier.\n\nStefan Christoff\n00:33:25\nDiscusses Justseeds [https://www.wikidata.org/wiki/Q16851237]. | Keywords: Imaging Apartheid; Palestine [https://www.wikidata.org/wiki/Q219060]; South Africa [https://www.wikidata.org/wiki/Q258]; African National Congress [https://www.wikidata.org/wiki/Q83162]; Black Panthers [https://www.wikidata.org/wiki/Q189150]; United States [https://www.wikidata.org/wiki/Q30]; The West Bank [https://www.wikidata.org/wiki/Q36678]; Gaza; North America [https://www.wikidata.org/wiki/Q49]\n\nStefan Christoff\n00:35:17\nAnnounces future event [audience laughter throughout]. | Keywords: Cabaret Mile End [https://www.wikidata.org/wiki/Q3220705]; World Education Forum [https://www.wikidata.org/wiki/Q3078674]; Kalmunity Jazz Collective; Paul Cargnello [https://www.wikidata.org/wiki/Q15452647]; Norman Nawrocki [https://www.wikidata.org/wiki/Q957085]; Valerie [Curro] Khayat; Quebec  [https://www.wikidata.org/wiki/Q176]; Palestine; UQAM [https://www.wikidata.org/wiki/Q1634522]; UdeM [https://www.wikidata.org/wiki/Q392189]\n\nStefan Christoff\n00:36:09\nIntroduces \"Roads Through Palestine\" [audience laughter throughout]. | Keywords: Palestine\n\nStefan Christoff\n00:36:51\nPerforms \"Roads Through Palestine\".\n\nAudience\n00:44:26\nApplause.\n\nIan Ferrier\n00:44:56\nThanks Stefan Christoff and the other performers. | Keywords: Canada Council for the Arts [https://www.wikidata.org/wiki/Q2993809]\n\nIan Ferrier\n00:45:19\nAnnounces future events and thanks audience. | Keywords: Catherine Kidd; Fortner Anderson [https://www.wikidata.org/wiki/Q83688183]; Mile End Poets’ Festival; The Off Space; The Zen Centre\n\nAudience\n00:46:12\nApplause [cut off].\n\nEND\n00:46:33"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548299579392,"timestamp":"2026-01-07T14:59:52.745Z","digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2010/09/\",\"file_path\":\"\",\"filename\":\"STE-000.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:17:53\",\"precision\":\"\",\"size\":\"189.4 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-000.wav [File 1 of 2]\\n\\nMoe Clark\\n00:00:00\\nPerforms \\\"I Give\\\" from Within [CD] [recording begins abruptly].\\n\\nAudience\\n00:04:03\\nApplause.\\n\\nMoe Clark\\n00:04:17\\nIntroduces unnamed song. | Keywords: Calgary [https://www.wikidata.org/wiki/Q36312]; Alberta [https://www.wikidata.org/wiki/Q1951]\\n\\nMoe Clark\\n00:05:26\\nPerforms unnamed song.\\n\\nAudience\\n00:09:07\\nApplause.\\n\\nMoe Clark\\n00:09:16\\nIntroduces [\\\"An Ode to Brazil\\\" (?)].\\n\\nMoe Clark\\n00:09:22\\nPerforms [\\\"An Ode to Brazil\\\" (?)].\\n\\nAudience\\n00:12:09\\nApplause.\\n\\nMoe Clark\\n00:12:15\\nThanks audience and introduces \\\"I Find Grace\\\" from Within. | Keywords: Moncton [https://www.wikidata.org/wiki/Q457334]; Patti Smith [https://www.wikidata.org/wiki/Q557]; Patty Griffin [https://www.wikidata.org/wiki/Q457190]\\n\\nMoe Clark\\n00:12:54 \\nPerforms \\\"I Find Grace\\\" from Within.\\n\\nAudience\\n00:16:32\\n Applause [cut off].\\n\\nIan Ferrier\\n00:16:51\\nThanks Moe Clark [https://www.wikidata.org/wiki/Q65116392] and announces future events. | Keywords: Throw Collective; Divan Orange; Regie Cabico [https://www.wikidata.org/wiki/Q7308357]; Mile End Poets Festival; The Zen Centre; The Off Space\\n\\nIan Ferrier\\n00:17:43\\nAnnounces intermission. | Keywords: Kaie Kellough [https://www.wikidata.org/wiki/Q6347628]l Stefan Christoff [https://www.wikidata.org/wiki/Q7606050]\\n\\nAudience\\n00:17:49\\nApplause [cut off].\\n\\nEND\\n00:17:53\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2010/09/\",\"file_path\":\"\",\"filename\":\"STE-001.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:46:33\",\"precision\":\"\",\"size\":\"492.8 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-001.wav [File 2 of 2]\\n\\nIan Ferrier\\n00:00:00\\nIntroduces Kaie Kellough. | Keywords: Montreal [https://www.wikidata.org/wiki/Q340]; Stefan [Christoff]; Maple Leaf Rag [book]\\n\\nAudience\\n00:00:44\\nApplause.\\n\\nKaie Kellough\\n00:00:54\\nAddresses Ian Ferrier [https://www.wikidata.org/wiki/Q87138884] and audience [audience laughter throughout]. | Keywords: St Michel; Plateau [Mont-Royal; https://www.wikidata.org/wiki/Q2624008]\\n\\nKaie Kellough\\n00:02:25\\nIntroduces unnamed poem [audience laughter throughout]. | Keywords: Cariefiesta\\n\\nKaie Kellough\\n00:03:06\\nPerforms unnamed poem.\\n\\nAudience\\n00:05:12\\nApplause.\\n\\nKaie Kellough\\n00:05:23\\nThanks audience and discusses poem. | Keywords: Cariefiesta\\n\\nKaie Kellough\\n00:05:43\\nPerforms unnamed poem.\\n\\nAudience\\n00:09:25\\nApplause.\\n\\nKaie Kellough\\n00:09:35\\nDiscusses performance [audience laughter throughout].\\n\\nKaie Kellough\\n00:10:04\\nIntroduces \\\"Didn't Dues\\\" from Vox Versus [CD]. \\n\\nKaie Kellough\\n00:10:31\\nPerforms \\\"Didn't Dues\\\" from Vox Versus.\\n\\nAudience\\n00:12:52\\nApplause.\\n\\nKaie Kellough\\n00:12:59\\nThanks audience and introduces [\\\"i-Dea\\\" (?) [audience laughter throughout]].\\n\\nKaie Kellough\\n00:13:21\\nPerforms [\\\"i-Dea\\\" (?)].\\n\\nAudience\\n00:16:37\\nApplause.\\n\\nKaie Kellough\\n00:16:42\\nThanks audience [audience applause continues throughout].\\n\\nIan Ferrier\\n00:17:05\\nThanks Kaie Kellough.\\n\\nAudience\\n00:17:07\\nApplause.\\n\\nIan Ferrier\\n00:17:12\\nDiscusses Kaie Kellough's performance and introduces \\\"Where Will I Find You?\\\" [audience laughter throughout]. | Keywords: Montreal; DigiTech [https://www.wikidata.org/wiki/Q6055330]\\n\\nIan Ferrier\\n00:18:43\\nPerforms \\\"Where Will I Find You?\\\".\\n\\nAudience\\n00:24:06\\nApplause.\\n\\nIan Ferrier\\n00:24:15\\nIntroduces Stefan Christoff. | Keywords: Kaie [Kellough]; British Columbia [https://www.wikidata.org/wiki/Q1974]; Gaza [https://www.wikidata.org/wiki/Q47492]; Philippines [https://www.wikidata.org/wiki/Q928]; La Sala Rossa\\n\\nAudience\\n00:25:21\\nApplause.\\n\\nIan Ferrier\\n00:25:39\\nPerforms \\\"CSIS and Desist\\\" accompanied by Stefan Christoff on piano.\\n\\nAudience\\n00:32:30\\nApplause.\\n\\nIan Ferrier\\n00:32:41\\nThanks audience and introduces Stefan Christoff [audience laughter throughout].\\n\\nAudience\\n00:32:55\\nApplause.\\n\\nStefan Christoff\\n00:33:03\\nThanks Ian Ferrier.\\n\\nStefan Christoff\\n00:33:25\\nDiscusses Justseeds [https://www.wikidata.org/wiki/Q16851237]. | Keywords: Imaging Apartheid; Palestine [https://www.wikidata.org/wiki/Q219060]; South Africa [https://www.wikidata.org/wiki/Q258]; African National Congress [https://www.wikidata.org/wiki/Q83162]; Black Panthers [https://www.wikidata.org/wiki/Q189150]; United States [https://www.wikidata.org/wiki/Q30]; The West Bank [https://www.wikidata.org/wiki/Q36678]; Gaza; North America [https://www.wikidata.org/wiki/Q49]\\n\\nStefan Christoff\\n00:35:17\\nAnnounces future event [audience laughter throughout]. | Keywords: Cabaret Mile End [https://www.wikidata.org/wiki/Q3220705]; World Education Forum [https://www.wikidata.org/wiki/Q3078674]; Kalmunity Jazz Collective; Paul Cargnello [https://www.wikidata.org/wiki/Q15452647]; Norman Nawrocki [https://www.wikidata.org/wiki/Q957085]; Valerie [Curro] Khayat; Quebec  [https://www.wikidata.org/wiki/Q176]; Palestine; UQAM [https://www.wikidata.org/wiki/Q1634522]; UdeM [https://www.wikidata.org/wiki/Q392189]\\n\\nStefan Christoff\\n00:36:09\\nIntroduces \\\"Roads Through Palestine\\\" [audience laughter throughout]. | Keywords: Palestine\\n\\nStefan Christoff\\n00:36:51\\nPerforms \\\"Roads Through Palestine\\\".\\n\\nAudience\\n00:44:26\\nApplause.\\n\\nIan Ferrier\\n00:44:56\\nThanks Stefan Christoff and the other performers. | Keywords: Canada Council for the Arts [https://www.wikidata.org/wiki/Q2993809]\\n\\nIan Ferrier\\n00:45:19\\nAnnounces future events and thanks audience. | Keywords: Catherine Kidd; Fortner Anderson [https://www.wikidata.org/wiki/Q83688183]; Mile End Poets’ Festival; The Off Space; The Zen Centre\\n\\nAudience\\n00:46:12\\nApplause [cut off].\\n\\nEND\\n00:46:33\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"score":0.01643844},{"id":"1109","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2011-01-23"],"item_title_source":["Catloguer"],"item_title_note":["Radio ad; no event audio found"],"item_language":["English"],"item_production_context":["Studio recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"contributors_names":["Wilson, Sheri-D","Kellough, Kaie","Naccarato, Alessandra","Dover, Cecily","Waldman, Brahja"],"contributors_names_search":["Wilson, Sheri-D","Kellough, Kaie","Naccarato, Alessandra","Dover, Cecily","Waldman, Brahja"],"contributors":["[{\"url\":\"http://viaf.org/viaf/6636281\",\"name\":\"Wilson, Sheri-D\",\"dates\":\"\",\"notes\":\"Announced but missing\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/68351676\",\"name\":\" Kellough, Kaie\",\"dates\":\"1975-\",\"notes\":\"Announced but missing\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/10152380054301761774\",\"name\":\" Naccarato, Alessandra\",\"dates\":\"1984-\",\"notes\":\"Announced but missing\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Dover, Cecily\",\"dates\":\"\",\"notes\":\"Announced but missing\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/171679248\",\"name\":\"Waldman, Brahja\",\"dates\":\"\",\"notes\":\"(With a quartet) Announced but missing\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Wilson, Sheri-D"," Kellough, Kaie"," Naccarato, Alessandra","Dover, Cecily","Waldman, Brahja"],"Production_Date":[2011],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/1109/Poster for Jan 23rd Show_page-0001.jpg\",\"other\":\" In folder: 3 audio, 3 misc. In folder2: 2 audio, 4 docs, 36 images, 5 misc.\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"3 versions \",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2011/01/\",\"file_path\":\"\",\"filename\":\"W&M Sunday January 23rd.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:00:31\",\"precision\":\"\",\"size\":\"5.5 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2011 01 23\",\"type\":\"Production Date\",\"notes\":\"Refers to date of announced show, not to the production date of the radio ad. Date indicated on event poster and in radio ad\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118\",\"longitude\":\"-73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["As the poster and radio advertisement indicate, the Sunday, 23 January 2010 Words and Music Show featured Calgary poet, improvisor and performer Sheri-D Wilson as the headliner, along with spoken word performances by Kaie Kellough and Montreal’s national slam poetry rep and THROW collective member, Alessandra Naccaratto, and music from the Brahja Waldman Quartet, and singer/songwriter Cecily Dover. Hosted as usual by Ian Ferrier, the show was held in the Casa del Popolo performance space at 4873 St-Laurent. "],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548302725120,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1111","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2011-04-17"],"item_title_source":["Cataloguer"],"item_title_note":["Full event audio not found"],"item_language":["English, French"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\",\"Performer\"]}]"],"contributors_names":["Burton, Peter","Talbi, Elkahna","Clark, Moe","Mah, Kris","Christoff, Stefan"],"contributors_names_search":["Burton, Peter","Talbi, Elkahna","Clark, Moe","Mah, Kris","Christoff, Stefan"],"contributors":["[{\"url\":\"\",\"name\":\"Burton, Peter\",\"dates\":\"\",\"notes\":\"(With Stefan Christoff)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/1151351921952600259\",\"name\":\"Talbi, Elkahna \",\"dates\":\"1979-\",\"notes\":\"Stage name: Queen Ka\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/317024729\",\"name\":\"Clark, Moe\",\"dates\":\"\",\"notes\":\"Announced but missing\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Mah, Kris\",\"dates\":\"\",\"notes\":\"Announced but missing\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/106422154\",\"name\":\"Christoff, Stefan\",\"dates\":\"1981-\",\"notes\":\"(Solo and with Peter Burton)\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Burton, Peter","Talbi, Elkahna ","Clark, Moe","Mah, Kris","Christoff, Stefan"],"Performance_Date":[2011],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\" In folder: 5 audio, 4 misc. In folder2: 3 audio, 3 misc.\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Set of 3 event audio recordings (+1 mute audio file, copies and edits)\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"Dates":["[{\"date\":\"2011 04 17\",\"type\":\"Performance Date\",\"notes\":\"Date indicated in radio ad\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118\",\"longitude\":\" -73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["This event features an instrumental performance by Stefan Christoff (piano) and Peter Burton (bass), spoken word poetry performed in French by Queen Ka (Elkahna Talbi), and Ian Ferrier performing an original piece on guitar and vocals.  Moe Clark and Kris Mah's performances are missing from the recordings."],"contents":["STE-000.wav [File 1 of 2]\n\nUnknown\n00:00:00\nAmbient Sound [voices].\n\nIan Ferrier\n00:00:08\nIntroduces event [audience laughter throughout]. | Keywords: Casa Del Popolo [https://www.wikidata.org/wiki/Q3538292]\n\nIan Ferrier\n00:00:38\nIntroduces Stefan Christoff [https://www.wikidata.org/wiki/Q7606050] and Peter Burton. | Keywords: CSIS [https://www.wikidata.org/wiki/Q1032405]\n\nAudience\n00:01:09\nApplause [cut off].\n\nStefan Christoff\n00:01:25\nIntroduces \"Foon + Christoff\". | Keywords: Duets For Abdelrazik [CD]; Abousfian Abdelrazik [https://www.wikidata.org/wiki/Q4668570]; Montreal [https://www.wikidata.org/wiki/Q340]; Canada [https://www.wikidata.org/wiki/Q16]; Sudan https://www.wikidata.org/wiki/Q1049; CSIS; [Stephen] Harper [https://www.wikidata.org/wiki/Q206]; Ontario [https://www.wikidata.org/wiki/Q1904]; Egypt [https://www.wikidata.org/wiki/Q79]; Ethiopia [https://www.wikidata.org/wiki/Q115]; Somalia [https://www.wikidata.org/wiki/Q1045]; Federal Court of Canada [https://www.wikidata.org/wiki/Q3001081]; Rebecca Foon [https://www.wikidata.org/wiki/Q16217287]\n\nAudience\n00:06:36\nApplause.\n\nStefan Christoff\n00:06:47\nPerforms \"Foon + Christoff\" [later recorded on Duets For Abdelrazik].\n\nAudience\n00:12:44\nApplause.\n\nStefan Christoff\n00:12:58\nThanks audience and introduces Peter Burton.\n\nStefan Christoff\n00:13:36\nPerforms \"Burton + Christoff\" with Peter Burton on double bass [later recorded on Duets For Abdelrazik].\n\nAudience\n00:22:12\nApplause [cut off].\n\nStefan Christoff\n00:22:28\nThanks audience and Ian Ferrier [https://www.wikidata.org/wiki/Q87138884].\n\nIan Ferrier\n00:22:37\nThanks Stefan Christoff and Peter Burton.\n\nAudience\n00:22:39\nApplause.\n\nIan Ferrier\n00:22:44\nAnnounces intermission. | Keywords: Elkahna Talbi (Queen Ka)\n\nEND\n00:22:56\n\n\nSTE-002.wav [File 2 of 2]\n\nUnknown\n00:00:00\nAmbient Sound [music].\n\nIan Ferrier\n00:00:01\nIntroduces Elkahna Talbi (Queen Ka). | Keywords: Tunisia [https://www.wikidata.org/wiki/Q948]\n\nAudience\n00:00:25\nApplause.\n\nElkahna Talbi (Queen Ka)\n00:00:31\nAddresses audience and introduces unnamed poem. \n\nElkahna Talbi (Queen Ka)\n00:01:00\nPerforms unnamed poem in French.\n\nAudience\n00:03:34\nApplause.\n\nElkahna Talbi (Queen Ka)\n00:03:47\nPerforms \"Bout de Peau\" in French.\n\nAudience\n00:05:08\nApplause.\n\nElkahna Talbi (Queen Ka)\n00:05:13\nIntroduces unnamed poem in French.\n\nElkahna Talbi (Queen Ka)\n00:05:25\nPerforms unnamed poem in French.\n\nElkahna Talbi (Queen Ka)\n00:06:10\nIntroduces unnamed poem in French. | Keywords: Plateau Mont-Royal [https://www.wikidata.org/wiki/Q2624008]\n\nElkahna Talbi (Queen Ka)\n00:06:32\nPerforms unnamed poem in French.\n\nAudience\n00:07:44\nApplause.\n\nElkahna Talbi (Queen Ka)\n00:07:51\nIntroduces unnamed poem in French.\n\nElkahna Talbi (Queen Ka)\n00:07:54\nPerforms unnamed poem in French.\n\nElkahna Talbi (Queen Ka)\n00:08:13\nPerforms unnamed poem in French.\n\nElkahna Talbi (Queen Ka)\n00:08:34\nIntroduces [\"Les Solitudes” from Les éclats [CD]].\n\nElkahna Talbi (Queen Ka)\n00:08:44\nPerforms \"Les Solitudes\" in French from Les éclats.\n\nAudience\n00:10:57\nApplause.\n\nElkahna Talbi (Queen Ka)\n00:11:05\nIntroduces unnamed poem in French.\n\nElkahna Talbi (Queen Ka)\n00:11:14\nPerforms unnamed poem in French [audience laughter throughout].\n\nAudience\n00:13:54\nApplause.\n\nElkahna Talbi (Queen Ka)\n00:13:56\nThanks audience and Ian Ferrier in French and Spanish [audience applause continues throughout].\n\nIan Ferrier\n00:14:15\nDiscusses Elkahna Talbi's performance. | Keywords: Tunisia\n\nAudience\n00:14:20\nApplause.\n\nIan Ferrier\n00:14:35\nIntroduces \"Oh My Sisters\". | Keywords: Moe Clark [https://www.wikidata.org/wiki/Q65116392]; Kris Mah, Elkahna [Talbi]; Scientific American [https://www.wikidata.org/wiki/Q39379]\n\nIan Ferrier\n00:17:06\nPerforms \"Oh My Sisters\".\n\nAudience\n00:23:00\nApplause.\n\nIan Ferrier\n00:23:09\nThanks audience and announces intermission. | Keywords: Moe Clark; Kris Mah\n\nAudience\n00:23:16\nApplause [cut off].\n\nEND\n00:23:22"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548303773697,"timestamp":"2026-01-07T14:59:52.745Z","digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2011/04/\",\"file_path\":\"\",\"filename\":\"STE-000.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:22:56\",\"precision\":\"\",\"size\":\"242.9 MB \",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-000.wav [File 1 of 2]\\n\\nUnknown\\n00:00:00\\nAmbient Sound [voices].\\n\\nIan Ferrier\\n00:00:08\\nIntroduces event [audience laughter throughout]. | Keywords: Casa Del Popolo [https://www.wikidata.org/wiki/Q3538292]\\n\\nIan Ferrier\\n00:00:38\\nIntroduces Stefan Christoff [https://www.wikidata.org/wiki/Q7606050] and Peter Burton. | Keywords: CSIS [https://www.wikidata.org/wiki/Q1032405]\\n\\nAudience\\n00:01:09\\nApplause [cut off].\\n\\nStefan Christoff\\n00:01:25\\nIntroduces \\\"Foon + Christoff\\\". | Keywords: Duets For Abdelrazik [CD]; Abousfian Abdelrazik [https://www.wikidata.org/wiki/Q4668570]; Montreal [https://www.wikidata.org/wiki/Q340]; Canada [https://www.wikidata.org/wiki/Q16]; Sudan https://www.wikidata.org/wiki/Q1049; CSIS; [Stephen] Harper [https://www.wikidata.org/wiki/Q206]; Ontario [https://www.wikidata.org/wiki/Q1904]; Egypt [https://www.wikidata.org/wiki/Q79]; Ethiopia [https://www.wikidata.org/wiki/Q115]; Somalia [https://www.wikidata.org/wiki/Q1045]; Federal Court of Canada [https://www.wikidata.org/wiki/Q3001081]; Rebecca Foon [https://www.wikidata.org/wiki/Q16217287]\\n\\nAudience\\n00:06:36\\nApplause.\\n\\nStefan Christoff\\n00:06:47\\nPerforms \\\"Foon + Christoff\\\" [later recorded on Duets For Abdelrazik].\\n\\nAudience\\n00:12:44\\nApplause.\\n\\nStefan Christoff\\n00:12:58\\nThanks audience and introduces Peter Burton.\\n\\nStefan Christoff\\n00:13:36\\nPerforms \\\"Burton + Christoff\\\" with Peter Burton on double bass [later recorded on Duets For Abdelrazik].\\n\\nAudience\\n00:22:12\\nApplause [cut off].\\n\\nStefan Christoff\\n00:22:28\\nThanks audience and Ian Ferrier [https://www.wikidata.org/wiki/Q87138884].\\n\\nIan Ferrier\\n00:22:37\\nThanks Stefan Christoff and Peter Burton.\\n\\nAudience\\n00:22:39\\nApplause.\\n\\nIan Ferrier\\n00:22:44\\nAnnounces intermission. | Keywords: Elkahna Talbi (Queen Ka)\\n\\nEND\\n00:22:56\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2011/04/\",\"file_path\":\"\",\"filename\":\"STE-002.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:23:22\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-002.wav [File 2 of 2]\\n\\nUnknown\\n00:00:00\\nAmbient Sound [music].\\n\\nIan Ferrier\\n00:00:01\\nIntroduces Elkahna Talbi (Queen Ka). | Keywords: Tunisia [https://www.wikidata.org/wiki/Q948]\\n\\nAudience\\n00:00:25\\nApplause.\\n\\nElkahna Talbi (Queen Ka)\\n00:00:31\\nAddresses audience and introduces unnamed poem. \\n\\nElkahna Talbi (Queen Ka)\\n00:01:00\\nPerforms unnamed poem in French.\\n\\nAudience\\n00:03:34\\nApplause.\\n\\nElkahna Talbi (Queen Ka)\\n00:03:47\\nPerforms \\\"Bout de Peau\\\" in French.\\n\\nAudience\\n00:05:08\\nApplause.\\n\\nElkahna Talbi (Queen Ka)\\n00:05:13\\nIntroduces unnamed poem in French.\\n\\nElkahna Talbi (Queen Ka)\\n00:05:25\\nPerforms unnamed poem in French.\\n\\nElkahna Talbi (Queen Ka)\\n00:06:10\\nIntroduces unnamed poem in French. | Keywords: Plateau Mont-Royal [https://www.wikidata.org/wiki/Q2624008]\\n\\nElkahna Talbi (Queen Ka)\\n00:06:32\\nPerforms unnamed poem in French.\\n\\nAudience\\n00:07:44\\nApplause.\\n\\nElkahna Talbi (Queen Ka)\\n00:07:51\\nIntroduces unnamed poem in French.\\n\\nElkahna Talbi (Queen Ka)\\n00:07:54\\nPerforms unnamed poem in French.\\n\\nElkahna Talbi (Queen Ka)\\n00:08:13\\nPerforms unnamed poem in French.\\n\\nElkahna Talbi (Queen Ka)\\n00:08:34\\nIntroduces [\\\"Les Solitudes” from Les éclats [CD]].\\n\\nElkahna Talbi (Queen Ka)\\n00:08:44\\nPerforms \\\"Les Solitudes\\\" in French from Les éclats.\\n\\nAudience\\n00:10:57\\nApplause.\\n\\nElkahna Talbi (Queen Ka)\\n00:11:05\\nIntroduces unnamed poem in French.\\n\\nElkahna Talbi (Queen Ka)\\n00:11:14\\nPerforms unnamed poem in French [audience laughter throughout].\\n\\nAudience\\n00:13:54\\nApplause.\\n\\nElkahna Talbi (Queen Ka)\\n00:13:56\\nThanks audience and Ian Ferrier in French and Spanish [audience applause continues throughout].\\n\\nIan Ferrier\\n00:14:15\\nDiscusses Elkahna Talbi's performance. | Keywords: Tunisia\\n\\nAudience\\n00:14:20\\nApplause.\\n\\nIan Ferrier\\n00:14:35\\nIntroduces \\\"Oh My Sisters\\\". | Keywords: Moe Clark [https://www.wikidata.org/wiki/Q65116392]; Kris Mah, Elkahna [Talbi]; Scientific American [https://www.wikidata.org/wiki/Q39379]\\n\\nIan Ferrier\\n00:17:06\\nPerforms \\\"Oh My Sisters\\\".\\n\\nAudience\\n00:23:00\\nApplause.\\n\\nIan Ferrier\\n00:23:09\\nThanks audience and announces intermission. | Keywords: Moe Clark; Kris Mah\\n\\nAudience\\n00:23:16\\nApplause [cut off].\\n\\nEND\\n00:23:22\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2011/04/\",\"file_path\":\"\",\"filename\":\"STE-001.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"0:00:14\",\"precision\":\"\",\"size\":\"2.5 MB \",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2011/04/\",\"file_path\":\"\",\"filename\":\"STE-003.wav\",\"channel_field\":\"(mute)\",\"sample_rate\":\"\",\"duration\":\"00:01:21\",\"precision\":\"\",\"size\":\"14.3 MB \",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"score":0.01643844},{"id":"1112","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2011-05-15"],"item_title_source":["Cataloguer"],"item_title_note":["Language No Barrier show"],"item_language":["English, French"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"(Performs with José Acquelin)\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\",\"Performer\"]}]"],"contributors_names":["Strauss, Ted","Waldman, Brahja","Caloia, Nicolas","Gelinas, Daniel","Acquelin, José","Kellough, Kaie"],"contributors_names_search":["Strauss, Ted","Waldman, Brahja","Caloia, Nicolas","Gelinas, Daniel","Acquelin, José","Kellough, Kaie"],"contributors":["[{\"url\":\"\",\"name\":\"Strauss, Ted\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/171679248\",\"name\":\"Waldman, Brahja\",\"dates\":\"\",\"notes\":\"(With Nicolas Caloia and Daniel Gelinas)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/31697\",\"name\":\"Caloia, Nicolas\",\"dates\":\"\",\"notes\":\"(With Brahja Waldman and Daniel Gelinas)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Gelinas, Daniel\",\"dates\":\"\",\"notes\":\"(With Brahja Waldman and Nicolas Caloia)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/29563344\",\"name\":\"Acquelin, José\",\"dates\":\"1956-\",\"notes\":\"(With Ian Ferrier)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/68351676\",\"name\":\"Kellough, Kaie \",\"dates\":\"1975-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Strauss, Ted","Waldman, Brahja","Caloia, Nicolas","Gelinas, Daniel","Acquelin, José","Kellough, Kaie "],"Performance_Date":[2011],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/1112/Poster for May 15th  SHOW_page-0001.jpg\",\"other\":\" In folder: 18 audio, 2 docs, 17 misc. In folder2: 1 doc, 1 image, 1 misc. In folder3: 2 audio, 1 misc. In folder4: 1 audio (copy).\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Set of 2 event audio recordings (+copies and edits)\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"Dates":["[{\"date\":\"2011 05 15\",\"type\":\"Performance Date\",\"notes\":\"Date indicated on event poster and in radio ad and document\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118\",\"longitude\":\"-73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["This event features a bilingual exchange, in which Ian Ferrier reads translations of José Acquelin's poems in English while Acquelin reads Ferrier's in French (both set to guitar instrumentation), Tedd Strauss performs songs he has composed with lyrics taken from the work of Bertolt Brecht, spoken word by Kaie Kellough, and a set by a jazz trio (Brahja Waldman, Nicolas Caloia, Daniel Gelinas)."],"contents":["STE-001.wav [File 1 of 2]\n\nUnknown\n00:00:00\nAmbient Sound [music and voices].\n\nIan Ferrier\n00:00:27\nIntroduces event and José Acquelin [https://www.wikidata.org/wiki/Q3186138]. | Keywords: Scott Duncan; Jasmine Chatelain; Quebec [https://www.wikidata.org/wiki/Q176]; Geneviève Letarte [https://www.wikidata.org/wiki/Q85112916]\n\nIan Ferrier\n00:01:30\nIntroduces performance [José Acquelin comments throughout]. | Keywords: Alberta [https://www.wikidata.org/wiki/Q1951]\n\nAudience\n00:02:00\nApplause.\n\nJosé Acquelin\n00:02:03\nIntroduces \"Le Futur Intérieur\" in French. | Keywords: Fortner Anderson [https://www.wikidata.org/wiki/Q83688183]\n\nIan Ferrier\n00:02:21\nReads \"Le Futur Intérieur\" (\"The Future Presents\") in English accompanied by José Acquelin on guitar.\n\nAudience\n00:06:12\nApplause.\n\nJosé Acquelin\n00:06:28\nIntroduces Ian Ferrier's poem \"Ton Gout\".\n\nJosé Acquelin\n00:06:35\nReads \"Ton Gout\" in French accompanied by Ian Ferrier [https://www.wikidata.org/wiki/Q87138884] on guitar.\n\nAudience\n00:10:31\nApplause.\n\nIan Ferrier\n00:10:37\nIntroduces unnamed poem written by José Acquelin. | Keywords: Festival de la Poésie\n\nJosé Acquelin\n00:11:08\nReads unnamed poem in French accompanied by himself and Ian Ferrier on guitar.\n\nAudience\n00:17:27\nApplause.\n\nJosé Acquelin\n00:17:30\nThanks Ian Ferrier and audience in French [audience applause continues throughout].\n\nIan Ferrier\n00:17:43\nThanks José Acquelin and promotes The Man Who Delivers Clouds [book]. | Keywords: Festival de la Poésie\n\nIan Ferrier\n00:18:06\nIntroduces Ted Strauss [audience laughter throughout].\n\nAudience\n00:18:29\nApplause.\n\nTed Strauss\n00:18:59\nAddresses Ian Ferrier and introduces \"When we entered fair Milan\" from Everything Changes: Songs of Bertolt Brecht [CD]. | Keywords: Bertolt Brecht [https://www.wikidata.org/wiki/Q38757]; Schweik in the Second World War [https://www.wikidata.org/wiki/Q544256]\n\nTed Strauss\n00:19:52\nPerforms \"When we entered fair Milan\" from Everything Changes: Songs of Bertolt Brecht.\n\nAudience\n00:23:35\nApplause.\n\nTed Strauss\n00:23:44\nThanks audience and introduces unnamed song. | Keywords: [Bertolt] Brecht; Charles Bukowski [https://www.wikidata.org/wiki/Q76409]\n\nTed Strauss\n00:24:36\nPerforms unnamed song.\n\nAudience\n00:26:57\nApplause.\n\nTed Strauss\n00:27:03\nAddresses audience, promotes Everything Changes: Songs of Bertolt Brecht, and introduces \"Baby I Got You\". | Keywords: [Charles] Bukowksi; Bandcamp [https://www.wikidata.org/wiki/Q545966]\n\nTed Strauss\n00:28:00\nPerforms \"Baby I Got You\".\n\nAudience\n00:31:22\nApplause.\n\nTed Strauss\n00:31:27\nThanks audience [audience applause continues throughout]. | Keywords: Kaie Kellough [https://www.wikidata.org/wiki/Q6347628]\n\nIan Ferrier\n00:31:50\nThanks Ted Strauss and introduces Kaie Kellough [audience laughter throughout]. | Keywords: Bertolt Brecht; Charles Bukowski; Maple Leaf Rag [book]; Lettricity [book]\n\nAudience\n00:32:32\nApplause.\n\nKaie Kellough\n00:33:02\nPerforms unnamed sound poem [audience laughter throughout].\n\nKaie Kellough\n00:33:56\nPerforms \"Block Rock for Campbell Park, Little Burgundy, Mont Real\".\n\nAudience\n00:36:26\nApplause.\n\nKaie Kellough\n00:36:43\nPerforms unnamed sound poem.\n\nKaie Kellough\n00:37:20\nPerforms unnamed poem.\n\nAudience\n00:40:06\nApplause and laughter.\n\nKaie Kellough\n00:40:55\nPerforms unnamed poem.\n\nAudience\n00:42:13\nApplause.\n\nKaie Kellough\n00:42:27\nPerforms unnamed sound poem [audience laughter throughout].\n\nKaie Kellough\n00:43:12\nLaughter.\n\nKaie Kellough\n00:43:18\nPerforms unnamed poem.\n\nAudience\n00:47:03\nApplause.\n\nIan Ferrier\n00:47:25\nThanks Kaie Kellough, promotes Vox Versus [CD], and announces intermission. | Keywords: Suoni [Per Il Popolo] Festival; Brahja Waldman; Nicolas Caloia; Daniel Gelinas\n\nEND\n00:47:48\n\n\nSTE-002.wav [File 2 of 2]\n\nIan Ferrier\n00:00:00\nIntroduces Brahja Waldman, Nicolas Caloia, and Daniel Gelinas\n\nAudience\n00:00:12\nApplause\n\nBrahja Waldman\n00:00:22\nPerforms unnamed song [originally by Ornette Coleman; https://www.wikidata.org/wiki/Q208797] with Nicolas Caloia and Daniel Gelinas [audience applause throughout].\n\nAudience\n00:08:17\nLaughter and applause.\n\nBrahja Waldman\n00:08:26\nIntroduces \"Dear Lord\" [originally by John Coltrane; https://www.wikidata.org/wiki/Q7346].\n\nBrahja Waldman\n00:08:57\nPerforms \"Dear Lord\" [originally by John Coltrane] with Nicolas Caloia and Daniel Gelinas [audience applause throughout].\n\nAudience\n00:17:30\nApplause.\n\nBrahja Waldman\n00:17:43\nIntroduces \"Una Muy Bonita\" [originally recorded by Ornette Coleman on Change of the Century https://www.wikidata.org/wiki/Q1988546].\n\nBrahja Waldman\n00:17:55\nPerforms \"Una Muy Bonita\"[originally recorded by Ornette Coleman on Change of the Century] with Nicolas Caloia and Daniel Gelinas.\n\nAudience\n00:24:11\nApplause.\n\nBrahja Waldman\n00:24:23\nIntroduces \"Ugly Beauty\" [originally by Thelonious Monk; https://www.wikidata.org/wiki/Q109612].\n\nBrahja Waldman\n00:25:00\nPerforms \"Ugly Beauty\" [originally by Thelonious Monk] with Nicolas Caloia and Daniel Gelinas.\n\nAudience\n00:30:38\nApplause.\n\nBrahja Waldman\n00:30:48\nIntroduces \"Evidence\" [originally by Thelonious Monk].\n\nBrahja Waldman\n00:31:08\nPerforms \"Evidence\" [originally by Thelonious Monk] with Nicolas Caloia and Daniel Gelinas [audience applause throughout].\n\nAudience\n00:36:35\nApplause.\n\nBrahja Waldman\n00:36:45\nThanks audience and introduces Nicolas Caloia and Daniel Gelinas [audience laughter and applause throughout].\n\nIan Ferrier\n00:37:07\nThanks Brajah Waldman [audience applause throughout] and promotes Brahja Waldman's Quartet! (debut) [CD]. \n\nIan Ferrier\n00:37:20\nAnnounces future event. | Keywords: Kaie Kellough; Jason Sharp\n\nAudience\n00:37:32\nApplause.\n\nEND\n00:37:36"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548305870848,"timestamp":"2026-01-07T14:59:52.745Z","digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2011/05/\",\"file_path\":\"\",\"filename\":\"STE-001.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:47:48\",\"precision\":\"\",\"size\":\"505.9 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-001.wav [File 1 of 2]\\n\\nUnknown\\n00:00:00\\nAmbient Sound [music and voices].\\n\\nIan Ferrier\\n00:00:27\\nIntroduces event and José Acquelin [https://www.wikidata.org/wiki/Q3186138]. | Keywords: Scott Duncan; Jasmine Chatelain; Quebec [https://www.wikidata.org/wiki/Q176]; Geneviève Letarte [https://www.wikidata.org/wiki/Q85112916]\\n\\nIan Ferrier\\n00:01:30\\nIntroduces performance [José Acquelin comments throughout]. | Keywords: Alberta [https://www.wikidata.org/wiki/Q1951]\\n\\nAudience\\n00:02:00\\nApplause.\\n\\nJosé Acquelin\\n00:02:03\\nIntroduces \\\"Le Futur Intérieur\\\" in French. | Keywords: Fortner Anderson [https://www.wikidata.org/wiki/Q83688183]\\n\\nIan Ferrier\\n00:02:21\\nReads \\\"Le Futur Intérieur\\\" (\\\"The Future Presents\\\") in English accompanied by José Acquelin on guitar.\\n\\nAudience\\n00:06:12\\nApplause.\\n\\nJosé Acquelin\\n00:06:28\\nIntroduces Ian Ferrier's poem \\\"Ton Gout\\\".\\n\\nJosé Acquelin\\n00:06:35\\nReads \\\"Ton Gout\\\" in French accompanied by Ian Ferrier [https://www.wikidata.org/wiki/Q87138884] on guitar.\\n\\nAudience\\n00:10:31\\nApplause.\\n\\nIan Ferrier\\n00:10:37\\nIntroduces unnamed poem written by José Acquelin. | Keywords: Festival de la Poésie\\n\\nJosé Acquelin\\n00:11:08\\nReads unnamed poem in French accompanied by himself and Ian Ferrier on guitar.\\n\\nAudience\\n00:17:27\\nApplause.\\n\\nJosé Acquelin\\n00:17:30\\nThanks Ian Ferrier and audience in French [audience applause continues throughout].\\n\\nIan Ferrier\\n00:17:43\\nThanks José Acquelin and promotes The Man Who Delivers Clouds [book]. | Keywords: Festival de la Poésie\\n\\nIan Ferrier\\n00:18:06\\nIntroduces Ted Strauss [audience laughter throughout].\\n\\nAudience\\n00:18:29\\nApplause.\\n\\nTed Strauss\\n00:18:59\\nAddresses Ian Ferrier and introduces \\\"When we entered fair Milan\\\" from Everything Changes: Songs of Bertolt Brecht [CD]. | Keywords: Bertolt Brecht [https://www.wikidata.org/wiki/Q38757]; Schweik in the Second World War [https://www.wikidata.org/wiki/Q544256]\\n\\nTed Strauss\\n00:19:52\\nPerforms \\\"When we entered fair Milan\\\" from Everything Changes: Songs of Bertolt Brecht.\\n\\nAudience\\n00:23:35\\nApplause.\\n\\nTed Strauss\\n00:23:44\\nThanks audience and introduces unnamed song. | Keywords: [Bertolt] Brecht; Charles Bukowski [https://www.wikidata.org/wiki/Q76409]\\n\\nTed Strauss\\n00:24:36\\nPerforms unnamed song.\\n\\nAudience\\n00:26:57\\nApplause.\\n\\nTed Strauss\\n00:27:03\\nAddresses audience, promotes Everything Changes: Songs of Bertolt Brecht, and introduces \\\"Baby I Got You\\\". | Keywords: [Charles] Bukowksi; Bandcamp [https://www.wikidata.org/wiki/Q545966]\\n\\nTed Strauss\\n00:28:00\\nPerforms \\\"Baby I Got You\\\".\\n\\nAudience\\n00:31:22\\nApplause.\\n\\nTed Strauss\\n00:31:27\\nThanks audience [audience applause continues throughout]. | Keywords: Kaie Kellough [https://www.wikidata.org/wiki/Q6347628]\\n\\nIan Ferrier\\n00:31:50\\nThanks Ted Strauss and introduces Kaie Kellough [audience laughter throughout]. | Keywords: Bertolt Brecht; Charles Bukowski; Maple Leaf Rag [book]; Lettricity [book]\\n\\nAudience\\n00:32:32\\nApplause.\\n\\nKaie Kellough\\n00:33:02\\nPerforms unnamed sound poem [audience laughter throughout].\\n\\nKaie Kellough\\n00:33:56\\nPerforms \\\"Block Rock for Campbell Park, Little Burgundy, Mont Real\\\".\\n\\nAudience\\n00:36:26\\nApplause.\\n\\nKaie Kellough\\n00:36:43\\nPerforms unnamed sound poem.\\n\\nKaie Kellough\\n00:37:20\\nPerforms unnamed poem.\\n\\nAudience\\n00:40:06\\nApplause and laughter.\\n\\nKaie Kellough\\n00:40:55\\nPerforms unnamed poem.\\n\\nAudience\\n00:42:13\\nApplause.\\n\\nKaie Kellough\\n00:42:27\\nPerforms unnamed sound poem [audience laughter throughout].\\n\\nKaie Kellough\\n00:43:12\\nLaughter.\\n\\nKaie Kellough\\n00:43:18\\nPerforms unnamed poem.\\n\\nAudience\\n00:47:03\\nApplause.\\n\\nIan Ferrier\\n00:47:25\\nThanks Kaie Kellough, promotes Vox Versus [CD], and announces intermission. | Keywords: Suoni [Per Il Popolo] Festival; Brahja Waldman; Nicolas Caloia; Daniel Gelinas\\n\\nEND\\n00:47:48\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2011/05/\",\"file_path\":\"\",\"filename\":\"STE-002.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:37:36\",\"precision\":\"\",\"size\":\"398.1 MB \",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-002.wav [File 2 of 2]\\n\\nIan Ferrier\\n00:00:00\\nIntroduces Brahja Waldman, Nicolas Caloia, and Daniel Gelinas\\n\\nAudience\\n00:00:12\\nApplause\\n\\nBrahja Waldman\\n00:00:22\\nPerforms unnamed song [originally by Ornette Coleman; https://www.wikidata.org/wiki/Q208797] with Nicolas Caloia and Daniel Gelinas [audience applause throughout].\\n\\nAudience\\n00:08:17\\nLaughter and applause.\\n\\nBrahja Waldman\\n00:08:26\\nIntroduces \\\"Dear Lord\\\" [originally by John Coltrane; https://www.wikidata.org/wiki/Q7346].\\n\\nBrahja Waldman\\n00:08:57\\nPerforms \\\"Dear Lord\\\" [originally by John Coltrane] with Nicolas Caloia and Daniel Gelinas [audience applause throughout].\\n\\nAudience\\n00:17:30\\nApplause.\\n\\nBrahja Waldman\\n00:17:43\\nIntroduces \\\"Una Muy Bonita\\\" [originally recorded by Ornette Coleman on Change of the Century https://www.wikidata.org/wiki/Q1988546].\\n\\nBrahja Waldman\\n00:17:55\\nPerforms \\\"Una Muy Bonita\\\"[originally recorded by Ornette Coleman on Change of the Century] with Nicolas Caloia and Daniel Gelinas.\\n\\nAudience\\n00:24:11\\nApplause.\\n\\nBrahja Waldman\\n00:24:23\\nIntroduces \\\"Ugly Beauty\\\" [originally by Thelonious Monk; https://www.wikidata.org/wiki/Q109612].\\n\\nBrahja Waldman\\n00:25:00\\nPerforms \\\"Ugly Beauty\\\" [originally by Thelonious Monk] with Nicolas Caloia and Daniel Gelinas.\\n\\nAudience\\n00:30:38\\nApplause.\\n\\nBrahja Waldman\\n00:30:48\\nIntroduces \\\"Evidence\\\" [originally by Thelonious Monk].\\n\\nBrahja Waldman\\n00:31:08\\nPerforms \\\"Evidence\\\" [originally by Thelonious Monk] with Nicolas Caloia and Daniel Gelinas [audience applause throughout].\\n\\nAudience\\n00:36:35\\nApplause.\\n\\nBrahja Waldman\\n00:36:45\\nThanks audience and introduces Nicolas Caloia and Daniel Gelinas [audience laughter and applause throughout].\\n\\nIan Ferrier\\n00:37:07\\nThanks Brajah Waldman [audience applause throughout] and promotes Brahja Waldman's Quartet! (debut) [CD]. \\n\\nIan Ferrier\\n00:37:20\\nAnnounces future event. | Keywords: Kaie Kellough; Jason Sharp\\n\\nAudience\\n00:37:32\\nApplause.\\n\\nEND\\n00:37:36\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"score":0.01643844},{"id":"1113","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2011-08-21"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"contributors_names":["Delay Talk","Ricker, Stacy","Clark, Moe","Kellough, Kaie","Christoff, Stefan","Warrior Minded"],"contributors_names_search":["Delay Talk","Ricker, Stacy","Clark, Moe","Kellough, Kaie","Christoff, Stefan","Warrior Minded"],"contributors":["[{\"url\":\"\",\"name\":\"Delay Talk\",\"dates\":\"\",\"notes\":\"Band\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Ricker, Stacy\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/317024729\",\"name\":\"Clark, Moe\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/68351676\",\"name\":\"Kellough, Kaie\",\"dates\":\"1975-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/106422154\",\"name\":\"Christoff, Stefan\",\"dates\":\"1981-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Warrior Minded\",\"dates\":\"\",\"notes\":\"(Stage name). First name Joey, last name unspecified\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Delay Talk","Ricker, Stacy","Clark, Moe","Kellough, Kaie","Christoff, Stefan","Warrior Minded"],"Performance_Date":[2011],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/1113/aUGUST 21 2011 kAIE, mOE AND dELAY tALK_page-0001.jpg\",\"other\":\" In folder: 31 audio, 23 misc. In folder2: 4 docs, 1 image, 2 misc.\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Set of 3 event audio recordings (+copies and edits)\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"Dates":["[{\"date\":\"2011 08 21\",\"type\":\"Performance Date\",\"notes\":\"Date indicated on event poster and in document\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118\",\"longitude\":\"-73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["This event features experimental music by Delay Talk, indie rock songs by Stacy Ricker, spoken word poetry from Warrior Minded, music and poems by Moe Clark after she reflects on her cross-Canada travels, a spoken word piece by Kaie Kellough inspired by the streets of \"south-east\" Montreal, and an instrumental piano piece performed by Stefan Christoff"],"contents":["STE-000.wav [File 1 of 2]\n\nIan Ferrier\n00:00:00\nIntroduces event in English and French.\n\nIan Ferrier\n00:00:08\nintroduces Delay Talk in French and English. | Keywords: Café Soufflé\n\nAudience\n00:00:25\nApplause [cut off].\n\nUnknown\n00:00:29\nSilence. \n\nDelay Talk \n00:01:15\nPerforms unnamed song.\n\nUnknown\n00:16:45\nSilence. \n\nIan Ferrier\n00:17:01\nThanks Delay Talk.\n\nAudience\n00:17:09\nApplause.\n\nIan Ferrier\n00:17:12\nIntroduces Stacy Ricker. | Keywords: Canada Council for the Arts [https://www.wikidata.org/wiki/Q2993809]; Toronto [https://www.wikidata.org/wiki/Q172]; Queen Street [https://www.wikidata.org/wiki/Q1067220]\n\nAudience\n00:17:48\nApplause.\n\nUnknown\n00:17:58\nSilence. \n\nStacy Ricker\n00:19:51\nAddresses audience in French and English and introduces \"Tragic Novel\" [audience applause throughout]. | Keywords: Montreal [https://www.wikidata.org/wiki/Q340]; Moe Clark [https://www.wikidata.org/wiki/Q65116392] \n\nStacy Ricker\n00:21:00\nPerforms \"Tragic Novel\".\n\nAudience\n00:23:52\nApplause.\n\nStacy Ricker\n00:23:58\nThanks audience.\n\nStacy Ricker\n00:24:06\nPerforms unnamed song.\n\nAudience\n00:28:07\nApplause.\n\nStacy Ricker\n00:28:09\nThanks audience [audience applause continues throughout] and introduces \"Rare Bird\". \n\nStacy Ricker\n00:28:50\nPerforms \"Rare Bird\".\n\nAudience\n00:31:53\nApplause.\n\nStacy Ricker\n00:32:01\nIntroduces \"The Light\".\n\nStacy Ricker\n00:32:40\nPerforms \"The Light\"\n\nAudience\n00:38:23\nApplause.\n\nStacy Ricker\n00:38:32\nThanks audience and Ian Ferrier [audience applause continues throughout]. | Keywords: Words and Music\n\nAudience\n00:38:40\nApplause.\n\nIan Ferrier\n00:38:58\nThanks Stacy Ricker. | Keywords: Montreal \n\nIan Ferrier\n00:39:27\nAnnounces intermission. | Keywords: Warrior Minded; Moe Clark; Kaie Kellough [https://www.wikidata.org/wiki/Q6347628]; Stefan Christoff [https://www.wikidata.org/wiki/Q7606050]\n\nAudience\n00:39:34\nApplause [cut off].\n\nUnknown\n00:39:46\nAmbient Sound [music].\n\nEND\n00:39:54\n\n\nSTE-001.wav [File 2 of 2]\n\nUnknown\n00:00:00\nAmbient Sound [music and voices].\n\nIan Ferrier\n00:00:14\nIntroduces Warrior Minded. | Keywords: Moe Clark; Reggies [Bar]; Brutopia; L’Escalier\n\nAudience\n00:00:40\nApplause\n\nWarrior Minded\n00:01:01\nAddresses audience and introduces unnamed poem [audience applause throughout].\n\nWarrior Minded\n00:01:24\nPerforms unnamed poem. \n\nAudience\n00:02:48\nApplause.\n\nWarrior Minded\n00:02:54\nIntroduces unnamed poem. | Keywords: Moe Clark\n\nWarrior Minded\n00:03:06\nPerforms unnamed poem. \n\nAudience\n00:03:54\nApplause.\n\nIan Ferrier\n00:04:10\nThanks Warrior Minded. \n\nAudience\n00:04:12\nApplause.\n\nIan Ferrier\n00:04:16\nIntroduces Moe Clark. | Keywords: Calgary [https://www.wikidata.org/wiki/Q36312]; Alberta [https://www.wikidata.org/wiki/Q1951]; Montreal \n\nAudience\n00:04:31\nApplause.\n\nMoe Clark\n00:04:56\nAddresses audience and Warrior Minded [audience laughter and applause throughout]. | Keywords: The Friendship Centre\n\nMoe Clark\n00:06:07\nIntroduces \"Butterfly Ashes\". | Keywords: Calgary; Edmonton [https://www.wikidata.org/wiki/Q2096]; Via Rail [https://www.wikidata.org/wiki/Q876720]; Canada [https://www.wikidata.org/wiki/Q16]; Salt Spring [Island; https://www.wikidata.org/wiki/Q2215523]\n\nMoe Clark\n00:06:54\nPerforms \"Butterfly Ashes\" [later recorded on Within [CD]].\n\nAudience\n00:13:03\nApplause.\n\nMoe Clark\n00:13:17\nThanks audience in English, Ojibway, Michif-French, and Cree.\n\nMoe Clark\n00:14:08\nIntroduces \"Frida Twins Piece\". | Keywords: Alessandra Naccarato; Ravensara; Salt Spring [Island]; Vancouver [https://www.wikidata.org/wiki/Q24639]\n\nMoe Clark\n00:14:51\nPerforms \"Frida Twins Piece\".\n\nAudience\n00:21:00\nApplause.\n\nMoe Clark\n00:21:07\nThanks audience [audience applause continues throughout] introduces [\"Calling\"] in English and Portugese, addresses audience, and thanks Steve Godin [audience laughter throughout].\n\nMoe Clark\n00:23:27\nPerforms \"Calling\" [later recorded on Within].\n\nAudience\n00:27:51\nApplause [cut off].\n\nIan Ferrier\n00:28:20\nAddresses and thanks Moe Clark. | Keywords: Kaie Kellough\n\nAudience\n00:28:38\nApplause.\n\nIan Ferrier\n00:28:46\nPromotes Circle of She and Pharmakon MTL [CDs], announces future events, and introduces Kaie Kellough. | Keywords: Vox Versus [CD]\n\nAudience\n00:29:23\nApplause.\n\nKaie Kellough\n00:29:45\nIntroduces unnamed poem [audience laughter throughout]. \n\nKaie Kellough\n00:30:56\nReads unnamed poem [audience laughter throughout].\n\nAudience\n00:39:49\nApplause.\n\nIan Ferrier\n00:40:08\nPromotes Vox Versus [audience applause throughout]. | Keywords: Kaie Kellough\n\nIan Ferrier\n00:40:16\nIntroduces Stefan Christoff. | Keywords: CKUT [https://www.wikidata.org/wiki/Q2931672]\n\nAudience\n00:40:46\nApplause.\n\nStefan Christoff\n00:40:52\nThanks Ian Ferrier [https://www.wikidata.org/wiki/Q87138884] and addresses audience.\n\nAudience\n00:41:35\nApplause.\n\nStefan Christoff\n00:41:39\nPromotes Vox Versus and announces future event [audience applause throughout]. | Keywords: Kaie Kellough; La Sala Rossa; HOWL!; Matthew Shipp [https://www.wikidata.org/wiki/Q433107]; Matana Roberts [https://www.wikidata.org/wiki/Q253999]\n\nAudience\n00:42:07\nApplause.\n\nStefan Christoff\n00:42:10\nAddresses Brigette DePape [https://www.wikidata.org/wiki/Q2925351] and discusses uprising in Libya [audience applause and laughter throughout]. | Keywords: Libya [https://www.wikidata.org/wiki/Q1016]; [Stephen] Harper [https://www.wikidata.org/wiki/Q206]; Tripoli [https://www.wikidata.org/wiki/Q3579]; Muammar Gaddafi [https://www.wikidata.org/wiki/Q19878]; Canada, Tunisia [https://www.wikidata.org/wiki/Q948]; Egypt [https://www.wikidata.org/wiki/Q79]; NATO [https://www.wikidata.org/wiki/Q7184]; CKUT\n\nStefan Christoff\n00:45:41\nIntroduces unnamed song.\n\nAudience\n00:45:45\nApplause.\n\nStefan Christoff\n00:45:59\nPerforms unnamed song.\n\nAudience\n00:51:41\nApplause.\n\nIan Ferrier\n00:51:57\nThanks performers and audience and announces future event.| Keywords: Stefan Christoff; Delay Talk; Stacy Ricker; Warrior Minded; Moe Clark; Kaie Kellough\n\nAudience\n00:52:25\nApplause.\n\nUnknown\n00:52:32\nAmbient Sound [voices and music].\n\nEND\n00:53:06"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548306919424,"timestamp":"2026-01-07T14:59:52.745Z","digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2011/08/\",\"file_path\":\"\",\"filename\":\"STE-000.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:39:54\",\"precision\":\"\",\"size\":\"422.2 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-000.wav [File 1 of 2]\\n\\nIan Ferrier\\n00:00:00\\nIntroduces event in English and French.\\n\\nIan Ferrier\\n00:00:08\\nintroduces Delay Talk in French and English. | Keywords: Café Soufflé\\n\\nAudience\\n00:00:25\\nApplause [cut off].\\n\\nUnknown\\n00:00:29\\nSilence. \\n\\nDelay Talk \\n00:01:15\\nPerforms unnamed song.\\n\\nUnknown\\n00:16:45\\nSilence. \\n\\nIan Ferrier\\n00:17:01\\nThanks Delay Talk.\\n\\nAudience\\n00:17:09\\nApplause.\\n\\nIan Ferrier\\n00:17:12\\nIntroduces Stacy Ricker. | Keywords: Canada Council for the Arts [https://www.wikidata.org/wiki/Q2993809]; Toronto [https://www.wikidata.org/wiki/Q172]; Queen Street [https://www.wikidata.org/wiki/Q1067220]\\n\\nAudience\\n00:17:48\\nApplause.\\n\\nUnknown\\n00:17:58\\nSilence. \\n\\nStacy Ricker\\n00:19:51\\nAddresses audience in French and English and introduces \\\"Tragic Novel\\\" [audience applause throughout]. | Keywords: Montreal [https://www.wikidata.org/wiki/Q340]; Moe Clark [https://www.wikidata.org/wiki/Q65116392] \\n\\nStacy Ricker\\n00:21:00\\nPerforms \\\"Tragic Novel\\\".\\n\\nAudience\\n00:23:52\\nApplause.\\n\\nStacy Ricker\\n00:23:58\\nThanks audience.\\n\\nStacy Ricker\\n00:24:06\\nPerforms unnamed song.\\n\\nAudience\\n00:28:07\\nApplause.\\n\\nStacy Ricker\\n00:28:09\\nThanks audience [audience applause continues throughout] and introduces \\\"Rare Bird\\\". \\n\\nStacy Ricker\\n00:28:50\\nPerforms \\\"Rare Bird\\\".\\n\\nAudience\\n00:31:53\\nApplause.\\n\\nStacy Ricker\\n00:32:01\\nIntroduces \\\"The Light\\\".\\n\\nStacy Ricker\\n00:32:40\\nPerforms \\\"The Light\\\"\\n\\nAudience\\n00:38:23\\nApplause.\\n\\nStacy Ricker\\n00:38:32\\nThanks audience and Ian Ferrier [audience applause continues throughout]. | Keywords: Words and Music\\n\\nAudience\\n00:38:40\\nApplause.\\n\\nIan Ferrier\\n00:38:58\\nThanks Stacy Ricker. | Keywords: Montreal \\n\\nIan Ferrier\\n00:39:27\\nAnnounces intermission. | Keywords: Warrior Minded; Moe Clark; Kaie Kellough [https://www.wikidata.org/wiki/Q6347628]; Stefan Christoff [https://www.wikidata.org/wiki/Q7606050]\\n\\nAudience\\n00:39:34\\nApplause [cut off].\\n\\nUnknown\\n00:39:46\\nAmbient Sound [music].\\n\\nEND\\n00:39:54\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2011/08/\",\"file_path\":\"\",\"filename\":\"STE-001.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:53:06\",\"precision\":\"\",\"size\":\"562.1 MB \",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\\nSTE-001.wav [File 2 of 2]\\n\\nUnknown\\n00:00:00\\nAmbient Sound [music and voices].\\n\\nIan Ferrier\\n00:00:14\\nIntroduces Warrior Minded. | Keywords: Moe Clark; Reggies [Bar]; Brutopia; L’Escalier\\n\\nAudience\\n00:00:40\\nApplause\\n\\nWarrior Minded\\n00:01:01\\nAddresses audience and introduces unnamed poem [audience applause throughout].\\n\\nWarrior Minded\\n00:01:24\\nPerforms unnamed poem. \\n\\nAudience\\n00:02:48\\nApplause.\\n\\nWarrior Minded\\n00:02:54\\nIntroduces unnamed poem. | Keywords: Moe Clark\\n\\nWarrior Minded\\n00:03:06\\nPerforms unnamed poem. \\n\\nAudience\\n00:03:54\\nApplause.\\n\\nIan Ferrier\\n00:04:10\\nThanks Warrior Minded. \\n\\nAudience\\n00:04:12\\nApplause.\\n\\nIan Ferrier\\n00:04:16\\nIntroduces Moe Clark. | Keywords: Calgary [https://www.wikidata.org/wiki/Q36312]; Alberta [https://www.wikidata.org/wiki/Q1951]; Montreal \\n\\nAudience\\n00:04:31\\nApplause.\\n\\nMoe Clark\\n00:04:56\\nAddresses audience and Warrior Minded [audience laughter and applause throughout]. | Keywords: The Friendship Centre\\n\\nMoe Clark\\n00:06:07\\nIntroduces \\\"Butterfly Ashes\\\". | Keywords: Calgary; Edmonton [https://www.wikidata.org/wiki/Q2096]; Via Rail [https://www.wikidata.org/wiki/Q876720]; Canada [https://www.wikidata.org/wiki/Q16]; Salt Spring [Island; https://www.wikidata.org/wiki/Q2215523]\\n\\nMoe Clark\\n00:06:54\\nPerforms \\\"Butterfly Ashes\\\" [later recorded on Within [CD]].\\n\\nAudience\\n00:13:03\\nApplause.\\n\\nMoe Clark\\n00:13:17\\nThanks audience in English, Ojibway, Michif-French, and Cree.\\n\\nMoe Clark\\n00:14:08\\nIntroduces \\\"Frida Twins Piece\\\". | Keywords: Alessandra Naccarato; Ravensara; Salt Spring [Island]; Vancouver [https://www.wikidata.org/wiki/Q24639]\\n\\nMoe Clark\\n00:14:51\\nPerforms \\\"Frida Twins Piece\\\".\\n\\nAudience\\n00:21:00\\nApplause.\\n\\nMoe Clark\\n00:21:07\\nThanks audience [audience applause continues throughout] introduces [\\\"Calling\\\"] in English and Portugese, addresses audience, and thanks Steve Godin [audience laughter throughout].\\n\\nMoe Clark\\n00:23:27\\nPerforms \\\"Calling\\\" [later recorded on Within].\\n\\nAudience\\n00:27:51\\nApplause [cut off].\\n\\nIan Ferrier\\n00:28:20\\nAddresses and thanks Moe Clark. | Keywords: Kaie Kellough\\n\\nAudience\\n00:28:38\\nApplause.\\n\\nIan Ferrier\\n00:28:46\\nPromotes Circle of She and Pharmakon MTL [CDs], announces future events, and introduces Kaie Kellough. | Keywords: Vox Versus [CD]\\n\\nAudience\\n00:29:23\\nApplause.\\n\\nKaie Kellough\\n00:29:45\\nIntroduces unnamed poem [audience laughter throughout]. \\n\\nKaie Kellough\\n00:30:56\\nReads unnamed poem [audience laughter throughout].\\n\\nAudience\\n00:39:49\\nApplause.\\n\\nIan Ferrier\\n00:40:08\\nPromotes Vox Versus [audience applause throughout]. | Keywords: Kaie Kellough\\n\\nIan Ferrier\\n00:40:16\\nIntroduces Stefan Christoff. | Keywords: CKUT [https://www.wikidata.org/wiki/Q2931672]\\n\\nAudience\\n00:40:46\\nApplause.\\n\\nStefan Christoff\\n00:40:52\\nThanks Ian Ferrier [https://www.wikidata.org/wiki/Q87138884] and addresses audience.\\n\\nAudience\\n00:41:35\\nApplause.\\n\\nStefan Christoff\\n00:41:39\\nPromotes Vox Versus and announces future event [audience applause throughout]. | Keywords: Kaie Kellough; La Sala Rossa; HOWL!; Matthew Shipp [https://www.wikidata.org/wiki/Q433107]; Matana Roberts [https://www.wikidata.org/wiki/Q253999]\\n\\nAudience\\n00:42:07\\nApplause.\\n\\nStefan Christoff\\n00:42:10\\nAddresses Brigette DePape [https://www.wikidata.org/wiki/Q2925351] and discusses uprising in Libya [audience applause and laughter throughout]. | Keywords: Libya [https://www.wikidata.org/wiki/Q1016]; [Stephen] Harper [https://www.wikidata.org/wiki/Q206]; Tripoli [https://www.wikidata.org/wiki/Q3579]; Muammar Gaddafi [https://www.wikidata.org/wiki/Q19878]; Canada, Tunisia [https://www.wikidata.org/wiki/Q948]; Egypt [https://www.wikidata.org/wiki/Q79]; NATO [https://www.wikidata.org/wiki/Q7184]; CKUT\\n\\nStefan Christoff\\n00:45:41\\nIntroduces unnamed song.\\n\\nAudience\\n00:45:45\\nApplause.\\n\\nStefan Christoff\\n00:45:59\\nPerforms unnamed song.\\n\\nAudience\\n00:51:41\\nApplause.\\n\\nIan Ferrier\\n00:51:57\\nThanks performers and audience and announces future event.| Keywords: Stefan Christoff; Delay Talk; Stacy Ricker; Warrior Minded; Moe Clark; Kaie Kellough\\n\\nAudience\\n00:52:25\\nApplause.\\n\\nUnknown\\n00:52:32\\nAmbient Sound [voices and music].\\n\\nEND\\n00:53:06\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2011/08/\",\"file_path\":\"\",\"filename\":\"STE-003.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:50:28\",\"precision\":\"\",\"size\":\"48.4 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Alternate version of recording; poorer quality than the wav files\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"score":0.01643844},{"id":"1114","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2011-09-18"],"item_title_source":["Cataloguer"],"item_title_note":["Full audio not found"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Performer\",\"Presenter\"]}]"],"contributors_names":["Kunlire, Jen","Kidd, Catherine","Ricker, Stacy","Christoff, Stefan","Kelly, Erin May","Mah, Kris"],"contributors_names_search":["Kunlire, Jen","Kidd, Catherine","Ricker, Stacy","Christoff, Stefan","Kelly, Erin May","Mah, Kris"],"contributors":["[{\"url\":\"\",\"name\":\"Kunlire, Jen\",\"dates\":\"\",\"notes\":\"Announced but missing\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/13542322\",\"name\":\" Kidd, Catherine\",\"dates\":\"1967-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Ricker, Stacy\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Christoff, Stefan\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/125148570650824312348\",\"name\":\"Kelly, Erin May\",\"dates\":\"\",\"notes\":\"Referred to as Erin May \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Mah, Kris\",\"dates\":\"\",\"notes\":\"Announced but missing\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Kunlire, Jen"," Kidd, Catherine","Ricker, Stacy","Kelly, Erin May","Mah, Kris"],"Speaker_name":["Christoff, Stefan"],"Performance_Date":[2011],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/1114/Sept 18th Cat, jen, Stacy Erin, Kris 2011_page-0001.jpg\",\"other\":\"In folder: 3 docs, 2 images, 1 misc. 2 audio files found\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"Dates":["[{\"date\":\"2011 09 18\",\"type\":\"Performance Date\",\"notes\":\"Date indicated on event poster\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\" 45.5222118\",\"longitude\":\"-73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["From the poster and other advertising documents we learn that the Words and Music Show held to kick off the fall season on Sunday, 19 September 2010 was billed as a “voiceversemusic” event, with Moe Clark, Kaie Kellough, Ian Ferrier, Vincent Tinguely, plus music by pianist Stefan Christoff and street guitarist Tim Lafontaine. The radio advertisement also mentions “special guests from the activist community.”"],"contents":["STE-001.wav [File 1 of 2]\n\nIan Ferrier\n00:00:00\nIntroduces event. | Keywords: CKUT [https://www.wikidata.org/wiki/Q2931672]; Steve Godin; Catherine Kidd; Ottawa [https://www.wikidata.org/wiki/Q1930]; Jenn Kunlire; Calgary [https://www.wikidata.org/wiki/Q36312]; Halifax [https://www.wikidata.org/wiki/Q2141] \n\nIan Ferrier\n00:00:55\nIntroduces himself [https://www.wikidata.org/wiki/Q87138884], Moe Clark [https://www.wikidata.org/wiki/Q65116392], Kris Mah, and Doug Stein as Pharmakon MTL.\n\nAudience\n00:01:20\nApplause.\n\nIan Ferrier\n00:01:41\nIntroduces unnamed poem [audience laughter throughout]. | Keywords: Alberta [https://www.wikidata.org/wiki/Q1951]\n\nEND\n00:02:16\n[cut off abruptly]\n\nSTE-002.wav [File 2 of 2]\n\nUnknown\n00:00:01\nAmbient Sound [voices].\n\nIan Ferrier\n00:00:07\nIntroduces Catherine Kidd. | Keywords: Missing The Ark [book]; Bestial Rooms [book]; Sea Peach [poem]; Wired on Words\n\nAudience\n00:01:02\nApplause.\n\nCatherine Kidd\n00:01:12\nAddresses audience and introduces \"The Trial\" from Hyena Subpoena [audience applause and laughter throughout].\n\nCatherine Kidd\n00:01:48\nPerforms \"The Trial\" from Hyena Subpoena [audience laughter throughout]. | Keywords: Kaspar Hauser [https://www.wikidata.org/wiki/Q44600]; B.F. Skinner [https://www.wikidata.org/wiki/Q213195]; \"The Friends of Mister Cairo\" [https://www.wikidata.org/wiki/Q2110398]; Jon and Vangelis [https://www.wikidata.org/wiki/Q1538236]; The Maltese Falcon [https://www.wikidata.org/wiki/Q221462]; Peter Lorre [https://www.wikidata.org/wiki/Q78505]; James Cagney [https://www.wikidata.org/wiki/Q94041]; Freddie Mercury [https://www.wikidata.org/wiki/Q15869]; Tom Petty [https://www.wikidata.org/wiki/Q311655]; Tim Curry [https://www.wikidata.org/wiki/Q52392]\n\nCatherine Kidd\n00:11:06\nThanks audience.\n\nAudience\n00:11:07\nApplause.\n\nCatherine Kidd\n00:11:15\nIntroduces \"You're a Good Man, Charlie Brown\" from Hyena Subpoena [audience applause throughout].\n\nCatherine Kidd\n00:11:52\nPerforms \"You're a Good Man, Charlie Brown\" from Hyena Subpoena. | Keywords: Charlie Brown [https://www.wikidata.org/wiki/Q1168491]; \"Danse Macabre\" [https://www.wikidata.org/wiki/Q1164860]\n\nCatherine Kidd\n00:18:25\nThanks audience. \n\nAudience\n00:18:26\nApplause.\n\nIan Ferrier\n00:18:45\nThanks Catherine Kidd.\n\nAudience\n00:18:49\nApplause.\n\nIan Ferrier\n00:18:57\nIntroduces Stacy Ricker and addresses Stefan Christoff [https://www.wikidata.org/wiki/Q7606050]. | Keywords: CKUT \n\nStefan Christoff\n00:19:13\nDiscusses unnamed CKUT radio show, interjections from audience and Ian Ferrier follow. | Keywords: Vincent Tinguely; Toronto [https://www.wikidata.org/wiki/Q172]; Lit Live\n\nStefan Christoff\n00:20:31\nThanks Ian Ferrier.\n\nAudience\n00:20:32\nApplause.\n\nIan Ferrier\n00:20:37.14\nAnnounces \"Radio Is Dead\" from CKUT.\n\nIan Ferrier\n00:20:50\nIntroduces Stacy Ricker. | Keywords: Toronto \n\nAudience\n00:21:02\nApplause.\n\nIan Ferrier\n00:21:10\nAddresses Stacy Ricker, exchange follows.\n\nIan Ferrier\n00:21:33\nIntroduces Stacy Ricker. | Keywords: Sol [band]; Toronto\n\nAudience\n00:21:52\nApplause.\n\nStacy Ricker\n00:21:57\nThanks Ian Ferrier. \n\nAudience\n00:22:02\nLaughter. \n\nStacy Ricker\n00:22:04\nAddresses audience [audience laughter throughout].\n\nStacy Ricker\n00:22:17\nThanks audience [audience laughter throughout].\n\nStacy Ricker\n00:22:44\nPerforms unnamed song.\n\nAudience\n00:25:39\nApplause.\n\nStacy Ricker\n00:26:01\nAddresses audience and announces future CD [audience cheers throughout].\n\nStacy Ricker\n00:26:19\nIntroduces unnamed song.\n\nStacy Ricker\n00:26:25\nPerforms unnamed song. \n\nAudience\n00:29:52\nApplause.\n\nStacy Ricker\n00:30:04\nIntroduces \"Tragic Novel\".\n\nStacy Ricker\n00:30:16\nPerforms \"Tragic Novel\" [song].\n\nAudience\n00:32:54\nApplause.\n\nStacy Ricker\n00:33:00\nPerforms unnamed song.\n\nAudience\n00:38:24\nApplause.\n\nStacy Ricker\n00:38:34\nAddresses Ian Ferrier [audience applause continues throughout].\n\nUnknown\n00:38:46\nAmbient Sound [voices]\n\nStacy Ricker\n00:39:30\nAddresses Ian Ferrier and introduces \"This Song\".\n\nStacy Ricker\n00:40:59\nPerforms \"This Song\" accompanied by Ian Ferrier on electric guitar.\n\nStacy Ricker\n00:46:16\nThanks audience.\n\nAudience\n00:46:17\nApplause.\n\nIan Ferrier\n00:46:31\nThanks Stacy Ricker.\n\nAudience\n00:46:35\nApplause.\n\nIan Ferrier\n00:46:39\nIntroduces Erin May Kelly. | Keywords: Voix d'Ameriques Festival; Canadian Prairies [https://www.wikidata.org/wiki/Q1364746] \n\nAudience\n00:46:59\nApplause.\n\nErin May Kelly\n00:47:12\nThanks Ian Ferrier.\n\nErin May Kelly\n00:47:19\nAddresses audience [audience laughter throughout]. | Keywords: Moe Clark; Ian Ferrier \n\nAudience Member 1\n00:48:40\nAsks Erin May Kelly what she's been doing.\n\nErin May Kelly\n00:48:44\nResponds to Audience Member 1's question, exchange follows.\n\nErin May Kelly\n00:49:42\nPerforms unnamed poem. \n\nAudience\n00:51:40\nApplause.\n\nErin May Kelly\n00:51:55\nIntroduces unnamed poem.\n\nErin May Kelly\n00:52:12\nPerforms unnamed poem.\n\nEND\n00:52:43\n[cut off abruptly]"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548307968000,"timestamp":"2026-01-07T14:59:52.745Z","digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2011/09/\",\"file_path\":\"\",\"filename\":\"STE-001.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:02:16\",\"precision\":\"\",\"size\":\"24 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-001.wav [File 1 of 2]\\n\\nIan Ferrier\\n00:00:00\\nIntroduces event. | Keywords: CKUT [https://www.wikidata.org/wiki/Q2931672]; Steve Godin; Catherine Kidd; Ottawa [https://www.wikidata.org/wiki/Q1930]; Jenn Kunlire; Calgary [https://www.wikidata.org/wiki/Q36312]; Halifax [https://www.wikidata.org/wiki/Q2141] \\n\\nIan Ferrier\\n00:00:55\\nIntroduces himself [https://www.wikidata.org/wiki/Q87138884], Moe Clark [https://www.wikidata.org/wiki/Q65116392], Kris Mah, and Doug Stein as Pharmakon MTL.\\n\\nAudience\\n00:01:20\\nApplause.\\n\\nIan Ferrier\\n00:01:41\\nIntroduces unnamed poem [audience laughter throughout]. | Keywords: Alberta [https://www.wikidata.org/wiki/Q1951]\\n\\nEND\\n00:02:16\\n[cut off abruptly]\",\"notes\":\"File needs to be added to server folder indicated in File Url\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2011/09/\",\"file_path\":\"\",\"filename\":\"STE-002.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:52:43\",\"precision\":\"\",\"size\":\"558.1 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-002.wav [File 2 of 2]\\n\\nUnknown\\n00:00:01\\nAmbient Sound [voices].\\n\\nIan Ferrier\\n00:00:07\\nIntroduces Catherine Kidd. | Keywords: Missing The Ark [book]; Bestial Rooms [book]; Sea Peach [poem]; Wired on Words\\n\\nAudience\\n00:01:02\\nApplause.\\n\\nCatherine Kidd\\n00:01:12\\nAddresses audience and introduces \\\"The Trial\\\" from Hyena Subpoena [audience applause and laughter throughout].\\n\\nCatherine Kidd\\n00:01:48\\nPerforms \\\"The Trial\\\" from Hyena Subpoena [audience laughter throughout]. | Keywords: Kaspar Hauser [https://www.wikidata.org/wiki/Q44600]; B.F. Skinner [https://www.wikidata.org/wiki/Q213195]; \\\"The Friends of Mister Cairo\\\" [https://www.wikidata.org/wiki/Q2110398]; Jon and Vangelis [https://www.wikidata.org/wiki/Q1538236]; The Maltese Falcon [https://www.wikidata.org/wiki/Q221462]; Peter Lorre [https://www.wikidata.org/wiki/Q78505]; James Cagney [https://www.wikidata.org/wiki/Q94041]; Freddie Mercury [https://www.wikidata.org/wiki/Q15869]; Tom Petty [https://www.wikidata.org/wiki/Q311655]; Tim Curry [https://www.wikidata.org/wiki/Q52392]\\n\\nCatherine Kidd\\n00:11:06\\nThanks audience.\\n\\nAudience\\n00:11:07\\nApplause.\\n\\nCatherine Kidd\\n00:11:15\\nIntroduces \\\"You're a Good Man, Charlie Brown\\\" from Hyena Subpoena [audience applause throughout].\\n\\nCatherine Kidd\\n00:11:52\\nPerforms \\\"You're a Good Man, Charlie Brown\\\" from Hyena Subpoena. | Keywords: Charlie Brown [https://www.wikidata.org/wiki/Q1168491]; \\\"Danse Macabre\\\" [https://www.wikidata.org/wiki/Q1164860]\\n\\nCatherine Kidd\\n00:18:25\\nThanks audience. \\n\\nAudience\\n00:18:26\\nApplause.\\n\\nIan Ferrier\\n00:18:45\\nThanks Catherine Kidd.\\n\\nAudience\\n00:18:49\\nApplause.\\n\\nIan Ferrier\\n00:18:57\\nIntroduces Stacy Ricker and addresses Stefan Christoff [https://www.wikidata.org/wiki/Q7606050]. | Keywords: CKUT \\n\\nStefan Christoff\\n00:19:13\\nDiscusses unnamed CKUT radio show, interjections from audience and Ian Ferrier follow. | Keywords: Vincent Tinguely; Toronto [https://www.wikidata.org/wiki/Q172]; Lit Live\\n\\nStefan Christoff\\n00:20:31\\nThanks Ian Ferrier.\\n\\nAudience\\n00:20:32\\nApplause.\\n\\nIan Ferrier\\n00:20:37.14\\nAnnounces \\\"Radio Is Dead\\\" from CKUT.\\n\\nIan Ferrier\\n00:20:50\\nIntroduces Stacy Ricker. | Keywords: Toronto \\n\\nAudience\\n00:21:02\\nApplause.\\n\\nIan Ferrier\\n00:21:10\\nAddresses Stacy Ricker, exchange follows.\\n\\nIan Ferrier\\n00:21:33\\nIntroduces Stacy Ricker. | Keywords: Sol [band]; Toronto\\n\\nAudience\\n00:21:52\\nApplause.\\n\\nStacy Ricker\\n00:21:57\\nThanks Ian Ferrier. \\n\\nAudience\\n00:22:02\\nLaughter. \\n\\nStacy Ricker\\n00:22:04\\nAddresses audience [audience laughter throughout].\\n\\nStacy Ricker\\n00:22:17\\nThanks audience [audience laughter throughout].\\n\\nStacy Ricker\\n00:22:44\\nPerforms unnamed song.\\n\\nAudience\\n00:25:39\\nApplause.\\n\\nStacy Ricker\\n00:26:01\\nAddresses audience and announces future CD [audience cheers throughout].\\n\\nStacy Ricker\\n00:26:19\\nIntroduces unnamed song.\\n\\nStacy Ricker\\n00:26:25\\nPerforms unnamed song. \\n\\nAudience\\n00:29:52\\nApplause.\\n\\nStacy Ricker\\n00:30:04\\nIntroduces \\\"Tragic Novel\\\".\\n\\nStacy Ricker\\n00:30:16\\nPerforms \\\"Tragic Novel\\\" [song].\\n\\nAudience\\n00:32:54\\nApplause.\\n\\nStacy Ricker\\n00:33:00\\nPerforms unnamed song.\\n\\nAudience\\n00:38:24\\nApplause.\\n\\nStacy Ricker\\n00:38:34\\nAddresses Ian Ferrier [audience applause continues throughout].\\n\\nUnknown\\n00:38:46\\nAmbient Sound [voices]\\n\\nStacy Ricker\\n00:39:30\\nAddresses Ian Ferrier and introduces \\\"This Song\\\".\\n\\nStacy Ricker\\n00:40:59\\nPerforms \\\"This Song\\\" accompanied by Ian Ferrier on electric guitar.\\n\\nStacy Ricker\\n00:46:16\\nThanks audience.\\n\\nAudience\\n00:46:17\\nApplause.\\n\\nIan Ferrier\\n00:46:31\\nThanks Stacy Ricker.\\n\\nAudience\\n00:46:35\\nApplause.\\n\\nIan Ferrier\\n00:46:39\\nIntroduces Erin May Kelly. | Keywords: Voix d'Ameriques Festival; Canadian Prairies [https://www.wikidata.org/wiki/Q1364746] \\n\\nAudience\\n00:46:59\\nApplause.\\n\\nErin May Kelly\\n00:47:12\\nThanks Ian Ferrier.\\n\\nErin May Kelly\\n00:47:19\\nAddresses audience [audience laughter throughout]. | Keywords: Moe Clark; Ian Ferrier \\n\\nAudience Member 1\\n00:48:40\\nAsks Erin May Kelly what she's been doing.\\n\\nErin May Kelly\\n00:48:44\\nResponds to Audience Member 1's question, exchange follows.\\n\\nErin May Kelly\\n00:49:42\\nPerforms unnamed poem. \\n\\nAudience\\n00:51:40\\nApplause.\\n\\nErin May Kelly\\n00:51:55\\nIntroduces unnamed poem.\\n\\nErin May Kelly\\n00:52:12\\nPerforms unnamed poem.\\n\\nEND\\n00:52:43\\n[cut off abruptly]\",\"notes\":\"File needs to be added to server folder indicated in File Url\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"score":0.01643844},{"id":"1115","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2011-11-20"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"contributors_names":["Apostolides, Marianne","Sentes, Bryan","Christoff, Stefan","Nawrocki, Norman","Sobol, John","Tinguely, Vince"],"contributors_names_search":["Apostolides, Marianne","Sentes, Bryan","Christoff, Stefan","Nawrocki, Norman","Sobol, John","Tinguely, Vince"],"contributors":["[{\"url\":\"http://viaf.org/viaf/18973703\",\"name\":\"Apostolides, Marianne\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/28855371 \",\"name\":\"Sentes, Bryan\",\"dates\":\"1964-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/106422154\",\"name\":\"Christoff, Stefan\",\"dates\":\"1981-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/34063513\",\"name\":\"Nawrocki, Norman\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/58323674\",\"name\":\"Sobol, John\",\"dates\":\"1963-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/36425179\",\"name\":\"Tinguely, Vince\",\"dates\":\"1959-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"performer_name":["Apostolides, Marianne","Sentes, Bryan","Christoff, Stefan","Nawrocki, Norman","Sobol, John"],"Speaker_name":["Tinguely, Vince"],"Performance_Date":[2011],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/1115/November jpeg of poster.jpg\",\"other\":\"In folder: 4 audio, 4 misc. In folder2: 1 audio. In folder3: 1 image, 1 misc.\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Set of 2 event audio recordings (+ copies and edits)\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"Dates":["[{\"date\":\"2011 11 20\",\"type\":\"Performance Date\",\"notes\":\"Date indicated on event poster\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118\",\"longitude\":\"-73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["This event features Marianne Apostolides reading an excerpt from her book Swim (BookThug, 2009), poems from Bryan Sentes' March End Prill (Book*Hug, 2011), a solo instrumental piano piece by Stefan Christoff as well as a duet with Norman Nawrocki on guitar, as well as a musical poetry performance by John Sobol (words and saxophone)."],"contents":["STE-000.wav [File 1 of 2]\n\nUnknown\n00:00:00\nAmbient Sound [voices].\n\nIan Ferrier\n00:00:10\nIntroduces event [audience applause throughout]. | Keywords: John Sobol [https://www.wikidata.org/wiki/Q87139761]; Ottawa [https://www.wikidata.org/wiki/Q1930]; Stefan Christoff [https://www.wikidata.org/wiki/Q7606050]; Norman Nawrocki [https://www.wikidata.org/wiki/Q957085]; Bryan Sentes\n\nIan Ferrier\n00:00:40\nIntroduces Marianne Apostolides [https://www.wikidata.org/wiki/Q24951281]. | Keywords: Swim [book]; Voluptuous Pleasure [book]\n\nAudience\n00:00:59\nApplause.\n\nMarianne Apostolides\n00:01:08\nThanks Ian Ferrier [https://www.wikidata.org/wiki/Q87138884] and introduces Swim.\n\nMarianne Apostolides\n00:01:22\nReads excerpt from Swim.\n\nAudience\n00:13:10\nApplause.\n\nIan Ferrier\n00:13:24\nThanks Marianne Apostolides and addresses audience, exchange with audience follows [audience applause throughout]. | Keywords: Schubert Pool; Plateau [Mont-Royal; https://www.wikidata.org/wiki/Q2624008]; Alexander Norris\n\nAudience\n00:13:53\nApplause.\n\nIan Ferrier\n00:13:58\nIntroduces Bryan Sentes. | Keywords: St Urbain Street; The Singer of Tales [book; https://www.wikidata.org/wiki/Q7764399]; March End Prill [book]\n\nAudience\n00:14:27\nApplause.\n\nBryan Sentes\n00:14:43\nAddresses audience, thanks Ian Ferrier and Marianne Apostolides, and introduces March End Prill [audience laughter throughout]. | Keywork: Orpingalik [https://www.wikidata.org/wiki/Q16211261]\n\nBryan Sentes\n00:15:45\nReads epigraph from March End Prill.\n\nBryan Sentes\n00:16:58\nIntroduces \"A Cut To Bear Nigh Thought\" from March End Prill.\n\nBryan Sentes\n00:17:21\nReads \"A Cut To Bear Nigh Thought\" from March End Prill.\n\nBryan Sentes\n00:18:23\nDiscusses \"A Cut To Bear Nigh Thought” and introduces \"Dustmice Taken\" from March End Prill [audience laughter throughout].\n\nBryan Sentes\n00:18:42\nReads \"Dustmice Taken\" from March End Prill. \n\nBryan Sentes\n00:20:13\nDiscusses \"Dustmice Taken\" and introduces \"Born\" from March End Prill [audience laughter throughout].\n\nBryan Sentes\n00:20:29\nReads \"Born\" from March End Prill [audience laughter throughout].\n\nBryan Sentes\n00:21:48\nDiscusses reading and introduces \"Black Milk\" from March End Prill [audience laughter throughout].\n\nBryan Sentes\n00:22:18\nReads \"Black Milk\" from March End Prill.\n\nBryan Sentes\n00:23:36\nDiscusses March End Prill and introduces unnamed poem.\n\nBryan Sentes\n00:23:46\nReads unnamed poem [audience laughter throughout].\n\nBryan Sentes\n00:24:20\nDiscusses March End Prill and introduces \"A Prill\" from March End Prill.\n\nBryan Sentes\n00:24:35\nReads \"A Prill\" from March End Prill. \n\nBryan Sentes\n00:26:03\nDiscusses March End Prill and introduces [\"What The Hell\"] from March End Prill. \n\nBryan Sentes\n00:26:29\nReads \"What The Hell\" from March End Prill. \n\nBryan Sentes\n00:29:03\nDiscusses \"What The Hell\" and introduces unnamed poem and [\"First, Live. The Rest Will Follow\"] from March End Prill.\n\nBryan Sentes\n00:29:25\nReads unnamed poem and \"First, Live. The Rest Will Follow\" from March End Prill.\n\nAudience\n00:29:45\nApplause.\n\nIan Ferrier\n00:29:58\nThanks Bryan Sentes and announces intermission. | Keywords: Stefan Christoff; Norman Nawrocki; John Sobol\n\nAudience\n00:30:18\nApplause [cut off].\n\nEND\n00:30:20\n\n\nSTE-001.wav [File 2 of 2]\n\nUnknown\n00:00:00\nAmbient Sound [music].\n\nIan Ferrier\n00:00:06\nIntroduces Stefan Christoff and Norman Nawrocki [audience applause throughout]. | Keywords: Montreal [https://www.wikidata.org/wiki/Q340]; HOWL!; Artists Against Apartheid; Mile End Poets’ Festival; [Eric Drukker (?)]; Parc Oxygène\n\nAudience\n00:01:21\nApplause.\n\nStefan Christoff\n00:01:29\nThanks audience and introduces \"Foon + Christoff\" and \"Nawrocki + Christoff\". | Keywords: Duets For Abdelrazik [CD]; Abousfian Abdelrazik [https://www.wikidata.org/wiki/Q4668570]; Montreal; Sudan [https://www.wikidata.org/wiki/Q1049]; Khartoum [https://www.wikidata.org/wiki/Q1963]; CSIS [https://www.wikidata.org/wiki/Q1032405]; Canada [https://www.wikidata.org/wiki/Q16]; Saskatoon [https://www.wikidata.org/wiki/Q10566]; Halifax [https://www.wikidata.org/wiki/Q2141]; Vancouver [https://www.wikidata.org/wiki/Q24639]; Edmonton [https://www.wikidata.org/wiki/Q2096]; Ontario [https://www.wikidata.org/wiki/Q1904]; Rebecca Foon [https://www.wikidata.org/wiki/Q16217287]; Norman Nawrocki\n\nStefan Christoff\n00:05:31\nPerforms \"Foon + Christoff\" [later recorded on Duets for Abdelrazik].\n\nAudience\n00:11:31\nApplause.\n\nStefan Christoff\n00:11:45\nDiscusses the HOWL! concert series and announces future event [audience laughter throughout]. | Keywords: Ian [Ferrier; https://www.wikidata.org/wiki/Q87138884]; Montreal; Quebec [https://www.wikidata.org/wiki/Q176]; Norman [Nawrocki]; La Sala Rossa; 2110 Centre for Gender Advocacy; Concordia University [https://www.wikidata.org/wiki/Q326342]; Julia Kent [https://www.wikidata.org/wiki/Q275864]\n\nStefan Christoff\n00:14:12\nPerforms \"Nawrocki + Christoff\" [later recorded on Duets for Abdelrazik] with Norman Nawrocki on violin.\n\nAudience\n00:20:05\nApplause [cut off].\n\nUnknown\n00:20:18\nSilence. \n\nVince Tinguely\n00:21:22\nIntroduces John Sobol. | Keywords: Ottawa\n\nAudience\n00:21:27\nApplause.\n\nIan Ferrier\n00:21:31\nThanks Stefan Christoff and Norman Nawrocki and iIntroduces John Sobol. | Keywords: You Are Your Media [book]; Canada, Digitopia Blues [book]\n\nAudience\n00:22:05\nApplause.\n\nJohn Sobol\n00:22:24\nPerforms \"I Feel Good\" [https://www.wikidata.org/wiki/Q17050694] [originally by James Brown; https://www.wikidata.org/wiki/Q5950] on trumpet. \n\nJohn Sobol\n00:22:49\nStops performance to address audience [audience applause throughout].\n\nJohn Sobol\n00:22:58\nResumes \"I Feel Good\" [originally by James Brown] on trumpet.\n\nAudience\n00:24:08\nLaughter and applause.\n\nJohn Sobol\n00:24:10\nThanks audience [audience applause continues throughout]. | Keywords: “I Feel Good”; James Brown\n\nJohn Sobol\n00:24:20\nThanks Ian Ferrier, addresses audience, and introduces \"Phone Sax\". | Keywords: Montreal; Stefan Christoff; Norman Nawrocki  \n\nJohn Sobol\n00:25:11\nPerforms \"Phone Sax\" [audience laughter throughout].\n\nAudience\n00:28:47\nApplause.\n\nJohn Sobol\n00:28:57\nThanks audience and introduces [\"Dynomite\"]. | Keywords: James Brown\n\nJohn Sobol\n00:29:29\nPerforms \"Dynomite\".\n\nAudience\n00:31:13\nApplause.\n\nJohn Sobol\n00:31:16\nThanks audience [audience applause continues throughout] and introduces unnamed poem.\n\nJohn Sobol\n00:31:40\nPerforms unnamed poem. | Keywords: Stephen Harper [https://www.wikidata.org/wiki/Q206]\n\nAudience\n00:34:08\nApplause.\n\nJohn Sobol\n00:34:13\nDiscusses unnamed poem and introduces unnamed poem [audience applause continues and laughter throughout]. | Keywords: Stephen Harper\n\nJohn Sobol\n00:34:35\nPerforms unnamed poem.\n\nAudience\n00:37:14\nApplause.\n\nJohn Sobol\n00:37:19\nIntroduces unnamed poem [audience applause continues throughout].\n\nJohn Sobol\n00:37:52\nPerforms unnamed poem.\n\nAudience\n00:40:31\nApplause.\n\nJohn Sobol\n00:40:38\nThanks audience [audience applause continues throughout] and addresses Ian Ferrier.\n\nJohn Sobol\n00:41:20\nIntroduces \"Poem For My Father\".\n\nJohn Sobol\n00:42:25\nReads \"Poem For My Father\".\n\nAudience\n00:45:14\nApplause.\n\nJohn Sobol\n00:45:25\nAddresses audience and introduces unnamed song [audience laughter throughout].\n\nJohn Sobol\n00:45:36\nPerforms unnamed song on trumpet.\n\nAudience\n00:48:16\nApplause.\n\nJohn Sobol\n00:48:18\nThanks audience, Ian Ferrier, and the other performers [audience applause continues throughout]. \n\nJohn Sobol\n00:48:29\nPromotes You Are Your Media [book and blog].\n\nAudience\n00:48:50\nApplause.\n\nIan Ferrier\n00:49:02\nThanks John Sobol and other performers and announces future events. | Keywords: Casa Del Popolo [https://www.wikidata.org/wiki/Q3538292]; League of Canadian Poets [https://www.wikidata.org/wiki/Q6509004]; HOWL!; Expozine [https://www.wikidata.org/wiki/Q18150577]; Louis Rastelli; Bryan [Sentes] \n\nAudience\n00:50:01\nApplause.\n\nUnknown\n00:50:15\nAmbient Sound [music].\n\nEND\n00:50:21"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548311113728,"timestamp":"2026-01-07T14:59:52.745Z","digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2011/11/\",\"file_path\":\"\",\"filename\":\"STE-000.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:30:20\",\"precision\":\"\",\"size\":\"321.1 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-000.wav [File 1 of 2]\\n\\nUnknown\\n00:00:00\\nAmbient Sound [voices].\\n\\nIan Ferrier\\n00:00:10\\nIntroduces event [audience applause throughout]. | Keywords: John Sobol [https://www.wikidata.org/wiki/Q87139761]; Ottawa [https://www.wikidata.org/wiki/Q1930]; Stefan Christoff [https://www.wikidata.org/wiki/Q7606050]; Norman Nawrocki [https://www.wikidata.org/wiki/Q957085]; Bryan Sentes\\n\\nIan Ferrier\\n00:00:40\\nIntroduces Marianne Apostolides [https://www.wikidata.org/wiki/Q24951281]. | Keywords: Swim [book]; Voluptuous Pleasure [book]\\n\\nAudience\\n00:00:59\\nApplause.\\n\\nMarianne Apostolides\\n00:01:08\\nThanks Ian Ferrier [https://www.wikidata.org/wiki/Q87138884] and introduces Swim.\\n\\nMarianne Apostolides\\n00:01:22\\nReads excerpt from Swim.\\n\\nAudience\\n00:13:10\\nApplause.\\n\\nIan Ferrier\\n00:13:24\\nThanks Marianne Apostolides and addresses audience, exchange with audience follows [audience applause throughout]. | Keywords: Schubert Pool; Plateau [Mont-Royal; https://www.wikidata.org/wiki/Q2624008]; Alexander Norris\\n\\nAudience\\n00:13:53\\nApplause.\\n\\nIan Ferrier\\n00:13:58\\nIntroduces Bryan Sentes. | Keywords: St Urbain Street; The Singer of Tales [book; https://www.wikidata.org/wiki/Q7764399]; March End Prill [book]\\n\\nAudience\\n00:14:27\\nApplause.\\n\\nBryan Sentes\\n00:14:43\\nAddresses audience, thanks Ian Ferrier and Marianne Apostolides, and introduces March End Prill [audience laughter throughout]. | Keywork: Orpingalik [https://www.wikidata.org/wiki/Q16211261]\\n\\nBryan Sentes\\n00:15:45\\nReads epigraph from March End Prill.\\n\\nBryan Sentes\\n00:16:58\\nIntroduces \\\"A Cut To Bear Nigh Thought\\\" from March End Prill.\\n\\nBryan Sentes\\n00:17:21\\nReads \\\"A Cut To Bear Nigh Thought\\\" from March End Prill.\\n\\nBryan Sentes\\n00:18:23\\nDiscusses \\\"A Cut To Bear Nigh Thought” and introduces \\\"Dustmice Taken\\\" from March End Prill [audience laughter throughout].\\n\\nBryan Sentes\\n00:18:42\\nReads \\\"Dustmice Taken\\\" from March End Prill. \\n\\nBryan Sentes\\n00:20:13\\nDiscusses \\\"Dustmice Taken\\\" and introduces \\\"Born\\\" from March End Prill [audience laughter throughout].\\n\\nBryan Sentes\\n00:20:29\\nReads \\\"Born\\\" from March End Prill [audience laughter throughout].\\n\\nBryan Sentes\\n00:21:48\\nDiscusses reading and introduces \\\"Black Milk\\\" from March End Prill [audience laughter throughout].\\n\\nBryan Sentes\\n00:22:18\\nReads \\\"Black Milk\\\" from March End Prill.\\n\\nBryan Sentes\\n00:23:36\\nDiscusses March End Prill and introduces unnamed poem.\\n\\nBryan Sentes\\n00:23:46\\nReads unnamed poem [audience laughter throughout].\\n\\nBryan Sentes\\n00:24:20\\nDiscusses March End Prill and introduces \\\"A Prill\\\" from March End Prill.\\n\\nBryan Sentes\\n00:24:35\\nReads \\\"A Prill\\\" from March End Prill. \\n\\nBryan Sentes\\n00:26:03\\nDiscusses March End Prill and introduces [\\\"What The Hell\\\"] from March End Prill. \\n\\nBryan Sentes\\n00:26:29\\nReads \\\"What The Hell\\\" from March End Prill. \\n\\nBryan Sentes\\n00:29:03\\nDiscusses \\\"What The Hell\\\" and introduces unnamed poem and [\\\"First, Live. The Rest Will Follow\\\"] from March End Prill.\\n\\nBryan Sentes\\n00:29:25\\nReads unnamed poem and \\\"First, Live. The Rest Will Follow\\\" from March End Prill.\\n\\nAudience\\n00:29:45\\nApplause.\\n\\nIan Ferrier\\n00:29:58\\nThanks Bryan Sentes and announces intermission. | Keywords: Stefan Christoff; Norman Nawrocki; John Sobol\\n\\nAudience\\n00:30:18\\nApplause [cut off].\\n\\nEND\\n00:30:20\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2011/11/\",\"file_path\":\"\",\"filename\":\"STE-001.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:50:21\",\"precision\":\"\",\"size\":\"533 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-001.wav [File 2 of 2]\\n\\nUnknown\\n00:00:00\\nAmbient Sound [music].\\n\\nIan Ferrier\\n00:00:06\\nIntroduces Stefan Christoff and Norman Nawrocki [audience applause throughout]. | Keywords: Montreal [https://www.wikidata.org/wiki/Q340]; HOWL!; Artists Against Apartheid; Mile End Poets’ Festival; [Eric Drukker (?)]; Parc Oxygène\\n\\nAudience\\n00:01:21\\nApplause.\\n\\nStefan Christoff\\n00:01:29\\nThanks audience and introduces \\\"Foon + Christoff\\\" and \\\"Nawrocki + Christoff\\\". | Keywords: Duets For Abdelrazik [CD]; Abousfian Abdelrazik [https://www.wikidata.org/wiki/Q4668570]; Montreal; Sudan [https://www.wikidata.org/wiki/Q1049]; Khartoum [https://www.wikidata.org/wiki/Q1963]; CSIS [https://www.wikidata.org/wiki/Q1032405]; Canada [https://www.wikidata.org/wiki/Q16]; Saskatoon [https://www.wikidata.org/wiki/Q10566]; Halifax [https://www.wikidata.org/wiki/Q2141]; Vancouver [https://www.wikidata.org/wiki/Q24639]; Edmonton [https://www.wikidata.org/wiki/Q2096]; Ontario [https://www.wikidata.org/wiki/Q1904]; Rebecca Foon [https://www.wikidata.org/wiki/Q16217287]; Norman Nawrocki\\n\\nStefan Christoff\\n00:05:31\\nPerforms \\\"Foon + Christoff\\\" [later recorded on Duets for Abdelrazik].\\n\\nAudience\\n00:11:31\\nApplause.\\n\\nStefan Christoff\\n00:11:45\\nDiscusses the HOWL! concert series and announces future event [audience laughter throughout]. | Keywords: Ian [Ferrier; https://www.wikidata.org/wiki/Q87138884]; Montreal; Quebec [https://www.wikidata.org/wiki/Q176]; Norman [Nawrocki]; La Sala Rossa; 2110 Centre for Gender Advocacy; Concordia University [https://www.wikidata.org/wiki/Q326342]; Julia Kent [https://www.wikidata.org/wiki/Q275864]\\n\\nStefan Christoff\\n00:14:12\\nPerforms \\\"Nawrocki + Christoff\\\" [later recorded on Duets for Abdelrazik] with Norman Nawrocki on violin.\\n\\nAudience\\n00:20:05\\nApplause [cut off].\\n\\nUnknown\\n00:20:18\\nSilence. \\n\\nVince Tinguely\\n00:21:22\\nIntroduces John Sobol. | Keywords: Ottawa\\n\\nAudience\\n00:21:27\\nApplause.\\n\\nIan Ferrier\\n00:21:31\\nThanks Stefan Christoff and Norman Nawrocki and iIntroduces John Sobol. | Keywords: You Are Your Media [book]; Canada, Digitopia Blues [book]\\n\\nAudience\\n00:22:05\\nApplause.\\n\\nJohn Sobol\\n00:22:24\\nPerforms \\\"I Feel Good\\\" [https://www.wikidata.org/wiki/Q17050694] [originally by James Brown; https://www.wikidata.org/wiki/Q5950] on trumpet. \\n\\nJohn Sobol\\n00:22:49\\nStops performance to address audience [audience applause throughout].\\n\\nJohn Sobol\\n00:22:58\\nResumes \\\"I Feel Good\\\" [originally by James Brown] on trumpet.\\n\\nAudience\\n00:24:08\\nLaughter and applause.\\n\\nJohn Sobol\\n00:24:10\\nThanks audience [audience applause continues throughout]. | Keywords: “I Feel Good”; James Brown\\n\\nJohn Sobol\\n00:24:20\\nThanks Ian Ferrier, addresses audience, and introduces \\\"Phone Sax\\\". | Keywords: Montreal; Stefan Christoff; Norman Nawrocki  \\n\\nJohn Sobol\\n00:25:11\\nPerforms \\\"Phone Sax\\\" [audience laughter throughout].\\n\\nAudience\\n00:28:47\\nApplause.\\n\\nJohn Sobol\\n00:28:57\\nThanks audience and introduces [\\\"Dynomite\\\"]. | Keywords: James Brown\\n\\nJohn Sobol\\n00:29:29\\nPerforms \\\"Dynomite\\\".\\n\\nAudience\\n00:31:13\\nApplause.\\n\\nJohn Sobol\\n00:31:16\\nThanks audience [audience applause continues throughout] and introduces unnamed poem.\\n\\nJohn Sobol\\n00:31:40\\nPerforms unnamed poem. | Keywords: Stephen Harper [https://www.wikidata.org/wiki/Q206]\\n\\nAudience\\n00:34:08\\nApplause.\\n\\nJohn Sobol\\n00:34:13\\nDiscusses unnamed poem and introduces unnamed poem [audience applause continues and laughter throughout]. | Keywords: Stephen Harper\\n\\nJohn Sobol\\n00:34:35\\nPerforms unnamed poem.\\n\\nAudience\\n00:37:14\\nApplause.\\n\\nJohn Sobol\\n00:37:19\\nIntroduces unnamed poem [audience applause continues throughout].\\n\\nJohn Sobol\\n00:37:52\\nPerforms unnamed poem.\\n\\nAudience\\n00:40:31\\nApplause.\\n\\nJohn Sobol\\n00:40:38\\nThanks audience [audience applause continues throughout] and addresses Ian Ferrier.\\n\\nJohn Sobol\\n00:41:20\\nIntroduces \\\"Poem For My Father\\\".\\n\\nJohn Sobol\\n00:42:25\\nReads \\\"Poem For My Father\\\".\\n\\nAudience\\n00:45:14\\nApplause.\\n\\nJohn Sobol\\n00:45:25\\nAddresses audience and introduces unnamed song [audience laughter throughout].\\n\\nJohn Sobol\\n00:45:36\\nPerforms unnamed song on trumpet.\\n\\nAudience\\n00:48:16\\nApplause.\\n\\nJohn Sobol\\n00:48:18\\nThanks audience, Ian Ferrier, and the other performers [audience applause continues throughout]. \\n\\nJohn Sobol\\n00:48:29\\nPromotes You Are Your Media [book and blog].\\n\\nAudience\\n00:48:50\\nApplause.\\n\\nIan Ferrier\\n00:49:02\\nThanks John Sobol and other performers and announces future events. | Keywords: Casa Del Popolo [https://www.wikidata.org/wiki/Q3538292]; League of Canadian Poets [https://www.wikidata.org/wiki/Q6509004]; HOWL!; Expozine [https://www.wikidata.org/wiki/Q18150577]; Louis Rastelli; Bryan [Sentes] \\n\\nAudience\\n00:50:01\\nApplause.\\n\\nUnknown\\n00:50:15\\nAmbient Sound [music].\\n\\nEND\\n00:50:21\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"score":0.01643844},{"id":"1116","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2012-01-15"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\" http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"contributors_names":["Lavorato, Mark","Chan, Charity","McLeod, Brendan","Dover, Cecily","Barry, Stephen","Messier, Alexis","Kerkhoven, John"],"contributors_names_search":["Lavorato, Mark","Chan, Charity","McLeod, Brendan","Dover, Cecily","Barry, Stephen","Messier, Alexis","Kerkhoven, John"],"contributors":["[{\"url\":\" http://viaf.org/viaf/171340441\",\"name\":\"Lavorato, Mark\",\"dates\":\"1975-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/167323280\",\"name\":\" Chan, Charity\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/36707528\",\"name\":\"McLeod, Brendan\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Dover, Cecily\",\"dates\":\"\",\"notes\":\"(Performs as Bobby Dove with Stephen Barry, Alexis Messier, John Kerkhoven)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Barry, Stephen\",\"dates\":\"\",\"notes\":\"(With Bobby Dove, Alexis Messier, John Kerkhoven)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Messier, Alexis\",\"dates\":\"\",\"notes\":\"(With Bobby Dove, Stephen Barry, John Kerkhoven)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Kerkhoven, John\",\"dates\":\"\",\"notes\":\"(With Bobby Dove, Stephen Barry, Alexis Messier)\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Lavorato, Mark"," Chan, Charity","McLeod, Brendan","Dover, Cecily","Barry, Stephen","Messier, Alexis","Kerkhoven, John"],"Performance_Date":[2012],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/1116/January Brendan and Charity_page-0001.jpg\",\"other\":\"In folder: 5 audio, 1 image, 6 misc.In folder2: 2 docs, 1 image, 1 misc.\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"3 event audio recordings (+copies and edits)\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"Dates":["[{\"date\":\"2012 01 15\",\"type\":\"Performance Date\",\"notes\":\"Date indicated on event poster\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118\",\"longitude\":\"-73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["This event featured “star Vancouver poet/performer Brendan McLeod, piano by Charity Chan, “fine verse” from Mark Lavorato, and singer/songwriter Bobby Dove with Stephen Barry and Alexis Mercier.  Held at the “NEW Casa” show room on Sunday, 15 January 2012."],"contents":["Set 1.wav [File 1 of 3]\n\nUnknown\n00:00:00\nAmbient Sound [music and voices].\n\nIan Ferrier\n00:00:41\nIntroduces event. \n\nIan Ferrier\n00:00:41\nIntroduces Mark Lavorato [https://www.wikidata.org/wiki/Q47118272]. | Keywords: Quebec Writers’ Federation [https://www.wikidata.org/wiki/Q3413953]; Believing Cedric [book]\n\nAudience\n00:01:31\nApplause.\n\nMark Lavorato\n00:01:40\nThanks Ian Ferrier [https://www.wikidata.org/wiki/Q87138884] and audience.\n\nMark Lavorato\n00:01:50\nIntroduces \"A Handful of Seeds\" from Wayworn Wooden Floors [book] [audience laughter and applause throughout]. | Keywords: Veracity [book; https://www.wikidata.org/wiki/Q7920854]; Believing Cedric; Brindle & Glass; The Porcupine’s Quill [https://www.wikidata.org/wiki/Q7757793]; Brendan [McLeod; https://www.wikidata.org/wiki/Q4960999]\n\nMark Lavorato\n00:03:16\nReads \"A Handful of Seeds\" from Wayworn Wooden Floors. \n\nMark Lavorato\n00:05:27\nIntroduces \"Five Perspectives of a Church: Mouse\" from Wayworn Wooden Floors. | Keywords: Spain [https://www.wikidata.org/wiki/Q29]\n\nMark Lavorato\n00:06:36\nReads \"Five Perspectives of a Church: Mouse\" from Wayworn Wooden Floors. \n\nMark Lavorato\n00:07:43\nIntroduces \"Happiness\" from Wayworn Wooden Floors.\n\nMark Lavorato\n00:08:00\nReads \"Happiness\" from Wayworn Wooden Floors.\n\nMark Lavorato\n00:09:11\nIntroduces \"Uschi\" from Wayworn Wooden Floors.\n\nMark Lavorato\n00:09:31\nReads \"Uschi\" from Wayworn Wooden Floors.\n\nMark Lavorato\n00:11:23\nIntroduces \"How to Make a Cake From Scratch\" from Wayworn Wooden Floors.\n\nMark Lavorato\n00:11:35\nReads \"How to Make a Cake From Scratch\" from Wayworn Wooden Floors.\n\nMark Lavorato\n00:12:51\nIntroduces \"I Used to Believe\" from Wayworn Wooden Floors. | Keywords: The Porcupine’s Quill\n\nMark Lavorato\n00:13:08\nReads \"I Used to Believe\" from Wayworn Wooden Floors.\n\nAudience\n00:14:46\nApplause.\n\nIan Ferrier\n00:15:00\nThanks Mark Lavorato.\n\nIan Ferrier\n00:15:10\nIntroduces Charity Chan. \n\nAudience\n00:15:37\nApplause.\n\nCharity Chan\n00:16:18\nPerforms unnamed song.\n\nAudience\n00:22:59\nApplause.\n\nCharity Chan\n00:23:08\nThanks Ian Ferrier and audience.\n\nCharity Chan\n00:23:41\nPerforms unnamed song.\n\nAudience\n00:28:33\nApplause.\n\nIan Ferrier\n00:28:55\nThanks Charity Chan and Mark Lavorato [audience laughter throughout]. \n\nIan Ferrier\n00:29:05\nAnnounces intermission. | Keywords: Vancouver [https://www.wikidata.org/wiki/Q24639]; Brendan McLeod; Stephen Barry; Alexis Messier; Bobby Dove\n\nAudience\n00:29:22\nApplause [cut off].\n\nUnknown\n00:29:27\nAmbient Sound [music].\n\nEND\n00:30:03\n\n\nIntro plus Brendan Mcleod.wav [File 2 of 3]\n\nIan Ferrier\n00:00:00\nIntroduces Brendan McLeod [audience applause throughout]. | Keywords: Vancouver Island [https://www.wikidata.org/wiki/Q170479]\n\nAudience\n00:00:33\nApplause.\n\nBrendan McLeod\n00:00:39\nAddresses audience [audience laughter throughout].\n\nBrendan McLeod\n00:00:48\nThanks Ian Ferrier.\n\nBrendan McLeod\n00:00:51\nAddresses audience, exchange with audience member follows.  | Keywords: Alaska [https://www.wikidata.org/wiki/Q797]; Los Angeles [https://www.wikidata.org/wiki/Q65]\n\nBrendan McLeod\n00:01:14\nIntroduces \"Beaver Without Teeth\" [audience laughter throughout]. | Keywords: Montreal [https://www.wikidata.org/wiki/Q340]\n\nBrendan McLeod\n00:02:26\nPerforms \"Beaver Without Teeth\" [audience laughter throughout].\n\nAudience\n00:06:34\nApplause.\n\nBrendan McLeod\n00:06:48\nAddresses audience, exchange with audience member follows [audience laughter throughout]. | Keywords: American Gods [https://www.wikidata.org/wiki/Q430514]\n\nBrendan McLeod\n00:09:10\nIntroduces \"The Fruit Machine\". \n\nBrendan McLeod\n00:09:40\nPerforms \"The Fruit Machine\" [audience laughter throughout]. | Keywords: Canada [https://www.wikidata.org/wiki/Q16]; Cold War [https://www.wikidata.org/wiki/Q8683]; RCMP [https://www.wikidata.org/wiki/Q335175]; Saskatchewan [https://www.wikidata.org/wiki/Q1989]; Ottawa [https://www.wikidata.org/wiki/Q1930] \n\nAudience\n00:14:05\nApplause.\n\nBrendan McLeod\n00:14:17\nAddresses audience. | Keywords: Wikipedia [https://www.wikidata.org/wiki/Q52]; RCMP; CBC [https://www.wikidata.org/wiki/Q461761]; Google [https://www.wikidata.org/wiki/Q9366]\n\nBrendan McLeod\n00:15:07\nIntroduces unnamed poem. | Keywords: Dominique Swain [https://www.wikidata.org/wiki/Q234226]; Lolita [https://www.wikidata.org/wiki/Q593877]\n\nBrendan McLeod\n00:15:46\nPerforms unnamed poem. | Keywords: Lolita; YouTube [https://www.wikidata.org/wiki/Q866]; Jeremy Irons [https://www.wikidata.org/wiki/Q171745] \n\nAudience\n00:18:39\nApplause.\n\nBrendan McLeod\n00:18:48\nAddresses audience [audience laughter throughout]. | Keywords: Montreal\n\nBrendan McLeod\n00:19:30\nIntroduces unnamed song [audience laughter throughout].\n\nBrendan McLeod\n00:19:51\nPerforms unnamed song [audience laughter throughout]. | Keywords: Scrabble [https://www.wikidata.org/wiki/Q170436]; Taboo [https://www.wikidata.org/wiki/Q735544]; Family Feud [https://www.wikidata.org/wiki/Q506074]; Beach Combers; Sting [https://www.wikidata.org/wiki/Q483203]; Enya [https://www.wikidata.org/wiki/Q38257]; Boyz II Men [https://www.wikidata.org/wiki/Q651231]; Alabama [https://www.wikidata.org/wiki/Q2140332]; Mariah Carey [https://www.wikidata.org/wiki/Q41076]; Peter, Paul and Mary [https://www.wikidata.org/wiki/Q654716]; Josh Groban [https://www.wikidata.org/wiki/Q218083]; Celine Dion [https://www.wikidata.org/wiki/Q5105]; Gandhi [https://www.wikidata.org/wiki/Q1001]; Robert Munsch https://www.wikidata.org/wiki/Q4280820]\n\nAudience\n00:24:23\nApplause.\n\nBrendan McLeod\n00:24:35\nThanks audience.\n\nBrendan McLeod\n00:24:39\nAddresses audience [audience laughter throughout]. | Keywords: Saskatchewan Festival of Words; Moose Jaw [https://www.wikidata.org/wiki/Q1019496]; The Shining [https://www.wikidata.org/wiki/Q186341] \n\nBrendan McLeod\n00:27:30\nIntroduces unnamed poem [audience laughter throughout]. | Keywords: Vancouver\n\nBrendan McLeod\n00:27:52\nPerforms unnamed poem.\n\nAudience\n00:30:20\nApplause.\n\nIan Ferrier\n00:30:38\nAddresses Brendan McLeod.\n\nAudience\n00:30:42\nApplause [cut off].\n\nEND\n00:30:50\n\n\nCecily as Bobby Dove.wav [File 3 of 3]\n\nBobby Dove\n00:00:01\nAddresses audience [audience applause and laughter throughout]. | Keywords: The Words and Music Show\n\nBobby Dove\n00:00:38\nIntroduces \"Song For Brandy\" [audience applause throughout].\n\nBobby Dove\n00:00:55\nPerforms \"Song For Brandy\" accompanied by Stephen Barry and Alexis Messier [later recorded on Dovetales [CD]]. \n\nAudience\n00:05:45\nApplause.\n\nBobby Dove\n00:05:48\nThanks audience [audience applause continues throughout].\n\nBobby Dove\n00:6:02\nAddresses audience.\n\nBobby Dove\n00:6:54\nIntroduces \"Dovetales\".\n\nBobby Dove\n00:07:10\nPerforms \"Dovetales\" [later recorded on Dovetales].\n\nAudience\n00:11:01\nApplause.\n\nBobby Dove\n00:11:13\nAddresses Brendan McLeod [audience laughter throughout].\n\nBobby Dove\n00:11:32\nIntroduces \"The Gas Station Blues\".\n\nBobby Dove\n00:11:36\nIntroduces John Kerkhoven.\n\nAudience\n00:11:44\nApplause.\n\nBobby Dove\n00:12:11\nIntroduces Alexis Messier on banjo and Stephen Barry on bass guitar [audience applause throughout].\n\nBobby Dove\n00:12:59\nPerforms \"The Gas Station Blues\" with Stephen Barry, Alexis Messier, and John Kerkhoven.\n\nAudience\n00:18:24\nApplause.\n\nBobby Dove\n00:18:29\nDiscusses \"The Gas Station Blues\" [audience applause continues].\n\nBobby Dove\n00:18:44\nThanks John Kerkhoven. \n\nAudience\n00:18:45\nApplause.\n\nBobby Dove\n00:18:54\nIntroduces \"Freight Train\" [https://www.wikidata.org/wiki/Q3430090] [originally by Elizabeth Cotten https://www.wikidata.org/wiki/Q454320].\n\nBobby Dove\n00:19:21\nPerforms \"Freight Train\" [originally by Elizabeth Cotten].\n\nAudience\n00:23:32\nApplause.\n\nBobby Dove\n00:23:44.\nIntroduces \"Rock N Roll Queen\".\n\nBobby Dove\n00:23:51.80\nPerforms \"Rock N Roll Queen\" [later recorded on Dovetales].\n\nAudience\n00:29:18\nApplause.\n\nBobby Dove\n00:29:22\nThanks audience, other performers, and Ian Ferrier [audience applause continues throughout].\n\nIan Ferrier\n00:29:41\nThanks Bobby Dove, Stephen Barry, Alexis Messier, and John Kerkhoven [audience applause throughout].\n\nIan Ferrier\n00:29:41\nAnnounces future event. | Keywords: Sam Shalabi [https://www.wikidata.org/wiki/Q2216598]; Cairo [https://www.wikidata.org/wiki/Q85]; Stefan Christoff [https://www.wikidata.org/wiki/Q7606050] \n\nAudience\n00:30:36\nApplause [cut off].\n\nEND\n00:30:47"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548317405184,"timestamp":"2026-01-07T14:59:52.745Z","digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2012/01/\",\"file_path\":\"\",\"filename\":\"Set 1.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:30:03\",\"precision\":\"\",\"size\":\"318.1 MB \",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"Set 1.wav [File 1 of 3]\\n\\nUnknown\\n00:00:00\\nAmbient Sound [music and voices].\\n\\nIan Ferrier\\n00:00:41\\nIntroduces event. \\n\\nIan Ferrier\\n00:00:41\\nIntroduces Mark Lavorato [https://www.wikidata.org/wiki/Q47118272]. | Keywords: Quebec Writers’ Federation [https://www.wikidata.org/wiki/Q3413953]; Believing Cedric [book]\\n\\nAudience\\n00:01:31\\nApplause.\\n\\nMark Lavorato\\n00:01:40\\nThanks Ian Ferrier [https://www.wikidata.org/wiki/Q87138884] and audience.\\n\\nMark Lavorato\\n00:01:50\\nIntroduces \\\"A Handful of Seeds\\\" from Wayworn Wooden Floors [book] [audience laughter and applause throughout]. | Keywords: Veracity [book; https://www.wikidata.org/wiki/Q7920854]; Believing Cedric; Brindle & Glass; The Porcupine’s Quill [https://www.wikidata.org/wiki/Q7757793]; Brendan [McLeod; https://www.wikidata.org/wiki/Q4960999]\\n\\nMark Lavorato\\n00:03:16\\nReads \\\"A Handful of Seeds\\\" from Wayworn Wooden Floors. \\n\\nMark Lavorato\\n00:05:27\\nIntroduces \\\"Five Perspectives of a Church: Mouse\\\" from Wayworn Wooden Floors. | Keywords: Spain [https://www.wikidata.org/wiki/Q29]\\n\\nMark Lavorato\\n00:06:36\\nReads \\\"Five Perspectives of a Church: Mouse\\\" from Wayworn Wooden Floors. \\n\\nMark Lavorato\\n00:07:43\\nIntroduces \\\"Happiness\\\" from Wayworn Wooden Floors.\\n\\nMark Lavorato\\n00:08:00\\nReads \\\"Happiness\\\" from Wayworn Wooden Floors.\\n\\nMark Lavorato\\n00:09:11\\nIntroduces \\\"Uschi\\\" from Wayworn Wooden Floors.\\n\\nMark Lavorato\\n00:09:31\\nReads \\\"Uschi\\\" from Wayworn Wooden Floors.\\n\\nMark Lavorato\\n00:11:23\\nIntroduces \\\"How to Make a Cake From Scratch\\\" from Wayworn Wooden Floors.\\n\\nMark Lavorato\\n00:11:35\\nReads \\\"How to Make a Cake From Scratch\\\" from Wayworn Wooden Floors.\\n\\nMark Lavorato\\n00:12:51\\nIntroduces \\\"I Used to Believe\\\" from Wayworn Wooden Floors. | Keywords: The Porcupine’s Quill\\n\\nMark Lavorato\\n00:13:08\\nReads \\\"I Used to Believe\\\" from Wayworn Wooden Floors.\\n\\nAudience\\n00:14:46\\nApplause.\\n\\nIan Ferrier\\n00:15:00\\nThanks Mark Lavorato.\\n\\nIan Ferrier\\n00:15:10\\nIntroduces Charity Chan. \\n\\nAudience\\n00:15:37\\nApplause.\\n\\nCharity Chan\\n00:16:18\\nPerforms unnamed song.\\n\\nAudience\\n00:22:59\\nApplause.\\n\\nCharity Chan\\n00:23:08\\nThanks Ian Ferrier and audience.\\n\\nCharity Chan\\n00:23:41\\nPerforms unnamed song.\\n\\nAudience\\n00:28:33\\nApplause.\\n\\nIan Ferrier\\n00:28:55\\nThanks Charity Chan and Mark Lavorato [audience laughter throughout]. \\n\\nIan Ferrier\\n00:29:05\\nAnnounces intermission. | Keywords: Vancouver [https://www.wikidata.org/wiki/Q24639]; Brendan McLeod; Stephen Barry; Alexis Messier; Bobby Dove\\n\\nAudience\\n00:29:22\\nApplause [cut off].\\n\\nUnknown\\n00:29:27\\nAmbient Sound [music].\\n\\nEND\\n00:30:03\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2012/01/\",\"file_path\":\"\",\"filename\":\"Intro plus Brendan Mcleod.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:30:50\",\"precision\":\"\",\"size\":\"326.4 MB \",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"Intro plus Brendan Mcleod.wav [File 2 of 3]\\n\\nIan Ferrier\\n00:00:00\\nIntroduces Brendan McLeod [audience applause throughout]. | Keywords: Vancouver Island [https://www.wikidata.org/wiki/Q170479]\\n\\nAudience\\n00:00:33\\nApplause.\\n\\nBrendan McLeod\\n00:00:39\\nAddresses audience [audience laughter throughout].\\n\\nBrendan McLeod\\n00:00:48\\nThanks Ian Ferrier.\\n\\nBrendan McLeod\\n00:00:51\\nAddresses audience, exchange with audience member follows.  | Keywords: Alaska [https://www.wikidata.org/wiki/Q797]; Los Angeles [https://www.wikidata.org/wiki/Q65]\\n\\nBrendan McLeod\\n00:01:14\\nIntroduces \\\"Beaver Without Teeth\\\" [audience laughter throughout]. | Keywords: Montreal [https://www.wikidata.org/wiki/Q340]\\n\\nBrendan McLeod\\n00:02:26\\nPerforms \\\"Beaver Without Teeth\\\" [audience laughter throughout].\\n\\nAudience\\n00:06:34\\nApplause.\\n\\nBrendan McLeod\\n00:06:48\\nAddresses audience, exchange with audience member follows [audience laughter throughout]. | Keywords: American Gods [https://www.wikidata.org/wiki/Q430514]\\n\\nBrendan McLeod\\n00:09:10\\nIntroduces \\\"The Fruit Machine\\\". \\n\\nBrendan McLeod\\n00:09:40\\nPerforms \\\"The Fruit Machine\\\" [audience laughter throughout]. | Keywords: Canada [https://www.wikidata.org/wiki/Q16]; Cold War [https://www.wikidata.org/wiki/Q8683]; RCMP [https://www.wikidata.org/wiki/Q335175]; Saskatchewan [https://www.wikidata.org/wiki/Q1989]; Ottawa [https://www.wikidata.org/wiki/Q1930] \\n\\nAudience\\n00:14:05\\nApplause.\\n\\nBrendan McLeod\\n00:14:17\\nAddresses audience. | Keywords: Wikipedia [https://www.wikidata.org/wiki/Q52]; RCMP; CBC [https://www.wikidata.org/wiki/Q461761]; Google [https://www.wikidata.org/wiki/Q9366]\\n\\nBrendan McLeod\\n00:15:07\\nIntroduces unnamed poem. | Keywords: Dominique Swain [https://www.wikidata.org/wiki/Q234226]; Lolita [https://www.wikidata.org/wiki/Q593877]\\n\\nBrendan McLeod\\n00:15:46\\nPerforms unnamed poem. | Keywords: Lolita; YouTube [https://www.wikidata.org/wiki/Q866]; Jeremy Irons [https://www.wikidata.org/wiki/Q171745] \\n\\nAudience\\n00:18:39\\nApplause.\\n\\nBrendan McLeod\\n00:18:48\\nAddresses audience [audience laughter throughout]. | Keywords: Montreal\\n\\nBrendan McLeod\\n00:19:30\\nIntroduces unnamed song [audience laughter throughout].\\n\\nBrendan McLeod\\n00:19:51\\nPerforms unnamed song [audience laughter throughout]. | Keywords: Scrabble [https://www.wikidata.org/wiki/Q170436]; Taboo [https://www.wikidata.org/wiki/Q735544]; Family Feud [https://www.wikidata.org/wiki/Q506074]; Beach Combers; Sting [https://www.wikidata.org/wiki/Q483203]; Enya [https://www.wikidata.org/wiki/Q38257]; Boyz II Men [https://www.wikidata.org/wiki/Q651231]; Alabama [https://www.wikidata.org/wiki/Q2140332]; Mariah Carey [https://www.wikidata.org/wiki/Q41076]; Peter, Paul and Mary [https://www.wikidata.org/wiki/Q654716]; Josh Groban [https://www.wikidata.org/wiki/Q218083]; Celine Dion [https://www.wikidata.org/wiki/Q5105]; Gandhi [https://www.wikidata.org/wiki/Q1001]; Robert Munsch https://www.wikidata.org/wiki/Q4280820]\\n\\nAudience\\n00:24:23\\nApplause.\\n\\nBrendan McLeod\\n00:24:35\\nThanks audience.\\n\\nBrendan McLeod\\n00:24:39\\nAddresses audience [audience laughter throughout]. | Keywords: Saskatchewan Festival of Words; Moose Jaw [https://www.wikidata.org/wiki/Q1019496]; The Shining [https://www.wikidata.org/wiki/Q186341] \\n\\nBrendan McLeod\\n00:27:30\\nIntroduces unnamed poem [audience laughter throughout]. | Keywords: Vancouver\\n\\nBrendan McLeod\\n00:27:52\\nPerforms unnamed poem.\\n\\nAudience\\n00:30:20\\nApplause.\\n\\nIan Ferrier\\n00:30:38\\nAddresses Brendan McLeod.\\n\\nAudience\\n00:30:42\\nApplause [cut off].\\n\\nEND\\n00:30:50\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2012/01/\",\"file_path\":\"\",\"filename\":\"Cecily as Bobby Dove.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:30:47\",\"precision\":\"\",\"size\":\"325.8 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"Cecily as Bobby Dove.wav [File 3 of 3]\\n\\nBobby Dove\\n00:00:01\\nAddresses audience [audience applause and laughter throughout]. | Keywords: The Words and Music Show\\n\\nBobby Dove\\n00:00:38\\nIntroduces \\\"Song For Brandy\\\" [audience applause throughout].\\n\\nBobby Dove\\n00:00:55\\nPerforms \\\"Song For Brandy\\\" accompanied by Stephen Barry and Alexis Messier [later recorded on Dovetales [CD]]. \\n\\nAudience\\n00:05:45\\nApplause.\\n\\nBobby Dove\\n00:05:48\\nThanks audience [audience applause continues throughout].\\n\\nBobby Dove\\n00:6:02\\nAddresses audience.\\n\\nBobby Dove\\n00:6:54\\nIntroduces \\\"Dovetales\\\".\\n\\nBobby Dove\\n00:07:10\\nPerforms \\\"Dovetales\\\" [later recorded on Dovetales].\\n\\nAudience\\n00:11:01\\nApplause.\\n\\nBobby Dove\\n00:11:13\\nAddresses Brendan McLeod [audience laughter throughout].\\n\\nBobby Dove\\n00:11:32\\nIntroduces \\\"The Gas Station Blues\\\".\\n\\nBobby Dove\\n00:11:36\\nIntroduces John Kerkhoven.\\n\\nAudience\\n00:11:44\\nApplause.\\n\\nBobby Dove\\n00:12:11\\nIntroduces Alexis Messier on banjo and Stephen Barry on bass guitar [audience applause throughout].\\n\\nBobby Dove\\n00:12:59\\nPerforms \\\"The Gas Station Blues\\\" with Stephen Barry, Alexis Messier, and John Kerkhoven.\\n\\nAudience\\n00:18:24\\nApplause.\\n\\nBobby Dove\\n00:18:29\\nDiscusses \\\"The Gas Station Blues\\\" [audience applause continues].\\n\\nBobby Dove\\n00:18:44\\nThanks John Kerkhoven. \\n\\nAudience\\n00:18:45\\nApplause.\\n\\nBobby Dove\\n00:18:54\\nIntroduces \\\"Freight Train\\\" [https://www.wikidata.org/wiki/Q3430090] [originally by Elizabeth Cotten https://www.wikidata.org/wiki/Q454320].\\n\\nBobby Dove\\n00:19:21\\nPerforms \\\"Freight Train\\\" [originally by Elizabeth Cotten].\\n\\nAudience\\n00:23:32\\nApplause.\\n\\nBobby Dove\\n00:23:44.\\nIntroduces \\\"Rock N Roll Queen\\\".\\n\\nBobby Dove\\n00:23:51.80\\nPerforms \\\"Rock N Roll Queen\\\" [later recorded on Dovetales].\\n\\nAudience\\n00:29:18\\nApplause.\\n\\nBobby Dove\\n00:29:22\\nThanks audience, other performers, and Ian Ferrier [audience applause continues throughout].\\n\\nIan Ferrier\\n00:29:41\\nThanks Bobby Dove, Stephen Barry, Alexis Messier, and John Kerkhoven [audience applause throughout].\\n\\nIan Ferrier\\n00:29:41\\nAnnounces future event. | Keywords: Sam Shalabi [https://www.wikidata.org/wiki/Q2216598]; Cairo [https://www.wikidata.org/wiki/Q85]; Stefan Christoff [https://www.wikidata.org/wiki/Q7606050] \\n\\nAudience\\n00:30:36\\nApplause [cut off].\\n\\nEND\\n00:30:47\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"score":0.01643844},{"id":"1117","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2012-02-19"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\" http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"(Performs with Gordon Disley)\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\",\"Performer\"]}]"],"contributors_names":["Rolbin-Ghanie, Maya Khamala","Angus, Hilary","Keteku, Ian","Shalabi, Sam","Christoff, Stefan","Disley, Gordon"],"contributors_names_search":["Rolbin-Ghanie, Maya Khamala","Angus, Hilary","Keteku, Ian","Shalabi, Sam","Christoff, Stefan","Disley, Gordon"],"contributors":["[{\"url\":\"\",\"name\":\"Rolbin-Ghanie, Maya Khamala\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Angus, Hilary\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Keteku, Ian\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/11078285\",\"name\":\"Shalabi, Sam\",\"dates\":\"1964-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/106422154\",\"name\":\"Christoff, Stefan\",\"dates\":\"1981-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Disley, Gordon\",\"dates\":\"\",\"notes\":\"(With Ian Ferrier)\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Rolbin-Ghanie, Maya Khamala","Angus, Hilary","Keteku, Ian","Shalabi, Sam","Christoff, Stefan","Disley, Gordon"],"Performance_Date":[2012],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/1117/Feb keteku Poster_page-0001.jpg\",\"other\":\" In folder: 10 audio, 9 misc. In folder2: 2 docs, 5 images, 1 misc.\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Set of 3 event audio recordings (+ copies and edits)\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"Dates":["[{\"date\":\"2012 02 19\",\"type\":\"Performance Date\",\"notes\":\"Date indicated on event poster\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118\",\"longitude\":\"-73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["The Sunday, 19 February 2012 Words and Music Show featured, from Ottawa, international slam champ Ian Keteku, musician “in from Cairo” Sam Shalabi, more music by Stefan Christoff and Peter Burton, Ian Ferrier and Gordon Disley, poems by Hilary Angus, and a reading by Maya Khamala Rolbin-Ghanie. It took place at the Casa del Popolo."],"contents":["STE-000.wav [File 1 of 3]\n\nUnknown\n00:00:06\nAmbient Sound [voices and music].\n\nIan Ferrier\n00:00:51\nIntroduces event [audience applause throughout]. | Keywords: Ottawa [https://www.wikidata.org/wiki/Q1930]; Ian Keteku [https://www.wikidata.org/wiki/Q5981971]; Cairo [https://www.wikidata.org/wiki/Q85]; Egypt [https://www.wikidata.org/wiki/Q79]; Sam Shalabi [https://www.wikidata.org/wiki/Q2216598]; Stefan Christoff [https://www.wikidata.org/wiki/Q7606050]; Gordon Disley; Ian Ferrier [https://www.wikidata.org/wiki/Q87138884]\n\nAudience\n00:01:28\nApplause.\n\nIan Ferrier\n00:01:29\nPerforms unnamed song with Gordon Disley on bass guitar.\n\nAudience\n00:07:18\nApplause.\n\nIan Ferrier\n00:07:26\nIntroduces \"This Fire” from What Is This Place? [CD]. | Keywords: Sam [Shalabi]; Exploding Head Man [CD]\n\nIan Ferrier\n00:07:47\nPerforms \"This Fire” from What Is This Place? with Gordon Disley on bass guitar.\n\nAudience\n00:15:02\nApplause.\n\nIan Ferrier\n00:15:13\nThanks audience and Gordon Disley.\n\nAudience\n00:15:18\nApplause.\n\nIan Ferrier\n00:15:22\nPromotes future event and introduces Maya Khamala Robin-Ghanie. | Keywords: Nuit Blanche; Yellow Fish [Art Gallery]; Saint Laurent Boulevard [https://www.wikidata.org/wiki/Q2460215]; Centre for Gender Advocacy\n\nAudience\n00:15:52\nApplause.\n\nMaya Khamala Rolbin-Ghanie\n00:15:56\nThanks Ian Ferrier [audience applause continues throughout] and addresses audience.\n\nMaya Khamala Rolbin-Ghanie\n00:16:18\nIntroduces \"The Haircut\".\n\nMaya Khamala Rolbin-Ghanie\n00:16:48\nReads \"The Haircut\".\n\nAudience\n00:18:32\nApplause.\n\nMaya Khamala Rolbin-Ghanie\n00:18:37\nIntroduces \"Circular Vs. Linear In The World Series of Love\".\n\nMaya Khamala Rolbin-Ghanie\n00:18:51\nReads \"Circular Vs. Linear In The World Series of Love\".\n\nAudience\n00:19:37\nApplause.\n\nMaya Khamala Rolbin-Ghanie\n00:19:42\nIntroduces \"A Double Invasion or I Loved You Like That\".\n\nMaya Khamala Rolbin-Ghanie\n00:20:01\nReads \"A Double Invasion or I Loved You Like That\".\n\nAudience\n00:21:01\nApplause.\n\nMaya Khamala Rolbin-Ghanie\n00:21:05\nIntroduces an untitled poem.\n\nMaya Khamala Rolbin-Ghanie\n00:21:10\nReads untitled poem.\n\nAudience\n00:21:56\nApplause.\n\nMaya Khamala Rolbin-Ghanie\n00:22:02\nIntroduces \"Fire From Scratch\". \n\nMaya Khamala Rolbin-Ghanie\n00:22:28\nReads \"Fire From Scratch\".\n\nAudience\n00:23:46\nApplause.\n\nIan Ferrier\n00:23:58\nThanks Maya Khamala Robin-Ghanie and introduces Hilary Angus. | Keywords: Throw Collective\n\nAudience\n00:24:21\nApplause.\n\nHilary Angus\n00:24:28\nAddresses audience and introduces unnamed poem [audience laughter throughout]. | Keywords: Vancouver [https://www.wikidata.org/wiki/Q24639]\n\nHilary Angus\n00:24:53\nPerforms unnamed poem.\n\nAudience\n00:25:50\nLaughter and applause.\n\nHilary Angus\n00:25:57\nThanks audience and introduces unnamed poem [audience laughter throughout]. | Keywords: Wikipedia [https://www.wikidata.org/wiki/Q52]\n\nHilary Angus\n00:26:22\nReads unnamed poem [audience laughter throughout].\n\nAudience\n00:29:19\nApplause.\n\nHilary Angus\n00:29:26\nDiscusses unnamed poem and introduces unnamed poem [audience laughter throughout]. | Keywords: Wikipedia; Fidel Castro [https://www.wikidata.org/wiki/Q11256]\n\nHilary Angus\n00:29:53\nReads unnamed poem. \n\nAudience\n00:32:28\nApplause.\n\nHilary Angus\n00:32:30\nThanks audience [audience applause continues throughout].\n\nIan Ferrier\n00:32:42\nThanks Hilary Angus and announces intermission. | Keywords: Ian Keteku; Sam Shalabi; Stefan Christoff\n\nUnknown\n00:32:56\nAmbient Sound [music].\n\nEND\n00:33:03\n\n\nSTE-001.wav [File 2 of 3]\n\nUnknown\n00:00:01\nAmbient Sound [music and voices].\n\nIan Ferrier\n00:00:37\nIntroduces Ian Keteku. | Keywords: Ottawa\n\nAudience\n00:00:58\nApplause.\n\nIan Keteku\n00:01:10\nIntroduces unnamed poem/song.\n\nIan Keteku\n00:01:23\nPerforms unnamed poem/song.\n\nAudience\n00:04:49\nApplause.\n\nIan Keteku\n00:04:55\nAddresses audience and introduces unnamed poem, exchange with audience follows [audience laughter and applause throughout]. | Keywords: Ottawa; Montreal [https://www.wikidata.org/wiki/Q340]; Moe Clark [https://www.wikidata.org/wiki/Q65116392]\n\nIan Keteku\n00:06:26\nPerforms unnamed poem [audience laughter throughout].\n\nAudience\n00:09:53\nApplause.\n\nIan Keteku\n00:10:02\nAddresses audience and introduces \"Nightmares\" from Lessons From Planet Earth (Re​-​Evolution) [CD], exchange with audience follows [audience laughter throughout]. | Keywords: Celine Dion [https://www.wikidata.org/wiki/Q5105]; Justin Bieber [https://www.wikidata.org/wiki/Q34086]; Titanic [https://www.wikidata.org/wiki/Q44578]\n\nIan Keteku\n00:10:45\nPerforms \"Nightmares\" from Lessons From Planet Earth (Re​-​Evolution).\n\nAudience\n00:13:3\nApplause.\n\nIan Keteku\n00:13:46\nPerforms \"Kay\" from Lessons From Planet Earth (Re​-​Evolution).\n\nAudience\n00:17:06\nApplause.\n\nIan Keteku\n00:17:15\nIntroduces \"Laptop Love\" from Lessons From Planet Earth (Re​-​Evolution).\n\nIan Keteku\n00:17:38\nPerforms \"Laptop Love\" from Lessons From Planet Earth (Re​-​Evolution) [audience laughter throughout].\n\nIan Keteku\n00:19:22\nStops performance to address audience [audience laughter throughout]. | Keywords: [William] Shakespeare [https://www.wikidata.org/wiki/Q692]; Margaret Atwood [https://www.wikidata.org/wiki/Q183492;, Ian Keteku; Ian [Ferrier]\n\nIan Keteku\n00:20:18\nResumes \"Laptop Love\" from Lessons From Planet Earth (Re​-​Evolution) [audience laughter and applause throughout].\n\nAudience\n00:21:43\nApplause.\n\nIan Keteku\n00:21:53\nThanks audience, Ian [Ferrier], and the staff [audience applause throughout]. | Keywords: Moe Clark; Steve [Godin]\n\nIan Keteku\n00:22:08\nIntroduces \"Yoga Tree: Right Side Up\" [audience laughter throughout]. \n\nIan Keteku\n00:23:12\nPerforms \"Yoga Tree: Right Side Up\" [audience laughter throughout].\n\nAudience\n00:25:08\nApplause.\n\nIan Keteku\n00:25:10\nThanks audience and Ian [Ferrier] and promotes Lessons From Planet Earth (Re​-​Evolution) [audience applause continues throughout].\n\nAudience\n00:25:31\nApplause.\n\nIan Ferrier\n00:25:40\nThanks Ian Keteku [audience applause continues throughout], introduces Sam Shalabi and Stefan Christoff, and announces intermission [audience laughter and applause throughout].\n\nUnknown\n00:26:17\nAmbient Sound [music].\n\nEND\n00:26:24\n\n\nSTE-002.wav [File 3 of 3]\n\nUnknown\n00:00:00\nAmbient Sound [music; cut off].\n\nSam Shalabi\n00:00:10\nPerforms unnamed song with Stefan Christoff on piano.\n\nAudience\n00:13:19\nApplause.\n\nSam Shalabi\n00:13:34\nPerforms unnamed song with Stefan Christoff on piano.\n\nAudience\n00:21:42\nApplause [cut off].\n\nIan Ferrier\n00:22:11\nThanks audience and performers and announces future event [audience applause throughout]. | Keywords: Maya [Khamala Rolbin-Ghanie]; Hilary [Angus]; Ian [Keteku]; Stefan Christoff; Sam Shalabi; Mile End Poets’ [Festival]\n\nAudience\n00:22:41\nApplause [cut off].\n\nUnknown\n00:22:48\nAmbient Sound [music].\n\nEND\n00:23:40"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548318453760,"timestamp":"2026-01-07T14:59:52.745Z","digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2012/02/\",\"file_path\":\"\",\"filename\":\"STE-000.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:33:03\",\"precision\":\"\",\"size\":\"349.8 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-000.wav [File 1 of 3]\\n\\nUnknown\\n00:00:06\\nAmbient Sound [voices and music].\\n\\nIan Ferrier\\n00:00:51\\nIntroduces event [audience applause throughout]. | Keywords: Ottawa [https://www.wikidata.org/wiki/Q1930]; Ian Keteku [https://www.wikidata.org/wiki/Q5981971]; Cairo [https://www.wikidata.org/wiki/Q85]; Egypt [https://www.wikidata.org/wiki/Q79]; Sam Shalabi [https://www.wikidata.org/wiki/Q2216598]; Stefan Christoff [https://www.wikidata.org/wiki/Q7606050]; Gordon Disley; Ian Ferrier [https://www.wikidata.org/wiki/Q87138884]\\n\\nAudience\\n00:01:28\\nApplause.\\n\\nIan Ferrier\\n00:01:29\\nPerforms unnamed song with Gordon Disley on bass guitar.\\n\\nAudience\\n00:07:18\\nApplause.\\n\\nIan Ferrier\\n00:07:26\\nIntroduces \\\"This Fire” from What Is This Place? [CD]. | Keywords: Sam [Shalabi]; Exploding Head Man [CD]\\n\\nIan Ferrier\\n00:07:47\\nPerforms \\\"This Fire” from What Is This Place? with Gordon Disley on bass guitar.\\n\\nAudience\\n00:15:02\\nApplause.\\n\\nIan Ferrier\\n00:15:13\\nThanks audience and Gordon Disley.\\n\\nAudience\\n00:15:18\\nApplause.\\n\\nIan Ferrier\\n00:15:22\\nPromotes future event and introduces Maya Khamala Robin-Ghanie. | Keywords: Nuit Blanche; Yellow Fish [Art Gallery]; Saint Laurent Boulevard [https://www.wikidata.org/wiki/Q2460215]; Centre for Gender Advocacy\\n\\nAudience\\n00:15:52\\nApplause.\\n\\nMaya Khamala Rolbin-Ghanie\\n00:15:56\\nThanks Ian Ferrier [audience applause continues throughout] and addresses audience.\\n\\nMaya Khamala Rolbin-Ghanie\\n00:16:18\\nIntroduces \\\"The Haircut\\\".\\n\\nMaya Khamala Rolbin-Ghanie\\n00:16:48\\nReads \\\"The Haircut\\\".\\n\\nAudience\\n00:18:32\\nApplause.\\n\\nMaya Khamala Rolbin-Ghanie\\n00:18:37\\nIntroduces \\\"Circular Vs. Linear In The World Series of Love\\\".\\n\\nMaya Khamala Rolbin-Ghanie\\n00:18:51\\nReads \\\"Circular Vs. Linear In The World Series of Love\\\".\\n\\nAudience\\n00:19:37\\nApplause.\\n\\nMaya Khamala Rolbin-Ghanie\\n00:19:42\\nIntroduces \\\"A Double Invasion or I Loved You Like That\\\".\\n\\nMaya Khamala Rolbin-Ghanie\\n00:20:01\\nReads \\\"A Double Invasion or I Loved You Like That\\\".\\n\\nAudience\\n00:21:01\\nApplause.\\n\\nMaya Khamala Rolbin-Ghanie\\n00:21:05\\nIntroduces an untitled poem.\\n\\nMaya Khamala Rolbin-Ghanie\\n00:21:10\\nReads untitled poem.\\n\\nAudience\\n00:21:56\\nApplause.\\n\\nMaya Khamala Rolbin-Ghanie\\n00:22:02\\nIntroduces \\\"Fire From Scratch\\\". \\n\\nMaya Khamala Rolbin-Ghanie\\n00:22:28\\nReads \\\"Fire From Scratch\\\".\\n\\nAudience\\n00:23:46\\nApplause.\\n\\nIan Ferrier\\n00:23:58\\nThanks Maya Khamala Robin-Ghanie and introduces Hilary Angus. | Keywords: Throw Collective\\n\\nAudience\\n00:24:21\\nApplause.\\n\\nHilary Angus\\n00:24:28\\nAddresses audience and introduces unnamed poem [audience laughter throughout]. | Keywords: Vancouver [https://www.wikidata.org/wiki/Q24639]\\n\\nHilary Angus\\n00:24:53\\nPerforms unnamed poem.\\n\\nAudience\\n00:25:50\\nLaughter and applause.\\n\\nHilary Angus\\n00:25:57\\nThanks audience and introduces unnamed poem [audience laughter throughout]. | Keywords: Wikipedia [https://www.wikidata.org/wiki/Q52]\\n\\nHilary Angus\\n00:26:22\\nReads unnamed poem [audience laughter throughout].\\n\\nAudience\\n00:29:19\\nApplause.\\n\\nHilary Angus\\n00:29:26\\nDiscusses unnamed poem and introduces unnamed poem [audience laughter throughout]. | Keywords: Wikipedia; Fidel Castro [https://www.wikidata.org/wiki/Q11256]\\n\\nHilary Angus\\n00:29:53\\nReads unnamed poem. \\n\\nAudience\\n00:32:28\\nApplause.\\n\\nHilary Angus\\n00:32:30\\nThanks audience [audience applause continues throughout].\\n\\nIan Ferrier\\n00:32:42\\nThanks Hilary Angus and announces intermission. | Keywords: Ian Keteku; Sam Shalabi; Stefan Christoff\\n\\nUnknown\\n00:32:56\\nAmbient Sound [music].\\n\\nEND\\n00:33:03\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2012/02/\",\"file_path\":\"\",\"filename\":\"STE-001.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:26:24\",\"precision\":\"\",\"size\":\"279.5 MB \",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-001.wav [File 2 of 3]\\n\\nUnknown\\n00:00:01\\nAmbient Sound [music and voices].\\n\\nIan Ferrier\\n00:00:37\\nIntroduces Ian Keteku. | Keywords: Ottawa\\n\\nAudience\\n00:00:58\\nApplause.\\n\\nIan Keteku\\n00:01:10\\nIntroduces unnamed poem/song.\\n\\nIan Keteku\\n00:01:23\\nPerforms unnamed poem/song.\\n\\nAudience\\n00:04:49\\nApplause.\\n\\nIan Keteku\\n00:04:55\\nAddresses audience and introduces unnamed poem, exchange with audience follows [audience laughter and applause throughout]. | Keywords: Ottawa; Montreal [https://www.wikidata.org/wiki/Q340]; Moe Clark [https://www.wikidata.org/wiki/Q65116392]\\n\\nIan Keteku\\n00:06:26\\nPerforms unnamed poem [audience laughter throughout].\\n\\nAudience\\n00:09:53\\nApplause.\\n\\nIan Keteku\\n00:10:02\\nAddresses audience and introduces \\\"Nightmares\\\" from Lessons From Planet Earth (Re​-​Evolution) [CD], exchange with audience follows [audience laughter throughout]. | Keywords: Celine Dion [https://www.wikidata.org/wiki/Q5105]; Justin Bieber [https://www.wikidata.org/wiki/Q34086]; Titanic [https://www.wikidata.org/wiki/Q44578]\\n\\nIan Keteku\\n00:10:45\\nPerforms \\\"Nightmares\\\" from Lessons From Planet Earth (Re​-​Evolution).\\n\\nAudience\\n00:13:3\\nApplause.\\n\\nIan Keteku\\n00:13:46\\nPerforms \\\"Kay\\\" from Lessons From Planet Earth (Re​-​Evolution).\\n\\nAudience\\n00:17:06\\nApplause.\\n\\nIan Keteku\\n00:17:15\\nIntroduces \\\"Laptop Love\\\" from Lessons From Planet Earth (Re​-​Evolution).\\n\\nIan Keteku\\n00:17:38\\nPerforms \\\"Laptop Love\\\" from Lessons From Planet Earth (Re​-​Evolution) [audience laughter throughout].\\n\\nIan Keteku\\n00:19:22\\nStops performance to address audience [audience laughter throughout]. | Keywords: [William] Shakespeare [https://www.wikidata.org/wiki/Q692]; Margaret Atwood [https://www.wikidata.org/wiki/Q183492;, Ian Keteku; Ian [Ferrier]\\n\\nIan Keteku\\n00:20:18\\nResumes \\\"Laptop Love\\\" from Lessons From Planet Earth (Re​-​Evolution) [audience laughter and applause throughout].\\n\\nAudience\\n00:21:43\\nApplause.\\n\\nIan Keteku\\n00:21:53\\nThanks audience, Ian [Ferrier], and the staff [audience applause throughout]. | Keywords: Moe Clark; Steve [Godin]\\n\\nIan Keteku\\n00:22:08\\nIntroduces \\\"Yoga Tree: Right Side Up\\\" [audience laughter throughout]. \\n\\nIan Keteku\\n00:23:12\\nPerforms \\\"Yoga Tree: Right Side Up\\\" [audience laughter throughout].\\n\\nAudience\\n00:25:08\\nApplause.\\n\\nIan Keteku\\n00:25:10\\nThanks audience and Ian [Ferrier] and promotes Lessons From Planet Earth (Re​-​Evolution) [audience applause continues throughout].\\n\\nAudience\\n00:25:31\\nApplause.\\n\\nIan Ferrier\\n00:25:40\\nThanks Ian Keteku [audience applause continues throughout], introduces Sam Shalabi and Stefan Christoff, and announces intermission [audience laughter and applause throughout].\\n\\nUnknown\\n00:26:17\\nAmbient Sound [music].\\n\\nEND\\n00:26:24\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2012/02/\",\"file_path\":\"\",\"filename\":\"STE-002.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:23:40\",\"precision\":\"\",\"size\":\"250.5 MB \",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-002.wav [File 3 of 3]\\n\\nUnknown\\n00:00:00\\nAmbient Sound [music; cut off].\\n\\nSam Shalabi\\n00:00:10\\nPerforms unnamed song with Stefan Christoff on piano.\\n\\nAudience\\n00:13:19\\nApplause.\\n\\nSam Shalabi\\n00:13:34\\nPerforms unnamed song with Stefan Christoff on piano.\\n\\nAudience\\n00:21:42\\nApplause [cut off].\\n\\nIan Ferrier\\n00:22:11\\nThanks audience and performers and announces future event [audience applause throughout]. | Keywords: Maya [Khamala Rolbin-Ghanie]; Hilary [Angus]; Ian [Keteku]; Stefan Christoff; Sam Shalabi; Mile End Poets’ [Festival]\\n\\nAudience\\n00:22:41\\nApplause [cut off].\\n\\nUnknown\\n00:22:48\\nAmbient Sound [music].\\n\\nEND\\n00:23:40\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"score":0.01643844},{"id":"1090","cataloger_name":["Klara,du Plessis"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Véhicule Art (Montréal) Inc. fonds (P027)"],"source_collection_label":["Véhicule Art (Montréal) Inc. fonds (P027)"],"collection_contributing_unit":["Concordia University Library Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of ten series, many of them subdivided into sub-series. The documents cover the period 1972 to 1982, however, the great majority of the documents were created between 1973 and 1976. This finding aid deals with the administrative, financial files of this organization as well as the artist and exhibition files, the publicity material (posters, art catalogues), and photographs. There is little documentation for the activities of the Vu00e9hicule Art Inc. gallery from 1976 to 1982. During this time the gallery experienced both administrative and financial difficulties. Frequent changes of staff and insufficient funding contributed to the weakening of the gallery and its activities. The original order of the documents quite faithfully reflected the internal organization of the gallery. Thus, the documents dating from 1972 to 1975, were relatively well organized and required no further arrangement; on the other hand, those covering the 1976-1982 period needed complete reorganization. The fonds is organized into the following series: P027/01 Organization P027/02 Personnel P027/03 Finances P027/04 Programming P027/05 Artists, exhibitions and performances P027/06 Associations P027/07 Correspondence P027/08 Photographs P027/09 Sound recordings P027/10 Posters"],"collection_source_collection_id":["P027"],"persistent_url":["https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"item_title":["First Annual Spring Poetry Marathon Tape II (4/4)"],"item_title_source":["Handwritten on back of box"],"item_title_note":["Sticky note on box \"Note 2007 April Do not play! - Lubricate failure - Drop out Use CD copy as Master [Roger Tyrell]; different fonds number P027.9.SR8.2 on box"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright belongs to the creator(s).Reproductions are allowed for the purpose of research and private study. Use of material in a publication may only be done with written consent of the copyright owner(s).\"source: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds"],"creator_names":["Unknown"],"creator_names_search":["Unknown"],"creators":["[{\"url\":\"\",\"name\":\"Unknown\",\"dates\":\"\",\"notes\":\"This is a marathon event with different readers every few minutes.\",\"nation\":[],\"role\":[\"-1\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"Readers: Monique Jay Schuster, Carol Leckner, Tom Kindrich, Claudia Lapp, Carole Ten Brink\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":[""],"Production_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/666/P0027-11-0008-2.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Stored in cardboard AMPEX box\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"P027-11-08 1st Annual Spring Poetry Marathon\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:35:01\",\"precision\":\"\",\"size\":\"353.4 MB\",\"bitrate\":\"1,411 kbps\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970\",\"type\":\"Production Date\",\"notes\":\"Circa 1970. Exact year not known.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"source of address: https://concordia.accesstomemory.org/vehicule-art-montreal-inc-fonds\",\"venue\":\"Véhicule Art Inc.\",\"notes\":\"\",\"address\":\" 61, Ste. Catherine St. West, Montreal, Quebec, Canada\",\"latitude\":\"45.5095887 \",\"longitude\":\"-73.5647249\"}]"],"Address":[" 61, Ste. Catherine St. West, Montreal, Quebec, Canada"],"Venue":["Véhicule Art Inc."],"City":["Montreal, Quebec"],"contents":["00:00:00 Monique Jay Schuster reads “My ass is on fire”; 00:02:45 Carol Leckner preambles, says she has never had to work so hard at a poetry reading; 00:03:59 reads “Ride”; 00:05:54 reads “Indian Poem”; 00:06:37 reads “Saving Sister Depression”; 00:09:08 reads “Mountain Reverie”; 00:13:43 Tom Kindrich reads “There”; 00:17:09 reads “Secrets of the Great Hall”; 00:18:06 reads “Eve once flew”; 00:18:35 reads “Cane and Abel”; 00:19:44 reads “The Twelfth”; 00:21:34 Claudia Lapp reads untitled poem; 00:25:35 reads “Repeat Island”; 00:26:21 reads vegetable poems; 00:28:30 reads untitled poem; 00:29:06  reads untitled poem; 00:30:23 Carole Ten Brink preambles, also exhausted; 00:31:28 reads untitled poem"],"Note":["[{\"note\":\"This disc is the fourth of four recording the First Annual Spring Marathon reading. Five readers share selections of poetry, open-mic style. People are noticeably exhausted and it's mentioned that it is midnight.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548319502336,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1092","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2009-02-15"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian \",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"contributors_names":["Sweet Mother Logic","Naccarato, Alessandra","de Courcy-Ireland, Matthew","Chvostek, Annabelle","Spina, Tony","Jones, Jeremie"],"contributors_names_search":["Sweet Mother Logic","Naccarato, Alessandra","de Courcy-Ireland, Matthew","Chvostek, Annabelle","Spina, Tony","Jones, Jeremie"],"contributors":["[{\"url\":\"\",\"name\":\"Sweet Mother Logic\",\"dates\":\"\",\"notes\":\"(Band)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/10152380054301761774\",\"name\":\"Naccarato, Alessandra \",\"dates\":\"1984-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"de Courcy-Ireland, Matthew\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/106499651\",\"name\":\"Chvostek, Annabelle \",\"dates\":\"1973-\",\"notes\":\"(With Jeremie Jones and Tony Spina)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Spina, Tony\",\"dates\":\"\",\"notes\":\"(With Annabelle Chvostek and Jeremie Jones)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Jones, Jeremie\",\"dates\":\"\",\"notes\":\"(With Annabelle Chvostek and Tony Spina)\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Sweet Mother Logic","Naccarato, Alessandra ","de Courcy-Ireland, Matthew","Chvostek, Annabelle ","Spina, Tony","Jones, Jeremie"],"Performance_Date":[2009],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/1092/poster 2009-02-15.jpg\",\"other\":\"In folder: 14 audio, 13 misc\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Set of 3 event audio recordings (+ copies and edits)\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"Dates":["[{\"date\":\"2009 02 15\",\"type\":\"Performance Date\",\"notes\":\"Date indicated on event. poster and in radio ad\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118\",\"longitude\":\" -73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["This event showcased spoken word poetry by Alessandra Naccarato (winner of the Throw Collective poetry slam at the previous Words and Music show on 2009-01-25), folk rock music performed by Canadian singer-songwriter and multi-instrumentalist Annabelle Chvostek promoting her album Resilience, and a genre-bending musical performance by Montreal band Sweet Mother Logic featuring Matthew de Courcy-Ireland."],"contents":["STE-000.wav [File 1 of 3]\n\nIan Ferrier\n00:00:02\nIntroduces event. \n\nIan Ferrier\n00:00:24\nIntroduces Alessandra Naccarato. | Keywords: 3-2-1 THROW [CD]; Montreal [https://www.wikidata.org/wiki/Q340]; Throw Collective; Canada Council for the Arts [https://www.wikidata.org/wiki/Q2993809]\n\nAudience\n00:01:11\nApplause.\n\nAlessandra Naccarato\n00:01:26\nIntroduces unnamed poem.\n\nAlessandra Naccarato\n00:02:08\nPerforms unnamed poem. \n\nAudience\n00:05:10\nApplause.\n\nAlessandra Naccarato\n00:05:19\nIntroduces unnamed poem.\n\nAlessandra Naccarato\n00:05:35\nPerforms unnamed poem. \n\nAudience\n00:08:03\nApplause.\n\nAlessandra Naccarato\n00:08:12\nIntroduces unnamed poem. \n\nAlessandra Naccarato\n00:08:41\nPerforms unnamed poem. \n\nAudience\n00:11:13\nApplause.\n\nAlessandra Naccarato\n00:11:20\nIntroduces \"The Idea of the Other Side\". | Keywords: Canada [https://www.wikidata.org/wiki/Q16]; Italy [https://www.wikidata.org/wiki/Q38]\n\nAlessandra  Naccarato\n00:11:56\nPerforms \"The Idea of the Other Side\". | Keywords: Ionian Sea [https://www.wikidata.org/wiki/Q37495]\n\nAudience\n00:15:13\nApplause.\n\nIan Ferrier\n00:15:28\nThanks Alessandra Naccarato.\n\nIan Ferrier\n00:15:32\nAddresses audience. | Keywords: Brick Books; Ontario [https://www.wikidata.org/wiki/Q1904]; Montreal \n\nIan Ferrier\n00:16:16\nIntroduces Annabelle Chvostek [https://www.wikidata.org/wiki/Q4767711]. | Keywords: Montreal\n\nEND\n00:16:40\n\n\nSTE-001.wav [File 2 of 3]\n\nIan Ferrier\n00:00:00\nIntroduces Annabelle Chvostek [https://www.wikidata.org/wiki/Q4767711]. | Keywords: Resilience [[CD] https://www.wikidata.org/wiki/Q7315540], Water [CD], Memphis [https://www.wikidata.org/wiki/Q16563]\n\nAudience\n00:00:28\nApplause.\n\nAnnabelle Chvostek\n00:00:43\nIntroduces \"Racing With The Sun\" [originally performed by Ella Jenkins https://www.wikidata.org/wiki/Q3051334]. | Keywords: African-American Folk Rhythms [CD]\n\nAnnabelle Chvostek\n00:01:10\nPerforms \"Racing With The Sun”. \n\nAudience\n00:03:43\nApplause.\n\nAnnabelle Chvostek\n00:03:49\nAddresses Steve Godin [sound technician].\n\nAnnabelle Chvostek\n00:04:11\nPerforms \"Nashville\" from Resilience. | Keywords: Nashville [https://www.wikidata.org/wiki/Q23197]\n\nAudience\n00:07:49\nApplause.\n\nAnnabelle Chvostek\n00:08:12\nIntroduces \"Resilience\" from Resilience. \n\nAnnabelle Chvostek\n00:09:15\nPerforms \"Resilience\" from Resilience. \n\nAudience\n00:13:10\nApplause.\n\nAnnabelle Chvostek\n00:13:19\nIntroduces unnamed song. \n\nAnnabelle Chvostek\n00:13:51\nPerforms unnamed song.\n\nAudience\n00:17:54\nApplause.\n\nAnnabelle Chvostek\n00:18:02\nIntroduces \"I Left My Brain\" from Resilience and encourages audience to sing along.\n\nAnnabelle Chvostek\n00:18:46\nPerforms \"I Left My Brain\" from Resilience.\n\nAudience\n00:23:25\nApplause.\n\nAnnabelle Chvostek\n00:24:07\nThanks audience, Ian Ferrier [https://www.wikidata.org/wiki/Q87138884], Steve Godin, and event staff. \n\nAnnabelle Chvostek\n00:24:25\nIntroduces Jeremie Jones on bass and Tony Spina on drums [audience applause throughout]. \n\nAnnabelle Chvostek\n00:24:50\nPerforms \"Food On My Face\" [from Burned My Ass [CD] https://www.wikidata.org/wiki/Q4999638].\n\nAudience\n00:27:50\nApplause.\n\nAnnabelle Chvostek\n00:27:51\nThanks audience.\n\nEND\n00:28:05\n\n\nSTE-002.wav [File 3 of 3]\n\nIan Ferrier\n00:00:00\nIntroduces Sweet Mother Logic. | Keywords: Rover [magazine]\n\nAudience\n00:00:14\nApplause.\n\nSweet Mother Logic\n00:00:54\nPerforms unnamed song. \n\nAudience\n00:21:52\nApplause.\n\nSweet Mother Logic\n00:22:38\nPerforms unnamed song. \n\nSweet Mother Logic\n00:22:52\nStops the performance.\n\nSweet Mother Logic\n00:22:59\nPerforms different unnamed song.\n\nAudience\n00:28:37\nApplause.\n\nSweet Mother Logic\n00:28:51\nPerforms unnamed song.\n\nAudience\n00:37:23\nApplause.\n\nSweet Mother Logic\n00:38:07\nPerforms unnamed song.\n\nAudience\n00:46:21\nApplause.\n\nSweet Mother Logic\n00:46:59\nPerforms unnamed song.\n\nAudience\n00:52:19\nApplause.\n\nSweet Mother Logic\n00:52:42\nThanks the audience, Alessandra Naccarato, Annabelle Chvostek, Steve Godin, and Ian Ferrier\n\nAudience\n00:53:17\nApplause.\n\nSweet Mother Logic\n00:53:26\nAnnounces future shows. | Keywords: La Sala Rossa\n\nSweet Mother Logic\n00:53:49\nPromotes unnamed EP [audience laughter throughout].\n\nSweet Mother Logic\n00:54:05\nIntroduces Matthew de Courcy-Ireland [audience laughter throughout].\n\nMatthew de Courcy-Ireland\n00:54:44\nIntroduces \"Isotopean Science Fiction\".\n\nSweet Mother Logic\n00:55:08\nPerforms instrumental song.\n\nMatthew de Courcy-Ireland\n00:55:26\nReads \"Isotopean Science Fiction\" accompanied by Sweet Mother Logic. \n\nAudience\n01:01:51\nApplause.\n\nEND\n01:02:28"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548328939520,"timestamp":"2026-01-07T14:59:52.745Z","digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2009/02/\",\"file_path\":\"\",\"filename\":\"STE-001.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:28:05\",\"precision\":\"\",\"size\":\"297.2 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-001.wav [File 2 of 3]\\n\\nIan Ferrier\\n00:00:00\\nIntroduces Annabelle Chvostek [https://www.wikidata.org/wiki/Q4767711]. | Keywords: Resilience [[CD] https://www.wikidata.org/wiki/Q7315540], Water [CD], Memphis [https://www.wikidata.org/wiki/Q16563]\\n\\nAudience\\n00:00:28\\nApplause.\\n\\nAnnabelle Chvostek\\n00:00:43\\nIntroduces \\\"Racing With The Sun\\\" [originally performed by Ella Jenkins https://www.wikidata.org/wiki/Q3051334]. | Keywords: African-American Folk Rhythms [CD]\\n\\nAnnabelle Chvostek\\n00:01:10\\nPerforms \\\"Racing With The Sun”. \\n\\nAudience\\n00:03:43\\nApplause.\\n\\nAnnabelle Chvostek\\n00:03:49\\nAddresses Steve Godin [sound technician].\\n\\nAnnabelle Chvostek\\n00:04:11\\nPerforms \\\"Nashville\\\" from Resilience. | Keywords: Nashville [https://www.wikidata.org/wiki/Q23197]\\n\\nAudience\\n00:07:49\\nApplause.\\n\\nAnnabelle Chvostek\\n00:08:12\\nIntroduces \\\"Resilience\\\" from Resilience. \\n\\nAnnabelle Chvostek\\n00:09:15\\nPerforms \\\"Resilience\\\" from Resilience. \\n\\nAudience\\n00:13:10\\nApplause.\\n\\nAnnabelle Chvostek\\n00:13:19\\nIntroduces unnamed song. \\n\\nAnnabelle Chvostek\\n00:13:51\\nPerforms unnamed song.\\n\\nAudience\\n00:17:54\\nApplause.\\n\\nAnnabelle Chvostek\\n00:18:02\\nIntroduces \\\"I Left My Brain\\\" from Resilience and encourages audience to sing along.\\n\\nAnnabelle Chvostek\\n00:18:46\\nPerforms \\\"I Left My Brain\\\" from Resilience.\\n\\nAudience\\n00:23:25\\nApplause.\\n\\nAnnabelle Chvostek\\n00:24:07\\nThanks audience, Ian Ferrier [https://www.wikidata.org/wiki/Q87138884], Steve Godin, and event staff. \\n\\nAnnabelle Chvostek\\n00:24:25\\nIntroduces Jeremie Jones on bass and Tony Spina on drums [audience applause throughout]. \\n\\nAnnabelle Chvostek\\n00:24:50\\nPerforms \\\"Food On My Face\\\" [from Burned My Ass [CD] https://www.wikidata.org/wiki/Q4999638].\\n\\nAudience\\n00:27:50\\nApplause.\\n\\nAnnabelle Chvostek\\n00:27:51\\nThanks audience.\\n\\nEND\\n00:28:05\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2009/02/\",\"file_path\":\"\",\"filename\":\"STE-000.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:16:40\",\"precision\":\"\",\"size\":\" 176.5 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-000.wav [File 1 of 3]\\n\\nIan Ferrier\\n00:00:02\\nIntroduces event. \\n\\nIan Ferrier\\n00:00:24\\nIntroduces Alessandra Naccarato. | Keywords: 3-2-1 THROW [CD]; Montreal [https://www.wikidata.org/wiki/Q340]; Throw Collective; Canada Council for the Arts [https://www.wikidata.org/wiki/Q2993809]\\n\\nAudience\\n00:01:11\\nApplause.\\n\\nAlessandra Naccarato\\n00:01:26\\nIntroduces unnamed poem.\\n\\nAlessandra Naccarato\\n00:02:08\\nPerforms unnamed poem. \\n\\nAudience\\n00:05:10\\nApplause.\\n\\nAlessandra Naccarato\\n00:05:19\\nIntroduces unnamed poem.\\n\\nAlessandra Naccarato\\n00:05:35\\nPerforms unnamed poem. \\n\\nAudience\\n00:08:03\\nApplause.\\n\\nAlessandra Naccarato\\n00:08:12\\nIntroduces unnamed poem. \\n\\nAlessandra Naccarato\\n00:08:41\\nPerforms unnamed poem. \\n\\nAudience\\n00:11:13\\nApplause.\\n\\nAlessandra Naccarato\\n00:11:20\\nIntroduces \\\"The Idea of the Other Side\\\". | Keywords: Canada [https://www.wikidata.org/wiki/Q16]; Italy [https://www.wikidata.org/wiki/Q38]\\n\\nAlessandra  Naccarato\\n00:11:56\\nPerforms \\\"The Idea of the Other Side\\\". | Keywords: Ionian Sea [https://www.wikidata.org/wiki/Q37495]\\n\\nAudience\\n00:15:13\\nApplause.\\n\\nIan Ferrier\\n00:15:28\\nThanks Alessandra Naccarato.\\n\\nIan Ferrier\\n00:15:32\\nAddresses audience. | Keywords: Brick Books; Ontario [https://www.wikidata.org/wiki/Q1904]; Montreal \\n\\nIan Ferrier\\n00:16:16\\nIntroduces Annabelle Chvostek [https://www.wikidata.org/wiki/Q4767711]. | Keywords: Montreal\\n\\nEND\\n00:16:40\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2009/02/\",\"file_path\":\"\",\"filename\":\"STE-002.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:02:28\",\"precision\":\"\",\"size\":\" 661.1 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-002.wav [File 3 of 3]\\n\\nIan Ferrier\\n00:00:00\\nIntroduces Sweet Mother Logic. | Keywords: Rover [magazine]\\n\\nAudience\\n00:00:14\\nApplause.\\n\\nSweet Mother Logic\\n00:00:54\\nPerforms unnamed song. \\n\\nAudience\\n00:21:52\\nApplause.\\n\\nSweet Mother Logic\\n00:22:38\\nPerforms unnamed song. \\n\\nSweet Mother Logic\\n00:22:52\\nStops the performance.\\n\\nSweet Mother Logic\\n00:22:59\\nPerforms different unnamed song.\\n\\nAudience\\n00:28:37\\nApplause.\\n\\nSweet Mother Logic\\n00:28:51\\nPerforms unnamed song.\\n\\nAudience\\n00:37:23\\nApplause.\\n\\nSweet Mother Logic\\n00:38:07\\nPerforms unnamed song.\\n\\nAudience\\n00:46:21\\nApplause.\\n\\nSweet Mother Logic\\n00:46:59\\nPerforms unnamed song.\\n\\nAudience\\n00:52:19\\nApplause.\\n\\nSweet Mother Logic\\n00:52:42\\nThanks the audience, Alessandra Naccarato, Annabelle Chvostek, Steve Godin, and Ian Ferrier\\n\\nAudience\\n00:53:17\\nApplause.\\n\\nSweet Mother Logic\\n00:53:26\\nAnnounces future shows. | Keywords: La Sala Rossa\\n\\nSweet Mother Logic\\n00:53:49\\nPromotes unnamed EP [audience laughter throughout].\\n\\nSweet Mother Logic\\n00:54:05\\nIntroduces Matthew de Courcy-Ireland [audience laughter throughout].\\n\\nMatthew de Courcy-Ireland\\n00:54:44\\nIntroduces \\\"Isotopean Science Fiction\\\".\\n\\nSweet Mother Logic\\n00:55:08\\nPerforms instrumental song.\\n\\nMatthew de Courcy-Ireland\\n00:55:26\\nReads \\\"Isotopean Science Fiction\\\" accompanied by Sweet Mother Logic. \\n\\nAudience\\n01:01:51\\nApplause.\\n\\nEND\\n01:02:28\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"score":0.01643844},{"id":"1093","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Le Cagibi 2009-03-29"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian \",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"contributors_names":["Milan, Jason","Deer, Kary-Ann","Bateman, David","Ferrier, Alex","Freure, Jason","Monnet, Emilie","Clark, Moe"],"contributors_names_search":["Milan, Jason","Deer, Kary-Ann","Bateman, David","Ferrier, Alex","Freure, Jason","Monnet, Emilie","Clark, Moe"],"contributors":["[{\"url\":\"\",\"name\":\"Milan, Jason\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Deer, Kary-Ann \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/236624223\",\"name\":\"Bateman, David\",\"dates\":\"1956-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Ferrier, Alex\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/11154257788324150802\",\"name\":\"Freure, Jason \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Monnet, Emilie \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/317024729\",\"name\":\"Clark, Moe \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Milan, Jason","Deer, Kary-Ann ","Bateman, David","Ferrier, Alex","Freure, Jason ","Monnet, Emilie ","Clark, Moe "],"Performance_Date":[2009],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/1093/Poster 2009-03-29.jpg\",\"other\":\"In folder: 2 audio, 2 misc. In folder2: 5 audio, 4 docs, 3 images, 9 misc\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Set of 2 event audio recordings (+ copies and edits)\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"Dates":["[{\"date\":\"2009 03 29\",\"type\":\"Performance Date\",\"notes\":\"Date indicated on event poster and radio ad\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/5764056585\",\"venue\":\"Le Cagibi\",\"notes\":\"\",\"address\":\"6596 St Laurent Blvd, Montreal, QC, H2S 3C6\",\"latitude\":\"45.5312505\",\"longitude\":\"-73.6111446\"}]"],"Address":["6596 St Laurent Blvd, Montreal, QC, H2S 3C6"],"Venue":["Le Cagibi"],"City":["Montreal, Quebec"],"content_notes":["The March 29th, 2009 Words and Music Show marks the beginning of a short transition from Casa Del Popolo to Le Cagibi. From the event poster and radio ad, we know the show began at 9 p.m. and tickets coast $5. The recording begins with music by bassist, poet, and sound performer Jason Milan and indie rock musician Alex Ferrier (who happens to be W&M Show founder Ian Ferrier's nephew). The night also included poetry from Mohawk artist Kary-Ann Deer, Canadian performance poet David Bateman, spoken word and slam poet Jason Freure, and an improvised musical performance by Indigenous artists Emilie Monnet and Moe Clark."],"contents":["Jason Milan and David Bateman.wav [File 1 of 2]\n\nIan Ferrier\n00:00:01\nIntroduces event. | Keywords: Le Cagibi; Casa Del Popolo [https://www.wikidata.org/wiki/Q3538292]; David Bateman; Ontario  [https://www.wikidata.org/wiki/Q1904]\n\nIan Ferrier\n00:00:36\nIntroduces Jason Milan.\n\nAudience\n00:00:46\nApplause.\n\nJason Milan\n00:01:11\nAddresses audience. | Steve’s Music [https://www.wikidata.org/wiki/Q3498833]; China [https://www.wikidata.org/wiki/Q148]\n\nJason Milan\n00:01:47\nPerforms unnamed song/poem.\n\nAudience\n00:06:07\nApplause.\n\nJason Milan\n00:06:18\nIntroduces unnamed song/poem.\n\nAudience\n00:06:25\nLaughter.\n\nJason Milan\n00:06:29\nPerforms unnamed song/poem.\n\nAudience\n00:09:57\nApplause.\n\nJason Milan\n00:10:04\nThanks audience.\n\nJason Milan\n00:10:09\nThanks Ian Ferrier [https://www.wikidata.org/wiki/Q87138884] and the other performers.\n\nJason Milan\n00:10:19\nPerforms unnamed song/poem.\n\nAudience\n00:15:51\nApplause.\n\nIan Ferrier\n00:16:17\nThanks Jason Milan.\n\nIan Ferrier\n00:16:27\nIntroduces Kary-Ann Deer. | Keywords: Kahnawake [https://www.wikidata.org/wiki/Q101439]; Voix d’Ameriques Festival\n\nAudience\n00:17:01\nApplause.\n\nKary-Ann Deer\n00:17:11\nThanks Ian Ferrier.\n\nKary-Ann Deer\n00:17:36\nPerforms unnamed poem.\n\nAudience\n00:21:01\nApplause.\n\nKary-Ann Deer\n00:21:10\nThanks audience.\n\nKary-Ann Deer\n00:21:14\nIntroduces unnamed poem.\n\nKary-Ann Deer\n00:21:39\nPerforms unnamed poem.\n\nAudience\n00:25:52\nApplause.\n\nKary-Ann Deer\n00:26:01\nThanks audience.\n\nKary-Ann Deer\n00:26:04\nIntroduces Emilie Monnet [https://www.wikidata.org/wiki/Q95696862].\n\nKary-Ann Deer\n00:26:33\nIntroduces unnamed poem.\n\nKary-Ann Deer\n00:26:52\nPerforms unnamed poem accompanied by Emilie Monnet.\n\nAudience\n00:28:59\nApplause.\n\nKary-Ann Deer\n00:29:07\nThanks Emilie Monnet.\n\nKary-Ann Deer\n00:29:09\nDiscusses her poem. | Keywords: Missing and Murdered Indigenous Women [https://www.wikidata.org/wiki/Q22907837]\n\nAudience\n00:29:43\nApplause.\n\nIan Ferrier\n00:30:01\nThanks Kary-Ann Deer.\n\nAudience\n00:30:03\nApplause.\n\nIan Ferrier\n00:30:09\nIntroduces David Bateman. | Keywords: Alberta [https://www.wikidata.org/wiki/Q1951]; Gabriel Island [https://www.wikidata.org/wiki/Q5515690]; Canada Council for the Arts [https://www.wikidata.org/wiki/Q2993809] \n\nAudience\n00:30:44\nApplause.\n\nDavid Bateman\n00:31:39\nAddresses audience [barely audible].\n\nDavid Bateman\n00:32:39\nIntroduces \"What's It Like?\" [barely audible].\n\nDavid Bateman\n00:33:17\nPerforms \"What's It Like?\" [audience laughter throughout]. | Keywords: George Burns [https://www.wikidata.org/wiki/Q344793]; Celine Dion [https://www.wikidata.org/wiki/Q5105]; Scandinavia [https://www.wikidata.org/wiki/Q21195]; James Bond [https://www.wikidata.org/wiki/Q2009573]; M.C. Escher [https://www.wikidata.org/wiki/Q1470]; Sistine Chapel [https://www.wikidata.org/wiki/Q2943]; “Fly Me To The Moon” [https://www.wikidata.org/wiki/Q1066479]\n\nAudience\n00:46:57\nApplause.\n\nDavid Bateman\n00:47:11\nIntroduces \"Karaoke Monologue\" [audience laughter throughout]. | Keywords: Banff [https://www.wikidata.org/wiki/Q58337]; David Sedaris [https://www.wikidata.org/wiki/Q1176577]; Ian [Ferrier]; Canada Council for the Arts\n\nDavid Bateman\n00:48:58\nReads \"Karaoke Monologue\" [audience laughter throughout]. | Keywords: Paris [https://www.wikidata.org/wiki/Q90]; Christo [https://www.wikidata.org/wiki/Q14633979]; Croatia [https://www.wikidata.org/wiki/Q224]; “Torn Between Two Lovers” [https://www.wikidata.org/wiki/Q7825956]; “I Don’t Want To Sleep Alone”; Turkey [https://www.wikidata.org/wiki/Q43]; “Crying Time” [https://www.wikidata.org/wiki/Q3376337]; “The End of the World” [https://www.wikidata.org/wiki/Q2715133]; “Crazy”\n\nAudience\n00:52:59\nApplause.\n\nDavid Bateman\n00:53:08\nIntroduces \"He Impersonated Flowers All The Time\" from Impersonating Flowers [book] [audience laughter throughout]. | Keywords: Canada Council for the Arts; Banf;, Frontenac House Press; Amazon [https://www.wikidata.org/wiki/Q3884]; Indigo [https://www.wikidata.org/wiki/Q2477358]\n\nDavid Bateman\n00:54:32\nReads \"He Impersonated Flowers All The Time\" from Impersonating Flowers. | Keywords: Buckingham Palace [https://www.wikidata.org/wiki/Q42182]; Elvis [https://www.wikidata.org/wiki/Q303]; Memphis [https://www.wikidata.org/wiki/Q16563]; Freddie Mercury [https://www.wikidata.org/wiki/Q15869]; Eiffel Tower [https://www.wikidata.org/wiki/Q243]; Epcot Center [https://www.wikidata.org/wiki/Q1052042]; France [https://www.wikidata.org/wiki/Q142]; Texas [https://www.wikidata.org/wiki/Q1439]; Ontario [https://www.wikidata.org/wiki/Q1904]; Rocky Mountains [https://www.wikidata.org/wiki/Q5463]; Dollywood [https://www.wikidata.org/wiki/Q530744]; Ohio [https://www.wikidata.org/wiki/Q1397]; Manhattan [https://www.wikidata.org/wiki/Q11299]; Tennessee [https://www.wikidata.org/wiki/Q1509]; Princess Anne [https://www.wikidata.org/wiki/Q151754]; Guys and Dolls [https://www.wikidata.org/wiki/Q796988]; Sidney Poitier [https://www.wikidata.org/wiki/Q104049]; London [https://www.wikidata.org/wiki/Q84]; Graceland [https://www.wikidata.org/wiki/Q545360]; Vancouver [https://www.wikidata.org/wiki/Q24639]; Athens [https://www.wikidata.org/wiki/Q1524]; Prince Phillip [https://www.wikidata.org/wiki/Q80976]\n\nAudience\n01:00:04\nApplause.\n\nDavid Bateman\n01:00:14\nThanks audience and Ian Ferrier. \n\nAudience\n01:00:32\nApplause.\n\nIan Ferrier\n01:00:44\nThanks David Bateman.\n\nIan Ferrier\n01:00:47\nAnnounces intermission. | Keywords: Alex Ferrier; Jason Freure; Emilie Monnet [https://www.wikidata.org/wiki/Q95696862]; Moe Clark [https://www.wikidata.org/wiki/Q65116392]\n\nEND\n01:01:51\n\n\nAlex Ferrier.wav [File 2 of 2]\n\nAlex Ferrier\n00:00:16\nAddresses audience and performs sound check.\n\nIan Ferrier\n00:03:41\nIntroduces Alex Ferrier. | Keywords: New Zealand [https://www.wikidata.org/wiki/Q664]\n\nAudience \n00:03:59\nApplause.\n\nAlex Ferrier\n00:04:03\nThanks audience and introduces unnamed song.\n\nAlex Ferrier\n00:04:14\nPerforms unnamed song.\n\nAudience \n00:07:31\nApplause.\n\nAlex Ferrier\n00:07:38\nDiscusses song.\n\nAlex Ferrier\n00:07:46\nIntroduces Matt.\n\nAudience\n00:07:50\nApplause\n\nAlex Ferrier\n00:07:52\nIntroduces \"Looking Out My Back Door\" [originally by Creedence Clearwater Revival https://www.wikidata.org/wiki/Q192463]. | Keywords: Ian [Ferrier]\n\nAlex Ferrier\n00:08:36\nPerforms \"Looking Out My Back Door\" accompanied by Matt on guitar. | Keywords: Illinois [https://www.wikidata.org/wiki/Q1204]; Buck Owens [https://www.wikidata.org/wiki/Q712353]\n\nAudience \n00:10:57\nApplause.\n\nAlex Ferrier\n00:11:12\nThanks audience. | Keywords: Montreal [https://www.wikidata.org/wiki/Q340]\n\nAudience \n00:11:16\nApplause.\n\nAlex Ferrier\n00:11:21\nIntroduces \"Just Fine\".\n\nAlex Ferrier\n00:11:59\nPerforms \"Just Fine\".\n\nAudience \n00:16:05\nApplause.\n\nIan Ferrier\n00:17:09\nThanks Alex Ferrier and Matt.\n\nAudience\n00:17:12\nApplause.\n\nIan Ferrier\n00:17:21\nIntroduces Jason Freure. | Keywords: Throw Collective; Andrea [deBruijn]; Canadian Festival of Spoken Word [https://www.wikidata.org/wiki/Q5029993]; Calgary [https://www.wikidata.org/wiki/Q36312] \n\nAudience \n00:17:49\nApplause.\n\nJason Freure\n00:18:02\nPerforms unnamed poem. | Keywords: New York [https://www.wikidata.org/wiki/Q60]; Berlin Wall [https://www.wikidata.org/wiki/Q5086]; Jerusalem [https://www.wikidata.org/wiki/Q1218]; Hollywood [https://www.wikidata.org/wiki/Q34006]; Great Wall of China [https://www.wikidata.org/wiki/Q12501]\n\nAudience \n00:20:22\nApplause.\n\nJason Freure\n00:20:29\nIntroduces unnamed poem. | Keywords: Calgary\n\nJason Freure\n00:20:44\nPerforms unnamed poem.\n\nAudience \n00:22:17\nApplause.\n\nJason Freure\n00:22:30\nThanks Ian Ferrier.\n\nJason Freure\n00:22:52\nIntroduces unnamed poem [audience laughter throughout]. \n\nJason Freure\n00:23:32\nPerforms unnamed poem. | Keywords: New Orleans [https://www.wikidata.org/wiki/Q34404]; Lake Erie [https://www.wikidata.org/wiki/Q5492]; Canada [https://www.wikidata.org/wiki/Q16] \n\nAudience \n00:26:11\nApplause.\n\nJason Freure\n00:26:15\nThanks audience and Ian Ferrier [audience applause continues throughout].\n\nIan Ferrier\n00:26:27\nAddresses Jason Freure [audience laughter throughout]. | Keywords: Louisiana [https://www.wikidata.org/wiki/Q1588]\n\nIan Ferrier\n00:26:50\nIntroduces Moe Clark and Emilie Monnet [audience laughter throughout]. | Keywords: Brick Books\n\nAudience \n00:27:25\nApplause.\n\nMoe Clark\n00:28:17\nAddresses audience [audience laughter throughout].\n\nEmilie Monnet\n00:28:40\nIntroduces unnamed improvised song, exchange with Moe Clark follows [audience laughter throughout].\n\nEmilie Monnet\n00:28:54\nThanks Ian Ferrier. | Keywords: Moe [Clark]; Kary-Ann [Deer]; Montreal\n\nMoe Clark \n00:29:38\nPerforms improvised song with Emilie Monnet.\n\nAudience \n00:33:25\nApplause.\n\nMoe Clark \n00:34:07\nThanks Steve Godin [sound technician].\n\nAudience \n00:34:18\nApplause.\n\nMoe Clark \n00:34:44\nPerforms unnamed song with Emilie Monnet.\n\nAudience \n00:38:52\nApplause.\n\nEmilie Monnet\n00:39:08\nIntroduces unnamed poem. | Keywords: Radio-Canada [https://www.wikidata.org/wiki/Q3401855]\n\nEmilie Monnet\n00:39:46\nPerforms unnamed poem in French accompanied by Moe Clark.\n\nEmilie Monnet\n00:47:39\nPerforms unnamed song with Moe Clark [no pause between performances].\n\nAudience \n00:51:18\nApplause.\n\nMoe Clark \n00:51:25\nThanks audience with Emilie Monnet.\n\nIan Ferrier\n00:51:49\nThanks Emilie Monnet and Moe Clark.\n\nAudience \n00:51:54\nApplause.\n\nIan Ferrier\n00:52:00\nThanks audience. | Keywords: Louisiana\n\nIan Ferrier\n00:52:10\nAnnounces future shows. | Keywords: Pharmakon [MTL]\n\nAudience \n00:52:20\nApplause [cut off abruptly].\n\nEND\n00:53:01"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548336279552,"timestamp":"2026-01-07T14:59:52.745Z","digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2009/03/\",\"file_path\":\"\",\"filename\":\"Jason Milan and David Bateman.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:01:51\",\"precision\":\"\",\"size\":\"654.7 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"Jason Milan and David Bateman.wav [File 1 of 2]\\n\\nIan Ferrier\\n00:00:01\\nIntroduces event. | Keywords: Le Cagibi; Casa Del Popolo [https://www.wikidata.org/wiki/Q3538292]; David Bateman; Ontario  [https://www.wikidata.org/wiki/Q1904]\\n\\nIan Ferrier\\n00:00:36\\nIntroduces Jason Milan.\\n\\nAudience\\n00:00:46\\nApplause.\\n\\nJason Milan\\n00:01:11\\nAddresses audience. | Steve’s Music [https://www.wikidata.org/wiki/Q3498833]; China [https://www.wikidata.org/wiki/Q148]\\n\\nJason Milan\\n00:01:47\\nPerforms unnamed song/poem.\\n\\nAudience\\n00:06:07\\nApplause.\\n\\nJason Milan\\n00:06:18\\nIntroduces unnamed song/poem.\\n\\nAudience\\n00:06:25\\nLaughter.\\n\\nJason Milan\\n00:06:29\\nPerforms unnamed song/poem.\\n\\nAudience\\n00:09:57\\nApplause.\\n\\nJason Milan\\n00:10:04\\nThanks audience.\\n\\nJason Milan\\n00:10:09\\nThanks Ian Ferrier [https://www.wikidata.org/wiki/Q87138884] and the other performers.\\n\\nJason Milan\\n00:10:19\\nPerforms unnamed song/poem.\\n\\nAudience\\n00:15:51\\nApplause.\\n\\nIan Ferrier\\n00:16:17\\nThanks Jason Milan.\\n\\nIan Ferrier\\n00:16:27\\nIntroduces Kary-Ann Deer. | Keywords: Kahnawake [https://www.wikidata.org/wiki/Q101439]; Voix d’Ameriques Festival\\n\\nAudience\\n00:17:01\\nApplause.\\n\\nKary-Ann Deer\\n00:17:11\\nThanks Ian Ferrier.\\n\\nKary-Ann Deer\\n00:17:36\\nPerforms unnamed poem.\\n\\nAudience\\n00:21:01\\nApplause.\\n\\nKary-Ann Deer\\n00:21:10\\nThanks audience.\\n\\nKary-Ann Deer\\n00:21:14\\nIntroduces unnamed poem.\\n\\nKary-Ann Deer\\n00:21:39\\nPerforms unnamed poem.\\n\\nAudience\\n00:25:52\\nApplause.\\n\\nKary-Ann Deer\\n00:26:01\\nThanks audience.\\n\\nKary-Ann Deer\\n00:26:04\\nIntroduces Emilie Monnet [https://www.wikidata.org/wiki/Q95696862].\\n\\nKary-Ann Deer\\n00:26:33\\nIntroduces unnamed poem.\\n\\nKary-Ann Deer\\n00:26:52\\nPerforms unnamed poem accompanied by Emilie Monnet.\\n\\nAudience\\n00:28:59\\nApplause.\\n\\nKary-Ann Deer\\n00:29:07\\nThanks Emilie Monnet.\\n\\nKary-Ann Deer\\n00:29:09\\nDiscusses her poem. | Keywords: Missing and Murdered Indigenous Women [https://www.wikidata.org/wiki/Q22907837]\\n\\nAudience\\n00:29:43\\nApplause.\\n\\nIan Ferrier\\n00:30:01\\nThanks Kary-Ann Deer.\\n\\nAudience\\n00:30:03\\nApplause.\\n\\nIan Ferrier\\n00:30:09\\nIntroduces David Bateman. | Keywords: Alberta [https://www.wikidata.org/wiki/Q1951]; Gabriel Island [https://www.wikidata.org/wiki/Q5515690]; Canada Council for the Arts [https://www.wikidata.org/wiki/Q2993809] \\n\\nAudience\\n00:30:44\\nApplause.\\n\\nDavid Bateman\\n00:31:39\\nAddresses audience [barely audible].\\n\\nDavid Bateman\\n00:32:39\\nIntroduces \\\"What's It Like?\\\" [barely audible].\\n\\nDavid Bateman\\n00:33:17\\nPerforms \\\"What's It Like?\\\" [audience laughter throughout]. | Keywords: George Burns [https://www.wikidata.org/wiki/Q344793]; Celine Dion [https://www.wikidata.org/wiki/Q5105]; Scandinavia [https://www.wikidata.org/wiki/Q21195]; James Bond [https://www.wikidata.org/wiki/Q2009573]; M.C. Escher [https://www.wikidata.org/wiki/Q1470]; Sistine Chapel [https://www.wikidata.org/wiki/Q2943]; “Fly Me To The Moon” [https://www.wikidata.org/wiki/Q1066479]\\n\\nAudience\\n00:46:57\\nApplause.\\n\\nDavid Bateman\\n00:47:11\\nIntroduces \\\"Karaoke Monologue\\\" [audience laughter throughout]. | Keywords: Banff [https://www.wikidata.org/wiki/Q58337]; David Sedaris [https://www.wikidata.org/wiki/Q1176577]; Ian [Ferrier]; Canada Council for the Arts\\n\\nDavid Bateman\\n00:48:58\\nReads \\\"Karaoke Monologue\\\" [audience laughter throughout]. | Keywords: Paris [https://www.wikidata.org/wiki/Q90]; Christo [https://www.wikidata.org/wiki/Q14633979]; Croatia [https://www.wikidata.org/wiki/Q224]; “Torn Between Two Lovers” [https://www.wikidata.org/wiki/Q7825956]; “I Don’t Want To Sleep Alone”; Turkey [https://www.wikidata.org/wiki/Q43]; “Crying Time” [https://www.wikidata.org/wiki/Q3376337]; “The End of the World” [https://www.wikidata.org/wiki/Q2715133]; “Crazy”\\n\\nAudience\\n00:52:59\\nApplause.\\n\\nDavid Bateman\\n00:53:08\\nIntroduces \\\"He Impersonated Flowers All The Time\\\" from Impersonating Flowers [book] [audience laughter throughout]. | Keywords: Canada Council for the Arts; Banf;, Frontenac House Press; Amazon [https://www.wikidata.org/wiki/Q3884]; Indigo [https://www.wikidata.org/wiki/Q2477358]\\n\\nDavid Bateman\\n00:54:32\\nReads \\\"He Impersonated Flowers All The Time\\\" from Impersonating Flowers. | Keywords: Buckingham Palace [https://www.wikidata.org/wiki/Q42182]; Elvis [https://www.wikidata.org/wiki/Q303]; Memphis [https://www.wikidata.org/wiki/Q16563]; Freddie Mercury [https://www.wikidata.org/wiki/Q15869]; Eiffel Tower [https://www.wikidata.org/wiki/Q243]; Epcot Center [https://www.wikidata.org/wiki/Q1052042]; France [https://www.wikidata.org/wiki/Q142]; Texas [https://www.wikidata.org/wiki/Q1439]; Ontario [https://www.wikidata.org/wiki/Q1904]; Rocky Mountains [https://www.wikidata.org/wiki/Q5463]; Dollywood [https://www.wikidata.org/wiki/Q530744]; Ohio [https://www.wikidata.org/wiki/Q1397]; Manhattan [https://www.wikidata.org/wiki/Q11299]; Tennessee [https://www.wikidata.org/wiki/Q1509]; Princess Anne [https://www.wikidata.org/wiki/Q151754]; Guys and Dolls [https://www.wikidata.org/wiki/Q796988]; Sidney Poitier [https://www.wikidata.org/wiki/Q104049]; London [https://www.wikidata.org/wiki/Q84]; Graceland [https://www.wikidata.org/wiki/Q545360]; Vancouver [https://www.wikidata.org/wiki/Q24639]; Athens [https://www.wikidata.org/wiki/Q1524]; Prince Phillip [https://www.wikidata.org/wiki/Q80976]\\n\\nAudience\\n01:00:04\\nApplause.\\n\\nDavid Bateman\\n01:00:14\\nThanks audience and Ian Ferrier. \\n\\nAudience\\n01:00:32\\nApplause.\\n\\nIan Ferrier\\n01:00:44\\nThanks David Bateman.\\n\\nIan Ferrier\\n01:00:47\\nAnnounces intermission. | Keywords: Alex Ferrier; Jason Freure; Emilie Monnet [https://www.wikidata.org/wiki/Q95696862]; Moe Clark [https://www.wikidata.org/wiki/Q65116392]\\n\\nEND\\n01:01:51\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2009/03/\",\"file_path\":\"\",\"filename\":\"Alex Ferrier.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:53:01\",\"precision\":\"\",\"size\":\" 561.2 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"Alex Ferrier.wav [File 2 of 2]\\n\\nAlex Ferrier\\n00:00:16\\nAddresses audience and performs sound check.\\n\\nIan Ferrier\\n00:03:41\\nIntroduces Alex Ferrier. | Keywords: New Zealand [https://www.wikidata.org/wiki/Q664]\\n\\nAudience \\n00:03:59\\nApplause.\\n\\nAlex Ferrier\\n00:04:03\\nThanks audience and introduces unnamed song.\\n\\nAlex Ferrier\\n00:04:14\\nPerforms unnamed song.\\n\\nAudience \\n00:07:31\\nApplause.\\n\\nAlex Ferrier\\n00:07:38\\nDiscusses song.\\n\\nAlex Ferrier\\n00:07:46\\nIntroduces Matt.\\n\\nAudience\\n00:07:50\\nApplause\\n\\nAlex Ferrier\\n00:07:52\\nIntroduces \\\"Looking Out My Back Door\\\" [originally by Creedence Clearwater Revival https://www.wikidata.org/wiki/Q192463]. | Keywords: Ian [Ferrier]\\n\\nAlex Ferrier\\n00:08:36\\nPerforms \\\"Looking Out My Back Door\\\" accompanied by Matt on guitar. | Keywords: Illinois [https://www.wikidata.org/wiki/Q1204]; Buck Owens [https://www.wikidata.org/wiki/Q712353]\\n\\nAudience \\n00:10:57\\nApplause.\\n\\nAlex Ferrier\\n00:11:12\\nThanks audience. | Keywords: Montreal [https://www.wikidata.org/wiki/Q340]\\n\\nAudience \\n00:11:16\\nApplause.\\n\\nAlex Ferrier\\n00:11:21\\nIntroduces \\\"Just Fine\\\".\\n\\nAlex Ferrier\\n00:11:59\\nPerforms \\\"Just Fine\\\".\\n\\nAudience \\n00:16:05\\nApplause.\\n\\nIan Ferrier\\n00:17:09\\nThanks Alex Ferrier and Matt.\\n\\nAudience\\n00:17:12\\nApplause.\\n\\nIan Ferrier\\n00:17:21\\nIntroduces Jason Freure. | Keywords: Throw Collective; Andrea [deBruijn]; Canadian Festival of Spoken Word [https://www.wikidata.org/wiki/Q5029993]; Calgary [https://www.wikidata.org/wiki/Q36312] \\n\\nAudience \\n00:17:49\\nApplause.\\n\\nJason Freure\\n00:18:02\\nPerforms unnamed poem. | Keywords: New York [https://www.wikidata.org/wiki/Q60]; Berlin Wall [https://www.wikidata.org/wiki/Q5086]; Jerusalem [https://www.wikidata.org/wiki/Q1218]; Hollywood [https://www.wikidata.org/wiki/Q34006]; Great Wall of China [https://www.wikidata.org/wiki/Q12501]\\n\\nAudience \\n00:20:22\\nApplause.\\n\\nJason Freure\\n00:20:29\\nIntroduces unnamed poem. | Keywords: Calgary\\n\\nJason Freure\\n00:20:44\\nPerforms unnamed poem.\\n\\nAudience \\n00:22:17\\nApplause.\\n\\nJason Freure\\n00:22:30\\nThanks Ian Ferrier.\\n\\nJason Freure\\n00:22:52\\nIntroduces unnamed poem [audience laughter throughout]. \\n\\nJason Freure\\n00:23:32\\nPerforms unnamed poem. | Keywords: New Orleans [https://www.wikidata.org/wiki/Q34404]; Lake Erie [https://www.wikidata.org/wiki/Q5492]; Canada [https://www.wikidata.org/wiki/Q16] \\n\\nAudience \\n00:26:11\\nApplause.\\n\\nJason Freure\\n00:26:15\\nThanks audience and Ian Ferrier [audience applause continues throughout].\\n\\nIan Ferrier\\n00:26:27\\nAddresses Jason Freure [audience laughter throughout]. | Keywords: Louisiana [https://www.wikidata.org/wiki/Q1588]\\n\\nIan Ferrier\\n00:26:50\\nIntroduces Moe Clark and Emilie Monnet [audience laughter throughout]. | Keywords: Brick Books\\n\\nAudience \\n00:27:25\\nApplause.\\n\\nMoe Clark\\n00:28:17\\nAddresses audience [audience laughter throughout].\\n\\nEmilie Monnet\\n00:28:40\\nIntroduces unnamed improvised song, exchange with Moe Clark follows [audience laughter throughout].\\n\\nEmilie Monnet\\n00:28:54\\nThanks Ian Ferrier. | Keywords: Moe [Clark]; Kary-Ann [Deer]; Montreal\\n\\nMoe Clark \\n00:29:38\\nPerforms improvised song with Emilie Monnet.\\n\\nAudience \\n00:33:25\\nApplause.\\n\\nMoe Clark \\n00:34:07\\nThanks Steve Godin [sound technician].\\n\\nAudience \\n00:34:18\\nApplause.\\n\\nMoe Clark \\n00:34:44\\nPerforms unnamed song with Emilie Monnet.\\n\\nAudience \\n00:38:52\\nApplause.\\n\\nEmilie Monnet\\n00:39:08\\nIntroduces unnamed poem. | Keywords: Radio-Canada [https://www.wikidata.org/wiki/Q3401855]\\n\\nEmilie Monnet\\n00:39:46\\nPerforms unnamed poem in French accompanied by Moe Clark.\\n\\nEmilie Monnet\\n00:47:39\\nPerforms unnamed song with Moe Clark [no pause between performances].\\n\\nAudience \\n00:51:18\\nApplause.\\n\\nMoe Clark \\n00:51:25\\nThanks audience with Emilie Monnet.\\n\\nIan Ferrier\\n00:51:49\\nThanks Emilie Monnet and Moe Clark.\\n\\nAudience \\n00:51:54\\nApplause.\\n\\nIan Ferrier\\n00:52:00\\nThanks audience. | Keywords: Louisiana\\n\\nIan Ferrier\\n00:52:10\\nAnnounces future shows. | Keywords: Pharmakon [MTL]\\n\\nAudience \\n00:52:20\\nApplause [cut off abruptly].\\n\\nEND\\n00:53:01\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"score":0.01643844},{"id":"1119","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2012-04-22"],"item_title_source":["Cataloguer"],"item_title_note":["Full event audio not found"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"contributors_names":["Avasilichioaei, Oana","Partridge, Taqralik","Del Fabbro, Guido","Jovan","White, Ryan","Strait, Jessie","Delic, Eva","Hunting, Maerin","Levy, Ali"],"contributors_names_search":["Avasilichioaei, Oana","Partridge, Taqralik","Del Fabbro, Guido","Jovan","White, Ryan","Strait, Jessie","Delic, Eva","Hunting, Maerin","Levy, Ali"],"contributors":["[{\"url\":\"http://viaf.org/viaf/58498867\",\"name\":\"Avasilichioaei, Oana  \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/15154257780224150501\",\"name\":\"Partridge, Taqralik\",\"dates\":\"\",\"notes\":\"(With u2028Guido del Fabbro)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/316976880\",\"name\":\"Del Fabbro, Guido\",\"dates\":\"1980-\",\"notes\":\"(With Taqralik Partridge)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Jovan\",\"dates\":\"\",\"notes\":\"Spelling uncertain; full name unknown; announced but missing\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"White, Ryan\",\"dates\":\"\",\"notes\":\"(With Felix)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Strait, Jessie\",\"dates\":\"\",\"notes\":\"Spelling uncertain (With Felix)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Delic, Eva\",\"dates\":\"\",\"notes\":\"Spelling uncertain (With Felix)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Hunting, Maerin\",\"dates\":\"\",\"notes\":\"(With Felix)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Levy, Ali\",\"dates\":\"\",\"notes\":\"Referred to as Ali (With Felix)\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Avasilichioaei, Oana  ","Partridge, Taqralik","Del Fabbro, Guido","Jovan","White, Ryan","Strait, Jessie","Delic, Eva","Hunting, Maerin","Levy, Ali"],"Performance_Date":[2012],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\" In folder: 15 audio, 16 misc. In folder2: 1 doc (event poster)\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Set of 4 event audio recordings (+ copies and edits)\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"Dates":["[{\"date\":\"2012 04 22\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC H2T 1R6\",\"latitude\":\"45.5222118\",\"longitude\":\"-73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["The 4 April 2012 Words and Music Show, held at the Casa del Popolo, featured a first set by Oana Avasilichioaei delivering multi-linguistic and processed speech performances of pieces from her new book, We, Beasts (Wolsak & Wynn, 2012), including “An Ogre’s Linguistic Rights”, “Crow Hour”, “Song of Water”, and the book’s title poem, “We, Beasts”; a second set in which Taqralik Partridge read a story with musical accompaniment by Guido del Fabbro,  and a third set by a band called Felix. "],"contents":["Oana Avasilichioaei Set.wav [File 1 of 3]\n\nIan Ferrier\n00:00:00\nIntroduces Oana Avasilichioaei [https://www.wikidata.org/wiki/Q42531328]. | Keywords: Montreal [https://www.wikidata.org/wiki/Q340]; Atwater Poetry Project; Quebec Writers’ Federation [https://www.wikidata.org/wiki/Q3413953]; We, Beasts [book]\n\nAudience\n00:00:28\nApplause.\n\nOana Avasilichioaei\n00:00:42\nThanks Ian Ferrier [https://www.wikidata.org/wiki/Q87138884] and audience and introduces \"An Ogre's Linguistic Rights\" from We, Beasts.\n\nOana Avasilichioaei\n00:00:57\nPerforms \"An Ogre's Linguistic Rights\" from We, Beasts.\n\nAudience\n00:03:06\nApplause.\n\nOana Avasilichioaei\n00:03:17\nIntroduces \"Crow Hour\" from We, Beasts. \n\nOana Avasilichioaei\n00:03:32\nPerforms \"Crow Hour\" from We, Beasts in Romanian, French and English. \n\nAudience\n00:09:50\nApplause.\n\nOana Avasilichioaei\n00:10:22\nIntroduces \"Song of Water\" from We, Beasts.\n\nOana Avasilichioaei\n00:10:31\nPerforms \"Song of Water\" from We, Beasts.\n\nAudience\n00:13:11\nApplause.\n\nOana Avasilichioaei\n00:13:35\nIntroduces \"We, Beasts\" from We, Beasts.\n\nOana Avasilichioaei\n00:13:41\nPerforms \"We, Beasts\" from We, Beasts.\n\nAudience\n00:17:53\nApplause.\n\nOana Avasilichioaei\n00:18:01\nIntroduces second part of \"We, Beasts\" from We, Beasts.\n\nOana Avasilichioaei\n00:18:09\nResumes \"We, Beasts\" from We, Beasts.\n\nAudience\n00:21:06\nApplause.\n\nIan Ferrier\n00:21:23\nThanks Oana Avasilichioaei and announces intermission. | Keywords: We, Beasts; Taqralik Partridge; Guido del Fabbro\n\nEND\n00:21:36\n\n\nSTE-011.wav [File 2 of 3]\n\nUnknown\n00:00:00\nAmbient Sound [music].\n\nIan Ferrier\n00:00:15\nIntroduces Taqralik Partridge and Guido del Fabbro. | Keywords: [La] Sala [Rossa]\n\nAudience\n00:00:45\nApplause.\n\nTaqralik Partridge\n00:01:03\nAddresses audience and introduces \"Igloolik\", exchange with audience follows. | Keywords: 2010 Quebec Writing Competition; Guido [del Fabbro]\n\nGuido del Fabbro\n00:02:58\nPerforms musical accompaniment.\n\nTaqralik Partridge\n00:03:06\nReads \"Igloolik” accompanied by Guido del Fabbro.\n\nAudience\n00:12:29\nApplause.\n\nTaqralik Partridge\n00:12:38\nThanks audience and introduces \"Battery\".\n\nGuido del Fabbro\n00:13:17\nPerforms musical accompaniment.\n\nTaqralik Partridge\n00:13:53\nPerforms \"Battery\" accompanied by Guido del Fabbro.\n\nAudience\n00:17:08\nApplause.\n\nTaqralik Partridge\n00:17:11\nThanks audience and Guido del Fabbro [audience applause continues throughout].\n\nAudience\n00:17:22\nApplause.\n\nIan Ferrier\n00:17:48\nPromotes Guido del Fabbro 's work and thanks Taqralik Partridge.\n\nIan Ferrier\n00:18:08\nAnnounces intermission. | Keywords: Felix\n\nAudience\n00:18:13\nApplause [cut off].\n\nEND\n00:18:20\n\n\nSTE-012.wav [File 3 of 3]\n\nFelix\n00:00:04\nAddresses Ian Ferrier.\n\nIan Ferrier\n00:00:08\nIntroduces Felix.\n\nAudience\n00:00:15\nApplause.\n\nFelix\n00:00:28\nAddresses audience [audience laughter throughout].\n\nFelix\n00:00:42\nPerforms unnamed song.\n\nAudience\n00:05:22\nApplause.\n\nFelix\n00:05:34\nThanks audience and introduces \"It's Been a Year\".\n\nFelix\n00:05:43\nPerforms \"It's Been a Year\".\n\nAudience\n00:08:22\nApplause.\n\nFelix\n00:08:35\nPerforms unnamed song.\n\nAudience\n00:11:58\nApplause.\n\nFelix\n00:12:11\nThanks audience and introduces \"Moses\" [audience laughter throughout].\n\nFelix\n00:12:36\nPerforms \"Moses\".\n\nAudience\n00:16:08\nApplause.\n\nFelix\n00:16:21\nIntroduces unnamed song and introduces [Eva Delic (?0], Ryan White, Ally Levi, [Jessie Strait (?)], and Maerin [Hunting] as the band members [audience applause throughout].\n\nFelix\n00:17:02\nPerforms unnamed song.\n\nAudience\n00:20:17\nApplause [music continues throughout].\n\nFelix\n00:20:35\nThanks Lucy and Casa Del Popolo and addresses audience [audience applause continues throughout] . | Keywords: Ian [Ferrier]; Tumblr [https://www.wikidata.org/wiki/Q384060]\n\nAudience\n00:21:11\nApplause.\n\nIan Ferrier\n00:21:39\nThanks performers [audience applause throughout] | Keywords: Felix; Taqralik Partridge; Guiddo del Fabbro; Oana Avasilichioaei; and [Jovan (?)]\n\nAudience\n00:21:57\nApplause.\n\nIan Ferrier\n00:22:02\nAnnounces future events and thanks audience.\n\nAudience\n00:22:13\nApplause.\n\nUnknown\n00:22:19\nAmbient Sound [music].\n\nEND\n00:22:28"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548338376704,"timestamp":"2026-01-07T14:59:52.745Z","digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2012/04/\",\"file_path\":\"\",\"filename\":\"Oana Avasilichioaei Set.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:21:36\",\"precision\":\"\",\"size\":\"228.6 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"Oana Avasilichioaei Set.wav [File 1 of 3]\\n\\nIan Ferrier\\n00:00:00\\nIntroduces Oana Avasilichioaei [https://www.wikidata.org/wiki/Q42531328]. | Keywords: Montreal [https://www.wikidata.org/wiki/Q340]; Atwater Poetry Project; Quebec Writers’ Federation [https://www.wikidata.org/wiki/Q3413953]; We, Beasts [book]\\n\\nAudience\\n00:00:28\\nApplause.\\n\\nOana Avasilichioaei\\n00:00:42\\nThanks Ian Ferrier [https://www.wikidata.org/wiki/Q87138884] and audience and introduces \\\"An Ogre's Linguistic Rights\\\" from We, Beasts.\\n\\nOana Avasilichioaei\\n00:00:57\\nPerforms \\\"An Ogre's Linguistic Rights\\\" from We, Beasts.\\n\\nAudience\\n00:03:06\\nApplause.\\n\\nOana Avasilichioaei\\n00:03:17\\nIntroduces \\\"Crow Hour\\\" from We, Beasts. \\n\\nOana Avasilichioaei\\n00:03:32\\nPerforms \\\"Crow Hour\\\" from We, Beasts in Romanian, French and English. \\n\\nAudience\\n00:09:50\\nApplause.\\n\\nOana Avasilichioaei\\n00:10:22\\nIntroduces \\\"Song of Water\\\" from We, Beasts.\\n\\nOana Avasilichioaei\\n00:10:31\\nPerforms \\\"Song of Water\\\" from We, Beasts.\\n\\nAudience\\n00:13:11\\nApplause.\\n\\nOana Avasilichioaei\\n00:13:35\\nIntroduces \\\"We, Beasts\\\" from We, Beasts.\\n\\nOana Avasilichioaei\\n00:13:41\\nPerforms \\\"We, Beasts\\\" from We, Beasts.\\n\\nAudience\\n00:17:53\\nApplause.\\n\\nOana Avasilichioaei\\n00:18:01\\nIntroduces second part of \\\"We, Beasts\\\" from We, Beasts.\\n\\nOana Avasilichioaei\\n00:18:09\\nResumes \\\"We, Beasts\\\" from We, Beasts.\\n\\nAudience\\n00:21:06\\nApplause.\\n\\nIan Ferrier\\n00:21:23\\nThanks Oana Avasilichioaei and announces intermission. | Keywords: We, Beasts; Taqralik Partridge; Guido del Fabbro\\n\\nEND\\n00:21:36\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2012/04/\",\"file_path\":\"\",\"filename\":\"STE-011.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:18:20\",\"precision\":\"\",\"size\":\"194.1 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-011.wav [File 2 of 3]\\n\\nUnknown\\n00:00:00\\nAmbient Sound [music].\\n\\nIan Ferrier\\n00:00:15\\nIntroduces Taqralik Partridge and Guido del Fabbro. | Keywords: [La] Sala [Rossa]\\n\\nAudience\\n00:00:45\\nApplause.\\n\\nTaqralik Partridge\\n00:01:03\\nAddresses audience and introduces \\\"Igloolik\\\", exchange with audience follows. | Keywords: 2010 Quebec Writing Competition; Guido [del Fabbro]\\n\\nGuido del Fabbro\\n00:02:58\\nPerforms musical accompaniment.\\n\\nTaqralik Partridge\\n00:03:06\\nReads \\\"Igloolik” accompanied by Guido del Fabbro.\\n\\nAudience\\n00:12:29\\nApplause.\\n\\nTaqralik Partridge\\n00:12:38\\nThanks audience and introduces \\\"Battery\\\".\\n\\nGuido del Fabbro\\n00:13:17\\nPerforms musical accompaniment.\\n\\nTaqralik Partridge\\n00:13:53\\nPerforms \\\"Battery\\\" accompanied by Guido del Fabbro.\\n\\nAudience\\n00:17:08\\nApplause.\\n\\nTaqralik Partridge\\n00:17:11\\nThanks audience and Guido del Fabbro [audience applause continues throughout].\\n\\nAudience\\n00:17:22\\nApplause.\\n\\nIan Ferrier\\n00:17:48\\nPromotes Guido del Fabbro 's work and thanks Taqralik Partridge.\\n\\nIan Ferrier\\n00:18:08\\nAnnounces intermission. | Keywords: Felix\\n\\nAudience\\n00:18:13\\nApplause [cut off].\\n\\nEND\\n00:18:20\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2012/04/\",\"file_path\":\"\",\"filename\":\"STE-012.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:22:28\",\"precision\":\"\",\"size\":\"237.8 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-012.wav [File 3 of 3]\\n\\nFelix\\n00:00:04\\nAddresses Ian Ferrier.\\n\\nIan Ferrier\\n00:00:08\\nIntroduces Felix.\\n\\nAudience\\n00:00:15\\nApplause.\\n\\nFelix\\n00:00:28\\nAddresses audience [audience laughter throughout].\\n\\nFelix\\n00:00:42\\nPerforms unnamed song.\\n\\nAudience\\n00:05:22\\nApplause.\\n\\nFelix\\n00:05:34\\nThanks audience and introduces \\\"It's Been a Year\\\".\\n\\nFelix\\n00:05:43\\nPerforms \\\"It's Been a Year\\\".\\n\\nAudience\\n00:08:22\\nApplause.\\n\\nFelix\\n00:08:35\\nPerforms unnamed song.\\n\\nAudience\\n00:11:58\\nApplause.\\n\\nFelix\\n00:12:11\\nThanks audience and introduces \\\"Moses\\\" [audience laughter throughout].\\n\\nFelix\\n00:12:36\\nPerforms \\\"Moses\\\".\\n\\nAudience\\n00:16:08\\nApplause.\\n\\nFelix\\n00:16:21\\nIntroduces unnamed song and introduces [Eva Delic (?0], Ryan White, Ally Levi, [Jessie Strait (?)], and Maerin [Hunting] as the band members [audience applause throughout].\\n\\nFelix\\n00:17:02\\nPerforms unnamed song.\\n\\nAudience\\n00:20:17\\nApplause [music continues throughout].\\n\\nFelix\\n00:20:35\\nThanks Lucy and Casa Del Popolo and addresses audience [audience applause continues throughout] . | Keywords: Ian [Ferrier]; Tumblr [https://www.wikidata.org/wiki/Q384060]\\n\\nAudience\\n00:21:11\\nApplause.\\n\\nIan Ferrier\\n00:21:39\\nThanks performers [audience applause throughout] | Keywords: Felix; Taqralik Partridge; Guiddo del Fabbro; Oana Avasilichioaei; and [Jovan (?)]\\n\\nAudience\\n00:21:57\\nApplause.\\n\\nIan Ferrier\\n00:22:02\\nAnnounces future events and thanks audience.\\n\\nAudience\\n00:22:13\\nApplause.\\n\\nUnknown\\n00:22:19\\nAmbient Sound [music].\\n\\nEND\\n00:22:28\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"score":0.01643844},{"id":"1124","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2012-10-14"],"item_title_source":["Cataloguer"],"item_title_note":["Full event audio not found"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\" http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"(Performs with Gordon Disley (Bear Dreams))\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\",\"Performer\"]}]"],"contributors_names":["Disley, Gordon","Lavorato, Mark","Burton, Peter","Waldman, Brahja","Disman, Adriana","Vineberg, Leah R.","Christoff, Stefan","van de Geer, Jacqueline"],"contributors_names_search":["Disley, Gordon","Lavorato, Mark","Burton, Peter","Waldman, Brahja","Disman, Adriana","Vineberg, Leah R.","Christoff, Stefan","van de Geer, Jacqueline"],"contributors":["[{\"url\":\"\",\"name\":\"Disley, Gordon\",\"dates\":\"\",\"notes\":\"(With Ian Ferrier (Bear Dreams))\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/171340441\",\"name\":\"Lavorato, Mark\",\"dates\":\"1975-\",\"notes\":\"Announced but missing\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Burton, Peter\",\"dates\":\"\",\"notes\":\"Announced but missing\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/171679248\",\"name\":\"Waldman, Brahja\",\"dates\":\"\",\"notes\":\"Announced but missing\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/54149841880802841235\",\"name\":\"Disman, Adriana\",\"dates\":\"\",\"notes\":\"Announced but missing\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Vineberg, Leah R.\",\"dates\":\"\",\"notes\":\"Announced but missing\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/106422154\",\"name\":\"Christoff, Stefan\",\"dates\":\"1981-\",\"notes\":\"Announced but missing\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/317008945\",\"name\":\"van de Geer, Jacqueline\",\"dates\":\"\",\"notes\":\"Announced but missing\\n\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Disley, Gordon","Lavorato, Mark","Burton, Peter","Waldman, Brahja","Disman, Adriana","Vineberg, Leah R.","Christoff, Stefan","van de Geer, Jacqueline"],"Performance_Date":[2012],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/1124/Poster for Oct 14th 2012 SHOW.jpg\",\"other\":\" In folder: 4 audio, 2 misc. In folder2: 2 docs.\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Set of 3 copies and 1 alternate version\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2012/10/\",\"file_path\":\"\",\"filename\":\"Bear Dreams Live at Casa Oct 14 2012.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:11:20\",\"precision\":\"\",\"size\":\"119.9 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"Bear Dreams Live at Casa Oct 14 2012.mp3\\n\\nUnknown\\n00:00:00\\nAmbient Sound [music; recording begins abruptly].\\n\\nIan Ferrier\\n00:00:07\\nIntroduces “Bear Dreams”.\\n\\nIan Ferrier\\n00:00:15\\nPerforms “Bear Dreams” accompanied by Gordon Disley.\\n\\nAudience\\n00:10:39\\nApplause.\\n\\nIan Ferrier\\n00:10:53\\nThanks audience.\\n\\nAudience \\n00:10:56\\nLaughter.\\n\\nIan Ferrier\\n00:11:00\\nAnnounces intermission. | Keywords: Stefan Christoff [https://www.wikidata.org/wiki/Q7606050]; Brajah Waldman; Peter Burton\\n\\nAudience\\n00:11:08\\nApplause.\\n\\nUnknown\\n00:11:14\\nAmbient Sound [voices and music].\\n\\nEND\\n00:11:20\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2012 10 14\",\"type\":\"Performance Date\",\"notes\":\"Date indicated on event poster and in document\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\" 45.5222118\",\"longitude\":\"-73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["On Sunday, 14 October 2012, the Words and Music Show presented poems ready by Mark Lavorato, author of Wayworn Wooden Floors (Porcupine’s Quill, 2012), a performance by Ian Ferrier of a new words and music piece, Bear Dreams, with accompaniment by Gord Disley on bass, music by Stefan Christoff on Piano, Brahja Waldman on Saxophone, and Peter Burton on double bass.  It also featured a new performance by The Aunts Sisters Husbands of The Marathon of Accommodation: Adriana Disman, Leah R. Vineberg and Jacqueline van de Geer"],"contents":["Bear Dreams Live at Casa Oct 14 2012.mp3\n\nUnknown\n00:00:00\nAmbient Sound [music; recording begins abruptly].\n\nIan Ferrier\n00:00:07\nIntroduces “Bear Dreams”.\n\nIan Ferrier\n00:00:15\nPerforms “Bear Dreams” accompanied by Gordon Disley.\n\nAudience\n00:10:39\nApplause.\n\nIan Ferrier\n00:10:53\nThanks audience.\n\nAudience \n00:10:56\nLaughter.\n\nIan Ferrier\n00:11:00\nAnnounces intermission. | Keywords: Stefan Christoff [https://www.wikidata.org/wiki/Q7606050]; Brajah Waldman; Peter Burton\n\nAudience\n00:11:08\nApplause.\n\nUnknown\n00:11:14\nAmbient Sound [voices and music].\n\nEND\n00:11:20"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548339425280,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1125","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2012-11-18"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\" http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"contributors_names":["Shalabi, Sam","Girardin, Wolfe","Shayne avec I Grec","MacRae, Johnny","Strauss, Ted","Doan, Jenn"],"contributors_names_search":["Shalabi, Sam","Girardin, Wolfe","Shayne avec I Grec","MacRae, Johnny","Strauss, Ted","Doan, Jenn"],"contributors":["[{\"url\":\"http://viaf.org/viaf/11078285\",\"name\":\"Shalabi, Sam\",\"dates\":\"1964-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Girardin, Wolfe\",\"dates\":\"\",\"notes\":\"(With Florent)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Shayne avec I Grec\",\"dates\":\"\",\"notes\":\"(With Johnny MacRae as 2 Dope Boys in a Cadillac)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/124149106300368492582\",\"name\":\"MacRae, Johnny\",\"dates\":\"\",\"notes\":\"(With Shayne avec I Grec as 2 Dope Boys in a Cadillac)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Strauss, Ted\",\"dates\":\"\",\"notes\":\"(With Jenn Doan as WooMeMyth)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Doan, Jenn\",\"dates\":\"\",\"notes\":\"(With Ted Strauss as WooMeMyth)\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Shalabi, Sam","Girardin, Wolfe","Shayne avec I Grec","MacRae, Johnny","Strauss, Ted","Doan, Jenn"],"Performance_Date":[2012],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/1125/218151f5-c58b-40e7-85c3-9177d3aa065e-0.jpg\",\"other\":\"In folder: 3 audio, 3 misc. In folder2: 1 doc, 2 images.\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Set of 3 event audio recordings\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"Dates":["[{\"date\":\"2012 11 18\",\"type\":\"Performance Date\",\"notes\":\"Date indicated in document\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\" 45.5222118\",\"longitude\":\"-73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["The Sunday, 18 November 2012 Words and Music Show featured from Canada’s West Coast Shayne avec i Grec and Johnny MacRae who, together, formed the theatrical spoken word duo, 2 Dope Boys in a Cadillac.  They presented work from the forthcoming Anthropopcalypse Now (Martian Migraine Press in 2013).  Also performing was Sam Shalabi on solo oud, and music and dance by Woo Me Myth, featuring Ted Strauss and Jenn Doan.  The event also presented new work by Gord Disley, and a premiere performance by Wolfe Girardin.  At the Casa del Popolo, 9pm, $6."],"contents":["STE-000.wav [File 1 of 3]\n\nUnknown\n00:00:00\nAmbient Sound [voices].\n\nIan Ferrier\n00:00:05\nIntroduces event.\n\nAudience\n00:00:12\nApplause.\n\nIan Ferrier\n00:00:19\nAddresses audience [audience commentary throughout]. | Keywords: Montreal  [https://www.wikidata.org/wiki/Q340]; Université du Québec [https://www.wikidata.org/wiki/Q326282]\n\nIan Ferrier\n00:01:13\nIntroduces Ted Strauss and Jenn Doan as WooMeMyth.\n\nAudience\n00:01:26\nApplause [cut off].\n\nUnknown\n00:01:30\nSilence [muted].\n\nWooMeMyth\n00:02:11\nPerforms unnamed piece with music, vocals, and poetry by Ted Strauss and dancing by Jenn Doan. \n\nUnknown\n00:12:27\nSilence [muted].\n\nAudience\n00:17:17\nApplause.\n\nIan Ferrier\n00:17:43\nThanks Ted Strauss and Jenn Doan.\n\nAudience\n00:17:46\nApplause.\n\nIan Ferrier\n00:17:54\nIntroduces Wolfe Girardin and Florent. \n\nAudience\n00:18:09\nApplause.\n\nWolfe Girardin\n00:18:18\nAddresses audience.\n\nWolfe Girardin\n00:18:25\nIntroduces two unnamed poems [laughter throughout].\n\nWolfe Girardin\n00:19:03\nPerforms unnamed poem accompanied by Florent on guitar.\n\nAudience\n00:22:56\nApplause.\n\nWolfe Girardin\n00:23:06\nThanks audience, Casa Del Popolo [https://www.wikidata.org/wiki/Q3538292], Ian Ferrier [https://www.wikidata.org/wiki/Q87138884], and Wired on Words [laughter throughout].\n\nWolfe Girardin\n00:23:18\nIntroduces unnamed poem [laughter throughout].\n\nWolfe Girardin\n00:23:34\nPerforms unnamed poem accompanied by Florent on guitar.\n\nAudience\n00:28:52\nApplause.\n\nIan Ferrier\n00:29:12\nThanks Wolfe Girardin and Florent.\n\nAudience\n00:29:15\nApplause.\n\nIan Ferrier\n00:29:23\nAddresses audience. \n\nIan Ferrier\n00:29:28\nAnnounces intermission. | Keywords: The Aunt's Sister's Husband's of the Marathon of Accomodation (?)]; Sam Shalabi [https://www.wikidata.org/wiki/Q2216598]; Shayne avec I Grec; Johnny MacRae; 2 Dope Boys in a Cadillac\n\nAudience\n00:29:48\nApplause [cut off].\n\nEND\n00:29:52\n\n\nSTE-001.wav [File 2 of 3]\n\nUnknown\n00:00:00\nAmbient Sound [music].\n\nIan Ferrier\n00:00:05\nAddresses audience and [Anne Bear (?)].\n\nAudience\n00:00:33\nSings “Happy Birthday To You” [song] [https://www.wikidata.org/wiki/Q167545] to [Anne Bear (?)].\n\nAudience\n00:00:58\nApplause.\n\nIan Ferrier\n00:01:20\nIntroduces The Aunt's Sister's Husband's of the Marathon of Accomodation.\n\nAudience\n00:01:30\nApplause.\n\nUnknown\n00:01:4\nSilence [muted].\n\nUnknown\n00:01:55\nAmbient Sound [music; uncertain if part of performance]. \n\nUnknown\n00:02:39\nSilence [music cut off abruptly]. \n\nEND\n00:06:25\n\n\nSTE-002.wav [File 3 of 3]\n\nIan Ferrier\n00:00:00\nAddresses audience. \n\nAudience\n00:00:05\nApplause.\n\nIan Ferrier\n00:00:11\nIntroduces Sam Shalabi, exchange with Shalabi follows. | Keywords: Cairo [https://www.wikidata.org/wiki/Q85]; Montreal; Land of Kush; Constellation Records [https://www.wikidata.org/wiki/Q1128185]\n\nAudience\n00:01:01\nApplause.\n\nSam Shalabi\n00:01:36\nPerforms unnamed sound on oud. \n\nAudience\n00:18:13\n Applause.\n\nIan Ferrier\n00:18:44\nAddresses audience, exchange with Shalabi follows [audience laughter throughout]. | Keywords: The Shalabi Effect [band]\n\nAudience\n00:18:58\nApplause. \n\nIan Ferrier\n00:19:01\nAddresses Sam Shalabi [audience applause continues throughout].\n\nIan Ferrier\n00:19:07\nIntroduces Johnny MacRae and Shayne avec I Grec as 2 Dope Boys in a Cadillac.\n\nAudience\n00:19:41\nApplause.\n\n2 Dope Boys in a Cadillac\n00:20:27\nPerforms unnamed excerpts from Waiting for the Antropocalypse. \n\nJohnny MacRae\n00:25:31\nIntroduces 2 Dope Boys in a Cadillac, exchange with Shayne avec I Grec follows [audience applause and laughter throughout]. | Keywords: British Columbia [https://www.wikidata.org/wiki/Q1974]\n\nJohnny MacRae\n00:26:35\nIntroduces Waiting for the Anthropocalypse, exchange with Shayne avec I Grec follows [audience laughter throughout].\n\n2 Dope Boys in a Cadillac\n00:27:36\nPerforms unnamed poem from Waiting for the Anthropocalypse [audience laughter throughout]. | Keywords: DEA [https://www.wikidata.org/wiki/Q5308845]\n\nAudience\n00:30:24\nLaughter.\n\nJohnny MacRae\n00:30:26\nAddresses Shayne avec I Grec, exchange follows. | Keywords: Pierce Brosnan [https://www.wikidata.org/wiki/Q81520]; James Bond [https://www.wikidata.org/wiki/Q2009573]\n\n2 Dope Boys in a Cadillac\n00:30:39\nAddresses audience. | Keywords: James Bond\n\nJohnny MacRae\n00:30:53\nAddresses audience, transitions into performance of unnamed poem [includes sound effects by Shayne avec I Greg; audience laughter throughout]. | Keywords: Victoria [https://www.wikidata.org/wiki/Q2132]; Vancouver [https://www.wikidata.org/wiki/Q24639]\n\n2 Dope Boys in a Cadillac\n00:36:12\nPerforms unnamed poem from Waiting for the Anthropocalypse [audience laughter and applause throughout]. \n\nShane avec I Grec\n00:41:34\nAddresses audience, exchange follows.\n\nShane avec I Grec\n00:41:48\nThanks other performers [audience applause throughout], Ian Ferrier, and audience.\n\nShane avec I Grec\n00:42:08\nIntroduces unnamed poem. \n\nShane avec I Grec\n00:42:42\nAddresses Johnny MacRae, exchange with MacRae follows [audience applause throughout].\n\nJohnny MacRae\n00:43:04\nAddresses audience, exchange follows [includes commentary from Shayne avec I Grec; audience laughter throughout]. \n\nShane avec I Grec\n00:43:53\nAddresses audience [audience laughter throughout]. \n\n2 Dope Boys in a Cadillac\n00:44:05\nPerforms unnamed poem from Waiting for the Anthropocalypse [audience laughter throughout]. \n\nAudience\n00:49:19\nApplause.\n\nShane avec I Grec\n00:49:31\nThanks audience and Anis Mojgani [https://www.wikidata.org/wiki/Q4765282] [audience laughter throughout]. | Keywords: Austin [https://www.wikidata.org/wiki/Q16559]; Texas [https://www.wikidata.org/wiki/Q1439]; \"Shake the the Dust\"\n\nShane avec I Grec\n00:49:50\nAnnounces future event, exchange with MacRae follows [audience laughter throughout]. | Keywords: Oakland [https://www.wikidata.org/wiki/Q17042]; Tourettes Without Regrets [show]\n\nShane avec I Grec\n00:50:27\nThanks and addresses audience, exchange follows [audience applause throughout]. \n\nJohnny MacRae\n00:51:04\nAddresses audience. \n\n2 Dope Boys in a Cadillac\n00:51:12\nPerforms unnamed poem [audience laughter throughout]. \n\nAudience\n00:53:08\nApplause.\n\nIan Ferrier\n00:53:41\nThanks Shayne avec I Grec and Johnny MacRae [audience laughter throughout]. | Keywords: Indianapolis [https://www.wikidata.org/wiki/Q6346]\n\nIan Ferrier\n00:54:04\nAnnounces future event. | Keywords: Tanya Davis [https://www.wikidata.org/wiki/Q3515367]\n\nAudience\n00:54:13\nApplause. \n\nIan Ferrier\n00:54:15\nThanks audience and performers. \n\nAudience\n00:54:20\nApplause. \n\nUnknown\n00:54:34\nAmbient Sound [music]. \n\nEND\n00:54:40"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548339425281,"timestamp":"2026-01-07T14:59:52.745Z","digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2012/11/\",\"file_path\":\"\",\"filename\":\"STE-000.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:29:52\",\"precision\":\"\",\"size\":\"316.2 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-000.wav [File 1 of 3]\\n\\nUnknown\\n00:00:00\\nAmbient Sound [voices].\\n\\nIan Ferrier\\n00:00:05\\nIntroduces event.\\n\\nAudience\\n00:00:12\\nApplause.\\n\\nIan Ferrier\\n00:00:19\\nAddresses audience [audience commentary throughout]. | Keywords: Montreal  [https://www.wikidata.org/wiki/Q340]; Université du Québec [https://www.wikidata.org/wiki/Q326282]\\n\\nIan Ferrier\\n00:01:13\\nIntroduces Ted Strauss and Jenn Doan as WooMeMyth.\\n\\nAudience\\n00:01:26\\nApplause [cut off].\\n\\nUnknown\\n00:01:30\\nSilence [muted].\\n\\nWooMeMyth\\n00:02:11\\nPerforms unnamed piece with music, vocals, and poetry by Ted Strauss and dancing by Jenn Doan. \\n\\nUnknown\\n00:12:27\\nSilence [muted].\\n\\nAudience\\n00:17:17\\nApplause.\\n\\nIan Ferrier\\n00:17:43\\nThanks Ted Strauss and Jenn Doan.\\n\\nAudience\\n00:17:46\\nApplause.\\n\\nIan Ferrier\\n00:17:54\\nIntroduces Wolfe Girardin and Florent. \\n\\nAudience\\n00:18:09\\nApplause.\\n\\nWolfe Girardin\\n00:18:18\\nAddresses audience.\\n\\nWolfe Girardin\\n00:18:25\\nIntroduces two unnamed poems [laughter throughout].\\n\\nWolfe Girardin\\n00:19:03\\nPerforms unnamed poem accompanied by Florent on guitar.\\n\\nAudience\\n00:22:56\\nApplause.\\n\\nWolfe Girardin\\n00:23:06\\nThanks audience, Casa Del Popolo [https://www.wikidata.org/wiki/Q3538292], Ian Ferrier [https://www.wikidata.org/wiki/Q87138884], and Wired on Words [laughter throughout].\\n\\nWolfe Girardin\\n00:23:18\\nIntroduces unnamed poem [laughter throughout].\\n\\nWolfe Girardin\\n00:23:34\\nPerforms unnamed poem accompanied by Florent on guitar.\\n\\nAudience\\n00:28:52\\nApplause.\\n\\nIan Ferrier\\n00:29:12\\nThanks Wolfe Girardin and Florent.\\n\\nAudience\\n00:29:15\\nApplause.\\n\\nIan Ferrier\\n00:29:23\\nAddresses audience. \\n\\nIan Ferrier\\n00:29:28\\nAnnounces intermission. | Keywords: The Aunt's Sister's Husband's of the Marathon of Accomodation (?)]; Sam Shalabi [https://www.wikidata.org/wiki/Q2216598]; Shayne avec I Grec; Johnny MacRae; 2 Dope Boys in a Cadillac\\n\\nAudience\\n00:29:48\\nApplause [cut off].\\n\\nEND\\n00:29:52\",\"notes\":\"File needs to be added to server folder indicated in File Url\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2012/11/\",\"file_path\":\"\",\"filename\":\"STE-001.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:06:25\",\"precision\":\"\",\"size\":\"68.1 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-001.wav [File 2 of 3]\\n\\nUnknown\\n00:00:00\\nAmbient Sound [music].\\n\\nIan Ferrier\\n00:00:05\\nAddresses audience and [Anne Bear (?)].\\n\\nAudience\\n00:00:33\\nSings “Happy Birthday To You” [song] [https://www.wikidata.org/wiki/Q167545] to [Anne Bear (?)].\\n\\nAudience\\n00:00:58\\nApplause.\\n\\nIan Ferrier\\n00:01:20\\nIntroduces The Aunt's Sister's Husband's of the Marathon of Accomodation.\\n\\nAudience\\n00:01:30\\nApplause.\\n\\nUnknown\\n00:01:4\\nSilence [muted].\\n\\nUnknown\\n00:01:55\\nAmbient Sound [music; uncertain if part of performance]. \\n\\nUnknown\\n00:02:39\\nSilence [music cut off abruptly]. \\n\\nEND\\n00:06:25\",\"notes\":\"File needs to be added to server folder indicated in File Url\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2012/11/\",\"file_path\":\"\",\"filename\":\"STE-002.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:54:40\",\"precision\":\"\",\"size\":\"578.6 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-002.wav [File 3 of 3]\\n\\nIan Ferrier\\n00:00:00\\nAddresses audience. \\n\\nAudience\\n00:00:05\\nApplause.\\n\\nIan Ferrier\\n00:00:11\\nIntroduces Sam Shalabi, exchange with Shalabi follows. | Keywords: Cairo [https://www.wikidata.org/wiki/Q85]; Montreal; Land of Kush; Constellation Records [https://www.wikidata.org/wiki/Q1128185]\\n\\nAudience\\n00:01:01\\nApplause.\\n\\nSam Shalabi\\n00:01:36\\nPerforms unnamed sound on oud. \\n\\nAudience\\n00:18:13\\n Applause.\\n\\nIan Ferrier\\n00:18:44\\nAddresses audience, exchange with Shalabi follows [audience laughter throughout]. | Keywords: The Shalabi Effect [band]\\n\\nAudience\\n00:18:58\\nApplause. \\n\\nIan Ferrier\\n00:19:01\\nAddresses Sam Shalabi [audience applause continues throughout].\\n\\nIan Ferrier\\n00:19:07\\nIntroduces Johnny MacRae and Shayne avec I Grec as 2 Dope Boys in a Cadillac.\\n\\nAudience\\n00:19:41\\nApplause.\\n\\n2 Dope Boys in a Cadillac\\n00:20:27\\nPerforms unnamed excerpts from Waiting for the Antropocalypse. \\n\\nJohnny MacRae\\n00:25:31\\nIntroduces 2 Dope Boys in a Cadillac, exchange with Shayne avec I Grec follows [audience applause and laughter throughout]. | Keywords: British Columbia [https://www.wikidata.org/wiki/Q1974]\\n\\nJohnny MacRae\\n00:26:35\\nIntroduces Waiting for the Anthropocalypse, exchange with Shayne avec I Grec follows [audience laughter throughout].\\n\\n2 Dope Boys in a Cadillac\\n00:27:36\\nPerforms unnamed poem from Waiting for the Anthropocalypse [audience laughter throughout]. | Keywords: DEA [https://www.wikidata.org/wiki/Q5308845]\\n\\nAudience\\n00:30:24\\nLaughter.\\n\\nJohnny MacRae\\n00:30:26\\nAddresses Shayne avec I Grec, exchange follows. | Keywords: Pierce Brosnan [https://www.wikidata.org/wiki/Q81520]; James Bond [https://www.wikidata.org/wiki/Q2009573]\\n\\n2 Dope Boys in a Cadillac\\n00:30:39\\nAddresses audience. | Keywords: James Bond\\n\\nJohnny MacRae\\n00:30:53\\nAddresses audience, transitions into performance of unnamed poem [includes sound effects by Shayne avec I Greg; audience laughter throughout]. | Keywords: Victoria [https://www.wikidata.org/wiki/Q2132]; Vancouver [https://www.wikidata.org/wiki/Q24639]\\n\\n2 Dope Boys in a Cadillac\\n00:36:12\\nPerforms unnamed poem from Waiting for the Anthropocalypse [audience laughter and applause throughout]. \\n\\nShane avec I Grec\\n00:41:34\\nAddresses audience, exchange follows.\\n\\nShane avec I Grec\\n00:41:48\\nThanks other performers [audience applause throughout], Ian Ferrier, and audience.\\n\\nShane avec I Grec\\n00:42:08\\nIntroduces unnamed poem. \\n\\nShane avec I Grec\\n00:42:42\\nAddresses Johnny MacRae, exchange with MacRae follows [audience applause throughout].\\n\\nJohnny MacRae\\n00:43:04\\nAddresses audience, exchange follows [includes commentary from Shayne avec I Grec; audience laughter throughout]. \\n\\nShane avec I Grec\\n00:43:53\\nAddresses audience [audience laughter throughout]. \\n\\n2 Dope Boys in a Cadillac\\n00:44:05\\nPerforms unnamed poem from Waiting for the Anthropocalypse [audience laughter throughout]. \\n\\nAudience\\n00:49:19\\nApplause.\\n\\nShane avec I Grec\\n00:49:31\\nThanks audience and Anis Mojgani [https://www.wikidata.org/wiki/Q4765282] [audience laughter throughout]. | Keywords: Austin [https://www.wikidata.org/wiki/Q16559]; Texas [https://www.wikidata.org/wiki/Q1439]; \\\"Shake the the Dust\\\"\\n\\nShane avec I Grec\\n00:49:50\\nAnnounces future event, exchange with MacRae follows [audience laughter throughout]. | Keywords: Oakland [https://www.wikidata.org/wiki/Q17042]; Tourettes Without Regrets [show]\\n\\nShane avec I Grec\\n00:50:27\\nThanks and addresses audience, exchange follows [audience applause throughout]. \\n\\nJohnny MacRae\\n00:51:04\\nAddresses audience. \\n\\n2 Dope Boys in a Cadillac\\n00:51:12\\nPerforms unnamed poem [audience laughter throughout]. \\n\\nAudience\\n00:53:08\\nApplause.\\n\\nIan Ferrier\\n00:53:41\\nThanks Shayne avec I Grec and Johnny MacRae [audience laughter throughout]. | Keywords: Indianapolis [https://www.wikidata.org/wiki/Q6346]\\n\\nIan Ferrier\\n00:54:04\\nAnnounces future event. | Keywords: Tanya Davis [https://www.wikidata.org/wiki/Q3515367]\\n\\nAudience\\n00:54:13\\nApplause. \\n\\nIan Ferrier\\n00:54:15\\nThanks audience and performers. \\n\\nAudience\\n00:54:20\\nApplause. \\n\\nUnknown\\n00:54:34\\nAmbient Sound [music]. \\n\\nEND\\n00:54:40\",\"notes\":\"File needs to be added to server folder indicated in File Url\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2012/11/\",\"file_path\":\"\",\"filename\":\"Johnny & Shayne Set.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:34:46\",\"precision\":\"\",\"size\":\"368.1 MB \",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Alternate version; poor audio quality\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2012/11/\",\"file_path\":\"\",\"filename\":\"Sam Shalabi Oud Set.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:18:06\",\"precision\":\"\",\"size\":\"191.8 MB \",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Alternate version; poor audio quality\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2012/11/\",\"file_path\":\"\",\"filename\":\"Wolfe Girardin Set.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:11:18\",\"precision\":\"\",\"size\":\"119.6 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Alternate version; poor audio quality\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"score":0.01643844},{"id":"1126","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2012-12-16"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\" http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"(Performs with Gordon Disley and Zoe Dominiak)\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\",\"Performer\"]}]"],"contributors_names":["Davis, Tanya","Amiri, Amir","Disley, Gordon","Dominiak, Zoe"],"contributors_names_search":["Davis, Tanya","Amiri, Amir","Disley, Gordon","Dominiak, Zoe"],"contributors":["[{\"url\":\" http://viaf.org/viaf/102883605\",\"name\":\"Davis, Tanya\",\"dates\":\"1979-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Amiri, Amir\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Disley, Gordon\",\"dates\":\"\",\"notes\":\"(With Ian Ferrier and Zoe Dominiak)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Dominiak, Zoe \",\"dates\":\"\",\"notes\":\"(With Ian Ferrier and Gordon Disley)\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Davis, Tanya","Amiri, Amir","Disley, Gordon","Dominiak, Zoe "],"Performance_Date":[2012],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/1126/Poster for Oct 14th 2012 SHOW (1).jpg\",\"other\":\"In folder: 6 audio, 3 video, 3 misc. In folder2: 1 audio, 2 video, 1 misc. In folder3: 1 doc, 1 image. In folder4: 2 docs.\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Set of 2 event audio recordings (+copies and edits)\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"Dates":["[{\"date\":\"2012 12 16\",\"type\":\"Performance Date\",\"notes\":\"Date indicated on event poster\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\" 45.5222118\",\"longitude\":\"-73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["On Sunday, 16 December 2012, the show had the casual theme of “how to survive the winter.” It presented Tanya Davis, Ian Ferrier, Gord Disley, dance by Zoe Dominiak, and music by Amir Amiri. There is audio and some video documentation of this event."],"contents":["STE-000.wav [File 1 of 2]\n\nIan Ferrier\n00:00:03\nIntroduces event and addresses audience [audience laughter throughout].\n\nIan Ferrier\n00:01:19\nIntroduces Gordon Disley [audience laughter throughout].\n\nAudience\n00:01:28\nApplause.\n\nGordon Disley\n00:01:33\nAddresses audience [audience applause and laughter throughout]. | Keywords: Ian Ferrier [https://www.wikidata.org/wiki/Q87138884]; Montreal [https://www.wikidata.org/wiki/Q340]; IKEA [https://www.wikidata.org/wiki/Q54078]; Toronto [https://www.wikidata.org/wiki/Q172]; Ontario [https://www.wikidata.org/wiki/Q1904]; Pharmaprix [https://www.wikidata.org/wiki/Q1820137]; Timmins [https://www.wikidata.org/wiki/Q991310]; Shania Twain [https://www.wikidata.org/wiki/Q131433]; Shania Twain Interpretive Centre [https://www.wikidata.org/wiki/Q7488638]; Canada [https://www.wikidata.org/wiki/Q16]; Grand Prix [https://www.wikidata.org/wiki/Q1089579]; Indy 500 [https://www.wikidata.org/wiki/Q8032]; Kentucky Derby [https://www.wikidata.org/wiki/Q1141795] \n\nGordon Disley\n00:05:43\nIntroduces \"Sciatica\". \n\nGordon Disley\n00:05:59\nPerforms \"Sciatica\".\n\nAudience\n00:07:04\nApplause [barely audible].\n\nGordon Disley\n00:07:06\nDiscusses the applause and addresses audience, exchange with audience follows [audience laughter throughout].\n\nGordon Disley\n00:09:12\nIntroduces \"Telegram\".\n\nGordon Disley\n00:09:18\nPerforms \"Telegram\".\n\nAudience\n00:09:28\nApplause.\n\nGordon Disley\n00:09:30\nAddresses Ian Ferrier [audience applause continues throughout].\n\nIan Ferrier\n00:09:47\nAddresses Gordon Disley [audience applause throughout].\n\nIan Ferrier\n00:09:54\nIntroduces Tanya Davis [https://www.wikidata.org/wiki/Q3515367] and Amir Amiri [audience applause throughout]. | Keywords: Nova Scotia [https://www.wikidata.org/wiki/Q1952]; Ottawa [https://www.wikidata.org/wiki/Q1930]; [Cabaret] Lion d’Or\n\nIan Ferrier\n00:10:32\nIntroduces Zoe Dominiak and \"Bear Dreams\" [audience applause and laughter throughout]. | Keywords: Gordon [Disley]\n\nIan Ferrier\n00:12:01\nPerforms \"Bear Dreams\" accompanied by Gordon Disley on bass guitar, with dancing by Zoe Dominiak.\n\nAudience\n00:21:15\nApplause.\n\nIan Ferrier\n00:21:28\nThanks Zoe Dominiak and Gordon Disley [audience applause throughout].\n\nIan Ferrier\n00:21:44\nAnnounces intermission. | Keywords: Tanya Davis\n\nEND\n00:21:51\n\n\nSTE-002.wav [File 2 of 2]\n\nTanya Davis\n00:00:06\nAddresses audience and introduces unnamed poem.\n\nTanya Davis\n00:00:55\nPerforms unnamed poem. \n\nAudience\n00:01:21\nApplause.\n\nTanya Davis\n00:01:26\nDiscusses her performance and introduces \"How To Be Alone\". | Keywords: Montreal [https://www.wikidata.org/wiki/Q340]; Halifax [https://www.wikidata.org/wiki/Q2141]\n\nTanya Davis\n00:01:59\nPerforms \"How To Be Alone\" [later published in How To Be Alone [book]].\n\nAudience\n00:06:03\nApplause.\n\nTanya Davis\n00:06:12\nThanks and addresses audience. | Keywords: Ian [Ferrier], Montreal \n\nAudience\n00:07:17\nApplause. \n\nTanya Davis\n00:07:23\nThanks Casa Del Popolo [https://www.wikidata.org/wiki/Q3538292] staff.\n\nTanya Davis\n00:07:33\nPerforms [\"Poetry\" from Make A List [CD]].\n\nAudience\n00:09:33\nApplause.\n\nTanya Davis\n00:09:41\nAddresses Ian Ferrier and introduces \"The River Runs\" from Gorgeous Morning [CD] [audience laughter throughout].\n\nTanya Davis\n00:10:08\nPerforms \"The River Runs\" from Gorgeous Morning.\n\nAudience\n00:13:24\nApplause.\n\nTanya Davis\n00:13:30\nThanks and addresses audience and introduces \"Whose Book\" from Questions and Dancers [CD] [audience applause and laughter throughout].\n\nTanya Davis\n00:14:56\nPerforms \"Whose Book\" from Questions and Dancers.\n\nAudience\n00:18:26\nApplause.\n\nTanya Davis\n00:18:37\nThanks and addresses audience, exchange with audience follows. | Keywords: Montreal\n\nTanya Davis\n00:19:20\nIntroduces \"Us This Day\" from Gorgeous Morning [audience laughter throughout].\n\nTanya Davis\n00:20:48\nPerforms \"Us This Day\" from Gorgeous Morning.\n\nAudience\n00:22:49\nApplause.\n\nTanya Davis\n00:22:56\nAddresses audience and introduces \"Thesaurus\" from Gorgeous Morning. | Keywords: Ian [Ferrier]; Halifax; Montreal\n\nTanya Davis\n00:23:36\nPerforms \"Thesaurus\" from Gorgeous Morning.\n\nAudience\n00:27:11\nApplause.\n\nTanya Davis\n00:27:11\nThanks audience [audience applause continues throughout].\n\nIan Ferrier\n00:27:31\nThanks Tanya Davis.\n\nAudience\n00:27:35\nApplause.\n\nIan Ferrier\n00:27:42\nAddresses audience [audience laughter throughout]. | Keywords: Resonance Cafe; Brajah Waldman; Sam Shalabi [https://www.wikidata.org/wiki/Q2216598]; Montreal; Zoe [Dominiak]; Tanya [Davis]; Amir [Amiri]\n\n00:28:50\nIntroduces Amir Amiri. \n\nUnknown\n00:29:03\nAmbient Sound [voices].\n\nAmir Amiri\n00:30:22\nAddresses audience [audience laughter and commentary throughout]. | Keywords: Iran [https://www.wikidata.org/wiki/Q794]\n\nAmir Amiri\n00:31:02\nIntroduces unnamed song [audience laughter throughout]. | Keywords: Ravi Shankar [https://www.wikidata.org/wiki/Q103774]; Winnipeg [https://www.wikidata.org/wiki/Q2135]\n\nAmir Amiri\n00:33:05\nPerforms unnamed song.\n\nAudience\n00:43:39\nApplause.\n\nAmir Amiri\n00:43:50\nThanks and addresses audience, exchange with audience follows [audience laughter throughout]. | Keywords: India [https://www.wikidata.org/wiki/Q668]\n\nAmir Amiri\n00:44:12\nPerforms unnamed song.\n\nAudience\n00:49:54\nApplause [cut off].\n\nIan Ferrier\n00:50:07\nThanks performers and audience and announces future event [audience applause throughout]. | Keywords: Amir Amiri, CKUT [https://www.wikidata.org/wiki/Q2931672]; Rae Spoon [https://www.wikidata.org/wiki/Q7281933]; Tanya Davis \n\nAudience\n00:50:53\nApplause [cut off].\n\nUnknown\n00:51:03\nAmbient Sound [music]. \n\nEND\n00:51:05"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548341522432,"timestamp":"2026-01-07T14:59:52.745Z","digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2012/12/\",\"file_path\":\"\",\"filename\":\"STE-000.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:21:51\",\"precision\":\"\",\"size\":\"231.3 MB \",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-000.wav [File 1 of 2]\\n\\nIan Ferrier\\n00:00:03\\nIntroduces event and addresses audience [audience laughter throughout].\\n\\nIan Ferrier\\n00:01:19\\nIntroduces Gordon Disley [audience laughter throughout].\\n\\nAudience\\n00:01:28\\nApplause.\\n\\nGordon Disley\\n00:01:33\\nAddresses audience [audience applause and laughter throughout]. | Keywords: Ian Ferrier [https://www.wikidata.org/wiki/Q87138884]; Montreal [https://www.wikidata.org/wiki/Q340]; IKEA [https://www.wikidata.org/wiki/Q54078]; Toronto [https://www.wikidata.org/wiki/Q172]; Ontario [https://www.wikidata.org/wiki/Q1904]; Pharmaprix [https://www.wikidata.org/wiki/Q1820137]; Timmins [https://www.wikidata.org/wiki/Q991310]; Shania Twain [https://www.wikidata.org/wiki/Q131433]; Shania Twain Interpretive Centre [https://www.wikidata.org/wiki/Q7488638]; Canada [https://www.wikidata.org/wiki/Q16]; Grand Prix [https://www.wikidata.org/wiki/Q1089579]; Indy 500 [https://www.wikidata.org/wiki/Q8032]; Kentucky Derby [https://www.wikidata.org/wiki/Q1141795] \\n\\nGordon Disley\\n00:05:43\\nIntroduces \\\"Sciatica\\\". \\n\\nGordon Disley\\n00:05:59\\nPerforms \\\"Sciatica\\\".\\n\\nAudience\\n00:07:04\\nApplause [barely audible].\\n\\nGordon Disley\\n00:07:06\\nDiscusses the applause and addresses audience, exchange with audience follows [audience laughter throughout].\\n\\nGordon Disley\\n00:09:12\\nIntroduces \\\"Telegram\\\".\\n\\nGordon Disley\\n00:09:18\\nPerforms \\\"Telegram\\\".\\n\\nAudience\\n00:09:28\\nApplause.\\n\\nGordon Disley\\n00:09:30\\nAddresses Ian Ferrier [audience applause continues throughout].\\n\\nIan Ferrier\\n00:09:47\\nAddresses Gordon Disley [audience applause throughout].\\n\\nIan Ferrier\\n00:09:54\\nIntroduces Tanya Davis [https://www.wikidata.org/wiki/Q3515367] and Amir Amiri [audience applause throughout]. | Keywords: Nova Scotia [https://www.wikidata.org/wiki/Q1952]; Ottawa [https://www.wikidata.org/wiki/Q1930]; [Cabaret] Lion d’Or\\n\\nIan Ferrier\\n00:10:32\\nIntroduces Zoe Dominiak and \\\"Bear Dreams\\\" [audience applause and laughter throughout]. | Keywords: Gordon [Disley]\\n\\nIan Ferrier\\n00:12:01\\nPerforms \\\"Bear Dreams\\\" accompanied by Gordon Disley on bass guitar, with dancing by Zoe Dominiak.\\n\\nAudience\\n00:21:15\\nApplause.\\n\\nIan Ferrier\\n00:21:28\\nThanks Zoe Dominiak and Gordon Disley [audience applause throughout].\\n\\nIan Ferrier\\n00:21:44\\nAnnounces intermission. | Keywords: Tanya Davis\\n\\nEND\\n00:21:51\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2012/12/\",\"file_path\":\"\",\"filename\":\"STE-002.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:51:05\",\"precision\":\"\",\"size\":\"540.7 MB \",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-002.wav [File 2 of 2]\\n\\nTanya Davis\\n00:00:06\\nAddresses audience and introduces unnamed poem.\\n\\nTanya Davis\\n00:00:55\\nPerforms unnamed poem. \\n\\nAudience\\n00:01:21\\nApplause.\\n\\nTanya Davis\\n00:01:26\\nDiscusses her performance and introduces \\\"How To Be Alone\\\". | Keywords: Montreal [https://www.wikidata.org/wiki/Q340]; Halifax [https://www.wikidata.org/wiki/Q2141]\\n\\nTanya Davis\\n00:01:59\\nPerforms \\\"How To Be Alone\\\" [later published in How To Be Alone [book]].\\n\\nAudience\\n00:06:03\\nApplause.\\n\\nTanya Davis\\n00:06:12\\nThanks and addresses audience. | Keywords: Ian [Ferrier], Montreal \\n\\nAudience\\n00:07:17\\nApplause. \\n\\nTanya Davis\\n00:07:23\\nThanks Casa Del Popolo [https://www.wikidata.org/wiki/Q3538292] staff.\\n\\nTanya Davis\\n00:07:33\\nPerforms [\\\"Poetry\\\" from Make A List [CD]].\\n\\nAudience\\n00:09:33\\nApplause.\\n\\nTanya Davis\\n00:09:41\\nAddresses Ian Ferrier and introduces \\\"The River Runs\\\" from Gorgeous Morning [CD] [audience laughter throughout].\\n\\nTanya Davis\\n00:10:08\\nPerforms \\\"The River Runs\\\" from Gorgeous Morning.\\n\\nAudience\\n00:13:24\\nApplause.\\n\\nTanya Davis\\n00:13:30\\nThanks and addresses audience and introduces \\\"Whose Book\\\" from Questions and Dancers [CD] [audience applause and laughter throughout].\\n\\nTanya Davis\\n00:14:56\\nPerforms \\\"Whose Book\\\" from Questions and Dancers.\\n\\nAudience\\n00:18:26\\nApplause.\\n\\nTanya Davis\\n00:18:37\\nThanks and addresses audience, exchange with audience follows. | Keywords: Montreal\\n\\nTanya Davis\\n00:19:20\\nIntroduces \\\"Us This Day\\\" from Gorgeous Morning [audience laughter throughout].\\n\\nTanya Davis\\n00:20:48\\nPerforms \\\"Us This Day\\\" from Gorgeous Morning.\\n\\nAudience\\n00:22:49\\nApplause.\\n\\nTanya Davis\\n00:22:56\\nAddresses audience and introduces \\\"Thesaurus\\\" from Gorgeous Morning. | Keywords: Ian [Ferrier]; Halifax; Montreal\\n\\nTanya Davis\\n00:23:36\\nPerforms \\\"Thesaurus\\\" from Gorgeous Morning.\\n\\nAudience\\n00:27:11\\nApplause.\\n\\nTanya Davis\\n00:27:11\\nThanks audience [audience applause continues throughout].\\n\\nIan Ferrier\\n00:27:31\\nThanks Tanya Davis.\\n\\nAudience\\n00:27:35\\nApplause.\\n\\nIan Ferrier\\n00:27:42\\nAddresses audience [audience laughter throughout]. | Keywords: Resonance Cafe; Brajah Waldman; Sam Shalabi [https://www.wikidata.org/wiki/Q2216598]; Montreal; Zoe [Dominiak]; Tanya [Davis]; Amir [Amiri]\\n\\n00:28:50\\nIntroduces Amir Amiri. \\n\\nUnknown\\n00:29:03\\nAmbient Sound [voices].\\n\\nAmir Amiri\\n00:30:22\\nAddresses audience [audience laughter and commentary throughout]. | Keywords: Iran [https://www.wikidata.org/wiki/Q794]\\n\\nAmir Amiri\\n00:31:02\\nIntroduces unnamed song [audience laughter throughout]. | Keywords: Ravi Shankar [https://www.wikidata.org/wiki/Q103774]; Winnipeg [https://www.wikidata.org/wiki/Q2135]\\n\\nAmir Amiri\\n00:33:05\\nPerforms unnamed song.\\n\\nAudience\\n00:43:39\\nApplause.\\n\\nAmir Amiri\\n00:43:50\\nThanks and addresses audience, exchange with audience follows [audience laughter throughout]. | Keywords: India [https://www.wikidata.org/wiki/Q668]\\n\\nAmir Amiri\\n00:44:12\\nPerforms unnamed song.\\n\\nAudience\\n00:49:54\\nApplause [cut off].\\n\\nIan Ferrier\\n00:50:07\\nThanks performers and audience and announces future event [audience applause throughout]. | Keywords: Amir Amiri, CKUT [https://www.wikidata.org/wiki/Q2931672]; Rae Spoon [https://www.wikidata.org/wiki/Q7281933]; Tanya Davis \\n\\nAudience\\n00:50:53\\nApplause [cut off].\\n\\nUnknown\\n00:51:03\\nAmbient Sound [music]. \\n\\nEND\\n00:51:05\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"score":0.01643844},{"id":"1127","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2013-02-17"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"(Performs with Stephanie Robert and unnamed dancers)\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\",\"Performer\"]}]"],"contributors_names":["du Plessis, Klara","Kennedy, Kathy","Basanta, Kai","Millerd, Simon","Bjella, Mike","Chan, Jane","Goode, Conrad","Kerridge, Melanie","Young, Katie","Kennedy, Suzanne","Robert, Stephanie","Giraldo, Isis","Bronnikova, Maria"],"contributors_names_search":["du Plessis, Klara","Kennedy, Kathy","Basanta, Kai","Millerd, Simon","Bjella, Mike","Chan, Jane","Goode, Conrad","Kerridge, Melanie","Young, Katie","Kennedy, Suzanne","Robert, Stephanie","Giraldo, Isis","Bronnikova, Maria"],"contributors":["[{\"url\":\"http://viaf.org/viaf/124151352052252602758\",\"name\":\"du Plessis, Klara\",\"dates\":\"1988-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/316997401\",\"name\":\"Kennedy, Kathy\",\"dates\":\"\",\"notes\":\" (With Choeur Maha)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Basanta, Kai\",\"dates\":\"\",\"notes\":\"(With Isis Giraldo Poetry Project)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/1388151837982020520003\",\"name\":\"Millerd, Simon\",\"dates\":\"1987-\",\"notes\":\"(With Isis Giraldo Poetry Project)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Bjella, Mike\",\"dates\":\"\",\"notes\":\"(With Isis Giraldo Poetry Project)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Chan, Jane\",\"dates\":\"\",\"notes\":\"(With Isis Giraldo Poetry Project)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Goode, Conrad\",\"dates\":\"\",\"notes\":\"(With Isis Giraldo Poetry Project)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Kerridge, Melanie\",\"dates\":\"\",\"notes\":\" (With Choeur Maha)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Young, Katie\",\"dates\":\"\",\"notes\":\" (With Choeur Maha)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Kennedy, Suzanne\",\"dates\":\"\",\"notes\":\" (With Choeur Maha)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Robert, Stephanie\",\"dates\":\"\",\"notes\":\"(With Ian Ferrier and unnamed dancers)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Giraldo, Isis\",\"dates\":\"\",\"notes\":\"(With Isis Giraldo Poetry Project)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Bronnikova, Maria\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["du Plessis, Klara","Kennedy, Kathy","Basanta, Kai","Millerd, Simon","Bjella, Mike","Chan, Jane","Goode, Conrad","Kerridge, Melanie","Young, Katie","Kennedy, Suzanne","Robert, Stephanie","Giraldo, Isis","Bronnikova, Maria"],"Performance_Date":[2013],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/1127/Poster for January 20th CKUT Stars and Rae Spoon (1).jpg\",\"other\":\"In folder: 5 audio, 1 doc, 4 misc. In folder2: 1 doc (event poster)\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Set of 2 event audio recordings (+ copies and edits)\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"Dates":["[{\"date\":\"2013 02 17\",\"type\":\"Performance Date\",\"notes\":\"Date indicated on event poster\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118\",\"longitude\":\"-73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["On February 17th 2013, Words and Music welcomed the poet Ruben Dario Giraldo, and the composer Isis Giraldo - or the father-daughter duo otherwise known as the Isis Giraldo Poetry Project. Isis is a classically trained freelance musician and educator, known for her ability to make a good sandwich, and for the musical dynamism she lends to her father’s poetic universe. Although her career has mostly been Canadian-based, she is strongly influenced by the music of her native Colombia. A medley of ‘voice/music/dance’, the event was held at the Casa del Popolo at 9 PM. A poster of this night mentions collaborations with choreographe Stephanie Robert, sound artist Kathy Kennedy, and words by Klara du Plessis, Maria Bronnicova ‘and more!!!’ Tickets cost 6$. "],"contents":["Klara, Kathy K and Maria Bronnicova.wav [File 1 of 2]\n\nKlara du Plessis\n00:00:01\nReads unnamed poem [recording begins abruptly].\n\nKlara du Plessis\n00:03:23\nIntroduces \"Bedridden\". \n\nAudience\n00:03:32\nLaughter.\n\nKlara du Plessis\n00:03:34\nReads \"Bedridden\".\n\nKlara du Plessis\n00:03:51\nIntroduces \"Savasana or Corpse Pose\".\n\nKlara du Plessis\n00:04:31\nReads \"Savasana or Corpse Pose\".\n\nKlara du Plessis\n00:06:42\nThanks audience.\n\nAudience\n00:06:43\nApplause.\n\nIan Ferrier\n00:07:01\nThanks Klara [du Plessis; https://www.wikidata.org/wiki/Q64010045] and introduces Kathy Kennedy and Choeur Maha.\n\nAudience\n00:07:24\nApplause.\n\nKathy Kennedy\n00:07:38\nAddresses audience, thanks Ian Ferrier [https://www.wikidata.org/wiki/Q87138884], and introduces unnamed song [audience applause throughout]. \n\nKathy Kennedy\n00:08:28\nPerforms unnamed song.\n\nAudience\n00:14:44\nApplause.\n\nKathy Kennedy\n00:14:53\nThanks audience, announces future events, and introduces Melanie Kerridge, Katie Young, and Suzanne Kennedy of Choeur Maha [audience applause throughout]. | Keywords: Theatre Plaza; Rialto [Theatre; https://www.wikidata.org/wiki/Q3527548]\n\nKathy Kennedy\n00:16:14\nIntroduces “Vowel Chant”.\n\nChoeur Maha \n00:16:21\nPerforms \"Vowel Chant\".\n\nAudience\n00:20:22\nApplause.\n\nKathy Kennedy\n00:20:24\nThanks Choeur Maha [audience applause continues throughout].\n\nIan Ferrier\n00:20:49\nThanks Kathy Kennedy and Choeur Maha and introduces Maria Bronnicova. | Keywords: Siberia [https://www.wikidata.org/wiki/Q5428]; Being Reduced to an Activity [book]\n\nAudience\n00:21:18\nApplause.\n\nMaria Bronnicova\n00:21:39\nPerforms unnamed sound poem.\n\nMaria Bronnicova\n00:23:41\nPerforms a series of unnamed poems.\n\nAudience\n00:30:01\nApplause.\n\nMaria Bronnicova\n00:30:11\nThanks audience [audience applause continues throughout].\n\nIan Ferrier\n00:30:22\nAnnounces intermission. | Keywords: Stephanie Robert; Isis Giraldo\n\nUnknown\n00:30:47\nAmbient Sound [music].\n\nEND\n00:30:51\n\n\nIan Ferrier with Dancers & Isis Giraldo (first FBAL Performance at Casa).wav [File 2 of 2]\n\nUnknown\n00:00: 00\nAmbient Sound [voices].\n\nIan Ferrier\n00:00:19\nIntroduces \"in/out\".\n\nAudience\n00:00:41\nApplause.\n\nIan Ferrier\n00:00:45\nPerforms \"in/out\" with Stephanie Robert and unnamed dancers.\n\nAudience\n00:10:05\nApplause.\n\nIan Ferrier\n00:10:22\nThanks audience [audience applause continues throughout].\n\nIan Ferrier\n00:10:40\nIntroduces Isis Giraldo and the Isis Giraldo Poetry Project. | Keywords: Resonance Cafe; Mile End Poets’ Festival\n\nAudience\n00:11:40\nApplause.\n\nUnknown\n00:11:50\nAmbient Sound [voices].\n\nIsis Giraldo\n00:13:17\nAddresses audience and thanks Ian Ferrier.\n\nIsis Giraldo Poetry Project\n00:14:52\nPerforms unnamed song.\n\nAudience\n00:28:01\nApplause.\n\nIsis Giraldo Poetry Project\n00:28:30\nPerforms unnamed song.\n\nAudience\n00:34:22\nApplause.\n\nIsis Giraldo Poetry Project\n00:35:00\nPerforms unnamed song.\n\nAudience\n00:48:17\nApplause.\n\nIsis Giraldo\n00:48:27\nIntroduces Conrad Goode, Kai Basanta, Simon Millerd [https://www.wikidata.org/wiki/Q42087505], Mike Bjella, and Jane Chan [audience applause throughout].\n\nIsis Giraldo Poetry Project\n00:49:25\nPerforms unnamed song.\n\nAudience\n00:56:00\nApplause.\n\nIsis Giraldo\n00:56:11\nThanks audience and Ian Ferrier.\n\nAudience\n00:56:32\nApplause.\n\nIsis Giraldo Poetry Project\n00:57:04\nPerforms unnamed song.\n\nIsis Giraldo\n01:05:09\nThanks audience.\n\nAudience\n01:05:10\nApplause\n\nIsis Giraldo\n01:05:20\nAddresses audience [audience applause continues throughout].\n\nIan Ferrier\n01:05:32\nThanks Isis Giraldo, announces future events, thanks audience and other performers. | Keywords: Resonance [Cafe]; Mile End Poets’ Festival; Tanya Davis; Sherwin Tija; Serial Villain [book]; Stephanie [Robert]\n\nAudience\n01:06:17\nApplause.\n\nUnknown\n01:06:23\nAmbient Sound [music].\n\nEND\n01:06:31"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548346765312,"timestamp":"2026-01-07T14:59:52.745Z","digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2013/02/\",\"file_path\":\"\",\"filename\":\"Klara, Kathy K and Maria Bronnicova.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:30:51\",\"precision\":\"\",\"size\":\"326.5 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"Klara, Kathy K and Maria Bronnicova.wav [File 1 of 2]\\n\\nKlara du Plessis\\n00:00:01\\nReads unnamed poem [recording begins abruptly].\\n\\nKlara du Plessis\\n00:03:23\\nIntroduces \\\"Bedridden\\\". \\n\\nAudience\\n00:03:32\\nLaughter.\\n\\nKlara du Plessis\\n00:03:34\\nReads \\\"Bedridden\\\".\\n\\nKlara du Plessis\\n00:03:51\\nIntroduces \\\"Savasana or Corpse Pose\\\".\\n\\nKlara du Plessis\\n00:04:31\\nReads \\\"Savasana or Corpse Pose\\\".\\n\\nKlara du Plessis\\n00:06:42\\nThanks audience.\\n\\nAudience\\n00:06:43\\nApplause.\\n\\nIan Ferrier\\n00:07:01\\nThanks Klara [du Plessis; https://www.wikidata.org/wiki/Q64010045] and introduces Kathy Kennedy and Choeur Maha.\\n\\nAudience\\n00:07:24\\nApplause.\\n\\nKathy Kennedy\\n00:07:38\\nAddresses audience, thanks Ian Ferrier [https://www.wikidata.org/wiki/Q87138884], and introduces unnamed song [audience applause throughout]. \\n\\nKathy Kennedy\\n00:08:28\\nPerforms unnamed song.\\n\\nAudience\\n00:14:44\\nApplause.\\n\\nKathy Kennedy\\n00:14:53\\nThanks audience, announces future events, and introduces Melanie Kerridge, Katie Young, and Suzanne Kennedy of Choeur Maha [audience applause throughout]. | Keywords: Theatre Plaza; Rialto [Theatre; https://www.wikidata.org/wiki/Q3527548]\\n\\nKathy Kennedy\\n00:16:14\\nIntroduces “Vowel Chant”.\\n\\nChoeur Maha \\n00:16:21\\nPerforms \\\"Vowel Chant\\\".\\n\\nAudience\\n00:20:22\\nApplause.\\n\\nKathy Kennedy\\n00:20:24\\nThanks Choeur Maha [audience applause continues throughout].\\n\\nIan Ferrier\\n00:20:49\\nThanks Kathy Kennedy and Choeur Maha and introduces Maria Bronnicova. | Keywords: Siberia [https://www.wikidata.org/wiki/Q5428]; Being Reduced to an Activity [book]\\n\\nAudience\\n00:21:18\\nApplause.\\n\\nMaria Bronnicova\\n00:21:39\\nPerforms unnamed sound poem.\\n\\nMaria Bronnicova\\n00:23:41\\nPerforms a series of unnamed poems.\\n\\nAudience\\n00:30:01\\nApplause.\\n\\nMaria Bronnicova\\n00:30:11\\nThanks audience [audience applause continues throughout].\\n\\nIan Ferrier\\n00:30:22\\nAnnounces intermission. | Keywords: Stephanie Robert; Isis Giraldo\\n\\nUnknown\\n00:30:47\\nAmbient Sound [music].\\n\\nEND\\n00:30:51\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2013/02/\",\"file_path\":\"\",\"filename\":\"Ian Ferrier with Dancers & Isis Giraldo (first FBAL Performance at Casa).wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"1:06:31 \",\"precision\":\"\",\"size\":\"704.1 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"Ian Ferrier with Dancers & Isis Giraldo (first FBAL Performance at Casa).wav [File 2 of 2]\\n\\nUnknown\\n00:00: 00\\nAmbient Sound [voices].\\n\\nIan Ferrier\\n00:00:19\\nIntroduces \\\"in/out\\\".\\n\\nAudience\\n00:00:41\\nApplause.\\n\\nIan Ferrier\\n00:00:45\\nPerforms \\\"in/out\\\" with Stephanie Robert and unnamed dancers.\\n\\nAudience\\n00:10:05\\nApplause.\\n\\nIan Ferrier\\n00:10:22\\nThanks audience [audience applause continues throughout].\\n\\nIan Ferrier\\n00:10:40\\nIntroduces Isis Giraldo and the Isis Giraldo Poetry Project. | Keywords: Resonance Cafe; Mile End Poets’ Festival\\n\\nAudience\\n00:11:40\\nApplause.\\n\\nUnknown\\n00:11:50\\nAmbient Sound [voices].\\n\\nIsis Giraldo\\n00:13:17\\nAddresses audience and thanks Ian Ferrier.\\n\\nIsis Giraldo Poetry Project\\n00:14:52\\nPerforms unnamed song.\\n\\nAudience\\n00:28:01\\nApplause.\\n\\nIsis Giraldo Poetry Project\\n00:28:30\\nPerforms unnamed song.\\n\\nAudience\\n00:34:22\\nApplause.\\n\\nIsis Giraldo Poetry Project\\n00:35:00\\nPerforms unnamed song.\\n\\nAudience\\n00:48:17\\nApplause.\\n\\nIsis Giraldo\\n00:48:27\\nIntroduces Conrad Goode, Kai Basanta, Simon Millerd [https://www.wikidata.org/wiki/Q42087505], Mike Bjella, and Jane Chan [audience applause throughout].\\n\\nIsis Giraldo Poetry Project\\n00:49:25\\nPerforms unnamed song.\\n\\nAudience\\n00:56:00\\nApplause.\\n\\nIsis Giraldo\\n00:56:11\\nThanks audience and Ian Ferrier.\\n\\nAudience\\n00:56:32\\nApplause.\\n\\nIsis Giraldo Poetry Project\\n00:57:04\\nPerforms unnamed song.\\n\\nIsis Giraldo\\n01:05:09\\nThanks audience.\\n\\nAudience\\n01:05:10\\nApplause\\n\\nIsis Giraldo\\n01:05:20\\nAddresses audience [audience applause continues throughout].\\n\\nIan Ferrier\\n01:05:32\\nThanks Isis Giraldo, announces future events, thanks audience and other performers. | Keywords: Resonance [Cafe]; Mile End Poets’ Festival; Tanya Davis; Sherwin Tija; Serial Villain [book]; Stephanie [Robert]\\n\\nAudience\\n01:06:17\\nApplause.\\n\\nUnknown\\n01:06:23\\nAmbient Sound [music].\\n\\nEND\\n01:06:31\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"score":0.01643844},{"id":"1130","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2013-05-19"],"item_title_source":["Cataloguer"],"item_language":["English, French, Spanish"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"contributors_names":["Briscoe, Susan","Larochette, Nathanael","O’Hara, Alexis","Weinroth Browne, Raphael","Strauss, Ted","Bernard, Hans","Giraldo, Isis"],"contributors_names_search":["Briscoe, Susan","Larochette, Nathanael","O’Hara, Alexis","Weinroth Browne, Raphael","Strauss, Ted","Bernard, Hans","Giraldo, Isis"],"contributors":["[{\"url\":\"http://viaf.org/viaf/106749066\",\"name\":\"Briscoe, Susan\",\"dates\":\"1966-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Larochette, Nathanael\",\"dates\":\"\",\"notes\":\"(With Raphael Weinroth Browne)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"O’Hara, Alexis\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Weinroth Browne, Raphael\",\"dates\":\"\",\"notes\":\"(With Nathanael Larochette)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Strauss, Ted\",\"dates\":\"\",\"notes\":\"(Facilitates \\\"Word Race\\\" with audience members: Paris, Val, Julia, and Carol)\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"\",\"name\":\"Bernard, Hans\",\"dates\":\"\",\"notes\":\" (With Isis Giraldo)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Giraldo, Isis\",\"dates\":\"\",\"notes\":\"(With Hans Bernard)\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Briscoe, Susan","Larochette, Nathanael","O’Hara, Alexis","Weinroth Browne, Raphael","Bernard, Hans","Giraldo, Isis"],"Presenter_name":["Strauss, Ted"],"Performance_Date":[2013],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/1130/e175cdce-6e30-4815-9279-f814a9fa806c-0.jpg\",\"other\":\"In folder: 2 audio, 2 docs, 5 images, 2 misc.\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Set of 2 event audio recordings \",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"Dates":["[{\"date\":\"2013 05 19\",\"type\":\"Performance Date\",\"notes\":\"Date indicated on event poster and in document\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118\",\"longitude\":\"-73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["Ian Ferrier’s host script introduces a packed and exciting show for the May 19th 2013 edition of Words and Music at the Casa del Popolo. The show kicked off with a “WORD RACE” (advertised too in a poster for the event), a game pitting audience against poets to see who couldtalkfastest. This interaction was followed by performances by transdisciplinary performer Alexis O’Hara, and Ottawa poet and musician Nathanael Larochette. Isis of the Isis Giraldo Project was on piano and vocals, with Hans Bernard on bass and Montreal poet Susan Briscoe with accompanying verse. "],"contents":["May 2013 Set 1 - Word Race & Nathaniel.wav [File 1 of 2]\n\nUnknown \n00:00:00\nAmbient Sound [music].\n\nIan Ferrier\n00:00:09\nIntroduces event [audience applause throughout]. | Keywords: Ted Strauss; Alexis O’Hara [https://www.wikidata.org/wiki/Q4721503]\n\nIan Ferrier\n00:00:38\nIntroduces Susan Briscoe. | Keywords: The Crow’s Vow [book]\n\nAudience\n00:00:50\nApplause.\n\nSusan Briscoe\n00:01:06\nAddresses audience and introduces \"Saboteurs\" from Desperately Seeking Susans [book].\n\nSusan Briscoe\n00:01:53\nReads \"Saboteurs\" from Desperately Seeking Susans.\n\nAudience\n00:03:02\nApplause.\n\nSusan Briscoe\n00:03:08\nDiscusses “Saboteurs” and introduces \"The Forest\" [audience laughter throughout]. \n\nSusan Briscoe\n00:03:41\nReads \"The Forest\".\n\nAudience\n00:04:35\nApplause.\n\nSusan Briscoe\n00:04:42\nIntroduces \"A Preposition Poem\" and thanks Ian Ferrier [https://www.wikidata.org/wiki/Q87138884] [audience laughter throughout].\n\nSusan Briscoe\n00:05:18\nReads \"A Preposition Poem\".\n\nAudience\n00:05:56\nApplause.\n\nSusan Briscoe\n00:06:02\nIntroduces \"For A Prairie Boy\" [audience laughter throughout].\n\nSusan Briscoe\n00:06:17\nReads \"For A Prairie Boy\".\n\nAudience\n00:06:54\nApplause.\n\nSusan Briscoe\n00:06:59\nIntroduces \"The Hoodoo Trail\".\n\nSusan Briscoe\n00:07:12\nReads \"The Hoodoo Trail\".\n\nAudience\n00:08:48\nApplause.\n\nSusan Briscoe\n00:08:55\nThanks audience [audience applause continues throughout].\n\nIan Ferrier\n00:09:14\nThanks Susan [Briscoe] and introduces Ted Strauss, Word Race, Paris, and Val [audience laughter throughout]. \n\nAudience\n00:10:06\nApplause.\n\nUnknown\n00:10:10\nAmbient Sound [voices].\n\nTed Strauss\n00:10:36\nDiscusses Word Race [commentary and laughter from Paris, Val, and audience throughout]. | Keywords: Ian [Ferrier]\n\nParis and Val\n00:12:29\nRead through list of words simultaneously.\n\nAudience\n00:12:59\nApplause, laughter, and commentary.\n\nTed Strauss\n00:13:13\nDiscusses Word Race [audience commentary throughout]. | Keywords: Ian [Ferrier]\n\nAudience\n00:13:24\nApplause.\n\nTed Strauss\n00:13:32\nIntroduces Carol and Julia and discusses Word Race [commentary from Carol and Julia throughout].\n\nCarol and Julia\n00:14:45\nRead through list of words simultaneously [audience laughter throughout].\n\nAudience\n00:15:18\nApplause.\n\nTed Strauss\n00:15:27\nAnnounces Julia as the winner [audience commentary and laughter throughout].\n\nTed Strauss\n00:15:53\nAddresses Paris and Val [laughter and commentary from audience, Paris, and Val throughout].\n\nParis and Val\n00:17:14\nRead through list of words simultaneously\n\nAudience\n00:17:48\nLaughter, applause, and commentary.\n\nTed Strauss\n00:18:14\nAddresses Paris and Val [laughter and commentary from audience, Paris, and Val throughout].\n\nParis and Val\n00:18:52\nRead through list of words simultaneously.\n\nAudience\n00:19:08\nApplause and laughter.\n\nTed Strauss\n00:19:15\nAnnounces Val as the winner [laughter and commentary from audience, Paris, and Val throughout].\n\nTed Strauss\n00:19:18\nDiscusses the final round of Word Race [laughter and commentary from audience, Julia, and Val throughout]. | Keywords: Ian [Ferrier]\n\nJulia and Val\n00:20:54\nRead through list of words simultaneously.\n\nAudience\n00:21:27\nApplause.\n\nTed Strauss\n00:21:34\nCongratulates Julia [audience applause continues throughout].\n\nJulia\n00:21:35\nThanks Ted Strauss.\n\nVal\n00:21:36\nCongratulates Julia.\n\nTed Strauss\n00:21:37\nAddresses audience.\n\nAudience\n00:21:39\nApplause.\n\nJulia\n00:21:48\nThanks Ted Strauss.\n\nTed Strauss\n00:21:51\nThanks participants.\n\nAudience\n00:21:52\nApplause, laughter and commentary.\n\nIan Ferrier\n00:22:34\nIntroduces Nathanael Larochette and Raphael Weinroth Browne. | Keywords: Ottawa [https://www.wikidata.org/wiki/Q1930]; Ontario [https://www.wikidata.org/wiki/Q1904]; Musk Ox \n\nAudience\n00:22:59\nApplause.\n\nNathanael Larochette\n00:23:26\nAddresses and thanks audience [audience commentary and laughter throughout]. | Keywords: Words and Music \n\nAudience\n00:24:29\nApplause.\n\nNathanael Larochette\n00:24:34\nIntroduces himself and Raphael Weinroth Browne [audience commentary, laughter, and applause throughout]. | Keywords: Ottawa \n\nNathanael Larochette\n00:25:03\nPerforms unnamed spoken word poem accompanied by Raphael Weinroth Browne.\n\nNathanael Larochette\n00:28:27\nThanks audience.\n\nAudience\n00:28:28\nApplause.\n\nNathanael Larochette\n00:28:41\nThanks audience [audience laughter throughout].\n\nNathanael Larochette\n00:29:18\nPerforms unnamed song with Raphael Weinroth Browne.\n\nAudience\n00:32:33\nApplause.\n\nNathanael Larochette\n00:32:46\nThanks audience. \n\nAudience\n00:33:01\nApplause.\n\nNathanael Larochette\n00:33:07\nIntroduces unnamed poem. | Keywords: Ottawa \n\nNathanael Larochette\n00:34:14\nPerforms unnamed poem.\n\nAudience\n00:37:38\nApplause.\n\nNathanael Larochette\n00:37:44\nAddresses Raphael Weinroth Browne [audience applause continues throughout]. \n\nNathanael Larochette\n00:37:50\nIntroduces unnamed poem. | Keywords: Ottawa\n\nNathanael Larochette\n00:39:14\nPerforms unnamed spoken word poem accompanied by Raphael Weinroth Browne.\n\nAudience\n00:42:44\nApplause.\n\nNathanael Larochette\n00:42:55\nThanks audience and Raphael Weinroth Browne [audience applause and laughter throughout].\n\nNathanael Larochette\n00:43:12\nIntroduces \"Lullaby For Ghosts\" from Musk Ox [CD].\n\nNathanael Larochette\n00:44:22\nPerforms \"Lullaby For Ghosts\" from Musk Ox with Raphael Weinroth Browne. \n\nAudience\n00:46:55\nApplause.\n\nNathanael Larochette\n00:47:06\nIntroduces \"On Music\" from Threshold of Transformation [CD] [audience commentary and laughter throughout]. | Keywords: The Prophet [book; https://www.wikidata.org/wiki/Q1196302]; Khalil Gibran [https://www.wikidata.org/wiki/Q47737]\n\nNathanael Larochette\n00:48:06\nPerforms \"On Music\" from Threshold of Transformation accompanied by Raphael Weinroth Browne.\n\nAudience\n00:52:01\nApplause.\n\nNathanael Larochette\n00:52:11\nThanks audience and sound engineer [audience applause continues throughout].\n\nNathanael Larochette\n00:52:40\nIntroduces unnamed song [audience laughter throughout].\n\nNathanael Larochette\n00:53:25\nPerforms unnamed song with Raphael Weinroth Browne.\n\nAudience\n01:00:04\nApplause.\n\nNathanael Larochette\n01:00:14\nThanks audience [audience applause continues throughout] and promotes his CDs. | Keywords: Musk Ox\n\nAudience\n01:00:36\nApplause.\n\nIan Ferrier\n01:00:42\nThanks Nathanael Larochette and Raphael Weinroth Browne and announces intermission. | Keywords: Alexis O’Hara; Isis Giraldo; Hans Bernard\n\nAudience\n01:00:59\nApplause [cut off].\n\nUnknown \n01:01:07\nAmbient Sound [music].\n\nEND\n01:01:14\n\n\nMay 2013 Set 2 Alexis O'Hara on uke.wav [File 2 of 2]\n\nIan Ferrier\n00:00:00\nIntroduces Alexis O'Hara [recording begins abruptly]. | Keywords: Pierrefonds Cultural Centre\n\nAudience\n00:00:14\nApplause.\n\nAlexis O'Hara\n00:00:25\nAddresses audience and Nathanael Larochette [audience laughter and applause throughout]. | Keywords: Africa [https://www.wikidata.org/wiki/Q15]; Asia [https://www.wikidata.org/wiki/Q48]; Middle East [https://www.wikidata.org/wiki/Q7204]\n\nAlexis O'Hara\n00:01:10\nIntroduces unnamed song [audience laughter and applause throughout]. | Keywords: Guizo LaNuit\n\nAlexis O'Hara\n00:02:42\nPerforms unnamed song.\n\nAudience\n00:05:35\nApplause.\n\nAlexis O'Hara\n00:05:51\nDiscusses her performance. \n\nAlexis O'Hara\n00:06:10\nPerforms unnamed song.\n\nAudience\n00:09:07\nApplause.\n\nAlexis O'Hara\n00:09:20\nDiscusses her performance and introduces unnamed song [audience laughter and applause throughout]. | Keywords: La Sala Rossa; Montreal [https://www.wikidata.org/wiki/Q340]\n\nAlexis O'Hara\n00:10:50\nPerforms unnamed song.\n\nAudience\n00:14:44\nApplause.\n\nAlexis O'Hara\n0014:59\nDiscusses her performance [audience laughter throughout]. \n\nAlexis O'Hara\n00:15:18\nPerforms unnamed song.\n\nAlexis O'Hara\n00:18:40\nThanks audience.\n\nAudience\n00:18:41\nApplause.\n\nAlexis O'Hara\n00:18:50\nAddresses audience and introduces unnamed song [audience laughter and applause throughout].\n\nAlexis O'Hara\n00:19:11\nPerforms unnamed song.\n\nAlexis O'Hara\n00:21:32\nThanks audience.\n\nAudience\n00:21:33\nApplause\n\nIan Ferrier\n00:21:59\nThanks Alexis O'Hara [audience applause continues throughout] and introduces Hans Bernard and Isis Giraldo.\n\nAudience\n00:22:24\nApplause.\n\nUnknown\n00:22:32\nAmbient Sound [voices].\n\nIsis Giraldo\n00:22:55\nAddresses audience.\n\nIan Ferrier\n00:23:01\nAddresses audience.\n\nUnknown\n00:23:03\nAmbient Sound [voices].\n\nIsis Giraldo\n00:24:01\nAddresses audience [audience commentary throughout]. | Keywords: Ian [Ferrier]; Hans [Bernard]; Phil Melanson\n\nIsis Giraldo\n00:24:46\nIntroduces \"El Ultimo Trago\" [originally by Chavela Vargas] [audience commentary throughout]. | Keywords: Latin America [https://www.wikidata.org/wiki/Q12585]; Mexico [https://www.wikidata.org/wiki/Q96]; Led Zeppelin [https://www.wikidata.org/wiki/Q2331]\n\nIsis Giraldo\n00:25:57\nPerforms \"El Ultimo Trago\" [originally by Chavela Vargas; https://www.wikidata.org/wiki/Q236024] with Hans Bernard.\n\nAudience\n00:31:03\nApplause.\n\nIsis Giraldo\n00:31:08\nThanks audience [audience applause continues throughout], discusses “El Ultimo Trago”, and introduces \"Mi Unicornio Azul\" [originally by Silvio Rodriguez; https://www.wikidata.org/wiki/Q377956]. | Keywords: [Concha] Buika [https://www.wikidata.org/wiki/Q266042]; Chucha Valdes\n\nIsis Giraldo\n00:32:26\nPerforms \"Mi Unicornio Azul\" [originally by Silvio Rodriguez] with Hans Bernard. \n\nAudience\n00:38:25\nApplause.\n\nIsis Giraldo\n00:38:31\nThanks audience, the other performers, Ian [Ferrier], and Casa [Del Popolo; https://www.wikidata.org/wiki/Q3538292] [audience applause continues throughout].\n\nIsis Giraldo\n00:39:02\nPerforms \"Gracias A La Vida\" [https://www.wikidata.org/wiki/Q2737250] [originally by Violeta Parra; https://www.wikidata.org/wiki/Q230499] with Hans Bernard.\n\nAudience\n00:45:55\nApplause.\n\nIsis Giraldo\n00:45:59\nThanks audience and Ian Ferrier [audience applause continues throughout].\n\nIan Ferrier\n00:46:30\nThanks Isis Giraldo and Hans Bernard.\n\nAudience\n00:46:32\nApplause.\n\nIan Ferrier\n00:46:41\nAnnounces future events and thanks performers and audience [audience applause throughout]. | Keywords: Stefan Christoff [https://www.wikidata.org/wiki/Q7606050]; Kaie Kellough [https://www.wikidata.org/wiki/Q6347628]; Nathanael [Larochette]; Alexis [O'Hara]; Isis [Giraldo]; One-Man Band Festival; Le Cagibi\n\nAudience\n00:47:17\nApplause.\n\nIan Ferrier\n00:47:22\nPromotes the performers' books and CDs. | Keywords: Alexis [O'Hara]; Nathanael [Larochette]\n\nAudience\n00:47:32\nApplause.\n\nUnknown\n00:47:37\nAmbient Sound [music].\n\nEND\n00:48:28"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548358299648,"timestamp":"2026-01-07T14:59:52.745Z","digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2013/05/\",\"file_path\":\"\",\"filename\":\"May 2013 Set 1 - Word Race & Nathaniel.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:01:14\",\"precision\":\"\",\"size\":\"648 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"May 2013 Set 1 - Word Race & Nathaniel.wav [File 1 of 2]\\n\\nUnknown \\n00:00:00\\nAmbient Sound [music].\\n\\nIan Ferrier\\n00:00:09\\nIntroduces event [audience applause throughout]. | Keywords: Ted Strauss; Alexis O’Hara [https://www.wikidata.org/wiki/Q4721503]\\n\\nIan Ferrier\\n00:00:38\\nIntroduces Susan Briscoe. | Keywords: The Crow’s Vow [book]\\n\\nAudience\\n00:00:50\\nApplause.\\n\\nSusan Briscoe\\n00:01:06\\nAddresses audience and introduces \\\"Saboteurs\\\" from Desperately Seeking Susans [book].\\n\\nSusan Briscoe\\n00:01:53\\nReads \\\"Saboteurs\\\" from Desperately Seeking Susans.\\n\\nAudience\\n00:03:02\\nApplause.\\n\\nSusan Briscoe\\n00:03:08\\nDiscusses “Saboteurs” and introduces \\\"The Forest\\\" [audience laughter throughout]. \\n\\nSusan Briscoe\\n00:03:41\\nReads \\\"The Forest\\\".\\n\\nAudience\\n00:04:35\\nApplause.\\n\\nSusan Briscoe\\n00:04:42\\nIntroduces \\\"A Preposition Poem\\\" and thanks Ian Ferrier [https://www.wikidata.org/wiki/Q87138884] [audience laughter throughout].\\n\\nSusan Briscoe\\n00:05:18\\nReads \\\"A Preposition Poem\\\".\\n\\nAudience\\n00:05:56\\nApplause.\\n\\nSusan Briscoe\\n00:06:02\\nIntroduces \\\"For A Prairie Boy\\\" [audience laughter throughout].\\n\\nSusan Briscoe\\n00:06:17\\nReads \\\"For A Prairie Boy\\\".\\n\\nAudience\\n00:06:54\\nApplause.\\n\\nSusan Briscoe\\n00:06:59\\nIntroduces \\\"The Hoodoo Trail\\\".\\n\\nSusan Briscoe\\n00:07:12\\nReads \\\"The Hoodoo Trail\\\".\\n\\nAudience\\n00:08:48\\nApplause.\\n\\nSusan Briscoe\\n00:08:55\\nThanks audience [audience applause continues throughout].\\n\\nIan Ferrier\\n00:09:14\\nThanks Susan [Briscoe] and introduces Ted Strauss, Word Race, Paris, and Val [audience laughter throughout]. \\n\\nAudience\\n00:10:06\\nApplause.\\n\\nUnknown\\n00:10:10\\nAmbient Sound [voices].\\n\\nTed Strauss\\n00:10:36\\nDiscusses Word Race [commentary and laughter from Paris, Val, and audience throughout]. | Keywords: Ian [Ferrier]\\n\\nParis and Val\\n00:12:29\\nRead through list of words simultaneously.\\n\\nAudience\\n00:12:59\\nApplause, laughter, and commentary.\\n\\nTed Strauss\\n00:13:13\\nDiscusses Word Race [audience commentary throughout]. | Keywords: Ian [Ferrier]\\n\\nAudience\\n00:13:24\\nApplause.\\n\\nTed Strauss\\n00:13:32\\nIntroduces Carol and Julia and discusses Word Race [commentary from Carol and Julia throughout].\\n\\nCarol and Julia\\n00:14:45\\nRead through list of words simultaneously [audience laughter throughout].\\n\\nAudience\\n00:15:18\\nApplause.\\n\\nTed Strauss\\n00:15:27\\nAnnounces Julia as the winner [audience commentary and laughter throughout].\\n\\nTed Strauss\\n00:15:53\\nAddresses Paris and Val [laughter and commentary from audience, Paris, and Val throughout].\\n\\nParis and Val\\n00:17:14\\nRead through list of words simultaneously\\n\\nAudience\\n00:17:48\\nLaughter, applause, and commentary.\\n\\nTed Strauss\\n00:18:14\\nAddresses Paris and Val [laughter and commentary from audience, Paris, and Val throughout].\\n\\nParis and Val\\n00:18:52\\nRead through list of words simultaneously.\\n\\nAudience\\n00:19:08\\nApplause and laughter.\\n\\nTed Strauss\\n00:19:15\\nAnnounces Val as the winner [laughter and commentary from audience, Paris, and Val throughout].\\n\\nTed Strauss\\n00:19:18\\nDiscusses the final round of Word Race [laughter and commentary from audience, Julia, and Val throughout]. | Keywords: Ian [Ferrier]\\n\\nJulia and Val\\n00:20:54\\nRead through list of words simultaneously.\\n\\nAudience\\n00:21:27\\nApplause.\\n\\nTed Strauss\\n00:21:34\\nCongratulates Julia [audience applause continues throughout].\\n\\nJulia\\n00:21:35\\nThanks Ted Strauss.\\n\\nVal\\n00:21:36\\nCongratulates Julia.\\n\\nTed Strauss\\n00:21:37\\nAddresses audience.\\n\\nAudience\\n00:21:39\\nApplause.\\n\\nJulia\\n00:21:48\\nThanks Ted Strauss.\\n\\nTed Strauss\\n00:21:51\\nThanks participants.\\n\\nAudience\\n00:21:52\\nApplause, laughter and commentary.\\n\\nIan Ferrier\\n00:22:34\\nIntroduces Nathanael Larochette and Raphael Weinroth Browne. | Keywords: Ottawa [https://www.wikidata.org/wiki/Q1930]; Ontario [https://www.wikidata.org/wiki/Q1904]; Musk Ox \\n\\nAudience\\n00:22:59\\nApplause.\\n\\nNathanael Larochette\\n00:23:26\\nAddresses and thanks audience [audience commentary and laughter throughout]. | Keywords: Words and Music \\n\\nAudience\\n00:24:29\\nApplause.\\n\\nNathanael Larochette\\n00:24:34\\nIntroduces himself and Raphael Weinroth Browne [audience commentary, laughter, and applause throughout]. | Keywords: Ottawa \\n\\nNathanael Larochette\\n00:25:03\\nPerforms unnamed spoken word poem accompanied by Raphael Weinroth Browne.\\n\\nNathanael Larochette\\n00:28:27\\nThanks audience.\\n\\nAudience\\n00:28:28\\nApplause.\\n\\nNathanael Larochette\\n00:28:41\\nThanks audience [audience laughter throughout].\\n\\nNathanael Larochette\\n00:29:18\\nPerforms unnamed song with Raphael Weinroth Browne.\\n\\nAudience\\n00:32:33\\nApplause.\\n\\nNathanael Larochette\\n00:32:46\\nThanks audience. \\n\\nAudience\\n00:33:01\\nApplause.\\n\\nNathanael Larochette\\n00:33:07\\nIntroduces unnamed poem. | Keywords: Ottawa \\n\\nNathanael Larochette\\n00:34:14\\nPerforms unnamed poem.\\n\\nAudience\\n00:37:38\\nApplause.\\n\\nNathanael Larochette\\n00:37:44\\nAddresses Raphael Weinroth Browne [audience applause continues throughout]. \\n\\nNathanael Larochette\\n00:37:50\\nIntroduces unnamed poem. | Keywords: Ottawa\\n\\nNathanael Larochette\\n00:39:14\\nPerforms unnamed spoken word poem accompanied by Raphael Weinroth Browne.\\n\\nAudience\\n00:42:44\\nApplause.\\n\\nNathanael Larochette\\n00:42:55\\nThanks audience and Raphael Weinroth Browne [audience applause and laughter throughout].\\n\\nNathanael Larochette\\n00:43:12\\nIntroduces \\\"Lullaby For Ghosts\\\" from Musk Ox [CD].\\n\\nNathanael Larochette\\n00:44:22\\nPerforms \\\"Lullaby For Ghosts\\\" from Musk Ox with Raphael Weinroth Browne. \\n\\nAudience\\n00:46:55\\nApplause.\\n\\nNathanael Larochette\\n00:47:06\\nIntroduces \\\"On Music\\\" from Threshold of Transformation [CD] [audience commentary and laughter throughout]. | Keywords: The Prophet [book; https://www.wikidata.org/wiki/Q1196302]; Khalil Gibran [https://www.wikidata.org/wiki/Q47737]\\n\\nNathanael Larochette\\n00:48:06\\nPerforms \\\"On Music\\\" from Threshold of Transformation accompanied by Raphael Weinroth Browne.\\n\\nAudience\\n00:52:01\\nApplause.\\n\\nNathanael Larochette\\n00:52:11\\nThanks audience and sound engineer [audience applause continues throughout].\\n\\nNathanael Larochette\\n00:52:40\\nIntroduces unnamed song [audience laughter throughout].\\n\\nNathanael Larochette\\n00:53:25\\nPerforms unnamed song with Raphael Weinroth Browne.\\n\\nAudience\\n01:00:04\\nApplause.\\n\\nNathanael Larochette\\n01:00:14\\nThanks audience [audience applause continues throughout] and promotes his CDs. | Keywords: Musk Ox\\n\\nAudience\\n01:00:36\\nApplause.\\n\\nIan Ferrier\\n01:00:42\\nThanks Nathanael Larochette and Raphael Weinroth Browne and announces intermission. | Keywords: Alexis O’Hara; Isis Giraldo; Hans Bernard\\n\\nAudience\\n01:00:59\\nApplause [cut off].\\n\\nUnknown \\n01:01:07\\nAmbient Sound [music].\\n\\nEND\\n01:01:14\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2013/05/\",\"file_path\":\"\",\"filename\":\"May 2013 Set 2 Alexis O'Hara on uke.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:48:28\",\"precision\":\"\",\"size\":\"512.9 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"May 2013 Set 2 Alexis O'Hara on uke.wav [File 2 of 2]\\n\\nIan Ferrier\\n00:00:00\\nIntroduces Alexis O'Hara [recording begins abruptly]. | Keywords: Pierrefonds Cultural Centre\\n\\nAudience\\n00:00:14\\nApplause.\\n\\nAlexis O'Hara\\n00:00:25\\nAddresses audience and Nathanael Larochette [audience laughter and applause throughout]. | Keywords: Africa [https://www.wikidata.org/wiki/Q15]; Asia [https://www.wikidata.org/wiki/Q48]; Middle East [https://www.wikidata.org/wiki/Q7204]\\n\\nAlexis O'Hara\\n00:01:10\\nIntroduces unnamed song [audience laughter and applause throughout]. | Keywords: Guizo LaNuit\\n\\nAlexis O'Hara\\n00:02:42\\nPerforms unnamed song.\\n\\nAudience\\n00:05:35\\nApplause.\\n\\nAlexis O'Hara\\n00:05:51\\nDiscusses her performance. \\n\\nAlexis O'Hara\\n00:06:10\\nPerforms unnamed song.\\n\\nAudience\\n00:09:07\\nApplause.\\n\\nAlexis O'Hara\\n00:09:20\\nDiscusses her performance and introduces unnamed song [audience laughter and applause throughout]. | Keywords: La Sala Rossa; Montreal [https://www.wikidata.org/wiki/Q340]\\n\\nAlexis O'Hara\\n00:10:50\\nPerforms unnamed song.\\n\\nAudience\\n00:14:44\\nApplause.\\n\\nAlexis O'Hara\\n0014:59\\nDiscusses her performance [audience laughter throughout]. \\n\\nAlexis O'Hara\\n00:15:18\\nPerforms unnamed song.\\n\\nAlexis O'Hara\\n00:18:40\\nThanks audience.\\n\\nAudience\\n00:18:41\\nApplause.\\n\\nAlexis O'Hara\\n00:18:50\\nAddresses audience and introduces unnamed song [audience laughter and applause throughout].\\n\\nAlexis O'Hara\\n00:19:11\\nPerforms unnamed song.\\n\\nAlexis O'Hara\\n00:21:32\\nThanks audience.\\n\\nAudience\\n00:21:33\\nApplause\\n\\nIan Ferrier\\n00:21:59\\nThanks Alexis O'Hara [audience applause continues throughout] and introduces Hans Bernard and Isis Giraldo.\\n\\nAudience\\n00:22:24\\nApplause.\\n\\nUnknown\\n00:22:32\\nAmbient Sound [voices].\\n\\nIsis Giraldo\\n00:22:55\\nAddresses audience.\\n\\nIan Ferrier\\n00:23:01\\nAddresses audience.\\n\\nUnknown\\n00:23:03\\nAmbient Sound [voices].\\n\\nIsis Giraldo\\n00:24:01\\nAddresses audience [audience commentary throughout]. | Keywords: Ian [Ferrier]; Hans [Bernard]; Phil Melanson\\n\\nIsis Giraldo\\n00:24:46\\nIntroduces \\\"El Ultimo Trago\\\" [originally by Chavela Vargas] [audience commentary throughout]. | Keywords: Latin America [https://www.wikidata.org/wiki/Q12585]; Mexico [https://www.wikidata.org/wiki/Q96]; Led Zeppelin [https://www.wikidata.org/wiki/Q2331]\\n\\nIsis Giraldo\\n00:25:57\\nPerforms \\\"El Ultimo Trago\\\" [originally by Chavela Vargas; https://www.wikidata.org/wiki/Q236024] with Hans Bernard.\\n\\nAudience\\n00:31:03\\nApplause.\\n\\nIsis Giraldo\\n00:31:08\\nThanks audience [audience applause continues throughout], discusses “El Ultimo Trago”, and introduces \\\"Mi Unicornio Azul\\\" [originally by Silvio Rodriguez; https://www.wikidata.org/wiki/Q377956]. | Keywords: [Concha] Buika [https://www.wikidata.org/wiki/Q266042]; Chucha Valdes\\n\\nIsis Giraldo\\n00:32:26\\nPerforms \\\"Mi Unicornio Azul\\\" [originally by Silvio Rodriguez] with Hans Bernard. \\n\\nAudience\\n00:38:25\\nApplause.\\n\\nIsis Giraldo\\n00:38:31\\nThanks audience, the other performers, Ian [Ferrier], and Casa [Del Popolo; https://www.wikidata.org/wiki/Q3538292] [audience applause continues throughout].\\n\\nIsis Giraldo\\n00:39:02\\nPerforms \\\"Gracias A La Vida\\\" [https://www.wikidata.org/wiki/Q2737250] [originally by Violeta Parra; https://www.wikidata.org/wiki/Q230499] with Hans Bernard.\\n\\nAudience\\n00:45:55\\nApplause.\\n\\nIsis Giraldo\\n00:45:59\\nThanks audience and Ian Ferrier [audience applause continues throughout].\\n\\nIan Ferrier\\n00:46:30\\nThanks Isis Giraldo and Hans Bernard.\\n\\nAudience\\n00:46:32\\nApplause.\\n\\nIan Ferrier\\n00:46:41\\nAnnounces future events and thanks performers and audience [audience applause throughout]. | Keywords: Stefan Christoff [https://www.wikidata.org/wiki/Q7606050]; Kaie Kellough [https://www.wikidata.org/wiki/Q6347628]; Nathanael [Larochette]; Alexis [O'Hara]; Isis [Giraldo]; One-Man Band Festival; Le Cagibi\\n\\nAudience\\n00:47:17\\nApplause.\\n\\nIan Ferrier\\n00:47:22\\nPromotes the performers' books and CDs. | Keywords: Alexis [O'Hara]; Nathanael [Larochette]\\n\\nAudience\\n00:47:32\\nApplause.\\n\\nUnknown\\n00:47:37\\nAmbient Sound [music].\\n\\nEND\\n00:48:28\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"score":0.01643844},{"id":"1132","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2013-07-21"],"item_title_source":["Cataloguer"],"item_title_note":["Full event audio not found"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"(Performs with Tanya Evanson)\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\",\"Performer\"]}]"],"contributors_names":["Evanson, Tanya","Giraldo, Isis","Shaw, John","Chan, Jane","Dwyer, Ben","Basanta, Kai"],"contributors_names_search":["Evanson, Tanya","Giraldo, Isis","Shaw, John","Chan, Jane","Dwyer, Ben","Basanta, Kai"],"contributors":["[{\"url\":\"http://viaf.org/viaf/106262394\",\"name\":\"Evanson, Tanya\",\"dates\":\"1972-\",\"notes\":\"(With Ian Ferrier)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Giraldo, Isis\",\"dates\":\"\",\"notes\":\"(With 4x4)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Shaw, John\",\"dates\":\"\",\"notes\":\"Announced but missing\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Chan, Jane\",\"dates\":\"\",\"notes\":\"(With 4x4)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Dwyer, Ben\",\"dates\":\"\",\"notes\":\"{With 4x4)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Basanta, Kai\",\"dates\":\"\",\"notes\":\"(With 4x4)\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Evanson, Tanya","Giraldo, Isis","Shaw, John","Chan, Jane","Dwyer, Ben","Basanta, Kai"],"Performance_Date":[2013],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"In folder: 2 audio, 2 misc. \",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Set of 2 event audio recordings \",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"Dates":["[{\"date\":\"2013 07 21\",\"type\":\"Performance Date\",\"notes\":\"Exact date is unknown\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\" 45.5222118\",\"longitude\":\"-73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["There are two existing audio clips for the July 21 2013 edition of the Words and Music show. The first is of Isis Giraldo with 4x4, and the second is of accomplished spoken word poet Tanya Evanson accompanied by host and organizer Ian Ferrier on guitar. Tanya’s website suggests that the show would have been held at the Casa del Popolo on the 21st of July. "],"contents":["Casa shows Tanya Evanson (w Ian on Guitar).wav [File 1 of 2]\n\nIan Ferrier\n00:00:03\nIntroduces Tanya Evanson. | Keywords: Istanbul [https://www.wikidata.org/wiki/Q406]; Language For Gods [CD]; Montreal [https://www.wikidata.org/wiki/Q340]\n\nAudience\n00:00:34\nApplause.\n\nTanya Evanson\n00:00:45\nIntroduces unnamed poem.\n\nTanya Evanson\n00:01:06\nPerforms unnamed poem. \n\nTanya Evanson\n00:02:53\nLaughter.\n\nAudience\n00:02:56\nApplause.\n\nTanya Evanson\n00:03:02\nAddresses audience. \n\nTanya Evanson\n00:03:35\nIntroduces unnamed poem.\n\nTanya Evanson\n00:04:11\nPerforms unnamed poem [audience laughter throughout]. | Keywords: Google [https://www.wikidata.org/wiki/Q95]; Facebook [https://www.wikidata.org/wiki/Q355]\n\nAudience\n00:06:45\nApplause.\n\nTanya Evanson\n00:06:56\nAddresses audience [audience laughter throughout].\n\nTanya Evanson\n00:07:12\nDiscusses a recent experience in a cemetery and addresses Ian Ferrier [https://www.wikidata.org/wiki/Q87138884] [audience laughter throughout]. | Keywords: Montreal; Vancouver [https://www.wikidata.org/wiki/Q24639]; Banff [https://www.wikidata.org/wiki/Q58337]; Kaie [Kellough] [https://www.wikidata.org/wiki/Q6347628]\n\nAudience\n00:09:16\nLaughter and applause.\n\nTanya Evanson\n00:09:31\nIntroduces \"Apocalypsiata\" [from Zenship [CD]].\n\nTanya Evanson\n00:10:24\nPerforms \"Apocalypsiata\" accompanied by Ian Ferrier on electric guitar. \n\nAudience\n00:13:04\nApplause. \n\nTanya Evanson\n00:13:12\nThanks audience and introduces \"Knowledge Blues\" [from Zenship]. \n\nTanya Evanson\n00:13:29\nPerforms \"Knowledge Blues\" accompanied by Ian Ferrier on electric guitar.\n\nAudience\n00:17:58\nApplause. \n\nTanya Evanson\n00:18:04\nThanks audience [audience applause continues throughout].\n\nIan Ferrier\n00:18:21\nThanks Tanya Evanson [audience applause continues throughout]. | Keywords: Montreal\n\nIan Ferrier\n00:18:39\nAnnounces intermission. | Keywords: Isis Giraldo, 4x4 [band]\n\nAudience\n00:18:48\nApplause.\n\nEND\n00:18:50\n[cut off abruptly]\n\nIsis Giraldo & 4x4 (same show as tanya).wav [File 2 of 2]\n\nUnknown\n00:00:00\nAmbient Sound [voices].\n\nIan Ferrier\n00:00:20\nAddresses audience. \n\nIan Ferrier\n00:00:38\nIntroduces Isis Giraldo and 4x4. | Keywords: Columbian Jazz Festival\n\nAudience\n00:00:50\nApplause. \n\n4x4\n00:01:02\nPerforms unnamed song. \n\nIsis Giraldo\n00:03:21\nThanks audience. \n\nAudience\n00:03:23\nApplause.\n\nIsis Giraldo\n00:03:27\nThanks Ian Ferrier [audience applause continues throughout].\n\nIsis Giraldo\n00:03:40\nDiscusses her involvement with 4x4. \n\n4x4\n00:04:18\nPerforms unnamed song. \n\nAudience\n00:07:47\nApplause.\n\nIsis Giraldo\n00:07:59\nThanks audience. \n\nIsis Giraldo\n00:08:00\nAddresses audience.\n\nAudience\n00:08:14\nApplause and laughter.\n\n4x4\n00:08:23\nAddresses audience and discusses 4x4.\n\n4x4\n00:08:57\nPerforms unnamed song.\n\nAudience\n00:14:38\nApplause.\n\n4x4\n00:14:56\nPerforms unnamed song.\n\nAudience\n00:18:32\nApplause.\n\nIsis Giraldo\n00:18:37\nThanks audience and introduces Jane Chan, Ben Dwyer, Kai Basanta [audience applause continues throughout].\n\nIsis Giraldo\n00:18:58\nThanks Ian Ferrier.\n\nIsis Giraldo\n00:19:02\nIntroduces \"Half Time\".\n\n4x4\n00:19:24.61\nPerforms \"Half Time\".\n\nAudience\n00:23:07\nApplause.\n\nIsis Giraldo\n00:23:09\nThanks audience [audience applause continues throughout].\n\nIan Ferrier\n00:23:38\nThanks audience and performers and announces future event. | Keywords: Moe Clark [https://www.wikidata.org/wiki/Q65116392]; Isis Giraldo; 4x4; Tanya Evanson; John Shaw\n\nAudience\n00:24:15\nApplause. \n\nUnknown\n00:24:29\nSilence.\n\nEND\n00:24:40"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548362493952,"timestamp":"2026-01-07T14:59:52.745Z","digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2013/07/\",\"file_path\":\"\",\"filename\":\"Casa shows Tanya Evanson (w Ian on Guitar).wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:18:50\",\"precision\":\"\",\"size\":\"199.5 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"Casa shows Tanya Evanson (w Ian on Guitar).wav [File 1 of 2]\\n\\nIan Ferrier\\n00:00:03\\nIntroduces Tanya Evanson. | Keywords: Istanbul [https://www.wikidata.org/wiki/Q406]; Language For Gods [CD]; Montreal [https://www.wikidata.org/wiki/Q340]\\n\\nAudience\\n00:00:34\\nApplause.\\n\\nTanya Evanson\\n00:00:45\\nIntroduces unnamed poem.\\n\\nTanya Evanson\\n00:01:06\\nPerforms unnamed poem. \\n\\nTanya Evanson\\n00:02:53\\nLaughter.\\n\\nAudience\\n00:02:56\\nApplause.\\n\\nTanya Evanson\\n00:03:02\\nAddresses audience. \\n\\nTanya Evanson\\n00:03:35\\nIntroduces unnamed poem.\\n\\nTanya Evanson\\n00:04:11\\nPerforms unnamed poem [audience laughter throughout]. | Keywords: Google [https://www.wikidata.org/wiki/Q95]; Facebook [https://www.wikidata.org/wiki/Q355]\\n\\nAudience\\n00:06:45\\nApplause.\\n\\nTanya Evanson\\n00:06:56\\nAddresses audience [audience laughter throughout].\\n\\nTanya Evanson\\n00:07:12\\nDiscusses a recent experience in a cemetery and addresses Ian Ferrier [https://www.wikidata.org/wiki/Q87138884] [audience laughter throughout]. | Keywords: Montreal; Vancouver [https://www.wikidata.org/wiki/Q24639]; Banff [https://www.wikidata.org/wiki/Q58337]; Kaie [Kellough] [https://www.wikidata.org/wiki/Q6347628]\\n\\nAudience\\n00:09:16\\nLaughter and applause.\\n\\nTanya Evanson\\n00:09:31\\nIntroduces \\\"Apocalypsiata\\\" [from Zenship [CD]].\\n\\nTanya Evanson\\n00:10:24\\nPerforms \\\"Apocalypsiata\\\" accompanied by Ian Ferrier on electric guitar. \\n\\nAudience\\n00:13:04\\nApplause. \\n\\nTanya Evanson\\n00:13:12\\nThanks audience and introduces \\\"Knowledge Blues\\\" [from Zenship]. \\n\\nTanya Evanson\\n00:13:29\\nPerforms \\\"Knowledge Blues\\\" accompanied by Ian Ferrier on electric guitar.\\n\\nAudience\\n00:17:58\\nApplause. \\n\\nTanya Evanson\\n00:18:04\\nThanks audience [audience applause continues throughout].\\n\\nIan Ferrier\\n00:18:21\\nThanks Tanya Evanson [audience applause continues throughout]. | Keywords: Montreal\\n\\nIan Ferrier\\n00:18:39\\nAnnounces intermission. | Keywords: Isis Giraldo, 4x4 [band]\\n\\nAudience\\n00:18:48\\nApplause.\\n\\nEND\\n00:18:50\\n[cut off abruptly]\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2013/07/\",\"file_path\":\"\",\"filename\":\"Isis Giraldo & 4x4 (same show as tanya).wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:24:40\",\"precision\":\"\",\"size\":\"261.1 MB \",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"Isis Giraldo & 4x4 (same show as tanya).wav [File 2 of 2]\\n\\nUnknown\\n00:00:00\\nAmbient Sound [voices].\\n\\nIan Ferrier\\n00:00:20\\nAddresses audience. \\n\\nIan Ferrier\\n00:00:38\\nIntroduces Isis Giraldo and 4x4. | Keywords: Columbian Jazz Festival\\n\\nAudience\\n00:00:50\\nApplause. \\n\\n4x4\\n00:01:02\\nPerforms unnamed song. \\n\\nIsis Giraldo\\n00:03:21\\nThanks audience. \\n\\nAudience\\n00:03:23\\nApplause.\\n\\nIsis Giraldo\\n00:03:27\\nThanks Ian Ferrier [audience applause continues throughout].\\n\\nIsis Giraldo\\n00:03:40\\nDiscusses her involvement with 4x4. \\n\\n4x4\\n00:04:18\\nPerforms unnamed song. \\n\\nAudience\\n00:07:47\\nApplause.\\n\\nIsis Giraldo\\n00:07:59\\nThanks audience. \\n\\nIsis Giraldo\\n00:08:00\\nAddresses audience.\\n\\nAudience\\n00:08:14\\nApplause and laughter.\\n\\n4x4\\n00:08:23\\nAddresses audience and discusses 4x4.\\n\\n4x4\\n00:08:57\\nPerforms unnamed song.\\n\\nAudience\\n00:14:38\\nApplause.\\n\\n4x4\\n00:14:56\\nPerforms unnamed song.\\n\\nAudience\\n00:18:32\\nApplause.\\n\\nIsis Giraldo\\n00:18:37\\nThanks audience and introduces Jane Chan, Ben Dwyer, Kai Basanta [audience applause continues throughout].\\n\\nIsis Giraldo\\n00:18:58\\nThanks Ian Ferrier.\\n\\nIsis Giraldo\\n00:19:02\\nIntroduces \\\"Half Time\\\".\\n\\n4x4\\n00:19:24.61\\nPerforms \\\"Half Time\\\".\\n\\nAudience\\n00:23:07\\nApplause.\\n\\nIsis Giraldo\\n00:23:09\\nThanks audience [audience applause continues throughout].\\n\\nIan Ferrier\\n00:23:38\\nThanks audience and performers and announces future event. | Keywords: Moe Clark [https://www.wikidata.org/wiki/Q65116392]; Isis Giraldo; 4x4; Tanya Evanson; John Shaw\\n\\nAudience\\n00:24:15\\nApplause. \\n\\nUnknown\\n00:24:29\\nSilence.\\n\\nEND\\n00:24:40\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"score":0.01643844},{"id":"1134","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2014-12-21"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["Stratford, Anne","Ford, April L.","Bers, Nahka","Thomson, Scott","Ferrier, Ian","Hood, Susanna","Mac Cormack, Jesse"],"contributors_names_search":["Stratford, Anne","Ford, April L.","Bers, Nahka","Thomson, Scott","Ferrier, Ian","Hood, Susanna","Mac Cormack, Jesse"],"contributors":["[{\"url\":\"\",\"name\":\"Stratford, Anne\",\"dates\":\"\",\"notes\":\"(With Steven Lecky)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/309826347\",\"name\":\" Ford, April L.\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Bers, Nahka\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/316787046\",\"name\":\"Thomson, Scott\",\"dates\":\"1974-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"\",\"name\":\"Hood, Susanna\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/260148996043559751749\",\"name\":\"Mac Cormack, Jesse\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Stratford, Anne"," Ford, April L.","Bers, Nahka","Thomson, Scott","Hood, Susanna","Mac Cormack, Jesse"],"Presenter_name":["Ferrier, Ian"],"Production_Date":[2014],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/1134/Poster for December 2014.jpg\",\"other\":\"In folder: 2 audio, 2 docs, 5 images.\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Set of 2 event audio recordings \",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2014/12/\",\"file_path\":\"\",\"filename\":\"STE-001.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:44:04\",\"precision\":\"\",\"size\":\"466.6 MB \",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2014/12/\",\"file_path\":\"\",\"filename\":\"STE-002.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:20:46\",\"precision\":\"\",\"size\":\"854.8 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2014 12 21\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118\",\"longitude\":\" -73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["A poster for the December 21st event presents an exciting cast collaborating for a special Words and Music Solstice show, featuring a rendition of The Muted Note by Susanna Hood and Scott Thomson. This suite of songs and dance was composed and performed symbiotically, with Scott composing and Susanna choreographing. Their hybrid performance speaks of metamorphosis - the two integrated song, dance and improvisation inspired by the poetry of P.K Page in their extensive Canadian tour that involved varying artists (information retrieved from Susanna Hood’s website). In this particular Words and Music edition they are accompanied by the music of Jesse Mac Cormack, a story by April L. Ford and verse by Nahka Bers. The event poster also names Anne Stratford, the bilingual and multidisciplinary artist and ESL teacher (information from Westmount Mag). Tickets for this spectacle were 6$, doors at 8, and show at 9. It is a PK Page/Philip Stratford poetry collaboration. "],"contents":["STE-001.wav\n\n00:00:00\nAmbient Sound [buzzing].\n\nIan Ferrier [https://www.wikidata.org/wiki/Q87138884]\n00:00:25\nIntroduces event | Keywords: P. K. Page [https://www.wikidata.org/wiki/Q2755960]; Philip Stratford [https://www.wikidata.org/wiki/Q28005678]; correspondence; Anne Stratford; daughter; Steven [last name unknown (Wreckage?)]. \n\nAudience\n00:02:13\nApplause.\n\nAnne Stratford\n00:02:35\nIntroduces project | Keywords: P. K. Page; Philip Stratford; collaboration; correspondence; sonnets; Garden, Wilderness and Sea.\n\nAnne Stratford; Steven\n00:03:43\nReads correspondence between P. K. Page and Philip Stratford | Keywords: 1997; sonnets; renga; 1998; back of envelope; Order of Canada; 1999; death; obituary; Inferno [https://www.wikidata.org/wiki/Q4509219]; Virgil [https://www.wikidata.org/wiki/Q1398]; Dante [https://www.wikidata.org/wiki/Q1067].\n\nAudience\n00:18:09\nApplause.\n\nIan Ferrier\n00:18:35\nIntroduces April Ford | Keywords: Internet; entertaining.\n\nAudience\n00:19:43\nApplause.\n\nApril Ford\n00:19:47\nReads from Carousel | Keywords: US; expatriate; Americana; the Who [https://www.wikidata.org/wiki/Q93346]; police station; catastrophe.\n\nAudience\n00:36:52\nAppluase.\n\nIan Ferrier\n00:37:07\nIntroduces Nahka Bers | Keywords: Odaya [band].\n\nAudience\n00:37:55\nApplause.\n\nNakha Bers\n00:38:10\nPerforms \"Dried Meat\" | Keywords: fireweed; knowledge.\n\nNakha Bers\n00:40:09\nPerforms [inaudible poem] | Keywords: the north; ghost town.\n\nAudience\n00:42:18\nApplause.\n\nNakha Bers\n00:42:25\nReads \"Light\" | Keywords: sonnets; son; peace; light.\n\nAudience\n00:43:23\nApplause [cheering].\n\nIan Ferrier\n00:43:39\nConcludes first set.\n\nEND\n00:44:05\n[recording continues on file 2].\n\nSTE-002.wav\n\n00:00:00\nAmbient Sound [background music]\n\nIan Ferrier [https://www.wikidata.org/wiki/Q87138884]\n00:00:06\nIntroduces second set | Keywords: Resonance [Café]; dancers; Scott Thomson; Susannah Hood.\n\nAudience\n00:00:55\nApplause.\n\nScott Thomson and Susannah Hood\n00:00:58\nIntroduces \"The Muted Note\" | Keywords: P. K. Page [https://www.wikidata.org/wiki/Q2755960]; duet; quintet; octet; Resonance [Café]; Victoria, BC [https://www.wikidata.org/wiki/Q2132]; tour; music; record; postcards.\n\nScott Thomson and Susannah Hood\n00:04:32\nPerform \"The Muted Note\" [voice and saxophone].\n\nAudience\n00:12:59\nApplause.\n\nScott Thomson and Susannah Hood\n00:13:07\nPerform \"Preparation\".\n\nAudiene\n00:21:59\nApplause.\n\nScott Thomson and Susannah Hood\n00:22:04\nPerform \"The Understatement\" | Keywords: P. K. Page; Resonance [Café].\n\nAudience\n00:27:29\nApplause.\n\nIan Ferrier\n00:27:50\nThanks Scott Thomson and Susannah Hood.\n\nIan Ferrier\n00:27:58\nIntroduces Jesse Mac Cormack | Keywords: Gabriel Drolet; bass.\n\nJesse Mac Cormack\n00:30:18\nPerforms music. | Keywords: [guitar; voice].\n\nAudience\n00:40:38\nApplause.\n\nJesse Mac Cormack\n00:40:49\nIntroduces himself [French].\n\nJesse Mac Cormack and Gabriel Drolet\n00:41:11\nPerform music.\n\nAudience\n00:47:07\nApplause.\n\nJesse Mac Cormack and Gabriel Drolet\n00:47:29\nPerform music.\n\nAudience\n00:54:35\nApplause [cheering].\n\nJesse Mac Cormack and Gabriel Drolet\n00:54:50\nPerform music | Keywords: blues.\n\nAudience\n01:00:45\nApplause.\n\nJesse Mac Cormack and Gabriel Drolet\n01:00:57\nPerform music.\n\nAudience\n01:09:22\nApplause.\n\nJesse Mac Cormack and Gabriel Drolet\n01:09:37\nPerform music.\n\nAudience\n01:19:08\nApplause.\n\nIan Ferrier\n01:19:34\nAnnounces end of event.\n\nIan Ferrier\n01:20:10\nPromotes future event | Keywords: 25 January.\n\nEND\n01:20:45.\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548362493953,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1137","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2015-10-25"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["Bjella, Mike","Chan, Jane","Millerd, Simon","Ferrier, Ian","Allison, Luna","St-Amand Williamson, Mary","Bujold, Geneviève","Drolet, Gabriel"],"contributors_names_search":["Bjella, Mike","Chan, Jane","Millerd, Simon","Ferrier, Ian","Allison, Luna","St-Amand Williamson, Mary","Bujold, Geneviève","Drolet, Gabriel"],"contributors":["[{\"url\":\"\",\"name\":\"Bjella, Mike\",\"dates\":\"\",\"notes\":\"(With band Chronicle Infinitas) \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Chan, Jane\",\"dates\":\"\",\"notes\":\"(With band Chronicle Infinitas) \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/1388151837982020520003\",\"name\":\"Millerd, Simon\",\"dates\":\"1987-\",\"notes\":\"(With band Chronicle Infinitas) \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"Also performs (With Luna Allison, Mary St-Amand Williamson, Genevieve Bourgeault (sp?) and a discussion with audience members)\",\"nation\":[],\"role\":[\"Presenter\",\"Performer\"]},{\"url\":\"\",\"name\":\"Allison, Luna\",\"dates\":\"\",\"notes\":\"(With Ian Ferrier, Mary St-Amand Williamson, Geneviève Bujold)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/1147905118579091805\",\"name\":\"St-Amand Williamson, Mary\",\"dates\":\"\",\"notes\":\"(With Ian Ferrier, Luna Allison, and Geneviève Bujold)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/59272313\",\"name\":\"Bujold, Geneviève\",\"dates\":\"1942-\",\"notes\":\"(With Ian Ferrier, Luna Allison, and Mary St-Amand Williamson)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Drolet, Gabriel\",\"dates\":\"\",\"notes\":\"(With band Chronicle Infinitas) \",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Bjella, Mike","Chan, Jane","Millerd, Simon","Ferrier, Ian","Allison, Luna","St-Amand Williamson, Mary","Bujold, Geneviève","Drolet, Gabriel"],"Presenter_name":["Ferrier, Ian"],"Production_Date":[2015],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\" In folder: 16 audio, 2 images, 16 misc.\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Set of 2 event audio recordings (+ copies and edits)\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2015/10/\",\"file_path\":\"\",\"filename\":\"STE-030.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:38:38\",\"precision\":\"\",\"size\":\"408.9 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2015/10/\",\"file_path\":\"\",\"filename\":\"STE-031.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:38:55\",\"precision\":\"\",\"size\":\"411.9 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2015 10 25\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo \",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118\",\"longitude\":\"-73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo "],"City":["Montreal, Quebec"],"content_notes":["There are two existing audio clips for the October 25th 2015 edition of the Words and Music Show at Casa Del Popolo containing full event audio. The evening featured a piece entitled \"End of Silence\" performed by host and organizer Ian Ferrier, poet Luna Allison, interdisciplinary artist Mary St-Amand Williamson and actress Geneviève Bujold, which was followed by a discussion with audience members. In the second clip we hear Chronicle Infinitas - the experimental jazz, improvisational group formed in Montreal by woodwind player Mike Bjella, Simon Millerd, Jane Chan, and Gabriel Drolet. "],"contents":["STE-030.wav\n\n00:00:00\nSilence.\n\nUnknown\n00:00:06\nWelcomes audience.\n\nIan Ferrier [https://www.wikidata.org/wiki/Q87138884]\n00:00:08\nIntroduces event | Keywords: Jian Ghomeshi [https://www.wikidata.org/wiki/Q10861160]; women; Luna Allison.\n\nLuna Allison\n00:01:20\nDiscusses project | Keywords: spoken word; storytellers; women; performance community.\n\nIan Ferrier\n00:02:42\nDiscusses project | Keywords: discussion; feedback.\n\nLuna Allison\n00:03:16\nDiscusses project | Keywords: workshop performance.\n\nIan Ferrier and Luna Allison\n00:03:47\nPerform [in English and French] | Keywords: beds; shackled; [sexual assault]; dark side; evil side; attacked; man; footsteps; rapist; murderer; police; personal matter.\n\n00:11:50\nSilence.\n\nUnknown\n00:15:36\nSings | Keywords: body.\n\nUnknown\n00:16:19\nPerforms | Keywords: love; queer.\n\n00:17:10\nSilence.\n\nAudience\n00:18:36\nApplause.\n\nLuna Allison\n00:19:00\nThanks.\n\nAudience\n00:19:06\nApplause.\n\nIan Ferrier\n00:19:11\nIntroduces project | Keywords: Luna Allison; Mary St. Amand Williamson; Geneviève Bujold; dancer; voice; collaborators.\n\nLuna Allison\n00:19:48\nThanks performers | Keywords: guitar; vocals; Ian Ferrier; workshop performance; comments; questions; discussion.\n\nIan Ferrier\n00:20:41\nDiscusses dialogue format | Keywords: quandary; silence; courts; community justice; triggers; memories; Chandra Mayor [https://www.wikidata.org/wiki/Q5071296]; sexual assault; men's problem.\n\nAudience member 1\n00:23:07\nSpeaks | Keywords: silence; society; empowering; white ribbon campaign.\n\nAudience member 2\n00:25:15\nSpeaks [inaudible].\n\nLuna Allison\n00:27:19\nDiscusses | Keywords: chemical pathways; psychological.\n\nAudience member 2\n00:27:37\nSpeaks [inaudible].\n\nLuna Allison\n00:28:03\nDiscusses | Keywords: research; motivations; self-permission; victimization.\n\nAudience member 2\n00:28:51\nSpeaks [inaudible].\n\nLuna Allison\n00:29:22\nDiscusses.\n\nAudience member 3\n00:29:44\nSpeaks [inaudible].\n\nLuna Allison\n00:31:23\nDiscusses | Keywords: pregnant; dance; abstract; power; physical responses; feedback; innuendo; younger women; office; physical integrity.\n\nIan Ferrier\n00:33:57\nDiscusses | Keywords: not extreme behaviour.\n\nLuna Allison\n00:34:27\nDiscusses | Keywords: composure; excuses; posture; power; body.\n\nAudience member 4\n00:36:15\nSpeaks [inaudible].\n\nLuna Allison\n00:36:33\nDiscusses.\n\nGeneviève Bujold\n00:37:04\nDiscusses | Keywords: aboriginal women; men; hope; beginning.\n\nIan Ferrier\n00:38:17\nThanks audience.\n\nAudience\n00:38:24\nApplause.\n\nEND\n00:38:38\n[recording continues on file 2].\n\nSTE-031.wav\n\nIan Ferrier [https://www.wikidata.org/wiki/Q87138884]\n00:00:00\nIntroduces Chronicle Infinitas | Keywords: Café Resonance; Mike Bjella; Jane Chan; Simon Millerd; Gabriel Drolet; CD.\n\nChronicle Infinitas [Mike Bjella; Jane Chan; Simon Millerd; Gabriel Drolet]\n00:01:15\nPerforms music.\n\nAudience\n00:24:22\nApplause.\n\nChronicle Infinitas [Mike Bjella; Jane Chan; Simon Millerd; Gabriel Drolet]\n00:25:17\nPerforms music.\n\nAudience\n00:37:40\nApplause.\n\nIan Ferrier\n00:38:21\nAnnounces end of event.\n\nEND\n00:38:55.\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548363542529,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1138","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2015-11-22"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["Hannan, Jack","Shea-Hannan, Molly","Girardin, Wolfe","Allison, Patricia","Clark, Moe","Kennedy, Kathy","Riley, Steven","Ferrier, Ian"],"contributors_names_search":["Hannan, Jack","Shea-Hannan, Molly","Girardin, Wolfe","Allison, Patricia","Clark, Moe","Kennedy, Kathy","Riley, Steven","Ferrier, Ian"],"contributors":["[{\"url\":\"http://viaf.org/viaf/67734164\",\"name\":\"Hannan, Jack\",\"dates\":\"1949-\",\"notes\":\"(With Molly Shea-Hannan)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Shea-Hannan, Molly\",\"dates\":\"\",\"notes\":\"(With Jack Hannan)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\" Girardin, Wolfe\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Allison, Patricia\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/317024729\",\"name\":\"Clark, Moe\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/316997401\",\"name\":\"Kennedy, Kathy\",\"dates\":\"\",\"notes\":\"(With Steven Riley and choir)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/220833247\",\"name\":\"Riley, Steven\",\"dates\":\"1956-\",\"notes\":\"(With Kathy Kennedy and choir)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"performer_name":["Hannan, Jack","Shea-Hannan, Molly"," Girardin, Wolfe","Allison, Patricia","Clark, Moe","Kennedy, Kathy","Riley, Steven"],"Presenter_name":["Ferrier, Ian"],"Production_Date":[2015],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/1138/17cd4528-7a0c-442d-903a-03458eb00d3e-0.jpg\",\"other\":\" In folder: 5 audio, 5 docs, 7 images, 7 misc. \",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Set of 4 event audio recordings (+ copies and edits)\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"STE-010W&M November 2015 KK CHoir.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:09:47\",\"precision\":\"\",\"size\":\"169.2 MB \",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2015/11/\",\"file_path\":\"\",\"filename\":\"STE-08W&M November 2015 Hannan Girardin Allison.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:34:46\",\"precision\":\"\",\"size\":\"33.4 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2015/11/\",\"file_path\":\"\",\"filename\":\"STE-009 W&M November 2015 Moe Clark.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:30:47\",\"precision\":\"\",\"size\":\"29.6 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2015/11/\",\"file_path\":\"\",\"filename\":\"KK Steve Riley Choir Nov 2015 .mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:06:27\",\"precision\":\"\",\"size\":\"6.2 MB \",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2015 11 22\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118\",\"longitude\":\" -73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["A poster for the November 22nd 2015 edition of Words and Music announces an exciting show at the Casa del Popolo with performances by multidisciplinary Métis artist Moe Clark, poet/artist Wolfe Girardin, Kathy Kennedy & Friends, acclaimed Toronto choreographer Patricia Allison and a collaboration between Jack Hannan and Molly Shea-Hannan. In a document titled ‘Bios for November 2015 show” we learn more about these artists’ performances. For this event, poet Jack Hannan presents his own translations of troubadour poetry with an accompanying performance by contemporary dance artist Molly Shea-Hannan. Another collaboration - Kathy Kennedy (director of Maha Choir) sings “Olson III” with her ‘musical friends,’ a piece by minimalist composer Terry Riley from 1967. There exists 4 short audio clips that assemble into a full audio recording of the event. Doors at 8, show at 9. All this for 6$."],"contents":["STE-08W&M November 2015 Hannan Girardin Allison.mp3\n\nIan Ferrier [https://www.wikidata.org/wiki/Q87138884]\n00:00:00\nIntroduces event | Keywords: words; dance; Toronto Fringe [https://www.wikidata.org/wiki/Q7826392]; Patricia Allison; Wolfe Girardin; scateboard art; Chez Boris Café; Moe Clark; Jack Hannan [https://www.wikidata.org/wiki/Q75038431] ; translations; troubadour poets; Molly Shea-Hannan.\n\nAudience\n00:01:30\nApplause.\n\nJack Hannan\n00:01:56\nIntroduces project | Keywords: troubadour poets.\n\nMolly Shea-Hannan\n00:02:36\nPerforms project | Keywords: love; youth.\n\nJack Hannan\n00:03:58\nPerforms project.\n\nJack Hannan and Molly Shea-Hannan\n00:05:47\nPerforms project | Keywords: bodies; failing.\n\nJack Hannan and Molly Shea-Hannan\n00:11:01\nPerform [voices overlap] | Keywords: Muslim [https://www.wikidata.org/wiki/Q47740]; China [https://www.wikidata.org/wiki/Q148]; refugees; suicide.\n\nAudience\n00:12:34\nApplause [cheering].\n\nIan Ferrier\n00:12:52\nIntroduces Wolfe Girardin.\n\nAudience\n00:13:18\nApplause.\n\nWolfe Girardin\n00:13:24\nPerforms \"Indelible\" | Keywords: memorized; marriage; Tinder; Twitter; weed; private; public; diversity.\n\nAudience\n00:19:00\nApplause.\n\nWolfe Girardin\n00:19:09\nPerforms \"Passing Passion\" | Keywords: Australia [https://www.wikidata.org/wiki/Q408]; Skype; Sidney; yolo; IKEA.\n\nAudience\n00:24:40\nApplause.\n\nIan Ferrier\n00:24:54\nThanks Wolfe Girardin and introduces Patricia Allison | Keywords: exhibition; Chez Boris Café; Toronto Fringe; \"Pool in the Water\".\n\nAudience\n00:25:26\nApplause.\n\n00:26:10\nSilence.\n\nPatricia Allison\n00:26:30\nPerforms [dance].\n\nIan Ferrier\n00:34:06\nThanks Patricia Allison | Keywords: watermelon; Moe Clark.\n\nEND\n00:34:50\n[recording continues on file 2].\n \nSTE-009 W&M November 2015 Moe Clark.mp3\n\nIan Ferrier [https://www.wikidata.org/wiki/Q87138884]\n00:00:00\nIntroduces second set | Keywords: Moe Clark; Métis.\n\nAudience\n00:00:36\nApplause.\n\nMoe Clark\n00:00:45\nIntroduces herself | Keywords: Joni Mitchell [https://www.wikidata.org/wiki/Q205721]; Mondial [Festival]; The Main [ St-Laurent Bvld]; La Banquise; poutine; Treaty 7; reconciliation; Louis Riel [https://www.wikidata.org/wiki/Q313691]; Blackfoot people.\n\nMoe Clark\n00:03:43\nPerforms spoken word | Keywords: coyote; grandmother; creation.\n\nAudience\n00:09:59\nApplause [cheering].\n\nMoe Clark\n00:10:10\nRequests more vocals in the monitors.\n\nMoe Clark\n00:10:22\nPerforms spoken word | Keywords: women; community; death; support; Jodi Bigeagle; seamstress to the underworld; spirit home; buffalo; trickster; river.\n\nAudience\n00:17:57\nApplause [cheering].\n\nMoe Clark\n00:18:06\nInvites Illia Swamphof [(?)] to the stage | Keywords: collab; harmonalimba; harmonica; musician; guitarist.\n\nMoe Clark\n00:19:26\nPerforms \"Swamp wealth\" | Keywords: Treaty 7.\n\nAudience\n00:24:45\nApplause.\n\nMoe Clark\n00:24:50\nPerforms spoken word | Keywords: singalong; Hindu chants; Mexico [https://www.wikidata.org/wiki/Q96].\n\nAudience\n00:29:49\nApplause.\n\nMoe Clark\n00:29:58\nThanks audience | Keywords: CDs.\n\nIan Ferrier\n00:30:16\nAnnounces work for eight voices | Keywords: Café Resonance; Billie Holiday [https://www.wikidata.org/wiki/Q104358]; Kim Zombik.\n\nEND\n00:30:51\n[recording continues on file 3].\n\nSTE-010W&M November 2015 KK CHoir.mp3\n\n00:00:00\nAmbient sound [background noise].\n\nKathy Kennedy and eight voices\n00:01:49\nPerform music | Keywords: improvisation.\n\nAudience\n00:08:01\nApplause.\n\nIan Ferrier [https://www.wikidata.org/wiki/Q87138884]\n00:08:45\nAnnounces end of event | Keywords: Kathy Kennedy.\n\nEND\n00:09:48\n[file 3 is repeated on file 4].\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548364591104,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1139","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2015-12-20"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["Filyavich, Tamara","Shalabi, Sam","Mah, Kris","Curro Khayat, Valerie","Eizlini, Will","Dion, Xarah","Schidlowsky, James","Zombik, Kim","Highbloom, Bryan","Ferrier, Ian"],"contributors_names_search":["Filyavich, Tamara","Shalabi, Sam","Mah, Kris","Curro Khayat, Valerie","Eizlini, Will","Dion, Xarah","Schidlowsky, James","Zombik, Kim","Highbloom, Bryan","Ferrier, Ian"],"contributors":["[{\"url\":\"\",\"name\":\"Filyavich, Tamara\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/11078285\",\"name\":\"Shalabi, Sam\",\"dates\":\"1964-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Mah, Kris\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Curro Khayat, Valerie\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Eizlini, Will\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/193149066406965601083\",\"name\":\" Dion, Xarah\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Schidlowsky, James\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Zombik, Kim\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Highbloom, Bryan\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"Also performs\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"performer_name":["Filyavich, Tamara","Shalabi, Sam","Mah, Kris","Curro Khayat, Valerie","Eizlini, Will"," Dion, Xarah","Schidlowsky, James","Zombik, Kim","Highbloom, Bryan"],"Presenter_name":["Ferrier, Ian"],"Production_Date":[2015],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/1139/84dc39d3-173d-4e76-9695-729bcf54da7e-0.jpg\",\"other\":\" In folder: 4 audio, 4 docs, 4 images, 4 misc.\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"(Copies and edits)\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2015/12/\",\"file_path\":\"\",\"filename\":\"W&M Dec 20 2015 Amanita Trance.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"02:15:11\",\"precision\":\"\",\"size\":\"2.15 GB \",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2015 12 20\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118\",\"longitude\":\"-73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["A poster for the year’s final Words and Music event anticipates a “Psychedelic Amanita Reindeer Trance Party” and promises free cookies! Performances listed by Sam Shalabi, Will Eizlini, Xarah Dion, Ian Ferrier, James Schidlowsky, Bryan Highbloom, Valerie Curro Khayat, Kris Mah and Kim Zombik. An interesting document titled “Notes on Jam with Bryan” suggests a collaboration between Ian Ferrier and Bryan Highbloom. These “instructive” notes read more like a short poem. Doors for this funky session opened at 8, with the show starting at 9. There is a full audio recording of the event, which costed 6$."],"contents":["W&M Dec 2015 Amanita Trance.wav\n\n00:00:00\nAmbient sound [background music and conversation].\n\nIan Ferrier [https://www.wikidata.org/wiki/Q87138884]\n00:00:49\nIntroduces event | Keywords: trance music.\n\nAudience\n00:01:29\nApplause.\n\nTamara [(?)]\n00:02:03\nPerforms.\n\nAudience\n00:12:15\nApplause.\n\n00:12:47\nAmbient sound [background music and heavy footsteps].\n\nIan Ferrier\n00:13:45\nDiscusses project | Keywords: trance music; Kris Mah; Valerie Curro Khayat.\n\nKris Mah; Valerie Curro Khayat; Ian Ferrier; unknown\n00:14:59\nPerform spoken word | Keywords: asphalt; footsteps.\n\nAudience\n00:26:32\nApplause.\n\n00:26:56\nAmbient sound [background music, conversation and clinking glasses].\n\n00:30:28\nAmbient sound [unclear whether this is a break or whether ambient music is being performed].\n\nKris Mah; Valerie Curro Khayat; Ian Ferrier; unknown\n00:39:26\nPerform spoken word | Keywords: cookies; toys; Santa; simultaneity; reindeer; Christmas.\n\nAudience\n01:00:38\nApplause [cheering].\n\nIan Ferrier\n01:00:55\nThanks audience and collaborators.\n\nIan Ferrier\n01:01:20\nAnnounces break.\n\n01:01:34\nAmbient sound [background music].\n\n01:02:57\nAmbient sound [instrument tuning].\n\nIan Ferrier\n01:22:15\nIntroduces final set | Keywords: oud; Sam Shalabi [https://www.wikidata.org/wiki/Q2216598]; Bryan Highbloom; Kim Zombik.\n\nSam Shalabi\n01:22:40\nPerforms music.\n\nAudience\n01:40:46\nApplause [cheering and whistling].\n\n01:41:14\nAmbient sound [background music].\n\nIan Ferrier\n01:44:45\nIntroduces | Keywords: Café Resonance; Kim Zombik; Bryan Highbloom; saxophone.\n\nKim Zombik and Bryan Highbloom\n01:45:41\nPerform music.\n\nAudience\n02:00:56\nApplause.\n\nIan Ferrier\n02:01:11\nThanks audience and performers | Keywords: equinox.\n\n02:02:02\nAmbient sound [background conversation].\n\nEND\n02:15:11.\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548364591105,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1140","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at La Vitrola 2016-01-17"],"item_title_source":["Cataloguer"],"item_title_note":["\"The Gift\" show. Radio ad; no event audio found"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["Preach","MC June","Ferrier, Ian","MK, Sarah","Avery, C.R."],"contributors_names_search":["Preach","MC June","Ferrier, Ian","MK, Sarah","Avery, C.R."],"contributors":["[{\"url\":\"\",\"name\":\"Preach\",\"dates\":\"\",\"notes\":\"Announced but missing\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/305192702\",\"name\":\"MC June\",\"dates\":\"1980-\",\"notes\":\"Announced but missing\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"Also presents and performs at the event \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/317010007\",\"name\":\"MK, Sarah\",\"dates\":\"1985-\",\"notes\":\"Announced but missing\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/102892387\",\"name\":\"Avery, C.R.\",\"dates\":\"1976-\",\"notes\":\"Announced but missing\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Preach","MC June","MK, Sarah","Avery, C.R."],"Speaker_name":["Ferrier, Ian"],"Production_Date":[2016],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/1140/b3ebb56b-bb9a-491c-bca6-1e3f9731cd35-0.jpg\",\"other\":\"In folder: 9 audio, 8 docs, 7 images, 50 misc.  \",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Copies and edits\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2016/01/\",\"file_path\":\"\",\"filename\":\"CKUT Ad for January La Vitrola.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:00:37\",\"precision\":\"\",\"size\":\"13.2 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Video Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2016 01 17\",\"type\":\"Production Date\",\"notes\":\"Date refers to actual event and not the day the radio ad was recorded\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"La Vitrola\",\"notes\":\"\",\"address\":\"4602 Boul St-Laurent, Montréal, QC, H2T 1R3\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["4602 Boul St-Laurent, Montréal, QC, H2T 1R3"],"Venue":["La Vitrola"],"City":["Montreal, Quebec"],"content_notes":["Two radio ads produced for CKUT 90.3 FM announce a special event called “The Gift” co-produced by Wired on Words and Intimate Sky that took place at La Vitrola. Though no event audio can be found, the ads announce the presence of four performers: Preach, Sarah MK, MC June, and CR Avery. Tickets for the show cost $6 and as of 9 p.m. each performer took to the stage for twenty minute solo sets for a night of “poetry, rhyme, and song.” "],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548365639680,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1141","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2016-02-21"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["xxvii","Kennedy, Kathy","Banderob, Simon","Weigh, Allie","Albu, Sarah","Eizlini, Will","Godin, Steve","Ferrier, Ian"],"contributors_names_search":["xxvii","Kennedy, Kathy","Banderob, Simon","Weigh, Allie","Albu, Sarah","Eizlini, Will","Godin, Steve","Ferrier, Ian"],"contributors":["[{\"url\":\"\",\"name\":\" xxvii\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/316997401\",\"name\":\"Kennedy, Kathy\",\"dates\":\"\",\"notes\":\"(With choir)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Banderob, Simon\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Weigh, Allie\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/9226156253581508110009\",\"name\":\"Albu, Sarah\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Eizlini, Will\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/105712077\",\"name\":\"Godin, Steve\",\"dates\":\"1956-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"performer_name":[" xxvii","Kennedy, Kathy","Banderob, Simon","Weigh, Allie","Albu, Sarah","Eizlini, Will","Godin, Steve"],"Presenter_name":["Ferrier, Ian"],"Production_Date":[2016],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/1141/Poster 2016-02-21.jpg\",\"other\":\"In folder: 18 audio, 4 docs, 2 images, 18 misc. In folder2: 4 docs, 3 images, 2 misc. \",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Set of 2 event audio recordings (+ copies and edits)\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2016/02/\",\"file_path\":\"\",\"filename\":\"STE-007.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"02:31:09\",\"precision\":\"\",\"size\":\"1.6 GB \",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Video Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2016/02/\",\"file_path\":\"\",\"filename\":\"STE-003 KK Banderob Allie Weigh Godin Me WIll Sarah Halifax Band.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"03:06:10\",\"precision\":\"\",\"size\":\"1.97 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Video Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2016 02 21\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118\",\"longitude\":\"-73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["Aided by the spoken word talents of Words & Music host Ian Ferrier, Kathy Kennedy and a choir of voices sang a piece by “seminal avant garde composer Robert Ashley” called “She Was a Visitor,” as well as “Jeux Sonores” written by Montreal’s Robert Léonard. Throw Collective poet and “theatre person” Simon Banderob selected a “wide range” of pieces to perform, including a trilingual (English, French, and German) poem entitled “Revolutionary Body,” a slam piece called “Hostages,” and a fairy tale (“The Story of the Land, and the People, and the Dragon, and the Song”). Allie Weigh kicked off the second set with a ten minute piece called “Relentless” written for her show “Love And Loathing: Gritty Truth About Mothers.” Referred to as “SIW” on the event poster, Sarah Albu (vocals), Ian Ferrier (guitar), and Will Eizlini (tablas) banded together to perform a song inspired by Finnish folk music. Casa Del Popolo’s sound man Steve Godin shared his poetry in a high energy performance set to pre recorded sounds in the third and final set, which closed with “sax and wurlitzer” from Halifax’s xxvii. "],"contents":["Unknown\n00:00:00\nPerforms [audio asset begins with no introduction].\n\nAudience\n00:00:15\nApplause.\n\nIan Ferrier [https://www.wikidata.org/wiki/Q87138884]\n00:00:35\nIntroduces Kathy Kennedy | Keywords: voices.\n\nKathy Kennedy\n00:1:01\nIntroduces project | Keywords: score; Robert Ashley; New York.\n\nIan Ferrier and Kathy Kennedy\n00:02:32\nPerform \"She was a visitor\" [Robert Ashley].\n\nAudience\n00:07:08\nApplause.\n\nKathy Kennedy\n00:07:18\nThanks audience | Keywords: Albert Leonard; Jeux Sonores.\n\nKathy Kennedy and Unknown\n00:08:01\nPerform.\n\nAudience\n00:15:43\nApplause [cheering].\n\n00:15:57\nAmbient sound [background music and conversation].\n\nIan Ferrier\n00:16:18\nIntroduces Simon Banderob | Keywords: throw collective; National Spokenword Finals.\n\nAudience\n00:16:59\nApplause [cheering].\n\nSimon Banderob\n00:17:13\nPerforms \"The Revolutionary Body\" | Keywords: gender; performance; trilingual; English; French; German.\n\nAudience\n00:22:18\nApplause.\n\nSimon Banderob\n00:22:24\nPerforms \"Hostages\" | Keywords: slam; rumours; peasants; dragon; king.\n\nAudience\n00:38:32\nApplause.\n\nIan Ferrier\n00:38:58\nAnnounces break.\n\n00:39:07\nAmbient sound [background music and conversation].\n\nIan Ferrier\n00:51:06\nAnnounces second set | Keywords:  La Vitrola [bar]; Fringe Festival.\n\nAllie Weigh\n00:51:31\nIntroduces project | Keywords: one woman show; Ottawa [https://www.wikidata.org/wiki/Q1930] ; Victoria [https://www.wikidata.org/wiki/Q2132]; motherhood; \"Love and Loathing\".\n\nAllie Weigh\n00:52:48\nPerforms \"Relentless\" | Keywords: baby; uterus.\n\nAudience\n01:03:58\nApplause [cheering].\n\nIan Ferrier\n01:04:29\nAnnounces short break.\n\nIan Ferrier\n01:09:24\nIntroduces Sarah Albu and Will Eizlini | Keywords: Finnish folksong.\n\nIan Ferrier, Sarah Albu, Will Eizlini\n01:10:26\nPerform music.\n\nAudience\n01:22:06\nApplause [cheering].\n\nIan Ferrier\n01:22:17\nThanks Sarah Albu and Will Eizlini | Keywords: Steve Godin; sound.\n\n01:22:54\nAmbient sound [background music and conversation].\n\nIan Ferrier\n01:31:47\nIntroduces third set | Keywords: Steve Godin; XXVII.\n\nAudience\n01:32:12\nApplause.\n\nSteve Godin\n01:32:28\nPerforms unknown poem | Keywords: pain; brain.\n\nAudience\n01:35:31\nLaughter.\n\nSteve Godin\n01:35:42\nPerforms unknown poem.\n\nAudience\n01:49:26\nApplause [cheering].\n\nSteve Godin\n01:50:32\nIntroduces project | Keywords: Romanticism [https://www.wikidata.org/wiki/Q37068]; syphilis; Isaac Newton [https://www.wikidata.org/wiki/Q935]; Merlin; PTSD; Homer [https://www.wikidata.org/wiki/Q6691]; Odyssey [https://www.wikidata.org/wiki/Q35160]; Jonathan Swift [https://www.wikidata.org/wiki/Q41166].\n\nSteve Godin\n01:53:33\nPerforms unknown poem.\n\nAudience\n01:56:40\nApplause [cheering].\n\nIan Ferrier\n01:57:03\nIntroduces last set | Keywords: XXVII [saxophone and wurlitzer]; Halifax [https://www.wikidata.org/wiki/Q2141].\n\nAudience\n01:57:31\nApplause [cheering].\n\n01:57:50\nAmbient sound [background music and conversation].\n\nXXVII \n02:01:57\nPerforms music.\n\nAudience\n02:10:01\nLaughter.\n\nXXVII band member\n02:10:07\nIntroduces [inaudible].\n\nXVII\n02:11:30\nPerforms music.\n\nAudience\n02:20:51\nApplause.\n\n02:21:11\nAmbient sound [background conversation].\n\n02:42:45\nAmbient sound [background music].\n\nEND\n03:06:10.\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548365639681,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1143","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2016-04-17"],"item_title_source":["Cataloguer"],"item_title_note":["League of Canadian Poets show"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["Anderson, Fortner","Banks, Rebecca","Hazelton, Hugh","Drukker, Kelly Norah","Campbell, Brian","Berger, Maxianne","Christoff, Stefan","Ferrier, Ian"],"contributors_names_search":["Anderson, Fortner","Banks, Rebecca","Hazelton, Hugh","Drukker, Kelly Norah","Campbell, Brian","Berger, Maxianne","Christoff, Stefan","Ferrier, Ian"],"contributors":["[{\"url\":\"http://viaf.org/viaf/106026246\",\"name\":\"Anderson, Fortner\",\"dates\":\"1955-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/256102567\",\"name\":\"Banks, Rebecca\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/335896\",\"name\":\"Hazelton, Hugh\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/33146094193500330987\",\"name\":\"Drukker, Kelly Norah\",\"dates\":\"1975-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/102770517\",\"name\":\"Campbell, Brian\",\"dates\":\"1957-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/68636238\",\"name\":\"Berger, Maxianne\",\"dates\":\"1949-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/106422154\",\"name\":\"Christoff, Stefan\",\"dates\":\"1981-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"Also performs\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"performer_name":["Anderson, Fortner","Banks, Rebecca","Hazelton, Hugh","Drukker, Kelly Norah","Campbell, Brian","Berger, Maxianne","Christoff, Stefan"],"Presenter_name":["Ferrier, Ian"],"Production_Date":[2016],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"In folder: 2 audio, 2 images, 3 misc.\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"1 copy\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"Uploads/1143/april-national-poetry-month-monet-claude-water-lillies.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital","Digital"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2016/04/\",\"file_path\":\"\",\"filename\":\"2016 04 League Show.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:20:25\",\"precision\":\"\",\"size\":\"851.1 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1R6\",\"latitude\":\"45.5222118 \",\"longitude\":\"-73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["The script for the April 17th, 2016 Words and Music Show radio ad describes this event as “a special performance and party featuring poets from the League of Canadian Poets.” The Casa Del Popolo stage was populated by  “a Who’s Who of the Montreal poetry scene,” including League representative Fortner Anderson who read “Tense Times,” written by Ashraf Fayadh. Rebecca Banks read a piece dedicated to her cat from her book “Tango Blue Arias” (CreateSpace Independent Publishing 2016), while poet and translator Hugh Hazelton dedicated “Swing Dance” to his daughter, Edith, and read “Blind Man’s Bluff,” a poem translated from Portuguese. Kelly Norah Drukker also read two pieces entitled “At the Seven Churches” and “Les Cagots.” Brian Campbell then read elegiac poems “Variety” and “Joe Dubois 1929-96” from “Shimmer Report” (Ekstasis Editions 2015). After the intermission, Maxianne Berger read a haiku from her book “Winnows” (Imago Press 2016) and another piece in five parts repurposing lines from the poetry of E.E. Cumings. Ferrier also read a piece called “Oh My Sisters” before the final act, Stefan Christoff, played an instrumental on piano."],"contents":["2016 04 League Show.wav\n\nIan Ferrier [https://www.wikidata.org/wiki/Q87138884]\n00:00:00\nAnnounces [inaudible].\n\n00:00:08\nAmbient sound [background conversation].\n\nIan Ferrier\n00:01:05\nIntroduces League of Canadian Poets Benefit Evening [https://www.wikidata.org/wiki/Q6509004] | Keywords: Stefan Christoff [https://www.wikidata.org/wiki/Q7606050]; Fortner Anderson.\n\nAudience\n00:02:16\nApplause.\n\nFortner Anderson [https://www.wikidata.org/wiki/Q83688183]\n00:02:29\nDiscusses Ashraf Fayadh | Keywords: League [of Canadian Poets].\n\nFortner Anderson\n00:03:43\nPerforms \"Tense Times\" by Ashraf Fayadh | Keywords: universe; death; cure.\n\nAudience\n00:09:47\nLaughter.\n\nIan Ferrier\n00:10:01\nIntroduces Rebecca Banks.\n\nAudience\n00:10:11\nApplause.\n\nRebecca Banks\n00:10:19\nPerforms unknown poem | Keywords: rescue cat; moon.\n\nAudience\n00:12:21\nApplause.\n\nIan Ferrier\n00:12:36\nIntroduces Hugh Hazelton | Keywords: poet; translator; Spanish [https://www.wikidata.org/wiki/Q1321].\n\nAudience\n00:12:57\nApplause.\n\nHugh Hazleton\n00:13:07\nPerforms \"Swing Dance\" | Keywords: daughter; swing dance.\n\nAudience\n00:14:35\nApplause.\n\nHugh Hazleton\n00:14:41\nPerforms \"Blind Man's Bluff\"  | Keywords: Portuguese [https://www.wikidata.org/wiki/Q5146].\n\nAudience\n00:16:53\nApplause.\n\nIan Ferrier\n00:17:07\nIntroduces Kelly Norah Drucker | Keywords: McGill-Queens Press [https://www.wikidata.org/wiki/Q6801272]; Small Fires.\n\nAudience\n00:17:25\nApplause.\n\nKelly Norah Drucker\n00:17:35\nPerforms \"At the Seven Churches\" | Keywords: Ireland [https://www.wikidata.org/wiki/Q27]; bell; cows.\n\nKelly Norah Drucker\n00:18:21\nPerforms [title inaudible] | Keywords: hitchhiking; French Revolution [https://www.wikidata.org/wiki/Q6534]; Visigoths [https://www.wikidata.org/wiki/Q23693].\n\nAudience\n00:00:05\nApplause.\n\nIan Ferrier\n00:21:38\nIntroduces Brian Campbell.\n\nAudience\n00:21:55\nApplause.\n\nBrian Campbell\n00:22:26\nPerforms \"Variety\" from Shimmer Report | Keywords: elegiac poems; Alzheimer’s [https://www.wikidata.org/wiki/Q11081]; dad; father.\n\nBrian Campbell\n00:25:19\nPerforms unknown poem | Keywords: wife; Jocelyn Dubois; father; alcoholic; womanizer; Jacques Brel [https://www.wikidata.org/wiki/Q1666].\n\nAudience\n00:27:22\nApplause [cheering].\n\nIan Ferrier\n00:27:35\nAnnounces break.\n\n00:27:54\nAmbient sound [background music and conversation].\n\nIan Ferrier\n00:43:18\nIntroduces second set | Keywords: Maxianne Berger.\n\nAudience\n00:43:37\nApplause.\n\nMaxianne Berger\n00:43:50\nPerforms [inaudible] | Keywords: Dada [https://www.wikidata.org/wiki/Q6034]; Moby Dick [https://www.wikidata.org/wiki/Q174596].\n\nMaxianne Berger\n00:44:46\nPerforms \"This is the garden\" | Keywords: e. e. cummings [https://www.wikidata.org/wiki/Q298703]; five parts; garden; infinity.\n\nAudience\n00:49:32\nApplause.\n\nIan Ferrier\n00:49:54\nPerforms \"Oh My Sisters\" | Keywords: Scientific American [https://www.wikidata.org/wiki/Q39379]; stars; milkyway; sun; cinders; sisters.\n\nAudience\n00:53:35\nApplause.\n\nIan Ferrier\n00:53:40\nThanks poets and introduces Stefan Christoff | Keywords: Howl Festival [https://www.wikidata.org/wiki/Q18350182].\n\nAudience\n00:54:02\nApplause.\n\nStefan Christoff\n00:54:41\nPerforms piano.\n\nAudience\n00:59:11\nApplause [cheering].\n\nStefan Christoff\n00:59:20\nAnnounces Howl Festival | Keywords: community activisim; concerts; exhibitions; conferences; Missing and Murdered Indigenous Women; Odaya; Black Lives Matter [https://www.wikidata.org/wiki/Q19600530]; Sam Shalabi [https://www.wikidata.org/wiki/Q2216598]; trans artists; Kalmunity [Jazz Project].\n\nAudience\n01:01:48\nApplause.\n\nIan Ferrier\n01:01:57\nAnnounces end of event.\n\nAudience\n01:02:30\nApplause [cheering].\n\n01:02:37\nAmbient sound [background music and conversation].\n\nEND.\n01:20:24.\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548368785408,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1144","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2016-05-22"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["du Plessis, Klara","Hannan, Jack","Naccarato, Alessandra","Roy, Frederique","Ferrier, Ian","Swan, Dane","Labbé, Simon"],"contributors_names_search":["du Plessis, Klara","Hannan, Jack","Naccarato, Alessandra","Roy, Frederique","Ferrier, Ian","Swan, Dane","Labbé, Simon"],"contributors":["[{\"url\":\"http://viaf.org/viaf/124151352052252602758\",\"name\":\"du Plessis, Klara \",\"dates\":\"1988-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/67734164\",\"name\":\"Hannan, Jack\",\"dates\":\"1949-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/10152380054301761774\",\"name\":\"Naccarato, Alessandra\",\"dates\":\"1984-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/1156009982049582563\",\"name\":\"Roy, Frederique\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/160275774\",\"name\":\"Swan, Dane\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Labbé, Simon\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["du Plessis, Klara ","Hannan, Jack","Naccarato, Alessandra","Roy, Frederique","Swan, Dane","Labbé, Simon"],"Presenter_name":["Ferrier, Ian"],"Production_Date":[2016],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"In folder: 2 audio, 4 docs, 12 images, 2 misc.\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Set of 2 event audio recordings\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"STE-001 Du Plessis-Hannah-Naccarato.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:42:09\",\"precision\":\"\",\"size\":\"669.1 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"STE-002 Dane Swan - Frederique & Simon Labbe.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:02:24\",\"precision\":\"\",\"size\":\"990.7 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2016 05 22\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118 \",\"longitude\":\"-73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["A document entitled “This Sunday May 22nd the Words.doc” reveals that the May 2016 edition of the Words and Music Show featured “3 new books, two travelling poets, one great band and a Wild Hunt from Saltspring Island.” Klara du Plessis read “Conveyor Belt” and other works in English and Afrikaans from her chapbook “Wax Lyrical” (Anstruther Press 2015), ending with ”Venus De Milo Versus Venus in Furs.” Though Ferrier promoted Jack Hannan’s “The Poet is a Radio” (Linda Leith Publishing 2016), Hannan decided to read work from a series called “The Afternoon in Dreams.” Alessandra Naccarato, one of the “founding member[s] of Montreal’s Throw Poetry Collective,” performed a piece commissioned for Sheri-D Wilson’s “School Of Thought” festival and two more from her album “Alessandra Naccarato & The Wild Hunt.” In the second set, Toronto poet Dane Swan performed a number of poems/songs, some of which appear in his book “A Mingus Lullaby” (Guernica Editions 2016). Frederique Roy and Simon Labbé closed the night with a series of atmospheric songs sung in French. "],"contents":["STE-001 Du Plessis-Hannah-Naccarato.wav\n\nIan Ferrier [https://www.wikidata.org/wiki/Q87138884]\n00:00:00\nIntroduces event | Keywords: Resonance [Café]; Wax Lyrical; Resonance [Reading Series]; Klara du Plessis [https://www.wikidata.org/wiki/Q64010045].\n\nKlara du Plessis [https://www.wikidata.org/wiki/Q64010045]\n00:00:56\nPerforms “Conveyor Belt” | Keywords: bilingual; Afrikaans [https://www.wikidata.org/wiki/Q14196]; English [https://www.wikidata.org/wiki/Q1860]; Oana Avasilichioaei [https://www.wikidata.org/wiki/Q42531328]; beasts; breasts; cow; cattle; languages; Io [https://www.wikidata.org/wiki/Q179014]; god; goddess.\n\nKlara du Plessis\n00:10:39\nPerforms “Venus de Milo versus Venus in Furs” | Keywords: natural history museum; Saartjie Baartman [https://www.wikidata.org/wiki/Q232041]; matriarchy; Aphrodite [https://www.wikidata.org/wiki/Q35500]; muse.\n\nAudience\n00:14:14\nApplause.\n\nIan Ferrier\n00:14:28\nIntroduces Jack Hannan | Keywords: The Poet Is a Radio.\n\nAudience\n00:15:01\nApplause.\n\nJack Hannan\n00:15:13\nReads “The Afternoon of Dreams” | Keywords: termites; Muslim [https://www.wikidata.org/wiki/Q47740]; China [https://www.wikidata.org/wiki/Q148]; refugees; Beowulf [https://www.wikidata.org/wiki/Q48328]; cartoon; André Breton [https://www.wikidata.org/wiki/Q161955].\n\nAudience\n00:23:47\nApplause.\n\nIan Ferrier\n00:24:05\nIntroduces Alessandra Naccarato | Keywords: Throw Collective; CD.\n\nAudience\n00:24:28\nApplause.\n\nAlessandra Naccarato\n00:24:39\nPerforms spoken word | Keywords: Saltspring Island [https://www.wikidata.org/wiki/Q61279071]; album; School of Thought Festival; girlhood; Katherine Peacock; common language; desire.\n\nAudience\n00:32:52\nApplause.\n\nAlessandra Naccarato\n00:33:06\nPerforms spoken word | Keywords: Cagibi; Ian Ferrier; Moe Clark; ukelele; love poetry; concerto; audience.\n\nAudience\n00:38:44\nApplause.\n\nAlessandra Naccarato\n00:39:01\nPerforms “Drought Land” | Keywords: witch camp; postcards; fire; hope.\n\nAudience\n00:41:37\nApplause.\n\nIan Ferrier\n00:41:52\nAnnounces break | Keywords: Dane Swan; Frederique Roy; Simon Labbé.\n\nEND\n00:42:08\n[Recording continues on next file].\n \nSTE-002 Dane Swan-Frederique & Simon Labbe.wav\n\nIan Ferrier [https://www.wikidata.org/wiki/Q87138884]\n00:00:00\nIntroduces Dane Swan | Keywords: Mingus Lullaby; Toronto; Charles Mingus [https://www.wikidata.org/wiki/Q107432].\n\nAudience\n00:00:30\nApplause.\n\nDane Swan\n00:00:38\nPerforms “Like Water” | Keywords: non-Mingus poems; music; water; black lines.\n\nDane Swan\n00:10:08\nPerforms unknown poem | Keywords: eyes; cedar tree; drug addict; superheroes; home; tree.\n\nDane Swan\n00:15:28\nPerforms “Fear” | Keywords: birds; camera; black men; birdwatching; police officer; police brutality; racism; policy; guest.\n\nAudience\n00:19:49\nApplause.\n\nIan Ferrier\n00:20:00\nIntroduces Frederique Roy and Simon Labbé | Keywords: Mile End Poets’ Festival.\n\nAudience\n00:20:44\nApplause [cheering].\n\nFrederique Roy and Simon Labbé\n00:21:58\nPerform music.\n\nAudience\n01:00:41\nApplause [cheering].\n\nIan Ferrier\n01:01:20\nAnnounces end of event | Keywords: Klara du Plessis; Dane Swan; Alessandra Naccarato; Jack Hannan.\n\nAudience\n01:02:14\nApplause.\n\nEND\n01:02:24.\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548372979712,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1145","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2016-06-26"],"item_title_source":["Cataloguer"],"item_title_note":["Full event audio not found"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["Anomaly","MCC","Halogen","Creatures of the Ice Age/Animals of the Air","Avasilichioaei, Oana","Ferrier, Ian"],"contributors_names_search":["Anomaly","MCC","Halogen","Creatures of the Ice Age/Animals of the Air","Avasilichioaei, Oana","Ferrier, Ian"],"contributors":["[{\"url\":\"\",\"name\":\"Anomaly \",\"dates\":\"\",\"notes\":\"Stage name\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"MCC \",\"dates\":\"\",\"notes\":\"Stage name\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Halogen \",\"dates\":\"\",\"notes\":\"Stage name. Announced but missing\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Creatures of the Ice Age/Animals of the Air\",\"dates\":\"\",\"notes\":\"Band. Announced but missing \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/58498867\",\"name\":\"Avasilichioaei, Oana\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"performer_name":["Anomaly ","MCC ","Halogen ","Creatures of the Ice Age/Animals of the Air","Avasilichioaei, Oana"],"Presenter_name":["Ferrier, Ian"],"Production_Date":[2016],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"In folder: 1 audio, 4 docs, 7 images, 5 misc.\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"Uploads/1145/Poster 2016-06-26.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital","Digital"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2016/06/\",\"file_path\":\"\",\"filename\":\"QU-ST001 Oana Avasilichioaei at Casa 2016.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:32:06\",\"precision\":\"\",\"size\":\"554.7 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://drive.google.com/drive/u/2/folders/1_CNeT4C8F-KzegfFjVrVXof4lLe4LEdO\",\"file_path\":\"\",\"filename\":\"Poster 2016-06-26\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Poster\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2016 06 26\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118 \",\"longitude\":\"-73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["Ian Ferrier’s introduction of this event recorded at Casa Del Popolo reveals that poet Rabbit Richards intended to perform, but couldn’t due to poor health. However, many of her friends were in attendance and some of her fellow poets, such as Anomaly and MCC, agreed to perform in her stead. Author and multidisciplinary artist Oana Avasilichioaei then took to the stage to perform a piece about borders, weaving together a poem entitled “Bound” and another unnamed piece written in English, French, and Romanian from her book “Limbinal” (Talonbooks 2015) accompanied by a video created in collaboration with Jessie Altura.The recording does not include the musical performance by the “absorbing duo” that make up Creatures of the Ice Age/Animals of the Air or that of “2016 Montreal Poetry Slam team” member Halogen, as announced on the event poster and referenced in a document entitled “This Sunday June 26 th the Words and Music Show.doc.” "],"contents":["QU-ST001 Oana Avasilichioaei at Casa 2016.wav\n\n00:00:00\nAmbient sound [background music].\n\nIan Ferrier [https://www.wikidata.org/wiki/Q87138884]\n00:00:43\nIntroduces event | Keywords: Throw Collective; Anomaly.\n\nAudience\n00:01:43\nApplause [cheering].\n\nAnomaly\n00:01:52\nPerforms spoken word | Keywords: Golden Gate Bridge [https://www.wikidata.org/wiki/Q44440]; Alcatraz [https://www.wikidata.org/wiki/Q131354]; San Francisco [https://www.wikidata.org/wiki/Q62]; wanderlust.\n\nAudience\n00:04:51\nApplause.\n\nIan Ferrier\n00:05:02\nIntroduces MCC.\n\nAudience\n00:05:20\nApplause.\n\nMCC\n00:05:35\nPerforms spoken word | Keywords: gin; vermouth; addict; weed; LSD; society.\n\nAudience\n00:08:13\nApplause.\n\nIan Ferrier\n00:08:22\nIntroduces Oana Avasilichioaei [https://www.wikidata.org/wiki/Q42531328] | Keywords: We, Beasts; Limbinal; multi-media; projector.\n\nAudience\n00:09:06\nApplause.\n\nOana Avasilichioaei [https://www.wikidata.org/wiki/Q42531328]\n00:09:19\nPerfoms \"Bound\" | Keywords: border; Limbinal; French [https://www.wikidata.org/wiki/Q150]; English [https://www.wikidata.org/wiki/Q1860]; Romanian; video [https://www.wikidata.org/wiki/Q7913]; collaboration; Jessie Altura; photographs.\n\nAudience\n00:31:01\nApplause.\n\nIan Ferrier\n00:31:30\nThanks Oana Avasilichioaei | Keywords: borders; Donald Trump [https://www.wikidata.org/wiki/Q22686].\n\nIan Ferrier\n00:31:42\nAnnounces break.\n\n00:31:55\nAmbient sound [background music].\n\nEND\n00:32:06\n[This recording is missing a second file].\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548374028288,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1146","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2016-07-24"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["Anomaly","Want Slash Need","Paquette, Julian","Curro Khayat, Valerie","Hibbs, Angela","Ferrier, Ian"],"contributors_names_search":["Anomaly","Want Slash Need","Paquette, Julian","Curro Khayat, Valerie","Hibbs, Angela","Ferrier, Ian"],"contributors":["[{\"url\":\"\",\"name\":\"Anomaly\",\"dates\":\"\",\"notes\":\"Stage name.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Want Slash Need\",\"dates\":\"\",\"notes\":\"Band\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Paquette, Julian\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Curro Khayat, Valerie\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/39156424\",\"name\":\"Hibbs, Angela\",\"dates\":\"1978-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"performer_name":["Anomaly","Want Slash Need","Paquette, Julian","Curro Khayat, Valerie","Hibbs, Angela"],"Presenter_name":["Ferrier, Ian"],"Production_Date":[2016],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\" In folder: 12 audio, 6 docs, 7 images, 14 misc.\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Set of 3 event audio recordings (+ copies and edits)\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"Uploads/1146/Poster 2016-07-24.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital","Digital"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2016/07/\",\"file_path\":\"\",\"filename\":\"Casa July Show 2016 STE-001.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:53:17\",\"precision\":\"\",\"size\":\"845.9 MB \",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2016/07/\",\"file_path\":\"\",\"filename\":\"Casa July 24th 2016 Show - Anomaly EQd.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:17:05\",\"precision\":\"\",\"size\":\"271.1 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2016/07/\",\"file_path\":\"\",\"filename\":\"Casa July 24th 2016 Show - Want Slash Need.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:31:14\",\"precision\":\"\",\"size\":\"495.8 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://drive.google.com/drive/u/2/folders/1_CNeT4C8F-KzegfFjVrVXof4lLe4LEdO\",\"file_path\":\"\",\"filename\":\"Poster 2016-07-24\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Poster\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2016 07 24\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118 \",\"longitude\":\"-73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["A document entitled “Want Slash Need and the others.doc” explains that at the time of this event, trans poet Julian Paquette was living on Salt Spring Island in British Columbia while working “on a collection of poems called ‘I Went Walking.’” Paquette opened the first set at Casa Del Popolo with poems about his transition called “My Masculinity,” “Secret Handshake,” as well as the collection’s titular poem. Trilingual poet and singer Valerie Curro Khayat read a poem divided into five chapters and punctuated by songs, including “Acontentase” by Italian artist Bruno Lauzi.\nAngela Hibbs, author of “Passport, Wanton” (Insomniac 2009) and “Sin Eater” (Arp Press 2014), rounded off the first set with a poetry reading featuring both old and new work. In the second set, West coast “poet, musician, and activist” Anomaly performed a number of pieces, including one which incorporated a portion of “At The Bird’s Foot” by City and Colour, and two poems entitled “Bystander Intervention” and “Firefighting.” Want Slash Need, a group led by composer and multi-instrumentalist Geof Holbrook, with Pemi Paull on viola, J.C. Lizotte on cello, and Louise Campbell on bass clarinet, performed for the final half hour of the night, a set which included a song entitled “Construction Paper” that Holbrook wrote while alone in the woods."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548374028289,"timestamp":"2026-01-07T14:59:52.745Z","contents":["Casa July Show 2016 STE-001.wav\n\n00:00:00\nAmbient sound [background conversation].\n\nIan Ferrier [https://www.wikidata.org/wiki/Q87138884]\n00:02:07\nIntroduces Julian Paquette | Keyword: Saltspring Island [https://www.wikidata.org/wiki/Q61279071].\n\nAudience\n00:02:40\nApplause.\n\nJulian Paquette\n00:02:46\nPerforms “My Masculinity” | Keywords: transitioning; red; penis.\n\nAudience\n00:06:00\nApplause.\n\nJulian Paquette\n00:06:18\nPerforms “Secret Handshake” | Keywords: rules; mentor; world of men; uncle.\n\nAudience\n00:08:40\nApplause.\n\nJulian Paquette\n00:08:45\nPerforms “I Went Walking” | Keywords: manuscript; gender journey; mirror.\n\nAudience\n00:10:37\nApplause.\n\nIan Ferrier\n00:11:05\nIntroduces Valerie Khayat.\n\nAudience\n00:11:41\nApplause.\n\nValerie Khayat\n00:11:53\nIntroduces project | Keywords: journeys; Italy [https://www.wikidata.org/wiki/Q38].\n\nValerie Khayat\n00:14:23\nPerforms unknown poem | Keywords: hand; breath; dreams.\n\nAudience\n00:22:49\nApplause.\n\nValerie Khayat\n00:23:08\nPerforms unknown poem | Keywords; being; doing; unknown; becoming; river.\n\nAudience\n00:29:41\nApplause.\n\nValerie Khayat\n00:30:15\nPerforms “Il Faudra” | Keywords: romantic love [French].\n\nAudience\n00:36:12\nApplause.\n\nValerie Khayat\n00:36:24\nPerforms unknown poem | Keywords: guilty; surface; life.\n\nAudience\n00:37:31\nApplause [cheering].\n\nIan Ferrier\n00:38:08 \nIntroduces Angela Hibbs.\n\nAudience\n00:38:46\nApplause.\n\nAngela Hibbs\n00:38:56\nIntroduces herself | Keywords: Casa [del Popolo].\n\nAngela Hibbs\n00:39:46\nPerforms “Photograph” | Keywords: Holocaust [https://www.wikidata.org/wiki/Q2763]; Katherine Hepburn [https://www.wikidata.org/wiki/Q76074436].\n\nAngela Hibbs\n00:41:09\nPerforms unknown poem | Keywords: country music; death; rest.\n\nAngela Hibbs\n00:41:52\nPerforms unknown poem | Keywords: Jesus [https://www.wikidata.org/wiki/Q302].\n\nAngela Hibbs\n00:43:12\nPerforms unknown poem | Keywords: new stuff; couch; SoHo; [https://www.wikidata.org/wiki/Q461572] painting.\n\nAngela Hibbs\n00:44:40\nPerforms unknown poem | Keywords: kettle; small talk; heaven; daughter.\n\nAngela Hibbs\n00:46:41\nPerforms unknown poem | Keywords: basement; cement; dream.\n\nAudience\n00:48:03\nApplause.\n\nIan Ferrier\n00:48:18\nAnnounces break.\n\n00:48:31\nAmbient sound [background conversation and music].\n\nEND\n00:53:17\n[Recording continues on file 2].\n\nCasa July 24th 2016 Show - Anomaly EQd.wav\n\nIan Ferrier [https://www.wikidata.org/wiki/Q87138884]\n00:00:00\nIntroduces the second set | Keyword: Anomaly; environmental spirit; Canadian Festival of spoken word.\n\nAudience\n00:00:32\nApplause.\n\nAnomaly\n00:00:42\nPerforms “Mother Montreal” | Keywords: competitive; judge; air; summer; sea; Montreal [https://www.wikidata.org/wiki/Q340]; Siberia [https://www.wikidata.org/wiki/Q5428].\n\nAudience\n00:04:10\nApplause.\n\nAnomaly\n00:04:28\nIntroduces spoken word poem | Keywords: Vancouver Island [https://www.wikidata.org/wiki/Q170479]; pipelines.\n\nAnomaly\n00:06:03\nPerforms spoken word | Keywords: monsters; Colonialism [https://www.wikidata.org/wiki/Q7167]; salmon; loons.\n\nAudience\n00:08:25\nApplause.\n\nAnomaly\n00:08:31\nPerforms “Bystander Intervention” | Keywords: existentialism; control issues; police; systemic injustice.\n\nAudience\n00:11:38\nApplause.\n\nAnomaly\n00:11:46\nPerforms “Firefighting” | Keywords: fire; churches; synagogues; mosques; fear.\n\nAudience\n00:15:26\nApplause.\n\nAnomaly\n00:15:38\nDiscusses her work | Keywords: chapbooks.\n\nAnomaly\n00:16:11\nReads unknown poem | Keywords: Charles Bukowski [https://www.wikidata.org/wiki/Q76409]; whiskey; slave labour.\n\nAudience\n00:16:50\nApplause [laughter].\n\nEND\n0:17:04\n[Recording continues on file 3].\n\nCasa July 24th 2016 Show - Want Slash Need.wav\n\nWant Slash Need\n00:00:00\nPerforms music.\n\nAudience\n00:03:16\nApplause [cheering].\n\nMember of Want Slash Need\n00:03:44\nDiscusses [inaudible].\n\nWant Slash Needs\n00:04:50\nPerforms music.\n\nAudience\n00:10:56\nApplause.\n\nMember of Want Slash Need\n00:11:28\nDiscusses [inaudible].\n\nWant Slash Need\n00:12:06\nPerforms music.\n\nAudience\n00:16:53\nApplause.\n\nMember of Want Slash Need\n00:17:16\nDiscusses [inaudible].\n\nWant Slash Need\n00:17:49\nPerforms music.\n\nAudience\n00:20:06\nApplause.\n\nMember of Want Slash Need\n00:20:19\nDiscusses [inaudible].\n\nWant Slash Need\n00:20:32\nPerforms music.\n\nAudience\n00:24:04\nApplause.\n\nMember of Want Slash Need\n00:24:43\nDiscusses [inaudible].\n\nWant Slash Need\n00:25:13\nPerforms music.\n\nAudience\n00:29:40\nApplause [cheering].\n\nIan Ferrier [https://www.wikidata.org/wiki/Q87138884]\n00:30:30\nAnnounces end of event.\n\nEND\n00:31:13.\n"],"score":0.01643844},{"id":"1147","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2016-08-21"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["Lanigan, Brian","Harness, Kyp","Perry-Fagant, Natasha","Sweet, John Arthur","Richards, Rabbit","Christoff, Stefan","Ferrier, Ian"],"contributors_names_search":["Lanigan, Brian","Harness, Kyp","Perry-Fagant, Natasha","Sweet, John Arthur","Richards, Rabbit","Christoff, Stefan","Ferrier, Ian"],"contributors":["[{\"url\":\"\",\"name\":\"Lanigan, Brian\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/105260791\",\"name\":\"Harness, Kyp\",\"dates\":\"1964-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Perry-Fagant, Natasha\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Sweet, John Arthur\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Richards, Rabbit\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/106422154\",\"name\":\"Christoff, Stefan\",\"dates\":\"1981- \",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"performer_name":["Lanigan, Brian","Harness, Kyp","Perry-Fagant, Natasha","Sweet, John Arthur","Richards, Rabbit","Christoff, Stefan"],"Presenter_name":["Ferrier, Ian"],"Production_Date":[2016],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"In folder: 12 audio, 5 docs, 9 images, 9 misc.\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Set of 2 event audio recordings (+copies and edits)\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2016/08/\",\"file_path\":\"\",\"filename\":\"STE-001.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:39:01\",\"precision\":\"\",\"size\":\"413 MB \",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2016/08/\",\"file_path\":\"\",\"filename\":\"STE-002.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:46:26\",\"precision\":\"\",\"size\":\"491.4 MB \",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2016 08 21\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118 \",\"longitude\":\"-73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["The August 2016 Words and Music Show at Casa Del Popolo began at 9 p.m. with Brian Lanigan, who read a number of original pieces, including the first poem he ever wrote as a teenager and his favorite poem. Toronto-based singer-songwriter and author Kyp Harness discussed and read ”Man Who Really Could See,” a section from his novel “Wigford Rememberies” (Nightwood Editions 2016). In the final minutes of the first set, Natasha Perry-Fagant performed a piece about “codified movements.” In the second half of the evening, John Arthur Sweet performed a monologue that was cut from his show “Who Waits At The Top Of The Stairs.” Throw Collective member Rabbit Richards performed five pieces confronting a range of subjects, including sexual assault and depression. “To close this really amazing and eclectic evening,” Stefan Christoff played an instrumental piece on piano."],"contents":["STE-001\n\nIan Ferrier [https://www.wikidata.org/wiki/Q87138884]\n00:00:00\nIntroduces event | Keywords: novelist; Throw Collective; Winnipeg; Brian Lanigan.\n\nAudience\n00:00:58\nApplause.\n\nBrian Lanigan\n00:01:05\nPerforms unknown poem | Keywords: first poem; exercise; size.\n\nAudience\n00:02:38\nApplause.\n\nBrian Lanigan\n00:02:44\nPerforms unknown poem | Keywords: furniture; radio waves.\n\nAudience\n00:06:29\nApplause [cheering].\n\nBrian Lanigan\n00:06:41\nDiscusses project | Keywords: Slam Collective; favourite poem.\n\nBrian Lanigan\n00:08:15\nPerforms unknown poem | Keywords: identity; straight; gay.\n\nAudience\n00:10:22\nApplause.\n\nBrian Lanigan\n00:10:32\nPerforms unknown poem | Keywords: famous; inspiration.\n\nAudience\n00:13:35\nApplause [cheering].\n\nIan Ferrier\n00:13:57\nIntroduces Kyp Harness [https://www.wikidata.org/wiki/Q6452260 ] | Keywords: novelist; Wigford Rememberies.\n\nAudience\n00:14:21\nApplause.\n\nKyp Harness [https://www.wikidata.org/wiki/Q6452260]\n00:14:31\nIntroduces Wigford Rememberies | Keywords: novels; smalltown.\n\nKyp Harness\n00:15:40\nReads from Wigford Rememberies | Keywords: tabacco; Native; mamma Simpson; daddy Jack; sonofabitch Harley.\n\nAudience\n00:33:02\nApplause [cheering].\n\nIan Ferrier\n00:33:21\nIntroduces Natasha Perry-Fagant | Keywords: Fringe Festival; David Lynch [https://www.wikidata.org/wiki/Q2071].\n\nAudience\n00:33:54\nApplause.\n\nNatasha Perry-Fagant\n00:34:06\nDiscusses [inaudible].\n\nNatasha Perry-Fagant\n00:35:18\nPerforms music.\n\nAudience\n00:38:31\nApplause.\n\nIan Ferrier\n00:38:46\nAnnounces break | Keywords: John Arthur Sweet; Rabbit Richards; Stefan Christoff [https://www.wikidata.org/wiki/Q7606050].\n\nEND\n00:39:01\n[Event continues on second file].\n\nSTE-002\n\n00:00:00\nSilence.\n\nIan Ferrier [https://www.wikidata.org/wiki/Q87138884]\n00:00:09\nIntroduces second set | Keywords: solo show; margins; John Arthur Sweet.\n\nAudience\n00:00:51\nApplause.\n\nJohn Arthur Sweet\n00:01:02\nDiscusses show “Who Waits at the Top of the Stairs” | Keywords: monologues; Prague [https://www.wikidata.org/wiki/Q1085].\n\nJohn Arthur Sweet\n00:03:50\nPerforms cut scene from “Who Waits at the Top of the Stairs” | Keywords: Montreal [https://www.wikidata.org/wiki/Q340]; Musée d’Art Contemporain; art; intimacy; beauty; voyeur.\n\nAudience\n00:15:29\nApplause [cheering].\n\nJohn Arthur Sweet\n00:15:49\nPerforms | Keywords: show; dreams; movie; backstory; mother; sister.\n\nAudience\n00:22:12\nApplause.\n\nIan Ferrier\n00:22:30\nIntroduces Rabbit Richards | Keywords: Throw Collective.\n\nAudience\n00:22:49\nApplause.\n\nRabbit Richards\n00:22:59\nIntroduces project | Keywords: face.\n\nRabbit Richards\n00:23:51\nPerforms spoken word | Keywords: Back to the Future [https://www.wikidata.org/wiki/Q91540]; rape; control.\n\nAudiencee\n00:27:17\nApplause.\n\nRabbit Richards\n00:27:28\nPerforms spoken word | Keywords: courageous; armour; cowardice; silent scream; fear; suicide; stage; fiction.\n\nAudience\n00:29:58\nApplause.\n\nRabbit Richards\n00:30:17\nDiscusses project | Keywords: Anti Oppression Committee; progress; authority.\n\nRabbit Richards\n00:31:00\nPerforms spoken word | Keywords: badass; bruises; anguish.\n\nAudience\n00:32:39\nApplause.\n\nRabbit Richards\n00:32:42\nDiscusses project | Keywords: depression; poetry; music; relationships.\n\nRabbit Richards\n00:33:33\nPerforms spoken word | Keywords: drown; breath; antipathy; retinae; insomnia.\n\nAudience\n00:36:10\nApplause.\n\nIan Ferrier\n00:36:25\nIntroduces Stefan Christoff | Keywords: friend; activist.\n\nAudience\n00:36:56\nApplause.\n\nStefan Christoff [https://www.wikidata.org/wiki/Q7606050]\n00:37:11\nIntroduces music | Keywords: piano.\n\nStefan Christoff\n00:37:48\nPerforms music.\n\nAudience\n00:44:04\nApplause.\n\nStefan Christoff\n00:44:35\nDiscusses [inaudible] | Keywords: Casa [del Popolo].\n\nAudience\n00:44:48\nApplause.\n\nIan Ferrier\n00:45:18\nAnnounces end of event.\n\nRabbit Richards\n00:45:35\nAnnounces Slam Collective event | Keywords: Kaie Kellough [https://www.wikidata.org/wiki/Q6347628]; Kalmunity.\n\nAudience\n00:46:05\nApplause.\n\nEND\n00:46:25.\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548375076864,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1148","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2016-09-18"],"item_title_source":["Cataloguer "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["Lima, Elizabeth","Dosseva, Annamaria","Spir, Speranza","Lafond, Denis","Palanca, Riley","Rosen, Jordi","Leach, Ricky","Kidd, Catherine","Christoff, Stefan","Ferrier, Ian"],"contributors_names_search":["Lima, Elizabeth","Dosseva, Annamaria","Spir, Speranza","Lafond, Denis","Palanca, Riley","Rosen, Jordi","Leach, Ricky","Kidd, Catherine","Christoff, Stefan","Ferrier, Ian"],"contributors":["[{\"url\":\"\",\"name\":\"Lima, Elizabeth\",\"dates\":\"\",\"notes\":\"Referred to as \\\"Liz Lima\\\" in the recording (With Ian Ferrier)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Dosseva, Annamaria\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Spir, Speranza\",\"dates\":\"\",\"notes\":\"(With Denis Lafond)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Lafond, Denis\",\"dates\":\"\",\"notes\":\"(With Speranza Spir) \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Palanca, Riley\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/316981967\",\"name\":\"Rosen, Jordi\",\"dates\":\"1972-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Leach, Ricky\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/13542322\",\"name\":\"Kidd, Catherine\",\"dates\":\"1967-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/106422154\",\"name\":\"Christoff, Stefan\",\"dates\":\"1981-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"Also performs (With Elizabeth Lima)\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"performer_name":["Lima, Elizabeth","Dosseva, Annamaria","Spir, Speranza","Lafond, Denis","Palanca, Riley","Rosen, Jordi","Leach, Ricky","Kidd, Catherine","Christoff, Stefan"],"Presenter_name":["Ferrier, Ian"],"Production_Date":[2016],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"In folder: 4 audio, 3 docs, 3 misc. In folder2: 8 audio, 1 doc, 3 images, 8 misc.\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Set of 3 event audio recordings (+ copies and edits)\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2016/09/\",\"file_path\":\"\",\"filename\":\"STE-010 Sept Ian & Liz, Dosseva, Speranza.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:35:27\",\"precision\":\"\",\"size\":\"375.1 MB \",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2016/09/\",\"file_path\":\"\",\"filename\":\"STE-011 Sept Riley Palanca Jordi rosen Ricky Leach.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:52:43\",\"precision\":\"\",\"size\":\"558 MB \",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2016/09/\",\"file_path\":\"\",\"filename\":\"STE-012 Sept Set 3 Cat Kidd Hyena - Stef Christoff.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:35:10\",\"precision\":\"\",\"size\":\"372.2 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2016 09 18\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118 \",\"longitude\":\"-73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["In the first event of the Words and Music Show’s 2016 fall season, series organizer and host Ian Ferrier kicked off the night at Casa Del Popolo on the guitar in a performance featuring Elizabeth Lima on vocals. Throw Collective member Annamaria Dosseva read original work, including “Sex as a Metaphor for Playing the Piano,” “The New Religion,” and “Branding.” As described in a document entitled “September Bios.doc,” “Montrealer, somatic educator, poet & performer” Speranza Spir took to the stage with “The Tea Series,” featuring her collaborator, Denis Lafond. To lead off the second set, “playwright and spoken word artist” Riley Palanca performed the first spoken word piece he ever wrote and a cento with lines sourced from popular songs. Jordi Rosen performed atmospheric pop songs including “The Star Family” and a cover of Ben Jonson’s “Song: To Celia” set to music. Ricky Leach followed with two poems/songs. In the third and final set, “natural phenomenon” Catherine Kidd performed two of her albums’ title tracks, “Hyena Subpoena” and “Sea Peach,” which Kidd dedicated to Jordi Rosen. “Canadian activist and musician” Stefan Christoff closed the show with an instrumental piano piece written as a reflection on the changing culture of Montreal."],"contents":["STE-010 Sept Ian & Liz, Dosseva, Speranza.wav\n\n00:00:00\nAmbient sound [background conversation].\n\nIan Ferrier [https://www.wikidata.org/wiki/Q87138884]\n00:01:48\nIntroduces event.\n\nIan Ferrier and Liz Lima\n00:03:11\nPerform collaboration.\n\nAudience\n00:11:26\nApplause [cheering].\n\nIan Ferrier\n00:11:42\nIntroduces Annamaria Dosseva.\n\nAudience\n00:11:58\nApplause.\n\nAnnamaria Dosseva\n00:12:07\nPerforms “Sex as Metaphor for Playing the Piano” | Keywords: soul.\n\nAudience\n00:13:16\nApplause.\n\nAnnamaria Dosseva\n00:13:29\nPerforms [inaudible] | Keywords: capitalism; student debt.\n\nAudience\n00:15:38\nApplause.\n\nAnnamaria Dosseva\n00:15:46\nPerforms “Branding” | Keywords: social media; fame.\n\nAudience\n00:18:33\nApplause.\n\nIan Ferrier\n00:18:51\nIntroduces Denis Lafond and Speranza Spir | Keywords: haiku.\n\nAudience\n00:19:21\nApplause.\n\nDenis Lafond and Speranza Spir\n00:22:27\nAnnounces that audience should stand up | Keywords: water; inner ear.\n\nDenis Lafond and Speranza Spir\n00:24:28\nPerform | Keywords: tea; past; resistance; dead duck.\n\nAudience\n00:34:41\nApplause.\n\nIan Ferrier\n00:35:00\nAnnounces break.\n\nEND\n00:35:26\n[Recording continues on second file].\n\nSTE-011 Sept Riley Palanca Jordi rosen Ricky Leach.wav\n\n00:00:00\nAmbient sound [background conversation].\n\nIan Ferrier [https://www.wikidata.org/wiki/Q87138884]\n00:00:33\nIntroduces second set | Keywords: Riley Palanca.\n\nAudience\n00:00:58\nApplause [cheering].\n\nRiley Palanca\n00:01:09\nPerforms “Can I” | Keywords: spoken word; bus; phone; Quidi Vidi [https://www.wikidata.org/wiki/Q7271814]; St. John’s [https://www.wikidata.org/wiki/Q2082]; Breaking Bad [https://www.wikidata.org/wiki/Q1079]; Grindr [https://www.wikidata.org/wiki/Q2302402].\n\nAudience\n00:05:51\nApplause.\n\nRiley Palanca\n00:06:00\nPerforms spoken word | Keywords: cento.\n\nAudience\n00:12:01\nApplause.\n\nIan Ferrier\n00:12:16\nIntroduces Jordi Rosen.\n\nAudience\n00:12:46\nApplause.\n\nJordi Rosen\n00:13:20\nDiscusses [inaudible].\n\nJordi Rosen\n00:14:41\nPerforms “Star Family” | Keywords: northern lights.\n\nAudience\n00:19:37\nApplause.\n\nJordi Rosen\n00:19:51\nPerforms | Keywords: readings; healings.\n\nAudience\n00:24:08\nApplause.\n\nJordi Rosen\n00:24:39\nPerforms “To Celia” | Keywords: astrology.\n\nAudience\n00:30:00\nApplause.\n\nJordi Rosen\n00:30:13\nPerforms | Keywords: singalong; country; sunshine.\n\nAudience\n00:37:33\nApplause.\n\n00:38:04\nAmbient sound [background conversation].\n\nIan Ferrier\n00:38:21\nIntroduces Ricky Leach.\n\nAudience\n00:38:54\nApplause.\n\nRicky Leach\n00:40:24\nPerforms.\n\nAudience\n00:45:59\nApplause.\n\nRicky Leach\n00:46:14\nPerforms.\n\nAudience\n00:52:05\nApplause.\n\nIan Ferrier\n00:52:26\nAnnounces break.\n\nEND\n00:52:43\n[Recording continues on third file].\n\nSTE-012 Sept Set 3 Cat Kidd Hyena - Stef Christoff.wav\n\nIan Ferrier [https://www.wikidata.org/wiki/Q87138884]\n00:00:00\nIntroduces last set.\n\nAudience\n00:00:47\nApplause.\n\nCat Kidd\n00:00:58\nIntroduces “Hyenas” | Keywords: a cappella.\n\nCat Kidd\n00:02:11\nPerforms “Hyenas” | Keywords: species; hyena; shapeshifters; perverts; mythical; scavenger; lions; Swahili [https://www.wikidata.org/wiki/Q7838]; homeless.\n\nAudience\n00:13:07\nApplause [cheering].\n\nCat Kidd\n00:13:29\nDiscusses “Sea Peach”. Keywords: Jordi Rosen.\n\nCat Kidd\n00:14:10\nPerforms “Sea Peach” | Keywords: love; sea creatures; anemone; ice age; fox; furs; aorta; heart; artery; oxygen.\n\nAudience\n00:21:48\nApplause [cheering].\n\nIan Ferrier\n00:22:12\nIntroduces Stefan Christoff | Keywords: piano.\n\nAudience\n00:22:28\nApplause [cheering].\n\nStefan Christoff [https://www.wikidata.org/wiki/Q7606050]\n00:22:42\nIntroduces [inaudible] | Keywords: thanks; Ian Ferrier; series; Casa del Popolo; struggles; “Ton Libre”; injustice; gentrification.\n\nApplause\n00:25:03\n\nStefan Christoff\n00:25:14\nPerforms music.\n\nAudience\n00:33:50\nApplause.\n\nIan Ferrier\n00:34:11\nAnnounces end of event.\n\nAudience\n00:34:40\nApplause [cheering].\n\n00:34:55\nAmbient sound [background conversation].\n\nEND\n00:35:09.\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548375076865,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1149","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at La Vitrola 2016-10-23"],"item_title_source":["Cataloguer "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["Abley, Mark","Drukker, Kelly Norah","Giraldo, Isis","Christoff, Stefan","Ferrier, Ian"],"contributors_names_search":["Abley, Mark","Drukker, Kelly Norah","Giraldo, Isis","Christoff, Stefan","Ferrier, Ian"],"contributors":["[{\"url\":\"http://viaf.org/viaf/94007987\",\"name\":\"Abley, Mark\",\"dates\":\"1955-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/33146094193500330987\",\"name\":\"Drukker, Kelly Norah\",\"dates\":\"1975-\",\"notes\":\"(With Choeur Elan)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Giraldo, Isis\",\"dates\":\"\",\"notes\":\"(With Chiquita Magic)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/106422154\",\"name\":\"Christoff, Stefan\",\"dates\":\"1981-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"performer_name":["Abley, Mark","Drukker, Kelly Norah","Giraldo, Isis","Christoff, Stefan"],"Presenter_name":["Ferrier, Ian"],"Production_Date":[2016],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"In folder: 6 audio, 6 misc. In folder2: 2 images. In folder3: 3 audio, 3 docs, 2 images, 3 misc.\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Copies and edits\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2016/10/\",\"file_path\":\"\",\"filename\":\"STE-000 October 23rd Show Kell mark Isis Steph.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:32:15\",\"precision\":\"\",\"size\":\"976.4 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2016 10 23\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"La Vitrola\",\"notes\":\"\",\"address\":\"4602 Boul St-Laurent, Montréal, QC, H2T 1R3\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["4602 Boul St-Laurent, Montréal, QC, H2T 1R3"],"Venue":["La Vitrola"],"City":["Montreal, Quebec"],"content_notes":["The October 23rd, 2016 recording begins abruptly with Mark Abley reading “One Night,” followed by “Montreal” and “Glasburyon,” a poem about dead and endangered languages, at La Vitrola. Though she began with a standard reading, Kelly Norah Drukker and Choeur Elan also collaborated to translate Drukker’s poetry from “Small Fires” (McGill-Queen's University Press 2016) into song. After the intermission, Isis Giraldo and Chiquita Magic performed a set of Spanish synthpop songs, including “Sombras” and “Amistad,” and Stefan Christoff performed solo on electric guitar."],"contents":["STE-000 October 23rd Show Kell mark Isis Steph.wav\n\nMark Abley [https://www.wikidata.org/wiki/Q3293975]\n00:00:00\nPerforms “One Night” | Keywords: archepelago; moon.\n\nMark Abley\n00:00:39\nIntroduces “Montreal” | Keywords: Montreal [https://www.wikidata.org/wiki/Q340]; billboard; William Blake [https://www.wikidata.org/wiki/Q41513].\n\nMark Abley\n00:01:32\nPerforms “Montreal” | Keywords: the Main [boulevard St-Laurent]; Farine Five Roses.\n\nMark Abley\n00:03:19\nPerforms unknown poem | Keywords: death; language; anthropology; ballad.\n\nAudience\n00:06:58\nApplause [cheering].\n\nIan Ferrier [https://www.wikidata.org/wiki/Q87138884]\n00:07:12\nIntroduces Kelly Norah Drucker and Choeur Elan | Keywords: colloboration; Small Fires\n\nAudience\n00:07:54\nApplause.\n\nKelly Norah Drucker\n00:08:42\nIntroduces Small Fires |  Keywords: journeys; Pyrenees [https://www.wikidata.org/wiki/Q12431]; English teacher; Occitan [https://www.wikidata.org/wiki/Q14185].\n\nKelly Norah Drucker\n00:10:07\nReads “The Wild Boar” | Keywords: sow; warrior.\n\nKelly Norah Drucker\n0:11:05\nReads “The Vine” | Keywords: braid; wisteria.\n\nKelly Norah Drucker\n00:12:19\nReads “August” | Keywords: plaguetime; Toulouse [https://www.wikidata.org/wiki/Q7880]; pheasant.\n\nKelly Norah Drucker\n00:14:18\nIntroduces “Another Winter’s Child” | Keywords: Ireland [https://www.wikidata.org/wiki/Q27]; grandmother; eggs.\n\nKelly Norah Drucker\n00:15:00\nReads “Another Winter’s Child” | Keywords: bloomers; mud; eggs; [rape]; mother; woman.\n\nAudience\n00:21:24\nApplause.\n\nKelly Norah Drucker and Choeur Elan\n00:21:33\nPerform collaboration | Keywords; Ireland; briar; blackberries; sunflowers.\n\nAudience\n00:30:58\nApplause.\n\nKelly Norah Drucker\n00:31:18\nIntroduces [inaudible] | Keywords; songs.\n\nKelly Norah Drucker and Choeur Elan\n00:31:36\nPerform collaboration.\n\nAudience\n00:33:36\nApplause.\n\nKelly Norah Drucker and Choeur Elan\n00:34:26\nPerform collaboration.\n\nAudience\n00:37:15\nApplause.\n\nIan Ferrier\n00:37:37\nAnnounces break | Keywords: musical acts; Isis Giraldo; Stefan Christoff.\n\n00:38:35\nAmbient sound [background music and conversation].\n\n00:40:40\nMuted.\n\nIsis Giraldo\n00:57:09 \nPerforms music | Keywords: Chiquita [Magic].\n\nAudience\n00:59:25\nApplause.\n\nIsis Giraldo\n00:59:39\nPerforms music.\n\nAudience\n01:02:33\nApplause.\n\nIsis Giraldo\n01:02:47\nIntroduces “Sombres” | Keywords: synth; Kai [Basanta]; Spanish [https://www.wikidata.org/wiki/Q1321]; Colombian [https://www.wikidata.org/wiki/Q739]; shadows.\n\nIsis Giraldo\n01:03:54\nPerforms “Sombres”.\n\nAudience\n01:06:25\nApplause.\n\nIsis Giraldo\n01:06:41\nPerforms music.\n\nAudience\n01:09:07\nApplause.\n\nIsis Giraldo\n01:09:14\nPerforms music.\n\nAudience\n01:12:15\nApplause.\n\nIsis Giraldo\n01:12:24\nPerforms music | Keywords: friendship; drinks; winter; album.\n\n01:14:24\nMuted.\n\n01:15:02\nUnmuted.\n\n01:15:56\nMuted.\n\nStefan Christoff [https://www.wikidata.org/wiki/Q7606050]\n01:19:25\nPerforms music.\n\nAudience\n01:28:35\nApplause.\n\n01:29:23\nAmbient sound [machine hum].\n\nAudience\n01:30:08\nApplause.\n\nIan Ferrier\n01:30:20\nAnnounces end of event.\n\nEND\n01:32:14.\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548376125440,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1150","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2016-11-20"],"item_title_source":["Cataloguer "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["Nixen, Eve","Evanson, Tanya","Kellough, Kaie","Dutton, Paul","Christoff, Stefan","Ferrier, Ian","Segalowitz, Nina"],"contributors_names_search":["Nixen, Eve","Evanson, Tanya","Kellough, Kaie","Dutton, Paul","Christoff, Stefan","Ferrier, Ian","Segalowitz, Nina"],"contributors":["[{\"url\":\"http://viaf.org/viaf/11152501060010680827\",\"name\":\"Nixen, Eve\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/106262394\",\"name\":\"Evanson, Tanya\",\"dates\":\"1972-\",\"notes\":\"(With Zenship)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/68351676\",\"name\":\"Kellough, Kaie\",\"dates\":\"1975-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/36999806\",\"name\":\"Dutton, Paul\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/106422154\",\"name\":\"Christoff, Stefan\",\"dates\":\"1981-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"\",\"name\":\"Segalowitz, Nina\",\"dates\":\"\",\"notes\":\"(With Tanya Evanson and Zenship)\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Nixen, Eve","Evanson, Tanya","Kellough, Kaie","Dutton, Paul","Christoff, Stefan","Segalowitz, Nina"],"Presenter_name":["Ferrier, Ian"],"Production_Date":[2016],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\" In folder: 8 audio, 11 images, 9 misc. In folder2: 2 audio, 3 images, 2 misc. \",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Copies and edits\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2016/11/\",\"file_path\":\"\",\"filename\":\"STE-008 Casa W&M Nov 20 2016 Tanya Kaie Dutton BOARD.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"02:12:58\",\"precision\":\"\",\"size\":\"1.41 GB \",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2016 11 20\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC H2T 1R6\",\"latitude\":\"45.5222118 \",\"longitude\":\"-73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["Eve Nixen, author of “Day Dreams of a Dull Girl” (self-published 2016), began the November 2016 Words and Music Show at Casa Del Popolo by premiering a poem entitled “Encounters With Oblivion.” Tanya Evanson and Zenship, described by host Ian Ferrier as “a phenomenon,” performed a groovy mix of sounds, music, and spoken word in a set that included “Apocalypsiata” and “Temple Exercises” from their self-titled CD, and which featured Inuit throat singer Nina Segalowitz. The second set opened with Kaie Kellough’s presentation of narratives about his adolescence in 1980s Alberta. As Kellough described his work live, an overlay of a pre-recorded voice grew in volume as the introduction and the performance melted into each other. Before Stefan Christoff ended the evening with an original piano instrumental, Paul Dutton performed a set including a sound sonnet entitled “Little Sound 1,” sound art pieces from a series called “The Antilryics,” poems such as “The Book of Uncertain Values Chapter 1: Several Times Table” and “Thought,” and an incredibly short story, aptly named “Short Story.”"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548376125441,"timestamp":"2026-01-07T14:59:52.745Z","contents":["STE-008 Casa W&M Nov 20 2016 Tanya Kaie Dutton BOARD.wav\n\n00:00:00\nAmbient sound [music].\n\nIan Ferrier [https://www.wikidata.org/wiki/Q87138884]\n00:00:52\nIntroduces event | Paul Dutton [https://www.wikidata.org/wiki/Q7150407]; Kaie Kellough [https://www.wikidata.org/wiki/Q6347628]; sound poetry; Eve Nixen; Café Resonance.\n\nAudience\n00:01:45\nApplause.\n\nEve Nixen\n00:02:05\nPerforms “Encounters with Oblivion” | Keywords: lover; letter; Athens [https://www.wikidata.org/wiki/Q1524].\n\nAudience\n00:10:58\nApplause.\n\nIan Ferrier\n00:11:28\nIntroduces Tanya Evanson and Zenship | Keywords: Zenship [Tanya Evanson (voice); Mark Haynes (bass); Ziya Tabassian (percussion); Caulder Nash (keyboards)].\n\nAudience\n00:11:59\nApplause.\n\nZenship\n00:13:27\nPerforms | Keywords: one; sorrow; rage; light; immortality.\n\nAudience\n00:19:59\nApplause [cheering].\n\nTanya Evanson\n00:20:04\nDiscusses project | Keywords: poets; musicians; elastic; page; Zenship.\n\nZenship\n00:20:53\nPerforms | Keywords: apocalypse; animals; meat.\n\nAudience\n00:22:56\nApplause.\n\nTanya Evanson\n00:23:14\nIntroduces “Temple Exercises” |  Keywords: ill; parent.\n\nZenship\n00:23:22\nPerforms “Temple Exercises” | Keywords: physiology; heart; knee; ultrasound.\n\nAudience\n00:27:15\nApplause [cheering].\n\nTanya Evanson\n00:27:26\nInvites Nina Segalowitz | Keywords: Inuit throat singing.\n\nAudience\n00:27:39\nApplause\n\nZenship\n00:28:16\nPerforms | Keywords: knowledge; nakedness; book; taxes.\n\nAudience\n00:35:10\nApplause [cheering].\n\nZenship\n00:36:01\nPerforms | Keywords: tree frogs; love.\n\nAudience\n00:43:07\nApplause.\n\nTanya Evanson\n00:43:16\nDiscusses project.\n\nZenship\n00:43:34\nPerforms | Keywords: glass; fist; gumbo.\n\nAudience\n00:49:38\nApplause [cheering].\n\nIan Ferrier\n00:50:07\nAnnounces break.\n\nAudience\n00:50:25\nApplause.\n\n00:50:32\nAmbient sound [background music].\n\nIan Ferrier\n01:07:54\nIntroduces second set | Keywords: Paul Dutton; Kaie Kellough; Accordeon; novel.\n\nAudience\n01:08:25\nApplause.\n\nKaie Kellough [https://www.wikidata.org/wiki/Q6347628]\n01:08:43\nIntroduces set | Keywords: narratives; adolescence; Alberta [https://www.wikidata.org/wiki/Q1951].\n\nKaie Kellough\n01:09:53\nPerforms unknown poem | Keywords: prairie; periphery; recapitulation; macho; privilege; rape; heterosexual; erection; Apartheid [https://www.wikidata.org/wiki/Q11409]; fear; school; middle class; anger; pussy; parking lots; suicide.\n\nAudience\n01:30:00\nApplause [cheering].\n\nIan Ferrier\n01:30:37\nAnnounces break.\n\n01:31:00\nAmbient sound [background music].\n\nIan Ferrier\n01:34:09\nIntroduces Paul Dutton | Keywords: League of Canadian Poets [https://www.wikidata.org/wiki/Q6509004]; Four Horsemen; Stefan Christoff [https://www.wikidata.org/wiki/Q7606050].\n\nAudience\n01:34:45\nApplause.\n\nPaul Dutton [https://www.wikidata.org/wiki/Q7150407]\n01:34:52\nIntroduces “Little Sound 1” | Keywords: mono; stereo; sonnet.\n\nPaul Dutton\n01:35:15\nPerforms “Little Sound 1”.\n\nAudience\n01:36:00\nApplause.\n\nPaul Dutton\n01:36:04\nPerforms “Sonnet Qualification”.\n\nPaul Dutton\n01:37:04\nPerforms “Antilyrics”.\n\nAudience\n01:37:56\nApplause.\n\nPaul Dutton\n01:38:09\nPerforms unknown poem | Keywords: chair.\n\nAudience\n01:40:53\nApplause.\n\nPaul Dutton\n01:41:00\nPerforms “Several Times Table” from The Book of Uncertain Values.\n\nAudience\n01:41:57\nApplause.\n\nPaul Dutton\n01:42:01\nPerforms unknown poem | Keywords: stereo.\n\nAudience\n01:45:10\nApplause [cheering].\n\nPaul Dutton\n01:45:23\nPerforms “Lost, Way Lost” | Keywords: mono.\n\nAudience\n01:46:52\nApplause.\n\nPaul Dutton\n01:47:00\nPerforms “Short Story” | Keywords: fiction; short fiction; epilogue.\n\nAudience\n01:48:06\nApplause.\n\nPaul Dutton\n01:48:13\nPerforms “Antilyric FANJ”.\n\nAudience\n01:49:17\nAudience.\n\nPaul Dutton\n01:49:23\nPerforms “Snare, Kick, Rack, and Floor”.\n\nAudience\n01:51:19\nApplause.\n\nPaul Dutton\n01:51:28\nPerforms unknown poem.\n\nAudience\n01:57:28\nApplause [cheering].\n\nPaul Dutton\n01:57:55\nDiscusses [inaudible].\n\nIan Ferrier\n01:59:08\nIntroduces Stefan Christoff | Keywords: activist; piano.\n\nAudience\n01:59:38\nApplause.\n\nStefan Christoff [https://www.wikidata.org/wiki/Q7606050]\n01:59:57\nPerforms music.\n\nAudience\n02:06:53\nApplause [cheering].\n\nStefan Christoff\n02:07:08\nDiscusses event | Keywords: Justin Bieber [https://www.wikidata.org/wiki/Q34086]; prime minister; Gaza [https://www.wikidata.org/wiki/Q39760]; translation; journalists.\n\nAudience\n02:10:09\nApplause.\n\nIan Ferrier\n02:10:31\nAnnounces end of event.\n\nAudience\n02:11:18\nApplause.\n\n02:11:24\nAmbient sound [background music].\n\nEND\n02:12:58.\n"],"score":0.01643844},{"id":"1151","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2016-12-18"],"item_title_source":["Cataloguer "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["Darcy, Alison","Eizlini, Will","Filyavich, Tamara","Schidlowsky, James","Campbell, Louise","Jacques, Marie-France","Gilbert, Marie-Pier","Christoff, Stefan","Ferrier, Ian","Millerd, Simon","Crosby, Ted","Wiens, Jake"],"contributors_names_search":["Darcy, Alison","Eizlini, Will","Filyavich, Tamara","Schidlowsky, James","Campbell, Louise","Jacques, Marie-France","Gilbert, Marie-Pier","Christoff, Stefan","Ferrier, Ian","Millerd, Simon","Crosby, Ted","Wiens, Jake"],"contributors":["[{\"url\":\"\",\"name\":\"Darcy, Alison\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Eizlini, Will\",\"dates\":\"\",\"notes\":\"(With Tamara Filyavich, James Schidlowsky, Louise Campbell, and Ian Ferrier)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Filyavich, Tamara\",\"dates\":\"\",\"notes\":\"(With Will Eizlini, James Schidlowsky, Louise Campbell, and Ian Ferrier)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Schidlowsky, James\",\"dates\":\"\",\"notes\":\"(With Will Eizlini, Tamara Filyavich, Louise Campbell, and Ian Ferrier)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Campbell, Louise\",\"dates\":\"\",\"notes\":\"(With Will Eizlini, Tamara Filyavich, James Schidlowsky, and Ian Ferrier) and (With Marie-France Jacques, Marie-Pier Gilbert, and Ian Ferrier)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Jacques, Marie-France\",\"dates\":\"\",\"notes\":\"(With Louise Campbell, Marie-Pier Gilbert, and Ian Ferrier)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Gilbert, Marie-Pier\",\"dates\":\"\",\"notes\":\"(With Louise Campbell, Marie-France Jacques, and Ian Ferrier)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/106422154\",\"name\":\"Christoff, Stefan\",\"dates\":\"1981-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"(With Will Eizlini, Tamara Filyavich, James Schidlowsky, and Ian Ferrier) and (With Louise Campbell, Marie-France Jacques, and Marie-Pier Gilbert)\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/1388151837982020520003\",\"name\":\"Millerd, Simon\",\"dates\":\"1987-\",\"notes\":\"(With Nomad)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Crosby, Ted\",\"dates\":\"\",\"notes\":\"(With Nomad)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Wiens, Jake\",\"dates\":\"\",\"notes\":\"(With Nomad)\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Darcy, Alison","Eizlini, Will","Filyavich, Tamara","Schidlowsky, James","Campbell, Louise","Jacques, Marie-France","Gilbert, Marie-Pier","Christoff, Stefan","Millerd, Simon","Crosby, Ted","Wiens, Jake"],"Presenter_name":["Ferrier, Ian"],"Production_Date":[2016],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"In folder: 9 audio, 7 misc.\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Set of 3 event audio recordings (+ copies and edits)\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2016/12/\",\"file_path\":\"\",\"filename\":\"STE-001.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:38:06\",\"precision\":\"\",\"size\":\"403.2 MB \",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2016/12/\",\"file_path\":\"\",\"filename\":\"STE-002.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:14:25\",\"precision\":\"\",\"size\":\"152.5 MB \",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2016/12/\",\"file_path\":\"\",\"filename\":\"STE-003.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:46:10\",\"precision\":\"\",\"size\":\"488.7 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2016 12 18\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC H2T 1R6\",\"latitude\":\"45.5222118 \",\"longitude\":\"-73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["The final show of 2016 opened with Alison Darcy’s performance of a story by Marianne Ackerman entitled “Mankind.” Will Eizlini’s Amanita voice and music ensemble, composed of Tamara Filyavich, James Schidlowsky, Louise Campbell, and Words & Music host and organizer Ian Ferrier, then gathered onto the Casa Del Popolo stage to perform a mix of trance and spoken word. Ferrier and Campbell then returned to the stage, turned off the lights in the room, and performed another piece together on guitar and clarinet. As announced on the recording and visible in the video footage, Marie-France Jacques and Marie-Pier Gilbert also provided contemporary dance and movement to accompany the duo’s performance. The evening concluded with two additional musical performances by Nomad (Simon Millerd, Jake Wiens and Ted Crosby) and Stefan Christoff, who also read original poems for the first time at a Words and Music Show."],"contents":["STE-001.wav\n\nIan Ferrier [https://www.wikidata.org/wiki/Q87138884]\n00:00:00\nIntroduces event | Keywords: Nomad [Simon Millerd, Jake Weins, Ted Crosby]; Marianne Ackerman; monologue; Mankind and Other Stories; Alison Darcy.\n\nAudience\n00:01:18\nApplause.\n\nAlison Darcy [https://www.wikidata.org/wiki/Q63610160]\n00:01:31\nIntroduces “Mankind” | Keywords: Marianne Ackerman [https://www.wikidata.org/wiki/Q6762189].\n\nAlison Darcy\n00:02:07\nPerforms “Mankind” | Keywords: Christmas; Santa; dildo; mankind.\n\nAudience\n00:18:36\nApplause.\n\nIan Ferrier\n00:18:45\nIntroduces Amanita Voice and Music Ensemble.\n\nAmanita Voice and Music Ensemble [Will Eizlini, Ian Ferrier, Tamara Filyavitch, Louise Campbell, James Schidlowsky]\n00:20:53\nPerform music | Keywords: hunter; bear; snow; earth; storm; families.\n\nAudience\n00:37:20\nApplause.\n\nIan Ferrier\n00:37:33\nAnnounces break.\n\nEND\n00:38:05\n[Event continues on second file].\n\nSTE-002 2.wav\n\n00:00:00\nAmbient sound [background conversation].\n\nIan Ferrier [https://www.wikidata.org/wiki/Q87138884]\n00:01:19\nIntroduces second set | Keywords: dancers; Marie-Pier Gilbert; Marie-France Jacques; Louise Campbell.\n\nMarie-Pier Gilbert, Marie-France Jacques, Louise Campbell, Ian Ferrier\n00:01:49\nPerform collaboration.\n\nAudience\n00:07:42\nApplause.\n\nIan Ferrier\n00:07:57\nAnnounces break.\n\nAudience\n00:08:09\nApplause.\n\n00:08:17\nAmbient sound [background music].\n\nEND\n00:14:24\n[This event continues on third file].\n\nSTE-003.wav\n\n00:00:00\nAmbient sound [background conversation].\n\nNomad [Ted Crosby, Simon Millerd, Jake Weins]\n00:01:35\nPerforms music.\n\nAudience\n00:05:45\nApplause.\n\nNomad [Ted Crosby, Simon Millerd, Jake Weins]\n00:05:58\nPerforms music.\n\nAudience\n00:20:06\nApplause.\n\nNomad [Ted Crosby, Simon Millerd, Jake Weins]\n00:20:51\nPerforms music.\n\nAudience\n00:25:29\nApplause.\n\nNomad [Ted Crosby, Simon Millerd, Jake Weins]\n00:25:57\nPerforms music.\n\nAudience\n00:31:24\nApplause.\n\nIan Ferrier [https://www.wikidata.org/wiki/Q87138884]\n00:31:42\nDiscusses Nomad | Keywords: Nomad; record; As We Are; Stefan Christoff; poems; piano.\n\nAudience\n00:32:13\nApplause.\n\nStefan Christoff [https://www.wikidata.org/wiki/Q7606050]\n00:32:28\nPerforms music | Keywords: piano.\n\nAudience\n00:39:55\nApplause.\n\nStefan Christoff\n00:40:03\nDiscusses work | Keywords: poet; political articles; zine.\n\nStefan Christoff\n00:41:50\nReads unknown poem | Keywords: condos; police brutality; resistance.\n\nStefan Christoff\n00:43:23\nReads unknown poem |  Keywords: thought fragments.\n\nAudience\n00:44:16\nApplause.\n\nIan Ferrier\n00:45:08\nAnnounces end of event.\n\nAudience\n00:46:02\nApplause.\n\nEND\n00:46:10.\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548377174016,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1152","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2017-01-29"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["Ferrier, Ian","Edwards, Claudia","Lima, Elizabeth","Wren, Jacob","Godin, Steve","Favilla, Paris","Minckler, Wynston","Mehrbod, Shirin","Highbloom, Bryan","Minevich, Sam"],"contributors_names_search":["Ferrier, Ian","Edwards, Claudia","Lima, Elizabeth","Wren, Jacob","Godin, Steve","Favilla, Paris","Minckler, Wynston","Mehrbod, Shirin","Highbloom, Bryan","Minevich, Sam"],"contributors":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"Also performs (With Creatures of the Ice Age)\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"\",\"name\":\"Edwards, Claudia\",\"dates\":\"\",\"notes\":\"(With Creatures of the Ice Age)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Lima, Elizabeth\",\"dates\":\"\",\"notes\":\"(With Creatures of the Ice Age)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/51023139\",\"name\":\"Wren, Jacob\",\"dates\":\"1971-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/105712077\",\"name\":\"Godin, Steve\",\"dates\":\"1956-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Favilla, Paris\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Minckler, Wynston\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Mehrbod, Shirin \",\"dates\":\"\",\"notes\":\"(With Bryan Highbloom and Sam Minevich)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Highbloom, Bryan\",\"dates\":\"\",\"notes\":\"(With Shirin Mehrbod and Sam Minevich)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Minevich, Sam\",\"dates\":\"\",\"notes\":\"(With Shirin Mehrbod and Bryan Highbloom)\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Edwards, Claudia","Lima, Elizabeth","Wren, Jacob","Godin, Steve","Favilla, Paris","Minckler, Wynston","Mehrbod, Shirin ","Highbloom, Bryan","Minevich, Sam"],"Presenter_name":["Ferrier, Ian"],"Publication_Date":[2017],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"In folder: 2 audio, 1 doc, 2 mages. In folder2: 2 audio. In folder3: 1 video, 1 doc, 1 image.\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Set of 2 event audio recordings (+ copies and edits)\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"Uploads/1152/Poster 2017-01-29.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital","Digital"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2017/01/\",\"file_path\":\"\",\"filename\":\"STE-001 29-1-2017 Claudia Edwards, Ian & Liz, Jacob Wren.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:13:49\",\"precision\":\"\",\"size\":\"781.4 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2017/01/\",\"file_path\":\"\",\"filename\":\"STE-002 29-1-2017 Shirin Mehrbod-Steve Godin-Paris&Wynston&LIz.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:55:42\",\"precision\":\"\",\"size\":\"589.5 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://drive.google.com/drive/u/2/folders/1_CNeT4C8F-KzegfFjVrVXof4lLe4LEdO\",\"file_path\":\"\",\"filename\":\"Poster 2017-01-29\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Poster\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2017-01-29\",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118 \",\"longitude\":\"-73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["At the start of the first event of 2017, host and series organizer Ian Ferrier announced that after sixteen years at Casa Del Popolo, sound technician Steve Godin would be working his final Words and Music Show before retiring. Godin also prepared a short spoken word piece which he performed later in the evening. Claudia Edwards read “I Will Work,” “Young Bird At Guy and De Maisonneuve,” “Ecstasy Loop,” “I Want To Fall In Love” and the title piece from a poetry collection called “Chrysopoeia.”  Vocalist Elizabeth Lima joined Ian Ferrier on stage to perform as Creatures of the Ice Age. Jacob Wren read a chapter entitled “A Film That Will Make The Audience Feel Pure Joy” from his book “Polyamorous Love Song” (Book Thug 2014). Shirin Mehrbod performed poetry and songs accompanied by Sam Minevich and Bryan Highbloom and also discussed her experience living in Iran during the revolution. To close the show, Elizabeth Lima was invited back on stage to perform with Paris Favilla on horn and Wynston Minckler on bass."],"contents":["STE-001 29-1-2017 Claudia Edwards, Ian & Liz, Jacob Wren.wav\n\n00:00:00\nAmbient sound [background conversation].\n\nIan Ferrier [https://www.wikidata.org/wiki/Q87138884]\n00:06:25\nIntroduces event | Keywords: Steve Godin; Jacob Wren; Shirin Mehrbod; Claudia Edwards.\n\nAudience\n00:07:29\nApplause.\n\nClaudia Edwards\n00:07:54\nIntroduces “I will work” | Keywords: xenophobia; borders.\n\nClaudia Edwards\n00:09:17\nReads “I will work” | Keywords: melt.\n\nClaudia Edwards\n00:11:08\nReads “Young bird at Peele and Maisonneuve” | Keywords: trash; toilets; bird.\n\nAudience\n00:13:38\nApplause.\n\nClaudia Edwards\n00:13:50\nSings | Keywords: roses.\n\nAudience\n00:15:39\nApplause.\n\nClaudia Edwards\n00:15:54\nReads “Eros” | Keywords: body.\n\nClaudia Edwards\n00:16:55\nReads “Ecstasy” | Keywords: queerness.\n\nClaudia Edwards\n00:18:15\nReads “I want to fall in love” | Keywords: outline; desire.\n\nAudience\n00:21:16\nApplause.\n\nIan Ferrier\n00:21:40\nThanks Claudia Edwards.\n\nIan Ferrier\n00:22:00\nIntroduces Liz Lima | Keywords: Creatures of the Ice Age.\n\nIan Ferrier and Liz Lima\n00:23:06\nPerform Creatures of the Ice Age | Keywords: curves; rainfall.\n\nAudience\n00:29:05\nApplause.\n\nIan Ferrier and Liz Lima\n00:29:15\nPerform collaboration.\n\nAudience\n00:32:09\nApplause.\n\nIan Ferrier and Liz Lima\n00:32:20\nPerform “Birds”.\n\nAudience\n00:35:03\nApplause.\n\nIan Ferrier\n00:35:14\nDiscusses project | Keywords: Leonard Cohen [https://www.wikidata.org/wiki/Q1276].\n\nIan Ferrier and Liz Lima\n00:36:05\nPerfrom “Tango”.\n\nAudience\n00:42:56\nApplause.\n\nIan Ferrier\n00:43:08\nIntroduces Jacob Wren | Keywords: writer; performer; Polyamorous Lovesong.\n\nAudience\n00:44:02\nApplause.\n\nJacob Wren [https://www.wikidata.org/wiki/Q53096849]\n00:44:14\nIntroduces Polyamorous Lovesong | Keywords: Rich and Poor.\n\nJacob Wren\n00:45:22\nReads from Polyamorous Lovesong | Keywords: film; protagonist; screenwriter; politics; insincere.\n\nAudience\n01:07:37\nApplause.\n\nIan Ferrier\n01:08:03\nAnnounces break.\n\n01:08:21\nAmbient sound [background conversation].\n\nEND\n01:13:49\n[Event continues on second recording].\n\nSTE-002 29-1-2017 Shirin Mehrbod-Steve Godin-Paris&Wynston&LIz.wav\n\nShirin Mehrbod\n00:00:00\nPerforms music | Keywords: voice; scream.\n\nAudience\n00:07:22\nApplause.\n\nUnknown \n00:07:45\nDiscusses Shirin Mehrbod | Keywords: political; fascists; prison; Iran [https://www.wikidata.org/wiki/Q794].\n\nAudience\n00:08:46\nApplause.\n\nShirin Mehrbod\n00:08:58\nIntroduces a song | Keywords: revolution; home; hopes; flowers; equality; freedom.\n\nShirin Mehrbod\n00:10:56\nPerforms music.\n\nAudience\n00:15:10\nApplause [whistling].\n\nShirin Mehrbod\n00:15:32\nDiscusses project | Keywords: political opposition; singer; holy books; dance.\n\nShirin Mehrbod\n00:17:13\nPerforms music.\n\nAudience\n00:21:05\nApplause [whistling].\n\nShirin Mehrbod\n00:22:06\nPerforms music.\n\nAudience\n00:26:12\nApplause [cheering].\n\nIan Ferrier [https://www.wikidata.org/wiki/Q87138884]\n00:26:38\nDiscusses | Keywords: Donald Trump [https://www.wikidata.org/wiki/Q22686].\n\nIan Ferrier\n00:27:11\nIntroduces Steve Godin.\n\nAudience\n00:27:22\nApplause.\n\nIan Ferrier\n00:27:35\nDiscusses Steve Godin | Keywords; sixteen candles; air horn; headphones.\n\nSteve Godin\n00:28:39\nThanks Ian Ferrier | Keywords: active listening.\n\nSteve Godin\n00:29:24\nReads unknown poem.\n\nAudience\n00:30:25\nApplause [laughter].\n\nIan Ferrier\n00:30:42\nAnnounces break.\n\n00:31:02\nAmbient sound [background music and conversation].\n\nIan Ferrier\n00:34:16\nIntroduces Paris Favilla and Liz Lima.\n\nAudience\n00:34:25\nApplause.\n\nParis Favilla and Liz Lima\n00:34:42\nPerform music.\n\nAudience\n00:49:26\nApplause.\n\nParis Favilla and Liz Lima\n00:49:38\nDiscuss project.\n\nAudience\n00:49:59\nApplause.\n\nIan Ferrier\n00:50:11\nThanks performers.\n\nAudience\n00:50:19\nApplause.\n\nIan Ferrier\n00:50:27\nAnnounces end of event.\n\nAudience\n00:50:45\nApplause.\n\n00:50:55\nAmbient sound [background music and conversation].\n\nEND\n00:55:41.\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548381368320,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1120","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2012-05-20"],"item_title_source":["Cataloguer"],"item_title_note":["Women of Words and Music show"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"contributors_names":["Misch, Lucia","Smith, Deanna","Ricker, Stacy","Allison, Luna"],"contributors_names_search":["Misch, Lucia","Smith, Deanna","Ricker, Stacy","Allison, Luna"],"contributors":["[{\"url\":\"\",\"name\":\"Misch, Lucia\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Smith, Deanna\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Ricker, Stacy\",\"dates\":\"\",\"notes\":\"(with Liz Rogers and Gabbie Smith) \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Allison, Luna\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Misch, Lucia","Smith, Deanna","Ricker, Stacy","Allison, Luna"],"Performance_Date":[2012],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/1120/May 20th Poster_page-0001.jpg\",\"other\":\"In folder: 2 audio. In folder2: 3 docs,1 image.\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Set of 2 event audio recordings\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"Dates":["[{\"date\":\"2012 05 20\",\"type\":\"Performance Date\",\"notes\":\"Date indicated on event poster\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118\",\"longitude\":\"-73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["The poster for the Sunday, 20 May 2012 event proclaims it the “women of words and music” show, with Luna Allison, Deanna Smith, poetry by Lucia Misch, and music by Stacy Ricker.  At the NEW Casa, 4873 St-Laurent, doors open at 8pm, show from 9pm-11:30 pm, and the entry cost was now $6 (up from the previous $5)."],"contents":["STE-000.wav [File 1 of 2]\n\nIan Ferrier\n00:00:00\nIntroduces Lucia Misch [recording begins abruptly]. | Keywords: Throw Collective; Vancouver [https://www.wikidata.org/wiki/Q24639]\n\nAudience\n00:00:35\nApplause.\n\nLucia Misch\n00:00:42\nThanks Ian Ferrier [https://www.wikidata.org/wiki/Q87138884], addresses the audience, and introduces unnamed haiku [audience laughter throughout].\n\nLucia Misch\n00:01:14\nReads unnamed haiku.\n\nAudience\n00:01:22\nLaughter and applause. \n\nLucia Misch\n00:01:22\nThanks audience [audience applause continues throughout].\n\nLucia Misch\n00:01:29\nPerforms unnamed poem.\n\nAudience\n00:04:40\nApplause.\n\nLucia Misch\n00:04:46\nDiscusses her poem and introduces unnamed haiku [audience laughter throughout]. \n\nLucia Misch\n00:05:05\nReads unnamed haiku [audience laughter throughout].\n\nLucia Misch\n00:05:13\nDiscusses her performance and addresses audience [audience laughter throughout]. | Keywords: Montreal [https://www.wikidata.org/wiki/Q340]\n\nLucia Misch\n00:05:37\nPerforms unnamed poem [audience laughter throughout].\n\nLucia Misch\n00:07:59\nStops performance to address audience [audience laughter throughout]. | Keywords: Skype [https://www.wikidata.org/wiki/Q40984]\n\nLucia Misch\n00:08:48\nContinues performance of unnamed poem.\n\nAudience\n00:09:59\nApplause.\n\nLucia Misch\n00:10:05\nPromotes Where the Wild Things Used to Be [CD] [audience laughter throughout]. | Keywords:  Maurice Sendak [https://www.wikidata.org/wiki/Q314771]\n\nLucia Misch\n00:10:55\nAddresses audience and introduces unnamed poem.| Keywords: Work Projects Administration [https://www.wikidata.org/wiki/Q1200079]; Ian [Ferrier]; The Great Depression [https://www.wikidata.org/wiki/Q8698]; United States [https://www.wikidata.org/wiki/Q30]; Canada [https://www.wikidata.org/wiki/Q16] \n\nLucia Misch\n00:11:49\nPerforms unnamed poem.\n\nAudience\n00:14:53\nApplause.\n\nIan Ferrier\n00:15:02\nThanks Lucia Misch and promotes Where the Wild Things Used to Be. | Keywords: Dorothea Lange [https://www.wikidata.org/wiki/Q230673]; Maurice Sendak\n\nIan Ferrier\n00:15:35\nIntroduces Deanna Smith [audience laughter throughout]. | Keywords: Throw Collective; Saskatoon [https://www.wikidata.org/wiki/Q10566]\n\nAudience\n00:16:04\nApplause.\n\nDeanna Smith\n00:16:17\nAddresses audience.\n\nDeanna Smith\n00:16:33\nPerforms unnamed poem.\n\nAudience\n00:19:35\nApplause.\n\nDeanna Smith\n00:19:38\nThanks audience [audience applause continues throughout], addresses audience, and introduces unnamed poem. | Keywords: Montreal \n\nDeanna Smith\n00:20:42\nLaughter [audience member laughs as well].\n\nDeanna Smith\n00:20:46\nPerforms unnamed poem.\n\nAudience\n00:23:05\nApplause.\n\nDeanna Smith\n00:23:08\nThanks audience [audience applause continues throughout] and addresses audience [audience laughter throughout].\n\nDeanna Smith\n00:23:23\nPerforms unnamed poem.\n\nAudience\n00:25:11\nApplause.\n\nDeanna Smith\n00:25:15\nThanks audience [audience applause continues throughout], thanks Ian [Ferrier], and addresses audience. | Keywords: Lucia [Misch]; Stacy [Ricker]; Luna [Allison]\n\nDeanna Smith\n00:25:45\nPerforms unnamed poem. \n\nAudience\n00:28:38\nApplause.\n\nIan Ferrier\n00:28:53\nDiscusses Deanna Smith’s performance and announces intermission. | Keywords: Stacy Ricker; Luna Allison\n\nAudience\n00:29:03\nApplause [cut off].\n\nEND\n00:29:08\n\n\nSTE-001.wav [File 2 of 2]\n\nStacy Ricker\n00:00:00\nAddresses audience [recording begins abruptly; audience applause throughout].\n\nStacy Ricker\n00:00:14\nPerforms unnamed song.\n\nAudience\n00:04:31\nApplause.\n\nStacy Ricker\n00:04:32\nThanks audience [audience applause continues throughout].\n\nStacy Ricker\n00:04:39\nDiscusses her performance and introduces unnamed song [audience laughter throughout]. |  Keywords: Ian [Ferrier]\n\nStacy Ricker\n00:05:20\nPerforms unnamed song. \n\nAudience\n00:07:58\nApplause.\n\nStacy Ricker\n00:08:15\nAddresses audience. \n\nStacy Ricker\n00:08:29\nPerforms unnamed song.\n\nAudience\n00:14:04\nApplause.\n\nStacy Ricker\n00:14:12\nThanks audience, discusses her performance, and introduces unnamed song. \n\nAudience\n00:14:44\nLaughter.\n\nStacy Ricker\n00:14:45\nPerforms unnamed song.\n\nAudience\n00:17:39\nApplause.\n\nStacy Ricker\n00:17:44\nIntroduces Liz Rodgers and Gabbie Smith [audience laughter and comments from Liz Rodgers and Gabbie Smith throughout].\n\nStacy Ricker\n00:18:47\nPerforms unnamed song with Liz Rogers and Gabbie Smith.\n\nAudience\n00:23:13\nApplause.\n\nStacy Ricker\n00:23:14\nThanks audience [audience applause continues throughout].\n\nAudience\n00:23:33\nLaughter and applause.\n\nIan Ferrier\n00:23:58\nThanks Stacy Ricker, Liz Rodgers, and Gabbie Smith.\n\nAudience\n00:24:06\nApplause.\n\nIan Ferrier\n00:24:10\nDiscusses Stacy Ricker’s performance and introduces Luna Allison [audience laughter throughout]. | Keywords: Liz [Rodgers]; Ottawa [https://www.wikidata.org/wiki/Q1930]; [Montreal] Fringe [Festival]; Wired on Words\n\nAudience\n00:24:43\nApplause.\n\nLuna Allison\n00:25:00\nAddresses audience.\n\nLuna Allison\n00:25:32\nIntroduces \"I Don't Date to Domesticate\" [audience laughter throughout].  \n\nLuna Allison\n00:26:16\nPerforms \"I Don't Date to Domesticate\".\n\nAudience\n00:30:49\nApplause.\n\nLuna Allison\n00:30:53\nThanks audience [audience applause continues throughout] and introduces \"The Muse\". | Keywords: Montreal \n\nLuna Allison\n00:31:24\nReads \"The Muse\".\n\nAudience\n00:35:39\nApplause.\n\nLuna Allison\n00:35:46\nThanks audience and introduces unnamed poem.\n\nLuna Allison\n00:36:25\nPerforms unnamed poem.\n\nAudience\n00:36:57\nApplause.\n\nLuna Allison\n00:37:01\nThanks audience [audience applause continues throughout], addresses audience, and introduces \"Secondhand Smoke\".\n\nLuna Allison\n00:37:43\nReads \"Secondhand Smoke\". \n\nAudience\n00:42:39\nApplause.\n\nLuna Allison\n00:42:49\nAddresses audience, exchange with audience follows.\n\nLuna Allison\n00:43:42\nPerforms unnamed poem with audience participation [audience laughter throughout].\n\nAudience\n00:45:18\nApplause.\n\nLuna Allison\n00:45:23\nThanks audience [audience applause continues throughout] and introduces a scene from Falling Open [play]. | Keywords: Montreal Fringe [Festival]\n\nLuna Allison\n00:47:34\nPerforms a scene from Falling Open.\n\nAudience\n00:50:59\nApplause.\n\nLuna Allison\n00:51:03\nThanks Ian [Ferrier] and the other performers [audience applause continues throughout].\n\nIan Ferrier\n00:51:23\nThanks performers and audience, announces future event and promotes the performers' books and CDs [audience applause throughout]. | Keywords: Luna [Allison]; Stacy [Ricker]; Deanna [Smith]; Lucia [Misch]; David Bateman; Toronto [https://www.wikidata.org/wiki/Q172]; Ali Riley; Alberta [https://www.wikidata.org/wiki/Q1951]; Maerin Hunting\n\nAudience\n00:52:10\nApplause.\n\nEND\n00:52:22"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548383465472,"timestamp":"2026-01-07T14:59:52.745Z","digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2012/05/\",\"file_path\":\"\",\"filename\":\"STE-000.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:29:08\",\"precision\":\"\",\"size\":\"308.4 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-000.wav [File 1 of 2]\\n\\nIan Ferrier\\n00:00:00\\nIntroduces Lucia Misch [recording begins abruptly]. | Keywords: Throw Collective; Vancouver [https://www.wikidata.org/wiki/Q24639]\\n\\nAudience\\n00:00:35\\nApplause.\\n\\nLucia Misch\\n00:00:42\\nThanks Ian Ferrier [https://www.wikidata.org/wiki/Q87138884], addresses the audience, and introduces unnamed haiku [audience laughter throughout].\\n\\nLucia Misch\\n00:01:14\\nReads unnamed haiku.\\n\\nAudience\\n00:01:22\\nLaughter and applause. \\n\\nLucia Misch\\n00:01:22\\nThanks audience [audience applause continues throughout].\\n\\nLucia Misch\\n00:01:29\\nPerforms unnamed poem.\\n\\nAudience\\n00:04:40\\nApplause.\\n\\nLucia Misch\\n00:04:46\\nDiscusses her poem and introduces unnamed haiku [audience laughter throughout]. \\n\\nLucia Misch\\n00:05:05\\nReads unnamed haiku [audience laughter throughout].\\n\\nLucia Misch\\n00:05:13\\nDiscusses her performance and addresses audience [audience laughter throughout]. | Keywords: Montreal [https://www.wikidata.org/wiki/Q340]\\n\\nLucia Misch\\n00:05:37\\nPerforms unnamed poem [audience laughter throughout].\\n\\nLucia Misch\\n00:07:59\\nStops performance to address audience [audience laughter throughout]. | Keywords: Skype [https://www.wikidata.org/wiki/Q40984]\\n\\nLucia Misch\\n00:08:48\\nContinues performance of unnamed poem.\\n\\nAudience\\n00:09:59\\nApplause.\\n\\nLucia Misch\\n00:10:05\\nPromotes Where the Wild Things Used to Be [CD] [audience laughter throughout]. | Keywords:  Maurice Sendak [https://www.wikidata.org/wiki/Q314771]\\n\\nLucia Misch\\n00:10:55\\nAddresses audience and introduces unnamed poem.| Keywords: Work Projects Administration [https://www.wikidata.org/wiki/Q1200079]; Ian [Ferrier]; The Great Depression [https://www.wikidata.org/wiki/Q8698]; United States [https://www.wikidata.org/wiki/Q30]; Canada [https://www.wikidata.org/wiki/Q16] \\n\\nLucia Misch\\n00:11:49\\nPerforms unnamed poem.\\n\\nAudience\\n00:14:53\\nApplause.\\n\\nIan Ferrier\\n00:15:02\\nThanks Lucia Misch and promotes Where the Wild Things Used to Be. | Keywords: Dorothea Lange [https://www.wikidata.org/wiki/Q230673]; Maurice Sendak\\n\\nIan Ferrier\\n00:15:35\\nIntroduces Deanna Smith [audience laughter throughout]. | Keywords: Throw Collective; Saskatoon [https://www.wikidata.org/wiki/Q10566]\\n\\nAudience\\n00:16:04\\nApplause.\\n\\nDeanna Smith\\n00:16:17\\nAddresses audience.\\n\\nDeanna Smith\\n00:16:33\\nPerforms unnamed poem.\\n\\nAudience\\n00:19:35\\nApplause.\\n\\nDeanna Smith\\n00:19:38\\nThanks audience [audience applause continues throughout], addresses audience, and introduces unnamed poem. | Keywords: Montreal \\n\\nDeanna Smith\\n00:20:42\\nLaughter [audience member laughs as well].\\n\\nDeanna Smith\\n00:20:46\\nPerforms unnamed poem.\\n\\nAudience\\n00:23:05\\nApplause.\\n\\nDeanna Smith\\n00:23:08\\nThanks audience [audience applause continues throughout] and addresses audience [audience laughter throughout].\\n\\nDeanna Smith\\n00:23:23\\nPerforms unnamed poem.\\n\\nAudience\\n00:25:11\\nApplause.\\n\\nDeanna Smith\\n00:25:15\\nThanks audience [audience applause continues throughout], thanks Ian [Ferrier], and addresses audience. | Keywords: Lucia [Misch]; Stacy [Ricker]; Luna [Allison]\\n\\nDeanna Smith\\n00:25:45\\nPerforms unnamed poem. \\n\\nAudience\\n00:28:38\\nApplause.\\n\\nIan Ferrier\\n00:28:53\\nDiscusses Deanna Smith’s performance and announces intermission. | Keywords: Stacy Ricker; Luna Allison\\n\\nAudience\\n00:29:03\\nApplause [cut off].\\n\\nEND\\n00:29:08\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2012/05/\",\"file_path\":\"\",\"filename\":\"STE-001.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:52:22\",\"precision\":\"\",\"size\":\"554.3 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-001.wav [File 2 of 2]\\n\\nStacy Ricker\\n00:00:00\\nAddresses audience [recording begins abruptly; audience applause throughout].\\n\\nStacy Ricker\\n00:00:14\\nPerforms unnamed song.\\n\\nAudience\\n00:04:31\\nApplause.\\n\\nStacy Ricker\\n00:04:32\\nThanks audience [audience applause continues throughout].\\n\\nStacy Ricker\\n00:04:39\\nDiscusses her performance and introduces unnamed song [audience laughter throughout]. |  Keywords: Ian [Ferrier]\\n\\nStacy Ricker\\n00:05:20\\nPerforms unnamed song. \\n\\nAudience\\n00:07:58\\nApplause.\\n\\nStacy Ricker\\n00:08:15\\nAddresses audience. \\n\\nStacy Ricker\\n00:08:29\\nPerforms unnamed song.\\n\\nAudience\\n00:14:04\\nApplause.\\n\\nStacy Ricker\\n00:14:12\\nThanks audience, discusses her performance, and introduces unnamed song. \\n\\nAudience\\n00:14:44\\nLaughter.\\n\\nStacy Ricker\\n00:14:45\\nPerforms unnamed song.\\n\\nAudience\\n00:17:39\\nApplause.\\n\\nStacy Ricker\\n00:17:44\\nIntroduces Liz Rodgers and Gabbie Smith [audience laughter and comments from Liz Rodgers and Gabbie Smith throughout].\\n\\nStacy Ricker\\n00:18:47\\nPerforms unnamed song with Liz Rogers and Gabbie Smith.\\n\\nAudience\\n00:23:13\\nApplause.\\n\\nStacy Ricker\\n00:23:14\\nThanks audience [audience applause continues throughout].\\n\\nAudience\\n00:23:33\\nLaughter and applause.\\n\\nIan Ferrier\\n00:23:58\\nThanks Stacy Ricker, Liz Rodgers, and Gabbie Smith.\\n\\nAudience\\n00:24:06\\nApplause.\\n\\nIan Ferrier\\n00:24:10\\nDiscusses Stacy Ricker’s performance and introduces Luna Allison [audience laughter throughout]. | Keywords: Liz [Rodgers]; Ottawa [https://www.wikidata.org/wiki/Q1930]; [Montreal] Fringe [Festival]; Wired on Words\\n\\nAudience\\n00:24:43\\nApplause.\\n\\nLuna Allison\\n00:25:00\\nAddresses audience.\\n\\nLuna Allison\\n00:25:32\\nIntroduces \\\"I Don't Date to Domesticate\\\" [audience laughter throughout].  \\n\\nLuna Allison\\n00:26:16\\nPerforms \\\"I Don't Date to Domesticate\\\".\\n\\nAudience\\n00:30:49\\nApplause.\\n\\nLuna Allison\\n00:30:53\\nThanks audience [audience applause continues throughout] and introduces \\\"The Muse\\\". | Keywords: Montreal \\n\\nLuna Allison\\n00:31:24\\nReads \\\"The Muse\\\".\\n\\nAudience\\n00:35:39\\nApplause.\\n\\nLuna Allison\\n00:35:46\\nThanks audience and introduces unnamed poem.\\n\\nLuna Allison\\n00:36:25\\nPerforms unnamed poem.\\n\\nAudience\\n00:36:57\\nApplause.\\n\\nLuna Allison\\n00:37:01\\nThanks audience [audience applause continues throughout], addresses audience, and introduces \\\"Secondhand Smoke\\\".\\n\\nLuna Allison\\n00:37:43\\nReads \\\"Secondhand Smoke\\\". \\n\\nAudience\\n00:42:39\\nApplause.\\n\\nLuna Allison\\n00:42:49\\nAddresses audience, exchange with audience follows.\\n\\nLuna Allison\\n00:43:42\\nPerforms unnamed poem with audience participation [audience laughter throughout].\\n\\nAudience\\n00:45:18\\nApplause.\\n\\nLuna Allison\\n00:45:23\\nThanks audience [audience applause continues throughout] and introduces a scene from Falling Open [play]. | Keywords: Montreal Fringe [Festival]\\n\\nLuna Allison\\n00:47:34\\nPerforms a scene from Falling Open.\\n\\nAudience\\n00:50:59\\nApplause.\\n\\nLuna Allison\\n00:51:03\\nThanks Ian [Ferrier] and the other performers [audience applause continues throughout].\\n\\nIan Ferrier\\n00:51:23\\nThanks performers and audience, announces future event and promotes the performers' books and CDs [audience applause throughout]. | Keywords: Luna [Allison]; Stacy [Ricker]; Deanna [Smith]; Lucia [Misch]; David Bateman; Toronto [https://www.wikidata.org/wiki/Q172]; Ali Riley; Alberta [https://www.wikidata.org/wiki/Q1951]; Maerin Hunting\\n\\nAudience\\n00:52:10\\nApplause.\\n\\nEND\\n00:52:22\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"score":0.01643844},{"id":"1123","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2012-09-16"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\" http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"(Performs solo and with Gordon Disley)\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\",\"Performer\"]}]"],"contributors_names":["Alfonso, Ralph","Riley, Ali","Disley, Gordon","Clark, Moe","Durand, Marie-Claire","Basanta, Kai"],"contributors_names_search":["Alfonso, Ralph","Riley, Ali","Disley, Gordon","Clark, Moe","Durand, Marie-Claire","Basanta, Kai"],"contributors":["[{\"url\":\"\",\"name\":\"Alfonso, Ralph\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/7086491\",\"name\":\"Riley, Ali\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Disley, Gordon\",\"dates\":\"\",\"notes\":\"(With Ian Ferrier)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/317024729\",\"name\":\"Clark, Moe\",\"dates\":\"\",\"notes\":\"(With Marie-Claire Durand and Kai Basanta)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Durand, Marie-Claire \",\"dates\":\"\",\"notes\":\"(With Moe Clark and Kai Basanta)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Basanta, Kai\",\"dates\":\"\",\"notes\":\"(With Moe Clark and Marie-Claire Durand)\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Alfonso, Ralph","Riley, Ali","Disley, Gordon","Clark, Moe","Durand, Marie-Claire ","Basanta, Kai"],"Performance_Date":[2012],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/1123/Poster for Sept 16 2012 SHOW.jpg\",\"other\":\"In folder: 1 audio. In folder2: 2 docs. \",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"Dates":["[{\"date\":\"2012 09 16\",\"type\":\"Performance Date\",\"notes\":\"Date indicated on event poster and in document\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118\",\"longitude\":\"-73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["The Sunday 16 September 2012 Words and Music Show presented Moe Clark, Ali Riley performing from her new book 33 Million Solitudes (Frontenac House, 2012), words and music with Ian Ferrier accompanied by Gord Disley on bass, and spoken word by Ralph Alfonso, and music by Marie-Claire Durand.  It was at the Casa del Popolo, 9pm, $6.  It should be noted that a couple of nights before, on Friday, September 14th, Montreal spoken word artist Ian Ferrier joined up with the voice / dance / improv ensemble Body Slam at the Body Slam Free Launch Party held at Café L’Artere, 7000 ave. du Parc, at 8pm."],"contents":["STE-000.wav \n\nRalph Alfonso\n00:00:00\nReads unnamed poem [recording begins abruptly].\n\nAudience\n00:00:36\nApplause.\n\nRalph Alfonso\n00:00:41\nAddresses audience [audience laughter and commentary throughout].\n\nRalph Alfonso\n00:01:12\nReads unnamed poem.\n\nAudience\n00:04:31\nApplause.\n\nRalph Alfonso\n00:04:43\nReads \"Love Poem For My Car\".\n\nAudience\n00:05:45\nApplause.\n\nRalph Alfonso\n00:05:52\nIntroduces \"This Is For The Night People\" [audience laughter, commentary, and applause throughout].\n\nRalph Alfonso\n00:06:18\nReads \"This Is For The Night People\".\n\nAudience\n00:08:41\nApplause.\n\nRalph Alfonso\n00:08:47\nDiscusses his performance. | Keywords: Ross Porter [https://www.wikidata.org/wiki/Q7369585]; CBC [https://www.wikidata.org/wiki/Q461761]\n\nRalph Alfonso\n00:09:10\nIntroduces and reads a quote from Rod McKuen [https://www.wikidata.org/wiki/Q1341627] and thanks audience.\n\nAudience\n00:09:28\nApplause, laughter, and commentary.\n\nIan Ferrier\n00:10:00\nDiscusses Ralph Alfonso's performance [audience laughter throughout].\n\nIan Ferrier\n00:10:26\nIntroduces Ali Riley. | Keywords: Wayward [book]; Sacred Heart of Elvis [band]; Tear Down [book]; 3 Million Solitudes [book]\n\nAudience\n00:11:07\nApplause.\n\nAli Riley\n00:11:38\nAddresses audience, exchange with audience follows [audience laughter and applause throughout].\n\nAli Riley\n00:12:04\nIntrodcues 33 Million Solitudes and “Mile Zero Is Everywhere: Roughing It Remix #1\". | Keywords: Toronto [https://www.wikidata.org/wiki/Q172]; Roughing It In The Bush [book; https://www.wikidata.org/wiki/Q42195195]; Geist Magazine\n\nAli Riley\n00:12:51\nReads \"Mile Zero Is Everywhere: Roughing It Remix #1\" from 33 Million Solitudes.\n\nAli Riley\n00:13:25\nIntroduces \"White Trash Haiku # 15\" from Wayward [audience applause throughout].\n\nAli Riley\n00:13:37\nReads \"White Trash Haiku # 15\" from Wayward [audience laughter throughout].\n\nAudience\n00:13:46\nApplause.\n\nAli Riley\n00:13:50\nIntroduces \"Champion Sparkplug Neck Tattoo\" from 33 Million Solitudes [audience applause continues throughout]. | Keywords: Edmonton [https://www.wikidata.org/wiki/Q2096]\n\nAudience\n00:13:59\nLaughter.\n\nAli Riley\n00:14:02\nPerforms \"Champion Sparkplug Neck Tattoo\" from 33 Million Solitudes [audience laughter and applause throughout].\n\nAli Riley\n00:18:39\nComments on performance [audience laughter throughout].\n\nAli Riley\n00:18:51\nReads \"Roughing It #4: 33 Million Solitudes\" from 33 Million Solitudes.\n\nAli Riley\n00:19:21\nDiscusses her performance [audience laughter throughout]. | Keywords: Roughing It In The Bush; Susanna Moodie [https://www.wikidata.org/wiki/Q1396169]\n\nAli Riley\n00:19:36\nReads \"Instructions to a Mail Order Bride: Solitude of a Fille du Roi\" from 33 Million Solitudes.\n\nAudience\n00:20:45\nLaughter and applause.\n\nAli Riley\n00:20:50\nIntroduces \"I Awake to the Ghost of Neighbors Present\" from Tear Down.\n\nAli Riley\n00:21:05\nReads \"I Awake to the Ghost of Neighbors Present\" from Tear Down [audience laughter throughout].\n\nAudience\n00:24:03\nApplause.\n\nAli Riley\n00:24:13\nIntroduces \"Adventures in the Fur Trade\" from 33 Million Solitudes [audience laughter throughout]. | Keywords: Hudson’s Bay Company [https://www.wikidata.org/wiki/Q76039]\n\nAli Riley\n00:24:47\nReads \"Adventures in the Fur Trade\" from 33 Million Solitudes.\n\nAudience\n00:27:57\nApplause.\n\nAli Riley\n00:28:04\nReads \"Furs, Gold, Farmland: Solitude of a Show Dog\" from 33 Million Solitudes.\n\nAudience\n00:28:47\nLaughter and applause.\n\nAli Riley\n00:29:00\nThanks Ian [Ferrier] [audience applause continues throughout].\n\nIan Ferrier\n00:29:22\nThanks Ali [Riley], promotes her books, and announces intermission. | Keywords: Gordon [Disley]; Moe Clark [https://www.wikidata.org/wiki/Q65116392]; Marie-Claire Durand\n\nAudience\n00:29:40\nApplause.\n\nUnknown\n00:29:44\nAmbient Sound [voices and music].\n\nIan Ferrier\n00:52:45\nIntroduces himself and Gordon Disley [audience applause and laughter throughout].  \n\nIan Ferrier\n00:53:33\nIntroduces \"This Fire\".\n\nIan Ferrier\n00:53:36\nPerforms \"This Fire\" with Gordon Disley.\n\nAudience\n00:59:36\nApplause.\n\nIan Ferrier\n00:59:45\nDiscusses his performance [audience commentary and laughter throughout] and introduces \"Alberta Girls\". | Keywords: Canada [https://www.wikidata.org/wiki/Q16]; Russia [https://www.wikidata.org/wiki/Q159]; Reykjavik [https://www.wikidata.org/wiki/Q1764]; Ali Riley; Alberta [https://www.wikidata.org/wiki/Q1951]\n\nIan Ferrier\n01:00:46\nPerforms \"Alberta Girls\". \n\nAudience\n01:03:03\nApplause.\n\nIan Ferrier\n01:03:12\nDiscusses his performance, thanks Gordon Disley, and introduces Moe Clark, Marie-Claire Durand, and Kai [Basanta] [audience laughter, commentary, and applause throughout].\n\nUnknown\n01:03:41\nAmbient Sound [voices].\n\nMoe Clark\n01:04:10\nAddresses audience [audience laughter, commentary, and applause throughout].\n\nMoe Clark\n01:06:12\nIntroduces \"Must Be Elves\".\n\nMoe Clark\n01:06:37\nPerforms \"Must Be Elves\". \n\nAudience\n01:07:52\nApplause.\n\nMoe Clark\n01:08:00\nAddresses audience. | Keywords: Europe [https://www.wikidata.org/wiki/Q46]; Britain [https://www.wikidata.org/wiki/Q145]; Spain [https://www.wikidata.org/wiki/Q29]\n\nMoe Clark\n01:08:26\nIntroduces unnamed song [audience commentary and laughter throughout]. | Keywords: Turtle Island [https://www.wikidata.org/wiki/Q7856408]\n\nMoe Clark\n01:09:43\nPerforms unnamed song.\n\nAudience\n01:18:05\nApplause.\n\nMoe Clark\n01:18:19\nThanks audience and introduces Marie-Claire Durand.\n\nMoe Clark\n01:19:01  \nAddresses audience [audience laughter and commentary throughout]. | Keywords: Nina Simone: Live at Montreux 197[6 (?)] [concert film]\n\nMoe Clark\n01:19:44\nIntroduces unnamed songs [audience laughter throughout].\n\nMoe Clark\n01:20:27\nPerforms unnamed song accompanied by Marie-Claire Durand on piano.\n\nAudience\n01:27:07\nApplause.\n\nMoe Clark\n01:27:22\nIntroduces Kai Basanta [audience laughter throughout].\n\nMoe Clark\n01:28:08\nPerforms unnamed song accompanied by Marie-Claire Durand on piano and Kai Basanta on percussion. \n\nAudience\n01:35:09\nApplause.\n\nMoe Clark\n01:35:16\nThanks Marie-Claire Durand and Kai Basanta in French [audience applause continues throughout].\n\nMarie-Claire Durand\n01:35:59\nPerforms unnamed song accompanied by Kai Basanta on percussion.\n\nAudience\n01:40:28\nApplause.\n\nMarie-Claire Durand\n01:40:32\nThanks audience [audience applause continues throughout], discusses her performance, and introduces Kai Basanta.\n\nAudience\n01:41:15\nApplause.\n\nMarie-Claire Durand\n01:41:31\nPerforms unnamed song accompanied by Kai Basanta on percussion.\n\nAudience\n01:48:01\nApplause.\n\nIan Ferrier\n01:48:41\nThanks Moe Clark, Marie-Claire Durand, and Kai [Basanta]. \n\nAudience\n01:48:46\nApplause.\n\nIan Ferrier\n01:48:53\nDiscusses Moe Clark, Marie-Claire Durand, and Kai Basanta’s performances.\n\nIan Ferrier\n01:48:59\nPromotes 33 Million Solitudes, announces future event, and thanks audience. | Keywords: Mark Lavorato [https://www.wikidata.org/wiki/Q47118272]; Stefan Christoff [https://www.wikidata.org/wiki/Q7606050]\n\nAudience\n01:49:30\nApplause.\n\nUnknown\n01:49:39\nAmbient Sound [voices and music].\n\nEND\n01:52:54"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548385562625,"timestamp":"2026-01-07T14:59:52.745Z","digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2012/09/\",\"file_path\":\"\",\"filename\":\"STE-000.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:52:54\",\"precision\":\"\",\"size\":\"1.19 GB \",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-000.wav \\n\\nRalph Alfonso\\n00:00:00\\nReads unnamed poem [recording begins abruptly].\\n\\nAudience\\n00:00:36\\nApplause.\\n\\nRalph Alfonso\\n00:00:41\\nAddresses audience [audience laughter and commentary throughout].\\n\\nRalph Alfonso\\n00:01:12\\nReads unnamed poem.\\n\\nAudience\\n00:04:31\\nApplause.\\n\\nRalph Alfonso\\n00:04:43\\nReads \\\"Love Poem For My Car\\\".\\n\\nAudience\\n00:05:45\\nApplause.\\n\\nRalph Alfonso\\n00:05:52\\nIntroduces \\\"This Is For The Night People\\\" [audience laughter, commentary, and applause throughout].\\n\\nRalph Alfonso\\n00:06:18\\nReads \\\"This Is For The Night People\\\".\\n\\nAudience\\n00:08:41\\nApplause.\\n\\nRalph Alfonso\\n00:08:47\\nDiscusses his performance. | Keywords: Ross Porter [https://www.wikidata.org/wiki/Q7369585]; CBC [https://www.wikidata.org/wiki/Q461761]\\n\\nRalph Alfonso\\n00:09:10\\nIntroduces and reads a quote from Rod McKuen [https://www.wikidata.org/wiki/Q1341627] and thanks audience.\\n\\nAudience\\n00:09:28\\nApplause, laughter, and commentary.\\n\\nIan Ferrier\\n00:10:00\\nDiscusses Ralph Alfonso's performance [audience laughter throughout].\\n\\nIan Ferrier\\n00:10:26\\nIntroduces Ali Riley. | Keywords: Wayward [book]; Sacred Heart of Elvis [band]; Tear Down [book]; 3 Million Solitudes [book]\\n\\nAudience\\n00:11:07\\nApplause.\\n\\nAli Riley\\n00:11:38\\nAddresses audience, exchange with audience follows [audience laughter and applause throughout].\\n\\nAli Riley\\n00:12:04\\nIntrodcues 33 Million Solitudes and “Mile Zero Is Everywhere: Roughing It Remix #1\\\". | Keywords: Toronto [https://www.wikidata.org/wiki/Q172]; Roughing It In The Bush [book; https://www.wikidata.org/wiki/Q42195195]; Geist Magazine\\n\\nAli Riley\\n00:12:51\\nReads \\\"Mile Zero Is Everywhere: Roughing It Remix #1\\\" from 33 Million Solitudes.\\n\\nAli Riley\\n00:13:25\\nIntroduces \\\"White Trash Haiku # 15\\\" from Wayward [audience applause throughout].\\n\\nAli Riley\\n00:13:37\\nReads \\\"White Trash Haiku # 15\\\" from Wayward [audience laughter throughout].\\n\\nAudience\\n00:13:46\\nApplause.\\n\\nAli Riley\\n00:13:50\\nIntroduces \\\"Champion Sparkplug Neck Tattoo\\\" from 33 Million Solitudes [audience applause continues throughout]. | Keywords: Edmonton [https://www.wikidata.org/wiki/Q2096]\\n\\nAudience\\n00:13:59\\nLaughter.\\n\\nAli Riley\\n00:14:02\\nPerforms \\\"Champion Sparkplug Neck Tattoo\\\" from 33 Million Solitudes [audience laughter and applause throughout].\\n\\nAli Riley\\n00:18:39\\nComments on performance [audience laughter throughout].\\n\\nAli Riley\\n00:18:51\\nReads \\\"Roughing It #4: 33 Million Solitudes\\\" from 33 Million Solitudes.\\n\\nAli Riley\\n00:19:21\\nDiscusses her performance [audience laughter throughout]. | Keywords: Roughing It In The Bush; Susanna Moodie [https://www.wikidata.org/wiki/Q1396169]\\n\\nAli Riley\\n00:19:36\\nReads \\\"Instructions to a Mail Order Bride: Solitude of a Fille du Roi\\\" from 33 Million Solitudes.\\n\\nAudience\\n00:20:45\\nLaughter and applause.\\n\\nAli Riley\\n00:20:50\\nIntroduces \\\"I Awake to the Ghost of Neighbors Present\\\" from Tear Down.\\n\\nAli Riley\\n00:21:05\\nReads \\\"I Awake to the Ghost of Neighbors Present\\\" from Tear Down [audience laughter throughout].\\n\\nAudience\\n00:24:03\\nApplause.\\n\\nAli Riley\\n00:24:13\\nIntroduces \\\"Adventures in the Fur Trade\\\" from 33 Million Solitudes [audience laughter throughout]. | Keywords: Hudson’s Bay Company [https://www.wikidata.org/wiki/Q76039]\\n\\nAli Riley\\n00:24:47\\nReads \\\"Adventures in the Fur Trade\\\" from 33 Million Solitudes.\\n\\nAudience\\n00:27:57\\nApplause.\\n\\nAli Riley\\n00:28:04\\nReads \\\"Furs, Gold, Farmland: Solitude of a Show Dog\\\" from 33 Million Solitudes.\\n\\nAudience\\n00:28:47\\nLaughter and applause.\\n\\nAli Riley\\n00:29:00\\nThanks Ian [Ferrier] [audience applause continues throughout].\\n\\nIan Ferrier\\n00:29:22\\nThanks Ali [Riley], promotes her books, and announces intermission. | Keywords: Gordon [Disley]; Moe Clark [https://www.wikidata.org/wiki/Q65116392]; Marie-Claire Durand\\n\\nAudience\\n00:29:40\\nApplause.\\n\\nUnknown\\n00:29:44\\nAmbient Sound [voices and music].\\n\\nIan Ferrier\\n00:52:45\\nIntroduces himself and Gordon Disley [audience applause and laughter throughout].  \\n\\nIan Ferrier\\n00:53:33\\nIntroduces \\\"This Fire\\\".\\n\\nIan Ferrier\\n00:53:36\\nPerforms \\\"This Fire\\\" with Gordon Disley.\\n\\nAudience\\n00:59:36\\nApplause.\\n\\nIan Ferrier\\n00:59:45\\nDiscusses his performance [audience commentary and laughter throughout] and introduces \\\"Alberta Girls\\\". | Keywords: Canada [https://www.wikidata.org/wiki/Q16]; Russia [https://www.wikidata.org/wiki/Q159]; Reykjavik [https://www.wikidata.org/wiki/Q1764]; Ali Riley; Alberta [https://www.wikidata.org/wiki/Q1951]\\n\\nIan Ferrier\\n01:00:46\\nPerforms \\\"Alberta Girls\\\". \\n\\nAudience\\n01:03:03\\nApplause.\\n\\nIan Ferrier\\n01:03:12\\nDiscusses his performance, thanks Gordon Disley, and introduces Moe Clark, Marie-Claire Durand, and Kai [Basanta] [audience laughter, commentary, and applause throughout].\\n\\nUnknown\\n01:03:41\\nAmbient Sound [voices].\\n\\nMoe Clark\\n01:04:10\\nAddresses audience [audience laughter, commentary, and applause throughout].\\n\\nMoe Clark\\n01:06:12\\nIntroduces \\\"Must Be Elves\\\".\\n\\nMoe Clark\\n01:06:37\\nPerforms \\\"Must Be Elves\\\". \\n\\nAudience\\n01:07:52\\nApplause.\\n\\nMoe Clark\\n01:08:00\\nAddresses audience. | Keywords: Europe [https://www.wikidata.org/wiki/Q46]; Britain [https://www.wikidata.org/wiki/Q145]; Spain [https://www.wikidata.org/wiki/Q29]\\n\\nMoe Clark\\n01:08:26\\nIntroduces unnamed song [audience commentary and laughter throughout]. | Keywords: Turtle Island [https://www.wikidata.org/wiki/Q7856408]\\n\\nMoe Clark\\n01:09:43\\nPerforms unnamed song.\\n\\nAudience\\n01:18:05\\nApplause.\\n\\nMoe Clark\\n01:18:19\\nThanks audience and introduces Marie-Claire Durand.\\n\\nMoe Clark\\n01:19:01  \\nAddresses audience [audience laughter and commentary throughout]. | Keywords: Nina Simone: Live at Montreux 197[6 (?)] [concert film]\\n\\nMoe Clark\\n01:19:44\\nIntroduces unnamed songs [audience laughter throughout].\\n\\nMoe Clark\\n01:20:27\\nPerforms unnamed song accompanied by Marie-Claire Durand on piano.\\n\\nAudience\\n01:27:07\\nApplause.\\n\\nMoe Clark\\n01:27:22\\nIntroduces Kai Basanta [audience laughter throughout].\\n\\nMoe Clark\\n01:28:08\\nPerforms unnamed song accompanied by Marie-Claire Durand on piano and Kai Basanta on percussion. \\n\\nAudience\\n01:35:09\\nApplause.\\n\\nMoe Clark\\n01:35:16\\nThanks Marie-Claire Durand and Kai Basanta in French [audience applause continues throughout].\\n\\nMarie-Claire Durand\\n01:35:59\\nPerforms unnamed song accompanied by Kai Basanta on percussion.\\n\\nAudience\\n01:40:28\\nApplause.\\n\\nMarie-Claire Durand\\n01:40:32\\nThanks audience [audience applause continues throughout], discusses her performance, and introduces Kai Basanta.\\n\\nAudience\\n01:41:15\\nApplause.\\n\\nMarie-Claire Durand\\n01:41:31\\nPerforms unnamed song accompanied by Kai Basanta on percussion.\\n\\nAudience\\n01:48:01\\nApplause.\\n\\nIan Ferrier\\n01:48:41\\nThanks Moe Clark, Marie-Claire Durand, and Kai [Basanta]. \\n\\nAudience\\n01:48:46\\nApplause.\\n\\nIan Ferrier\\n01:48:53\\nDiscusses Moe Clark, Marie-Claire Durand, and Kai Basanta’s performances.\\n\\nIan Ferrier\\n01:48:59\\nPromotes 33 Million Solitudes, announces future event, and thanks audience. | Keywords: Mark Lavorato [https://www.wikidata.org/wiki/Q47118272]; Stefan Christoff [https://www.wikidata.org/wiki/Q7606050]\\n\\nAudience\\n01:49:30\\nApplause.\\n\\nUnknown\\n01:49:39\\nAmbient Sound [voices and music].\\n\\nEND\\n01:52:54\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"score":0.01643844},{"id":"1153","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2017-02-19"],"item_title_source":["Cataloguer "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["Perry-Fagant, Natasha","Sze, Gillian","Campbell, Louise","St-Amand Williamson, Mary","Sanh, Kim","Amiri, Amir","Gavanski, Dana","Dwyer, Ben","Ferrier, Ian"],"contributors_names_search":["Perry-Fagant, Natasha","Sze, Gillian","Campbell, Louise","St-Amand Williamson, Mary","Sanh, Kim","Amiri, Amir","Gavanski, Dana","Dwyer, Ben","Ferrier, Ian"],"contributors":["[{\"url\":\"\",\"name\":\"Perry-Fagant, Natasha\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/102895499\",\"name\":\"Sze, Gillian\",\"dates\":\"1985-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Campbell, Louise\",\"dates\":\"\",\"notes\":\"(With Ian Ferrier)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/1147905118579091805\",\"name\":\"St-Amand Williamson, Mary\",\"dates\":\"\",\"notes\":\"(With Kim Sanh)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Sanh, Kim\",\"dates\":\"\",\"notes\":\"(With Mary St-Amand Williamson)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Amiri, Amir \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Gavanski, Dana\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Dwyer, Ben\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"(With Louise Campbell)\",\"nation\":[],\"role\":[\"Presenter\",\"Performer\"]}]"],"performer_name":["Perry-Fagant, Natasha","Sze, Gillian","Campbell, Louise","St-Amand Williamson, Mary","Sanh, Kim","Amiri, Amir ","Gavanski, Dana","Dwyer, Ben","Ferrier, Ian"],"Presenter_name":["Ferrier, Ian"],"Production_Date":[2017],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"In folder: 18 audio, 21 misc. In folder2: 3 audio, 2 misc. \",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Copies, edits, and alternate versions\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2017/02/\",\"file_path\":\"\",\"filename\":\"STE-003 Casa Feb 2017 Show Zoom (board) Gillian +12.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:27:47\",\"precision\":\"\",\"size\":\"929.1 MB \",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2017 02 19\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118 \",\"longitude\":\"-73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["Natsha Perry-Fagant performed a piece about relationships and gendered stereotypes and a song about her “day job” at the start of the February 19th, 2017 Words and Music Show at Casa Del Popolo. Gillian Sze read “Seven Takes,” a series of prose poems from her book “Panicle” (ECW Press 2017). Host and series organizer Ian Ferrier was then joined on stage by Louise Campbell to perform a piece based on Ferrier’s poem “Oh My Sisters” from his book “Bear Dreams” (Popolo press 2016) and which samples didgeridoo music from an album called “Barramundi.” The first set ended with “a fabulous pair of dancers” named Mary St-Amand Williamson and Kim Sanh performing an unnamed piece to more music from “Barramundi.” In the second half of the show, Amir Amiri played a set on santur, after which singer-songwriter Dana Gavanski and bassist Ben Dwyer performed original songs, including “The Heart Inside,” “How Much Is Enough,” “Did You Care?” and “The Wind.” "],"contents":["STE-003 Casa Feb 2017 Show Zoom (board) Gillian+12.wav\n\nIan Ferrier [https://www.wikidata.org/wiki/Q87138884]\n00:00:00\nIntroduces event | Keywords: Fringe [Festival]; monologue; David Lynch Wet Dreams; Natasha Perry-Fagant.\n\nAudience\n00:00:52\nApplause.\n\nNatasha Perry-Fagant\n00:01:01\nPerforms Scrum | Keywords: female; swipe; dinner; feminist.\n\nAudience\n00:03:43\nApplause.\n\nNatasha Perry-Fagant\n00:03:50\nPerforms “I really like my job”.\n\nAudience\n00:06:19\nApplause.\n\nIan Ferrier\n00:06:35\nIntroduces Gillian Sze | Keywords: Pannicle; Mile End Poets’ Festival.\n\nAudience \n00:07:11\nApplause.\n\nGillan Sze\n00:07:37\nReads “Seven Takes” from Pannicle | Keywords: prose poems; planets; bird; path; stranger; girl.\n\nAudience\n00:15:15\nApplause [cheering].\n\nIan Ferrier\n00:15:37\nIntroduces Louise Campbell | Keywords: O My Sisters; Bear Dreams.\n\nIan Ferrier and Louise Campbell\n00:16:57\nPerform collaboration | Keywords: galaxy; gravity; language; sisters.\n\nAudience\n00:26:12\nApplause.\n\nIan Ferrier\n00:26:23\nIntroduces Mary St-Amand Williamson and Kim-Sanh Chau.\n\n00:26:42\nAmbient sound [background music and conversation].\n\nMary St-Amand Williamson and Kim-Sanh Chau\n00:28:34\nDance.\n\nAudience\n00:39:44\nApplause.\n\nIan Ferrier\n00:40:00\nAnnounces break.\n\n00:40:22\nAmbient sound [background music] | Keywords: Amir Amiri; Dana Gavanski.\n\nIan Ferrier\n00:55:36\nIntroduces Amir Amiri | Keywords: musicians; santur; Kaza Maza [restaurant].\n\nAudience\n00:56:10\nApplause.\n\nAmir Amiri\n00:56:32\nPerforms music.\n\nAudience\n01:05:48\nApplause [whistling].\n\nIan Ferrier\n01:06:28\nDiscusses project | Keywords: Café Resonance; Mile End Poets’ Festival.\n\n01:07:18\nAmbient sound [background conversation].\n\nDana Gavanski and Ben Dwyer\n01:09:02\nIntroduces “I found the heart inside”.\n\nDana Gavanski and Ben Dwyer\n01:09:49\nPerform “I found the heart inside” | Keywords: heart; darkness.\n\nAudience\n01:12:44\nApplause [cheering].\n\nDana Gavanski and Ben Dwyer\n01:13:04\nPerform “How much is enough” | Keywords: breath.\n\nAudience\n01:17:51\nApplause.\n\nDana Gavanski and Ben Dwyer\n01:18:05\nPerform “Did you care” | Keywords: rest; care.\n\nAudience\n01:20:53\nApplause.\n\nDana Gavanski and Ben Dwyer\n01:21:04\nPerform “The Wind” | Keywords: dawn; haze; wind.\n\nAudience\n01:25:31\nApplause [cheering].\n\nIan Ferrier\n01:26:04\nAnnounces end of event.\n\nAudience\n01:26:37\nApplause.\n\n01:26:50\nAmbient sound [background music].\n\nEND\n01:27:46.\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548387659776,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1159","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2017-09-24"],"item_title_source":["Cataloguer "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["Kebbawar, Mohamed","Giraldo, Isis","Chase, Jesse","Bentley, Pamela","Millerd, Simon","Ferrier, Ian"],"contributors_names_search":["Kebbawar, Mohamed","Giraldo, Isis","Chase, Jesse","Bentley, Pamela","Millerd, Simon","Ferrier, Ian"],"contributors":["[{\"url\":\"\",\"name\":\"Kebbawar, Mohamed\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Giraldo, Isis\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/26149543011400302943\",\"name\":\"Chase, Jesse\",\"dates\":\"1985-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/105618366\",\"name\":\"Bentley, Pamela\",\"dates\":\"1963-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/1388151837982020520003\",\"name\":\"Millerd, Simon\",\"dates\":\"1987-\",\"notes\":\"u2028(With Isis Giraldo, Ryan Brouwer, Ted Crosby, Martin Heslop, Jake Weins)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"performer_name":["Kebbawar, Mohamed","Giraldo, Isis","Chase, Jesse","Bentley, Pamela","Millerd, Simon"],"Presenter_name":["Ferrier, Ian"],"Production_Date":[2017],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"In folder: 1 audio, 3 docs, 10 images, 31 misc. 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Pamela Bentley read pieces from her chapbook “Sea, Sky, and Everything In Between” (2017), including “Snapshots Of An East-Van Friendship.” To close the show, Simon Millerd was joined on stage by Isis Geraldo, Ryan Brouwer, Ted Crosby, Martin Heslop, and Jake Weins for a forty-minute jazzy set. "],"contents":["Casa W&M Isis Pam Bentley Simon Millerd et al.wav\n\nMohamed Kebbawar\n00:00:00\nPerforms unknown poem | Keywords: blood; peace.\n\nMohamed Kebbawar\n00:00:26\nPerforms “Silence for Aleppo” | Keywords: smoke; jellyfish; Aleppo [https://www.wikidata.org/wiki/Q41183].\n\nMohamed Kebbawar\n00:01:32\nPerforms “The Soap of Aleppo” | Keywords: soap; memories.\n\nMohamed Kebbawar\n00:04:22\nPerforms “Fragmented” | Keywords: four-part poem; minaret; absence; siege; olive tree.\n\nAudience\n00:08:40\nApplause.\n\nIan Ferrier [https://www.wikidata.org/wiki/Q87138884]\n00:08:55\nIntroduces Isis Giraldo.\n\nAudience\n00:09:20\nApplause.\n\nIsis Giraldo [Chiquita Magic]\n00:09:39\nIntroduces songs.\n\nIsis Giraldo\n00:10:11\nPerforms music.\n\nAudience\n00:13:59\nApplause.\n\nIsis Giraldo\n00:14:16\nPerforms music.\n\nAudience\n00:18:01\nApplause.\n\nIsis Giraldo\n00:18:04\nIntroduces “Primer Mundo” | Keywords: Chiquita Magic; South America [https://www.wikidata.org/wiki/Q18].\n\nIsis Giraldo\n00:18:47\nPerforms “Primer Mundo”.\n\nAudience\n00:22:06\nApplause.\n\nIsis Giraldo\n00:22:15\nPerforms music.\n\nAudience\n00:25:47\nApplause [cheering].\n\nIan Ferrier\n00:26:05\nIntroduces Jesse Chase.\n\nAudience\n00:26:37\nApplause.\n\nJesse Chase\n00:26:46\nIntroduces God’s Wife | Keywords: novel; Black Madonna; anti-colonial; anti-patriarchal.\n\nJesse Chase\n00:28:32\nReads from God’s Wife | Keywords: cassette; busk; solar eclipse.\n\nJesse Chase\n00:37:44\nDiscusses God’s Wife | Keywords: four narrators; psychotic episode.\n\nJesse Chase\n00:38:31\nReads from God’s Wife | Keywords: labourer; execution; inebriation.\n\nAudience\n00:40:52\nApplause.\n\nIan Ferrier\n00:41:33\nAnnounces break.\n\n00:41:43\nAmbient sound [background music].\n\nIan Ferrier\n00:51:56\nIntroduces Pamela Bentley | Keywords: Vancouver [https://www.wikidata.org/wiki/Q24639]; community radio; spoken word.\n\nAudience\n00:52:28\nApplause.\n\nPamela Bentley\n00:52:38\nIntroduces “Sea, Sky and Everything” | Keywords: chapbook; other; Vivek Shraya [https://www.wikidata.org/wiki/Q7937601].\n\nPamela Bentley\n00:54:19\nReads from “Sea Sky and Everything” | Keywords: desert skies; touch; laughter.\n\nAudience\n00:56:34\nApplause.\n\nPamela Bentley\n00:56:36\nDiscusses “Snapshots of an East Van Friendship” | Keywords: crows.\n\nPamela Bentley\n00:58:03\nReads “Snapshots of an East Van Friendship” | Keywords: migration; crow; company.\n\nAudience\n01:00:06\nApplause.\n\nPamela Bentley\n01:00:09\nIntroduces “Five Parts of Breath” | Keywords: heat; air conditioning; grief\n\nPamela Bentley\n01:01:18\nReads “Five Parts of Breath” | Keywords: liver; seal; witness; mother; mermaid.\n\nAudience\n01:06:37\nApplause.\n\nPamela Bentley\n01:06:49\nIntroduces “Be” | Keywords: radio; Kevin Spenst; poetry; conversations; Linda Hogan.\n\nPamela Bentley\n01:07:27\nReads “The Way In” by Linda Hogan.\n\nPamela Bentley\n01:08:11\nReads “Be” | Keywords: love; child.\n\nAudience\n01:09:06\nApplause.\n\nIan Ferrier\n01:09:30\nIntroduces Simon Millerd, Ted Crosby, Martin Heslop, Isis Giraldo, Ryan Brouwer, Jake Wiens.\n\n01:09:56\nAmbient sound [musical set up and tuning].\n\nSimon Millerd, Ted Crosby, Martin Heslop, Isis Giraldo, Ryan Brouwer, Jake Wiens\n01:11:14\nPerform music.\n\nAudience\n01:51:34\nApplause [cheering].\n\nIan Ferrier\n01:52:52\nAnnounces end of event.\n\nAudience\n01:53:32\nApplause.\n\n01:53:42\nAmbient sound [background conversation].\n\nEND\n01:55:01.\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548388708352,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1160","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2017-10-22"],"item_title_source":["Cataloguer "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["Richter, Lisa","Kennedy, Kathy","Drukker, Kelly Norah","Mader, Al","Ford, April L.","Ferrier, Ian","Petunia, Marcel"],"contributors_names_search":["Richter, Lisa","Kennedy, Kathy","Drukker, Kelly Norah","Mader, Al","Ford, April L.","Ferrier, Ian","Petunia, Marcel"],"contributors":["[{\"url\":\"http://viaf.org/viaf/3148752159041201880\",\"name\":\"Richter, Lisa\",\"dates\":\"1977-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/316997401\",\"name\":\"Kennedy, Kathy\",\"dates\":\"\",\"notes\":\"Event announcement\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/33146094193500330987\",\"name\":\"Drukker, Kelly Norah\",\"dates\":\"1975-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Mader, Al\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/309826347\",\"name\":\"Ford, April L.\",\"dates\":\"\",\"notes\":\"Announced but missing \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"\",\"name\":\"Petunia, Marcel\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Richter, Lisa","Drukker, Kelly Norah","Mader, Al","Ford, April L.","Petunia, Marcel"],"Presenter_name":["Ferrier, Ian"],"Speaker_name":["Kennedy, Kathy"],"Production_Date":[2017],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\" In folder: 3 audio, 2 docs, 11 images, 4 misc. 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Al Mader, also known as The Minimalist Jug Band, performed a series of poem-songs, ending with “Problems In A Box,” a special request from W&M Show host and series organizer Ian Ferrier. In the final set, Marcel Petunia played original country music songs showcasing his yodelling skills. From the event poster, we know the show was produced in collaboration with the Quebec Writers’ Federation and The League of Canadian Poets, that it began at 9 p.m. at Casa Del Popolo, and that April L. Ford also appeared, though her performance is missing from the recording. "],"contents":["2017 10 W&M Show Richter Drukker Mader Petunia.wav\n\nLisa Richter\n00:00:00\nPerforms unknown poem.\n\nLisa Richter\n00:01:07\nPerforms “Disbelief” | Keywords: Jian Ghomeshi [https://www.wikidata.org/wiki/Q10861160]; midwife.\n\nLisa Richter\n00:02:24\nPerforms “Intruders” | Keywords: calm; decoy.\n\nLisa Richter\n00:04:30\nPerforms “Patrilinear” | Keywords: lilac tree; boyhood; barista; pepper mill.\n\nLisa Richter\n00:08:06\nPerforms unknown poem | Keywords: Israel [https://www.wikidata.org/wiki/Q801]; Arabic.\n\nLisa Richter\n00:09:40\nPerforms “Inscription” | Keywords: seaweed.\n\nAudience\n00:11:34\nApplause.\n\nIan Ferrier [https://www.wikidata.org/wiki/Q87138884]\n00:11:56\nAnnounces short break.\n\n00:12:10\nAmbient sound [background music and conversation].\n\nIan Ferrier\n00:26:28\nInvites Kathy Kennedy to announce event.\n\nKathy Kennedy\n00:26:39\nAnnounces singalong “Urgence Chanter” | Keywords: pop songs.\n\nAudience\n00:27:53\nApplause.\n\nIan Ferrier\n00:28:01\nIntroduces Kelly Norah Drukker | Keywords: A.M. Klein Prize for Poetry; Concordia First Book Award; Small Fires.\n\nAudience\n00:28:29\nApplause.\n\nKelly Norah Drukker\n00:28:39\nThanks Ian Ferrier.\n\nKelly Norah Drukker\n00:30:15\nPerforms unknown poem | Keywords: dark; shores.\n\nKelly Norah Drukker\n00:31:44\nPerforms “At Teampall Bheanain” | Keywords: rain; comets; god.\n\nKelly Norah Drukker\n00:32:54\nPerforms “October” | Keywords: wife; skin.\n\nKelly Norah Drukker\n00:33:28\nPerforms “Blow-ins” | Keywords: island.\n\nKelly Norah Drukker\n00:34:54\nPerforms “Burial Ground” | Keywords: briar; light.\n\nKelly Norah Drukker\n00:35:52\nPerforms “The Hunter’s Path” | Keywords: bike ride; flashlight; window; hunter.\n\nKelly Norah Drukker\n00:37:59\nPerforms “Pre-electrict” | Keywords: electric light;gas; wick.\n\nKelly Norah Drukker\n00:39:09\nPerforms “Storms in Spring” | Keywords: spring; lips; fruit trees; ocean.\n\nAudience\n00:40:09\nApplause.\n\nIan Ferrier\n00:40:20\nIntroduces Al Mader.\n\nAudience\n00:40:51\nApplause.\n\nAl Mader\n00:41:20\nPerforms unknown poem | Keywords: Winnipeg [https://www.wikidata.org/wiki/Q3569371]; PhD.\n\nAudience\n00:43:42\nApplause.\n\nAl Mader\n00:43:59\nPerforms unknown poem | Keywords: journey; Iceland [https://www.wikidata.org/wiki/Q189].\n\nAudience\n00:46:48\nApplause [cheering].\n\nAl Mader\n00:47:04\nPerforms unknown poem | Keywords: diamond; cash; money trees.\n\nAl Mader\n00:49:50\nPerforms unknown poem | Keywords: positive; room.\n\nAudience\n00:51:54\nApplause [cheering].\n\nAl Mader\n00:52:08\nPerforms unknown poem | Keywords: bitter; scarf; devotion.\n\nAudience\n00:55:39\nApplause.\n\nAl Mader\n00:56:09\nPerforms unknown poem | Keywords: school; test.\n\nAudience\n00:59:30\nApplause.\n\nIan Ferrier\n00:59:47\nRequests one more piece.\n\nAl Mader\n01:00:17\nDiscusses being on tour | Keywords: languages; cathartic; shows.\n\nAl Mader\n01:01:01\nPerforms unknown poem | Keywords: breathe in; breathe out.\n\nAudience\n01:04:09\nApplause [laughter].\n\nIan Ferrier\n01:04:25\nAnnounces break.\n\nAudience\n01:04:38\nApplause.\n\n01:04:44\nAmbient sound [background music and conversation].\n\nIan Ferrier\n01:18:21\nIntroduces Marcel Petunia.\n\nAudience\n01:19:08\nApplause\n\nMarcel Petunia\n01:19:15\nPerforms song.\n\nAudience \n01:22:17\nApplause.\n\nMarcel Petunia\n01:22:53\nPerforms song | Keywords: album; chords; Radiohead [https://www.wikidata.org/wiki/Q44190]; country.\n\nAudience\n01:26:24\nApplause.\n\nMarcel Petunia\n01:26:44\nPerforms song | Keywords: heart.\n\nAudience\n01:33:30\nApplause.\n\nMarcel Petunia\n01:33:41\nDiscusses unknown song | Keywords: political; murder; land.\n\nMarcel Petunia\n01:35:56\nPerforms song.\n\nAudience\n01:39:53\nApplause [cheering].\n\nIan Ferrier\n01:40:17\nThanks Marcel Petunia.\n\nAudience\n01:40:23\nApplause.\n\nIan Ferrier\n01:40:30\nAnnounces end of event.\n\nAudience\n01:41:09\nApplause.\n\nEND\n01:41:46\n[Second file contains a repetition of event's second set]."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548389756928,"timestamp":"2026-01-07T14:59:52.745Z","score":0.01643844},{"id":"1163","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2018-01-21"],"item_title_source":["Cataloguer "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"contributors_names":["Mackay, Rafaelle","McCrum, Rachel","Elnur, Nazim","Tija, Sherwin"],"contributors_names_search":["Mackay, Rafaelle","McCrum, Rachel","Elnur, Nazim","Tija, Sherwin"],"contributors":["[{\"url\":\"\",\"name\":\"Mackay, Rafaelle\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/300348020\",\"name\":\"McCrum, Rachel\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Elnur, Nazim\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Tija, Sherwin\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Mackay, Rafaelle","McCrum, Rachel","Elnur, Nazim","Tija, Sherwin"],"Performance_Date":[2018],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\" In folder: 14 audio, 1 misc. In folder2: 1 doc, 13 images, 2 misc. \",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"Dates":["[{\"date\":\"2018 01 21\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118 \",\"longitude\":\"-73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["Rafaelle Mackay opened the first Words and Music Show of 2018 at Casa Del Popolo with a series of soothing songs. After a short break, Irish poet and performer Rachel McCrum decided to scrap her planned setlist on the spot to read poems from her book “The First Blast to Awaken Women Degenerate” (Freight Books 2017), including “I Go Sailing” and sections of a series called “Problems To Sharpen The Young.” Nazim Elnur performed spoken word pieces including “Pen Pal.” Sherwin Tija closed the night with a live presentation and reading from his graphic novel “Plummet” (Conundrum Press 2019). "],"contents":["STE-000.wav \n\nRafaelle Mackay\n00:00:00\nPerforms unnamed song [recording begins abruptly].\n\nAudience\n00:02:01\nApplause.\n\nRafaelle Mackay\n00:02:14\nPerforms unnamed song. \n\nAudience\n00:09:08\nApplause.\n\nRafaelle Mackay\n00:09:21\nIntroduces unnamed song. | Keywords: Canada [https://www.wikidata.org/wiki/Q16]\n\nRafaelle Mackay\n00:10:10\nPerforms unnamed song.\n\nAudience\n00:14:49\nApplause.\n\nRafaelle Mackay\n00:15:00\nThanks audience.\n\nAudience\n00:15:12\nApplause.\n\nIan Ferrier\n00:15:31\nThanks Rafaelle Mackay. \n\nIan Ferrier\n00:15:35\nAnnounces intermission. | Keywords: Rachel McCrum\n\nUnknown\n00:15:43\nAmbient Sound [music].\n\nIan Ferrier\n00:18:35\nIntroduces Rachel McCrum. | Keywords: The First Blast to Awaken Women Degenerate [book]; Union des Ecrivains [https://www.wikidata.org/wiki/Q3550227]; Maison de la Poesie [https://www.wikidata.org/wiki/Q27961899]; Mile End Poets Festival; Mainline Theatre\n\nAudience\n00:19:20\nApplause.\n\nRachel McCrum\n00:19:47\nPerforms unnamed poem. \n\nAudience\n00:21:33\nApplause.\n\nRachel McCrum\n00:21:39\nAddresses audience and Rafaelle Mackay.\n\nRachel McCrum\n00:22:03\nPerforms \"Problems to Sharpen the Young (i)\" [from The First Blast to Awaken Women Degenerate]. \n\nAudience\n00:23:48\nApplause.\n\nRachel McCrum\n00:23:54\nDiscusses The First Blast to Awaken Women Degenerate and introduces \"I Go Sailing\" [audience laughter throughout]. | Keywords: Miriam Nash [https://www.wikidata.org/wiki/Q56284358]; Edinburgh International Book Festival [https://www.wikidata.org/wiki/Q4351301]; Canada; Quebec [https://www.wikidata.org/wiki/Q176]; Barbados [https://www.wikidata.org/wiki/Q244]; Ireland [https://www.wikidata.org/wiki/Q27]; Scotland [https://www.wikidata.org/wiki/Q22]; Norway [https://www.wikidata.org/wiki/Q20] \n\nRachel McCrum\n00:25:45\nPerforms \"I Go Sailing\". | Keywords: Inverness [https://www.wikidata.org/wiki/Q160493]\n\nAudience\n00:27:20\nApplause.\n\nRachel McCrum\n00:27:26\nDiscusses \"Problems to Sharpen the Young (i)\" and introduces \"Problems to Sharpen the Young (i)\" [likely mistake in #, since previous poem was introduced in the same way]. | Keywords: York [https://www.wikidata.org/wiki/Q42462]; England [https://www.wikidata.org/wiki/Q21]\n\nRachel McCrum\n00:28:31\nPerforms \"Problems to Sharpen the Young (i)\" [likely mistake in #, since previous poem was introduced in the same way].\n\nAudience\n00:30:02\nApplause.\n\nRachel McCrum\n00:30:12\nAddresses the audience and Ian Ferrier [https://www.wikidata.org/wiki/Q87138884].\n\nRachel McCrum\n00:30:32\nPerforms unnamed poem. \n\nAudience\n00:31:52\nApplause.\n\nRachel McCrum\n00:31:59\nDiscusses \"The First Blast to Awaken Women Degenerate\" [poem] and introduces unnamed poem [audience laughter throughout]. | Keywords: John Knox [https://www.wikidata.org/wiki/Q189937]; Mary Queen of Scots [https://www.wikidata.org/wiki/Q131412]\n\nRachel McCrum\n00:33:26\nPerforms unnamed poem. \n\nAudience\n00:36:28\nApplause.\n\nUnknown\n00:36:43\nAmbient Sound [music].\n\nIan Ferrier\n00:36:48\nThanks Rachel McCrum and promotes The First Blast to Awaken Women Degenerate.\n\nIan Ferrier\n00:36:57\nIntroduces Nazim Elnur. | Keywords: Mile End Poets’ Festival; United States [https://www.wikidata.org/wiki/Q30]\n\nAudience\n00:37:27\nApplause. \n\nNazim Elnur\n00:37:38\nAddresses audience and Ian Ferrier [audience laughter throughout].\n\nNazim Elnur\n00:38:07\nIntroduces unnamed poem. | Keywords: Searching For Sugar Man [film] [https://www.wikidata.org/wiki/Q287708]\n\nNazim Elnur\n00:38:40\nPerforms unnamed poem. | Keywords: Searching For Sugar Man, Nina Simone [https://www.wikidata.org/wiki/Q174957]; Che Guevara [https://www.wikidata.org/wiki/Q5809] \n\nNazim Elnur\n00:42:13\nThanks audience.\n\nAudience\n00:42:14\nApplause.\n\nNazim Elnur\n00:42:21\nIntroduces unnamed poem. | Keywords: Donald Trump [https://www.wikidata.org/wiki/Q22686]\n\nNazim Elnur\n00:43:09\nDiscusses unnamed poem and decides not to perform it [audience laughter throughout]. \n\nNazim Elnur\n00:43:22\nIntroduces \"Pen Pal\". | Keywords: Sudan [https://www.wikidata.org/wiki/Q1049]; Palestine [https://www.wikidata.org/wiki/Q219060]; Israel [https://www.wikidata.org/wiki/Q801]\n\nNazim Elnur\n00:44:11\nPerforms \"Pen Pal\". \n\nNazim Elnur\n00:46:52\nThanks audience.\n\nAudience\n00:46:54\nApplause.\n\nNazim Elnur\n00:47:15\nAddresses audience and introduces unnamed poem. \n\nNazim Elnur\n00:47:32\nPerforms unnamed poem. \n\nNazim Elnur\n00:50:37\nThanks audience.\n\nAudience\n00:50:41\nApplause.\n\nIan Ferrier\n00:50:56\nThanks Nazim Elnur and announces intermission. | Keywords: Sherwin Tija\n\nAudience\n00:51:11\nApplause. \n\nUnknown\n00:51:13\nAmbient Sound [music]. \n\nUnknown\n00:59:12\nAmbient Sound [voices]. \n\nIan Ferrier\n00:59:19\nIntroduces Sherwin Tija. | Keywords: Pedigree Girls [comic book]\n\nAudience\n00:59:49\nApplause.\n\nSherwin Tija\n00:59:57\nThanks Ian Ferrier and addresses audience.\n\nSherwin Tija\n01:00:15\nDiscusses and promotes You Are a Cat! [book], You Are a Cat in a Zombie Apocalypse! [book], You Are a Kitten! [book], and [You Are Alice in Wonderland's Mum!] [audience laughter throughout]. | Keywords: Alice in Wonderland [https://www.wikidata.org/wiki/Q1269082]\n\nSherwin Tija\n01:02:47\nIntroduces Plummet.\n\nSherwin Tija\n01:03:28\nReads description of Plummet. \n\nSherwin Tija\n01:04:46\nDiscusses Plummet [audience laughter throughout]. \n\nSherwin Tija\n01:05:45\nReads and presents excerpts from Plummet, frequently interrupting his reading for commentary [audience laughter throughout]. | Keywords: Montreal [https://www.wikidata.org/wiki/Q340]; Apple [https://www.wikidata.org/wiki/Q312]; Photoshop [https://www.wikidata.org/wiki/Q129793]\n\nSherwin Tija\n01:19:42\nThanks audience.\n\nAudience\n01:19:43\nApplause.\n\nIan Ferrier\n01:19:58\nThanks and addresses Sherwin Tija, exchange with Tija follows. | Keywords: Empire State Building [https://www.wikidata.org/wiki/Q9188]\n\nIan Ferrier\n01:20:14\nThanks audience, Rafaelle Mackay, Rachel McCrum, and Nazim Elnur.\n\nIan Ferrier\n01:20:22\nAnnounces future event. | Keywords: La Vitrola; Sean McGarragle; Cornelia Hoogland [https://www.wikidata.org/wiki/Q5171167]; Marie-Pier [Gilbert]\n\nAudience\n01:20:42\nApplause.\n\nUnknown\n01:20:47\nAmbient Sound [music]\n\nEND\n01:21:07"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548585840640,"timestamp":"2026-01-07T14:59:53.264Z","digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2018/01/\",\"file_path\":\"\",\"filename\":\"STE-000.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"1:21:07\",\"precision\":\"\",\"size\":\"858.7 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-000.wav \\n\\nRafaelle Mackay\\n00:00:00\\nPerforms unnamed song [recording begins abruptly].\\n\\nAudience\\n00:02:01\\nApplause.\\n\\nRafaelle Mackay\\n00:02:14\\nPerforms unnamed song. \\n\\nAudience\\n00:09:08\\nApplause.\\n\\nRafaelle Mackay\\n00:09:21\\nIntroduces unnamed song. | Keywords: Canada [https://www.wikidata.org/wiki/Q16]\\n\\nRafaelle Mackay\\n00:10:10\\nPerforms unnamed song.\\n\\nAudience\\n00:14:49\\nApplause.\\n\\nRafaelle Mackay\\n00:15:00\\nThanks audience.\\n\\nAudience\\n00:15:12\\nApplause.\\n\\nIan Ferrier\\n00:15:31\\nThanks Rafaelle Mackay. \\n\\nIan Ferrier\\n00:15:35\\nAnnounces intermission. | Keywords: Rachel McCrum\\n\\nUnknown\\n00:15:43\\nAmbient Sound [music].\\n\\nIan Ferrier\\n00:18:35\\nIntroduces Rachel McCrum. | Keywords: The First Blast to Awaken Women Degenerate [book]; Union des Ecrivains [https://www.wikidata.org/wiki/Q3550227]; Maison de la Poesie [https://www.wikidata.org/wiki/Q27961899]; Mile End Poets Festival; Mainline Theatre\\n\\nAudience\\n00:19:20\\nApplause.\\n\\nRachel McCrum\\n00:19:47\\nPerforms unnamed poem. \\n\\nAudience\\n00:21:33\\nApplause.\\n\\nRachel McCrum\\n00:21:39\\nAddresses audience and Rafaelle Mackay.\\n\\nRachel McCrum\\n00:22:03\\nPerforms \\\"Problems to Sharpen the Young (i)\\\" [from The First Blast to Awaken Women Degenerate]. \\n\\nAudience\\n00:23:48\\nApplause.\\n\\nRachel McCrum\\n00:23:54\\nDiscusses The First Blast to Awaken Women Degenerate and introduces \\\"I Go Sailing\\\" [audience laughter throughout]. | Keywords: Miriam Nash [https://www.wikidata.org/wiki/Q56284358]; Edinburgh International Book Festival [https://www.wikidata.org/wiki/Q4351301]; Canada; Quebec [https://www.wikidata.org/wiki/Q176]; Barbados [https://www.wikidata.org/wiki/Q244]; Ireland [https://www.wikidata.org/wiki/Q27]; Scotland [https://www.wikidata.org/wiki/Q22]; Norway [https://www.wikidata.org/wiki/Q20] \\n\\nRachel McCrum\\n00:25:45\\nPerforms \\\"I Go Sailing\\\". | Keywords: Inverness [https://www.wikidata.org/wiki/Q160493]\\n\\nAudience\\n00:27:20\\nApplause.\\n\\nRachel McCrum\\n00:27:26\\nDiscusses \\\"Problems to Sharpen the Young (i)\\\" and introduces \\\"Problems to Sharpen the Young (i)\\\" [likely mistake in #, since previous poem was introduced in the same way]. | Keywords: York [https://www.wikidata.org/wiki/Q42462]; England [https://www.wikidata.org/wiki/Q21]\\n\\nRachel McCrum\\n00:28:31\\nPerforms \\\"Problems to Sharpen the Young (i)\\\" [likely mistake in #, since previous poem was introduced in the same way].\\n\\nAudience\\n00:30:02\\nApplause.\\n\\nRachel McCrum\\n00:30:12\\nAddresses the audience and Ian Ferrier [https://www.wikidata.org/wiki/Q87138884].\\n\\nRachel McCrum\\n00:30:32\\nPerforms unnamed poem. \\n\\nAudience\\n00:31:52\\nApplause.\\n\\nRachel McCrum\\n00:31:59\\nDiscusses \\\"The First Blast to Awaken Women Degenerate\\\" [poem] and introduces unnamed poem [audience laughter throughout]. | Keywords: John Knox [https://www.wikidata.org/wiki/Q189937]; Mary Queen of Scots [https://www.wikidata.org/wiki/Q131412]\\n\\nRachel McCrum\\n00:33:26\\nPerforms unnamed poem. \\n\\nAudience\\n00:36:28\\nApplause.\\n\\nUnknown\\n00:36:43\\nAmbient Sound [music].\\n\\nIan Ferrier\\n00:36:48\\nThanks Rachel McCrum and promotes The First Blast to Awaken Women Degenerate.\\n\\nIan Ferrier\\n00:36:57\\nIntroduces Nazim Elnur. | Keywords: Mile End Poets’ Festival; United States [https://www.wikidata.org/wiki/Q30]\\n\\nAudience\\n00:37:27\\nApplause. \\n\\nNazim Elnur\\n00:37:38\\nAddresses audience and Ian Ferrier [audience laughter throughout].\\n\\nNazim Elnur\\n00:38:07\\nIntroduces unnamed poem. | Keywords: Searching For Sugar Man [film] [https://www.wikidata.org/wiki/Q287708]\\n\\nNazim Elnur\\n00:38:40\\nPerforms unnamed poem. | Keywords: Searching For Sugar Man, Nina Simone [https://www.wikidata.org/wiki/Q174957]; Che Guevara [https://www.wikidata.org/wiki/Q5809] \\n\\nNazim Elnur\\n00:42:13\\nThanks audience.\\n\\nAudience\\n00:42:14\\nApplause.\\n\\nNazim Elnur\\n00:42:21\\nIntroduces unnamed poem. | Keywords: Donald Trump [https://www.wikidata.org/wiki/Q22686]\\n\\nNazim Elnur\\n00:43:09\\nDiscusses unnamed poem and decides not to perform it [audience laughter throughout]. \\n\\nNazim Elnur\\n00:43:22\\nIntroduces \\\"Pen Pal\\\". | Keywords: Sudan [https://www.wikidata.org/wiki/Q1049]; Palestine [https://www.wikidata.org/wiki/Q219060]; Israel [https://www.wikidata.org/wiki/Q801]\\n\\nNazim Elnur\\n00:44:11\\nPerforms \\\"Pen Pal\\\". \\n\\nNazim Elnur\\n00:46:52\\nThanks audience.\\n\\nAudience\\n00:46:54\\nApplause.\\n\\nNazim Elnur\\n00:47:15\\nAddresses audience and introduces unnamed poem. \\n\\nNazim Elnur\\n00:47:32\\nPerforms unnamed poem. \\n\\nNazim Elnur\\n00:50:37\\nThanks audience.\\n\\nAudience\\n00:50:41\\nApplause.\\n\\nIan Ferrier\\n00:50:56\\nThanks Nazim Elnur and announces intermission. | Keywords: Sherwin Tija\\n\\nAudience\\n00:51:11\\nApplause. \\n\\nUnknown\\n00:51:13\\nAmbient Sound [music]. \\n\\nUnknown\\n00:59:12\\nAmbient Sound [voices]. \\n\\nIan Ferrier\\n00:59:19\\nIntroduces Sherwin Tija. | Keywords: Pedigree Girls [comic book]\\n\\nAudience\\n00:59:49\\nApplause.\\n\\nSherwin Tija\\n00:59:57\\nThanks Ian Ferrier and addresses audience.\\n\\nSherwin Tija\\n01:00:15\\nDiscusses and promotes You Are a Cat! [book], You Are a Cat in a Zombie Apocalypse! [book], You Are a Kitten! [book], and [You Are Alice in Wonderland's Mum!] [audience laughter throughout]. | Keywords: Alice in Wonderland [https://www.wikidata.org/wiki/Q1269082]\\n\\nSherwin Tija\\n01:02:47\\nIntroduces Plummet.\\n\\nSherwin Tija\\n01:03:28\\nReads description of Plummet. \\n\\nSherwin Tija\\n01:04:46\\nDiscusses Plummet [audience laughter throughout]. \\n\\nSherwin Tija\\n01:05:45\\nReads and presents excerpts from Plummet, frequently interrupting his reading for commentary [audience laughter throughout]. | Keywords: Montreal [https://www.wikidata.org/wiki/Q340]; Apple [https://www.wikidata.org/wiki/Q312]; Photoshop [https://www.wikidata.org/wiki/Q129793]\\n\\nSherwin Tija\\n01:19:42\\nThanks audience.\\n\\nAudience\\n01:19:43\\nApplause.\\n\\nIan Ferrier\\n01:19:58\\nThanks and addresses Sherwin Tija, exchange with Tija follows. | Keywords: Empire State Building [https://www.wikidata.org/wiki/Q9188]\\n\\nIan Ferrier\\n01:20:14\\nThanks audience, Rafaelle Mackay, Rachel McCrum, and Nazim Elnur.\\n\\nIan Ferrier\\n01:20:22\\nAnnounces future event. | Keywords: La Vitrola; Sean McGarragle; Cornelia Hoogland [https://www.wikidata.org/wiki/Q5171167]; Marie-Pier [Gilbert]\\n\\nAudience\\n01:20:42\\nApplause.\\n\\nUnknown\\n01:20:47\\nAmbient Sound [music]\\n\\nEND\\n01:21:07\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"score":0.01643844},{"id":"1164","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at La Vitrola 2018-02-18"],"item_title_source":["Cataloguer "],"item_title_note":["Full event audio not found"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"(Performs with Cookie Magique Orchestra) \",\"nation\":[],\"role\":[\"Series organizer\",\"Performer\",\"Presenter\"]}]"],"contributors_names":["Hoogland, Cornelia","McGarragle, Sean","Quest, Seeley","Gilbert, Marie-Pier","Albu, Sarah","Annett, James","Cindric, Dina","Eizlini, Will","Gingras, Eric","Schidlowsky, James","Stuart, John"],"contributors_names_search":["Hoogland, Cornelia","McGarragle, Sean","Quest, Seeley","Gilbert, Marie-Pier","Albu, Sarah","Annett, James","Cindric, Dina","Eizlini, Will","Gingras, Eric","Schidlowsky, James","Stuart, John"],"contributors":["[{\"url\":\"http://viaf.org/viaf/4194015\",\"name\":\"Hoogland, Cornelia\",\"dates\":\"1952-\",\"notes\":\"Announced but missing\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"McGarragle, Sean \",\"dates\":\"\",\"notes\":\"Announced but missing\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Quest, Seeley\",\"dates\":\"\",\"notes\":\"Announced but missing\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Gilbert, Marie-Pier\",\"dates\":\"\",\"notes\":\"(Dancer performing work by Simon Renaud)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/9226156253581508110009\",\"name\":\"Albu, Sarah\",\"dates\":\"\",\"notes\":\"(With Cookie Magique Orchestra) \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Annett, James\",\"dates\":\"\",\"notes\":\"(With Cookie Magique Orchestra)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Cindric, Dina\",\"dates\":\"\",\"notes\":\"(With Cookie Magique Orchestra)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Eizlini, Will\",\"dates\":\"\",\"notes\":\"(With Cookie Magique Orchestra)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Gingras, Eric\",\"dates\":\"\",\"notes\":\"(With Cookie Magique Orchestra)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Schidlowsky, James\",\"dates\":\"\",\"notes\":\"(With Cookie Magique Orchestra)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Stuart, John\",\"dates\":\"\",\"notes\":\"(With Cookie Magique Orchestra)\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Hoogland, Cornelia","McGarragle, Sean ","Quest, Seeley","Gilbert, Marie-Pier","Albu, Sarah","Annett, James","Cindric, Dina","Eizlini, Will","Gingras, Eric","Schidlowsky, James","Stuart, John"],"Performance_Date":[2018],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"In folder: 1 audio. In folder2: 2 video, 3 docs, 10 images, 1 misc\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"Uploads/1164/Poster 2018-02-18.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital","Digital"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2018/02/\",\"file_path\":\"\",\"filename\":\"W&M Cookie Magique at La Vitrola (deglitched) Feb 18 2018.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:23:47\",\"precision\":\"\",\"size\":\"45.7 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2018 02 18\",\"type\":\"Performance Date\",\"notes\":\"Date indicated on event poster\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"La Vitrola\",\"notes\":\"Now closed\",\"address\":\"4621 St Laurent Blvd, Montreal, QC, H2T 1R2\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["4621 St Laurent Blvd, Montreal, QC, H2T 1R2"],"Venue":["La Vitrola"],"City":["Montreal, Quebec"],"content_notes":["W&M Cookie Magique at La Vitrola (deglitched) Feb 18 2018.mp3 [File 1 of 1]\n\nThe Words and Music Show’s founder and host, Ian Ferrier took the La Vitrola stage by storm, lending his skills on guitar and synth as well as his voice to a star-studded performance by Cookie Magique Orchestra, featuring the talents of several W&M Show regulars, including Sarah Albu (vocals), James Annett (viola), Dina Cindric (keyboards), Will Eizlini (multi-instrumentalist), Eric Gingras (bass), James Schidlowsky (guimbarde), and John “Triangles” Stuart (guitar). Audio recordings documenting the February 18th, 2018 show are limited to the orchestra’s set, which closed the evening, but the event poster and a document entitled “Bio and Pic for Ian 2018.docx” inform us that Vancouver “poet, activist, academic and storyteller” Sean MacGarragle, along with fellow west coast poet Cornelia Hoogland, and “poet/performer” Seeley Quest were also scheduled to appear. Two short video recordings document a portion of Marie-Pier Gilbert’s haunting performance of a contemporary dance piece by Simon Renaud."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548587937792,"timestamp":"2026-01-07T14:59:53.264Z","score":0.01643844},{"id":"1165","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at La Vitrola 2018-03-18"],"item_title_source":["Cataloguer "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"contributors_names":["McGrath, Carmelita","Harris, Gerard","Caloia, Nicolas","Zombik, Kim"],"contributors_names_search":["McGrath, Carmelita","Harris, Gerard","Caloia, Nicolas","Zombik, Kim"],"contributors":["[{\"url\":\"http://viaf.org/viaf/70553550\",\"name\":\"McGrath, Carmelita\",\"dates\":\"1960-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Harris, Gerard\",\"dates\":\"\",\"notes\":\" (With questions from audience)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Caloia, Nicolas\",\"dates\":\"\",\"notes\":\"(With Silver Vest)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Zombik, Kim\",\"dates\":\"\",\"notes\":\"(With Silver Vest)\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["McGrath, Carmelita","Harris, Gerard","Caloia, Nicolas","Zombik, Kim"],"Performance_Date":[2018],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\" In folder: 7 audio, 6 misc. In folder2: 1 doc, 4 images, 1 misc.\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Set of 2 event audio recordings (+ copies and edits)\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"Uploads/1165/Poster 2018-03-18.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital","Digital"],"AV_type":["Audio"],"Dates":["[{\"date\":\"2018 03 18\",\"type\":\"Performance Date\",\"notes\":\"Date indicated on event poster\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"La Vitrola\",\"notes\":\"Now closed\",\"address\":\"4621 St Laurent Blvd, Montreal, QC, H2T 1R2\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["4621 St Laurent Blvd, Montreal, QC, H2T 1R2"],"Venue":["La Vitrola"],"City":["Montreal, Quebec"],"content_notes":["The recording of the March 18th, 2018 edition of the Words and Music Show begins in the midst of Carmelita McGrath’s reading, which included new works entitled “Ask Persephone,” “The Mending,” “First Day For The Balcony,” and “Green Girl.” Poet and storyteller Gerard Harris took to the La Vitrola stage for a live version of an ”AMA” (Ask Me Anything), fielding questions from the audience. After the intermission, bassist Nicolas Caloia and vocalist Kim Zombik performed a jazzy set as Silver Vest."],"contents":["STE-000 [File 1 of 2]\n\nCarmelita McGrath\n00:00:00\nReads unnamed poem [recording begins abruptly].\n\nAudience\n00:00:05\nApplause.\n\nCarmelita McGrath\n00:00:17\nIntroduces \"As Persephone\". | Keywords: Persephone [https://www.wikidata.org/wiki/Q45967]\n\nCarmelita McGrath\n00:00:59\nReads \"As Persephone\".  | Keywords: Persephone; Pluto [https://www.wikidata.org/wiki/Q152262]\n\nAudience\n00:03:25\nApplause.\n\nCarmelita McGrath\n00:03:31\nIntroduces \"The Mending\". | Keywords: Newfoundland [https://www.wikidata.org/wiki/Q48335]\n\nCarmelita McGrath\n00:04:26\nReads \"The Mending\". \n\nAudience\n00:06:33\nApplause.\n\nCarmelita McGrath\n00:06:40\nIntroduces \"First Day For The Balcony\".  | Keywords: Montreal [https://www.wikidata.org/wiki/Q340]\n\nCarmelita McGrath\n00:07:00\nReads \"First Day For The Balcony\".  | Keywords: Persephone\n\nAudience\n00:09:38\nApplause.\n\nCarmelita McGrath\n00:09:44\nIntroduces \"Green Girl\".\n\nCarmelita McGrath\n00:09:54\nReads \"Green Girl\".\n\nCarmelita McGrath\n00:10:28\nThanks audience.\n\nAudience\n00:10:30\nApplause.\n\nIan Ferrier\n00:10:50\nThanks and addresses Carmelita McGrath.\n\nAudience\n00:10:56\nLaughter.\n\nIan Ferrier\n00:11:03\nDiscusses Silvervest. | Keywords: Kim Zombik; Nicolas Caloia\n\nIan Ferrier\n00:11:13\nIntroduces Gerard Harris. | Keywords: For Body and Light\n\nAudience\n00:11:30\nApplause.\n\nGerard Harris\n00:11:45\nAddresses audience and introduces \"AMA\" [audience laughter throughout]. | Keywords: Montreal\n\nIan Ferrier\n00:13:39\nAsks Gerard Harris a question.\n\nGerard Harris\n00:13:40\nAnswers Ian Ferrier's [https://www.wikidata.org/wiki/Q87138884] question [audience laughter throughout]. \n\nAudience Member 1\n00:14:31\nAsks Gerard Harris a question.\n\nGerard Harris\n00:14:34\nAnswers Audience Member 1's question [audience laughter throughout]. \n\nAudience Member 1\n00:15:04\nAsks Gerard Harris a question.\n\nGerard Harris\n00:15:07\nAnswers Audience Member 1's question [audience laughter throughout]. \n\nAudience Member 2\n00:15:55\nAsks Gerard Harris a question.\n\nGerard Harris\n00:15:58\nAnswers Audience Member 2's question [audience laughter throughout]. \n\nAudience Member 3\n00:17:07\nAsks Gerard Harris a question.\n\nGerard Harris\n00:17:09\nAnswers Audience Member 3's question, exchange follows [audience laughter throughout]. | Keywords: Montreal; Johannesburg [https://www.wikidata.org/wiki/Q34647]\n\nAudience Member 2\n00:20:46.23\nAsks Gerard Harris a question.\n\nGerard Harris\n00:20:51\nAnswers Audience Member 2's question [audience laughter throughout]. | Keywords: Australia [https://www.wikidata.org/wiki/Q408]; New Zealand [https://www.wikidata.org/wiki/Q664]\n\nIan Ferrier\n00:22:44\nAsks Gerard Harris a question.\n\nGerard Harris\n00:22:51\nAnswers Ian Ferrier's question [audience laughter throughout]. \n\nAudience Member 3\n00:24:31\nAsks Gerard Harris a question.\n\nGerard Harris\n00:24:35\nAnswers Audience Member 3's question, exchange follows [audience laughter throughout]. \n\nAudience Member 4\n00:25:49\nAsks Gerard Harris a question.\n\nGerard Harris\n00:25:51\nAnswers Audience Member 4's question, exchange follows [audience laughter throughout]. | Keywords: England [https://www.wikidata.org/wiki/Q21]; Crocodile Dundee [https://www.wikidata.org/wiki/Q16209856]; Johannesburg; Zimbabwe [https://www.wikidata.org/wiki/Q954]; Heathrow [https://www.wikidata.org/wiki/Q898660]\n\nAudience Member 1\n00:27:26\nAsks Gerard Harris a question. | Keywords: England\n\nGerard Harris\n00:27:32\nAnswers Audience Member 1's question, exchange follows [audience laughter throughout]. | Keywords: Dorset [https://www.wikidata.org/wiki/Q23159]; Isle of Wight [https://www.wikidata.org/wiki/Q9679]; Shitterton [https://www.wikidata.org/wiki/Q7499163]; Austria [https://www.wikidata.org/wiki/Q40]; France [https://www.wikidata.org/wiki/Q142]; Middlesex [https://www.wikidata.org/wiki/Q19186]\n\nAudience Member 5\n00:30:19\nAsks Gerard Harris a question.\n\nGerard Harris\n00:30:22\nAnswers Audience Member 5's question, exchange follows [audience laughter throughout]. | Keywords: Attention Seeker [show]\n\nGerard Harris\n00:34:58\nDiscusses \"AMA\" [audience applause and laughter throughout]. | Keywords: Edmonton [https://www.wikidata.org/wiki/Q2096]; Cat[herine Kidd]; Ian [Ferrier]\n\nAudience Member 6\n00:36:06\nAsks Gerard Harris a question.\n\nGerard Harris\n00:36:14\nAnswers  Audience Member 6's question, exchange follows [audience laughter throughout]. | Keywords: The Old Testament [https://www.wikidata.org/wiki/Q64216463]; The Torah [https://www.wikidata.org/wiki/Q30064488]; South Africa [https://www.wikidata.org/wiki/Q258] \n\nAudience Member 7\n00:39:11\nAsks Gerard Harris a question. | Keywords: Queen [Elizabeth] [https://www.wikidata.org/wiki/Q9682]\n\nGerard Harris\n00:39:12\nAnswers Audience Member 7's question [audience laughter throughout]. | Keywords: Queen [Elizabeth]; Brexit [https://www.wikidata.org/wiki/Q7888194]; Europe [https://www.wikidata.org/wiki/Q46]; Queen [https://www.wikidata.org/wiki/Q15862]; Freddie Mercury [https://www.wikidata.org/wiki/Q15869]\n\nAudience Member 8\n00:42:47\nAsks Gerard Harris a question.\n\nGerard Harris\n00:42:55\nAnswers Audience Member 8's question [audience laughter throughout].\n\nIan Ferrier\n00:44:40\nAsks Gerard Harris a question.\n\nGerard Harris\n00:44:44\nAnswers Ian Ferrier's question [audience laughter throughout]. \n\nGerard Harris\n00:46:28\nThanks audience. \n\nAudience\n00:46:30\nApplause.\n\nIan Ferrier\n00:46:42\nThanks Gerard Harris and announces intermission. | Keywords: Silvervest; Nicolas Caloia; Kim Zombik\n\nAudience\n00:46:52\nApplause.\n\nUnknown\n00:46:59\nAmbient Sound [music and voices].\n\nEND\n00:49:48\n\n\nSTE-001.wav [File 2 of 2]\n\nSilvervest\n00:00:00\nPerforms unnamed song with Kim Zombik on vocals and Nicolas Caloia on bass [recording begins abruptly].\n\nAudience\n00:04:19\nApplause. \n\nKim Zombik\n00:04:29\nIntroduces unnamed song [audience laughter throughout].\n\nSilvervest\n00:05:03\nPerforms unnamed song [audience laughter throughout].\n\nAudience\n00:10:25\nApplause. \n\nSilvervest\n00:10:38\nPerforms unnamed song.\n\nKim Zombik\n00:11:01\nDiscusses unnamed song [audience laughter throughout].\n\nSilvervest\n00:11:19\nContinues unnamed song [audience laughter throughout].\n\nAudience\n00:18:54\nApplause. \n\nSilvervest\n00:19:07\nPerforms unnamed song [audience laughter throughout].\n\nAudience\n00:34:38\nApplause.\n\nKim Zombik\n00:34:57\nAddresses Nicolas Caloia.\n\nAudience\n00:34:58\nApplause.\n\nKim Zombik\n00:35:10\nIntroduces unnamed song [audience laughter throughout].\n\nSilvervest\n00:35:22\nPerforms unnamed song [audience laughter throughout].\n\nAudience\n00:38:53\nApplause.\n\nSilvervest\n00:39:17\nPerforms unnamed song [audience laughter throughout].\n\nAudience\n00:44:26\nApplause\n\nKim Zombik\n00:44:33\nThanks audience and Ian Ferrier [audience applause continues throughout].\n\nIan Ferrier\n00:44:45\nThanks Silvervest, the audience, and the other performers.\n\nIan Ferrier\n00:44:53\nAnnounces future event. | Keywords: Tanya Evanson\n\nAudience\n00:45:08\nApplause.\n\nEND\n00:45:15"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548588986368,"timestamp":"2026-01-07T14:59:53.264Z","digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2018/03/\",\"file_path\":\"\",\"filename\":\"STE-000.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:49:48\",\"precision\":\"\",\"size\":\"790.8 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-000 [File 1 of 2]\\n\\nCarmelita McGrath\\n00:00:00\\nReads unnamed poem [recording begins abruptly].\\n\\nAudience\\n00:00:05\\nApplause.\\n\\nCarmelita McGrath\\n00:00:17\\nIntroduces \\\"As Persephone\\\". | Keywords: Persephone [https://www.wikidata.org/wiki/Q45967]\\n\\nCarmelita McGrath\\n00:00:59\\nReads \\\"As Persephone\\\".  | Keywords: Persephone; Pluto [https://www.wikidata.org/wiki/Q152262]\\n\\nAudience\\n00:03:25\\nApplause.\\n\\nCarmelita McGrath\\n00:03:31\\nIntroduces \\\"The Mending\\\". | Keywords: Newfoundland [https://www.wikidata.org/wiki/Q48335]\\n\\nCarmelita McGrath\\n00:04:26\\nReads \\\"The Mending\\\". \\n\\nAudience\\n00:06:33\\nApplause.\\n\\nCarmelita McGrath\\n00:06:40\\nIntroduces \\\"First Day For The Balcony\\\".  | Keywords: Montreal [https://www.wikidata.org/wiki/Q340]\\n\\nCarmelita McGrath\\n00:07:00\\nReads \\\"First Day For The Balcony\\\".  | Keywords: Persephone\\n\\nAudience\\n00:09:38\\nApplause.\\n\\nCarmelita McGrath\\n00:09:44\\nIntroduces \\\"Green Girl\\\".\\n\\nCarmelita McGrath\\n00:09:54\\nReads \\\"Green Girl\\\".\\n\\nCarmelita McGrath\\n00:10:28\\nThanks audience.\\n\\nAudience\\n00:10:30\\nApplause.\\n\\nIan Ferrier\\n00:10:50\\nThanks and addresses Carmelita McGrath.\\n\\nAudience\\n00:10:56\\nLaughter.\\n\\nIan Ferrier\\n00:11:03\\nDiscusses Silvervest. | Keywords: Kim Zombik; Nicolas Caloia\\n\\nIan Ferrier\\n00:11:13\\nIntroduces Gerard Harris. | Keywords: For Body and Light\\n\\nAudience\\n00:11:30\\nApplause.\\n\\nGerard Harris\\n00:11:45\\nAddresses audience and introduces \\\"AMA\\\" [audience laughter throughout]. | Keywords: Montreal\\n\\nIan Ferrier\\n00:13:39\\nAsks Gerard Harris a question.\\n\\nGerard Harris\\n00:13:40\\nAnswers Ian Ferrier's [https://www.wikidata.org/wiki/Q87138884] question [audience laughter throughout]. \\n\\nAudience Member 1\\n00:14:31\\nAsks Gerard Harris a question.\\n\\nGerard Harris\\n00:14:34\\nAnswers Audience Member 1's question [audience laughter throughout]. \\n\\nAudience Member 1\\n00:15:04\\nAsks Gerard Harris a question.\\n\\nGerard Harris\\n00:15:07\\nAnswers Audience Member 1's question [audience laughter throughout]. \\n\\nAudience Member 2\\n00:15:55\\nAsks Gerard Harris a question.\\n\\nGerard Harris\\n00:15:58\\nAnswers Audience Member 2's question [audience laughter throughout]. \\n\\nAudience Member 3\\n00:17:07\\nAsks Gerard Harris a question.\\n\\nGerard Harris\\n00:17:09\\nAnswers Audience Member 3's question, exchange follows [audience laughter throughout]. | Keywords: Montreal; Johannesburg [https://www.wikidata.org/wiki/Q34647]\\n\\nAudience Member 2\\n00:20:46.23\\nAsks Gerard Harris a question.\\n\\nGerard Harris\\n00:20:51\\nAnswers Audience Member 2's question [audience laughter throughout]. | Keywords: Australia [https://www.wikidata.org/wiki/Q408]; New Zealand [https://www.wikidata.org/wiki/Q664]\\n\\nIan Ferrier\\n00:22:44\\nAsks Gerard Harris a question.\\n\\nGerard Harris\\n00:22:51\\nAnswers Ian Ferrier's question [audience laughter throughout]. \\n\\nAudience Member 3\\n00:24:31\\nAsks Gerard Harris a question.\\n\\nGerard Harris\\n00:24:35\\nAnswers Audience Member 3's question, exchange follows [audience laughter throughout]. \\n\\nAudience Member 4\\n00:25:49\\nAsks Gerard Harris a question.\\n\\nGerard Harris\\n00:25:51\\nAnswers Audience Member 4's question, exchange follows [audience laughter throughout]. | Keywords: England [https://www.wikidata.org/wiki/Q21]; Crocodile Dundee [https://www.wikidata.org/wiki/Q16209856]; Johannesburg; Zimbabwe [https://www.wikidata.org/wiki/Q954]; Heathrow [https://www.wikidata.org/wiki/Q898660]\\n\\nAudience Member 1\\n00:27:26\\nAsks Gerard Harris a question. | Keywords: England\\n\\nGerard Harris\\n00:27:32\\nAnswers Audience Member 1's question, exchange follows [audience laughter throughout]. | Keywords: Dorset [https://www.wikidata.org/wiki/Q23159]; Isle of Wight [https://www.wikidata.org/wiki/Q9679]; Shitterton [https://www.wikidata.org/wiki/Q7499163]; Austria [https://www.wikidata.org/wiki/Q40]; France [https://www.wikidata.org/wiki/Q142]; Middlesex [https://www.wikidata.org/wiki/Q19186]\\n\\nAudience Member 5\\n00:30:19\\nAsks Gerard Harris a question.\\n\\nGerard Harris\\n00:30:22\\nAnswers Audience Member 5's question, exchange follows [audience laughter throughout]. | Keywords: Attention Seeker [show]\\n\\nGerard Harris\\n00:34:58\\nDiscusses \\\"AMA\\\" [audience applause and laughter throughout]. | Keywords: Edmonton [https://www.wikidata.org/wiki/Q2096]; Cat[herine Kidd]; Ian [Ferrier]\\n\\nAudience Member 6\\n00:36:06\\nAsks Gerard Harris a question.\\n\\nGerard Harris\\n00:36:14\\nAnswers  Audience Member 6's question, exchange follows [audience laughter throughout]. | Keywords: The Old Testament [https://www.wikidata.org/wiki/Q64216463]; The Torah [https://www.wikidata.org/wiki/Q30064488]; South Africa [https://www.wikidata.org/wiki/Q258] \\n\\nAudience Member 7\\n00:39:11\\nAsks Gerard Harris a question. | Keywords: Queen [Elizabeth] [https://www.wikidata.org/wiki/Q9682]\\n\\nGerard Harris\\n00:39:12\\nAnswers Audience Member 7's question [audience laughter throughout]. | Keywords: Queen [Elizabeth]; Brexit [https://www.wikidata.org/wiki/Q7888194]; Europe [https://www.wikidata.org/wiki/Q46]; Queen [https://www.wikidata.org/wiki/Q15862]; Freddie Mercury [https://www.wikidata.org/wiki/Q15869]\\n\\nAudience Member 8\\n00:42:47\\nAsks Gerard Harris a question.\\n\\nGerard Harris\\n00:42:55\\nAnswers Audience Member 8's question [audience laughter throughout].\\n\\nIan Ferrier\\n00:44:40\\nAsks Gerard Harris a question.\\n\\nGerard Harris\\n00:44:44\\nAnswers Ian Ferrier's question [audience laughter throughout]. \\n\\nGerard Harris\\n00:46:28\\nThanks audience. \\n\\nAudience\\n00:46:30\\nApplause.\\n\\nIan Ferrier\\n00:46:42\\nThanks Gerard Harris and announces intermission. | Keywords: Silvervest; Nicolas Caloia; Kim Zombik\\n\\nAudience\\n00:46:52\\nApplause.\\n\\nUnknown\\n00:46:59\\nAmbient Sound [music and voices].\\n\\nEND\\n00:49:48\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2018/03/\",\"file_path\":\"\",\"filename\":\"STE-001.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:45:16\",\"precision\":\"\",\"size\":\"718.5 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-001.wav [File 2 of 2]\\n\\nSilvervest\\n00:00:00\\nPerforms unnamed song with Kim Zombik on vocals and Nicolas Caloia on bass [recording begins abruptly].\\n\\nAudience\\n00:04:19\\nApplause. \\n\\nKim Zombik\\n00:04:29\\nIntroduces unnamed song [audience laughter throughout].\\n\\nSilvervest\\n00:05:03\\nPerforms unnamed song [audience laughter throughout].\\n\\nAudience\\n00:10:25\\nApplause. \\n\\nSilvervest\\n00:10:38\\nPerforms unnamed song.\\n\\nKim Zombik\\n00:11:01\\nDiscusses unnamed song [audience laughter throughout].\\n\\nSilvervest\\n00:11:19\\nContinues unnamed song [audience laughter throughout].\\n\\nAudience\\n00:18:54\\nApplause. \\n\\nSilvervest\\n00:19:07\\nPerforms unnamed song [audience laughter throughout].\\n\\nAudience\\n00:34:38\\nApplause.\\n\\nKim Zombik\\n00:34:57\\nAddresses Nicolas Caloia.\\n\\nAudience\\n00:34:58\\nApplause.\\n\\nKim Zombik\\n00:35:10\\nIntroduces unnamed song [audience laughter throughout].\\n\\nSilvervest\\n00:35:22\\nPerforms unnamed song [audience laughter throughout].\\n\\nAudience\\n00:38:53\\nApplause.\\n\\nSilvervest\\n00:39:17\\nPerforms unnamed song [audience laughter throughout].\\n\\nAudience\\n00:44:26\\nApplause\\n\\nKim Zombik\\n00:44:33\\nThanks audience and Ian Ferrier [audience applause continues throughout].\\n\\nIan Ferrier\\n00:44:45\\nThanks Silvervest, the audience, and the other performers.\\n\\nIan Ferrier\\n00:44:53\\nAnnounces future event. | Keywords: Tanya Evanson\\n\\nAudience\\n00:45:08\\nApplause.\\n\\nEND\\n00:45:15\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://drive.google.com/file/d/1MSFlO6k9gF_TlgMvjUoEdYsQxiryG63p/view\",\"file_path\":\"https://drive.google.com/drive/u/2/folders/1_CNeT4C8F-KzegfFjVrVXof4lLe4LEdO\",\"filename\":\"Poster 2018-03-18\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Poster\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"score":0.01643844},{"id":"1167","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at La Vitrola 2018-05-20"],"item_title_source":["  Cataloguer "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"contributors_names":["Adra, Hoda","Stuart, John","Webb-Campbell, Shannon","Engel, Clara"],"contributors_names_search":["Adra, Hoda","Stuart, John","Webb-Campbell, Shannon","Engel, Clara"],"contributors":["[{\"url\":\"http://viaf.org/viaf/44317069\",\"name\":\"Adra, Hoda\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Stuart, John\",\"dates\":\"\",\"notes\":\"Referred to as John “Triangles” Stuart \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/313282871\",\"name\":\"Webb-Campbell, Shannon\",\"dates\":\"1983-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Engel, Clara\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Adra, Hoda","Stuart, John","Webb-Campbell, Shannon","Engel, Clara"],"Performance_Date":[2018],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\" In folder: 1 audio, 1 misc. In folder2: 1 audio. In folder3: 2 docs, 8 images.\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"1 copy\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"Uploads/1167/Poster 2018-05-20.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital","Digital"],"AV_type":["Audio"],"Dates":["[{\"date\":\"2018 05 20\",\"type\":\"Performance Date\",\"notes\":\"Date indicated on event poster\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"La Vitrola\",\"notes\":\"Now closed\",\"address\":\"4621 St Laurent Blvd, Montreal, QC, H2T 1R2\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["4621 St Laurent Blvd, Montreal, QC, H2T 1R2"],"Venue":["La Vitrola"],"City":["Montreal, Quebec"],"content_notes":["The May 20th, 2018 Words and Music Show at La Vitrola began with French rap and spoken word by Hoda Adra featured on her album “La liberté des sens.\" Guitarist John “Triangles” Stuart performed two instrumentals, one called “Seventy Five” and an untitled piece. Shannon Webb-Campbell read “Harvest Your Heart,” “Point Mistaken,” “Other Waves Of Thought,” and “Tell Me Medicine Woman, Who Do I Belong To?” from her first book “Still No Word” (Breakwater Books Ltd 2015) and discussed her more recent work from a controversial collection called “Who Took My Sister?” (Book*hug 2018), which was quickly removed from public sale. The event concluded with singer-songwriter Clara Engel who performed original songs, including “Baba Yaga” and “Birdheaded Queen,” while accompanying herself on electric guitar."],"contents":["STE-000.wav\n\nHoda Adra\n00:00:00\nPerforms unnamed song in French [recording begins abruptly].\n\nAudience\n00:03:56\nApplause.\n\nHoda Adra\n00:04:01\nThanks audience [audience applause continues throughout].\n\nHoda Adra\n00:04:04\nThanks Ian Ferrier [https://www.wikidata.org/wiki/Q87138884].\n\nHoda Adra\n00:04:27\nIntroduces La Liberté des Sens [CD]. | Keywords: Lebanon [https://www.wikidata.org/wiki/Q822]; Montreal [https://www.wikidata.org/wiki/Q340]; Saudi Arabia [https://www.wikidata.org/wiki/Q851]\n\nHoda Adra\n00:05:00\nIntroduces \"La Liberté des Sens\" from La Liberté des Sens. | Keywords: Saudi Arabia\n\nHoda Adra\n00:05:40\nPerforms \"La Liberté des Sens\" from La Liberté des Sens in French. \n\nAudience\n00:08:54\nApplause.\n\nHoda Adra\n00:09:07\nThanks audience and introduces [\"Montre\"] from La Liberté des Sens.\n\nHoda Adra\n00:09:38\nPerforms [\"Montre\"] from La Liberté des Sens in French.\n\nAudience\n00:13:15\nApplause.\n\nHoda Adra\n00:13:27\nThanks audience and introduces [\"Échecs\"] from La Liberté des Sens. | Keywords: Lebanon; Tripoli [https://www.wikidata.org/wiki/Q3579]\n\nHoda Adra\n00:14:25\nPerforms [\"Échecs\"] from La Liberté des Sens in French. \n\nAudience\n00:18:10\nApplause.\n\nHoda Adra\n00:18:15\nThanks audience [audience applause continues throughout].\n\nHoda Adra\n00:18:17\nPromotes La Liberté des Sens.\n\nAudience\n00:18:35\nApplause.\n\nIan Ferrier\n00:18:52\nThanks Hoda Adra and promotes La Liberté des Sens.\n\nIan Ferrier\n00:19:04\nIntroduces John \"Triangles\" Stuart [audience laughter throughout]. | Keywords: Cookie Magique [band]\n\nAudience\n00:19:35\nApplause.\n\nJohn Stuart\n00:19:43\nAddresses audience. \n\nUnknown\n00:19:55\nAmbient Sound [music].\n\nJohn Stuart\n00:21:41\nIntroduces \"75\" [song] and another untitled song. \n\nJohn Stuart\n00:22:48\nPerforms \"75\". \n\nJohn Stuart\n00:28:50\nPerforms untitled song [no pause between songs].\n\nAudience\n00:36:40\nApplause [muffled].\n\nIan Ferrier\n00:37:16\nThanks John Stuart and comments on his performance. \n\nIan Ferrier\n00:37:30\nIntroduces Shannon-Webb Campbell and discusses residential schools. | Keywords: Canada [https://www.wikidata.org/wiki/Q16]\n\nAudience\n00:38:45\nApplause.\n\nShannon Webb-Campbell\n00:39:04\nThanks Ian Ferrier and addresses audience.\n\nShannon Webb-Campbell\n00:39:11\nIntroduces \"Harvest Your Heart\" [from Still No Word].\n\nShannon Webb-Campbell\n00:39:22\nReads \"Harvest Your Heart\" [from Still No Word].\n\nShannon Webb-Campbell\n00:40:36\nDiscusses [Still No Word]. | Keywords: Halifax [https://www.wikidata.org/wiki/Q2141]; Sue Campbell \n\nShannon Webb-Campbell\n00:41:11\nReads unnamed poem [from Still No Word]. | Keywords: Edmonton [https://www.wikidata.org/wiki/Q2096]; Alaska [https://www.wikidata.org/wiki/Q797]\n\nAudience\n00:44:53\nApplause.\n\nShannon Webb-Campbell\n00:44:59\nIntroduces \"Point Mistaken\" [from Still No Word]. | Keywords: Newfoundland [https://www.wikidata.org/wiki/Q48335]; Ontario [https://www.wikidata.org/wiki/Q1904]; Calgary [https://www.wikidata.org/wiki/Q36312]; St John's [https://www.wikidata.org/wiki/Q2082]; Mistaken Point [https://www.wikidata.org/wiki/Q1177916]\n\nShannon Webb-Campbell\n00:45:29\nReads \"Point Mistaken\" [from Still No Word]. \n\nShannon Webb-Campbell\n00:46:01\nReads \"Needs vs Wants\" [from Still No Word]. \n\nAudience\n00:46:32\nApplause. \n\nShannon Webb-Campbell\n00:46:39\nIntroduces \"Other Waves of Thought\" and \"Tell Me Medicine Woman, Who Do I Belong To?\" [from Still No Word]. \n\nShannon Webb-Campbell\n00:47:00\nReads \"Other Waves of Thought [from Still No Word]. \n\nShannon Webb-Campbell\n00:47:28\nIntroduces \"Tell Me Medicine Woman, Who Do I Belong To?\" [from Still No Word]. | Keywords: Mary Webb; Newfoundland\n\nShannon Webb-Campbell\n00:47:44\nReads \"Tell Me Medicine Woman, Who Do I Belong To?\" [from Still No Word]. | Keywords: Newfoundland\n\nShannon Webb-Campbell\n00:48:43\nDiscusses [Still No Word] and Who Took My Sister? [book]. | Keywords: Halifax; Newfoundland; Missing and Murdered Indigenous Women [https://www.wikidata.org/wiki/Q22907837]\n\nShannon Webb-Campbell\n00:49:51\nThanks Ian Ferrier and introduces \"Unsilencing the Mouth\" from Who Took My Sister?. | Keywords: Atwater Library [https://www.wikidata.org/wiki/Q4818839]; Lousie Bernice Halfe; Toby Obed\n\nShannon Webb-Campbell\n00:50:22\nReads \"Unsilencing the Mouth\" from Who Took My Sister?. | Keywords: Canada; Newfoundland and Labrador [https://www.wikidata.org/wiki/Q2003]; [Stephen] Harper [https://www.wikidata.org/wiki/Q206]; [Justin] Trudeau [https://www.wikidata.org/wiki/Q3099714]; Davis Inlet [https://www.wikidata.org/wiki/Q5241911]; Mount Cashel [https://www.wikidata.org/wiki/Q6920071]; Montreal  \n\nShannon Webb-Campbell\n00:52:15\nIntroduces \"Letter to Joey Smallwick\" from Who Took My Sister?. | Keywords: Joey Smallwick; Newfoundland; Maryland Dumont [https://www.wikidata.org/wiki/Q6763522]; John A. Macdonald [https://www.wikidata.org/wiki/Q128702]\n\nShannon Webb-Campbell\n00:52:39\nReads \"Letter to Joey Smallwick\" from Who Took My Sister?. | Keywords: Joey [Smallwick]; Ottawa [https://www.wikidata.org/wiki/Q1930]; Nancy April [https://www.wikidata.org/wiki/Q465357]\n\nAudience\n00:53:17\nApplause.\n\nShannon Webb-Campbell\n00:53:24\nAddresses audience. \n\nShannon Webb-Campbell\n00:53:29\nReads \"The Silent Generation\" from Who Took My Sister?\n\nShannon Webb-Campbell\n00:54:13\nIntroduces \"Litany for Mercy\" from Who Took My Sister?. | Keywords: Leanne [Betasamosake] Simpson [https://www.wikidata.org/wiki/Q22957997]\n\nShannon Webb-Campbell\n00:54:20\nReads \"Litany for Mercy\" from Who Took My Sister?.\n\nAudience\n00:55:54\nApplause.\n\nShannon Webb-Campbell\n00:55:55\nThanks audience [audience applause continues throughout].\n\nShannon Webb-Campbell\n00:56:01\nIntroduces \"Journey Lullaby (Inside the Gramophone)\" [from Still No Word]. \n\nShannon Webb-Campbell\n00:56:46\nReads \"Journey Lullaby (Inside the Gramophone)\" [from Still No Word]. \n\nAudience\n00:57:22\nApplause.\n\nShannon Webb-Campbell\n00:57:23\nThanks audience [audience applause continues throughout].\n\nIan Ferrier\n00:57:43\nThanks Shannon Webb-Campbell and announces intermission. | Keywords: Clara Engel\n\nUnknown\n00:58:11\n[possible cut]\n\nIan Ferrier\n00:58:17\nIntroduces Clara Engel. | Keywords: CKUT [https://www.wikidata.org/wiki/Q2931672] \n\nAudience\n00:58:36\nApplause.\n\nClara Engel\n00:58:48\nPerforms [\"How Do You Mourn?\" from How Do You Mourn? [CD]] on electric guitar and vocals.\n\nAudience\n01:05:32\nApplause.\n\nClara Engel\n01:05:40\nThanks audience.\n\nClara Engel\n01:05:59\nPerforms unnamed song. \n\nAudience\n01:12:19\nApplause.\n\nClara Engel\n01:12:26\nThanks audience and addresses the sound technician, exchange follows.\n\nClara Engel\n01:12:47\nIntroduces unnamed song, tunes guitar, and addresses audience.\n\nClara Engel\n01:13:58\nPerforms unnamed song. \n\nAudience\n01:24:02\nApplause.\n\nClara Engel\n01:24:11\nAddresses audience. \n\nAudience\n01:24:14\nLaughter.\n\nClara Engel\n01:24:20\n[tunes guitar].\n\nClara Engel\n01:25:02\nIntroduces \"Baba Yaga\" [from Where a City Once Drowned: The Bethlehem Tapes Vol. ll [CD]], exchange with audience follows. | Keywords: Baba Yaga [https://www.wikidata.org/wiki/Q187002]\n\nClara Engel\n01:25:30\nPerforms \"Baba Yaga\" [from Where a City Once Drowned: The Bethlehem Tapes Vol. ll]. | Keywords: Baba Yaga\n\nAudience\n01:31:39\nApplause.\n\nClara Engel\n01:31:47\nThanks audience, exchange with audience follows. \n\nClara Engel\n01:32:19\nIntroduces \"Birdheaded Queen\" from [Songs for Leonora Carrington [CD]]. | Keywords: Leonora Carrington [https://www.wikidata.org/wiki/Q233207]; Manfred Naescher \n\nAudience\n01:33:05\nLaughter.\n\nClara Engel\n01:33:11\n[tunes guitar].\n\nUnknown\n01:33:45\nAmbient Sound [voices].\n\nClara Engel\n01:33:54\n[continues to tune guitar].\n\nClara Engel\n01:34:25\nPerforms \"Birdheaded Queen\" from [Songs for Leonora Carrington]. \n\nAudience\n01:40:45\nApplause.\n\nClara Engel\n01:40:46\nThanks audience [audience applause continues throughout].\n\nIan Ferrier\n01:41:05\nThanks Clara Engel and comments on her performance. \n\nIan Ferrier\n01:41:21\nThanks audience, Hoda Adra, John Stuart, Shannon Webb-Campbell, and Clara Engel [audience applause and laughter throughout].\n\nIan Ferrier\n01:41:55\nAnnounces future event. | Keywords: Cookie Magique; Adriana Jones; New York City [https://www.wikidata.org/wiki/Q60]; John Arthur Sweet \n\nAudience\n01:42:18\nApplause.\n\nIan Ferrier\n01:42:26\nPromotes the performers' merchandise. \n\nUnknown\n01:42:43\nAmbient Sound [voices].\n\nUnknown\n01:43:26\nAmbient Sound [music].\n\nEND\n01:49:48"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548592132096,"timestamp":"2026-01-07T14:59:53.264Z","digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2018/05/\",\"file_path\":\"\",\"filename\":\"STE-000.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"1:49:48 \",\"precision\":\"\",\"size\":\"1.74 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-000.wav\\n\\nHoda Adra\\n00:00:00\\nPerforms unnamed song in French [recording begins abruptly].\\n\\nAudience\\n00:03:56\\nApplause.\\n\\nHoda Adra\\n00:04:01\\nThanks audience [audience applause continues throughout].\\n\\nHoda Adra\\n00:04:04\\nThanks Ian Ferrier [https://www.wikidata.org/wiki/Q87138884].\\n\\nHoda Adra\\n00:04:27\\nIntroduces La Liberté des Sens [CD]. | Keywords: Lebanon [https://www.wikidata.org/wiki/Q822]; Montreal [https://www.wikidata.org/wiki/Q340]; Saudi Arabia [https://www.wikidata.org/wiki/Q851]\\n\\nHoda Adra\\n00:05:00\\nIntroduces \\\"La Liberté des Sens\\\" from La Liberté des Sens. | Keywords: Saudi Arabia\\n\\nHoda Adra\\n00:05:40\\nPerforms \\\"La Liberté des Sens\\\" from La Liberté des Sens in French. \\n\\nAudience\\n00:08:54\\nApplause.\\n\\nHoda Adra\\n00:09:07\\nThanks audience and introduces [\\\"Montre\\\"] from La Liberté des Sens.\\n\\nHoda Adra\\n00:09:38\\nPerforms [\\\"Montre\\\"] from La Liberté des Sens in French.\\n\\nAudience\\n00:13:15\\nApplause.\\n\\nHoda Adra\\n00:13:27\\nThanks audience and introduces [\\\"Échecs\\\"] from La Liberté des Sens. | Keywords: Lebanon; Tripoli [https://www.wikidata.org/wiki/Q3579]\\n\\nHoda Adra\\n00:14:25\\nPerforms [\\\"Échecs\\\"] from La Liberté des Sens in French. \\n\\nAudience\\n00:18:10\\nApplause.\\n\\nHoda Adra\\n00:18:15\\nThanks audience [audience applause continues throughout].\\n\\nHoda Adra\\n00:18:17\\nPromotes La Liberté des Sens.\\n\\nAudience\\n00:18:35\\nApplause.\\n\\nIan Ferrier\\n00:18:52\\nThanks Hoda Adra and promotes La Liberté des Sens.\\n\\nIan Ferrier\\n00:19:04\\nIntroduces John \\\"Triangles\\\" Stuart [audience laughter throughout]. | Keywords: Cookie Magique [band]\\n\\nAudience\\n00:19:35\\nApplause.\\n\\nJohn Stuart\\n00:19:43\\nAddresses audience. \\n\\nUnknown\\n00:19:55\\nAmbient Sound [music].\\n\\nJohn Stuart\\n00:21:41\\nIntroduces \\\"75\\\" [song] and another untitled song. \\n\\nJohn Stuart\\n00:22:48\\nPerforms \\\"75\\\". \\n\\nJohn Stuart\\n00:28:50\\nPerforms untitled song [no pause between songs].\\n\\nAudience\\n00:36:40\\nApplause [muffled].\\n\\nIan Ferrier\\n00:37:16\\nThanks John Stuart and comments on his performance. \\n\\nIan Ferrier\\n00:37:30\\nIntroduces Shannon-Webb Campbell and discusses residential schools. | Keywords: Canada [https://www.wikidata.org/wiki/Q16]\\n\\nAudience\\n00:38:45\\nApplause.\\n\\nShannon Webb-Campbell\\n00:39:04\\nThanks Ian Ferrier and addresses audience.\\n\\nShannon Webb-Campbell\\n00:39:11\\nIntroduces \\\"Harvest Your Heart\\\" [from Still No Word].\\n\\nShannon Webb-Campbell\\n00:39:22\\nReads \\\"Harvest Your Heart\\\" [from Still No Word].\\n\\nShannon Webb-Campbell\\n00:40:36\\nDiscusses [Still No Word]. | Keywords: Halifax [https://www.wikidata.org/wiki/Q2141]; Sue Campbell \\n\\nShannon Webb-Campbell\\n00:41:11\\nReads unnamed poem [from Still No Word]. | Keywords: Edmonton [https://www.wikidata.org/wiki/Q2096]; Alaska [https://www.wikidata.org/wiki/Q797]\\n\\nAudience\\n00:44:53\\nApplause.\\n\\nShannon Webb-Campbell\\n00:44:59\\nIntroduces \\\"Point Mistaken\\\" [from Still No Word]. | Keywords: Newfoundland [https://www.wikidata.org/wiki/Q48335]; Ontario [https://www.wikidata.org/wiki/Q1904]; Calgary [https://www.wikidata.org/wiki/Q36312]; St John's [https://www.wikidata.org/wiki/Q2082]; Mistaken Point [https://www.wikidata.org/wiki/Q1177916]\\n\\nShannon Webb-Campbell\\n00:45:29\\nReads \\\"Point Mistaken\\\" [from Still No Word]. \\n\\nShannon Webb-Campbell\\n00:46:01\\nReads \\\"Needs vs Wants\\\" [from Still No Word]. \\n\\nAudience\\n00:46:32\\nApplause. \\n\\nShannon Webb-Campbell\\n00:46:39\\nIntroduces \\\"Other Waves of Thought\\\" and \\\"Tell Me Medicine Woman, Who Do I Belong To?\\\" [from Still No Word]. \\n\\nShannon Webb-Campbell\\n00:47:00\\nReads \\\"Other Waves of Thought [from Still No Word]. \\n\\nShannon Webb-Campbell\\n00:47:28\\nIntroduces \\\"Tell Me Medicine Woman, Who Do I Belong To?\\\" [from Still No Word]. | Keywords: Mary Webb; Newfoundland\\n\\nShannon Webb-Campbell\\n00:47:44\\nReads \\\"Tell Me Medicine Woman, Who Do I Belong To?\\\" [from Still No Word]. | Keywords: Newfoundland\\n\\nShannon Webb-Campbell\\n00:48:43\\nDiscusses [Still No Word] and Who Took My Sister? [book]. | Keywords: Halifax; Newfoundland; Missing and Murdered Indigenous Women [https://www.wikidata.org/wiki/Q22907837]\\n\\nShannon Webb-Campbell\\n00:49:51\\nThanks Ian Ferrier and introduces \\\"Unsilencing the Mouth\\\" from Who Took My Sister?. | Keywords: Atwater Library [https://www.wikidata.org/wiki/Q4818839]; Lousie Bernice Halfe; Toby Obed\\n\\nShannon Webb-Campbell\\n00:50:22\\nReads \\\"Unsilencing the Mouth\\\" from Who Took My Sister?. | Keywords: Canada; Newfoundland and Labrador [https://www.wikidata.org/wiki/Q2003]; [Stephen] Harper [https://www.wikidata.org/wiki/Q206]; [Justin] Trudeau [https://www.wikidata.org/wiki/Q3099714]; Davis Inlet [https://www.wikidata.org/wiki/Q5241911]; Mount Cashel [https://www.wikidata.org/wiki/Q6920071]; Montreal  \\n\\nShannon Webb-Campbell\\n00:52:15\\nIntroduces \\\"Letter to Joey Smallwick\\\" from Who Took My Sister?. | Keywords: Joey Smallwick; Newfoundland; Maryland Dumont [https://www.wikidata.org/wiki/Q6763522]; John A. Macdonald [https://www.wikidata.org/wiki/Q128702]\\n\\nShannon Webb-Campbell\\n00:52:39\\nReads \\\"Letter to Joey Smallwick\\\" from Who Took My Sister?. | Keywords: Joey [Smallwick]; Ottawa [https://www.wikidata.org/wiki/Q1930]; Nancy April [https://www.wikidata.org/wiki/Q465357]\\n\\nAudience\\n00:53:17\\nApplause.\\n\\nShannon Webb-Campbell\\n00:53:24\\nAddresses audience. \\n\\nShannon Webb-Campbell\\n00:53:29\\nReads \\\"The Silent Generation\\\" from Who Took My Sister?\\n\\nShannon Webb-Campbell\\n00:54:13\\nIntroduces \\\"Litany for Mercy\\\" from Who Took My Sister?. | Keywords: Leanne [Betasamosake] Simpson [https://www.wikidata.org/wiki/Q22957997]\\n\\nShannon Webb-Campbell\\n00:54:20\\nReads \\\"Litany for Mercy\\\" from Who Took My Sister?.\\n\\nAudience\\n00:55:54\\nApplause.\\n\\nShannon Webb-Campbell\\n00:55:55\\nThanks audience [audience applause continues throughout].\\n\\nShannon Webb-Campbell\\n00:56:01\\nIntroduces \\\"Journey Lullaby (Inside the Gramophone)\\\" [from Still No Word]. \\n\\nShannon Webb-Campbell\\n00:56:46\\nReads \\\"Journey Lullaby (Inside the Gramophone)\\\" [from Still No Word]. \\n\\nAudience\\n00:57:22\\nApplause.\\n\\nShannon Webb-Campbell\\n00:57:23\\nThanks audience [audience applause continues throughout].\\n\\nIan Ferrier\\n00:57:43\\nThanks Shannon Webb-Campbell and announces intermission. | Keywords: Clara Engel\\n\\nUnknown\\n00:58:11\\n[possible cut]\\n\\nIan Ferrier\\n00:58:17\\nIntroduces Clara Engel. | Keywords: CKUT [https://www.wikidata.org/wiki/Q2931672] \\n\\nAudience\\n00:58:36\\nApplause.\\n\\nClara Engel\\n00:58:48\\nPerforms [\\\"How Do You Mourn?\\\" from How Do You Mourn? [CD]] on electric guitar and vocals.\\n\\nAudience\\n01:05:32\\nApplause.\\n\\nClara Engel\\n01:05:40\\nThanks audience.\\n\\nClara Engel\\n01:05:59\\nPerforms unnamed song. \\n\\nAudience\\n01:12:19\\nApplause.\\n\\nClara Engel\\n01:12:26\\nThanks audience and addresses the sound technician, exchange follows.\\n\\nClara Engel\\n01:12:47\\nIntroduces unnamed song, tunes guitar, and addresses audience.\\n\\nClara Engel\\n01:13:58\\nPerforms unnamed song. \\n\\nAudience\\n01:24:02\\nApplause.\\n\\nClara Engel\\n01:24:11\\nAddresses audience. \\n\\nAudience\\n01:24:14\\nLaughter.\\n\\nClara Engel\\n01:24:20\\n[tunes guitar].\\n\\nClara Engel\\n01:25:02\\nIntroduces \\\"Baba Yaga\\\" [from Where a City Once Drowned: The Bethlehem Tapes Vol. ll [CD]], exchange with audience follows. | Keywords: Baba Yaga [https://www.wikidata.org/wiki/Q187002]\\n\\nClara Engel\\n01:25:30\\nPerforms \\\"Baba Yaga\\\" [from Where a City Once Drowned: The Bethlehem Tapes Vol. ll]. | Keywords: Baba Yaga\\n\\nAudience\\n01:31:39\\nApplause.\\n\\nClara Engel\\n01:31:47\\nThanks audience, exchange with audience follows. \\n\\nClara Engel\\n01:32:19\\nIntroduces \\\"Birdheaded Queen\\\" from [Songs for Leonora Carrington [CD]]. | Keywords: Leonora Carrington [https://www.wikidata.org/wiki/Q233207]; Manfred Naescher \\n\\nAudience\\n01:33:05\\nLaughter.\\n\\nClara Engel\\n01:33:11\\n[tunes guitar].\\n\\nUnknown\\n01:33:45\\nAmbient Sound [voices].\\n\\nClara Engel\\n01:33:54\\n[continues to tune guitar].\\n\\nClara Engel\\n01:34:25\\nPerforms \\\"Birdheaded Queen\\\" from [Songs for Leonora Carrington]. \\n\\nAudience\\n01:40:45\\nApplause.\\n\\nClara Engel\\n01:40:46\\nThanks audience [audience applause continues throughout].\\n\\nIan Ferrier\\n01:41:05\\nThanks Clara Engel and comments on her performance. \\n\\nIan Ferrier\\n01:41:21\\nThanks audience, Hoda Adra, John Stuart, Shannon Webb-Campbell, and Clara Engel [audience applause and laughter throughout].\\n\\nIan Ferrier\\n01:41:55\\nAnnounces future event. | Keywords: Cookie Magique; Adriana Jones; New York City [https://www.wikidata.org/wiki/Q60]; John Arthur Sweet \\n\\nAudience\\n01:42:18\\nApplause.\\n\\nIan Ferrier\\n01:42:26\\nPromotes the performers' merchandise. \\n\\nUnknown\\n01:42:43\\nAmbient Sound [voices].\\n\\nUnknown\\n01:43:26\\nAmbient Sound [music].\\n\\nEND\\n01:49:48\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://drive.google.com/file/d/1Njea-jYRr2EYWJOSmM1cnMjgx5JWenFJ/view\",\"file_path\":\"https://drive.google.com/drive/u/2/folders/1_CNeT4C8F-KzegfFjVrVXof4lLe4LEdO\",\"filename\":\"Poster 2018-05-20\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Poster\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"score":0.01643844},{"id":"1168","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2018-06-24"],"item_title_source":["Cataloguer "],"item_title_note":["Celebration of Summer show"],"item_language":["English, French"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"contributors_names":["Reichelt, Kathleen","Rickert, Wesley","Sweet, John Arthur","Lorthiois, Marianne","Campbell, Louise","Jones, Adriana","Lockett, Lydia","Schidlowsky, James"],"contributors_names_search":["Reichelt, Kathleen","Rickert, Wesley","Sweet, John Arthur","Lorthiois, Marianne","Campbell, Louise","Jones, Adriana","Lockett, Lydia","Schidlowsky, James"],"contributors":["[{\"url\":\"\",\"name\":\"Reichelt, Kathleen\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Rickert, Wesley\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Sweet, John Arthur\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/317023289\",\"name\":\"Lorthiois, Marianne\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Campbell, Louise\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Jones, Adriana\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Lockett, Lydia\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Schidlowsky, James\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Reichelt, Kathleen","Rickert, Wesley","Sweet, John Arthur","Lorthiois, Marianne","Campbell, Louise","Jones, Adriana","Lockett, Lydia","Schidlowsky, James"],"Performance_Date":[2018],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"In folder: 3 audio, 4 images, 4 misc.  \",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Copies and edits\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"Dates":["[{\"date\":\"2018 06 24\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118 \",\"longitude\":\"-73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["Kathleen Reichelt and Wesley Rickert, “two friends from around Thousand Islands,” performed poetry accompanied and punctuated by sounds in the first set of the Celebration of Summer edition of the Words and Music Show at Casa Del Popolo, including “Demonstration” and “Victoria Day.” John Arthur Sweet then read one long poem, after which “up-and-coming poet” Marianne Lorthiois performed “some poésie en Français.” Louise Campbell performed “Heroes and Villains,” a musical piece with text sourced from the lyrics of a song from the French Revolution. Adriana Jones welcomed the audience to her “first and possibly last ever end of the world party,” where she reflected on her apocalypse survival skills and discussed and dramatized the after effects of the 2016 U.S. election. Singer and spoken word artist Lydia Lockett performed pieces about depression. At the end of the evening, James Schidlowsky joined Ian Ferrier on stage to perform an excerpt from a show about surviving as a homosexual man in the Gaza strip."],"contents":["STE-003.wav\n\nUnknown\n00:00:00\nAmbient Sound [music].\n\nIan Ferrier\n00:04:48\nIntroduces event.\n\nIan Ferrier\n00:05:02\nIntroduces Kathleen Reichelt and Wesley Rickert | Keywords: Thousand Islands [https://www.wikidata.org/wiki/Q1050549]; David Bateman\n\nAudience\n00:05:20\nApplause.\n\nKathleen Reichelt\n00:05:43\nPerforms \"Demonstration\" [unidentified sound throughout]. | Keywords: China [https://www.wikidata.org/wiki/Q148]\n\nKathleen Reichelt\n00:06:59\nPerforms \"Victoria Day\" [https://www.wikidata.org/wiki/Q2916311]. | Keywords: Queen Anne [https://www.wikidata.org/wiki/Q119702]\n\nKathleen Reichelt\n00:07:51\nPerforms \"Questions\" [unidentified sound throughout].\n\nAudience\n00:09:00\nApplause.\n\nUnknown\n00:09:16\nAmbient Sound [trumpet].\n\nWesley Rickert\n00:09:42\nPerforms unnamed poem in English and French [sound of trumpet throughout]. | Keywords: Montreal [https://www.wikidata.org/wiki/Q340]; Leonard Cohen [https://www.wikidata.org/wiki/Q1276]; Rene Levesque [https://www.wikidata.org/wiki/Q381007]; Nile [https://www.wikidata.org/wiki/Q3392]\n\nAudience\n00:12:55\nApplause.\n\nIan Ferrier\n00:13:06\nThanks Kathleen Reichelt and Wesley Rickert.\n\nIan Ferrier\n00:13:10\nIntroduces John Arthur Sweet. \n\nAudience\n00:13:2\nApplause.\n\nJohn Arthur Sweet\n00:13:36\nThanks and addresses audience, exchange follows.\n\nJohn Arthur Sweet\n00:14:04\nIntroduces unnamed poem. | Keywords: Parc Baldwin [https://www.wikidata.org/wiki/Q22475458]; Parc Lafontaine [https://www.wikidata.org/wiki/Q3363848]\n\nJohn Arthur Sweet\n00:14:48\nPerforms unnamed poem in English and French. | Keywords: Parc Baldwin; Facebook [https://www.wikidata.org/wiki/Q355]\n\nJohn Arthur Sweet\n00:28:18\nThanks audience.\n\nAudience\n00:28:20\nApplause.\n\nIan Ferrier\n00:28:37\nThanks John Arthur Sweet [audience applause continues throughout].\n\nIan Ferrier\n00:28:42\nAnnounces intermission. | Keywords: Marianne Lorthiois; Louise Campbell; Adriana Jones; New York City [https://www.wikidata.org/wiki/Q60]\n\nUnknown\n00:28:54\nAmbient Sound [music and voices]. \n\nIan Ferrier\n00:45:46\nIntroduces Marianne Lorthiois. \n\nAudience\n00:46:01\nApplause.\n\nMarianne Lorthiois\n00:46:12\nAddresses audience, exchange follows.\n\nMarianne Lorthiois\n00:46:23\nIntroduces unnamed poem. | Keywords: Claude Lévi-Strauss [https://www.wikidata.org/wiki/Q128126]\n\nMarianne Lorthiois\n00:47:22\nPerforms unnamed poem in French. \n\nAudience\n00:50:06\nApplause.\n\nIan Ferrier\n00:50:20\nThanks Marianne Lorthiois in French. \n\nIan Ferrier\n00:50:23\nIntroduces Louise Campbell. | Keywords: Creatures of the Ice Age\n\nAudience\n00:50:38\nApplause.\n\nLouise Campbell\n00:50:49\nIntroduces \"Heroes and Villains\". | Keywords: The French Revolution [https://www.wikidata.org/wiki/Q6534]\n\nLouise Campbell\n00:51:43\nPerforms \"Heroes and Villains\" on clarinet accompanied by recording. \n\nAudience\n00:59:29\nApplause.\n\nIan Ferrier\n00:59:53\nThanks Louise Campbell. \n\nIan Ferrier\n00:59:57\nIntroduces Adriana Jones. | Keywords: Edmonton Fringe Festival [https://www.wikidata.org/wiki/Q5339070]; New York City; An Introvert's Guide to Activism [short film]\n\nAudience\n01:00:39\nApplause.\n\nAdriana Jones\n01:00:55\nAddresses audience. \n\nAudience\n01:00:59\nApplause.\n\nAdriana Jones\n01:01:01\nAddresses audience. | Keywords: New York City; Canada [https://www.wikidata.org/wiki/Q16] \n\nAdriana Jones\n01:01:17\nIntroduces The End of the World Party [audience laughter throughout]. \n\nAdriana Jones\n01:02:15\nAddresses John [Arthur Sweet] and an unknown audience member, exchange follows [audience laughter throughout]. | Keywords: Harry Potter [https://www.wikidata.org/wiki/Q3244512]; New York City\n\nAdriana Jones\n01:03:56\nPerforms The End of the World Party [audience laughter throughout]. | Keywords: Hillary [Clinton] [https://www.wikidata.org/wiki/Q6294]; New York City; Facebook; Brooklyn [https://www.wikidata.org/wiki/Q18419]; C-SPAN [https://www.wikidata.org/wiki/Q1022311]; The White House [https://www.wikidata.org/wiki/Q35525]; Michigan [https://www.wikidata.org/wiki/Q1166]; Tribeca [https://www.wikidata.org/wiki/Q853325]; Louis C.K. [https://www.wikidata.org/wiki/Q15079]; Charlie Rose [https://www.wikidata.org/wiki/Q715515]; DSM [https://www.wikidata.org/wiki/Q201561]; American Psychological Association [https://www.wikidata.org/wiki/Q466587]\n\nAudience\n01:18:11\nApplause.\n\nIan Ferrier\n01:18:29\nThanks Adriana Jones and comments on her performance. \n\nIan Ferrier\n01:18:42\nIntroduces Lydia Lockett.\n\nAudience\n01:18:52\nApplause.\n\nLydia Lockett\n01:19:14\nAddresses audience. | Keywords: STM [https://www.wikidata.org/wiki/Q1817151]\n\nLydia Lockett\n01:19:34\nIntroduces unnamed poem. | Keywords: Anthony Bourdain [https://www.wikidata.org/wiki/Q426582]\n\nLydia Lockett\n01:20:57\nAddresses sound technician. \n\nLydia Lockett\n01:21:16\nPerforms unnamed poem accompanied by recording.\n\nLydia Lockett\n01:24:29\nAddresses audience. | Keywords: Herbie Hancock [https://www.wikidata.org/wiki/Q105875]; \"Chameleon\" [song]\n\nAudience\n01:24:32\nApplause. \n\nLydia Lockett\n01:24:53\nIntroduces unnamed poem. \n\nLydia Lockett\n01:25:10\nPerforms unnamed poem. \n\nLydia Lockett\n01:25:29\nStops performance.\n\nLydia Lockett\n01:26:03\nRestarts performance. \n\nAudience\n01:28:43\nApplause. \n\nLydia Lockett\n01:28:53\nIntroduces unnamed poem. | Keywords: Jude Charles\n\nLydia Lockett\n01:29:31\nPerforms unnamed poem accompanied by recording. | Wilson Pickett [https://www.wikidata.org/wiki/Q312270]; Otis Redding [https://www.wikidata.org/wiki/Q217839]; James Brown [https://www.wikidata.org/wiki/Q5950]; Beethoven [https://www.wikidata.org/wiki/Q255]; Mozart [https://www.wikidata.org/wiki/Q254]; Jackie Wilson [https://www.wikidata.org/wiki/Q181483]; Marvin Gaye [https://www.wikidata.org/wiki/Q189758]; Elvis Presley [https://www.wikidata.org/wiki/Q303]; Rick James [https://www.wikidata.org/wiki/Q248207]; Bob Marley [https://www.wikidata.org/wiki/Q409]\n\nAudience\n01:33:33\nApplause. \n\nIan Ferrier\n01:34:14\nThanks Lydia Lockett. \n\nIan Ferrier\n01:34:17\nIntroduces James Schidilowsky. | Keywords: Will Eizlini; Gaza Strip [https://www.wikidata.org/wiki/Q39760]\n\nAudience\n01:35:22\nApplause. \n\nIan Ferrier\n01:35:55\nAddresses technician.\n\nIan Ferrier\n01:35:59\nPlays guitar and introduces excerpt from unnamed show.\n\nIan Ferrier\n01:36:46\nPerforms excerpt from unnamed show, accompanied by himself on electric guitar and by James Schidilowsky. | Keywords: Gaza Strip\n\nAudience\n01:41:33\nApplause.\n\nIan Ferrier\n01:41:42\nAnnounces future event. | Keywords: Cookie Magique\n\nIan Ferrier\n01:42:00\nThanks performers and audience. \n\nAudience\n01:42:12\nApplause. \n\nUnknown\n01:42:27\nAmbient Sound [music and voices]. \n\nUnknown\n01:43:51\nSilence. \n\nUnknown\n01:58:06\nAmbient Sound [voices and music]. \n\nEND\n02:06:02"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548593180672,"timestamp":"2026-01-07T14:59:53.264Z","digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2018/06/\",\"file_path\":\"\",\"filename\":\"STE-003.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"02:06:02\",\"precision\":\"\",\"size\":\"1.33 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-003.wav\\n\\nUnknown\\n00:00:00\\nAmbient Sound [music].\\n\\nIan Ferrier\\n00:04:48\\nIntroduces event.\\n\\nIan Ferrier\\n00:05:02\\nIntroduces Kathleen Reichelt and Wesley Rickert | Keywords: Thousand Islands [https://www.wikidata.org/wiki/Q1050549]; David Bateman\\n\\nAudience\\n00:05:20\\nApplause.\\n\\nKathleen Reichelt\\n00:05:43\\nPerforms \\\"Demonstration\\\" [unidentified sound throughout]. | Keywords: China [https://www.wikidata.org/wiki/Q148]\\n\\nKathleen Reichelt\\n00:06:59\\nPerforms \\\"Victoria Day\\\" [https://www.wikidata.org/wiki/Q2916311]. | Keywords: Queen Anne [https://www.wikidata.org/wiki/Q119702]\\n\\nKathleen Reichelt\\n00:07:51\\nPerforms \\\"Questions\\\" [unidentified sound throughout].\\n\\nAudience\\n00:09:00\\nApplause.\\n\\nUnknown\\n00:09:16\\nAmbient Sound [trumpet].\\n\\nWesley Rickert\\n00:09:42\\nPerforms unnamed poem in English and French [sound of trumpet throughout]. | Keywords: Montreal [https://www.wikidata.org/wiki/Q340]; Leonard Cohen [https://www.wikidata.org/wiki/Q1276]; Rene Levesque [https://www.wikidata.org/wiki/Q381007]; Nile [https://www.wikidata.org/wiki/Q3392]\\n\\nAudience\\n00:12:55\\nApplause.\\n\\nIan Ferrier\\n00:13:06\\nThanks Kathleen Reichelt and Wesley Rickert.\\n\\nIan Ferrier\\n00:13:10\\nIntroduces John Arthur Sweet. \\n\\nAudience\\n00:13:2\\nApplause.\\n\\nJohn Arthur Sweet\\n00:13:36\\nThanks and addresses audience, exchange follows.\\n\\nJohn Arthur Sweet\\n00:14:04\\nIntroduces unnamed poem. | Keywords: Parc Baldwin [https://www.wikidata.org/wiki/Q22475458]; Parc Lafontaine [https://www.wikidata.org/wiki/Q3363848]\\n\\nJohn Arthur Sweet\\n00:14:48\\nPerforms unnamed poem in English and French. | Keywords: Parc Baldwin; Facebook [https://www.wikidata.org/wiki/Q355]\\n\\nJohn Arthur Sweet\\n00:28:18\\nThanks audience.\\n\\nAudience\\n00:28:20\\nApplause.\\n\\nIan Ferrier\\n00:28:37\\nThanks John Arthur Sweet [audience applause continues throughout].\\n\\nIan Ferrier\\n00:28:42\\nAnnounces intermission. | Keywords: Marianne Lorthiois; Louise Campbell; Adriana Jones; New York City [https://www.wikidata.org/wiki/Q60]\\n\\nUnknown\\n00:28:54\\nAmbient Sound [music and voices]. \\n\\nIan Ferrier\\n00:45:46\\nIntroduces Marianne Lorthiois. \\n\\nAudience\\n00:46:01\\nApplause.\\n\\nMarianne Lorthiois\\n00:46:12\\nAddresses audience, exchange follows.\\n\\nMarianne Lorthiois\\n00:46:23\\nIntroduces unnamed poem. | Keywords: Claude Lévi-Strauss [https://www.wikidata.org/wiki/Q128126]\\n\\nMarianne Lorthiois\\n00:47:22\\nPerforms unnamed poem in French. \\n\\nAudience\\n00:50:06\\nApplause.\\n\\nIan Ferrier\\n00:50:20\\nThanks Marianne Lorthiois in French. \\n\\nIan Ferrier\\n00:50:23\\nIntroduces Louise Campbell. | Keywords: Creatures of the Ice Age\\n\\nAudience\\n00:50:38\\nApplause.\\n\\nLouise Campbell\\n00:50:49\\nIntroduces \\\"Heroes and Villains\\\". | Keywords: The French Revolution [https://www.wikidata.org/wiki/Q6534]\\n\\nLouise Campbell\\n00:51:43\\nPerforms \\\"Heroes and Villains\\\" on clarinet accompanied by recording. \\n\\nAudience\\n00:59:29\\nApplause.\\n\\nIan Ferrier\\n00:59:53\\nThanks Louise Campbell. \\n\\nIan Ferrier\\n00:59:57\\nIntroduces Adriana Jones. | Keywords: Edmonton Fringe Festival [https://www.wikidata.org/wiki/Q5339070]; New York City; An Introvert's Guide to Activism [short film]\\n\\nAudience\\n01:00:39\\nApplause.\\n\\nAdriana Jones\\n01:00:55\\nAddresses audience. \\n\\nAudience\\n01:00:59\\nApplause.\\n\\nAdriana Jones\\n01:01:01\\nAddresses audience. | Keywords: New York City; Canada [https://www.wikidata.org/wiki/Q16] \\n\\nAdriana Jones\\n01:01:17\\nIntroduces The End of the World Party [audience laughter throughout]. \\n\\nAdriana Jones\\n01:02:15\\nAddresses John [Arthur Sweet] and an unknown audience member, exchange follows [audience laughter throughout]. | Keywords: Harry Potter [https://www.wikidata.org/wiki/Q3244512]; New York City\\n\\nAdriana Jones\\n01:03:56\\nPerforms The End of the World Party [audience laughter throughout]. | Keywords: Hillary [Clinton] [https://www.wikidata.org/wiki/Q6294]; New York City; Facebook; Brooklyn [https://www.wikidata.org/wiki/Q18419]; C-SPAN [https://www.wikidata.org/wiki/Q1022311]; The White House [https://www.wikidata.org/wiki/Q35525]; Michigan [https://www.wikidata.org/wiki/Q1166]; Tribeca [https://www.wikidata.org/wiki/Q853325]; Louis C.K. [https://www.wikidata.org/wiki/Q15079]; Charlie Rose [https://www.wikidata.org/wiki/Q715515]; DSM [https://www.wikidata.org/wiki/Q201561]; American Psychological Association [https://www.wikidata.org/wiki/Q466587]\\n\\nAudience\\n01:18:11\\nApplause.\\n\\nIan Ferrier\\n01:18:29\\nThanks Adriana Jones and comments on her performance. \\n\\nIan Ferrier\\n01:18:42\\nIntroduces Lydia Lockett.\\n\\nAudience\\n01:18:52\\nApplause.\\n\\nLydia Lockett\\n01:19:14\\nAddresses audience. | Keywords: STM [https://www.wikidata.org/wiki/Q1817151]\\n\\nLydia Lockett\\n01:19:34\\nIntroduces unnamed poem. | Keywords: Anthony Bourdain [https://www.wikidata.org/wiki/Q426582]\\n\\nLydia Lockett\\n01:20:57\\nAddresses sound technician. \\n\\nLydia Lockett\\n01:21:16\\nPerforms unnamed poem accompanied by recording.\\n\\nLydia Lockett\\n01:24:29\\nAddresses audience. | Keywords: Herbie Hancock [https://www.wikidata.org/wiki/Q105875]; \\\"Chameleon\\\" [song]\\n\\nAudience\\n01:24:32\\nApplause. \\n\\nLydia Lockett\\n01:24:53\\nIntroduces unnamed poem. \\n\\nLydia Lockett\\n01:25:10\\nPerforms unnamed poem. \\n\\nLydia Lockett\\n01:25:29\\nStops performance.\\n\\nLydia Lockett\\n01:26:03\\nRestarts performance. \\n\\nAudience\\n01:28:43\\nApplause. \\n\\nLydia Lockett\\n01:28:53\\nIntroduces unnamed poem. | Keywords: Jude Charles\\n\\nLydia Lockett\\n01:29:31\\nPerforms unnamed poem accompanied by recording. | Wilson Pickett [https://www.wikidata.org/wiki/Q312270]; Otis Redding [https://www.wikidata.org/wiki/Q217839]; James Brown [https://www.wikidata.org/wiki/Q5950]; Beethoven [https://www.wikidata.org/wiki/Q255]; Mozart [https://www.wikidata.org/wiki/Q254]; Jackie Wilson [https://www.wikidata.org/wiki/Q181483]; Marvin Gaye [https://www.wikidata.org/wiki/Q189758]; Elvis Presley [https://www.wikidata.org/wiki/Q303]; Rick James [https://www.wikidata.org/wiki/Q248207]; Bob Marley [https://www.wikidata.org/wiki/Q409]\\n\\nAudience\\n01:33:33\\nApplause. \\n\\nIan Ferrier\\n01:34:14\\nThanks Lydia Lockett. \\n\\nIan Ferrier\\n01:34:17\\nIntroduces James Schidilowsky. | Keywords: Will Eizlini; Gaza Strip [https://www.wikidata.org/wiki/Q39760]\\n\\nAudience\\n01:35:22\\nApplause. \\n\\nIan Ferrier\\n01:35:55\\nAddresses technician.\\n\\nIan Ferrier\\n01:35:59\\nPlays guitar and introduces excerpt from unnamed show.\\n\\nIan Ferrier\\n01:36:46\\nPerforms excerpt from unnamed show, accompanied by himself on electric guitar and by James Schidilowsky. | Keywords: Gaza Strip\\n\\nAudience\\n01:41:33\\nApplause.\\n\\nIan Ferrier\\n01:41:42\\nAnnounces future event. | Keywords: Cookie Magique\\n\\nIan Ferrier\\n01:42:00\\nThanks performers and audience. \\n\\nAudience\\n01:42:12\\nApplause. \\n\\nUnknown\\n01:42:27\\nAmbient Sound [music and voices]. \\n\\nUnknown\\n01:43:51\\nSilence. \\n\\nUnknown\\n01:58:06\\nAmbient Sound [voices and music]. \\n\\nEND\\n02:06:02\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"score":0.01643844},{"id":"1170","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2018-08-19"],"item_title_source":["Cataloguer "],"item_title_note":["Full event audio not found"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"(Performs with Creatures of the Ice Age)\",\"nation\":[],\"role\":[\"Series organizer\",\"Performer\",\"Presenter\"]}]"],"contributors_names":["Sweet, John Arthur","Campbell, Louise","Venart, Sarah","McCrum, Rachel"],"contributors_names_search":["Sweet, John Arthur","Campbell, Louise","Venart, Sarah","McCrum, Rachel"],"contributors":["[{\"url\":\"\",\"name\":\"Sweet, John Arthur\",\"dates\":\"\",\"notes\":\"(With Ian Ferrier on guitar)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Campbell, Louise\",\"dates\":\"\",\"notes\":\"(With Creatures of the Ice Age)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/78573732\",\"name\":\"Venart, Sarah\",\"dates\":\"1968-\",\"notes\":\"Announced but missing \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/300348020\",\"name\":\"McCrum, Rachel\",\"dates\":\"\",\"notes\":\"Announced but missing \",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Sweet, John Arthur","Campbell, Louise","Venart, Sarah","McCrum, Rachel"],"Performance_Date":[2018],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\" In folder: 6 audio, 1 doc, 6 misc. In folder2: 2 audio.\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Copies and edits\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"Uploads/1170/Poster 2018-08-19.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital","Digital"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2018/08/\",\"file_path\":\"\",\"filename\":\"STE-006 John Sweet w Ian on Guitar.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:32:02 \",\"precision\":\"\",\"size\":\"339 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://drive.google.com/file/d/1K89nRrzzqmWrOzKKyCGCEVRqUSyJZ8BX/view\",\"file_path\":\"https://drive.google.com/drive/u/2/folders/1_CNeT4C8F-KzegfFjVrVXof4lLe4LEdO\",\"filename\":\"Poster 2018-08-19\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Poster\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2018 08 19\",\"type\":\"Performance Date\",\"notes\":\"Date indicated on event poster\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118 \",\"longitude\":\"-73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["The second set of the August 19th, 2018 Words and Music Show at Casa Del Popolo showcased poetry from John Arthur Sweet, including two pieces he describes as his “contribution to Pride [Week],” one of which is entitled “Gateshead Bed,” followed by a performance of “Dear John Doughtery,” dedicated to Rachel McCrum and which marks Sweet’s first experience performing with live musical accompaniment, provided by Ian Ferrier on guitar. Ferrier then invited Louise Campbell to join him on stage as Creatures of the Ice Age to perform a piece called “Perseids” inspired by the perseid meteor shower and reflecting on new encounters. Missing from the audio recordings are the poetry performances by Sarah Venart and Rachel McCrum announced on the event poster. The Facebook event also reveals that “a selection of books from poet Matt Santateresa's library [were] available free to any poets in attendance.” https://www.facebook.com/events/669773890082464/"],"contents":["STE-006 John Sweet w Ian on Guitar.wav\n\nJohn Arthur Sweet\n00:00:47\n\nIan Ferrier and Louise Campbell\n00:19:14\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548594229249,"timestamp":"2026-01-07T14:59:53.264Z","score":0.01643844},{"id":"1171","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2018-09-23"],"item_title_source":["Cataloguer "],"item_title_note":["Full event audio not found"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"(Performs with Louise Campbell and Dina Cindric)\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\",\"Performer\"]}]"],"contributors_names":["Campbell, Louise","Cindric, Dina","Gillis, Susan","Strauss, Ted","Tkachuk, Alex","Perry-Fagant, Natasha"],"contributors_names_search":["Campbell, Louise","Cindric, Dina","Gillis, Susan","Strauss, Ted","Tkachuk, Alex","Perry-Fagant, Natasha"],"contributors":["[{\"url\":\"\",\"name\":\"Campbell, Louise\",\"dates\":\"\",\"notes\":\"(With Dina Cindric and Ian Ferrier)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Cindric, Dina\",\"dates\":\"\",\"notes\":\"(With Louise Campbell and Ian Ferrier)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/66154766\",\"name\":\"Gillis, Susan \",\"dates\":\"1959-\",\"notes\":\"Announced but missing\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Strauss, Ted\",\"dates\":\"\",\"notes\":\"(With unknown musicians)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Tkachuk, Alex\",\"dates\":\"\",\"notes\":\"Stage name: kaTch Twenty-Two;  announced but missing. \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Perry-Fagant, Natasha\",\"dates\":\"\",\"notes\":\" Announced but missing\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Campbell, Louise","Cindric, Dina","Gillis, Susan ","Strauss, Ted","Tkachuk, Alex","Perry-Fagant, Natasha"],"Performance_Date":[2018],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"In folder: 6 audio, 1 doc, 6 misc. In folder2: 2 audio\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Copies and edits\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"Uploads/1171/Poster 2018-09-23.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital","Digital"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2018/09/\",\"file_path\":\"\",\"filename\":\"STE-001.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:02:40\",\"precision\":\"\",\"size\":\"150.4 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-001.mp3\\n\\nUnknown\\n00:00:00\\nAmbient Sound [voices].\\n\\nIan Ferrier\\n00:01:12\\nIntroduces unnamed poem and introduces Dina Cindric and Louise Campbell. | Keywords: Scandinavia [https://www.wikidata.org/wiki/Q21195]; Gaspé [https://www.wikidata.org/wiki/Q141903]\\n\\nIan Ferrier\\n00:02:28\\nPerforms unnamed poem accompanied by himself on electric guitar, Dina Cindric on piano, and Louise Campbell on clarinet. | Keywords: Prince Edward Island [https://www.wikidata.org/wiki/Q1979]; Montreal [https://www.wikidata.org/wiki/Q340]\\n\\nDina Cindric\\n00:11:15\\nPerforms unnamed song accompanied by Louise Campbell on clarinet, Ian Ferrier on electric guitar, and herself on piano.\\n\\nIan Ferrier\\n00:17:45\\nThanks audience. \\n\\nAudience\\n00:17:46\\nApplause.\\n\\nIan Ferrier\\n00:17:58\\nIntroduces Dina Cindric, Louise Campbell, and himself [audience applause continues throughout].\\n\\nIan Ferrier\\n00:18:14\\nAnnounces intermission. | Keywords: Ted Strauss; Leonard Cohen [https://www.wikidata.org/wiki/Q1276]\\n\\nAudience\\n00:18:19\\nApplause.\\n\\nUnknown\\n00:18:25\\nAmbient Sound [voices and music]. \\n\\nTed Strauss\\n00:26:19\\nPerforms \\\"Everybody Knows\\\" by Leonard Cohen [https://www.wikidata.org/wiki/Q5417723].\\n\\nAudience\\n00:30:53\\nApplause.\\n\\nTed Strauss\\n00:31:01\\nComments on his performance and introduces \\\"Came So Far For Beauty\\\". | Keywords: Leonard Cohen; Ian [Ferrier] \\n\\nTed Strauss\\n00:32:42\\nPerforms \\\"Came So Far For Beauty\\\" by Leonard Cohen. \\n\\nAudience\\n00:37:25\\nApplause.\\n\\nTed Strauss\\n00:37:46\\nIntroduces \\\"Take This Waltz\\\" [audience laughter throughout]. \\n\\nTed Strauss\\n00:38:11\\nPerforms \\\"Take This Waltz\\\" by Leonard Cohen [https://www.wikidata.org/wiki/Q3514278]. | Keywords: Vienna [https://www.wikidata.org/wiki/Q1741]\\n\\nAudience\\n00:43:49\\nApplause.\\n\\nTed Strauss\\n00:43:59\\nAnnounces names of performers [unintelligible]. \\n\\nAudience\\n00:44:03\\nApplause.\\n\\nIan Ferrier\\n00:44:26\\nThanks the performers and comments on Leonard Cohen's death and on Ted Strauss' performance. \\n\\nIan Ferrier\\n00:44:48\\nThanks Susan Gillis [https://www.wikidata.org/wiki/Q18386626], Alex Tkachuk, Natasha Perry-Fagant, Louise Campbell, and Dina Cindric.\\n\\nIan Ferrier\\n00:44:58\\nAnnounces future event and thanks audience. \\n\\nAudience\\n00:45:05\\nApplause.\\n\\nUnknown\\n00:45:15\\nAmbient Sound [voices and music].\\n\\nEND\\n01:02:40\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://drive.google.com/file/d/1PoDS2hBIUsw_uWVMCbuf1HmJ3JetDwqV/view\",\"file_path\":\"https://drive.google.com/drive/u/2/folders/1_CNeT4C8F-KzegfFjVrVXof4lLe4LEdO\",\"filename\":\"Poster 2018-09-23\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Poster\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2018-09-23\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118 \",\"longitude\":\"-73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["Inspired by a melding of Scandinavian and Gaspesian songs about fishermen, Ian Ferrier, Louise Campbell, and Dina Cindric kicked off the second set of the September 23rd, 2018 Words and Music Show at Casa Del Popolo as Creatures of the Ice Age. Ted Strauss and a small band also performed a series of songs by Leonard Cohen, including “Everybody Knows” and “Came So Far For Beauty” two days after what would have been Cohen’s 84th birthday. In addition, the event poster informs us that show began at 9 p.m. with a set that featured “new work by poet” Susan Gillis, “spoken word by kaTch Twenty-Two,” also known as Alex Tkachuk, and a performance by Natasha Perry Fagant."],"contents":["STE-001.mp3\n\nUnknown\n00:00:00\nAmbient Sound [voices].\n\nIan Ferrier\n00:01:12\nIntroduces unnamed poem and introduces Dina Cindric and Louise Campbell. | Keywords: Scandinavia [https://www.wikidata.org/wiki/Q21195]; Gaspé [https://www.wikidata.org/wiki/Q141903]\n\nIan Ferrier\n00:02:28\nPerforms unnamed poem accompanied by himself on electric guitar, Dina Cindric on piano, and Louise Campbell on clarinet. | Keywords: Prince Edward Island [https://www.wikidata.org/wiki/Q1979]; Montreal [https://www.wikidata.org/wiki/Q340]\n\nDina Cindric\n00:11:15\nPerforms unnamed song accompanied by Louise Campbell on clarinet, Ian Ferrier on electric guitar, and herself on piano.\n\nIan Ferrier\n00:17:45\nThanks audience. \n\nAudience\n00:17:46\nApplause.\n\nIan Ferrier\n00:17:58\nIntroduces Dina Cindric, Louise Campbell, and himself [audience applause continues throughout].\n\nIan Ferrier\n00:18:14\nAnnounces intermission. | Keywords: Ted Strauss; Leonard Cohen [https://www.wikidata.org/wiki/Q1276]\n\nAudience\n00:18:19\nApplause.\n\nUnknown\n00:18:25\nAmbient Sound [voices and music]. \n\nTed Strauss\n00:26:19\nPerforms \"Everybody Knows\" by Leonard Cohen [https://www.wikidata.org/wiki/Q5417723].\n\nAudience\n00:30:53\nApplause.\n\nTed Strauss\n00:31:01\nComments on his performance and introduces \"Came So Far For Beauty\". | Keywords: Leonard Cohen; Ian [Ferrier] \n\nTed Strauss\n00:32:42\nPerforms \"Came So Far For Beauty\" by Leonard Cohen. \n\nAudience\n00:37:25\nApplause.\n\nTed Strauss\n00:37:46\nIntroduces \"Take This Waltz\" [audience laughter throughout]. \n\nTed Strauss\n00:38:11\nPerforms \"Take This Waltz\" by Leonard Cohen [https://www.wikidata.org/wiki/Q3514278]. | Keywords: Vienna [https://www.wikidata.org/wiki/Q1741]\n\nAudience\n00:43:49\nApplause.\n\nTed Strauss\n00:43:59\nAnnounces names of performers [unintelligible]. \n\nAudience\n00:44:03\nApplause.\n\nIan Ferrier\n00:44:26\nThanks the performers and comments on Leonard Cohen's death and on Ted Strauss' performance. \n\nIan Ferrier\n00:44:48\nThanks Susan Gillis [https://www.wikidata.org/wiki/Q18386626], Alex Tkachuk, Natasha Perry-Fagant, Louise Campbell, and Dina Cindric.\n\nIan Ferrier\n00:44:58\nAnnounces future event and thanks audience. \n\nAudience\n00:45:05\nApplause.\n\nUnknown\n00:45:15\nAmbient Sound [voices and music].\n\nEND\n01:02:40"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548595277824,"timestamp":"2026-01-07T14:59:53.264Z","score":0.01643844},{"id":"1172","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2018-10-21"],"item_title_source":["Cataloguer "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"(Performs with Bryan Highbloom and Jean-Patrice Rémillard)\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\",\"Performer\"]}]"],"contributors_names":["Anomaly","Di Sclafani, Mike","Quirion, Josh","Pitts, Brandon","Godin, Steve","Rémillard, Jean-Patrice","Highbloom, Bryan"],"contributors_names_search":["Anomaly","Di Sclafani, Mike","Quirion, Josh","Pitts, Brandon","Godin, Steve","Rémillard, Jean-Patrice","Highbloom, Bryan"],"contributors":["[{\"url\":\"\",\"name\":\"Anomaly\",\"dates\":\"\",\"notes\":\"Stage name\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/1149717376910951707\",\"name\":\"Di Sclafani, Mike\",\"dates\":\"1976-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Quirion, Josh\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/187067367\",\"name\":\"Pitts, Brandon\",\"dates\":\"1967-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Godin, Steve\",\"dates\":\"\",\"notes\":\"(Performs with Bryan Highbloom and Jean-Patrice Rémillard)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Rémillard, Jean-Patrice\",\"dates\":\"\",\"notes\":\"With Bryan Highbloom\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/3738159477916827990001\",\"name\":\"Highbloom, Bryan\",\"dates\":\"\",\"notes\":\"With Jean-Patrice Rémillard\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Anomaly","Di Sclafani, Mike","Quirion, Josh","Pitts, Brandon","Godin, Steve","Rémillard, Jean-Patrice","Highbloom, Bryan"],"Performance_Date":[2018],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"In folder: 1 audio. In folder2: 3 videos, 7 docs, 77 images.\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"Uploads/1172/Poster 2018-10-21.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital","Digital"],"AV_type":["Audio"],"Dates":["[{\"date\":\"2018 10 21\",\"type\":\"Performance Date\",\"notes\":\"Date indicated on event poster\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118 \",\"longitude\":\"-73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["Brandon Pitts kicked off the October 21st, 2018 Words and Music Show with an original poem. Mike Di Sclafani, described in “Literary Bio.docx” as ”a multidisciplinary artist whose main practices are poetry, photo, video and music,” read a piece called “(art)re” accompanied by a pre-recorded track he composed. Josh Quirion made his third appearance on the W&M Show stage to read “The F Word” and “Ferda.” Anomaly read a series of short poems from her chapbooks, including “Nostalgia,” “Space,” and “December 31st.” In the final act of the evening, Bryan Highbloom and Jean-Patrice Rémillard presented what “Rémillard and Highbloom.docx” terms a “new jazz/minimal tech meeting of the minds, merg[ing] the increasingly distinct and experimental sides of deep, dubby textural techo with tenor sax” in an hour-long jam session."],"contents":["STE-002 W&M Oct 2018 Pitt-diSclafani-Quirion-Anomaly Highbloom & JP-jam.wav\n\nUnknown\n00:00:00\nSilence.\n\nBrandon Pitts\n00:03:10\nIntroduces \"Eloi Eloi Lama Sabachthani\" [recording begins abruptly]. \n\nBrandon Pitts\n00:03:30\nPerforms \"Eloi Eloi Lama Sabachthani\". \n\nAudience\n00:07:27\nApplause.\n\nIan Ferrier\n00:07:41\nThanks Brandon Pitts.\n\nIan Ferrier\n00:07:43\nIntroduces Mike Di Sclafani. | Keywords: Yellow Door; Visual Arts Centre; Westmount [https://www.wikidata.org/wiki/Q139497]\n\nAudience\n00:08:02\nApplause. \n\nMike Di Sclafani\n00:08:10\nThanks Ian Ferrier [https://www.wikidata.org/wiki/Q87138884].\n\nUnknown\n00:08:24\nAmbient Sound [music].\n\nMike Di Sclafani\n00:08:42\nIntroduces \"(Art)ery\".\n\nMike Di Sclafani\n00:08:55\nReads \"(Art)ery\" accompanied by recording. | Keywords: Montreal [https://www.wikidata.org/wiki/Q340]; Ritz-Carlton [https://www.wikidata.org/wiki/Q30599873]; John Lennon [https://www.wikidata.org/wiki/Q1203]; Yoko Ono [https://www.wikidata.org/wiki/Q117012]; Catcher in the Rye [https://www.wikidata.org/wiki/Q183883]; Sicily [https://www.wikidata.org/wiki/Q1460]; Mount Etna [https://www.wikidata.org/wiki/Q16990]\n\nMike Di Sclafani\n00:18:42\nThanks audience.\n\nAudience\n00:18:44\nApplause.\n\nIan Ferrier\n00:19:01\nThanks Mike Di Sclafani.\n\nIan Ferrier\n00:19:02\nIntroduces Josh Quirion. | Keywords: Eastern Townships [https://www.wikidata.org/wiki/Q1122368] \n\nAudience\n00:19:27\nLaughter and applause.\n\nJosh Quirion\n00:19:37\nAddresses audience.\n\nAudience\n00:19:38\nLaughter and applause.\n\nJosh Quirion\n00:19:43\nIntroduces \"The F Word\". \n\nJosh Quirion\n00:19:48\nReads \"The F Word\" [audience laughter throughout]. | Keywords: Eastern Townships; Loi 101 [https://www.wikidata.org/wiki/Q1067781]; Thailand [https://www.wikidata.org/wiki/Q869] \n\nAudience\n00:24:21\nApplause.\n\nJosh Quirion\n00:24:28\nThanks audience and introduces \"Ferda\". | Keywords: Friends [https://www.wikidata.org/wiki/Q79784]; Ian Ferrier; Concordia University [https://www.wikidata.org/wiki/Q326342]\n\nJosh Quirion\n00:25:44\nReads \"Ferda\". | Keywords: North America [https://www.wikidata.org/wiki/Q49]; Hollywood [https://www.wikidata.org/wiki/Q34006]; [Charles] Bukowski [https://www.wikidata.org/wiki/Q76409]; [William] Faulkner [https://www.wikidata.org/wiki/Q38392]; [Ernest] Hemingway [https://www.wikidata.org/wiki/Q23434]\n\nAudience\n00:29:50\nApplause.\n\nJosh Quirion\n00:29:55\nDiscusses his poem and thanks audience [audience laughter throughout].\n\nAudience\n00:30:34\nApplause. \n\nIan Ferrier\n00:30:45\nThanks Josh Quirion and announces intermission.\n\nUnknown\n00:30:56\nAmbient Sound [voices and music]. \n\nIan Ferrier\n00:46:55\nIntroduces Anomaly. | Keywords: Throw Collective; Montreal; Canadian Festival of Spoken Word [https://www.wikidata.org/wiki/Q5029993]\n\nAudience\n00:47:14\nApplause. \n\nAnomaly\n00:47:41\nReads unnamed poem.\n\nAudience\n00:49:53\nApplause. \n\nAnomaly\n00:50:00\nThanks audience and announces future event [audience laughter throughout]. | Keywords: Ian [Ferrier]; Throw Collective; Rabbit Richards [https://www.wikidata.org/wiki/Q24204479]; Facebook [https://www.wikidata.org/wiki/Q355]\n\nAnomaly\n00:51:03\nIntroduces unnamed poem. | Keywords: Ian [Ferrier]; Montreal; National Poetry Writing Month [https://www.wikidata.org/wiki/Q6974949]\n\nAnomaly\n00:52:11\nReads unnamed poem. | Keywords: De Maisonneuve [Boulevard; https://www.wikidata.org/wiki/Q2921804]; Quebec [https://www.wikidata.org/wiki/Q176]; Lester B Pearson International Airport [https://www.wikidata.org/wiki/Q242066]\n\nAnomaly\n00:53:19\nIntroduces unnamed poem.\n\nAnomaly\n00:53:30\nReads unnamed poem. \n\nAudience\n00:54:02\nApplause. \n\nAnomaly\n00:54:08\nThanks audience and promotes her chapbooks. | Keywords: Canadian Individual Poetry Slam\n\nAnomaly\n00:54:34\nIntroduces her chapbooks Nostalgia and Space. \n\nAnomaly\n00:54:53\nReads \"1\" from Nostalgia.\n\nAnomaly\n00:55:15\nReads \"2\" from Nostalgia.\n\nAnomaly\n00:55:52\nReads \"3\" from Nostalgia. \n\nAnomaly\n00:56:30\nComments on her poem [audience laughter throughout].\n\nAnomaly\n00:56:35\nIntroduces Space.\n\nAnomaly\n00:56:42\nReads unnamed poems from Space. \n\nAudience\n00:58:21\nApplause.\n\nAnomaly\n00:58:28\nIntroduces unnamed poem. \n\nAnomaly\n00:58:56\nReads unnamed poem. | Keywords: Andrea Gibson [https://www.wikidata.org/wiki/Q4755100]; Kansas [https://www.wikidata.org/wiki/Q1558]\n\nAnomaly\n00:59:13\nComments on her poem [audience laughter throughout].\n\nAnomaly\n00:59:25\nIntroduces \"December 31st\" [audience laughter throughout].\n\nAnomaly\n00:59:41\nReads \"December 31st\".\n\nAnomaly\n01:01:03\nIntroduces unnamed poem. \n\nAnomaly\n01:01:08\nReads unnamed poem. \n\nAudience\n01:01:52\nApplause.\n\nAnomaly\n01:01:57\nThanks audience and promotes her chapbooks [audience applause continues throughout].\n\nAudience\n01:02:07\nApplause.\n\nIan Ferrier\n01:02:18\nThanks Anomaly.\n\nIan Ferrier\n01:02:21\nIntroduces Jean-Patrice Rémillard and Bryan Highbloom [audience laughter throughout].\n\nAudience\n01:02:43\nApplause.\n\nBryan Highbloom\n01:02:58\nAddresses audience and introduces performance. \n\nBryan Highbloom\n01:03:48\nPerforms unnamed song on saxophone accompanied by Jean-Patrice Rémillard on [patch cords (?]. \n\nJosh Quirion\n01:13:34\nPerforms unnamed poem while Bryan Highbloom and Jean-Patrice Rémillard continue musical accompaniment. \n\nBrandon Pitts\n01:21:10\nPerforms unnamed poem while Bryan Highbloom and Jean-Patrice Rémillard continue musical accompaniment. \n\nIan Ferrier\n01:28:38\nPerforms unnamed poem while Bryan Highbloom and Jean-Patrice Rémillard continue musical accompaniment. \n\nSteve Godin\n01:38:11\nPerforms unnamed poem while Bryan Highbloom and Jean-Patrice Rémillard continue musical accompaniment [audience laughter and applause follows]. \n\nAudience\n01:55:39\nApplause\n\nBryan Highbloom\n01:55:41\nThanks the poets and Ian Ferrier [audience applause continues throughout]. \n\nIan Ferrier\n01:56:05\nThanks Brandon Pitts, Josh Quirion, Anomaly, Jean-Patrice Rémillard, and Bryan Highbloom. \n\nIan Ferrier\n01:56:16\nAnnounces future event. | Keywords: Kaie Kellough [https://www.wikidata.org/wiki/Q6347628]; David Bateman; Toronto [https://www.wikidata.org/wiki/Q172]; Isaac Bond; [Canadian] Prairies [https://www.wikidata.org/wiki/Q1364746]; Creatures of the Ice Age\n\nIan Ferrier\n01:56:33\nThanks Dom, Julie, and Steve Godin [audience laughter throughout]. \n\nAudience\n01:56:45\nApplause. \n\nUnknown\n01:56:56\nAmbient Sound [voices and music]. \n\nEND\n02:02:24"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548596326400,"timestamp":"2026-01-07T14:59:53.264Z","digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2018/10/\",\"file_path\":\"\",\"filename\":\"STE-002 W&M Oct 2018 Pitt-diSclafani-Quirion-Anomaly Highbloom & JP-jam.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"02:02:24\",\"precision\":\"\",\"size\":\"1.94 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-002 W&M Oct 2018 Pitt-diSclafani-Quirion-Anomaly Highbloom & JP-jam.wav\\n\\nUnknown\\n00:00:00\\nSilence.\\n\\nBrandon Pitts\\n00:03:10\\nIntroduces \\\"Eloi Eloi Lama Sabachthani\\\" [recording begins abruptly]. \\n\\nBrandon Pitts\\n00:03:30\\nPerforms \\\"Eloi Eloi Lama Sabachthani\\\". \\n\\nAudience\\n00:07:27\\nApplause.\\n\\nIan Ferrier\\n00:07:41\\nThanks Brandon Pitts.\\n\\nIan Ferrier\\n00:07:43\\nIntroduces Mike Di Sclafani. | Keywords: Yellow Door; Visual Arts Centre; Westmount [https://www.wikidata.org/wiki/Q139497]\\n\\nAudience\\n00:08:02\\nApplause. \\n\\nMike Di Sclafani\\n00:08:10\\nThanks Ian Ferrier [https://www.wikidata.org/wiki/Q87138884].\\n\\nUnknown\\n00:08:24\\nAmbient Sound [music].\\n\\nMike Di Sclafani\\n00:08:42\\nIntroduces \\\"(Art)ery\\\".\\n\\nMike Di Sclafani\\n00:08:55\\nReads \\\"(Art)ery\\\" accompanied by recording. | Keywords: Montreal [https://www.wikidata.org/wiki/Q340]; Ritz-Carlton [https://www.wikidata.org/wiki/Q30599873]; John Lennon [https://www.wikidata.org/wiki/Q1203]; Yoko Ono [https://www.wikidata.org/wiki/Q117012]; Catcher in the Rye [https://www.wikidata.org/wiki/Q183883]; Sicily [https://www.wikidata.org/wiki/Q1460]; Mount Etna [https://www.wikidata.org/wiki/Q16990]\\n\\nMike Di Sclafani\\n00:18:42\\nThanks audience.\\n\\nAudience\\n00:18:44\\nApplause.\\n\\nIan Ferrier\\n00:19:01\\nThanks Mike Di Sclafani.\\n\\nIan Ferrier\\n00:19:02\\nIntroduces Josh Quirion. | Keywords: Eastern Townships [https://www.wikidata.org/wiki/Q1122368] \\n\\nAudience\\n00:19:27\\nLaughter and applause.\\n\\nJosh Quirion\\n00:19:37\\nAddresses audience.\\n\\nAudience\\n00:19:38\\nLaughter and applause.\\n\\nJosh Quirion\\n00:19:43\\nIntroduces \\\"The F Word\\\". \\n\\nJosh Quirion\\n00:19:48\\nReads \\\"The F Word\\\" [audience laughter throughout]. | Keywords: Eastern Townships; Loi 101 [https://www.wikidata.org/wiki/Q1067781]; Thailand [https://www.wikidata.org/wiki/Q869] \\n\\nAudience\\n00:24:21\\nApplause.\\n\\nJosh Quirion\\n00:24:28\\nThanks audience and introduces \\\"Ferda\\\". | Keywords: Friends [https://www.wikidata.org/wiki/Q79784]; Ian Ferrier; Concordia University [https://www.wikidata.org/wiki/Q326342]\\n\\nJosh Quirion\\n00:25:44\\nReads \\\"Ferda\\\". | Keywords: North America [https://www.wikidata.org/wiki/Q49]; Hollywood [https://www.wikidata.org/wiki/Q34006]; [Charles] Bukowski [https://www.wikidata.org/wiki/Q76409]; [William] Faulkner [https://www.wikidata.org/wiki/Q38392]; [Ernest] Hemingway [https://www.wikidata.org/wiki/Q23434]\\n\\nAudience\\n00:29:50\\nApplause.\\n\\nJosh Quirion\\n00:29:55\\nDiscusses his poem and thanks audience [audience laughter throughout].\\n\\nAudience\\n00:30:34\\nApplause. \\n\\nIan Ferrier\\n00:30:45\\nThanks Josh Quirion and announces intermission.\\n\\nUnknown\\n00:30:56\\nAmbient Sound [voices and music]. \\n\\nIan Ferrier\\n00:46:55\\nIntroduces Anomaly. | Keywords: Throw Collective; Montreal; Canadian Festival of Spoken Word [https://www.wikidata.org/wiki/Q5029993]\\n\\nAudience\\n00:47:14\\nApplause. \\n\\nAnomaly\\n00:47:41\\nReads unnamed poem.\\n\\nAudience\\n00:49:53\\nApplause. \\n\\nAnomaly\\n00:50:00\\nThanks audience and announces future event [audience laughter throughout]. | Keywords: Ian [Ferrier]; Throw Collective; Rabbit Richards [https://www.wikidata.org/wiki/Q24204479]; Facebook [https://www.wikidata.org/wiki/Q355]\\n\\nAnomaly\\n00:51:03\\nIntroduces unnamed poem. | Keywords: Ian [Ferrier]; Montreal; National Poetry Writing Month [https://www.wikidata.org/wiki/Q6974949]\\n\\nAnomaly\\n00:52:11\\nReads unnamed poem. | Keywords: De Maisonneuve [Boulevard; https://www.wikidata.org/wiki/Q2921804]; Quebec [https://www.wikidata.org/wiki/Q176]; Lester B Pearson International Airport [https://www.wikidata.org/wiki/Q242066]\\n\\nAnomaly\\n00:53:19\\nIntroduces unnamed poem.\\n\\nAnomaly\\n00:53:30\\nReads unnamed poem. \\n\\nAudience\\n00:54:02\\nApplause. \\n\\nAnomaly\\n00:54:08\\nThanks audience and promotes her chapbooks. | Keywords: Canadian Individual Poetry Slam\\n\\nAnomaly\\n00:54:34\\nIntroduces her chapbooks Nostalgia and Space. \\n\\nAnomaly\\n00:54:53\\nReads \\\"1\\\" from Nostalgia.\\n\\nAnomaly\\n00:55:15\\nReads \\\"2\\\" from Nostalgia.\\n\\nAnomaly\\n00:55:52\\nReads \\\"3\\\" from Nostalgia. \\n\\nAnomaly\\n00:56:30\\nComments on her poem [audience laughter throughout].\\n\\nAnomaly\\n00:56:35\\nIntroduces Space.\\n\\nAnomaly\\n00:56:42\\nReads unnamed poems from Space. \\n\\nAudience\\n00:58:21\\nApplause.\\n\\nAnomaly\\n00:58:28\\nIntroduces unnamed poem. \\n\\nAnomaly\\n00:58:56\\nReads unnamed poem. | Keywords: Andrea Gibson [https://www.wikidata.org/wiki/Q4755100]; Kansas [https://www.wikidata.org/wiki/Q1558]\\n\\nAnomaly\\n00:59:13\\nComments on her poem [audience laughter throughout].\\n\\nAnomaly\\n00:59:25\\nIntroduces \\\"December 31st\\\" [audience laughter throughout].\\n\\nAnomaly\\n00:59:41\\nReads \\\"December 31st\\\".\\n\\nAnomaly\\n01:01:03\\nIntroduces unnamed poem. \\n\\nAnomaly\\n01:01:08\\nReads unnamed poem. \\n\\nAudience\\n01:01:52\\nApplause.\\n\\nAnomaly\\n01:01:57\\nThanks audience and promotes her chapbooks [audience applause continues throughout].\\n\\nAudience\\n01:02:07\\nApplause.\\n\\nIan Ferrier\\n01:02:18\\nThanks Anomaly.\\n\\nIan Ferrier\\n01:02:21\\nIntroduces Jean-Patrice Rémillard and Bryan Highbloom [audience laughter throughout].\\n\\nAudience\\n01:02:43\\nApplause.\\n\\nBryan Highbloom\\n01:02:58\\nAddresses audience and introduces performance. \\n\\nBryan Highbloom\\n01:03:48\\nPerforms unnamed song on saxophone accompanied by Jean-Patrice Rémillard on [patch cords (?]. \\n\\nJosh Quirion\\n01:13:34\\nPerforms unnamed poem while Bryan Highbloom and Jean-Patrice Rémillard continue musical accompaniment. \\n\\nBrandon Pitts\\n01:21:10\\nPerforms unnamed poem while Bryan Highbloom and Jean-Patrice Rémillard continue musical accompaniment. \\n\\nIan Ferrier\\n01:28:38\\nPerforms unnamed poem while Bryan Highbloom and Jean-Patrice Rémillard continue musical accompaniment. \\n\\nSteve Godin\\n01:38:11\\nPerforms unnamed poem while Bryan Highbloom and Jean-Patrice Rémillard continue musical accompaniment [audience laughter and applause follows]. \\n\\nAudience\\n01:55:39\\nApplause\\n\\nBryan Highbloom\\n01:55:41\\nThanks the poets and Ian Ferrier [audience applause continues throughout]. \\n\\nIan Ferrier\\n01:56:05\\nThanks Brandon Pitts, Josh Quirion, Anomaly, Jean-Patrice Rémillard, and Bryan Highbloom. \\n\\nIan Ferrier\\n01:56:16\\nAnnounces future event. | Keywords: Kaie Kellough [https://www.wikidata.org/wiki/Q6347628]; David Bateman; Toronto [https://www.wikidata.org/wiki/Q172]; Isaac Bond; [Canadian] Prairies [https://www.wikidata.org/wiki/Q1364746]; Creatures of the Ice Age\\n\\nIan Ferrier\\n01:56:33\\nThanks Dom, Julie, and Steve Godin [audience laughter throughout]. \\n\\nAudience\\n01:56:45\\nApplause. \\n\\nUnknown\\n01:56:56\\nAmbient Sound [voices and music]. \\n\\nEND\\n02:02:24\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://drive.google.com/file/d/1gHNTjlL8DAabf2eJ7xq1Yb-50qK3yAGg/view\",\"file_path\":\"https://drive.google.com/drive/u/2/folders/1_CNeT4C8F-KzegfFjVrVXof4lLe4LEdO\",\"filename\":\"Poster 2018-10-21\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Poster\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"score":0.01643844},{"id":"1173","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2018-11-25"],"item_title_source":["Cataloguer "],"item_title_note":["Mile End Poets' Festival show"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"(Performs with Creatures of the Ice Age)\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\",\"Performer\"]}]"],"contributors_names":["Bond, Isaac","Radford, Deanna","Bateman, David","Cindric, Dina","Campbell, Louise","Kellough, Kaie","McCrum, Rachel"],"contributors_names_search":["Bond, Isaac","Radford, Deanna","Bateman, David","Cindric, Dina","Campbell, Louise","Kellough, Kaie","McCrum, Rachel"],"contributors":["[{\"url\":\"\",\"name\":\"Bond, Isaac\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Radford, Deanna\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/236624223\",\"name\":\"Bateman, David\",\"dates\":\"1956-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Cindric, Dina\",\"dates\":\"\",\"notes\":\"(With Creatures of the Ice Age)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Campbell, Louise\",\"dates\":\"\",\"notes\":\"(With Creatures of the Ice Age)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/68351676\",\"name\":\"Kellough, Kaie\",\"dates\":\"1975-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/300348020\",\"name\":\"McCrum, Rachel\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"performer_name":["Bond, Isaac","Radford, Deanna","Bateman, David","Cindric, Dina","Campbell, Louise","Kellough, Kaie"],"Speaker_name":["McCrum, Rachel"],"Performance_Date":[2018],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"In folder: 1 audio. In folder2: 3 docs, 9 images, 37 misc.\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"Dates":["[{\"date\":\"2018 11 25\",\"type\":\"Performance Date\",\"notes\":\"Date indicated in document\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118 \",\"longitude\":\"-73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["After Ian Ferrier and Rachel McCrum reveal that this event brought the Mile End Poets’ Festival to a close, Isaac Bond opened  the show with pieces written within different soundscapes, including “Hole In The Sky” and “The Beat Poem.” Deanna Radford, host of the Atwater Poetry Project, read “Reach Out And Touch Someone Across The Atlantic,” “When My Lover Is Across The Ocean,” “It’s Possible To Connect To And Use The Internet In Many Different Ways,”and “The Sound Of Birds And Words Migrating When 404-Not Found Arises.” Frequent W&M Show guest David Bateman was inspired by Radford’s set to read “Inbox” from his book “‘Tis Pity” (Frontenac Press 2012) and then presented a selection of new work including “Despair,” “Erotica,” and “Half The Sun” (a response to Leonard Cohen’s “Half The World”). In the second set, Dina Cindric and Louise Campbell joined W&M Show host Ian Ferrier on stage to perform an “old Croatian folk song” and another piece inspired by “Swedish herd calling” as Creatures of the Ice Age. In the final act of the night, Kaie Kellough performed a mix of sound poetry and spoken word."],"contents":["STE-007 W&M MEPF 25Nov2018 IsaacBond-Radford-Bateman-CreatureswIanLouise&Dina-KaieKellough.wav\n\nUnknown\n00:00:00\nAmbient Sound [voices].\n\nIan Ferrier\n00:03:06\nIntroduces event. | Keywords: Mile End Poets' Festival, Rachel McCrum\n\nAudience\n00:03:34\nApplause. \n\nRachel McCrum\n00:03:37\nAddresses audience and discusses the Mile End Poets' Festival [audience laughter throughout]. | Keywords: Ian [Ferrier] [https://www.wikidata.org/wiki/Q87138884]\n\nIan Ferrier\n00:04:06\nComments on the Mile End Poets' Festival [audience laughter throughout].  | Keywords: Brossard [https://www.wikidata.org/wiki/Q139104]\n\nRachel McCrum\n00:04:12\nComments on the Mile End Poets' Festival. | Keywords: Ian [Ferrier]\n\nAudience\n00:04:24\nApplause. \n\nIan Ferrier\n00:04:28\nIntroduces Isaac Bond. | Keywords: Saskatoon [https://www.wikidata.org/wiki/Q10566]; Toronto [https://www.wikidata.org/wiki/Q172]; Throw Collective; Ottawa [https://www.wikidata.org/wiki/Q1930]\n\nAudience\n00:04:54\nApplause. \n\nIsaac Bond\n00:05:05.35\nAddresses audience. \n\nIsaac Bond\n00:05:24\nIntroduces \"Hole in the Sky\", exchange with audience member follows [audience laughter throughout]. | Keywords: Ness Creek Music Festival; Saskatchewan [https://www.wikidata.org/wiki/Q1989] \n\nIsaac Bond\n00:06:08\nPerforms \"Hole in the Sky\". | Keywords: Boreal Forest [https://www.wikidata.org/wiki/Q3078747]\n\nAudience\n00:08:03\nApplause.\n\nIsaac Bond\n00:08:11\nIntroduces \"The Beat Poem\". | Keywords: Saskatoon \n\nIsaac Bond\n00:08:55\nPerforms \"The Beat Poem\". \n\nAudience\n00:11:59\nApplause.\n\nIsaac Bond\n00:12:05\nAddresses audience, exchange with audience follows.\n\nIsaac Bond\n00:12:13\nIntroduces unnamed poem [audience laughter throughout]. | Keywords: Saskatchewan; Dundurn [https://www.wikidata.org/wiki/Q1427108]; [Canadian] Prairies [https://www.wikidata.org/wiki/Q1364746]\n\nIsaac Bond\n00:13:00\nPerforms unnamed poem. | Keywords: Barbados [https://www.wikidata.org/wiki/Q244]; Mexico [https://www.wikidata.org/wiki/Q96]; Darth Vader [https://www.wikidata.org/wiki/Q12206942]; Princess Leia [https://www.wikidata.org/wiki/Q51797]; Russia [https://www.wikidata.org/wiki/Q159]; China [https://www.wikidata.org/wiki/Q148]\n\nAudience\n00:15:03\nApplause.\n\nIsaac Bond\n00:15:04\nComments on his poem [audience applause continues throughout]. \n\nAudience\n00:15:13\nApplause [intensifies]. \n\nIsaac Bond\n00:15:19\nIntroduces unnamed poem, exchange with audience follows. | Keywords: South Saskatchewan River [https://www.wikidata.org/wiki/Q2242]\n\nIsaac Bond\n00:16:11\nPerforms unnamed poem [includes audience participation]. | Keywords: [Rotary Park(?)]; [Gabriel Dumont(?)]; Meewasin Trail \n\nIsaac Bond\n00:18:23\nAddresses and thanks audience [audience applause throughout]. \n\nAudience\n00:18:31\nApplause and laughter.\n\nIan Ferrier\n00:18:48\nThanks Isaac Bond.\n\nIan Ferrier\n00:18:53\nIntroduces Deanna Radford. | Keywords: Quebec Writers' Federation [https://www.wikidata.org/wiki/Q3413953]; Atwater Poetry Project; Canada Council for the Arts [https://www.wikidata.org/wiki/Q2993809]\n\nAudience\n00:19:21\nApplause. \n\nDeanna Radford\n00:19:44\nAddresses audience and thanks Ian Ferrier and Rachel McCrum.\n\nDeanna Radford\n00:20:01\nIntroduces \"Reach Out And Touch Someone Across The Atlantic\" [audience laughter throughout]. | Keywords: Microsoft [https://www.wikidata.org/wiki/Q2283]; Facebook [https://www.wikidata.org/wiki/Q355]; [Telsius(?)]\n\nDeanna Radford\n00:20:21\nPerforms \"Reach Out And Touch Someone Across The Atlantic\". | Keywords: Virginia Beach [https://www.wikidata.org/wiki/Q49259]; [Bilbao Shore(?)] \n\nDeanna Radford\n00:21:49\nIntroduces \"When My Lover Is Across The Ocean\".\n\nAudience\n00:22:01\nLaughter.\n\nDeanna Radford\n00:22:05\nPerforms \"When My Lover Is Across The Ocean\". \n\nDeanna Radford\n00:25:43\nAddresses Dom [sound technician].\n\nDeanna Radford\n00:25:59\nIntroduces \"It's Possible To Connect To The Internet In Many Different Ways\". | Keywords: Beaubien [Street] [https://www.wikidata.org/wiki/Q3447094]\n\nDeanna Radford\n00:27:00\nPerforms \"It's Possible To Connect To The Internet In Many Different Ways\". \n\nDeanna Radford\n00:28:20\nIntroduces \"The Sound Of Birds and Words Migrating When 404 Not Found Arises\".\n\nDeanna Radford\n00:28:29\nPerforms \"The Sound Of Birds and Words Migrating When 404 Not Found Arises\".\n\nDeanna Radford\n00:29:35\nIntroduces \"A Letter From The Cloud Eternal Network\", exchange with audience follows. | Keywords: Rachel McCrum\n\nDeanna Radford\n00:30:12\nPerforms \"A Letter From The Cloud Eternal Network\".\n\nAudience\n00:32:17\nApplause. \n\nIan Ferrier\n00:32:37\nThanks Deanna Radford. \n\nIan Ferrier\n00:32:42\nIntroduces David Bateman. | Keywords: Alberta [https://www.wikidata.org/wiki/Q1951] \n\nAudience\n00:33:10\nApplause. \n\nDavid Bateman\n00:33:22\nThanks Ian Ferrier. \n\nDavid Bateman\n00:33:28\nIntroduces \"Inbox\" from Tis Pity [audience laughter throughout]. | Keywords: Deanna [Radford]; \"YMCA\" [https://www.wikidata.org/wiki/Q592696]; Village People [https://www.wikidata.org/wiki/Q219874]\n\nDavid Bateman\n00:34:01\nReads \"Inbox\" from Tis Pity [audience laughter throughout]. \n\nAudience\n00:35:04\nApplause.\n\nDavid Bateman\n00:35:10\nIntroduces \"Despair\".\n\nAudience\n00:35:18\nLaughter.\n\nDavid Bateman\n00:35:21\nReads \"Despair\".\n\nAudience\n00:39:26\nApplause.\n\nDavid Bateman\n00:39:35\nIntroduces \"Half The Sun\". | Keywords: Leonard Cohen [https://www.wikidata.org/wiki/Q1276]; \"Half The World\"; Book of Longing [https://www.wikidata.org/wiki/Q2910448]\n\nDavid Bateman\n00:40:21\nReads \"Half The Sun\".\n\nAudience\n00:41:49\nApplause.\n\nDavid Bateman\n00:41:56\nIntroduces [\"Boing with Cheese: 8 Tarot Crackers\"(?)] [audience laughter throughout]. | Keywords: Leonard Cohen \n\nDavid Bateman\n00:42:21\nReads [\"Boing with Cheese: 8 Tarot Crackers\"(?)].\n\nAudience\n00:43:57\nApplause.\n\nDavid Bateman\n00:44:05\nIntroduces unnamed poem. | Keywords: \"The Sweetest Little Song\"\n\nDavid Bateman\n00:44:21\nReads unnamed poem. | Keywords: Leonard [Cohen]; [W.B.] Yeats [https://www.wikidata.org/wiki/Q40213]\n\nAudience\n00:46:57\nApplause.\n\nDavid Bateman\n00:47:02\nIntroduces \"Erotica\". | Keywords: Pensione Popolo; Casa Del Popolo [https://www.wikidata.org/wiki/Q3538292]; New Orleans [https://www.wikidata.org/wiki/Q34404] \n\nDavid Bateman\n00:47:40\nReads \"Erotica\" [audience laughter throughout]. \n\nAudience\n00:58:40\nApplause.\n\nIan Ferrier\n00:58:58\nThanks David Bateman and announces intermission. | Keywords: Creatures of the Ice Age; Kaie Kellough [https://www.wikidata.org/wiki/Q6347628]\n\nUnknown\n00:59:15\nAmbient Sound [voices and music]. \n\nIan Ferrier\n01:21:28\nIntroduces himself, Dina Cindric, and Louise Campbell as Creatures of the Ice Age. \n\nDina Cindric\n01:22:03\nIntroduces two unnamed songs, exchange with Ian Ferrier follows [audience laughter throughout]. | Keywords: Croatia [https://www.wikidata.org/wiki/Q224]; Serbia [https://www.wikidata.org/wiki/Q403]\n\nCreatures of the Ice Age\n01:24:20\nPerform unnamed song [in Croatian(?)], with Dina Cindric on vocals and piano, Louise Campbell on clarinet, and Ian Ferrier on electric guitar. \n\nAudience\n01:30:54\nApplause.\n\nIan Ferrier\n01:31:03\nAddresses audience. \n\nAudience\n01:31:05\nLaughter.\n\nCreatures of the Ice Age\n01:31:17\nPerform unnamed song in English, with Ian Ferrier on vocals and electric guitar, Louise Campbell on clarinet, and Dina Cindric on vocals and piano. \n\nAudience\n01:37:45\nApplause.\n\nIan Ferrier\n01:37:56\nIntroduces Dina Cindric and Louise Campbell [audience applause continues throughout].\n\nIan Ferrier\n01:38:08\nIntroduces Kaie Kellough. \n\nAudience\n01:38:31\nApplause.\n\nKaie Kellough\n01:39:07\nPerforms unnamed sound/spoken word poem [from Magnetic Equator]. | Keywords: Portugal [https://www.wikidata.org/wiki/Q45]; Africa [https://www.wikidata.org/wiki/Q15]; India [https://www.wikidata.org/wiki/Q668]; England [https://www.wikidata.org/wiki/Q21]; China; Toronto; London [https://www.wikidata.org/wiki/Q84]; Montreal [https://www.wikidata.org/wiki/Q340]; Saskatoon; Kahnawake [https://www.wikidata.org/wiki/Q1014394]; Canmore [https://www.wikidata.org/wiki/Q991515]; Hong Kong [https://www.wikidata.org/wiki/Q8646]\n\nAudience\n01:54:30\nApplause.\n\nKaie Kellough\n01:54:33\nThanks audience and other performers [audience applause continues throughout].\n\nIan Ferrier\n01:54:56\nThanks Kaie Kellough and the audience. \n\nIan Ferrier\n01:55:15\nAnnounces future events. | Keywords: Jamal Khashoggi [https://www.wikidata.org/wiki/Q1262052]; La Vitrola\n\nIan Ferrier\n01:55:36\nThanks Rachel McCrum, Jonathan [last name unintelligible] Klara du Plessis [https://www.wikidata.org/wiki/Q64010045], Katherine McCleod, and the audience [audience applause and laughter throughout]. \n\nUnknown\n01:56:04\nAmbient Sound [voices and music]. \n\nEND\n01:59:38"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548597374976,"timestamp":"2026-01-07T14:59:53.264Z","digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2018/11/\",\"file_path\":\"\",\"filename\":\"STE-007 W&M MEPF 25Nov2018 IsaacBond-Radford-Bateman-CreatureswIanLouise&Dina-KaieKellough.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:59:38\",\"precision\":\"\",\"size\":\"1.9 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-007 W&M MEPF 25Nov2018 IsaacBond-Radford-Bateman-CreatureswIanLouise&Dina-KaieKellough.wav\\n\\nUnknown\\n00:00:00\\nAmbient Sound [voices].\\n\\nIan Ferrier\\n00:03:06\\nIntroduces event. | Keywords: Mile End Poets' Festival, Rachel McCrum\\n\\nAudience\\n00:03:34\\nApplause. \\n\\nRachel McCrum\\n00:03:37\\nAddresses audience and discusses the Mile End Poets' Festival [audience laughter throughout]. | Keywords: Ian [Ferrier] [https://www.wikidata.org/wiki/Q87138884]\\n\\nIan Ferrier\\n00:04:06\\nComments on the Mile End Poets' Festival [audience laughter throughout].  | Keywords: Brossard [https://www.wikidata.org/wiki/Q139104]\\n\\nRachel McCrum\\n00:04:12\\nComments on the Mile End Poets' Festival. | Keywords: Ian [Ferrier]\\n\\nAudience\\n00:04:24\\nApplause. \\n\\nIan Ferrier\\n00:04:28\\nIntroduces Isaac Bond. | Keywords: Saskatoon [https://www.wikidata.org/wiki/Q10566]; Toronto [https://www.wikidata.org/wiki/Q172]; Throw Collective; Ottawa [https://www.wikidata.org/wiki/Q1930]\\n\\nAudience\\n00:04:54\\nApplause. \\n\\nIsaac Bond\\n00:05:05.35\\nAddresses audience. \\n\\nIsaac Bond\\n00:05:24\\nIntroduces \\\"Hole in the Sky\\\", exchange with audience member follows [audience laughter throughout]. | Keywords: Ness Creek Music Festival; Saskatchewan [https://www.wikidata.org/wiki/Q1989] \\n\\nIsaac Bond\\n00:06:08\\nPerforms \\\"Hole in the Sky\\\". | Keywords: Boreal Forest [https://www.wikidata.org/wiki/Q3078747]\\n\\nAudience\\n00:08:03\\nApplause.\\n\\nIsaac Bond\\n00:08:11\\nIntroduces \\\"The Beat Poem\\\". | Keywords: Saskatoon \\n\\nIsaac Bond\\n00:08:55\\nPerforms \\\"The Beat Poem\\\". \\n\\nAudience\\n00:11:59\\nApplause.\\n\\nIsaac Bond\\n00:12:05\\nAddresses audience, exchange with audience follows.\\n\\nIsaac Bond\\n00:12:13\\nIntroduces unnamed poem [audience laughter throughout]. | Keywords: Saskatchewan; Dundurn [https://www.wikidata.org/wiki/Q1427108]; [Canadian] Prairies [https://www.wikidata.org/wiki/Q1364746]\\n\\nIsaac Bond\\n00:13:00\\nPerforms unnamed poem. | Keywords: Barbados [https://www.wikidata.org/wiki/Q244]; Mexico [https://www.wikidata.org/wiki/Q96]; Darth Vader [https://www.wikidata.org/wiki/Q12206942]; Princess Leia [https://www.wikidata.org/wiki/Q51797]; Russia [https://www.wikidata.org/wiki/Q159]; China [https://www.wikidata.org/wiki/Q148]\\n\\nAudience\\n00:15:03\\nApplause.\\n\\nIsaac Bond\\n00:15:04\\nComments on his poem [audience applause continues throughout]. \\n\\nAudience\\n00:15:13\\nApplause [intensifies]. \\n\\nIsaac Bond\\n00:15:19\\nIntroduces unnamed poem, exchange with audience follows. | Keywords: South Saskatchewan River [https://www.wikidata.org/wiki/Q2242]\\n\\nIsaac Bond\\n00:16:11\\nPerforms unnamed poem [includes audience participation]. | Keywords: [Rotary Park(?)]; [Gabriel Dumont(?)]; Meewasin Trail \\n\\nIsaac Bond\\n00:18:23\\nAddresses and thanks audience [audience applause throughout]. \\n\\nAudience\\n00:18:31\\nApplause and laughter.\\n\\nIan Ferrier\\n00:18:48\\nThanks Isaac Bond.\\n\\nIan Ferrier\\n00:18:53\\nIntroduces Deanna Radford. | Keywords: Quebec Writers' Federation [https://www.wikidata.org/wiki/Q3413953]; Atwater Poetry Project; Canada Council for the Arts [https://www.wikidata.org/wiki/Q2993809]\\n\\nAudience\\n00:19:21\\nApplause. \\n\\nDeanna Radford\\n00:19:44\\nAddresses audience and thanks Ian Ferrier and Rachel McCrum.\\n\\nDeanna Radford\\n00:20:01\\nIntroduces \\\"Reach Out And Touch Someone Across The Atlantic\\\" [audience laughter throughout]. | Keywords: Microsoft [https://www.wikidata.org/wiki/Q2283]; Facebook [https://www.wikidata.org/wiki/Q355]; [Telsius(?)]\\n\\nDeanna Radford\\n00:20:21\\nPerforms \\\"Reach Out And Touch Someone Across The Atlantic\\\". | Keywords: Virginia Beach [https://www.wikidata.org/wiki/Q49259]; [Bilbao Shore(?)] \\n\\nDeanna Radford\\n00:21:49\\nIntroduces \\\"When My Lover Is Across The Ocean\\\".\\n\\nAudience\\n00:22:01\\nLaughter.\\n\\nDeanna Radford\\n00:22:05\\nPerforms \\\"When My Lover Is Across The Ocean\\\". \\n\\nDeanna Radford\\n00:25:43\\nAddresses Dom [sound technician].\\n\\nDeanna Radford\\n00:25:59\\nIntroduces \\\"It's Possible To Connect To The Internet In Many Different Ways\\\". | Keywords: Beaubien [Street] [https://www.wikidata.org/wiki/Q3447094]\\n\\nDeanna Radford\\n00:27:00\\nPerforms \\\"It's Possible To Connect To The Internet In Many Different Ways\\\". \\n\\nDeanna Radford\\n00:28:20\\nIntroduces \\\"The Sound Of Birds and Words Migrating When 404 Not Found Arises\\\".\\n\\nDeanna Radford\\n00:28:29\\nPerforms \\\"The Sound Of Birds and Words Migrating When 404 Not Found Arises\\\".\\n\\nDeanna Radford\\n00:29:35\\nIntroduces \\\"A Letter From The Cloud Eternal Network\\\", exchange with audience follows. | Keywords: Rachel McCrum\\n\\nDeanna Radford\\n00:30:12\\nPerforms \\\"A Letter From The Cloud Eternal Network\\\".\\n\\nAudience\\n00:32:17\\nApplause. \\n\\nIan Ferrier\\n00:32:37\\nThanks Deanna Radford. \\n\\nIan Ferrier\\n00:32:42\\nIntroduces David Bateman. | Keywords: Alberta [https://www.wikidata.org/wiki/Q1951] \\n\\nAudience\\n00:33:10\\nApplause. \\n\\nDavid Bateman\\n00:33:22\\nThanks Ian Ferrier. \\n\\nDavid Bateman\\n00:33:28\\nIntroduces \\\"Inbox\\\" from Tis Pity [audience laughter throughout]. | Keywords: Deanna [Radford]; \\\"YMCA\\\" [https://www.wikidata.org/wiki/Q592696]; Village People [https://www.wikidata.org/wiki/Q219874]\\n\\nDavid Bateman\\n00:34:01\\nReads \\\"Inbox\\\" from Tis Pity [audience laughter throughout]. \\n\\nAudience\\n00:35:04\\nApplause.\\n\\nDavid Bateman\\n00:35:10\\nIntroduces \\\"Despair\\\".\\n\\nAudience\\n00:35:18\\nLaughter.\\n\\nDavid Bateman\\n00:35:21\\nReads \\\"Despair\\\".\\n\\nAudience\\n00:39:26\\nApplause.\\n\\nDavid Bateman\\n00:39:35\\nIntroduces \\\"Half The Sun\\\". | Keywords: Leonard Cohen [https://www.wikidata.org/wiki/Q1276]; \\\"Half The World\\\"; Book of Longing [https://www.wikidata.org/wiki/Q2910448]\\n\\nDavid Bateman\\n00:40:21\\nReads \\\"Half The Sun\\\".\\n\\nAudience\\n00:41:49\\nApplause.\\n\\nDavid Bateman\\n00:41:56\\nIntroduces [\\\"Boing with Cheese: 8 Tarot Crackers\\\"(?)] [audience laughter throughout]. | Keywords: Leonard Cohen \\n\\nDavid Bateman\\n00:42:21\\nReads [\\\"Boing with Cheese: 8 Tarot Crackers\\\"(?)].\\n\\nAudience\\n00:43:57\\nApplause.\\n\\nDavid Bateman\\n00:44:05\\nIntroduces unnamed poem. | Keywords: \\\"The Sweetest Little Song\\\"\\n\\nDavid Bateman\\n00:44:21\\nReads unnamed poem. | Keywords: Leonard [Cohen]; [W.B.] Yeats [https://www.wikidata.org/wiki/Q40213]\\n\\nAudience\\n00:46:57\\nApplause.\\n\\nDavid Bateman\\n00:47:02\\nIntroduces \\\"Erotica\\\". | Keywords: Pensione Popolo; Casa Del Popolo [https://www.wikidata.org/wiki/Q3538292]; New Orleans [https://www.wikidata.org/wiki/Q34404] \\n\\nDavid Bateman\\n00:47:40\\nReads \\\"Erotica\\\" [audience laughter throughout]. \\n\\nAudience\\n00:58:40\\nApplause.\\n\\nIan Ferrier\\n00:58:58\\nThanks David Bateman and announces intermission. | Keywords: Creatures of the Ice Age; Kaie Kellough [https://www.wikidata.org/wiki/Q6347628]\\n\\nUnknown\\n00:59:15\\nAmbient Sound [voices and music]. \\n\\nIan Ferrier\\n01:21:28\\nIntroduces himself, Dina Cindric, and Louise Campbell as Creatures of the Ice Age. \\n\\nDina Cindric\\n01:22:03\\nIntroduces two unnamed songs, exchange with Ian Ferrier follows [audience laughter throughout]. | Keywords: Croatia [https://www.wikidata.org/wiki/Q224]; Serbia [https://www.wikidata.org/wiki/Q403]\\n\\nCreatures of the Ice Age\\n01:24:20\\nPerform unnamed song [in Croatian(?)], with Dina Cindric on vocals and piano, Louise Campbell on clarinet, and Ian Ferrier on electric guitar. \\n\\nAudience\\n01:30:54\\nApplause.\\n\\nIan Ferrier\\n01:31:03\\nAddresses audience. \\n\\nAudience\\n01:31:05\\nLaughter.\\n\\nCreatures of the Ice Age\\n01:31:17\\nPerform unnamed song in English, with Ian Ferrier on vocals and electric guitar, Louise Campbell on clarinet, and Dina Cindric on vocals and piano. \\n\\nAudience\\n01:37:45\\nApplause.\\n\\nIan Ferrier\\n01:37:56\\nIntroduces Dina Cindric and Louise Campbell [audience applause continues throughout].\\n\\nIan Ferrier\\n01:38:08\\nIntroduces Kaie Kellough. \\n\\nAudience\\n01:38:31\\nApplause.\\n\\nKaie Kellough\\n01:39:07\\nPerforms unnamed sound/spoken word poem [from Magnetic Equator]. | Keywords: Portugal [https://www.wikidata.org/wiki/Q45]; Africa [https://www.wikidata.org/wiki/Q15]; India [https://www.wikidata.org/wiki/Q668]; England [https://www.wikidata.org/wiki/Q21]; China; Toronto; London [https://www.wikidata.org/wiki/Q84]; Montreal [https://www.wikidata.org/wiki/Q340]; Saskatoon; Kahnawake [https://www.wikidata.org/wiki/Q1014394]; Canmore [https://www.wikidata.org/wiki/Q991515]; Hong Kong [https://www.wikidata.org/wiki/Q8646]\\n\\nAudience\\n01:54:30\\nApplause.\\n\\nKaie Kellough\\n01:54:33\\nThanks audience and other performers [audience applause continues throughout].\\n\\nIan Ferrier\\n01:54:56\\nThanks Kaie Kellough and the audience. \\n\\nIan Ferrier\\n01:55:15\\nAnnounces future events. | Keywords: Jamal Khashoggi [https://www.wikidata.org/wiki/Q1262052]; La Vitrola\\n\\nIan Ferrier\\n01:55:36\\nThanks Rachel McCrum, Jonathan [last name unintelligible] Klara du Plessis [https://www.wikidata.org/wiki/Q64010045], Katherine McCleod, and the audience [audience applause and laughter throughout]. \\n\\nUnknown\\n01:56:04\\nAmbient Sound [voices and music]. \\n\\nEND\\n01:59:38\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"score":0.01643844},{"id":"1174","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2018-12-16"],"item_title_source":["Cataloguer "],"item_title_note":["The SpokenWeb Show"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"contributors_names":["Weigh, Allie","Van Der Meer, Carolyne","Campbell, Louise","du Plessis, Klara","Meza, Aurelio","McLeod, Katherine","Camlot, Jason"],"contributors_names_search":["Weigh, Allie","Van Der Meer, Carolyne","Campbell, Louise","du Plessis, Klara","Meza, Aurelio","McLeod, Katherine","Camlot, Jason"],"contributors":["[{\"url\":\"\",\"name\":\"Weigh, Allie\",\"dates\":\"\",\"notes\":\"(With choir)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/305358649\",\"name\":\"Van Der Meer, Carolyne\",\"dates\":\"1968-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Campbell, Louise\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/124151352052252602758\",\"name\":\"du Plessis, Klara\",\"dates\":\"1988-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/295329857\",\"name\":\"Meza, Aurelio\",\"dates\":\"1985-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"McLeod, Katherine\",\"dates\":\"\",\"notes\":\"(With Jason Camlot)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/90740324\",\"name\":\"Camlot, Jason\",\"dates\":\"1967-\",\"notes\":\"(Solo and with Katherine McLeod)\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Weigh, Allie","Van Der Meer, Carolyne","Campbell, Louise","du Plessis, Klara","McLeod, Katherine","Camlot, Jason"],"Speaker_name":["Meza, Aurelio"],"Performance_Date":[2018],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"In folder: 1 audio. In folder2:  2 videos. In folder3: 4 audio, 2 misc. In folder4: 2 audio, 2 videos, 7 docs, 66 images, 1 misc. \",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Copies, edits, and alternate versions\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"Uploads/1174/Poster 2018-12-16.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital","Digital"],"AV_type":["Audio"],"Dates":["[{\"date\":\"2018 12 16\",\"type\":\"Performance Date\",\"notes\":\"Date indicated on event poster\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118 \",\"longitude\":\"-73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["Allie Weigh and the Choral Poetry Project  performed vocal and violin arrangements of “Wild Geese” by Mary Oliver,  “Clearing” by Martha Postlethwaite, “When You See Water” by Alice Walker, and “If The Shoe Doesn't Fit” by Shihab Nye. Carolyne Van Der Meer read selections from her book \"Journeywoman\" (Inanna Publications 2017), including “The Sewing Box,” “The Reconstruction” “At Jim Morrison's Grave, Père Lachaise, Paris,” and “Reunion.” Before the intermission, Louise Campbell played a solo instrumental set. The second half of the evening was devoted to members of SpokenWeb, beginning with poetry by Klara du Plessis who read new pieces entitled “Matinee,” “Trouble: Seurat, The Models, 1888,” “Secular Mouth, Authoritarian Lap,” “The Mountain, A Glass, Me, An Idea,” and “Essay Dwellers” in English and Afrikaans. Katherine McLeod performed a flamenco dance piece to the remixed sounds of archival literary audio recordings. Jason Camlot then closed the evening with a discussion of SpokenWeb’s research interests and a series of original songs, accompanying himself on electric guitar. "],"contents":["STE-011 W&MDec2018AllieWeighChoralPoetry-vanderMeer-Campbell-SpokenWebKlara&JasonwKatherine.wav\n\nUnknown\n00:00:00\nAmbient Sound [voices and music].\n\nIan Ferrier\n00:00:49\nIntroduces event in English and French. \n\nIan Ferrier\n00:01:11\nIntroduces Allie Weigh and the Choral Poetry Project. | Keywords: [Montreal] Fringe Festival\n\nAudience\n00:01:31\nApplause.\n\nAllie Weigh\n00:01:57\nAddresses audience and introduces \"Wild Geese\". | Keywords: Mary Oliver [https://www.wikidata.org/wiki/Q454836]\n\nAllie Weigh\n00:02:30\nReads \"Wild Geese\" by Mary Oliver.\n\nThe Choral Poetry Project\n00:03:48\nPerforms \"Wild Geese\" [song] accompanied by violin. \n\nAudience\n00:08:08\nApplause.\n\nAllie Weigh\n00:08:16\nThanks audience and introduces \"Clearing\". | Keywords: Martha Postlewaite\n\nAllie Weigh\n00:08:44\nReads \"Clearing\" by Martha Postlewaite.\n\nThe Choral Poetry Project\n00:09:28\nPerforms \"Clearing\" [song] accompanied by violin. \n\nAudience\n00:13:02\nApplause.\n\nAllie Weigh\n00:13:09\nThanks audience and introduces \"When You See Water\". | Keywords: Alice Walker [https://www.wikidata.org/wiki/Q215868]\n\nAllie Weigh\n00:13:16\nReads \"When You See Water\" by Alice Walker.\n\nThe Choral Poetry Project\n00:14:03\nPerforms \"When You See Water\" [song] accompanied by violin. \n\nAudience\n00:17:44\nApplause.\n\nAllie Weigh\n00:17:50\nIntroduces violinist and members of the choir [audience applause throughout]. \n\nAllie Weigh\n00:18:41\nIntroduces and reads \"If The Shoe Doesn't Fit\" [audience laughter throughout]. | Keywords: Naomi Shihab Nye [https://www.wikidata.org/wiki/Q2896906]\n\nThe Choral Poetry Project\n00:19:29\nPerforms \"If The Shoe Doesn't Fit\" [song].\n\nAudience\n00:21:29\nApplause.\n\nIan Ferrier\n00:22:13\nThanks Allie Weigh and The Choral Poetry Project.\n\nAudience\n00:22:17\nLaughter.\n\nIan Ferrier\n00:22:24\nIntroduces Carolyne Van Der Meer. | Keywords: Journeywoman: Poems [book]\n\nAudience\n00:22:42\nApplause.\n\nCarolyne Van Der Meer\n00:22:52\nIntroduces Journeywoman: Poems and \"The Sewing Box\". \n\nCarolyne Van Der Meer\n00:23:15\nReads \"The Sewing Box\" from Journeywoman: Poems. \n\nCarolyne Van Der Meer\n00:26:01\nIntroduces \"Where Is My Off Button\". \n\nCarolyne Van Der Meer\n00:26:08\nReads \"Where Is My Off Button\" from Journeywoman: Poems. \n\nCarolyne Van Der Meer\n00:27:23\nIntroduces \"The Reconstruction\". \n\nCarolyne Van Der Meer\n00:27:32\nReads \"The Reconstruction\" from Journeywoman: Poems. \n\nCarolyne Van Der Meer\n00:28:25\nIntroduces \"[Magnetic (?)] Residence\".\n\nCarolyne Van Der Meer\n00:28:31\nReads \"[Magnetic (?)] Residence\" from Journeywoman: Poems. | Keywords: Nikola Tesla [https://www.wikidata.org/wiki/Q9036]\n\nCarolyne Van Der Meer\n00:30:00\nIntroduces \"At Jim Morrison's Grave, Père Lachaise, Paris\". | Keywords: Père Lachaise Cemetery [https://www.wikidata.org/wiki/Q311]; Paris [https://www.wikidata.org/wiki/Q90]\n\nCarolyne Van Der Meer\n00:30:14\nReads \"At Jim Morrison's Grave, Père Lachaise, Paris\" from Journeywoman: Poems. | Keywords: [Jim] Morrison [https://www.wikidata.org/wiki/Q44301]\n\nCarolyne Van Der Meer\n00:31:07\nIntroduces \"Buying Sandals in [Alterno (?)]\".\n\nCarolyne Van Der Meer\n00:31:15\nReads \"Buying Sandals in [Alterno (?)]\" from Journeywoman: Poems. \n\nCarolyne Van Der Meer\n00:32:34\nIntroduces \"Reunion\". \n\nCarolyne Van Der Meer\n00:32:41\nReads \"Reunion\" from Journeywoman: Poems. \n\nCarolyne Van Der Meer\n00:34:13\nThanks audience.\n\nAudience\n00:34:14\nApplause. \n\nIan Ferrier\n00:34:31\nThanks Carolyne Van Der Meer.\n\nIan Ferrier\n00:34:38\nDiscusses performances and introduces Lousie Campbell [audience laughter throughout]. | Keywords: SpokenWeb; Creatures of the Ice Age \n\nAudience\n00:35:13\nApplause.\n\nLouise Campbell\n00:35:25\nIntroduces unnamed song. \n\nAudience\n00:35:28\nLaughter. \n\nLouise Campbell\n00:36:08\nPerforms unnamed song on clarinet. \n\nAudience\n00:48:50\nApplause.\n\nIan Ferrier\n00:49:07\nThanks Louise Campbell and announces intermission. | Keywords: SpokenWeb\n\nUnknown\n00:49:24\nAmbient Sound [music and voices].\n\nIan Ferrier\n01:10:55\nIntroduces Aurelio Meza and Klara du Plessis [https://www.wikidata.org/wiki/Q64010045]. | Keywords: SpokenWeb\n\nAudience\n01:11:39\nApplause.\n\nKlara du Plessis\n01:11:57\nAddresses audience [audience applause throughout]. | Keywords: Words and Music; Ian Ferrier [https://www.wikidata.org/wiki/Q87138884]; SpokenWeb; Jason Camlot [https://www.wikidata.org/wiki/Q3162905]\n\nKlara du Plessis\n01:12:45\nIntroduces \"Matinee\". | Keywords: [Ekke]\n\nKlara du Plessis\n01:13:17\nReads \"Matinee\".\n\nKlara du Plessis\n01:14:31\nIntroduces \"Trouble: Seurat, The Models, 1888\" [audience laughter throughout]. | Keywords: Georges Seurat [https://www.wikidata.org/wiki/Q34013]; \"The Models\" [https://www.wikidata.org/wiki/Q3234845]\n\nKlara du Plessis\n01:15:05\nReads \"Trouble: Seurat, The Models, 1888\".\n\nKlara du Plessis\n01:16:21\nIntroduces \"Secular Mouth, Authoritarian Lap\" in English and Afrikaans [audience laughter throughout]. | Keywords: Antjie Krog [https://www.wikidata.org/wiki/Q260604]\n\nKlara du Plessis\n01:17:40\nReads \"Secular Mouth, Authoritarian Lap\". \n\nKlara du Plessis\n01:19:10\nIntroduces \"The Mountain, A Glass, Me, An Idea\". | Keywords: Antjie Krog\n\nKlara du Plessis\n01:19:41\nReads \"The Mountain, A Glass, Me, An Idea\" in English and Afrikaans. \n\nKlara du Plessis\n01:20:52\nIntroduces \"Essay Dwellers\", laughter and exchange with audience follows . \n\nKlara du Plessis\n01:21:12\nReads \"Essay Dwellers\". \n\nKlara du Plessis\n01:22:31\nIntroduces \"Desire Paths\" and thanks Ian Ferrier [audience laughter throughout].\n\nKlara du Plessis\n01:22:56\nReads \"Desire Paths\".\n\nKlara du Plessis\n01:24:20\nThanks audience.\n\nAudience\n01:24:21\nApplause.\n\nIan Ferrier\n01:24:47\nAddresses Aurelio Meza.\n\nAudience\n01:24:58\nLaughter.\n\nAurelio Meza\n01:24:59\nAddresses audience. | Keywords: SpokenWeb; Kodama Cartonera \n\nIan Ferrier\n01:26:28\nThanks Aurelio Meza, exchange follows. \n\nIan Ferrier\n01:26:36\nIntroduces Katherine McLeod [audience laughter throughout]. | Keywords: Resonance [Cafe]; Klara [du Plessis]; Brossard [https://www.wikidata.org/wiki/Q139104]\n\nAudience\n01:27:04\nApplause.\n\nKatherine McLeod\n01:27:57\nDances to archival recordings remixed live by Jason Camlot. \n\nAudience\n01:34:03\nApplause.\n\nIan Ferrier\n01:34:28\nThanks Katherine McLeod.\n\nIan Ferrier\n01:34:36\nIntroduces Jason Camlot. | Keywords: SpokenWeb \n\nAudience\n01:35:07\nApplause.\n\nJason Camlot\n01:35:13\nThanks Ian Ferrier and audience. \n\nJason Camlot\n01:35:35\nDiscusses SpokenWeb. | Keywords: Ian Ferrier; Louis Rastelli; ARCMTL [https://www.wikidata.org/wiki/Q87134430]\n\nAudience\n01:37:44\nLaughter and applause.\n\nJason Camlot\n01:38:21\nIntroduces unnamed song. \n\nJason Camlot\n01:38:51\nPerforms unnamed song on vocals and electric guitar. \n\nAudience\n01:42:34\nApplause.\n\nJason Camlot\n01:42:41\nIntroduces \"Big Wheel\".\n\nJason Camlot\n01:42:50\nPerforms \"Big Wheel\" on vocals and electric guitar. \n\nJason Camlot\n01:46:41\nThanks audience.\n\nAudience\n01:46:43\nApplause.\n\nJason Camlot\n01:46:47\nAddresses Ian Ferrier, exchange follows. \n\nIan Ferrier\n01:47:01\nDiscusses future projects. | Keywords: Jason [Camlot]; Klara [du Plessis]; Yuliya Kondratenko; Louis [Rastelli]; ARCMTL; Expozine [https://www.wikidata.org/wiki/Q18150577]\n\nIan Ferrier\n01:47:59\nThanks The Choral Poetry Project and announces future event. | Keywords: Brendan McLeod [https://www.wikidata.org/wiki/Q4960999]\n\nAudience\n01:48:20\nApplause.\n\nUnknown\n01:48:31\nAmbient Sound [voices and music].\n\nEND\n01:51:08"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548599472128,"timestamp":"2026-01-07T14:59:53.264Z","digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2018/12/\",\"file_path\":\"\",\"filename\":\"STE-011 W&MDec2018AllieWeighChoralPoetry-vanderMeer-Campbell-SpokenWebKlara&JasonwKatherine.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:51:08\",\"precision\":\"\",\"size\":\"1.76 GB \",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-011 W&MDec2018AllieWeighChoralPoetry-vanderMeer-Campbell-SpokenWebKlara&JasonwKatherine.wav\\n\\nUnknown\\n00:00:00\\nAmbient Sound [voices and music].\\n\\nIan Ferrier\\n00:00:49\\nIntroduces event in English and French. \\n\\nIan Ferrier\\n00:01:11\\nIntroduces Allie Weigh and the Choral Poetry Project. | Keywords: [Montreal] Fringe Festival\\n\\nAudience\\n00:01:31\\nApplause.\\n\\nAllie Weigh\\n00:01:57\\nAddresses audience and introduces \\\"Wild Geese\\\". | Keywords: Mary Oliver [https://www.wikidata.org/wiki/Q454836]\\n\\nAllie Weigh\\n00:02:30\\nReads \\\"Wild Geese\\\" by Mary Oliver.\\n\\nThe Choral Poetry Project\\n00:03:48\\nPerforms \\\"Wild Geese\\\" [song] accompanied by violin. \\n\\nAudience\\n00:08:08\\nApplause.\\n\\nAllie Weigh\\n00:08:16\\nThanks audience and introduces \\\"Clearing\\\". | Keywords: Martha Postlewaite\\n\\nAllie Weigh\\n00:08:44\\nReads \\\"Clearing\\\" by Martha Postlewaite.\\n\\nThe Choral Poetry Project\\n00:09:28\\nPerforms \\\"Clearing\\\" [song] accompanied by violin. \\n\\nAudience\\n00:13:02\\nApplause.\\n\\nAllie Weigh\\n00:13:09\\nThanks audience and introduces \\\"When You See Water\\\". | Keywords: Alice Walker [https://www.wikidata.org/wiki/Q215868]\\n\\nAllie Weigh\\n00:13:16\\nReads \\\"When You See Water\\\" by Alice Walker.\\n\\nThe Choral Poetry Project\\n00:14:03\\nPerforms \\\"When You See Water\\\" [song] accompanied by violin. \\n\\nAudience\\n00:17:44\\nApplause.\\n\\nAllie Weigh\\n00:17:50\\nIntroduces violinist and members of the choir [audience applause throughout]. \\n\\nAllie Weigh\\n00:18:41\\nIntroduces and reads \\\"If The Shoe Doesn't Fit\\\" [audience laughter throughout]. | Keywords: Naomi Shihab Nye [https://www.wikidata.org/wiki/Q2896906]\\n\\nThe Choral Poetry Project\\n00:19:29\\nPerforms \\\"If The Shoe Doesn't Fit\\\" [song].\\n\\nAudience\\n00:21:29\\nApplause.\\n\\nIan Ferrier\\n00:22:13\\nThanks Allie Weigh and The Choral Poetry Project.\\n\\nAudience\\n00:22:17\\nLaughter.\\n\\nIan Ferrier\\n00:22:24\\nIntroduces Carolyne Van Der Meer. | Keywords: Journeywoman: Poems [book]\\n\\nAudience\\n00:22:42\\nApplause.\\n\\nCarolyne Van Der Meer\\n00:22:52\\nIntroduces Journeywoman: Poems and \\\"The Sewing Box\\\". \\n\\nCarolyne Van Der Meer\\n00:23:15\\nReads \\\"The Sewing Box\\\" from Journeywoman: Poems. \\n\\nCarolyne Van Der Meer\\n00:26:01\\nIntroduces \\\"Where Is My Off Button\\\". \\n\\nCarolyne Van Der Meer\\n00:26:08\\nReads \\\"Where Is My Off Button\\\" from Journeywoman: Poems. \\n\\nCarolyne Van Der Meer\\n00:27:23\\nIntroduces \\\"The Reconstruction\\\". \\n\\nCarolyne Van Der Meer\\n00:27:32\\nReads \\\"The Reconstruction\\\" from Journeywoman: Poems. \\n\\nCarolyne Van Der Meer\\n00:28:25\\nIntroduces \\\"[Magnetic (?)] Residence\\\".\\n\\nCarolyne Van Der Meer\\n00:28:31\\nReads \\\"[Magnetic (?)] Residence\\\" from Journeywoman: Poems. | Keywords: Nikola Tesla [https://www.wikidata.org/wiki/Q9036]\\n\\nCarolyne Van Der Meer\\n00:30:00\\nIntroduces \\\"At Jim Morrison's Grave, Père Lachaise, Paris\\\". | Keywords: Père Lachaise Cemetery [https://www.wikidata.org/wiki/Q311]; Paris [https://www.wikidata.org/wiki/Q90]\\n\\nCarolyne Van Der Meer\\n00:30:14\\nReads \\\"At Jim Morrison's Grave, Père Lachaise, Paris\\\" from Journeywoman: Poems. | Keywords: [Jim] Morrison [https://www.wikidata.org/wiki/Q44301]\\n\\nCarolyne Van Der Meer\\n00:31:07\\nIntroduces \\\"Buying Sandals in [Alterno (?)]\\\".\\n\\nCarolyne Van Der Meer\\n00:31:15\\nReads \\\"Buying Sandals in [Alterno (?)]\\\" from Journeywoman: Poems. \\n\\nCarolyne Van Der Meer\\n00:32:34\\nIntroduces \\\"Reunion\\\". \\n\\nCarolyne Van Der Meer\\n00:32:41\\nReads \\\"Reunion\\\" from Journeywoman: Poems. \\n\\nCarolyne Van Der Meer\\n00:34:13\\nThanks audience.\\n\\nAudience\\n00:34:14\\nApplause. \\n\\nIan Ferrier\\n00:34:31\\nThanks Carolyne Van Der Meer.\\n\\nIan Ferrier\\n00:34:38\\nDiscusses performances and introduces Lousie Campbell [audience laughter throughout]. | Keywords: SpokenWeb; Creatures of the Ice Age \\n\\nAudience\\n00:35:13\\nApplause.\\n\\nLouise Campbell\\n00:35:25\\nIntroduces unnamed song. \\n\\nAudience\\n00:35:28\\nLaughter. \\n\\nLouise Campbell\\n00:36:08\\nPerforms unnamed song on clarinet. \\n\\nAudience\\n00:48:50\\nApplause.\\n\\nIan Ferrier\\n00:49:07\\nThanks Louise Campbell and announces intermission. | Keywords: SpokenWeb\\n\\nUnknown\\n00:49:24\\nAmbient Sound [music and voices].\\n\\nIan Ferrier\\n01:10:55\\nIntroduces Aurelio Meza and Klara du Plessis [https://www.wikidata.org/wiki/Q64010045]. | Keywords: SpokenWeb\\n\\nAudience\\n01:11:39\\nApplause.\\n\\nKlara du Plessis\\n01:11:57\\nAddresses audience [audience applause throughout]. | Keywords: Words and Music; Ian Ferrier [https://www.wikidata.org/wiki/Q87138884]; SpokenWeb; Jason Camlot [https://www.wikidata.org/wiki/Q3162905]\\n\\nKlara du Plessis\\n01:12:45\\nIntroduces \\\"Matinee\\\". | Keywords: [Ekke]\\n\\nKlara du Plessis\\n01:13:17\\nReads \\\"Matinee\\\".\\n\\nKlara du Plessis\\n01:14:31\\nIntroduces \\\"Trouble: Seurat, The Models, 1888\\\" [audience laughter throughout]. | Keywords: Georges Seurat [https://www.wikidata.org/wiki/Q34013]; \\\"The Models\\\" [https://www.wikidata.org/wiki/Q3234845]\\n\\nKlara du Plessis\\n01:15:05\\nReads \\\"Trouble: Seurat, The Models, 1888\\\".\\n\\nKlara du Plessis\\n01:16:21\\nIntroduces \\\"Secular Mouth, Authoritarian Lap\\\" in English and Afrikaans [audience laughter throughout]. | Keywords: Antjie Krog [https://www.wikidata.org/wiki/Q260604]\\n\\nKlara du Plessis\\n01:17:40\\nReads \\\"Secular Mouth, Authoritarian Lap\\\". \\n\\nKlara du Plessis\\n01:19:10\\nIntroduces \\\"The Mountain, A Glass, Me, An Idea\\\". | Keywords: Antjie Krog\\n\\nKlara du Plessis\\n01:19:41\\nReads \\\"The Mountain, A Glass, Me, An Idea\\\" in English and Afrikaans. \\n\\nKlara du Plessis\\n01:20:52\\nIntroduces \\\"Essay Dwellers\\\", laughter and exchange with audience follows . \\n\\nKlara du Plessis\\n01:21:12\\nReads \\\"Essay Dwellers\\\". \\n\\nKlara du Plessis\\n01:22:31\\nIntroduces \\\"Desire Paths\\\" and thanks Ian Ferrier [audience laughter throughout].\\n\\nKlara du Plessis\\n01:22:56\\nReads \\\"Desire Paths\\\".\\n\\nKlara du Plessis\\n01:24:20\\nThanks audience.\\n\\nAudience\\n01:24:21\\nApplause.\\n\\nIan Ferrier\\n01:24:47\\nAddresses Aurelio Meza.\\n\\nAudience\\n01:24:58\\nLaughter.\\n\\nAurelio Meza\\n01:24:59\\nAddresses audience. | Keywords: SpokenWeb; Kodama Cartonera \\n\\nIan Ferrier\\n01:26:28\\nThanks Aurelio Meza, exchange follows. \\n\\nIan Ferrier\\n01:26:36\\nIntroduces Katherine McLeod [audience laughter throughout]. | Keywords: Resonance [Cafe]; Klara [du Plessis]; Brossard [https://www.wikidata.org/wiki/Q139104]\\n\\nAudience\\n01:27:04\\nApplause.\\n\\nKatherine McLeod\\n01:27:57\\nDances to archival recordings remixed live by Jason Camlot. \\n\\nAudience\\n01:34:03\\nApplause.\\n\\nIan Ferrier\\n01:34:28\\nThanks Katherine McLeod.\\n\\nIan Ferrier\\n01:34:36\\nIntroduces Jason Camlot. | Keywords: SpokenWeb \\n\\nAudience\\n01:35:07\\nApplause.\\n\\nJason Camlot\\n01:35:13\\nThanks Ian Ferrier and audience. \\n\\nJason Camlot\\n01:35:35\\nDiscusses SpokenWeb. | Keywords: Ian Ferrier; Louis Rastelli; ARCMTL [https://www.wikidata.org/wiki/Q87134430]\\n\\nAudience\\n01:37:44\\nLaughter and applause.\\n\\nJason Camlot\\n01:38:21\\nIntroduces unnamed song. \\n\\nJason Camlot\\n01:38:51\\nPerforms unnamed song on vocals and electric guitar. \\n\\nAudience\\n01:42:34\\nApplause.\\n\\nJason Camlot\\n01:42:41\\nIntroduces \\\"Big Wheel\\\".\\n\\nJason Camlot\\n01:42:50\\nPerforms \\\"Big Wheel\\\" on vocals and electric guitar. \\n\\nJason Camlot\\n01:46:41\\nThanks audience.\\n\\nAudience\\n01:46:43\\nApplause.\\n\\nJason Camlot\\n01:46:47\\nAddresses Ian Ferrier, exchange follows. \\n\\nIan Ferrier\\n01:47:01\\nDiscusses future projects. | Keywords: Jason [Camlot]; Klara [du Plessis]; Yuliya Kondratenko; Louis [Rastelli]; ARCMTL; Expozine [https://www.wikidata.org/wiki/Q18150577]\\n\\nIan Ferrier\\n01:47:59\\nThanks The Choral Poetry Project and announces future event. | Keywords: Brendan McLeod [https://www.wikidata.org/wiki/Q4960999]\\n\\nAudience\\n01:48:20\\nApplause.\\n\\nUnknown\\n01:48:31\\nAmbient Sound [voices and music].\\n\\nEND\\n01:51:08\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://drive.google.com/file/d/1qSulAuqYGreKZa1ZtIOF5U8-W8u9azbo/view\",\"file_path\":\"https://drive.google.com/drive/u/2/folders/1_CNeT4C8F-KzegfFjVrVXof4lLe4LEdO\",\"filename\":\"Poster 2018-12-16\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Poster\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"score":0.01643844},{"id":"1175","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2019-01-20"],"item_title_source":["Cataloguer "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["Girardin, Wolfe","Serin, David","Finbloom, Aaron","Yanchak, Natalia","Selman, Jason","McLeod, Brendan","Ferrier, Ian"],"contributors_names_search":["Girardin, Wolfe","Serin, David","Finbloom, Aaron","Yanchak, Natalia","Selman, Jason","McLeod, Brendan","Ferrier, Ian"],"contributors":["[{\"url\":\"\",\"name\":\"Girardin, Wolfe\",\"dates\":\"\",\"notes\":\"(With David Serin)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Serin, David\",\"dates\":\"\",\"notes\":\"Spelling uncertain (With Wolfe Girardin)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Finbloom, Aaron\",\"dates\":\"\",\"notes\":\"(With the Conversation Choir)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/58823548\",\"name\":\"Yanchak, Natalia\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/49013249\",\"name\":\"Selman, Jason\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/36707528\",\"name\":\"McLeod, Brendan\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"performer_name":["Girardin, Wolfe","Serin, David","Finbloom, Aaron","Yanchak, Natalia","Selman, Jason","McLeod, Brendan"],"Presenter_name":["Ferrier, Ian"],"Production_Date":[2019],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"In folder: 6 audio, 4 misc. \",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Copies and edits\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2019/01/\",\"file_path\":\"\",\"filename\":\"STE-015.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"02:06:38\",\"precision\":\"\",\"size\":\"2.01 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2019 01 20\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118 \",\"longitude\":\"-73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["The Words and Music Show began 2019 at Casa Del Popolo with what is described on the Facebook event as “a rare appearance” by “star performer” Brendan McLeod, who explains on the recording that he braved the snow and “almost died like three times” driving to Montreal from Toronto. McLeod performed a mix of comical songs about the strangeness of life and a scathing critique of the pope and politicians, before completely changing gears to read a “love poem” and a piece called “Questions For You and I When You Have Cancer.” To close his set, McLeod performed a piece from and discusses the concept behind the tour for his show, “Brain.” “Wordsmith Wolfe Girardin” also performed a spoken word piece accompanied by David Serin “on the sounds,” after which Natalia Yanchak, “vocalist for the band The Dears,” read “a straight-up short story” called “Lieutenant Andowitz Goes Apple Picking.” Aaron Finbloom and a group of his friends joined their voices together for two distinct performances as the Conversation Choir. After the intermission Jason “Blackbird” Selman performed some of “his always deep poetry and music,” including two pieces about “the forgotten Beat” Bob Kaufman, highlighting Selman’s skill with words and on the trumpet. "],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548600520704,"timestamp":"2026-01-07T14:59:53.264Z","contents":["File 1 of 1 — STE-015.wav\n\nUnknown\n00:00:00\nAmbient Sounds [Recorded music].\n\nIan Ferrier\n00:01:34\nIntroduces event. Introduces Wolfe Giardin. | Keywords: Australia [https://www.wikidata.org/wiki/Q408].\n\nAudience\n00:02:17\nApplause.\n\nWolfe Giardin\n00:02:27\nAddresses audience. Introduces David Serin [?] on musical accompaniment. \n\nWolfe Giardin, David Serin \n00:02:35\nPerforms unnamed composition 1. \n\nWolfe Giardin, David Serin\n00:05:30\nPerforms “Hypocrite” [?].\n\nWolfe Giardin, David Serin\n00:10:23\nPerforms unnamed composition 2. \n\nWolfe Giardin, David Serin\n00:13:40\nPerforms unnamed composition 3.\n\nAudience\n00:15:35\nApplause.\n\nIan Ferrier\n00:16:01\nIntroduces Natalia Yanchak. | Keywords: The Dears [https://www.wikidata.org/wiki/Q373623]; speculative fiction [https://www.wikidata.org/wiki/Q5967378].\n\nAudience\n00:16:29\nApplause.\n\nNatalia Yanchak\n00:16:37\nIntroduces “Lieutenant Andowitz Goes Apple-Picking”. \n\nNatalia Yanchak\n00:17:06\nReads “Lieutenant Andowitz Goes Apple-Picking”. \n\nAudience\n00:31:02\nApplause.\n\nUnknown\n00:31:17\nAmbient Sounds.\n\nIan Ferrier\n00:31:23\nIntroduces Aaron Finbloom and the Conversation Choir.\n\nAudience\n00:31:51\nApplause.\n\nAaron Finbloom\n00:32:04\nAddresses audience.\n\nAudience\n00:32:11\nAmbient Sounds [voices].\n\nAaron Finbloom\n00:33:27\nIntroduces the Conversation Choir.\n\nThe Conversation Choir\n00:33:54\nAmbient Sounds.\n\nAudience\n00:33:55\nLaughter.\n\nThe Conversation Choir\n00:34:11\nPerforms “Clump”.\n\nAudience\n00:37:31\nLaughter.\n\nThe Conversation Choir\n00:37:32\nResumes performing “Clump”.\n\nAudience\n00:39:42\nApplause.\n\nAaron Finbloom\n00:39:57\nIntroduces “Conductor”.\n\nThe Conversation Choir\n00:40:11\nAmbient Sounds [voices; movement].\n\nThe Conversation Choir\n00:40:32\nPerforms “Conductor” [audience laughter throughout].\n\nAudience\n00:50:36\nLaughter. Applause.\n\nAaron Finbloom\n00:50:43\nIntroduces the Conversation Choir members [Demarus, Alice, Hayley, Bronwyn, Naomi, Virgil, Ted].\n\nAudience\n00:50:52\nApplause.\n\nUnknown\n00:51:02\nAmbient Sounds [voices; movement].\n\nIan Ferrier\n00:51:24\nAddresses audience.\n\nAudience \n00:51:28\nApplause.\n\nIan Ferrier\n00:51:32\nAnnounces intermission.\n\nAudience\n00:51:51\nApplause.\n\nUnknown\n00:51:56\nAmbient Sounds [recorded music].\n\nIan Ferrier\n01:02:47\nIntroduces second set. Introduces Jason Selman. | Keywords: Black Theatre Workshop [https://www.wikidata.org/wiki/Q4922009].\n\nAudience\n01:03:24\nApplause.\n\nUnknown\n01:03:32\nAmbient Sounds [movement].\n\nJason Selman\n01:04:34\nPerforms unnamed poem 1.\n\nAudience\n01:08:07\nApplause.\n\nJason Selman\n01:08:14\nAddresses audience [audience engagement throughout].\n\nJason Selman\n01:08:58\nPerforms unnamed poem 2.\n\nAudience\n01:11:31\nApplause.\n\nJason Selman\nAddresses audience. | Keywords: Bob Kaufman [https://www.wikidata.org/wiki/Q888034].\n\nAudience\n01:11:53\nLaughter.\n\nJason Selman\n01:11:55\nIntroduces unnamed poem 3. | Keywords: Beat [https://www.wikidata.org/wiki/Q213457]; mental health [https://www.wikidata.org/wiki/Q12135].\n\nJason Selman\n01:14:12\nPerforms unnamed poem 3.\n\nAudience\n01:17:33\nApplause.\n\nJason Selman\n01:17:40\nIntroduces unnamed poem 4. | Keywords: De La Soul [https://www.wikidata.org/wiki/Q685595]; Banff Poets’ Residency [https://www.wikidata.org/wiki/Q4854863]; Can’t Stop Won’t Stop [https://www.wikidata.org/wiki/Q5028975]; hip hop [https://www.wikidata.org/wiki/Q1132127].\n\nJason Selman\n01:20:05 \nPerforms unnamed poem 4.\n\nAudience\n01:23:05\nApplause.\n\nJason Selman\n01:23:14\nAddresses audience.\n\nAudience\n01:23:18\nApplause.\n\nIan Ferrier\n01:23:34\nIntroduces Brendan McLeod. | Keywords: Fringe [Victoria Fringe Theatre Festival]; Victoria [https://www.wikidata.org/wiki/Q2132]; The Fugitives [https://www.wikidata.org/wiki/Q7735418].\n\nAudience\n01:24:15\nApplause.\n\nUnknown\n01:24:20\nAmbient Sounds [movement; voices].\n\nBrendan McLeod\n01:24:42\nAddresses audience. Introduces unnamed song 1. | Keywords: Toronto [https://www.wikidata.org/wiki/Q172]; Montreal [https://www.wikidata.org/wiki/Q340]; football [https://www.wikidata.org/wiki/Q41323]. \n\nBrendan McLeod\n01:25:49\nPerforms unnamed song 1 [audience laughter throughout].\n\nAudience\n01:29:13\nApplause.\n\nBrendan McLeod\n01:29:25\nIntroduces unnamed poem 1. | Keywords: love poem [https://www.wikidata.org/wiki/Q10296750].\n\nBrendan McLeod\n01:29:37\nPerforms unnamed poem 1.\n\nAudience\n01:32:06\nApplause.\n\nBrendan McLeod\n01:32:17\nIntroduces unnamed song 2. \n\nAudience\n01:32:55\nLaughter.\n\nBrendan McLeod\n01:32:58\nResumes introducing unnamed song 2. \n\nBrendan McLeod\n01:33:57\nPerforms unnamed song 2.\n\nAudience\n01:35:55\nApplause.\n\nBrendan McLeod\n01:36:01\nAddresses audience.\n\nAudience Member 1\n01:36:06\nAddresses McLeod.\n\nBrendan McLeod\n01:36:07\nAddresses Audience Member 1. Introduces unnamed song 3. | Keywords: the Pope [https://www.wikidata.org/wiki/Q450675].\n\nBrendan McLeod\n01:36:51\nPerforms unnamed song 3 [audience laughter throughout].\n\nAudience\n01:39:25\nAddresses McLeod. Laughter.\n\nBrendan McLeod\n01:39:27\nAddresses audience.\n\nBrendan McLeod\n01:39:33\nResumes performing unnamed song 3.\n\nAudience\n01:39:56\nApplause.\n\nBrendan McLeod\n01:40:04\nAddresses audience.\n\nAudience\n01:40:12\nAddresses McLeod.\n\nBrendan McLeod\n01:40:13\nIntroduces “Questions for You and I When You Have Cancer”. | Keywords: breast cancer [ ].\n\nBrendan McLeod\n01:41:00\nPerforms “Questions for You and I When You Have Cancer”. \n\nAudience\n01:42:56\nApplause.\n\nBrendan McLeod\n01:42:57\nAddresses audience. Introduces unnamed song 4. | Keywords: rapping [https://www.wikidata.org/wiki/Q6010]; abecedary [https://www.wikidata.org/wiki/Q998818].\n\nBrendan McLeod\n01:43:46\nAddresses unnamed song 4.\n\nAudience\n01:45:55\nApplause.\n\nBrendan McLeod\n01:46:07\nAddresses audience. Introduces unnamed song 5. | Keywords: banjo [https://www.wikidata.org/wiki/Q258896]; Brain [show by Brendan McLeod]; obsessive-compulsive disorder [https://www.wikidata.org/wiki/Q178190]; suicidal ideation [https://www.wikidata.org/wiki/Q944142].\n\nBrendan McLeod\n01:48:35\nPerforms unnamed song 5.\n\nAudience\n01:51:24\nApplause.\n\nUnknown\n01:51:37\nAmbient Sounds [movement].\n\nIan Ferrier\n01:51:49\nAddresses McLeod. Addresses audience. Promotes February Words and Music Show and Words and Music Show mailing list. | Keywords: Fort St. John [https://www.wikidata.org/wiki/Q23021]; La Vitrola [venue; Montreal, QC].\n\nAudience\n01:52:43\nApplause.\n\nUnknown\n01:52:49\nAmbient Sounds [recorded music; voices; movement].\n\nUnknown\n02:05:51\nSilence [Cut in recording].\n\nEND\n02:06:37\n[End of recording]."],"score":0.01643844},{"id":"1176","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at La Vitrola 2019-02-17"],"item_title_source":["Cataloguer "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["McCrum, Rachel","Lee, Christine","Shalabi, Sam","Ferrier, Ian","Hoefle, Harold"],"contributors_names_search":["McCrum, Rachel","Lee, Christine","Shalabi, Sam","Ferrier, Ian","Hoefle, Harold"],"contributors":["[{\"url\":\"http://viaf.org/viaf/300348020\",\"name\":\"McCrum, Rachel\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Lee, Christine\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/11078285\",\"name\":\"Shalabi, Sam\",\"dates\":\"1964-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/3450156497268217740007\",\"name\":\"Hoefle, Harold\",\"dates\":\"1959-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["McCrum, Rachel","Lee, Christine","Shalabi, Sam","Hoefle, Harold"],"Presenter_name":["Ferrier, Ian"],"Production_Date":[2019],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"In folder:  6 audio, 6 misc.\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Set of 2 event audio recordings (+ copies and edits)\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"Uploads/1176/Poster-2019-02-17.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital","Digital"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2019/02/\",\"file_path\":\"\",\"filename\":\"W&M 2019 02 17 Set 1 Rachel McCrum - Christine Lee.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:22:12\",\"precision\":\"\",\"size\":\"352.7 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2019/02/\",\"file_path\":\"\",\"filename\":\"W&M 2019 02 17 Set 2 Harold Hoefle-Sam Shalabi-Ian Ferrier (no editing).wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:53:52\",\"precision\":\"\",\"size\":\"855.2 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://drive.google.com/file/d/1jkcCeqA4jejAFV59MIutvSNi80R5Ntfr/view\",\"file_path\":\"https://drive.google.com/drive/u/2/folders/1_CNeT4C8F-KzegfFjVrVXof4lLe4LEdO\",\"filename\":\"Poster-2019-02-17\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Poster\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2019 02 17\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"La Vitrola\",\"notes\":\"\",\"address\":\"4621 St Laurent Blvd, Montreal, QC, H2T 1R2\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["4621 St Laurent Blvd, Montreal, QC, H2T 1R2"],"Venue":["La Vitrola"],"City":["Montreal, Quebec"],"content_notes":["The February 17th, 2019 event moved the Words and Music Show over to La Vitrola. When the evening began at 9 p.m., Irish author and performer Rachel McCrum opened the first set with a series of poems she explains will be published in a new book with the working title “Territorial Pissings,” as well as a pair of pieces from “The First Blast to Awaken Women Degenerate” (Freight Books 2017) called “Bury Me At Sea” and “Problems to Sharpen the Young.” Christine Lee premiered an excerpt from a piece called “To Live Forward” that she had been preparing for nearly three years. In the second set, Harold Hoefle read some new poems, entitled “The Stone Mason” and “The Beach,” before reading pieces from his book “The Night Chorus” (McGill-Queen's University Press 2018), including “A Loving Follow-Through,” “The Diver,” “Camping at Lac La Pêche,” “Crossing,” “Worlds,” “Manning Up,” “Ice Fires,” and “Charade.” To close the show, Sam Shalabi performed a twenty-minute solo instrumental set on the guitar and Ian Ferrier read a poem/letter from an ongoing collaborative project. "],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548600520705,"timestamp":"2026-01-07T14:59:53.264Z","contents":["File 1 of 2 - W&M 2019 02 17 Set 1 Rachel McCrum - Christine Lee.wav\n\nIan Ferrier\n00:00:00\nIntroduces event and the evening’s performers.\n\nIan Ferrier\n00:00:25\nIntroduces Rachel McCrum. Promotes McCrum’s The First Blast to Awaken Women Degenerate [chapbook; Stewed Rhubarb Press; 2017].\n\nAudience\n00:00:54\nApplause.\n\nRachel McCrum\n00:01:03\nIntroduces “No Such Thing as Clean Sheets” from Territorial Pissing [manuscript].\n\nRachel McCrum\n00:01:55\nPerforms “No Such Thing as Clean Sheets”.\n\nAudience\n00:05:36\nApplause.\n\nRachel McCrum\n00:05:43\nIntroduces “Breast-Snout of the Earth Pig” | Keywords: Northern Ireland [https://www.wikidata.org/wiki/Q26]; Scotland [https://www.wikidata.org/wiki/Q22]; sea; badgers; Swedish [https://www.wikidata.org/wiki/Q9027]. \n\nRachel McCrum \n00:07:06\nPerforms “Breast-Snout of the Earth Pig”.\n\nAudience\n00:08:05\nApplause.\n\nRachel McCrum\n00:08:11\nIntroduces “Bury Me at Sea“ from The First Blast to Awaken Women Degenerate. | Keywords: The First Blast to Awaken Women Degenerate [book]; the Edinburgh International Book Festival [https://www.wikidata.org/wiki/Q4351301]; Natasha Kanapé Fontaine [https://www.wikidata.org/wiki/Q23782204]; Joséphine Bacon [https://www.wikidata.org/wiki/Q3186649]; Naomi Fontaine [https://www.wikidata.org/wiki/Q43261789]; Haiti [https://www.wikidata.org/wiki/Q790].\n\nRachel McCrum\n00:09:04\nPerforms “Bury Me at Sea”. \n\nRachel McCrum\n00:10:12\nIntroduces “Problems to Sharpen the Young” from The First Blast to Awaken Women Degenerate | Keywords: displacement; logic; York [https://www.wikidata.org/wiki/Q42462].\n\nRachel McCrum\n00:11:34\nPerforms “Problems to Sharpen the Young”.\n\nAudience\n00:13:08\nApplause.\n\nIan Ferrier\n00:13:37\nAsks question, exchange with audience member follows.\n\nIan Ferrier\n00:13:45\nIntroduces Christine Lee.\n\nAudience\n00:14:08\nApplause.\n\nChristine Lee\n00:14:14\nIntroduces “To Live Forward (Part 2)”. | Keywords: self-love. \n\nChristine Lee\n00:15:17\nPerforms “To Live Forward (Part 2)”. \n\nAudience\n00:21:49\nApplause.\n\nIan Ferrier\n00:22:05\nAnnounces intermission.\n\nEND\n00:22:12\n[Recording continues on file 2]\n\n\nFile 2 of 2 - WM 2019 02 17 Set 2 Harold Hoefler-Sam Shalabi-Ian Ferrier (no editing).wav\n\nIan Ferrier\n00:00:00\nIntroduces Harold Hoefle. | Keywords: Welch’s Bookstore [S.W.W. Welch Bookseller]; Boulevard Saint-Laurent [https://www.wikidata.org/wiki/Q2460215].\n\nAudience\n00:00:27\nApplause.\n\nHarold Hoefle\n00:00:37\nIntroduces “The Stone Mason”. | Keywords: Malone, New York [https://www.wikidata.org/wiki/Q3505459].\n\nHarold Hoefle\n00:01:35\nReads “The Stone Mason”.\n\nHarold Hoefle\n00:02:16\nIntroduces “The Beach”.\n\nHarold Hoefle\n00:02:26\nReads “The Beach”.\n\nHarold Hoefle\n00:02:55\nReads “A Loving Follow-Through” from from The Night Chorus [book; McGill-Queen’s University Press; 2018; p. 3]. \n\nAudience\n00:04:27\nApplause.\n\nHarold Hoefle\n00:04:34\nReads “The Diver” from The Night Chorus [p. 58].\n\nHarold Hoefle\n00:05:08\nIntroduces “Camping at Lac La Pêche” from The Night Chorus [p. 15]. | Keywords: camping.\n\nHarold Hoefle\n00:05:21\nReads “Camping at Lac La Pêche”.\n\nHarold Hoefle\n00:06:33\nIntroduces “Crossing” from The Night Chorus [p. 4].\n\nHarold Hoefle \n00:06:56\nReads “Crossing”.\n\nHarold Hoefle\n00:07:31\nIntroduces “Worlds” from The Night Chorus [p.23]. | Keywords: the bus; San Diego [https://www.wikidata.org/wiki/Q979834]; Lionel-Groulx [https://www.wikidata.org/wiki/Q1704947]; John Abbott campus [https://www.wikidata.org/wiki/Q930450].\n\nHarold Hoefle\n00:08:13\nReads “Worlds” from The Night Chorus.\n\nAudience\n00:09:35\nApplause.\n\nHarold Hoefle\n00:09:42\nIntroduces “Manning Up” from The Night Chorus [p. 48]. Keywords: Carleton University [https://www.wikidata.org/wiki/Q1041737]; Sex Pistols [https://www.wikidata.org/wiki/Q82545]; the Clash [https://www.wikidata.org/wiki/Q125603]; the Slits [https://www.wikidata.org/wiki/Q677115]; Buzzcocks [https://www.wikidata.org/wiki/Q939329]; the New Romantics [https://www.wikidata.org/wiki/Q597240]; forelock.\n\nHarold Hoefle\n00:10:36\nReads “Manning Up” from The Night Chorus.\n\nAudience\n00:12:08\nApplause.\n\nHarold Hoefle\n00:12:12\nIntroduces Ice Fires from The Night Chorus [p. 24]. \n\nHarold Hoefle \n00:12:40\nReads “Ice Fires”. \n\nHarold Hoefle \n00:13:45\nIntroduces “Charade” from [p. 17].\n\nHarold Hoefle\n00:13:51\nReads “Charade”.\n\nAudience\n00:15:33\nApplause.\n\nAudience\n00:15:42\nAmbient Sound [voices].\n\nIan Ferrier\n00:15:48\nIntroduces Sam Shalabi. | Keywords: Land of Kush [https://www.wikidata.org/wiki/Q2216598]; The Dwarfs of East Agouza [band].\n\nUnknown\n00:16:27\nAddresses Ian [unintelligible].\n\nIan Ferrier\n00:16:28\nResumes introduction of Sam Shalabi.\n\nAudience\n00:16:43\nApplause.\n\nSam Shalabi\n00:16:54\nPerforms unnamed composition.\n\nSam Shalabi \n00:29:08\nPerforms unnamed composition. \n\nSam Shalabi\n00:34:22\nPerforms unnamed composition. \n\nAudience\n00:44:10\nApplause.\n\nIan Ferrier\n00:44:27\nIntroduces unnamed collaborative work. | Keywords: Hội An, Vietnam [https://www.wikidata.org/wiki/Q36160]; letters [https://www.wikidata.org/wiki/Q2250271].\n\nIan Ferrier\n00:45:10\nPerforms unnamed collaborative work.\n\nAudience\n00:49:18\nApplause.\n\nIan Ferrier\n00:49:28\nThanks the performers and the audience.\n\nAudience\n00:50:09\nApplause.\n\nAudience\n00:50:19\nAmbient Sound [music and voices].\n\nEND\n00:53:52\n[End of event]."],"score":0.01643844},{"id":"1177","cataloger_name":["Andrew,Roberge"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa del Popolo 2001-05-20"],"item_title_source":["Container"],"item_title_note":["On 3 Minidiscs: \"Casa Sheri-D May 20, 2001 #2\"; \"Casa Sheri-D May 20, 2001\" ; \"Casa Sheri D\". On sleeve of first Minidisc: \"Set 1 (late start)\"."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Wilson, Sheri-D","Anderson, Fortner","Frost, Corey","Brooks, Mia Rose","Godin, Steve","Craig, Andrew","Belina, Paula","Highbloom, Bryan","McLeod, Heather","Ferrier, Ian","Christoff, Stefan"],"creator_names_search":["Wilson, Sheri-D","Anderson, Fortner","Frost, Corey","Brooks, Mia Rose","Godin, Steve","Craig, Andrew","Belina, Paula","Highbloom, Bryan","McLeod, Heather","Ferrier, Ian","Christoff, Stefan"],"creators":["[{\"url\":\" http://viaf.org/viaf/6636281\",\"name\":\"Wilson, Sheri-D\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/106026246\",\"name\":\"Anderson, Fortner\",\"dates\":\"1955-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/76001655\",\"name\":\"Frost, Corey\",\"dates\":\"1972-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/106399929\",\"name\":\"Brooks, Mia Rose\",\"dates\":\"1980-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/105712077\",\"name\":\"Godin, Steve\",\"dates\":\"1956-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Craig, Andrew\",\"dates\":\"\",\"notes\":\"Not found on databases.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Belina, Paula\",\"dates\":\"\",\"notes\":\"Not found on databases. Found at https://electriques.ca/filles/en/select/bio/?id=belina_pa.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Highbloom, Bryan\",\"dates\":\"\",\"notes\":\"Not found on databases.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/106149809\",\"name\":\"McLeod, Heather\",\"dates\":\"1971-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/106422154\",\"name\":\"Christoff, Stefan\",\"dates\":\"1981-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[2001],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"64 MD 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Date\",\"notes\":\"\",\"source\":\"Container\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa del Popolo (Montreal)\",\"notes\":\"\",\"address\":\"4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada\",\"latitude\":\"45,5222118\",\"longitude\":\"-73,5905321\"}]"],"Address":["4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada"],"Venue":["Casa del Popolo (Montreal)"],"City":["Montreal, Quebec"],"content_notes":["<span class='description'>Three Minidisc labels marked up with “Sheri-D” strongly hint that the poet headlined the Words and Music Show on Sunday 20 May 2001. Having recently released a CD (2000) to accompany her book The Sweet Taste of Lightning (Arsenal Pulp Press, 1998), Sheri-D Wilson lights up the show with a set of what she dubs “karaoke poetry”. Fortner Anderson also introduces a fiction reading by Andrew Craig, a words and music performance by Mia Brooks and Stefan Christoff, and poetry by Paula Belina whose zine Streeteaters is soon to be launched. Corey Frost reads from his then-unpublished novel My Own Devices (Conundrum Press, 2002) with interludes of Japanese death metal, Bryan Highbloom plays the saxophone as Ian Ferrier strums his guitar, and Heather McLeod closes the show on some sweet tunes.</span>\n\n<span class='title'>IFWM0001.2001-05-20</span>"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548601569280,"timestamp":"2026-01-07T14:59:53.264Z","contents":["Fortner Anderson\n00:00:03.72\n(Recording starts mid-sentence). Introduces Corey Frost. \n\nCorey Frost\n00:01:39.21\nPrelude, introduces his first-ever performance of \"Moko and Now, after the bubble, or; My Real-Life Brush with Death\", a story from his then-unpublished book, My Own Devices. Introduces Steve Godin's musical accompaniment to his own performance. \n\nUnknown\n00:03:01.71\nMusical overture (unspecified metal band).\n\nCorey Frost\n00:03:32.92\nReads \"Moko and Now, after the bubble\".\n\nCorey Frost\n00:05:29.16\n Says there will be some \"occasional musical interludes to set the mood a bit\".\n\nUnknown\n00:05:32.88\nMusical interlude: a death metal band from Tokyo whom Frost is friends with.\n\nCorey Frost\n00:05:44.71\nResumes reading from \"Moko and Now, after the bubble\".\n\nUnknown\n00:08:33.92\nMusical interlude: a death metal band.\n\nCorey Frost\n00:08:45.79\nResumes reading from \"Moko and Now, after the bubble\".\n\nUnknown\n00:11:57.84\nMusical interlude: a death metal band.\n\nCorey Frost\n00:12:08.10\nResumes reading from \"Moko and Now, after the bubble\".\n\nUnknown\n00:18:06.06\nMusical interlude: a death metal band.\n\nCorey Frost\n00:18:28.69\nResumes reading from \"Moko and Now, after the bubble\".\n\nCorey Frost\n00:21:59.77\nThanks audience.\n\nFortner Anderson\n00:22:23.61\nUshers out Frost, promotes his CD-ROM. \n\nFortner Anderson\n00:22:42.71\nIntroduces Ian Ferrier, promotes his CD. Introduces Bryan Highbloom.\n\nIan Ferrier and Bryan Highbloom\n00:24:47.25\nPlay guitar and sax.\n\nIan Ferrier\n00:25:20.09\nIntroduces first piece.\n\nIan Ferrier and Bryan Highbloom\n00:26:08.19\nPerform [\"Tequila took the sandpaper and scraped it across a gringo's belly one night\"].\n\nIan Ferrier\n00:32:12.91\nInterlude, introduces next piece. \n\nIan Ferrier and Bryan Highbloom\n00:33:14.29\nPerform \"No guitar, no bass\".\n\nFortner Anderson\n00:40:04.57\nUshers out Bryan Highbloom and Ian Ferrier.\n\nFortner Anderson\n00:40:20.34\nPlays with audience.\n\nFortner Anderson\n00:41:57.15\nIntroduces intermission, announces upcoming performers Sheri-D Wilson and Heather McLeod.\n\nUnknown\n00:43:08.07\nIntermission beings, short clip of music plays.\n\nUnknown\n00:43:25.37\nRecording cuts.\n\nFortner Anderson\n00:43:27.87\nIntrocudes Sheri-D Wilson and her new book and CD,  Sweet Taste of Lightning (2001).\n\nSheri-D Wilson\n00:45:06.56\nThanks Fortner Anderson, Ian Ferrier. Introduces her set of \"karaoke poetry\".\n\nSheri-D Wilson\n00:47:21.06\nPerforms \"Airplane Paula\".\n\nSheri-D Wilson\n00:50:30.67\nInterlude, introduces \"Crow Fusion\".\n\nSheri-D Wilson\n00:51:52.42\nPerforms \"Crow Fusion\", without track.\n\n<span class='title'>IFWM0002.2001-05-20</span>\n\nIFWM0002.2001-05-20\n\nUnknown Reader 1\n00:00:00.00\nPerforms. \n\nFortner Anderson\n00:09:28.53\nUshers out previous performer, introduces Andrew Craig.\n\nAndrew Craig\n00:10:49.48\nReads from the Introduction and \"The First Secret\" from The Parasite's Nightmare. \n\nFortner Anderson\n00:17:27.21\nUshers out Andrew Craig, introduces Mia Brooks and Stefan Christoff.\n\nMia Brooks and Stefan Christoff\n00:20:01.88\nPerform first piece [\"The rythm of the train echoes\"], music.\n\nMia Brooks\n00:23:26.34\nInterlude.\n\nMia Brooks and Stefan Christoff\n00:23:47.19\nPerform second piece [\"Salty morning breeze brushes against my belly\"].\n\nFortner Anderson\n00:26:44.19\nUshers out Mia Brooks and Stefan Christoff.\n\nCrowd, led by Fortner. \n00:27:46.42\nSing \"Happy Birthday\" to Stefan Christoff.\n\nFortner Anderson\n00:28:53.73\nIntroduces Paula Belina. Advertises her zine, StreetEaters. \n\nPaula Belina\n00:29:33.77\nIntroduces and reads \"Backstroke with Pencil\".\n\nPaula Belina\n00:32:07.76\nInterlude.\n\nPaula Belina\n00:32:39.30\nReads second poem (\"Us too, giants\").\n\nPaula Belina\n00:35:00.62\n Interlude, introduces next poem.\n\nPaula Belina\n00:35:26.15\nReads \"A Poem About Becauses\".\n\nPaula Belina\n00:37:12.35\nInterlude, introduces next poem.\n\nPaula Belina\n00:37:45.86\nReads \"Titled by Her Name\".\n\nFortner Anderson\n00:40:35.12\nUshers out Paula Belina, advertizes her zine launch. Introduces upcoming performers Corey Frost, Ian Ferrier, Sheri-D Wilson. Announces intermission.\n\nUnknown\n00:41:53.60\nIntermission: music, voices, noise.\n\n\n<span class='title'>IFWM0003.2001-05-20</span>\n\nSheri-D Wilson\n00:00:00.00\nInterlude, introduces next piece. \n\nSheri-D Wilson\n00:01:30.42\nPerforms \"From Bunhead to Bard\".\n\nSheri-D Wilson\n00:12:43.65\nInterlude, introduces next poem.\n\nSheri-D Wilson\n00:15:21.90\nPerforms \"Spinsters Hanging from Trees\" with album track.\n\nSheri-D Wilson\n00:20:42.14\nInterlude, introduces last poem.\n\nSheri-D Wilson\n00:21:11.96\nPerforms \"No Water\". \n\nFortner Anderson\n00:24:48.81\nUshers out Sheri-D Wilson.\n\nFortner Anderson\n00:25:08.37\nIntroduces Heather McLeoad.\n\nHeather McLeod\n00:25:45.66\nSets up, prelude.\n\nHeather McLeod\n00:26:49.04\nIntroduces and performs first song, \"She's Waiting\".\n\nHeather McLeod\n00:32:00.64\nIntroduces next song.\n\nHeather McLeod\n00:32:58.41\nPerforms \"Black Sea\".\n\nHeather McLeod\n00:36:35.33\nInterlude, introduces next song.\n\nHeather McLeod\n00:37:27.00\nPerforms a lullaby [\"I'll walk you\"].\n\nHeather McLeod\n00:41:44.77\nInterlude, announces two more songs.\n\nHeather McLeod\n00:42:18.45\nPerforms song [\"Shadow of a rock\"].\n\nHeather McLeod\n00:44:23.72\nInterlude.\n\nHeather McLeod\n00:45:19.09\nIntroduces next song.\n\nHeather McLeod\n00:46:14.28\nPerforms \"Cool Water\".\n\nHeather McLeod\n00:49:21.72\nThanks Fortner Anderson, Ian Ferrier.\n\nFortner Anderson\n00:49:39.58\nUshers out Heather McLeod.\n\nFortner Anderson\n00:50:00.79\nClosing remarks. "],"score":0.01643844},{"id":"1178","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2013-01-20"],"item_title_source":["Cataloguer"],"item_title_note":["Full audio not found"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"contributors_names":["Spoon, Rae","Gandell, Jeff"],"contributors_names_search":["Spoon, Rae","Gandell, Jeff"],"contributors":["[{\"url\":\"http://viaf.org/viaf/102826206\",\"name\":\"Spoon, Rae\",\"dates\":\"\",\"notes\":\"Announced but missing\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Gandell, Jeff\",\"dates\":\"\",\"notes\":\"Announced but missing\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Spoon, Rae","Gandell, Jeff"],"Performance_Date":[2013],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"2 images\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2013/01/\",\"file_path\":\"\",\"filename\":\"STE-005 Jeff Gandell Performance.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:00:04\",\"precision\":\"\",\"size\":\"750 KB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-005 Jeff Gandell Performance.wav [File 1 of 2]\\n\\nUnknown\\n00:00:00\\nAmbient Sound [voices].\\n\\nIan Ferrier\\n00:00:03\\nBegins to introduce event.\\n\\nEND\\n00:00:04\\n[cut off abruptly]\",\"notes\":\"File needs to be added to server folder indicated in File Url\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2013/01/\",\"file_path\":\"\",\"filename\":\"STE-006 Rae Spoon Performance.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:01:04\",\"precision\":\"\",\"size\":\"11.4 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-006 Rae Spoon Performance.wav [File 2 of 2]\\n\\nUnknown\\n00:00:00\\nAmbient Sound.\\n\\nIan Ferrier\\n00:00:04\\nIntroduces Rae Spoon [https://www.wikidata.org/wiki/Q7281933] [distorted]. | Keywords: Arsenal Pulp Press; First Spring Grass Fire [book]; Love is a Hunter [CD]; Superior You Are Inferior [CD]; I Can't Keep All of Our Secrets [CD]; Ivan Coyote [https://www.wikidata.org/wiki/Q6096094]; Gender Failure [show]\\n\\nAudience\\n00:00:55\\nApplause.\\n\\nEND\\n00:01:04\\n[cut off abruptly]\",\"notes\":\"File needs to be added to server folder indicated in File Url\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2013 01 20\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118\",\"longitude\":\"-73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["On January 20th 2013, and in collaboration with CKUT 90.3 FM, the Words and Music show welcomed Canadian singer-songwriter Rae Spoon following the release of their book First Spring Grass Fire (Arsenal Pulp Press, 2012) at the Casa del Popolo. The event also featured prize-winning spoken word by the Stars of Spoken Word - winners of the radio station’s ‘Words on Waves’ contest. Doors opened at 8, the show started at 9, and tickets were 6$. "],"contents":["STE-005 Jeff Gandell Performance.wav [File 1 of 2]\n\nUnknown\n00:00:00\nAmbient Sound [voices].\n\nIan Ferrier\n00:00:03\nBegins to introduce event.\n\nEND\n00:00:04\n[cut off abruptly]\n\nSTE-006 Rae Spoon Performance.wav [File 2 of 2]\n\nUnknown\n00:00:00\nAmbient Sound.\n\nIan Ferrier\n00:00:04\nIntroduces Rae Spoon [https://www.wikidata.org/wiki/Q7281933] [distorted]. | Keywords: Arsenal Pulp Press; First Spring Grass Fire [book]; Love is a Hunter [CD]; Superior You Are Inferior [CD]; I Can't Keep All of Our Secrets [CD]; Ivan Coyote [https://www.wikidata.org/wiki/Q6096094]; Gender Failure [show]\n\nAudience\n00:00:55\nApplause.\n\nEND\n00:01:04\n[cut off abruptly]"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548603666432,"timestamp":"2026-01-07T14:59:53.264Z","score":0.01643844},{"id":"1179","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at La Vitrola 2017-04-23"],"item_title_source":["Cataloguer"],"item_title_note":["\"In Search of Lost Time\" show"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["Halogen","Anomaly","Ferrier, Ian","St-Amand Williamson, Mary","Campbell, Louise","Spir, Speranza","Lafond, Denis","Kahn, Jason","Bernardini, Marianna"],"contributors_names_search":["Halogen","Anomaly","Ferrier, Ian","St-Amand Williamson, Mary","Campbell, Louise","Spir, Speranza","Lafond, Denis","Kahn, Jason","Bernardini, Marianna"],"contributors":["[{\"url\":\"\",\"name\":\"Halogen\",\"dates\":\"\",\"notes\":\"Stage name\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Anomaly\",\"dates\":\"\",\"notes\":\"Stage name\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/1147905118579091805\",\"name\":\"St-Amand Williamson, Mary\",\"dates\":\"\",\"notes\":\"(With Louise Campbell)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Campbell, Louise\",\"dates\":\"\",\"notes\":\"(With Mary St-Amand Williamson)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Spir, Speranza\",\"dates\":\"\",\"notes\":\"(With Denis Lafond)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Lafond, Denis\",\"dates\":\"\",\"notes\":\"(With Speranza Spir)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/250801121\",\"name\":\"Kahn, Jason\",\"dates\":\"1960-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Bernardini, Marianna\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Halogen","Anomaly","St-Amand Williamson, Mary","Campbell, Louise","Spir, Speranza","Lafond, Denis","Kahn, Jason","Bernardini, Marianna"],"Presenter_name":["Ferrier, Ian"],"Production_Date":[2017],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"In folder: 1 audio, 4 docs, 6 images. In folder2: 1 audio.\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"1 copy\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"Uploads/1179/Poster 2017-04-23.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital","Digital"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2017/04/\",\"file_path\":\"\",\"filename\":\"STE-005 April 2017 Halogen-Anomaly-Speranza Spir-Jason Kahn-Mariana Bernardini.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"02:02:45\",\"precision\":\"\",\"size\":\"1.3 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://drive.google.com/file/d/1th9YcDCIJIeQQNn8XqqzprK-F3kgrV6h/view\",\"file_path\":\"https://drive.google.com/drive/u/2/folders/1_CNeT4C8F-KzegfFjVrVXof4lLe4LEdO\",\"filename\":\"Poster 2017-04-23.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Poster\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2017 04 23\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"La Vitrola\",\"notes\":\"\",\"address\":\"4602 Bou.l St-Laurent, Montréal, QC, H2T 1R3\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["4602 Bou.l St-Laurent, Montréal, QC, H2T 1R3"],"Venue":["La Vitrola"],"City":["Montreal, Quebec"],"content_notes":["The audio recording of the April 23rd 2017 Word and Music Show at La Vitrola begins in the midst of an emotional spoken word piece performed by Halogen. She then performed two additional pieces from a series called “Night Shifts.” “Very fine dance artist” Mary St-Amand Williamson performed accompanied by “musician, composer, [and] clarinet player” Lousie Campbell. Halogen’s fellow Throw Collective member, Anomaly, read several poems reflecting on the show’s theme, “In Search of Lost Time.” The first set ended with “a participative piece” by Speranza Spir and Denis Lafond, featuring objects, sounds, movements, and words, spoken in French and English. The second set featured two international guests, Jason Kahn from Zurich and Marianna Bernardini from Barcelona. Kahn’s vocal performance is described by Ian Ferrier as one of “pure voice” and a distillation of all Kahn’s previous work and interests. To close the evening, Bernardini sang original songs in English and Spanish, including \"Yesterday\" and “I’m Sorry,” and accompanied herself on acoustic guitar. The event poster informs us that the event was produced in collaboration with the Quebec Writers’ Federation and the League of Canadian Poets."],"contents":["STE-005 April 2017 Halogen-Anomaly-Speranza Spir-Jason Kahn-Mariana Bernardini.wav\n\nHalogen\n00:00:00\nPerforms spoken word | Keywords: time; trauma.\n\nAudience\n00:01:32\nApplause.\n\nHalogen\n00:01:41\nPerfroms “Night Shifts” | Keywords: factory; sleep; management; janitors.\n\nAudience\n00:06:05\nApplause.\n\nIan Ferrier [https://www.wikidata.org/wiki/Q87138884]\n00:06:21\nIntroduces Mary St. Amand Williamson and Louise Campbell | Keywords: dance; clarinet.\n\n00:08:20\nMuted.\n\nMary St. Amand Williamson and Louise Campbell\n00:08:49\nPerform collaboration.\n\nIan Ferrier\n00:20:58\nDiscusses collaboration | Keywords: St. Amand Williamson; Louise Campbell; birth; daughter; Anomaly.\n\nAudience\n00:22:09\nApplause.\n\nAnomaly\n00:22:24\nPerforms spoken word | Keywords: Alcatraz [https://www.wikidata.org/wiki/Q31463567]; Golden Gate Bridge [https://www.wikidata.org/wiki/Q44440]; San Francisco [https://www.wikidata.org/wiki/Q62].\n\nAudience\n00:25:12\nApplause.\n\nAnomaly\n00:25:17\nPerforms spoken word | Keywords: West Coast; cherry blossoms.\n\nAudience\n00:28:24\nApplause.\n\nAnomaly\n00:28:32\nPerforms spoken word | Keywords: city; summer; sea.\n\nAudience\n00:31:26\nApplause.\n\nAnomaly\n00:31:36\nDiscusses spoken word | Keywords: Throw Collective; Divan Orange; slam; Rubaiyat; F. Scott Fitzgerald [https://www.wikidata.org/wiki/Q93354].\n\nAnomaly\n00:33:16\nReads from Rubaiyat.\n\nAudience\n00:33:34\nApplause.\n\nIan Ferrier\n00:33:50\nIntroduces Speranza Spir.\n\nSperanza Spir\n00:34:33\nDiscusses project | Keywords: pail; participative piece.\n\nSperanza Spir\n00:35:46\nPerforms collaboration | Keywords: snow; carpet; belonging.\n\nAudience\n00:48:13\nApplause.\n\nIan Ferrier\n00:48:51\nAnnounces break | Keywords: lost time.\n\nAudience\n00:49:52\nApplause.\n\n00:49:56\nMuted.\n\n01:03:19\nAmbient sound [background conversation].\n\nIan Ferrier\n01:03:57\nIntroduces second set | Jason Kahn; Zürich [https://www.wikidata.org/wiki/Q72]; installation artist; electronic musician; voice.\n\nAudience\n01:04:40\nApplause.\n\nJason Kahn\n01:05:23\nPerforms [barely audible].\n\nAudience\n01:35:56\nApplause.\n\nIan Ferrier\n01:36:22\nThanks Jason Kahn.\n\nAudience\n01:36:29\nApplause.\n\nIan Ferrier\n01:36:33\nIntroduces Mariana Bernardini | Keywords: Samuel Beckett [https://www.wikidata.org/wiki/Q37327]; mouth; Barcelona [https://www.wikidata.org/wiki/Q1492]; singer songwriter; Dépanneur Café.\n\nAudience\n01:37:18\nApplause [cheering].\n\nMariana Bernardini\n01:37:25 \nSings “Yesterday” | Keywords: heartbreak.\n\nAudience\n01:40:57\nApplause [cheering].\n\nMariana Bernardini\n01:41:05\nSings | Keywords: Spanish; life.\n\nAudience\n01:45:36\nApplause [cheering].\n\nMariana Bernardini\n01:45:47\nSings “I’m Sorry” | Keywords: vulnerability.\n\nAudience\n01:49:12\nApplause.\n\nMariana Bernardini\n01:49:20\nThanks Ian Ferrier.\n\nMariana Bernardini\n01:49:49\nSings “Crystal Clear”.\n\nAudience\n01:54:20\nApplause [cheering].\n\nIan Ferrier\n01:55:02\nAnnounces end of event.\n\nAudience\n01:56:01\nApplause.\n\n01:56:08\nMuted.\n\nEND\n02:02:44.\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548604715008,"timestamp":"2026-01-07T14:59:53.264Z","score":0.01643844},{"id":"1180","cataloger_name":["Andrew,Roberge"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2001-08-19"],"item_title_source":["Container"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian","Ferrier, Ian","Highbloom, Bryan","Fiorentino, Jon Paul","Kellough, Kaie","Stanton, Victoria","Brown, Jake"],"creator_names_search":["Ferrier, Ian","Ferrier, Ian","Highbloom, Bryan","Fiorentino, Jon Paul","Kellough, Kaie","Stanton, Victoria","Brown, Jake"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Highbloom, Bryan\",\"dates\":\"\",\"notes\":\"Not found on databases. Musician. \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/58424256\",\"name\":\"Fiorentino, Jon Paul\",\"dates\":\"1975-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/68351676\",\"name\":\"Kellough, Kaie\",\"dates\":\"1975-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/1975942\",\"name\":\"Stanton, Victoria\",\"dates\":\"1970-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Brown, Jake\",\"dates\":\"\",\"notes\":\"Not found on databases.\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[2001],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"4 MD tracks\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"74 minutes\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"Magneto-Optical\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"\",\"other\":\"2 MD tracks\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"74 minutes\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"Uploads/1180/CASA AUG 19, 2001 CLIUE, JAKE VICTORIA, IF (1).jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Minidisc","Minidisc"],"physical_compositions":["Magneto-Optical","Magnetic Tape"],"recording_type":["Analogue","Analogue","Digital"],"AV_type":["Audio","Audio"],"playback_mode":["Stereo","Stereo"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2001/08/\",\"file_path\":\"\",\"filename\":\"IFWM0004.2001-08-19.WAV\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:09:17\",\"precision\":\"\",\"size\":\"2.39GB\",\"bitrate\":\"24\",\"encoding\":\"Waveform audio\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2001/08/\",\"file_path\":\"\",\"filename\":\"IFWM0005.2001-08-19.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"38:13\",\"precision\":\"\",\"size\":\"1.32GB\",\"bitrate\":\"24\",\"encoding\":\"Waveform audio\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://drive.google.com/file/d/110nz1YMBFxthbxazo9LVw9EXt2zheuah/view\",\"file_path\":\"https://drive.google.com/drive/u/2/folders/1_CNeT4C8F-KzegfFjVrVXof4lLe4LEdO\",\"filename\":\"CASA AUG 19, 2001 CLIUE, JAKE VICTORIA, IF\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Artefact\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2001-08-19\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Container\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Note":["[{\"note\":\"RECORDING IS DAMAGED: JPF’s set is cut up and fragments show up before he is introduced\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548604715009,"timestamp":"2026-01-07T14:59:53.264Z","contents":["<span class='description'>This show takes place in the days leading up to the release of Kaie Kellough's \"Fire Escape\" and features a notable performance by Jake Brown on Walt Disney and Heinrich Himmler. Ian Ferrier announces at the end of the night that there will be no show the following month.</span>\n\n<span class='title'>Disc 1: IFWM0004.2001-08-19</span>\n\nJon Paul Fiorentino\n00:00:00.00\nPerforms a piece (fragment).\n\nUnknown\n00:01:53.28\nAudio cuts.\n\nIan Ferrier\n00:01:54.14\nCuts into introduction of poets.\n\nIan Ferrier\n00:02:07.75\nPrelude to his set, introduces Bryan Highbloom on tenor saxophone and Kenny -vich on guitar.\n\nUnknown\n00:02:41.39\nBackground noises; setting up.\n\nIan Ferrier\n00:03:19.40\nIntroduces \"Emma's Country\".\n\nIan Ferrier\n00:03:32.41\nPerforms \"Emma's Country\".\n\nIan Ferrier\n00:14:10.05\nUshers himself, Bryan Highbloom and Kenny -vich out. \n\nJon Paul Fiorentino\n00:15:05.00\nPerforms a piece (fragment).\n\nIan Ferrier\n00:16:15.21\nIntroduces Jon Paul Fiorentino.\n\nJon Paul Fiorentino\n00:17:15.62\nPrelude. \n\nJon Paul Fiorentino\n00:17:58.22\nPerforms first piece, \"Scales\".\n\nJon Paul Fiorentino\n00:19:20.28\nInterlude.\n\nJon Paul Fiorentino\n00:20:05.63\nIntroduces and performs \"Interlake\".\n\nJon Paul Fiorentino\n00:20:45.82\nAsks crowd for the time, interlude.\n\nJon Paul Fiorentino\n00:22:00.06\nIntroduces and performs \"Specter\".\n\nIan Ferrier\n00:24:03.81\nUshers out Jon Paul Fiorentino.\n\nIan Ferrier\n00:24:30.58\nAnounces break and upcoming Victoria Stanton.\n\nUnknown\n00:24:45.77\nShort music clip.\n\nIan Ferrier\n00:24:51.79\n[Clip cuts] Introduces Victoria Stanton.\n\nVictoria Stanton\n00:25:17.35\nPrelude to her set.\n\nVictoria Stanton\n00:25:44.04\nPerforms \"Four New Gestures\".\n\nVictoria Stanton\n00:26:20.37\nInterlude.\n\nVictoria Stanton\n00:27:30.95\nPerforms next piece.\n\nVictoria Stanton\n00:33:53.49\nPerforms next piece.\n\nVictoria Stanton\n00:34:56.65\nSpeaks to crowd as she packs up, thanks Steve (Godin).\n\nIan Ferrier\n00:35:44.45\nUshers out Victoria Stanton.\n\nUnknown\n00:35:54.13\nRecording cuts, background noise.\n\nIan Ferrier\n00:37:12.23\nRecording cuts, introduces Jake Brown.\n\nJake Brown\n00:37:22.55\nPerforms set on Walt Disney and Heinrich Himmler. Musical performance audible in background. \n\nIan Ferrier\n01:08:55.23\nUshers out Jake Brown. Announces break and upcoming Clive Holden Kaie Kellough\n\n<span class='title'>Disc 2: IFWM0004.2001-08-19</span>\n\nJon Paul Fiorentino\n00:00:00.00\nPerforms a piece (fragment).\n\nUnknown\n00:01:53.28\nAudio cuts.\n\nIan Ferrier\n00:01:54.14\nCuts into introduction of poets.\n\nIan Ferrier\n00:02:07.75\nPrelude to his set, introduces Bryan Highbloom on tenor saxophone and Kenny -vich on guitar.\n\nUnknown\n00:02:41.39\nBackground noises; setting up.\n\nIan Ferrier\n00:03:19.40\nIntroduces \"Emma's Country\".\n\nIan Ferrier\n00:03:32.41\nPerforms \"Emma's Country\".\n\nIan Ferrier\n00:14:10.05\nUshers himself, Bryan Highbloom and Kenny -vich out. \n\nJon Paul Fiorentino\n00:15:05.00\nPerforms a piece (fragment).\n\nIan Ferrier\n00:16:15.21\nIntroduces Jon Paul Fiorentino.\n\nJon Paul Fiorentino\n00:17:15.62\nPrelude. \n\nJon Paul Fiorentino\n00:17:58.22\nPerforms first piece, \"Scales\".\n\nJon Paul Fiorentino\n00:19:20.28\nInterlude.\n\nJon Paul Fiorentino\n00:20:05.63\nIntroduces and performs \"Interlake\".\n\nJon Paul Fiorentino\n00:20:45.82\nAsks crowd for the time, interlude.\n\nJon Paul Fiorentino\n00:22:00.06\nIntroduces and performs \"Specter\".\n\nIan Ferrier\n00:24:03.81\nUshers out Jon Paul Fiorentino.\n\nIan Ferrier\n00:24:30.58\nAnounces break and upcoming Victoria Stanton.\n\nUnknown\n00:24:45.77\nShort music clip.\n\nIan Ferrier\n00:24:51.79\n[Clip cuts] Introduces Victoria Stanton.\n\nVictoria Stanton\n00:25:17.35\nPrelude to her set.\n\nVictoria Stanton\n00:25:44.04\nPerforms \"Four New Gestures\".\n\nVictoria Stanton\n00:26:20.37\nInterlude.\n\nVictoria Stanton\n00:27:30.95\nPerforms next piece.\n\nVictoria Stanton\n00:33:53.49\nPerforms next piece.\n\nVictoria Stanton\n00:34:56.65\nSpeaks to crowd as she packs up, thanks Steve (Godin).\n\nIan Ferrier\n00:35:44.45\nUshers out Victoria Stanton.\n\nUnknown\n00:35:54.13\nRecording cuts, background noise.\n\nIan Ferrier\n00:37:12.23\nRecording cuts, introduces Jake Brown.\n\nJake Brown\n00:37:22.55\nPerforms set on Walt Disney and Heinrich Himmler. Musical performance audible in background. \n\nIan Ferrier\n01:08:55.23\nUshers out Jake Brown. Announces break and upcoming Clive Holden and Kaie Kellough.\n\n"],"score":0.01643844},{"id":"1181","cataloger_name":["Andrew,Roberge"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa del Popolo 2001-04-15"],"item_title_source":["Container"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954- \",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["Silverman, Bicycle Bob","Otis","Shalabi, Sam","Eizlini, Will","Ferrier, Ian","Anderson, Fortner","Kidd, Catherine","Nawrocki, Norman"],"contributors_names_search":["Silverman, Bicycle Bob","Otis","Shalabi, Sam","Eizlini, Will","Ferrier, Ian","Anderson, Fortner","Kidd, Catherine","Nawrocki, Norman"],"contributors":["[{\"url\":\"\",\"name\":\"Silverman, Bicycle Bob\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Otis\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/11078285\",\"name\":\"Shalabi, Sam\",\"dates\":\"1964-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Eizlini, Will\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/106026246\",\"name\":\"Anderson, 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Ricky","Ferrier, Ian","Allaire, Romy","Khoury, Alex"],"contributors":["[{\"url\":\"\",\"name\":\"Hart, Chloe\",\"dates\":\"\",\"notes\":\"(With Does She Come in a Box)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Allain, Gabrielle\",\"dates\":\"\",\"notes\":\"(With Does She Come in a Box)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Lee, Christine\",\"dates\":\"\",\"notes\":\"(With Does She Come in a Box)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Trudel-Vigeant, Camille\",\"dates\":\"\",\"notes\":\"(With Does She Come in a Box)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Sweet, John Arthur\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Strauss, Ted\",\"dates\":\"\",\"notes\":\"(Facilitates \\\"Word Race\\\" with Damaris Baker and audience participation)\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"\",\"name\":\"Baker, Damaris\",\"dates\":\"\",\"notes\":\"(Facilitates \\\"Word Race\\\" with Ted Strauss and audience participation)\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"\",\"name\":\"Leach, Ricky\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"\",\"name\":\"Allaire, Romy \",\"dates\":\"\",\"notes\":\"With Petrol Taste\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Khoury, Alex\",\"dates\":\"\",\"notes\":\"With Petrol Taste\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Hart, Chloe","Allain, Gabrielle","Lee, Christine","Trudel-Vigeant, Camille","Sweet, John Arthur","Leach, Ricky","Allaire, Romy ","Khoury, Alex"],"Presenter_name":["Strauss, Ted","Baker, Damaris","Ferrier, Ian"],"Production_Date":[2017],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\" In folder: 1 audio, 4 docs, 6 images. In folder2: 1 audio\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"Uploads/1154/Poster 2017-03-19.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital","Digital"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2017/03/\",\"file_path\":\"\",\"filename\":\"STE-012 Words & Music March 2017 Show.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"02:15:12\",\"precision\":\"\",\"size\":\"2.15 GB \",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://drive.google.com/drive/u/2/folders/1_CNeT4C8F-KzegfFjVrVXof4lLe4LEdO\",\"file_path\":\"\",\"filename\":\"Poster 2017-03-19\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Poster\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2017 03 19\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118 \",\"longitude\":\"-73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["The March 2017 Words and Music Show began with a multimedia performance piece called “Does She Come In A Box?,” described in a document entitled “Storytelling by John Arthur Sweet.docx” as ”an exploration of the space occupied by women.” The performance was brought to life on the Casa Del Popolo stage by choreographer Chloe Hart, projectionist Gabrielle Allain, spoken word artist and musician Christine Lee, and dancer Camille Trudel-Vigeant. Monologist John Arthur Sweet presented an excerpt from a larger piece he later performed at the Victoria Fringe Festival. Ted Strauss and Damaris Baker facilitated Word Race, a “competitive pronunciation” game with members of the audience. After the intermission, Ricky Leach had the audience listen to a pre-recorded song, but most of her actual live performance is missing from the recording. Romy Allaire and Alex Khoury harmonized as Petrol Taste and closed the night with a forty minute set including songs called “The Drive” and “Mary Jane.” The duo announced their final song, “Time,” but the recording cuts off before they begin to play."],"contents":["STE-012 Words & Music March 2017 Show.wav\n\n00:00:00\nAmbient sound [background music].\n\nIan Ferrier [https://www.wikidata.org/wiki/Q87138884]\n00:02:02\nIntroduces event | Keywords: Does she come in a box; Chloe Hart; Christine Lee; Gabrielle Allain; Camille Trudel-Vigeant.\n\nAudience\n00:02:48\nApplause.\n\nChloe Hart, Christine Lee, Gabrielle Allain, Camille Trudel-Vigeant\n00:02:58\nPerform collaboration.\n\nAudience\n00:17:38\nApplause [cheering].\n\nIan Ferrier\n00:18:02\nThanks Chloe Hart, Christine Lee, Gabrielle Allain, Camille Trudel-Vigeant.\n\nAudience\n00:18:17\nApplause.\n\nIan Ferrier\n00:18:52\nIntroduces John Arthur Sweet.\n\nAudience\n00:19:16\nApplause.\n\nJohn Arthur Sweet\n00:20:19\nPerforms unknown text | Keywords: dream; nakedness; arrows; Bugs Bunny [https://www.wikidata.org/wiki/Q183102]; banana.\n\nAudience\n00:42:23\nApplause.\n\nIan Ferrier\n00:43:15\nIntroduces Word Race | Keywords: Ted Strauss.\n\nAudience\n00:43:59\nApplause.\n\nTed Strauss\n00:44:20\nDiscusses Words Race | Keywords: game; party.\n\nAudience\n00:46:52\nApplause.\n\nTwo audience members\n00:48:30\nWord race.\n\nAudience\n00:49:10\nApplause.\n\nTed Strauss\n00:49:30\nIntroduces new format of Tandem Word Race.\n\nAudience\n00:51:18\nApplause.\n\nTed Strauss and audience member\n00:53:48\nWord race.\n\nAudience\n00:54:58\nApplause.\n\nTed Strauss and audience member\n00:55:25\nWord race.\n\nAudience\n00:56:24\nApplause.\n\nTed Strauss and audience member\n00:57:03\nWord race.\n\nAudience\n00:59:08\nApplause.\n\nTed Strauss and audience member\n00:59:50\nWord race.\n\nAudience\n01:00:48\nApplaus [cheering].\n\nIan Ferrier\n01:01:10\nAnnounces break.\n\nAudience\n01:01:33\nApplause.\n\n01:01:43\nAmbient sound [background music].\n\n01:21:09\nMuted.\n\nRicky Leach\n01:29:49\nPerforms music | Keywords: human.\n\nIan Ferrier\n01:34:15\nIntroduces Petrol Taste.\n\nAudience\n01:34:43\nApplause.\n\nPetrol Taste.\n01:34:50\nIntroduces set.\n\nPetrol Taste\n01:35:36\nPerforms music.\n\nAudience\n01:39:54\nApplause [cheering].\n\nPetrol Taste\n01:40:07\nPerforms “The Drive” | Keywords: EP.\n\nAudience\n01:45:09\nApplause.\n\nPetrol Taste\n01:45:25\nPerforms music | Keywords: innocent.\n\nAudience\n01:50:15\nApplause [cheering].\n\nPetrol Taste\n01:50:31\nPerforms “Mary Jane” | Keyword: friendship.\n\nAudience\n01:54:08\nApplause [cheering].\n\nPetrol Taste\n01:54:21\nPerforms music | Keywords: smoking; cancer.\n\nAudience\n01:57:25\nApplause [cheering].\n\nPetrol Taste\n01:57:40\nPerforms “And then you die” | Keywords: pants; die.\n\nAudience\n02:01:11\nApplause [cheering].\n\nPetrol Taste\n02:01:56\nPerforms music | Keywords: breathe.\n\nAudience\n02:06:25\nApplause [cheering].\n\nPetrol Taste\n02:07:03\nPerforms music | Keywords: eyes; lips; homesick.\n\nAudience\n02:10:31\nApplause [cheering].\n\nPetrol Taste\n02:10:48\nPerforms music | Keywords: blood.\n\nAudience\n02:14:45\nApplause [cheerings].\n\nEND\n02:15:12.\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548605763585,"timestamp":"2026-01-07T14:59:53.264Z","score":0.01643844},{"id":"1155","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at La Vitrola 2017-05-21"],"item_title_source":["Cataloguer "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["Richards, Rabbit","Rolls, Jem","Campbell, Louise","Miller, Matt","MacRae, Johnny","Christoff, Stefan","Ferrier, Ian","Clark, Moe"],"contributors_names_search":["Richards, Rabbit","Rolls, Jem","Campbell, Louise","Miller, Matt","MacRae, Johnny","Christoff, Stefan","Ferrier, Ian","Clark, Moe"],"contributors":["[{\"url\":\"\",\"name\":\"Richards, Rabbit\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Rolls, Jem\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Campbell, Louise\",\"dates\":\"\",\"notes\":\"(With Ian Ferrier)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Miller, Matt\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/124149106300368492582\",\"name\":\"MacRae, Johnny\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/106422154\",\"name\":\"Christoff, Stefan\",\"dates\":\"1981-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"Also performs (With Louise Campbell)\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/317024729\",\"name\":\"Clark, Moe\",\"dates\":\"\",\"notes\":\"Work read by text-to-voice software\",\"nation\":[],\"role\":[\"Author\"]}]"],"performer_name":["Richards, Rabbit","Rolls, Jem","Campbell, Louise","Miller, Matt","MacRae, Johnny","Christoff, Stefan"],"author_name":["Clark, Moe"],"Presenter_name":["Ferrier, Ian"],"Production_Date":[2017],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\" In folder: 1 audio, 5 docs, 9 images. In folder2: 1 audio\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"1 copy\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"Uploads/1155/Poster 2017-05-21.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital","Digital"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2017/05/\",\"file_path\":\"\",\"filename\":\"STE-008 May 21, 2017 Rabbit-Jem Rolls-Ian&Louise-Matt Miller-JohnnyMacrae-Stefan Christoff.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:52:36\",\"precision\":\"\",\"size\":\"1.19 GB \",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://drive.google.com/drive/u/2/folders/1_CNeT4C8F-KzegfFjVrVXof4lLe4LEdO\",\"file_path\":\"\",\"filename\":\"Poster 2017-05-21\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Poster\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2017 05 21\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"La Vitrola\",\"notes\":\"\",\"address\":\"4621 St Laurent Blvd, Montreal, QC, H2T 1R2\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["4621 St Laurent Blvd, Montreal, QC, H2T 1R2"],"Venue":["La Vitrola"],"City":["Montreal, Quebec"],"content_notes":["Words and Music Show regular Moe Clark was scheduled to appear at La Vitrola on May 21st, 2017, but couldn’t due to illness. The press release and the recording reveal that instead, she premiered ”her exotic new role as an unspoken spoken word artist,” as one of her poems was read by a voice-to-text program. Rabbit Richards then performed one short poem before travelling performance poet Jem Rolls presented “Worship,” and two pieces from his show “The Inventor Of All Things.” Louise Campbell joined W&M Show host Ian Ferrier on stage for an instrumental piece featuring electric guitar and clarinet. “Blown into town from the UK” and visiting Canada for the first time, “poet and theatre artist” Matt Miller read some of his original work, including “Dad, It Still Becomes You,” “Time For Heroes.” “From the west coast comes the vastly entertaining Johnny MacRae,” who opened the second set with a poem “halfway between silliness and seriousness,” and pieces called “Jokes,” “Color of Blood,” “Immunodeficiency,” and “Stinkweed.” HOWL Festival organizer Stefan Christoff rounded off the evening with “a new personal project” on electric guitar."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548605763586,"timestamp":"2026-01-07T14:59:53.264Z","contents":["STE-008 May 21, 2017 Rabbit-Jem Rolls-Ian&Louise-Matt Miller-Johnny Macrae-Stefan Christoff.wav\n\n00:00:00\nAmbient sound [ background conversation].\n\nIan Ferrier [https://www.wikidata.org/wiki/Q87138884]\n00:02:42\nIntroduces event | Keywords: Rabbit Richards.\n\nAudiencee\n00:03:02\nApplause.\n\nRabbit Richards\n00:03:19\nPerforms spoken word | Keywords: socks; regret.\n\nAudience\n00:05:15\nApplause.\n\nIan Ferrier\n00:05:30\nIntroduces Jem Rolls | Keywords: Fringe Festival.\n\nAudience\n00:06:11\nApplause.\n\nJem Rolls\n00:06:19\nPerforms “Worship” | Keywords: performance poet; prayer; riddle.\n\nAudience\n00:07:49\nApplause.\n\nJem Rolls\n00:07:56\nIntroduces unknown poem | Keywords: atomic bomb.\n\nJem Rolls\n00:09:22\nPerforms unknown poem | Keywords: Jews; Hitler [https://www.wikidata.org/wiki/Q352]; H.G. Wells [https://www.wikidata.org/wiki/Q42511]; bombs; Germany [https://www.wikidata.org/wiki/Q183]; physicists.\n\nAudience\n00:13:12\nApplause.\n\nJem Rolls\n00:13:19\nDiscusses his work.\n\nJem Rolls\n00:13:58\nPerforms spoken word | Keywords: Enlightenment; Newton [https://www.wikidata.org/wiki/Q935]; Einstein [https://www.wikidata.org/wiki/Q15990626].\n\nAudience\n00:15:32\nApplause.\n\nIan Ferrier\n00:15:50\nIntroduces Louise Campbell.\n\nAudience\n00:16:47\nApplause.\n\nIan Ferrier and Louise Campbell\n00:17:28\nPerform text and music collaboration | Keywords: rain.\n\nAudience\n00:27:25\nApplause.\n\nIan Ferrier\n00:27:53\nIntroduces Matt Miller | Keywords: theater.\n\nAudience\n00:28:01 \nApplause.\n\nMatt Miller\n00:28:16\nIntroduces himself | Keywords: Ireland [https://www.wikidata.org/wiki/Q27]; rivers; dad; photograph; band.\n\nMatt Miller\n00:29:37\nPerforms “Dad, it still becomes you” | Keywords: backstage; sweetheart.\n\nAudience\n00:31:25\nApplause.\n\nMatt Miller\n00:31:32\nIntroduces “About the Tyne” | Keywords: river; Newcastle [https://www.wikidata.org/wiki/Q1425428].\n\nMatt Miller\n00:32:56\nPerforms “About the Tyne” | Keywords: woodland; reenactment; battle.\n\nAudience\n00:36:00\nApplause.\n\nMatt Miller\n00:36:09\nIntroduces unknown poem | Keywords: Nottingham; Midlands; Trent river.\n\nMatt Miller\n00:38:05\nPerforms unknown poem | Keywords: football.\n\nAudience\n00:41:16\nApplause.\n\nMatt Miller\n00:41:28\nIntroduces “Alexander” | Keywords: Joshua Jodson; covers.\n\nMatt Miller\n00:42:20\nPerforms “Alexander” by Joshua Jodson | Keywords: Alexander the Great [https://www.wikidata.org/wiki/Q8409]; lion.\n\nAudience\n00:44:47\nApplause.\n\nMatt Miller\n00:44:54\nIntroduces “Time for Heroes” | Keywords: university; creative writing; The Libertines [https://www.wikidata.org/wiki/Q214350].\n\nMatt Miller\n00:47:19\nPerforms “Time for Heroes” | Keywords: album.\n\nAudience\n00:50:39\nApplause.\n\nMatt Miller\n00:51:08\nIntroduces unknown poem | Keywords: granddad; Regina [Saskachewan] [https://www.wikidata.org/wiki/Q2123]; Peter and the Wolf [https://www.wikidata.org/wiki/Q677403].\n\nMatt Miller\n00:51:38\nPerforms unknown poem | Keywords: sister; casette tape; granddad.\n\nAudience\n00:54:44\nApplause.\n\nIan Ferrier\n00:55:11\nAnnounces break.\n\nAudience\n00:55:30\nApplause.\n\n00:55:37\nAmbient sound [background music and conversation].\n\nIan Ferrier\n01:17:29\nIntroduces second set and Johnny Macrae.\n\nAudience\n01:18:01\nApplause.\n\nJohnny Macrae\n01:18:13\nPerforms unknown poem | Keywords: mall; cynical poem; shopping.\n\nAudience\n01:21:24\nApplause.\n\nJohnny Macrae\n01:21:33\nIntroduces “Jokes” | Keywords: silliness; restaurant; Vancouver [https://www.wikidata.org/wiki/Q24639]; joke.\n\nJohnny Macrae\n01:23:35\nPerforms “Jokes” | Keywords: laughter.\n\nAudience\n01:26:07\nApplause.\n\nJohnny Macrae\n01:26:18\nDiscusses “Jokes” | Keywords: grandfather.\n\nJohnny Macrae\n01:27:57\nPerforms “Colour of Blood” | Keywords: bodies; blood; news commentary; colour.\n\nAudience\n01:30:08\nApplause.\n\nJohnny Macrae\n01:30:15\nIntroduces “Immunodefficiency”| Keywords: insomnia; pot; David Suzuki [https://www.wikidata.org/wiki/Q354534]; melatonin.\n\nJohnny Macrae\n01:32:03\nPerforms “Immunodefficiency” | Keywords: virus; bloodstream; survivors.\n\nAudience\n01:34:18\nApplause.\n\nJohnny Macrae\n01:34:25\nIntroduces “Stinkweed” | Keywords: shame; fistpump.\n\nJohnny Macrae\n01:36:05\nPerforms “Stinkweed” | Keywords: cabbages; volcanoes.\n\nAudience\n01:39:28\nApplause.\n\nIan Ferrier\n01:39:45\nThanks Johnny Macrae and introduces Stefan Christoff.\n\nAudience\n01:40:13\nApplause.\n\nStefan Christoff [https://www.wikidata.org/wiki/Q7606050] \n01:40:18\nDiscusses [inaudible].\n\nStefan Christoff\n01:40:38\nPerforms music.\n\nAudience\n01:48:54\nApplause.\n\nIan Ferrier\n01:49:35\nThanks performers.\n\nIan Ferrier\n01:49:49\nAnnounces end of event.\n\nAudience\n01:50:11\nApplause.\n\nIan Ferrier\n01:50:27\nAnnounces books for sale.\n\n01:50:42\nAmbient sound [background music].\n\nEND\n01:52:36.\n"],"score":0.01643844},{"id":"1156","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2017-06-25"],"item_title_source":["Cataloguer "],"item_title_note":["No audio found"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["Circuitry and Poetry","Riot Pousse","Santos, Greg","Selinger, Greg","Campbell, Louise","Ford, April L.","Ferrier, Ian"],"contributors_names_search":["Circuitry and Poetry","Riot Pousse","Santos, Greg","Selinger, Greg","Campbell, Louise","Ford, April L.","Ferrier, Ian"],"contributors":["[{\"url\":\"\",\"name\":\"Circuitry and Poetry\",\"dates\":\"\",\"notes\":\"Announced but missing\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\" Riot Pousse\",\"dates\":\"\",\"notes\":\"Announced but missing\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/107376965\",\"name\":\"Santos, Greg\",\"dates\":\"1981-\",\"notes\":\"Announced but missing\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Selinger, Greg\",\"dates\":\"\",\"notes\":\"Announced but missing\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Campbell, Louise\",\"dates\":\"\",\"notes\":\"Announced but missing\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/309826347\",\"name\":\"Ford, April L.\",\"dates\":\"\",\"notes\":\"Announced but missing\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"Announced but missing\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"performer_name":["Circuitry and Poetry"," Riot Pousse","Santos, Greg","Selinger, Greg","Campbell, Louise","Ford, April L."],"Presenter_name":["Ferrier, Ian"],"Production_Date":[2017],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"In folder: 4 docs, 12 images. (event poster)\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"Uploads/1156/Poster 2017-06-25.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital","Digital"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://drive.google.com/drive/u/2/folders/1_CNeT4C8F-KzegfFjVrVXof4lLe4LEdO\",\"file_path\":\"\",\"filename\":\"Poster 2017-06-25\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2017 06 25\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118 \",\"longitude\":\"-73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"content_notes":["Despite the lack of audio, the event poster reveals that entry to this event cost $6 and that it began at 9 p.m. at Casa Del Popolo. It also announces the presence of poet Greg Santos, “dancer/performer” Greg Selinger, Riot Pousse, and “special appearances” by Louise Campbell and April L. Ford. The night also showcased Circuitry and Poetry, described as “a collaborative experimental and interactive performance of circuit bending with dance, poetry and sign language” by Jeff Boynton and Mona Jean Cedar in a document entitled “Circuitry & Poetry Bio.docx”"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548606812160,"timestamp":"2026-01-07T14:59:53.264Z","score":0.01643844},{"id":"1157","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2017-07-23"],"item_title_source":["Cataloguer "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["Hazelton, Hugh","Whelan, Kathleen","Suddath, Ananda","Bateman, David","Jobin, Eugénie","Roy, Frederique","Ferrier, Ian"],"contributors_names_search":["Hazelton, Hugh","Whelan, Kathleen","Suddath, Ananda","Bateman, David","Jobin, Eugénie","Roy, Frederique","Ferrier, Ian"],"contributors":["[{\"url\":\"http://viaf.org/viaf/335896\",\"name\":\"Hazelton, Hugh\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/522148995813559750516\",\"name\":\"Whelan, Kathleen\",\"dates\":\"1950-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/23154739885852992212\",\"name\":\"Suddath, Ananda\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/236624223\",\"name\":\"Bateman, David\",\"dates\":\"1956-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Jobin, Eugénie\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/1156009982049582563\",\"name\":\"Roy, Frederique\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"performer_name":["Hazelton, Hugh","Whelan, Kathleen","Suddath, Ananda","Bateman, David","Jobin, Eugénie","Roy, Frederique"],"Presenter_name":["Ferrier, Ian"],"Production_Date":[2017],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"In folder: 4 audio, 2 misc. 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Author of “Things I Will Tell You When I Am Dead” (Hidden Brook Press 2017) Kathleen Whelan read “Hope” and “Blueberry Pie.” The first set ended with “eclectic electric guitar” by Ananda Suddath, who performed original instrumentals like “Cold Mirror Music” and “Devonshire,” and a cover of “Somewhere Over The Rainbow” as performed by Toro Takemitsu. Following the intermission, David Bateman read an unpublished poem called “By The Gender Neutral Washroom I Fell Down And Slept,” as well as “If I Win The Lottery,” and pieces from his book “A Mad Bent Diva” (Hidden Brook Press 2017), including “Tampax Tale,” “Virginia,” and “Niagara Falls.” Eugénie Jobin and Frederique Roy, also known as Ambroise, ended the night with musical interpretations of Paul-Marie Lapointe’s poetry and original pieces in French including “Message De Ton Corps” and “Hibernations.”"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548606812161,"timestamp":"2026-01-07T14:59:53.264Z","contents":["July 2017 Words & Music Show Bateman et al.wav\n\nIan Ferrier [https://www.wikidata.org/wiki/Q87138884].\n00:00:00\nIntroduces event and Hugh Hazleton.\n\nAudience\n00:00:47\nApplause.\n\nHugh Hazleton\n00:01:05\nPerforms “Horror Vacui” | Keywords: vombies; towers; monster; lizards.\n\nHugh Hazleton\n00:09:57\nReads “Silences of the Grand Master | Keywords: translation; Portuguese; meditate.\n\nAudience\n00:11:43\nApplause.\n\nIan Ferrier\n00:11:57\nOffers poppyseed cake for Hugh Hazlteton’s birthday.\n\nAudience\n00:12:23\nApplause.\n\nIan Ferrier\n00:12:36\nIntroduces Kathleen Whelan | Keywords: Things I will do when I am dead.\n\nAudience\n00:12:48\nApplause.\n\nKathleen Whelan\n00:13:03\nDiscusses Things I will do when I am dead | Keywords: David Bateman.\n\nKathleen Whelan\n00:13:35\nReads from Things I will do when I am dead | Keywords: gypsies; travel; passport; Thanksgiving; honeymoon\n\nAudience\n00:27:43\nApplause.\n\nIan Ferrier\n00:27:59\nIntroduces Ananda Suddath | Keywords: guitar; Resonance [Café].\n\nAudience\n00:28:31\nApplause.\n\nAnanda Suddath\n00:29:21\nIntroduces musical set | Keywords: short film; romance.\n\nAnanda Suddath\n00:30:57\nPerforms “Cold Mirror Music”.\n\nAudience\n00:33:12\nApplause.\n\nAnanda Suddath\n00:33:20\nIntroduces “Somewhere over the rainbow” | Keywords: Wizard of Oz [https://www.wikidata.org/wiki/Q193695]; Judy Garland [https://www.wikidata.org/wiki/Q11637]; movie; classical guitar; jazzy style.\n\nAnanda Suddath\n00:34:20.\nPerforms “Somewhere over the rainbow”.\n\nAudience\n00:37:29\nApplause.\n\nAnanda Suddath\n00:37:39\nIntroduces “Devonshire” | Keywords: river; mountains; forest.\n\nAnanda Suddath\n00:38:33\nPerforms “Devonshire”.\n\nAudience\n00:41:23\nApplause [cheering].\n\nIan Ferrier\n00:41:48\nAnnounces break.\n\nAudience\n00:42:01\nApplause.\n\n00:42:14\nAmbient sound [background music and conversation].\n\nIan Ferrier\n01:05:45\nIntroduces David Bateman | Keywords: A Mad Bent Diva.\n\nAudience\n01:06:13\nApplause.\n\nDavid Bateman\n01:06:27\nIntroduces [from laptop] “By the gender neutral washroom I fell down and slept” | Elizabeth Smart [https://www.wikidata.org/wiki/Q3051272].\n\nDavid Bateman\n01:07:12\nReads “By the gender neutral washroom I fell down and slept” | Keywords: sex; stranger; xenophobic; courage.\n\nAudience\n01:10:37\nApplause.\n\nDavid Bateman\n01:10:43\nDiscusses ”If I win the lottery” | Keywords: Istanbul [https://www.wikidata.org/wiki/Q406]; prosecco.\n\nDavid Bateman\n01:11:22\nReads “If I win the lottery | Keywords: Gucci [https://www.wikidata.org/wiki/Q178516]; kiss; alley.\n\nAudience\n01:13:48\nApplause.\n\nDavid Bateman\n01:13:56\nDiscusses toilets.\n\nDavid Bateman\n01:15:32\nReads “Tampax Tale” from A Mad Bent Diva | Keywords: anagram; cashier; haiku; Tampax; mother.\n\nAudience\n01:21:09\nApplause.\n\nDavid Bateman\n01:21:16\nDiscusses “Suicide Notes” | Keywords: Dorothy Parker [https://www.wikidata.org/wiki/Q270707]; life-affirming.\n\nDavid Bateman\n01:22:36\nReads “Virginia” | Keywords: Baywatch [https://www.wikidata.org/wiki/Q223320]; boys; homosocial; high-school; trauma.\n\nAudience\n01:28:46\nApplause.\n\nDavid Bateman\n01:28:51\nDiscusses “Niagara Falls” | Keywords:  a cappella; queer; teenager; grandmother; mother; Niagara Falls [https://www.wikidata.org/wiki/Q274120].\n\nDavid Bateman\n01:29:29\nSings “Niagara Falls”.\n\nAudience\n01:31:52\nApplause.\n\nIan Ferrier\n01:32:16\nIntroduces Eugenie Jobin and Frederique Roy | Keywords: singers; Quebec poets.\n\nAudience\n01:32:46\nApplause.\n\nEugenie Jobin and Frederique Roy\n01:34:45\nSing.\n\nAudience\n01:36:29\nApplause.\n\nEugenie Jobin\n01:36:46\nDiscusses music based on poetry.\n\nEugenie Jobin and Frederique Roy\n01:37:22\nSing.\n\nAudience\n01:42:50\nApplause [cheering].\n\nEugenie Jobin and Frederique Roy\n01:43:45\nSing.\n\nAudience\n01:44:36\nApplause.\n\nEugenie Jobin and Frederique Roy\n01:44:49\nSing.\n\nAudience\n01:46:37\nApplause.\n\nEugenie Jobin and Frederique Roy\n01:46:49\nSing “Message de vos corps” | Keywords: a cappella.\n\nAudience\n01:51:13\nApplause.\n\nEugenie Jobin and Frederique Roy\n01:51:31\nSing | Keywords: hiver.\n\nAudience\n01:57:24\nApplause.\n\nIan Ferrier\n01:57:52\nAnnounces end of event | Keywords: Bandcamp 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Plus, Shawnda Wilson performs poems by Raymond Jackson. The show is hosted by Ian Ferrier, at the Casa del Popolo. Admission is $5, doors open 8PM, show starts at 9. The show is sponsored by the Quebec Writers’ Federation, the IPOLC Programme of Patrimoine Canada, CKUT 90.3FM and Wired on Words Productions."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548617297922,"timestamp":"2026-01-07T14:59:53.264Z","contents":["11092019105241_DN-700R.wav\n\n00:00:00\nAmbient sound [background music].\n\nIan Ferrier [https://www.wikidata.org/wiki/Q87138884]\n00:00:17\nIntroduces event | Keywords: Irving Layton [https://www.wikidata.org/wiki/Q1673289]; Matrix Magazine.\n\nIan Ferrier\n00:01:40\nReads Irving Layton poem | Keywords: undertaker; dead poet; lover; tree; manhood; swimmer.\n\nIan Ferrier\n00:03:54\nIntroduces Shannon Maguire.\n\nAudience\n00:04:13\nApplause.\n\nShannon Maguire\n00:04:33\nPerforms unknown poem | Keywords: gardens; romances; buds.\n\nShannon Maguire\n00:05:41\nPerforms unknown poem | Keywords: gingerbread men; cookie cutter.\n\nAudience\n00:10:12\nApplause.\n\nIan Ferrier\n00:10:31\nIntroduces Shawnda Wilson | Keywords: Raymond Jackson; New Orleans [https://www.wikidata.org/wiki/Q34404]; [hurricane] Katrina [https://www.wikidata.org/wiki/Q16422].\n\nAudience\n00:11:39\nApplause.\n\nShawnda Wilson\n00:11:50\nIntroduces Raymond Jackson | Keywords: friend; zine; chapbook; letters; Mardi Gras [https://www.wikidata.org/wiki/Q35105]; homage.\n\nShawnda Wilson\n00:14:09\nPerforms “I got my heels dug in” by Raymond Jackson | Keywords: home; call.\n\nShawnda Wilson\n00:16:39\nReads letter from Raymond Jackson | Keywords: New Orleans; dog; teeth; landlords; music; poetry; life.\n\nShawnda Wilson\n00:19:07\nPerforms unknown poem by Raymond Jackson | Keywords: love; routine.\n\nShawnda Wilson\n00:20:31\nPerforms “Allusions Bar Stools” | Keywords: beer; sorrows.\n\nAudience\n00:21:47\nApplause.\n\nIan Ferrier\n00:22:00\nAnnounces break.\n\n00:22:17\nAmbient sound [background music followed by sudden cut].\n\nIan Ferrier\n00:22:29\nIntroduces Lydia Lockett | Keywords: spoken word; Coco Café.\n\nAudience\n00:23:04\nApplause.\n\nLydia Lockett\n00:23:08\nPays hommage to Irving Layton | Keywords: Irving Layton; bus; Leonard Cohen [https://www.wikidata.org/wiki/Q1276]; gentleman; influence.\n\nLydia Lockett\n00:24:37\nPerforms “I’ll call you” | Keywords: Maine [https://www.wikidata.org/wiki/Q724]; sea; baby; man\n\nAudience\n00:29:20\nApplause.\n\nLydia Lockett\n00:29:28\nPerforms unknown song | Keywords: homework; Aesop fable [https://www.wikidata.org/wiki/Q43423]; band practice; trumpet; drums; smile.\n\nAudience\n00:34:10\nApplause [cheering].\n\nLydia Lockett\n00:34:19\nIntroduces “HYC number 6”.\n\nLydia Lockett\n00:35:31\nWrong music plays.\n\nLydia Lockett\n00:36:35\nPerforms “HYC number 6” | Keywords: oration; judgements; white girl; weight gain; Yiddish [https://www.wikidata.org/wiki/Q8641].\n\nAudience\n00:44:31\nApplause.\n\nIan Ferrier\n00:44:51\nThanks Lydia Lockett.\n\nIan Ferrier\n00:45:05\nIntroduces Cecily Dover.\n\nAudience\n00:45:29\nApplause.\n\nCecily Dover\n00:45:54\nIntroduces herself | Keywords: astrology; moon; Chinatown.\n\nCecily Dover\n00:48:44\nPerforms “The anthill” | Keywords: Spanish [https://www.wikidata.org/wiki/Q1321]; tight act.\n\nCecily Dover\n00:50:28\nRestarts and performs “The anthill”.\n\nAudience\n00:54:05\nApplause.\n\nCecily Dover\n00:54:03\nTunes guitar.\n\nCecily Dover\n0:55:03.7\nIntroduces “Bed of Lies”.\n\nCecily Dover\n00:55:23\nPerforms “Bed of Lies” | Keywords: mind; precautions; doctrine.\n\nAudience\n00:59:19\nApplause.\n\nCecily Dover\n00:59:26\nRequests water | Keywords: Ani DiFranco [https://www.wikidata.org/wiki/Q232462].\n\nCecily Dover\n01:01:14\nPerforms “Cowgirl Bob” | Keywords: cowboy; hills.\n\nAudience\n01:07:22\nApplause.\n\nIan Ferrier\n01:07:41\nAnnounces break.\n\n01:08:05\nMuted.\n\nEND\n01:12:55\n[Event continues on second recording].\n\n09112019105620_DN-700R.wav\n\nAlexis O’Hara\n00:00:00\nPerforms unknown piece | Keywords: connections; signal; dance.\n\nAudience\n00:05:52\nApplause [cheering].\n\nAlexis O’Hara\n00:06:00\nPerforms unknown piece | Keywords: technology; subway; NDP [https://www.wikidata.org/wiki/Q130765]; spoken word; electronica; machine.\n\nAudience\n00:30:46\nApplause [cheering].\n\nAlexis O’Hara\n00:31:10\nGives away copy of her book | Keywords: dirty joke; CD.\n\nIan Ferrier\n00:32:28\nThanks Alexis O’Hara.\n\nAudience\n00:32:29\nApplause.\n\nIan Ferrier [https://www.wikidata.org/wiki/Q87138884]\n00:32:42\nAnnounces end of event | Keywords: anarchist community; [Stephen] Harper [https://www.wikidata.org/wiki/Q206].\n\n00:33:14\nAmbient sound [background music.\n\n00:33:38\nMuted.\n\nEND\n00:38:08.\n"],"score":0.01643844},{"id":"1183","cataloger_name":["Andrew,Roberge"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian 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Fragoulis\n00:06:29\n\nIan Ferrier\n00:23:22\n\nDave Deporis\n00:25:02\n\nIan Ferrier\n00:56:29\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548618346496,"timestamp":"2026-01-07T14:59:53.264Z","score":0.01643844},{"id":"1184","cataloger_name":["Andrew,Roberge"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa del Popolo 2002-06-16"],"item_title_source":["Container"],"item_title_note":["On MDs: \"CASA June 16 2002 Kidd McGimpsey etc. #1\"; \"CASA June 16 2002 Kidd Drooker #2\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, 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Natalka.\n\nAudience\n00:00:55.97\nApplause.\n\nLarissa Andrusyshyn\n00:01:04.85\nIntroduces poem.\n\nLarissa Andrusyshyn\n00:02:15.96\nPerforms \"Natalka\".\n\nAudience\n00:10:34.92\nApplause. \n\nIan Ferrier\n00:10:54.73\nUshers out Larissa.\n\nIan Ferrier\n00:11:09.66\nIntroduces Paula Belina and her chapbook.\n\nAudience\n00:11:27.97\nApplause.\n\nPaula Belina\n00:11:34.94\nIntroduces first poem.\n\nPaula Belina\n00:12:42.46\nPerforms \"A Poem About Becauses\".\n\nPaula Belina\n00:14:30.77\nIntroduces note to the poem.\n\nPaula Belina\n00:14:43.29\nPerforms \"snippet\".\n\nAudience\n00:15:59.44\nApplause.\n\nPaula Belina\n00:16:12.02\nIntroduces next poem.\n\nPaula Belina\n00:17:03.45\nPerforms Anne Sexton's \"The Black Art\".\n\nPaula Belina\n00:18:21.81\nInterlude, introduces next poem as an ode to Sexton's poem. \n\nPaula Belina\n00:18:36.34\nPerforms \"Ouija Paper Game\".\n\nAudience\n00:23:09.09\nApplause.\n\nPaula Belina\n00:23:25.31\nInterlude, introduces \"moody\" poem.\n\nPaula Belina\n00:24:03.42\nPerforms \"Highway Pneumonia\".\n\nAudience\n00:28:18.98\nApplause.\n\nPaula Belina\n00:28:29.89\nThanks audience, introduces Neale McDevitt.\n\nAudience\n00:29:06.96\nApplause.\n\nNeale McDevitt\n00:29:19.34\nIntroduces short story.\n\nNeale McDevitt\n00:30:03.84\nPerforms \"The Critical Moment\".\n\nAudience\n00:43:15.68\nApplause.\n\nPaula Belina\n00:43:25.68\nUshers out Neale McDevitt, introduces break. \n\nAudience\n00:44:09.57\nApplause, cut off.\n\nUnknown\n00:44:15.22\nMusic fades in.\n\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548618346498,"timestamp":"2026-01-07T14:59:53.264Z","score":0.01643844},{"id":"1186","cataloger_name":["Andrew,Roberge"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian 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(1)\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Artefact\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2002-06-08\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Container\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa del Popolo (Montreal)\",\"notes\":\"\",\"address\":\"4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada\",\"latitude\":\"45,5222118\",\"longitude\":\"-73,5905321\"}]"],"Address":["4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada"],"Venue":["Casa del Popolo (Montreal)"],"City":["Montreal, Quebec"],"Note":["[{\"note\":\"Potentially not a Words and Music Show: an event document suggests that this was a special event hosted at the Casa a few days before the regular show on 16th June 2002.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548620443648,"timestamp":"2026-01-07T14:59:53.264Z","score":0.01643844},{"id":"1208","cataloger_name":["Andrew,Roberge"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa del Popolo 2005-04-17"],"item_title_source":["Container"],"item_title_note":["On MDs: \"W+M April 2005 Vince Erin Luna #1 \"; \"W+M April 17, 2005 Luna #2\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian","Hoffman, Lisa","Paquette, Catherine","Tinguely, Vince","May, Erin","Godin, Steve","Allison, 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Steve\",\"dates\":\"1956-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Allison, Luna\",\"dates\":\"\",\"notes\":\"Not found on databases.\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[2005],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"Magneto-Optical\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"Uploads/1208/Poster for April 17th, 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minutes\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"Magneto-Optical\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Minidisc","Minidisc"],"physical_compositions":["Magneto-Optical","Magneto-Optical"],"recording_type":["Analogue","Digital","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Stereo","Stereo"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2005/04/\",\"file_path\":\"\",\"filename\":\"09042019110535_DN-700R.wav\",\"channel_field\":\"Stereo\",\"sample_rate\":\"96kHz\",\"duration\":\"01:20:44\",\"precision\":\"\",\"size\":\"1.65 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Lisa Hoffman plays “Untitled Song #256”, written a few minutes before coming on stage as well as a spoken word piece. Catherine Paquette reads from the long poem she is writing. Vincent Tinguely and Erin May perform with Mini-CDs on sale for $2. Steve Godin, previously in charge of doing sound for the series, performs a piece on sound. Luna Allison closes the show with Mackenzie on guitar. "],"contents":["04092019113716_DN-700R.wav [File 1 of 2]\n\nLisa Hoffman\n00:01:13\n\nCatherine Paquette\n00:15:25\n\nErin May (?)\n00:23:44\n\nSteve Godin\n00:48:11\n\nLuna Allison and Mackenzie\n01:17:05\n\n\n\n09042019110535_DN-700R.wav [File 2 of 2]\n\nLuna Allison and Mackenzie\n00:00:00\n\n\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548620443649,"timestamp":"2026-01-07T14:59:53.264Z","score":0.01643844},{"id":"1213","cataloger_name":["Emma,Telaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa del Popolo 2006-03-26"],"item_title_source":["Container "],"item_title_note":["On MD \"Casa  #1 w+m March 2006 Fiorentiuo-blackheart-phare-2\"; \"W+M MAR 2006 #2 Fiorentino\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian","Roberts, Laura","Pharmakon","Fiorentino, Jon Paul","Virtanen, Erik"],"creator_names_search":["Ferrier, Ian","Roberts, Laura","Pharmakon","Fiorentino, Jon Paul","Virtanen, Erik"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian \",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"\",\"name\":\"Roberts, Laura \",\"dates\":\"\",\"notes\":\"No viaf entry. 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The show “sets out to cure what ails you” with Laura Roberts of Black Heart erotica magazine, poet Jon Paul Riorentino, singer-songwriter Erik Virtanen, and the music of Pharmakon. Admission is $5, doors open 8PM. "],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548621492224,"timestamp":"2026-01-07T14:59:53.264Z","contents":["13092019133637_DN-700R.wav\n\n00:00:00\nMuted.\n\nIan Ferrier [https://www.wikidata.org/wiki/Q87138884]\n00:00:33\nIntroduces David Kovacs.\n\nAudience\n00:00:40\nApplause.\n\nDavid Kovacs\n00:00:47\nIntroduces unknown magazine | Keywords: fiction editor; literary magazine; regular mail.\n\nIan Ferrier\n00:01:58\nIntroduces Erik Virtanen | Keywords: singer-songwriter.\n\nAudience\n00:02:08\nApplause.\n\nErik Virtanen\n00:03:00\nIntroduces himself | Keywords: Hotmail; Dr. Phil show [https://www.wikidata.org/wiki/Q204630].\n\nErik Virtanen\n00:04:20\nPerforms “A day in her life” | Keywords: story songs.\n\nAudience\n00:07:14\nApplause.\n\nErik Virtanen\n00:07:27\nIntroduces “With a magnifying glass” | Keywords: C. S. Lewis [https://www.wikidata.org/wiki/Q9204]; Dante [https://www.wikidata.org/wiki/Q1067]; Inferno [https://www.wikidata.org/wiki/Q4509219].\n\nErik Virtanen\n00:07:52\nPerforms “With a magnifying glass”.\n\nAudience\n00:11:24\nApplause.\n\nErik Virtanen\n00:11:36\nPerforms “She took off her glasses” | Keywords: Korea [https://www.wikidata.org/wiki/Q18097]; Asian girlfriend.\n\nAudience\n00:15:54\nApplause.\n\nIan Ferrier\n00:16:25\nIntroduces Laura Roberts | Keywords: magazine; Black Heart.\n\n\nAudience\n00:17:18\nApplause.\n\nLaura Roberts\n00:17:26\nIntroduces Black Heart magazine | Keywords: relationships; love; sex; Tim Hortons [https://www.wikidata.org/wiki/Q175106].\n\nLaura Roberts\n00:18:36\nReads “Buck 20 Boyfriend” | Keywords: boyfriend; Spice Girls [https://www.wikidata.org/wiki/Q55641].\n\nAudience\n00:21:19\nApplause [cheering].\n\nIan Ferrier\n00:21:37\nAnnounces break.\n\nAudience\n00:21:44\nApplause [cheering].\n\n00:21:53\nAmbient sound [background music].\n\nIan Ferrier\n00:22:13\nIntroduces Jon Paul Fiorentino | Keywords; Theory of the Loser Class.\n\nAudience\n00:22:29\nApplause.\n\nJon Paul Fiorentino [https://www.wikidata.org/wiki/Q16728998]\n00:22:40\nIntroduces Theory of the Loser Class | Keywords: poems.\n\nAudience\n00:23:10\nLaughter.\n\nJon Paul Fiorentino\n00:23:18\nReads “Rapid Cycler” | Keywords: sacred; hyperbole.\n\nJon Paul Fiorentino\n00:24:08.6\nReads “Right in the Spine” | Keywords: Gertrude Stein [https://www.wikidata.org/wiki/Q188385]; loser.\n\nJon Paul Fiorentino\n00:24:50\nReads “Delver” | Keywords: intravenous.\n\nJon Paul Fiorentino\n00:25:21\nReads “The Errand Boy” | Keywords: leisure class; consumption; Jerry Lewis [https://www.wikidata.org/wiki/Q294927].\n\nJon Paul Fiorentino\n00:26:42\nReads “Jerry Lewis and a gun” | Keywords: sedan; Broadway [https://www.wikidata.org/wiki/Q235065].\n\nJon Paul Fiorentino\n00:27:40\nReads “Spine” | Keywords: story of my life.\n\nJon Paul Fiorentino\n00:28:42\nDiscusses Montreal poets | Keywords: dickheads; Carmine Starnino [https://www.wikidata.org/wiki/Q5043713]; David Halloway; conservative; protest poem.\n\nJon Paul Fiorentino\n00:29:49\nReads “Boring people holding hands” | Keywords: Sunday school; financial district.\n\nAudience\n00:30:40\nApplause [cheering].\n\nIan Ferrier\n00:31:00\nIntroduces Laura Roberts.\n\nLaura Roberts\n00:31:27\nReads unknown story | Keywords: condomless; seals; cock; cunt.\n\nAudience\n00:34:33\nApplause.\n\nIan Ferrier\n00:34:51\nIntroduces David Kovacs.\n\nAudience\n00:35:11\nApplause.\n\nDavid Kovacs\n00:35:24\nReads “Death wish” | Keywords: ocean; navy.\n\nDavid Kovacs\n00:37:01\nReads unknown poem | Keywords: acid; gringo; Mexico [https://www.wikidata.org/wiki/Q96].\n\nDavid Kovacs\n00:39:17\nReads “Routers” | Keywords: socks; Thanksgiving; Kennedy [https://www.wikidata.org/wiki/Q9696].\n\nAudience\n00:41:25\nApplause.\n\nIan Ferrier\n00:41:41\nAnnounces break and change in lineup.\n\n00:43:48\nAmbient sound [background music].\n\nIan Ferrier\n00:49:50\nIntroduces John Stein.\n\nIan Ferrier and John  Stein\n00:50:12\nPerforms “Exile’s Letter” | Keywords: girlfriend; drunk; poets; New York [https://www.wikidata.org/wiki/Q60].\n\nAudience\n01:07:30\nApplause [cheering].\n\nIan Ferrier\n01:07:43\nAnnounces open mic.\n\nEND\n01:07:56\n[Event continues on second recording].\n\n16092019105416_DN-700R.wav\n\n00:00:00\nAmbient sound [tentative music].\n\nUnknown speaker\n00:02:30\nPerforms vocals | Keywords: S. W. Welch [bookstore].\n\nAudience\n00:07:43\nApplause.\n\nUnknown performers\n00:09:12\nImprovise music.\n\nCat Kidd\n00:10:47\nPerforms poem | Keywords: reptile; species; salamander; Charles Darwin [https://www.wikidata.org/wiki/Q1035]; evolution.\n\n0:16:28.4\nAmbient sound [background conversation].\n\nUnknown performer\n00:17:20\nPerforms unknown poem | Keywords: obituary; hitchhike; car crash.\n\nAudience\n00:21:28\nApplause.\n\nIan Ferrier [https://www.wikidata.org/wiki/Q87138884]\n0:21:48.5\nThanks performers.\n\nAudience\n00:22:27\nApplause.\n\n00:22:31\nMuted.\n\nEND\n00:27:27.\n"],"score":0.01643844},{"id":"1214","cataloger_name":["Emma,Telaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa del Popolo 2006-04-23"],"item_title_source":["Container "],"item_title_note":["On MD \"W+M April 2006 HOWL+ PHARMAKON #1\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Anderson, Fortner","Ferrier, Ian","Paquette, Catherine","Shaughnessy, Kyra"],"creator_names_search":["Anderson, Fortner","Ferrier, Ian","Paquette, Catherine","Shaughnessy, Kyra"],"creators":["[{\"url\":\"http://viaf.org/viaf/106026246\",\"name\":\"Anderson, Fortner\",\"dates\":\"1955-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian \",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"\",\"name\":\"Paquette, Catherine\",\"dates\":\"\",\"notes\":\"No viaf entry.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Shaughnessy, Kyra \",\"dates\":\"\",\"notes\":\"No viaf entry.\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[2006],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/1214/Poster 2006-04-23 (Howl).jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"Uploads/1214/W+M April 2006 HOWL+ PHARMAKON #1.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"Magneto-Optical\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Minidisc"],"physical_compositions":["Magneto-Optical"],"recording_type":["Digital","Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2006/04/\",\"file_path\":\"\",\"filename\":\"09162019110401_DN-700R.wav\",\"channel_field\":\"Stereo\",\"sample_rate\":\"96kHz\",\"duration\":\"01:20:51\",\"precision\":\"\",\"size\":\"1 GB\",\"bitrate\":\"24\",\"encoding\":\"Waveform \",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://drive.google.com/file/d/1tRgXu4xL8asVQs0-ir-UAqw2ByUo1HKV/view\",\"file_path\":\"https://drive.google.com/drive/u/2/folders/1_CNeT4C8F-KzegfFjVrVXof4lLe4LEdO\",\"filename\":\"Poster 2006-04-23\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Poster\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2006-04-23\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Container \"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa del Popolo (Montreal)\",\"notes\":\"\",\"address\":\"4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada\",\"latitude\":\"45,5222118\",\"longitude\":\"-73,5905321\"}]"],"Address":["4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada"],"Venue":["Casa del Popolo (Montreal)"],"City":["Montreal, Quebec"],"content_notes":["On Sunday 23 April 2006, the Words and Music show celebrate the 50th anniversary of Allen Ginsberg’s first presentation of HOWL. Montreal poets Fortner Anderson, Ian Ferrier, Catherine Paquette and Kyra Shaughnessy pay tribute to the Beat Generation at the Casa del Popolo. Doors open at 8PM, admission is $5. The show is hosted by Ian Ferrier, and presented in collaboration with the Quebec Writers’ Federation, CKUT 90.3FM, the IPOLC program of the Department of Canadian Heritage and Wired on Words Productions."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548621492225,"timestamp":"2026-01-07T14:59:53.264Z","contents":["File 1 of 2 - Howl Minidisc #1.wav\n\nUnknown\n00:00:00\nAmbient Sounds [feedback; movement; voices].\n\nIan Ferrier\n00:00:22\nAddresses unknown performer. An exchange follows.\n\nUnknown\n00:00:39\nAmbient Sounds [Recording of Allen Ginsberg reading “Howl” in front of a live audience]. | Keywords: “Howl” [https://www.wikidata.org/wiki/Q1545259]; Allen Ginsberg [https://www.wikidata.org/wiki/Q6711].\n\nFortner Anderson\n00:02:18\nPerforms from Ginsberg’s “Howl” [“who got busted in their pubic beards returning through Laredo…”].\n\nPierre LeNoir [?]\n00:03:43\nPerforms from Ginsberg’s “Howl” [“who sank all night in submarine light of Bickford’s…”].\n\nKyra Shaughnessy \n00:05:14\nPerforms from Ginsberg’s “Howl” [“who studied Plotinus Poe St. John of the Cross telepathy and bop kabbalah…”].\n\nVince Tinguely\n00:06:19\nPerforms from Ginsberg’s “Howl” [“who burned cigarette holes in their arms protesting the narcotic tobacco of haze of Capitalism…”].\n\nLuna Allison\n00:07:31\nPerforms from Ginsberg’s “Howl” [“who hiccuped endlessly trying to giggle but wound up with a sob behind a partition…”].\n\nSherwin Tjia\n00:08:35\nPerforms from Ginsberg’s “Howl” [“who went out whoring through Colorado in myriad stolen night-cars, N.C….”].\n\nCatherine Paquette [?]\n00:10:14\nPerforms from Ginsberg’s “Howl” [“who wept at the romance of the streets with their pushcarts…”].\n\nEndre Farkas\n00:11:53\nPerforms from Ginsberg’s “Howl” [“who jumped off the Brooklyn Bridge this actually happened…”].\n\nCarolyn Souaid\n00:13:08\nPerforms from Ginsberg’s “Howl” [“who fell on their knees in hopeless cathedrals praying…”].\n\nAudience\n00:14:27\nLaughter.\n\nIan Ferrier\n00:14:28\nPerforms from Ginsberg’s “Howl” [“who in humorless protest overturned only one symbolic pingpong table…”]\n\nErin May [?]\n00:15:34\nPerforms from Ginsberg’s “Howl” [“ah, Carl, while you are not safe I am not safe…”]\n\nVince Tinguely\n00:17:04\nPerforms from Ginsberg’s “Howl” [“II. What sphinx of cement and aluminum bashed open their skulls…”].\n\nPierre LeNoir [?]\n00:18:53\nPerforms from Ginsberg’s “Howl” [“Moloch whose love is endless oil and stone!…”]\n\nKyra Shaughnessy \n00:21:08\nPerforms from Ginsberg’s “Howl” [“III. Carl Solomon! I’m with you in Rockland where you’re madder than I am…”].\n\nEndre Farkas \n00:21:57\nPerforms from Ginsberg’s “Howl” [“I’m with you in Rockland where you pun on the bodies of your nurses…”].\n\nFortner Anderson [?]\n00:22:50\nPerforms from Ginsberg’s “Howl” [“I’m with you in Rockland where there are twenty-five-thousand mad comrades…”].\n\nAudience\n00:23:52\nApplause.\n\nIan Ferrier\n00:24:10\nAddresses audience. Announces all performers [Fortner Anderson, Pierre LeNoir, Kyra Shaughnessy, Vince Tinguely, Luna Alison, Sherwin Tjia, Catherine Paquette, Endre Farkas, Carolyn Marie Souaid, Ian Ferrier, Erin May?]. Announces intermission.\n\nAudience\n00:24:58\nApplause.\n\nIan Ferrier\n00:25:03\nAnnounces second set. Introduces Bryan Highbloom and Pharmakon MTL. | Keywords: Thêatre La Chapelle [Montreal, Canada]; Lawrence Ferlinghetti [https://www.wikidata.org/wiki/Q314269]; Beat Generation [https://www.wikidata.org/wiki/Q213457].\n\nAudience\n00:25:41\nApplause.\n\nBryan Highbloom\n00:25:45\nAddresses audience. Introduces recitation of “Howl”. | Keywords: Bonder’s Book Store [Librairie Bonder]; City Lights [https://www.wikidata.org/wiki/Q2394278]; Outremont [https://www.wikidata.org/wiki/Q2042095].\n\nBryan Highbloom; Ian Ferrier; Pharmakon MTL\n00:26:53\nPerforms musical recitation of “Howl”.  \n\nAudience\n01:06:36\nApplause.\n\nUnknown\n01:06:49\nAmbient Sounds [microphone feedback; voices].\n\nEndre Farkas\n01:07:04\nIntroduces “Howl Too, Eh?”. | Keywords: Ken Norris [https://www.wikidata.org/wiki/Q63986180]; Ruth Taylor [https://www.wikidata.org/wiki/Q7383235].\n\nAudience\n01:07:26\nLaughter.\n\nEndre Farkas\n01:07:28\nResumes introduction of “Howl Too, Eh?”. | Keywords: National Lampoon [https://www.wikidata.org/wiki/Q680408].\n\nEndre Farkas\n01:08:17\nPerforms “Howl Too, Eh?” [audience laughter throughout].\n\nUnknown\n01:19:05\nSilence [Cut in recording].\n\nEND\n01:32:31\n[Recording continues on file 2].\n\nFile 2 of 2 — Howl minidisc #2.wav\n\nUnknown\n00:00:00\nAmbient Sounds [recorded music].\n\nUnknown\n00:00:15\nAmbient Sounds [instruments; voices].\n\nLuna Allison, Pharmakon MTL\n00:02:22\nPerforms unnamed composition.\n\nSherwin Tjia, Pharmakon MTL\n00:10:53\nPerforms unnamed composition.\n\nUnknown performer, Pharmakon MTL\n00:16:29\nPerforms unnamed composition.\n\nVince Tinguely [?], Pharmakon MTL\n00:19:16\nPerforms unnamed composition.\n\nVince Tinguely [?]\n00:19:37\nAddresses audience. Introduces recitation of “Footnote to Howl” [Pharmakon MTL performs in background].\n\nVince Tinguely [?], Pharmakon MTL\n00:19:46\nPerforms musical rendition of “Footnote to Howl”.\n\nAudience\n00:23:48\nApplause.\n\nUnknown\n00:23:55\nAmbient Sounds [Recording of Ginsberg reading “Howl”].\n\nEND\n00:27:08\n[End of recording]."],"score":0.01643844},{"id":"1215","cataloger_name":["Emma,Telaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa del Popolo 2006-05-21"],"item_title_source":["Container "],"item_title_note":["On MD \"Words&Music May 21/06 Disc1\"; \"words & music May 21/06 Disc #2\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian","Anderson, Fortner","McGarragle, Sean","Sobol, John","Partridge, Taqralik","Battson, Jill"],"creator_names_search":["Ferrier, Ian","Anderson, Fortner","McGarragle, Sean","Sobol, John","Partridge, Taqralik","Battson, Jill"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian \",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"http://viaf.org/viaf/106026246\",\"name\":\"Anderson, Fortner\",\"dates\":\"1955-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"\",\"name\":\"McGarragle, Sean\",\"dates\":\"\",\"notes\":\"No viaf entry. \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/58323674\",\"name\":\"Sobol, John\",\"dates\":\"1963-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/15154257780224150501\",\"name\":\"Partridge, Taqralik \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"No VIAF \",\"name\":\"Battson, Jill\",\"dates\":\"1958-\",\"notes\":\"\",\"nation\":[],\"role\":[\"-1\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[2006],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"Magneto-Optical\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"Magneto-Optical\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"Uploads/1215/Poster 2006-05-21.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Minidisc","Minidisc"],"physical_compositions":["Magneto-Optical","Magneto-Optical"],"recording_type":["Analogue","Analogue","Digital"],"AV_type":["Audio","Audio"],"playback_mode":["Stereo","Stereo"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2006/05/\",\"file_path\":\"\",\"filename\":\"16092019115722_DN-700R.wav\",\"channel_field\":\"Stereo\",\"sample_rate\":\"96kHz\",\"duration\":\"01:08:55\",\"precision\":\"\",\"size\":\"1 GB\",\"bitrate\":\"24\",\"encoding\":\"Waveform \",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2006/05/\",\"file_path\":\"\",\"filename\":\"09162019122911_DN-700R.wav\",\"channel_field\":\"Stereo\",\"sample_rate\":\"96kHz\",\"duration\":\"00:59:56\",\"precision\":\"\",\"size\":\"909 MB\",\"bitrate\":\"24\",\"encoding\":\"Waveform \",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://drive.google.com/file/d/1nJmq_ZJVYoIAarjwYCWP8F7n4lFu_VcV/view\",\"file_path\":\"https://drive.google.com/drive/u/2/folders/1_CNeT4C8F-KzegfFjVrVXof4lLe4LEdO\",\"filename\":\"Poster 2006-05-21\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Poster\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2006-05-21\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Container\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa del Popolo (Montreal)\",\"notes\":\"\",\"address\":\"4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada\",\"latitude\":\"45,5222118\",\"longitude\":\"-73,5905321\"}]"],"Address":["4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada"],"Venue":["Casa del Popolo (Montreal)"],"City":["Montreal, Quebec"],"content_notes":["The Words and Music Show present poets and music from far and wide. On Sunday 21 May 2006, host Fortner Anderson welcomes Vancouver’s Sean McGarragle, spoken word legend John Sobol, singer-songwriter Trevor Tchir, and Inuit poet Taqralik Partridge. At the Casa del Popolo, $5, 8PM. The show is supported by the IPOLC Department of Canadian Heritage, CKUT 90.3 FM and the Quebec Writers’ Federation."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548622540800,"timestamp":"2026-01-07T14:59:53.264Z","contents":["File 1 of 1 — 16092019115772_DN-700R.wav\n\nJohn Sobol\n00:00:03\nPerforms unnamed composition [saxophone].\n\nAudience \n00:00:38\nApplause\n\nJohn Sobol\n00:00:46\nResumes performing unnamed composition.\n\nAudience \n00:01:29\nApplause.\n\nJohn Sobol\n00:01:31\nIntroduces Fortner Anderson.\n\nAudience\n00:01:41\nApplause.\n\nFortner Anderson\n00:01:46\nAddresses audience [audience applause throughout].\n\nFortner Anderson\n00:03:58\nIntroduces Sean McGarragle. | Keywords: Vancouver [https://www.wikidata.org/wiki/Q24639].\n\nAudience\n00:04:08\nApplause.\n\nSean McGarragle\n00:04:21\nAddresses audience. \n\nUnknown Audience Member 1\n00:04:39\nAddresses McGarragle [unintelligible].\n\nSean McGarragle\n00:04:41\nAddresses audience. Introduces unnamed poem 1. | Keywords: spoken word [https://www.wikidata.org/wiki/Q1428637].\n\nSean McGarragle\n00:05:08\nPerforms unnamed poem 1 [audience laughter throughout].\n\nAudience\n00:09:00\nApplause.\n\nSean McGarragle\n00:09:14\nAddresses audience.\n\nAudience\n00:09:17\nLaughter. Applause.\n\nSean McGarragle\n00:09:25\nIntroduces unnamed poem 2. | Keywords: East side of Vancouver [https://www.wikidata.org/wiki/Q1068356].\n\nSean McGarragle\n00:09:51\nPerforms unnamed poem 2.\n\nAudience\n00:12:26\nApplause.\n\nSean McGarragle\n00:12:35\nAddresses audience. | Keywords: love poem [https://www.wikidata.org/wiki/Q10296750].\n\nAudience\n00:12:45\nAddresses McGarragle. Laughter.\n\nSean McGarragle\n00:12:49\nAddresses unknown audience members; an exchange follows.\n\nSean McGarragle\n00:13:08\nPerforms unnamed poem 3 [audience laughter throughout].\n\nAudience\n00:14:56\nApplause.\n\nSean McGarragle\n00:15:07\nIntroduces unnamed poem 4.\n\nSean McGarragle\n00:15:32 \nPerforms unnamed poem 4.\n\nAudience\n00:19:05\nApplause.\n\nSean McGarragle\n00:19:15\nAddresses audience. Introduces unnamed poem 5.\n\nSean McGarragle\n00:19:41\nPerforms unnamed poem 5.\n\nAudience\n00:22:24\nApplause.\n\nSean McGarragle\n00:22:31\nAddresses Anderson. Introduces unnamed poem 6. \n\nSean McGarragle\n00:22:53\nPerforms unnamed poem 6. \n\nSean McGarragle\n00:23:34\nAddresses audience.\n\nAudience\n00:23:36\nAddresses McGarragle.\n\nSean McGarragle\n00:23:38\nResumes performing unnamed poem 6.\n\nAudience\n00:26:17\nApplause.\n\nFortner Anderson\n00:26:31\nAddresses audience.\n\nAudience\n00:26:34\nApplause.\n\nFortner Anderson\n00:26:44\nIntroduces John Sobol. | Keywords: Toronto [https://www.wikidata.org/wiki/Q172]; Calgary [https://www.wikidata.org/wiki/Q36312].\n\nJohn Sobol\n00:27:08\nAddresses Anderson [unintelligible].\n\nFortner Aderson\n00:27:10\nAddresses Sobol. Addresses audience.\n\nAudience\n00:27:14\nApplause.\n\nJohn Sobol\n00:27:24\nAddresses Anderson.\n\nUnknown Audience Member 2 [Bartender]\n00:27:34\nAddresses Sobol; an exchange follows.\n\nJohn Sobol\n00:27:45\nAddresses audience [audience laughter throughout].\n\nUnknown\n00:28:04\nAmbient Sounds [movement; voices].\n\nJohn Sobol\n00:28:26\nAddresses audience.  \n\nJohn Sobol\n00:29:13\nPerforms unnamed poem 1.\n\nAudience\n00:31:20\nApplause.\n\nJohn Sobol\n00:31:33\nAddresses audience.\n\nJohn Sobol\n00:31:46\nPerforms unnamed poem 2.\n\nAudience\n00:33:25\nApplause.\n\nJohn Sobol\n00:33:39\nAddresses audience. Introduces “Tintinnabulatron”.\n\nJohn Sobol\n00:34:22\nPerforms “Tintinnabulatron”.\n\nAudience\n00:36:51\nApplause.\n\nJohn Sobol\n00:37:08\nAddresses audience. Introduces “Planet Struck”. | Keywords: Hastings Street [https://www.wikidata.org/wiki/Q3484338]; Kedrick James [poet]; youth shelters [https://www.wikidata.org/wiki/Q772298]; Planet Struck [festival]; dictionary [https://www.wikidata.org/wiki/Q23622].\n\nJohn Sobol\n00:39:56\nPerforms “Planet Struck”.\n\nJohn Sobol\n00:43:27\nAddresses audience.\n\nAudience\n00:43:30\nLaughter\n\nJohn Sobol\n00:43:31\nResumes performing “Planet Struck”.\n\nAudience\n00:46:31\nApplause.\n\nUnknown\n00:46:58\nAmbient Sounds [voices; movement].\n\nJohn Sobol\n00:47:29\nAddresses audience.\n\nAudience\n00:47:31\nApplause.\n\nJohn Sobol\n00:47:41\nAddresses audience.\n\nAudience\n00:48:18\nApplause.\n\nJohn Sobol\n00:48:29\nIntroduces unnamed poem 3.\n\nJohn Sobol\n00:49:03\nPerforms unnamed poem 3 [with saxophone accompaniment].\n\nAudience\n00:53:16\nApplause.\n\nJohn Sobol\n00:53:18\nAddresses audience [audience applause throughout].\n\nFortner Anderson\n00:53:35\nPromotes Sobol and his website and Sean McGarragle [audience applause throughout]. Announces intermission and Taqralik Partridge, Jill Battson, and Trevor Tchir after the break.\n\nUnknown\n00:54:14\nAmbient Sounds [movement; voices].\n\nUnknown\n00:54:18\nSilence [Cut in recording].\n\nJohn Sobol\n00:54:46\nPerforms unnamed composition [saxophone].\n\nAudience\n00:56:00\nApplause.\n\nFortner Anderson\n00:56:05\nAnnounces second set. Promotes Luna Allison’s CD [Wired on Words; unknown year]. | Keywords: Luna Allison [poet].\n\nAudience\n00:56:31\nApplause.\n\nFortner Anderson\n00:56:33\nAddresses Allison.\n\nLuna Allison\n00:56:35\nAddresses Anderson.\n\nFortner Anderson\n00:56:37\nAddresses audience.\n\nUnknown Audience Member 3\n00:56:43\nAddresses Anderson [unintelligible].\n\nFortner Andrerson\n00:56:44\nLaughter. Addresses audience. Announces Trevor Tchir and Taqralik Partridge to come. Promotes Tchir’s CDs. | Keywords: Edmonton [https://www.wikidata.org/wiki/Q2096]; St. John’s [https://www.wikidata.org/wiki/Q2082]; folk [https://www.wikidata.org/wiki/Q235858]. \n\nUnknown Audience Member 4\n00:57:06\nAddresses Anderson [cheer].\n\nFortner Anderson\n00:57:07\nAddresses audience. Introduces Jill Battson. | Keywords: boxing club [https://www.wikidata.org/wiki/Q11338578]; the Red Schoolhouse Poetry Primer [festival]; Kingston [https://www.wikidata.org/wiki/Q202973].\n\nAudience\n00:58:12\nApplause.\n\nJill Battson\n00:58:25\nLaughter. \n\nJill Battson\n00:58:28\nPerforms unnamed poem 1.\n\nJill Batson\n00:59:51\nAddresses audience [audience laughter throughout].\n\nAudience\n01:00:00\nApplause.\n\nJill Battson\n01:00:07\nAddresses audience [audience laughter throughout].\n\nJill Battson\n01:00:16\nResumes performing unnamed poem 1.\n\nAudience\n01:01:09\nApplause.\n\nJill Battson\n01:01:19\nIntroduces unnamed poem 2. | Keywords: Tangente [theatre]; dancers [https://www.wikidata.org/wiki/Q5716684].\n\nAudience\n01:01:44\nApplause.\n\nJill Battson\n01:01:50\nResumes introducing unnamed poem 2. [audience laughter throughout]. | Keywords: collaborative poetry [https://www.wikidata.org/wiki/Q5145848]; Darryl Hoskins [director].\n\nAudience\n01:02:13\nApplause.\n\nJill Battson\n01:02:17\nResumes introducing unnamed poem 2.\n\nJill Battson\n01:02:32\nPerforms unnamed poem 2.\n\nAudience\n01:04:38\nApplause.\n\nJill Battson\n01:04:47\nPerforms unnamed poem 3.\n\nJill Battson\n01:04:50\nAddresses audience.\n\nJill Battson\n01:04:58\nResumes performing unnamed poem 3.\n\nAudience \n01:06:00\nApplause.\n\nFortner Anderson\n01:06:13\nAddresses audience. Promotes Battson’s Hard Candy [performance, directed by Darryl Hoskins; Tangente; 2006]. \n\nAudience\n01:07:03\nLaughter.\n\nFortner Anderson\n01:07:06\nAddresses audience.\n\nAudience\n01:07:12\nApplause.\n\nFortner Anderson\n01:07:22\nAddresses Battson.\n\nJill Battson\n01:07:26\nAddresses Anderson.\n\nFortner Anderson\n01:07:28\nAddresses audience. \n\nJill Battson\n01:07:32\nAddresses Anderson.\n\nFortner Anderson\n01:07:33\nPromotes Battson’s Red Schoolhouse Poetry Primer [Camden East, Ontario].\n\nFortner Anderson\n01:07:51\nIntroduces Taqralik Partridge. | Keywords: Inuit throat songs [https://www.wikidata.org/wiki/Q2956224].\n\nAudience\n01:08:50\nApplause.\n\nEND\n01:08:59\n[End of recording]."],"score":0.01643844},{"id":"1216","cataloger_name":["Emma,Telaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa del Popolo 2006-06-25"],"item_title_source":["Container "],"item_title_note":["On MD \"W+M June 25 2006  Sadio Kale Paula Emily\"; \"W+M June 25 2006  Sadio Kale Paula #2\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian","Mr. Lettricity","Kellough, Kaie","Belina, Paula","Sissokho, Sadio","Novalinga, Emily"],"creator_names_search":["Ferrier, Ian","Mr. Lettricity","Kellough, Kaie","Belina, Paula","Sissokho, Sadio","Novalinga, Emily"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian \",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"\",\"name\":\"Mr. Lettricity\",\"dates\":\"\",\"notes\":\"No viaf entry. \",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/68351676\",\"name\":\"Kellough, Kaie\",\"dates\":\"1975-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Belina, Paula\",\"dates\":\"\",\"notes\":\"No viaf entry.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Sissokho, Sadio\",\"dates\":\"\",\"notes\":\"No viaf entry. Performs with band [Trevor and Mathieu; surnames unknown].\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/106575960\",\"name\":\"Novalinga, Emily\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[2006],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"Magneto-Optical\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"Magneto-Optical\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Minidisc","Minidisc"],"physical_compositions":["Magneto-Optical","Magneto-Optical"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Stereo","Stereo"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2006/06/\",\"file_path\":\"\",\"filename\":\"16092019131133_DN-700R.wav\",\"channel_field\":\"Stereo\",\"sample_rate\":\"96kHz\",\"duration\":\"001:20:52\",\"precision\":\"\",\"size\":\"1 GB\",\"bitrate\":\"24\",\"encoding\":\"Waveform \",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2006/06/\",\"file_path\":\"\",\"filename\":\"09162019143957_DN-700R.wav\",\"channel_field\":\"Stereo\",\"sample_rate\":\"96kHz\",\"duration\":\"01:07:08\",\"precision\":\"\",\"size\":\"1,017 MB\",\"bitrate\":\"24\",\"encoding\":\"Waveform\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2006-06-25\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Container\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa del Popolo (Montreal)\",\"notes\":\"\",\"address\":\"4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada\",\"latitude\":\"45,5222118\",\"longitude\":\"-73,5905321\"}]"],"Address":["4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada"],"Venue":["Casa del Popolo (Montreal)"],"City":["Montreal, Quebec"],"content_notes":["On Sunday, 25 June 2006, the Words and Music show presents “Rhythm of Music, Rhythm of Words”, a special show featuring Mr. Lettricity, Kaie Kellough and Snegalese griot Sadio Sissokho. They are joined by Montreal’s own Paula Belina and special guest Emily Novalinga, an Inuit poet and storyteller. At the Casa, $5, 8PM. The show is supported by the IPOL Department of Canadian Heritage, CKUT 90.3 FM and the Quebec Writers’ Federation."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548622540801,"timestamp":"2026-01-07T14:59:53.264Z","contents":["File 1 of 1 — 16092019131133_DN-700R.wav\n\nSadio Sissokho and Band \n00:00:03\nPerforms unnamed composition [djembe].\n\nAudience\n00:04:36\nApplause.\n\nIan Ferrier\n00:04:48\nAddresses audience. \n\nAudience\n00:04:55\nApplause.\n\nUnknown\n00:05:04\nAmbient Sounds [voices].\n\nIan Ferrier\n00:05:18\nIntroduces event. Introduces Emily Novalinga. Promotes Novalinga’s L’Echo du Nord [book; Les éditions du soleil de minuit; 2005]. | Keywords: Inuit writers [https://www.wikidata.org/wiki/Q8552132]; Ungava [https://www.wikidata.org/wiki/Q1165951].\n\nAudience\n00:06:16\nApplause.\n\nUnknown\n00:06:29\nAmbient Sounds [movement; voices].\n\nEmily Novalinga\n00:06:44\nAddresses audience.\n\nIan Ferrier\n00:06:49\nAddresses Novalinga [unintelligible]. \n\nEmily Novalinga\n00:06:57\nAddresses Ferrier; an exchange follows.\n\nEmily Novalinga\n00:07:10\nAddresses audience. Introduces an unnamed story.\n\nEmily Novalinga \n00:08:23\nPerforms unnamed story 1.\n\nAudience \n00:10:18\nApplause.\n\nEmily Novalinga\n00:10:27\nResumes performing unnamed story 1. Addresses unknown audience member 1.\n\nUnknown Audience Member 1 \n00:10:36\nAddresses Novalinga [unintelligible].\n\nEmily Novalinga\n00:10:37\nResumes performing unnamed story 1.\n\nEmily Novalinga\n00:11:48\nIntroduces unnamed poem 1. | Keywords: romance [https://www.wikidata.org/wiki/Q738473]; moon [https://www.wikidata.org/wiki/Q405]; sexuality [https://www.wikidata.org/wiki/Q154136]; airport [https://www.wikidata.org/wiki/Q1248784].\n\nEmily Novalinga\n00:13:05\nAddresses audience [audience laughter and applause throughout].\n\nEmily Novalinga\n00:14:39\nPerforms unnamed poem 1.\n\nAudience\n00:18:43\nApplause.\n\nEmily Novalinga\n00:18:55\nAddresses audience [audience laughter throughout]. Introduces unnamed poem 2. | Keywords: sexuality poems [ ].\n\nEmily Novalinga\n00:19:14\nPerforms unnamed poem 2.\n\nEmily Novalinga\n00:19:20\nIntroduces “Sparkling Igloo”. | Keywords: igloo [https://www.wikidata.org/wiki/Q101805]; snow [https://www.wikidata.org/wiki/Q7561]; abuse [https://www.wikidata.org/wiki/Q156537].\n\nEmily Novalinga\n00:20:23\nPerforms “Sparkling Igloo”.\n\nAudience\n00:22:34\nApplause.\n\nEmily Novalinga\n00:22:41\nIntroduces unnamed poem 3 [in Inuktitut].\n\nEmily Novalinga\n00:23:02\nPerforms unnamed poem 3 [in Inuktitut].\n\nEmily Novalinga\n00:24:06\nAddresses audience.\n\nEmily Novalinga\n00:24:19\nResumes performing unnamed poem 3.\n\nAudience\n00:26:14\nApplause.\n\nEmily Novalinga\n00:26:26\nAddresses audience. Promotes upcoming book.\n\nAudience\n00:27:29\nApplause.\n\nIan Ferrier\n00:27:47\nAddresses Novalinga. Introduces Paula Belina. Promotes Belina’s Paint a City Coat on You, My Wall [CD; Take this Hammer; unknown year] and A Morsel [CD; Wired on Words; 2007].\n\nAudience \n00:28:29\nApplause.\n\nPaula Belina\n00:28:40\nPromotes CD. Introduces unnamed poem 1. | Keywords: symbols [https://www.wikidata.org/wiki/Q80071]; sing [https://www.wikidata.org/wiki/Q27939].\n\nPaula Belina\n00:29:47\nPerforms excerpt from unnamed poem 1. \n\nPaula Belina\n00:30:30\nIntroduces unnamed poem 2. Addresses Novalinga. | Keywords: Leonard Cohen [https://www.wikidata.org/wiki/Q1276]; magic [https://www.wikidata.org/wiki/Q1276].\n\nEmily Novalinga\n00:31:07\nAddresses Belina [unintelligible].\n\nPaula Belina\n00:31:09\nResumes introducing unnamed poem 2. | Keywords: Lower Canada College [https://www.wikidata.org/wiki/Q650408]; assembly [https://www.wikidata.org/wiki/Q7432324].\n\nAudience\n00:31:32\nLaughter.\n\nPaula Belina\n00:31:35\nResumes introducing unnamed poem 2. Addresses audience.\n\nPaula Belina\n00:32:30\nPerforms unnamed poem 2.\n\nPaula Belina, Audience\n00:34:55\nRecites final line of unnamed poem 2 together.\n\nAudience\n00:35:01\nApplause [Belina addresses audience throughout].\n\nPaula Belina\n00:35:16\nIntroduces “Seattle Bus and Little Notes”. | Keywords: Ray [poet; surname unknown]; Sheila [poet; surname unknown]; New Orleans [https://www.wikidata.org/wiki/Q34404].\n\nPaula Belina\n00:36:39\nPerforms “Seattle Bus and Little Notes”.\n\nAudience\n00:40:16\nApplause.\n\nPaula Belina\n00:40:25\nAddresses Ferrier.\n\nIan Ferrier\n00:40:31\nAddresses Belina [unintelligible].\n\nPaula Belina\n00:40:33\nIntroduces “A Map Plots as a Novel Navigates Ideas”. \n\nPaula Belina\n00:40:46\nPerforms “A Map Plots as a Novel Navigates Ideas”. \n\nAudience\n00:44:40\nApplause \n\nPaula Belina\n00:44:41\nIntroduces unnamed poem 3. Addresses Ferrier [audience applause throughout].\n\nIan Ferrier\n00:44:53\nAddresses Belina [unintelligible].\n\nPaula Belina\n00:44:55\nResumes introducing unnamed poem 3. | Keywords: adolescents [https://www.wikidata.org/wiki/Q131774].\n\nPaula Belina\n00:45:42\nPerforms unnamed poem 3.\n\nPaula Belina\n00:46:08\nAddresses audience.\n\nPaula Belina\n00:46:45\nResumes performing unnamed poem 3.\n\nPaula Belina\n00:50:36\nAddresses audience. | Keywords: womb [https://www.wikidata.org/wiki/Q9612].\n\nUnknown Audience 2\n00:50:39\nAddresses Belina.\n\nPaula Belina\n00:50:40\nAddresses Unknown Audience Member 2.\n\nPaula Belina\n00:50:44\nResumes performing unnamed poem 3 [audience laughter throughout].\n\nPaula Belina \n00:52:39\nAddresses audience.\n\nPaula Belina\n00:52:50\nResumes performing unnamed poem 3.\n\nPaula Belina\n00:54:30\nAddresses audience.\n\nAudience\n00:54:34\nLaughter. \n\nPaula Belina\n00:54:37\nAddresses audience.\n\nAudience\n00:55:07\nApplause.\n\nUnknown\n00:55:23\nSilence [Cut in recording].\n\nAudience\n00:55:25\nApplause.\n\nIan Ferrier\n00:55:31\nAddresses Belina. Promotes Belina’s CDs. Announces intermission and performers Rachel Rose and Kaie Kellough after the break. | Keywords: Spain [https://www.wikidata.org/wiki/Q29]; expatriate [https://www.wikidata.org/wiki/Q476713].\n\nAudience\n00:55:54\nApplause.\n\nIan Ferrier\n00:56:02\nAnnounces second set [slightly cut at beginning]. Introduces Rachel Rose. Promotes Rose’s website. | Keywords: email [https://www.wikidata.org/wiki/Q9158]; Alicante [https://www.wikidata.org/wiki/Q11959].\n\nAudience\n00:56:41\nApplause.\n\nUnknown\n00:56:48\nAmbient Sounds [movement].\n\nRachel Rose\n00:56:57\nAddresses audience. Introduces “Firewater”. \n\nRachel Rose\n00:57:31\nPerforms “Firewater”.\n\nAudience\n01:01:15\nApplause.\n\nRachel Rose\n01:01:22\nAddresses audience. Introduces “Love in the 21st Century”. | Keywords: pessimistic [https://www.wikidata.org/wiki/Q484954]. \n\nRachel Rose\n01:01:47\nPerforms “Love in the 21st Century”. \n\nAudience\n01:05:52\nApplause.\n\nRachel Rose\n01:06:03\nIntroduces “Better Beside You”. | Keywords: love [https://www.wikidata.org/wiki/Q316].\n\nUnknown Audience Member 3\n01:06:14\nAddresses Rose.\n\nRachel Rose\n01:06:16\nAddresses Unknown Audience Member 3. Resumes introducing “Better Beside You”. \n\nRachel Rose\n01:06:26\nPerforms “Better Beside You”.\n\nAudience\n01:09:26\nApplause.\n\nRachel Rose\n01:09:35\nIntroduces “Love Poem #1”. | Keywords: travelling [https://www.wikidata.org/wiki/Q61509]; Canada [https://www.wikidata.org/wiki/Q16]; London [https://www.wikidata.org/wiki/Q84]; home [https://www.wikidata.org/wiki/Q699405]; boyfriend [https://www.wikidata.org/wiki/Q622404]; love poem [https://www.wikidata.org/wiki/Q10296750].\n\nRachel Rose\n01:10:32\nReads “Love Poem #1”. \n\nAudience\n01:11:49\nApplause.\n\nRachel Rose\n01:11:53\nAddresses audience. Introduces “Sleepless Blues”. | Keywords: lullaby [https://www.wikidata.org/wiki/Q193605].\n\nRachel Rose\n01:12:10\nPerforms “Sleepless Blues”.\n\nAudience\n01:15:07\nApplause.\n\nRachel Rose\n01:15:12\nAddresses audience.\n\nRachel Rose\n01:15:22\nAddresses Ferrier; an exchange follows [unintelligible].\n\nIan Ferrier\n01:15:42\nAddresses Rose. Introduces Kaie Kellough. Promotes Kellough’s Letricity [book; ] and CD [ Wired on Words; | Keywords: language [https://www.wikidata.org/wiki/Q315].\n\nAudience\n01:16:14\nApplause.\n\nUnknown\n01:16:22\nAmbient Sounds [movement; recorded music].\n\nKaie Kellough\n01:16:34\nAddresses audience. Introduces unnamed poem 1. | Keywords: Casa [Casa Del Popolo; venue]; high school students [https://www.wikidata.org/wiki/Q15360275]; love poetry [https://www.wikidata.org/wiki/Q10296750]; Lillian Allen [https://www.wikidata.org/wiki/Q3240898].\n\nKaie Kellough\n01:17:40\nPerforms unnamed poem 1.\n\nUnknown\n01:20:57\nSilence [cut in recording].\n\nEND\n01:21:22\n[End of recording]."],"score":0.01643844},{"id":"1217","cataloger_name":["Emma,Telaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa del Popolo 2006-07-16"],"item_title_source":["Container "],"item_title_note":["On MD \"W+M July 2006 Brit Poets +CAT\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian","Kidd, Catherine","Larkin, Steve","Thomas, Jim","Gee, Rob","DJ Steve “soundbwoy” Legari"],"creator_names_search":["Ferrier, Ian","Kidd, Catherine","Larkin, Steve","Thomas, Jim","Gee, Rob","DJ Steve “soundbwoy” Legari"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian \",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"http://viaf.org/viaf/13542322\",\"name\":\"Kidd, Catherine\",\"dates\":\"1967-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/3114148390831010830007\",\"name\":\"Larkin, Steve\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Thomas, Jim\",\"dates\":\"\",\"notes\":\"No viaf entry.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Gee, Rob\",\"dates\":\"\",\"notes\":\"No viaf entry. \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"DJ Steve “soundbwoy” Legari\",\"dates\":\"\",\"notes\":\"No viaf entry. \",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[2006],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"Magneto-Optical\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Minidisc"],"physical_compositions":["Magneto-Optical"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2006/07/\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2006-07-16\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Container \"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa del Popolo (Montreal)\",\"notes\":\"\",\"address\":\"4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada\",\"latitude\":\"45,5222118\",\"longitude\":\"-73,5905321\"}]"],"Address":["4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada"],"Venue":["Casa del Popolo (Montreal)"],"City":["Montreal, Quebec"],"contents":["On 16 July at the Words and Music show, the British are coming! Catherine Kidd hosts the evening of UK spoken word by Steve Larkin, Jim Thomas and Rob Gee. DJ Steve “soundbwoy” Legari brings beats and music to the Casa. Doors open 8, show starts 9PM, admission is $6. "],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548623589376,"timestamp":"2026-01-07T14:59:53.264Z","score":0.01643844},{"id":"1218","cataloger_name":["Emma,Telaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa del Popolo 2006-08-20"],"item_title_source":["Container "],"item_title_note":["On MD \"W+M Aug 2006 Kyra Paula Lisa Vince #1\"; \"W+M Aug 2006 Kyra Paula Lisa #2\" "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian","Shaughnessy, Kyra","Belina, Paula","Hoffman, Lisa","Tinguely, Vincent","Dubé, Annie","Pharmakon"],"creator_names_search":["Ferrier, Ian","Shaughnessy, Kyra","Belina, Paula","Hoffman, Lisa","Tinguely, Vincent","Dubé, Annie","Pharmakon"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian \",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"\",\"name\":\"Shaughnessy, Kyra\",\"dates\":\"\",\"notes\":\"No viaf entry. \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Belina, Paula\",\"dates\":\"\",\"notes\":\"No viaf entry. \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Hoffman, Lisa\",\"dates\":\"\",\"notes\":\"No viaf entry.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/36425179\",\"name\":\"Tinguely, Vincent \",\"dates\":\"1959-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Dubé, Annie\",\"dates\":\"\",\"notes\":\"No viaf entry.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/2451151247938044270008\",\"name\":\"Pharmakon\",\"dates\":\"1990-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[2006],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"Magneto-Optical\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"Magneto-Optical\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Minidisc","Minidisc"],"physical_compositions":["Magneto-Optical","Magneto-Optical"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2006/08/\",\"file_path\":\"\",\"filename\":\"16092019175518_DN-700R.wav\",\"channel_field\":\"Stereo\",\"sample_rate\":\"96kHz\",\"duration\":\"01:20:51\",\"precision\":\"\",\"size\":\"1.55 GB\",\"bitrate\":\"24\",\"encoding\":\"Waveform \",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"16092019173333_DN-700R.wav\",\"channel_field\":\"Stereo\",\"sample_rate\":\"96kHz\",\"duration\":\"00:15:01\",\"precision\":\"\",\"size\":\"253 MB\",\"bitrate\":\"24\",\"encoding\":\"Waveform \",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2006-08-20\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Container\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa del Popolo (Montreal)\",\"notes\":\"\",\"address\":\"4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada\",\"latitude\":\"45,5222118\",\"longitude\":\"-73,5905321\"}]"],"Address":["4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada"],"Venue":["Casa del Popolo (Montreal)"],"City":["Montreal, Quebec"],"content_notes":["On Sunday 20 August 2006, the Words and Music show presents a first look at the cross-Canada Shape Shifter Tour featuring Kyra Shaughnessy, Paula Belina, and singer-songwriter Lisa Hoffman. Vincent Tinguely brings new work to the Casa, with special guest Annie Dubé and music by Pharmakon. Doors open 8, show starts at 9PM, for $5, it’s a CKUT 90.3FM co-presentation."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548623589377,"timestamp":"2026-01-07T14:59:53.264Z","contents":["File 1 of 2 — 16092019175518_DN-700R.wav\n\nUnknown\n00:00:02\nAmbient Sounds [recorded music].\n\nIan Ferrier\n00:00:05\nIntroduces event [cut-off at beginning]. Promotes performers’ CDs. | Keywords: guitar player [https://www.wikidata.org/wiki/Q855091]; Pharmakon [Pharmakon MTL; band]; Nanking, China [https://www.wikidata.org/wiki/Q16666].\n\nIan Ferrier\n00:00:36\nIntroduces Vincent Tinguely. Promotes Tinguely’s and Victoria Stanton’s Impure: Reinventing the Word [book; Conundrum Press; 2001] and Oilers [CD; 2006]. | Keywords: spoken word [https://www.wikidata.org/wiki/Q1428637].\n\nAudience\n00:01:11\nApplause.\n\nVincent Tinguely\n00:01:20\nAddresses audience. | Keywords: Ian Ferrier [poet]. \n\nUnknown Audience Member 1\n00:01:25\nAddresses Tinguely [unintelligible]. \n\nVincent Tinguely\n00:01:27\nAddresses audience. Introduces excerpt from Oilers. | Keywords: Distroboto [small press vending machine by Expozine]; petroleum [https://www.wikidata.org/wiki/Q22656].\n\nVincent Tinguely\n00:02:04\nPerforms excerpt from Oilers.\n\nAudience\n00:10:33\nApplause.\n\nVincent Tinguely\n00:10:46\nAddresses audience. | Keywords: William Burroughs [https://www.wikidata.org/wiki/Q188176].\n\nAudience\n00:10:50\nLaughter.\n\nVincent Tinguely\n00:10:55\nAddresses audience. Laughter. Introduces “Stolen Spice Box”. | Keywords: American flag [https://www.wikidata.org/wiki/Q42537]; heroin [https://www.wikidata.org/wiki/Q60168].\n\nVincent Tinguely \n00:11:26\nPerforms “Stolen Spice Box”. \n\nVincent Tinguely\n00:13:00\nIntroduces “Untitled”.\n\nVincent Tinguely\n00:13:07\nPerforms “Untitled”.\n\nVincent Tinguely\n00:14:04\nIntroduces unnamed poem 1. | Keywords: morning [https://www.wikidata.org/wiki/Q7722].\n\nVincent Tinguely\n00:14:10\nPerforms unnamed poem 1.\n\nVincent Tinguely\n00:14:57\nIntroduces unnamed poem 2. | Keywords: Billy Mavreas [https://www.wikidata.org/wiki/Q4912966].\n\nVincent Tinguely\n00:15:06\nPerforms unnamed poem 2. \n\nVincent Tinguely\n00:16:07\nIntroduces unnamed poem 3. \n\nVincent Tinguely\n00:16:18\nPerforms unnamed poem 3. \n\nAudience\n00:17:27\nApplause.\n\nVincent Tinguely\n00:17:34\nAddresses audience.\n\nIan Ferrier\n00:17:44\nAddresses Tinguely. Introduces Annie Dubé. | Keywords: Quebec [https://www.wikidata.org/wiki/Q176].\n\nAudience\n00:18:26\nApplause.\n\nAnnie Dubé\n00:18:41\nAddresses audience. Introduces “And No One Really Talks of Michelangelo”. | Keywords: love poem [https://www.wikidata.org/wiki/Q10296750].\n\nAnnie Dubé\n00:19:05\nPerforms “And No One Really Talks of Michelangelo”. \n\nAudience\n00:20:16\nApplause.\n\nAnnie Dubé\n00:20:24\nIntroduces “Walking Zero Metres Squared with a Slow Pace”. \n\nAnnie Dubé\n00:20:33\nPerforms “Walking Zero Metres Squared with a Slow Pace”. \n\nAudience\n00:22:56\nApplause.\n\nAnnie Dubé\n00:23:03\nIntroduces “Ode to the Editor Who Grabbed My Ass”.\n\nAudience\n00:23:13\nApplause.\n\nAnnie Dubé\n00:23:16\nPerforms “Ode to the Editor Who Grabbed My Ass” [audience laughter throughout].\n\nAudience\n00:25:31\nApplause.\n\nIan Ferrier\n00:25:46\nIntroduces Ryan Ruddick.\n\nAudience\n00:25:56\nApplause.\n\nRyan Ruddick\n00:26:04\nAddresses audience.\n\nAudience\n00:26:06\nLaughter.\n\nRyan Ruddick\n00:26:15\nIntroduces unnamed poem 1. | Keywords: limerick [https://www.wikidata.org/wiki/Q204698]; Alberta [https://www.wikidata.org/wiki/Q1951].\n\nRyan Ruddick\n00:26:49\nPerforms unnamed poem 1.\n\nRyan Ruddick\n00:27:10\nPerforms unnamed poem 2 [audience laughter throughout].\n\nRyan Ruddick\n00:27:33\nAddresses audience.\n\nRyan Ruddick\n00:27:35\nPerforms unnamed poem 3.\n\nRyan Ruddick\n00:28:00\nPerforms unnamed poem 4. | Keywords: photography [https://www.wikidata.org/wiki/Q11633].\n\nRyan Ruddick\n00:28:14\nPerforms unnamed poem 4.\n\nAudience\n00:28:36\nApplause.\n\nIan Ferrier\n00:28:47\nAddresses audience. Announces intermission.\n\nAudience\n00:29:14\nApplause.\n\nUnknown\n00:29:26\nAmbient Sounds [voices; recorded music].\n\nIan Ferrier\n00:29:35\nAnnounces second set [cut-off at beginning]. Promotes Paula Belina’s Paint a City Coat on You, My Wall [CD; Take this Hammer; 2006]. Promotes CDs by Kyra Shaughnessy and Lisa Hoffman.\n\nAudience\n00:30:03\nApplause.\n\nIan Ferrier\n00:30:05\nPromotes Hoffman’s zines. Introduces The Shape-Shifter Tour and promotes their upcoming tour.\n\nAudience\n00:30:26\nApplause.\n\nUnknown\n00:30:33\nAmbient Sounds [voices].\n\nPaula Belina\n00:30:41\nAddresses Hoffman and Shaughnessy; an exchange follows.\n\nThe Shape-Shifter Tour [Paula Belina, Lisa Hoffman, and Kyra Shaughnessy].\n00:30:45\nPromotes their upcoming tour. | Keywords: Cambridge, Ontario [https://www.wikidata.org/wiki/Q1028279]; Hamilton [https://www.wikidata.org/wiki/Q133116]; Toronto [https://www.wikidata.org/wiki/Q172]; Sudbury [https://www.wikidata.org/wiki/Q383434]; Sault Ste-Marie [https://www.wikidata.org/wiki/Q463165]; Lethbridge [https://www.wikidata.org/wiki/Q270887]; Café Espereranza [venue, Montreal]; open mic [https://www.wikidata.org/wiki/Q256869].\n\nKyra Shaughnessy\n00:31:24\nAddresses audience.\n\nKyra Shaughnessy\n00:31:32\nPerforms unnamed poem 1. \n\nAudience\n00:35:27\nApplause.\n\nLisa Hoffman\n00:35:37\nIntroduces unnamed poem 1.\n\nLisa Hoffman\n00:36:02\nPerforms unnamed poem 1.\n\nAudience\n00:38:41\nApplause.\n\nPaula Belina\n00:38:51\nAddresses audience. Introduces unnamed poem 1.\n\nPaula Belina\n00:39:12\nPerforms unnamed poem 1.\n\nAudience\n00:40:48\nLaughter.\n\nPaula Belina\n00:40:51\nResumes performing poem 1 [audience laughter throughout].\n\nAudience\n00:44:43\nApplause.\n\nKyra Shaughnessy\n00:44:56\nAddresses audience.\n\nPaula Belina\n00:44:59\nLaughter.\n\nKyra Shaughnessy\n00:45:01\nIntroduces unnamed poem 2.\n\nKyra Shaughnessy\n00:45:10\nPerforms unnamed poem 2.\n\nAudience\n00:47:35\nApplause.\n\nUnknown\n00:47:48\nAmbient Sounds [voices].\n\nLisa Hoffman\n00:47:50\nIntroduces “Compromised Dakotan” [?].\n\nLisa Hoffman\n00:48:00\nPerforms “Compromised Dakotan” [?].\n\nAudience\n00:49:56\nApplause.\n\nPaula Belina\n00:50:04\nAddresses audience.\n\nAudience \n00:50:07\nLaughter.\n\nPaula Belina\n00:50:10\nAddresses audience; an exchange follows.\n\nPaula Belina\n00:50:18\nPromotes CD. Introduces “From My Meaning Throat”.\n\nPaula Belina\n00:50:49\nPerforms “From My Meaning Throat”. \n\nAudience\n00:55:46\nApplause.\n\nKyra Shaughnessy\n00:55:58\nIntroduces “Father”. \n\nKyra Shaughnessy\n00:56:31\nPerforms “Father”. \n\nAudience\n01:05:56\nApplause.\n\nLisa Hoffman\n01:06:08\nAddresses audience. Promotes the Shape-Shifter Tour’s CDs and zines. Introduces unnamed poem 2.\n\nLisa Hoffman\n01:06:46\nPerforms unnamed poem 2.\n\nAudience\n01:11:51\nApplause.\n\nPaula Belina\n01:12:02\nAddresses audience.\n\nAudience\n01:12:35\nLaughter. \n\nPaula Belina\n01:12:38\nAddresses audience.\n\nAudience\n01:12:40\nApplause.\n\nPaula Belina\n01:12:44\nAddresses audience.\n\nUnknown Audience Member 2\n01:12:49\nAddresses Belina.\n\nPaula Belina\n01:12:51\nIntroduces “Heavy”. Addresses audience member. | Keywords: Zora [https://www.wikidata.org/wiki/Q220480].\n\nUnknown Audience Member 3\n01:13:02\nAddresses Belina [unintelligible].\n\nPaula Belina\n01:13:04\nResumes introducing “Heavy”. \n\nPaula Belina\n01:13:13\nPerforms “Heavy”. \n\nPaula Belina\n01:18:49\nIntroduces “Edge of Things”. \n\nPaula Belina\n01:19:05\nPerforms “Edge of Things”. \n\nUnknown\n01:20:54\nSilence [Cut in recording].\n\nEND\n01:45:08\n[Recording continues on file 2].\n\nFile 2 of 2 — 16092019173333_DN-700R.wav\n\nPaula Belina\n00:00:03\nPerforms “Edge of Things”.\n\nPaula Belina\n00:02:16\nAddresses audience.\n\nAudience\n00:02:19\nApplause.\n\nUnknown\n00:02:36\nAmbient Sounds [voices].\n\nKyra Shaughnessy\n00:02:43\nAddresses audience.\n\nAudience\n00:03:09\nLaughter.\n\nPaula Belina, Unknown Audience Member 4\n00:03:16\nAddresses Shaughnessy; an exchange follows.\n\nKyra Shaughnessy\n00:03:20\nAddresses Belina and Unknown Audience Member 4.\n\nKyra Shaughnessy\n00:03:26\nPerforms unnamed poem 3.\n\nAudience\n00:06:03\nApplause.\n\nKyra Shaughnessy\n00:06:12\nIntroduces unnamed poem 4. \n\nUnknown Audience Member 5\n00:06:17\nAddresses Shaughnessy; an exchange follows.\n\nKyra Shaughnessy\n00:06:28\nPerforms unnamed poem 4. \n\nAudience\n00:09:40\nApplause.\n\nKyra Shaughnessy\n00:09:50\nIntroduces “Take Me Away”.\n\nKyra Shaughnessy\n00:09:58\nPerforms “Take Me Away”. \n\nAudience\n00:13:23\nApplause.\n\nKyra Shaughnessy\n00:13:29\nAddresses Belina and Hoffman.\n\nThe Shape-Shifter Tour\n00:13:35\nAddresses audience.\n\nAudience\n00:13:38\nApplause.\n\nKyra Shaughnessy\n00:13:40\nPromotes upcoming Shape-Shifter Tour show [September 7th, 2006; Café Esperanza, Montreal]. Promotes CDs. \n\nAudience\n00:13:49\nApplause.\n\nIan Ferrier\n00:13:58\nAddresses audience.\n\nAudience\n00:14:04\nApplause.\n\nIan Ferrier\n00:14:10\nAnnounces end of show. Promotes September Words and Music Show. | Keywords: Keir Cutler [performer]; Spalding Gray [https://www.wikidata.org/wiki/Q321917]; Hilary Peach [poet]; Fortner Anderson [poet]; Omar Khadr [https://www.wikidata.org/wiki/Q302466]; Guantanamo Bay [https://www.wikidata.org/wiki/Q357].\n\nAudience\n00:14:49\nApplause.\n\nUnknown\n00:15:00\nAmbient Sounds [recorded music; voices].\n\nUnknown\n00:15:05\nSilence [Cut in recording].\n\nEND\n00:16:41\n[End of recording]."],"score":0.01643844},{"id":"1219","cataloger_name":["Emma,Telaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa del Popolo 2006-10-22"],"item_title_source":["Container "],"item_title_note":["On MD \"W+M Oct 2006 22nd -Pharmakon-Lydia-Val Khayat #1\"; W+M Oct 2006 22nd Pharmakon Kaie  #2\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian","Pharmakon","Kellough, Kaie","Lockett, Lydia","Khayat, Valerie"],"creator_names_search":["Ferrier, Ian","Pharmakon","Kellough, Kaie","Lockett, Lydia","Khayat, Valerie"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian \",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"http://viaf.org/viaf/2451151247938044270008\",\"name\":\"Pharmakon\",\"dates\":\"1990-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/68351676\",\"name\":\"Kellough, Kaie\",\"dates\":\"1975-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Lockett, Lydia\",\"dates\":\"\",\"notes\":\"No viaf entry.\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/102830671\",\"name\":\"Khayat, Valerie\",\"dates\":\"1983-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[2006],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"Magneto-Optical\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"Magneto-Optical\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Minidisc","Minidisc"],"physical_compositions":["Magneto-Optical","Magneto-Optical"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Stereo","Stereo"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2006/10/\",\"file_path\":\"\",\"filename\":\"17092019105749_DN-700R.wav\",\"channel_field\":\"Stereo\",\"sample_rate\":\"96kHz\",\"duration\":\"01:20:53\",\"precision\":\"\",\"size\":\"1 GB\",\"bitrate\":\"24\",\"encoding\":\"Waveform \",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2006/10/\",\"file_path\":\"\",\"filename\":\"17092019122106_DN-700R.wav\",\"channel_field\":\"Stereo\",\"sample_rate\":\"96kHz\",\"duration\":\"00:53:34\",\"precision\":\"\",\"size\":\"813 MB\",\"bitrate\":\"24\",\"encoding\":\"Waveform \",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2006-10-22\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Container\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa del Popolo (Montreal)\",\"notes\":\"\",\"address\":\"4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada\",\"latitude\":\"45,5222118\",\"longitude\":\"-73,5905321\"}]"],"Address":["4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada"],"Venue":["Casa del Popolo (Montreal)"],"City":["Montreal, Quebec"],"content_notes":["On Sunday, 22 October 2006, cure what ails with the Words and Music show. Pharmakon and Ian Ferrier headline the show with Kaie Kellough, Lydia Lockett, and singer-songwriter Valerie Khayat. The evening ends on a poetry jam with Pharmakon. Doors open 8Pm, $5, at the Casa del Popolo. The show is presented by CKUT 90.3FM, the Quebec Writers’ Federation, and the Canada Council for the Arts. "],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548624637952,"timestamp":"2026-01-07T14:59:53.264Z","contents":["File 1 of 2 — 17092019105749_DN-700R.wav\n\nUnknown\n00:00:03\nAmbient Sounds [recorded music].\n\nUnknown\n00:00:06\nSilence [Cut in recording].\n\nIan Ferrier\n00:00:16\nIntroduces event. Discusses Valerie Khayat, Pharmakon MTL [Chris Ma, Doug Stein, John Stein], Kaie Kellough, and Lydia Lockett. Introduces Pharmakon MTL.\n\nAudience\n00:01:14\nApplause.\n\nUnknown\n00:01:24\nAmbient Sounds [movement; instruments tuning; voices].\n\nIan Ferrier and Pharmakon MTL\n00:02:33\nPerforms unnamed compositions.\n\nAudience\n00:19:52\nApplause.\n\n00:20:04\nAddresses audience. | Keywords: detective [https://www.wikidata.org/wiki/Q842782]. \n\nIan Ferrier\n00:20:19\nAddresses Pharmakon MTL members; an exchange follows.\n\nIan Ferrier\n00:20:28\nAddresses audience. Introduces Lydia Lockett.\n\nAudience\n00:20:52\nApplause.\n\nUnknown\n00:21:04\nAmbient Sounds [movement; voices].\n\nLydia Lockett\n00:21:25\nAddresses audience.\n\nLydia Lockett\n00:21:45\nAmbient Sounds [movement].\n\nLydia Lockett\n00:22:09\nAddresses unknown.\n\nLydia Lockett\n00:22:13\nIntroduces “What I Like About Sex”. \n\nLydia Lockett\n00:22:25\nPerforms “What I Like About Sex”. \n\nAudience\n00:24:15\nApplause.\n\nLydia Lockett\n00:24:23\nIntroduces unnamed poem 1.\n\nLydia Lockett\n00:24:40\nPerforms unnamed poem 1.\n\nAudience\n00:27:38\nApplause.\n\nLydia Lockett\n00:27:45\nIntroduces unnamed poem 2. | Keywords: jazz poetry [https://www.wikidata.org/wiki/Q6168405].\n\nLydia Lockett\n00:28:09\nAddresses sound technician.\n\nLydia Lockett\n00:28:20\nPerforms unnamed poem 2.\n\nAudience\n00:33:04\nApplause.\n\nUnknown\n00:33:15\nAmbient Sounds [movement].\n\nIan Ferrier\n00:33:28\nAddresses audience.\n\nAudience\n00:33:31\nApplause.\n\nIan Ferrier\n00:33:35\nPromotes Lockett’s CD. Announces intermission.\n\nUnknown\n00:33:46\nSilence.\n\nUnknown\n00:34:44\nAmbient Sounds [recorded music].\n\nIan Ferrier\n00:41:32\nAnnounces second set. Promotes Fortner Anderson’s CD He Sings [with tape/head; Wired on Words; 2006]. | Keywords: Omar Khadr [https://www.wikidata.org/wiki/Q302466]; Guantanamo Bay [https://www.wikidata.org/wiki/Q357]; radio stations [https://www.wikidata.org/wiki/Q14350]; college network [https://www.wikidata.org/wiki/Q1436229]; jail [https://www.wikidata.org/wiki/Q40357].\n\nUnknown Audience Member 1\n00:42:42\nAddresses Ferrier [unintelligible].\n\nIan Ferrier\n00:42:45\nAddresses Unknown Audience Member 1; an exchange follows. | Keywords: military tribunal [https://www.wikidata.org/wiki/Q16933804].\n\nIan Ferrier\n00:42:59\nIntroduces Valerie Khayat. | Keywords: Stefan Christoff [https://www.wikidata.org/wiki/Q7606050]; anti-war [https://www.wikidata.org/wiki/Q794691].\n\nAudience\n00:43:21\nApplause.\n\nUnknown\n00:43:46\nAmbient Sounds [movement].\n\nValerie Khayat\n00:43:59\nAddresses audience. Introduces “Megacities”. | Keywords: cold [https://www.wikidata.org/wiki/Q12125]; documentary [https://www.wikidata.org/wiki/Q93204]; Cinema Politica [https://www.wikidata.org/wiki/Q5120752]; Megacities [https://www.wikidata.org/wiki/Q47472423].\n\nValerie Khayat\n00:44:55\nPerforms “Megacities”. \n\nAudience\n00:48:57\nApplause.\n\nValerie Khayat\n00:49:07\nIntroduces “Niño”. | Keywords: self-love [https://www.wikidata.org/wiki/Q16546994].\n\nValerie Khayat\n00:49:40\nPerforms “Niño”. \n\nAudience\n00:54:46\nApplause.\n\nValerie Khayat\n00:54:55\nIntroduces “Destiny Has You”. | Keywords: improvised [https://www.wikidata.org/wiki/Q1049625].\n\nValerie Khayat\n00:55:40\nPerforms “Destiny Has You”. \n\nAudience\n01:01:09\nApplause.\n\nValerie Khayat\n01:01:16\nAddresses audience. Introduces “Jacob”. | Keywords: Uganda [https://www.wikidata.org/wiki/Q1036]; child soldiers [https://www.wikidata.org/wiki/Q843926].\n\nValerie Khayat\n01:02:31\nPerforms “Jacob”. \n\nAudience\n01:08:16\nApplause.\n\nValerie Khayat\n01:08:23\nAddresses audience [audience applause throughout].\n\nIan Ferrier\n01:08:40\nAddresses Khayat. Promotes Khayat’s CD.\n\nIan Ferrier \n01:08:58\nIntroduces Kaie Kellough. Promotes Kellough’s Lectricity [book].\n\nAudience\n01:09:27\nApplause.\n\nKaie Kellough\n01:09:36\nAddresses audience. Introduces “Simon the Cyrene’s Harlem Dream”. | Keywords: work [https://www.wikidata.org/wiki/Q6958747]; Montreal [https://www.wikidata.org/wiki/Q340]; The Passion of the Christ [https://www.wikidata.org/wiki/Q51668]; Mel Gibson [https://www.wikidata.org/wiki/Q42229]. \n\nKaie Kellough\n01:11:29\nPerforms “Simon the Cyrene’s Harlem Dream”. \n\nAudience\n01:13:28\nApplause.\n\nKaie Kellough\n01:13:37\nAddresses audience. Introduces “Boyhood Dub, Part 2”. | Keywords: Calgary [https://www.wikidata.org/wiki/Q36312].\n\nKaie Kellough\n01:13:54\nPerforms “Boyhood Dub, Part 2”. \n\nKaie Kellough\n01:16:08\nIntroduces “Burgundy”. \n\nAudience\n01:16:09\nApplause.\n\nKaie Kellough\n01:16:15\nResumes introducing “Burgundy”. | Keywords: multicultural [https://www.wikidata.org/wiki/Q190656]; Little Burgundy [https://www.wikidata.org/wiki/Q3377317]; jazz [https://www.wikidata.org/wiki/Q8341]; Rufus Rockhead [entreprenuer and nightclub owner]; Rockhead’s Paradise [https://www.wikidata.org/wiki/Q18163556]; Duke Ellington [https://www.wikidata.org/wiki/Q4030]; Billie Holiday [https://www.wikidata.org/wiki/Q104358]; Lights of Burgundy [album; Oliver Jones; 1985].\n\nKaie Kellough\n01:17:24\nPerforms “Burgundy”. \n\nKaie Kellough\n01:20:27\nIntroduces “Balm in Babylon”. \n\nAudience\n01:20:29\nApplause.\n\nKaie Kellough\n01:20:38\nResumes introducing “Balm in Babylon”. | Keywords: Burning Spear [https://www.wikidata.org/wiki/Q361646].\n\nAudience\n01:20:54\nLaughter.\n\nKaie Kellough\n01:20:55\nPerforms “Balm in Babylon”.\n\nUnknown\n01:20:56\nSilence [Cut in recording].\n\nEND.\n01:21:01\n[Recording continues on file 2]. \n\nFile 2 of 2 — 17092019122106_DN-700R\n\nIan Ferrier\n00:00:03\nAddresses audience [cut off].\n\nSteve Godin\n00:00:07\nIntroduces “Monetary Mantra”. Addresses audience. | Keywords: Pang Up Icon Eyelids [?] [band]; Kronos [https://www.wikidata.org/wiki/Q44204]; horoscope [https://www.wikidata.org/wiki/Q188518]; poor [https://www.wikidata.org/wiki/Q10294].\n\nAudience\n00:01:05\nAddresses Steve Godin.\n\nSteve Godin\n00:01:07\nResumes introducing “Monetary Mantra”.  Addresses audience. | Keywords: welfare [https://www.wikidata.org/wiki/Q12002092].\n\nAudience\n00:01:31\nLaughter.\n\nSteve Godin\n00:01:33\nAddresses audience. Addresses Ferrier.\n\nUnknown\n00:01:52\nAmbient Sounds [static].\n\nSteve Godin\n00:01:57\nPerforms “Monetary Mantra”.\n\nAudience \n00:06:12 \nApplause.\n\nSteve Godin.\n00:06:23\nAddresses audience.\n\nUnknown Audience Member 2\n00:06:25\nAddresses Steve Godin.\n\nSteve Godin \n00:06:27\nAddresses Unknown Audience Member 2.\n\nAudience\n00:06:33\nLaughter.\n\nSteve Godin\n00:06:37\nIntroduces “The Question Arises”. | Keywords: Antonin Artaud [https://www.wikidata.org/wiki/Q187166]; Jean-Paul Sartre [https://www.wikidata.org/wiki/Q9364]; existentialism [https://www.wikidata.org/wiki/Q38066]; college [https://www.wikidata.org/wiki/Q189004].\n\nSteve Godin\n00:08:33\nAddresses audience. \n\nSteve Godin\n00:09:12\nPerforms “The Question Arises”.\n\nAudience\n00:15:36\nApplause.\n\nSteve Godin\n00:15:52\nAddresses audience.\n\nAudience\n00:15:55\nApplause.\n\nIan Ferrier\n00:16:07\nAddresses Godin.\n\nUnknown Audience Member 3\n00:16:16\nAddresses Ferrier.\n\nUnknown\n00:16:18\nAmbient Sounds [movement; voices].\n\nUnknown \n00:19:09\nAmbient Sounds [recorded music].\n\nIan Ferrier\n00:19:34\nIntroduces Pharmakon MTL and Ian Ferrier. \n\nPharmakon MTL\n00:19:54\nAmbient Sounds [instruments tuning].\n\nIan Ferrier\n00:20:24\nIntroduces unnamed composition 1. | Keywords: George Bush [https://www.wikidata.org/wiki/Q207]; Stephen Harper [https://www.wikidata.org/wiki/Q206].\n\nUnknown Audience Member 4\n00:20:29\nAddresses Ferrier.\n\nPharmakon MTL, Ian Ferrier\n00:20:49\nPerforms unnamed composition 1.\n\nMikayla [?]\n00:27:30\nAddresses audience. Introduces “A Decree”.\n\nPharmakon MTL, Mikayla\n00:27:58\nPerforms “A Decree”.\n\nAudience\n00:28:55\nApplause.\n\nMikayla [?]\n00:29:01\nIntroduces “His Sanctuary Holds” [Pharmakon MTL jams throughout].\n\nPharmakon MTL, Mikayla\n00:29:07\nPerforms “His Sanctuary Holds”.\n\nAudience\n00:30:02\nApplause.\n\nPharmakon MTL \n00:30:06\nResumes jamming.\n\nPharmakon MTL, Unknown Performer 1\n00:30:25\nPerforms unnamed composition.\n\nAudience\n00:32:31\nApplause [Pharmakon MTL jams throughout].\n\nPharmakon MTL, Unknown Performer 2\n00:32:45\nPerforms unnamed composition 1.\n\nAudience\n00:35:27\nApplause [Pharmakon MTL jams throughout].\n\nUnknown Performer 2\n00:35:35\nIntroduces unnamed composition 2.\n\nPharmakon MTL, Unknown Performer 2\n00:35:41\nPerforms unnamed composition 2.\n\nAudience\n00:36:14\nApplause [Pharmakon MTL jams throughout].\n\nUnknown Performer 3\n00:36:28\nAddresses audience.\n\nPharmakon MTL, Unknown Performer 3\n00:36:35\nPerforms unnamed composition.\n\nAudience\n00:39:21\nApplause.\n\nUnknown\n00:39:48\nAmbient Sounds [movement, voices].\n\nPharmakon MTL\n00:40:23\nResumes jamming.\n\nCatherine Kidd\n00:41:22\nIntroduces “Dream of Friends” [Pharmakon MTL jams throughout].\n\nPharmakon MTL, Catherine Kidd\n00:41:37\nPerforms “Dream of Friends”.\n\nCatherine Kidd\n00:52:09\nAddresses audience.\n\nAudience\n00:52:23\nApplause.\n\nIan Ferrier\n00:52:34\nIntroduces members of Pharmakon MTL. Addresses Catherine Kidd. Announces end of event [audience applause throughout].\n\nAudience\n00:53:05\nApplause.\n\nUnknown \n00:53:13\nAmbient Sounds [movement; voices; recorded music].\n\nEND\n00:53:38\n[End of recording]."],"score":0.01643844},{"id":"1220","cataloger_name":["Emma,Telaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa del Popolo 2006-09-17"],"item_title_source":["Container "],"item_title_note":["On MD \"W+M 06 Sept 17 Hilary Keir Fortner #1\"; \"W+M Sept 17 2006 Hilary Keir Fortner #2\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian","Anderson, Fortner","Peach, Hilary","Varty, Alex","Cutler, Keir","Graham, Patrick"],"creator_names_search":["Ferrier, Ian","Anderson, Fortner","Peach, Hilary","Varty, Alex","Cutler, Keir","Graham, Patrick"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian \",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"http://viaf.org/viaf/106026246\",\"name\":\"Anderson, Fortner\",\"dates\":\"1955-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/102871421\",\"name\":\"Peach, Hilary\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Varty, Alex\",\"dates\":\"\",\"notes\":\"No viaf entry.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/104060991\",\"name\":\"Cutler, Keir\",\"dates\":\"1956-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/1148389320410711928\",\"name\":\"Graham, Patrick\",\"dates\":\"\",\"notes\":\"On the drums with Alex Varty. \",\"nation\":[],\"role\":[]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[2006],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"Magneto-Optical\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"Magneto-Optical\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Minidisc","Minidisc"],"physical_compositions":["Magneto-Optical","Magneto-Optical"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Stereo","Stereo"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2006/09/\",\"file_path\":\"\",\"filename\":\"17092019131622_DN-700R.wav\",\"channel_field\":\"Stereo\",\"sample_rate\":\"96kHz\",\"duration\":\"01:13:50\",\"precision\":\"\",\"size\":\"1 GB\",\"bitrate\":\"24\",\"encoding\":\"Waveform \",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2006/09/\",\"file_path\":\"\",\"filename\":\"17092019145528_DN-700R.wav\",\"channel_field\":\"Stereo\",\"sample_rate\":\"96kHz\",\"duration\":\"00:21:19\",\"precision\":\"\",\"size\":\"344 MB\",\"bitrate\":\"24\",\"encoding\":\"Waveform \",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2006-09-17\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Container\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa del Popolo (Montreal)\",\"notes\":\"\",\"address\":\"4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada\",\"latitude\":\"45,5222118\",\"longitude\":\"-73,5905321\"}]"],"Address":["4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada"],"Venue":["Casa del Popolo (Montreal)"],"City":["Montreal, Quebec"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548624637953,"timestamp":"2026-01-07T14:59:53.264Z","contents":["File 1 of 2 — 17092019131622_DN-700R.wav \n\nUnknown\n00:00:03\nAmbient Sounds [recorded music; voices; movement].\n\nIan Ferrier\n00:00:32\nIntroduces event. Introduces Fortner Anderson. Promotes Anderson’s and tape/head’s He Sings [CD; Wired on Words; 2006]. | Keywords: George Bush [https://www.wikidata.org/wiki/Q207]; Guantanamo Bay [https://www.wikidata.org/wiki/Q357]; jail [https://www.wikidata.org/wiki/Q40357].\n\nAudience\n00:01:46\nApplause.\n\nFortner Anderson\n00:02:05\nPerforms “He Sings”. \n\nAudience\n00:09:26\nApplause.\n\nFortner Anderson\n00:09:40\nAddresses audience. | Keywords: Omar Khadr [https://www.wikidata.org/wiki/Q302466]; US colonel [https://www.wikidata.org/wiki/Q2984198]; torture [https://www.wikidata.org/wiki/Q132781]; interrogation [https://www.wikidata.org/wiki/Q327018]; college radio stations [https://www.wikidata.org/wiki/Q1436229]; Wired on Words [record label]; CKUT [https://www.wikidata.org/wiki/Q2931672]; tape/head [band].\n\nAudience\n00:13:18 \nApplause.\n\nIan Ferrier\n00:13:35\nPromotes Anderson’s and tape/head’s He Sings. Introduces Keir Cutler. Promotes Cutler’s show. | Keywords: Byron Toben [theatre critic]; playwright [https://www.wikidata.org/wiki/Q214917]; Canada [https://www.wikidata.org/wiki/Q16].\n\nAudience\n00:14:38\nApplause.\n\nKeir Cutler\n00:14:47\nAddresses audience. | Keywords: Montreal [https://www.wikidata.org/wiki/Q340]; Toronto [https://www.wikidata.org/wiki/Q172]; Ottawa [https://www.wikidata.org/wiki/Q1930]; Winnipeg [https://www.wikidata.org/wiki/Q2135]; Saskatoon [https://www.wikidata.org/wiki/Q10566]; Edmonton [https://www.wikidata.org/wiki/Q2096]; solo artist [https://www.wikidata.org/wiki/Q2319401]; spoken word artist [https://www.wikidata.org/wiki/Q1428637]; Jem Rolls [performer].\n\nKeir Cutler\n00:16:37\nIntroduces excerpt from Teaching as You Like It [solo show; 2006]. | Keywords: Montreal Fringe Festival [https://www.wikidata.org/wiki/Q7586652].\n\nKeir Cutler\n00:16:51\nPerforms excerpt from Teaching as You Like It [slightly unintelligible].\n\nAudience\n00:28:57\nApplause.\n\nIan Ferrier\n00:29:12\nAddresses audience. Announces intermission and Hilary Peach, Alex Varty, and Patrick Graham [drums] after the break. \n\nAudience\n00:29:36\nApplause.\n\nUnknown\n00:29:37 \nSilence [cut in recording].\n\nUnknown\n00:29:43\nAmbient Sound [recorded music].\n\nIan Ferrier\n00:29:47\nIntroduces second set. Introduces Hilary Peach.\n\nUnknown Audience Member 1 [Hilary Peach?]\n00:29:59\nAddresses Ferrier [unintelligible].\n\nIan Ferrier\n00:30:00\nResumes introducing Hilary Peach, Alex Varty, and Patrick Graham.\n\nAudience\n00:30:13\nApplause.\n\nUnknown\n00:30:19\nAmbient Sounds [voices; movement].\n\nAlex Varty\n00:30:27\nAddresses audience.\n\nUnknown\n00:30:31\nAmbient Sounds [voices; movement].\n\nHilary Peach\n00:30:43\nAddresses audience.\n\nUnknown Audience Member 2\n00:30:44\nAddresses Peach.\n\nHilary Peach\n00:30:57\nAddresses Ferrier. Addresses Graham.\n\nPatrick Graham\n00:31:02\nAddresses Peach. \n\nHilary Peach\n00:31:04\nAddresses audience. | Keywords: Internet dating service [https://www.wikidata.org/wiki/Q612825]; percussionist [https://www.wikidata.org/wiki/Q4351403]. \n\nAlex Varty\n00:31:15\nAddresses Peach; an exchange follows.\n\nHilary Peach\n00:31:18\nResumes addressing audience. Introduces unnamed composition 1. | Keywords: United States [https://www.wikidata.org/wiki/Q30]; power plants [https://www.wikidata.org/wiki/Q159719]; welder [https://www.wikidata.org/wiki/Q836328]; Boilerrmakers' Union [https://www.wikidata.org/wiki/Q6048865].\n\nAudience\n00:31:55\nLaughter.\n\nUnknown Audience Member 3\n00:31:57\nAddresses Peach.\n\nHilary Peach\n00:31:58\nAddresses Unknown Audience Member 3.\n\nAlex Varty\n00:32:02\nAddresses Peach; an exchange follows.\n\nHilary Peach Band \n00:32:08\nPerforms unnamed composition 1. \n\nAudience\n00:38:09\nApplause.\n\nHilary Peach\n00:38:23\nIntroduces unnamed composition 2. | Keywords: letter [https://www.wikidata.org/wiki/Q133492]; alien [https://www.wikidata.org/wiki/Q473741]; boilermaker [https://www.wikidata.org/wiki/Q520895].\n\nHilary Peach Band \n00:39:18\nPerforms unnamed composition 2 [audience laughter throughout].\n\nAudience\n00:55:37\nApplause.\n\nHilary Peach\n00:55:49\nAddresses audience. \n\nAudience\n00:55:59\nLaughter.\n\nAlex Varty \n00:56:01\nAddresses Peach.\n\nHilary Peach Band\n00:56:03\nPerforms unnamed composition 3.\n\nAudience\n01:00:18\nApplause.\n\nHilary Peach\n01:00:28\nAddresses audience. \n\nAudience \n01:00:34\nApplause.\n\nHilary Peach\n01:00:38\nResumes addressing audience. | Keywords: West Coast [https://www.wikidata.org/wiki/Q1974].\n\nAudience\n01:00:58\nApplause.\n\nHilary Peach\n01:01:09\nResumes addressing audience. \n\nHilary Peach\n01:01:14\nAddresses Varty; an exchange follows.\n\nHilary Peach Band\n01:01:32\nPerforms “Pennsylvania” [audience laughter throughout].\n\nHilary Peach\n01:12:05\nAddresses audience.\n\nAudience\n01:12:06\nApplause [Peach addresses audience throughout].\n\nHilary Peach\n01:12:36\nAddresses unknown audience members; an exchange follows.\n\nIan Ferrier\n01:12:54\nAnnounces intermission. \n\nHilary Peach\n01:12:59\nAddresses Ferrier.\n\nAudience\n01:13:01\nLaughter.\n\nIan Ferrier\n01:13:04\nPromotes Peach’s Poems Only Dogs Can Hear [CD; 2003]. Announces Alex Varty and Patrick Graham after the break.\n\nUnknown\n01:13:35\nAmbient Sounds [voices; recorded music].\n\nUnknown\n01:13:53\nSilence [Cut in recording].\n\nEND\n01:13:57\n[Recording continues on file 2].\n\nFile 2 of 2 — 17092019145528_DN-700R.wav\n\nIan Ferrier\n00:00:03\nPromotes Anderson’s and tape/head’s He Sings and Peach’s Poems Only Dogs Can Hear. Introduces Alex Varty and Patrick Graham. \n\nAudience\n00:00:26\nApplause.\n\nUnknown\n00:00:37\nAmbient Sounds [voices; movement].\n\nAlex Varty\n00:00:41\nAddresses audience. | Keywords: Canada Council [https://www.wikidata.org/wiki/Q2993809].\n\nPatrick Graham\n00:00:59\nAddresses Varty.\n\nAlex Varty\n00:01:01\nResumes addressing audience.\n\nAlex Varty \n00:01:09\nIntroduces unnamed cover [slightly unintelligible]. | Keywords: Episcopalian [https://www.wikidata.org/wiki/Q682443].\n\nAlex Varty and Patrick Graham\n00:01:31\nPerforms unnamed cover and improvisation set 1.  \n\nAlex Varty\n00:10:05\nAddresses Graham.\n\nAudience\n00:10:11\nApplause.\n\nAlex Varty and Patrick Graham\n00:10:21\nPerforms improvisation set 2. \n\nAlex Varty \n00:12:00\nAddresses Graham; an exchange follows.\n\nAudience\n00:12:10\nApplause.\n\nIan Ferrier\n00:12:25\nAddresses Varty and Graham. Addresses Peach and other performers. Announces end of event. Promotes October Words and Music Show. \n\nUnknown Audience Member 4\n00:12:47\nAddresses unknown.\n\nIan Ferrier\n00:12:49\nIntroduces Steve Godin playing from Anderson’s and tape/head’s He Sings.\n\nUnknown\n00:13:05\nSilence [Cut in recording].\n\nUnknown \n00:14:28\nAmbient Sounds [recorded music: Fortner Anderson’s and tape/head’s He Sings].\n\nUnknown\n00:21:12\nSilence [end of recorded music].\n\nUnknown\n00:21:22\nSilence [cut in recording].\n\nEND\n00:22:42\n[End of recording]."],"score":0.01643844},{"id":"1221","cataloger_name":["Emma,Telaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["DUPLICATE_Words and Music at the Casa del Popolo 2007-01-28"],"item_title_source":["Container "],"item_title_note":["On MD \"W+M Alexis Vict. Will Jan 2007 #1\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian","Aitken, Will","O'Hara, Alexis","Stanton, Victoria","Thomas, Stephen","Khayat, Valerie"],"creator_names_search":["Ferrier, Ian","Aitken, Will","O'Hara, Alexis","Stanton, Victoria","Thomas, Stephen","Khayat, Valerie"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian \",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"http://viaf.org/viaf/4035558\",\"name\":\"Aitken, Will\",\"dates\":\"1949-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/106457511\",\"name\":\"O'Hara, Alexis\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/1975942\",\"name\":\"Stanton, Victoria\",\"dates\":\"1970-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Thomas, Stephen\",\"dates\":\"\",\"notes\":\"No viaf. \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/102830671\",\"name\":\"Khayat, Valerie\",\"dates\":\"1983-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[2007],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"Magneto-Optical\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Minidisc"],"physical_compositions":["Magneto-Optical"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2007-01-28\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Container\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa del Popolo (Montreal)\",\"notes\":\"\",\"address\":\"4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada\",\"latitude\":\"45,5222118\",\"longitude\":\"-73,5905321\"}]"],"Address":["4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada"],"Venue":["Casa del Popolo (Montreal)"],"City":["Montreal, Quebec"],"contents":["From the poster we know that this Sunday, 28 January 2007 Words and Music Show offered performances by Alexis O’Hara, Victoria Stanton, Will Aitken, Stephen Thomas, and singer songwriter Valerie Khayat.  It was held at the Casa del Popolo, 4873 St-Laurent.  Doors opened at 8pm and the cost of entry was $5."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548626735104,"timestamp":"2026-01-07T14:59:53.264Z","score":0.01643844},{"id":"1222","cataloger_name":["Emma,Telaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa del Popolo 2008-08-24"],"item_title_source":["Container "],"item_title_note":["On MD \"W+Mth Aug 2008 Moe Luna Ralph #1\"; \"W+M Aug 24th 2008 Moe Luna #2\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian \",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"contributors_names":["Clark, Moe","Dobby, Tim","Martonfi, Ilona","Masson, Chris","Allison, Luna","Alfonso, Ralph"],"contributors_names_search":["Clark, Moe","Dobby, Tim","Martonfi, Ilona","Masson, Chris","Allison, Luna","Alfonso, Ralph"],"contributors":["[{\"url\":\"http://viaf.org/viaf/317024729\",\"name\":\"Clark, Moe\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Dobby, Tim\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/102818325\",\"name\":\"Martonfi, Ilona\",\"dates\":\"1942\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/88459662\",\"name\":\"Masson, Chris\",\"dates\":\"\",\"notes\":\"Possible Viaf entry: http://viaf.org/viaf/88459662\\n\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Allison, Luna\",\"dates\":\"\",\"notes\":\"(Announced but missing; performance probably on mute file)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/105995593\",\"name\":\"Alfonso, Ralph\",\"dates\":\"\",\"notes\":\"Possible VIAF entry: http://viaf.org/viaf/105995593 (Announced but missing; performance probably on mute file)\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Clark, Moe","Dobby, Tim","Martonfi, Ilona","Masson, Chris","Allison, Luna","Alfonso, Ralph"],"Performance_Date":[2008],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"Magneto-Optical\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"Magneto-Optical\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Minidisc","Minidisc"],"physical_compositions":["Magneto-Optical","Magneto-Optical"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Stereo","Stereo"],"Dates":["[{\"date\":\"2008-08-24\",\"type\":\"Performance Date\",\"notes\":\"Date indicated on MiniDisk container, on event poster, and in radio ad\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa del Popolo (Montreal)\",\"notes\":\"\",\"address\":\"4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada\",\"latitude\":\"45,5222118\",\"longitude\":\"-73,5905321\"}]"],"Address":["4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada"],"Venue":["Casa del Popolo (Montreal)"],"City":["Montreal, Quebec"],"content_notes":["According to the poster, the Words and Music Show of Sunday, 24 August 2008 featured “voice and verse” by Moe Clark, Luna Allison, poems by Ilona Martonfi and Christ Masson, “special guest RALPH!” and music by “guitar wizard” Tim Dobby. The radio advertisement described the show as one of “Cross-Canada talent, with Ralph Alfonso from Vancouver, Moe Clark from Calgary, and Luna Allison from Ottawa, all converging to meet guitarist extraordinaire Tim Dobby.”  It was held at the Casa del Popolo, 9pm, $5 entry fee."],"contents":["19092019114520_DN-700R.wav [File 1 of 2]\n\nUnknown\n00:00:04\nAmbient Sound [music and voices]. \n\nIan Ferrier\n00:00:42\nIntroduces event. | Keywords: Olympics [https://www.wikidata.org/wiki/Q5389]\n\nIan Ferrier\n00:01:11\nAnnounces future events [audience applause and laughter throughout]. | Keywords: Kenny Starr [https://www.wikidata.org/wiki/Q6391218]; Sacred Noise [show]; Moe Clark [https://www.wikidata.org/wiki/Q65116392]\n\nIan Ferrier\n00:01:31\nIntroduces Tim Dobby. \n\nAudience\n00:01:43\nApplause. \n\nTim Dobby\n00:02:02\nPerforms \"Sunburst\" [originally by Andrew York; [https://www.wikidata.org/wiki/Q2705717]] on guitar. \n\nAudience\n00:05:41\nApplause. \n\nTim Dobby\n00:05:44\nThanks audience [audience applause continues throughout]. \n\nTim Dobby\n00:06:12\nDiscusses \"Sunburst\" and introduces \"Missing Her\". | Keywords: California [https://www.wikidata.org/wiki/Q99]; Andrew York; New York [https://www.wikidata.org/wiki/Q60]; Frederic Hand [https://www.wikidata.org/wiki/Q5497042]; Bill Evans [https://www.wikidata.org/wiki/Q208205]\n\nTim Dobby\n00:06:51\nPerforms \"Missing Her\" [originally by Frederic Hand]. \n\nAudience\n00:11:14\nApplause. \n\nTim Dobby\n00:11:18\nThanks and addresses audience [audience applause continues throughout]. \n\nIan Ferrier\n00:11:39\nAddresses audience. \n\nIan Ferrier\n00:11:42\nIntroduces Ilona Martonfi. | Keywords: Yellow Door; Hugh Hazelton [https://www.wikidata.org/wiki/Q27942438]; J.R. Carpenter [https://www.wikidata.org/wiki/Q15637771]; Liam Durkin; Rita Donovan [https://www.wikidata.org/wiki/Q55215290]\n\nAudience\n00:12:22\nApplause. \n\nIlona Martonfi\n00:12:39\nAddresses audience and thanks Ian Ferrier [https://www.wikidata.org/wiki/Q87138884]. \n\nIlona Martonfi\n00:12:48\nIntroduces \"A Funeral Song For Magda\".\n\nIlona Martonfi\n00:12:56\nReads \"A Funeral Song For Magda\".\n\nIlona Martonfi\n00:14:04\nReads \"Childhood Stories\".\n\nIlona Martonfi\n00:14:40\nIntroduces \"My Daughter, Marissa\". \n\nIlona Martonfi\n00:14:47\nReads \"My Daughter, Marissa\". \n\nIlona Martonfi\n00:15:54\nIntroduces \"Night Wedding\" from Blue Poppy [book]. \n\nIlona Martonfi\n00:16:14\nReads \"Night Wedding\" from Blue Poppy. \n\nIlona Martonfi\n00:18:04\nIntroduces \"The Diary of a Nomad\". \n\nIlona Martonfi\n00:18:18\nReads \"The Diary of a Nomad\". \n\nAudience\n00:20:47\nApplause. \n\nIan Ferrier\n00:21:00\nThanks Ilona Martonfi. | Keywords: Yellow Door\n\nIan Ferrier\n00:21:06\nIntroduces Chris Masson. | Keywords: Throw Collective; Canada Council for the Arts [https://www.wikidata.org/wiki/Q2993809] \n\nAudience\n00:21:46\nApplause. \n\nChris Masson\n00:21:53\nAddresses audience. \n\nChris Masson\n00:22:03\nIntroduces \"Career Day\".\n\nChris Masson\n00:22:40\nPerforms \"Career Day\" in English and French [audience laughter throughout]. | Keywords: Appalachian Mountains [https://www.wikidata.org/wiki/Q93332]\n\nAudience\n00:25:23\nApplause. \n\nChris Masson\n00:25:29\nIntroduces unnamed poem. \n\nChris Masson\n00:26:01\nPerforms unnamed poem. \n\nAudience\n00:28:35\nApplause. \n\nIan Ferrier\n00:28:47\nIntroduces Moe Clark. | Keywords: Alberta [https://www.wikidata.org/wiki/Q1951]; Banff Centre [https://www.wikidata.org/wiki/Q4854863]; Circle of She [CD]; Pharmakon MTL\n\nAudience\n00:29:21\nApplause. \n\nMoe Clark\n00:29:33\nThanks Ian Ferrier. \n\nMoe Clark\n00:29:35\nAddresses audience. | Keywords: Montreal [https://www.wikidata.org/wiki/Q340]; Ian Ferrier \n\nAudience\n00:30:06\nApplause. \n\nMoe Clark\n00:30:12\nAddresses audience and other performers [audience applause continues throughout]. \n\nMoe Clark\n00:30:31\nAnnounces future event in English and French. | Keywords: Sacred Noise\n\nMoe Clark\n00:31:07\nPerforms [Red from Circle of She].\n\nAudience\n00:34:37\n Applause. \n\nMoe Clark\n00:34:47\nThanks and addresses audience. | Keywords: Rocky Mountains [https://www.wikidata.org/wiki/Q5463]\n\nMoe Clark\n00:35:16\nIntroduces \"Intersecting Circles\" [from Circle of She]. | Keywords: CBC [https://www.wikidata.org/wiki/Q461761]; Canada Council for the Arts; Cypress Hills [https://www.wikidata.org/wiki/Q1148229]; Alberta\n\nMoe Clark\n00:36:18\nPerforms \"Intersecting Circles\" from Circle of She.\n\nAudience\n00:40:56\nApplause.\n\nMoe Clark\n00:41:06\nThanks audience. \n\nMoe Clark\n00:41:11\nAddresses audience. \n\nMoe Clark\n00:41:58\nIntroduces unnamed song. | Keywords: Luna Allison; Ottawa [https://www.wikidata.org/wiki/Q1930]\n\nMoe Clark\n00:42:44\nPerforms unnamed song. \n\nAudience\n00:48:49\nApplause.\n\nMoe Clark\n00:48:59\nThanks audience [audience applause continues throughout]. \n\nMoe Clark\n00:49:01\nIntroduces [\"Hey Lawdie Lawdie\" from Circle of She], exchange with audience follows.  \n\nMoe Clark\n00:49:57\nPerforms \"Hey Lawdie Lawdie\" from Circle of She.\n\nAudience\n00:52:19\nApplause.\n\nIan Ferrier\n00:52:35\nThanks Moe Clark. \n\nIan Ferrier\n00:52:38\nAnnounces intermission. | Keywords: Ralph Alfonso; Tim Dobby; Luna Allison\n\nAudience\n00:52:48\nApplause [cut off].\n\nUnknown\n00:52:57\nSilence. \n\nEND\n00:53:02\n\n\n09192019102509_DN-700R.wav [File 2 of 2]\n\n[MUTE]"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548627783680,"timestamp":"2026-01-07T14:59:53.264Z","digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"09192019102509_DN-700R.wav\",\"channel_field\":\"Stereo\",\"sample_rate\":\"96kHz\",\"duration\":\"01:13:45\",\"precision\":\"\",\"size\":\"1.02 GB\",\"bitrate\":\"24\",\"encoding\":\"Waveform \",\"contents\":\"09192019102509_DN-700R.wav [File 2 of 2]\",\"notes\":\"Mute file\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2008/08/\",\"file_path\":\"\",\"filename\":\"19092019114520_DN-700R.wav\",\"channel_field\":\"Stereo\",\"sample_rate\":\"96kHz\",\"duration\":\"00:53:02\",\"precision\":\"\",\"size\":\"842 MB\",\"bitrate\":\"24\",\"encoding\":\"Waveform \",\"contents\":\"19092019114520_DN-700R.wav [File 1 of 2]\\n\\nUnknown\\n00:00:04\\nAmbient Sound [music and voices]. \\n\\nIan Ferrier\\n00:00:42\\nIntroduces event. | Keywords: Olympics [https://www.wikidata.org/wiki/Q5389]\\n\\nIan Ferrier\\n00:01:11\\nAnnounces future events [audience applause and laughter throughout]. | Keywords: Kenny Starr [https://www.wikidata.org/wiki/Q6391218]; Sacred Noise [show]; Moe Clark [https://www.wikidata.org/wiki/Q65116392]\\n\\nIan Ferrier\\n00:01:31\\nIntroduces Tim Dobby. \\n\\nAudience\\n00:01:43\\nApplause. \\n\\nTim Dobby\\n00:02:02\\nPerforms \\\"Sunburst\\\" [originally by Andrew York; [https://www.wikidata.org/wiki/Q2705717]] on guitar. \\n\\nAudience\\n00:05:41\\nApplause. \\n\\nTim Dobby\\n00:05:44\\nThanks audience [audience applause continues throughout]. \\n\\nTim Dobby\\n00:06:12\\nDiscusses \\\"Sunburst\\\" and introduces \\\"Missing Her\\\". | Keywords: California [https://www.wikidata.org/wiki/Q99]; Andrew York; New York [https://www.wikidata.org/wiki/Q60]; Frederic Hand [https://www.wikidata.org/wiki/Q5497042]; Bill Evans [https://www.wikidata.org/wiki/Q208205]\\n\\nTim Dobby\\n00:06:51\\nPerforms \\\"Missing Her\\\" [originally by Frederic Hand]. \\n\\nAudience\\n00:11:14\\nApplause. \\n\\nTim Dobby\\n00:11:18\\nThanks and addresses audience [audience applause continues throughout]. \\n\\nIan Ferrier\\n00:11:39\\nAddresses audience. \\n\\nIan Ferrier\\n00:11:42\\nIntroduces Ilona Martonfi. | Keywords: Yellow Door; Hugh Hazelton [https://www.wikidata.org/wiki/Q27942438]; J.R. Carpenter [https://www.wikidata.org/wiki/Q15637771]; Liam Durkin; Rita Donovan [https://www.wikidata.org/wiki/Q55215290]\\n\\nAudience\\n00:12:22\\nApplause. \\n\\nIlona Martonfi\\n00:12:39\\nAddresses audience and thanks Ian Ferrier [https://www.wikidata.org/wiki/Q87138884]. \\n\\nIlona Martonfi\\n00:12:48\\nIntroduces \\\"A Funeral Song For Magda\\\".\\n\\nIlona Martonfi\\n00:12:56\\nReads \\\"A Funeral Song For Magda\\\".\\n\\nIlona Martonfi\\n00:14:04\\nReads \\\"Childhood Stories\\\".\\n\\nIlona Martonfi\\n00:14:40\\nIntroduces \\\"My Daughter, Marissa\\\". \\n\\nIlona Martonfi\\n00:14:47\\nReads \\\"My Daughter, Marissa\\\". \\n\\nIlona Martonfi\\n00:15:54\\nIntroduces \\\"Night Wedding\\\" from Blue Poppy [book]. \\n\\nIlona Martonfi\\n00:16:14\\nReads \\\"Night Wedding\\\" from Blue Poppy. \\n\\nIlona Martonfi\\n00:18:04\\nIntroduces \\\"The Diary of a Nomad\\\". \\n\\nIlona Martonfi\\n00:18:18\\nReads \\\"The Diary of a Nomad\\\". \\n\\nAudience\\n00:20:47\\nApplause. \\n\\nIan Ferrier\\n00:21:00\\nThanks Ilona Martonfi. | Keywords: Yellow Door\\n\\nIan Ferrier\\n00:21:06\\nIntroduces Chris Masson. | Keywords: Throw Collective; Canada Council for the Arts [https://www.wikidata.org/wiki/Q2993809] \\n\\nAudience\\n00:21:46\\nApplause. \\n\\nChris Masson\\n00:21:53\\nAddresses audience. \\n\\nChris Masson\\n00:22:03\\nIntroduces \\\"Career Day\\\".\\n\\nChris Masson\\n00:22:40\\nPerforms \\\"Career Day\\\" in English and French [audience laughter throughout]. | Keywords: Appalachian Mountains [https://www.wikidata.org/wiki/Q93332]\\n\\nAudience\\n00:25:23\\nApplause. \\n\\nChris Masson\\n00:25:29\\nIntroduces unnamed poem. \\n\\nChris Masson\\n00:26:01\\nPerforms unnamed poem. \\n\\nAudience\\n00:28:35\\nApplause. \\n\\nIan Ferrier\\n00:28:47\\nIntroduces Moe Clark. | Keywords: Alberta [https://www.wikidata.org/wiki/Q1951]; Banff Centre [https://www.wikidata.org/wiki/Q4854863]; Circle of She [CD]; Pharmakon MTL\\n\\nAudience\\n00:29:21\\nApplause. \\n\\nMoe Clark\\n00:29:33\\nThanks Ian Ferrier. \\n\\nMoe Clark\\n00:29:35\\nAddresses audience. | Keywords: Montreal [https://www.wikidata.org/wiki/Q340]; Ian Ferrier \\n\\nAudience\\n00:30:06\\nApplause. \\n\\nMoe Clark\\n00:30:12\\nAddresses audience and other performers [audience applause continues throughout]. \\n\\nMoe Clark\\n00:30:31\\nAnnounces future event in English and French. | Keywords: Sacred Noise\\n\\nMoe Clark\\n00:31:07\\nPerforms [Red from Circle of She].\\n\\nAudience\\n00:34:37\\n Applause. \\n\\nMoe Clark\\n00:34:47\\nThanks and addresses audience. | Keywords: Rocky Mountains [https://www.wikidata.org/wiki/Q5463]\\n\\nMoe Clark\\n00:35:16\\nIntroduces \\\"Intersecting Circles\\\" [from Circle of She]. | Keywords: CBC [https://www.wikidata.org/wiki/Q461761]; Canada Council for the Arts; Cypress Hills [https://www.wikidata.org/wiki/Q1148229]; Alberta\\n\\nMoe Clark\\n00:36:18\\nPerforms \\\"Intersecting Circles\\\" from Circle of She.\\n\\nAudience\\n00:40:56\\nApplause.\\n\\nMoe Clark\\n00:41:06\\nThanks audience. \\n\\nMoe Clark\\n00:41:11\\nAddresses audience. \\n\\nMoe Clark\\n00:41:58\\nIntroduces unnamed song. | Keywords: Luna Allison; Ottawa [https://www.wikidata.org/wiki/Q1930]\\n\\nMoe Clark\\n00:42:44\\nPerforms unnamed song. \\n\\nAudience\\n00:48:49\\nApplause.\\n\\nMoe Clark\\n00:48:59\\nThanks audience [audience applause continues throughout]. \\n\\nMoe Clark\\n00:49:01\\nIntroduces [\\\"Hey Lawdie Lawdie\\\" from Circle of She], exchange with audience follows.  \\n\\nMoe Clark\\n00:49:57\\nPerforms \\\"Hey Lawdie Lawdie\\\" from Circle of She.\\n\\nAudience\\n00:52:19\\nApplause.\\n\\nIan Ferrier\\n00:52:35\\nThanks Moe Clark. \\n\\nIan Ferrier\\n00:52:38\\nAnnounces intermission. | Keywords: Ralph Alfonso; Tim Dobby; Luna Allison\\n\\nAudience\\n00:52:48\\nApplause [cut off].\\n\\nUnknown\\n00:52:57\\nSilence. \\n\\nEND\\n00:53:02\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"score":0.01643844},{"id":"1223","cataloger_name":["Emma,Telaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at the Casa del Popolo 2008-09-21"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian \",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"contributors_names":["Coyote, Ivan","Singh, Rebecca","Dembski, Chad","Kelly, Erica Ruth","Coluccio, Rick","Pasquin, Leslie","Hazelton, Hugh","Paquette, Catherine"],"contributors_names_search":["Coyote, Ivan","Singh, Rebecca","Dembski, Chad","Kelly, Erica Ruth","Coluccio, Rick","Pasquin, Leslie","Hazelton, Hugh","Paquette, Catherine"],"contributors":["[{\"url\":\" http://viaf.org/viaf/31340195\",\"name\":\"Coyote, Ivan\",\"dates\":\"1969-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Storyteller\"]},{\"url\":\"\",\"name\":\"Singh, Rebecca\",\"dates\":\"\",\"notes\":\"(With Singhski)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Dembski, Chad\",\"dates\":\"\",\"notes\":\"(With Singhski)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Kelly, Erica Ruth\",\"dates\":\"\",\"notes\":\"(With Rick Coluccio)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Coluccio, Rick\",\"dates\":\"\",\"notes\":\"(With Erica Ruth Kelly)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Pasquin, Leslie\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/335896\",\"name\":\"Hazelton, Hugh\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Paquette, Catherine\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Coyote, Ivan","Singh, Rebecca","Dembski, Chad","Kelly, Erica Ruth","Coluccio, Rick","Pasquin, Leslie","Hazelton, Hugh","Paquette, Catherine"],"Storyteller":["Coyote, Ivan"],"Performance_Date":[2008],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"Magneto-Optical\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Minidisc"],"physical_compositions":["Magneto-Optical"],"recording_type":["Analogue"],"AV_type":["Audio"],"Dates":["[{\"date\":\"2008 09 21\",\"type\":\"Performance Date\",\"notes\":\"Date indicated on event poster and in radio ad\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa del Popolo (Montreal)\",\"notes\":\"\",\"address\":\"4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada\",\"latitude\":\"45,5222118\",\"longitude\":\"-73,5905321\"}]"],"Address":["4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada"],"Venue":["Casa del Popolo (Montreal)"],"City":["Montreal, Quebec"],"content_notes":["The September 2008 edition of The Words and Music Show kicked off with a collaborative project from Toronto called Singhski, featuring poetry by Rebecca Singh and music by Chad Dembski. Author and translator Hugh Hazelton and West Island poet Leslie Pasquin followed up with two poems a piece. Before the intermission, Erica Ruth Kelly performed original songs accompanied by Rick Coluccio on guitar. In the second set, Catherine Paquette read a few poems and a short story introduced as a modern take on The Lady of Shalott. To close the event, Ivan Coyote celebrated the launch of their book The Slow Fix (Arsenal Pulp Press 2008) with powerful and funny stories about Vancouver, family, and the struggles of finding a decent haircut. "],"contents":["STE-001.mp3 [File 1 of 2]\n\nIan Ferrier\n00:00:00\nIntroduces event [recording begins abruptly]. | Keywords: Whitehorse [https://www.wikidata.org/wiki/Q2058]\n\nIan Ferrier\n00:00:16\nIntroduces Rebecca Singh and Chad Dembski as Singhsky. | Keywords: Toronto [https://www.wikidata.org/wiki/Q172]\n\nAudience\n00:00:27\nApplause. \n\nSinghski\n00:00:36\nAddresses audience. \n\nSinghski\n00:00:39\nIntroduces \"Things Used To Be Better\" [audience laughter throughout]. | Keywords: Toronto; Ian [Ferrier] [https://www.wikidata.org/wiki/Q87138884]\n\nSinghski\n00:01:18\nPerforms \"Things Used To Be Better\" [audience laughter throughout]. | Keywords: Montreal [https://www.wikidata.org/wiki/Q340]; Queen Street [https://www.wikidata.org/wiki/Q1067220]\n\nAudience\n00:03:58\nApplause. \n\nRebecca Singh\n00:04:06\nIntroduces \"Un Poete\" [originally written by Émile Nelligan [https://www.wikidata.org/wiki/Q2392492]]. | Keywords: Montreal\n\nSinghski\n00:04:24\n Performs \"Un Poete\" [originally written by Émile Nelligan] in French. \n\nAudience\n00:06:39\nApplause. \n\nRebecca Singh\n00:06:46\nIntroduces \"Maiden Song\". \n\nChad Dembski\n00:06:56\nAddresses Rebecca Singh. \n\nRebecca Singh\n00:07:00\nAddresses audience, exchange follows. | Keywords: Judith Thompson [https://www.wikidata.org/wiki/Q3188012]\n\nChad Dembski\n00:07:14\nAddresses Rebecca Singh. \n\nRebecca Singh\n00:07:18\nAddresses Chad Dembski, exchange follows. \n\nSinghski\n00:07:42\nAddresses audience [audience laughter throughout]. \n\nSinghski\n00:07:52\nPerforms \"Maiden Song\". \n\nAudience\n00:10:05\nApplause. \n\nIan Ferrier\n00:10:27\nThanks Singhski. \n\nAudience\n00:10:30\nApplause. \n\nIan Ferrier\n00:10:36\nIntroduces Hugh Hazelton [https://www.wikidata.org/wiki/Q27942438]. | Keywords: Antimatter [book]\n\nAudience\n00:11:06\nApplause. \n\nHugh Hazelton\n00:11:34\nIntroduces \"Emergency\" and \"Product\". \n\nHugh Hazelton\n00:11:43\nPerforms \"Emergency\" [audience laughter throughout]. \n\nAudience\n00:15:56\nApplause.\n\nHugh Hazelton\n00:16:06\nIntroduces \"Product\". \n\nHugh Hazelton\n00:16:29\nPerforms \"Product\" [audience laughter throughout]. \n\nAudience\n00:18:35\nApplause. \n\nIan Ferrier\n00:18:48\nThanks Hugh Hazelton. \n\nIan Ferrier\n00:18:50\nIntroduces Leslie Pasquin [audience laughter throughout]. | Keywords: West Island [https://www.wikidata.org/wiki/Q2564277]; Wire [show]; Montreal\n\nAudience\n00:19:43\nApplause. \n\nLeslie Pasquin\n00:19:51\nThanks audience.\n\nLeslie Pasquin\n00:19:55\nAddresses audience and thanks Ian Ferrier [audience laughter throughout].\n\nLeslie Pasquin\n00:20:07\nIntroduces \"The End of the Affair: A Tale of Sin\". \n\nAudience\n00:20:19\nLaughter. \n\nLeslie Pasquin\n00:20:22\nReads \"The End of the Affair: A Tale of Sin\". \n\nAudience\n00:21:36\nLaughter.\n\nLeslie Pasquin\n00:21:39\nIntroduces \"Prophetess\". \n\nLeslie Pasquin\n00:21:43\nReads \"Prophetess\". \n\nAudience\n00:22:23\nApplause. \n\nIan Ferrier\n00:22:36\nThanks Leslie Pasquin.\n\nIan Ferrier\n00:22:39\nIntroduces Erica Ruth Kelly and Rick Coluccio. \n\nAudience\n00:23:25\nApplause. \n\nErica Ruth Kelly\n00:24:22\nPerforms unnamed song with Rick Coluccio.\n\nAudience\n00:27:48\nApplause. \n\nErica Ruth Kelly\n00:28:05\nIntroduces Rick Coluccio.\n\nErica Ruth Kelly\n00:28:17\nIntroduces unnamed song.\n\nErica Ruth Kelly\n00:28:20\nPerforms unnamed song with Rick Coluccio. \n\nAudience\n00:32:05\nApplause. \n\nErica Ruth Kelly\n00:32:20\nThanks audience [audience applause continues throughout].\n\nErica Ruth Kelly\n00:32:22\nIntroduces unnamed song. \n\nErica Ruth Kelly\n00:32:36\nPerforms unnamed song with Rick Coluccio. \n\nAudience\n00:35:58\nApplause. \n\nErica Ruth Kelly\n00:36:07\nAddresses audience [audience laughter throughout]. \n\nErica Ruth Kelly\n00:36:25\nIntroduces \"1934\". | Keywords: Leonard Cohen [https://www.wikidata.org/wiki/Q1276]\n\nErica Ruth Kelly\n00:36:34\nPerforms \"1934\" with Rick Coluccio. \n\nAudience\n00:39:25\nApplause. \n\nIan Ferrier\n00:39:46\nThanks Erica Ruth Kelly and Rick Coluccio. \n\nAudience\n00:39:50\nApplause. \n\nIan Ferrier\n00:39:57\nAnnounces intermission [audience applause throughout]. | Keywords: Catherine Paquette; Ivan Coyote [https://www.wikidata.org/wiki/Q6096094]\n\nUnknown\n00:40:07\nAmbient Sound [voices]. \n\nEND\n00:40:39\n\n\nSTE-002.mp3 [File 2 of 2]\n\nIan Ferrier\n00:00:00\nDiscusses Ivan Coyote's book launch [audience laughter throughout]. | Keywords: The Slow Fix [book]\n\nIan Ferrier\n00:00:32\nIntroduces Catherine Paquette. \n\nAudience\n00:00:41\nApplause. \n\nCatherine Paquette\n00:00:56\nAddresses audience. \n\nAudience\n00:00:57\nAddresses Catherine Paquette. \n\nCatherine Paquette\n00:01:02\nIntroduces \"The Lady of Shalott's Doppelganger\" [audience laughter throughout]. | Keywords: The Lady of Shalott [https://www.wikidata.org/wiki/Q2091538]; [Alfred Lord] Tennyson [https://www.wikidata.org/wiki/Q173869]; Camelot [https://www.wikidata.org/wiki/Q220437]\n\nCatherine Paquette\n00:02:28\nReads \"The Lady of Shalott's Doppelganger\" [audience laughter throughout].\n\nAudience\n00:06:01\nApplause. \n\nCatherine Paquette\n00:06:10\nIntroduces \"May We Meet at a Corner in the Geometry of Life\". \n\nCatherine Paquette\n00:06:27\nReads \"May We Meet at a Corner in the Geometry of Life\" [audience laughter throughout].\n\nAudience\n00:08:18\nApplause. \n\nCatherine Paquette\n00:08:30\nIntroduces \"Died and Gone to Hell: A Tribute\" [audience applause throughout]. | Keywords: Meat Loaf [https://www.wikidata.org/wiki/Q152929]\n\nCatherine Paquette\n00:08:54\nReads \"Died and Gone to Hell: A Tribute\" [audience applause throughout]. | Keywords: Meat Loaf\n\nAudience\n00:10:59\nApplause. \n\nCatherine Paquette\n00:11:07\nIntroduces \"Family Portraits are Crowded When You're a Russian Doll\". \n\nAudience\n00:11:29\nLaughter. \n\nCatherine Paquette\n00:11:32\nReads \"Family Portraits are Crowded When You're a Russian Doll\". \n\nAudience\n00:13:30\nApplause. \n\nIan Ferrier\n00:13:44\nThanks Catherine Paquette. \n\nIan Ferrier\n00:13:47\nIntroduces Ivan Coyote. | Keywords: Ottawa [https://www.wikidata.org/wiki/Q1930]; Ontario [https://www.wikidata.org/wiki/Q1904]; The Slow Fix; Arsenal Pulp Press [https://www.wikidata.org/wiki/Q4796410]; Montreal \n\nAudience\n00:14:28\nApplause. \n\nIvan Coyote\n00:14:39\nAddresses audience. \n\nAudience\n00:14:40\nAddresses Ivan Coyote.\n\nIvan Coyote\n00:14:42\nAddresses audience [audience laughter throughout]. | Keywords: Portland [https://www.wikidata.org/wiki/Q6106]; Olympia [https://www.wikidata.org/wiki/Q42735]; Indigo Girls [https://www.wikidata.org/wiki/Q772035]\n\nIvan Coyote\n00:17:03\nIntroduces \"Spare Change\". | Keywords: Montreal; Vancouver [https://www.wikidata.org/wiki/Q24639] \n\nIvan Coyote\n00:17:56\nPerforms \"Spare Change\" [audience laughter throughout]. \n\nAudience\n00:25:57\nApplause. \n\nIvan Coyote\n00:26:12\nPerforms unnamed story [audience laughter throughout]. | Keywords: Yukon [https://www.wikidata.org/wiki/Q2009]; Atlin; British Columbia [https://www.wikidata.org/wiki/Q1974]; Whitehorse; Ian [Ferrier]; Calgary [https://www.wikidata.org/wiki/Q36312] \n\nAudience\n00:37:08\nApplause. \n\nIvan Coyote\n00:37:19\nIntroduces \"Hair Today\".\n\nIvan Coyote\n00:37:29\nThanks Ian [Ferrier], Steve [Godin], Casa Del Popolo [https://www.wikidata.org/wiki/Q3538292], and audience [audience laughter throughout]. | Keywords: Florida [https://www.wikidata.org/wiki/Q812]\n\nIan Ferrier\n00:37:46\nResumes introduction of \"Hair Today\".\n\nIvan Coyote\n00:37:54\nPerforms \"Hair Today\" [audience laughter throughout]. | Keywords: Vancouver; Ottawa; Bank Street [https://www.wikidata.org/wiki/Q778395]; Montreal\n\nAudience\n00:46:10\nApplause. \n\nIvan Coyote\n00:46:18\nThanks Ian [Ferrier] and other performers [audience applause continues throughout]. \n\nUnknown\n00:46:39\nAmbient Sound [voices]. \n\nIan Ferrier\n00:46:54\nThanks Ivan Coyote. \n\nAudience\n00:46:56\nApplause. \n\nIan Ferrier\n00:47:06\nThanks audience. \n\nIan Ferrier\n00:47:08\nAnnounces future show. | Keywords: Throw Collective\n\nIan Ferrier\n00:47:20\nThanks Ivan Coyote, Rebecca Singh, Chad Dembski, and other performers. \n\nAudience\n00:47:29\nApplause. \n\nIan Ferrier\n00:47:35\nPromotes The Slow Fix. | Keywords: Ivan [Coyote]\n\nUnknown\n00:47:41\nAmbient Sound [voices and music]. \n\nEND\n00:48:22"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548628832256,"timestamp":"2026-01-07T14:59:53.264Z","digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2008/09/\",\"file_path\":\"\",\"filename\":\"STE-001.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:40:39\",\"precision\":\"\",\"size\":\"78.1. MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-001.mp3 [File 1 of 2]\\n\\nIan Ferrier\\n00:00:00\\nIntroduces event [recording begins abruptly]. | Keywords: Whitehorse [https://www.wikidata.org/wiki/Q2058]\\n\\nIan Ferrier\\n00:00:16\\nIntroduces Rebecca Singh and Chad Dembski as Singhsky. | Keywords: Toronto [https://www.wikidata.org/wiki/Q172]\\n\\nAudience\\n00:00:27\\nApplause. \\n\\nSinghski\\n00:00:36\\nAddresses audience. \\n\\nSinghski\\n00:00:39\\nIntroduces \\\"Things Used To Be Better\\\" [audience laughter throughout]. | Keywords: Toronto; Ian [Ferrier] [https://www.wikidata.org/wiki/Q87138884]\\n\\nSinghski\\n00:01:18\\nPerforms \\\"Things Used To Be Better\\\" [audience laughter throughout]. | Keywords: Montreal [https://www.wikidata.org/wiki/Q340]; Queen Street [https://www.wikidata.org/wiki/Q1067220]\\n\\nAudience\\n00:03:58\\nApplause. \\n\\nRebecca Singh\\n00:04:06\\nIntroduces \\\"Un Poete\\\" [originally written by Émile Nelligan [https://www.wikidata.org/wiki/Q2392492]]. | Keywords: Montreal\\n\\nSinghski\\n00:04:24\\n Performs \\\"Un Poete\\\" [originally written by Émile Nelligan] in French. \\n\\nAudience\\n00:06:39\\nApplause. \\n\\nRebecca Singh\\n00:06:46\\nIntroduces \\\"Maiden Song\\\". \\n\\nChad Dembski\\n00:06:56\\nAddresses Rebecca Singh. \\n\\nRebecca Singh\\n00:07:00\\nAddresses audience, exchange follows. | Keywords: Judith Thompson [https://www.wikidata.org/wiki/Q3188012]\\n\\nChad Dembski\\n00:07:14\\nAddresses Rebecca Singh. \\n\\nRebecca Singh\\n00:07:18\\nAddresses Chad Dembski, exchange follows. \\n\\nSinghski\\n00:07:42\\nAddresses audience [audience laughter throughout]. \\n\\nSinghski\\n00:07:52\\nPerforms \\\"Maiden Song\\\". \\n\\nAudience\\n00:10:05\\nApplause. \\n\\nIan Ferrier\\n00:10:27\\nThanks Singhski. \\n\\nAudience\\n00:10:30\\nApplause. \\n\\nIan Ferrier\\n00:10:36\\nIntroduces Hugh Hazelton [https://www.wikidata.org/wiki/Q27942438]. | Keywords: Antimatter [book]\\n\\nAudience\\n00:11:06\\nApplause. \\n\\nHugh Hazelton\\n00:11:34\\nIntroduces \\\"Emergency\\\" and \\\"Product\\\". \\n\\nHugh Hazelton\\n00:11:43\\nPerforms \\\"Emergency\\\" [audience laughter throughout]. \\n\\nAudience\\n00:15:56\\nApplause.\\n\\nHugh Hazelton\\n00:16:06\\nIntroduces \\\"Product\\\". \\n\\nHugh Hazelton\\n00:16:29\\nPerforms \\\"Product\\\" [audience laughter throughout]. \\n\\nAudience\\n00:18:35\\nApplause. \\n\\nIan Ferrier\\n00:18:48\\nThanks Hugh Hazelton. \\n\\nIan Ferrier\\n00:18:50\\nIntroduces Leslie Pasquin [audience laughter throughout]. | Keywords: West Island [https://www.wikidata.org/wiki/Q2564277]; Wire [show]; Montreal\\n\\nAudience\\n00:19:43\\nApplause. \\n\\nLeslie Pasquin\\n00:19:51\\nThanks audience.\\n\\nLeslie Pasquin\\n00:19:55\\nAddresses audience and thanks Ian Ferrier [audience laughter throughout].\\n\\nLeslie Pasquin\\n00:20:07\\nIntroduces \\\"The End of the Affair: A Tale of Sin\\\". \\n\\nAudience\\n00:20:19\\nLaughter. \\n\\nLeslie Pasquin\\n00:20:22\\nReads \\\"The End of the Affair: A Tale of Sin\\\". \\n\\nAudience\\n00:21:36\\nLaughter.\\n\\nLeslie Pasquin\\n00:21:39\\nIntroduces \\\"Prophetess\\\". \\n\\nLeslie Pasquin\\n00:21:43\\nReads \\\"Prophetess\\\". \\n\\nAudience\\n00:22:23\\nApplause. \\n\\nIan Ferrier\\n00:22:36\\nThanks Leslie Pasquin.\\n\\nIan Ferrier\\n00:22:39\\nIntroduces Erica Ruth Kelly and Rick Coluccio. \\n\\nAudience\\n00:23:25\\nApplause. \\n\\nErica Ruth Kelly\\n00:24:22\\nPerforms unnamed song with Rick Coluccio.\\n\\nAudience\\n00:27:48\\nApplause. \\n\\nErica Ruth Kelly\\n00:28:05\\nIntroduces Rick Coluccio.\\n\\nErica Ruth Kelly\\n00:28:17\\nIntroduces unnamed song.\\n\\nErica Ruth Kelly\\n00:28:20\\nPerforms unnamed song with Rick Coluccio. \\n\\nAudience\\n00:32:05\\nApplause. \\n\\nErica Ruth Kelly\\n00:32:20\\nThanks audience [audience applause continues throughout].\\n\\nErica Ruth Kelly\\n00:32:22\\nIntroduces unnamed song. \\n\\nErica Ruth Kelly\\n00:32:36\\nPerforms unnamed song with Rick Coluccio. \\n\\nAudience\\n00:35:58\\nApplause. \\n\\nErica Ruth Kelly\\n00:36:07\\nAddresses audience [audience laughter throughout]. \\n\\nErica Ruth Kelly\\n00:36:25\\nIntroduces \\\"1934\\\". | Keywords: Leonard Cohen [https://www.wikidata.org/wiki/Q1276]\\n\\nErica Ruth Kelly\\n00:36:34\\nPerforms \\\"1934\\\" with Rick Coluccio. \\n\\nAudience\\n00:39:25\\nApplause. \\n\\nIan Ferrier\\n00:39:46\\nThanks Erica Ruth Kelly and Rick Coluccio. \\n\\nAudience\\n00:39:50\\nApplause. \\n\\nIan Ferrier\\n00:39:57\\nAnnounces intermission [audience applause throughout]. | Keywords: Catherine Paquette; Ivan Coyote [https://www.wikidata.org/wiki/Q6096094]\\n\\nUnknown\\n00:40:07\\nAmbient Sound [voices]. \\n\\nEND\\n00:40:39\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2008/09/\",\"file_path\":\"\",\"filename\":\"STE-002.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:48:22\",\"precision\":\"\",\"size\":\"92.9 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"STE-002.mp3 [File 2 of 2]\\n\\nIan Ferrier\\n00:00:00\\nDiscusses Ivan Coyote's book launch [audience laughter throughout]. | Keywords: The Slow Fix [book]\\n\\nIan Ferrier\\n00:00:32\\nIntroduces Catherine Paquette. \\n\\nAudience\\n00:00:41\\nApplause. \\n\\nCatherine Paquette\\n00:00:56\\nAddresses audience. \\n\\nAudience\\n00:00:57\\nAddresses Catherine Paquette. \\n\\nCatherine Paquette\\n00:01:02\\nIntroduces \\\"The Lady of Shalott's Doppelganger\\\" [audience laughter throughout]. | Keywords: The Lady of Shalott [https://www.wikidata.org/wiki/Q2091538]; [Alfred Lord] Tennyson [https://www.wikidata.org/wiki/Q173869]; Camelot [https://www.wikidata.org/wiki/Q220437]\\n\\nCatherine Paquette\\n00:02:28\\nReads \\\"The Lady of Shalott's Doppelganger\\\" [audience laughter throughout].\\n\\nAudience\\n00:06:01\\nApplause. \\n\\nCatherine Paquette\\n00:06:10\\nIntroduces \\\"May We Meet at a Corner in the Geometry of Life\\\". \\n\\nCatherine Paquette\\n00:06:27\\nReads \\\"May We Meet at a Corner in the Geometry of Life\\\" [audience laughter throughout].\\n\\nAudience\\n00:08:18\\nApplause. \\n\\nCatherine Paquette\\n00:08:30\\nIntroduces \\\"Died and Gone to Hell: A Tribute\\\" [audience applause throughout]. | Keywords: Meat Loaf [https://www.wikidata.org/wiki/Q152929]\\n\\nCatherine Paquette\\n00:08:54\\nReads \\\"Died and Gone to Hell: A Tribute\\\" [audience applause throughout]. | Keywords: Meat Loaf\\n\\nAudience\\n00:10:59\\nApplause. \\n\\nCatherine Paquette\\n00:11:07\\nIntroduces \\\"Family Portraits are Crowded When You're a Russian Doll\\\". \\n\\nAudience\\n00:11:29\\nLaughter. \\n\\nCatherine Paquette\\n00:11:32\\nReads \\\"Family Portraits are Crowded When You're a Russian Doll\\\". \\n\\nAudience\\n00:13:30\\nApplause. \\n\\nIan Ferrier\\n00:13:44\\nThanks Catherine Paquette. \\n\\nIan Ferrier\\n00:13:47\\nIntroduces Ivan Coyote. | Keywords: Ottawa [https://www.wikidata.org/wiki/Q1930]; Ontario [https://www.wikidata.org/wiki/Q1904]; The Slow Fix; Arsenal Pulp Press [https://www.wikidata.org/wiki/Q4796410]; Montreal \\n\\nAudience\\n00:14:28\\nApplause. \\n\\nIvan Coyote\\n00:14:39\\nAddresses audience. \\n\\nAudience\\n00:14:40\\nAddresses Ivan Coyote.\\n\\nIvan Coyote\\n00:14:42\\nAddresses audience [audience laughter throughout]. | Keywords: Portland [https://www.wikidata.org/wiki/Q6106]; Olympia [https://www.wikidata.org/wiki/Q42735]; Indigo Girls [https://www.wikidata.org/wiki/Q772035]\\n\\nIvan Coyote\\n00:17:03\\nIntroduces \\\"Spare Change\\\". | Keywords: Montreal; Vancouver [https://www.wikidata.org/wiki/Q24639] \\n\\nIvan Coyote\\n00:17:56\\nPerforms \\\"Spare Change\\\" [audience laughter throughout]. \\n\\nAudience\\n00:25:57\\nApplause. \\n\\nIvan Coyote\\n00:26:12\\nPerforms unnamed story [audience laughter throughout]. | Keywords: Yukon [https://www.wikidata.org/wiki/Q2009]; Atlin; British Columbia [https://www.wikidata.org/wiki/Q1974]; Whitehorse; Ian [Ferrier]; Calgary [https://www.wikidata.org/wiki/Q36312] \\n\\nAudience\\n00:37:08\\nApplause. \\n\\nIvan Coyote\\n00:37:19\\nIntroduces \\\"Hair Today\\\".\\n\\nIvan Coyote\\n00:37:29\\nThanks Ian [Ferrier], Steve [Godin], Casa Del Popolo [https://www.wikidata.org/wiki/Q3538292], and audience [audience laughter throughout]. | Keywords: Florida [https://www.wikidata.org/wiki/Q812]\\n\\nIan Ferrier\\n00:37:46\\nResumes introduction of \\\"Hair Today\\\".\\n\\nIvan Coyote\\n00:37:54\\nPerforms \\\"Hair Today\\\" [audience laughter throughout]. | Keywords: Vancouver; Ottawa; Bank Street [https://www.wikidata.org/wiki/Q778395]; Montreal\\n\\nAudience\\n00:46:10\\nApplause. \\n\\nIvan Coyote\\n00:46:18\\nThanks Ian [Ferrier] and other performers [audience applause continues throughout]. \\n\\nUnknown\\n00:46:39\\nAmbient Sound [voices]. \\n\\nIan Ferrier\\n00:46:54\\nThanks Ivan Coyote. \\n\\nAudience\\n00:46:56\\nApplause. \\n\\nIan Ferrier\\n00:47:06\\nThanks audience. \\n\\nIan Ferrier\\n00:47:08\\nAnnounces future show. | Keywords: Throw Collective\\n\\nIan Ferrier\\n00:47:20\\nThanks Ivan Coyote, Rebecca Singh, Chad Dembski, and other performers. \\n\\nAudience\\n00:47:29\\nApplause. \\n\\nIan Ferrier\\n00:47:35\\nPromotes The Slow Fix. | Keywords: Ivan [Coyote]\\n\\nUnknown\\n00:47:41\\nAmbient Sound [voices and music]. \\n\\nEND\\n00:48:22\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"score":0.01643844},{"id":"1224","cataloger_name":["Andrew,Roberge"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music 2005-10-30 - 50th Show"],"item_title_source":["Container"],"item_title_note":["On MD: \"W+M 50th OCT 2005 #3\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Pharmakon","Ferrier, Ian","May, Erin","Godin, Steve","Kidd, Catherine","Anderson, Fortner","Shalabi, Sam","Migone, Christof","Côté, Michel François","Dumas, Chantal","MacSween, Alexander","St-Onge, Alexandre","Boire, Jennifer","Gosselin, Kim","Tinguley, Vincent","Stanton, Victoria","Letartre, Geneviève","Kimm, D.","Kellough, Kaie","Highbloom, Bryan","Belina, Paula","Thomas, Stephen"],"creator_names_search":["Pharmakon","Ferrier, Ian","May, Erin","Godin, Steve","Kidd, Catherine","Anderson, Fortner","Shalabi, Sam","Migone, Christof","Côté, Michel François","Dumas, Chantal","MacSween, Alexander","St-Onge, Alexandre","Boire, Jennifer","Gosselin, Kim","Tinguley, Vincent","Stanton, Victoria","Letartre, Geneviève","Kimm, D.","Kellough, Kaie","Highbloom, Bryan","Belina, Paula","Thomas, Stephen"],"creators":["[{\"url\":\"\",\"name\":\"Pharmakon\",\"dates\":\"\",\"notes\":\"Not found on databases. Music group.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"\",\"name\":\"May, Erin\",\"dates\":\"\",\"notes\":\"Not found on databases.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/105712077\",\"name\":\"Godin, Steve\",\"dates\":\"1956-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"https://viaf.org/viaf/13542322/\",\"name\":\"Kidd, Catherine\",\"dates\":\"1967-\",\"notes\":\"Not in recording\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/106026246\",\"name\":\"Anderson, Fortner\",\"dates\":\"1955-\",\"notes\":\"Not in recording\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/11078285\",\"name\":\"Shalabi, Sam\",\"dates\":\"1964-\",\"notes\":\"Not in recording\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/9751136\",\"name\":\"Migone, Christof\",\"dates\":\"1964-\",\"notes\":\"Not in recording\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/31544142\",\"name\":\"Côté, Michel François\",\"dates\":\"1958-\",\"notes\":\"Not in recording\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/105830990\",\"name\":\"Dumas, Chantal\",\"dates\":\"1954-\",\"notes\":\"Not in recording\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/106425394\",\"name\":\"MacSween, Alexander\",\"dates\":\"\",\"notes\":\"Not in recording\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/106420664\",\"name\":\"St-Onge, Alexandre\",\"dates\":\"1976-\",\"notes\":\"Not in recording\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/50973169\",\"name\":\"Boire, Jennifer\",\"dates\":\"1954-\",\"notes\":\"Not in recording\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Gosselin, Kim\",\"dates\":\"\",\"notes\":\"Could be: http://viaf.org/viaf/21368473. \\n\\nNot in recording\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/36425179\",\"name\":\"Tinguley, Vincent\",\"dates\":\"1959-\",\"notes\":\"Not in recording\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/1975942\",\"name\":\"Stanton, Victoria\",\"dates\":\"1970-\",\"notes\":\"Not in recording\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Letartre, Geneviève\",\"dates\":\"\",\"notes\":\"Not found on databases. \\n\\nNot in recording\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/92085899\",\"name\":\"Kimm, D.\",\"dates\":\"1959-\",\"notes\":\"Not in recording\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/68351676\",\"name\":\"Kellough, Kaie\",\"dates\":\"1975-\",\"notes\":\"Not in recording\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Highbloom, Bryan\",\"dates\":\"\",\"notes\":\"Not found on databases. \\n\\nNot in recording\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Belina, Paula\",\"dates\":\"\",\"notes\":\"Not found on databases.\\n\\nNot in recording\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Thomas, Stephen\",\"dates\":\"\",\"notes\":\"Not found on databases.\\n\\nNot in recording\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[2005],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"Magneto-Optical\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Minidisc"],"physical_compositions":["Magneto-Optical"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2005/10/\",\"file_path\":\"\",\"filename\":\"09092019104617_DN-700R.wav\",\"channel_field\":\"Stereo\",\"sample_rate\":\"96kHz\",\"duration\":\"00:59:49\",\"precision\":\"\",\"size\":\"907MB\",\"bitrate\":\"24\",\"encoding\":\"Waveform\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2005-10-30\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Container\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/3280917743\",\"venue\":\"Sala Rossa (Montreal)\",\"notes\":\"\",\"address\":\"4848, Boulevard Saint-Laurent, Montreal, Quebec, Canada\",\"latitude\":\"45,5210975\",\"longitude\":\"-73,5888689\"}]"],"Address":["4848, Boulevard Saint-Laurent, Montreal, Quebec, Canada"],"Venue":["Sala Rossa (Montreal)"],"City":["Montreal, Quebec"],"content_notes":["On 30 October 2005, Words and Music celebrate their 50th show! It’s the Poet’s Performance Party, a Halloween extravaganza featuring Catherine Kidd, Pharmakon and Fortner Anderson, who launches his new CD \"Six Silk Purses\" (Wired on Words, 2005). At the Sala Rossa, doors open 8, admission $5. The show is a CKUT co-presentation."],"contents":["09092019104617_DN-700R.wav [File 1 of 1]\n\nUnknown singer\n00:00:00\n\nErin May\n00:03:15\n\nSteve Godin, Shawnda Wilson, and Sylvain Côté\n00:08:43\n\nPharmakon\n00:13:42"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548628832257,"timestamp":"2026-01-07T14:59:53.264Z","score":0.01643844},{"id":"1225","cataloger_name":["Andrew,Roberge"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa del Popolo 2005-12-18"],"item_title_source":["Container"],"item_title_note":["On MDs: \" W+M Dec 18 2005 Pharm. Akron Luna Kathy Mike Reinhart #1 \"; \"W+M Dec 18 2005 #2\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian","Pharmakon"],"creator_names_search":["Ferrier, Ian","Pharmakon"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"\",\"name\":\"Pharmakon\",\"dates\":\"\",\"notes\":\"Not found on databases.\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Godin, Steve","Caloporis, Yanni","Kennedy, Kathy","Campbell, Raylene","Allison, Luna","Clark, Moe","Mah, Kris","Reinhart, Michael","NEeMA","Tourjaune, Francois (sp?)"],"contributors_names_search":["Godin, Steve","Caloporis, Yanni","Kennedy, Kathy","Campbell, Raylene","Allison, Luna","Clark, Moe","Mah, Kris","Reinhart, Michael","NEeMA","Tourjaune, Francois (sp?)"],"contributors":["[{\"url\":\"http://viaf.org/viaf/105712077\",\"name\":\"Godin, Steve\",\"dates\":\"1956-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Caloporis, Yanni\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/316997401\",\"name\":\"Kennedy, Kathy\",\"dates\":\"\",\"notes\":\"With Raylene Campbell\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Campbell, Raylene\",\"dates\":\"\",\"notes\":\"With Kathy Kennedy\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Allison, Luna\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/317024729\",\"name\":\"Clark, Moe\",\"dates\":\"\",\"notes\":\"With Pharmakon MTL\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Mah, Kris\",\"dates\":\"\",\"notes\":\"With Pharmakon MTL\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/9951159478317727990004\",\"name\":\"Reinhart, Michael\",\"dates\":\"1954-\",\"notes\":\"Viaf may be incorrect\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/316987881\",\"name\":\"NEeMA\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Tourjaune, Francois (sp?)\",\"dates\":\"\",\"notes\":\"With NEeMA\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Godin, Steve","Caloporis, Yanni","Campbell, Raylene","Allison, Luna","Mah, Kris","Reinhart, Michael","NEeMA","Tourjaune, Francois (sp?)"],"Performance_Date":[2005],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"74 minutes\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"Magneto-Optical\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"74 minutes\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"Magneto-Optical\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Minidisc","Minidisc"],"physical_compositions":["Magneto-Optical","Magneto-Optical"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2005/12/\",\"file_path\":\"\",\"filename\":\"09112019092902_DN-700R.wav\",\"channel_field\":\"Stereo\",\"sample_rate\":\"96kHz\",\"duration\":\"01:18:50\",\"precision\":\"\",\"size\":\"1GB\",\"bitrate\":\"24\",\"encoding\":\"Waveform\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2005/12/\",\"file_path\":\"\",\"filename\":\"09092019115057_DN-700R.wav\",\"channel_field\":\"Stereo\",\"sample_rate\":\"96kHz\",\"duration\":\"01:15:07\",\"precision\":\"\",\"size\":\"1GB\",\"bitrate\":\"24\",\"encoding\":\"Waveform\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2005-12-18\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Container\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa del Popolo (Montreal)\",\"notes\":\"\",\"address\":\"4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada\",\"latitude\":\"45,5222118\",\"longitude\":\"-73,5905321\"}]"],"Address":["4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada"],"Venue":["Casa del Popolo (Montreal)"],"City":["Montreal, Quebec"],"content_notes":["This year, Words and Music boasts a rare December show with performances by Ian Ferrier and Pharmakon.\n"],"contents":["09092019115057_DN-700R.wav [File 1 of 2]\n\nSteve Godin\n00:00:12\n\nYanni Caloporis\n00:12:30\n\nKathy Kennedy and Raylene Campbell\n00:18:19\n\nLuna Allison\n00:33:39\n\nIan Ferrier and Pharmakon \n00:49:32\n\n\n\n09112019092902_DN-700R.wav [File 2 of 2]\n\nIan Ferrier and Pharmakon\n00:02:18\n\nMichael Reinhardt\n00:18:22\n\nNEeMA and Francois Tourjone\n00:40:22\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548629880832,"timestamp":"2026-01-07T14:59:53.264Z","score":0.01643844},{"id":"1226","cataloger_name":["Andrew,Roberge"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Pharmacie Esperanza 2005-11-26"],"item_title_source":["Container"],"item_title_note":["On MD: \"W+M Pharmacie Nov 26 2005 #1\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian","Kidd, Catherine","McLeod, Brendan","Frost, Corey","Tinguely, Vince"],"creator_names_search":["Ferrier, Ian","Kidd, Catherine","McLeod, Brendan","Frost, Corey","Tinguely, Vince"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"https://viaf.org/viaf/13542322/\",\"name\":\"Kidd, Catherine\",\"dates\":\"1967-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/36707528\",\"name\":\"McLeod, Brendan\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/76001655\",\"name\":\"Frost, Corey\",\"dates\":\"1972-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/36425179\",\"name\":\"Tinguely, Vince\",\"dates\":\"1959-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[2005],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"80 minutes\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"Magneto-Optical\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Minidisc"],"physical_compositions":["Magneto-Optical"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2005/11/\",\"file_path\":\"\",\"filename\":\"11092019091739_DN-700R.wav\",\"channel_field\":\"Stereo\",\"sample_rate\":\"96kHz\",\"duration\":\"01:20:59\",\"precision\":\"\",\"size\":\"1.44GB\",\"bitrate\":\"24\",\"encoding\":\"Waveform\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2005-11-26\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Container\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/2084785633\",\"venue\":\"Casa del Popolo (Montreal)\",\"notes\":\"\",\"address\":\"5490, Boulevard Saint-Laurent, Montreal, Quebec, Canada\",\"latitude\":\" 45,5256340\",\"longitude\":\"-73,5988280\"}]"],"Address":["5490, Boulevard Saint-Laurent, Montreal, Quebec, Canada"],"Venue":["Casa del Popolo (Montreal)"],"City":["Montreal, Quebec"],"content_notes":["On Saturday, 26 November 2005, the Words and Music show presents the Expozine (W)rap Party at the Pharmacie Esperanza. Four stars of the international spoken word meet in Montreal: local Catherine Kidd, Ian Ferrier fresh from his West Coast tour, Vancouver poet Brendan MCLeod freshly returned from Europe, and Corey Frost from New York City. $5, doors 8PM, show at 9."],"contents":["11092019091739_DN-700R.wav [File 1 of 1]\n\nCatherine Kidd\n00:00:00\n\nVince Tinguely\n00:09:59\n\nBrendan McLeod \n00:10:43\n\nVince Tinguely\n00:31:48\n\nCorey Frost\n00:38:59\n\nIan Ferrier\n00:59:10\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548629880833,"timestamp":"2026-01-07T14:59:53.264Z","score":0.01643844},{"id":"1227","cataloger_name":["Andrew,Roberge"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa del Popolo 2008-06-15 "],"item_title_source":["Container"],"item_title_note":["On MDs: \"w+M June 15 2008  PHARMAK-MOE-SADIO #1\"; \"W+M June 15 2008  PHARMAK-MOE-SADIO #2\".\nOn event document: \"This concert was especially conceived for the Suoni per il Popolo festival\"."],"item_language":["English, French"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"(Performs with Pharmakon MTL; performance announced but missing, likely on mute file)\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\",\"Performer\"]}]"],"contributors_names":["Sissokho, Sadio","Mori Tounkara, Diely","Ferrier, Trevor","Highbloom, Bryan","Clark, Moe","Thompson, Andrea"],"contributors_names_search":["Sissokho, Sadio","Mori Tounkara, Diely","Ferrier, Trevor","Highbloom, Bryan","Clark, Moe","Thompson, Andrea"],"contributors":["[{\"url\":\"\",\"name\":\"Sissokho, Sadio\",\"dates\":\"\",\"notes\":\"(With Trevor Ferrier, Bryan Highbloom, and Diely Mori Tounkara)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Mori Tounkara, Diely\",\"dates\":\"\",\"notes\":\"(With Bryan Highbloom, Sadio Sissokho, and Trevor Ferrier)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Ferrier, Trevor\",\"dates\":\"\",\"notes\":\"(With Bryan Highbloom, Sadio Sissokho, and Diely Mori Tounkara)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Highbloom, Bryan\",\"dates\":\"\",\"notes\":\"(With Trevor Ferrier, Sadio Sissokho, and Diely Mori Tounkara)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/317024729\",\"name\":\"Clark, Moe\",\"dates\":\"\",\"notes\":\"(With Pharmakon MTL; announced but missing (performance likely on mute file))\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Thompson, Andrea\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Sissokho, Sadio","Mori Tounkara, Diely","Ferrier, Trevor","Highbloom, Bryan","Clark, Moe","Thompson, Andrea"],"Performance_Date":[2008],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"Magneto-Optical\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"Magneto-Optical\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Minidisc","Minidisc"],"physical_compositions":["Magneto-Optical","Magneto-Optical"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Stereo","Stereo"],"Dates":["[{\"date\":\"2008-06-15\",\"type\":\"Performance Date\",\"notes\":\"Date indicated on container, on event poster, and in radio ad\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa del Popolo (Montreal)\",\"notes\":\"\",\"address\":\"4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada\",\"latitude\":\"45,5222118\",\"longitude\":\"-73,5905321\"}]"],"Address":["4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada"],"Venue":["Casa del Popolo (Montreal)"],"City":["Montreal, Quebec"],"content_notes":[" The Words and Music Show of Sunday 15 June 2008 featured the melodic trance music of Pharmakon “a 5 piece ensemble featuring Ian Ferrier on voice and verse” along with special guest, Alberta spoken word star and Moe Clark on verse and sung vocals.  Moe Clark had just launched her new CD Circle of She in Calgary.  Her improv work with Pharmakon had begun in Banff, Alberta and this was the Montreal debut of this collaboration.  The show also featured Sadio Sissokho of Senegal, “from the African Griot tradition”, accompanied by musicians on kora, kalimba, djembe and guitar.  According to the show description, “This concert was especially conceived for the Suoni per il Popolo festival” to explore “the range of the oral tradition in literature and song.”  Held at the Casa del Popolo, 9pm, $5, this show was “sponsored by the Suoni per il Popolo Festival and all its sponsors, as well as the Canada Council for the Arts, the Quebec Writers’ Federation, CKUT 90.3 FM and Wired on Words Productions."],"contents":["19092019125259_DN-700R.wav [File 1 of 2]\n\nIan Ferrier\n00:00:04\nIntroduces Diely Mori Tounkara, Sadio Sissokho, Bryan Highbloom, and Trevor Ferrier [recording begins abruptly]. | Keywords: Africa [https://www.wikidata.org/wiki/Q15]; Montreal [https://www.wikidata.org/wiki/Q340]\n\nAudience\n00:00:36\nApplause. \n\nSadio Sissokho\n00:00:39\nPerforms [Dinia (?)] on kora with Diely Mori Tounkara on kora, Bryan Highbloom on guitar, and Trevor Ferrier on kalimba [audience applause throughout]. \n\nAudience\n00:09:27\nApplause. \n\nSadio Sissokho\n00:09:35\nAddresses audience in French, exchange follows. | Keywords: Senegal [https://www.wikidata.org/wiki/Q1041]; Diely Mori Tounkara; Mali [https://www.wikidata.org/wiki/Q912]; Bryan [Highbloom]; Trevor [Ferrier]\n\nSadio Sissokho\n00:10:02\nDiscusses [Dinia (?)] in French. | Keywords: Senegal\n\nAudience\n00:10:52\nApplause. \n\nSadio Sissokho\n00:10:57\nIntroduces [Kalabanté (?)] in French.  | Keywords: Africa. \n\nSadio Sissokho\n00:11:43\nPerforms [Kalabanté (?)] with Diely Mori Tounkara, Bryan Highbloom, and Trevor Ferrier. \n\nAudience\n00:18:40\nApplause [music continues throughout]. \n\nSadio Sissokho\n00:18:48\nThanks audience in French [music continues throughout]. \n\nAudience\n00:18:49\nApplause. \n\nSadio Sissokho\n00:19:00\nThanks audience and introduces [Gie Gie (?)] in French. | Keywords: Quebec [https://www.wikidata.org/wiki/Q176]\n\nAudience\n00:20:23\nApplause. \n\nSadio Sissokho\n00:20:24\nPerforms [Gie Gie (?)] with Diely Mori Tounkara, Bryan Highbloom, and Trevor Ferrier. \n\nAudience\n00:28:28\nApplause and laughter. \n\nSadio Sissokho\n00:28:56\nPerforms unnamed song with Diely Mori Tounkara, Bryan Highbloom, and Trevor Ferrier. \n\nAudience\n00:36:17\nApplause. \n\nSadio Sissokho\n00:36:20\nThanks audience in French [audience applause continues throughout]. \n\nUnknown\n00:36:44\nAmbient Sound [voices]. \n\nSadio Sissokho\n00:37:24\nPerforms [Kaira (?)] with Diely Mori Tounkara, Bryan Highbloom, and Trevor Ferrier [addresses and thanks audience in French during performance]. \n\nAudience\n00:48:04\nApplause. \n\nSadio Sissokho\n00:48:04\nThanks audience in French [audience applause continues throughout]. \n\nIan Ferrier\n00:48:25\nThanks Sadio Sissokho, Diely Mori Tounkara, Estelle [Lavoie], Trevor [Ferrier], Bryan Highbloom, and\n\nIan Ferrier\n00:48:35\nAddresses Sadio Sissokho in French. \n\nIan Ferrier\n00:48:44\nAddresses Corey Frost in English. \n\nIan Ferrier\n00:48:48\nAddresses Sadio Sissokho in French. \n\nCorey Frost\n00:48:59\nAsks Sadio Sissokho a question about kora in French. \n\nCorey Frost\n00:49:20\nAddresses audience in English.\n\nSadio Sissokho\n00:49:30\nThanks audience and answers Corey Frost's question in French. | Keywords: Diely Mori Tounkara; Mali; Estelle Lavoie; Africa; Senegal; Quebec\n\nCorey Frost\n00:52:44\nThanks Sadio Sissokho in French. \n\nSadio Sissokho\n00:52:45\nAddresses Corey Frost in French. \n\nAudience\n00:52:47\nApplause. \n\nIan Ferrier\n00:52:50\nThanks and addresses Sadio Sissokho in French [audience applause continues throughout]. \n\nAudience\n00:53:00\nLaughter. \n\nIan Ferrier\n00:53:06\nAnnounces future event in English. | Keywords: Toronto [https://www.wikidata.org/wiki/Q172]; Andrea Thompson; [Montreal] Fringe Festival; Jem Rolls\n\nAudience\n00:53:39\nApplause. \n\nUnknown\n00:53:45\nAddresses audience [audience laughter throughout]. | Keywords: Jem Rolls; Montreal Fringe Festival; Mating Rituals of the Urban Cougar [show] \n\nAndrea Thompson\n00:54:34\nIntroduces \"The Uncertainty Principle\" from Mating Rituals of the Urban Cougar [audience laughter throughout].\n\nAndrea Thompson\n00:55:24\nPerforms \"The Uncertainty Principle\" from Mating Rituals of the Urban Cougar [audience laughter throughout].\n\nAudience\n01:00:01\nApplause. \n\nAndrea Thompson\n01:00:05\nThanks audience [audience applause continues throughout]. \n\nAndrea Thompson\n01:00:13\nAnnounces future show. | Keywords: Mating Rituals of the Urban Cougar; Montreal Fringe Festival\n\nAudience\n01:00:33\nApplause. \n\nIan Ferrier\n01:00:40\nAnnounces intermission. | Keywords: Moe Clark [https://www.wikidata.org/wiki/Q65116392]; Pharmakon MTL\n\nAudience\n01:00:50\nApplause [cut off].\n\nUnknown\n01:00:59\nAmbient Sound [music].\n\nUnknown\n01:01:08\nSilence [music cut off abruptly].\n\nEND\n01:03:53\n\n\n09192019163708_DN-700R.wav [File 2 of 2]\n\n[MUTE]"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548629880834,"timestamp":"2026-01-07T14:59:53.264Z","digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2008/06/\",\"file_path\":\"\",\"filename\":\"19092019125259_DN-700R.wav\",\"channel_field\":\"Stereo\",\"sample_rate\":\"96kHz\",\"duration\":\"01:03:53\",\"precision\":\"\",\"size\":\"1.01GB\",\"bitrate\":\"24\",\"encoding\":\"Waveform\",\"contents\":\"19092019125259_DN-700R.wav [File 1 of 2]\\n\\nIan Ferrier\\n00:00:04\\nIntroduces Diely Mori Tounkara, Sadio Sissokho, Bryan Highbloom, and Trevor Ferrier [recording begins abruptly]. | Keywords: Africa [https://www.wikidata.org/wiki/Q15]; Montreal [https://www.wikidata.org/wiki/Q340]\\n\\nAudience\\n00:00:36\\nApplause. \\n\\nSadio Sissokho\\n00:00:39\\nPerforms [Dinia (?)] on kora with Diely Mori Tounkara on kora, Bryan Highbloom on guitar, and Trevor Ferrier on kalimba [audience applause throughout]. \\n\\nAudience\\n00:09:27\\nApplause. \\n\\nSadio Sissokho\\n00:09:35\\nAddresses audience in French, exchange follows. | Keywords: Senegal [https://www.wikidata.org/wiki/Q1041]; Diely Mori Tounkara; Mali [https://www.wikidata.org/wiki/Q912]; Bryan [Highbloom]; Trevor [Ferrier]\\n\\nSadio Sissokho\\n00:10:02\\nDiscusses [Dinia (?)] in French. | Keywords: Senegal\\n\\nAudience\\n00:10:52\\nApplause. \\n\\nSadio Sissokho\\n00:10:57\\nIntroduces [Kalabanté (?)] in French.  | Keywords: Africa. \\n\\nSadio Sissokho\\n00:11:43\\nPerforms [Kalabanté (?)] with Diely Mori Tounkara, Bryan Highbloom, and Trevor Ferrier. \\n\\nAudience\\n00:18:40\\nApplause [music continues throughout]. \\n\\nSadio Sissokho\\n00:18:48\\nThanks audience in French [music continues throughout]. \\n\\nAudience\\n00:18:49\\nApplause. \\n\\nSadio Sissokho\\n00:19:00\\nThanks audience and introduces [Gie Gie (?)] in French. | Keywords: Quebec [https://www.wikidata.org/wiki/Q176]\\n\\nAudience\\n00:20:23\\nApplause. \\n\\nSadio Sissokho\\n00:20:24\\nPerforms [Gie Gie (?)] with Diely Mori Tounkara, Bryan Highbloom, and Trevor Ferrier. \\n\\nAudience\\n00:28:28\\nApplause and laughter. \\n\\nSadio Sissokho\\n00:28:56\\nPerforms unnamed song with Diely Mori Tounkara, Bryan Highbloom, and Trevor Ferrier. \\n\\nAudience\\n00:36:17\\nApplause. \\n\\nSadio Sissokho\\n00:36:20\\nThanks audience in French [audience applause continues throughout]. \\n\\nUnknown\\n00:36:44\\nAmbient Sound [voices]. \\n\\nSadio Sissokho\\n00:37:24\\nPerforms [Kaira (?)] with Diely Mori Tounkara, Bryan Highbloom, and Trevor Ferrier [addresses and thanks audience in French during performance]. \\n\\nAudience\\n00:48:04\\nApplause. \\n\\nSadio Sissokho\\n00:48:04\\nThanks audience in French [audience applause continues throughout]. \\n\\nIan Ferrier\\n00:48:25\\nThanks Sadio Sissokho, Diely Mori Tounkara, Estelle [Lavoie], Trevor [Ferrier], Bryan Highbloom, and\\n\\nIan Ferrier\\n00:48:35\\nAddresses Sadio Sissokho in French. \\n\\nIan Ferrier\\n00:48:44\\nAddresses Corey Frost in English. \\n\\nIan Ferrier\\n00:48:48\\nAddresses Sadio Sissokho in French. \\n\\nCorey Frost\\n00:48:59\\nAsks Sadio Sissokho a question about kora in French. \\n\\nCorey Frost\\n00:49:20\\nAddresses audience in English.\\n\\nSadio Sissokho\\n00:49:30\\nThanks audience and answers Corey Frost's question in French. | Keywords: Diely Mori Tounkara; Mali; Estelle Lavoie; Africa; Senegal; Quebec\\n\\nCorey Frost\\n00:52:44\\nThanks Sadio Sissokho in French. \\n\\nSadio Sissokho\\n00:52:45\\nAddresses Corey Frost in French. \\n\\nAudience\\n00:52:47\\nApplause. \\n\\nIan Ferrier\\n00:52:50\\nThanks and addresses Sadio Sissokho in French [audience applause continues throughout]. \\n\\nAudience\\n00:53:00\\nLaughter. \\n\\nIan Ferrier\\n00:53:06\\nAnnounces future event in English. | Keywords: Toronto [https://www.wikidata.org/wiki/Q172]; Andrea Thompson; [Montreal] Fringe Festival; Jem Rolls\\n\\nAudience\\n00:53:39\\nApplause. \\n\\nUnknown\\n00:53:45\\nAddresses audience [audience laughter throughout]. | Keywords: Jem Rolls; Montreal Fringe Festival; Mating Rituals of the Urban Cougar [show] \\n\\nAndrea Thompson\\n00:54:34\\nIntroduces \\\"The Uncertainty Principle\\\" from Mating Rituals of the Urban Cougar [audience laughter throughout].\\n\\nAndrea Thompson\\n00:55:24\\nPerforms \\\"The Uncertainty Principle\\\" from Mating Rituals of the Urban Cougar [audience laughter throughout].\\n\\nAudience\\n01:00:01\\nApplause. \\n\\nAndrea Thompson\\n01:00:05\\nThanks audience [audience applause continues throughout]. \\n\\nAndrea Thompson\\n01:00:13\\nAnnounces future show. | Keywords: Mating Rituals of the Urban Cougar; Montreal Fringe Festival\\n\\nAudience\\n01:00:33\\nApplause. \\n\\nIan Ferrier\\n01:00:40\\nAnnounces intermission. | Keywords: Moe Clark [https://www.wikidata.org/wiki/Q65116392]; Pharmakon MTL\\n\\nAudience\\n01:00:50\\nApplause [cut off].\\n\\nUnknown\\n01:00:59\\nAmbient Sound [music].\\n\\nUnknown\\n01:01:08\\nSilence [music cut off abruptly].\\n\\nEND\\n01:03:53\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2008/06/\",\"file_path\":\"\",\"filename\":\"09192019163708_DN-700R.wav\",\"channel_field\":\"Stereo\",\"sample_rate\":\"96kHz\",\"duration\":\"00:53:36\",\"precision\":\"\",\"size\":\"812 MB\",\"bitrate\":\"24\",\"encoding\":\"Waveform\",\"contents\":\"09192019163708_DN-700R.wav [File 2 of 2]\",\"notes\":\"Mute file\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"score":0.01643844},{"id":"1228","cataloger_name":["Andrew,Roberge"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Impure Launch 2001-10"],"item_title_source":["Container"],"item_title_note":["On MDs: \"IMPURE #1 Oct 2001\"; \"IMPURE #2 Oct 2001\"."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["O'Hara, Alexis","Young, d'bi","Young, Natalie","Boutros, Alexandra","Sundström, Kaarla","Frost, Corey","Brown, Jake"],"contributors_names_search":["O'Hara, Alexis","Young, d'bi","Young, Natalie","Boutros, Alexandra","Sundström, Kaarla","Frost, Corey","Brown, Jake"],"contributors":["[{\"url\":\"http://viaf.org/viaf/106457511\",\"name\":\"O'Hara, Alexis\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/44049981\",\"name\":\"Young, d'bi\",\"dates\":\"1977-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Young, Natalie\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/102898270\",\"name\":\"Boutros, Alexandra\",\"dates\":\"1971-\",\"notes\":\"With Kaarla Sundstrom\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/106289087\",\"name\":\"Sundström, Kaarla\",\"dates\":\"\",\"notes\":\"With Alex Boutros\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/76001655\",\"name\":\"Frost, Corey\",\"dates\":\"1972-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Brown, Jake\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["O'Hara, Alexis","Young, d'bi","Young, Natalie","Boutros, Alexandra","Sundström, Kaarla","Frost, Corey","Brown, Jake"],"Performance_Date":[2001],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"Magneto-Optical\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"Magneto-Optical\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Minidisc","Minidisc"],"physical_compositions":["Magneto-Optical","Magneto-Optical"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2001/10/\",\"file_path\":\"\",\"filename\":\"19092019170328_DN-700r.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:17:34\",\"precision\":\"\",\"size\":\"1.2 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2001-10\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["In October 2001, Alexis O’Hara hosts the launch of Impure, Reinventing the Word: The Theory, Practice and Oral History of Spoken Word in Montreal (Conundrum Press, 2001), with performances by Ian Ferrier and Catherine Kidd. Introduced as “dub poet, playwright and fashion plate”, D’bi Young graces the stage and brings pre-launch copies of her new live CD."],"contents":["19092019170328_DN-700r.wav [File 1 of 1]\n\nAlexis O’Hara\n00:00:00\n\nIan Ferrier\n00:01:17\n\nAlexis O’Hara\n00:17:11\n\nD’bi Young\n00:19:34\n\nNatalie Derhum (in Impure)\n00:31:40\n\nAlexis O’Hara\n00:40:19\n\nAlex Boutrous and Kaarla Sundstrom\n00:42:37\n\nAlexis O’Hara\n00:45:56\n\nCatherine Kidd\n00:47:10\n\nAlexis O’Hara\n00:57:54\n\nCorey Frost\n00:59:47\n\nAlexis O’Hara\n01:11:54\n\nJake Brown \n01:13:20\n\nTape malfunction at 01:15:00\n"],"Note":["[{\"note\":\"Not a Words and Music show: Ian Ferrier is introduced as the curator of the W&M series at the Casa del Popolo, which indicates this event is outside of the series.\",\"type\":\"General\"},{\"note\":\"Bilingual show: Alexis O'Hara frequently alternates between French and English.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548630929408,"timestamp":"2026-01-07T14:59:53.264Z","score":0.01643844},{"id":"1229","cataloger_name":["Andrew,Roberge"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa del Popolo 2008-01-20"],"item_title_source":["Container"],"item_title_note":["On MDs: \"W+M JAN 2008 BARRY BAND TAQ STEVE #1\"; \"W+M JAN 2008 LOCKETT KELLY ETC #2\". Full event audio not found. "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"contributors_names":["Adamson, Gordon","Cowan, Andrew","Partridge, Taqralik","Kelly, Erica Ruth","Lockett, Lydia","Barry, Stephen","Golick, Jody","Allison, Mose"],"contributors_names_search":["Adamson, Gordon","Cowan, Andrew","Partridge, Taqralik","Kelly, Erica Ruth","Lockett, Lydia","Barry, Stephen","Golick, Jody","Allison, Mose"],"contributors":["[{\"url\":\"\",\"name\":\"Adamson, Gordon\",\"dates\":\"\",\"notes\":\"(With Stephen Barry Band)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Cowan, Andrew\",\"dates\":\"\",\"notes\":\"(With Stephen Barry Band)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/15154257780224150501\",\"name\":\"Partridge, Taqralik\",\"dates\":\"\",\"notes\":\"Announced but missing\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Kelly, Erica Ruth\",\"dates\":\"\",\"notes\":\"Announced but missing\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Lockett, Lydia\",\"dates\":\"\",\"notes\":\"Announced but missing\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/66589432\",\"name\":\"Barry, Stephen\",\"dates\":\"1948-\",\"notes\":\"(With Stephen Barry Band)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/106362079\",\"name\":\"Golick, Jody\",\"dates\":\"1954-\",\"notes\":\"(With Stephen Barry Band)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/34602711\",\"name\":\"Allison, Mose\",\"dates\":\"1927-2016\",\"notes\":\"(With Stephen Barry Band)\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Adamson, Gordon","Cowan, Andrew","Partridge, Taqralik","Kelly, Erica Ruth","Lockett, Lydia","Barry, Stephen","Golick, Jody","Allison, Mose"],"Performance_Date":[2008],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"Magneto-Optical\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"Magneto-Optical\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Minidisc","Minidisc"],"physical_compositions":["Magneto-Optical","Magneto-Optical"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Stereo","Stereo"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2008/01/\",\"file_path\":\"\",\"filename\":\"19092019164809_DN-700R.wav\",\"channel_field\":\"Stereo\",\"sample_rate\":\"96kHz\",\"duration\":\"00:01:33\",\"precision\":\"\",\"size\":\"25 MB\",\"bitrate\":\"24\",\"encoding\":\"Waveform\",\"contents\":\"\",\"notes\":\"Ambient music\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2008/01/\",\"file_path\":\"\",\"filename\":\"19092019155216_DN-700R.wav\",\"channel_field\":\"Stereo\",\"sample_rate\":\"96kHz\",\"duration\":\"00:39:24\",\"precision\":\"\",\"size\":\"627 MB\",\"bitrate\":\"24\",\"encoding\":\"Waveform\",\"contents\":\"19092019155216_DN-700R.wav\\n\\nStephen Barry Band\\n00:00:03\\nPerforms unnamed song [recording begins abruptly].\\n\\nAudience\\n00:05:17\\nApplause.\\n\\nStephen Barry\\n00:05:19\\nThanks audience [audience applause continues throughout].\\n\\nStephen Barry Band\\n00:05:30\\nPerforms unnamed song.\\n\\nAudience\\n00:09:38\\nApplause.\\n\\nStephen Barry Band\\n00:09:41\\nPerforms unnamed song.\\n\\nAudience\\n00:13:14\\nApplause.\\n\\nStephen Barry Band\\n00:13:34\\nPerforms unnamed song.\\n\\nAudience\\n00:15:48\\nApplause.\\n\\nStephen Barry\\n00:15:52\\nThanks audience [audience applause continues throughout].\\n\\nStephen Barry\\n00:15:55\\nDiscusses unnamed song. \\n\\nStephen Barry Band\\n00:16:22\\nPerforms unnamed song.\\n\\nAudience\\n00:20:25\\n Applause.\\n\\nStephen Barry\\n00:20:28\\nThanks audience [audience applause continues throughout].\\n\\nStephen Barry\\n00:20:33\\nAddresses audience.\\n\\nStephen Barry Band\\n00:20:51\\nPerforms unnamed song.\\n\\nAudience\\n00:25:22\\n Applause.\\n\\nStephen Barry\\n00:25:25\\nAddresses Mose Allison [https://www.wikidata.org/wiki/Q1382570], Stephen Barry Band pianist.\\n\\nStephen Barry Band\\n00:25:32\\nPerforms unnamed song.\\n\\nAudience\\n00:30:07\\n Applause.\\n\\nStephen Barry\\n00:30:16\\nThanks audience.\\n\\nStephen Barry\\n00:30:20\\nIntroduces unnamed song.\\n\\nStephen Barry\\n00:30:31\\nThanks Ian Ferrier [https://www.wikidata.org/wiki/Q87138884].\\n\\nAudience\\n00:30:33\\nApplause.\\n\\nStephen Barry\\n00:30:39\\nAddresses Ian Ferrier, exchange follows [audience laughter throughout].\\n\\nStephen Barry Band\\n00:31:27\\nPerforms unnamed song [audience applauds when Barry introduces his band members, Jody Golick, Gordon Adamson, and Andrew Cowan].\\n\\nAudience\\n00:37:09\\nApplause.\\n\\nStephen Barry\\n00:37:14\\nThanks audience, exchange follows [audience applause continues throughout].\\n\\nUnknown\\n00:37:40\\nAmbient Sound [music]. \\n\\nIan Ferrier\\n00:38:56\\nThanks the performers. \\n\\nIan Ferrier\\n00:39:08\\nAnnounces future event. \\n\\nUnknown\\n00:39:13\\nAmbient Sound [music]. \\n\\nUnknown\\n00:39:28\\nSilence [music cut off abruptly]. \\n\\nEND\\n00:41:26\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2008-01-20\",\"type\":\"Performance Date\",\"notes\":\"Date indicated on MiniDisk container and on event poster\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa del Popolo (Montreal)\",\"notes\":\"\",\"address\":\"4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada\",\"latitude\":\"45,5222118\",\"longitude\":\"-73,5905321\"}]"],"Address":["4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada"],"Venue":["Casa del Popolo (Montreal)"],"City":["Montreal, Quebec"],"content_notes":["As the kick off show of 2008, the Sunday January 20th Words and Music show at Casa del Popolo was billed as a collaboration with Wired on Words, the Société des Arts Libres et Actuels, musicians and artists from Québec’s English Language Arts Network (and sponsored by the Canada Council for the Arts, the Quebec Writers’ Federation and CKUT 90.3 FM).  The show presented spoken word by “Groove Poet” Lydia Lockett, “heated words” by Inuit poet Taqralik Partridge, plus words and music by Erica Ruth Kelly and the Chicago-style blues of the Stephen Barry Band.  Hosted by Ian Ferrier, the show started at 9pm and cost $5 to attend.  A tag line on one of the posters read, “stomp those wintry blues”."],"contents":["19092019155216_DN-700R.wav\n\nStephen Barry Band\n00:00:03\nPerforms unnamed song [recording begins abruptly].\n\nAudience\n00:05:17\nApplause.\n\nStephen Barry\n00:05:19\nThanks audience [audience applause continues throughout].\n\nStephen Barry Band\n00:05:30\nPerforms unnamed song.\n\nAudience\n00:09:38\nApplause.\n\nStephen Barry Band\n00:09:41\nPerforms unnamed song.\n\nAudience\n00:13:14\nApplause.\n\nStephen Barry Band\n00:13:34\nPerforms unnamed song.\n\nAudience\n00:15:48\nApplause.\n\nStephen Barry\n00:15:52\nThanks audience [audience applause continues throughout].\n\nStephen Barry\n00:15:55\nDiscusses unnamed song. \n\nStephen Barry Band\n00:16:22\nPerforms unnamed song.\n\nAudience\n00:20:25\n Applause.\n\nStephen Barry\n00:20:28\nThanks audience [audience applause continues throughout].\n\nStephen Barry\n00:20:33\nAddresses audience.\n\nStephen Barry Band\n00:20:51\nPerforms unnamed song.\n\nAudience\n00:25:22\n Applause.\n\nStephen Barry\n00:25:25\nAddresses Mose Allison [https://www.wikidata.org/wiki/Q1382570], Stephen Barry Band pianist.\n\nStephen Barry Band\n00:25:32\nPerforms unnamed song.\n\nAudience\n00:30:07\n Applause.\n\nStephen Barry\n00:30:16\nThanks audience.\n\nStephen Barry\n00:30:20\nIntroduces unnamed song.\n\nStephen Barry\n00:30:31\nThanks Ian Ferrier [https://www.wikidata.org/wiki/Q87138884].\n\nAudience\n00:30:33\nApplause.\n\nStephen Barry\n00:30:39\nAddresses Ian Ferrier, exchange follows [audience laughter throughout].\n\nStephen Barry Band\n00:31:27\nPerforms unnamed song [audience applauds when Barry introduces his band members, Jody Golick, Gordon Adamson, and Andrew Cowan].\n\nAudience\n00:37:09\nApplause.\n\nStephen Barry\n00:37:14\nThanks audience, exchange follows [audience applause continues throughout].\n\nUnknown\n00:37:40\nAmbient Sound [music]. \n\nIan Ferrier\n00:38:56\nThanks the performers. \n\nIan Ferrier\n00:39:08\nAnnounces future event. \n\nUnknown\n00:39:13\nAmbient Sound [music]. \n\nUnknown\n00:39:28\nSilence [music cut off abruptly]. \n\nEND\n00:41:26"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548631977984,"timestamp":"2026-01-07T14:59:53.264Z","score":0.01643844},{"id":"1230","cataloger_name":["Andrew,Roberge"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa del Popolo 2008-05-18"],"item_title_source":["Container"],"item_title_note":["On MD: \"w+M May 18,2008 Skid TAQ GUIDO #2\"."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian","Skidmore","Partridge, Taqralik","del Fabbro, Guido"],"creator_names_search":["Ferrier, Ian","Skidmore","Partridge, Taqralik","del Fabbro, Guido"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"\",\"name\":\"Skidmore\",\"dates\":\"\",\"notes\":\"Not found on databases.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/15154257780224150501\",\"name\":\"Partridge, Taqralik\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"del Fabbro, Guido\",\"dates\":\"\",\"notes\":\"Not found on databases. Musician according to event poster.\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[2008],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"Magneto-Optical\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Minidisc"],"physical_compositions":["Magneto-Optical"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2008/05/\",\"file_path\":\"\",\"filename\":\"09192019154814_DN-700R.wav\",\"channel_field\":\"Stereo\",\"sample_rate\":\"96kHz\",\"duration\":\"00:42:33\",\"precision\":\"\",\"size\":\"646 MB\",\"bitrate\":\"24\",\"encoding\":\"Waveform\",\"contents\":\"\",\"notes\":\"No audio signal in file\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2008-05-18\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Container\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa del Popolo (Montreal)\",\"notes\":\"\",\"address\":\"4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada\",\"latitude\":\"45,5222118\",\"longitude\":\"-73,5905321\"}]"],"Address":["4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada"],"Venue":["Casa del Popolo (Montreal)"],"City":["Montreal, Quebec"],"content_notes":["  The Words and Music Show poster for the 18 May 2008 event advertised a “poetry jam” with Skidmore, Taqralik Partridge, and “music by the most excellent” Guido del Fabbro.  The radio advertisement notes that Partridge was making a “special appearance”, Skidmore had a new CD, and that the event also featured poets from Montreal’s Throw Collective “fresh from their Saturday night slam.”  At the Casa Del Popolo, 9pm, $5, a CKUT co-presentation."],"contents":["09192019154814_DN-700R.wav [File 1 of 1]\n\nNo audio signal"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548631977985,"timestamp":"2026-01-07T14:59:53.264Z","score":0.01643844},{"id":"1231","cataloger_name":["Andrew,Roberge"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa del Popolo 2007-01-28"],"item_title_source":["Container, Radio Ad"],"item_title_note":["On MD:  \"W+M Alexis Vict. Will Jan 2007 #1\"; \"W+M ALEXIS JAN 2007 #2\". Radio ad confirms the location."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian","O'Hara, Alexis","Aitken, Will","Thomas, Stephen","Khayat, Valerie"],"creator_names_search":["Ferrier, Ian","O'Hara, Alexis","Aitken, Will","Thomas, Stephen","Khayat, Valerie"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"http://viaf.org/viaf/106457511\",\"name\":\"O'Hara, Alexis\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/4035558\",\"name\":\"Aitken, Will\",\"dates\":\"1949-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Thomas, Stephen\",\"dates\":\"\",\"notes\":\"Not found on databases.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/102830671\",\"name\":\"Khayat, Valerie\",\"dates\":\"1973-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[2007],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"Magneto-Optical\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Minidisc"],"physical_compositions":["Magneto-Optical"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2007/01/\",\"file_path\":\"\",\"filename\":\"20092019105055_DN-700R.wav\",\"channel_field\":\"Stereo\",\"sample_rate\":\"96kHz\",\"duration\":\"01:12:50\",\"precision\":\"\",\"size\":\"740 MB\",\"bitrate\":\"24\",\"encoding\":\"Waveform\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2007/01/\",\"file_path\":\"\",\"filename\":\"17092019151916_DN-700R.wav\",\"channel_field\":\"Stereo\",\"sample_rate\":\"96kHz\",\"duration\":\"00:48:47\",\"precision\":\"\",\"size\":\"775 MB\",\"bitrate\":\"24\",\"encoding\":\"Waveform \",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2007-01-28\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Container\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa del Popolo (Montreal)\",\"notes\":\"\",\"address\":\"4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada\",\"latitude\":\"45,5222118\",\"longitude\":\"-73,5905321\"}]"],"Address":["4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada"],"Venue":["Casa del Popolo (Montreal)"],"City":["Montreal, Quebec"],"content_notes":["From the poster we know that this Sunday, 28 January 2007 Words and Music Show offered performances by Alexis O’Hara, Victoria Stanton, Will Aitken, Stephen Thomas, and singer songwriter Valerie Khayat.  It was held at the Casa del Popolo, 4873 St-Laurent.  Doors opened at 8pm and the cost of entry was $5."],"contents":["File 1 of 1 — 17092019151916_DN-700R.wav\n\nIan Ferrier \n00:00:02\nAddresses unknown audience member.\n\nIan Ferrier\n00:00:07\nIntroduces Will Aitken. Promotes Aitken’s Realia [book; Vintage Canada; 2001]. | Keywords: novelist [https://www.wikidata.org/wiki/Q6625963]; Dawson College [https://www.wikidata.org/wiki/Q2983587].\n\nAudience\n00:00:33\nApplause.\n\nWill Aitken\n00:00:41\nAddresses audience. Addresses Ferrier.\n\nUnknown\n00:00:51\nAmbient Sounds [movement].\n\nWill Aitken\n00:00:57\nResumes addressing audience [audience laughter throughout]. Introduces excerpt from My Life Burning in the Moonlight [book; 2012]. | Keyword: “Essay on Flying, By My Father” [work by Will Aitken]; nuclear annihilation [https://www.wikidata.org/wiki/Q201424]; memoir [https://www.wikidata.org/wiki/Q112983]; Japan [https://www.wikidata.org/wiki/Q17]; kamikaze [https://www.wikidata.org/wiki/Q133194].\n\nWill Aitken\n00:01:51\nAddresses unknown audience member [Ian Ferrier?]; an exchange follows.\n\nWill Aitken\n00:02:00\nResumes introducing excerpt from My Life Burning in the Moonlight. | Keywords: movie star [https://www.wikidata.org/wiki/Q1337738]; ryokan [https://www.wikidata.org/wiki/Q562930]; war [ ].\n\nWill Aitken\n00:05:27\nReads excerpt from My Life Burning in the Moonlight.\n\nAudience\n00:15:39\nApplause.\n\nAudience\n00:15:52\nLaughter.\n\nUnknown\n00:15:54\nAmbient Sounds [movement].\n\nIan Ferrier\n00:15:59\nAddresses Aitken. Introduces Victoria Stanton. Promotes Stanton’s Impure: Reinventing the Word [book by Stanton and Vincent Tinguely; Conundrum Press; 2001] and album. | Keywords: spoken word [https://www.wikidata.org/wiki/Q1428637]; Australia [https://www.wikidata.org/wiki/Q408].\n\nAudience \n00:16:47\nApplause.\n\nVictoria Stanton\n00:16:57\nAddresses Ferrier [unintelligible].\n\nIan Ferrier\n00:16:59\nAddresses Stanton. Laughter.\n\nVictoria Stanton\n00:17:09\nAddresses audience.\n\nAudience\n00:17:32\nApplause.\n\nVictoria Stanton\n00:17:39\nIntroduces “Princess”. Addresses audience. | Keywords: Meat Loaf [https://www.wikidata.org/wiki/Q408].\n\nIan Ferrier\n00:18:51\nAddresses Stanton.\n\nVictoria Stanton\n00:18:52\nAddresses Ferrier. Resumes introducing “Princess” [with music by Christian Richer]. Addresses Stefan [sound tech] and audience.\n\nVictoria Stanton\n00:20:32\nPerforms “Princess”.\n\nAudience\n00:21:42\nLaughter. Applause.\n\nVictoria Stanton\n00:21:48\nAddresses Richer. Addresses audience. Introduces “Older Sister” [audience laughter throughout]. | Keywords: Carly Simon [https://www.wikidata.org/wiki/Q181683].\n\nVictoria Stanton\n00:22:55\nPerforms “Older Sister”.\n\nAudience\n00:26:10\nApplause.\n\nVictoria Stanton\n00:26:24\nAddresses audience. Promotes her CD. Introduces “Recipe”.\n\nVictoria Stanton\n00:27:33\nPerforms “Recipe”. \n\nAudience\n00:29:35\nApplause.\n\nUnknown Audience Member 1\n00:29:40\nAddresses Stanton.\n\nVictoria Stanton\n00:29:42\nAddresses Unknown Audience Member 1. Addresses Stefan. Introduces unnamed composition 1. | Keywords: waltz [https://www.wikidata.org/wiki/Q8701407]; meditating [https://www.wikidata.org/wiki/Q108458]; children [https://www.wikidata.org/wiki/Q7569].\n\nVictoria Stanton\n00:30:45\nPerforms unnamed composition 1. \n\nAudience\n00:34:19\nApplause.\n\nVictoria Stanton\n00:34:27\nAddresses audience. | Keywords: zipper [https://www.wikidata.org/wiki/Q101761].\n\nUnknown Audience Member 2\n00:34:34\nAddresses Stanton.\n\nVictoria Stanton\n00:34:35\nAddresses audience.\n\nUnknown Audience Member 3\n00:35:18 \nAddresses Stanton.\n\nVictoria Stanton\n00:35:20\nAddresses Unknown Audience Member 3. Introduces unnamed composition 2. | Keywords: Gordon Allen [musician]; neighbour [https://www.wikidata.org/wiki/Q1986893]; love [https://www.wikidata.org/wiki/Q380233]; Syd Barrett [https://www.wikidata.org/wiki/Q173061].\n\nVictoria Stanton\n00:36:10\nPerforms unnamed composition 2. \n\nAudience\n00:39:21\nApplause.\n\nVictoria Stanton\n00:39:30\nAddresses audience.\n\nAudience\n00:39:36\nApplause.\n\nIan Ferrier\n00:39:42\nAnnounces intermission. Announces Stephen Thomas, Valerie Khayat, and Alexis O’Hara to perform after the break.\n\nUnknown\n00:40:01\nAmbient Sounds [recorded music; voices].\n\nEND\n00:48:51 \n[End of recording]."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548633026560,"timestamp":"2026-01-07T14:59:53.264Z","score":0.01643844},{"id":"1232","cataloger_name":["Andrew,Roberge"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa del Popolo 2007-02-18"],"item_title_source":["Container, Event poster"],"item_title_note":["On MDs: \"W+M Boxer Taqraliq Feb 2007 18 #1\"; \"W+M Boxer Taqralik Feb 18, 2007 #2\"."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian","Boxer, Asa","Aytahn","Partridge, Taqralik","Gabriels, Jane","Hoffman, Lisa"],"creator_names_search":["Ferrier, Ian","Boxer, Asa","Aytahn","Partridge, Taqralik","Gabriels, Jane","Hoffman, Lisa"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"http://viaf.org/viaf/58612291\",\"name\":\"Boxer, Asa\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Aytahn\",\"dates\":\"\",\"notes\":\"Not found on databases. \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/15154257780224150501\",\"name\":\"Partridge, Taqralik\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/13154620877544592086\",\"name\":\"Gabriels, Jane\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Hoffman, Lisa\",\"dates\":\"\",\"notes\":\"Not found on databases.\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[2007],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"Magneto-Optical\",\"accompanying_material\":\"\",\"other_physical_description\":\"On MD: W+M Boxer Taqraliq Feb 2007 18 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C.R.","Frost, Corey","The Fugitives","Sweeney, Molly"],"creator_names_search":["Ferrier, Ian","Anderson, Fortner","Avery, C.R.","Frost, Corey","The Fugitives","Sweeney, Molly"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"http://viaf.org/viaf/106026246\",\"name\":\"Anderson, Fortner\",\"dates\":\"1955-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/102892387\",\"name\":\"Avery, C.R.\",\"dates\":\"1976-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/76001655\",\"name\":\"Frost, Corey\",\"dates\":\"1972-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"The Fugitives\",\"dates\":\"\",\"notes\":\"Possibly: http://viaf.org/viaf/131517675\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Sweeney, 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minutes\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"Magneto-Optical\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"Magneto-Optical\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Minidisc","Minidisc"],"physical_compositions":["Magneto-Optical","Magneto-Optical"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Stereo","Stereo"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2007/11/\",\"file_path\":\"\",\"filename\":\"20092019172821_DN-700R.wav \",\"channel_field\":\"Stereo\",\"sample_rate\":\"96kHz\",\"duration\":\"01:17:12\",\"precision\":\"1.23 GB\",\"size\":\"01:17:12\",\"bitrate\":\"24\",\"encoding\":\"Waveform\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2007/11/\",\"file_path\":\"\",\"filename\":\"20092019185706_DN-700R.wav\",\"channel_field\":\"Stereo\",\"sample_rate\":\"96kHz\",\"duration\":\"00:37:07\",\"precision\":\"\",\"size\":\"595.8 GB\",\"bitrate\":\"24\",\"encoding\":\"Waveform\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2007-11-18\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Container\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa del Popolo (Montreal)\",\"notes\":\"\",\"address\":\"4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada\",\"latitude\":\"45,5222118\",\"longitude\":\"-73,5905321\"}]"],"Address":["4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada"],"Venue":["Casa del Popolo (Montreal)"],"City":["Montreal, Quebec"],"content_notes":["The Sunday, 18 November 2007 Words and Music Show brought artists into town to help celebrate the presentation of the Voice Electric award, a $2000 prize “for achievement in literature in performance” awarded to Montreal spoken word performer Fortner Anderson.  In from New York for the show from New York was Corey Frost, the Fugitives from Vancouver, CR Avery touring a new CD, plus music by Molly Sweeney."],"contents":["20092019172821_DN-700R.wav [File 1 of 2]\n\nFortner Anderson\n00:00:12\n\nD. Kimm\n00:17:23\n\nFortner Anderson\n00:19:32\n\nD. Kimm\n00:25:24\n\nCorey Frost\n00:27:27\n\nMolly Sweeney\n00:48:33\n\nCR Avery \n01:07:46\n\n\n20092019185706_DN-700R.wav [File 2 of 2]\n\nThe Fugitives \n00:00:00"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548635123715,"timestamp":"2026-01-07T14:59:53.264Z","score":0.01643844},{"id":"1238","cataloger_name":["Faith,Paré"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2019-04-14"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["Elnur, Nazim","Tanguay, Pierre","Wren, Jacob","Taylor, Rae Marie","Coleman, Nisha","Ferrier, Ian"],"contributors_names_search":["Elnur, Nazim","Tanguay, Pierre","Wren, Jacob","Taylor, Rae Marie","Coleman, Nisha","Ferrier, Ian"],"contributors":["[{\"url\":\"\",\"name\":\"Elnur, Nazim\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/41719021\",\"name\":\"Tanguay, Pierre\",\"dates\":\"1957-\",\"notes\":\"Performs with poet Rae Marie Taylor.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/51023139\",\"name\":\"Wren, Jacob\",\"dates\":\"1971-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/316951237\",\"name\":\"Taylor, Rae Marie\",\"dates\":\"1946-\",\"notes\":\"Performs with musician Pierre Tanguay.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/991145857125322921819\",\"name\":\"Coleman, Nisha\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"performer_name":["Elnur, Nazim","Tanguay, Pierre","Wren, Jacob","Taylor, Rae Marie","Coleman, Nisha"],"Presenter_name":["Ferrier, Ian"],"Performance_Date":[2019],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"In folder: 6 audio. 6 .sfk files. \",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_new/Ian Ferrier Words and Music/02 W%26M Shows/2019/W%26M April 14 2019 Show/\",\"file_path\":\"\",\"filename\":\"STE-010 W&M April 2019 Rae Marie, Nisha Coleman, Nazim Elnur, Jacob Wren.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"1:56:44\",\"precision\":\"\",\"size\":\"1.9 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2019 04 14\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada\",\"latitude\":\"45,5222118\",\"longitude\":\"-73,5905321\"}]"],"Address":["4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670548636172288,"timestamp":"2026-01-07T14:59:53.264Z","contents":["File 1 of 1 — STE-010 W&M April 2019 Rae Marie, Nisha Coleman, Nazim Elnur, Jacob Wren.wav\n\nUnknown\n0:00:00\nAmbient Sounds [recorded music].\n\nUnknown\n0:01:01\nAmbient Sounds [voices; recorded music continues].\n\nIan Ferrier\n0:02:01\nIntroduces event. Introduces Rae Marie Taylor and Pierre Tanguay.\n\nAudience\n0:02:36\nApplause.\n\nRae Marie Taylor\n0:02:41\nAddresses Ferrier. Addresses audience. \n\nPierre Tanguay\n0:03:02\nAddresses Taylor.\n\nRae Marie Taylor\n0:03:05\nResumes addressing audience. Introduces excerpt from “Steady. Against the Absurd. Kinship at the Core.” [literary work by Rae Marie Taylor]. | Keywords: Diane LaBrosse [https://www.wikidata.org/wiki/Q52603064].\n\nRae Marie Taylor, Pierre Tanguay\n0:04:08\nPerforms from “Steady. Against the Absurd. Kinship at the Core.” with musical accompaniment. \n\nAudience\n0:24:57\nApplause.\n\nIan Ferrier\n0:25:28\nIntroduces Nisha Coleman. Addresses audience member. \n\nAudience Member 1\n0:26:00\nAddresses Ferrier. \n\nIan Ferrier\n0:26:05\nResumes introducing Nisha Coleman. | Keywords: Confabulation [storytelling series]; Phi Centre [https://www.wikidata.org/wiki/Q38271412]; Centaur Theatre [https://www.wikidata.org/wiki/Q1053482].\n\nAudience\n0:26:33\nApplause.\n\nNisha Coleman\n0:26:43\nIntroduces unnamed story. | Keywords: Paris [https://www.wikidata.org/wiki/Q90].\n\nNisha Coleman\n0:27:11\nPerforms unnamed story with accompanying song.\n\nAudience\n0:42:54\nApplause.\n\nIan Ferrier\n0:43:09\nAddresses audience. \n\nNisha Coleman\n0:43:16\nAddresses Ferrier and audience [unintelligible].\n\nIan Ferrier \n0:43:18\nAnnounces intermission. \n\nUnknown\n0:43:30\nSilence [Cut in recording].\n\nUnknown\n0:43:33\nAmbient Sounds [recorded music, movement, voices].\n\nIan Ferrier\n1:06:38\nAnnounces second set. Introduces Nazim Elnur. | Keywords: Trump [https://www.wikidata.org/wiki/Q22686]; United States [https://www.wikidata.org/wiki/Q30]; Sudan [https://www.wikidata.org/wiki/Q1049].\n\nAudience\n1:07:23\nApplause.\n\nNazim Elnur\n1:07:32\nAddresses audience. Introduces “Back to Cairo”. | Keywords: hip hop [https://www.wikidata.org/wiki/Q1132127]; immigrant [https://www.wikidata.org/wiki/Q12547146]; culture shock [https://www.wikidata.org/wiki/Q268586].\n\nNazim Elnur\n1:08:44\nPerforms “Back to Cairo”. \n\nAudience\n1:12:48\nApplause.\n\nNazim Elnur\n1:12:55\nIntroduces unnamed poem 1. | Keywords: dictatorship [https://www.wikidata.org/wiki/Q57265].\n\nNazim Elnur\n1:13:57\nPerforms unnamed poem 1. \n\nNazim Elnur\n1:14:06\nAddresses audience.\n\nNazim Elnur\n1:14:12\nResumes performing unnamed poem 1.\n\nAudience\n1:17:27\nApplause.\n\nNazim Elnur\n1:17:36\nAddresses audience. Introduces unnamed poem 2.\n\nNazim Elnur\n1:18:38\nPerforms unnamed poem 2.\n\nNazim Elnur\n1:21:06\nAddresses audience\n\nAudience\n1:21:08\nApplause.\n\nUnknown\n1:21:21\nAmbient Sounds [movement].\n\nIan Ferrier\n1:21:31\nIntroduces Jacob Wren. Promotes Wren’s Authenticity is a Feeling: My Life in PME-ART [Book*hug; 2018] and A User’s Guide to Authenticity is a Feeling [performance; Thêatre La Chapelle; 2019]. | Keywords: La Chapelle [https://www.wikidata.org/wiki/Q3527489].\n\nAudience\n1:22:02\nApplause.\n\nJacob Wren\n1:22:10\nAddresses audience. Introduces excerpt from Authenticity is a Feeling. | Keywords: PME-ART [performance group].\n\nJacob Wren\n1:23:31\nReads from Authenticity is a Feeling.\n\nAudience\n1:27:21\nApplause.\n\nIan Ferrier\n1:27:33\nAnnounces intermission and upcoming third set featuring Stefan Christoff.\n\nAudience\n1:28:01\nApplause.\n\nUnknown\n1:28:06\nAmbient Sounds [recorded music; voices].\n\nStefan Christoff\n1:43:03\nAddresses Ferrier [unintelligible].\n\nIan Ferrier\n1:43:13\nIntroduces Stefan Christoff. | Keywords: Sam Shalabi [https://www.wikidata.org/wiki/Q2216598].\n\nAudience\n1:43:32\nApplause [Christoff playing piano throughout].\n\nStefan Christoff\n1:43:37\nPerforms unnamed composition. \n\nAudience\n1:54:21\nApplause.\n\nStefan Christoff\n1:54:32\nAddresses Ferrier and audience. Promotes upcoming benefit show with Sam Shalabi and other artists on 23 April 2019.\n\nAudience\n1:55:12\nApplause.\n\nIan Ferrier\n1:55:18\nAddresses Christoff and audience. Promotes May Words and Music Show.\n\nAudience\n1:55:45\nApplause.\n\nUnknown\n1:55:48\nAmbient Sounds [recorded music].\n\nEND\n1:56:44\n[End of recording]."],"score":0.01643844},{"id":"1239","cataloger_name":["Faith,Paré"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2019-05-19"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["Cahana, Ronnie","Brown, Jay Alexander","Sweet, John Arthur","Campbell, Louise","Ferrier, Ian","Suddath, Ananda X."],"contributors_names_search":["Cahana, Ronnie","Brown, Jay Alexander","Sweet, John Arthur","Campbell, Louise","Ferrier, Ian","Suddath, Ananda X."],"contributors":["[{\"url\":\"\",\"name\":\"Cahana, Ronnie\",\"dates\":\"\",\"notes\":\"Assisted by his collaborator and editor Jay Alexander Brown.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Brown, Jay Alexander\",\"dates\":\"\",\"notes\":\"Assists Rabbi Ronnie Cahana with his performance.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Sweet, John Arthur\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Campbell, Louise\",\"dates\":\"\",\"notes\":\"Performs with Creatures of the Ice Age.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"Also performs as Creatures of the Ice Age with Louise Campbell.\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/23154739885852992212\",\"name\":\"Suddath, Ananda X.\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Cahana, Ronnie","Brown, Jay Alexander","Campbell, Louise","Suddath, Ananda X."],"Presenter_name":["Ferrier, Ian"],"Production_Date":[2019],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"In folder: 1 audio. 1 .sfk file.\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_new/Ian Ferrier Words and Music/02 W%26M Shows/2019/May 19th 2019/\",\"file_path\":\"\",\"filename\":\"STE-014 Kahana&Brown, Suddath, Sweet, Bowhay, Creatures.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"1:53:12\",\"precision\":\"\",\"size\":\"1.8 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2019 05 19\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118\",\"longitude\":\"-73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670548636172289,"timestamp":"2026-01-07T14:59:53.264Z","contents":["File 1 of 1 — STE-014 KahanaBrown, Suddath,Sweet, Bowhay, Creatures.wav\n\nUnknown\n00:00:00\nAmbient Sounds [voices; recorded music].\n\nIan Ferrier\n00:07:12\nIntroduces event. Introduces Rabbi Ronnie Cahana and Jay Alexander Brown. \n\nAudience\n00:07:55\nApplause.\n\nJay Alexander Brown\n00:08:01\nIntroduces Rabbi Ronnie Cahana. | Keywords: rabbinic writings [https://www.wikidata.org/wiki/Q3985225]; Casa Del Popolo [venue]; stroke [https://www.wikidata.org/wiki/Q12202].\n\nAudience\n00:09:42\nLaughter.\n\nJay Alexander Brown\n00:09:45\nResumes introducing Rabbi Ronnie Cahana.\n\nJay Alexander Brown\n00:09:58\nPerforms an unnamed poem by Rabbi Ronnie Cahana.\n\nAudience\n00:10:48\nApplause.\n\nJay Alexander Brown\n00:10:54\nAddresses audience.\n\nRabbi Ronnie Cahana\n00:11:06\nPerforms unnamed poem 1.\n\nJay Alexander Brown\n00:14:03\nAddressing Cahana [unintelligible].\n\nRabbi Ronnie Cahana\n00:14:07\nPerforms unnamed poem 2.\n\nAudience\n00:15:46\nApplause.\n\nJay Alexander Brown\n00:15:53\nAddresses audience.\n\nAudience\n00:15:56\nAddresses Brown.\n\nJay Alexander Brown\n00:15:58\nAddresses audience. Addresses Cahana.\n\nJay Alexander Brown\n00:16:01\nAddresses Brown.\n\nAudience \n00:16:03\nLaughter.\n\nJay Alexander Brown\n00:16:06\nAddresses Cahana.\n\nRabbi Ronnie Cahana\n00:16:24\nPerforms unnamed poem 3.\n\nAudience\n00:18:16\nApplause.\n\nJay Alexander Brown\n00:18:28\nAddresses Cahana; an exchange follows.\n\nRabbi Ronnie Cahana\n00:18:46\nPerforms unnamed poem 4.\n\nAudience\n00:21:47\nApplause.\n\nRabbi Ronnie Cahana\n00:22:03\nPerforms unnamed poem 5.\n\nAudience\n00:23:14\nApplause.\n\nJay Alexander Brown\n00:23:23\nAddresses audience. Promotes Cahana’s blog [rabbicahana.wordpress.com]. Addresses Cahana; an exchange follows.\n\nAudience\n00:24:09\nLaughter.\n\nJay Alexander Brown\n00:24:12\nResumes exchange with Cahana.\n\nAudience\n00:24:15\nLaughter.\n\nJay Alexander Brown\n00:24:20\nResumes exchange with Cahan.\n\nRabbi Ronnie Cahana\n00:24:45\nPerforms “Still in Love, Deeply” [?].\n\nAudience\n00:26:01\nApplause.\n\nRabbi Ronnie Cahana\n00:26:12\nAddresses Brown.\n\nJay Alexander Brown\n00:26:14\nAddresses Cahana.\n\nAudience\n00:26:15\nApplause.\n\nUnknown\n00:26:26\nAmbient Sounds [movement].\n\nIan Ferrier\n00:26:35\nAddresses Cahana and Brown. Announces intermission.\n\nUnknown\n00:26:58\nAmbient Sounds [voices; movement; recorded music].\n\nIan Ferrier\n00:36:07\nIntroduces Ananda X. Suddath.\n\nAnanda X. Suddath\n00:36:27\nIntroduces adaptation of “Ratfish” [?] by Ralph Tellner [?].\n\nUnknown\n00:36:50\nAmbient Sounds [voices; movement; guitar].\n\nAnanda X. Suddath\n00:37:09\nPerforms adaptation of “Ratfish” [?] by Ralph Tellner [?].\n\nAudience\n00:41:29\nApplause.\n\nAnanda X. Suddath\n00:41:46\nAddresses audience. Introduces adaptation of “Children’s Song No. 1” by Chick Corea.\n\nAnanda X. Suddath\n00:42:39\nPerforms adaptation of “Children’s Song No. 1” by Chick Corea.\n\nAudience\n00:45:09\nApplause.\n\nAnanda X. Suddath\n00:45:18\nAmbient Sounds [tuning guitar].\n\nAnanda X. Suddath\n00:45:49\nAddresses audience. Introduces adaptation of “If I Were a Bell” from Guys and Dolls [composed by Frank Loesser].\n\nAnanda X. Suddath\n00:46:27\nPerforms adaptation of “If I Were a Bell” from Guys and Dolls.\n\nAudience\n00:50:33\nApplause.\n\nIan Ferrier\n00:50:51\nIntroduces John Arthur Sweet. Promotes Sweet’s Montreal Fringe Festival show. | Keywords: Prague [https://www.wikidata.org/wiki/Q1085]; Fringe Festival, Montreal [theatre festival].\n\nAudience\n00:51:20\nApplause.\n\nJohn Arthur Sweet\n00:51:35\nIntroduces excerpt from Running to Saint Sebastian [performance by John Arthur Sweet; Mainline Theatre; 7-16 June 2019] | Keywords: church caretaker [https://www.wikidata.org/wiki/Q4129937]; Saint Sebastian [https://www.wikidata.org/wiki/Q183332].\n\nJohn Arthur Sweet\n00:53:24\nPerforms excerpt from Running to Saint Sebastian [audience laughter throughout].\n\nJohn Arthur Sweet\n01:06:47\nAddresses audience.\n\nAudience\n01:06:52\nLaughter.\n\nUnknown Audience Member 1\n01:06:53\nAddresses Sweet.\n\nJohn Arthur Sweet\n01:06:55\nAddresses audience [audience laughter throughout].\n\nAudience\n01:07:32\nApplause.\n\nIan Ferrier\n01:07:49\nAddresses Sweet.\n\nAudience\n01:07:53\nLaughter.\n\nIan Ferrier\n01:07:57\nAnnounces intermission.\n\nUnknown\n01:08:14\nAmbient Sounds [recorded music; voices; movement].\n\nIan Ferrier\n01:22:58\nIntroduces second set. Introduces Rae Bowhay and Palmeira Cruz. \n\nAudience\n01:23:36\nApplause.\n\nUnknown\n01:23:48\nAmbient Sounds [movement; voices].\n\nRae Bowhay\n01:25:49\nIntroduces unnamed performance [a dance-reading]. | Keywords: ex [https://www.wikidata.org/wiki/Q3179484].\n\nRae Bowhay; Palmeira Cruz\n01:26:26\nPerforms unnamed performance [audience laughter throughout].\n\nAudience\n01:37:14\nApplause.\n\nIan Ferrier\n01:37:36\nAddresses Rae Bowhay and Palmeira Cruz.\n\nAudience\n01:37:45\nLaughter.\n\nIan Ferrier\n01:37:49\nIntroduces Creatures of the Ice Age [Ian Ferrier and Louise Campbell].\n\nUnknown\n01:37:59\nAmbient Sounds [voices; movement]. \n\nIan Ferrier\n01:38:19\nPromotes the Monologue Project [film project by Roderick Chen]. Introduces unnamed performance. | Keywords: Roderick Chen [filmmaker].\n\nCreatures of the Ice Age\n01:39:16\nPerforms unnamed performance.\n\nAudience\n01:48:30\nApplause.\n\nIan Ferrier\n01:48:40\nAnnounces end of event. Addresses Rabbi Ronnie Cahana.\n\nAudience\n01:48:46\nApplause.\n\nIan Ferrier\n01:48:53\nResumes announcing end of event. Promotes June Words and Music Show, the Words and Music mailing list, and Sweet’s performance.\n\nAudience\n01:49:25\nLaughter. Applause.\n\nUnknown\n01:49:35\nAmbient Sounds [recorded music; voices; movement].\n\nEND\n01:53:12\n[End of recording]."],"score":0.01643844},{"id":"1240","cataloger_name":["Faith,Paré"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2019-06-30"],"item_title_source":["Cataloguer"],"item_title_note":["Subtitled \"Summer Extravaganza Sunday\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors_names":["Goodwin, Brandon","Eaton, Heather","Silverberg, Dave","Ford, April","Pitts, Brandon","Pardy, Stedmond","Millerd, Simon","Ferrier, Ian","Rolls, Jem","Cusmano, Liana","Aquarian, Jai"],"contributors_names_search":["Goodwin, Brandon","Eaton, Heather","Silverberg, Dave","Ford, April","Pitts, Brandon","Pardy, Stedmond","Millerd, Simon","Ferrier, Ian","Rolls, Jem","Cusmano, Liana","Aquarian, Jai"],"contributors":["[{\"url\":\"\",\"name\":\"Goodwin, Brandon\",\"dates\":\"\",\"notes\":\"Performs with Heather Eaton as the musical duo 6 is 9, formerly Trio 69.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Eaton, Heather\",\"dates\":\"\",\"notes\":\"Performs with Brandon Goodwin as the musical duo 6 is 9, formerly Trio 69.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Silverberg, Dave\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/309826347\",\"name\":\"Ford, April\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Pitts, Brandon\",\"dates\":\"1967-\",\"notes\":\"Performs with poet Stedmond Pardy\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Pardy, Stedmond\",\"dates\":\"\",\"notes\":\"Performs with poet Brandon Pitts\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/1388151837982020520003/\",\"name\":\"Millerd, Simon\",\"dates\":\"1987-\",\"notes\":\"Performs on piano with his band, including Mike Bjella (saxophone and clarinet), Roman Munoz (guitar), Martin Heslop (bass), and Kyle Hutchins (drums).\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"\",\"name\":\"Rolls, Jem\",\"dates\":\"\",\"notes\":\"Special guest—added to set after poster distribution (performance slightly cut off).\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Cusmano, Liana\",\"dates\":\"\",\"notes\":\"Also uses the name Luca Cusmano and alias BiCurious George.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Aquarian, Jai\",\"dates\":\"\",\"notes\":\"Special guest—added to set after poster distribution.\",\"nation\":[],\"role\":[]}]"],"performer_name":["Goodwin, Brandon","Eaton, Heather","Silverberg, Dave","Ford, April","Pitts, Brandon","Pardy, Stedmond","Millerd, Simon","Rolls, Jem","Cusmano, Liana"],"Presenter_name":["Ferrier, Ian"],"Production_Date":[2019],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"In folder: 4 audio, 4 .sfk files\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_new/Ian Ferrier Words and Music/02 W%26M Shows/2019/W%26M June 30th 2019 Show/\",\"file_path\":\"\",\"filename\":\"STE-022.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"2:43:03\",\"precision\":\"\",\"size\":\"1.7 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2019 06 30\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada\",\"latitude\":\"45,5222118\",\"longitude\":\"-73,5905321\"}]"],"Address":["4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670548636172290,"timestamp":"2026-01-07T14:59:53.264Z","contents":["File 1 of 1 — STE-022\n\nJem Rolls\n0:00:00\nPerforms excerpt from The Walk in the Snow.\n\nAudience\n0:01:32\nApplause.\n\nIan Ferrier\n0:01:46\nPromotes Rolls’ The Walk in the Snow [performance; Mainline Theatre; 4 July 2019]. Introduces Liana Cusmano. | Keywords: Throw! Collective [performance group; Montreal, QC]; Vancouver Individual Slam [Canadian Individual Poetry Slam; Vancouver, BC]; Banff Spoken Word Workshop [https://www.wikidata.org/wiki/Q4854863].\n\nAudience\n0:02:17\nApplause.\n\nLiana Cusmano\n0:02:29\nIntroduces “A Brief Letter to Mike, the Angsty Squirrel I See on My Porch Sometimes” [audience laughter throughout].\n\nAudience\n0:03:01\nLaughter.\n\nLiana Cusmano\n0:03:03\nPerforms “A Brief Letter to Mike, the Angsty Squirrel I See on My Porch Sometimes” [audience laughter throughout].\n\nAudience\n0:07:12\nApplause.\n\nLiana Cusmano\n0:07:22\nAddresses audience.\n\nAudience\n0:07:24\nAddresses Cusmano.\n\nLiana Cusmano\n0:07:26\nIntroduces unnamed poem 1. | Keywords: Australia [https://www.wikidata.org/wiki/Q408]; student exchange [https://www.wikidata.org/wiki/Q375471]; Melbourne [https://www.wikidata.org/wiki/Q3141].\n\nAudience\n0:08:03\nLaughter.\n\nLiana Cusmano\n0:08:08\nResumes introducing unnamed poem 1. \n\nLiana Cusmano\n0:08:14\nPerforms unnamed poem 1.\n\nAudience\n0:11:08\nApplause.\n\nLiana Cusmano\n0:11:18\nIntroduces unnamed poem 2 [audience laughter throughout]. | Keywords: kids [https://www.wikidata.org/wiki/Q7569].\n\nLiana Cusmano\n0:12:32\nPerforms unnamed poem 2 [audience laughter throughout].\n\nAudience\n0:15:12\nApplause.\n\nLiana Cusmano\n0:15:23\nIntroduces unnamed poem 3 [audience laughter throughout]. | Keywords: St. Leonard [https://www.wikidata.org/wiki/Q1325316]; motorcycle [https://www.wikidata.org/wiki/Q34493].\n\nLiana Cusmano\n0:16:30\nPerforms unnamed poem 3.\n\nAudience\n0:19:14\nApplause.\n\nIan Ferrier\n0:19:30\nAddresses audience. \n\nLiana Cusmano\n0:19:40\nAddresses Ferrier.\n\nIan Ferrier\n0:19:42\nAddresses Cusmano.\n\nAudience\n0:19:43\nLaughter.\n\nIan Ferrier\n0:19:45\nIntroduces Jai Aquarian. | Keywords: West Coast [https://www.wikidata.org/wiki/Q1974].\n\nAudience\n0:19:56\nApplause.\n\nUnknown\n0:20:04\nAmbient Sounds [movement; voices].\n\nJai Aquarian\n0:20:19\nIntroduces unnamed song 1.\n\nJai Aquarian\n0:20:43\nPerforms unnamed song 1.\n\nAudience\n0:25:10\nApplause.\n\nJai Aquarian\n00:25:18\nAddresses audience. | Keywords: Pancakes and Jam [live music event; Vancouver, BC].\n\nJai Aquarian\n00:25:47\nPerforms unnamed song 2.\n\nAudience\n00:29:08\nApplause.\n\nJai Aquarian\n00:29:21\nIntroduces unnamed song 3. Addressees audience. | Keywords: Canada Day [https://www.wikidata.org/wiki/Q639756]; Nelson, BC [https://www.wikidata.org/wiki/Q1779015].\n\nAudience\n00:29:45\nAddresses Aquarian.\n\n00:29:46\nResumes introducing unnamed song 3. | Keywords: hippie [https://www.wikidata.org/wiki/Q339747]; Kootenay Lake [https://www.wikidata.org/wiki/Q1783875].\n\nJai Aquarian\n00:30:13\nPerforms unnamed song 3.\n\nAudience\n00:33:18\nApplause.\n\nJai Aquarian\n00:33:22\nAddresses audience.\n\nAudience\n00:33:32\nApplause.\n\nUnknown\n00:33:39\nAmbient Sounds [movement].\n\nIan Ferrier\n00:33:48\nIntroduces Brandon Pitts. Promotes Pitts’ In the Company of Crows [book; Mosaic Press; 2017] and Tender in the Age of Fury [book; Mosaic Press; 2016] [audience applause throughout].\n\nAudience\n00:34:20\nApplause.\n\nUnknown\n00:34:30\nAmbient Sounds [movement].\n\nBrandon Pitts\n00:34:35\nIntroduces unnamed poem 1 from Tender in the Age of Fury [audience laughter throughout]. | Keyword: Stedmond Pardy [poet]; Nick Beat [poet]; India [https://www.wikidata.org/wiki/Q668]; sadhu [https://www.wikidata.org/wiki/Q654776]; Soma [https://www.wikidata.org/wiki/Q64897]. \n\nBrandon Pitts\n00:36:13\nPerforms unnamed poem 1.\n\nAudience\n00:38:03\nApplause.\n\nBrandon Pitts\n00:38:15\nIntroduces unnamed poem 2 from Tender in the Age of Fury. Promotes books.\n\nBrandon Pitts\n00:38:26\nPerforms unnamed poem 2.\n\nAudience\n00:40:12\nApplause.\n\nIan Ferrier\n00:40:28\nAnnounces intermission.\n\nUnknown\n00:40:37\nAmbient Sounds [voices; recorded music].\n\nIan Ferrier\n01:00:02\nIntroduces second set. Introduces 6 is 9 [Heather Eaton and Brandon Goodwin]. | Keywords: Trio 69 [musical group].\n\nAudience\n01:00:20\nApplause.\n\nHeather Eaton\n01:00:25\nIntroduces performance. Addresses Ferrier.\n\nAudience\n01:00:47\nApplause.\n\n6 is 9\n01:00:56\nPerforms unnamed compositions.\n\nAudience\n01:21:40\nApplause.\n\nUnknown\n01:22:04\nAmbient Sounds [movement].\n\nIan Ferrier\n01:22:16\nAddresses 6 is 9.\n\nAudience\n01:22:41\nApplause.\n\nIan Ferrier\n01:22:52\nIntroduces Dave Silverberg.\n\nAudience\n01:23:10\nApplause.\n\nUnknown\n01:23:19\nAmbient Sounds [voices; movement].\n\nDave Silverberg \n01:23:30\nIntroduces “Burn” from As Close to the Edge Without Going Over [Kelp Queen Press/Chi-Zine; 2019]. | Keywords: genre writing [https://www.wikidata.org/wiki/Q1194480]; sci-fi [https://www.wikidata.org/wiki/Q24925]; spoken word [https://www.wikidata.org/wiki/Q1428637].\n\nDave Silverberg\n01:24:45\nPerforms “Burn”. \n\nDavid Silverberg\n01:25:18\nIntroduces “Today’s Okay” from As Close to the Edge Without Going Over.\n\nDavid Silverberg\n01:25:25\nPerforms “Today’s Okay”. \n\nAudience\n01:26:33\nApplause.\n\nDavid Silverberg\n01:26:38\nIntroduces “Nature Algorithms” from As Close to the Edge Without Going Over. | Keywords: aphorism [https://www.wikidata.org/wiki/Q165740].\n\nDavid Silverberg\n01:26:48\nPerforms “Nature Algorithms” [audience laughter throughout].\n\nDavid Silverberg\n01:27:21\nIntroduces “Unfold”.\n\nDavid Silverberg\n01:27:24\nPerforms “Unfold”.\n\nAudience\n01:28:08\nApplause.\n\nDavid Silverberg\n01:28:14\nPromotes books. Introduces “Fuck You, OCD” | Keywords: OCD [https://www.wikidata.org/wiki/Q178190].\n\nAudience\n01:28:56\nLaughter.\n\nDavid Silverberg\n01:28:57\nPerforms “Fuck You, OCD”.\n\nAudience\n01:29:27\nApplause.\n\nDavid Silverberg\n01:29:33\nIntroduces “Come Back”.\n\nDavid Silverberg\n01:29:36\nPerforms “Come Back”.\n\nAudience\n01:30:43\nApplause.\n\nDavid Silverberg\n01:30:48\nIntroduces “Butterscotch”.\n\nDavid Silverberg\n01:31:03\nPerforms “Butterscotch”.\n\nAudience\n01:32:10\nApplause.\n\nDavid Silverberg\n01:32:18\nAddresses audience. | Keywords: haiku [https://www.wikidata.org/wiki/Q37707].\n\nAudience\n01:32:20\nApplause.\n\nDavid Silverberg\n01:32:22\nAddresses audience. Introduces unnamed haikus [audience laughter throughout]. | Keywords: Toronto Haiku Head-to-Head Deathmatch [event].\n\nDavid Silverberg\n01:32:51\nPerforms unnamed haiku 1. \n\nAudience\n01:32:59\nLaughter.\n\nDavid Silverberg\n01:33:02\nAddresses audience [audience laughter throughout]. Introduces unnamed haiku 2. | Mike McGee [https://www.wikidata.org/wiki/Q6844160].\n\nDavid Silverberg\n01:33:23 \nPerforms unnamed haiku 2.\n\nAudience\n01:33:33\nLaughter.\n\nDavid Silverberg\n01:33:37\nAddresses audience. \n\nAudience\n01:33:41\nApplause.\n\nDavid Silverberg\n01:33:43\nIntroduces “Dreaming in Book Titles”.\n\nDavid Silverberg\n01:33:56\nPerforms “Dreaming in Book Titles” [audience laughter throughout].\n\nAudience\n01:35:42\nApplause.\n\nDavid Silverberg\n01:35:50\nAddresses audience. Introduces “They Come from Onwards” [?]. | Keywords: horror [https://www.wikidata.org/wiki/Q16575965].\n\nDavid Silverberg\n01:36:31\nPerforms “They Come from Onwards” [?]. \n\nAudience\n01:38:14\nApplause.\n\nDavid Silverberg\n01:38:20\nAddresses audience. Introduces unnamed poem.\n\nDavid Silverberg\n01:38:39\nPerforms unnamed poem [audience laughter throughout].\n\nAudience\n01:41:42\nApplause.\n\nUnknown\n01:41:54\nAmbient Sounds [voices].\n\nIan Ferrier\n01:42:00\nAddresses audience. Introduces Stedmond Pardy. Promotes Pardy’s Beached Whales [book; self-published; 2015] and Drugs [book; self-published; 2013].\n\nAudience\n01:42:29\nApplause.\n\nUnknown\n01:42:42\nAmbient Sounds [movement; voices].\n\nStedmond Pardy\n01:42:49\nPerforms unnamed poem 1.\n\nAudience\n01:45:50\nApplause.\n\nStedmond Pardy\n01:46:02\nAddresses Ferrier and audience. Introduces “Free Jazz Poem for Joan Baez”. | Keywords: public speaking [https://www.wikidata.org/wiki/Q18342738]; love poem [https://www.wikidata.org/wiki/Q10296750]; Joan Baez [https://www.wikidata.org/wiki/Q131725]. \n\nStedmond Pardy \n01:46:46\nPerforms “Free Jazz Poem for Joan Baez”.\n\nAudience\n01:51:08\nApplause.\n\nIan Ferrier\n01:51:28\nIntroduces Simon Millerd [trumpet] and band [Mike Bjella, saxophone and clarinet; Roman Munoz, guitar; Martin Heslop, bass; Kyle Hutchins, drums].\n\nUnknown\n01:51:34\nAmbient Sounds [movement; voices].\n\nSimon Millerd and Band \n01:56:47\nPerforms unnamed compositions.\n\nAudience\n02:35:35\nApplause.\n\nSimon Millerd\n02:36:02\nIntroduces band members. Addresses audience [audience applause throughout].\n\nAudience\n02:36:33\nApplause.\n\nIan Ferrier\n02:36:40\nAddresses Simon Millerd and Band. Announces end of event. Promotes August Words and Music Show. \n\nAudience\n02:37:07\nApplause.\n\nUnknown\n02:37:15\nAmbient Sounds [movement; voices].\n\nEND\n02:43:03\n[End of recording]."],"score":0.01643844},{"id":"1241","cataloger_name":["Faith,Paré"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2019-11-01"],"item_title_source":["Cataloguer"],"item_title_note":["20th anniversary show."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["Echánove, Alvaro","Zombik, Kim","Caloia, Nicolas","McCrum, Rachel","Avasilichioaei, Oana","Sweet, John Arthur","Guri, River Halen","Ferrier, Ian","McLeod, Katherine","Anderson, Fortner","Inutiq, Geronimo"],"contributors_names_search":["Echánove, Alvaro","Zombik, Kim","Caloia, Nicolas","McCrum, Rachel","Avasilichioaei, Oana","Sweet, John Arthur","Guri, River Halen","Ferrier, Ian","McLeod, Katherine","Anderson, Fortner","Inutiq, Geronimo"],"contributors":["[{\"url\":\"\",\"name\":\"Echánove, Alvaro\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Zombik, Kim\",\"dates\":\"\",\"notes\":\"Performs with Nicolas Caloia as part of the duo Silvervest.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/316978964\",\"name\":\"Caloia, Nicolas\",\"dates\":\"\",\"notes\":\"Performs with Kim Zombik as part of the duo Silvervest.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/300348020\",\"name\":\"McCrum, Rachel\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/58498867\",\"name\":\"Avasilichioaei, Oana\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Sweet, John Arthur\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/19157038128166862426\",\"name\":\"Guri, River Halen\",\"dates\":\"1983-\",\"notes\":\"Note: Guri's VIAF URL links to their former name. \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/44156495389117561605/\",\"name\":\"McLeod, Katherine\",\"dates\":\"1981-\",\"notes\":\"Performs flamenco dance.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/106026246/\",\"name\":\"Anderson, Fortner\",\"dates\":\"1955-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Inutiq, Geronimo\",\"dates\":\"\",\"notes\":\"Also known as DJ MadEskimo.\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Echánove, Alvaro","Zombik, Kim","Caloia, Nicolas","McCrum, Rachel","Avasilichioaei, Oana","Sweet, John Arthur","Guri, River Halen","McLeod, Katherine","Anderson, Fortner","Inutiq, Geronimo"],"Presenter_name":["Ferrier, Ian"],"Production_Date":[2019],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"No specific asset folder; in the 2019 folder in \\\"wm_new\\\" \",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_new/Ian%20Ferrier%20Words%20and%20Music/02%20W%26M%20Shows/2019/\",\"file_path\":\"\",\"filename\":\"STE-000 Complete Nov 1 2019 Anniversary Show.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"2:40:05\",\"precision\":\"\",\"size\":\"1.69 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2019 11 01\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada\",\"latitude\":\"45,5222118\",\"longitude\":\"-73,5905321\"}]"],"Address":["4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670548637220864,"timestamp":"2026-01-07T14:59:53.264Z","contents":["File 1 of 1 — STE-000 Complete Nov 1 2019 Anniversary Show.wav\n\nUnknown\n00:00:00\nAmbient Sounds [recorded music].\n\nUnknown\n00:05:48 \nSilence.\n\nIan Ferrier\n00:05:55\nIntroduces event [audience applause throughout]. | Keywords: Artishow [former venue]; Kiva Stimac [artist and Casa Del Popolo owner]; Mauro Pezzente [musician and Casa Del Popolo owner]; Godspeed You! Black Emperor [https://www.wikidata.org/wiki/Q181341].\n\nAudience\n00:07:19 \nApplause.\n\nMauro Pezzente\n00:07:28\nAddresses audience.\n\nAudience\n00:08:35\nApplause.\n\nIan Ferrier\n00:08:39\nAddresses audience. Promotes upcoming Godspeed You! Black Emperor concert. | Keywords: La Tulipe [venue].\n\nUnknown Audience Member 1\n00:09:15\nAddresses Ferrier.\n\nIan Ferrier\n00:09:16 \nAddresses Unknown Audience Member 1. Addresses Pezzente. Introduces Fortner Anderson. Promotes Anderson’s CKUT show. | Keywords: Millennium Cabaret [CD by Wired on Words; self-produced; 1998].\n\nAudience\n00:10:06\nApplause.\n\nUnknown\n00:10:17\nSilence.\n\nFortner Anderson\n00:10:38\nPerforms unnamed poem.\n\nAudience\n00:11:26\nApplause.\n\nFortner Anderson\n00:11:30\nResumes performing unnamed poem.\n\nAudience \n00:16:01\nApplause.\n\nFortner Anderson\n00:16:12\nAddresses audience [audience applause throughout]. | Keywords: Jake Brown [poet]; Todd Swift [poet]; Lee Gotham [poet]; Rachel McCrum [poet]. \n\nIan Ferrier\n00:17:47\nAddresses Anderson. Introduces Oana Avasilichioaei. | Keywords: translation [https://www.wikidata.org/wiki/Q7553]. \n\nAudience\n00:18:21\nApplause.\n\nUnknown\n00:18:33\nAmbient Sounds [movement].\n\nOana Avasilichioaei\n00:18:45 \nPerforms unnamed performance.\n\nAudience\n00:24:21\nApplause.\n\nIan Ferrier\n00:24:35\nAddresses audience. Introduces Steve Godin | Keywords: Icon Not [?] [CD by Steve Godin; Wired on Words].\n\nAudience\n00:25:14\nApplause.\n\nSteve Godin\n00:25:24\nAddresses Ferrier and audience. Introduces unnamed performance. | Keywords: renoviction [https://www.wikidata.org/wiki/Q1893186]; climate change [https://www.wikidata.org/wiki/Q125928]; spoken word [https://www.wikidata.org/wiki/Q1428637]; punk [https://www.wikidata.org/wiki/Q3071]; Patti Smith [https://www.wikidata.org/wiki/Q557]; art music [https://www.wikidata.org/wiki/Q217467].\n\nSteve Godin\n00:27:46\nPerforms unnamed performance.\n\nAudience\n00:30:03\nApplause.\n\nSteve Godin\n00:30:08\nAddresses audience.\n\nAudience\n00:30:53\nApplause.\n\nIan Ferrier\n00:31:12\nAddresses audience. Introduces Silvervest [Kim Zombik, vocals; Nicolas Caloia, double bass].\n\nAudience\n00:32:06\nApplause.\n\nKim Zombik\n00:32:13\nAddresses audience.\n\nNicolas Caloia\n00:32:48\nAmbient Sounds [tuning instrument].\n \nKim Zombik\n00:32:51\nAddresses unknown audience member [audience applause].\n\nKim Zombik\n00:32:58\nAddresses audience. Introduces “Genuflecting” [later “Genuflection”] from People’s Waterworks [album; self-produced; 2020].\n\nSilvervest \n00:33:21\nPerforms “Genuflecting”. \n\nSilvervest\n00:40:07\nPerforms “Babies on the Bus” from People’s Waterworks.\n\nSilvervest\n00:47:05\nPerforms “The Weight” from People’s Waterworks.\n\nAudience\n00:52:44\nApplause.\n\nKim Zombik\n00:52:47\nAddresses audience. Addresses Ferrier [audience applause throughout].\n\nIan Ferrier\n00:53:17\nAddresses audience.\n\nAudience\n00:53:21\nApplause.\n\nIan Ferrier\n00:53:30\nIntroduces Andrew Roberge from SpokenWeb. Introduces Geronimo Inutiq [to play during intermission]. | Keywords: Concordia University [https://www.wikidata.org/wiki/Q326342]; Tusarniq Festival [Inuit-run performance festival].\n\nAudience\n00:54:23\nApplause\n\nAndrew Roberge\n00:54:29\nAddresses Ian. Addresses unknown audience member.\n\nAudience\n00:54:38\nLaughter.\n\nUnknown\n00:54:41\nAmbient Sounds [movement] [audience laughter throughout].\n\nAndrew Roberge\n00:55:18\nPresents SpokenWeb project. | Keywords: repository [https://www.wikidata.org/wiki/Q2145117]; MiniDiscs [https://www.wikidata.org/wiki/Q275079]; Ali Barillaro [SpokenWeb RA]; Shannon [Shannon Bain, SpokenWeb graphic designer]; Max [Max Stein, SpokenWeb web developer].\n\nAudience\n01:01:49\nApplause.\n\nIan Ferrier\n01:02:00\nAddresses audience [unintelligible]. \n\nAudience\n01:02:26\nApplause.\n\nGeronimo Inutiq\n01:02:28\nPerforms unnamed compositions. \n\nIan Ferrier\n01:33:21\nAnnounces second set. Promotes upcoming performance, “Langue Chorale” featuring Avasilichioaei [7 November; Diving Bell Social Club]. Introduces Rachel McCrum. | Keywords: Ireland [Northern Ireland, https://www.wikidata.org/wiki/Q26]; Scotland [https://www.wikidata.org/wiki/Q22]; Quebec Writers’ Federation [https://www.wikidata.org/wiki/Q3413953]. \n\nAudience\n01:34:39\nApplause.\n\nRachel McCrum\n01:34:50\nAddresses Ferrier. Addresses audience.\n\nRachel McCrum\n01:35:02 \nPerforms “Problems to Sharpen the Young, I”. \n\nAudience\n01:36:53\nApplause.\n\nRachel McCrum\n01:37:00\nPerforms “Problems to Sharpen the Young, II”. \n\nAudience\n01:38:59\nApplause.\n\nRachel McCrum\n01:39:07\nAddresses audience.\n\nRachel McCrum\n01:39:09\nPerforms “Problems to Sharpen the Young, III”.\n\nAudience\n01:41:04\nApplause.\n\nIan Ferrier\n01:41:21\nIntroduces John Arthur Sweet. | Fringe [https://www.wikidata.org/wiki/Q368176]; Europe [https://www.wikidata.org/wiki/Q46].\n\nAudience\n01:41:45\nApplause.\n\nJohn Arthur Sweet\n01:41:52\nAddresses audience. Introduces “Patient Transfer Vehicle”.\n\nJohn Arthur Sweet\n01:43:10\nPerforms “Patient Transfer Vehicle” [audience laughter throughout].\n\nAudience\n01:50:05\nApplause.\n\nIan Ferrier\n01:50:21\nAddresses audience. Introduces Alvaro Echanove [guitar] and Katherine McLeod [dance]. | Keywords: Mile End Poets’ Festival [festival]; Cafe Resonance [venue].\n\nAudience\n01:50:58\nApplause.\n\nUnknown\n01:51:09\nAmbient Sounds [movement; voices; tuning instruments].\n\nAlvaro Echanove, Katherine McLeod\n01:52:41\nPerforms cover of, and performance to, “Dance Me to the End of Love” by Leonard Cohen [from Various Positions; Columbia; 1984].\n\nAudience\n01:59:16\nApplause.\n\nAlvaro Echanove, Katherine McLeod\n01:59:27\nPerforms cover of, and performance to, “First We Take Manhattan” by Leonard Cohen [from I’m Your Man; Columbia; 1988].\n\nAudience\n02:03:32\nApplause.\n\nAlvaro Echanove\n02:03:44\nAddresses Ferrier and audience. Introduces cover/performance of “Take This Waltz” by Leonard Cohen [from I’m Your Man; Columbia; 1988]. | Keywords: Leonard Cohen [https://www.wikidata.org/wiki/Q1276]; flamenco [https://www.wikidata.org/wiki/Q9764]; Enrique Morente [https://www.wikidata.org/wiki/Q729973]; Federico García Lorca [https://www.wikidata.org/wiki/Q41408]; “Pequeño vals vienés” [https://www.wikidata.org/wiki/Q50295403].\n\nAlvaro Echanove, Katherine McLeod\n02:06:01\nIntroduces cover of, and performance to, “Take This Waltz” by Leonard Cohen.\n\nAudience\n02:10:50\nApplause.\n\nAlvaro Echanove\n02:11:01\nAddresses audience.\n\nAudience\n02:11:02\nApplause.\n\nUnknown\n02:11:21\nAmbient Sounds [movement; voices].\n\nIan Ferrier\n02:11:27\nAddresses Alvaro Echanove and Katherine McLeod. Introduces River Halen Guri.\n\nAudience\n02:11:51\nApplause.\n\nRiver Halen Guri\n02:12:02\nAddresses audience. Introduces “All the Parts Moving”.\n\nRiver Halen Guri\n02:12:19\nReads “All the Parts Moving”.\n\nAudience\n02:15:29\nApplause.\n\nRiver Halen Guri\n02:15:36\nIntroduces “Reunion”. | Keywords: insect infestations [https://www.wikidata.org/wiki/Q1292038]; moth [https://www.wikidata.org/wiki/Q1725788]; bedbug [https://www.wikidata.org/wiki/Q940337].\n\nRiver Halen Guri\n02:16:13\nReads “Reunion”. \n\nAudience\n02:20:41\nApplause.\n\nIan Ferrier\n02:21:00\nPromotes Guri’s I looked for the exit, found a sleeve [chapbook; Skyebound Press; 2019]. Introduces Stefan Christoff.\n\nAudience\n02:21:37\nApplause.\n\nStefan Christoff\n02:21:42\nPerforms unnamed composition.\n\nAudience\n02:31:35\nApplause.\n\nIan Ferrier\n02:31:50\nAddresses audience. Promotes Mile End Poets’ Festival. | Sylvain Côté [sound tech].\n\nAudience\n02:33:00\nApplause.\n\nRachel McCrum\n02:33:04\nAddresses audience. Tells story about Ian Ferrier and Mile End Poets’ Festival. Addresses Ferrier.\n\nIan Ferrier\n02:34:20\nAddresses McCrum; an exchange follows [audience laughter throughout].\n\nRachel McCrum\n02:34:28\nPromotes Mile End Poets’ Festival. | Keywords: 4th Space [learning centre]; Klara du Plessis [https://www.wikidata.org/wiki/Q64010045]; Deanna Radford [poet]; Jason Camlot [https://www.wikidata.org/wiki/Q3162905]; Danielle St. Amour [poet]; Margaret Christakos [https://www.wikidata.org/wiki/Q6759269]; Kaie Kellough [https://www.wikidata.org/wiki/Q6347628]; La poésie partout [organization]; Jonathan Lamy [poet]; Flavia Garcia [poet]; Donna La Luna [poet]; Kama La Mackrel [poet]; Aimée Lévesque [poet]; Antoine Mallette [poet]; Simon McAslan [poet]; Odaya [Indigenous drumming group]; Nadia Chaney [poet]; Alexei Perry Cox [https://www.wikidata.org/wiki/Q4721283]; Le Dépanneur Cafe [venue]; Tanya Evanson [poet].\n\nAudience\n02:37:26\nApplause.\n\nIan Ferrier\n02:37:30\nAddresses audience. Announces end of event. Promotes December Words and Music Show.\n\nAudience\n02:37:51\nApplause.\n\nUnknown\n02:38:07\nAmbient Sounds [movement; voices; recorded music].\n\nEND\n02:40:04\n[End of recording]."],"score":0.01643844},{"id":"1242","cataloger_name":["Faith,Paré"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2014-11-16"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors_names":["Murphy, Sarah","Shalabi, Sam","Kamjoo, Saeed","Amiri, Amir","Roy, Jérémie","Blanchard, Pierre Guy","Snyder, Sue","Senécal, Dominique","Ferrier, Ian"],"contributors_names_search":["Murphy, Sarah","Shalabi, Sam","Kamjoo, Saeed","Amiri, Amir","Roy, Jérémie","Blanchard, Pierre Guy","Snyder, Sue","Senécal, Dominique","Ferrier, Ian"],"contributors":["[{\"url\":\"http://viaf.org/viaf/91542129\",\"name\":\"Murphy, Sarah\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/11078285\",\"name\":\"Shalabi, Sam\",\"dates\":\"1964-\",\"notes\":\"Performs with Pierre Guy Blanchard (percussion) and Jeremie Roy (bass and saxophone).\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/102415036\",\"name\":\"Kamjoo, Saeed\",\"dates\":\"1965-\",\"notes\":\"Performs on kemancheh with Amir Amiri (santur)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Amiri, Amir\",\"dates\":\"\",\"notes\":\"Performs on santur with Saeed Kamjoo (kemancheh)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Roy, Jérémie\",\"dates\":\"\",\"notes\":\"Performs on bass and saxophone with Sam Shalabi (guitar) and Pierre Guy Blanchard (percussion)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/6146936582313780781\",\"name\":\"Blanchard, Pierre Guy\",\"dates\":\"\",\"notes\":\"Performs on percussion with Sam Shalabi (guitar) and Jeremie Roy (bass and saxophone)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Snyder, Sue\",\"dates\":\"\",\"notes\":\"Performs bellydance with Dominique Senécal as Cult of Yes\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Senécal, Dominique\",\"dates\":\"\",\"notes\":\"Performs bellydance with Sue Snyder as Cult of Yes\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"performer_name":["Murphy, Sarah","Shalabi, Sam","Kamjoo, Saeed","Amiri, Amir","Roy, Jérémie","Blanchard, Pierre Guy","Snyder, Sue","Senécal, Dominique"],"Presenter_name":["Ferrier, Ian"],"Production_Date":[2014],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"In folder: 3 audio, 6 photos, 2 documents\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Set of three event recordings (Cult of Yes performance not 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throughout].\n\nAudience\n00:03:04\nApplause.\n\nSarah Murphy\n00:03:09\nIntroduces “The N and the M”. | Keywords: Brooklyn [https://www.wikidata.org/wiki/Q18419]; subway [https://www.wikidata.org/wiki/Q5503]; New Brunswick Arts Board [https://www.wikidata.org/wiki/Q30264655];\n\nSarah Murphy\n00:03:54\nPerforms “The N and the M”. \n\nSarah Murphy\n00:04:05\nAddresses audience.\n\nSarah Murphy\n00:04:08\nResumes performing “The N and the M”.\n\nSarah Murphy\n00:05:03\nAddresses audience.\n\nSarah Murphy\n00:05:04\nResumes performing “The N and the M”.\n\nAudience\n00:15:01\nApplause.\n\nUnknown\n00:15:15\nAmbient Sounds [movement; voices].\n\nIan Ferrier\n00:15:35\nAddresses Sarah Murphy.\n\nAudience\n00:15:39\nApplause.\n\nIan Ferrier\n00:15:44\nIntroduces Amir Amiri and Saeed Kamjoo.\n\nUnknown\n00:15:55\nAmbient Sounds [movement; voices].\n\nEND\n00:16:01\n[Recording continues on file 2].\n\nFile 2 of 3 — WM Nov 2014 Amir Amiri and Saeed Kamjoo\n\nAmir Amiri and Saeed Kamjoo\n00:00:00\nAmbient Sounds [instruments].\n\nAmir Amiri\n00:00:11\nIntroduces himself and Saeed Kamjoo. Introduces performances. | Keywords: Persian classical music [https://www.wikidata.org/wiki/Q11223087]; Iran [https://www.wikidata.org/wiki/Q794]; nomads [https://www.wikidata.org/wiki/Q128393].\n\nUnknown\n00:01:34\nAmbient Sounds.\n\nAmir Amiri and Saeed Kamjoo\n00:01:36\nPerforms unnamed compositions.\n\nAudience\n00:17:00\nApplause.\n\nUnknown\n00:17:20\nAmbient Sounds [movement; voices].\n\nIan Ferrier\n00:17:36\nDiscusses Amiri’s and Kamjoo’s performance. | Keywords: santur [https://www.wikidata.org/wiki/Q504847]; kemanche [https://www.wikidata.org/wiki/Q89194460].\n\nAudience\n00:17:44\nApplause [Ferrier speaks throughout].\n\nIan Ferrier\n00:17:53\nAddresses audience.\n\nAudience\n00:17:59\nLaughter.\n\nIan Ferrier\n00:18:02\nAnnounces intermission and third set.\n\nAudience\n00:18:09\nAmbient Sounds.\n\nEND\n00:18:11\n[Recording continues on file 3].\n\nFile 3 of 3 — WM November 2014 Sam Shalabi (first trio then with Amir).wav\nAudience\n\n00:00:00\nAmbient Sounds [voices; movement].\n\nIan Ferrier\n00:02:28\nIntroduces Sam Shalabi [guitar], Pierre-Guy Blanchard [percussion], and Jeremie Roy [bass]. \n\nAudience\n00:02:54\nAmbient Sounds [voices]\n\nSam Shalabi Trio\n00:03:01\nPerforms unnamed compositions.\n\nAudience\n00:25:15\nApplause.\n\nUnknown\n00:25:35\nAddresses audience.\n\nAudience\n00:25:37\nApplause.\n\nUnknown\n00:25:45\nAmbient Sounds [voices; movement].\n\nSam Shalabi, Amir Amiri, Saeed Kamjoo\n00:25:55\nAmbient Sounds [instruments].\n\nSam Shalabi, Amir Amiri, Saeed Kamjoo\n00:26:08\nPerforms unnamed compositions.\n\nAudience\n00:42:33\nApplause.\n\nUnknown\n00:42:52\nAmbient Sounds [voices; laughter; movement].\n\nIan Ferrier\n00:43:12\nAdresses audience.\n\nAudience\n00:43:15\nApplause.\n\nIan Ferrier\n00:43:26\nAnnounces the evening’s performers [audience applause throughout]. Addresses audience. Promotes December Words and Music Show. \n\nAudience\n00:44:35\nApplause.\n\nIan Ferrier\n00:44:39\nPromotes musicians’ CDs.\n\nUnknown\n00:44:54\nAmbient Sounds [voices; movement; recorded music].\n\nEND\n00:45:08\n[End of event]."],"Note":["[]"],"Related_works":["[]"],"_version_":1853670548638269440,"timestamp":"2026-01-07T14:59:53.264Z","score":0.01643844},{"id":"1243","cataloger_name":["Faith,Paré"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2014-10-12"],"item_title_source":["Cataloguer"],"item_language":["English, French"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["Khayat, Valerie","Christoff, Stefan","Adel, Hadi","Ferrier, Ian"],"contributors_names_search":["Khayat, Valerie","Christoff, Stefan","Adel, Hadi","Ferrier, Ian"],"contributors":["[{\"url\":\"http://viaf.org/viaf/102830671\",\"name\":\"Khayat, Valerie\",\"dates\":\"1983-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/106422154\",\"name\":\"Christoff, Stefan\",\"dates\":\"1981-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Adel, Hadi\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Khayat, Valerie","Christoff, Stefan","Adel, Hadi","Ferrier, Ian"],"Production_Date":[2014],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"In folder: 2 audio, 4 images, 2 .sfk files, 2 .doc files\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Set of two event audio recordings\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"Uploads/1243/Poster 2014-10-12.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital","Digital"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_new/Ian Ferrier Words and Music/02 W%26M Shows/2014/October/\",\"file_path\":\"\",\"filename\":\"Oct 12th Show w Stefan and Hadi et al 001.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:51:40\",\"precision\":\"\",\"size\":\"547.0 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_new/Ian Ferrier Words and Music/02 W%26M Shows/2014/October/\",\"file_path\":\"\",\"filename\":\"Oct 12th Show w Val et al 000.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:46:20\",\"precision\":\"\",\"size\":\"490.4 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2014 10 12\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada\",\"latitude\":\"45,5222118\",\"longitude\":\"-73,5905321\"}]"],"Address":["4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670548638269441,"timestamp":"2026-01-07T14:59:53.264Z","contents":["File 1 of 2 — Oct 12th Show w Val et al 000.wav\n\nIan Ferrier\n00:00:04\nAmbient Sound [testing microphone].\n\nIan Ferrier\n00:00:15\nIntroduces event. Discusses Valerie Khayat. Promotes Valerie Khayat’s album. Promotes Stefan Christoff’s EP. Introduces Hadi Adel. | Keywords: Pharmakon MTL [band]; Stefan Christoff [https://www.wikidata.org/wiki/Q7606050].\n\nAudience\n00:00:58\nApplause.\n\nHadi Adel\n00:01:04\nAddresses audience. Introduces “Monotask Side A” from Monotask [album by Hadi Adel; Bad Weather Records; 2014].\n\nAudience\n00:01:24\nAddresses Hadi Adel.\n\nHadi Adel\n00:01:26\nResumes introduction of “Monotask Side A”.\n\nUnknown\n00:01:31\nSilence [Cut in recording].\n\nHadi Adel\n00:03:27\nPerforms “Monotask Side A”.\n\nUnknown\n00:15:57\nSilence.\n\nAudience\n00:16:20\nApplause.\n\nUnknown\n00:16:22\nAmbient Sounds [voices; movement].\n\nIan Ferrier\n00:16:33\nIntroduces Valerie Khayat. \n\nAudience\n00:17:08\nApplause.\n\nValerie Khayat\n00:17:21\nAmbient Sounds [movement]. Addresses unknown.\n\nUnknown\n00:17:41\nAmbient Sound [bang].\n\nValerie Khayat\n00:17:42\nAddresses unknown. \n\nValerie Khayat\n00:18:07\nAddresses audience. Introduces “Cacouna” from Resonance in Blue [album; Quietivity; 2007]. | Keywords: Cacouna [https://www.wikidata.org/wiki/Q2932587]; news [https://www.wikidata.org/wiki/Q38926]; Aboriginal reserve [https://www.wikidata.org/wiki/Q2932581]; Saint-Lawrence [https://www.wikidata.org/wiki/Q134750]; Maliseet [https://www.wikidata.org/wiki/Q1563033].\n\nValerie Khayat\n00:19:18\nPerforms “Cacouna”.\n\nAudience\n00:23:19\nApplause.\n\nValerie Khayat\n00:23:28\nIntroduces “The Distant Reunion”. | Keywords: grandmother; Italy [https://www.wikidata.org/wiki/Q38].\n\nValerie Khayat\n00:24:08\nPerforms “The Distant Reunion”. \n\nAudience\n00:28:30\nApplause.\n\nValerie Khayat\n00:28:38\nIntroduces “Businesswoman Blues”.\n\nValerie Khayat\n00:29:03\nPerforms “Businesswoman Blues”.\n\nAudience\n00:32:37\nApplause.\n\nValerie Khayat\n00:32:47\nIntroduces “Jacob” from Resonance in Blue. | Keywords: crying; documentary [https://www.wikidata.org/wiki/Q93204]; prayer [https://www.wikidata.org/wiki/Q40953].\n\nValerie Khayat\n00:33:58\nPerforms “Jacob”.\n\nAudience\n00:40:10\nApplause.\n\nValerie Khayat\n00:40:19\nIntroduces “Sospido”. | Keywords: love song [ ].\n\nValerie Hayat\n00:41:22\nPerforms “Sospido”.\n\nAudience\n00:45:31\nApplause.\n\nValerie Khayat\n00:45:33\nAddresses audience [audience applause throughout]\n\nIan Ferrier\n00:45:56\nPromotes Resonance in Blue and To Call Out in the Night [ ]. Announces intermission.\n\nAudience\n00:46:12\nApplause.\n\nEND\n00:46:19\n[Recording continues on file 2].\n\nFile 2 of 2 — Oct 12th Show w Stefan and Hadi et al 001.wav\n\nIan Ferrier\n00:00:00\nIntroduces Stefan Christoff. Promotes Christoff’s Wire Tones [EP with David Parker; self-released; 2014].\n\nAudience\n00:00:35\nApplause.\n\nUnknown\n00:00:38\nSilence [Cut in recording].\n\nStefan Christoff\n00:00:51\nIntroduces unnamed composition 1. Promotes Wire Tones. | Keywords: piano [https://www.wikidata.org/wiki/Q5994]; double bass [https://www.wikidata.org/wiki/Q80019]; Kingston, Ontario [https://www.wikidata.org/wiki/Q202973]; prisons [https://www.wikidata.org/wiki/Q40357]; prison-industrial complex [https://www.wikidata.org/wiki/Q7245880]; Conservative government [https://www.wikidata.org/wiki/Q488523].\n\nAudience \n00:02:08\nApplause.\n\nStefan Christoff\n00:02:12\nAddresses audience [audience laughter throughout].\n\nStefan Christoff\n00:02:22\nPerforms unnamed composition 1. \n\nAudience\n00:07:46\nApplause.\n\nStefan Christoff \n00:07:51\nAddresses audience.\n\nStefan Christoff\n00:07:53\nPerforms unnamed composition 2.\n\nAudience\n00:18:58\nApplause.\n\nAudience Member 1 [Ian Ferrier?]\n00:19:09\nAddresses Christoff. An exchange follows.\n\nAudience\n00:19:16\nLaughter.\n\nStefan Christoff\n00:19:17\nDiscusses “Matana + Christoff”. | Keywords: solo [https://www.wikidata.org/wiki/Q270827]; saxophonist [https://www.wikidata.org/wiki/Q12800682]; Matana Roberts [https://www.wikidata.org/wiki/Q253999]. \n\nAudience\n00:19:35\nLaughter.\n\nStefan Christoff\n00:19:36\nResumes discussing “Matana + Christoff”. Introduces unnamed composition 3. | Keywords: Duets for Abdelrazik; Abousifan Abdelrazik [https://www.wikidata.org/wiki/Q4668570]; Sudan [https://www.wikidata.org/wiki/Q1049]; Ville Saint-Laurent [https://www.wikidata.org/wiki/Q2117999]; grassroots activist [https://www.wikidata.org/wiki/Q929651]; Rage Against the Machine [https://www.wikidata.org/wiki/Q72092]; Public Enemy [https://www.wikidata.org/wiki/Q209182]; \n\nAudience\n00:23:38\nLaughter. \n\nStefan Christoff\n00:23:39\nResumes introducing unnamed composition 3. | Keywords: dead prez [https://www.wikidata.org/wiki/Q1180841].\n\nStefan Christoff\n00:24:22\nPerforms unnamed composition 3.\n\nStefan Christoff\n00:24:47\nAddresses audience. | Keywords: Egyptian [https://www.wikidata.org/wiki/Q1061510]; Sam Shalabi [https://www.wikidata.org/wiki/Q2216598].\n\nStefan Christoff\n00:25:00\nResumes performing unnamed composition 3.\n\nUnknown\n00:31:39\nAmbient Sounds [cut in recording; faint music].\n\nStefan Christoff\n00:31:51\nAddresses audience.\n\nIan Ferrier\n00:32:04\nAddresses Christoff. Promotes November Words and Music Show. Introduces Hadi Adel.\n\nAudience\n00:32:23\nApplause.\n\nUnknown\n00:32:28\nAmbient Sounds [movement; voices].\n\nHadi Adel\n00:32:48\nAddresses audience. Introduces “Monotask Side B” from Monotask. | Keywords: Kickstarter [https://www.wikidata.org/wiki/Q34755]; tapes [https://www.wikidata.org/wiki/Q149757]; sampling [https://www.wikidata.org/wiki/Q596446].\n\nAudience\n00:34:48\nLaughter.\n\nHadi Adel\n00:34:50\nResumes introduction of “Monotask Side B”. Addresses Ferrier [audience laughter throughout]. Addresses audience.\n\nAudience Member 2\n00:35:50\nAddresses Adel.\n\nAudience \n00:35:52\nLaughter.\n\nHadi Adel\n00:35:54\nAddresses Audience Member 2. Resumes introduction of “Monotask Side B”. | Keywords: Soundcloud [https://www.wikidata.org/wiki/Q568769].\n\nHadi Adel\n00:36:16\nPerforms “Monotask Side B”.\n\nAudience\n00:50:45\nApplause.\n\nIan Ferrier\n00:51:02\nAnnounces end of event. Promotes performers’ recordings, Words and Music mailing list, and November Words and Music Show.\n\nAudience\n00:51:32\nApplause.\n\nEND\n00:51:40\n[End of recording]."],"score":0.01643844},{"id":"1209","cataloger_name":["Andrew,Roberge"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa del Popolo 2005-05-15"],"item_title_source":["Container"],"item_title_note":["On MD: \"Wow W+M CD May 15, 2005 Josephine Paula Neema Sam Jennifer \""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Olafson, Richard","Watson, Josephine","Ferrier, Ian","Boire, Jennifer"],"creator_names_search":["Olafson, Richard","Watson, Josephine","Ferrier, Ian","Boire, Jennifer"],"creators":["[{\"url\":\"http://viaf.org/viaf/23754308\",\"name\":\"Olafson, Richard\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Watson, Josephine\",\"dates\":\"\",\"notes\":\"Not found on databases. \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"http://viaf.org/viaf/50973169\",\"name\":\"Boire, Jennifer\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[2005],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"Magneto-Optical\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"Uploads/1209/Poster for May 15th_00001.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Minidisc"],"physical_compositions":["Magneto-Optical"],"recording_type":["Analogue","Digital"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2005/05/\",\"file_path\":\"\",\"filename\":\"05092019091438_DN-700R.wav\",\"channel_field\":\"Stereo\",\"sample_rate\":\"96kHz\",\"duration\":\"00:39:05\",\"precision\":\"\",\"size\":\"622.1 MB\",\"bitrate\":\"24\",\"encoding\":\"Waveform\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://drive.google.com/file/d/1IJ4sE4jui6LnIRs4xkVB69Ea0UAJEPAJ/view\",\"file_path\":\"https://drive.google.com/drive/u/2/folders/1_CNeT4C8F-KzegfFjVrVXof4lLe4LEdO\",\"filename\":\"Poster 2005-05-15\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Poster\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2005-05-15\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Container\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa del Popolo (Montreal)\",\"notes\":\"\",\"address\":\"4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada\",\"latitude\":\"45,5222118\",\"longitude\":\"-73,5905321\"}]"],"Address":["4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada"],"Venue":["Casa del Popolo (Montreal)"],"City":["Montreal, Quebec"],"content_notes":["On Sunday, 15 May 2005 at the Words and Music Show, Richard Olafson takes the stage and Josephine Watson performs excerpts from a show called “Rage on an Upswing” with Bobby on guitar. Jennifer Boire performs from Holding the Song (Wiredonwords, 2005), available on Mini-CD for $3 “at the back”."],"contents":["05092019091438_DN-700R.wav [File 1 of 1]\n\nRichard Olafson\n00:00:00\n\nJosephine Watson and Bobby\n00:04:19\n\nJennifer Boire\n00:26:29\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548640366592,"timestamp":"2026-01-07T14:59:53.264Z","score":0.01643844},{"id":"1210","cataloger_name":["Andrew,Roberge"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa del Popolo 2005-06-26"],"item_title_source":["Container"],"item_title_note":["On MDs: \"W+M Pharmakon June 26 2005 #1\"; \"W+M Pharmakon June 26 2005 # 2\"\n"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian","Sobol, John","Lockett, Lydia","Godin, Steve","Preston, Virginia","Pharmakon"],"creator_names_search":["Ferrier, Ian","Sobol, John","Lockett, Lydia","Godin, Steve","Preston, Virginia","Pharmakon"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"http://viaf.org/viaf/58323674\",\"name\":\"Sobol, John\",\"dates\":\"1963-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Lockett, Lydia\",\"dates\":\"\",\"notes\":\"Not found on databases.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/105712077\",\"name\":\"Godin, Steve\",\"dates\":\"1956-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Preston, Virginia\",\"dates\":\"\",\"notes\":\"Not found on databases.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Pharmakon\",\"dates\":\"\",\"notes\":\"Not found on databases. Band.\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[2005],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"Magneto-Optical\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"Magneto-Optical\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Minidisc","Minidisc"],"physical_compositions":["Magneto-Optical","Magneto-Optical"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Stereo","Stereo"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2005/06/\",\"file_path\":\"\",\"filename\":\"09052019093327_DN-700R.wav\",\"channel_field\":\"Stereo\",\"sample_rate\":\"96kHz\",\"duration\":\"00:46:54\",\"precision\":\"\",\"size\":\"727.7 MB\",\"bitrate\":\"24\",\"encoding\":\"Waveform\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2005/06/\",\"file_path\":\"\",\"filename\":\"09052019102639_DN-700R.wav\",\"channel_field\":\"Stereo\",\"sample_rate\":\"96kHz\",\"duration\":\"01:14:59\",\"precision\":\"\",\"size\":\"1.2 GB\",\"bitrate\":\"24\",\"encoding\":\"Waveform\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://drive.google.com/file/d/12NS3v6_OproPjo1XnvGApn5MLdVZm8yI/view\",\"file_path\":\"https://drive.google.com/drive/u/2/folders/1_CNeT4C8F-KzegfFjVrVXof4lLe4LEdO\",\"filename\":\"Poster 2005-06-26\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Poster\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2005-06-26\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Container\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa del Popolo (Montreal)\",\"notes\":\"\",\"address\":\"4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada\",\"latitude\":\"45,5222118\",\"longitude\":\"-73,5905321\"}]"],"Address":["4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada"],"Venue":["Casa del Popolo (Montreal)"],"City":["Montreal, Quebec"],"content_notes":["On Sunday, 26 June 2005 at the Casa del Popolo, audio artist Steve Godin faces “quite the challenge” of being the first one on stage. Montrealer Virginia Preston performs “Heather”, a poem she found when packing for Berlin. With sets by spoken word legend John Sobol, Lydia Lockett, and local band Pharmakon."],"contents":["09052019093327_DN-700R.wav [File 1 of 2]\n\nSteve Godin\n00:01:29\n\nVirginia Preston \n00:04:50\n\nLydia Lockett\n00:20:16\n\nJohn Sobol\n00:24:14\n\n\n09052019102639_DN-700R.wav [File 2 of 2]\n\nPharmakon\n00:00:00"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548640366593,"timestamp":"2026-01-07T14:59:53.264Z","score":0.01643844},{"id":"1211","cataloger_name":["Andrew,Roberge"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa del Popolo 2005-08-21"],"item_title_source":["Container; Poster"],"item_title_note":["On MDs: \"W+M Aug 2005 \"; \"W+M Aug 2005 #2- Kaie-Heather haley+ Julie uik\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian","Godin, Steve","Tija, Sherwin","Thompson, Andrea","Kellough, Kaie","Freed, Josh"],"creator_names_search":["Ferrier, Ian","Godin, Steve","Tija, Sherwin","Thompson, Andrea","Kellough, Kaie","Freed, Josh"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"http://viaf.org/viaf/105712077\",\"name\":\"Godin, Steve\",\"dates\":\"1956-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/34388788\",\"name\":\"Tija, Sherwin\",\"dates\":\"1975-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/11562310\",\"name\":\"Thompson, Andrea\",\"dates\":\"1967-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/68351676\",\"name\":\"Kellough, Kaie\",\"dates\":\"1975-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Freed, Josh\",\"dates\":\"\",\"notes\":\"Last name unclear in event audio. Introduced as comic-writer and columnist.\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/1211/W+M Aug 2005.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"Magneto-Optical\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Minidisc"],"physical_compositions":["Magneto-Optical"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2005/08/\",\"file_path\":\"\",\"filename\":\"09052019115016_DN-700R.wav\",\"channel_field\":\"Stereo\",\"sample_rate\":\"96kHz\",\"duration\":\"01:00:41\",\"precision\":\"\",\"size\":\"921MB\",\"bitrate\":\"24\",\"encoding\":\"Waveform\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2005/08/\",\"file_path\":\"\",\"filename\":\"09092019101541_DN-700R.wav\",\"channel_field\":\"Stereo\",\"sample_rate\":\"96kHz\",\"duration\":\"00:46:24\",\"precision\":\"\",\"size\":\"705MB\",\"bitrate\":\"24\",\"encoding\":\"Waveform\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["This month at the Words and Music show, the crowd sings Sherwin Tija “Happy Birthday” and he leads off the show with 7 “pseudo-haikus”. Steve Godin performs a selection from his Mini-CD.The night’s special guest is comic-writer and columnist Josh Fr- (sp). Andrea Thompson visits from Toronto and leads off with a poem involving “some nakedness”. "],"contents":["09052019115016_DN-700R.wav [File 1 of 2]\n\nTija Sherwin \n00:02:10\n\nSteve Godin\n00:09:39\n\nJosh Freed\n00:22:25\n\nAndrea Thompson\n00:37:19\n\n\n09092019101541_DN-700R.wav [File 2 of 2]\n\nKaie Kellough\n00:00:00\n\nBent Tail (Heather Bailey and Julie Vic)\n00:05:50"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548640366594,"timestamp":"2026-01-07T14:59:53.264Z","score":0.01643844},{"id":"1212","cataloger_name":["Emma,Telaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa del Popolo 2006-02-19"],"item_title_source":["Container "],"item_title_note":["On MD \"W+M Feb 2006 Sadio Taqralik Luna 1 of 3 #1\";\"W+M Feb 2006 Sadio #2\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian","Sissokho, Sadio","Allison, Luna","Partridge, Taqralik","Nadkarni, Geeta","Sajnani, Nisha","Sporito, Speranza"],"creator_names_search":["Ferrier, Ian","Sissokho, Sadio","Allison, Luna","Partridge, Taqralik","Nadkarni, Geeta","Sajnani, Nisha","Sporito, Speranza"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian \",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"\",\"name\":\"Sissokho, Sadio\",\"dates\":\"\",\"notes\":\"No viaf entry.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Allison, Luna\",\"dates\":\"\",\"notes\":\"No viaf entry.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/15154257780224150501\",\"name\":\"Partridge, Taqralik\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Nadkarni, Geeta\",\"dates\":\"\",\"notes\":\"No viaf entry. Part of collaborative group performance \\\"One of Three\\\". \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Sajnani, Nisha\",\"dates\":\"\",\"notes\":\"No viaf entry. Part of collaborative group performance \\\"One of Three\\\". \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Sporito, Speranza\",\"dates\":\"\",\"notes\":\"No viaf entry. Part of collaborative group performance \\\"One of Three\\\". \",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[2006],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"Magneto-Optical\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"Magneto-Optical\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Minidisc","Minidisc"],"physical_compositions":["Magneto-Optical","Magneto-Optical"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Stereo","Stereo"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2006/02/\",\"file_path\":\"\",\"filename\":\"13092019133125_DN-700R.wav\",\"channel_field\":\"Stereo\",\"sample_rate\":\"96kHz\",\"duration\":\"01:02:54\",\"precision\":\"\",\"size\":\"954 MB\",\"bitrate\":\"24\",\"encoding\":\"Waveform \",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2006/02/\",\"file_path\":\"\",\"filename\":\"09112019113751_DN-700R.wav\",\"channel_field\":\"Stereo\",\"sample_rate\":\"96kHz\",\"duration\":\"01:02:32\",\"precision\":\"\",\"size\":\"949 MB\",\"bitrate\":\"24\",\"encoding\":\"Waveform \",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2006-02-19\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Container\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa del Popolo (Montreal)\",\"notes\":\"\",\"address\":\"4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada\",\"latitude\":\"45,5222118\",\"longitude\":\"-73,5905321\"}]"],"Address":["4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada"],"Venue":["Casa del Popolo (Montreal)"],"City":["Montreal, Quebec"],"content_notes":["On Sunday, 19 February 2006, the Words and Music show welcomes griot and musician Sadio Sissokho from Senegal for a spoken and sung performance. Montreal-based poet Luna Allison launches her new CD, Urban Lullabies, Inuit spoken word artist Taqralik Partridge performs at the Casa for the first time, and Geeta Nadkarni, Nisha Sajnani and Speranza Sporito perform in One of Three. Admission is $5, 8PM. The show is supported by the Quebec Writers’ Federation, CKUT 90.3 FM, Wired on Words Productions, and a grant from the IPOLC Program of the Department of Canadian Heritage."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548641415168,"timestamp":"2026-01-07T14:59:53.264Z","contents":["13092019133125_DN-700R.wav\n\n00:00:00\nAmbient sound [background music].\n\nIan Ferrier [https://www.wikidata.org/wiki/Q87138884]\n00:00:09\nIntroduces event | Keywords: Sadio Sissokho; Trevor Ferrier; Luna Allison; CD launch; Inuit; Taqralik Partridge; One In Three; performance.\n\nAudience\n00:01:34\nApplause.\n\nGeeta Nadkarni, Nisha Sajnani, Speranza Sporito\n00:01:46\nPerform One In Three [inaudible].\n\nGeeta Nadkarni, Nisha Sajnani, Speranza Sporito\n00:02:15\nPerform One In Three | Keywords: cat; angel; women.\n\nAudience\n00:10:19\nApplause.\n\nIan Ferrier\n00:10:49\nIntroduces Luna Allison | Keywords: CD; Urban Lullabies; live recording.\n\nAudience\n00:11:32\nApplause.\n\nLuna Allison\n00:11:51\nThanks Ian Ferrier.\n\nAudience\n00:12:41\nApplause.\n\nLuna Allison\n00:12:55\nThanks supporters.\n\nLuna Allison\n00:14:36\nPerforms “Riptide” | Keywords: breathwork; silence; riptide.\n\nAudience\n00:17:08\nApplause.\n\nLuna Allison\n00:17:32\nAdvertises CD | Keywords: guestbook; flyers.\n\nLuna Allison\n00:19:24\nPerforms “Mythologies” | Keywords: love; jokes kisser\n\nAudience\n00:22:22\nApplause [cheering].\n\nLuna Allison\n00:22:31\nInvites five people on stage | Keywords: audience participation.\n\nLuna Allison\n00:25:18\nRequests audience to keep rhythm.\n\nLuna Allison\n00:26:20\nPerforms “Cityscape” | Keywords: birds; traffic; social climbing.\n\nAudience\n00:30:38\nApplause [cheering].\n\nLuna Allison\n00:31:07\nIntroduces “No Lady” | Keywords: city; artist.\n\nLuna Allison\n00:31:46\nPerforms “No Lady” | Keywords: city; hands; Montreal [https://www.wikidata.org/wiki/Q340].\n\nAudience\n00:35:10\nApplause.\n\nIan Ferrier\n00:35:34\nThanks Canada Council for the Arts [https://www.wikidata.org/wiki/Q2993809].\n\nIan Ferrier\n00:36:03\nIntroduces Taqralik Partridge | Keywords: Inuit [https://www.wikidata.org/wiki/Q189975]; spoken word.\n\nAudience\n00:36:59\nApplause [cheering].\n\nTaqralik Partridge\n00:37:31\nIntroduces her work | Keywords: Eskimos.\n\nTaqralik Partridge\n00:38:13\nPerforms unknown poem | Keywords: berries; parkas; sisters; tundra; canoes.\n\nAudience\n00:41:43\nApplause [cheering].\n\nTaqralik Partridge\n00:41:56\nDiscusses “My Mary” | Keywords: fiction.\n\nTaqralik Partridge\n00:42:26\nPerforms “My Mary” | Keywords: fire hazard; coast; bed.\n\nAudience\n00:45:59\nApplause.\n\nTaqralik Partridge\n00:46:14\nIntroduces herself | Keywords: Nunavut [https://www.wikidata.org/wiki/Q2023]; Inuit.\n\nTaqralik Partridge\n00:47:34\n“Debbie does the powpow circuit” | Keywords: “Debbie does Dallas” [https://www.wikidata.org/wiki/Q579826]; powpows; Indian man.\n\nAudience\n00:51:54\nApplause [cheering].\n\nTaqralik Partridge\n00:52:01\nIntroduces “Hometown Hockey Hero”.\n\nTaqralik Partridge\n00:53:11\nReads “Hometown Hockey Hero” | Keywords: plans; CBC [https://www.wikidata.org/wiki/Q461761]; hockey; champions\n\nAudience\n00:56:57\nApplause.\n\nTaqralik Partridge\n00:57:12\nInvites Nina [?] to the stage | Keywords: throat singing; cleavage.\n\nTaqralik Partridge and Nina\n00:58:08\nPerform throat singing.\n\nAudience\n00:58:51\nApplause [cheering].\n\nTaqralik Partridge and Nina\n00:59:22\nPerform throat singing.\n\nAudience\n01:00:20\nApplause [cheering].\n\nIan Ferrier\n01:00:45\nThanks performers and announces break.\n\nEND\n01:02:40\n[Event continues on second recording].\n\n13092019133125_DN-700R.wav\n\nIan Ferrier [https://www.wikidata.org/wiki/Q87138884]\n00:00:00\nIntroduces event, Sadio Sissokho and Trevor Ferrier | Keywords: kalimba; tenor sax.\n\nAudience\n00:00:48\nApplause.\n\nTrevor Ferrier\n00:00:55\nIntroduces Sadio Sissokho | Keywords: Senegal [https://www.wikidata.org/wiki/Q1041]; kora.\n\nAudience\n00:02:41\nApplause.\n\nSadio Sissokho and Trevor Ferrier\n00:02:50\nPerform music.\n\nAudience\n00:09:53\nApplause [cheering].\n\nSadio Sissokho and Trevor Ferrier\n00:10:02\nPerform music.\n\nAudience\n00:16:24\nApplause.\n\nSadio Sissokho \n00:16:44\nDiscusses his work [in French].\n\nSadio Sissokho and Trevor Ferrier\n00:20:17\nPerform music.\n\nAudience\n00:30:16\nApplause.\n\nSadio Sissokho\n00:30:31\nDiscusses his work [in French].\n\nSadio Sissokho and Trevor Ferrier\n00:31:38\nPerform music.\n\nAudience\n00:39:28\nApplause.\n\nSadio Sissokho and Trevor Ferrier\n00:39:49\nPerform music.\n\nAudience\n00:44:27\nApplause.\n\nSadio Sissokho\n00:44:33\nDiscusses his work [in French] | Keywords: grand-père.\n\nSadio Sissokho and Trevor Ferrier\n00:45:14\nPerform music.\n\nAudience\n00:52:44\nApplause.\n\nTrevor Ferrier\n00:53:03\nRequests audience noise | Keywords: Africa [https://www.wikidata.org/wiki/Q15].\n\nSadio Sissokho and Trevor Ferrier\n00:53:44\nPerform music.\n\nAudience\n00:53:57\nClaps.\n\nAudience\n01:01:20\nApplause [cheering].\n\nTrevor Ferrier\n01:01:27\nThanks Sadio Sissokho.\n\nAudience\n01:01:53\nApplause.\n\nIan Ferrier\n01:02:10\nThanks musicians.\n\nAudience\n01:02:19\nApplause.\n\nIan Ferrier\n01:02:38\nAnnounces end of event.\n\nAudience\n01:02:48\nApplause.\n\nEND\n01:03:00.\n"],"score":0.01643844},{"id":"1244","cataloger_name":["Faith,Paré"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2014-07-20"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["Leach, Ricky","Knight, Kelsey","Quirion, Josh","Stumborg, Esmé","Campbell, Belinda","Foisy-Couture, Raphael","Hamel, Félix-Antoine","Ferrier, Ian","Eaton, Heather","Goodwin, Brandon","Garan (?)","MacCalman, Faye"],"contributors_names_search":["Leach, Ricky","Knight, Kelsey","Quirion, Josh","Stumborg, Esmé","Campbell, Belinda","Foisy-Couture, Raphael","Hamel, Félix-Antoine","Ferrier, Ian","Eaton, Heather","Goodwin, Brandon","Garan (?)","MacCalman, Faye"],"contributors":["[{\"url\":\"\",\"name\":\"Leach, Ricky\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Knight, Kelsey\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/3159154288611992371\",\"name\":\"Quirion, Josh\",\"dates\":\"1989-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Stumborg, Esmé\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Campbell, Belinda\",\"dates\":\"\",\"notes\":\"Performs percussion with Fayemoose 4\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Foisy-Couture, Raphael\",\"dates\":\"\",\"notes\":\"Performs bass with Fayemoose 4\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Hamel, Félix-Antoine\",\"dates\":\"\",\"notes\":\"Performs trumpet with Fayemoose 4\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"\",\"name\":\"Eaton, Heather\",\"dates\":\"\",\"notes\":\"Performs vocals. Band member Kayla Milmine (soprano saxophone) is absent, so performs with Brandon Goodwin (percussion/melodica) as Duo 69 instead of Trio 69.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Goodwin, Brandon\",\"dates\":\"\",\"notes\":\"Performs percussion/melodica. Band member Kayla Milmine (soprano saxophone) is absent, so performs with Heather Eaton (vocals) as Duo 69 instead of Trio 69.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Garan (?)\",\"dates\":\"\",\"notes\":\"Added to set list after poster distribution. No other information included in both advertising or their set.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"MacCalman, Faye\",\"dates\":\"\",\"notes\":\"Performs saxophone with Fayemoose 4\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Leach, Ricky","Knight, Kelsey","Quirion, Josh","Stumborg, Esmé","Campbell, Belinda","Foisy-Couture, Raphael","Hamel, Félix-Antoine","Eaton, Heather","Goodwin, Brandon","Garan (?)","MacCalman, Faye"],"Presenter_name":["Ferrier, Ian"],"Production_Date":[2014],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"In folder: 3 audio, 1 .sfk file, 5 documents, 1 image\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Set of three event recordings\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_new/Ian Ferrier Words and Music/02 W%26M Shows/2014/July 2014/July 2014 audio (Kelsey%2C Faye McAlmon brit guy)/\",\"file_path\":\"\",\"filename\":\"STE-001.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:21:46\",\"precision\":\"\",\"size\":\"345.6 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_new/Ian Ferrier Words and Music/02 W%26M Shows/2014/July 2014/July 2014 audio (Kelsey%2C Faye McAlmon brit guy)/\",\"file_path\":\"\",\"filename\":\"STE-002.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:34:17\",\"precision\":\"\",\"size\":\"544.5 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_new/Ian Ferrier Words and Music/02 W%26M Shows/2014/July 2014/July 2014 audio (Kelsey%2C Faye McAlmon brit guy)/\",\"file_path\":\"\",\"filename\":\"STE-003.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:22:44\",\"precision\":\"\",\"size\":\"355.8 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2014 07 20\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada\",\"latitude\":\"45,5222118\",\"longitude\":\"-73,5905321\"}]"],"Address":["4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670548641415169,"timestamp":"2026-01-07T14:59:53.264Z","contents":["File 1 of 3 — STE-001.wav\n\nIan Ferrier\n00:00:00\nIntroduces event. Introduces Josh Quirion. | Keywords: Lennoxville [https://www.wikidata.org/wiki/Q672089]; Hamilton, Ontario [https://www.wikidata.org/wiki/Q133116]; England [https://www.wikidata.org/wiki/Q21].\n\nAudience\n00:00:39\nApplause.\n\nJosh Quirion\n00:00:55\nIntroduces “If The Day of All Reckoning and Masturbation Coincided”.\n\nJosh Quirion\n00:01:02\nPerforms “If The Day of All Reckoning and Masturbation Coincided”.\n\nAudience\n00:04:25\nApplause.\n\nIan Ferrier\n00:04:39\nAddresses audience. Introduces Kelsey Knight. | Keywords: religion [https://www.wikidata.org/wiki/Q9174]; sex [https://www.wikidata.org/wiki/Q5873]; Nova Scotia [https://www.wikidata.org/wiki/Q1952]. \n\nAudience\n00:05:00\nApplause.\n\nUnknown\n00:05:10\nAmbient Sound [voices; movement].\n\nKelsey Knight\n00:05:24 \nIntroduces “A Reflection of Truth”.\n\nKelsey Knight\n00:05:37\nReads “A Reflection of Truth”. \n\nAudience\n00:06:52\nApplause.\n\nKelsey Knight\n00:06:58\nIntroduces “Familiar Eyes”.\n\nKelsey Knight\n00:07:04\nReads “Familiar Eyes”. \n\nAudience\n00:08:19\nApplause.\n\nKelsey Knight\n00:08:27\nIntroduces “A Flood in the Attic”.\n\nKelsey Knight\n00:08:31\nReads “A Flood in the Attic”. \n\nAudience\n00:09:23\nApplause.\n\nKelsey Knight\n00:09:31\nIntroduces “Behind the Walls”.\n\nKelsey Knight\n00:09:36\nReads “Behind the Walls”.\n\nAudience\n00:10:11\nApplause.\n\nIan Ferrier\n00:10:23\nIntroduces Ricky Leach. | Keywords: Stefan Christoff [https://www.wikidata.org/wiki/Q7606050]; SoundCloud [https://www.wikidata.org/wiki/Q568769].\n\nAudience\n00:10:43\nApplause.\n\nRicky Leach\n00:10:54\nAddresses audience. \n\nRicky Leach\n00:11:29\nPerforms unnamed composition 1.\n\nAudience\n00:17:12\nApplause.\n\nRicky Leach\n00:17:24\nAddresses audience.\n\nRicky Leach\n00:17:40 \nPerforms unnamed composition 2.\n\nAudience\n00:21:02\nApplause.\n\nRicky Leach\n00:21:08\nAddresses audience. \n\nIan Ferrier\n00:21:28\nAnnounces intermission.\n\nAudience\n00:21:41\nLaughter.\n\nEND\n00:21:43\n[Recording continues on file 2].\n\nFile 2 of 3 — STE-002.wav\n\nAudience\n00:00:01\nAmbient Sound [voices].\n\nIan Ferrier\n00:00:04\nIntroduces Garan (?).\n\nAudience\n00:00:13\nApplause.\n\nGaran (?)\n00:00:25\nIntroduces “Click Click”. Addresses Ian Ferrier. Addresses audience.\n\nGaran (?)\n00:00:47\nPerforms “Click Click”. \n\nAudience\n00:03:14\nApplause.\n\nGaran (?)\n00:03:28\nPerforms unnamed composition.\n\nAudience\n00:06:09\nApplause.\n\nIan Ferrier\n00:06:22\nIntroduces Duo 69.\n\nAudience\n00:06:33\nApplause.\n\nHeather Eaton [Duo 69]\n00:06:45\nAddresses audience [audience laughter throughout]. | Keywords: Toronto Fringe Festival [https://www.wikidata.org/wiki/Q7826392]; ransom [https://www.wikidata.org/wiki/Q1414572]; strap-on [https://www.wikidata.org/wiki/Q1639034].\n\nUnknown [Heather Eaton?]\n00:07:23\nAddresses Brandon Goodwin.\n\nAudience\n00:07:24\nLaughter.\n\nHeather Eaton\n00:07:27\nAddresses audience.\n\nAudience\n00:07:29\nLaughter.\n\nBrandon Goodwin [Duo 69]\n00:07:32\nAddresses Heather Eaton. \n\nDuo 69\n00:07:39\nAmbient Sounds [instrument tuning].\n\nDuo 69\n00:08:34\nPerforms unnamed composition/s.\n\nAudience\n00:33:31\nApplause.\n\nHeather Eaton\n00:33:35\nAddresses the audience. Addresses Ian Ferrier [audience applause throughout].\n\nDuo 69\n00:33:51\nAmbient Sounds [movement].\n\nIan Ferrier\n00:33:58\nAddresses audience. Announces break. Introduces Faye MacCalmon and Fayemoose 4. | Keywords: Maritime ballad [https://www.wikidata.org/wiki/Q1195253?wprov=srpw1_0].\n\nEND\n00:34:17\n[Recording continues on file 3].\n\nFile 3 of 3 — STE-003.wav\n\nFélix-Antoine Hamel [Fayemoose 4]\n00:00:00\nAddresses audience [audience applause throughout].\n\nFayemoose 4\n00:00:24\nPerforms unnamed composition 1.\n\nAudience\n00:10:34\nApplause.\n\nFélix-Antoine Hamel\n00:10:41 \nIntroduces members of Fayemoose 4 [audience applause throughout]. Introduces unnamed composition 2.\n\nFayemoose 4\n00:11:28\nPerforms unnamed composition 2.\n\nAudience\n00:20:38\nApplause.\n\nFélix-Antoine Hamel\n00:20:55\nAddresses audience.\n\nAudience\n00:20:57\nApplause.\n\nAudience\n00:21:09\nAmbient Sounds [movement; voices].\n\nIan Ferrier\n00:21:16\nAddresses Faye MacCalmon. An exchange follows. \n\nIan Ferrier\n00:21:36\nAddresses audience. Announces end of event. Promotes September Words and Music show.\n\nAudience\n00:22:14\nApplause.\n\nUnknown\n00:22:15\nSilence [Cut in recording].\n\nUnknown\n00:22:20\nRecorded music.\n\nEND\n00:22:24\n[End of recording]."],"score":0.01643844},{"id":"1249","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2013-09-22"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["Chan, Jane","Island, Janine","Annett, James","Selinger, Greg","Catalano, Francis","Robert, Stephanie","Pozzani, Claudio"],"contributors_names_search":["Chan, Jane","Island, Janine","Annett, James","Selinger, Greg","Catalano, Francis","Robert, Stephanie","Pozzani, Claudio"],"contributors":["[{\"url\":\"\",\"name\":\"Chan, Jane\",\"dates\":\"\",\"notes\":\"With Jane James and Janine\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Island, Janine\",\"dates\":\"\",\"notes\":\"With Jane James and Janine\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Annett, James\",\"dates\":\"\",\"notes\":\"With Jane James and Janine\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Selinger, Greg\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Catalano, Francis\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Robert, Stephanie\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Pozzani, Claudio\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Chan, Jane","Island, Janine","Annett, James","Selinger, Greg","Catalano, Francis","Robert, Stephanie","Pozzani, Claudio"],"Performance_Date":[2013],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"4 audio, 5 images, 2 docs\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"Uploads/1249/Poster for September 22 2013.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital","Digital"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_new/Ian%20Ferrier%20Words%20and%20Music/02%20W%26M%20Shows/2013/Casa%202013%20Show/September%20Show/\",\"file_path\":\"\",\"filename\":\"Set 1 Francis Catalano (lecture anglaise par Ian).wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:22:05\",\"precision\":\"\",\"size\":\"350.7 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_new/Ian%20Ferrier%20Words%20and%20Music/02%20W%26M%20Shows/2013/Casa%202013%20Show/September%20Show/\",\"file_path\":\"\",\"filename\":\"Set 2 Claudio Pozzani (francais par Francis Catalano).wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:14:26\",\"precision\":\"\",\"size\":\"229.1 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_new/Ian%20Ferrier%20Words%20and%20Music/02%20W%26M%20Shows/2013/Casa%202013%20Show/September%20Show/\",\"file_path\":\"\",\"filename\":\"Set 3 Stephanie Robert.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:13:08\",\"precision\":\"\",\"size\":\"208.7 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_new/Ian%20Ferrier%20Words%20and%20Music/02%20W%26M%20Shows/2013/Casa%202013%20Show/September%20Show/\",\"file_path\":\"\",\"filename\":\"Set 4 James Jane Janine.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:33:11\",\"precision\":\"\",\"size\":\"526.9 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_new/Ian%20Ferrier%20Words%20and%20Music/02%20W%26M%20Shows/2013/Casa%202013%20Show/September%20Show/\",\"file_path\":\"\",\"filename\":\"Set 5 Greg Selinger.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:19:29\",\"precision\":\"\",\"size\":\"309.5 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://drive.google.com/file/d/1t1YPaYfvR1jWmcBrUiCI_W2FUlhFoua6/view\",\"file_path\":\"https://drive.google.com/drive/u/2/folders/1_CNeT4C8F-KzegfFjVrVXof4lLe4LEdO\",\"filename\":\"Poster 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\n00:15:43\n\nIan Ferrier \n00:16:30\n\nFrancis Catalano\n00:17:30\n\nIan Ferrier \n00:18:20\n\nFrancis Catalano\n00:19:29\n\nIan Ferrier \n00:20:14\n\nFrancis Catalano\n00:21:01\n\n\nSet 2 Claudio Pozzani (francais par Francis Catalano).wav [File 2 of 5]\n\nClaudio Pozzani\n00:00:00\n\nFrancis Catalano\n00:02:22\n\nClaudio Pozzani\n00:03:45\n\nFrancis Catalano\n00:04:33\n\nClaudio Pozzani\n00:06:17\n\nFrancis Catalano\n00:09:25\n\nClaudio Pozzani\n00:10:39\n\nFrancis Catalano\n00:11:00\n\nClaudio Pozzani\n00:12:10\n\n\nSet 3 Stephanie Robert.wav [File 3 of 5]\n\nStephanie Robert\n00:01:01\n\n\nSet 4 James Jane Janine [File 4 of 5]\n\nJames Jane Janine\n00:00:00\n\n\nSet 5 Greg Selinger.wav [File 5 of 5]\n\nGreg Selinger \n00:00:00"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670548642463744,"timestamp":"2026-01-07T14:59:53.264Z","score":0.01643844},{"id":"1250","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2014-01-19"],"item_title_source":["Cataloguer"],"item_title_note":["Full audio not found"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["Ferrier, Ian","Nomad","Allison, Luna","Tobar, Claudia","Sweet, John Arthur"],"contributors_names_search":["Ferrier, Ian","Nomad","Allison, Luna","Tobar, Claudia","Sweet, John Arthur"],"contributors":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"\",\"name\":\"Nomad\",\"dates\":\"\",\"notes\":\"(band)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Allison, Luna\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Tobar, Claudia\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Sweet, John Arthur\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Nomad","Allison, Luna","Tobar, Claudia","Sweet, John Arthur"],"Presenter_name":["Ferrier, Ian"],"Performance_Date":[2014],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"4 images, 1 doc\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_new/Ian%20Ferrier%20Words%20and%20Music/02%20W%26M%20Shows/2014/January/\",\"file_path\":\"\",\"filename\":\"STE-003 Nomad at Casa 24 bit.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:41:18\",\"precision\":\"\",\"size\":\"655.7 MB \",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2014 01 19\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, QC, H2T 1R6\",\"latitude\":\"45.5222118\",\"longitude\":\" -73.5905321\"}]"],"Address":["4873 St Laurent Blvd, Montreal, QC, H2T 1R6"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"contents":["File 1 of 1 — STE-003 Nomad at Casa 24 bit.wav \n\nNomad\n00:00:00\nPerforms unnamed compositions.\n\nAudience\n00:13:57\nApplause.\n\nUnknown [Performer in Nomad]\n00:14:16\nAddresses audience. \n\nUnknown\n00:14:34\nAmbient Sounds [movement; voices; instruments].\n\nNomad\n00:15:00\nPerforms “Old Feeling”.\n\nAudience\n00:21:43\nApplause.\n\nUnknown [Performer in Nomad]\n00:22:03\nAddresses audience.\n\nUnknown Audience Member \n00:22:21\nAddresses Unknown Performer in Nomad.\n\nUnknown [Performer in Nomad]\n00:22:23\nAddresses audience. Introduces compositions “Take Down” and “Anthem”. \n\nAudience\n00:22:39\nApplause.\n\nUnknown [Performers in Nomad]\n00:22:44\nAddresses audience.\n\nNomad; Chase\n00:22:46\nPerforms “Take Down”.\n\nAudience\n00:31:21\nApplause.\n\nNomad\n00:31:31\nPerforms “Anthem”.\n\nAudience\n00:38:59\nApplause.\n\nUnknown [Performer in Nomad]\n00:39:22\nAdresses audience. Promotes upcoming album.\n\nAudience\n00:39:52\nLaughter. Applause.\n\nIan Ferrier\n00:39:53\nAnnounces performers in Nomad.\n\nJake Wiens\n00:40:00\nAddresses Ian.\n\nUnknown [Performer in Nomad]\n00:40:01\nAddresses Ian.\n\nIan Ferrier\n00:40:02\nResumes announcing performers in Nomad.\n\nAudience\n00:40:13 \nApplause.\n\nIan Ferrier\n00:40:19\nAddresses Nomad. Addresses audience. Promotes Words and Music mailing list and February Words and Music Show.\n\nUnknown\n00:41:02\nSilence [Cut in recording].\n\nEND\n00:41:18\n[End of recording]."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548642463745,"timestamp":"2026-01-07T14:59:53.264Z","score":0.01643844},{"id":"1251","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa del Popolo 2007-06-??"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"contributors_names":["Johnson, John","Montreuil, Chantal","Pednault, Hélène","Desjardin, Maude","Bourgeois, Bernard","Perrault, Christian","Quinn, Richard"],"contributors_names_search":["Johnson, John","Montreuil, Chantal","Pednault, Hélène","Desjardin, Maude","Bourgeois, Bernard","Perrault, Christian","Quinn, Richard"],"contributors":["[{\"url\":\"\",\"name\":\"Johnson, John\",\"dates\":\"\",\"notes\":\"President of Friends of the Westmount Library\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Montreuil, Chantal\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/290159234590503372201\",\"name\":\"Pednault, Hélène\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Desjardin, Maude\",\"dates\":\"\",\"notes\":\"Singer\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Bourgeois, Bernard\",\"dates\":\"\",\"notes\":\"Singer\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Perrault, Christian\",\"dates\":\"\",\"notes\":\"Singer\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Quinn, Richard\",\"dates\":\"\",\"notes\":\"Singer\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Pednault, Hélène","Desjardin, Maude","Bourgeois, Bernard","Perrault, Christian","Quinn, Richard"],"Speaker_name":["Johnson, John","Montreuil, Chantal"],"Performance_Date":[2007],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"Magneto-Optical\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Minidisc"],"physical_compositions":["Magneto-Optical"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2007/06/\",\"file_path\":\"\",\"filename\":\"20092019145724_DN-700R.wav\",\"channel_field\":\"Stereo\",\"sample_rate\":\"96kHz\",\"duration\":\"01:08:48\",\"precision\":\"\",\"size\":\"1.09 GB\",\"bitrate\":\"24\",\"encoding\":\"Waveform\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2007-07-??\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa del Popolo (Montreal)\",\"notes\":\"\",\"address\":\"4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada\",\"latitude\":\"45,5222118\",\"longitude\":\"-73,5905321\"}]"],"Address":["4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada"],"Venue":["Casa del Popolo (Montreal)"],"City":["Montreal, Quebec"],"contents":["20092019145724_DN-700R.wav [File 1 of 1]\n\nJohn Johnson \n00:00:34\n\nChantal Montrey \n00:02:58\n\nIan Ferrier\n00:04:40\n\nElaine Pednau \n00:19:25\n\nMaude Desjardin\n00:38:15\n\nBernard Bourgeois, Christian Perrault, and Richard Quinn\n00:47:30\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548642463746,"timestamp":"2026-01-07T14:59:53.264Z","score":0.01643844},{"id":"1252","cataloger_name":["Masoumeh,Zaare"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["John Wieners at Sir George Williams University, The Poetry Series, 8 October 1966"],"item_title_source":["Catalgouer"],"item_title_note":["\"J. WIENES I006/SR119\" written on sticker on the spine of the tape's box. J. WIENES refers to John Wieners. Wieners is mispelled "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 1"],"item_identifiers":["[]"],"access":["Closed"],"creator_names":["Wieners, John"],"creator_names_search":["Wieners, John"],"creators":["[{\"url\":\" http://viaf.org/viaf/90723960\",\"name\":\"Wieners, John\",\"dates\":\"1934-2002\",\"notes\":\" American poet, playwright and essayist John Wieners was born in Boston on January 6, 1934. In 1934, Wieners earned a B.A. in English from Boston College, and subsequently worked at Harvard University’s Lamont Library. A 1955 poetry reading by Charles Olson inspired Wieners to attend Black Mountain College in North Carolina, where he met and was mentored by Charles Olson and Robert Duncan. After completing studies in 1956, John Wieners moved back to Boston and started Measure, a (short-lived) literary magazine, as well as becoming involved in the Poet’s Theater in Cambridge. At the age of 24, (in 1958) Wieners moved to San Francisco and met Beat Poets Jack Kerouac, Jack Spicer and Allen Ginsberg, and published his first book of poems, The Hotel Wentley Poems (Dave Haselwood Publishing, 1965). John Wieners’ San Francisco journal, The Journal of John Wieners Is To Be Called 707 Scott Street for Billie Holiday, 1959, was published in 1966 by Sun & Moon Press. Wieners wrote plays that were never published during this time, until 1964 when he published Ace of Pentacles (published by James F. Carr & Robert A. Wilson). Charles Olson asked Wieners to be a graduate student and a teaching assistant at the State University of New York at Buffalo in 1965, and Wieners eventually became the university’s chair of poetics, when he left by 1967. John Wieners suffered from mental illness, and was institutionalized for the second time in 1969, where he wrote Asylum Poems (For My Father) (Press of the Black Flag Raised). In 1970, he published Nerves (Cape Goliard Press), an internationally published book of poetry, and between 1967 to 1972, he published six smaller books of poetry. Behind the State Capitol; or, Cincinnati Pike (Good Gay Poets Press) was published in 1975 and thus marked the last of his published poems. John Wieners’ poetry, while highly appraised by Beat Poets, Black Mountain Poets and his peers, did not achieve wide public acclaim or readership. In 1985, however, Selected Poems, 1958-1984 (Black Sparrow Press) was compiled with the help of Robert Creeley and Allen Ginsberg. In the 70’s, John Wieners lived and became involved with anti-war movements and became an activist for gay rights, living at 44 Joy Street in Boston. Becoming more and more reclusive after the mid 70’s, John Wieners died of an apparent stroke on March 1, 2002. Michael Carr edited a posthumous collection of Wiener’s 1971 journals which was published in 2007.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"7 1/2 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"Half-track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"Dates":["[{\"date\":\"1966 10 08\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Previous researcher\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Art Gallery\",\"notes\":\"\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Art Gallery"],"City":["Montreal, Quebec"],"content_notes":["John Wieners reads from Ace of Pentacles (Carr & Wilson, 1964) as well as works published in 1985 in Selected Poems, 1958-1984 (Black Sparrow Press)."],"contents":["john_wieners_i006-11-119.mp3\n\nJohn Wieners\n00:00:00\nReads “Invocation to Summer” [recording begins abruptly].\n \nJohn Wieners\n00:01:09\n\"Invitation Au Voyage: II\". Do you know that poem of Baudelaire's [https://www.wikidata.org/wiki/Q501]? It's something at the end of the world. He’s speaking to his beloved, very simple. You know, lots of the German Romanticism was very simple.\n \nJohn Wieners\n00:01:30\nReads \"Invitation Au Voyage: II\".\n \nJohn Wieners\n00:03:15\nWell let's go back to the old poems then, that have been published. Stuart Montgomery, well it doesn't matter. But that--I can send it off to England [https://www.wikidata.org/wiki/Q21] to the Fulcrum Press [https://www.wikidata.org/wiki/Q5507820] doing a lot of Basil Bunting [https://www.wikidata.org/wiki/Q2886803] and the English poet of 65, resuscitated in America [https://www.wikidata.org/wiki/Q30] again, it's about time.\n \nJohn Wieners\n00:03:44\nReads \"Long Nook\" [from Ace of Pentacles].\n \nJohn Wieners\n00:04:38\nI'll just make random choices. \"At Big Sur\".\n \nJohn Wieners\n00:04:53\nReads \"At Big Sur” [from Ace of Pentacles].\n \nJohn Wieners\n00:05:12\n\"Louise\".\n \nJohn Wieners\n00:05:21\nReads \"Louise\" [from Ace of Pentacles].\n \nJohn Wieners\n00:05:48\n\"The Pool of Light\".\n \nJohn Wieners\n00:05:53\nReads \"The Pool of Light\" [from Ace of Pentacles].\n \nJohn Wieners\n00:06:14\nFor Mari--No, this is “For Marion\".\n \nJohn Wieners\n00:06:19\nReads \"For Marion\" [from Ace of Pentacles].\n \nJohn Wieners\n00:07:05\n“The Mermaid Song”, forgive me for this, I thought the other poems would carry me through, but I'm reading and keeping with the mood for tonight, it seems to be more lyrical. \"The Serpent's Hiss\".\n \nJohn Wieners\n00:07:52\nReads \"The Serpent's Hiss\" [published later in Selected Poems, 1958-1984].\n \nJohn Wieners\n00:08:37\nAnd this is called \"Tuesday, 5 pm\".\n \nJohn Wieners\n00:08:43\nReads \"Tuesday, 5 pm\" [published later as “Tuesday 7:00 PM” in Selected Poems, 1958-1984].\n \nJohn Wieners\n00:10:45\nI'm going to read the \"The Imperatrice\". Ace of Pentacles is a card in the Tarot deck, but the book should be called ‘pente’ which all the words that appeared in a hypnagogic vision, hypnagogic is the state between waking and sleeping, it's what Jung [https://www.wikidata.org/wiki/Q41532] practiced and his Marie Louise Franz would take down the things that came to him in the state between waking and sleeping and the letters ‘pente’ appeared in that state and I didn't know what they meant so I kept hunting around and I made the word 'pinnacles' out of it and somebody said why don't you call it \"Ace of Pinnacles\" and we made a whole thing about the Tarot deck, but that's not the title of the book. It should be ‘pente’ and that's from the Greek  which is ‘wall’. And I'd like have as a fronts piece for the book William Blake's [https://www.wikidata.org/wiki/Q41513] \"The Chimney Sweep\"  [https://www.wikidata.org/wiki/Q2587725] the second version of that from the \"Songs of Experience\" [https://www.wikidata.org/wiki/Q27890603] when he says that my mum and father have gone up to the church to pray and they make a heaven of my misery. That kind of thing. Imperatrice there's another card from the Tarot deck it's the third card of the deck.\n \nJohn Wieners\n00:12:09\nReads \"The Imperatrice\" [published later in Selected Poems, 1958-1984].\n \nJohn Wieners\n00:13:38\nThere is something else I thought I'd like to read after that one. I'll read a poem for Sylvia Plath [https://www.wikidata.org/wiki/Q133054] who was an American poet who married an English man, Ted Hughes [https://www.wikidata.org/wiki/Q272194] and had mental troubles and wrote a novel about it called The Bell Jar [https://www.wikidata.org/wiki/Q1213085] under a pseudonym Victoria Lucas, so not to embarrass her mother, and then things became too much for her and I think in 1963, she did away with herself in London [https://www.wikidata.org/wiki/Q84], and it was a great loss, some people feel that and some do not, they feel that at least--Lowell has written an introduction to her poems posthumously printed called Ariel [https://www.wikidata.org/wiki/Q224733] and her first book was The Colossus [https://www.wikidata.org/wiki/Q29889462]. But Victoria Lucas was, The Bell Jar, was, you could buy it through William Hiderman and it came down from Canada [https://www.wikidata.org/wiki/Q16] to the United States and it's never been printed in the country. This is \"The Suicide\".\n \nJohn Wieners\n00:15:06\nReads \"The Suicide\" [published later in Selected Poems, 1958-1984].\n \nJohn Wieners\n00:16:57\nLet's read some happy poems, I'm getting depressed.\n\nUnknown\n00:17:03\n[Cut or edit made in tape].\n\nJohn Wieners\n00:17:04\nReads \"Ode on a Common Fountain\" [from Ace of Pentacles; recording jumps to mid-poem].\n \nJohn Wieners\n00:19:51\nThat's the first poem, I ever, I was twenty, so that was twelve years ago, that poem was written. Now I can go back--I'm still writing about Acis [https://www.wikidata.org/wiki/Q419156] and Galatea [https://www.wikidata.org/wiki/Q241070] but these are terribly sentimental and distraught, drunken poems, you can call them. Maybe we'll have one more, or is that anything from that first reading that you'd like to hear again? I'd rather not go into it. [Unknown audience member suggests poem. Title unintelligible]. Okay, that's what Spender [https://www.wikidata.org/wiki/Q448764] did say to me, he said you look like a de-frocked priest, so. Which I thought was awfully cruel, but I think I am one, my sister was a nun, I'll be a priest. Poets are priests, you know.\n \nJohn Wieners\n00:20:54\nReads “There are holy orders in life...” [published later in Selected Poems, 1958-1984].\n \nEND\n00:21:42\n"],"Note":["[{\"note\":\"Year-Specific Information:\\n\\n From 1965-67, John Wieners was at State University of New York (SUNY) at Buffalo, either working as a graduate student or as the chair of poetics. At that time, Charles Olson left SUNY in 1966, to be replaced by Robert Creeley. Wieners’ The Journal of John Wieners Is To Be Called 707 Scott Street for Billie Holiday, 1959, was published in 1966.\",\"type\":\"General\"},{\"note\":\"Local Connections:\\n\\nNo direct connections between John Wieners and Sir George Williams University are known, however Wieners was an important poet, connected with poets from both the Black Mountain school and Beat movements. \\n\",\"type\":\"General\"},{\"note\":\"Original transcript, research, introduction and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Ali Barillaro.\",\"type\":\"Cataloguer\"},{\"note\":\"Reel-to-reel tape>CD>digital file (mp3)\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/oxford-encyclopedia-of-american-literature/oclc/769478515&referer=brief_results\",\"citation\":\"Foster, Edward Halsey. \\\"Gay Literature: Poetry and Prose\\\". The Oxford Encyclopedia of American Literature. Jay Parini (ed). Oxford University Press, 2004. \"},{\"url\":\"https://www.independent.co.uk/news/obituaries/john-wieners-9143191.html\",\"citation\":\"Ward, Geoff. “John Joseph Wieners, poet, Jan. 6th 1934 - March 1st 2002”. The Independent, 15 March 2000.\"},{\"url\":\"https://www.worldcat.org/title/ace-of-pentacles-a-new-book-of-poems-by-john-wieners/oclc/702932793?referer=di&ht=edition\",\"citation\":\"Wieners, John. Ace of Pentacles. New York: Carr & Wilson, 1964\"},{\"url\":\"https://www.worldcat.org/title/selected-poems-1958-1984/oclc/743392421&referer=brief_results\",\"citation\":\"Wieners, John. Selected Poems, 1958-1984. Santa Barbara: Black Sparrow Press, 1985.\"},{\"url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/john-wieners-at-sgwu-1966/\",\"citation\":\"Thoms, Kathleen. “Poetry Readings Inaugurated”. The Georgian. Montreal: Sir George Williams University, 10 October 1966, p. 6. \"},{\"url\":\"\",\"citation\":\"“Wieners, John, 1934-”. Literature Online Biography. Literature Online: ProQuest, 2009. \"},{\"url\":\"https://drive.google.com/drive/folders/12H55HcY0pAZtzJ9AmxLabbX2hdjvCaX0\",\"citation\":\"“Poetry Readings”. OP-ED. Montreal: Sir George Williams University, 6 October 1967, page 6. \"}]"],"_version_":1853670548643512320,"timestamp":"2026-01-07T14:59:53.264Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0119_tape.jpg\",\"file_path\":\"My Drive>Sir George Williams TIme-Stamped Transcripts>Spokenweb Tape Case Photos taken by Drew Bernet\",\"filename\":\"I0006_11_0119_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"John Wieners Tape Box - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0119_side.jpg\",\"file_path\":\"My Drive>Sir George Williams TIme-Stamped Transcripts>Spokenweb Tape Case Photos taken by Drew Bernet\",\"filename\":\"I0006_11_0119_side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"John Wieners Tape Box - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0119_front.jpg\",\"file_path\":\"My Drive>Sir George Williams TIme-Stamped Transcripts>Spokenweb Tape Case Photos taken by Drew Bernet\",\"filename\":\"I0006_11_0119_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"John Wieners Tape Box - Front\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0119_back.jpg\",\"file_path\":\"My Drive>Sir George Williams TIme-Stamped Transcripts>Spokenweb Tape Case Photos taken by Drew Bernet\",\"filename\":\"I0006_11_0119_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"John Wieners Tape Box - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/john_wieners_i006-11-119.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"john_wieners_i006-11-119.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:21:42\",\"precision\":\"\",\"size\":\"52.1 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"John Wieners\\n00:00:00\\nReads “Invocation to Summer” [recording begins abruptly].\\n \\nJohn Wieners\\n00:01:09\\n\\\"Invitation Au Voyage: II\\\". Do you know that poem of Baudelaire's [https://www.wikidata.org/wiki/Q501]? It's something at the end of the world. He’s speaking to his beloved, very simple. You know, lots of the German Romanticism was very simple.\\n \\nJohn Wieners\\n00:01:30\\nReads \\\"Invitation Au Voyage: II\\\".\\n \\nJohn Wieners\\n00:03:15\\nWell let's go back to the old poems then, that have been published. Stuart Montgomery, well it doesn't matter. But that--I can send it off to England [https://www.wikidata.org/wiki/Q21] to the Fulcrum Press [https://www.wikidata.org/wiki/Q5507820] doing a lot of Basil Bunting [https://www.wikidata.org/wiki/Q2886803] and the English poet of 65, resuscitated in America [https://www.wikidata.org/wiki/Q30] again, it's about time.\\n \\nJohn Wieners\\n00:03:44\\nReads \\\"Long Nook\\\" [from Ace of Pentacles].\\n \\nJohn Wieners\\n00:04:38\\nI'll just make random choices. \\\"At Big Sur\\\".\\n \\nJohn Wieners\\n00:04:53\\nReads \\\"At Big Sur” [from Ace of Pentacles].\\n \\nJohn Wieners\\n00:05:12\\n\\\"Louise\\\".\\n \\nJohn Wieners\\n00:05:21\\nReads \\\"Louise\\\" [from Ace of Pentacles].\\n \\nJohn Wieners\\n00:05:48\\n\\\"The Pool of Light\\\".\\n \\nJohn Wieners\\n00:05:53\\nReads \\\"The Pool of Light\\\" [from Ace of Pentacles].\\n \\nJohn Wieners\\n00:06:14\\nFor Mari--No, this is “For Marion\\\".\\n \\nJohn Wieners\\n00:06:19\\nReads \\\"For Marion\\\" [from Ace of Pentacles].\\n \\nJohn Wieners\\n00:07:05\\n“The Mermaid Song”, forgive me for this, I thought the other poems would carry me through, but I'm reading and keeping with the mood for tonight, it seems to be more lyrical. \\\"The Serpent's Hiss\\\".\\n \\nJohn Wieners\\n00:07:52\\nReads \\\"The Serpent's Hiss\\\" [published later in Selected Poems, 1958-1984].\\n \\nJohn Wieners\\n00:08:37\\nAnd this is called \\\"Tuesday, 5 pm\\\".\\n \\nJohn Wieners\\n00:08:43\\nReads \\\"Tuesday, 5 pm\\\" [published later as “Tuesday 7:00 PM” in Selected Poems, 1958-1984].\\n \\nJohn Wieners\\n00:10:45\\nI'm going to read the \\\"The Imperatrice\\\". Ace of Pentacles is a card in the Tarot deck, but the book should be called ‘pente’ which all the words that appeared in a hypnagogic vision, hypnagogic is the state between waking and sleeping, it's what Jung [https://www.wikidata.org/wiki/Q41532] practiced and his Marie Louise Franz would take down the things that came to him in the state between waking and sleeping and the letters ‘pente’ appeared in that state and I didn't know what they meant so I kept hunting around and I made the word 'pinnacles' out of it and somebody said why don't you call it \\\"Ace of Pinnacles\\\" and we made a whole thing about the Tarot deck, but that's not the title of the book. It should be ‘pente’ and that's from the Greek  which is ‘wall’. And I'd like have as a fronts piece for the book William Blake's [https://www.wikidata.org/wiki/Q41513] \\\"The Chimney Sweep\\\"  [https://www.wikidata.org/wiki/Q2587725] the second version of that from the \\\"Songs of Experience\\\" [https://www.wikidata.org/wiki/Q27890603] when he says that my mum and father have gone up to the church to pray and they make a heaven of my misery. That kind of thing. Imperatrice there's another card from the Tarot deck it's the third card of the deck.\\n \\nJohn Wieners\\n00:12:09\\nReads \\\"The Imperatrice\\\" [published later in Selected Poems, 1958-1984].\\n \\nJohn Wieners\\n00:13:38\\nThere is something else I thought I'd like to read after that one. I'll read a poem for Sylvia Plath [https://www.wikidata.org/wiki/Q133054] who was an American poet who married an English man, Ted Hughes [https://www.wikidata.org/wiki/Q272194] and had mental troubles and wrote a novel about it called The Bell Jar [https://www.wikidata.org/wiki/Q1213085] under a pseudonym Victoria Lucas, so not to embarrass her mother, and then things became too much for her and I think in 1963, she did away with herself in London [https://www.wikidata.org/wiki/Q84], and it was a great loss, some people feel that and some do not, they feel that at least--Lowell has written an introduction to her poems posthumously printed called Ariel [https://www.wikidata.org/wiki/Q224733] and her first book was The Colossus [https://www.wikidata.org/wiki/Q29889462]. But Victoria Lucas was, The Bell Jar, was, you could buy it through William Hiderman and it came down from Canada [https://www.wikidata.org/wiki/Q16] to the United States and it's never been printed in the country. This is \\\"The Suicide\\\".\\n \\nJohn Wieners\\n00:15:06\\nReads \\\"The Suicide\\\" [published later in Selected Poems, 1958-1984].\\n \\nJohn Wieners\\n00:16:57\\nLet's read some happy poems, I'm getting depressed.\\n\\nUnknown\\n00:17:03\\n[Cut or edit made in tape].\\n\\nJohn Wieners\\n00:17:04\\nReads \\\"Ode on a Common Fountain\\\" [from Ace of Pentacles; recording jumps to mid-poem].\\n \\nJohn Wieners\\n00:19:51\\nThat's the first poem, I ever, I was twenty, so that was twelve years ago, that poem was written. Now I can go back--I'm still writing about Acis [https://www.wikidata.org/wiki/Q419156] and Galatea [https://www.wikidata.org/wiki/Q241070] but these are terribly sentimental and distraught, drunken poems, you can call them. Maybe we'll have one more, or is that anything from that first reading that you'd like to hear again? I'd rather not go into it. [Unknown audience member suggests poem. Title unintelligible]. Okay, that's what Spender [https://www.wikidata.org/wiki/Q448764] did say to me, he said you look like a de-frocked priest, so. Which I thought was awfully cruel, but I think I am one, my sister was a nun, I'll be a priest. Poets are priests, you know.\\n \\nJohn Wieners\\n00:20:54\\nReads “There are holy orders in life...” [published later in Selected Poems, 1958-1984].\\n \\nEND\\n00:21:42\",\"notes\":\"John Wieners reads from Ace of Pentacles (Carr & Wilson, 1964) as well as works published in 1985 in Selected Poems, 1958-1984 (Black Sparrow Press).\\n\\n00:00- Reading “Invitation to Summer” [recording does not start at beginning of poem]\\n01:09- Introduces “Invitation Au Voyage” [INDEX: German Romanticism]\\n01:30- Reads “Invitation Au Voyage”\\n03:15- Introduces “Long Nook” [Howard Fink list “One Look”] [INDEX: Stuart Montgommery, Fulcrum Press, Basil Bunting]\\n03:44- Reads “Long Nook”\\n04:38- Introduces “At Big Sur”\\n04:53- Reads “At Big Sur”\\n05:12- Introduces “Louise”\\n05:21- Reads “Louise”\\n05:48- Introduces “The Pool of Light”\\n05:53- Reads “The Pool of Light”\\n06:14- Introduces “Not For Marion” [Howard Fink List “I have found her snow white in my head”]\\n06:19- Reads “For Marion”\\n07:05- Introduces “The Serpent’s Hiss”\\n07:52- Reads “The Serpent’s Hiss”\\n08:37- Introduces “Tuesday, 5 pm” [published as “Tuesday 7:00 PM”]\\n08:43- Reads “Tuesday, 5 pm”\\n10:45- Introduces “Imperatrice” [INDEX: Ace of Pentacles, Tarot, hypnogogic, Karl Yung, Marie Louise Franz, William Blake’s “The Chimney Sweep”, “Songs of Experience”]\\n12:09- Reads “Imperatrice”\\n13:38- Introduces “The Suicide” [INDEX: Sylvia Plath, Ted Hughes, mental illness, The Bell Jar 1963, Ariel, The Colossus, Victoria Lucas, William Hiderman]\\n15:06- Reads “The Suicide”\\n17:04- Introduces unknown poem, mid-sentence “About your pipes and mouth...” [Howard Fink first line “In patience wait the flooding...”]\\n19:51- Introduces unknown poem “I was born to be a priest...” [Howard Fink first line “There are holy orders in life...] [INDEX: Asis, Galatea, Spender]\\n20:54- Reads unknown poem\\n21:24.91- END OF RECORDING\\n\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/john-wieners-at-sgwu-1966/\"}]"],"score":0.01643844},{"id":"1253","cataloger_name":["Mahtab,Banihashemi"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":[" Margaret Atwood at Sir George Williams University, The Poetry Series, 18 October 1974"],"item_title_source":["Cataloguer"],"item_title_note":["\"MARGARET ATWOOD\" written on the spine of the tape's box. \"I006-11-008\" written on sticker on the reel. \"MARGARET ATWOOD 5780 H. FINK ENGLISH 18-10-74 Weisman Gallery OP-Gvadnay?\" written on the front of the tape's box"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_identifiers":["[]"],"access":["Closed"],"creator_names":["Atwood, Margaret"],"creator_names_search":["Atwood, Margaret"],"creators":["[{\"url\":\"http://viaf.org/viaf/109322990\",\"name\":\"Atwood, Margaret\",\"dates\":\"1939-\",\"notes\":\"Internationally acclaimed novelist, poet, critic and activist Margaret Atwood was born in Ottawa, Ontario, November 18, 1939. She lived in Ottawa until 1946, when her family settled in Leaside, a suburb of Toronto. Atwood entered Victoria College, University of Toronto, graduating with honours in 1961. Her first published collection of short stories was Double Persephone (Hawkshead Press, 1961). By 1962 she had received her MA in English from Radcliffe College in the United States, working on further graduate work at Harvard University between 1962-3 and in 1965-7. Atwood published her second collection, The Circle Game (Anansi, 1966), which won the Governor General Award for Poetry. She wrote articles and reviews for Alphabet, Canadian Literature and Poetry among other publications, and poems for Kayak, Quarry and the Tamarack Review. Poems published in her book The Animals in That Country (Oxford University Press, 1968) won first prize in Canada’s 1967 Centennial Commission poetry competition. In 1970, she published three books, Procedures for Underground (Oxford University Press), Time, and The Journals of Susanna Moodie (Oxford University Press). Between 1971 and 1973, Atwood worked as an editor and on the board of directors for the House of Anansi press in Toronto, which in 1972 published Power Politics. Upon the discovery at Harvard that there was no published critical study of Canadian literature, she herself wrote and published Survival: A Thematic Guide to Canadian Literature (Anansi, 1971), which created a stir of controversy, but by 1982 it had sold more than 85,000 copies. Since 1973, she has lived with novelist and activist Graeme Gibson, producing one daughter, Eleanor Jess in 1967. Atwood taught and lectured at several Universities across Canada, the US and Australia, including University of British Columbia, University of Alberta, Sir George Williams University (now Concordia) (1967-68) and at York University, Toronto. A selection of her publications include Surfacing (Simon & Schuster, 1972), You Are Happy (Harper & Row, 1974), Selected Poems (Oxford University Press) in 1976, Two-Headed Poems (Simon & Schuster, 1978), True Stories (Oxford University Press, 1981) and Second Words (Anansi, 1982). Her 1985 novel, The Handmaid’s Tale (McClelland & Stewart) became one of her most popular and critically acclaimed works. In 1986 she was appointed the Berg Chair at New York University, as well as serving as writer-in-residence at several other Universities. She co-founded and served as chair to the Writer’s Union of Canada in 1982-3, and served as president of the Canadian Centre of International PEN from 1984-6. She has subsequently published dozens of books, including Cat’s Eye (McClelland & Stewart, 1988), The Robber Bride (Doubleday, 1993), Alias Grace (Nan A. Talese, 1996), The Blind Assassin (Nan A. Talese, 2000), Oryx and Crake (2003), The Penelopiad (Canongate, 2005) and The Tent (Bloomsbury, 2006). Along with many other publications of her critical essays, Curious Pursuits: Occasional Writing 1970-2005 (Verago) came out in 2005. Her many prizes and honours include the Booker Prize, the E.J. Pratt Medal (1961), The Radcliffe Medal (1980), the Commonwealth Writers Prize (1992), and she is a Companion of the Order of Canada. Atwood continues to work as spokesperson on behalf of human rights and the environment.\",\"nation\":[],\"role\":[\"Author\",\"Performer\",\"Speaker\"]}]"],"contributors_names":["Beissel, Henry, 1929-","Francis, Wynne","Fink, Howard,"],"contributors_names_search":["Beissel, Henry, 1929-","Francis, Wynne","Fink, Howard,"],"contributors":["[{\"url\":\"http://viaf.org/viaf/5489879/#Beissel,_Henry\",\"name\":\"Beissel, Henry, 1929-\",\"dates\":\"1929-\",\"notes\":\"Identity of this speaker confirmed in oral history interviews by Jason Camlot with Henry Beissel (over zoom), conducted on 2020-03-27 and 2020-05-05.\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/77926194\",\"name\":\"Francis, Wynne\",\"dates\":\"1918-2000\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/6332801\",\"name\":\"Fink, Howard, \",\"dates\":\"1934-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Speaker\"]}]"],"Presenter_name":["Beissel, Henry, 1929-","Francis, Wynne"],"Series_organizer_name":["Francis, Wynne","Fink, Howard, "],"Speaker_name":["Fink, Howard, "],"Performance_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"Notes on tape box include: CENTRE FOR INSTRUCTIONAL TECHNOLOGY; Prod. No: 5789; Professor/Initiator H. Fink; DEPT. English; venue noted is Weisman Gallery; Op. [operator or recordist] G Uadnay [?]; check box indicates this is MASTER of the recording (not a copy); \",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Cardboard tape box\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"Dates":["[{\"date\":\"1974 10 18\",\"type\":\"Performance Date\",\"notes\":\"Date written on the front of the tape's box. This date was confirmed in. the Oct 18, 1974 issue of The Georgian.\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Weismann Art Gallery\",\"notes\":\"Location written on the front of the tape's box indicates the venue was the Weisman Gallery.\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Weismann Art Gallery"],"City":["Montreal, Quebec"],"content_notes":["Margaret Atwood reads from You Are Happy (Oxford University Press, 1974) and Power Politics (Anansi, 1971). Atwood also answers audience questions about her work. "],"contents":["margaret_atwood_i006-11-008.mp3\n\nHenry Beissel\n00:00:00\nOne moment... problem that we have here at Sir George [https://www.wikidata.org/wiki/Q326342]. We did try to get a larger hall but it was impossible. To accommodate the overflow, we have set up loudspeakers in the little gallery here, Howard, and in the other one too?\n \nHoward Fink\n00:00:21\nOutside.\n \nHenry Beissel\n00:00:22\nOutside, there are loudspeakers. So please don't all crowd into the room. If you are going to lean against the paintings, we shall never be able to get this room again for poetry readings. Because this, this is a gallery which belongs to the Fine Arts department, we had great difficulty getting it, these paintings are very precious, particularly to the artists themselves [audience laughter]. I would ask you please to stay away from the paintings. That must have been the artist [audience laughter]. We are also waiting for the arrival of someone else, so please be patient. Howard--[audience laughter] can you ask the security people to turn on the cooling system, the hall is going to be too hot.\n \nUnknown\n00:01:22\nAmbient Sound [voices].\n \nHenry Beissel\n00:01:25\nWe may get 927.\n \nMargaret Atwood\n00:01:30\nWhat do you mean, we may, I think they're also--okay. What would you like to do? Let us stay here or move?\n \nAudience\n00:01:41\nStay here.\n \nMargaret Atwood\n00:01:44\nOkay, with the people, there are some people who are at the back of the door, there is some space up here at the front if you'd like to come up.\n \nHenry Beissel\n00:01:54\nNo more than ten.\n \nMargaret Atwood\n00:01:58\nAbout ten. It'll make more room at the back too...If everybody on the chairs would shift over this way, um, and sit on, sort of as if it were a bench, then some more people can sit on the edges there. Or just move the chairs all that way. Move the rows forward. They're all shifting over anyway. Could you all move your chairs forward to make the rows as close together as possible. Okay, it's alright. \n\nUnknown\n00:03:17\nAmbient Sound [voices].\n\nMargaret Atwood\n00:04:41\nThere are these uhh--woohoo--there are these speakers outside and you might be more comfortable if you went out and listened over the speakers, some of the people are really jammed in there. I don't see any reason why this thing should resemble a steam bath, for all of us. If you're--what? what?...I don't think I can, what is it that they do? [Audience laughter].\n \nWynne Francis\n00:05:19\n[Laughter]. Miss Atwood [https://www.wikidata.org/wiki/Q183492] has just upstaged the introducer. Good evening ladies and gentlemen. It's not often that an artist excels in two medium such as poetry and fiction as our guest tonight does. Miss Atwood's reputation as a superior poet was established in the 60's with her first collections, The Circle Game [https://www.wikidata.org/wiki/Q7723073] and The Animals in that Country [https://www.wikidata.org/wiki/Q7713834]. And while continuing to write fine poetry, six major collections to date, she's given  us two novels in the last five years, The Edible Woman [https://www.wikidata.org/wiki/Q7731579] and Surfacing. With the second novel, published late in 1972, within a few months of a controversial work of criticism, Margaret Atwood became one of Canada's [https://www.wikidata.org/wiki/Q16] best known literary artists. The hypothesis of Survival, a study of patterns in Canadian lit is that Canadians see themselves as victims. I was remind of Survival recently when I came across a nineteenth-century curiosity written by one John McTaggart [https://www.wikidata.org/wiki/Q463553]. It was a book published in London [https://www.wikidata.org/wiki/Q84] in 19-- excuse me--1829. McTaggart wrote \"There's a melancholy which is peculiar to Canadians which must be combatted. People who labor under it must be encouraged, the soothing language, good treatment and now and then as circumstances require, a little assistance gratis as a stimulant.\" McTaggart's third point about the helpful effects of a little assistance as a recent theory has been taken up by the Canada Council [https://www.wikidata.org/wiki/Q2993809], to whom we are in part indebted for her appearance tonight. Margaret Atwood's work constitutes an exploration of what it means to be a Canadian, to be a woman and to be a human being. She writes about our totems, our tapestry of manners, our progressive insanities. She taught at Sir George in 67-68, and it's a great pleasure to have her return to us tonight. After her reading, she'll be open to questions from the audience. Ladies and gentlemen, Margaret Atwood.\n\nAudience\n00:07:27\nApplause [cuts out briefly].\n\nMargaret Atwood\n00:07:38\nLet's see now, if the mic starts to get funny, let me know...Too loud?...Not too loud, I'm afraid it isn't a very good mic and also I'm afraid I'm going to have to hold it the whole time which is a bore...I don't think it'll work very well, is that better? Does that work? Higher? Lower? Okay, how's that? Okay, I'm going to read entirely from my new book which is called \"This is\"--oh, what is it called? [audience laughter]. It's called You Are Happy. Somebody who has been photographing me says that a friend of hers was in a bookstore and picked out this book and thought at first that this was one of these \"I'm Okay, You're Okay\" books. Until I saw who wrote it. [Audience laughter]. But it has a happy ending, you'll be pleased to know. And I'm going to begin at the beginning and end at the end. Skipping portions along the way. I'm also going to make this reading fairly short because we are all in this rather constricted situation. I used to tell people when people in the States [https://www.wikidata.org/wiki/Q30] used to ask me “do you live in an igloo” and other questions like that, I used to think to myself that being a Canadian was sort of like living in a chicken coop in the middle of the desert. That everybody was all together in one place but there are these huge spaces around. I wish that  we had been provided with one of them. [Audience laughter]. I have a chicken coop, and you're nicer. But there are more of you. I think we will all have to be very, very patient, unlike the chickens. I'm going to begin by reading a poem called \"Newsreel: Man and Firing Squad\".\n \nMargaret Atwood\n00:10:04\nReads \"Newsreel: Man and Firing Squad\" from You Are Happy.\n \nMargaret Atwood\n00:11:42\nReads \"Useless\" from You Are Happy.\n \nMargaret Atwood\n00:12:35\nThis is--the image in this next poem comes from, begins with the fact that I have a sheep and one of them died. The poem is called \"November\".\n \nMargaret Atwood\n00:12:48\nReads \"November\" from You Are Happy.\n \nMargaret Atwood\n00:13:52\nReads \"Repent\" from You Are Happy.\n \nMargaret Atwood\n00:14:47\n\"Tricks with Mirrors\". How are you doing? Is it hot and steamy? Has anybody died yet?\n \nMargaret Atwood\n00:15:05\nReads \"Tricks with Mirrors\" from You Are Happy.\n \nMargaret Atwood\n00:17:45\nThis is the title poem, \"You Are Happy\".\n \nMargaret Atwood\n00:17:50\nReads \"You are Happy\" from You Are Happy.\n \nMargaret Atwood\n00:18:48\nReads \"First Prayer\" from You Are Happy.\n \nMargaret Atwood\n00:20:25\n\"Is / Not: 1\". Oh boy, is it ever hot in here. I can't stand it. Light. I wonder if we could--well, then I can't see, you see. I wonder if we could turn off--would it be better if we turn off those lights that are grilling you over there...I could what?...Where's the light switch anyway? Howard, turn off the lights?...Well, maybe in a few minutes the lights will go off. Where did…\n\nUnknown\n00:21:36\n[Cut or edit made in tape. Unknown amount of time elapsed]. \n\nMargaret Atwood\n00:21:37\nHooray, wonderful. Actually, there's a light under here. It's like the Saturday movies [audience laughter]. No, I can read with this, yeah. Maybe I'll just read a little something else here, because it's the Saturday Movies.\n \nMargaret Atwood\n00:22:18\nReads [\"You take my hand\" from Power Politics; audience laughter throughout].\n \nMargaret Atwood\n00:23:13\nAnd since we were talking about the war between Superman [https://www.wikidata.org/wiki/Q79015] and Captain Marvel [https://www.wikidata.org/wiki/Q534153] at dinner, my favourite was Plastic Man [https://www.wikidata.org/wiki/Q746838], but that was an esoteric taste. I'll read this one.\n \nMargaret Atwood\n00:23:28\nReads \"They Eat Out\" [from Power Politics].\n \nMargaret Atwood\n00:24:44\nI go to--I can't resist this. This is from the new book, it's called \"Siren Song\". Students of Seventeenth Century Literature are always asking themselves and each other, what song the sirens sang, and this is the ultimate answer.\n \nMargaret Atwood\n00:25:06\nReads \"Siren Song\" from You Are Happy.\n \nMargaret Atwood\n00:26:12\nThe imminent critic, Allen Pearson, who was once known when he lived in Montreal [https://www.wikidata.org/wiki/Q340] as the Montreal Poet, now that he lives in Toronto [https://www.wikidata.org/wiki/Q172], he's probably known as the Toronto Poet, says the following: \"Siren Song tells how boring it is for a woman to be obliged to attract men by appealing to them for help\". [Audience laughter]. Um, since I'm on the subject of people in capes and costumes, I'll read...\n \nUnknown\n00:26:56\n[Cut or edit made in tape. Unknown amount of time elapsed].\n\nAnnotation\n00:26:57\nReads [untitled poem from the “Circle/Mud Poems” section in You Are Happy].\n \nMargaret Atwood\n00:28:20\nReads \"Is / Not\" from You Are Happy.\n \nMargaret Atwood\n00:30:37\nI think I'd better read just three more poems, before we all die. The first one is called \"There is Only One of Everything\".\n \nMargaret Atwood\n00:30:54\nReads \"There is Only One of Everything\" from You Are Happy.\n \nMargaret Atwood\n00:32:30\nReads \"Late August\" from You Are Happy.\n \nMargaret Atwood\n00:33:26\nThis is the last poem, called \"Book of Ancestors\".\n \nMargaret Atwood\n00:33:33\nReads \"Book of Ancestors\" from You Are Happy. \n \nAudience\n00:36:31\nApplause [cuts out briefly].\n\nWynne Francis\n00:36:47\nThank you, it's really not so hot if you sit still. Miss Atwood is prepared to discuss, for a little while.\n \nMargaret Atwood\n00:37:04\nIf you would like to, uh, I can't see a thing of course, I can sort of see hands if you stick them up and wave them around. Would that be better than turning back on the lights which I'd prefer not to do?\n \nWynne Francis\n00:37:22\nThere's no way we can get mics in the audience, so please speak loudly.\n \nMargaret Atwood\n00:37:23\nI see a hand.\n \nAudience Member 1\n00:37:28\nHow did your nickname of a witch get originated?\n \nMargaret Atwood\n00:37:30\nHow did my nickname of a witch? Are you referring to the speech I gave the other night at Loyola? Oh, it's, I was talking about a couple of reviews, that seemed to credit me with having these supernatural powers, you know, the ability to hypnotize my readers and things like that, and what I was saying was that in fact I don't in fact possess the powers of hypnotism or I'd use them on my bank manager and be quite rich. Um, I was talking about a pattern that seems to crop up from time to time in a certain kind of review usually written by men. [Audience laughter]. I heard that there were a couple of people in the audience at Loyola who before the speech, were convinced that I was a witch and that I was going to talk about witchcraft, and when I said that I wasn't one, they left. [Audience laughter]. You see, if I were a witch, I wouldn't be able to wear the cross. So that's how you can tell I'm not. Wards off vampires. Um, yes?\n \nAudience Member 2\n00:38:54\nUm, [unintelligible] and as well as the Edible Woman, I seem to get this idea of an emergence from greyness, or darkness and I was wondering if it's through this emergence from greyness that you have any reference to Blake [https://www.wikidata.org/wiki/Q41513] in his emergence from chaos.\n \nMargaret Atwood\n00:39:17\nI'll be very flattered, if I did. I'm afraid I suffer by the comparison. I think that you're right in spotting it, I think I would say that it's more like this, that if you want to think in terms of colour, that you start with a grey, and then you go down. Down into, well, it depends on the poem or the book or whatever of what's happening in your life. And, but you have to go down before you come up again otherwise you stay just in the grey part. If you want a real pattern for this, it's Dante's [https://www.wikidata.org/wiki/Q1067] Inferno [https://www.wikidata.org/wiki/Q4509219], where the man starts in a wandering wood, you know he starts in a kind of state of being lost, and then he goes down into hell. The further down he goes the more tortured souls he sees, but when he gets right to the bottom he finds that he's going up again. And then he comes out the other side.\n \nAudience Member 2\n00:40:19\nYeah, but, in this other side-ness in the Edible Woman you come up through colours, a very [unintelligible] of colours and I was wondering if this is the complete emergence of man?\n \nMargaret Atwood\n00:40:29\nNot complete--I would say no, no beginning.\n \nAudience Member 2\n00:40:32\n[Unintelligible] complete--into his universal aspect, but into an emergence of man. Into the colours of life.\n \nMargaret Atwood\n00:40:39\nYour choice of the word 'man' is interesting. Since the heroine is a woman. [Audience laughter and applause]. Um, I think you have the pattern right. I wouldn't like to attach any sort of universal meaning to it.\n \nAudience Member 2\n00:40:56\nNo I'm not attaching a universal meaning, I'm attaching more or less a universal meaning to the colour of darkness or greyness.\n \nMargaret Atwood\n00:41:04\nNo, that's right, you're correct. Yes.\n \nAudience Member 2\n00:41:07\nI'm not trying to express a universal meaning into these colours, this is where you're taking it wrong.\n \nMargaret Atwood\n00:41:14\nWell, I'm not too sure what we're talking about  to tell you the truth. You've spotted a correct pattern and I'm not too sure how one interprets it because I don't like to be the critic of  my own work in a way if you know what I mean. Yes.\n \nAudience Member 3\n00:41:34\nI know you're writing a screenplay for [unintelligible]. Will it ever become a film?\n \nMargaret Atwood\n00:41:39\nWill it ever? Let's see now, I finished it at the end of July. Now, what is--the stages of making a film are these: first somebody takes out an option on it, which means they pay you X dollars to have the sole right to try to make the movie for a certain period of time. If they fail to make it to renew the option or to require the rights at the end of that period, you get it back and you can then sell it to anybody else or back to them if you want. That's different from buying the rights which means they've got it. And you can't get it back. An option has been taken out, a script has been written. They are now doing whatever it is they do, who knows. To try to put together what is called a package, that is, they try to interest a director or they pick out a director and they try to put a director together with a script together with some money. And that's all going on, I don't know what's happening with it because they don't tell. Yes.\n \nAudience Member 4\n00:42:42\nAre those people American or Canadian?\n \nMargaret Atwood\n00:42:47\nThese people are. [Audience laughter]. Once upon a time there was an English Canadian film industry. Not very hard. I mean it's trying very hard but not many results are being had. And I wanted very much to make Surfacing in Canada with Canadian everything, but I was about two years too late. And also Canadians are quite timmerus about this book because they said “well, it'll never be able to sell a film in the States” because of all that strange American symbolism in it. They--the two people I'm working with are two American independent producers, not to be confused with MGM [https://www.wikidata.org/wiki/Q179200], who want to make the book as it is, that is, they like the book, they want to be faithful to it, they don't want to transport it to Maine [https://www.wikidata.org/wiki/Q724] or wherever and make it into an American film, which of course you couldn't do without ruining the symbolic pattern. They want to make it in Canada, they want to put in all that stuff because they say “wow, dynamite”. [Audience laughter]. They're not worried about selling it in the States. So that's how we're proceeding right now and we have not yet had a falling out on any of the crucial matters such as what's in the screenplay. And so that's been fine. They would like to make it here. And what stage they're at right now I don't know. Now if they don't put it together, then I get it back and then I have another go. And I'll try it ‘round Canada again, once more, and I'll probably with the same results--\n \nAudience Member 4\n00:44:26\nYou have tried?\n \nMargaret Atwood\n00:44:30\nOh yes, everybody tries. I've written four or five screenplays, none of them have been made. They've all been for Canadians. One thing has happened, I got one television play done, but of course everything you do for the CBC [https://www.wikidata.org/wiki/Q461761] pretty well gets done. [Audience laughter]. As you know. I wrote a screenplay for Edible Woman that didn't get done. I wrote one for Marie-Claire Blais [https://www.wikidata.org/wiki/Q298358], Mad Shadows, we had high hopes for that, that was a Canadian director, Canadian producer all the rest of it. No deal. Film development corporations said it wasn't commercial enough. I mean, you don't go outside before you've been through it for a while. It's a problem that novelists used to face when trying to get their novels published here.\n \nWynne Francis\n00:45:22\nI'd like to ask a question, and I can't see what competition I've got, I can't see anything out there. On Wednesday at Loyola, you gave comic tags to some of your critical opponents taken from Koestler [https://www.wikidata.org/wiki/Q78494], Yogis and Komisars are critics that are formalists and culturally and politically aware and I wondered, do you see the ideal critic or type of criticism as combining these two?\n \nMargaret Atwood\n00:45:51\nWell, I think that people have certain talents, you know, and they should exercise what talents they have, and that all kinds of criticism should be available to the reader. I don't think that every critic has to do everything, I think that would be asking a singer to be a dancer. \n \nWynne Francis\n00:46:08\nI remember you saying it was good to have both kinds, I wondered if you think they could be combined?\n \nAudience Member 5\n00:46:16\nIs it possible that the body of knowledge turns into the knowing body?\n \nMargaret Atwood\n00:46:20\nIs it possible that the body of knowledge turns into the knowing body? Um, I'll let you answer that. If such a person could do it, I'd like to see it, I've never seen anybody who could do both at the same time. Frye [https://www.wikidata.org/wiki/Q354256], for instance, does one kind in one book and then another kind in another book, but he usually doesn't usually do them both in the same book. I would say that Yogi-ism is necessary to be able to read a poem, just period pure and simple. To see what is happening in it. But Komasarism is necessary to place it in a larger context. Why not do both? Yes, I see. Back there, you\n \nAudience Member 6\n00:47:08\nDo you think that Quebec [https://www.wikidata.org/wiki/Q176] is a part of Canada?\n \nMargaret Atwood\n00:47:09\nOh that's such a good question.\n \nAudience Member 6\n00:47:11\nDo you think that a Quebecois is a Canadian?\n \nMargaret Atwood\n00:47:15\nI think I'll leave that to the Quebecois to decide for themselves. They're the people concerned. [Audience applause]. I was talking with one not so long ago, Marie-Claire Blais, and I asked her that question. I said, “well, what do you think of yourself as? Do you think of yourself as a Quebecoise? or a Canadian? or a North-American, or part of Western European culture or a universalist?” And she said, “I am from Quebec”. [Audience laughter]. Does that answer your question? Yes.\n \nAudience Member  7\n00:47:58\nWhat is your opinion of the introductions in the New Canadian Library [https://www.wikidata.org/wiki/Q16998703] Series?\n \nMargaret Atwood\n00:48:03\nWell, they vary. [Audience laughter]. Do you mean the one? Well, I thought that it was, it was like a, well, the only thing I can think of is something fairly vulgar, um, but I don't mean that I think it was bad. I mean that I think it was quite a ponderous organization, being brought to bear on what I consider to be a fairly light piece of writing. That is, at the front of my book, I have a quotation from the Joy of Cooking which tells how to make puff pastry. And then I have you know, critical sort of, really big critical apparatus coming in and talking about the symbolic structuring and the this and the that, and I think it's nice, I'm glad to know about those things, but [audience laughter] it's somehow, I thought my novel was a bit more comic than that. If you know what I mean.\n \nAudience Member 8\n00:49:09\nYeah, I wanted to ask a question. Yeah, I was wondering to what degree you consider yourself to be an ironist because you're talking about [unintelligible] irony, it seems to me that irony is the point I’m most attracted to in your work anyway.\n \nMargaret Atwood\n00:49:22\nYeah, well, you can have both of course, as a matter of fact you usually do.\n \nAudience Member 8\n00:49:31\nYou were talking about anger, and \"permit me the present tense\" kind of thing, seems to me that that was ironic.\n \nMargaret Atwood\n00:49:41\nAmbigu--it has a double meaning. But that's not always irony, I think irony has been...Well, somebody defined irony as a kind of literature in which the reader knows more about what's going on with the character than the character knows himself, shall we say. So, yes, of course, I think that happens in an awful lot of modern literature. Yes.\n \nAudience Member 9\n00:50:14\nI understand you're working on Survival Two?\n \nMargaret Atwood\n00:50:16\nNot working, exactly.\n \nAudience Member 9\n00:50:22\nI was wondering whether you could, or would like to elaborate on that.\n \nMargaret Atwood\n00:50:25\nYeah, okay. There was to have been something called Survival Two, which was to have been this really dynamite anthology. Which would have incorporated many of the short pieces mentioned in Survival, plus other ones that were appropriate and we did assemble this and then we had it priced as to how much it would cost for permissions and how much it would cost us to print it and it was just astronomically expensive. So we had to shelf that, and that was what Survival Two was to have been. Now I'll probably publish the proposed table of contents sometime and you can see what would have been in it. [Audience laughter]. You know, but a small publisher cannot afford to do this kind of thing. However, I am, I won't say working on because I'm working on it in the same sense that I'm working on my Ph.D. thesis, what I'm really doing is writing a novel. But I will, should I live that long, write a second edition of Survival, in which I hope to have five new chapters and additions to the ones that already exist. I think the thing about Survival that sometimes gets forgotten was that it was based on what was available in paperback at the time. A lot more things are available in paperback now, we have General Publishing coming on the scene, with Paper Jacks,  and New Canadian Library expanding itself and Macmillan's [https://www.wikidata.org/wiki/Q2108217] paperbacks expanding. So there's just a lot more around that you can put in and also new books have been published that I would like to talk about and I've discovered older ones that I didn't know about before. So, all of these things, plus a new introduction and maybe a few things at the back, I would like to do. However, I'm not quite ready to do it yet. I took a kind of holiday after I finished Survival One, and I'm still in that, it's a holiday devoted to writing other things. Yes,\n \nAudience Member 10\n00:52:30\nWho are your favourite poets?\n \nMargaret Atwood\n00:52:33\nI tend to have favourite poems, rather than favourite poets, but I can tell you the names of some people who've written some of my favourite poems. One of them is Margaret Avison [https://www.wikidata.org/wiki/Q6759152], one of them is P.K. Page [https://www.wikidata.org/wiki/Q2755960], they're poems by all kinds of people that I really like, for instance, I really like some of A.M. Klein's [https://www.wikidata.org/wiki/Q2778027] poems. I think they're just super. And more modern people, for instance, Michael Ondaatje [https://www.wikidata.org/wiki/Q313593], I like his work, Al Purdy [https://www.wikidata.org/wiki/Q4704621] I was reading in the early to middle Sixties, Doug Jones [https://www.wikidata.org/wiki/Q5203595] at that time. It covers a very wide range. I'm a kind of omnivorous reader, I'll read anything, including the backs of Cornflake boxes, so that you just never know, and it also changes, you know, because you read somebody for a while and then you've done that so you go and read somebody else.\n\nAudience Member 10\n00:53:31\n[Unintelligible].\n\nMargaret Atwood\n00:53:33\nOh yeah, I get various little magazines come floating in through the mail to me, for some reason. And right now, for instance, I'm reading a lot of Adrienne Rich [https://www.wikidata.org/wiki/Q270705], because I'm about to write a review of her latest book. This kind of thing, I mean it varies from month to month. If you ask me the same question in January the question would be different...Yeah.\n \nAudience Member 11\n00:54:02\n[Unintelligible] Is Surfacing more than vaguely autobiographical?\n \nMargaret Atwood\n00:54:11\nIt's vaguely, if you're talking about the plot--no. The setting, yes, and this is generally true of fiction, that people write from a setting that they know. They generally create characters out of some people that they've known plus they throw things in and invent them and make mosaics out of various things and the characters are fictional. The plot is usually a total invention. I mean, my parents are still alive and well, all of that. No, I have never been a paranoid schizophrenic with amnesia. [Audience laughter]. And as for the Edible Woman, I've never gone off food, but all kinds of other people have. You know, they come up to me and say, “Gee, how did you know the story of my life” and “that's happened to me and let me tell you it was awful, I used to throw up on busses”. I was kind of shocked, actually, I thought it was all a big comic invention of my own. I see one waving at the back.\n \nAudience Member 12\n00:55:20\nUm, excuse me, would you say that you base your characters on some type of psychological background?\n \nMargaret Atwood\n00:55:25\nUm, I try to make them believable insofar as it will fit the plot. That is, I try to make what they do believable to myself, but they have to do what they do if you see what I mean. Yes.\n \nAudience Member 13\n00:55:46\nWould you say the Edible Woman is a comical invention of your own?\n \nMargaret Atwood\n00:55:49\nI said I thought it was, yeah.\n \nAudience Member 13\n00:55:51\nWell, how would you define that, as a comedy?\n \nMargaret Atwood\n00:55:54\nOh, okay, if you wanna be technical. Um, the Edible Woman is actually an anti-comedy. Because a comedy is a form in which usually a young couple goes through a series of misadventures and blokings and gets married at the end. Now in the Edible Woman, a young couple goes through a series of misadventures and blokings and somebody else gets married at the end. [Audience laughter]. Yes. \n \nAudience Member 14\n00:56:24\nCould you tell us anything about the novel you're writing now?\n \nMargaret Atwood\n00:56:26\nNot a thing, that's my one superstition--well, it's one of my superstitions. I can't talk about work that I'm doing, it uses up the energy. It's true. Yeah.\n \nAudience Member 15\n00:56:41\nI read the Edible Woman right after reading a book by Robertson Davies [https://www.wikidata.org/wiki/Q545375], about [unintelligible].\n \nMargaret Atwood\n00:56:49\nOkay, the question is I read the Edible Woman right after reading a book by Robertson Davies, Fifth Business [https://www.wikidata.org/wiki/Q5447489]?\n \nAudience Member 15\n00:56:58\nNo, an earlier book.\n \nMargaret Atwood\n00:57:00\nManticore [https://www.wikidata.org/wiki/Q7750230]?\n \nAudience Member 15\n00:57:00\nIt was a comedy\n \nMargaret Atwood\n00:57:01\nOh, okay.\n \nAudience Member 15\n00:57:02\nAbout a couple in a town [unintelligible] resolve it and they get married. And I wondered why he wasn't mentioned in Survival at all.\n \nMargaret Atwood\n00:57:15\nWell, I think probably because I wasn't doing humour and I wasn't doing magic. But since I am doing humour and magic in the next two chapters, then he will be in those. Samuel Marchbanks [https://www.wikidata.org/wiki/Q7412104] will be in under humour and Fifth Business and Manticore will be in under magic. I find the magician figure in Fifth Business very interesting from this particular advantage point. Why do Canadian magicians have to disguise themselves as foreigners in order to be thought of as magic. [Audience laughter.] You find this in Gwen MacEwen [https://www.wikidata.org/wiki/Q4276487] too. Specifically in the book called No Man.\n \nAudience Member 16\n00:58:04\nIs that a novel?\n \nMargaret Atwood\n00:58:04\nIt is a series of short stories, but there's sort of a central one in which you have the same pattern. Okay, let's have one more if there is one more. There isn't one more, there's one more.\n \nAudience Member 17\n00:58:22\nUm, the poems that you read tonight, would you consider those the best or the most significant ones from your collection, and if neither of those things, why did you select the ones that you read? The reason that I've asked that is because I've read your latest book quite carefully and I think that you read the, some of the best poems from it. I was wondering if you thought they were some of the best poems.\n \nMargaret Atwood\n00:58:45\nYeah. I think that one of the best things in it is section number three, but that consists of twenty four poems, which seem to me to be too long. I read some of them that I like quite a lot, yes, this is true, but I left out some others that I also like quite a lot because it seemed to me that they were too long and at this particular night anyway I felt that I should get through as quickly as possible because we were all stifling to death. Um, and with that I think that I will now end the question period and we can all go out and have a drink of water. \n\nAudience\n00:59:24\nApplause [cuts out briefly].\n \nWynne Francis\n00:59:38\nI'd just like to thank Margaret Atwood very much for being with us tonight--\n\nAudience\n00:59:40\nLaughter.\n \nEND\n00:59:46\n"],"Note":["[{\"note\":\"Year-Specific Information:\\n\\nIn 1974, Atwood was living in Alliston, Ontario and had finished a year as the writer-in-residence at the University of Toronto. You Are Happy came out in 1974, and she was working on collecting her Selected Poems which were published in 1976.\",\"type\":\"General\"},{\"note\":\"Local Connections:\\n\\nAtwood became an important award-winning poet and critic in Canada by the late 60‘s. Sir George Williams’ English Department hired Atwood in 1967 as an English lecturer, after she had graduated from Harvard. \",\"type\":\"General\"},{\"note\":\"Additional research and edits by Ali Barillaro\",\"type\":\"Cataloguer\"},{\"note\":\"Reel-to-reel tape>CD>digital file\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"http://margaretatwood.ca/index.php>\",\"citation\":\"Atwood, Margaret.  Margaret Atwood Website. June 29, 2010. \\n\"},{\"url\":\"https://www.worldcat.org/title/selected-poems/oclc/977851868&referer=brief_results\",\"citation\":\"Atwood, Margaret. Selected Poems. Toronto: Oxford University Press, 1977.\"},{\"url\":\"https://www.worldcat.org/title/selected-poems-1965-1975/oclc/455883593&referer=brief_results\",\"citation\":\"Atwood, Margaret. Selected poems, 1965-1975. Toronto: Oxford University Press, 1976. \"},{\"url\":\"https://www.worldcat.org/title/the-circle-game/oclc/1007821877&referer=brief_results\",\"citation\":\"Atwood, Margaret. The Circle Game. Toronto: House of Anansi, 1966. \"},{\"url\":\"https://www.worldcat.org/title/power-politics/oclc/1043970047&referer=brief_results\",\"citation\":\"Atwood, Margaret. Power Politics. Toronto: Anansi, 1971. \"},{\"url\":\"https://www.worldcat.org/title/you-are-happy/oclc/878900780&referer=brief_results\",\"citation\":\"Atwood, Margaret. You are Happy. Toronto: Oxford University Press, 1974.\"},{\"url\":\"https://www.worldcat.org/title/contemporary-canadian-poem-anthology/oclc/802667762&referer=brief_results\",\"citation\":\"Bowering, George, ed. The Contemporary Canadian Poem Anthology. Toronto: Coach House Press, 1984. \"},{\"url\":\"https://www.worldcat.org/title/encyclopedia-of-post-colonial-literatures-in-english-volume-1/oclc/636622714&referer=brief_results\",\"citation\":\"Findley, Timothy. “Atwood, Margaret (1939-)”. Routledge Encyclopedia of Post-Colonial         Literatures in English. Benson, Eugene; L.W. Connolly (eds). London: Routledge, 1994. 2 vols.\"},{\"url\":\"https://www.worldcat.org/title/15-canadian-poets-times-2/oclc/622296707&referer=brief_results\",\"citation\":\"Geddes, Gary (ed). Fifteen Canadian Poets Times Two. Toronto: Oxford University Press, 1988.\"},{\"url\":\"https://www.worldcat.org/title/poets-of-contemporary-canada-1960-1970-edited-and-with-an-introduction-by-eli-mandel/oclc/1202953921&referer=brief_results\",\"citation\":\"Mandel, Eli (ed). Poets of Contemporary Canada 1960-1970. Montreal: McClelland and Stewart, 1972. \"},{\"url\":\"https://www.worldcat.org/title/encyclopedia-of-the-novel/oclc/807436716&referer=brief_results\",\"citation\":\"Rowland, Susan. “Margaret Atwood 1939- (Canadian)”. Encyclopedia of the Novel. Schellinger, Paul (ed.); Christopher Hudson, Marijke Rijsberman (asst. eds.). Chicago: Fitzroy Dearborn Publishers, 1998. 2 vols. \"},{\"url\":\"http://news.google.com/newspapers?id=waYtAAAAIBAJ&sjid=u58FAAAAIBAJ&pg=7250,4345207&dq=sir+george+williams+poetry&hl=en\",\"citation\":\"Stephens, Anna. “Poetry- Anywhere, Anytime”. Montreal: The Gazette. 20 October 1967, page 10. \"},{\"url\":\"\",\"citation\":\"Kibble, Matthew. “Atwood, Margaret Eleanor, 1939-”. Literature Online biography. Proquest Information and Learning Company, H.W. Wilson Company, 2006. \"}]"],"_version_":1853670548644560896,"timestamp":"2026-01-07T14:59:53.264Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006-11-0008_tape.jpg\",\"file_path\":\"My Drive>Sir George Williams TIme-Stamped Transcripts>Spokenweb Tape Case Photos taken by Drew Bernet\",\"filename\":\"I0006-11-0008_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Margaret Atwood Tape Box - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006-11-0008_front.jpg\",\"file_path\":\"My Drive>Sir George Williams TIme-Stamped Transcripts>Spokenweb Tape Case Photos taken by Drew Bernet\",\"filename\":\"I0006-11-0008_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"notes\":\"\",\"title\":\"Margaret Atwood Tape Box - Front\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006-11-0008_back.jpg\",\"file_path\":\"My Drive>Sir George Williams TIme-Stamped Transcripts>Spokenweb Tape Case Photos taken by Drew Bernet\",\"filename\":\"I0006-11-0008_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Margaret Atwood Tape Box - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/margaret_atwood_i006-11-008.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"margaret_atwood_i006-11-008.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:59:46\",\"precision\":\"\",\"size\":\"143.5 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"margaret_atwood_i006-11-008.mp3\\n\\nHenry Beissel\\n00:00:00\\nOne moment... problem that we have here at Sir George [https://www.wikidata.org/wiki/Q326342]. We did try to get a larger hall but it was impossible. To accommodate the overflow, we have set up loudspeakers in the little gallery here, Howard, and in the other one too?\\n \\nHoward Fink\\n00:00:21\\nOutside.\\n \\nHenry Beissel\\n00:00:22\\nOutside, there are loudspeakers. So please don't all crowd into the room. If you are going to lean against the paintings, we shall never be able to get this room again for poetry readings. Because this, this is a gallery which belongs to the Fine Arts department, we had great difficulty getting it, these paintings are very precious, particularly to the artists themselves [audience laughter]. I would ask you please to stay away from the paintings. That must have been the artist [audience laughter]. We are also waiting for the arrival of someone else, so please be patient. Howard--[audience laughter] can you ask the security people to turn on the cooling system, the hall is going to be too hot.\\n \\nUnknown\\n00:01:22\\nAmbient Sound [voices].\\n \\nHenry Beissel\\n00:01:25\\nWe may get 927.\\n \\nMargaret Atwood\\n00:01:30\\nWhat do you mean, we may, I think they're also--okay. What would you like to do? Let us stay here or move?\\n \\nAudience\\n00:01:41\\nStay here.\\n \\nMargaret Atwood\\n00:01:44\\nOkay, with the people, there are some people who are at the back of the door, there is some space up here at the front if you'd like to come up.\\n \\nHenry Beissel\\n00:01:54\\nNo more than ten.\\n \\nMargaret Atwood\\n00:01:58\\nAbout ten. It'll make more room at the back too...If everybody on the chairs would shift over this way, um, and sit on, sort of as if it were a bench, then some more people can sit on the edges there. Or just move the chairs all that way. Move the rows forward. They're all shifting over anyway. Could you all move your chairs forward to make the rows as close together as possible. Okay, it's alright. \\n\\nUnknown\\n00:03:17\\nAmbient Sound [voices].\\n\\nMargaret Atwood\\n00:04:41\\nThere are these uhh--woohoo--there are these speakers outside and you might be more comfortable if you went out and listened over the speakers, some of the people are really jammed in there. I don't see any reason why this thing should resemble a steam bath, for all of us. If you're--what? what?...I don't think I can, what is it that they do? [Audience laughter].\\n \\nWynne Francis\\n00:05:19\\n[Laughter]. Miss Atwood [https://www.wikidata.org/wiki/Q183492] has just upstaged the introducer. Good evening ladies and gentlemen. It's not often that an artist excels in two medium such as poetry and fiction as our guest tonight does. Miss Atwood's reputation as a superior poet was established in the 60's with her first collections, The Circle Game [https://www.wikidata.org/wiki/Q7723073] and The Animals in that Country [https://www.wikidata.org/wiki/Q7713834]. And while continuing to write fine poetry, six major collections to date, she's given  us two novels in the last five years, The Edible Woman [https://www.wikidata.org/wiki/Q7731579] and Surfacing. With the second novel, published late in 1972, within a few months of a controversial work of criticism, Margaret Atwood became one of Canada's [https://www.wikidata.org/wiki/Q16] best known literary artists. The hypothesis of Survival, a study of patterns in Canadian lit is that Canadians see themselves as victims. I was remind of Survival recently when I came across a nineteenth-century curiosity written by one John McTaggart [https://www.wikidata.org/wiki/Q463553]. It was a book published in London [https://www.wikidata.org/wiki/Q84] in 19-- excuse me--1829. McTaggart wrote \\\"There's a melancholy which is peculiar to Canadians which must be combatted. People who labor under it must be encouraged, the soothing language, good treatment and now and then as circumstances require, a little assistance gratis as a stimulant.\\\" McTaggart's third point about the helpful effects of a little assistance as a recent theory has been taken up by the Canada Council [https://www.wikidata.org/wiki/Q2993809], to whom we are in part indebted for her appearance tonight. Margaret Atwood's work constitutes an exploration of what it means to be a Canadian, to be a woman and to be a human being. She writes about our totems, our tapestry of manners, our progressive insanities. She taught at Sir George in 67-68, and it's a great pleasure to have her return to us tonight. After her reading, she'll be open to questions from the audience. Ladies and gentlemen, Margaret Atwood.\\n\\nAudience\\n00:07:27\\nApplause [cuts out briefly].\\n\\nMargaret Atwood\\n00:07:38\\nLet's see now, if the mic starts to get funny, let me know...Too loud?...Not too loud, I'm afraid it isn't a very good mic and also I'm afraid I'm going to have to hold it the whole time which is a bore...I don't think it'll work very well, is that better? Does that work? Higher? Lower? Okay, how's that? Okay, I'm going to read entirely from my new book which is called \\\"This is\\\"--oh, what is it called? [audience laughter]. It's called You Are Happy. Somebody who has been photographing me says that a friend of hers was in a bookstore and picked out this book and thought at first that this was one of these \\\"I'm Okay, You're Okay\\\" books. Until I saw who wrote it. [Audience laughter]. But it has a happy ending, you'll be pleased to know. And I'm going to begin at the beginning and end at the end. Skipping portions along the way. I'm also going to make this reading fairly short because we are all in this rather constricted situation. I used to tell people when people in the States [https://www.wikidata.org/wiki/Q30] used to ask me “do you live in an igloo” and other questions like that, I used to think to myself that being a Canadian was sort of like living in a chicken coop in the middle of the desert. That everybody was all together in one place but there are these huge spaces around. I wish that  we had been provided with one of them. [Audience laughter]. I have a chicken coop, and you're nicer. But there are more of you. I think we will all have to be very, very patient, unlike the chickens. I'm going to begin by reading a poem called \\\"Newsreel: Man and Firing Squad\\\".\\n \\nMargaret Atwood\\n00:10:04\\nReads \\\"Newsreel: Man and Firing Squad\\\" from You Are Happy.\\n \\nMargaret Atwood\\n00:11:42\\nReads \\\"Useless\\\" from You Are Happy.\\n \\nMargaret Atwood\\n00:12:35\\nThis is--the image in this next poem comes from, begins with the fact that I have a sheep and one of them died. The poem is called \\\"November\\\".\\n \\nMargaret Atwood\\n00:12:48\\nReads \\\"November\\\" from You Are Happy.\\n \\nMargaret Atwood\\n00:13:52\\nReads \\\"Repent\\\" from You Are Happy.\\n \\nMargaret Atwood\\n00:14:47\\n\\\"Tricks with Mirrors\\\". How are you doing? Is it hot and steamy? Has anybody died yet?\\n \\nMargaret Atwood\\n00:15:05\\nReads \\\"Tricks with Mirrors\\\" from You Are Happy.\\n \\nMargaret Atwood\\n00:17:45\\nThis is the title poem, \\\"You Are Happy\\\".\\n \\nMargaret Atwood\\n00:17:50\\nReads \\\"You are Happy\\\" from You Are Happy.\\n \\nMargaret Atwood\\n00:18:48\\nReads \\\"First Prayer\\\" from You Are Happy.\\n \\nMargaret Atwood\\n00:20:25\\n\\\"Is / Not: 1\\\". Oh boy, is it ever hot in here. I can't stand it. Light. I wonder if we could--well, then I can't see, you see. I wonder if we could turn off--would it be better if we turn off those lights that are grilling you over there...I could what?...Where's the light switch anyway? Howard, turn off the lights?...Well, maybe in a few minutes the lights will go off. Where did…\\n\\nUnknown\\n00:21:36\\n[Cut or edit made in tape. Unknown amount of time elapsed]. \\n\\nMargaret Atwood\\n00:21:37\\nHooray, wonderful. Actually, there's a light under here. It's like the Saturday movies [audience laughter]. No, I can read with this, yeah. Maybe I'll just read a little something else here, because it's the Saturday Movies.\\n \\nMargaret Atwood\\n00:22:18\\nReads [\\\"You take my hand\\\" from Power Politics; audience laughter throughout].\\n \\nMargaret Atwood\\n00:23:13\\nAnd since we were talking about the war between Superman [https://www.wikidata.org/wiki/Q79015] and Captain Marvel [https://www.wikidata.org/wiki/Q534153] at dinner, my favourite was Plastic Man [https://www.wikidata.org/wiki/Q746838], but that was an esoteric taste. I'll read this one.\\n \\nMargaret Atwood\\n00:23:28\\nReads \\\"They Eat Out\\\" [from Power Politics].\\n \\nMargaret Atwood\\n00:24:44\\nI go to--I can't resist this. This is from the new book, it's called \\\"Siren Song\\\". Students of Seventeenth Century Literature are always asking themselves and each other, what song the sirens sang, and this is the ultimate answer.\\n \\nMargaret Atwood\\n00:25:06\\nReads \\\"Siren Song\\\" from You Are Happy.\\n \\nMargaret Atwood\\n00:26:12\\nThe imminent critic, Allen Pearson, who was once known when he lived in Montreal [https://www.wikidata.org/wiki/Q340] as the Montreal Poet, now that he lives in Toronto [https://www.wikidata.org/wiki/Q172], he's probably known as the Toronto Poet, says the following: \\\"Siren Song tells how boring it is for a woman to be obliged to attract men by appealing to them for help\\\". [Audience laughter]. Um, since I'm on the subject of people in capes and costumes, I'll read...\\n \\nUnknown\\n00:26:56\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n\\nAnnotation\\n00:26:57\\nReads [untitled poem from the “Circle/Mud Poems” section in You Are Happy].\\n \\nMargaret Atwood\\n00:28:20\\nReads \\\"Is / Not\\\" from You Are Happy.\\n \\nMargaret Atwood\\n00:30:37\\nI think I'd better read just three more poems, before we all die. The first one is called \\\"There is Only One of Everything\\\".\\n \\nMargaret Atwood\\n00:30:54\\nReads \\\"There is Only One of Everything\\\" from You Are Happy.\\n \\nMargaret Atwood\\n00:32:30\\nReads \\\"Late August\\\" from You Are Happy.\\n \\nMargaret Atwood\\n00:33:26\\nThis is the last poem, called \\\"Book of Ancestors\\\".\\n \\nMargaret Atwood\\n00:33:33\\nReads \\\"Book of Ancestors\\\" from You Are Happy. \\n \\nAudience\\n00:36:31\\nApplause [cuts out briefly].\\n\\nWynne Francis\\n00:36:47\\nThank you, it's really not so hot if you sit still. Miss Atwood is prepared to discuss, for a little while.\\n \\nMargaret Atwood\\n00:37:04\\nIf you would like to, uh, I can't see a thing of course, I can sort of see hands if you stick them up and wave them around. Would that be better than turning back on the lights which I'd prefer not to do?\\n \\nWynne Francis\\n00:37:22\\nThere's no way we can get mics in the audience, so please speak loudly.\\n \\nMargaret Atwood\\n00:37:23\\nI see a hand.\\n \\nAudience Member 1\\n00:37:28\\nHow did your nickname of a witch get originated?\\n \\nMargaret Atwood\\n00:37:30\\nHow did my nickname of a witch? Are you referring to the speech I gave the other night at Loyola? Oh, it's, I was talking about a couple of reviews, that seemed to credit me with having these supernatural powers, you know, the ability to hypnotize my readers and things like that, and what I was saying was that in fact I don't in fact possess the powers of hypnotism or I'd use them on my bank manager and be quite rich. Um, I was talking about a pattern that seems to crop up from time to time in a certain kind of review usually written by men. [Audience laughter]. I heard that there were a couple of people in the audience at Loyola who before the speech, were convinced that I was a witch and that I was going to talk about witchcraft, and when I said that I wasn't one, they left. [Audience laughter]. You see, if I were a witch, I wouldn't be able to wear the cross. So that's how you can tell I'm not. Wards off vampires. Um, yes?\\n \\nAudience Member 2\\n00:38:54\\nUm, [unintelligible] and as well as the Edible Woman, I seem to get this idea of an emergence from greyness, or darkness and I was wondering if it's through this emergence from greyness that you have any reference to Blake [https://www.wikidata.org/wiki/Q41513] in his emergence from chaos.\\n \\nMargaret Atwood\\n00:39:17\\nI'll be very flattered, if I did. I'm afraid I suffer by the comparison. I think that you're right in spotting it, I think I would say that it's more like this, that if you want to think in terms of colour, that you start with a grey, and then you go down. Down into, well, it depends on the poem or the book or whatever of what's happening in your life. And, but you have to go down before you come up again otherwise you stay just in the grey part. If you want a real pattern for this, it's Dante's [https://www.wikidata.org/wiki/Q1067] Inferno [https://www.wikidata.org/wiki/Q4509219], where the man starts in a wandering wood, you know he starts in a kind of state of being lost, and then he goes down into hell. The further down he goes the more tortured souls he sees, but when he gets right to the bottom he finds that he's going up again. And then he comes out the other side.\\n \\nAudience Member 2\\n00:40:19\\nYeah, but, in this other side-ness in the Edible Woman you come up through colours, a very [unintelligible] of colours and I was wondering if this is the complete emergence of man?\\n \\nMargaret Atwood\\n00:40:29\\nNot complete--I would say no, no beginning.\\n \\nAudience Member 2\\n00:40:32\\n[Unintelligible] complete--into his universal aspect, but into an emergence of man. Into the colours of life.\\n \\nMargaret Atwood\\n00:40:39\\nYour choice of the word 'man' is interesting. Since the heroine is a woman. [Audience laughter and applause]. Um, I think you have the pattern right. I wouldn't like to attach any sort of universal meaning to it.\\n \\nAudience Member 2\\n00:40:56\\nNo I'm not attaching a universal meaning, I'm attaching more or less a universal meaning to the colour of darkness or greyness.\\n \\nMargaret Atwood\\n00:41:04\\nNo, that's right, you're correct. Yes.\\n \\nAudience Member 2\\n00:41:07\\nI'm not trying to express a universal meaning into these colours, this is where you're taking it wrong.\\n \\nMargaret Atwood\\n00:41:14\\nWell, I'm not too sure what we're talking about  to tell you the truth. You've spotted a correct pattern and I'm not too sure how one interprets it because I don't like to be the critic of  my own work in a way if you know what I mean. Yes.\\n \\nAudience Member 3\\n00:41:34\\nI know you're writing a screenplay for [unintelligible]. Will it ever become a film?\\n \\nMargaret Atwood\\n00:41:39\\nWill it ever? Let's see now, I finished it at the end of July. Now, what is--the stages of making a film are these: first somebody takes out an option on it, which means they pay you X dollars to have the sole right to try to make the movie for a certain period of time. If they fail to make it to renew the option or to require the rights at the end of that period, you get it back and you can then sell it to anybody else or back to them if you want. That's different from buying the rights which means they've got it. And you can't get it back. An option has been taken out, a script has been written. They are now doing whatever it is they do, who knows. To try to put together what is called a package, that is, they try to interest a director or they pick out a director and they try to put a director together with a script together with some money. And that's all going on, I don't know what's happening with it because they don't tell. Yes.\\n \\nAudience Member 4\\n00:42:42\\nAre those people American or Canadian?\\n \\nMargaret Atwood\\n00:42:47\\nThese people are. [Audience laughter]. Once upon a time there was an English Canadian film industry. Not very hard. I mean it's trying very hard but not many results are being had. And I wanted very much to make Surfacing in Canada with Canadian everything, but I was about two years too late. And also Canadians are quite timmerus about this book because they said “well, it'll never be able to sell a film in the States” because of all that strange American symbolism in it. They--the two people I'm working with are two American independent producers, not to be confused with MGM [https://www.wikidata.org/wiki/Q179200], who want to make the book as it is, that is, they like the book, they want to be faithful to it, they don't want to transport it to Maine [https://www.wikidata.org/wiki/Q724] or wherever and make it into an American film, which of course you couldn't do without ruining the symbolic pattern. They want to make it in Canada, they want to put in all that stuff because they say “wow, dynamite”. [Audience laughter]. They're not worried about selling it in the States. So that's how we're proceeding right now and we have not yet had a falling out on any of the crucial matters such as what's in the screenplay. And so that's been fine. They would like to make it here. And what stage they're at right now I don't know. Now if they don't put it together, then I get it back and then I have another go. And I'll try it ‘round Canada again, once more, and I'll probably with the same results--\\n \\nAudience Member 4\\n00:44:26\\nYou have tried?\\n \\nMargaret Atwood\\n00:44:30\\nOh yes, everybody tries. I've written four or five screenplays, none of them have been made. They've all been for Canadians. One thing has happened, I got one television play done, but of course everything you do for the CBC [https://www.wikidata.org/wiki/Q461761] pretty well gets done. [Audience laughter]. As you know. I wrote a screenplay for Edible Woman that didn't get done. I wrote one for Marie-Claire Blais [https://www.wikidata.org/wiki/Q298358], Mad Shadows, we had high hopes for that, that was a Canadian director, Canadian producer all the rest of it. No deal. Film development corporations said it wasn't commercial enough. I mean, you don't go outside before you've been through it for a while. It's a problem that novelists used to face when trying to get their novels published here.\\n \\nWynne Francis\\n00:45:22\\nI'd like to ask a question, and I can't see what competition I've got, I can't see anything out there. On Wednesday at Loyola, you gave comic tags to some of your critical opponents taken from Koestler [https://www.wikidata.org/wiki/Q78494], Yogis and Komisars are critics that are formalists and culturally and politically aware and I wondered, do you see the ideal critic or type of criticism as combining these two?\\n \\nMargaret Atwood\\n00:45:51\\nWell, I think that people have certain talents, you know, and they should exercise what talents they have, and that all kinds of criticism should be available to the reader. I don't think that every critic has to do everything, I think that would be asking a singer to be a dancer. \\n \\nWynne Francis\\n00:46:08\\nI remember you saying it was good to have both kinds, I wondered if you think they could be combined?\\n \\nAudience Member 5\\n00:46:16\\nIs it possible that the body of knowledge turns into the knowing body?\\n \\nMargaret Atwood\\n00:46:20\\nIs it possible that the body of knowledge turns into the knowing body? Um, I'll let you answer that. If such a person could do it, I'd like to see it, I've never seen anybody who could do both at the same time. Frye [https://www.wikidata.org/wiki/Q354256], for instance, does one kind in one book and then another kind in another book, but he usually doesn't usually do them both in the same book. I would say that Yogi-ism is necessary to be able to read a poem, just period pure and simple. To see what is happening in it. But Komasarism is necessary to place it in a larger context. Why not do both? Yes, I see. Back there, you\\n \\nAudience Member 6\\n00:47:08\\nDo you think that Quebec [https://www.wikidata.org/wiki/Q176] is a part of Canada?\\n \\nMargaret Atwood\\n00:47:09\\nOh that's such a good question.\\n \\nAudience Member 6\\n00:47:11\\nDo you think that a Quebecois is a Canadian?\\n \\nMargaret Atwood\\n00:47:15\\nI think I'll leave that to the Quebecois to decide for themselves. They're the people concerned. [Audience applause]. I was talking with one not so long ago, Marie-Claire Blais, and I asked her that question. I said, “well, what do you think of yourself as? Do you think of yourself as a Quebecoise? or a Canadian? or a North-American, or part of Western European culture or a universalist?” And she said, “I am from Quebec”. [Audience laughter]. Does that answer your question? Yes.\\n \\nAudience Member  7\\n00:47:58\\nWhat is your opinion of the introductions in the New Canadian Library [https://www.wikidata.org/wiki/Q16998703] Series?\\n \\nMargaret Atwood\\n00:48:03\\nWell, they vary. [Audience laughter]. Do you mean the one? Well, I thought that it was, it was like a, well, the only thing I can think of is something fairly vulgar, um, but I don't mean that I think it was bad. I mean that I think it was quite a ponderous organization, being brought to bear on what I consider to be a fairly light piece of writing. That is, at the front of my book, I have a quotation from the Joy of Cooking which tells how to make puff pastry. And then I have you know, critical sort of, really big critical apparatus coming in and talking about the symbolic structuring and the this and the that, and I think it's nice, I'm glad to know about those things, but [audience laughter] it's somehow, I thought my novel was a bit more comic than that. If you know what I mean.\\n \\nAudience Member 8\\n00:49:09\\nYeah, I wanted to ask a question. Yeah, I was wondering to what degree you consider yourself to be an ironist because you're talking about [unintelligible] irony, it seems to me that irony is the point I’m most attracted to in your work anyway.\\n \\nMargaret Atwood\\n00:49:22\\nYeah, well, you can have both of course, as a matter of fact you usually do.\\n \\nAudience Member 8\\n00:49:31\\nYou were talking about anger, and \\\"permit me the present tense\\\" kind of thing, seems to me that that was ironic.\\n \\nMargaret Atwood\\n00:49:41\\nAmbigu--it has a double meaning. But that's not always irony, I think irony has been...Well, somebody defined irony as a kind of literature in which the reader knows more about what's going on with the character than the character knows himself, shall we say. So, yes, of course, I think that happens in an awful lot of modern literature. Yes.\\n \\nAudience Member 9\\n00:50:14\\nI understand you're working on Survival Two?\\n \\nMargaret Atwood\\n00:50:16\\nNot working, exactly.\\n \\nAudience Member 9\\n00:50:22\\nI was wondering whether you could, or would like to elaborate on that.\\n \\nMargaret Atwood\\n00:50:25\\nYeah, okay. There was to have been something called Survival Two, which was to have been this really dynamite anthology. Which would have incorporated many of the short pieces mentioned in Survival, plus other ones that were appropriate and we did assemble this and then we had it priced as to how much it would cost for permissions and how much it would cost us to print it and it was just astronomically expensive. So we had to shelf that, and that was what Survival Two was to have been. Now I'll probably publish the proposed table of contents sometime and you can see what would have been in it. [Audience laughter]. You know, but a small publisher cannot afford to do this kind of thing. However, I am, I won't say working on because I'm working on it in the same sense that I'm working on my Ph.D. thesis, what I'm really doing is writing a novel. But I will, should I live that long, write a second edition of Survival, in which I hope to have five new chapters and additions to the ones that already exist. I think the thing about Survival that sometimes gets forgotten was that it was based on what was available in paperback at the time. A lot more things are available in paperback now, we have General Publishing coming on the scene, with Paper Jacks,  and New Canadian Library expanding itself and Macmillan's [https://www.wikidata.org/wiki/Q2108217] paperbacks expanding. So there's just a lot more around that you can put in and also new books have been published that I would like to talk about and I've discovered older ones that I didn't know about before. So, all of these things, plus a new introduction and maybe a few things at the back, I would like to do. However, I'm not quite ready to do it yet. I took a kind of holiday after I finished Survival One, and I'm still in that, it's a holiday devoted to writing other things. Yes,\\n \\nAudience Member 10\\n00:52:30\\nWho are your favourite poets?\\n \\nMargaret Atwood\\n00:52:33\\nI tend to have favourite poems, rather than favourite poets, but I can tell you the names of some people who've written some of my favourite poems. One of them is Margaret Avison [https://www.wikidata.org/wiki/Q6759152], one of them is P.K. Page [https://www.wikidata.org/wiki/Q2755960], they're poems by all kinds of people that I really like, for instance, I really like some of A.M. Klein's [https://www.wikidata.org/wiki/Q2778027] poems. I think they're just super. And more modern people, for instance, Michael Ondaatje [https://www.wikidata.org/wiki/Q313593], I like his work, Al Purdy [https://www.wikidata.org/wiki/Q4704621] I was reading in the early to middle Sixties, Doug Jones [https://www.wikidata.org/wiki/Q5203595] at that time. It covers a very wide range. I'm a kind of omnivorous reader, I'll read anything, including the backs of Cornflake boxes, so that you just never know, and it also changes, you know, because you read somebody for a while and then you've done that so you go and read somebody else.\\n\\nAudience Member 10\\n00:53:31\\n[Unintelligible].\\n\\nMargaret Atwood\\n00:53:33\\nOh yeah, I get various little magazines come floating in through the mail to me, for some reason. And right now, for instance, I'm reading a lot of Adrienne Rich [https://www.wikidata.org/wiki/Q270705], because I'm about to write a review of her latest book. This kind of thing, I mean it varies from month to month. If you ask me the same question in January the question would be different...Yeah.\\n \\nAudience Member 11\\n00:54:02\\n[Unintelligible] Is Surfacing more than vaguely autobiographical?\\n \\nMargaret Atwood\\n00:54:11\\nIt's vaguely, if you're talking about the plot--no. The setting, yes, and this is generally true of fiction, that people write from a setting that they know. They generally create characters out of some people that they've known plus they throw things in and invent them and make mosaics out of various things and the characters are fictional. The plot is usually a total invention. I mean, my parents are still alive and well, all of that. No, I have never been a paranoid schizophrenic with amnesia. [Audience laughter]. And as for the Edible Woman, I've never gone off food, but all kinds of other people have. You know, they come up to me and say, “Gee, how did you know the story of my life” and “that's happened to me and let me tell you it was awful, I used to throw up on busses”. I was kind of shocked, actually, I thought it was all a big comic invention of my own. I see one waving at the back.\\n \\nAudience Member 12\\n00:55:20\\nUm, excuse me, would you say that you base your characters on some type of psychological background?\\n \\nMargaret Atwood\\n00:55:25\\nUm, I try to make them believable insofar as it will fit the plot. That is, I try to make what they do believable to myself, but they have to do what they do if you see what I mean. Yes.\\n \\nAudience Member 13\\n00:55:46\\nWould you say the Edible Woman is a comical invention of your own?\\n \\nMargaret Atwood\\n00:55:49\\nI said I thought it was, yeah.\\n \\nAudience Member 13\\n00:55:51\\nWell, how would you define that, as a comedy?\\n \\nMargaret Atwood\\n00:55:54\\nOh, okay, if you wanna be technical. Um, the Edible Woman is actually an anti-comedy. Because a comedy is a form in which usually a young couple goes through a series of misadventures and blokings and gets married at the end. Now in the Edible Woman, a young couple goes through a series of misadventures and blokings and somebody else gets married at the end. [Audience laughter]. Yes. \\n \\nAudience Member 14\\n00:56:24\\nCould you tell us anything about the novel you're writing now?\\n \\nMargaret Atwood\\n00:56:26\\nNot a thing, that's my one superstition--well, it's one of my superstitions. I can't talk about work that I'm doing, it uses up the energy. It's true. Yeah.\\n \\nAudience Member 15\\n00:56:41\\nI read the Edible Woman right after reading a book by Robertson Davies [https://www.wikidata.org/wiki/Q545375], about [unintelligible].\\n \\nMargaret Atwood\\n00:56:49\\nOkay, the question is I read the Edible Woman right after reading a book by Robertson Davies, Fifth Business [https://www.wikidata.org/wiki/Q5447489]?\\n \\nAudience Member 15\\n00:56:58\\nNo, an earlier book.\\n \\nMargaret Atwood\\n00:57:00\\nManticore [https://www.wikidata.org/wiki/Q7750230]?\\n \\nAudience Member 15\\n00:57:00\\nIt was a comedy\\n \\nMargaret Atwood\\n00:57:01\\nOh, okay.\\n \\nAudience Member 15\\n00:57:02\\nAbout a couple in a town [unintelligible] resolve it and they get married. And I wondered why he wasn't mentioned in Survival at all.\\n \\nMargaret Atwood\\n00:57:15\\nWell, I think probably because I wasn't doing humour and I wasn't doing magic. But since I am doing humour and magic in the next two chapters, then he will be in those. Samuel Marchbanks [https://www.wikidata.org/wiki/Q7412104] will be in under humour and Fifth Business and Manticore will be in under magic. I find the magician figure in Fifth Business very interesting from this particular advantage point. Why do Canadian magicians have to disguise themselves as foreigners in order to be thought of as magic. [Audience laughter.] You find this in Gwen MacEwen [https://www.wikidata.org/wiki/Q4276487] too. Specifically in the book called No Man.\\n \\nAudience Member 16\\n00:58:04\\nIs that a novel?\\n \\nMargaret Atwood\\n00:58:04\\nIt is a series of short stories, but there's sort of a central one in which you have the same pattern. Okay, let's have one more if there is one more. There isn't one more, there's one more.\\n \\nAudience Member 17\\n00:58:22\\nUm, the poems that you read tonight, would you consider those the best or the most significant ones from your collection, and if neither of those things, why did you select the ones that you read? The reason that I've asked that is because I've read your latest book quite carefully and I think that you read the, some of the best poems from it. I was wondering if you thought they were some of the best poems.\\n \\nMargaret Atwood\\n00:58:45\\nYeah. I think that one of the best things in it is section number three, but that consists of twenty four poems, which seem to me to be too long. I read some of them that I like quite a lot, yes, this is true, but I left out some others that I also like quite a lot because it seemed to me that they were too long and at this particular night anyway I felt that I should get through as quickly as possible because we were all stifling to death. Um, and with that I think that I will now end the question period and we can all go out and have a drink of water. \\n\\nAudience\\n00:59:24\\nApplause [cuts out briefly].\\n \\nWynne Francis\\n00:59:38\\nI'd just like to thank Margaret Atwood very much for being with us tonight--\\n\\nAudience\\n00:59:40\\nLaughter.\\n \\nEND\\n00:59:46\\n\",\"notes\":\"Margaret Atwood reads from You Are Happy (Oxford University Press, 1974) and Power Politics (Anansi, 1971). Atwood also answers audience questions about her work. \\n                                                                                                                                      \\n00:00- Unknown introducer makes an announcement about the room. [INDEX: Sir George Williams University, larger hall, gallery, Howard Fink.]\\n00:21- Howard Fink answers question.\\n00:22- Unknown introducer continues to make announcements. [INDEX: loud speakers outside, paintings, Fine Arts Department, artists, Howard Fink, air conditioning.]\\n01:22- Audience talking\\n01:30- Margaret Atwood talks about room set up, it is recorded by the mic [INDEX: room      change.]\\n01:41- Audience responds, says they want to stay in the same room.\\n01:44- Margaret Atwood tries to arrange people in the room. [INDEX: chairs, bench, people, rows, room.]\\n04:41- Margaret Atwood continues to arrange audience.\\n05:19- Wynne Francis introduces Margaret Atwood. [INDEX: poetry, fiction, poet, 1960’s, The   Circle Game (Anansi, 1966), The Animals in that Country (Oxford University Press, 1968), Edible Woman (McClelland and Stewart, 1973), Surfacing (Anansi, 1971), 1972, controversial work of criticism, patterns in Canadian literature, nineteenth-century curiosity, John McTaggart quote, book published in London in 1829, victim, Canada Council, woman, human being, totems, manners, insanities, taught at Sir George Williams University between 1967-68, audience questions.]\\n07:38- Margaret Atwood introduces “Newsreel, Man and Firing Squad”. [INDEX:    \\tmicrophone, reading entirely from You are Happy (Harper & Row, 1974), photographer,      bookstore, order of reading, United States, what it’s like to live in Canada; from You Are    Happy (Oxford University Press, 1974).]\\n10:04- Reads “Newsreel, Man and Firing Squad”.\\n11:42- Reads “Useless”. [INDEX: from You Are Happy (Oxford University Press, 1974).]\\n12:35- Introduces “November”. [INDEX: image, sheep that died; from You Are Happy (Oxford University Press, 1974)]\\n12:48- Reads “November”.\\n13:52- Reads “Repent”. [INDEX: from You Are Happy (Oxford University Press, 1974).]\\n14:47- Introduces “Tricks with Mirrors”. [INDEX: from You Are Happy (Oxford University \\tPress, 1974).]\\n15:05- Reads “Tricks with Mirrors”.\\n17:45- Reads “You are Happy”. [INDEX: from You Are Happy (Oxford University Press,     1974).]\\n18:48- Reads “First Prayer”. [INDEX: from You Are Happy (Oxford University Press, 1974).]\\n20:25- Introduces “Is/Not” (but does not read it). [INDEX: hot in rom, Howard Fink. light,     Saturday movies; from You Are Happy (Oxford University Press, 1974).]\\n22:18- Reads unknown poem, first line “You take my hand and I’m suddenly in a bad movie...”.\\n23:13- Introduces “They Eat Out”. [INDEX: war between Superman and Captain Marvel,     dinner, Plastic Man, esoteric taste; from Selected poems, 1965-1975 (Oxford University    Press, 1976).]\\n23:28- Reads “They Eat Out”.\\n24:44- Introduces “Siren Song”. [INDEX: new book, students of seventeenth-century literature, answer; from Selected poems, 1965-1975 (Oxford University Press, 1976).]\\n25:06- Reads “Siren Song”.\\n26:12- Introduces “Circe/Mud Poems”, which is cut mid-sentence “The heads of eagles no longer interest me...”[INDEX: critic Allen Pearson, Montreal, Montreal Poet, Toronto,   Toronto Poet, “Siren Song”, woman, attract men, capes, costumes; from Selected poems, 1965-1975 (Oxford University Press, 1976)]\\n26:57- Recording is CUT, repeats, begins mid-sentence reading unknown poem, which is cut mid-sentence “The heads of eagles no longer interest me...”, last line “They would rather be trees”.\\n28:20- Reads “It is Not”. [INDEX: perhaps “IS/Not”; from You are Happy (Oxford University Press, 1974) and Selected poems, 1965-1975 (Oxford University Press, 1976).]\\n30:37- Introduces “There is Only One of Everything”. [INDEX: three last poems, heat; from You are Happy (Oxford University Press, 1974) and Selected poems, 1965-1975 (Oxford University Press, 1976).]\\n30:54- Reads “There is Only One of Everything”.\\n32:20- Reads “Late August”. [INDEX: from You are Happy (Oxford University Press, 1974) \\tand Selected poems, 1965-1975 (Oxford University Press, 1976).]\\n33:26- Introduces “Book of Ancestors”. [INDEX: last poem of the night; from You are Happy (Oxford University Press, 1974) and Selected poems, 1965-1975 (Oxford University Press, 1976).]\\n33:33- Reads “Book of Ancestors”.\\n36:47- Wynne Francis thanks Margaret Atwood and opens the floor to discussion.\\n37:04- Atwood asks for questions.\\n37:28- Audience #1 (female) asks first question about Atwood’s nickname ‘witch’. [INDEX: nickname “witch”]\\n37:30- Atwood answers question. [INDEX: speech given recently at Loyola, reviews,   \\tsupernatural powers, hypnotize readers, reviews written by men, witchcraft, cross,     \\tvampires.]\\n38:54- Audience #2 (male) asks question about the Edible Woman’s symbology of colours. [INDEX: Edible Woman, grayness, William Blake reference, emergence from chaos.]\\n39:17- Margaret Atwood answers question. [INDEX: comparison, colour, descending, poem, book, life, grey, pattern, Dante’s Inferno, wood, state of being lost, hell, tortured souls.]\\n40:19- Audience #2 (male) asks another question. [INDEX: Edible Woman, colours, complete emergence of man.]\\n40:29- Margaret Atwood responds. [INDEX: not complete, beginning.]\\n40:32- Audience #2 (male) responds. [INDEX: complete, universal aspect, emergence of man, colours, life.]\\n40:39- Margaret Atwood responds. [INDEX: man, female heroine, pattern, universal meaning.]\\n40:56- Audience #2 (male) responds. [INDEX: universal meaning, colour of darkness, greyness.]\\n41:04- Margaret Atwood responds. [INDEX: correct.]\\n41:07- Audience #2 (male) responds. [INDEX: universal meaning, colours, wrong.]\\n41:14- Margaret Atwood responds. [INDEX: truth, correct pattern, critic of her own work,        interpretation.]\\n41:34- Audience #3 (male) asks question about a screenplay. [INDEX: screen play, film.]\\n41:39- Margaret Atwood responds [INDEX: finished in July, stages of making films, taking out   an auction [option?], payment, movie, rights, sell, script, written, package, director, money.]\\n42:42- Audience #4 (female) asks question about film producers’ nationalities. [INDEX: American or Canadian]\\n42:46- Margaret Atwood responds to question. [INDEX: English Canadian film industry, struggle, book, American symbolism, American independent producers, not MGM,       \\tfaithful to the book, Maine, American film, ruining the symbolic pattern, Canada.]\\n44:26- Audience #4 (female) asks another question. [INDEX: attempt to sell script in Canada.]\\n44:30- Margaret Atwood responds to question. [INDEX: four or five screen plays which haven’t been made, Canadian, television play, CBC, screenplay for Edible Woman, Marie Clarie Blais, “Mad Shadows”, Canadian director and producer, film development corporations, commercial, novelists, publishing.]\\n45:22- Wynne Francis asks a question about criticism. [INDEX: question, competition, speech on Wednesday at Loyola, comic tags, critical opponents, Koestler, Yogi [?], Komisars [?], literary critics, formalism, cultural and political awareness, ideal critic or ideal type of criticism.]\\n45:51- Margaret Atwood responds. [INDEX: talents, criticism available to the reader, singer, dancer]\\n46:08- Wynne Francis asks another question. [INDEX: combined talents, formal or cultural criticism]\\n46:16- Audience Member #5 (male) asks question about body and knowledge. [INDEX: body of knowledge]\\n46:20- Margaret Atwood answers question. [INDEX: body of knowledge, [Northrop] Frye, books, Yogi-ism [sp?], reading poetry, Komasar-isim [sp?], context of a poem]\\n47:02- Margaret Atwood calls on audience member to ask question.\\n47:08- Audience #6 (male) asks question about Quebec’s relation to Canada. [INDEX: Quebec, Canada]\\n47:09- Margaret Atwood responds.\\n47:11- Audience #6 (male) asks question about Quebecer’s relation to Canada. [INDEX: Quebecois, Canadian]\\n47:15- Margaret Atwood responds. [INDEX: Quebecois, Marie Claire Blais, identity, Canadian, North-American, Western European culture, universalist]\\n47:58- Audience #7 (female) asks question about the New Canadian Library Series. [INDEX: opinion of the New Canadian Library Series introductions]\\n48:03- Margaret Atwood answers. [INDEX: quotation from the Joy of Cooking, puff pastry, critical apparatus, symbolic structuring, novel, comic]\\n49:09- Audience #8 (female) asks question about irony. [INDEX: ironist, irony]\\n49:22- Margaret Atwood answers question.\\n49:31- Audience #8 (female) asks question about one line of Atwood’s poem. [INDEX: anger, ironic]\\n49:41- Margaret Atwood answers question. [INDEX: double meaning, irony, definition of irony, character, modern literature]\\n50:14- Audience #9 (female) asks question about a second Survival book. [INDEX: Survival 2.]\\n50:16- Margaret Atwood answers question.\\n50:22- Audience #9 (female) asks Atwood to elaborate.\\n50:25- Margaret Atwood answers question. [INDEX: Survival 2, anthology, short pieces, permissions, expensive to produce, publish proposed table of contents, Ph.D. thesis, novel, second edition of Survival, paperback, General Publishing, Paper Jacks [?], New   Canadian Library, McMillan’s, publishing industry in Canada, new introduction]\\n52:30- Audience #10 (male) asks question about favourite poets. [INDEX: favourite poet]\\n52:33- Margaret Atwood answers question. [INDEX: favourite poet, favourite poems, Margaret Avison, P.K. Page, A.M. Klein, Michael Ondaatje, Al Purdy, mid-Sixties, Doug [Gordon] Jones, Cornflake boxes]\\n53:31- Margaret Atwood responds to inaudible question. [INDEX: little magazines, Adrienne Rich, January.]\\n54:02- Audience #11 (female) asks question about Surfacing being autobiographical. [INDEX: Surfacing, autobiographical.]\\n54:11- Margaret Atwood responds. [INDEX: vaguely, plot, fiction, setting, characters, invent part of characters, parents, paranoid schizophrenic, amnesia, Edible Woman, food, reader’s reactions, comic invention.]\\n55:20- Audience #12 (female) asks question about characters. [INDEX: psychological  \\tbackground, characters.]\\n55:25- Margaret Atwood responds to question. [INDEX: believable, plot.]\\n55:46- Audience #13 (male) asks question about Edible Woman. [INDEX: comical invention, Edible Woman.]\\n55:49- Margaret Atwood responds to question.\\n55:51- Audience #13 (male) asks question about the definition of comedy. [INDEX: definition of comedy.]\\n55:54- Margaret Atwood responds to question. [INDEX: technical, Edible Woman, anti-comedy, form, young couple, series of misadventures, marriage, ending.]\\n56:24- Audience #14 (male) asks question about latest writing. [INDEX: novel being written]\\n56:24- Margaret Atwood responds to question. [INDEX: superstition, work in progress.]\\n56:41- Audience #15 (female) asks question about Edible Woman [INDEX: Robinson Davies book.]\\n56:49-57:01- Margaret Atwood and audience try to figure out which book was written by        Robinson Davies. [INDEX: Fifth Busienss, Nanticore, comedy.]\\n57:02- Audience #15 (female) asks about selections in Survival. [INDEX: couple, town, married, Survival.]\\n57:15- Margaret Atwood responds to question. [INDEX: humour, magic, next two chapters of Survival 2, Samuel Marchbanks, Fifth Business, Nanticore, magician figure, Canadian magicians, foreigners, Gwen[dolyn] MacEwen’s book No Man.]\\n58:04- Audience #16 (female) asks question about No Man by Gwendolyn MacEwen. [INDEX: Novel.]\\n58:04- Margaret Atwood responds to question. [INDEX: series of short stories, central story, pattern.]\\n58:22- Audience #17 (male) asks question about selections made in Atwood’s reading [INDEX: poems read, best, most significant from the collection, selection choices.]\\n58:45- Margaret Atwood responds to question. [INDEX: section #3, consists of 24 poems, too long, time constraints.]\\n59:380 Wynne Francis thanks Margaret Atwood.\\n59:46.85- END OF RECORDING.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/margaret-atwood-and-alden-nowlan-at-sgwu-1967/\"}]"],"score":0.01643844},{"id":"1254","cataloger_name":["Masoumeh,Zaare"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Anthony Hecht at Sir George Williams University, The Poetry Series, 21 October 1966"],"item_title_source":["Transcribed from the Artifact"],"item_title_note":["\"I006/SR41 ANTHONY HECHT\" written on sticker on the spine of the tape's box"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 1"],"item_identifiers":["[]"],"creator_names":["Hecht, Anthony"],"creator_names_search":["Hecht, Anthony"],"creators":["[{\"url\":\"http://viaf.org/viaf/76363549\",\"name\":\"Hecht, Anthony\",\"dates\":\"1923-2004\",\"notes\":\"American poet Anthony Hecht was born in New York City on January 16th, 1923. Hecht has admitted that it was only in his freshman year at Bard College that he became interested in poetry. Upon graduating from Bard in 1944, he was drafted into the United States Army and served in Western Europe and Japan. Hecht was especially impacted by the release of Jews in the concentration camps, a subject that is echoed throughout his poetry. On his return, Hecht was convinced to study with John Crowe Ransom at Kenyon College, and Ransom became a major influence in Hecht’s poetic and intellectual formation. Hecht’s poetry was first published in magazines like the Hudson Review, the Kenyon Review and the New Yorker, and in 1950 he won the Prix de Rome bestowed by the American Academy of Arts and Letters. Hecht’s first book, A Summoning of Stones (MacMillan, 1954) was published, along with a limited edition pamphlet named The Seven Deadly Sins (Gehenna Press, 1954). Hecht then taught at Smith College in Northampton from 1956 to 1959, and then at Bard College from 1961 until 1967. It was at this point that Hecht began to travel on reading tours of his poetry. His next publication, Jiggery Pokery: A Compendium of Double Dactyls (Atheneum, 1966), with John Hollander and Milton Glaser, compiled a new light verse form called ‘double-dactyl’, which they had invented. A year later, Hecht released his second collection of verse, The Hard Hours (Atheneum, 1967), and took a position at the University of Rochester. In the next few years, Hecht translated Aeschylus’ tragedy of war, Seven Against Thebes (Oxford University Press, 1973) with Helen Bacon. He was also the visiting professor at Washington University (1971), Harvard (1973), and at Yale (1977). Hecht then published collections of poetry, Millions of Strange Shadows (Atheneum, 1977) and The Venetian Vespers (Atheneum, 1979), a collection of criticism, Obbligati (Atheneum, 1986), The Transparent Man (Knopf, 1990) and Flight Among the Tombs (Knopf, 1990). Hecht retired in the early 1990s from his post at Rochester, but remained active and published Hidden Law (1993), a book-length study of Auden’s poetry, and provided the introduction to “The New Cambridge Shakespeare Sonnets” in 1996. Hecht was the first American poet to be invited to lecture at the Mellon Lectures at the National Gallery of Art in 1992. Hecht published his last collection of poetry, The Darkness and the Light (Knopf) in 2001. Anthony Hecht died of Non-Hodgkin's Lymphoma on October 20, 2004.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Unknown"],"contributors_names_search":["Unknown"],"contributors":["[{\"url\":\"\",\"name\":\"Unknown\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Series organizer\"]}]"],"Series_organizer_name":["Unknown"],"Speaker_name":["Unknown"],"Performance_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\\\"I006/SR41 ANTHONY HECHT\\\" written on sticker on the spine of the tape's box\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"Dates":["[{\"date\":\"1966 10 21\",\"type\":\"Performance Date\",\"notes\":\"Date is approximate, using other recordings and readings to guess the time period (October-November 1966)\",\"source\":\"Previous researcher\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"SGW University\",\"notes\":\"Previous researcher\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["SGW University"],"City":["Montreal, Quebec"],"content_notes":["Anthony Hecht reads from his book The Hard Hours which was published later in 1967 by Atheneum Press."],"contents":["anthony_hecht_i006-11-041.mp3\n\nIntroducer\n00:00:00\nOn behalf of the Poetry Reading Committee of this university, Mr. Roy Kiyooka [https://www.wikidata.org/wiki/Q3445789], Mrs. Wynne Francis, Mr. Howard Fink, Mr. Irving Layton [https://www.wikidata.org/wiki/Q1673289], and Mr. Stanton Hoffman, I wish to welcome you to the second reading in our fall series. The reader for this evening is Mr. Anthony Hecht [https://www.wikidata.org/wiki/Q3618497] of New York City [https://www.wikidata.org/wiki/Q60]. Mr. Hecht was born in New York City. He is a fellow of the American Academy in Rome [https://www.wikidata.org/wiki/Q463271]. He is the author of two volumes of poetry, A Summoning of Stones, which was published by Macmillan [https://www.wikidata.org/wiki/Q2108217] in New York City in 1954, and a later volume published in Northampton, Massachusetts [https://www.wikidata.org/wiki/Q49186] in 1958, Seven Deadly Sins. Mr. Hecht is a poetry editor of The Hudson Review [https://www.wikidata.org/wiki/Q15708605]. Mr. Hecht has also been a faculty member of such universities as Smith [https://www.wikidata.org/wiki/Q49204], New York University [https://www.wikidata.org/wiki/Q49210] and Bard College [https://www.wikidata.org/wiki/Q49109], and he will be joining the faculty of the University of Rochester [https://www.wikidata.org/wiki/Q149990] very soon. Mr. Hecht is the author of three forthcoming volumes: The Hard Hours, which is to be published soon by Viking [https://www.wikidata.org/wiki/Q921536], a volume called Double Dactyls, which is to appear about Christmas and is to be published by Atheneum [https://www.wikidata.org/wiki/Q4813415], and a volume of verse epigrams to the engravings of Thomas Bewick [https://www.wikidata.org/wiki/Q437594], which is to be published by the Harvard University Press [https://www.wikidata.org/wiki/Q1587900]. Ladies and gentlemen, Mr. Anthony Hecht. \n \nAnthony Hecht\n00:01:36\nThank you very much. It's a pleasure to be here, this is my first trip to Canada [https://www.wikidata.org/wiki/Q16], and I regret that it should be so brief. I must leave tomorrow, but I'm struck by the frigidity of the weather and the warmth of the greeting that I received upon arriving. I'd like to begin with a poem which I'll, is set in Italy [https://www.wikidata.org/wiki/Q38], where I spent quite a while. It's called \"A Hill\", and it's what...about a purported visionary experience. \n \nAnthony Hecht\n00:02:21\nReads \"A Hill\" from The Hard Hours..\n \nAnthony Hecht\n00:04:50\nThe next is called \"A Letter\". Some of these, I think, will require some sort of explanatory comment from me, but I don't think this will. \n \nAnthony Hecht\n00:04:59\nReads \"A Letter\" from The Hard Hours.\n \nAnthony Hecht\n00:06:44\nThe next is called \"The Vow\". I should say that all the poems that I want to read to you this evening are from a book called The Hard Hours. They...the book is, I fear, for better or for worse, somewhat on the grim side, as the title is meant to indicate. It perhaps is a corrective to the abundant cheerfulness of my first book. But I hope that there were a few light moments here and there. This one, on the other--is somewhat grim. It is in fact about a miscarriage. And I had better explain to you that a large part of the second stanza, and all of the third stanza is spoken by the ghost of the child who fails to be born. It is called \"The Vow\".\n \nAnthony Hecht\n00:07:42\nReads \"The Vow\" from The Hard Hours.\n \nAnthony Hecht\n00:10:01\nThe next one is also somewhat on the grim side, but it requires an appeasing little note of explanation. Its title is \"More Light! More Light!\" which purport to be the last words of Goethe [https://www.wikidata.org/wiki/Q5879] on his deathbed. There's been a good deal of discussion and dispute as to quite what he meant at the time, which may simply have been to raise the shade. But inasmuch as he is regarded as the spirit of the German Enlightenment, a great deal more profound significance is normally attached to those words. He plays a very minor, somewhat ghostly role in this poem, which is a deliberate and violent contrast, so violent, indeed, that the poem was rejected by The New Yorker [https://www.wikidata.org/wiki/Q217305] on the grounds that the contrast was much too violent for their taste. Between an execution, which is in fact a conflation I've made myself of several executions that took place in England [https://www.wikidata.org/wiki/Q21] during the Renaissance [https://www.wikidata.org/wiki/Q4692], and an execution that took place in the Buchenwald concentration camp [https://www.wikidata.org/wiki/Q152802] during the Second World War [https://www.wikidata.org/wiki/Q362], and the details of which I got from a book by Eugene Kogan, who was himself a prisoner there for five years and survived, miraculously, and was then flown to England to help draw up the indictments that were used, [coughs], excuse me, at the Nuremberg Trials [https://www.wikidata.org/wiki/Q80130]. Goethe's role, his ghostly role in this, is explained by the fact that most prisoners who were brought to Buchenwald were brought by train, and there was no railroad station there at the camp, so the prisoners were, disembarked at the nearest railroad station, which was Weimar [https://www.wikidata.org/wiki/Q3955], and they walked the rest of the way from there. \n \nAnthony Hecht\n00:12:01\nReads \"More Light! More Light!\" from The Hard Hours.\n \nAnthony Hecht\n00:14:36\nThe next is a little lighter, gratefully. But it has its gruesome aspects too, as a matter of fact. It is called \"The Man Who Married Magdalen: Variation on a Theme by Louis Simpson\". Louis Simpson [https://www.wikidata.org/wiki/Q1871997], a fine poet and very old friend of mine. A road poem in one of his early books, called \"The Man Who Married Magdalen\", a fine and delicate poem, in which he imagines that this man who raged and stormed throughout his married life, upon the death of his wife finds it in his heart to forgive her and to acknowledge his abiding love for her. In fact, if I can remember the last stanza, it goes, \"But when he woke, and woke alone, he wept and would deny the loose behaviour of the bone, and the immodest thigh\". I have chosen to make him far less forgiving in my version. He is a very angry man, and the whole poem takes place in a bar where he has been releasing his anger in a bibulous way for some time. His anger is not only personal, however, it's also theological. He is someone who believes in and accepts the ancient dispensation according to which Mary Magdalene [https://www.wikidata.org/wiki/Q63070] had done something which could not, in fact, be so easily forgiven. And he regards the new dispensation as an antinomian heresy which leaves him bewildered and accounts for the rather promiscuous behaviour he finds all around him in the bar. I ought to tell you also that I went on a reading tour of New England [https://www.wikidata.org/wiki/Q18389] a few years ago, and I planned to include this, but when I got to...it has some frankly dirty language in the second stanza, and I decided that it was unbecoming at certain colleges, [audience laughter], but I was assured by a friend of mine on the faculty at Wellesley [https://www.wikidata.org/wiki/Q49205] that the girls there were tough, and they could take it.  [Audience laughter]. He liked it, and he thought I should read it. And indeed, I did. And nobody batted an eye. So, from then on, without compunction at all, I read it everywhere else, and when I got to Mount Hollyhock, [audience laughter], there I had every intention of reading it, but they were not only taping it, as you are here this evening, but they were taping it for radio broadcast, so I felt obliged to warn the Federal Communications Commission [https://www.wikidata.org/wiki/Q128831] [audience laughter] that this was the sort of thing that they would probably have to excise. And after the tour was over, I got a postcard from a friend of mine in that bastion of propriety, Boston [https://www.wikidata.org/wiki/Q100], saying that he had heard the whole broadcast with nothing cut out, so I take it there's absolutely nothing wrong with it now [audience laughter]. It has, in any case, a lofty epigraph from the Book of Jonah [https://www.wikidata.org/wiki/Q178819] [audience laughter], which says, \"Then said the Lord, 'Dost thou well, to be angry?'”\n \nAnthony Hecht\n00:17:57\nReads \"The Man Who Married Magdalen: Variation on a Theme by Louis Simpson\" from The Hard Hours [audience laughter throughout].\n \nAnthony Hecht\n00:20:26\nA poem of a somewhat different sort, called \"Message from the City\".\n \nAnthony Hecht\n00:20:37\nReads \"Message from the City\" from The Hard Hours.\n \nAnthony Hecht\n00:23:02\nThe poem I want to read next is also, again, on the somewhat grim side. It is, in fact, incomplete, but it stands altogether, by itself. It's going to be longer, but it is a unit, as it appears, or as I shall read it to you, and it's called, in its present state, \"The Rune\".\n \nAnthony Hecht\n00:23:35\nReads \"The Rune\" from The Hard Hours.\n \nAnthony Hecht\n00:27:54\nI guess a really violent change of pace is required, and I can provide it. But you are not to be spared as easily as that. There's another sort of wracking one that comes up in a minute. However, I can interject something in between. There's a little sort of period piece, a Restoration comedy song, sort of, called \"The Song of the Flea\". It was written...there were a group of poems that I wrote in collaboration with an artist. We did a bestiary together, and he did a whole bunch of very handsome lithographs of animals, and I wrote a few animal poems, and this is one of them.\n \nAnthony Hecht\n00:28:45\nReads \"The Song of the Flea\" from The Hard Hours.\n \nAnthony Hecht\n00:29:40\nNow this, this next, is quite frankly a stinker, I've got to warn you. It's a very unnerving poem. It's a colloquy; there are two voices, but I'm sure you'll have no difficulty telling them apart. There is one speaker who is a kind of compulsive talker, and he has a very patient and somewhat helpless auditor. The poem is called \"Behold the Lilies of the Field\".\n \nAnthony Hecht\n00:30:18\nReads \"Behold the Lilies of the Field\" from The Hard Hours.\n \nAnthony Hecht\n00:34:34\nThe next is a blessed relief. It's called \"Jason\", which is the name of my older son, and it's a poem written to celebrate his birth. He was born at the time I was teaching at Smith, and he was born on a Sunday, which has some bearing on the poem, but it conveniently avoided my, disrupting my academic obligations. And it has an epigraph from Doctor Faustus [https://www.wikidata.org/wiki/Q50919], which goes, \"And from America, the Golden Fleece\".\n \nAnthony Hecht\n00:35:16\nReads \"Jason\" from The Hard Hours.\n \nAnthony Hecht\n00:37:12\nThe next one is also, this is also rather cheery too--well, not really. I told you that I had gone on this New England tour a few years ago, and I began it in Maine [https://www.wikidata.org/wiki/Q724]. Well, I may have been misled [distortion], but I was told at the two or three colleges and universities where I read that Maine was a dry state, and I had so arranged my poems, completely unconsciously, that I had a whole bunch of them that all took place in bars, in bars altogether [audience laughter]. So I had the feeling as I was reading--I couldn't stop, you see, there I was-- after the third poem, I felt that I appeared to be an obsessive alcoholic. [Audience laughter]. This also takes place in a bar. I was born and brought up in New York City, and remember it from the time when Third Avenue had an elevator train that ran down its length. Now, that has all been torn down. But in the old days, not only did it have the elevator train, but it was lined on both sides all the way up and down with bars. The bars are still there. But the advantage of the El was that it cast a nice, gloomy shadow over the whole avenue even on the brightest days, so that you weren't obliged to face utter reality as soon as you stepped outside [audience laughter]. There was a sort of modulating gloom that you got out into. Now that's been torn down, and it's tougher than it was. The poem is called \"Third Avenue in Sunlight\".\n \nAnthony Hecht\n00:38:45\nReads \"Third Avenue in Sunlight\" from The Hard Hours.\n \nAnthony Hecht\n00:40:31\nThere are two more poems I should like to read. The first of these is called \"Birdwatchers of America\". It has an epigraph from the journals of Baudelaire [https://www.wikidata.org/wiki/Q501], very near the end of his life. Baudelaire wrote as follows: \"I suffer now continually from vertigo, and today, the 23rd of January, 1862, I received a singular warning. I felt the wind of the wing of madness pass over me\".\n \nAnthony Hecht\n00:41:14\nReads \"Birdwatchers of America\" from The Hard Hours.\n \nAnthony Hecht\n00:42:50\nThis is called \"The End of the Weekend\".\n \nAnthony Hecht\n00:42:56\nReads \"The End of the Weekend\" from The Hard Hours.\n \nAnthony Hecht\n00:44:38\nFinally, there is a poem that I must remind you of which I enormously admire, by Matthew Arnold [https://www.wikidata.org/wiki/Q271032]. \"Dover Beach\" [https://www.wikidata.org/wiki/Q5302469]. I have, in spite of my admiration for it, ventured to write a somewhat impertinent commentary upon it, which is called \"The Dover Bitch\" and subtitled [audience laughter], \"A Criticism of Life\", which is what Arnold said poetry ought to be. \n \nAnthony Hecht\n00:45:13\nReads \"The Dover Bitch: A Criticism of Life\" from The Hard Hours [audience laughter throughout].\n \nEND\n00:46:55\n[Cut off abruptly]."],"Note":["[{\"note\":\"Year-Specific Information:\\n\\nIn 1966, Hecht was teaching at Bard College, and was participating in traveling tours reading his poetry. Three of his works were in the process of being published: The Hard Hours, Jiggery Pokery: A Compendium of Double Dactyls and AEsopic: twenty four couplets.\",\"type\":\"General\"},{\"note\":\"Local Connections:\\n\\nAnthony Hecht was an important figure in American poetry, as well as an influential professor of literature and writing. He is the inventor of the double dactyl, a form of light verse as well as the recipient of many valued awards, including the Pulitzer Prize for poetry, the Bollingen Prize, the Wallace Stevens Award. His connection to Sir George Williams is unknown at this time.\",\"type\":\"General\"},{\"note\":\"Original transcription by Rachel Kyne\\n\\nOriginal print catalogue, introduction, research and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Ali Barillaro\\n\\n\",\"type\":\"Cataloguer\"},{\"note\":\"Reel-to-reel tape>CD>digital file\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-english-literature/oclc/1205259088&referer=brief_results\",\"citation\":\"\\\"Hecht, Anthony\\\". The Oxford Companion to English Literature. Dinah Birch (ed). Oxford University Press Inc., 2009. \"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-american-literature/oclc/54356940&referer=brief_results\",\"citation\":\"\\\"Hecht, Anthony [Evan]\\\". The Oxford Companion to American Literature. James D. Hart (ed.), Phillip W. Leininger (rev). Oxford University Press, 1995.  \"},{\"url\":\"\",\"citation\":\"Freeland, Petra. “Hecht, Anthony, 1923-”. Literature Online Biography. Proquest and H.W. Wilson Company, 2005. \"},{\"url\":\"\",\"citation\":\"“Poetry Readings”. OP-ED. Montreal: Sir George Williams University, 6 October 1967, page 6.\"}]"],"_version_":1853670548656095232,"timestamp":"2026-01-07T14:59:53.264Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0041_back.jpg\",\"file_path\":\"My Drive>Sir George Williams TIme-Stamped Transcripts>Spokenweb Tape Case Photos taken by Drew Bernet\",\"filename\":\"I0006_11_0041_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Anthony Hecht Tape Box - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0041_front.jpg\",\"file_path\":\"My Drive>Sir George Williams TIme-Stamped Transcripts>Spokenweb Tape Case Photos taken by Drew Bernet\",\"filename\":\"I0006_11_0041_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Anthony Hecht Tape Box - Front\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0041_side.jpg\",\"file_path\":\"My Drive>Sir George Williams TIme-Stamped Transcripts>Spokenweb Tape Case Photos taken by Drew Bernet\",\"filename\":\"I0006_11_0041_side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Anthony Hecht Tape Box - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0041_tape.jpg\",\"file_path\":\"My Drive>Sir George Williams TIme-Stamped Transcripts>Spokenweb Tape Case Photos taken by Drew Bernet\",\"filename\":\"I0006_11_0041_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"notes\":\"\",\"title\":\"Anthony Hecht Tape Box - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/anthony_hecht_i006-11-041.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"anthony_hecht_i006-11-041.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:46:55\",\"precision\":\"\",\"size\":\"112.6 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"Introducer\\n00:00:00\\nOn behalf of the Poetry Reading Committee of this university, Mr. Roy Kiyooka [https://www.wikidata.org/wiki/Q3445789], Mrs. Wynne Francis, Mr. Howard Fink, Mr. Irving Layton [https://www.wikidata.org/wiki/Q1673289], and Mr. Stanton Hoffman, I wish to welcome you to the second reading in our fall series. The reader for this evening is Mr. Anthony Hecht [https://www.wikidata.org/wiki/Q3618497] of New York City [https://www.wikidata.org/wiki/Q60]. Mr. Hecht was born in New York City. He is a fellow of the American Academy in Rome [https://www.wikidata.org/wiki/Q463271]. He is the author of two volumes of poetry, A Summoning of Stones, which was published by Macmillan [https://www.wikidata.org/wiki/Q2108217] in New York City in 1954, and a later volume published in Northampton, Massachusetts [https://www.wikidata.org/wiki/Q49186] in 1958, Seven Deadly Sins. Mr. Hecht is a poetry editor of The Hudson Review [https://www.wikidata.org/wiki/Q15708605]. Mr. Hecht has also been a faculty member of such universities as Smith [https://www.wikidata.org/wiki/Q49204], New York University [https://www.wikidata.org/wiki/Q49210] and Bard College [https://www.wikidata.org/wiki/Q49109], and he will be joining the faculty of the University of Rochester [https://www.wikidata.org/wiki/Q149990] very soon. Mr. Hecht is the author of three forthcoming volumes: The Hard Hours, which is to be published soon by Viking [https://www.wikidata.org/wiki/Q921536], a volume called Double Dactyls, which is to appear about Christmas and is to be published by Atheneum [https://www.wikidata.org/wiki/Q4813415], and a volume of verse epigrams to the engravings of Thomas Bewick [https://www.wikidata.org/wiki/Q437594], which is to be published by the Harvard University Press [https://www.wikidata.org/wiki/Q1587900]. Ladies and gentlemen, Mr. Anthony Hecht. \\n \\nAnthony Hecht\\n00:01:36\\nThank you very much. It's a pleasure to be here, this is my first trip to Canada [https://www.wikidata.org/wiki/Q16], and I regret that it should be so brief. I must leave tomorrow, but I'm struck by the frigidity of the weather and the warmth of the greeting that I received upon arriving. I'd like to begin with a poem which I'll, is set in Italy [https://www.wikidata.org/wiki/Q38], where I spent quite a while. It's called \\\"A Hill\\\", and it's what...about a purported visionary experience. \\n \\nAnthony Hecht\\n00:02:21\\nReads \\\"A Hill\\\" from The Hard Hours..\\n \\nAnthony Hecht\\n00:04:50\\nThe next is called \\\"A Letter\\\". Some of these, I think, will require some sort of explanatory comment from me, but I don't think this will. \\n \\nAnthony Hecht\\n00:04:59\\nReads \\\"A Letter\\\" from The Hard Hours.\\n \\nAnthony Hecht\\n00:06:44\\nThe next is called \\\"The Vow\\\". I should say that all the poems that I want to read to you this evening are from a book called The Hard Hours. They...the book is, I fear, for better or for worse, somewhat on the grim side, as the title is meant to indicate. It perhaps is a corrective to the abundant cheerfulness of my first book. But I hope that there were a few light moments here and there. This one, on the other--is somewhat grim. It is in fact about a miscarriage. And I had better explain to you that a large part of the second stanza, and all of the third stanza is spoken by the ghost of the child who fails to be born. It is called \\\"The Vow\\\".\\n \\nAnthony Hecht\\n00:07:42\\nReads \\\"The Vow\\\" from The Hard Hours.\\n \\nAnthony Hecht\\n00:10:01\\nThe next one is also somewhat on the grim side, but it requires an appeasing little note of explanation. Its title is \\\"More Light! More Light!\\\" which purport to be the last words of Goethe [https://www.wikidata.org/wiki/Q5879] on his deathbed. There's been a good deal of discussion and dispute as to quite what he meant at the time, which may simply have been to raise the shade. But inasmuch as he is regarded as the spirit of the German Enlightenment, a great deal more profound significance is normally attached to those words. He plays a very minor, somewhat ghostly role in this poem, which is a deliberate and violent contrast, so violent, indeed, that the poem was rejected by The New Yorker [https://www.wikidata.org/wiki/Q217305] on the grounds that the contrast was much too violent for their taste. Between an execution, which is in fact a conflation I've made myself of several executions that took place in England [https://www.wikidata.org/wiki/Q21] during the Renaissance [https://www.wikidata.org/wiki/Q4692], and an execution that took place in the Buchenwald concentration camp [https://www.wikidata.org/wiki/Q152802] during the Second World War [https://www.wikidata.org/wiki/Q362], and the details of which I got from a book by Eugene Kogan, who was himself a prisoner there for five years and survived, miraculously, and was then flown to England to help draw up the indictments that were used, [coughs], excuse me, at the Nuremberg Trials [https://www.wikidata.org/wiki/Q80130]. Goethe's role, his ghostly role in this, is explained by the fact that most prisoners who were brought to Buchenwald were brought by train, and there was no railroad station there at the camp, so the prisoners were, disembarked at the nearest railroad station, which was Weimar [https://www.wikidata.org/wiki/Q3955], and they walked the rest of the way from there. \\n \\nAnthony Hecht\\n00:12:01\\nReads \\\"More Light! More Light!\\\" from The Hard Hours.\\n \\nAnthony Hecht\\n00:14:36\\nThe next is a little lighter, gratefully. But it has its gruesome aspects too, as a matter of fact. It is called \\\"The Man Who Married Magdalen: Variation on a Theme by Louis Simpson\\\". Louis Simpson [https://www.wikidata.org/wiki/Q1871997], a fine poet and very old friend of mine. A road poem in one of his early books, called \\\"The Man Who Married Magdalen\\\", a fine and delicate poem, in which he imagines that this man who raged and stormed throughout his married life, upon the death of his wife finds it in his heart to forgive her and to acknowledge his abiding love for her. In fact, if I can remember the last stanza, it goes, \\\"But when he woke, and woke alone, he wept and would deny the loose behaviour of the bone, and the immodest thigh\\\". I have chosen to make him far less forgiving in my version. He is a very angry man, and the whole poem takes place in a bar where he has been releasing his anger in a bibulous way for some time. His anger is not only personal, however, it's also theological. He is someone who believes in and accepts the ancient dispensation according to which Mary Magdalene [https://www.wikidata.org/wiki/Q63070] had done something which could not, in fact, be so easily forgiven. And he regards the new dispensation as an antinomian heresy which leaves him bewildered and accounts for the rather promiscuous behaviour he finds all around him in the bar. I ought to tell you also that I went on a reading tour of New England [https://www.wikidata.org/wiki/Q18389] a few years ago, and I planned to include this, but when I got to...it has some frankly dirty language in the second stanza, and I decided that it was unbecoming at certain colleges, [audience laughter], but I was assured by a friend of mine on the faculty at Wellesley [https://www.wikidata.org/wiki/Q49205] that the girls there were tough, and they could take it.  [Audience laughter]. He liked it, and he thought I should read it. And indeed, I did. And nobody batted an eye. So, from then on, without compunction at all, I read it everywhere else, and when I got to Mount Hollyhock, [audience laughter], there I had every intention of reading it, but they were not only taping it, as you are here this evening, but they were taping it for radio broadcast, so I felt obliged to warn the Federal Communications Commission [https://www.wikidata.org/wiki/Q128831] [audience laughter] that this was the sort of thing that they would probably have to excise. And after the tour was over, I got a postcard from a friend of mine in that bastion of propriety, Boston [https://www.wikidata.org/wiki/Q100], saying that he had heard the whole broadcast with nothing cut out, so I take it there's absolutely nothing wrong with it now [audience laughter]. It has, in any case, a lofty epigraph from the Book of Jonah [https://www.wikidata.org/wiki/Q178819] [audience laughter], which says, \\\"Then said the Lord, 'Dost thou well, to be angry?'”\\n \\nAnthony Hecht\\n00:17:57\\nReads \\\"The Man Who Married Magdalen: Variation on a Theme by Louis Simpson\\\" from The Hard Hours [audience laughter throughout].\\n \\nAnthony Hecht\\n00:20:26\\nA poem of a somewhat different sort, called \\\"Message from the City\\\".\\n \\nAnthony Hecht\\n00:20:37\\nReads \\\"Message from the City\\\" from The Hard Hours.\\n \\nAnthony Hecht\\n00:23:02\\nThe poem I want to read next is also, again, on the somewhat grim side. It is, in fact, incomplete, but it stands altogether, by itself. It's going to be longer, but it is a unit, as it appears, or as I shall read it to you, and it's called, in its present state, \\\"The Rune\\\".\\n \\nAnthony Hecht\\n00:23:35\\nReads \\\"The Rune\\\" from The Hard Hours.\\n \\nAnthony Hecht\\n00:27:54\\nI guess a really violent change of pace is required, and I can provide it. But you are not to be spared as easily as that. There's another sort of wracking one that comes up in a minute. However, I can interject something in between. There's a little sort of period piece, a Restoration comedy song, sort of, called \\\"The Song of the Flea\\\". It was written...there were a group of poems that I wrote in collaboration with an artist. We did a bestiary together, and he did a whole bunch of very handsome lithographs of animals, and I wrote a few animal poems, and this is one of them.\\n \\nAnthony Hecht\\n00:28:45\\nReads \\\"The Song of the Flea\\\" from The Hard Hours.\\n \\nAnthony Hecht\\n00:29:40\\nNow this, this next, is quite frankly a stinker, I've got to warn you. It's a very unnerving poem. It's a colloquy; there are two voices, but I'm sure you'll have no difficulty telling them apart. There is one speaker who is a kind of compulsive talker, and he has a very patient and somewhat helpless auditor. The poem is called \\\"Behold the Lilies of the Field\\\".\\n \\nAnthony Hecht\\n00:30:18\\nReads \\\"Behold the Lilies of the Field\\\" from The Hard Hours.\\n \\nAnthony Hecht\\n00:34:34\\nThe next is a blessed relief. It's called \\\"Jason\\\", which is the name of my older son, and it's a poem written to celebrate his birth. He was born at the time I was teaching at Smith, and he was born on a Sunday, which has some bearing on the poem, but it conveniently avoided my, disrupting my academic obligations. And it has an epigraph from Doctor Faustus [https://www.wikidata.org/wiki/Q50919], which goes, \\\"And from America, the Golden Fleece\\\".\\n \\nAnthony Hecht\\n00:35:16\\nReads \\\"Jason\\\" from The Hard Hours.\\n \\nAnthony Hecht\\n00:37:12\\nThe next one is also, this is also rather cheery too--well, not really. I told you that I had gone on this New England tour a few years ago, and I began it in Maine [https://www.wikidata.org/wiki/Q724]. Well, I may have been misled [distortion], but I was told at the two or three colleges and universities where I read that Maine was a dry state, and I had so arranged my poems, completely unconsciously, that I had a whole bunch of them that all took place in bars, in bars altogether [audience laughter]. So I had the feeling as I was reading--I couldn't stop, you see, there I was-- after the third poem, I felt that I appeared to be an obsessive alcoholic. [Audience laughter]. This also takes place in a bar. I was born and brought up in New York City, and remember it from the time when Third Avenue had an elevator train that ran down its length. Now, that has all been torn down. But in the old days, not only did it have the elevator train, but it was lined on both sides all the way up and down with bars. The bars are still there. But the advantage of the El was that it cast a nice, gloomy shadow over the whole avenue even on the brightest days, so that you weren't obliged to face utter reality as soon as you stepped outside [audience laughter]. There was a sort of modulating gloom that you got out into. Now that's been torn down, and it's tougher than it was. The poem is called \\\"Third Avenue in Sunlight\\\".\\n \\nAnthony Hecht\\n00:38:45\\nReads \\\"Third Avenue in Sunlight\\\" from The Hard Hours.\\n \\nAnthony Hecht\\n00:40:31\\nThere are two more poems I should like to read. The first of these is called \\\"Birdwatchers of America\\\". It has an epigraph from the journals of Baudelaire [https://www.wikidata.org/wiki/Q501], very near the end of his life. Baudelaire wrote as follows: \\\"I suffer now continually from vertigo, and today, the 23rd of January, 1862, I received a singular warning. I felt the wind of the wing of madness pass over me\\\".\\n \\nAnthony Hecht\\n00:41:14\\nReads \\\"Birdwatchers of America\\\" from The Hard Hours.\\n \\nAnthony Hecht\\n00:42:50\\nThis is called \\\"The End of the Weekend\\\".\\n \\nAnthony Hecht\\n00:42:56\\nReads \\\"The End of the Weekend\\\" from The Hard Hours.\\n \\nAnthony Hecht\\n00:44:38\\nFinally, there is a poem that I must remind you of which I enormously admire, by Matthew Arnold [https://www.wikidata.org/wiki/Q271032]. \\\"Dover Beach\\\" [https://www.wikidata.org/wiki/Q5302469]. I have, in spite of my admiration for it, ventured to write a somewhat impertinent commentary upon it, which is called \\\"The Dover Bitch\\\" and subtitled [audience laughter], \\\"A Criticism of Life\\\", which is what Arnold said poetry ought to be. \\n \\nAnthony Hecht\\n00:45:13\\nReads \\\"The Dover Bitch: A Criticism of Life\\\" from The Hard Hours [audience laughter throughout].\\n \\nEND\\n00:46:55\\n[Cut off abruptly].\",\"notes\":\"Anthony Hecht reads from his book The Hard Hours which was published later in 1967 by Atheneum Press.\\n\\n00:00- Unknown Introducer introduces Anthony Hecht [INDEX: Poetry Reading Committee: Roy Kiyooka, Wynne Francis, Howard Fink, Irving Layton, Stanton Hoffman; New York City, fellow of the American Academy in Rome, A Summoning of Stones published by Macmillan NYC 1954, Seven Deadly Sins published in Northampton, Massachusetts in 1958; poetry editor of The Hudson Review; faculty member of Smith University, New York University, Bard College, University of Rochester; The Hard Hours published by Viking Press, Double Dactyls published by Atheneum Press, AEsopic: twenty four couplets written with Thomas Bewick, Harvard University Press.]\\n01:36- Anthony Hecht introduces “A Hill”. [INDEX: first trip to Canada, cold weather, Italy; from The Hard Hours (Atheneum Press, 1967).]\\n02:21- Reads “A Hill”.\\n04:50- Introduces “A Letter” [INDEX: from The Hard Hours (Atheneum Press, 1967)]\\n04:59- Reads “A Letter”.\\n06:44- Introduces “The Vow”. [INDEX: all poems read from The Hard Hours, miscarriage, ghost of a child.]\\n07:42- Reads “The Vow”.\\n10:01- Introduces “More Light! More Light!”. [INDEX: last words of Goethe, German Enlightenment, poem rejected by The New Yorker, England during the Renaissance,      Buchenwald concentration camps during WWII, book by Eugene Kogan, Nuremburg   Trials, prisoners brought by train, Weimar; from The Hard Hours (Atheneum Press,   \\t1967).]\\n12:01- Reads “More Light! More Light!”.\\n14:36- Introduces \\\"The Man Who Married Magdalen: Variation on a Theme by Louis        Simpson.\\\" [INDEX: Louis Simpson: poet and friend, poem in Simpson’s early books  \\tcalled “The Man Who Married Magdalen”, husband forgiving wife, line from the last  \\tstanza “But when he woke, and woke alone, he wept and would deny the loose    behaviour of the bone, and the immodest thigh”, takes place in a bar, reading tour of   England, Wellesley, Mount Hollyhock, Federal Communications Commission, Boston,     Book of Jonah “Then said the Lord, ‘Dost thou well, to be angry?’”; from The Hard    \\tHours (Atheneum Press, 1967).]\\n17:57- Reads \\\"The Man Who Married Magdalen: Variation on a Theme by Louis \\tSimpson\\\".\\n20:26- Introduces “Message from the City”. [INDEX: from The Hard Hours (Atheneum Press, 1967).]\\n20:37- Reads “Message from the City”.\\n23:02- Introduces “The Rune”. [INDEX: from unknown source.]\\n23:35- Reads “The Rune”.\\n27:54- Introduces “The Song of the Flea”. [INDEX: Restoration comedy song called “The Song of the Flea”, group of poems written in collaboration with an artist, bestiary, lithographs of animals; from The Hard Hours (Atheneum Press, 1967).]\\n28:45- Reads “The Song of the Flea”.\\n29:40- Introduces “Behold the Lilies of the Field”. [INDEX: colloquy, two voices, one   compulsive talker, and a patient auditor; The Hard Hours (Atheneum Press, 1967).]\\n30:18- Reads “Behold the Lilies of the Field”.\\n34:34- Introduces “Jason”. [INDEX: Hecht’s older son to celebrate his birth, teaching at Smith, epigraph from Dr. Faustus “And from America, the Golden Fleece”; The Hard Hours (Atheneum Press, 1967).]\\n35:16- Reads “Jason”.\\n37:12- Introduces “Third Avenue in Sunlight”. [INDEX: New England Tour, began in Maine, dry state, reading poems about bars; born in NYC on Third Avenue elevator train, bars; The Hard Hours (Atheneum Press, 1967).]\\n38:45- Reads “Third Avenue in Sunlight”.\\n40:31- Introduces “Birdwatchers of America”. [INDEX: Epigraph from the journals of Baudelaire “I suffer now continually from vertigo, and today, the 23rd of January 1862, I       received a singular warning. I felt the wind of the wing of madness pass over me.”; The       Hard Hours (Atheneum Press, 1967).]\\n41:14- Reads “Birdwatchers of America”.\\n42:50- Reads “The End of the Weekend”. [INDEX: from The Hard Hours (Atheneum Press, 1967).]\\n44:38- Introduces “The Dover Bitch: A Criticism of Life”. [INDEX: Poem by Matthew Arnold “Dover Beach”, Arnold said poetry ought to be “A criticism of life”; from The Hard     Hours (Atheneum Press, 1967).]\\n45:13- Reads “The Dover Bitch: A Criticism of Life”.\\n46:55.93- END OF RECORDING.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/anthony-hecht-at-sgwu-1966/\"}]"],"score":0.01643844},{"id":"1255","cataloger_name":["Masoumeh,Zaare"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Robert Kelly at Sir George Williams University, The Poetry Series, 4 November 1966"],"item_title_source":["Cataloguer"],"item_title_note":["\"Robert Kelly at Sir George Williams University, Montreal 4 November, 1966\" handwriitten on the back of the tape's box. Date and name also written on spine of the box and stickers on the reel. Additional Info: I086-11-027 and RT 503"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 1"],"item_identifiers":["[]"],"access":["Streaming"],"creator_names":["Kelly, Robert,"],"creator_names_search":["Kelly, Robert,"],"creators":["[{\"url\":\"http://viaf.org/viaf/7411990\",\"name\":\"Kelly, Robert, \",\"dates\":\"1935-\",\"notes\":\"Prolific American poet, Robert Kelly, was born in Brooklyn, New York in 1935. He attended both Columbia University and the City College of New York. He took positions as a translator, later becoming a lecturer and writer-in-residence at several universities, including the California Institute of Technology, Bard College and Tufts University. In 1957, he co-founded and edited the Chelsea Review (now Chelsea) until 1960, after which he co-edited Trobar magazine until 1965. Kelly was involved in the creation of The Blue Yak poetry co-operative in New York City. His first published collection of poems was Armed Descent in 1961 (Hawk’s Well Press), followed by seven other collections including Lunes/Sightings with Jerome Rothenberg in 1964 (Hawk’s Well Press), and Weeks in 1966 (El Corno Emplumado). He began editing Matter magazine in 1963, and has had affiliations with several other magazines like Caterpilar, Los, Alcheringa: Ethnopoetics and Fulcrum. Publishing over forty books of poetry, prose, essays and plays, Kelly’s most notable books include The Scorpions (Doubleday, 1967), Finding the Measure (Black Sparrow Press, 1968), California Journal (Big Venus/Asphodel, 1969), Mill of Particulars (1973), The Loom (1975), The Convections (1978), Kill the Messenger (1979), Spiritual Exercises (1981) and Not This Island Music (1987) all published by Black Sparrow Press. Robert Kelly has been the Asher B. Edelman Professor of Literature at Bard College from 1986 onwards; he was the co-director of The Writing Program and the founding member of the Milton Avery Graduate School of the Arts at Bard College. He has won many awards and honors, including a Doctor of Letters from State University of New York in 1994, the Award for Distinction from the National Academy and Institute of Arts and Letters in 1986 and a National Endowment for the Arts fellowship in 1976.\",\"nation\":[],\"role\":[]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Kodak\",\"generations\":\"Duplicate\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"00:30:00\",\"physical_condition\":\"\",\"track_configuration\":\"2 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"Dates":["[{\"date\":\"1966 11 4\",\"type\":\"Performance Date\",\"notes\":\"Date written on the tape box and on a sticker on the tape reel\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Art Gallery\",\"notes\":\"Location specified in printed announcement \\\"Georgantics\\\" by Bob Simco (Supplemental material)\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Art Gallery"],"City":["Montreal, Quebec"],"content_notes":["Robert Kelly reads from Lectiones (Duende Press, 1965) and Weeks (El Corno Emplumado, 1966) as well as poems from unknown sources."],"contents":["robert_kelly_i086-11-027.mp3\n\nRobert Kelly\n00:00:00\n...Read a couple of poems from a book that came out last year that's very hard to find, it's called Lectiones. These are poems that I offered in the book, very humbly, as poems that I think needed the instrumentation of the human voice, my voice, someone's voice to present them. I don't think they hold on paper. To some extent all of the poems that I've written, all of the poems anyone writes are scores for an eventual ideal performance in someone's mind's ear. More particularly in my poetry any kind of deviation from the margin represents a pitch variation, space left out indicates silence, in an obvious way, I don't know how better to do it, you know Yeats [https://www.wikidata.org/wiki/Q40213] played around with the notion of notation for songs, then he realized the words have to do with, I understand, two of the words must do it, but there are ways of setting them down. This is a poem called \"Dates of the Calendar\".\n \nRobert Kelly\n00:01:11\nReads \"Dates of the Calendar\" [from Lectiones].\n \nRobert Kelly\n00:03:03\nI'd like really, since I've read now tiny fragments, scatter of history, I'd like now for my good to read poems that are very recent, so everything that I read from here on after will be from the summer or after, this past summer. i.e. things that are still urgent with me that I have to deal with, as to say them or give. “King of Death”.\n \nRobert Kelly\n00:03:49\nReads \"King of Death\".\n \nRobert Kelly\n00:04:38\nReads unnamed poem. \n \nRobert Kelly\n00:05:47\nThat's a very difficult poem for me. It's meant to sound difficult. I mean it's not meant to flow and it's filled with rhyme and I think rhyme is the torment. The real reason that rhyme was invented must have been pain, the pain of psychosis, the pain of madness, of hoping by that fictive and easy device to cling to a measure of order, because you can get cling, cling, ring, ring, ring the way the tantric hindus make their gestures of introjection, intro- substance via mantrum, rhyme noises, [unintelligible], they say. Fellini [https://www.wikidata.org/wiki/Q7371] makes fun of it in that 8 ½ [https://www.wikidata.org/wiki/Q12018], the girl in the old Hindu...But I think rhyme is madness and rhyme is pain, and maybe poets will no longer have to be madmen now that we have come to abandon rhyme. Don't you think that free-verse poets are less mad then rhyming poets? [Audience laughter]. They need order somewhere else, they can't keep it there. Alright. I mean A.A. Milne [https://www.wikidata.org/wiki/Q207036] was probably the craziest man in the world. [Audience laughter]. This is a hard poem in a number of ways, the music of it interests me very much, it's a variety, it all fits on one page somehow but it's a long poem. It's based on the word ‘Gala’, the old Greek word for 'milk' from which we get obviously galactose and galactose but also galaxy from milky way, gala way.\n \nRobert Kelly\n00:08:01\nReads unnamed poem. \n\nRobert Kelly\n00:08:11\nLet me try that again.\n\nRobert Kelly\n00:08:013\nReads unnamed poem [restarts]. \n\nRobert Kelly\n00:11:43\nThis is, strange that I should say it, but this is the time of the world, you know, it is now upon us, when women can acquire souls. The whole of our culture is based on the soullessness of women, the woman gets soul from man, from children, from mother, but now perhaps woman is a separate entity, can be a separate entity, even if it means separate from me, but that is a large concern of mine. That's obvious from the poem, why do I have to say this. It comes of teaching and schools [audience laughter], that sort of thing, no one can understand a thing, nobody can understand anything, I can say it and say it again. Here's a poem, last spring, \"Memorial Day\". I looked out and saw the students of the college, oh, scattered on the lawn having a wiener roast or something.\n \nRobert Kelly\n00:13:13\nReads \"Memorial Day\".\n \nRobert Kelly\n00:16:19\nReads unnamed poem. \n \nRobert Kelly\n00:17:22\nI'd like to move back in time a little bit and read you a few sections from this very long poem called \"Weeks\", which is perhaps even going to be out even this month, sometime soon, I've just finished the proofs of it a week or so ago. Let me read you the first one, at any rate, this is not a narrative poem, but it is a continuity of poems, there are 150 sections, some of them are quite short and some of them are fairly long. So there is not what we are trying to call a formal similarity between the sections, there is a continuity of sound and of concern and that's enough.\n \nRobert Kelly\n00:18:35\nReads “Weeks: 1” published later in Weeks. \n \nRobert Kelly\n00:19:05\nIt's deliberately a--what poems do at their beginnings is to set measures of music, to set new measures, not to declare more than the sound of themselves, I think that's important and a long poem might take a section or two or three or ten, in this case I think the first ten sections do no more than to set the measure of the poem. But I don't want to read them all. God, I don't want to read all 150 of them. I tried that once, not publicly, but I couldn't do it, even privately, even with coffee and the ability to s-m-o-k-e, can't do that here…[Audience laughter]. There is much said in this world about city, I mean I see all around me here the evidence of a monumental concern with city, and we're taught to think about Socrates [https://www.wikidata.org/wiki/Q913] and polis and all of that--polis, city, the community of men, and we haven't said all that has to be said about it. In the last 100--the last 50 sections of \"Weeks\" I get very involved with that. I get very involved with the fact that we do build cities as we build rooms with no place to sit down, with no air, and so on and so forth, and the simplest way we can find that objectionable is simple: Animals, but in a different sense we have allowed that sense of community to destroy something that's closer to the bone, that possibility of a man's doing, and this is what experimental art is always about isn't it? A man doing his own work, that's the hardest experiment of all to do and to maintain, to continue doing your work and not somebody else's. So this is 107, it's about 'polis', the Greek word for 'city' if I am not pronouncing it clearly.\n \nRobert Kelly\n00:21:15\nReads “Weeks: 107” published later in Weeks.\n \nRobert Kelly\n00:22:47\nAnd that's followed by 108, which is more specific and is about the murder of a great man [https://www.wikidata.org/wiki/Q43303].   \n \nRobert Kelly\n00:22:57\nReads “Weeks: 108” published later in Weeks. \n \nEND\n00:24:57\n"],"Note":["[{\"note\":\"Year-Specific Information:\\n\\nKelly was working as a visiting professor of Modern Poetry at Tufts University in 1966, and was working on several collections of poetry, such as Devotions (Salitter Books), Twenty Poems (Asphodel), Axon Dendron Tree (Asphodel), Crooked Bridge Love Society (Salitter Books), A Joining: A Sequence for H.D. (Black Sparrow Press), and Alpha (J.Fisher) which all came out in 1967, as well as his first work of fiction, The Scorpions (Doubleday, 1967).\",\"type\":\"General\"},{\"note\":\"Local Connections:\\n\\nKelly’s direct connection to Sir George Williams University is unknown, however as an important and prolific American poet and professor, he was no doubt known to Canadian writers and professors.\",\"type\":\"General\"},{\"note\":\"Original transcript, research, introduction and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Ali Barillaro\",\"type\":\"Cataloguer\"},{\"note\":\"Reel-to-reel tape>CD>digital file\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-twentieth-century-poetry-in-english/oclc/937869379&referer=brief_results\",\"citation\":\"Gray, Robert. \\\"Kelly, Robert\\\". The Oxford Companion to Twentieth-Century Poetry in English. Ian Hamilton (ed). Oxford University Press, 1996. \"},{\"url\":\"https://www.worldcat.org/title/lectiones-for-joan/oclc/123285319&referer=brief_results\",\"citation\":\"Kelly, Robert. Lectiones. New Mexico: Duende Press, 1965. \"},{\"url\":\"https://www.worldcat.org/title/weeks/oclc/8726084&referer=brief_results\",\"citation\":\"Kelly, Robert. Weeks. Mexico: El Corno Emplumado, 1966. \"},{\"url\":\"http://inside.bard.edu/~kelly/about.html\",\"citation\":\"Kelly, Robert. “Curriculum Vitae”. Bard College Website. November 11, 2009. \"},{\"url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/robert-kelly-at-sgwu-1966/\",\"citation\":\"Simco, Bob. “Georgiantics”. The Georgian. Montreal: Sir George Williams University, 4 November 1966. \"},{\"url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/robert-kelly-at-sgwu-1966/\",\"citation\":\"Thoms, Kathleen. “The Electronic Poetry of Robert Kelly”. OP-ED. Montreal: Sir George Williams University, 11 November 1966. \"},{\"url\":\"\",\"citation\":\"“Poetry Readings”. OP-ED. Montreal: Sir George Williams University, 6 October 1967, page  6.\"},{\"url\":\"\",\"citation\":\"“Kelly, Robert, 1935-”. Literature Online Biography. Cambridge: Chadwyck-Healey, 2000.    \"}]"],"_version_":1853670548658192384,"timestamp":"2026-01-07T14:59:53.264Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0086_11_0027_back.jpg\",\"file_path\":\"My Drive>Sir George Williams TIme-Stamped Transcripts>Spokenweb Tape Case Photos taken by Drew Bernet\",\"filename\":\"I0086_11_0027_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Robert Kelly Tape Box - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0086_11_0027_front.jpg\",\"file_path\":\"My Drive>Sir George Williams TIme-Stamped Transcripts>Spokenweb Tape Case Photos taken by Drew Bernet\",\"filename\":\"I0086_11_0027_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Robert Kelly Tape Box - Front\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0086_11_0027_side.jpg\",\"file_path\":\"My Drive>Sir George Williams TIme-Stamped Transcripts>Spokenweb Tape Case Photos taken by Drew Bernet\",\"filename\":\"I0086_11_0027_side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Robert Kelly Tape Box - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0086_11_0027_tape.jpg\",\"file_path\":\"My Drive>Sir George Williams TIme-Stamped Transcripts>Spokenweb Tape Case Photos taken by Drew Bernet\",\"filename\":\"I0086_11_0027_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Robert Kelly Tape Box - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/robert_kelly_i086-11-027.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"robert_kelly_i086-11-027.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:24:57\",\"precision\":\"\",\"size\":\"59.9 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"Robert Kelly\\n00:00:00\\n...Read a couple of poems from a book that came out last year that's very hard to find, it's called Lectiones. These are poems that I offered in the book, very humbly, as poems that I think needed the instrumentation of the human voice, my voice, someone's voice to present them. I don't think they hold on paper. To some extent all of the poems that I've written, all of the poems anyone writes are scores for an eventual ideal performance in someone's mind's ear. More particularly in my poetry any kind of deviation from the margin represents a pitch variation, space left out indicates silence, in an obvious way, I don't know how better to do it, you know Yeats [https://www.wikidata.org/wiki/Q40213] played around with the notion of notation for songs, then he realized the words have to do with, I understand, two of the words must do it, but there are ways of setting them down. This is a poem called \\\"Dates of the Calendar\\\".\\n \\nRobert Kelly\\n00:01:11\\nReads \\\"Dates of the Calendar\\\" [from Lectiones].\\n \\nRobert Kelly\\n00:03:03\\nI'd like really, since I've read now tiny fragments, scatter of history, I'd like now for my good to read poems that are very recent, so everything that I read from here on after will be from the summer or after, this past summer. i.e. things that are still urgent with me that I have to deal with, as to say them or give. “King of Death”.\\n \\nRobert Kelly\\n00:03:49\\nReads \\\"King of Death\\\".\\n \\nRobert Kelly\\n00:04:38\\nReads unnamed poem. \\n \\nRobert Kelly\\n00:05:47\\nThat's a very difficult poem for me. It's meant to sound difficult. I mean it's not meant to flow and it's filled with rhyme and I think rhyme is the torment. The real reason that rhyme was invented must have been pain, the pain of psychosis, the pain of madness, of hoping by that fictive and easy device to cling to a measure of order, because you can get cling, cling, ring, ring, ring the way the tantric hindus make their gestures of introjection, intro- substance via mantrum, rhyme noises, [unintelligible], they say. Fellini [https://www.wikidata.org/wiki/Q7371] makes fun of it in that 8 ½ [https://www.wikidata.org/wiki/Q12018], the girl in the old Hindu...But I think rhyme is madness and rhyme is pain, and maybe poets will no longer have to be madmen now that we have come to abandon rhyme. Don't you think that free-verse poets are less mad then rhyming poets? [Audience laughter]. They need order somewhere else, they can't keep it there. Alright. I mean A.A. Milne [https://www.wikidata.org/wiki/Q207036] was probably the craziest man in the world. [Audience laughter]. This is a hard poem in a number of ways, the music of it interests me very much, it's a variety, it all fits on one page somehow but it's a long poem. It's based on the word ‘Gala’, the old Greek word for 'milk' from which we get obviously galactose and galactose but also galaxy from milky way, gala way.\\n \\nRobert Kelly\\n00:08:01\\nReads unnamed poem. \\n\\nRobert Kelly\\n00:08:11\\nLet me try that again.\\n\\nRobert Kelly\\n00:08:013\\nReads unnamed poem [restarts]. \\n\\nRobert Kelly\\n00:11:43\\nThis is, strange that I should say it, but this is the time of the world, you know, it is now upon us, when women can acquire souls. The whole of our culture is based on the soullessness of women, the woman gets soul from man, from children, from mother, but now perhaps woman is a separate entity, can be a separate entity, even if it means separate from me, but that is a large concern of mine. That's obvious from the poem, why do I have to say this. It comes of teaching and schools [audience laughter], that sort of thing, no one can understand a thing, nobody can understand anything, I can say it and say it again. Here's a poem, last spring, \\\"Memorial Day\\\". I looked out and saw the students of the college, oh, scattered on the lawn having a wiener roast or something.\\n \\nRobert Kelly\\n00:13:13\\nReads \\\"Memorial Day\\\".\\n \\nRobert Kelly\\n00:16:19\\nReads unnamed poem. \\n \\nRobert Kelly\\n00:17:22\\nI'd like to move back in time a little bit and read you a few sections from this very long poem called \\\"Weeks\\\", which is perhaps even going to be out even this month, sometime soon, I've just finished the proofs of it a week or so ago. Let me read you the first one, at any rate, this is not a narrative poem, but it is a continuity of poems, there are 150 sections, some of them are quite short and some of them are fairly long. So there is not what we are trying to call a formal similarity between the sections, there is a continuity of sound and of concern and that's enough.\\n \\nRobert Kelly\\n00:18:35\\nReads “Weeks: 1” published later in Weeks. \\n \\nRobert Kelly\\n00:19:05\\nIt's deliberately a--what poems do at their beginnings is to set measures of music, to set new measures, not to declare more than the sound of themselves, I think that's important and a long poem might take a section or two or three or ten, in this case I think the first ten sections do no more than to set the measure of the poem. But I don't want to read them all. God, I don't want to read all 150 of them. I tried that once, not publicly, but I couldn't do it, even privately, even with coffee and the ability to s-m-o-k-e, can't do that here…[Audience laughter]. There is much said in this world about city, I mean I see all around me here the evidence of a monumental concern with city, and we're taught to think about Socrates [https://www.wikidata.org/wiki/Q913] and polis and all of that--polis, city, the community of men, and we haven't said all that has to be said about it. In the last 100--the last 50 sections of \\\"Weeks\\\" I get very involved with that. I get very involved with the fact that we do build cities as we build rooms with no place to sit down, with no air, and so on and so forth, and the simplest way we can find that objectionable is simple: Animals, but in a different sense we have allowed that sense of community to destroy something that's closer to the bone, that possibility of a man's doing, and this is what experimental art is always about isn't it? A man doing his own work, that's the hardest experiment of all to do and to maintain, to continue doing your work and not somebody else's. So this is 107, it's about 'polis', the Greek word for 'city' if I am not pronouncing it clearly.\\n \\nRobert Kelly\\n00:21:15\\nReads “Weeks: 107” published later in Weeks.\\n \\nRobert Kelly\\n00:22:47\\nAnd that's followed by 108, which is more specific and is about the murder of a great man [https://www.wikidata.org/wiki/Q43303].   \\n \\nRobert Kelly\\n00:22:57\\nReads “Weeks: 108” published later in Weeks. \\n \\nEND\\n00:24:57\\n\",\"notes\":\"Robert Kelly reads from Lectiones (Duende Press, 1965) and Weeks (El Corno Emplumado, 1966) as well as poems from unknown sources.\\n\\n00:00- Robert Kelly introduces reading [INDEX: Lectiones, Reading poetry: techniques, Yeats: spacing and notations of poems]\\n01:11- Reads “Dates of the Calendar”\\n03:03- Introduces “King of Death”\\n03:49- Reads “King of Death”\\n04:38- Reads first line “The sun didn’t know a thing...”\\n05:47- Introduces first line “Galas, star, all the things I meant...” [INDEX: Rhyme, mantrums, Fellini, Poet A.A. Milne, ‘gala’: Greek for ‘milk’, constellations]\\n08:01- Reads first line “Galas, star, all the things I meant...”\\n11:43- Introduces “Memorial Day” [INDEX: Teaching]\\n13:13- Reads “Memorial Day”\\n16:19- Reads first line “This who I have chosen...”\\n17:22- Introduces “Weeks” (Series of 150 poems) [INDEX: Weeks (1966) Formal similarities vs. continuity of sound as ways of connecting poems]\\n18:35- Reads “Weeks: 1”\\n19:05- Introduces “Weeks: 107” [INDEX: Greek word ‘polis’]\\n21:15- Reads “Weeks: 107”\\n22:47- Introduces “Weeks: 108” [INDEX: Malcolm X]\\n22:57- Reads “Weeks: 108”\\n24:57.12- END OF RECORDING\\n  \\nHoward Fink List of Poems:\\n \\n4/11/66\\none 5” reel @ 3 3/4 mono lasting 1/2 hr\\n \\n1.  From book Lectiones, “Dates of the Calendar”\\n2.  “King of Death”\\n3.  first line “The sun didn’t know...”\\n4.  first line “Galas, star...”\\n5.  “Memorial Day”\\n6.  first line “This, who I have chosen...”\\n7.  “Weeks” (selected sections)\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/robert-kelly-at-sgwu-1966/\"}]"],"score":0.01643844},{"id":"1256","cataloger_name":["Masoumeh,Zaare"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Phyllis Webb and Gwendolyn MacEwen at Sir George Williams University, The Poetry Series, 18 November 1966"],"item_title_source":["Cataloguer"],"item_title_note":["“PHYLLIS WEBB. Recorded November 18, 1966 with Gwedolyn MacEwan. 3.75 its, 1/2 track on 1. mil tape” written on sticker on the back of the tape box. Gwendolyn MacEwen's name is misspelled. “PHYLLIS WEBB I006/SR130” written on sticker on the spine of tape box. “i006-11-130” written on sticker on the reel.\n\n\"GWENDOLYN MacEWAN I066/SR161\" written on sticker on the spine of the tape's box. MacEwen is misspelled. \"I006-11-161\" written on sticker on the reel."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 1"],"item_identifiers":["[I006-11-130, I006-11-161]"],"access":["Streaming"],"creator_names":["MacEwen, Gwendolyn","Webb, Phyllis"],"creator_names_search":["MacEwen, Gwendolyn","Webb, Phyllis"],"creators":["[{\"url\":\"http://viaf.org/viaf/115290827\",\"name\":\"MacEwen, Gwendolyn\",\"dates\":\"1941-1987\",\"notes\":\"Poet, novelist and short story writer Gwendolyn MacEwen was born in Toronto in 1941, and spent her childhood there and in Winnipeg. Her first poem was published in The Canadian Forum, and a year later, when she was eighteen, she left school to pursue a career in writing. She self-published her first two collections of poetry, Selah and The drunken clock in 1961 (Aleph Press). In 1962, she briefly married fellow poet Milton Acorn, published her first novel, Julian the magician (Macmillan, 1963), and a collection of poetry, The rising fire (Contact Press, 1963), which established her reputation on the Canadian scene at the age of twenty-two. That same year, her work was published in Jacques Godbout and John Robert Colombo’s anthology Poetry 64/Poesie 64 (Ryerson Press/ Editions du jour, 1963). MacEwen followed this success with poetry collections A Breakfast for Barbarians (Ryerson Press, 1966), The Shadow-Maker (Macmillan, 1969) which won a Governor General’s Award for poetry, The Armies of the Moon (Macmillan, 1972), which won the A.J.M. Smith Poetry Award, Magic Animals: Selected Poems (Macmillan, 1975), The Fire-Eaters (Oberon Press, 1976), The T.E. Lawrence Poems (Mosaic Press/Valley Editions, 1982) and Earthlight: Selected Poems (General Publisher, 1982). She was re-married to Greek singer Nikos Tsingos, who introduced her to worlds Mediterranean. MacEwen published in other genres, including a CBC verse play Terror and Erebus (reprinted as Afterworlds in 1987), novel King of Egypt, King of Dreams (Macmillan, 1971), collections of short stories Norman (Oberon Press, 1972) and Norman’s Land (1985), travel book Mermaids and Ikons: A Greek Summer (Anansi, 1978), a translation of Euripides’ The Trojan Women: A Play (Playwright’s Co-op, 1979), and two children’s books, The chocolate moose (New Canada Publications, 1981) and The honey drum (Mosaic Press, Flatiron Books, 1983).  Her last publication, Afterworlds (McClelland and Stewart, 1987) won a Governor General’s Award, and was published shortly before her death in 1987. Two volumes of selected work appeared posthumously, The poetry of Gwendolyn MacEwen: the early years (Exile Editions, 1993) and The poetry of Gwendolyn MacEwen: the later years (Exile Editions, 1994) edited by Margaret Atwood and Barry Callaghan.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]},{\"url\":\" http://viaf.org/viaf/29847238\",\"name\":\"Webb, Phyllis\",\"dates\":\"1927-2021\",\"notes\":\"Poet Phyllis Webb was born in Victoria, British Columbia in 1927. She completed a B.A. in Philosophy and English at University of British Columbia and at the young age of twenty-two, she ran as a CCF candidate for the B.C. legislature. She finished one year of graduate studies at McGill University in 1950 in Montreal. She traveled and lived in San Francisco, Paris and England before settling back in B.C. where she taught at UBC for four years. Her first poems were published in Trio (Contact Press) in 1954 with Eli Mandel and Gael Turnbull, and in Even your right eye in 1956 (McClelland and Stewart). The Sea is Also a Garden (Ryerson Press) was published in 1952, and Naked poems (Periwinkle Press) was published in 1965. While in Toronto, Phyllis Webb conceived and was executive producer of the CBC radio program “Ideas” from 1966 to 1969. Two years later in 1971, Webb published Selected Poems (Talon Books). Webb’s many publications also include Wilson’s bowl (Coach House Press, 1980), Sunday water: thirteen anti ghazals (Island Writing Series, 1982), The vision tree: selected poems (Talon Books, 1982) which won the Governor General’s Award and Hanging fire (Coach House Press, 1990). Along with poetry, Phyllis Webb also collected her essays, reviews and radio discussions in Taking (1982), Nothing but brush strokes: selected prose (NeWest, 1995). She was the writer-in-residence at the University of Alberta, and taught at University of Victoria and the Banff Centre. Phyllis Webb has also won the Canada Council Senior Arts Award in 1981 and 1987, as well as being awarded an Officer of the Order of Canada in 1992. She lives on Saltspring Island, B.C.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Kiyooka, Roy"],"contributors_names_search":["Kiyooka, Roy"],"contributors":["[{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\",\"Series organizer\"]}]"],"Presenter_name":["Kiyooka, Roy"],"Series_organizer_name":["Kiyooka, Roy"],"Performance_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"Half-track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel","Reel to Reel"],"physical_compositions":["Magnetic Tape","Magnetic Tape"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Mono","Mono"],"Dates":["[{\"date\":\"1966 11 18\",\"type\":\"Performance Date\",\"notes\":\"Date written on sticker on the tape box. Date is also referenced but not specified in \\\"Georgantics\\\" by Bob Simco\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Basement Theatre\",\"notes\":\"Location specified in printed announcement \\\"Georgantics\\\" by Bob Simco (Supplemental material)\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Basement Theatre"],"City":["Montreal, Quebec"],"content_notes":["Phyllis Webb reads from The Sea is Also a Garden (Ryerson Press, 1962), Even Your Right Eye (McClelland & Stewart, 1956), and Naked Poems (Periwinkle Press, 1965). Gwendolyn MacEwen reads from Breakfast for Barbarians (Ryerson Press, 1966) and poems published later in The Shadow-Maker (Macmillan, 1969) and a few unknown poems."],"contents":["phyllis_webb_i006-11-130.mp3 [File 1 of 2]\n\nRoy Kiyooka\n00:00:00\nNow perhaps some of you are wondering what these readings are all about and how the choices made, I have here a slight commentary on that which I would like to read to you. Our answer to this is that we have not attempted to make the series an exhaustive coverage of any particular school or faction of poetry. Nor has our concern been an attempt to seek out the so-called \"great poets\". Our choices have been made with the desire to present to you, hopefully, the possibilities of utterance that is more than parochial. In short, this is our attempt to sound just that diversity that so much characterizes the North American Poetry scene. Now tonight it is my very great pleasure to introduce to you two poets whose distinctiveness is more than the fact of their sex. I want to introduce each poet in turn, Phyllis Webb [https://www.wikidata.org/wiki/Q7188637] will begin the readings and after the intermission, I shall introduce to you Gwendolyn MacEwen [https://www.wikidata.org/wiki/Q4276487]. Now Phyllis Webb has published three books of poems, they are Even Your Right Eye in 1956, The Sea is Also a Garden in ‘62 and Naked Poems in ‘65. Her earlier work appeared in Trio along with Eli Mandel [https://www.wikidata.org/wiki/Q3050883] and Gael Turnbull [https://www.wikidata.org/wiki/Q5516589]. She is currently a program organizer for CBC's [https://www.wikidata.org/wiki/Q461761] Ideas Series [https://www.wikidata.org/wiki/Q5988057]. Ladies and Gentleman, Ms. Phyllis Webb.\n \nUnknown\n00:02:20\n[Cut or edit in tape. Unknown amount of time elapsed].\n \nPhyllis Webb\n00:02:21\nI'd like to begin with a found poem, in that it was simply given to me by a child behaving in my presence. It's called \"Alec\".\n \nPhyllis Webb\n00:02:35\nReads \"Alec\".\n \nPhyllis Webb\n00:04:07\nReads \"Rilke\".\n \nPhyllis Webb\n00:05:58\nThis next poem is called \"Continuum\" and it's not a very extraordinary or terribly good poem even, I don't think, but it came out of a rather extraordinary experience, which was television. And it was simply a news clip from Vietnam [https://www.wikidata.org/wiki/Q881], but this one had soundtrack on it, which made it rather more touching and inspired me to wire the Prime Minister. And shortly after that and I didn't know I was getting to the wire in the middle of it until I got there and it has to do with the almost totally impossibility of separating out objective events  that happen out there in history and in time and one's own private history. \"Continuum\".\n\nPhyllis Webb\n00:07:04\nReads \"Continuum\".\n \nPhyllis Webb\n00:08:34\nI'm afraid I am suffering from the Toronto [https://www.wikidata.org/wiki/Q172] plague which may be rampant here too. The next poem has a title longer than the poem. The title is \"A Loaf of Sliced Bread Wrapped in Cellophane and Bought at the Supermarket Where the Doors Open Without Pushing\".\n \nPhyllis Webb\n00:09:04\nReads \"A Loaf of Sliced Bread Wrapped in Cellophane and Bought at the Supermarket Where the Doors Open Without Pushing\".\n \nPhyllis Webb\n00:09:13\nAnd the next poem is dedicated to Paul Goodman [https://www.wikidata.org/wiki/Q943567], and there is a quotation embedded in the poem which you will probably catch when I come to it. It's a short poem.\n \nPhyllis Webb\n00:09:32\nReads unnamed poem.\n \nPhyllis Webb\n00:10:06\nReads \"Poetry\".\n \nPhyllis Webb\n00:11:54\nI will read now from my volume The Sea is Also a Garden. \"Propositions\".\n \nPhyllis Webb\n00:12:16\nReads \"Propositions\" from The Sea is Also a Garden.\n \nPhyllis Webb\n00:13:28\nThe next poem is one that seems to elicit negative vibrations from an audience in the first three quarters, so go ahead and zoom them at me.\n \nPhyllis Webb\n00:13:43\nReads unnamed poem.\n \nPhyllis Webb\n00:16:02\nI don't think I have the voice to read both sides of this poems tonight, there are two poems, one called \"Breaking\" and one called \"Making\". They're about the creative process that involves both those things, but \"Making\" is rather long and a little hard to read, so I'll read \"Breaking\" which is better probably as a poem.\n \nPhyllis Webb\n00:16:47\nReads \"Breaking\".\n \nPhyllis Webb\n00:19:04\nThe next poem is called \"The Time of Man\" and had a rather interesting genesis. I was reading an article in Horizon [https://www.wikidata.org/wiki/Q3786777] by Dr. Loren Eiseley [https://www.wikidata.org/wiki/Q2634723], which he was putting forward some ideas on evolution and it was very beautifully written this Dr. Eiseley's an excellent stylist as well as a good scientist and I discovered that as I was going through I was marking the sentences and a few days later I began writing a poem and picked up the book and listed the sentences, so this poem takes off from the Eiseley article which is called \"The Time of Man\" in which Eiseley says we must live evolution forward amongst many other interesting things and it is started with quotations, which you will get some of the time and some of the time you won't. I sent it to him for confirmation about the scientific aspects of it, he said okay, I used to write poetry too. \"The Time of Man\".\n \nPhyllis Webb\n00:20:24\nReads \"The Time of Man\".\n \nPhyllis Webb\n00:21:38\nReads \"Sitting\".\n \nPhyllis Webb\n00:22:08\nI want to read an old poem now, which I wrote in Dublin [https://www.wikidata.org/wiki/Q1761], long years ago, if I can find it. It's called \"Poems of Dublin\", where I'd gone on a sort of literary pilgrimage in search of the spirit of Yeats [https://www.wikidata.org/wiki/Q40213] and Joyce [https://www.wikidata.org/wiki/Q6882] among others, it's a very down to earth sort of poem, in four parts.\n \nPhyllis Webb\n00:22:45\nReads \"Poems of Dublin\".\n \nPhyllis Webb\n00:25:33\nI want to move on now to my latest book called Naked Poems and which one of your local critics, or at least he wrote for the Montreal Star [https://www.wikidata.org/wiki/Q3521910] at this particular point, exclaimed of the price because there are so few words in the book. It's 2.25$. These poems are very small, and therefore very expensive and came at a bitter price, I may say, to me. They came quite as a surprise, I didn't know what I was doing when I wrote them, the first fourteen or so I thought, my goodness, what are these little things doing here, and I couldn't quite take them seriously and then I began to see the order that really was intrinsic in them, and realized that here was something, almost a new form for me to work on, and it's very bare, naked, undecorated and I wanted to get rid of all my affectations. And so I decided to write a couple hundred of them, and I wrote about a hundred and then got hung up on a technical problem, and finally reduced them to, I don't know, forty or so that are in this book. So this is a distillation, let's say. I'm going to read the first fourteen which comprise a total poem, in a sense the whole book is a poem. And then I'll read a few more as long as my voice and your patience will hold out. \"Suite I\".\n \nPhyllis Webb\n00:27:56\nReads \"Suite I\" from Naked Poems.\n \nPhyllis Webb\n00:28:53\nReads \"Flies\" from Naked Poems.\n \nPhyllis Webb\n00:29:10\nReads \"Your Blouse\" from Naked Poems.\n \nPhyllis Webb\n00:29:41\nReads \"Suite II\" from Naked Poems.\n \nPhyllis Webb\n00:31:27\nOne of the things I was interested in doing in these poems is again this subjective and the objective, here the subject and the object relationship, so that I use objects just to speak for themselves, in a sense, and yet they are all prismed in the way I see them. And again this impossibility of the dichotomy of subjective-objective.\n \nPhyllis Webb\n00:32:09\nReads unnamed poem from Naked Poems.\n \nEND\n00:32:43\n\n\ngwendolyn_macewan_i006-11-161.mp3 [File 2 of 2]\n\nRoy Kiyooka\n00:00:00\nSecond half of our program...on the second half of our program we will have Gwendolyn MacEwen reading for us. I have notes in my hand concerning her, but on the back of this album, here, a CBC [https://www.wikidata.org/wiki/Q461761] publications release of...is it eight Canadian poets? One, two, three, four… [Audience laughter]. Yes, eight Canadian poets, this album is about to be released very shortly. There's a much more comprehensive biography of her, so I shall read this as an introduction to her. Born in Toronto [https://www.wikidata.org/wiki/Q172] in 1941, began publishing poetry in the Canadian Forum [https://www.wikidata.org/wiki/Q5030045] at age fifteen. She left school at eighteen, a high school dropout, as the sociologists would say [audience applause and laughter] to devote herself to writing. She has published three books of poetry, The Drunken Clock, The Rising Fire, and most recently, A Breakfast for Barbarians. She has also published a novel called Julian the Magician. In 1965, she was awarded the prize for poetry in the CBC's new writing contest. With the aid of a Canada Council [https://www.wikidata.org/wiki/Q2993809] grant, she is currently at work on a novel on the, how do you pronounce the guy's name? [whispers off-mic to MacEwen]...Pharaoh Akhenaten [https://www.wikidata.org/wiki/Q81794] [laughter] of the eighteenth dynasty in Egypt [https://www.wikidata.org/wiki/Q79]. Ladies and gentlemen, Gwendolyn MacEwen.\n \nUnknown\n00:01:47\n[Cut or edit in tape. Unknown amount of time elapsed].\n \nGwendolyn MacEwen\n00:01:47\nSo listen, I had a great idea that if our voices gave out we were just going to open up the record and bring a recorder up on a stage and place the needle in the proper groove, and then just let the record speak for itself. However, I guess the voice is intact. I'm reading first from my latest work, poems from the last year. The first is called \"The Zoo\".\n  \nGwendolyn MacEwen\n00:02:22\nReads \"The Zoo\".\n \nGwendolyn MacEwen\n00:03:38\nNot feeling that I'd sufficiently exploited beasts and things, I wrote another called \"The Taming of the Dragon\".\n \nGwendolyn MacEwen\n00:03:49\nReads \"The Taming of the Dragon\".\n \nGwendolyn MacEwen\n00:04:57\nStill not having exploited the animal kingdom, I wrote a poem which, well, is not connected with the animal kingdom at all, really. It's called \"The Horse-head Nebula\".\n  \nGwendolyn MacEwen\n00:05:12\nReads \"The Horse-head Nebula\".\n \nGwendolyn MacEwen\n00:06:19.86\nReads \"Wheels\".\n \nGwendolyn MacEwen\n00:07:18\nThis is a poem which, oddly enough, came out in a Mexican magazine in Spanish not too long ago, looking completely unrecognizable to me. It's called \"I Should Have Predicted\".\n \nGwendolyn MacEwen\n00:07:38\nReads \"I Should Have Predicted\" [published later in The Shadow-Maker].\n \nGwendolyn MacEwen\n00:08:47\nSome people have asked me if that poem was about Toronto, and I'm at a loss to answer, not having seen horses, riders, chariots, or anything remotely similar in Toronto. Plus the fact, I'm sure many people have predicted the death of Toronto, as far as that goes. I recall Phyllis reading a poem on perhaps an evolutionary theme, and I have one here called \"The Heel\".\n \nGwendolyn MacEwen\n00:09:32\nReads \"The Heel\" [published later in The Shadow-Maker].\n \nGwendolyn MacEwen\n00:11:16\nNow, I think I can safely move into Breakfast for Barbarians. It needs a little preparation, a little cushioning, perhaps. This is a poem called \"The Garden of Square Roots: An Autobiography\".\n \nGwendolyn MacEwen\n00:12:01\nReads \"The Garden of Square Roots: An Autobiography\" from A Breakfast for Barbarians.\n \nGwendolyn MacEwen\n00:13:33\nI think all poets should have some suffering poems, poems of great anguish. So feeling I was somewhat deficient in this area [audience laughter], I made use of a very opportune situation, recovering from an appendectomy in hospital. [Audience laughter]. Deciding that surely this was my moment, if I was ever going to write a painful poem it must be now. [Audience laughter]. So this is \"Appendectomy\".\n \nGwendolyn MacEwen\n00:14:20\nReads \"Appendectomy\".\n \nUnknown\n00:14:22\n[High-pitched sound. Possible damage to recording].\n \nUnknown\n00:14:57\n[High-pitched sound. Possible damage to recording].\n \nGwendolyn MacEwen\n00:15:20\nAlthough I can't say that I'm convinced that that suffering was valid, either. But. The next poem is called \"The Self Assumes\", and I rarely talk about how a poem gets written because it seems mostly irrelevant, but I would remark that the last line of this poem was one of those very strange, surprising things that comes to one almost instantaneously, and one plucks it out of the air. I was very delighted with it. \"The Self Assumes\".\n \nGwendolyn MacEwen\n00:16:08\nReads \"The Self Assumes\".\n \nGwendolyn MacEwen\n00:18:01\nThe next poem is one of a group of poems toward the end of this book where the, I think the tone or the voice takes a somewhat radical departure from the poems in the rest of the book. It's called \"The Caravan\".\n \nGwendolyn MacEwen\n00:18:23\nReads \"The Caravan\" from A Breakfast for Barbarians. \n \nGwendolyn MacEwen\n00:20:29\nI'm trying to locate a poem in this book which I realized doesn't exist. It's somewhere else altogether. I'd like to end this reading with a trilogy of poems. Which are also toward the end of Breakfast for Barbarians. Poems which, for me, represent a stage in my own growth as a poet. They are called the Arcanum poems, I believe they're on the record which Roy Kiyooka [https://www.wikidata.org/wiki/Q3445789] was showing you. \n \nGwendolyn MacEwen\n00:21:15\nReads \"Arcanum One\" from A Breakfast for Barbarians.\n \nGwendolyn MacEwen\n00:22:35\nBefore I go into \"Arcanum Two\", in case anyone is mystified with beetles and suns and various creatures like that, let me say that the book is, the poem, rather, is of an Egyptian theme. A royal house. And the events taking place within it. So we move on: \"Arcanum Two\".\n \nGwendolyn MacEwen\n00:23:05\nReads \"Arcanum Two\" from A Breakfast for Barbarians.\n \nGwendolyn MacEwen\n00:24:33\nAnd finally, \"Arcanum Three\".\n \nGwendolyn MacEwen\n00:24:39\nReads \"Arcanum Three\" from A Breakfast for Barbarians.\n \nGwendolyn MacEwen\n00:25:31\nThank you very much. \n \nUnknown\n00:25:34\n[Cut or edit in tape. Unknown amount of time elapsed]. \n \nRoy Kiyooka\n00:25:34\n...everybody here, I want to thank Gwendolyn MacEwen. Our night three is on December the second. Thank you very much. \n \nEND\n00:25:42\n"],"Note":["[{\"note\":\"Year-Specific Information:\\n\\n In 1966, Phyllis Webb was executive producer of CBC’s “Ideas” radio show in Toronto. She had just published Naked Poems in 1965.\\n\\nIn 1966, Gwendolyn MacEwen published Breakfast for Barbarians (Ryerson Press).\",\"type\":\"General\"},{\"note\":\"\\nLocal Connections:\\n\\nWhile studying at McGill in the early 50’s, she became involved with the literary circle that included F.R. Scott, Louis Dudek and Irving Layton. Her work was published by Toronto’s Coach House Press, McClelland and Stewart, Ryerson University Press and Vancouver’s Talonbooks. She also kept correspondences with George Bowering (Archives Canada).\\n\\nThe direct connection between Sir George Williams University and Gwendolyn MacEwen is unknown. However, MacEwen was an important emerging poet from Toronto, associated with poets Margaret Atwood, and husband Milton Acorn.\",\"type\":\"General\"},{\"note\":\"I006-11-130:\\nOriginal transcript, research, introduction and edits by Celyn Harding-Jones \\n\\nAdditional research and edits by Ali Barillaro\\n\\nI006-11-161:\\nOriginal transcript by Rachel Kyne\\n\\nOriginal print catalogue, research, introduction and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Ali Barillaro\\n\",\"type\":\"Cataloguer\"},{\"note\":\"2 reel-to-reel tapes>2 CDs>2 digital files\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/encyclopedia-of-post-colonial-literatures-in-english-vol-1/oclc/32566813&referer=brief_results\",\"citation\":\"Atwood, Margaret. “MacEwen, Gwendolyn (1941-87)”. Routledge Encyclopedia of Post- Colonial Literatures in English. Eugene Benson & L.W. Connolly (eds). London: Routledge, 1994\"},{\"url\":\"https://www.worldcat.org/title/poetry-of-gwendolyn-macewen-volume-one-the-early-years/oclc/1127735121&referer=brief_results\",\"citation\":\"Atwood, Margaret and Barry Callaghan (eds). The Poetry of Gwendolyn MacEwen; Volume One: The Early Years. Toronto: Exile Editions, 1993. \"},{\"url\":\"https://www.worldcat.org/title/encyclopedia-of-post-colonial-literatures-in-english-vol-1/oclc/32566813&referer=brief_results\",\"citation\":\"Beddoes, Julie. “Webb, Phyllis (1927-)”. Routledge Encyclopedia of Post-Colonial Literatures in English. Eugene Benson and L.W. Conolly (eds). London: Routledge, 1994. \"},{\"url\":\"https://www.worldcat.org/title/contemporary-canadian-poem-anthology/oclc/988192362&referer=brief_results\",\"citation\":\"Bowering, George, ed. The Contemporary Canadian Poetry Anthology. Toronto: Coach House Press, 1994. \"},{\"url\":\"https://www.worldcat.org/title/margaret-atwood-a-biography/oclc/398000144&referer=brief_results\",\"citation\":\"Cooke, Nathalie. Margaret Atwood: A Biography. Toronto: ECW Press, 1998. \"},{\"url\":\"https://www.worldcat.org/title/from-there-to-here-a-guide-to-english-canadian-literature-since-1960-ii-our-nature-our-voices/oclc/878901819&referer=brief_results\",\"citation\":\"Davey, Frank. “Gwendolyn MacEwen”. From There to Here. Erin, Ontario: Press Porcepic, 1974. \"},{\"url\":\"https://www.worldcat.org/title/15-canadian-poets-x2/oclc/977756354&referer=brief_results\",\"citation\":\"Geddes, Gary. “Gwendolyn MacEwen (1941-1987)”. Fifteen Canadian Poets Times Two. Toronto: Oxford University Press, 1990. \"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-canadian-literature/oclc/605246871&referer=brief_results\",\"citation\":\"Geddes, Gary. \\\"Webb, Phyllis\\\". The Oxford Companion to Canadian Literature. Eugene Benson and William Toye (eds). Oxford University Press, 2001. \"},{\"url\":\"http://www.ccca.ca/history/ozz/english/authors/macewen_gwendolyn.html\",\"citation\":\"“Gwendolyn MacEwen (1941-1987)”. One Zero Zero: A Virtual Library of English Canadian Small Press 1945-2044. \"},{\"url\":\"https://www.worldcat.org/title/breakfast-for-barbarians/oclc/468766375&referer=brief_results\",\"citation\":\"MacEwen, Gwendolyn. A Breakfast for Barbarians. Toronto: Ryerson Press, 1966. \"},{\"url\":\"https://www.worldcat.org/title/magic-animals-selected-poems-old-and-new/oclc/643604498&referer=brief_results\",\"citation\":\"MacEwen, Gwendolyn. Magic Animals: Selected Poems Old and New. Toronto: Macmillan, 1974. \"},{\"url\":\"https://www.worldcat.org/title/poets-of-contemporary-canada-1960-1970/oclc/659470&referer=brief_results\",\"citation\":\"Mandel, Eli. “Gwendolyn MacEwen”. Poets of Contemporary Canada 1960-1970. Montreal: McClelland and Stewart, 1972. \"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-twentieth-century-poetry-in-english/oclc/807465072&referer=brief_results\",\"citation\":\"Manhire, Bill.\\\"MacEwen, Gwendolyn\\\". The Oxford Companion to Twentieth-Century Poetry in English. Ian Hamilton (ed). Oxford University Press, 1996. \\n\"},{\"url\":\"https://www.bac-lac.gc.ca/eng/discover/archives-literary/Pages/list-fonds-collections.aspx#p\",\"citation\":\"“Phyllis Webb fonds”. Library and Archives Canada. \"},{\"url\":\"https://www.worldcat.org/title/sea-is-also-a-garden/oclc/422686224&referer=brief_results\",\"citation\":\"Webb, Phyllis. The Sea is Also a Garden. Toronto: Ryerson Press, 1962. \"},{\"url\":\"https://www.worldcat.org/title/even-your-right-eye/oclc/654581694&referer=brief_results\",\"citation\":\"Webb, Phyllis. Even Your Right Eye. Toronto: McClelland & Stewart, 1956. \"},{\"url\":\"https://www.worldcat.org/title/naked-poems/oclc/423359678&referer=brief_results\",\"citation\":\"Webb, Phyllis. Naked Poems. Vancouver: Periwinkle Press, 1965. \"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-canadian-literature/oclc/605246871&referer=brief_results\",\"citation\":\"Woodcock, George & Rosemary Sullivan. \\\"MacEwen, Gwendolyn\\\". The Oxford Companion to Canadian Literature. Eugene Benson and William Toye (eds). Oxford University Press, 2001. \"},{\"url\":\"\",\"citation\":\"MacEwen, Gwendolyn. The Shadow-Maker. Toronto: Macmillan, 1969.\"},{\"url\":\"\",\"citation\":\"“Poetry Readings”. OP-ED. Montreal: Sir George Williams University, 6 October 1967, page 6. \"}]"],"_version_":1853670548660289536,"timestamp":"2026-01-07T14:59:53.264Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0130_back.jpg\",\"file_path\":\"My Drive>Sir George Williams TIme-Stamped Transcripts>Spokenweb Tape Case Photos taken by Drew Bernet\",\"filename\":\"I0006_11_0130_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Phyllis Webb Tape Box - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0130_front.jpg\",\"file_path\":\"My Drive>Sir George Williams TIme-Stamped Transcripts>Spokenweb Tape Case Photos taken by Drew Bernet\",\"filename\":\"I0006_11_0130_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Phyllis Webb Tape Box - 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Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/phyllis_webb_i006-11-130.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"phyllis_webb_i006-11-130.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:32:43\",\"precision\":\"\",\"size\":\"78.5 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"phyllis_webb_i006-11-130.mp3 [File 1 of 2]\\n\\nRoy Kiyooka\\n00:00:00\\nNow perhaps some of you are wondering what these readings are all about and how the choices made, I have here a slight commentary on that which I would like to read to you. Our answer to this is that we have not attempted to make the series an exhaustive coverage of any particular school or faction of poetry. Nor has our concern been an attempt to seek out the so-called \\\"great poets\\\". Our choices have been made with the desire to present to you, hopefully, the possibilities of utterance that is more than parochial. In short, this is our attempt to sound just that diversity that so much characterizes the North American Poetry scene. Now tonight it is my very great pleasure to introduce to you two poets whose distinctiveness is more than the fact of their sex. I want to introduce each poet in turn, Phyllis Webb [https://www.wikidata.org/wiki/Q7188637] will begin the readings and after the intermission, I shall introduce to you Gwendolyn MacEwen [https://www.wikidata.org/wiki/Q4276487]. Now Phyllis Webb has published three books of poems, they are Even Your Right Eye in 1956, The Sea is Also a Garden in ‘62 and Naked Poems in ‘65. Her earlier work appeared in Trio along with Eli Mandel [https://www.wikidata.org/wiki/Q3050883] and Gael Turnbull [https://www.wikidata.org/wiki/Q5516589]. She is currently a program organizer for CBC's [https://www.wikidata.org/wiki/Q461761] Ideas Series [https://www.wikidata.org/wiki/Q5988057]. Ladies and Gentleman, Ms. Phyllis Webb.\\n \\nUnknown\\n00:02:20\\n[Cut or edit in tape. Unknown amount of time elapsed].\\n \\nPhyllis Webb\\n00:02:21\\nI'd like to begin with a found poem, in that it was simply given to me by a child behaving in my presence. It's called \\\"Alec\\\".\\n \\nPhyllis Webb\\n00:02:35\\nReads \\\"Alec\\\".\\n \\nPhyllis Webb\\n00:04:07\\nReads \\\"Rilke\\\".\\n \\nPhyllis Webb\\n00:05:58\\nThis next poem is called \\\"Continuum\\\" and it's not a very extraordinary or terribly good poem even, I don't think, but it came out of a rather extraordinary experience, which was television. And it was simply a news clip from Vietnam [https://www.wikidata.org/wiki/Q881], but this one had soundtrack on it, which made it rather more touching and inspired me to wire the Prime Minister. And shortly after that and I didn't know I was getting to the wire in the middle of it until I got there and it has to do with the almost totally impossibility of separating out objective events  that happen out there in history and in time and one's own private history. \\\"Continuum\\\".\\n\\nPhyllis Webb\\n00:07:04\\nReads \\\"Continuum\\\".\\n \\nPhyllis Webb\\n00:08:34\\nI'm afraid I am suffering from the Toronto [https://www.wikidata.org/wiki/Q172] plague which may be rampant here too. The next poem has a title longer than the poem. The title is \\\"A Loaf of Sliced Bread Wrapped in Cellophane and Bought at the Supermarket Where the Doors Open Without Pushing\\\".\\n \\nPhyllis Webb\\n00:09:04\\nReads \\\"A Loaf of Sliced Bread Wrapped in Cellophane and Bought at the Supermarket Where the Doors Open Without Pushing\\\".\\n \\nPhyllis Webb\\n00:09:13\\nAnd the next poem is dedicated to Paul Goodman [https://www.wikidata.org/wiki/Q943567], and there is a quotation embedded in the poem which you will probably catch when I come to it. It's a short poem.\\n \\nPhyllis Webb\\n00:09:32\\nReads unnamed poem.\\n \\nPhyllis Webb\\n00:10:06\\nReads \\\"Poetry\\\".\\n \\nPhyllis Webb\\n00:11:54\\nI will read now from my volume The Sea is Also a Garden. \\\"Propositions\\\".\\n \\nPhyllis Webb\\n00:12:16\\nReads \\\"Propositions\\\" from The Sea is Also a Garden.\\n \\nPhyllis Webb\\n00:13:28\\nThe next poem is one that seems to elicit negative vibrations from an audience in the first three quarters, so go ahead and zoom them at me.\\n \\nPhyllis Webb\\n00:13:43\\nReads unnamed poem.\\n \\nPhyllis Webb\\n00:16:02\\nI don't think I have the voice to read both sides of this poems tonight, there are two poems, one called \\\"Breaking\\\" and one called \\\"Making\\\". They're about the creative process that involves both those things, but \\\"Making\\\" is rather long and a little hard to read, so I'll read \\\"Breaking\\\" which is better probably as a poem.\\n \\nPhyllis Webb\\n00:16:47\\nReads \\\"Breaking\\\".\\n \\nPhyllis Webb\\n00:19:04\\nThe next poem is called \\\"The Time of Man\\\" and had a rather interesting genesis. I was reading an article in Horizon [https://www.wikidata.org/wiki/Q3786777] by Dr. Loren Eiseley [https://www.wikidata.org/wiki/Q2634723], which he was putting forward some ideas on evolution and it was very beautifully written this Dr. Eiseley's an excellent stylist as well as a good scientist and I discovered that as I was going through I was marking the sentences and a few days later I began writing a poem and picked up the book and listed the sentences, so this poem takes off from the Eiseley article which is called \\\"The Time of Man\\\" in which Eiseley says we must live evolution forward amongst many other interesting things and it is started with quotations, which you will get some of the time and some of the time you won't. I sent it to him for confirmation about the scientific aspects of it, he said okay, I used to write poetry too. \\\"The Time of Man\\\".\\n \\nPhyllis Webb\\n00:20:24\\nReads \\\"The Time of Man\\\".\\n \\nPhyllis Webb\\n00:21:38\\nReads \\\"Sitting\\\".\\n \\nPhyllis Webb\\n00:22:08\\nI want to read an old poem now, which I wrote in Dublin [https://www.wikidata.org/wiki/Q1761], long years ago, if I can find it. It's called \\\"Poems of Dublin\\\", where I'd gone on a sort of literary pilgrimage in search of the spirit of Yeats [https://www.wikidata.org/wiki/Q40213] and Joyce [https://www.wikidata.org/wiki/Q6882] among others, it's a very down to earth sort of poem, in four parts.\\n \\nPhyllis Webb\\n00:22:45\\nReads \\\"Poems of Dublin\\\".\\n \\nPhyllis Webb\\n00:25:33\\nI want to move on now to my latest book called Naked Poems and which one of your local critics, or at least he wrote for the Montreal Star [https://www.wikidata.org/wiki/Q3521910] at this particular point, exclaimed of the price because there are so few words in the book. It's 2.25$. These poems are very small, and therefore very expensive and came at a bitter price, I may say, to me. They came quite as a surprise, I didn't know what I was doing when I wrote them, the first fourteen or so I thought, my goodness, what are these little things doing here, and I couldn't quite take them seriously and then I began to see the order that really was intrinsic in them, and realized that here was something, almost a new form for me to work on, and it's very bare, naked, undecorated and I wanted to get rid of all my affectations. And so I decided to write a couple hundred of them, and I wrote about a hundred and then got hung up on a technical problem, and finally reduced them to, I don't know, forty or so that are in this book. So this is a distillation, let's say. I'm going to read the first fourteen which comprise a total poem, in a sense the whole book is a poem. And then I'll read a few more as long as my voice and your patience will hold out. \\\"Suite I\\\".\\n \\nPhyllis Webb\\n00:27:56\\nReads \\\"Suite I\\\" from Naked Poems.\\n \\nPhyllis Webb\\n00:28:53\\nReads \\\"Flies\\\" from Naked Poems.\\n \\nPhyllis Webb\\n00:29:10\\nReads \\\"Your Blouse\\\" from Naked Poems.\\n \\nPhyllis Webb\\n00:29:41\\nReads \\\"Suite II\\\" from Naked Poems.\\n \\nPhyllis Webb\\n00:31:27\\nOne of the things I was interested in doing in these poems is again this subjective and the objective, here the subject and the object relationship, so that I use objects just to speak for themselves, in a sense, and yet they are all prismed in the way I see them. And again this impossibility of the dichotomy of subjective-objective.\\n \\nPhyllis Webb\\n00:32:09\\nReads unnamed poem from Naked Poems.\\n \\nEND\\n00:32:43\\n\",\"notes\":\"Phyllis Webb reads from The Sea is Also a Garden (Ryerson Press, 1962), Even Your Right Eye (McClelland & Stewart, 1956), and Naked Poems (Periwinkle Press, 1965). \\n\\n00:00- Roy Kiyooka Introduction [INDEX: Kiyooka explains decisions behind Reading Series Poets, North American Poetry scene, Phyllis Webb, Gwendolyn MacEwan, Even Your Right Eye in 1956, The Sea is Also a Garden in 1962 and Naked Poems in 1965 by Phyllis Webb, Trio with Eli Mandel and Gael Turnbull, CBC’s Ideas Series]\\n02:21- Phyllis Webb introduces “Alec” [INDEX: found poem]\\n02:35- Reads “Alec”\\n04:07- Reads “Rilke”\\n05:58- Introduces “Continuum” [INDEX: Television clip from Vietnam, Prime Minister,        objective events and private history]\\n07:04- Reads “Continuum”\\n08:34- Introduces “A Loaf of Sliced Bread Wrapped in Cellophane and Bought at the         Supermarket Where the Doors Open Without Pushing” [INDEX: Toronto]\\n09:04- Reads “A Loaf of Sliced Bread Wrapped in Cellophane and Bought at the   \\tSupermarket Where the Doors Open Without Pushing”\\n09:13- Introduces first line “What decides the vision...” [INDEX: Paul Goodman]\\n09:32- Reads first line “What decides the vision...”\\n10:06- Reads “Poetry”\\n11:54- Introduces “Propositions” [INDEX: from The Sea is Also a Garden]\\n12:16- Reads “Propositions”\\n13:28- Introduces first line “To friends who have also considered suicide...”\\n13:43- Reads first line “To friends who have also considered suicide...”\\n16:02- Introduces “Breaking” [INDEX: “Making”, creative process]\\n16:47- Reads “Breaking”\\n19:04- Introduces “The Time of Man” [INDEX: article in Horizon by Dr. Loren Eiseley,         evolution]\\n20:24- Reads “The Time of Man”\\n21:38- Reads “Sitting”\\n22:08- Introduces “Poems of Dublin” [INDEX: pilgrimage to Dublin, Yeats, Joyce]\\n22:45- Reads “Poems of Dublin”\\n25:33- Reads “Suite I” [INDEX: from Naked Poems, critic from the Montreal Star, writing     process of Naked Poems]\\n28:53- Reads “Flies” [INDEX: not in Howard Fink List of poems]\\n29.10- Reads “Your Blouse” [INDEX: not in Howard Fink List of poems]\\n29:41- Reads “Suite II” [INDEX: not in Howard Fink List of poems]\\n31:27- Introduces first line “An instant of white roses...” [INDEX: in section “Non Linear” in Naked Poems, subject-object relationship; not in Howard Fink List of Poems]\\n32:43.57- END OF RECORDING\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/phyllis-webb-at-sgwu-1966-roy-kiyooka/\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/gwendolyn_macewen_i006-11-161.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"gwendolyn_macewan_i006-11-161.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:25:42\",\"precision\":\"\",\"size\":\"61.7 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"gwendolyn_macewan_i006-11-161.mp3 [File 2 of 2]\\n\\nRoy Kiyooka\\n00:00:00\\nSecond half of our program...on the second half of our program we will have Gwendolyn MacEwen reading for us. I have notes in my hand concerning her, but on the back of this album, here, a CBC [https://www.wikidata.org/wiki/Q461761] publications release of...is it eight Canadian poets? One, two, three, four… [Audience laughter]. Yes, eight Canadian poets, this album is about to be released very shortly. There's a much more comprehensive biography of her, so I shall read this as an introduction to her. Born in Toronto [https://www.wikidata.org/wiki/Q172] in 1941, began publishing poetry in the Canadian Forum [https://www.wikidata.org/wiki/Q5030045] at age fifteen. She left school at eighteen, a high school dropout, as the sociologists would say [audience applause and laughter] to devote herself to writing. She has published three books of poetry, The Drunken Clock, The Rising Fire, and most recently, A Breakfast for Barbarians. She has also published a novel called Julian the Magician. In 1965, she was awarded the prize for poetry in the CBC's new writing contest. With the aid of a Canada Council [https://www.wikidata.org/wiki/Q2993809] grant, she is currently at work on a novel on the, how do you pronounce the guy's name? [whispers off-mic to MacEwen]...Pharaoh Akhenaten [https://www.wikidata.org/wiki/Q81794] [laughter] of the eighteenth dynasty in Egypt [https://www.wikidata.org/wiki/Q79]. Ladies and gentlemen, Gwendolyn MacEwen.\\n \\nUnknown\\n00:01:47\\n[Cut or edit in tape. Unknown amount of time elapsed].\\n \\nGwendolyn MacEwen\\n00:01:47\\nSo listen, I had a great idea that if our voices gave out we were just going to open up the record and bring a recorder up on a stage and place the needle in the proper groove, and then just let the record speak for itself. However, I guess the voice is intact. I'm reading first from my latest work, poems from the last year. The first is called \\\"The Zoo\\\".\\n  \\nGwendolyn MacEwen\\n00:02:22\\nReads \\\"The Zoo\\\".\\n \\nGwendolyn MacEwen\\n00:03:38\\nNot feeling that I'd sufficiently exploited beasts and things, I wrote another called \\\"The Taming of the Dragon\\\".\\n \\nGwendolyn MacEwen\\n00:03:49\\nReads \\\"The Taming of the Dragon\\\".\\n \\nGwendolyn MacEwen\\n00:04:57\\nStill not having exploited the animal kingdom, I wrote a poem which, well, is not connected with the animal kingdom at all, really. It's called \\\"The Horse-head Nebula\\\".\\n  \\nGwendolyn MacEwen\\n00:05:12\\nReads \\\"The Horse-head Nebula\\\".\\n \\nGwendolyn MacEwen\\n00:06:19.86\\nReads \\\"Wheels\\\".\\n \\nGwendolyn MacEwen\\n00:07:18\\nThis is a poem which, oddly enough, came out in a Mexican magazine in Spanish not too long ago, looking completely unrecognizable to me. It's called \\\"I Should Have Predicted\\\".\\n \\nGwendolyn MacEwen\\n00:07:38\\nReads \\\"I Should Have Predicted\\\" [published later in The Shadow-Maker].\\n \\nGwendolyn MacEwen\\n00:08:47\\nSome people have asked me if that poem was about Toronto, and I'm at a loss to answer, not having seen horses, riders, chariots, or anything remotely similar in Toronto. Plus the fact, I'm sure many people have predicted the death of Toronto, as far as that goes. I recall Phyllis reading a poem on perhaps an evolutionary theme, and I have one here called \\\"The Heel\\\".\\n \\nGwendolyn MacEwen\\n00:09:32\\nReads \\\"The Heel\\\" [published later in The Shadow-Maker].\\n \\nGwendolyn MacEwen\\n00:11:16\\nNow, I think I can safely move into Breakfast for Barbarians. It needs a little preparation, a little cushioning, perhaps. This is a poem called \\\"The Garden of Square Roots: An Autobiography\\\".\\n \\nGwendolyn MacEwen\\n00:12:01\\nReads \\\"The Garden of Square Roots: An Autobiography\\\" from A Breakfast for Barbarians.\\n \\nGwendolyn MacEwen\\n00:13:33\\nI think all poets should have some suffering poems, poems of great anguish. So feeling I was somewhat deficient in this area [audience laughter], I made use of a very opportune situation, recovering from an appendectomy in hospital. [Audience laughter]. Deciding that surely this was my moment, if I was ever going to write a painful poem it must be now. [Audience laughter]. So this is \\\"Appendectomy\\\".\\n \\nGwendolyn MacEwen\\n00:14:20\\nReads \\\"Appendectomy\\\".\\n \\nUnknown\\n00:14:22\\n[High-pitched sound. Possible damage to recording].\\n \\nUnknown\\n00:14:57\\n[High-pitched sound. Possible damage to recording].\\n \\nGwendolyn MacEwen\\n00:15:20\\nAlthough I can't say that I'm convinced that that suffering was valid, either. But. The next poem is called \\\"The Self Assumes\\\", and I rarely talk about how a poem gets written because it seems mostly irrelevant, but I would remark that the last line of this poem was one of those very strange, surprising things that comes to one almost instantaneously, and one plucks it out of the air. I was very delighted with it. \\\"The Self Assumes\\\".\\n \\nGwendolyn MacEwen\\n00:16:08\\nReads \\\"The Self Assumes\\\".\\n \\nGwendolyn MacEwen\\n00:18:01\\nThe next poem is one of a group of poems toward the end of this book where the, I think the tone or the voice takes a somewhat radical departure from the poems in the rest of the book. It's called \\\"The Caravan\\\".\\n \\nGwendolyn MacEwen\\n00:18:23\\nReads \\\"The Caravan\\\" from A Breakfast for Barbarians. \\n \\nGwendolyn MacEwen\\n00:20:29\\nI'm trying to locate a poem in this book which I realized doesn't exist. It's somewhere else altogether. I'd like to end this reading with a trilogy of poems. Which are also toward the end of Breakfast for Barbarians. Poems which, for me, represent a stage in my own growth as a poet. They are called the Arcanum poems, I believe they're on the record which Roy Kiyooka [https://www.wikidata.org/wiki/Q3445789] was showing you. \\n \\nGwendolyn MacEwen\\n00:21:15\\nReads \\\"Arcanum One\\\" from A Breakfast for Barbarians.\\n \\nGwendolyn MacEwen\\n00:22:35\\nBefore I go into \\\"Arcanum Two\\\", in case anyone is mystified with beetles and suns and various creatures like that, let me say that the book is, the poem, rather, is of an Egyptian theme. A royal house. And the events taking place within it. So we move on: \\\"Arcanum Two\\\".\\n \\nGwendolyn MacEwen\\n00:23:05\\nReads \\\"Arcanum Two\\\" from A Breakfast for Barbarians.\\n \\nGwendolyn MacEwen\\n00:24:33\\nAnd finally, \\\"Arcanum Three\\\".\\n \\nGwendolyn MacEwen\\n00:24:39\\nReads \\\"Arcanum Three\\\" from A Breakfast for Barbarians.\\n \\nGwendolyn MacEwen\\n00:25:31\\nThank you very much. \\n \\nUnknown\\n00:25:34\\n[Cut or edit in tape. Unknown amount of time elapsed]. \\n \\nRoy Kiyooka\\n00:25:34\\n...everybody here, I want to thank Gwendolyn MacEwen. Our night three is on December the second. Thank you very much. \\n \\nEND\\n00:25:42\\n\",\"notes\":\"Gwendolyn MacEwen reads from Breakfast for Barbarians (Ryerson Press, 1966) and poems published later in The Shadow-Maker (Macmillan, 1969) and a few unknown poems.\\n\\n00:00- Roy Kiyooka introduces Gwendolyn MacEwen. [INDEX: second half of reading, CBC recording of eight Canadian poets (Phyllis Webb, Earle Birney, John Newlove, Al Purdy, Irving Layton, Leonard Cohen, George Bowering and Gwendolyn MacEwen (CBC, 1966), biography, born in Toronto in 1941, publishing poetry at age 15, high school dropout, sociologists, three poetry books: The Drunken Clock, The Rising Fire and Breakfast for Barbarians, novel Julian and the Magician, 1965 award from CBC’s\\nwriting contest, Canada Council grant, Pharaoh Akhenaton and the eighteenth dynasty in Egypt, (perhaps King of Egypt, King of Dreams (Macmillan, 1971)].\\n01:47- Gwendolyn MacEwen introduces reading and “The Zoo”. [INDEX: loss of voice,\\nrecording, record, latest work].\\n02:22- Reads “The Zoo”.\\n03:38- Introduces “The Taming of the Dragon”. [INDEX: exploited beasts].\\n03:49- Reads “The Taming of the Dragon”.\\n04:57- Introduces “The Horse-head Nebula”. [INDEX: exploited the animal kingdom].\\n05:12- Reads “The Horse-head Nebula”.\\n06:19- Reads “Wheels”.\\n07:18- Introduces “I Should Have Predicted”. [INDEX: published in Mexican magazine in\\nSpanish; later published in The Shadow-Maker (Macmillan, 1969)].\\n07:38- Reads “I Should Have Predicted”.\\n08:47- Explains “I Should Have Predicted” and introduces “The Heel”. [INDEX: about\\nToronto, horses, riders, chariots, death of Toronto, Phyllis [Webb] poem, evolutionary\\ntheme; later published in The Shadow-Maker (Macmillan, 1969)].\\n09:32- Reads “The Heel”.\\n11:16- Introduces Breakfast for Barbarians. [INDEX: preparation, cushioning].\\n11:52- Introduces “The Garden of Square Roots: An Autobiography”. [INDEX: from\\nBreakfast for Barbarians].\\n12:01- Reads “The Garden of Square Roots: An Autobiography”.\\n13:33- Introduces “Appendectomy”. [INDEX: suffering poem, poets, appendectomy in hospital,painful poem; from Breakfast for Barbarians].\\n14:20- Reads “Appendectomy”.\\n14:22- Damage to recording\\n14:57- Damage to recording\\n15:20- Explains “Appendectomy”, introduces “The Self Assumes”. [INDEX: suffering,\\nvalidity, how a poem gets written, irrelevant, last line, strange surprise, instantaneous, out of air; from Breakfast for Barbarians].\\n16:08- Reads “The Self Assumes”.\\n18:01- Introduces “The Caravan”. [INDEX: group of poems, tone, voice, radical departure; from Breakfast for Barbarians].\\n18:23- Reads “The Caravan”.\\n20:29- Introduces “Arcanum One”. [INDEX: poem that doesn’t exist, trilogy of poems, at the end of Breakfast for Barbarians, stage in growth as a poet, Arcanum poems, on record, Roy Kiyooka].\\n21:15- Reads “Arcanum One”.\\n22:35- Introduces “Arcanum Two”. [INDEX: beetles, sun, creatures, Egyptian theme, royal house].\\n23:05- Reads “Arcanum Two”.\\n24:33- Reads “Arcanum Three”.\\n25:31- Gwendolyn MacEwen thanks the audience.\\n25:34- Roy Kiyooka thanks Gwendolyn MacEwen, announces date of next reading. [INDEX: next reading December 2].\\n25:42.80- END OF RECORDING.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/gwendolyn-macewen-at-sgwu-1966/\"}]"],"score":0.01643844},{"id":"1257","cataloger_name":["Mahtab,Banihashemi"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Roy Kiyooka and Richard (Dick) Sommer at Sir George Williams University, The Poetry Series, 2 December 1966"],"item_title_source":["Cataloguer"],"item_title_note":["\"R. KIYOOKA 2/12/66\" written on the spine of the tape's box. \"Roy Kiyooka (2 tracls 3 3/4) and I086-11-030\" also written on reel and the tape's box.\n\n\"Dick Sommer Sides 1 & 2  3 3/4\"/sec 2/12/66\" handwriitten on the back of the tape's box. \"I086-11-046\" and \"RT 500\" also written."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 1"],"item_identifiers":["[I086-11-030, I086-11-046]"],"access":["Streaming"],"creator_names":["Sommer, Richard","Kiyooka, Roy"],"creator_names_search":["Sommer, Richard","Kiyooka, Roy"],"creators":["[{\"url\":\"https://viaf.org/viaf/46769463/#Sommer,_Richard\",\"name\":\"Sommer, Richard\",\"dates\":\"1934-2012\",\"notes\":\"Richard Sommer was born on August 27, 1934 in St. Paul, Minnesota. He graduated with a B.A. summa cum laude from the University of Minnesota in 1956, then went on to receive an A.M. in 1957 and a Ph.D. in 1962 from Harvard University. In 1961 Sommer married Gillian Taylor, but remarried Victoria Tansey in 1969, with whom he had two children. Sommer won the American-Scandinavian Foundation fellowship for research in Norway in 1958-9, and published The Odyssey and Primitive Religion in 1962 (Norwegian Universities Press). That same year, he was hired at Sir George Williams College (now Concordia University) as an assistant professor from 1962 to 1967, when he became an associate professor of English in 1967. His second publication, Strangers and Pilgrims: An Essay on the Metaphor of Journey, was published in 1964, written with Georg Roppen (Humanities Press). Sommer’s collections of poetry that have been published by Delta Canada include Homage to Mr. MacMullin (Delta Canada, 1969), The Blue Sky Notebook (New Delta, 1972), Milarepa (New Delta, 1976), Left Hand Mind (New Delta, 1976), The Other Side of Games (New Delta, 1977), and Selected and New Poems (1983) published by Vehicule Press. After Sommer retired from Sir George Williams University, he became increasingly active in environmental conservation, leading the conservation effort of Pinnacle Mountain in Quebec, which was documented in an NFB film, The Poet and the Pinnacle (1995). In the early 2000s, Richard Sommer was diagnosed with prostate cancer and, shortly before his death in 2012, he published Cancer Songs (Signature Editions 2011), a mix of verse and journaling exploring his experiences living with the illness.\",\"nation\":[],\"role\":[\"Performer\",\"Author\",\"Series organizer\"]},{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"Roy Kiyooka was born in Moose Jaw, Saskatchewan in 1926. Sculptor, painter, photographer, poet, film-maker and teacher, he was influential in many important literary and artistic scenes all across Canada. Kiyooka studied fine art at the Provincial Institute of Art and Technology in Alberta, the Institute Allende in Mexico, the University of Saskatchewan, Emma Lake Workshops. He married Monica Dealtry Barker in 1955 and had three children.  He has exhibited his works in numerous cities, including Edmonton, Calgary, San Miguel D’Allende, Saskatoon, Regina, Vancouver, Toronto, New York and Montreal. Kiyooka’s work was shown at the National Gallery of Canada and the Museum of Modern Art in Washington, D.C. He won the silver medal representing Canada at the Sao Paulo Biennial in 1966. Kiyooka taught at various institutions, including Regina College, where he worked from 1956 to 1960, the Vancouver School of Art (Now Emily Carr Institute of Art + Design) from 1960-1965, Sir George Williams University (now Concordia University) from 1966 to 1969 and the University of British Columbia from 1972 to his retirement. During the 60’s, Kiyooka played a crucial role in the artistic renaissance of Vancouver poetry and art, and served to connect the Vancouver scene with the Coach House Press group in Toronto. It was around this time that he began writing poetry, publishing Kyoto airs in 1964 (Periwinkle Press), illustrating Daphne Marlatt’s The unquiet bed in 1967, Nevertheless these eyes also in 1967 (Coach House Press), Stoned gloves in 1970 (Coach House Press), Transcanada letters in 1975 (Talon Books), The Fontainebleau dream machine: 18 frames from a book in 1977 (Coach House Press), and Of seasonal pleasures and small hindrances in 1978 (B.C. Monthly). Pacific windows: collected poems of Roy Kiyooka came out in 1974 (Talon Books), and included a biography, bibliography and notes on his poetry. Pear tree poems came out almost a decade later in 1988 (Coach House Press) and was nominated for a Governor General’s Award. More recently he published Mothertalk: Life Stories of Mary Kiyoshi Kiyooka in 1997(NeWest Press), edited by Daphne Marlatt. Roy Kiyooka died in 1994.\",\"nation\":[],\"role\":[\"Author\",\"Performer\",\"Series organizer\"]}]"],"contributors_names":["Hoffman, Stanton"],"contributors_names_search":["Hoffman, Stanton"],"contributors":["[{\"url\":\"\",\"name\":\"Hoffman, Stanton\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Speaker\"]}]"],"Series_organizer_name":["Hoffman, Stanton"],"Speaker_name":["Hoffman, Stanton"],"Performance_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"BASF\",\"generations\":\"Duplicate\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"2 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Kodak\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"00:50:00\",\"physical_condition\":\"\",\"track_configuration\":\"2 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel","Reel to Reel"],"physical_compositions":["Magnetic Tape","Magnetic Tape"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Mono","Mono"],"Dates":["[{\"date\":\"1966 12 2\",\"type\":\"Performance Date\",\"notes\":\"Date written on the tape box and on a sticker on the tape reel\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Basement Theatre\",\"notes\":\"Location specified in printed announcement \\\"Georgantics\\\" by Bob Simco (Supplemental material)\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Basement Theatre"],"City":["Montreal, Quebec"],"content_notes":["Roy Kiyooka reads from Kyoto Airs (Periwinkle Press, 1964) and poems published later in Nevertheless These Eyes (Coach House Press, 1967). Richard (Dick) Sommer reads poems from an unknown selection of books. "],"contents":["roy_kiyooka_i086-11-030.mp3 [File 1 of 2]\n\nStanton Hoffman\n00:00:00\nOn behalf of the Poetry Reading Committee of Sir George Williams University [https://www.wikidata.org/wiki/Q326342] I wish to welcome you to this, the fifth, in a series of poetry readings, given at this University during 1966-67. Tonight there will be readings by two poets living in Montreal [https://www.wikidata.org/wiki/Q340], and members of the faculty of this university. There will be a fifteen minute intermission in between each reading. Roy Kiyooka [https://www.wikidata.org/wiki/Q3445789] was born in Moose Jaw [https://www.wikidata.org/wiki/Q1019496], Saskatchewan [https://www.wikidata.org/wiki/Q1989], he studied at the Provincial Institute of Technology and Art, the Instituto Allende [https://www.wikidata.org/wiki/Q17989128] in Mexico [https://www.wikidata.org/wiki/Q96], and the University of Saskatchewan [https://www.wikidata.org/wiki/Q1514848] Emma Lake Workshops. He has had one-man exhibitions in Edmonton [https://www.wikidata.org/wiki/Q2096], Calgary [https://www.wikidata.org/wiki/Q36312], San Miguel de Allende [https://www.wikidata.org/wiki/Q4063467], Saskatoon [https://www.wikidata.org/wiki/Q10566], Regina [https://www.wikidata.org/wiki/Q2123], Toronto [https://www.wikidata.org/wiki/Q172], Vancouver [https://www.wikidata.org/wiki/Q24639], Victoria [https://www.wikidata.org/wiki/Q2132], New York City [https://www.wikidata.org/wiki/Q60] and Montreal. He exhibited at the Sao Paulo Biennial [https://www.wikidata.org/wiki/Q653360], where he was one of four painters representing Canada [https://www.wikidata.org/wiki/Q16], and where he received honourable mention and a Silver Medal. His most recent show was held last month at the Laing Galleries [https://www.wikidata.org/wiki/Q28846441] in Toronto. In 1964, his first volume of poems, Kyoto Airs, was published by the Periwinkle Press in Vancouver. His second volume, Nevertheless These Eyes is being published this month, in Montreal by Bev Leech. Ladies and Gentlemen, Mr. Roy Kiyooka.\n \nUnknown\n00:01:24\n[Cut or edit made in tape. Unknown amount of time elapsed].\n\nRoy Kiyooka\n00:01:25\n--want to start off this evening by reading a few poems from my earlier book, the one that Stan mentioned. These poems were written as a result of a summer in Japan [https://www.wikidata.org/wiki/Q17], and they are very much occasional poems, they address themselves to the particular occasion of having been there, and they were meant in part to account for that experience of having been there, to my numerable friends in Vancouver. I'll begin by reading three very short little poems, they all relate to, what should we call it, the various contexts in which I saw the sculptured image of the Buddha. The first one is called \"Waiting Out the Rain\".\n \nRoy Kiyooka\n00:02:51\nReads \"Waiting Out the Rain\" [from Kyoto Airs].\n \nRoy Kiyooka\n00:03:13\nThis is \"Buddha in the Garden\". Again, very brief.\n \nRoy Kiyooka\n00:03:23\nReads \"Buddha in the Garden\" [from Kyoto Airs].\n \nRoy Kiyooka\n00:03:47\nThis is \"Sunday at the Temple\".\n \nRoy Kiyooka\n00:03:53\nReads \"Sunday at the Temple\" [from Kyoto Airs].\n \nRoy Kiyooka\n00:04:20\nAnd this is the image of a Buddha seen in the Kyoto Museum, a reclining figure.\n \nRoy Kiyooka\n00:04:30\nReads unnamed poem [from Kyoto Airs].\n \nRoy Kiyooka\n00:05:01\nNow the next is a sequence of four little poems, very much like the traditional Japanese poems called the Haiku. This is a sequence, the title of which is \"The Stone Garden of Ryoanji\". The first one goes like this:\n \nRoy Kiyooka\n00:05:27\nReads “The Stone Garden of Ryoanji\", part 1 [from Kyoto Airs].\n \nRoy Kiyooka\n00:05:45\nReads “The Stone Garden of Ryoanji\", part 2 [from Kyoto Airs].\n \nRoy Kiyooka\n00:06:07\nReads “The Stone Garden of Ryoanji\", part 3 [from Kyoto Airs].\n \nRoy Kiyooka\n00:06:24\nReads “The Stone Garden of Ryoanji\", part 4 [from Kyoto Airs].\n \nRoy Kiyooka\n00:06:49\nNow this one is called \"Children's Shrine\". Throughout most of the cities and towns and villages all over Japan you'll find way-side shrines, they're frequently just built into the wall in a very narrow street and people on whatever religious occasion come to worship there. This is a shrine particularly for children. And it goes like this:\n \nRoy Kiyooka\n00:07:24\nReads \"Children's Shrine\" [from Kyoto Airs].\n \nRoy Kiyooka\n00:08:41\nWell this is rather a long sequence, once more very short poems, there are eleven of them, and the title of the sequence is simply \"Higashiyama\", now 'higashiyama' means, in English, 'east mountain'.\n \nRoy Kiyooka\n00:09:22\nReads \"Higashiyama\", part 1 [from Kyoto Airs].\n \nRoy Kiyooka\n00:09:39\nReads \"Higashiyama\", part 2 [from Kyoto Airs].\n \nRoy Kiyooka\n00:10:04\nReads \"Higashiyama\", part 3 [from Kyoto Airs].\n \nRoy Kiyooka\n00:10:20\nReads \"Higashiyama\", part 4 [from Kyoto Airs].\n \nRoy Kiyooka\n00:10:38\nReads \"Higashiyama\", part 5 [from Kyoto Airs].\n \nRoy Kiyooka\n00:10:54\nReads \"Higashiyama\", part 6 [from Kyoto Airs].\n \nRoy Kiyooka\n00:11:13\nReads \"Higashiyama\", part 7 [from Kyoto Airs].\n \nRoy Kiyooka\n00:11:38\nReads \"Higashiyama\", part 8 [from Kyoto Airs].\n \nRoy Kiyooka\n00:11:55\nReads \"Higashiyama\", part 9 [from Kyoto Airs].\n \nRoy Kiyooka\n00:12:17\nReads \"Higashiyama\", part 10 [from Kyoto Airs].\n \nRoy Kiyooka\n00:12:43\nReads \"Higashiyama\", part 11 [from Kyoto Airs].\n \nRoy Kiyooka\n00:13:01\nWell I'll go on to the last poem in the book, this is an attempt, as it were, to sum up the varied experiences that I had there. The poem is called \"Itinerary of a View\".\n \nRoy Kiyooka\n00:13:29\nReads \"Itinerary of a View\" [from Kyoto Airs].\n \nRoy Kiyooka\n00:17:07\nI think I need to say a few words about this next group of poems, they were, they're from the book that I am having done at the moment, I started these poems in June 1965 in Montreal when I first came here. I don't know how to tell you this, except that at the time I came, I stayed with Alfred Pinsky [https://www.wikidata.org/wiki/Q21997094], or rather I stayed at his home, at his invitation, while I was looking for a place to live. Now, this took me about two weeks, it was very hot, and in the evenings I used to go through his library and pick up things and scanned them. One evening I came across this book, which was a biography of the English painter, Stanley Spencer [https://www.wikidata.org/wiki/Q1282413]. Spencer, we could say is perhaps the co-partner in the origin and the form and the content of this book. The book is in three parts, the first part is called the mirror, \"The Song the Mirror Sang at Midnight\", and it is prefaced by a quotation from Spencer, which goes like this: \"I am meeting you all the time, and sending my longing for you into chaos, into the darkness, beyond these walls\". I may add that these poems, likewise, are on the whole, very brief, though some are longer.\n \nRoy Kiyooka\n00:19:31\nReads \"The Song the Mirror Sang at Midnight\", part 1 [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:20:34\nReads \"The Song the Mirror Sang at Midnight\", part 2 [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:21:55\nReads \"The Song the Mirror Sang at Midnight\", part 3 published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:22:49\nReads \"The Song the Mirror Sang at Midnight\", part 4 [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:23:23\nReads \"The Song the Mirror Sang at Midnight\", part 5 [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:24:18\nReads \"The Song the Mirror Sang at Midnight\", part 6 [published later in Nevertheless These Eyes].\n\nRoy Kiyooka\n00:24:46\nReads \"The Song the Mirror Sang at Midnight\", part 7 [published later in Nevertheless These Eyes].\n\nRoy Kiyooka\n00:25:24\nReads \"The Song the Mirror Sang at Midnight\", part 8 [published later in Nevertheless These Eyes].\n\nRoy Kiyooka\n00:25:51\nReads \"The Song the Mirror Sang at Midnight\", part 9 [published later in Nevertheless These Eyes].\n\nRoy Kiyooka\n00:26:27\nReads \"The Song the Mirror Sang at Midnight\", part 10 [published later in Nevertheless These Eyes].\n\nRoy Kiyooka\n00:27:02\nReads \"The Song the Mirror Sang at Midnight\", part 11 [published later in Nevertheless These Eyes].\n\nRoy Kiyooka\n00:27:26\nReads \"The Song the Mirror Sang at Midnight\", part 12 [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:28:06\nReads \"The Song the Mirror Sang at Midnight\", part 13 [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:28:36\nReads \"The Song the Mirror Sang at Midnight\", part 14 [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:29:21\nReads \"The Song the Mirror Sang at Midnight\", part 15 [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:30:05\nThe last one in this section.\n \nRoy Kiyooka\n00:30:11\nReads \"The Song the Mirror Sang at Midnight\", part 16 [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:30:53\nThere's a terrible draft coming in from the back, I think you're right Dick, we're going to end up with arthritic ankles. Well, this is the second section, and it is called \"The Proposal\". Once more, prefaced with a remark from Stanley Spencer, a very beautiful one. They are set down, as I found them in the book, I have used them in the context of this section of the book and these four poems, taken from his writings are meant to define certain of her attributes. Now I have given a title to each one of these four poems, and I hope they will clarify the context in which they belong here. \"Portrait of the Beloved\".\n \nRoy Kiyooka\n00:32:06\nReads \"Portrait of the Beloved\" [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:32:56\nThis I called \"The Marriage\".\n \nRoy Kiyooka\n00:33:05\nReads \"The Marriage\" [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:33:37\nThis is called \"The Separation\".\n \nRoy Kiyooka\n00:33:45\nReads \"The Separation\" [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:34:07\nAnd this, is \"Her Apotheosis\".\n \nRoy Kiyooka\n00:34:17\nReads \"Her Apotheosis\" [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:35:23\nThat incidentally, is a description he wrote to a friend about a painting that he in fact had made. From your response, I gathered, it has a comic element, but I don't think that he himself made it that way. [Laughter].\n \nRoy Kiyooka\n00:36:05\nReads unnamed poem.\n \nRoy Kiyooka\n00:38:04\nReads unnamed poem.\n \nRoy Kiyooka\n00:38:36\nThe first stanza of this two-stanza poem is from Spencer, once again.\n \nRoy Kiyooka\n00:38:43\nReads unnamed poem.\n \nRoy Kiyooka\n00:39:34\nThe reference in this poem is to an exemplary sculptor who died many years ago, who obsessionally sculpted the human female form, his name is Gaston Lachaise [https://www.wikidata.org/wiki/Q1495586].\n \nRoy Kiyooka\n00:40:02\nReads unnamed poem.\n\nRoy Kiyooka\n00:40:59.50\nThe title of this poem is the same as the title of the second section, it's \"The Proposal\".\n \nRoy Kiyooka\n00:41:14\nReads \"The Proposal\" [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:42:27\nThis one is called \"The Dance\".\n \nRoy Kiyooka\n00:42:33\nReads \"The Dance\" [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:43:59\nThe title of this poem is called \"Her Admonition\".\n \nRoy Kiyooka\n00:44:06\nReads \"Her Admonition\" [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:45:28\nNow the following five poems are called \"Poems of Resurrection\".\n \nRoy Kiyooka\n00:45:46\nReads \"Poems of Resurrection\", part 1 [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:47:27\nSecond \"Resurrection\" poem.\n \nRoy Kiyooka\n00:47:28\nReads \"Poems of Resurrection\", part 2 [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:48:33\nReads \"Poems of Resurrection\", part 3 [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:49:07\nReads \"Poems of Resurrection\", part 4 [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:49:49\nThe last Resurrection poem, which concludes with a very brief, two-line coda.\n \nRoy Kiyooka\n00:50:01\nReads \"Poems of Resurrection\", part 5 [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:50:51\nNow, the second to last poem is called \"The Visitation\".\n \nRoy Kiyooka\n00:51:16\nReads \"The Visitation\" [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:53:14\nAnd finally,\n \nRoy Kiyooka\n00:53:22\nReads unnamed poem.\n \nRoy Kiyooka\n00:53:56\nWell, this is the final section. This is called \"Nevertheless These Eyes\" and briefly, and again from Spencer, a preface that goes like this: \"I am on this side of angels and dirt\".\n \nRoy Kiyooka\n00:55:25\nReads \"Nevertheless These Eyes\" [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n01:00:20\nAnd finally, by way of acknowledging the nature of this book.\n \nRoy Kiyooka\n01:00:31\nReads unnamed poem [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n01:00:57\nThank you very much--\n\nUnknown\n01:00:59\n[Cut or edit made in tape. Unknown amount of time elapsed].\n\nRoy Kiyooka\n01:01:00\n--and I were reading together, decided we should write one for the occasion, so we have each come up with a haiku. This is my haiku, it's especially for Dick. I have in brackets here, \"A gentle admonition to the audience following my reading, and preceding his\" and it goes like this: \"Let the stone tell how /snow-covered in whiteness, /these words, when his words come.\"\n \nEND\n01:01:42\n\n\nrichard_sommer_i086-11-046.mp3 [File 2 of 2]\n\nStanton Hoffman\n00:00:00\nThe second reader of this evening, Dick Sommer, was born in St. Paul [https://www.wikidata.org/wiki/Q28848], Minnesota [https://www.wikidata.org/wiki/Q1527], and educated at the University of Minnesota [https://www.wikidata.org/wiki/Q238101] where he most recently returned as a visiting Assistant Professor of English, and at Harvard [https://www.wikidata.org/wiki/Q13371]. In 1958 he was a recipient of the Academy of American Poets [https://www.wikidata.org/wiki/Q282096] Prize, and over a period of several years published his poems in the Harvard Advocate. He has given readings in Cambridge [https://www.wikidata.org/wiki/Q49111], Minneapolis [https://www.wikidata.org/wiki/Q36091], and in Oslo [https://www.wikidata.org/wiki/Q585]. Also, he does not want me to mention his scholarly publications: Dash, Which Are, Strangers and Pilgrims, an essay on the Metaphor of the Journey written with Georg Roppen [https://www.wikidata.org/wiki/Q23944662] and published by the Humanities Press [https://www.wikidata.org/wiki/Q97958829] in New York City, as well as by the Norwegian University's Press, in Norway [https://www.wikidata.org/wiki/Q20] and A Monograph, the Odyssey and Primitive Religion, published by the University of Bergen [https://www.wikidata.org/wiki/Q204457] in 1962. Ladies and gentlemen, Mr. Dick Sommer.\n \nRichard (Dick) Sommer\n00:01:02\nI didn't want him to mention those. Oh I've got the deal with Roy, as well. So this is a haiku with, which you'll be glad to know also has seventeen syllables in the title. \"The Haiku to Roy Kiyooka\", in reply to his haiku to me.\n \nRichard (Dick) Sommer\n00:01:31\nReads \"The Haiku to Roy Kiyooka\".\n \nRichard (Dick) Sommer\n00:01:50\nAnd this is the Haiku that began the mess, this was the one that I originally threatened to read to him, and naturally will carry out my threat. Which has a slightly different title, \"Haiku at Roy Kiyooka\"\n \nRichard (Dick) Sommer\n00:02:07\nReads \"Haiku at Roy Kiyooka\".\n \nRichard (Dick) Sommer\n00:02:27\nAnd then there's the one that I think you have on that broadsheet, which as I looked at it, in all of its mimeographed splendor, struck me as sounding a bit, now, like the theme song of the Central Intelligence Agency [https://www.wikidata.org/wiki/Q37230], but I'm sorry about that, I didn't mean it that way when I wrote it.\n \nRichard (Dick) Sommer\n00:02:55\nReads unnamed haiku.\n \nRichard (Dick) Sommer\n00:03:13\nI'm as you've heard, I'm responsible for having written some criticism, sorry about that, but I hope to make it up with the next poem, which is also on your broadsheet. Called the meaning of- \"The Meaning of Poetry\".\n \nRichard (Dick) Sommer\n00:03:36\nReads \"The Meaning of Poetry\".\n \nRichard (Dick) Sommer\n00:04:19\nAnd this next poem, you'll be very happy to know I have my wife's permission to read.\n\nRichard (Dick) Sommer\n00:04:26\nReads unnamed poem.\n \nRichard (Dick) Sommer\n00:05:02\nYou're going to be out of luck if you don't play chess, for this next one. You may be out of luck if you do, but that has more to do with the poem than your ability at chess.\n \nRichard (Dick) Sommer\n00:05:23\nReads unnamed poem. \n \nRichard (Dick) Sommer\n00:06:27\nRoy's given us a series of poems in praise of 'her', I don't know who 'her' is, but I have another name for her myself, she's called the Lady of Situations, and that's the title of this poem. You know, situations in the sense of she's always getting involved, or people are always getting involved. This is that Lady of Situation. And, oh yes, there's some erudition in this one too, there's a marvelous drawing taken from the tomb of Tuthmosis [https://www.wikidata.org/wiki/Q1320491], which appears in the Skera, Egyptian Painting Volume, and you might look it up because she appears there as a tree, a breasted tree, and giving suck to a Pharaoh, it's quite interesting as a painting, anyway, that's in here too.\n \nRichard (Dick) Sommer\n00:07:34\nReads \"Lady of Situation\".\n \nRichard (Dick) Sommer\n00:09:29\nThe, I noticed that the Brotherhood of Railroad Engineers has arranged to have separate drinking glasses, or they're trying to get themselves put into the sanitary code, I think this is Roy's. This must be mine, still water. This next one, I wrote the day following my seeing of a movie that I hope many of you are familiar with, it's the Russian version of Don Quixote [https://www.wikidata.org/wiki/Q49612156], a lovely film, beautiful adaptation of the myth of Don Quixote, and Sancho Panza [https://www.wikidata.org/wiki/Q630823] in the terms of the revolution to come, and I was particularly fascinated to the title that was given to Don Quixote, in this film, so I used it for the title of the poem.\n \nRichard (Dick) Sommer\n00:10:54\nReads \"Don Quixote de la Manchesky\".\n \nRichard (Dick) Sommer\n00:13:25\nThis next one takes its title, this is another area of that reference, takes its title from a little known and very important folk ballad, I had to put something in ethnic here, so this is it. It's, the title is \"The Other Side of the Mountain\", and it comes from that little song that begins \"The bear climbed over the mountain to see what he could see, but the other side of the mountain was all that he could see\".\n \nRichard (Dick) Sommer\n00:14:05\nReads \"The Other Side of the Mountain\".\n \nRichard (Dick) Sommer\n00:17:15\nIncidentally, you must not get the idea that the mountain, you know, came entirely from the, from the, from the song. It, you can find it on the Greater Barrington Quadrangle, for the appropriate section of the Massachusetts [https://www.wikidata.org/wiki/Q771] of the US [https://www.wikidata.org/wiki/Q30] geological survey, it's right on the map. It's really there, it's got position. This poem is in four sections, there are three narrative sections and then there's a short epilogue. And it's called \"My Loveliest Enemies\". I don't think there's any point in keeping you in suspense about this, my loveliest enemies are birds. And that's the punchline, so now you know it and you can listen to the poem.\n \nRichard (Dick) Sommer\n00:18:24\nReads \"My Loveliest Enemies\" [parts 1-3].\n \nRichard (Dick) Sommer\n00:33:12\nAnd here's the epilogue.\n \nRichard (Dick) Sommer\n00:33:19\nReads \"Epilogue\" of \"My Loveliest Enemies\".\n \nRichard (Dick) Sommer\n00:35:52\nIt's a race against not time but against the creeping gelatination, I think is the word of my lower extremities, and I'm sure the creeping sleepiness that is likely to affect you. This next, excuse me, here's to you! This next poem requires an erudite explanation too and I'm sorry for that. I hope, actually, it's not necessary. Alcuin [https://www.wikidata.org/wiki/Q154332], the Charles the King, Alcuin was an 8th century scholar who was brought from his, from the York [https://www.wikidata.org/wiki/Q42462] diocese, to the court of Charlemagne [https://www.wikidata.org/wiki/Q3044], and there became the principal architect of Charlemagne's attempt to bring Latin and Latin culture to the Francs. You might say, I suppose, that he was the first of, first great humanist, but we'll see what his Latin is worth in this poem. This is a letter, written by Alcuin, actually it was written by me, presumably written by Alcuin, to Charles the King.\n \nRichard (Dick) Sommer\n00:37:33\nReads \"Letter written by Alcuin, to Charles the King\".\n \nRichard (Dick) Sommer\n00:41:46\nAnd this poem is, has a title, and a subtitle. The title is \"Concentration\" the subtitle, \"Homage to Eva Jerome\".\n\nEND\n00:42:12\n[Cut off abruptly]."],"Note":["[{\"note\":\"Year-Specific Information:\\n\\nIn 1966, Kiyooka was working on Nevertheless these eyes (1967) and was teaching at Sir George Williams University. He was part of the Reading Series Committee.\\n\\nIn 1966, Richard Sommer was teaching at Sir George Williams University.\\n\\n\",\"type\":\"General\"},{\"note\":\"Local Connections:\\n\\nRoy Kiyooka had many connections all across Canada: he was involved in the poetry renaissance in Vancouver in the 60’s, he was connected to the Coach House poetry group in Toronto, thus he was most likely influential in the communication between Sir George Williams Reading Series and other Canadian poets.\\n\\nRichard Sommer became an important influence and player in Montreal poetry in the 1970’s, associated with Vehicule Press and poets Artie Gold, Ken Norris and Stephen Morrissey.\",\"type\":\"General\"},{\"note\":\"Original transcript, research, introduction and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Ali Barillaro\",\"type\":\"Cataloguer\"},{\"note\":\"2 reel-to-reel tapes>2 CDs>2 digital files\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"https://www.thecanadianencyclopedia.ca/en/article/poetry-in-english\",\"citation\":\"Barbour, Douglas. “Poetry in English: The New Generation: After 1960”. The Canadian Encyclopedia. Historica-Dominion, 2009. \"},{\"url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/gary-snyder-at-sgwu-1971/#1\",\"citation\":\"Boxer, Avi and Bryan McCarthy and Graham Seal. “Re: Reverend Richard J. Sommer”. The Georgian. Montreal: Sir George Williams University, 12 November 1971, page 4. \"},{\"url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/gary-snyder-at-sgwu-1971/#1\",\"citation\":\"Boxer, Avi and Bryan McCarthy and Graham Seal. “Get Your Shit Together...”. The Georgian. Montreal: Sir George Williams University, 19 November 1971, page 4. \"},{\"url\":\"https://www.worldcat.org/title/montreal-english-poetry-of-the-seventies/oclc/1072194565&referer=brief_results\",\"citation\":\"Farkas, Andre & Ken Norris (eds). Montreal English Poetry of the Seventies. Montreal: Vehicule Press, 1977. \"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-canadian-literature/oclc/605246871&referer=brief_results\",\"citation\":\"Hancock, Geoff. \\\"Kiyooka, Roy\\\". The Oxford Companion to Canadian Literature. Eugene Benson and William Toye (eds). Oxford University Press, 2001. \"},{\"url\":\"https://www.worldcat.org/title/kyoto-airs/oclc/70783779&referer=brief_results\",\"citation\":\"Kiyooka, Roy. Kyoto Airs. Vancouver: Periwinkle Press, 1964. \"},{\"url\":\"https://www.worldcat.org/title/nevertheless-these-eyes/oclc/1138698061&referer=brief_results\",\"citation\":\"Kiyooka, Roy. Nevertheless These Eyes. Toronto: Coach House Press, 1967.\"},{\"url\":\"\",\"citation\":\"“Poetry Reading Info”. OP-ED. Montreal: Sir George Williams University, 25 November 1966, page 7. \"},{\"url\":\"\",\"citation\":\"“Poetry Readings”. Post-Grad. Montreal: Sir George Williams University, Spring 1967, page 13.\"},{\"url\":\"https://www.concordia.ca/content/dam/concordia/offices/archives/docs/the-georgian/The%20Georgian_Vol%2031%20no%2010_1967-10-17.pdf\",\"citation\":\"“Prism Awards For Literature”. The Georgian. Montreal: Sir George Williams University, 17 October 1967, page 11.\"},{\"url\":\"\",\"citation\":\"Marlatt, Daphne. “Roy Kiyooka: from eminence to immanence”. West Coast Line: A Journal of Contemporary Writing & Criticism. No. 38.3 (Winter 2005), page 39.\"},{\"url\":\"\",\"citation\":\"\\\"Roy (Kenzie) Kiyooka.\\\" Contemporary Authors Online. Detroit: Gale, 2003.\"},{\"url\":\"\",\"citation\":\"\\\"Richard J(erome) Sommer.\\\" Contemporary Authors Online. Detroit: Gale, 2001. \"},{\"url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/roy-kiyooka-at-sgwu-1966-stanton-hoffman/\",\"citation\":\"Simco, Bob. “Georgantics”. The Georgian. Montreal: Sir George Williams University, 2 December 1966. \"},{\"url\":\"https://www.worldcat.org/title/4-montreal-poets-peter-van-toorn-marc-plourde-arty-gold-richard-sommer/oclc/622296821&referer=brief_results\",\"citation\":\"Solway, David. 4 Montreal poets: Peter van Toorn, Marc Plourde, Arty Gold and Richard       Sommer. Fredericton, N.B., Fiddlehead Poetry Books, 1973. \"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-canadian-literature/oclc/605246871&referer=brief_results\",\"citation\":\"Stevens, Peter. \\\"Sommer, Richard\\\". The Oxford Companion to Canadian Literature. Eugene Benson and William Toye (eds). Oxford University Press, 2001.  \"},{\"url\":\"http://www.jrank.org/literature/pages/8722/Richard-Sommer.html#ixzz0Zb3DRqFx\",\"citation\":\"Stevens, Peter. “Richard Sommer Biography- (b.1934), The Poet and the Pinnacle, Blue sky notebook, The other side of games”. Literature Reference: American Literature, English Literature, Classics & Modern Fiction. \"},{\"url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/roy-kiyooka-at-sgwu-1966-stanton-hoffman/\",\"citation\":\"Stock, Sandra. “Kiyooka Examined”. The Georgian. Montreal: Sir George Williams University, 4 November 1966. \"}]"],"_version_":1853670548665532416,"timestamp":"2026-01-07T14:59:53.264Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0086_11_0030_side.jpg\",\"file_path\":\"My Drive>Sir George Williams TIme-Stamped Transcripts>Spokenweb Tape Case Photos taken by Drew Bernet\",\"filename\":\"I0086_11_0030_side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Roy Kiyooka Tape Box - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0086_11_0030_back.jpg\",\"file_path\":\"My Drive>Sir George Williams TIme-Stamped Transcripts>Spokenweb Tape Case Photos taken by Drew Bernet\",\"filename\":\"I0086_11_0030_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Roy Kiyooka Tape Box - 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Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/richard_sommer_i086-11-046.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"richard_sommer_i086-11-046.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:42:12\",\"precision\":\"\",\"size\":\"101.3 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"richard_sommer_i086-11-046.mp3 [File 2 of 2]\\n\\nStanton Hoffman\\n00:00:00\\nThe second reader of this evening, Dick Sommer, was born in St. Paul [https://www.wikidata.org/wiki/Q28848], Minnesota [https://www.wikidata.org/wiki/Q1527], and educated at the University of Minnesota [https://www.wikidata.org/wiki/Q238101] where he most recently returned as a visiting Assistant Professor of English, and at Harvard [https://www.wikidata.org/wiki/Q13371]. In 1958 he was a recipient of the Academy of American Poets [https://www.wikidata.org/wiki/Q282096] Prize, and over a period of several years published his poems in the Harvard Advocate. He has given readings in Cambridge [https://www.wikidata.org/wiki/Q49111], Minneapolis [https://www.wikidata.org/wiki/Q36091], and in Oslo [https://www.wikidata.org/wiki/Q585]. Also, he does not want me to mention his scholarly publications: Dash, Which Are, Strangers and Pilgrims, an essay on the Metaphor of the Journey written with Georg Roppen [https://www.wikidata.org/wiki/Q23944662] and published by the Humanities Press [https://www.wikidata.org/wiki/Q97958829] in New York City, as well as by the Norwegian University's Press, in Norway [https://www.wikidata.org/wiki/Q20] and A Monograph, the Odyssey and Primitive Religion, published by the University of Bergen [https://www.wikidata.org/wiki/Q204457] in 1962. Ladies and gentlemen, Mr. Dick Sommer.\\n \\nRichard (Dick) Sommer\\n00:01:02\\nI didn't want him to mention those. Oh I've got the deal with Roy, as well. So this is a haiku with, which you'll be glad to know also has seventeen syllables in the title. \\\"The Haiku to Roy Kiyooka\\\", in reply to his haiku to me.\\n \\nRichard (Dick) Sommer\\n00:01:31\\nReads \\\"The Haiku to Roy Kiyooka\\\".\\n \\nRichard (Dick) Sommer\\n00:01:50\\nAnd this is the Haiku that began the mess, this was the one that I originally threatened to read to him, and naturally will carry out my threat. Which has a slightly different title, \\\"Haiku at Roy Kiyooka\\\"\\n \\nRichard (Dick) Sommer\\n00:02:07\\nReads \\\"Haiku at Roy Kiyooka\\\".\\n \\nRichard (Dick) Sommer\\n00:02:27\\nAnd then there's the one that I think you have on that broadsheet, which as I looked at it, in all of its mimeographed splendor, struck me as sounding a bit, now, like the theme song of the Central Intelligence Agency [https://www.wikidata.org/wiki/Q37230], but I'm sorry about that, I didn't mean it that way when I wrote it.\\n \\nRichard (Dick) Sommer\\n00:02:55\\nReads unnamed haiku.\\n \\nRichard (Dick) Sommer\\n00:03:13\\nI'm as you've heard, I'm responsible for having written some criticism, sorry about that, but I hope to make it up with the next poem, which is also on your broadsheet. Called the meaning of- \\\"The Meaning of Poetry\\\".\\n \\nRichard (Dick) Sommer\\n00:03:36\\nReads \\\"The Meaning of Poetry\\\".\\n \\nRichard (Dick) Sommer\\n00:04:19\\nAnd this next poem, you'll be very happy to know I have my wife's permission to read.\\n\\nRichard (Dick) Sommer\\n00:04:26\\nReads unnamed poem.\\n \\nRichard (Dick) Sommer\\n00:05:02\\nYou're going to be out of luck if you don't play chess, for this next one. You may be out of luck if you do, but that has more to do with the poem than your ability at chess.\\n \\nRichard (Dick) Sommer\\n00:05:23\\nReads unnamed poem. \\n \\nRichard (Dick) Sommer\\n00:06:27\\nRoy's given us a series of poems in praise of 'her', I don't know who 'her' is, but I have another name for her myself, she's called the Lady of Situations, and that's the title of this poem. You know, situations in the sense of she's always getting involved, or people are always getting involved. This is that Lady of Situation. And, oh yes, there's some erudition in this one too, there's a marvelous drawing taken from the tomb of Tuthmosis [https://www.wikidata.org/wiki/Q1320491], which appears in the Skera, Egyptian Painting Volume, and you might look it up because she appears there as a tree, a breasted tree, and giving suck to a Pharaoh, it's quite interesting as a painting, anyway, that's in here too.\\n \\nRichard (Dick) Sommer\\n00:07:34\\nReads \\\"Lady of Situation\\\".\\n \\nRichard (Dick) Sommer\\n00:09:29\\nThe, I noticed that the Brotherhood of Railroad Engineers has arranged to have separate drinking glasses, or they're trying to get themselves put into the sanitary code, I think this is Roy's. This must be mine, still water. This next one, I wrote the day following my seeing of a movie that I hope many of you are familiar with, it's the Russian version of Don Quixote [https://www.wikidata.org/wiki/Q49612156], a lovely film, beautiful adaptation of the myth of Don Quixote, and Sancho Panza [https://www.wikidata.org/wiki/Q630823] in the terms of the revolution to come, and I was particularly fascinated to the title that was given to Don Quixote, in this film, so I used it for the title of the poem.\\n \\nRichard (Dick) Sommer\\n00:10:54\\nReads \\\"Don Quixote de la Manchesky\\\".\\n \\nRichard (Dick) Sommer\\n00:13:25\\nThis next one takes its title, this is another area of that reference, takes its title from a little known and very important folk ballad, I had to put something in ethnic here, so this is it. It's, the title is \\\"The Other Side of the Mountain\\\", and it comes from that little song that begins \\\"The bear climbed over the mountain to see what he could see, but the other side of the mountain was all that he could see\\\".\\n \\nRichard (Dick) Sommer\\n00:14:05\\nReads \\\"The Other Side of the Mountain\\\".\\n \\nRichard (Dick) Sommer\\n00:17:15\\nIncidentally, you must not get the idea that the mountain, you know, came entirely from the, from the, from the song. It, you can find it on the Greater Barrington Quadrangle, for the appropriate section of the Massachusetts [https://www.wikidata.org/wiki/Q771] of the US [https://www.wikidata.org/wiki/Q30] geological survey, it's right on the map. It's really there, it's got position. This poem is in four sections, there are three narrative sections and then there's a short epilogue. And it's called \\\"My Loveliest Enemies\\\". I don't think there's any point in keeping you in suspense about this, my loveliest enemies are birds. And that's the punchline, so now you know it and you can listen to the poem.\\n \\nRichard (Dick) Sommer\\n00:18:24\\nReads \\\"My Loveliest Enemies\\\" [parts 1-3].\\n \\nRichard (Dick) Sommer\\n00:33:12\\nAnd here's the epilogue.\\n \\nRichard (Dick) Sommer\\n00:33:19\\nReads \\\"Epilogue\\\" of \\\"My Loveliest Enemies\\\".\\n \\nRichard (Dick) Sommer\\n00:35:52\\nIt's a race against not time but against the creeping gelatination, I think is the word of my lower extremities, and I'm sure the creeping sleepiness that is likely to affect you. This next, excuse me, here's to you! This next poem requires an erudite explanation too and I'm sorry for that. I hope, actually, it's not necessary. Alcuin [https://www.wikidata.org/wiki/Q154332], the Charles the King, Alcuin was an 8th century scholar who was brought from his, from the York [https://www.wikidata.org/wiki/Q42462] diocese, to the court of Charlemagne [https://www.wikidata.org/wiki/Q3044], and there became the principal architect of Charlemagne's attempt to bring Latin and Latin culture to the Francs. You might say, I suppose, that he was the first of, first great humanist, but we'll see what his Latin is worth in this poem. This is a letter, written by Alcuin, actually it was written by me, presumably written by Alcuin, to Charles the King.\\n \\nRichard (Dick) Sommer\\n00:37:33\\nReads \\\"Letter written by Alcuin, to Charles the King\\\".\\n \\nRichard (Dick) Sommer\\n00:41:46\\nAnd this poem is, has a title, and a subtitle. The title is \\\"Concentration\\\" the subtitle, \\\"Homage to Eva Jerome\\\".\\n\\nEND\\n00:42:12\\n[Cut off abruptly].\",\"notes\":\"Richard (Dick) Sommer reads poems from an unknown selection of books. \\n\\n00:00- Stanton Hoffman introduces Richard/Dick Sommer [INDEX: St. Paul, Minnesota,         University of Minnesota, Harvard, published in Harvard Advocate, Academy of    American Poets Prize, Readings in Cambridge, Minneapolis, Oslo, Strangers and    Pilgrims: an essay on the Metaphor of Journey by Richard Sommer and Georg Roppen,  published by Humanities Press in New York City and by the Norwegian University Press, Monograph, the Odyssey and Primitive Religion by Richard Sommer, published by University of Bergen 1962, Criticism: Dash, Which Are]\\n01:02- Introduces “The Haiku to Roy Kiyooka” [INDEX: Haiku Battle with Roy Kiyooka]\\n01:31- Reads “The Haiku to Roy Kiyooka”\\n01:50- Introduces “Haiku at Roy Kiyooka”\\n02:07- Reads “Haiku at Roy Kiyooka”\\n02:27- Introduces first line haiku “The little known eye...” [INDEX: C.I.A.]\\n02:55- Reads first line “The little known eye...”\\n03:13- Introduces “The Meaning of Poetry” [INDEX: Writing criticism]\\n03:36- Reads “The Meaning of Poetry”\\n04:19- Introduces first line “The figure eight....”\\n04:26- Reads first line “The figure eight...”\\n05:02- Introduces first line “How much wildness in that horseman’s eye...” [INDEX: Chess]\\n05:23- Reads “How much wildness in that horseman’s eye...”\\n06:27- Introduces “Lady of Situation” [INDEX: Tomb of Tuthmosis, Skera- Egyptian Painting Volume, Pharaoh]\\n07:34- Reads “Lady of Situation”\\n09:29- Introduces “Don Quixote de la Manchesky” [INDEX: Brotherhood of Railroad   Engineers, Don Quixote: Russian Film “Don Kikhot”, Sancho Panza]\\n10:54- Reads “Don Quixote de la Manchesky”\\n13:25- Introduces “The Other Side of the Mountain” [INDEX: Folk ballads]\\n14:05- Reads “The Other Side of the Mountain”\\n17:15- Introduces “My Loveliest Enemies” [INDEX: Greater Barrington Quadrangle]\\n18:24- Reads “My Loveliest Enemies” parts 1-3\\n33:19- Reads “Epilogue” from “My Loveliest Enemies”\\n35:52- Introduces “Letter Written by Alcuin, to Charles the King” [INDEX: Alcuin \\t, Charlemange, 8th Century Scholars, Latin; Howard Fink List “Great Lord”.]\\n37:33- Reads “Letter Written by Alcowen, to Charles the King” [sp?]\\n41:46- Introduces “Concentration: Homage to Eva Jerome” (poem is never read)\\n42:12.32- END OF RECORDING\\n\\nHoward Fink List: 2/12/66\\n 3 3/4, on one 5” reel, two tracks mono, 50 mins\\n \\n1.  Haiku for Roy Kiyooka first line “the snow melts...”\\n2.  Haiku at Roy Kiyooka first line “I hear Roy speak...”\\n3.  Haiku first line “The little known eye...”\\n4.  “The Meaning of Poetry”\\n5.  first line “The figure eight...:\\n6.  first line “How much wilderness in that horses eye...”\\n7.   “The Lady of Situations”\\n8.  “Don Quixote de la Manchasky”\\n9.  “The Other Side of the Mountain”\\n10.  A poem in four sections: “My Loveliest Enemies” parts of section one missing\\n11. first line “Great Lord...”\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/richard-dick-sommer-at-sgwu-1966-stanton-hoffman/\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/roy_kiyooka_i086-11-030.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"roy_kiyooka_i086-11-030.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:01:42\",\"precision\":\"\",\"size\":\"148.1 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"roy_kiyooka_i086-11-030.mp3 [File 1 of 2]\\n\\nStanton Hoffman\\n00:00:00\\nOn behalf of the Poetry Reading Committee of Sir George Williams University [https://www.wikidata.org/wiki/Q326342] I wish to welcome you to this, the fifth, in a series of poetry readings, given at this University during 1966-67. Tonight there will be readings by two poets living in Montreal [https://www.wikidata.org/wiki/Q340], and members of the faculty of this university. There will be a fifteen minute intermission in between each reading. Roy Kiyooka [https://www.wikidata.org/wiki/Q3445789] was born in Moose Jaw [https://www.wikidata.org/wiki/Q1019496], Saskatchewan [https://www.wikidata.org/wiki/Q1989], he studied at the Provincial Institute of Technology and Art, the Instituto Allende [https://www.wikidata.org/wiki/Q17989128] in Mexico [https://www.wikidata.org/wiki/Q96], and the University of Saskatchewan [https://www.wikidata.org/wiki/Q1514848] Emma Lake Workshops. He has had one-man exhibitions in Edmonton [https://www.wikidata.org/wiki/Q2096], Calgary [https://www.wikidata.org/wiki/Q36312], San Miguel de Allende [https://www.wikidata.org/wiki/Q4063467], Saskatoon [https://www.wikidata.org/wiki/Q10566], Regina [https://www.wikidata.org/wiki/Q2123], Toronto [https://www.wikidata.org/wiki/Q172], Vancouver [https://www.wikidata.org/wiki/Q24639], Victoria [https://www.wikidata.org/wiki/Q2132], New York City [https://www.wikidata.org/wiki/Q60] and Montreal. He exhibited at the Sao Paulo Biennial [https://www.wikidata.org/wiki/Q653360], where he was one of four painters representing Canada [https://www.wikidata.org/wiki/Q16], and where he received honourable mention and a Silver Medal. His most recent show was held last month at the Laing Galleries [https://www.wikidata.org/wiki/Q28846441] in Toronto. In 1964, his first volume of poems, Kyoto Airs, was published by the Periwinkle Press in Vancouver. His second volume, Nevertheless These Eyes is being published this month, in Montreal by Bev Leech. Ladies and Gentlemen, Mr. Roy Kiyooka.\\n \\nUnknown\\n00:01:24\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n\\nRoy Kiyooka\\n00:01:25\\n--want to start off this evening by reading a few poems from my earlier book, the one that Stan mentioned. These poems were written as a result of a summer in Japan [https://www.wikidata.org/wiki/Q17], and they are very much occasional poems, they address themselves to the particular occasion of having been there, and they were meant in part to account for that experience of having been there, to my numerable friends in Vancouver. I'll begin by reading three very short little poems, they all relate to, what should we call it, the various contexts in which I saw the sculptured image of the Buddha. The first one is called \\\"Waiting Out the Rain\\\".\\n \\nRoy Kiyooka\\n00:02:51\\nReads \\\"Waiting Out the Rain\\\" [from Kyoto Airs].\\n \\nRoy Kiyooka\\n00:03:13\\nThis is \\\"Buddha in the Garden\\\". Again, very brief.\\n \\nRoy Kiyooka\\n00:03:23\\nReads \\\"Buddha in the Garden\\\" [from Kyoto Airs].\\n \\nRoy Kiyooka\\n00:03:47\\nThis is \\\"Sunday at the Temple\\\".\\n \\nRoy Kiyooka\\n00:03:53\\nReads \\\"Sunday at the Temple\\\" [from Kyoto Airs].\\n \\nRoy Kiyooka\\n00:04:20\\nAnd this is the image of a Buddha seen in the Kyoto Museum, a reclining figure.\\n \\nRoy Kiyooka\\n00:04:30\\nReads unnamed poem [from Kyoto Airs].\\n \\nRoy Kiyooka\\n00:05:01\\nNow the next is a sequence of four little poems, very much like the traditional Japanese poems called the Haiku. This is a sequence, the title of which is \\\"The Stone Garden of Ryoanji\\\". The first one goes like this:\\n \\nRoy Kiyooka\\n00:05:27\\nReads “The Stone Garden of Ryoanji\\\", part 1 [from Kyoto Airs].\\n \\nRoy Kiyooka\\n00:05:45\\nReads “The Stone Garden of Ryoanji\\\", part 2 [from Kyoto Airs].\\n \\nRoy Kiyooka\\n00:06:07\\nReads “The Stone Garden of Ryoanji\\\", part 3 [from Kyoto Airs].\\n \\nRoy Kiyooka\\n00:06:24\\nReads “The Stone Garden of Ryoanji\\\", part 4 [from Kyoto Airs].\\n \\nRoy Kiyooka\\n00:06:49\\nNow this one is called \\\"Children's Shrine\\\". Throughout most of the cities and towns and villages all over Japan you'll find way-side shrines, they're frequently just built into the wall in a very narrow street and people on whatever religious occasion come to worship there. This is a shrine particularly for children. And it goes like this:\\n \\nRoy Kiyooka\\n00:07:24\\nReads \\\"Children's Shrine\\\" [from Kyoto Airs].\\n \\nRoy Kiyooka\\n00:08:41\\nWell this is rather a long sequence, once more very short poems, there are eleven of them, and the title of the sequence is simply \\\"Higashiyama\\\", now 'higashiyama' means, in English, 'east mountain'.\\n \\nRoy Kiyooka\\n00:09:22\\nReads \\\"Higashiyama\\\", part 1 [from Kyoto Airs].\\n \\nRoy Kiyooka\\n00:09:39\\nReads \\\"Higashiyama\\\", part 2 [from Kyoto Airs].\\n \\nRoy Kiyooka\\n00:10:04\\nReads \\\"Higashiyama\\\", part 3 [from Kyoto Airs].\\n \\nRoy Kiyooka\\n00:10:20\\nReads \\\"Higashiyama\\\", part 4 [from Kyoto Airs].\\n \\nRoy Kiyooka\\n00:10:38\\nReads \\\"Higashiyama\\\", part 5 [from Kyoto Airs].\\n \\nRoy Kiyooka\\n00:10:54\\nReads \\\"Higashiyama\\\", part 6 [from Kyoto Airs].\\n \\nRoy Kiyooka\\n00:11:13\\nReads \\\"Higashiyama\\\", part 7 [from Kyoto Airs].\\n \\nRoy Kiyooka\\n00:11:38\\nReads \\\"Higashiyama\\\", part 8 [from Kyoto Airs].\\n \\nRoy Kiyooka\\n00:11:55\\nReads \\\"Higashiyama\\\", part 9 [from Kyoto Airs].\\n \\nRoy Kiyooka\\n00:12:17\\nReads \\\"Higashiyama\\\", part 10 [from Kyoto Airs].\\n \\nRoy Kiyooka\\n00:12:43\\nReads \\\"Higashiyama\\\", part 11 [from Kyoto Airs].\\n \\nRoy Kiyooka\\n00:13:01\\nWell I'll go on to the last poem in the book, this is an attempt, as it were, to sum up the varied experiences that I had there. The poem is called \\\"Itinerary of a View\\\".\\n \\nRoy Kiyooka\\n00:13:29\\nReads \\\"Itinerary of a View\\\" [from Kyoto Airs].\\n \\nRoy Kiyooka\\n00:17:07\\nI think I need to say a few words about this next group of poems, they were, they're from the book that I am having done at the moment, I started these poems in June 1965 in Montreal when I first came here. I don't know how to tell you this, except that at the time I came, I stayed with Alfred Pinsky [https://www.wikidata.org/wiki/Q21997094], or rather I stayed at his home, at his invitation, while I was looking for a place to live. Now, this took me about two weeks, it was very hot, and in the evenings I used to go through his library and pick up things and scanned them. One evening I came across this book, which was a biography of the English painter, Stanley Spencer [https://www.wikidata.org/wiki/Q1282413]. Spencer, we could say is perhaps the co-partner in the origin and the form and the content of this book. The book is in three parts, the first part is called the mirror, \\\"The Song the Mirror Sang at Midnight\\\", and it is prefaced by a quotation from Spencer, which goes like this: \\\"I am meeting you all the time, and sending my longing for you into chaos, into the darkness, beyond these walls\\\". I may add that these poems, likewise, are on the whole, very brief, though some are longer.\\n \\nRoy Kiyooka\\n00:19:31\\nReads \\\"The Song the Mirror Sang at Midnight\\\", part 1 [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:20:34\\nReads \\\"The Song the Mirror Sang at Midnight\\\", part 2 [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:21:55\\nReads \\\"The Song the Mirror Sang at Midnight\\\", part 3 published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:22:49\\nReads \\\"The Song the Mirror Sang at Midnight\\\", part 4 [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:23:23\\nReads \\\"The Song the Mirror Sang at Midnight\\\", part 5 [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:24:18\\nReads \\\"The Song the Mirror Sang at Midnight\\\", part 6 [published later in Nevertheless These Eyes].\\n\\nRoy Kiyooka\\n00:24:46\\nReads \\\"The Song the Mirror Sang at Midnight\\\", part 7 [published later in Nevertheless These Eyes].\\n\\nRoy Kiyooka\\n00:25:24\\nReads \\\"The Song the Mirror Sang at Midnight\\\", part 8 [published later in Nevertheless These Eyes].\\n\\nRoy Kiyooka\\n00:25:51\\nReads \\\"The Song the Mirror Sang at Midnight\\\", part 9 [published later in Nevertheless These Eyes].\\n\\nRoy Kiyooka\\n00:26:27\\nReads \\\"The Song the Mirror Sang at Midnight\\\", part 10 [published later in Nevertheless These Eyes].\\n\\nRoy Kiyooka\\n00:27:02\\nReads \\\"The Song the Mirror Sang at Midnight\\\", part 11 [published later in Nevertheless These Eyes].\\n\\nRoy Kiyooka\\n00:27:26\\nReads \\\"The Song the Mirror Sang at Midnight\\\", part 12 [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:28:06\\nReads \\\"The Song the Mirror Sang at Midnight\\\", part 13 [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:28:36\\nReads \\\"The Song the Mirror Sang at Midnight\\\", part 14 [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:29:21\\nReads \\\"The Song the Mirror Sang at Midnight\\\", part 15 [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:30:05\\nThe last one in this section.\\n \\nRoy Kiyooka\\n00:30:11\\nReads \\\"The Song the Mirror Sang at Midnight\\\", part 16 [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:30:53\\nThere's a terrible draft coming in from the back, I think you're right Dick, we're going to end up with arthritic ankles. Well, this is the second section, and it is called \\\"The Proposal\\\". Once more, prefaced with a remark from Stanley Spencer, a very beautiful one. They are set down, as I found them in the book, I have used them in the context of this section of the book and these four poems, taken from his writings are meant to define certain of her attributes. Now I have given a title to each one of these four poems, and I hope they will clarify the context in which they belong here. \\\"Portrait of the Beloved\\\".\\n \\nRoy Kiyooka\\n00:32:06\\nReads \\\"Portrait of the Beloved\\\" [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:32:56\\nThis I called \\\"The Marriage\\\".\\n \\nRoy Kiyooka\\n00:33:05\\nReads \\\"The Marriage\\\" [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:33:37\\nThis is called \\\"The Separation\\\".\\n \\nRoy Kiyooka\\n00:33:45\\nReads \\\"The Separation\\\" [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:34:07\\nAnd this, is \\\"Her Apotheosis\\\".\\n \\nRoy Kiyooka\\n00:34:17\\nReads \\\"Her Apotheosis\\\" [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:35:23\\nThat incidentally, is a description he wrote to a friend about a painting that he in fact had made. From your response, I gathered, it has a comic element, but I don't think that he himself made it that way. [Laughter].\\n \\nRoy Kiyooka\\n00:36:05\\nReads unnamed poem.\\n \\nRoy Kiyooka\\n00:38:04\\nReads unnamed poem.\\n \\nRoy Kiyooka\\n00:38:36\\nThe first stanza of this two-stanza poem is from Spencer, once again.\\n \\nRoy Kiyooka\\n00:38:43\\nReads unnamed poem.\\n \\nRoy Kiyooka\\n00:39:34\\nThe reference in this poem is to an exemplary sculptor who died many years ago, who obsessionally sculpted the human female form, his name is Gaston Lachaise [https://www.wikidata.org/wiki/Q1495586].\\n \\nRoy Kiyooka\\n00:40:02\\nReads unnamed poem.\\n\\nRoy Kiyooka\\n00:40:59.50\\nThe title of this poem is the same as the title of the second section, it's \\\"The Proposal\\\".\\n \\nRoy Kiyooka\\n00:41:14\\nReads \\\"The Proposal\\\" [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:42:27\\nThis one is called \\\"The Dance\\\".\\n \\nRoy Kiyooka\\n00:42:33\\nReads \\\"The Dance\\\" [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:43:59\\nThe title of this poem is called \\\"Her Admonition\\\".\\n \\nRoy Kiyooka\\n00:44:06\\nReads \\\"Her Admonition\\\" [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:45:28\\nNow the following five poems are called \\\"Poems of Resurrection\\\".\\n \\nRoy Kiyooka\\n00:45:46\\nReads \\\"Poems of Resurrection\\\", part 1 [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:47:27\\nSecond \\\"Resurrection\\\" poem.\\n \\nRoy Kiyooka\\n00:47:28\\nReads \\\"Poems of Resurrection\\\", part 2 [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:48:33\\nReads \\\"Poems of Resurrection\\\", part 3 [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:49:07\\nReads \\\"Poems of Resurrection\\\", part 4 [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:49:49\\nThe last Resurrection poem, which concludes with a very brief, two-line coda.\\n \\nRoy Kiyooka\\n00:50:01\\nReads \\\"Poems of Resurrection\\\", part 5 [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:50:51\\nNow, the second to last poem is called \\\"The Visitation\\\".\\n \\nRoy Kiyooka\\n00:51:16\\nReads \\\"The Visitation\\\" [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:53:14\\nAnd finally,\\n \\nRoy Kiyooka\\n00:53:22\\nReads unnamed poem.\\n \\nRoy Kiyooka\\n00:53:56\\nWell, this is the final section. This is called \\\"Nevertheless These Eyes\\\" and briefly, and again from Spencer, a preface that goes like this: \\\"I am on this side of angels and dirt\\\".\\n \\nRoy Kiyooka\\n00:55:25\\nReads \\\"Nevertheless These Eyes\\\" [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n01:00:20\\nAnd finally, by way of acknowledging the nature of this book.\\n \\nRoy Kiyooka\\n01:00:31\\nReads unnamed poem [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n01:00:57\\nThank you very much--\\n\\nUnknown\\n01:00:59\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n\\nRoy Kiyooka\\n01:01:00\\n--and I were reading together, decided we should write one for the occasion, so we have each come up with a haiku. This is my haiku, it's especially for Dick. I have in brackets here, \\\"A gentle admonition to the audience following my reading, and preceding his\\\" and it goes like this: \\\"Let the stone tell how /snow-covered in whiteness, /these words, when his words come.\\\"\\n \\nEND\\n01:01:42\\n\",\"notes\":\"Roy Kiyooka reads from Kyoto Airs (Periwinkle Press, 1964) and poems published later in Nevertheless These Eyes (Coach House Press, 1967).\\n\\n00:00- Introducer (Stanton Hoffman) introduces Roy Kiyooka [INDEX: Fifth reader in the       1966-67 Poetry Reading Series, Moose Jaw, Provincial Institute of Technology and Art, \\tInstituto Allende in Mexico, University of Saskatchewan: Emma Lake Workshop, One         man exhibitions in: Calgary, San Miguel D’Allende, Saskatoon, Toronto, Regina,        \\tMontreal, Vancouver, Victoria, New York City, Sao Paulo Biennial: Silver Medal     \\trepresenting Canada, Lane [or Ling?] Gallery in Toronto, Kyoto Airs by Roy Kiyooka, 1964, Periwinkle Press, Vancouver, [Unknown A1] Nevertheless These Eyes by Roy Kiyooka (1966), published by Bev Leech in Montreal, written in June 1965 in Montreal\\n01:25- Roy Kiyooka introduces Kyoto Airs and “Waiting Out the Rain” [INDEX: Occasional poetry in Japan, sculptured image of the Buddha, Japan]\\n02:51- Reads “Waiting Out the Rain”\\n03:13- Reads “Buddha in the Garden”\\n03:47- Reads “Sunday at the Temple”\\n04:20- Introduces first line “Hovering, he is hovering, his eyes closed...”\\n04:30- Reads first line “Hovering, he is hovering, his eyes closed...”\\n05:01- Introduces “The Stone Garden of Ryoanji” [INDEX: series of four haikus, stone      gardens in Royanji, Japan]\\n05:27- Reads haikus 1-4 of “The Stone Garden of Ryoanji Series”\\n06:49- Introduces “Children’s Shrine” [INDEX: Shrines in Japan]\\n07:24- Reads “Children’s Shrine”\\n08:41- Introduces “Higashiyama” sequence of eleven poems.\\n09:22- Reads “Higashiyama, 1-11”\\n13:01- Introduces “Itinerary of a View”\\n13:29- Reads “Itinerary of a View”\\n17:07- Introduces poems 1-15 of the section “The Song the Mirror Sang at Midnight” from Nevertheless These Eyes. [INDEX: Sequence poems, Higashiyama Mountain Japan, Alfred Pinsky, English Painter Stanley Spencer]\\n19:31- Reads poems 1-16 from “The Song the Mirror Sang at Midnight”\\n30:53- Introduces poems from the second section “The Proposal” from Nevertheless These Eyes. [INDEX: English Painter Stanley Spencer]\\n32:06- Reads “Portrait of the Beloved”\\n32:56- Reads “The Marriage”\\n33:37- Reads “The Separation”\\n34:07- Reads “Her Apotheosis”\\n35:23- Explains “Her Apotheosis”\\n36:05- Reads first line “The grotesque flash...”\\n38:04- Reads first line “The beloved is resilient...”\\n38:36- Introduces first line “The women say what I like...” [INDEX: English Painter Stanley Spencer]\\n38:43- Reads first line “The women say what I like...”\\n39:34- Introduces first line “Gaston Lachaise...”\\n40:02- Reads first line “Gaston Lachaise...”\\n40:59- Reads “The Proposal”\\n42:27- Reads “The Dance”\\n43:59- Reads “Her Admonition”\\n45:28- Introduces five poems called “Five Poems of Resurrection”\\n45:46- Reads 1-5 poems of “Five Poems of Resurrection”\\n50:51- Reads “The Visitation”\\n53:22- Reads first line “What the beloved said...”\\n53:56- Introduces “Nevertheless These Eyes”\\n55:25- Reads “Nevertheless These Eyes”\\n1:00:31- Reads first line “The figure in the poems are his...”\\n1:00:57- Introduces and reads haiku written for this reading [see transcript for entire poem] [INDEX: Haiku to Dick Sommers]\\n1:01:42.65- END OF RECORDING\\n\\nHoward Fink List of Poems:\\n2/12/66\\n one 5” @ 3 3/4 time: 1 hr 10 mins\\n \\nA)From Kyoto Airs about his experience in Japan\\n1. “Waiting Out the Rain”\\n2. “Buddha in the Garden”\\n3. “Sunday at the Temple”\\nFrom series- “The Stone Garden of Ryoanji” (first lines only)\\n4. “hovering, he is hovering...\\n5. “they whisper...”\\n6. “the boards...”\\n7. “white sand...”\\n8.  “when...”\\n9.  title: “Children’s Shrine” sequence of eleven poems\\n10. titled “Higashiyama” (first lines only) “kneeling, she...”\\n11.  “o the white pigeon...”\\n12.  “you raise up...”\\n13.  “she call’d...”\\n14.  “small comfort...”\\n15.  “on Higashiyama...”\\n16.   “tonight...”\\n17.  “beyond...”\\n18.  “put stone...”\\n19.  “tell me, Cid...”\\n20.  “I have left...”\\n21.   Title: “Itinerary of a View” (a poem summing up his experience in Japan)\\nB)  from Nevertheless These Eyes; a collection which was motivated from Kiyooka’s reading the biography of the English writer/sculptor Stanley Spencer. -  poems from section one; The song the mirror sang at midnight (first lines)\\n22.  “Climbing into the mirror...”\\n23.  “ Behind my eyes...”\\n24.  “The image of her...”\\n25.  “At least...”\\n26.  “Since you asked me...”\\n27.  “The distance...”\\n28.  “Moonch...”\\n29.  “My hand covets...”\\n30.  “The other face...”\\n31.  “Turning away...”\\n32.  “The mirror...”\\n33.  “In all this space...”\\n34.  “In a room...”\\n35.  “It is the vision of her...\\n36.  “Now, other faces appear...”\\n37.  “Who, among you...” four poems from the second section, “The Proposal”\\n38.  “Portrait of the Beloved”\\n39.  “The Marriage”\\n40.  “The Separation”\\n41.  “Her Apotheosis”\\n42.  first line- “The grotesque flash...”\\n43.  first line- “The beloved is...”\\n44.  first line- “The women say...”\\n45.  first line- “Gaston Lachaise”\\n46.  “The Proposal”\\n47.  “The Dance”\\n48.  “Her Admonition” series of five, from Poems of Resurrection\\n49.  first line “the way...”\\n50.  first line “the Fallen have risen”\\n51.  first line “the moon...”\\n52.  first line “Stanley Spencer painted...”\\n53.  first line “The resurrected flesh...”\\n54.  “The Visitation”\\n55.  first line “what the beloved said...” from section three Nevertheless These Eyes\\n56.  first line “Nevertheless these eyes”\\n57. a haiku composed for the reading by Kiyooka\\n\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/richard-dick-sommer-at-sgwu-1966-stanton-hoffman/\"}]"],"score":0.01643844},{"id":"1258","cataloger_name":["Mahtab,Banihashemi"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Henry Beissel and Mike Gnarowski at Sir George Williams University, The Poetry Series, 13 January 1967"],"item_title_source":["Cataloguer"],"item_title_note":["\"Henry Beissel Reading in The Poetry Series at Sir George Williams University, 1967-01-13\" handwritten on the back of the tape's box. Spelling mistakes and Mike Gnarwoski's name scratched over with pen. \n\n\"I086-11-003\" and \"RT 516\" also written. \n\n\"GNAROWSKI & BISSEL I006/SR122\" written on sticker on the spine of the tape's box. Gnarowski refers to Michael Gnarowski. Bissel refers to Henry Beissel. Biessel is mispelled "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 1"],"item_identifiers":["[I086-11-003, I006-11-122]"],"access":["Streaming and download"],"creator_names":["Gnarowski, Michael","Beissel, Henry"],"creator_names_search":["Gnarowski, Michael","Beissel, Henry"],"creators":["[{\"url\":\"http://viaf.org/viaf/115582508\",\"name\":\"Gnarowski, Michael\",\"dates\":\"1934-\",\"notes\":\"Michael Gnarowski was born on September 27, 1934 in Shanghai, China. He attended several universities: McGill University, B.A. in 1956, Indiana University in 1959, University of Montreal, M.A. in 1960 and University of Ottawa, Ph.D. in 1967. While at McGill, he published his poetry in Yes, which he co-edited. Gnarowski was heavily involved in several presses and magazines throughout his career, which include Le Chien d’or/The Golden Dog, Delta, Golden Dog Press, the Tecumseh Press, Arc Poetry Magazine and McGraw-Hill Ryerson’s Critical Views on Canadian Writers Series (Ryerson Press, 1970), and Canadian Poetry. Along with Ron Everson, Raymond Souster and Louis Dudek, he founded the League of Canadian Poets in 1966. He taught English at the University of Sherbrooke from 1961-62; at Port Arthur (now Thunder Bay), Ontario from 1962-65; was an assistant professor of English at Sir George Williams University (now Concordia) from 1966-72; Carleton University from 1972 onwards. He published a book of his own poetry, Postscript for St. James Street in 1965 (Delta Press), and has since edited and compiled over fifteen other books.\",\"nation\":[],\"role\":[\"Performer\",\"Author\"]},{\"url\":\"http://viaf.org/viaf/5489879\",\"name\":\"Beissel, Henry\",\"dates\":\"1929-\",\"notes\":\"Poet Henry Beissel was born in 1929 in Cologne, Germany. Beissel studied philosophy at universities in Cologne and in London before emigrating to Canada in 1951 where he graduated with an M.A. in English from the University of Toronto in 1960. He taught at the University of Edmonton, the University of Alberta as well as Sir George Williams University (now Concordia University) in Montreal. Beissel served as editor for the controversial literary and political journal Edge from 1963 (in Edmonton) until 1969 (in Montreal). He translated the poetry of German-Canadian Walter Bauer, called The Price of Morning in 1968 (Prism International Press). His first book, New Wings for Icarus was published in 1966 (Coach House Press), followed by Face on the Dark in 1970. Beissel later published The Salt I Taste (D.C. Books, 1975), The Cantos North (Penumbra Press, 1982), Season of Blood (Mosaic Press,1984), Poems new and selected (Grove Press, 1987), Across the Sun’s Warp (BuschekBooks, 2003). He later wrote and published several plays; Inook and the Sun was performed at the Stratford Festival in 1973. In 1980-1, Henry Beissel acted as President of the League of Canadian Poets.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Kiyooka, Roy","Dudek, Louis"],"contributors_names_search":["Kiyooka, Roy","Dudek, Louis"],"contributors":["[{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/49240132\",\"name\":\"Dudek, Louis\",\"dates\":\"1918-2001\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"Presenter_name":["Dudek, Louis"],"Series_organizer_name":["Kiyooka, Roy"],"Speaker_name":["Kiyooka, Roy"],"Performance_Date":[1967],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Kodak\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Popped strands\",\"track_configuration\":\"2 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel","Reel to Reel"],"physical_compositions":["Magnetic Tape","Magnetic Tape"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Mono","Mono"],"Dates":["[{\"date\":\"1967 1 13\",\"type\":\"Performance Date\",\"notes\":\"Date specified in The Georgian's \\\"Op-Ed\\\"\",\"source\":\"Supplemental Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Basement Theatre\",\"notes\":\"Location specified in The Georgian's \\\"Op-Ed\\\"\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Basement Theatre"],"City":["Montreal, Quebec"],"content_notes":["Henry Beissel reads largely from New Wings for Icarus (Coach House Press, 1966). Mike Gnarowski reads from Postscript for St. James Street (Delta, 1965) and from other unknown sources."],"contents":["Henry_beissel_i086-11-003.mp3 [File 1 of 2]\n\nRoy Kiyooka\n00:00:00\nLadies and Gentleman, um, let's see, what am I going to say? [Audience laughter and applause]...Well, glad to see y’all here. So, Professor Louis Dudek []https://www.wikidata.org/wiki/Q3261787] from McGill University [https://www.wikidata.org/wiki/Q201492] will introduce the two poets who’re reading this evening. \n\nAudience\n00:00:31\nApplause.\n\nLouis Dudek\n00:00:40\nI expected a longer introduction than that, it will be very fine. There are two kinds of readings that I like to attend very much, one kind is the sort that they're having tonight at McGill University, where a well-established poet who has been on the scene for forty or fifty years comes to read. Over there, it's A.J.M. Smith [https://www.wikidata.org/wiki/Q4647944] from Michigan State [https://www.wikidata.org/wiki/Q270222], Canadian anthologist and well-known poet. With a poet like that, really makes no difference what he reads or how he reads it's just important to see him and even the tottering saint can perform miracles on occasions. The other kinds of poets I do like to hear very much are the sort that we'll hear tonight, Gnarowski and Beissel [https://www.wikidata.org/wiki/Q1606507]. The McGill publicity department sent out a notice about A.J.M. Smith and described him as well-known Anthropologist of Canadian poetry. Actually, they corrected it in ink, they made the mistake twice though, probably a typist error. But they didn't know how correct they were, with the current scene in Canadian writing, there are primitive types around that are hard to classify and we need anthropologists...Well, Beissel and Gnarowski are not of this breed of poets who seem to have lost all sense of poetic organization or form, where you think that conventions, poetic conventions have been abolished and what is left are chaotic bits of internal monologue on the page. Of course, that kind of school may be very interesting to watch to see what comes out of it but at present, having watched it now for a few years I'm a little impatient often and tired of the magazines where this material occurs because it seems so easy to turn out and anyone has these bits of chaotic monologue going on. On the other hand, there are many poets still writing who are not following the conventional forms of English metrics and rhyme and so forth, who are turning out poems or at least watching what happens what happens with the words on the page and both the poets we're listening to tonight are of this kind. They are very careful craftsmen. Henry Beissel has the long list of achievements to his credits already, but two on that list strike me very much. One is, amongst many of the posts where he's taught, one is the University of Alberta [https://www.wikidata.org/wiki/Q640694] is the kind of political stir that was created on the campus when his magazine Edge was brought into the classroom by one of the professors. That is, his poetry contains, content that can make one think, that is morally committed to certain issues in today's world. He's very strongly a moral poet on one side, and the other item in his biography is his new book which has just appeared New Wings for Icarus, which is extremely aesthetic at the same time that it is meaningful in this way. His poetry seems to combine two things, one is a moral urgency and on the other hand, at the same time, a romantic sense of language and of imagery and of emotion that goes with that, which are all very, very promising characteristics for a beginning poet, but I think that this New Wings for Icarus book is his first considerable book. So, without more ado, I introduce to you Henry Beissel. \n\nHenry Beissel\n00:05:30\nWhen I considered the kind of poems that I might read this evening and the order in which to read them, I was thinking of the condition of this hall, as it was the last time I was here and I therefore chose two poems which I wrote in the West Indies [https://www.wikidata.org/wiki/Q669037]. [Audience laughter]. They celebrate the sun in an ambiguous sort of way, I'm going to read them all the same, despite the fact that the conditions have changed. I don't know how much you need to know about the West Indies, I'm hoping—oh.\n\nAudience Member 1\n00:06:15\nAddresses Beissel [unintelligible].\n\nHenry Beissel\n00:06:17\nIs this any better? Is there someone in the hall who can attend please to all this? \n\nAudience Member 2\n00:06:28\nAddresses Beissel [unintelligible].\n\nAudience\n00:06:30\nLaughter.\n\nHenry Beissel\n00:06:39\nWell I'll try to speak a little louder on my own, in spite of the microphone. I was saying that I don't know how much one needs to know of the West Indies to respond to this sort of poem, I'm hoping something of the West Indies might be in the poems, the first is called \"Pans at Carnival\". Pan [https://www.wikidata.org/wiki/Q6610630] is the expression for a steel drum. The imagery in the poem is taken entirely from the steel drum and its use at Carnival [https://www.wikidata.org/wiki/Q4618], a feast that is about to be celebrated in Trinidad [https://www.wikidata.org/wiki/Q754] in about a month. Rhythmically, the poem tries to catch something of the rhythm of the steel pan. \n\nHenry Beissel\n00:07:28\nReads \"Pans at Carnival\".\n\nHenry Beissel\n00:10:18\nThe second poem celebrates something of the violence that the sun, with which the sun blesses those parts of the world from which it never really disappears.\n\nHenry Beissel\n00:10:34\nReads \"Where the Sun Only\".\n\nHenry Beissel\n00:12:49\nNext I want to read two parts from New Wings for Icarus. Time does not allow me to read the whole poem, because then I could read you nothing else. “Icarus” is a poem that is written in four parts, it is with some regret that I read only two, because to me it is like playing the second and fourth part of a symphony, but there is no alternative. \n\nHenry Beissel\n00:13:19\nReads \"New Wings for Icarus\", part 2 from New Wings for Icarus.\n\nHenry Beissel\n00:13:51\nSorry, I'll start again. This is a hard one to read and this print is very small. I better hold it closer.\n\nHenry Beissel\n00:13:59\nReads \"New Wings for Icarus\", part 2 from New Wings for Icarus.\n\nHenry Beissel\n00:19:41\nReads \"New Wings for Icarus\", part 4 from New Wings for Icarus.\n\nHenry Beissel\n00:26:39\nNow for a little sort of relaxation in-between, I find unrelieved serious poetry hard to bear myself, I'll read—unfortunately I do not write occasional poems terribly often, they always seem to grow into something much bigger than I can handle, but the next two poems I want to read you are occasional poems, poetry can come out of anything of course, and this one came out of an encounter in a house of Inquisition in Cartagena [https://www.wikidata.org/wiki/Q657461], in Colombia [https://www.wikidata.org/wiki/Q739], it is really self-explanatory. It's called \"En la Casa de Inquisición\". \n\nHenry Beissel\n00:27:40\nReads \"En la Casa de Inquisición\".\n\nHenry Beissel\n00:29:23\nThe next poem leads me on to the last set of poems, but you won't discover that until you hear the last two poems. This poem is dedicated to my daughter, when she was 1 and a half, the first stanza deals with the circumstances of her birth, which were somewhat elaborate, there were firemen. The second stanza deals with her present—this would be the past from the time of the poem, the second deals with her present, and the third with her future. \n\nHenry Beissel\n00:30:07\nReads \"To My Daughter at Age 1 1/2\".\n\nHenry Beissel\n00:33:25\nAnd now I come to the final two poems. They belong together and are part of a— we agreed not to torture you and not to read for more than 30 minutes this evening and I am trying to stick to that. This is rather the beginning of something that I may never live to finish, the entire thing is supposed to have some 26 poems, of which you will hear the first two, one is a prologue and the other one is called \"Adam Enter Eve\". In the prologue, a character introduces himself who is to play his part in the rest of the poem. It's not really a dramatic poem, although it's, well I don't think of it as a drama, although it has dramatic qualities. Anyway, I don't like to be my own critic. I prefer just to read you the poem. The whole cycle will be called \"The Dancer from the Dance\" that is as you no doubt know, a quotation from Yeats [https://www.wikidata.org/wiki/Q40213]. \n\nHenry Beissel\n00:34:45\nReads \"Prologue\" from \"The Dancer from the Dance\".\n\nHenry Beissel\n00:37:04\nReads \"Adam Enter Eve\".\n\nEND\n00:49:40\n[Recording continues on mike_gnarowski_i006-11-122.mp3].\n\nmike_gnarowski_i006-11-122.mp3 [File 2 of 2]\n\nLouis Dudek\n00:00:00\nStrongly I was impressed and moved by that reading by Henry Beissel. Really several times after the poems I wanted to applaud, only we don't do that. They were magnificently organized forms with powerful language and very well read, I felt, I think I'm speaking for most people here when I say that. Mike Gnarowski who reads next is different perhaps in the extent to which his poetry is oriented towards reality. Not by implication because Beissel's also is very real and very down to earth and very much committed to the real world, but Gnarowski's poetry has a lot to do with Canadian poetry and the way it has turned towards the real world since about 1925 since A.J.M. Smith and Scott [F.R. Scott; https://www.wikidata.org/wiki/Q3081656] and A.M. Klein [https://www.wikidata.org/wiki/Q2778027] began writing. Gnarowski's been very active as a student of Canadian literature, a scholar and a bibliographer and so forth of our literature looking into the sources of this modern poetry and to letters and documents. In this he has done some very valuable work, indexing little magazines that would be otherwise, less well known, preparing bibliographies and he is now working on a larger anthology of criticism introducing the backgrounds of modern Canadian poetry. All this kind of study which is very valuable on the academic side is also important to his poetry I feel, that it places him within the line of modern Canadian poets who have tried to interpret the real, the visible, the actual, directly in poetry. Somewhat in the way I suppose that all modern poetry in English does, including T.S. Eliot's [https://www.wikidata.org/wiki/Q37767] \"Waste Land\" [https://www.wikidata.org/wiki/Q581458] and Ezra Pound's [https://www.wikidata.org/wiki/Q163366] \"Cantos\" [https://www.wikidata.org/wiki/Q2701465] and e. e. cumming's [https://www.wikidata.org/wiki/Q298703] comedies and satires and Auden's [https://www.wikidata.org/wiki/Q178698] poetry also. That is the characteristic of twentieth-century poetry is that its extreme realism and the bringing of the romantic conceptions of the last century to bear upon the actual world and showing that the conflict, the intense conflict that exists in the poet between his conception of things and what he sees before him. That you find in Gnarowski very much. He as a writer he is a meticulous craftsman, I don't know if that's symbolic [audience laughter]... He's also a meticulous craftsman and his poems seem to grow by accretion, very gradually. He writes with a stubborn integrity and knows what he thinks and what he's trying to say in a poem, they aren't just momentary fusions. They're highly worked up pieces of writing. There's a strong element of rationality and reality in this poetry, less of the flight of the emotions and the fantasy that's in most other poets. There's a very strong formal organization in his poetry, a clean speech, straight as the Greeks as Ezra Pound used to say in the past. His first book is entitled Postscript for St. James Street which has to do with, in some part anyhow, with the business world in which we live and he has chosen that quite consciously as a subject that could be turned into poetry, to take the business man, the real in that sense, St. James Street [https://www.wikidata.org/wiki/Q1526237] and see what can be made out of that imaginatively. Most poets when they treat a subject like that turn it into satire, because what else can you make out of St. James Street, but Gnarowski wants to keep his vision clear and straight for the fact to see what it really is without elevating too much or perhaps without caricaturing the reality, and it's a very interesting experiment. I'm sure you'll all enjoy listening to his poetry.\n \nMike Gnarowski\n00:05:09\nA couple of years ago I had the occasion to go up into North Western Ontario [https://www.wikidata.org/wiki/Q1904], and I lived there for three or four years and more specifically on Port Arthur [https://www.wikidata.org/wiki/Q7230482] which is on the very shores of Lake Superior [https://www.wikidata.org/wiki/Q1066], and I kept looking at this magnificent and fantastic lake and it kept bothering me. It was too big and too vast and too meaningful and too ominous in many ways to be let off too easily. I also had a friend up there who was an anthropologist and archaeologist and a very good one, and he spent a lot of time going up into that country up around Lake Superior and he kept coming back with all sorts of wonderful thing, all sorts of relics of the past as it were. Gaffs and skulls and this and that which he kept finding and he told me that that part of the world had at one time had supported a pretty fantastic civilization of its own, a very peculiar civilization. And I looked at the lake, Lake Superior, and I decided I would try to write something about it, about the feelings that I think that this ominous body of water might have. A little poem I did for it is entitled \"Great Sea\".\n \nMike Gnarowski\n00:06:30\nReads \"Great Sea\".\n \nMike Gnarowski\n00:10:40\nAnd following along the same themes, a little poem entitled \"Amethyst Harbour\" which was occasioned by a visit of A.Y. Jackson [https://www.wikidata.org/wiki/Q3499926] and several friends who gathered in this quite magnificent place on the lake, just about this time of the year and you could look out across Thunder Bay [https://www.wikidata.org/wiki/Q9298873] and you saw nothing but ice-locked island and of course snow and ice continuing forever and ever. I always felt the nature, of course, there had not been overcome by man and that nature always threatened man and that there was a struggle, a conflict, a tension going on. So here is \"Amethyst Harbour\".\n \nMike Gnarowski\n00:11:31\nReads \"Amethyst Harbour\".\n \nMike Gnarowski\n00:13:20\nAs Louis Dudek pointed out, I've always been fascinated by those men who wheel and deal and who are responsible for much of the life of the nation, I suppose, of North America [https://www.wikidata.org/wiki/Q49], the so-called businessman, much maligned most of the time. I normally try to deal as properly as I can and in this instance I think I'm probably being unkind. This is a poem entitled \"Portrait of a Man Come to Say Farewell\".\n \nMike Gnarowski\n00:13:55\nReads \"Portrait of a Man Come to Say Farewell\".\n\nAudience\n00:15:26\nApplause [one person].\n \nMike Gnarowski\n00:15:30\nUhh--Thank you. A little while ago, or a few years ago I should say, I had the occasion to go to a town south-east of here called Victoriaville [https://www.wikidata.org/wiki/Q141731], I was there on business and I went through an old-age or an old-people's home and some of you may know what those places are like, I was profoundly affected by this experience and I tried to write something about it and I've called this little thing \"Provincia Nostra\".\n \nMike Gnarowski\n00:15:56\nReads \"Provincia Nostra”.\n \nMike Gnarowski\n00:16:50\nThis is for a friend who was lost in an automobile accident.\n \nMike Gnarowski\n00:16:54\nReads unnamed poem.\n \nMike Gnarowski\n00:17:31\nA very short thing, which I think fills the purpose of keeping me from becoming too serious.\n \nMike Gnarowski\n00:17:46\nReads unnamed poem. \n\nMike Gnarowski\n00:17:59\nThank you.\n \nAudience\n00:18:00\nLaughter and applause [cut off].\n\nIntroducer\n00:18:03\nWe'd like to express our thanks to Mike Gnarowski, Henry Beissel, and our special appreciation to Louis Dudek who made the supreme sacrifice of tearing himself away from McGill to come here and introduce them. [Audience applause]. Our next reading will be in two weeks, on Friday, January 27 Margaret Avison [https://www.wikidata.org/wiki/Q6759152] will be coming from Toronto [https://www.wikidata.org/wiki/Q172] to read her poetry and the following reading on Sat. Feb. 11, Paul Blackburn [https://www.wikidata.org/wiki/Q7149388] who is the Poet in Residence at the City College in New York [https://www.wikidata.org/wiki/Q1093910] and the author of, among other things, Brooklyn, Manhattan Transit will be coming here to read his poetry. Thank you.\n \nEND\n00:19:00\n"],"Note":["[{\"note\":\"Year-specific Information:\\n\\nHenry Beissel was teaching at Sir George Williams University in 1966. He also edited Edge: An Independent Periodical, no. 6, Spring 1967.\\n\\nMike Gnarowski received his Ph.D. from University of Ottawa in 1967, and was working as an associate professor at Sir George Williams University. He co-edited The Making of Modern Poetry in Canada with Louis Dudek, which was published by Ryerson Press in 1967. He was the editor of Yes magazine from 1956-69.\",\"type\":\"General\"},{\"note\":\"Local connections:\\n\\nBeissel retired as Distinguished Emeritus Professor of English from Concordia University in 1996. Henry Beissel, Mike Gnarowski and Louis Dudek (also in this reading) organized the Montreal Committee, and organized The Emergency Symposium on the Americanization of Canadian Universities in May of 1969.\\n\\nMike Gnarowski is very involved in the effort to promote Canadian authors and writers, editing and publishing criticism and anthologies of Canadian poetry, specifically those of Leonard Cohen, Archibald Lampman and Raymond Knister as well as little known writers.\",\"type\":\"General\"},{\"note\":\"Original transcript, research, introduction and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Faith Paré (2020) and Ali Barillaro (2021)\\n\",\"type\":\"Cataloguer\"},{\"note\":\"2 reel-to-reel tapes>2 CDs>2 digital files\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/new-wings-for-icarus-a-poem-in-four-parts/oclc/1127807997&referer=brief_results\",\"citation\":\"Beissel, Henry. New Wings for Icarus. Toronto: Coach House Press, 1966. \"},{\"url\":\"https://www.worldcat.org/title/canadianization-movement-emergence-survival-and-success/oclc/1165482183&referer=brief_results\",\"citation\":\"Cormier, Jeffrey. The Canadianization movement: emergence, survival and success. Toronto: University of Toronto Press, 2004. \"},{\"url\":\"http://www.lac-bac.gc.ca/archiveslitteraires/027011-200.058-e.html\",\"citation\":\"“Gnarowski, Michael 1934-”. Michael Gnarowski fonds 1956-1985. Library and Archives       \\t\\nCanada\\n\"},{\"url\":\"https://www.worldcat.org/title/postscript-for-st-james-street/oclc/2566553&referer=brief_results\",\"citation\":\"Gnarowski, Michael. Postscript for St. James Street. Montreal: Delta, 1965. \"},{\"url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/mike-gnarowski-at-sgwu-1967-louis-dudek/\",\"citation\":\"“Poetry Readings Resume Tonight with Beissel and Gnarowski”. OP-ED. Montreal: Sir George Williams University, 13 January 1967. \"},{\"url\":\"http://news.google.com/newspapers?id=O5UtAAAAIBAJ&sjid=4p8FAAAAIBAJ&pg=3951,6182119&dq=sir+george+williams+poetry&hl=en\",\"citation\":\"“Poetry Series Coming Up At University”. Montreal: The Gazette. 31 December 1966, page 39. \"},{\"url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/mike-gnarowski-at-sgwu-1967-louis-dudek/\",\"citation\":\"Simco, Bob. “Georgiantics”. The Georgian. Montreal: Sir George Williams University, 9 January 1967. \"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-canadian-literature/oclc/865265719&referer=brief_results\",\"citation\":\"Stevens, Peter. \\\"Beissel, Henry\\\". The Oxford Companion to Canadian Literature, 2nd edition. \\nEugene Benson and William Toye (eds). Oxford University Press, 2006. \\n\"},{\"url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/mike-gnarowski-at-sgwu-1967-louis-dudek/\",\"citation\":\"Thoms, Kathleen. “Professor Poets With Urgency and Imagery”. The Georgian. Montreal: Sir George Williams University, January 1967.\"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-canadian-literature/oclc/86526\",\"citation\":\"Toye, William. \\\"League of Canadian Poets, The\\\". The Oxford Companion to Canadian \\nLiterature, 2nd edition. Eugene Benson and William Toye (eds). Oxford University Press, \\n2006. \\n\"},{\"url\":\"\",\"citation\":\"\\\"Michael Gnarowski.\\\" Contemporary Authors Online. Detroit: Gale, 2009. \"}]"],"_version_":1853670548668678144,"timestamp":"2026-01-07T14:59:53.264Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0122_back.jpg\",\"file_path\":\"My Drive>Sir George Williams TIme-Stamped Transcripts>Spokenweb Tape Case Photos taken by Drew Bernet\",\"filename\":\"I0006_11_0122_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Mike Gnarowski Tape Box 1 - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0122_front.jpg\",\"file_path\":\"My Drive>Sir George Williams TIme-Stamped Transcripts>Spokenweb Tape Case Photos taken by Drew Bernet\",\"filename\":\"I0006_11_0122_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Mike Gnarowski Tape Box 1 - 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Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/mike_gnarowski_i006-11-122.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"mike_gnarowski_i006-11-122.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:19:00\",\"precision\":\"\",\"size\":\"45.6 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"mike_gnarowski_i006-11-122.mp3 [File 2 of 2]\\n\\nLouis Dudek\\n00:00:00\\nStrongly I was impressed and moved by that reading by Henry Beissel. Really several times after the poems I wanted to applaud, only we don't do that. They were magnificently organized forms with powerful language and very well read, I felt, I think I'm speaking for most people here when I say that. Mike Gnarowski who reads next is different perhaps in the extent to which his poetry is oriented towards reality. Not by implication because Beissel's also is very real and very down to earth and very much committed to the real world, but Gnarowski's poetry has a lot to do with Canadian poetry and the way it has turned towards the real world since about 1925 since A.J.M. Smith and Scott [F.R. Scott; https://www.wikidata.org/wiki/Q3081656] and A.M. Klein [https://www.wikidata.org/wiki/Q2778027] began writing. Gnarowski's been very active as a student of Canadian literature, a scholar and a bibliographer and so forth of our literature looking into the sources of this modern poetry and to letters and documents. In this he has done some very valuable work, indexing little magazines that would be otherwise, less well known, preparing bibliographies and he is now working on a larger anthology of criticism introducing the backgrounds of modern Canadian poetry. All this kind of study which is very valuable on the academic side is also important to his poetry I feel, that it places him within the line of modern Canadian poets who have tried to interpret the real, the visible, the actual, directly in poetry. Somewhat in the way I suppose that all modern poetry in English does, including T.S. Eliot's [https://www.wikidata.org/wiki/Q37767] \\\"Waste Land\\\" [https://www.wikidata.org/wiki/Q581458] and Ezra Pound's [https://www.wikidata.org/wiki/Q163366] \\\"Cantos\\\" [https://www.wikidata.org/wiki/Q2701465] and e. e. cumming's [https://www.wikidata.org/wiki/Q298703] comedies and satires and Auden's [https://www.wikidata.org/wiki/Q178698] poetry also. That is the characteristic of twentieth-century poetry is that its extreme realism and the bringing of the romantic conceptions of the last century to bear upon the actual world and showing that the conflict, the intense conflict that exists in the poet between his conception of things and what he sees before him. That you find in Gnarowski very much. He as a writer he is a meticulous craftsman, I don't know if that's symbolic [audience laughter]... He's also a meticulous craftsman and his poems seem to grow by accretion, very gradually. He writes with a stubborn integrity and knows what he thinks and what he's trying to say in a poem, they aren't just momentary fusions. They're highly worked up pieces of writing. There's a strong element of rationality and reality in this poetry, less of the flight of the emotions and the fantasy that's in most other poets. There's a very strong formal organization in his poetry, a clean speech, straight as the Greeks as Ezra Pound used to say in the past. His first book is entitled Postscript for St. James Street which has to do with, in some part anyhow, with the business world in which we live and he has chosen that quite consciously as a subject that could be turned into poetry, to take the business man, the real in that sense, St. James Street [https://www.wikidata.org/wiki/Q1526237] and see what can be made out of that imaginatively. Most poets when they treat a subject like that turn it into satire, because what else can you make out of St. James Street, but Gnarowski wants to keep his vision clear and straight for the fact to see what it really is without elevating too much or perhaps without caricaturing the reality, and it's a very interesting experiment. I'm sure you'll all enjoy listening to his poetry.\\n \\nMike Gnarowski\\n00:05:09\\nA couple of years ago I had the occasion to go up into North Western Ontario [https://www.wikidata.org/wiki/Q1904], and I lived there for three or four years and more specifically on Port Arthur [https://www.wikidata.org/wiki/Q7230482] which is on the very shores of Lake Superior [https://www.wikidata.org/wiki/Q1066], and I kept looking at this magnificent and fantastic lake and it kept bothering me. It was too big and too vast and too meaningful and too ominous in many ways to be let off too easily. I also had a friend up there who was an anthropologist and archaeologist and a very good one, and he spent a lot of time going up into that country up around Lake Superior and he kept coming back with all sorts of wonderful thing, all sorts of relics of the past as it were. Gaffs and skulls and this and that which he kept finding and he told me that that part of the world had at one time had supported a pretty fantastic civilization of its own, a very peculiar civilization. And I looked at the lake, Lake Superior, and I decided I would try to write something about it, about the feelings that I think that this ominous body of water might have. A little poem I did for it is entitled \\\"Great Sea\\\".\\n \\nMike Gnarowski\\n00:06:30\\nReads \\\"Great Sea\\\".\\n \\nMike Gnarowski\\n00:10:40\\nAnd following along the same themes, a little poem entitled \\\"Amethyst Harbour\\\" which was occasioned by a visit of A.Y. Jackson [https://www.wikidata.org/wiki/Q3499926] and several friends who gathered in this quite magnificent place on the lake, just about this time of the year and you could look out across Thunder Bay [https://www.wikidata.org/wiki/Q9298873] and you saw nothing but ice-locked island and of course snow and ice continuing forever and ever. I always felt the nature, of course, there had not been overcome by man and that nature always threatened man and that there was a struggle, a conflict, a tension going on. So here is \\\"Amethyst Harbour\\\".\\n \\nMike Gnarowski\\n00:11:31\\nReads \\\"Amethyst Harbour\\\".\\n \\nMike Gnarowski\\n00:13:20\\nAs Louis Dudek pointed out, I've always been fascinated by those men who wheel and deal and who are responsible for much of the life of the nation, I suppose, of North America [https://www.wikidata.org/wiki/Q49], the so-called businessman, much maligned most of the time. I normally try to deal as properly as I can and in this instance I think I'm probably being unkind. This is a poem entitled \\\"Portrait of a Man Come to Say Farewell\\\".\\n \\nMike Gnarowski\\n00:13:55\\nReads \\\"Portrait of a Man Come to Say Farewell\\\".\\n\\nAudience\\n00:15:26\\nApplause [one person].\\n \\nMike Gnarowski\\n00:15:30\\nUhh--Thank you. A little while ago, or a few years ago I should say, I had the occasion to go to a town south-east of here called Victoriaville [https://www.wikidata.org/wiki/Q141731], I was there on business and I went through an old-age or an old-people's home and some of you may know what those places are like, I was profoundly affected by this experience and I tried to write something about it and I've called this little thing \\\"Provincia Nostra\\\".\\n \\nMike Gnarowski\\n00:15:56\\nReads \\\"Provincia Nostra”.\\n \\nMike Gnarowski\\n00:16:50\\nThis is for a friend who was lost in an automobile accident.\\n \\nMike Gnarowski\\n00:16:54\\nReads unnamed poem.\\n \\nMike Gnarowski\\n00:17:31\\nA very short thing, which I think fills the purpose of keeping me from becoming too serious.\\n \\nMike Gnarowski\\n00:17:46\\nReads unnamed poem. \\n\\nMike Gnarowski\\n00:17:59\\nThank you.\\n \\nAudience\\n00:18:00\\nLaughter and applause [cut off].\\n\\nIntroducer\\n00:18:03\\nWe'd like to express our thanks to Mike Gnarowski, Henry Beissel, and our special appreciation to Louis Dudek who made the supreme sacrifice of tearing himself away from McGill to come here and introduce them. [Audience applause]. Our next reading will be in two weeks, on Friday, January 27 Margaret Avison [https://www.wikidata.org/wiki/Q6759152] will be coming from Toronto [https://www.wikidata.org/wiki/Q172] to read her poetry and the following reading on Sat. Feb. 11, Paul Blackburn [https://www.wikidata.org/wiki/Q7149388] who is the Poet in Residence at the City College in New York [https://www.wikidata.org/wiki/Q1093910] and the author of, among other things, Brooklyn, Manhattan Transit will be coming here to read his poetry. Thank you.\\n \\nEND\\n00:19:00\\n\",\"notes\":\" Mike Gnarowski reads from Postscript for St. James Street (Delta, 1965) and from other unknown sources.\\n\\n00:00 - Introduction by Louis Dudek [INDEX: Henry Beissel’s reading, realism in poetry, Canadian poetry since 1925, A.J.M. Smith, F.R. Scott, A.M. Klein, bibliographer, indexing smaller magazines, T.S. Eliot’s “Wastel Land”, Ezra Pound’s “Cantos”, e e cumming’s satires and comedies, W.H. Auden, romantic conceptions of 19th century vs. extreme realism of 20th century, Postscript for St. James Street by Gnarowski]\\n05:09 - Mike Gnarowski introduces “Great Sea” [INDEX: North Western Ontario, Port Arthur, Lake Superior, archaeological artifacts]\\n06:30 - Reads “Great Sea”\\n10:40 - Introduces “Amethyst Harbour” [INDEX: A.Y. Jackson, Thunder Bay, man vs. nature]\\n11:31 - Reads “Amethyst Harbour”\\n13:20 - Introduces “Portrait of a Man Come to Say Farewell” \\n13:55 - Reads “Portrait of a Man Come to Say Farewell”\\n15:30 - Introduces “Provincia Nostra” [INDEX: Victoriaville]\\n15:56 - Reads “Provincia Nostra”\\n16:50 - Introduces first line “For some inimitable action...”\\n16:54 - Reads first line “For some inimitable action...”\\n17:31 - Introduces first line “If I had legs like yours...”\\n17:46 - Reads first line “If I had legs like yours...”\\n18:03 - Introducer (unknown) says thank-you’s. [INDEX: Mike Gnarowski, Henry Beissel, Louis Dudek, McGill, Margaret Avison, Paul Blackburn]\\n19:00 - END OF EVENT.\\n\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/henry-beissel-reads-with-introduction-by-louis-dudek-michael-gnarowski-in-same-reading/\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/henry_beissel_i086-11-003.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"henry_beissel_i086-11-003.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:49:40\",\"precision\":\"\",\"size\":\"119.2 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"Henry_beissel_i086-11-003.mp3 [File 1 of 2]\\n\\nRoy Kiyooka\\n00:00:00\\nLadies and Gentleman, um, let's see, what am I going to say? [Audience laughter and applause]...Well, glad to see y’all here. So, Professor Louis Dudek []https://www.wikidata.org/wiki/Q3261787] from McGill University [https://www.wikidata.org/wiki/Q201492] will introduce the two poets who’re reading this evening. \\n\\nAudience\\n00:00:31\\nApplause.\\n\\nLouis Dudek\\n00:00:40\\nI expected a longer introduction than that, it will be very fine. There are two kinds of readings that I like to attend very much, one kind is the sort that they're having tonight at McGill University, where a well-established poet who has been on the scene for forty or fifty years comes to read. Over there, it's A.J.M. Smith [https://www.wikidata.org/wiki/Q4647944] from Michigan State [https://www.wikidata.org/wiki/Q270222], Canadian anthologist and well-known poet. With a poet like that, really makes no difference what he reads or how he reads it's just important to see him and even the tottering saint can perform miracles on occasions. The other kinds of poets I do like to hear very much are the sort that we'll hear tonight, Gnarowski and Beissel [https://www.wikidata.org/wiki/Q1606507]. The McGill publicity department sent out a notice about A.J.M. Smith and described him as well-known Anthropologist of Canadian poetry. Actually, they corrected it in ink, they made the mistake twice though, probably a typist error. But they didn't know how correct they were, with the current scene in Canadian writing, there are primitive types around that are hard to classify and we need anthropologists...Well, Beissel and Gnarowski are not of this breed of poets who seem to have lost all sense of poetic organization or form, where you think that conventions, poetic conventions have been abolished and what is left are chaotic bits of internal monologue on the page. Of course, that kind of school may be very interesting to watch to see what comes out of it but at present, having watched it now for a few years I'm a little impatient often and tired of the magazines where this material occurs because it seems so easy to turn out and anyone has these bits of chaotic monologue going on. On the other hand, there are many poets still writing who are not following the conventional forms of English metrics and rhyme and so forth, who are turning out poems or at least watching what happens what happens with the words on the page and both the poets we're listening to tonight are of this kind. They are very careful craftsmen. Henry Beissel has the long list of achievements to his credits already, but two on that list strike me very much. One is, amongst many of the posts where he's taught, one is the University of Alberta [https://www.wikidata.org/wiki/Q640694] is the kind of political stir that was created on the campus when his magazine Edge was brought into the classroom by one of the professors. That is, his poetry contains, content that can make one think, that is morally committed to certain issues in today's world. He's very strongly a moral poet on one side, and the other item in his biography is his new book which has just appeared New Wings for Icarus, which is extremely aesthetic at the same time that it is meaningful in this way. His poetry seems to combine two things, one is a moral urgency and on the other hand, at the same time, a romantic sense of language and of imagery and of emotion that goes with that, which are all very, very promising characteristics for a beginning poet, but I think that this New Wings for Icarus book is his first considerable book. So, without more ado, I introduce to you Henry Beissel. \\n\\nHenry Beissel\\n00:05:30\\nWhen I considered the kind of poems that I might read this evening and the order in which to read them, I was thinking of the condition of this hall, as it was the last time I was here and I therefore chose two poems which I wrote in the West Indies [https://www.wikidata.org/wiki/Q669037]. [Audience laughter]. They celebrate the sun in an ambiguous sort of way, I'm going to read them all the same, despite the fact that the conditions have changed. I don't know how much you need to know about the West Indies, I'm hoping—oh.\\n\\nAudience Member 1\\n00:06:15\\nAddresses Beissel [unintelligible].\\n\\nHenry Beissel\\n00:06:17\\nIs this any better? Is there someone in the hall who can attend please to all this? \\n\\nAudience Member 2\\n00:06:28\\nAddresses Beissel [unintelligible].\\n\\nAudience\\n00:06:30\\nLaughter.\\n\\nHenry Beissel\\n00:06:39\\nWell I'll try to speak a little louder on my own, in spite of the microphone. I was saying that I don't know how much one needs to know of the West Indies to respond to this sort of poem, I'm hoping something of the West Indies might be in the poems, the first is called \\\"Pans at Carnival\\\". Pan [https://www.wikidata.org/wiki/Q6610630] is the expression for a steel drum. The imagery in the poem is taken entirely from the steel drum and its use at Carnival [https://www.wikidata.org/wiki/Q4618], a feast that is about to be celebrated in Trinidad [https://www.wikidata.org/wiki/Q754] in about a month. Rhythmically, the poem tries to catch something of the rhythm of the steel pan. \\n\\nHenry Beissel\\n00:07:28\\nReads \\\"Pans at Carnival\\\".\\n\\nHenry Beissel\\n00:10:18\\nThe second poem celebrates something of the violence that the sun, with which the sun blesses those parts of the world from which it never really disappears.\\n\\nHenry Beissel\\n00:10:34\\nReads \\\"Where the Sun Only\\\".\\n\\nHenry Beissel\\n00:12:49\\nNext I want to read two parts from New Wings for Icarus. Time does not allow me to read the whole poem, because then I could read you nothing else. “Icarus” is a poem that is written in four parts, it is with some regret that I read only two, because to me it is like playing the second and fourth part of a symphony, but there is no alternative. \\n\\nHenry Beissel\\n00:13:19\\nReads \\\"New Wings for Icarus\\\", part 2 from New Wings for Icarus.\\n\\nHenry Beissel\\n00:13:51\\nSorry, I'll start again. This is a hard one to read and this print is very small. I better hold it closer.\\n\\nHenry Beissel\\n00:13:59\\nReads \\\"New Wings for Icarus\\\", part 2 from New Wings for Icarus.\\n\\nHenry Beissel\\n00:19:41\\nReads \\\"New Wings for Icarus\\\", part 4 from New Wings for Icarus.\\n\\nHenry Beissel\\n00:26:39\\nNow for a little sort of relaxation in-between, I find unrelieved serious poetry hard to bear myself, I'll read—unfortunately I do not write occasional poems terribly often, they always seem to grow into something much bigger than I can handle, but the next two poems I want to read you are occasional poems, poetry can come out of anything of course, and this one came out of an encounter in a house of Inquisition in Cartagena [https://www.wikidata.org/wiki/Q657461], in Colombia [https://www.wikidata.org/wiki/Q739], it is really self-explanatory. It's called \\\"En la Casa de Inquisición\\\". \\n\\nHenry Beissel\\n00:27:40\\nReads \\\"En la Casa de Inquisición\\\".\\n\\nHenry Beissel\\n00:29:23\\nThe next poem leads me on to the last set of poems, but you won't discover that until you hear the last two poems. This poem is dedicated to my daughter, when she was 1 and a half, the first stanza deals with the circumstances of her birth, which were somewhat elaborate, there were firemen. The second stanza deals with her present—this would be the past from the time of the poem, the second deals with her present, and the third with her future. \\n\\nHenry Beissel\\n00:30:07\\nReads \\\"To My Daughter at Age 1 1/2\\\".\\n\\nHenry Beissel\\n00:33:25\\nAnd now I come to the final two poems. They belong together and are part of a— we agreed not to torture you and not to read for more than 30 minutes this evening and I am trying to stick to that. This is rather the beginning of something that I may never live to finish, the entire thing is supposed to have some 26 poems, of which you will hear the first two, one is a prologue and the other one is called \\\"Adam Enter Eve\\\". In the prologue, a character introduces himself who is to play his part in the rest of the poem. It's not really a dramatic poem, although it's, well I don't think of it as a drama, although it has dramatic qualities. Anyway, I don't like to be my own critic. I prefer just to read you the poem. The whole cycle will be called \\\"The Dancer from the Dance\\\" that is as you no doubt know, a quotation from Yeats [https://www.wikidata.org/wiki/Q40213]. \\n\\nHenry Beissel\\n00:34:45\\nReads \\\"Prologue\\\" from \\\"The Dancer from the Dance\\\".\\n\\nHenry Beissel\\n00:37:04\\nReads \\\"Adam Enter Eve\\\".\\n\\nEND\\n00:49:40\\n[Recording continues on mike_gnarowski_i006-11-122.mp3].\\n\",\"notes\":\"Henry Beissel reads largely from New Wings for Icarus (Coach House Press, 1966).\\n\\n00:00 - Unknown speaker introduces Louis Dudek [INDEX: McGill University, Louis Dudek]\\n00:40 - Louis Dudek introduces Henry Beissel [INDEX: A.J.M. Smith from Michigan State as Canadian Anthropologist of poetry, Mike Gnarowski, poetic organization and conventions, new schools of poetry, ‘chaotic monologue’, English metrics and rhyme, University of Alberta, Edge Magazine, New Wings for Icarus]\\n05:30 - Henry Beissel speaks [INDEX: West Indies]\\n06:39 - Henry Beissel introduces “Pans at Carnival” [INDEX: imagery of a steel drum, Trinidad]\\n07:28 - Reads “Pans at Carnival”\\n10:18 - Introduces “Where the Sun Only” [INDEX: imagery of the sun]\\n10:34 - Reads “Where the Sun Only”\\n12:49 - Introduces “New Wings for Icarus”, part 2 [INDEX: Icarus]\\n13:51 - Re-starts poem\\n19:41 - Reads “New Wings for Icarus”, part 4\\n26:39 - Introduces “En la Casa de Inquisition” [INDEX: occasional poetry, Cartagena, Columbia]\\n27:40 - Reads “En la Casa de Inquisition”\\n29:23 - Introduces “To my Daughter at Age 1 1/2” [INDEX: poem for his daughter]\\n30:07 - Reads “To my Daughter at Age 1 1/2”\\n33:25 - Introduces “Prologue” and “Adam Enter Eve” from “The Dancer from the Dance” [INDEX: Yeats]\\n34:45 - Reads “Prologue”\\n37:04 - Reads “Adam Enter Eve”\\n49:40 - END OF RECORDING.\\n\\nHoward Fink List of Poems:\\n“Henry Beissel”\\nJanuary 13, 1967\\nwith reel information\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/henry-beissel-reads-with-introduction-by-louis-dudek-michael-gnarowski-in-same-reading/\"}]"],"score":0.01643844},{"id":"1259","cataloger_name":["Mahtab,Banihashemi"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Margaret Avison at Sir George Williams University, The Poetry Series, 27 January 1967"],"item_title_source":["Cataloguer"],"item_title_note":["\"Marg. Avison (2 tracks 3 3/4\"/sec ) I086-11-002\" written on sticker on the reel and on the tape's box. Marg. Avison refers to Margaret Avison. \"RT 518\" also written."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 1"],"item_identifiers":["[]"],"access":["Streaming and download"],"creator_names":["Avison, Margaret"],"creator_names_search":["Avison, Margaret"],"creators":["[{\"url\":\" http://viaf.org/viaf/79128508\",\"name\":\"Avison, Margaret\",\"dates\":\"1918-2007\",\"notes\":\"Poet Margaret Avison was born in Galt, Ontario in 1918. She was educated at the University of Toronto and received her Bachelor’s degree in 1940. During the early forties, she contributed her poetry to Sid Corman’s Origin, with the likes of Charles Olson, Denise Levertov and Robert Creeley. While she is often associated with this group of poets, her content differs from theirs. Avison worked as an English literature lecturer, a secretary, a librarian, a researcher and as a social worker at a mission in downtown Toronto. Her first collection of poems was published in 1960, titled Winter Sun (University of Toronto Press), followed by The Dumbfounding (Noron, 1966). Avison’s poetry was also anthologized in Eli Mandel and Jean-Guy Pilon’s Poetry 62 (Ryerson, 1961). In 1963, she returned to the University of Toronto to write her thesis on Don Juan and to pursue graduate work. Avison taught and lectured English at Scarborough College and at the University of Toronto, as well as working at the Presbyterian Church Mission in Toronto. In 1970, she collaborated with bp Nichol and published The Cosmic Chef Glee & Perloo Memorial Society under the direction of Captain Poetry presents...: [an evening of concrete, courtesy of Oberon Cement Works] (Oberon Press). Avison, staying on the periphery of the poetry scene, attended and participated in several readings, and supported other writers in their pursuits. She translated poems from Hungarian, which appear in The Plough and the Pen: Writings from Hungary, 1930-1956 (London, P. Owen, 1963). Sunblue was published in 1978 by Lancelot Press, and a collected edition of Winter Sun/The Dumbfounding: Poems 1940-1966 (McClelland & Stewart, 1982) and No time (Lancelot Press, 1989). Her Selected Poems was published in 1991 by Oxford University Press, followed by A kind of perseverance (Lancelot Press, 1994) and Not yet but still (Lancelot Press, 1997). Avison has produced a number of books, Always Now: The collected poems (Porcupine’s Quill) came as a three volume series published between 2003 and 2005. Momentary dark (McClelland & Stewart, 2006), Listening: the last poems (McClelland & Stewart, 2009) and I am here and not not-there: an autobiography (Porcupine’s Quill, 2009) have both recently been released. Margaret Avison died in Toronto in August of 2007.\\n\",\"nation\":[],\"role\":[\"Performer\",\"Author\"]}]"],"contributors_names":["Kiyooka, Roy"],"contributors_names_search":["Kiyooka, Roy"],"contributors":["[{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"Presenter_name":["Kiyooka, Roy"],"Series_organizer_name":["Kiyooka, Roy"],"Performance_Date":[1967],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"BASF\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"01:20:00\",\"physical_condition\":\"\",\"track_configuration\":\"2 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"Dates":["[{\"date\":\"1967 1 27\",\"type\":\"Performance Date\",\"notes\":\"Date specified in The Georgian's \\\"Op-Ed\\\"\",\"source\":\"Supplemental Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Basement Theatre\",\"notes\":\"Location specified in The Georgian's \\\"Op-Ed\\\"\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Basement Theatre"],"City":["Montreal, Quebec"],"contents":["margaret_avison_i086-11-002.mp3\n\nRoy Kiyooka\n00:00:00\nIn view of the embarrassment of having made such a mess of introducing the last poet, I spent a considerable amount of time setting out what I should say this evening, so hopefully I'll be a little more successful. Well, this is our seventh poetry evening and we welcome you all here this cold and blustery evening. Now, this evening we're having Margaret Avison [https://www.wikidata.org/wiki/Q6759152] read poems, and I wanted to say a few things about her. I first listened to Margaret read her poems at the poetry conference, University of British Columbia [https://www.wikidata.org/wiki/Q391028], during the summer of 1963. Her reading, together with those of the other poets on hand, are among the most memorable occasions I've had in my love affair with poems and poets. Four years later, in early January, we spent an afternoon together. Now I don't want to attribute, what I felt with a thought, on Bloor Street, to our conversation, but the warmth of it was very real. Margaret Avison was born in Guelph [https://www.wikidata.org/wiki/Q504114], Ontario [https://www.wikidata.org/wiki/Q1904]; some early years were spent in Alberta [https://www.wikidata.org/wiki/Q1951]; she graduated from Victoria College [https://www.wikidata.org/wiki/Q3551503], the University of Toronto [https://www.wikidata.org/wiki/Q180865], in 1940, with a BA in English Language and Literature. She has been a secretary of all sorts for various firms, individuals, and organizations, and has also been a research assistant and librarian and presently teaches English at Scarborough College, Toronto [https://www.wikidata.org/wiki/Q172]. 1956-57 she was a Guggenheim Fellow [https://www.wikidata.org/wiki/Property:P6594] in poetry, and during the forties her work appeared in various Canadian magazines, and in the fifties, mainly in American ones. She has published two books of poems; The Winter Sun in 1960 won the Governor General's Award [https://www.wikidata.org/wiki/Q283256], and in 1966, W.W. Norton [https://www.wikidata.org/wiki/Q1282208] in New York [https://www.wikidata.org/wiki/Q60] issued The Dumbfounding [https://www.wikidata.org/wiki/Q42189162], her latest book. Ladies and gentlemen, it gives me great pleasure in introducing to you Margaret Avison.\n \nUnknown\n00:02:59\n[Cut or edit made in tape. Unknown amount of time elapsed]. \n \nMargaret Avison\n00:02:59\nI don't know about the reading but I do know about the pleasure of meeting Roy [https://www.wikidata.org/wiki/Q3445789] again here, and being introduced by him. If this were Monday, or up to a week from tonight, I would be able to join the Angry Art Week. I don't know if anybody else has received these letters, but in New York City initially they're trying this and anybody who gets a letter from them is asked to dedicate any reading or event to what they're trying to do. You can still send them money, too, I'll give you the address if you want it later. What they're going to do is play harps in railroad stations and have...lets see, Bach [https://www.wikidata.org/wiki/Q1339] cantatas in railroad stations, play-ins in various museums and the lobbies of concert halls, recital halls, business buildings--I like that one--dramatic presentations in laundromats and supermarkets, [audience laughter], a paint-in, and fences and billboards throughout Manhattan [https://www.wikidata.org/wiki/Q11299] with their work showing and so on. This is a series. \"What we're trying to do is through art to reach the American people as human beings.\" So...[audience laughter]. If this were Monday I'd dedicate the reading [audience laughter and applause]...This is all very orderly, although it doesn't look it, and it starts with other people's poems of various kinds. A little section of C. Bukowski [https://www.wikidata.org/wiki/Q76409], somebody said that's Charles, an American poet. It's a great long thing that was in a mimeograph magazine, and the description is of a woman with a bicycle and a baby carriage, high-heeled shoes, white socks, and all her belongings, on a hot day in the middle of a road in a city. \n \nMargaret Avison\n00:05:28\nReads unnamed poem by Charles Bukowski.\n \nMargaret Avison\n00:06:30.\nThat's sad, so on the same page I copied one of Al Fowler's, which was in a magazine called Lines, which is the all-time happiest little poem, and I don't know why. I'm going to stop where the lines stop, not where the sense stops, so you can see the shape of it.  There's no capital letters. There's no title.\n \nMargaret Avison\n00:07:01\nReads “Are you a root or a tendermint” by Al Fowler [published in Lines 6].\n\nAudience \n00:07:20\nLaughter.\n\nMargaret Avison\n00:07:30\nThis is one by Gerry Gilbert [https://www.wikidata.org/wiki/Q5552756], called \"Zoo\".\n \nMargaret Avison\n00:07:39\nReads \"Zoo\" by Gerry Gilbert.\n \nMargaret Avison\n00:08:00\nI may bring in some more of other people's, but this is just a little, it's a friend of mine in Toronto who's made it to grade seven this year. He calls it \"The Delinquent\", and he has, in this copy he has said that it's his copyright so if you betray the fact that I read some of it, I'll be in trouble with him.\n \nMargaret Avison\n00:08:33\nReads \"The Delinquent\" by an unnamed author [audience laughter throughout].\n \nMargaret Avison\n00:10:20\nIt goes on, a bit, I want to go back to where it gets sad, though. I love \"She twisted her pinkies behind her but all the knots held more\".\n \nMargaret Avison\n00:10:30\nResumes reading \"The Delinquent\" [audience laughter throughout].\n \nMargaret Avison\n00:11:33\nThere's an awful line in the next verse. [Audience laughter].\n \nMargaret Avison\n00:11:41\nResumes reading \"The Delinquent\" [audience laughter throughout].\n \nMargaret Avison\n00:12:43\nIt ends up with knotting a burning matchstick into her old man's hair. [Audience laughter]. I think as he goes on he'll be somebody. If I'm not reading mine I'll warn of you. Some of these...the first one is a Toronto poem with footnotes, saying that TTC [https://www.wikidata.org/wiki/Q17978] means Toronto Transit Commission, and the Ditch is an open cut on the Yonge subway between Bloor and Rosedale. \n \nMargaret Avison\n00:13:38\nReads unnamed poem.\n \nMargaret Avison\n00:14:37\nThe second subway poem...a little child, it's called \"Subway Station Why Not.\"\n \nMargaret Avison\n00:14:53\nReads \"Subway Station Why Not\".\n \nMargaret Avison\n00:15:56\nThis next one is St. Clair Avenue, where I live on the car tracks. It's called \"Insomniac Report\".\n \nMargaret Avison\n00:16:11\nReads \"Insomniac Report\".\n \nMargaret Avison\n00:17:07\nFeels as if I should be doing something different, but I don't know what. I did a poem to people writing examinations I'm hunting for, but I think I've forgotten it. There's three about this odd experience of teaching and students. This one was written before I had had the experience, but was looking forward to it. And it had the title \"Is That You/Me Standing on My/Your Feet?\" And it's very full of fine theory and idealism.\n \nMargaret Avison\n00:18:18\nReads \"Is That You/Me Standing on My/Your Feet?\".\n \nMargaret Avison\n00:19:21\nAnd I've got two other incomplete ones that should be read with that. I'll just read two stanzas of the first one, it's got one four-line stanza for the students...\n \nMargaret Avison\n00:19:36\nReads unnamed poem.\n \nMargaret Avison\n00:20:36\nThe teacher's answer hasn't got written yet. Here's another bit, two stanzas, the student and the teacher, that isn't finished. The student is talking although it doesn't sound like it. \n \nMargaret Avison\n00:21:01\nReads unnamed poem.\n \nMargaret Avison\n00:21:51\nThere's a daybreak bus I have to catch and this one is called \"October 21, '66, at a bus stop on the way\".\n \nMargaret Avison\n00:22:03\nReads \"October 21, '66, at a bus stop on the way\".\n \nMargaret Avison\n00:23:07\nI had planned to get all this organized on the plane, but I was in the middle of the three seats and I kept getting the briefcase out and everything would fall to the floor, and this one would dive for it, or this one, and I finally gave up, so it's upside down. This is dedicated to Jacques Ellul [https://www.wikidata.org/wiki/Q322922], The Technological Society [https://www.wikidata.org/wiki/Q1607727], a book he wrote that's a little mad but very stirring.\n \nMargaret Avison\n00:23:56\nReads [“Making Senses”, published later in No Time]. \n \nMargaret Avison\n00:26:39\nThere's one here that is just the equivalent to sketching, I guess. I know a poet in Chicago [https://www.wikidata.org/wiki/Q1297] who used to go and sit around in the Art Institute [https://www.wikidata.org/wiki/Q239303], when it was a fairly quiet room, and stare all morning, and if any words occurred to him, he dashed them down. And sometime he worked up his sketches and sometime he didn't, which is a technique that's lots of fun to practice, and occasionally something grows out of it. In this case I don't think I'll ever do anything but it'll show you the kind of thing that I mean, if, as I assume, most of you are writers.\n \nMargaret Avison\n00:27:38\nReads unnamed poem. \n \nMargaret Avison\n00:28:25\nNow a poem with syntax and stuff called \"The Seven Birds\". A corner of Bathurst and College Street in Toronto which is the kind of buildings that have been there since the first world war, where there's often stores on the street level and an apartment or two above. \n \nMargaret Avison\n00:29:01\nReads \"The Seven Birds\" [published later in sunblue].\n\nMargaret Avison\n00:30:15\nI think I should read a long, fierce poem. This is not by me except translated. It's the poem of Gyula Illyes [https://www.wikidata.org/wiki/Q381107], called \"Of Tyranny, In One Breath\". Ilona Duczynska [https://www.wikidata.org/wiki/Q967353] did a literal translation for me and then read it to me for sound and we worked through it that way.  Apparently the poem started, or happened, in 1956 in Budapest [https://www.wikidata.org/wiki/Q1781]. Illyes had written it some years before but hadn't been angry enough at the time to risk what it was to bring it out. But he grew angry enough and somebody said the one thing that nobody censors is the magazine which tells you what lectures are going on where and what movies are running where and is just a news sheet, and the middle spread was for advertising, so they printed this in the middle sheet and it was, they tried to stop it as soon as the authorities found it but by then they were storming the radio station or however it started. I can't do it in one breath because it goes on for several pages. In the first part of it, \"it,\" meaning \"tyranny\" is small \"i\" and towards the end it's a capital \"I.\"\n \nMargaret Avison\n00:32:27\nReads English translation of \"Of Tyranny, In One Breath\" by Gyula Illyes [published later in Always Now, Vol. 1].\n\nMargaret Avison\n00:39:26\nSo, after the revolution he was much too well-known to disappear but they said he was insane and he was in an asylum for a while, but he wrote a lot of lovely things there, so I don't think he was, and he's not there now. It's much better, I think. A group of silly things it's embarrassing to read but I will, called \"Bestialities\".\n \nMargaret Avison\n00:40:19\nReads \"Bestialities\", parts 1-5 [from The Dumbfounding; audience laughter throughout].\n \nMargaret Avison\n00:41:14\nThe last one I think is just beautiful, but nobody gets it unless I explain, so I'll explain, it's like you take a piece of 8 by 11 typing paper...\n \nAudience Member 1\n00:41:26\nDon't explain, just say it.\n \nMargaret Avison\n00:41:28\nAlright, you can tell me then, eh? \n \nMargaret Avison\n00:41:33\nReads \"Bestialities\", part 6 [from The Dumbfounding].\n \nMargaret Avison\n00:41:40\nNow, come on...[Audience laughter]. Hmm? Does anybody want the explanation? Well I've read it. It's just a crumpled-up letter, you know, you get it and you read it and you cry and you crumble it up and you throw it down and the mite goes up...Now I'll read it again.\n \nMargaret Avison\n00:42:17\nReads \"Bestialities\", part 6 [from The Dumbfounding].\n \nMargaret Avison\n00:42:35\n“The Absorbed\". This is one of the very cold days, I guess about ten below, enough. It's inside the pane of glass separating inside from outside comes into it, a certain kind of sky that goes with that which is like glass again. \n \nMargaret Avison\n00:43:09\nReads \"The Absorbed\" [from The Dumbfounding].\n \nMargaret Avison\n00:45:50\nReads [\"Thaw\" from Winter Sun].\n \nMargaret Avison\n00:47:37\nI would like to read two other weather ones and then I'll give you a break. This is “Two Mayday Selves”.\n \nMargaret Avison\n00:47:54\nReads \"Two Mayday Selves\" [from The Dumbfounding].\n \nMargaret Avison\n00:49:42\nAnd the last one is late spring, early summer. Jet-plane and terminuses, called \"Black-White Under Green, May 18th 1965”.\n \nMargaret Avison\n00:50:06\nReads \"Black-White Under Green, May 18th 1965” [published as “May 18 1965” in The Dumbfounding].\n\nUnknown\n00:52:53\n[Cut or edit made in tape. Unknown amount of time elapsed].\n\nMargaret Avison\n00:52:54\nI've been asked to read \"The Valiant Vacationist\". It was written so many years ago...I think I would be quite right in saying thirty years ago, and probably a little more. And I couldn't write this well now but in a way when you're very young you've got the whole world in one lump without any lump, and you only get bits later on. \n \nMargaret Avison\n00:53:34\nReads \"The Valiant Vacationist\" [published later in Always Now: Vol. 1].\n \nMargaret Avison\n00:56:54\nThen the one \"To Professor X, Year Y\".\n \nMargaret Avison\n00:57:03\nReads \"To Professor X, Year Y\" [from Winter Sun].\n\nMargaret Avison\n00:59:57\nI'd like to read one introductory poem to the long one, \"The Earth that Falls Away\", and that one, and two short ones, if you'll bear with me that long. This is called \"The Absolute, the Day\".\n \nMargaret Avison\n01:00:22\nReads \"The Absolute, the Day\" [published later as “Absolute” in sunblue and in Always Now Vol. 2].\n\nMargaret Avison\n01:01:39\nThis one is \"The Earth that Falls Away\". There's an epigraph from Beddoes’ [https://www.wikidata.org/wiki/Q2165597] Death's Jest-Book [https://www.wikidata.org/wiki/Q42188673]: \"Can a man die? Aye, as the sun doth set, it is the earth that falls away from light\". There are a number of human situations, some into the past, through the present generation, the rest various city people, myself, and the stories come interleaving so that as I name a new section it'll be a new group of people, and by request I'm going to  stop at the line-ends here. \n \nMargaret Avison\n01:02:32\nReads \"The Earth that Falls Away\" [from The Dumbfounding].\n \nMargaret Avison\n01:15:52\nReads [\"He Couldn’t Be Safe (Isaiah 53:5)”, published later in sunblue].\n \nMargaret Avison\n01:16:54\nThere's one more and I'll stop with this one. \n \nMargaret Avison\n01:17:00\nReads [section from “The Jo Poems”, part 6. Published later in No Time. Subtitled “Having” in Always Now: Vol. 2].\n \nEND\n01:17:54\n[Cut off abruptly].\n"],"Note":["[{\"note\":\"Year-Specific Information:\\n\\nIn 1967, Margaret Avison was teaching English at Scarborough College. The Dumbfounding had been published the previous year.\\n\",\"type\":\"General\"},{\"note\":\"Local Connections:\\n\\nMargaret Avison met Roy Kiyooka, who was teaching at Sir George Williams University at a reading in 1963 at the University of British Columbia.\\n\",\"type\":\"General\"},{\"note\":\"Original transcript and print catalogue by Rachel Kyne\\n\\nOriginal print catalogue, research, introduction and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Ali Barillaro\\n\",\"type\":\"Cataloguer\"},{\"note\":\"Reel-to-reel tape>2 CDs>digital file\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/encyclopedia-of-post-colonial-literatures-in-english-vol-1/oclc/32566813&referer=brief_results\",\"citation\":\"Anderson, Mia. “Avison, Margaret (1918-)”. Routledge Encyclopedia of Post-Colonial Literatures in English. Benson, Eugene; Connoly, L.W. (eds). London: Routledge, 1994. 2 vols.\"},{\"url\":\"https://www.worldcat.org/title/always-now-the-collected-poems-vol-1/oclc/834732786&referer=brief_results\",\"citation\":\"Avison, Margaret. Always Now: The Collected Poems, Vols 1-3. Erin, Ontario: The Porcupine’s Quill, 2003. \"},{\"url\":\"https://www.worldcat.org/title/dumbfounding-poems/oclc/635930&referer=brief_results\",\"citation\":\"Avison, Margaret. The Dumbfounding. New York: W.W. Norton & Co, 1966. \"},{\"url\":\"https://www.worldcat.org/title/no-time/oclc/751204318&referer=brief_results\",\"citation\":\"Avison, Margaret. No Time. Hantsport: Lancelot Press; London: Brick Books, 1989. \"},{\"url\":\"https://www.worldcat.org/title/sunblue/oclc/867940471&referer=brief_results\",\"citation\":\"Avison, Margaret. sunblue. Hantsport: Lancelot Press; London: Brick Books, 1978.\"},{\"url\":\"https://www.worldcat.org/title/winter-sun/oclc/320960000&referer=brief_results\",\"citation\":\"Avison, Margaret. Winter Sun. London: Routledge and Kegan Paul 1960. \"},{\"url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/margaret-avison-at-sgwu-1967/#reading1-1\",\"citation\":\"“Avison: Next Poet to Read”. The Georgian. Montreal: Sir George Williams University, 27 January 1967. \"},{\"url\":\"https://www.worldcat.org/title/from-there-to-here-a-guide-to-english-canadian-literature-since-1960/oclc/441669839&referer=brief_results\",\"citation\":\"Davey, Frank. From There to Here: A Guide to English-Canadian Literature Since 1960. Erin, Ontario: Press Porcepic, 1974. \"},{\"url\":\"https://www.worldcat.org/title/15-canadian-poets-times-2/oclc/622296707&referer=brief_results\",\"citation\":\"Geddes, Gary (ed). Fifteen Canadian Poets Times Two. Toronto: Oxford University Press, 1990. \"},{\"url\":\"http://news.google.com/newspapers?id=O5UtAAAAIBAJ&sjid=4p8FAAAAIBAJ&pg=3951,6182119&dq=sir+george+williams+poetry&hl=en\",\"citation\":\"“Poetry Series Coming Up At University”. The Gazette. Saturday, December 31, 1966: page 39.\"},{\"url\":\"https://www.worldcat.org/title/margaret-avison/oclc/556890573&referer=brief_results\",\"citation\":\"Redekop, Ernest. Margaret Avison: Studies in Canadian Literature. Toronto: The Copp Clark Publishing Company, 1970. \\n\"},{\"url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/margaret-avison-at-sgwu-1967/#reading1-1\",\"citation\":\"Simco, Bob. “Georgiantics”. The Georgian. Montreal: Sir George Williams University, 27 January 1967. \"},{\"url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/margaret-avison-at-sgwu-1967/#reading1-1\",\"citation\":\"Thoms, Kathleen. “Margaret Avison’s Poetry”. OP-ED. Montreal: Sir George Williams University, 3 February 1967. \"}]"],"_version_":1853670548673921024,"timestamp":"2026-01-07T14:59:53.264Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0086_11_0002_front.jpg\",\"file_path\":\"My Drive>Sir George Williams TIme-Stamped Transcripts>Spokenweb Tape Case Photos taken by Drew Bernet\",\"filename\":\"I0086_11_0002_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Margaret Avison Tape Box - Front\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0086_11_0002_side.jpg\",\"file_path\":\"My Drive>Sir George Williams TIme-Stamped Transcripts>Spokenweb Tape Case Photos taken by Drew Bernet\",\"filename\":\"I0086_11_0002_side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Margaret Avison Tape Box - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0086_11_0002_back.jpg\",\"file_path\":\"My Drive>Sir George Williams TIme-Stamped Transcripts>Spokenweb Tape Case Photos taken by Drew Bernet\",\"filename\":\"I0086_11_0002_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Margaret Avison Tape Box - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0086_11_0002_tape.jpg\",\"file_path\":\"My Drive>Sir George Williams TIme-Stamped Transcripts>Spokenweb Tape Case Photos taken by Drew Bernet\",\"filename\":\"I0086_11_0002_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Margaret Avison Tape Box - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/margaret_avison_i086-11-002.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"margaret_avison_i086-11-002.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:17:54\",\"precision\":\"\",\"size\":\"187 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"Roy Kiyooka\\n00:00:00\\nIn view of the embarrassment of having made such a mess of introducing the last poet, I spent a considerable amount of time setting out what I should say this evening, so hopefully I'll be a little more successful. Well, this is our seventh poetry evening and we welcome you all here this cold and blustery evening. Now, this evening we're having Margaret Avison [https://www.wikidata.org/wiki/Q6759152] read poems, and I wanted to say a few things about her. I first listened to Margaret read her poems at the poetry conference, University of British Columbia [https://www.wikidata.org/wiki/Q391028], during the summer of 1963. Her reading, together with those of the other poets on hand, are among the most memorable occasions I've had in my love affair with poems and poets. Four years later, in early January, we spent an afternoon together. Now I don't want to attribute, what I felt with a thought, on Bloor Street, to our conversation, but the warmth of it was very real. Margaret Avison was born in Guelph [https://www.wikidata.org/wiki/Q504114], Ontario [https://www.wikidata.org/wiki/Q1904]; some early years were spent in Alberta [https://www.wikidata.org/wiki/Q1951]; she graduated from Victoria College [https://www.wikidata.org/wiki/Q3551503], the University of Toronto [https://www.wikidata.org/wiki/Q180865], in 1940, with a BA in English Language and Literature. She has been a secretary of all sorts for various firms, individuals, and organizations, and has also been a research assistant and librarian and presently teaches English at Scarborough College, Toronto [https://www.wikidata.org/wiki/Q172]. 1956-57 she was a Guggenheim Fellow [https://www.wikidata.org/wiki/Property:P6594] in poetry, and during the forties her work appeared in various Canadian magazines, and in the fifties, mainly in American ones. She has published two books of poems; The Winter Sun in 1960 won the Governor General's Award [https://www.wikidata.org/wiki/Q283256], and in 1966, W.W. Norton [https://www.wikidata.org/wiki/Q1282208] in New York [https://www.wikidata.org/wiki/Q60] issued The Dumbfounding [https://www.wikidata.org/wiki/Q42189162], her latest book. Ladies and gentlemen, it gives me great pleasure in introducing to you Margaret Avison.\\n \\nUnknown\\n00:02:59\\n[Cut or edit made in tape. Unknown amount of time elapsed]. \\n \\nMargaret Avison\\n00:02:59\\nI don't know about the reading but I do know about the pleasure of meeting Roy [https://www.wikidata.org/wiki/Q3445789] again here, and being introduced by him. If this were Monday, or up to a week from tonight, I would be able to join the Angry Art Week. I don't know if anybody else has received these letters, but in New York City initially they're trying this and anybody who gets a letter from them is asked to dedicate any reading or event to what they're trying to do. You can still send them money, too, I'll give you the address if you want it later. What they're going to do is play harps in railroad stations and have...lets see, Bach [https://www.wikidata.org/wiki/Q1339] cantatas in railroad stations, play-ins in various museums and the lobbies of concert halls, recital halls, business buildings--I like that one--dramatic presentations in laundromats and supermarkets, [audience laughter], a paint-in, and fences and billboards throughout Manhattan [https://www.wikidata.org/wiki/Q11299] with their work showing and so on. This is a series. \\\"What we're trying to do is through art to reach the American people as human beings.\\\" So...[audience laughter]. If this were Monday I'd dedicate the reading [audience laughter and applause]...This is all very orderly, although it doesn't look it, and it starts with other people's poems of various kinds. A little section of C. Bukowski [https://www.wikidata.org/wiki/Q76409], somebody said that's Charles, an American poet. It's a great long thing that was in a mimeograph magazine, and the description is of a woman with a bicycle and a baby carriage, high-heeled shoes, white socks, and all her belongings, on a hot day in the middle of a road in a city. \\n \\nMargaret Avison\\n00:05:28\\nReads unnamed poem by Charles Bukowski.\\n \\nMargaret Avison\\n00:06:30.\\nThat's sad, so on the same page I copied one of Al Fowler's, which was in a magazine called Lines, which is the all-time happiest little poem, and I don't know why. I'm going to stop where the lines stop, not where the sense stops, so you can see the shape of it.  There's no capital letters. There's no title.\\n \\nMargaret Avison\\n00:07:01\\nReads “Are you a root or a tendermint” by Al Fowler [published in Lines 6].\\n\\nAudience \\n00:07:20\\nLaughter.\\n\\nMargaret Avison\\n00:07:30\\nThis is one by Gerry Gilbert [https://www.wikidata.org/wiki/Q5552756], called \\\"Zoo\\\".\\n \\nMargaret Avison\\n00:07:39\\nReads \\\"Zoo\\\" by Gerry Gilbert.\\n \\nMargaret Avison\\n00:08:00\\nI may bring in some more of other people's, but this is just a little, it's a friend of mine in Toronto who's made it to grade seven this year. He calls it \\\"The Delinquent\\\", and he has, in this copy he has said that it's his copyright so if you betray the fact that I read some of it, I'll be in trouble with him.\\n \\nMargaret Avison\\n00:08:33\\nReads \\\"The Delinquent\\\" by an unnamed author [audience laughter throughout].\\n \\nMargaret Avison\\n00:10:20\\nIt goes on, a bit, I want to go back to where it gets sad, though. I love \\\"She twisted her pinkies behind her but all the knots held more\\\".\\n \\nMargaret Avison\\n00:10:30\\nResumes reading \\\"The Delinquent\\\" [audience laughter throughout].\\n \\nMargaret Avison\\n00:11:33\\nThere's an awful line in the next verse. [Audience laughter].\\n \\nMargaret Avison\\n00:11:41\\nResumes reading \\\"The Delinquent\\\" [audience laughter throughout].\\n \\nMargaret Avison\\n00:12:43\\nIt ends up with knotting a burning matchstick into her old man's hair. [Audience laughter]. I think as he goes on he'll be somebody. If I'm not reading mine I'll warn of you. Some of these...the first one is a Toronto poem with footnotes, saying that TTC [https://www.wikidata.org/wiki/Q17978] means Toronto Transit Commission, and the Ditch is an open cut on the Yonge subway between Bloor and Rosedale. \\n \\nMargaret Avison\\n00:13:38\\nReads unnamed poem.\\n \\nMargaret Avison\\n00:14:37\\nThe second subway poem...a little child, it's called \\\"Subway Station Why Not.\\\"\\n \\nMargaret Avison\\n00:14:53\\nReads \\\"Subway Station Why Not\\\".\\n \\nMargaret Avison\\n00:15:56\\nThis next one is St. Clair Avenue, where I live on the car tracks. It's called \\\"Insomniac Report\\\".\\n \\nMargaret Avison\\n00:16:11\\nReads \\\"Insomniac Report\\\".\\n \\nMargaret Avison\\n00:17:07\\nFeels as if I should be doing something different, but I don't know what. I did a poem to people writing examinations I'm hunting for, but I think I've forgotten it. There's three about this odd experience of teaching and students. This one was written before I had had the experience, but was looking forward to it. And it had the title \\\"Is That You/Me Standing on My/Your Feet?\\\" And it's very full of fine theory and idealism.\\n \\nMargaret Avison\\n00:18:18\\nReads \\\"Is That You/Me Standing on My/Your Feet?\\\".\\n \\nMargaret Avison\\n00:19:21\\nAnd I've got two other incomplete ones that should be read with that. I'll just read two stanzas of the first one, it's got one four-line stanza for the students...\\n \\nMargaret Avison\\n00:19:36\\nReads unnamed poem.\\n \\nMargaret Avison\\n00:20:36\\nThe teacher's answer hasn't got written yet. Here's another bit, two stanzas, the student and the teacher, that isn't finished. The student is talking although it doesn't sound like it. \\n \\nMargaret Avison\\n00:21:01\\nReads unnamed poem.\\n \\nMargaret Avison\\n00:21:51\\nThere's a daybreak bus I have to catch and this one is called \\\"October 21, '66, at a bus stop on the way\\\".\\n \\nMargaret Avison\\n00:22:03\\nReads \\\"October 21, '66, at a bus stop on the way\\\".\\n \\nMargaret Avison\\n00:23:07\\nI had planned to get all this organized on the plane, but I was in the middle of the three seats and I kept getting the briefcase out and everything would fall to the floor, and this one would dive for it, or this one, and I finally gave up, so it's upside down. This is dedicated to Jacques Ellul [https://www.wikidata.org/wiki/Q322922], The Technological Society [https://www.wikidata.org/wiki/Q1607727], a book he wrote that's a little mad but very stirring.\\n \\nMargaret Avison\\n00:23:56\\nReads [“Making Senses”, published later in No Time]. \\n \\nMargaret Avison\\n00:26:39\\nThere's one here that is just the equivalent to sketching, I guess. I know a poet in Chicago [https://www.wikidata.org/wiki/Q1297] who used to go and sit around in the Art Institute [https://www.wikidata.org/wiki/Q239303], when it was a fairly quiet room, and stare all morning, and if any words occurred to him, he dashed them down. And sometime he worked up his sketches and sometime he didn't, which is a technique that's lots of fun to practice, and occasionally something grows out of it. In this case I don't think I'll ever do anything but it'll show you the kind of thing that I mean, if, as I assume, most of you are writers.\\n \\nMargaret Avison\\n00:27:38\\nReads unnamed poem. \\n \\nMargaret Avison\\n00:28:25\\nNow a poem with syntax and stuff called \\\"The Seven Birds\\\". A corner of Bathurst and College Street in Toronto which is the kind of buildings that have been there since the first world war, where there's often stores on the street level and an apartment or two above. \\n \\nMargaret Avison\\n00:29:01\\nReads \\\"The Seven Birds\\\" [published later in sunblue].\\n\\nMargaret Avison\\n00:30:15\\nI think I should read a long, fierce poem. This is not by me except translated. It's the poem of Gyula Illyes [https://www.wikidata.org/wiki/Q381107], called \\\"Of Tyranny, In One Breath\\\". Ilona Duczynska [https://www.wikidata.org/wiki/Q967353] did a literal translation for me and then read it to me for sound and we worked through it that way.  Apparently the poem started, or happened, in 1956 in Budapest [https://www.wikidata.org/wiki/Q1781]. Illyes had written it some years before but hadn't been angry enough at the time to risk what it was to bring it out. But he grew angry enough and somebody said the one thing that nobody censors is the magazine which tells you what lectures are going on where and what movies are running where and is just a news sheet, and the middle spread was for advertising, so they printed this in the middle sheet and it was, they tried to stop it as soon as the authorities found it but by then they were storming the radio station or however it started. I can't do it in one breath because it goes on for several pages. In the first part of it, \\\"it,\\\" meaning \\\"tyranny\\\" is small \\\"i\\\" and towards the end it's a capital \\\"I.\\\"\\n \\nMargaret Avison\\n00:32:27\\nReads English translation of \\\"Of Tyranny, In One Breath\\\" by Gyula Illyes [published later in Always Now, Vol. 1].\\n\\nMargaret Avison\\n00:39:26\\nSo, after the revolution he was much too well-known to disappear but they said he was insane and he was in an asylum for a while, but he wrote a lot of lovely things there, so I don't think he was, and he's not there now. It's much better, I think. A group of silly things it's embarrassing to read but I will, called \\\"Bestialities\\\".\\n \\nMargaret Avison\\n00:40:19\\nReads \\\"Bestialities\\\", parts 1-5 [from The Dumbfounding; audience laughter throughout].\\n \\nMargaret Avison\\n00:41:14\\nThe last one I think is just beautiful, but nobody gets it unless I explain, so I'll explain, it's like you take a piece of 8 by 11 typing paper...\\n \\nAudience Member 1\\n00:41:26\\nDon't explain, just say it.\\n \\nMargaret Avison\\n00:41:28\\nAlright, you can tell me then, eh? \\n \\nMargaret Avison\\n00:41:33\\nReads \\\"Bestialities\\\", part 6 [from The Dumbfounding].\\n \\nMargaret Avison\\n00:41:40\\nNow, come on...[Audience laughter]. Hmm? Does anybody want the explanation? Well I've read it. It's just a crumpled-up letter, you know, you get it and you read it and you cry and you crumble it up and you throw it down and the mite goes up...Now I'll read it again.\\n \\nMargaret Avison\\n00:42:17\\nReads \\\"Bestialities\\\", part 6 [from The Dumbfounding].\\n \\nMargaret Avison\\n00:42:35\\n“The Absorbed\\\". This is one of the very cold days, I guess about ten below, enough. It's inside the pane of glass separating inside from outside comes into it, a certain kind of sky that goes with that which is like glass again. \\n \\nMargaret Avison\\n00:43:09\\nReads \\\"The Absorbed\\\" [from The Dumbfounding].\\n \\nMargaret Avison\\n00:45:50\\nReads [\\\"Thaw\\\" from Winter Sun].\\n \\nMargaret Avison\\n00:47:37\\nI would like to read two other weather ones and then I'll give you a break. This is “Two Mayday Selves”.\\n \\nMargaret Avison\\n00:47:54\\nReads \\\"Two Mayday Selves\\\" [from The Dumbfounding].\\n \\nMargaret Avison\\n00:49:42\\nAnd the last one is late spring, early summer. Jet-plane and terminuses, called \\\"Black-White Under Green, May 18th 1965”.\\n \\nMargaret Avison\\n00:50:06\\nReads \\\"Black-White Under Green, May 18th 1965” [published as “May 18 1965” in The Dumbfounding].\\n\\nUnknown\\n00:52:53\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n\\nMargaret Avison\\n00:52:54\\nI've been asked to read \\\"The Valiant Vacationist\\\". It was written so many years ago...I think I would be quite right in saying thirty years ago, and probably a little more. And I couldn't write this well now but in a way when you're very young you've got the whole world in one lump without any lump, and you only get bits later on. \\n \\nMargaret Avison\\n00:53:34\\nReads \\\"The Valiant Vacationist\\\" [published later in Always Now: Vol. 1].\\n \\nMargaret Avison\\n00:56:54\\nThen the one \\\"To Professor X, Year Y\\\".\\n \\nMargaret Avison\\n00:57:03\\nReads \\\"To Professor X, Year Y\\\" [from Winter Sun].\\n\\nMargaret Avison\\n00:59:57\\nI'd like to read one introductory poem to the long one, \\\"The Earth that Falls Away\\\", and that one, and two short ones, if you'll bear with me that long. This is called \\\"The Absolute, the Day\\\".\\n \\nMargaret Avison\\n01:00:22\\nReads \\\"The Absolute, the Day\\\" [published later as “Absolute” in sunblue and in Always Now Vol. 2].\\n\\nMargaret Avison\\n01:01:39\\nThis one is \\\"The Earth that Falls Away\\\". There's an epigraph from Beddoes’ [https://www.wikidata.org/wiki/Q2165597] Death's Jest-Book [https://www.wikidata.org/wiki/Q42188673]: \\\"Can a man die? Aye, as the sun doth set, it is the earth that falls away from light\\\". There are a number of human situations, some into the past, through the present generation, the rest various city people, myself, and the stories come interleaving so that as I name a new section it'll be a new group of people, and by request I'm going to  stop at the line-ends here. \\n \\nMargaret Avison\\n01:02:32\\nReads \\\"The Earth that Falls Away\\\" [from The Dumbfounding].\\n \\nMargaret Avison\\n01:15:52\\nReads [\\\"He Couldn’t Be Safe (Isaiah 53:5)”, published later in sunblue].\\n \\nMargaret Avison\\n01:16:54\\nThere's one more and I'll stop with this one. \\n \\nMargaret Avison\\n01:17:00\\nReads [section from “The Jo Poems”, part 6. Published later in No Time. Subtitled “Having” in Always Now: Vol. 2].\\n \\nEND\\n01:17:54\\n[Cut off abruptly].\\n\",\"notes\":\"Margaret Avison reads from Winter Sun (Routledge and Kegan Paul, 1960) and The Dumbfounding (W.W. Norton & Co, 1966), as well as a few poems published years later in books like sunblue (Lancelot Press, 1978) and No Time (Lancelot Press and Brick Books, 1998). The majority of the poems read were also collected in three volumes, entitled Always Now (The Porcupine’s Quill, 2003).\\n\\nI086-11-002.1=AC\\n\\n(Rachel has indexed poems)\\n00:00- Roy Kiyooka introduces Margaret Avison. [INDEX: seventh poetry evening, poetry conference at UBC summer of 1963; Bloor Street, Guelph Ontario, Alberta, Victoria College of the University of Toronto in 1940 with BA from English Language and Literature, secretary at firms, research assistant, librarian, teaching English at    \\tScarborough College (Toronto), Guggenheim Fellow 1956-7, Canadian and American    \\tmagazines; books: The Winter Sun won Governor General’s Award in 1960, The    Dumbfounding (W.W. Norton in New York, 1966).]\\n02:59- Avison introduces poem by Charles Bukowski, first line “She had gone wrong somewhere...” [INDEX: Roy Kiyooka (meeting), Angry Art Week in NYC, dedicate    \\treadings to Angry Art Week, Bach, Manhattan, American people, American poet,        \\tMimeograph Magazine.]\\n05:28- Reads section from a poem by Charles Bukowski “She had gone wrong somewhere...”\\n06:30- Introduces poem by Al Fowler first line “Quote: Are you a root or a tender mint     tea?”. [INDEX: magazine Line, line stops, shape of poem, no capital letters, no title.]\\n07:01- Reads poem by Al Fowler, first line “Quote: Are you a root or a tender mint tea?”.\\n07:30- Introduces poem by Gerry Gilbert called “Zoo”.\\n07:39- Reads poem by Gerry Gilbert, called  “Zoo”.\\n08:00- Introduces poem called “The Delinquent”  by unknown child. [INDEX: friend in Toronto, in grade seven.]\\n08:33- Reads “The Delinquent”.\\n10:20- Interjects comment about poem.\\n10:30- Continues reading “The Delinquent”.\\n11:33- Interjects comment about poem.\\n11:41- Continues reading “The Delinquent”.\\n12:43- Explains “The Delinquent”, Introduces poem, first line “Inside the TTC’s fence...”.  [INDEX: Toronto poem, footnotes, TTC means Toronto Transit Commission, Yonge       \\tSubway between Bloor and Rosedale.]\\n13:38- Reads first line “Inside the TTC’s fence...”. [INDEX: cities, Toronto, transportation, subway; from an unknown source.]\\n14:37- Introduces “Subway Station Why Not”. [INDEX: subway poem, child, from unknown source]\\n14:53- Reads “Subway Station Why Not”. [INDEX: cities, Toronto,  transportation, subway, child; from an unknown source.]\\n15:56- Introduces “Insomniac Report”. [INDEX: St. Clair Avenue (Toronto), car tracks.]\\n16:11- Reads “Insomniac Report”. [INDEX: cities, Toronto, night, streets, sounds, sleep; from an unknown source.]\\n17:07- Introduces “Is that You/Me Standing on My/Your Feet?”. [INDEX: students writing exams, teaching, theory, idealism; from an unknown source.]\\n18:18- Reads “Is that You/Me Standing on My/Your Feet?”. [INDEX: school, teaching, work, children, student.]\\n19:21- Introduces incomplete poems, first line “No instant morality for us...”. [INDEX:        incomplete poem, two stanzas of first, one four-line stanza for the students; from an      unknown source.]\\n19:36- Reads first line “No instant morality for us...”. [INDEX: school, teaching, work,        children, students.]\\n20:36- Introduces incomplete poem, first line “The boy with the brilliant promises...”. [INDEX: teacher’s answer, two stanzas, incomplete poem; from an unknown source.]\\n21:01- Reads first line “The boy with the brilliant promises...”. [INDEX: work, school,        teaching, children, students.]\\n21:51- Introduces \\\"October 21, '66, at a bus stop on the way.\\\". [INDEX: daybreak bus; from an unknown source]\\n22:03- Reads \\\"October 21, '66, at a bus stop on the way.\\\". [INDEX: nature, time, day.]\\n23:07- Introduces unknown poem first line “A junk truck stopped beside my bus...”. [INDEX: plane, dedicated to Jacques Ellul who wrote The Technological Society; from an unknown source.]\\n23:55- Reads first line “A junk truck stopped beside my bus...”. [INDEX: cities, bus, truck, metal, urban, waste, stone, wreck, yard, grass, gargoyle.]\\n26:39- Introduces first line, “Grey by water...”. [INDEX: sketching, poet in Chicago, Art       Institute; from an unknown source.]\\n27:38- Reads first line “Grey by water...”. [INDEX: language, play, process, sketch.]\\n28:25- Introduces “The Seven Birds”. [INDEX: poem with syntax, corner of Bathurst and     College Street in Toronto, First World War building; from sunblue in “Sketches”.]\\n29:01- Reads “The Seven Birds”.\\n30:15- Introduces poem Avison translated, called “Of Tyranny in One Breath” by Gyula     Illyes. [INDEX: Ilona Duczynska, translation, 1956 in Budapest, censorship in magazines, newsheets, radio station, authorities, protest, tyranny; collected in Always  Now, Vol. 1 (Porcupine’s Quill, 2003).]\\n32:27- Reads “Of Tyranny in One Breath” by Gyula Illyes.\\n39:26- Explains “Of Tyranny in One Breath”, introduces “Bestialities”. [INDEX: revolution, Gyula Illyes, insane asylum; from The Dumbfounding.]\\n40:19- Reads “Bestialities”. [INDEX: play, animals, language, puns.]\\n41:14- Introduces first line “Said the mite on the single page of a sad letter: Eureka...”.      [INDEX: misunderstood poem, 8x11 typing paper.]\\n41:26- Audience member interjects, asks her to read it without explanation.\\n41:28- Avison reads first line “Said the mite on the single page of a sad letter: Eureka...”.\\n41:40- Explains “Said the mite on the single page of a sad letter: Eureka...”. [INDEX:        crumpled up letter, mite; from unknown source.]\\n42:17- Re-reads “Said the mite on the single page of a sad letter: Eureka...”.\\n42:35- Introduces “Be Absorbed”. [INDEX: cold day, glass pane, sky; from unknown source.]\\n43:09- Reads “Be Absorbed”. [INDEX: nature, weather, glass, window, cold, winter, ice.]\\n45:50- Reads “The Thaw”. [INDEX: city, children, weather, winter, spring, streets, dog, sparrow, pigeons, boy; published as “Thaw” in Winter Sun.]\\n47:37- Introduces poem, first line “The grackle shining in long grass...”. [INDEX weather   poem, May; Howard Fink list “To May Day”.]\\n47:54- Reads “The grackle shining in long grass...”. [INDEX: colours, birds, grackle, city,   streets, winter, day, breath; from unknown source.]\\n49:42- Introduces “Black-White Under Green”. [INDEX: late spring, early summer, Jet-plane terminuses, May 18th, 1965.]\\n50:06- Reads “Black-White Under Green”. [INDEX: nature, flowers, birds, plane, flight,     leaves, snow, sky, sea, music, ice; from The Dumbfounding.]\\n52:53.49- END OF RECORDING.\\n  \\nPoem (by stated title or first line):                                     \\nFIRST CD: I086-11-002.1=AC                         \\t\\t           Time            Duration\\n\\n[\\\"She had gone wrong...\\\"]by Charles Bukowski                        00:05:28      \\t01:01\\n[\\\"Quote: Are you a root or a tender mint tea?\\\"] by Al Fowler    00:07:01      \\t00:28\\n\\\"Zoo\\\" by Gerry Gilbert                                                       \\t00:07:39      \\t00:19\\n\\\"The Delinquent\\\" by an unknown, seven year-old friend  \\t00:08:33      \\t04:10\\n[\\\"Inside the TTC's fence...\\\"]                                               \\t00:13:38      \\t00:58\\n\\\"Subway Station Why Not\\\"                                    \\t        \\t00:14:53      \\t01:03  \\n\\\"Insomniac Report\\\"                                                            \\t00:16:11      \\t00:55\\n\\\"Is That You/Me Standing on My/Your Feet?\\\"                 \\t00:18:18      \\t01:02\\n[\\\"No instant morality for us...\\\"]                                          \\t00:19:36      \\t00:58\\n[\\\"The boy with the brilliant promises\\\"]                              \\t00:21:01      \\t00:50\\n\\\"October 21, '66, at a bus stop on the way\\\"                        \\t00:22:03      \\t01:02\\n [\\\"A junk truck stopped beside my bus\\\"]                           \\t00:23:56      \\t02:40\\n[\\\"Grey by water...\\\"]                                                            \\t00:27:38      \\t00:45\\n\\\"The Seven Birds\\\"                                                              \\t00:29:01      \\t01:13\\n\\\"Of Tyranny in One Breath\\\" by Gyula Illyes         \\t        \\t00:32:27      \\t04:58\\n\\\"Bestialities\\\"                                                           \\t        \\t00:40:19      \\t00:54\\n\\\"Said the mite on the single page of a sad letter: Eureka.\\\"      00:41:33      \\t00:57\\n\\\"Be Absorbed\\\"                                                                    \\t00:43:09      \\t02:40\\n\\\"The Thaw\\\"                                                                        \\t00:45:50      \\t01:40\\n\\\"The grackle shining in long grass\\\"                                   \\t00:47:54      \\t00:46\\n\\\"Black-White Under Green,\\\" May 18th, 1965                   \\t00:50:06      \\t02:47\\n\\nI086-11-002.2=AC \\n\\n00:00- Avison introduces “The Valiant Vacationist”. [INDEX: written more than thirty years before, writing when young; from Elsewhere.]\\n00:41- Reads “The Valiant Vacationist”. [INDEX: vacation, travel, walking, picnic, park, city, landing, steps, trees, bridge, tourist, stranger.]\\n04:00- Reads “To Professor X, Year Y”. [INDEX: November, waiting, uniformity, crowd,        downtown, history, historian, death, snow; from The Winter Sun.]\\n07:04- Introduces “The Absolute, the Day”. [INDEX: introductory poem to “The Earth that Falls Away”.] \\n07:28- Reads “The Absolute, the Day”. [INDEX: power, rabbi, Judaism, good, morality, love.]\\n08:46- Introduces “The Earth that Falls Away”. [INDEX: epigraph from Beddoes’s Death’s Jest Book, human situations, present generation, city people, stop at the line-ends; from The Dumbfounding.]\\n09:38- Reads “The Earth that Falls Away”. [INDEX: long poem, Romans, history, Bible,    silence, breaking, marriage, illness, winter, summer, city, Dawson City, gold rush, books, Canadiana, photographs, remembrance, scholar, value, cloth, fabric, textiles, production, operation, cancer, treasure, children, blind, snow, farm, emptiness, isolation, solitude, sight, sound.]\\n22:58- Reads first line “He chose a street where he wouldn’t be safe...” [INDEX: city, street, party, Bible, safety, saviour, Jesus; from unknown source; not indicated as separate poem on Howard Fink List.]\\n24:00- Reads first line “Sir, you have nothing...”. [INDEX emptiness, nothing, snow, heart, cup, fullness, joy; from unknown source. .]\\n25:01.03- END OF RECORDING.\\n \\nPoems Time Stamped with Duration\\nSECOND CD: I086-11-002.2=AC                         \\t\\tTime            \\tDuration\\n\\\"The Valiant Vacationist\\\"                                                  \\t00:00:41      \\t03:15\\n\\\"To Professor X, Year Y\\\"                                                   \\t00:04:10      \\t02:55\\n\\\"The Absolute, the Day\\\"                                                    \\t00:07:28      \\t01:15\\n\\\"The Earth that Falls Away\\\"                                              \\t00:09:38      \\t13:15\\n\\\"He chose a street where he wouldn't be safe\\\"                   \\t00:22:58      \\t01:00\\n \\\"Sir, you have nothing\\\"                                                     \\t00:24:06      \\t00:55\\n\\nHoward Fink List:\\n“Marg Avison” reading her own poetry 21/1/67 reel information.\\n\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/margaret-avison-at-sgwu-1967/\"}]"],"score":0.01643844},{"id":"1260","cataloger_name":["Mahtab,Banihashemi"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Robert Creeley at Sir George Williams University, The Poetry Series, 24 February 1967 "],"item_title_source":["Cataloguer"],"item_title_note":["\"ROBERT CREELEY I006/SR89.1\" written on sticker on the spine of the tape's box. I006-11-089.1 is written on a sticker on the tape reel"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 1"],"item_identifiers":["[]"],"access":["Streaming and download"],"creator_names":["Creeley, Robert"],"creator_names_search":["Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"American poet and essayist Robert Creeley was born in 1926 in Arlington, Massachusetts. His early life was marred by tragedy, as he lost his left eye in an accident and suffered the death of his father when he was four years old. Creeley then grew up on a farm, and felt repressed by his traditional Puritanical New England upbringing. After a year of Harvard University, Creeley joined the US Field Service in India and Burma. Returning again to Harvard, he married his first wife Ann MacKinnon, with whom he had three children, only to leave Harvard in his final semester. From 1948 to 1950, Creeley and his family moved to several locations including Provincetown, New Hampshire; Provenance, France; and Mallorca, Spain. Once in Mallorca, he set up The Divers Press with poet Denise Levertov. Creeley thus began correspondence with Charles Olson, and Olson offered Creeley a teaching position at the Black Mountain College in North Carolina, as well as a Bachelor’s degree in 1954. During his short time at Black Mountain, Creely edited Black Mountain Review, a journal known for its experimental writing. As well as many publications in poetry magazines, he published his first collection of short stories in The Gold Diggers in 1954 (Divers Press). After his marriage dissolved, Creeley headed West to San Francisco, meeting with Allen Ginsberg, Gary Snyder, and Kenneth Rexroth, as well as other Beat poets during the San Francisco Poetry Renaissance. Creeley then moved to Albuquerque, New Mexico, completed his M.A., and then took a position as professor of English. There, he met and married Bobbie Louise Hall, with whom he had two daughters and for whom he wrote most of his love poetry. His first major collection of poetry was For Love: Poems 1950-1960, published in 1962 (Scribner Press). Creeley subsequently published his novel, The Island (Scribner Press, 1963), and other poetry collections including Words (Scribner), The Charm: Early and Uncollected Poems (Perishable Press, 1967), and Pieces (Scribner, 1969). His essays and prose publications include A Quick Graph: Collected Notes and Essays (Four Seasons Foundation, 1970), A Sense of Measure (Calder and Boyars, 1973), and Was That a Real Poem and Other Essays (Four Seasons Foundation, 1979). His marriage with Bobbie ended in the late 70’s, and he married his third wife, Penelope Highton.  Creeley continued to publish his poetry in collections such as Later (New Directions, 1979), Mirrors (New Directions, 1983), Windows (New Directions, 1990), Echoes (New Directions, 1994), Life and Death (New Directions, 1998), and If I Were Writing This (New Directions, 2003). He has won a number of awards and honors, including the New York State Poet Laureate from 1989-91. He was elected a Chancellor of the Academy of American Poets in 1999, received the Lannan Lifetime Achievement Award, the Bollingen Prize, the Shelley Memorial Award, a Rockefeller Grant and two Guggenheim Fellowships. Robert Creeley died in 2005, but his poetry has been published posthumously in On Earth: Last Poems and an Essay (University of California Press, 2009), The Collected Poems of Robert Creeley, 1975-2005 (University of California Press, 2006) and Robert Creeley: Selected Poems, 1945-2005 (University of California Press, 2008).\",\"nation\":[],\"role\":[\"Performer\",\"Author\"]}]"],"contributors_names":["Layton, Irving"],"contributors_names_search":["Layton, Irving"],"contributors":["[{\"url\":\"http://viaf.org/viaf/66482092\",\"name\":\"Layton, Irving\",\"dates\":\"1912-2006\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"Presenter_name":["Layton, Irving"],"Performance_Date":[1967],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"Tape\",\"physical_condition\":\"\",\"track_configuration\":\"2 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"Dates":["[{\"date\":\"1967 2 24\",\"type\":\"Performance Date\",\"notes\":\"Date specified in \\\"Georgantics\\\" \",\"source\":\"Supplemental Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Basement Theatre\",\"notes\":\"Location specified in printed announcement \\\"Georgantics\\\" (Supplemental material)\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Basement Theatre"],"City":["Montreal, Quebec"],"content_notes":["Robert Creeley reads from For Love (Scribner, 1962) and Words (Scribner, 1967)."],"contents":["robert_creeley_i006-11-089-1_1987.mp3\n\nIrving Layton\n00:00:15\nMr. Creeley [https://www.wikidata.org/wiki/Q918620] has published too many books for me to list for you this evening, but some titles are deserving of notice. His Collected Poems was published by Scriveners in 1962 under the title For Love. He has also published short stories and they're brought out by Scriveners after first being published, privately I believe, under the title of The Gold Diggers. His most recent book, also brought out by Scriveners, is called Words. Mr. Creeley has a style that is unique and inimitable. There are many, both in this country [https://www.wikidata.org/wiki/Q16?wprov=srpw1_0] and in United States of America [https://www.wikidata.org/wiki/Q30?wprov=srpw1_0] that are trying to capture the delicate, tenuous quality of his work, and not quite successfully. For his is an art of pauses, of hesitations. He affirms by diffidence, and he destroys our pretensions with a whisper. He uses silence as a modern composer of music [unintelligible], or the way a contemporary painter uses space. He bounces words off against the wall of [unintelligible]. If you listen carefully, you'll hear reverberations and the subtlest of echoes. Mr. Creeley is one of the most honest poets writing today. And a very brave man, who knows the price that has to be paid for a good poem certified to endure. He has written a little song, sing days of happiness, make a pardonable wonder of one's blunders. The man who wrote those words knows all that needs to be known about the perilous vocation of the poet. One critic has said his poems are miniatures, but then hastened to add that they are not miniatures, sorry-One critic has said-this is not from memory-One critic has said that his poems are miniatures, but there's nothing miniature about the power that they release. I have said somewhere that he has written skinny poems, that miraculously grow in length and breath, one's air absorbed into one's consciousness. Slender firecrackers that explode with the power of a bomb. Ladies and gentlemen, Mr. Robert Creeley.\n\nAudience\n00:03:42\nApplause.\n\nRobert Creeley\n00:03:52\nSee now, it's extremely generous, Irving [https://www.wikidata.org/wiki/Q1673289], all that. No, because we have had a very long association. I think I'd like to say my piece too, apropos that fact that I think that the kind of community that say either Irving or myself in this way were involved with was what kinds of, no really, how could you find the world?  I mean, I, for example first read his poems in the collection called Cerberus with Louis Dudek [https://www.wikidata.org/wiki/Q3261787] and Raymond Souster [https://www.wikidata.org/wiki/Q304129] and then I was very interested in the magazine that they had going called Contact, I was looking for connections I suppose, the man, in no hips sense, but we were, I was extraordinar--I wanted to know where the world was, and Irving seemed to be very much, very much part of any world I certainly could respect. And so, what he generously and definitely himself ignores was that he was that he was a very decisive contributing editor for the Black Mountain Review, and it was really, a very decisive friend all those fifteen years he imagines. Let me read now. Let me start from back then, \"A Song\".\n \nRobert Creeley\n00:05:47\nReads \"A Song\" [from For Love].\n \nRobert Creeley\n00:06:37\nThis is apropos. \"The Conspiracy\".\n \nRobert Creeley\n00:06:43\nReads \"The Conspiracy\" [from For Love].\n \nAudience\n00:07:11\nLaughter.\n\nRobert Creeley\n00:07:12\nThat was no joke. \"Chanson\".\n \nRobert Creeley\n00:07:26\nReads \"Chanson\" [from For Love].\n \nRobert Creeley\n00:08:00\n\"The Operation\".\n \nRobert Creeley\n00:08:05\nReads \"The Operation\" [from For Love].\n \nRobert Creeley\n00:08:35\n\"The Death of Venus\".\n \nRobert Creeley\n00:08:41\nReads \"The Death of Venus\" [from For Love].\n \nRobert Creeley\n00:09:17\nI was thinking Paul Blackburn [https://www.wikidata.org/wiki/Q7149388] happily has been here, so this is a poem, again of the same, the same situation that we were very active in the exchange of, I mean, again I want to emphasize  the sense that we were looking around to see what kinds of possibility that we could find in the world and I suppose if we shared anything, I was thinking of Irving's lovely stories and letters about the problems of visiting literary parties [laughs] and partly being forbidden because he made such awkward problems for guests and hosts, etc. So that Paul Blackburn at this point was translating from Provencal poetry, he'd been at the University of Wisconsin [https://www.wikidata.org/wiki/Q838330] and had had a very active and useful relation with the woman there, I think it was, teaching Provencal, so that he'd also been very involved with Pound [https://www.wikidata.org/wiki/Q163366?wprov=srpw1_0], with Pound's senses of activity in verse and had therefore become particularly interested in Provencal and had begun to translate, and through the same agency that we had in Mallorca [https://www.wikidata.org/wiki/Q8828], my wife and I then, the so called Divers Press that had published Irving's book, we published a collection of Paul's Provencal translations called Proensa. So the title, is actually Paul's title, I can't now remember what- I don't think he ever published the poem it was the title for, but I was struck by it, and you know, you take things, obviously from friends, it was that you were stealing, but that it was always a common situation. It's a form of adaptation, and I think a young friend now at Buffalo [https://www.wikidata.org/wiki/Q681025] were presently working was telling me that I am in the courtly tradition which is confusing to me, but I can see what he means simply that did pick up a lot through Paul Blackburn and writers in this way using a vocabulary or sense of possibility involved with that kind of writing. So this poem, for example, would be, would be actually a, would be a poem not written by Paul Blackburn, but a poem much informed by his way of perceiving. \"A Form of Adaptation\".\n \nRobert Creeley\n00:11:46\nReads \"A Form of Adaptation\" [from For Love].\n \nRobert Creeley\n00:12:40\n“The Whip”.\n \nRobert Creeley\n00:12:43\nReads \"The Whip\" [from For Love].\n \nRobert Creeley\n00:13:29\n\"Please\".\n \nRobert Creeley\n00:13:36\nReads \"Please\" [from For Love].\n \nRobert Creeley\n00:14:36\n\"The Three Ladies\".\n \nRobert Creeley\n00:14:39\nReads \"The Three Ladies\" [from For Love].\n \nRobert Creeley\n00:16:04\n[Unintelligible] \"New Year’s\".\n \nRobert Creeley\n00:16:17\nReads \"New Year’s\" [from For Love].\n \nRobert Creeley\n00:17:34\n\"Entre Nous\".\n \nRobert Creeley\n00:17:40\nReads \"Entre Nous\" [from For Love].\n \nRobert Creeley\n00:18:08\n\"The Place\".\n \nRobert Creeley\n00:18:11\nReads \"The Place\" [from For Love].\n \nRobert Creeley\n00:19:20\n\"The Hill\".\n \nRobert Creeley\n00:19:32\nReads \"The Hill\" [from For Love].\n \nRobert Creeley\n00:20:21\n\"The Awakening\" for Charles Olson [https://www.wikidata.org/wiki/Q922978].\n \nRobert Creeley\n00:20:25\nReads \"The Awakening\" [from For Love].\n \nRobert Creeley\n00:22:04\n\"The Rain\".\n \nRobert Creeley\n00:22:12\nReads \"The Rain\" [from For Love]. \n \nRobert Creeley\n00:23:12\n\"Kore\".\n \nRobert Creeley\n00:23:20\nReads \"Kore\" [from For Love].\n \nRobert Creeley\n00:24:09\nI thought I'd read a few more of these in this particular collection. Zukofsky [https://www.wikidata.org/wiki/Q975481] is a man I very much respect. \"The House\", for Louis Zukofsky.\n \nRobert Creeley\n00:24:29\nReads \"The House\" [from For Love].\n \nRobert Creeley\n00:25:06\n\"The Pool\".\n \nRobert Creeley\n00:25:13\nReads \"The Pool\" [from For Love].\n \nRobert Creeley\n00:26:18\nWater, I really love water. To Water.\n \nRobert Creeley\n00:26:26\nReads \"The Rocks\" [from Words].\n \nRobert Creeley\n00:27:47\n\"The Fire\".\n \nRobert Creeley\n00:27:50\nReads \"The Fire\" [from Words].\n \nRobert Creeley\n00:28:31\n\"Something\".\n \nRobert Creeley\n00:28:37\nReads \"Something” [from Words].\n \nRobert Creeley\n00:29:46\nThat was a, there's another poem with that same sense, no really, I'm very, I think that some of the lovely incongruities of existence [unintelligible] Charlotte- whose last name I can't remember, [unintelligible] like to say was arrested in New York for trying to, as she put it, and I believe, lovely innocence, she wanted to have chamber music as quote sexy unquote as other life circumstances seemed to be becoming, so that she was playing something like [unintelligible] or Bach [https://www.wikidata.org/wiki/Q1339] in topless condition and was arrested by a very discreet policeman and taken away. Although she wanted apparently to entertain the sight as well as the ear. I don't know, I mean, why shouldn't she be permitted to do that? \"Distance\".\n \nRobert Creeley\n00:31:03\nReads \"Distance\" [from Words].\n \nRobert Creeley\n00:34:29\nA couple of these, two from Mexico [https://www.wikidata.org/wiki/Q96]. \"The Window\".\n \nRobert Creeley\n00:34:36\nReads \"The Window\" [from Words].\n \nRobert Creeley\n00:35:30\n\"To Bobbie\".\n \nRobert Creeley\n00:35:34\nReads \"To Bobbie\" [from Words].\n \nRobert Creeley\n00:36:46\nI wanna, there's one poem, apropos I'd like to go back to, a couple--\"The Rose\".\n \nRobert Creeley\n00:37:02\nReads \"The Rose\" [from For Love].\n \nRobert Creeley\n00:38:46\n\"Love Comes Quietly\".\n \nRobert Creeley\n00:38:53\nReads \"Love Comes Quietly\" [from For Love].\n \nRobert Creeley\n00:39:15\n\"The Gesture\".\n \nRobert Creeley\n00:39:21\nReads \"The Gesture\" [from For Love].\n \nRobert Creeley\n00:39:52\n\"For Love\".\n \nRobert Creeley\n00:39:56\nReads \"For Love\" [from For Love].\n\nRobert Creeley\n00:42:39\nI want to go back to this one. There's one... called, \"Anger\". This interpolates, so to speak of. I've been traveling in an extraordinary company of people the last, or the week previous and then, we'll see them again at the same activity tomorrow night in New York [https://www.wikidata.org/wiki/Q60?wprov=srpw1_0]. We were billed as quote contemporary voices in the arts, unquote, but apart from that the, we were visiting various colleges and universities in the Upstate New York area from say Albany State [https://www.wikidata.org/wiki/Q4709390] to Rensselaer Polytechnic [https://www.wikidata.org/wiki/Q49211] to Potsdam [https://www.wikidata.org/wiki/Q7603628], and then places St Lawrence [https://www.wikidata.org/wiki/Q1411093] or Union College [https://www.wikidata.org/wiki/Q1567748] and we were trying, in effect, to- we had the problem of we were billed as a panel, seven men, sitting down to discuss- John Cage [https://www.wikidata.org/wiki/Q180727] is one of the participants, and he said, 'well', of course if we sit down, we say, 'well where do you think art is going?' and then you have to figure out where do you think art's come from? [laughter] And at that point you just might as well come home because it's going to be a long, long conversation. So we decided that we would, instead of having the formal sense of panel, that we would simply create, improvise, or go about in effect at our own activity, except that we wouldn't isolate ourselves in that but would simply try to improvise, as we were seven people, a poem that could permit each one of us to be active, all together so that we at no point had much- we had no decision as to what the others would be doing, so that the whole activity occurred as the complex, and I was- I mean, I had never had any experience of this kind previously at all, John Cage had made, oh very large decisions indeed about this kind of possibility in music, simply that he wanted all possibility of sound to be admitted into the context that music proposes. He also had very decisive relation to what are called loosely 'happenings', and both he and Merce Cunningham [https://www.wikidata.org/wiki/Q318364], another participant, had in that with some previous experience, but the point is that they weren't- neither was trying to create a system from previous experience, but again was trying to think of how this activity of seven people could be evident in ways that simply didn't create a three-ring circus but was actually a participation so, I was intrigued, I was extraordinarily intrigued as to how words, as poetry and whatnot could enter into this circumstance, and because I literally was in it, I have in a sense no quote objective unquote experience at all, but it was extraordinary to me to hear how things are heard in a multiple, in a multiple event, rather than the kind of singularity that this occasion proposes. So I still have that on my mind in a way, and I may, I really do feel that say, all the arts, I mean if one does want some kind of statement about them, that all the arts are moving into a situation where the agency is becoming less and less singular, I don't mean necessarily that in some seminal sense, that everyone's quote an artist, I mean I don't know what an artist is, in one way at all, but I think that the participation is becoming much more a situation of process and activity, and that it is becoming less and less evident as one singular isolation of person, and I realize in my own writing how much the previous condition had been my, my occasion. So, I may be reading these poems for the last time in that sense. I'm certainly prepared to do so, I'm not at all interested in continuing an activity that maybe, you know, maybe have much more experience or much more range of possibility than say contemporary habits about it seem to imply. But anyhow, that was interesting to me to have that experience and also interesting of course is what it had as an impact on educational process. Immediately this activity finished and I've never been in such a- I mean I've been, you know, like they say in [unintelligible] auditorium in the summer, I certainly have seen light shows and other [unintelligible] happenings, a few years ago, it was Roy Kiyooka [https://www.wikidata.org/wiki/Q3445789], knows, having been there also, there was an extraordinary happening like they say put on by the Tate Music Center from San Francisco [https://www.wikidata.org/wiki/Q62]  [unintelligible] being the painter doing the so called decor, doing the set, the set that was used, creating the visual. But this other thing was something quite distinct, simply that each person was so active in ways that he couldn't anticipate and we had with us also Billy Kluver [https://www.wikidata.org/wiki/Q4912866], who can be most easily identified as the man who, is literally is an Engineer at Bell Labs [https://www.wikidata.org/wiki/Q217365] in New Jersey [https://www.wikidata.org/wiki/Q1408?wprov=srpw1_0] who engineered the 9 Evenings [https://www.wikidata.org/wiki/Q4646407] of the Armory [Hall (?)] in company with Rauschenberg [https://www.wikidata.org/wiki/Q164358], [Vergan (?)] and Cage [https://www.wikidata.org/wiki/Q180727] and others, a situation that brought technology into close apropos with the arts, and led to the practical effects of this activity are very evident, it led to ten patented inventions, all of which have much more extensive use, let's say than that occasion of those particular evenings. That was [unintelligible] you know, many, many poets [unintelligible] of this kind, that is, it turns out that when the arts are permitted this situation, that, I think we were talking to Irving earlier this evening, I think we both fear a situation, or have some kind of, feeling of personal awkwardness about a situation that is turning to the arts as if the arts had a necessary message or condition of life to stake for people to have use of, I mean, again, in these evenings we were round in these colleges, I mean the students or the people present, again and again said that \"what were you trying to tell us?\" And the point was that we weren't trying to tell them anything. We were in fact, we thought, that the activity was something which each person could have experienced, it would be like going to the beach and saying what do you think the water is trying to tell us? [audience laughter.] And you stand there, you're swimming [unintelligible] for two hours enjoying yourself thoroughly and then you come out and say to your friend, but what did it all mean? You know, we assumed that the people there would have some - would have some decision of their own, you know, did you think it was too cold, or too hot, or did you enjoy it, or you know, that's the kind of question no one can answer for you. In any case, I do feel the arts has, as Irving feels also, are being turned to, as some possibility of decision in contemporary society and don't think they can offer that ever, I don't- I think the very value of the arts is that they have no conclusion of this kind to propose, that what they do give is something I think perhaps Pound puts as ably as anyone when he says that \"art is the antenna of the race\". It's a very large statement obviously, and I think what he proposes in it is perhaps even can be put more simply in that the arts tend to experience the condition of the society that is, in a sense, and that way I have use of the condition of the society, perhaps more immediately than any other definition or activity in the society, I mean they tend to respond to the present condition perhaps more decisively than any other segment, I mean everyone else tends, not- I don't mean this in any put down sense of their attitudes in this society but I mean, that as the war goes on because it's an historical precedent and so on and so forth, I mean people continued to act as though what they were doing is still what they are doing, what they are doing is still what they were doing and they literally tend to continue in those habits of attitude or activity until something simply makes them impossible, but the arts tend to have experience I think of present condition, that they have no other viable occasion, they tend to propose what the immediate experience of say any life situation simply is, but they have no instruction therefore offer except that is possible, so that as I say, if poetry, as we've now experienced it is about to yield to another situation that is if books or printed medium of this order are to be changed, in societal experience, great, I mean I don't see why I want you to have to carry around all these pieces of paper, there must be, I'm sure that there's a simple way to communicate this kind of content but I do want to make the insistence that these poems or what I'm doing here has- I mean, I'm enjoying this, I'd probably do this even if you weren't here. [audience laughter], obviously did do it, you know. Now this is something else again, I had no messages, if the media is the message, this is perhaps the most absolute demonstration you'll probably get. \"Anger\".\n \nRobert Creeley\n00:54:01\nReads \"Anger\" [from Words].\n \nRobert Creeley\n00:59:25\nI'd like if people are feeling reasonably restless, I'd like to read one or two more poems and then one more story to make a selection frankly [unintelligible]  I think I'll see what would be useful. A couple of shorter poems for the end. One called \"A Tally\".\n \nRobert Creeley\n01:00:01\nReads \"A Tally\" [from Words].\n \nRobert Creeley\n01:01:41\n\"Enough\".\n \nRobert Creeley\n01:01:45\nReads \"Enough\" [from Words].\n \nRobert Creeley\n01:06:00\nOne last poem I want to read now, [unintelligible] \"The Hole\".\n \nRobert Creeley\n01:06:07\nReads \"The Hole\" [from Words].\n \nRobert Creeley\n01:07:53\nRead a story that's in effect going back some time to the time of the writing of the Island, a novel. And I hadn't written any prose for some time, not since the middle 50's and I had a [joke (?)], myself and my wife and our four kids were all down in Guatemala [https://www.wikidata.org/wiki/Q774]where I was tutoring children on a coffee plantation, and having that kind of isolation and time that seemed to, you know, have the possibility to try some prose. I like prose simply that it has--it's continuous, it permits a kind of variety of activity in ways that sometimes poetry from my own experience, at least in the way I'm given to write it, doesn't altogether- I mean, the emotional demand, let's say in a poem is in my own experience has known it, is of such order that alternatives in a curious way aren't possible, you simply say what you're thus brought to say as best you can. In prose, the emotional so called situation tends to be more various, it goes up, down, it ebbs, flows, re-forms, changes its mind, and so on and so forth, so I--not in recent years, I think the last prose I wrote was this novel, called the Island and I've not really written any since, that's about--when I was in Vancouver [https://www.wikidata.org/wiki/Q24639]teaching I finished that novel, and that was the last prose I think I've written and hopefully won't--I would like to go back to prose for a time. I'd like to have it open, I mean, again, this experience of being with these particular people, whenever habits become, oh let's say whenever you expect everything to be as you have experienced, it's time to look out or do something else because it means that you're assuming of the reality of your life has become too much of a pattern of a habit. Anyhow, this is a story called \"The Book\". I sort of like this story.\n \nRobert Creeley\n01:10:22\nReads \"The Book\".\n\nRobert Creeley\n01:21:15\nThank you very much for your...\n\nAudience \n01:21:16\nApplause.\n\nIntroducer\n01:21:39\nI think I speak for everyone in thanking Robert Creeley for being able to come down and make the scene tonight. There are a couple of announcements that I want to make, the first one I can't remember so I'll have to [unintelligible], [Audrey Brunet (?)], that I do remember invites everyone to come to hear \"Prayers on the Periphery\", an original reading, this coming Monday, March the 6th at 8:30 pm in the little gallery on the mezzanine. Our next reading is a week from now, next Friday, March the 3rd, and Victor Coleman [https://www.wikidata.org/wiki/Q23882910] and George Bowering [https://www.wikidata.org/wiki/Q1239280] from Buffalo [https://www.wikidata.org/wiki/Q40435]  and Toronto [https://www.wikidata.org/wiki/Q172] will be coming. Thank you.\n\nAudience\n01:22:32\nApplause.\n\nUnknown\n01:22:45\n[Cut or edit made in tape].\n\nRobert Creeley \n01:22:48\nReads “The Book” [repeated from 00:27:43].\n\nEND\n01:23:12\n"],"Note":["[{\"note\":\"Year-Specific Information: \\n\\nRobert Creeley, tenured as a full professor at SUNY Buffalo in 1967, edited The New Writing in the USA with Don Allen, and published Words and The Charm: Early and Uncollected Poems.  Creeley attended the London International Poetry Festival in July of 1967.\\n\",\"type\":\"General\"},{\"note\":\"Local Connections: \\n\\nCreeley had ties with Irving Layton through the Black Mountain Review in the 50’s. Creeley moved to Vancouver to work at the University of British Columbia in 1960-61. He had contacts with Phyllis Webb and Irving Layton. Creeley was George Bowering’s Master's thesis advisor at University of British Columbia until 1963, and wrote introductions for Bowering’s poetry[1]. He came to visit Montreal and Sir George Williams University the same year Layton was poet in residence, after years of correspondence.\",\"type\":\"General\"},{\"note\":\"Reel-to-reel tape>2 CDs>digital file\",\"type\":\"Preservation\"},{\"note\":\"Notes on item identifiers: \\n\\nIrving Layton makes introductory speech, and it’s referred to in Irving’s reading, in 1967. I006-11-089.1 and I006-11-089.1-AC2 are from same reading. I006-11-089.2 is a separate reading.\\n\",\"type\":\"General\"},{\"note\":\"Original transcript, print catalogue, research, introduction and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Sarah McDonnell and Ali Barillaro\",\"type\":\"Cataloguer\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/collected-poems-of-robert-creeley/oclc/1151730303&referer=brief_results\",\"citation\":\"Creeley, Robert, and Penelope Creeley. The Collected Poems of Robert Creeley: 1945-1975. University of California Press, 2006. \\n\"},{\"url\":\"https://www.worldcat.org/title/was-that-a-real-poem-other-essays/oclc/247870873&referer=brief_results#reviews\",\"citation\":\"Creeley, Robert; Allen, Donald; Novik, Mary. Was That a Real Poem and Other Essays. Four Seasons Foundation, 1979. \"},{\"url\":\"https://www.worldcat.org/title/words-poems/oclc/421895361?referer=di&ht=edition\",\"citation\":\"Creeley, Robert. Words: poems. New York: Scribner, 1967. \"},{\"url\":\"https://www.worldcat.org/title/sense-of-measure/oclc/718716260&referer=brief_results\",\"citation\":\"Creeley, Robert. A Sense of Measure. Calder and Boyars, 1973. \"},{\"url\":\"https://www.worldcat.org/title/some-echoes/oclc/1167543687&referer=brief_results\",\"citation\":\"Creeley, Robert. Echoes. New Directions, 1994.\"},{\"url\":\"https://www.worldcat.org/title/for-love-poems-1950-1960/oclc/268031?referer=di&ht=edition\",\"citation\":\"Creeley, Robert. For Love: Poems Poems 1950-1960. New York: Scribner, 1962. \"},{\"url\":\"https://www.worldcat.org/title/if-i-were-writing-this/oclc/181140062&referer=brief_results\",\"citation\":\"Creeley, Robert. If I Were Writing This. New Directions, 2008. \"},{\"url\":\"https://www.worldcat.org/title/later/oclc/470953767&referer=brief_results\",\"citation\":\"Creeley, Robert. Later. New Directions, 1980. \"},{\"url\":\"https://www.worldcat.org/title/life-death/oclc/694895837&referer=brief_results\",\"citation\":\"Creeley, Robert. Life and Death. New Directions, 2000.\"},{\"url\":\"https://www.worldcat.org/title/mirrors/oclc/239774564&referer=brief_results\",\"citation\":\"Creeley, Robert. Mirrors. New Directions, 1983. \"},{\"url\":\"https://www.worldcat.org/title/on-earth-last-poems-and-an-essay/oclc/264039622&referer=brief_results\",\"citation\":\"Creeley, Robert. On Earth: Last Poems and an Essay. University of California Press, 2009. \"},{\"url\":\"https://www.worldcat.org/title/pieces/oclc/729928833&referer=brief_results\",\"citation\":\"Creeley, Robert. Pieces. Scribner, 1969. \"},{\"url\":\"https://www.worldcat.org/title/charm/oclc/9997283&referer=brief_results\",\"citation\":\"Creeley, Robert. The Charm: Early and Uncollected Poems. Book People & Mudra, 1971. \"},{\"url\":\"https://www.worldcat.org/title/gold-diggers-and-other-stories/oclc/10263594&referer=brief_results\",\"citation\":\"Creeley, Robert. The Gold Diggers. Divers Press, 1954. \"},{\"url\":\"https://www.worldcat.org/title/windows/oclc/797857141&referer=brief_results\",\"citation\":\"Creeley, Robert. Windows. Boyars, 1991. \"},{\"url\":\"https://www.worldcat.org/title/robert-creeley-a-biography/oclc/951202214&referer=brief_results\",\"citation\":\"Fass, Ekbert. Robert Creeley: A Biography. Montreal: McGill-Queen’s University Press, 2001. \"},{\"url\":\"http://news.google.com/newspapers?id=O5UtAAAAIBAJ&sjid=4p8FAAAAIBAJ&pg=3951,6182119&dq=sir+george+williams+poetry&hl=en\",\"citation\":\"“Poetry Series Coming Up At University”. Montreal: The Gazette. 31 December 1966, page 39.  \"},{\"url\":\"\",\"citation\":\"O’Reilly, Elizabeth. “Creeley, Robert, 1926-”. Literature Online Biography. Proquest, 2008. \"}]"],"_version_":1853670548677066752,"timestamp":"2026-01-07T14:59:53.264Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0089-1_back.jpg\",\"file_path\":\"My Drive>Sir George Williams TIme-Stamped Transcripts>Spokenweb Tape Case Photos taken by Drew Bernet\",\"filename\":\"I0006_11_0089-1_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Robert Creeley Tape Box 1 - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0089-1_front.jpg\",\"file_path\":\"My Drive>Sir George Williams TIme-Stamped Transcripts>Spokenweb Tape Case Photos taken by Drew Bernet\",\"filename\":\"I0006_11_0089-1_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Robert Creeley Tape Box 1 - Front\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0089-1_side.jpg\",\"file_path\":\"My Drive>Sir George Williams TIme-Stamped Transcripts>Spokenweb Tape Case Photos taken by Drew Bernet\",\"filename\":\"I0006_11_0089-1_side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Robert Creeley Tape Box 1 - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0089-1_tape.jpg\",\"file_path\":\"My Drive>Sir George Williams TIme-Stamped Transcripts>Spokenweb Tape Case Photos taken by Drew Bernet\",\"filename\":\"I0006_11_0089-1_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Robert Creeley Tape Box 1 - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/robert_creeley_i006-11-089-1_1967.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"robert_creeley_i006-11-089-1_1987.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:23:12\",\"precision\":\"\",\"size\":\"199.7 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"Irving Layton\\n00:00:15\\nMr. Creeley [https://www.wikidata.org/wiki/Q918620] has published too many books for me to list for you this evening, but some titles are deserving of notice. His Collected Poems was published by Scriveners in 1962 under the title For Love. He has also published short stories and they're brought out by Scriveners after first being published, privately I believe, under the title of The Gold Diggers. His most recent book, also brought out by Scriveners, is called Words. Mr. Creeley has a style that is unique and inimitable. There are many, both in this country [https://www.wikidata.org/wiki/Q16?wprov=srpw1_0] and in United States of America [https://www.wikidata.org/wiki/Q30?wprov=srpw1_0] that are trying to capture the delicate, tenuous quality of his work, and not quite successfully. For his is an art of pauses, of hesitations. He affirms by diffidence, and he destroys our pretensions with a whisper. He uses silence as a modern composer of music [unintelligible], or the way a contemporary painter uses space. He bounces words off against the wall of [unintelligible]. If you listen carefully, you'll hear reverberations and the subtlest of echoes. Mr. Creeley is one of the most honest poets writing today. And a very brave man, who knows the price that has to be paid for a good poem certified to endure. He has written a little song, sing days of happiness, make a pardonable wonder of one's blunders. The man who wrote those words knows all that needs to be known about the perilous vocation of the poet. One critic has said his poems are miniatures, but then hastened to add that they are not miniatures, sorry-One critic has said-this is not from memory-One critic has said that his poems are miniatures, but there's nothing miniature about the power that they release. I have said somewhere that he has written skinny poems, that miraculously grow in length and breath, one's air absorbed into one's consciousness. Slender firecrackers that explode with the power of a bomb. Ladies and gentlemen, Mr. Robert Creeley.\\n\\nAudience\\n00:03:42\\nApplause.\\n\\nRobert Creeley\\n00:03:52\\nSee now, it's extremely generous, Irving [https://www.wikidata.org/wiki/Q1673289], all that. No, because we have had a very long association. I think I'd like to say my piece too, apropos that fact that I think that the kind of community that say either Irving or myself in this way were involved with was what kinds of, no really, how could you find the world?  I mean, I, for example first read his poems in the collection called Cerberus with Louis Dudek [https://www.wikidata.org/wiki/Q3261787] and Raymond Souster [https://www.wikidata.org/wiki/Q304129] and then I was very interested in the magazine that they had going called Contact, I was looking for connections I suppose, the man, in no hips sense, but we were, I was extraordinar--I wanted to know where the world was, and Irving seemed to be very much, very much part of any world I certainly could respect. And so, what he generously and definitely himself ignores was that he was that he was a very decisive contributing editor for the Black Mountain Review, and it was really, a very decisive friend all those fifteen years he imagines. Let me read now. Let me start from back then, \\\"A Song\\\".\\n \\nRobert Creeley\\n00:05:47\\nReads \\\"A Song\\\" [from For Love].\\n \\nRobert Creeley\\n00:06:37\\nThis is apropos. \\\"The Conspiracy\\\".\\n \\nRobert Creeley\\n00:06:43\\nReads \\\"The Conspiracy\\\" [from For Love].\\n \\nAudience\\n00:07:11\\nLaughter.\\n\\nRobert Creeley\\n00:07:12\\nThat was no joke. \\\"Chanson\\\".\\n \\nRobert Creeley\\n00:07:26\\nReads \\\"Chanson\\\" [from For Love].\\n \\nRobert Creeley\\n00:08:00\\n\\\"The Operation\\\".\\n \\nRobert Creeley\\n00:08:05\\nReads \\\"The Operation\\\" [from For Love].\\n \\nRobert Creeley\\n00:08:35\\n\\\"The Death of Venus\\\".\\n \\nRobert Creeley\\n00:08:41\\nReads \\\"The Death of Venus\\\" [from For Love].\\n \\nRobert Creeley\\n00:09:17\\nI was thinking Paul Blackburn [https://www.wikidata.org/wiki/Q7149388] happily has been here, so this is a poem, again of the same, the same situation that we were very active in the exchange of, I mean, again I want to emphasize  the sense that we were looking around to see what kinds of possibility that we could find in the world and I suppose if we shared anything, I was thinking of Irving's lovely stories and letters about the problems of visiting literary parties [laughs] and partly being forbidden because he made such awkward problems for guests and hosts, etc. So that Paul Blackburn at this point was translating from Provencal poetry, he'd been at the University of Wisconsin [https://www.wikidata.org/wiki/Q838330] and had had a very active and useful relation with the woman there, I think it was, teaching Provencal, so that he'd also been very involved with Pound [https://www.wikidata.org/wiki/Q163366?wprov=srpw1_0], with Pound's senses of activity in verse and had therefore become particularly interested in Provencal and had begun to translate, and through the same agency that we had in Mallorca [https://www.wikidata.org/wiki/Q8828], my wife and I then, the so called Divers Press that had published Irving's book, we published a collection of Paul's Provencal translations called Proensa. So the title, is actually Paul's title, I can't now remember what- I don't think he ever published the poem it was the title for, but I was struck by it, and you know, you take things, obviously from friends, it was that you were stealing, but that it was always a common situation. It's a form of adaptation, and I think a young friend now at Buffalo [https://www.wikidata.org/wiki/Q681025] were presently working was telling me that I am in the courtly tradition which is confusing to me, but I can see what he means simply that did pick up a lot through Paul Blackburn and writers in this way using a vocabulary or sense of possibility involved with that kind of writing. So this poem, for example, would be, would be actually a, would be a poem not written by Paul Blackburn, but a poem much informed by his way of perceiving. \\\"A Form of Adaptation\\\".\\n \\nRobert Creeley\\n00:11:46\\nReads \\\"A Form of Adaptation\\\" [from For Love].\\n \\nRobert Creeley\\n00:12:40\\n“The Whip”.\\n \\nRobert Creeley\\n00:12:43\\nReads \\\"The Whip\\\" [from For Love].\\n \\nRobert Creeley\\n00:13:29\\n\\\"Please\\\".\\n \\nRobert Creeley\\n00:13:36\\nReads \\\"Please\\\" [from For Love].\\n \\nRobert Creeley\\n00:14:36\\n\\\"The Three Ladies\\\".\\n \\nRobert Creeley\\n00:14:39\\nReads \\\"The Three Ladies\\\" [from For Love].\\n \\nRobert Creeley\\n00:16:04\\n[Unintelligible] \\\"New Year’s\\\".\\n \\nRobert Creeley\\n00:16:17\\nReads \\\"New Year’s\\\" [from For Love].\\n \\nRobert Creeley\\n00:17:34\\n\\\"Entre Nous\\\".\\n \\nRobert Creeley\\n00:17:40\\nReads \\\"Entre Nous\\\" [from For Love].\\n \\nRobert Creeley\\n00:18:08\\n\\\"The Place\\\".\\n \\nRobert Creeley\\n00:18:11\\nReads \\\"The Place\\\" [from For Love].\\n \\nRobert Creeley\\n00:19:20\\n\\\"The Hill\\\".\\n \\nRobert Creeley\\n00:19:32\\nReads \\\"The Hill\\\" [from For Love].\\n \\nRobert Creeley\\n00:20:21\\n\\\"The Awakening\\\" for Charles Olson [https://www.wikidata.org/wiki/Q922978].\\n \\nRobert Creeley\\n00:20:25\\nReads \\\"The Awakening\\\" [from For Love].\\n \\nRobert Creeley\\n00:22:04\\n\\\"The Rain\\\".\\n \\nRobert Creeley\\n00:22:12\\nReads \\\"The Rain\\\" [from For Love]. \\n \\nRobert Creeley\\n00:23:12\\n\\\"Kore\\\".\\n \\nRobert Creeley\\n00:23:20\\nReads \\\"Kore\\\" [from For Love].\\n \\nRobert Creeley\\n00:24:09\\nI thought I'd read a few more of these in this particular collection. Zukofsky [https://www.wikidata.org/wiki/Q975481] is a man I very much respect. \\\"The House\\\", for Louis Zukofsky.\\n \\nRobert Creeley\\n00:24:29\\nReads \\\"The House\\\" [from For Love].\\n \\nRobert Creeley\\n00:25:06\\n\\\"The Pool\\\".\\n \\nRobert Creeley\\n00:25:13\\nReads \\\"The Pool\\\" [from For Love].\\n \\nRobert Creeley\\n00:26:18\\nWater, I really love water. To Water.\\n \\nRobert Creeley\\n00:26:26\\nReads \\\"The Rocks\\\" [from Words].\\n \\nRobert Creeley\\n00:27:47\\n\\\"The Fire\\\".\\n \\nRobert Creeley\\n00:27:50\\nReads \\\"The Fire\\\" [from Words].\\n \\nRobert Creeley\\n00:28:31\\n\\\"Something\\\".\\n \\nRobert Creeley\\n00:28:37\\nReads \\\"Something” [from Words].\\n \\nRobert Creeley\\n00:29:46\\nThat was a, there's another poem with that same sense, no really, I'm very, I think that some of the lovely incongruities of existence [unintelligible] Charlotte- whose last name I can't remember, [unintelligible] like to say was arrested in New York for trying to, as she put it, and I believe, lovely innocence, she wanted to have chamber music as quote sexy unquote as other life circumstances seemed to be becoming, so that she was playing something like [unintelligible] or Bach [https://www.wikidata.org/wiki/Q1339] in topless condition and was arrested by a very discreet policeman and taken away. Although she wanted apparently to entertain the sight as well as the ear. I don't know, I mean, why shouldn't she be permitted to do that? \\\"Distance\\\".\\n \\nRobert Creeley\\n00:31:03\\nReads \\\"Distance\\\" [from Words].\\n \\nRobert Creeley\\n00:34:29\\nA couple of these, two from Mexico [https://www.wikidata.org/wiki/Q96]. \\\"The Window\\\".\\n \\nRobert Creeley\\n00:34:36\\nReads \\\"The Window\\\" [from Words].\\n \\nRobert Creeley\\n00:35:30\\n\\\"To Bobbie\\\".\\n \\nRobert Creeley\\n00:35:34\\nReads \\\"To Bobbie\\\" [from Words].\\n \\nRobert Creeley\\n00:36:46\\nI wanna, there's one poem, apropos I'd like to go back to, a couple--\\\"The Rose\\\".\\n \\nRobert Creeley\\n00:37:02\\nReads \\\"The Rose\\\" [from For Love].\\n \\nRobert Creeley\\n00:38:46\\n\\\"Love Comes Quietly\\\".\\n \\nRobert Creeley\\n00:38:53\\nReads \\\"Love Comes Quietly\\\" [from For Love].\\n \\nRobert Creeley\\n00:39:15\\n\\\"The Gesture\\\".\\n \\nRobert Creeley\\n00:39:21\\nReads \\\"The Gesture\\\" [from For Love].\\n \\nRobert Creeley\\n00:39:52\\n\\\"For Love\\\".\\n \\nRobert Creeley\\n00:39:56\\nReads \\\"For Love\\\" [from For Love].\\n\\nRobert Creeley\\n00:42:39\\nI want to go back to this one. There's one... called, \\\"Anger\\\". This interpolates, so to speak of. I've been traveling in an extraordinary company of people the last, or the week previous and then, we'll see them again at the same activity tomorrow night in New York [https://www.wikidata.org/wiki/Q60?wprov=srpw1_0]. We were billed as quote contemporary voices in the arts, unquote, but apart from that the, we were visiting various colleges and universities in the Upstate New York area from say Albany State [https://www.wikidata.org/wiki/Q4709390] to Rensselaer Polytechnic [https://www.wikidata.org/wiki/Q49211] to Potsdam [https://www.wikidata.org/wiki/Q7603628], and then places St Lawrence [https://www.wikidata.org/wiki/Q1411093] or Union College [https://www.wikidata.org/wiki/Q1567748] and we were trying, in effect, to- we had the problem of we were billed as a panel, seven men, sitting down to discuss- John Cage [https://www.wikidata.org/wiki/Q180727] is one of the participants, and he said, 'well', of course if we sit down, we say, 'well where do you think art is going?' and then you have to figure out where do you think art's come from? [laughter] And at that point you just might as well come home because it's going to be a long, long conversation. So we decided that we would, instead of having the formal sense of panel, that we would simply create, improvise, or go about in effect at our own activity, except that we wouldn't isolate ourselves in that but would simply try to improvise, as we were seven people, a poem that could permit each one of us to be active, all together so that we at no point had much- we had no decision as to what the others would be doing, so that the whole activity occurred as the complex, and I was- I mean, I had never had any experience of this kind previously at all, John Cage had made, oh very large decisions indeed about this kind of possibility in music, simply that he wanted all possibility of sound to be admitted into the context that music proposes. He also had very decisive relation to what are called loosely 'happenings', and both he and Merce Cunningham [https://www.wikidata.org/wiki/Q318364], another participant, had in that with some previous experience, but the point is that they weren't- neither was trying to create a system from previous experience, but again was trying to think of how this activity of seven people could be evident in ways that simply didn't create a three-ring circus but was actually a participation so, I was intrigued, I was extraordinarily intrigued as to how words, as poetry and whatnot could enter into this circumstance, and because I literally was in it, I have in a sense no quote objective unquote experience at all, but it was extraordinary to me to hear how things are heard in a multiple, in a multiple event, rather than the kind of singularity that this occasion proposes. So I still have that on my mind in a way, and I may, I really do feel that say, all the arts, I mean if one does want some kind of statement about them, that all the arts are moving into a situation where the agency is becoming less and less singular, I don't mean necessarily that in some seminal sense, that everyone's quote an artist, I mean I don't know what an artist is, in one way at all, but I think that the participation is becoming much more a situation of process and activity, and that it is becoming less and less evident as one singular isolation of person, and I realize in my own writing how much the previous condition had been my, my occasion. So, I may be reading these poems for the last time in that sense. I'm certainly prepared to do so, I'm not at all interested in continuing an activity that maybe, you know, maybe have much more experience or much more range of possibility than say contemporary habits about it seem to imply. But anyhow, that was interesting to me to have that experience and also interesting of course is what it had as an impact on educational process. Immediately this activity finished and I've never been in such a- I mean I've been, you know, like they say in [unintelligible] auditorium in the summer, I certainly have seen light shows and other [unintelligible] happenings, a few years ago, it was Roy Kiyooka [https://www.wikidata.org/wiki/Q3445789], knows, having been there also, there was an extraordinary happening like they say put on by the Tate Music Center from San Francisco [https://www.wikidata.org/wiki/Q62]  [unintelligible] being the painter doing the so called decor, doing the set, the set that was used, creating the visual. But this other thing was something quite distinct, simply that each person was so active in ways that he couldn't anticipate and we had with us also Billy Kluver [https://www.wikidata.org/wiki/Q4912866], who can be most easily identified as the man who, is literally is an Engineer at Bell Labs [https://www.wikidata.org/wiki/Q217365] in New Jersey [https://www.wikidata.org/wiki/Q1408?wprov=srpw1_0] who engineered the 9 Evenings [https://www.wikidata.org/wiki/Q4646407] of the Armory [Hall (?)] in company with Rauschenberg [https://www.wikidata.org/wiki/Q164358], [Vergan (?)] and Cage [https://www.wikidata.org/wiki/Q180727] and others, a situation that brought technology into close apropos with the arts, and led to the practical effects of this activity are very evident, it led to ten patented inventions, all of which have much more extensive use, let's say than that occasion of those particular evenings. That was [unintelligible] you know, many, many poets [unintelligible] of this kind, that is, it turns out that when the arts are permitted this situation, that, I think we were talking to Irving earlier this evening, I think we both fear a situation, or have some kind of, feeling of personal awkwardness about a situation that is turning to the arts as if the arts had a necessary message or condition of life to stake for people to have use of, I mean, again, in these evenings we were round in these colleges, I mean the students or the people present, again and again said that \\\"what were you trying to tell us?\\\" And the point was that we weren't trying to tell them anything. We were in fact, we thought, that the activity was something which each person could have experienced, it would be like going to the beach and saying what do you think the water is trying to tell us? [audience laughter.] And you stand there, you're swimming [unintelligible] for two hours enjoying yourself thoroughly and then you come out and say to your friend, but what did it all mean? You know, we assumed that the people there would have some - would have some decision of their own, you know, did you think it was too cold, or too hot, or did you enjoy it, or you know, that's the kind of question no one can answer for you. In any case, I do feel the arts has, as Irving feels also, are being turned to, as some possibility of decision in contemporary society and don't think they can offer that ever, I don't- I think the very value of the arts is that they have no conclusion of this kind to propose, that what they do give is something I think perhaps Pound puts as ably as anyone when he says that \\\"art is the antenna of the race\\\". It's a very large statement obviously, and I think what he proposes in it is perhaps even can be put more simply in that the arts tend to experience the condition of the society that is, in a sense, and that way I have use of the condition of the society, perhaps more immediately than any other definition or activity in the society, I mean they tend to respond to the present condition perhaps more decisively than any other segment, I mean everyone else tends, not- I don't mean this in any put down sense of their attitudes in this society but I mean, that as the war goes on because it's an historical precedent and so on and so forth, I mean people continued to act as though what they were doing is still what they are doing, what they are doing is still what they were doing and they literally tend to continue in those habits of attitude or activity until something simply makes them impossible, but the arts tend to have experience I think of present condition, that they have no other viable occasion, they tend to propose what the immediate experience of say any life situation simply is, but they have no instruction therefore offer except that is possible, so that as I say, if poetry, as we've now experienced it is about to yield to another situation that is if books or printed medium of this order are to be changed, in societal experience, great, I mean I don't see why I want you to have to carry around all these pieces of paper, there must be, I'm sure that there's a simple way to communicate this kind of content but I do want to make the insistence that these poems or what I'm doing here has- I mean, I'm enjoying this, I'd probably do this even if you weren't here. [audience laughter], obviously did do it, you know. Now this is something else again, I had no messages, if the media is the message, this is perhaps the most absolute demonstration you'll probably get. \\\"Anger\\\".\\n \\nRobert Creeley\\n00:54:01\\nReads \\\"Anger\\\" [from Words].\\n \\nRobert Creeley\\n00:59:25\\nI'd like if people are feeling reasonably restless, I'd like to read one or two more poems and then one more story to make a selection frankly [unintelligible]  I think I'll see what would be useful. A couple of shorter poems for the end. One called \\\"A Tally\\\".\\n \\nRobert Creeley\\n01:00:01\\nReads \\\"A Tally\\\" [from Words].\\n \\nRobert Creeley\\n01:01:41\\n\\\"Enough\\\".\\n \\nRobert Creeley\\n01:01:45\\nReads \\\"Enough\\\" [from Words].\\n \\nRobert Creeley\\n01:06:00\\nOne last poem I want to read now, [unintelligible] \\\"The Hole\\\".\\n \\nRobert Creeley\\n01:06:07\\nReads \\\"The Hole\\\" [from Words].\\n \\nRobert Creeley\\n01:07:53\\nRead a story that's in effect going back some time to the time of the writing of the Island, a novel. And I hadn't written any prose for some time, not since the middle 50's and I had a [joke (?)], myself and my wife and our four kids were all down in Guatemala [https://www.wikidata.org/wiki/Q774]where I was tutoring children on a coffee plantation, and having that kind of isolation and time that seemed to, you know, have the possibility to try some prose. I like prose simply that it has--it's continuous, it permits a kind of variety of activity in ways that sometimes poetry from my own experience, at least in the way I'm given to write it, doesn't altogether- I mean, the emotional demand, let's say in a poem is in my own experience has known it, is of such order that alternatives in a curious way aren't possible, you simply say what you're thus brought to say as best you can. In prose, the emotional so called situation tends to be more various, it goes up, down, it ebbs, flows, re-forms, changes its mind, and so on and so forth, so I--not in recent years, I think the last prose I wrote was this novel, called the Island and I've not really written any since, that's about--when I was in Vancouver [https://www.wikidata.org/wiki/Q24639]teaching I finished that novel, and that was the last prose I think I've written and hopefully won't--I would like to go back to prose for a time. I'd like to have it open, I mean, again, this experience of being with these particular people, whenever habits become, oh let's say whenever you expect everything to be as you have experienced, it's time to look out or do something else because it means that you're assuming of the reality of your life has become too much of a pattern of a habit. Anyhow, this is a story called \\\"The Book\\\". I sort of like this story.\\n \\nRobert Creeley\\n01:10:22\\nReads \\\"The Book\\\".\\n\\nRobert Creeley\\n01:21:15\\nThank you very much for your...\\n\\nAudience \\n01:21:16\\nApplause.\\n\\nIntroducer\\n01:21:39\\nI think I speak for everyone in thanking Robert Creeley for being able to come down and make the scene tonight. There are a couple of announcements that I want to make, the first one I can't remember so I'll have to [unintelligible], [Audrey Brunet (?)], that I do remember invites everyone to come to hear \\\"Prayers on the Periphery\\\", an original reading, this coming Monday, March the 6th at 8:30 pm in the little gallery on the mezzanine. Our next reading is a week from now, next Friday, March the 3rd, and Victor Coleman [https://www.wikidata.org/wiki/Q23882910] and George Bowering [https://www.wikidata.org/wiki/Q1239280] from Buffalo [https://www.wikidata.org/wiki/Q40435]  and Toronto [https://www.wikidata.org/wiki/Q172] will be coming. Thank you.\\n\\nAudience\\n01:22:32\\nApplause.\\n\\nUnknown\\n01:22:45\\n[Cut or edit made in tape].\\n\\nRobert Creeley \\n01:22:48\\nReads “The Book” [repeated from 00:27:43].\\n\\nEND\\n01:23:12\\n\",\"notes\":\"Robert Creeley reads from For Love (Scribner, 1962) and Words (Scribner, 1967).\\n\\nI006-11-089.1=AC.1\\n\\n00:15- Irving Layton introduces Robert Creeley [INDEX: Irving Layton, Collected Poems         \\tScriveners Press 1962, For Love, The Gold Diggers, Words by Robert Creeley]\\n03:52- Robert Creeley responds to Layton’s introduction and introduces “A Song”. [INDEX:  \\tCerberus, Contact Magazine, Louis Dudek, Raymond Souster, Irving Layton as editor for \\tBlack Mountain Review]\\n05:47- Reads “A Song”\\n06:37- Reads “The Conspiracy”\\n07:12- Reads “Chanson”\\n08:00- Reads “The Operation”\\n08:35- Reads “The Death of Venus”\\n09:17- Introduces “A Form of Adaptation”. [INDEX: Paul Blackburn, University of Wisconsin, Divers Press, Irving Layton, Provencal Poetry, Ezra Pound, Mallorca, Proensa by Paul Blackburn.]\\n11:46- Reads “A Form of Adaptation”\\n12:40- Reads “The Whip”\\n13:29- Reads “Please”\\n14:36- Reads “The Three Ladies”\\n16:04- Reads “New Year’s”\\n17:34- Reads “Entre-Nous”\\n18:08- Reads “The Place”\\n19:20- Reads “The Hill”\\n20:21- Reads “The Awakening” [INDEX: Charles Olson]\\n22:04- Reads “The Rain”\\n23:12- Reads “Kore”\\n24:09- Introduces “The House” [INDEX: Louis Zukofsky]\\n24:29- Reads “The House”\\n25:06- Reads “The Pool”\\n26:18- Reads “To Water”\\n27:47- Reads “The Fire”\\n28:31- Reads “Something”\\n29:46- Introduces “Distance” [INDEX: New York, Bach]\\n31:03- Reads “Distance”\\n34:29- Introduces “The Window”\\n34:36- Reads “The Window”\\n35:30- Reads “To Bobby”\\n36:46- Reads “The Rose”\\n38:46- Reads “Love Comes Quietly”\\n39:25- Reads “The Gesture”\\n39:52- Reads “For Love”\\n42:39.23- END OF RECORDING\\n\\nI006-11-089.1= AC2\\n \\n00:00- Robert Creeley introduces “Anger” and talks about the state of art and poetry [INDEX:    Upstate New York, Albany State University, Rensselaer Polytechnic, Pottsdam, St.        \\tLawrence College, Union College- Part of Reading Series of seven artists with John Cage, Merce Cunningham. Roy Kiyooka at the Tate Music Center in San Francisco. Billy Kluver from Bell Labs in New Jersey, engineered “9 Evenings” at the Armory Hall with Rauschenberg, [Vergan (?) ] and John Cage. Technology and art, purpose of art, Ezra Pound.]\\n11:21- Reads “Anger”\\n16:46- Reads “A Tally”\\n19:02- Reads “Enough”\\n23:21- Reads “The Hole”\\n25:14- Introduces short story “The Book”. [INDEX: Prose, middle 50’s, Guatemala (teaching \\tchildren on a coffee plantation), writing poetry vs. prose, Vancouver, Island by Robert   \\tCreeley.]\\n27:43- Reads “The Book”\\n38:59- Unknown male thanks Robert Creeley, makes announcements. [INDEX: Audrey Brunet   [?] “Prayers on the Periphery” on March 6th. Victor Coleman and George Bowering from  \\tBuffalo and Toronto reading on March 3rd.]\\n40:32- END OF RECORDING.\\n\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/robert-creeley-at-sgwu-1967/\"}]"],"score":0.01643844},{"id":"1261","cataloger_name":["Masoumeh,Zaare"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Victor Coleman at Sir George Williams University, The Poetry Series,  3 March 1967"],"item_title_source":["Cataloguer"],"item_title_note":["\"VICTOR COLEMAN I006/SR159\" written on sticker on the spine of the tape's box. \"I006-11-159\" is written on a sticker on the tape reel"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 1"],"item_identifiers":["[]"],"creator_names":["Coleman, Victor","Bowering, George"],"creator_names_search":["Coleman, Victor","Bowering, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/38160442\",\"name\":\"Coleman, Victor\",\"dates\":\"1944-\",\"notes\":\"A self-educated poet and publisher, Victor Coleman was born in Toronto on September 11, 1944, and he lived in both Montreal and Toronto. By the end of 1964, he had met poet Raymond Souster and founded Island Magazine and Island Press, drawing the avant-garde poetry centre from the West Coast to Toronto. Mr. Coleman was a publishing assistant for the Oxford University Press in Toronto from 1966 to 1967, after which he served for almost ten years as the editor for Coach House Press. Coleman was influential in the creations of Is, Image Nation, The Goose & Duck and Open Letter magazines and journals. He published his own poetry in From Erik Satie’s Notes to the Music (Island Press, 1965),  One/eye/love (Coach House Press, 1967), Light Verse (Coach House Press, 1969), Old Friends’ Ghosts: Poems 1963-68 (Weed/Flower, 1970), along with a dozen other titles. Victor Coleman was the director of the “A Space” (1975-1978), “31 Mercer” (1975-1978), Nightingale Arts Council in Toronto, the editor and writer for the Association of Non-Profit Artist-Run Centres, and has served as the director of the National Film Theatre in Kingston, Ontario. The poet also taught Creative Writing at both Queen's and York Universities. In 1995, as Coach House Press struggled, Coleman and Stan Bevington created Coach House Books to save the Press. In 2001, Victor Coleman became the Editorial Director for the Centre for Contemporary Canadian Art, a website devoted to the promotion of Canadian artists and writers. Victor Coleman continues to promote the development of avant-garde or postmodernist Canadian writing.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"Mentioned, but missing from recording\",\"nation\":[],\"role\":[]}]"],"contributors_names":["Francis, Wynne"],"contributors_names_search":["Francis, Wynne"],"contributors":["[{\"url\":\"http://viaf.org/viaf/77926194\",\"name\":\"Francis, Wynne\",\"dates\":\"1918-2000\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\",\"Series organizer\"]}]"],"Presenter_name":["Francis, Wynne"],"Series_organizer_name":["Francis, Wynne"],"Performance_Date":[1967],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"Tape\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"Dates":["[{\"date\":\"1967 3 3\",\"type\":\"Performance Date\",\"notes\":\"Date specified in \\\"Georgantics\\\" by Bob Simco\",\"source\":\"Supplemental Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Basement Theatre\",\"notes\":\"Location specified in printed announcement \\\"Georgantics\\\" by Bob Simco (Supplemental material)\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Basement Theatre"],"City":["Montreal, Quebec"],"content_notes":["Victor Coleman reads from One/eye/love (Coach House Press, 1967)."],"contents":["victor_coleman_i086.11-159.mp3\n\nWynne Francis\n00:00:00\nBy the way I must remember a most important announcement, there is to be no smoking in the theatre. You may smoke at intermission, but please do not smoke during the readings. Our first reader tonight is Mr. Victor Coleman [https://www.wikidata.org/wiki/Q23882910] who comes to us from Toronto [https://www.wikidata.org/wiki/Q172]. Mr. Coleman is the publisher of Island Magazine [https://www.wikidata.org/wiki/Q15754909], and Is Magazine which is spelled 'i' 's' and looks like 'is' but is pronounced 'I’s', and he is also the publisher and editor of Island Press. He is a very active promoter of new Canadian poetry and he himself has published in several little magazines in Canada [https://www.wikidata.org/wiki/Q16] and he has made translations from Erik Satie's [https://www.wikidata.org/wiki/Q187192] notes to the music, he has also been published in New Wave Canada, an anthology of new Canadian poets published by Contact Press, and edited by Raymond Souster [https://www.wikidata.org/wiki/Q304129]. He is also affiliated, his press, Island Press, is affiliated with the Coach House Press [https://www.wikidata.org/wiki/Q5137585] in Toronto and through this press a book of his poems will be appearing this spring. He is our first reader and our second reader is Mr. George Bowering [https://www.wikidata.org/wiki/Q1239280], who has already published three books, the first one by Contact Press called Points On The Grid, the second one, The Silver Wire published by Quarry Press and the third one, A Man in Yellow Boots, by El Corno Emplumado which was done bilingually in Spanish and in English and which contains montages and illustrations by poet and artist Roy Kiyooka [https://www.wikidata.org/wiki/Q3445789]. Mr. Bowering is also editor of Imago Magazine, which emanated from Alberta [https://www.wikidata.org/wiki/Q1951] and which is devoted to the long poem or the longer poem, he is expecting to publish very shortly, in the spring I believe, a novel called The Mirror on the Floor. Mr. Coleman will read first, and then there will be a short intermission, and then Mr. Bowering will read to you.\n \nVictor Coleman\n00:02:49\nI like to make it a habit always at a reading to start off with something that somebody else wrote, simply to show you that my concerns lie elsewhere, then in my own self. This is something from A History of America by an American writer by the name of Bill Hutton and it's— well, I won't explain it to you.\n \nVictor Coleman\n00:03:35\nReads unnamed poem by Bill Hutton.\n \nVictor Coleman\n00:06:00\nI'll read a few short poems first, and then go into something from a sequence, a longer sequence. This is a poem dedicated to Bill Hutton, the author of that piece I just read, it's called \"Buff Hello, 6\".\n \nVictor Coleman\n00:06:33\nReads \"Buff Hello, 6\".\n \nVictor Coleman\n00:08:27\nI'm going to focus on that clock every once in a while, simply because I want to keep track of myself. If I might say, um, it's interesting that I'm reading with George Bowering and my general tenure at this time, uh, which I'm not really that self-conscious about which is interesting to me to be growing a beard at this time and that the last time that I started to grow a beard was the first time that I met George Bowering and it was about two years ago and we were sitting up in my attic which was a room and I said to him, \"How do you like my beard?\" and he says that \"It makes you look like an impotent D.H. Lawrence [https://www.wikidata.org/wiki/Q34970]”. [Audience laughter]. This is a poem called \"The Lady Vanishes\".\n \nVictor Coleman\n00:09:41\nReads \"The Lady Vanishes\".\n \nVictor Coleman\n00:11:14\nHere's a kind of poem that I can bug everybody with because it probably won't mean anything to you at all, but simply because it really is my occasion but rather than hide it away, um, I think that the sound of it is enough to carry to you, some measure of the poetry that I got from the occasion that I speak of. It's called \"For Basil Bunting\".\n \nVictor Coleman\n00:11:48\nReads \"For Basil Bunting\".\n \nVictor Coleman\n00:12:34\nI don't know whether any of you are familiar with a Japanese-English dictionary called Kenkyusha [https://www.wikidata.org/wiki/Q6389422], if not, all I can tell you is that it's a Japanese-English dictionary and that it has a strange quality to be able to predict the future, by chance operations in that it's very fat and you open it and you're like the guy with the funny hat at the track who really shouldn't be there because he can only guess and he just opens the racing form and sticks his finger on the horse and he bets on the horse and he usually loses. Kenkyusha is a little better than that because you're not trying to win anything, you're looking for some kind of instruction and the time I wrote these poems I was rather desperate for some kind of instruction, and uh, it's just a matter of opening the book, pointing and getting the epigraph for each poem from the Japanese-English dictionary. I'll just read a couple. \"Day Seven\", oh there are given days, that are sort of daily devotions.\n \nVictor Coleman\n00:14:09\nReads \"Day Seven\".\n \nVictor Coleman\n00:14:33\nReads \"Day Eight\".\n \nVictor Coleman\n00:15:19\nReads \"Day Ten\".\n \nVictor Coleman\n00:16:18\nMany of these relate to certain experiences with LSD also.\n \nVictor Coleman\n00:16:29\nReads \"Day Thirteen\".\n \nVictor Coleman\n00:16:49\nThe reason that the definitions, the English definitions in this section are so interesting and not like the ones we are accustomed to is because the characters that they represent go through their own changes and it's almost an ideogrammatic dictionary rather than a dictionary of definitions.\n \nVictor Coleman\n00:17:13\nResumes reading “Day Thirteen”.\n \nVictor Coleman\n00:20:17\nI need to get one of those spider clocks, can't read in this light.\n \nVictor Coleman\n00:20:39\nReads \"Day Twenty-One\" .\n \nVictor Coleman\n00:22:36\nReads \"Day Twenty-Two\".\n \nVictor Coleman\n00:24:56\nReads \"Day Twenty-Four\".\n \nVictor Coleman\n00:28:22\nThese next poems are the poems that are closest to me now. It's another long sequence called \"Separations\" and I don't think I need to give you any background on it. I'll not read the whole thing because it's quite long.\n \nVictor Coleman\n00:28:56\nReads \"Separations” [parts 4-8, 10-12, and 14].\n \nVictor Coleman\n00:37:00\nThank you.\n \nEND\n00:37:17\n"],"Note":["[{\"note\":\"George Bowering is repeatedly mentioned on the tape and in printed announcements, but no supporting audio has been found. \",\"type\":\"General\"},{\"note\":\"Year-specific Information:\\n\\nOne/eye/love was published in 1967, and Coleman was working at Coach House Press.\\n\",\"type\":\"General\"},{\"note\":\"Local connections:\\n\\nVictor Coleman was very involved in the promotion of small presses and Canadian writers, specifically through his own presses and Coach House Press. Victor Coleman and George Bowering regularly corresponded (Archives Canada has these correspondences under George Bowering).\\n\",\"type\":\"General\"},{\"note\":\"Original transcript, research, introduction and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Faith Paré (2020) & Ali Barillaro (2021)\\n\",\"type\":\"Cataloguer\"},{\"note\":\"Reel-to-reel tape>CD>digital file\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/contemporary-canadian-poem-anthology/oclc/802667762&referer=brief_results\",\"citation\":\"Bowering, George, ed. The Contemporary Canadian Poem Anthology. Toronto: Coach House \\nPress, 1984. \\n\"},{\"url\":\"https://www.worldcat.org/title/one-eye-love/oclc/461736&referer=brief_results\",\"citation\":\"Coleman, Victor. One/eye/love. Toronto: Coach House Press, 1967. \"},{\"url\":\"http://www.ccca.ca/history/ozz/english/authors/coleman_victor.html\",\"citation\":\"“Coleman, Victor (1944-  )”. One Zero One: A Virtual Library of English Canadian Small Press 1945-2044. Centre for Contemporary Canadian Art, 2009. \\n\"},{\"url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/victor-coleman-at-sgwu/\",\"citation\":\"Simco, Bob. “Georgiantics”. The Georgian. Montreal: Sir George Williams University, 28 February 1967. \"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-canadian-literature/oclc/605246871&referer=brief_results\",\"citation\":\"Staines, David. \\\"Coleman, Victor\\\". The Oxford Companion to Canadian Literature. Eugene Benson and William Toye, eds. Oxford University Press 2001. \"}]"],"_version_":1853670548681261056,"timestamp":"2026-01-07T14:59:53.264Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0159_back.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0159_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Victor Coleman Tape Box - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0159_front.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0159_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Victor Coleman Tape Box - Front\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0159_side.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0159_side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Victor Coleman Tape Box - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0159_tape.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0159_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Victor Coleman Tape Box - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/victor_coleman_i086-11-159.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"victor_coleman_i086.11-159.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:37:17\",\"precision\":\"\",\"size\":\"89.5 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"Wynne Francis\\n00:00:00\\nBy the way I must remember a most important announcement, there is to be no smoking in the theatre. You may smoke at intermission, but please do not smoke during the readings. Our first reader tonight is Mr. Victor Coleman [https://www.wikidata.org/wiki/Q23882910] who comes to us from Toronto [https://www.wikidata.org/wiki/Q172]. Mr. Coleman is the publisher of Island Magazine [https://www.wikidata.org/wiki/Q15754909], and Is Magazine which is spelled 'i' 's' and looks like 'is' but is pronounced 'I’s', and he is also the publisher and editor of Island Press. He is a very active promoter of new Canadian poetry and he himself has published in several little magazines in Canada [https://www.wikidata.org/wiki/Q16] and he has made translations from Erik Satie's [https://www.wikidata.org/wiki/Q187192] notes to the music, he has also been published in New Wave Canada, an anthology of new Canadian poets published by Contact Press, and edited by Raymond Souster [https://www.wikidata.org/wiki/Q304129]. He is also affiliated, his press, Island Press, is affiliated with the Coach House Press [https://www.wikidata.org/wiki/Q5137585] in Toronto and through this press a book of his poems will be appearing this spring. He is our first reader and our second reader is Mr. George Bowering [https://www.wikidata.org/wiki/Q1239280], who has already published three books, the first one by Contact Press called Points On The Grid, the second one, The Silver Wire published by Quarry Press and the third one, A Man in Yellow Boots, by El Corno Emplumado which was done bilingually in Spanish and in English and which contains montages and illustrations by poet and artist Roy Kiyooka [https://www.wikidata.org/wiki/Q3445789]. Mr. Bowering is also editor of Imago Magazine, which emanated from Alberta [https://www.wikidata.org/wiki/Q1951] and which is devoted to the long poem or the longer poem, he is expecting to publish very shortly, in the spring I believe, a novel called The Mirror on the Floor. Mr. Coleman will read first, and then there will be a short intermission, and then Mr. Bowering will read to you.\\n \\nVictor Coleman\\n00:02:49\\nI like to make it a habit always at a reading to start off with something that somebody else wrote, simply to show you that my concerns lie elsewhere, then in my own self. This is something from A History of America by an American writer by the name of Bill Hutton and it's— well, I won't explain it to you.\\n \\nVictor Coleman\\n00:03:35\\nReads unnamed poem by Bill Hutton.\\n \\nVictor Coleman\\n00:06:00\\nI'll read a few short poems first, and then go into something from a sequence, a longer sequence. This is a poem dedicated to Bill Hutton, the author of that piece I just read, it's called \\\"Buff Hello, 6\\\".\\n \\nVictor Coleman\\n00:06:33\\nReads \\\"Buff Hello, 6\\\".\\n \\nVictor Coleman\\n00:08:27\\nI'm going to focus on that clock every once in a while, simply because I want to keep track of myself. If I might say, um, it's interesting that I'm reading with George Bowering and my general tenure at this time, uh, which I'm not really that self-conscious about which is interesting to me to be growing a beard at this time and that the last time that I started to grow a beard was the first time that I met George Bowering and it was about two years ago and we were sitting up in my attic which was a room and I said to him, \\\"How do you like my beard?\\\" and he says that \\\"It makes you look like an impotent D.H. Lawrence [https://www.wikidata.org/wiki/Q34970]”. [Audience laughter]. This is a poem called \\\"The Lady Vanishes\\\".\\n \\nVictor Coleman\\n00:09:41\\nReads \\\"The Lady Vanishes\\\".\\n \\nVictor Coleman\\n00:11:14\\nHere's a kind of poem that I can bug everybody with because it probably won't mean anything to you at all, but simply because it really is my occasion but rather than hide it away, um, I think that the sound of it is enough to carry to you, some measure of the poetry that I got from the occasion that I speak of. It's called \\\"For Basil Bunting\\\".\\n \\nVictor Coleman\\n00:11:48\\nReads \\\"For Basil Bunting\\\".\\n \\nVictor Coleman\\n00:12:34\\nI don't know whether any of you are familiar with a Japanese-English dictionary called Kenkyusha [https://www.wikidata.org/wiki/Q6389422], if not, all I can tell you is that it's a Japanese-English dictionary and that it has a strange quality to be able to predict the future, by chance operations in that it's very fat and you open it and you're like the guy with the funny hat at the track who really shouldn't be there because he can only guess and he just opens the racing form and sticks his finger on the horse and he bets on the horse and he usually loses. Kenkyusha is a little better than that because you're not trying to win anything, you're looking for some kind of instruction and the time I wrote these poems I was rather desperate for some kind of instruction, and uh, it's just a matter of opening the book, pointing and getting the epigraph for each poem from the Japanese-English dictionary. I'll just read a couple. \\\"Day Seven\\\", oh there are given days, that are sort of daily devotions.\\n \\nVictor Coleman\\n00:14:09\\nReads \\\"Day Seven\\\".\\n \\nVictor Coleman\\n00:14:33\\nReads \\\"Day Eight\\\".\\n \\nVictor Coleman\\n00:15:19\\nReads \\\"Day Ten\\\".\\n \\nVictor Coleman\\n00:16:18\\nMany of these relate to certain experiences with LSD also.\\n \\nVictor Coleman\\n00:16:29\\nReads \\\"Day Thirteen\\\".\\n \\nVictor Coleman\\n00:16:49\\nThe reason that the definitions, the English definitions in this section are so interesting and not like the ones we are accustomed to is because the characters that they represent go through their own changes and it's almost an ideogrammatic dictionary rather than a dictionary of definitions.\\n \\nVictor Coleman\\n00:17:13\\nResumes reading “Day Thirteen”.\\n \\nVictor Coleman\\n00:20:17\\nI need to get one of those spider clocks, can't read in this light.\\n \\nVictor Coleman\\n00:20:39\\nReads \\\"Day Twenty-One\\\" .\\n \\nVictor Coleman\\n00:22:36\\nReads \\\"Day Twenty-Two\\\".\\n \\nVictor Coleman\\n00:24:56\\nReads \\\"Day Twenty-Four\\\".\\n \\nVictor Coleman\\n00:28:22\\nThese next poems are the poems that are closest to me now. It's another long sequence called \\\"Separations\\\" and I don't think I need to give you any background on it. I'll not read the whole thing because it's quite long.\\n \\nVictor Coleman\\n00:28:56\\nReads \\\"Separations” [parts 4-8, 10-12, and 14].\\n \\nVictor Coleman\\n00:37:00\\nThank you.\\n \\nEND\\n00:37:17\\n\",\"notes\":\"Victor Coleman reads from One/eye/love (Coach House Press, 1967).\\n\\nList of Poems Read and Time Stamps [File 1 of 2]\\n0:00 - Introductions of Coleman and George Bowering (also reading the same night, but not on    this recording.) [INDEX: Island Magazine, Is Magazine, Island Press, new Canadian   poetry, translations of Eric Satie’s notes to music, New Wave Canada edited by Ramond Souster published by Contact Press, Coach House Press in Toronto. George Bowering: Contact Press published Points on the Grid, The Silver Wire, A Man in Yellow Boots by El Corno Emplumado in Spanish and English with drawings by Roy Kiyooka. Editor of Imago Magazine, Alberta, Long Poem or Longer Poem, The Mirror on the Floor.]\\n2:49 - Victor Coleman introduces poem by Bill Hutton from History of America, first line “John         Fitzgerald Kennedy shot John Wilkes Booth...” [INDEX: History of America by Bill Hutton]\\n3:35 - Reads unknown poem by Bill Hutton from History of America.\\n5:45 - Introduces “Buff Hello 6”\\n6:33 - Reads “Buff Hello 6”\\n8.27 - Introduces “The Lady Vanishes” [INDEX: George Bowering, D.H. Lawrence]\\n9:41 - Reads “The Lady Vanishes”\\n11:14 - Introduces “For Basil Bunting” [INDEX: Basil Bunting, occasional poetry]\\n11:48 - Reads “For Basil Bunting”\\n12:34 - Introduces “Day Seven” [INDEX: Japanese-English Dictionary Kenkyusha, chance     operations, days of devotions]\\n14:09 - Reads “Day Seven”\\n14:33 - Reads “Day Eight”\\n15:19 - Reads “Day Ten”\\n16:18 - Introduces “Day Thirteen” [INDEX: experiences with LSD]\\n16:29 - Reads “Day Thirteen”\\n20:17 - Introduces “Day 21”\\n20:39 - Reads “Day 21”\\n22:36 - Reads “Day 22”\\n24:56 - Reads “Day 24”\\n28:22 - Introduces “Separations” [INDEX: long sequence poem]\\n28:56 - Reads “Separations”, #4, 5, 6, 7, 8, 10, 11, 12, 14.\\n37:17 - END OF RECORDING.\\n\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/victor-coleman-at-sgwu/\"}]"],"score":0.01643844},{"id":"1262","cataloger_name":["Masoumeh,Zaare"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Irving Layton at Sir George Williams University, The Poetry Series, 18 March 1967"],"item_title_source":["Cataloguer"],"item_title_note":["\"IRVING LAYTON (2 tracks-3 3/4)\" written on sticker on the front of the tape's box and on the reel. \"I086-11-031\" also written on sticker on the reel."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 1"],"item_identifiers":["[]"],"creator_names":["Layton, Irving"],"creator_names_search":["Layton, Irving"],"creators":["[{\"url\":\"http://viaf.org/viaf/66482092\",\"name\":\"Layton, Irving\",\"dates\":\"1912-2006\",\"notes\":\"Canadian poet Irving Layton was born Israel Lazarovitch in Romania on March 12, 1913. His parents moved to Montreal when he was an infant. He attended Baron Byng High School, and then received a B.Sc. in agriculture in 1939 at MacDonald College. He completed an M.A. in 1946 in economics and political science at McGill University. At McGill, Layton began publishing his poetry in 1943 in First Statement, joining John Sutherland and Louis Dudek on the editorial board, and was involved with Northern Review from 1945-1956. Irving Layton was a founding member of Contact Press, along with Dudek and Raymond Souster in 1952. Layton’s first collection of poems began with Here and now (First Statement, 1945), followed by Now is the place (First Statement, 1948), The black huntsman (Contact Press [?], 1951), Love the conqueror worm (Contact Press, 1953), In the midst of my fever (published by Robert Creeley for Divers Press in 1954), The long pea-shooter (Laocoon Press, 1954), The cold green element and The blue propeller (Contact Press, 1955), The bull calf and other poems, Music on a Kazoo and The improved binoculars (published with an introduction by William Carlos Williams, Contact Press and J.Williams Press, 1956), A laughter in the mind (J. Williams, 1958) and A red carpet for the sun (J. Williams, 1959), which won a Governor General’s Award. He was a member of the editorial board of the Black Mountain Review in 1955. Layton also taught part time at Sir George University (now Concordia University) which appointed him poet-in-residence in 1965. Producing an average of one collection of poems per year, Layton published The swinging flesh (1961), Balls for a one-armed juggler (1963), The laughing rooster (1964), Collected poems (1965), Periods of the moon (1967), The shattered plinths (1968), The whole bloody bird: obs, alphs, and poems (1969), Nail polish (1971), Lovers and lesser men (1973), The pole vaulter (1974), For my brother Jesus (1976), The covenant (1977), The tightrope dancer (1978), Droppings from heaven (1979), For my neighbours in hell (Mosaic Press, 1980), Europe and other bad news (1981), The Gucci bag (1983), and Fortunate exile (1987), all published by McClelland and Stewart Press unless otherwise indicated. Layton also published selected poems in The collected poems of Irving Layton (McClelland and Stewart Press, 1971), The darkening fire: selected poems, 1945-68 (McClelland and Stewart Press, 1975), The unwavering eye: selected poems, 1969-75 (McClelland and Stewart Press, 1975), A wild peculiar joy: selected poems 1945-1982 (1982), Final reckoning: poems 1982-1986 (Mosaic Press, 1987), and Fornaluxt: selected poems 1928-1990 (1992). Layton has edited dozens of anthologies of Canadian poems and prose, as well as having his poetry published internationally. Layton ended his teaching career at York University in Toronto. An influential part of Canada’s literary scene, Irving Layton died on January 4, 2006.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Fink, Howard,"],"contributors_names_search":["Fink, Howard,"],"contributors":["[{\"url\":\"http://viaf.org/viaf/6332801\",\"name\":\"Fink, Howard, \",\"dates\":\"1934-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\",\"Series organizer\"]}]"],"Presenter_name":["Fink, Howard, "],"Series_organizer_name":["Fink, Howard, "],"Performance_Date":[1967],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"BASF\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"00:60:00\",\"physical_condition\":\"\",\"track_configuration\":\"2 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"Dates":["[{\"date\":\"1967 3 18\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Previous researcher\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Basement Theatre\",\"notes\":\"Previous researcher\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Basement Theatre"],"City":["Montreal, Quebec"],"content_notes":["Irving Layton reads from Collected Poems (McClelland & Stewart, 1965) and Periods of the Moon (McClelland &Stewart, 1967). "],"contents":["irving_layton_i086-11-031.mp3\n\nHoward Fink\n00:00:00\n...Irving Layton [https://www.wikidata.org/wiki/Q1673289] to this stage again tonight, this time to read his poetry. The last time he was up here was to introduce Robert Creeley [https://www.wikidata.org/wiki/Q918620], and what was said then clearly explained the close relations between Mr. Layton and the Black Mountain Group [https://www.wikidata.org/wiki/Q2905420] in the 50's, so I won't go into that again, but I'll only add that Mr. Layton was a member of the editorial board of Black Mountain Review [https://www.wikidata.org/wiki/Q2905420] from 1955 on. Of course he's been publishing poetry since the 40's and was associated during those years with the First Statement Press, which became the Northern Review [https://www.wikidata.org/wiki/Q15757902] in 1949, and all this time studying at McGill University [https://www.wikidata.org/wiki/Q201492] where he received the M.A. in Political Science and Economics in 1946. It's impossible to list all of his appearances in periodicals and little magazines, and I'll mention only a few of his two dozen or so volumes of poetry, anyway that's what it seemed like to me when I looked at that page in the new one. A Red Carpet for the Sun in 1959, with the well-known introduction by William Carlos Williams [https://www.wikidata.org/wiki/Q178106] which acknowledged, American recognition of Mr. Layton's reputation. A Red Carpet, like all of Mr. Layton's subsequent books was published by McClelland and Stewart [https://www.wikidata.org/wiki/Q6800322]. Then, a book of short stories and poems, The Swinging Flesh, which came out in 1961, Balls for a One-armed Juggler in 1963, The Laughing Rooster in 1964, Collected Poems in 1965 and his latest work, just published this winter, Periods of the Moon. And I should say the ones that I have mentioned are the ones which are still in stock and able to be bought. Among Mr. Layton's other frenetic activities, poetry readings in Canada [https://www.wikidata.org/wiki/Q16], United States [https://www.wikidata.org/wiki/Q30], Germany [https://www.wikidata.org/wiki/Q183] and elsewhere, television appearances, controversial ones and so on, he finds time to communicate with students as well as Poet in Residence of this university [https://www.wikidata.org/wiki/Q326342]. I'd like to present Mr. Irving Layton.\n\nAudience\n00:02:21\nApplause.\n \nIrving Layton\n00:02:30\nThank you Howard, for your kind introduction. I'm glad that you did not introduce me as a letter writer. I'm very glad to see so large a turn out this evening. I am very heartened by it, very moved, and I'm very glad to see so many of my friends and former students in the audience. I like beginning my reading with a poem \"There Are No Signs\" because if any one poem expresses what I try to say, and all the poems and stories that I have written, is that modern man, pretty well, has to find out where he is going, by just going. Now the old sign posts are down, and that he must make his sign posts as he goes along.\n \nIrving Layton\n00:04:00\nReads \"There Are No Signs\" [published as “There Were No Signs in Collected Poems].\n \nIrving Layton\n00:04:51\n\"The Swimmer\", my symbol for the poet, condemned to live in two realms, and happy to live in neither of them. The realm of actuality and the realm of the imagination. Here I compare the poet to the swimmer.\n \nIrving Layton\n00:05:15\nReads \"The Swimmer\" [from Collected Poems].\n \nIrving Layton\n00:06:38\nSeveral years ago I taught at the Jewish Library, one of my students was a Mrs. Fornheim, who had lived in Vienna [https://www.wikidata.org/wiki/Q1741], and left Vienna when that city fell to the Nazis. She went to Paris [https://www.wikidata.org/wiki/Q90], and left Paris for Spain [https://www.wikidata.org/wiki/Q29], when the Vichy government was formed. From Spain, she went to Portugal [https://www.wikidata.org/wiki/Q45] and then came to Montreal [https://www.wikidata.org/wiki/Q340], where I taught her English. She died of cancer, this is my poem for her. \"Mrs. Fornheim, Refugee\".\n \nIrving Layton\n00:07:19\nReads \"Mrs. Fornheim, Refugee\" [from Collected Poems].\n \nIrving Layton\n00:08:12\n\"Gothic Landscape\", or what it means to be a Jewish boy growing up in a hostile neighbourhood of French Canadians and Italians who are convinced that you have lately murdered Christ. And where you are entranced by the church bells every Sunday, because of the ecstatic music over the sky, over the rooftops, and yet, in that ecstatic music of the bells, a sound of menace, something alien and frightening.\n \nIrving Layton\n00:09:00\nReads \"Gothic Landscape\" [from Collected Poems].\n \nIrving Layton\n00:10:19\n\"The Black Huntsmen\". This was written at a time when Jewish skin was made into lampshades. Or, the song of innocence becoming the song of experience.\n \nIrving Layton\n00:10:42\nReads \"The Black Huntsmen\" [from Collected Poems].\n\nUnknown\n00:12:07\n[Cut or edit made in tape. Unknown amount of time elapsed].\n\nIrving Layton\n00:12:08\nThis is how the fringes of a prayer shawl, a sheitel is a wig. If you are an Orthodox, Jewess as my mother was, you have to cut your hair very short and wear a wig so that you are no longer attractive so to speak, to any other man but your husband. Peculiar way of looking at it.\n \nIrving Layton\n00:12:43\nReads \"Archetypes\" [from Collected Poems].\n\nIrving Layton\n00:13:38\nReads \"Soleil de Noces\" [from Collected Poems].\n \nIrving Layton\n00:14:15\n\"De Bullion Street\". I don't suppose De Bullion Street has the reputation that it had when I was a boy. I suppose the present administration has cleaned up things, and anyway harlots now are more peripatetic. So this, in a sense, is an old fashioned poem.\n \nIrving Layton\n00:14:40\nReads \"De Bullion Street\" [from Collected Poems].\n \nIrving Layton\n00:16:10\n\"On My Way To School\" or the changes that come. I wasn't the most punctual of students, and it's a great comfort to me therefore when I was late to find a sign on a Baptist church \"Jesus Saves\". Many years, I returned and found some change had taken place and this poem celebrates the change, or records it.\n \nIrving Layton\n00:16:44\nReads \"On My Way To School\" [from Collected Poems].\n \nIrving Layton\n00:17:20\nReads \"Love the Conqueror Worm\" [from Collected Poems].\n \nIrving Layton\n00:18:31\n\"Vexata Quaestio\". Western man is the product we are told, of two traditions, the Greek, and the Hebrew. The Greek, pagan, believing that all experience is worth having, and man should refuse no experience. The Hebrew believing that the proper life, salvation is to be found in obedience to God's will. The two traditions are quite contradictory and can never be reconciled. It is our unfortunate destiny to try to reconcile them. I do not think we have been successful at it because the task cannot be done, it's impossible. So I've written this poem, \"Vexata Quaestio\" and what I'm saying is that each and every one of us in the West is a sort of compromise between these two traditions. Here I use the tree, a tall tree, as a symbol for the Hebraic, the Maccabean and the sun becomes a symbol for the pagan, and you'll see what happens to both the tree and the sun.\n \nIrving Layton\n00:20:11\nReads \"Vexata Quaestio\" [from Collected Poems].\n \nIrving Layton\n00:21:19\n\"Cemetery in August\". Only humans of course are aware of death, and even in August, when you feel the flush and thrill and intensity of life, you are aware of the autumn and the winter and when you are in a cemetery, the macabre juxtaposition of life and death becomes even more intense. So I wrote this poem, \"Cemetery in August\".\n \nIrving Layton\n00:21:54\nReads \"Cemetery in August\" [from Collected Poems].\n \nIrving Layton\n00:24:20\n\"To the Girls of my Graduating Class\". This was a graduating class, not at Sir George Williams, but my high school I taught several years ago. And I was very fortunate one year in having six very, very lovely, nubile adolescents, very attractive, and very, very well aware of precisely where attractions lay [audience laughter]. And very often when I was in the middle of a serious lecture in history, one of them would make some provocative gesture that would drive my thoughts from the lecture to something far more interesting [audience laughter].\n \nIrving Layton\n00:25:15\nReads \"To the Girls of my Graduating Class\" [from Collected Poems].\n\nAudience\n00:26:30\nLaughter.\n \nIrving Layton\n00:26:33\nAnd what you see when you are in the tavern, the kind of dreams you have about pleasure and about the strange, the strange dance that all of us lead. And this very queer life and journey of ours. And I call this \"Bacchanal\", and it's a rather unusual Bacchanal, because it's a rather sad one, or shall I say a prayerful one.\n \nIrving Layton\n00:27:10\nReads \"Bacchanal\" [from Collected Poems].\n \nIrving Layton\n00:28:18\nThis one is for my son, \"Maxie\".\n \nIrving Layton\n00:28:24\nReads \"Maxie\" [from Collected Poems].\n \nIrving Layton\n00:30:03\nAnd I suppose all teachers of literature have had the experience of giving an inspired lecture on Shakespeare [https://www.wikidata.org/wiki/Q692] or John Donne [https://www.wikidata.org/wiki/Q140412], and finding some hand at the back waving furiously as you're getting to the home stretch and your peroration is the most resounding thing that you've ever thought about but this hand out there, very insistent, you know, and finally you stop in the middle of the peroration and you say \"Yes, yes what is it?\" and the student says, \"Sir, will this be on the exam?\" [audience laughter].\n \nIrving Layton\n00:30:57\nReads \"Seven o'Clock Lecture\" [from Collected Poems].\n \nIrving Layton\n00:34:07\n\"The Birth of Tragedy\". The title is taken from one of the earliest books of Nietzsche [https://www.wikidata.org/wiki/Q9358], the gods here that I speak about in the poem, are the gods of Dream and Dance, of Reason and Ecstasy, Apollo and Dionysus, Nietzsche held that tragedy came from the union of both dream and dance, intellect and impulse.\n \nIrving Layton\n00:34:44\nReads \"The Birth of Tragedy\" [from Collected Poems].\n \nIrving Layton\n00:36:44\nAnd I suppose no Layton reading would be quite complete without this poem, \"Misunderstanding\".\n \nIrving Layton\n00:36:54\nReads \"Misunderstanding\" [from Collected Poems].\n \nIrving Layton\n00:37:16\n\"The Cold Green Element\". This is about life, death, nature, and poetry. It's really a meditation, and, I hope, a passionate meditation on art and life. Like Yeats [https://www.wikidata.org/wiki/Q40213], I am very concerned with the necessary antinomies or contradictions of life. Like Yeats, I believe that great art results from the happy, the miraculous fusion of the two.\n \nIrving Layton\n00:38:04\nReads \"The Cold Green Element\" [from Collected Poems].\n \nIrving Layton\n00:40:20\n\"The Improved Binoculars\", my symbol for science. It is truism to say that unless man's moral development, his capacity for sympathy, keeps space, or this development in science and technology he's in danger of blowing himself off the face of this earth. This poem is an apocalyptic poem, it is a vision of the future, such as I hope will never be realized. But in one of my more despairing moments, or one of my more savage and bitter moments, I wrote this poem, \"The Improved Binoculars\".\n \nIrving Layton\n00:41:05\nReads \"The Improved Binoculars\" [from Collected Poems].\n \nIrving Layton\n00:42:25\nReads [“Orpheus” from Collected Poems].\n \nIrving Layton\n00:44:11\nReads \"Death of a Construction Worker\" [from Collected Poems].\n \nIrving Layton\n00:45:08\nReads “Theology” [from Collected Poems].\n \nIrving Layton\n00:45:47\nReads “For Louise, Age 17” [from Collected Poems].\n \nIrving Layton\n00:47:14\n\"Song for Naomi\". Naomi's my daughter. Several years ago we were out in the country, I was appalled to find that while she was by the bank of the lake, I couldn't see her because the weeds and the flowers were taller than she was. If she fell into the lake, neither I nor my wife might see it. But nothing happened. Just a day before we were to pack up to leave, I noticed my daughter down by the lake, and this time, her dear little head was peeping just above the weeds and the flowers and this gave me the idea for this poem, which I wrote, while of course my wife did the packing.\n \nIrving Layton\n00:48:12\nReads \"Song for Naomi\" [from Collected Poems].\n \nIrving Layton\n00:49:47\nHere's a rather erotic poem, called \"Gathering of Poets\", to be taken of course with a grain of salt.\n \nUnknown\n00:49:59\n[Cut or edit made in tape].\n \nIrving Layton\n00:50:00\n...to be taken, of course, with a grain of salt. Just a short thing.\n \nIrving Layton\n00:50:08\nReads \"Gathering of Poets\" [from Collected Poems].\n \nIrving Layton\n00:50:40\nReads \"The Bull Calf\" [from Collected Poems].\n \nIrving Layton\n00:53:19\nAnd here's a lighter poem called \"Bargain\".\n \nIrving Layton\n00:53:22\nReads \"Bargain\" [from Collected Poems].\n\nAudience\n00:53:46\nLaughter.\n \nIrving Layton\n00:53:58\nThis next poem is for my mother, who died at the age of 89. She was a very remarkable woman, I'd like to tell you a great deal about her, she certainly merits it, she was a most remarkable character with a tremendous joie-de-vivre and a wonderful gift of vituperation, which it is said I have inherited [audience laughter]. Certainly I learned the cadence of poetry from my mother's cursing. My mother would start cursing as soon as I opened my eyes in the morning and wouldn't stop cursing until I closed them at night when I went to bed. But the cadence was what interested me [audience laughter] and I didn't pay any attention to words. Occasionally I would get the drift, of course, of what the curses were intended to say, and I must say it did me a wonderful lot of good because later on when I got knocked my critics and so on, it was like so much water off a duck's back after my mother's cursing. Nothing the critics say could possibly make any impression upon me whatsoever [audience laughter]. She was extremely vain of her black eyebrows. When she was 85, I was taking her somewhere and we stopped for a red light. I noticed a very lovely girl standing on the curb, and of course, I looked very intently at her. My mother caught my intent gaze and said, sighing, \"Yes, she's very beautiful, but has she got my black eyebrows?\" [audience laughter]. She wore earrings that were made of old Romanian coins, she wore an amber necklace, which I remember playing with when I was a child. But it was her immense vitality and joie-de-vivre, coupled with an immense discontent that always fascinated me about my mother. She was a very Orthodox woman, reverencing God, but often giving me the impression that she might have made a much better job of creation than God himself. So this is my tribute to my very, very remarkable mother.\n \nIrving Layton\n00:56:56\nReads \"Keine Lazarovitch, 1870-1959\" [from Collected Poems].\n \nIrving Layton\n00:59:16\nReads \"The Well-Wrought Urn\" [from Collected Poems].\n \nIrving Layton\n00:59:57\nSome time ago, I went down to the church at Notre Dame, and you know, you have halos lighting up over the head of your favourite saint, or the Virgin Mary, if you drop the requisite number of coins. There's nobody else in that vast gloomy church, except another man and myself, and he went over to the little machine and he dropped some coins, and he waited for the halo to light up and it didn't. And that nettled him a great deal, and he waited, and it still didn't light up so he gave the machine a kick, nothing happened. But he said something and I went home and I wrote this poem.\n \nIrving Layton\n01:01:01\nReads \"This Machine Age\" [from Collected Poems; audience laughter throughout].\n \nIrving Layton\n01:02:09\nThis next poem of mine is also based on an actual experience, I'm sure that most of you have heard of Djilas [https://www.wikidata.org/wiki/Q153909], the very courageous Yugoslav writer who's imprisoned by his erstwhile comrade and companion in arms, Tito. He's imprisoned for writing and publishing outside of the country, Conversations with Stalin [https://www.wikidata.org/wiki/Q5166446]. That was several years ago, he's just been released. Well I thought a brave man like that deserves some kind of support, especially from and by writers, and so I decided to go up to Ottawa [https://www.wikidata.org/wiki/Q1930] and demonstrate in front of the Yugoslav Embassy. I took my wife with me, and one or two of the local poets, we made some signs and we drove up to Ottawa. We got out of the car, and the sign read, of course, \"Free Djilas\", and I was amazed and delighted to find that a considerable crowd gathered around me and the sign. Until I realized just what was happening. And so I wrote this poem, called \"Free Djilas\".\n \nIrving Layton\n01:03:31\nReads \"Free Djilas\" [from Collected Poems; audience laughter throughout].\n \nIrving Layton\n01:04:29\nThis one, in a more serious vein, \"The Predator\".\n \nIrving Layton\n01:04:36\nReads \"The Predator\" [from Collected Poems].\n\nIrving Layton\n01:06:41\nReads \"Plaza de Toros\" [from Collected Poems].\n \nIrving Layton\n01:09:13\nReads \"At the Alhambra\" [from Collected Poems].\n \nIrving Layton\n01:10:20\nReads \"For My Green Old Age\" [from Collected Poems].\n \nIrving Layton\n01:11:44\nNow I want to read a few poems from my most recent book, Periods of the Moon. \"Castles on the Rhine\".\n \nIrving Layton\n01:12:01\nReads \"Castles on the Rhine\" [published as “Rhine Boat Trip in Periods of the Moon].\n \nIrving Layton\n01:12:54\nReads \"Mutability\" from Periods of the Moon.\n \nIrving Layton\n01:14:19\nReads \"Time's Velvet Tongue\" from Periods of the Moon.\n \nIrving Layton\n01:15:20\nReads \"Gratitude\" from Periods of the Moon.\n\nAudience\n01:16:00\nLaughter \n\nIrving Layton\n01:16:04\nMy contribution to the centennial year, “Confederation Ode”.\n\nIrving Layton\n01:16:10\nReads \"Confederation Ode\" from Periods of the Moon [audience laughter throughout].\n\nAudience\n01:17:23\nLaughter and Applause.\n \nIrving Layton\n01:17:34\nReads \"The Beautiful Unknown Girl\" from Periods of the Moon.\n \nIrving Layton\n01:18:55\nAnd this one, \"For Musia's Grandchildren\".\n \nIrving Layton\n01:19:09\nReads \"For Musia's Grandchildren\" from Periods of the Moon.\n \nIrving Layton\n01:20:59\nReads \"Look Homeward, Angel\" from Periods of the Moon.\n \nIrving Layton\n01:21:45\nAnd this last one, \"Family Portrait\".\n \nIrving Layton\n01:21:54\nReads \"Family Portrait\" [from Collected Poems; audience laughter throughout].\n\nAudience\n01:22:59\nLaughter and Applause.\n \nEND\n01:23:43\n"],"Note":["[{\"note\":\"Year-Specific Information:\\n\\nHis collection of poetry Periods of the Moon was published in 1967, and he participated in several other readings at the Jewish Public Library in Montreal, among other places. His poetry was anthologized in Modern Canadian Verse: In English and French (Oxford University Press), edited by F.R. Scott and A.J.M. Smith, The Blasted Pine: An Anthology of Satire, also edited by F.R. Scott and A.J.M. Smith in 1967 (Macmillan). Layton was poet-in-residence at Sir George Williams University.\\n\",\"type\":\"General\"},{\"note\":\"Local Connections: \\n\\nLayton’s meeting with Louis Dudek and John Sutherland culminated in the very influential First Statement magazine and press in 1942. His poetry is widely-read and has been awarded generously. Layton has also become a well-known figure in Montreal, and caught the attention of many critics--for better or for worse. Layton and Dudek helped Aileen Collins found the magazine CIV/n, and with Raymond Souster founded Contact Press in 1952, which both published many young Canadian poets like Margaret Atwood, Phyllis Webb, Eli Mandel, D.G. Jones, Alden Nowlan, Gwendolyn MacEwen, George Bowering, Frank Davey and John Newlove. Through Raymond Souster, he began correspondence with Robert Creeley in 1953, and continued to prove to American poets that Canadian poets had something interesting to say. Layton, Dudek and F.R. Scott promoted and mentored the newer generation of Canadian poets. He has become a Montreal icon, as he spent most of his life in the city.\\n\",\"type\":\"General\"},{\"note\":\"Original transcript, research, introduction and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Ali Barillaro\",\"type\":\"General\"},{\"note\":\"Reel-to-reel tape>2 CDs>digital file\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-canadian-literature/oclc/605246871&referer=brief_results\",\"citation\":\"Davey, Frank. \\\"Layton, Irving\\\". The Oxford Companion to Canadian Literature. Eugene Benson and William Toye (eds). Oxford University Press 2001. \"},{\"url\":\"https://www.worldcat.org/title/from-there-to-here-a-guide-to-english-canadian-literature-since-1960-ii-our-nature-our-voices/oclc/878901819&referer=brief_results\",\"citation\":\"Davey, Frank. From There to Here: A Guide to English-Canadian Literature Since 1960, Our Nature-Our Voices II. Erin, Ontario: Press Porcepic, 1974.\"},{\"url\":\"https://www.worldcat.org/title/collected-poems-irving-layton/oclc/460183130&referer=brief_results\",\"citation\":\"Layton, Irving. Collected Poems. Toronto: McClelland & Stewart, 1965. \"},{\"url\":\"https://www.worldcat.org/title/periods-of-the-moon-poems/oclc/907399867&referer=brief_results\",\"citation\":\"Layton, Irving. Periods of the Moon. Toronto: McClelland & Stewart, 1967. \"},{\"url\":\"https://www.worldcat.org/title/encyclopedia-of-post-colonial-literatures-in-english-vol2/oclc/1156824609&referer=brief_results\",\"citation\":\"Lynch, Gerald. “Layton, Irving (1912-)”. Routledge Encyclopedia of Post-Colonial Literatures in English. Eugene Benson and L.W. Conolly, (eds). London: Routledge, 1994. 2 Vols. \\n\"},{\"url\":\"https://www.concordia.ca/content/dam/concordia/offices/archives/docs/postgrad/Postgrad-1967-Spring.pdf\",\"citation\":\"“Poetry Readings”. Post-Grad. Montreal: Sir George Williams University, Spring 1967, page 13. \"},{\"url\":\"http://news.google.com/newspapers?id=O5UtAAAAIBAJ&sjid=4p8FAAAAIBAJ&pg=3951,6182119&dq=sir+george+williams+poetry &hl=en\",\"citation\":\"“Poetry Series Coming Up At University”. Montreal; The Gazette. 31 December 1966, page 39. \"}]"],"_version_":1853670548809187328,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0086_11_0031_back.jpg\",\"file_path\":\"\",\"filename\":\"I0086_11_0031_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Irving Layton Tape Box - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0086_11_0031_front.jpg\",\"file_path\":\"\",\"filename\":\"I0086_11_0031_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Irving Layton Tape Box - Front\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0086_11_0031_tape.jpg\",\"file_path\":\"\",\"filename\":\"I0086_11_0031_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Irving Layton Tape Box - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/irving_layton_i086-11-031.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"irving_layton_i086-11-031.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:23:43\",\"precision\":\"\",\"size\":\"200.9 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"Howard Fink\\n00:00:00\\n...Irving Layton [https://www.wikidata.org/wiki/Q1673289] to this stage again tonight, this time to read his poetry. The last time he was up here was to introduce Robert Creeley [https://www.wikidata.org/wiki/Q918620], and what was said then clearly explained the close relations between Mr. Layton and the Black Mountain Group [https://www.wikidata.org/wiki/Q2905420] in the 50's, so I won't go into that again, but I'll only add that Mr. Layton was a member of the editorial board of Black Mountain Review [https://www.wikidata.org/wiki/Q2905420] from 1955 on. Of course he's been publishing poetry since the 40's and was associated during those years with the First Statement Press, which became the Northern Review [https://www.wikidata.org/wiki/Q15757902] in 1949, and all this time studying at McGill University [https://www.wikidata.org/wiki/Q201492] where he received the M.A. in Political Science and Economics in 1946. It's impossible to list all of his appearances in periodicals and little magazines, and I'll mention only a few of his two dozen or so volumes of poetry, anyway that's what it seemed like to me when I looked at that page in the new one. A Red Carpet for the Sun in 1959, with the well-known introduction by William Carlos Williams [https://www.wikidata.org/wiki/Q178106] which acknowledged, American recognition of Mr. Layton's reputation. A Red Carpet, like all of Mr. Layton's subsequent books was published by McClelland and Stewart [https://www.wikidata.org/wiki/Q6800322]. Then, a book of short stories and poems, The Swinging Flesh, which came out in 1961, Balls for a One-armed Juggler in 1963, The Laughing Rooster in 1964, Collected Poems in 1965 and his latest work, just published this winter, Periods of the Moon. And I should say the ones that I have mentioned are the ones which are still in stock and able to be bought. Among Mr. Layton's other frenetic activities, poetry readings in Canada [https://www.wikidata.org/wiki/Q16], United States [https://www.wikidata.org/wiki/Q30], Germany [https://www.wikidata.org/wiki/Q183] and elsewhere, television appearances, controversial ones and so on, he finds time to communicate with students as well as Poet in Residence of this university [https://www.wikidata.org/wiki/Q326342]. I'd like to present Mr. Irving Layton.\\n\\nAudience\\n00:02:21\\nApplause.\\n \\nIrving Layton\\n00:02:30\\nThank you Howard, for your kind introduction. I'm glad that you did not introduce me as a letter writer. I'm very glad to see so large a turn out this evening. I am very heartened by it, very moved, and I'm very glad to see so many of my friends and former students in the audience. I like beginning my reading with a poem \\\"There Are No Signs\\\" because if any one poem expresses what I try to say, and all the poems and stories that I have written, is that modern man, pretty well, has to find out where he is going, by just going. Now the old sign posts are down, and that he must make his sign posts as he goes along.\\n \\nIrving Layton\\n00:04:00\\nReads \\\"There Are No Signs\\\" [published as “There Were No Signs in Collected Poems].\\n \\nIrving Layton\\n00:04:51\\n\\\"The Swimmer\\\", my symbol for the poet, condemned to live in two realms, and happy to live in neither of them. The realm of actuality and the realm of the imagination. Here I compare the poet to the swimmer.\\n \\nIrving Layton\\n00:05:15\\nReads \\\"The Swimmer\\\" [from Collected Poems].\\n \\nIrving Layton\\n00:06:38\\nSeveral years ago I taught at the Jewish Library, one of my students was a Mrs. Fornheim, who had lived in Vienna [https://www.wikidata.org/wiki/Q1741], and left Vienna when that city fell to the Nazis. She went to Paris [https://www.wikidata.org/wiki/Q90], and left Paris for Spain [https://www.wikidata.org/wiki/Q29], when the Vichy government was formed. From Spain, she went to Portugal [https://www.wikidata.org/wiki/Q45] and then came to Montreal [https://www.wikidata.org/wiki/Q340], where I taught her English. She died of cancer, this is my poem for her. \\\"Mrs. Fornheim, Refugee\\\".\\n \\nIrving Layton\\n00:07:19\\nReads \\\"Mrs. Fornheim, Refugee\\\" [from Collected Poems].\\n \\nIrving Layton\\n00:08:12\\n\\\"Gothic Landscape\\\", or what it means to be a Jewish boy growing up in a hostile neighbourhood of French Canadians and Italians who are convinced that you have lately murdered Christ. And where you are entranced by the church bells every Sunday, because of the ecstatic music over the sky, over the rooftops, and yet, in that ecstatic music of the bells, a sound of menace, something alien and frightening.\\n \\nIrving Layton\\n00:09:00\\nReads \\\"Gothic Landscape\\\" [from Collected Poems].\\n \\nIrving Layton\\n00:10:19\\n\\\"The Black Huntsmen\\\". This was written at a time when Jewish skin was made into lampshades. Or, the song of innocence becoming the song of experience.\\n \\nIrving Layton\\n00:10:42\\nReads \\\"The Black Huntsmen\\\" [from Collected Poems].\\n\\nUnknown\\n00:12:07\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n\\nIrving Layton\\n00:12:08\\nThis is how the fringes of a prayer shawl, a sheitel is a wig. If you are an Orthodox, Jewess as my mother was, you have to cut your hair very short and wear a wig so that you are no longer attractive so to speak, to any other man but your husband. Peculiar way of looking at it.\\n \\nIrving Layton\\n00:12:43\\nReads \\\"Archetypes\\\" [from Collected Poems].\\n\\nIrving Layton\\n00:13:38\\nReads \\\"Soleil de Noces\\\" [from Collected Poems].\\n \\nIrving Layton\\n00:14:15\\n\\\"De Bullion Street\\\". I don't suppose De Bullion Street has the reputation that it had when I was a boy. I suppose the present administration has cleaned up things, and anyway harlots now are more peripatetic. So this, in a sense, is an old fashioned poem.\\n \\nIrving Layton\\n00:14:40\\nReads \\\"De Bullion Street\\\" [from Collected Poems].\\n \\nIrving Layton\\n00:16:10\\n\\\"On My Way To School\\\" or the changes that come. I wasn't the most punctual of students, and it's a great comfort to me therefore when I was late to find a sign on a Baptist church \\\"Jesus Saves\\\". Many years, I returned and found some change had taken place and this poem celebrates the change, or records it.\\n \\nIrving Layton\\n00:16:44\\nReads \\\"On My Way To School\\\" [from Collected Poems].\\n \\nIrving Layton\\n00:17:20\\nReads \\\"Love the Conqueror Worm\\\" [from Collected Poems].\\n \\nIrving Layton\\n00:18:31\\n\\\"Vexata Quaestio\\\". Western man is the product we are told, of two traditions, the Greek, and the Hebrew. The Greek, pagan, believing that all experience is worth having, and man should refuse no experience. The Hebrew believing that the proper life, salvation is to be found in obedience to God's will. The two traditions are quite contradictory and can never be reconciled. It is our unfortunate destiny to try to reconcile them. I do not think we have been successful at it because the task cannot be done, it's impossible. So I've written this poem, \\\"Vexata Quaestio\\\" and what I'm saying is that each and every one of us in the West is a sort of compromise between these two traditions. Here I use the tree, a tall tree, as a symbol for the Hebraic, the Maccabean and the sun becomes a symbol for the pagan, and you'll see what happens to both the tree and the sun.\\n \\nIrving Layton\\n00:20:11\\nReads \\\"Vexata Quaestio\\\" [from Collected Poems].\\n \\nIrving Layton\\n00:21:19\\n\\\"Cemetery in August\\\". Only humans of course are aware of death, and even in August, when you feel the flush and thrill and intensity of life, you are aware of the autumn and the winter and when you are in a cemetery, the macabre juxtaposition of life and death becomes even more intense. So I wrote this poem, \\\"Cemetery in August\\\".\\n \\nIrving Layton\\n00:21:54\\nReads \\\"Cemetery in August\\\" [from Collected Poems].\\n \\nIrving Layton\\n00:24:20\\n\\\"To the Girls of my Graduating Class\\\". This was a graduating class, not at Sir George Williams, but my high school I taught several years ago. And I was very fortunate one year in having six very, very lovely, nubile adolescents, very attractive, and very, very well aware of precisely where attractions lay [audience laughter]. And very often when I was in the middle of a serious lecture in history, one of them would make some provocative gesture that would drive my thoughts from the lecture to something far more interesting [audience laughter].\\n \\nIrving Layton\\n00:25:15\\nReads \\\"To the Girls of my Graduating Class\\\" [from Collected Poems].\\n\\nAudience\\n00:26:30\\nLaughter.\\n \\nIrving Layton\\n00:26:33\\nAnd what you see when you are in the tavern, the kind of dreams you have about pleasure and about the strange, the strange dance that all of us lead. And this very queer life and journey of ours. And I call this \\\"Bacchanal\\\", and it's a rather unusual Bacchanal, because it's a rather sad one, or shall I say a prayerful one.\\n \\nIrving Layton\\n00:27:10\\nReads \\\"Bacchanal\\\" [from Collected Poems].\\n \\nIrving Layton\\n00:28:18\\nThis one is for my son, \\\"Maxie\\\".\\n \\nIrving Layton\\n00:28:24\\nReads \\\"Maxie\\\" [from Collected Poems].\\n \\nIrving Layton\\n00:30:03\\nAnd I suppose all teachers of literature have had the experience of giving an inspired lecture on Shakespeare [https://www.wikidata.org/wiki/Q692] or John Donne [https://www.wikidata.org/wiki/Q140412], and finding some hand at the back waving furiously as you're getting to the home stretch and your peroration is the most resounding thing that you've ever thought about but this hand out there, very insistent, you know, and finally you stop in the middle of the peroration and you say \\\"Yes, yes what is it?\\\" and the student says, \\\"Sir, will this be on the exam?\\\" [audience laughter].\\n \\nIrving Layton\\n00:30:57\\nReads \\\"Seven o'Clock Lecture\\\" [from Collected Poems].\\n \\nIrving Layton\\n00:34:07\\n\\\"The Birth of Tragedy\\\". The title is taken from one of the earliest books of Nietzsche [https://www.wikidata.org/wiki/Q9358], the gods here that I speak about in the poem, are the gods of Dream and Dance, of Reason and Ecstasy, Apollo and Dionysus, Nietzsche held that tragedy came from the union of both dream and dance, intellect and impulse.\\n \\nIrving Layton\\n00:34:44\\nReads \\\"The Birth of Tragedy\\\" [from Collected Poems].\\n \\nIrving Layton\\n00:36:44\\nAnd I suppose no Layton reading would be quite complete without this poem, \\\"Misunderstanding\\\".\\n \\nIrving Layton\\n00:36:54\\nReads \\\"Misunderstanding\\\" [from Collected Poems].\\n \\nIrving Layton\\n00:37:16\\n\\\"The Cold Green Element\\\". This is about life, death, nature, and poetry. It's really a meditation, and, I hope, a passionate meditation on art and life. Like Yeats [https://www.wikidata.org/wiki/Q40213], I am very concerned with the necessary antinomies or contradictions of life. Like Yeats, I believe that great art results from the happy, the miraculous fusion of the two.\\n \\nIrving Layton\\n00:38:04\\nReads \\\"The Cold Green Element\\\" [from Collected Poems].\\n \\nIrving Layton\\n00:40:20\\n\\\"The Improved Binoculars\\\", my symbol for science. It is truism to say that unless man's moral development, his capacity for sympathy, keeps space, or this development in science and technology he's in danger of blowing himself off the face of this earth. This poem is an apocalyptic poem, it is a vision of the future, such as I hope will never be realized. But in one of my more despairing moments, or one of my more savage and bitter moments, I wrote this poem, \\\"The Improved Binoculars\\\".\\n \\nIrving Layton\\n00:41:05\\nReads \\\"The Improved Binoculars\\\" [from Collected Poems].\\n \\nIrving Layton\\n00:42:25\\nReads [“Orpheus” from Collected Poems].\\n \\nIrving Layton\\n00:44:11\\nReads \\\"Death of a Construction Worker\\\" [from Collected Poems].\\n \\nIrving Layton\\n00:45:08\\nReads “Theology” [from Collected Poems].\\n \\nIrving Layton\\n00:45:47\\nReads “For Louise, Age 17” [from Collected Poems].\\n \\nIrving Layton\\n00:47:14\\n\\\"Song for Naomi\\\". Naomi's my daughter. Several years ago we were out in the country, I was appalled to find that while she was by the bank of the lake, I couldn't see her because the weeds and the flowers were taller than she was. If she fell into the lake, neither I nor my wife might see it. But nothing happened. Just a day before we were to pack up to leave, I noticed my daughter down by the lake, and this time, her dear little head was peeping just above the weeds and the flowers and this gave me the idea for this poem, which I wrote, while of course my wife did the packing.\\n \\nIrving Layton\\n00:48:12\\nReads \\\"Song for Naomi\\\" [from Collected Poems].\\n \\nIrving Layton\\n00:49:47\\nHere's a rather erotic poem, called \\\"Gathering of Poets\\\", to be taken of course with a grain of salt.\\n \\nUnknown\\n00:49:59\\n[Cut or edit made in tape].\\n \\nIrving Layton\\n00:50:00\\n...to be taken, of course, with a grain of salt. Just a short thing.\\n \\nIrving Layton\\n00:50:08\\nReads \\\"Gathering of Poets\\\" [from Collected Poems].\\n \\nIrving Layton\\n00:50:40\\nReads \\\"The Bull Calf\\\" [from Collected Poems].\\n \\nIrving Layton\\n00:53:19\\nAnd here's a lighter poem called \\\"Bargain\\\".\\n \\nIrving Layton\\n00:53:22\\nReads \\\"Bargain\\\" [from Collected Poems].\\n\\nAudience\\n00:53:46\\nLaughter.\\n \\nIrving Layton\\n00:53:58\\nThis next poem is for my mother, who died at the age of 89. She was a very remarkable woman, I'd like to tell you a great deal about her, she certainly merits it, she was a most remarkable character with a tremendous joie-de-vivre and a wonderful gift of vituperation, which it is said I have inherited [audience laughter]. Certainly I learned the cadence of poetry from my mother's cursing. My mother would start cursing as soon as I opened my eyes in the morning and wouldn't stop cursing until I closed them at night when I went to bed. But the cadence was what interested me [audience laughter] and I didn't pay any attention to words. Occasionally I would get the drift, of course, of what the curses were intended to say, and I must say it did me a wonderful lot of good because later on when I got knocked my critics and so on, it was like so much water off a duck's back after my mother's cursing. Nothing the critics say could possibly make any impression upon me whatsoever [audience laughter]. She was extremely vain of her black eyebrows. When she was 85, I was taking her somewhere and we stopped for a red light. I noticed a very lovely girl standing on the curb, and of course, I looked very intently at her. My mother caught my intent gaze and said, sighing, \\\"Yes, she's very beautiful, but has she got my black eyebrows?\\\" [audience laughter]. She wore earrings that were made of old Romanian coins, she wore an amber necklace, which I remember playing with when I was a child. But it was her immense vitality and joie-de-vivre, coupled with an immense discontent that always fascinated me about my mother. She was a very Orthodox woman, reverencing God, but often giving me the impression that she might have made a much better job of creation than God himself. So this is my tribute to my very, very remarkable mother.\\n \\nIrving Layton\\n00:56:56\\nReads \\\"Keine Lazarovitch, 1870-1959\\\" [from Collected Poems].\\n \\nIrving Layton\\n00:59:16\\nReads \\\"The Well-Wrought Urn\\\" [from Collected Poems].\\n \\nIrving Layton\\n00:59:57\\nSome time ago, I went down to the church at Notre Dame, and you know, you have halos lighting up over the head of your favourite saint, or the Virgin Mary, if you drop the requisite number of coins. There's nobody else in that vast gloomy church, except another man and myself, and he went over to the little machine and he dropped some coins, and he waited for the halo to light up and it didn't. And that nettled him a great deal, and he waited, and it still didn't light up so he gave the machine a kick, nothing happened. But he said something and I went home and I wrote this poem.\\n \\nIrving Layton\\n01:01:01\\nReads \\\"This Machine Age\\\" [from Collected Poems; audience laughter throughout].\\n \\nIrving Layton\\n01:02:09\\nThis next poem of mine is also based on an actual experience, I'm sure that most of you have heard of Djilas [https://www.wikidata.org/wiki/Q153909], the very courageous Yugoslav writer who's imprisoned by his erstwhile comrade and companion in arms, Tito. He's imprisoned for writing and publishing outside of the country, Conversations with Stalin [https://www.wikidata.org/wiki/Q5166446]. That was several years ago, he's just been released. Well I thought a brave man like that deserves some kind of support, especially from and by writers, and so I decided to go up to Ottawa [https://www.wikidata.org/wiki/Q1930] and demonstrate in front of the Yugoslav Embassy. I took my wife with me, and one or two of the local poets, we made some signs and we drove up to Ottawa. We got out of the car, and the sign read, of course, \\\"Free Djilas\\\", and I was amazed and delighted to find that a considerable crowd gathered around me and the sign. Until I realized just what was happening. And so I wrote this poem, called \\\"Free Djilas\\\".\\n \\nIrving Layton\\n01:03:31\\nReads \\\"Free Djilas\\\" [from Collected Poems; audience laughter throughout].\\n \\nIrving Layton\\n01:04:29\\nThis one, in a more serious vein, \\\"The Predator\\\".\\n \\nIrving Layton\\n01:04:36\\nReads \\\"The Predator\\\" [from Collected Poems].\\n\\nIrving Layton\\n01:06:41\\nReads \\\"Plaza de Toros\\\" [from Collected Poems].\\n \\nIrving Layton\\n01:09:13\\nReads \\\"At the Alhambra\\\" [from Collected Poems].\\n \\nIrving Layton\\n01:10:20\\nReads \\\"For My Green Old Age\\\" [from Collected Poems].\\n \\nIrving Layton\\n01:11:44\\nNow I want to read a few poems from my most recent book, Periods of the Moon. \\\"Castles on the Rhine\\\".\\n \\nIrving Layton\\n01:12:01\\nReads \\\"Castles on the Rhine\\\" [published as “Rhine Boat Trip in Periods of the Moon].\\n \\nIrving Layton\\n01:12:54\\nReads \\\"Mutability\\\" from Periods of the Moon.\\n \\nIrving Layton\\n01:14:19\\nReads \\\"Time's Velvet Tongue\\\" from Periods of the Moon.\\n \\nIrving Layton\\n01:15:20\\nReads \\\"Gratitude\\\" from Periods of the Moon.\\n\\nAudience\\n01:16:00\\nLaughter \\n\\nIrving Layton\\n01:16:04\\nMy contribution to the centennial year, “Confederation Ode”.\\n\\nIrving Layton\\n01:16:10\\nReads \\\"Confederation Ode\\\" from Periods of the Moon [audience laughter throughout].\\n\\nAudience\\n01:17:23\\nLaughter and Applause.\\n \\nIrving Layton\\n01:17:34\\nReads \\\"The Beautiful Unknown Girl\\\" from Periods of the Moon.\\n \\nIrving Layton\\n01:18:55\\nAnd this one, \\\"For Musia's Grandchildren\\\".\\n \\nIrving Layton\\n01:19:09\\nReads \\\"For Musia's Grandchildren\\\" from Periods of the Moon.\\n \\nIrving Layton\\n01:20:59\\nReads \\\"Look Homeward, Angel\\\" from Periods of the Moon.\\n \\nIrving Layton\\n01:21:45\\nAnd this last one, \\\"Family Portrait\\\".\\n \\nIrving Layton\\n01:21:54\\nReads \\\"Family Portrait\\\" [from Collected Poems; audience laughter throughout].\\n\\nAudience\\n01:22:59\\nLaughter and Applause.\\n \\nEND\\n01:23:43\\n\",\"notes\":\"Irving Layton reads from Collected Poems (McClelland & Stewart, 1965) and Periods of the Moon (McClelland &Stewart, 1967). \\n\\nI086-11-031.1\\n00:00- Howard Fink introduces Irving Layton [INDEX: Layton introduced Robert Creeley in earlier reading, Black Mountain Poetry Group in 1950’s, Board of Black Mountain      \\tReview in 1955 onwards, First Statement Press- became Northern Review in 1949,  A    red carpet for the sun (1959) with intro by William Carlos Williams, published by       \\tMcClelland and Stewart, The swinging flesh,  Balls for a one-armed juggler (1963),        \\tLaughing Rooster (1964), Collected Poems (1965), Periods of the Moon (1967),    \\tcontroversial T.V. appearances, Poet in Residence at Sir George University 1967]\\n02:30- Irving Layton introduces “There Are No Signs”\\n04:00- Reads “There Are No Signs”\\n04:51- Introduces “The Swimmer” [INDEX: Poet as swimmer symbol; Howard Fink List “The Summer”.]\\n05:15- Reads “The Swimmer”\\n06:38- Introduces “Mrs. Fornheim, Refugee” [INDEX: Jewish Library: teaching English, Mrs. Fornheim: an European refugee from Nazis]\\n07:19- Reads “Mrs. Fornheim, Refugee”\\n08:12- Introduces “Gothic Landscape” [INDEX: Jewish boy living in Christian and Catholic neighborhoods]\\n09:00- Reads “Gothic Landscape”\\n10:19- Introduces “The Black Huntsman”\\n10:40- Reads “The Black Huntsman”\\n12:08- Introduces “Archetypes” [INDEX: Orthodox Judaism]\\n12:43- Reads “Archetypes”\\n13:38- Reads “Soleil de Nos”\\n14:15- Introduces “De Bullion Street”\\n14:40- Reads “De Bullion Street”\\n16:10- Introduces “On My Way To School”\\n16:44- Reads “On My Way To School”\\n17:20- Reads “Love the Conqueror Worm”\\n18:31- Introduces “Exata Christio” [INDEX: Western man: Greek vs. Hebraic Cultures]\\n20:11- Reads “Exata Christio”\\n21:19- Introduces “Cemetery in August”\\n21:54- Reads “Cemetery in August”\\n24:20- Introduces “To The Girls of My Graduating Class”\\n25:15- Reads “To The Girls of My Graduating Class”\\n26:33- Introduces “Bacchanal”\\n27:10- Reads “Bacchanal”\\n28:18- Introduces “Maxie” [INDEX: poem for his son]\\n28:24- Reads “Maxie”\\n30:03- Introduces “Seven O’Clock Lecture”\\n30:57- Reads “Seven O’Clock Lecture”\\n34:07- Introduces “Birth of a Tragedy” [INDEX: Nietzsche]\\n34:44- Reads “Birth of a Tragedy”\\n36:44- Introduces “Misunderstanding”\\n36:54- Reads “Misunderstanding”\\n37:16- Introduces “A Cold Green Element” [INDEX: William Butler Yeats]\\n38:04- Reads “A Cold Green Element”\\n40:20- Introduces “The Improved Binoculars” [INDEX: dangers of science and technology]\\n41:05- Reads “The Improved Binoculars”\\n42:25- Reads first line “Poets of a distant time...”\\n44:11- Reads “Death of a Construction Worker”\\n45:08- Reads “Theology”\\n45:47- Reads “For Louise, Age 17”\\n47:14- Introduces “Song for Naomi”\\n48:12- Reads “Song for Naomi” [INDEX: Poem for Naomi, daughter]\\n49:47- Begins to introduce “Gathering of Poets”\\n49:59.53- END OF RECORDING\\n   \\nHoward Fink List of poems:\\n18/03/67\\nmono, 2 tracks, speed 3 3/4 one one 5” reel, lasting 1 hr 35 min\\n \\n1.  “There Are No Signs”\\n2.  “The Summer”\\n3.  “Mrs. Fornheim, the Refugee”\\n4.  “Gothic Landscape”\\n5.  “The Black Huntsman”\\n6.  “Archetypes”\\n7.  “Soleil de Nos”\\n8.  “DeBullion Street”\\n9.  “On My Way To School”\\n10. “Love the Conquerer Worm”\\n11. “Exata Christio”\\n12. “Cemetary in August”\\n13. “To the Girls (gauls) of My Graduating Class”\\n14. “Bachnal”\\n15. “Maxie”\\n16. “Seven O’clock Lecture”\\n17. “The Birth Of Tragedy”\\n18. “Misunderstanding”\\n19. “The Cold Green Element”\\n20. “The Improved Binoculars”\\n21. first line “Poets of a distant time...”\\n22. “Death of a Construction Worker”\\n23. first line “She came to us...”\\n24. “Song for Naomi”\\n25. “Gathering of Poets”\\n\\nI086-11-031.2\\n00:00- Irving Layton introduces “Gathering of Poets”\\n00:08- Reads “Gathering of Poets”\\n00:40- Reads “The Bull Calf”\\n03:20- Reads “Bargain”\\n03:58- Introduces “Keine Lazarovitch, 1870-1959” [INDEX: Layton’s mother, Keine \\tLazarovitch]\\n06:57- Reads “Keine Lazarovitch, 1870-1959”\\n09:15- Reads “The Wall Watt Urn”\\n09:56- Introduces “This Machine Age”\\n11:01- Reads “This Machine Age”\\n12:09- Introduces “Free Djilas” [INDEX: Milovan Djilas Conversations with Stalin, Tito]\\n13:31- Reads “Free Djilas”\\n14:29- Reads “The Predator”\\n14:36- Reads “Plaza de Toros” [Plaza de Toros in Madrid]\\n19:14- Reads “At The Alhambra”\\n20:20- Reads “For My Green Old Age”\\n21:44- Reads “Castles on the Rhine”, following poems are from Periods of the Moon\\n22:54- Reads “Mutability” [INDEX: The Rhine]\\n24:20- Reads “Time’s Velvet Tongue”\\n25:02- Reads “Gratitude”\\n26:02- Reads “Confederation Ode” [INDEX: Canada’s Centennial Year, Confederation Ode]\\n27:35- Reads “The Beautiful Unknown Girl”\\n28:55- Reads “For Musia’s Grandchildren”\\n31:00- Reads “Look Homeward, Angel”\\n31:45- Reads “Family Portrait”\\n33:43.03- END OF RECORDING\\n\\nHoward Fink list of poems:\\n26.  “The Bull Calf”\\n27.  “Bargain”\\n28.  “Kana (sp??) Laserovich” (Layton’s mom)--Keine Lazarovitch\\n29.  “The Will Watt Van”\\n30.  “This Machine Age”\\n31.  “Free Gilas”\\n32.  “The Predator”\\n33.  “Plaza de Toro’s”\\n34.  first line “I sat where...”\\n35.  “For My Green Old Age”\\nThe following poems are from Layton’s book Periods of the Moon:\\n36.  “Castles On the Rine”\\n37.  “Meutability”\\n38.  “Times Velvet Tongue”\\n39.  “Gratitude”\\n40.  “Confederation Ode”\\n41.  “The Beautiful Unknowen Girl”\\n42.  “For Muska’s Grandchildren”\\n43.  “Look Homeward Angel”\\n44.  “Family Portrait”\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/irving-layton-at-sgwu-1967/\"}]"],"score":0.01643844},{"id":"1263","cataloger_name":["Masoumeh,Zaare"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Margaret Atwood and Alden Nowlan at Sir George Williams University, The Poetry Series, 13 October 1967"],"item_title_source":["Cataloguer"],"item_title_note":["\"MARGARET ATWOOD & ALDEN NOWLAN Recorder October 13, 1967 3.75 ips on 1.mil tape, 1/2 track\" written on sticker on the back of the tape's box. \"ATWOOD & NOWLAN I006/SR36\" written on sticker on the spine of the tape's box. \"I006-11-036\" also written on sticker on the reel."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 2"],"item_identifiers":["[]"],"creator_names":["Atwood, Margaret","Nowlan, Alden"],"creator_names_search":["Atwood, Margaret","Nowlan, Alden"],"creators":["[{\"url\":\"http://viaf.org/viaf/109322990\",\"name\":\"Atwood, Margaret\",\"dates\":\"1939-\",\"notes\":\"Internationally acclaimed novelist, poet, critic and activist Margaret Atwood was born in Ottawa, Ontario, November 18,  1939. She lived in Ottawa until 1946, when her family settled in Leaside, a suburb of Toronto. Atwood entered Victoria College, University of Toronto, graduating with honours in 1961. Her first published collection of short stories was Double Persephone (Hawkshead Press, 1961). By 1962 she had received her MA in English from Radcliffe College in the United States, working on further graduate work at Harvard University between 1962-3 and in 1965-7. Atwood published her second collection, The Circle Game (Anansi, 1966), which won the Governor General Award for Poetry. She wrote articles and reviews for Alphabet, Canadian Literature and Poetry among other publications, and poems for Kayak, Quarry and the Tamarack Review. Poems published in her book The Animals in That Country (Oxford University Press, 1968) won first prize in Canada’s 1967 Centennial Commission poetry competition. In 1970, she published three books, Procedures for Underground (Oxford University Press), Time, and The Journals of Susanna Moodie (Oxford University Press). Between 1971 and 1973, Atwood worked as an editor and on the board of directors for the House of Anansi press in Toronto, which in 1972 published Power Politics. Upon the discovery at Harvard that there was no published critical study of Canadian literature, she herself wrote and published Survival: A Thematic Guide to Canadian Literature (Anansi, 1971), which created a stir of controversy, but by 1982 it had sold more than 85,000 copies. Since 1973, she has lived with novelist and activist Graeme Gibson, producing one daughter, Eleanor Jess in 1967. Atwood taught and lectured at several Universities across Canada, the US and Australia, including University of British Columbia, University of Alberta, Sir George Williams University (now Concordia) (1967-68) and at York University, Toronto. A selection of her publications include Surfacing (Simon & Schuster, 1972), You Are Happy (Harper &Row, 1974), Selected Poems (Oxford University Press) in 1976, Two-Headed Poems (Simon & Schuster, 1978), True Stories (Oxford University Press, 1981) and Second Words (Anansi, 1982). Her 1985 novel, The Handmaid’s Tale (McClelland & Stewart) became one of her most popular and critically acclaimed works. In 1986 she was appointed the Berg Chair at New York University, as well as serving as writer-in-residence at several other Universities. She co-founded and served as chair to the Writer’s Union of Canada in 1982-3, and served as president of the Canadian Centre of International PEN from 1984-6. She has subsequently published dozens of books, including Cat’s Eye (McClelland & Stewart, 1988), The Robber Bride (Doubleday, 1993), Alias Grace (Nan A. Talese, 1996), The Blind Assassin (Nan A. Talese, 2000), Oryx and Crake (2003), The Penelopiad (Canongate, 2005) and The Tent (Bloomsbury, 2006). Along with many other publications of her critical essays, Curious Pursuits: Occasional Writing 1970-2005 (Verago) came out in 2005. Her most recent novel, Year of the Flood was published in 2009 by Doubleday Press. Her many prizes and honours include the Booker Prize, the E.J. Pratt Medal (1961), The Radcliffe Medal (1980), the Commonwealth Writers Prize (1992), and she is a Companion of the Order of Canada. Atwood continues to work as spokesperson on behalf of human rights and the environment. \",\"nation\":[],\"role\":[\"Author\",\"Performer\"]},{\"url\":\"http://viaf.org/viaf/61671170\",\"name\":\"Nowlan, Alden\",\"dates\":\"1933-1983\",\"notes\":\"Poet Alden Nowlan was born in 1933, in a small rural community near Windsor, Nova Scotia. Nowlan worked as a young man on farms, lumbermills and as a sawmill helper before he left Nova Scotia for New Brunswick to take a position as editor at The Heartland Observer and the night-news editor of the Saint John Telegraph-Journal. Nowlan published his first book of poetry, The rose and the puritan (New Brunswick University) in 1958, which was followed closely by A darkness in the earth (Hearse Press, 1959), Wind in a rocky country (Emblem Books, 1961), Under the ice (Ryerson Press, 1961) and The things which are (Contact Press,1962). In 1967 he was awarded the Governor General’s Award for his collection Bread, wine and salt (Clarke, Irwin). Nowlan was offered a writer-in-residence position at the University of New Brunswick, which he held until his death in 1983. His other publications include The mysterious naked man (Clarke, Irwin, 1969), Between tears and laughter (Clarke, Irwin, 1971), I’m a stranger here myself (Clarke, Irwin, 1974), Smoked glass (Clarke, Irwin, 1977) and I might not tell everybody this (Clarke, Irwin, 1982). Nowlan was also involved in theatre, and wrote three stage plays with Walter Learning: Frankenstein (Clarke, Irwin, 1976), The incredible murder of Cardinal Tosca (Learning Productions, 1978) and The dollar woman (Borealis Press, 1981). Nowlan was awarded a Doctor of Letters from the University of New Brunswick, and a Guggenheim Fellowship. Nowlan has also published an autobiography, Various persons named Kevin O’Brien (Clarke, Irwin, 1973), a collection of short stories, Miracle at Indian River (Clarke, Irwin, 1968), a travel book Campobello, the outer island (Clarke, Irwin, 1975) and collected twenty-seven of his magazine articles in Double exposure (Brunswick Press, 1978). Numerous titles were published posthumously, including Alden Nowlan, early poems (Fiddlehead Poetry Books, 1983), The best of Alden Nowlan (Lancelot Press, 1993), Will ye let the mummers in? (Clarke, Irwin, 1984), An exchange of gifts: poems new and selected (Irwin, 1985), Alden Nowlan: selected poems (Irwin, 1985).\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Kiyooka, Roy"],"contributors_names_search":["Kiyooka, Roy"],"contributors":["[{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"Presenter_name":["Kiyooka, Roy"],"Series_organizer_name":["Kiyooka, Roy"],"Performance_Date":[1967],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"Half-track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"Dates":["[{\"date\":\"1967 10 13\",\"type\":\"Performance Date\",\"notes\":\"Date written on sticker on the back of the tape's box\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Basement Theatre\",\"notes\":\"Location specified in printed announcement \\\"Georgantics\\\" (Supplemental material)\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Basement Theatre"],"City":["Montreal, Quebec"],"content_notes":["Margaret Atwood reads from The Circle Game (House of Anansi, 1966) as well as poems later published in The Animals in that Country (Oxford University Press, 1968). Alden Nowlan reads from Bread Wine and Salt (Clarke, Irwin & Company, 1967) along with some poems from unknown sources.  "],"contents":["margaret_atwood_alden_nowlan_i006-11-036.mp3\n\nMargaret Atwood\n00:00:00\nI should apologize to begin with for my voice. I don't usually sound quite this much like Tallulah Bankhead [https://www.wikidata.org/wiki/Q255815]. I have the Montreal [https://www.wikidata.org/wiki/Q340] plague. The first poem is called \"This is a Photograph of Me,\" and it's the first poem in The Circle Game [https://www.wikidata.org/wiki/Q7723073].\n \nMargaret Atwood\n00:00:22\nReads \"This is a Photograph of Me\" from The Circle Game.\n \nMargaret Atwood\n00:01:35\nThe next poem is called \"Camera,\" and is dedicated to somebody I knew who liked to take pictures. \n \nMargaret Atwood\n00:01:44\nReads \"Camera\" [from The Circle Game].\n \nMargaret Atwood\n00:03:24\nAnd a small poem called \"Carved Animals\".\n\nMargaret Atwood\n00:03:28\nReads \"Carved Animals\" [from The Circle Game].\n \nMargaret Atwood\n00:04:25\nNow some more recent poems, which I should explain were mostly written in the United States [https://www.wikidata.org/wiki/Q30] when I was living there recently. The first one called \"At the Tourist centre in Boston\". Now Canada [https://www.wikidata.org/wiki/Q16] does have a Tourist centre in Boston [https://www.wikidata.org/wiki/Q100].\n \nMargaret Atwood\n00:04:50\nReads \"At the Tourist centre in Boston\" [published later in The Animals in that Country [https://www.wikidata.org/wiki/Q7713834]].\n\nMargaret Atwood\n00:06:48\nAnd a poem called \"The Green Man\", which is dedicated to the Boston Strangler [https://www.wikidata.org/wiki/Q2855440]. \n \nMargaret Atwood\n00:06:56\nReads \"The Green Man\".\n \nMargaret Atwood\n00:08:03\nThis poem called \"A Fortification\".\n \nMargaret Atwood\n00:08:08\nReads \"A Fortification\" [published later in The Animals in that Country].\n\nMargaret Atwood\n00:09:17\nAnd this is a poem dedicated to my landlady who didn't remain my landlady for very long, called \"The Landlady\".\n \nMargaret Atwood\n00:09:29\nReads \"The Landlady\" [published later in The Animals in that Country].\n \nMargaret Atwood\n00:10:47\nAnd this poem called, \"A Foundling\".\n \nMargaret Atwood\n00:10:52\nReads \"A Foundling\" [published later in The Animals in that Country].\n \nMargaret Atwood\n00:11:41\nAnd this poem, which has no title.\n \nMargaret Atwood\n00:11:49\nReads [\"Untitled\"].\n \nMargaret Atwood\n00:12:58\nAnd a poem called \"Chronology\", which I wrote in one of my more paranoid states of mind. \n \nMargaret Atwood\n00:13:06\nReads \"Chronology\".\n \nMargaret Atwood\n00:14:39\nAnd here's my love poem to the, our large, friendly neighbour to the south. \n \nMargaret Atwood\n00:14:50\nReads \"Backdrop addresses cowboy\" [published later in The Animals in that Country].\n \nMargaret Atwood\n00:16:28\nThen a slightly happier poem called \"A Voice\".\n \nMargaret Atwood\n00:16:36\nReads \"A Voice\" [published later in The Animals in that Country].\n \nMargaret Atwood\n00:17:40\nAnd this one called, \"An Elegy for the Giant Tortoises\", which I wrote when I heard that they were planning to use a certain South Pacific island for the building of an airstrip. \n \nMargaret Atwood\n00:17:59\nReads \"An Elegy for the Giant Tortoises\" [published later in The Animals in that Country].\n \nMargaret Atwood\n00:19:19\nAnd this poem called, \"It is Dangerous to Read Newspapers\".\n \nMargaret Atwood\n00:19:26\nReads \"It is Dangerous to Read Newspapers\" [published later in The Animals in that Country].\n\nMargaret Atwood\n00:20:49\nReads \"I was reading a scientific article\" [published later in The Animals in that Country].\n \nMargaret Atwood\n00:22:20\nAnd the last poem. \n \nMargaret Atwood\n00:22:25\nReads \"The Reincarnation of Captain Cook\" [published later in The Animals in that Country].\n \nMargaret Atwood\n00:23:44\nThank you.\n \nAudience\n00:23:46\nApplause [cut off abruptly].\n \nUnknown\n00:23:49\n[Cut or edit made in tape. Unknown amount of time elapsed]. \n \nRoy Kiyooka\n00:23:58\n...for quite a number of years as a journalist in the Maritimes [https://www.wikidata.org/wiki/Q731613], and this evening he is here with his wife and son and will be reading to you. Ladies and gentlemen, Alden Nowlan [https://www.wikidata.org/wiki/Q4713563].\n \nAudience\n00:24:17\nApplause.\n \nAlden Nowlan\n00:24:26\nThank you, Roy [https://www.wikidata.org/wiki/Q3445789]. First of all, I want to reassure everyone that I'm not going to read everything that's in this. I feel that probably there are some who are terrified when they see this, you know. It's really basically laziness that I haven't shortened anything out, I simply have wads of things here. \n \nAudience\n00:24:55\nLaughter.\n \nAlden Nowlan\n00:24:56\nNo no, not that one, I'm not going to read them all, definitely, definitely not. \n \nUnknown\n00:25:09\nSilence [pause].\n \nAlden Nowlan\n00:25:19\nFirst of all I have a very, very bad poem that I can't resist reading. I realized that it's sort of a bad beginning to start off with a poem that the poet himself considers a very bad one, but I wrote this when I arrived here this afternoon. To the natural egotism of a poet, you see, I can't resist offering it to this sort of captive audience here. [Audience laughter]. \"Poem for the Ritz Carlton\". [Audience laughter].\n \nAlden Nowlan\n00:26:06\nReads \"Poem for the Ritz Carlton\" [audience laughter throughout].\n \nAlden Nowlan\n00:26:30\nThat isn't really as critical of the Ritz Carlton as it sounds, because I sort of like the crypt of St. Paul's Cathedral [https://www.wikidata.org/wiki/Q173882], too, you see. [Audience laughter]. Next, I'd like to read some poems from my new book, Bread Wine and Salt, which is going to be published by Carter when, the first week in November, at three dollars and fifty cents. [Audience laughter]. That is the commercial.  \"I, Icarus\".\n \nAlden Nowlan\n00:27:15\nReads \"I, Icarus\" [from Bread, Wine and Salt].\n \nAlden Nowlan\n00:28:34\nReads \"Sailors\" [from Bread, Wine and Salt].\n \nAlden Nowlan\n00:30:06\nThis poem is entitled \"The Cinnamon Bears\", which sounds at first as if it were some sort of an animal cooking. But actually, what these cinnamon bears were, was back around the turn of the century in New Brunswick [https://www.wikidata.org/wiki/Q1965], as I've been told, there were all sorts of touring side-show type of things, you know, that, fortune tellers, and...people with a monkey, organ grinders with a monkey, and all this type of, sort of strolling pyres or wandering minstrels that existed up until the advent of radio and television. And it was a terrific thing, of course, in these backwoods communities. No doubt throughout Canada and the United States, when one of these people arrived. And among the, among these people were men who had trained bears, who, because of their colouration, were called cinnamon bears. And this poem actually is sort of a found poem, because it's not so much a creative thing as it is the transcription of a conversation which I happened to overhear between an old couple in northern New Brunswick. A man and his wife in their seventies, when they, suddenly something brought back these memories of these days of the organ grinders and the cinnamon bears. And as I say, I sort of made the poem more or less by simply transcribing the things which they said to one another, which it seemed to me was sort of a poetry, a form of poetry itself. \n \nAlden Nowlan\n00:32:20\nReads \"The Cinnamon Bears\" [from Bread, Wine and Salt].\n \nAlden Nowlan\n00:33:21\nReads \"Britain Street, St. John, New Brunswick” [published as “Britain Street” in Bread, Wine and Salt].\n\nAlden Nowlan\n00:34:22\nThis is another, sort of a found poem, I'm not really terribly convinced that it's a poem at all. Last year, when I had a quite serious illness, one afternoon I was in the waiting room at the doctor's office, and the only thing that seemed to lay at hand for me to read was a copy of one of these Confessions magazines entitled Secret Life. [Audience laughter]. And as I glanced through it, it seemed to me, all that I actually read of it, you know, were these sort of captions at the top of the articles, and some of the big type in it. But it seemed to me really, as I glanced through it, that it had, that it contained sort of a crazy poetry of its own. At least, in the mood that I was in at the time, I sort of responded to it as though it were a crazy sort of poetry. And so as I sat there I sort of jotted down some of these things from the magazine, and ever since I've been trying to pass it off as a poem. \n \nAlden Nowlan\n00:35:37\nReads \"Secret Life\" [from Bread, Wine and Salt; audience laughter throughout].\n \nAudience\n00:36:39\nLaughter. \n \nAlden Nowlan\n00:36:57\nReads \"In Our Time\" [from Bread, Wine and Salt].\n \nAlden Nowlan\n00:40:51\nReads \"The Changeling\" [from Bread, Wine and Salt].\n \nAlden Nowlan\n00:41:49\nReads \"The Hollow Men\" [from Bread, Wine and Salt].\n \nAlden Nowlan\n00:42:38\nThis poem is entitled \"Ancestral Memories Evoked by Attending the Opening of the Playhouse in Fredericton [https://www.wikidata.org/wiki/Q2138], New Brunswick\". And I'm a little afraid that many of you will feel that it is sort of pointless. I'm not sure really but what you'd have to be completely immersed in the atmosphere of New Brunswick to get the real point of it, but. But that said, not implying any superiority on the part of New Brunswickers, unfortunately. Anyway.\n \nAlden Nowlan\n00:43:26\nReads \"Ancestral Memories Evoked by Attending the Opening of the Playhouse in Fredericton, New Brunswick\" [from Bread, Wine and Salt].\n \nAlden Nowlan\n00:44:36\nReads \"Every Man Owes God a Death\" [from Bread, Wine and Salt].\n \nAlden Nowlan\n00:46:41\nThis poem, for no particular reason, is entitled \"The Loneliness of the Long-Distance Runner\". \n \nAlden Nowlan\n00:46:48\nReads \"The Loneliness of the Long-Distance Runner\" [from Bread, Wine and Salt].\n \nAlden Nowlan\n00:48:23\nThis is a poem that came out of a serious illness that I had last year, and it's entitled \"In the Operating Room\". \n \nAlden Nowlan\n00:48:38\nReads \"In the Operating Room\" [from Bread, Wine and Salt].\n \nAlden Nowlan\n00:50:05\nI have a few other recent poems I'll dig out of these. \n \nUnknown\n00:50:12\nAmbient Sound [pause; Nowlan turning pages].\n\nAlden Nowlan\n00:50:47\nAs I sort through these, I'm silently cursing myself for not having done this before I came here. \n \nUnknown\n00:50:52\nAmbient Sound [pause; Nowlan turning pages].\n\nAlden Nowlan\n00:51:20\nHere's a fairly recent poem which isn't a political poem at all, but a human poem. And one that I wrote as a result of watching on television the debates in the United Nations [https://www.wikidata.org/wiki/Q1065] on the Middle East [https://www.wikidata.org/wiki/Q7204] crisis. And one of the horrible things I felt as I watched it was how completely dehumanized it all was, that the real, human issues had been lost sight of, and sort of drowned in an ocean of resolutions and memos from embassies and all this sort of things. And one night when they televised these sessions through until about four o'clock, the ambassador of Saudi Arabia [https://www.wikidata.org/wiki/Q851] spoke, and he delivered certainly a very bigoted speech, and one that as a speech I wouldn't have agreed with, but I felt an admiration for him, because it had seemed to me that he was the only really human thing that had happened there all day. You know, that certainly he was a bigoted old man, full of thousands of years of hatred, but it was a human hatred, expressed in a human manner, something that the rest of them had completely lost sight of. And as a result of this feeling I wrote this poem, \"For Jamil Baroody [https://www.wikidata.org/wiki/Q96384169], Saudi Arabian Ambassador to the United Nations on the Occasion of his Address to the Security Council, June 1967\".\n \nAlden Nowlan\n00:53:21\nReads \"For Jamil Baroody, Saudi Arabian Ambassador to the United Nations on the Occasion of his Address to the Security Council, June 1967\".\n \nAlden Nowlan\n00:56:26\nReads \"Fireworks\".\n \nAlden Nowlan\n00:57:34\nReads \"Two Poems for the Nova Scotia Department of Highways\".\n \nAlden Nowlan\n00:59:31\nFinally, this is a poem entitled \"State Visit\", and the motivation of it, like one of the earlier ones I read, was sort of this same feeling of frustration at the complete dehumanization of politics as we feel it today, and particularly, this sort of apotheosis of world leaders into some sort of a symbol, so they even, I think, begin to think of themselves in these sort of abstract terms, rather than as a human being. And out of--this is sort of, I suppose, perhaps to a degree sort of a bitter little poem, but it stemmed from an emotion which I'm sure many of us feel. \n \nAlden Nowlan\n01:00:27\nReads \"State Visit\".\n \nEND\n01:01:39\n[Cut off abruptly]."],"Note":["[{\"note\":\"Year-Specific Information:\\n\\nIn 1967, Margaret Atwood had moved to Montreal and took a position at the Sir George Williams University English Department. She taught four courses, as well as working on The Animals in that Country, The Journals of Susanna Moodie, Procedures for Underground and finished The Edible Woman.\\n\\nIn 1967, Nowlan was awarded the Governor General’s Award for Bread Wine and Salt which was published the same year. He was also offered a position as writer-in-residence at the University of New Brunswick during this time.\",\"type\":\"General\"},{\"note\":\"Local Connections:\\n\\nAtwood became an important award-winning poet and critic in Canada by the late 60‘s. Sir George Williams English Department hired Atwood in 1967 as an English lecturer, after she had graduated from Harvard.  \\n\\nHis direct connection to Sir George Williams is unknown, but Nowlan was one of the most popular and important Maritime poets of the sixties and seventies.\",\"type\":\"General\"},{\"note\":\"Reel-to-reel tape>CD>digital file\",\"type\":\"Preservation\"},{\"note\":\"Original transcript, print catalogue, research, introduction and edits by Celyn Harding-Jones.\\n\\nAdditional research and edits by Ali Barillaro\",\"type\":\"Cataloguer\"}]"],"Related_works":["[{\"url\":\"http://www.ccca.ca/history/ozz/english/authors/nowlan_alden.html\",\"citation\":\"“Alden Nolan (1933-1983)”. One Zero Zero: A Virtual Library of English Canadian Small      Presses, 1945-2044. Centre for Contemporary Canadian Art: The Canadian Art Database. Toronto: York University. \"},{\"url\":\"https://www.worldcat.org/title/selected-poems/oclc/977851868&referer=brief_results\",\"citation\":\"Atwood, Margaret. Selected Poems. Toronto: Oxford University Press, 1977. \"},{\"url\":\"https://www.worldcat.org/title/animals-in-that-country/oclc/301739674&referer=brief_results\",\"citation\":\"Atwood, Margaret. The Animals in that Country. Toronto: Oxford University Press, 1968. \"},{\"url\":\"https://www.worldcat.org/title/circle-game/oclc/549399081&referer=brief_results\",\"citation\":\"Atwood, Margaret. The Circle Game. Toronto, House of Anansi, 1966. \"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-twentieth-century-poetry-in-english/oclc/840722670&referer=brief_results\",\"citation\":\"Bartlett, Donald R. “Nowlan, Alden”. The Oxford Companion to Twentieth-Century Poetry in English. Hamiton, Ian (ed). Oxford University Press, 1996. \"},{\"url\":\"https://www.worldcat.org/title/contemporary-canadian-poem-anthology/oclc/489958766&referer=brief_results\",\"citation\":\"Bowering, George, ed. The Contemporary Canadian Poem Anthology. Toronto: Coach House Press, 1984. \"},{\"url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/margaret-atwood-and-alden-nowlan-at-sgwu-1967/\",\"citation\":\"Charny, Marty. “Georgantics.” The Georgian. Montreal: Sir George Williams University, 13 October 1967. \"},{\"url\":\"ttps://www.worldcat.org/title/encyclopedia-of-post-colonial-literatures-in-english-vol-1/oclc/32566813&referer=brief_results\",\"citation\":\"Findley, Timothy. “Atwood, Margaret (1939-)”. Routledge Encyclopedia of Post-Colonial        Literatures in English. Benson, Eugene; L.W. Connolly (eds). London: Routledge, 1994. 2 vols. \"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-canadian-literature/oclc/605246871&referer=brief_results\",\"citation\":\"Davey, Frank. “Nowlan, Alden”. The Oxford Companion to Canadian Literature. Benson,       Eugene and William Toye (eds). Oxford University Press, 2001. \"},{\"url\":\"https://www.worldcat.org/title/15-canadian-poets-times-2/oclc/622296707&referer=brief_results\",\"citation\":\"Geddes, Gary (ed). Fifteen Canadian Poets Times Two. Toronto: Oxford University Press, 1990. \"},{\"url\":\"https://www.worldcat.org/title/poets-of-contemporary-canada-1960-1970/oclc/833713141&referer=brief_results\",\"citation\":\"Mandel, Eli (ed). Poets of Contemporary Canada 1960-1970. Montreal: McClelland and Stewart Limited, 1972. \"},{\"url\":\"https://www.worldcat.org/title/bread-wine-and-salt/oclc/4321706&referer=brief_results\",\"citation\":\"Nowlan, Alden. Bread, Wine and Salt. Toronto: Clarke, Irwin & Company, 1967. \"},{\"url\":\"https://www.concordia.ca/content/dam/concordia/offices/archives/docs/postgrad/Postgrad-1967-Spring.pdf\",\"citation\":\"“Poetry Readings”. Post-Grad. Montreal: Sir George Williams University, Spring 1967, page 20. \"},{\"url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/margaret-atwood-and-alden-nowlan-at-sgwu-1967/\",\"citation\":\"“Poets Next Week:”. OP-ED. Montreal: Sir George Williams University, October 1967.\"},{\"url\":\"https://www.worldcat.org/title/encyclopedia-of-the-novel/oclc/470223344&referer=brief_results\",\"citation\":\"Rowland, Susan. “Margaret Atwood 1939- (Canadian)”. Encyclopedia of the Novel. Schellinger, Paul (ed.); Christopher Hudson, Marijke Rijsberman (asst. eds.). Chicago: Fitzroy Dearborn Publishers, 1998. 2 vols.\"},{\"url\":\"http://news.google.com/newspapers?id=np8tAAAAIBAJ&sjid=PKAFAAAAIBAJ&pg=4195,2837932&dq=sir+george+williams+poetry&hl=en\",\"citation\":\"“SGWU To Have Poetry Series”. The Gazette. 14 September 1967, page 15.\"},{\"url\":\"http://news.google.com/newspapers?id=waYtAAAAIBAJ&sjid=u58FAAAAIBAJ&pg=7250,4345207&dq=sir+george+williams+poetry&hl=en\",\"citation\":\"Stephens, Anna. “Poetry- Anywhere, Anytime”. The Gazette. 20 October 1967, page 10. \"},{\"url\":\"\",\"citation\":\"“Poetry Readings”. OP-ED. Montreal: Sir George Williams University, 6 October 1967, page 6. \"},{\"url\":\"\",\"citation\":\"Kibble, Matthew. “Atwood, Margaret Eleanor, 1939-”. Literature Online biography. Proquest Information and Learning Company, H.W. Wilson Company, 2006. \"}]"],"_version_":1853670548812333056,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0036_back.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0036_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Atwood and Nowlan Tape Box - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0036_front.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0036_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Atwood and Nowlan Tape Box - Front\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0036_side.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0036_side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Atwood and Nowlan Tape Box - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0036_tape.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0036_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Atwood and Nowlan Tape Box - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/margaret_atwood_alden_nowlan_i006-11-036.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"margaret_atwood_alden_nowlan_i006-11-036.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:01:39\",\"precision\":\"\",\"size\":\"148 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"Margaret Atwood\\n00:00:00\\nI should apologize to begin with for my voice. I don't usually sound quite this much like Tallulah Bankhead [https://www.wikidata.org/wiki/Q255815]. I have the Montreal [https://www.wikidata.org/wiki/Q340] plague. The first poem is called \\\"This is a Photograph of Me,\\\" and it's the first poem in The Circle Game [https://www.wikidata.org/wiki/Q7723073].\\n \\nMargaret Atwood\\n00:00:22\\nReads \\\"This is a Photograph of Me\\\" from The Circle Game.\\n \\nMargaret Atwood\\n00:01:35\\nThe next poem is called \\\"Camera,\\\" and is dedicated to somebody I knew who liked to take pictures. \\n \\nMargaret Atwood\\n00:01:44\\nReads \\\"Camera\\\" [from The Circle Game].\\n \\nMargaret Atwood\\n00:03:24\\nAnd a small poem called \\\"Carved Animals\\\".\\n\\nMargaret Atwood\\n00:03:28\\nReads \\\"Carved Animals\\\" [from The Circle Game].\\n \\nMargaret Atwood\\n00:04:25\\nNow some more recent poems, which I should explain were mostly written in the United States [https://www.wikidata.org/wiki/Q30] when I was living there recently. The first one called \\\"At the Tourist centre in Boston\\\". Now Canada [https://www.wikidata.org/wiki/Q16] does have a Tourist centre in Boston [https://www.wikidata.org/wiki/Q100].\\n \\nMargaret Atwood\\n00:04:50\\nReads \\\"At the Tourist centre in Boston\\\" [published later in The Animals in that Country [https://www.wikidata.org/wiki/Q7713834]].\\n\\nMargaret Atwood\\n00:06:48\\nAnd a poem called \\\"The Green Man\\\", which is dedicated to the Boston Strangler [https://www.wikidata.org/wiki/Q2855440]. \\n \\nMargaret Atwood\\n00:06:56\\nReads \\\"The Green Man\\\".\\n \\nMargaret Atwood\\n00:08:03\\nThis poem called \\\"A Fortification\\\".\\n \\nMargaret Atwood\\n00:08:08\\nReads \\\"A Fortification\\\" [published later in The Animals in that Country].\\n\\nMargaret Atwood\\n00:09:17\\nAnd this is a poem dedicated to my landlady who didn't remain my landlady for very long, called \\\"The Landlady\\\".\\n \\nMargaret Atwood\\n00:09:29\\nReads \\\"The Landlady\\\" [published later in The Animals in that Country].\\n \\nMargaret Atwood\\n00:10:47\\nAnd this poem called, \\\"A Foundling\\\".\\n \\nMargaret Atwood\\n00:10:52\\nReads \\\"A Foundling\\\" [published later in The Animals in that Country].\\n \\nMargaret Atwood\\n00:11:41\\nAnd this poem, which has no title.\\n \\nMargaret Atwood\\n00:11:49\\nReads [\\\"Untitled\\\"].\\n \\nMargaret Atwood\\n00:12:58\\nAnd a poem called \\\"Chronology\\\", which I wrote in one of my more paranoid states of mind. \\n \\nMargaret Atwood\\n00:13:06\\nReads \\\"Chronology\\\".\\n \\nMargaret Atwood\\n00:14:39\\nAnd here's my love poem to the, our large, friendly neighbour to the south. \\n \\nMargaret Atwood\\n00:14:50\\nReads \\\"Backdrop addresses cowboy\\\" [published later in The Animals in that Country].\\n \\nMargaret Atwood\\n00:16:28\\nThen a slightly happier poem called \\\"A Voice\\\".\\n \\nMargaret Atwood\\n00:16:36\\nReads \\\"A Voice\\\" [published later in The Animals in that Country].\\n \\nMargaret Atwood\\n00:17:40\\nAnd this one called, \\\"An Elegy for the Giant Tortoises\\\", which I wrote when I heard that they were planning to use a certain South Pacific island for the building of an airstrip. \\n \\nMargaret Atwood\\n00:17:59\\nReads \\\"An Elegy for the Giant Tortoises\\\" [published later in The Animals in that Country].\\n \\nMargaret Atwood\\n00:19:19\\nAnd this poem called, \\\"It is Dangerous to Read Newspapers\\\".\\n \\nMargaret Atwood\\n00:19:26\\nReads \\\"It is Dangerous to Read Newspapers\\\" [published later in The Animals in that Country].\\n\\nMargaret Atwood\\n00:20:49\\nReads \\\"I was reading a scientific article\\\" [published later in The Animals in that Country].\\n \\nMargaret Atwood\\n00:22:20\\nAnd the last poem. \\n \\nMargaret Atwood\\n00:22:25\\nReads \\\"The Reincarnation of Captain Cook\\\" [published later in The Animals in that Country].\\n \\nMargaret Atwood\\n00:23:44\\nThank you.\\n \\nAudience\\n00:23:46\\nApplause [cut off abruptly].\\n \\nUnknown\\n00:23:49\\n[Cut or edit made in tape. Unknown amount of time elapsed]. \\n \\nRoy Kiyooka\\n00:23:58\\n...for quite a number of years as a journalist in the Maritimes [https://www.wikidata.org/wiki/Q731613], and this evening he is here with his wife and son and will be reading to you. Ladies and gentlemen, Alden Nowlan [https://www.wikidata.org/wiki/Q4713563].\\n \\nAudience\\n00:24:17\\nApplause.\\n \\nAlden Nowlan\\n00:24:26\\nThank you, Roy [https://www.wikidata.org/wiki/Q3445789]. First of all, I want to reassure everyone that I'm not going to read everything that's in this. I feel that probably there are some who are terrified when they see this, you know. It's really basically laziness that I haven't shortened anything out, I simply have wads of things here. \\n \\nAudience\\n00:24:55\\nLaughter.\\n \\nAlden Nowlan\\n00:24:56\\nNo no, not that one, I'm not going to read them all, definitely, definitely not. \\n \\nUnknown\\n00:25:09\\nSilence [pause].\\n \\nAlden Nowlan\\n00:25:19\\nFirst of all I have a very, very bad poem that I can't resist reading. I realized that it's sort of a bad beginning to start off with a poem that the poet himself considers a very bad one, but I wrote this when I arrived here this afternoon. To the natural egotism of a poet, you see, I can't resist offering it to this sort of captive audience here. [Audience laughter]. \\\"Poem for the Ritz Carlton\\\". [Audience laughter].\\n \\nAlden Nowlan\\n00:26:06\\nReads \\\"Poem for the Ritz Carlton\\\" [audience laughter throughout].\\n \\nAlden Nowlan\\n00:26:30\\nThat isn't really as critical of the Ritz Carlton as it sounds, because I sort of like the crypt of St. Paul's Cathedral [https://www.wikidata.org/wiki/Q173882], too, you see. [Audience laughter]. Next, I'd like to read some poems from my new book, Bread Wine and Salt, which is going to be published by Carter when, the first week in November, at three dollars and fifty cents. [Audience laughter]. That is the commercial.  \\\"I, Icarus\\\".\\n \\nAlden Nowlan\\n00:27:15\\nReads \\\"I, Icarus\\\" [from Bread, Wine and Salt].\\n \\nAlden Nowlan\\n00:28:34\\nReads \\\"Sailors\\\" [from Bread, Wine and Salt].\\n \\nAlden Nowlan\\n00:30:06\\nThis poem is entitled \\\"The Cinnamon Bears\\\", which sounds at first as if it were some sort of an animal cooking. But actually, what these cinnamon bears were, was back around the turn of the century in New Brunswick [https://www.wikidata.org/wiki/Q1965], as I've been told, there were all sorts of touring side-show type of things, you know, that, fortune tellers, and...people with a monkey, organ grinders with a monkey, and all this type of, sort of strolling pyres or wandering minstrels that existed up until the advent of radio and television. And it was a terrific thing, of course, in these backwoods communities. No doubt throughout Canada and the United States, when one of these people arrived. And among the, among these people were men who had trained bears, who, because of their colouration, were called cinnamon bears. And this poem actually is sort of a found poem, because it's not so much a creative thing as it is the transcription of a conversation which I happened to overhear between an old couple in northern New Brunswick. A man and his wife in their seventies, when they, suddenly something brought back these memories of these days of the organ grinders and the cinnamon bears. And as I say, I sort of made the poem more or less by simply transcribing the things which they said to one another, which it seemed to me was sort of a poetry, a form of poetry itself. \\n \\nAlden Nowlan\\n00:32:20\\nReads \\\"The Cinnamon Bears\\\" [from Bread, Wine and Salt].\\n \\nAlden Nowlan\\n00:33:21\\nReads \\\"Britain Street, St. John, New Brunswick” [published as “Britain Street” in Bread, Wine and Salt].\\n\\nAlden Nowlan\\n00:34:22\\nThis is another, sort of a found poem, I'm not really terribly convinced that it's a poem at all. Last year, when I had a quite serious illness, one afternoon I was in the waiting room at the doctor's office, and the only thing that seemed to lay at hand for me to read was a copy of one of these Confessions magazines entitled Secret Life. [Audience laughter]. And as I glanced through it, it seemed to me, all that I actually read of it, you know, were these sort of captions at the top of the articles, and some of the big type in it. But it seemed to me really, as I glanced through it, that it had, that it contained sort of a crazy poetry of its own. At least, in the mood that I was in at the time, I sort of responded to it as though it were a crazy sort of poetry. And so as I sat there I sort of jotted down some of these things from the magazine, and ever since I've been trying to pass it off as a poem. \\n \\nAlden Nowlan\\n00:35:37\\nReads \\\"Secret Life\\\" [from Bread, Wine and Salt; audience laughter throughout].\\n \\nAudience\\n00:36:39\\nLaughter. \\n \\nAlden Nowlan\\n00:36:57\\nReads \\\"In Our Time\\\" [from Bread, Wine and Salt].\\n \\nAlden Nowlan\\n00:40:51\\nReads \\\"The Changeling\\\" [from Bread, Wine and Salt].\\n \\nAlden Nowlan\\n00:41:49\\nReads \\\"The Hollow Men\\\" [from Bread, Wine and Salt].\\n \\nAlden Nowlan\\n00:42:38\\nThis poem is entitled \\\"Ancestral Memories Evoked by Attending the Opening of the Playhouse in Fredericton [https://www.wikidata.org/wiki/Q2138], New Brunswick\\\". And I'm a little afraid that many of you will feel that it is sort of pointless. I'm not sure really but what you'd have to be completely immersed in the atmosphere of New Brunswick to get the real point of it, but. But that said, not implying any superiority on the part of New Brunswickers, unfortunately. Anyway.\\n \\nAlden Nowlan\\n00:43:26\\nReads \\\"Ancestral Memories Evoked by Attending the Opening of the Playhouse in Fredericton, New Brunswick\\\" [from Bread, Wine and Salt].\\n \\nAlden Nowlan\\n00:44:36\\nReads \\\"Every Man Owes God a Death\\\" [from Bread, Wine and Salt].\\n \\nAlden Nowlan\\n00:46:41\\nThis poem, for no particular reason, is entitled \\\"The Loneliness of the Long-Distance Runner\\\". \\n \\nAlden Nowlan\\n00:46:48\\nReads \\\"The Loneliness of the Long-Distance Runner\\\" [from Bread, Wine and Salt].\\n \\nAlden Nowlan\\n00:48:23\\nThis is a poem that came out of a serious illness that I had last year, and it's entitled \\\"In the Operating Room\\\". \\n \\nAlden Nowlan\\n00:48:38\\nReads \\\"In the Operating Room\\\" [from Bread, Wine and Salt].\\n \\nAlden Nowlan\\n00:50:05\\nI have a few other recent poems I'll dig out of these. \\n \\nUnknown\\n00:50:12\\nAmbient Sound [pause; Nowlan turning pages].\\n\\nAlden Nowlan\\n00:50:47\\nAs I sort through these, I'm silently cursing myself for not having done this before I came here. \\n \\nUnknown\\n00:50:52\\nAmbient Sound [pause; Nowlan turning pages].\\n\\nAlden Nowlan\\n00:51:20\\nHere's a fairly recent poem which isn't a political poem at all, but a human poem. And one that I wrote as a result of watching on television the debates in the United Nations [https://www.wikidata.org/wiki/Q1065] on the Middle East [https://www.wikidata.org/wiki/Q7204] crisis. And one of the horrible things I felt as I watched it was how completely dehumanized it all was, that the real, human issues had been lost sight of, and sort of drowned in an ocean of resolutions and memos from embassies and all this sort of things. And one night when they televised these sessions through until about four o'clock, the ambassador of Saudi Arabia [https://www.wikidata.org/wiki/Q851] spoke, and he delivered certainly a very bigoted speech, and one that as a speech I wouldn't have agreed with, but I felt an admiration for him, because it had seemed to me that he was the only really human thing that had happened there all day. You know, that certainly he was a bigoted old man, full of thousands of years of hatred, but it was a human hatred, expressed in a human manner, something that the rest of them had completely lost sight of. And as a result of this feeling I wrote this poem, \\\"For Jamil Baroody [https://www.wikidata.org/wiki/Q96384169], Saudi Arabian Ambassador to the United Nations on the Occasion of his Address to the Security Council, June 1967\\\".\\n \\nAlden Nowlan\\n00:53:21\\nReads \\\"For Jamil Baroody, Saudi Arabian Ambassador to the United Nations on the Occasion of his Address to the Security Council, June 1967\\\".\\n \\nAlden Nowlan\\n00:56:26\\nReads \\\"Fireworks\\\".\\n \\nAlden Nowlan\\n00:57:34\\nReads \\\"Two Poems for the Nova Scotia Department of Highways\\\".\\n \\nAlden Nowlan\\n00:59:31\\nFinally, this is a poem entitled \\\"State Visit\\\", and the motivation of it, like one of the earlier ones I read, was sort of this same feeling of frustration at the complete dehumanization of politics as we feel it today, and particularly, this sort of apotheosis of world leaders into some sort of a symbol, so they even, I think, begin to think of themselves in these sort of abstract terms, rather than as a human being. And out of--this is sort of, I suppose, perhaps to a degree sort of a bitter little poem, but it stemmed from an emotion which I'm sure many of us feel. \\n \\nAlden Nowlan\\n01:00:27\\nReads \\\"State Visit\\\".\\n \\nEND\\n01:01:39\\n[Cut off abruptly].\",\"notes\":\"Margaret Atwood reads from The Circle Game (House of Anansi, 1966) as well as poems later published in The Animals in that Country (Oxford University Press, 1968). Nowlan reads from Bread Wine and Salt (Clarke, Irwin & Company, 1967) along with some poems from unknown sources.  \\n\\n00:00- Atwood introduces “This is a Photograph of Me”. [INDEX: Montreal plague, Tallula Bankhead, The Circle Game; from The Circle Game.]\\n00:22- Reads “This is a Photograph of Me”.\\n01:35- Introduces “The Camera”. [INDEX: dedication; published as “Camera” in The Circle \\tGame]\\n01:44- Reads “Camera”.\\n03:28- Reads “Carved Animals”. [INDEX: from The Circle Game, part III of “Some Objects of Wood and Stone”.]\\n04:25- Introduces “At the tourist center in Boston”. [INDEX: recent poems, written in the   United States, Canada’s Tourist Center in Boston; from The Animals in that Country.]\\n04:50- Reads “At the tourist centre in Boston”.\\n06:48- Introduces “The Green Man” [INDEX: dedicated to the Boston Strangler; from   unknown source.]\\n06:56- Reads “The Green Man”.\\n08:03- Reads “A fortification”. [INDEX: from The Animals in that Country]\\n09:17- Introduces “The landlady”. [INDEX: dedicated to Atwood’s landlady; from The Animals in that Country.]\\n09:29- Reads “The landlady”.\\n10:47- Reads “A foundling”. [INDEX: from The Animals in that Country.]\\n11:41- Reads “Untitled”.\\n12:58- Introduces “Chronology”. [INDEX: written in a paranoid state of mind; from unknown source.]\\n13:06- Reads “Chronology”.\\n14:39- Introduces “Backdrop addresses cowboy”. [INDEX: U.S.A.]\\n14:50- Reads “Backdrop addresses cowboy”. [INDEX: from The Animals in that Country.]\\n16:36- Reads “A voice”. [INDEX: from The Animals in that Country.]\\n17:40- Introduces “Elegy for giant tortoises”. [INDEX: South Pacific Island as airstrip; from The Animals in that Country.]\\n17:59- Reads “Elegy for giant tortoises”.\\n19:19- Reads “It’s dangerous to read newspapers”. [INDEX: from The Animals in that        Country.]\\n20:49- Reads “I was reading a scientific article”. [INDEX: from The Animals in that Country.]\\n22:25- Reads “The reincarnation of Captain Cook”. [INDEX: from The Animals in that      Country.]\\n23:44- End of Atwood’s Reading.\\n23:49- CUT in recording.\\n23:58- Roy Kiyooka introduces Alden Nowlan (recording starts mid-introduction). [INDEX: Journalist from the Maritimes, with wife and son.]\\n24:26- Alden Nowlan introduces the reading. [INDEX: shortened poems, poems for reading.]\\n25:19- Introduces “Poem for the Rich Carlton”. [INDEX: bad poem, written upon arrival in Montreal, egotism of poet, audience.]\\n26:06- Reads “Poem for the Rich Carlton”.\\n26:30- Explains “Poem for the Rich Carlton”. [INDEX: crypt of St Paul’s Cathedral.]\\n26:43- Introduces “I, Icarus”. [INDEX: from new book, Bread Wine and Salt, published by Carter at $3.50.]\\n27:15- Reads “I, Icarus”.\\n28:34- Reads “Sailors” [INDEX: from Bread, Wine and Salt.]\\n30:06- Introduces “The Cinnamon Bears”. [INDEX: animal cooking, turn of the century, New Brunswick, touring side-show, fortune tellers, monkey, organ grinders, strolling pyres, wandering minstrels, advent of radio and television, Canada, United States, trained bears, found poem, creative, transcription of a conversation, northern New Brunswick, form of poetry; from Bread, Wine and Salt.]\\n32:30- Reads “The Cinnamon Bears”.\\n33:21- Reads “Britain Street, St. John, New Brunswick”. [INDEX: published as “Britain     Street” in Bread, Wine and Salt.]\\n34:22- Introduces “The Secret Life”. [INDEX: found poem, maybe not a poem, serious illness, doctor’s office, Confessions magazines called Sacred Life, crazy poetry; from Bread, Wine and Salt.]\\n35:37- Reads “Secret Life”.\\n36:57- Reads “In Our Time” [INDEX: from Bread, Wine and Salt.]\\n40:51- Reads “The Changeling” [INDEX: from Bread, Wine and Salt.]\\n41:49- Reads “The Hollow Men”. [INDEX: from Bread, Wine and Salt.]\\n42:38- Introduces \\\"Ancestral Memories Evoked by Attending the Opening of the Playhouse in Fredericton, New Brunswick.\\\" [INDEX: atmosphere of New Brunswick; from   Bread, Wine and Salt.].]\\n43:26- Reads \\\"Ancestral Memories Evoked by Attending the Opening of the Playhouse in Fredericton, New Brunswick.\\\"\\n44:36- Reads “Every Man Owes God a Death”. [INDEX: from Bread, Wine and Salt.]\\n46:41- Introduces “The Loneliness of the Long-Distance Runner”. [INDEX: title, from Bread, Wine and Salt.]\\n46:48- Reads “The Loneliness of the Long-Distance Runner”.\\n48:23- Introduces “In the Operating Room”. [INDEX: serious illness the previous year, from Bread, Wine and Salt.].]\\n48:38- Reads “In the Operating Room”.\\n51:20- Introduces “For Jamol Barudi, Saudi Arabian Ambassador to the United Nations on the Occasion of his Address to the Security Council, June 1967”. [INDEX: political      poem, human poem, television debates, United Nations, Middle East Crisis,    dehumanization, bigoted speech.]\\n53:21- Reads “For Jamol Barudi, Saudi Arabian Ambassador to the United Nations on    the Occasion of his Address to the Security Council, June 1967”.\\n56:26- Reads “Fireworks”.\\n57:34- Reads “Two Poems for the Nova Scotia Department of Highways”.\\n59:31- Introduces “State Visit”. [INDEX: dehumanization of politics, apotheosis of world     leaders into a symbol, abstract terms, emotion.]       \\n1:00:27- Reads “State Visit”.\\n1:01:27- RECORDING ENDS (suddenly).\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/margaret-atwood-and-alden-nowlan-at-sgwu-1967/\"}]"],"score":0.01643844},{"id":"1264","cataloger_name":["Masoumeh,Zaare"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Barbara Howes at Sir George Williams University, The Poetry Series, 3 November 1967"],"item_title_source":["Cataloguer"],"item_title_note":["\"Barbara Howes Poetry Reading Nov 3, 1967\" written on sticker on the front of the tape's box. \"RT 521\" written on sticker on the front of the tape's box. \"Howes Poetry Nov 3/67\" written on sticker on the reel. \"Barbara Howes 3/11/67 I068-11-024\" also written on the spine of the tape's box"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 2"],"item_identifiers":["[]"],"creator_names":["Howes, Barbara"],"creator_names_search":["Howes, Barbara"],"creators":["[{\"url\":\"http://viaf.org/viaf/38160442\",\"name\":\"Howes, Barbara\",\"dates\":\"1914-1996\",\"notes\":\"American poet, short story writer, essayist, editor and translator Barbara Howes was born in New York in 1914, and adopted into a family in Boston. She enrolled at Bennington College in Vermont before moving to New York City upon her graduation. Howes then worked as an editor of Chimera: A Literary Magazine between 1944 and 1947. She married poet William Jay Smith, and they lived in England and Italy for a short while. Her first collection of poetry was published in 1948, named The Undersea Farmer (Banyan Press), which was followed by In the Cold Country (Bonaci & Saul in association with Grove Press, 1954), both of which drew critical acclaim and praise. She then published Light and Dark (Wesleyan University Press, 1959), Looking Up at Leaves (Knopf, 1966), The Blue Garden (Wesleyan University Press, 1972) and A Private Signal: Poems New and Selected (Wesleyan University Press, 1977). Howes divorced in the 60’s and traveled to the Caribbean, which inspired her to edit two anthologies of Caribbean and Latin American writing: From the Green Antilles: Writings of the Caribbean (Macmillan, 1966) and The Eye of the Heart: Short Stories from Latin America (Bobbs-Merrill, 1973). Howes also edited 23 Modern Stories, (Vintage, 1963), The Sea-Green Horse with her son Gregory Jay Smith (Macmillan, 1970), The Road Commissioner and Other Stories (Stinehour Press, 1983). She published two final collections of poetry, Moving (Elysian Press, 1983) and The Collected Poems of Barbara Howes, 1945-1990 (University of Arkansas Press, 1995), which was nominated for the 1995 National Book Award. Her poetry can be found in dozens of periodicals and literary magazines. Barbara Howes died at the age of 81 in Pownal, Vermont in 1996.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Hoffman, Stanton"],"contributors_names_search":["Hoffman, Stanton"],"contributors":["[{\"url\":\"\",\"name\":\"Hoffman, Stanton\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\",\"Series organizer\"]}]"],"Presenter_name":["Hoffman, Stanton"],"Series_organizer_name":["Hoffman, Stanton"],"Performance_Date":[1967],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Ampex\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"Tape\",\"physical_condition\":\"\",\"track_configuration\":\"2 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"Dates":["[{\"date\":\"1967 11 3\",\"type\":\"Performance Date\",\"notes\":\"Date written three times on the reel and tape's box\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Basement Theatre\",\"notes\":\"Previous researcher\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Basement Theatre"],"City":["Montreal, Quebec"],"content_notes":["Barbara Howes reads from Light and Dark (Wesleyan University Press, 1959), Looking Up at Leaves (Knopf, 1966), and From the Green Antilles: Writings of the Caribbean, (Macmillan, 1966) as well as some poems from unknown sources."],"contents":["barbara_howes_i086-11-024.mp3\n\nStanton Hoffman\n00:00:00\nThe reading this evening is by Miss Barbara Howes [https://www.wikidata.org/wiki/Q4858990[. Miss Barbara Howes was born in Boston [https://www.wikidata.org/wiki/Q100] and educated at Bennington College [https://www.wikidata.org/wiki/Q817902]. She has published four volumes of poems: The Undersea Farmer, which was published in 1948 by the Banyan Press; In the Cold Country, which was was published by Bonaci and Saul in cooperation with Grove Press [https://www.wikidata.org/wiki/Q3777164] in 1954, Light and Dark, which was published by Wellesley University [https://www.wikidata.org/wiki/Q49205] Press in 1959, and the recent Looking up at Leaves, which was published by Knopf [https://www.wikidata.org/wiki/Q1431868] in 1966 and which was nominated for the National Book Awards. She has been the editor of a volume of writings of the Carribean which was published by MacMillan [https://www.wikidata.org/wiki/Q2108217]in 1966 and Twenty-three Modern Stories published in 1963 by Vintage Books [https://www.wikidata.org/wiki/Q3560313]. In 1949, she won the Bess Hokin Prize of Poetry Magazine, in 1955 she held a Guggenheim Fellowship [https://www.wikidata.org/wiki/Q1316544], and in 1957, she won the Brandeis Poetry Award. Her poems have appeared in many journals, such as Harper's Bazaar [https://www.wikidata.org/wiki/Q654606], New World Writing [https://www.wikidata.org/wiki/Q7012606], Poetry [https://www.wikidata.org/wiki/Q7207482], Suani Review, New Republic [https://www.wikidata.org/wiki/Q1329873], and so forth. And next week in New York City [https://www.wikidata.org/wiki/Q60], Miss Howes will be reading as part of series, or brothers, as part of reading, as part of a reading by fifteen or so other poets, as part of a Poets for Peace, sponsored by the Compassionate Art of the Fellowship of Reconciliation. Ladies and gentlemen, Miss Barbara Howes. \n \nAudience\n00:01:48\nApplause.\n \nBarbara Howes\n00:02:17\nThank you very much, Mr. Hoffman, I'm delighted to be here. If you can't hear me, raise your hands or let me know by some other device. Is this a microphone or does this have to do with this machine? Well I'll try to be clear. I thought rather than read a kind of segmented, like a string of sausages, series of poems, going on and on and on, which gives one very little hope that it'll ever end, it'd be better to say that I'm going to have a beginning, a middle, and an end, and that would be...and so I've arranged the poems in this way, so you will have hope that I won't continue forever, which has been done, in the annals of poetry. I wanted to write, read some poems that have to do with place, because I've thought a lot about the effect of place on poems, and to what extent the place you're in influences what you write. One's imagination would never become extended in certain directions if you hadn't happened to live in a certain place. I was very conscious of that when we lived in Florence [https://www.wikidata.org/wiki/Q2044] for two years and when my older boy was born, and subsequently for another two years. And I would never--because we--I would never possibly have been able to think, I mean this is obvious in a way, but it gets more complicated, of...Some of the imaginative happenings that occurred would, could never have happened, well in Massachusetts [https://www.wikidata.org/wiki/Q771] or anywhere else, and also even in, I mean in Vermont [https://www.wikidata.org/wiki/Q16551], where we now live, have been profoundly affected by the section of the mountain which we life. And also we spent some time in Haiti [https://www.wikidata.org/wiki/Q790], and so on and so forth, so this first group will be mostly poems that have a lot to do with experiences that have happened because of a particular place. The first poem is an Italian poem, or written out of Italy [https://www.wikidata.org/wiki/Q38], called \"Primavera\".\n \nBarbara Howes\n00:04:48\nReads \"Primavera\" [from Light and Dark].\n \nBarbara Howes\n00:06:19\nThis is called \"The Triumph of Love\".\n \nBarbara Howes\n00:06:27\nReads \"The Triumph of Love\" [from Light and Dark].\n \nBarbara Howes\n00:07:18\nThen for a summer, we lived in a little town in the south of France [https://www.wikidata.org/wiki/Q142], Le Lavandou [https://www.wikidata.org/wiki/Q736462], and it was a very good summer all in all, although, except we had no car and a very big house with only about one room on a floor. So the baby was on the top floor, and the kitchen, it's one burner, was on, you know, it's four floors down. And I would rush up and pick him up and then put him back in his bed, and then rush down and light the burner, and then rush up and get him, and then rush down. So it was difficult in some ways. But one of our entertainments, or entertainments that seemed to certainly entertain friends was to go to an island off Toulon [https://www.wikidata.org/wiki/Q44160] called Ile Levant [https://www.wikidata.org/wiki/Q292516], which is half a naval base and half a colony. And you could go out there in a small--it took about an hour in a small boat, and one time we stood on the dock not quite sure what to do next. Another person who'd come in the boat with us in very high heels and an enormous black hat removed everything else and ran up the hill. [Audience laughter]. So this is “L'Ile du Levant, the Nudist Colony”.\n \nBarbara Howes\n00:08:55\nReads \"L'Ile du Levant: the Nudist Colony\" [from Light and Dark].\n \nBarbara Howes\n00:10:59\nNow living as I do in the country in Vermont, there comes that terrible time in November when all the hunters from the cities come rushing up with their pint bottles and their confusion and they lounge around half the time sitting in cars and shooting vaguely at anything. So I used to try to write an anti-hunter poem every fall,I don't know about this year, I haven't got an idea yet, but I may see if I can do something. \"In Autumn\". Excuse me. \n \nBarbara Howes\n00:11:37\nReads \"In Autumn\" [from Light and Dark].\n \nBarbara Howes\n00:12:29\nAnd this is another on the same subject.\n \nBarbara Howes\n00:12:39\nReads [\"Landscape, Deer Season\" from Looking Up At Leaves].\n \nBarbara Howes\n00:13:16\nThis is another Pownal [https://www.wikidata.org/wiki/Q1940266] poem, it's really two things put together. It's called \"A Night Picture of Pownal”, for JFK. And I stood one evening in very bright moonlight looking out at the shadow of the apple tree across the road on the snow and it made an impression on me, I began to take notes in the dark as best I could on it. And then later, shortly after that, for the death of Kennedy [https://www.wikidata.org/wiki/Q9696], then I saw the poem wasn't, it was inadequate, and I somehow put, wove those two things together.\n \nBarbara Howes\n00:14:06\nReads \"A Night Picture of Pownal\" [from Looking Up At Leaves].\n \nBarbara Howes\n00:15:19\nAnother Vermont poem or Pownal poem on a more cheerful note. \"Town Meeting Tuesday\". Town meeting is the first Tuesday in March, and many of the people who have stayed in all winter then emerge like woodchucks from their houses.\n \nBarbara Howes\n00:15:45\nReads \"Town Meeting Tuesday\" [from Looking Up At Leaves].\n \nBarbara Howes\n00:16:22\nNow, we spent two or three Easter vacations in the islands of the Caribbean [https://www.wikidata.org/wiki/Q664609], we went to Guadeloupe [https://www.wikidata.org/wiki/Q17012] once for two weeks. And most of the time I find I write fish poems when I go down to the islands but this one is about a dead toucan in Guadeloupe. There was a little, well, a strange little zoo at the small hotel where we stayed and we would look at these creatures and one day I went and there was the toucan and it had fallen over dead. Somehow, it made an impression on me. \"Dead Toucan: Guadeloupe\".\n \nBarbara Howes\n00:17:04\nReads \"Dead Toucan: Guadeloupe\" [from Looking Up At Leaves].\n \nBarbara Howes\n00:17:55\nI hope you can hear--can you hear me? In the back rows? We also spent some time in Haiti, earlier, and I'd like to read a couple of poems from that period. This was a thing--it could perfectly well have happened elsewhere but it was the kind of thing that, after we lived in Haiti for a while, I could see very clearly, would definitely have to happen there. There was a young man of about nineteen, very talented as a painter, and did, had just tried out through the art centre there, and doing really quite good and interesting work. And he needed a job so he could buy paints and paper, and anyway just to exist. So an American woman had two small boys and he said he could look after them and play ball and, you know, keep them out of trouble and so on and so forth. And she said, “Can you swim?” And he said, “Oh yes, of course.” So the boys dove into the pool because they had been swimming, as most American boys do, for years. And he dove into the pool, and didn't come up. And nobody was around except some workers who were fixing the garden. But like everybody, almost, in Haiti, they didn't want to get involved, because then the police might ask them questions, and then at the end there's trouble, so the poor young man just died, because the little boys couldn't do anything, and nobody else did anything. And so that made an impression on me. But it's the kind of unfortunate tragedy, due to his saying that he could swim and he couldn't, just because he was so desperately anxious to get the job, and he just made himself believe he could swim. Just a complete waste. \n \nBarbara Howes\n00:20:10\nReads [\"In a Prospect of Flowers\" from Light and Dark].\n \nBarbara Howes\n00:21:10\n\"Mirror Image: Port-au-Prince [https://www.wikidata.org/wiki/Q34261]\". This, there was a little sign on a tree we used to pass every day and then I thought of this poem.\n \nBarbara Howes\n00:21:19\nReads \"Mirror Image: Port-au-Prince\" [from Light and Dark].\n \nBarbara Howes\n00:21:59\nThere's one other. Oh yes. \n \nBarbara Howes\n00:22:06\nReads [\"On a Bougainvillea Vine at the Summer Palace\" from Light and Dark]. \n \nBarbara Howes\n00:23:36\nWell, this is one of the fishing poems from the, from Barbados [https://www.wikidata.org/wiki/Q244], from the islands.\n \nBarbara Howes\n00:23:46\nReads [\"Out Fishing\" from Looking Up At Leaves].\n \nBarbara Howes\n00:24:58\nThis poem is written in one foot, it's just an experiment to see what would happen. I, you know, diameter's two feet, or is it, trimeter is three feet. And tetrameter is four, and pentameter is five. One foot means you just have one sound, like that, and it's just, was a technical experiment, but I might as well read it. And it's also another fish poem. \n \nBarbara Howes\n00:25:32\nReads [\"The Crane Chub--Barbados\" from Looking Up At Leaves].\n \nBarbara Howes\n00:26:18\nHere's a fish, well, a jellyfish poem, from Texas [https://www.wikidata.org/wiki/Q1439]. \n \nBarbara Howes\n00:26:32\nReads [\"On Galveston Beach\" from Looking Up At Leaves].\n \nBarbara Howes\n00:27:32\nAnd then there's the last Caribbean poem, “A Letter from the Caribbean”. \n \nBarbara Howes\n00:27:45\nReads “A Letter From The Caribbean” [from Looking Up At Leaves].\n \nBarbara Howes\n00:28:59\nI've thought I would read just a few poems by modern poets that I like, they're not by any means their strongest or anything, but they're just ones I'm attached to. The first I cut out of the paper once, a long time ago. It's by an African schoolgirl, and I think it's very imaginative. It's awkward but it's really quite wonderful.\n \nBarbara Howes\n00:29:38\nReads unnamed poem by an unknown author. \n\nBarbara Howes\n00:29:53\nThis is an early poem of Wystan Auden's [https://www.wikidata.org/wiki/Q178698] that he kept out of, he didn't use in his book and then he printed again in a recent edition. I think it's technically as awfully, it's light verse but it's also very serious underneath, as good light verse can me. Poem. \n \nBarbara Howes\n00:30:15\nReads [\"To You Simply\"] by W.H. Auden [published in The Collected Poetry of W.H. Auden].\n \nBarbara Howes\n00:30:57\nAnd this is a, I think a simply charming poem by Richard Wilbur [https://www.wikidata.org/wiki/Q1333582]. It gets...it's about the Piazza di Spagna [https://www.wikidata.org/wiki/Q15124814], the Spanish Steps in Rome [https://www.wikidata.org/wiki/Q220], and it gets the feeling of someone gliding, really gliding down that long, gorgeous stairway. \n \nBarbara Howes\n00:31:22\nReads [\"Piazza Di Spagna, Early Morning\"] by Richard Wilbur.\n \nBarbara Howes\n00:32:11\nThis is a poem by Louise Bogan [https://www.wikidata.org/wiki/Q516180], who's a very well known American poet, a very recent one that she, that came out in The New Yorker [https://www.wikidata.org/wiki/Q217305], this summer, I think.\n \nBarbara Howes\n00:32:27\nReads [\"Masked Woman’s Song\"] by Louise Bogan.\n \nBarbara Howes\n00:32:51\nIt's a difficult poem, might read that again, if you don't mind. \n \nBarbara Howes\n00:32:56\nRe \"Masked Woman’s Song\" by Louise Bogan.\n \nBarbara Howes\n00:33:17\nAnd then, the last, oh, oh that's right, I thought I would read a poem by Derek Walcott [https://www.wikidata.org/wiki/Q132701], which I used in this Carribean Anthology. It's mostly short stories but I put a poem in front of each language section. This is by Derek Walcott who's a young poet from St. Lucia [https://www.wikidata.org/wiki/Q760], called \"Missing the Sea\".\n \nBarbara Howes\n00:33:48\nReads \"Missing the Sea\" by Derek Walcott [from The Castaway and collected in From the Green Antilles: Writings of the Caribbean].\n \nBarbara Howes\n00:34:31\nIt's quite a difficult poem but you...he had a book out, oh, can't remember the name, by Farrar, Straus & Giroux [https://www.wikidata.org/wiki/Q3067003] a couple of years ago, in the United States. [https://www.wikidata.org/wiki/Q30] And the last of this group is a poem that I've heard about a hundred thousand times, but it still gives me a chill. It's called \"American Primitive\" by William Jay Smith [https://www.wikidata.org/wiki/Q4355736].\n \nBarbara Howes\n00:35:06\nReads \"American Primitive\" by William Jay Smith.\n \nBarbara Howes\n00:35:47\nI still get a chill! Now, I don't know whether you prefer to have an intermission, and get up and smoke, or prefer for me to continue, what would you think, Stanton?\n \nUnknown\n00:36:06\nAmbient Sound [voices].\n \nBarbara Howes\n00:36:08\nHave an intermission? So people can...breathe?\n \nUnknown\n00:36:17\nAmbient Sound [voices].\n\nUnknown\n00:36:23\n[Cut or edit made in tape. Unknown amount of time elapsed].\n \nBarbara Howes\n00:36:23\nThe problem is the third group of poems, I'd read some poems that are more or less to and about people, and some new poems, although I've noticed that most of my new poems are very depressing, and this is not a good note on which to end, so I'll maybe not read them. I've been very much interested in old French forms, the trielle, the villanelle, the rondeau and rondelle, and ballade and so on and so forth, and they're very difficult but they're fascinating to try, at least. And this is in the form of a trielle. And the lines have to be repeated in a certain fashion which gives you very little room in which to maneuver. This is called \"Early Supper\".\n \nBarbara Howes\n00:37:14\nReads \"Early Supper\" [from Light and Dark].\n \nBarbara Howes\n00:38:10\nThis is a poem I wrote for W.H. Auden for his fiftieth birthday, which was several years ago, now. I think actually, he was last year, sixty.\n \nBarbara Howes\n00:38:21\nReads [\"To W.H. Auden on his Fiftieth Birthday\" from Light and Dark].\n \nBarbara Howes\n00:39:22\nI wrote three poems at that point about winds, and I'll just read one of them. The winds have names in Italy and they almost become like familiar characters. The sirocco, when it blows, is so terrible in its effect on people that if there're crimes of passion, the people generally get off with a lighter sentence, because you sell, well, the sirocco. Naturally you can throttle your wife during that period. This is about the mistral, which, if it blows for three days, one survives, if it blows for six days it's simply awful. If it blows for nine days you've probably already gone out of your head. It's a very wild wind who rushes down the Rhone Valley [https://www.wikidata.org/wiki/Q2747791] and just blows everything away. \n \nBarbara Howes\n00:40:22\nReads [\"Mistral\" from Light and Dark].\n \nBarbara Howes\n00:41:23\nThis is another one, an old French form, the rondeau, which again makes its, has its own complications because of the repetition of lines. And what interested me to do was to try to use, not the usual subject of the rondeaux but to write about, as in this case, the death of a Vermont farm woman, instead of just doing some sort of chittery-chattery business that generally is what people use a rondeau for. \n \nBarbara Howes\n00:42:03\nReads [\"Death of a Vermont Farm Woman\" from Light and Dark].  \n\nBarbara Howes\n00:42:51\nThis is a poem about a very disagreeable character, a thirteenth-century tyrant called Ugolino [https://www.wikidata.org/wiki/Q706003], who met his death from being thrown into prison to die of hunger. He is reputed to have attempted to eat his sons, who were there with him. I must say, it's not an agreeable picture, but I don't think there's been much improvement in that part of mankind. Dante [https://www.wikidata.org/wiki/Q1067] writes of him in the 33rd Canto of the Inferno [https://www.wikidata.org/wiki/Q4509219]. This poem is called \"The Critic\" and, I must say, critics have disliked it heartily. \n \nBarbara Howes\n00:43:28\nReads \"The Critic\" [from Light and Dark].\n \nBarbara Howes\n00:44:23\nThis is a, an odd combination about a person and about Pownal, I guess. \n \nBarbara Howes\n00:44:32\nReads [\"Running into Edgar Bellemare\" from Looking Up at Leaves]. \n \nBarbara Howes\n00:45:27\nThis is a poem I wrote for Katherine Anne Porter [https://www.wikidata.org/wiki/Q236958] on the occasion of her 75th birthday. \"For Katherine Anne Porter\".\n \nBarbara Howes\n00:45:39\nReads “For Katherine Anne Porter” [from Looking Up at Leaves].\n \nBarbara Howes\n00:46:15\nIt's quite marvelous, those collective nouns, who would know that you call a lot of heron a siege of herons and so forth. I'll read that again, because it really is, I was very lucky the way it worked out.\n \nBarbara Howes\n00:46:31\nReads line from “For Katherine Anne Porter”.\n \nBarbara Howes\n00:47:06\nThis is called \"Looking up at Leaves\".\n \nBarbara Howes\n00:47:14\nReads \"Looking up at Leaves\" [from Looking Up At Leaves].\n \nBarbara Howes\n00:48:09\nI'd like to read one New England [https://www.wikidata.org/wiki/Q18389] poem, this is a newer poem, I haven't read this before, I guess.\n \nBarbara Howes\n00:48:16\nReads [\"Still Life: New England\", published later in The Blue Garden].\n \nBarbara Howes\n00:49:34\nI'll read three more poems, I think. This is \"A Rune for C.\"--‘C.’ was a dog of ours. \n \nBarbara Howes\n00:49:51\nReads \"A Rune for C.\" [from Looking Up At Leaves].\n \nBarbara Howes\n00:50:36\nActually, I had just often, I'd made up a good luck thing that seeing the caboose was good luck, but then I found out that this has been an old piece of, well, I don't know, country folklore, that to see the caboose, it means luck. I want to read one poem about my son, and then one short one. \"Portrait of the Boy as Artist\".\n \nBarbara Howes\n00:51:18\nReads \"Portrait of the Boy as Artist\" [from Light and Dark].\n \nBarbara Howes\n00:52:11\nOh, I did want to read one that I'll read next week in New York. This poem is a, this is a rondelle, which is another old French form. And I'm obviously not using it for the usual subject, in this case. It's arranged about the idea, really, of a contrast of the use of space. \"Viet-Napalm: A Rondelle\".\n \nBarbara Howes\n00:52:45\nReads \"Viet-Napalm: A Rondelle\".\n \nBarbara Howes\n00:53:31\nAnd then one last poem on a more cheerful note. \"Leaning into Light\".\n \nBarbara Howes\n00:53:44\nReads \"Leaning into Light\" [from Looking Up At Leaves].\n \nBarbara Howes\n00:54:21.\nThank you very much. \n \nAudience\n00:54:23\nApplause.\n \nStanton Hoffman\n00:54:38\nOne announcement, the next reading will be by Charles Reznikoff [https://www.wikidata.org/wiki/Q1065911], and that's Friday, the same time, November 17th. \n\nUnknown\n00:54:46\nAmbient Sound [voices].\n \nEND\n00:54:57\n"],"Note":["[{\"note\":\"Year-Specific Information:\\n\\nIn 1967, Looking Up At Leaves was published in Poetry Magazine. The previous year, Howes edited From the Green Antilles: Writings of the Caribbean, Macmillan (New York, NY), 1966.\\n\",\"type\":\"General\"},{\"note\":\"Local Connections:\\n\\nDirect connections between Barbara Howes and Sir George Williams University are unknown at this time. Howes’ position as an important American poet, though her work was not often acknowledged publicly, made her an ideal candidate for the Reading Series.\\n\",\"type\":\"General\"},{\"note\":\"Original transcript by Rachel Kyne\\n\\nOriginal print catalogue, research, introduction and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Ali Barillaro\\n\",\"type\":\"Cataloguer\"},{\"note\":\"Reel-to-reel tape>CD>digital file\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-twentieth-century-poetry-in-english/oclc/807465072&referer=brief_results\",\"citation\":\"Grosholz, Emily. \\\"Howes, Barbara\\\". The Oxford Companion to Twentieth-Century Poetry in English. Ian Hamilton (ed). Oxford University Press, 1996. \"},{\"url\":\"https://www.worldcat.org/title/light-and-dark-poems/oclc/1150226992&referer=brief_results\",\"citation\":\"Howes, Barbara. Light and Dark. Middletown, Connecticut: Wesleyan University Press, 1959. \"},{\"url\":\"https://www.worldcat.org/title/looking-up-at-leaves-poems/oclc/1150237234&referer=brief_results\",\"citation\":\"Howes, Barbara. Looking Up at Leaves. New York: Knopf, 1966. \"},{\"url\":\"https://www.worldcat.org/title/from-the-green-antilles-writings-of-the-caribbean/oclc/1140475941&referer=brief_results\",\"citation\":\"Howes, Barbara. (ed) From the Green Antilles: Writings of the Caribbean. New York: Macmillan, 1966. \"},{\"url\":\"http://www.nytimes.com/1996/02/25/us/barbara-howes-poet-and-editor-dies-at-81.html?pagewanted=1\",\"citation\":\"Pace, Eric. “Barbara Howes, Poet and Editor, Dies at 81”. New York Times. February 25, 1996. New York Edition: Obituary, page 139.\"},{\"url\":\"http://www.poetryfoundation.org/archive/poet.html?id=3307\",\"citation\":\"“Barbara Howes (1914-1996)”. Poetry Foundation. Poet Biography. Poetry Foundation: 2009.\"},{\"url\":\"https://www.concordia.ca/content/dam/concordia/offices/archives/docs/postgrad/Postgrad-1967-Spring.pdf\",\"citation\":\"“Poetry Readings”. Post-Grad. Montreal: Sir George Williams University, Spring 1967, page 20. \"},{\"url\":\"http://news.google.com/newspapers?id=np8tAAAAIBAJ&sjid=PKAFAAAAIBAJ&pg=4195,2837932&dq=sir+george+williams+poetry&hl=en\",\"citation\":\"“SGWU To Have Poetry Series”. Montreal: The Gazette. 14 September 1967, page 15. \"},{\"url\":\"\",\"citation\":\"Howes, Barbara. Looking Up at Leaves. Poetry Magazine. Volume 109, January 1967, Page 270.\"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-american-literature/oclc/54356940&referer=brief_results\",\"citation\":\"\\\"Howes, Barbara\\\". The Oxford Companion to American Literature. James D. Hart (ed). Phillip W. Leininger (rev.). Oxford University Press 1995.\"}]"],"_version_":1853670548818624512,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0086_11_0024_back.jpg\",\"file_path\":\"\",\"filename\":\"I0086_11_0024_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Barbara Howes Tape Box - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0086_11_0024_front.jpg\",\"file_path\":\"\",\"filename\":\"I0086_11_0024_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Barbara Howes Tape Box - Front\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0086_11_0024_side.jpg\",\"file_path\":\"\",\"filename\":\"I0086_11_0024_side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Barbara Howes Tape Box - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0086_11_0024_tape.jpg\",\"file_path\":\"\",\"filename\":\"I0086_11_0024_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Barbara Howes Tape Box - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/barbara_howes_i086-11-024.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"barbara_howes_i086-11-024.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:54:57\",\"precision\":\"\",\"size\":\"131.9 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"Stanton Hoffman\\n00:00:00\\nThe reading this evening is by Miss Barbara Howes [https://www.wikidata.org/wiki/Q4858990[. Miss Barbara Howes was born in Boston [https://www.wikidata.org/wiki/Q100] and educated at Bennington College [https://www.wikidata.org/wiki/Q817902]. She has published four volumes of poems: The Undersea Farmer, which was published in 1948 by the Banyan Press; In the Cold Country, which was was published by Bonaci and Saul in cooperation with Grove Press [https://www.wikidata.org/wiki/Q3777164] in 1954, Light and Dark, which was published by Wellesley University [https://www.wikidata.org/wiki/Q49205] Press in 1959, and the recent Looking up at Leaves, which was published by Knopf [https://www.wikidata.org/wiki/Q1431868] in 1966 and which was nominated for the National Book Awards. She has been the editor of a volume of writings of the Carribean which was published by MacMillan [https://www.wikidata.org/wiki/Q2108217]in 1966 and Twenty-three Modern Stories published in 1963 by Vintage Books [https://www.wikidata.org/wiki/Q3560313]. In 1949, she won the Bess Hokin Prize of Poetry Magazine, in 1955 she held a Guggenheim Fellowship [https://www.wikidata.org/wiki/Q1316544], and in 1957, she won the Brandeis Poetry Award. Her poems have appeared in many journals, such as Harper's Bazaar [https://www.wikidata.org/wiki/Q654606], New World Writing [https://www.wikidata.org/wiki/Q7012606], Poetry [https://www.wikidata.org/wiki/Q7207482], Suani Review, New Republic [https://www.wikidata.org/wiki/Q1329873], and so forth. And next week in New York City [https://www.wikidata.org/wiki/Q60], Miss Howes will be reading as part of series, or brothers, as part of reading, as part of a reading by fifteen or so other poets, as part of a Poets for Peace, sponsored by the Compassionate Art of the Fellowship of Reconciliation. Ladies and gentlemen, Miss Barbara Howes. \\n \\nAudience\\n00:01:48\\nApplause.\\n \\nBarbara Howes\\n00:02:17\\nThank you very much, Mr. Hoffman, I'm delighted to be here. If you can't hear me, raise your hands or let me know by some other device. Is this a microphone or does this have to do with this machine? Well I'll try to be clear. I thought rather than read a kind of segmented, like a string of sausages, series of poems, going on and on and on, which gives one very little hope that it'll ever end, it'd be better to say that I'm going to have a beginning, a middle, and an end, and that would be...and so I've arranged the poems in this way, so you will have hope that I won't continue forever, which has been done, in the annals of poetry. I wanted to write, read some poems that have to do with place, because I've thought a lot about the effect of place on poems, and to what extent the place you're in influences what you write. One's imagination would never become extended in certain directions if you hadn't happened to live in a certain place. I was very conscious of that when we lived in Florence [https://www.wikidata.org/wiki/Q2044] for two years and when my older boy was born, and subsequently for another two years. And I would never--because we--I would never possibly have been able to think, I mean this is obvious in a way, but it gets more complicated, of...Some of the imaginative happenings that occurred would, could never have happened, well in Massachusetts [https://www.wikidata.org/wiki/Q771] or anywhere else, and also even in, I mean in Vermont [https://www.wikidata.org/wiki/Q16551], where we now live, have been profoundly affected by the section of the mountain which we life. And also we spent some time in Haiti [https://www.wikidata.org/wiki/Q790], and so on and so forth, so this first group will be mostly poems that have a lot to do with experiences that have happened because of a particular place. The first poem is an Italian poem, or written out of Italy [https://www.wikidata.org/wiki/Q38], called \\\"Primavera\\\".\\n \\nBarbara Howes\\n00:04:48\\nReads \\\"Primavera\\\" [from Light and Dark].\\n \\nBarbara Howes\\n00:06:19\\nThis is called \\\"The Triumph of Love\\\".\\n \\nBarbara Howes\\n00:06:27\\nReads \\\"The Triumph of Love\\\" [from Light and Dark].\\n \\nBarbara Howes\\n00:07:18\\nThen for a summer, we lived in a little town in the south of France [https://www.wikidata.org/wiki/Q142], Le Lavandou [https://www.wikidata.org/wiki/Q736462], and it was a very good summer all in all, although, except we had no car and a very big house with only about one room on a floor. So the baby was on the top floor, and the kitchen, it's one burner, was on, you know, it's four floors down. And I would rush up and pick him up and then put him back in his bed, and then rush down and light the burner, and then rush up and get him, and then rush down. So it was difficult in some ways. But one of our entertainments, or entertainments that seemed to certainly entertain friends was to go to an island off Toulon [https://www.wikidata.org/wiki/Q44160] called Ile Levant [https://www.wikidata.org/wiki/Q292516], which is half a naval base and half a colony. And you could go out there in a small--it took about an hour in a small boat, and one time we stood on the dock not quite sure what to do next. Another person who'd come in the boat with us in very high heels and an enormous black hat removed everything else and ran up the hill. [Audience laughter]. So this is “L'Ile du Levant, the Nudist Colony”.\\n \\nBarbara Howes\\n00:08:55\\nReads \\\"L'Ile du Levant: the Nudist Colony\\\" [from Light and Dark].\\n \\nBarbara Howes\\n00:10:59\\nNow living as I do in the country in Vermont, there comes that terrible time in November when all the hunters from the cities come rushing up with their pint bottles and their confusion and they lounge around half the time sitting in cars and shooting vaguely at anything. So I used to try to write an anti-hunter poem every fall,I don't know about this year, I haven't got an idea yet, but I may see if I can do something. \\\"In Autumn\\\". Excuse me. \\n \\nBarbara Howes\\n00:11:37\\nReads \\\"In Autumn\\\" [from Light and Dark].\\n \\nBarbara Howes\\n00:12:29\\nAnd this is another on the same subject.\\n \\nBarbara Howes\\n00:12:39\\nReads [\\\"Landscape, Deer Season\\\" from Looking Up At Leaves].\\n \\nBarbara Howes\\n00:13:16\\nThis is another Pownal [https://www.wikidata.org/wiki/Q1940266] poem, it's really two things put together. It's called \\\"A Night Picture of Pownal”, for JFK. And I stood one evening in very bright moonlight looking out at the shadow of the apple tree across the road on the snow and it made an impression on me, I began to take notes in the dark as best I could on it. And then later, shortly after that, for the death of Kennedy [https://www.wikidata.org/wiki/Q9696], then I saw the poem wasn't, it was inadequate, and I somehow put, wove those two things together.\\n \\nBarbara Howes\\n00:14:06\\nReads \\\"A Night Picture of Pownal\\\" [from Looking Up At Leaves].\\n \\nBarbara Howes\\n00:15:19\\nAnother Vermont poem or Pownal poem on a more cheerful note. \\\"Town Meeting Tuesday\\\". Town meeting is the first Tuesday in March, and many of the people who have stayed in all winter then emerge like woodchucks from their houses.\\n \\nBarbara Howes\\n00:15:45\\nReads \\\"Town Meeting Tuesday\\\" [from Looking Up At Leaves].\\n \\nBarbara Howes\\n00:16:22\\nNow, we spent two or three Easter vacations in the islands of the Caribbean [https://www.wikidata.org/wiki/Q664609], we went to Guadeloupe [https://www.wikidata.org/wiki/Q17012] once for two weeks. And most of the time I find I write fish poems when I go down to the islands but this one is about a dead toucan in Guadeloupe. There was a little, well, a strange little zoo at the small hotel where we stayed and we would look at these creatures and one day I went and there was the toucan and it had fallen over dead. Somehow, it made an impression on me. \\\"Dead Toucan: Guadeloupe\\\".\\n \\nBarbara Howes\\n00:17:04\\nReads \\\"Dead Toucan: Guadeloupe\\\" [from Looking Up At Leaves].\\n \\nBarbara Howes\\n00:17:55\\nI hope you can hear--can you hear me? In the back rows? We also spent some time in Haiti, earlier, and I'd like to read a couple of poems from that period. This was a thing--it could perfectly well have happened elsewhere but it was the kind of thing that, after we lived in Haiti for a while, I could see very clearly, would definitely have to happen there. There was a young man of about nineteen, very talented as a painter, and did, had just tried out through the art centre there, and doing really quite good and interesting work. And he needed a job so he could buy paints and paper, and anyway just to exist. So an American woman had two small boys and he said he could look after them and play ball and, you know, keep them out of trouble and so on and so forth. And she said, “Can you swim?” And he said, “Oh yes, of course.” So the boys dove into the pool because they had been swimming, as most American boys do, for years. And he dove into the pool, and didn't come up. And nobody was around except some workers who were fixing the garden. But like everybody, almost, in Haiti, they didn't want to get involved, because then the police might ask them questions, and then at the end there's trouble, so the poor young man just died, because the little boys couldn't do anything, and nobody else did anything. And so that made an impression on me. But it's the kind of unfortunate tragedy, due to his saying that he could swim and he couldn't, just because he was so desperately anxious to get the job, and he just made himself believe he could swim. Just a complete waste. \\n \\nBarbara Howes\\n00:20:10\\nReads [\\\"In a Prospect of Flowers\\\" from Light and Dark].\\n \\nBarbara Howes\\n00:21:10\\n\\\"Mirror Image: Port-au-Prince [https://www.wikidata.org/wiki/Q34261]\\\". This, there was a little sign on a tree we used to pass every day and then I thought of this poem.\\n \\nBarbara Howes\\n00:21:19\\nReads \\\"Mirror Image: Port-au-Prince\\\" [from Light and Dark].\\n \\nBarbara Howes\\n00:21:59\\nThere's one other. Oh yes. \\n \\nBarbara Howes\\n00:22:06\\nReads [\\\"On a Bougainvillea Vine at the Summer Palace\\\" from Light and Dark]. \\n \\nBarbara Howes\\n00:23:36\\nWell, this is one of the fishing poems from the, from Barbados [https://www.wikidata.org/wiki/Q244], from the islands.\\n \\nBarbara Howes\\n00:23:46\\nReads [\\\"Out Fishing\\\" from Looking Up At Leaves].\\n \\nBarbara Howes\\n00:24:58\\nThis poem is written in one foot, it's just an experiment to see what would happen. I, you know, diameter's two feet, or is it, trimeter is three feet. And tetrameter is four, and pentameter is five. One foot means you just have one sound, like that, and it's just, was a technical experiment, but I might as well read it. And it's also another fish poem. \\n \\nBarbara Howes\\n00:25:32\\nReads [\\\"The Crane Chub--Barbados\\\" from Looking Up At Leaves].\\n \\nBarbara Howes\\n00:26:18\\nHere's a fish, well, a jellyfish poem, from Texas [https://www.wikidata.org/wiki/Q1439]. \\n \\nBarbara Howes\\n00:26:32\\nReads [\\\"On Galveston Beach\\\" from Looking Up At Leaves].\\n \\nBarbara Howes\\n00:27:32\\nAnd then there's the last Caribbean poem, “A Letter from the Caribbean”. \\n \\nBarbara Howes\\n00:27:45\\nReads “A Letter From The Caribbean” [from Looking Up At Leaves].\\n \\nBarbara Howes\\n00:28:59\\nI've thought I would read just a few poems by modern poets that I like, they're not by any means their strongest or anything, but they're just ones I'm attached to. The first I cut out of the paper once, a long time ago. It's by an African schoolgirl, and I think it's very imaginative. It's awkward but it's really quite wonderful.\\n \\nBarbara Howes\\n00:29:38\\nReads unnamed poem by an unknown author. \\n\\nBarbara Howes\\n00:29:53\\nThis is an early poem of Wystan Auden's [https://www.wikidata.org/wiki/Q178698] that he kept out of, he didn't use in his book and then he printed again in a recent edition. I think it's technically as awfully, it's light verse but it's also very serious underneath, as good light verse can me. Poem. \\n \\nBarbara Howes\\n00:30:15\\nReads [\\\"To You Simply\\\"] by W.H. Auden [published in The Collected Poetry of W.H. Auden].\\n \\nBarbara Howes\\n00:30:57\\nAnd this is a, I think a simply charming poem by Richard Wilbur [https://www.wikidata.org/wiki/Q1333582]. It gets...it's about the Piazza di Spagna [https://www.wikidata.org/wiki/Q15124814], the Spanish Steps in Rome [https://www.wikidata.org/wiki/Q220], and it gets the feeling of someone gliding, really gliding down that long, gorgeous stairway. \\n \\nBarbara Howes\\n00:31:22\\nReads [\\\"Piazza Di Spagna, Early Morning\\\"] by Richard Wilbur.\\n \\nBarbara Howes\\n00:32:11\\nThis is a poem by Louise Bogan [https://www.wikidata.org/wiki/Q516180], who's a very well known American poet, a very recent one that she, that came out in The New Yorker [https://www.wikidata.org/wiki/Q217305], this summer, I think.\\n \\nBarbara Howes\\n00:32:27\\nReads [\\\"Masked Woman’s Song\\\"] by Louise Bogan.\\n \\nBarbara Howes\\n00:32:51\\nIt's a difficult poem, might read that again, if you don't mind. \\n \\nBarbara Howes\\n00:32:56\\nRe \\\"Masked Woman’s Song\\\" by Louise Bogan.\\n \\nBarbara Howes\\n00:33:17\\nAnd then, the last, oh, oh that's right, I thought I would read a poem by Derek Walcott [https://www.wikidata.org/wiki/Q132701], which I used in this Carribean Anthology. It's mostly short stories but I put a poem in front of each language section. This is by Derek Walcott who's a young poet from St. Lucia [https://www.wikidata.org/wiki/Q760], called \\\"Missing the Sea\\\".\\n \\nBarbara Howes\\n00:33:48\\nReads \\\"Missing the Sea\\\" by Derek Walcott [from The Castaway and collected in From the Green Antilles: Writings of the Caribbean].\\n \\nBarbara Howes\\n00:34:31\\nIt's quite a difficult poem but you...he had a book out, oh, can't remember the name, by Farrar, Straus & Giroux [https://www.wikidata.org/wiki/Q3067003] a couple of years ago, in the United States. [https://www.wikidata.org/wiki/Q30] And the last of this group is a poem that I've heard about a hundred thousand times, but it still gives me a chill. It's called \\\"American Primitive\\\" by William Jay Smith [https://www.wikidata.org/wiki/Q4355736].\\n \\nBarbara Howes\\n00:35:06\\nReads \\\"American Primitive\\\" by William Jay Smith.\\n \\nBarbara Howes\\n00:35:47\\nI still get a chill! Now, I don't know whether you prefer to have an intermission, and get up and smoke, or prefer for me to continue, what would you think, Stanton?\\n \\nUnknown\\n00:36:06\\nAmbient Sound [voices].\\n \\nBarbara Howes\\n00:36:08\\nHave an intermission? So people can...breathe?\\n \\nUnknown\\n00:36:17\\nAmbient Sound [voices].\\n\\nUnknown\\n00:36:23\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n \\nBarbara Howes\\n00:36:23\\nThe problem is the third group of poems, I'd read some poems that are more or less to and about people, and some new poems, although I've noticed that most of my new poems are very depressing, and this is not a good note on which to end, so I'll maybe not read them. I've been very much interested in old French forms, the trielle, the villanelle, the rondeau and rondelle, and ballade and so on and so forth, and they're very difficult but they're fascinating to try, at least. And this is in the form of a trielle. And the lines have to be repeated in a certain fashion which gives you very little room in which to maneuver. This is called \\\"Early Supper\\\".\\n \\nBarbara Howes\\n00:37:14\\nReads \\\"Early Supper\\\" [from Light and Dark].\\n \\nBarbara Howes\\n00:38:10\\nThis is a poem I wrote for W.H. Auden for his fiftieth birthday, which was several years ago, now. I think actually, he was last year, sixty.\\n \\nBarbara Howes\\n00:38:21\\nReads [\\\"To W.H. Auden on his Fiftieth Birthday\\\" from Light and Dark].\\n \\nBarbara Howes\\n00:39:22\\nI wrote three poems at that point about winds, and I'll just read one of them. The winds have names in Italy and they almost become like familiar characters. The sirocco, when it blows, is so terrible in its effect on people that if there're crimes of passion, the people generally get off with a lighter sentence, because you sell, well, the sirocco. Naturally you can throttle your wife during that period. This is about the mistral, which, if it blows for three days, one survives, if it blows for six days it's simply awful. If it blows for nine days you've probably already gone out of your head. It's a very wild wind who rushes down the Rhone Valley [https://www.wikidata.org/wiki/Q2747791] and just blows everything away. \\n \\nBarbara Howes\\n00:40:22\\nReads [\\\"Mistral\\\" from Light and Dark].\\n \\nBarbara Howes\\n00:41:23\\nThis is another one, an old French form, the rondeau, which again makes its, has its own complications because of the repetition of lines. And what interested me to do was to try to use, not the usual subject of the rondeaux but to write about, as in this case, the death of a Vermont farm woman, instead of just doing some sort of chittery-chattery business that generally is what people use a rondeau for. \\n \\nBarbara Howes\\n00:42:03\\nReads [\\\"Death of a Vermont Farm Woman\\\" from Light and Dark].  \\n\\nBarbara Howes\\n00:42:51\\nThis is a poem about a very disagreeable character, a thirteenth-century tyrant called Ugolino [https://www.wikidata.org/wiki/Q706003], who met his death from being thrown into prison to die of hunger. He is reputed to have attempted to eat his sons, who were there with him. I must say, it's not an agreeable picture, but I don't think there's been much improvement in that part of mankind. Dante [https://www.wikidata.org/wiki/Q1067] writes of him in the 33rd Canto of the Inferno [https://www.wikidata.org/wiki/Q4509219]. This poem is called \\\"The Critic\\\" and, I must say, critics have disliked it heartily. \\n \\nBarbara Howes\\n00:43:28\\nReads \\\"The Critic\\\" [from Light and Dark].\\n \\nBarbara Howes\\n00:44:23\\nThis is a, an odd combination about a person and about Pownal, I guess. \\n \\nBarbara Howes\\n00:44:32\\nReads [\\\"Running into Edgar Bellemare\\\" from Looking Up at Leaves]. \\n \\nBarbara Howes\\n00:45:27\\nThis is a poem I wrote for Katherine Anne Porter [https://www.wikidata.org/wiki/Q236958] on the occasion of her 75th birthday. \\\"For Katherine Anne Porter\\\".\\n \\nBarbara Howes\\n00:45:39\\nReads “For Katherine Anne Porter” [from Looking Up at Leaves].\\n \\nBarbara Howes\\n00:46:15\\nIt's quite marvelous, those collective nouns, who would know that you call a lot of heron a siege of herons and so forth. I'll read that again, because it really is, I was very lucky the way it worked out.\\n \\nBarbara Howes\\n00:46:31\\nReads line from “For Katherine Anne Porter”.\\n \\nBarbara Howes\\n00:47:06\\nThis is called \\\"Looking up at Leaves\\\".\\n \\nBarbara Howes\\n00:47:14\\nReads \\\"Looking up at Leaves\\\" [from Looking Up At Leaves].\\n \\nBarbara Howes\\n00:48:09\\nI'd like to read one New England [https://www.wikidata.org/wiki/Q18389] poem, this is a newer poem, I haven't read this before, I guess.\\n \\nBarbara Howes\\n00:48:16\\nReads [\\\"Still Life: New England\\\", published later in The Blue Garden].\\n \\nBarbara Howes\\n00:49:34\\nI'll read three more poems, I think. This is \\\"A Rune for C.\\\"--‘C.’ was a dog of ours. \\n \\nBarbara Howes\\n00:49:51\\nReads \\\"A Rune for C.\\\" [from Looking Up At Leaves].\\n \\nBarbara Howes\\n00:50:36\\nActually, I had just often, I'd made up a good luck thing that seeing the caboose was good luck, but then I found out that this has been an old piece of, well, I don't know, country folklore, that to see the caboose, it means luck. I want to read one poem about my son, and then one short one. \\\"Portrait of the Boy as Artist\\\".\\n \\nBarbara Howes\\n00:51:18\\nReads \\\"Portrait of the Boy as Artist\\\" [from Light and Dark].\\n \\nBarbara Howes\\n00:52:11\\nOh, I did want to read one that I'll read next week in New York. This poem is a, this is a rondelle, which is another old French form. And I'm obviously not using it for the usual subject, in this case. It's arranged about the idea, really, of a contrast of the use of space. \\\"Viet-Napalm: A Rondelle\\\".\\n \\nBarbara Howes\\n00:52:45\\nReads \\\"Viet-Napalm: A Rondelle\\\".\\n \\nBarbara Howes\\n00:53:31\\nAnd then one last poem on a more cheerful note. \\\"Leaning into Light\\\".\\n \\nBarbara Howes\\n00:53:44\\nReads \\\"Leaning into Light\\\" [from Looking Up At Leaves].\\n \\nBarbara Howes\\n00:54:21.\\nThank you very much. \\n \\nAudience\\n00:54:23\\nApplause.\\n \\nStanton Hoffman\\n00:54:38\\nOne announcement, the next reading will be by Charles Reznikoff [https://www.wikidata.org/wiki/Q1065911], and that's Friday, the same time, November 17th. \\n\\nUnknown\\n00:54:46\\nAmbient Sound [voices].\\n \\nEND\\n00:54:57\\n\",\"notes\":\"Barbara Howes reads from Light and Dark (Wesleyan University Press, 1959), Looking Up at Leaves (Knopf, 1966), and From the Green Antilles: Writings of the Caribbean, (Macmillan, 1966) as well as some poems from unknown sources.\\n\\n00:00- Stanton Hoffman introduces Barbara Howes [INDEX: Boston, Bennington College, volumes of poetry: The Undersea Farmer (Banyan Press, 1948), In the Cold Country (Bonaci & Saul (Grove Press), 1954), Light and Dark (Wellesley University Press, 1959), Light and Dark (Knopf, 1966)- nominated for the National Book Award, editor of Caribbean writing (MacMillan, 1966), Twenty-Three Modern Stories (Vintage, 1963), won Bess Hawkin Prize of Poetry Magazine (1949), Guggenheim Fellowship (1955), Brandeis Poetry Award (1957), Harper's Bazaar, New World Writing, Poetry, Suani Review, New Republic, reading in NYC Poets for Peace sponsored by the Compassionate Art of the Fellowship of Reconciliation.]\\n01:48- Barbara Howes introduces reading, and “Primavera”. [INDEX: Mr. Hoffman,  \\tmicrophone, recording ‘machine’, reading order, poetry readings, place poems, influences, imagination, Florence (Italy), first son, Massachusetts, Vermont, Haiti,   \\tmountain, Italian poem.]\\n04:48- Reads \\\"Primavera\\\"  [INDEX:  horse, sick, city, Florence, Italy, riding, catacomb, past, history, stone, journey, Giotto, Aphrodite, art, architecture.]\\n06:29- Introduces and reads “The Triumph of Love”.  [INDEX: Italy, city, Venice, art,   Veronese, sight, gaze, painting, palace, love; from Light and Dark (Wesleyan University \\tPress, 1958)]\\n07:18- Introduces “L’Ile du Levant: The Nudist Colony”. [INDEX: La Bandue, town in the south of France, summer, car, house, baby, housewife, entertainment, island Toulon, Ile \\tle Bon, naval base, colony, small town, dock, nudist colony; from Light and Dark   (Wesleyan University Press, 1958).]\\n08:55- Reads “L’Ile du Levant: the Nudist Colony”. [INDEX: place, island, France, plants, cicadas, colony, nudist, vacation, display, clothes, body, skin, dusk]\\n10:59- Introduces “In Autumn”. [INDEX: Vermont, November, hunters, cities, pint bottles,  anti-hunter poem; from Light and Dark (Wesleyan University Press, 1958)]\\n11:37- Reads \\\"In Autumn\\\"  [INDEX: place, Vermont, city, rural, country, hunter,       \\thunting, game, cars, guns, blood, body, red, male, stag.]\\n12:29- Reads “Landscape, Deer Season”  [INDEX: buck, gun, deer, hunting, body, blood, sun, country, place, Vermont, death; from Looking up at Leaves (Knopf, 1966).]\\n13:16- Introduces “A Night Picture of Pownal for JFK”.  [INDEX Pownal poem, apple tree, snow, nighttime, death of Kennedy; from Looking up at Leaves (Knopf, 1966).]\\n14:06- Reads “A Night Picture of Pownal, for JFK”. [INDEX:  place, night, Pownal, Kennedy, history, Matthew Brady, civil war, moon, sound, death, tree, sight, tragedy, stain.]\\n15:19- Introduces “Town Meeting, Tuesday”. [INDEX: Vermont poem, Parnell Poem, cheerful, town meeting, first Tuesday in March, winter, woodchucks; from Looking up at Leaves (Knopf, 1966).]\\n15:45- Reads \\\"Town Meeting, Tuesday\\\"  [INDEX: place, Vermont, trees.]\\n16:22- Introduces  “Dead Toucan, Guadeloupe”. [INDEX: Easter vacations, Caribbean,          Guadeloupe, fish poems, islands, zoo, small hotel; ; from Looking up at Leaves (Knopf, 1966).]\\n17:04- Reads “Dead Toucan, Guadeloupe”. [INDEX: place, Guadeloupe, nature, bird, toucan, death, animals.]\\n17:55- Introduces “In a Prospect of Flowers”. [INDEX: Haiti, young painter, American woman, children, drowning death, Haitian attitudes and politics, tragedy, job; from Light and Dark (Wesleyan University Press, 1958).]\\n20:10- Reads “In a Prospect of Flowers”. [INDEX:  place, Haiti, art, artist, picture, water, pool, death, drowning, Icarus, elegy, ideal.]\\n21:10- Introduces “Mirror Image, Port-au-Prince”. [INDEX: sign on a tree; from Light and Dark (Wesleyan University Press, 1958).]\\n21:19- Reads “Mirror Image, Port-au-Prince”. [INDEX: place, Haiti, mirror, makeup,       woman, hairdresser; from Light and Dark (Wesleyan University Press, 1958).]\\n21:59- Reads “On Bougainvillea Vine at the Summer Palace”.  [INDEX: place, Haiti, lizard, nature, animals, palace, couple, winter.]\\n23:36- Introduces “Out Fishing”. [INDEX: Barbados, fishing poems; from Looking up at       Leaves (Knopf, 1966).] \\n23:46- Reads  “Out Fishing”. [INDEX: place, Barbados, ocean, fishing, fish, boat, war]\\n24:58- Introduces “The Crane Chub, Barbados”. [INDEX: technical experiment, diameter, trimeter, tetrameter, pentameter, one foot, one sound, fish poem; from Looking up at Leaves (Knopf, 1966).]\\n25:32- Reads “The Crane Chub, Barbados”. [INDEX: place, Barbados, fish, ocean, chub, eating, food, lover, absence]\\n26:18- Introduces “On Galveston Beach”. [INDEX: Jellyfish poem, Texas; from Looking up at Leaves (Knopf, 1966).]\\n26:32- Reads \\\"On Galveston Beach\\\"  [INDEX: place, Texas, Galveston Beach, ocean, beach, fish, jellyfish]\\n27:32- Introduces “A Letter from the Caribbean”. [INDEX:   Caribbean poem.]\\n27:45- Reads \\\"A Letter from the Caribbean\\\" [INDEX: place, Carribean, wind, air, nature, time, memory, remembrance.]\\n28:59- Introduces poem by Unknown author, first line “What a wonderful bird, the   \\tfraga” [Spelling unknown.] [INDEX: modern poets, poems Howes is attached to, poem   \\tcut out of newspaper, by an African schoolgirl; from unknown source.]\\n29:38- Reads “What a wonderful bird, the fraga” by unknown poet. [INDEX: nature, animal, bird, fraga.]\\n29:53- Introduces unknown poem, first line “For what is easy, for what though small” by    Wystan Auden. [INDEX: W.H. Auden, early poem, not published in his first edition,    \\tprinted in a recent edition, technical qualities, light verse; from Collected Shorter Poems, 1927-1957 (Faber Press, 1966) by W.H. Auden.]\\n30:15- Reads unknown poem, first line “For what is easy, for what though small” by    Wystan Auden. [INDEX: word, heart, memory]\\n30:57- Introduces poem by Richard Wilbur “Piazza Di Espagna, Early Morning”. [INDEX: Spanish Steps in Rome, gliding down a stairway; from unknown source.]\\n31:22- Reads poem by Richard Wilbur “Piazza Di Espagna, Early Morning”.\\n32:11- Introduces poem by Louise Bogan “Masked Woman Song”. [INDEX: American poet, The New Yorker Magazine; from unknown source.]\\n32:27- Reads “Masked Woman Song” by Louise Bogan. [INDEX: sight, woman, man, face, mask, virtue, evil, beauty.]\\n32:51- Decides to re-read the poem [INDEX: poem difficult to read.]\\n33:56- Re-reads “Masked Woman Song” by Louise Bogan.\\n33:17- Introduces “Missing the Sea” by Derek Walcott. [INDEX: Caribbean Anthology, short stories, poem in front of language section, St. Lucia; from From the Green Antilles:     Writings of the Caribbean (MacMillan, 1966).]\\n33:48- Reads “Missing the Sea” by Derek Walcott. [INDEX: place, house, absence, sea, sound, dead.]\\n34:31- Explains “Missing the Sea”, introduces “American Primitive” by William J. Smith. [INDEX: difficult poem, Walcott’s book (perhaps Another Life 1966) published by Farrar,   Straus & Giroux, United States, William J. Smith; from unknown source.]\\n35:06- Reads “American Primitive” by William J. Smith. [INDEX: man, clothes, money,     America, father, daddy, dollar.]\\n35:47- Introduces intermission. [INDEX: chill from poem, Stanton (Hoffman).]\\n36:23- Cut made in tape.\\n36:23- Howe introduces third group of poems and “Early Supper”. [INDEX: poems to or about people, new poems as depressing, old French forms, trielle, villanelle, rondeau and rondelle, ballade, difficult but fascinating, trielle; from unknown source.]    \\n37:14- Reads “Early Supper”. [INDEX: genre, form, trielle, kitchen, autumn, children, eating, cooking, food, night.]\\n38:10- Introduces “To W.H. Auden on his Fiftieth Birthday”. [INDEX: poem for W.H. Auden on his fiftieth birthday, sixtieth birthday last year; from Light and Dark (Wesleyan \\tUniversity Press, 1958).]\\n38:21- Reads “To W.H. Auden on his Fiftieth Birthday”. [INDEX: occasional poem, books, library, poem, poet, Auden.]\\n39:22- Introduces “Mistral”. [INDEX: three poems about winds, wind names in Italy, sirocco, crimes of passion, mistral blows for three days, down the Rhone Valley; from Light and Dark (Wesleyan University Press, 1958).]\\n40:22- Reads “Mistral”. [INDEX: nature, wind, Mistral, place, Italy, solitude, sound, storm.]\\n41:23- Introduces “Death of a Vermont Farm Woman”. [INDEX: old French form,   \\tcomplications because of the repetition of lines, not the usual subject of the rondeaux; from Light and Dark (Wesleyan University Press, 1958).]\\n42:03- Reads “Death of a Vermont Farm Woman”. [INDEX: form, genre, rondeau, death, woman, Vermont, place, farm.]\\n42:51- Introduces “The Critic”. [INDEX: disagreeable character, thirteenth century tyrant called Ugolino, prison, eat his sons, Dante’s 33rd Canto of the Inferno, critics dislike the poem; from Light and Dark (Wesleyan University Press, 1958).] \\n43:28- Reads “The Critic”. [INDEX: Ugolino, Dante, critic, criticism, poets, Eliot, Yeats,      eating, wisdom.]\\n44:23- Introduces “Running into Edgar Blemar”. [INDEX: odd combination or a person and Pownal; from Looking Up at Leaves (Knopf, 1966).] \\n44:32- Reads \\\"Running into Edgar Belmar\\\"  [INDEX: place, Vermont, Pownal, Edgar Belmar, car, children, accident.]\\n45:27- Introduces “For Catherine Anne Porter”. [INDEX: written for Catherine Ann Porter on her 75th birthday; from Looking Up at Leaves (Knopf, 1966).] \\n45:39- Reads “For Catherine Anne Porter”. [INDEX: occasional poem, Catherine Ann Porter, birthday, birds, heron, peacock, dove, starling, nightingale, lark.]\\n46:15- Introduces unknown poem first line “For Catherine Anne Porter”. [INDEX:   \\tcollective nouns, siege of herons.]\\n46:31- Rereads “For Catherine Anne Porter”. [INDEX: occasional poem, Catherine Ann     Porter, birthday, birds, heron, peacock, dove, starling, nightingale, lark.]\\n47:06- Introduces “Looking up at Leaves”. [INDEX: from Looking Up at Leaves (Knopf,     1966).] \\n47:14- Reads “Looking up at Leaves”. [INDEX: nature, tree, leaves, sight, reflection.]\\n48:09- Introduces “Still Life, New England”. [INDEX: new poem, never read before; unknown source.]\\n48:16- Reads “Still Life, New England”.   [INDEX: nature, animal, cow, birth, calf, sheep, boar, death, cat.]\\n49:34- Introduces “A Rune for C.”. [INDEX: dog named ‘C’; from Looking Up at Leaves      (Knopf, 1966).]\\n49:51- Reads “A Rune for C.”. [INDEX: animal, dog, sickness, omen, luck, rune, fate, death, train]\\n50:36- Explains “A Rune for C.”, introduces “Portrait of the Boy as Artist”. [INDEX: good    luck, caboose, country folklore; from Light and Dark (Wesleyan University Press, 1958).]\\n51:18- Reads “Portrait of the Boy as Artist”.  [INDEX: son, boy, artist, composer, music,     painter, train, colour, poet, Theseus, Daniel Boone, youth.]\\n52:11- Introduces “Viet-Napalm: A Rondelle”. [INDEX: will read in New York, rondelle, old French form, not usual subject, contrast of the use of space; unknown source.]\\n52:45- Reads “Viet-Napalm: A Rondelle”. [INDEX: war, Vietnam, peace, bomb, death, face, genre, form, rondelle.]\\n53:31- Introduces “Leaning into Light”. [INDEX: cheerful poem; unknown source.]\\n53:44- Reads “Leaning into Light”. [INDEX: hibiscus, nature, plant, light, shadow, wisteria]\\n54:21- Barbara Howes thanks audience.\\n54:38- Stanton Hoffman makes announcement about next reading. [INDEX: Charles Reznikoff reading on Friday, November 17th.]\\n54:57.60- RECORDING ENDS.\\n \\nHoward Fink Print catalogue page from Concordia University archives contains the following information:\\n \\nTitle: Barbara Howes reading poetry, November 3, 1967\\nDate: November 3, 1967\\nSource: one 7”, two track tape, mono, @ 3 ¾ ips, lasting one hour and 15 mins.\\n \\n1. Title:              \\n    First line: “The horse with consumption…”\\n2. Title: The Triumph of Love\\n    First line:        \\n3. Title:              \\n    First line: “All the wide…”\\n4. Title:              \\n    First line: “In Autumn, red men come…”\\n5. Title: Landscape: Deer Season\\n    First line: “Snorting his pleasure in the…”\\n6. Title: A Night Picture of Ponel for J.F.K.\\n    First line: “Thanks to the moon…”\\n7. Title: Town Meeting; Tuesday\\n    First line: “Our roadside trees…”\\n8. Title: Dead Tucan; Guadeloupe\\n    First line: “Down like the oval fall of a hammer…\\n9. Title:              \\n    First line: “As in his tomb…\\n10. Title: Mirror Image: Port au Prince\\n      First line: “Mirror image: Port au Prince…”\\n11. Title:              \\n      First line: “Under the Sovereign…”\\n12. Title: Out Fishing\\n      First line: “We went out…”\\n13. Title:              \\n      First line: “Darling I learn the full…”\\n14. Title: On Galveston Beach\\n      First line: “The sky was…”\\n15. Title: A Letter from the Caribbean\\n      First line: “Breeze ways in the tropics\\n16. Title: poem by a young African girl [is this the real title or a stand-in?]\\n      First line: “What a wonderful…”\\n17. Title: by W. H. Auden Poem\\n      First line: “For what is easy…”\\n18. Title: by R. Wilbur\\n      First line: “I can’t forget how she stood…”\\n19. Title: by L. Boden Masked Woman Song\\n      First line: “Before I saw the tall…”\\n20. Title: by D. Walker Missing the Sea\\n      First line: “Something removed roars in the ears…”\\n21. Title: by W. J. Smith American Primitive\\n      First line: “Look at him there…”\\nend of track one\\n22. Title: Early Supper  \\n      First line: “Laughter children bring…”\\n23. Title:              \\n      First line: “Books collide…”\\n24. Title: Mistral\\n      First line:        \\n25. Title:              \\n      First line: “It is time now to go away…”\\n26. Title: The Critic\\n      First line: “…takes his rest…”\\n27. Title:              \\n      First line: “In my fool…”\\n28. Title: For Katherine N. Porter\\n      First line: “Madam, a siege…”\\n29. Title: Looking up at Leaves\\n      First line: “No one need feel alone”\\n30. Title: Still Life: New England\\n      First line: “From that old cow…”\\n31. Title:              \\n      First line: “Luck, I am upset…”\\n32. Title: Portrait of a Boy as Artist\\n      First line: “Were he a composer…”\\n33. Title:              \\n      First line: “To save face…”\\n34. Title: Leaving into Light\\n      First line: “Beginning…”\\n\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/barbara-howes-at-sgwu-1967/\"}]"],"score":0.01643844},{"id":"1265","cataloger_name":["Masoumeh,Zaare"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Charles Reznikoff at Sir George Williams University, The Poetry Series, 17 November 1967"],"item_title_source":["Cataloguer"],"item_title_note":["\"CHARLES REZNIKOFF I006/SR153\" written on sticker on the spine of the tape's box. \"I006-11-153\" written on sticker on the reel"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 2"],"item_identifiers":["[]"],"creator_names":["Reznikoff, Charles"],"creator_names_search":["Reznikoff, Charles"],"creators":["[{\"url\":\"http://viaf.org/viaf/51811237\",\"name\":\"Reznikoff, Charles\",\"dates\":\"1894-1976\",\"notes\":\"American poet Charles Reznikoff was born on August 31, 1894, in Brooklyn, New York. His parents were Jewish Russian émigrés, and often encountered anti-semitism, which would have a strong influence on Reznikoff’s later work. An intelligent boy, Reznikoff finished high school in 1909, at the age of fifteen- three years ahead of his class. In the hopes of becoming a writer, Reznikoff entered the journalism department at the University of Missouri, but left after a year when he realized the priorities of a journalist and a poet were different. In 1912, he enrolled in New York University’s Law school, graduating at the top of his class in 1915, and entered the Bar of the State of New York the next year. Reznikoff spent a few years practicing as a lawyer, but again, he felt he needed to spend his energy writing, not working as a lawyer. Reznikoff published his first book of poems Rhythms in 1918, on his own small press, the next year printing Rhythms II. In 1920, he met Samuel Roth, who published Poems (S.Roth at the New York Poetry Book Shop), and during that decade he was able to publish more poems in magazines and plays. Reznikoff supported himself by working on the editorial board of the American Law Book Company, writing law encyclopedias. Reznikoff married his wife, Marie Syrkin in 1930. During the 1930s, Reznikoff met and joined the Objectivist group with Louis Zukofsky, George Oppen and Carl Rakosi. The Objectivist Press published three of Reznikoff’s books, Jerusalem the Golden (Objectivist Press, 1934), In Memoriam: 1933 (Objectivist Press, 1934) and Separate Way (Objectivist Press, 1936). Reznikoff spent a short time in Hollywood in the late 30’s, working as a screenwriter. Marie Reznikoff was hired by the English Department at Brandeis University in Boston, and throughout the 40’s Charles Reznikoff stayed in New York working on freelance contracts. Reznikoff published Going To and Fro and Walking Up and Down (Futuro Press, 1941). For a period of eighteen years, Reznikoff did not publish any poetry, until 1959, when Inscriptions: 1944-1956  was self-published. Reznikoff then published By the Waters of Manhattan: Selected Verse (New Directions, 1962), his major works Testimony: The United States (1885-1890): Recitative (New Directions, 1965), Testimony: The United States (1891-1900): Recitative (Privately Published, 1968) and Holocaust (Black Sparrow Press, 1975). Reznikoff also published By the Well of Living and Seeing and The Fifth Book of the Maccabees (Self Published, 1969), By the Well of Living & Seeing: New & Selected Poems 1918-1973 (Black Sparrow Press, 1974), several works of prose including Testimony (The Objectivist Press, 1934) and Family Chronicle: An Odyssey from Russia to America (Norton Bailey with the Human Constitution, 1969). A lifelong resident of New York City, Charles Reznikoff died on January 22, 1976 after suffering from a heart attack. The most comprehensive collection of Reznikoff’s work can be found in Poems 1918-1975: The Complete Poems of Charles Reznikoff (Black Sparrow Press, 1976-77), edited by Seamus Cooney.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"Presenter_name":["Bowering, George"],"Series_organizer_name":["Bowering, George"],"Performance_Date":[1967],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"Tape\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"Dates":["[{\"date\":\"1967 11 17\",\"type\":\"Performance Date\",\"notes\":\"Date specified in The Georgian's \\\"Op-Ed\\\"\",\"source\":\"Supplemental Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Art Gallery\",\"notes\":\"Location specified in The Georgian's \\\"Op-Ed\\\"\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Art Gallery"],"City":["Montreal, Quebec"],"content_notes":["Charles Reznikoff reads poems from several books, including Jerusalem the Golden (Objectivist Press, 1934), Inscriptions: 1944-1956 (Shulsinger Brothers, 1959), Going To and Fro and Walking Up and Down (Futuro Press, 1941), and By the Waters of Manhattan: Selected Verse (New Directions, 1962). Many of the poems were later re-organized, edited, and included in other publications, such as Poems 1918-1975:The Complete Poems of Charles Reznikoff (Black Sparrow, 1989). "],"contents":["charles_reznikoff_i006-11-153.mp3\n\nGeorge Bowering\n00:00:00\nI'd like to welcome you all to our third reading, and announce just before I have to say what I say that the next reading will be with Daryl Hine [https://www.wikidata.org/wiki/Q5226186] on the first of December. Tonight's reading will be by, as you probably all know, Mr. Charles Reznikoff [https://www.wikidata.org/wiki/Q1065911], whom I'm very happy to have the job, the chore of introducing, because I've been interested in his work for many years. He was born in Brooklyn [https://www.wikidata.org/wiki/Q18419], 1894, and graduated from the law school of New York University [https://www.wikidata.org/wiki/Q49210], admitted to the bar of the state of New York [https://www.wikidata.org/wiki/Q60] but never practiced, however, the law experience has stood him in good stead for his later poetry. He's published a number of volumes of verse and several volumes of prose, but most to the point, books that you probably saw on the table outside, in print by New Directions [https://www.wikidata.org/wiki/Q27474] and the San Francisco Review [https://www.wikidata.org/wiki/Q17087510], By the Waters of Manhattan, which was this joint effort's first book in 1962, and in 1965, Testimony, which is the first volume in a projected series of volumes about the moral and legal history of the United States [https://www.wikidata.org/wiki/Q30]. The main--my--the reason I said that I'm very happy about Mr. Reznikoff is because when I was going to university I was very hard looking for an alternative to the kind of poetry that was in vogue, especially in the universities, that is, that which tended towards T.S. Eliot [https://www.wikidata.org/wiki/Q37767] and highly symbolic language, and Mr. Reznikoff was one of the first poets I found able to do that for me, and I found a short poem of his which I would like to be brash enough to read, as introduction. He said, \"Not because of victories I sing, having none, but for the common sunshine, the breeze, the largesse of spring. Not for victory, but for the day's work done, as well as I was able, not for a seat upon the dais, but at the common table.\"  So to this common table, rather than dais, I'd like to welcome Mr. Charles Reznikoff.  \n \nAudience\n00:02:34\nApplause.\n \nCharles Reznikoff\n00:02:56\nVery much obliged to the gentleman who introduced me, among other things, for reading something I did. Perhaps I should ask him to read all that I brought along. But to get down to what I have here, let me say, to begin with, a few days ago, I came across in a bookshop a collection of Chinese verse translated into English. At the beginning was the following, written a thousand years ago, and I was very much impressed with it, and permit me to read it to you as a sort of an introduction. This man who wrote in the 11th century, this Chinese, said this: \"Poetry presents the thing in order to convey the feeling.  It should be precise about the thing and reticent about the feeling.\" I thought that was...expressed exactly what I feel, and what I have tried to do, not always, not always, I'm afraid, as well as called for, but a recipe. Among other things, let me begin by reading a couple of things I did also on the way I think verse should be written. And this is from this, By the Waters of Manhattan. \n \nCharles Reznikoff\n00:04:47\nReads \"Salmon and Red Wine\" from By the Waters of Manhattan: Selected Verse [also published in Inscriptions: 1944-1956].\n \nCharles Reznikoff\n00:05:39\nThat's the first in this. And the second, I did on the same theme, in a way. \n \nCharles Reznikoff\n00:05:47\nReads \"I have neither the time nor the weaving skill, perhaps\" from By the Waters of Manhattan: Selected Verse [also published in Inscriptions: 1944-1956].\n\n \nCharles Reznikoff\n00:06:13\nNow, let me start with a group which I've written about the city I come from, New York, and its suburbs, and some of its residents, including myself.\n \nCharles Reznikoff\n00:06:27\nReads \"The winter afternoon darkens\" [from By the Waters of Manhattan: Selected Verse].\n \nCharles Reznikoff\n00:06:44\nAnd this I call \"The Scrubwoman\". \n \nCharles Reznikoff\n00:06:48\nReads \"The Scrubwoman\" [from Rhythms II and from By the Waters of Manhattan: Selected Verse].\n \nCharles Reznikoff\n00:07:07\nReads \"The peddler who goes from shop to shop\". \n \nCharles Reznikoff\n00:07:27\nAnd this next. \n \nCharles Reznikoff\n00:07:31\nReads “The elevator man\" [from Going To and Fro and Walking Up and Down and from By the Waters of Manhattan: Selected Verse]. \n \nCharles Reznikoff\n00:07:54\nReads \"The shopgirls leave their work\" [from Five Groups of Verse, Rhythms, and from By the Waters of Manhattan: Selected Verse].\n \nCharles Reznikoff\n00:08:16\nThis one I call \"Cooper Union Library\". I should add, it's no longer that way, this is the way it used to be.\n \nCharles Reznikoff\n00:08:23\nReads \"Cooper Union Library\" [from \"Going To and Fro and Walking Up and Down and from By the Waters of Manhattan: Selected Verse].\n \nCharles Reznikoff\n00:08:42\nReads \"Showing a Torn Sleeve\" [from By the Waters of Manhattan: Selected Verse and published later in Poems 1918-1936: The Complete Poems of Charles Reznikoff]. \n\nCharles Reznikoff\n00:09:06\nReads \"Two girls of twelve or so at a table\" [from Inscriptions: 1944-1956 and from By the Waters of Manhattan: Selected Verse].\n \nCharles Reznikoff\n00:09:54\nReads \"I am always surprised to meet\" [from Going To and Fro and Walking Up and Down and from By the Waters of Manhattan: Selected Verse].\n \nCharles Reznikoff\n00:10:23\nReads \"Rails in the Subway\" [from Jerusalem the Golden and from By the Waters of Manhattan: Selected Verse]. \n \nAudience\n00:10:35\nLaughter.\n \nCharles Reznikoff\n00:10:41\nReads \"This subway station, with its electric lights\" [from Going To and Fro and Walking Up and Down and from By the Waters of Manhattan: Selected Verse].\n \nAudience\n00:10:58\nLaughter.\n \nCharles Reznikoff\n00:11:06\nReads \"Among the heaps of brick and plaster lies\" [from Jerusalem the Golden and from By the Waters of Manhattan: Selected Verse].\n \nCharles Reznikoff\n00:11:18\nReads \"The sky is blue\" [from Jerusalem is Golden].\n \nCharles Reznikoff\n00:11:42\nThis I call \"Suburban River, Winter\".\n \nCharles Reznikoff\n00:11:48\nReads \"Suburban River, Winter\" [from By the Waters of Manhattan: Selected Verse].\n \nCharles Reznikoff\n00:12:07\nAnd this too I call \"Suburban River,\" this is \"Summer\".\n \nCharles Reznikoff\n00:12:13\nReads \"Suburban River, Summer\" [from By the Waters of Manhattan: Selected Verse].\n \nCharles Reznikoff\n00:12:38\nThis I call \"Twilight\".\n \nCharles Reznikoff\n00:12:40\nReads \"Twilight\" [from By the Waters of Manhattan: Selected Verse and published later in The Poems Of Charles Reznikoff 1918–1975]. \n \nCharles Reznikoff\n00:12:56\nReads \"Fraser, I think, tells of a Roman\" [from Inscriptions: 1944-1956 and from By the Waters of Manhattan: Selected Verse; audience laughter throughout].\n \nCharles Reznikoff\n00:13:21\nReads \"The dogs that walk with me” [from Inscriptions: 1944-1956 and from By the Waters of Manhattan: Selected Verse].\n \nCharles Reznikoff\n00:13:44\nThis I call a \"Fable\".\n \nCharles Reznikoff\n00:13:46\nReads \"Fable\" [from Inscriptions: 1944-1956 and from By the Waters of Manhattan: Selected Verse]. \n \nCharles Reznikoff\n00:14:15\nReads \"Scrap of paper\" [from Inscriptions: 1944-1956 and from By the Waters of Manhattan: Selected Verse].  \n \nCharles Reznikoff\n00:14:28\nReads \"One of my sentinels, a tree\" [from Inscriptions: 1944-1956 and from By the Waters of Manhattan: Selected Verse].   \n \nCharles Reznikoff\n00:14:45\nReads \"I have not even been in the fields\" [from Rhythms ll and from By the Waters of Manhattan: Selected Verse]. \n \nCharles Reznikoff\n00:15:01\nReads \"How grey you are! No, white!” [from Inscriptions: 1944-1956 and from By the Waters of Manhattan: Selected Verse]. \n \nCharles Reznikoff\n00:15:25\nReads \"Blurred sight, and trembling fingers\" [from Inscriptions: 1944-1956 and from By the Waters of Manhattan: Selected Verse]. \n \nCharles Reznikoff\n00:15:47\nReads \"You were young and contemptuous\" [from Inscriptions: 1944-1956 and from By the Waters of Manhattan: Selected Verse]. \n \nCharles Reznikoff\n00:16:03\nThis I call \"Heart and Clock\", there's a series in here. \n \nCharles Reznikoff\n00:16:09\nReads \"Heart and Clock” [from Separate Way and from By the Waters of Manhattan: Selected Verse].\n \nCharles Reznikoff\n00:16:51\nReads \"If my days were like the ant's\" [published as “Heart and Clock II” in By the Waters of Manhattan: Selected Verse]. \n \nCharles Reznikoff\n00:17:18\nReads \"Our nightingale, the clock\" [from Jerusalem the Golden and from By the Waters of Manhattan: Selected Verse].  \n \nCharles Reznikoff\n00:17:32\nReads \"The clock on the bookcase ticks\" [from By the Waters of Manhattan: Selected Verse and published later in The Poems Of Charles Reznikoff 1918–1975].  \n \nCharles Reznikoff\n00:17:47\nReads \"My hair was caught in the wheels of a clock\" [from Jerusalem the Golden and from By the Waters of Manhattan: Selected Verse].   \n\nCharles Reznikoff\n00:17:58\nReads \"Of course we must die\" [from Inscriptions: 1944-1956 and from By the Waters of Manhattan: Selected Verse].\n \nCharles Reznikoff\n00:18:20\nReads \"Now it is cold\" [from Going To and Fro and Walking Up and Down and from By the Waters of Manhattan: Selected Verse].\n\nCharles Reznikoff\n00:19:33\nReads \"It had been snowing at night\" [from By the Waters of Manhattan: Selected Verse and published later in The Poems Of Charles Reznikoff 1918–1975].  \n \nCharles Reznikoff\n00:19:54\nReads \"Hardly a breath of wind\" [from Inscriptions: 1944-1956 and from By the Waters of Manhattan: Selected Verse].\n \nCharles Reznikoff\n00:20:14\nReads \"After I had worked all day\" [from Five Groups of Verse and from By the Waters of Manhattan: Selected Verse]. \n \nCharles Reznikoff\n00:20:42\nNow I have a group that I will call 'religious,' for perhaps no better word, and this I call \"Meditations on the Fall and Winter Holidays\", and the first is “New Year's”. As many of you, or some of you may know, no doubt, the Jewish New Year's comes in the fall. This is based on it.\n \nCharles Reznikoff\n00:21:11\nReads \"Meditations on the Fall and Winter Holidays: New Year's\" [from Inscriptions: 1944-1956 and from By the Waters of Manhattan: Selected Verse].\n \nCharles Reznikoff\n00:23:19\nAnd I call the next one \"The Day of Atonement\".\n \nCharles Reznikoff\n00:23:24\nReads \"The Day of Atonement\" [from Inscriptions: 1944-1956 and from By the Waters of Manhattan: Selected Verse].\n \nCharles Reznikoff\n00:24:50\nAnd this I call \"Hanukkah\" which incidentally is a holiday that's just about to come, and it, as some of you may know, it represents the victory, a festival celebrating the victory of the Maccabees over the Syrians, about 150 B.C.E.\n \nCharles Reznikoff\n00:25:14\nReads \"Hanukkah\" [from Inscriptions: 1944-1956 and from By the Waters of Manhattan: Selected Verse].\n \nCharles Reznikoff\n00:26:59\nI don't know why I should be having a cold on this occasion but, [laughter], these things [blows nose]. \n \nCharles Reznikoff\n00:27:18\nReads \"The lamps are burning in the synagogue\" [from Inscriptions: 1944-1956].\n \nCharles Reznikoff\n00:28:40\nThis one I call \"Samuel\". Samuel in the Bible, of course.\n \nCharles Reznikoff\n00:28:47\nReads \"Samuel\" [from Five Groups of Verse and from By the Waters of Manhattan: Selected Verse].\n \nCharles Reznikoff\n00:30:06\nThese are all from By the Waters of Manhattan, and I'm going to read you, if I may, something quite different, from the volume called Testimony, and which I call \"Recitative\".\n \nCharles Reznikoff\n00:30:27\nReads \"Recitative\" [from Testimony: the United States (1885-1890); Recitative].\n \nCharles Reznikoff\n00:31:15\nThat's the first. This, these, incidentally, I might say, are all based on law cases. Ah...I don't know what...whether that'll excuse their ferocity, but apparently something like that once happened. The names are different. The facts are the same.\n \nCharles Reznikoff\n00:31:39\nReads \"Tilda was just a child...” [from Testimony: the United States (1885-1890); Recitative].\n \nCharles Reznikoff\n00:32:49\nAnd this is the third in this. \n \nCharles Reznikoff\n00:32:53\nReads \"Years ago, a company procured a body of land...\" [from Testimony: the United States (1885-1890); Recitative].\n \nCharles Reznikoff\n00:33:44\nNow...let's see, if I may, the time...Here is a poem with which I generally end these readings but I don't intend to end this unless you wish me to because I have some other things to read. But I'll end it right here anyway and then we'll see how much time is left. I call this \"Kaddish\". Now, it's not the Kaddish for mourners that you might know about. It was written at the beginning of the rise of Hitler [https://www.wikidata.org/wiki/Q352]. I did it; I mean, I did the writing, not the Kaddish, which is very old. It was written at the beginning of the rise of Hitler and his influence, and before his extermination program was put into effect. It's really an ancient blessing in the Jewish ritual. And incidentally, I use that word \"Torah,\" and I doubt, it may be strange to many, but James Parks, I notice, in his History of the Jewish People, has defined it, correctly, I think, \"The word Torah,\" he says, \"has been defined as law, but is much wider in meaning. It applies a way of life\".  Now this is this \"Kaddish\".\n \nCharles Reznikoff\n00:35:09\nReads \"Kaddish\" [from Separate Way and from By the Waters of Manhattan: Selected Verse]].\n \nCharles Reznikoff\n00:36:43\nThis ends the, let's say the first part. And I'll continue, if you like, with some others, unless you're all...[inaudible]\n \nAudience\n00:36:51\nApplause.\n \nCharles Reznikoff\n00:37:04\nWell I, if, I shall continue, if you're not all exhausted. I have here, quite a few things that are not arranged in any way, so they're more or less haphazard. And...this is one. Let's see...well this one is “After Reading Translations of Ancient Texts on Stone and Clay”.\n \nCharles Reznikoff\n00:37:37\nReads “After Reading Translations of Ancient Texts on Stone and Clay”.\n \nCharles Reznikoff\n00:38:47\nNow, these, these are much less organized than that, haphazard, you'll have to take them as they come if we keep on. \n \nCharles Reznikoff\n00:39:00\nReads \"As I was wandering with my unhappy thoughts\" [from Inscriptions: 1944-1956 and from By the Waters of Manhattan: Selected Verse].\n\nCharles Reznikoff\n00:39:36\nReads \"The young fellow walks about with nothing to do\" [from Going To and Fro and Walking Up and Down and from By the Waters of Manhattan: Selected Verse]. \n \nCharles Reznikoff\n00:40:09\nReads “A well-phrased eulogy\" [from Inscriptions: 1944-1956 and from By the Waters of Manhattan: Selected Verse].\n \nCharles Reznikoff\n00:40:44\nReads \"On a Sunday, when the place was closed\" [from Going To and Fro and Walking Up and Down].  \n \nCharles Reznikoff\n00:41:12\nNow here are two earlier testimony, two or more things based on a law case, which I call \"Testimony\", and these were included in that same By the Waters of Manhattan. \n \nBy the Waters of Manhattan. \n00:41:28\nReads \"The Company had advertised for men\" from By the Waters of Manhattan: Selected Verse. \n \nCharles Reznikoff\n00:43:13\nThat's the first, and this is the second.\n \nCharles Reznikoff \n00:43:16\nReads \"Amelia was just fourteen\" from By the Waters of Manhattan: Selected Verse.\n \nCharles Reznikoff\n00:44:33\nThat's the second. I have some more I'd like to get at before I close. Well, this I wrote for my wife. Pity she isn't here, but we'll read it in her absence.\n \nCharles Reznikoff\n00:44:55\nReads \"Malicious women greet you, saying...\" [from By the Waters of Manhattan: Selected Verse and published later in The Poems Of Charles Reznikoff 1918–1975].  \n\n Charles Reznikoff\n00:45:38\nNow, this, this is a kind of counterpiece to this I have just read. It was not written for my wife. [Laughter].\n \nCharles Reznikoff\n00:45:56\nReads \"He had with him a bag\" [from By the Waters of Manhattan: Selected Verse and published later in The Poems Of Charles Reznikoff 1918–1975].  \n \nAudience\n00:46:38\nLaughter. \n \nCharles Reznikoff\n00:46:42\nI'm reading this 'cause...\"On a seat\"...maybe it would....I think this is rather appropriate in view of all the Hebrew things I read.\n \nCharles Reznikoff\n00:46:56\nReads \"On a seat in the subway\" [from Going To and Fro and Walking Up and Down].  \n\nCharles Reznikoff\n00:47:41\nReads \"Permit me to warn you\" [from Jerusalem the Golden and from By the Waters of Manhattan: Selected Verse].\n \nAudience\n00:47:51\nLaughter.\n \nCharles Reznikoff\n00:47:59\nReads \"These days, the papers in the street\" [from Jerusalem the Golden and from By the Waters of Manhattan: Selected Verse].\n \nCharles Reznikoff\n00:48:36\nLet me close, unless it...if I should...with something that I tried to do which may be something to close with. This is based on the Book of Ezra [https://www.wikidata.org/wiki/Q131635], and the Book of Ezra, according to my note, I've probably forgotten by this time, is, 'This is a rearrangement and a versification of parts of the Fourth Book of Ezra.' And that's what it's called in the appendix to the Vulgate [https://www.wikidata.org/wiki/Q131175], or two Esdras of the Protestant Apocrypha. And I based this upon a translation of this Book of Ezra from the Syriac by a friend of mine who taught, and I have their permission and all, but the original was probably, there's quite a discussion as to what the original was right, and some scholars believe that it was in Greek, and a Doctor Bocks, who was in, G.H. Bocks, thinks that it was in Hebrew, and Bloch, who was, they had in 42nd Street at the library, didn't think that it was in either Greek or Hebrew, but Aramaic. Anyway, excuse me just, [laughter], anyway, I will read it, and its adaptation of it, and see what one can do with things that you...clear up. \n \nCharles Reznikoff\n00:50:12\nReads “Because I saw the desolation of Zion\" [from By the Waters of Manhattan: Selected Verse and published later in The Poems of Charles Reznikoff: 1918-1975]. \n \nCharles Reznikoff\n00:53:33\nAnd I think this is enough, perhaps, for a time. \n \nAudience\n00:53:36\nApplause.\n \nGeorge Bowering\n00:54:01\nWhat else, thank you very much, Mr. Reznikoff, and I'd just like to repeat that the next reading is at, two weeks from tonight, December the first, Daryl Hine, who's a graduate of the other university.\n \nEND\n00:54:21\n"],"Note":["[{\"note\":\"Year-Specific Information:\\n \\nIn 1967, Reznikoff held several other readings, including one at the 92nd Street Y in New York City. The next year, 1968, Testimony: The United States (1891-1900): Recitative was published.\\n\",\"type\":\"General\"},{\"note\":\"Local Connections:\\n\\nNo direct connections to Sir George Williams University are known. However, Charles Reznikoff was an established and highly regarded poet from New York. Reznikoff was involved in the Objectivist movement and an important American poet during the 60’s and 70’s.\\n\",\"type\":\"General\"},{\"note\":\"Reel-to-reel tape>CD>digital file\",\"type\":\"Preservation\"},{\"note\":\"Original transcript by Rachel Kyne\\n\\nOriginal print catalogue, introduction, research and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Ali Barillaro\",\"type\":\"Cataloguer\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-twentieth-century-poetry-in-english/oclc/807465072&referer=brief_results\",\"citation\":\"Heller, Michael. “Reznikoff, Charles\\\". The Oxford Companion to Twentieth-Century Poetry in English. Ian Hamilton (ed). Oxford University Press, 1996. \"},{\"url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/charles-reznikoff-at-sgwu-1967/\",\"citation\":\"Nemiroff, Michael. “Nemiroff on Reznikoff.” OP-ED. Montreal: Sir George Williams University, 28 November 1967, p. 7. \"},{\"url\":\"https://www.worldcat.org/title/history-of-the-jewish-people/oclc/32303940&referer=brief_results\",\"citation\":\"Parks, James Williams. A History of the Jewish People. London: Weidenfeld and Nicolson, 1952. \"},{\"url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/charles-reznikoff-at-sgwu-1967/\",\"citation\":\"“Poetry: Bards Heard”. OP-ED. Montreal: Sir George Williams University, 14 November 1967, page 6. \"},{\"url\":\"https://www.concordia.ca/content/dam/concordia/offices/archives/docs/postgrad/Postgrad-1967-Spring.pdf\",\"citation\":\"“Poetry Readings”. Post-Grad. Montreal: Sir George Williams University, Spring 1967, page 20. \"},{\"url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/charles-reznikoff-at-sgwu-1967\",\"citation\":\"“Poetry Readings - Sir George Williams”. Montreal: Sir George Williams University, 1967. \"},{\"url\":\"https://library.ucsd.edu/speccoll/findingaids/mss0009.html\",\"citation\":\"“The Register of Charles Reznikoff Papers 1912-1976”. Mandeville Special Collections Library, Geisel Library, University of California, San Diego. \"},{\"url\":\"http://www.poets.org/poet.php/prmPID/694\",\"citation\":\"“Reznikoff, Charles”. Poets.org. The Academy of American Poets, 2007-2009. \"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-american-literature/oclc/54356940&referer=brief_results\",\"citation\":\"\\\"Reznikoff, Charles\\\". The Oxford Companion to American Literature. James D. Hart (ed.), Phillip W. Leininger (rev). Oxford University Press, 1995. \"},{\"url\":\"https://www.worldcat.org/title/concise-oxford-companion-to-american-literature/oclc/1146399202&referer=brief_results\",\"citation\":\"\\\"Reznikoff, Charles\\\". The Concise Oxford Companion to American Literature. James D. Hart (ed). Oxford University Press, 1986. \"},{\"url\":\"https://www.worldcat.org/title/by-the-waters-of-manhattan-selected-verse-introduction-by-cp-snow/oclc/503805384&referer=brief_results\",\"citation\":\"Reznikoff, Charles. By the Waters of Manhattan: Selected Verse. San Francisco: San Francisco Review, 1962. \"},{\"url\":\"https://www.worldcat.org/title/five-groups-of-verse-by-charles-reznikoff/oclc/457809461&referer=brief_results\",\"citation\":\"Reznikoff, Charles. Five Groups of Verse. New York: Charles Reznikoff, 1927. \"},{\"url\":\"https://www.worldcat.org/title/going-to-and-fro-and-walking-up-and-down/oclc/644000166&referer=brief_results\",\"citation\":\"Reznikoff, Charles. Going To and Fro and Walking Up and Down. New York: Futuro Press, 1941. \"},{\"url\":\"https://www.worldcat.org/title/inscriptions-1944-1956-by-charles-reznikoff/oclc/459778991&referer=brief_results\",\"citation\":\"Reznikoff, Charles. Inscriptions: 1944-1956. New York: Shulsinger Brothers, 1959. \"},{\"url\":\"https://www.worldcat.org/title/jerusalem-the-golden-poems/oclc/503805492&referer=brief_results\",\"citation\":\"Reznikoff, Charles. Jerusalem The Golden. New York: Objectivist Press, 1934. \"},{\"url\":\"https://www.worldcat.org/title/rhythms/oclc/11216921&referer=brief_results\",\"citation\":\"Reznikoff, Charles. Rhythms. New York: Charles Reznikoff, 1918. \"},{\"url\":\"https://www.worldcat.org/title/rhythms-ii-poems/oclc/4400024&referer=brief_results\",\"citation\":\"Reznikoff, Charles. Rhythms ll. New York: Charles Reznikoff, 1919. \"},{\"url\":\"https://www.worldcat.org/title/separate-way/oclc/2377996&referer=brief_results\",\"citation\":\"Reznikoff, Charles. Separate Way. New York: Objectivist Press, 1936. \"},{\"url\":\"https://www.worldcat.org/title/testimony-the-united-states-1885-1890-recitative/oclc/1079271632&referer=brief_results\",\"citation\":\"Reznikoff, Charles. Testimony: The United States (1885-1890); Recitative. New York: Charles Reznikoff, 1965. \"},{\"url\":\"https://www.worldcat.org/title/testimony-the-united-states-1891-1900-recitative/oclc/49565&referer=brief_results\",\"citation\":\"Reznikoff, Charles. Testimony: The United States (1891-1900); Recitative. New York: Charles Reznikoff, 1968.\"},{\"url\":\"https://www.worldcat.org/title/poems-1918-1975-the-complete-poems-of-charles-reznikoff-edited-by-seamus-cooney/oclc/1167716778&referer=brief_results\",\"citation\":\"Reznikoff, Charles. The Poems of Charles Reznikoff: 1918-1975. Los Angeles: Black Sparrow Press, 1989. \"},{\"url\":\"http://news.google.com/newspapers?id=np8tAAAAIBAJ&sjid=PKAFAAAAIBAJ&pg=4195,2837932&dq=sir+george+williams+poetry&hl=en\",\"citation\":\"“SGWU To Have Poetry Series”. The Gazette. 14 September 1967, page 15.\"},{\"url\":\"\",\"citation\":\"“Poetry Readings”. OP-ED. Montreal: Sir George Williams University, 6 October 1967, page 6. \"},{\"url\":\"\",\"citation\":\"“Reznikoff, Charles, 1894-1976”. Literature Online Biography. 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Tonight's reading will be by, as you probably all know, Mr. Charles Reznikoff [https://www.wikidata.org/wiki/Q1065911], whom I'm very happy to have the job, the chore of introducing, because I've been interested in his work for many years. He was born in Brooklyn [https://www.wikidata.org/wiki/Q18419], 1894, and graduated from the law school of New York University [https://www.wikidata.org/wiki/Q49210], admitted to the bar of the state of New York [https://www.wikidata.org/wiki/Q60] but never practiced, however, the law experience has stood him in good stead for his later poetry. He's published a number of volumes of verse and several volumes of prose, but most to the point, books that you probably saw on the table outside, in print by New Directions [https://www.wikidata.org/wiki/Q27474] and the San Francisco Review [https://www.wikidata.org/wiki/Q17087510], By the Waters of Manhattan, which was this joint effort's first book in 1962, and in 1965, Testimony, which is the first volume in a projected series of volumes about the moral and legal history of the United States [https://www.wikidata.org/wiki/Q30]. The main--my--the reason I said that I'm very happy about Mr. Reznikoff is because when I was going to university I was very hard looking for an alternative to the kind of poetry that was in vogue, especially in the universities, that is, that which tended towards T.S. Eliot [https://www.wikidata.org/wiki/Q37767] and highly symbolic language, and Mr. Reznikoff was one of the first poets I found able to do that for me, and I found a short poem of his which I would like to be brash enough to read, as introduction. He said, \\\"Not because of victories I sing, having none, but for the common sunshine, the breeze, the largesse of spring. Not for victory, but for the day's work done, as well as I was able, not for a seat upon the dais, but at the common table.\\\"  So to this common table, rather than dais, I'd like to welcome Mr. Charles Reznikoff.  \\n \\nAudience\\n00:02:34\\nApplause.\\n \\nCharles Reznikoff\\n00:02:56\\nVery much obliged to the gentleman who introduced me, among other things, for reading something I did. Perhaps I should ask him to read all that I brought along. But to get down to what I have here, let me say, to begin with, a few days ago, I came across in a bookshop a collection of Chinese verse translated into English. At the beginning was the following, written a thousand years ago, and I was very much impressed with it, and permit me to read it to you as a sort of an introduction. This man who wrote in the 11th century, this Chinese, said this: \\\"Poetry presents the thing in order to convey the feeling.  It should be precise about the thing and reticent about the feeling.\\\" I thought that was...expressed exactly what I feel, and what I have tried to do, not always, not always, I'm afraid, as well as called for, but a recipe. Among other things, let me begin by reading a couple of things I did also on the way I think verse should be written. And this is from this, By the Waters of Manhattan. \\n \\nCharles Reznikoff\\n00:04:47\\nReads \\\"Salmon and Red Wine\\\" from By the Waters of Manhattan: Selected Verse [also published in Inscriptions: 1944-1956].\\n \\nCharles Reznikoff\\n00:05:39\\nThat's the first in this. And the second, I did on the same theme, in a way. \\n \\nCharles Reznikoff\\n00:05:47\\nReads \\\"I have neither the time nor the weaving skill, perhaps\\\" from By the Waters of Manhattan: Selected Verse [also published in Inscriptions: 1944-1956].\\n\\n \\nCharles Reznikoff\\n00:06:13\\nNow, let me start with a group which I've written about the city I come from, New York, and its suburbs, and some of its residents, including myself.\\n \\nCharles Reznikoff\\n00:06:27\\nReads \\\"The winter afternoon darkens\\\" [from By the Waters of Manhattan: Selected Verse].\\n \\nCharles Reznikoff\\n00:06:44\\nAnd this I call \\\"The Scrubwoman\\\". \\n \\nCharles Reznikoff\\n00:06:48\\nReads \\\"The Scrubwoman\\\" [from Rhythms II and from By the Waters of Manhattan: Selected Verse].\\n \\nCharles Reznikoff\\n00:07:07\\nReads \\\"The peddler who goes from shop to shop\\\". \\n \\nCharles Reznikoff\\n00:07:27\\nAnd this next. \\n \\nCharles Reznikoff\\n00:07:31\\nReads “The elevator man\\\" [from Going To and Fro and Walking Up and Down and from By the Waters of Manhattan: Selected Verse]. \\n \\nCharles Reznikoff\\n00:07:54\\nReads \\\"The shopgirls leave their work\\\" [from Five Groups of Verse, Rhythms, and from By the Waters of Manhattan: Selected Verse].\\n \\nCharles Reznikoff\\n00:08:16\\nThis one I call \\\"Cooper Union Library\\\". I should add, it's no longer that way, this is the way it used to be.\\n \\nCharles Reznikoff\\n00:08:23\\nReads \\\"Cooper Union Library\\\" [from \\\"Going To and Fro and Walking Up and Down and from By the Waters of Manhattan: Selected Verse].\\n \\nCharles Reznikoff\\n00:08:42\\nReads \\\"Showing a Torn Sleeve\\\" [from By the Waters of Manhattan: Selected Verse and published later in Poems 1918-1936: The Complete Poems of Charles Reznikoff]. \\n\\nCharles Reznikoff\\n00:09:06\\nReads \\\"Two girls of twelve or so at a table\\\" [from Inscriptions: 1944-1956 and from By the Waters of Manhattan: Selected Verse].\\n \\nCharles Reznikoff\\n00:09:54\\nReads \\\"I am always surprised to meet\\\" [from Going To and Fro and Walking Up and Down and from By the Waters of Manhattan: Selected Verse].\\n \\nCharles Reznikoff\\n00:10:23\\nReads \\\"Rails in the Subway\\\" [from Jerusalem the Golden and from By the Waters of Manhattan: Selected Verse]. \\n \\nAudience\\n00:10:35\\nLaughter.\\n \\nCharles Reznikoff\\n00:10:41\\nReads \\\"This subway station, with its electric lights\\\" [from Going To and Fro and Walking Up and Down and from By the Waters of Manhattan: Selected Verse].\\n \\nAudience\\n00:10:58\\nLaughter.\\n \\nCharles Reznikoff\\n00:11:06\\nReads \\\"Among the heaps of brick and plaster lies\\\" [from Jerusalem the Golden and from By the Waters of Manhattan: Selected Verse].\\n \\nCharles Reznikoff\\n00:11:18\\nReads \\\"The sky is blue\\\" [from Jerusalem is Golden].\\n \\nCharles Reznikoff\\n00:11:42\\nThis I call \\\"Suburban River, Winter\\\".\\n \\nCharles Reznikoff\\n00:11:48\\nReads \\\"Suburban River, Winter\\\" [from By the Waters of Manhattan: Selected Verse].\\n \\nCharles Reznikoff\\n00:12:07\\nAnd this too I call \\\"Suburban River,\\\" this is \\\"Summer\\\".\\n \\nCharles Reznikoff\\n00:12:13\\nReads \\\"Suburban River, Summer\\\" [from By the Waters of Manhattan: Selected Verse].\\n \\nCharles Reznikoff\\n00:12:38\\nThis I call \\\"Twilight\\\".\\n \\nCharles Reznikoff\\n00:12:40\\nReads \\\"Twilight\\\" [from By the Waters of Manhattan: Selected Verse and published later in The Poems Of Charles Reznikoff 1918–1975]. \\n \\nCharles Reznikoff\\n00:12:56\\nReads \\\"Fraser, I think, tells of a Roman\\\" [from Inscriptions: 1944-1956 and from By the Waters of Manhattan: Selected Verse; audience laughter throughout].\\n \\nCharles Reznikoff\\n00:13:21\\nReads \\\"The dogs that walk with me” [from Inscriptions: 1944-1956 and from By the Waters of Manhattan: Selected Verse].\\n \\nCharles Reznikoff\\n00:13:44\\nThis I call a \\\"Fable\\\".\\n \\nCharles Reznikoff\\n00:13:46\\nReads \\\"Fable\\\" [from Inscriptions: 1944-1956 and from By the Waters of Manhattan: Selected Verse]. \\n \\nCharles Reznikoff\\n00:14:15\\nReads \\\"Scrap of paper\\\" [from Inscriptions: 1944-1956 and from By the Waters of Manhattan: Selected Verse].  \\n \\nCharles Reznikoff\\n00:14:28\\nReads \\\"One of my sentinels, a tree\\\" [from Inscriptions: 1944-1956 and from By the Waters of Manhattan: Selected Verse].   \\n \\nCharles Reznikoff\\n00:14:45\\nReads \\\"I have not even been in the fields\\\" [from Rhythms ll and from By the Waters of Manhattan: Selected Verse]. \\n \\nCharles Reznikoff\\n00:15:01\\nReads \\\"How grey you are! No, white!” [from Inscriptions: 1944-1956 and from By the Waters of Manhattan: Selected Verse]. \\n \\nCharles Reznikoff\\n00:15:25\\nReads \\\"Blurred sight, and trembling fingers\\\" [from Inscriptions: 1944-1956 and from By the Waters of Manhattan: Selected Verse]. \\n \\nCharles Reznikoff\\n00:15:47\\nReads \\\"You were young and contemptuous\\\" [from Inscriptions: 1944-1956 and from By the Waters of Manhattan: Selected Verse]. \\n \\nCharles Reznikoff\\n00:16:03\\nThis I call \\\"Heart and Clock\\\", there's a series in here. \\n \\nCharles Reznikoff\\n00:16:09\\nReads \\\"Heart and Clock” [from Separate Way and from By the Waters of Manhattan: Selected Verse].\\n \\nCharles Reznikoff\\n00:16:51\\nReads \\\"If my days were like the ant's\\\" [published as “Heart and Clock II” in By the Waters of Manhattan: Selected Verse]. \\n \\nCharles Reznikoff\\n00:17:18\\nReads \\\"Our nightingale, the clock\\\" [from Jerusalem the Golden and from By the Waters of Manhattan: Selected Verse].  \\n \\nCharles Reznikoff\\n00:17:32\\nReads \\\"The clock on the bookcase ticks\\\" [from By the Waters of Manhattan: Selected Verse and published later in The Poems Of Charles Reznikoff 1918–1975].  \\n \\nCharles Reznikoff\\n00:17:47\\nReads \\\"My hair was caught in the wheels of a clock\\\" [from Jerusalem the Golden and from By the Waters of Manhattan: Selected Verse].   \\n\\nCharles Reznikoff\\n00:17:58\\nReads \\\"Of course we must die\\\" [from Inscriptions: 1944-1956 and from By the Waters of Manhattan: Selected Verse].\\n \\nCharles Reznikoff\\n00:18:20\\nReads \\\"Now it is cold\\\" [from Going To and Fro and Walking Up and Down and from By the Waters of Manhattan: Selected Verse].\\n\\nCharles Reznikoff\\n00:19:33\\nReads \\\"It had been snowing at night\\\" [from By the Waters of Manhattan: Selected Verse and published later in The Poems Of Charles Reznikoff 1918–1975].  \\n \\nCharles Reznikoff\\n00:19:54\\nReads \\\"Hardly a breath of wind\\\" [from Inscriptions: 1944-1956 and from By the Waters of Manhattan: Selected Verse].\\n \\nCharles Reznikoff\\n00:20:14\\nReads \\\"After I had worked all day\\\" [from Five Groups of Verse and from By the Waters of Manhattan: Selected Verse]. \\n \\nCharles Reznikoff\\n00:20:42\\nNow I have a group that I will call 'religious,' for perhaps no better word, and this I call \\\"Meditations on the Fall and Winter Holidays\\\", and the first is “New Year's”. As many of you, or some of you may know, no doubt, the Jewish New Year's comes in the fall. This is based on it.\\n \\nCharles Reznikoff\\n00:21:11\\nReads \\\"Meditations on the Fall and Winter Holidays: New Year's\\\" [from Inscriptions: 1944-1956 and from By the Waters of Manhattan: Selected Verse].\\n \\nCharles Reznikoff\\n00:23:19\\nAnd I call the next one \\\"The Day of Atonement\\\".\\n \\nCharles Reznikoff\\n00:23:24\\nReads \\\"The Day of Atonement\\\" [from Inscriptions: 1944-1956 and from By the Waters of Manhattan: Selected Verse].\\n \\nCharles Reznikoff\\n00:24:50\\nAnd this I call \\\"Hanukkah\\\" which incidentally is a holiday that's just about to come, and it, as some of you may know, it represents the victory, a festival celebrating the victory of the Maccabees over the Syrians, about 150 B.C.E.\\n \\nCharles Reznikoff\\n00:25:14\\nReads \\\"Hanukkah\\\" [from Inscriptions: 1944-1956 and from By the Waters of Manhattan: Selected Verse].\\n \\nCharles Reznikoff\\n00:26:59\\nI don't know why I should be having a cold on this occasion but, [laughter], these things [blows nose]. \\n \\nCharles Reznikoff\\n00:27:18\\nReads \\\"The lamps are burning in the synagogue\\\" [from Inscriptions: 1944-1956].\\n \\nCharles Reznikoff\\n00:28:40\\nThis one I call \\\"Samuel\\\". Samuel in the Bible, of course.\\n \\nCharles Reznikoff\\n00:28:47\\nReads \\\"Samuel\\\" [from Five Groups of Verse and from By the Waters of Manhattan: Selected Verse].\\n \\nCharles Reznikoff\\n00:30:06\\nThese are all from By the Waters of Manhattan, and I'm going to read you, if I may, something quite different, from the volume called Testimony, and which I call \\\"Recitative\\\".\\n \\nCharles Reznikoff\\n00:30:27\\nReads \\\"Recitative\\\" [from Testimony: the United States (1885-1890); Recitative].\\n \\nCharles Reznikoff\\n00:31:15\\nThat's the first. This, these, incidentally, I might say, are all based on law cases. Ah...I don't know what...whether that'll excuse their ferocity, but apparently something like that once happened. The names are different. The facts are the same.\\n \\nCharles Reznikoff\\n00:31:39\\nReads \\\"Tilda was just a child...” [from Testimony: the United States (1885-1890); Recitative].\\n \\nCharles Reznikoff\\n00:32:49\\nAnd this is the third in this. \\n \\nCharles Reznikoff\\n00:32:53\\nReads \\\"Years ago, a company procured a body of land...\\\" [from Testimony: the United States (1885-1890); Recitative].\\n \\nCharles Reznikoff\\n00:33:44\\nNow...let's see, if I may, the time...Here is a poem with which I generally end these readings but I don't intend to end this unless you wish me to because I have some other things to read. But I'll end it right here anyway and then we'll see how much time is left. I call this \\\"Kaddish\\\". Now, it's not the Kaddish for mourners that you might know about. It was written at the beginning of the rise of Hitler [https://www.wikidata.org/wiki/Q352]. I did it; I mean, I did the writing, not the Kaddish, which is very old. It was written at the beginning of the rise of Hitler and his influence, and before his extermination program was put into effect. It's really an ancient blessing in the Jewish ritual. And incidentally, I use that word \\\"Torah,\\\" and I doubt, it may be strange to many, but James Parks, I notice, in his History of the Jewish People, has defined it, correctly, I think, \\\"The word Torah,\\\" he says, \\\"has been defined as law, but is much wider in meaning. It applies a way of life\\\".  Now this is this \\\"Kaddish\\\".\\n \\nCharles Reznikoff\\n00:35:09\\nReads \\\"Kaddish\\\" [from Separate Way and from By the Waters of Manhattan: Selected Verse]].\\n \\nCharles Reznikoff\\n00:36:43\\nThis ends the, let's say the first part. And I'll continue, if you like, with some others, unless you're all...[inaudible]\\n \\nAudience\\n00:36:51\\nApplause.\\n \\nCharles Reznikoff\\n00:37:04\\nWell I, if, I shall continue, if you're not all exhausted. I have here, quite a few things that are not arranged in any way, so they're more or less haphazard. And...this is one. Let's see...well this one is “After Reading Translations of Ancient Texts on Stone and Clay”.\\n \\nCharles Reznikoff\\n00:37:37\\nReads “After Reading Translations of Ancient Texts on Stone and Clay”.\\n \\nCharles Reznikoff\\n00:38:47\\nNow, these, these are much less organized than that, haphazard, you'll have to take them as they come if we keep on. \\n \\nCharles Reznikoff\\n00:39:00\\nReads \\\"As I was wandering with my unhappy thoughts\\\" [from Inscriptions: 1944-1956 and from By the Waters of Manhattan: Selected Verse].\\n\\nCharles Reznikoff\\n00:39:36\\nReads \\\"The young fellow walks about with nothing to do\\\" [from Going To and Fro and Walking Up and Down and from By the Waters of Manhattan: Selected Verse]. \\n \\nCharles Reznikoff\\n00:40:09\\nReads “A well-phrased eulogy\\\" [from Inscriptions: 1944-1956 and from By the Waters of Manhattan: Selected Verse].\\n \\nCharles Reznikoff\\n00:40:44\\nReads \\\"On a Sunday, when the place was closed\\\" [from Going To and Fro and Walking Up and Down].  \\n \\nCharles Reznikoff\\n00:41:12\\nNow here are two earlier testimony, two or more things based on a law case, which I call \\\"Testimony\\\", and these were included in that same By the Waters of Manhattan. \\n \\nBy the Waters of Manhattan. \\n00:41:28\\nReads \\\"The Company had advertised for men\\\" from By the Waters of Manhattan: Selected Verse. \\n \\nCharles Reznikoff\\n00:43:13\\nThat's the first, and this is the second.\\n \\nCharles Reznikoff \\n00:43:16\\nReads \\\"Amelia was just fourteen\\\" from By the Waters of Manhattan: Selected Verse.\\n \\nCharles Reznikoff\\n00:44:33\\nThat's the second. I have some more I'd like to get at before I close. Well, this I wrote for my wife. Pity she isn't here, but we'll read it in her absence.\\n \\nCharles Reznikoff\\n00:44:55\\nReads \\\"Malicious women greet you, saying...\\\" [from By the Waters of Manhattan: Selected Verse and published later in The Poems Of Charles Reznikoff 1918–1975].  \\n\\n Charles Reznikoff\\n00:45:38\\nNow, this, this is a kind of counterpiece to this I have just read. It was not written for my wife. [Laughter].\\n \\nCharles Reznikoff\\n00:45:56\\nReads \\\"He had with him a bag\\\" [from By the Waters of Manhattan: Selected Verse and published later in The Poems Of Charles Reznikoff 1918–1975].  \\n \\nAudience\\n00:46:38\\nLaughter. \\n \\nCharles Reznikoff\\n00:46:42\\nI'm reading this 'cause...\\\"On a seat\\\"...maybe it would....I think this is rather appropriate in view of all the Hebrew things I read.\\n \\nCharles Reznikoff\\n00:46:56\\nReads \\\"On a seat in the subway\\\" [from Going To and Fro and Walking Up and Down].  \\n\\nCharles Reznikoff\\n00:47:41\\nReads \\\"Permit me to warn you\\\" [from Jerusalem the Golden and from By the Waters of Manhattan: Selected Verse].\\n \\nAudience\\n00:47:51\\nLaughter.\\n \\nCharles Reznikoff\\n00:47:59\\nReads \\\"These days, the papers in the street\\\" [from Jerusalem the Golden and from By the Waters of Manhattan: Selected Verse].\\n \\nCharles Reznikoff\\n00:48:36\\nLet me close, unless it...if I should...with something that I tried to do which may be something to close with. This is based on the Book of Ezra [https://www.wikidata.org/wiki/Q131635], and the Book of Ezra, according to my note, I've probably forgotten by this time, is, 'This is a rearrangement and a versification of parts of the Fourth Book of Ezra.' And that's what it's called in the appendix to the Vulgate [https://www.wikidata.org/wiki/Q131175], or two Esdras of the Protestant Apocrypha. And I based this upon a translation of this Book of Ezra from the Syriac by a friend of mine who taught, and I have their permission and all, but the original was probably, there's quite a discussion as to what the original was right, and some scholars believe that it was in Greek, and a Doctor Bocks, who was in, G.H. Bocks, thinks that it was in Hebrew, and Bloch, who was, they had in 42nd Street at the library, didn't think that it was in either Greek or Hebrew, but Aramaic. Anyway, excuse me just, [laughter], anyway, I will read it, and its adaptation of it, and see what one can do with things that you...clear up. \\n \\nCharles Reznikoff\\n00:50:12\\nReads “Because I saw the desolation of Zion\\\" [from By the Waters of Manhattan: Selected Verse and published later in The Poems of Charles Reznikoff: 1918-1975]. \\n \\nCharles Reznikoff\\n00:53:33\\nAnd I think this is enough, perhaps, for a time. \\n \\nAudience\\n00:53:36\\nApplause.\\n \\nGeorge Bowering\\n00:54:01\\nWhat else, thank you very much, Mr. Reznikoff, and I'd just like to repeat that the next reading is at, two weeks from tonight, December the first, Daryl Hine, who's a graduate of the other university.\\n \\nEND\\n00:54:21\\n\",\"notes\":\"Charles Reznikoff reads poems from several books, including Jerusalem the Golden (Objectivist Press, 1934), Inscriptions: 1944-1956 (Shulsinger Brothers, 1959), Going To and Fro and Walking Up and Down (Futuro Press, 1941), and By the Waters of Manhattan: Selected Verse (New Directions, 1962). Many of the poems were later re-organized, edited, and included in other publications, such as Poems 1918-1975:The Complete Poems of Charles Reznikoff (Black Sparrow, 1989). \\n\\n00:00- Unknown Introducer introduces Charles Reznikoff. [INDEX: Daryl Hine reading on December 1, 1967; born in Brooklyn in 1894, graduated from law school New York       University, state bar of NY, New Directions Press and the San Francisco Review, By the Waters of Manhattan (1962), Testimony (1965), moral and legal history of United States; Reznikoff as an alternative to popular poetry taught at universities; quote from “Te Deum” by Charles Reznikoff.]\\n02:56- Charles Reznikoff introduces “Salmon and Red Wine”. [INDEX: collection of Chinese verse translated in English, quotes from it as introduction, 11th century, \\\"Poetry presents the thing in order to convey the feeling.  It should be precise about the thing and reticent about the feeling\\\"; reading from By the Waters of Manhattan (New Directions, 1962).]\\n04:47- Reads first line “Salmon and red wine”. [INDEX: process, writing life, travel, Bible; found in By the Waters of Manhattan (New Directions, 1962).]\\n05:39- Introduces first line “I have neither the time nor the weaving skill, perhaps...”. [INDEX: second poem in the same theme; found in By the Waters of Manhattan (New    Directions, 1962).]\\n05:47- Reads first line “I have neither the time nor the weaving skill, perhaps...”. [INDEX: craft, descriptive.]\\n06:13- Introduces unknown poem, first line “The winter afternoon darkens...” [INDEX: group of poems about New York.]\\n06:27- Reads unknown poem, first line “The winter afternoon darkens...”. [INDEX: cities, New York, work.]\\n06:44- Introduces “The Scrubwoman”.\\n06:48- Reads “The Scrubwoman”. [INDEX: cities, New York, work, poverty.]\\n07:07- Reads unknown poem, first line “The peddler who goes from shop to shop...”. [INDEX: cities, New York, Work.]\\n07:31- Reads first line “The elevator man”. [INDEX: cities, New York, poverty, work; from the poem “Autobiography: New York” in By the Waters of Manhattan (New Directions, 1962).]\\n07:54- Reads unknown poem, first line “The shopgirls leave their work...”. [INDEX: cities, New York, work.]\\n08:16- Introduces “Cooper Union Library”.\\n08:23- Reads “Cooper Union Library”. [INDEX: cities, New York, reading, from the poem        “Autobiography: New York” in By the Waters of Manhattan (New Directions, 1962).]\\n08:42- Reads unknown poem, first line “Showing a torn sleeve...”. [INDEX: cities, New York, poverty, food, age.]\\n09:06- Reads “Two girls of twelve or so at a table”. [INDEX: cities, New York, poverty, food, age; from Inscriptions: 1944-1956.]\\n09:54- Reads first line “I am always surprised to meet...” [INDEX: cities, New York, death; from the poem “Autobiography: New York” in Going To and Fro and Walking Up and Down (1941).]\\n10:23- Reads unknown poem, first line “Rails in the subway”. [INDEX: cities, New York,         transportation, building.]\\n10:41- Reads unknown poem, first line “This subway station, with its electric lights”.   [INDEX: cities, New York, transportation, building, from the poem “Autobiography:      \\tNew York” in Going To and Fro and Walking Up and Down (1941).]\\n11:06- Reads unknown poem, first line “Among the heaps of brick and plaster lies...”. [INDEX: cities, New York, building.]\\n11:18- Reads unknown poem, first line “The sky is [a peculiar] blue...”. [INDEX: cities, New York, water, pollution; from “Sightseeing Tour: New York”, from Inscriptions:   1944-1956 (1959), By the Waters of Manhattan (1962).]\\n11:48- Reads “Suburban River, Winter”. [INDEX: cities, New York, water.]\\n12:13- Reads “Suburban River, Summer”. [INDEX: cities, New York, water, women.]\\n12:40- Reads “Twilight”. [INDEX: nature, sky, horse.]\\n13:16- Reads first line “Frasier, I think, tells of a Roman...”. [INDEX: nature, New York; from poem “Sightseeing Tour: New York” from Inscriptions: 1944-1956 (1959), By the Waters of Manhattan (1962).]\\n13:31- Reads first line “The dogs that walk with me...”. [INDEX: time, nature, now, here, if; from By the Waters of Manhattan.]\\n13:46- Reads “Fable”. [INDEX: solitude, friendship, woods, song, joke, from By the Waters of Manhattan.]\\n14:15- Reads first line “Scrap of paper”. [INDEX: money, streets, from Inscriptions:  \\t1944-1956 (1959), By the Waters of Manhattan (1962).]\\n14:28- Reads first line “One of my sentinels, a tree...”. [INDEX: summer, seasons, time, nature, from Inscriptions: 1944-1956 (1959), By the Waters of Manhattan (1962).]\\n14:45- Reads poem, first line “I have not even been in the fields...”. [INDEX: age, time,        seasons, wind.]\\n15:01- Reads poem, first line “How grey are you, no white...”. [INDEX: age, body, death,     friends, dog; from Inscriptions: 1944-1956 (1959), By the Waters of Manhattan (1962).]\\n15:25- Reads poem, first line “Blurred sight, and trembling fingers...”. [INDEX: age; from  “Notes on the Spring Holiday” from Inscriptions: 1944-1956 (1959), By the Waters of  Manhattan (1962).]\\n16:03- Introduces “Hardened Clock”. [INDEX: series.]\\n16:09- Reads “Hardened Clock”. [INDEX: time, sun, cycles, clocks, stars.]\\n16:51- Reads poem, fist line “If my days were like the ant’s...”. [INDEX: time, ant, carpe diem; perhaps part of “Hardened Clock”.]\\n17:18- Reads poem, first line “Our nightingale, the clock...”. [INDEX: time, clocks, birds,        nightingale, nature; perhaps part of “Hardened Clock”.]\\n17:32- Reads poem, first line “The clock on the bookcase ticks...”. [INDEX: time, clocks,     insects, consumption; perhaps part of “Hardened Clock”.]\\n17:47- Reads poem, first line “My hair was caught in the wheels of a clock...”. [INDEX: age, clocks, time, baldness; perhaps part of “Hardened Clock”.]\\n17:58- Reads poem, first line “Of course we must die...”. [INDEX:  death, telephone numbers; perhaps from “Hardened Clock”, from By the Waters of Manhattan.]\\n18:20- Reads poem, first line “Now it is cold...”. [INDEX: age, winter, time, seasons, death, birds, sparrow, sun, tree, anger, statues, weather, Don Juan, St. Francis; perhaps part of “Hardened Clock”.]\\n19:33- Reads poem, first line “It had been snowing at night...”. [INDEX: winter, time, snow, weather, morning; perhaps part of “Hardened Clock”.]\\n19:54- Reads poem, first line “Hardly a breath of wind...”. [INDEX: wind, leaves, fate;        perhaps part of “Hardened Clock”.]\\n20:14- Reads poem, first line: “After I had worked all day...”. [INDEX: work, fatigue, strength, tide; perhaps part of “Hardened Clock”.]\\n20:42- Introduces group called ‘religious’, poem called “Meditations on the Fall and Winter Holidays”. [INDEX: religious, Jewish New Year's.]\\n21:11- Reads “New Year’s” from “Meditations on the Fall and Winter Holidays”. [INDEX:   religious, holiday, water, farewell, death, harvest, autumn, trees, beginning, God,  \\tholidays, seasons, Israel, Judaism, grief, peace, servants, inheritance, remembrance; from Inscriptions: 1944-1956 (1959), By the Waters of Manhattan (1962).]\\n23:19- Introduces “Day of Atonement”. [INDEX: from “Meditations on the Fall and Winter         Holidays” from Inscriptions: 1944-1956 (1959), By the Waters of Manhattan    \\t(1962).]\\n23:24- Reads “Day of Atonement”. [INDEX: time, religious holidays, Judaism, Yom Kippur, God, time, day, write, rabbi, creation, world, men.]\\n24:50- Introduces “Hanukah”. [INDEX: victory of Maccabees over Syrians in 150 BCE, festival celebration; from “Meditations on the Fall and Winter Holidays”, from Inscriptions: 1944-1956 (1959), By the Waters of Manhattan (1962).]\\n25:14- Reads “Hanukah”. [INDEX: religious holiday, Judaism, death, water, songs,    \\tremembrance, power, God.]\\n27:18- Reads poem, first line, “The lamps are burning in the synagogue...” [INDEX: religious, Judaism, travel, tradition, remembrance, names, knowledge, ignorance, eternal life; from “Meditations on the Fall and Winter Holidays”, from Inscriptions: 1944-1956 (1959), By the Waters of Manhattan (1962).]\\n28:40- Introduces “Samuel”. [INDEX: Samuel in the Bible.]\\n28:47- Reads “Samuel”. [INDEX: religious, Judaism, Bible, tradition, spirit, fire, seasons,      waiting, service.]\\n30:06- Introduces “Recitative”. [INDEX: from Inscriptions: 1944-1956 (1959), By the Waters of Manhattan (1962), Testimony (1965-8).]\\n30:27- Reads “Recitative”. [INDEX: birth, water, fire, murder, death]\\n31:15- Introduces poem, first line “Tilda was just a child...”. [INDEX: Testimony about law cases, different names, facts same.]\\n31:59- Reads poem, first line “Tilda was just a child...”. [INDEX: adolescence, girl,   \\tmenstruation, work, rural, domestic; from “The North: Boys & Girls, 5.” from Testimony.]\\n32:53- Reads poem, first line, “Years ago, a company procured a body of land...”. [INDEX: company land, urban planning, city, Mississippi City, streets, railroad, depot, pier, bankruptcy; from “The South: Negroes, X” from Testimony.]          \\n33:44- Introduces “Kaddish”. [INDEX: mourning, written at the beginning of the rise of Hitler, extermination program, ancient blessing in the Jewish ritual, Torah, quote from James Parks’ History of the Jewish People; from Going To and Fro and Walking Up and Down (1941).]\\n35:09- Reads “Kaddish”. [INDEX: religious, Judaism, Kaddish, Torah, Israel, blessing.]\\n37:04- Introduces “After Reading Translations of Ancient Texts on Stone and Clay”. [INDEX: from Going To and Fro and Walking Up and Down (1941).]\\n37:37- Reads “After Reading Translations of Ancient Texts on Stone and Clay”. [INDEX: religious, Bible, Judaism, Moses, Israel, Pharaoh, Egypt, soldiers.]\\n38:47- Introduces “As I was wandering with my unhappy thoughts...”\\n39:00- Reads “As I was wandering with my unhappy thoughts...”. [INDEX: unhappiness, sun, wind, paradise, Adam.]\\n39:36- Reads “The young fellow walks about with nothing to do”. [INDEX: work,   \\tunemployment, cigarettes, youth, stranger.]\\n40:09- Reads “A well-phrased eulogy”. [INDEX: funeral, death, eulogy, politeness.]\\n40:44- Reads “On a Sunday, when the place was closed”. [INDEX: mouse, food, God, blessing.]\\n41:12- Introduces “Testimony”. [INDEX: earlier testimony, based on law case, included in By the Waters of Manhattan.]\\n41:28- Reads “The company had advertised for men...”. [INDEX: company, work, dock,   water, ice, river, death.]\\n43:13- Introduces “Amelia was just fourteen...”.\\n43:16- Reads “Amelia was just fourteen...” [INDEX: work, orphanage, youth, girl, books,   wound.]\\n44:33- Introduces “Malicious women greet you, saying...”. [INDEX: poem written for his wife, wife not in attendance.]\\n44:55- Reads “Malicious women greet you, saying...”.  [INDEX: love poem, women, beauty, timeless.]\\n45:38- Introduces “He had with him a bag”. [INDEX: counter-piece, not written for wife.]\\n45:56- Reads “He had with him a bag”. [INDEX: scolding, walking, wives, husbands,   marriage.]\\n46:38- Introduces “On a seat in the subway”. [INDEX: Hebrew.]\\n46:56- Reads “On a seat in the subway”. [INDEX: cities, subway, Judaism, work,      \\tdiscrimination, racial, sadness, Aryan.]\\n47:41- Reads “Permit me to warn you...”. [INDEX: car, accident.]\\n47:59- Reads “These days, the papers in the street...”. [INDEX: cities, streets, sun.]\\n48:36- Introduces “Because I saw the desolation of Zion...”. [INDEX: Book of Ezra, fourth book of Ezra, appendix to the Vulgate, Protestant Apocrypha, translation, Syriac, original, Greek, Doctor G.H. Bocks, Hebrew, Bloch, 42nd Street Library, Aramaic.]\\n50:12- Reads “Because I saw the desolation of Zion”. [INDEX: Bible, Judaism, Ezra, Zion, God, prayer, angel, heaven, hell, fire, wind, sea, dialogue, Israel, plants, seeds, earth.]\\n54:01- Unknown introducer thanks Charles Reznikoff, announces next reading: Daryl Hine on December 1st. [INDEX: Daryl Hine reading, December 1.]\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/charles-reznikoff-at-sgwu-1967/\"}]"],"score":0.01643844},{"id":"1266","cataloger_name":["Masoumeh,Zaare"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Daryl Hine at Sir George Williams University, The Poetry Series, 1 December 1967"],"item_title_source":["Cataloguer"],"item_title_note":["\"DARYL HINES I006/SR158\" written on sticker on the spine of the tape's box. DARYL HINES refers to Daryl Hine; HINES is mispelled. \"I006-11-158\" written on sticker on the reel"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 2"],"item_identifiers":["[]"],"creator_names":["Hine, Daryl"],"creator_names_search":["Hine, Daryl"],"creators":["[{\"url\":\"http://viaf.org/viaf/94517620\",\"name\":\"Hine, Daryl\",\"dates\":\"1936-2012\",\"notes\":\"Canadian-American poet, translator and editor Daryl Hine was born in Vancouver, British Columbia in 1936. His first poems were published when he was fifteen in Contemporary Verse. In 1954 he traveled to Montreal to study classics and philosophy at McGill University, and completed his B.A. by 1958. His first books of poetry published was Five Poems (Emblem Books, 1955), followed by The carnal and the crane (McGill Poetry Series by Contact Press, 1957). In 1968 Hine received a Canada Foundation-Rockefeller fellowship which he used to travel Europe and live in France. In 1962 he returned, and completed his M.A. and Ph.D. degrees at the University of Chicago in comparative literature by 1967. Hine then took on a position teaching English at the University of Chicago, and the next year edited the distinguished Poetry magazine until 1978. By this time Hine had already published The Devil’s Picture Book (Abelard, 1960), Heroics: Five Poems (Grosswiller, 1961), The Wooden Horse (Atheneum, 1965), Minutes (Atheneum, 1969), Resident Alien (Atheneum, 1975), privately printed In and Out in 1975 (reprinted in 1989 by Knopf) and Daylight Saving (Atheneum, 1978). Hine has also translated The Homeric Hymns and the Battle of the Frogs and Mice (Atheneum, 1972), Ovid’s Heroines: A Verse Translations of the Hero Heroides (Yale University Press, 1991) and Puerilities: Erotic Epigrams of The Greek Anthology (Princeton University Press, 2001), several radio and stage plays A Mutual Flame (BBC Radio, 1961), The Death of Seneca (Chicago, 1968) and Alecstis (BBC Radio, 1972). Hine has won several prestigious awards, including the Guggenheim Fellowship in 1980, an American Academy Award in 1982 and a MacArthur Foundation Fellowship in 1986. He has since published a novel, The Prince of Darkness & Co (Abelard-Schuman, 1961), and poetry collections, including Selected Poems (Oxford University Press, 1980), Academic Festival Overtures (Atheneum, 1985), Postscripts (Random House, 1990), Recollected poems: 1951-2004 (Fitzhenry & Whiteside, 2007) along with dozens of articles and poems in magazines and anthologies. Hine died in 2012. \",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors_names":["Atwood, Margaret"],"contributors_names_search":["Atwood, Margaret"],"contributors":["[{\"url\":\"http://viaf.org/viaf/109322990\",\"name\":\"Atwood, Margaret\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"Presenter_name":["Atwood, Margaret"],"Performance_Date":[1967],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"00:60:00\",\"physical_condition\":\"\",\"track_configuration\":\"2 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"Dates":["[{\"date\":\"1967 12 1\",\"type\":\"Performance Date\",\"notes\":\" \",\"source\":\"Previous researcher\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Art Gallery\",\"notes\":\"Previous researcher\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Art Gallery"],"City":["Montreal, Quebec"],"content_notes":["Daryl Hine reads from The Carnal and the Crane (McGill Poetry Series by Contact Press, 1957), The Devil’s Picture Book (Abelard, 1960), and The Wooden Horse (Atheneum, 1965), as well as poems published later in Minutes (Atheneum, 1968)."],"contents":["daryl_hine_i006-11-158.mp3\n\nUnknown\n00:00:00\nAmbient Sound [voices].\n\nMargaret Atwood\n00:00:12\nI first met Daryl Hine [https://www.wikidata.org/wiki/Q5226186] about six years ago in New York [https://www.wikidata.org/wiki/Q60], where he was living in the midst of a colony of cockroaches, and on that occasion, he drank me under the table with more ease and urbanity than anybody that's been able to manage since, which is actually a literary comment on the way he writes poetry. It's a pleasure to welcome him back to Montreal [https://www.wikidata.org/wiki/Q340], while attending the 'other' university here; before that he lived in Vancouver [https://www.wikidata.org/wiki/Q24639], where he was born in 1936, and where he began writing poetry at the age of twelve, and publishing it in such magazines as Northern Review [https://www.wikidata.org/wiki/Q15757902] and Contemporary Verse at the age of fifteen. His first book, Five Poems, was published when he was eighteen, and his next, The Carnal and the Crane, established him as an important poet at age 21, when most poets are still cutting their poetic teeth. Since then, his career, like his poetry, has been international, rather than national. After becoming a college dropout, he traveled widely in Europe [https://www.wikidata.org/wiki/Q46] and then in the United States [https://www.wikidata.org/wiki/Q30], producing, en route, four other books, The Devil's Picture Book and The Wooden Horse, both of which are poetry, The Prince of Darkness, a novel, and a travel book called Polish Subtitles.  He is currently awaiting the publication of his next book of poetry, to be called Minutes, while teaching in the English department at the University of Chicago [https://www.wikidata.org/wiki/Q131252]. He says that his plans for the future are vague, but he assures me that they include the evasion of Toronto [https://www.wikidata.org/wiki/Q172]. Ladies and gentlemen, Daryl Hine.\n \nAudience\n00:02:03\nApplause.\n \nDaryl Hine\n00:02:11\nI thought I'd begin by reading some poems that I wrote when I lived in Montreal...if I can find some fuel. Poems that are in my second book, which I tend to think of as my first book, The Carnal and the Crane. I'll read the third and fourth of four fabulary satires.\n \nDaryl Hine\n00:02:48\nReads “Four Fabulary Satires” part III from The Carnal and the Crane.\n \nDaryl Hine\n00:04:51\nAnd the fourth satire.\n \nDaryl Hine\n00:04:53\nReads “Four Fabulary Satires” part IV from The Carnal and the Crane.\n \nDaryl Hine\n00:06:56\nThe other poem that I'll read from The Carnal and the Crane is a one-sided dialogue called \"A Bewilderment at the Entrance of the Fat Boy into Eden\". It's in four fairly distinct parts. They're more distinct than the ordinary stanzas in a poem.\n \nDaryl Hine\n00:07:35\nReads \"A Bewilderment at the Entrance of the Fat Boy into Eden\" from The Carnal and the Crane.\n \nDaryl Hine\n00:10:52\nA number of the poems in my next book, The Devil's Picture Book, were also written in Montreal, although the book was published about two years after I left Montreal and went to Europe. I'm going to read one of the longest poems in this book, which is called \"The Double-Goer\".\n \nDaryl Hine\n00:11:41\nReads \"The Double-Goer\" from The Devil’s Picture Book.\n \nDaryl Hine\n00:16:31\nImmediately following that poem in The Devil's Picture Book, which I feel is very accurately titled, immediately after that poem is another much shorter, and...perhaps not really simpler poem on the same subject, the subject which seemed to preoccupy me a great deal at the time and I'm glad to say no longer does. This poem is a villanelle, and it's called \"The Black Swan\".\n \nDaryl Hine\n00:17:12\nReads \"The Black Swan\" from The Devil’s Picture Book.\n \nDaryl Hine\n00:18:38\nThere's a...poem in The Wooden Horse that deals also, perhaps, I think, with the same subject, but in a different way, and at a different stage. It's called \"The Ouija Board\".  It may be that some of you don't know what an ouija board is, in any case, this one wasn't a real ouija board. We made it up using a teacup, an inverted, as I remember, cracked, willow-patterned teacup, on a round circular table top. Four of us operated this by placing a single finger each on the teacup, and we cut out letters of the alphabet and placed them around the table. I did this in company with a friend of mine who's done it for many years, and has developed such perfect communication with the other side that instead of getting the usual scrambled answers that people get in these attempted communications, he gets extremely long, involved, and very literate answers, rather in the style of his own prose writing....[audience laughter] which all purport, or most of them purport to come from a Greek or Roman character called, in this poem Io, he's actually called Ephraim, although perhaps I shouldn't mention it. Anyway, this is about a session with the teacup.\n \nDaryl Hine\n00:20:15\nReads “The Ouija Board” from The Wooden Horse. \n \nDaryl Hine\n00:21:54\nPerhaps as an alternative to all of this tinkering with the other side, I'll read a poem that is, most of it, very much about this side, called \"Bluebeard's Wife\".\n \nDaryl Hine\n00:22:21\nReads \"Bluebeard's Wife\" from The Wooden Horse.\n \nDaryl Hine\n00:25:46\nThe last poem I'll read from The Wooden Horse is the last poem in The Wooden Horse, and I beg your indulgence, as it's a trifle long. It's called \"The Wave\".\n \nDaryl Hine\n00:26:17\nReads \"The Wave” from The Wooden Horse.\n \nDaryl Hine\n00:31:01\nFour years ago I came back to Montreal on my first visit since I left rather quietly in 1958, and spent the next year after this return visit, which was very pleasant, although very brief, struggling with a poem which I think perhaps is still not quite finished, but I think will go either in this form or some other form into the next book. It's a poem, of course, about the impossibility of writing an autobiographical poem. And it's called \"The Apology\".\n \nDaryl Hine\n00:31:56\nReads \"The Apology\" [published later in Minutes]. \n\nDaryl Hine\n00:35:53\nWell, I've returned to other places than Montreal [audience laughter], and two summers ago I went back just for the summer to Paris [https://www.wikidata.org/wiki/Q90], where I lived for something more than, between three and four years, and I didn't like it very much. And these are two poems from a series that I wrote about not liking it. This one is called \"The Marché aux Puces and the Jardin des Plantes\"- the Marché aux Puces is of course the flea market, and the Jardin des Plantes is the botanical and zoological gardens, where I spent, in one place or other I spent most of my afternoons, that rather boring summer in Paris. Having the habit of working in the morning.\n \nDaryl Hine\n00:36:53\nReads \"The Marché aux Puces and the Jardin des Plantes\" [published later in Minutes; audience laughter throughout]. \n \nDaryl Hine\n00:38:17\nWell, I think perhaps I'll read three of these [inaudible]. The next one will seem familiar to, I'm sure, many of you. I haven't quite decided on a title, it might be called \"Jardin des Gourmets\", or it might be called \"Rendez-vous des routiers\" or something like that, it's about a certain sort of French restaurant.\n \nDaryl Hine\n00:38:42\nReads \"Le Rendezvous des Gourmets\" [published later in Minutes; audience laughter throughout].\n \nDaryl Hine\n00:40:18\nAnd this poem isn't quite as funny [audience laughter], not that I really thought the last one was, but this one is really about Henry James' [https://www.wikidata.org/wiki/Q170509] novel, The Ambassadors [https://www.wikidata.org/wiki/Q650571]. It's also, of course, about being in any town in the off season, in this case, Paris, and of course, Paris in August is emptier than anywhere I've ever been. But, I imagine that other places in their off seasons are the same. It's called \"Clôture annuelle\".\n \nDaryl Hine\n00:40:57\nReads \"Clôture annuelle\" [published later in Minutes].\n\nDaryl Hine\n00:42:19\nI also, this year, or was it last, returned to my place of origin, British Columbia [https://www.wikidata.org/wiki/Q1974]. A [inaudible] which will be familiar to some of you as the site of the University of British Columbia [https://www.wikidata.org/wiki/Q391028], I don't mean the University by any of the architectural things I mention in this poem, but I'm talking about the beach, a very beautiful, barren Pacific beach that lies below Point Grey [https://www.wikidata.org/wiki/Q16898567]. \n \nDaryl Hine\n00:43:05\nBegins to read unnamed poem.\n \nDaryl Hine\n00:43:10\nWell...[shuffles paper] I'll read another version, I think. Excuse me. \n \nDaryl Hine\n00:43:18\nReads [“Point Grey”; published later in Minutes].\n \nDaryl Hine\n00:45:03\nReads unnamed poem.\n \nDaryl Hine\n00:46:12\nThe last poem I'll read, if I can find it...it is called...\"The Trout\".\n \nDaryl Hine\n00:46:50\nReads \"The Trout\" [published later in Minutes].\n \nAudience\n00:48:41\nApplause.\n \nAnnouncer\n00:48:59\nI want to thank Mr. Hine and also announce that the next reading is on January 26th, by the American poet John Logan [https://www.wikidata.org/wiki/Q6245151].\n \nEND\n00:49:12\n"],"Note":["[{\"note\":\"Year-Specific Information:\\n\\n In 1969, Daryl Hine published Commonplaces (Unicorn Press), and had published Bluebeard’s wife (Pasdeloup Press) and Minutes: poems (Atheneum) and the play The Death of Seneca in 1968. Hines was working at the University of Chicago and was editing Poetry magazine.\\n\",\"type\":\"General\"},{\"note\":\"Local Connections:\\n\\n At different points in his career, Daryl Hine lived in Montreal, and studied at McGill University. He met Margaret Atwood (the event presenter) in 1963 in New York, and I assume that she offers the direct connection between Hine and Sir George Williams University. Regardless of this connection, Hine is an important and influential Canadian-American poet, editor, translator and writer.\\n\",\"type\":\"General\"},{\"note\":\"Original transcript and print catalogue by Rachel Kyne\\n\\nOriginal print catalogue, introduction, research and edits by Celyn Harding-Jones\\n\\nAdditional research and edits Ali Barillaro\\n\",\"type\":\"Cataloguer\"},{\"note\":\"Reel-to-reel tape>CD>digital file\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-twentieth-century-poetry-in-english/oclc/807465072&referer=brief_results\",\"citation\":\"Gilbert, Roger. \\\"Hine, Daryl\\\". The Oxford Companion to Twentieth-Century Poetry in English. Ian Hamilton (ed). Oxford University Press, 1996. \"},{\"url\":\"https://www.worldcat.org/title/minutes-poems/oclc/61503623&referer=brief_results\",\"citation\":\"Hine, Daryl. Minutes. New York: Atheneum, 1968. \"},{\"url\":\"https://www.worldcat.org/title/carnal-and-the-crane/oclc/460627893&referer=brief_results\",\"citation\":\"Hine, Daryl. The Carnal and the Crane. Montreal: McGill Poetry Series, 1957. \"},{\"url\":\"https://www.worldcat.org/title/devils-picture-book-poems/oclc/707438836&referer=brief_results\",\"citation\":\"Hine, Daryl. The Devil's Picture Book. Toronto: Abelard-Schuman, 1960.\"},{\"url\":\"https://www.worldcat.org/title/wooden-horse-poems/oclc/613046839&referer=brief_results\",\"citation\":\"Hine, Daryl. The Wooden Horse. New York: Atheneum, 1965. \"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-canadian-literature/oclc/605246871&referer=brief_results\",\"citation\":\"Sullivan, Rosemary. \\\"Hine, Daryl\\\". The Oxford Companion to Canadian Literature. Eugene Benson and William Toye (eds). Oxford University Press, 2001. \"},{\"url\":\"http://www.poetryfoundation.org/archive/poet.html?id=3167\",\"citation\":\"“Daryl Hine (1936-)”. The Poetry Foundation Website. Poetryfoundation.org, 2009. \"},{\"url\":\"https://www.concordia.ca/content/dam/concordia/offices/archives/docs/postgrad/Postgrad-1967-Spring.pdf\",\"citation\":\"“Poetry Readings”. Post-Grad. Montreal: Sir George Williams University, Spring 1967, page 20. \"},{\"url\":\"http://news.google.com/newspapers?id=np8tAAAAIBAJ&sjid=PKAFAAAAIBAJ&pg=4195,2837932&dq=sir+george+williams+poetry&hl=en\",\"citation\":\"“SGWU To Have Poetry Series”. Montreal: The Gazette. 14 September 1967, page 15.\"},{\"url\":\"\",\"citation\":\"“Poetry: From the Archive”. Poetry Magazine Website. Poetrymagazine.org\"},{\"url\":\"\",\"citation\":\"“Poetry Readings”. OP-ED. Montreal: Sir George Williams University, 6 October 1967, page 6. \"}]"],"_version_":1853670548831207424,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0158_back.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0158_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Daryl Hine Tape Box - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0158_front.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0158_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Daryl Hine Tape Box - Front\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0158_side.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0158_side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Daryl Hine Tape Box - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0158_tape.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0158_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Daryl Hine Tape Box - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/daryl_hine_i006-11-158.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"daryl_hine_i006-11-158.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:49:12\",\"precision\":\"\",\"size\":\"118.1 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"Unknown\\n00:00:00\\nAmbient Sound [voices].\\n\\nMargaret Atwood\\n00:00:12\\nI first met Daryl Hine [https://www.wikidata.org/wiki/Q5226186] about six years ago in New York [https://www.wikidata.org/wiki/Q60], where he was living in the midst of a colony of cockroaches, and on that occasion, he drank me under the table with more ease and urbanity than anybody that's been able to manage since, which is actually a literary comment on the way he writes poetry. It's a pleasure to welcome him back to Montreal [https://www.wikidata.org/wiki/Q340], while attending the 'other' university here; before that he lived in Vancouver [https://www.wikidata.org/wiki/Q24639], where he was born in 1936, and where he began writing poetry at the age of twelve, and publishing it in such magazines as Northern Review [https://www.wikidata.org/wiki/Q15757902] and Contemporary Verse at the age of fifteen. His first book, Five Poems, was published when he was eighteen, and his next, The Carnal and the Crane, established him as an important poet at age 21, when most poets are still cutting their poetic teeth. Since then, his career, like his poetry, has been international, rather than national. After becoming a college dropout, he traveled widely in Europe [https://www.wikidata.org/wiki/Q46] and then in the United States [https://www.wikidata.org/wiki/Q30], producing, en route, four other books, The Devil's Picture Book and The Wooden Horse, both of which are poetry, The Prince of Darkness, a novel, and a travel book called Polish Subtitles.  He is currently awaiting the publication of his next book of poetry, to be called Minutes, while teaching in the English department at the University of Chicago [https://www.wikidata.org/wiki/Q131252]. He says that his plans for the future are vague, but he assures me that they include the evasion of Toronto [https://www.wikidata.org/wiki/Q172]. Ladies and gentlemen, Daryl Hine.\\n \\nAudience\\n00:02:03\\nApplause.\\n \\nDaryl Hine\\n00:02:11\\nI thought I'd begin by reading some poems that I wrote when I lived in Montreal...if I can find some fuel. Poems that are in my second book, which I tend to think of as my first book, The Carnal and the Crane. I'll read the third and fourth of four fabulary satires.\\n \\nDaryl Hine\\n00:02:48\\nReads “Four Fabulary Satires” part III from The Carnal and the Crane.\\n \\nDaryl Hine\\n00:04:51\\nAnd the fourth satire.\\n \\nDaryl Hine\\n00:04:53\\nReads “Four Fabulary Satires” part IV from The Carnal and the Crane.\\n \\nDaryl Hine\\n00:06:56\\nThe other poem that I'll read from The Carnal and the Crane is a one-sided dialogue called \\\"A Bewilderment at the Entrance of the Fat Boy into Eden\\\". It's in four fairly distinct parts. They're more distinct than the ordinary stanzas in a poem.\\n \\nDaryl Hine\\n00:07:35\\nReads \\\"A Bewilderment at the Entrance of the Fat Boy into Eden\\\" from The Carnal and the Crane.\\n \\nDaryl Hine\\n00:10:52\\nA number of the poems in my next book, The Devil's Picture Book, were also written in Montreal, although the book was published about two years after I left Montreal and went to Europe. I'm going to read one of the longest poems in this book, which is called \\\"The Double-Goer\\\".\\n \\nDaryl Hine\\n00:11:41\\nReads \\\"The Double-Goer\\\" from The Devil’s Picture Book.\\n \\nDaryl Hine\\n00:16:31\\nImmediately following that poem in The Devil's Picture Book, which I feel is very accurately titled, immediately after that poem is another much shorter, and...perhaps not really simpler poem on the same subject, the subject which seemed to preoccupy me a great deal at the time and I'm glad to say no longer does. This poem is a villanelle, and it's called \\\"The Black Swan\\\".\\n \\nDaryl Hine\\n00:17:12\\nReads \\\"The Black Swan\\\" from The Devil’s Picture Book.\\n \\nDaryl Hine\\n00:18:38\\nThere's a...poem in The Wooden Horse that deals also, perhaps, I think, with the same subject, but in a different way, and at a different stage. It's called \\\"The Ouija Board\\\".  It may be that some of you don't know what an ouija board is, in any case, this one wasn't a real ouija board. We made it up using a teacup, an inverted, as I remember, cracked, willow-patterned teacup, on a round circular table top. Four of us operated this by placing a single finger each on the teacup, and we cut out letters of the alphabet and placed them around the table. I did this in company with a friend of mine who's done it for many years, and has developed such perfect communication with the other side that instead of getting the usual scrambled answers that people get in these attempted communications, he gets extremely long, involved, and very literate answers, rather in the style of his own prose writing....[audience laughter] which all purport, or most of them purport to come from a Greek or Roman character called, in this poem Io, he's actually called Ephraim, although perhaps I shouldn't mention it. Anyway, this is about a session with the teacup.\\n \\nDaryl Hine\\n00:20:15\\nReads “The Ouija Board” from The Wooden Horse. \\n \\nDaryl Hine\\n00:21:54\\nPerhaps as an alternative to all of this tinkering with the other side, I'll read a poem that is, most of it, very much about this side, called \\\"Bluebeard's Wife\\\".\\n \\nDaryl Hine\\n00:22:21\\nReads \\\"Bluebeard's Wife\\\" from The Wooden Horse.\\n \\nDaryl Hine\\n00:25:46\\nThe last poem I'll read from The Wooden Horse is the last poem in The Wooden Horse, and I beg your indulgence, as it's a trifle long. It's called \\\"The Wave\\\".\\n \\nDaryl Hine\\n00:26:17\\nReads \\\"The Wave” from The Wooden Horse.\\n \\nDaryl Hine\\n00:31:01\\nFour years ago I came back to Montreal on my first visit since I left rather quietly in 1958, and spent the next year after this return visit, which was very pleasant, although very brief, struggling with a poem which I think perhaps is still not quite finished, but I think will go either in this form or some other form into the next book. It's a poem, of course, about the impossibility of writing an autobiographical poem. And it's called \\\"The Apology\\\".\\n \\nDaryl Hine\\n00:31:56\\nReads \\\"The Apology\\\" [published later in Minutes]. \\n\\nDaryl Hine\\n00:35:53\\nWell, I've returned to other places than Montreal [audience laughter], and two summers ago I went back just for the summer to Paris [https://www.wikidata.org/wiki/Q90], where I lived for something more than, between three and four years, and I didn't like it very much. And these are two poems from a series that I wrote about not liking it. This one is called \\\"The Marché aux Puces and the Jardin des Plantes\\\"- the Marché aux Puces is of course the flea market, and the Jardin des Plantes is the botanical and zoological gardens, where I spent, in one place or other I spent most of my afternoons, that rather boring summer in Paris. Having the habit of working in the morning.\\n \\nDaryl Hine\\n00:36:53\\nReads \\\"The Marché aux Puces and the Jardin des Plantes\\\" [published later in Minutes; audience laughter throughout]. \\n \\nDaryl Hine\\n00:38:17\\nWell, I think perhaps I'll read three of these [inaudible]. The next one will seem familiar to, I'm sure, many of you. I haven't quite decided on a title, it might be called \\\"Jardin des Gourmets\\\", or it might be called \\\"Rendez-vous des routiers\\\" or something like that, it's about a certain sort of French restaurant.\\n \\nDaryl Hine\\n00:38:42\\nReads \\\"Le Rendezvous des Gourmets\\\" [published later in Minutes; audience laughter throughout].\\n \\nDaryl Hine\\n00:40:18\\nAnd this poem isn't quite as funny [audience laughter], not that I really thought the last one was, but this one is really about Henry James' [https://www.wikidata.org/wiki/Q170509] novel, The Ambassadors [https://www.wikidata.org/wiki/Q650571]. It's also, of course, about being in any town in the off season, in this case, Paris, and of course, Paris in August is emptier than anywhere I've ever been. But, I imagine that other places in their off seasons are the same. It's called \\\"Clôture annuelle\\\".\\n \\nDaryl Hine\\n00:40:57\\nReads \\\"Clôture annuelle\\\" [published later in Minutes].\\n\\nDaryl Hine\\n00:42:19\\nI also, this year, or was it last, returned to my place of origin, British Columbia [https://www.wikidata.org/wiki/Q1974]. A [inaudible] which will be familiar to some of you as the site of the University of British Columbia [https://www.wikidata.org/wiki/Q391028], I don't mean the University by any of the architectural things I mention in this poem, but I'm talking about the beach, a very beautiful, barren Pacific beach that lies below Point Grey [https://www.wikidata.org/wiki/Q16898567]. \\n \\nDaryl Hine\\n00:43:05\\nBegins to read unnamed poem.\\n \\nDaryl Hine\\n00:43:10\\nWell...[shuffles paper] I'll read another version, I think. Excuse me. \\n \\nDaryl Hine\\n00:43:18\\nReads [“Point Grey”; published later in Minutes].\\n \\nDaryl Hine\\n00:45:03\\nReads unnamed poem.\\n \\nDaryl Hine\\n00:46:12\\nThe last poem I'll read, if I can find it...it is called...\\\"The Trout\\\".\\n \\nDaryl Hine\\n00:46:50\\nReads \\\"The Trout\\\" [published later in Minutes].\\n \\nAudience\\n00:48:41\\nApplause.\\n \\nAnnouncer\\n00:48:59\\nI want to thank Mr. Hine and also announce that the next reading is on January 26th, by the American poet John Logan [https://www.wikidata.org/wiki/Q6245151].\\n \\nEND\\n00:49:12\\n\",\"notes\":\" Daryl Hine reads from The Carnal and the Crane (McGill Poetry Series by Contact Press, 1957), The Devil’s Picture Book (Abelard, 1960), and The Wooden Horse (Atheneum, 1965), as well as poems published later in Minutes (Atheneum, 1968).\\n\\n00:12- Unknown (female- perhaps Wynne Francis?) introduces Daryl Hine [INDEX: met in New York, McGill University, Vancouver (b. 1936), Northern Review, Contemporary Verse, books Five Poems (Emblem Books, 1955), The carnal and the crane (McGill Poetry Series by Contact Press, 1957), international career, traveling in Europe and the U.S., books The Devil’s Picture Book (Abelard, 1960), The Wooden Horse (Atheneum, 1965), The Prince of Darkness (Abelard-Schuman, 1961), Polish Subtitles (Abelard-Schuman,1962), next publication: Minutes (Atheneum, 1975), teaching at the University of Chicago, Toronto.]\\n02:11- Daryl Hine introduces “Four Fabulary Satires” part III. [INDEX: first line “Bee, at the end of your famous garden, admonished...”; poems written in Montreal, poems in “second” book (actually first); from The Carnal and the Crane (McGill Poetry Series,   \\t1957).]\\n02:48- Reads “Four Fabulary Satires” part III. [INDEX: garden, nature, bee, poppy,    hollyhock, time, rhetoric, language, orator, grasshopper, ant, grammar; Duration: 02:03.]\\n04:51- Introduces “Four Fabulary Satires” Part IV. [INDEX: fourth satire; from The Carnal and the Crane (McGill Poetry Series, 1957)]\\n04:53- Reads “Four Fabulary Satires” Part IV.\\n06:56- Introduces “A Bewilderment at the Entrance of the Fat Boy into Eden”. [INDEX:   one-sided dialogue, four parts, rather than stanzas; from The Carnal and the Crane    (McGill Poetry Series, 1957).]\\n07:35- Reads “A Bewilderment at the Entrance of the Fat Boy into Eden”. [INDEX: boy,   demons, paradise, money, angel, sleep, art, Hamlet, duality; duration: 03:17.]\\n10:52- Introduces “The Double-Goer”. [INDEX: number of poems in The Devil’s Picture Book (Abelard, 1960) written in Montreal, left Montreal for Europe, longest poem in the book.]\\n11:41- Reads “The Double-Goer”. [INDEX: lyric, error, crime, art, heart, half, double, heaven, earth, duality, day, single, sleeper, dream, sublime, careless; from The Devil’s Picture Book (Abelard, 1960), duration 04:50; Howard Fink list “The Double Door”.]\\n16:31- Introduces “The Black Swan”. [INDEX: title of The Devil’s Picture Book, poem following “The Double-goer” is shorter, subject matter, villanelle; from The Devil’s       \\tPicture Book (Abelard, 1960).]\\n17:12- Reads “The Black Swan”. [INDEX: nature, air, water, swan, villanelle, guilt, lover, fair, duality; from The Devil’s Picture Book (Abelard, 1960), duration 01:26.]\\n18:38- Introduces “The Ouija Board”. [INDEX: from The Wooden Horse (Atheneum, 1965), deals with similar subject to “The Black Swan” but at different stage, ouija board, self-made ouija board out of willow-patterned teacup, on table, four people operating it,   literate answers, prose writing, Greek or Roman character called Io or Ephraim.]\\n20:15- Reads “The Ouija Board”. [INDEX: ouija board, voices, spirit, questions, answers, dialogue, glass, grave, death, other side, other world, love; duration 01:38.]\\n21:54- Introduces “Bluebeard’s Wife”. [INDEX: about the other side; from The Wooden Horse (Atheneum, 1965)]\\n25:46- Reads “Bluebeard's Wife”. [INDEX: Bluebeard, myth, fairy tale, wife, objects, summer, nature, air, alone, artifice, rooms; from The Wooden Horse (Atheneum, 1965); duration 02:24.]\\n26:17- Reads “The Wave”. [INDEX: day, Sunday, sea, tide, beach, write, event, documentation, earthquake, death, flood, God; from unknown source; duration 03:45.]\\n31:01- Introduces “The Apology”. [INDEX: first trip to Montreal since 1958, came back with idea for this poem, not in finished form, about the impossibility of writing an      \\tautobiographical poem, published in next book of poetry; first published in Minutes         \\t(Atheneum, 1968). Note: possible differences in published version?]\\n31:56- Reads “The Apology”. [INDEX: apology, time machine, woman, school, poem,   machine, mechanical, reader, verse, silence, experience, meaning, poet; duration 03:57.]\\n35:53- Introduces “The Marche aux puces and the Jardin des Plantes”. [INDEX: return to Paris, lived there for 3-4 years, poem about not liking Paris, Marche aux puces is a flea   market, Jardin des Plantes is the botanical and zoological gardens, summer in Paris, working in the morning; from Minutes (Atheneum, 1968).]\\n36:53- Reads “The Marche aux Puces and the Jardins des Plantes”. [INDEX: art, beauty, zoo, flea market, metro, cities, Paris; duration 01:22.]\\n38:17- Introduces unknown poem, first line “The price is fixed...”. [INDEX: possible titles    “Jardin des Gourmets” or “Rendez-vous des routiers”, about French Restaurant;    published as “Le Rendezvous des Gourmets” in Minutes (Atheneum, 1968).]\\n38:42- Reads unknown poem, first line “The price is fixed...”. [INDEX: restaurant, food, soup, menu, bread, sacrament, Last Supper, remembrance; duration 01:34.]\\n40:18- Introduces “Clôture annuelle”. [INDEX: Henry James’ novel, The Ambassadors, being   in a town in the off-season, Paris in August; from Minutes (Atheneum, 1968).]\\n40:57- Reads “Clôture annuelle”. [INDEX: cities, Paris, August, emptiness, solitude, weather, summer, winter, stranger, life; duration 01:22.]\\n42:19- Introduces unknown poem, first line “Brought up as I was to judge the weather...”. [INDEX: returning to B.C., University of British Columbia, barren beach below Point Grey; published as “Point Grey” in Minutes (Atheneum, 1968).]\\n43:05- Begins to read “Brought up as I was to judge the weather...”.\\n43:10- Interrupts reading to read a different version.\\n43:18- Reads “Brought up as I was to ask of the weather...”. [INDEX: cities, Vancouver,    beach, water, mountains, rain, weather, concrete, guilt, waves, beauty.]\\n45:03- Reads “Antaeus, when once separated from the ground...”. [INDEX: myth, Antaeus, Hercules, gravity, love, suffering; from unknown source.]\\n46:12- Introduces “The Trout”. [INDEX: from Minutes (Atheneum, 1968).]\\n46:50- Reads “The Trout”. [INDEX: water, fish, prison, reality, music, cycles, death, pattern, paradise; duration 01:48.]\\n48:59- Unknown male announcer makes announcement of next reading [INDEX: January 26, American poet John Logan.]\\n\\nHoward Fink List: Print catalogue page from archives contains the following information:\\n\\nTitle: Daryl Hine reading his own poetry\\nDate: December 1, 1969\\nSource: one, two-track, 7” tape, 3 ¾, lasting 55 mins.\\n \\n1. Title:  \\n    First line: “Be, at the end of your famous garden…”\\n2. Title:              \\n    First line: “The fox and the crow…”\\n3. Title: A Bewilderment of the Entrance of the Fat Boy into Eden\\n    First line: “Not knowing…”\\n4. Title: The Double Door\\n    First line: “All that I do is…”\\n5. Title: The Black Swan\\n    First line: “Confused between the water and the air…”\\n6. Title: Ouija Board\\n    First line: “The wood that they prefer to walk…”\\n7. Title: Bluebeard’s Wife\\n    First line: “Impatiently she tampered with”\\n**Note inserted in archived print catalogue: -between poems #7 and #8; The Wave\\nFirst line: “Suddenly it was quiet as a Sunday”\\n8. Title: The Apology\\n    First line:“The time machine”\\n9. Title:              \\n    First line:“There are too many hours in a day”\\n10. Title:              \\n      First line: “The price is fixed…”\\n11. Title:              \\n      First line: “X, in August…”\\n12. Title:              \\n      First line: “Brought up as I was…”\\n13. Title: The Trout\\n      First line: “The water…”\\n\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/daryl-hine-at-sgwu-1967/\"}]"],"score":0.01643844},{"id":"1267","cataloger_name":["Masoumeh,Zaare"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["John Logan at Sir George Williams University, The Poetry Series, 26 January 1968"],"item_title_source":["Cataloguer"],"item_title_note":["\"JOHN LOGAN I006/SR163\" written on sticker on the spine of the tape's box. \"I006-11-163\" written on sticker on the reel"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 2"],"item_identifiers":["[]"],"creator_names":["Logan, John"],"creator_names_search":["Logan, John"],"creators":["[{\"url\":\"http://viaf.org/viaf/85933786\",\"name\":\"Logan, John\",\"dates\":\"1923-1987\",\"notes\":\"Poet John Logan was born in Red Oak, Iowa. Logan earned a B.Sc. in zoology at Coe College and earned an M.A. in English at the University of Iowa. Later he pursued more graduate work at Georgetown University and at the University of Notre Dame. He taught English at St. John’s College in Maryland and at the University of Notre Dame, finally settling in as a professor at the State University of New York in Buffalo. He married, and fathered nine children but divorced later on in his life. His first of fourteen publications was Cycle for Mother Cabrini (Grove Press), published in 1955. Two collections followed, Ghosts of the Heart: New Poems (University of Chicago Press) in 1960 and Spring of the Thief: Poems 1960-1962 (Knopf) in 1963. In 1969, Logan published a selection of his poems written since 1963 in The Zig-Zag Walk: Poems 1963-1968 (E.P. Dutton), and in 1973 The Anonymous Lover: New Poems (Liveright) came out. The bridge of change: poems, 1974-1980 (BOA Editions) was published in 1981, along with Only the dreamer can change the dream (Ecco Press, 1981), which won the Lenore Marshall Poetry Prize the following year. Logan’s prose was collected in A Bullet for the Ear: Interviews, Essays and Reviews (Ann Arbor, 1983) edited by A. Poulin, Jr. Logan received a Rockefeller Foundation grant, Morton Dauwen Zabel Award, Guggenheim Fellowship, and a Wayne State University’s Miles Modern Poetry Prize. He was the poetry editor of The Nation and Critic, and founded Choice magazine. John Logan died in 1987, and his poetry was published posthumously in The Collected Poems (BOA Editions) in 1989.\\n\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1968],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"Dates":["[{\"date\":\"1968 1 26\",\"type\":\"Performance Date\",\"notes\":\"Date specified in \\\"Georgantics\\\" by Marty Charny\",\"source\":\"Supplemental Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Art Gallery\",\"notes\":\"Location specified in printed announcement \\\"Georgantics\\\" by Marty Charny (Supplemental material)\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Art Gallery"],"City":["Montreal, Quebec"],"content_notes":["John Logan reads from Ghosts of the Heart: New Poems (University of Chicago Press, 1960) and The Zigzag Walk: Poems; 1963-1968 (Dutton, 1969)."],"contents":["john_logan_i006-11-163.mp3\n\nJohn Logan\n00:00:00\nReads “Eight Poems on Portraits of the Foot” [recording begins abruptly].\n \nJohn Logan\n00:03:37\nNow, can you see over there? I'm still concerned about the situation of the lights. Light's one of the big problems in poetry. [Audience laughter]. This is \"Two Preludes for La Push\", and it’s dedicated to Michael Ross [https://www.wikidata.org/wiki/Q21280686]. It was written when I was teaching [Wetky's (?)] courses a couple of years ago in Seattle [https://www.wikidata.org/wiki/Q5083] for a couple of quarters. The physical beauty of the North West got me very involved and I wrote a number of poems about it, of which this was the first. La Push [https://www.wikidata.org/wiki/Q554902], Washington [https://www.wikidata.org/wiki/Q1223] is a city on the coast--city, no it's a hamlet on the coast, very poverty stricken Indian populated, really a ruined community with dead cars lying around and houses falling apart, but in the summer many people come there because of its superb beauty. I found that I couldn't write about the Indian community, I wrote rather about the sea and myself.\n \nJohn Logan\n00:05:38\nReads \"Two Preludes for La Push\" [published later in The Zigzag Walk].\n \nJohn Logan\n00:07:48\nI'm sorry it bothers me when people come in late, I'm temperamental about that, you'll just have to excuse me. It's not that they're late, you know, it has no respect for the poem, they could wait until it's over. I'll go back to the second part.\n \nJohn Logan\n00:08:13\nResumes reading \"Two Preludes for La Push\" [published later in The Zigzag Walk].\n \nJohn Logan\n00:10:57\nThis is another poem about a superb place in the North West called Deception Pass [https://www.wikidata.org/wiki/Q1181773], which is a pass really--a water pass between islands, Deception Island [https://www.wikidata.org/wiki/Q49636439] is the name of the poem which the poem takes its name.\n \nJohn Logan\n00:11:39\nReads \"The Pass\" [published later in The Zigzag Walk].\n \nJohn Logan\n00:13:32\nI lived on a houseboat for a while, in Seattle, which I certainly think that everybody who considers going to Seattle ought to do. In fact, I was living on a houseboat when the tidal wave struck in the spring of that year. That is a marvelous thrill, it woke me up. I became friends with ducks there, I was living alone, and the poem is partly about that. \"Three Moves in Six Months\". You'll have to forgive me, I don't have this poem with me, I wanted to remember it, I'll see if I can.\n \nJohn Logan\n00:14:29\nReads \"Three Moves\" [published later in The Zigzag Walk].\n \nJohn Logan\n00:15:45\nI'm sorry, I can't remember this poem now. I'll try it again in the second half of the program, I'm screwing it up. [Audience laughter]. I'll read you another poem, I'll try that one later. This is called \"Poem, Slow to Come, on the Death of Cummings, (1896-1962)\". There are two epigraphs, one from a student of mine who said  \"I care more about strawberries than about death\", and one from Rilke [https://www.wikidata.org/wiki/Q76483], who wrote \"Heir, es ist zeit\".\n \nJohn Logan\n00:16:43\nReads \"Poem, Slow to Come, on the Death of Cummings, (1896-1962)\" [published later in The Zigzag Walk].\n \nJohn Logan\n00:22:27\nI'll read one more poem then would like to take a break, and begin again. It's called \"Love Poem\". I said that as though it didn't matter that it's called that. It does.\n \nJohn Logan\n00:23:17\nReads \"Love Poem\" [published later in The Zigzag Walk].\n\nAudience \n00:25:35 \nApplause.\n\nUnknown\n00:25:49\n[Cut or edit made in tape. Unknown amount of time elapsed].\n\nUnknown\n00:25:50\nAmbient Sound [voices].\n\nJohn Logan\n00:26:27\nI was just asked to read another, earlier poem, which I'm glad to do. Why not? I still like this poem. Then I'll come back and read some more recent things. Did we decide we'll try this without the lamp at all? I think we did, because it seems to get in the way of people. I think that people are more important than I am. Is that worse? Probably if you can't see me it should be marvelous. It’s called \"A Trip to Four or Five Towns\" and I dedicated it to James Wright [https://www.wikidata.org/wiki/Q6145850], simply because he liked it. There's a reference toward the end of the poem to a visit to William Carlos Williams [https://www.wikidata.org/wiki/Q178106], and there's also a reference to a story about e.e. cummings [https://www.wikidata.org/wiki/Q298703], told by Charles Norman in his biography of cummings about a long night spent at [Archebold (?)] and [unintelligible] with them living in France [https://www.wikidata.org/wiki/Q142], cummings was working for the New York Herald Tribune [https://www.wikidata.org/wiki/Q532494], I think, perhaps another New York [https://www.wikidata.org/wiki/Q60] paper, there aren't that many. But on the way back from the party, cummings had the urge to take a leak, and so he did so, but it was Champs-Élysées [https://www.wikidata.org/wiki/Q550] or some extraordinary [audience laughter] place like that and the cops saw him. They brought him to jail, and they said, 'You piss on Paris [https://www.wikidata.org/wiki/Q90]' [audience laughter]. He said, 'No ,it's not the point, I just had to take a leak', but they kept him there the whole night and when he finally got back to his office in the morning they had signs posted up around, which said--and I don't read French, I'm sorry because I know that many of you know French--but it was something like this, “[unintelligible] pisseur Americain”, which I guess translated \"Let the American pisser go\". [Audience laughter]. This was \"A Trip to Four or Five Towns”.\n \nJohn Logan\n00:29:01\nReads \"A Trip to Four of Five Towns\" [from Ghosts of the Heart]..\n \nJohn Logan\n00:38:34\nI realize reading the poem now how dated it is with the reference to the capital of [Viscount(?)] claim, which sold out some time ago to I don't know, somebody that sold out to somebody else. Williams by the way, did not read his Sixteen new poems, he had them, but he couldn't read them because he'd had a stroke and had never heard them. I visited him with Galway Kinnell [https://www.wikidata.org/wiki/Q2425705], and he asked us to read the poems, and we did. But I thought that, you know, one of the great things about poetry is that you can make it the way that it should be, so I had him read the poems. This is \"Big Sur: Partington Cove\". I went with a couple of students to, well we were in the Big Sur [https://www.wikidata.org/wiki/Q859413], and this is a very hidden place, Partington Cove [https://www.wikidata.org/wiki/Q21551591]. A marvelous place, accessible only by a tunnel shored up by ancient timbers, I feel I am sort of repeating the poem by telling you this, but there is such a cove, and you can only reach it through a tunnel, it's very beautiful. Smugglers used the cove and a cave nearby to hide booze during the prohibition, it was used for other purposes before and since, and there are--well why not? [Audience laughter]. But you can't get there at all now, I tried to revisit when I was back there last spring, but it's all roped off. And even the one time I did get to go there, there was a sign that was supposed to scare you away. The, one of the motivating things behind the poem was my understanding for the first time of what happens in some paintings that a friend of mine Jim Johnson [https://www.wikidata.org/wiki/Q100239918] does, where he uses combinations of landscape and the human body. He will have for example, mountains coming off an arm, and the figure of a clown. I had an experience which this poem talks about that made me see for the first time the kind of rapport between body and landscape. It was important to me, and part of what happens to the poem.\n \nJohn Logan\n00:41:54\nReads \"Big Sur: Partington Cove\" [published later in The Zigzag Walk].\n \nJohn Logan\n00:50:45\nReads \"Three Moves\" [in full, published later in The Zigzag Walk].\n\nAudience\n00:53:56 \nApplause. \n\nJohn Logan\n00:53:56\nI'm glad I finally read a poem you liked. [Laughter]. I'll read two more, they're both new, one is fairly long and one is fairly short. This one is called “Lines on Locks (or Jail and the Erie Canal)”. It's based on an experience of being in jail along the Erie Canal [https://www.wikidata.org/wiki/Q459578]. The name of the town is Herkimer [https://www.wikidata.org/wiki/Q3134036], New York [audience laughter] and I guess I won't go into the background of it, it's not that interesting. But it was written there. Not long ago.\n \nJohn Logan\n00:55:00\nReads \"Lines on Locks (or Jail and the Erie Canal)\" [published later in The Zigzag Walk].\n \nJohn Logan\n01:02:31\nAnd finally, read \"The Search\". Which is my most recent poem. If you knew how few poems there have been lately, that would mean more but...\n \nJohn Logan\n01:03:03\nReads \"The Search\" [published later in The Zigzag Walk].\n\nAudience \n01:07:31\nApplause.\n\nJohn Logan\n01:07:48\nThank you [audience applause continues throughout].\n\nIntroducer\n01:08:04\nThanks very much John [https://www.wikidata.org/wiki/Q6245151], just several announcements before we go. Fred Cogswell [https://www.wikidata.org/wiki/Q5494855], who is visiting us this year, has been invited by the Sir George Williams Student Literary Society to read his poetry, next Friday evening, in the students' lounge on the sixth floor. Jorge Luis Borges [https://www.wikidata.org/wiki/Q909], the distinguished--[audience laughter] you're not making it easier--the distinguished author will be coming here, to Sir George Williams [https://www.wikidata.org/wiki/Q326342], on Thursday February the 29th and I think I have this right. He's changed the title of his talk, it will be \"Beginnings of English Poetry\". Our next reading, John Newlove [https://www.wikidata.org/wiki/Q6250356] and Joe Rosenblatt [https://www.wikidata.org/wiki/Q1691575], two weeks from...\n\nUnknown\n01:09:05\n[Cut or edit made in tape. Unknown amount of time elapsed].\n\nUnknown\n01:09:06\nAmbient Sound [voices]. \n\nEND\n01:09:14\n"],"Note":["[{\"note\":\"Year-Specific Information:\\n\\nIn 1968, John Logan was an English Professor at State University New York in Buffalo. He was working on The Zig-Zag Walk: Poems 1963-1968, which was published in 1969.\\n\",\"type\":\"General\"},{\"note\":\"Local Connections: \\n\\nJohn Logan’s direct connection to Montreal or Sir George Williams University is unknown at this point. Logan was, however, an important and influential American poet and professor at State University of New York.\\n\",\"type\":\"General\"},{\"note\":\"Original transcript, research, introduction and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Ali Barillaro\",\"type\":\"Cataloguer\"},{\"note\":\"Reel-to-reel tape>2 CDs>digital file\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/john-logan-at-sgwu-1968/\",\"citation\":\"Charny, Marty. “Georgiantics.” The Georgian. Montreal: Sir George Williams University, 26 January 1968. \"},{\"url\":\"https://www.worldcat.org/title/ghosts-of-the-heart/oclc/328409781?referer=di&ht=edition\",\"citation\":\"Logan, John. Ghosts of the Heart. Chicago: University of Chicago Press, 1960.\"},{\"url\":\"https://www.worldcat.org/title/zig-zag-walk/oclc/251231523?referer=di&ht=edition\",\"citation\":\"Logan, John. The Zigzag Walk: Poems; 1963-1968. New York: Dutton, 1969.\"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-american-literature/oclc/54356940&referer=brief_results\",\"citation\":\"\\\"Logan, John\\\". The Oxford Companion to American Literature. James D. Hart (ed.), Phillip W. Leininger (rev). Oxford University Press 1995.\"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-twentieth-century-poetry-in-english/oclc/807465072&referer=brief_results\",\"citation\":\"Butscher, Edward. \\\"Logan, John\\\". The Oxford Companion to Twentieth-Century Poetry in English. Ian Hamilton (ed). Oxford University Press, 1996. \"},{\"url\":\"http://www.poets.org/poet.php/prmPID/286\",\"citation\":\"“John Logan”. Poets.org: Poetry, Poems, Bios & More. The Academy of American Poets, 2009.\"},{\"url\":\"https://www.concordia.ca/content/dam/concordia/offices/archives/docs/postgrad/Postgrad-1967-Spring.pdf\",\"citation\":\"“Poetry Readings”. Post-Grad. Montreal: Sir George University, Spring 1967, page 20. \"}]"],"_version_":1853670548833304576,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0163_back.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0163 back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"John Logan Tape Box - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0163_front.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0163 front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"John Logan Tape Box - Front\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0163_side.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0163 side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"John Logan Tape Box - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0163_tape.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0163_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"John Logan Tape Box - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/john_logan_i006-11-163.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"john_logan_i006-11-163.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:09:14\",\"precision\":\"\",\"size\":\"166.2 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"John Logan\\n00:00:00\\nReads “Eight Poems on Portraits of the Foot” [recording begins abruptly].\\n \\nJohn Logan\\n00:03:37\\nNow, can you see over there? I'm still concerned about the situation of the lights. Light's one of the big problems in poetry. [Audience laughter]. This is \\\"Two Preludes for La Push\\\", and it’s dedicated to Michael Ross [https://www.wikidata.org/wiki/Q21280686]. It was written when I was teaching [Wetky's (?)] courses a couple of years ago in Seattle [https://www.wikidata.org/wiki/Q5083] for a couple of quarters. The physical beauty of the North West got me very involved and I wrote a number of poems about it, of which this was the first. La Push [https://www.wikidata.org/wiki/Q554902], Washington [https://www.wikidata.org/wiki/Q1223] is a city on the coast--city, no it's a hamlet on the coast, very poverty stricken Indian populated, really a ruined community with dead cars lying around and houses falling apart, but in the summer many people come there because of its superb beauty. I found that I couldn't write about the Indian community, I wrote rather about the sea and myself.\\n \\nJohn Logan\\n00:05:38\\nReads \\\"Two Preludes for La Push\\\" [published later in The Zigzag Walk].\\n \\nJohn Logan\\n00:07:48\\nI'm sorry it bothers me when people come in late, I'm temperamental about that, you'll just have to excuse me. It's not that they're late, you know, it has no respect for the poem, they could wait until it's over. I'll go back to the second part.\\n \\nJohn Logan\\n00:08:13\\nResumes reading \\\"Two Preludes for La Push\\\" [published later in The Zigzag Walk].\\n \\nJohn Logan\\n00:10:57\\nThis is another poem about a superb place in the North West called Deception Pass [https://www.wikidata.org/wiki/Q1181773], which is a pass really--a water pass between islands, Deception Island [https://www.wikidata.org/wiki/Q49636439] is the name of the poem which the poem takes its name.\\n \\nJohn Logan\\n00:11:39\\nReads \\\"The Pass\\\" [published later in The Zigzag Walk].\\n \\nJohn Logan\\n00:13:32\\nI lived on a houseboat for a while, in Seattle, which I certainly think that everybody who considers going to Seattle ought to do. In fact, I was living on a houseboat when the tidal wave struck in the spring of that year. That is a marvelous thrill, it woke me up. I became friends with ducks there, I was living alone, and the poem is partly about that. \\\"Three Moves in Six Months\\\". You'll have to forgive me, I don't have this poem with me, I wanted to remember it, I'll see if I can.\\n \\nJohn Logan\\n00:14:29\\nReads \\\"Three Moves\\\" [published later in The Zigzag Walk].\\n \\nJohn Logan\\n00:15:45\\nI'm sorry, I can't remember this poem now. I'll try it again in the second half of the program, I'm screwing it up. [Audience laughter]. I'll read you another poem, I'll try that one later. This is called \\\"Poem, Slow to Come, on the Death of Cummings, (1896-1962)\\\". There are two epigraphs, one from a student of mine who said  \\\"I care more about strawberries than about death\\\", and one from Rilke [https://www.wikidata.org/wiki/Q76483], who wrote \\\"Heir, es ist zeit\\\".\\n \\nJohn Logan\\n00:16:43\\nReads \\\"Poem, Slow to Come, on the Death of Cummings, (1896-1962)\\\" [published later in The Zigzag Walk].\\n \\nJohn Logan\\n00:22:27\\nI'll read one more poem then would like to take a break, and begin again. It's called \\\"Love Poem\\\". I said that as though it didn't matter that it's called that. It does.\\n \\nJohn Logan\\n00:23:17\\nReads \\\"Love Poem\\\" [published later in The Zigzag Walk].\\n\\nAudience \\n00:25:35 \\nApplause.\\n\\nUnknown\\n00:25:49\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n\\nUnknown\\n00:25:50\\nAmbient Sound [voices].\\n\\nJohn Logan\\n00:26:27\\nI was just asked to read another, earlier poem, which I'm glad to do. Why not? I still like this poem. Then I'll come back and read some more recent things. Did we decide we'll try this without the lamp at all? I think we did, because it seems to get in the way of people. I think that people are more important than I am. Is that worse? Probably if you can't see me it should be marvelous. It’s called \\\"A Trip to Four or Five Towns\\\" and I dedicated it to James Wright [https://www.wikidata.org/wiki/Q6145850], simply because he liked it. There's a reference toward the end of the poem to a visit to William Carlos Williams [https://www.wikidata.org/wiki/Q178106], and there's also a reference to a story about e.e. cummings [https://www.wikidata.org/wiki/Q298703], told by Charles Norman in his biography of cummings about a long night spent at [Archebold (?)] and [unintelligible] with them living in France [https://www.wikidata.org/wiki/Q142], cummings was working for the New York Herald Tribune [https://www.wikidata.org/wiki/Q532494], I think, perhaps another New York [https://www.wikidata.org/wiki/Q60] paper, there aren't that many. But on the way back from the party, cummings had the urge to take a leak, and so he did so, but it was Champs-Élysées [https://www.wikidata.org/wiki/Q550] or some extraordinary [audience laughter] place like that and the cops saw him. They brought him to jail, and they said, 'You piss on Paris [https://www.wikidata.org/wiki/Q90]' [audience laughter]. He said, 'No ,it's not the point, I just had to take a leak', but they kept him there the whole night and when he finally got back to his office in the morning they had signs posted up around, which said--and I don't read French, I'm sorry because I know that many of you know French--but it was something like this, “[unintelligible] pisseur Americain”, which I guess translated \\\"Let the American pisser go\\\". [Audience laughter]. This was \\\"A Trip to Four or Five Towns”.\\n \\nJohn Logan\\n00:29:01\\nReads \\\"A Trip to Four of Five Towns\\\" [from Ghosts of the Heart]..\\n \\nJohn Logan\\n00:38:34\\nI realize reading the poem now how dated it is with the reference to the capital of [Viscount(?)] claim, which sold out some time ago to I don't know, somebody that sold out to somebody else. Williams by the way, did not read his Sixteen new poems, he had them, but he couldn't read them because he'd had a stroke and had never heard them. I visited him with Galway Kinnell [https://www.wikidata.org/wiki/Q2425705], and he asked us to read the poems, and we did. But I thought that, you know, one of the great things about poetry is that you can make it the way that it should be, so I had him read the poems. This is \\\"Big Sur: Partington Cove\\\". I went with a couple of students to, well we were in the Big Sur [https://www.wikidata.org/wiki/Q859413], and this is a very hidden place, Partington Cove [https://www.wikidata.org/wiki/Q21551591]. A marvelous place, accessible only by a tunnel shored up by ancient timbers, I feel I am sort of repeating the poem by telling you this, but there is such a cove, and you can only reach it through a tunnel, it's very beautiful. Smugglers used the cove and a cave nearby to hide booze during the prohibition, it was used for other purposes before and since, and there are--well why not? [Audience laughter]. But you can't get there at all now, I tried to revisit when I was back there last spring, but it's all roped off. And even the one time I did get to go there, there was a sign that was supposed to scare you away. The, one of the motivating things behind the poem was my understanding for the first time of what happens in some paintings that a friend of mine Jim Johnson [https://www.wikidata.org/wiki/Q100239918] does, where he uses combinations of landscape and the human body. He will have for example, mountains coming off an arm, and the figure of a clown. I had an experience which this poem talks about that made me see for the first time the kind of rapport between body and landscape. It was important to me, and part of what happens to the poem.\\n \\nJohn Logan\\n00:41:54\\nReads \\\"Big Sur: Partington Cove\\\" [published later in The Zigzag Walk].\\n \\nJohn Logan\\n00:50:45\\nReads \\\"Three Moves\\\" [in full, published later in The Zigzag Walk].\\n\\nAudience\\n00:53:56 \\nApplause. \\n\\nJohn Logan\\n00:53:56\\nI'm glad I finally read a poem you liked. [Laughter]. I'll read two more, they're both new, one is fairly long and one is fairly short. This one is called “Lines on Locks (or Jail and the Erie Canal)”. It's based on an experience of being in jail along the Erie Canal [https://www.wikidata.org/wiki/Q459578]. The name of the town is Herkimer [https://www.wikidata.org/wiki/Q3134036], New York [audience laughter] and I guess I won't go into the background of it, it's not that interesting. But it was written there. Not long ago.\\n \\nJohn Logan\\n00:55:00\\nReads \\\"Lines on Locks (or Jail and the Erie Canal)\\\" [published later in The Zigzag Walk].\\n \\nJohn Logan\\n01:02:31\\nAnd finally, read \\\"The Search\\\". Which is my most recent poem. If you knew how few poems there have been lately, that would mean more but...\\n \\nJohn Logan\\n01:03:03\\nReads \\\"The Search\\\" [published later in The Zigzag Walk].\\n\\nAudience \\n01:07:31\\nApplause.\\n\\nJohn Logan\\n01:07:48\\nThank you [audience applause continues throughout].\\n\\nIntroducer\\n01:08:04\\nThanks very much John [https://www.wikidata.org/wiki/Q6245151], just several announcements before we go. Fred Cogswell [https://www.wikidata.org/wiki/Q5494855], who is visiting us this year, has been invited by the Sir George Williams Student Literary Society to read his poetry, next Friday evening, in the students' lounge on the sixth floor. Jorge Luis Borges [https://www.wikidata.org/wiki/Q909], the distinguished--[audience laughter] you're not making it easier--the distinguished author will be coming here, to Sir George Williams [https://www.wikidata.org/wiki/Q326342], on Thursday February the 29th and I think I have this right. He's changed the title of his talk, it will be \\\"Beginnings of English Poetry\\\". Our next reading, John Newlove [https://www.wikidata.org/wiki/Q6250356] and Joe Rosenblatt [https://www.wikidata.org/wiki/Q1691575], two weeks from...\\n\\nUnknown\\n01:09:05\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n\\nUnknown\\n01:09:06\\nAmbient Sound [voices]. \\n\\nEND\\n01:09:14\\n\",\"notes\":\"John Logan reads from Ghosts of the Heart: New Poems (University of Chicago Press, 1960) and The Zigzag Walk: Poems; 1963-1968 (Dutton, 1969).\\n\\n00:00- Begins mid-sentence “...sperm in the womb quickens to a man...” from “Eight Poems on Portraits of the Foot”\\n03:37- John Logan introduces “Two Preludes for La Push” [INDEX: Michael Ross, teaching Wetky’s class [?], North West, Seattle, La Push Washington, Indian]\\n05:38- Reads “Two Preludes for La Push”\\n10:57- Introduces “The Pass” [INDEX: Deception Pass, North West]\\n11:39- Reads “The Pass”\\n13:32- Introduces “Three Moves” [partial reading] [INDEX: houseboat, ducks, Seattle]\\n14:29- Reads “Three Moves”\\n15:45- Introduces “Poem, Slow to Come, on the Death of Cummings (1896-1962)” [INDEX: explains epigraphs]\\n16:43- Reads “Poem, Slow to Come, on the Death of Cummings (1896-1962)”\\n22:27- Introduces “Love Poem”\\n23:17- Reads “Love Poem”\\n25:52- Introduces “A Trip to Four or Five Towns” [INDEX: James Wright, William Carlos Williams, e.e. cummings, Charles Norman, Archebold [?], France, New York Herald        Tribune, Champs Elysees]\\n29:01- Reads “A Trip to Four or Five Towns”\\n38:34- Explains “A Trip to Four or Five Towns”, introduces “Big Sur, Partington Cove” [INDEX: Capital of Viscount, William Carlos Williams, Galway Kinnell,Partington Cove, prohibition, artist Jim Johnson, relationship between body and landscape]\\n41:54- Reads “Big Sur, Partington Cove”.\\n50:45.20- END OF RECORDING\\n\\n00:00- John Logan reads “Three Moves” in full.\\n03:10- Introduces “Lines on Locks, or Jail on the Erie Canal” [INDEX: Herkimer, New      York]\\n04:14- Reads “Lines on Locks, or Jail on the Erie Canal”\\n11:46- Introduces “The Search”\\n12:18- Reads “The Search”\\n17:19- Unknown male announces next readings [INDEX: Fred Cogswell, Sir George Williams Student Literary Society, Jorge Luis Borges, John Newlove, Joe Rosenblatt]\\n18:29.44- END OF RECORDING\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/john-logan-at-sgwu-1968/\"}]"],"score":0.01643844},{"id":"1268","cataloger_name":["Mahtab,Banihashemi"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Joe Rosenblatt and John Newlove at Sir George Williams University, The Poetry Series, 9 February 1968"],"item_title_source":["Cataloguer"],"item_title_note":["\"JOE RESENBLATT I006/SR138\" written on sticker on the spine of the tape's box. JOE RESENBLATT refers to Joe Rosenblatt. RESENBLATT is mispelled. \"I006-11-138\" written on sticker on the reel.\n\n\"JOHN NEWLOVE I006/S2143\" written on sticker on the spine of the tape's box. I006-11-143 written on sticker on the reel."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 2"],"item_identifiers":["[I006-11-138, I006-11-143]"],"creator_names":["Rosenblatt, Joseph","Newlove, John"],"creator_names_search":["Rosenblatt, Joseph","Newlove, John"],"creators":["[{\"url\":\"http://viaf.org/viaf/69752567\",\"name\":\"Rosenblatt, Joseph\",\"dates\":\"1933-\",\"notes\":\"Poet and artist Joe (Joseph) Rosenblatt was born in Toronto in 1933, where he attended Central Technical School, which he left in grade ten. After a decade of traveling across Canada, working labour jobs with the CPR, Rosenblatt published his first collection of poetry through a small press, called The voyage of the mood (Heinrich Heine Press, 1963). He received a Canada Council grant in 1963 to write and draw, and published The LSD Leacock (Coach House Press, 1966), which established Rosenblatt as a serious poet. Rosenblatt then began editing Jewish Dialog, a literary magazine, in 1969, which he continued until 1983. He then published The winter of the lunar moth (House of Anansi, 1968), a collection of drawings Greenbaum (Coach House Press, 1971), Bumblebee dithyramb (Press Porcepic, 1972), Dream craters (Press Porcepic, 1974), Virgins and vampires (McClelland and Stewart, 1975) and Top Soil (Press Porcepic, 1976) which won a Governor General’s Award. Rosenblatt continued to publish collections of drawings and poetry collections, including Doctor Anacoda’s solar fan club (Press Porcepic, 1978), Loosely tied hands: an experiment in punk (Black Moss Press, 1978), The sleeping lady (Exile Editions, 1979), Brides of the stream (Oolichan Books, 1983), a reconsidered history of Marxist government Beds and consenting dreamers (Oolichan Books, 1994) and The Joe Rosenblatt Reader (Exile Editions, 1995). Rosenblatt received the B.C. Book Prize in 1986 for Poetry Hotel (1986). Rosenblatt held several positions as writer in residence at the University of Western Ontario (1979-1980), as Visiting Lecturer at University of Victoria (1980-81), the Associate editor of the Malahat Review (1980-1982), the writer in residence at the Saskatoon Public Library (1985-86) and at the University of Rome and University of Bologna (1987). Rosenblatt also served as a literary consultant for Porcupine's Quill, Blackfish Press, McClelland and Stewart, the Canada Council and Oolichan Books. His collected works can be found in The voluptuous gardener: the collected art and writing of Joe Rosenblatt, 1973-1996 (Beach Holme Publishers, 1996). Rosenblatt lived in Qualicum Beach on Vancouver Island, and during that time, also published Parrot fever (Exile Editions, 2002), The lunatic muse (Exile, 2007) and Dog (Mansfield Press, 2008). Rosenblatt died in 2019 after finishing work on Bite Me! Musings on Monsters and Mayhem (The Porcupine's Quill, 2019).\\n\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]},{\"url\":\"http://viaf.org/viaf/92277383\",\"name\":\"Newlove, John\",\"dates\":\"1938-2003\",\"notes\":\"Canadian poet John Newlove was born on June 13, 1938 in Regina, and was raised in Kamsack, Saskatchewan. He graduated from Kamsack College in 1956, and completed one year at the University of Saskatoon before touring and working in many cities across Canada. Newlove has worked as a school teacher in Birtle, Manitoba, as a social worker in Yorkton, Saskatchewan, at a radio station in Weyburn and in Regina, and as a clerk at the University of British Columbia bookstore. His first book of poetry is titled Grave Sirs (Robert Reid & Takao Tanabe, Vancouver, 1962), and is followed by Elephants, Mothers and Others (Periwinkle, 1963), Moving in Alone (Contact Press, 1965), What They Say (Weed/Flower, 1967), Black Night Window (McClelland & Stewart, 1968), The Cave (McClelland & Stewart, 1970), and Lies (McClelland & Stewart, 1972), which won a Governor General’s Award for Poetry. Newlove also worked as a writer-in-residence at the Regina Public Library, the University of Toronto, at Montreal’s Loyola College, and as an editor with McClelland & Stewart Publishing in Toronto between 1970 and 1974. Newlove then edited the McClelland & Stewart anthology Canadian Poetry: the modern era (1977), and published his own poetry in The fat man: selected poems 1962-1972 (McClelland & Stewart, 1977), The green plain (Oolichan Books, 1981), The night the dog smiled (ECW Press, 1986) and Apology for absence: Selected poems 1962-1992 (Porcupine’s Quill, 1993). Newlove taught writing at the David Thompson University Centre in Nelson, B.C. and as an editor for the Federal Commission of Official Languages in Ottawa. Newlove won the Saskatchewan Writer’s Guild Founders Award in 1984 and the Literary Press Group Award in 1986. Known and celebrated for bringing the Canadian Prairie into Canadian Literature, John Newlove died suddenly at the age of 65 on December 23, 2003.\",\"nation\":[],\"role\":[]}]"],"contributors_names":["Kiyooka, Roy"],"contributors_names_search":["Kiyooka, Roy"],"contributors":["[{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"Presenter_name":["Kiyooka, Roy"],"Series_organizer_name":["Kiyooka, Roy"],"Performance_Date":[1968],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel","Reel to Reel"],"physical_compositions":["Magnetic Tape","Magnetic Tape"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Mono","Mono"],"Dates":["[{\"date\":\"1968 2 9\",\"type\":\"Performance Date\",\"notes\":\"Date specified in \\\"Georgantics\\\" by Marty Charny\",\"source\":\"Supplemental Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Art Gallery\",\"notes\":\"Location specified in printed announcement \\\"Georgantics\\\" by Marty Charny (Supplemental material)\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Art Gallery"],"City":["Montreal, Quebec"],"content_notes":["Joe Rosenblatt reads from Winter of the Luna Moth (Anansi Press, 1968)] and The LSD Leacock (Coach House Press, 1966) and a few poems from unknown sources. John Newlove reads from Black Night Window (McClelland & Stewart, 1968), What They Say (Weed/Flower, 1967), Elephants, Mothers and Others (Periwinkle Press, 1963) and poems later published in The Cave (McClelland & Stewart, 1970). Most of these poems have been collected in The Fat Man: Selected Poems 1962-1972 (McClelland & Stewart, 1977)."],"contents":["joe_rosenblatt_i006-11-138.mp3 [File 1 of 2]\n \nRoy Kiyooka\n00:00:00\nGood evening. Hello, Mr. Bowering [https://www.wikidata.org/wiki/Q1239280]. [Audience laughter]. Well, welcome to the sixth reading of our second series of evenings with Canadian and American poets. Tonight we have Joe Rosenblatt [https://www.wikidata.org/wiki/Q1691575], Toronto [https://www.wikidata.org/wiki/Q172], and John Newlove [https://www.wikidata.org/wiki/Q6250356], formerly of Vancouver [https://www.wikidata.org/wiki/Q24639], now residing in Nova Scotia [https://www.wikidata.org/wiki/Q1952]. Joe Rosenblatt will begin the reading, there will be an intermission, and John Newlove will follow. I'm going to quote largely from the copy in Joe Rosenblatt's book, The LSD Leacock, for I hope servient biographical information. It goes like this, he was born in Toronto on December the 26th, nineteen hundred and thirty-three. He says that he has suffocated in Toronto ever since then. He attended the Central Technical School [https://www.wikidata.org/wiki/Q5061898] and dropped out in Grade 10, he has worked as a grave-digger, plumber's helper, civil servant, railway express misanthrope. He has attended the Provincial Institute of Trades where he acquired a diploma as a welder fitter, his favourite writers are Ambrose Biers, William Blake [https://www.wikidata.org/wiki/Q41513], Emily Dickinson [https://www.wikidata.org/wiki/Q4441], and A.M. Klein [https://www.wikidata.org/wiki/Q2778027], and his favourite dream, is Cyclops turning up at a [nigh-bank (?)]. [Audience laughter]. His previous book of poems, which was probably printed in nineteen hundred and sixty-three, is called Voyage of the Mood. Joe Rosenblatt.\n \nAudience\n00:02:27\nApplause.\n \nJoe Rosenblatt\n00:02:36\nWasn't that [unintelligible]. I'm just going to read, start off with a series of poems I had written about my uncle, who was a fishmonger. He had a habit of phyxiating and murdering fish, and slicing them, and slicing them, and...well, I'll start. This is called \"Uncle Nathan: Blessed his memory, speaketh in land-locked green\".\n \nJoe Rosenblatt\n00:03:11\nReads \"Uncle Nathan: Blessed his memory, speaketh in land-locked green\" [from Winter of the Luna Moth].\n\nAudience\n00:06:10\nApplause.\n \nJoe Rosenblatt\n00:06:16\n\"Ichthycide\". Another poem about my uncle. It's funny, really. [Audience laughter].\n \nJoe Rosenblatt\n00:06:29\nReads \"Ichthycide\" [from Winter of the Luna Moth].\n \nAudience\n00:08:05\nLaughter and applause .\n\nJoe Rosenblatt\n00:08:13\nThis is called \"A Shell Game\". Has to do with my uncle. [Audience laughter]. It's about his funeral.  Joke.\n \nJoe Rosenblatt\n00:08:27\nReads \"A Shell Game [from Winter of the Luna Moth].\n \nJoe Rosenblatt\n00:09:42\nI wrote all kinds of poems. I was in Vancouver and I came across the god-awful logic of the zoo. It kinda scared the hell out of me. It was a bat. I've never seen a bat before. Met people who were bats. But this was the real McCoy, it was a fruit bat and it was hanging upside-down, you know, that's the way they live and they fornicate that way too, apparently, upside-down. So I wrote about bats. I have some more fish poems but I get tired of that after a while, you start hating it. And we'll begin with \"Bats\". While it's true the bat is a mammal, not a bird, there's all types of kinds of mythology based on prejudice about bats and which I've tried to embody in these poems. \n \nJoe Rosenblatt\n00:10:47\nReads \"Bats\" [from Winter of the Luna Moth].\n \nJoe Rosenblatt\n00:11:32\nOutside of the bat poem there came a group of sound poetry. Because I tried to get the feeling of the bat in the air, you know the image of the bat and the way it, and the movements of the bat. And this is called \"The Fruit Bat\". First encounter with a bat.\n \nJoe Rosenblatt\n00:11:56\nReads \"The Fruit Bat\" [from Winter of the Luna Moth].\n \nJoe Rosenblatt\n00:13:16\nThis is better. This is “The Bat Cage”.\n \nJoe Rosenblatt\n00:13:19\nReads “The Bat Cage” [from Winter of the Luna Moth]. \n \nJoe Rosenblatt\n00:14:39\nOh we're like bats to people. We used to have, I used to, when I was a kid I went to school and we had a music teacher who was a bit of a nut. She used to rap kids across the knuckles, you know, just to hear them singing. [Audience laughter]. I may have called her Mrs. Love, I can't recall, the trauma was too great. \n \nJoe Rosenblatt\n00:15:02\nReads “The Vampire” [from Winter of the Luna Moth].\n \nAudience\n00:15:48\nLaughter and applause.\n \nJoe Rosenblatt\n00:15:55\n\"The Zombie\". Just whistle when you get tired of these bat poems. Do anything you wanna do. \"The Zombie\". By the way, bats are supposed to be unkosher according to Leviticus [https://www.wikidata.org/wiki/Q41490]. It says all fowl that creep going upon all fours shall be an abomination unto you. But in other countries they're great appetizers, the fruit bat especially, and I have an interesting poem, not right now though. \"The Zombie\".\n \nJoe Rosenblatt\n00:16:26\nReads \"The Zombie\" [from Winter of the Luna Moth].\n \nJoe Rosenblatt\n00:17:59\nI'll read one more bat poem, it's the sound thing, an experimental thing which I later developed...too many of these bats here. I wrote a Christmas poem on bats, too. Maybe I should read it. Dedicated to somebody. I'll read the sound poem. It's more important. \"The Butterfly Bat\". There is a butterfly bat. Hm, found in the Orient, a very beautiful bat, orange apparently, very beautiful though. \n \nJoe Rosenblatt\n00:18:43\nReads \"The Butterfly Bat\" [from Winter of the Luna Moth].\n \nJoe Rosenblatt\n00:20:02\nReads \"Orpheus in Stanley Park\" [from Winter of the Luna Moth]. \n \nJoe Rosenblatt\n00:20:50\n\"Sex and Death\". This poem's for a friend of mine. \n \nJoe Rosenblatt\n00:20:54\nReads \"Sex and Death\" [from Winter of the Luna Moth].\n \nJoe Rosenblatt\n00:21:48\nI should read the egg poems, because I don't think many of you have heard them, and I'll do that. You'd probably like them better than the bats. More meaningful. This is called \"Egg Sonata\".\n \nJoe Rosenblatt\n00:22:20\nReads \"Egg Sonata\" [from The LSD Leacock].\n \nAudience\n00:23:38\nLaughter and applause.\n \nJoe Rosenblatt\n00:23:44\nReads [\"Let the egg live\" (?)].\n \nUnknown\n00:24:56\nSilence [cut or edit made in tape. Unknown amount of time elapsed].\n \nJoe Rosenblatt\n00:24:59\nReads \"It's in the egg, in the little round egg\" [from The LSD Leacock].\n \nJoe Rosenblatt\n00:26:57\nOne more egg poem. [Audience laughter and applause]. This is a prose poem. It's called \"The Easter I got for Passover\". [Audience laughter]. It has to do with an argument, whether the body of Christ did not go to heaven, the moderator of the United Church of Canada [https://www.wikidata.org/wiki/Q198745] said yesterday, Right Reverend Ernest Marshall Howes told a press conference that he does not believe in the physical resurrection of Jesus but does believe in a spiritual resurrection. That's from the Globe and Mail [https://www.wikidata.org/wiki/Q43148750], 23rd of April, '65.\n \nJoe Rosenblatt\n00:27:46\nReads \"The Easter I got for Passover\" [from The LSD Leacock].\n \nAudience\n00:30:02\nApplause. \n \nJoe Rosenblatt\n00:30:10\nDo you want to read, John? Where is he? [Audience laughter]. Do you want me to come here? Yeah, okay. I'm getting down to my dirty poems, what am I going to do? I wrote a whole bunch of pornographic poetry, right. I'll read that for the end when the time's up. I wrote a poem to Che Guevara [https://www.wikidata.org/wiki/Q5809], if I can find the thing now, because I really muddled everything up here, oh here it is. It's called \"The Beehive: An Elegy to Che Guevara\".\n \nJoe Rosenblatt\n00:30:52\nReads \"The Beehive: An Elegy to Che Guevara\" [from Winter of the Luna Moth]. \n \nJoe Rosenblatt\n00:31:42\nA poem about a critic, “Fable”.\n \nJoe Rosenblatt\n00:31:47\nReads “Fable” [from Winter of the Luna Moth].  \n \nJoe Rosenblatt\n00:32:37\nI wrote another one about a critic, a friend of mine. It's called \"The Crab Louse\". I'll read it. [Audience laughter]. I think some of you may recognize him. \n \nJoe Rosenblatt\n00:32:47\nReads \"The Crab Louse\".\n \nJoe Rosenblatt\n00:33:25\nReads \"The Fire Bug Poet\".\n \nJoe Rosenblatt\n00:34:29\n\"How Mice Make Love,\" how'd this get in here? \"How Mice Make Love\".\n \nJoe Rosenblatt\n00:34:36\nReads \"How Mice Make Love\" [from Winter of the Luna Moth].\n \nJoe Rosenblatt\n00:35:29\n\"The Electric Rose\".\n \nJoe Rosenblatt\n00:35:34\nReads \"The Electric Rose\" [from Winter of the Luna Moth].\n \nAudience\n00:37:13\nApplause.\n \nJoe Rosenblatt\n00:37:17\nShould I read on? Well this is a poem called \"Itch\". It's about that cat who, you know, in the world of the dead. And as usual I mucked up all the mythology, but it was too late to change the poem. So I said, what the hell. \n \nJoe Rosenblatt\n00:37:44\nReads \"Itch\" [from Winter of the Luna Moth].\n \nJoe Rosenblatt\n00:41:51\nThere's a loathsome typographical error in here. That's what happens.\n \nJoe Rosenblatt\n00:41:56\nResumes reading \"Itch\" [from Winter of the Luna Moth].\n \nJoe Rosenblatt\n00:43:20\n[Unintelligible] a more cheerful poem, if I can find one here. How about \"Cricket Love\"? I'll read one very early poem I wrote, \"Better She Dressed in a Black Garment\". \n \nJoe Rosenblatt\n00:43:39\nReads \"Better She Dressed in a Black Garment\" [from Winter of the Luna Moth].\n \nJoe Rosenblatt\n00:44:21\nThank you. \n \nAudience\n00:44:22\nApplause.\n \nRoy Kiyooka\n00:44:35\nThere'll be a fifteen minute inter- [cut off abruptly]. \n \nEND\n00:44:37\n\n\njohn_newlove_i006-11-143.mp3 [File 2 of 2]\n\nRoy Kiyooka\n00:00:00\nWell, it gives me a very special kind of pleasure to introduce John Newlove. An old and dear friend. We met in the fall of '61 in Vancouver, and both of us had come from Saskatchewan [https://www.wikidata.org/wiki/Q1989] to Vancouver. I think that some of John's most memorable early poems have to do with the fact of Saskatchewan.  It's perhaps not an exaggeration to say that the place does continue to haunt him, and hopefully that the exorcism is not complete and that we may get some more Saskatchewan poems. Subsequently, and this is still in Vancouver, we shared a studio, or rather, he shared my studio [audience laughter], for a period of little over a year. Now during this time, we played marathon games of chess, ate several hundred dozens of chocolate-coated Long Johns, scribbled poems, dribbled paint, drank cheap red wine...and read through at least a dozen five-foot shelves of great and lesser works of literature, not to mention the confusion of mice, drunken poets, women, painters, and assorted kooks who kept visiting us. Now, it was during this period that his first book, called Grave Sirs was printed, and I have in italics here \"more or less.\" If you want to know the history of that book, you can ask John. I think there must be fifty odd copies that are still unbound someplace. This was printed by Robert Reed. It was followed by a second, called Elephants, Mothers, and Others, done by Tak Tanabe, again in Vancouver, and subsequent to that, it was rumored that Robert Columbo had discovered John Newlove for Canadian poetry [audience laughter], when he collected some of his works together in an anthology called Poetry '64. Now. Following this, of course, Contact Press bought out his book, Moving in Alone, which was perhaps the book that brought him his first large-scale critical attention. Meanwhile, of course, I'd come here, and some time afterwards I received a book, a wee book, called...let's see. [Audience laughter]. Can't read my own printing here. What They Say. Yes, What They Say is a wee book of poems, it's made up of the rejects from his manuscript that he submitted to McClelland and Stewart [https://www.wikidata.org/wiki/Q6800322]. McClelland and Stewart is to bring out his next book of poems called Black Night Window, when they get around to doing it. The manuscript has been in their hands for over twenty-four months. There has been much other activity which include three, two years and a third one coming up as poet in residence at Deep Springs [https://www.wikidata.org/wiki/Q5250324] in California [https://www.wikidata.org/wiki/Q99]. I want to conclude this little preamble by saying that at the time that John moved out of our studio, I took over this room that he slept in and wrote poetry in. The mattress in this room was about sixteen inches from the floor, and on two sides, on the wall, there was copious scribbling.  Most of it were quotations from Heraclitus [https://www.wikidata.org/wiki/Q41155] that he was reading at that time.\n \nAudience\n00:04:43\nApplause.\n \nJohn Newlove\n00:04:51\nThey weren't quotations from whoever, whatever Greek name that was you just made up, [audience laughter], they were from Herodotus [https://www.wikidata.org/wiki/Q26825]. And, Roy [https://www.wikidata.org/wiki/Q3445789] might have mentioned that, while I suppose technically you could say I was sharing the studio, I was paying half the rent.  Almost half the rent. I was paying some rent. [Audience laughter]. And he never mentioned who won most of the chess games. I write a lot of...who's throwing things at me?  You didn't win any chess games. [Audience laughter]. And you weren't paying any rent, either. I write a lot of poems about dreams, one night I woke up with a dream about an Australian chief and I managed to write down most of it. It's called \"The Almost King\".\n \nJohn Newlove\n00:05:42\nReads \"The Almost King\" [audience laughter throughout].\n\nJohn Newlove\n00:08:32\nWell, when you have dreams like that, you don't really have much chance. I've a number of short poems, I'm told it's not good to give them at poetry readings because people don't listen fast enough or something. But. [Laughter]. This...Yes, that ashtray is stolen from the faculty club, George, and your wife stole it. [Audience laughter]. This one is called \"The Candle\".\n \nJohn Newlove\n00:09:07\nReads \"The Candle\".\n \nJohn Newlove\n00:09:19\nAgain a dream. This poem, misprinted in the Malahat Review [https://www.wikidata.org/wiki/Q1567225], is one that I most like. It's called \"The Engine and the Sea\".\n \nJohn Newlove\n00:09:32\nReads \"The Engine and the Sea\" [published later in The Cave and in The Fat Man].\n \nJohn Newlove\n00:11:26\nLove poems about sleep. And about dreams. This one is called \"Before Sleep\". I used to have a great deal of trouble going to sleep because I was afraid I would have nightmares.\n \nJohn Newlove\n00:11:44\nReads \"Before Sleep\" [later published in The Cave and in The Fat Man].\n \nJohn Newlove\n00:12:53\nAnd again another one about dreams, this one called \"The Dream Man”. Dreamed I once wrote a dream about somebody else's dream, but that's not fair, dreams are copyright. This was my own. [Audience laughter].\n \nJohn Newlove\n00:13:09\nReads \"The Dream Man\".\n \nJohn Newlove\n00:14:35\nAccording to the rules, you're supposed to say things in between poems, but I can't really ever think of anything appropriate to say in between them, so. I used to have some nice Ed Sullivan [https://www.wikidata.org/wiki/Q83807] routines, but I've forgotten them. This poem is called \"Burn\".\n \nJohn Newlove\n00:14:52\nReads \"Burn\".\n \nJohn Newlove\n00:15:16\nAnd this one, an old one, again fairly short. It's called \"No Song\".\n \nJohn Newlove\n00:15:25\nReads \"No Song\" [from Black Night Window and published later in The Fat Man].\n \nJohn Newlove\n00:15:47\nI have a poem I wrote for and about a friend, but after the poem was finished as you may see, I showed it to him but I didn't tell him it was about him. He said it was a very good poem and very accurate, and so on. But he didn't know it was about himself. It's called, \"What do you want, what do you want?\".\n \nJohn Newlove\n00:16:06\nReads \"What do you want, what do you want?\" [from Black Night Window and later published in The Fat Man; audience laughter and applause throughout].\n  \nJohn Newlove\n00:17:01\nAfter he said it was such an accurate poem, I couldn't tell him it was about him. This one's called \"Strand by Strand\".\n \nJohn Newlove\n00:17:14\nReads \"Strand by Strand\".\n \nJohn Newlove\n00:17:56\nThis is the first time I've kept to a list of...because usually I decide that I don't want to read a particular poem and I get all confused, but I'm very pleased with myself when I keep right to the schedule. Everything organized, everything complete. This short poem in five naturally short pieces is called \"One Day\".\n \nJohn Newlove\n00:18:23\nReads \"One Day\".\n \nJohn Newlove\n00:18:55\nCharles Williams [https://www.wikidata.org/wiki/Q124735] died in about 1953, he was an Englishman, originally Cockney. He wrote a number of what I think are very good poems, a number of detective novels, some theological deputation, I guess would be the right word. One of his detective novels is about finding the holy grail. It's called War in Heaven and it's out in Faber Paperback, go and buy it, it's really nice. This poem is for and from and about Charles Williams.\n \nJohn Newlove\n00:19:35\nReads “For and From Charles Williams” [from What They Say].\n \nJohn Newlove\n00:20:04\nNow my list has gone to pot, because I've got a poem down in a magazine that I didn't bring. So. One day some years ago, I was hitchhiking out to British Columbia [https://www.wikidata.org/wiki/Q1974]. I got to a place called Golden [https://www.wikidata.org/wiki/Q1020179], B.C. and I had to go up the Big Bend Highway [https://www.wikidata.org/wiki/Q30253222], this would be before the Rogers Pass [https://www.wikidata.org/wiki/Q383051] was open. And I got a ride about thirty miles in on what I didn't know was an illegally-present logging truck, because the Big Bend Highway was not open to traffic for three more days. So I sat three days on the Big Bend Highway. This poem roughly...well, it's called \"Solitaire\".\n \nJohn Newlove\n00:20:47\nReads \"Solitaire\" [from Black Night Window and published later in The Fat Man].\n \nJohn Newlove\n00:21:22\nThis short one called \"El Paso\" because El Paso was the place where it happens. It was ninety degrees outside in El Paso [https://www.wikidata.org/wiki/Q16562], and with the air conditioning, which I couldn't turn off, it was about thirty below. And I couldn't sleep, I had to get up in the middle of the night and get dressed and get under the blankets, and I caught terrible cold in that motel. \n \nJohn Newlove\n00:21:41\nReads \"El Paso\".\n \nJohn Newlove\n00:21:56\nSince I've been out of Nova Scotia, I've written a couple of poems about or around Nova Scotia. The main thing I can't seem to get in a poem just yet is the difference between the Pacific Ocean [https://www.wikidata.org/wiki/Q98], in Vancouver, and the Atlantic [https://www.wikidata.org/wiki/Q97]. There seems a tremendous difference that I can feel but that I can't seem yet to grasp in the fact. This poem is called \"God Bless You\".\n \nJohn Newlove\n00:22:24\nReads \"God Bless You\" [later published in The Cave and in The Fat Man].\n \nAudience\n00:22:43\nLaughter.\n \nJohn Newlove\n00:22:47\nThe next piece is on the back of my list. I think this is about the only other ethnic Nova Scotia-type poem that I've got, but I was only there for about six months and I can't quite put out a book yet. This is called \"By the Grey Atlantic\".\n \nJohn Newlove\n00:23:04\nReads \"By the Grey Atlantic\" [published later in The Cave and in The Fat Man].\n \nJohn Newlove\n00:23:31\nI think I'll read quickly a number of poems from this book. I'm anxious not to keep you too long, if anybody feels like walking out, I won't really be insulted if you'll [unintelligible]. These are all quite simple so I might as well just give the title in my school-class fashion and then go on to read them. This is called \"The Photograph my Mother Keeps\". I might see first that Veregin [https://www.wikidata.org/wiki/Q7921203] is a town in Saskatchewan named after a leader of the Doukhobors [https://www.wikidata.org/wiki/Q5302215], they first came to that area after Peter the Lordly Verigin [https://www.wikidata.org/wiki/Q4107818] [unintelligible] his palace, which is really just a gigantic farmhouse, it's outside the town. \n \nJohn Newlove\n00:24:19\nReads \"The Photograph my Mother Keeps\".\n \nJohn Newlove\n00:25:04\nThis one, about a pregnant girl, it's called \"On Her Long Bed of Night”.\n \nJohn Newlove\n00:25:09\nReads \"On Her Long Bed of Night\".\n \nJohn Newlove\n00:26:12\nSo, this one's about my father. Drowning kittens, in a lot of houses in Saskatchewan you keep a rain barrel on a corner of the house underneath a spout to get the fresh rainwater for washing and so on.\n \nJohn Newlove\n00:26:27\nReads “My Daddy Drowned” [from Elephants, Mothers and Others and later published in The Fat Man].\n \nAudience\n00:27:09.11\nLaughter and applause.\n \nJohn Newlove\n00:27:18\nThis one is called \"Half in Love\".\n \nJohn Newlove\n00:27:22\nReads \"Half in Love\".\n \nJohn Newlove\n00:28:02\nThis one is called \"Sister Cowen\". She used to run a mission in Edmonton [https://www.wikidata.org/wiki/Q2096], and she had very good stew. She was a very violent woman. On Christmas Eve she used to give all the bums fifty cents, but she gave a particularly long sermon on Christmas Eve. She was very down on booze.\n \nJohn Newlove\n00:28:25\nReads \"Sister Cowen\".\n \nJohn Newlove\n00:28:40\nLaughter.\n \nJohn Newlove\n00:28:49\nThis one is set in Vancouver outside Roy Kiyooka's studio. \n \nJohn Newlove\n00:28:58\nReads unnamed poem.\n \nJohn Newlove\n00:29:30\nThe name of this book is Elephants, Mothers, and Others. I've read poems about others and one about my mother, and this is the elephant’s poem. \n \nJohn Newlove\n00:29:41\nReads “Elephants” from Elephants, Mothers, and Others [and published later in The Fat Man; audience laughter throughout].\n \nJohn Newlove\n00:30:01\nI think I've gone on too long, there is a longish poem called \"The Fat Man\", which I want to read, so I'll skip the rest of the stuff I thought I was going to read and just do this one.\n \nAnnotation\n00:30:18\nReads \"The Fat Man\" [published later in The Fat Man].\n \nAudience\n00:34:47\nApplause.\n \nJohn Newlove\n00:34:48\nIt's not finished, you see, it's not...[Audience laughter].\n \nJohn Newlove\n00:34:52\nResumes reading \"The Fat Man\" [published later in The Fat Man].\n \nJohn Newlove\n00:36:33\nThank you.\n \nAudience\n00:36:35\nApplause.\n \nEND\n00:36:55\n"],"Note":["[{\"note\":\"Year-Specific Information:\\n\\nIn 1968, Rosenblatt published his third collection of poetry, The winter of the lunar moth (House of Anansi).\\n\\n In 1968, Newlove published Black Night Window (McClelland & Stewart) and 3 Poems (Western P). The Fat Man: Selected Poems 1962-1972 (McClelland & Stewart, 1977) collects poems written during this time.\",\"type\":\"General\"},{\"note\":\"Local Connections:\\n\\nRosenblatt was an influential and up-and-coming Canadian poet in the mid 60’s and while there is no direct connection to Sir George Williams University, he was friends with and known by many in poetry circles.\\n\\nAs illustrated in the introduction to this reading, John Newlove was close friends with Roy Kiyooka (Professor at Sir George Williams and Reading Series Committee member) when they both lived in Vancouver. Newlove was also an important Canadian and Prairie poet.\",\"type\":\"General\"},{\"note\":\"Original transcript by Rachel Kyne\\n\\nOriginal print catalogue, introduction, research, and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Ali Barillaro\\n\",\"type\":\"Cataloguer\"},{\"note\":\"2 reel-to-reel tapes>2 CDs> 2 digital files\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-twentieth-century-poetry-in-english/oclc/807465072&referer=brief_results\",\"citation\":\"Besner, Neil. \\\"Rosenblatt, Joe (Joseph)\\\". The Oxford Companion to Twentieth-Century Poetry in English. Ian Hamilton (ed). Oxford University Press, 1996. \"},{\"url\":\"https://www.worldcat.org/title/contemporary-canadian-poem-anthology/oclc/988192362&referer=brief_results\",\"citation\":\"Bowering, George (ed). “John Newlove”. The Contemporary Canadian Poem Anthology.         Toronto: Coach House Press, 1984.\"},{\"url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/john-newlove-at-sgwu-1968/\",\"citation\":\"Charny, Marty. “Georgantics.” The Georgian. Montreal: Sir George Williams University, 9 February 1968. \"},{\"url\":\"https://www.worldcat.org/title/from-there-to-here-a-guide-to-english-canadian-literature-since-1960-ii-our-nature-our-voices/oclc/878901819&referer=brief_results\",\"citation\":\"Davey, Frank. “Joe Rosenblatt”. From There to Here: A Guide to English-Canadian Literature Since 1960. Erin, Ontario: Press Porcepic, 1974. \"},{\"url\":\"https://www.worldcat.org/title/from-there-to-here-a-guide-to-english-canadian-literature-since-1960-ii-our-nature-our-voices/oclc/878901819&referer=brief_results\",\"citation\":\"Davey, Frank. “John Newlove”. From There to Here: A Guide to English-Canadian Literature Since 1960. Erin, Ontario: Press Porcepic, 1974. \"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-canadian-literature/oclc/605246871&referer=brief_results\",\"citation\":\"Davey, Frank. \\\"Rosenblatt, Joe\\\". The Oxford Companion to Canadian Literature. Eugene Benson and William Toye (eds). Oxford University Press, 2001. \"},{\"url\":\"https://www.worldcat.org/title/15-canadian-poets-x2/oclc/40224711&referer=brief_results\",\"citation\":\"Geddes, Gary (ed). Fifteen Canadian Poets Times Two. Toronto: Oxford University Press, 1990. \"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-canadian-literature/oclc/605246871&referer=brief_results\",\"citation\":\"Geddes, Gary. \\\"Newlove, John\\\". The Oxford Companion to Canadian Literature. Eugene Benson and William Toye (eds). Oxford University Press, 2001.\"},{\"url\":\"http://www.ccca.ca/history/ozz/english/authors/newlove_john.html\",\"citation\":\"“John Newlove (1938-)”. One Zero Zero: A Virtual Library of English Canadian Small Press 1945-2044. Centre for Contemporary Canadian Art, York University. \"},{\"url\":\"https://canpoetry.library.utoronto.ca/rosenblatt/index.htm\",\"citation\":\"“Joe Rosenblatt: Biography”. Canadian Poetry Online. University of Toronto Libraries, 2000. \"},{\"url\":\"https://canpoetry.library.utoronto.ca/newlove/index.htm\",\"citation\":\"“John Newlove: Biography”. Canadian Poetry Online. University of Toronto Libraries, 2000.\"},{\"url\":\"https://www.worldcat.org/title/poets-of-contemporary-canada-1960-1970/oclc/42678409&referer=brief_results\",\"citation\":\"Mandel, Eli (ed). “Joe Rosenblatt”. Poets of Contemporary Canada 1960-1970. Montreal, Quebec: McClelland and Stewart, 1972. \"},{\"url\":\"https://www.worldcat.org/title/poets-of-contemporary-canada-1960-1970/oclc/42678409&referer=brief_results\",\"citation\":\"Mandel, Eli (ed). “John Newlove”. Poets of Contemporary Canada 1960-1970. Montreal:         McClelland & Stewart, 1972. \"},{\"url\":\"https://www.worldcat.org/title/apology-for-absence-selected-poems-1962-1992/oclc/751573535&referer=brief_results\",\"citation\":\"Newlove, John. Apology for Absence: Selected Poems 1962-1992. Ontario: The Porcupine’s Quill, 1993.\"},{\"url\":\"https://www.worldcat.org/title/black-night-window/oclc/253373347&referer=brief_results\",\"citation\":\"Newlove, John. Black Night Window. Toronto: McClelland and Stewart, 1968. \"},{\"url\":\"https://www.worldcat.org/title/cave/oclc/556837824&referer=brief_results\",\"citation\":\"Newlove, John. The Cave. Toronto: McClelland and Stewart, 1970.\"},{\"url\":\"https://www.worldcat.org/title/fat-man-selected-poems-1962-1972/oclc/299451378&referer=brief_results\",\"citation\":\"Newlove, John. The Fat Man: Selected Poems 1962-1972. Toronto: McClelland and Stewart, 1977.\"},{\"url\":\"https://www.worldcat.org/title/what-they-say/oclc/433815288&referer=brief_results\",\"citation\":\"Newlove, John. What They Say. Ontario: Weed/Flower Press, 1967. \"},{\"url\":\"http://www.abcbookworld.com/view_author.php?id=1871\",\"citation\":\"“Newlove, John”. ABC BookWorld, Simon Fraser University Library. \"},{\"url\":\"https://www.worldcat.org/title/lsd-leacock-a-new-volume-of-poetry-by-joe-rosenblatt-with-20-drawings-by-r-daigneault-published-by-the-coach-house-press/oclc/1007418956&referer=brief_results\",\"citation\":\"Rosenblatt, Joe. The LSD Leacock. Toronto: Coach House Press, 1966. \"},{\"url\":\"https://www.worldcat.org/title/lunatic-muse/oclc/1150303654&referer=brief_results\",\"citation\":\"Rosenblatt, Joe. The Lunatic Muse. Holstein, Ontario: Exile Editions, 2007.\"},{\"url\":\"https://www.worldcat.org/title/winter-of-the-luna-moth/oclc/557044236&referer=brief_results\",\"citation\":\"Rosenblatt, Joe. Winter of the Luna Moth. Toronto: Anansi Press, 1968. \"},{\"url\":\"http://news.google.com/newspapers?id=np8tAAAAIBAJ&sjid=PKAFAAAAIBAJ&pg=4195,2837932&dq=sir+george+williams+poetry&hl=en\",\"citation\":\"“SGWU To Have Poetry Series”. The Gazette. 14 September 1967, page 15. \"},{\"url\":\"https://www.worldcat.org/title/encyclopedia-of-post-colonial-literatures-in-english-vol-1/oclc/32566813&referer=brief_results\",\"citation\":\"Whalen, Terry. “Newlove, John (1938-)”. Routledge Encyclopedia of Post-Colonial Literatures in English. Eugene Benson & L.W. Connolly (eds). London: Routledge, 1994. 2 Vols. \"},{\"url\":\"\",\"citation\":\"“Poetry Readings”. OP-ED. Montreal: Sir George Williams University, 6 October 1967, page 6. \"}]"],"_version_":1853670548835401728,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/john_newlove_i006-11-143.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"john_newlove_i006-11-143.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:36:55\",\"precision\":\"\",\"size\":\"88.6 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"john_newlove_i006-11-143.mp3 [File 2 of 2]\\n\\nRoy Kiyooka\\n00:00:00\\nWell, it gives me a very special kind of pleasure to introduce John Newlove. An old and dear friend. We met in the fall of '61 in Vancouver, and both of us had come from Saskatchewan [https://www.wikidata.org/wiki/Q1989] to Vancouver. I think that some of John's most memorable early poems have to do with the fact of Saskatchewan.  It's perhaps not an exaggeration to say that the place does continue to haunt him, and hopefully that the exorcism is not complete and that we may get some more Saskatchewan poems. Subsequently, and this is still in Vancouver, we shared a studio, or rather, he shared my studio [audience laughter], for a period of little over a year. Now during this time, we played marathon games of chess, ate several hundred dozens of chocolate-coated Long Johns, scribbled poems, dribbled paint, drank cheap red wine...and read through at least a dozen five-foot shelves of great and lesser works of literature, not to mention the confusion of mice, drunken poets, women, painters, and assorted kooks who kept visiting us. Now, it was during this period that his first book, called Grave Sirs was printed, and I have in italics here \\\"more or less.\\\" If you want to know the history of that book, you can ask John. I think there must be fifty odd copies that are still unbound someplace. This was printed by Robert Reed. It was followed by a second, called Elephants, Mothers, and Others, done by Tak Tanabe, again in Vancouver, and subsequent to that, it was rumored that Robert Columbo had discovered John Newlove for Canadian poetry [audience laughter], when he collected some of his works together in an anthology called Poetry '64. Now. Following this, of course, Contact Press bought out his book, Moving in Alone, which was perhaps the book that brought him his first large-scale critical attention. Meanwhile, of course, I'd come here, and some time afterwards I received a book, a wee book, called...let's see. [Audience laughter]. Can't read my own printing here. What They Say. Yes, What They Say is a wee book of poems, it's made up of the rejects from his manuscript that he submitted to McClelland and Stewart [https://www.wikidata.org/wiki/Q6800322]. McClelland and Stewart is to bring out his next book of poems called Black Night Window, when they get around to doing it. The manuscript has been in their hands for over twenty-four months. There has been much other activity which include three, two years and a third one coming up as poet in residence at Deep Springs [https://www.wikidata.org/wiki/Q5250324] in California [https://www.wikidata.org/wiki/Q99]. I want to conclude this little preamble by saying that at the time that John moved out of our studio, I took over this room that he slept in and wrote poetry in. The mattress in this room was about sixteen inches from the floor, and on two sides, on the wall, there was copious scribbling.  Most of it were quotations from Heraclitus [https://www.wikidata.org/wiki/Q41155] that he was reading at that time.\\n \\nAudience\\n00:04:43\\nApplause.\\n \\nJohn Newlove\\n00:04:51\\nThey weren't quotations from whoever, whatever Greek name that was you just made up, [audience laughter], they were from Herodotus [https://www.wikidata.org/wiki/Q26825]. And, Roy [https://www.wikidata.org/wiki/Q3445789] might have mentioned that, while I suppose technically you could say I was sharing the studio, I was paying half the rent.  Almost half the rent. I was paying some rent. [Audience laughter]. And he never mentioned who won most of the chess games. I write a lot of...who's throwing things at me?  You didn't win any chess games. [Audience laughter]. And you weren't paying any rent, either. I write a lot of poems about dreams, one night I woke up with a dream about an Australian chief and I managed to write down most of it. It's called \\\"The Almost King\\\".\\n \\nJohn Newlove\\n00:05:42\\nReads \\\"The Almost King\\\" [audience laughter throughout].\\n\\nJohn Newlove\\n00:08:32\\nWell, when you have dreams like that, you don't really have much chance. I've a number of short poems, I'm told it's not good to give them at poetry readings because people don't listen fast enough or something. But. [Laughter]. This...Yes, that ashtray is stolen from the faculty club, George, and your wife stole it. [Audience laughter]. This one is called \\\"The Candle\\\".\\n \\nJohn Newlove\\n00:09:07\\nReads \\\"The Candle\\\".\\n \\nJohn Newlove\\n00:09:19\\nAgain a dream. This poem, misprinted in the Malahat Review [https://www.wikidata.org/wiki/Q1567225], is one that I most like. It's called \\\"The Engine and the Sea\\\".\\n \\nJohn Newlove\\n00:09:32\\nReads \\\"The Engine and the Sea\\\" [published later in The Cave and in The Fat Man].\\n \\nJohn Newlove\\n00:11:26\\nLove poems about sleep. And about dreams. This one is called \\\"Before Sleep\\\". I used to have a great deal of trouble going to sleep because I was afraid I would have nightmares.\\n \\nJohn Newlove\\n00:11:44\\nReads \\\"Before Sleep\\\" [later published in The Cave and in The Fat Man].\\n \\nJohn Newlove\\n00:12:53\\nAnd again another one about dreams, this one called \\\"The Dream Man”. Dreamed I once wrote a dream about somebody else's dream, but that's not fair, dreams are copyright. This was my own. [Audience laughter].\\n \\nJohn Newlove\\n00:13:09\\nReads \\\"The Dream Man\\\".\\n \\nJohn Newlove\\n00:14:35\\nAccording to the rules, you're supposed to say things in between poems, but I can't really ever think of anything appropriate to say in between them, so. I used to have some nice Ed Sullivan [https://www.wikidata.org/wiki/Q83807] routines, but I've forgotten them. This poem is called \\\"Burn\\\".\\n \\nJohn Newlove\\n00:14:52\\nReads \\\"Burn\\\".\\n \\nJohn Newlove\\n00:15:16\\nAnd this one, an old one, again fairly short. It's called \\\"No Song\\\".\\n \\nJohn Newlove\\n00:15:25\\nReads \\\"No Song\\\" [from Black Night Window and published later in The Fat Man].\\n \\nJohn Newlove\\n00:15:47\\nI have a poem I wrote for and about a friend, but after the poem was finished as you may see, I showed it to him but I didn't tell him it was about him. He said it was a very good poem and very accurate, and so on. But he didn't know it was about himself. It's called, \\\"What do you want, what do you want?\\\".\\n \\nJohn Newlove\\n00:16:06\\nReads \\\"What do you want, what do you want?\\\" [from Black Night Window and later published in The Fat Man; audience laughter and applause throughout].\\n  \\nJohn Newlove\\n00:17:01\\nAfter he said it was such an accurate poem, I couldn't tell him it was about him. This one's called \\\"Strand by Strand\\\".\\n \\nJohn Newlove\\n00:17:14\\nReads \\\"Strand by Strand\\\".\\n \\nJohn Newlove\\n00:17:56\\nThis is the first time I've kept to a list of...because usually I decide that I don't want to read a particular poem and I get all confused, but I'm very pleased with myself when I keep right to the schedule. Everything organized, everything complete. This short poem in five naturally short pieces is called \\\"One Day\\\".\\n \\nJohn Newlove\\n00:18:23\\nReads \\\"One Day\\\".\\n \\nJohn Newlove\\n00:18:55\\nCharles Williams [https://www.wikidata.org/wiki/Q124735] died in about 1953, he was an Englishman, originally Cockney. He wrote a number of what I think are very good poems, a number of detective novels, some theological deputation, I guess would be the right word. One of his detective novels is about finding the holy grail. It's called War in Heaven and it's out in Faber Paperback, go and buy it, it's really nice. This poem is for and from and about Charles Williams.\\n \\nJohn Newlove\\n00:19:35\\nReads “For and From Charles Williams” [from What They Say].\\n \\nJohn Newlove\\n00:20:04\\nNow my list has gone to pot, because I've got a poem down in a magazine that I didn't bring. So. One day some years ago, I was hitchhiking out to British Columbia [https://www.wikidata.org/wiki/Q1974]. I got to a place called Golden [https://www.wikidata.org/wiki/Q1020179], B.C. and I had to go up the Big Bend Highway [https://www.wikidata.org/wiki/Q30253222], this would be before the Rogers Pass [https://www.wikidata.org/wiki/Q383051] was open. And I got a ride about thirty miles in on what I didn't know was an illegally-present logging truck, because the Big Bend Highway was not open to traffic for three more days. So I sat three days on the Big Bend Highway. This poem roughly...well, it's called \\\"Solitaire\\\".\\n \\nJohn Newlove\\n00:20:47\\nReads \\\"Solitaire\\\" [from Black Night Window and published later in The Fat Man].\\n \\nJohn Newlove\\n00:21:22\\nThis short one called \\\"El Paso\\\" because El Paso was the place where it happens. It was ninety degrees outside in El Paso [https://www.wikidata.org/wiki/Q16562], and with the air conditioning, which I couldn't turn off, it was about thirty below. And I couldn't sleep, I had to get up in the middle of the night and get dressed and get under the blankets, and I caught terrible cold in that motel. \\n \\nJohn Newlove\\n00:21:41\\nReads \\\"El Paso\\\".\\n \\nJohn Newlove\\n00:21:56\\nSince I've been out of Nova Scotia, I've written a couple of poems about or around Nova Scotia. The main thing I can't seem to get in a poem just yet is the difference between the Pacific Ocean [https://www.wikidata.org/wiki/Q98], in Vancouver, and the Atlantic [https://www.wikidata.org/wiki/Q97]. There seems a tremendous difference that I can feel but that I can't seem yet to grasp in the fact. This poem is called \\\"God Bless You\\\".\\n \\nJohn Newlove\\n00:22:24\\nReads \\\"God Bless You\\\" [later published in The Cave and in The Fat Man].\\n \\nAudience\\n00:22:43\\nLaughter.\\n \\nJohn Newlove\\n00:22:47\\nThe next piece is on the back of my list. I think this is about the only other ethnic Nova Scotia-type poem that I've got, but I was only there for about six months and I can't quite put out a book yet. This is called \\\"By the Grey Atlantic\\\".\\n \\nJohn Newlove\\n00:23:04\\nReads \\\"By the Grey Atlantic\\\" [published later in The Cave and in The Fat Man].\\n \\nJohn Newlove\\n00:23:31\\nI think I'll read quickly a number of poems from this book. I'm anxious not to keep you too long, if anybody feels like walking out, I won't really be insulted if you'll [unintelligible]. These are all quite simple so I might as well just give the title in my school-class fashion and then go on to read them. This is called \\\"The Photograph my Mother Keeps\\\". I might see first that Veregin [https://www.wikidata.org/wiki/Q7921203] is a town in Saskatchewan named after a leader of the Doukhobors [https://www.wikidata.org/wiki/Q5302215], they first came to that area after Peter the Lordly Verigin [https://www.wikidata.org/wiki/Q4107818] [unintelligible] his palace, which is really just a gigantic farmhouse, it's outside the town. \\n \\nJohn Newlove\\n00:24:19\\nReads \\\"The Photograph my Mother Keeps\\\".\\n \\nJohn Newlove\\n00:25:04\\nThis one, about a pregnant girl, it's called \\\"On Her Long Bed of Night”.\\n \\nJohn Newlove\\n00:25:09\\nReads \\\"On Her Long Bed of Night\\\".\\n \\nJohn Newlove\\n00:26:12\\nSo, this one's about my father. Drowning kittens, in a lot of houses in Saskatchewan you keep a rain barrel on a corner of the house underneath a spout to get the fresh rainwater for washing and so on.\\n \\nJohn Newlove\\n00:26:27\\nReads “My Daddy Drowned” [from Elephants, Mothers and Others and later published in The Fat Man].\\n \\nAudience\\n00:27:09.11\\nLaughter and applause.\\n \\nJohn Newlove\\n00:27:18\\nThis one is called \\\"Half in Love\\\".\\n \\nJohn Newlove\\n00:27:22\\nReads \\\"Half in Love\\\".\\n \\nJohn Newlove\\n00:28:02\\nThis one is called \\\"Sister Cowen\\\". She used to run a mission in Edmonton [https://www.wikidata.org/wiki/Q2096], and she had very good stew. She was a very violent woman. On Christmas Eve she used to give all the bums fifty cents, but she gave a particularly long sermon on Christmas Eve. She was very down on booze.\\n \\nJohn Newlove\\n00:28:25\\nReads \\\"Sister Cowen\\\".\\n \\nJohn Newlove\\n00:28:40\\nLaughter.\\n \\nJohn Newlove\\n00:28:49\\nThis one is set in Vancouver outside Roy Kiyooka's studio. \\n \\nJohn Newlove\\n00:28:58\\nReads unnamed poem.\\n \\nJohn Newlove\\n00:29:30\\nThe name of this book is Elephants, Mothers, and Others. I've read poems about others and one about my mother, and this is the elephant’s poem. \\n \\nJohn Newlove\\n00:29:41\\nReads “Elephants” from Elephants, Mothers, and Others [and published later in The Fat Man; audience laughter throughout].\\n \\nJohn Newlove\\n00:30:01\\nI think I've gone on too long, there is a longish poem called \\\"The Fat Man\\\", which I want to read, so I'll skip the rest of the stuff I thought I was going to read and just do this one.\\n \\nAnnotation\\n00:30:18\\nReads \\\"The Fat Man\\\" [published later in The Fat Man].\\n \\nAudience\\n00:34:47\\nApplause.\\n \\nJohn Newlove\\n00:34:48\\nIt's not finished, you see, it's not...[Audience laughter].\\n \\nJohn Newlove\\n00:34:52\\nResumes reading \\\"The Fat Man\\\" [published later in The Fat Man].\\n \\nJohn Newlove\\n00:36:33\\nThank you.\\n \\nAudience\\n00:36:35\\nApplause.\\n \\nEND\\n00:36:55\\n\",\"notes\":\"John Newlove reads from Black Night Window (McClelland & Stewart, 1968), What They Say (Weed/Flower, 1967), Elephants, Mothers and Others (Periwinkle Press, 1963) and poems later published in The Cave (McClelland & Stewart, 1970). Most of these poems have been collected in The Fat Man: Selected Poems 1962-1972 (McClelland & Stewart, 1977).\\n\\n00:00- Roy Kiyooka introduces John Newlove. [INDEX: friend, fall of 1961, Vancouver,        Saskatchewan, early poems, studio, chess, Long Johns, paint, wine, literature, mice,     drunken poets, women, Grave Sirs published in this period, Robert Reed, Elephants,      Mothers and Others, Tak Tanabe, Robert Columbo discovered John Newlove, Canadian        poetry, Poetry ’64, Contact Press, Moving in Alone, critical attention, What They Say \\t(Weed/Flower, 1967), rejected manuscripts submitted to McClelland and Stewart, new   book Black Night Window, manuscript, poet in residence at Deep Springs in California,    Heraclitus.]\\n04:51- John Newlove responds to Kiyooka’s introduction, and introduces “The Almost King”. [INDEX: Herodotus, studio, Roy Kiyooka, rent, chess games, poems about dreams, Australian chief; from unknown source.]\\n05:42- Reads “The Almost King”.\\n08:32- Introduces “The Candle”. [INDEX: drams, short poems, poetry readings, listening, ashtray, faculty club, George (Bowering), Angela (Bowering); from unknown source.]\\n09:07- Reads “The Candle”.\\n09:19- Introduces “The Engine in the Sea”. [INDEX: dream, misprinted in the Malahat Review, favourite poem, supposed to be ‘and the Sea’; first printed in The Cave (McClelland and Stewart, 1970), collected in The Fat Man (McClelland and Stewart, 1977).]\\n09:32- Reads “The Engine and the Sea”.\\n11:26- Introduces “Before Sleep”. [INDEX: love poems about sleep, dreams, problems sleeping, nightmares; first printed in The Cave (McClelland and Stewart, 1970), collected in The Fat Man (McClelland and Stewart, 1977).]\\n11:44- Reads “Before Sleep”.\\n12:53- Introduces “The Dream Man”. [INDEX: dreams, dream about someone else’s dream, copyright; from unknown source.]\\n13:09- Reads “The Dream Man”.\\n14:35- Introduces “Burn”. [INDEX: reading ‘rules’, extra-poetic speech, Ed Sullivan routines; from unknown source.]\\n14:52- Reads “Burn”.\\n15:16- Introduces “No Song”. [INDEX: old poem, short poem; published first in Black Night Window (McClelland and Stewart, 1968), collected in The Fat Man (McClelland and Stewart, 1977).]\\n15:25- Reads “No Song”.\\n15:47- Introduces “What do you want?” [INDEX: wrote for and about a friend; originally    printed in Black Night Window (McClelland and Stewart, 1968), collected in The Fat       Man (McClelland and Stewart, 1977).]\\n16:06- Reads “What do you want?”.\\n17:01- Introduces “Strand by Strand”. [INDEX: from unknown source.]\\n17:14- Reads “Strand by Strand”.\\n17:56- Introduces “One Day”. [INDEX: list of poems to read, poem in five short parts; from unknown source.]\\n18:23- Reads “One Day”.\\n18:55- Introduces first line “For and From Charles Williams”. [INDEX: Charles Williams   \\tdeath in 1953, Englishman, Cockney, detective novels, poems, theological disputation,   holy grail, War in Heaven Faber Paperback; published in What they Say (Weed/flower     Press, 1967).]\\n19:35- Reads first line “For and From Charles Williams”.\\n20:04- Introduces “Solitaire”. [INDEX: list, magazine, hitchhiking in British Columbia, Golden, B.C, Big Bend Highway, Rogers Pass, ride, illegally-present logging truck; originally printed in Black Night Window (McClelland and Stewart, 1968), collected in The Fat Man (McClelland and Stewart, 1977).]\\n20:47- Reads “Solitaire”.\\n21:22- Introduces “El Paso”. [INDEX: ninety degrees, air conditioning, thirty below, sleep, cold, motel; from unknown source.]\\n21:41- Reads “El Paso”.\\n21:56- Introduces “God Bless You”. [INDEX: Nova Scotia, poem, difference between Pacific Ocean and Atlantic Ocean, Vancouver; later printed in The Cave (McClelland and Stewart, 1970), The Fat Man (McClelland and Stewart, 1977).]\\n22:24- Reads “God Bless You”.\\n22:47- Introduces “By the Grey Atlantic”. [INDEX: list, Nova-Scotia-type poem, six months, unfinished book; later printed in The Cave (McClelland and Stewart, 1970), The Fat Man (McClelland and Stewart, 1977).]\\n23:04- Reads “By the Grey Atlantic”.\\n23:31- Introduces “The Photograph my Mother Keeps”. [INDEX: reading poems from book (unknown), title, school-class fashion, Verrigan, Saskatchewan, named after the leader of the Doukhabors, Peter the Lordly Verrigan, farmhouse; from unknown source.]\\n24:19- Reads “The Photograph my Mother Keeps”.\\n25:04- Introduces “On Her Long Bed of Night”. [INDEX: pregnant girl; from unknown        source.]\\n25:09- Reads “On Her Long Bed of Night”.\\n26:12- Introduces “My Daddy Drowned”. [INDEX: father, kittens, houses in Saskatchewan, rain barrel, house, fresh rainwater; published Elephants, Mothers and Others (Periwinkle, 1963), collected in The Fat Man (McClelland and Stewart, 1977).]\\n26:27- Reads “My Daddy Drowned”.\\n27:18- Reads “Half in Love”.\\n28:02- Introduces “Sister Cowen”. [INDEX: Sister Cowen, mission in Edmonton, stew, violent woman, Christmas eve, homeless men, fifty cents, alcohol, sermon; from unknown source.]\\n28:27- Reads “Sister Cowen”.\\n28:49- Introduces first line “The obnoxiously-generated neon suspense...”. [INDEX: Roy        Kiyooka’s studio; from unknown source.]\\n28:58- Reads first line “The obnoxiously-generated neon suspense...”.\\n29:30- Introduces first line “Elephants ”. [INDEX: from Elephants, Mothers and Others        (Periwinkle, 1963) later collected in The Fat Man (McClelland and Stewart, 1977),       \\tmother, others, elephant poem.]\\n29:41- Reads first line “Elephants”.\\n30:01- Introduces “The Fat Man”. [INDEX: reading too long, long poem; from The Fat Man (McClelland and Stewart, 1977).]\\n30:18- Reads “The Fat Man”.\\n00:36:55.23- END OF RECORDING\\n\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"file_path\":\"\",\"filename\":\"I0006_11_0143_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"John Newlove Tape Box - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"file_path\":\"\",\"filename\":\"I0006_11_0143_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"John Newlove Tape Box - 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Hello, Mr. Bowering [https://www.wikidata.org/wiki/Q1239280]. [Audience laughter]. Well, welcome to the sixth reading of our second series of evenings with Canadian and American poets. Tonight we have Joe Rosenblatt [https://www.wikidata.org/wiki/Q1691575], Toronto [https://www.wikidata.org/wiki/Q172], and John Newlove [https://www.wikidata.org/wiki/Q6250356], formerly of Vancouver [https://www.wikidata.org/wiki/Q24639], now residing in Nova Scotia [https://www.wikidata.org/wiki/Q1952]. Joe Rosenblatt will begin the reading, there will be an intermission, and John Newlove will follow. I'm going to quote largely from the copy in Joe Rosenblatt's book, The LSD Leacock, for I hope servient biographical information. It goes like this, he was born in Toronto on December the 26th, nineteen hundred and thirty-three. He says that he has suffocated in Toronto ever since then. He attended the Central Technical School [https://www.wikidata.org/wiki/Q5061898] and dropped out in Grade 10, he has worked as a grave-digger, plumber's helper, civil servant, railway express misanthrope. He has attended the Provincial Institute of Trades where he acquired a diploma as a welder fitter, his favourite writers are Ambrose Biers, William Blake [https://www.wikidata.org/wiki/Q41513], Emily Dickinson [https://www.wikidata.org/wiki/Q4441], and A.M. Klein [https://www.wikidata.org/wiki/Q2778027], and his favourite dream, is Cyclops turning up at a [nigh-bank (?)]. [Audience laughter]. His previous book of poems, which was probably printed in nineteen hundred and sixty-three, is called Voyage of the Mood. Joe Rosenblatt.\\n \\nAudience\\n00:02:27\\nApplause.\\n \\nJoe Rosenblatt\\n00:02:36\\nWasn't that [unintelligible]. I'm just going to read, start off with a series of poems I had written about my uncle, who was a fishmonger. He had a habit of phyxiating and murdering fish, and slicing them, and slicing them, and...well, I'll start. This is called \\\"Uncle Nathan: Blessed his memory, speaketh in land-locked green\\\".\\n \\nJoe Rosenblatt\\n00:03:11\\nReads \\\"Uncle Nathan: Blessed his memory, speaketh in land-locked green\\\" [from Winter of the Luna Moth].\\n\\nAudience\\n00:06:10\\nApplause.\\n \\nJoe Rosenblatt\\n00:06:16\\n\\\"Ichthycide\\\". Another poem about my uncle. It's funny, really. [Audience laughter].\\n \\nJoe Rosenblatt\\n00:06:29\\nReads \\\"Ichthycide\\\" [from Winter of the Luna Moth].\\n \\nAudience\\n00:08:05\\nLaughter and applause .\\n\\nJoe Rosenblatt\\n00:08:13\\nThis is called \\\"A Shell Game\\\". Has to do with my uncle. [Audience laughter]. It's about his funeral.  Joke.\\n \\nJoe Rosenblatt\\n00:08:27\\nReads \\\"A Shell Game [from Winter of the Luna Moth].\\n \\nJoe Rosenblatt\\n00:09:42\\nI wrote all kinds of poems. I was in Vancouver and I came across the god-awful logic of the zoo. It kinda scared the hell out of me. It was a bat. I've never seen a bat before. Met people who were bats. But this was the real McCoy, it was a fruit bat and it was hanging upside-down, you know, that's the way they live and they fornicate that way too, apparently, upside-down. So I wrote about bats. I have some more fish poems but I get tired of that after a while, you start hating it. And we'll begin with \\\"Bats\\\". While it's true the bat is a mammal, not a bird, there's all types of kinds of mythology based on prejudice about bats and which I've tried to embody in these poems. \\n \\nJoe Rosenblatt\\n00:10:47\\nReads \\\"Bats\\\" [from Winter of the Luna Moth].\\n \\nJoe Rosenblatt\\n00:11:32\\nOutside of the bat poem there came a group of sound poetry. Because I tried to get the feeling of the bat in the air, you know the image of the bat and the way it, and the movements of the bat. And this is called \\\"The Fruit Bat\\\". First encounter with a bat.\\n \\nJoe Rosenblatt\\n00:11:56\\nReads \\\"The Fruit Bat\\\" [from Winter of the Luna Moth].\\n \\nJoe Rosenblatt\\n00:13:16\\nThis is better. This is “The Bat Cage”.\\n \\nJoe Rosenblatt\\n00:13:19\\nReads “The Bat Cage” [from Winter of the Luna Moth]. \\n \\nJoe Rosenblatt\\n00:14:39\\nOh we're like bats to people. We used to have, I used to, when I was a kid I went to school and we had a music teacher who was a bit of a nut. She used to rap kids across the knuckles, you know, just to hear them singing. [Audience laughter]. I may have called her Mrs. Love, I can't recall, the trauma was too great. \\n \\nJoe Rosenblatt\\n00:15:02\\nReads “The Vampire” [from Winter of the Luna Moth].\\n \\nAudience\\n00:15:48\\nLaughter and applause.\\n \\nJoe Rosenblatt\\n00:15:55\\n\\\"The Zombie\\\". Just whistle when you get tired of these bat poems. Do anything you wanna do. \\\"The Zombie\\\". By the way, bats are supposed to be unkosher according to Leviticus [https://www.wikidata.org/wiki/Q41490]. It says all fowl that creep going upon all fours shall be an abomination unto you. But in other countries they're great appetizers, the fruit bat especially, and I have an interesting poem, not right now though. \\\"The Zombie\\\".\\n \\nJoe Rosenblatt\\n00:16:26\\nReads \\\"The Zombie\\\" [from Winter of the Luna Moth].\\n \\nJoe Rosenblatt\\n00:17:59\\nI'll read one more bat poem, it's the sound thing, an experimental thing which I later developed...too many of these bats here. I wrote a Christmas poem on bats, too. Maybe I should read it. Dedicated to somebody. I'll read the sound poem. It's more important. \\\"The Butterfly Bat\\\". There is a butterfly bat. Hm, found in the Orient, a very beautiful bat, orange apparently, very beautiful though. \\n \\nJoe Rosenblatt\\n00:18:43\\nReads \\\"The Butterfly Bat\\\" [from Winter of the Luna Moth].\\n \\nJoe Rosenblatt\\n00:20:02\\nReads \\\"Orpheus in Stanley Park\\\" [from Winter of the Luna Moth]. \\n \\nJoe Rosenblatt\\n00:20:50\\n\\\"Sex and Death\\\". This poem's for a friend of mine. \\n \\nJoe Rosenblatt\\n00:20:54\\nReads \\\"Sex and Death\\\" [from Winter of the Luna Moth].\\n \\nJoe Rosenblatt\\n00:21:48\\nI should read the egg poems, because I don't think many of you have heard them, and I'll do that. You'd probably like them better than the bats. More meaningful. This is called \\\"Egg Sonata\\\".\\n \\nJoe Rosenblatt\\n00:22:20\\nReads \\\"Egg Sonata\\\" [from The LSD Leacock].\\n \\nAudience\\n00:23:38\\nLaughter and applause.\\n \\nJoe Rosenblatt\\n00:23:44\\nReads [\\\"Let the egg live\\\" (?)].\\n \\nUnknown\\n00:24:56\\nSilence [cut or edit made in tape. Unknown amount of time elapsed].\\n \\nJoe Rosenblatt\\n00:24:59\\nReads \\\"It's in the egg, in the little round egg\\\" [from The LSD Leacock].\\n \\nJoe Rosenblatt\\n00:26:57\\nOne more egg poem. [Audience laughter and applause]. This is a prose poem. It's called \\\"The Easter I got for Passover\\\". [Audience laughter]. It has to do with an argument, whether the body of Christ did not go to heaven, the moderator of the United Church of Canada [https://www.wikidata.org/wiki/Q198745] said yesterday, Right Reverend Ernest Marshall Howes told a press conference that he does not believe in the physical resurrection of Jesus but does believe in a spiritual resurrection. That's from the Globe and Mail [https://www.wikidata.org/wiki/Q43148750], 23rd of April, '65.\\n \\nJoe Rosenblatt\\n00:27:46\\nReads \\\"The Easter I got for Passover\\\" [from The LSD Leacock].\\n \\nAudience\\n00:30:02\\nApplause. \\n \\nJoe Rosenblatt\\n00:30:10\\nDo you want to read, John? Where is he? [Audience laughter]. Do you want me to come here? Yeah, okay. I'm getting down to my dirty poems, what am I going to do? I wrote a whole bunch of pornographic poetry, right. I'll read that for the end when the time's up. I wrote a poem to Che Guevara [https://www.wikidata.org/wiki/Q5809], if I can find the thing now, because I really muddled everything up here, oh here it is. It's called \\\"The Beehive: An Elegy to Che Guevara\\\".\\n \\nJoe Rosenblatt\\n00:30:52\\nReads \\\"The Beehive: An Elegy to Che Guevara\\\" [from Winter of the Luna Moth]. \\n \\nJoe Rosenblatt\\n00:31:42\\nA poem about a critic, “Fable”.\\n \\nJoe Rosenblatt\\n00:31:47\\nReads “Fable” [from Winter of the Luna Moth].  \\n \\nJoe Rosenblatt\\n00:32:37\\nI wrote another one about a critic, a friend of mine. It's called \\\"The Crab Louse\\\". I'll read it. [Audience laughter]. I think some of you may recognize him. \\n \\nJoe Rosenblatt\\n00:32:47\\nReads \\\"The Crab Louse\\\".\\n \\nJoe Rosenblatt\\n00:33:25\\nReads \\\"The Fire Bug Poet\\\".\\n \\nJoe Rosenblatt\\n00:34:29\\n\\\"How Mice Make Love,\\\" how'd this get in here? \\\"How Mice Make Love\\\".\\n \\nJoe Rosenblatt\\n00:34:36\\nReads \\\"How Mice Make Love\\\" [from Winter of the Luna Moth].\\n \\nJoe Rosenblatt\\n00:35:29\\n\\\"The Electric Rose\\\".\\n \\nJoe Rosenblatt\\n00:35:34\\nReads \\\"The Electric Rose\\\" [from Winter of the Luna Moth].\\n \\nAudience\\n00:37:13\\nApplause.\\n \\nJoe Rosenblatt\\n00:37:17\\nShould I read on? Well this is a poem called \\\"Itch\\\". It's about that cat who, you know, in the world of the dead. And as usual I mucked up all the mythology, but it was too late to change the poem. So I said, what the hell. \\n \\nJoe Rosenblatt\\n00:37:44\\nReads \\\"Itch\\\" [from Winter of the Luna Moth].\\n \\nJoe Rosenblatt\\n00:41:51\\nThere's a loathsome typographical error in here. That's what happens.\\n \\nJoe Rosenblatt\\n00:41:56\\nResumes reading \\\"Itch\\\" [from Winter of the Luna Moth].\\n \\nJoe Rosenblatt\\n00:43:20\\n[Unintelligible] a more cheerful poem, if I can find one here. How about \\\"Cricket Love\\\"? I'll read one very early poem I wrote, \\\"Better She Dressed in a Black Garment\\\". \\n \\nJoe Rosenblatt\\n00:43:39\\nReads \\\"Better She Dressed in a Black Garment\\\" [from Winter of the Luna Moth].\\n \\nJoe Rosenblatt\\n00:44:21\\nThank you. \\n \\nAudience\\n00:44:22\\nApplause.\\n \\nRoy Kiyooka\\n00:44:35\\nThere'll be a fifteen minute inter- [cut off abruptly]. \\n \\nEND\\n00:44:37\\n\",\"notes\":\"Joe Rosenblatt reads from Winter of the Luna Moth (Anansi Press, 1968)] and The LSD Leacock (Coach House Press, 1966) and a few poems from unknown sources.\\n\\n00:00- Roy Kiyooka introduces Joe Rosenblatt. [INDEX: George Bowering, sixth reading, second series, Canadian and American poets, Toronto, John Newlove of Vancouver/Nova Scotia, Joe Rosenblatt as first reader, The LSD Leacock (Coach House Press, 1966), biographical information, born in Toronto Dec. 26, 1933, Central Technical School, dropped out in grade 10, grave-digger, plumber’s helper, civil servant, railway express misanthrope, Provincial Institute of Trades, diploma as a welder fitter, Ambrose Biers, William Blake, Emily Dickinson, A.M. Klein, dream of cyclops turned up at nigh-bank [?], previous book of poems Voyage of the Mood (Heinrich Heine Press, 1963).]\\n02:36- Joe Rosenblatt introduces “Uncle Nathan: Blessed his memory, speaketh in land-locked green” [INDEX series of poems about his uncle, fishmonger, fish, slicing \\tfish; from Winter of the Luna Moth (Anansi, 1968).]\\n03:11- Reads “Uncle Nathan: Blessed his memory, speaketh in land-locked green”.\\n06:16- Introduces “Ichthycide”. [INDEX: poem about uncle, funny; from Winter of the Luna Moth (Anansi, 1968).]\\n06:29- Reads “Ichthycide”\\n08:13- Introduces “A Shell Game” [INDEX: uncle, funeral, joke; from Winter of the Luna Moth (Anansi, 1968).]\\n08:27- Reads “A Shell Game”.\\n09:42- Introduces “Bats”. [INDEX: all kinds of poems, Vancouver, zoo, scared, bat, fruit bat, fornicate, fish poems, mammal, bird, mythology, prejudice about bats; most likely from Winter of the Luna Moth (Anansi, 1968).]\\n10:47- Reads “Bats”.\\n11:32- Introduces “The Fruit Bat”. [INDEX: bat poem, group of sound poetry, feeling of the bat, first encounter; from Winter of the Luna Moth (Anansi, 1968).]\\n11:56- Reads “The Fruit Bat”.\\n13:16- Introduces “The Bat Cage”. [INDEX: from Winter of the Luna Moth (Anansi, 1968).]\\n13:19- Reads “The Bat Cage”.\\n14:39- Introduces “The Vampire”. [INDEX: bats, people, kid, school, music teacher,  \\ttrauma; from Winter of the Luna Moth (Anansi, 1968).]\\n15:02- Reads “The Vampire”.\\n15:55- Introduces “The Zombie”. [INDEX: bat poem, unkosher, Levictis, fowl, appetizers; from Winter of the Luna Moth (Anansi, 1968).]\\n16:26- Reads “The Zombie”.\\n17:59- Introduces “The Butterfly Bat”. [INDEX: bat poem, experimental, Christmas poem, dedication, sound poem, Orient, orange bat; from Winter of the Luna Moth (Anansi, 1968).]\\n18:43- Reads “The Butterfly Bat”.\\n20:02- Reads “Orpheus in Stanley Park”. [INDEX: from Winter of the Luna Moth (Anansi, 1968).]\\n20:50- Introduces “Sex and Death”. [INDEX: for a friend; from Winter of the Luna Moth       (Anansi, 1968).]\\n20:54- Reads “Sex and Death”.\\n21:48- Introduces “Egg Sonata”. [INDEX: egg poem, meaning; from The LSD Leacock (Coach House Press, 1966).]\\n22:20- Reads “Egg Sonata”.\\n23:44- Reads unknown poem, first line “Let the egg live...”. [INDEX: from unknown source]\\n24:59- Reads “It’s in the egg, the little round egg” [INDEX: from The LSD Leacock (Coach House Press, 1966).]\\n27:08- Introduces “The Easter I got for Passover”. [INDEX: prose poem, argument, the body of Christ, moderator of the United Church of Canada, Right Reverend Earnest Marshall Hows, press conference, disbelief in the physical resurrection of Jesus, spiritual resurrection, Globe and Mail, April 23, 1965; from The LSD Leacock (Coach House Press, 1966).]\\n27:46- Reads “The Easter I got for Passover”.\\n30:02- Introduces “The Beehive: An Elegy to Che Guevara” [INDEX: John Newlove, dirty poems, pornographic poems, Che Guevara; from Winter of the Luna Moth (Anansi Press, 1968).] \\n30:52- Reads “The Beehive: An Elegy to Che Guevara”.\\n31:42- Introduces “Fable” [INDEX: critic, fable; from Winter of the Luna Moth (Anansi Press, 1968).]\\n31:47- Reads “Fable”.\\n32:37- Introduces “The Crab Louse”. [INDEX: critic, friend; from unknown source]\\n32:47- Reads “The Crab Louse”.\\n33:25- Reads “The Fire Bug Poet”. [INDEX: from unknown source\\n34:29- Introduces “How Mice Make Love”. [INDEX: from Winter of the Luna Moth (Anansi Press, 1968).]\\n34:36- Reads “How Mice Make Love”.\\n35:29- Reads “The Electric Rose” [INDEX: from Winter of the Luna Moth (Anansi Press,      1968).]\\n37:17- Introduces “Itch”. [INDEX: Cat, world of the dead, mythology from Winter of the Luna Moth (Anansi Press, 1968).]\\n37:44- Reads “Itch”. [INDEX: interrupts poem with admission of a typographical error]\\n43:20- Introduces “Better She Dressed in a Black Garment”. [INDEX: early poem, “Cricket Love”; from Winter of the Luna Moth (Anansi Press, 1968).]\\n43:39- Reads “Better She Dressed in a Black Garment”.\\n44:35- Introducer (Roy Kiyooka) introduces 15 minute intermission.\\n44:37.30- END OF RECORDING.\\n\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/joe-rosenblatt-at-sgwu-1968/\"}]"],"score":0.01643844},{"id":"1269","cataloger_name":["Bindu,Reddy"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Earle Birney at Sir George Williams University, The Poetry Series, 23 February 1968"],"item_title_source":["Cataloguer"],"item_title_note":["\"EARLE BIRNEY Recorded February 23, 1968 3.75 ips, on 1/2 track on 1 mil. tape\" written on sticker on the back of the tape's box. \"EARLE BIRNEY i006/SR18\" written on sticker on the spine of the tape's box. \"I006-11-018\" also written on sticker on the reel.\n"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 2"],"item_identifiers":["[]"],"creator_names":["Birney, Earle"],"creator_names_search":["Birney, Earle"],"creators":["[{\"url\":\"http://viaf.org/viaf/97679781\",\"name\":\"Birney, Earle\",\"dates\":\"1904-1955\",\"notes\":\"Poet Earle Birney was born in Calgary, Alberta in 1904, when it was still part of the Northwest Territories. Birney spent his early years on a remote farm, until his family moved to Banff in 1911, and then again in 1916 to Creston, British Columbia. Upon graduation from high-school, Birney worked odd jobs as a bank clerk, a farm labourer and as a general labourer at national parks in B.C. before enrolling at the University of British Columbia, in chemistry, in 1922. He quickly switched into english literature and became the associate editor and subsequently editor-in-chief of the school newspaper, The Ubyssey. Birney graduated in Honours English in 1926, and completed a Master’s Degree from the University of Toronto in 1927. Birney pursued further graduate work at the University of California at Berkeley, until leaving in 1930 for the University of Utah to become a lecturer for two years. He returned to Toronto to complete his Ph.D. from the University of Toronto, and became a party organizer for the Trotskyist branch of the Communist Party. Birney received a fellowship to the University of London, England to study and thus traveled to Norway to interview Leon Trotsky. In 1938, with Ph.D. in hand, Birney taught at the University of Toronto and became the editor of the Canadian Forum until 1940. After enlisting in the Canadian Army, he published his first volume of poetry, David (Ryerson Press, 1942) which won the Governor General’s Award for Poetry. Birney then shipped off to serve in the Second World War, returning with a manuscript for Now is time (Ryerson Press, 1945), which also won a Governor General’s Award. Birney was editor of The Canadian Poetry Magazine (1946-48) and a professor at the University of British Columbia (1948-62). There, Birney created the very first department of creative writing in Canada. His subsequent publications include The strait of Anian (Ryerson Press, 1948), Trial of a city (Ryerson Press,1952) which was later published with its original title, The damnation of Vancouver (McClelland and Stewart, 1957), Ice cod bell or stone (McClelland and Stewart, 1962). Throughout the 60’s and 70’s, his poetry became more innovative and radical, publishing Near false creek mouth (McClelland and Stewart, 1964), a collaboration with bp Nichol, Pnomes, jukollages & other stunzas (Ganglia Press, 1969), Rag and bone shop (McClelland and Stewart, 1971), What’s so big about green? (McClelland and Stewart, 1973), The rugging and the moving times (Black Moss Press, 1976), Alphbeings and other seasyours (Pikadilly Press, 1976), and Fall by fury (McClelland and Stewart, 1978). Along with poetry, Birney published two prose novels, Turvey  (McClelland and Stewart, 1949) and Down the long table (McClelland and Stewart, 1955), a collection of stories Big bird in the bush (Mosaic Press, 1978), non fiction The creative writer (Canadian Broadcasting Corporation, 1966), and The cow jumped over the moon (Holt, Rinehart and Winston, 1972) among others. Birney’s poems have been collected in Selected poems (McClelland and Stewart, 1966), The poems of Earle Birney (McClelland and Stewart, 1969), Collected poems (McClelland and Stewart, 1975), and his last volume, Last makings (McClelland and Stewart, 1991). Birney received an honorary doctorate from the University of Alberta and was made a Fellow of the Royal Society of Canada. Earle Birney died in 1995.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Bowering, George"],"Performance_Date":[1968],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"06:00:00\",\"physical_condition\":\"\",\"track_configuration\":\"Half-track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"Dates":["[{\"date\":\"1968 2 23\",\"type\":\"Performance Date\",\"notes\":\"Date written on tape box\",\"source\":\"Accompanying material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Sir George Williams University\",\"notes\":\"\",\"address\":\"1455  Boulevard de Maisonneuve O, Montreal\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455  Boulevard de Maisonneuve O, Montreal"],"Venue":["Sir George Williams University"],"content_notes":["Earle Birney reads from Near False Creek Mouth (McClelland and Stewart, 1964) and Selected Poems 1940-1966 (McClelland and Stewart, 1966), as well as poems later collected in Rag & Bone Shop (McClelland and Stewart, 1971), The Collected Poems of Earle Birney, Vol 1 (McClelland and Stewart, 1975), and Ghost in the Wheels: Selected Poems (McClelland and Stewart, 1977)."],"contents":["earle_birney_i006-11-018.mp3\n\nGeorge Bowering\n00:00:00\nI think it's, it's either redundant or futile to do anything more than the formality of introducing Earle Birney [https://www.wikidata.org/wiki/Q3046415] who's probably the most famous poet we've ever had and who you will see described on those pieces of paper, pink that flit around, as always as a, the Dean of Canadian Poetry, though I prefer to think of him as the federal Minister for Poetry, and the times he has been a semi-official courier of Canadian poetry around the world. Sadly enough, as he tells me, the only book of his still generally in print is the Selected Poems of 1966, which we do have on sale outside the door and of which, I should remind you, he gets a cut from his publisher. [Audience laughter]. Luckily there, I have, have heard that there will be a couple of Birney books within the next little while, one of them published in the United States [https://www.wikidata.org/wiki/Q30] and the other one by the Coach House Press [https://www.wikidata.org/wiki/Q5137585], presuming always that there will be a Coach House Press in the next little while. I would just like to mention that my association with Earle Birney has always been very, a good one, for me, and I wouldn't be here today to be talking about him unless I happened to be a member of the Poetry Committee, and, except that if it hadn't been for him, and the fact that both he and I were in Vancouver [https://www.wikidata.org/wiki/Q24639] at one time, I probably wouldn't have been writing any poems at all. Either that, or he would be writing mine. So without any further ado, and probably to our great delectation, I would like to introduce Earle Birney. \n \nAudience\n00:02:15 \nApplause.\n \nEarle Birney\n00:02:26\nThank you very much, George [https://www.wikidata.org/wiki/Q1239280]. I should, in all fairness to George, say that he actually wrote all this information about me and probably a good number of the poems, which I will be reading under my own name tonight. I would also like to say that I have, was recently corresponding with a man who had just resigned as president of a University to become a Dean of another University and had said, well, at least I will show them that if a Dean is a mouse in training to be a rat, then some rats can revert to being mice. Now, if we apply this to the world of poetry, I would say that I am a mouse in training to be less than a mouse, to be something in another category--I think I'd like to be Bursar of Canadian Poetry. But nobody has really set me up for that. I'm going to start by making sure that I read one good poem tonight by reading a poem of W. B. Yeats [https://www.wikidata.org/wiki/Q40213] [audience laughter] called \"A Prayer for Old Age\", which has, I think, I'm afraid, more and more pertinence to my condition. He wrote it at 69. \n \nEarle Birney\n00:04:10\nReads \"A Prayer for Old Age\"  by W. B. Yeats.\n \nEarle Birney\n00:04:54\nThat I will use as an excuse for some of the poems I now shall read you, if I can find my list. The last thing. Ah yes, here it is. Now there's no mic and I want to make sure that everyone is hearing me. If I'm not talking loud enough, those that cannot hear, would you please put a hand up now. I'm very sorry, I'm very sorry--well, you will have to go to the back and then somebody who's standing can come here. I'm sorry there aren't, that some of you have to stand, and I'll try to make it as fast as possible so we can all get out of here. [Audience laughter]. I'm going to begin with some poems that are, alas, too well known to my fellow poets, most of them in this room, but I had planned it this way and I'm stuck with it now and so are they. I'm going to begin with a series that came out, some members of a series that came out in Ice Cod Bell or Stone, and later others in, Near False Creek Mouth, that have to do with wandering around the global village, and this one begins in, well it since begins in Vancouver, but it's about Honolulu [https://www.wikidata.org/wiki/Q18094]. I got a fellowship to go to England [https://www.wikidata.org/wiki/Q21] and I was in Vancouver and I discovered that it only cost me two hundred dollars and some odd cents more to go to London [https://www.wikidata.org/wiki/Q84] and back to Vancouver by way of going around the world, you know, just heading west. The air tickets were accommodating me that way. So I decided to go west, and my first stop, I noticed, was Honolulu, and I began to get a bit of a temperature about that, and I thought, how 'bout, I might as well live it up, I'm going to Honolulu tomorrow morning, going to be there tomorrow night, and so I will engage a room in Hawaiian Village Hotel for the one night, because first night, I know I have a little money. After that, God knows what's going to happen to me because I intend to stay in a lot of places before I get to London. So I did this, I reserved a room before I left Vancouver, not realizing that this had put me in a bit of a box, because this is one of the Kaiser-Hilton hotels on Waikiki Beach [https://www.wikidata.org/wiki/Q254861], and they have a special greeter who meets all the planes, just for people coming to them. And it happened, through another mischance, that I was the only one for that hotel, and this unsettled me so much I had to write about it. [Audience laughter]. Something which I call \"Twenty-Third Flight\" for reasons, well, the poem is imitative of another poet, much older, much greater, by the name of David. Not the one that I pushed off the cliff [audience laughter], the one who was a harpist.\n \nEarle Birney\n00:08:39\nReads \"Twenty-Third Flight\" [from Selected Poems 1940-1966; audience laughter throughout].\n \nAudience\n00:10:58\nApplause and laughter.\n \nEarle Birney\n00:11:06\nThank you very much, I hesitate to look as if I anticipated more applause, but I would much prefer it if you'd just let me rattle ahead here, for one thing it's getting hotter in here and more and more uncomfortable and as I say, let me get ahead with it, and so if at the end, of course, if anybody is still here with enough energy left, fine. Is there anybody who knows where water is available, any water hole out there in those vast cement deserts?\n \nGeorge Bowering\n00:11:50\nThere should be some beside you, there.\n \nEarle Birney\n00:11:52\nUh, well, there's a water pitcher, and a water glass…[audience laughter]. I'll prove it... [audience laughter].\n \nGeorge Bowering\n00:12:05\nIf I drink it, it's okay.\n \nEarle Birney\n00:12:06\nYeah! ...Well, while George is away I'll read one of his poems. This one is called \"Honolulu\" and follows immediately after the other, but in between was about forty, twenty-four hours, I guess, in which I visited the very famous outdoor aviary, one of the world's famous aviaries, and also the aquarium and so on, and I also encountered a type, a Honolulu type of sorts. So this poem, which is perhaps about the involvement of people with animals through self-projection, and the involvement of human animals with each other. \n \nEarle Birney\n00:13:05\nReads \"Honolulu\" [from Selected Poems 1940-1966].\n \nEarle Birney\n00:14:41\nThen I went to Japan [https://www.wikidata.org/wiki/Q17], and I want to read you one little poem, this is my Zen poem, I guess. [Audience laughter]. Every poet has to have a Zen poem. Thank you, George. \n \nGeorge Bowering\n00:14:54\nOh ho, I could give you a Zen greeting. Alright. It's really cold. I tried to get it out of the Coke [https://www.wikidata.org/wiki/Q2813] machine but it just didn't work. \n \nEarle Birney\n00:15:03\nGood gin, thank you. \"Windchimes in a Temple Ruin\"--you know these little glass-leave things, which one expects to see in Japan, but not suddenly to hear when you're all alone in an old ruin. Some left up in the rafters.\n \nEarle Birney\n00:15:31\nReads \"Windchimes in a Temple Ruin\" [from Selected Poems 1940-1966].\n \nEarle Birney\n00:16:12\nBut I think I'm going to leave Asia [https://www.wikidata.org/wiki/Q48] for the moment, and get on to Europe [https://www.wikidata.org/wiki/Q46], briefly, been around to Spain [https://www.wikidata.org/wiki/Q29], at any rate. I was sitting, more or less minding my own business, on a plaza in Madrid [https://www.wikidata.org/wiki/Q2807] one morning, having my coffee, and something happened, which again I felt I should chronicle. Desmond Pacey [https://www.wikidata.org/wiki/Q5264782] says I'm a chronicler, and so I, having learned that, I now use the word [audience laughter] to explain what I'm doing. I renamed the plaza, it had a rather dull name, I call it Plaza de Inquisicion. \n \nEarle Birney\n00:17:09\nReads “Plaza de Inquisicion” [from Near False Creek Mouth and collected in Selected Poems 1940-1966].\n \nEarle Birney\n00:17:44\nI also went to the Prado [https://www.wikidata.org/wiki/Q160112] of course, and saw, for the first time, the original of one of the three studies by El Greco [https://www.wikidata.org/wiki/Q301] of The Espolio [https://www.wikidata.org/wiki/Q52301456], or the taking-off and rending of Christ's garments, which was one of El Greco's themes. And I was struck, as I had never been really before, I suppose because I never had really looked at these paintings properly, I had looked at them in small illustrations--I was struck by the extraordinary amount of space which had been taken up, which El Greco had devoted to the carpenter who was making the holes in the cross preparatory to having Christ nailed to the cross. In fact, the whole lower third of the canvas is devoted to him in one of these three versions, and not only that but he is, they're facing us, with his back to Christ, and on the right and left are two of the Marys, whose eyes are on him. I felt that perhaps El Greco was trying to say something here, apart from what he was saying about the actual scene of the crucifixion, in a symbolic way, perhaps about something that happened to do, really, with this religion, but with, whatever we'd call it, religion, whatever we'd call it, of art. Or if not of art, but craft. It's a little, perhaps, exaggerated, to call the carpenter an artist, but it's obvious that he'd been very much at that moment a craftsman. And so I wrote \"El Greco: Espolio\".\n \nEarle Birney\n00:20:04\nReads \"El Greco: Espolio\" [from Selected Poems 1940-1966].\n \nEarle Birney\n00:22:29\nWhen I come to Canada [https://www.wikidata.org/wiki/Q16], now, I'm going to kind of sneak in on the side by reading you a poem that has to do with a very remote, I suppose the most remote part of Canada, in fact, the piece of land that is even nearer to the North Pole [https://www.wikidata.org/wiki/Q934] than Greenland [https://www.wikidata.org/wiki/Q223] or anything the Russians have, Ellesmereland [https://www.wikidata.org/wiki/Q146841]. And I will read it first of all in English, and then, more or less for the hell of it, I'm going to read it in a translation into Spanish, but anyway, because I think I like the sound of it in Spanish. It's short, so I've practiced my Spanish on it, and maybe I won't make too many boobs.\n \nEarle Birney\n00:23:30\nReads \"Ellesmereland\" in English [published later in The Collected Poems of Earle Birney, Vol 1].\n \nEarle Birney\n00:24:10\nReads \"Ellesmereland\" in Spanish.\n \nEarle Birney\n00:24:59\nWell I'll get down and turn to more familiar territory. \"Canada Case History\". This is a poem written quite a long time ago, in 1945, in fact, when I'd just got back from World War Number Two [https://www.wikidata.org/wiki/Q362], I always have to be careful to name which one it is, people getting confused about how far back I go now. And I found that in 1967 I had to do a little patching and changing of this, because history had not only caught up with me, it had changed me. But here, first of all is the original. No, I don't think, I can't, I don't think I can bear to read the original, I think I'll just read you what, what happened to this poem in 1967 in the centennial year.\n \nEarle Birney\n00:26:09\nReads \"Canada: Case History\" [from Selected Poems 1940-1966; audience laughter throughout].\n \nEarle Birney\n00:28:15\nWell now I'm going to read you other various scrappy things about Canadian literature which have never been published and never will be, I think, sneak them out like this once in a while. \n \nEarle Birney\n00:28:38\nReads unnamed poem.\n \nAudience \n00:29:20\nLaughter.\n \nEarle Birney\n00:29:29\nThen there's John, Jean Cabot, as I think my school teacher, trying very hard to be bilingual, made us say, but it turns out he wasn't French at all, but Italian. His name was Giovanni Caboto [https://www.wikidata.org/wiki/Q85642]. \n \nEarle Birney\n00:29:48\nReads \"John Cabot\" [published later as “giovanni caboto - john cabot” in Rag & Bone Shop].\n \nAudience\n00:30:27\nLaughter.\n \nEarle Birney\n00:30:36\nThis is something to my publisher, when they brought out a book of mine, Ice Cod Bell or Stone, full of beautiful artwork, except that the man in charge of the artwork had never read the little poem, the \"Klein Ellesmereland\" that I've just read to you, and so never discovered that when I was talking about bells, I was talking about harebells, or flowers, and he put very large iron church bells into all the illustrations. [Audience laughter]. I had asked to see the artwork in advance and was told that the authors, that this was not the custom to show authors the artwork in advance, so I didn't see it. So all I could do at the end was write something. \"To the reader”, which was not included in the volume.\n \nEarle Birney\n00:31:45\nReads \"To the reader\".\n \nEarle Birney\n00:32:39\nI went to spend a weekend a couple of years ago for the first time with Al Purdy [https://www.wikidata.org/wiki/Q4704621] in his shack in Ameliasburg [https://www.wikidata.org/wiki/Q4742321], and I had read a lot of his Ameliasburg poems before, and I knew Al, but this was a new experience to be actually in the country of the poet, particularly as it was so well staked out--nobody else has ever written about Ameliasburg and the country north of there. Or ever will, I think. But Al has used it, and the country, and developed it into part of the remarkable fineness of his poetry. \n \nEarle Birney\n00:33:33\nReads \"In Purdy's Ameliasburg\" [published later in Rag & Bone Shop]. \n \nEarle Birney\n00:37:13\nNow a poem about another part of Canada. Still Ontario [https://www.wikidata.org/wiki/Q1904], part of the north. This is a poem about driving west with somebody else, another guy, and...well there it is. It's called \"Way to the West\". Summertime.\n \nEarle Birney\n00:37:46\nReads \"Way to the West\" [from Selected Poems 1940-1966].\n \nEarle Birney\n00:41:45\nWell, I'm going to get out to the West Coast very briefly. I'm going to read you something toward the end of a long poem. The trouble with long poems is, you could never dare to read the whole thing to any audience. So I'll read you, it's toward the end of the thing called \"November walk near False Creek mouth\". The last page.\n \nEarle Birney\n00:42:26\nReads final section of \"November walk near False Creek mouth\" [from Near False Creek Mouth and collected later in Selected Poems 1940-1966].\n \nEND\n00:45:06\n[Cut or edit made in tape. Unknown amount of time elapsed].\n \nEarle Birney\n00:45:07\nI'm going to read you a few odd things which are to some extent experimental, I suppose. Most of these have not been published, and some of them I haven't read before. This one is called a \"Swahili Serenade\" and I'll tell you about it after I read it. It's Swahili Found Serenade, really. \n \nEarle Birney\n00:45:44\nReads \"Swahili Serenade\" [published later as “found swahili serenade” in Rag & Bone Shop; audience laughter throughout].\n \nEarle Birney\n00:46:13\nWell, as some of you have already perceived, already noticed, this is made up, each line is a juke-box tune, it's just a very easy kind of poem to make up; I offer it to you as a formula for quick poetry, just sit down by a jukebox and pick off some titles. [Audience laughter]. Five minute poem. Here's another kind of found poem of a different sort, called, I call it \"Space Conquest\". That's about all that I've contributed to it. \"Space Conquest\".\n \nEarle Birney\n00:46:56\nReads \"Space Conquest\".\n \nEarle Birney\n00:47:33\nWell those ten lines, each of five syllables, came out of a computer at the University of Waterloo [https://www.wikidata.org/wiki/Q1049470] last week, into which we had programmed a hundred and eleven, the one hundred and eleven words of George Meredith's [https://www.wikidata.org/wiki/Q90238] \"Lucifer in Starlight,\" and the last thirty-three words of Archibald MacLeish's [https://www.wikidata.org/wiki/Q633354] \"The End of the World.\" Don't ask me why we picked those two poems, I had nothing to do with the picking of the poems. But some of us, two linguists, two linguist-isists, a mathematician, and myself, and masses of computers are producing this sort of poetry. It took point eight-three seconds, not even one second, to produce the hundred-some-odd lines, out of which I chose those ten. So you can see it doesn't take very long, once you've programmed the machine, to find the, you know, the entire text of Hamlet [https://www.wikidata.org/wiki/Q41567], but this is what we have done so far, we haven't put too much time on it yet. Some things that I haven't had computers write for me, although perhaps I might have, or should have. This one's called \"Kooks of the Monk\". \n \nEarle Birney\n00:49:24\nReads \"Kooks of the Monk\".\n \nAudience\n00:49:37\nLaughter.\n \nEarle Birney\n00:49:39\nThat is sometimes called \"concrete\". Fun anyway, to do. This is something that I may not be able to finish, but I'll try it. It's the train from Cardiff [https://www.wikidata.org/wiki/Q10690] to London. English trains sound different, of course. \n \nEarle Birney\n00:50:03\nPerforms \"Train from Cardiff to London\".\n \nAudience\n00:50:53\nLaughter.\n \nEarle Birney\n00:50:59\nThis is a found collage from one issue of the Toronto Daily Star [https://www.wikidata.org/wiki/Q1067299], called \"Toronto Daily Tele-Starlings\", and this is only a small part of the poem which has no beginning or end, it goes on forever if you read the whole of the Star.  \n \nEarle Birney\n00:51:22\nReads \"Toronto Daily Tele-Starlings\" [audience laughter throughout].\n \nEarle Birney\n00:53:26\nA series of poems with reference back to the Yeats poem I read at the beginning, perhaps. \n \nEarle Birney\n00:53:36\nReads \"Like an eddy\" [published later in Rag & Bone Shop and collected in Ghost in the Wheels: Selected Poems].\n\nEarle Birney\n00:55:42\nAnd, two short haikus.\n \nEarle Birney\n00:55:47\nReads [two of three haikus from “hokkai in the dew line snow”, published later in Rag & Bone Shop and collected in Ghost in the Wheels: Selected Poems].\n \nEarle Birney\n00:56:16\nReads [\"BUILDINGS\", published later in Rag & Bone Shop and collected in The Collected Poems of Earle Birney, Vol 1].\n \nEarle Birney\n00:56:50\nAnd, a poem that is written in kind of an attempt to write something to express a tiny little bit of the pleasure I've had, through most of my life, in reading Chaucer [https://www.wikidata.org/wiki/Q5683]. Called \"I'm always going back to Chaucer\".\n \nEarle Birney\n00:57:20\nReads \"I'm always going back to Chaucer\" in Middle English.\n \nEarle Birney\n00:59:06\nNow something that has to do with my Shetland [https://www.wikidata.org/wiki/Q47134] grand-aunt. Tea with my Shetland grand-aunt. This is a little, slightly different dialect. And there's a kind of an opposition of styles going on here. It's a very old poem, refurbished.\n \nEarle Birney\n00:59:32\nReads \"Tea at my Shetland Aunt’s\" in a Shetland dialect [published later in The Collected Poems of Earle Birney, Vol 1].\n\n \nEarle Birney\n01:01:21\nWell now I'm going to turn back to older poems. To conclude. Hum...I'm going to read two or three poems that, who have some relationship to California [https://www.wikidata.org/wiki/Q99] and Oregon [https://www.wikidata.org/wiki/Q824]. First of all, a poem that, when I wrote it, I wrote it on the day of its date. I thought the date was going to be very significant. August the seven, 1964, Florence [https://www.wikidata.org/wiki/Q862740], Oregon. And that was because on that day, the American fleet moved into the coast and shelled the coast of North Vietnam [https://www.wikidata.org/wiki/Q881], against the international agreements into which the United States had entered some years before. And I thought that this would surely go down in living memory, as a deed of aggression and perfidy. But there have been so many since, almost every day, that everybody has forgotten about that first shelling of the shore from the Gulf of Tonkin [https://www.wikidata.org/wiki/Q212428]. But I happened to be on the shore of the Pacific [https://www.wikidata.org/wiki/Q98] almost directly across from the Gulf of Tonkin, in fact, the waves that were coming in perhaps had their pulsing first on the other side. And this, one couldn't get it out of one's mind, having seen the morning papers and heard the radio, and I went, I had gone fishing with an American poet and his two boys. The salmon were running, coming in, but I have got less and less interested in killing even fish as I get older and softer, and I soon gave up even wanting to cook fish, and left it to the others, and I went up, because I had nothing to do then, I went up and I sat on a cliff, and started thinking about the sea out there, and cormorants fishing, and once in a while the flash of a seal coming up, also fishing, and I also suddenly realized I was sitting there just staring out at the sea and I began to think, I remembered Frost's [https://www.wikidata.org/wiki/Q168728] poem about how odd human beings are, you know, they go down to the sea and they sit and they all, they always look out at the sea, although they can't look very far out or very far in. And I thought that was exactly what I was feeling, the whole thing. But I thought well it's not really Frost's ocean, this is Robinson Jeffers' [https://www.wikidata.org/wiki/Q734955] ocean, and here is this great eye of indifference, so I began my poem, called \"Looking from Oregon\" with a line from Robinson Jeffers about the Pacific: \"And what it watches is not our wars\".\n \nEarle Birney\n01:04:54\nReads \"Looking from Oregon\" [from Selected Poems 1940-1966].\n \nEarle Birney\n01:06:20\nAnd another little poem which is really a video poem, and I should put it on a screen but I forgot to bring my slides. Brought them as far as the hotel, but I forgot to bring them up here.  o you'll just have to visualize a poem shaped like a pair of stairs but coming up at you, and visualize yourself at the top of these stairs with your back against the side of a theatre, a campus theatre at the University of Oregon [https://www.wikidata.org/wiki/Q766145], with signs of last week's shows, this one to go on tonight, that I'm waiting to go into, waiting for my friends, who have the tickets, and watching people come up these steps, the cars coming by and discharging people. \"Campus Theatre Steps\". Summertime, a beautiful summer night. \n \nEarle Birney\n01:07:14\nReads \"Campus Theatre Steps\" [from Selected Poems 1940-1966].\n \nEarle Birney\n01:08:04\nThen I was driving along the coast, a long time, and I was confronted with a sign that hadn't been there before. A billboard, with the same message multiplied up and down the coast and everywhere I went, since the last time I was there. Now I, this is my favourite state of the American Union, Oregon, absolutely beautiful, still, despite whatever, all the attempts of man to un-beautify it, there's still this great volcanic, snow-covered mountains, such, shaped a bit like Fujiyama [https://www.wikidata.org/wiki/Q39231], there is also all those beautiful rocks and sea-lion caves and the pounding surf and the rhododendrons, the whole works. And there's these, this sign saying, \"Billboards Build Freedom of Choice, Courtesy of Oregon Chamber of Commerce\". I brooded about this, and being alone, I couldn't get the answer. What is the philosophy behind this? So I invented a hitchhiker, and I picked him up, and he told me, and this is what he said. This poem is dated 61-62, and Khruschev [https://www.wikidata.org/wiki/Q35314] is still in power in Russia [https://www.wikidata.org/wiki/Q159]. \n \nEarle Birney\n01:09:36\nReads \"Billboards Build Freedom of Choice\" [from Near False Creek Mouth and collected later in Selected Poems 1940-1966].\n \nEarle Birney\n01:11:42\nWell, I think we'll slip down into Mexico [https://www.wikidata.org/wiki/Q96] for a moment before we wind this show up. There's a very short little thing called Irapuato [https://www.wikidata.org/wiki/Q816845]. Well it's all part, it's like, poetry is like guidebooks, you know, guidebooks are always pointing out irrational connections between things, and so is poetry, so sometimes they get together, and in this case the guidebook had told me that there were two things, sort of, that this place was famous for, and I had discovered they were right.\n \nEarle Birney\n01:12:29\nReads \"Irapuato\" [from Selected Poems 1940-1966].\n \nEarle Birney\n01:13:06\nReads \"Memory No Servant\" [from Near False Creek Mouth and collected later in Selected Poems 1940-1966].\n \nEarle Birney\n01:14:20\nA poem addressed to friend and writer George Lamming [https://www.wikidata.org/wiki/Q1340511], who's perhaps best known for his autobiography of his child as a poor negro boy on the island of Barbados [https://www.wikidata.org/wiki/Q244]. George Lamming who wrote In the Castle of My Skin [https://www.wikidata.org/wiki/Q23307454], and who happened to be in Jamaica [https://www.wikidata.org/wiki/Q766] when I went there, and was extremely hospitable to me, and so were all his friends. And when I left I wrote him this poem, which had to do with a split-second feeling, something, thing happening inside me, an internal happening, the night of the last party, the last night of the last party. \n \nEarle Birney\n01:15:18\nReads \"For George Lamming\" [from Near False Creek Mouth and collected later in Selected Poems 1940-1966].\n \nEarle Birney\n01:16:32\nWell just in case you would think that I am soft about this and I'm going to like anybody if their skin is darker than mine, I'll read you a counter-poem that happened to come out of the island of Trinidad [https://www.wikidata.org/wiki/Q128323], out of some little external happening, perhaps in part, perhaps really just an internal happening.\n \nEarle Birney\n01:17:20\nReads \"Meeting of Strangers\" [from Near False Creek Mouth and collected later in Selected Poems 1940-1966].\n \nEarle Birney\n01:19:06\nAnd then a very brief little, Irving Layton [https://www.wikidata.org/wiki/Q1673289]-type poem from Curacao [https://www.wikidata.org/wiki/Q25279]. Very much a...very pallid compared with Irving's, I must say.\n \nEarle Birney\n01:19:22\nReads \"Curacao\" [from Near False Creek Mouth and collected later in Selected Poems 1940-1966].\n \nAudience\n01:19:45\nLaughter.\n \nEarle Birney\n01:19:54\nNow I'm going to conclude with two pieces. One is about the farthest back of these poems. Although some things I've read tonight began earlier but have been revised, this one has not been particularly revised. It's called \"The Road to Nijmegen\" and was written in Holland [https://www.wikidata.org/wiki/Q55] in January of 1945, the last winter of the war. Which was the coldest winter, and in this part of Holland, first the Germans in coming and then in retreating had cut down every tree anywhere around. The trees were used for fuel and for mine props and...And then we had come in, and if there were any trees left, we'd got them. And in fact, it was no longer a matter of trees, it was a matter of trying to find bits and pieces of coal and getting the coal working and getting the coal out of the hands of black marketeers. And meantime the people were cold, even colder than we were, and they also lacked food. This is a letter home to a friend.\n \nEarle Birney\n01:22:10\nReads \"The Road to Nijmegen\" [published later in The Collected Poems of Earle Birney, Vol 1].\n \nEarle Birney\n01:24:38\nAnd finally, “From The Hazel Bough”.\n \nEarle Birney\n01:24:48\nReads \"From the Hazel Bough\" [from Selected Poems 1940-1966 and collected ater in The Collected Poems of Earle Birney, Vol 1].\n \nEarle Birney\n01:25:41\nThank you very much.\n \nAudience\n01:25:43\nApplause.\n \nGeorge Bowering\n01:26:12\nI guess you've already said it for us, and I can only repeat, thanks very much, Earle.\n \nEND\n01:26:25\n[Cut off abruptly]."],"Note":["[{\"note\":\"Year-Specific Information:\\n\\nIn 1968, Birney left for Australia on a trip financed by a Canada Council Medal and Award. He also went on a Canadian reading tour, which this reading might have been part of (see Elspeth Cameron’s Earle Birney: A Life, pg 492). Birney was also working on Pnomes, jukollages & other stunzas (Ganglia Press, 1969), a collaboration with bp Nichol.\",\"type\":\"General\"},{\"note\":\"Local Connections:\\n\\nEarle Birney was an influential poet and professor at the University of British Columbia thus influencing a younger generation of poets like Frank Davey, George Bowering, Daphne Marlatt, David Bromige, Phyllis Webb, John Newlove, Joe Rosenblatt, Gwendolyn MacEwen, Michael Ondaatje, bill bissett and Lionel Kearns among many others during the early 60’s. Birney was also connected to poets like A.J.M. Smith, Irving Layton, Al Purdy and Robert Creeley. *On an interesting note, a trip to Montreal to read at Sir George Williams in 1970 was cancelled due to a car accident Birney was involved in. (Elspeth Cameron’s Earle Birney: A Life (Viking Press, 1994), page 498).\\n\",\"type\":\"General\"},{\"note\":\"Reel-to-reel tape>2 CDs>digital file\",\"type\":\"Preservation\"},{\"note\":\"Original transcript, research, introduction and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Ali Barillaro\",\"type\":\"Cataloguer\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/encyclopedia-of-post-colonial-literatures-in-english-vol-1/oclc/32566813&referer=brief_results\",\"citation\":\"Adam, Ian. “Birney, Earle (1904-). Routledge Encyclopedia of Post-Colonial Literatures in English. Eugene Benson and L.W. Connolly (eds). London: Routledge, 1994. 2 vols.\"},{\"url\":\"https://www.worldcat.org/title/ice-cod-bell-or-stone-new-poems/oclc/61536179&referer=brief_results\",\"citation\":\"Birney, Earle. Ice Cod Bell or Stone. Toronto: McClelland and Stewart, 1962. \"},{\"url\":\"https://www.worldcat.org/title/near-false-creek-mouth-new-poems/oclc/301604488&referer=brief_results\",\"citation\":\"Birney, Earle. Near False Creek Mouth. Toronto: McClelland and Stewart, 1964.\"},{\"url\":\"https://www.worldcat.org/title/rag-bone-shop/oclc/877159326&referer=brief_results\",\"citation\":\"Birney, Earle. Rag & Bone Shop. Toronto: McClelland and Stewart, 1971.\"},{\"url\":\"https://www.worldcat.org/title/ghost-in-the-wheels-selected-poems/oclc/906091320&referer=brief_results\",\"citation\":\"Birney, Earle. Ghost in the Wheels: Selected Poems. Toronto: McClelland and Stewart, 1977.\"},{\"url\":\"https://www.worldcat.org/title/collected-poems-of-earle-birney-volume-1/oclc/941923628&referer=brief_results\",\"citation\":\"Birney, Earle. The Collected Poems of Earle Birney, Vol 1. Toronto: McClelland and Stewart, 1975. \"},{\"url\":\"https://www.worldcat.org/title/selected-poems-1940-1966/oclc/256837965&referer=brief_results\",\"citation\":\"Birney, Earle. Selected Poems 1940-1966. Toronto: McClelland and Stewart, 1966.\"},{\"url\":\"https://www.worldcat.org/title/earle-birney-a-life/oclc/30973945&referer=brief_results\",\"citation\":\"Cameron, Elspeth. Earle Birney: A Life. Toronto: Penguin Books, 1995. \"},{\"url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/earle-birney-at-sgwu-1968/#reading1\",\"citation\":\"Charney, Marty. “Georgiantics”. The Georgian. Montreal: Sir George Williams University, 23 February 1968.\"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-canadian-literature/oclc/605246871&referer=brief_results\",\"citation\":\"Davey, Frank. \\\"Birney, Earle\\\". The Oxford Companion to Canadian Literature. Eugene Benson and William Toye (eds). Oxford University Press 2001.\"},{\"url\":\"https://www.worldcat.org/title/15-canadian-poets-x2/oclc/40224711&referer=brief_results\",\"citation\":\"Geddes, Gary. “Earle Birney (b. 1904)”. Fifteen Canadian Poets Times Two. Toronto: Oxford University Press, 1990. \"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-twentieth-century-poetry-in-english/oclc/807465072&referer=brief_results\",\"citation\":\"New, W.H. \\\"Birney, (Alfred) Earle\\\". The Oxford Companion to Twentieth-Century Poetry in English. Ian Hamilton (ed). Oxford University Press, 1996. \"},{\"url\":\"https://www.concordia.ca/content/dam/concordia/offices/archives/docs/postgrad/Postgrad-1967-Spring.pdf\",\"citation\":\"“Poetry Readings”. Post-Grad. Montreal: Sir George Williams University, Spring 1967, page 20. \"},{\"url\":\"http://news.google.com/newspapersid=np8tAAAAIBAJ&sjid=PKAFAAAAIBAJ&pg=4195,2837932&dq=sir+george+williams+poetry&hl=en\",\"citation\":\"“SGWU To Have Poetry Series”. Montreal: The Gazette, 14 September 1967, page 15. \"},{\"url\":\"\",\"citation\":\"Freeland, Petra. “Birney, Earle, 1904-1995”. Literature Online Biography.\"},{\"url\":\"\",\"citation\":\"“Poetry Readings”. OP-ED. Montreal: Sir George Williams University, 6 October 1967, page 6. \"}]"],"_version_":1853670548842741760,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0018_back.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0018_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Earle Birney Tape Box - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0018_front.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0018_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Earle Birney Tape Box - Front\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0018_side.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0018_side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Earle Birney Tape Box - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0018_tape.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0018_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Earle Birney Tape Box - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/earle_birney_i006-11-018.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"earle_birney_i006-11-018.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:26:25\",\"precision\":\"\",\"size\":\"207.2 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"George Bowering\\n00:00:00\\nI think it's, it's either redundant or futile to do anything more than the formality of introducing Earle Birney [https://www.wikidata.org/wiki/Q3046415] who's probably the most famous poet we've ever had and who you will see described on those pieces of paper, pink that flit around, as always as a, the Dean of Canadian Poetry, though I prefer to think of him as the federal Minister for Poetry, and the times he has been a semi-official courier of Canadian poetry around the world. Sadly enough, as he tells me, the only book of his still generally in print is the Selected Poems of 1966, which we do have on sale outside the door and of which, I should remind you, he gets a cut from his publisher. [Audience laughter]. Luckily there, I have, have heard that there will be a couple of Birney books within the next little while, one of them published in the United States [https://www.wikidata.org/wiki/Q30] and the other one by the Coach House Press [https://www.wikidata.org/wiki/Q5137585], presuming always that there will be a Coach House Press in the next little while. I would just like to mention that my association with Earle Birney has always been very, a good one, for me, and I wouldn't be here today to be talking about him unless I happened to be a member of the Poetry Committee, and, except that if it hadn't been for him, and the fact that both he and I were in Vancouver [https://www.wikidata.org/wiki/Q24639] at one time, I probably wouldn't have been writing any poems at all. Either that, or he would be writing mine. So without any further ado, and probably to our great delectation, I would like to introduce Earle Birney. \\n \\nAudience\\n00:02:15 \\nApplause.\\n \\nEarle Birney\\n00:02:26\\nThank you very much, George [https://www.wikidata.org/wiki/Q1239280]. I should, in all fairness to George, say that he actually wrote all this information about me and probably a good number of the poems, which I will be reading under my own name tonight. I would also like to say that I have, was recently corresponding with a man who had just resigned as president of a University to become a Dean of another University and had said, well, at least I will show them that if a Dean is a mouse in training to be a rat, then some rats can revert to being mice. Now, if we apply this to the world of poetry, I would say that I am a mouse in training to be less than a mouse, to be something in another category--I think I'd like to be Bursar of Canadian Poetry. But nobody has really set me up for that. I'm going to start by making sure that I read one good poem tonight by reading a poem of W. B. Yeats [https://www.wikidata.org/wiki/Q40213] [audience laughter] called \\\"A Prayer for Old Age\\\", which has, I think, I'm afraid, more and more pertinence to my condition. He wrote it at 69. \\n \\nEarle Birney\\n00:04:10\\nReads \\\"A Prayer for Old Age\\\"  by W. B. Yeats.\\n \\nEarle Birney\\n00:04:54\\nThat I will use as an excuse for some of the poems I now shall read you, if I can find my list. The last thing. Ah yes, here it is. Now there's no mic and I want to make sure that everyone is hearing me. If I'm not talking loud enough, those that cannot hear, would you please put a hand up now. I'm very sorry, I'm very sorry--well, you will have to go to the back and then somebody who's standing can come here. I'm sorry there aren't, that some of you have to stand, and I'll try to make it as fast as possible so we can all get out of here. [Audience laughter]. I'm going to begin with some poems that are, alas, too well known to my fellow poets, most of them in this room, but I had planned it this way and I'm stuck with it now and so are they. I'm going to begin with a series that came out, some members of a series that came out in Ice Cod Bell or Stone, and later others in, Near False Creek Mouth, that have to do with wandering around the global village, and this one begins in, well it since begins in Vancouver, but it's about Honolulu [https://www.wikidata.org/wiki/Q18094]. I got a fellowship to go to England [https://www.wikidata.org/wiki/Q21] and I was in Vancouver and I discovered that it only cost me two hundred dollars and some odd cents more to go to London [https://www.wikidata.org/wiki/Q84] and back to Vancouver by way of going around the world, you know, just heading west. The air tickets were accommodating me that way. So I decided to go west, and my first stop, I noticed, was Honolulu, and I began to get a bit of a temperature about that, and I thought, how 'bout, I might as well live it up, I'm going to Honolulu tomorrow morning, going to be there tomorrow night, and so I will engage a room in Hawaiian Village Hotel for the one night, because first night, I know I have a little money. After that, God knows what's going to happen to me because I intend to stay in a lot of places before I get to London. So I did this, I reserved a room before I left Vancouver, not realizing that this had put me in a bit of a box, because this is one of the Kaiser-Hilton hotels on Waikiki Beach [https://www.wikidata.org/wiki/Q254861], and they have a special greeter who meets all the planes, just for people coming to them. And it happened, through another mischance, that I was the only one for that hotel, and this unsettled me so much I had to write about it. [Audience laughter]. Something which I call \\\"Twenty-Third Flight\\\" for reasons, well, the poem is imitative of another poet, much older, much greater, by the name of David. Not the one that I pushed off the cliff [audience laughter], the one who was a harpist.\\n \\nEarle Birney\\n00:08:39\\nReads \\\"Twenty-Third Flight\\\" [from Selected Poems 1940-1966; audience laughter throughout].\\n \\nAudience\\n00:10:58\\nApplause and laughter.\\n \\nEarle Birney\\n00:11:06\\nThank you very much, I hesitate to look as if I anticipated more applause, but I would much prefer it if you'd just let me rattle ahead here, for one thing it's getting hotter in here and more and more uncomfortable and as I say, let me get ahead with it, and so if at the end, of course, if anybody is still here with enough energy left, fine. Is there anybody who knows where water is available, any water hole out there in those vast cement deserts?\\n \\nGeorge Bowering\\n00:11:50\\nThere should be some beside you, there.\\n \\nEarle Birney\\n00:11:52\\nUh, well, there's a water pitcher, and a water glass…[audience laughter]. I'll prove it... [audience laughter].\\n \\nGeorge Bowering\\n00:12:05\\nIf I drink it, it's okay.\\n \\nEarle Birney\\n00:12:06\\nYeah! ...Well, while George is away I'll read one of his poems. This one is called \\\"Honolulu\\\" and follows immediately after the other, but in between was about forty, twenty-four hours, I guess, in which I visited the very famous outdoor aviary, one of the world's famous aviaries, and also the aquarium and so on, and I also encountered a type, a Honolulu type of sorts. So this poem, which is perhaps about the involvement of people with animals through self-projection, and the involvement of human animals with each other. \\n \\nEarle Birney\\n00:13:05\\nReads \\\"Honolulu\\\" [from Selected Poems 1940-1966].\\n \\nEarle Birney\\n00:14:41\\nThen I went to Japan [https://www.wikidata.org/wiki/Q17], and I want to read you one little poem, this is my Zen poem, I guess. [Audience laughter]. Every poet has to have a Zen poem. Thank you, George. \\n \\nGeorge Bowering\\n00:14:54\\nOh ho, I could give you a Zen greeting. Alright. It's really cold. I tried to get it out of the Coke [https://www.wikidata.org/wiki/Q2813] machine but it just didn't work. \\n \\nEarle Birney\\n00:15:03\\nGood gin, thank you. \\\"Windchimes in a Temple Ruin\\\"--you know these little glass-leave things, which one expects to see in Japan, but not suddenly to hear when you're all alone in an old ruin. Some left up in the rafters.\\n \\nEarle Birney\\n00:15:31\\nReads \\\"Windchimes in a Temple Ruin\\\" [from Selected Poems 1940-1966].\\n \\nEarle Birney\\n00:16:12\\nBut I think I'm going to leave Asia [https://www.wikidata.org/wiki/Q48] for the moment, and get on to Europe [https://www.wikidata.org/wiki/Q46], briefly, been around to Spain [https://www.wikidata.org/wiki/Q29], at any rate. I was sitting, more or less minding my own business, on a plaza in Madrid [https://www.wikidata.org/wiki/Q2807] one morning, having my coffee, and something happened, which again I felt I should chronicle. Desmond Pacey [https://www.wikidata.org/wiki/Q5264782] says I'm a chronicler, and so I, having learned that, I now use the word [audience laughter] to explain what I'm doing. I renamed the plaza, it had a rather dull name, I call it Plaza de Inquisicion. \\n \\nEarle Birney\\n00:17:09\\nReads “Plaza de Inquisicion” [from Near False Creek Mouth and collected in Selected Poems 1940-1966].\\n \\nEarle Birney\\n00:17:44\\nI also went to the Prado [https://www.wikidata.org/wiki/Q160112] of course, and saw, for the first time, the original of one of the three studies by El Greco [https://www.wikidata.org/wiki/Q301] of The Espolio [https://www.wikidata.org/wiki/Q52301456], or the taking-off and rending of Christ's garments, which was one of El Greco's themes. And I was struck, as I had never been really before, I suppose because I never had really looked at these paintings properly, I had looked at them in small illustrations--I was struck by the extraordinary amount of space which had been taken up, which El Greco had devoted to the carpenter who was making the holes in the cross preparatory to having Christ nailed to the cross. In fact, the whole lower third of the canvas is devoted to him in one of these three versions, and not only that but he is, they're facing us, with his back to Christ, and on the right and left are two of the Marys, whose eyes are on him. I felt that perhaps El Greco was trying to say something here, apart from what he was saying about the actual scene of the crucifixion, in a symbolic way, perhaps about something that happened to do, really, with this religion, but with, whatever we'd call it, religion, whatever we'd call it, of art. Or if not of art, but craft. It's a little, perhaps, exaggerated, to call the carpenter an artist, but it's obvious that he'd been very much at that moment a craftsman. And so I wrote \\\"El Greco: Espolio\\\".\\n \\nEarle Birney\\n00:20:04\\nReads \\\"El Greco: Espolio\\\" [from Selected Poems 1940-1966].\\n \\nEarle Birney\\n00:22:29\\nWhen I come to Canada [https://www.wikidata.org/wiki/Q16], now, I'm going to kind of sneak in on the side by reading you a poem that has to do with a very remote, I suppose the most remote part of Canada, in fact, the piece of land that is even nearer to the North Pole [https://www.wikidata.org/wiki/Q934] than Greenland [https://www.wikidata.org/wiki/Q223] or anything the Russians have, Ellesmereland [https://www.wikidata.org/wiki/Q146841]. And I will read it first of all in English, and then, more or less for the hell of it, I'm going to read it in a translation into Spanish, but anyway, because I think I like the sound of it in Spanish. It's short, so I've practiced my Spanish on it, and maybe I won't make too many boobs.\\n \\nEarle Birney\\n00:23:30\\nReads \\\"Ellesmereland\\\" in English [published later in The Collected Poems of Earle Birney, Vol 1].\\n \\nEarle Birney\\n00:24:10\\nReads \\\"Ellesmereland\\\" in Spanish.\\n \\nEarle Birney\\n00:24:59\\nWell I'll get down and turn to more familiar territory. \\\"Canada Case History\\\". This is a poem written quite a long time ago, in 1945, in fact, when I'd just got back from World War Number Two [https://www.wikidata.org/wiki/Q362], I always have to be careful to name which one it is, people getting confused about how far back I go now. And I found that in 1967 I had to do a little patching and changing of this, because history had not only caught up with me, it had changed me. But here, first of all is the original. No, I don't think, I can't, I don't think I can bear to read the original, I think I'll just read you what, what happened to this poem in 1967 in the centennial year.\\n \\nEarle Birney\\n00:26:09\\nReads \\\"Canada: Case History\\\" [from Selected Poems 1940-1966; audience laughter throughout].\\n \\nEarle Birney\\n00:28:15\\nWell now I'm going to read you other various scrappy things about Canadian literature which have never been published and never will be, I think, sneak them out like this once in a while. \\n \\nEarle Birney\\n00:28:38\\nReads unnamed poem.\\n \\nAudience \\n00:29:20\\nLaughter.\\n \\nEarle Birney\\n00:29:29\\nThen there's John, Jean Cabot, as I think my school teacher, trying very hard to be bilingual, made us say, but it turns out he wasn't French at all, but Italian. His name was Giovanni Caboto [https://www.wikidata.org/wiki/Q85642]. \\n \\nEarle Birney\\n00:29:48\\nReads \\\"John Cabot\\\" [published later as “giovanni caboto - john cabot” in Rag & Bone Shop].\\n \\nAudience\\n00:30:27\\nLaughter.\\n \\nEarle Birney\\n00:30:36\\nThis is something to my publisher, when they brought out a book of mine, Ice Cod Bell or Stone, full of beautiful artwork, except that the man in charge of the artwork had never read the little poem, the \\\"Klein Ellesmereland\\\" that I've just read to you, and so never discovered that when I was talking about bells, I was talking about harebells, or flowers, and he put very large iron church bells into all the illustrations. [Audience laughter]. I had asked to see the artwork in advance and was told that the authors, that this was not the custom to show authors the artwork in advance, so I didn't see it. So all I could do at the end was write something. \\\"To the reader”, which was not included in the volume.\\n \\nEarle Birney\\n00:31:45\\nReads \\\"To the reader\\\".\\n \\nEarle Birney\\n00:32:39\\nI went to spend a weekend a couple of years ago for the first time with Al Purdy [https://www.wikidata.org/wiki/Q4704621] in his shack in Ameliasburg [https://www.wikidata.org/wiki/Q4742321], and I had read a lot of his Ameliasburg poems before, and I knew Al, but this was a new experience to be actually in the country of the poet, particularly as it was so well staked out--nobody else has ever written about Ameliasburg and the country north of there. Or ever will, I think. But Al has used it, and the country, and developed it into part of the remarkable fineness of his poetry. \\n \\nEarle Birney\\n00:33:33\\nReads \\\"In Purdy's Ameliasburg\\\" [published later in Rag & Bone Shop]. \\n \\nEarle Birney\\n00:37:13\\nNow a poem about another part of Canada. Still Ontario [https://www.wikidata.org/wiki/Q1904], part of the north. This is a poem about driving west with somebody else, another guy, and...well there it is. It's called \\\"Way to the West\\\". Summertime.\\n \\nEarle Birney\\n00:37:46\\nReads \\\"Way to the West\\\" [from Selected Poems 1940-1966].\\n \\nEarle Birney\\n00:41:45\\nWell, I'm going to get out to the West Coast very briefly. I'm going to read you something toward the end of a long poem. The trouble with long poems is, you could never dare to read the whole thing to any audience. So I'll read you, it's toward the end of the thing called \\\"November walk near False Creek mouth\\\". The last page.\\n \\nEarle Birney\\n00:42:26\\nReads final section of \\\"November walk near False Creek mouth\\\" [from Near False Creek Mouth and collected later in Selected Poems 1940-1966].\\n \\nEND\\n00:45:06\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n \\nEarle Birney\\n00:45:07\\nI'm going to read you a few odd things which are to some extent experimental, I suppose. Most of these have not been published, and some of them I haven't read before. This one is called a \\\"Swahili Serenade\\\" and I'll tell you about it after I read it. It's Swahili Found Serenade, really. \\n \\nEarle Birney\\n00:45:44\\nReads \\\"Swahili Serenade\\\" [published later as “found swahili serenade” in Rag & Bone Shop; audience laughter throughout].\\n \\nEarle Birney\\n00:46:13\\nWell, as some of you have already perceived, already noticed, this is made up, each line is a juke-box tune, it's just a very easy kind of poem to make up; I offer it to you as a formula for quick poetry, just sit down by a jukebox and pick off some titles. [Audience laughter]. Five minute poem. Here's another kind of found poem of a different sort, called, I call it \\\"Space Conquest\\\". That's about all that I've contributed to it. \\\"Space Conquest\\\".\\n \\nEarle Birney\\n00:46:56\\nReads \\\"Space Conquest\\\".\\n \\nEarle Birney\\n00:47:33\\nWell those ten lines, each of five syllables, came out of a computer at the University of Waterloo [https://www.wikidata.org/wiki/Q1049470] last week, into which we had programmed a hundred and eleven, the one hundred and eleven words of George Meredith's [https://www.wikidata.org/wiki/Q90238] \\\"Lucifer in Starlight,\\\" and the last thirty-three words of Archibald MacLeish's [https://www.wikidata.org/wiki/Q633354] \\\"The End of the World.\\\" Don't ask me why we picked those two poems, I had nothing to do with the picking of the poems. But some of us, two linguists, two linguist-isists, a mathematician, and myself, and masses of computers are producing this sort of poetry. It took point eight-three seconds, not even one second, to produce the hundred-some-odd lines, out of which I chose those ten. So you can see it doesn't take very long, once you've programmed the machine, to find the, you know, the entire text of Hamlet [https://www.wikidata.org/wiki/Q41567], but this is what we have done so far, we haven't put too much time on it yet. Some things that I haven't had computers write for me, although perhaps I might have, or should have. This one's called \\\"Kooks of the Monk\\\". \\n \\nEarle Birney\\n00:49:24\\nReads \\\"Kooks of the Monk\\\".\\n \\nAudience\\n00:49:37\\nLaughter.\\n \\nEarle Birney\\n00:49:39\\nThat is sometimes called \\\"concrete\\\". Fun anyway, to do. This is something that I may not be able to finish, but I'll try it. It's the train from Cardiff [https://www.wikidata.org/wiki/Q10690] to London. English trains sound different, of course. \\n \\nEarle Birney\\n00:50:03\\nPerforms \\\"Train from Cardiff to London\\\".\\n \\nAudience\\n00:50:53\\nLaughter.\\n \\nEarle Birney\\n00:50:59\\nThis is a found collage from one issue of the Toronto Daily Star [https://www.wikidata.org/wiki/Q1067299], called \\\"Toronto Daily Tele-Starlings\\\", and this is only a small part of the poem which has no beginning or end, it goes on forever if you read the whole of the Star.  \\n \\nEarle Birney\\n00:51:22\\nReads \\\"Toronto Daily Tele-Starlings\\\" [audience laughter throughout].\\n \\nEarle Birney\\n00:53:26\\nA series of poems with reference back to the Yeats poem I read at the beginning, perhaps. \\n \\nEarle Birney\\n00:53:36\\nReads \\\"Like an eddy\\\" [published later in Rag & Bone Shop and collected in Ghost in the Wheels: Selected Poems].\\n\\nEarle Birney\\n00:55:42\\nAnd, two short haikus.\\n \\nEarle Birney\\n00:55:47\\nReads [two of three haikus from “hokkai in the dew line snow”, published later in Rag & Bone Shop and collected in Ghost in the Wheels: Selected Poems].\\n \\nEarle Birney\\n00:56:16\\nReads [\\\"BUILDINGS\\\", published later in Rag & Bone Shop and collected in The Collected Poems of Earle Birney, Vol 1].\\n \\nEarle Birney\\n00:56:50\\nAnd, a poem that is written in kind of an attempt to write something to express a tiny little bit of the pleasure I've had, through most of my life, in reading Chaucer [https://www.wikidata.org/wiki/Q5683]. Called \\\"I'm always going back to Chaucer\\\".\\n \\nEarle Birney\\n00:57:20\\nReads \\\"I'm always going back to Chaucer\\\" in Middle English.\\n \\nEarle Birney\\n00:59:06\\nNow something that has to do with my Shetland [https://www.wikidata.org/wiki/Q47134] grand-aunt. Tea with my Shetland grand-aunt. This is a little, slightly different dialect. And there's a kind of an opposition of styles going on here. It's a very old poem, refurbished.\\n \\nEarle Birney\\n00:59:32\\nReads \\\"Tea at my Shetland Aunt’s\\\" in a Shetland dialect [published later in The Collected Poems of Earle Birney, Vol 1].\\n\\n \\nEarle Birney\\n01:01:21\\nWell now I'm going to turn back to older poems. To conclude. Hum...I'm going to read two or three poems that, who have some relationship to California [https://www.wikidata.org/wiki/Q99] and Oregon [https://www.wikidata.org/wiki/Q824]. First of all, a poem that, when I wrote it, I wrote it on the day of its date. I thought the date was going to be very significant. August the seven, 1964, Florence [https://www.wikidata.org/wiki/Q862740], Oregon. And that was because on that day, the American fleet moved into the coast and shelled the coast of North Vietnam [https://www.wikidata.org/wiki/Q881], against the international agreements into which the United States had entered some years before. And I thought that this would surely go down in living memory, as a deed of aggression and perfidy. But there have been so many since, almost every day, that everybody has forgotten about that first shelling of the shore from the Gulf of Tonkin [https://www.wikidata.org/wiki/Q212428]. But I happened to be on the shore of the Pacific [https://www.wikidata.org/wiki/Q98] almost directly across from the Gulf of Tonkin, in fact, the waves that were coming in perhaps had their pulsing first on the other side. And this, one couldn't get it out of one's mind, having seen the morning papers and heard the radio, and I went, I had gone fishing with an American poet and his two boys. The salmon were running, coming in, but I have got less and less interested in killing even fish as I get older and softer, and I soon gave up even wanting to cook fish, and left it to the others, and I went up, because I had nothing to do then, I went up and I sat on a cliff, and started thinking about the sea out there, and cormorants fishing, and once in a while the flash of a seal coming up, also fishing, and I also suddenly realized I was sitting there just staring out at the sea and I began to think, I remembered Frost's [https://www.wikidata.org/wiki/Q168728] poem about how odd human beings are, you know, they go down to the sea and they sit and they all, they always look out at the sea, although they can't look very far out or very far in. And I thought that was exactly what I was feeling, the whole thing. But I thought well it's not really Frost's ocean, this is Robinson Jeffers' [https://www.wikidata.org/wiki/Q734955] ocean, and here is this great eye of indifference, so I began my poem, called \\\"Looking from Oregon\\\" with a line from Robinson Jeffers about the Pacific: \\\"And what it watches is not our wars\\\".\\n \\nEarle Birney\\n01:04:54\\nReads \\\"Looking from Oregon\\\" [from Selected Poems 1940-1966].\\n \\nEarle Birney\\n01:06:20\\nAnd another little poem which is really a video poem, and I should put it on a screen but I forgot to bring my slides. Brought them as far as the hotel, but I forgot to bring them up here.  o you'll just have to visualize a poem shaped like a pair of stairs but coming up at you, and visualize yourself at the top of these stairs with your back against the side of a theatre, a campus theatre at the University of Oregon [https://www.wikidata.org/wiki/Q766145], with signs of last week's shows, this one to go on tonight, that I'm waiting to go into, waiting for my friends, who have the tickets, and watching people come up these steps, the cars coming by and discharging people. \\\"Campus Theatre Steps\\\". Summertime, a beautiful summer night. \\n \\nEarle Birney\\n01:07:14\\nReads \\\"Campus Theatre Steps\\\" [from Selected Poems 1940-1966].\\n \\nEarle Birney\\n01:08:04\\nThen I was driving along the coast, a long time, and I was confronted with a sign that hadn't been there before. A billboard, with the same message multiplied up and down the coast and everywhere I went, since the last time I was there. Now I, this is my favourite state of the American Union, Oregon, absolutely beautiful, still, despite whatever, all the attempts of man to un-beautify it, there's still this great volcanic, snow-covered mountains, such, shaped a bit like Fujiyama [https://www.wikidata.org/wiki/Q39231], there is also all those beautiful rocks and sea-lion caves and the pounding surf and the rhododendrons, the whole works. And there's these, this sign saying, \\\"Billboards Build Freedom of Choice, Courtesy of Oregon Chamber of Commerce\\\". I brooded about this, and being alone, I couldn't get the answer. What is the philosophy behind this? So I invented a hitchhiker, and I picked him up, and he told me, and this is what he said. This poem is dated 61-62, and Khruschev [https://www.wikidata.org/wiki/Q35314] is still in power in Russia [https://www.wikidata.org/wiki/Q159]. \\n \\nEarle Birney\\n01:09:36\\nReads \\\"Billboards Build Freedom of Choice\\\" [from Near False Creek Mouth and collected later in Selected Poems 1940-1966].\\n \\nEarle Birney\\n01:11:42\\nWell, I think we'll slip down into Mexico [https://www.wikidata.org/wiki/Q96] for a moment before we wind this show up. There's a very short little thing called Irapuato [https://www.wikidata.org/wiki/Q816845]. Well it's all part, it's like, poetry is like guidebooks, you know, guidebooks are always pointing out irrational connections between things, and so is poetry, so sometimes they get together, and in this case the guidebook had told me that there were two things, sort of, that this place was famous for, and I had discovered they were right.\\n \\nEarle Birney\\n01:12:29\\nReads \\\"Irapuato\\\" [from Selected Poems 1940-1966].\\n \\nEarle Birney\\n01:13:06\\nReads \\\"Memory No Servant\\\" [from Near False Creek Mouth and collected later in Selected Poems 1940-1966].\\n \\nEarle Birney\\n01:14:20\\nA poem addressed to friend and writer George Lamming [https://www.wikidata.org/wiki/Q1340511], who's perhaps best known for his autobiography of his child as a poor negro boy on the island of Barbados [https://www.wikidata.org/wiki/Q244]. George Lamming who wrote In the Castle of My Skin [https://www.wikidata.org/wiki/Q23307454], and who happened to be in Jamaica [https://www.wikidata.org/wiki/Q766] when I went there, and was extremely hospitable to me, and so were all his friends. And when I left I wrote him this poem, which had to do with a split-second feeling, something, thing happening inside me, an internal happening, the night of the last party, the last night of the last party. \\n \\nEarle Birney\\n01:15:18\\nReads \\\"For George Lamming\\\" [from Near False Creek Mouth and collected later in Selected Poems 1940-1966].\\n \\nEarle Birney\\n01:16:32\\nWell just in case you would think that I am soft about this and I'm going to like anybody if their skin is darker than mine, I'll read you a counter-poem that happened to come out of the island of Trinidad [https://www.wikidata.org/wiki/Q128323], out of some little external happening, perhaps in part, perhaps really just an internal happening.\\n \\nEarle Birney\\n01:17:20\\nReads \\\"Meeting of Strangers\\\" [from Near False Creek Mouth and collected later in Selected Poems 1940-1966].\\n \\nEarle Birney\\n01:19:06\\nAnd then a very brief little, Irving Layton [https://www.wikidata.org/wiki/Q1673289]-type poem from Curacao [https://www.wikidata.org/wiki/Q25279]. Very much a...very pallid compared with Irving's, I must say.\\n \\nEarle Birney\\n01:19:22\\nReads \\\"Curacao\\\" [from Near False Creek Mouth and collected later in Selected Poems 1940-1966].\\n \\nAudience\\n01:19:45\\nLaughter.\\n \\nEarle Birney\\n01:19:54\\nNow I'm going to conclude with two pieces. One is about the farthest back of these poems. Although some things I've read tonight began earlier but have been revised, this one has not been particularly revised. It's called \\\"The Road to Nijmegen\\\" and was written in Holland [https://www.wikidata.org/wiki/Q55] in January of 1945, the last winter of the war. Which was the coldest winter, and in this part of Holland, first the Germans in coming and then in retreating had cut down every tree anywhere around. The trees were used for fuel and for mine props and...And then we had come in, and if there were any trees left, we'd got them. And in fact, it was no longer a matter of trees, it was a matter of trying to find bits and pieces of coal and getting the coal working and getting the coal out of the hands of black marketeers. And meantime the people were cold, even colder than we were, and they also lacked food. This is a letter home to a friend.\\n \\nEarle Birney\\n01:22:10\\nReads \\\"The Road to Nijmegen\\\" [published later in The Collected Poems of Earle Birney, Vol 1].\\n \\nEarle Birney\\n01:24:38\\nAnd finally, “From The Hazel Bough”.\\n \\nEarle Birney\\n01:24:48\\nReads \\\"From the Hazel Bough\\\" [from Selected Poems 1940-1966 and collected ater in The Collected Poems of Earle Birney, Vol 1].\\n \\nEarle Birney\\n01:25:41\\nThank you very much.\\n \\nAudience\\n01:25:43\\nApplause.\\n \\nGeorge Bowering\\n01:26:12\\nI guess you've already said it for us, and I can only repeat, thanks very much, Earle.\\n \\nEND\\n01:26:25\\n[Cut off abruptly].\",\"notes\":\"Earle Birney reads from Near False Creek Mouth (McClelland and Stewart, 1964) and Selected Poems 1940-1966 (McClelland and Stewart, 1966), as well as poems later collected in Rag & Bone Shop (McClelland and Stewart, 1971), The Collected Poems of Earle Birney, Vol 1 (McClelland and Stewart, 1975), and Ghost in the Wheels: Selected Poems (McClelland and Stewart, 1977).\\n\\n00:00- George Bowering introduces Earle Birney. [INDEX: most famous poet, flyers for readings, ‘Dean of Canadian Poetry’, Selected Poems of 1966, publisher, sale of book at reading, United States, Coach House Press, SGWU Poetry Committee, inspiration for  writing poems, Vancouver.]\\n02:26- Earle Birney introduces reading. [INDEX: George Bowering’s introduction, university Dean, ‘Bursar of Canadian Poetry’.]\\n03:41- Introduces W.B. Yeats poem “A Prayer for Old Age”. [INDEX: good poem, old age, written at age 69.]\\n04:10- Reads W.B. Yeats poem “A Prayer for Old Age”.\\n04:54- Introduces “Twenty-Third Flight” [INDEX: no microphone at reading, other poets in the room, well-known poems, reading plan, series that came out in Ice Cod Bell or Stone near False Creek mouth, wandering around a global village, Vancouver, Honolulu, fellowship to go to England, traveling West around the world, Hawaiian Village Hotel, Kaiser-Hilton hotels on Wakiki Beach, greater poet named David, push off a cliff,       harpist; from Selected Poems 1940-1966 (McClelland and Stewart, 1966).]\\n08:39- Reads “Twenty-Third Flight”.\\n11:06- Thanks audience for applause, asks for water\\n12:06- Introduces “Honolulu”. [INDEX: George Bowering, twenty-four hours after previous poem’s action, outdoor aviary, aquarium, Honolulu, people and animals, self-projection, involvement of human animals with each other; from Selected Poems 1940-1966 (McClelland and Stewart, 1966).]\\n13:05- Reads “Honolulu”.\\n14:41- Introduces “Wind Chimes in a Temple Ruin”. [INDEX: Japan, Zen poem, George        Bowering; from Selected Poems 1940-1966 (McClelland and Stewart, 1966).] \\n14:54- George Bowering brings Earle Birney a cold drink from a vending machine. [INDEX: Zen greeting, Coke Machine.]\\n15:03- Birney continues introducing “Wind Chimes in a Temple Ruin”. [INDEX: Japan, old ruins, chimes left in rafters.]\\n15:31- Reads “Wind Chimes in a Temple Ruin”.\\n16:12- Introduces “Plaza de Inquisicion”. [INDEX: Leave Asia, Europe, Spain, plaza in        Madrid, coffee, Desmond Pacey, chronicler, renaming plaza; from Selected Poems 1940-1966 (McClelland and Stewart, 1966).]\\n17:09- Reads “Plaza de Inquisicion”.\\n17:44- Introduces “El Greco: Espolio”. [INDEX: Prado, one of the three studies by El Greco of the Espolio, Christs’ garments, El Greco’s themes, struck by the painting, amount of space, carpenter making the holes in the cross, Virgin Mary, religion of art, craft, carpenter as artist; from Selected Poems 1940-1966 (McClelland and Stewart, 1966).]\\n20:04- Reads “El Greco: Espolio”.\\n22:29- Introduces “Ellesmereland”. [INDEX: Canada, remotest part of Canada, nearest to the North Pole, Greenland, Russians, English, translation into Spanish, sound of poem in Spanish; found in The Collected Poems of Earle Birney, Vol 1 (McClelland and Stewart, 1975).]\\n23:30- Reads “Ellesmereland”.\\n24:10- Reads “Ellesmereland” in Spanish.\\n24:59- Introduces “Canada Case History”. [INDEX: familiar territory, written in 1945, Birney’s return from WWII, edited the poem in 1967 because history had ‘changed’       \\tBirney, original, 1967 Centennial year; from Selected Poems 1940-1966 (McClelland and Stewart, 1966).]\\n26:09- Reads “Canada Case History”.\\n28:15- Introduces unknown poem, first line “Our forefathers literary...”. [INDEX: Canadian literature, poems never published.]\\n28:38- Reads unknown poem, first line “Our forefathers literary...”.\\n29:29- Introduces “John Cabot”. [INDEX: Jean Cabot, schoolteacher, bilingual, French, Italian, Giovanni Cabotto; from unknown source.]\\n29:48- Reads “John Cabot”.\\n30:36- Introduces “To the Reader Who Was Not Included in the Volume”. [INDEX:   publisher, Ice Cod Bell or Stone, artwork, artist never read “Ellesmereland”, didn’t    \\tknow that bells were harebells or flowers, church bells, authors barred from viewing art \\tbefore publication, poem as a result; unknown source.]\\n31:45- Reads “To the Reader...”\\n32:39- Introduces “In Purdy’s Ameliasburg”. [INDEX: weekend spent with Al Purdy, shack in Ameliasburg, Ameliasburg poems, country of the poet; unknown source.]\\n33:33- Reads “In Purdy’s Ameliasburg”.\\n37:13- Introduces “Way to the West”. [INDEX: poem about Canada, north Ontario, driving west, summertime; from Selected Poems 1940-1966 (McClelland and Stewart, 1966).] 37:46- Reads “Way to the West”.\\n41:45- Introduces selection from “November Walk Near False Creek Mouth”. [INDEX: West Coast, end of a long poem, problems reading long poems, audience, last page of the poem; unknown source; from Selected Poems 1940-1966 (McClelland and Stewart,    1966).]\\n42:26- Reads selection from “November Walk Near False Creek Mouth”.\\n45:06.96- END OF RECORDING.\\n\\n00:00- Earle Birney introduces second part of reading and “Swahili Serenade”. [INDEX:        experimental poems, not been published, never read, “Swahili Found Serenade”;   unknown source.]\\n00:37- Reads “Swahili Serenade”.\\n01:06- Explains “Swahili Serenade”, introduces  “Space Conquest”. [INDEX: poem composed of line from a juke-box tune, formula for quick poetry, five minute poem, found poem, title; unknown source.]\\n01:49- Reads “Space Conquest”.\\n02:26- Explains “Space Conquest”, introduces “Kooks of the Monk”. [INDEX: ten lines, five syllables, constraint poetry, computer at the University of Waterloo, programmed 111 words of George Meredith’s “Lucifer in Starlight”, 33 words from Archibald MacLeish’s “The End of the World”, random poems; linguists, mathematician, computers composed poem; 0.83 seconds to compose, chose ten lines, entire text of Hamlet; unknown source]\\n04:17- Reads “Kooks of the Monk”. [INDEX: list, wordplay, onomatopaeic, nonsense poem.]\\n04:32- Explains “Kooks of the Monk”, introduces “Train from Cardiff to London”. [INDEX:        concrete poetry; Cardiff, London, English trains, sound of train; unknown source.]\\n04:56- Reads “Train from Cardiff to London”. [INDEX: sound poem.] \\n05:52- Introduces “Toronto Daily Tele-Starlings”. [INDEX: found collage poem, issue of the Toronto Daily Star “Toronto Daily Tele-Starlings”, small part of the poem, no beginning   or end, goes on forever; unknown source.]\\n06:15- Reads “Toronto Daily Tele-Starlings”.\\n08:19- Introduces unknown poem, “Like an eddy, my words move...”. [INDEX: reference to Yeats poem “A Prayer for Old Age”; published in Ghost in the Wheels: Selected Poems (McClelland and Stewart, 1977).]\\n08:29- Reads unknown poem, “Like an eddy, my words move...”.\\n10:35- Introduces haiku “To sleep under real stars...”\\n10:40- Reads “To sleep under real stars...” [INDEX: Haiku; unknown source]\\n10:53- Reads “A north door opens...” [INDEX: Haiku; unknown source]\\n11:09- Reads “Walls”. [INDEX: unknown source]\\n11:43- Introduces “I’m always going back to Chaucer”. [INDEX: poem an attempt to express pleasure of reading Chaucer; unknown source.]\\n12:13- Reads “I’m always going back to Chaucer”. [INDEX: written and read in Middle      English.]\\n13:59- Introduces “Tea with my Shetland Grand-Aunt” [INDEX: dialect, opposition of styles, old poem ‘refurbished’; published later as “Tea at my Shetland Aunt’s” in The Collected Poems of Earle Birney, Vol 1 (McClelland and Stewart, 1975).]\\n14:25- Reads “Tea with my Shetland Grant-Aunt”. [INDEX: read in voice of aunt in a rolling Shetland dialect.]\\n16:15- Introduces “Looking from Oregon”. [INDEX: older poems, California, oregon, date, August 7, 1964; Florence, Oregon; American fleet shelled the coast of North Vietnam, international agreements, United States, deed of aggression, living memory, forgetting, shelling of the Gulf of Tonkin, Pacific Ocean, morning papers, radio, fishing with an American poet, salmon, killing fish, old age, cormorants fishing, seal, Robert Frost poem, Robinson Jeffers line “And what it watches is not our wars”; from Selected Poems 1940-1966 (McClelland and Stewart, 1966).]\\n19:47- Reads “Looking from Oregon”.\\n21:13- Introduces “Campus Theatre Steps” [INDEX: video poem, screen, slides, hotel, visualize poem shaped like a pair of stairs, theatre, campus, University of Oregon, shows, friends, tickets, cars, people, summertime, nighttime; from Selected Poems 1940-1966 (McClelland and Stewart, 1966).]\\n22:07- Reads “Campus Theatre Steps”.\\n22:57- Introduces unknown poem “Billboards Build Freedom of Choice”. [INDEX: driving along coast, billboard, Oregon, man, volcanic snow-covered mountains, Fujiyama, sea-lion caves, surf, rhododendrons, sign says “Billboards Build Freedom of Choice, Courtesy of Oregon Chamber of Commerce”, philosophy, invented hitchhiker, poem dated 61-62, Khruschev in power in Russia; from Selected Poems 1940-1966        \\t(McClelland and Stewart, 1966).]\\n24:29- Reads “Billboards Build Freedom of Choice”\\n26:35- Introduces “Irapuato” [INDEX: Mexico, Irapuato, poetry like a guidebook, irrational connections; from Selected Poems 1940-1966 (McClelland and Stewart, 1966).]\\n27:22- Reads “Irapuato”.\\n27:59- Reads “Memory No Servant”. [INDEX: from Selected Poems 1940-1966 (McClelland and Stewart, 1966).]\\n29:13- Introduces “For George Lamming”. [INDEX: George Lamming, autobiography of        childhood, poor boy on the island of Barbados, book In the Castle of my Skin, Jamaica, the last night of the last party; from Selected Poems 1940-1966 (McClelland and Stewart, 1966).]\\n30:11- Reads “For George Lamming”.\\n31:25- Introduces “Meeting of Strangers”. [INDEX: race issues, Trinidad, external/internal ‘happenings’; from Selected Poems 1940-1966 (McClelland and Stewart, 1966).]\\n33:59- Introduces “Curacao”. [INDEX: Irving Layton poem; from Selected Poems 1940-1966 (McClelland and Stewart, 1966).]\\n34:15- Reads “Curacao”.\\n34:47- Introduces “The Road to Nijmegen”. [INDEX: oldest poem, not revised, written in     Holland in January 1945, last winter of the war, Germans invading and then retreating,   \\tcut down trees, used for fuel and mine props, coal, lacked food, letter home to a friend,   published later in The Collected Poems of Earle Birney, Vol 1 (McClelland and Stewart, 1975).]\\n36:54- Reads “The Road to Nijmegen”.\\n39:31- Introduces “From the Hazel Bough” [INDEX: from Selected Poems 1940-1966   (McClelland and Stewart, 1966).]\\n39:41- Reads “From the Hazel Bough”.\\n41:05- George Bowering thanks Earle Birney for the reading.\\n41:18.21- END OF RECORDING\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/earle-birney-at-sgwu-1968/\"}]"],"score":0.01643844},{"id":"1270","cataloger_name":["Masoumeh,Zaare"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Joseph Langland at Sir George Williams University, The Poetry Series, 8 March 1968"],"item_title_source":["Cataloguer"],"item_title_note":["\"JOSEPH LANGLAND I006/SR126\" written on sticker on the spine of the tape's box. \"I006-11-126\" written on sticker on the reel"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 2"],"item_identifiers":["[]"],"creator_names":["Langland, Jospeh"],"creator_names_search":["Langland, Jospeh"],"creators":["[{\"url\":\"http://viaf.org/viaf/92023235\",\"name\":\"Langland, Jospeh\",\"dates\":\"1917-2007\",\"notes\":\"American poet Joseph Langland was born on February 16, 1917, in Spring Grove, Minnesota. He grew up on his family’s farm in Iowa, which had been in his family since 1877. He attended Santa Ana College of California, then the University of Iowa, from which he received his Bachelor’s degree in 1940. A year later, the University of Iowa also awarded him his Master’s degree. Langland taught English during 1941 and 1942 at Dana College in Nebraska. Langland enlisted in the U.S. Infantry from 1942-1946, where he served in Europe during the Second World War. On his trips back to the U.S., Langland married Judith Gail Wood, and had three children. After the war, he served with the Military Government in Bavaria, going on to liberate the Concentration Camp at Buchenwald. By the time Langland left the military in 1946, he had risen to the position of Captain. Langland self-published his first collection of poetry, For Harold  in 1945 while still in Germany. He then taught at the University of Iowa from 1946-1948, at the University of Wyoming from 1948-1959, then to the University of Massachusets, Amherst from 1959-1979 as a Professor Emeritus and as the founder and Director of the Masters of Fine Arts writing program from 1964-1970 and from 1978-1979. Langland published more collections of poetry, including The Green Town (Scribner Press, 1956), The Wheel of Summer (Dial Press, 1963), An Interview and Fourteen Poems (GOB Press, 1973), The Sacrifice Poems (1975), co-edited The Short Story (Macmillan, 1956), and Poet’s Choice with Paul Engel (Dial Press, 1962), co-translated Poetry From the Russian Underground (Harper & Row, 1973). Langland was awarded many honours, including the Ford Fellowship in Humanities in 1953 from the Harvard-Columbia Universities, the Amy Lowell Fellowship in Poetry in 1966, the Melville Can Prize for Poetry from the Poetry Society of America in 1964, an honorary doctorate from Luther College in 1974, and the Living Art Treasure in Literature from the New England Arts Biennial in 1985. He also traveled to guest lecture at the University of Washington, The University of British Columbia and at San Francisco State University. His last publications include Any Body’s Song (Doubleday, 1980), A Dream of Love (Pleiades Press, 1986), Twelve Preludes and Postludes (Adastra Press, 1988) and Selected Poems (University of Massachusetts Press,1991). Joseph Langland died at 90 years old on April 9, 2007.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1968],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"01:20:00\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"Dates":["[{\"date\":\"1968 3 8\",\"type\":\"Performance Date\",\"notes\":\"Date specified in written announcement \\\"Poetry at S.G.W.U.\\\"\",\"source\":\"Supplemental Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Art Gallery\",\"notes\":\"Location specified in written announcement \\\"Poetry at S.G.W.U.\\\"\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\" 45.4972758\",\"longitude\":\" -73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Art Gallery"],"City":["Montreal, Quebec"],"content_notes":["Joseph Langland reads from The Green Town (Scribner, 1956) and The Wheel of Summer (Dial Press, 1963), as well as poems published later in Poetry from the Russian Underground (Harper & Row, 1973), Any Body’s Song (Doubleday, 1980), and Selected Poems (University of Massachusetts Press, 1991)."],"contents":["joseph_langland_i006-11-126.mp3\n\nUnknown\n00:00:00\nAmbient Sound [voices].\n \nUnknown\n00:00:03\n[Cut or edit made in tape, Unknown amount of time elapsed]. \n \nIntroducer\n00:00:06\nThis evening, Joseph Langland [https://www.wikidata.org/wiki/Q6284810]reads. Mr. Langland was born in Spring Grove [https://www.wikidata.org/wiki/Q203865], Minnesota [https://www.wikidata.org/wiki/Q1527], and attended the public schools of Minnesota and Iowa [https://www.wikidata.org/wiki/Q1546], attended the State University of Iowa [https://www.wikidata.org/wiki/Q182973]. He has taught at the University of British Columbia [https://www.wikidata.org/wiki/Q391028], the University of Washington [https://www.wikidata.org/wiki/Q219563], the San Francisco [https://www.wikidata.org/wiki/Q62] Poetry Center, and so forth. He has been a professor of English at the University of Wyoming [https://www.wikidata.org/wiki/Q1326975], and he is presently a professor of English at the University of Massachusetts [https://www.wikidata.org/wiki/Q1061122]. And he has been associated with the Massachusetts Review as a member of its editorial board. His publications: For Harold, a collection of memorial poems for a younger brother killed in World War II [https://www.wikidata.org/wiki/Q362] and published in Germany [https://www.wikidata.org/wiki/Q183] in 1945, The Green Town, which was published in 1956 by Scribner’s [https://www.wikidata.org/wiki/Q845617] and nominated for the National Book Award [https://www.wikidata.org/wiki/Q572316] in Poetry in 1957, and The Wheel of Summer published in 1963 by Dial Press [https://www.wikidata.org/wiki/Q5270470], and winner of the Melville Kane Poetry Award. He has also published two anthologies, Poet's Choice, co-edited with Paul Engle [https://www.wikidata.org/wiki/Q7150503], published in 1952, and The Short Story, published in 1956 and co-edited with James B. Hall [https://www.wikidata.org/wiki/Q95328740], published by Macmillan [https://www.wikidata.org/wiki/Q2108217]. He has forthcoming a volume, a small volume called Adlai Stevenson, which is to be published in Iowa City [https://www.wikidata.org/wiki/Q487977] by the Stonewall Press, and is, will contain one long memorial poem and two lyrics. And also a larger volume, to appear perhaps next year, called Songs and Half-Songs. His poems have appeared in numerous anthologies, and have appeared in such journals as Poetry Chicago, Hudson Review, Chicago Review [https://www.wikidata.org/wiki/Q5095765], Paris Review [https://www.wikidata.org/wiki/Q3988628], London Magazine [https://www.wikidata.org/wiki/Q2154323], Nation, and so forth. He has written lyrics for songs by Morton Gould [https://www.wikidata.org/wiki/Q1352656], Phillip Esantzen, Elliot Schwartz, and also lyrics and music for folk songs. He has been recorded by FolkWays [https://www.wikidata.org/wiki/Q1435522], Scholastic Records, reading eight of his poems, and he has held a number of grants. In 1953-54 he was, he held a Ford Faculty Fellowship in the Humanities, in 1955 and 56, an Amy Lowell Traveling Poetry Fellowship, and in 1966, or last year, rather, a National Council of Arts Grant in Poetry, and in this period, he gave a series of readings at universities throughout Europe [https://www.wikidata.org/wiki/Q46], in Glasgow [https://www.wikidata.org/wiki/Q4093], London [https://www.wikidata.org/wiki/Q84], Sussex [https://www.wikidata.org/wiki/Q23346], Munich [https://www.wikidata.org/wiki/Q1726], Oslo [https://www.wikidata.org/wiki/Q585], and University College in Dublin [https://www.wikidata.org/wiki/Q1068258]. Ladies and gentlemen, Professor Joseph Langland. \n \nAudience\n00:03:03\nApplause. \n \nJoseph Langland\n00:03:19\nSo much of that sounds irrelevant. So I will begin by reading a poem which was really written in answer to a critic. I've written two poems in answers to critics. And this is one of them. I call it \"Desperate Equations\".\n \nJoseph Langland\n00:03:47\nReads \"Desperate Equations\" [from The Wheel of Summer].\n \nJoseph Langland\n00:04:33\nThen I would like to go to, from that to a newer poem, one which I call \"Natures\".\n \nJoseph Langland\n00:04:44\nReads \"Natures\".\n \nJoseph Langland\n00:06:54\nAnd I'd like to just simply move from that to a poem which is called, \"Dandelion\". It's a poem that, well, the daughter of a famous poet likes it very much, and she recently said so, and so consequently I'm very fond of it at the moment. I think this is a kind of procedure among artists. They tend to like very much, at least for a little while, something that someone else likes. It's a poem which I say partially for my wife, it's a poem of affection, but I wouldn't just simply say \"for\" my wife, it's for all of you, too. \"Dandelion\".\n \nJoseph Langland\n00:07:40\nReads \"Dandelion\" [published later in Any Body’s Song and collected in Selected Poems].\n \nJoseph Langland\n00:09:26\nI visited once a grotto in the southern coast of Italy [https://www.wikidata.org/wiki/Q38], the Amalfi [https://www.wikidata.org/wiki/Q80563] grotto, and it's typical of a whole series of such places. It's completely enclosed. You enter it...well actually, I was there a year ago, and it's a little disappointing, because, to sort of accommodate the tourist trade, they've blown out a little section of the wall, and they've hung a flapping canvas cloth over it. But eleven years ago this wasn't so, and you descend in an elevator into this inner room, and it's an absolutely magic place, it's explained to you, for instance, that about sixteen feet under the level of the sea, the Tyrrhenian Sea [https://www.wikidata.org/wiki/Q38882], there's a large hole in the cave, and the sunlight, particularly in the morning, you come there about 11 in the morning, it's a good time, the sun filters down these sixteen feet and through this huge hole and then comes up inside the cafe. And the effect of this is absolutely eerie because it's completely enclosed, it's like darkness, but you get in there, and you adjust, and everything is just luminous with light, water, everything. You pick up, and you dip your hands in water and pick them up, you know, drops of water fall from your fingers from the orb-blades that splash, the orb is simply just a whole splash of light that goes up, like that. It's magic, see. And I want to believe in the magic, but in this sense I want to believe in this way in poetry. We shouldn't, I think, just simply deceive ourselves, but....so we can talk about what is, but somehow it's a responsibility to do a little bit more than what is, and so I've written this poem, and of course it's about the Amalfi Grotto, it's about our own behaviour, an attitude toward many things, and it's also, for me, a poem about poetry. \"The Amalfi Grotto\".\n \nJoseph Langland\n00:11:38\nReads \"The Amalfi Grotto\" [from The Wheel of Summer; later collected in Selected Poems].\n \nJoseph Langland\n00:12:53\nI would go from that to a poem for my brother. I call the poem \"War\". This was a brother who was killed in the Philippines [https://www.wikidata.org/wiki/Q928] in World War II. I was in Europe at the time. I wrote thirty poems, at least, for him, following this. And finally I wrote this poem. This was...about eleven years afterwards when I got to this poem. And with this poem I knew I was, I was through writing those poems. It's also a poem that's had a very curious history. The history of poems is something that's difficult to predict. I was in Germany at the time, I suppose the next German soldier I met I would have shot. But this poem has been seen, or was seen a few years ago by a former infantry officer in the German Army, who at that moment was a captive at Stalingrad [https://www.wikidata.org/wiki/Q914]. He's come into the United States [https://www.wikidata.org/wiki/Q30] now and teaches music in an American university, not the one I'm in. And so he set it to music. And so it's a strange irony. I started the whole sequence, see, but, see art pays no attention to that kind of enmity whatsoever. And so it's been set to music by a former infantry officer in the German army. Also, just this past week, actually two days ago, I got a notice it's been published in a Japanese anthology, and it's been translated into Italian, and so all the axis powers have translated it, and then somehow, I don't, still don't know how, it found its way after the Hungarian Revolution [https://www.wikidata.org/wiki/Q164348] into Budapest [https://www.wikidata.org/wiki/Q1781] in '56, and got translated there, I understand a very poor translation into Hungarian, but nevertheless it's happened. This is just part of its history. And other things have been happening to it strangely like this. I just mention this because, see, at a certain point the thing is out of your control completely, and you sort of are, I feel a bit humbled by what happens to them, and the uses that people put these things to. I wrote poems in all sorts of forms for my brother, and I finally, there're some subjects...well, I'd heard William Carlos Williams [https://www.wikidata.org/wiki/Q178106] give a reading at the Lexington Y in New York City [https://www.wikidata.org/wiki/Q60] in 1954, and so I said, okay, I was still dealing with the same poem, and I was in an apartment up in 96th Street, and it was a very foggy night coming home, and I heard all these great foghorns coming off over the lower bay, over Manhattan [https://www.wikidata.org/wiki/Q11299] and so forth. And I wrote another poem, \"A Seachange for Harold\", which I'm not going to read, except just the beginning.\n \nJoseph Langland\n00:16:22\nReads the beginning of \"A Seachange: For Harold\" [fromThe Green Town and collected later in Selected Poems].\n \nJoseph Langland\n00:16:40\nWell that's, I wrote that thing first, and then I came back to this other poem, in which I just said, okay I'll put it down the way it was, but there's some subjects that by their very nature you can't do much about. Except, of course, the whole dry feeling associated with it led me to all kinds of selections. If there seem to be an excess of family in the poem, I just simply say I am one of nine children. \n \nJoseph Langland\n00:17:15\nReads \"War\" [from The Green Town and later collected in Selected Poems].\n \nJoseph Langland\n00:18:43\nI would go from that to some poems I'm trying to write now. Some of these poems are songs, and I've been writing music for them, also, but, and this is such a song. I call it \"A Hard Song to Sing\", and it's really about the contemporary condition of war and civil rights problems which threaten to just overwhelm the United States. And almost the entire poem is monosyllabic, but it just seemed like it had to be that way. So. I...and actually, the tune that goes with this thing is...well, I know for instance that I could come in right on pitch on it. I once fell in love with--I don't have absolute pitch, but I fell in love with a song by Edward Grieg [https://www.wikidata.org/wiki/Q80621], and all I have to do is remember this song and I can always begin singing in A flat. But, it's, sometimes I think that maybe this is what I mean by being so right with your subject that you finally say the right thing about it. Somehow the resonance, just the resonance of the idea set up in my body brings me in on pitch, see. Well, I'll just read it. \"The clear, cold night\"...oh I'll sing, I'll sing the one stanza. \n \nJoseph Langland\n00:20:24\nSings the beginning of \"A Hard Song to Sing\".\n \nJoseph Langland\n00:20:42.79\nAnd it repeats itself in various ways, the melody varies. \n \nJoseph Langland\n00:20:47\nReads \"A Hard Song to Sing\".\n \nJoseph Langland\n00:21:48\nI...when I spent some time in Europe, among other people I met Ralph Ellison [https://www.wikidata.org/wiki/Q299965]. And he and his wife, Fanny, and my wife, Judy, and I, we spent several very fine noons on a beach of a small Italian fishing town, and ever since then I've been trying to write a poem for him. He's been relatively silent, at least, he's not taken a very aggressive role in the whole civil rights movement, although he has published significant essays in that whole thing. Many of you will know his great novel The Invisible Man [https://www.wikidata.org/wiki/Q1784288]. And I've written a poem, I call it \"An Open Letter to Ralph Ellison\", I'm reading it, I have to send it to him. I have not sent it out to be published anywhere, either. You probably do know he used to be a jazz player, he played the trumpet, he was a photographer and so forth and he did live in some sort of cellar that he had brilliantly lit for a while, but in The Invisible Man there are aspects of this kind of background, too. So I just wanted to address--I started writing him a letter. And then I got interested in writing in the letter and quit the letter and wrote the poem instead, but that's the way it'd be. It was \"Dear Ralph\", you know but just, now the poem begins, \"Ralph...\"\n \nJoseph Langland\n00:23:16\nReads \"An Open Letter to Ralph Ellison\" [published later in The Massachusetts Review vol. 40, n.4].\n \nJoseph Langland\n00:27:02\nWell, I will move from that to a poem on Thoreau [https://www.wikidata.org/wiki/Q131149]. Actually, I'm doing a whole book of these things. But one...actually, the first time I ever went to Walden Pond [https://www.wikidata.org/wiki/Q2023853], things turned out like an art farm. There were certain people there, and I met people in certain sequences, and of course I've told all sorts of people that, when they write poetry, you know, just to say that this is the way it happened, or this is the way it was, you know, that's no guarantee that it will be art at all. But in this case, something else had happened, see, Thoreau himself plays influence and just simply organized, you know, a hundred years later, certain people who would be there. And this happened just this way, and so I, almost to defend myself against all the things I'd ever said to people, I called the poem, \"How It, So Help Me, Was\". And that's the title of the poem. I end with a, the blue-grey twilight, because it was 1963, and it was, or '62 when I went there, and it was, you know, a hundred years after the war between the North and the South in the United States, the blue and the grey. And I felt that whole shadow, and even, in a curious way, it's on the west end of the pond, actually, I'd gone swimming in it, it's illegal, but then the shadow was coming off the hill and it was just sort of beginning to cover, to cover me, and it was a blue-grey shadow, you see, I'm not making that up. And, but...I suppose that's a kind of selection you take out of what is made available to you at a certain point. So \"How It, So Help me, Was\".\n \nJoseph Langland\n00:29:04\nReads \"How It, So Help Me, Was\" [published in The Massachusetts Review, Vol. 4, n.1 and published later as “Walden” in Any Body’s Song].\n \nJoseph Langland\n00:29:29\nThat's a little poem he's written that's on the hearth there, about the smoke rising.\n\nJoseph Langland\n00:30:04\nResumes reading “How it, So Help Me, Was”. \n\nJoseph Langland\n00:32:10\nI know at a time like this I keep thinking all the time in poetry, you know, what does it mean in poetry to somehow keep alive, or...to keep the whole body open, and I wanted to write a poem about that. I call this one \"Still to be Man\". Because sort of in an animal way, we have to be able to continue to take in all sorts of things. \n \nJoseph Langland\n00:32:44\nReads \"Still to be Man\".\n \nJoseph Langland\n00:32:51\nI can remember when I was, the morning I was trying to write this poem because I was home alone, I stepped out the kitchen door and as I stepped out I felt I didn't even have to land on the earth itself, I would just step out into the air. \n \nJoseph Langland\n00:33:04\nResumes reading \"Still to be Man\".\n \nJoseph Langland\n00:34:10\nLast year, I spent, with my family, a half a year in Rome [https://www.wikidata.org/wiki/Q220], and I got acquainted with a certain kind of syndrome among some of the Roman women. They sort of get trapped, in a society which seems free and easy and open, there's an extreme conservatism. For instance, I know, well, a person who teaches art in an American university, he and his wife were adopting some children in Italy a few years ago, and he could not have children and she could. It was proved by tests in this country, and they went to adopt two children in Italy. But you cannot adopt children in Italy on this basis because by law, no man in Italy can be sterile. [Audience laughter]. And this is a law. And so they had to go to Naples [https://www.wikidata.org/wiki/Q2634] and be tested all over again, officially, by a doctor in Naples, and a lawyer had to follow this, and they discovered after the tests that she was sterile and she was not [audience laughter], and they got this all certified and they adopted the children and they now have them and are living happily with them. But there's some, there's another side to this coin, too. And so, we lived next to a high school called the church, or the school of the Adorazione, and I'd see this women, you know, they're so beautiful when they're young, and then when they get married they start dressing in black and start cooking spaghetti and having children, and something awful happens, and then their husbands lose interest in them and then they have to find other lovers and then, you know, it's an awful thing. [Audience laughter]. It's \"La Donna a Roma, an Odyssey\".\n \nJoseph Langland\n00:36:12\nReads \"La Donna a Roma, an Odyssey\".\n \nJoseph Langland\n00:37:24\nWell then, another kind of thing that happens in our society, I think it happens to many people, I've been writing a series of half-songs. I call them half-songs, they're at half-pitch, half-singing pitch, where we talk and we don't talk together. You know, we say something and someone answers and it goes, you know, we keep going past each other. And so I've written a poem that, it has two separate parts, both parts rhyme all the way but you won't hear this at all, I was talking about that with the class here, today, it may be aesthetically valid for myself alone. And it's one, it's called \"Not Quite a Conversation: A Half-Song\", and the first part is called \"He and Her\". You see, \"he\" is the noun and \"her\" is the object. And the next part is called, \"She and Him\". \"She\" is the noun and \"him\" is the object. And they're talking. Or, we're talking about them. And so, in a sense they should be printed facing each other on the page, and I can't read them together, so I have to read first \"He and Her\", then I might, they talk back and forth to each other all the way through the poem. \"He and Her.\"\n \nJoseph Langland\n00:38:44\nReads \"Not Quite a Conversation: He and Her\" [published later in Any Body’s Song].\n \nJoseph Langland\n00:39:40\nAnd the other, \"She and Him\". As I say, it rhymes all the way, and triad by triad it answers. \n \nJoseph Langland\n00:39:47\nReads \"Not Quite a Conversation: She and Him\" [published later in Any Body’s Song].\n \nJoseph Langland\n00:40:59\nI guess we take a break in the program. \n \nUnknown\n00:41:05\nAmbient Sound [voices].\n \nUnknown\n00:41:24\n[Cut or edit made in tape. Unknown amount of time elapsed].  \n \nJoseph Langland\n00:41:25\nAnd, I will read just one or two of these. And once again, I make no particular claim as to the validity of this, and probably in the long run it’s not even a fruitful thing. All my grandparents were born in Norway [https://www.wikidata.org/wiki/Q20], my name is Langeland. You know, they dropped the 'e' and called it Langland. And I have been back there a couple of times, I might go again this summer and work with a Norwegian poet, Paul Brekke, and maybe another one, on some translations from the Norwegian  I don't know much Norwegian, he knows a lot of English. [Audience laughter]. But when I was going through there a year ago, I got two, two poems. First this one, \"Singing in Late Summer\". When my father died they played a folk song, \"Den store hvide Flok\", \"The Great White Host\" [https://www.wikidata.org/wiki/Q10468796], at his funeral. And I'd sort of shipped my children off to jobs, I had, you know, I had a fourteen-year-old boy working on a ranch in Wyoming [https://www.wikidata.org/wiki/Q1214], and a twelve-year-old son working on a farm in Iowa, and a daughter who'd gone off to work in-- who was what, fifteen, sixteen, to a hotel in Switzerland [https://www.wikidata.org/wiki/Q39], and my wife was in Provincetown [https://www.wikidata.org/wiki/Q49154], painting [audience laughter], and I was at home writing. Which is what I wanted to do all the time, in any case. \"Singing in Late Summer\".\n \nJoseph Langland\n00:43:03\nReads \"Singing in Late Summer\" [published later in Any Body’s Song and collected in Selected Poems].\n \nJoseph Langland\n00:44:17\nAnd then, traveling through Norway, all these rivers, you know, they just...they're tumbling all over, rushing everywhere, and falling off the tops of mountains, you know, it just seemed endless, going from Oslo to Bergen [https://www.wikidata.org/wiki/Q26793] and Trondheim [https://www.wikidata.org/wiki/Q25804] and down to Oslo and so forth. Or down to the Island of Store [https://www.wikidata.org/wiki/Q1636366] along the west coast of Norway. And so, I was thinking of a phrase I'd heard an old, an older woman in my own area say about the younger generation. She would always say, \"[inaudible phrase in Norwegian]\". And so I saw these rivers, and every time I saw them I kept saying, \"[inaudible phrase in Norwegian]\". [Laughter]. And so then I started thinking of all of these Norwegian immigrants that just came, you know, more of them over here than there are over there...and...so I, it's about the rivers, it's called \"Norwegian Rivers\", and it's about the people, the younger people, and it's about the immigrants, and the older immigrants, everything like that, I guess.\n \nJoseph Langland\n00:45:22\nReads \"Norwegian Rivers\" [published in The Massachusetts Review, Vol. 4, n.1 and collected later in Any Body’s Song and in Selected Poems].\n\nJoseph Langland\n00:48:08\nWell, there's several like that. But I want to do some other things, so I'll just leave them alone. I'm...you know, I'm translating from the Russian, and no pretense about it, I have two great friends, Thomas Axel [https://www.wikidata.org/wiki/Q23565070], who was press agent for Imre Nagy [https://www.wikidata.org/wiki/Q177917] for eleven days, before, at the time of the Hungarian Revolution, and then he escaped to Austria [https://www.wikidata.org/wiki/Q40]. He teaches at my university, he's a very fine poet, he used to be a director of theatre in Budapest, of the State Theatre. And then Laszlo Ticosz, he teaches in the German-Russian department at the university. They both, for years, have been collecting from the underground poems by relatively unknown poets, student poets and so forth, from Russia [https://www.wikidata.org/wiki/Q159], and they have a magnificent collection of these things. They give me, absolutely literal cribbed translations, and then I work with them, and there're some magnificent things coming, and I'm as certain as I stand here that the moment these things are sent into a publisher, not because of what I'm doing, but because of the nature of the thing, that it'll be just snapped up. This is relative, totally fresh new material, no one else has it, they have, through their own channels in the underground, they are being fed this. And so I find it very exciting, and as I said to someone today, I have to sort of take it through my own experience, which included...I won't say poverty, that's not the right word, but absolutely no money, not poverty because we could milk the cow and, you know, raise the garden vegetables and shear our sheep and make our own blankets and, you know, we had food, clothing, and shelter. And then the war in Europe, and I was in well, concentration camps, I wasn't in them, but I was, at Nordhausen [https://www.wikidata.org/wiki/Q7033], I sort of participated in the burial of five thousand people in one day in open trenches, and was with a headquarters unit a few days after and captured Buchenwald [https://www.wikidata.org/wiki/Q152802], and it...I won't say it's these things that pulled together, I was in Weimar [https://www.wikidata.org/wiki/Q3955] when it was turned over to the Russians, I remember going out of there, you know, it was half the German population in their carts going toward Eisenach [https://www.wikidata.org/wiki/Q7070], to the west, and the Russian cavalry coming in, meeting it from the east...lots of things, but so that's simply what this material comes through, and so I have some sympathy for it. This is a poem \"Drowning\", by a person named Sergei Chudakov [https://www.wikidata.org/wiki/Q4517600]. \n \nJoseph Langland\n00:51:23\nReads \"Drowning\" by Sergei Chudakov [published later in Poetry from the Russian Underground].\n \nJoseph Langland\n00:51:31\nSee, in the original it says, \"bright as a house\".\n \nJoseph Langland\n00:51:36\nResumes reading \"Drowning\" by Sergei Chudakov.\n \nJoseph Langland\n00:52:06\nThis is \"The Jewish Cemetery in Leningrad\" by Joseph Brodsky [https://www.wikidata.org/wiki/Q862]. \n \nJoseph Langland\n00:52:12\nReads \"The Jewish Cemetery in Leningrad\" by Joseph Brodsky.\n \nJoseph Langland\n00:52:32\nSee the poem says, \"lie musicians, lawyers, businessmen, and revolutionaries\". I'm very certain in this case that, you know, I felt great when I thought of saying it in this other way. Makes it better. \n \nJoseph Langland\n00:52:47\nResumes reading \"The Jewish Cemetery in Leningrad\" by Joseph Brodsky.\n \nJoseph Langland\n00:54:03\nFor instance, the original translation was that this whole thing is \"one hour by foot FROM the nearest bus stop\" And as far as I'm concerned, saying \"to\" is apt, a crucial difference, \"and the crooked faces of the plywood\", see, \"are one hour by foot TO the nearest bus stop\". Wanted the whole sense that they might all get up and walk and haunt us, see, coming the other way. Here's a poem about conditions by Artyemy Mikhailov. These names may be just be relatively anonymous, although some of them are among the friends that have been defending Sinyavsky [https://www.wikidata.org/wiki/Q468267] and Daniel [https://www.wikidata.org/wiki/Q435770]. His idea about conditions. And it was a pretty rigid, stiff poem and I had to try to get movement in it and so forth. And it's whole, if, if you've, if your dearest friend has not been trapped and dragged to a camp, if, if, if, the entire way through.\n \nJoseph Langland\n00:55:01\nReads “Conditions” by Artyemy Mikahilov [published later in Poetry from the Russian Underground].\n \nJoseph Langland\n00:56:07\nHere once again, there's so many of these, I just, here's one in the older style but it's one that's full of an elegant, lyric despair, \"Now that I know\", by Vladimir Kovshin.\n \nJoseph Langland\n00:56:21\nReads \"Now that I Know\" by Vladimir Kovshin [published later in Poetry from the Russian Underground].\n \nJoseph Langland\n00:57:01\nThis is a poem called \"After the War\" by Gleb Garbovsky. I just completed this this previous weekend, these I'm reading from now. \n \nJoseph Langland\n00:57:11\nReads \"After the War\" by Gleb Garbovsky [published later in Poetry from the Russian Underground].\n \nJoseph Langland\n00:58:54\nIncidentally, I used the phrase \"called back\" because that's on Emily Dickinson's [https://www.wikidata.org/wiki/Q4441]  tomb in Amherst [https://www.wikidata.org/wiki/Q49164], Massachusetts. Just an example of how you get your own little allegiance and locality into something else. \n \nJoseph Langland\n00:59:08\nResumes reading \"After the War\" by Gleb Garbovsky.\n \nJoseph Langland\n00:59:27\nHere's one, \"Keeping up with the Humanskys\". It's a poem about keeping up with the Joneses. [Audience laughter]. I had a lieutenant in the army who said his name was Humansky, and he said his, that man, I'll never forget it because he said that means \"son of the fields\" but I've been called worse names. I remember him saying that [audience laughter]. And so I...Son of the fields, I thought, that's great, you know, I was looking for a Russian name that would be like the Joneses, only this is like the serfs, son of the fields, of the soil. Couldn't be better. \"Keeping up with the Humanskys\". So, see, that's my good luck out of a little piece of experience that came to me when I needed it. \n \nJoseph Langland\n01:00:06\nReads \"Keeping up with the Humanskys\".\n \nJoseph Langland\n01:01:33\nThen there's one about a march from Russia to Siberia [https://www.wikidata.org/wiki/Q5428]. And, \"Etape\". There's no title in the original, there's a footnote, which was, these were sent to Axel and Ticosz from Russia, this poem. Neither the name nor the fate of its author is known. The phrase \"Marching in Etape\" originates from the nineteenth century. One stretch of the Long March from Russia to Siberia was called Etape, and it was in a ballad stanza form, so that's the way I did it. It's...little old style, but.\n \nJoseph Langland\n01:02:07\nReads \"Etape\" by an unknown author.\n \nJoseph Langland\n01:03:57\nThen \"The Garbage Collector,\" a poem that...\n \nUnknown\n01:04:03\n[Cut or edit made in tape. Unknown amount of time elapsed].\n\nJoseph Langland\n01:04:04\nReads \"The Garbage Collector” [begins abruptly; audience laughter throughout].\n \nAudience\n01:04:27\nLaughter.\n \nJoseph Langland\n01:04:30\nI'm very proud of that too, because you know in the old Renaissance things there's always these, an infinitely wise Christ Child, you know, at the mother's breast but his eyes are looking out elsewhere, and he's pointing like this, you know, and it's, so I thought, you know, that's not quite the translation but it's mine [audience laughter]. \n\nJoseph Langland\n01:04:46\nResumes reading “The Garbage Collector”.\n\nJoseph Langland\n01:05:32\nWell, these are, you know, poems out of new, unknown--\n \nUnknown\n01:05:36\n[Cut or edit made in tape. Unknown amount of time elapsed].\n \nJoseph Langland\n01:05:37\nI've sort of been threatening to sing something, and the trouble is, I'm...as I...I wouldn't play the piano if there were one here, and I don't play the guitar, and if I play this thing, it's locked stuff, I'm tied to it, and, I haven't played this tape that's accompanying me, you know, for at least three weeks, and I haven't sung a note since I left Amherst, except the notes I sang here, so, that's all right. These are songs of all sorts. So this is my accompaniment. I hope it works, if it doesn't I'll just stop it. \n \nUnknown\n01:06:17\nAmbient Sound [music; recorded track]. \n \nJoseph Langland\n01:06:22\nListen here, just a song called \"All the Lovers that You Ever Knew\".\n \nJoseph Langland\n01:06:37\nPerforms \"All the Lovers that You Ever Knew\" [published later in Any Body’s Song] accompanied by recorded track.\n \nJoseph Langland\n01:08:02\nThis next is a song called \"Alone the Evening Falls on Me\". Sometimes I wonder, just trying to remember it here, whether I'm supposed to start singing now, and I'll get to the end of the song and I won't have accompaniment for the last dance. [Audience laughter].\n \nJoseph Langland\n01:08:31\nPerforms \"Alone the Evening Falls on Me\" accompanied by recorded track [published later as \"Song At Evening” in Any Body’s Song and collected in Selected Poems] \n \nJoseph Langland\n01:10:23\nThis is a song called \"Jump on my Back\". It's about Iowa and Wyoming. But since Wyoming didn't work, I had to say Idaho [https://www.wikidata.org/wiki/Q1221]. [Audience laughter].\n \nJoseph Langland\n01:10:45\nPerforms \"Jump on my Back\" accompanied by recorded track.\n \nJoseph Langland\n01:11:25\nThis next one is called \"A Hiroshima Lullaby\". There's an infinitely sad story. In Hiroshima [https://www.wikidata.org/wiki/Q34664] when the bomb fell, in 1945, there was a little girl, Sadako Sasaki [https://www.wikidata.org/wiki/Q231997], two years old, some of you may know of her. She was a mile and a half from the centre of the blast and apparently unharmed. She was a very gay and popular girl, and her classmates loved her. And she was in the sixth grade or the equivalent, age twelve, in Hiroshima, Hiroshima, however you pronounce it.  And she developed leukemia, which is of course, as many of you know, a latent effect of many people exposed to radiation, so she was, after all, a victim. And she, well she finally became so ill she had to go to the hospital. And her friends came to visit her. And among other things, they told her, and that she knew, that there's an old Japanese legend about herons. I've been writing poem about herons and cranes and I have some in my book, one on a sandhill crane, and I told some people today that I'm going to the University of Oregon [https://www.wikidata.org/wiki/Q766145] in June to speak in their summer Academy of the Arts, and I heard of a person who works in wildlife out in Oregon [https://www.wikidata.org/wiki/Q824], and so because of the poem about the crane he's invited me to visit his wildlife refuge, about two or three hours east of Eugene [https://www.wikidata.org/wiki/Q171224], where he has a refuge among other things for sandhill cranes, you know these water birds are simple. And so I'm going to visit him. I look forward to it. Not because of a poem, see, it's nice. And so, Sadako Sasaki in the hospital, she heard that if you fold a thousand paper cranes in this Japanese folding technique, this will protect your health and save you. So she started folding them. And the tale has two sides. She reached 964 and she died. Her classmates were so, at the centre so involved they completed the thousand, they formed them in a chain. They went around gathering the equivalent of pennies, around Japan [https://www.wikidata.org/wiki/Q17], and when they got enough they asked a sculptor from Tokyo [https://www.wikidata.org/wiki/Q1490] to make a statue of this girl, and so he made a statue showing...you'll surely see pictures of this if you haven't. It's a young, twelve year-old girl, you know, still with a girl's body, she's standing up like this....and she stands in the Peace Park in Hiroshima now. And over her, made out of gold, the folded crane. And so, I wanted to write a poem for her. And so just using the fifth in the bass, and then using the five notes, black keys, I wrote a little ballad and I'll probably sing one stanza maybe, and then read the rest. \n \nJoseph Langland\n01:15:03\nPerforms the beginning of \"A Hiroshima Lullaby\" [published later in Any Body’s Song and collected in Selected Poems].\n \nJoseph Langland\n01:15:38\nReads the continuation of “A Hiroshima Lullaby\" [published later in Any Body’s Song and collected in Selected Poems].\n \nJoseph Langland\n01:16:49\nI wanted to write a civil rights song, something that you could march to in Madison Square Garden [https://www.wikidata.org/wiki/Q186125]. And that's, you know, it's a marching song. That's like that. \n \nJoseph Langland\n01:17:15\nPerforms unnamed song accompanied by recorded track. \n \nJoseph Langland\n01:18:00\nStops recorded track. \n \nJoseph Langland\n01:18:00\nWell, there are a lot more of these songs and I'm just going to stop the tape at this time because...I haven't even begun reading you my favourite poems, [audience laughter], and I know it's about to end but maybe, maybe I can read for fifteen minutes or so. If you have to go, just get up and go. But. When I was in Italy in 1954, I read in Marcus Cunliffe's [https://www.wikidata.org/wiki/Q6758114] The Literature of the United States, \"New York is the intellectual centre of the United States.\"  That made my blood boil [audience laughter] because it's a marketplace, so I just simply took his own book, The Literature of the United States, took all his authors, and lined them up, and all the places where they were born, where they grew up, and where they wrote from, and sent them the chart, which proves, out of his own book, that in literature, creative ideas, there have been three great centres and then two subordinate ones. New England [https://www.wikidata.org/wiki/Q18389], the Midwest, and the South, and then as subordinate ones, they're the West Coast, and then the mid-Atlantic, New York area. That's in literature [audience laughter]. And we got in an argument...the result of it all was that I invited him to come and teach at my university [audience laughter]. So he came and he gave an address, and in one of his speeches he said, “Americans are overly given to haruspication and scrying” [audience laughter]. Well, you know, when someone comes out of England [https://www.wikidata.org/wiki/Q21] and says, gives, delivers a lecture to an American audience and says that, among other things you have to look up the words. [Audience laughter]. And, so...so I looked them up and I discovered \"haruspication\", the Haruspects were Roman and Etruscan pagan priests who examined the entrails of sacrificial animals [audience laughter] to predict natural phenomena and the future. So I started thinking about that. I grew up on a general farm, we had about a hundred pigs, two hundred sheep, a hundred head of cattle, twenty milk cows, a thousand chickens, about one hundred turkeys, twelve goats, you know [audience laughter], anywhere from twenty to fifty cats, and all sorts of wild animals, and I had seen bulls gored to death, I had seen flocks of sheep driven over limestone cliffs by dogs, I'd seen hawks that'd ripped little lambs and chickens, I'd seen skunks that had eaten them up, I'd butchered all of these things, I'd castrated, you know, I myself have castrated maybe three thousand pigs, and [laughter]..and...so, I thought okay. In fact, some of you may know that \"The Wheel of Summer\", the title poem, is about the castration of one hundred pigs, by three teenage boys [audience laughter], and as I was introduced in England once, he said it's probably the most distinguished poem in English about the castration of a hundred pigs. [Audience laughter]. But I started thinking about all of this and I thought, well, okay, I have a philosophy of life too, and it's been based with the whole business of producing food for you. You know, that's the end of it, the end of it all. And I participated in an awful lot of killing and...routine, it’s a way of life. And you know, if you eat meat, well you too. So I said, well okay, I've been haruspicating for a long time. And I gradually went up from age six to age eighteen, and meantime I achieved some kind of maturity, and I'm going to write my own poems. So I wrote all these poems, and the titles are, you know, like \"Sacrifice of a Rainbow Trout\", \"Sacrifice of My Pet Lamb\", but I'm going to read you the ultimate titles, which aren't in the book. Just running from age six on up to age eighteen, or when we got all old enough and we all went off to the war, as the last poem said.  But these say, you know, that's what these poems are really about.  \n \nJoseph Langland\n01:22:38\n\"The Clarity of Innocence: Sacrifice of a Trout\". “The Loss of Early Innocence: Sacrifice of My Pet Lamb\". \"The Plunder of Idealism: Sacrifice of the Golden Owl\". \"The Sickle among the Flowers\"...I quit making the equation...\"The Sickle Among the Flowers\". \"The Decline of Heroic Voices\"--that's the goring to death of a bull. \"The Suffocations of Love\"--that's the killing a pet chick by over-affection. \"The Attritions of Man\". \"The Unhousing of Beneficent God\". \"The Seeming, the Necessary and Beneficial Perversions of Love\"--that's my sacrifice of a gunny sack of cats. \"The Subtleties of Violent Revenge: Sacrifice of an old Sow\". \"The Sweet Solace of Evil\". \"The Absurdities of Fact\". \"The Pitfalls of Group Action: Sacrifice of a Flock of Sheep\"--they ran over this cliff, twelve of them died at once, and people say you shouldn't write villanelles, but that's the way sheep act, so I wrote a villanelle, you know, they repeat. \"The Catechism of Human Culpability\"--that's Eric, a suicide of a man. \"The Oddities of Affection\". \"The Sacred Violence of Purity\". \"The Bounties of Natural Law\". \"The Winter of the Cold War: Sacrifice of a Grey Wolf\". \"The Decline of Natural Instincts: Sacrifice of Three Wild Geese\". \"The Tyranny of Fixed Ideas\"--that's a sacrifice of a red squirrel. \"A Dream of the Ultimate Holocaust: Sacrifice of a Hill of Ants\" and \"The Warfare of the Sensuous Past: Sacrifice of My Aunt Marie\".  And then it all culminates in the longer narrative poem, \"The Wheel of Summer\". Which is just simply coming to maturity as a man. Well I'll, I'll read a few of these. \"Sacrifice of a Rainbow Trout\" has no music, but I oftentimes start singing when I'm reading it, but I'm not going to now, I've done that. \n \nJoseph Langland\n01:24:43\n\"Suddenly\"--this is six years old, you know.\n \nJoseph Langland\n01:24:46\nReads \"Sacrifice of a Rainbow Trout\" [from The Wheel of Summer and collected later in Selected Poems].\n \nJoseph Langland\n01:25:42\nI'll skip the lamb and read the owl. I wanted to just talk--\"We strung our wind-up rooster dead on a post\"--see, it can't be any flatter than that. \n \nJoseph Langland\n01:25:52\nReads \"Sacrifice of the Golden Owl\" [from The Wheel of Summer and later collected in Selected Poems].\n \nJoseph Langland\n01:27:39\nI'll read the one of the neighbors. No one can live on a, in a farm area without seeing over a period of years, people lose fingers, toes, arms, legs, in various ways. It's...I was on a reading tour, actually, when Kennedy [https://www.wikidata.org/wiki/Q9696] was killed. And I was actually in an auditorium about to start reading these poems, when it was cancelled, because of the announced death of the president. I couldn't have read them, but I didn't know what I was going to do. I was just sitting there, and five minutes from starting time. But this is \"Sacrifice of my Neighbors\".\n \nJoseph Langland\n01:28:20\nReads \"Sacrifice of my Neighbors\" [from The Wheel of Summer].\n \nJoseph Langland\n01:28:39\nThat was my brother.\n\nJoseph Langland\n01:28:42\nResumes reading “Sacrifice of my Neighbors”.\n \nJoseph Langland\n01:31:02\n\"Sacrifice of the Gunnysack of Cats\". I read it in New York City, I didn't know that the officers of the Society for the Friends of the Prevention of Cruelty to Animals were sitting in the audience. After I went back to Amherst I got a letter from them, saying that every year there are twenty-five million unwanted pets born in the United States [audience laughter] and we secure funds to get the females spayed and the males castrated, and your poem, \"The Sacrifice of the Gunnysack of Cats\" is perfect for our purposes for our annual appeal, and, could we...[audience laughter.]..could we use it, please. I thought, my God, you know, I just, I read this poem, like all of these things out of a great affection, and this is the thing, you'll have to forgive me but this is what occurred to me, you know. I just had this great affectionate conception of the whole thing, and now they wanted to turn it into a kind of contraceptive. [Audience laughter]. And...and then I thought, well, okay, what can I do at this point? And so, showing this charming little picture, you know, it's a dog, and a little puppy dog [audience laughter], little kitten and laying their heads against each other and saying \"Annual Appeal\" and on the back of it was my \"Sacrifice of the Gunnysack of Cats\" and...I, you know, when I travel around the United States even now, I often like wonder in what town did I do in this poor little male cat or this female, you know, cooperating in one way or another, it's like, you know, I have to refuse to pay your taxes...you don't know what you're maiming at a certain point. But that's an example. I wanted to start from the most ordinary thing and see how I could carry it, and this is the \"Sacrifice of the Gunnysack of Cats\".\n \nJoseph Langland\n01:33:13\nReads \"Sacrifice of the Gunnysack of Cats\" [from The Wheel of Summer and collected later in Selected Poems].\n \nJoseph Langland\n01:36:23\nOne hard poem about the old sow, which is, says something about this world. \n \nJoseph Langland\n01:36:31\nReads \"Sacrifice of an Old Sow\" [from The Wheel of Summer and later collected in Selected Poems].\n \nJoseph Langland\n01:37:48\nWell that's the way we do it. Then one, pretty hard poem, too, it's about Eric, but it's really about us, and then I'll read the squirrel poem, and then leave these alone. That...okay, actually this, I had in mind an uncle, a favourite uncle. Very talented, frustrated.\n \nJoseph Langland\n01:38:19\nReads [\"The Sacrifice of Eric” from The Wheel of Summer and collected later in Selected Poems].\n \nJoseph Langland\n01:41:09\nAlright, and then the squirrel. Actually, I...last week, I had a letter from some fellow in Kansas [https://www.wikidata.org/wiki/Q1558], I never, of course I don't know him at all. He wants to set the thing to music, I don't know what he's going to do with it, but...he plays the guitar, and so I said, fine. And just about anybody who gets caught in a rut...I must say that after this I'm going to read one little ballad on Adlai Stevenson [https://www.wikidata.org/wiki/Q311719], but...\n \nJoseph Langland\n01:41:47\nReads [\"The Sacrifice of a Red Squirrel\" from The Wheel of Summer]. \n \nJoseph Langland\n01:44:25\nLittle ballad for Stevenson, and I don't have it with me, but I know it. The state tree, bird, and flower of Illinois [https://www.wikidata.org/wiki/Q1204] is the oak, the cardinal, and the violet. That's green, red, and violet. It struck me, that's half a rainbow. That seemed like Adlai Stevens' life. A great theoretical life, unfinished, has to be completed by someone else. I asked, what's the other half, they're yellow, orange, and blue, and his home at Libertyville [https://www.wikidata.org/wiki/Q1787181], Illinois, you can't improve on that for the title, \"Libertyville\", it has a river the Des Plaines River [https://www.wikidata.org/wiki/Q8637], that's before it enters the Chicago [https://www.wikidata.org/wiki/Q1297] drainage system, it's a nice blue stream out of the Wisconsin [https://www.wikidata.org/wiki/Q1537] woods, that's blue, the sky is blue, the light by day is orange, and by night yellow. That's the full rainbow. \"There's a fountain in the wood\"...It's called \"Libertyville\" and past that, a little epigraph about the state tree, bird, and flower of Illinois, and I wanted to, for the schoolchildren of Illinois...\n \nJoseph Langland\n01:45:27\nReads \"Libertyville\" [from The Wheel of Summer and collected later in Selected Poems].\n \nAudience\n01:47:02\nApplause.\n \nEND\n01:47:35\n"],"Note":["[{\"note\":\"Year-Specific Information:\\n\\nJoseph Langland was a professor at the University of Massachusetts, Amherst, and had founded the Masters of Fine Arts writing program during the 1960’s.\\n\",\"type\":\"General\"},{\"note\":\"Local Connections:\\n\\nConnections between Joseph Langland and Sir George Williams University or Montreal are unknown, however Langland had taught at the University of British Columbia, and played an important role in the founding of the Master of Fine Arts writing program at the University of Massachusetts.\\n\",\"type\":\"General\"},{\"note\":\"Original transcript and print catalogue by Rachel Kyne\\n\\nOriginal print catalogue, research, intro and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Ali Barillaro\\n\",\"type\":\"Cataloguer\"},{\"note\":\"Reel-to-reel tape>2 CDs>digital file\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"http://news.google.com/newspapers?id=GYIuAAAAIBAJ&sjid=AqAFAAAAIBAJ&pg=2474,42252&dq=sir+george+williams+poetry&hl=en\",\"citation\":\"“Joseph Langland To Read At Next SG Poetry Night”.  Montreal: The Gazette. 1 March 1968, page 8. \"},{\"url\":\"https://www.worldcat.org/title/any-bodys-song/oclc/1148022872&referer=brief_results\",\"citation\":\"Langland, Joseph. Any Body’s Song. New York: Doubleday, 1980. \"},{\"url\":\"https://www.worldcat.org/title/green-town-poems/oclc/74670391&referer=brief_results\",\"citation\":\"Langland, Joseph, The Green Town. New York: Scribner, 1956.\"},{\"url\":\"https://www.worldcat.org/title/poetry-from-the-russian-underground-a-bilingual-anthology/oclc/568758531&referer=brief_results\",\"citation\":\"Langland, Joseph. Poetry from the Russian Underground. New York: Harper & Row, 1973. \"},{\"url\":\"https://www.worldcat.org/title/wheel-of-summer/oclc/2693715&referer=brief_results\",\"citation\":\"Langland, Joseph. The Wheel of Summer. New York: Dial Press, 1963. \"},{\"url\":\"https://www.worldcat.org/title/selected-poems/oclc/27191429&referer=brief_results\",\"citation\":\"Langland, Joseph. Selected Poems. Amherst: University of Massachusetts Press, 1991. \"},{\"url\":\"http://www.jstor.org/stable/25091591\",\"citation\":\"Langland, Joseph. “For Ralph Ellison: Then and Now”. The Massachusetts Review. Vol. 40, No. 4 (Winter, 1999/2000), pp. 614-416.\"},{\"url\":\"http://www.jstor.org/stable/25086942\",\"citation\":\"Langland, Joseph. “How It, so Help Me, Was”. The Massachusetts Review. Vol. 4, No. 1, (Autumn, 1962), pp. 53-54. \"},{\"url\":\"http://www.jstor.org/stable/25088573\",\"citation\":\"Langland, Joseph. “Norwegian Rivers”. The Massachusetts Review. Vol. 16, No. 3 (Summer, 1975), pp. 567-568.\"},{\"url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/joseph-langland-at-sgwu-1968/\",\"citation\":\"“Poetry at S.G.W.U”. OP-ED. Montreal: Sir George Williams University, 27 February 1968. \"},{\"url\":\"\",\"citation\":\"“Joseph Langland: Poet, Teacher, Friend”. Luther College Archives: Biography. Iowa, 2010. \"}]"],"_version_":1853670548850081792,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0126_back.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0126_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Joseph Langland Tape Box - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0126_front.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0126_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Joseph Langland Tape Box - Front\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0126_side.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0126_side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Joseph Langland Tape Box - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0126_tape.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0126_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Joseph Langland Tape Box - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/joseph_langland_i006-11-126.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"joseph_langland_i006-11-126.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:47:35\",\"precision\":\"\",\"size\":\"258.2 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"Unknown\\n00:00:00\\nAmbient Sound [voices].\\n \\nUnknown\\n00:00:03\\n[Cut or edit made in tape, Unknown amount of time elapsed]. \\n \\nIntroducer\\n00:00:06\\nThis evening, Joseph Langland [https://www.wikidata.org/wiki/Q6284810]reads. Mr. Langland was born in Spring Grove [https://www.wikidata.org/wiki/Q203865], Minnesota [https://www.wikidata.org/wiki/Q1527], and attended the public schools of Minnesota and Iowa [https://www.wikidata.org/wiki/Q1546], attended the State University of Iowa [https://www.wikidata.org/wiki/Q182973]. He has taught at the University of British Columbia [https://www.wikidata.org/wiki/Q391028], the University of Washington [https://www.wikidata.org/wiki/Q219563], the San Francisco [https://www.wikidata.org/wiki/Q62] Poetry Center, and so forth. He has been a professor of English at the University of Wyoming [https://www.wikidata.org/wiki/Q1326975], and he is presently a professor of English at the University of Massachusetts [https://www.wikidata.org/wiki/Q1061122]. And he has been associated with the Massachusetts Review as a member of its editorial board. His publications: For Harold, a collection of memorial poems for a younger brother killed in World War II [https://www.wikidata.org/wiki/Q362] and published in Germany [https://www.wikidata.org/wiki/Q183] in 1945, The Green Town, which was published in 1956 by Scribner’s [https://www.wikidata.org/wiki/Q845617] and nominated for the National Book Award [https://www.wikidata.org/wiki/Q572316] in Poetry in 1957, and The Wheel of Summer published in 1963 by Dial Press [https://www.wikidata.org/wiki/Q5270470], and winner of the Melville Kane Poetry Award. He has also published two anthologies, Poet's Choice, co-edited with Paul Engle [https://www.wikidata.org/wiki/Q7150503], published in 1952, and The Short Story, published in 1956 and co-edited with James B. Hall [https://www.wikidata.org/wiki/Q95328740], published by Macmillan [https://www.wikidata.org/wiki/Q2108217]. He has forthcoming a volume, a small volume called Adlai Stevenson, which is to be published in Iowa City [https://www.wikidata.org/wiki/Q487977] by the Stonewall Press, and is, will contain one long memorial poem and two lyrics. And also a larger volume, to appear perhaps next year, called Songs and Half-Songs. His poems have appeared in numerous anthologies, and have appeared in such journals as Poetry Chicago, Hudson Review, Chicago Review [https://www.wikidata.org/wiki/Q5095765], Paris Review [https://www.wikidata.org/wiki/Q3988628], London Magazine [https://www.wikidata.org/wiki/Q2154323], Nation, and so forth. He has written lyrics for songs by Morton Gould [https://www.wikidata.org/wiki/Q1352656], Phillip Esantzen, Elliot Schwartz, and also lyrics and music for folk songs. He has been recorded by FolkWays [https://www.wikidata.org/wiki/Q1435522], Scholastic Records, reading eight of his poems, and he has held a number of grants. In 1953-54 he was, he held a Ford Faculty Fellowship in the Humanities, in 1955 and 56, an Amy Lowell Traveling Poetry Fellowship, and in 1966, or last year, rather, a National Council of Arts Grant in Poetry, and in this period, he gave a series of readings at universities throughout Europe [https://www.wikidata.org/wiki/Q46], in Glasgow [https://www.wikidata.org/wiki/Q4093], London [https://www.wikidata.org/wiki/Q84], Sussex [https://www.wikidata.org/wiki/Q23346], Munich [https://www.wikidata.org/wiki/Q1726], Oslo [https://www.wikidata.org/wiki/Q585], and University College in Dublin [https://www.wikidata.org/wiki/Q1068258]. Ladies and gentlemen, Professor Joseph Langland. \\n \\nAudience\\n00:03:03\\nApplause. \\n \\nJoseph Langland\\n00:03:19\\nSo much of that sounds irrelevant. So I will begin by reading a poem which was really written in answer to a critic. I've written two poems in answers to critics. And this is one of them. I call it \\\"Desperate Equations\\\".\\n \\nJoseph Langland\\n00:03:47\\nReads \\\"Desperate Equations\\\" [from The Wheel of Summer].\\n \\nJoseph Langland\\n00:04:33\\nThen I would like to go to, from that to a newer poem, one which I call \\\"Natures\\\".\\n \\nJoseph Langland\\n00:04:44\\nReads \\\"Natures\\\".\\n \\nJoseph Langland\\n00:06:54\\nAnd I'd like to just simply move from that to a poem which is called, \\\"Dandelion\\\". It's a poem that, well, the daughter of a famous poet likes it very much, and she recently said so, and so consequently I'm very fond of it at the moment. I think this is a kind of procedure among artists. They tend to like very much, at least for a little while, something that someone else likes. It's a poem which I say partially for my wife, it's a poem of affection, but I wouldn't just simply say \\\"for\\\" my wife, it's for all of you, too. \\\"Dandelion\\\".\\n \\nJoseph Langland\\n00:07:40\\nReads \\\"Dandelion\\\" [published later in Any Body’s Song and collected in Selected Poems].\\n \\nJoseph Langland\\n00:09:26\\nI visited once a grotto in the southern coast of Italy [https://www.wikidata.org/wiki/Q38], the Amalfi [https://www.wikidata.org/wiki/Q80563] grotto, and it's typical of a whole series of such places. It's completely enclosed. You enter it...well actually, I was there a year ago, and it's a little disappointing, because, to sort of accommodate the tourist trade, they've blown out a little section of the wall, and they've hung a flapping canvas cloth over it. But eleven years ago this wasn't so, and you descend in an elevator into this inner room, and it's an absolutely magic place, it's explained to you, for instance, that about sixteen feet under the level of the sea, the Tyrrhenian Sea [https://www.wikidata.org/wiki/Q38882], there's a large hole in the cave, and the sunlight, particularly in the morning, you come there about 11 in the morning, it's a good time, the sun filters down these sixteen feet and through this huge hole and then comes up inside the cafe. And the effect of this is absolutely eerie because it's completely enclosed, it's like darkness, but you get in there, and you adjust, and everything is just luminous with light, water, everything. You pick up, and you dip your hands in water and pick them up, you know, drops of water fall from your fingers from the orb-blades that splash, the orb is simply just a whole splash of light that goes up, like that. It's magic, see. And I want to believe in the magic, but in this sense I want to believe in this way in poetry. We shouldn't, I think, just simply deceive ourselves, but....so we can talk about what is, but somehow it's a responsibility to do a little bit more than what is, and so I've written this poem, and of course it's about the Amalfi Grotto, it's about our own behaviour, an attitude toward many things, and it's also, for me, a poem about poetry. \\\"The Amalfi Grotto\\\".\\n \\nJoseph Langland\\n00:11:38\\nReads \\\"The Amalfi Grotto\\\" [from The Wheel of Summer; later collected in Selected Poems].\\n \\nJoseph Langland\\n00:12:53\\nI would go from that to a poem for my brother. I call the poem \\\"War\\\". This was a brother who was killed in the Philippines [https://www.wikidata.org/wiki/Q928] in World War II. I was in Europe at the time. I wrote thirty poems, at least, for him, following this. And finally I wrote this poem. This was...about eleven years afterwards when I got to this poem. And with this poem I knew I was, I was through writing those poems. It's also a poem that's had a very curious history. The history of poems is something that's difficult to predict. I was in Germany at the time, I suppose the next German soldier I met I would have shot. But this poem has been seen, or was seen a few years ago by a former infantry officer in the German Army, who at that moment was a captive at Stalingrad [https://www.wikidata.org/wiki/Q914]. He's come into the United States [https://www.wikidata.org/wiki/Q30] now and teaches music in an American university, not the one I'm in. And so he set it to music. And so it's a strange irony. I started the whole sequence, see, but, see art pays no attention to that kind of enmity whatsoever. And so it's been set to music by a former infantry officer in the German army. Also, just this past week, actually two days ago, I got a notice it's been published in a Japanese anthology, and it's been translated into Italian, and so all the axis powers have translated it, and then somehow, I don't, still don't know how, it found its way after the Hungarian Revolution [https://www.wikidata.org/wiki/Q164348] into Budapest [https://www.wikidata.org/wiki/Q1781] in '56, and got translated there, I understand a very poor translation into Hungarian, but nevertheless it's happened. This is just part of its history. And other things have been happening to it strangely like this. I just mention this because, see, at a certain point the thing is out of your control completely, and you sort of are, I feel a bit humbled by what happens to them, and the uses that people put these things to. I wrote poems in all sorts of forms for my brother, and I finally, there're some subjects...well, I'd heard William Carlos Williams [https://www.wikidata.org/wiki/Q178106] give a reading at the Lexington Y in New York City [https://www.wikidata.org/wiki/Q60] in 1954, and so I said, okay, I was still dealing with the same poem, and I was in an apartment up in 96th Street, and it was a very foggy night coming home, and I heard all these great foghorns coming off over the lower bay, over Manhattan [https://www.wikidata.org/wiki/Q11299] and so forth. And I wrote another poem, \\\"A Seachange for Harold\\\", which I'm not going to read, except just the beginning.\\n \\nJoseph Langland\\n00:16:22\\nReads the beginning of \\\"A Seachange: For Harold\\\" [fromThe Green Town and collected later in Selected Poems].\\n \\nJoseph Langland\\n00:16:40\\nWell that's, I wrote that thing first, and then I came back to this other poem, in which I just said, okay I'll put it down the way it was, but there's some subjects that by their very nature you can't do much about. Except, of course, the whole dry feeling associated with it led me to all kinds of selections. If there seem to be an excess of family in the poem, I just simply say I am one of nine children. \\n \\nJoseph Langland\\n00:17:15\\nReads \\\"War\\\" [from The Green Town and later collected in Selected Poems].\\n \\nJoseph Langland\\n00:18:43\\nI would go from that to some poems I'm trying to write now. Some of these poems are songs, and I've been writing music for them, also, but, and this is such a song. I call it \\\"A Hard Song to Sing\\\", and it's really about the contemporary condition of war and civil rights problems which threaten to just overwhelm the United States. And almost the entire poem is monosyllabic, but it just seemed like it had to be that way. So. I...and actually, the tune that goes with this thing is...well, I know for instance that I could come in right on pitch on it. I once fell in love with--I don't have absolute pitch, but I fell in love with a song by Edward Grieg [https://www.wikidata.org/wiki/Q80621], and all I have to do is remember this song and I can always begin singing in A flat. But, it's, sometimes I think that maybe this is what I mean by being so right with your subject that you finally say the right thing about it. Somehow the resonance, just the resonance of the idea set up in my body brings me in on pitch, see. Well, I'll just read it. \\\"The clear, cold night\\\"...oh I'll sing, I'll sing the one stanza. \\n \\nJoseph Langland\\n00:20:24\\nSings the beginning of \\\"A Hard Song to Sing\\\".\\n \\nJoseph Langland\\n00:20:42.79\\nAnd it repeats itself in various ways, the melody varies. \\n \\nJoseph Langland\\n00:20:47\\nReads \\\"A Hard Song to Sing\\\".\\n \\nJoseph Langland\\n00:21:48\\nI...when I spent some time in Europe, among other people I met Ralph Ellison [https://www.wikidata.org/wiki/Q299965]. And he and his wife, Fanny, and my wife, Judy, and I, we spent several very fine noons on a beach of a small Italian fishing town, and ever since then I've been trying to write a poem for him. He's been relatively silent, at least, he's not taken a very aggressive role in the whole civil rights movement, although he has published significant essays in that whole thing. Many of you will know his great novel The Invisible Man [https://www.wikidata.org/wiki/Q1784288]. And I've written a poem, I call it \\\"An Open Letter to Ralph Ellison\\\", I'm reading it, I have to send it to him. I have not sent it out to be published anywhere, either. You probably do know he used to be a jazz player, he played the trumpet, he was a photographer and so forth and he did live in some sort of cellar that he had brilliantly lit for a while, but in The Invisible Man there are aspects of this kind of background, too. So I just wanted to address--I started writing him a letter. And then I got interested in writing in the letter and quit the letter and wrote the poem instead, but that's the way it'd be. It was \\\"Dear Ralph\\\", you know but just, now the poem begins, \\\"Ralph...\\\"\\n \\nJoseph Langland\\n00:23:16\\nReads \\\"An Open Letter to Ralph Ellison\\\" [published later in The Massachusetts Review vol. 40, n.4].\\n \\nJoseph Langland\\n00:27:02\\nWell, I will move from that to a poem on Thoreau [https://www.wikidata.org/wiki/Q131149]. Actually, I'm doing a whole book of these things. But one...actually, the first time I ever went to Walden Pond [https://www.wikidata.org/wiki/Q2023853], things turned out like an art farm. There were certain people there, and I met people in certain sequences, and of course I've told all sorts of people that, when they write poetry, you know, just to say that this is the way it happened, or this is the way it was, you know, that's no guarantee that it will be art at all. But in this case, something else had happened, see, Thoreau himself plays influence and just simply organized, you know, a hundred years later, certain people who would be there. And this happened just this way, and so I, almost to defend myself against all the things I'd ever said to people, I called the poem, \\\"How It, So Help Me, Was\\\". And that's the title of the poem. I end with a, the blue-grey twilight, because it was 1963, and it was, or '62 when I went there, and it was, you know, a hundred years after the war between the North and the South in the United States, the blue and the grey. And I felt that whole shadow, and even, in a curious way, it's on the west end of the pond, actually, I'd gone swimming in it, it's illegal, but then the shadow was coming off the hill and it was just sort of beginning to cover, to cover me, and it was a blue-grey shadow, you see, I'm not making that up. And, but...I suppose that's a kind of selection you take out of what is made available to you at a certain point. So \\\"How It, So Help me, Was\\\".\\n \\nJoseph Langland\\n00:29:04\\nReads \\\"How It, So Help Me, Was\\\" [published in The Massachusetts Review, Vol. 4, n.1 and published later as “Walden” in Any Body’s Song].\\n \\nJoseph Langland\\n00:29:29\\nThat's a little poem he's written that's on the hearth there, about the smoke rising.\\n\\nJoseph Langland\\n00:30:04\\nResumes reading “How it, So Help Me, Was”. \\n\\nJoseph Langland\\n00:32:10\\nI know at a time like this I keep thinking all the time in poetry, you know, what does it mean in poetry to somehow keep alive, or...to keep the whole body open, and I wanted to write a poem about that. I call this one \\\"Still to be Man\\\". Because sort of in an animal way, we have to be able to continue to take in all sorts of things. \\n \\nJoseph Langland\\n00:32:44\\nReads \\\"Still to be Man\\\".\\n \\nJoseph Langland\\n00:32:51\\nI can remember when I was, the morning I was trying to write this poem because I was home alone, I stepped out the kitchen door and as I stepped out I felt I didn't even have to land on the earth itself, I would just step out into the air. \\n \\nJoseph Langland\\n00:33:04\\nResumes reading \\\"Still to be Man\\\".\\n \\nJoseph Langland\\n00:34:10\\nLast year, I spent, with my family, a half a year in Rome [https://www.wikidata.org/wiki/Q220], and I got acquainted with a certain kind of syndrome among some of the Roman women. They sort of get trapped, in a society which seems free and easy and open, there's an extreme conservatism. For instance, I know, well, a person who teaches art in an American university, he and his wife were adopting some children in Italy a few years ago, and he could not have children and she could. It was proved by tests in this country, and they went to adopt two children in Italy. But you cannot adopt children in Italy on this basis because by law, no man in Italy can be sterile. [Audience laughter]. And this is a law. And so they had to go to Naples [https://www.wikidata.org/wiki/Q2634] and be tested all over again, officially, by a doctor in Naples, and a lawyer had to follow this, and they discovered after the tests that she was sterile and she was not [audience laughter], and they got this all certified and they adopted the children and they now have them and are living happily with them. But there's some, there's another side to this coin, too. And so, we lived next to a high school called the church, or the school of the Adorazione, and I'd see this women, you know, they're so beautiful when they're young, and then when they get married they start dressing in black and start cooking spaghetti and having children, and something awful happens, and then their husbands lose interest in them and then they have to find other lovers and then, you know, it's an awful thing. [Audience laughter]. It's \\\"La Donna a Roma, an Odyssey\\\".\\n \\nJoseph Langland\\n00:36:12\\nReads \\\"La Donna a Roma, an Odyssey\\\".\\n \\nJoseph Langland\\n00:37:24\\nWell then, another kind of thing that happens in our society, I think it happens to many people, I've been writing a series of half-songs. I call them half-songs, they're at half-pitch, half-singing pitch, where we talk and we don't talk together. You know, we say something and someone answers and it goes, you know, we keep going past each other. And so I've written a poem that, it has two separate parts, both parts rhyme all the way but you won't hear this at all, I was talking about that with the class here, today, it may be aesthetically valid for myself alone. And it's one, it's called \\\"Not Quite a Conversation: A Half-Song\\\", and the first part is called \\\"He and Her\\\". You see, \\\"he\\\" is the noun and \\\"her\\\" is the object. And the next part is called, \\\"She and Him\\\". \\\"She\\\" is the noun and \\\"him\\\" is the object. And they're talking. Or, we're talking about them. And so, in a sense they should be printed facing each other on the page, and I can't read them together, so I have to read first \\\"He and Her\\\", then I might, they talk back and forth to each other all the way through the poem. \\\"He and Her.\\\"\\n \\nJoseph Langland\\n00:38:44\\nReads \\\"Not Quite a Conversation: He and Her\\\" [published later in Any Body’s Song].\\n \\nJoseph Langland\\n00:39:40\\nAnd the other, \\\"She and Him\\\". As I say, it rhymes all the way, and triad by triad it answers. \\n \\nJoseph Langland\\n00:39:47\\nReads \\\"Not Quite a Conversation: She and Him\\\" [published later in Any Body’s Song].\\n \\nJoseph Langland\\n00:40:59\\nI guess we take a break in the program. \\n \\nUnknown\\n00:41:05\\nAmbient Sound [voices].\\n \\nUnknown\\n00:41:24\\n[Cut or edit made in tape. Unknown amount of time elapsed].  \\n \\nJoseph Langland\\n00:41:25\\nAnd, I will read just one or two of these. And once again, I make no particular claim as to the validity of this, and probably in the long run it’s not even a fruitful thing. All my grandparents were born in Norway [https://www.wikidata.org/wiki/Q20], my name is Langeland. You know, they dropped the 'e' and called it Langland. And I have been back there a couple of times, I might go again this summer and work with a Norwegian poet, Paul Brekke, and maybe another one, on some translations from the Norwegian  I don't know much Norwegian, he knows a lot of English. [Audience laughter]. But when I was going through there a year ago, I got two, two poems. First this one, \\\"Singing in Late Summer\\\". When my father died they played a folk song, \\\"Den store hvide Flok\\\", \\\"The Great White Host\\\" [https://www.wikidata.org/wiki/Q10468796], at his funeral. And I'd sort of shipped my children off to jobs, I had, you know, I had a fourteen-year-old boy working on a ranch in Wyoming [https://www.wikidata.org/wiki/Q1214], and a twelve-year-old son working on a farm in Iowa, and a daughter who'd gone off to work in-- who was what, fifteen, sixteen, to a hotel in Switzerland [https://www.wikidata.org/wiki/Q39], and my wife was in Provincetown [https://www.wikidata.org/wiki/Q49154], painting [audience laughter], and I was at home writing. Which is what I wanted to do all the time, in any case. \\\"Singing in Late Summer\\\".\\n \\nJoseph Langland\\n00:43:03\\nReads \\\"Singing in Late Summer\\\" [published later in Any Body’s Song and collected in Selected Poems].\\n \\nJoseph Langland\\n00:44:17\\nAnd then, traveling through Norway, all these rivers, you know, they just...they're tumbling all over, rushing everywhere, and falling off the tops of mountains, you know, it just seemed endless, going from Oslo to Bergen [https://www.wikidata.org/wiki/Q26793] and Trondheim [https://www.wikidata.org/wiki/Q25804] and down to Oslo and so forth. Or down to the Island of Store [https://www.wikidata.org/wiki/Q1636366] along the west coast of Norway. And so, I was thinking of a phrase I'd heard an old, an older woman in my own area say about the younger generation. She would always say, \\\"[inaudible phrase in Norwegian]\\\". And so I saw these rivers, and every time I saw them I kept saying, \\\"[inaudible phrase in Norwegian]\\\". [Laughter]. And so then I started thinking of all of these Norwegian immigrants that just came, you know, more of them over here than there are over there...and...so I, it's about the rivers, it's called \\\"Norwegian Rivers\\\", and it's about the people, the younger people, and it's about the immigrants, and the older immigrants, everything like that, I guess.\\n \\nJoseph Langland\\n00:45:22\\nReads \\\"Norwegian Rivers\\\" [published in The Massachusetts Review, Vol. 4, n.1 and collected later in Any Body’s Song and in Selected Poems].\\n\\nJoseph Langland\\n00:48:08\\nWell, there's several like that. But I want to do some other things, so I'll just leave them alone. I'm...you know, I'm translating from the Russian, and no pretense about it, I have two great friends, Thomas Axel [https://www.wikidata.org/wiki/Q23565070], who was press agent for Imre Nagy [https://www.wikidata.org/wiki/Q177917] for eleven days, before, at the time of the Hungarian Revolution, and then he escaped to Austria [https://www.wikidata.org/wiki/Q40]. He teaches at my university, he's a very fine poet, he used to be a director of theatre in Budapest, of the State Theatre. And then Laszlo Ticosz, he teaches in the German-Russian department at the university. They both, for years, have been collecting from the underground poems by relatively unknown poets, student poets and so forth, from Russia [https://www.wikidata.org/wiki/Q159], and they have a magnificent collection of these things. They give me, absolutely literal cribbed translations, and then I work with them, and there're some magnificent things coming, and I'm as certain as I stand here that the moment these things are sent into a publisher, not because of what I'm doing, but because of the nature of the thing, that it'll be just snapped up. This is relative, totally fresh new material, no one else has it, they have, through their own channels in the underground, they are being fed this. And so I find it very exciting, and as I said to someone today, I have to sort of take it through my own experience, which included...I won't say poverty, that's not the right word, but absolutely no money, not poverty because we could milk the cow and, you know, raise the garden vegetables and shear our sheep and make our own blankets and, you know, we had food, clothing, and shelter. And then the war in Europe, and I was in well, concentration camps, I wasn't in them, but I was, at Nordhausen [https://www.wikidata.org/wiki/Q7033], I sort of participated in the burial of five thousand people in one day in open trenches, and was with a headquarters unit a few days after and captured Buchenwald [https://www.wikidata.org/wiki/Q152802], and it...I won't say it's these things that pulled together, I was in Weimar [https://www.wikidata.org/wiki/Q3955] when it was turned over to the Russians, I remember going out of there, you know, it was half the German population in their carts going toward Eisenach [https://www.wikidata.org/wiki/Q7070], to the west, and the Russian cavalry coming in, meeting it from the east...lots of things, but so that's simply what this material comes through, and so I have some sympathy for it. This is a poem \\\"Drowning\\\", by a person named Sergei Chudakov [https://www.wikidata.org/wiki/Q4517600]. \\n \\nJoseph Langland\\n00:51:23\\nReads \\\"Drowning\\\" by Sergei Chudakov [published later in Poetry from the Russian Underground].\\n \\nJoseph Langland\\n00:51:31\\nSee, in the original it says, \\\"bright as a house\\\".\\n \\nJoseph Langland\\n00:51:36\\nResumes reading \\\"Drowning\\\" by Sergei Chudakov.\\n \\nJoseph Langland\\n00:52:06\\nThis is \\\"The Jewish Cemetery in Leningrad\\\" by Joseph Brodsky [https://www.wikidata.org/wiki/Q862]. \\n \\nJoseph Langland\\n00:52:12\\nReads \\\"The Jewish Cemetery in Leningrad\\\" by Joseph Brodsky.\\n \\nJoseph Langland\\n00:52:32\\nSee the poem says, \\\"lie musicians, lawyers, businessmen, and revolutionaries\\\". I'm very certain in this case that, you know, I felt great when I thought of saying it in this other way. Makes it better. \\n \\nJoseph Langland\\n00:52:47\\nResumes reading \\\"The Jewish Cemetery in Leningrad\\\" by Joseph Brodsky.\\n \\nJoseph Langland\\n00:54:03\\nFor instance, the original translation was that this whole thing is \\\"one hour by foot FROM the nearest bus stop\\\" And as far as I'm concerned, saying \\\"to\\\" is apt, a crucial difference, \\\"and the crooked faces of the plywood\\\", see, \\\"are one hour by foot TO the nearest bus stop\\\". Wanted the whole sense that they might all get up and walk and haunt us, see, coming the other way. Here's a poem about conditions by Artyemy Mikhailov. These names may be just be relatively anonymous, although some of them are among the friends that have been defending Sinyavsky [https://www.wikidata.org/wiki/Q468267] and Daniel [https://www.wikidata.org/wiki/Q435770]. His idea about conditions. And it was a pretty rigid, stiff poem and I had to try to get movement in it and so forth. And it's whole, if, if you've, if your dearest friend has not been trapped and dragged to a camp, if, if, if, the entire way through.\\n \\nJoseph Langland\\n00:55:01\\nReads “Conditions” by Artyemy Mikahilov [published later in Poetry from the Russian Underground].\\n \\nJoseph Langland\\n00:56:07\\nHere once again, there's so many of these, I just, here's one in the older style but it's one that's full of an elegant, lyric despair, \\\"Now that I know\\\", by Vladimir Kovshin.\\n \\nJoseph Langland\\n00:56:21\\nReads \\\"Now that I Know\\\" by Vladimir Kovshin [published later in Poetry from the Russian Underground].\\n \\nJoseph Langland\\n00:57:01\\nThis is a poem called \\\"After the War\\\" by Gleb Garbovsky. I just completed this this previous weekend, these I'm reading from now. \\n \\nJoseph Langland\\n00:57:11\\nReads \\\"After the War\\\" by Gleb Garbovsky [published later in Poetry from the Russian Underground].\\n \\nJoseph Langland\\n00:58:54\\nIncidentally, I used the phrase \\\"called back\\\" because that's on Emily Dickinson's [https://www.wikidata.org/wiki/Q4441]  tomb in Amherst [https://www.wikidata.org/wiki/Q49164], Massachusetts. Just an example of how you get your own little allegiance and locality into something else. \\n \\nJoseph Langland\\n00:59:08\\nResumes reading \\\"After the War\\\" by Gleb Garbovsky.\\n \\nJoseph Langland\\n00:59:27\\nHere's one, \\\"Keeping up with the Humanskys\\\". It's a poem about keeping up with the Joneses. [Audience laughter]. I had a lieutenant in the army who said his name was Humansky, and he said his, that man, I'll never forget it because he said that means \\\"son of the fields\\\" but I've been called worse names. I remember him saying that [audience laughter]. And so I...Son of the fields, I thought, that's great, you know, I was looking for a Russian name that would be like the Joneses, only this is like the serfs, son of the fields, of the soil. Couldn't be better. \\\"Keeping up with the Humanskys\\\". So, see, that's my good luck out of a little piece of experience that came to me when I needed it. \\n \\nJoseph Langland\\n01:00:06\\nReads \\\"Keeping up with the Humanskys\\\".\\n \\nJoseph Langland\\n01:01:33\\nThen there's one about a march from Russia to Siberia [https://www.wikidata.org/wiki/Q5428]. And, \\\"Etape\\\". There's no title in the original, there's a footnote, which was, these were sent to Axel and Ticosz from Russia, this poem. Neither the name nor the fate of its author is known. The phrase \\\"Marching in Etape\\\" originates from the nineteenth century. One stretch of the Long March from Russia to Siberia was called Etape, and it was in a ballad stanza form, so that's the way I did it. It's...little old style, but.\\n \\nJoseph Langland\\n01:02:07\\nReads \\\"Etape\\\" by an unknown author.\\n \\nJoseph Langland\\n01:03:57\\nThen \\\"The Garbage Collector,\\\" a poem that...\\n \\nUnknown\\n01:04:03\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n\\nJoseph Langland\\n01:04:04\\nReads \\\"The Garbage Collector” [begins abruptly; audience laughter throughout].\\n \\nAudience\\n01:04:27\\nLaughter.\\n \\nJoseph Langland\\n01:04:30\\nI'm very proud of that too, because you know in the old Renaissance things there's always these, an infinitely wise Christ Child, you know, at the mother's breast but his eyes are looking out elsewhere, and he's pointing like this, you know, and it's, so I thought, you know, that's not quite the translation but it's mine [audience laughter]. \\n\\nJoseph Langland\\n01:04:46\\nResumes reading “The Garbage Collector”.\\n\\nJoseph Langland\\n01:05:32\\nWell, these are, you know, poems out of new, unknown--\\n \\nUnknown\\n01:05:36\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n \\nJoseph Langland\\n01:05:37\\nI've sort of been threatening to sing something, and the trouble is, I'm...as I...I wouldn't play the piano if there were one here, and I don't play the guitar, and if I play this thing, it's locked stuff, I'm tied to it, and, I haven't played this tape that's accompanying me, you know, for at least three weeks, and I haven't sung a note since I left Amherst, except the notes I sang here, so, that's all right. These are songs of all sorts. So this is my accompaniment. I hope it works, if it doesn't I'll just stop it. \\n \\nUnknown\\n01:06:17\\nAmbient Sound [music; recorded track]. \\n \\nJoseph Langland\\n01:06:22\\nListen here, just a song called \\\"All the Lovers that You Ever Knew\\\".\\n \\nJoseph Langland\\n01:06:37\\nPerforms \\\"All the Lovers that You Ever Knew\\\" [published later in Any Body’s Song] accompanied by recorded track.\\n \\nJoseph Langland\\n01:08:02\\nThis next is a song called \\\"Alone the Evening Falls on Me\\\". Sometimes I wonder, just trying to remember it here, whether I'm supposed to start singing now, and I'll get to the end of the song and I won't have accompaniment for the last dance. [Audience laughter].\\n \\nJoseph Langland\\n01:08:31\\nPerforms \\\"Alone the Evening Falls on Me\\\" accompanied by recorded track [published later as \\\"Song At Evening” in Any Body’s Song and collected in Selected Poems] \\n \\nJoseph Langland\\n01:10:23\\nThis is a song called \\\"Jump on my Back\\\". It's about Iowa and Wyoming. But since Wyoming didn't work, I had to say Idaho [https://www.wikidata.org/wiki/Q1221]. [Audience laughter].\\n \\nJoseph Langland\\n01:10:45\\nPerforms \\\"Jump on my Back\\\" accompanied by recorded track.\\n \\nJoseph Langland\\n01:11:25\\nThis next one is called \\\"A Hiroshima Lullaby\\\". There's an infinitely sad story. In Hiroshima [https://www.wikidata.org/wiki/Q34664] when the bomb fell, in 1945, there was a little girl, Sadako Sasaki [https://www.wikidata.org/wiki/Q231997], two years old, some of you may know of her. She was a mile and a half from the centre of the blast and apparently unharmed. She was a very gay and popular girl, and her classmates loved her. And she was in the sixth grade or the equivalent, age twelve, in Hiroshima, Hiroshima, however you pronounce it.  And she developed leukemia, which is of course, as many of you know, a latent effect of many people exposed to radiation, so she was, after all, a victim. And she, well she finally became so ill she had to go to the hospital. And her friends came to visit her. And among other things, they told her, and that she knew, that there's an old Japanese legend about herons. I've been writing poem about herons and cranes and I have some in my book, one on a sandhill crane, and I told some people today that I'm going to the University of Oregon [https://www.wikidata.org/wiki/Q766145] in June to speak in their summer Academy of the Arts, and I heard of a person who works in wildlife out in Oregon [https://www.wikidata.org/wiki/Q824], and so because of the poem about the crane he's invited me to visit his wildlife refuge, about two or three hours east of Eugene [https://www.wikidata.org/wiki/Q171224], where he has a refuge among other things for sandhill cranes, you know these water birds are simple. And so I'm going to visit him. I look forward to it. Not because of a poem, see, it's nice. And so, Sadako Sasaki in the hospital, she heard that if you fold a thousand paper cranes in this Japanese folding technique, this will protect your health and save you. So she started folding them. And the tale has two sides. She reached 964 and she died. Her classmates were so, at the centre so involved they completed the thousand, they formed them in a chain. They went around gathering the equivalent of pennies, around Japan [https://www.wikidata.org/wiki/Q17], and when they got enough they asked a sculptor from Tokyo [https://www.wikidata.org/wiki/Q1490] to make a statue of this girl, and so he made a statue showing...you'll surely see pictures of this if you haven't. It's a young, twelve year-old girl, you know, still with a girl's body, she's standing up like this....and she stands in the Peace Park in Hiroshima now. And over her, made out of gold, the folded crane. And so, I wanted to write a poem for her. And so just using the fifth in the bass, and then using the five notes, black keys, I wrote a little ballad and I'll probably sing one stanza maybe, and then read the rest. \\n \\nJoseph Langland\\n01:15:03\\nPerforms the beginning of \\\"A Hiroshima Lullaby\\\" [published later in Any Body’s Song and collected in Selected Poems].\\n \\nJoseph Langland\\n01:15:38\\nReads the continuation of “A Hiroshima Lullaby\\\" [published later in Any Body’s Song and collected in Selected Poems].\\n \\nJoseph Langland\\n01:16:49\\nI wanted to write a civil rights song, something that you could march to in Madison Square Garden [https://www.wikidata.org/wiki/Q186125]. And that's, you know, it's a marching song. That's like that. \\n \\nJoseph Langland\\n01:17:15\\nPerforms unnamed song accompanied by recorded track. \\n \\nJoseph Langland\\n01:18:00\\nStops recorded track. \\n \\nJoseph Langland\\n01:18:00\\nWell, there are a lot more of these songs and I'm just going to stop the tape at this time because...I haven't even begun reading you my favourite poems, [audience laughter], and I know it's about to end but maybe, maybe I can read for fifteen minutes or so. If you have to go, just get up and go. But. When I was in Italy in 1954, I read in Marcus Cunliffe's [https://www.wikidata.org/wiki/Q6758114] The Literature of the United States, \\\"New York is the intellectual centre of the United States.\\\"  That made my blood boil [audience laughter] because it's a marketplace, so I just simply took his own book, The Literature of the United States, took all his authors, and lined them up, and all the places where they were born, where they grew up, and where they wrote from, and sent them the chart, which proves, out of his own book, that in literature, creative ideas, there have been three great centres and then two subordinate ones. New England [https://www.wikidata.org/wiki/Q18389], the Midwest, and the South, and then as subordinate ones, they're the West Coast, and then the mid-Atlantic, New York area. That's in literature [audience laughter]. And we got in an argument...the result of it all was that I invited him to come and teach at my university [audience laughter]. So he came and he gave an address, and in one of his speeches he said, “Americans are overly given to haruspication and scrying” [audience laughter]. Well, you know, when someone comes out of England [https://www.wikidata.org/wiki/Q21] and says, gives, delivers a lecture to an American audience and says that, among other things you have to look up the words. [Audience laughter]. And, so...so I looked them up and I discovered \\\"haruspication\\\", the Haruspects were Roman and Etruscan pagan priests who examined the entrails of sacrificial animals [audience laughter] to predict natural phenomena and the future. So I started thinking about that. I grew up on a general farm, we had about a hundred pigs, two hundred sheep, a hundred head of cattle, twenty milk cows, a thousand chickens, about one hundred turkeys, twelve goats, you know [audience laughter], anywhere from twenty to fifty cats, and all sorts of wild animals, and I had seen bulls gored to death, I had seen flocks of sheep driven over limestone cliffs by dogs, I'd seen hawks that'd ripped little lambs and chickens, I'd seen skunks that had eaten them up, I'd butchered all of these things, I'd castrated, you know, I myself have castrated maybe three thousand pigs, and [laughter]..and...so, I thought okay. In fact, some of you may know that \\\"The Wheel of Summer\\\", the title poem, is about the castration of one hundred pigs, by three teenage boys [audience laughter], and as I was introduced in England once, he said it's probably the most distinguished poem in English about the castration of a hundred pigs. [Audience laughter]. But I started thinking about all of this and I thought, well, okay, I have a philosophy of life too, and it's been based with the whole business of producing food for you. You know, that's the end of it, the end of it all. And I participated in an awful lot of killing and...routine, it’s a way of life. And you know, if you eat meat, well you too. So I said, well okay, I've been haruspicating for a long time. And I gradually went up from age six to age eighteen, and meantime I achieved some kind of maturity, and I'm going to write my own poems. So I wrote all these poems, and the titles are, you know, like \\\"Sacrifice of a Rainbow Trout\\\", \\\"Sacrifice of My Pet Lamb\\\", but I'm going to read you the ultimate titles, which aren't in the book. Just running from age six on up to age eighteen, or when we got all old enough and we all went off to the war, as the last poem said.  But these say, you know, that's what these poems are really about.  \\n \\nJoseph Langland\\n01:22:38\\n\\\"The Clarity of Innocence: Sacrifice of a Trout\\\". “The Loss of Early Innocence: Sacrifice of My Pet Lamb\\\". \\\"The Plunder of Idealism: Sacrifice of the Golden Owl\\\". \\\"The Sickle among the Flowers\\\"...I quit making the equation...\\\"The Sickle Among the Flowers\\\". \\\"The Decline of Heroic Voices\\\"--that's the goring to death of a bull. \\\"The Suffocations of Love\\\"--that's the killing a pet chick by over-affection. \\\"The Attritions of Man\\\". \\\"The Unhousing of Beneficent God\\\". \\\"The Seeming, the Necessary and Beneficial Perversions of Love\\\"--that's my sacrifice of a gunny sack of cats. \\\"The Subtleties of Violent Revenge: Sacrifice of an old Sow\\\". \\\"The Sweet Solace of Evil\\\". \\\"The Absurdities of Fact\\\". \\\"The Pitfalls of Group Action: Sacrifice of a Flock of Sheep\\\"--they ran over this cliff, twelve of them died at once, and people say you shouldn't write villanelles, but that's the way sheep act, so I wrote a villanelle, you know, they repeat. \\\"The Catechism of Human Culpability\\\"--that's Eric, a suicide of a man. \\\"The Oddities of Affection\\\". \\\"The Sacred Violence of Purity\\\". \\\"The Bounties of Natural Law\\\". \\\"The Winter of the Cold War: Sacrifice of a Grey Wolf\\\". \\\"The Decline of Natural Instincts: Sacrifice of Three Wild Geese\\\". \\\"The Tyranny of Fixed Ideas\\\"--that's a sacrifice of a red squirrel. \\\"A Dream of the Ultimate Holocaust: Sacrifice of a Hill of Ants\\\" and \\\"The Warfare of the Sensuous Past: Sacrifice of My Aunt Marie\\\".  And then it all culminates in the longer narrative poem, \\\"The Wheel of Summer\\\". Which is just simply coming to maturity as a man. Well I'll, I'll read a few of these. \\\"Sacrifice of a Rainbow Trout\\\" has no music, but I oftentimes start singing when I'm reading it, but I'm not going to now, I've done that. \\n \\nJoseph Langland\\n01:24:43\\n\\\"Suddenly\\\"--this is six years old, you know.\\n \\nJoseph Langland\\n01:24:46\\nReads \\\"Sacrifice of a Rainbow Trout\\\" [from The Wheel of Summer and collected later in Selected Poems].\\n \\nJoseph Langland\\n01:25:42\\nI'll skip the lamb and read the owl. I wanted to just talk--\\\"We strung our wind-up rooster dead on a post\\\"--see, it can't be any flatter than that. \\n \\nJoseph Langland\\n01:25:52\\nReads \\\"Sacrifice of the Golden Owl\\\" [from The Wheel of Summer and later collected in Selected Poems].\\n \\nJoseph Langland\\n01:27:39\\nI'll read the one of the neighbors. No one can live on a, in a farm area without seeing over a period of years, people lose fingers, toes, arms, legs, in various ways. It's...I was on a reading tour, actually, when Kennedy [https://www.wikidata.org/wiki/Q9696] was killed. And I was actually in an auditorium about to start reading these poems, when it was cancelled, because of the announced death of the president. I couldn't have read them, but I didn't know what I was going to do. I was just sitting there, and five minutes from starting time. But this is \\\"Sacrifice of my Neighbors\\\".\\n \\nJoseph Langland\\n01:28:20\\nReads \\\"Sacrifice of my Neighbors\\\" [from The Wheel of Summer].\\n \\nJoseph Langland\\n01:28:39\\nThat was my brother.\\n\\nJoseph Langland\\n01:28:42\\nResumes reading “Sacrifice of my Neighbors”.\\n \\nJoseph Langland\\n01:31:02\\n\\\"Sacrifice of the Gunnysack of Cats\\\". I read it in New York City, I didn't know that the officers of the Society for the Friends of the Prevention of Cruelty to Animals were sitting in the audience. After I went back to Amherst I got a letter from them, saying that every year there are twenty-five million unwanted pets born in the United States [audience laughter] and we secure funds to get the females spayed and the males castrated, and your poem, \\\"The Sacrifice of the Gunnysack of Cats\\\" is perfect for our purposes for our annual appeal, and, could we...[audience laughter.]..could we use it, please. I thought, my God, you know, I just, I read this poem, like all of these things out of a great affection, and this is the thing, you'll have to forgive me but this is what occurred to me, you know. I just had this great affectionate conception of the whole thing, and now they wanted to turn it into a kind of contraceptive. [Audience laughter]. And...and then I thought, well, okay, what can I do at this point? And so, showing this charming little picture, you know, it's a dog, and a little puppy dog [audience laughter], little kitten and laying their heads against each other and saying \\\"Annual Appeal\\\" and on the back of it was my \\\"Sacrifice of the Gunnysack of Cats\\\" and...I, you know, when I travel around the United States even now, I often like wonder in what town did I do in this poor little male cat or this female, you know, cooperating in one way or another, it's like, you know, I have to refuse to pay your taxes...you don't know what you're maiming at a certain point. But that's an example. I wanted to start from the most ordinary thing and see how I could carry it, and this is the \\\"Sacrifice of the Gunnysack of Cats\\\".\\n \\nJoseph Langland\\n01:33:13\\nReads \\\"Sacrifice of the Gunnysack of Cats\\\" [from The Wheel of Summer and collected later in Selected Poems].\\n \\nJoseph Langland\\n01:36:23\\nOne hard poem about the old sow, which is, says something about this world. \\n \\nJoseph Langland\\n01:36:31\\nReads \\\"Sacrifice of an Old Sow\\\" [from The Wheel of Summer and later collected in Selected Poems].\\n \\nJoseph Langland\\n01:37:48\\nWell that's the way we do it. Then one, pretty hard poem, too, it's about Eric, but it's really about us, and then I'll read the squirrel poem, and then leave these alone. That...okay, actually this, I had in mind an uncle, a favourite uncle. Very talented, frustrated.\\n \\nJoseph Langland\\n01:38:19\\nReads [\\\"The Sacrifice of Eric” from The Wheel of Summer and collected later in Selected Poems].\\n \\nJoseph Langland\\n01:41:09\\nAlright, and then the squirrel. Actually, I...last week, I had a letter from some fellow in Kansas [https://www.wikidata.org/wiki/Q1558], I never, of course I don't know him at all. He wants to set the thing to music, I don't know what he's going to do with it, but...he plays the guitar, and so I said, fine. And just about anybody who gets caught in a rut...I must say that after this I'm going to read one little ballad on Adlai Stevenson [https://www.wikidata.org/wiki/Q311719], but...\\n \\nJoseph Langland\\n01:41:47\\nReads [\\\"The Sacrifice of a Red Squirrel\\\" from The Wheel of Summer]. \\n \\nJoseph Langland\\n01:44:25\\nLittle ballad for Stevenson, and I don't have it with me, but I know it. The state tree, bird, and flower of Illinois [https://www.wikidata.org/wiki/Q1204] is the oak, the cardinal, and the violet. That's green, red, and violet. It struck me, that's half a rainbow. That seemed like Adlai Stevens' life. A great theoretical life, unfinished, has to be completed by someone else. I asked, what's the other half, they're yellow, orange, and blue, and his home at Libertyville [https://www.wikidata.org/wiki/Q1787181], Illinois, you can't improve on that for the title, \\\"Libertyville\\\", it has a river the Des Plaines River [https://www.wikidata.org/wiki/Q8637], that's before it enters the Chicago [https://www.wikidata.org/wiki/Q1297] drainage system, it's a nice blue stream out of the Wisconsin [https://www.wikidata.org/wiki/Q1537] woods, that's blue, the sky is blue, the light by day is orange, and by night yellow. That's the full rainbow. \\\"There's a fountain in the wood\\\"...It's called \\\"Libertyville\\\" and past that, a little epigraph about the state tree, bird, and flower of Illinois, and I wanted to, for the schoolchildren of Illinois...\\n \\nJoseph Langland\\n01:45:27\\nReads \\\"Libertyville\\\" [from The Wheel of Summer and collected later in Selected Poems].\\n \\nAudience\\n01:47:02\\nApplause.\\n \\nEND\\n01:47:35\\n\",\"notes\":\"Joseph Langland reads from The Green Town (Scribner, 1956) and The Wheel of Summer (Dial Press, 1963), as well as poems published later in Poetry from the Russian Underground (Harper & Row, 1973), Any Body’s Song (Doubleday, 1980), and Selected Poems (University of Massachusetts Press, 1991).\\n\\n00:06- Unknown introducer introduces Joseph Langland. [INDEX: Spring Grove, Minnesota, public schools, Iowa, State University of Iowa, University of British Columbia, University of Washington, San Francisco Poetry Center, University of Wyoming, University of Massachusetts, Massachusetts Review, editorial board, books For Harold, memorial poems for brother, WWII, published in Germany in 1945, The Green Town published by Scribner’s in 1956, nominated for the National Book Award for poetry in 1957, The Wheel of Summer, (Dial Press, 1963), winner of the Melville Kane Poetry Award, anthologies Poet’s Choice co-edited with Paul Engle (1952), The Short Story (Macmillan, 1956) co-edited with James B. Hall, forthcoming books: Adlai Stevenson, Iowa City, Stonewall Press [unknown actual publication], long memorial poem, lyric poems, Songs and Half-Songs [unknown actual publication], poetry anthologies, Poetry Chicago, Hudson Review, Chicago Review, Paris Review, London Magazine, Nation magazine, song lyrics, Morton Gould, Phillip Esantzen, Elliot Schwartz, folk songs, Folk Ways Scholastic Records, grants, 1953-4 Ford Faculty Fellowship in Humanities, 1955 and 1956 Amy Lowell Traveling Poetry Fellowship, 1966 National Council of Arts Grant in Poetry, readings at universities in Europe, Glasgow, London, Sussex, Munich, Oslo, University College in Dublin.]\\n03:19- Joseph Langland introduces “Desperate Equations”. [INDEX: written in answer to a critic; from The Wheel of Summer (1963).]\\n03:47- Reads “Desperate Equations”.\\n04:33- Introduces “Natures”. [INDEX: newer poem]\\n04:44- Reads “Natures”.\\n06:54- Introduces “Dandelion”. [INDEX: daughter of famous poet, procedure among  \\tartists, wife, poem of affection.]\\n07:40- Reads “Dandelion”.\\n09:26- Introduces “The Amalfi Grotto”. [INDEX: grotto in the southern coast of Italy, tourist trade, magical place, sea level, Tyrrhenian Sea, cave, sunlight, morning, cafe, water, orb, poetry, poem about poetry; from The Wheel of Summer (1963).]\\n11:38- Reads “The Amalfi Grotto”.\\n12:53- Introduces “War” and “A Seachange for Harold”. [INDEX: poem for brother, killed in the Philippines in WWII, Europe, wrote thirty poems for him, history, Germany,     \\tGerman soldier, former infantry officer of the German Army, captive at Stalingrad, United States, teaches music, American university, irony, sequence, art, enmity, published in Japanese anthology, translated into Italian, axis powers, Hungarian Revolution, Budapest in 1956, Hungarian, history, humbled, forms, subjects, Williams Carlos Williams, reading at the Lexington Y in NYC in 1954, 96th Street, foghorns, Manhattan, beginning of poem “A Seachange for Harold”.; from The Wheel of Summer (1963)]\\n16:22- Reads beginning of “A Seachange for Harold”.\\n16:40- Introduces “War”. [INDEX: subjects, family, nine children; from The Wheel of  Summer (1963).]\\n17:15- Reads “War”.\\n18:43- Introduces “A Hard Song to Sing”. [INDEX: music for poems, song, contemporary condition of war, civil rights, United States, monosyllabic, pitch, love, Edward Grieg, A flat, resonance, body.]\\n20:24- Sings “A Hard Song to Sing”.\\n21:48- Introduces “An Open Letter to Ralph Ellison”. [INDEX: Ralph Ellison and his wife   Fanny, Langland’s wife Judy, beach on small Italian fishing town, civil rights movement,        Ellison’s essays, The Invisible Man, poem not published, jazz player, trumpet,      \\tphotographer, cellar, background, letter; published later in The Massachusetts Review Vol. 40, n.4, (Winter, 1999/2000).]\\n23:16- Reads “An Open Letter to Ralph Ellison”.\\n27:02- Introduces “How It, So Help Me, Was”. [INDEX: Thoreau, book of letters to famous people, Walden Pond, art farm, title, 1963/1962, 100 years after the Civil War, blue, grey, shadow, pond, illegal; published in The Massachusetts Review, Vol. 4, n.1, (Autumn, 1962).]\\n29:04- Reads “How It, So Help Me, Was”.\\n32:10- Introduces “Still to be Man”. [INDEX: poetry, alive, body, animal.]\\n32:44- Reads “Still to be Man”.’\\n32:51- Interrupts with explanation. [INDEX: writing a poem, home, kitchen, land on the earth, air.]\\n33:04- Continues reading “Still to be Man”.\\n34:10- Introduces “La Donna a Roma, an Odyssey”. [INDEX: family, Rome, syndrome,      Roman women, trapped in society, extreme conservatism, teacher of art at an American    university, adopting child in Italy, law, sterile men, Naples, doctor, lawyer, certified, high    school, Adorazione (school), beautiful and young women, married, dressing in black,   \\tspaghetti, children, husbands, lovers.]\\n36:12- Reads “La Donna a Roma, an Odyssey”.\\n37:24- Introduces “He and Her”. [INDEX: society, series of half-songs, half-pitch, half- singing, talk, two parts, rhyme, class (at Sir George Williams University), aesthetic value, \\t“Not Quite a Conversation: A Half-Song”, first part is “He and Her”, noun, object,    second part “She and Him”, talking, printed, page.]\\n38:44- Reads “Not Quite a Conversation: A Half-Song, part 1: He and Her”.\\n39:60- Introduces “She and Him”. [INDEX: triad, rhyme, answers.]\\n39:47- Reads “Not Quite a Conversation: A Half-Song, part 2: She and Him”\\n40:59- Langland announces break.\\n41:25- Introduces second part of reading and “Singing in Late Summer”. [INDEX:     \\tvalidity, grandparents, Norway, name ‘Langeland’, Norwegian poet Paul Brekke,    translations, Norwegian, two poems written in Norway, death of his father, folk song   \\t“Den store hvide Flok”/ “The Great White Host”, funeral, children’s jobs, farm in Iowa,       ranch in Wyoming, hotel in Switzerland, Provincetown, painting, writing; published later  in Selected Poems (University of Massachusetts Press, 1991).]\\n43:03- Reads “Singing in Late Summer”.\\n44:17- Introduces “Norwegian Rivers”. [INDEX: traveling through Norway, rivers,    \\tmountains, Oslo, Bergen, Trodheim, Island of Store, west coast of Norway, older  \\twoman, younger generation, Norwegian immigrants; published first in The       \\tMassachusetts Review, Vol. 4, n.1, (Autumn, 1962); later in Selected Poems       \\t(University of Massachusetts Press, 1991).]\\n45:22- Reads “Norwegian Rivers”.\\n48:08- Introduces “Drowning” by Sergey Chudakov. [INDEX: translation from Russian,     friends Thomas Axel, press agent for Imre Nagy, Hungarian Revolution, escape to        \\tAustria, teaches at university, poet, director of theatre in Budapest, State Theatre, Laszlo Ticosz, teaches in the German-Russian department at the university, collecting   underground poems from unknown poets from Russia, collection of poems, literal \\ttranslations, not sent to a publisher, new material, channels in the underground, war in   Europe, concentration camps, Nordhaussen, burial of five thousand people in one day in open trenches, captured Buchenwald, Weimar, Russians, German population Eisenach, Russian cavalry; from Poetry from the Russian Underground  (Harper & Row, 1973).]\\n51:23- Reads “Drowning” by Sergey Cuchadakov.\\n52:06- Reads “The Jewish Cemetery in Leningrad” by Joseph Brodsky. [INDEX:   \\tprobably intended for Poetry from the Russian Underground but was never published.]\\n52:32- Interrupts reading with explanation. [INDEX: translation changes.]\\n52:47- Continues reading “The Jewish Cemetery in Leningrad” by Joseph Bordsky.\\n54:03- Explains “The Jewish Cemetery in Leningrad” translations, introduces first line         “Conditions” by Artyemy Mikhailov. [INDEX: conditions, defending Sinyavsky and    Daniel, trapped, dragged to camp; from Poetry from the Russian Underground (Harper & Row, 1973).]\\n55:01- Reads first line “Conditions” by Artyemy Mikhailov.\\n56:07- Introduces “Now that I Know” by Vladimir Kovshin. [INDEX: older style, elegant    lyric despair; from Poetry from the Russian Underground (Harper & Row, 1973).]\\n56:21- Reads “Now that I Know” by Vladimir Kovshin.\\n57:01- Introduces “After the War” by Gleb Garbovsky. [INDEX: newest poem; from Poetry from the Russian Underground (Harper & Row, 1973).]\\n57:11- Reads “After the War” by Gleb Garbovsky.\\n58:54- Interrupts reading with explanation. [INDEX: Emily Dickinson’s tomb in Amherst        Massachusetts, locality.]\\n59:08- Continues reading “After the War” by Gleb Garbovsky.\\n59:27- Introduces “Keeping up with the Humansky’s”. [INDEX: Joneses, lieutenant in the army, son of the fields, Russian name, serfs, experience.]\\n1:00:06- Reads “Keeping up with the Humansky’s”.\\n1:01:33- Introduces “Etape”. [INDEX: march from Russia to Siberia, original, title,     \\tfootnote, Axel, Ticosz, author unknown, nineteenth century, part of the long March from   Russia called Etape, ballad stanza form.]\\n1:02:07- Reads “Etape”.\\n1:03:57- Begins to Introduce “The Garbage Collector”, but recording ends suddenly.\\n1:04:03.32- END OF RECORDING.\\n \\nRachel Kyne has tracked poem times and durations:\\n \\nTitle                                                                        \\tTime           \\tDuration (mins)\\nFIRST CD:\\n“Desperate Equations”                                           \\t00:03:47      \\t00:45\\n“Natures”                                                                \\t00:04:44      \\t02:09\\n“Dandelion”                                                            \\t00:07:40      \\t01:43\\n“The Amalfi Grotto”                                              \\t00:11:38      \\t01:14\\n“War”                                                                      \\t00:17:15      \\t01:27\\n“A Hard Song to Sing” (one stanza sung)              \\t00:20:24      \\t00:17\\n“A Hard Song to Sing” (read)                                \\t00:20:47      \\t01:00\\n“An Open Letter to Ralph Ellison”                        \\t00:23:16      \\t03:45\\n“How It, So Help Me, Was”                                   \\t00:29:04      \\t00:24\\n“Still to be Man”                                                    \\t00:32:44      \\t01:24\\n“La Donna a Roma, an Odyssey”                           \\t00:36:12      \\t01:11\\n“He and Her”                                                          \\t00:38:44      \\t00:56\\n“She and Him”                                                        \\t00:39:47      \\t01:10\\n“Singing in Late Summer”                                     \\t00:43:03      \\t01:13\\n“Norwegian Rivers”                                               \\t00:45:22      \\t02:44\\n“Drowning”                                                            \\t00:51:23      \\t00:42\\n“The Jewish Cemetery in Leningrad”                    \\t00:52:12      \\t01:55\\n“Conditions”                                                           \\t00:55:01      \\t01:05\\n“Now That I Know”                                               \\t00:56:21      \\t00:40\\n“After the War”                                                      \\t00:57:11      \\t02:09\\n“Keeping up with the Humanskys”                        \\t01:00:06      \\t01:26\\n“Etape”                                                                   \\t01:02:07      \\t01:48\\n  \\n00:00- Reads “The Garbage Collector”.\\n00:27- Interrupts poem with explanation, then continues reading.  [INDEX: Renaissance, Christ Child, mother’s breast, translation”.\\n01:33- Introduces song “All the Lovers that You Ever Knew”. [INDEX: piano, singing,       guitar, Amherst, recorded tape.]\\n02:14- Plays recorded piano accompaniment.\\n02:33- Sings “All the Lovers that You Ever Knew”.\\n03:59- Introduces “Alone the Evening Falls on Me”. [INDEX: recording, singing, song,        last dance”; most likely from Selected Poems (University of Massachusetts Press,    1991).]\\n04:28- Sings “Alone the Evening Falls on Me”.\\n06:20- Introduces “Jump on my Back”. [INDEX: Iowa, Wyoming, Idaho.]\\n06:41- Sings “Jump on my Back”.\\n07:22- Introduces “A Hiroshima Lullaby”. [INDEX: sad story, Hiroshima bomb, 1945, little girl named Sadako Saki, unharmed, leukemia, hospital, Japanese legend about herons,       cranes, sandhill crane, University of Oregon in June, Summer Academy of the Arts,       wildlife refuge, Oregon, Eugene, fold a thousand paper cranes, health, sculptor from        Tokyo, statue, Peace Park, five notes, black keys, fifth in the bass, sing, stanza; published later in Selected Poems (University of Massachusetts Press, 1991).]\\n11:00- Plays and Sings “A Hiroshima Lullaby”.\\n12:46- Introduces first line “I long to walk in the promised land”, [INDEX: Civil rights        \\tsong, march in Madison Square Garden, marching song.]\\n13:12- Sings first line “I long to walk in the promised land”.\\n13:57- Introduces The Wheel of Summer (Dial Press, 1963). [INDEX: Italy in 1954, Marcus Cunliffe’s The Literature of the United States, authors, New England, Midwest, South, West Coast and mid-Atlantic New York area, literature, speech, England, Haruspects, Roman/ Etruscan pagan priests, sacrificial animals, natural phenomena, farm animals, “The Wheel of Summer” title poem, titles “Sacrifice of a Rainbow Trout”, “Sacrifice of my Pet Lamb”, poem titles that aren’t in the book.]\\n18:34- Reads poem titles from The Wheel of Summer. [INDEX: \\\"The Clarity of   Innocence: Sacrifice of a Trout.”, “The Loss of Early Innocence: Sacrifice of My Pet Lamb\\\", \\\"The Plunder of Idealism: Sacrifice of the Golden Owl\\\", \\\"The Sickle among the Flowers\\\", \\\"The Sickle Among the Flowers\\\", \\\"The Decline of Heroic Voices\\\",  \\\"The Suffocations of Love\\\", \\\"The Attrition of Man\\\", \\\"The Unhousing of Beneficent God,\\\" \\\"The Seeming, the Necessary and Beneficial Perversions of Love\\\", \\\"The Subtleties of Violent Revenge: Sacrifice of an old Sow\\\", \\\"The Sweet Solace of Evil\\\", \\\"The Absurdities of Fact”,  \\\"The Pitfalls of Group Action: Sacrifice of a Flock of Sheep\\\", \\\"The Catechism of Human Culpability\\\", \\\"The Oddities of Affection”,  \\\"The Sacred Violence of Purity\\\", \\\"The        Bounties of Natural Law\\\", \\\"The Winter of the Cold War: Sacrifice of a Grey Wolf\\\", \\\"The    Decline of Natural Instincts: Sacrifice of Three Wild Geese\\\", \\\"The Tyranny of Fixed   Ideas\\\", \\\"A Dream of the Ultimate Holocaust: Sacrifice of a Hill of Ants\\\", \\\"The Warfare of  \\tthe Sensuous Past: Sacrifice of My Aunt Marie”, longer narrative poem, \\\"The Wheel of     Summer\\\",\\\"Sacrifice of a Rainbow Trout\\\"; titles from The Wheel of Summer.]\\n20:43- Reads “Sacrifice of a Rainbow Trout”. [INDEX: from The Wheel of Summer, (Dial   Press, 1963).]\\n21:38- Introduces “Sacrifice of a Golden Owl”. [INDEX: lamb, owl, from The Wheel of        Summer, (Dial Press, 1963).]\\n21:49- Reads “Sacrifice of a Golden Owl”.\\n23:36- Introduces “Sacrifice of my Neighbors”. [INDEX: farm, lost body parts, death of       President Kennedy, reading tour, auditorium, poems, cancelled; from The Wheel   \\tof Summer, (Dial Press, 1963).]\\n24:17- Reads “Sacrifice of my Neighbors”.\\n26:58- Introduces “Sacrifice of the Gunny-Sack of Cats”. [INDEX: read in New York City, officers of the Society for the Friends of the Prevention of Cruelty to Animals, Amherst,    letter, unwanted animals, United States, cat spaying, contraceptive, Annual Appeal, taxes;  from The Wheel of Summer, (Dial Press, 1963).]\\n29:10- Reads “Sacrifice of the Gunny-Sack of Cats”.\\n32:19- Introduces “Sacrifice of an Old Sow”. [INDEX: old sow, hard poem, world; from       The Wheel of Summer, (Dial Press, 1963).]\\n32:28- Reads “Sacrifice of an Old Sow”.\\n33:45- Introduces “The Catechism of Human Culpability”. [INDEX: hard poem, Eric, squirrel poem, uncle.]\\n34:15- Reads “The Catechism of Human Culpability”.\\n37:05- Introduces “The Tyranny of Fixed Ideas”. [INDEX: squirrel, letter, Kansas, music,    guitar, ballad on Adlai Stevens.]\\n37:44- Reads “The Tyranny of Fixed Ideas”.\\n40:21- Introduces “Libertyville”. [INDEX: Stevens, ballad, state tree, bird, flower,      \\tIllinois, oak, cardinal, violet, red, green, violet, rainbow, theoretical life, yellow, orange,       blue, Libertyville Illinois, Des Plaines River, Chicago drainage system, Winsconsin   woods, blue, sky, light, epigraph, school children.]\\n41:24- Reads “Libertyville”.\\n43:32.33- END OF RECORDING.\\n \\nSECOND CD:\\n“The Garbage Collector”                                        \\t00:00:00      \\t01:27\\n“All the Lovers that You Ever Knew” (song)        \\t00:02:33      \\t01:25\\n“Alone the Evening Falls on Me” (song)               \\t00:04:28      \\t01:45\\n“Jump on my Back” (song)                                    \\t00:06:41      \\t00:40\\n“A Hiroshima Lullaby” (song and reading)           \\t00:11:00      \\t01:45\\n[“I long to walk in the Promised Land”]                \\t00:13:12      \\t00:44\\n“Sacrifice of a Rainbow Trout”                              \\t00:20:43      \\t00:57\\n“Sacrifice of the Golden Owl”                               \\t00:21:49      \\t01:15\\n“Sacrifice of my Neighbours”                                \\t00:24:17      \\t02:30\\n“Sacrifice of the Gunny-Sack of Cats”                  \\t00:29:10      \\t03:08\\n“Sacrifice of an Old Sow”                                      \\t00:32:28      \\t01:18\\n“The Catechism of Human Culpability”                \\t00:34:15      \\t02:45\\n“The Tyranny of Fixed Ideas”                                         00:37:44      \\t02:44\\n“Libertyville”                                                         \\t00:41:24      \\t01:35\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/joseph-langland-at-sgwu-1968/\"}]"],"score":0.01643844},{"id":"1271","cataloger_name":["Masoumeh,Zaare"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Michael McClure and George Montana at Sir George Williams University, The Poetry Series, 22 March 1968"],"item_title_source":["Cataloguer"],"item_title_note":["\"MICHAEL McCLURE I006/SR160\" written on sticker on the spine of the tape's box. \"I006-11-160\" written on sticker on the reel"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 2"],"item_identifiers":["[]"],"creator_names":["McClure, Michael","Montana, George"],"creator_names_search":["McClure, Michael","Montana, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/71493269\",\"name\":\"McClure, Michael\",\"dates\":\"1932-\",\"notes\":\"American poet, playwright, essayist, novelist and teacher Michael McClure was born on October 20, 1932 in Marysville, Kansas. After his parents divorced, he went to live with his grandfather in Seattle, who influenced McClure’s early interests in the natural world. McClure attended several universities in Kansas and Arizona before completing his Bachelor degree at the San Francisco State College in 1955. McClure met his first wife, Joanna Kinnison, and married her in 1954. They later had one daughter, Katherine Jane (b. 1956), but divorced in 1986. While at San Francisco State College, he took a course with poet Robert Duncan, and was influenced by Charles Olson, William Blake and Walt Whitman’s poetries as well as Jackson Pollock’s paintings. McClure received instant fame when he participated in the infamous Six Gallery poetry reading in San Francisco with Allen Ginsberg, Philip Whalen, Gary Snyder and Philip Lamantia. McClure was thus associated with the Beat movement, and began publishing in what became a prolific writing career. In 1956, with poet and publisher Jonathan Williams and James Harmon, McClure published the work of both Black Mountain school poets and San Francisco Beat poets in Ark II/Moby I review; it was published in 1957. Jonathan Williams then published McClure’s first book of poetry, Passage (Jargon Book Series, 1956). McClure subsequently published many collections of poetry, including For Artaud (Totem Press, 1959), Hymns to St. Geryon and Other Poems (Auerhahn Press, 1959), Dark Brown (Auerhahn Press, 1961), The New Book/ A Book of Torture (Grove Press, 1961), Meat Science Essays (City Lights Books, 1963), Love Lion Lioness (Privately printed, 1963), Ghost Tantras (Privately printed, 1964), 13 Mad Sonnets (Privately printed, 1965), The Beard (Several publishers between 1965-7), The Sermons of Jean Harlow and the Curses of Billy the Kid (Four Seasons press, 1968), The Mammals (Cranium Press, 1972), Jaguar Skies (New Directions, 1975), Scratching the Beat Surface (North Point Press, 1982), Selected Poems (New Directions, 1986), and Rebel Lions (New Directions, 1991). McClure also wrote many plays, including !The Feast! (San Francisco, Batman Gallery, 22 December 1960), The Blossom; or Billy the Kid (New York, American Theatre for Poets, 1964), the controversial play The Beard (San Francisco, Encore Theatre, Encore Theare, December 18, 1965), Gorf (San Francisco, Magic Theare,1976) and Josephine the Mouse Singer (New York, WPA Theatre, November 20, 1978), recipient of two Off-Broadway Theatre Awards. In 1963, McClure became a professor at the California College of Arts and Crafts in Oakland, California, where he taught for more than 40 years, eventually becoming a professor emeritus. McClure was awarded numerous honours, including grants from the National Endowment for the Arts in 1967 and 1974, a Guggenheim Fellowship in 1974, a Pushcart Prize for Poetry in 1991 and a Lifetime Achievement Poetry Award from the National Poetry Society in 1993. More recently, McClure published Simple Eyes (New Directions, 1992), Love Lion Video (with Ray Manzarek, Mystic Fire Video, 1993), The Mad Club (Blue Moon Books, 1995), Rain Mirror (New Directions, 1999),  There’s a Word! audio recording with Ray Manzarek (Rare Angel Music 2001), and Plum Stones: Cartoons of No Heaven (O Books, 2002). In 1997, McClure married a sculptor, Amy Evans. Michael McClure continues to perform and write from the San Francisco Bay Area\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]},{\"url\":\"\",\"name\":\"Montana, George\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1968],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"01:20:00\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"Dates":["[{\"date\":\"3/22/1968\",\"type\":\"Performance Date\",\"notes\":\"Date specified in written announcement \\\"Poetry at S.G.W.U.\\\"\",\"source\":\"Supplemental Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Basement Theatre\",\"notes\":\"Location specified in written announcement \\\"Poetry at S.G.W.U.\\\"\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\" -73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Basement Theatre"],"City":["Montreal, Quebec"],"content_notes":["Michael McClure reads poems collected in The Beards (Coyote, 1967), Star (Grove Press, 1970), Ghost Tantras (Four Seasons, 1969), and Dark Brown (Dave Haselwood Books, 1967). McClure also performs a number of songs with George Montana."],"contents":["michael_mcclure_george_montana_i006-11-160.mp3\n \nIntroducer\n00:00:00\nLadies and gentlemen, Michael McClure [https://www.wikidata.org/wiki/Q1390054], George Montana. \n\nAudience\n00:00:05\nApplause.\n \nMichael McClure\n00:00:29\nThat was [unintelligible]. Star is a four letter word, s-t-a-r. Now, in case I read, I--is this on right? In case I read something here tonight with a four letter word in it, which I'm liable to cause I might start off be reading part of The Beard, um, [unintelligible] if anyone would be offended, it would be a good thing if they got their money back, right now. It's their right to do so.\n\nAudience\n00:01:07\nApplause.\n\nMichael McClure\n00:01:22\nThe Beard is a poem of mine in the form of a play that's just been arrested fifteen nights in a row by Los Angeles [https://www.wikidata.org/wiki/Q65] police and a state law has been passed against it being performed in the state colleges in California [https://www.wikidata.org/wiki/Q99]. These are the trials and tribulations. And right now we're waiting for a panel of three federal judges to come and see it and decide if it has redeeming special significance. [Audience laughter]. And if they don't think it is, we'll take it to the Supreme Court [https://www.wikidata.org/wiki/Q11201] and see what they think. And, the play has two characters in it, Billy the Kid [https://www.wikidata.org/wiki/Q44200] and Jean Harlow [https://www.wikidata.org/wiki/Q105719]. And they're together in a blue velvet eternity, they both are wearing little beards made out of torn white tissue paper. They're--they only thing on the set with them is a table and two chairs covered with furs and Harlow is wearing a blue gown and she has a purse with her and a mirror and the Kid is dressed in a costume appropriate to his costume--I mean appropriate to his career. And when the curtain opens, there's an orange light shining on him which goes up after the first, about the first thirty seconds. And being that this is a poem in the form of a play, I can only read it, I can't read it properly, I can't be two people, I can't be Billy the Kid and Jean Harlow I can only be the author so I'll have to read it that way where it's actually meant to be a poem and acted by me on a stage, on a shelf with lights. We have a shelf with lights, but that's the best I can do.\n \nMichael McClure\n00:03:41\nReads selection from The Beard.\n\nAudience\n00:10:29\nApplause.\n \nMichael McClure\n00:11:02\nUm, I'm going to read two more tonight. I want to read for a while and then have an intermission and then I'd like to come back on and play some musical pieces that my music guru George Montana has been working on with me and we've been writing some songs together, but I'd like to read poems for maybe half an hour or so first. I want to read some poems called \"Mad Sonnets\" and I imagine a lot of you know what sons are, what known as sons are, fourteen lines with a legitimate rhyme scheme, and these are not quite exactly like that...Does this microphone sound right? If I stand right here is that okay so that I don't have to lean into it?\n \nMichael McClure\n00:12:25\nReads \"Mad Sonnet\" [from Star].\n \nMichael McClure\n00:14:08\nAnother \"Mad Sonnet\", kind of ecological.\n \nMichael McClure\n00:14:23\nReads [\"Mad Sonnet 3\" from Star].\n \nMichael McClure\n00:16:03\nHere's a--I live in San Francisco [https://www.wikidata.org/wiki/Q62], but here's a \"Mad Sonnet\" that I started in New York [https://www.wikidata.org/wiki/Q60], I went to Wall Street [https://www.wikidata.org/wiki/Q11690] on a Saturday morning, I guess you can imagine what it's like during the weekdays, it's a narrow street, buildings stretching up like cliffs on each side of them and on Saturday morning it's cold and empty and you can feel the crush and vibrations from the previous part of the week.\n \nMichael McClure\n00:16:32\nReads [“Mad Sonnet 13” from Star, published later as “Cold Saturday Mad Sonnet” in Selected Poems].\n \nMichael McClure\n00:17:58\nI never thought of those signs--they told me I can't smoke up here. It's my life. I'll do what I want, [unintelligible]. [Audience laughter]. The work--I think-are we all, I think I'm waiting for, this technology with which we live in, which is wonderful enough in it's own way, is also costly and [unintelligible], eating up the planet, and I think I'm waiting for an all-chemical science, by means in which we can manifest ourselves through the universe and I guess we'll have to tinker toys like rocket ships and space ships to begin it, but I don't think that's how we'll really do it. And it's become kind of tradition to write songs to science, so I guess I had to do one too.\n \nMichael McClure\n00:19:20\nReads [“Mad Sonnet 5” from Star].\n \nMichael McClure\n00:20:48\nI've got a book of poems in a language I call Beast Language, they're about half in English and half in this invented language. The book is called Ghost Tantras, ghost like the German word \"gist\", g-i-s-t, which means spirit, and I just said \"ghost\". Why can't ghost be a spirit, why can't we use that in English? And tantra, t-a-n-t-r-a, which is a Hindu form of poetry, it's poetry written in an invented language for magical purposes to bring about changes in the universe. I felt these poems, I felt these poems coming on, and I felt like I had a ball of silence within myself, within my body and I heard these sounds within that ball of silence, and I wrote them down phonetically, so kind of like Marvel comics [https://www.wikidata.org/wiki/Q173496], you know where it says \"keee\" or \"rash\", k-e-e-e, or r-a-s-h. And I see later that things like this have been done in gnostic Bizantine chants too, which also, is like Marvel comics. \"Ka-pow\". And some of them were written in San Francisco, some of them were written in airplanes, on the way to Mexico [https://www.wikidata.org/wiki/Q96]. I was going to Mexico to bring back cultures of [unintelligible] Mexicana, the sacred [salsavie (?)] mushroom which were grown by scientists in Brooklyn [https://www.wikidata.org/wiki/Q18419]. And, then upon my return I finished from there. I finished these \"Mad Sonnets\", there are 99 of them and I don't think you've probably heard anything like them before, and I guess all you can do is just relax. I like to start with one that starts with English because it's not so strange, they're about a third English or half English maybe.\n \nMichael McClure\n00:23:15\nBegins to perform unnamed sound poem.\n \nMichael McClure\n00:23:19\nNo, that's not it...Where'd George go? George? [Audience laughter].\n \nMichael McClure\n00:24:00\nPerforms “Ghost Tantra #51” [published later in Ghost Tantras].\n \nMichael McClure\n00:25:42\nHere's another one that starts in English, it starts in Spanish. Just went to Spanish, [unintelligible] George is.\n \nMichael McClure\n00:25:57\nPerforms “Ghost Tantra #54” [published later in Ghost Tantras].\n \nMichael McClure\n00:27:45\nI just had a lot of microphone trouble in Buffalo [https://www.wikidata.org/wiki/Q40435] too. I don't know what. It's alright?\n \nMichael McClure\n00:27:55\nPerforms “Ghost Tantra #69” [published later in Ghost Tantras].\n \nMichael McClure\n00:29:45\nHere's one, this was written the day after Marilyn Monroe [https://www.wikidata.org/wiki/Q4616] died, August 6, 1962.\n \nMichael McClure\n00:30:11\nReads \"Ghost Tantra #39\" [published later in Ghost Tantras].\n \nMichael McClure\n00:31:37\nYou've got a tourist card in the back of the room [(?)] Is everybody relaxed? Cause I'm not. Eddie in [unintelligible] was dismissed recently and I guess this poem had something to do with it. And, the poem is the ending of, it's the sexual ending of a very long poem called \"Dark Brown\" I see nothing wrong in taking any sexual part of the poem from any other part of the poem, and the sexual writing today will be viewed in fifty years or a hundred years much the way we view nature poetry today in the 19th century, because some [unintelligible] classes we kept bringing up the fact that for our [unintelligible] today if you were to look at the atmosphere or the air we breathe, the primary part of our environment is either other human bodies or concrete and we choose human bodies rather than the concrete which seems to be a pretty good choice. I think that given the changes that are going on today, I believe we won't be able to say anything. If we can say anything now. If we can say anything anytime but I mean, I think this will be looked upon as [unintelligible] Nature poetry, Shelley [https://www.wikidata.org/wiki/Q93343] and Keats [https://www.wikidata.org/wiki/Q82083]were pulling cockney school in their day, which of course was all there is for Shelley since he was a [unintelligible] and probably some of Keats although it was worse since he was a cockney. [Audience laughter]. They were insulted for their new nature poetries, and this too. I'd like to read some like, preliminary stanzas of that poem, and then read part of the longer section which seems to have to do with the [unintelligible]. In Eddie's defense I'll say that the London Times [https://www.wikidata.org/wiki/Q50008] literary supplement found that this is [unintelligible]. The poem is written in independent stanzas, I'd like to think of the stanzas as being independent in the way an organism is, and the totality of the poem in the totality in a way an--the way a primitive--and this is a primitive organism is comprised of [unintelligible] individuals to make up its [unintelligible] of being. The poem is called \"Dark Brown\" and I've just opened it to the page I wanted to. The stanza I wanted to.\n \nMichael McClure\n00:35:21\nReads \"Dark Brown\" from Dark Brown.\n \nMichael McClure\n00:37:48\nReads [\"The black black black damned and undreamy odem the undersoul\" from Dark Brown].\n \nMichael McClure\n00:40:00\nAnother poem. Okay, have I justified enough? Now's your chance to go home. I'm going to read the tough part.\n \nMichael McClure\n00:40:23\nReads [“Fuck Ode” from Dark Brown].\n \nAudience\n00:50:00\nApplause.\n \nMichael McClure\n00:50:15\nI'll take a break. George and I are going to play, George Montana and I, and I won't guarantee anything about it as my fingers are feeling very clumsy tonight. I'll be playing an instrument but I know George will play for us, so if you hear any faults in the playing, it's me not George. I want to take like, at least, I want to take a ten minute break and anybody who'd like to stay is welcome to stay, and if you'd like to go, go, and if you want to leave during the music if you don't like the music for god's sake go. Thank you. \n \nUnknown\n00:51:09\n[Cut or edit made in tape. Unknown amount of time elapsed].\n \nMichael McClure\n00:51:12\nI'm kind of nervous, us going through it again.\n \nGeorge Montana\n00:51:19\n[IUnintelligible].\n \nMichael McClure\n00:51:23\nSure, let's see if it picks up.\n \nGeorge Montana\n00:51:24\nI think it's picking up\n \nMichael McClure\n00:51:25\nYeah?\n \nGeorge Montana\n00:51:26\nYeah.\n \nMichael McClure\n00:51:27\nCan you hear us whispering?\n \nAudience\n00:51:28\nYes.\n \nUnknown\n00:51:30\nAmbient Sound [music].\n \nMichael McClure\n00:51:41\nLet's see what it sounds like.\n \nMichael McClure\n00:51:43\nIs it picking up? Can you hear in the back? Can you hear in the back row? Yeah, I think I lost that pic already. Christ. \n \nMichael McClure and George Montana\n00:52:17\nPerform unnamed song.\n \nAudience\n01:01:41\nApplause.\n \nMichael McClure\n01:01:56\nUm, I don't think I can sing. Do you want to do that one?\n \nGeorge Montana\n01:02:00\nAh, okay.\n \nMichael McClure\n01:02:04\nShall we tell them it's a new song? Why don't you tell them?\n \nGeorge Montana\n01:02:07\nThis is a song that Michael and I just have done, so I don't know the words by heart yet. So here it is.\n \nMichael McClure\n01:02:19\nAnd I haven't learned this melody very well yet. Let's get coordinated together. You set the [unintelligible]. You wanna sing it through three times? \n\nUnknown\n01:02:41\nAmbient Sound [voices].\n \nMichael McClure\n01:02:57\nIs this picking up alright? Can you hear it clear, loud enough? No? [Audience laughter]. Get out. [Audience laughter].\n \nMichael McClure and George Montana\n01:03:24\nPerform unnamed song.\n \nAudience\n01:10:50\nApplause.\n \nUnknown\n01:10:59\nAmbient Sound [voices].\n \nMichael McClure\n01:11:39\nThese are called technical difficulties. By the way we can smoke on the stage now because the lights are off in the auditorium. That's the fire alarm. [Audience laughter].\nWant to play the “Bells of Moscow”?\n \nGeorge Montana\n01:12:22\nHow about the other [unintelligible].\n \nMichael McClure\n01:12:31\nI don't think I'm up to...\n \nGeorge Montana\n01:12:40\nWe're going to try to do the Allen Ginsberg [https://www.wikidata.org/wiki/Q6711] \"For President Walt\".\n \nMichael McClure\n01:12:43\nI think I'm too scared to. We'll try it. I might be too--can you hear alright? I might be too scared. This isn't very complicated, isn't it a two chord one?\n \nMichael McClure and George Montana\n01:13:04\nPerform \"For President Walt\" by Allen Ginsberg.\n \nMichael McClure\n01:13:20\nI can't remember the words.\n \nMichael McClure and George Montana\n01:13:31\nPerform \"For President Walt\" by Allen Ginsberg.\n \nAudience\n01:16:29\nApplause.\n\nUnknown\n01:16:39\nAmbient Sound [voices].\n \nMichael McClure\n01:16:45\nI was just thinking you'd play it your way fast. No, let's do a non-vocal.\n \nGeorge Montana\n01:17:03\nOkay, which one.\n \nMichael McClure\n01:17:05\nWhat about \"The Bells of Moscow\"?\n \nGeorge Montana\n01:17:06\nThat one?\n \nUnknown\n01:17:11\nAmbient Sound [voices]. \n\nGeorge Montana\n01:17:15\nWe'll play for you a little instrumental one it's called \"The Bells of Moscow\".\n \nMichael McClure\n01:17:20\nNamed today.\n \nMichael McClure and George Montana\n01:17:56\nPerform \"The Bells of Moscow\".\n \nAudience\n01:23:06\nApplause.\n \nMichael McClure\n01:23:17\nI don't think that was picking up here. Alright. Or I was too close. More music lovers are leaving. I don't know, we could try the [unintelligible] thing. \n\nUnknown\n01:23:40\nAmbient Sound [voices].\n \nMichael McClure\n01:24:12\nGeorge and I usually do this in my front room. With no light but a candle and the incense, but we can smoke there of course. This is a song by William Blake [https://www.wikidata.org/wiki/Q41513].\n \nMichael McClure and George Montana\n01:24:59\nPerform \"How sweet I roam’d from field to field\" [https://www.wikidata.org/wiki/Q19049519] by William Blake.\n \nAudience\n01:30:25\nApplause.\n \nMichael McClure\n01:30:46\nHow about, um, Dvořák’s [https://www.wikidata.org/wiki/Q7298] 43rd auto-harp duet? Which one is that?\n \nMichael McClure and George Montana\n01:31:44\nBegin to perform unnamed song.\n \nMichael McClure and George Montana\n01:31:58\nPerform unnamed song.\n \nAudience\n01:35:52\nApplause. \n\nUnknown\n01:35:57\nAmbient Sound [voices].\n\nMichael McClure\n01:36:12\nGood night.\n \nAudience \n01:36:28\nApplause. \n \nEND\n01:37:00\n"],"Note":["[{\"note\":\"Year-Specific Information:\\n\\nUnknown date-around 1970. McClure was teaching at the California College of Arts and Crafts in Oakland, California. He was publishing prolifically, often printing his own work in pamphlets and chap books.\",\"type\":\"General\"},{\"note\":\"Local Connections:\\n\\nThe connection between McClure and Sir George Williams University is unknown, however as a member of the Beat movement, McClure was certainly a poet of interest for Canadians. McClure read his poetry often and his performances were also a part of his poetics. \",\"type\":\"General\"},{\"note\":\"Reel-to-reel tape>2 CDs>digital file\",\"type\":\"Preservation\"},{\"note\":\"Original transcript, research, introduction, and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Ali Barillaro\",\"type\":\"Cataloguer\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/dictionary-of-literary-biography-vol-16-the-beats-literary-bohemians-in-postwar-america-edited-by-ann-charters-parts-1-2/oclc/59250319&referer=brief_results\",\"citation\":\"King, William R. “Michael (Thomas) McClure”. The Beats: Literary Bohemians in Postwar  America. Ann Charters (ed). Dictionary of Literary Biography, Vol. 16. Detroit: Gale Research, 1983. \"},{\"url\":\"https://www.worldcat.org/title/dark-brown/oclc/69024444?referer=di&ht=edition\",\"citation\":\"McClure, Michael. Dark Brown. San Francisco: Dave Haselwood Books, 1967. \"},{\"url\":\"https://www.worldcat.org/title/ghost-tantras/oclc/923460319&referer=brief_results\",\"citation\":\"McClure, Michael. Ghost Tantras. San Francisco: Four Seasons Foundation, 1969. \"},{\"url\":\"https://www.worldcat.org/title/beard/oclc/561713511&referer=brief_results\",\"citation\":\"McClure, Michael. The Beard. San Francisco: Coyote Books, 1967. \"},{\"url\":\"https://www.worldcat.org/title/new-book-a-book-of-torture/oclc/918221317&referer=brief_results\",\"citation\":\"McClure, Michael. The New Book: A Book of Torture. New York City: Grove Press, 1967. \"},{\"url\":\"https://www.worldcat.org/title/selected-poems/oclc/916271510?referer=di&ht=edition\",\"citation\":\"McClure, Michael. Selected Poems. New York City: New Directions Books, 1986. \"},{\"url\":\"https://www.worldcat.org/title/star-poems/oclc/462091780&referer=brief_results\",\"citation\":\"McClure, Michael. Star. New York City: Grove Press, 1970. \"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-american-literature/oclc/54356940&referer=brief_results\",\"citation\":\"\\\"McClure, Michael (Thomas)\\\". The Oxford Companion to American Literature. James D. Hart, ed., rev. Phillip W. Leininger. Oxford University Press 1995. \"},{\"url\":\"\",\"citation\":\"Camlot, Jason. “Mammals and Machines: Michael McClure’s Embodying Poetics”. Atenea, 23, no.1; June 2003.\"},{\"url\":\"\",\"citation\":\"“Michael McClure” Literature Online Biography. Literature Online, 2008.\"}]"],"_version_":1853670548858470400,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0160_tape.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0160_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"McClure and Montana Tape Box - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0160_side.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0160_side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"McClure and Montana Tape Box - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0160_front.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0160_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"McClure and Montana Tape Box - Front\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0160_back.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0160_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"McClure and Montana Tape Box - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/michael_mcclure_george_montana_i006-11-160.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"michael_mcclure_george_montana_i006-11-160.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:37:00\",\"precision\":\"\",\"size\":\"232.8 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"Introducer\\n00:00:00\\nLadies and gentlemen, Michael McClure [https://www.wikidata.org/wiki/Q1390054], George Montana. \\n\\nAudience\\n00:00:05\\nApplause.\\n \\nMichael McClure\\n00:00:29\\nThat was [unintelligible]. Star is a four letter word, s-t-a-r. Now, in case I read, I--is this on right? In case I read something here tonight with a four letter word in it, which I'm liable to cause I might start off be reading part of The Beard, um, [unintelligible] if anyone would be offended, it would be a good thing if they got their money back, right now. It's their right to do so.\\n\\nAudience\\n00:01:07\\nApplause.\\n\\nMichael McClure\\n00:01:22\\nThe Beard is a poem of mine in the form of a play that's just been arrested fifteen nights in a row by Los Angeles [https://www.wikidata.org/wiki/Q65] police and a state law has been passed against it being performed in the state colleges in California [https://www.wikidata.org/wiki/Q99]. These are the trials and tribulations. And right now we're waiting for a panel of three federal judges to come and see it and decide if it has redeeming special significance. [Audience laughter]. And if they don't think it is, we'll take it to the Supreme Court [https://www.wikidata.org/wiki/Q11201] and see what they think. And, the play has two characters in it, Billy the Kid [https://www.wikidata.org/wiki/Q44200] and Jean Harlow [https://www.wikidata.org/wiki/Q105719]. And they're together in a blue velvet eternity, they both are wearing little beards made out of torn white tissue paper. They're--they only thing on the set with them is a table and two chairs covered with furs and Harlow is wearing a blue gown and she has a purse with her and a mirror and the Kid is dressed in a costume appropriate to his costume--I mean appropriate to his career. And when the curtain opens, there's an orange light shining on him which goes up after the first, about the first thirty seconds. And being that this is a poem in the form of a play, I can only read it, I can't read it properly, I can't be two people, I can't be Billy the Kid and Jean Harlow I can only be the author so I'll have to read it that way where it's actually meant to be a poem and acted by me on a stage, on a shelf with lights. We have a shelf with lights, but that's the best I can do.\\n \\nMichael McClure\\n00:03:41\\nReads selection from The Beard.\\n\\nAudience\\n00:10:29\\nApplause.\\n \\nMichael McClure\\n00:11:02\\nUm, I'm going to read two more tonight. I want to read for a while and then have an intermission and then I'd like to come back on and play some musical pieces that my music guru George Montana has been working on with me and we've been writing some songs together, but I'd like to read poems for maybe half an hour or so first. I want to read some poems called \\\"Mad Sonnets\\\" and I imagine a lot of you know what sons are, what known as sons are, fourteen lines with a legitimate rhyme scheme, and these are not quite exactly like that...Does this microphone sound right? If I stand right here is that okay so that I don't have to lean into it?\\n \\nMichael McClure\\n00:12:25\\nReads \\\"Mad Sonnet\\\" [from Star].\\n \\nMichael McClure\\n00:14:08\\nAnother \\\"Mad Sonnet\\\", kind of ecological.\\n \\nMichael McClure\\n00:14:23\\nReads [\\\"Mad Sonnet 3\\\" from Star].\\n \\nMichael McClure\\n00:16:03\\nHere's a--I live in San Francisco [https://www.wikidata.org/wiki/Q62], but here's a \\\"Mad Sonnet\\\" that I started in New York [https://www.wikidata.org/wiki/Q60], I went to Wall Street [https://www.wikidata.org/wiki/Q11690] on a Saturday morning, I guess you can imagine what it's like during the weekdays, it's a narrow street, buildings stretching up like cliffs on each side of them and on Saturday morning it's cold and empty and you can feel the crush and vibrations from the previous part of the week.\\n \\nMichael McClure\\n00:16:32\\nReads [“Mad Sonnet 13” from Star, published later as “Cold Saturday Mad Sonnet” in Selected Poems].\\n \\nMichael McClure\\n00:17:58\\nI never thought of those signs--they told me I can't smoke up here. It's my life. I'll do what I want, [unintelligible]. [Audience laughter]. The work--I think-are we all, I think I'm waiting for, this technology with which we live in, which is wonderful enough in it's own way, is also costly and [unintelligible], eating up the planet, and I think I'm waiting for an all-chemical science, by means in which we can manifest ourselves through the universe and I guess we'll have to tinker toys like rocket ships and space ships to begin it, but I don't think that's how we'll really do it. And it's become kind of tradition to write songs to science, so I guess I had to do one too.\\n \\nMichael McClure\\n00:19:20\\nReads [“Mad Sonnet 5” from Star].\\n \\nMichael McClure\\n00:20:48\\nI've got a book of poems in a language I call Beast Language, they're about half in English and half in this invented language. The book is called Ghost Tantras, ghost like the German word \\\"gist\\\", g-i-s-t, which means spirit, and I just said \\\"ghost\\\". Why can't ghost be a spirit, why can't we use that in English? And tantra, t-a-n-t-r-a, which is a Hindu form of poetry, it's poetry written in an invented language for magical purposes to bring about changes in the universe. I felt these poems, I felt these poems coming on, and I felt like I had a ball of silence within myself, within my body and I heard these sounds within that ball of silence, and I wrote them down phonetically, so kind of like Marvel comics [https://www.wikidata.org/wiki/Q173496], you know where it says \\\"keee\\\" or \\\"rash\\\", k-e-e-e, or r-a-s-h. And I see later that things like this have been done in gnostic Bizantine chants too, which also, is like Marvel comics. \\\"Ka-pow\\\". And some of them were written in San Francisco, some of them were written in airplanes, on the way to Mexico [https://www.wikidata.org/wiki/Q96]. I was going to Mexico to bring back cultures of [unintelligible] Mexicana, the sacred [salsavie (?)] mushroom which were grown by scientists in Brooklyn [https://www.wikidata.org/wiki/Q18419]. And, then upon my return I finished from there. I finished these \\\"Mad Sonnets\\\", there are 99 of them and I don't think you've probably heard anything like them before, and I guess all you can do is just relax. I like to start with one that starts with English because it's not so strange, they're about a third English or half English maybe.\\n \\nMichael McClure\\n00:23:15\\nBegins to perform unnamed sound poem.\\n \\nMichael McClure\\n00:23:19\\nNo, that's not it...Where'd George go? George? [Audience laughter].\\n \\nMichael McClure\\n00:24:00\\nPerforms “Ghost Tantra #51” [published later in Ghost Tantras].\\n \\nMichael McClure\\n00:25:42\\nHere's another one that starts in English, it starts in Spanish. Just went to Spanish, [unintelligible] George is.\\n \\nMichael McClure\\n00:25:57\\nPerforms “Ghost Tantra #54” [published later in Ghost Tantras].\\n \\nMichael McClure\\n00:27:45\\nI just had a lot of microphone trouble in Buffalo [https://www.wikidata.org/wiki/Q40435] too. I don't know what. It's alright?\\n \\nMichael McClure\\n00:27:55\\nPerforms “Ghost Tantra #69” [published later in Ghost Tantras].\\n \\nMichael McClure\\n00:29:45\\nHere's one, this was written the day after Marilyn Monroe [https://www.wikidata.org/wiki/Q4616] died, August 6, 1962.\\n \\nMichael McClure\\n00:30:11\\nReads \\\"Ghost Tantra #39\\\" [published later in Ghost Tantras].\\n \\nMichael McClure\\n00:31:37\\nYou've got a tourist card in the back of the room [(?)] Is everybody relaxed? Cause I'm not. Eddie in [unintelligible] was dismissed recently and I guess this poem had something to do with it. And, the poem is the ending of, it's the sexual ending of a very long poem called \\\"Dark Brown\\\" I see nothing wrong in taking any sexual part of the poem from any other part of the poem, and the sexual writing today will be viewed in fifty years or a hundred years much the way we view nature poetry today in the 19th century, because some [unintelligible] classes we kept bringing up the fact that for our [unintelligible] today if you were to look at the atmosphere or the air we breathe, the primary part of our environment is either other human bodies or concrete and we choose human bodies rather than the concrete which seems to be a pretty good choice. I think that given the changes that are going on today, I believe we won't be able to say anything. If we can say anything now. If we can say anything anytime but I mean, I think this will be looked upon as [unintelligible] Nature poetry, Shelley [https://www.wikidata.org/wiki/Q93343] and Keats [https://www.wikidata.org/wiki/Q82083]were pulling cockney school in their day, which of course was all there is for Shelley since he was a [unintelligible] and probably some of Keats although it was worse since he was a cockney. [Audience laughter]. They were insulted for their new nature poetries, and this too. I'd like to read some like, preliminary stanzas of that poem, and then read part of the longer section which seems to have to do with the [unintelligible]. In Eddie's defense I'll say that the London Times [https://www.wikidata.org/wiki/Q50008] literary supplement found that this is [unintelligible]. The poem is written in independent stanzas, I'd like to think of the stanzas as being independent in the way an organism is, and the totality of the poem in the totality in a way an--the way a primitive--and this is a primitive organism is comprised of [unintelligible] individuals to make up its [unintelligible] of being. The poem is called \\\"Dark Brown\\\" and I've just opened it to the page I wanted to. The stanza I wanted to.\\n \\nMichael McClure\\n00:35:21\\nReads \\\"Dark Brown\\\" from Dark Brown.\\n \\nMichael McClure\\n00:37:48\\nReads [\\\"The black black black damned and undreamy odem the undersoul\\\" from Dark Brown].\\n \\nMichael McClure\\n00:40:00\\nAnother poem. Okay, have I justified enough? Now's your chance to go home. I'm going to read the tough part.\\n \\nMichael McClure\\n00:40:23\\nReads [“Fuck Ode” from Dark Brown].\\n \\nAudience\\n00:50:00\\nApplause.\\n \\nMichael McClure\\n00:50:15\\nI'll take a break. George and I are going to play, George Montana and I, and I won't guarantee anything about it as my fingers are feeling very clumsy tonight. I'll be playing an instrument but I know George will play for us, so if you hear any faults in the playing, it's me not George. I want to take like, at least, I want to take a ten minute break and anybody who'd like to stay is welcome to stay, and if you'd like to go, go, and if you want to leave during the music if you don't like the music for god's sake go. Thank you. \\n \\nUnknown\\n00:51:09\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n \\nMichael McClure\\n00:51:12\\nI'm kind of nervous, us going through it again.\\n \\nGeorge Montana\\n00:51:19\\n[IUnintelligible].\\n \\nMichael McClure\\n00:51:23\\nSure, let's see if it picks up.\\n \\nGeorge Montana\\n00:51:24\\nI think it's picking up\\n \\nMichael McClure\\n00:51:25\\nYeah?\\n \\nGeorge Montana\\n00:51:26\\nYeah.\\n \\nMichael McClure\\n00:51:27\\nCan you hear us whispering?\\n \\nAudience\\n00:51:28\\nYes.\\n \\nUnknown\\n00:51:30\\nAmbient Sound [music].\\n \\nMichael McClure\\n00:51:41\\nLet's see what it sounds like.\\n \\nMichael McClure\\n00:51:43\\nIs it picking up? Can you hear in the back? Can you hear in the back row? Yeah, I think I lost that pic already. Christ. \\n \\nMichael McClure and George Montana\\n00:52:17\\nPerform unnamed song.\\n \\nAudience\\n01:01:41\\nApplause.\\n \\nMichael McClure\\n01:01:56\\nUm, I don't think I can sing. Do you want to do that one?\\n \\nGeorge Montana\\n01:02:00\\nAh, okay.\\n \\nMichael McClure\\n01:02:04\\nShall we tell them it's a new song? Why don't you tell them?\\n \\nGeorge Montana\\n01:02:07\\nThis is a song that Michael and I just have done, so I don't know the words by heart yet. So here it is.\\n \\nMichael McClure\\n01:02:19\\nAnd I haven't learned this melody very well yet. Let's get coordinated together. You set the [unintelligible]. You wanna sing it through three times? \\n\\nUnknown\\n01:02:41\\nAmbient Sound [voices].\\n \\nMichael McClure\\n01:02:57\\nIs this picking up alright? Can you hear it clear, loud enough? No? [Audience laughter]. Get out. [Audience laughter].\\n \\nMichael McClure and George Montana\\n01:03:24\\nPerform unnamed song.\\n \\nAudience\\n01:10:50\\nApplause.\\n \\nUnknown\\n01:10:59\\nAmbient Sound [voices].\\n \\nMichael McClure\\n01:11:39\\nThese are called technical difficulties. By the way we can smoke on the stage now because the lights are off in the auditorium. That's the fire alarm. [Audience laughter].\\nWant to play the “Bells of Moscow”?\\n \\nGeorge Montana\\n01:12:22\\nHow about the other [unintelligible].\\n \\nMichael McClure\\n01:12:31\\nI don't think I'm up to...\\n \\nGeorge Montana\\n01:12:40\\nWe're going to try to do the Allen Ginsberg [https://www.wikidata.org/wiki/Q6711] \\\"For President Walt\\\".\\n \\nMichael McClure\\n01:12:43\\nI think I'm too scared to. We'll try it. I might be too--can you hear alright? I might be too scared. This isn't very complicated, isn't it a two chord one?\\n \\nMichael McClure and George Montana\\n01:13:04\\nPerform \\\"For President Walt\\\" by Allen Ginsberg.\\n \\nMichael McClure\\n01:13:20\\nI can't remember the words.\\n \\nMichael McClure and George Montana\\n01:13:31\\nPerform \\\"For President Walt\\\" by Allen Ginsberg.\\n \\nAudience\\n01:16:29\\nApplause.\\n\\nUnknown\\n01:16:39\\nAmbient Sound [voices].\\n \\nMichael McClure\\n01:16:45\\nI was just thinking you'd play it your way fast. No, let's do a non-vocal.\\n \\nGeorge Montana\\n01:17:03\\nOkay, which one.\\n \\nMichael McClure\\n01:17:05\\nWhat about \\\"The Bells of Moscow\\\"?\\n \\nGeorge Montana\\n01:17:06\\nThat one?\\n \\nUnknown\\n01:17:11\\nAmbient Sound [voices]. \\n\\nGeorge Montana\\n01:17:15\\nWe'll play for you a little instrumental one it's called \\\"The Bells of Moscow\\\".\\n \\nMichael McClure\\n01:17:20\\nNamed today.\\n \\nMichael McClure and George Montana\\n01:17:56\\nPerform \\\"The Bells of Moscow\\\".\\n \\nAudience\\n01:23:06\\nApplause.\\n \\nMichael McClure\\n01:23:17\\nI don't think that was picking up here. Alright. Or I was too close. More music lovers are leaving. I don't know, we could try the [unintelligible] thing. \\n\\nUnknown\\n01:23:40\\nAmbient Sound [voices].\\n \\nMichael McClure\\n01:24:12\\nGeorge and I usually do this in my front room. With no light but a candle and the incense, but we can smoke there of course. This is a song by William Blake [https://www.wikidata.org/wiki/Q41513].\\n \\nMichael McClure and George Montana\\n01:24:59\\nPerform \\\"How sweet I roam’d from field to field\\\" [https://www.wikidata.org/wiki/Q19049519] by William Blake.\\n \\nAudience\\n01:30:25\\nApplause.\\n \\nMichael McClure\\n01:30:46\\nHow about, um, Dvořák’s [https://www.wikidata.org/wiki/Q7298] 43rd auto-harp duet? Which one is that?\\n \\nMichael McClure and George Montana\\n01:31:44\\nBegin to perform unnamed song.\\n \\nMichael McClure and George Montana\\n01:31:58\\nPerform unnamed song.\\n \\nAudience\\n01:35:52\\nApplause. \\n\\nUnknown\\n01:35:57\\nAmbient Sound [voices].\\n\\nMichael McClure\\n01:36:12\\nGood night.\\n \\nAudience \\n01:36:28\\nApplause. \\n \\nEND\\n01:37:00\\n\",\"notes\":\"Michael McClure reads poems collected in The Beards (Coyote, 1967), Star (Grove Press, 1970), Ghost Tantras (Four Seasons, 1969), and Dark Brown (Dave Haselwood Books, 1967). McClure also performs a number of songs with George Montana.\\n\\n00:00- Unknown male introduces Michael McClure and George Montana.\\n00:29- Michael McClure introduces the reading, and selection from “The Beards”. [INDEX: four-letter words, offended audience, poem in the form of a play, arrested, Los Angeles Police, state laws, state colleges in California, federal judges, Supreme Court, Billy the Kid, Jean Harlow, set of the play/poem, character’s costumes, stage.]\\n03:41- Michael McClure reads selection from “The Beards”. [INDEX: selection begins on first page of the play/poem, The Beards (Coyote, 1967).]\\n11:02- Introduces “Mad Sonnet 1” series, first line “The plumes of love are black...”. [INDEX: reading arrangement, intermission, musical pieces, George Montana, songs,       “Mad Sonnets”, fourteen lines, rhyme scheme; from The New Book / A Book of Torture  \\t(Grove, 1961) and collected in Star (Grove Press, 1970)]\\n12:25- Reads “Mad Sonnet 1” first line “The plumes of love are black...”.\\n14:08- Introduces “Mad Sonnet 3” first line “Tiny mammals walk on white between the    yellow...” [INDEX: ecological; from Star  (Grove Press, 1970)]\\n14:23- Reads  “Mad Sonnet 3” first line “Tiny mammals walk on white between the   yellow...”\\n16:03- Introduces “Mad Sonnet 13” first line “On cold Saturday I walked in the empty      \\tvalley of Wall Street...”. [INDEX: San Francisco, New York, Wall Street, Saturday        \\tmorning, buildings, cliffs; from Star (Grove Press, 1970)]\\n16:32- Reads “Mad Sonnet 13 ” first line “On cold Saturday I walked in the empty valley of Wall Street...”.\\n17:58- Introduces “To Science”, published as “Mad Sonnet 5”. [INDEX: no-smoking signs in auditorium, technology, planet, all-chemical science, universe, rocket ships, space ships, tradition, songs written for science; from Star (Grove Press, 1970)]\\n19:20- Reads “To Science”.\\n20:48- Introduces poem from Ghost Tantras “#51” first line “I love to think of the red-purple rose...”. [INDEX: book of poems, Beast Language, half English, half in invented language, Ghost Tantras, German word “gist”, ghost, spirit, English, tantra, Hindu form of poetry, magical poetry, changes in the universe, body, Marvel Comic strips, some written in San Francisco, some written in airplanes, Mexico, Mexicana, Mexican sacred mushroom, scientists in Brooklyn, “Mad Sonnets”, 99 poems; from Ghost Tantras (Four Seasons, 1969)]\\n23:15- Begins to read unknown poem in Beast language.\\n23:19- Stops reading unknown poem. [INDEX: wrong poem, George Montana.]\\n24:00- Reads poem “Ghost Tantara #51”\\n25:42- Introduces poem first line “The motion of cool air shudders my shoulders...”.   [INDEX: English, Spanish, George Montana; from unknown source]\\n25:57- Reads first line “The motion of cool air shudders my shoulders...”.\\n27:45- Talks about prior reading in Buffalo, New York. [INDEX: microphone problems, Buffalo, New York.]\\n27:55- Reads “Ghost Tantra #69” first line Ooor greeeooossshhh strato, butterfly, beaks and pants...”. [INDEX: from Ghost Tantras (Four Seasons, 1969)]\\n29:45- Introduces poem “Ghost Tantra #39 first line “Marilyn Monroe today...”. [INDEX: \\twritten the day after Marilyn Monroe’s death, August 6, 1962; from Ghost Tantras (Four Seasons, 1969)]\\n30:11- Reads “Ghost Tantra #39”\\n31:37- Introduces “Dark Brown”. [INDEX: Eddie [unknown reference], sexual ending, long poem, fifty years into the future, 19th century, nature poetry, atmosphere, air,   \\tenvironment, human bodies, concrete, changes, [Percy] Shelley, [John] Keats, cockney, stanzas, London Times literary supplement, independent stanzas, organism; from Dark    Brown (Dave Haselwood Books, 1967)]\\n35:21- Reads “Dark Brown”.\\n37:48- Reads poem, first line “The black, black, black damned and un-dreamy...”. [INDEX: from Dark Brown (Dave Haselwood Books, 1967)]\\n40:00- Introduces poem, “(Fuck Ode)” first line “The huge figures fucking...”. [INDEX:       justification of poems, from Dark Brown (Dave Haselwood Books, 1967)]\\n40:23- Reads “(Fuck Ode)”.\\n50:15- Michael McClure introduces a break and the second part of the reading. [INDEX: George Montana, break, instruments, music.]\\n51:09.06- END OF RECORDING.\\n \\n00:00- Michael McClure and George Montana whisper to each other away from the microphone.\\n00:21- McClure and Montana begin to play unknown instruments, perhaps sitars.\\n00:33- Play first song. [Unknown song, no lyrics, only instrumental.]\\n10:47- McClure and Montana discuss which song to play next.\\n10:58- Montana introduces song. [INDEX: new song.]\\n11:10- McClure introduces song. [INDEX: melody, co-ordinated, singing.]\\n12:15- Play second song, George Montana sings. [Unknown song.]\\n19:50- McClure and Montana discuss playlist, inaudible to microphone.\\n20:30- McClure introduces the next song, “For President Walt” by Allen Ginsberg. [INDEX: smoking, auditorium, “Bells of Moscow”]\\n21:55- Plays song “For President Walt” by Allen Ginsberg, McClure sings.\\n25:35- McClure and Montana discuss next song, “The Bells of Moscow”.\\n26:46- Play song “The Bells of Moscow”.\\n32:08- McClure and Montana discuss next song, “Song: How sweet I roam’d from field to field” by William Blake [INDEX: practice at home, candles, incense, smoking.]\\n33:50- Play “Song: How sweet I roam’d from field to field” by William Blake.\\n39:37- McClure introduces song, first line “Takes a hundred sixty-five-thousand chicks to lay a railway from here to Chicago...”. [INDEX: Vorshack’s 43 auto-harp duet]\\n40:35- Play song, first line “Takes a hundred sixty-five-thousand chicks to lay a railway   from here to Chicago...”.\\n45:51.44- END OF RECORDING.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/michael-mcclure-and-george-montana-at-sgwu-1968/\"}]"],"score":0.01643844},{"id":"1272","cataloger_name":["Masoumeh,Zaare"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Lionel Kearns and bpNichol at Sir George Williams University, The Poetry Series, 22 November 1968"],"item_title_source":["Cataloguer"],"item_title_note":["\"POETRY READING NOV 22/68 BP. NICHOL + LIONEL KEARNS PART ONE  #1 I086-11-026.1\" written partially on sticker on the spine of the tape's box and directly on the spine of the tape's box. \"POETRY 1 NOV 22\" written on sticker on the reel. \"RT 531 Pt.1\" written on sticker on the front of the tape's box.\n\n\"POETRY READING NOV 22/68 2 BP. NICHOL + LIONEL KEARNS PART TWO  #1 I086-11-026.12\" written partially on sticker on the spine of the tape's box and directly on the spine of the tape's box. \"POETRY 2 NOV 22\" and \"I086-11-026.2\" written on stickers on the reel. \"RT 531 Pt.2\" written on sticker on the front of the tape's box."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 3"],"item_identifiers":["[I086-11-026.1, I086-11-026.2]"],"creator_names":["Nichol, Barrie Phillip","Kearns, Lionel"],"creator_names_search":["Nichol, Barrie Phillip","Kearns, Lionel"],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, Barrie Phillip\",\"dates\":\"1944-1988 \",\"notes\":\"Canadian avant-garde poet bpNichol (Barrie Phillip) was born in Vancouver, British Columbia on September 30, 1944. Nichol spent his childhood in Vancouver, in Winnipeg, Manitoba and in Port Arthur, Ontario before returning to his birthplace in 1960. Although Nichol was writing by 1961, he enrolled into the education faculty at the University of British Columbia and received a teaching degree in 1963. At UBC, Nichol audited writing classes and met younger members of the Tish group. Then Nichol taught grade four students in Port and Coquitlam, B.C. for a year before moving to Toronto, where he worked as a book searcher for the University of Toronto and entered therapy with lay analyst Lea Hindley-Smith. In 1967, Nichol established the lay-therapy foundation and community Therafields, and served as an administrator and therapist until 1983. His first publication, a ‘bp box’ included Journeying & the returns (a book), Letters Home (visual poems), Borders (a record), Wild Thing (a flip book) and Statement (printed on the back of the box) was published by Coach House Press in 1967 was followed by a collection of concrete poetry, Konfessions of an Elizabethan Fan Dancer (Writer’s Forum, 1967). Nichol began working with sound poetry in the mid-1960’s, but also valued the textuality and visual materiality of words and books. Nichol collaborated with Steve McCaffery to found the Toronto Research Group through which they wrote and published essays on the materiality of writing, which were later collected in Rational Geomancy: The Kids of the Book Machine (1992). The duo also formed a sound poetry group, The Four Horsemen, with Rafael Barreto-Rivera and Paul Dutton. Nichol founded Ganglia Press in 1965, and started a series of pamphlets in 1969 called grOnk. Nichol also published The Complete Works (Ganglia, 1969), a package of booklets Still Water, The true eventual story of Billy the Kid, Beach head, and The cosmic chef (Talonbooks, 1970) which won a Governor General’s Award for Poetry, ABC: the aleph beth book (Oberon Press, 1971), Monotons (Talonbooks, 1971), The Other Side of the Room (Weed/Flower Press, 1971) and Two Novels (Coach House Press, 1969).  At this time, Nichol began writing his life-long serial long poem, The Martyrology Books 1 & 2 (Coach House Press, 1972), a series which Nichol published Books 3 and 4 (C.H.P., 1976), Book 5 (C.H.P., 1982), Book 6 (1987), after which Books 7-10 were published posthumously through Coach House Press. Nichols worked tirelessly as an unpaid volunteer for Coach House Press, and personally edited or acquired almost one quarter of the titles published during that time. Nichols was not only a poet, visual artist and editor, he wrote songs and scripts for the TV programs Fraggle Rocks and The Racoons, musical comedies Group (1980) and Tracks (1986), and the bestselling children’s books ONCE: A Lullaby (Black Moss Press, 1983), Moosequakes and other disasters (Black Moss Press, 1981), The man who loved his knees (Black Moss Press, 1993) and To the end of the block (Black Moss Press, 1984). His later publications include Unit of four (Seripress, 1973), Zygal (Coach House Press, 1985), Selected organs: parts of an autobiography (Black Moss Press, 1988), Art Facts (Chax Press, 1990). Nichol appears in Michael Ondaatje’s film, Sons of Captain Poetry (1970), bp: pushing the boundaries directed by Brian Nash (1997), Ron Mann’s Poetry in Motion (1982). bpNichol died in Toronto on September 25, 1988. A street in the Annex district behind Coach House Press was named in his honour, with an eight-line poem by Nichol written into the pavement: “A / LAKE / A / LANE / A / LINE / A / LONE”.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]},{\"url\":\"http://viaf.org/viaf/30784380\",\"name\":\"Kearns, Lionel\",\"dates\":\"1937-\",\"notes\":\"Canadian poet Lionel Kearns was born in Nelson, British Columbia in 1937. His father, C.F. Kearns, a Great War flyer, outdoorsman and short-story author encouraged Kearns to pursue a literary career. In the mid 1950’s, Kearns embarked on trip, traveling the world and even playing professional hockey in Mexico. Kearns then returned to B.C. and studied poetic theory and structural linguistics at the University of British Columbia, where he met and worked with George Bowering, Frank Davey and Fred Wah in the Tish collective. His M.A. thesis was published by Tishbooks as Songs of circumstance in 1962. His second publication, Listen, George (Imago Press, 1965) was a verse-letter to George Bowering about his youth, written while he was studying at the School of Oriental and African Studies at the University of London. Kearns was influenced by the European  concrete and sound poetry movements, and spent a year in Trinidad analyzing the West Indian English dialect. In 1966, upon returning to Canada, Kearns held a position at the English department at Simon Fraser University, which he held until 1986. His next publications include By the light of the silvery McLune: media parables, poems, signs, gestures and other assaults on the interface (The Daylight Press, 1969), Practicing up to be human (1978), Ignoring the bomb (1982), and his highly acclaimed book, Convergences (1984). Kearns was the writer-in-residence at Concordia University from 1982-3. Since 1986, Kearns created a continent-wide on-line graduate course, ‘The Cybernetics of Poetry’ for ConnecEd, the distance learning facility of the New York School for Social Research in New York, which he teaches from home. Interested in the electronic and online poetry potential, Kearns became the first writer-in-electronic-residence, assisting Trevor Owen establish the ‘Wier’ project, an on-line writing project.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"Presenter_name":["Bowering, George"],"Series_organizer_name":["Bowering, George"],"Performance_Date":[1968],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Unfortunately, the recording appears to contain many cuts and occasionally jumps back and forth in time. At many points, it also sounds as though the sound of one tape has been layered over the other creating a doubling effect, which most likely occurred sometime after the original recording and digitization process.\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Unfortunately, the recording appears to contain many cuts and occasionally jumps back and forth in time. At many points, it also sounds as though the sound of one tape has been layered over the other creating a doubling effect, which most likely occurred sometime after the original recording and digitization process.\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel","Reel to Reel"],"physical_compositions":["Magnetic Tape","Magnetic Tape"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Mono","Mono"],"Dates":["[{\"date\":\"1968 11 22\",\"type\":\"Performance Date\",\"notes\":\"Date written twice on the reel and tape's box\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Unknown\",\"notes\":\" \",\"address\":\"Unknown\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Unknown"],"Venue":["Unknown"],"content_notes":["Lionel Kearns reads from Pointing (Ryerson Press, 1967) and poems published later in By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures, and other Assaults on the Interface (The Daylight Press, 1969). bpNichol reads from a wide variety of his works, some published, some unpublished, including Dada Lama (England: Tlaloc, 1968), The True Eventual Story of Billy the Kid (Weed/Flower, 1970), Konfessions of an Elizabethan Fan Dancer (Weed/Flower Press, 1973), and Selected Writing: As Elected (Talonbooks, 1980). Many unnamed poems may belong to two of Nichol’s series, the Captain Poetry Poems The Martyrology.\n"],"contents":["bpNichol_lionel_kearns_i086-11-026-1.mp3 [File 1 of 2]\n \nGeorge Bowering\n00:00:00\nThe second reading in our third series, I don't feel very happy tonight that the crowd is nice and big, and also that because I don't quite know what's going to happen, although I've heard rumours. We have Lionel Kearns [https://www.wikidata.org/wiki/Q6555690] and bpNichol [https://www.wikidata.org/wiki/Q4953105], as you know, and they have elected instead of doing a reading by each poet, with an intermission in the middle or anything like that, a manner of joint reading. And I think, in a sense, that makes a lot of sense, because Lionel Kearns is by one of his professions, a linguist, and also one of his main, one of his main themes is the social care of human beings. bpNichol is a radical therapist, and is known especially for his border-blur poems, and it makes a lot of sense, I think, for that reason that they do read together. They read together last night at Carleton [https://www.wikidata.org/wiki/Q1041737], apparently worked out very well. Lionel is as you probably know is one of the centres of the so-called Vancouver [https://www.wikidata.org/wiki/Q24639]Renaissance that took over Canadian poetry in the 1960's, threatened to do that too [laughter]. bp was one of those blessed children from the east, although he had lived in Vancouver before, who kept his ears open. Well, he says he was born there. bp managed to grace the city of Vancouver for a few years and I guess that's where he got the ears open in the first place, but since that time he's been opening all our ears. So seeing as how this reading threatens to last four hours, according to rumours, I think I'll stop now and give the floor to either, and, or bpNichol and Lionel Kearns.\n \nLionel Kearns\n00:02:26\nWell, I'll begin by reading a poem called \"Telephone\". It's what I call a media parable, I have a whole set of poems that are media parables and things, which are coming out in a collection very soon. This one is called \"Telephone\".\n \nLionel Kearns\n00:02:49\nReads \"Telephone\" [from By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface; audience laughter throughout].\n \nbpNichol\n00:07:04\nWhat you're going to get out of me this evening is a strange pastiche, since I managed to do that clever thing of losing everything I wrote over the last year. So this is selected weirdness.\n \nbpNichol\n00:07:23\nReads [“Monotones”, part I from Gifts: The Martyrology Book(s) 7 &”]. \n \nbpNichol\n00:08:45\nReads \"Uneven Song\". \n\nbpNichol\n00:09:28\nReads unnamed poem. \n \nLionel Kearns\n00:10:26\nReads \"Word\" [from By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface].\n \nLionel Kearns\n00:11:27\nI'll read a series of quiet poems. Because we've got some really loud ones to read too. \"Poem found among the ruins\".\n\nLionel Kearns\n00:11:43\nReads \"Poem found among the ruins\" [published as “Medium” in By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface].\n \nLionel Kearns\n00:12:19\nThis one's called \"The Business\".\n \nLionel Kearns\n00:12:24\nReads \"The Business\" [from By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface].\n \nLionel Kearns\n00:12:43\nThis one is called \"Genres”.\n \nLionel Kearns\n00:12:45\nReads \"Genres” [published as “Content” in By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface].\n \nLionel Kearns\n00:13:51\nReads \"The Answer\" [from By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface].\n \nLionel Kearns\n00:15:05\nAnd this one, derives from my seeing a piece of sculpture, an exhibition of Haida art I think, or some West Coast Indian art. A little figure of a woman carved, a carved figure of a woman, but she is in a very strange position, she's doing a kind of funny thing. It seemed worth writing a poem about. It's called \"Labio Digital\". [Audience laughter].\n \nLionel Kearns\n00:15:55\nReads \"Labio Digital\" [published as “Sculpture” in By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface].\n \nbpNichol\n00:16:41\nReads \"The True Eventual Story of Billy the Kid\" [published  later in The True Eventual Story of Billy the Kid and collected in Craft Dinner: Stories & Texts 1966-1976; audience laughter throughout]]. \n \nLionel Kearns\n00:20:46\nThis one is called--I'll try reading with both the mic and without the mic and if you can't hear me, then shout and tell me that you can't hear me. I'll try this one without the mic. It's called \"Gestured” My titles are always very abstract. That's not very abstract [audience laughter]. Most of my titles are very abstract. This is written for a friend, I had to [inaudible] with a sketch.\n \nLionel Kearns\n00:21:32\nReads “Gestured” [published as \"Expression\" in By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface].\n\nAudience\n00:22:36\nApplause [cut off].\n\nLionel Kearns\n00:22:39\nActually, actually, I don't think it's a good idea to clap in between the poems, because bp and I have got so many good poems that you're going to wear your hands out. [Audience laughter]. This one is called \"Transport\", it's also a media parable.\n \nLionel Kearns\n00:22:56\nReads \"Transport\" [from By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface].\n\nUnknown\n00:26:32\n[Cut or edit made in tape. Unknown amount of time elapsed].\n \nbpNichol\n00:26:33\nThere's things that I try to be absolutely very, very personal [inaudible] thing I ever wrote. I wrote it at Port Dover [https://www.wikidata.org/wiki/Q7230589], in, on Lake Erie [https://www.wikidata.org/wiki/Q5492]. It's one of those days when I was flaked out on the beach, covered up because I get vicious sunburns and just peel the whole summer, and in the background was playing \"(There’ll Be Bluebirds) Over the white cliffs of Dover\" and “What’s New Pussycat” sort of juxtaposed, there was sprawled over the beach was this weird phrase \"Podunk\" and these two cats were playing football overtop of my head. So anyways I felt very sort of, weird, and wrote the following poem.\n \nbpNichol\n00:27:25\nPerforms unnamed poem.\n \nbpNichol\n00:29:06\nHugo Ball [https://www.wikidata.org/wiki/Q70989] was kind of the daddy of us all, and he was kind of a very fine dadaist who lived in Switzerland [https://www.wikidata.org/wiki/Q39] during the first World War [https://www.wikidata.org/wiki/Q361] and sort of did the first sound poems. It was very strange, if you read Hugo Ball's diaries, it's rather fascinating because it was more or less, when he gave these sort of his final public reading he got really carried away in the midst of a sound poem an kind of got thrown back into sort of a--how to put this--an earlier space in his mind, anyways he went back and started remembering all sorts of things right back through his life doing this sound poem. As you read the diaries, there's a real feeling he became totally terrified of what was happening to him. Because at that point he then just split and left the whole thing behind. So this is kind of for Hugo Ball. It's called \"Dada Lama\". This poem's gone through so many changes I can't even keep track of it anymore.\n \nbpNichol\n00:30:28\nReads [sections of Dada Lama: a sound sequence in six parts, collected later in Selected Writing: As Elected]. \n \nLionel Kearns\n00:33:38\nI'm going to read some poems now from my collection, Pointing, which I see is for sale out on the other room. These poems are, for the most part, quiet poems, poems of my own measured voice. They're poems that originated a few years ago and they came out of the general West Coast poetry scene that was going on very intensely--hello?\n\nGeorge Bowering\n00:34:09\nIt’s hard to hear... \n\nLionel Kearns\n00:34:10\nIs it hard to hear back there with this? \n\nUnknown\n00:34:12\nAmbient Sound [voices and laughter].\n\nLionel Kearns\n00:34:20\nI'll try--If I talk louder into the mic can you hear that? Keep letting me know, if you can't hear, shout. I'd like to read this one into the mic because they aren't poems that can be shouted. This one is called \"Situation\" and it derives from an experience I had in Mexico [https://www.wikidata.org/wiki/Q96] many years ago. \n \nLionel Kearns\n00:35:06\nReads poem \"Situation” [from Pointing].\n \nLionel Kearns\n00:36:24\nHow's that for sound, can you hear that? \"Insights\".\n\nLionel Kearns\n00:36:36\nReads \"Insights\" [from By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface]/\n \nLionel Kearns\n00:36:55\nI'm very sentimental [audience laughter.] This is an early poem I wrote, it's called \"Homage to Machado\". It's really a translation of a poem by Antonio Machado [https://www.wikidata.org/wiki/Q243771], the Spanish poet. I've not only translated it, I've switched the central image, but used his statement. His image was that of a boat going across a lake and he looked out and saw the ripple of the water behind it and  then commented on that. But I changed the metaphor.\n \nLionel Kearns\n00:37:45\nReads \"Hommage to Machado\" [from Pointing].\n \nLionel Kearns\n00:38:17\nReads \"Remains\" [from Pointing].\n \nLionel Kearns\n00:39:08\nReads \"Total Presence\" [from Pointing].\n \nLionel Kearns\n00:40:05\nA very small poem called \"Witness\".\n \nLionel Kearns\n00:40:07\nReads \"Witness\" [from Pointing].\n \nLionel Kearns\n00:40:38\nAnd this one, called \"Profile\". I'll read it without the mic.\n \nLionel Kearns\n00:40:45\nReads \"Profile\" [from Pointing].\n \nUnknown Audience Member 1\n00:41:32\nHave you ever thought of pausing it and--\n\nUnknown\n00:41:34\n[Cut or edit made in tape. Unknown amount of time elapsed].\n \nLionel Kearns\n00:41:37\nWe thought of reading all of our quiet poems at the beginning, and then getting louder and louder and louder, but we thought this would get you too excited and you'd go out onto the street and...[audience laughter.] So we decided to mix them all up and you'll get everything quiet and loud and funny and very serious and that's part of it,you know,getting them all at once all in juxtaposed relationships.\n \nbpNichol\n00:42:12\nThis way you can sort of do what you want with which ones you wanna do. It's very hard to listen to a poetry reading all the way through. I can never hack poetry readings myself [audience laughter]. What Lionel and I are trying to do is maybe do you a favour so you can listen for a longer time maybe [audience laughter].\n \nLionel Kearns\n00:42:32\nWho locked the door? [Audience laughter].\n \nbpNichol\n00:42:37\nAmong my poems from the last year which I lost, was a very long thing called The Martyrology which included all these things about a whole series of saints I'd evolved. Which had included St. Reet and St. Ranglehold and St. And and it's kind of too complicated to go into what they all sort of were doing, but St. Ranglehold came from the word 'stranglehold' and the rest you can kind of figure out maybe.\n \nbpNichol\n00:43:05\nReads unnamed poem from The Martyrology series.\n \nLionel Kearns\n00:43:56\nWas that loud enough by the way?\n \nbpNichol\n00:43:58\nCould you hear that? It's hard to tell from behind here. This is a poem called \"Ruth\" and it was for a good friend of mine, David W. Harris, who now calls himself David W. And it begins with a quote from Ruth.\n \nbpNichol\n00:44:20\nReads \"Ruth\" [from Ruth].\n \nbpNichol\n00:46:20\nReads unnamed poem. \n \nbpNichol\n00:46:57\nAnd this uh, this is a poem that begins with a line from a poem by bill bissett [https://www.wikidata.org/wiki/Q4911496]. Actually--\n\nUnknown\n00:47:01\n[Cut or edit made in tape. Unknown amount of time elapsed].\n \nbpNichol\n00:47:18\nReads unnamed poem. \n\nLionel Kearns\n00:49:43\nWe'll try it up there. It's called \"Color Problem\".\n \nLionel Kearns\n00:49:49\nReads \"Color Problem\" [from By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface].\n \nLionel Kearns\n00:50:06\nThis, I'm going to read a concrete poem now. bp inspires me so much with his concrete poetry that I have begun to write concrete poetry too. Some concrete poetry is purely visual and you can't read it, it's to go on walls and things like that. Other concrete poetry is so sonic that it's nothing really to look at, but occasionally you can get the two combined so that you have something on the page which also is something else when read, but the two correspond. This one that I've got is to some extent like that, on the page it's called \"Studies in Interior Decoration Border Design\" because of the way it looks on the page, which of course being an audience at a poetry reading, you aren't concerned with. But I'll read it  and it does work, I think, sonically too. It's called \"The Woman Who Reminded Him of the Woman Who\".\n \nLionel Kearns\n00:51:20\nReads \"The Woman Who Reminded Him of the Woman Who\" [published as “The Woman Who” in By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface].\n \nUnknown\n00:53:14\n[Cut or edit made in tape. Recording cuts to bpNichol_lionel_kearns_i086-11-0262.mp3 00:37:59].\n \nLionel Kearns\n00:53:25\nThis one is called \"It\".\n \nLionel Kearns\n00:53:28\nReads \"It\" [from Pointing].\n \nLionel Kearns\n00:54:02\nA lot of the poems in this book--\n \nUnknown\n00:54:05\n[Cut or edit made in tape. Recording cuts back to approximately 00:53:13].\n \nLionel Kearns\n00:54:15\nThis is called the \"Kinetic Poem\", my poem is called the \"Kinetic Poem\".\n \nLionel Kearns\n00:54:26\nReads \"Kinetic Poem\" [from By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface] with bpNichol.\n \nUnknown\n00:55:57\n[Cut or edit made in tape. Unknown amount of time elapsed].\n \nbpNichol\n00:56:00\nKon Ichikawa is the name of a Japanese film maker that made a film about the Olympics [https://www.wikidata.org/wiki/Q5389]. Okay? How should we start this out--'all together now?' [audience laughter].\n \nLionel Kearns\n00:56:15\nThink--think, pretend you're at the Olympics. [Audience laughter].\n \nbpNichol\n00:56:23\n“Karnijakawa--Karnijakawa”, follow me. \n\nbpNichol\n00:56:30\nChants \"Kon Ichikawa” pronounced as “Karnijakawa\" repeatedly with Lionel Kearns and the audience.\n \nbpNichol\n00:57:11\nThank you.\n\nAudience\n00:57:13\nApplause [cut off].\n \nUnknown Audience Member 2\n00:57:16\nKarni-jakawa!\n \nLionel Kearns\n00:57:22\nCarne means meat in Spanish. I was at Louis Dudek's [https://www.wikidata.org/wiki/Q3261787], at one of his courses today and we were talking and the students were talking and so on and I was reading a few poems, and they said, \"Why are you so pessimistic about things?\" and I'm not so pessimistic, and I'll read a poem now that's got an up-beat ending [audience laughter].\n \nUnknown Audience Member 3\n00:57:59\nWhat led them to deduce your pessimism?\n \nLionel Kearns\n00:58:00\nI read a poem without an upbeat ending [audience laughter]. This is another media parable. And it's called \"The Parable of the Seventh Seal\" and naturally, it derives from a movie. Um, the movie called The Seven Samurai [https://www.wikidata.org/wiki/Q189540]. [Audience laughter.] Or you've probably seen that, there's a,Hollywood [https://www.wikidata.org/wiki/Q34006] derived a few movies from that, one of them called The Magnificent Seven [https://www.wikidata.org/wiki/Q19069] or something like that. The original one was a Western made in Japan [https://www.wikidata.org/wiki/Q17], and Hollywood stole the idea and made a Western in the West. Now I've taken the same situation, the same story and given it a Northern locale. And that's why it's called \"The Seventh Seal\" [Audience laughter]. It was published in this New Romans thing, and that makes it an anti-American poem, but it really, when I wrote it, I didn't have this book in mind. But they paid me $30 so [audience laughter] I put it in here.\n \nLionel Kearns\n00:59:38\nReads \"The Parable of the Seventh Seal\" [published as “The Seventh Seal” in By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface; reading cut off].\n \nEND\n01:01:57\n\n\nbpNichol_lionel_kearns_i086-11-026-2.mp3 [File 2 of 2]\n\nLionel Kearns\n00:00:00\nReads \"The Parable of the Seventh Seal\" [published as “The Seventh Seal” in By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface; reading resumes from previous recording; audience laughter throughout].\n \nbpNichol\n00:06:17\nReads \"Historical Implications of Turnips\" [from Konfessions of an Elizabethan Fan Dancer].\n \nbpNichol\n00:07:01\nThis is called, for a reason I cannot remember at all, \"Cycle Number 22\".\n \nbpNichol\n00:07:13\nReads \"Cycle Number 22\" [from Konfessions of an Elizabethan Fan Dancer and published later in Selected Writing: As Elected].\n \nbpNichol\n00:07:49\nThis next poem's called \"The Child in Me\". It's kind of what all sound poetry's about anyways. Enough said.\n \nbpNichol\n00:08:09\nReads \"The Child in Me\" [from Konfessions of an Elizabethan Fan Dancer].\n \nbpNichol\n00:09:10\nThis is a poem called \"The New New Captain Poetry Blues\" and it's for David McFadden [https://www.wikidata.org/wiki/Q5237344]. Captain Poetry is kind of this person that happened a long time ago in a magazine I used to edit called Ganglia, and David McFadden is still happening in Hamilton [https://www.wikidata.org/wiki/Q133116], and is probably Canada's [https://www.wikidata.org/wiki/Q16] best poet and what else is there to say? Oh yes, a little footnote, there's a place in here called Plunkett [https://www.wikidata.org/wiki/Q2202272] which really exists and my mother was born there strangely enough. This is all about that.\n \nbpNichol\n00:09:48\nReads [sections of \"The New New Captain Poetry Blues: An Undecided Novel\" from The Captain Poetry Poems].\n \nLionel Kearns\n00:12:53\nThis poem is called \"Split\".\n \nLionel Kearns\n00:12:59\nReads \"Split\" [published as “Personality” in By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface].\n\nAudience\n00:14:05\nLaughter.\n \nLionel Kearns\n00:14:07\nPeople occasionally, when they're put on the spot to ask me questions, say \"What's it like to be a poet\", or \"Is it true that so and so and so and so...\" and things like that, questions that are impossible to answer. But there is something about being a poet, and this is one of the things, this is one of the differences, and this poem is called \"The Difference\".\n \nLionel Kearns\n00:14:40\nReads \"The Difference\" [published as “Roles” in By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface; audience laughter throughout].\n \nLionel Kearns\n00:15:40\nThis is an older poem, it's a Christmas poem, it was written at the time when [Khrushchev (?)] got his call down, also about the time of the American intervention in the Dominican Republic [https://www.wikidata.org/wiki/Q786], where the Americans came in because they knew that there were Cuban influences, or the Cubans were behind the so-called rebels in the Dominican Republic and one of the proofs was that some of the rebels had been seen wearing green uniforms [audience laughter]. Of course, most military uniforms are kind of green, but they pointed out that some of Fidel Castro's [https://www.wikidata.org/wiki/Q11256] soldiers had green uniforms too. But this is a Christmas poem.\n \nLionel Kearns\n00:16:51\nReads \"Christmas Poem” [from By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface].\n \nLionel Kearns\n00:17:57\nI make most of my living teaching at Simon Fraser University [https://www.wikidata.org/wiki/Q201603] and we have some troubles out there sometimes. One of the things that troubled us was the fact that when we were giving lectures to large crowds, we sometimes used the public address system and we found out that back--that the public address system was hooked up with-- operated with an FM band, and the, all your lectures could be picked up on an FM set, for example, an FM set in the President's office. We've since lost that President. And this is called \"University\".\n \nLionel Kearns\n00:18:55\nReads \"University\" [from By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface].\n \nLionel Kearns\n00:19:24\nThis one is called \"Economic Chronology\".\n \nLionel Kearns\n00:19:29\nReads \"Economic Chronology\" [from By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface].\n \nbpNichol\n00:19:42\nThis one's called \"Alimony, Old Baloney\".\n \nbpNichol\n00:19:51\nReads \"Alimony, Old Baloney\" [most likely from the Captain Poetry series]. \n \nUnknown\n00:24:14\n[Cut or edit made in tape. Unknown amount of time elapsed].\n\nbpNichol\n00:24:15\nReads unnamed “Captain Poetry” poem.\n \nLionel Kearns\n00:26:25\nWell if bp is going to keep reading his Captain Poetry poems, I'm going to read my “Ventilation Parable”. This is an epic.\n \nLionel Kearns\n00:26:43\nReads \"Ventilation Parable\" [published as “Ventilation” in By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface].\n \nLionel Kearns\n00:31:19\nThis poem is called \"Creation\".\n \nLionel Kearns\n00:31:24\nReads \"Creation\" [from Pointing].\n \nbpNichol\n00:31:52\nI'm going to do that dangerous thing and read a poem I wrote last night. That's [inaudible]. \n \nUnknown\n00:31:59\n[Cut or edit made in tape. Recording cuts back to 00:31:40].\n\nLionel Kearns\n00:32:00\nReads section of “Creation” [from Pointing].\n \nUnknown\n00:32:18\n[Cut or edit made in tape. Recording cuts back to 00:31:52]. \n\nAudience\n00:32:19\nLaughter.\n\nbpNichol\n00:32:21\nI'm going to do that dangerous thing and read a poem I wrote last night [laughter]. That's waking Lionel up at 7:30 this morning which he didn't quite forgive me for. It starts off with a quote from a poem by Bobby Hoat [?.] Well, yesterday we were up at Carlton doing a reading there. It's a poem called \"Zero Phase\". There's a town referred to in here called Vars [https://www.wikidata.org/wiki/Q3554856] which happens to be where he lives. It's a very groovy little place, just outside of...\n \nLionel Kearns\n00:32:51\nCan you hear?\n \nbpNichol\n00:32:52\nIs that okay? If I talk kind of into it like this?\n \nbpNichol\n00:33:04\nReads \"Zero Phase\".\n \nbpNichol\n00:34:36\nThis is a poem called \"Returning\". It sort of was written after I wrote a book of poetry called Journeying and the Returns.\n \nbpNichol\n00:34:58\nReads \"Returning\".\n \nLionel Kearns\n00:37:49\nI'm going--I'm going to read a series of poems again, from my collection Pointing. This one is called \"It\".\n \nLionel Kearns\n00:38:13\nReads \"It\" [from Pointing].\n \nLionel Kearns\n00:38:45\nA lot of the poems in this book derive their images from dreams, and this is a poem which is about a dream I had. And it's--I've interpreted the dream. Some extent of the poem--I interpreted as a kind of message about where I get my images for my poems, or where I got them at this particular period. And I called \"Ambergris, a Statement on Source\". Ambergris, being that stuff that sick whales cough up and which floats around on the ocean and it's very smelly stuff but it's very valuable stuff if you find it floating around because you can sell it for a great deal of money to perfume factories. And that's the interpretation of the series of images that follow.\n \nLionel Kearns\n00:39:55\nReads \"Ambergris, a Statement on Source\" [from Pointing].\n \nLionel Kearns\n00:40:42\nAnd this one, called \"Contra Diction\", it's a poem that is often anthologized. It's a poem that I like because I think it does what usually I'm trying to do in poems. It's not a very big poem, but it's neat, I think.\n \nLionel Kearns\n00:41:12\nReads \"Contra Diction\" [from Pointing].\n \nLionel Kearns\n00:41:40\nThis one is called \"Both\".\n \nLionel Kearns\n00:41:45\nReads \"Both\" [from Pointing].\n\nUnknown\n00:42:06\n[Cut or edit made in tape. Unknown amount of time elapsed].\n \nLionel Kearns\n00:42:07\nThis is an early poem that I wrote, it fits into a series of poems that I was writing at the time in which I was dealing with my own background, trying to come to terms with things like my own Catholic background, and as you will see the central image is a Christian one. The situation is the fairgrounds actual--the actual situation is the PNE- the Pacific National Exhibition [https://www.wikidata.org/wiki/Q4179402]. It's an easter poem called \"Friday at the Ex\"\n \nLionel Kearns\n00:43:07\nReads \"Friday at the Ex\" [from Pointing].\n \nLionel Kearns\n00:44:34\nAnd this one, called \"Prototypes\".\n \nLionel Kearns\n00:44:41\nReads \"Prototypes\" [from Pointing].\n \nLionel Kearns\n00:45:33\nAnd I think this is the last one I'll read, it's called \"End Poem\". An appropriate title.\n \nLionel Kearns\n00:45:42\nReads \"End Poem\" [from Pointing].\n\nUnknown\n00:46:04\n[Cut or edit made in tape. Unknown amount of time elapsed]. \n\nbpNichol\n00:46:05\nReads unnamed poem. \n \nEND\n00:46:47"],"Note":["[{\"note\":\"Year-Specific Information:\\n\\nIn 1968, Lionel Kearns was working on By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures, and other Assaults on the Interface (The Daylight Press, 1969) and published The Birth of God (Trigram Press, 1968) and Trips Out (Western Press, 1968).\\n\\nIn 1968, bpNichol was editing Gronk, published Dada Lama (Tlaloc, 1968), Captain Poetry Poems (blewointment press, 1968), DA DEAD (Ganglia Press), a collaboration with David Aylward called Strange Grey Town (Gronk Press, 1968) and was working on The Complete Works (Ganglia Press, 1969), The Martyrology (Coach House Press, 1972). Nichol and Kearns read at Carleton University the night before this reading.\",\"type\":\"General\"},{\"note\":\"Local Connections:\\n\\nKearns met George Bowering in Vancouver at University of British Columbia and was part of the Tish movement in the early 60’s.\\n\\nNo direct connections to Sir George Williams University have been found, however\\nbpNichol’s fame exploded in the mid-60’s in Canada and was well known to the Reading Series Committee and many of the other poets who read in the series.\",\"type\":\"General\"},{\"note\":\"2 reel-to-reel tapes>2 CDs>2 digital files\",\"type\":\"Preservation\"},{\"note\":\"Original transcript, print catalogue, introduction, research and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Ali Barillaro\",\"type\":\"Cataloguer\"}]"],"Related_works":["[{\"url\":\"http://www.bpnichol.ca/about\",\"citation\":\"“About bp: a short biography & select bibliography”. An Online Archive for bpNichol. Artmop Project and Ellie Nichol.\"},{\"url\":\"https://www.worldcat.org/title/from-there-to-here-a-guide-to-english-canadian-literature-since-1960/oclc/441669839&referer=brief_results\",\"citation\":\"Davey, Frank. “bp Nichol”. From There to Here: a Guide to English-Canadian Literature Since 1960. Erin, Ontario: Press Porcepic, 1974. \"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-canadian-literature/oclc/605246871&referer=brief_results\",\"citation\":\"Davey, Frank. \\\"Kearns, Lionel\\\". The Oxford Companion to Canadian Literature. Eugene Benson and William Toye (eds). Oxford University Press 2001. \"},{\"url\":\"https://www.worldcat.org/title/from-there-to-here-a-guide-to-english-canadian-literature-since-1960/oclc/441669839&referer=brief_results\",\"citation\":\"Davey, Frank. “Lionel Kearns”. From There to Here: A Guide to English-Canadian Literature Since 1960. Erin, Ontario: Press Porcepic, 1974. \"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-canadian-literature/oclc/605246871&referer=brief_results\",\"citation\":\"Davey, Frank. \\\"Nichol, bp\\\". The Oxford Companion to Canadian Literature. Eugene Benson and William Toye (eds). Oxford University Press 2001.  \"},{\"url\":\"https://www.worldcat.org/title/pointing-ryerson/oclc/695590531&referer=brief_results\",\"citation\":\"Kearns, Lionel. Pointing. Toronto: Ryerson Press, 1967. \"},{\"url\":\"https://www.worldcat.org/title/by-the-light-of-the-silvery-mclune-media-parables-poems-signs-gestures-and-other-assaults-on-the-interface/oclc/639996585&referer=brief_results\",\"citation\":\"Kearns, Lionel. By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures, and other Assaults on the Interface. Vancouver: The Daylight Press & Talon Books, 1969. \"},{\"url\":\"https://www.worldcat.org/title/encyclopedia-of-post-colonial-literatures-in-english-vol-1/oclc/32566813&referer=brief_results\",\"citation\":\"Miki, Roy. “Nichol, Bp (1944-1988)”. Routledge Encyclopedia of Post-Colonial Literatures in English. Eugene Benson and L.W. Conolly (eds). London: Routledge, 1994. 2 Vols. \"},{\"url\":\"https://www.worldcat.org/title/abc-the-aleph-beth-book/oclc/906049140&referer=brief_results\",\"citation\":\"Nichol, BP.  ABC Aleph Beth Book. Toronto: Oberon Press, 1971. \"},{\"url\":\"https://www.worldcat.org/title/ballads-of-the-restless-are-two-versionscommon-source/oclc/910220806&referer=brief_results\",\"citation\":\"Nichol, BP. Ballads of the Restless Are. Sacramento: Runcible Spoon, 1967-8. \"},{\"url\":\"https://www.worldcat.org/title/beach-head/oclc/1147729759&referer=brief_results\",\"citation\":\"Nichol, BP. Beach Head. Sacramento: Runcible Spoon, 1970.\"},{\"url\":\"https://www.worldcat.org/title/briefly-the-birthdeath-cycle-from-the-book-of-hours/oclc/10260162&referer=brief_results\",\"citation\":\"Nichol, BP. Briefly: the birthdeath cycle from The Book of Hours. Lantzville, British Columbia: Island Writing Series: 1981. \"},{\"url\":\"https://www.worldcat.org/title/craft-dinner-stories-texts-1966-1976/oclc/562773039&referer=brief_results\",\"citation\":\"Nichol, BP. Craft Dinner: Stories & Texts 1966-1976. Toronto: Aya Press, 1978. \"},{\"url\":\"https://www.worldcat.org/title/dada-lama-a-sound-sequence-in-six-parts/oclc/877591459&referer=brief_results\",\"citation\":\"Nichol, BP. Dada Lama. Leeds, England: Tlaloc, 1968. \"},{\"url\":\"https://www.worldcat.org/title/extreme-positions/oclc/729776791&referer=brief_results\",\"citation\":\"Nichol, BP. Extreme Positions. Edmonton: Longspoon Press, 1981. \"},{\"url\":\"https://www.worldcat.org/title/journal/oclc/797400077&referer=brief_results\",\"citation\":\"Nichol, BP. Journal. Toronto: Coach House Press, 1978. \"},{\"url\":\"https://www.worldcat.org/title/journeying-the-returns/oclc/458215&referer=brief_results\",\"citation\":\"Nichol, BP. Journeying & the Returns. Toronto: Coach House Press, 1967. \"},{\"url\":\"https://www.worldcat.org/title/konfessions-of-an-elizabethan-fan-dancer/oclc/784883412&referer=brief_results\",\"citation\":\"Nichol, BP. Konfessions of an Elizabethan Fan Dancer. Toronto: Weed/Flower Press, 1973. \"},{\"url\":\"https://www.worldcat.org/title/ruth/oclc/1056461719&referer=brief_results\",\"citation\":\"Nichol, BP. Ruth. Toronto: Fleye Press, 1967. \"},{\"url\":\"https://www.worldcat.org/title/selected-writing-as-elected/oclc/907413274&referer=brief_results\",\"citation\":\"Nichol, BP. Selected Writing: As Elected. Vancouver: Talonbooks, 1980.\"},{\"url\":\"https://www.worldcat.org/title/captain-poetry-poems/oclc/839698718&referer=brief_results\",\"citation\":\"Nichol, BP. The Captain Poetry Poems. Vancouver: blew ointment press, 1968.\"},{\"url\":\"https://www.worldcat.org/title/martyrology/oclc/44068798&referer=brief_results\",\"citation\":\"Nichol, BP. The Martyrology. Toronto: Coach House Press, 1972. \"},{\"url\":\"https://www.worldcat.org/title/true-eventual-story-of-billy-the-kid/oclc/915720355&referer=brief_results\",\"citation\":\"Nichol, BP. The True Eventual Story of Billy the Kid. Toronto: Weed/Flower, 1970.\"},{\"url\":\"https://www.worldcat.org/title/encyclopedia-of-post-colonial-literatures-in-english-vol-1/oclc/32566813&referer=brief_results\",\"citation\":\"Schermbrucker, Bill. “Kearns, Lionel John (1937-)”. Routledge Encyclopedia of Post-Colonial Literatures in English. Eugene Benson and L.W. Conolly (eds). London: Routledge, 1994. 2 Vols.\"},{\"url\":\"\",\"citation\":\"“Lionel Kearns: Biography”. Canadian Poetry Online. University of Toronto Libraries, 2000. \"}]"],"_version_":1853670548862664704,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0086_11_0026.1-back.jpg\",\"file_path\":\"\",\"filename\":\"I0086_11_0026.1 back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Kearns and Nichol Tape Box 1 - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0086_11_0026.1-front.jpg\",\"file_path\":\"\",\"filename\":\"I0086_11_0026.1 front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Kearns and Nichol Tape Box 1 - 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We have Lionel Kearns [https://www.wikidata.org/wiki/Q6555690] and bpNichol [https://www.wikidata.org/wiki/Q4953105], as you know, and they have elected instead of doing a reading by each poet, with an intermission in the middle or anything like that, a manner of joint reading. And I think, in a sense, that makes a lot of sense, because Lionel Kearns is by one of his professions, a linguist, and also one of his main, one of his main themes is the social care of human beings. bpNichol is a radical therapist, and is known especially for his border-blur poems, and it makes a lot of sense, I think, for that reason that they do read together. They read together last night at Carleton [https://www.wikidata.org/wiki/Q1041737], apparently worked out very well. Lionel is as you probably know is one of the centres of the so-called Vancouver [https://www.wikidata.org/wiki/Q24639]Renaissance that took over Canadian poetry in the 1960's, threatened to do that too [laughter]. bp was one of those blessed children from the east, although he had lived in Vancouver before, who kept his ears open. Well, he says he was born there. bp managed to grace the city of Vancouver for a few years and I guess that's where he got the ears open in the first place, but since that time he's been opening all our ears. So seeing as how this reading threatens to last four hours, according to rumours, I think I'll stop now and give the floor to either, and, or bpNichol and Lionel Kearns.\\n \\nLionel Kearns\\n00:02:26\\nWell, I'll begin by reading a poem called \\\"Telephone\\\". It's what I call a media parable, I have a whole set of poems that are media parables and things, which are coming out in a collection very soon. This one is called \\\"Telephone\\\".\\n \\nLionel Kearns\\n00:02:49\\nReads \\\"Telephone\\\" [from By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface; audience laughter throughout].\\n \\nbpNichol\\n00:07:04\\nWhat you're going to get out of me this evening is a strange pastiche, since I managed to do that clever thing of losing everything I wrote over the last year. So this is selected weirdness.\\n \\nbpNichol\\n00:07:23\\nReads [“Monotones”, part I from Gifts: The Martyrology Book(s) 7 &”]. \\n \\nbpNichol\\n00:08:45\\nReads \\\"Uneven Song\\\". \\n\\nbpNichol\\n00:09:28\\nReads unnamed poem. \\n \\nLionel Kearns\\n00:10:26\\nReads \\\"Word\\\" [from By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface].\\n \\nLionel Kearns\\n00:11:27\\nI'll read a series of quiet poems. Because we've got some really loud ones to read too. \\\"Poem found among the ruins\\\".\\n\\nLionel Kearns\\n00:11:43\\nReads \\\"Poem found among the ruins\\\" [published as “Medium” in By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface].\\n \\nLionel Kearns\\n00:12:19\\nThis one's called \\\"The Business\\\".\\n \\nLionel Kearns\\n00:12:24\\nReads \\\"The Business\\\" [from By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface].\\n \\nLionel Kearns\\n00:12:43\\nThis one is called \\\"Genres”.\\n \\nLionel Kearns\\n00:12:45\\nReads \\\"Genres” [published as “Content” in By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface].\\n \\nLionel Kearns\\n00:13:51\\nReads \\\"The Answer\\\" [from By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface].\\n \\nLionel Kearns\\n00:15:05\\nAnd this one, derives from my seeing a piece of sculpture, an exhibition of Haida art I think, or some West Coast Indian art. A little figure of a woman carved, a carved figure of a woman, but she is in a very strange position, she's doing a kind of funny thing. It seemed worth writing a poem about. It's called \\\"Labio Digital\\\". [Audience laughter].\\n \\nLionel Kearns\\n00:15:55\\nReads \\\"Labio Digital\\\" [published as “Sculpture” in By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface].\\n \\nbpNichol\\n00:16:41\\nReads \\\"The True Eventual Story of Billy the Kid\\\" [published  later in The True Eventual Story of Billy the Kid and collected in Craft Dinner: Stories & Texts 1966-1976; audience laughter throughout]]. \\n \\nLionel Kearns\\n00:20:46\\nThis one is called--I'll try reading with both the mic and without the mic and if you can't hear me, then shout and tell me that you can't hear me. I'll try this one without the mic. It's called \\\"Gestured” My titles are always very abstract. That's not very abstract [audience laughter]. Most of my titles are very abstract. This is written for a friend, I had to [inaudible] with a sketch.\\n \\nLionel Kearns\\n00:21:32\\nReads “Gestured” [published as \\\"Expression\\\" in By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface].\\n\\nAudience\\n00:22:36\\nApplause [cut off].\\n\\nLionel Kearns\\n00:22:39\\nActually, actually, I don't think it's a good idea to clap in between the poems, because bp and I have got so many good poems that you're going to wear your hands out. [Audience laughter]. This one is called \\\"Transport\\\", it's also a media parable.\\n \\nLionel Kearns\\n00:22:56\\nReads \\\"Transport\\\" [from By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface].\\n\\nUnknown\\n00:26:32\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n \\nbpNichol\\n00:26:33\\nThere's things that I try to be absolutely very, very personal [inaudible] thing I ever wrote. I wrote it at Port Dover [https://www.wikidata.org/wiki/Q7230589], in, on Lake Erie [https://www.wikidata.org/wiki/Q5492]. It's one of those days when I was flaked out on the beach, covered up because I get vicious sunburns and just peel the whole summer, and in the background was playing \\\"(There’ll Be Bluebirds) Over the white cliffs of Dover\\\" and “What’s New Pussycat” sort of juxtaposed, there was sprawled over the beach was this weird phrase \\\"Podunk\\\" and these two cats were playing football overtop of my head. So anyways I felt very sort of, weird, and wrote the following poem.\\n \\nbpNichol\\n00:27:25\\nPerforms unnamed poem.\\n \\nbpNichol\\n00:29:06\\nHugo Ball [https://www.wikidata.org/wiki/Q70989] was kind of the daddy of us all, and he was kind of a very fine dadaist who lived in Switzerland [https://www.wikidata.org/wiki/Q39] during the first World War [https://www.wikidata.org/wiki/Q361] and sort of did the first sound poems. It was very strange, if you read Hugo Ball's diaries, it's rather fascinating because it was more or less, when he gave these sort of his final public reading he got really carried away in the midst of a sound poem an kind of got thrown back into sort of a--how to put this--an earlier space in his mind, anyways he went back and started remembering all sorts of things right back through his life doing this sound poem. As you read the diaries, there's a real feeling he became totally terrified of what was happening to him. Because at that point he then just split and left the whole thing behind. So this is kind of for Hugo Ball. It's called \\\"Dada Lama\\\". This poem's gone through so many changes I can't even keep track of it anymore.\\n \\nbpNichol\\n00:30:28\\nReads [sections of Dada Lama: a sound sequence in six parts, collected later in Selected Writing: As Elected]. \\n \\nLionel Kearns\\n00:33:38\\nI'm going to read some poems now from my collection, Pointing, which I see is for sale out on the other room. These poems are, for the most part, quiet poems, poems of my own measured voice. They're poems that originated a few years ago and they came out of the general West Coast poetry scene that was going on very intensely--hello?\\n\\nGeorge Bowering\\n00:34:09\\nIt’s hard to hear... \\n\\nLionel Kearns\\n00:34:10\\nIs it hard to hear back there with this? \\n\\nUnknown\\n00:34:12\\nAmbient Sound [voices and laughter].\\n\\nLionel Kearns\\n00:34:20\\nI'll try--If I talk louder into the mic can you hear that? Keep letting me know, if you can't hear, shout. I'd like to read this one into the mic because they aren't poems that can be shouted. This one is called \\\"Situation\\\" and it derives from an experience I had in Mexico [https://www.wikidata.org/wiki/Q96] many years ago. \\n \\nLionel Kearns\\n00:35:06\\nReads poem \\\"Situation” [from Pointing].\\n \\nLionel Kearns\\n00:36:24\\nHow's that for sound, can you hear that? \\\"Insights\\\".\\n\\nLionel Kearns\\n00:36:36\\nReads \\\"Insights\\\" [from By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface]/\\n \\nLionel Kearns\\n00:36:55\\nI'm very sentimental [audience laughter.] This is an early poem I wrote, it's called \\\"Homage to Machado\\\". It's really a translation of a poem by Antonio Machado [https://www.wikidata.org/wiki/Q243771], the Spanish poet. I've not only translated it, I've switched the central image, but used his statement. His image was that of a boat going across a lake and he looked out and saw the ripple of the water behind it and  then commented on that. But I changed the metaphor.\\n \\nLionel Kearns\\n00:37:45\\nReads \\\"Hommage to Machado\\\" [from Pointing].\\n \\nLionel Kearns\\n00:38:17\\nReads \\\"Remains\\\" [from Pointing].\\n \\nLionel Kearns\\n00:39:08\\nReads \\\"Total Presence\\\" [from Pointing].\\n \\nLionel Kearns\\n00:40:05\\nA very small poem called \\\"Witness\\\".\\n \\nLionel Kearns\\n00:40:07\\nReads \\\"Witness\\\" [from Pointing].\\n \\nLionel Kearns\\n00:40:38\\nAnd this one, called \\\"Profile\\\". I'll read it without the mic.\\n \\nLionel Kearns\\n00:40:45\\nReads \\\"Profile\\\" [from Pointing].\\n \\nUnknown Audience Member 1\\n00:41:32\\nHave you ever thought of pausing it and--\\n\\nUnknown\\n00:41:34\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n \\nLionel Kearns\\n00:41:37\\nWe thought of reading all of our quiet poems at the beginning, and then getting louder and louder and louder, but we thought this would get you too excited and you'd go out onto the street and...[audience laughter.] So we decided to mix them all up and you'll get everything quiet and loud and funny and very serious and that's part of it,you know,getting them all at once all in juxtaposed relationships.\\n \\nbpNichol\\n00:42:12\\nThis way you can sort of do what you want with which ones you wanna do. It's very hard to listen to a poetry reading all the way through. I can never hack poetry readings myself [audience laughter]. What Lionel and I are trying to do is maybe do you a favour so you can listen for a longer time maybe [audience laughter].\\n \\nLionel Kearns\\n00:42:32\\nWho locked the door? [Audience laughter].\\n \\nbpNichol\\n00:42:37\\nAmong my poems from the last year which I lost, was a very long thing called The Martyrology which included all these things about a whole series of saints I'd evolved. Which had included St. Reet and St. Ranglehold and St. And and it's kind of too complicated to go into what they all sort of were doing, but St. Ranglehold came from the word 'stranglehold' and the rest you can kind of figure out maybe.\\n \\nbpNichol\\n00:43:05\\nReads unnamed poem from The Martyrology series.\\n \\nLionel Kearns\\n00:43:56\\nWas that loud enough by the way?\\n \\nbpNichol\\n00:43:58\\nCould you hear that? It's hard to tell from behind here. This is a poem called \\\"Ruth\\\" and it was for a good friend of mine, David W. Harris, who now calls himself David W. And it begins with a quote from Ruth.\\n \\nbpNichol\\n00:44:20\\nReads \\\"Ruth\\\" [from Ruth].\\n \\nbpNichol\\n00:46:20\\nReads unnamed poem. \\n \\nbpNichol\\n00:46:57\\nAnd this uh, this is a poem that begins with a line from a poem by bill bissett [https://www.wikidata.org/wiki/Q4911496]. Actually--\\n\\nUnknown\\n00:47:01\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n \\nbpNichol\\n00:47:18\\nReads unnamed poem. \\n\\nLionel Kearns\\n00:49:43\\nWe'll try it up there. It's called \\\"Color Problem\\\".\\n \\nLionel Kearns\\n00:49:49\\nReads \\\"Color Problem\\\" [from By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface].\\n \\nLionel Kearns\\n00:50:06\\nThis, I'm going to read a concrete poem now. bp inspires me so much with his concrete poetry that I have begun to write concrete poetry too. Some concrete poetry is purely visual and you can't read it, it's to go on walls and things like that. Other concrete poetry is so sonic that it's nothing really to look at, but occasionally you can get the two combined so that you have something on the page which also is something else when read, but the two correspond. This one that I've got is to some extent like that, on the page it's called \\\"Studies in Interior Decoration Border Design\\\" because of the way it looks on the page, which of course being an audience at a poetry reading, you aren't concerned with. But I'll read it  and it does work, I think, sonically too. It's called \\\"The Woman Who Reminded Him of the Woman Who\\\".\\n \\nLionel Kearns\\n00:51:20\\nReads \\\"The Woman Who Reminded Him of the Woman Who\\\" [published as “The Woman Who” in By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface].\\n \\nUnknown\\n00:53:14\\n[Cut or edit made in tape. Recording cuts to bpNichol_lionel_kearns_i086-11-0262.mp3 00:37:59].\\n \\nLionel Kearns\\n00:53:25\\nThis one is called \\\"It\\\".\\n \\nLionel Kearns\\n00:53:28\\nReads \\\"It\\\" [from Pointing].\\n \\nLionel Kearns\\n00:54:02\\nA lot of the poems in this book--\\n \\nUnknown\\n00:54:05\\n[Cut or edit made in tape. Recording cuts back to approximately 00:53:13].\\n \\nLionel Kearns\\n00:54:15\\nThis is called the \\\"Kinetic Poem\\\", my poem is called the \\\"Kinetic Poem\\\".\\n \\nLionel Kearns\\n00:54:26\\nReads \\\"Kinetic Poem\\\" [from By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface] with bpNichol.\\n \\nUnknown\\n00:55:57\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n \\nbpNichol\\n00:56:00\\nKon Ichikawa is the name of a Japanese film maker that made a film about the Olympics [https://www.wikidata.org/wiki/Q5389]. Okay? How should we start this out--'all together now?' [audience laughter].\\n \\nLionel Kearns\\n00:56:15\\nThink--think, pretend you're at the Olympics. [Audience laughter].\\n \\nbpNichol\\n00:56:23\\n“Karnijakawa--Karnijakawa”, follow me. \\n\\nbpNichol\\n00:56:30\\nChants \\\"Kon Ichikawa” pronounced as “Karnijakawa\\\" repeatedly with Lionel Kearns and the audience.\\n \\nbpNichol\\n00:57:11\\nThank you.\\n\\nAudience\\n00:57:13\\nApplause [cut off].\\n \\nUnknown Audience Member 2\\n00:57:16\\nKarni-jakawa!\\n \\nLionel Kearns\\n00:57:22\\nCarne means meat in Spanish. I was at Louis Dudek's [https://www.wikidata.org/wiki/Q3261787], at one of his courses today and we were talking and the students were talking and so on and I was reading a few poems, and they said, \\\"Why are you so pessimistic about things?\\\" and I'm not so pessimistic, and I'll read a poem now that's got an up-beat ending [audience laughter].\\n \\nUnknown Audience Member 3\\n00:57:59\\nWhat led them to deduce your pessimism?\\n \\nLionel Kearns\\n00:58:00\\nI read a poem without an upbeat ending [audience laughter]. This is another media parable. And it's called \\\"The Parable of the Seventh Seal\\\" and naturally, it derives from a movie. Um, the movie called The Seven Samurai [https://www.wikidata.org/wiki/Q189540]. [Audience laughter.] Or you've probably seen that, there's a,Hollywood [https://www.wikidata.org/wiki/Q34006] derived a few movies from that, one of them called The Magnificent Seven [https://www.wikidata.org/wiki/Q19069] or something like that. The original one was a Western made in Japan [https://www.wikidata.org/wiki/Q17], and Hollywood stole the idea and made a Western in the West. Now I've taken the same situation, the same story and given it a Northern locale. And that's why it's called \\\"The Seventh Seal\\\" [Audience laughter]. It was published in this New Romans thing, and that makes it an anti-American poem, but it really, when I wrote it, I didn't have this book in mind. But they paid me $30 so [audience laughter] I put it in here.\\n \\nLionel Kearns\\n00:59:38\\nReads \\\"The Parable of the Seventh Seal\\\" [published as “The Seventh Seal” in By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface; reading cut off].\\n \\nEND\\n01:01:57\\n\",\"notes\":\"Lionel Kearns reads from Pointing (Ryerson Press, 1967) and poems published later in By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures, and other Assaults on the Interface (The Daylight Press, 1969). bpNichol reads from a wide variety of his works, some published, some unpublished, including Dada Lama (England: Tlaloc, 1968), The True Eventual Story of Billy the Kid (Weed/Flower, 1970), Konfessions of an Elizabethan Fan Dancer (Weed/Flower Press, 1973), and Selected Writing: As Elected (Talonbooks, 1980). Many unnamed poems may belong to two of Nichol’s series, the Captain Poetry Poems The Martyrology.\\n\\n00:00- George Bowering introduces BP Nichol and Lionel Kearns. [INDEX: second reading in third series, rumours, BP Nichol, Lionel Kearns, intermission, reading, poet, joint reading, sense, Kearns: linguist, social care of human beings, Nichol: radical therapist, border-blur poems, reading together night before at Carleton University, Kearns: Vancouver Renaissance, Canadian poetry in 1960’s, Nichol: east, Vancouver, born, opening ears, reading four hours.]\\n02:25- Annotation: Recording drops in volume, “looped” recording begins where another part of the reading can be heard in the background of the recording.\\n02:26- Lionel Kearns introduces “Telephone”. [INDEX: media parable, set of poems, new collection to be released soon [perhaps The birth of God (Trigram Press, 1968) or Trips out (Western Press, 1968); from By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface (The Daylight Press, 1969).]\\n02:49- Lionel Kearns reads “Telephone”.\\n07:04- BP Nichol introduces unknown poem, first line “Out of the dark wood workings of the mind’s memories, we are alone...”. [INDEX: strange pastiche, loosing work written    \\tover past year, selected weirdness; from unknown source.]\\n07:23- BP Nichol reads unknown poem, first line “Out of the dark wood workings of the    mind’s memories, we are alone...”.\\n08:54- BP Nichol reads “Uneven Song”. *Note recording is looping over itself, so both BP and Lionel can be heard reading other poems in the background. [INDEX: from unknown source.]\\n09:28- BP Nichol reads unknown poem, first line “Out of the middle the ends are taken...”.\\n10:26- Lionel Kearns reads “Word”. [INDEX: from By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface (The Daylight Press, 1969).]\\n11:27- BP Nichol introduces “Poem found among the ruins”. [INDEX: series of quiet poems, loud poems; from unknown source.]\\n11:43- BP Nichol reads “Poem found among the ruins”. [INDEX: from unknown source]\\n12:19- BP Nichol reads “The Business”. [INDEX: from unknown source]\\n12:43- BP Nichol reads “Geners” [sp?] first line “Each human body a temple of the holy   ghost...” [INDEX: from unknown source]\\n13:51- BP Nichol reads “Computer Riddle Poem”. [INDEX: from Konfessions of an \\tElizabethan Fan Dancer (Weed Flower Press, 1973).]\\n15:05- BP Nichol introduces “Labia Digital” [sp?.] [INDEX: piece of sculpture, Haida art        exhibition, West Coast Indian art, carved figure of a woman, poem; from unknown       \\tsource.]\\n15:55- BP Nichol reads “Labia Digital” [sp?.]\\n16:41- BP Nichol reads “The True Eventual Story of Billy the Kid”. [INDEX: published in a booklet The True Eventual Story of Billy the Kid (Weed/Flower, 1970), and later    published in Craft Dinner: Stories & Texts 1966-1976 (Aya Press, 1978).]\\n20:46- Lionel Kearns introduces “Expression”. [INDEX: from By the Light of the Silvery\\nMcLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface (The Daylight Press, 1969).]\\n21:32- Lionel Kearns reads “Expression”\\n22:39- Lionel Kearns introduces “Transport”. [INDEX: clap in between poems, good poems, media parable; from By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface (The Daylight Press, 1969).]   \\n22:56- Lionel Kearns reads “Transport”.\\n26:33- BP Nichol introduces chant poem “umpa-pa beach park...”. [INDEX: personal poems, written at Port Dover, on Lake Eerie, beach, sunburns, summer, song “Over the white  cliffs of Dover” (perhaps Vera Lynn’s “There’ll Be Bluebirds Over The White Cliffs of Dover”), Pussycats (unknown reference), phrase “podunk”, playing football, weird; from unknown source.]\\n27:25- BP Nichol sings sound poem “umpa-pa beach park...”.\\n29:06- BP Nichol introduces “Dadalama”. [INDEX: Hugo Ball, dadaist, Switzerland, World War I, first sound poems, strange, Hugo Ball’s diaries, final public reading, sound poem, earlier space in his mind, remembering, terrified, left poetry, poem’s changes; originally published in Dada Lama (England: Tlaloc, 1968), collected in Selected Writing: As Elected (Talonbooks, 1980).]\\n30:28- BP Nichol reads “Dadalama”.\\n30:52- CUT in tape, silence.\\n30:53- Recording starts again, silence.\\n33:38- Lionel Kearns introduces “Situation”. [INDEX: new collection Pointing (Ryerson Press, 1967), for sale at reading, quiet poems, measured voice, West Coast poetry scene, shouting, experience in Mexico; from Pointing (Ryerson Press, 1967).]\\n35:06- Lionel Kearns reads “Situation”.\\n36:36- Lionel Kearns reads “Insights”. [INDEX: from By the Light of the Silvery McLune:\\nMedia Parables, Poems, Signs, Gestures and other Assaults of the Interface (The\\nDaylight Press, 1969).]   \\n36:55- Lionel Kearns introduces “Homage to Machado” [INDEX: early poem, translation of a poem by Antonio Machado, Spanish poet, switched central image, boat, lake, ripple of water, changed metaphor; from Pointing (Ryerson Press, 1967).]\\n37:45- Lionel Kearns reads “Homage to Machado”.\\n38:17- Lionel Kearns reads “Remains”. [INDEX:  from Pointing (Ryerson Press, 1967).]\\n39:08- Lionel Kearns reads “Total Presence”. [INDEX:  from Pointing (Ryerson Press, 1967).]\\n40:05- Lionel Kearns reads “Witness”. [INDEX:  from Pointing (Ryerson Press, 1967).]\\n40:38- Lionel Kearns reads “Profile”. [INDEX:  from Pointing (Ryerson Press, 1967).]\\n41:32- Unknown audience member asks question, but is CUT by the recording.\\n41:37- Lionel Kearns answers question [INDEX: reading order, quiet poems, louder, street, excited, loud, funny, serious poems, juxtaposed relationships.]\\n42:12- BP Nichol answers question [INDEX: difficulty listening to long poetry readings, listening.]\\n42:32- Lionel Kearns makes a joke [INDEX: locked doors.]\\n42:37- BP Nichol introduces “Martyrology”. [INDEX: lost poems, long poem, series of saints, St. Reet, St. Ranglehold, St. And, complicated, Stranglehold; from an early version of The Martyrology (Coach House Press, 1972).]\\n43:05- BP Nichol reads part of “Martyrology”, line “Days numbered as the years are even, time cannot withstand such order. St. Reat...”.\\n43:58- BP Nichol introduces “Ruth”. [INDEX: loudness of reading, good friend David W.     Harris, quote from Ruth; most likely from Ruth (Toronto: Fleye Press, 1967) (book       \\tunavailable to researcher).]\\n44:20- BP Nichol reads “Ruth”.\\n46:20- BP Nichol reads first line “Measure the clock, talk back time...” [INDEX: from unknown source.]\\n46:57- BP Nichol introduces first line “Living now in terrible times, the TV talks from the  \\tnext room...” [INDEX: line from a poem by bill bissett, CUT in recording and the rest of    the explanation is cut out; from unknown source.]\\n47:18- BP Nichol reads poem with first line “Living now in terrible times, the TV talks from the next room...”\\n49:43- Lionel Kearns introduces “Color Problem”. [INDEX:  from Pointing (Ryerson Press, 1967).]\\n40:49- Lionel Kearns reads “Color Problem”.\\n50:06- Lionel Kearns introduces “The Woman Who” [INDEX: concrete poem, BP Nichol\\ninspires, purely visual, to hang on the wall, sonic, or both visual and sonic, page title\\n“Studies in Interior Decoration Border Design”; from By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface (The Daylight Press, 1969).]\\n51:20- Lionel Kearns reads “The Woman Who”.\\n53:14- CUT in tape, silence, from this point to 54:05.82 is actually from a part in the second half of the recording from 38:10.41 onwards.\\n53:25- Lionel Kearns reads “It”. [INDEX: from Pointing (Ryerson Press, 1967).]\\n54:02- Lionel Kearns begins to explain next poem, but there is a cut in the tape and the original recording continues.\\n54:15- Lionel Kearns introduces “Kinetic Poem”. [INDEX: from Pointing (Ryerson Press,\\n1967).]\\n54:26- Lionel Kearns and BP Nichol read “Kinetic Poem”.\\n55:57- Distortion in recording.\\n56:00- BP Nichol introduces unknown poem “Karnijikawa” [sp?.]  [INDEX: Japanese filmmaker, Olympics 1964, audience participation; from unknown source.]\\n56:23- BP Nichol, Lionel Kearns and audience chant “Karnijikawa”.\\n57:22- Lionel Kearns introduces “The Parable of the Seventh Seal”. [INDEX: ‘karne’ means meat in Spanish, Louis Dudek’s courses (at McGill University), students, pessimism, student question, reading poems, up-beat ending; published as “The Seventh Seal” in By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface (The Daylight Press, 1969).]\\n57:59- Unknown audience member asks question. [INDEX: pessimism]\\n58:00- Lionel Kearns answers question, continues to introduce “The Parable of the Seventh Seal”. [INDEX: upbeat ending, media parable, movie, “The Seven Samurai”, Hollywood, movie “The Magnificent Seven”, Western movie made in Japan, stolen by Hollywood, West, Northern locale, New Romans publishing, anti-American poem, $30 payment for story.]\\n59:38- Lionel Kearns reads “The Parable of the Seventh Seal”.\\n01:01:57.91- END OF RECORDING (story is cut short, continues in second part of reading).\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/bpnichol-and-lionel-kearns-at-sgwu-1968/#1\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/bpNichol_lionel_kearns_i086-11-026-2.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"bpNichol_lionel_kearns_i086-11-026-2.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:46:47\",\"precision\":\"\",\"size\":\"112.3 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"bpNichol_lionel_kearns_i086-11-026-2.mp3 [File 2 of 2]\\n\\nLionel Kearns\\n00:00:00\\nReads \\\"The Parable of the Seventh Seal\\\" [published as “The Seventh Seal” in By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface; reading resumes from previous recording; audience laughter throughout].\\n \\nbpNichol\\n00:06:17\\nReads \\\"Historical Implications of Turnips\\\" [from Konfessions of an Elizabethan Fan Dancer].\\n \\nbpNichol\\n00:07:01\\nThis is called, for a reason I cannot remember at all, \\\"Cycle Number 22\\\".\\n \\nbpNichol\\n00:07:13\\nReads \\\"Cycle Number 22\\\" [from Konfessions of an Elizabethan Fan Dancer and published later in Selected Writing: As Elected].\\n \\nbpNichol\\n00:07:49\\nThis next poem's called \\\"The Child in Me\\\". It's kind of what all sound poetry's about anyways. Enough said.\\n \\nbpNichol\\n00:08:09\\nReads \\\"The Child in Me\\\" [from Konfessions of an Elizabethan Fan Dancer].\\n \\nbpNichol\\n00:09:10\\nThis is a poem called \\\"The New New Captain Poetry Blues\\\" and it's for David McFadden [https://www.wikidata.org/wiki/Q5237344]. Captain Poetry is kind of this person that happened a long time ago in a magazine I used to edit called Ganglia, and David McFadden is still happening in Hamilton [https://www.wikidata.org/wiki/Q133116], and is probably Canada's [https://www.wikidata.org/wiki/Q16] best poet and what else is there to say? Oh yes, a little footnote, there's a place in here called Plunkett [https://www.wikidata.org/wiki/Q2202272] which really exists and my mother was born there strangely enough. This is all about that.\\n \\nbpNichol\\n00:09:48\\nReads [sections of \\\"The New New Captain Poetry Blues: An Undecided Novel\\\" from The Captain Poetry Poems].\\n \\nLionel Kearns\\n00:12:53\\nThis poem is called \\\"Split\\\".\\n \\nLionel Kearns\\n00:12:59\\nReads \\\"Split\\\" [published as “Personality” in By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface].\\n\\nAudience\\n00:14:05\\nLaughter.\\n \\nLionel Kearns\\n00:14:07\\nPeople occasionally, when they're put on the spot to ask me questions, say \\\"What's it like to be a poet\\\", or \\\"Is it true that so and so and so and so...\\\" and things like that, questions that are impossible to answer. But there is something about being a poet, and this is one of the things, this is one of the differences, and this poem is called \\\"The Difference\\\".\\n \\nLionel Kearns\\n00:14:40\\nReads \\\"The Difference\\\" [published as “Roles” in By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface; audience laughter throughout].\\n \\nLionel Kearns\\n00:15:40\\nThis is an older poem, it's a Christmas poem, it was written at the time when [Khrushchev (?)] got his call down, also about the time of the American intervention in the Dominican Republic [https://www.wikidata.org/wiki/Q786], where the Americans came in because they knew that there were Cuban influences, or the Cubans were behind the so-called rebels in the Dominican Republic and one of the proofs was that some of the rebels had been seen wearing green uniforms [audience laughter]. Of course, most military uniforms are kind of green, but they pointed out that some of Fidel Castro's [https://www.wikidata.org/wiki/Q11256] soldiers had green uniforms too. But this is a Christmas poem.\\n \\nLionel Kearns\\n00:16:51\\nReads \\\"Christmas Poem” [from By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface].\\n \\nLionel Kearns\\n00:17:57\\nI make most of my living teaching at Simon Fraser University [https://www.wikidata.org/wiki/Q201603] and we have some troubles out there sometimes. One of the things that troubled us was the fact that when we were giving lectures to large crowds, we sometimes used the public address system and we found out that back--that the public address system was hooked up with-- operated with an FM band, and the, all your lectures could be picked up on an FM set, for example, an FM set in the President's office. We've since lost that President. And this is called \\\"University\\\".\\n \\nLionel Kearns\\n00:18:55\\nReads \\\"University\\\" [from By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface].\\n \\nLionel Kearns\\n00:19:24\\nThis one is called \\\"Economic Chronology\\\".\\n \\nLionel Kearns\\n00:19:29\\nReads \\\"Economic Chronology\\\" [from By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface].\\n \\nbpNichol\\n00:19:42\\nThis one's called \\\"Alimony, Old Baloney\\\".\\n \\nbpNichol\\n00:19:51\\nReads \\\"Alimony, Old Baloney\\\" [most likely from the Captain Poetry series]. \\n \\nUnknown\\n00:24:14\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n\\nbpNichol\\n00:24:15\\nReads unnamed “Captain Poetry” poem.\\n \\nLionel Kearns\\n00:26:25\\nWell if bp is going to keep reading his Captain Poetry poems, I'm going to read my “Ventilation Parable”. This is an epic.\\n \\nLionel Kearns\\n00:26:43\\nReads \\\"Ventilation Parable\\\" [published as “Ventilation” in By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface].\\n \\nLionel Kearns\\n00:31:19\\nThis poem is called \\\"Creation\\\".\\n \\nLionel Kearns\\n00:31:24\\nReads \\\"Creation\\\" [from Pointing].\\n \\nbpNichol\\n00:31:52\\nI'm going to do that dangerous thing and read a poem I wrote last night. That's [inaudible]. \\n \\nUnknown\\n00:31:59\\n[Cut or edit made in tape. Recording cuts back to 00:31:40].\\n\\nLionel Kearns\\n00:32:00\\nReads section of “Creation” [from Pointing].\\n \\nUnknown\\n00:32:18\\n[Cut or edit made in tape. Recording cuts back to 00:31:52]. \\n\\nAudience\\n00:32:19\\nLaughter.\\n\\nbpNichol\\n00:32:21\\nI'm going to do that dangerous thing and read a poem I wrote last night [laughter]. That's waking Lionel up at 7:30 this morning which he didn't quite forgive me for. It starts off with a quote from a poem by Bobby Hoat [?.] Well, yesterday we were up at Carlton doing a reading there. It's a poem called \\\"Zero Phase\\\". There's a town referred to in here called Vars [https://www.wikidata.org/wiki/Q3554856] which happens to be where he lives. It's a very groovy little place, just outside of...\\n \\nLionel Kearns\\n00:32:51\\nCan you hear?\\n \\nbpNichol\\n00:32:52\\nIs that okay? If I talk kind of into it like this?\\n \\nbpNichol\\n00:33:04\\nReads \\\"Zero Phase\\\".\\n \\nbpNichol\\n00:34:36\\nThis is a poem called \\\"Returning\\\". It sort of was written after I wrote a book of poetry called Journeying and the Returns.\\n \\nbpNichol\\n00:34:58\\nReads \\\"Returning\\\".\\n \\nLionel Kearns\\n00:37:49\\nI'm going--I'm going to read a series of poems again, from my collection Pointing. This one is called \\\"It\\\".\\n \\nLionel Kearns\\n00:38:13\\nReads \\\"It\\\" [from Pointing].\\n \\nLionel Kearns\\n00:38:45\\nA lot of the poems in this book derive their images from dreams, and this is a poem which is about a dream I had. And it's--I've interpreted the dream. Some extent of the poem--I interpreted as a kind of message about where I get my images for my poems, or where I got them at this particular period. And I called \\\"Ambergris, a Statement on Source\\\". Ambergris, being that stuff that sick whales cough up and which floats around on the ocean and it's very smelly stuff but it's very valuable stuff if you find it floating around because you can sell it for a great deal of money to perfume factories. And that's the interpretation of the series of images that follow.\\n \\nLionel Kearns\\n00:39:55\\nReads \\\"Ambergris, a Statement on Source\\\" [from Pointing].\\n \\nLionel Kearns\\n00:40:42\\nAnd this one, called \\\"Contra Diction\\\", it's a poem that is often anthologized. It's a poem that I like because I think it does what usually I'm trying to do in poems. It's not a very big poem, but it's neat, I think.\\n \\nLionel Kearns\\n00:41:12\\nReads \\\"Contra Diction\\\" [from Pointing].\\n \\nLionel Kearns\\n00:41:40\\nThis one is called \\\"Both\\\".\\n \\nLionel Kearns\\n00:41:45\\nReads \\\"Both\\\" [from Pointing].\\n\\nUnknown\\n00:42:06\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n \\nLionel Kearns\\n00:42:07\\nThis is an early poem that I wrote, it fits into a series of poems that I was writing at the time in which I was dealing with my own background, trying to come to terms with things like my own Catholic background, and as you will see the central image is a Christian one. The situation is the fairgrounds actual--the actual situation is the PNE- the Pacific National Exhibition [https://www.wikidata.org/wiki/Q4179402]. It's an easter poem called \\\"Friday at the Ex\\\"\\n \\nLionel Kearns\\n00:43:07\\nReads \\\"Friday at the Ex\\\" [from Pointing].\\n \\nLionel Kearns\\n00:44:34\\nAnd this one, called \\\"Prototypes\\\".\\n \\nLionel Kearns\\n00:44:41\\nReads \\\"Prototypes\\\" [from Pointing].\\n \\nLionel Kearns\\n00:45:33\\nAnd I think this is the last one I'll read, it's called \\\"End Poem\\\". An appropriate title.\\n \\nLionel Kearns\\n00:45:42\\nReads \\\"End Poem\\\" [from Pointing].\\n\\nUnknown\\n00:46:04\\n[Cut or edit made in tape. Unknown amount of time elapsed]. \\n\\nbpNichol\\n00:46:05\\nReads unnamed poem. \\n \\nEND\\n00:46:47\",\"notes\":\"Lionel Kearns reads from Pointing (Ryerson Press, 1967) and poems published later in By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures, and other Assaults on the Interface (The Daylight Press, 1969). bpNichol reads from a wide variety of his works, some published, some unpublished, including Dada Lama (England: Tlaloc, 1968), The True Eventual Story of Billy the Kid (Weed/Flower, 1970), Konfessions of an Elizabethan Fan Dancer (Weed/Flower Press, 1973), and Selected Writing: As Elected (Talonbooks, 1980). Many unnamed poems may belong to two of Nichol’s series, the Captain Poetry Poems The Martyrology.\\n\\n00:00- Recording begins mid-sentence, Lionel Kearns continues reading “The Parable of the Seventh Seal”. [INDEX: from By the Light of the Silvery McLune: Media Parables,\\nPoems, Signs, Gestures and other Assaults of the Interface (The Daylight Press, 1969).]\\n06:17- BP Nichol reads “Historical Implications of Turnips”. [INDEX: from unknown source.]\\n07:02- BP Nichol introduces “Cycle Number 22”. [INDEX: title unknown; published later in Selected Writing: As Elected (Talon, 1980).]\\n07:13- BP Nichol reads “Cycle Number 22”.\\n07:49- BP Nichol introduces “The Child in Me”. [INDEX: sound poetry; from Konfessions of an Elizabethan Fan Dancer, Weed Flower Press, 1973).]\\n08:09- BP Nichol reads “The Child in Me”.\\n09:10- BP Nichol introduces “The New New Captain Poetry Blues”. [INDEX: For David        McFadden, Captain Poetry, magazine Ganglia, Hamilton, Canada’s best poet, footnote,    Plunkett: place where Nichol’s mother was born; from The Captain Poetry Poem series, blewointmentpress, 1968).]\\n09:48- BP Nichol reads “The New New Canadian Captain Poetry Blues”.\\n12:53- Lionel Kearns reads “Split”.\\n14:07- Lionel Kearns introduces “The Difference” (published as “Roles”). [INDEX: questions, what it’s like to be a poet, impossible to answer, difference of being a poet; from By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface (The Daylight Press, 1969).]\\n14:40- Lionel Kearns reads “The Difference” [Recording is often CUT to remove laughter and applause from the recording.]\\n15:40- Lionel Kearns introduce “Christmas Poem”. [INDEX: older poem, Christmas poem, Coustchef [unknown   reference], American intervention in the Dominican Republic, Cuban influence, rebels, green uniforms, military uniforms, Fidel Castro; from By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface (The Daylight Press, 1969).]\\n16:51- Lionel Kearns reads “Christmas Poem”.\\n17:57- Lionel Kearns introduces “University”. [INDEX: teaching at Simon Frasier University, troubles, lectures using the public address system, FM band, President’s office; from By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface (The Daylight Press, 1969).]\\n18:55- Lionel Kearns reads “University”.\\n19:24- Lionel Kearns reads “Economic Chronolgy”. [INDEX: from By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface (The Daylight Press, 1969).]\\n19:42- BP Nichol reads “Alimony, Old Baloney”. [INDEX: from unknown source]\\n24:15- CUT in tape, BP Nichol reads first line “One day CP hitched a ride...” [INDEX:\\nCaptain Poetry, Bill Bissett, David McFadden; from unknown source, perhaps from      \\tCaptain Poetry Poem series.]\\n26:25- Lionel Kearns introduces “Ventilation”. [INDEX: BP Nichol, Captain Poetry poems, epic, parable; from By the Light of the Silvery McLune: Media Parables, Poems, Signs, Gestures and other Assaults of the Interface (The Daylight Press, 1969).]\\n16:43- Lionel Kearns reads “Ventilation Parable”.\\n31:19- Lionel Kearns reads “Creation”. [INDEX: from Pointing (Ryerson Press, 1967).]\\n31:52- BP Nichol introduces “Zero Phase”. Recording becomes inaudible as sound warps. CUT in tape. [INDEX: poem written night before; from unknown source.]\\n32:00- Lionel Kearns reads first line “Imagination explodes, they grow old quick and die...” [INDEX: from unknown source.]\\n32:21- Tape rewinds to BP Nichol introducing poem at 31:52.\\n32:21- BP Nichol introduces “Zero Phase”. [INDEX: poem written night before, Lionel Kearns, morning, quote from Bobby Hoat [unknown reference], Carleton University reading, town Vars.]\\n32:51- Lionel Kearns asks audience if they can hear.\\n33:04- BP Nichol reads “Zero Phase”.\\n34:36- BP Nichol introduces “Returning”. [INDEX: book of poetry Journeying & the Returns (Coach House Press, 1967).]\\n34:58- BP Nichol reads “Returning”.\\n37:49- Lionel Kearns introduces “It”. [INDEX: from Pointing (Ryerson Press, 1967).] NOTE:\\nThe part of the recording is repeated from I086-11-026.1 (the first part of this reading) from 53:28.68, and Cuts out again at 54:02.90.\\n38:13- Lionel Kearns reads “It”.\\n38:45- Lionel Kearns introduces “Ambergris, a Statement on Source”. [INDEX: dream,     poems in book, interpretations, messages, images, whales, ocean, money, perfume    factory; from Pointing (Ryerson Press, 1967).]\\n39:55- Lionel Kearns reads “Ambergris, a Statement on Source”.\\n40:42- Lionel Kearns introduces “Contra-Diction”. [INDEX: anthologized, poem; from\\nPointing (Ryerson Press, 1967).]\\n41:12- Lionel Kearns reads “Contra-Diction”.\\n41:40- Lionel Kearns reads “Both”. [INDEX: from Pointing (Ryerson Press, 1967).]\\n42:07- Lionel Kearns introduces “Friday at the Ex”. [INDEX; early poem, series of poems, background, Catholic background, central image is Christian, fairgrounds, Pacific National Exhibition, easter poem; .] from Pointing (Ryerson Press, 1967).]\\n43:07- Lionel Kearns reads “Friday at the Ex”.\\n43:34- Lionel Kearns reads “Prototypes” [INDEX: from Pointing (Ryerson Press, 1967).]\\n45:33- Lionel Kearns introduces “End Poem”. [INDEX: last poem in reading, appropriate title; from Pointing (Ryerson Press, 1967).]\\n45:42- Lionel Kearns reads “End Poem”.\\n46:05- BP Nichol reads line “I wanted to forget you, so I tried to erase your name...”. [INDEX: from unknown source.]\\n46:47.84- END OF RECORDING.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"score":0.01643844},{"id":"1273","cataloger_name":["Masoumeh,Zaare"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["George Oppen at Sir George Williams University, The Poetry Series, 25 November 1968"],"item_title_source":["Cataloguer"],"item_title_note":["\"(GEORGE) G OPPEN Poetry Oct 25/68 I086-11-040\" written on the spine of the tape's box. \"G. OPPEN Poetry I086-11-040\" also written on sticker on the reel. \"RT 523\" written on sticker on the front of the tape's box"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 3"],"item_identifiers":["[]"],"creator_names":["Oppen, George"],"creator_names_search":["Oppen, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/98097764\",\"name\":\"Oppen, George\",\"dates\":\"1908-1984\",\"notes\":\"Poet George Oppen was born on April 24, 1908 in New Rochelle, New York. Spending much of his childhood in San Francisco, Oppen enrolled in the Agricultural College at Corvallis (now University of Oregon) in 1926. He met his future wife, Mary Colby there, and they married in 1928. Oppen attended a prep school in Oakland in the hopes of enrolling at the University at Berkeley, but instead the couple made their way to New York in the hopes of meeting Ezra Pound.  In New York City, they met Charles Reznikoff and Louis Zukofsky, and in 1931 they formed the Objectivist movement. Having finally met Ezra Pound, Oppen’s poetry was published in his Active Anthology in 1933 (Faber and Faber). Oppen’s first collection of poetry, written in 1929, Discrete Series, was published by the Objectivist Press in 1934 and opened with a preface by Ezra Pound. From that point onwards, Oppen stopped writing poetry. The Depression had hit and the Oppens spent their time in the 30’s and 40’s organizing the unemployed in Brooklyn. Oppen served for the U.S. Army from 1943-1945 and received a Purple Heart among other honours. After the war, his family moved to Los Angeles, until 1950 when they were harassed by the McCarthy House Un-American Activities Committee for their affiliations with Communism. They fled to Mexico and resided there for eight years. By the time the Oppen family moved back to New York in 1958, Oppen had taken up poetry again. In 1962, Oppen published his second collection of poems, The Materials (New Directions Press), followed in 1965 with This In Which and Of Being Numerous in 1968 (New Directions Press), which won the Pulitzer Prize for poetry in 1969. Seascape: Needle’s Eye was published in 1972 (Sumac Press), and in 1975 Oppen compiled his previously published material with new poems in Collected Poems (New Directions). His final collection of poetry, Primitive was published in 1978 (Black Sparrow Press). George Oppen died in July 1984.\\n\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Kiyooka, Roy"],"contributors_names_search":["Kiyooka, Roy"],"contributors":["[{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"Presenter_name":["Kiyooka, Roy"],"Series_organizer_name":["Kiyooka, Roy"],"Performance_Date":[1968],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"Half-track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"Dates":["[{\"date\":\"1968 11 25\",\"type\":\"Performance Date\",\"notes\":\"Date written on the spine of the tape's box. Previous researcher statest the Gazette published the date of the reading as March 8, 1968 but may have been changed subsequently\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building\",\"notes\":\"Exact venue unknown\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\" 45.4972758\",\"longitude\":\" -73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building"],"City":["Montreal, Quebec"],"content_notes":["George Oppen reads his long poem “The Route” from Of Being Numerous (New Directions Press, 1968). "],"contents":["george_oppen_i086-11-040.mp3\n\nRoy Kiyooka\n00:00:00\nThis evening, we're having George Oppen [https://www.wikidata.org/wiki/Q3101810], who is going to start off the third series, now I want to keep this introduction to George very succinct, and I'm going to quote a part of the letter that he sent to us, regarding his activities, I think it adequately, perhaps, sums up what he's been about. It goes like this: \"A bibliography, in so far as my memory will produce it. Objectivist Issue of Poetry, Chicago [https://www.wikidata.org/wiki/Q1297], circa 1932. A book, Discrete Series, Objectivist Press, 1934, re-issued by Asphodel Press [https://www.wikidata.org/wiki/Q2089201], 463 The Arcade, Cleveland [https://www.wikidata.org/wiki/Q37320], Ohio [https://www.wikidata.org/wiki/Q1397]. Pound's Active Anthology, 1936, a number of little magazines during 33, 34, Hound and Horn, I believe, Lion and Crown, etc. There it is, you'll see, 25 year gap. Touched on in some of the poems including “Pro Nobis” in This In Which. A forthcoming book, Of Being Numerous, New Directions [https://www.wikidata.org/wiki/Q27474] scheduled for the spring of 1968.\" And he ends by saying, \"If there is a moral it is one has in fact a great deal of triumph, and then, recently, he has had the following books done: This in Which, by New Directions, 1957, The Materials, New Directions again, 1962, Of Being Numerous, 1968. Now if there's any a book of poems, Discrete Series, there is a long preface by Ezra Pound [https://www.wikidata.org/wiki/Q163366], I'd like to quote a segment of that, which goes like this: \"I salute a serious craftsman, a sensibility which is not every man's sensibility, and which is not been got out of other man's books.\" Ladies and gentlemen, George Oppen.\n\nUnknown \n00:02:47\n[Cut or edit made in tape. Unknown amount of time elapsed].\n\nGeorge Oppen\n00:02:48\nI think I will, I plan to read two of the longer poems in the last volume, so I will just read the poems. Without pleasantries and so on. We can easily make a conversation if you want afterwards, but I think I better just read the books, read the poems, and I'll make a few intermissions, it's a great deal of poetry both for you and for me, at a single sitting, and we'll make intermissions as however you think, however I think. I'll start with the poem in Of Being Numerous, called \"The Route\". That's r-o-u-t-e, route.\n \nGeorge Oppen\n00:03:37\nReads \"The Route\" from Of Being Numerous.\n \nUnknown\n00:18:45\nSilence [cut or edit made in tape].\n \nGeorge Oppen\n00:18:58\nResumes reading “The Route’\n \nUnknown\n00:22:14\n[Cut or edit made in tape].\n \nEND\n00:40:12\n"],"Note":["[{\"note\":\"Year-Specific Information: \\n\\nIn 1968, George Oppen published Of Being Numerous (New Directions Press, 1968).\\n\",\"type\":\"General\"},{\"note\":\"Local Connections:\\n\\nThe direct connection between Oppen and Montreal or Sir George Williams University is unknown. Oppen was an important American poet, forming with Charles Reznikoff (also in this series) and Louis Zukofsky the Objectivist movement, and working with both William Carlos Williams and Ezra Pound.\\n\",\"type\":\"General\"},{\"note\":\"Original transcript, research, introduction and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Ali Barillaro\",\"type\":\"Cataloguer\"},{\"note\":\"Reel-to-reel tape>CD>digital file\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-american-literature/oclc/54356940&referer=brief_results\",\"citation\":\"\\\"Oppen, George\\\". The Oxford Companion to American Literature. James D. Hart (ed.), Phillip W. Leininger (rev). Oxford University Press 1995. \"},{\"url\":\"https://www.worldcat.org/title/of-being-numerous/oclc/462091047?referer=di&ht=edition\",\"citation\":\"Oppen, George. Of Being Numerous. New York: New Directions Press, 1968. \"},{\"url\":\"http://news.google.com/newspapers?id=np8tAAAAIBAJ&sjid=PKAFAAAAIBAJ&pg=4195,2837932&dq=sir+george+williams+poetry&hl=en\",\"citation\":\"“SGWU To Have Poetry Series”. Montreal: The Gazette. 14September 1967, page 15. \\n\"},{\"url\":\"\",\"citation\":\"Sutton, Mark. “Oppen, George”. Literature Online Biography. H.W. Wilson Company, Proquest, 2002. \"},{\"url\":\"\",\"citation\":\"“Poetry Readings”. OP-ED. Montreal: Sir George Williams University, 6 October 1967, page 6. \"}]"],"_version_":1853670548870004736,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0086_11_0040_back.jpg\",\"file_path\":\"\",\"filename\":\"I0086_11_0040_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"George Oppen Tape Box - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0086_11_0040_front.jpg\",\"file_path\":\"\",\"filename\":\"I0086_11_0040_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"George Oppen Tape Box - Front\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0086_11_0040_side.jpg\",\"file_path\":\"\",\"filename\":\"I0086_11_0040_side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"George Oppen Tape Box - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0086_11_0040_tape.jpg\",\"file_path\":\"\",\"filename\":\"I0086_11_0040_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"George Oppen Tape Box - Reel\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/george_oppen_i086-11-040.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"george_oppen_i086-11-040.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:40:12\",\"precision\":\"\",\"size\":\"96.5 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"Roy Kiyooka\\n00:00:00\\nThis evening, we're having George Oppen [https://www.wikidata.org/wiki/Q3101810], who is going to start off the third series, now I want to keep this introduction to George very succinct, and I'm going to quote a part of the letter that he sent to us, regarding his activities, I think it adequately, perhaps, sums up what he's been about. It goes like this: \\\"A bibliography, in so far as my memory will produce it. Objectivist Issue of Poetry, Chicago [https://www.wikidata.org/wiki/Q1297], circa 1932. A book, Discrete Series, Objectivist Press, 1934, re-issued by Asphodel Press [https://www.wikidata.org/wiki/Q2089201], 463 The Arcade, Cleveland [https://www.wikidata.org/wiki/Q37320], Ohio [https://www.wikidata.org/wiki/Q1397]. Pound's Active Anthology, 1936, a number of little magazines during 33, 34, Hound and Horn, I believe, Lion and Crown, etc. There it is, you'll see, 25 year gap. Touched on in some of the poems including “Pro Nobis” in This In Which. A forthcoming book, Of Being Numerous, New Directions [https://www.wikidata.org/wiki/Q27474] scheduled for the spring of 1968.\\\" And he ends by saying, \\\"If there is a moral it is one has in fact a great deal of triumph, and then, recently, he has had the following books done: This in Which, by New Directions, 1957, The Materials, New Directions again, 1962, Of Being Numerous, 1968. Now if there's any a book of poems, Discrete Series, there is a long preface by Ezra Pound [https://www.wikidata.org/wiki/Q163366], I'd like to quote a segment of that, which goes like this: \\\"I salute a serious craftsman, a sensibility which is not every man's sensibility, and which is not been got out of other man's books.\\\" Ladies and gentlemen, George Oppen.\\n\\nUnknown \\n00:02:47\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n\\nGeorge Oppen\\n00:02:48\\nI think I will, I plan to read two of the longer poems in the last volume, so I will just read the poems. Without pleasantries and so on. We can easily make a conversation if you want afterwards, but I think I better just read the books, read the poems, and I'll make a few intermissions, it's a great deal of poetry both for you and for me, at a single sitting, and we'll make intermissions as however you think, however I think. I'll start with the poem in Of Being Numerous, called \\\"The Route\\\". That's r-o-u-t-e, route.\\n \\nGeorge Oppen\\n00:03:37\\nReads \\\"The Route\\\" from Of Being Numerous.\\n \\nUnknown\\n00:18:45\\nSilence [cut or edit made in tape].\\n \\nGeorge Oppen\\n00:18:58\\nResumes reading “The Route’\\n \\nUnknown\\n00:22:14\\n[Cut or edit made in tape].\\n \\nEND\\n00:40:12\\n\",\"notes\":\"George Oppen reads his long poem “The Route” from Of Being Numerous (New Directions Press, 1968). \\n\\n00:00- Introducer (George Bowering?) introduces George Oppen [INDEX: Objectivist Issue of Poetry, 1932, Discreet Series, Objectivist Press, 1934, re-issued by Asphodel press, 462 Arcade, Cleveland Ohio: with long preface from Ezra Pound, Active Anthology ed. Ezra Pound 1936, Hound and Horn Magazine, Lion and Crown Magazine, Of Being Numerous, New Directions Press, 1968- [One year after recording won the Pulitzer Prize], The Materials, New Directions Press, 1962, This In Which, New Directions Press, 1957]\\n02:48- George Oppen introduces “The Route”.\\n03:37- Reads “The Route”. [INDEX: “The Route” in Of Being Numerous : partly about WWII, Alcace, German Nazi Soldiers]\\n40:12.69- END OF RECORDING\\n \\nFrom the Howard Fink list of poems:\\n25/11/68\\none 5” mono, single track reel, @ 3 3/4 ips, lasting 40 min.\\n1. “The Route”.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/george-oppen-at-sgwu-1968/\"}]"],"score":0.01643844},{"id":"1274","cataloger_name":["Masoumeh,Zaare"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Muriel Rukeyser at Sir George Williams University, The Poetry Series, 24 January 1969"],"item_title_source":["Cataloguer"],"item_title_note":["\"MURIEL RUKEYSER I006/SR162\" written on sticker on the spine of the tape's box. \"I006-11-162\" written on sticker on the reel"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 3"],"item_identifiers":["[]"],"creator_names":["Rukeyser, Muriel"],"creator_names_search":["Rukeyser, Muriel"],"creators":["[{\"url\":\"http://viaf.org/viaf/137544\",\"name\":\"Rukeyser, Muriel\",\"dates\":\"1913-1980\",\"notes\":\"New York poet and activist Muriel Rukeyser was born in New York City in 1913. She attended Vassar College from 1930 to 1932, working on college newspapers and magazines. She co-founded the Student Review, edited the literary journal Housaton and attended summer courses at Columbia University. Her first book of poems, Theory of Flight (Yale University Press), published in 1935, was influenced from her brief experience at the Roosevelt Aviation School. U.S. 1 (Covici, Friede) was published three years later in 1938, and she was sent by the literary journal Life and Letters Today to report on the athletic competition staged by workers’ sports clubs in Spain. Rukeyser subsequently published A Turning Wind (Viking Press) in 1939, Wake Island (Doubleday) in 1942, Beast in View (Doubleday) in 1944, The Green Wave (Doubleday) in 1948 and The poem as a mask: Orpheus (Unicorn Press) in 1949 (a long poem with drawings by Pablo Picasso). She received the Oscar Blumenthal Prize for Poetry in 1940, the Harriet Monroe Poetry Award in 1941, a grant from the National Institute of Arts and Letters in 1942 and a Guggenheim Fellowship in 1943. She served as associate editor of Decision, a literary magazine edited by Klaus Mann. Muriel Rukeyser taught at Sarah Lawrence College in 1946, and the following year, she won the Levinson Prize for poetry. She published Body of Waking (Harper) in 1958, Waterlily Fire (Macmillan) in 1962, The speed of darkness (Random House) in 1968, Breaking Open (Random House) in 1973, The Gates (McGraw-Hill) in 1976 and finally Collected Poems (McGraw-Hill) in 1979. She translated the work of Mexican poet Octavio Paz and Swedish poet Gunnar Ekelof. Active in the protection of human rights, she was jailed in Washington, D.C, because of her protests of the Vietnam war. Between 1975 and 1976 she was president of PEN’s American Center, traveling to South Korea in defense of poet Kim Chi-Ha. She was awarded an honorary doctorate from Rutgers University in 1961, a fellowship from the American Council of Learned Societies in 1963, the Shelley Memorial Award and the Copernicus Award for lifetime contribution to poetry in 1977. Muriel Rukeyser died in February 1980.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"Dates":["[{\"date\":\"1969 1 24\",\"type\":\"Performance Date\",\"notes\":\" \",\"source\":\"Previous researcher\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Uncertain, possibly Hall Building Art Gallery\",\"notes\":\"Presenter annoucnes next reading to take place in basement theatre of the building, mostly likely referring to the Hall Building\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Uncertain, possibly Hall Building Art Gallery"],"City":["Montreal, Quebec"],"content_notes":["Muriel Rukeyser reads largely from her book The Speed of Darkness (Random House, 1968) as well as a few poems from Elegies (New Directions, 1949) and Waterlily Fire (Macmillan, 1962) and others published later in Breaking Open (Random House, 1973).  Most of the poems read were also later collected in Collected Poems (McGraw-Hill, 1978)."],"contents":["muriel_rukeyser_i006-11-162.mp3\n\nIntroducer\n00:00:00\n...Introduction mention that she has published ten volumes of poetry which include such books as The Green Wave, The Turning Wind, Beast in View, U.S. 1, Theory of Flight, Body of Waking, Waterlily Fire, The Speed of Darkness, amongst others. She has published essays, biography, she's working on a biography now, she has published a novel called The Orgy, she has published translations of the Mexican writer Octavio Paz [https://www.wikidata.org/wiki/Q46739], and the Swedish poet Gunnar Ekelöf [https://www.wikidata.org/wiki/Q366311], she has published a number of children's books and what else can I say? She's a New Yorker, she was born in New York [https://www.wikidata.org/wiki/Q60], she lives in New York, and so forth. I now introduce Muriel Rukeyser [https://www.wikidata.org/wiki/Q735177].\n\nAudience\n00:00:40\nApplause. \n\nMuriel Rukeyser\n00:00:49\nThank you. It sounds peculiar when it's said that way, you know. It just means that I've been writing poems all along, and that sometimes there's been some prose or something film, prose, whatever it is, that spills into the poems that feeds into the poems. And they lie all the time about the poems to us, you know, about all of our poems they say it's something very odd and rare, that people who do it are very odd, if a man does it, he's sexually questionable, if a woman does it she's sexually questionable, besides, very few people do it [audience laughter]. And it's all lies, you know. There's a company in the United States [https://www.wikidata.org/wiki/Q30] that's made a fortune, on the premise that everybody takes a snapshot at some time or other, and I would like to ask you, and this is apart from all critical standards, all criteria, all faculty and institutions, apart from any of that. I would like to ask a question, how many of you here has ever written a poem, would you put up your hands please? [Audience laughter]. Thank you. I'm always nervous before I ask the question, I ask the question now in all rooms, no matter how few or many people there are and if the universities would generally look around to see if the basketball team is there, but there's always the moment of silence, and looking around first, and generally, quite slowly, almost all the hands go up, maybe four or five do not put up their hands and if I wait around afterwards, and with any luck and favorable wins, the four or five people come up to me and will say something like, I was 15, it was a love poem, it stank. [Audience laughter]. But the thing is it's a human activity. We all do it. We lie about it, you know, and they lie about it to us. And thanks now to the young, the poets maybe, a few other people one could name together, maybe we don't lie so much as we used to, maybe we don't lie about this anymore. Maybe we don't lie about sex, maybe we don't lie about poetry, they seem to lie a great deal about politics instead, it seems to shift around. There are these, and the fact is, we all write poems, it is something we do, we come to this part of experience, as you get a very rainy, rainy evening, why do people come and listen to poems? Or you've got some marvelous summer night, why do people come and listen to poems? Alright, it's partly out of curiosity and looking at the person and I go to see what is that breathing behind, what is that heartbeat, the breathing goes against the heartbeat and these rhythms are set up, and the involuntary muscles and you see the person do it but beyond that, something is what we call shared, something is arrived at, we come to something with almost unmediated, that is the poem among us, between us, there, we're reaching each other, you giving me whatever silence you are giving me and it comes to me with great strength, your silence. Somebody said prima donna, you know, or I'm going to give this to the audience and the conductor says that's what you think, you're going to get it from the audience. That's where it comes from in a funny way. So this mediation, it is not a description, it is not only the music and it, although certainly the reinforcement of sound. The sound climbing up and finally reaching a place, the last word, the sound that begins with the first breathing, the breath of the title. Keats [https://www.wikidata.org/wiki/Q82083] doing Ode to a Nightingale [https://www.wikidata.org/wiki/Q3349126], we hardly ever say ode, nobody says nightingale, but Keats having said that, never has to say it again, it's a bird. You find it in these things, but from the beginning, from the first moment, that is the first breath, the thing that is made as, suggestion, breath, what my life has been, whatever that--what your lives have been. This is a very short one called \"Song\".\n \nMuriel Rukeyser\n00:06:50\nReads \"Song\" [from Waterlily Fire and collected later in Collected Poems].\n \nMuriel Rukeyser\n00:07:36\nThis is another very short one, I wanted to start with these and see what happened. I called it \"In Our Time\", it's very--it's four lines.\n \nMuriel Rukeyser\n00:07:50\nReads \"In Our Time\" [from The Speed of Darkness].\n \nMuriel Rukeyser\n00:08:12\nThis is called \"The Poem As Mask\". It's for another poem, a big Orpheus [https://www.wikidata.org/wiki/Q174353] poem that I wrote a long time ago and it had the acting out the women on the mountain after the murder, the pieces of the man scattered about the top of the mountain. The slow coming together of the pieces as God. And I realized, long after, when I came to this newest book, Speed of Darkness, that this was a mask that I did not want anymore of this. You know how it is--it happens to undergraduates, say, it happens to the thing that was just before, and you see these girls acting very childish, and trading on it, and thinking they're still thirteen and able to influence their father, and it's been used up, used up, it served its purpose back there, but it isn't that anymore. And these, phases of being, \"The Poem As Mask\" for Orpheus.\n \nMuriel Rukeyser\n00:09:25\nReads \"The Poem As Mask\" [from The Speed of Darkness].\n \nMuriel Rukeyser\n00:10:42\nReads \"Air\" [from The Speed of Darkness].\n \nMuriel Rukeyser\n00:11:43\nReads \"Poem\" [from The Speed of Darkness].\n \nMuriel Rukeyser\n00:13:57\nReads \"Anemone\" [from The Speed of Darkness].\n \nMuriel Rukeyser\n00:14:46\nReads \"For My Son\" [from The Speed of Darkness].\n \nMuriel Rukeyser\n00:17:15\nReads \"Orgy\" [from The Speed of Darkness].\n \nMuriel Rukeyser\n00:19:14\nThis is called \"Bunk Johnson Blowing\", if you know the early jazz men, the New Orleans [https://www.wikidata.org/wiki/Q34404] jazz men, you'll know Bunk Johnson [https://www.wikidata.org/wiki/Q487021] and his trumpet. This is years later in San Francisco [https://www.wikidata.org/wiki/Q62]. \"Bunk Johnson Blowing\" and the dedication is in memory of Lead Belly [https://www.wikidata.org/wiki/Q314310], and his house on 59th Street, that's New York.\n \nMuriel Rukeyser\n00:19:45\nReads \"Bunk Johnson Blowing\" [from The Speed of Darkness].\n \nMuriel Rukeyser\n00:21:19\nReads \"Endless\" [from The Speed of Darkness].\n \nMuriel Rukeyser\n00:22:53\nThis last one of the first group is called \"Clues\", it's a Canadian, British Columbia [https://www.wikidata.org/wiki/Q1974] poem, is--how it is among the Thompson River [https://www.wikidata.org/wiki/Q2143805] Indians, or how it was in the anthropological moment, that flash of moment before it was broken up by this civilization, and we have caught up to some of this, without know what the hell it was, what this is. We are full of body painting, tattooing, emblems painted on ourselves, this is further. \"Clues\".\n \nMuriel Rukeyser\n00:23:56\nReads \"Clues\" [from The Speed of Darkness].\n \nMuriel Rukeyser\n00:25:55\nHere's one piece of a long poem, it's the last of a group called \"Elegies\", which one hardly dares name anything anymore. It's called \"Elegy in Joy\" and this is just a beginning piece, I wanted to do it tonight this way, I've never cut it up.\n \n Muriel Rukeyser\n00:26:17\nReads \"Elegy in Joy\" [from Elegies and collected later in Collected Poems].\n \nMuriel Rukeyser\n00:28:26\nI thought of that very much at the beginning of this month in Mexico [https://www.wikidata.org/wiki/Q96], and yesterday when I heard a story. It's a story of what happened at Christmas time, I was in Mexico, I wonder whether you saw it, I heard of it yesterday in New York, as a little, three line story, in the back page of the New York Times [https://www.wikidata.org/wiki/Q9684], saying that the largest underground bomb test was about to be held in Nevada [https://www.wikidata.org/wiki/Q1227] in the States, and to that test, the day before, came five scientists, in Utah [https://www.wikidata.org/wiki/Q829], in the States, to protest, to picket, to try to stop it. And another person who protested, was Howard Hughes [https://www.wikidata.org/wiki/Q189081], who owns most of Las Vegas [https://www.wikidata.org/wiki/Q23768] at this point, and had his own reasons for protesting. These protests did not stop the testing. The test was made. It was the largest underground made yet. Do you know this story? There was a crack, a crack in the earth, big enough, they said, the way we talk, big enough that the Empire State Building [https://www.wikidata.org/wiki/Q9188]. There's a crack there, and deep under the crust there's a three foot crack of some kind, and the rocks are still falling, and they say there will be earthquakes in various parts, unpredictable parts of the world as a result of the shift of the under-crust. Now, last night, before I came here, on TV, late news in New York, they said that there'd been a quake in the Fiji Islands [https://www.wikidata.org/wiki/Q24570183]. I have no idea what the relations between these things are, I give it to you simply, that something has happened to shift the under-crust there will be unpredictable results. This is under the ground, the way we are bound to each other, we are all so bound to each other through the air and the fall out has come over Canada [https://www.wikidata.org/wiki/Q16], this is also a part of the story that I heard yesterday, and you, I can see by your nods, you know this part of the story. People were saying one thing, and then the other about why don't we do this, why don't they do that, part of the story is that maybe nothing will fall because the Russians also wish to make underground tests. It's part of the ways in which we are bound to each other. I'll give you that. In Mexico, we are bound, under the ground, over the ground, in every way there is. In Mexico, though the stories of what really happened to the students in October, and the stories of people--of many students were killed and the police were among the crowd, and the police wore one white glove or tied a handkerchief around their right hand, and when the helicopters came over, these white hands were put up that said \"don't shoot us, we're police\". Many students were shot and they say in Mexico City [https://www.wikidata.org/wiki/Q1489] that the bodies were incinerated and no reports were made and no count was made, and these are the ways in which we are bound too. And yes, I have been translating Octavio Paz, and Ekelof is another such poet, but Paz, the end of one of Octavio's poems, was printed on this issue of the University Students' Journal of the University of Mexico, with the account of September, October, November, December. And the poem ends like this in English, it's not as good, I warn you, these translations are a folly on a madness on a stupidity and at the same time one has to do it, as work to which one is driven, out of love and gratitude, and also out a motive not so noble as any of that, during the times in which one cannot write poems, it is wonderful to have something one cares about out in front of one, and work with it that way, and it's the thing, not spinning out of oneself, in those times, but having something out in front. This is the end of the, of a great poem of Octavio Paz's called \"A Broken Jar\", and jar, of course, water jar, is something quite different in Mexico, we say 'jar', 'jug', something like that, it isn't in the thing we use every day, in Mexico, it's every day, it's that kind of broken jar.\n \nMuriel Rukeyser\n00:33:33\nReads translation of \"A Broken Jar\" by Octavio Paz in English.\n \nMuriel Rukeyser\n00:34:35\nThese are some poems, since my last book, and I don't know whether they are finished, they may be finished. The next book that these will be in will be called Breaking Open. This is a short one called \"Martin Luther King\" [https://www.wikidata.org/wiki/Q8027].\n \nMuriel Rukeyser\n00:34:56\nReads \"Martin Luther King\" [published later as “Martin Luther King, Malcolm X” in Breaking Open and collected in Collected Poems].\n \nMuriel Rukeyser\n00:35:45\nThis is a poem, I found a long time ago, you probably have found it in the same way, it's on the back of a one of the Gauguin [https://www.wikidata.org/wiki/Q37693] watercolours, it's a piece of poem without any heading, without any signature, I didn't know what it was, and it stopped me, and it stayed in me, and I tried to turn it into English, and I couldn't do it. And I finally found out what it was and I finally turned it into English, it's a poem by Charles Morice [https://www.wikidata.org/wiki/Q2959857], who is hardly read, now, you know him? No, he's one of those people around Gauguin, and I said well, you can't print anything like that, people, and then 2001 [https://www.wikidata.org/wiki/Q835341] was written and released, and 2001 has stargate, starbaby, the whole thing, and I put the name \"Next\" on this and I'm reading it to you partly for itself, but partly because one line of it is something I used in a poem I wrote when the same thing happened to many of us, the Olympics [https://www.wikidata.org/wiki/Q5389] committee wrote to us and asked for poems, you know, for the games, or for the times of the games, or for something. And one wasn't exactly going to do that, but there was something that could be said, and so on. Anyway, this is the Morice, and I've called it \"Next\".\n \nMuriel Rukeyser\n00:37:25\nReads \"Next\", an English translation of an unnamed poem by Charles Morice [published later in Breaking Open and collected in Collected Poems].\n \nMuriel Rukeyser\n00:38:19\nAnd this poem, using one line of that was what I sent to Mexico, it's called \"Voices\".\n \nMuriel Rukeyser\n00:38:30\nReads \"Voices\" [published later in Breaking Open and collected in Collected Poems].\n \nMuriel Rukeyser\n00:40:00\nThe last poem I'll read this evening is a group, the group is called \"The Speed of Darkness\". They're short poems, and I'll just pause between poems, there should be numbers going up in back of me, 1, 2, 3 [audience laughter]. I'll just pause. \"The Speed of Darkness\".\n\nMuriel Rukeyser\n00:40:27\nReads \"The Speed of Darkness\" from The Speed of Darkness. \n\nMuriel Rukeyser\n00:46:11\nThank you very much.\n \nAudience\n00:46:14\nApplause.\n \nIntroducer\n00:46:37\nWe wish to announce that the next reading will be by F.R. Scott [https://www.wikidata.org/wiki/Q3081656], and that will be on February 14, at the same time, in the theatre in the basement of this building. Thank you.\n \nUnknown\n00:46:58\nAmbient Sound [voices].\n \nEND\n00:51:24\n"],"Note":["[{\"note\":\"Year-Specific Information:\\n\\nThe speed of darkness was published the previous year, in 1968. Muriel Rukeyser did a reading in 1969 at Vassar College.\",\"type\":\"General\"},{\"note\":\"Local Connections:\\n\\nMuriel Rukeyser was an influential American poet and human rights activist. No other connections to Montreal or Sir George Williams University are known.\",\"type\":\"General\"},{\"note\":\"Original transcript, research, introduction and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Ali Barillaro\",\"type\":\"Cataloguer\"},{\"note\":\"Reel-to-reel tape>CD>digital file\",\"type\":\"Cataloguer\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/breaking-open-muriel-rukeyser/oclc/924572095?referer=di&ht=edition\",\"citation\":\"Rukeyser, Muriel. Breaking Open. New York: Random House, 1973. \"},{\"url\":\"https://www.worldcat.org/title/elegies/oclc/504012626?referer=di&ht=edition\",\"citation\":\"Rukeyser, Muriel. Elegies. New York: New Directions, 1949. \"},{\"url\":\"https://www.worldcat.org/title/speed-of-darkness-2-print/oclc/468799078&referer=brief_results\",\"citation\":\"Rukeyser, Muriel. The speed of darkness. New York: Random House, 1968. \"},{\"url\":\"https://www.worldcat.org/title/waterlily-fire-poems-1935-1962/oclc/468799083?referer=di&ht=edition\",\"citation\":\"Rukeyser, Muriel. Waterlily Fire. New York: Macmillan, 1962. \"},{\"url\":\"https://www.worldcat.org/title/collected-poems/oclc/924905547?referer=di&ht=edition\",\"citation\":\"Rukeyser, Muriel. Collected Poems. New York: McGraw-Hill, 1978. \"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-american-literature/oclc/54356940&referer=brief_results\",\"citation\":\"\\\"Rukeyser, Muriel\\\". The Oxford Companion to American Literature. James D. Hart (ed.), Phillip W. Leininger (rev). Oxford University Press 1995.\"},{\"url\":\"\",\"citation\":\"“Rukeyser, Muriel, 1913-”. Literature Online Biography. H.W. Wilson Company. \"}]"],"_version_":1853670548872101888,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0162_back.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0162 back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Muriel Rukeyser Tape Box - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0162_front.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0162 front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Muriel Rukeyser Tape Box - Front\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0162_side.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0162 side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Muriel Rukeyser Tape Box - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0162_tape.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0162_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Muriel Rukeyser Tape Box - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/muriel_rukeyser_i006-11-162.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"muriel_rukeyser_i006-11-162.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:51:24\",\"precision\":\"\",\"size\":\"123.4 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"Introducer\\n00:00:00\\n...Introduction mention that she has published ten volumes of poetry which include such books as The Green Wave, The Turning Wind, Beast in View, U.S. 1, Theory of Flight, Body of Waking, Waterlily Fire, The Speed of Darkness, amongst others. She has published essays, biography, she's working on a biography now, she has published a novel called The Orgy, she has published translations of the Mexican writer Octavio Paz [https://www.wikidata.org/wiki/Q46739], and the Swedish poet Gunnar Ekelöf [https://www.wikidata.org/wiki/Q366311], she has published a number of children's books and what else can I say? She's a New Yorker, she was born in New York [https://www.wikidata.org/wiki/Q60], she lives in New York, and so forth. I now introduce Muriel Rukeyser [https://www.wikidata.org/wiki/Q735177].\\n\\nAudience\\n00:00:40\\nApplause. \\n\\nMuriel Rukeyser\\n00:00:49\\nThank you. It sounds peculiar when it's said that way, you know. It just means that I've been writing poems all along, and that sometimes there's been some prose or something film, prose, whatever it is, that spills into the poems that feeds into the poems. And they lie all the time about the poems to us, you know, about all of our poems they say it's something very odd and rare, that people who do it are very odd, if a man does it, he's sexually questionable, if a woman does it she's sexually questionable, besides, very few people do it [audience laughter]. And it's all lies, you know. There's a company in the United States [https://www.wikidata.org/wiki/Q30] that's made a fortune, on the premise that everybody takes a snapshot at some time or other, and I would like to ask you, and this is apart from all critical standards, all criteria, all faculty and institutions, apart from any of that. I would like to ask a question, how many of you here has ever written a poem, would you put up your hands please? [Audience laughter]. Thank you. I'm always nervous before I ask the question, I ask the question now in all rooms, no matter how few or many people there are and if the universities would generally look around to see if the basketball team is there, but there's always the moment of silence, and looking around first, and generally, quite slowly, almost all the hands go up, maybe four or five do not put up their hands and if I wait around afterwards, and with any luck and favorable wins, the four or five people come up to me and will say something like, I was 15, it was a love poem, it stank. [Audience laughter]. But the thing is it's a human activity. We all do it. We lie about it, you know, and they lie about it to us. And thanks now to the young, the poets maybe, a few other people one could name together, maybe we don't lie so much as we used to, maybe we don't lie about this anymore. Maybe we don't lie about sex, maybe we don't lie about poetry, they seem to lie a great deal about politics instead, it seems to shift around. There are these, and the fact is, we all write poems, it is something we do, we come to this part of experience, as you get a very rainy, rainy evening, why do people come and listen to poems? Or you've got some marvelous summer night, why do people come and listen to poems? Alright, it's partly out of curiosity and looking at the person and I go to see what is that breathing behind, what is that heartbeat, the breathing goes against the heartbeat and these rhythms are set up, and the involuntary muscles and you see the person do it but beyond that, something is what we call shared, something is arrived at, we come to something with almost unmediated, that is the poem among us, between us, there, we're reaching each other, you giving me whatever silence you are giving me and it comes to me with great strength, your silence. Somebody said prima donna, you know, or I'm going to give this to the audience and the conductor says that's what you think, you're going to get it from the audience. That's where it comes from in a funny way. So this mediation, it is not a description, it is not only the music and it, although certainly the reinforcement of sound. The sound climbing up and finally reaching a place, the last word, the sound that begins with the first breathing, the breath of the title. Keats [https://www.wikidata.org/wiki/Q82083] doing Ode to a Nightingale [https://www.wikidata.org/wiki/Q3349126], we hardly ever say ode, nobody says nightingale, but Keats having said that, never has to say it again, it's a bird. You find it in these things, but from the beginning, from the first moment, that is the first breath, the thing that is made as, suggestion, breath, what my life has been, whatever that--what your lives have been. This is a very short one called \\\"Song\\\".\\n \\nMuriel Rukeyser\\n00:06:50\\nReads \\\"Song\\\" [from Waterlily Fire and collected later in Collected Poems].\\n \\nMuriel Rukeyser\\n00:07:36\\nThis is another very short one, I wanted to start with these and see what happened. I called it \\\"In Our Time\\\", it's very--it's four lines.\\n \\nMuriel Rukeyser\\n00:07:50\\nReads \\\"In Our Time\\\" [from The Speed of Darkness].\\n \\nMuriel Rukeyser\\n00:08:12\\nThis is called \\\"The Poem As Mask\\\". It's for another poem, a big Orpheus [https://www.wikidata.org/wiki/Q174353] poem that I wrote a long time ago and it had the acting out the women on the mountain after the murder, the pieces of the man scattered about the top of the mountain. The slow coming together of the pieces as God. And I realized, long after, when I came to this newest book, Speed of Darkness, that this was a mask that I did not want anymore of this. You know how it is--it happens to undergraduates, say, it happens to the thing that was just before, and you see these girls acting very childish, and trading on it, and thinking they're still thirteen and able to influence their father, and it's been used up, used up, it served its purpose back there, but it isn't that anymore. And these, phases of being, \\\"The Poem As Mask\\\" for Orpheus.\\n \\nMuriel Rukeyser\\n00:09:25\\nReads \\\"The Poem As Mask\\\" [from The Speed of Darkness].\\n \\nMuriel Rukeyser\\n00:10:42\\nReads \\\"Air\\\" [from The Speed of Darkness].\\n \\nMuriel Rukeyser\\n00:11:43\\nReads \\\"Poem\\\" [from The Speed of Darkness].\\n \\nMuriel Rukeyser\\n00:13:57\\nReads \\\"Anemone\\\" [from The Speed of Darkness].\\n \\nMuriel Rukeyser\\n00:14:46\\nReads \\\"For My Son\\\" [from The Speed of Darkness].\\n \\nMuriel Rukeyser\\n00:17:15\\nReads \\\"Orgy\\\" [from The Speed of Darkness].\\n \\nMuriel Rukeyser\\n00:19:14\\nThis is called \\\"Bunk Johnson Blowing\\\", if you know the early jazz men, the New Orleans [https://www.wikidata.org/wiki/Q34404] jazz men, you'll know Bunk Johnson [https://www.wikidata.org/wiki/Q487021] and his trumpet. This is years later in San Francisco [https://www.wikidata.org/wiki/Q62]. \\\"Bunk Johnson Blowing\\\" and the dedication is in memory of Lead Belly [https://www.wikidata.org/wiki/Q314310], and his house on 59th Street, that's New York.\\n \\nMuriel Rukeyser\\n00:19:45\\nReads \\\"Bunk Johnson Blowing\\\" [from The Speed of Darkness].\\n \\nMuriel Rukeyser\\n00:21:19\\nReads \\\"Endless\\\" [from The Speed of Darkness].\\n \\nMuriel Rukeyser\\n00:22:53\\nThis last one of the first group is called \\\"Clues\\\", it's a Canadian, British Columbia [https://www.wikidata.org/wiki/Q1974] poem, is--how it is among the Thompson River [https://www.wikidata.org/wiki/Q2143805] Indians, or how it was in the anthropological moment, that flash of moment before it was broken up by this civilization, and we have caught up to some of this, without know what the hell it was, what this is. We are full of body painting, tattooing, emblems painted on ourselves, this is further. \\\"Clues\\\".\\n \\nMuriel Rukeyser\\n00:23:56\\nReads \\\"Clues\\\" [from The Speed of Darkness].\\n \\nMuriel Rukeyser\\n00:25:55\\nHere's one piece of a long poem, it's the last of a group called \\\"Elegies\\\", which one hardly dares name anything anymore. It's called \\\"Elegy in Joy\\\" and this is just a beginning piece, I wanted to do it tonight this way, I've never cut it up.\\n \\n Muriel Rukeyser\\n00:26:17\\nReads \\\"Elegy in Joy\\\" [from Elegies and collected later in Collected Poems].\\n \\nMuriel Rukeyser\\n00:28:26\\nI thought of that very much at the beginning of this month in Mexico [https://www.wikidata.org/wiki/Q96], and yesterday when I heard a story. It's a story of what happened at Christmas time, I was in Mexico, I wonder whether you saw it, I heard of it yesterday in New York, as a little, three line story, in the back page of the New York Times [https://www.wikidata.org/wiki/Q9684], saying that the largest underground bomb test was about to be held in Nevada [https://www.wikidata.org/wiki/Q1227] in the States, and to that test, the day before, came five scientists, in Utah [https://www.wikidata.org/wiki/Q829], in the States, to protest, to picket, to try to stop it. And another person who protested, was Howard Hughes [https://www.wikidata.org/wiki/Q189081], who owns most of Las Vegas [https://www.wikidata.org/wiki/Q23768] at this point, and had his own reasons for protesting. These protests did not stop the testing. The test was made. It was the largest underground made yet. Do you know this story? There was a crack, a crack in the earth, big enough, they said, the way we talk, big enough that the Empire State Building [https://www.wikidata.org/wiki/Q9188]. There's a crack there, and deep under the crust there's a three foot crack of some kind, and the rocks are still falling, and they say there will be earthquakes in various parts, unpredictable parts of the world as a result of the shift of the under-crust. Now, last night, before I came here, on TV, late news in New York, they said that there'd been a quake in the Fiji Islands [https://www.wikidata.org/wiki/Q24570183]. I have no idea what the relations between these things are, I give it to you simply, that something has happened to shift the under-crust there will be unpredictable results. This is under the ground, the way we are bound to each other, we are all so bound to each other through the air and the fall out has come over Canada [https://www.wikidata.org/wiki/Q16], this is also a part of the story that I heard yesterday, and you, I can see by your nods, you know this part of the story. People were saying one thing, and then the other about why don't we do this, why don't they do that, part of the story is that maybe nothing will fall because the Russians also wish to make underground tests. It's part of the ways in which we are bound to each other. I'll give you that. In Mexico, we are bound, under the ground, over the ground, in every way there is. In Mexico, though the stories of what really happened to the students in October, and the stories of people--of many students were killed and the police were among the crowd, and the police wore one white glove or tied a handkerchief around their right hand, and when the helicopters came over, these white hands were put up that said \\\"don't shoot us, we're police\\\". Many students were shot and they say in Mexico City [https://www.wikidata.org/wiki/Q1489] that the bodies were incinerated and no reports were made and no count was made, and these are the ways in which we are bound too. And yes, I have been translating Octavio Paz, and Ekelof is another such poet, but Paz, the end of one of Octavio's poems, was printed on this issue of the University Students' Journal of the University of Mexico, with the account of September, October, November, December. And the poem ends like this in English, it's not as good, I warn you, these translations are a folly on a madness on a stupidity and at the same time one has to do it, as work to which one is driven, out of love and gratitude, and also out a motive not so noble as any of that, during the times in which one cannot write poems, it is wonderful to have something one cares about out in front of one, and work with it that way, and it's the thing, not spinning out of oneself, in those times, but having something out in front. This is the end of the, of a great poem of Octavio Paz's called \\\"A Broken Jar\\\", and jar, of course, water jar, is something quite different in Mexico, we say 'jar', 'jug', something like that, it isn't in the thing we use every day, in Mexico, it's every day, it's that kind of broken jar.\\n \\nMuriel Rukeyser\\n00:33:33\\nReads translation of \\\"A Broken Jar\\\" by Octavio Paz in English.\\n \\nMuriel Rukeyser\\n00:34:35\\nThese are some poems, since my last book, and I don't know whether they are finished, they may be finished. The next book that these will be in will be called Breaking Open. This is a short one called \\\"Martin Luther King\\\" [https://www.wikidata.org/wiki/Q8027].\\n \\nMuriel Rukeyser\\n00:34:56\\nReads \\\"Martin Luther King\\\" [published later as “Martin Luther King, Malcolm X” in Breaking Open and collected in Collected Poems].\\n \\nMuriel Rukeyser\\n00:35:45\\nThis is a poem, I found a long time ago, you probably have found it in the same way, it's on the back of a one of the Gauguin [https://www.wikidata.org/wiki/Q37693] watercolours, it's a piece of poem without any heading, without any signature, I didn't know what it was, and it stopped me, and it stayed in me, and I tried to turn it into English, and I couldn't do it. And I finally found out what it was and I finally turned it into English, it's a poem by Charles Morice [https://www.wikidata.org/wiki/Q2959857], who is hardly read, now, you know him? No, he's one of those people around Gauguin, and I said well, you can't print anything like that, people, and then 2001 [https://www.wikidata.org/wiki/Q835341] was written and released, and 2001 has stargate, starbaby, the whole thing, and I put the name \\\"Next\\\" on this and I'm reading it to you partly for itself, but partly because one line of it is something I used in a poem I wrote when the same thing happened to many of us, the Olympics [https://www.wikidata.org/wiki/Q5389] committee wrote to us and asked for poems, you know, for the games, or for the times of the games, or for something. And one wasn't exactly going to do that, but there was something that could be said, and so on. Anyway, this is the Morice, and I've called it \\\"Next\\\".\\n \\nMuriel Rukeyser\\n00:37:25\\nReads \\\"Next\\\", an English translation of an unnamed poem by Charles Morice [published later in Breaking Open and collected in Collected Poems].\\n \\nMuriel Rukeyser\\n00:38:19\\nAnd this poem, using one line of that was what I sent to Mexico, it's called \\\"Voices\\\".\\n \\nMuriel Rukeyser\\n00:38:30\\nReads \\\"Voices\\\" [published later in Breaking Open and collected in Collected Poems].\\n \\nMuriel Rukeyser\\n00:40:00\\nThe last poem I'll read this evening is a group, the group is called \\\"The Speed of Darkness\\\". They're short poems, and I'll just pause between poems, there should be numbers going up in back of me, 1, 2, 3 [audience laughter]. I'll just pause. \\\"The Speed of Darkness\\\".\\n\\nMuriel Rukeyser\\n00:40:27\\nReads \\\"The Speed of Darkness\\\" from The Speed of Darkness. \\n\\nMuriel Rukeyser\\n00:46:11\\nThank you very much.\\n \\nAudience\\n00:46:14\\nApplause.\\n \\nIntroducer\\n00:46:37\\nWe wish to announce that the next reading will be by F.R. Scott [https://www.wikidata.org/wiki/Q3081656], and that will be on February 14, at the same time, in the theatre in the basement of this building. Thank you.\\n \\nUnknown\\n00:46:58\\nAmbient Sound [voices].\\n \\nEND\\n00:51:24\\n\",\"notes\":\"Muriel Rukeyser reads largely from her book The Speed of Darkness (Random House, 1968) as well as a few poems from Elegies (New Directions, 1949) and Waterlily Fire (Macmillan, 1962) and others published later in Breaking Open (Random House, 1973).  Most of the poems read were also later collected in Collected Poems (McGraw-Hill, 1978).\\n\\n00:00- Unknown Introducer introduces Muriel Rukeyser [INDEX: The Green Wave, The Turning Wind, Beast and View, U.S. 1, Theory of Flight, The speed of darkness]\\n00:49- Muriel Rukeyser introduces “Song” [INDEX: writing poetry, poet John Keats’ “Ode to a Nightingale”]\\n06:50- Reads “Song”\\n07:36- Introduces “In Our Time”\\n07:50- Reads “In Our Time”\\n08:12- Introduces “The Poem as a Mask” [INDEX: Orpheus, Greek Myth, The speed of darkness]\\n09:25- Reads “The Poem as a Mask”\\n10:42- Reads “Air”\\n11:43- Reads “Poem”\\n13:57- Reads “Anemone”\\n14:46- Reads “For My Son”\\n17:15- Reads “Orgy”\\n19:14- Introduces “Bunk Johnson Blowing” [INDEX: Musician Bunk Johnson, San Francisco, Lead Belly, house on 59th Street in NYC]\\n19:45- Reads “Bunk Johnson Blowing”\\n21:19- Reads “Endless”\\n22:53- Introduces “Clues” [INDEX: Thompson River Indians (the Nlaka'pamux of Southern British Columbia)]\\n23:56- Reads “Clues”\\n25:55- Introduces “Elegy in Joy”\\n26:17- Reads “Elegy in Joy”\\n28:26- Introduces “A Broken Jar” [INDEX: Biggest underground bomb testing in Nevada, Student protest killings on October 2, 1968 in Mexico City, Poet Octavio Paz, Surrealist poet Gunnar Ekelof]\\n33:33- Reads “A Broken Jar”\\n34:35- Introduces “Martin Luther King” [INDEX: Breaking Open: Upcoming novel, poet Charles Maurice and artist Paul Gauguin, 2001: A Space Odyssey]\\n34:56- Reads “Martin Luther King”\\n35:45- Introduces “Next” [Howard Fink List: “Poem by C. Maurice”]\\n37:35- Reads “Next”\\n38:19- Introduces “Voices”\\n38:30- Reads “Voices”\\n40:00- Introduces “The speed of darkness”\\n40:27- Reads “The speed of darkness”\\n51:24.74- END OF RECORDING\\n \\nHoward Fink List of Poems\\n“Muriel Rukeyser”\\n1/24/69\\nreel information\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/muriel-rukeyser-at-sgwu-1969/\"}]"],"score":0.01643844},{"id":"1275","cataloger_name":["Masoumeh,Zaare"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["F.R. Scott at Sir George Williams University, The Poetry Series, 22 February 1969"],"item_title_source":["Cataloguer"],"item_title_note":["\"R.F. SCOTT - 1 I006/SR117.1\" written on sticker on the spine of the tape's box. R.F. SCOTT refers to F.R. SCOTT. R.F. is mispelled. \"I006-11-112.1\" written on sticker on the reel\n\n\"R.F. SCOTT - 2 I006/SR117.2\" written on sticker on the spine of the tape's box. R.F. SCOTT refers to F.R. SCOTT. R.F. is mispelled. \"I006-11-112.2\" written on sticker on the reel"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 3"],"item_identifiers":["[I006-11-112.1, I006-11-112.2]"],"creator_names":["Scott, Francis Reginald"],"creator_names_search":["Scott, Francis Reginald"],"creators":["[{\"url\":\"http://viaf.org/viaf/108944267\",\"name\":\"Scott, Francis Reginald\",\"dates\":\"1899-1985\",\"notes\":\"Francis (Frank) Reginald Scott (F.R. Scott) was born in Quebec City, in 1899. Educated at Bishop’s College, Lennoxville, and then at Oxford University where he received his B.A. in 1922, and his B.Litt in 1923 on a Rhodes scholarship. In 1926 he graduated from McGill University in Montreal with a Law degree. It was at McGill, after meeting A.J.M. Smith, that he became interested in the current poetry scene. With Smith and Leon Edel, Scott founded The McGill fortnightly review (1925-1927), which then became The Canadian Mercury (1928-1929). After practicing law for a year, he returned to teach at McGill in 1928. In 1936 he and Smith co-edited the first anthology of modern Canadian poetry, New Provinces: Poems of Several Authors (Macmillan, 1936), and he was subsequently involved in many influential literary journals and anthologies of Canadian poetry. Preview begun with the help of Scott, A.M. Klein and P.K. Page in 1942, and in 1945 it merged with First Statement to become the Northern Review (1945-1956). Scott also was an advising editor of The Tamarack Review in 1956. Scott’s first collection of poems was Overture (Ryerson Press), published in 1945, delayed by the Depression, but was followed by Events and signals (Ryerson Press, 1954), The eye of the needle (Contact Press, 1957), Signature (Klanak Press and McGill University Press, 1964) and Selected poems (Oxford University Press, 1966). Scott became the dean of law at McGill in 1961 until 1964, retiring in 1968. Not only was Scott an important figure in Canadian poetry, he was heavily involved with politics, law and the translation of French literature. Scott was the President of the League for Social Reconstruction in 1935-7. He was the national chairman of the Co-operative Commonwealth Federation from 1942 to 1950. Scott helped to found the New Party in the 60‘s, what is known as the New Democratic Party today. He also worked several high-priority civil rights cases, Switzman v. Elbing (1957) and Roncarelli v. Duplessis (1958) in front of the Supreme Court. F.R. Scott was awarded the Lorne Piece Medal for distinguished service to Canadian literature in 1962. He received the Canada Council Translation Prize for Poems of French Canada (Blackfish press, 1977), a Governor General’s Award for Essays on the constitution: aspects of Canadian law and politics (University of Toronto Press, 1977) as well as a second Governor General’s Award for The collected poems of F.R. Scott (McClelland and Stewart) in 1981. F.R. Scott died in 1985.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"Half-track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"Half-track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel","Reel to Reel"],"physical_compositions":["Magnetic Tape","Magnetic Tape"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Mono","Mono"],"Dates":["[{\"date\":\"1969 2 22\",\"type\":\"Performance Date\",\"notes\":\"In previous recording, announcement is made for F.R. Scott's reading to take place on February 14, 1969. Perhaps date changed subsequently.\",\"source\":\"Previous researcher\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Basement Theatre\",\"notes\":\"Location announced in previous recording\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Basement Theatre"],"City":["Montreal, Quebec"],"content_notes":["F.R. Scott reads from a large selection of his poetry, most of which was collected much later in The Collected Poems of F.R. Scott (McClelland and Stewart, 1981). Scott most likely did not read from one book, but from his own manuscripts, but many of the poems were already published in F.R. Scott: Selected Poems (Oxford University Press, 1966) at the time of the reading."],"contents":["fr_scott_i006-11-112-1.mp3 [File 1 of 2]\n\nF.R. Scott\n00:00:00\nLadies and gentleman, the poems I'm going to read stretch over a period, it seems hard to believe, of about 45 years, and the writing of poetry has changed quite as much in that time as the world has changed, and probably for the same reason. Some of the poems I start with, you are actually going to hear a rhyme, and they're going to be structured. And you won't appreciate it, but some are going to vary the rhyme form in a way which, when they were written, seemed really quite daring. And I have witnessed, and as poets go on, it will always happen, this continuous evolution of the method--the method of expression and the forms of expression, that the poet, like any other artist, uses. I'm going to start at the beginning of my writing, I was born in Quebec City [https://www.wikidata.org/wiki/Q2145], grew up there. The Laurentian mountains [https://www.wikidata.org/wiki/Q75596] are ten miles away, my father was a great lover of nature, we went into the country for picnics all the time, he used to put me at the edge of the mountains and say \"Frank, look North, there's nothing between you and the North Pole\". And after I'd been three and a half years at Oxford [https://www.wikidata.org/wiki/Q34433] and in Europe [https://www.wikidata.org/wiki/Q46], soaking up nothing up but human history, the background and fundamentals of our civilization, I came back to Montreal [https://www.wikidata.org/wiki/Q340], which seemed an incredibly ugly, empty, valueless city. The one thing that matched the power of the European tradition was this North land. It's emptiness, it's waiting. So I remember poems touching upon that feeling, and I will read first, this poem is really 45 years old, \"New Names\".\n \nF.R. Scott\n00:02:31\nReads \"New Names\" [from F.R. Scott: Selected Poems].\n \nF.R. Scott\n00:03:26\nReads \"Old Song\" [from F.R. Scott: Selected Poems]..\n \nF.R. Scott\n00:04:17\n\"Trees In Ice\", we've all seen trees in ice.\n \nF.R. Scott\n00:04:26\nReads \"Trees In Ice\" [from F.R. Scott: Selected Poems].\n \nF.R. Scott\n00:05:21\nReads \"Snow Drift\" [from F.R. Scott: Selected Poems].\n \nF.R. Scott\n00:05:47\nReads \"North Stream\" [from F.R. Scott: Selected Poems].\n \nF.R. Scott\n00:06:29\nAnd then, \"Stone\", and I'm thinking of one of these marvelous artifacts that find on the shores of the northern rivers, and what it tells us.\n \nF.R. Scott\n00:06:55\nReads \"Stone\" [from F.R. Scott: Selected Poems].\n \nF.R. Scott\n00:08:09\nAnd in the same vein, here is a street cry modeled on the street cries of London [https://www.wikidata.org/wiki/Q84] when they were selling--women were selling on the streets--\"Street Cry\".\n \nF.R. Scott\n00:08:34\nReads \"Street Cry\".\n \nF.R. Scott\n00:09:03\nOne sees this north land, subject to man's invasion. This is called \"Laurentian Shield\" [https://www.wikidata.org/wiki/Q76034], which as you know, the name of the geological formation that covers most of the northern part of this country.\n \nF.R. Scott\n00:09:41\nReads \"Laurentian Shield\" [from F.R. Scott: Selected Poems].\n \nF.R. Scott\n00:12:27\nAnd \"Flying to Fort Smith\". I went down the Mackenzie river [https://www.wikidata.org/wiki/Q3411] and flew from Edmonton [https://www.wikidata.org/wiki/Q2096] to Fort Smith [https://www.wikidata.org/wiki/Q686415] over the Peace River [https://www.wikidata.org/wiki/Q2220] and these other rivers underneath which wind through the flat plain.\n \nF.R. Scott\n00:12:53\nReads \"Flying to Fort Smith\" [from F.R. Scott: Selected Poems].\n \nF.R. Scott\n00:14:14\nHere's a fairly recent poem to be published shortly. It's called \"T.V. Weatherman\" and it's dedicated to Percy Saltzman [https://www.wikidata.org/wiki/Q7167559].\n \nF.R. Scott\n00:14:41\nReads \"T.V. Weatherman\".\n \nF.R. Scott\n00:16:30\n\"Trans Canada\" this is my first flight, Regina [https://www.wikidata.org/wiki/Q2123] to Montreal one night.\n \nF.R. Scott\n00:16:42\nReads \"Trans Canada\" [from F.R. Scott: Selected Poems].\n \nF.R. Scott\n00:19:19\nHere's another recent poem, called \"On the Terrace, Quebec\". You imagine yourself on the terrace of Chateau Frontenac [https://www.wikidata.org/wiki/Q745964] looking at the basin.\n \n \nF.R. Scott\n00:19:41\nReads \"On the Terrace, Quebec\".\n \nF.R. Scott\n00:21:28\n\"A Grain of Rice\", a poem I wrote in Burma [https://www.wikidata.org/wiki/Q836], thinking of the Korean war [https://www.wikidata.org/wiki/Q8663], seeing the monsoon rains, reflecting on man and the universe in which he lives. \"A Grain of Rice\".\n \nF.R. Scott\n00:22:04\nReads \"A Grain of Rice\" [from F.R. Scott: Selected Poems].\n \nF.R. Scott\n00:24:25\nReads \"The Bird\" [from F.R. Scott: Selected Poems].\n \nF.R. Scott\n00:26:40\nHere's another version of an old story. It's called \"Eden\".\n \nF.R. Scott\n00:26:57\nReads \"Eden\" [from F.R. Scott: Selected Poems].\n \nF.R. Scott\n00:29:25\nAnd now, one or two more found poems. The first is from the Canadian Indian Pavilion at Expo [https://www.wikidata.org/wiki/Q1344988]. And it is found in this way, and those of you that saw that pavilion remember that they had these various rooms and in each room they had one or two lines of statements, up on the wall, about themselves and their relations with the white man. And all I did was to collect these various statements from a number of rooms and put them together to make a single poem, and it goes like this, I call it \"The Indians Speak at Expo 67\".\n \nF.R. Scott\n00:30:24\nReads \"The Indians Speak at Expo 67\".\n \nF.R. Scott\n00:31:44\nIn one of those rooms, there was a treaty between the British Crown and some Indian Chiefs. These treaties all had one purpose: they were to transfer valuable lands to Indians to the white man. And the treaties I may say always succeeded. This treaty was written out in a very formal manuscript, and the Indians had got hold of the original parchment, or whatever it was on, and they had blown it up to a great big thing they had up on the wall. The treaty was signed by two chiefs, signed--that is to say--the chiefs could not sign their names and presumably could not read the treaty, but they made little drawings, marks, to indicate that they had approved, and this what part of the treaty contains. There was a signature at the top, Chief Ningaram and at the bottom, Chief Wobumingwam.\n \nF.R. Scott\n00:32:56\nReads unnamed poem.\n \nF.R. Scott\n00:34:07\nAnd about 30,000 acres of the richest land in Southern Ontario [https://www.wikidata.org/wiki/Q1904] went for a song to the chiefs who couldn't sign their names. And I just came across the other day, in a book that I picked up, another thing I think I could call a 'found poem', also by the Indians, it's in The Life of McGillivray, the great fur trader of Montreal and his North West Company [https://www.wikidata.org/wiki/Q1142049], you know in the early part of the last century, around 1810-20. This is an account of the North West Company, describing how they relate themselves to the Indians, and you will see the philanthropy.\n \nF.R. Scott\n00:34:54\nReads unnamed poem.\n \nEND\n00:35:32\n\n\nfr_scott_i006-11-112-2.mp3 [File 2 of 2]\n\nF.R. Scott\n00:00:00\nHere's a poem, some poems of sentiment, a poem called \"Will to Win\". It's full of the imagery, it came out of the resistance movement in France [https://www.wikidata.org/wiki/Q142], during WW2 [https://www.wikidata.org/wiki/Q362], the Marquis hiding, having supplies dropped to them etc., etc.\n \nF.R. Scott\n00:00:25\nReads \"Will to Win\" [from F.R. Scott: Selected Poems].\n \nF.R. Scott\n00:01:50\nReads unnamed poem.\n \nF.R. Scott\n00:02:48\nReads \"Girl Running Down Hill\" [from F.R. Scott: Selected Poems].\n \nF.R. Scott\n00:04:00\nReads \"Upon Watching Margaret Dying\" [from F.R. Scott: Selected Poems].\n \nF.R. Scott\n00:05:39\nHere's a translation from Jacques Boraux [sp?], it's in his recent book that won the Prix de France. The poem is called \"Connaissance, Knowing\".\n \nF.R. Scott\n00:06:00\nReads \"Connaissance, Knowing”.\n \nF.R. Scott\n00:07:31\nAnd here's a translation from Pierre Trottier [https://www.wikidata.org/wiki/Q3387180] It's called \"Time Corrected\".\n \nF.R. Scott\n00:07:50\nReads \"Time Corrected\".\n \nF.R. Scott\n00:09:27\nReads \"Vision\" [from F.R. Scott: Selected Poems].\n \nF.R. Scott\n00:11:40\n\"Last Rites\". This was written at the death of my father in hospital.\n \nF.R. Scott\n00:11:50\nReads \"Last Rites\" [from F.R. Scott: Selected Poems].\n \nF.R. Scott\n00:15:23\nAnd finally, a poem called \"A l'ange avant-gardien\". It seems strange, but I was brought up to believe there was a guardian angel, un ange gardien, looking after me, so you felt a little more secure. As you know, there are certain places in this province called l'ange gardien. So I thought of the avant, l'ange avant-gardien. Stevens had a necessary angel, which to him was reality. Many people have angels, but this challenging avant-garde angel always asking you to be in the avant=garde, seems to me what I was thinking about. \"A l'ange avant-gardien\".\n \nF.R. Scott\n00:16:53\nReads \"A l'ange avant-gardien\".\n \nEND\n00:18:01\n"],"Note":["[{\"note\":\"Year-Specific Information:\\n\\nIn 1969, Scott was working on Dialogue sur la traduction, with Anne Hebert, published in 1970 (Bibliotheque Quebecoise). He had retired from teaching at McGill the previous year.\",\"type\":\"General\"},{\"note\":\"Local Connections:\\n\\nSince the 1920’s, Scott surrounded himself with poets, socializing with Dudek, Layton, Souster, Klein, Sutherland, D.G. Jones, Webb, Bowering, Newlove, Livesay, Mandel. Layton and Scott organized many infamous get-togethers and parties at their houses. He no doubt had many connections to Sir George Williams University through its professors, by association to McGill and from his prominence in the Montreal poetry scene.\",\"type\":\"General\"},{\"note\":\"Original transcript, research, introduction and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Ali Barillaro\",\"type\":\"Cataloguer\"},{\"note\":\"2 reel-to-reel tapes>CD>2 digital files\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/fr-scott-une-vie-biographie/oclc/1132465721&referer=brief_results\",\"citation\":\"Djwa, Sandra. F.R. Scott: Une Vie, bibliographie. Florence Bernard (translation). Montreal: Boreal, 2001.\"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-canadian-literature/oclc/803224830&referer=brief_results\",\"citation\":\"Djwa, Sandra. \\\"Scott, F.R.\\\"  The Oxford Companion to Canadian Literature. Eugene Benson and William Toye (eds). Oxford University Press, 2001.\"},{\"url\":\"https://www.worldcat.org/title/encyclopedia-of-post-colonial-literatures-in-english-v-2/oclc/847425506&referer=brief_results\",\"citation\":\"Trehearne, Brian. “Scott, F.R. (1899-1985)”. Routledge Encyclopedia of Post-Colonial    Literatures in English. Eugene Benson, L.W. Connolly (eds). London: Routledge, 1994. 2 vols. \\n\"},{\"url\":\"https://www.worldcat.org/title/selected-poems/oclc/900052866&referer=brief_results\",\"citation\":\"Scott, F.R. F.R. Scott: Selected Poems. Toronto: Oxford University Press, 1966.\"},{\"url\":\"https://www.worldcat.org/title/collected-poems-of-fr-scott/oclc/240862769&referer=brief_results>\",\"citation\":\"Scott, F.R. The Collected Poems of F.R. Scott. Toronto: McClelland and Stewart, 1981.\"}]"],"_version_":1853670548875247616,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0112-1_back.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0112-1_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"F.R. 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Scott Tape Box 2 - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/fr_scott_i006-11-112-1.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"fr_scott_i006-11-112-1.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:35:32\",\"precision\":\"\",\"size\":\"85.3 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"fr_scott_i006-11-112-1.mp3 [File 1 of 2]\\n\\nF.R. Scott\\n00:00:00\\nLadies and gentleman, the poems I'm going to read stretch over a period, it seems hard to believe, of about 45 years, and the writing of poetry has changed quite as much in that time as the world has changed, and probably for the same reason. Some of the poems I start with, you are actually going to hear a rhyme, and they're going to be structured. And you won't appreciate it, but some are going to vary the rhyme form in a way which, when they were written, seemed really quite daring. And I have witnessed, and as poets go on, it will always happen, this continuous evolution of the method--the method of expression and the forms of expression, that the poet, like any other artist, uses. I'm going to start at the beginning of my writing, I was born in Quebec City [https://www.wikidata.org/wiki/Q2145], grew up there. The Laurentian mountains [https://www.wikidata.org/wiki/Q75596] are ten miles away, my father was a great lover of nature, we went into the country for picnics all the time, he used to put me at the edge of the mountains and say \\\"Frank, look North, there's nothing between you and the North Pole\\\". And after I'd been three and a half years at Oxford [https://www.wikidata.org/wiki/Q34433] and in Europe [https://www.wikidata.org/wiki/Q46], soaking up nothing up but human history, the background and fundamentals of our civilization, I came back to Montreal [https://www.wikidata.org/wiki/Q340], which seemed an incredibly ugly, empty, valueless city. The one thing that matched the power of the European tradition was this North land. It's emptiness, it's waiting. So I remember poems touching upon that feeling, and I will read first, this poem is really 45 years old, \\\"New Names\\\".\\n \\nF.R. Scott\\n00:02:31\\nReads \\\"New Names\\\" [from F.R. Scott: Selected Poems].\\n \\nF.R. Scott\\n00:03:26\\nReads \\\"Old Song\\\" [from F.R. Scott: Selected Poems]..\\n \\nF.R. Scott\\n00:04:17\\n\\\"Trees In Ice\\\", we've all seen trees in ice.\\n \\nF.R. Scott\\n00:04:26\\nReads \\\"Trees In Ice\\\" [from F.R. Scott: Selected Poems].\\n \\nF.R. Scott\\n00:05:21\\nReads \\\"Snow Drift\\\" [from F.R. Scott: Selected Poems].\\n \\nF.R. Scott\\n00:05:47\\nReads \\\"North Stream\\\" [from F.R. Scott: Selected Poems].\\n \\nF.R. Scott\\n00:06:29\\nAnd then, \\\"Stone\\\", and I'm thinking of one of these marvelous artifacts that find on the shores of the northern rivers, and what it tells us.\\n \\nF.R. Scott\\n00:06:55\\nReads \\\"Stone\\\" [from F.R. Scott: Selected Poems].\\n \\nF.R. Scott\\n00:08:09\\nAnd in the same vein, here is a street cry modeled on the street cries of London [https://www.wikidata.org/wiki/Q84] when they were selling--women were selling on the streets--\\\"Street Cry\\\".\\n \\nF.R. Scott\\n00:08:34\\nReads \\\"Street Cry\\\".\\n \\nF.R. Scott\\n00:09:03\\nOne sees this north land, subject to man's invasion. This is called \\\"Laurentian Shield\\\" [https://www.wikidata.org/wiki/Q76034], which as you know, the name of the geological formation that covers most of the northern part of this country.\\n \\nF.R. Scott\\n00:09:41\\nReads \\\"Laurentian Shield\\\" [from F.R. Scott: Selected Poems].\\n \\nF.R. Scott\\n00:12:27\\nAnd \\\"Flying to Fort Smith\\\". I went down the Mackenzie river [https://www.wikidata.org/wiki/Q3411] and flew from Edmonton [https://www.wikidata.org/wiki/Q2096] to Fort Smith [https://www.wikidata.org/wiki/Q686415] over the Peace River [https://www.wikidata.org/wiki/Q2220] and these other rivers underneath which wind through the flat plain.\\n \\nF.R. Scott\\n00:12:53\\nReads \\\"Flying to Fort Smith\\\" [from F.R. Scott: Selected Poems].\\n \\nF.R. Scott\\n00:14:14\\nHere's a fairly recent poem to be published shortly. It's called \\\"T.V. Weatherman\\\" and it's dedicated to Percy Saltzman [https://www.wikidata.org/wiki/Q7167559].\\n \\nF.R. Scott\\n00:14:41\\nReads \\\"T.V. Weatherman\\\".\\n \\nF.R. Scott\\n00:16:30\\n\\\"Trans Canada\\\" this is my first flight, Regina [https://www.wikidata.org/wiki/Q2123] to Montreal one night.\\n \\nF.R. Scott\\n00:16:42\\nReads \\\"Trans Canada\\\" [from F.R. Scott: Selected Poems].\\n \\nF.R. Scott\\n00:19:19\\nHere's another recent poem, called \\\"On the Terrace, Quebec\\\". You imagine yourself on the terrace of Chateau Frontenac [https://www.wikidata.org/wiki/Q745964] looking at the basin.\\n \\n \\nF.R. Scott\\n00:19:41\\nReads \\\"On the Terrace, Quebec\\\".\\n \\nF.R. Scott\\n00:21:28\\n\\\"A Grain of Rice\\\", a poem I wrote in Burma [https://www.wikidata.org/wiki/Q836], thinking of the Korean war [https://www.wikidata.org/wiki/Q8663], seeing the monsoon rains, reflecting on man and the universe in which he lives. \\\"A Grain of Rice\\\".\\n \\nF.R. Scott\\n00:22:04\\nReads \\\"A Grain of Rice\\\" [from F.R. Scott: Selected Poems].\\n \\nF.R. Scott\\n00:24:25\\nReads \\\"The Bird\\\" [from F.R. Scott: Selected Poems].\\n \\nF.R. Scott\\n00:26:40\\nHere's another version of an old story. It's called \\\"Eden\\\".\\n \\nF.R. Scott\\n00:26:57\\nReads \\\"Eden\\\" [from F.R. Scott: Selected Poems].\\n \\nF.R. Scott\\n00:29:25\\nAnd now, one or two more found poems. The first is from the Canadian Indian Pavilion at Expo [https://www.wikidata.org/wiki/Q1344988]. And it is found in this way, and those of you that saw that pavilion remember that they had these various rooms and in each room they had one or two lines of statements, up on the wall, about themselves and their relations with the white man. And all I did was to collect these various statements from a number of rooms and put them together to make a single poem, and it goes like this, I call it \\\"The Indians Speak at Expo 67\\\".\\n \\nF.R. Scott\\n00:30:24\\nReads \\\"The Indians Speak at Expo 67\\\".\\n \\nF.R. Scott\\n00:31:44\\nIn one of those rooms, there was a treaty between the British Crown and some Indian Chiefs. These treaties all had one purpose: they were to transfer valuable lands to Indians to the white man. And the treaties I may say always succeeded. This treaty was written out in a very formal manuscript, and the Indians had got hold of the original parchment, or whatever it was on, and they had blown it up to a great big thing they had up on the wall. The treaty was signed by two chiefs, signed--that is to say--the chiefs could not sign their names and presumably could not read the treaty, but they made little drawings, marks, to indicate that they had approved, and this what part of the treaty contains. There was a signature at the top, Chief Ningaram and at the bottom, Chief Wobumingwam.\\n \\nF.R. Scott\\n00:32:56\\nReads unnamed poem.\\n \\nF.R. Scott\\n00:34:07\\nAnd about 30,000 acres of the richest land in Southern Ontario [https://www.wikidata.org/wiki/Q1904] went for a song to the chiefs who couldn't sign their names. And I just came across the other day, in a book that I picked up, another thing I think I could call a 'found poem', also by the Indians, it's in The Life of McGillivray, the great fur trader of Montreal and his North West Company [https://www.wikidata.org/wiki/Q1142049], you know in the early part of the last century, around 1810-20. This is an account of the North West Company, describing how they relate themselves to the Indians, and you will see the philanthropy.\\n \\nF.R. Scott\\n00:34:54\\nReads unnamed poem.\\n \\nEND\\n00:35:32\\n\",\"notes\":\"F.R. Scott reads from a large selection of his poetry, most of which was collected much later in The Collected Poems of F.R. Scott (McClelland and Stewart, 1981). Scott most likely did not read from one book, but from his own manuscripts, but many of the poems were already published in F.R. Scott: Selected Poems (Oxford University Press, 1966) at the time of the reading.\\n\\n00:00- Introduces his reading and “New Names” [INDEX: changes of poetry over 45 years, evolution of method of expression, Quebec City, Laurentian Mountains, Nature, F.R. Scott’s father, Oxford University, human history, Montreal, Northern Landscape]\\n02:31- Reads “New Names”\\n03:26- Reads “Old Song”\\n04:17- Introduces “Trees in Ice”\\n04:26- Reads “Trees in Ice”\\n05:21- Reads “Snow Drift”\\n05:47- Reads “North Stream”\\n06:29- Introduces “Stone” [INDEX: artifacts of the Northern rivers]\\n06:55- Reads “Stone”\\n08:09- Introduces “Street Cry” [INDEX: female street vendors of London, read from unknown  source]\\n08:34- Reads “Street Cry”\\n09:03- Introduces “Laurentian Shield”\\n09:41- Reads “Laurentian Shield”\\n12:27- Introduces “Flying to Fort Smith” [INDEX: MacKenzie River, flight from Edmonton to Fort Smith, Peace River]\\n12:53- Reads “Flying to Forth Smith”\\n14:14- Introduces “T.V. Weatherman” [INDEX: Percy Saltzman, read from unknown source]\\n14:41- Reads “T.V. Weatherman”\\n16:30- Introduces “Trans Canada” [INDEX: flight from Regina to Montreal]\\n16:42- Reads “Trans Canada”\\n19:19- Introduces “On the Terrace, Quebec” [INDEX: Chateau Frontenac, Quebec City, read from unknown source]\\n19:41- Reads “On the Terrace, Quebec”\\n21:28- Introduces “A Grain of Rice”\\n22:04- Reads “A Grain of Rice”\\n24:25- Reads “The Bird”\\n26:40- Introduces “Eden”\\n26:57- Reads “Eden”\\n29:25- Introduces “The Indians Speak at Expo ’67” [INDEX: Found poems, Canadian Indian Pavilion at Expo 67 in Montreal]\\n30:24- Reads “The Indians Speak at Expo ’67”\\n31:44- Introduces unknown ‘treaty’ found poem [Howard Fink first line: “We the     \\tundersigned chiefs...”] [INDEX: British Crown treaty with Indian Chiefs Ningaram and      Chief Wabuminguam to transfer valuable lands, Expo 67, reading from unknown source]\\n32:56- Reads unknown ‘treaty’ found poem\\n34:07- Introduces unknown poem about the life of MacGillivray [Howard Fink first line      “While the trade is confined to a...”] [INDEX: Southern Ontario lands, The Life of         \\tMacGillivray, fur trader of Montreal and the NorthWest Company, 1810-1820, reading    \\tfrom unknown source]\\n35:27- Reads unknown poem\\n35:27- Introduces “Will to Win” [INDEX: World War II, Marquis of France, resistance   movement]\\n36:21- Reads “Will to Win”\\n37:46- Reads “Heart”\\n38:44- Reads “Girl Running Down Hill”\\n39:56- Reads “Upon Watching Margaret Dying”\\n41:35- Introduces “Connaissance, Knowing” [Howard Fink first line: “I have in my mouth...”] [INDEX: translation from Jacques Borraux [sp?], Prix de France, read from unknown source]\\n41:56- Reads “Connaissance, Knowing”\\n43:27- Introduces “Time Corrected” [INDEX: Translation from Pierre Trottier [sp?]]\\n43:46- Reads “Time Corrected”\\n45:23- Reads “Vision”\\n47:36- Introduces “Last Rites” [INDEX: death of F.R. Scott’s father]\\n47:46- Reads “Last Rites”\\n51:19- Introduces “A l’ange avantgardien” [Howard Fink first line: “We must leave the        handrails...”] [INDEX: guardian angels, brother Stevens Scott]\\n52:49- Reads “A l’ange avantgardien”\\n53:57.79- END OF RECORDING.\\n\\nHoward Fink list of poems\\n“R.F. Scott” *note mistake\\n22/2/69\\nreel info\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/f-r-scott-at-sgwu-1969/#1\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/fr_scott_i006-11-112-2.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"fr_scott_i006-11-112-2.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:18:01\",\"precision\":\"\",\"size\":\"44.2 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"fr_scott_i006-11-112-2.mp3 [File 2 of 2]\\n\\nF.R. Scott\\n00:00:00\\nHere's a poem, some poems of sentiment, a poem called \\\"Will to Win\\\". It's full of the imagery, it came out of the resistance movement in France [https://www.wikidata.org/wiki/Q142], during WW2 [https://www.wikidata.org/wiki/Q362], the Marquis hiding, having supplies dropped to them etc., etc.\\n \\nF.R. Scott\\n00:00:25\\nReads \\\"Will to Win\\\" [from F.R. Scott: Selected Poems].\\n \\nF.R. Scott\\n00:01:50\\nReads unnamed poem.\\n \\nF.R. Scott\\n00:02:48\\nReads \\\"Girl Running Down Hill\\\" [from F.R. Scott: Selected Poems].\\n \\nF.R. Scott\\n00:04:00\\nReads \\\"Upon Watching Margaret Dying\\\" [from F.R. Scott: Selected Poems].\\n \\nF.R. Scott\\n00:05:39\\nHere's a translation from Jacques Boraux [sp?], it's in his recent book that won the Prix de France. The poem is called \\\"Connaissance, Knowing\\\".\\n \\nF.R. Scott\\n00:06:00\\nReads \\\"Connaissance, Knowing”.\\n \\nF.R. Scott\\n00:07:31\\nAnd here's a translation from Pierre Trottier [https://www.wikidata.org/wiki/Q3387180] It's called \\\"Time Corrected\\\".\\n \\nF.R. Scott\\n00:07:50\\nReads \\\"Time Corrected\\\".\\n \\nF.R. Scott\\n00:09:27\\nReads \\\"Vision\\\" [from F.R. Scott: Selected Poems].\\n \\nF.R. Scott\\n00:11:40\\n\\\"Last Rites\\\". This was written at the death of my father in hospital.\\n \\nF.R. Scott\\n00:11:50\\nReads \\\"Last Rites\\\" [from F.R. Scott: Selected Poems].\\n \\nF.R. Scott\\n00:15:23\\nAnd finally, a poem called \\\"A l'ange avant-gardien\\\". It seems strange, but I was brought up to believe there was a guardian angel, un ange gardien, looking after me, so you felt a little more secure. As you know, there are certain places in this province called l'ange gardien. So I thought of the avant, l'ange avant-gardien. Stevens had a necessary angel, which to him was reality. Many people have angels, but this challenging avant-garde angel always asking you to be in the avant=garde, seems to me what I was thinking about. \\\"A l'ange avant-gardien\\\".\\n \\nF.R. Scott\\n00:16:53\\nReads \\\"A l'ange avant-gardien\\\".\\n \\nEND\\n00:18:01\\n\",\"notes\":\"F.R. Scott reads from a large selection of his poetry, most of which was collected much later in The Collected Poems of F.R. Scott (McClelland and Stewart, 1981). Scott most likely did not read from one book, but from his own manuscripts, but many of the poems were already published in F.R. Scott: Selected Poems (Oxford University Press, 1966) at the time of the reading.\\n\\n00:00- Introduces his reading and “New Names” [INDEX: changes of poetry over 45 years, evolution of method of expression, Quebec City, Laurentian Mountains, Nature, F.R. Scott’s father, Oxford University, human history, Montreal, Northern Landscape]\\n02:31- Reads “New Names”\\n03:26- Reads “Old Song”\\n04:17- Introduces “Trees in Ice”\\n04:26- Reads “Trees in Ice”\\n05:21- Reads “Snow Drift”\\n05:47- Reads “North Stream”\\n06:29- Introduces “Stone” [INDEX: artifacts of the Northern rivers]\\n06:55- Reads “Stone”\\n08:09- Introduces “Street Cry” [INDEX: female street vendors of London, read from unknown  source]\\n08:34- Reads “Street Cry”\\n09:03- Introduces “Laurentian Shield”\\n09:41- Reads “Laurentian Shield”\\n12:27- Introduces “Flying to Fort Smith” [INDEX: MacKenzie River, flight from Edmonton to Fort Smith, Peace River]\\n12:53- Reads “Flying to Forth Smith”\\n14:14- Introduces “T.V. Weatherman” [INDEX: Percy Saltzman, read from unknown source]\\n14:41- Reads “T.V. Weatherman”\\n16:30- Introduces “Trans Canada” [INDEX: flight from Regina to Montreal]\\n16:42- Reads “Trans Canada”\\n19:19- Introduces “On the Terrace, Quebec” [INDEX: Chateau Frontenac, Quebec City, read from unknown source]\\n19:41- Reads “On the Terrace, Quebec”\\n21:28- Introduces “A Grain of Rice”\\n22:04- Reads “A Grain of Rice”\\n24:25- Reads “The Bird”\\n26:40- Introduces “Eden”\\n26:57- Reads “Eden”\\n29:25- Introduces “The Indians Speak at Expo ’67” [INDEX: Found poems, Canadian Indian Pavilion at Expo 67 in Montreal]\\n30:24- Reads “The Indians Speak at Expo ’67”\\n31:44- Introduces unknown ‘treaty’ found poem [Howard Fink first line: “We the     \\tundersigned chiefs...”] [INDEX: British Crown treaty with Indian Chiefs Ningaram and      Chief Wabuminguam to transfer valuable lands, Expo 67, reading from unknown source]\\n32:56- Reads unknown ‘treaty’ found poem\\n34:07- Introduces unknown poem about the life of MacGillivray [Howard Fink first line      “While the trade is confined to a...”] [INDEX: Southern Ontario lands, The Life of         \\tMacGillivray, fur trader of Montreal and the NorthWest Company, 1810-1820, reading    \\tfrom unknown source]\\n35:27- Reads unknown poem\\n35:27- Introduces “Will to Win” [INDEX: World War II, Marquis of France, resistance   movement]\\n36:21- Reads “Will to Win”\\n37:46- Reads “Heart”\\n38:44- Reads “Girl Running Down Hill”\\n39:56- Reads “Upon Watching Margaret Dying”\\n41:35- Introduces “Connaissance, Knowing” [Howard Fink first line: “I have in my mouth...”] [INDEX: translation from Jacques Borraux [sp?], Prix de France, read from unknown source]\\n41:56- Reads “Connaissance, Knowing”\\n43:27- Introduces “Time Corrected” [INDEX: Translation from Pierre Trottier [sp?]]\\n43:46- Reads “Time Corrected”\\n45:23- Reads “Vision”\\n47:36- Introduces “Last Rites” [INDEX: death of F.R. Scott’s father]\\n47:46- Reads “Last Rites”\\n51:19- Introduces “A l’ange avantgardien” [Howard Fink first line: “We must leave the        handrails...”] [INDEX: guardian angels, brother Stevens Scott]\\n52:49- Reads “A l’ange avantgardien”\\n53:57.79- END OF RECORDING.\\n\\nHoward Fink list of poems\\n“R.F. Scott” *note mistake\\n22/2/69\\nreel info\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/f-r-scott-at-sgwu-1969/#2\"}]"],"score":0.01643844},{"id":"1276","cataloger_name":["Masoumeh,Zaare"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Eli Mandel and D.G. Jones at Sir George Williams University, The Poetry Series, 7 March 1969"],"item_title_source":["Cataloguer"],"item_title_note":["\"JONES & MANDEL I006/SR43\" written on sticker on the spine of the tape's box. JONES & MANDEL refers to D.G. Jones and Eli Mandel. \"I006-11-043\" written on sticker on the reel\n\n\"Poetry - 7th Mar/69 Eli Mandel & Jones -1 I086-11-034\" written on the spine of the tape's box. Jones refers to D.G. Jones. \"1 Mandel I086-11-034\" written on sticker on the reel. \"RT 510\" written on sticker on the front of the tape's box and written on the back of the tape's box."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 3"],"item_identifiers":["[I006-11-043, I086-11-034]"],"creator_names":["Jones, Douglas Gordon","Mandel, Eli"],"creator_names_search":["Jones, Douglas Gordon","Mandel, Eli"],"creators":["[{\"url\":\"http://viaf.org/viaf/41883605\",\"name\":\"Jones, Douglas Gordon\",\"dates\":\"1929-2016\",\"notes\":\"Poet and critic Douglas Gordon (D.G.) Jones was born in Bancroft Ontario in 1929. He completed his B.A. at McGill University in 1952 and an M.A. at Queen’s University in 1954, writing a thesis on Ezra Pound. Jones’ first poems were encouraged by Louis Dudek and Raymond Souster in his publications in Contact Press and Delta. His first collection of poetry, Frost on the Sun (Contact Press, 1957) was followed by The Sun is Axeman (University of Toronto Press, 1961), Phrases from Orpheus (Oxford University Press, 1967) and a winner of a Governor General’s Award for Poetry, Under the Thunder of the Flowers Light Up the Earth (Coach House Press, 1977), A Throw of Particles (General Publishing Company, 1983), Balthazar (Coach House Press, 1988) and The floating garden (Coach House Press, 1995). Jones taught first at the Royal Military College from 1954-5, the Ontario Agricultural College from 1955-1961, he moved to Quebec and taught at Bishop’s University from 1961-1963, and finally at the Universite de Sherbooke, from 1963-1994. His book, Butterfly on rock: a study of themes and images in Canadian literature (University of Toronto Press, 1970) on Canadian criticism has proven to be important in the shaping of that field's literature. He founded Ellipse in 1969, the only Canadian magazine in which both English and French poetry was reciprocally translated. Jones’ own translations include Paul-Marie Lapointe’s The terror of the snows (University of Pittsburgh Press, 1976), The march to love: Selected poems of Gaston Miron (International Poetry Forum, 1986), Normand de Bellefeuille’s Categorics, one, two & three (Coach House Press, 1992) which won the Governor General’s Award for translation and Emile Martel’s For orchestra and solo poet (Muses’ Co, 1996). D.G. Jones was made an Officer of the Order of Canada in 2007. Jones died in 2016. \",\"nation\":[],\"role\":[\"Author\",\"Performer\"]},{\"url\":\"http://viaf.org/viaf/59095399\",\"name\":\"Mandel, Eli\",\"dates\":\"1922-1992\",\"notes\":\"Poet, critic and editor Eli Mandel was born Elias Wolf Mandel in Estevan, Saskatchewan in 1922. He grew up in Regina, until the Second World War when he joined the Army Medical Corps. Upon his return, he studied at the University of Saskatchewan, earning his B.A. in 1949, going on to complete his M.A. in 1950. Mandel then moved east, where he received a Ph.D. in 1957 from the University of Toronto. His early poetry was published in magazines like CIV/N and Contact, and in 1954 Contact Press published his collection “Minotaur poems” in Trio with Gael Turnbull and Phyllis Webb. Mandel taught English at College Militaire Royal de Saint Jean, University of Alberta and York University in Toronto, as well as serving as visiting professor and writer-in-residence later on in his career. He also wrote many important essays on Canadian literature, art and society, promoting Canadian writers. Poetry 62 (Ryerson Press, 1961), Mandel’s first anthology, co-edited with Jean-Guy Pilon, collected the works of (then) little-known writers Al Purdy, Milton Acorn, D.G. Jones, Alden Nowlan, Leonard Cohen and John Robert Colombo. His second collection of poems was published in Fuseli Poems (Contact Press, 1960), followed by Black and Secret Man (Ryerson Press, 1964), and An Idiot Joy (Hurtig Press, 1967), which won the Governor General’s award. A collection of eight essays by Mandel that had been presented as radio talks for CBC was published in Criticism: the silent-speaking words in 1966 (CBC). His later anthologies include Five modern Canadian poets (Holt, Rinehart and Winston, 1970), English poems of the twentieth century (Macmillan, 1971), Contexts of Canadian Criticism (University of Chicago Press, 1971), Eight more Canadian poets (Holt, Rinehart and Winston, 1972), and Poets of contemporary Canada: 1960-1970 (Macmillan, 1972) which published Joe Rosenblatt and bill bissett’s first collections of poetry. Mandel’s other works include Stony Plain (Porcepic Press, 1973), Crusoe (Anansi, 1973), Out of Place (Porcepic Press, 1977), the long poem Mary Midnight (Coach House Press, 1979), Life Sentence (Porcepic Press, 1981), Dreaming backwards: selected poems (General Publishing, 1981), the collections of essays Another Time (Porcepic, 1977), and The family romance (Turnstone, 1986) as well as a book-length study of his colleague, Irving Layton called The Poetry of Irving Layton (Coles, 1969). An important figure in Canadian literature, Eli Mandel died in Toronto on September 3, 1992.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Unspecified","Bowering, George"],"contributors_names_search":["Unspecified","Bowering, George"],"contributors":["[{\"url\":\"\",\"name\":\"Unspecified \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"Presenter_name":["Bowering, George"],"Recordist_name":["Unspecified "],"Series_organizer_name":["Bowering, George"],"Performance_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"Half-track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"First part of the tape is repeated from the end of I086-11-034\",\"track_configuration\":\"Half-track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel","Reel to Reel"],"physical_compositions":["Magnetic Tape","Magnetic Tape"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Mono","Mono"],"Dates":["[{\"date\":\"1969 3 7\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Previous researcher\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building\",\"notes\":\"Exact venue location unknown\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\" 45.4972758\",\"longitude\":\" -73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building"],"City":["Montreal, Quebec"],"content_notes":["Eli Mandel reads from An Idiot Joy (Hurtig, 1967), Black and Secret Man (1964), Trio:  First Poems (Contact Press, 1954), as well as poems later published in Crusoe: Poems Selected and New (Anansi, 1973). D.G. Jones reads from Phrases from Orpheus (Oxford University Press, 1967), as well as a few that were published later in Under the Thunder the Flowers Light up the Earth (Coach House Press, 1977) and an unnamed long poem that may have been published in Poetry 62 (Ryerson Press 1961)."],"contents":["eli_mandel_i086-11-034.mp3 [File 1 of 2]\n \nGeorge Bowering\n00:00:00\n...start with the poesy, I've been asked to announce that on Friday, i.e., what's this the seventh? Two weeks from tonight, March the 21st at 9 o’clock. in Room 653, [Barnes (?)] willing, there will be a program, I guess within the auspices of the Fine Arts department, the Ira Cohen [https://www.wikidata.org/wiki/Q1097790], New York [https://www.wikidata.org/wiki/Q60] film maker, and poet will be showing three of his films, as far as I know for the first time in Montreal [https://www.wikidata.org/wiki/Q340]. That's two weeks tonight at 9 in 653. When I was asked to introduce Eli Mandel [https://www.wikidata.org/wiki/Q3050883], and D.G. Jones [https://www.wikidata.org/wiki/Q5203595], I said, 'that's ridiculous', Canadian poetry being the way it is, they already know each other. And after the moment of hilarity I was brought to my senses, and I began to think that it really did make a lot of sense that we do have Doug Jones and Eli Mandel reading on the same program. I can remember in 1961 when Poetry 62 came out, Canadian poetry being the way it is [audience laughter], Poetry 62 was edited by Jean-Guy Pilon [https://www.wikidata.org/wiki/Q3166089] I believe and Eli Mandel, being a bilingual book, and at the time the poem that struck me as the most interesting was the long poem by D.G. Jones, the most interesting in that anthology, and I therefore, felt kind of warm, without having them, to both of them to Doug's poem and Eli's great taste for putting it in the anthology. And then I thought that there was this kind of confluence going on and I began to see all kinds of other things happening too, for instance, they both had their first books published by Contact Press, that published the first books of most of the important Canadian poets, and they now have seen their careers sort of criss-cross one another in a kind of a funny way because they each have three books, except that Eli has three and a third, which is also kind of Canadian, and I thought it was kind of interesting because not only is there a kind of parallel going on, and they both in 1967, for instance, turned out very good books of poetry, but there's a kind of uh, they'll be kind of an interesting contrast I think in tonight's program because I've always considered that Doug Jones is sort of the best of the Ontario [https://www.wikidata.org/wiki/Q1904] Wasp poets [audience laughter], and Eli Mandel is the best of the Western Jewish poets and they both deal with essential problems that seem to expose their two opposing and therefore contrary and conjugal, you might almost say, attitudes towards the business of writing poems. So we're going to start off with Eli's reading, and then have something like a ten minute break, and then we'll have Doug Jones' reading. I should mention that of those two books, Eli's is called An Idiot Joy and it shared the Governor General's Award [https://www.wikidata.org/wiki/Q283256] given in 1968, and published by Hurtig, Edmonton [https://www.wikidata.org/wiki/Q2096] publisher, who is very pleased to get the Governor General's Award, and Doug Jones' book is Phrases from Orpheus, published by Oxford Press [https://www.wikidata.org/wiki/Q217595], two books that would be well worth investing both your heaven, forbid, money and your imagination upon. I'm probably not going to say anything before D.G. Jones comes to read, so I'm not expecting to come up here and spout for five or ten minutes before he reads and I'm not going to spout any longer before Eli reads. So I'd first like to introduce to you Mr. Eli Mandel.\n\nAudience\n00:05:01\nApplause. \n \nEli Mandel\n00:05:29\nI think George [https://www.wikidata.org/wiki/Q1239280] might have carried the parallel of contrasts and comparisons a little further had he wanted to, or chosen to, or had he known about certain very intimate details about Doug's life and my life. But I don't propose to go into those myself right now either [audience laughter]. Instead, I'm going to read, primarily from An Idiot Joy, but also from Black and Secret Man, which was an earlier book and also from one or two manuscript poems that I've been working on recently. I want to start with a poem called \"Signatures\" and although I can say a lot about a number of poems that I've written, I'm not sure I can say much about this except that as will be obvious to you I think, the imagery is drawn from the Vietnam [https://www.wikidata.org/wiki/Q881] conflict, though I don't know that the poem is necessarily about that. Can you hear me with this mic? Some people at the back are saying 'no'. Can you hear me now?\n \nEli Mandel\n00:07:00\nReads \"Signatures\" [from An Idiot Joy].\n \nEli Mandel\n00:09:27\nThis poem is called \"Neither Here Nor There\".\n \nEli Mandel\n00:09:33\nReads \"Neither Here Nor There\" [published later in Crusoe: Poems Selected and New].\n \nEli Mandel\n00:10:28\nThis is a poem from Black and Secret Man and it's called \"The Direction is North Until the Pole\", and I suppose it's one of the few poems I've written that I would call a Canadian poem, that is to say it draws on a number of specific images from the Canadian landscape and therefore I have to annotate this poem. I have to tell you that the Fleming mentioned in the last line of the poem was once a Minister of Finance in the federal government, that just proves how transient political poems really are. I think all the rest of this should be clear, hockey is a game that's played in Canada [https://www.wikidata.org/wiki/Q16].\n \nEli Mandel\n00:11:16\nReads \"The Direction is North Until the Pole\" from Black and Secret Man.\n \nEli Mandel\n00:13:24\nThis is one of my prophetic poems. I think I've written a lot of really prophetic poems. This poem is called \"Departure\" and it tells about leaving Edmonton. Everybody who has read the poem believes that I wrote it when I decided to leave Edmonton, either for the first time or the second time, I've left there twice, as a matter of fact, I didn't write it when I decided to leave in Edmonton, I wrote it when I arrived in Edmonton.\n \nEli Mandel\n00:13:53\nReads \"Departure\" [from Black and Secret Man].\n \nEli Mandel\n00:14:37\nA little poem about one of my perversions, this is about making love to pregnant women, I think, I'm not sure if there's a technical name for that but the perversion appears in the poem. The poem's called \"Cassandra\" and it's about a prophetess, Cassandra [https://www.wikidata.org/wiki/Q170779], you'll remember was the woman that Agamemnon [https://www.wikidata.org/wiki/Q128176]  brought home with him to his wife, Clytemnestra [https://www.wikidata.org/wiki/Q131157], and this, so angered Clytemnestra, aside from the fact that Agamemnon had killed one of their daughters, that she killed Agamemnon, but Cassandra was a Prophetess, like Prophetesses, was given the power to tell the truth and was never believed. Some of the imagery in this poem is taken from the story of Cassandra, and the rest from my perversions.\n \nEli Mandel\n00:15:39\nReads \"Cassandra\" [from Black and Secret Man].\n \nEli Mandel\n00:17:00\nReads \"The Madness of our Polity\" [from An Idiot Joy].\n \nEli Mandel\n00:17:46\n\"Whence Cometh Our Help?\", the title is taken from the Psalms [https://www.wikidata.org/wiki/Q41064], and there are a number of images of the Psalms, in the poem. Or images from the Psalms.\n \nEli Mandel\n00:18:04\nReads \"Whence Cometh Our Help?\" [from An Idiot Joy].\n \nEli Mandel\n00:19:03\nThis poem is called \"Manner of Suicide\", and it's the closest thing I've come to writing a found poem, in that all the material in the poem, the words are taken from two sources, except for the first line. One is Karl Menninger's [https://www.wikidata.org/wiki/Q3080926] Man Against Himself and the other, the Jewish Daily Prayer Book. There are twenty-six ways listed here of committing suicide, they're all ways that Menninger lists and documents, and he lists them in the order in which I give them here, and this list, which I give, is then followed by some comments he makes about those ways of committing suicide and a passage from the prayer book.\n \nEli Mandel\n00:20:11\nReads \"Manner of Suicide\" [from An Idiot Joy].\n \nEli Mandel\n00:23:24\nIn An Idiot Joy I wrote a number of poems which were, which used two primary images, the image of the moon and the image of the sea, and these are love poems. I suppose the interesting thing in them to me, aside from the personal sense that I feel about them, is that with each of the poems, whether it's with the image of the moon or the image of the sea, or both, I keep trying different technical things in the poetry, and so far as I'm concerned, I've done some more interesting technical things in this than anywhere else, but primarily, the poems talk about the moon and the sea, and seabirds and women and a woman.\n \nEli Mandel\n00:24:30\nReads \"Woman in the Moon\" from An Idiot Joy.\n \nEli Mandel\n00:26:12\nReads \"The Explanations of the Moon” [from An Idiot Joy].\n \nEli Mandel\n00:27:32\nThis is one of the sea poems, in the sequence, called \"Listen, the Sea\", and the title comes from King Lear [https://www.wikidata.org/wiki/Q181598], though actually, I had become aware of it of course when I knew that Keats [https://www.wikidata.org/wiki/Q82083] had written a sonnet using this, but the technique is neither Shakespearean nor Keatsean, nothing of the kind.\n \nEli Mandel\n00:28:00\nReads \"Listen, the Sea\" [from An Idiot Joy].\n \nEli Mandel\n00:29:01\nAnd \"Marina\", who is a daughter of the sea.\n \nEli Mandel\n00:29:09\nReads \"Marina\" [from An Idiot Joy].\n \nEli Mandel\n00:30:46\nWell something quite different. I think I should dedicate this to George Bowering, because I wrote the poem after I had been…\n\nUnknown\n00:30:56\n[Cut or edit made in tape. Unknown amount of time elapsed].\n\nEli Mandel\n00:30:57\nAnd I would have to apologize for this, but the last thing in the world that I wanted to do was apologize, I'd prefer anything but that, I mean this is pretty simple-minded simplistic psychology, of the worst order I suppose, I just--I'm writing a poem about how stupid I felt at that particular moment.\n \nEli Mandel\n00:31:17\nReads \"The Apology\" [from An Idiot Joy].\n \nEli Mandel\n00:34:34\nThis is the poem I like to think of as the one that one would put in a time capsule, it's called \"Letter to be Opened Later\" and presumably each one of us wants to immortalize oneself, and imagine, you know, two thousand years later the time capsule being opened and then they can read your letter. This is my letter, to be opened later.\n \nEli Mandel\n00:35:12\nReads \"Letter to be Opened Later\" [published later in Crusoe: Poems Selected and New ].\n \nEli Mandel\n00:36:09\nI'm going to read a lyric, it's a very short poem, but I'd like to read this one anyhow. It's called \"To My Children\" and it's based upon both an odd and rather terrifying coincidence in my life and a curious Jewish tradition. The Jewish tradition is that you name a child after the nearest dead relative, the relative who has died most recently and who is closest to one, and it so happened that my mother died, my daughter was born, my father died and my son was born. And I wrote this poem about the naming of the children. It's called \"To My Children\".\n \nEli Mandel\n00:37:08\nReads \"To My Children\" [from Black and Secret Man].\n \nEli Mandel\n00:38:00\nNow I'm going to finish this reading with two poems, one is called \"The Meaning of the I Ching\" and the other \"Cosmos: the Giant Rose\"--three poems, I'm sorry. I'm going to read \"Pictures in an Institution\" as well. \"The Meaning of the I Ching\", the I Ching [https://www.wikidata.org/wiki/Q181937] as you probably know is a book of divination, it's the oldest book of divination known, and when I first heard about it, I looked at the book before I opened it and I wondered about the very simple notion of a book that old telling my future. How could I be contained in this ancient book? And I wrote this poem. Now it seems to me that there is something remarkable here, it's one claim I will make for the poem, at least, in the poem, is the first time I used the phrase \"earth upon earth\" and the very first hexagram that I cast when I opened the book. The book tells fortunes with what are called hexagrams and hexagrams are given various names, the very first one that I cast was the hexagram \"earth upon earth\" and that's simply something that happened whether it means that the poem is prophetic or magical, I don't know.\n \nEli Mandel\n00:39:36\nReads \"The Meaning of the I Ching\" [from An Idiot Joy].\n \nEli Mandel\n00:43:18\nI'm going to finish now reading \"Pictures in an Institution\". This is the most personal poem I've ever written, and I don't want to read anything after that, so I'm going to finish with this. \"Pictures in an Institution\". I think all I need to say about this is that it plays off notices against some personal experiences and I think that'll be plain enough.\n \nEli Mandel\n00:43:43\nReads \"Pictures in an Institution\" [from Trio: First Poems by Gael Turnbull, Phyllis Webb, and Eli Mandel].\n\nEli Mandel\n00:47:40\nThank you.\n\nAudience\n00:47:41\nApplause.\n\nUnknown\n00:47:51\n[Cut or edit made in tape. Unknown amount of time elapsed].\n\nUnknown\n00:47:53\nAmbient Sound [voices].\n\nGeorge Bowering\n00:48:22\nI'd like to help you welcome now, D.G. Jones.\n \nAudience\n00:48:27\nApplause.\n\nD.G. Jones\n00:48:60\nI'm going to do this because I'm thirsty. It's a little disturbing but I've had a suspicion that this was becoming true for some time, in the last few years, that pretty soon you won't be able to tell the Jew from the Wasp, anyway [audience laughter]. It's getting more disconcerting all the time how similar certain things are between me and Eli Mandel [audience laughter]. I just hope he's a very good person and lives a long life and has great success in the future [audience laughter]. The main thing I want to read tonight is a little bit like Eli's last poem [audience laughter]. But it takes a lot more time to get itself said, for good or ill, and I'd like to read a few, a couple shorter poems anyway, before starting that longer poem which takes up a fair amount of the time. I'll read the first book from the, I mean...[laughter], I'll read the first poem from the book which old oriental George Bowering told you about at the beginning of the program. This poem's called \"The Perishing Bird\".\n \nD.G. Jones\n00:51:12\nReads \"The Perishing Bird\" [from Phrases from Orpheus].\n \nD.G. Jones\n00:53:16\nA poem called \"Summer is a Poem by Ovid\".\n \nD.G. Jones\n00:53:34\nReads \"Summer is a Poem by Ovid\" [from Phrases from Orpheus].\n \nD.G. Jones\n00:54:41\nWell, this reads well. It starts with a Latin title, it's a kind of letter, actually written in reply to a letter to somebody who accused me of being rather complacent when ironically enough, I felt anything but that at that time. Accused me of being one of the people who didn't have any troubles in life, or not only me but somebody else too, when we had quite a few of our own that were not too dissimilar from those that the other person was talking about. It's about marriage. It's called, to avoid looking too obvious, \"De Profundis Conjugii Vox et Responsum''. It's a serious poem though, more or less.\n \nD.G. Jones\n00:55:56\nReads \"De Profundis Conjugii Vox et Responsum\" [from Phrases from Orpheus].\n \nEND\n01:01:57\n\n\ndg-jones_i006-11-04-2.mp3 [File 2 of 2]\n \nGeorge Bowering\n00:00:00\nI'd like to help you welcome now, D.G. Jones.\n \nD.G. Jones\n00:00:13\nI'm going to do this because I'm thirsty. It's a little disturbing but I've had a suspicion that this was becoming true for some time, in the last few years, that pretty soon you won't be able to tell the Jew from the Wasp, anyway. It's getting more disconcerting all the time how similar certain things are between me and Eli Mandel. I just hope he's a very good person and lives a long life and has great success in the future. [Audience laughter]. The main thing I want to read tonight is a little bit like Eli's last poem. [laughter]. But it takes a lot more time to get itself said, for good or ill, and I'd like to read a few, a couple shorter poems anyway, before starting that longer poem which takes up a fair amount of the time. I'll read the first book, I mean...[laughter], I'll read the first poem from the book which old oriental George Bowering told you about at the beginning of the program. This poem's called \"The Perishing Bird\".\n \nD.G. Jones\n00:02:53\nReads \"The Perishing Bird\" [from Phrases from Orpheus].\n \nD.G. Jones\n00:05:05\nA poem called \"Summer is a Poem by Ovid\" .\n \nD.G. Jones\n00:05:20\nReads \"Summer is a Poem by Ovid\".\n \nD.G. Jones\n00:06:35\nWell, this reads well. It starts with a Latin title, it's a kind of letter, actually written in reply to a letter to somebody who accused me of being rather complacent when ironically enough, I felt anything but that at that time. Accused me of being one of the people who didn't have any troubles in life, or not only me but somebody else too, when we had quite a few of our own that were not too dissimilar from those that the other person was talking about. It's about marriage. It's called, to avoid looking too obvious, \"De Profundis Conjugii Vox et Responsum''. It's a serious poem though, more or less.\n \nD.G. Jones\n00:07:49\nReads “De Profundis Conjugii Vox et Responsum” [from Phrases from Orpheus].\n \nUnknown\n00:13:55\n[Cut or edit made in tape. Unknown amount of time elapsed].\n\nD.G. Jones\n00:13:56\n...features of it, particularly carved doors or doors with glass panels carved, and a fountain, whoops. Wrong poem [audience laughter], same person [audience laughter]. The other one was written without any picture, this was written with a picture, \"On a Picture of Your House\".\n \nD.G. Jones\n00:14:49\nReads \"On a Picture of Your House\" [from Phrases from Orpheus].\n \nD.G. Jones\n00:16:44\nThis poem is the long poem I referred to, it's a kind of confessional poem, it's only about, I suppose, ten years behind Robert Lowell [https://www.wikidata.org/wiki/Q981448] and the other American poets who have been writing what the critics now call confessional poetry, which is about par, I suppose. This poem was more or less actually complete several years ago, but I got so many things into the poem I wasn't sure how I was going to get out. And I've dickied around with it and possibly added a few more things, and finally I kept what I had in the end anyway, which was simply a way of ducking out I suspect. Though I hope there's some kind of peculiar relationship to the end, and everything else. I haven't been able to find a title for it. \"Night Thoughts\", might do, but somebody used that. But it's something along this line: the situation, the scheme is to present a kind of series of reminiscences, mediations, memories which disintegrate and become a little more peculiar as time goes on. Then suddenly stops, breaks off with morning. And it's set more or less around my cottage that I had, in Ontario, which wasn't far from where I was born. This is written in sections but I won't bother reading all the numbers, I'll just pause and go on.\n \nD.G. Jones\n00:19:00\nReads unnamed poem.\n \nD.G. Jones\n00:41:22\nExcuse me, I'll read the last point, I was almost there, but I think I'll skip that part.\n \nD.G. Jones\n00:41:30\nResumes reading unnamed poem.\n \nD.G. Jones\n00:42:35\nExcuse me, I didn't feel I was reading that very well. Sorry, it is perhaps a little long. I'll finish quickly. I'd like to just read something a little different. I'll read two poems, one called \"Spring Flowers\", which will be the first.\n \nD.G. Jones\n00:43:22\nReads \"Spring Flowers\" [published later in Under the Thunder the Flowers Light up the Earth]\n \nD.G. Jones\n00:43:56\nI seem to be running out of steam. There's one here that's short enough I should be able to get all the way through it. It's called \"Under the Thunder\", and that's the first line.\n\nD.G. Jones\n00:44:15\nReads \"Under the Thunder\" [poem read is the title of a later publication, Under the Thunder the Flowers Light up the Earth].\n \nD.G. Jones\n00:44:21\nI'll try one more [audience laughter]. This was written for a number of people who got together--to form a society of a somewhat antiquated name, The League of Canadian Poets [https://www.wikidata.org/wiki/Q6509004], who met in Toronto [https://www.wikidata.org/wiki/Q172] in October 1968. It's called \"To Certain Poets Who Met in Toronto, October 1968\" [audience laughter].\n \nD.G. Jones\n00:45:03\nReads \"To Certain Poets Who Met in Toronto, October 1968\".\n \nD.G. Jones\n00:46:40\nI think I'm sorry, I've run out of steam but...\n \nEND\n00:46:49\n[Cut off abruptly].\n"],"Note":["[{\"note\":\"Year-Specific Information:\\n\\nIn 1969, Mandel was a professor at York University in Toronto, and he had published The Poetry of Irving Layton. He was also working on an anthology Five Modern Canadian Poets, published in 1970.\\n\\nIn 1969, D.G. Jones had founded Ellipse, and was teaching at the Universite de Sherbrooke.\",\"type\":\"General\"},{\"note\":\"Local Connections: \\n\\nThough no direct connections to Sir George Williams University are known, Eli Mandel’s work has been essential and influential in promoting the work of Canadian authors and poets, through his anthologizing and editing, his essay writing as well as his poetry.\\n\\nD.G. Jones has had a very influential role in Canadian and in specific Quebec poetry, as a leader in the translations of both English and French poetry. His criticism of Canadian literature places him with Margaret Atwood and Northrop Frye in shaping Canada’s literary canon and its literature. Jones was associated with poets such as Bowering, Dudek and Layton and F.R. Scott.\",\"type\":\"General\"},{\"note\":\"Original transcript, research, introduction and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Ali Barillaro\",\"type\":\"Cataloguer\"},{\"note\":\"2 reel-to-reel tapes>2 CDs>2 digital files\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"https://www.thecanadianencyclopedia.ca/en/article/douglas-gordon-jones\",\"citation\":\"Blodgett, E.D. “Jones, Douglas Gordon”. The Canadian Encyclopedia. Historica-Dominion, 2008. \"},{\"url\":\"https://www.worldcat.org/title/contemporary-canadian-poem-anthology/oclc/476332314&referer=brief_results\",\"citation\":\"Bowering, George, ed. The Contemporary Canadian Poem Anthology. Toronto: Coach House Press, 1984. \"},{\"url\":\"https://www.thecanadianencyclopedia.ca/en/article/eli-mandel\",\"citation\":\"Boyd, Colin. “Mandel, Eli”. The Canadian Encyclopedia. Historica-Dominion, 2008.\"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-canadian-literature/oclc/605246871&referer=brief_results\",\"citation\":\"Davey, Frank. \\\"Mandel, Eli\\\". The Oxford Companion to Canadian Literature. Eugene Benson and William Toye (eds). Oxford University Press 2001.\"},{\"url\":\"https://www.worldcat.org/title/fr-scott-une-vie-biographie/oclc/1132465721&referer=brief_results\",\"citation\":\"Djwa, Sandra. F.R. Scott: Une Vie, biographie. Montreal: Boreal, 2001. \"},{\"url\":\"https://www.worldcat.org/title/15-canadian-poets-x2/oclc/40224711&referer=brief_results\",\"citation\":\"Geddes, Gary. Fifteen Canadian Poets Times Two. Toronto: Oxford University Press, 1990.\"},{\"url\":\"https://www.worldcat.org/title/encyclopedia-of-post-colonial-literatures-in-english-vol2/oclc/1156824609&referer=brief_results\",\"citation\":\"Harrison, James. “Jones, Douglas Gordon (1929-)”. Routledge Encyclopedia of Post-Colonial  Literatures in English. Benson, Eugene; Conolly, L.W. (eds). London: Routledge, 1994. 2 vols. \"},{\"url\":\"https://www.worldcat.org/title/phrases-from-orpheus-by-jones/oclc/503359867&referer=brief_results\",\"citation\":\"Jones, D.G.. Phrases From Orpheus. Toronto: Oxford University Press, 1967.\"},{\"url\":\"https://www.worldcat.org/title/under-the-thunder-the-flowers-light-up-the-earth/oclc/3901520&referer=brief_results\",\"citation\":\"Jones, D.G.. Under the Thunder the Flowers Light up the Earth. Toronto: Coach House Press, 1977. \"},{\"url\":\"https://www.worldcat.org/title/idiot-joy/oclc/468767134?referer=di&ht=edition\",\"citation\":\"Mandel, Eli. An Idiot Joy. Edmonton: Hurtig, 1967.\"},{\"url\":\"https://www.worldcat.org/title/black-and-secret-man/oclc/247643578?referer=di&ht=edition\",\"citation\":\"Mandel, Eli. Black and Secret Man. Toronto: Ryerson Press, 1964.\"},{\"url\":\"https://www.worldcat.org/title/crusoe-poems-selected-and-new/oclc/1419679&referer=brief_results\",\"citation\":\"Mandel, Eli. Crusoe: Poems Selected and New. Toronto: Anansi, 1973. \"},{\"url\":\"https://www.worldcat.org/title/trio/oclc/224515443&referer=brief_results\",\"citation\":\"Mandel, Eli., Turnbull, Gael., and Phyllis Webb. Trio: First Poems. Toronto: Contact Press, 1954\"},{\"url\":\"https://www.worldcat.org/title/poetry-62/oclc/5110944&referer=brief_results\",\"citation\":\"Mandel, Eli and Jean-Guy Pilon. Poetry 62. Toronto: Ryerson Press, 1961.\"},{\"url\":\"https://www.worldcat.org/title/encyclopedia-of-post-colonial-literatures-in-english-vol2/oclc/1156824609&referer=brief_results\",\"citation\":\"Stubbs, Andrew. “Mandel, Eli (1922-1992)”. Routledge Encyclopedia of Post-Colonial    Literatures in English. Benson, Eugene; Connolly, L.W. (eds). London: Routledge, 1994.      2 vols.\"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-canadian-literature/oclc/605246871&referer=brief_results\",\"citation\":\"Woodcock, George. \\\"Jones, D.G.\\\"  The Oxford Companion to Canadian Literature. Eugene Benson and William Toye. Oxford University Press 2001. \"}]"],"_version_":1853670548880490496,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0086_11_0034_back.jpg\",\"file_path\":\"\",\"filename\":\"I0086_11_0025_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Mandel and Jones Tape Box 2 - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0086_11_0034_front.jpg\",\"file_path\":\"\",\"filename\":\"I0086_11_0025_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Mandel and Jones Tape Box 2 - 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Front\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0043_side.jpg\",\"file_path\":\"\",\"filename\":\"I0086_11_0034_side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Mandel and Jones Tape Box 1 - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0043_tape.jpg\",\"file_path\":\"\",\"filename\":\"I0086_11_0034_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Mandel and Jones Tape Box 1 - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/dg-jones_i006-11-043-2.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"dg-jones_i006-11-04-2.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:46:49\",\"precision\":\"\",\"size\":\"112.4 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"dg-jones_i006-11-04-2.mp3 [File 2 of 2]\\n \\nGeorge Bowering\\n00:00:00\\nI'd like to help you welcome now, D.G. Jones.\\n \\nD.G. Jones\\n00:00:13\\nI'm going to do this because I'm thirsty. It's a little disturbing but I've had a suspicion that this was becoming true for some time, in the last few years, that pretty soon you won't be able to tell the Jew from the Wasp, anyway. It's getting more disconcerting all the time how similar certain things are between me and Eli Mandel. I just hope he's a very good person and lives a long life and has great success in the future. [Audience laughter]. The main thing I want to read tonight is a little bit like Eli's last poem. [laughter]. But it takes a lot more time to get itself said, for good or ill, and I'd like to read a few, a couple shorter poems anyway, before starting that longer poem which takes up a fair amount of the time. I'll read the first book, I mean...[laughter], I'll read the first poem from the book which old oriental George Bowering told you about at the beginning of the program. This poem's called \\\"The Perishing Bird\\\".\\n \\nD.G. Jones\\n00:02:53\\nReads \\\"The Perishing Bird\\\" [from Phrases from Orpheus].\\n \\nD.G. Jones\\n00:05:05\\nA poem called \\\"Summer is a Poem by Ovid\\\" .\\n \\nD.G. Jones\\n00:05:20\\nReads \\\"Summer is a Poem by Ovid\\\".\\n \\nD.G. Jones\\n00:06:35\\nWell, this reads well. It starts with a Latin title, it's a kind of letter, actually written in reply to a letter to somebody who accused me of being rather complacent when ironically enough, I felt anything but that at that time. Accused me of being one of the people who didn't have any troubles in life, or not only me but somebody else too, when we had quite a few of our own that were not too dissimilar from those that the other person was talking about. It's about marriage. It's called, to avoid looking too obvious, \\\"De Profundis Conjugii Vox et Responsum''. It's a serious poem though, more or less.\\n \\nD.G. Jones\\n00:07:49\\nReads “De Profundis Conjugii Vox et Responsum” [from Phrases from Orpheus].\\n \\nUnknown\\n00:13:55\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n\\nD.G. Jones\\n00:13:56\\n...features of it, particularly carved doors or doors with glass panels carved, and a fountain, whoops. Wrong poem [audience laughter], same person [audience laughter]. The other one was written without any picture, this was written with a picture, \\\"On a Picture of Your House\\\".\\n \\nD.G. Jones\\n00:14:49\\nReads \\\"On a Picture of Your House\\\" [from Phrases from Orpheus].\\n \\nD.G. Jones\\n00:16:44\\nThis poem is the long poem I referred to, it's a kind of confessional poem, it's only about, I suppose, ten years behind Robert Lowell [https://www.wikidata.org/wiki/Q981448] and the other American poets who have been writing what the critics now call confessional poetry, which is about par, I suppose. This poem was more or less actually complete several years ago, but I got so many things into the poem I wasn't sure how I was going to get out. And I've dickied around with it and possibly added a few more things, and finally I kept what I had in the end anyway, which was simply a way of ducking out I suspect. Though I hope there's some kind of peculiar relationship to the end, and everything else. I haven't been able to find a title for it. \\\"Night Thoughts\\\", might do, but somebody used that. But it's something along this line: the situation, the scheme is to present a kind of series of reminiscences, mediations, memories which disintegrate and become a little more peculiar as time goes on. Then suddenly stops, breaks off with morning. And it's set more or less around my cottage that I had, in Ontario, which wasn't far from where I was born. This is written in sections but I won't bother reading all the numbers, I'll just pause and go on.\\n \\nD.G. Jones\\n00:19:00\\nReads unnamed poem.\\n \\nD.G. Jones\\n00:41:22\\nExcuse me, I'll read the last point, I was almost there, but I think I'll skip that part.\\n \\nD.G. Jones\\n00:41:30\\nResumes reading unnamed poem.\\n \\nD.G. Jones\\n00:42:35\\nExcuse me, I didn't feel I was reading that very well. Sorry, it is perhaps a little long. I'll finish quickly. I'd like to just read something a little different. I'll read two poems, one called \\\"Spring Flowers\\\", which will be the first.\\n \\nD.G. Jones\\n00:43:22\\nReads \\\"Spring Flowers\\\" [published later in Under the Thunder the Flowers Light up the Earth]\\n \\nD.G. Jones\\n00:43:56\\nI seem to be running out of steam. There's one here that's short enough I should be able to get all the way through it. It's called \\\"Under the Thunder\\\", and that's the first line.\\n\\nD.G. Jones\\n00:44:15\\nReads \\\"Under the Thunder\\\" [poem read is the title of a later publication, Under the Thunder the Flowers Light up the Earth].\\n \\nD.G. Jones\\n00:44:21\\nI'll try one more [audience laughter]. This was written for a number of people who got together--to form a society of a somewhat antiquated name, The League of Canadian Poets [https://www.wikidata.org/wiki/Q6509004], who met in Toronto [https://www.wikidata.org/wiki/Q172] in October 1968. It's called \\\"To Certain Poets Who Met in Toronto, October 1968\\\" [audience laughter].\\n \\nD.G. Jones\\n00:45:03\\nReads \\\"To Certain Poets Who Met in Toronto, October 1968\\\".\\n \\nD.G. Jones\\n00:46:40\\nI think I'm sorry, I've run out of steam but...\\n \\nEND\\n00:46:49\\n[Cut off abruptly].\",\"notes\":\" D.G. Jones reads from Phrases from Orpheus (Oxford University Press, 1967), as well as a few that were published later in Under the Thunder the Flowers Light up the Earth (Coach House Press, 1977) and an unnamed long poem that may have been published in Poetry 62 (Ryerson Press 1961).\\n\\n00:00- George Bowering introduces D.G Jones [for full introduction, see I006-11-043.1 or I086-11-34]\\n00:13- D.G. Jones introduces “The Perishing Bird” [INDEX: Eli Mandel, George Bowering, Phrases from Orpheus; not on Howard Fink List of Poems]\\n02:53- Reads “The Perishing Bird”\\n05:20- Reads “Summer is a Poem by Ovid” [INDEX: not on Howard Fink List of Poems]\\n06:35- Introduces “De Profundis Conjugii Vox et Responsum” [INDEX: not on Howard Fink List of Poems.]\\n13:56- [CUT] Introduces “On a Picture of Your House”\\n14:49- Reads “On a Picture of Your House”\\n16:44- Introduces untitled poem, first line “The night is mild and the young moon...” [INDEX: confessional poem, Robert Lowell, process of writing, Ontario]\\n19:00- Reads first line “The night is mild and the young moon...”\\n42:35- Interrupts poem, introduces “Spring Flowers”\\n43:22- Reads “Spring Flowers”\\n43:56- Introduces “Under the Thunder”\\n44:15- Reads “Under the Thunder”\\n44:21- Introduces “To Certain Poets Who Met in Toronto, October 1968” [INDEX: The     \\tLeague of Canadian Poets meeting in Toronto, October 1968]\\n45:49- Reads “To Certain Poets Who Met in Toronto, October 1968”\\n46:49- END OF RECORDING\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/douglas-gordon-d-g-jones-at-sgwu-1969-george-bowering/\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/eli_mandel_i086-11-034.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"eli_mandel_i086-11-034.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:01:57\",\"precision\":\"\",\"size\":\"148.7 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"eli_mandel_i086-11-034.mp3 [File 1 of 2]\\n \\nGeorge Bowering\\n00:00:00\\n...start with the poesy, I've been asked to announce that on Friday, i.e., what's this the seventh? Two weeks from tonight, March the 21st at 9 o’clock. in Room 653, [Barnes (?)] willing, there will be a program, I guess within the auspices of the Fine Arts department, the Ira Cohen [https://www.wikidata.org/wiki/Q1097790], New York [https://www.wikidata.org/wiki/Q60] film maker, and poet will be showing three of his films, as far as I know for the first time in Montreal [https://www.wikidata.org/wiki/Q340]. That's two weeks tonight at 9 in 653. When I was asked to introduce Eli Mandel [https://www.wikidata.org/wiki/Q3050883], and D.G. Jones [https://www.wikidata.org/wiki/Q5203595], I said, 'that's ridiculous', Canadian poetry being the way it is, they already know each other. And after the moment of hilarity I was brought to my senses, and I began to think that it really did make a lot of sense that we do have Doug Jones and Eli Mandel reading on the same program. I can remember in 1961 when Poetry 62 came out, Canadian poetry being the way it is [audience laughter], Poetry 62 was edited by Jean-Guy Pilon [https://www.wikidata.org/wiki/Q3166089] I believe and Eli Mandel, being a bilingual book, and at the time the poem that struck me as the most interesting was the long poem by D.G. Jones, the most interesting in that anthology, and I therefore, felt kind of warm, without having them, to both of them to Doug's poem and Eli's great taste for putting it in the anthology. And then I thought that there was this kind of confluence going on and I began to see all kinds of other things happening too, for instance, they both had their first books published by Contact Press, that published the first books of most of the important Canadian poets, and they now have seen their careers sort of criss-cross one another in a kind of a funny way because they each have three books, except that Eli has three and a third, which is also kind of Canadian, and I thought it was kind of interesting because not only is there a kind of parallel going on, and they both in 1967, for instance, turned out very good books of poetry, but there's a kind of uh, they'll be kind of an interesting contrast I think in tonight's program because I've always considered that Doug Jones is sort of the best of the Ontario [https://www.wikidata.org/wiki/Q1904] Wasp poets [audience laughter], and Eli Mandel is the best of the Western Jewish poets and they both deal with essential problems that seem to expose their two opposing and therefore contrary and conjugal, you might almost say, attitudes towards the business of writing poems. So we're going to start off with Eli's reading, and then have something like a ten minute break, and then we'll have Doug Jones' reading. I should mention that of those two books, Eli's is called An Idiot Joy and it shared the Governor General's Award [https://www.wikidata.org/wiki/Q283256] given in 1968, and published by Hurtig, Edmonton [https://www.wikidata.org/wiki/Q2096] publisher, who is very pleased to get the Governor General's Award, and Doug Jones' book is Phrases from Orpheus, published by Oxford Press [https://www.wikidata.org/wiki/Q217595], two books that would be well worth investing both your heaven, forbid, money and your imagination upon. I'm probably not going to say anything before D.G. Jones comes to read, so I'm not expecting to come up here and spout for five or ten minutes before he reads and I'm not going to spout any longer before Eli reads. So I'd first like to introduce to you Mr. Eli Mandel.\\n\\nAudience\\n00:05:01\\nApplause. \\n \\nEli Mandel\\n00:05:29\\nI think George [https://www.wikidata.org/wiki/Q1239280] might have carried the parallel of contrasts and comparisons a little further had he wanted to, or chosen to, or had he known about certain very intimate details about Doug's life and my life. But I don't propose to go into those myself right now either [audience laughter]. Instead, I'm going to read, primarily from An Idiot Joy, but also from Black and Secret Man, which was an earlier book and also from one or two manuscript poems that I've been working on recently. I want to start with a poem called \\\"Signatures\\\" and although I can say a lot about a number of poems that I've written, I'm not sure I can say much about this except that as will be obvious to you I think, the imagery is drawn from the Vietnam [https://www.wikidata.org/wiki/Q881] conflict, though I don't know that the poem is necessarily about that. Can you hear me with this mic? Some people at the back are saying 'no'. Can you hear me now?\\n \\nEli Mandel\\n00:07:00\\nReads \\\"Signatures\\\" [from An Idiot Joy].\\n \\nEli Mandel\\n00:09:27\\nThis poem is called \\\"Neither Here Nor There\\\".\\n \\nEli Mandel\\n00:09:33\\nReads \\\"Neither Here Nor There\\\" [published later in Crusoe: Poems Selected and New].\\n \\nEli Mandel\\n00:10:28\\nThis is a poem from Black and Secret Man and it's called \\\"The Direction is North Until the Pole\\\", and I suppose it's one of the few poems I've written that I would call a Canadian poem, that is to say it draws on a number of specific images from the Canadian landscape and therefore I have to annotate this poem. I have to tell you that the Fleming mentioned in the last line of the poem was once a Minister of Finance in the federal government, that just proves how transient political poems really are. I think all the rest of this should be clear, hockey is a game that's played in Canada [https://www.wikidata.org/wiki/Q16].\\n \\nEli Mandel\\n00:11:16\\nReads \\\"The Direction is North Until the Pole\\\" from Black and Secret Man.\\n \\nEli Mandel\\n00:13:24\\nThis is one of my prophetic poems. I think I've written a lot of really prophetic poems. This poem is called \\\"Departure\\\" and it tells about leaving Edmonton. Everybody who has read the poem believes that I wrote it when I decided to leave Edmonton, either for the first time or the second time, I've left there twice, as a matter of fact, I didn't write it when I decided to leave in Edmonton, I wrote it when I arrived in Edmonton.\\n \\nEli Mandel\\n00:13:53\\nReads \\\"Departure\\\" [from Black and Secret Man].\\n \\nEli Mandel\\n00:14:37\\nA little poem about one of my perversions, this is about making love to pregnant women, I think, I'm not sure if there's a technical name for that but the perversion appears in the poem. The poem's called \\\"Cassandra\\\" and it's about a prophetess, Cassandra [https://www.wikidata.org/wiki/Q170779], you'll remember was the woman that Agamemnon [https://www.wikidata.org/wiki/Q128176]  brought home with him to his wife, Clytemnestra [https://www.wikidata.org/wiki/Q131157], and this, so angered Clytemnestra, aside from the fact that Agamemnon had killed one of their daughters, that she killed Agamemnon, but Cassandra was a Prophetess, like Prophetesses, was given the power to tell the truth and was never believed. Some of the imagery in this poem is taken from the story of Cassandra, and the rest from my perversions.\\n \\nEli Mandel\\n00:15:39\\nReads \\\"Cassandra\\\" [from Black and Secret Man].\\n \\nEli Mandel\\n00:17:00\\nReads \\\"The Madness of our Polity\\\" [from An Idiot Joy].\\n \\nEli Mandel\\n00:17:46\\n\\\"Whence Cometh Our Help?\\\", the title is taken from the Psalms [https://www.wikidata.org/wiki/Q41064], and there are a number of images of the Psalms, in the poem. Or images from the Psalms.\\n \\nEli Mandel\\n00:18:04\\nReads \\\"Whence Cometh Our Help?\\\" [from An Idiot Joy].\\n \\nEli Mandel\\n00:19:03\\nThis poem is called \\\"Manner of Suicide\\\", and it's the closest thing I've come to writing a found poem, in that all the material in the poem, the words are taken from two sources, except for the first line. One is Karl Menninger's [https://www.wikidata.org/wiki/Q3080926] Man Against Himself and the other, the Jewish Daily Prayer Book. There are twenty-six ways listed here of committing suicide, they're all ways that Menninger lists and documents, and he lists them in the order in which I give them here, and this list, which I give, is then followed by some comments he makes about those ways of committing suicide and a passage from the prayer book.\\n \\nEli Mandel\\n00:20:11\\nReads \\\"Manner of Suicide\\\" [from An Idiot Joy].\\n \\nEli Mandel\\n00:23:24\\nIn An Idiot Joy I wrote a number of poems which were, which used two primary images, the image of the moon and the image of the sea, and these are love poems. I suppose the interesting thing in them to me, aside from the personal sense that I feel about them, is that with each of the poems, whether it's with the image of the moon or the image of the sea, or both, I keep trying different technical things in the poetry, and so far as I'm concerned, I've done some more interesting technical things in this than anywhere else, but primarily, the poems talk about the moon and the sea, and seabirds and women and a woman.\\n \\nEli Mandel\\n00:24:30\\nReads \\\"Woman in the Moon\\\" from An Idiot Joy.\\n \\nEli Mandel\\n00:26:12\\nReads \\\"The Explanations of the Moon” [from An Idiot Joy].\\n \\nEli Mandel\\n00:27:32\\nThis is one of the sea poems, in the sequence, called \\\"Listen, the Sea\\\", and the title comes from King Lear [https://www.wikidata.org/wiki/Q181598], though actually, I had become aware of it of course when I knew that Keats [https://www.wikidata.org/wiki/Q82083] had written a sonnet using this, but the technique is neither Shakespearean nor Keatsean, nothing of the kind.\\n \\nEli Mandel\\n00:28:00\\nReads \\\"Listen, the Sea\\\" [from An Idiot Joy].\\n \\nEli Mandel\\n00:29:01\\nAnd \\\"Marina\\\", who is a daughter of the sea.\\n \\nEli Mandel\\n00:29:09\\nReads \\\"Marina\\\" [from An Idiot Joy].\\n \\nEli Mandel\\n00:30:46\\nWell something quite different. I think I should dedicate this to George Bowering, because I wrote the poem after I had been…\\n\\nUnknown\\n00:30:56\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n\\nEli Mandel\\n00:30:57\\nAnd I would have to apologize for this, but the last thing in the world that I wanted to do was apologize, I'd prefer anything but that, I mean this is pretty simple-minded simplistic psychology, of the worst order I suppose, I just--I'm writing a poem about how stupid I felt at that particular moment.\\n \\nEli Mandel\\n00:31:17\\nReads \\\"The Apology\\\" [from An Idiot Joy].\\n \\nEli Mandel\\n00:34:34\\nThis is the poem I like to think of as the one that one would put in a time capsule, it's called \\\"Letter to be Opened Later\\\" and presumably each one of us wants to immortalize oneself, and imagine, you know, two thousand years later the time capsule being opened and then they can read your letter. This is my letter, to be opened later.\\n \\nEli Mandel\\n00:35:12\\nReads \\\"Letter to be Opened Later\\\" [published later in Crusoe: Poems Selected and New ].\\n \\nEli Mandel\\n00:36:09\\nI'm going to read a lyric, it's a very short poem, but I'd like to read this one anyhow. It's called \\\"To My Children\\\" and it's based upon both an odd and rather terrifying coincidence in my life and a curious Jewish tradition. The Jewish tradition is that you name a child after the nearest dead relative, the relative who has died most recently and who is closest to one, and it so happened that my mother died, my daughter was born, my father died and my son was born. And I wrote this poem about the naming of the children. It's called \\\"To My Children\\\".\\n \\nEli Mandel\\n00:37:08\\nReads \\\"To My Children\\\" [from Black and Secret Man].\\n \\nEli Mandel\\n00:38:00\\nNow I'm going to finish this reading with two poems, one is called \\\"The Meaning of the I Ching\\\" and the other \\\"Cosmos: the Giant Rose\\\"--three poems, I'm sorry. I'm going to read \\\"Pictures in an Institution\\\" as well. \\\"The Meaning of the I Ching\\\", the I Ching [https://www.wikidata.org/wiki/Q181937] as you probably know is a book of divination, it's the oldest book of divination known, and when I first heard about it, I looked at the book before I opened it and I wondered about the very simple notion of a book that old telling my future. How could I be contained in this ancient book? And I wrote this poem. Now it seems to me that there is something remarkable here, it's one claim I will make for the poem, at least, in the poem, is the first time I used the phrase \\\"earth upon earth\\\" and the very first hexagram that I cast when I opened the book. The book tells fortunes with what are called hexagrams and hexagrams are given various names, the very first one that I cast was the hexagram \\\"earth upon earth\\\" and that's simply something that happened whether it means that the poem is prophetic or magical, I don't know.\\n \\nEli Mandel\\n00:39:36\\nReads \\\"The Meaning of the I Ching\\\" [from An Idiot Joy].\\n \\nEli Mandel\\n00:43:18\\nI'm going to finish now reading \\\"Pictures in an Institution\\\". This is the most personal poem I've ever written, and I don't want to read anything after that, so I'm going to finish with this. \\\"Pictures in an Institution\\\". I think all I need to say about this is that it plays off notices against some personal experiences and I think that'll be plain enough.\\n \\nEli Mandel\\n00:43:43\\nReads \\\"Pictures in an Institution\\\" [from Trio: First Poems by Gael Turnbull, Phyllis Webb, and Eli Mandel].\\n\\nEli Mandel\\n00:47:40\\nThank you.\\n\\nAudience\\n00:47:41\\nApplause.\\n\\nUnknown\\n00:47:51\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n\\nUnknown\\n00:47:53\\nAmbient Sound [voices].\\n\\nGeorge Bowering\\n00:48:22\\nI'd like to help you welcome now, D.G. Jones.\\n \\nAudience\\n00:48:27\\nApplause.\\n\\nD.G. Jones\\n00:48:60\\nI'm going to do this because I'm thirsty. It's a little disturbing but I've had a suspicion that this was becoming true for some time, in the last few years, that pretty soon you won't be able to tell the Jew from the Wasp, anyway [audience laughter]. It's getting more disconcerting all the time how similar certain things are between me and Eli Mandel [audience laughter]. I just hope he's a very good person and lives a long life and has great success in the future [audience laughter]. The main thing I want to read tonight is a little bit like Eli's last poem [audience laughter]. But it takes a lot more time to get itself said, for good or ill, and I'd like to read a few, a couple shorter poems anyway, before starting that longer poem which takes up a fair amount of the time. I'll read the first book from the, I mean...[laughter], I'll read the first poem from the book which old oriental George Bowering told you about at the beginning of the program. This poem's called \\\"The Perishing Bird\\\".\\n \\nD.G. Jones\\n00:51:12\\nReads \\\"The Perishing Bird\\\" [from Phrases from Orpheus].\\n \\nD.G. Jones\\n00:53:16\\nA poem called \\\"Summer is a Poem by Ovid\\\".\\n \\nD.G. Jones\\n00:53:34\\nReads \\\"Summer is a Poem by Ovid\\\" [from Phrases from Orpheus].\\n \\nD.G. Jones\\n00:54:41\\nWell, this reads well. It starts with a Latin title, it's a kind of letter, actually written in reply to a letter to somebody who accused me of being rather complacent when ironically enough, I felt anything but that at that time. Accused me of being one of the people who didn't have any troubles in life, or not only me but somebody else too, when we had quite a few of our own that were not too dissimilar from those that the other person was talking about. It's about marriage. It's called, to avoid looking too obvious, \\\"De Profundis Conjugii Vox et Responsum''. It's a serious poem though, more or less.\\n \\nD.G. Jones\\n00:55:56\\nReads \\\"De Profundis Conjugii Vox et Responsum\\\" [from Phrases from Orpheus].\\n \\nEND\\n01:01:57\\n\",\"notes\":\"Eli Mandel reads from An Idiot Joy (Hurtig, 1967), Black and Secret Man (1964), Trio:  First Poems (Contact Press, 1954), as well as poems later published in Crusoe: Poems Selected and New (Anansi, 1973).\\n\\n00:00- George Bowering introduces Eli Mandel and D.G. Jones [INDEX: announces other event: Ira Cohen film showing. Poetry 62 ed. by Eli Mandel and Jean-Guy Pilon: contains long poem by D.G. Jones, Contact Press, D.G. Jones- “Ontario Wasp Poet”/ Eli Mandel-“Western Jewish Poet”, Eli Mandel: An Idiot Joy published by Hurtig press, won Governor General Award, Eli Mandel: Black and Secret Man, D.G. Jones: Phrases from Orpheus Oxford Press]\\n05:08- Eli Mandel introduces “Signatures”\\n07:00- Reads “Signatures”\\n09:27- Reads “Neither Here Nor There”\\n10:28- Introduces “The Direction is North Until the Pole” [INDEX: Canadian Landscapes, Fleming- Minister of Finance of Federal Government, Political poems]\\n11:16- Reads “The Direction is North Until the Pole”\\n13:24- Introduces “Departure” [INDEX: leaving Edmonton]\\n13:53- Reads “Departure”\\n14:37- Introduces “Cassandra” [INDEX:  Cassandra, Prophetess, Clytemnestra, Agamemnon]\\n15:39- Reads “Cassandra”\\n17:00- Reads “The Madness of our Polity”\\n17:46- Introduces “Whence Cometh Our Help” [INDEX: psalms]\\n18:04- Reads “Whence Cometh Our Help”\\n19:03- Introduces “Manner of Suicide” [INDEX:  Karl Mennenger’s Man Against Himself,   Jewish Daily Prayer Book, Found Poem]\\n20:11- Reads “Manner of Suicide”\\n23:24- Introduces “Woman in the Moon” [INDEX: image: moon and sea]\\n24:30- Reads “Woman in the Moon”\\n26:12- Reads “The Explanations of the Moon”\\n27:32- Introduces “Listen, the Sea” [INDEX: King Lear, Keats Sonnet]\\n28:00- Reads “Listen, the Sea”\\n29:01- Reads “Marina”\\n30:46- Introduces “The Apology” [INDEX: George Bowering]\\n31:17- Reads “The Apology”\\n34:34- Introduces “Letter to be Opened Later” [INDEX: time capsule]\\n35:12- Reads “Letter to be Opened Later”\\n36:09- Introduces “To My Children” [INDEX: lyric poetry, Jewish naming tradition]\\n37:08- Reads “To My Children”\\n38:00- Introduces “The Meaning of the I Ching” [INDEX: hexagram ‘earth upon earth’]\\n39:36- Reads “The Meaning of the I Ching”\\n43:18- Introduces “Pictures in an Institution”\\n43:43- Reads “Pictures in an Institution”\\n47:47- George Bowering introduces D.G. Jones\\n48:35- D.G. Jones introduces “The Perishing Bird”\\n51:12- Reads “The Perishing Bird”\\n53:16- Reads “Summer is a Poem by Auden”\\n54:41- Introduces “De Profundis Con Yugie Voxette Responsem”\\n55:56- Reads “De Profundis Con Yugie Voxette Responsem”\\n01:01:57.14- END OF RECORDING\\n\\nFrom the Howard Fink list of Poems:\\n7/2/69\\none 5” reel, 3 3/4 one track, mono, 1/2 hour\\nreadings are from Mandel’s books An Idiot Joy and Black and Secret Man\\n\\n1. “Signature”\\n2. “Neither Here Nor There”\\n3. “The Direction is North Until the Pole”\\n4. “Departure”\\n5. “Cassandra”\\n6. first line “Being savages, we learn”\\n7. “Whence Cometh Our Help”\\n8. “Manner of Suicide”\\n9. “Woman on the Moon”\\n10. “The Explanation of the Moon”\\n11. “Listen, the Sea”\\n12. “Marina”\\n*note: list of poems not complete.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/eli-mandel-at-sgwu-1969-d-g-jones-george-bowering/\"}]"],"score":0.01643844},{"id":"1277","cataloger_name":["Masoumeh,Zaare"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Robin Blaser at Sir George Williams University, The Poetry Series, 28 March 1969"],"item_title_source":["Cataloguer"],"item_title_note":["\"Robin Blaser Mar. 28/69 1\" written on sticker on the reel"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 3"],"item_identifiers":["[]"],"creator_names":["Blaser, Robin"],"creator_names_search":["Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"Poet, essayist and professor Robin Blaser was born on May 18, 1925 in Denver, Colorado, but spent most of his early years in rural Idaho. He moved to California where he received his B.A. in 1952, his M.A. in 1955 and a M.L.S. in 1956 from the University of California at Berkeley. Here he met poets Jack Spicer and Robert Duncan, the three playing major roles in the San Francisco Poetry Renaissance. Blaser, however, next to the dominant figures of Spicer and Duncan, was hesitant to identify himself as a poet and only began publishing his poetry close to twenty years later despite the fact that he was writing poetry already. His work appeared in smaller presses and received restricted attention because of this. After graduating from Berkley, Blaser worked at a number of libraries across the country, including the Widener Library in Boston where he met other East Coast poets, such as Charles Olson and John Wieners. His first larger publication was The Moth Poem (Open Space, 1964). In 1966, he moved to Vancouver, to teach at the Simon Fraser University, and became a Canadian Citizen in 1974. There, Blaser became a strong mentor and influence on the younger poets of the emerging Vancouver Poetry scene of the 60’s, influencing Daphne Marlatt, bp Nichol, Erin Mouré, and Steve McCaffery. His next collections of poetry followed, with Cups (Four Seasons Foundation, 1968), Image Nations 1-12; and The Stadium of the Mirror (Ferry Press, 1974), Image Nations 13 &14 (Cobblestone Press, 1975), Image Nation 15: The Lacquerhouse (W. Hoffer, 1981), Syntax (Talonbooks, 1983) and his most popular publication nominated for a Governor General’s Award, The Holy Forest (Coach House Press, 1993). Blaser was also an essayist, and published important essays such as “The Fire” (1967), “The Violets: Charles Olson and Alfred North Whitehead” (1983), “Robert Duncan, The ‘Elf’ of It” (1992), “The Recovery of the Public World” (1993), “Preface to the Early Poems of Robert Duncan” (1995), most of which are collected in The Fire: Collected Essays of Robin Blaser (University of California Press, 2006). Blaser became a Professor of Emeritus at Simon Fraser University and retired in 1986. Blaser was honoured the Order of Canada in 2005, and the Griffin Poetry prize for lifetime achievement in 2006, the Griffin Prize for poetry in 2008, as well as an honourary doctorate by Simon Fraser University in March 2009. After a battle with cancer, Robin Blaser died in Vancouver on May 7th, 2009.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Kiyooka, Roy"],"contributors_names_search":["Kiyooka, Roy"],"contributors":["[{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"Presenter_name":["Kiyooka, Roy"],"Series_organizer_name":["Kiyooka, Roy"],"Performance_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"Dates":["[{\"date\":\"1969 3 28\",\"type\":\"Performance Date\",\"notes\":\"Date written on sticker on the reel\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building\",\"notes\":\"Exact venue location unknown\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\" 45.4972758\",\"longitude\":\" -73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building"],"City":["Montreal, Quebec"],"content_notes":["Robin Blaser reads poems from Cups (Four Seasons Press, 1968), The Moth Poem (Open Space, 1964) and his essay “The Fire”, collected later in The Fire: Collected Essays of Robin Blaser (University of California Press, 2006), as well as poems collected later in The Holy Forest (Coach House Press, 1993)."],"contents":["robin_blaser_i086-11-005.mp3\n\nRoy Kiyooka\n00:00:00\nIt's my pleasure this evening to introduce to you Robin Blaser [https://www.wikidata.org/wiki/Q2115003], recently of Vancouver [https://www.wikidata.org/wiki/Q24639], and a little bit before that, from San Francisco [https://www.wikidata.org/wiki/Q62] and elsewhere. Can you hear me? Can you all hear me? Okay. Well, I haven't really a great deal to say, I wanted to say simply that I met Robin Blaser in June of 1964, the occasion was the usual round of parties and a rather un-memorable reading, and a marvelous day out into the countryside, and I also had on that occasion the pleasure of meeting two very close friends of his, Stan Persky [https://www.wikidata.org/wiki/Q2330087] and Jack Spicer [https://www.wikidata.org/wiki/Q3805658]. I'll read you this little sort of resume of his career. He was born in Idaho [https://www.wikidata.org/wiki/Q1221], and he studied at Northwestern [https://www.wikidata.org/wiki/Q309350] and Berkeley [https://www.wikidata.org/wiki/Q168756], and was a librarian at Harvard [https://www.wikidata.org/wiki/Q13371] from 1955 to '59. He now teaches in exile at Simon Fraser University [https://www.wikidata.org/wiki/Q201603], has made an important contribution to the San Francisco poetry renaissance in the '50's and the '60's, and was one of a triumvirate, with Duncan [https://www.wikidata.org/wiki/Q964391] and Spicer, that fulminated the serial poem on the poetry scene. Among his own serial poems are “The Faerie Queene” and “Image-Nation”. His verse has been published in a number of contemporary poetry anthologies. They include, among many, Donald Allen's [https://www.wikidata.org/wiki/Q5293963] The New American Poetry [https://www.wikidata.org/wiki/Q7753501], the Penguin [https://www.wikidata.org/wiki/Q3374730] New Writing in the United States, and A Controversy of Poets. And among his volumes of poetry are The Boston Poems 1956-58, The Moth Poem, Les Chimeres, and Cups. He is the editor of a West Coast magazine called the Pacific Nation. Now, Robin? Please read for us.\n \nAudience\n00:02:56\nApplause.\n \nRobin Blaser\n00:03:00\nThe marvelous thing about that list of books is that The Boston Poems, in fact, I think I will read one of those, was published and I decided I didn't like the book so there's one copy in the world and I own that copy. So I'm not sure it's fair, to call that a book. I don't think I--but I think I will read, open with that, it now dates back so many years, back to the Boston [https://www.wikidata.org/wiki/Q100] world, when [Jack] Spicer, and [John] Wieners [https://www.wikidata.org/wiki/Q1702153] and I were there together, and a very different scene from anything. [Charles] Olson [https://www.wikidata.org/wiki/Q922978] was at Black Mountain [https://www.wikidata.org/wiki/Q2413277], and Wieners in the centre at Boston. This poem is \"The Hunger of Sound\", and the date of it would be 1956. \n \nRobin Blaser\n00:03:54\nReads \"The Hunger of Sound\" from The Boston Poems [collected later in The Holy Forest].\n\nRobin Blaser\n00:10:38\nNow I, I'm a little confused because I've changed the reading now because it was very nice to have people ask for things, so I think I'll read \"Cups\", which is a...I've worked since 1960 on a book called The Holy Forest and that is composed of several serial poems, the first of which is \"Cups\", and that is followed by one called \"The Park\", and one called \"The Faerie Queen\", then \"The Moth Poem\", and then the, then there is a group, translated from Gérard de Nerval [https://www.wikidata.org/wiki/Q191305], \"Les Chimeres\", which is also a serial poem, and finally a group called \"The Holy Forest\", an unfinished group, and I thought I would read \"Cups\" and then a section, do a little thing on my poetics, an intermission, and then read, if you still are with me, the section I've just finished, called \"The Holy Forest\". This is \"Cups\".\n \nRobin Blaser\n00:11:47\nReads \"Cups\" [from Cups]. \n\nRobin Blaser\n00:22:58\nNow I'm going to move to my essay called \"The Fire\", which is meant to, is meant to talk about what people call poetics, I guess. It certainly talks about what I intend to do, what I am doing. \n \nRobin Blaser\n00:23:28\nReads \"The Fire\" [published later in The Fire: Collected Essays of Robin Blaser].\n \nUnknown\n00:31:57\n[Cut or edit made in tape. Unknown amount of time elapsed].\n\nRobin Blaser\n00:31:58\nResumes reading \"The Fire\". \n \nRobin Blaser\n00:43:29\nI won't go on to the rest of the essay, I think that's enough. Now...should we have a break, for a minute? Is it the right time for a break? Do you want a break? Because the next section has thirty-two poems, and not great long ones, but it's a move through the...\n \nUnknown\n00:43:57\n[Cut or edit made in tape. Unknown amount of time elapsed]. \n \nRobin Blaser\n00:43:58\nReads “In A Dark” [collected later in The Holy Forest].\n\nRobin Blaser\n00:44:17\nReads “The Prints” [collected later in The Holy Forest].\n \nRobin Blaser\n00:44:47\nReads “Love” [collected later in The Holy Forest].\n \nRobin Blaser\n00:45:18\nReads \"The Private I\" [collected later in The Holy Forest].\n \nRobin Blaser\n00:46:18\nReads \"Song\" [collected later in The Holy Forest].\n \nRobin Blaser\n00:46:52\nReads \"Translation\" [collected later in The Holy Forest].\n \nRobin Blaser\n00:47:23\nReads \"1st Tale: Over\" [collected later in The Holy Forest].\n \nRobin Blaser\n00:48:09\nReads \"2nd Tale: Returned\" [collected later in The Holy Forest].\n \nRobin Blaser\n00:49:48\nReads \": At Last\" [collected later in The Holy Forest].\n \nRobin Blaser\n00:50:29\nReads \"Aphrodite of the Leaves\" [collected later in The Holy Forest].\n \nRobin Blaser\n00:51:02\nReads \"Winter Words\" [collected later in The Holy Forest].\n \nRobin Blaser\n00:51:39\nReads \"The Stories\" [collected later in The Holy Forest].\n \nRobin Blaser\n00:52:23\nReads \"The City\" [collected later in The Holy Forest].\n \nRobin Blaser\n00:53:12\nReads \"The Translator: A Tale\" [from The Moth Poem].\n \nRobin Blaser\n00:54:31\nReads [“Sophia Nichols,” published later in The Holy Forest].\n\nRobin Blaser\n00:56:34\nReads \"A Gift: Homage to Creeley\" [published later as “A Gift” in The Holy Forest].\n \nRobin Blaser\n00:57:30\nReads \"Bottom's Dream\" [collected later in The Holy Forest].\n \nRobin Blaser\n00:58:18\nReads \"The Finder” [collected later in The Holy Forest].\n \nRobin Blaser\n00:59:35\nReads \"Out of the Window,\" [collected later in The Holy Forest].\n \nRobin Blaser\n01:00:45\nReads \"Merlin\" [collected later in The Holy Forest].\n \nRobin Blaser\n01:01:44\nReads \"The Cry of Merlin\" [collected later in The Holy Forest].\n\nUnknown\n01:03:55\n[Cut or edit made in tape. Unknown amount of time elapsed]. \n \nRobin Blaser\n01:03:57\nI stood between the two in the marriage ceremony and replaced the psalms that are given, at one point, that was my gift as well as my blessing, and this is the poem I wrote for that wedding. \"Image-Nation 6: a marriage poem for Gladys Hindmarch and Cliff Anston\".\n \nRobin Blaser\n1:04:15\nReads \"Image-Nation 6: a marriage poem for Gladys Hindmarch and Cliff Anston\" [published later as “Image-Nation 6 (epithalamium)” in The Holy Forest].\n \nRobin Blaser\n01:05:27\nThank you.\n\nAudience\n01:05:28\nApplause [cut off]. \n\nEND\n01:05:30\n[Cut off abruptly]."],"Note":["[{\"note\":\"Year-Specific Information:\\n\\nThis reading most likely took place in 1969. Blaser was teaching at Simon Fraser University in Vancouver, and was most likely working on Image Nations 1-12; and The Stadium of the Mirror which was published much later in 1974.\",\"type\":\"General\"},{\"note\":\"Local Connections:\\n\\nAs stated in the introduction of this reading, Robin Blaser was an important poet involved in the San Francisco Renaissance of the 1960’s, but was connected to other important poets like Robert Duncan, Jack Spicer, and Stan Persky among many others. Stanton Hoffman, a Sir George Williams University English Professor and Reading Committee Member met Robin Blaser in 1964 in Vancouver, where Blaser was teaching. He no doubt met with George Bowering at the same time.\",\"type\":\"General\"},{\"note\":\"Reel-to-reel tape>2 CDs>digital file\",\"type\":\"Preservation\"},{\"note\":\"Original transcript, research, introduction and edits by Celyn Harding-Jones\\n\\n\\nAdditional research and edits by Ali Barillaro\",\"type\":\"Cataloguer\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/cups/oclc/4506227&referer=brief_results\",\"citation\":\"Blaser, Robin. Cups. San Francisco: Four Seasons Press, 1968. \"},{\"url\":\"https://www.worldcat.org/title/holy-forest/oclc/971211126&referer=brief_results\",\"citation\":\"Blaser, Robin. The Holy Forest. Toronto: Coach House Press, 1993.\"},{\"url\":\"https://www.worldcat.org/title/fire-collected-essays-of-robin-blaser/oclc/237064008&referer=brief_results\",\"citation\":\"Blaser, Robin. The Fire: Collected Essays of Robin Blaser. Miriam Nichols (ed). Berkley: University of California Press, 2006. \"},{\"url\":\"https://www.worldcat.org/title/contemporary-canadian-poem-anthology/oclc/988192362&referer=brief_results\",\"citation\":\"Bowering, George, ed. The Contemporary Canadian Poem Anthology. Toronto: Coach House Press, 1984. \"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-canadian-literature/oclc/605246871&referer=brief_results\",\"citation\":\"Thesen, Sharon. “Blaser, Robin”. The Oxford Companion to Canadian Literature. Eugene Benson and William Toye (eds). Oxford University Press, 2001.\"},{\"url\":\"https://www.sfu.ca/retirees-forum/msg01139.html\",\"citation\":\"“Blaser- Robin Francis, 1925-2009”. The Vancouver Sun. Saturday, May 9, 2009. Page F14.\"},{\"url\":\"\",\"citation\":\"“Blaser, Robin”. Literature Online Biography. Proquest Inc, 2008.\"}]"],"_version_":1853670548883636224,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"file_path\":\"\",\"filename\":\"I0086_11_0005_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"Robin Blaser Tape Box - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"file_path\":\"\",\"filename\":\"I0086_11_0005_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"Robin Blaser Tape Box - Front\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"file_path\":\"\",\"filename\":\"I0086_11_0005_side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"Robin Blaser Tape Box - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0086_11_0005_tape.jpg\",\"file_path\":\"\",\"filename\":\"I0086_11_0005_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Robin Blaser Tape Box - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/robin_blaser_i086-11-005.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"robin_blaser_i086-11-005.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:05:30\",\"precision\":\"\",\"size\":\"157.2 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"Roy Kiyooka\\n00:00:00\\nIt's my pleasure this evening to introduce to you Robin Blaser [https://www.wikidata.org/wiki/Q2115003], recently of Vancouver [https://www.wikidata.org/wiki/Q24639], and a little bit before that, from San Francisco [https://www.wikidata.org/wiki/Q62] and elsewhere. Can you hear me? Can you all hear me? Okay. Well, I haven't really a great deal to say, I wanted to say simply that I met Robin Blaser in June of 1964, the occasion was the usual round of parties and a rather un-memorable reading, and a marvelous day out into the countryside, and I also had on that occasion the pleasure of meeting two very close friends of his, Stan Persky [https://www.wikidata.org/wiki/Q2330087] and Jack Spicer [https://www.wikidata.org/wiki/Q3805658]. I'll read you this little sort of resume of his career. He was born in Idaho [https://www.wikidata.org/wiki/Q1221], and he studied at Northwestern [https://www.wikidata.org/wiki/Q309350] and Berkeley [https://www.wikidata.org/wiki/Q168756], and was a librarian at Harvard [https://www.wikidata.org/wiki/Q13371] from 1955 to '59. He now teaches in exile at Simon Fraser University [https://www.wikidata.org/wiki/Q201603], has made an important contribution to the San Francisco poetry renaissance in the '50's and the '60's, and was one of a triumvirate, with Duncan [https://www.wikidata.org/wiki/Q964391] and Spicer, that fulminated the serial poem on the poetry scene. Among his own serial poems are “The Faerie Queene” and “Image-Nation”. His verse has been published in a number of contemporary poetry anthologies. They include, among many, Donald Allen's [https://www.wikidata.org/wiki/Q5293963] The New American Poetry [https://www.wikidata.org/wiki/Q7753501], the Penguin [https://www.wikidata.org/wiki/Q3374730] New Writing in the United States, and A Controversy of Poets. And among his volumes of poetry are The Boston Poems 1956-58, The Moth Poem, Les Chimeres, and Cups. He is the editor of a West Coast magazine called the Pacific Nation. Now, Robin? Please read for us.\\n \\nAudience\\n00:02:56\\nApplause.\\n \\nRobin Blaser\\n00:03:00\\nThe marvelous thing about that list of books is that The Boston Poems, in fact, I think I will read one of those, was published and I decided I didn't like the book so there's one copy in the world and I own that copy. So I'm not sure it's fair, to call that a book. I don't think I--but I think I will read, open with that, it now dates back so many years, back to the Boston [https://www.wikidata.org/wiki/Q100] world, when [Jack] Spicer, and [John] Wieners [https://www.wikidata.org/wiki/Q1702153] and I were there together, and a very different scene from anything. [Charles] Olson [https://www.wikidata.org/wiki/Q922978] was at Black Mountain [https://www.wikidata.org/wiki/Q2413277], and Wieners in the centre at Boston. This poem is \\\"The Hunger of Sound\\\", and the date of it would be 1956. \\n \\nRobin Blaser\\n00:03:54\\nReads \\\"The Hunger of Sound\\\" from The Boston Poems [collected later in The Holy Forest].\\n\\nRobin Blaser\\n00:10:38\\nNow I, I'm a little confused because I've changed the reading now because it was very nice to have people ask for things, so I think I'll read \\\"Cups\\\", which is a...I've worked since 1960 on a book called The Holy Forest and that is composed of several serial poems, the first of which is \\\"Cups\\\", and that is followed by one called \\\"The Park\\\", and one called \\\"The Faerie Queen\\\", then \\\"The Moth Poem\\\", and then the, then there is a group, translated from Gérard de Nerval [https://www.wikidata.org/wiki/Q191305], \\\"Les Chimeres\\\", which is also a serial poem, and finally a group called \\\"The Holy Forest\\\", an unfinished group, and I thought I would read \\\"Cups\\\" and then a section, do a little thing on my poetics, an intermission, and then read, if you still are with me, the section I've just finished, called \\\"The Holy Forest\\\". This is \\\"Cups\\\".\\n \\nRobin Blaser\\n00:11:47\\nReads \\\"Cups\\\" [from Cups]. \\n\\nRobin Blaser\\n00:22:58\\nNow I'm going to move to my essay called \\\"The Fire\\\", which is meant to, is meant to talk about what people call poetics, I guess. It certainly talks about what I intend to do, what I am doing. \\n \\nRobin Blaser\\n00:23:28\\nReads \\\"The Fire\\\" [published later in The Fire: Collected Essays of Robin Blaser].\\n \\nUnknown\\n00:31:57\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n\\nRobin Blaser\\n00:31:58\\nResumes reading \\\"The Fire\\\". \\n \\nRobin Blaser\\n00:43:29\\nI won't go on to the rest of the essay, I think that's enough. Now...should we have a break, for a minute? Is it the right time for a break? Do you want a break? Because the next section has thirty-two poems, and not great long ones, but it's a move through the...\\n \\nUnknown\\n00:43:57\\n[Cut or edit made in tape. Unknown amount of time elapsed]. \\n \\nRobin Blaser\\n00:43:58\\nReads “In A Dark” [collected later in The Holy Forest].\\n\\nRobin Blaser\\n00:44:17\\nReads “The Prints” [collected later in The Holy Forest].\\n \\nRobin Blaser\\n00:44:47\\nReads “Love” [collected later in The Holy Forest].\\n \\nRobin Blaser\\n00:45:18\\nReads \\\"The Private I\\\" [collected later in The Holy Forest].\\n \\nRobin Blaser\\n00:46:18\\nReads \\\"Song\\\" [collected later in The Holy Forest].\\n \\nRobin Blaser\\n00:46:52\\nReads \\\"Translation\\\" [collected later in The Holy Forest].\\n \\nRobin Blaser\\n00:47:23\\nReads \\\"1st Tale: Over\\\" [collected later in The Holy Forest].\\n \\nRobin Blaser\\n00:48:09\\nReads \\\"2nd Tale: Returned\\\" [collected later in The Holy Forest].\\n \\nRobin Blaser\\n00:49:48\\nReads \\\": At Last\\\" [collected later in The Holy Forest].\\n \\nRobin Blaser\\n00:50:29\\nReads \\\"Aphrodite of the Leaves\\\" [collected later in The Holy Forest].\\n \\nRobin Blaser\\n00:51:02\\nReads \\\"Winter Words\\\" [collected later in The Holy Forest].\\n \\nRobin Blaser\\n00:51:39\\nReads \\\"The Stories\\\" [collected later in The Holy Forest].\\n \\nRobin Blaser\\n00:52:23\\nReads \\\"The City\\\" [collected later in The Holy Forest].\\n \\nRobin Blaser\\n00:53:12\\nReads \\\"The Translator: A Tale\\\" [from The Moth Poem].\\n \\nRobin Blaser\\n00:54:31\\nReads [“Sophia Nichols,” published later in The Holy Forest].\\n\\nRobin Blaser\\n00:56:34\\nReads \\\"A Gift: Homage to Creeley\\\" [published later as “A Gift” in The Holy Forest].\\n \\nRobin Blaser\\n00:57:30\\nReads \\\"Bottom's Dream\\\" [collected later in The Holy Forest].\\n \\nRobin Blaser\\n00:58:18\\nReads \\\"The Finder” [collected later in The Holy Forest].\\n \\nRobin Blaser\\n00:59:35\\nReads \\\"Out of the Window,\\\" [collected later in The Holy Forest].\\n \\nRobin Blaser\\n01:00:45\\nReads \\\"Merlin\\\" [collected later in The Holy Forest].\\n \\nRobin Blaser\\n01:01:44\\nReads \\\"The Cry of Merlin\\\" [collected later in The Holy Forest].\\n\\nUnknown\\n01:03:55\\n[Cut or edit made in tape. Unknown amount of time elapsed]. \\n \\nRobin Blaser\\n01:03:57\\nI stood between the two in the marriage ceremony and replaced the psalms that are given, at one point, that was my gift as well as my blessing, and this is the poem I wrote for that wedding. \\\"Image-Nation 6: a marriage poem for Gladys Hindmarch and Cliff Anston\\\".\\n \\nRobin Blaser\\n1:04:15\\nReads \\\"Image-Nation 6: a marriage poem for Gladys Hindmarch and Cliff Anston\\\" [published later as “Image-Nation 6 (epithalamium)” in The Holy Forest].\\n \\nRobin Blaser\\n01:05:27\\nThank you.\\n\\nAudience\\n01:05:28\\nApplause [cut off]. \\n\\nEND\\n01:05:30\\n[Cut off abruptly].\",\"notes\":\"Robin Blaser reads poems from Cups (Four Seasons Press, 1968), The Moth Poem (Open Space, 1964) and his essay “The Fire”, collected later in The Fire: Collected Essays of Robin Blaser (University of California Press, 2006), as well as poems collected later in The Holy Forest (Coach House Press, 1993).\\n\\n00:00- Stanton Hoffman introduces Robin Blaser [INDEX: Vancouver, San Francisco, June 1964, meeting, reading, countryside, Stan Persky, Jack Spicer, Idaho, Northwestern University, Berkeley University, librarian at Harvard from 1955-59, exile, teaches, Simon Fraser University, San Francisco Poetry Renaissance in the 1950’s and 1960’s, triumvirate with Robert Duncan and Jack Spicer, serial poem, “The Faerie Queene”, “Image Nation”, poetry anthologies, Donald Allen’s The New American Poetry (Grove Press, 1960), The Penguin New Writing [most likely Nendeln, Liechtenstein: Kraus, 1960 or 1970], A controversy of poets (Doubleday/ Anchor Books, 1965), poetry volumes The Boston Poems 1956-58 (self published?), The Moth Poem (Open Space, 1964), Les Chimeres (White Rabbit Press, 1965), Cups (Four Seasons Foundation, 1968), editor of The Pacific Nation.]\\n03:00- Robin Blaser introduces “The Hunger of Sound”. [INDEX: The Boston Poems, one copy in the world, dislike for the book, Boston, Jack Spicer, John Wieners, Charles       Olson, Black Mountain, 1956; from The Boston Poems (unknown publishing info) later collected in The Holy Forest (Coach House Press, 1993).]\\n03:54- Reads “The Hunger of Sound” [INDEX: serial poem, poetry, child, image, star, hunger, tree, time, sound, poem, man, wife, house, boy, Dante, book, German, gun, work, chaos, joy.]\\n10:38- Introduces “Cups”. [INDEX: order of reading, requested poems, working The Holy Forest since 1960, serial poems, “The Park”, “The Faerie Queene”, “The Moth Poem”, translations from Gerard de Nerval “Les Chimeres”, The Holy Forest as unfinished, poetics, intermission; from Cups (Four Seasons Foundation, 1968).]\\n11:47- Reads “Cups”.  [INDEX: serial poem, cup, nature, iris, flower, tree, poem, poetry,       window, sex, Dante, love, spring, truck, goat, father, hunter, blood, dark, semen, skin,     \\twhistle, sound]\\n22:58- Introduces essay “The Fire”. [INDEX: poetics; written in 1967, collected in The Holy Forest (Coach House Press, 1993)]\\n23:28- Reads essay “The Fire”. [INDEX: poetry, poetics, sight, sound, intellect, Louis    Zukofsky, San Francisco, invisibility, emotion, body, earth, god, reality, conceptual,     \\tdifficulty, image, conceptual, [Stan] Persky, imagination, language, Charles Olson,       \\t[Thoreau’s?] Walden, [Herman] Melville, [Ezra] Pound, narrative, Jack Spicer, Ovid]\\n31:57- END OF RECORDING (mid-sentence, continues on next CD I086-11-005.2)\\n\\n00:00- Robin Blaser continues reading “The Fire” essay.  [INDEX: family, idiom, English,        American, French, Orphic, Orpheus, Dionysus, Jack Spicer, Robert Duncan, imagery,  \\tLeibniz, Spinoza, Francis Yeats, monads, Nerval; written in 1967, collected in The Holy \\tForest (Coach House Press, 1993).]\\n11:31- Robin Blaser stops reading essay, introduces intermission [INDEX: break, next section, thirty-two poems, not long poems]\\n12:00- Cut in tape, unknown amount of time elapsed\\n12:00- Robin Blaser reads line “...the drive to the spring mountains...” recording starts mid-poem [INDEX: nature, drive, tree, heart, love, stone, song, star, forest, fire, night,       translation; from unknown source.]\\n12:20- Reads “The Prints”. [INDEX: Nerval, prince, tree, fantasy, heart; from Charms    (1964-1968) collected in The Holy Forest (Coach House Press, 1993).]\\n12:50- Reads “Love”. [INDEX: water, love, night; from Charms (1964-1968) collected in The Holy Forest (Coach House Press, 1993).]\\n13:21- Reads “The Private I” [IMAGE: dog, moon, wind, white, black, earth, water, wind; from Charms (1964-1968) collected in The Holy Forest (Coach House Press, 1993).]\\n14:21- Reads \\\"Song\\\" [INDEX:  Nerval, song, night, horse; from Charms (1964-1968) collected in The Holy Forest (Coach House Press, 1993).]\\n14:55- Reads \\\"Translation\\\" [INDEX: ash, Mount St. Helen's, fire, tree; from Charms    (1964-1968) collected in The Holy Forest (Coach House Press, 1993).]\\n15:26- Reads \\\"1st Tale, Lost\\\"  [INDEX: sweet, child, tale, bird, sound; from Charms \\t(1964-1968) collected in The Holy Forest (Coach House Press, 1993).]\\n16:11- Reads \\\"2nd Tale, Returned\\\"  [INDEX: brother, sister, child, fear, story, water, love,  magic, air, found; from Charms (1964-1968) collected in The Holy Forest (Coach House Press, 1993).]\\n17:50- Reads \\\":At Last\\\" [INDEX: place, tree, story, youth, body; from Charms (1964-1968) \\tcollected in The Holy Forest (Coach House Press, 1993).]\\n18:32- Reads \\\"Aphrodite of the Leaves\\\"  [INDEX: city, light, Aphrodite, place from Charms (1964-1968) collected in The Holy Forest (Coach House Press, 1993).]\\n19:05- Reads \\\"Winter Words\\\" [INDEX: fountain, silence, cold, invisible; from Charms       (1964-1968) collected in The Holy Forest (Coach House Press, 1993)]\\n19:42- Reads \\\"The Stories\\\" [INDEX: table, supper, sound, imagination, taste, radio from Charms (1964-1968) collected in The Holy Forest (Coach House Press, 1993).]\\n20:25- Reads \\\"The City\\\" [INDEX: lover, city, Wandering Jew, voice, water, radio, light,       fountain from Charms (1964-1968) collected in The Holy Forest (Coach House Press,   1993).]\\n21:15- Reads \\\"The Translator: A Tale\\\" [INDEX: water, circle, tale, translation, shadow, sex, moth, flight; from The Moth Poem (Open Space, 1964).]\\n22:34- Reads unknown poem first line [\\\"...and returns, it is easy to personify\\\"]\\t[INDEX: head, personification, woman, love, disease, nature, moon, Blake, star, city, place, Odyssey, story, night, word]\\n24:37- Reads \\\"A Gift: Homage to Creeley\\\" [INDEX: room, house, table, soul, city, language, Wells Fargo, poet, love; published as “A Gift”, from Charms (1964-1968) collected in The Holy Forest (Coach House Press, 1993).]\\n25:33- Reads \\\"Bottom's Dream\\\"  [INDEX: Shakespeare, A Midsummer Night's Dream,        Bottom, solitude, translation, city, love, glass; from Charms (1964-1968) collected in The Holy Forest (Coach House Press, 1993).]\\n26:21- Reads \\\"The Finder\\\" [INDEX: tree, window, English Bay, Vancouver, ship, body, blood, intellect, violence, death, glass; from Charms (1964-1968) collected in The Holy Forest (Coach House Press, 1993).]\\n27:37- Reads \\\"Out of the Window\\\" [INDEX: nature, earth, sea, fire, heart, city, building, loss, invisible; from Charms (1964-1968) collected in The Holy Forest (Coach House Press, 1993).]\\n28:48- Reads \\\"Merlin\\\" [INDEX: action, blackbird, glass, companion, house, window, tree, unity, poetry, city, future, movement; from Charms (1964-1968) collected in The Holy Forest (Coach House Press, 1993).]\\n29:47- Reads \\\"The Cry of Merlin\\\" (unfinished reading on recording) [INDEX: stone, blue,  spiritual, image, man, room, story, sea, sex, body, love, radio, Daphne;  from Charms     (1964-1968) collected in The Holy Forest (Coach House Press, 1993).]\\n31:58- Break/distortion in tape; recording recommences mid-phrase as Blaser introduces his last work.\\n32:00- Introduces “Image Nation 6: a marriage poem for Gladys Hindmarch and Cliff      Anston” [INDEX: marriage ceremony, psalms, gift, blessing, wedding, Gladys    \\tHindmarch, Cliff Anston; published in Image Nations 5-14 (1967- 1974) collected in The Holy Forest (Coach House Press, 1993)]\\n32:18- Reads “Image Nation 6: a marriage poem for Gladys Hindmarch and Cliff  \\tAnston” [INDEX: marriage, tree, Gladys Hindmarch, Cliff Anston, vision, gift, occasional poem, ring, unity, image, invisible.]\\n33:30- Robin Blaser thanks audience.\\n33:33.03- END OF RECORDING.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/robin-blaser-at-sgwu-1969/\"}]"],"score":0.01643844},{"id":"1278","cataloger_name":["Masoumeh,Zaare"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Robert Duncan at Sir George Williams University, The Poetry Series, 19 April 1969"],"item_title_source":["Cataloguer"],"item_title_note":["\"ROBERT DUNCAN -1 Recorded Spring 1970 3.75 ips, 1/2 track on 1 mil. tape ONE OF TWO TAPES\" written on sticker on the back of the tape's box. \"ROBERT DUNCAN -1 I006/SR96.1\" written on sticker on the spine of the tape's box. I006-11-096.1 written on sticker on the reel.\n\n\"ROBERT DUNCAN -2 Recorded, Spring, 1970 3.75 ips, 1/2 track on 1 mil. tape THE SECOND OF TWO TAPES\" written on sticker on the back of the tape's box. \"ROBERT DUNCAN -2 I006/SR96.2\" written on sticker on the spine of the tape's box."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 3"],"item_identifiers":["[I006-11-096.1 , I006-11-096.2]"],"creator_names":["Duncan, Robert"],"creator_names_search":["Duncan, Robert"],"creators":["[{\"url\":\" http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"American poet Robert Duncan was born on January 7, 1919 in Oakland, California. At birth, he was given his father’s name: Edward Howard Duncan. In 1920 and after his mother’s death shortly after childbirth, Duncan was adopted into another family and re-named. But he adopted the name Robert Duncan when he started publishing his early poems. These poems were published in magazines during his studies at University of California at Berkeley between 1936-1938. He edited the Experimental Review the year following. Duncan then moved to New York where he joined a group of writers which included Anais Nin, George Barker, Henry Miller, and Kenneth Patchen. The poems that he wrote in this period were collected in 1966 for The Years as Catches: First Poems 1939-1946 (Oyez Press) and in 1968 for The First Decade: Selected Poems 1940-1950 (Fulcrum Press). From 1946 to 1950, Duncan moved to San Francisco, where he met and was influenced by poet Jack Spicer. His first collection of published poems was Heavenly and Earthly City (Bern Porter Press, 1947), followed by Poems 1948-49 (Berkeley Miscellany Editions, 1949). In 1948 he enrolled in classes in Medieval and Renaissance Civilization, taught by Ernst Kantorowicz, after which he published Medieval Scenes (Centaur Press) in 1950. The next year he met and began a lifelong relationship with the painter Jess Collins, and by 1955 he published Caesar’s Gate Poems 1949-1950 with Collages by Jess (Divers Press), a collection of poems from the early 50’s. Fragments of a Disordered Devotion was published privately in 1952, only to be re-printed by Toronto’s Island Press in 1966. During this time he also was deeply influenced by the poems of Charles Olson, Robert Creeley and Denise Levertov. Duncan taught at the Black Mountain College in 1956, and published Derivations (1968), poems collected from 1950 to 1956. After spending a year in Mallorca, his play Medea at Kolchis: The Maiden Head was performed at Black Mountain College. Duncan then moved back to San Francisco as the assistant director of the Poetry Center at San Francisco State University.  His most popular collection of poems, The Opening of the Field (Grove Press) was published in 1960, and was re-printed in London by Jonathan Cape in 1969 and in New York by New Directions in 1973. He was associated with the Creative Writing Workshop at the University of British Columbia in 1963, and he held a Guggenheim Fellowship until 1964. Duncan became one of the most vocal poets writing against the Vietnam war, and some of his anti-war poetry was published in pamphlets, collected later in Ground Work: Before the War printed privately in 1971. His later collections include, but are not limited to Roots and Branches, (Scribners, 1964, reprinted by New Directions, 1968, and Johnathan Cape, 1970), Bending the Bow (New Directions, 1968), his last collection of poetry, Ground Work II: In the Dark (New Directions, 1987), and several books of essays including Fictive Certainties (New Directions, 1985). He was the recipient of National Endowment of the Arts grants, the National Poetry Award as well as other honours. Robert Duncan died in 1988, and several of his collections of poetry were published posthumously.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\" 1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"Presenter_name":["Bowering, George"],"Series_organizer_name":["Bowering, George"],"Performance_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"Half-track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"\",\"other\":\"Box is Scotch brand, tape is BASF\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"BASF\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"Half-track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel","Reel to Reel"],"physical_compositions":["Magnetic Tape","Magnetic Tape"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Mono","Mono"],"Dates":["[{\"date\":\"1969 4 19\",\"type\":\"Performance Date\",\"notes\":\"Please note that the Howard Fink list states the reading took place in “Spring 1970”, while the interview states another (perhaps separate) reading took place on April 19, 1969.\",\"source\":\"Previous researcher\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building\",\"notes\":\"Exact venue location unknown\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\" 45.4972758\",\"longitude\":\" -73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building"],"City":["Montreal, Quebec"],"content_notes":["Robert Duncan reads from The Opening of the Field (Grove Press, 1960), Roots and Branches (New Directions, 1964), and Bending the Bow (New Directions, 1968)."],"contents":["robert_duncan_i006-11-096-1.mp3 [File 1 of 2] \n \nGeorge Bowering\n00:00:00\n...say anything about Robert Duncan's credentials, so I'll make this as brief as possible. M.L. Rosenthal [https://www.wikidata.org/wiki/Q6723336] said, a little while ago in the Reporter that Duncan [https://www.wikidata.org/wiki/Q57421163] was the best of the poets in the experimental tradition and Warren Tolman says he's the best poet writing in the English Language, and I'd probably go further than that. And it's the reading we've been waiting for, most of us, all year, so I'd like to give him as much time as there possibly is. Robert Duncan.\n \nRobert Duncan\n00:00:44\nIn the early 50's, I belonged to a, not a group, because as a matter of fact we were scattered, some in Europe and some in America and didn't know each other, but we were all reacting to a, we all had response of a feeling of poetic responsibility and also a poetic mission, arising out of our response to the publication of Ezra Pound's [https://www.wikidata.org/wiki/Q163366] \"Pisan Cantos\" [https://www.wikidata.org/wiki/Q2701465] and the publication that came year after year of the parts of William Carlos Williams's [https://www.wikidata.org/wiki/Q178106] \"Paterson\" [https://www.wikidata.org/wiki/Q7017378] but in the same period in magazines, some of the poetry of the later William Carlos Williams was appearing. And it does interest me, although the command of the Modernists had been to write in a natural speech, that in response to features that were appearing in Williams more than Pound, because Pound's lines are all syntactic utterances, but in Williams there's a kind of enjambment and there was a juncture appearing at the end of lines. And we, we took that juncture over and imposed it upon the language, but even in imposing it, found that we had arrived at something that's quite common indeed in our English speech, the stutter is at one end of it, but it is one of the forms we have when we are emotionally excited and things are broken up into phrases and words become almost painful and impossible to say, and this encounter we explored for some time. Later, I'm going to be reading, in passages, which will bring into question radically something related to his. My poetry developed along lines that I began to see as allied to the collage, things that were appearing in American painting, that is whole elements and bits would be taken from anywhere, and very early, at the time, as a matter of fact that I was writing The Opening of the Field, I viewed myself as a kind of jackdaw of poetry and gave up entirely worrying about if I had any originality or had a voice of my own. I was much more attracted picking up things and building them into something, so I was a weaver, I felt in some ways, almost before I was a speaker, and I was a weaver of voices and did not care, or- I decided well, I happen to be the one who is doing this, so certainly that's one thing that I don't have to have an effort about. There's nothing else that's going to be moving out from here. In passages, you'll find a new feature about that collage, but it's already contained in the thing I was suggesting that we took over- the juncture, Creeley [https://www.wikidata.org/wiki/Q918620] for instance built a whole personal style from that juncture and by making its articulation radical, and forcing it into a depth of an emotional statement, and of course of an intellectual statement, because the whole framework of thought changes. Very striking to us in the very beginning was that form was the content, not, it was very hard to determine it, you could say that it even determined content, there was no cause to effect relationship for us, between form and content. Structure determined the nature of what was to thought, like the structure of a body is to what we are, and we didn't think of them as divided, so we were incarnationists in that sense. I feel very strongly that you'll find that repeatedly a theme of my poetry the incarnation of Christ [https://www.wikidata.org/wiki/Q302], the incarnation of spirit and the body, that spirit, that the divine world is manifest and incarnate, and that in its- led us back to the poem as the incarnation and place in which- the spirit doesn't enter poetry, incarnate, it exists. But it was also a collage and you will hear Greek and French entering this world of a collage, and it will be as reformed as the American language is when it enters my collage. And reformed to American contours, the contours of French, and the contours of Greek disappear, forced back into an American stress system, which I find analogous. The French poets were extremely disturbed when Stravinsky set them, she could not bear to hear [Persephone (?)] and because they all came out, French all came out to be Russian in its entire tonation and the French not very happy when the French language turns up in an intonation. I'm thinking of the Parisian, but no Frenchman's very happy about the French language turning up, turning out to be American or Russian. Now my poetry doesn't turn out to be exactly American either, it turns out to be strictly forced back to conform to my poetic patterns, and Greek is not intoned but is forced into a stress pattern. However, with Greek I'm in for free because there's no man who can say what you do with it anyway. In America, we have one system, in Germany, they have another system, and in England, they have, still, a third system of what to do with vowels and what to do with the whole thing. And there's a controversy about whether you do have pitch or whether you do have stress and that arises from the fact that the Hellenistic Greeks [https://www.wikidata.org/wiki/Q428995] already couldn't figure out exactly what you did with those Greek choruses, and they had to put those marks in to instruct their readers what to do, and we don't know what those marks meant for sure [audience laughter]. But they certainly didn't know what it had been like 500 years before. They did poorer, I take it, than the poorest, and that would include me, informed of us do with Middle English [https://www.wikidata.org/wiki/Q36395], and I guess we're nearer to it than they were. Okay, well, we'll just start out and I want to take a path, I'm going to take a path through beginning with a small group of poems from The Opening of the Field.\n \nRobert Duncan\n00:07:46\nReads \"The Law I Love is Major Mover” from The Opening of the Field.\n \nRobert Duncan\n00:10:44\nWhen I was about 30, a great Medieval Historian was teaching at the University of California [https://www.wikidata.org/wiki/Q184478], where I made my living teaching, typing thesis and term papers when I was really hard out of luck and the rumour was very thick indeed that something extraordinary had happened, I think, and my impression is that Universities kill off scholars today much faster than they- they certainly don't kill off poets, they give them very handsome fees to come for a week or so, but they certainly kill off scholars, but the existence- perhaps only the World War with its refugee professors from Europe brought this kind of scholarship onto the scene at the University of California and I returned to school to take up Medieval Studies. One of the, clearly, in my work I, the one course, and I studied with that man until he left for the Princeton Institute of Advanced Learning, studied for him--with him for two and a half years, the course that most changed my poetry was a course on Medieval law, and the growth of constitutional law, because the very basis of poetry I think is a- of art, is the discovery of laws, the laws that finally we can trace through from those Medieval concepts of law and constant meditations upon law so I'm going to read a couple of more poems of our- in which this concept of law moves. This is \"Structure of Rime XIII\" and it's part of an open construct that is a construct that has nothing in its concept, does not belong to a world of cause or effect. It has a chronology, but its chronology is like our chronological time, that is seen by contemporary physics as an anomaly within a time--within a physical time that cannot possibly have the character of a chronological sequence. The best they can explain is that we must inhabit a thread that is suspended in actual time, because actual physical time cannot really be one directional, and we experience one directional time because we are really caught in some isolated thread, in the medium of time. So in \"Structure of Rime\" I conceive of myself not in a chronology, although I experience it, being human as such, but as entering such a domain in which real law exists and real time exists, and the real form to which the poem refers and from which it derives its form. The real form has no beginning or end, and is much faster, is universal, so the--in writing the poem I do not create a form, but participate in a form which is of the nature that we believe the physical world to be and I am much for a convert of Whitehead's process and reality in which we believe the spiritual world to be. And that's where \"The Structure of Rime\" takes place. When I say 'thirteen',  that's of course, in my own sequence then and I conceive of that sequence as actually existing in a part of the mosaic that does not have the character of sequence.\n \nRobert Duncan\n00:14:29\nReads \"Structure of Rime XIII\" from The Opening of the Field. \n \nRobert Duncan\n00:16:59\nSome time shortly after The Opening of the Field was published, I was invited up to Portland [https://www.wikidata.org/wiki/Q6106] by a lawyer and his wife to talk to a small group and I learned in correspondence that he had been attracted to my poetry because of the concepts of law as they move through poems, and so I wrote, for them, the poem called \"The Law\", a series and variation.\n \nRobert Duncan\n00:17:35\nReads \"The Law\" [from Roots and Branches].\n \nRobert Duncan\n00:23:27\nWhen Adams [https://www.wikidata.org/wiki/Q11806] said, “the which”, meaning, he said, \"Democracy, the which requires the continual exercise of virtue beyond the reach of human infirmity, even in its best estate\" he was writing to Jefferson and talking about something that was absolutely necessary, he did not mean that we could escape from what required what was impossible. We had to live in the impossible, which is where I found myself entirely in concord with certainly a poet understands what it is to live in the impossible. He speaks in the first place in a voice which is impossible for himself to speak in, and before which he must always be a flunk out and in some sense, a political- a poetical failure in relation to what everywhere's own poetics is to point out what is necessary. Let me in relation to the law again, read the opening of a poem that I will be later be reading entire, but I want to bring it in context with these poems and the law, and close it with a John Adams that I discovered only a passage of John Adams that I discovered for myself, only about what, it's two or three years ago, two years ago. \"Reading on Myth\", this was from a book called I think it's called 18th Century Against the Gods, or confronts--The 18th Century Confronts the Gods and the chapter on John Adams's mythology was a fascinating chapter, and this passage of the poem is built up entirely with no interpolations at all of--it's built up to the place where I cease to read it, with no interpolations at all of passages of the marginalia that John Adams writes in an Encyclopedia of Mythology.\n \nRobert Duncan\n00:25:32\nReads [\"John Adams’s Marginalia...\"].\n \nRobert Duncan\n00:26:53\nMove back to another early poem in The Opening of the Field that was formative to, throughout my work and the last I guess it must be, each one of these is about three, this is the last ten years. The Field began in 1956, so it must be the last 14 years. And this poem is written in 1956. Take my coat off. In articulating the line, we were opening up- Pound had very early said [unintelligible] by the musical phrase and as I said, since his phrases were identical with syntactic utterances, with sentence utterances, the phrase is- the phrase is simpler than the phrases we use, where often they are enjambed, where often they disturb the meaning of the sentence and suspend elements so that they operate in various parts we did not want what was called an ambiguity by Mr. [Adams (?)], we wanted a multi-phasic area of meanings which is something very different. We wanted all parts to operate within all other parts. And I think this is a crucial difference from what let's say fascinated the metaphysicals of the post-Eliot [https://www.wikidata.org/wiki/Q37767] period in their idea of ambiguities. We wanted one meaning operating within another meaning and they wanted one meaning secretly giving another meaning, I may have such things too, but I mean it's a very different feeling for us. Certainly they did not have to come to articulate as we did, and with these poems, when I get to, as you'll see in passages, when I get into rhythmic articulations where only my body is intelligent enough to keep them, so I have to throw them back into my hands and to my body, a dance can carry them and a dance is really in a sense, the poem in which I moved straight forward and realized how un-literary this was and not exactly song either, and that this dance centre was going to be for whole sections of poems. So, there's a key poem.\n\nRobert Duncan\n00:29:27\nReads \"The Dance\" [from The Opening of the Field].\n\nUnknown\n00:31:32\n[Cut or edit made in tape. Unknown amount of time elapsed]. \n\nRobert Duncan\n00:31:33\nResumes reading \"The Dance\" [from The Opening of the Field].\n \nRobert Duncan\n00:32:09.\nSomeone said this evening I probably wouldn't read The Pindar poems, I will. Oh let me sing a song for you, songs, I have a couple of songs that are in books. Songs for me are not that quaint form that, a few of them are like the night nurse's songs, the song the night nurse sang. But a song of the old order and some of the other songs are actual songs, that means when I was writing them, a tune came. And they had only one voice to be in, mine, and we could even say unhappily, but there they were. And startled I was when, this is I think, one of the first songs that came that really belonged in a book of poetry. I had early had some songs in Faust Foutu in a sort of a long play that would never get performed in my mind so I was able to whatever I wanted to in it, and- which is a great kind of play to write, because you don't have to worry about anyone else solving any problems, you can name it, they can be on the moon, or whatever, have no stage dimension problems, but also of course I had no song dimension problems but when I wrote this song, \"Gee, I know I'm going to have to get up and sing it\", well of course now you'll get away with it because how rare you'd hear a poet's voice, unless a poet's already like your happy rock-n-roll singer, which I ain't as you will hear. My idea of song is exceedingly primitive indeed, my impression is very, I think you will hear it in this song, it comes from a brief period in which to much the horror of my theosophical parents, but because we were living in a small town and all your friends went to a Sunday School, I went for several years to a Methodist Sunday school and somebody along the line gave me the hint that hymns would come out much better if I just moved my mouth and didn't join in, happily, the lovely music that was going on and so of course I always wanted to write a hymn and there's something in the Methodist hymnal for sure in the song I'm going to sing. \"A Song of the Old Order\". It's not strictly Methodist in theology, but I meant that it's something of the Methodist hymn. However, I will sing also, by following another song that is certainly Calvinist [https://www.wikidata.org/wiki/Q101849], it's a Halloween song, and like only the scotch can possibly dig out of there- the Calvinist counter hymnal.\n \nRobert Duncan\n00:34:52\nSings \"A Song of the Old Order\" [from The Opening of the Field].\n \nRobert Duncan\n00:38:05\nThat was considerably higher than I've ever tried to do it before. [Audience laughter]. But, like a poem, when you're writing it, when you're in it, you're in for it. You can't re-model it to something you think you might get through with. So I will now do the Pindar poem. That somewhat determines what long poem we're going to do. And since this is the first time I've read here in Montreal, some other places I read, I try and give them new stuff, but I take it outside of some tapes that might be available, you haven't really heard these poems. And this will be the last one from The Opening of the Field. I'll pick up a couple from Roots and Branches and then I will be reading from the current, the Bending the Bow and then after the break I'll read some of the new poems that I've written since Bending the Bow. [Take off Biney's Law (?).] No, this is not the beginning of a Ginsberg [https://www.wikidata.org/wiki/Q6711] round [laughter.] \"Beginning with a Line by Pindar\", I am ending up with an exhibition by Ginsberg, [laughter.] We've gotten so [unintelligible] in San Francisco [https://www.wikidata.org/wiki/Q62] since all barriers of all kinds were down you really couldn't compete with the show, so you've got, I mean what to do. Common, ordinary people are just left out, you've got to be somebody extraordinary now to [audience laughter], and poetry has to be my extraordinary thing. Believe me, the rest of me is just me. \"A Poem Beginning with a Line by Pindar\".\n\nRobert Duncan\n00:40:17\nReads \"A Poem Beginning with a Line by Pindar\" [from The Opening of the Field].\n \nRobert Duncan\n00:54:15\nI'll read two poems from--that were requested from Roots and Branches.\n \nRobert Duncan\n00:54:30\nReads [\"Risk”] from Roots and Branches.\n \nRobert Duncan\n00:59:22\nThe other poem I will read from Roots and Branches is \"The Continent\". My poetic thought continuously arises from the ground of my happy and, believe me, wildly misunderstanding readings of contemporary science. And the one real poetic source I have is not a literary magazine but Scientific American [https://www.wikidata.org/wiki/Q39379] which I avidly read. So I'm more likely to be studying language than I am to be studying poems and more likely to be studying the world, than I am to be- well, I can't say that, language and the world get even treatment. The poem \"The Continent\" came from the re-assertion that has come in recent years of evidence which has rebuilt the picture of the continental drift. And I was happy at the coordinates to find that Charles Olson [https://www.wikidata.org/wiki/Q922978], who also ransacks the same magazine, but does not have the same misunderstandings of the magazine by any means, we have quite a, we sometimes come to [loggerheads (?) ] in our very positively taken misunderstandings of what is. He also had built sections of “Maximus [Poems]” on the continental drift. I love puns of course right away, and so does he, and if you get my drift in poetry, you will see something of what is revealed when we begin to get the drift of those continents and the fittingness of poetry is of course the logic whereby we identify that the continents originally fitted together and identified the sequence of things that happened. They do fit together, but they must have- I mean, the universe- the Neo-plateness, [unintelligible], well no, it isn't a neo-plate, well, it's a near neo-plate, and it's [unintelligible] Judas [https://www.wikidata.org/wiki/Q81018] refers to the masterpiece which is the Universe, that's the only masterpiece and the rest of us compose masterpieces because we are children of the universe, although we may not recognize that that's what we are doing. Some of us don't have entire respect for what we belong to. \"The Continent\".\n \nRobert Duncan\n01:01:49\nReads \"The Continent\" from Roots and Branches.\n \nUnknown\n01:03:39\n[Cut or edit made in tape. Unknown amount of time elapsed].\n\nRobert Duncan\n01:03:40\nResumes reading \"The Continent\" from Roots and Branches.\n\nRobert Duncan\n01:06:16\n[Unintelligible] break in tone I'll sing that song I mentioned, the second one that comes from a Calvinist anti-hymnal. It's a song from my Halloween masque. And it's “A Country Wife’s Song”, the country husband is lying in bed, snoring away and the wife rises silently, puts a stick in the bed and a stone on the pillow and sings the following song.\n \nRobert Duncan\n01:07:50\nPerforms “A Country Wife’s Song” [from Roots and Branches].\n \nRobert Duncan\n01:09:38\nWe seem to be close to 10:30 so I'm going to just--I won't read--well, I'd like to read one passage before the intermission and I would also like to read the poem \"Epilogos\", then we'll have a break, I would suggest about 10 minutes and I will then read in the second part, I will be reading from \"Passages\", well let me add one more poem to this first part because I want to give you a sample of what I've been--so there will be one \"Passages\", so those of you with great relief run out into the world will at least have been subject to something of what \"Passages\" is like, and I will read \"Epilogos\" and then I will read one of the poems that I have written, post-Bending the Bow and then you will have a sample of everything and you won't be missing a thing if you don't stay for the second part. [Audience laughter]. Okay, well a few things, but you might be missing them anyway.\n \nRobert Duncan\n01:10:39\nReads \"Transgressing the Real, Passages 27\" [from Bending the Bow].\n \nRobert Duncan\n01:14:14\nReads \"Epilogos\" [from Bending the Bow].\n\nRobert Duncan\n01:20:57\nNow the one poem from, poetry I've written since then, a poem called \"Achilles' Song\". One note before I read it, the island that we would ordinarily in American call ‘Leuke’ a [unintelligible], like in Leukemia--leuke. In Greek would be ‘Lay-okay’ and so I was very alarmed indeed when in this poem, as I was writing it came out ‘Loy-kay’ and it took me quite some time of sheer stage fright and horror at the mis-pronunciation recall the ‘Lauke’ in German is the [unintelligible] and so forth in German, and that I have had for years now, for some years now a tape of H.D. [https://www.wikidata.org/wiki/Q236469] reading from her \"Helen in Egypt\", a poem which is really the mother poem of this poem, and not too much hidden in the poem, for those who know of  my closeness to H.D. who was certainly a surrogate mother for me. Thetis of the poem would certainly be the poetess H.D. and in that tape, H.D. who had lived for most of her life from the 20's on in Switzerland, uses the German pronunciation throughout, ‘Aloike’ and that's how I heard it in association with this poem. So I've finally recognized where it came from but it's an example of the fact that you cannot correct things in poems because it's sewn into a rhyme and absolutely belongs in the music here. Play it differently--I mean, it's what fits a poem not what fits some other system outside the poem that the poem must adhere to. Okay, \"Achilles' Song\".\n \nRobert Duncan\n01:22:44 \nReads \"Achilles' Song\".\n\nUnknown\n01:25:05\n[Cut or edit made in tape. Unknown amount of time elapsed].\n\nAudience\n01:25:06\nApplause.\n\nRobert Duncan\n01:25:16\nSo we'll take a break of ten minutes and then I'm going to read a rather short section because we're almost at 11 and that would seem, I want to read as many, something like four passages to give you of a feeling of moving through that and that would give you something like Passages are like.\n\nUnknown\n01:25:44\n[Cut or edit made in tape. Unknown amount of time elapsed].\n\nRobert Duncan\n01:25:45\nTwo aspects of the art, seem particularly mysteries to me as I've been working at the art of poetry since I was 19 and it's now 30 years. In relation to that thing we call rhyme, meter and so forth, I have come to think more and more that it's ratios and numbers that may be the heart of the matter. And at the same time as I begin to feel that at the heart of the matter, as one begins to, as one does with mysteries, be fearful about approaching the question. Some years ago, two years ago or so, with the poet Zukofsky [https://www.wikidata.org/wiki/Q975481], who knows much more than I do of the art, and performs really awesomely in it, I said it had begun, I said \"Zuk,” I said, “I had begun to feel that it isn't a question about syllables or stresses and so forth, it's a question of numbers\". And he said \"Yes, I've decided by now I ought to, certainly if I don't know syllables and stresses and so forth, by now, I mean know them only in my hand, I certainly shouldn't be thinking about them. And I am now only dealing with 8's. All of these lines are 8's, straight through. I have not yet really phased the initiations of the question of numbers but I know that this is central as one moves into the period of working in the art that I'm in.\" The other thing, and that is that I have indicated it earlier, is that the nature of the time of the art is increasingly mysterious, the one thing I'm sure of it cannot be, positive absolutely defined in one area, for a long time I was doing happily enough with the formula that Christians made for themselves of time and eternity and their term of eternity which is the very present moment of any work of art and is also of course somehow containing the ensemble of all of the things created must also be like that time that physics talks about. That makes them puzzle why in the world our own time goes from a thing we call the past to the future. Whitehead [https://www.wikidata.org/wiki/Q183372] solves it in Process and Reality by suggesting that we create, in every moment that we live a past and a future, and we live in a history consequently because that's what we create what we are, is pastness and future, and sum it up in a material, that is still persuasive. But a mystery is when none of the answers are answers and as long as they're not answers the artist has them as really, forces that move as art. Now I make this remark because, well I said something about chronologies I, in the past I have not read these two poems as they appear in the book, in readings, but I want to read them today and I'm going to just underline the transition I want you to see and share with me at this point. I arranged, for all that what I've said about chronologies, I arranged the poems in my volumes chronologically and largely because it seems to me a mystery as they go and the rhymes appear from one to the other, and one poem will be an announcement of a succeeding poem or themes will flow out of it. The one I'm going to read first is not a “Passages\" it's called \"Reflections\" and at the close, and as a theme of it, you will find the old man, who is as a matter of fact, I structure rhyme preceding it had a fire master appearing, who seems very close indeed to the master of fire, and the poem that came next, it may have been in a couple of weeks of so, this was a very productive period, concludes with a figure of an old man tuning a drum between a bowl of fire and a bowl of water, and it was followed by a \"Passages\" which is called \"The Fire\", and from it we can learn that the fire that you see in \"Passages\" which is catastrophic, and is held in a polarity with an ideogram with the natural world, that that which may have indeed be--is indeed a bowl of water, as you will see, I mean it's a stream of water that the fire is composed between a world of water and its own world of fire, but that fire that looks like a catastrophe you will find is the creative fire--if you go under \"Reflections\" and let the reflections that came first reflect into the poem following. Now these are things that you realize afterwards, in your own chronology. I am one of those poets who has the characteristic I find in my study of Whitman [https://www.wikidata.org/wiki/Q81438] in the last three years that Whitman certainly was another poet who studied himself all the time. We have a great prohibition in our contemporary world against studying yourself, but I am not short on the world of ego, so I'm not really very disturbed about the fact that I study myself in the poetry. But the one thing I search to find is not something we would ordinarily call ourselves, I study the poet, the thing that the poems are creating in order for them to come into being. That I can sharply distinguish from myself. As sharply as you can do it, it takes office, the idea of office, and this again I got from my Medieval Studies. Okay, I'm going to read \"Reflections\" and then I'm going to read \"The Fire\" and then I will, the poems I will be reading from then on will be \"Passages\", \"Fire\" is one of \"Passages\". And \"Passages\" is as I explained, an open form that exists in these other universe of time, of something, like, you call eternity.\n \nRobert Duncan\n01:32:07\nReads \"Reflections\" [from Bending the Bow].\n \nEND\n01:34:38\n\n\nrobert_duncan_i006-11-096-2.mp3 [File 2 of 2] \n\nRobert Duncan\n00:00:00\nReads [“The Fire, Passages 13 from Bending the Bow; recording begins abruptly].\n \nUnknown\n00:13:11\n[Cut or edit made in tape. Unknown amount of time elapsed]. \n\nRobert Duncan\n00:13:12\n...beginning with a poem called \"Soldiers\", a poem in which, um, let's see, right, some lines of Victor Hugo [https://www.wikidata.org/wiki/Q535] enter, I decided I should, well, I guess, lets see, no I don't want to read too late, and soldiers is rather long again, so I want- certain themes that are moving in \"Soldiers\" will reappear. In \"Soldiers\", a recurring line was one from a poem of Victor Hugo's, \"Dieu dans [unintelligible] reve\", which is a line really quite in tune with my own poetics, \"God, oh creator the- or the creator for us too in oneself whose dream, whose work goes much further than our dreams\" and so it's combined with a scene that's Vietnam and it's combined in the Soldiers with the theme of the recognition that in some mystery of that work that goes further than our dreams the soldiers in Vietnam most of them, have just there, and they're 19 or 18 and so forth, they have only there in which to make their lives. And they have only there in which to, to take their souls in the war, as the followers of Orpheus take soul in the poem. The wood to take fire from that dirty flame. A recognition that that is their field in which they must reach life's epiphany and its thing. And the line of Victor Hugo carried me forward to and returned me to grand themes of Victor Hugo's but it also took me back to Vietnam [https://www.wikidata.org/wiki/Q881] and I wanted to give, before I read \"The Kao Dai\" a little sketch of that. There's a theme of Victor Hugo, by the way, of the fall of Lucifer [https://www.wikidata.org/wiki/Q185498] in which, Lucifer's falling into his own denial of God and in falling he opens the univ- creation, and but in his falling a feather breaks loose from his wings and is floating mid-air, and the sight of God descending falls upon the feather and it becomes light and it turns into an angel and that angel is Liberty and that angel's entire message is to transform the rage and wrathful light that had fallen upon it into the reunion and resurrection of Satan, but of course both Satan and God must be called from their wrath, to reconciliation, so this angel, Liberty and Freedom is also the angel of reconciliation and Victor Hugo knew that also there must be some explanation for the fact that the desire and yearning for freedom and liberty has always been wrathful. Blake [https://www.wikidata.org/wiki/Q41513] is puzzled by the same thing and I think that today, when all over the world, not only in Canada [https://www.wikidata.org/wiki/Q16], but in the United States [https://www.wikidata.org/wiki/Q30], and in China [https://www.wikidata.org/wiki/Q29520], and Yugoslavia [https://www.wikidata.org/wiki/Q36704] and Russia [https://www.wikidata.org/wiki/Q159] the wrath of Liberty is rising and it is the wrath of God against the civilization to its very roots which we know in our hearts are Godless. But that wrath must be reconciled, because it is itself that it's rising against and there's some mystery in this, so my poetry has begun to take up the figure of that angel and the angel comes into it. Now, in Vietnam, one of the strongest forces in the Viet Cong, not a communist group but a religious group, the Cao Dai [https://www.wikidata.org/wiki/Q470364] and in order to read more in deeper into the Cao Dai, I wisely, I think, went back to sources to the early thirties before Vietnam was quite the cause it is today, and found this story and it came quite in line with my kooky family and my own poetry because it was at a medium's table in 1925 on Christmas Eve, when Christ descended and speaking in French, as I usually put it when I read my, something worse than American French, a French man would feel that that was blasphemy, but I'm after all repeating Christ's words in his own voice so that might be more serious yet that that voice was being attempted. Christ came into the medium and renounced in my birth day for the spirit is descending upon Vietnam and when we remember what happened to the very first generation of Christians who were burned in rows as torches, what the promise of Christ meant to his immediate blessing, the powers of martyrdom. The promise of Christ in 1925 was amply fulfilled to his new disciples. So amply, as a matter of fact, the Cao Dai had more than come to my mind, because the cathedral town of Cao Dai, which is [unintelligible] indeed exactly like a Catholic nunnery or convent, or a Buddhist nunnery or convent is Communist, is the province of Tay Ninh [https://www.wikidata.org/wiki/Q36608], and the Cathedral city of Tay Ninh, now it is been repeated over and over in American papers that when those planes were returning for missions in North Vietnam and hadn't dumped their missions, you're not supposed to return any bombs, you gotta dump them somewhere, so they'd dump them on Tay Ninh, you'd just go over the side and dump them on Tay Ninh, because this particular religious group was stubborn indeed in its inherences. Now, also interesting to me was this particular religious group had as its patron Saint Victor Hugo, and the first place that the French are, that the Vietnamese have French as their deepest religious and literary language and so Christ talked in French so Victor Hugo gave the whole line, it's Victor Hugo's Christ who talked to them at the medium tables in French, and they of course had their medium tables in the line of the tradition of Victor Hugo's own medium tables in the Isle of Jersey. So Victor Hugo becomes patron saint for these passages. In the passage, by the way, a passage called \"Orders\" and I will read a passage from it in which I am actually translating from Victor Hugo quite directly but it's a very long poem and keeping in tune with that master of the sublime is very difficult for us in the modern period. Here we are, the passage, wait a minute, it isn't in that poem, I always think it's in \"Orders\", but it's actually in place of a passage 22, that has the passage with Victor Hugo. I have been working on it for years, and it's mainly trying to keep in tune, I go over and over and over it again and then I find it very difficult to deal with 19th century poetry. But this is a passage straight translation, as literal as I could from Victor Hugo, but really, massive poem.\n \nRobert Duncan\n00:21:11\nReads \"The Soldiers\" [from Bending the Bow].\n \nRobert Duncan\n00:22:14\nCharming little poem called the \"Twentieth Century\", in case you want to know where we are.\n \nRobert Duncan\n00:22:22\nReads \"Twentieth Century\" [published as “The Light, Passages 28” in Bending the Bow].\n \nRobert Duncan\n00:30:27\nI'll close with \"Stage Directions\".\n \nUnknown\n00:30:32\n[Cut or edit made in tape. Unknown amount of time elapsed].\n\nRobert Duncan\n00:30:33\nReads [“Stage Directions, Passages 30” from Bending the Bow; begins mid-poem].\n \nAudience\n00:37:53\nApplause.\n \nRobert Duncan\n00:38:12\nI'll add one more poem which has not been read aloud except at home today, this is one--I hope I've got the right note--this is a \"Structure of Rime\" that was composed on April Fool's day but it doesn't mean it isn't serious, I mean April 1st.\n \nRobert Duncan\n00:38:32\nReads \"Structure of Rime\" [unnumbered].\n \nAudience\n00:39:54\nApplause.\n \nEND\n00:40:06\n"],"Note":["[{\"note\":\"Year-Specific Information: \\n\\nAt the time of this reading (1970), Robert Duncan had published Tribunals Passages 31-35 (Black Sparrow Press), a broadside called Poetic Disturbances (Cody’s Books) and A Selection of 65 Drawings from the One Drawing-Book 1952-1956 (Black Sparrow Press, 1970).  He was working on Ground Work (privately printed, 1971) and Robert Duncan: An Interview by George Bowering & Robert Hogg (The Coach House Press, 1971).\",\"type\":\"General\"},{\"note\":\"Local Connections: \\n \\nDuncan’s first Canadian reading, in  Vancouver by invitation of Warren Tallman at University of British Columbia, occurred in 1961- to an audience of Bowering, Fred Wah and Frank Davey. These readings inspired the creation of Tish magazine[1]. Robert Duncan and George Bowering have corresponded with each other after this reading.\",\"type\":\"General\"},{\"note\":\"Original transcript, research, introduction and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Sarah McDonnell and Ali Barillaro\",\"type\":\"Cataloguer\"},{\"note\":\"2 reel-to-reel tapes>3 CDs>2 digital files\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/robert-duncan-an-interview-april-19-1969/oclc/963367366&referer=brief_results\",\"citation\":\"Bowering, George and Robert Hogg. Robert Duncan: an interview by George Bowering &       \\tRobert Hogg. Montreal: A Beaver Kosmos Folio, 1969. \"},{\"url\":\"https://www.worldcat.org/title/bending-the-bow/oclc/612189355&referer=brief_results\",\"citation\":\"Duncan, Robert. Bending the Bow. New York: New Directions, 1968.\"},{\"url\":\"https://www.worldcat.org/title/caesars-gate-poems-1949-1950/oclc/270147363&referer=brief_results\",\"citation\":\"Duncan, Robert. Caesar’s Gate: Poems, 1949-1950. Divers Press, 1955.\"},{\"url\":\"https://www.worldcat.org/title/first-decade-selected-poems-1940-1950/oclc/500569831&referer=brief_results\",\"citation\":\"Duncan, Robert. First Decade: Selected Poems 1940-1950. Fulcrum, 1969.\"},{\"url\":\"https://www.worldcat.org/title/ground-work-before-the-war-in-the-dark/oclc/62509155&referer=brief_results\",\"citation\":\"Bertholf, Robert; Duncan, Robert; Maynard, James. Ground Work II: Before the War, In the Dark. New York: New Directions, 1985.\"},{\"url\":\"https://www.worldcat.org/title/heavenly-city-earthly-city/oclc/639710248&referer=brief_results\",\"citation\":\"Duncan, Robert. Heavenly and Earthly City. Berkeley: Miscellany Editions, 1949. \"},{\"url\":\"https://www.worldcat.org/title/opening-of-the-field/oclc/926421653&referer=brief_results\",\"citation\":\"Duncan, Robert. The Opening of the Field. Grove Press, 1960.\"},{\"url\":\"<https://www.worldcat.org/title/oxford-companion-to-american-literature/oclc/54356940&referer=brief_results\",\"citation\":\"\\\"Duncan, Robert [Edward]\\\". The Oxford Companion to American Literature. James D. Hart (ed),        Phillip W. Leininger (rev). Oxford University Press 1995.\"},{\"url\":\"https://www.worldcat.org/title/roots-and-branches/oclc/926421654&referer=brief_results\",\"citation\":\"Duncan, Robert. Roots and Branches. New York: Scribners, 1964.\"},{\"url\":\"https://www.worldcat.org/title/new-release-from-oyez-the-years-as-catches-first-poems-1939-1946-by-robert-duncan-with-an-introduction-and-bibliography-by-the-author/oclc/62513361&referer=brief_results\",\"citation\":\"Duncan, Robert. The Years as Catches: First Poems. Berkeley: Oyez Press, 1966.\"},{\"url\":\"\",\"citation\":\"Patterson, Ian. “Duncan, Robert Edward 1919-”. Literature Online Biography. H.W. Wilson         \\tCompany, 2000. \"}]"],"_version_":1853670548887830528,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0096-1_back.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0096-1_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Robert Duncan Tape Box 1 - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0096-1_front.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0096-1_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Robert Duncan Tape Box 1 - 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Front\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0096-2_side.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0096-2_side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Robert Duncan Tape Box 2 - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0096-2_tape.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0096-2_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Robert Duncan Tape Box 2 - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/robert_duncan_i006-11-096-1.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"robert_duncan_i006-11-096-1.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:34:38\",\"precision\":\"\",\"size\":\"227.2 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"robert_duncan_i006-11-096-1.mp3 [File 1 of 2] \\n \\nGeorge Bowering\\n00:00:00\\n...say anything about Robert Duncan's credentials, so I'll make this as brief as possible. M.L. Rosenthal [https://www.wikidata.org/wiki/Q6723336] said, a little while ago in the Reporter that Duncan [https://www.wikidata.org/wiki/Q57421163] was the best of the poets in the experimental tradition and Warren Tolman says he's the best poet writing in the English Language, and I'd probably go further than that. And it's the reading we've been waiting for, most of us, all year, so I'd like to give him as much time as there possibly is. Robert Duncan.\\n \\nRobert Duncan\\n00:00:44\\nIn the early 50's, I belonged to a, not a group, because as a matter of fact we were scattered, some in Europe and some in America and didn't know each other, but we were all reacting to a, we all had response of a feeling of poetic responsibility and also a poetic mission, arising out of our response to the publication of Ezra Pound's [https://www.wikidata.org/wiki/Q163366] \\\"Pisan Cantos\\\" [https://www.wikidata.org/wiki/Q2701465] and the publication that came year after year of the parts of William Carlos Williams's [https://www.wikidata.org/wiki/Q178106] \\\"Paterson\\\" [https://www.wikidata.org/wiki/Q7017378] but in the same period in magazines, some of the poetry of the later William Carlos Williams was appearing. And it does interest me, although the command of the Modernists had been to write in a natural speech, that in response to features that were appearing in Williams more than Pound, because Pound's lines are all syntactic utterances, but in Williams there's a kind of enjambment and there was a juncture appearing at the end of lines. And we, we took that juncture over and imposed it upon the language, but even in imposing it, found that we had arrived at something that's quite common indeed in our English speech, the stutter is at one end of it, but it is one of the forms we have when we are emotionally excited and things are broken up into phrases and words become almost painful and impossible to say, and this encounter we explored for some time. Later, I'm going to be reading, in passages, which will bring into question radically something related to his. My poetry developed along lines that I began to see as allied to the collage, things that were appearing in American painting, that is whole elements and bits would be taken from anywhere, and very early, at the time, as a matter of fact that I was writing The Opening of the Field, I viewed myself as a kind of jackdaw of poetry and gave up entirely worrying about if I had any originality or had a voice of my own. I was much more attracted picking up things and building them into something, so I was a weaver, I felt in some ways, almost before I was a speaker, and I was a weaver of voices and did not care, or- I decided well, I happen to be the one who is doing this, so certainly that's one thing that I don't have to have an effort about. There's nothing else that's going to be moving out from here. In passages, you'll find a new feature about that collage, but it's already contained in the thing I was suggesting that we took over- the juncture, Creeley [https://www.wikidata.org/wiki/Q918620] for instance built a whole personal style from that juncture and by making its articulation radical, and forcing it into a depth of an emotional statement, and of course of an intellectual statement, because the whole framework of thought changes. Very striking to us in the very beginning was that form was the content, not, it was very hard to determine it, you could say that it even determined content, there was no cause to effect relationship for us, between form and content. Structure determined the nature of what was to thought, like the structure of a body is to what we are, and we didn't think of them as divided, so we were incarnationists in that sense. I feel very strongly that you'll find that repeatedly a theme of my poetry the incarnation of Christ [https://www.wikidata.org/wiki/Q302], the incarnation of spirit and the body, that spirit, that the divine world is manifest and incarnate, and that in its- led us back to the poem as the incarnation and place in which- the spirit doesn't enter poetry, incarnate, it exists. But it was also a collage and you will hear Greek and French entering this world of a collage, and it will be as reformed as the American language is when it enters my collage. And reformed to American contours, the contours of French, and the contours of Greek disappear, forced back into an American stress system, which I find analogous. The French poets were extremely disturbed when Stravinsky set them, she could not bear to hear [Persephone (?)] and because they all came out, French all came out to be Russian in its entire tonation and the French not very happy when the French language turns up in an intonation. I'm thinking of the Parisian, but no Frenchman's very happy about the French language turning up, turning out to be American or Russian. Now my poetry doesn't turn out to be exactly American either, it turns out to be strictly forced back to conform to my poetic patterns, and Greek is not intoned but is forced into a stress pattern. However, with Greek I'm in for free because there's no man who can say what you do with it anyway. In America, we have one system, in Germany, they have another system, and in England, they have, still, a third system of what to do with vowels and what to do with the whole thing. And there's a controversy about whether you do have pitch or whether you do have stress and that arises from the fact that the Hellenistic Greeks [https://www.wikidata.org/wiki/Q428995] already couldn't figure out exactly what you did with those Greek choruses, and they had to put those marks in to instruct their readers what to do, and we don't know what those marks meant for sure [audience laughter]. But they certainly didn't know what it had been like 500 years before. They did poorer, I take it, than the poorest, and that would include me, informed of us do with Middle English [https://www.wikidata.org/wiki/Q36395], and I guess we're nearer to it than they were. Okay, well, we'll just start out and I want to take a path, I'm going to take a path through beginning with a small group of poems from The Opening of the Field.\\n \\nRobert Duncan\\n00:07:46\\nReads \\\"The Law I Love is Major Mover” from The Opening of the Field.\\n \\nRobert Duncan\\n00:10:44\\nWhen I was about 30, a great Medieval Historian was teaching at the University of California [https://www.wikidata.org/wiki/Q184478], where I made my living teaching, typing thesis and term papers when I was really hard out of luck and the rumour was very thick indeed that something extraordinary had happened, I think, and my impression is that Universities kill off scholars today much faster than they- they certainly don't kill off poets, they give them very handsome fees to come for a week or so, but they certainly kill off scholars, but the existence- perhaps only the World War with its refugee professors from Europe brought this kind of scholarship onto the scene at the University of California and I returned to school to take up Medieval Studies. One of the, clearly, in my work I, the one course, and I studied with that man until he left for the Princeton Institute of Advanced Learning, studied for him--with him for two and a half years, the course that most changed my poetry was a course on Medieval law, and the growth of constitutional law, because the very basis of poetry I think is a- of art, is the discovery of laws, the laws that finally we can trace through from those Medieval concepts of law and constant meditations upon law so I'm going to read a couple of more poems of our- in which this concept of law moves. This is \\\"Structure of Rime XIII\\\" and it's part of an open construct that is a construct that has nothing in its concept, does not belong to a world of cause or effect. It has a chronology, but its chronology is like our chronological time, that is seen by contemporary physics as an anomaly within a time--within a physical time that cannot possibly have the character of a chronological sequence. The best they can explain is that we must inhabit a thread that is suspended in actual time, because actual physical time cannot really be one directional, and we experience one directional time because we are really caught in some isolated thread, in the medium of time. So in \\\"Structure of Rime\\\" I conceive of myself not in a chronology, although I experience it, being human as such, but as entering such a domain in which real law exists and real time exists, and the real form to which the poem refers and from which it derives its form. The real form has no beginning or end, and is much faster, is universal, so the--in writing the poem I do not create a form, but participate in a form which is of the nature that we believe the physical world to be and I am much for a convert of Whitehead's process and reality in which we believe the spiritual world to be. And that's where \\\"The Structure of Rime\\\" takes place. When I say 'thirteen',  that's of course, in my own sequence then and I conceive of that sequence as actually existing in a part of the mosaic that does not have the character of sequence.\\n \\nRobert Duncan\\n00:14:29\\nReads \\\"Structure of Rime XIII\\\" from The Opening of the Field. \\n \\nRobert Duncan\\n00:16:59\\nSome time shortly after The Opening of the Field was published, I was invited up to Portland [https://www.wikidata.org/wiki/Q6106] by a lawyer and his wife to talk to a small group and I learned in correspondence that he had been attracted to my poetry because of the concepts of law as they move through poems, and so I wrote, for them, the poem called \\\"The Law\\\", a series and variation.\\n \\nRobert Duncan\\n00:17:35\\nReads \\\"The Law\\\" [from Roots and Branches].\\n \\nRobert Duncan\\n00:23:27\\nWhen Adams [https://www.wikidata.org/wiki/Q11806] said, “the which”, meaning, he said, \\\"Democracy, the which requires the continual exercise of virtue beyond the reach of human infirmity, even in its best estate\\\" he was writing to Jefferson and talking about something that was absolutely necessary, he did not mean that we could escape from what required what was impossible. We had to live in the impossible, which is where I found myself entirely in concord with certainly a poet understands what it is to live in the impossible. He speaks in the first place in a voice which is impossible for himself to speak in, and before which he must always be a flunk out and in some sense, a political- a poetical failure in relation to what everywhere's own poetics is to point out what is necessary. Let me in relation to the law again, read the opening of a poem that I will be later be reading entire, but I want to bring it in context with these poems and the law, and close it with a John Adams that I discovered only a passage of John Adams that I discovered for myself, only about what, it's two or three years ago, two years ago. \\\"Reading on Myth\\\", this was from a book called I think it's called 18th Century Against the Gods, or confronts--The 18th Century Confronts the Gods and the chapter on John Adams's mythology was a fascinating chapter, and this passage of the poem is built up entirely with no interpolations at all of--it's built up to the place where I cease to read it, with no interpolations at all of passages of the marginalia that John Adams writes in an Encyclopedia of Mythology.\\n \\nRobert Duncan\\n00:25:32\\nReads [\\\"John Adams’s Marginalia...\\\"].\\n \\nRobert Duncan\\n00:26:53\\nMove back to another early poem in The Opening of the Field that was formative to, throughout my work and the last I guess it must be, each one of these is about three, this is the last ten years. The Field began in 1956, so it must be the last 14 years. And this poem is written in 1956. Take my coat off. In articulating the line, we were opening up- Pound had very early said [unintelligible] by the musical phrase and as I said, since his phrases were identical with syntactic utterances, with sentence utterances, the phrase is- the phrase is simpler than the phrases we use, where often they are enjambed, where often they disturb the meaning of the sentence and suspend elements so that they operate in various parts we did not want what was called an ambiguity by Mr. [Adams (?)], we wanted a multi-phasic area of meanings which is something very different. We wanted all parts to operate within all other parts. And I think this is a crucial difference from what let's say fascinated the metaphysicals of the post-Eliot [https://www.wikidata.org/wiki/Q37767] period in their idea of ambiguities. We wanted one meaning operating within another meaning and they wanted one meaning secretly giving another meaning, I may have such things too, but I mean it's a very different feeling for us. Certainly they did not have to come to articulate as we did, and with these poems, when I get to, as you'll see in passages, when I get into rhythmic articulations where only my body is intelligent enough to keep them, so I have to throw them back into my hands and to my body, a dance can carry them and a dance is really in a sense, the poem in which I moved straight forward and realized how un-literary this was and not exactly song either, and that this dance centre was going to be for whole sections of poems. So, there's a key poem.\\n\\nRobert Duncan\\n00:29:27\\nReads \\\"The Dance\\\" [from The Opening of the Field].\\n\\nUnknown\\n00:31:32\\n[Cut or edit made in tape. Unknown amount of time elapsed]. \\n\\nRobert Duncan\\n00:31:33\\nResumes reading \\\"The Dance\\\" [from The Opening of the Field].\\n \\nRobert Duncan\\n00:32:09.\\nSomeone said this evening I probably wouldn't read The Pindar poems, I will. Oh let me sing a song for you, songs, I have a couple of songs that are in books. Songs for me are not that quaint form that, a few of them are like the night nurse's songs, the song the night nurse sang. But a song of the old order and some of the other songs are actual songs, that means when I was writing them, a tune came. And they had only one voice to be in, mine, and we could even say unhappily, but there they were. And startled I was when, this is I think, one of the first songs that came that really belonged in a book of poetry. I had early had some songs in Faust Foutu in a sort of a long play that would never get performed in my mind so I was able to whatever I wanted to in it, and- which is a great kind of play to write, because you don't have to worry about anyone else solving any problems, you can name it, they can be on the moon, or whatever, have no stage dimension problems, but also of course I had no song dimension problems but when I wrote this song, \\\"Gee, I know I'm going to have to get up and sing it\\\", well of course now you'll get away with it because how rare you'd hear a poet's voice, unless a poet's already like your happy rock-n-roll singer, which I ain't as you will hear. My idea of song is exceedingly primitive indeed, my impression is very, I think you will hear it in this song, it comes from a brief period in which to much the horror of my theosophical parents, but because we were living in a small town and all your friends went to a Sunday School, I went for several years to a Methodist Sunday school and somebody along the line gave me the hint that hymns would come out much better if I just moved my mouth and didn't join in, happily, the lovely music that was going on and so of course I always wanted to write a hymn and there's something in the Methodist hymnal for sure in the song I'm going to sing. \\\"A Song of the Old Order\\\". It's not strictly Methodist in theology, but I meant that it's something of the Methodist hymn. However, I will sing also, by following another song that is certainly Calvinist [https://www.wikidata.org/wiki/Q101849], it's a Halloween song, and like only the scotch can possibly dig out of there- the Calvinist counter hymnal.\\n \\nRobert Duncan\\n00:34:52\\nSings \\\"A Song of the Old Order\\\" [from The Opening of the Field].\\n \\nRobert Duncan\\n00:38:05\\nThat was considerably higher than I've ever tried to do it before. [Audience laughter]. But, like a poem, when you're writing it, when you're in it, you're in for it. You can't re-model it to something you think you might get through with. So I will now do the Pindar poem. That somewhat determines what long poem we're going to do. And since this is the first time I've read here in Montreal, some other places I read, I try and give them new stuff, but I take it outside of some tapes that might be available, you haven't really heard these poems. And this will be the last one from The Opening of the Field. I'll pick up a couple from Roots and Branches and then I will be reading from the current, the Bending the Bow and then after the break I'll read some of the new poems that I've written since Bending the Bow. [Take off Biney's Law (?).] No, this is not the beginning of a Ginsberg [https://www.wikidata.org/wiki/Q6711] round [laughter.] \\\"Beginning with a Line by Pindar\\\", I am ending up with an exhibition by Ginsberg, [laughter.] We've gotten so [unintelligible] in San Francisco [https://www.wikidata.org/wiki/Q62] since all barriers of all kinds were down you really couldn't compete with the show, so you've got, I mean what to do. Common, ordinary people are just left out, you've got to be somebody extraordinary now to [audience laughter], and poetry has to be my extraordinary thing. Believe me, the rest of me is just me. \\\"A Poem Beginning with a Line by Pindar\\\".\\n\\nRobert Duncan\\n00:40:17\\nReads \\\"A Poem Beginning with a Line by Pindar\\\" [from The Opening of the Field].\\n \\nRobert Duncan\\n00:54:15\\nI'll read two poems from--that were requested from Roots and Branches.\\n \\nRobert Duncan\\n00:54:30\\nReads [\\\"Risk”] from Roots and Branches.\\n \\nRobert Duncan\\n00:59:22\\nThe other poem I will read from Roots and Branches is \\\"The Continent\\\". My poetic thought continuously arises from the ground of my happy and, believe me, wildly misunderstanding readings of contemporary science. And the one real poetic source I have is not a literary magazine but Scientific American [https://www.wikidata.org/wiki/Q39379] which I avidly read. So I'm more likely to be studying language than I am to be studying poems and more likely to be studying the world, than I am to be- well, I can't say that, language and the world get even treatment. The poem \\\"The Continent\\\" came from the re-assertion that has come in recent years of evidence which has rebuilt the picture of the continental drift. And I was happy at the coordinates to find that Charles Olson [https://www.wikidata.org/wiki/Q922978], who also ransacks the same magazine, but does not have the same misunderstandings of the magazine by any means, we have quite a, we sometimes come to [loggerheads (?) ] in our very positively taken misunderstandings of what is. He also had built sections of “Maximus [Poems]” on the continental drift. I love puns of course right away, and so does he, and if you get my drift in poetry, you will see something of what is revealed when we begin to get the drift of those continents and the fittingness of poetry is of course the logic whereby we identify that the continents originally fitted together and identified the sequence of things that happened. They do fit together, but they must have- I mean, the universe- the Neo-plateness, [unintelligible], well no, it isn't a neo-plate, well, it's a near neo-plate, and it's [unintelligible] Judas [https://www.wikidata.org/wiki/Q81018] refers to the masterpiece which is the Universe, that's the only masterpiece and the rest of us compose masterpieces because we are children of the universe, although we may not recognize that that's what we are doing. Some of us don't have entire respect for what we belong to. \\\"The Continent\\\".\\n \\nRobert Duncan\\n01:01:49\\nReads \\\"The Continent\\\" from Roots and Branches.\\n \\nUnknown\\n01:03:39\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n\\nRobert Duncan\\n01:03:40\\nResumes reading \\\"The Continent\\\" from Roots and Branches.\\n\\nRobert Duncan\\n01:06:16\\n[Unintelligible] break in tone I'll sing that song I mentioned, the second one that comes from a Calvinist anti-hymnal. It's a song from my Halloween masque. And it's “A Country Wife’s Song”, the country husband is lying in bed, snoring away and the wife rises silently, puts a stick in the bed and a stone on the pillow and sings the following song.\\n \\nRobert Duncan\\n01:07:50\\nPerforms “A Country Wife’s Song” [from Roots and Branches].\\n \\nRobert Duncan\\n01:09:38\\nWe seem to be close to 10:30 so I'm going to just--I won't read--well, I'd like to read one passage before the intermission and I would also like to read the poem \\\"Epilogos\\\", then we'll have a break, I would suggest about 10 minutes and I will then read in the second part, I will be reading from \\\"Passages\\\", well let me add one more poem to this first part because I want to give you a sample of what I've been--so there will be one \\\"Passages\\\", so those of you with great relief run out into the world will at least have been subject to something of what \\\"Passages\\\" is like, and I will read \\\"Epilogos\\\" and then I will read one of the poems that I have written, post-Bending the Bow and then you will have a sample of everything and you won't be missing a thing if you don't stay for the second part. [Audience laughter]. Okay, well a few things, but you might be missing them anyway.\\n \\nRobert Duncan\\n01:10:39\\nReads \\\"Transgressing the Real, Passages 27\\\" [from Bending the Bow].\\n \\nRobert Duncan\\n01:14:14\\nReads \\\"Epilogos\\\" [from Bending the Bow].\\n\\nRobert Duncan\\n01:20:57\\nNow the one poem from, poetry I've written since then, a poem called \\\"Achilles' Song\\\". One note before I read it, the island that we would ordinarily in American call ‘Leuke’ a [unintelligible], like in Leukemia--leuke. In Greek would be ‘Lay-okay’ and so I was very alarmed indeed when in this poem, as I was writing it came out ‘Loy-kay’ and it took me quite some time of sheer stage fright and horror at the mis-pronunciation recall the ‘Lauke’ in German is the [unintelligible] and so forth in German, and that I have had for years now, for some years now a tape of H.D. [https://www.wikidata.org/wiki/Q236469] reading from her \\\"Helen in Egypt\\\", a poem which is really the mother poem of this poem, and not too much hidden in the poem, for those who know of  my closeness to H.D. who was certainly a surrogate mother for me. Thetis of the poem would certainly be the poetess H.D. and in that tape, H.D. who had lived for most of her life from the 20's on in Switzerland, uses the German pronunciation throughout, ‘Aloike’ and that's how I heard it in association with this poem. So I've finally recognized where it came from but it's an example of the fact that you cannot correct things in poems because it's sewn into a rhyme and absolutely belongs in the music here. Play it differently--I mean, it's what fits a poem not what fits some other system outside the poem that the poem must adhere to. Okay, \\\"Achilles' Song\\\".\\n \\nRobert Duncan\\n01:22:44 \\nReads \\\"Achilles' Song\\\".\\n\\nUnknown\\n01:25:05\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n\\nAudience\\n01:25:06\\nApplause.\\n\\nRobert Duncan\\n01:25:16\\nSo we'll take a break of ten minutes and then I'm going to read a rather short section because we're almost at 11 and that would seem, I want to read as many, something like four passages to give you of a feeling of moving through that and that would give you something like Passages are like.\\n\\nUnknown\\n01:25:44\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n\\nRobert Duncan\\n01:25:45\\nTwo aspects of the art, seem particularly mysteries to me as I've been working at the art of poetry since I was 19 and it's now 30 years. In relation to that thing we call rhyme, meter and so forth, I have come to think more and more that it's ratios and numbers that may be the heart of the matter. And at the same time as I begin to feel that at the heart of the matter, as one begins to, as one does with mysteries, be fearful about approaching the question. Some years ago, two years ago or so, with the poet Zukofsky [https://www.wikidata.org/wiki/Q975481], who knows much more than I do of the art, and performs really awesomely in it, I said it had begun, I said \\\"Zuk,” I said, “I had begun to feel that it isn't a question about syllables or stresses and so forth, it's a question of numbers\\\". And he said \\\"Yes, I've decided by now I ought to, certainly if I don't know syllables and stresses and so forth, by now, I mean know them only in my hand, I certainly shouldn't be thinking about them. And I am now only dealing with 8's. All of these lines are 8's, straight through. I have not yet really phased the initiations of the question of numbers but I know that this is central as one moves into the period of working in the art that I'm in.\\\" The other thing, and that is that I have indicated it earlier, is that the nature of the time of the art is increasingly mysterious, the one thing I'm sure of it cannot be, positive absolutely defined in one area, for a long time I was doing happily enough with the formula that Christians made for themselves of time and eternity and their term of eternity which is the very present moment of any work of art and is also of course somehow containing the ensemble of all of the things created must also be like that time that physics talks about. That makes them puzzle why in the world our own time goes from a thing we call the past to the future. Whitehead [https://www.wikidata.org/wiki/Q183372] solves it in Process and Reality by suggesting that we create, in every moment that we live a past and a future, and we live in a history consequently because that's what we create what we are, is pastness and future, and sum it up in a material, that is still persuasive. But a mystery is when none of the answers are answers and as long as they're not answers the artist has them as really, forces that move as art. Now I make this remark because, well I said something about chronologies I, in the past I have not read these two poems as they appear in the book, in readings, but I want to read them today and I'm going to just underline the transition I want you to see and share with me at this point. I arranged, for all that what I've said about chronologies, I arranged the poems in my volumes chronologically and largely because it seems to me a mystery as they go and the rhymes appear from one to the other, and one poem will be an announcement of a succeeding poem or themes will flow out of it. The one I'm going to read first is not a “Passages\\\" it's called \\\"Reflections\\\" and at the close, and as a theme of it, you will find the old man, who is as a matter of fact, I structure rhyme preceding it had a fire master appearing, who seems very close indeed to the master of fire, and the poem that came next, it may have been in a couple of weeks of so, this was a very productive period, concludes with a figure of an old man tuning a drum between a bowl of fire and a bowl of water, and it was followed by a \\\"Passages\\\" which is called \\\"The Fire\\\", and from it we can learn that the fire that you see in \\\"Passages\\\" which is catastrophic, and is held in a polarity with an ideogram with the natural world, that that which may have indeed be--is indeed a bowl of water, as you will see, I mean it's a stream of water that the fire is composed between a world of water and its own world of fire, but that fire that looks like a catastrophe you will find is the creative fire--if you go under \\\"Reflections\\\" and let the reflections that came first reflect into the poem following. Now these are things that you realize afterwards, in your own chronology. I am one of those poets who has the characteristic I find in my study of Whitman [https://www.wikidata.org/wiki/Q81438] in the last three years that Whitman certainly was another poet who studied himself all the time. We have a great prohibition in our contemporary world against studying yourself, but I am not short on the world of ego, so I'm not really very disturbed about the fact that I study myself in the poetry. But the one thing I search to find is not something we would ordinarily call ourselves, I study the poet, the thing that the poems are creating in order for them to come into being. That I can sharply distinguish from myself. As sharply as you can do it, it takes office, the idea of office, and this again I got from my Medieval Studies. Okay, I'm going to read \\\"Reflections\\\" and then I'm going to read \\\"The Fire\\\" and then I will, the poems I will be reading from then on will be \\\"Passages\\\", \\\"Fire\\\" is one of \\\"Passages\\\". And \\\"Passages\\\" is as I explained, an open form that exists in these other universe of time, of something, like, you call eternity.\\n \\nRobert Duncan\\n01:32:07\\nReads \\\"Reflections\\\" [from Bending the Bow].\\n \\nEND\\n01:34:38\\n\",\"notes\":\"Robert Duncan reads from The Opening of the Field (Grove Press, 1960), Roots and Branches (New Directions, 1964), and Bending the Bow (New Directions, 1968).\\n\\nI006-11-096.1=AC.1\\n\\n00:00- George Bowering introduces Robert Duncan [INDEX: M.L. Rosenthall, Warren Tallman [sp?], The Reporter, experimental poetry]\\n00:44- Robert Duncan speaks about his poetry, introduces reading. [INDEX: Ezra Pound’s       \\t“Pisan Cantos”, William Carlos William’s “Paterson” and other poetry, impact of the   \\tmodernist tradition, natural speech, syntactic utterances, enjambment in the line, collage,      \\tAmerican Painting, The Opening of the Field, voice, Robert Creeley, form of content,      \\tincarnation of Christ,  Greek and French languages, Igor Stravinsky, Middle English]\\n07:46- Reads “The Law I Love is Major Mover” from The Opening of the Field [all poems to   follow are from this book]\\n10:44- Introduces “The Structure of Rime XIII”. [INDEX: Medieval Historian teaching at         \\tUniversity of California, World War refugee Professors migrating from Europe, Princeton         \\tInstitute for Advanced Learning, Medieval Law, discovery of laws, open construct poem,         \\tchronological time]\\n14:29- Reads “The Structure of Rime XIII”\\n16:59- Introduces “The Law”\\n17:35- Reads “The Law”\\n23:27- Introduces first line “John Adams Marginalia...” [INDEX: John Adams, Democracy, \\tThomas Jefferson, The 18th Century Confronts the Gods by Frank E. Manuel, Encyclopedia of Mythology]\\n25:32- Reads first line “John Adams Marginalia...”\\n25:53- Introduces “The Dance” and discusses his poetry [INDEX: The Opening of the Field,   \\tEzra Pound, phrases and lines, enjambments, disturb meaning of sentences, multi-phasic      \\tarea of meanings, Mr. Adamson [?], metaphysics of the post-Eliot period, rhythmic      \\tarticulations, dance]\\n29:27- Reads “The Dance” [recording is cut and then resumes at 31:33.90]\\n32:09- Introduces “A Song of the Old Order” [INDEX: Songs, process of writing songs, Faust Foutu An Entertainment in Four parts (play), Methodist Sunday School, Methodist   hymnal, Calvinist counter hymnal]\\n34:52- Sings “A Song of the Old Order”\\n38:05- Introduces “A Poem Beginning with the Line by Pindar”, outlines the rest of the       \\treading. [INDEX: Roots and Branches, Bending the Bow, new poems, Allen Ginsberg    \\t‘show’, San Francisco]\\n40:17- Reads “A Poem Beginning with the Line by Pindar”\\n54:15.78- END OF RECORDING\\n \\nI006-11-096.1=AC.2\\n \\n00:00- Robert Duncan introduces “Risk” [INDEX:Roots and Branches]\\n00:14- Reads first line “Risk”\\n05:06- Introduces “The Continent” [INDEX: poetry from contemporary science, Scientific     \\tAmerican magazine, continental drift, Charles Olson, The Maximus Poems, neo-plates]\\n07:33- Reads “The Continent”\\n12:00- Introduces “Song”\\n12:49- Sings “Song”\\n15:22- Introduces series of poems [INDEX: “Epilogos”, Of the War: Passages 22-27,   \\tBending the Bow]\\n16:23- Reads “Transgressing the Real”\\n19:58- Reads “Epilogos”\\n26:41- Introduces “Achilles' Song” [INDEX: mispronunciation of Greek Island Leuke, H.D.   \\treading “Helen in Egypt”, Switzerland, German]\\n28:28- Reads “Achilles' Song”\\n31:00- Introduces poems read after the break\\n31:29- Introduces “Reflections” and talks about his poetry [INDEX: Rhyme, meter, ratios and    numbers, Louis Zukofsky, time and eternity, Alfred North Whitehead’s Process and Reality, chronology, Of the War: Passages 22-27, “The Fire”, “Reflections”]\\n37:51- Reads “Reflections”\\n40:23.12- END OF RECORDING\\n\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/robert-duncan-at-sgwu-1970/#1\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/robert_duncan_i006-11-096-2.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"robert_duncan_i006-11-096-2.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:40:06\",\"precision\":\"\",\"size\":\"96.3 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"robert_duncan_i006-11-096-2.mp3 [File 2 of 2] \\n\\nRobert Duncan\\n00:00:00\\nReads [“The Fire, Passages 13 from Bending the Bow; recording begins abruptly].\\n \\nUnknown\\n00:13:11\\n[Cut or edit made in tape. Unknown amount of time elapsed]. \\n\\nRobert Duncan\\n00:13:12\\n...beginning with a poem called \\\"Soldiers\\\", a poem in which, um, let's see, right, some lines of Victor Hugo [https://www.wikidata.org/wiki/Q535] enter, I decided I should, well, I guess, lets see, no I don't want to read too late, and soldiers is rather long again, so I want- certain themes that are moving in \\\"Soldiers\\\" will reappear. In \\\"Soldiers\\\", a recurring line was one from a poem of Victor Hugo's, \\\"Dieu dans [unintelligible] reve\\\", which is a line really quite in tune with my own poetics, \\\"God, oh creator the- or the creator for us too in oneself whose dream, whose work goes much further than our dreams\\\" and so it's combined with a scene that's Vietnam and it's combined in the Soldiers with the theme of the recognition that in some mystery of that work that goes further than our dreams the soldiers in Vietnam most of them, have just there, and they're 19 or 18 and so forth, they have only there in which to make their lives. And they have only there in which to, to take their souls in the war, as the followers of Orpheus take soul in the poem. The wood to take fire from that dirty flame. A recognition that that is their field in which they must reach life's epiphany and its thing. And the line of Victor Hugo carried me forward to and returned me to grand themes of Victor Hugo's but it also took me back to Vietnam [https://www.wikidata.org/wiki/Q881] and I wanted to give, before I read \\\"The Kao Dai\\\" a little sketch of that. There's a theme of Victor Hugo, by the way, of the fall of Lucifer [https://www.wikidata.org/wiki/Q185498] in which, Lucifer's falling into his own denial of God and in falling he opens the univ- creation, and but in his falling a feather breaks loose from his wings and is floating mid-air, and the sight of God descending falls upon the feather and it becomes light and it turns into an angel and that angel is Liberty and that angel's entire message is to transform the rage and wrathful light that had fallen upon it into the reunion and resurrection of Satan, but of course both Satan and God must be called from their wrath, to reconciliation, so this angel, Liberty and Freedom is also the angel of reconciliation and Victor Hugo knew that also there must be some explanation for the fact that the desire and yearning for freedom and liberty has always been wrathful. Blake [https://www.wikidata.org/wiki/Q41513] is puzzled by the same thing and I think that today, when all over the world, not only in Canada [https://www.wikidata.org/wiki/Q16], but in the United States [https://www.wikidata.org/wiki/Q30], and in China [https://www.wikidata.org/wiki/Q29520], and Yugoslavia [https://www.wikidata.org/wiki/Q36704] and Russia [https://www.wikidata.org/wiki/Q159] the wrath of Liberty is rising and it is the wrath of God against the civilization to its very roots which we know in our hearts are Godless. But that wrath must be reconciled, because it is itself that it's rising against and there's some mystery in this, so my poetry has begun to take up the figure of that angel and the angel comes into it. Now, in Vietnam, one of the strongest forces in the Viet Cong, not a communist group but a religious group, the Cao Dai [https://www.wikidata.org/wiki/Q470364] and in order to read more in deeper into the Cao Dai, I wisely, I think, went back to sources to the early thirties before Vietnam was quite the cause it is today, and found this story and it came quite in line with my kooky family and my own poetry because it was at a medium's table in 1925 on Christmas Eve, when Christ descended and speaking in French, as I usually put it when I read my, something worse than American French, a French man would feel that that was blasphemy, but I'm after all repeating Christ's words in his own voice so that might be more serious yet that that voice was being attempted. Christ came into the medium and renounced in my birth day for the spirit is descending upon Vietnam and when we remember what happened to the very first generation of Christians who were burned in rows as torches, what the promise of Christ meant to his immediate blessing, the powers of martyrdom. The promise of Christ in 1925 was amply fulfilled to his new disciples. So amply, as a matter of fact, the Cao Dai had more than come to my mind, because the cathedral town of Cao Dai, which is [unintelligible] indeed exactly like a Catholic nunnery or convent, or a Buddhist nunnery or convent is Communist, is the province of Tay Ninh [https://www.wikidata.org/wiki/Q36608], and the Cathedral city of Tay Ninh, now it is been repeated over and over in American papers that when those planes were returning for missions in North Vietnam and hadn't dumped their missions, you're not supposed to return any bombs, you gotta dump them somewhere, so they'd dump them on Tay Ninh, you'd just go over the side and dump them on Tay Ninh, because this particular religious group was stubborn indeed in its inherences. Now, also interesting to me was this particular religious group had as its patron Saint Victor Hugo, and the first place that the French are, that the Vietnamese have French as their deepest religious and literary language and so Christ talked in French so Victor Hugo gave the whole line, it's Victor Hugo's Christ who talked to them at the medium tables in French, and they of course had their medium tables in the line of the tradition of Victor Hugo's own medium tables in the Isle of Jersey. So Victor Hugo becomes patron saint for these passages. In the passage, by the way, a passage called \\\"Orders\\\" and I will read a passage from it in which I am actually translating from Victor Hugo quite directly but it's a very long poem and keeping in tune with that master of the sublime is very difficult for us in the modern period. Here we are, the passage, wait a minute, it isn't in that poem, I always think it's in \\\"Orders\\\", but it's actually in place of a passage 22, that has the passage with Victor Hugo. I have been working on it for years, and it's mainly trying to keep in tune, I go over and over and over it again and then I find it very difficult to deal with 19th century poetry. But this is a passage straight translation, as literal as I could from Victor Hugo, but really, massive poem.\\n \\nRobert Duncan\\n00:21:11\\nReads \\\"The Soldiers\\\" [from Bending the Bow].\\n \\nRobert Duncan\\n00:22:14\\nCharming little poem called the \\\"Twentieth Century\\\", in case you want to know where we are.\\n \\nRobert Duncan\\n00:22:22\\nReads \\\"Twentieth Century\\\" [published as “The Light, Passages 28” in Bending the Bow].\\n \\nRobert Duncan\\n00:30:27\\nI'll close with \\\"Stage Directions\\\".\\n \\nUnknown\\n00:30:32\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n\\nRobert Duncan\\n00:30:33\\nReads [“Stage Directions, Passages 30” from Bending the Bow; begins mid-poem].\\n \\nAudience\\n00:37:53\\nApplause.\\n \\nRobert Duncan\\n00:38:12\\nI'll add one more poem which has not been read aloud except at home today, this is one--I hope I've got the right note--this is a \\\"Structure of Rime\\\" that was composed on April Fool's day but it doesn't mean it isn't serious, I mean April 1st.\\n \\nRobert Duncan\\n00:38:32\\nReads \\\"Structure of Rime\\\" [unnumbered].\\n \\nAudience\\n00:39:54\\nApplause.\\n \\nEND\\n00:40:06\\n\",\"notes\":\"Robert Duncan reads from The Opening of the Field (Grove Press, 1960), Roots and Branches (New Directions, 1964), and Bending the Bow (New Directions, 1968).\\n\\n00:00- Recording starts mid-sentence, reading “The Fire”\\n13:12- Introduces “Soldiers” [INDEX: lines by Victor Hugo, Vietnam, Orpheus, “The Kao Dai”,        Lucifer, Satan and God, Liberty and Freedom, William Blake, Canada, U.S., China,     Yugoslavia, Russia, Viet Cong, Province of Tay Ninh, U.S. dumping bombs, Isle of Jersey, passage “Orders”]\\n21:11- Reads “Soldiers”\\n22:14- Introduces “Twentieth Century”\\n22:22- Reads “Twentieth Century”\\n30:27- Reads “Stage Directions”\\n38:12- Introduces “Structure of Rime”, first line “Away from the green fist of the sleeping     \\tchild”\\n38:32- Reads “Structure of Rime”, first line “Away from the green fist of the sleeping child”\\n40:06.70- END OF TRANSCRIPT\\n \\n1.  “The Law I Love” from the “Opening of the Seal”\\nPlease note that the Howard Fink list states the reading took place in “Spring 1970”, while the interview states another (perhaps separate) reading took place on April 19, 1969.\\n\\n2 reels: 30 min 3 3/4ips, 1/4” 5” reel\\n60 min 3 3/4 ips, 1/4” 7”reel\\nPopped strands in tape 1\\n\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/robert-duncan-at-sgwu-1970/#2\"}]"],"score":0.01643844},{"id":"1279","cataloger_name":["Masoumeh,Zaare"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Jerome Rothenberg at Sir George Williams University, The Poetry Series, 17 October 1969"],"item_title_source":["Cataloguer"],"item_title_note":["\"JEROME ROTHENBERG Recorded October 16, 1969 3.75 ips, 1/2 track on 1 mil. tape 43 minutes\" written on sticker on the back of the tape's box. \"JEROME ROTHENBERG I006/SR95\" written on sticker on the spine of the tape's box. \"I006-11-095\" written on sticker on the reel"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 4"],"item_identifiers":["[]"],"creator_names":["Rothenberg, Jerome"],"creator_names_search":["Rothenberg, Jerome"],"creators":["[{\"url\":\"http://viaf.org/viaf/109302361\",\"name\":\"Rothenberg, Jerome\",\"dates\":\"1931-\",\"notes\":\"American poet, teacher, translator, performance artist and editor Jerome Rothenberg was born in New York City in 1931. He received his B.A. in 1952 from the City College of New York and his M.A. in 1953 from the University of Michigan. Directly after graduation, Rothenberg enrolled in the military and served until 1955. He then worked on additional graduate work at Columbia University from 1956-1959. Rothenberg’s first collection of poetry, White Sun Black Sun (1960) was published through the small press Hawk’s Well Press, which he founded in 1958 to promote the works of young poets. He also edited the magazine Poems from a Floating World which ran from 1959-1964. At that time, Rothenberg began a long and influential career as a teacher of both Literature and Visual Arts; he worked at the City College of New York (1960-61), the Mannes College of Music (1961-1970), the University of California, San Diego (1971), and at the New School for Social Research (1971-72). Along with his poetry, Rothenberg translated the works of German postwar poets Paul Celan, Gunter Grass and Ingeborg Bachman; the translations influenced many of the poets of the Beat movement. Rothenberg then published his own poetry in The Seven Hells of the Jigoku Zoshi (Trobar, 1962), Sightings (Hawk’s Well, 1964), The Gorky Poems (El Corno Emplumado, 1966), Between: 1960-1963 (Fulcrum, 1967), Poland/1931, Part I (Unicorn Press, 1969), Poems for the Game of Silence (Dial, 1970), Seneca Journal, Midwinter (Singing Bone, 1975) and his popular anthology Shaking the Pumpkin: Traditional Poetry of the Indian North Americas (Doubleday, 1972). Rothenberg then taught at the University of Wisconsin (1974-77), the University of California, San Diego (1977-85), the State University of New York (SUNY) at Albany in 1986 and at Binghamton from 1986-1988, and finally at the University of California, San Diego. More of his poetry collections include Narratives and Realtheater Pieces (Braad, 1978), Poems for the Society of the Mystic Animals (Tetrad, 1979), Abulafia’s Circles (Membrane, 1979), Vienna Blood (New Directions, 1983), Altar Piece (Station Hill, 1982), That Dada Strain (New Directions, 1983), Khurbn & Other Poems (New Directions, 1989), Lorca Variations (New Directions, 1993) which won the PEN Oakland Josephine Miles Literary Award in 1994, Seedings (New Directions, 1996) and A Paradise of Poets (New Directions, 1999). Rothenberg has won, among many other honors, the Wenner-Gren Foundation for Anthropological Research grant in 1968, fellowships fro the Guggenheim Foundation in 1974 and the National Endowment for the Arts in 1976. His first collection of essays on poetics, Pre-Faces (New Directions, 1982) won the American Book Award that same year. Rothenberg continues to teach in the Visual Arts and Literature Departments, as a Professor Emeritus at the University of California at San Diego.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Performer\"]}]"],"performer_name":["Bowering, George"],"Series_organizer_name":["Bowering, George"],"Performance_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"Half-track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"Dates":["[{\"date\":\"1969 10 17\",\"type\":\"Performance Date\",\"notes\":\"Date written on sticker on the back of the tape's box.\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Room H-651\",\"notes\":\"Location specified in written announcement \\\"Poetry Four: Sir George Williams Poetry Series\\\"\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Room H-651"],"City":["Montreal, Quebec"],"content_notes":["Jerome Rothenberg reads poems published later in Shaking the Pumpkin (Doubleday, 1972) and from Poland/1931 (Unicorn Press, 1969)."],"contents":["jerome_rothenberg_i006-11-095.mp3\n\nGeorge Bowering\n00:00:00\nI'm glad we got this room. Welcome back to the first night of the fourth year of our series. And for those of you who are here for the first time, welcome you too. I'm really glad that we could start off with Jerome Rothenberg [https://www.wikidata.org/wiki/Q1775056], especially from my own personal viewpoint, because while Jerome Rothenberg is one of the names that I've paid a lot of attention to, and one of the names that poets have paid attention to over the last decade, this'll be the first time that I've been able to hear him read, too. Usually when, often when us people from the West think about the new American poetry, we tend to think of it in terms of people from outposts such as New Mexico [https://www.wikidata.org/wiki/Q1522], and Utah, [https://www.wikidata.org/wiki/Q829] and San Francisco [https://www.wikidata.org/wiki/Q62], and so on. And we forget that New York City [https://www.wikidata.org/wiki/Q60] is one of the centre-place, central-places, so that it can produce poets such as Joel Oppenheimer [https://www.wikidata.org/wiki/Q6213806] who will be here in the following spring, and Paul Blackburn [https://www.wikidata.org/wiki/Q7149388], who was here a couple of years ago. Jerome Rothenberg has always been the centre, in the centre of that scene, and not only as one of the principal poets, but as editor, and publisher, and so on and so forth, especially with a very important magazine of the 1960's called some--oblique thing [some/thing]. And he's especially interesting to me too because of the kind of work that produced a book such as Technicians of the Sacred, a compilation of the poetries from various oral traditions around the world, and a similar sort of impulse has always been at the centre of his work too. I'd also like to correct a mistake on the little printed page that wasn't really mine, that I picked up from somewhere else and couldn't quite believe myself, that said that Jerome Rothenberg was born in 1921. All I can say is that he was born sometime between the death of Lord Byron [https://www.wikidata.org/wiki/Q5679] and now. [Laughter]. But I'm pretty certain that he wasn't around in 1921. So I'd like you to give a welcome to Jerome Rothenberg.\n \nAudience\n00:02:53\nApplause.\n \nJerome Rothenberg\n00:02:58\nThe birthdate'll come clearer in the second part of the reading. I'll read in two parts. And in the first set, what I'll be reading are translations and re-workings of American Indian poetry, which have been important to me over the last five or six years. And I'll start with some which are based on earlier translations, re-workings of material previously translated, and then as I get into it, some translations that result from direct contact and direct experience of American Indian poetry. This is an Aztec poem. The first four or five, six poems will be Aztec or Mexican in origin, and the theme will be flowers.  \"Offering Flowers\".\n \nJerome Rothenberg\n00:04:24\nReads \"Offering Flowers\" [from Technicians of the Sacred].\n \nJerome Rothenberg\n00:07:37\nThis is Aztec, too, in origin, translated through the Spanish.\n \nJerome Rothenberg\n00:07:52\nReads “A Song of Chalco” [published later in Shaking the Pumpkin].\n \nJerome Rothenberg\n00:09:53\nAnd it doesn't die out, even with the destruction that follows, and flowers are picked up again, this in a series of translations, again through the Spanish, of a series of Peyote songs, from the Huichol Indians of central Mexico [https://www.wikidata.org/wiki/Q96]. The name Wirikuta [https://www.wikidata.org/wiki/Q8026952] is the name given to the place of the gods, and the spiritual place of the Peyote. The Peyote is described as the rose, it's described as the corn, the maize, it's described under a number of images, and through the figure, the mythological figure of one called the Blue Stag. This is the first Huichol, Peyote song.\n \nJerome Rothenberg\n00:10:46\nReads “First Peyote Song” [published later in Shaking the Pumpkin].\n \nJerome Rothenberg\n00:11:46.19\n\"Song of an Initiate\".\n \nJerome Rothenberg\n00:11:51\nReads \"Song of an Initiate\" [published later in Shaking the Pumpkin].\n \nJerome Rothenberg\n00:12:25\nAnd this is a poem called \"How the Violin Was Born: A Peyote Account”.\n \nJerome Rothenberg\n00:12:35\nReads \"How the Violin was Born: A Peyote Account” [published later in Shaking the Pumpkin].\n \nJerome Rothenberg\n00:13:24\nThese are a few short Indian pieces. Not poems but part of what's connected with the whole activity of poetry, among the tribal peoples. Which is more than an activity of words; which goes beyond language. And these are the events that accompany the words. And the first is an Iroquois dream event. \n \nJerome Rothenberg\n00:13:58\nReads [\"Dream Event 1\", published later in Shaking the Pumpkin].\n \nJerome Rothenberg\n00:14:08\nThese are a series of vision events. The first two are Eskimo.\n \nJerome Rothenberg\n00:14:14\nReads \"Vision Event I\" [published later in Shaking the Pumpkin].\n\nJerome Rothenberg\n00:14:25\nReads \"Vision Event 2\" [published later in Shaking the Pumpkin].\n \nJerome Rothenberg\n00:14:39\nAnd this is a Sioux Indian vision event.\n \nJerome Rothenberg\n00:14:43\nReads \"Vision Event 3\" [published later in Shaking the Pumpkin].\n \nJerome Rothenberg\n00:15:01\nThis is a Kwakiutl Indian gift event. All the words are from Kwakiut'l Indians. It's either spoken in English or translated into English. The Kwakiut'l, like other Northwest Coast people, celebrate the potlatch, you know, which is not always terrible or distasteful in its consequences. This is benevolent gift-giving. \n \nJerome Rothenberg\n00:15:26\nReads \"Gift Event [2]\" [published later in Shaking the Pumpkin].\n \nJerome Rothenberg\n00:16:32\nThese are a series of seven Navajo animal songs. \n \nJerome Rothenberg\n00:16:42\nReads \"Navajo Animal Songs\" [published later in Shaking the Pumpkin].\n \nJerome Rothenberg\n00:17:49\nThe next few are from a series of translations I've been doing, are called, well, it's the Seneca Indian word for one of their major curing ceremonies, a term for a major curing ceremony, \"Shaking the Pumpkin\", because the pumpkin rattle, the big pumpkin rattle is the major instrument used in this. Or it's got a more ornate name, it's called \"The Society of the Mystic Animals\". The man, Richard Johnny John, Indian, who is working with me on this, explained it's a serious ceremony, he said, but if everything's alright, the one who says the prayer tells them, I leave it up to you, folks, and if you want to have a good time, have a good time. Well everything's alright in the translations, you know, so one eases up there. The translations are done trying to follow everything in the Seneca, including the meaning of the sounds, the hey-ya and the way-oh-hey, that are very common in Indian poetry. Basically the way I do it is to present them visually on the page, and I can't do this in reading them, so I'm just going to select out of these poems that read easily. The purpose is curing, and well-being. \n \nJerome Rothenberg\n00:19:34\nReads [\"Caw Caw the Crows Caw Caw\" published later in Shaking the Pumpkin].\n \nJerome Rothenberg\n00:19:49\nReads \"Two more about a crow, in the manner of Zukofsky\" [later published in Shaking the Pumpkin].\n \nJerome Rothenberg\n00:20:05\nThree poems about the owl, on the page, the vocables, the sounds, make the figure of an owl, even as in the singing of the song, the sound of the owl comes through. But here are just the words.\n \nJerome Rothenberg\n00:20:19\nReads \"The Owl: One\".\n \nJerome Rothenberg\n00:20:25\nReads \"The Owl: Two\".\n \nJerome Rothenberg\n00:20:32\nReads \"The Owl: Three\".\n \nJerome Rothenberg\n00:20:40\n\"A Song of My Song, In Three Parts”.\n \nJerome Rothenberg\n00:20:45\nReads \"A Song of My Song, In Three Parts\" [published later in Shaking the Pumpkin].\n \nJerome Rothenberg\n00:20:59\nReads “Three Ways to Screw Up on Your Way to the Doings” [published later in Shaking the Pumpkin].\n \nJerome Rothenberg\n00:21:16\nBuckets are important, to bring back soup and...The last one from this series.\n \nJerome Rothenberg\n00:21:31\nReads “Where the Song Went Where She Went & What Happened When they Met” [published later in Shaking the Pumpkin].\n \nJerome Rothenberg\n00:22:15\nThe next are a little harder to do, but I hope I make it. The Senecas don't use many words. It's a kind of minimal poetry and the power is in the compression. The Navajos use more words, the poetry gets dense, and in addition they use many many non-verbal sounds. And in addition, they distort many of the words in the singing. So that if you translate just for the meaning, you're only getting a small part of what the Navajo is doing. And then in addition, everything is sung in the Navajo. So I began to translate a series called, because that's what they are, \"The Seventeen Horse Songs of Frank Mitchell\". Seventeen horse-blessing, horse-curing songs that were the property of a Navajo medicine man named Frank Mitchell. And the problem that came up for me, I couldn't translate just for meaning, I wanted to, you know, consider all of the factors that went into the poem. So I began to insert sounds corresponding to the sound of the English words as the Navajo had the meaning of the sounds, and to distort the words. And then it seemed to me that it was necessary to carry this further, to begin to sing the songs as well. Which came to me with great difficulty. But I've gotten through a number of them now, and what I'll do is sing one, the \"Tenth Horse Song of Frank Mitchell,\" and then do a tape for three voices of another one of the horse songs. You'll notice the words are rather similar from one to another, the melody changes. In this, and the Navajos of course would know this, the hero, Enemy-Slayer, has gone to the house of his father, the sun up there, to bring back horses for the people. And in this Tenth Horse Song, it's mostly the father, the sun, speaking, telling him to bring the horses back to the house of his mother, you know, who everybody understands to be Changing Woman. Bring it back to the earth. And sometimes the voice of Enemy-Slayer comes into it.  But the basic refrain is to \"go to the woman, go to her.\" \n \nJerome Rothenberg\n00:25:24\nPerforms \"Tenth Horse Song of Frank Mitchell\" [from The 17 Horse-Songs of Frank Mitchell]. \n \nAudience\n00:31:25\nApplause.\n \nJerome Rothenberg\n00:31:38\nThe next one, and I guess the last piece in the first set, is the \"Twelfth Horse Song of Frank Mitchell\". The melody changes. Some of the distortions change. The burden changes, and now Enemy-Slayer contemplates the horses coming back to earth with him, in the same sequence. This is done on tape, with three voices. I think that's about all there is to say about it. Three voices.\n \nJerome Rothenberg\n00:32:23\nPlays recording of \"Twelfth Horse Song of Frank Mitchell\", sung by three voices [from The 17 Horse-Songs of Frank Mitchell and published later in Shaking the Pumpkin].\n \nAudience\n00:39:42\nApplause.\n \nJerome Rothenberg\n00:39:48\nIn fact, let me end this set with a live poem, I don't want to end with a machine. This is another Aztec poem called \"The Flight of Quetzalcoatl\". The plumed serpent, bird-snake man. In which he discovers that he's become old, and leaves and goes on a long journey, and is reborn as the morning star.\n \nJerome Rothenberg\n00:40:39\nReads \"The Flight of Quetzalcoatl\" [later published in Shaking the Pumpkin].\n \nAudience\n00:47:17\nApplause. \n \nUnknown\n00:47:20\n[Cut or edit made in tape. Unknown amount of time elapsed].\n \nGeorge Bowering\n00:47:20\nOkay, we'll hold for about ten minutes, and open the doors and get cool, and then come back. \n \nUnknown\n00:47:27\n[Cut or edit made in tape. Unknown amount of time elapsed].\n \nJerome Rothenberg\n00:47:28\nThe second set will be a straight reading, whatever that means, from a long series of poems called \"Poland/1931\". A series of ancestral poems. So Poland [https://www.wikidata.org/wiki/Q36] is where the ancestors come from, for some number, hundreds of years. And that is Jewish Poland. And 1931, rather than 1921, is the year of my birth. And it's in a sense, though I don't keep to it too strictly, everything before that. To try to build up a world that I really don't know.\n \nJerome Rothenberg\n00:48:29\nReads \"Poland/1931: The Wedding\" [from Poland/1931].\n \nJerome Rothenberg\n00:50:46\nReads \"The King of the Jews\" [from Poland/1931].\n \nJerome Rothenberg\n00:51:52\nThe next one's called \"The Key of Solomon\". It's the name of a medieval, a series of medieval magical books that were supposed to go back to the times of Solomon [https://www.wikidata.org/wiki/Q37085]. \n \nJerome Rothenberg\n00:57:07\nReads \"The Key of Solomon\" [from Poland/1931].\n \nJerome Rothenberg\n00:53:42\n\"The Beadle's Testimony.\" Because beadles were a demon.\n \nJerome Rothenberg\n00:53:47\nReads \"The Beadle's Testimony\" [from Poland/1931].\n \nJerome Rothenberg\n00:54:53\nTwo poems called \"Soap\".\n \nJerome Rothenberg\n00:54:57\nReads \"Soap \" [from Poland/1931].\n \nJerome Rothenberg\n00:55:56\nReads \"Soap II” [from Poland/1931].\n \nJerome Rothenberg\n00:57:37\nReads \"The Rabbi's Testimony\" [from Poland/1931].\n \nJerome Rothenberg\n00:59:08\nReads \"The Connoisseur of Jews\" [from Poland/1931].\n \nJerome Rothenberg\n01:00:38\nReads \"The Beards\" [from Poland/1931].\n \nJerome Rothenberg\n01:03:32\nReads \"The Mothers I\" [from Poland/1931]. \n \nJerome Rothenberg\n01:04:08\nReads \"The Mothers II\" [from Poland/1931].\n \nJerome Rothenberg\n01:04:43\nReads \"The Mothers III\" [from Poland/1931].\n \nJerome Rothenberg\n01:05:19\nReads \"Milk & Honey I\" [from Poland/1931].\n \nJerome Rothenberg\n01:06:00\nReads \"Milk & Honey II\" [from Poland/1931].\n \nJerome Rothenberg\n01:06:31\nReads \"Ancestral Scenes\" [from Poland/1931].\n \nJerome Rothenberg\n01:07:09\nReads \"The Fathers\" [from Poland/1931].\n \nJerome Rothenberg\n01:09:10\nThis one is called \"Portrait of the Jew, Old Country Style\".\n \nJerome Rothenberg\n01:09:16\nReads \"Poland, 1931: Portrait of the Jew, Old Country Style\" [from Poland/1931].\n \nJerome Rothenberg\n01:11:51\nThis is a longer one, called \"The Student's Testimony\"\n \nJerome Rothenberg\n01:12:04\nReads \"The Student's Testimony\" [from Poland/1931].\n \nJerome Rothenberg\n01:17:49\nA somewhat shorter one, and then another long one, and then a quite short one and that's...that's it. \n \nJerome Rothenberg\n01:17:58\nReads \"The Brothers\" [from Poland/1931].\n \nJerome Rothenberg\n01:20:10\nReads \"The Steward's Testimony\" [from Poland/1931].\n\nAudience\n01:25:15\nLaughter and applause [faint].\n \nJerome Rothenberg\n01:25:20\nNow, I'll end it with, I'll end it with two poems. \"A Poem for the Christians\". It's partly to...[Audience laughter]...it's a found poem from the prayer book. But you can see where there are changes, you know. [Audience laughter].\n \nJerome Rothenberg\n01:25:42\nReads \"A Poem for the Christians\" [from Poland/1931].\n \nJerome Rothenberg\n01:26:45\nReads \"Fish and Paradise\".\n \nEND\n01:27:32\n[Cut off abruptly]."],"Note":["[{\"note\":\"Year-Specific Information:\\n\\nJerome Rothenberg published Poland/1931 (Unicorn Press, 1969) and The Directions (Tetrad Press, 1969) with Tom Phillips and was teaching at the Mannes College for Music.\",\"type\":\"General\"},{\"note\":\"Local Connections:\\n\\nDirect connection to Sir George Williams University is unknown. Jerome Rothenberg was an influential member of contemporary American poetry, and had correspondences with other members of the poetry reading series, such as Robert Creeley, Paul Blackburn, Allen Ginsberg, Robert Kelly, Jackson Mac Low, bp Nichol, Gary Snyder and Diane Wakoski (please see Rothenberg’s papers for correspondences).\",\"type\":\"General\"},{\"note\":\"Original transcript and print catalogue by Rachel Kyne\\n\\nOriginal print catalogue, research, introduction and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Ali Barillaro\\n\",\"type\":\"Cataloguer\"},{\"note\":\"Reel-to-reel tape>2 CDs>digital file\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-twentieth-century-poetry-in-english/oclc/954547274&referer=brief_results\",\"citation\":\"Gilbert, Roger. \\\"Rothenberg, Jerome\\\". The Oxford Companion to Twentieth-Century Poetry in English. Ian Hamilton. Oxford University Press, 1996.\"},{\"url\":\"https://visarts.ucsd.edu/people/emeriti-faculty/jerome-rothenberg.html?_ga=2.257346699.1600795371.1609275761-1945262426.1609275761\",\"citation\":\"“Jerome Rothenberg”. Faculty Description. University of California at San Diego. \"},{\"url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/jerome-rothenberg-at-sgwu-1969/\",\"citation\":\"“Poetry Four: Sir George Williams Poetry Series, First Reading”. Montreal: Sir George Williams University, 1969. \"},{\"url\":\"http://www.oac.cdlib.org/data/13030/gk/tf0n39n7gk/files/tf0n39n7gk.pdf\",\"citation\":\"“Register of the Jerome Rothenberg Papers, 1944-1985”. Online Archives of California.   University of California, San Diego.\"},{\"url\":\"https://www.worldcat.org/title/17-horse-songs-of-frank-mitchell-nos-x-xiii-total-translations-from-the-navaho-indian/oclc/976986882&referer=brief_results\",\"citation\":\"Rothenberg, Jerome. The 17 Horse-Songs of Frank Mitchell. London: Tetrad Press, 1969.\"},{\"url\":\"http://d7.drunkenboat.com/db3/rothenberg/rothenberg.html\",\"citation\":\"Rothenberg, Jerome. “Pre-Face to a Symposium on Ethnopoetics (1975)”. Drunken Boat Online Journal of the Arts, Issue 3: Fall/Winter 2001-2002.\"},{\"url\":\"https://www.worldcat.org/title/shaking-the-pumpkin-traditional-poetry-of-the-indian-north-americas/oclc/1131195375&referer=brief_results\",\"citation\":\"Rothenberg, Jerome. Shaking the Pumpkin. New York: Doubleday, 1972. \"},{\"url\":\"https://www.worldcat.org/title/seneca-journal/oclc/898040552&referer=brief_results\",\"citation\":\"Rothenberg, Jerome. A Seneca Journal. New York: New Directions, 1971.\"},{\"url\":\"https://www.worldcat.org/title/technicians-of-the-sacred-a-range-of-poetries-from-africa-america-asia-europe-and-oceania/oclc/1005090292&referer=brief_results\",\"citation\":\"Rothenberg, Jerome. Technicians of the Sacred. New York: Doubleday/Anchor Books, 1969.\"},{\"url\":\"https://www.worldcat.org/title/poems-1964-1967/oclc/869018006&referer=brief_results\",\"citation\":\"Rothenberg, Jerome. Poems 1964-1967. Los Angeles: Black Sparrow Press, 1968. \"},{\"url\":\"\",\"citation\":\"“Rothenberg, Jerome, 1931-”. Literature Online Biography. Cambridge: Chadwyck-Healey, 2000. \"}]"],"_version_":1853670548893073408,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"file_path\":\"\",\"filename\":\"I0006_11_0095_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Jerome Rothenberg Tape Box - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0095_front.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0095_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Jerome Rothenberg Tape Box - Front\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0095_side.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0095_side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Jerome Rothenberg Tape Box - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0095_tape.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0095_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Jerome Rothenberg Tape Box - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/jerome_rothenberg_i006-11-095.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"jerome_rothenberg_i006-11-095.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:27:32\",\"precision\":\"\",\"size\":\"210.1 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"George Bowering\\n00:00:00\\nI'm glad we got this room. Welcome back to the first night of the fourth year of our series. And for those of you who are here for the first time, welcome you too. I'm really glad that we could start off with Jerome Rothenberg [https://www.wikidata.org/wiki/Q1775056], especially from my own personal viewpoint, because while Jerome Rothenberg is one of the names that I've paid a lot of attention to, and one of the names that poets have paid attention to over the last decade, this'll be the first time that I've been able to hear him read, too. Usually when, often when us people from the West think about the new American poetry, we tend to think of it in terms of people from outposts such as New Mexico [https://www.wikidata.org/wiki/Q1522], and Utah, [https://www.wikidata.org/wiki/Q829] and San Francisco [https://www.wikidata.org/wiki/Q62], and so on. And we forget that New York City [https://www.wikidata.org/wiki/Q60] is one of the centre-place, central-places, so that it can produce poets such as Joel Oppenheimer [https://www.wikidata.org/wiki/Q6213806] who will be here in the following spring, and Paul Blackburn [https://www.wikidata.org/wiki/Q7149388], who was here a couple of years ago. Jerome Rothenberg has always been the centre, in the centre of that scene, and not only as one of the principal poets, but as editor, and publisher, and so on and so forth, especially with a very important magazine of the 1960's called some--oblique thing [some/thing]. And he's especially interesting to me too because of the kind of work that produced a book such as Technicians of the Sacred, a compilation of the poetries from various oral traditions around the world, and a similar sort of impulse has always been at the centre of his work too. I'd also like to correct a mistake on the little printed page that wasn't really mine, that I picked up from somewhere else and couldn't quite believe myself, that said that Jerome Rothenberg was born in 1921. All I can say is that he was born sometime between the death of Lord Byron [https://www.wikidata.org/wiki/Q5679] and now. [Laughter]. But I'm pretty certain that he wasn't around in 1921. So I'd like you to give a welcome to Jerome Rothenberg.\\n \\nAudience\\n00:02:53\\nApplause.\\n \\nJerome Rothenberg\\n00:02:58\\nThe birthdate'll come clearer in the second part of the reading. I'll read in two parts. And in the first set, what I'll be reading are translations and re-workings of American Indian poetry, which have been important to me over the last five or six years. And I'll start with some which are based on earlier translations, re-workings of material previously translated, and then as I get into it, some translations that result from direct contact and direct experience of American Indian poetry. This is an Aztec poem. The first four or five, six poems will be Aztec or Mexican in origin, and the theme will be flowers.  \\\"Offering Flowers\\\".\\n \\nJerome Rothenberg\\n00:04:24\\nReads \\\"Offering Flowers\\\" [from Technicians of the Sacred].\\n \\nJerome Rothenberg\\n00:07:37\\nThis is Aztec, too, in origin, translated through the Spanish.\\n \\nJerome Rothenberg\\n00:07:52\\nReads “A Song of Chalco” [published later in Shaking the Pumpkin].\\n \\nJerome Rothenberg\\n00:09:53\\nAnd it doesn't die out, even with the destruction that follows, and flowers are picked up again, this in a series of translations, again through the Spanish, of a series of Peyote songs, from the Huichol Indians of central Mexico [https://www.wikidata.org/wiki/Q96]. The name Wirikuta [https://www.wikidata.org/wiki/Q8026952] is the name given to the place of the gods, and the spiritual place of the Peyote. The Peyote is described as the rose, it's described as the corn, the maize, it's described under a number of images, and through the figure, the mythological figure of one called the Blue Stag. This is the first Huichol, Peyote song.\\n \\nJerome Rothenberg\\n00:10:46\\nReads “First Peyote Song” [published later in Shaking the Pumpkin].\\n \\nJerome Rothenberg\\n00:11:46.19\\n\\\"Song of an Initiate\\\".\\n \\nJerome Rothenberg\\n00:11:51\\nReads \\\"Song of an Initiate\\\" [published later in Shaking the Pumpkin].\\n \\nJerome Rothenberg\\n00:12:25\\nAnd this is a poem called \\\"How the Violin Was Born: A Peyote Account”.\\n \\nJerome Rothenberg\\n00:12:35\\nReads \\\"How the Violin was Born: A Peyote Account” [published later in Shaking the Pumpkin].\\n \\nJerome Rothenberg\\n00:13:24\\nThese are a few short Indian pieces. Not poems but part of what's connected with the whole activity of poetry, among the tribal peoples. Which is more than an activity of words; which goes beyond language. And these are the events that accompany the words. And the first is an Iroquois dream event. \\n \\nJerome Rothenberg\\n00:13:58\\nReads [\\\"Dream Event 1\\\", published later in Shaking the Pumpkin].\\n \\nJerome Rothenberg\\n00:14:08\\nThese are a series of vision events. The first two are Eskimo.\\n \\nJerome Rothenberg\\n00:14:14\\nReads \\\"Vision Event I\\\" [published later in Shaking the Pumpkin].\\n\\nJerome Rothenberg\\n00:14:25\\nReads \\\"Vision Event 2\\\" [published later in Shaking the Pumpkin].\\n \\nJerome Rothenberg\\n00:14:39\\nAnd this is a Sioux Indian vision event.\\n \\nJerome Rothenberg\\n00:14:43\\nReads \\\"Vision Event 3\\\" [published later in Shaking the Pumpkin].\\n \\nJerome Rothenberg\\n00:15:01\\nThis is a Kwakiutl Indian gift event. All the words are from Kwakiut'l Indians. It's either spoken in English or translated into English. The Kwakiut'l, like other Northwest Coast people, celebrate the potlatch, you know, which is not always terrible or distasteful in its consequences. This is benevolent gift-giving. \\n \\nJerome Rothenberg\\n00:15:26\\nReads \\\"Gift Event [2]\\\" [published later in Shaking the Pumpkin].\\n \\nJerome Rothenberg\\n00:16:32\\nThese are a series of seven Navajo animal songs. \\n \\nJerome Rothenberg\\n00:16:42\\nReads \\\"Navajo Animal Songs\\\" [published later in Shaking the Pumpkin].\\n \\nJerome Rothenberg\\n00:17:49\\nThe next few are from a series of translations I've been doing, are called, well, it's the Seneca Indian word for one of their major curing ceremonies, a term for a major curing ceremony, \\\"Shaking the Pumpkin\\\", because the pumpkin rattle, the big pumpkin rattle is the major instrument used in this. Or it's got a more ornate name, it's called \\\"The Society of the Mystic Animals\\\". The man, Richard Johnny John, Indian, who is working with me on this, explained it's a serious ceremony, he said, but if everything's alright, the one who says the prayer tells them, I leave it up to you, folks, and if you want to have a good time, have a good time. Well everything's alright in the translations, you know, so one eases up there. The translations are done trying to follow everything in the Seneca, including the meaning of the sounds, the hey-ya and the way-oh-hey, that are very common in Indian poetry. Basically the way I do it is to present them visually on the page, and I can't do this in reading them, so I'm just going to select out of these poems that read easily. The purpose is curing, and well-being. \\n \\nJerome Rothenberg\\n00:19:34\\nReads [\\\"Caw Caw the Crows Caw Caw\\\" published later in Shaking the Pumpkin].\\n \\nJerome Rothenberg\\n00:19:49\\nReads \\\"Two more about a crow, in the manner of Zukofsky\\\" [later published in Shaking the Pumpkin].\\n \\nJerome Rothenberg\\n00:20:05\\nThree poems about the owl, on the page, the vocables, the sounds, make the figure of an owl, even as in the singing of the song, the sound of the owl comes through. But here are just the words.\\n \\nJerome Rothenberg\\n00:20:19\\nReads \\\"The Owl: One\\\".\\n \\nJerome Rothenberg\\n00:20:25\\nReads \\\"The Owl: Two\\\".\\n \\nJerome Rothenberg\\n00:20:32\\nReads \\\"The Owl: Three\\\".\\n \\nJerome Rothenberg\\n00:20:40\\n\\\"A Song of My Song, In Three Parts”.\\n \\nJerome Rothenberg\\n00:20:45\\nReads \\\"A Song of My Song, In Three Parts\\\" [published later in Shaking the Pumpkin].\\n \\nJerome Rothenberg\\n00:20:59\\nReads “Three Ways to Screw Up on Your Way to the Doings” [published later in Shaking the Pumpkin].\\n \\nJerome Rothenberg\\n00:21:16\\nBuckets are important, to bring back soup and...The last one from this series.\\n \\nJerome Rothenberg\\n00:21:31\\nReads “Where the Song Went Where She Went & What Happened When they Met” [published later in Shaking the Pumpkin].\\n \\nJerome Rothenberg\\n00:22:15\\nThe next are a little harder to do, but I hope I make it. The Senecas don't use many words. It's a kind of minimal poetry and the power is in the compression. The Navajos use more words, the poetry gets dense, and in addition they use many many non-verbal sounds. And in addition, they distort many of the words in the singing. So that if you translate just for the meaning, you're only getting a small part of what the Navajo is doing. And then in addition, everything is sung in the Navajo. So I began to translate a series called, because that's what they are, \\\"The Seventeen Horse Songs of Frank Mitchell\\\". Seventeen horse-blessing, horse-curing songs that were the property of a Navajo medicine man named Frank Mitchell. And the problem that came up for me, I couldn't translate just for meaning, I wanted to, you know, consider all of the factors that went into the poem. So I began to insert sounds corresponding to the sound of the English words as the Navajo had the meaning of the sounds, and to distort the words. And then it seemed to me that it was necessary to carry this further, to begin to sing the songs as well. Which came to me with great difficulty. But I've gotten through a number of them now, and what I'll do is sing one, the \\\"Tenth Horse Song of Frank Mitchell,\\\" and then do a tape for three voices of another one of the horse songs. You'll notice the words are rather similar from one to another, the melody changes. In this, and the Navajos of course would know this, the hero, Enemy-Slayer, has gone to the house of his father, the sun up there, to bring back horses for the people. And in this Tenth Horse Song, it's mostly the father, the sun, speaking, telling him to bring the horses back to the house of his mother, you know, who everybody understands to be Changing Woman. Bring it back to the earth. And sometimes the voice of Enemy-Slayer comes into it.  But the basic refrain is to \\\"go to the woman, go to her.\\\" \\n \\nJerome Rothenberg\\n00:25:24\\nPerforms \\\"Tenth Horse Song of Frank Mitchell\\\" [from The 17 Horse-Songs of Frank Mitchell]. \\n \\nAudience\\n00:31:25\\nApplause.\\n \\nJerome Rothenberg\\n00:31:38\\nThe next one, and I guess the last piece in the first set, is the \\\"Twelfth Horse Song of Frank Mitchell\\\". The melody changes. Some of the distortions change. The burden changes, and now Enemy-Slayer contemplates the horses coming back to earth with him, in the same sequence. This is done on tape, with three voices. I think that's about all there is to say about it. Three voices.\\n \\nJerome Rothenberg\\n00:32:23\\nPlays recording of \\\"Twelfth Horse Song of Frank Mitchell\\\", sung by three voices [from The 17 Horse-Songs of Frank Mitchell and published later in Shaking the Pumpkin].\\n \\nAudience\\n00:39:42\\nApplause.\\n \\nJerome Rothenberg\\n00:39:48\\nIn fact, let me end this set with a live poem, I don't want to end with a machine. This is another Aztec poem called \\\"The Flight of Quetzalcoatl\\\". The plumed serpent, bird-snake man. In which he discovers that he's become old, and leaves and goes on a long journey, and is reborn as the morning star.\\n \\nJerome Rothenberg\\n00:40:39\\nReads \\\"The Flight of Quetzalcoatl\\\" [later published in Shaking the Pumpkin].\\n \\nAudience\\n00:47:17\\nApplause. \\n \\nUnknown\\n00:47:20\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n \\nGeorge Bowering\\n00:47:20\\nOkay, we'll hold for about ten minutes, and open the doors and get cool, and then come back. \\n \\nUnknown\\n00:47:27\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n \\nJerome Rothenberg\\n00:47:28\\nThe second set will be a straight reading, whatever that means, from a long series of poems called \\\"Poland/1931\\\". A series of ancestral poems. So Poland [https://www.wikidata.org/wiki/Q36] is where the ancestors come from, for some number, hundreds of years. And that is Jewish Poland. And 1931, rather than 1921, is the year of my birth. And it's in a sense, though I don't keep to it too strictly, everything before that. To try to build up a world that I really don't know.\\n \\nJerome Rothenberg\\n00:48:29\\nReads \\\"Poland/1931: The Wedding\\\" [from Poland/1931].\\n \\nJerome Rothenberg\\n00:50:46\\nReads \\\"The King of the Jews\\\" [from Poland/1931].\\n \\nJerome Rothenberg\\n00:51:52\\nThe next one's called \\\"The Key of Solomon\\\". It's the name of a medieval, a series of medieval magical books that were supposed to go back to the times of Solomon [https://www.wikidata.org/wiki/Q37085]. \\n \\nJerome Rothenberg\\n00:57:07\\nReads \\\"The Key of Solomon\\\" [from Poland/1931].\\n \\nJerome Rothenberg\\n00:53:42\\n\\\"The Beadle's Testimony.\\\" Because beadles were a demon.\\n \\nJerome Rothenberg\\n00:53:47\\nReads \\\"The Beadle's Testimony\\\" [from Poland/1931].\\n \\nJerome Rothenberg\\n00:54:53\\nTwo poems called \\\"Soap\\\".\\n \\nJerome Rothenberg\\n00:54:57\\nReads \\\"Soap \\\" [from Poland/1931].\\n \\nJerome Rothenberg\\n00:55:56\\nReads \\\"Soap II” [from Poland/1931].\\n \\nJerome Rothenberg\\n00:57:37\\nReads \\\"The Rabbi's Testimony\\\" [from Poland/1931].\\n \\nJerome Rothenberg\\n00:59:08\\nReads \\\"The Connoisseur of Jews\\\" [from Poland/1931].\\n \\nJerome Rothenberg\\n01:00:38\\nReads \\\"The Beards\\\" [from Poland/1931].\\n \\nJerome Rothenberg\\n01:03:32\\nReads \\\"The Mothers I\\\" [from Poland/1931]. \\n \\nJerome Rothenberg\\n01:04:08\\nReads \\\"The Mothers II\\\" [from Poland/1931].\\n \\nJerome Rothenberg\\n01:04:43\\nReads \\\"The Mothers III\\\" [from Poland/1931].\\n \\nJerome Rothenberg\\n01:05:19\\nReads \\\"Milk & Honey I\\\" [from Poland/1931].\\n \\nJerome Rothenberg\\n01:06:00\\nReads \\\"Milk & Honey II\\\" [from Poland/1931].\\n \\nJerome Rothenberg\\n01:06:31\\nReads \\\"Ancestral Scenes\\\" [from Poland/1931].\\n \\nJerome Rothenberg\\n01:07:09\\nReads \\\"The Fathers\\\" [from Poland/1931].\\n \\nJerome Rothenberg\\n01:09:10\\nThis one is called \\\"Portrait of the Jew, Old Country Style\\\".\\n \\nJerome Rothenberg\\n01:09:16\\nReads \\\"Poland, 1931: Portrait of the Jew, Old Country Style\\\" [from Poland/1931].\\n \\nJerome Rothenberg\\n01:11:51\\nThis is a longer one, called \\\"The Student's Testimony\\\"\\n \\nJerome Rothenberg\\n01:12:04\\nReads \\\"The Student's Testimony\\\" [from Poland/1931].\\n \\nJerome Rothenberg\\n01:17:49\\nA somewhat shorter one, and then another long one, and then a quite short one and that's...that's it. \\n \\nJerome Rothenberg\\n01:17:58\\nReads \\\"The Brothers\\\" [from Poland/1931].\\n \\nJerome Rothenberg\\n01:20:10\\nReads \\\"The Steward's Testimony\\\" [from Poland/1931].\\n\\nAudience\\n01:25:15\\nLaughter and applause [faint].\\n \\nJerome Rothenberg\\n01:25:20\\nNow, I'll end it with, I'll end it with two poems. \\\"A Poem for the Christians\\\". It's partly to...[Audience laughter]...it's a found poem from the prayer book. But you can see where there are changes, you know. [Audience laughter].\\n \\nJerome Rothenberg\\n01:25:42\\nReads \\\"A Poem for the Christians\\\" [from Poland/1931].\\n \\nJerome Rothenberg\\n01:26:45\\nReads \\\"Fish and Paradise\\\".\\n \\nEND\\n01:27:32\\n[Cut off abruptly].\",\"notes\":\"Jerome Rothenberg reads poems published later in Shaking the Pumpkin (Doubleday, 1972) and from Poland/1931 (Unicorn Press, 1969).\\n\\nRachel has indexed poems.\\n00:00- George Bowering introduces Jerome Rothenberg. [INDEX: room, first night of fourth year of the series, poets, West, New American Poetry, New Mexico, Utah, San Francisco, New York City, Joel Oppenheimer, Paul Blackburn, editor, publisher, Some CH Oblique Thing [unknown 1960’s magazine], Technicians of the Sacred, oral traditions worldwide, pamphlet mistake: Rothenberg not born in 1921, Lord Byron.]\\n02:58- Jerome Rothenberg introduces reading and “Offering Flowers”. [INDEX: birthdate, two-part reading, translations or re-workings of American Indian poetry, direct contact, direct experience with American Indians, Aztec poem, Mexican, theme of flowers; unknown source.]\\n04:24- Reads “Offering Flowers”. [INDEX: translation, Aztec, Mexico, flower, feast, offering, morning, temple, spiritual, god, dance, repetition, anaphora, food, drink, word]\\n07:37- Introduces “A Song of Chalco”. [INDEX: Aztec in origin, translated to Spanish; later published in Shaking the Pumpkin (Doubleday, 1972).]\\n07:52- Reads “A Song of Chalco”. [INDEX: rose, fire, god, house, bird, thrush,   song, poet, forest, flower, dance, lust, father, prince, joy, son, body, river.]\\n09:53- Introduces first line “First Peyote Song”. [INDEX: die out, destruction, flowers, translations, Spanish, Peyote songs, Huichol Indians of central Mexico, Wiricota, gods,        spiritual place of the Peyote, rose, the corn, the maize, images, mythological figure called Blue Stag, Huichol; later published in Shaking the Pumpkin (Doubleday, 1972).]\\n10:46- Reads first line “First Peyote Song” . [INDEX: rose, birth, flower, wind, eternal, god, mountain, mother, house, heart, Peyote, Blue Stag, rain, maize, earth, Aztec, Mexico, song.]\\n11:46- Reads “Song of an Initiate”. [INDEX: rose, song, god, stair, sky, silence; later published in Shaking the Pumpkin (Doubleday, 1972).]\\n12:25- Introduces “How the Violin Was Born: A Peyote Account”. [INDEX: peyote account; later published in Shaking the Pumpkin (Doubleday, 1972).]\\n12:35- Reads “How the Violin Was Born”. [INDEX: music, violin, wood, cedar, stone, tree, heart, soul, Big Stag, bird, song, wind.]\\n13:24- Introduces “Dream Event I”. [INDEX: Indian pieces, whole activity of poetry, tribal peoples, activity of words, beyond language, events that accompany words, Iroquois dream-event; later published in Shaking the Pumpkin (Doubleday, 1972).]\\n13:58- Reads “Dream Event I\\\". [INDEX: aboriginal, dream, community,         \\tinterpretation, theatre.]\\n14:08- Introduces “Vision Event I”. [INDEX: ‘Eskimo’; later published in Shaking the Pumpkin (Doubleday, 1972).]\\n14:14- Reads “Vision Event I”. [INDEX: aboriginal, Eskimo, solitude, stone, circle, place, time, ritual.]\\n14:25- Reads “Vision Event II”. [INDEX: aboriginal, Eskimo, vision, hanging, sight; later published in Shaking the Pumpkin (Doubleday, 1972).]\\n14:39- Introduces “Vision Event III”. [INDEX: Sioux Indian.]\\n14:43- Reads “Vision Event III”. [INDEX: American Indian, aboriginal, vision, crying, sight; later published in Shaking the Pumpkin (Doubleday, 1972).]\\n15:01- Introduces “Gift Event” [INDEX: Kwakiut’l Indian gift event, English, translation,        Northwest Coast people, celebrate the potlatch, consequences, benevolent; later published in Shaking the Pumpkin (Doubleday, 1972).]\\n15:26- Reads “Gift Event”. [INDEX: Kwakiut'l, giving, gift, potlatch, Northwest, coast, aboriginal, animal, ritual, house, sound, value, name.]\\n16:32- Introduces “Seven Navajo Animal Songs”.\\n16:42- Reads “Seven Navajo Animal Songs”. [INDEX: animal, chipmunk, action, movement, mole, sex, wildcat, water, turkey, madness, scatological, pinion jay, bird; later published in Shaking the Pumpkin (Doubleday, 1972).]\\n17:49- Introduces “Caw Caw the Crows Caw”. [INDEX: Seneca Indian word, curing ceremony “Shaking the pumpkin”, instrument, “The Society of the Mystic Animals”, Richard Johnny-John Indian, serious ceremony, prayer, translations, meanings of sounds, Indian poetry, visual presentation of sound, curing, well-being; later published in Shaking the Pumpkin (Doubleday, 1972).]\\n19:34- Reads “Caw Caw the Crows Caw”.  [INDEX: Seneca, aboriginal, crow, movement; later published in Shaking the Pumpkin (Doubleday, 1972).]\\n19:49- Reads  “Two more about a crow, in the manner of Zukofsky...”.  [INDEX: Louis Zukofsky, sound, Seneca, aboriginal later published in Shaking the Pumpkin      (Doubleday, 1972).]\\n20:05- Introduces “The Owl: One”. [INDEX: page, vocables, sounds, figure, singing of song, \\tsound of the owl.]\\n20:19- Reads “The Owl: One”. [INDEX: Seneca, aboriginal, owl, home, tree, hemlock]\\n20:25- Reads “The Owl: Two”.  [INDEX: Seneca, aboriginal, cure, sickness, poison, owl]\\n20:32- Reads “The Owl: Three”. [INDEX: Seneca, aboriginal, owl, tree, sound, whistle.]\\n20:40- Reads “A Song of My Song”. [INDEX: three parts, song, distance, circle, room,   proximity, sound; later published in Shaking the Pumpkin (Doubleday, 1972).]\\n20:59- Reads “Three Ways to Screw Up on Your Way to the Doings”. [INDEX: later published in Shaking the Pumpkin (Doubleday, 1972)\\n21:16- Introduces “Where the Song Went Where She Went & What Happened When they Met”. [INDEX: buckets, soup, last of series; later published in Shaking the Pumpkin (Doubleday, 1972).]\\n21:31- Reads “Where the Song Went Where She Went & What Happened When they Met”\\n22:15- Introduces “Tenth Horse Song of Frank Mitchell”. [INDEX: Senecas, words, minimal poetry, power in compression, Navajo poetry, non-verbal sounds, distort words when sung, translation, meaning, series, horse-blessing, horse-curing songs, Navajo medicine man Frank Mitchell, problem translating, insert sounds, English, sing, tape of three voices of horse song, melody, hero, Enemy-Slayer, father’s house, sun, people, mother, Changing Woman, earth, refrain “go to the woman, go to her”.]\\n25:24- Reads/Sings “Tenth Horse Song of Frank Mitchell”.\\n31:38- Introduces “Twelfth Horse Song of Frank Mitchell”. [INDEX: melody change, distortions change, burden changes, Enemy-Slayer, horses, earth, sequence, three voices, later published in Shaking the Pumpkin (Doubleday, 1972).]\\n32:23- Plays recording of “Twelfth Horse Song of Frank Mitchell”.\\n39:48- Introduces “The Flight of the Quetzalcoatl”. [INDEX: live poem, machine, Aztec poem, plumed serpent, bird-snake-man, old, long journey, morning star; published later in Shaking the Pumpkin (Doubleday, 1972).]\\n40:39- Reads “The Flight of the Quetzalcoatl”.\\n47:20- George Bowering introduces break.\\n47:27.02- END OF RECORDING.\\n\\n00:00- Jerome Rothenberg introduces long poem “Poland 1931”. [INDEX: long poem, ancestral poems, Jewish Poland, year of Rothenberg’s birth, world unknown.]\\n01:02- Reads “Poland, 1931: The Wedding”.\\n03:19- Reads “Poland, 1931: The King of Jews”.\\n04:25- Introduces “Poland, 1931: The Key of Solomon”. [INDEX: medieval magical books.]\\n04:40- Reads “Poland, 1931: The Key of Solomon”.\\n06:15- Introduces “Poland, 1931: The Beetle’s Testimony”. [INDEX: beetles, demon.]\\n06:20- Reads “Poland, 1931: The Beetle’s Testimony”.\\n07:26- Introduces “Poland, 1931: Soap”. [INDEX: two poems called “Soap”.]\\n07:30- Reads “Poland, 1931: Soap I”.\\n08:29- Reads “Poland, 1931: Soap II”.\\n10:10- Reads \\\"Poland, 1931: The Rabbi's Testimony\\\"\\n11:41- Reads \\\"Poland, 1931: The Connoisseur of Jews\\\"\\n13:11- Reads \\\"Poland, 1931: The Beards\\\"\\n16:05- Reads \\\"Poland, 1931: The Mothers I\\\"  \\n16:41- Reads \\\"Poland, 1931: The Mothers II\\\"\\n17:16- Reads \\\"Poland, 1931: The Mothers III\\\"\\n17:52- Reads \\\"Poland, 1931: Milk and Honey I\\\"\\n18:33- Reads \\\"Poland, 1931: Milk and Honey II\\\"\\n19:04- Reads \\\"Poland, 1931: Ancestral Scenes\\\"\\n19:42- Reads \\\"Poland, 1931: The Fathers\\\"\\n21:43- Introduces \\\"Poland, 1931: Portrait of the Jew, Old Country Style\\\"\\n21:49- Reads \\\"Poland, 1931: Portrait of the Jew, Old Country Style\\\"\\n24:24- Introduces \\\"Poland, 1931: The Student's Testimony\\\"\\n24:37- Reads \\\"Poland, 1931: The Student's Testimony\\\"\\n30:31- Reads \\\"Poland, 1931: The Brothers\\\"\\n32:43- Reads \\\"Poland, 1931: The Steward's Testimony\\\"\\n37:53- Introduces “A Poem for the Christians”. [INDEX: found poem in prayer book.]\\n38:15- Reads \\\"A Poem for the Christians\\\"\\n39:18- Reads \\\"Fish and Paradise\\\"\\n00:40:05.58- END OF RECORDING\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/jerome-rothenberg-at-sgwu-1969/\"}]"],"score":0.01643844},{"id":"1280","cataloger_name":["Masoumeh,Zaare"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["bill bissett at Sir George Williams University, The Poetry Series, 31 October 1969"],"item_title_source":["Cataloguer"],"item_title_note":["\"BILL BISSETT Recorded October 31, 1969 3.75 ips, on 1 mil. tape, 1/2 track\" written on sticker on the back of the tape's box. \"BILL BISSETT I006/SR83\" written on sticker on the spine of the tape's box. \"I006-11-083\" written on sticker on the reel"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 4"],"item_identifiers":["[]"],"creator_names":["Bissett, Bill"],"creator_names_search":["Bissett, Bill"],"creators":["[{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"Bissett, Bill\",\"dates\":\"1939-\",\"notes\":\"Poet, artist, painter and editor bill bissett was born in Halifax in 1939, but was most actively associated with the Vancouver poetry renaissance of the 60s. He has often been associated with bpNichol as a founder of the concrete poetry movement and a sound poetry practitioner. bissett has published dozens of collections of poems over thirty years, many of them self-published with his own art on the cover. A selection of his titles include we sleep inside each other all published in 1966 by Island press, which was followed by awake in the red desert (TalonBooks, 1968), selected poems: nobody owns th earth (House of Anansi Press, 1971), pomes for yoshi (blewointmentpress,1972), Medicine my mouths on fire (Oberon Press, 1974), Sailor (TalonBooks, 1978), Seagull on Yonge Street (TalonBooks, 1983), Canada gees mate for life (TalonBooks, 1985), Animal uproar (TalonBooks, 1987), Hard 2 beleev (TalonBooks, 1990), Th last photo uv th human soul (TalonBooks, 1993), Th influenza uv logik (TalonBooks, 1995). bissett founded Vancouver’s blewointmentpress in 1963. His poetry and alternative lifestyle often caused bissett to have legal problems, which rallied support from his community. what we have (TalonBooks, 1988) won the Milton Acorn People’s Poetry Award in 1989, and much of his art and activism privileges the democracy of poetry. He is most famous for his poetry readings, as his printed text lifts off the page through chanting, visual and sound poetry techniques. bissett currently lives in London, Ontario.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"Half-track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"Dates":["[{\"date\":\"1969 10 31\",\"type\":\"Performance Date\",\"notes\":\"Date written on sticker on the back of the tape's box.\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Possibly, Hall Building Room H-651\",\"notes\":\"Location specified in previous written announcement \\\"Poetry Four: Sir George Williams Poetry Series,\\\" but not confirmed\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Possibly, Hall Building Room H-651"],"City":["Montreal, Quebec"],"content_notes":["bill bissett reads and performs poems from Awake in th red desert! (1968),\nOf Th Land Divine Service (Weed/Flower Press, 1968), lost angel mining company (Blew Ointment Press, 1969), Liberating Skies (1969), and Nobody Owns th Earth (House of Anansi Press, 1971), some of which were later collected in Selected Poems: Beyond Even Faithful Legends (Talonbooks, 1980)."],"contents":["bill_bisset_i006-11-083.mp3\n\nbill bissett\n00:00:00\nReads “3. i have evn herd uv thee” [from Of Th Land Divine Service]. \n\nbill bissett\n00:01:12\nPerforms “4” [from Of Th Land Divine Service]. \n\nbill bissett\n00:04:44\nReads \"The molecular robbery\" [from lost angel mining company]. \n\nbill bissett\n00:11:09\nReads unnamed poem.\n\nbill bissett\n00:13:40\nReads \"Killer Whale\" [from lost angel mining company].\n\nbill bissett\n00:18:04\nPerforms “5. And that light is in thee is in thee and” [from Of Th Land Divine Service].\n\nbill bissett\n00:19:20\nPerforms “6. And in all things did even as Adam had done” [from Of Th Land Divine Service].\n\nbill bissett\n00:20:48\nPerforms “and the green wind is mooving thru th summr trees” [from awake in th red desert]. \n\nbill bissett\n00:22:54\nReads “Circles in th Sun” [from lost angel mining company].\n\nbill bissett\n00:24:13\nPerforms “Walrus Song” [from lost angel mining company].\n\nbill bissett\n00:33:09\nReads unnamed poem [from lost angel mining company].\n\nbill bissett\n00:37:14\nReads [“the flaming end: 8 beautiful people on a bus”].\n\nUnknown\n00:47:44\n[Cut or edit made in tape. Unknown amount of time elapsed].\n\nbill bissett\n00:47:44\nResumes reading [possibly still “the flaming end: 8 beautiful people on a bus”].\n\nbill bissett\n00:50:25\nReads unnamed poem.\n\nbill bissett\n00:51:09\nReads [\"Another 100 warrants issued\" from Nobody Owns th Earth].\n\nbill bissett\n00:53:36\nPerforms \"th water falls in yr mind nd yu get wet tooo\" [from liberating skies].\n\nbill bissett\n00:58:25\nPerforms unnamed poem.\n\nbill bissett\n01:02:02\nReads unnamed poem.\n\nbill bissett\n01:02:32\nPerforms “tarzan collage” [from drifting into war]. \n\nAudience\n01:04:37\nApplause.\n\nbill bissett\n01:05:08\nJust as you leave I'll just do this little thing, just keep going though.  \n\nbill bissett\n01:05:11\nPerforms unnamed poem.\n\nbill bissett\n01:06:18\nPerforms [“moss song” from Of Th Land Divine Service].\n\nEND\n01:14:13\n"],"Note":["[{\"note\":\"Year-Specific Information:\\n\\nIn 1969, bissett published Liberating Skies (Blewointment Press), Lost Angel Mining Company (Blewointment Press), and Sunday Work? (Blewointment Press). He was working on S the Story I to (Blewointment Press, 1970), Blew Trewz, Nobody Owns th Earth both published by Blewointment Press in 1971, along with Dragonfly (Weed/Flower Press, 1971), Drifting into War (Talonbooks, 1971), I.B.M. (Blewointment Press, 1971), Tuff Shit: Love Pomes (Bandit/Black Moss Press, 1971), and Rush (Blewointmeint Press, 1971).\",\"type\":\"General\"},{\"note\":\"Local Connections:  \\n\\nbissett’s blewointment press and its magazine has published (then) up-and-coming Vancouver poets Gerry Gilbert and Maxine Gadd. His own work was first published by Eli Mandel, and anthologized by Margaret Atwood and Dennis Lee. Though his poetry was radical and a rejection of conventional styles, bissett has become an important figure in Canada’s literary history. He was also connected to George Bowering from Sir George Williams University through the Vancouver poetry scene in the early 1960’s.\",\"type\":\"General\"},{\"note\":\"Original transcript, research, introduction and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Faith Paré (2020) and Ali Barillaro (2021)\\n\",\"type\":\"Cataloguer\"},{\"note\":\"Reel-to-reel tape>2 CDs>digital file\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/liberating-skies/oclc/1053976136?referer=di&ht=edition\",\"citation\":\"bissett, bill. Liberating skies. Vancouver: Blew Ointment Press, 1969.\"},{\"url\":\"https://www.worldcat.org/title/selected-poems-beyond-even-faithful-legends/oclc/7717248&referer=brief_results\",\"citation\":\"bissett, bill. Selected Poems: Beyond Even Faithful Legends. Vancouver: Talonbooks, 1980. \"},{\"url\":\"https://www.worldcat.org/title/lost-angel-mining-company/oclc/7247222&referer=brief_results\",\"citation\":\"bissett, bill. lost angel mining company. Vancouver: Blew Ointment Press, 1969. \"},{\"url\":\"https://www.worldcat.org/title/nobody-owns-th-sic-earth/oclc/490387389&referer=brief_results\",\"citation\":\"bissett, bill. Nobody Owns th Earth. Toronto: House of Anansi Press, 1971. \"},{\"url\":\"https://www.worldcat.org/title/of-th-sic-land-divine-service-poems/oclc/25235&referer=brief_results>\",\"citation\":\"bissett, bill. Of Th Land Divine Service. Toronto: Weed/Flower Press, 1968. \"},{\"url\":\"https://www.worldcat.org/title/contemporary-canadian-poem-anthology/oclc/829314798&referer=brief_results\",\"citation\":\"Bowering, George, ed. The Contemporary Canadian Poem Anthology. Toronto: Coach House Press, 1984. \"},{\"url\":\"https://www.worldcat.org/title/from-there-to-here-a-guide-to-english-canadian-literature-since-1960-ii-our-nature-our-voices/oclc/878901819&referer=brief_results\",\"citation\":\"Davey, Frank. From There to Here: A Guide to English-Canadian Literature Since 1960, Our Nature-Our Voices II. Erin, Ontario: Press Porcepic, 1974. \"},{\"url\":\"https://www.worldcat.org/title/poets-of-contemporary-canda-1960-1970/oclc/644860849?referer=di&ht=edition\",\"citation\":\"Mandel, Eli (ed). Poets of Contemporary Canada 1960-1970. Montreal: McClelland and Stewart Limited, 1972.\"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-canadian-literature/oclc/865265719&referer=brief_results\",\"citation\":\"Stephen Scobie \\\"Bissett, Bill\\\". The Oxford Companion to Canadian Literature, 2nd edition. Eugene Benson and William Toye. Oxford University Press, 2006.\"},{\"url\":\"https://www.worldcat.org/title/awake-in-the-red-desert/oclc/1019165132&referer=brief_results\",\"citation\":\"bissett, bill. Awake in th[e] red desert! Vancouver: Talon Books, 1968. \"}]"],"_version_":1853670548895170560,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I006_11_0083_back.jpg\",\"file_path\":\"\",\"filename\":\"I006_11_0083_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"bill bissett Tape Box - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I006_11_0083_front.jpg\",\"file_path\":\"\",\"filename\":\"I006_11_0083_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"bill bissett Tape Box - Front\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I006_11_0083_side.jpg\",\"file_path\":\"\",\"filename\":\"I006_11_0083_side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"bill bissett Tape Box - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I006_11_0083_tape.jpg\",\"file_path\":\"\",\"filename\":\"I006_11_0083_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"bill bissett Tape Box - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/bill_bisset_i006-11-083.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"bill_bisset_i006-11-083.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:14:13\",\"precision\":\"\",\"size\":\"178.1MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"bill bissett\\n00:00:00\\nReads “3. i have evn herd uv thee” [from Of Th Land Divine Service]. \\n\\nbill bissett\\n00:01:12\\nPerforms “4” [from Of Th Land Divine Service]. \\n\\nbill bissett\\n00:04:44\\nReads \\\"The molecular robbery\\\" [from lost angel mining company]. \\n\\nbill bissett\\n00:11:09\\nReads unnamed poem.\\n\\nbill bissett\\n00:13:40\\nReads \\\"Killer Whale\\\" [from lost angel mining company].\\n\\nbill bissett\\n00:18:04\\nPerforms “5. And that light is in thee is in thee and” [from Of Th Land Divine Service].\\n\\nbill bissett\\n00:19:20\\nPerforms “6. And in all things did even as Adam had done” [from Of Th Land Divine Service].\\n\\nbill bissett\\n00:20:48\\nPerforms “and the green wind is mooving thru th summr trees” [from awake in th red desert]. \\n\\nbill bissett\\n00:22:54\\nReads “Circles in th Sun” [from lost angel mining company].\\n\\nbill bissett\\n00:24:13\\nPerforms “Walrus Song” [from lost angel mining company].\\n\\nbill bissett\\n00:33:09\\nReads unnamed poem [from lost angel mining company].\\n\\nbill bissett\\n00:37:14\\nReads [“the flaming end: 8 beautiful people on a bus”].\\n\\nUnknown\\n00:47:44\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n\\nbill bissett\\n00:47:44\\nResumes reading [possibly still “the flaming end: 8 beautiful people on a bus”].\\n\\nbill bissett\\n00:50:25\\nReads unnamed poem.\\n\\nbill bissett\\n00:51:09\\nReads [\\\"Another 100 warrants issued\\\" from Nobody Owns th Earth].\\n\\nbill bissett\\n00:53:36\\nPerforms \\\"th water falls in yr mind nd yu get wet tooo\\\" [from liberating skies].\\n\\nbill bissett\\n00:58:25\\nPerforms unnamed poem.\\n\\nbill bissett\\n01:02:02\\nReads unnamed poem.\\n\\nbill bissett\\n01:02:32\\nPerforms “tarzan collage” [from drifting into war]. \\n\\nAudience\\n01:04:37\\nApplause.\\n\\nbill bissett\\n01:05:08\\nJust as you leave I'll just do this little thing, just keep going though.  \\n\\nbill bissett\\n01:05:11\\nPerforms unnamed poem.\\n\\nbill bissett\\n01:06:18\\nPerforms [“moss song” from Of Th Land Divine Service].\\n\\nEND\\n01:14:13\\n\",\"notes\":\"bill bissett reads and performs poems from Awake in th red desert! (1968),\\nOf Th Land Divine Service (Weed/Flower Press, 1968), lost angel mining company (Blew Ointment Press, 1969), Liberating Skies (1969), and Nobody Owns th Earth (House of Anansi Press, 1971), some of which were later collected in Selected Poems: Beyond Even Faithful Legends (Talonbooks, 1980).\\n\\nTRANSCRIPTION NOTES: Initially transcribed as two separate parts; this digital file combines two recordings. Timestamps reflect the single recording. \\n\\nList of Poems Read and Time Stamps [Part 1]\\n00:00 - Recording starts mid-sentence, reading “3. i have evn herd uv thee” [INDEX: from OF TH LAND DIVINE SERVICE,  line “...I had even heard of thee, that the spirit of the gods is in thee...”]\\n01:12 - Reads “4” [INDEX: from OF TH LAND DIVINE SERVICE, first line “a chain of gold which art of the children...”.]\\n04:44 - Reads “The molecular robbery” [INDEX: from lost angel mining company]\\n11:09 - Reads first line “Sung to the tune of Michael rowed his boat ashore...”\\n13:40 - Reads “Killer Whale”\\n18:04 - Reads “5. And that light is in thee is in thee and” [INDEX: from OF TH LAND DIVINE SERVICE.]\\n19:20 - Reads “6. And in all things did even as Adam had done” [INDEX: from OF TH LAND DIVINE SERVICE.]\\n20:48 - Reads “and the green wind is mooving thru th summr trees” [INDEX: from lost angel mining company and from OF TH LAND DIVINE SERVICE.]\\n22:36 - Reads “Circles in th Sun” [INDEX: from lost angel mining company, first line “In the mushroom village, all the little children, brightly smiling...”]\\n24:13 - Reads “Walrus Song” [INDEX: from lost angel mining company, first line “Drink all the lime you can...”.]\\n33:09 - Reads first line “So that even yourself becomes a serene stranger...”\\n37:14.17 - END OF RECORDING\\n\\nList of Poems Read and Time Stamps [Part 2]\\n00:00 - Reads first line “The flaming end, eight beautiful people on a bus...”\\n10:30 - [CUT] continues reading “...absolutely nothing there but to do with living...”\\n13:11 - Reads first line “Could we grow [inaudible] in the bomb shelter?...”\\n13:55 - Reads “Another 100 warrants issued” from NOBODY OWNS TH EARTH\\n16:21 - Reads first line “The water falls in your mind and you get wet too...”\\n21:11 - Reads  first line “The moon is [inaudible] she screamed, listen closely she said...”\\n24:48 - Reads first line “Sparrows dream of the endless sun...”\\n25:17- Reads “tarzan collage” from drifting into war, first line “Speaking, speaking, speaking, the I is speaking...”\\n27:48 - Reads first line “Bright, yellow, sky...”\\n29:04 - Reads “moss song” from OF TH LAND DIVINE SERVICE , first line “See the berries ripen in the trees...”\\n36:59 - END OF RECORDING.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/bill-bissett-at-sgwu-1969/\"}]"],"score":0.01643844},{"id":"1281","cataloger_name":["Mahtab,Banihashemi"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Allen Ginsberg at Sir George Williams University, The Poetry Series, 7 November 1969"],"item_title_source":["Cataloguer"],"item_title_note":["\"ALAN GINSBERG -1 Recorded November 7, 1969 3.75 ips on 1 mil. tape, 1/2 track\" written on sticker on the back of the tape's box. ALAN GINSBERG refers to Allen Ginsberg. ALAN is mispelled. \"PERMISSION FROM HOWARD FINK TO REPRODUCE THIS TAPE\" also written on sticker on the back of the tape's box. \"ALAN GINSBERG-1 I006/SR33.1\" written on sticker on the spine of the tape's box. \"I006-11-033.1\" written on sticker on the reel.\n\n\"ALAN GINSBERG -2 Recorded November 7, 1969 3.75 ips on 1 mil. tape, 1/2 track\" written on sticker on the back of the tape's box. ALAN GINSBERG refers to Allen Ginsberg. ALAN is mispelled. \"PERMISSION FROM HOWARD FINK TO REPRODUCE THIS TAPE\" also written on sticker on the back of the tape's box. \"ALAN GINSBERG-1 I006/SR33.2\" written on sticker on the spine of the tape's box. \"ALAN GINSBERG-1 I006-11-033.2\" written on sticker on the reel."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 4"],"item_identifiers":["[I006-11-033.1, I006-11-033.2]"],"creator_names":["Ginsberg, Irwin Allen"],"creator_names_search":["Ginsberg, Irwin Allen"],"creators":["[{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Irwin Allen\",\"dates\":\"1926-1997 \",\"notes\":\"Poet, revolutionary, and Beat generation icon Allen Ginsberg was born on June 3, 1926 in Paterson, New Jersey, to Naomi, a radical communist, and Louis Ginsberg, teacher and lyric poet. In his early life, Ginsberg’s mother was diagnosed with paranoid schizophrenia, a condition that would forever shape her son’s life. After graduation from high school, Ginsberg was accepted to Columbia University on scholarship to study labor law. However, after meeting Mark Van Doren and Lionel Trilling, Ginsberg turned to English and poetry. It was also at this time when he met Jack Kerouac, Lucien Carr, William S. Burroughs and Neal Cassady who would eventually form the ‘Beat Generation’. In 1948, Ginsberg had a vision of poet William Blake entering his apartment window, an event which would influence the rest of his life, attempting to recapture the image. In 1949, Ginsberg had a few minor run-ins with the law and he was committed to the Columbia-Presbyterian Psychiatric Institution. There he met his future publisher and life-long friend, Carl Solomon, a troubled intellectual. After serving in the merchant marines, and spending several months in Mexico, Ginsberg moved to San Francisco, where he met poets Kenneth Rexroth, Gary Snyder and Peter Orlovsky, who would become his life-long partner. After composing his first major notable poem, “Howl”, in 1955, he and Rexroth organized a reading of it at the Six Gallery, featuring Snyder and Michael McClure, with Lawrence Ferlenghetti (who later published the poem) and Kerouac in attendance. Ginsberg’s first collection of poetry was published in 1956, but with its second printing in 1957, Howl and Other Poems (City Lights Books, 1956) was seized by U.S. Customs for being ‘obscene’. However, after a trial, the book was deemed to have literary merit, which propelled Ginsberg and the Beat group of poets into instant fame, giving Ginsberg the opportunity to promote Kerouac’s On the Road and Burroughs’ Naked Lunch. In 1956, Ginsberg received news that his mother had died, which compelled him to write the poems “Death to Van Gogh’s Ear!” and “The Lion for Real”, and Kaddish and Other Poems (City Lights Books, 1961) as well as Empty Mirror: Early Poems (Corinth Books, 1961). During the 1960s Ginsberg traveled widely with Burroughs, Gregory Corso, Snyder to Paris, India, Tangier, Prague (where he was deported for being a corrupting influence). He published  Reality Sandwiches: 1953-1960 (City Lights Books, 1963), The Yage Letters with William Burroughs (City Lights Books, 1963), TV Baby Poems (Beach Books, 1968), Angkor Wat (Fulcrum Press, 1968), Planet News (City Lights Books, 1968), and Airplane Dreams: Compositions from Journals (City Lights Books, 1969). The years of 1968 and 1969 were filled with mourning for Ginsberg, as he learned of the death of both Neal Cassady and Jack Kerouac. The 1970s saw Ginsberg publish a number of collections, including The Fall of America: Poems of These States (City Lights, 1972), which won the National Book Award in 1974, The Gates of Wrath: Rhymed Poems, 1948-1952 (Grey Fox, 1972), Iron Horse (City Lights, 1974), First Blues: Rags, Ballads and Harmonium Songs, 1971-1974 (Full Court Press, 1975), Mind Breaths: Poems (City Lights, 1977), Poems All Over the Place: Mostly Seventies (Cherry Valley Editions, 1978). In 1976, Ginsberg and poet Anne Waldman were invited to create a writing program at the Naropa Institute in Colorado, which they named the Jack Kerouac School of Disembodied Poetics. In the 1980s and 1990s, Ginsberg published Plutonian Ode and Other Poems, 1977-1980 (City Lights, 1982), White Shroud: Poems 1980-1985 (Harper & Row, 1986), Cosmopolitan Greetings: Poems, 1986-1992 (HarperCollins,1994), Selected Poems (HarperCollins, 1996), Death & Fame: Last Poems, 1993-1997 (HarperFlamingo, 1999). Until his death, Ginsberg used his fame and poetry to speak out against censorship, the Vietnam War and drug prohibition, and for gay rights. Allen Ginsberg died in New York City, on April 4th, 1997.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"Presenter_name":["Bowering, George"],"Series_organizer_name":["Bowering, George"],"Performance_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"Half-track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"Half-track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel","Reel to Reel"],"physical_compositions":["Magnetic Tape","Magnetic Tape"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Mono","Mono"],"Dates":["[{\"date\":\"1969 11 7\",\"type\":\"Performance Date\",\"notes\":\"Date written on sticker on the back of the tape's box.\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Room H-110\",\"notes\":\"Previous researcher\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Room H-110"],"City":["Montreal, Quebec"],"content_notes":["Allen Ginsberg reads from Angkor Wat (Fulcrum Press, 1968), Planet News (City Lights Books, 1968), as well as pieces that were published later in The Fall of America: Poems of These States (City Lights Books, 1973). Ginsbger also performs musical versions of William Blake’s Songs of Innocence and Songs of Experience, recorded later on Songs of Innocence and Experience (MGM, 1970). "],"contents":["allen_ginsberg_i006-11-033-1.mp3 [File 1 of 2]\n \nUnnamed Performers and Audience\n00:00:00\nSing and chant accompanied by music . \n \nUnknown\n00:16:38\n[Cut or edit made in tape. Unknown amount of time elapsed].\n \nGeorge Bowering\n00:16:41\nWelcome to the...welcome to the fourth—third week of the fourth series of our readings here at Sir George [https://www.wikidata.org/wiki/Q326342] and this one is a special one, partly in that it was, it is being presented by a combination of the daytime Arts Student Association and the evening Arts Student Association, and not simply on the normal schedule. I'm certain that you don't have to be told who Allen Ginsberg [https://www.wikidata.org/wiki/Q6711] is, and you might think on how lucky it is that you happen to be in Montreal [https://www.wikidata.org/wiki/Q340] and he is here at the same time. Last night he was at York University [https://www.wikidata.org/wiki/Q849751] in Toronto [https://www.wikidata.org/wiki/Q172], and tomorrow he's going to be in Ottawa [https://www.wikidata.org/wiki/Q1930], and we're going to sap an awful lot of his energy. Allen is, I think, the most noted poet we've had over the last couple of decades, in the world, and as you're going to find out and as you already know, one of the super-poets in terms of writing poetry, as well. I'd like to give you, without any more cogitation, Mr. Allen Ginsberg. \n\nAudience\n00:18:13\nApplause.\n \nAllen Ginsberg\n00:18:23\nGeorge Bowering [https://www.wikidata.org/wiki/Q1239280], who I've known a long time, asked me to read a poem that I haven't read through but once before, called \"Angkor Wat\". So I'll try that. It's middle-sized, like, ten minutes, probably. What it is, is notations taken down in the course of one night in Cambodia [https://www.wikidata.org/wiki/Q424], in Siem Reap [https://www.wikidata.org/wiki/Q11711], which is outside of Angkor Wat [https://www.wikidata.org/wiki/Q43473], a town outside of the ruins.\n \nUnknown\n00:18:55\n[Cut or edit made in tape. Unknown amount of time elapsed].\n \nAllen Ginsberg\n00:18:56\nReads \"Angkor Wat\" [from Angkor Wat]. \n \nAudience\n00:41:32\nApplause [cut off].\n \nUnknown\n00:41:37\nSilence [cut or edit made in tape].  \n \nAllen Ginsberg\n00:41:45\nI want to read a couple poems from a book published in Toronto by Anansi Press, or one poem from that. This is written in Saigon [https://www.wikidata.org/wiki/Q1854], so it's about a week, yes it's about...the same week, I think. Oh this is...a week before. \n \nAllen Ginsberg\n00:42:19\nReads “Understand that this is a Dream” [from Airplane Dreams].\n \nUnknown\n00:49:28\nSilence [cut or edit made in tape].\n \nAllen Ginsberg\n00:49:36\nI've been working on Blake's [https://www.wikidata.org/wiki/Q41513] Songs of Innocence [https://www.wikidata.org/wiki/Q20644964] and Experience [https://www.wikidata.org/wiki/Q27890603], making tunes, or tuning the songs, so I'd like to sing some. \n \nAllen Ginsberg\n00:49:48\nPerforms \"(a) Introduction / (b) The Shepherd”, accompanying himself on harmonium [recorded later on Songs of Innocence and Experience]. \n \nAllen Ginsberg\n00:52:30\nSinging them in the order in Experience, that they're in the book, what follows is \"The Echoing Green\".\n \nAllen Ginsberg\n00:52:40\nPerforms \"The Echoing Green\", accompanying himself on harmonium [recorded later on Songs of Innocence and Experience]. \n \nAllen Ginsberg\n00:54:29\n“The Little Boy Lost\" and \"The Little Boy Found\".\n \nAllen Ginsberg\n00:54:41\nPerforms \"The Little Boy Lost\" and \"The Little Boy Found\", accompanying himself on harmonium [recorded later on Songs of Innocence and Experience]. \n \nAllen Ginsberg\n00:56:14\nPerforms \"The Blossom\", accompanying himself on harmonium [recorded later on Songs of Innocence and Experience]. \n \nAllen Ginsberg\n00:57:16\nFrom Experience, the first song is \"Hear the Voice of the Bard\".\n \nAllen Ginsberg\n00:57:22\nPerforms \"Hear the Voice of the Bard\", accompanying himself on harmonium [recorded later as “Introduction” on Songs of Innocence and Experience]. \n \nAllen Ginsberg\n00:59:26\nAnd the last song in Experience...\n \nAllen Ginsberg\n00:59:33\nPerforms \"Introduction\", accompanying himself on harmonium [recorded later on Songs of Innocence and Experience].\n \nAllen Ginsberg\n01:00:47.46\nAnd last from Innocence, \"The Laughing Song\".\n \nAllen Ginsberg\n01:00:50\nPerforms \"The Laughing Song\", accompanying himself on harmonium [recorded later as “b) Laughing Song” on Songs of Innocence and Experience].\n \nAudience\n01:01:48\nApplause [cut off].\n\nEND\n01:01:52\n\n\nallen_ginsberg_i006-11-033-2.mp3 [File 2 of 2] \n\nAllen Ginsberg\n00:00:00\nReads \"Morning\" [from Planet News]. \n \nAudience\n00:02:17\nLaughter and applause.\n \nUnknown\n00:02:23\n[Cut or edit made in tape. Unknown amount of time elapsed].\n \nAllen Ginsberg\n00:02:23\nReads \"Today\" [from Planet News]. \n \nAudience\n00:10:04\nApplause.\n \nUnknown\n00:10:07\n[Cut or edit made in tape. Unknown amount of time elapsed].\n \nAllen Ginsberg\n00:10:08\nReads \"First party at Ken Kesey's with Hell's Angels\" [from Planet News]. \n \nAllen Ginsberg\n00:11:22\nReads \"Uptown\" [from Planet News]. \n \nAudience\n00:12:20\nLaughter and applause\n \nUnknown\n00:12:29\n[Cut or edit made in tape].\n \nAllen Ginsberg\n00:12:30\nPerforms \"Holy Ghost on the Nod over the Body of Bliss\" [from Planet News]. \n \nAudience\n00:14:46\nApplause.\n \nUnknown\n00:14:52\nSilence [cut or edit made in tape].\n \nAllen Ginsberg\n00:14:59\nPerforms \"Hari Om Namah Shivaya” chant, accompanying himself on harmonium. \n \nAudience\n00:25:17\nApplause.\n \nAllen Ginsberg\n00:25:22\nPerforms \"The Lamb\", accompanying himself on harmonium [recorded later on Songs of Innocence and Experience].\n \nAllen Ginsberg\n00:27:00\nPerforms \"The Little Black Boy\", accompanying himself on harmonium [recorded later on Songs of Innocence and Experience].\n \nAllen Ginsberg\n00:30:11\nPerforms \"Holy Thursday\", accompanying himself on harmonium [recorded later on Songs of Innocence and Experience].\n \nAllen Ginsberg\n00:31:37\nI'll finish the Blake with \"The Nurse's Song\". Get up a little closer to me.\n \nAllen Ginsberg\n00:31:52\nPerforms\"The Nurse's Song\", accompanying himself on harmonium [recorded later as “Nurses Song” on Songs of Innocence and Experience].\n \nAllen Ginsberg\n00:32:27\nNo...start again.\n \nAllen Ginsberg\n00:32:32\nPerforms \"The Nurse's Song\", accompanying himself on harmonium [recorded later as “Nurses Song” on Songs of Innocence and Experience].\n \nAudience\n00:35:58\nApplause.\n \nUnknown\n00:36:05\nSilence [cut or edit made in tape].\n \nAllen Ginsberg\n00:36:13\nThe continuation of a long poem on these dates. Some of those who are specialists, some of those who are specialists in poesy will know a text published in a book I've been reading from, Planet News [https://www.wikidata.org/wiki/Q7201132], called \"Wichita Vortex Sutra\". This is the continuation of the same long poem a year later, bringing the war, the mental war up to 1967. January, 1967. Related to the poem \"Wichita Vortex Sutra\" in that it's crossing the central part of the United States [https://www.wikidata.org/wiki/Q30] again, north of Kansas [https://www.wikidata.org/wiki/Q1558] through Nebraska [https://www.wikidata.org/wiki/Q1553], passing again by Lincoln [https://www.wikidata.org/wiki/Q28260], Nebraska. A trip between Wichita, Kansas and Lincoln, Nebraska two...a year and a half earlier having been the subject of the text \"Wichita Vortex Sutra\". This continuation.\n \nAllen Ginsberg\n00:37:09\nReads [“Returning North of Vortex\", published later in The Fall of America: Poems of These States].\n \nAllen Ginsberg\n00:43:12\nA continuation of the same poem, between Kansas City [https://www.wikidata.org/wiki/Q41819] and St. Louis [https://www.wikidata.org/wiki/Q38022]. Middle of the long poem on these dates.\n \nAllen Ginsberg\n00:43:22\nReads [\"Kansas City to Saint Louis\", published later in The Fall of America: Poems of These States].\n \nAudience\n00:52:41\nApplause.\n \nUnknown\n00:52:46\n[Cut or edit made in tape. Unknown amount of time elapsed].\n \nAllen Ginsberg\n00:52:47\nReads \"Car Crash\" [published later in The Fall of America: Poems of These States; audience laughter throughout].\n\nAllen Ginsberg\n00:58:17\nAnd July 4th, 1969. \"Orange hawkeye\"--Hawkeye is a New York state [https://www.wikidata.org/wiki/Q1384] flower, a flower that grows in New York state, very tiny, bright orange, eyeball with a tiny brown, brownish, purplish pupil.\n \nAllen Ginsberg\n00:58:35\nReads [\"Independence Day\", published later in The Fall of America: Poems of These States]\n \nAllen Ginsberg\n01:00:49\nFinish with a mantra. Well or, read one last poem, which has been distributed by Dakota Broadsides, they're people from Logos, or connected with Logos, I think. Is that not right? Yeah. I'll pass these out, I think. It's a poem written in Grant Park [https://www.wikidata.org/wiki/Q159085] on August 28th, '68, during the Democratic Convention. Uh, Grant Park, the day after the election of, or the day after the nomination of Humphrey [https://www.wikidata.org/wiki/Q209989]. \n \nAllen Ginsberg\n01:01:27\nReads unnamed poem.\n \nAudience\n01:02:25\nApplause and laughter [cut off].\n \nEND\n01:02:31\n"],"Note":["[{\"note\":\"Year-Specific Information: \\n\\nIn 1969, Ginsberg had published Airplane Dreams: Compositions from Journals. In June of 1969, Ginsberg recorded a series of William Blake’s poetry set to music, which was released by MGM records in 1970. Close friend Jack Kerouac died on October 21, 1969, which prompted Allen to write his long elegy, “Memory Gardens”. In December, Ginsberg testified in court at the “Chicago Seven” trial of protesters in the 1968 Democratic National Convention.\",\"type\":\"General\"},{\"note\":\"Local Connections:\\n\\nAllen Ginsberg not only became a household name and a symbol for youth in North America during the 60’s and 70’s, he led the ‘Beat’ poetry movement, was a world traveler, a defender of civil and human rights, a teacher and spiritual guide. Ginsberg states in the recording that he had known George Bowering, who was a professor at Sir George Williams University, for “a long time” (I006-11-033.1).\",\"type\":\"General\"},{\"note\":\"George Bowering published his reaction to Ginsberg’s poem, “Howl” in 1969, How I hear Howl (Montreal, Beaver kosmos folio, 1, 1969).\",\"type\":\"General\"},{\"note\":\"Stephen Morrissey has recollections of attending most of the readings in the series: <http://www.vehiculepoets.com/recollective_essay.htm>\",\"type\":\"General\"},{\"note\":\"Original print catalogue, introduction, research and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Ali Barillaro\",\"type\":\"Cataloguer\"},{\"note\":\"2 reel-to-reel tapes>2 CDs>2 digital files\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-twentieth-century-poetry-in-english/oclc/807465072&referer=brief_results\",\"citation\":\"Butscher, Edward. \\\"Ginsberg, Allen\\\". The Oxford Companion to Twentieth-Century Poetry in English. Ian Hamilton, ed. Oxford University Press, 1996.\\n\"},{\"url\":\"https://www.worldcat.org/title/oxford-encyclopedia-of-american-literature/oclc/769478515&referer=brief_results\",\"citation\":\"Carlise, Chuck. \\\"Ginsberg, Allen\\\". The Oxford Encyclopedia of American Literature. Jay Parini, ed. Oxford University Press 2004. \"},{\"url\":\"https://www.worldcat.org/title/ankor-wat/oclc/17611&referer=brief_results\",\"citation\":\"Ginsberg, Allen. Angkor Wat. London: Fulcrum Press, 1968. \"},{\"url\":\"https://www.worldcat.org/title/planet-news-1961-1967/oclc/806341370&referer=brief_results\",\"citation\":\"Ginsberg, Allen. Planet News. San Francisco: City Lights Books, 1968. \"},{\"url\":\"https://www.worldcat.org/title/fall-of-america-poems-of-these-states-1965-1971/oclc/472756006&referer=brief_results\",\"citation\":\"Ginsberg, Allen. The Fall of America: Poems of These States. San Francisco: City Lights Books, 1973.\"},{\"url\":\"https://www.wikidata.org/wiki/Q20713959\",\"citation\":\"Ginsberg, Allen. Songs of Innocence and Experience. New York: MGM, 1970. \"},{\"url\":\"http://www.writing.upenn.edu/~afilreis/50s/ginsberg-fbi.html\",\"citation\":\"Mitgang, Herbert. Dangerous dossiers: exposing the secret war against America’s greatest authors. New York: D.I. Fine, 1988.\"},{\"url\":\"http://www.allenginsberg.org\",\"citation\":\"Allen Ginsberg Project. The Allen Ginsberg Trust, 2010. \"},{\"url\":\"\",\"citation\":\"Duerden, Paul. “Ginsberg, Allen, 1926-”. Literature Online Biography. Proquest, 2008.   \"},{\"url\":\"\",\"citation\":\"“Nook: Ginsberg”. The Georgian. Montreal: Sir George Williams University, 12 November 1969, page 7.\"}]"],"_version_":1853670548896219136,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0033-1_back.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0033-1_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Allen Ginsberg Tape Box 1 - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0033-1_front.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0033-1_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Allen Ginsberg Tape Box 1 - 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Front\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0033-2_side.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0033-2_side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Allen Ginsberg Tape Box 2 - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0033-2_tape.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0033-2_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Allen Ginsberg Tape Box 2 - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/allen_ginsberg_i006-11-033-1.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"allen_ginsberg_i006-11-033-1.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:01:52\",\"precision\":\"\",\"size\":\"148.5 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"allen_ginsberg_i006-11-033-1.mp3 [File 1 of 2]\\n \\nUnnamed Performers and Audience\\n00:00:00\\nSing and chant accompanied by music . \\n \\nUnknown\\n00:16:38\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n \\nGeorge Bowering\\n00:16:41\\nWelcome to the...welcome to the fourth—third week of the fourth series of our readings here at Sir George [https://www.wikidata.org/wiki/Q326342] and this one is a special one, partly in that it was, it is being presented by a combination of the daytime Arts Student Association and the evening Arts Student Association, and not simply on the normal schedule. I'm certain that you don't have to be told who Allen Ginsberg [https://www.wikidata.org/wiki/Q6711] is, and you might think on how lucky it is that you happen to be in Montreal [https://www.wikidata.org/wiki/Q340] and he is here at the same time. Last night he was at York University [https://www.wikidata.org/wiki/Q849751] in Toronto [https://www.wikidata.org/wiki/Q172], and tomorrow he's going to be in Ottawa [https://www.wikidata.org/wiki/Q1930], and we're going to sap an awful lot of his energy. Allen is, I think, the most noted poet we've had over the last couple of decades, in the world, and as you're going to find out and as you already know, one of the super-poets in terms of writing poetry, as well. I'd like to give you, without any more cogitation, Mr. Allen Ginsberg. \\n\\nAudience\\n00:18:13\\nApplause.\\n \\nAllen Ginsberg\\n00:18:23\\nGeorge Bowering [https://www.wikidata.org/wiki/Q1239280], who I've known a long time, asked me to read a poem that I haven't read through but once before, called \\\"Angkor Wat\\\". So I'll try that. It's middle-sized, like, ten minutes, probably. What it is, is notations taken down in the course of one night in Cambodia [https://www.wikidata.org/wiki/Q424], in Siem Reap [https://www.wikidata.org/wiki/Q11711], which is outside of Angkor Wat [https://www.wikidata.org/wiki/Q43473], a town outside of the ruins.\\n \\nUnknown\\n00:18:55\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n \\nAllen Ginsberg\\n00:18:56\\nReads \\\"Angkor Wat\\\" [from Angkor Wat]. \\n \\nAudience\\n00:41:32\\nApplause [cut off].\\n \\nUnknown\\n00:41:37\\nSilence [cut or edit made in tape].  \\n \\nAllen Ginsberg\\n00:41:45\\nI want to read a couple poems from a book published in Toronto by Anansi Press, or one poem from that. This is written in Saigon [https://www.wikidata.org/wiki/Q1854], so it's about a week, yes it's about...the same week, I think. Oh this is...a week before. \\n \\nAllen Ginsberg\\n00:42:19\\nReads “Understand that this is a Dream” [from Airplane Dreams].\\n \\nUnknown\\n00:49:28\\nSilence [cut or edit made in tape].\\n \\nAllen Ginsberg\\n00:49:36\\nI've been working on Blake's [https://www.wikidata.org/wiki/Q41513] Songs of Innocence [https://www.wikidata.org/wiki/Q20644964] and Experience [https://www.wikidata.org/wiki/Q27890603], making tunes, or tuning the songs, so I'd like to sing some. \\n \\nAllen Ginsberg\\n00:49:48\\nPerforms \\\"(a) Introduction / (b) The Shepherd”, accompanying himself on harmonium [recorded later on Songs of Innocence and Experience]. \\n \\nAllen Ginsberg\\n00:52:30\\nSinging them in the order in Experience, that they're in the book, what follows is \\\"The Echoing Green\\\".\\n \\nAllen Ginsberg\\n00:52:40\\nPerforms \\\"The Echoing Green\\\", accompanying himself on harmonium [recorded later on Songs of Innocence and Experience]. \\n \\nAllen Ginsberg\\n00:54:29\\n“The Little Boy Lost\\\" and \\\"The Little Boy Found\\\".\\n \\nAllen Ginsberg\\n00:54:41\\nPerforms \\\"The Little Boy Lost\\\" and \\\"The Little Boy Found\\\", accompanying himself on harmonium [recorded later on Songs of Innocence and Experience]. \\n \\nAllen Ginsberg\\n00:56:14\\nPerforms \\\"The Blossom\\\", accompanying himself on harmonium [recorded later on Songs of Innocence and Experience]. \\n \\nAllen Ginsberg\\n00:57:16\\nFrom Experience, the first song is \\\"Hear the Voice of the Bard\\\".\\n \\nAllen Ginsberg\\n00:57:22\\nPerforms \\\"Hear the Voice of the Bard\\\", accompanying himself on harmonium [recorded later as “Introduction” on Songs of Innocence and Experience]. \\n \\nAllen Ginsberg\\n00:59:26\\nAnd the last song in Experience...\\n \\nAllen Ginsberg\\n00:59:33\\nPerforms \\\"Introduction\\\", accompanying himself on harmonium [recorded later on Songs of Innocence and Experience].\\n \\nAllen Ginsberg\\n01:00:47.46\\nAnd last from Innocence, \\\"The Laughing Song\\\".\\n \\nAllen Ginsberg\\n01:00:50\\nPerforms \\\"The Laughing Song\\\", accompanying himself on harmonium [recorded later as “b) Laughing Song” on Songs of Innocence and Experience].\\n \\nAudience\\n01:01:48\\nApplause [cut off].\\n\\nEND\\n01:01:52\\n\",\"notes\":\"Allen Ginsberg reads from Angkor Wat (Fulcrum Press, 1968), Planet News (City Lights Books, 1968), as well as pieces that were published later in The Fall of America: Poems of These States (City Lights Books, 1973). Ginsbger also performs musical versions of William Blake’s Songs of Innocence and Songs of Experience, recorded later on Songs of Innocence and Experience (MGM, 1970). \\n                                              \\n00:00- Recording begins with Hare Krishna chanting music.\\n16:41- George Bowering introduces Allen Ginsberg. [INDEX: Sir George Williams University, third week of the fourth series of readings, reading presented with both daytime and evening Arts Student Association, Ginsberg’s reading schedule: York University (Toronto), Ottawa.]\\n18:23- Introduces “Angkor Wat”. [INDEX: George Bowering, notations taken from one night in Siem Reap, Cambodia; from Angkor Wat (Fulcrum Press, 1968).]\\n18:56- Reads “Angkor Wat”.\\n41:45- Introduces “Understand That This is a Dream”. [INDEX: Published by Anansi Press, Toronto; found in Airplane Dreams (City Lights Books, 1969).]\\n42:19- Reads “Understand That This is a Dream”.\\n49:36- Introduces Blake’s Songs of Innocence and Experience, poem beginning “Piping down the valleys wild”.\\n49:48- Sings (with harmonium-style instrument) “Piping down the valleys wild”.\\n51:20- Sings (with harmonium-style instrument) “How sweet is the shepherd’s sweet lot”.\\n52:30- Introduces “The Echoing Green” [INDEX: Blake’s Experience.]\\n52:40- Sings (with harmonium-style instrument) “The Echoing Green”.\\n54:29- Sings (with harmonium-style instrument) “The Little Boy Lost” and “The Little Boy Found”.\\n56:14- Sings (with harmonium-style instrument) “The Blossom”.\\n57:16- Introduces “Hear the Voice of the Bard” [INDEX: from Experience.]\\n57:22- Sings (with harmonium-style instrument) “Hear the Voice of the Bard”.\\n59:33- Sings (with harmonium-style instrument) “Youth of delight, come hither”.\\n1:00:47- Sings (with harmonium-style instrument) “The Laughing Song”\\n1:01:48.50- END OF RECORDING.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/allen-ginsberg-at-sgwu-1969/#1\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/allen_ginsberg_i006-11-033-2.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"allen_ginsberg_i006-11-033-2.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"66.6 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"allen_ginsberg_i006-11-033-2.mp3 [File 2 of 2] \\n\\nAllen Ginsberg\\n00:00:00\\nReads \\\"Morning\\\" [from Planet News]. \\n \\nAudience\\n00:02:17\\nLaughter and applause.\\n \\nUnknown\\n00:02:23\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n \\nAllen Ginsberg\\n00:02:23\\nReads \\\"Today\\\" [from Planet News]. \\n \\nAudience\\n00:10:04\\nApplause.\\n \\nUnknown\\n00:10:07\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n \\nAllen Ginsberg\\n00:10:08\\nReads \\\"First party at Ken Kesey's with Hell's Angels\\\" [from Planet News]. \\n \\nAllen Ginsberg\\n00:11:22\\nReads \\\"Uptown\\\" [from Planet News]. \\n \\nAudience\\n00:12:20\\nLaughter and applause\\n \\nUnknown\\n00:12:29\\n[Cut or edit made in tape].\\n \\nAllen Ginsberg\\n00:12:30\\nPerforms \\\"Holy Ghost on the Nod over the Body of Bliss\\\" [from Planet News]. \\n \\nAudience\\n00:14:46\\nApplause.\\n \\nUnknown\\n00:14:52\\nSilence [cut or edit made in tape].\\n \\nAllen Ginsberg\\n00:14:59\\nPerforms \\\"Hari Om Namah Shivaya” chant, accompanying himself on harmonium. \\n \\nAudience\\n00:25:17\\nApplause.\\n \\nAllen Ginsberg\\n00:25:22\\nPerforms \\\"The Lamb\\\", accompanying himself on harmonium [recorded later on Songs of Innocence and Experience].\\n \\nAllen Ginsberg\\n00:27:00\\nPerforms \\\"The Little Black Boy\\\", accompanying himself on harmonium [recorded later on Songs of Innocence and Experience].\\n \\nAllen Ginsberg\\n00:30:11\\nPerforms \\\"Holy Thursday\\\", accompanying himself on harmonium [recorded later on Songs of Innocence and Experience].\\n \\nAllen Ginsberg\\n00:31:37\\nI'll finish the Blake with \\\"The Nurse's Song\\\". Get up a little closer to me.\\n \\nAllen Ginsberg\\n00:31:52\\nPerforms\\\"The Nurse's Song\\\", accompanying himself on harmonium [recorded later as “Nurses Song” on Songs of Innocence and Experience].\\n \\nAllen Ginsberg\\n00:32:27\\nNo...start again.\\n \\nAllen Ginsberg\\n00:32:32\\nPerforms \\\"The Nurse's Song\\\", accompanying himself on harmonium [recorded later as “Nurses Song” on Songs of Innocence and Experience].\\n \\nAudience\\n00:35:58\\nApplause.\\n \\nUnknown\\n00:36:05\\nSilence [cut or edit made in tape].\\n \\nAllen Ginsberg\\n00:36:13\\nThe continuation of a long poem on these dates. Some of those who are specialists, some of those who are specialists in poesy will know a text published in a book I've been reading from, Planet News [https://www.wikidata.org/wiki/Q7201132], called \\\"Wichita Vortex Sutra\\\". This is the continuation of the same long poem a year later, bringing the war, the mental war up to 1967. January, 1967. Related to the poem \\\"Wichita Vortex Sutra\\\" in that it's crossing the central part of the United States [https://www.wikidata.org/wiki/Q30] again, north of Kansas [https://www.wikidata.org/wiki/Q1558] through Nebraska [https://www.wikidata.org/wiki/Q1553], passing again by Lincoln [https://www.wikidata.org/wiki/Q28260], Nebraska. A trip between Wichita, Kansas and Lincoln, Nebraska two...a year and a half earlier having been the subject of the text \\\"Wichita Vortex Sutra\\\". This continuation.\\n \\nAllen Ginsberg\\n00:37:09\\nReads [“Returning North of Vortex\\\", published later in The Fall of America: Poems of These States].\\n \\nAllen Ginsberg\\n00:43:12\\nA continuation of the same poem, between Kansas City [https://www.wikidata.org/wiki/Q41819] and St. Louis [https://www.wikidata.org/wiki/Q38022]. Middle of the long poem on these dates.\\n \\nAllen Ginsberg\\n00:43:22\\nReads [\\\"Kansas City to Saint Louis\\\", published later in The Fall of America: Poems of These States].\\n \\nAudience\\n00:52:41\\nApplause.\\n \\nUnknown\\n00:52:46\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n \\nAllen Ginsberg\\n00:52:47\\nReads \\\"Car Crash\\\" [published later in The Fall of America: Poems of These States; audience laughter throughout].\\n\\nAllen Ginsberg\\n00:58:17\\nAnd July 4th, 1969. \\\"Orange hawkeye\\\"--Hawkeye is a New York state [https://www.wikidata.org/wiki/Q1384] flower, a flower that grows in New York state, very tiny, bright orange, eyeball with a tiny brown, brownish, purplish pupil.\\n \\nAllen Ginsberg\\n00:58:35\\nReads [\\\"Independence Day\\\", published later in The Fall of America: Poems of These States]\\n \\nAllen Ginsberg\\n01:00:49\\nFinish with a mantra. Well or, read one last poem, which has been distributed by Dakota Broadsides, they're people from Logos, or connected with Logos, I think. Is that not right? Yeah. I'll pass these out, I think. It's a poem written in Grant Park [https://www.wikidata.org/wiki/Q159085] on August 28th, '68, during the Democratic Convention. Uh, Grant Park, the day after the election of, or the day after the nomination of Humphrey [https://www.wikidata.org/wiki/Q209989]. \\n \\nAllen Ginsberg\\n01:01:27\\nReads unnamed poem.\\n \\nAudience\\n01:02:25\\nApplause and laughter [cut off].\\n \\nEND\\n01:02:31\\n\",\"notes\":\"Allen Ginsberg reads from Angkor Wat (Fulcrum Press, 1968), Planet News (City Lights Books, 1968), as well as pieces that were published later in The Fall of America: Poems of These States (City Lights Books, 1973). Ginsbger also performs musical versions of William Blake’s Songs of Innocence and Songs of Experience, recorded later on Songs of Innocence and Experience (MGM, 1970). \\n\\n00:00- Recording begins, Ginsberg reads “Morning”. [INDEX: from Planet News (City Lights Books, 1968).] \\n02:23- Reads “Today”. [INDEX: from Planet News (City Lights Books, 1968).] \\n10:08- Reads “First party at Ken Kesey’s with Hell’s Angels”. [INDEX: from Planet News (City Lights Books, 1968).]\\n11:22- Reads “Uptown”. [INDEX: from Planet News (City Lights Books, 1968).]\\n12:30- Reads “Holy Ghost, on the Nod, over the Body of Bliss”. [INDEX: from Planet News (City Lights Books, 1968).]\\n13:50- Chants section of poem, first line “And Santa Barbara rejoices in the alleyways of        Brindaban...”.\\n14:59- Harmonium/music starts, Ginsberg sings “Hari Om Namo Shivaya...”\\n25:22- Sings “Little Lamb, Who Made Thee?” [INDEX: William Blake]\\n27:00- Sings \\\"My mother bore me in the southern wild\\\". [INDEX: William Blake.]\\n30:11- Sings “Twas on a Holy Thursday”. [INDEX: William Blake]\\n31:37- Introduces “The Nurse’s Song”. [INDEX: William Blake]\\n31:52- Sings “The Nurse’s Song”.\\n36:13- Introduces “Wichita Votex Sutra”. [INDEX: from Planet News (City Lights Books,   1968).]\\n37:09- Reads “Wichita Vortex Sutra”.\\n43:12- Introduces continuation of same poem, first line “Leaving K.C., MO...”\\n52:47- Reads “Car Crash”.\\n58:17- Introduces “July 4th, 1969”. [INDEX: hawkeye, New York State flower]\\n58:35- Reads “July 4th, 1969”.\\n1:00:49- Introduces unknown mantra, line “Green air, children sit under trees with the old...”\\n1:01:27- Reads unknown mantra, line “Green air, children sit under trees with the old...”\\n1:02:31.23- END OF RECORDING\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/allen-ginsberg-at-sgwu-1969/#2\"}]"],"score":0.01643844},{"id":"1282","cataloger_name":["Mahtab,Banihashemi"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Milton Kessler at Sir George Williams University, The Poetry Series, 14 November 1969"],"item_title_source":["Cataloguer"],"item_title_note":["\"MILTON KESSLER Nov 14 69 I086-11-029\" written on sticker on the spine of the tape's box. \"MILTON KESSLER I086-11-029\" written on sticker on the reel. \"RT 533\" written on sticker on the front of the tape's box and on the back of the box. "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 4"],"item_identifiers":["[]"],"creator_names":["Kessler, Milton"],"creator_names_search":["Kessler, Milton"],"creators":["[{\"url\":\"http://viaf.org/viaf/29094528\",\"name\":\"Kessler, Milton\",\"dates\":\"1930-2000 \",\"notes\":\"Milton Kessler was born in 1930 in Brooklyn, New York. As a young man, he skipped school and wrote his own poetry instead. He completed a G.E.D. and married his high school sweetheart Sonia Berer in 1952. Kessler earned his undergraduate degree at University of Buffalo in English magna cum laude in 1957, and his master’s degree at the University of Washington in 1962 and continued further study towards a Ph.D. at Harvard and Ohio State University until 1963. He won the Robert Frost Fellowship in poetry in 1961. Kessler taught at Queens College of the City University of New York from 1963 to 1965. His first published collection of poetry came out in 1963, named A Road Came Once (Ohio State University Press). He was awarded several Yaddo fellowships from 1965 to 1976, as well as MacDowell Foundation fellowships in 1966 and 1979. Kessler has taught English and creative writing at many universities throughout the world, including State University of New York, University of Negev (1971-1972), University of Hawaii (1975), Haifa University (1973), Keio University Tokyo (1978) and Antioch International Writing Seminars at Oxford (1977, 1978). His other collections of poetry are Called Home (The Black Bird Press, 1967), Woodlawn North (1970), and Sailing Too Far (1973). Kessler’s poetry has been included in several anthologies, including Contemporary American Poetry (Penguin Books, 1972) and New York Times Book of Verse (Macmillan, 1970). The Grand Concourse: Poems (MSS State University of New York at Binghamton) was only published in 1990, decades after most of the poems were written. Milton Kessler died on April 17, 2000 in Binghamton, New York.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"Half-track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"Dates":["[{\"date\":\"1969 11 14\",\"type\":\"Performance Date\",\"notes\":\"Date written on the spine of the tape's box. Date also specified in written announcement \\\"Poetry Four: Sir George Williams Poetry Series\\\"\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Room H-651\",\"notes\":\"Location specified in written announcement \\\"Poetry Four: Sir George Williams Poetry Series\\\"\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Room H-651"],"City":["Montreal, Quebec"],"content_notes":["Milton Kessler reads poems published later in both Woodlawn North (Impressions Workshop, 1970) and Sailing Too Far (Harper & Row 1973)."],"contents":["milton_kessler_i086-11-029.mp3\n\nIntroducer\n00:00:00\nLadies and gentlemen, Mr. Milton Kessler [https://www.wikidata.org/wiki/Q6861203], of the Bronx [https://www.wikidata.org/wiki/Q18426] and Binghamton [https://www.wikidata.org/wiki/Q213814], New York [https://www.wikidata.org/wiki/Q1384]. \n\nAudience\n00:00:08\nApplause.\n\nMilton Kessler\n00:00:13\nI'm going to read my most personal poems, and start with the things that mean the most to me. These are poems that will soon be published in a collection that I think it's going to be called The Grand Concourse, that some of you will know is the main street in the Bronx. When I find out what people think of the sight of the Grand Concourse who don't know that it's the main street in the Bronx, you know, they think I'm pretty pompous, but you know it's just another version of something like Flatbush Avenue or something like that. How they got this kind of name for the Bronx, I don't know. This is a poem called, by the way, I don't think I'm going to say too much in between these poems, I'm just going to read them, unless something happens that I will particularly want to say. \"Letter\".\n \nMilton Kessler\n00:01:39\nReads \"Letter\" [published later in Woodlawn North and Sailing Too Far].\n \nMilton Kessler\n00:04:17\nThis one is called \"A Bombadier's Landscape\".\n \nMilton Kessler\n00:04:28\nReads \"A Bombadier's Landscape\" [published later in Woodlawn North and Sailing Too Far].\n \nMilton Kessler\n00:05:54\nThis one is titled \"Called Home\" and it was the title of another collection of poems that I put together. \"Called Home\", I always liked this title, you know, and sort of found out later on what it meant, I always liked it, I wish I could have other titles that were sort of, that I liked as much.\n \nMilton Kessler\n00:06:27\nReads \"Called Home\" [published later in Woodlawn North and Sailing Too Far].\n \nMilton Kessler\n00:07:39\nReads \"Something\" [published later under a different title in Woodlawn North and Sailing Too Far].\n \nMilton Kessler\n00:08:06\nReads \"Lost Song\" [published later in Woodlawn North and Sailing Too Far].\n \nMilton Kessler\n00:09:04\nThis is a little poem called \"Davey\" for my son, Davey.\n \nMilton Kessler\n00:09:16\nReads \"Davey\" [published later in Woodlawn North and Sailing Too Far].\n \nMilton Kessler\n00:10:14\nThis is a poem I recently finished, it's called \"The Quiet\", and it's his reply to me. Because you understand that, all of this weight of seriousness, is supposed to lift the whole scene, which is what it's all about, you know, just lift the whole thing. Not to go down, you know, but to just lift it. So this is his, I never read this one before, but this is his response to me.\n \nMilton Kessler\n00:10:52\nReads \"The Quiet\" [published later in Woodlawn North and Sailing Too Far]. \n \nMilton Kessler\n00:12:08\nThis one is called \"I Am No One Else\", which is very important to me, you know, I'm sort of a, I have a kind of involuntary independence and sometimes I would like to try to imitate somebody else's life or lifestyle, or anything but it's just a hopeless case and I can't ever manage it. This is \"I Am No One Else\".\n \nMilton Kessler\n00:12:41\nReads \"I Am No One Else\" [published later in Woodlawn North and Sailing Too Far].\n \nMilton Kessler\n00:14:08\nI didn't read that too well, I really like that poem I don't want to mess it up, you know, but it's really very hard to be, to say a very, very tender kind of poem, because I'm not so tender, so I have a lot of trouble to be quiet, you know, because I can scream from here back to Brooklyn [https://www.wikidata.org/wiki/Q18419] if I wanted to. This is the last of the poems in this particular part of the sequence. It's a little poem called \"Surprise\", I read it this afternoon. I've had the most amazing response sometimes, at places, when I go very often to the anti-war readings I read these poems, very often this one. And it always sort of surprises me you know, that it's alright. \"Surprise\". Let me tell you a little about this situation--but if I tell you too much about it then I'll read it, you know, I can talk more and it's a little poem. But it was after a big war-type reading at the Loeb Center in New York, and after that, everyone went out, you know, and roaming around all night, and then about 4 am or something like that I got on the subway and went out to my parents' place in Rockaway [https://www.wikidata.org/wiki/Q62569], New York, on the ocean. And when I walked into the place, to their new house, I went to the--I walked in and saw that they were sleeping. And I had such a strong feeling, because when I was a kid, you know, and I used to come in late, either the door was locked, you know, the door was locked or there was this always this--come in after eleven, and you know, you won't get, you know, after eleven the door is locked, climb in through the fire escape or something. But here, you know, it was alright, and there it was and I stood and looked at them sleeping. They're both about 70. And by the way, extraordinarily happy. The poem is called \"Surprise\".\n\nMilton Kessler\n00:16:53\nReads \"Surprise\" [published later in Woodlawn North and Sailing Too Far].\n \nMilton Kessler\n00:18:05\nNow I have these three poems that I call the “Willow Poems”. One of them isn't finished, because the last two lines of the middle one are just, I got into a kind of pleasure in saying \"O\", you know, “Oh, Joy, Oh”, and like that and sometimes I just enjoyed it so much I was just kind of, and then it didn't mean anything, it you know, I was just kind of enjoying it, which is great, you know, but it's great to enjoy it and also is maybe good, so you make them together like that, so here are the three \"Willow Songs\". This one, well here it is, it's perfectly clear.\n \nMilton Kessler\n00:18:58\nReads \"Willow Songs\" [part 1, published later in Woodlawn North and Sailing Too Far].\n \nMilton Kessler\n00:19:53\nIt's just like that beautiful girl, and you know, if you teach some place, what do you do? The last thing you do is hang around the school, stay away from it, you know, and so here I stay around the house, and here, I'm around the house during the day, you know, and so is this beautiful fifteen year old girl, and I'm watching her walk back and forth, you know, of course this is a song of innocence, you understand, this what she's got to worry about is me. Well I won't read the second one because the end of it isn't any good. But here is a little lyric, it's one of the Willow poems. I've written, it seems to me, an unusual number of poems that have something to do with my family. And whenever there's ever any suggestion of that kind coming from the world of important poetry, I really feel like just smashing somebody's head right in, nothing bothers me more than that, you know. The implication that something is important to you really isn't important, you know, just do what you please, that's all. But nevertheless, I do notice that there's a certain--sometimes I write a lot of these things. Here's a lyric. This is the last of them. It's a little poem.\n \nMilton Kessler\n00:21:38\nReads \"Willow Songs\" [part 3, published later in Woodlawn North and Sailing Too Far].\n \nMilton Kessler\n00:22:26\nNow this is a little different kind of series here. And this one is called, the first of these is called \"Summer's End\". This is a long poem that I wrote at a time, it's only some times that it's of any interest what these things develop out of, you know, but this one I think is kind of interesting. I had this very bad, I pulled a muscle in my calf, climbing a mountain, actually, in New Hampshire [https://www.wikidata.org/wiki/Q759], where the mountains aren't too high, you know. And I was in a barn, I was at the MacDowell Colony [https://www.wikidata.org/wiki/Q3273867], and I was in a barn, and I couldn't get out, I couldn't move any place, I had one big jar, you know, next to the floor, sort of thing, and I just stayed there, and they would come around and bring me some food, finally about a week later I couldn't do anything and somebody--Hortense Calisher [https://www.wikidata.org/wiki/Q436082]--I don't know if you know who she is, just finally came along and took my car, drove me to the airport, and that was that, kept the car. But while I was lying there, I said there's no big deal about it, but I have had asthma since I was seven, and the one thing about that, you know a little bit like Proust [https://www.wikidata.org/wiki/Q7199], if you just lie around, you just lie there and then you sort of, alright, so here you are. So you just do something I guess, so this poem, \"Summer's End\", there are a lot of things you do with these things lying around. I'll tell you--\"Summer's End\" alright, \"Summer's End\".\n \nMilton Kessler\n00:24:35\nReads \"Summer's End\" [published later in Woodlawn North and Sailing Too Far].\n \nMilton Kessler\n00:28:20\nLittle poem, \"Russian Joke\".\n \nMilton Kessler\n00:28:26\nReads \"Russian Joke\" [published later in Woodlawn North and Sailing Too Far].\n \nMilton Kessler\n00:29:02\n\"The Confusion: May 1969\". I’ve never read this one before, nor is it finished, nor is it any good, as far as I can tell.\n \nMilton Kessler\n00:29:17\nReads \"The Confusion: May 1969\".\n \nMilton Kessler\n00:30:08\nThis one is called \"A Dream of Weeping\".\n \nMilton Kessler\n00:30:14\nReads \"A Dream of Weeping\" [published later in Woodlawn North and Sailing Too Far].\n \nMilton Kessler\n00:31:24\nHere's a brand new one, this is the last poem I've written, this one. We could stop for a few minutes, you know, if you're tired. I'm really terrified usually before this begins, but once it's going, you know, then it's alright, it's really very good. It's called \"The Moment of No Recovery\". Excuse me, \"The Moment of No Recovery\". Maybe the first one is better than this one. \"The Moment of No Recovery\", \"The Moment of No Discovery\", no this is better. It has only the slightest bit to do, by the way, with a woman in my family who I've recently come to know about, her name is Minnie, she is an aunt, she's my father's sister, she's been in the Rockland State Hospital [https://www.wikidata.org/wiki/Q22061059] for over forty years. Only recently did I find out about her existence. And I remember when I talked to Allen  [https://www.wikidata.org/wiki/Q6711], oh a few months ago, and he said something, he was just talking about the kind of people who are locked up, and he said it's like mini, you know, like mini, and I said that's it! My aunt Minnie, I have this aunt, and he said, well, go, go and see her. You know, what's happening there, how many times she could have been alright, well of course, this is just a little bit to her maybe, but I think I may have been thinking about it a little. Other things too. \"The Moment of No Recovery\". I have to learn, I think, how to read this poem. \n \nMilton Kessler\n00:33:49\nReads \"The Moment of No Recovery\" [published later in Woodlawn North and Sailing Too Far].\n \nMilton Kessler\n00:35:10\nI've written quite a lot about women, and I have read so many of those, I know, but here is one that is a poem about--titled \"Anne\". When I read this poem in a Pittsburgh [https://www.wikidata.org/wiki/Q1342] high school, about three weeks ago, the teacher decided to call the whole thing off. After I read it, after I read it, and somebody asked me about why I read it and I said I read it because I liked it very much and because I--it was about women, you know, and it was kind of a poem of praise about women, and at that point this woman got up and called and said we have to move the chairs into another room, that's actually what she said, we have to take some of these chairs into another room now, sorry. What a bitch. The worst I've ever seen, she was just unbelievable. Let's not have any doubts about her, it was the Langley High School [https://www.wikidata.org/wiki/Q15241542] in Pittsburgh. This poem is titled \"Anne\".\n \nMilton Kessler\n00:36:48\nReads \"Anne\" [published later in Woodlawn North and Sailing Too Far].\n \nMilton Kessler\n00:38:55\nThis poem is titled \"Chad Gadya: One Little Goat\"--a Chad Gadya is a passover song and I assume it's a round that has its sense, the idea that God makes it right. It has just the tiniest little autobiographical fact about it, which is that my grandfather actually sold papers in Brooklyn, so this is the beginning of the thing.\n \nMilton Kessler\n00:39:38\nReads \"Chad Gadya: One Little Goat\" [published later in Woodlawn North and Sailing Too Far].\n \nMilton Kessler\n00:41:4\nThis one is titled \"The Voice of the Soldier\", no one's saying anything about it.\n \nMilton Kessler\n00:42:00\nReads \"The Voice of the Soldier\" [published later in Woodlawn North and Sailing Too Far].\n \nMilton Kessler\n00:43:00\nThat's a song of innocence. I remember I showed this poem to a student of mine who was in the Israeli army [https://www.wikidata.org/wiki/Q58967], and he immediately said \"No, it's not like that, that's not--it's not like that\" and he described how someone had had his leg blown off and what he said, he didn't say anything like this at all, he said to me, he said something else, and so of course I didn't mean that's the way I thought war was. This is the last one I'm going to read and it's one I haven't read. It's called \"A Good Death\", and it's a poem for Henry Thoreau [https://www.wikidata.org/wiki/Q131149], it's \"A Good Death\" and it's for Henry Thoreau, and it's a century later. And it's the only time I tried, somebody just asked me, you know, it's to, to write something about Thoreau, which I thought would be absolutely impossible, but then as I started to read him, and I started to think of how I could never believe what he was saying, ever, like I could never believe so many affirmative, you know, things, and then I began to sort of see what--and I wrote this anyway. It was between Thoreau and me. You'll see what it sounds like.\n \nMilton Kessler\n00:44:51\nReads \"A Good Death\" [published later in Woodlawn North and Sailing Too Far].\n \nMilton Kessler\n00:45:20\n--oh damn it. That's the trouble, that's the way I am, you know, make the last one you're going to read, you know, something you don't know.\n \nEND\n00:45:33\n"],"Note":["[{\"note\":\"Year-Specific Information:\\n\\nDuring 1969, Kessler was teaching at State University of New York. He was also working on Woodlawn North (Impressions Workshop), to be published in 1970.\",\"type\":\"General\"},{\"note\":\"Local Connections:\\n\\nNo known direct connections to Sir George Williams University are known, however Kessler was an influential poet and professor in New York.\",\"type\":\"General\"},{\"note\":\"Original transcript, research, introduction and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Ali Barillaro\\n\",\"type\":\"Cataloguer\"},{\"note\":\"Reel-to-reel tape>CD>digital file\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/grand-concourse-poems/oclc/610177332?referer=di&ht=edition\",\"citation\":\"Kessler, Milton. The Grand Concourse. New York: MSS Paper Book, 1990. \"},{\"url\":\"https://www.worldcat.org/title/called-home-a-sequence-of-poems-1964-66/oclc/11121618?referer=di&ht=edition\",\"citation\":\"Kessler, Milton. Called Home. New York: The Black Bird Press, 1967. \"},{\"url\":\"https://www.worldcat.org/title/woodlawn-north-a-book-of-poems/oclc/121704&referer=brief_results\",\"citation\":\"Kessler, Milton. Woodlawn North. Boston: Impressions Workshop, 1970. \"},{\"url\":\"https://www.worldcat.org/title/sailing-too-far-poems/oclc/729990397&referer=brief_results\",\"citation\":\"Kessler, Milton. Sailing Too Far. New York: Harper & Row, 1973. \"},{\"url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/milton-kessler-at-sgwu-1969/\",\"citation\":\"“Poetry Four: Sir George Williams Poetry Series, Special Reading”. Montreal: Sir George Williams University, 1969. \"},{\"url\":\"\",\"citation\":\"\\\"Milton Kessler.\\\" Contemporary Authors Online. Detroit: Gale, 2001. \\n\"},{\"url\":\"\",\"citation\":\"“Nook Book”. The Georgian. November 12, 1969: page 7.\"}]"],"_version_":1853670548899364864,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0086_11_0029_back.jpg\",\"file_path\":\"\",\"filename\":\"I0086_11_0029_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Milton Kessler Tape Box - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0086_11_0029_front.jpg\",\"file_path\":\"\",\"filename\":\"I0086_11_0029_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Milton Kessler Tape Box - Front\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0086_11_0029_side.jpg\",\"file_path\":\"\",\"filename\":\"I0086_11_0029_side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Milton Kessler Tape Box - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0086_11_0029_tape.jpg\",\"file_path\":\"\",\"filename\":\"I0086_11_0029_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Milton Kessler Tape Box - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/milton_kessler_i086-11-029.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"milton_kessler_i086-11-029.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:45:33\",\"precision\":\"\",\"size\":\"109.3 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"Introducer\\n00:00:00\\nLadies and gentlemen, Mr. Milton Kessler [https://www.wikidata.org/wiki/Q6861203], of the Bronx [https://www.wikidata.org/wiki/Q18426] and Binghamton [https://www.wikidata.org/wiki/Q213814], New York [https://www.wikidata.org/wiki/Q1384]. \\n\\nAudience\\n00:00:08\\nApplause.\\n\\nMilton Kessler\\n00:00:13\\nI'm going to read my most personal poems, and start with the things that mean the most to me. These are poems that will soon be published in a collection that I think it's going to be called The Grand Concourse, that some of you will know is the main street in the Bronx. When I find out what people think of the sight of the Grand Concourse who don't know that it's the main street in the Bronx, you know, they think I'm pretty pompous, but you know it's just another version of something like Flatbush Avenue or something like that. How they got this kind of name for the Bronx, I don't know. This is a poem called, by the way, I don't think I'm going to say too much in between these poems, I'm just going to read them, unless something happens that I will particularly want to say. \\\"Letter\\\".\\n \\nMilton Kessler\\n00:01:39\\nReads \\\"Letter\\\" [published later in Woodlawn North and Sailing Too Far].\\n \\nMilton Kessler\\n00:04:17\\nThis one is called \\\"A Bombadier's Landscape\\\".\\n \\nMilton Kessler\\n00:04:28\\nReads \\\"A Bombadier's Landscape\\\" [published later in Woodlawn North and Sailing Too Far].\\n \\nMilton Kessler\\n00:05:54\\nThis one is titled \\\"Called Home\\\" and it was the title of another collection of poems that I put together. \\\"Called Home\\\", I always liked this title, you know, and sort of found out later on what it meant, I always liked it, I wish I could have other titles that were sort of, that I liked as much.\\n \\nMilton Kessler\\n00:06:27\\nReads \\\"Called Home\\\" [published later in Woodlawn North and Sailing Too Far].\\n \\nMilton Kessler\\n00:07:39\\nReads \\\"Something\\\" [published later under a different title in Woodlawn North and Sailing Too Far].\\n \\nMilton Kessler\\n00:08:06\\nReads \\\"Lost Song\\\" [published later in Woodlawn North and Sailing Too Far].\\n \\nMilton Kessler\\n00:09:04\\nThis is a little poem called \\\"Davey\\\" for my son, Davey.\\n \\nMilton Kessler\\n00:09:16\\nReads \\\"Davey\\\" [published later in Woodlawn North and Sailing Too Far].\\n \\nMilton Kessler\\n00:10:14\\nThis is a poem I recently finished, it's called \\\"The Quiet\\\", and it's his reply to me. Because you understand that, all of this weight of seriousness, is supposed to lift the whole scene, which is what it's all about, you know, just lift the whole thing. Not to go down, you know, but to just lift it. So this is his, I never read this one before, but this is his response to me.\\n \\nMilton Kessler\\n00:10:52\\nReads \\\"The Quiet\\\" [published later in Woodlawn North and Sailing Too Far]. \\n \\nMilton Kessler\\n00:12:08\\nThis one is called \\\"I Am No One Else\\\", which is very important to me, you know, I'm sort of a, I have a kind of involuntary independence and sometimes I would like to try to imitate somebody else's life or lifestyle, or anything but it's just a hopeless case and I can't ever manage it. This is \\\"I Am No One Else\\\".\\n \\nMilton Kessler\\n00:12:41\\nReads \\\"I Am No One Else\\\" [published later in Woodlawn North and Sailing Too Far].\\n \\nMilton Kessler\\n00:14:08\\nI didn't read that too well, I really like that poem I don't want to mess it up, you know, but it's really very hard to be, to say a very, very tender kind of poem, because I'm not so tender, so I have a lot of trouble to be quiet, you know, because I can scream from here back to Brooklyn [https://www.wikidata.org/wiki/Q18419] if I wanted to. This is the last of the poems in this particular part of the sequence. It's a little poem called \\\"Surprise\\\", I read it this afternoon. I've had the most amazing response sometimes, at places, when I go very often to the anti-war readings I read these poems, very often this one. And it always sort of surprises me you know, that it's alright. \\\"Surprise\\\". Let me tell you a little about this situation--but if I tell you too much about it then I'll read it, you know, I can talk more and it's a little poem. But it was after a big war-type reading at the Loeb Center in New York, and after that, everyone went out, you know, and roaming around all night, and then about 4 am or something like that I got on the subway and went out to my parents' place in Rockaway [https://www.wikidata.org/wiki/Q62569], New York, on the ocean. And when I walked into the place, to their new house, I went to the--I walked in and saw that they were sleeping. And I had such a strong feeling, because when I was a kid, you know, and I used to come in late, either the door was locked, you know, the door was locked or there was this always this--come in after eleven, and you know, you won't get, you know, after eleven the door is locked, climb in through the fire escape or something. But here, you know, it was alright, and there it was and I stood and looked at them sleeping. They're both about 70. And by the way, extraordinarily happy. The poem is called \\\"Surprise\\\".\\n\\nMilton Kessler\\n00:16:53\\nReads \\\"Surprise\\\" [published later in Woodlawn North and Sailing Too Far].\\n \\nMilton Kessler\\n00:18:05\\nNow I have these three poems that I call the “Willow Poems”. One of them isn't finished, because the last two lines of the middle one are just, I got into a kind of pleasure in saying \\\"O\\\", you know, “Oh, Joy, Oh”, and like that and sometimes I just enjoyed it so much I was just kind of, and then it didn't mean anything, it you know, I was just kind of enjoying it, which is great, you know, but it's great to enjoy it and also is maybe good, so you make them together like that, so here are the three \\\"Willow Songs\\\". This one, well here it is, it's perfectly clear.\\n \\nMilton Kessler\\n00:18:58\\nReads \\\"Willow Songs\\\" [part 1, published later in Woodlawn North and Sailing Too Far].\\n \\nMilton Kessler\\n00:19:53\\nIt's just like that beautiful girl, and you know, if you teach some place, what do you do? The last thing you do is hang around the school, stay away from it, you know, and so here I stay around the house, and here, I'm around the house during the day, you know, and so is this beautiful fifteen year old girl, and I'm watching her walk back and forth, you know, of course this is a song of innocence, you understand, this what she's got to worry about is me. Well I won't read the second one because the end of it isn't any good. But here is a little lyric, it's one of the Willow poems. I've written, it seems to me, an unusual number of poems that have something to do with my family. And whenever there's ever any suggestion of that kind coming from the world of important poetry, I really feel like just smashing somebody's head right in, nothing bothers me more than that, you know. The implication that something is important to you really isn't important, you know, just do what you please, that's all. But nevertheless, I do notice that there's a certain--sometimes I write a lot of these things. Here's a lyric. This is the last of them. It's a little poem.\\n \\nMilton Kessler\\n00:21:38\\nReads \\\"Willow Songs\\\" [part 3, published later in Woodlawn North and Sailing Too Far].\\n \\nMilton Kessler\\n00:22:26\\nNow this is a little different kind of series here. And this one is called, the first of these is called \\\"Summer's End\\\". This is a long poem that I wrote at a time, it's only some times that it's of any interest what these things develop out of, you know, but this one I think is kind of interesting. I had this very bad, I pulled a muscle in my calf, climbing a mountain, actually, in New Hampshire [https://www.wikidata.org/wiki/Q759], where the mountains aren't too high, you know. And I was in a barn, I was at the MacDowell Colony [https://www.wikidata.org/wiki/Q3273867], and I was in a barn, and I couldn't get out, I couldn't move any place, I had one big jar, you know, next to the floor, sort of thing, and I just stayed there, and they would come around and bring me some food, finally about a week later I couldn't do anything and somebody--Hortense Calisher [https://www.wikidata.org/wiki/Q436082]--I don't know if you know who she is, just finally came along and took my car, drove me to the airport, and that was that, kept the car. But while I was lying there, I said there's no big deal about it, but I have had asthma since I was seven, and the one thing about that, you know a little bit like Proust [https://www.wikidata.org/wiki/Q7199], if you just lie around, you just lie there and then you sort of, alright, so here you are. So you just do something I guess, so this poem, \\\"Summer's End\\\", there are a lot of things you do with these things lying around. I'll tell you--\\\"Summer's End\\\" alright, \\\"Summer's End\\\".\\n \\nMilton Kessler\\n00:24:35\\nReads \\\"Summer's End\\\" [published later in Woodlawn North and Sailing Too Far].\\n \\nMilton Kessler\\n00:28:20\\nLittle poem, \\\"Russian Joke\\\".\\n \\nMilton Kessler\\n00:28:26\\nReads \\\"Russian Joke\\\" [published later in Woodlawn North and Sailing Too Far].\\n \\nMilton Kessler\\n00:29:02\\n\\\"The Confusion: May 1969\\\". I’ve never read this one before, nor is it finished, nor is it any good, as far as I can tell.\\n \\nMilton Kessler\\n00:29:17\\nReads \\\"The Confusion: May 1969\\\".\\n \\nMilton Kessler\\n00:30:08\\nThis one is called \\\"A Dream of Weeping\\\".\\n \\nMilton Kessler\\n00:30:14\\nReads \\\"A Dream of Weeping\\\" [published later in Woodlawn North and Sailing Too Far].\\n \\nMilton Kessler\\n00:31:24\\nHere's a brand new one, this is the last poem I've written, this one. We could stop for a few minutes, you know, if you're tired. I'm really terrified usually before this begins, but once it's going, you know, then it's alright, it's really very good. It's called \\\"The Moment of No Recovery\\\". Excuse me, \\\"The Moment of No Recovery\\\". Maybe the first one is better than this one. \\\"The Moment of No Recovery\\\", \\\"The Moment of No Discovery\\\", no this is better. It has only the slightest bit to do, by the way, with a woman in my family who I've recently come to know about, her name is Minnie, she is an aunt, she's my father's sister, she's been in the Rockland State Hospital [https://www.wikidata.org/wiki/Q22061059] for over forty years. Only recently did I find out about her existence. And I remember when I talked to Allen  [https://www.wikidata.org/wiki/Q6711], oh a few months ago, and he said something, he was just talking about the kind of people who are locked up, and he said it's like mini, you know, like mini, and I said that's it! My aunt Minnie, I have this aunt, and he said, well, go, go and see her. You know, what's happening there, how many times she could have been alright, well of course, this is just a little bit to her maybe, but I think I may have been thinking about it a little. Other things too. \\\"The Moment of No Recovery\\\". I have to learn, I think, how to read this poem. \\n \\nMilton Kessler\\n00:33:49\\nReads \\\"The Moment of No Recovery\\\" [published later in Woodlawn North and Sailing Too Far].\\n \\nMilton Kessler\\n00:35:10\\nI've written quite a lot about women, and I have read so many of those, I know, but here is one that is a poem about--titled \\\"Anne\\\". When I read this poem in a Pittsburgh [https://www.wikidata.org/wiki/Q1342] high school, about three weeks ago, the teacher decided to call the whole thing off. After I read it, after I read it, and somebody asked me about why I read it and I said I read it because I liked it very much and because I--it was about women, you know, and it was kind of a poem of praise about women, and at that point this woman got up and called and said we have to move the chairs into another room, that's actually what she said, we have to take some of these chairs into another room now, sorry. What a bitch. The worst I've ever seen, she was just unbelievable. Let's not have any doubts about her, it was the Langley High School [https://www.wikidata.org/wiki/Q15241542] in Pittsburgh. This poem is titled \\\"Anne\\\".\\n \\nMilton Kessler\\n00:36:48\\nReads \\\"Anne\\\" [published later in Woodlawn North and Sailing Too Far].\\n \\nMilton Kessler\\n00:38:55\\nThis poem is titled \\\"Chad Gadya: One Little Goat\\\"--a Chad Gadya is a passover song and I assume it's a round that has its sense, the idea that God makes it right. It has just the tiniest little autobiographical fact about it, which is that my grandfather actually sold papers in Brooklyn, so this is the beginning of the thing.\\n \\nMilton Kessler\\n00:39:38\\nReads \\\"Chad Gadya: One Little Goat\\\" [published later in Woodlawn North and Sailing Too Far].\\n \\nMilton Kessler\\n00:41:4\\nThis one is titled \\\"The Voice of the Soldier\\\", no one's saying anything about it.\\n \\nMilton Kessler\\n00:42:00\\nReads \\\"The Voice of the Soldier\\\" [published later in Woodlawn North and Sailing Too Far].\\n \\nMilton Kessler\\n00:43:00\\nThat's a song of innocence. I remember I showed this poem to a student of mine who was in the Israeli army [https://www.wikidata.org/wiki/Q58967], and he immediately said \\\"No, it's not like that, that's not--it's not like that\\\" and he described how someone had had his leg blown off and what he said, he didn't say anything like this at all, he said to me, he said something else, and so of course I didn't mean that's the way I thought war was. This is the last one I'm going to read and it's one I haven't read. It's called \\\"A Good Death\\\", and it's a poem for Henry Thoreau [https://www.wikidata.org/wiki/Q131149], it's \\\"A Good Death\\\" and it's for Henry Thoreau, and it's a century later. And it's the only time I tried, somebody just asked me, you know, it's to, to write something about Thoreau, which I thought would be absolutely impossible, but then as I started to read him, and I started to think of how I could never believe what he was saying, ever, like I could never believe so many affirmative, you know, things, and then I began to sort of see what--and I wrote this anyway. It was between Thoreau and me. You'll see what it sounds like.\\n \\nMilton Kessler\\n00:44:51\\nReads \\\"A Good Death\\\" [published later in Woodlawn North and Sailing Too Far].\\n \\nMilton Kessler\\n00:45:20\\n--oh damn it. That's the trouble, that's the way I am, you know, make the last one you're going to read, you know, something you don't know.\\n \\nEND\\n00:45:33\\n\",\"notes\":\"Milton Kessler reads poems published later in both Woodlawn North (Impressions Workshop, 1970) and Sailing Too Far (Harper & Row 1973).\\n\\n00:00- Unidentified male introduces [INDEX: The Bronx, Binghamton New York]\\n00:13- Milton Kessler introduces The Grand Concourse poems [INDEX: The Grand Concourse]\\n01:39- Reads “Letter”\\n04:17- Reads “A Bombardier’s Landscape”\\n05:54- Introduces “Called Home”\\n06:27- Reads “Called Home”\\n07:39- Reads “Something”\\n08:06- Reads “Lost Song”\\n09:04- Reads “Davey” [INDEX: Poem for his son]\\n10:14- Introduces “The Quiet”\\n10:52- Reads “The Quiet”\\n12:08- Introduces \\\"I Am No One Else\\\"\\n12:41- Reads \\\"I Am No One Else\\\"\\n14:08- Introduces “Surprise” [INDEX: Anti-war readings, Loeb Center, New York]\\n16:53- Reads “Surprise”\\n18:05- Introduces “Willow Songs” (series of three, only reads two)\\n18:58- Reads “Willow Songs”\\n19:53- Introduces second poem of “Willow Songs” [INDEX: Lyric poem]\\n21:38- Reads second poem of “Willow Songs”\\n22:26- Introduces “Summer’s End” [INDEX: McDowell Colony in New Hampshire, Hortense Calisher, Proust]\\n24:35- Reads “Summer’s End”\\n28:20- Reads “Russian Joke”\\n29:02- Introduces “The Confusion: May 1969”\\n29:17- Reads “The Confusion: May 1969”\\n30:08- Reads “A Dream of Weeping”\\n31:24- Introduces “The Moment of No Recovery” [INDEX: Allen Ginsberg, Rockland State \\tHospital, New York]\\n33:49- Reads “The Moment of No Recovery”\\n35:10- Introduces “Anne” [INDEX: Langley High School, Pittsburgh]\\n36:48- Reads “Anne”\\n38:55- Introduces “Chad Gadya: One Little Goat” [INDEX: Passover Songs]\\n39:38- Reads “Chad Gadya: One Little Goat”\\n41:45- Reads “The Voice of the Soldier”\\n43:00- Explains “The Voice of the Soldier” and Introduces “A Good Death” [INDEX: Soldiers, war, Henry Thoreau]\\n44:51- Reads “A Good Death”\\n45:33.56- END OF RECORDING\\n\\nHoward Fink List of Poems:\\n14/11/69\\nOn one 5”, single track, mono, reel, @ 3 3/4 ips, lasting 50 mins\\n \\n1.  “Letter”\\n2.  “A Bombardier’s Landscape\\n3.  “Called Home”\\n4.  “Something\\n5.  “Lost Song\\n6.  “Davey”\\n7.  “The Quiet”\\n8.  “I am no one else”\\n9.  “Surprise”\\n10. “Willow Poems”\\n11. “Summers End”\\n12. “Russian Joke”\\n13. “The Confusion: May 1969”\\n14.  “A Dream of Weeping”\\n15.  “The Moment of no Recovery”\\n16. “Anne”\\n17.  1st line: “Oh mister, I am your grandfather...”\\n18. “The Voice of the Soldier”\\n19.  “A Good Death”\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/milton-kessler-at-sgwu-1969/\"}]"],"score":0.01643844},{"id":"1283","cataloger_name":["Bindu,Reddy"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Gladys Hindmarch and Stan Persky at Sir George Williams University, The Poetry Series, 21 November 1969"],"item_title_source":["Cataloguer"],"item_title_note":["\"GLADYS HINDMARCH I086-11-020\" written on sticker on the spine of the tape's box and on the reel. \"RT 511\" written on sticker on the front of the tape's box and on the back of the box.\n\n\"STAN PERSKY Recorded November 21, 1969 3.75 ips, 1/2 track 1 mil. tape 55 minutes\" written on sticker on the back of the tape's box. \"STAN PERSKY I006/SR137\" written on sticker on the spine of the tape's box. \"I006-11-137\" written on sticker on the reel"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 4"],"item_identifiers":["[I086-11-020, I006-11-137]"],"creator_names":["Hindmarch, Gladys","Persky, Stan"],"creator_names_search":["Hindmarch, Gladys","Persky, Stan"],"creators":["[{\"url\":\"http://viaf.org/viaf/38164256\",\"name\":\"Hindmarch, Gladys\",\"dates\":\"1940-\",\"notes\":\"Gladys Maria Hindmarch was born on Vancouver Island in 1940. She completed her Bachelor of Arts and a Master of Arts at the University of British Columbia. There she met poets George Bowering, Frank Davey, David Dawson, James Reid, Fred Wah and critic and professor Warren Tallman and was influential in creating the Tish magazine in 1961. However, she never published her own work in the magazine as she wrote prose. Her first publication was Sketches, published by George Bowering via the English Department of Sir George Williams University in 1970. Hindmarch wrote two novels, The Peter Stories (Coach House Press, 1976) and A Birth Account (New Star Books, 1967), which was followed by Watery part of the world (Douglas & McIntyre, 1988). Hindmarch has taught at Langara College and Capilano Colleges and she continues to live and write in Vancouver.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]},{\"url\":\"http://viaf.org/viaf/57448780\",\"name\":\"Persky, Stan\",\"dates\":\"1941-\",\"notes\":\"Writer, teacher, activist and critic Stan Persky was born in Chicago on January 19, 1941. Early on, he was influenced by the Beat Generation poets and decided he would pursue a career in letters. Persky enrolled in the US Navy, and then moved to San Francisco in the early 1960’s where he became involved with the writers of the San Francisco Renaissance, including Jack Spicer, Robin Blaser and Robert Duncan. Persky’s first publications include Les enfants du paradis (St-Denis Press, 1961) and Moss (Rabbit Mountain College, 1961). In 1966, Persky moved with Robin Blaser to Vancouver, where Persky received his BA and MA degrees from the University of British Columbia. Persky co-founded the Georgia Straight Writing Supplements in the late 60’s, which led to what is now known as New Star Books. Persky and other writers began to publish the works of Milton Acorn, Gerry Gilbert, Jack Spicer, George Bowering, Fred Wah, bill bisset and Daphne Marlatt along with many others. Persky has taught at the Northwest College, Malaspina College, Simon Fraser University and at the Capilano University. Persky published Lives of the French Symbolist poets (White Rabbit Press, 1967),  The Day (Georgia Straight Writing Supplement, 1971), George Bowering published An oral literary history of Vancouver in 1972 in the Beaver Kosmos Series, Slaves (New Star Books, 1974), and Wrestling the angel (Talonbooks, 1976). His first political-themed books, Son of Socred (New Star, 1979), The House That Jack Built (New Star, 1980) and Bennett II (New Star, 1983) gained wide-spread acclaim. His other many publications include At the Lenin Shipyard: Poland and the Rise of the Solidarity Trade Union (New Star, 1981), The Solidarity Sourcebook (New Star, 1981), he edited Flaunting It: A Decade of Gay Journalism From the Body Politic with Henry Flam (New Star, 1982), The Holy Forest with introductions by Robin Blaser and Robert Creeley (Coach Hosue Press, 1998), Buddy’s: Meditations on Desire (New Star Press, 1989) which won a Hubert Evans Non-Fiction Prize nomination, Then we Take Berlin: Stories from the Other Side of Europe (Knopf, 1995), On Kiddie Porn: Sexual Representation, Free Speech and the Robin Sharpe Case with John Dixon (New Star, 2001) and most recently Top Sentence: A Writer’s Education (New Star, 2007). He has been a media commentator for the CBC, and has written for The Globe and Mail, the Vancouver Sun, Saturday Night, The Tyee and dooneyscafe.com as well as other journals. Persky resides in Vancouver and Berlin and continues to lecture and write.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"Presenter_name":["Bowering, George"],"Series_organizer_name":["Bowering, George"],"Performance_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"Half-track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel","Reel to Reel"],"physical_compositions":["Magnetic Tape","Magnetic Tape"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Mono","Mono"],"Dates":["[{\"date\":\"1969 11 21\",\"type\":\"Performance Date\",\"notes\":\"Date written on tape box for I006-11-137\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Room H-651\",\"notes\":\"\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Room H-651"],"City":["Montreal, Quebec"],"content_notes":["Gladys Hindmarch reads a series of short stories later published in The Watery Part of the World (Douglas & McIntyre, 1988). Stan Persky reads from Wrestling the Angel (Talonbooks, 1976) as well as a few unpublished poems."],"contents":["gladys_hindmarch_i086-11-020.mp3 [File 1 of 2]\n\nGeorge Bowering\n00:00:00\nAnother Vancouver [https://www.wikidata.org/wiki/Q24639] night in the series, this will be, this is the final reading of the fall series, and will be picked up again in January. As you know from the propaganda sheets, we're presenting what I consider to be the centre of the Vancouver writing scene. Gladys Hindmarch has been in that scene for ten years, and was associated with all those people who've got all kinds of names over the last few years such as West Coast movement and the Tish movement and the New Wave Canada [https://www.wikidata.org/wiki/Q16] and that sort of business. And Stan Persky [https://www.wikidata.org/wiki/Q2330087], was as much related if not more because he is also a sort of superstar of little magazines [audience laughter] in San Francisco [https://www.wikidata.org/wiki/Q62], and made the usual move up to Vancouver, what, three years ago? And has now become the superstar of the Vancouver writing scene. What's going to happen is that the reading will be split into two pieces. At the beginning, Stan is going to introduce Gladys, and then there will be a break of about ten minutes, and then Gladys is going to introduce Stan. So, I'd like to give you \"Stan and Gladys Evening\".\n \nStan Persky\n00:01:43\n\"Beginning again and again is a natural thing, even when there is a series. Beginning again and again and again, explaining composition and time is a natural thing. It is understood by this time that everything's the same, except composition and time. Composition, and the time of the composition and the time in the composition. Everything is the same except composition and as the composition is different, and always going to be different, everything is not the same. Everything is not the same as the time when, of the composition, and the time in the composition is different. The composition is different, that is certain.\" Gertrude Stein [https://www.wikidata.org/wiki/Q188385].\n \nGladys Hindmarch\n00:02:40\nWhen I whistle, just imagine that it's a very good whistler. \"They know what they're doing\".\n \nGladys Hindmarch\n00:02:53\nReads \"They know what they're doing\" [published later as “Callback” in The Watery Part of the World].\n \nGladys Hindmarch\n00:16:08\nThat's the third in a group of stories, or series of stories that I'm writing. [Audience laughter]. I haven't got a title for this one, it's still in the first day on the trip but it's the seventh story. I call it \"The [Salad (?)] Story\" in my head but I'll have to find a title for it.\n \nGladys Hindmarch\n00:16:54\nReads [\"Nothing is Simple\", published later in The Watery Part of the World].\n \nGladys Hindmarch\n00:33:30\nAnother, I've got lots of others, but I'm just going to read one other short one that's got a number of daydream passages that I don't think I--it's necessary to know which of the day--I mean you can, I think you can get it, it's just call it \"Number 12\" right now it also hasn't got a title. \"Outside deck scene\"--I guess that George [https://www.wikidata.org/wiki/Q1239280] didn't say, I used to work as a mess girl and a cook on a West Coast freighter called the Tahsis Prince, I worked on four or five of them because I was relief working, but the main one I worked on went up the west coast of Vancouver Island [https://www.wikidata.org/wiki/Q170479], and not, they have great difficulty getting women to go out there, maybe obvious reasons in these stories so I could almost get a job on it, whereas the other ones I could get jobs if nobody was available, but since on this particular boat, usually nobody was available. One time I was leaving shopping in the Army and Navy and a guy came down the hall and said, Look you know, they're trying to get a hold of you, you've gotta go up there. And I said, come on, now, and sort of walked me back to the hall. And one Christmas run there were fifty one men--lots of people don't want to go out at Christmas, but a lot of the seamen, just work in the summer, so if they can get a job for two weeks they take it. They had fifty one cards on the board and not one of them--and there was a call for a cook, which was a girl's job and a call for an able seaman, and not one of the fifty-one men would go out on the boat--they got a guy who hadn't registered yet went out. This is an end of summer trip, it's not rough at all.\n \nAnnotation\n00:35:42\nReads [\"How It Feels”, published later in The Watery Part of the World].\n \nEND\n00:45:52\n[Cut off abruptly].\n\nstan_persky_i006-11-137.mp3 [File 2 of 2]\n\nGladys Hindmarch\n00:00:00\nStan and I both view Gertrude Stein as sort of eternal and I find that I can never read more than two pages of her at a time, like you just sort of become hypnotized, but she's pretty good to...like when I'm starting, trying to get into something to start to write and if I just read, you know just open one of her books at any sort of page, you know just at random and I just read two or three sentences, sometimes a paragraph, never more than that...and so I'm going to introduce Stan with a couple of Gertrude Stein sentences.  \"There's singularly nothing that makes a difference, a difference in beginning, and in middle, and in ending, except that each generation has something different at which they are all looking. By this I mean so simply that anybody knows it that composition is the difference which makes each and all of them then different from other generations, and this is what makes everything different, otherwise they're all like, and everybody knows it because everybody says it.\" Stan Persky. \n \nStan Persky\n00:01:13\nYeah, I'm doing fine. The reading that I'm going to give is called \"The Day\", and what it is is pieces of everything that I'm onto right now, and so you have to bear with however unable to follow it out. And of course, like what we're trying to do is give you some sense of what it's like to be out where we are. \n\nStan Persky\n00:01:45\nReads \"Notebook, around August 20th, 1969\". \n \nStan Persky\n00:03:34.14\nIs that unbearably fast?\n \nStan Persky\n00:03:38.89\nReads \"Notebook, around August 25th, 1969\".\n \nStan Persky\n00:07:16\n\"Notebook, Sunday, August 29th or 30th, 1969\"  You can see the energy this takes, it's just...[laughter]. This is barely doing it. \"Jim and Franz...\" I'm going to try to read one of these a little more slowly, maybe.\n \nStan Persky\n00:07:42\nReads \"Notebook, Sunday, August 29th or 30th, 1969\".\n \nStan Persky\n00:11:45\nThis one's a longer pull if that's possible. \"The Marriage\". Angela, this is the gossip for you [laughter]. Coming in here, I was thinking, who's sitting in the room, and you'd like to hear your names [laughter]...Arnie...\"The Marriage\". \n \nStan Persky\n00:12:23\nReads \"The Marriage\". \n\nAudience\n00:19:00\nLaughter. \n\nStan Persky\n00:19:04\nTricky dick! [laughter].\n \nStan Persky\n00:19:10\nResumes reading \"The Marriage\".\n \nAudience\n00:27:54\nApplause [cut off]. \n\nUnknown\n00:27:55\n[Cut or edit made in tape. Unknown amount of time elapsed].\n \nStan Persky\n00:27:57\nReads \"To Gladys\".\n \nAudience\n00:34:54\nLaughter.\n \nStan Persky\n00:34:59\n\"October 24th, 1969\". Did I write this for this, did I write this reading? \n \nStan Persky\n00:35:08\nReads \"October 24th, 1969\".\n \nStan Persky\n00:36:46\nReads \"Jamie\". \n \nStan Persky\n00:39:49\nAnd the last three...\n \nUnknown\n00:39:52\n[Cut or edit made in tape here. Unknown amount of time elapsed].\n \nStan Persky\n00:39:53\nReads \"Wednesday, November 5th, 1969, by Hunter's Creek\".\n \nStan Persky\n00:42:04\nReads \"Fred Study. Notebook, Friday, November 7th, 1969, Fred Study.\"\n \nStan Persky\n00:44:17\nAnd at last, to finish, as far as it's gone, or whatever it is, \"The Day\".\n \nStan Persky\n00:44:26\nReads \"The Day\".\n \nEND\n00:46:38\n[Cut off abruptly]."],"Note":["[{\"note\":\"Year-Specific Information: \\n\\nIn 1969, Gladys Hindmarch was writing and participating in the writing scene in Vancouver. No specific information could be found on Gladys Hindmarch during this year.\\n\\nIn 1969, Persky was living in Vancouver, was published in The Pacific Nation (Vancouver, 1969). He was working on a series of poems called “The Day”, published in Wrestling the Angel (Talonbooks, 1976).\",\"type\":\"General\"},{\"note\":\"Local Connections:\\n\\nGladys Hindmarch went to the University of British Columbia, where she met professor and Poetry Reading Series Committee Member George Bowering. Hindmarch was an integral part of the Vancouver poetry renaissance, and was connected to the important poets of the Vancouver ‘scene’.\\n\\nStan Persky met George Bowering and Stanton Hoffman (Faculty and Poetry Reading Series Committee members) when they were in Vancouver and at University of British Columbia during the same period of time, involved in the poetry scene. Please see The Oral Literary History of Vancouver: Stan Persky’s Section (Beaver Kosmos Folio, #5) for how Bowering and Persky met as well as Persky’s relationship to Gladys Hindmarch. Persky is also associated with Robin Blaser (who also read in 1969), Robert Duncan, Robert Creeley, Allen Ginsberg, as well as many other local Vancouver writers in this series.\",\"type\":\"General\"},{\"note\":\"I086-11-020:\\nOriginal transcript, print catalogue, research and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Ali Barillaro\\n\\nI006-11-137:\\nOriginal transcript by Rachel Kyne\\n\\nOriginal print catalogue, research and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Ali Barillaro\\n\",\"type\":\"Cataloguer\"},{\"note\":\"2 reel-to-reel tapes>2 CDs> 2 digital files\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/oral-literary-history-of-vancouver-stan-perskys-section/oclc/85105672&referer=brief_results\",\"citation\":\"Bowering, George and Brad Robinson (eds). An Oral Literary History of Vancouver: Stan Persky’s Section. Vancouver: Beaver Kosmos Folios, no. 5, 1973. \"},{\"url\":\"https://www.worldcat.org/title/sketches/oclc/499435403&referer=brief_results\",\"citation\":\"Hindmarch, Gladys. Sketches. Montreal: Beaver Kosmos Folios, no. 3, 198-?.\\n\"},{\"url\":\"https://www.worldcat.org/title/watery-part-of-the-world/oclc/17479102&referer=brief_results\",\"citation\":\"Hindmarch, Gladys. The Watery Part of the World. Toronto: Douglas & McIntyre, 1988.\"},{\"url\":\"http://www.vancouverartinthesixties.com/people/189\",\"citation\":\"“People / Gladys (Maria) Hindmarch”. Ruins in the Process: Vancouver Art in the Sixties.\"},{\"url\":\"http://www.vancouverartinthesixties.com/people/185\",\"citation\":\"“People / Stan Persky”. Ruins in Process: Vancouver Art in the Sixties. Vancouver: The Morris and Helen Belkin Art Gallery, The University of British Columbia and the grunt gallery.\"},{\"url\":\"https://www.worldcat.org/title/topic-sentence-a-writers-education/oclc/1151428685&referer=brief_results\",\"citation\":\"Persky, Stan. Topic Sentence: A Writer’s Education. Vancouver: New Star Books, 2007.\"},{\"url\":\"https://www.worldcat.org/title/wrestling-the-angel/oclc/3320699&referer=brief_results\",\"citation\":\"Persky, Stan. Wrestling the Angel. Vancouver: Talonbooks, 1977.\"},{\"url\":\"https://dooneyscafe.com/robin-blaser-1925-2009-deaths-duty/\",\"citation\":\"Persky, Stan. “Robin Blaser, 1925-2009: Death’s Duty”. dooneyscafe.com. 8 May 2009. \"},{\"url\":\"https://www.worldcat.org/title/words-we-call-home-celebrating-creative-writing-at-ubc/oclc/923442804&referer=brief_results\",\"citation\":\"Svendsen, Linda. Words We Call Home: Celebrating Creative Writing at UBC. Vancouver: University of British Columbia Press, 1990. \"},{\"url\":\"http://www.abcbookworld.com/view_author.php?id=1850\",\"citation\":\"Twigg, Allen. “Persky, Stan”. BC BookWorld Canada. Vancouver: Simon Fraser University, 2007. \"},{\"url\":\"\",\"citation\":\"“Nook Book”. The Georgian. Montreal: Sir George Williams University, 12  November 1969, page 7. \"},{\"url\":\"\",\"citation\":\"“Stan Persky”. The Writers’ Union of Canada: Members’ Pages. The Writer’s Union of Canada, 2009.\"}]"],"_version_":1853670548901462016,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0086_11_0020_back.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0137_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Stan Persky Tape Box - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0086_11_0020_front.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0137_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Stan Persky Tape Box - 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Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/gladys_hindmarch_i086-11-020.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"gladys_hindmarch_i086-11-020.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:45:52\",\"precision\":\"\",\"size\":\"110.1 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"gladys_hindmarch_i086-11-020.mp3 [File 1 of 2]\\n\\nGeorge Bowering\\n00:00:00\\nAnother Vancouver [https://www.wikidata.org/wiki/Q24639] night in the series, this will be, this is the final reading of the fall series, and will be picked up again in January. As you know from the propaganda sheets, we're presenting what I consider to be the centre of the Vancouver writing scene. Gladys Hindmarch has been in that scene for ten years, and was associated with all those people who've got all kinds of names over the last few years such as West Coast movement and the Tish movement and the New Wave Canada [https://www.wikidata.org/wiki/Q16] and that sort of business. And Stan Persky [https://www.wikidata.org/wiki/Q2330087], was as much related if not more because he is also a sort of superstar of little magazines [audience laughter] in San Francisco [https://www.wikidata.org/wiki/Q62], and made the usual move up to Vancouver, what, three years ago? And has now become the superstar of the Vancouver writing scene. What's going to happen is that the reading will be split into two pieces. At the beginning, Stan is going to introduce Gladys, and then there will be a break of about ten minutes, and then Gladys is going to introduce Stan. So, I'd like to give you \\\"Stan and Gladys Evening\\\".\\n \\nStan Persky\\n00:01:43\\n\\\"Beginning again and again is a natural thing, even when there is a series. Beginning again and again and again, explaining composition and time is a natural thing. It is understood by this time that everything's the same, except composition and time. Composition, and the time of the composition and the time in the composition. Everything is the same except composition and as the composition is different, and always going to be different, everything is not the same. Everything is not the same as the time when, of the composition, and the time in the composition is different. The composition is different, that is certain.\\\" Gertrude Stein [https://www.wikidata.org/wiki/Q188385].\\n \\nGladys Hindmarch\\n00:02:40\\nWhen I whistle, just imagine that it's a very good whistler. \\\"They know what they're doing\\\".\\n \\nGladys Hindmarch\\n00:02:53\\nReads \\\"They know what they're doing\\\" [published later as “Callback” in The Watery Part of the World].\\n \\nGladys Hindmarch\\n00:16:08\\nThat's the third in a group of stories, or series of stories that I'm writing. [Audience laughter]. I haven't got a title for this one, it's still in the first day on the trip but it's the seventh story. I call it \\\"The [Salad (?)] Story\\\" in my head but I'll have to find a title for it.\\n \\nGladys Hindmarch\\n00:16:54\\nReads [\\\"Nothing is Simple\\\", published later in The Watery Part of the World].\\n \\nGladys Hindmarch\\n00:33:30\\nAnother, I've got lots of others, but I'm just going to read one other short one that's got a number of daydream passages that I don't think I--it's necessary to know which of the day--I mean you can, I think you can get it, it's just call it \\\"Number 12\\\" right now it also hasn't got a title. \\\"Outside deck scene\\\"--I guess that George [https://www.wikidata.org/wiki/Q1239280] didn't say, I used to work as a mess girl and a cook on a West Coast freighter called the Tahsis Prince, I worked on four or five of them because I was relief working, but the main one I worked on went up the west coast of Vancouver Island [https://www.wikidata.org/wiki/Q170479], and not, they have great difficulty getting women to go out there, maybe obvious reasons in these stories so I could almost get a job on it, whereas the other ones I could get jobs if nobody was available, but since on this particular boat, usually nobody was available. One time I was leaving shopping in the Army and Navy and a guy came down the hall and said, Look you know, they're trying to get a hold of you, you've gotta go up there. And I said, come on, now, and sort of walked me back to the hall. And one Christmas run there were fifty one men--lots of people don't want to go out at Christmas, but a lot of the seamen, just work in the summer, so if they can get a job for two weeks they take it. They had fifty one cards on the board and not one of them--and there was a call for a cook, which was a girl's job and a call for an able seaman, and not one of the fifty-one men would go out on the boat--they got a guy who hadn't registered yet went out. This is an end of summer trip, it's not rough at all.\\n \\nAnnotation\\n00:35:42\\nReads [\\\"How It Feels”, published later in The Watery Part of the World].\\n \\nEND\\n00:45:52\\n[Cut off abruptly].\",\"notes\":\"Gladys Hindmarch reads a series of short stories later published in The Watery Part of the World (Douglas & McIntyre, 1988). \\n\\n00:00- George Bowering introduces reading. [INDEX: ‘Vancouver night’, final reading in fall series, January, ‘propaganda sheet’, centre of Vancouver writing scene, West Coast    movement, Tish movement, New Wave Canada, Stan Persky, little magazines, San Francisco, move to Vancouver, Stan introduces Gladys, intermission, Gladys introduces Stan.]\\n01:43- Stan Persky reads Gertrude Stein quote [INDEX: composition, series, composition, time.]\\n02:40- Gladys Hindmarch introduces “They Know What They’re Doing”. [INDEX: originally published in Writing (renamed GSWS) No.3, April 1970; and in Iron, No. 3 as recorded in The Watery Part of the World; perhaps later published as “Callback” in The Watery Part of the World (Douglas & McIntyre, 1988).]\\n02:53- Reads “They Know What They’re Doing”.\\n16:08- Introduces untitled story, dubbed “The Salad Story”, first line “Setting up supper is not nearly so slow...”. [INDEX: third in series of stories, untitled, trip; published later as “Nothing is Simple” in The Watery Part of the World (Douglas & McIntyre, 1988).]\\n16:54- Reads first line “Setting up supper is not nearly so slow...”.\\n33:30- Introduces first line “The sun on my eyes...” [INDEX: short story, daydream passages, preliminary titled “12”, George Bowering, mess cook on a West Coast freighter called “Tahsis Prince”, relief working, Vancouver Island, women, seamen, jobs, treatment of women, Army and Navy, Christmas, summer, cook; perhaps later published as “How it Feels” in The Watery Part of the World (Douglas & McIntyre, 1988).]\\n35:42- Reads first line “The sun on my eyes...”.\\n45:52.62- END OF RECORDING.\\n\\n“Howard Fink List of Poems Read”:\\nPrint catalogue page from archives contains the following information:\\n \\nTitle: Gladys Hindmarch reading her own poetry: Final Fall Reading 1969\\nSource: One 5” reel, 3 3/4 , mono lasting 45 mins.\\nDate: November 21, 1969\\n \\nIntroduction by Stan Persky\\n \\nSpeakers: Stan Persky, Gladys Hindmarch\\n \\n1.Title: They Know What They’re Doing\\nFirst Line: “Nobody is moving quickly…”\\n2. Title: untitled [is poem actually called “Untitled,” or is it just listed on archived print cat. as such?]\\nFirst Line: “Setting up for supper…”\\n3.Title: untitled\\nFirst Line: “The sun in my eye…”\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/gladys-hindmarch-at-sgwu-1969/\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/stan_persky_i006-11-137.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"stan_persky_i006-11-137.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"111.9 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"stan_persky_i006-11-137.mp3 [File 2 of 2]\\n\\nGladys Hindmarch\\n00:00:00\\nStan and I both view Gertrude Stein as sort of eternal and I find that I can never read more than two pages of her at a time, like you just sort of become hypnotized, but she's pretty good to...like when I'm starting, trying to get into something to start to write and if I just read, you know just open one of her books at any sort of page, you know just at random and I just read two or three sentences, sometimes a paragraph, never more than that...and so I'm going to introduce Stan with a couple of Gertrude Stein sentences.  \\\"There's singularly nothing that makes a difference, a difference in beginning, and in middle, and in ending, except that each generation has something different at which they are all looking. By this I mean so simply that anybody knows it that composition is the difference which makes each and all of them then different from other generations, and this is what makes everything different, otherwise they're all like, and everybody knows it because everybody says it.\\\" Stan Persky. \\n \\nStan Persky\\n00:01:13\\nYeah, I'm doing fine. The reading that I'm going to give is called \\\"The Day\\\", and what it is is pieces of everything that I'm onto right now, and so you have to bear with however unable to follow it out. And of course, like what we're trying to do is give you some sense of what it's like to be out where we are. \\n\\nStan Persky\\n00:01:45\\nReads \\\"Notebook, around August 20th, 1969\\\". \\n \\nStan Persky\\n00:03:34.14\\nIs that unbearably fast?\\n \\nStan Persky\\n00:03:38.89\\nReads \\\"Notebook, around August 25th, 1969\\\".\\n \\nStan Persky\\n00:07:16\\n\\\"Notebook, Sunday, August 29th or 30th, 1969\\\"  You can see the energy this takes, it's just...[laughter]. This is barely doing it. \\\"Jim and Franz...\\\" I'm going to try to read one of these a little more slowly, maybe.\\n \\nStan Persky\\n00:07:42\\nReads \\\"Notebook, Sunday, August 29th or 30th, 1969\\\".\\n \\nStan Persky\\n00:11:45\\nThis one's a longer pull if that's possible. \\\"The Marriage\\\". Angela, this is the gossip for you [laughter]. Coming in here, I was thinking, who's sitting in the room, and you'd like to hear your names [laughter]...Arnie...\\\"The Marriage\\\". \\n \\nStan Persky\\n00:12:23\\nReads \\\"The Marriage\\\". \\n\\nAudience\\n00:19:00\\nLaughter. \\n\\nStan Persky\\n00:19:04\\nTricky dick! [laughter].\\n \\nStan Persky\\n00:19:10\\nResumes reading \\\"The Marriage\\\".\\n \\nAudience\\n00:27:54\\nApplause [cut off]. \\n\\nUnknown\\n00:27:55\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n \\nStan Persky\\n00:27:57\\nReads \\\"To Gladys\\\".\\n \\nAudience\\n00:34:54\\nLaughter.\\n \\nStan Persky\\n00:34:59\\n\\\"October 24th, 1969\\\". Did I write this for this, did I write this reading? \\n \\nStan Persky\\n00:35:08\\nReads \\\"October 24th, 1969\\\".\\n \\nStan Persky\\n00:36:46\\nReads \\\"Jamie\\\". \\n \\nStan Persky\\n00:39:49\\nAnd the last three...\\n \\nUnknown\\n00:39:52\\n[Cut or edit made in tape here. Unknown amount of time elapsed].\\n \\nStan Persky\\n00:39:53\\nReads \\\"Wednesday, November 5th, 1969, by Hunter's Creek\\\".\\n \\nStan Persky\\n00:42:04\\nReads \\\"Fred Study. Notebook, Friday, November 7th, 1969, Fred Study.\\\"\\n \\nStan Persky\\n00:44:17\\nAnd at last, to finish, as far as it's gone, or whatever it is, \\\"The Day\\\".\\n \\nStan Persky\\n00:44:26\\nReads \\\"The Day\\\".\\n \\nEND\\n00:46:38\\n[Cut off abruptly].\",\"notes\":\"Stan Persky reads from Wrestling the Angel (Talonbooks, 1976) as well as a few unpublished poems.\\n\\n00:00- Gladys Hindmarch introduces Stan Persky. [INDEX: Gertrude Stein, reading Stein, Stein quote.]\\n01:13- Stan Persky introduces reading and the poem “Notebook, around August 20th, 1969”. [INDEX: reading called “The Day”, current work; published in Wrestling the Angel (Talonbooks, 1976), titled “It Starts with This”.]\\n01:45- Reads “Notebook, around August 20th, 1969”.\\n03:35- Stan asks audience about speed of his reading.\\n03:38- Reads “Notebook, around August 25th, 1969”.\\n07:16- Introduces “Notebook, around August 29th or 30th, 1969”. [INDEX: energy, Jim, Franz, reading more slowly.]\\n07:42- Reads “Notebook, around August 29th, or 30th, 1969”.\\n11:45- Introduces “The Marriage”. [INDEX: longer poem, Angela, gossip, audience, Arnie (random audience names); published in Wrestling the Angel (Talonbooks, 1976).]\\n12:23- Reads “The Marriage”.\\n18:56- Interrupts poem [INDEX: interruption, tricky dick.]\\n19:10- Continues “The Marriage”.\\n27:57- Reads “To Gladys”. [INDEX: Robert Creeley, Robert Duncan, Pound’s Canto 29, H.D. Warren Tallman.]\\n34:59- Introduces “October 24th, 1969”. [INDEX: write poem for reading.]\\n35:08- Reads “October 24th, 1969”. [INDEX: Robert Duncan, Robert Creeley.]\\n36:46- Reads “Jamie”. [INDEX: Tish magazine, James Reed.]\\n39:53- Reads “Wednesday, November 5th, 1969, by Hunter’s Creek”.\\n42:04- Reads “Fred Study. Notebook, Friday, November 7th, 1969”\\n44:26- Introduces “The Day”.\\n44:26- Reads “The Day”.\\n46:38.09- END OF RECORDING.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/stan-persky-at-sgwu-1969/\"}]"],"score":0.01643844},{"id":"1284","cataloger_name":["Bindu,Reddy"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Robert Creeley at Sir George Williams University, The Poetry Series, 1 January 1970"],"item_title_source":["Cataloguer"],"item_title_note":["\"ROBERT CREELEY Recorded March 6, 1970 3.75 ips, 1/2 track on 1 mil. tape\" written on sticker on the back of the tape's box. \"ROBERT CREELEY I006/SR89.2\" written on sticker on the spine of the tape's box. \"I006-11-089.2\" written on sticker on the reel\n"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 5"],"item_identifiers":["[]"],"creator_names":["Creeley, Robert"],"creator_names_search":["Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"American poet and essayist Robert Creeley was born in 1926 in Arlington, Massachusetts. His early life was marred by tragedy, as he lost his left eye in an accident and suffered the death of his father when he was four years old. Creeley then grew up on a farm, and felt repressed by his traditional Puritanical New England upbringing. After a year of Harvard University, Creeley joined the US Field Service in India and Burma. Returning again to Harvard, he married his first wife Ann MacKinnon, with whom he had three children, only to leave Harvard in his final semester. From 1948 to 1950, Creeley and his family moved to several locations including Provincetown, New Hampshire; Provenance, France; and Mallorca, Spain. Once in Mallorca, he set up The Divers Press with poet Denise Levertov. Creeley thus began correspondence with Charles Olson, and Olson offered Creeley a teaching position at the Black Mountain College in North Carolina, as well as a Bachelor’s degree in 1954. During his short time at Black Mountain, Creely edited Black Mountain Review, a journal known for its experimental writing. As well as many publications in poetry magazines, he published his first collection of short stories in The Gold Diggers in 1954 (Divers Press). After his marriage dissolved, Creeley headed West to San Francisco, meeting with Allen Ginsberg, Gary Snyder, and Kenneth Rexroth, as well as other Beat poets during the San Francisco Poetry Renaissance. Creeley then moved to Albuquerque, New Mexico, completed his M.A., and then took a position as professor of English. There, he met and married Bobbie Louise Hall, with whom he had two daughters and for whom he wrote most of his love poetry. His first major collection of poetry was For Love: Poems 1950-1960, published in 1962 (Scribner Press). Creeley subsequently published his novel, The Island (Scribner Press, 1963), and other poetry collections including Words (Scribner), The Charm: Early and Uncollected Poems (Perishable Press, 1967), and Pieces (Scribner, 1969). His essays and prose publications include A Quick Graph: Collected Notes and Essays (Four Seasons Foundation, 1970), A Sense of Measure (Calder and Boyars, 1973), and Was That a Real Poem and Other Essays (Four Seasons Foundation, 1979). His marriage with Bobbie ended in the late 70’s, and he married his third wife, Penelope Highton.  Creeley continued to publish his poetry in collections such as Later (New Directions, 1979), Mirrors (New Directions, 1983), Windows (New Directions, 1990), Echoes (New Directions, 1994), Life and Death (New Directions, 1998), and If I Were Writing This (New Directions, 2003). He has won a number of awards and honors, including the New York State Poet Laureate from 1989-91. He was elected a Chancellor of the Academy of American Poets in 1999, received the Lannan Lifetime Achievement Award, the Bollingen Prize, the Shelley Memorial Award, a Rockefeller Grant and two Guggenheim Fellowships. Robert Creeley died in 2005, but his poetry has been published posthumously in On Earth: Last Poems and an Essay (University of California Press, 2009), The Collected Poems of Robert Creeley, 1975-2005 (University of California Press, 2006) and Robert Creeley: Selected Poems, 1945-2005 (University of California Press, 2008).\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"Half-track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"Dates":["[{\"date\":\"1970 3 6\",\"type\":\"Performance Date\",\"notes\":\"Date written on sticker on the back of the tape's box (March 6, 1970)\\n\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Room H-651\",\"notes\":\"\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Room H-651"],"City":["Montreal, Quebec"],"content_notes":["Robert Creeley reads from Pieces (Scribner, 1969), In London (Angel Hair Books, 1970), and  from other unknown sources."],"contents":["robert_creeley_i006-11-089-2_1970.mp3\n\nUnknown\n00:00:00.00\n...thing which is regularly said when introducing Robert Creeley [https://www.wikidata.org/wiki/Q918620] would be that he is a, a Black Mountain Poet [https://www.wikidata.org/wiki/Q2905420], and a colleague of Robert Duncan's [https://www.wikidata.org/wiki/Q57421163], and the late Charles Olson's [https://www.wikidata.org/wiki/Q922978]. What has really introduced Robert Creeley to me however, was something I heard him say back in 1963, to the effect that when a man begins to love himself, love himself, to be in the world as he is in it, then things begin to happen to him that are interesting. Now, this is a statement, which is enigmatic in its syntax and yet still spells out what I think you will find interesting about Robert Creeley tonight, that is that he's a man whose poems are close to the process of living. He will be able to give you information in his poems about this process. His poems are about someone who, no matter how difficult this process has become, has loved that particular moment of it. Now that Robert is supplied with cigarettes for the evening, he may as well begin.\n \nAudience\n00:01:43\nApplause [cut off].\n\nRobert Creeley\n00:01:48\nLet me. \"On Vacation\".\n \nRobert Creeley\n00:02:35\nReads \"On Vacation\".\n \nRobert Creeley\n00:02:55\nI'll read one more poem, I made it up all by myself, that's the only thing... \"Do You Think\".\n \nRobert Creeley\n00:03:03\nReads \"Do You Think...\" [published later in A Day Book].\n \nRobert Creeley\n00:04:51\nIt's like a Latter Day [https://www.wikidata.org/wiki/Q42504]quote, no it's like a--I've got a noun [unintelligible].\n\nAudience \n00:05:01\nLaughter. \n\nRobert Creeley\n00:05:03\nThis has nothing in the glasses, nothing in the glass, that's the problem. I want to read, frankly an old and dear friend Robin Blaser [https://www.wikidata.org/wiki/Q2115003], an old and dear friend, a man I much respect and care for just happens to be in the room, I haven't seen him since, like, almost, it feels like 20 minutes ago. But I want therefore to read a few poems that are more recent in composition. \"The Act of Love\".\n\nRobert Creeley\n00:05:50\nReads \"The Act of Love\".\n \nRobert Creeley\n00:07:55\nThen I'd like to read another poem because frankly Robin is a very particular friend, and not will know simply the information I'm trying to get clear, but will know the, you know, you like to read for people, shit, you know. \"The Birds\".\n \nRobert Creeley\n00:08:19\nReads \"The Birds\".\n \nRobert Creeley\n00:09:58\nThen that--\"things seem empty on vacation, if the labors have not been physical, then, some awful grating sound as if some monstrous nose were being blown...\" [begins to read “On Vacation”]--no I've read that once, I won't read it again. But I wanted to read the most recent--I used to have, not an ambition, but I had a lovely sense of Allen Ginsberg's [https://www.wikidata.org/wiki/Q6711] freedom in writing, happily, he's been here not too long ago. And I mean, Allen is a true contemporary, simply that we were born within say, what he's born--his birthday is June 3rd and mine's May 23rd of 1926 and we're, you know, we're very close in time and space. I used to have a sense of not Allen's permission in writing, I mean that permission doesn't exist. I mean, you write what you are given thus to write, nobody designs this occasion, nobody has the authority of it, and I did in a weird way, I envied Allen's ability to be where that situation might occur, you know. Like he could really write any moment, any place, anywhere, and so recently flying. In fact, last week, flying out to Los Angeles, not to Los Angeles, to San Francisco, I'd been awfully harassed in particular dilemmas of responsibility and suddenly sitting on the plane. There was this delicious space, you know, made peace with the plane by drinking everything they would give you instantly and having entered with some. I remember watching Warren, an old, dear friend get on a plane with like, four double vodkas. You know, I said \"Warren, you're going to get drunk\". He said, “No I'm flying back to Vancouver”. Like you mistaked the occasion, you know. And so, I get on the plane, and I thought, “well I can do this too”. And I wrote, my Bobbie who is a friend indeed of Robin's and myself. I'm literally her husband and Robin is a friend in that, what am I? I'm not going to propose that we're--no, but I think it's true. It has nothing to do with fucking. It has to do with the ambiance and reality of another human being. I think we share that reality in her. And she had gotten ill, unhappily and in some unexpected manner and then happily is now okay, but it was a crazy moment of dilemma. \"An Illness\".\n \nRobert Creeley\n00:12:52\nReads \"An Illness\". \n \nRobert Creeley\n00:15:55\nAnd I'm going to read a few more for Robin, and then, \"The Problem\".\n \nRobert Creeley\n00:16:06\nReads \"The Problem\".\n \nRobert Creeley\n00:16:44\nReads \"The Tiger\".\n \nRobert Creeley\n00:17:09\nWhat is reality--this is crossed out--[Reads excerpted material from “The Tiger”]. “What is reality we thought, who is here, we could smell the freshness of the jungle growth and would have been eaten by the tiger were it hungry” [audience laughter]. It's all crossed out. I'll read, this is--\n \nRobert Creeley\n00:17:38\nReads unnamed poem.\n \nRobert Creeley\n00:18:33\n\"Not Being Dumb\"--this is, these are three things together.\n \nRobert Creeley\n00:18:36\nReads \"Not Being Dumb”.\n \nRobert Creeley\n00:19:38\nReads [\"Harry\"].\n \nRobert Creeley\n00:19:46\nLet me just, may I just read around, because these are, like, poems of like the last few months. This was a poem that is variously titled \"Sweet Dreams, Good Harbor Beach\". This is a place in Gloucester [https://www.wikidata.org/wiki/Q49156]. It therefore has a physical location.\n \nRobert Creeley\n00:20:04\nReads \"Sweet Dreams, Good Harbor Beach\".\n \nRobert Creeley\n00:21:15\nI want to read one sequence of, a cluster of particular writing, I won't even have the arrogance to say these are necessarily poems. But the, because I don't in that sense, these are a sequence called \"In London\". And I had, I'll tell you, physically, the circumstance was that I was in London [https://www.wikidata.org/wiki/Q84?wprov=srpw1_0] for five days last summer for a particular activity and I have happily a number of friends in London. Therefore, generously and, actually my time is really filled with seeing particular friends or else having particular business to conduct, and that's one, frankly, one of the satisfactions of one sense of what my life has to do with its own occasion, to have use and to have place. Not to say, “Gee, you're back again. We've kept the table. We've kept the seat for you”. But to have an occasion that actually gives you place in the world is always a delight. And so therefore, I was there briefly and this particular morning, there was to have been a, actually, a recording and it turned out the circumstances of the recording hadn't worked out. So the people involved did not come and so there was a space of three hours in which I was staying at this friend's apartment in London on Wimpole Street, 76 Wimpole Street, just around Oxford Street. You know the neighborhood possibly. And it's a dazzling part of London for an American. Particularly, I mean, it's like Barrets and Wimpole Street and the whole bit, Paul McCartney [https://www.wikidata.org/wiki/Q2599?wprov=srpw1_0] had a place, like two blocks--did have a place two blocks--and the whole bit. You know, and it's very dazzling, and I was in this apartment and I was sleeping actually on the couch of this particular friend, and there were other beds available, but I did not manage. I was not aggressive, so therefore I slept on the couch. It was a heavy time for everybody, and I was thinking of Jim dying, you know whose “A Retrospective of the Whitney” has just opened. And I was staying, actually, with the wife of a publisher who happily I have in London, John Calder [https://www.wikidata.org/wiki/Q6224786] and Marion Boyars [https://www.wikidata.org/wiki/Q18674153]. I was thinking of John Calder's apartment and John and his wife unhappily were having a, I mean, it's ridiculous, I'm not going to rehearse the whole situation of their lives, man. Like we've got enough to enter my own in that way, but the point is that I was sleeping on their couch, right? Everybody had left for their various activities and I was to meet these people to come in and set up this recording equipment and have this scene, and they didn't show up. And I had literally like two or three hours just in that apartment. I was padding around the place in my jammies, feeling beautifully luxurious and relaxed in London, you know, like digging out the window. I'd been the night previous reading at an International Festival of Poetry on a beautiful occasion, and I'd gone over. Jim Dine [https://www.wikidata.org/wiki/Q531234] is frankly a friend from the States and I'd called him up, he's living in, where the hell does he live, Grosvenor square [https://www.wikidata.org/wiki/Q932992], he's like in that district. He's living next to the Uruguay Embassy, like it's a very- he's running a house that somebody is trying to sell, but they can't find an appropriate buyer. Mick Jagger [https://www.wikidata.org/wiki/Q128121] wanted to buy the house, but they didn't want a rock singer, and then the Nigerian Embassy wanted to buy the house but they didn't want to sell, you know. It was a whole trip. So Jim Dine has maintained the premises. So I go there and say \"Terrific\" and \"Wow\". We do the whole American bit, which is frankly to get over excited instantly, and to eat, drink, and be merry with an absolute insistence. And we're now driving over to make the Royal Festival Arts blah, blah, blah scene. And for an American it's a heady trip. I'm going to read now in company with the company of four other people, as part of the International Festival of Poetry and they're having this scene at a place, those of you who know London, they're having a scene at the Queen Elizabeth Hall [https://www.wikidata.org/wiki/Q1622428], that's part of the festival, you know like, complexes across the Thames [https://www.wikidata.org/wiki/Q19686] from the Parliamentary buildings, Tower of London [https://www.wikidata.org/wiki/Q62378], all that. So we're driving  through late London afternoon in July, delicious, I mean, the sun is fading in over those buildings the whole, oh wow, you know, just blow your mind. It's just fantastically tender and real, and that's where Raleigh [https://www.wikidata.org/wiki/Q189144] was imprisoned in the Tower, and that's you know, fantastic. We arrive in absolutely pristine condition, and it took about two minutes to 'x' it all out. So the first two poems--it says “Festival Hall London”, like a note to myself on the side, and the first two poems--like the unrelieved tedium of the evening was just fantastic. I talked to a reporter of like a red rag, a socialist paper in London later. He said, “I don't see any reason why you should show up, Mr. Creeley, before you're required, your presence is literally required”. You know, so I said, “Do you really think that's possible? Do you think I really could do that?”. He said “I don't see any reason why your condition and duty doesn't permit that kind of occasion”, and I said “The hardest thing man is to sit there for like, it isn't the tedium of the people, it's the tedium of the occasion, it's like all these people. I have to have a rock in my pants that I thought it was hashish but it's actually three million, billion years old, it's a worm. We've got time, right?”. So he said “You don't have to”--what was your experience--he's trying to get some, you know he's trying to get some sense of the work as we're not permitted into the reading or something [audience laughter] and I quote the work as we're like generously absent from the reading, like you don't have to do that too, there's going to be a condition of that experience. \"In London\"\n \nRobert Creeley\n00:28:30\nReads \"In London\" [from In London]. \n\nRobert Creeley\n00:28:39\nThis was, like in this absolutely [unintelligible] environment you suddenly look around and see this exit, exit, exit sign red, exit, exit, exit, exit. There was a titter that ran through the audience and then there was nothing more. \"Cards\". This is now back in the apartment.\n \nRobert Creeley\n00:28:58\nResumes reading \"In London\" [from In London]. \n \nRobert Creeley\n00:30:03\nNow, I'll read the crossed out portions. \"There are people in the sky, now you see them, now you don't, won't you take me to my home, and let me play among the stars. The final fears of all the years are met in you tonight.\" This is, this flows out on vague rhythms. “12:30” written as Arabic numerals, read as 12:30 words.\n \nRobert Creeley \n00:30:30.\nResumes reading \"In London” [from In London].\n \nRobert Creeley\n00:30:36\n[Interrupts reading]. You know that scene when you're in a city and know one or two people, keep calling up, \"Well, Ted is sober\", [unintelligible] [audience laughter] and I said \"Man, I was there, I know how tired he is, I'm awake\".\n \nRobert Creeley\n00:30:50\nResumes reading \"In London” [from In London].\n \nRobert Creeley\n00:30:59\n[Interrupts reading]. This was a girl who played the lead in The Beard, actually, in the initial San Francisco [https://www.wikidata.org/wiki/Q62] production who was now working in London playing the same part. Lovely young woman, Billy, trying to remember her last name, very soft and pleasant...\n \nRobert Creeley\n00:31:15\nResumes reading \"In London” [from In London].\n \nRobert Creeley\n00:31:20\n[Interrupts reading]. Let me interpolate, Chamberlain [https://www.wikidata.org/wiki/Q468760] at one point had a weird erotic scene where they were making love by telephone. Have you ever tried that number? So John was was making things like sperm omelet, like he really, somehow it arrived in his madness of mid age, and decided that he was really going to go for broke in terms of sexual possibility. You ever see a man from Indiana take off on the possibilities of sexual endeavor? It's like- so John, Ultra Violet was the perfect foil for this condition. Ultra Violet [https://www.wikidata.org/wiki/Q272994], if you've seen, you must have seen her on the Merv Griffin Show [https://www.wikidata.org/wiki/Q3404046], Ultra Violet like is like the most humorless, John had a tape of her singing \"The Fool on the Hill'' [https://www.wikidata.org/wiki/Q1920202] that went on for weeks. It was like years would pass by. “Ze fool on ze hill”, you know. With this incredibly corny french accent. \"Ze fool on ze hill\" I remember, and he had a scene where they would make love like- I remember one time, the only, the first time I met- oh christ, I'm suddenly flipped out in my own mind, oh hell. It's ridiculous. Well, see, John had a studio on 13th Street and First Avenue, and Larry Rubens had a studio also, and a Japanese girl had a studio, and upstairs was like, directly over John's studio was, oh hell, who's the obvious sculpture, someone supply me with a name, it's ridiculous, the greatest imagination in the arts today in terms of this environment, [audience suggests name] Pardon? No, not Segal [https://www.wikidata.org/wiki/Q703624]. Like Oldenburg [https://www.wikidata.org/wiki/Q156731], Claes Oldenburg. Claes Oldenburg lived upstairs and then he was still with his wife, his crazy factory, the industry, like making the ghosts, I mean they were making the mock-ups of the particular sculptures he was involved in and John, for example, would like wake up, you'd hear like- I spent nights in John's place and you'd hear the radio would turn on, in the morning, like to station k-whatever it was and then you'd hear them moving around getting breakfast and then hear the sewing machine start and the day would begin and Claes Oldenburg has a crazy serious humorous, like the peculiar to my- I was talking to someone about being, you know, coming from Nova Scotia [https://www.wikidata.org/wiki/Q1952], or New Brunswick [https://www.wikidata.org/wiki/Q1965] or St. John's [https://www.wikidata.org/wiki/Q2082] I mean like the [unintelligible] scene is very displaced by that Scandinavian economy, you know, of experience. So John was- do things like one night for an example, he and Ultra Violet had this thing going with the telephone and she called him and he happened to be out and she just let the phone ring. The phone rang from 11:00 to 7 in the morning [laughter.] Like it just keeps ringing. I remember I met Claes Oldenburg that morning, he said \"John, someone was trying to call you last night\" [laughter] and John says \"Yeah, I know.\" It was lovely, yeah. “I got the message”. And that was all either one of them said.\n \nRobert Creeley\n00:35:21\nResumes reading \"In London” [from In London].\n \nRobert Creeley\n00:37:41\n[Interrupts reading]. Then in the actual text there's a point that it's been in print actually for fifteen years in paperback. Somehow, nobody, the friends that we had didn't curiously notice. His reminiscences of Tolstoy [https://www.wikidata.org/wiki/Q7243] in London [https://www.wikidata.org/wiki/Q84], for example. Have you ever read Gorky's [https://www.wikidata.org/wiki/Q12706] Reminiscences of Tolstoy? Fantastic book. \"Wish I were home\"...doesn't just turn you on informationally, it turns you on to conditions of experience, I hope.\n \nRobert Creeley\n00:38:08\nResumes reading “In London” [from In London].\n \nRobert Creeley\n00:39:30\nI wonder what this is, \"Aside, aside\", [unintelligible], February, Spring day, it's from California [https://www.wikidata.org/wiki/Q99].\n \nRobert Creeley\n00:39:46\nReads [“That Day” from In London].\n \nRobert Creeley\n00:39:51\n[Interrupts reading]. See, I love that \"And that day, in an oak tree, falls way, comes here\", I love that “interup-tions”.\n\nRobert Creeley\n00:40:00\nResumes reading [“That  Day” from In London].\n \nRobert Creeley\n00:40:04\n[Interrupts reading]. I love that play of language.\n \nRobert Creeley\n00:40:07\nResumes reading [“That  Day” from In London].\n \nRobert Creeley\n00:40:54\nThat I, this was a--one time back in the earlier part of the 60's, Ginsberg [https://www.wikidata.org/wiki/Q6711] was given a tape recorder by Bob Dylan [https://www.wikidata.org/wiki/Q392] and when they were both in San Francisco [https://www.wikidata.org/wiki/Q62]. Dylan gave Allen a Uher tape recorder and they had been in San Francisco, now Allen went down to Los Angeles [https://www.wikidata.org/wiki/Q65] and he talked to people like Gerald Heard [https://www.wikidata.org/wiki/Q1606714], he had long conversations with Lenny Bruce [https://www.wikidata.org/wiki/Q460876], and he also went to see Maria Huxley, and he was particularly interested as to what were Huxley's, not merely, he knew what Huxley died of, Huxley died of cancer in a factual and actual manner. But he was very interested into what was Huxley's not state, like he didn't want to hear his last words in some awful sense, but he wanted to know what kind of experience of death Huxley had had. And if this particular experience of death had been in any way informed by the circumstance of experience that Huxley had begun to be more and more involved with as he grew older, namely acid and the transformation, not the transformation but the particularization of experience that he found in the psychedelic so-called drugs. And so he asked Maria Huxley the very obvious question, “was Huxley on acid when he died? Did he take acid previous to his death?” And she said, “well, he had asked that when he was thus conscious. I mean he did go into a coma. He did have a float, physically, and he asked that he have acid available. I mean that the cap of acid be place conveniently by the bed, and that he would obviously determine when and as and if he wanted to take it. It would be there. It would be like an aspirin, like a glass of water,” and she said that roughly half an hour previous to his physical death, he took acid. And then Allen asked the other obvious question, did he say anything? Did he say anything of the experience of the circumstance? She said, no he didn't, he said nothing. But this is a woman who'd lived obviously with this man for a particular length of time and had information specifically, she said no, but there was this beatific smile, he was attending his own, you know, like he was attending, not the apocalypse, but the phenomenality of his own dispersion into you know other states of being, with the agency that's created.\n \nRobert Creeley\n00:43:49\nReads [section of “Little Time--And Place” from In London]. \n \nRobert Creeley\n00:44:05\nI want to read one last poem from this text, and then I'll go back to books you may know. \"A Wall\".\n \nRobert Creeley\n00:44:15\nReads \"A Wall\".\n \nUnknown\n00:45:20\n[Cut or edit made in tape. Unknown amount of  time elapsed].\n\nRobert Creeley\n00:45:22\n..simply identifies the title of the book that you're referring to and the name of the man who wrote it. \n\nUnknown\n00:45:25\n[Cut or edit made in tape. Unknown amount of time elapsed].\n\nRobert Creeley\n00:45:26\n...he didn't want to make it hard for anybody, certainly didn't want to make it thus easy. But, particular information was always of that nature, you couldn't describe it, you certainly couldn't make it a convenience, so that the actuation of it for you always had to be the particular resource and fact of your own--I mean, it had to be that you did know it. It wasn't like one-upping, \"Gee, you don't know the name of the capital of Madagascar\" [https://www.wikidata.org/wiki/Q1019?wprov=srpw1_0], like I don't know the name of the capital of Madagascar, is there a capital of Madagascar? I guess, you couldn't. That wasn't the condition, but if something was there to be known, that was of some particular interest to him, he gave you the fact of that interest and the substance of that interest, but he didn't give you the convenience of that interest, you had not merely to track his experience into it, but you had to get there, like you had to get there by your own agency. But I think I could--someone said, like man, like the dots in this particular book, pieces, and there's a lovely remark by Ed Dorn [https://www.wikidata.org/wiki/Q5334756] whom I dearly love, he said you know, that sense of the pieces of the definition, [unintelligible] of the parts of some of the imagined whole, which these pieces are then the fragments or the parts of, then he says, he effectually suggests, think of a situation where the pieces do not compose that possible containment, the parts that do not necessarily relate and or have the substance of the whole thus to inform them. Like now, you're really in a hole, dig. And his definition of tradition: that which someone comes carrying the information of, literally, he got there, with the news. So the dots in this book, the three dots, those of you who are interested in these explications of text, these three dots simply indicate the intervals of a particular sitting, or a particular, you know literally, you see how this is written, it's like in a notebook, well what was written on a particular day would be separated in this text by three dots, you know, like usually the particular things written would be separated by one dot then when another day occurred there'd be three dots, I mean it's a very rudimentary division.\n \nRobert Creeley\n00:47:53\nReads \"The which it was\" [from Pieces].\n \nRobert Creeley\n00:49:15\n\"Re Bob's Film (CUT)\", this was a movie done, friend--this is not even interesting, this is an 8 mm film called \"Cut\".\n \nRobert Creeley\n00:49:23\nReads \"Re Bob's Film (CUT)\" [from Pieces].\n \nRobert Creeley\n00:51:53\nI want to skip, like I want to skip to the end of this book and read frankly, if I may for a close, let me read a sequence called \"Mazatlan: Sea\" which comes together as a close to this particular book and is writing of the same order.\n \nRobert Creeley\n00:52:15\nReads \"Mazatlan: Sea\" [from Pieces].\n \nEND\n01:07:47\n"],"Note":["[{\"note\":\"Year-Specific Information: \\n\\nRobert Creeley tenured as a full professor at SUNY Buffalo in 1967, edited The New Writing in the USA with Don Allen, and published Words and The Charm: Early and Uncollected Poems.  Creeley attended the London International Poetry Festival in July of 1967\",\"type\":\"General\"},{\"note\":\"Local Connections: \\n\\nCreeley had ties with Irving Layton through the Black Mountain Review in the 50’s. Creeley moved to Vancouver to work at the University of British Columbia in 1960-61. He had contacts with Phyllis Webb and Irving Layton. Creeley was George Bowering’s Master's thesis advisor at University of British Columbia until 1963, and wrote introductions for Bowering’s poetry. He came to visit Montreal and Sir George Williams University the same year Layton was poet in residence, after years of correspondence.\",\"type\":\"General\"},{\"note\":\"Original transcript, research, introduction and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Sarah McDonnell and Ali Barillaro\",\"type\":\"Cataloguer\"},{\"note\":\"Reel-to-reel tape>CD>digital file\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/collected-poems-of-robert-creeley/oclc/1151730303&referer=brief_results\",\"citation\":\"Creeley, Robert, and Penelope Creeley. The Collected Poems of Robert Creeley: 1945-1975. University of California Press, 2006. \"},{\"url\":\"https://www.worldcat.org/title/was-that-a-real-poem-other-essays/oclc/247870873&referer=brief_results#reviews\",\"citation\":\"Creeley, Robert; Allen, Donald; Novik, Mary. Was That a Real Poem and Other Essays. Four Seasons Foundation, 1979.\"},{\"url\":\"https://www.worldcat.org/title/in-london/oclc/970961442?referer=di&ht=edition\",\"citation\":\"Creeley Robert. In London. Bolinas: Angel Hair Books, 1970.\"},{\"url\":\"https://www.worldcat.org/title/words-poems/oclc/421895361?referer=di&ht=edition\",\"citation\":\"Creeley, Robert. Words: poems. New York: Scribner, 1967. \"},{\"url\":\"https://www.worldcat.org/title/sense-of-measure/oclc/718716260&referer=brief_results\",\"citation\":\"Creeley, Robert. A Sense of Measure. Calder and Boyars, 1973. \"},{\"url\":\"https://www.worldcat.org/title/some-echoes/oclc/1167543687&referer=brief_results\",\"citation\":\"Creeley, Robert. Echoes. New Directions, 1994.\"},{\"url\":\"https://www.worldcat.org/title/for-love-poems-1950-1960/oclc/268031?referer=di&ht=edition\",\"citation\":\"Creeley, Robert. For Love: Poems Poems 1950-1960. New York: Scribner, 1962. \"},{\"url\":\"https://www.worldcat.org/title/if-i-were-writing-this/oclc/181140062&referer=brief_results\",\"citation\":\"Creeley, Robert. If I Were Writing This. New Directions, 2008. \"},{\"url\":\"https://www.worldcat.org/title/later/oclc/470953767&referer=brief_results\",\"citation\":\"Creeley, Robert. Later. New Directions, 1980.\"},{\"url\":\"https://www.worldcat.org/title/life-death/oclc/694895837&referer=brief_results\",\"citation\":\"Creeley, Robert. Life and Death. New Directions, 2000. \"},{\"url\":\"https://www.worldcat.org/title/mirrors/oclc/239774564&referer=brief_results\",\"citation\":\"Creeley, Robert. Mirrors. New Directions, 1983.\"},{\"url\":\"https://www.worldcat.org/title/on-earth-last-poems-and-an-essay/oclc/264039622&referer=brief_results\",\"citation\":\"Creeley, Robert. On Earth: Last Poems and an Essay. University of California Press, 2009. \"},{\"url\":\"https://www.worldcat.org/title/pieces/oclc/729928833&referer=brief_results\",\"citation\":\"Creeley, Robert. Pieces. New York: Scribner, 1969. \"},{\"url\":\"https://www.worldcat.org/title/charm/oclc/9997283&referer=brief_results\",\"citation\":\"Creeley, Robert. The Charm: Early and Uncollected Poems. Book People & Mudra, 1971. \"},{\"url\":\"https://www.worldcat.org/title/gold-diggers-and-other-stories/oclc/10263594&referer=brief_results\",\"citation\":\"Creeley, Robert. The Gold Diggers. Divers Press, 1954. \"},{\"url\":\"https://www.worldcat.org/title/island/oclc/6464917&referer=brief_results\",\"citation\":\"Creeley, Robert. The Island. New York: Scribner, 1970. \"},{\"url\":\"https://www.worldcat.org/title/windows/oclc/797857141&referer=brief_results\",\"citation\":\"Creeley, Robert. Windows. Boyars, 1991.\"},{\"url\":\"https://www.worldcat.org/title/robert-creeley-a-biography/oclc/951202214&referer=brief_results\",\"citation\":\"Fass, Ekbert. Robert Creeley: A Biography. Montreal: McGill-Queen’s University Press, 2001.\"},{\"url\":\"http://news.google.com/newspapers?id=O5UtAAAAIBAJ&sjid=4p8FAAAAIBAJ&pg=3951,6182119&dq=sir+george+williams+poetry&hl=en\",\"citation\":\"“Poetry Series Coming Up At University”. Montreal: The Gazette. 31 December 1966, page 39. \\n\"},{\"url\":\"\",\"citation\":\"O’Reilly, Elizabeth. “Creeley, Robert, 1926-”. Literature Online Biography. Proquest, 2008. \"}]"],"_version_":1853670548903559168,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0089-2_tape.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0089-2_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Robert Creeley Tape Box 2 - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0089-2_front.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0089-2_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Robert Creeley Tape Box 2 - Front\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0089-2_back.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0089-2_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Robert Creeley Tape Box 2 - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0089-2_side.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0089-2_side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Robert Creeley Tape Box 2 - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/robert_creeley_i006-11-089-2_1970.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"robert_creeley_i006-11-089-2_1970.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:07:47\",\"precision\":\"\",\"size\":\"162.7 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"Unknown\\n00:00:00.00\\n...thing which is regularly said when introducing Robert Creeley [https://www.wikidata.org/wiki/Q918620] would be that he is a, a Black Mountain Poet [https://www.wikidata.org/wiki/Q2905420], and a colleague of Robert Duncan's [https://www.wikidata.org/wiki/Q57421163], and the late Charles Olson's [https://www.wikidata.org/wiki/Q922978]. What has really introduced Robert Creeley to me however, was something I heard him say back in 1963, to the effect that when a man begins to love himself, love himself, to be in the world as he is in it, then things begin to happen to him that are interesting. Now, this is a statement, which is enigmatic in its syntax and yet still spells out what I think you will find interesting about Robert Creeley tonight, that is that he's a man whose poems are close to the process of living. He will be able to give you information in his poems about this process. His poems are about someone who, no matter how difficult this process has become, has loved that particular moment of it. Now that Robert is supplied with cigarettes for the evening, he may as well begin.\\n \\nAudience\\n00:01:43\\nApplause [cut off].\\n\\nRobert Creeley\\n00:01:48\\nLet me. \\\"On Vacation\\\".\\n \\nRobert Creeley\\n00:02:35\\nReads \\\"On Vacation\\\".\\n \\nRobert Creeley\\n00:02:55\\nI'll read one more poem, I made it up all by myself, that's the only thing... \\\"Do You Think\\\".\\n \\nRobert Creeley\\n00:03:03\\nReads \\\"Do You Think...\\\" [published later in A Day Book].\\n \\nRobert Creeley\\n00:04:51\\nIt's like a Latter Day [https://www.wikidata.org/wiki/Q42504]quote, no it's like a--I've got a noun [unintelligible].\\n\\nAudience \\n00:05:01\\nLaughter. \\n\\nRobert Creeley\\n00:05:03\\nThis has nothing in the glasses, nothing in the glass, that's the problem. I want to read, frankly an old and dear friend Robin Blaser [https://www.wikidata.org/wiki/Q2115003], an old and dear friend, a man I much respect and care for just happens to be in the room, I haven't seen him since, like, almost, it feels like 20 minutes ago. But I want therefore to read a few poems that are more recent in composition. \\\"The Act of Love\\\".\\n\\nRobert Creeley\\n00:05:50\\nReads \\\"The Act of Love\\\".\\n \\nRobert Creeley\\n00:07:55\\nThen I'd like to read another poem because frankly Robin is a very particular friend, and not will know simply the information I'm trying to get clear, but will know the, you know, you like to read for people, shit, you know. \\\"The Birds\\\".\\n \\nRobert Creeley\\n00:08:19\\nReads \\\"The Birds\\\".\\n \\nRobert Creeley\\n00:09:58\\nThen that--\\\"things seem empty on vacation, if the labors have not been physical, then, some awful grating sound as if some monstrous nose were being blown...\\\" [begins to read “On Vacation”]--no I've read that once, I won't read it again. But I wanted to read the most recent--I used to have, not an ambition, but I had a lovely sense of Allen Ginsberg's [https://www.wikidata.org/wiki/Q6711] freedom in writing, happily, he's been here not too long ago. And I mean, Allen is a true contemporary, simply that we were born within say, what he's born--his birthday is June 3rd and mine's May 23rd of 1926 and we're, you know, we're very close in time and space. I used to have a sense of not Allen's permission in writing, I mean that permission doesn't exist. I mean, you write what you are given thus to write, nobody designs this occasion, nobody has the authority of it, and I did in a weird way, I envied Allen's ability to be where that situation might occur, you know. Like he could really write any moment, any place, anywhere, and so recently flying. In fact, last week, flying out to Los Angeles, not to Los Angeles, to San Francisco, I'd been awfully harassed in particular dilemmas of responsibility and suddenly sitting on the plane. There was this delicious space, you know, made peace with the plane by drinking everything they would give you instantly and having entered with some. I remember watching Warren, an old, dear friend get on a plane with like, four double vodkas. You know, I said \\\"Warren, you're going to get drunk\\\". He said, “No I'm flying back to Vancouver”. Like you mistaked the occasion, you know. And so, I get on the plane, and I thought, “well I can do this too”. And I wrote, my Bobbie who is a friend indeed of Robin's and myself. I'm literally her husband and Robin is a friend in that, what am I? I'm not going to propose that we're--no, but I think it's true. It has nothing to do with fucking. It has to do with the ambiance and reality of another human being. I think we share that reality in her. And she had gotten ill, unhappily and in some unexpected manner and then happily is now okay, but it was a crazy moment of dilemma. \\\"An Illness\\\".\\n \\nRobert Creeley\\n00:12:52\\nReads \\\"An Illness\\\". \\n \\nRobert Creeley\\n00:15:55\\nAnd I'm going to read a few more for Robin, and then, \\\"The Problem\\\".\\n \\nRobert Creeley\\n00:16:06\\nReads \\\"The Problem\\\".\\n \\nRobert Creeley\\n00:16:44\\nReads \\\"The Tiger\\\".\\n \\nRobert Creeley\\n00:17:09\\nWhat is reality--this is crossed out--[Reads excerpted material from “The Tiger”]. “What is reality we thought, who is here, we could smell the freshness of the jungle growth and would have been eaten by the tiger were it hungry” [audience laughter]. It's all crossed out. I'll read, this is--\\n \\nRobert Creeley\\n00:17:38\\nReads unnamed poem.\\n \\nRobert Creeley\\n00:18:33\\n\\\"Not Being Dumb\\\"--this is, these are three things together.\\n \\nRobert Creeley\\n00:18:36\\nReads \\\"Not Being Dumb”.\\n \\nRobert Creeley\\n00:19:38\\nReads [\\\"Harry\\\"].\\n \\nRobert Creeley\\n00:19:46\\nLet me just, may I just read around, because these are, like, poems of like the last few months. This was a poem that is variously titled \\\"Sweet Dreams, Good Harbor Beach\\\". This is a place in Gloucester [https://www.wikidata.org/wiki/Q49156]. It therefore has a physical location.\\n \\nRobert Creeley\\n00:20:04\\nReads \\\"Sweet Dreams, Good Harbor Beach\\\".\\n \\nRobert Creeley\\n00:21:15\\nI want to read one sequence of, a cluster of particular writing, I won't even have the arrogance to say these are necessarily poems. But the, because I don't in that sense, these are a sequence called \\\"In London\\\". And I had, I'll tell you, physically, the circumstance was that I was in London [https://www.wikidata.org/wiki/Q84?wprov=srpw1_0] for five days last summer for a particular activity and I have happily a number of friends in London. Therefore, generously and, actually my time is really filled with seeing particular friends or else having particular business to conduct, and that's one, frankly, one of the satisfactions of one sense of what my life has to do with its own occasion, to have use and to have place. Not to say, “Gee, you're back again. We've kept the table. We've kept the seat for you”. But to have an occasion that actually gives you place in the world is always a delight. And so therefore, I was there briefly and this particular morning, there was to have been a, actually, a recording and it turned out the circumstances of the recording hadn't worked out. So the people involved did not come and so there was a space of three hours in which I was staying at this friend's apartment in London on Wimpole Street, 76 Wimpole Street, just around Oxford Street. You know the neighborhood possibly. And it's a dazzling part of London for an American. Particularly, I mean, it's like Barrets and Wimpole Street and the whole bit, Paul McCartney [https://www.wikidata.org/wiki/Q2599?wprov=srpw1_0] had a place, like two blocks--did have a place two blocks--and the whole bit. You know, and it's very dazzling, and I was in this apartment and I was sleeping actually on the couch of this particular friend, and there were other beds available, but I did not manage. I was not aggressive, so therefore I slept on the couch. It was a heavy time for everybody, and I was thinking of Jim dying, you know whose “A Retrospective of the Whitney” has just opened. And I was staying, actually, with the wife of a publisher who happily I have in London, John Calder [https://www.wikidata.org/wiki/Q6224786] and Marion Boyars [https://www.wikidata.org/wiki/Q18674153]. I was thinking of John Calder's apartment and John and his wife unhappily were having a, I mean, it's ridiculous, I'm not going to rehearse the whole situation of their lives, man. Like we've got enough to enter my own in that way, but the point is that I was sleeping on their couch, right? Everybody had left for their various activities and I was to meet these people to come in and set up this recording equipment and have this scene, and they didn't show up. And I had literally like two or three hours just in that apartment. I was padding around the place in my jammies, feeling beautifully luxurious and relaxed in London, you know, like digging out the window. I'd been the night previous reading at an International Festival of Poetry on a beautiful occasion, and I'd gone over. Jim Dine [https://www.wikidata.org/wiki/Q531234] is frankly a friend from the States and I'd called him up, he's living in, where the hell does he live, Grosvenor square [https://www.wikidata.org/wiki/Q932992], he's like in that district. He's living next to the Uruguay Embassy, like it's a very- he's running a house that somebody is trying to sell, but they can't find an appropriate buyer. Mick Jagger [https://www.wikidata.org/wiki/Q128121] wanted to buy the house, but they didn't want a rock singer, and then the Nigerian Embassy wanted to buy the house but they didn't want to sell, you know. It was a whole trip. So Jim Dine has maintained the premises. So I go there and say \\\"Terrific\\\" and \\\"Wow\\\". We do the whole American bit, which is frankly to get over excited instantly, and to eat, drink, and be merry with an absolute insistence. And we're now driving over to make the Royal Festival Arts blah, blah, blah scene. And for an American it's a heady trip. I'm going to read now in company with the company of four other people, as part of the International Festival of Poetry and they're having this scene at a place, those of you who know London, they're having a scene at the Queen Elizabeth Hall [https://www.wikidata.org/wiki/Q1622428], that's part of the festival, you know like, complexes across the Thames [https://www.wikidata.org/wiki/Q19686] from the Parliamentary buildings, Tower of London [https://www.wikidata.org/wiki/Q62378], all that. So we're driving  through late London afternoon in July, delicious, I mean, the sun is fading in over those buildings the whole, oh wow, you know, just blow your mind. It's just fantastically tender and real, and that's where Raleigh [https://www.wikidata.org/wiki/Q189144] was imprisoned in the Tower, and that's you know, fantastic. We arrive in absolutely pristine condition, and it took about two minutes to 'x' it all out. So the first two poems--it says “Festival Hall London”, like a note to myself on the side, and the first two poems--like the unrelieved tedium of the evening was just fantastic. I talked to a reporter of like a red rag, a socialist paper in London later. He said, “I don't see any reason why you should show up, Mr. Creeley, before you're required, your presence is literally required”. You know, so I said, “Do you really think that's possible? Do you think I really could do that?”. He said “I don't see any reason why your condition and duty doesn't permit that kind of occasion”, and I said “The hardest thing man is to sit there for like, it isn't the tedium of the people, it's the tedium of the occasion, it's like all these people. I have to have a rock in my pants that I thought it was hashish but it's actually three million, billion years old, it's a worm. We've got time, right?”. So he said “You don't have to”--what was your experience--he's trying to get some, you know he's trying to get some sense of the work as we're not permitted into the reading or something [audience laughter] and I quote the work as we're like generously absent from the reading, like you don't have to do that too, there's going to be a condition of that experience. \\\"In London\\\"\\n \\nRobert Creeley\\n00:28:30\\nReads \\\"In London\\\" [from In London]. \\n\\nRobert Creeley\\n00:28:39\\nThis was, like in this absolutely [unintelligible] environment you suddenly look around and see this exit, exit, exit sign red, exit, exit, exit, exit. There was a titter that ran through the audience and then there was nothing more. \\\"Cards\\\". This is now back in the apartment.\\n \\nRobert Creeley\\n00:28:58\\nResumes reading \\\"In London\\\" [from In London]. \\n \\nRobert Creeley\\n00:30:03\\nNow, I'll read the crossed out portions. \\\"There are people in the sky, now you see them, now you don't, won't you take me to my home, and let me play among the stars. The final fears of all the years are met in you tonight.\\\" This is, this flows out on vague rhythms. “12:30” written as Arabic numerals, read as 12:30 words.\\n \\nRobert Creeley \\n00:30:30.\\nResumes reading \\\"In London” [from In London].\\n \\nRobert Creeley\\n00:30:36\\n[Interrupts reading]. You know that scene when you're in a city and know one or two people, keep calling up, \\\"Well, Ted is sober\\\", [unintelligible] [audience laughter] and I said \\\"Man, I was there, I know how tired he is, I'm awake\\\".\\n \\nRobert Creeley\\n00:30:50\\nResumes reading \\\"In London” [from In London].\\n \\nRobert Creeley\\n00:30:59\\n[Interrupts reading]. This was a girl who played the lead in The Beard, actually, in the initial San Francisco [https://www.wikidata.org/wiki/Q62] production who was now working in London playing the same part. Lovely young woman, Billy, trying to remember her last name, very soft and pleasant...\\n \\nRobert Creeley\\n00:31:15\\nResumes reading \\\"In London” [from In London].\\n \\nRobert Creeley\\n00:31:20\\n[Interrupts reading]. Let me interpolate, Chamberlain [https://www.wikidata.org/wiki/Q468760] at one point had a weird erotic scene where they were making love by telephone. Have you ever tried that number? So John was was making things like sperm omelet, like he really, somehow it arrived in his madness of mid age, and decided that he was really going to go for broke in terms of sexual possibility. You ever see a man from Indiana take off on the possibilities of sexual endeavor? It's like- so John, Ultra Violet was the perfect foil for this condition. Ultra Violet [https://www.wikidata.org/wiki/Q272994], if you've seen, you must have seen her on the Merv Griffin Show [https://www.wikidata.org/wiki/Q3404046], Ultra Violet like is like the most humorless, John had a tape of her singing \\\"The Fool on the Hill'' [https://www.wikidata.org/wiki/Q1920202] that went on for weeks. It was like years would pass by. “Ze fool on ze hill”, you know. With this incredibly corny french accent. \\\"Ze fool on ze hill\\\" I remember, and he had a scene where they would make love like- I remember one time, the only, the first time I met- oh christ, I'm suddenly flipped out in my own mind, oh hell. It's ridiculous. Well, see, John had a studio on 13th Street and First Avenue, and Larry Rubens had a studio also, and a Japanese girl had a studio, and upstairs was like, directly over John's studio was, oh hell, who's the obvious sculpture, someone supply me with a name, it's ridiculous, the greatest imagination in the arts today in terms of this environment, [audience suggests name] Pardon? No, not Segal [https://www.wikidata.org/wiki/Q703624]. Like Oldenburg [https://www.wikidata.org/wiki/Q156731], Claes Oldenburg. Claes Oldenburg lived upstairs and then he was still with his wife, his crazy factory, the industry, like making the ghosts, I mean they were making the mock-ups of the particular sculptures he was involved in and John, for example, would like wake up, you'd hear like- I spent nights in John's place and you'd hear the radio would turn on, in the morning, like to station k-whatever it was and then you'd hear them moving around getting breakfast and then hear the sewing machine start and the day would begin and Claes Oldenburg has a crazy serious humorous, like the peculiar to my- I was talking to someone about being, you know, coming from Nova Scotia [https://www.wikidata.org/wiki/Q1952], or New Brunswick [https://www.wikidata.org/wiki/Q1965] or St. John's [https://www.wikidata.org/wiki/Q2082] I mean like the [unintelligible] scene is very displaced by that Scandinavian economy, you know, of experience. So John was- do things like one night for an example, he and Ultra Violet had this thing going with the telephone and she called him and he happened to be out and she just let the phone ring. The phone rang from 11:00 to 7 in the morning [laughter.] Like it just keeps ringing. I remember I met Claes Oldenburg that morning, he said \\\"John, someone was trying to call you last night\\\" [laughter] and John says \\\"Yeah, I know.\\\" It was lovely, yeah. “I got the message”. And that was all either one of them said.\\n \\nRobert Creeley\\n00:35:21\\nResumes reading \\\"In London” [from In London].\\n \\nRobert Creeley\\n00:37:41\\n[Interrupts reading]. Then in the actual text there's a point that it's been in print actually for fifteen years in paperback. Somehow, nobody, the friends that we had didn't curiously notice. His reminiscences of Tolstoy [https://www.wikidata.org/wiki/Q7243] in London [https://www.wikidata.org/wiki/Q84], for example. Have you ever read Gorky's [https://www.wikidata.org/wiki/Q12706] Reminiscences of Tolstoy? Fantastic book. \\\"Wish I were home\\\"...doesn't just turn you on informationally, it turns you on to conditions of experience, I hope.\\n \\nRobert Creeley\\n00:38:08\\nResumes reading “In London” [from In London].\\n \\nRobert Creeley\\n00:39:30\\nI wonder what this is, \\\"Aside, aside\\\", [unintelligible], February, Spring day, it's from California [https://www.wikidata.org/wiki/Q99].\\n \\nRobert Creeley\\n00:39:46\\nReads [“That Day” from In London].\\n \\nRobert Creeley\\n00:39:51\\n[Interrupts reading]. See, I love that \\\"And that day, in an oak tree, falls way, comes here\\\", I love that “interup-tions”.\\n\\nRobert Creeley\\n00:40:00\\nResumes reading [“That  Day” from In London].\\n \\nRobert Creeley\\n00:40:04\\n[Interrupts reading]. I love that play of language.\\n \\nRobert Creeley\\n00:40:07\\nResumes reading [“That  Day” from In London].\\n \\nRobert Creeley\\n00:40:54\\nThat I, this was a--one time back in the earlier part of the 60's, Ginsberg [https://www.wikidata.org/wiki/Q6711] was given a tape recorder by Bob Dylan [https://www.wikidata.org/wiki/Q392] and when they were both in San Francisco [https://www.wikidata.org/wiki/Q62]. Dylan gave Allen a Uher tape recorder and they had been in San Francisco, now Allen went down to Los Angeles [https://www.wikidata.org/wiki/Q65] and he talked to people like Gerald Heard [https://www.wikidata.org/wiki/Q1606714], he had long conversations with Lenny Bruce [https://www.wikidata.org/wiki/Q460876], and he also went to see Maria Huxley, and he was particularly interested as to what were Huxley's, not merely, he knew what Huxley died of, Huxley died of cancer in a factual and actual manner. But he was very interested into what was Huxley's not state, like he didn't want to hear his last words in some awful sense, but he wanted to know what kind of experience of death Huxley had had. And if this particular experience of death had been in any way informed by the circumstance of experience that Huxley had begun to be more and more involved with as he grew older, namely acid and the transformation, not the transformation but the particularization of experience that he found in the psychedelic so-called drugs. And so he asked Maria Huxley the very obvious question, “was Huxley on acid when he died? Did he take acid previous to his death?” And she said, “well, he had asked that when he was thus conscious. I mean he did go into a coma. He did have a float, physically, and he asked that he have acid available. I mean that the cap of acid be place conveniently by the bed, and that he would obviously determine when and as and if he wanted to take it. It would be there. It would be like an aspirin, like a glass of water,” and she said that roughly half an hour previous to his physical death, he took acid. And then Allen asked the other obvious question, did he say anything? Did he say anything of the experience of the circumstance? She said, no he didn't, he said nothing. But this is a woman who'd lived obviously with this man for a particular length of time and had information specifically, she said no, but there was this beatific smile, he was attending his own, you know, like he was attending, not the apocalypse, but the phenomenality of his own dispersion into you know other states of being, with the agency that's created.\\n \\nRobert Creeley\\n00:43:49\\nReads [section of “Little Time--And Place” from In London]. \\n \\nRobert Creeley\\n00:44:05\\nI want to read one last poem from this text, and then I'll go back to books you may know. \\\"A Wall\\\".\\n \\nRobert Creeley\\n00:44:15\\nReads \\\"A Wall\\\".\\n \\nUnknown\\n00:45:20\\n[Cut or edit made in tape. Unknown amount of  time elapsed].\\n\\nRobert Creeley\\n00:45:22\\n..simply identifies the title of the book that you're referring to and the name of the man who wrote it. \\n\\nUnknown\\n00:45:25\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n\\nRobert Creeley\\n00:45:26\\n...he didn't want to make it hard for anybody, certainly didn't want to make it thus easy. But, particular information was always of that nature, you couldn't describe it, you certainly couldn't make it a convenience, so that the actuation of it for you always had to be the particular resource and fact of your own--I mean, it had to be that you did know it. It wasn't like one-upping, \\\"Gee, you don't know the name of the capital of Madagascar\\\" [https://www.wikidata.org/wiki/Q1019?wprov=srpw1_0], like I don't know the name of the capital of Madagascar, is there a capital of Madagascar? I guess, you couldn't. That wasn't the condition, but if something was there to be known, that was of some particular interest to him, he gave you the fact of that interest and the substance of that interest, but he didn't give you the convenience of that interest, you had not merely to track his experience into it, but you had to get there, like you had to get there by your own agency. But I think I could--someone said, like man, like the dots in this particular book, pieces, and there's a lovely remark by Ed Dorn [https://www.wikidata.org/wiki/Q5334756] whom I dearly love, he said you know, that sense of the pieces of the definition, [unintelligible] of the parts of some of the imagined whole, which these pieces are then the fragments or the parts of, then he says, he effectually suggests, think of a situation where the pieces do not compose that possible containment, the parts that do not necessarily relate and or have the substance of the whole thus to inform them. Like now, you're really in a hole, dig. And his definition of tradition: that which someone comes carrying the information of, literally, he got there, with the news. So the dots in this book, the three dots, those of you who are interested in these explications of text, these three dots simply indicate the intervals of a particular sitting, or a particular, you know literally, you see how this is written, it's like in a notebook, well what was written on a particular day would be separated in this text by three dots, you know, like usually the particular things written would be separated by one dot then when another day occurred there'd be three dots, I mean it's a very rudimentary division.\\n \\nRobert Creeley\\n00:47:53\\nReads \\\"The which it was\\\" [from Pieces].\\n \\nRobert Creeley\\n00:49:15\\n\\\"Re Bob's Film (CUT)\\\", this was a movie done, friend--this is not even interesting, this is an 8 mm film called \\\"Cut\\\".\\n \\nRobert Creeley\\n00:49:23\\nReads \\\"Re Bob's Film (CUT)\\\" [from Pieces].\\n \\nRobert Creeley\\n00:51:53\\nI want to skip, like I want to skip to the end of this book and read frankly, if I may for a close, let me read a sequence called \\\"Mazatlan: Sea\\\" which comes together as a close to this particular book and is writing of the same order.\\n \\nRobert Creeley\\n00:52:15\\nReads \\\"Mazatlan: Sea\\\" [from Pieces].\\n \\nEND\\n01:07:47\\n\",\"notes\":\"Robert Creeley reads from Pieces (Scribner, 1969), In London (Angel Hair Books, 1970), and  from other unknown sources.\\n\\n00:00- Unknown male introduces Robert Creeley. [INDEX: Black Mountain Poet, Robert        \\tDuncan, Charles Olson]\\n02:35- Reads “On Vacation”\\n02:55- Introduces “Do You Think”\\n03:03- Reads “Do You Think”\\n04:51- Introduces “The Act of Love” [INDEX: Robin Blaser]\\n05:50- Reads “The Act of Love”\\n07:55- Introduces “The Birds” [INDEX: Robin Blaser]\\n08:19- Reads “The Birds”\\n09:58- Introduces “An Illness” [INDEX: Allen Ginsberg, San Francisco, Warren [unknown last name], Bobby Louise Hall, Robin Blaser]\\n12:52- Reads “An Illness”\\n15:55- Introduces “The Problem” [INDEX: Robin Blaser]\\n16:06- Reads “The Problem”\\n16:44- Reads “The Tiger”\\n17:09- Reads deleted material from “The Tiger”\\n17:38- Reads first line “We resolved to think of ourselves...”\\n18:33- Introduces “Not Being Dumb”\\n18:36- Reads “Not Being Dumb”\\n19:38- Reads “Harry”\\n19:46- Introduces “Sweet Dreams, Good Harbor Beach”\\n20:04- Reads “Sweet Dreams, Good Harbor Beach”\\n21:15- Introduces “In London” [INDEX: London, 76 Wimphole Street, Oxford Street, Barrets   Street, Paul McCartney, Whitney Museum of American Art,  Publisher John Calder,    \\tMaron Boyars, International Festival of Poetry in London, Jim Dine, Grosvenor Square,    Uruguay Embassy, Mic Jagger, Nigerian Embassy, Royal Festival of Arts, Queen \\tElizabeth Hall, Raleigh imprisoned in the London Tower, socialist paper journalist]\\n28:25- Reads “In London” [with interruptions during poem]\\n28:55- Introduces “Cards”\\n28:58- Reads “Cards”\\n29:14- Reads “Small Dreams”\\n29:53- Reads “Homesick, Etc”\\n30:03- Reads deleted section from “Homesick, Etc” and Introduces “This Flows Out On Vague         Rhythms”\\n30:30- Reads “This Flows Out On Vague Rhythms”\\n30:36- Interrupts poem with explanation\\n30:50- Continues reading\\n30:59- Interrupts poem with explanation\\n31:15- Continues reading\\n31:20- Interrupts poem with explanation [INDEX: John Chamberlain, Ultra Violet, Merv Griffons Show, Chamberlain’s studio on 13th Street and 1st Avenue New York City, Larry        \\tRubens [sp?], Sculptor Claes Oldenburg]\\n35:21- Continues reading [line “Thinking of Chamberlain and Ultra Violet talking the night     \\taway”...]\\n37:41- Interrupts poem with explanation [INDEX: Maxin Gorky’s Reminiscences of Tolstoy]\\n38:08- Reads “Wish I Were Home”\\n39:30- Introduces “Aside, Aside”\\n39:46- Reads “Aside, Aside”\\n38:51- Interrupts poem with explanation\\n40:00- Continues reading\\n40:04- Interrupts poem with explanation\\n40:07- Continues reading\\n40:54- Introduces poem, first line “Fine manners, weathers, cars and people...” [INDEX:     \\tAllen Ginsberg, Bob Dylan, San Francisco, Uher tape, Los Angeles, Gerald Heard, Lenny      \\tBruce, Maria Huxley, Aldous Huxley’s death, experiences on acid]\\n43:49- Reads first line “Fine manners, weathers, cars and people...”\\n44:05- Introduces “A Wall”\\n44:15- Reads “A Wall”\\n45:14- Cut in tape, explains parts of his book, A Wall [INDEX: Ed Dorn, A Wall]\\n47:53- Reads first line “The which it was form seen there...”\\n49:15- Introduces “Ray Bob’s Film Cut”\\n49:23- Reads “Ray Bob’s Film Cut”\\n51:53- Introduces “Mazatlan: Sea”\\n52:15- Reads “Mazatlan: Sea”\\n1:07:47.09- END OF RECORDING\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/robert-creeley-at-sgwu-1970/\"}]"],"score":0.01643844},{"id":"1245","cataloger_name":["Faith,Paré"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2014-03-16"],"item_title_source":["Cataloguer"],"item_title_note":["Part of the Lyrical series, an afternoon concert series by Words and 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Stefan\",\"dates\":\"1981-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Rotstein, Myrite\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"\",\"name\":\"Whitfield, Chase Montgomery\",\"dates\":\"\",\"notes\":\"Added to set after poster distribution.\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Clark, Moe","Sweet, John Arthur","Christoff, Stefan","Rotstein, Myrite","Whitfield, Chase Montgomery"],"Presenter_name":["Ferrier, Ian"],"Production_Date":[2014],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"In folder: 4 audio (3 .wav, 1 .mp3), 4 .sfk files, 2 documents, 5 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Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada\",\"latitude\":\"45,5222118\",\"longitude\":\"-73,5905321\"}]"],"Address":["4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670548912996352,"timestamp":"2026-01-07T14:59:53.477Z","contents":["File 1 of 2 — STE-007 WM Chase Myrite and John Sweet.wav\n\nAudience\n00:00:07\nAmbient Sounds [voices].\n\nUnknown\n00:00:47\nSilence [cut in recording].\n\nAudience\n00:00:53\nAmbient Sounds [voices].\n\nIan Ferrier\n00:00:54\nIntroduces event. Introduces Chase Montgomery Whitfield.\n\nAudience\n00:01:32\nApplause.\n\nChase Montgomery Whitfield\n00:01:37\nIntroduces “Tracy Papers” (?).\n\nChase Montgomery Whitfield\n00:01:50\nReads “Tracy Papers” (?).\n\nAudience\n00:02:19\nApplause.\n\nIan Ferrier\n00:02:29\nIntroduces Myrite Rotstein. | Keywords: Throw! Poetry Collective [artistic group].\n\nAudience\n00:02:45\nApplause.\n\nMyrite Rotstein\n00:02:51\nIntroduces “Tame the Wild Out of You”. \n\nMyrite Rotstein\n00:03:06\nPerforms “Tame the Wild Out of You”. \n\nAudience\n00:05:50\nApplause.\n\nIan Ferrier\n00:06:05\nIntroduces John Arthur Sweet. | Keywords: Prague [https://www.wikidata.org/wiki/Q1085]; Banff Centre Spoken Word program [https://www.wikidata.org/wiki/Q4854863].\n\nAudience\n00:06:26\nApplause.\n\nJohn Arthur Sweet\n00:06:36\nIntroduces unnamed scene from Erect But Unstable [performance] [audience engagement throughout]. | Keywords: Prague Fringe Festival [https://www.wikidata.org/wiki/Q7237670].\n\nJohn Arthur Sweet\n00:07:53\nPerforms scene from Erect But Unstable [audience laughter throughout].\n\nAudience\n00:21:39\nApplause.\n\nJohn Arthur Sweet\n00:21:52\nIntroduces “It May Be”. \n\nJohn Arthur Sweet\n00:22:50\nPerforms “It May Be”. \n\nAudience\n00:29:40\nApplause.\n\nIan Ferrier\n00:29:57\nAddresses John Arthur Sweet. Announces intermission. \n\nUnknown\n00:30:18\nSilence [cut in recording].\n\nUnknown\n00:30:49\nAmbient Sound [recoded music].\n\nMoe Clark\n00:37:23\nAddresses unknown person [Steve]. Sings for soundcheck. Ambient noise [drum; voices; guitar].  \n\nUnknown\n00:40:00\nAmbient Noise [recoded music].\n\nEND\n00:41:11\n[Recording continues on file 2].\n\nFile 2 of 2 — STE-008 WM Stefan Christoff & Moe Clark.wav\n\nIan Ferrier\n00:00:00\nIntroduces Stefan Christoff. Promotes Christoff’s books, albums, and the Howl Arts Festival. | Keywords: Howl Arts Festival; Howl Arts Collective. \n\nAudience\n00:00:37\nApplause.\n\nStefan Christoff\n00:00:42\nIntroduces unnamed composition. | Keywords: La Sala Rossa [venue]; Conservative government of Canada [https://www.wikidata.org/wiki/Q488523]; austerity [https://www.wikidata.org/wiki/Q2814650].\n\nStefan Christoff\n00:03:13\nPerforms unnamed composition.\n\nAudience\n00:12:30\nApplause.\n\nUnknown\n00:12:34\nSilence [recording muted].\n\nStefan Christoff\n00:13:14\nAddresses audience. Promotes albums. | Keywords: Sam Shalabi [https://www.wikidata.org/wiki/Q2216598].\n\nIan Ferrier\n00:13:28\nAddresses audience. Introduces Moe Clark. \n\nAudience\n00:14:23\nApplause \n\nMoe Clark \n00:14:30\nIntroduces cover of a song by Buffy Sainte-Marie [https://www.wikidata.org/wiki/Q467027]. | Keywords: Regina [https://www.wikidata.org/wiki/Q2123]; Sâkêwêwak Annual Storytellers Festival [event]; Iqaliut [https://www.wikidata.org/wiki/Q2030]; intergenerational; Cree [https://www.wikidata.org/wiki/Q33390].\n\nMoe Clark\n00:17:44\nAmbient Sounds.\n\nMoe Clark \n00:18:00\nPerforms Buffy Sainte-Marie cover [in nēhiyawēwin].\n\nAudience\n00:20:26\nApplause.\n\nMoe Clark\n00:20:33\nIntroduces “Namoya”. | Keywords: Qu’Appelle Valley [https://www.wikidata.org/wiki/Q391566]; Cheryl L’Hirondelle [https://www.wikidata.org/wiki/Q26923070]; Joseph Naytowhow [artist].\n\nMoe Clark\n00:23:48\nPerforms “Namoya”.\n\nAudience\n00:29:27\nApplause.\n\nMoe Clark\n00:29:41\nPerforms unnamed composition 1.\n\nAudience\n00:34:16\nApplause.\n\nMoe Clark\n00:34:30\nPerforms unnamed composition 2.\n\nAudience\n00:39:14\nApplause.\n\nMoe Clark\n00:39:19\nDiscusses unnamed composition 2. Introduces unnamed composition 3. | Keywords: Treaty 4 [https://www.wikidata.org/wiki/Q17062856]; education [https://www.wikidata.org/wiki/Q10270859]; public schools [https://www.wikidata.org/wiki/Q1080794]. \n\nMoe Clark\n00:42:52\nPerforms unnamed composition 3.\n\nAudience\n00:47:01\nApplause.\n\nMoe Clark\n00:47:12\nDiscusses Ian Ferrier, Steve [sound tech], and Casa del Popolo [venue] [audience applause throughout]. | Keywords: lullaby [https://www.wikidata.org/wiki/Q193605].\n\nMoe Clark\n00:48:42\nPerforms unnamed composition 4.\n\nAudience\n00:51:35\nApplause.\n\nIan Ferrier\n00:51:52\nPromotes the Mile End Poets’ Festival. Announces end of event.\n\nAudience\n00:53:07\nApplause.\n\nEND\n00:53:15\n[End of recording]."],"score":0.01643844},{"id":"1246","cataloger_name":["Faith,Paré"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2014-02-16"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["Wilson, Sheri-D","Wabegijig, Vera","Ferrier, Ian","Brandt, 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link.\",\"name\":\"Kelly, Erica Ruth\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"No VIAF link.\",\"name\":\"Walonski, Chris\",\"dates\":\"\",\"notes\":\"Added to set list after poster distribution.\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Wilson, Sheri-D","Wabegijig, Vera","Brandt, Di","Nashed, Angela","Kelly, Erica Ruth","Walonski, Chris"],"Presenter_name":["Ferrier, Ian"],"Production_Date":[2014],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"In folder: 3 audio (2 .wav, 1 .mp3), 4 images, 2 document, 2 .sfk 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Ferrier\n00:00:01\nIntroduces the event and the evening’s performers. | Keywords: Canada Council for the Arts; \n\nAudience\n00:00:19\nApplause. \n\nIan Ferrier\n00:00:22\nDiscusses Sheri-D Wilson https://www.wikidata.org/wiki/Q7494839]; Di Brandt [https://www.wikidata.org/wiki/Q3706397]. \n\nAudience Member 1\n00:00:37\nAddresses Ian [likely Wilson or Brandt]; [audience laughter throughout].\n\nIan Ferrier\n00:00:43\nAddresses Audience Member 1. Introduces Chris Walonski. | Keywords: Connecticut [https://www.wikidata.org/wiki/Q779]. \n\nAudience\n00:01:01\nApplause.\n\nChris Walonski\n00:01:13\nIntroduces unnamed poem [audience engagement and applause throughout]. | Keywords: American border [https://www.wikidata.org/wiki/Q119515]; writer’s block [https://www.wikidata.org/wiki/Q178927].\n\nChris Walonski\n00:01:30\nPerforms unnamed poem.\n\nAudience\n00:04:22\nApplause.\n\nIan Ferrier\n00:04:34\nIntroduces Erica Ruth Kelly. | Keywords: Toronto [https://www.wikidata.org/wiki/Q172].\n\nAudience\n00:05:14\nApplause.\n\nErica Ruth Kelly\n00:05:25\nIntroduces “Me, Mom, and the Red Light District”. | Keywords: St. Valentine’s Day [www.wikidata.org/wiki/Q37587].\n\nErica Ruth Kelly\n00:06:22\nReads “Me, Mom, and the Red Light District”.\n\nAudience\n00:10:46\nLaughter.\n\nErica Ruth Kelly\n00:10:49\nResumes reading “Me, Mom, and the Red Light District”.\n\nAudience\n00:13:30\nApplause.\n\nErica Ruth Kelly\n00:13:40\nIntroduces “Punch Sober Love”. \n\nErica Ruth Kelly\n00:14:10\nReads “Punch Sober Love”.\n\nAudience\n00:18:31\nLaughter.\n\nErica Ruth Kelly\n00:18:33\nResumes reading “Punch Sober Love”.\n\nAudience\n00:21:29\nApplause.\n\nIan Ferrier \n00:21:44\nIntroduces Vera Wabegijig. Promotes Wild Rice Dreams [book; Bookland Press; 2013]. | Keywords: Mississauga First Nation [www.wikidata.org/wiki/Q6878967]; Ottawa [www.wikidata.org/wiki/Q1930].\n\nAudience\n00:22:12\nApplause\n\nVera Wabegijig\n00:22:22\nIntroduces “Nanabush Was Here”.  | Keywords: Moe Clark [poet]; Mohawk people [www.wikidata.org/wiki/Q116971]; Nanabush [www.wikidata.org/wiki/Q833857]; Wisakedjak [https://www.wikidata.org/wiki/Q8027064]; Glooscap [https://www.wikidata.org/wiki/Q3109263]; tricksters [https://www.wikidata.org/wiki/Q902180].\n\nVera Wabegijig\n00:23:26\nPerforms “Nanabush Was Here”. \n\nAudience\n00:24:17\nLaughter. Applause.\n\nVera Wabegijig\n00:24:22\nIntroduces “Coyotes in the City” [Audience laughter throughout]. | Keywords: typos [https://www.wikidata.org/wiki/Q21096955]; Sault, Michigan [https://www.wikidata.org/wiki/Q986634]. \n\nVera Wabegijig\n00:25:14\nPerforms “Coyotes in the City”.\n\nAudience\n00:29:37\nApplause [Wabegijig talks throughout].\n\nAudience Member 2\n00:29:48\nAddresses Wabegijig. \n\nVera Wabegijig\n00:29:51\nAddresses Audience Member 2 [Audience laughter throughout].\n\nVera Wabegijig\n00:29:55\nIntroduces “Dreamcatcher”. | Keywords: wild rice [https://www.wikidata.org/wiki/Q64153663].\n\nVera Wabegijig\n00:30:59\nPerforms “Dreamcatcher”. \n\nAudience\n00:33:19\nApplause.\n\nVera Wabegijig\n00:33:26\nIntroduces “Spontaneous Love”. \n\nVera Wabegijig\n00:33:56\nPerforms “Spontaneous Love”. \n\nAudience\n00:34:57\nApplause.\n\nVera Wabegijig\n00:35:03\nIntroduces “Winter, 1979”. | Keywords: trapping [https://www.wikidata.org/wiki/Q14009165].\n\nVera Wabegijig\n00:35:52\nPerforms “Winter, 1979”.\n\nAudience\n00:37:14\nApplause.\n\nVera Wabegijig\n00:37:19\nIntroduces “Lost Tobacco Tin”. \n\nVera Wabegijig\n00:38:07\nPerforms “Lost Tobacco Tin”. \n\nAudience\n00:40:36\nApplause.\n\nVera Wabegijig\n00:40:41\nConcludes set.\n\nAudience\n00:40:44\nApplause.\n\nIan Ferrier\n00:40:56\nPromotes Wild Rice Dreams. Announces intermission.\n\nEND\n00:41:20\n[Recording continues on file 2]\n\nFile 2 of 2 — STE-006 Sheri-D and Di at WM.wav\n\nIan Ferrier\n00:00:00\nAnnounces second set. Introduces Sheri-D Wilson. Promotes Wilson’s Goddess Gone Fishing for the Map of the Universe [book; Frontenac House; 2012]; Re:Zoom [book; Frontenac House; 2005]; and Spoken Word Workbook [book; Originality of Orality Online; 2011].\n\nAudience\n00:00:47\nApplause.\n\nSheri-D Wilson\n00:00:59\nAddresses the audience.\n\nAudience\n00:01:07.\nApplause.\n\nSheri-D Wilson\n00:01:12\nAddresses Ferrier; exchange with Ian Ferrier follows.\n\nSheri-D Wilson\n00:01:19\nAddresses audience [Audience laughter throughout]. | Keywords: hockey [https://www.wikidata.org/wiki/Q41466]; Calgary [https://www.wikidata.org/wiki/Q36312]; the Flames [https://www.wikidata.org/wiki/Q194126]; the Flyers [https://www.wikidata.org/wiki/Q192083]; tai chi [https://www.wikidata.org/wiki/Q167987].\n\nSheri-D Wilson\n00:09:51\nPerforms an unnamed piece.\n\nSheri-D Wilson\n00:12:59\nPerforms an unnamed piece [likely from Open Letter: Women Against Violence Against Women; book; Frontenac House; 2014]. \n\nAudience\n00:18:30\nApplause.\n\nSheri-D Wilson\n00:18:44\nIntroduces “Trigger Warnings”. | Keywords: slam [https://www.wikidata.org/wiki/Q20852]; trigger warnings [https://www.wikidata.org/wiki/Q15829738].\n\nSheri-D Wilson\n00:19:48\nPerforms “Trigger Warnings”.\n\nUnknown\n00:24:26\nAmbient sound [a voice; unintelligible]. \n\nSheri-D Wilson\n00:25:13\nResumes “Trigger Warnings”. \n\nAudience\n00:29:14\nApplause.\n\nSheri-D Wilson\n00:29:28\nIntroduces “The River”.  \n\nSheri-D Wilson\n00:30:15\nPerforms “The River”. \n\nAudience\n00:39:15\nApplause.\n\nIan Ferrier\n00:39:39\nAddresses Wilson.\n\nAudience\n00:39:42\nApplause.\n\nIan Ferrier\n00:39:49\nIntroduces Angela Nashed. | Keywords: Bow River [https://www.wikidata.org/wiki/Q895385].\n\nAudience\n00:40:21\nApplause.\n\nAngela Nashed\n00:40:29\nAddresses unknown. Ambient sound [voices, footsteps, guitar].\n\nAngela Nashed\n00:41:23\nIntroduces Chanda Holmes, Zachary Hale [guitar], and herself. Promotes It Started Off Blue [EP; 2017].\n\nAudience\n00:41:53\nApplause.\n\nAngela Nashed\n00:42:03\nPerforms a cover of “Bag Lady” [song; from the album Mama’s Gun; Erykah Badu].\n\nAudience\n00:45:47\nApplause.\n\nAngela Nashed\n00:45:57\nIntroduces “Change” from It Started Off Blue.\n\nAngela Nashed\n00:46:07\nPerforms “Change”. \n\nAudience\n00:48:02\nApplause.\n\nIan Ferrier\n00:48:25\nIntroduces Di Brandt. Promotes Brandt’s Walking to Mojácar [book; Turnstone Press; 2010]; and The Lottery of History [book; Radish Press; 2009].\n\nAudience\n00:48:55\nApplause.\n\nDi Brandt\n00:49:12\nIntroduces “Nine River Ghazals”. | Keywords: The Forks [https://www.wikidata.org/wiki/Q3080046]; Winnipeg [https://www.wikidata.org/wiki/Q2135].\n\nDi Brandt\n00:50:46\nPerforms “Nine River Ghazals”. \n\nDi Brandt\n00:56:36\nAddresses audience [Audience applause throughout].\n\nDi Brandt\n00:56:56\nIntroduces “The Lottery of History” from Walking to Mojácar. | Mojácar [https://www.wikidata.org/wiki/Q496968]; Lorca [https://www.wikidata.org/wiki/Q41408]; cante jundo [https://www.wikidata.org/wiki/Q2338544]; Granada [https://www.wikidata.org/wiki/Q8810]; Almería [https://www.wikidata.org/wiki/Q10400]; Sierra Nevada [https://www.wikidata.org/wiki/Q26955].\n\nDi Brandt \n00:59:52\nReads “The Lottery of History” from Walking to Mojácar.\n\nDi Brandt\n01:01:29\nReads “Walking to Mojácar” from Walking to Mojácar.\n\nAudience\n01:03:07\nApplause\n\nDi Brandt\n01:03:13\nIntroduces “Poets in New York”  Walking to Mojácar. | Keywords: National Forum on the Literary Arts [event]; gratitude; admiration; homage; Scott Hightower [https://www.wikidata.org/wiki/Q7436499]; Jose Fernandez de Albornoz.\n\nDi Brandt \n01:05:00\nReads “Poets in New York”. \n\nAudience\n01:06:28\nApplause.\n\nDi Brandt\n01:06:32 \nIntroduces “Gira Epasse” [?] from  Walking to Mojácar. | Keywords: Israel Garcia Montero [painter]; Madrid [https://www.wikidata.org/wiki/Q2807].\n\nDi Brandt\n01:06:49\nIntroduces “Gira Epasse” [?]. \n\nDi Brandt\n01:08:26\nIntroduces “Granada” from Walking to Mojácar. | Keywords: cathedral [https://www.wikidata.org/wiki/Q5419362].\n\nDi Brandt\n01:08:39\nReads “Granada”. \n\nDi Brandt\n01:10:33\nIntroduces “I Am An Orphan Girl”. | Keywords: Emmylou Harris [https://www.wikidata.org/wiki/Q231286]; Carmen Isasi [painter].\n\nDi Brandt\n01:11:22\nReads “I Am An Orphan Girl”. \n\nAudience\n01:12:39\nApplause.\n\nDi Brandt\n01:12:43\nDiscusses homage poems. Introduces “Gracias”. \n\nDi Brandt\n01:14:23\nReads “Gracias”. \n\nAudience\n01:16:02\nApplause.\n\nIan Ferrier\n01:16:19\nAnnounces end of event. Promotes an event at Thêatre Prospero and next Words and Music Show.\n\nAudience\n01:17:35\nApplause.\n\nEND\n01:17:37\n[End of recording]."],"score":0.01643844},{"id":"1247","cataloger_name":["Faith,Paré"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2014-04"],"item_title_source":["Cataloguer"],"item_title_note":["Calendar date unknown."],"item_language":["English, French, Spanish"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["Muro, Guadalupe","Muro, Julián","López, Ana","Ferrier, Ian","Dann, Robin","Bjella, Mike","Labbé, Simon","Ferrier, Ian","Melanson, Phillippe"],"contributors_names_search":["Muro, Guadalupe","Muro, Julián","López, Ana","Ferrier, Ian","Dann, Robin","Bjella, Mike","Labbé, Simon","Ferrier, Ian","Melanson, Phillippe"],"contributors":["[{\"url\":\"http://viaf.org/viaf/81460559\",\"name\":\"Muro, Guadalupe\",\"dates\":\"1985-\",\"notes\":\"Performs with Julián Muro and Ana López as Songs for Runaway Girls.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Muro, Julián\",\"dates\":\"\",\"notes\":\"Performs with Guadalupe Muro and Ana López as Songs for Runaway Girls.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"López, Ana\",\"dates\":\"\",\"notes\":\"Performs with Guadalupe Muro and Julián Muro as Songs for Runaway Girls.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"\",\"name\":\"Dann, Robin\",\"dates\":\"\",\"notes\":\"Performance audio missing.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Bjella, Mike\",\"dates\":\"\",\"notes\":\"Performance audio missing.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Labbé, Simon\",\"dates\":\"\",\"notes\":\"Performance audio missing.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/254922719/\",\"name\":\"Melanson, Phillippe\",\"dates\":\"\",\"notes\":\"Performance audio missing.\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Muro, Guadalupe","Muro, Julián","López, Ana","Dann, Robin","Bjella, Mike","Labbé, Simon","Melanson, Phillippe"],"Presenter_name":["Ferrier, Ian","Ferrier, Ian"],"Production_Date":[2014],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"In folder: 2 audio (1 .wav, 1 .mp3), 3 documents, 2 images, 2 .sfk files\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Only a single event recording included; others missing.\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_new/Ian Ferrier Words and Music/02 W%26M Shows/2014/April/\",\"file_path\":\"\",\"filename\":\"Guadalupe Julian and Ana at Casa April 2014.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:36:00\",\"precision\":\"\",\"size\":\"571.6 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"Performance by Songs for Runaway Girls [Guadalupe Muro, Julián Muro, and Ana López] based on G. 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Promotes Air Carnation [book; Book*Hug; 2014]. | Keywords: Banff Spoken Word Program [https://www.wikidata.org/wiki/Q4854863]; Argentina [https://www.wikidata.org/wiki/Q414].\n\nAudience\n00:00:40\nApplause\n\nGuadalupe Muro\n00:00:48\nIntroduces performance. Ambient Noises [voices].\n\nGuadalupe Muro\n00:02:56\nReads an excerpt from Air Carnation.\n\nSongs for Runaway Girls [Guadalupe Muro, Julián Muro, and Ana López]\n00:05:55\nPerforms unnamed composition.\n\nAudience\n00:09:49\nApplause.\n\nSongs for Runaway Girls\n00:10:14\nPerforms “The Dance of Statues”.\n\nAudience\n00:14:43\nApplause.\n\nGuadalupe Muro\n00:14:55\nIntroduces unnamed composition 2.\n\nSongs for Runaway Girls\n00:15:33\nPerforms unnamed composition 2. \n\nAudience\n00:17:52\nApplause.\n\nJulián Muro\n00:18:03\nAddresses audience.\n\nAudience\n00:18:17\nApplause.\n\nGuadalupe Muro, Ana López\n00:18:21\nAddresses audience member.\n\nJulián Muro\n00:18:34\nAddresses unknown.\n\nSongs for Runaway Girls\n00:18:45\nAmbient Sound [instruments; voices].\n\nGuadalupe Muro\n00:19:27\nAddresses Ian. Introduces “Morning Glory”. \n\nSongs for Runaway Girls\n00:19:56\nPerforms “Morning Glory”.\n\nAudience\n00:29:38\nApplause.\n\nSongs for Runaway Girls \n00:29:42\nAddresses audience.\n\nJulián Muro, Guadalupe Muro\n00:30:01\nAddresses unknown audience member [Damian]. Addresses audience.\n\nGuadalupe Muro\n00:30:30\nIntroduces unnamed composition 3. | Keywords: Frederico García Lorca [https://www.wikidata.org/wiki/Q41408]; The Love of Don Perlimplín and Belisa in the Garden [https://www.wikidata.org/wiki/Q3131319]; bolero [https://www.wikidata.org/wiki/Q15830404]\n\nSongs for Runaway Girls\n00:31:25\nAmbient Sound [instruments; voices].\n\nSongs for Runaway Girls\n00:32:17\nPerforms unnamed composition 3.\n\nAudience\n00:35:07\nApplause.\n\nJulián Muro, Guadalupe Muro\n00:35:11\nAddresses audience [Audience applause throughout].\n\nIan Ferrier\n00:35:24\nAddresses Songs for Runaway Girls. Addresses audience. Announces intermission.\n\nEND\n00:36:00\n[End of recording]."],"Note":["[]"],"Related_works":["[]"],"_version_":1853670548914044929,"timestamp":"2026-01-07T14:59:53.477Z","score":0.01643844},{"id":"1248","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2011-10-23"],"item_title_note":["Show is part of Mile End Poets' Festival 2011"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["Evanson, Tanya","Tija, Sherwin","Riley, Ali","Ravensara"],"contributors_names_search":["Evanson, Tanya","Tija, Sherwin","Riley, Ali","Ravensara"],"contributors":["[{\"url\":\"\",\"name\":\"Evanson, Tanya\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Tija, Sherwin\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Riley, Ali\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Ravensara\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Evanson, Tanya","Tija, Sherwin","Riley, Ali","Ravensara"],"Performance_Date":[2011],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"\",\"other\":\"2 alternate audio files\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital","Digital"],"AV_type":["Audio","Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Night 5-Words & Music (House recording) both sets.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"02:52:11\",\"precision\":\"\",\"size\":\"1.98 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://drive.google.com/file/d/112EaMfOXY9QXDe4Shck_w_b1ibpge886/view\",\"file_path\":\"https://drive.google.com/drive/u/2/folders/1_CNeT4C8F-KzegfFjVrVXof4lLe4LEdO\",\"filename\":\"Poster 2011-10-23.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Poster\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2011-10-23\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa del Popolo \",\"notes\":\"\",\"address\":\"4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada\",\"latitude\":\"45,5222118\",\"longitude\":\"-73,5905321\"}]"],"Address":["4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada"],"Venue":["Casa del Popolo "],"City":["Montreal, Quebec"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670548915093504,"timestamp":"2026-01-07T14:59:53.477Z","score":0.01643844},{"id":"1285","cataloger_name":["Bindu,Reddy"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Diane Wakoski at Sir George Williams University, The Poetry Series, 23 January 1970\n"],"item_title_source":["Cataloguer"],"item_title_note":["\"DIANE WAKOSKI Recorded January 23, 1970 3.75 ips, 1/2 track on 1 mil. tape\" written on sticker on the back of the tape's box. \"DIANE WAKOSKI I006/SR49\" written on sticker on the spine of the tape's box. \"I006-11-049\" written on sticker on the reel\n"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 4"],"item_identifiers":["[]"],"creator_names":["Wakoski, Diane"],"creator_names_search":["Wakoski, Diane"],"creators":["[{\"url\":\"http://viaf.org/viaf/79051243\",\"name\":\"Wakoski, Diane\",\"dates\":\"1937-\",\"notes\":\"American Poet Diane Wakoski was born August 3rd, 1937 in Whittier, California. She earned her B.A. from University of California, Berkeley, where she began to publish her poetry. She read at the San Francisco Poetry Center in 1959. Her first collection, Coins & Coffins (Doubleday) was published in 1962, and her other collections include Discrepancies and Apparitions (Doubleday, 1966), The George Washington Poems (Riverrun Press, 1967), Inside the Blood Factory (Doubleday, 1968), The Magellanic Clouds (Black Sparrow Press, 1970) and Motorcycle Betrayal Poems (Simon and Schuster, 1971). Diane Wakoski attended a summer program at SUNY Buffalo where she met Robert Creeley and other Black Mountain Poets in 1964. She taught English in a Manhattan junior high from 1963 to 1966 and was involved with the New York poetry scene. Diane Wakoski gave poetry readings and workshops to support herself, as well as holding many positions at universities as visiting professor and visiting writer. She was friends with several other poets, namely LaMonte Young, Robert Kelly, LeRoi Jones, Robert Creeley, Charles Olson, Ed Dorn. Wakoski was granted the Guggenheim fellowship in 1972. Since her first publication, she has published over 60 volumes of poetry, including Waiting for the King of Spain (Black Sparrow Press, 1976), The Collected Greed: Parts 1-13 (Black Sparrow Press, 1984) which contains a poetry sequence begun in the 1960’s, Emerald Ice: Selected Poems 1962-1987 (Black Sparrow Press, 1988) and Medea the Sorceress (Black Sparrow Press, 1991).\",\"nation\":[],\"role\":[\"Performer\",\"Author\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"Half-track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"Dates":["[{\"date\":\"1970 1 23\",\"type\":\"Performance Date\",\"notes\":\"Date written on sticker on the back of the tape's box\\n\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Room H-651\",\"notes\":\"\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Room H-651"],"City":["Montreal, Quebec"],"content_notes":["Diane Wakoski reads the title poem from The Magellanic Clouds (Black Sparrow Press, 1970) and from Discrepancies and Apparitions (Doubleday, 1966), The George Washington Poems (Riverrun Press, 1967), and Inside The Blood Factory (Doubleday, 1968)."],"contents":["diane_wakoski_i006-11-049.mp3\n\nIntroducer\n00:00:00\nOur poet this evening, Diane Wakoski [https://www.wikidata.org/wiki/Q1209000], by birth and education a Californian, has been a central figure on the New York [https://www.wikidata.org/wiki/Q60] scene, poetry scene, since 1961 or 62. She first came to attention outside New York City, with the publication of the small, but now somewhat legendary anthology Four Young Lady Poets. Since then, she has published nine volumes of poems, including Coins and Coffins, Discrepancies and Apparitions, The George Washington Poems, Inside the Blood Factory, Greed, and The Magellanic Clouds which I believe is to come out this year. I understand that some critics have tended to assign some of her recent work to so-called confessional school, which in her case means very little except that she writes about her own pictures of herself. Contrary to what one associates with the term confessional, Miss Wakoski writes a poetry that is syntactically direct and undeceiving. Yet, it is at the same time openly adventurous in its vocabulary, full of excitement and risk. It is thus a poetry that may perplex you, not because you do not understand it however, but because you do. And it's certainly one that you will enjoy hearing. Miss Wakoski, Diane!\n \nDiane Wakoski\n00:01:45\nI wanted to know what that tower was doing, but it's locating the clouds.\n \nIntroducer\n00:01:56\nYeah, I believe there is a meteorological interest...\n \nDiane Wakoski\n00:02:00\nWill you fall asleep if we don't have more lights on? I fall asleep in very dark rooms, I'm very loath to let the audience fall asleep, at least just for lights. If you can't hear me, I think there are more seats up here. This first poem I'm going to read is a poem that I wrote to a young poet a few years ago, I guess he's not so young anymore, but he was young when I wrote it, and he came to visit me in New York City to show me his poems, which were very nice poems, but he had been studying with Robert Creeley [https://www.wikidata.org/wiki/Q918620], whom I very much admire, but who sort of has the kiss of death for any sensitive young man who studies with him, because they all come away looking like Robert Creeley, sounding like Robert Creeley and writing exactly like Robert Creeley. And I'm not exactly known for my tact, so when he asked me about his poems, I said I thought they were very nice Robert Creeley imitations. And he walked away in a huff, and I realized what a message that is constantly being communicated to women in our culture that even though we are asked to be able to think and act intelligently, when it really comes down to the nitty gritty, we are expected to compliment men and not to tell them what we really think. So I wrote him an apology. I'm not really apologizing for what I said, I'm apologizing for being a graceful enough woman in that situation. And this poem, I think, says very much what I would like to say to all of you who wrote poetry who are young, or who do anything else. \"An Apology\".\n \nDiane Wakoski\n00:04:20\nReads \"An Apology\" [from Inside The Blood Factory].\n \nDiane Wakoski\n00:06:15\nI don't really believe that, as I say. But I do believe in the necessity of having to say it. This next poem I'd like to read is a poem in which, again, I ask a kind of rhetorical question that is a very meaningful one for all women in our culture. I think, by the way, that in spite of the fact that I constantly talk about what problems women do have in a contemporary society that at last has freed them from the burden of constant babysitting and washing and ironing and so forth, that the whole mix up of what roles are about makes the life of a woman very hard, but I think that really, it's probably a man's role, it's harder to play the woman and my experience has been most of the time when women are punished in our society or have real problems with being women it's because they are getting the feedback from how complicated and impossible the demands on men have been and the men are feeding it back to them and if maybe we could ever solve that real dilemma of what the complete man is allowed to be, then women wouldn't suffer. I don't really think that anything women can do will do any good until the man's world is a more possible one to live in. At any rate, this poem asks a question that I constantly ask, why is it when a woman who shows strength, strength is something that we should all be honoured for having and being able to live with in our life, why should a woman be punished for her strength? As strong women often are. It's called \"Slicing Oranges for Jeremiah\".\n \nDiane Wakoski\n00:08:19\nReads \"Slicing Oranges for Jeremiah\" [from Inside The Blood Factory].\n \nDiane Wakoski\n00:12:58\nI'm very interested in, well, actually, something that all poets are involved in, and that is trying to use the mythology of their culture to somehow be able to talk about their own personal realities and still be able to communicate with other people in terms of kind of common cultural experience. And I've been writing a series of poems that I call the \"George Washington [https://www.wikidata.org/wiki/Q23] Poems\" to help me do this and every once in a while I will pick up on other things also and something that's always fascinated me, being from California [https://www.wikidata.org/wiki/Q99], are the legends of the Wild West [https://www.wikidata.org/wiki/Q190267] and the way people still sort of look at Americans as pioneers and cowboys and in a way how we like to flatter ourselves, all of us that we have a certain kind of ruggedness because of this pioneer tradition. But one of the confusions that has grown up out of that cultural image is again, something that concerns me very much, as women, we've all been brainwashed to fall in love with men who have this very rugged image who are able to do tough rugged things, and unfortunately, reality doesn't always live up to those images that are presented to us so we're falling madly in love with these men who turn out to often not like women, because that whole western life was geared for men, and not for women. So in this poem I'm lodging my protest officially. It's called \"Follow that Stagecoach\".\n \nDiane Wakoski\n00:14:55\nReads \"Follow that Stagecoach\" [from Discrepancies and Apparitions].\n \nDiane Wakoski\n00:19:57\nDo you think you need the mic in the back? What do you think? I'm going to move up? ...Is this an amplifying mic? ....Can you hear me now any better back there? I'm going to read a few \"George Washington\" poems. Are you getting clicky sound? Maybe if I turn it away, it'll amplify...This poem is called \"Patriotic Poem\" and I always dedicate it to J. Edgar Hoover [https://www.wikidata.org/wiki/Q210435] when I read. This is in hopes that someday I'll be considered a great American Patriot.\n \nDiane Wakoski\n00:21:53\nReads \"Patriotic Poem\" [from The George Washington Poems].\n \nDiane Wakoski\n00:25:09\nThe next poem is called \"George Washington Writes Home about Harvesting his Hemp\". All plantations, I guess, in those days had large hemp crops on them because they had to make their own rope.\n \nDiane Wakoski\n00:25:35\nReads \"George Washington Writes Home about Harvesting his Hemp\" [from The George Washington Poems].\n \nDiane Wakoski\n00:27:07\nI understand you had a writer in this series named Gladys Hindmarch, so I'll read you a poem called \"George Washington and the Dream of Gladys Hindmarch\".\n \nDiane Wakoski\n00:27:22\nReads \"George Washington and the Dream of Gladys Hindmarch\" [from The George Washington Poems].\n \nDiane Wakoski\n00:31:15\nThis next poem is about an idiosyncrasy that I have, I can't stand men who wear rings on their little fingers. and I wrote this poem, oh, a few years ago when I went to the Guggenheim [https://www.wikidata.org/wiki/Q201469] in New York City to hear a poet that I admire a lot, Gary Snyder [https://www.wikidata.org/wiki/Q315963], I like that whole, very masculine image he presents, some guy in the woods chopping down trees, working in a lumber mill and things like that. So, it was really a very great shock to see him appear on stage with his lumber boots, his blue jeans, his work shirt, his tweed jacket with a leather patch and a ring on his little finger. So I went home and wrote this poem. It's called \"Ringless\".\n \nDiane Wakoski\n00:32:17\nReads \"Ringless\" [from Inside The Blood Factory].\n \nDiane Wakoski\n00:35:41\nAnother one of my heroes is Beethoven [https://www.wikidata.org/wiki/Q255], this is Beethoven's two-hundred centennial by the way. I like Beethoven for a lot of reasons, but I suppose why I pick on him to talk about is that Beethoven stands for the ability to use anger and make it into something very beautiful and powerful. Again, we live in a culture that makes life very difficult for us and one of the things we're taught as children is that to express anger is a bad thing, not that it's a natural, healthy thing and that in fact until the anger is expressed, the love can't exist. So I'm going to read this poem which is called \"In Gratitude to Beethoven\".\n \nDiane Wakoski\n00:36:49\nReads \"In Gratitude to Beethoven\" [from Inside The Blood Factory].\n\nUnknown\n00:41:58\n[Cut or edit in tape].\n \nDiane Wakoski\n00:42:01\nResumes reading of “In Gratitude to Beethoven”.\n \nUnknown\n00:43:08\n[Cut or edit in tape].\n \nDiane Wakoski\n00:43:10\n...poets in the world I assume. I wrote a poem about landing on the moon. The moon traditionally is poet's subject and I suppose I feel even more involved, since my name is Diane and I've always felt that either the moon belonged to me, or that I was the moon, so having it landed on gave me a lot of complicated feelings. And I wrote this poem called \"The Ten Dollar Cab Ride\", which is dedicated to Robert Duncan [https://www.wikidata.org/wiki/Q964391], because he once told this story, some of you must know this, I don't think he wrote it in any of his poems, I once heard him tell the story but it could easily be in one of his poems. It was about a number of years ago when he was much, much younger and his life was much more difficult than it is right now and I guess one of his problems was money and money tends to get people very depressed at times, and he was depressed about everything else and he also didn't have any money so he decided he was going to kill himself, and he didn't really want to do it right that minute. But he wanted to do it, and all he had was ten dollars and so he decided he would take a cab ride and when the ten dollars was up, he'd get out and kill himself. But he made the fatal mistake, or I should say the life-giving mistake, of going for a cab ride in Golden Gate Park [https://www.wikidata.org/wiki/Q635559] in San Francisco [https://www.wikidata.org/wiki/Q62] which is very, very beautiful and by the end of his ten dollars, he felt so good that he had to get out and walk home. I always thought that was a hopeful story for any of us. Anyway, \"The Ten Dollar Cab Ride\" for Robert Duncan.\n \nDiane Wakoski\n00:45:06\nReads \"The Ten Dollar Cab Ride\".\n \nUnknown\n00:47:22\n[Cut or edit in tape].\n \nDiane Wakoski\n00:47:43\nResumes reading “The Ten Dollar Cab Ride”.\n \nDiane Wakoski\n00:50:15\nI'm going to read one last poem which is the title poem of a book, it's called the \"Magellanic Clouds\". And those of you who took Astronomy 1 and have your own telescopes and have ever been to the southern latitudes, you know that the Magellanic Clouds are probably another galaxy, and they appear as a  cloudy spot in the sky on a clear night in the southern hemisphere, and they were named by Magellan [https://www.wikidata.org/wiki/Q1496], for himself, of course, when he first saw them.\n \nAnnotation\n00:51:00\nReads \"The Magellanic Clouds\" [published later in The Magellanic Clouds].\n \nEND\n00:56:00\n"],"Note":["[{\"note\":\"Year-Specific Information:\\n\\nIn the fall of 1969, Diane Wakoski was working as a visiting writer in Deia Majorca sponsored by Dowling College of Long Island. The Magellanic Clouds was published in 1970.\",\"type\":\"General\"},{\"note\":\"Local Connections:\\n\\nWakoski’s direct connection to Montreal or Sir George Williams University is unknown, however she was an influential American poet associated with the New York school of poetry, and was close with members of the Black Mountain group. As illustrated in her poem dedicated to Gladys Hindmarch, she was also friendly with the Canadian poet.\",\"type\":\"General\"},{\"note\":\"Original transcript, research, introduction and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Ali Barillaro\",\"type\":\"Cataloguer\"},{\"note\":\"Reel-to-reel tape>CD>digital file\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-twentieth-century-poetry-in-english/oclc/807465072&referer=brief_results\",\"citation\":\"Butscher, Edward. \\\"Wakoski, Diane\\\". The Oxford Companion to Twentieth-Century Poetry in English. Ian Hamilton (ed). Oxford University Press, 1996. \"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-american-literature/oclc/54356940&referer=brief_results\",\"citation\":\"\\\"Wakoski, Diane\\\". The Oxford Companion to American Literature. James D. Hart (ed.), Phillip W. Leininger (rev). Oxford University Press, 1995.\"},{\"url\":\"https://www.worldcat.org/title/merriam-websters-encyclopedia-of-literature/oclc/31434511\",\"citation\":\"\\\"Wakoski, Diane.\\\" Merriam Webster's Encyclopedia of Literature. Springfield, MA: Merriam-Webster, 1995. \"},{\"url\":\"https://www.worldcat.org/title/discrepancies-and-apparitions/oclc/1434566&referer=brief_results\",\"citation\":\"Wakoski, Diane. Discrepancies and Apparitions. New York: Doubleday, 1966.\"},{\"url\":\"https://www.worldcat.org/title/inside-the-blood-factory/oclc/469771668&referer=brief_results\",\"citation\":\"Wakoski, Diane. Inside The Blood Factory. New York: Doubleday, 1968. \\n\"},{\"url\":\"https://www.worldcat.org/title/george-washington-poems/oclc/753478760&referer=brief_results\",\"citation\":\"Wakoski, Diane. The George Washington Poems. New York: Riverrun Press, 1967.\"},{\"url\":\"https://www.worldcat.org/title/magellanic-clouds/oclc/5032677&referer=brief_results\",\"citation\":\"Wakoski, Diane. The Magellanic Clouds. Santa Barbara: Black Sparrow Press: 1970. \"},{\"url\":\"\",\"citation\":\"“Wakoski, Diane”. Literature Online Biography. Cambridge: Chadwyck-Healey, 1998. \"}]"],"_version_":1853670548915093505,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I006_11_049_back.jpg\",\"file_path\":\"\",\"filename\":\"I006_11_049_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Diane Wakoski Tape Box - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I006_11_049_front.jpg\",\"file_path\":\"\",\"filename\":\"I006_11_049_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Diane Wakoski Tape Box - Front\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I006_11_049_side.jpg\",\"file_path\":\"\",\"filename\":\"I006_11_049_side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Diane Wakoski Tape Box - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I006_11_049_tape.jpg\",\"file_path\":\"\",\"filename\":\"I006_11_049_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Diane Wakoski Tape Box - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/diane_wakowski_i006-11-049.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"diane_wakoski_i006-11-049.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:56:00\",\"precision\":\"\",\"size\":\"134.4 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"Introducer\\n00:00:00\\nOur poet this evening, Diane Wakoski [https://www.wikidata.org/wiki/Q1209000], by birth and education a Californian, has been a central figure on the New York [https://www.wikidata.org/wiki/Q60] scene, poetry scene, since 1961 or 62. She first came to attention outside New York City, with the publication of the small, but now somewhat legendary anthology Four Young Lady Poets. Since then, she has published nine volumes of poems, including Coins and Coffins, Discrepancies and Apparitions, The George Washington Poems, Inside the Blood Factory, Greed, and The Magellanic Clouds which I believe is to come out this year. I understand that some critics have tended to assign some of her recent work to so-called confessional school, which in her case means very little except that she writes about her own pictures of herself. Contrary to what one associates with the term confessional, Miss Wakoski writes a poetry that is syntactically direct and undeceiving. Yet, it is at the same time openly adventurous in its vocabulary, full of excitement and risk. It is thus a poetry that may perplex you, not because you do not understand it however, but because you do. And it's certainly one that you will enjoy hearing. Miss Wakoski, Diane!\\n \\nDiane Wakoski\\n00:01:45\\nI wanted to know what that tower was doing, but it's locating the clouds.\\n \\nIntroducer\\n00:01:56\\nYeah, I believe there is a meteorological interest...\\n \\nDiane Wakoski\\n00:02:00\\nWill you fall asleep if we don't have more lights on? I fall asleep in very dark rooms, I'm very loath to let the audience fall asleep, at least just for lights. If you can't hear me, I think there are more seats up here. This first poem I'm going to read is a poem that I wrote to a young poet a few years ago, I guess he's not so young anymore, but he was young when I wrote it, and he came to visit me in New York City to show me his poems, which were very nice poems, but he had been studying with Robert Creeley [https://www.wikidata.org/wiki/Q918620], whom I very much admire, but who sort of has the kiss of death for any sensitive young man who studies with him, because they all come away looking like Robert Creeley, sounding like Robert Creeley and writing exactly like Robert Creeley. And I'm not exactly known for my tact, so when he asked me about his poems, I said I thought they were very nice Robert Creeley imitations. And he walked away in a huff, and I realized what a message that is constantly being communicated to women in our culture that even though we are asked to be able to think and act intelligently, when it really comes down to the nitty gritty, we are expected to compliment men and not to tell them what we really think. So I wrote him an apology. I'm not really apologizing for what I said, I'm apologizing for being a graceful enough woman in that situation. And this poem, I think, says very much what I would like to say to all of you who wrote poetry who are young, or who do anything else. \\\"An Apology\\\".\\n \\nDiane Wakoski\\n00:04:20\\nReads \\\"An Apology\\\" [from Inside The Blood Factory].\\n \\nDiane Wakoski\\n00:06:15\\nI don't really believe that, as I say. But I do believe in the necessity of having to say it. This next poem I'd like to read is a poem in which, again, I ask a kind of rhetorical question that is a very meaningful one for all women in our culture. I think, by the way, that in spite of the fact that I constantly talk about what problems women do have in a contemporary society that at last has freed them from the burden of constant babysitting and washing and ironing and so forth, that the whole mix up of what roles are about makes the life of a woman very hard, but I think that really, it's probably a man's role, it's harder to play the woman and my experience has been most of the time when women are punished in our society or have real problems with being women it's because they are getting the feedback from how complicated and impossible the demands on men have been and the men are feeding it back to them and if maybe we could ever solve that real dilemma of what the complete man is allowed to be, then women wouldn't suffer. I don't really think that anything women can do will do any good until the man's world is a more possible one to live in. At any rate, this poem asks a question that I constantly ask, why is it when a woman who shows strength, strength is something that we should all be honoured for having and being able to live with in our life, why should a woman be punished for her strength? As strong women often are. It's called \\\"Slicing Oranges for Jeremiah\\\".\\n \\nDiane Wakoski\\n00:08:19\\nReads \\\"Slicing Oranges for Jeremiah\\\" [from Inside The Blood Factory].\\n \\nDiane Wakoski\\n00:12:58\\nI'm very interested in, well, actually, something that all poets are involved in, and that is trying to use the mythology of their culture to somehow be able to talk about their own personal realities and still be able to communicate with other people in terms of kind of common cultural experience. And I've been writing a series of poems that I call the \\\"George Washington [https://www.wikidata.org/wiki/Q23] Poems\\\" to help me do this and every once in a while I will pick up on other things also and something that's always fascinated me, being from California [https://www.wikidata.org/wiki/Q99], are the legends of the Wild West [https://www.wikidata.org/wiki/Q190267] and the way people still sort of look at Americans as pioneers and cowboys and in a way how we like to flatter ourselves, all of us that we have a certain kind of ruggedness because of this pioneer tradition. But one of the confusions that has grown up out of that cultural image is again, something that concerns me very much, as women, we've all been brainwashed to fall in love with men who have this very rugged image who are able to do tough rugged things, and unfortunately, reality doesn't always live up to those images that are presented to us so we're falling madly in love with these men who turn out to often not like women, because that whole western life was geared for men, and not for women. So in this poem I'm lodging my protest officially. It's called \\\"Follow that Stagecoach\\\".\\n \\nDiane Wakoski\\n00:14:55\\nReads \\\"Follow that Stagecoach\\\" [from Discrepancies and Apparitions].\\n \\nDiane Wakoski\\n00:19:57\\nDo you think you need the mic in the back? What do you think? I'm going to move up? ...Is this an amplifying mic? ....Can you hear me now any better back there? I'm going to read a few \\\"George Washington\\\" poems. Are you getting clicky sound? Maybe if I turn it away, it'll amplify...This poem is called \\\"Patriotic Poem\\\" and I always dedicate it to J. Edgar Hoover [https://www.wikidata.org/wiki/Q210435] when I read. This is in hopes that someday I'll be considered a great American Patriot.\\n \\nDiane Wakoski\\n00:21:53\\nReads \\\"Patriotic Poem\\\" [from The George Washington Poems].\\n \\nDiane Wakoski\\n00:25:09\\nThe next poem is called \\\"George Washington Writes Home about Harvesting his Hemp\\\". All plantations, I guess, in those days had large hemp crops on them because they had to make their own rope.\\n \\nDiane Wakoski\\n00:25:35\\nReads \\\"George Washington Writes Home about Harvesting his Hemp\\\" [from The George Washington Poems].\\n \\nDiane Wakoski\\n00:27:07\\nI understand you had a writer in this series named Gladys Hindmarch, so I'll read you a poem called \\\"George Washington and the Dream of Gladys Hindmarch\\\".\\n \\nDiane Wakoski\\n00:27:22\\nReads \\\"George Washington and the Dream of Gladys Hindmarch\\\" [from The George Washington Poems].\\n \\nDiane Wakoski\\n00:31:15\\nThis next poem is about an idiosyncrasy that I have, I can't stand men who wear rings on their little fingers. and I wrote this poem, oh, a few years ago when I went to the Guggenheim [https://www.wikidata.org/wiki/Q201469] in New York City to hear a poet that I admire a lot, Gary Snyder [https://www.wikidata.org/wiki/Q315963], I like that whole, very masculine image he presents, some guy in the woods chopping down trees, working in a lumber mill and things like that. So, it was really a very great shock to see him appear on stage with his lumber boots, his blue jeans, his work shirt, his tweed jacket with a leather patch and a ring on his little finger. So I went home and wrote this poem. It's called \\\"Ringless\\\".\\n \\nDiane Wakoski\\n00:32:17\\nReads \\\"Ringless\\\" [from Inside The Blood Factory].\\n \\nDiane Wakoski\\n00:35:41\\nAnother one of my heroes is Beethoven [https://www.wikidata.org/wiki/Q255], this is Beethoven's two-hundred centennial by the way. I like Beethoven for a lot of reasons, but I suppose why I pick on him to talk about is that Beethoven stands for the ability to use anger and make it into something very beautiful and powerful. Again, we live in a culture that makes life very difficult for us and one of the things we're taught as children is that to express anger is a bad thing, not that it's a natural, healthy thing and that in fact until the anger is expressed, the love can't exist. So I'm going to read this poem which is called \\\"In Gratitude to Beethoven\\\".\\n \\nDiane Wakoski\\n00:36:49\\nReads \\\"In Gratitude to Beethoven\\\" [from Inside The Blood Factory].\\n\\nUnknown\\n00:41:58\\n[Cut or edit in tape].\\n \\nDiane Wakoski\\n00:42:01\\nResumes reading of “In Gratitude to Beethoven”.\\n \\nUnknown\\n00:43:08\\n[Cut or edit in tape].\\n \\nDiane Wakoski\\n00:43:10\\n...poets in the world I assume. I wrote a poem about landing on the moon. The moon traditionally is poet's subject and I suppose I feel even more involved, since my name is Diane and I've always felt that either the moon belonged to me, or that I was the moon, so having it landed on gave me a lot of complicated feelings. And I wrote this poem called \\\"The Ten Dollar Cab Ride\\\", which is dedicated to Robert Duncan [https://www.wikidata.org/wiki/Q964391], because he once told this story, some of you must know this, I don't think he wrote it in any of his poems, I once heard him tell the story but it could easily be in one of his poems. It was about a number of years ago when he was much, much younger and his life was much more difficult than it is right now and I guess one of his problems was money and money tends to get people very depressed at times, and he was depressed about everything else and he also didn't have any money so he decided he was going to kill himself, and he didn't really want to do it right that minute. But he wanted to do it, and all he had was ten dollars and so he decided he would take a cab ride and when the ten dollars was up, he'd get out and kill himself. But he made the fatal mistake, or I should say the life-giving mistake, of going for a cab ride in Golden Gate Park [https://www.wikidata.org/wiki/Q635559] in San Francisco [https://www.wikidata.org/wiki/Q62] which is very, very beautiful and by the end of his ten dollars, he felt so good that he had to get out and walk home. I always thought that was a hopeful story for any of us. Anyway, \\\"The Ten Dollar Cab Ride\\\" for Robert Duncan.\\n \\nDiane Wakoski\\n00:45:06\\nReads \\\"The Ten Dollar Cab Ride\\\".\\n \\nUnknown\\n00:47:22\\n[Cut or edit in tape].\\n \\nDiane Wakoski\\n00:47:43\\nResumes reading “The Ten Dollar Cab Ride”.\\n \\nDiane Wakoski\\n00:50:15\\nI'm going to read one last poem which is the title poem of a book, it's called the \\\"Magellanic Clouds\\\". And those of you who took Astronomy 1 and have your own telescopes and have ever been to the southern latitudes, you know that the Magellanic Clouds are probably another galaxy, and they appear as a  cloudy spot in the sky on a clear night in the southern hemisphere, and they were named by Magellan [https://www.wikidata.org/wiki/Q1496], for himself, of course, when he first saw them.\\n \\nAnnotation\\n00:51:00\\nReads \\\"The Magellanic Clouds\\\" [published later in The Magellanic Clouds].\\n \\nEND\\n00:56:00\\n\",\"notes\":\"Diane Wakoski reads the title poem from The Magellanic Clouds (Black Sparrow Press, 1970) and from Discrepancies and Apparitions (Doubleday, 1966), The George Washington Poems (Riverrun Press, 1967), and Inside The Blood Factory (Doubleday, 1968).\\n\\n00:00- Unknown male introduces Diane Wakoski [INDEX: Californian, New York Poetry scene in 1961, Four Young Lady Poets Anthology, Coins and Coffins, Discrepancies and Apparitions, The George Washington Poem, Inside the Blood Factory, Greed, The \\tMagellanic Clouds by Diane Wakoski, Confessional school of poetry]\\n01:45- Diane Wakoski introduces “An Apology” [INDEX: advice to a young poet, Robert Creeley, gender roles]\\n04:20- Reads “An Apology”\\n06:15- Introduces “Slicing Oranges” [INDEX: Gender roles, strong women]\\n08:19- Reads “Slicing Oranges”\\n12:58- Introduces “Follow that Stagecoach” [INDEX: Mythology of one’s culture, series of poems called “The George Washington Poems”, legends of the Wild West]\\n14:55- Reads “Follow that Stagecoach”\\n19:57- Introduces “Patriotic Poem” [INDEX: J. Edgar Hoover]\\n21:53- Reads “Patriotic Poem”\\n25:09- Introduces “George Washington Writes Home About Harvesting his Hemp”\\n25:25- Reads “George Washington Writes Home About Harvesting his Hemp”\\n27:07- Introduces “George Washington and the Dream of Gladys Hindmarch”\\n27:22- Reads “George Washington and the Dream of Gladys Hindmarch”\\n31:15- Introduces “Ringless” [INDEX: reading by Gary Snyder at the Guggenheim in New York City]\\n32:17- Reads “Ringless”\\n35:41- Introduces “Ingratitude to Beethoven” [INDEX: Beethoven, 200 Centennial]\\n36:49- Reads “Ingratitude to Beethoven”\\n43:10- Introduces “The Ten Dollar Cab Ride” [INDEX: moon as poet’s subject, Robert         Duncan, suicide, Golden Gate Park in San Francisco]\\n45:06- Reads “The Ten Dollar Cab Ride”\\n50:15- Introduces “Magellanic Clouds” [INDEX: Astronomy, Magellan]\\n51:00- Reads “Magellanic Clouds”\\n56:00.27- END OF RECORDING\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/diane-wakoski-at-sgwu-1970/\"}]"],"score":0.01643844},{"id":"1290","cataloger_name":["Mahtab,Banihashemi"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Daphne Marlatt at Sir George Williams University, The Poetry Series, 3 November 1970"],"item_title_source":["Cataloguer"],"item_title_note":["\"DAPHE MARLATT Recorded November 6, 1970 3.75 ips on 1 mil tape 1/2 track\" written on sticker on the back of the tape's box. \"DAPHNE MARLATT I086-11-035\" written on sticker on the spine of the tape's box. \"I086-11-035\" written on sticker on the reel. \"RT 549\" written on sticker on the front of the tape's box and on the back of the box"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 5"],"item_identifiers":["[]"],"creator_names":["Marlatt, Daphne"],"creator_names_search":["Marlatt, Daphne"],"creators":["[{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"Daphne (nee Buckle) Marlatt was born in Melbourne, Australia in 1942. She lived in Penang, Malaysia before immigrating to Vancouver in 1951. There, Marlatt was the editor of tish magazine in 1963 and graduated from the University of British Columbia with a B.A. in 1964. Marlatt then moved to Indiana with her husband to complete an M.A. in comparative literature in 1968. During that time, her novella Sea Haven was published in Modern Canadian stories (Ryerson Press, 1966), followed by fifteen poems in Raymond Souster’s New wave Canada (Contact Press) also in 1966, her long poems Frames of a story (Ryerson Press, 1968) and leaf/leaf/s (Black Sparrow Press, 1969). She returned in 1970 to Vancouver at the ending of her marriage.  Marlatt continued to publish her poems in the collections Rings (York Street Commune, 1971), Vancouver poems (Coach House Press, 1972), Our lives (Truck Press, 1975), Zocalo (Coach House Press, 1977) and What matters (Coach House Press, 1980). She was the editor of The Capilano Review from 1977 to 1981, and co-edited Periodics. Marlatt also collaborated on several aural history projects, Steveston Recollected: A Japanese-Canadian History (Talon Books, 1974), Opening Doors: Vancouver’s East End (Aural History Program, 1979/80), and her ‘autobiographical fiction’ Ana Historic (Coach House Press, 1988). In 1981, Daphne Marlatt collaborated with Barbara Godard, Kathy Mezei and Gail Scott to found Tessera, an Anglo-Quebec feminist journal, and published several other long poems and collections of poetry, including How hug a stone (Turnstone Press, 1983), Touch to my tongue (Longspoon Press, 1984), Double negative (Gynergy Press, 1988) with Betsy Warland, Salvage (Red Deer College Press, 1991), and a release of Ghost works (NeWest, 1993) which recasts her earlier poetry. She currently lives in and writes from Victoria, B.C. Marlatt was awarded the Order of Canada for lifetime achievement in 2006.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"00:60:00\",\"physical_condition\":\"\",\"track_configuration\":\"Half-track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"Dates":["[{\"date\":\"1970 11 3\",\"type\":\"Performance Date\",\"notes\":\"Previous researcher specifies date as November 3, 1970. Date written on sticker on the back of the tape's box is Novermber 6, 1970. Newspaper clipping references that Marlatt was intended to read with David Bromige on November 13, but no other supporting evidence has been found.\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building\",\"notes\":\"Exact venue location unknown\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building"],"City":["Montreal, Quebec"],"content_notes":["Daphne Marlatt reads poems published later in books like Vancouver Poems (Coach House Press, 1972) and What Matters: Writing 1968-1970 (Coach House Press, 1980), as well as several poems from unknown sources."],"contents":["daphne_marlatt_i086-11-035.mp3\n \nDaphne Marlatt\n00:00:00\nI thought that what I'd do first is read to you from the Vancouver Poems, which won't be published with a 'the', I hope. I guess I'll just try and explain allusions as I go along for those people who have never been to Vancouver [https://www.wikidata.org/wiki/Q24639] or know it because the poems tend to be pretty local, as they were intended to be, and I'll read you two quotes that I have at the beginning because they might help to explain certain concerns in the poem. The first one's from Rimbaud [https://www.wikidata.org/wiki/Q493], it's from a letter of his in which he was talking about his new conception of the poet and how the poet writes, and he said simply \"Je est une autre.\" The second quote is from a record recently released by Randy Newman [https://www.wikidata.org/wiki/Q318475], this is from one of his songs: \"She say I talk to strangers if I want to, 'coz I'm a stranger too\". These are all prose poems. Lagoon is Lost Lagoon, it's supposed to be lost because it was cut off from the sea by man-made walk, and there's a sort of local myth among the kids growing up there that Lost Lagoon is lost too, because it has no bottom, nobody has ever found the bottom. \"Lagoon\".\n \nDaphne Marlatt\n00:01:42\nReads \"Lagoon\" [published later in Vancouver Poems].\n \nDaphne Marlatt\n00:03:40\nThe first poem in the book is sort of a, an entranceway to the book as a whole, it in some ways it sets up my method, I originally had, I'd been reading a lot about Japanese Noh plays, and I'd especially been interested in the Spirit Plays and my original figure in here was a Shite, who is the doer, the central figure in the Noh, who performs the dance and who the particular Noh is about. He usually first appears in the spirit plays as an old man, an old fisherman, or salt-gatherer, some kind of beat down, destitute person, an anonymous person, and the Waki comes along and somehow starts up a conversation and begins to wonder about this man, and usually asks him to tell him the story of the place where he is, assuming that this is some sort of historical shrine, which it often is, and the Waki has come specifically to see this place and as the old man begins to tell the story, he, well, there's actually a scene change, an act change, he reappears in all his glory as the original person whose life was lived out, usually tragically and very dramatically, often in a battle, who died in this place and whose spirit consequently haunts the area. Then I started reading about the Kwakiutl who are a tribe of the Indians somewhat to the north of Vancouver, about the furthest south they reach is the Campbell River [https://www.wikidata.org/wiki/Q270481] on Vancouver Island [https://www.wikidata.org/wiki/Q170479] which is, I don't know how many miles north of Vancouver, 100? 80, about 80. But I always figured that there must have been some sort of interchange between the Kwakiutl and the Salish, the particular tribe around the Fraser Delta [https://www.wikidata.org/wiki/Q269710]  in Vancouver. The thing that interested me the most about the Kwakiutl were one particular secret society called the \"Hamatsa\" and in the Hamatsa it writes, one goes into a sort of frenzy and is possessed by the original spirit, who then passed on the rituals, and the frenzy denotes the acquirement of a certain kind of power. I guess the Salish have something a little corresponding to that in that they have, I don't know what you call them, they're certain kinds of dances which are meant to perform the meeting between the individual who dances, the initiate, and the spirit of the particular place whom he encounters and who gives them, in result of this dance, particular powers. \"Wet fur wavers\", this is a Spanish Banks [https://www.wikidata.org/wiki/Q7573148] poem, about a walk, a Sunday walk along the Spanish Banks.\n \nDaphne Marlatt\n00:06:56\nReads \"Wet fur wavers\" [published later in Vancouver Poems].\n \nDaphne Marlatt\n00:08:16.15\nAnd straight from that to another one that's somewhat linked up to that in terms of its content. This is about the public library, the old Carnegie Library [https://www.wikidata.org/wiki/Q1376408], which is, has since been closed down because the library rebuilt in an up-town area, the old Carnegie Library is located in the heart of skid row and used to be frequented mainly by old men reading who were reading newspapers who were trying to escape from the eternal rain and the cold.\n\nDaphne Marlatt\n00:08:54\nReads \"Go on\".\n \nDaphne Marlatt\n00:10:34\nThe next one which is also linked, I should have mentioned before the last one that the White Lunch--it must be a Vancouver phenomenon because I don't think I've seen it anywhere else. It's a chain of self-serve cafes, restaurants, and they're inexpensive of course, and their symbol outside is a huge white teacup and saucer, with these little coloured stooped figures running, eternally running around the saucer. This next poem is about a woman whose name I didn't know, I attributed a name to her, Emma. She could be seen, often around Berrard and Granville streets, and instead of going into the White Lunch, she used to go into the Bay, Hudson's Bay [https://www.wikidata.org/wiki/Q641129], and sit on the benches outside the elevator, and wait to warm up, I guess. Often, she seemed to me to be just to be interested in watching the weird kind of people who used to shop at the Bay, all those people with money. \"Razor Back Woman\" is taken from a John Stewart [https://www.wikidata.org/wiki/Q1393453] album, lyric of his.\n \nDaphne Marlatt\n00:12:05\nReads \"razorbackt woman\".\n \nDaphne Marlatt\n00:13:56\nOne last one that connects with the Kwakiutl Hamatsa society, this is going to need some explanation. Baxbakwalanuksiwe’, is--and I'm not responsible for my pronunciation for any people here who know how Kwakiutl sounds, because I don't--I'm just picking it up from various spellings and he was the original spirit who informed the Hamatsas, who gave them their cannibal right because an Indian managed to overcome him, through a trick.\n\nAudience Member 1\n00:14:48\nWhich one is that? Which name?\n\nDaphne Marlatt\n00:14:50\nHamatsa--Baxbakwalanuksiwe’. He was supposed to have been the first man, the first one to eat man at the mouth of the river, that's a quote. He was a sort of bird-like, obviously inhuman creature whose body was covered all over with mouths and he used to have various attendants around, and one of whom was a woman who was rooted to the floor of his cabin and she was very beautiful, and she used to lure people in who then became his victims. But in this particular occasion, these three Indian brothers somehow won her sympathy or something, but she told them, Baxbakwalanuksiwe’ was out at the moment, she told him that he would be expected back and that they were supposed to be his victims, and that the only way to overcome this was to build, to dig a deep pit in the floor, cover it over with boughs and then and have a trap that he could spring, that could release the boughs, and then when he did his dance, prior to killing and eating his victims, they would just pull the string or whatever it was and he would then fall into the pit. And then they could set fire to him. Qominaga is the woman, and I don't know if I should explain the B.C. [https://www.wikidata.org/wiki/Q1974] liquor laws or not. [Audience laughter]. Well, for those of you who don't know B.C., up until not so very long ago, what, five? No, must be longer than that, maybe ten years, the beer parlors used to be segregated, and men, alone, sat on one side, and women, alone, and women would be the escorts sat on the other side and you had to enter the beer parlor from different doors, one of which was marked \"Men\", and the other was \"Ladies and Escorts\". The men's side also used to have, in some of the beer parlors, used to have a wooden floor covered with sawdust, which was simply easier to keep clean because of course when expected, there were constant brawls on the men's side and a lot of broken glass and spilled beer, I suppose that was the rationale. This is dedicated to the Alcazar, Cecil, Belmont, [New Fountain (?)] [audience laughter].\n \nDaphne Marlatt\n00:17:33\nReads unnamed poem  “names stations of the way to\".\n \nDaphne Marlatt\n00:20:33\nLittle poems, for my niece who has, or had, she's probably over it by now, a thing about bugs. That bugs are horrible--any bug, no matter what. So I wrote these four poems to try and explain to her what it was like to be a bug, although it's very human, called \"Bugs in the Heart\", for Karen.\n \nDaphne Marlatt\n00:20:57\nReads \"Bugs in the Heart\" [published later in What Matters: Writing 1968-1970].\n \nDaphne Marlatt\n00:22:00\nThese are all fairly recent poems. \"Agenda\".\n \nDaphne Marlatt\n00:22:06\nReads \"Agenda\".\n \nDaphne Marlatt\n00:22:24\nLast Easter, we were in [Tousse (?)], took our swimsuits, expected to come back with a tan. Snowed every night, it was beautiful in the morning. \n \nDaphne Marlatt\n00:22:37\nReads unnamed poem. \"Points west, or south-west, wet downpour...\"\n \nDaphne Marlatt\n00:23:00\nWe're living on a farm and this is a poem, for practically the first time in our lives, this is a poem that I wrote last year, Phil's our landlord and he's always coming up with useful bits of information about, speaking of David, books, about what birds are what.\n \nDaphne Marlatt\n00:23:29\nReads unnamed poem. \"Depressed area space, lived in...\".\n \nDaphne Marlatt\n00:24:42\nThis is a poem that I wrote when I was about, oh I don't know, seven or eight months pregnant. \"Bird of Passage\", I wrote it in Vancouver. Spring time again.\n \nDaphne Marlatt\n00:25:02\nReads \"Bird of Passage\" [published later in What Matters: Writing 1968-1970]. \n \nDaphne Marlatt\n00:27:38\nOne of the in fact, the original Vancouver poem which was written in Bloomington [https://www.wikidata.org/wiki/Q490385], Indiana [https://www.wikidata.org/wiki/Q1415], probably out of a sense of nostalgia, it's about the man who used to collect the rents on the house that I lived in on Comox Street, and he had a little room up in the attic and he was kind of old, he was also the man who I met at the door when I first came to inquire about their rooms.\n \nDaphne Marlatt\n00:28:09\nReads unnamed poem. \"Old Bird, he...\"\n \nDaphne Marlatt\n00:29:31\nAbout Vancouver's fire, in 1868? 1886. There are a lot of quotes in here, and I think all of them, yes all of them are taken from a historical journal put out by the city archives and the body of it is concerned with W.H. Gallagher's eye-witness account. He was in a little office and had control of payroll for men who were working for the CPR clearing the land, the fire was caused by the clearing of the land, because the trees were knocked down bowling-pin method, that is a tree, a very large tree was chosen and then cut so that it would bring down a pile of trees as it fell and then the stuff was left because they didn't get around to burning it. And it was left over the summer, and got as dry as tinder. Not only that, but they were using gunpowder to blow up stumps. \n \nDaphne Marlatt\n00:30:46\nReads \"Our city is ashes\".\n \nDaphne Marlatt\n00:33:45\nThis is \"Bowen Island\".\n \nDaphne Marlatt\n00:33:50\nReads \"Bowen Island\" [published later as “Bowen” in Vancouver Poems].\n \nDaphne Marlatt\n00:35:48\nI know that there was a bridge in Vancouver with a jack-knife span that opened like London Bridge [https://www.wikidata.org/wiki/Q130206]. And I asked everyone I knew…What?\n\nAudience Member 2\n00:36:03\nMarple.\nDaphne Marlatt\n00:36:04\nMarple! Was that Marple? Because no one seemed to know, I even went down to the library to ask them. Well, I've got a footnote in my book that it wasn't true. So anyway, it began to be confused in my mind with the old Second Narrows Bridge [https://www.wikidata.org/wiki/Q643658], which at that time was being torn down. And so it's compounded with memories of old Second Narrows Bridge, which has a lift-span that rises and all kinds of warning signs--it used to be that when you were learning to drive you went down to Second Narrows Bridge and boy if you made that bridge, you could pass the test.\n\nDaphne Marlatt\n00:36:41\nReads \"Your\".\n \nDaphne Marlatt\n00:39:15\nThis is also a skid row poem, it's a combination of present and past, Water Street, which is a block below Cordova, where there used to be a couple of very popular beer parlours, before they were closed down, Water, the other side of Water, used to be the shore line, that is, the harbour came right up to Water street, and houses, the first houses were built on the southern side of Water. That's where Gassy Jack Deighton [https://www.wikidata.org/wiki/Q720322] built his saloon, the first saloon in Vancouver. That's how Vancouver got its original name, Gastown [https://www.wikidata.org/wiki/Q1495636], because this man was an eternal talker apparently. I use a word that's very foreign to me here, Leman, which means like his woman, and is a word that Alan Morley uses in his book about Vancouver and which I think captures the feeling of Gastown with all its small town morality and prudery. \n \nDaphne Marlatt\n00:40:32\nReads \"Trails\".\n \nEND\n00:42:24\n"],"Note":["[{\"note\":\"Year-Specific Information:\\n\\nIn 1970, Daphne Marlatt had returned from Indiana, and was working on both Rings (1971), and Vancouver Poems (1972).\",\"type\":\"General\"},{\"note\":\"Local Connections:\\n\\nMarlatt is an important figure in Canadian poetry, living and writing for most of her life in Vancouver. She writes about Japanese Canadian immigrants and other Canadian minority groups, and was a founding member of Tessera, a bilingual feminist journal in Quebec. Marlatt has worked on many Canadian little magazines, and continues to teach at Canadian universities. Her direct connection to Sir George Williams is unknown.\",\"type\":\"General\"},{\"note\":\"Original transcript, research, introduction and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Ali Barillaro\",\"type\":\"Cataloguer\"},{\"note\":\"Reel-to-reel tape>CD>digital file\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/contemporary-canadian-poem-anthology/oclc/476332314&referer=brief_results\",\"citation\":\"Bowering, George, ed. The Contemporary Canadian Poem Anthology. Toronto: Coach House Press, 1984.\"},{\"url\":\"https://www.worldcat.org/title/encyclopedia-of-post-colonial-literatures-in-english-vol2/oclc/1156824609&referer=brief_results\",\"citation\":\"Carr, Brenda. “Marlatt, Daphne (1942-)”. Routledge Encyclopedia of Post-Colonial Literatures in English. Benson, Eugene and Conolly, L.W. (eds). London: Routledge, 1994. 2 vols. \"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-canadian-literature/oclc/605246871&referer=brief_results\",\"citation\":\"Davey, Frank. “Marlatt, Daphne”. The Oxford Companion to Canadian Literature. Benson,  Eugene and Toye, William (eds). Oxford University Press, 2001.\"},{\"url\":\"https://www.worldcat.org/title/vancouver-poems/oclc/992191542&referer=brief_results\",\"citation\":\"Marlatt, Daphne. Vancouver Poems. Toronto: Coach House Press, 1972. \"},{\"url\":\"https://www.worldcat.org/title/what-matters-writing-1968-1970/oclc/7285228&referer=brief_results\",\"citation\":\"Marlatt, Daphne. What Matters: Writing 1968-1970. Toronto: Coach House Press, 1980. \"}]"],"_version_":1853670548917190656,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"file_path\":\"\",\"filename\":\"I0086_11_0035_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"Daphne Marlatt Tape Box - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"file_path\":\"\",\"filename\":\"I0086_11_0035_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"Daphne Marlatt Tape Box - Front\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"file_path\":\"\",\"filename\":\"I0086_11_0035_side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"Daphne Marlatt Tape Box - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"file_path\":\"\",\"filename\":\"I0086_11_0035_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"Daphne Marlatt Tape Box - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/daphne_marlatt_i086-11-035.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"daphne_marlatt_i086-11-035.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:42:24\",\"precision\":\"\",\"size\":\"101.8 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"Daphne Marlatt\\n00:00:00\\nI thought that what I'd do first is read to you from the Vancouver Poems, which won't be published with a 'the', I hope. I guess I'll just try and explain allusions as I go along for those people who have never been to Vancouver [https://www.wikidata.org/wiki/Q24639] or know it because the poems tend to be pretty local, as they were intended to be, and I'll read you two quotes that I have at the beginning because they might help to explain certain concerns in the poem. The first one's from Rimbaud [https://www.wikidata.org/wiki/Q493], it's from a letter of his in which he was talking about his new conception of the poet and how the poet writes, and he said simply \\\"Je est une autre.\\\" The second quote is from a record recently released by Randy Newman [https://www.wikidata.org/wiki/Q318475], this is from one of his songs: \\\"She say I talk to strangers if I want to, 'coz I'm a stranger too\\\". These are all prose poems. Lagoon is Lost Lagoon, it's supposed to be lost because it was cut off from the sea by man-made walk, and there's a sort of local myth among the kids growing up there that Lost Lagoon is lost too, because it has no bottom, nobody has ever found the bottom. \\\"Lagoon\\\".\\n \\nDaphne Marlatt\\n00:01:42\\nReads \\\"Lagoon\\\" [published later in Vancouver Poems].\\n \\nDaphne Marlatt\\n00:03:40\\nThe first poem in the book is sort of a, an entranceway to the book as a whole, it in some ways it sets up my method, I originally had, I'd been reading a lot about Japanese Noh plays, and I'd especially been interested in the Spirit Plays and my original figure in here was a Shite, who is the doer, the central figure in the Noh, who performs the dance and who the particular Noh is about. He usually first appears in the spirit plays as an old man, an old fisherman, or salt-gatherer, some kind of beat down, destitute person, an anonymous person, and the Waki comes along and somehow starts up a conversation and begins to wonder about this man, and usually asks him to tell him the story of the place where he is, assuming that this is some sort of historical shrine, which it often is, and the Waki has come specifically to see this place and as the old man begins to tell the story, he, well, there's actually a scene change, an act change, he reappears in all his glory as the original person whose life was lived out, usually tragically and very dramatically, often in a battle, who died in this place and whose spirit consequently haunts the area. Then I started reading about the Kwakiutl who are a tribe of the Indians somewhat to the north of Vancouver, about the furthest south they reach is the Campbell River [https://www.wikidata.org/wiki/Q270481] on Vancouver Island [https://www.wikidata.org/wiki/Q170479] which is, I don't know how many miles north of Vancouver, 100? 80, about 80. But I always figured that there must have been some sort of interchange between the Kwakiutl and the Salish, the particular tribe around the Fraser Delta [https://www.wikidata.org/wiki/Q269710]  in Vancouver. The thing that interested me the most about the Kwakiutl were one particular secret society called the \\\"Hamatsa\\\" and in the Hamatsa it writes, one goes into a sort of frenzy and is possessed by the original spirit, who then passed on the rituals, and the frenzy denotes the acquirement of a certain kind of power. I guess the Salish have something a little corresponding to that in that they have, I don't know what you call them, they're certain kinds of dances which are meant to perform the meeting between the individual who dances, the initiate, and the spirit of the particular place whom he encounters and who gives them, in result of this dance, particular powers. \\\"Wet fur wavers\\\", this is a Spanish Banks [https://www.wikidata.org/wiki/Q7573148] poem, about a walk, a Sunday walk along the Spanish Banks.\\n \\nDaphne Marlatt\\n00:06:56\\nReads \\\"Wet fur wavers\\\" [published later in Vancouver Poems].\\n \\nDaphne Marlatt\\n00:08:16.15\\nAnd straight from that to another one that's somewhat linked up to that in terms of its content. This is about the public library, the old Carnegie Library [https://www.wikidata.org/wiki/Q1376408], which is, has since been closed down because the library rebuilt in an up-town area, the old Carnegie Library is located in the heart of skid row and used to be frequented mainly by old men reading who were reading newspapers who were trying to escape from the eternal rain and the cold.\\n\\nDaphne Marlatt\\n00:08:54\\nReads \\\"Go on\\\".\\n \\nDaphne Marlatt\\n00:10:34\\nThe next one which is also linked, I should have mentioned before the last one that the White Lunch--it must be a Vancouver phenomenon because I don't think I've seen it anywhere else. It's a chain of self-serve cafes, restaurants, and they're inexpensive of course, and their symbol outside is a huge white teacup and saucer, with these little coloured stooped figures running, eternally running around the saucer. This next poem is about a woman whose name I didn't know, I attributed a name to her, Emma. She could be seen, often around Berrard and Granville streets, and instead of going into the White Lunch, she used to go into the Bay, Hudson's Bay [https://www.wikidata.org/wiki/Q641129], and sit on the benches outside the elevator, and wait to warm up, I guess. Often, she seemed to me to be just to be interested in watching the weird kind of people who used to shop at the Bay, all those people with money. \\\"Razor Back Woman\\\" is taken from a John Stewart [https://www.wikidata.org/wiki/Q1393453] album, lyric of his.\\n \\nDaphne Marlatt\\n00:12:05\\nReads \\\"razorbackt woman\\\".\\n \\nDaphne Marlatt\\n00:13:56\\nOne last one that connects with the Kwakiutl Hamatsa society, this is going to need some explanation. Baxbakwalanuksiwe’, is--and I'm not responsible for my pronunciation for any people here who know how Kwakiutl sounds, because I don't--I'm just picking it up from various spellings and he was the original spirit who informed the Hamatsas, who gave them their cannibal right because an Indian managed to overcome him, through a trick.\\n\\nAudience Member 1\\n00:14:48\\nWhich one is that? Which name?\\n\\nDaphne Marlatt\\n00:14:50\\nHamatsa--Baxbakwalanuksiwe’. He was supposed to have been the first man, the first one to eat man at the mouth of the river, that's a quote. He was a sort of bird-like, obviously inhuman creature whose body was covered all over with mouths and he used to have various attendants around, and one of whom was a woman who was rooted to the floor of his cabin and she was very beautiful, and she used to lure people in who then became his victims. But in this particular occasion, these three Indian brothers somehow won her sympathy or something, but she told them, Baxbakwalanuksiwe’ was out at the moment, she told him that he would be expected back and that they were supposed to be his victims, and that the only way to overcome this was to build, to dig a deep pit in the floor, cover it over with boughs and then and have a trap that he could spring, that could release the boughs, and then when he did his dance, prior to killing and eating his victims, they would just pull the string or whatever it was and he would then fall into the pit. And then they could set fire to him. Qominaga is the woman, and I don't know if I should explain the B.C. [https://www.wikidata.org/wiki/Q1974] liquor laws or not. [Audience laughter]. Well, for those of you who don't know B.C., up until not so very long ago, what, five? No, must be longer than that, maybe ten years, the beer parlors used to be segregated, and men, alone, sat on one side, and women, alone, and women would be the escorts sat on the other side and you had to enter the beer parlor from different doors, one of which was marked \\\"Men\\\", and the other was \\\"Ladies and Escorts\\\". The men's side also used to have, in some of the beer parlors, used to have a wooden floor covered with sawdust, which was simply easier to keep clean because of course when expected, there were constant brawls on the men's side and a lot of broken glass and spilled beer, I suppose that was the rationale. This is dedicated to the Alcazar, Cecil, Belmont, [New Fountain (?)] [audience laughter].\\n \\nDaphne Marlatt\\n00:17:33\\nReads unnamed poem  “names stations of the way to\\\".\\n \\nDaphne Marlatt\\n00:20:33\\nLittle poems, for my niece who has, or had, she's probably over it by now, a thing about bugs. That bugs are horrible--any bug, no matter what. So I wrote these four poems to try and explain to her what it was like to be a bug, although it's very human, called \\\"Bugs in the Heart\\\", for Karen.\\n \\nDaphne Marlatt\\n00:20:57\\nReads \\\"Bugs in the Heart\\\" [published later in What Matters: Writing 1968-1970].\\n \\nDaphne Marlatt\\n00:22:00\\nThese are all fairly recent poems. \\\"Agenda\\\".\\n \\nDaphne Marlatt\\n00:22:06\\nReads \\\"Agenda\\\".\\n \\nDaphne Marlatt\\n00:22:24\\nLast Easter, we were in [Tousse (?)], took our swimsuits, expected to come back with a tan. Snowed every night, it was beautiful in the morning. \\n \\nDaphne Marlatt\\n00:22:37\\nReads unnamed poem. \\\"Points west, or south-west, wet downpour...\\\"\\n \\nDaphne Marlatt\\n00:23:00\\nWe're living on a farm and this is a poem, for practically the first time in our lives, this is a poem that I wrote last year, Phil's our landlord and he's always coming up with useful bits of information about, speaking of David, books, about what birds are what.\\n \\nDaphne Marlatt\\n00:23:29\\nReads unnamed poem. \\\"Depressed area space, lived in...\\\".\\n \\nDaphne Marlatt\\n00:24:42\\nThis is a poem that I wrote when I was about, oh I don't know, seven or eight months pregnant. \\\"Bird of Passage\\\", I wrote it in Vancouver. Spring time again.\\n \\nDaphne Marlatt\\n00:25:02\\nReads \\\"Bird of Passage\\\" [published later in What Matters: Writing 1968-1970]. \\n \\nDaphne Marlatt\\n00:27:38\\nOne of the in fact, the original Vancouver poem which was written in Bloomington [https://www.wikidata.org/wiki/Q490385], Indiana [https://www.wikidata.org/wiki/Q1415], probably out of a sense of nostalgia, it's about the man who used to collect the rents on the house that I lived in on Comox Street, and he had a little room up in the attic and he was kind of old, he was also the man who I met at the door when I first came to inquire about their rooms.\\n \\nDaphne Marlatt\\n00:28:09\\nReads unnamed poem. \\\"Old Bird, he...\\\"\\n \\nDaphne Marlatt\\n00:29:31\\nAbout Vancouver's fire, in 1868? 1886. There are a lot of quotes in here, and I think all of them, yes all of them are taken from a historical journal put out by the city archives and the body of it is concerned with W.H. Gallagher's eye-witness account. He was in a little office and had control of payroll for men who were working for the CPR clearing the land, the fire was caused by the clearing of the land, because the trees were knocked down bowling-pin method, that is a tree, a very large tree was chosen and then cut so that it would bring down a pile of trees as it fell and then the stuff was left because they didn't get around to burning it. And it was left over the summer, and got as dry as tinder. Not only that, but they were using gunpowder to blow up stumps. \\n \\nDaphne Marlatt\\n00:30:46\\nReads \\\"Our city is ashes\\\".\\n \\nDaphne Marlatt\\n00:33:45\\nThis is \\\"Bowen Island\\\".\\n \\nDaphne Marlatt\\n00:33:50\\nReads \\\"Bowen Island\\\" [published later as “Bowen” in Vancouver Poems].\\n \\nDaphne Marlatt\\n00:35:48\\nI know that there was a bridge in Vancouver with a jack-knife span that opened like London Bridge [https://www.wikidata.org/wiki/Q130206]. And I asked everyone I knew…What?\\n\\nAudience Member 2\\n00:36:03\\nMarple.\\nDaphne Marlatt\\n00:36:04\\nMarple! Was that Marple? Because no one seemed to know, I even went down to the library to ask them. Well, I've got a footnote in my book that it wasn't true. So anyway, it began to be confused in my mind with the old Second Narrows Bridge [https://www.wikidata.org/wiki/Q643658], which at that time was being torn down. And so it's compounded with memories of old Second Narrows Bridge, which has a lift-span that rises and all kinds of warning signs--it used to be that when you were learning to drive you went down to Second Narrows Bridge and boy if you made that bridge, you could pass the test.\\n\\nDaphne Marlatt\\n00:36:41\\nReads \\\"Your\\\".\\n \\nDaphne Marlatt\\n00:39:15\\nThis is also a skid row poem, it's a combination of present and past, Water Street, which is a block below Cordova, where there used to be a couple of very popular beer parlours, before they were closed down, Water, the other side of Water, used to be the shore line, that is, the harbour came right up to Water street, and houses, the first houses were built on the southern side of Water. That's where Gassy Jack Deighton [https://www.wikidata.org/wiki/Q720322] built his saloon, the first saloon in Vancouver. That's how Vancouver got its original name, Gastown [https://www.wikidata.org/wiki/Q1495636], because this man was an eternal talker apparently. I use a word that's very foreign to me here, Leman, which means like his woman, and is a word that Alan Morley uses in his book about Vancouver and which I think captures the feeling of Gastown with all its small town morality and prudery. \\n \\nDaphne Marlatt\\n00:40:32\\nReads \\\"Trails\\\".\\n \\nEND\\n00:42:24\\n\",\"notes\":\"Daphne Marlatt reads poems published later in books like Vancouver Poems (Coach House Press, 1972) and What Matters: Writing 1968-1970 (Coach House Press, 1980), as well as several poems from unknown sources.\\n\\n00:00- Daphne Marlatt Introduces “Lagoon” [INDEX: Vancouver Poems, local myth of the lost lagoon, prose poems, French poet Rimbaud, Randy Newman lyrics]\\n01:42- Reads “Lagoon”\\n03:40- Introduces “Wet fur wavers” [INDEX: Vancouver Poems, Japanese Noh plays: Waki, Spirit plays, Kwakiutl Native American Indians: Hamatsa Secret Society, Campbell River, B.C., Salish Native Americans of the Frasier Delta, Spanish Banks, B.C.]\\n06:56- Reads “Wet fur wavers”\\n08:16- Introduces “Go on” [INDEX: Vancouver Poems, Old Carnegie Library, Vancouver;    Howard Fink list “Old Carnegie Library”]\\n08:54- Reads “Go on”\\n10:34- Introduces “razorbackt woman” [INDEX: Vancouver Poems, White Lunch restaurant, The Hudson Bay’s Company, skid row, John Stewart lyrics]\\n12:05- Reads “razorbackt woman”\\n13:56- Introduces “Alcazar, Cecil, Belmont, New Fountain, names stations of the way,       to” [INDEX: Vancouver Poems, BaxwbakwAllenuksiwe, Coleman Okwas, Alcohol laws   \\tof B.C.]\\n17:33- Reads “Alcazar, Cecil, Belmont, New Fountain, names stations of the way, to”\\n20:33- Introduces “Bugs in the Heart”\\n20:57- Reads “Bugs in the Heart”\\n22:00- Reads “Agenda”\\n22:24- Introduces first line “Points west or south west, wet downpour...”\\n22:37- Reads first line “Points west or south west, wet downpour...”\\n23:00- Introduces first line “Depressed area space, lived in...” [INDEX: living on a farm;      Howard Fink List “Older, heart...”]\\n23:29- Reads first line “Depressed area space, lived in...”\\n24:42- Introduces “Bird of Passage”\\n25:02- Reads “Bird of Passage”\\n27:38- Introduces “Old bird, he” [INDEX: Vancouver Poems, Bloomington, Indiana, Comox Street Vancouver, Vancouver fire of 1886, W.H. Gallagher’s [Unknown A1] eyewitness account, City Archives Historical Journal, Second Narrows Bridge, Marple Bridge]\\n28:09- Reads first line “Old bird, he turned up this this time...”\\n29:31- Introduces “Our city is ashes” [INDEX: Vancouver Poems]\\n30:46- Reads “Our city is ashes”\\n33:45- Reads “Bowen” [INDEX: Howard Fink List “Bowen Island”.]\\n35:48- Introduces “Your” [INDEX: Vancouver Poems]\\n36:41- Reads first line “Your grey-green fathoms unfathomed...”\\n39:15- Introduces “Trails” [INDEX: Vancouver Poems, Bowen Island, Burrard and Granville Streets, Alan Morley's book on Vancouver, Gassy Jack Deighton of Vancouver]\\n40:32- Reads “Trails”\\n42:24.72- END OF RECORDING\\n   \\nFrom the Howard Fink list of poems:\\nNovember 6, 1970\\n \\n1. “Lagoon”\\n2. “Wet For A Wavers” (Spanish Banks)\\n3. “Old Carnegie Library”\\n4. “Razor-backed Woman”\\n5. “The Alcazar Cecil Belmont Newfoundland”\\n6. “Bugs In The Heart”\\n7. “Agenda”\\n8. [blank]\\n9. First line (?)“Older heart...”\\n10. “Bird of Passage”\\n11. (Vancouver Poem) first line (?) “Old Bird...”\\n12. First line (?) “Our City Is Ashes”\\n13. “Bohen Island”\\n14. “Ridge Pole (Second Narrows Bridge)”\\n15. “Trails”\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/daphne-marlatt-at-sgwu-1970/\"}]"],"score":0.01643844},{"id":"1291","cataloger_name":["Bindu,Reddy"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Ted Berrigan Reading at Sir George Williams University, The Poetry Series, 4 December 1970"],"item_title_source":["Cataloguer"],"item_title_note":["\"RT 551 TED BERRIGAN Recorded December 4, 1970 at Sir George Williams University 3.75 ips on 1. mil tape, 1/2 track\" written on sticker on the back of the tape box. \"RT 551\" written on sticker on the front of the tape box. \"TED BERRIGAN I086-11-004\" written on spine of the tape box. \"TED BERRIGAN I086-11-004\" and \"RT 551\" written on stickers on the reel.\n\nWrong tape and information photographed ??"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 5"],"item_identifiers":["[]"],"creator_names":["Berrigan, Ted"],"creator_names_search":["Berrigan, Ted"],"creators":["[{\"url\":\"http://viaf.org/viaf/64027570\",\"name\":\"Berrigan, Ted\",\"dates\":\"1934-1983\",\"notes\":\"Poet and editor Ted Berrigan was born in Providence, Rhode Island on November 15, 1934. He studied briefly at Providence College until 1954 when he joined the US army, which he served three years, an eighteen months of which were spent in the Korean War. Berrigan returned to the US and completed a Bachelor’s degree in English literature at the University of Tulsa, Oklahoma in 1595. It was there that he met Ron Padgett and Joe Brainard. Berrigan completed his MA in 1962, and soon after, with a number of friends from Tulsa, went north to the Lower East Side of New York City. By 1963, Berrigan had established C: A Journal of Poetry, which published not only the work of his friends, but the poetry of the older generation of New York poets and artists like Andy Warhol. In 1964, Berrigan published his most accomplished collection of poems, The Sonnets (Lorenz & Ellen Gude, 1964). Berrigan also taught at the St. Mark’s Poetry Project at its conception by Paul Blackburn, helping to shape the project and its programmes in its early days. He also lectured at the State University of Michigan, University of Iowa, Yale University, the University of Michigan, and at the Jack Kerouac School of Disembodied Poetics at Naropa Institute in Boulder, Colorado. A selection of his publications include A Lily for My Love (Self published, 1959), In the Early Morning Rain (Cape Goliard Press, 1970), Red Wagon (Yellow Press, 1976), Galileo; or Finksville a play (1964) and Bean Spasms (Kulchur Press, 1967) written with Ron Padgett. Ted Berrigan died on July 4, 1983. The most comprehensive collection of his poetry can be found in So Going Around Cities: New and Selected Poems 1958-1979 (Blue Wind Press, 1980).\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"Presenter_name":["Bowering, George"],"Series_organizer_name":["Bowering, George"],"Performance_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"Half-track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"Dates":["[{\"date\":\"1970 12 4\",\"type\":\"Performance Date\",\"notes\":\"Date reference on tape box\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Room H-651\",\"notes\":\"\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Room H-651"],"City":["Montreal, Quebec"],"content_notes":["Ted Berrigan reads from In the Early Morning Rain (Cape Goliard, 1970), The Sonnets (Grove Press, 1964), Many Happy Returns (Corinth, 1969) and poems later collected in So Going Around Cities (Berkley, 1980) as well as a few unknown poems."],"contents":["ted_berrigan_i086-11-004.mp3\n\nGeorge Bowering\n00:00:00\nWelcome to at last the second reading in the series, for this year.  As you probably know, the series that we have, it might be loosely called a kind of an avant-garde series, and in the, this is our fifth year, and this is the first time we've ever had anybody from the New York School [https://www.wikidata.org/wiki/Q1972942]--it's not going to be the last time, we're going to have Kenneth Koch [https://www.wikidata.org/wiki/Q2708628] in the spring, and we're looking for Tom Clarke [https://www.wikidata.org/wiki/Q7815337] next fall. Berrigan [https://www.wikidata.org/wiki/Q2399732] is I guess now, one of the, say the halfback, I supposed, or quarterback of the New York School. Many of you have probably seen...[laughter] yeah, linebacker! When you ask when you're a little thin... And most of you have probably seen the propaganda sheet that's been around, downstairs and so on, and so you've heard the words that some of his confreres have said about him. I'd just like to add a little bit, in addition to those earlier books such as The Sonnets, and Bean Spasms, there's a couple of new books that have just appeared, one's called In the Early Morning Rain, which will be available here because it's a Cape Goliard book, and it's distributed in Canada [https://www.wikidata.org/wiki/Q16] by one of the big Toronto [https://www.wikidata.org/wiki/Q172] publishers, and another one with a Kraut title that I can't read that's bilingual, half-German and half-English that I'm sure we'll hear some from....\n \nTed Berrigan\n00:01:31\nThe title's [unintelligible] Guillaume Apollinaire [https://www.wikidata.org/wiki/Q133855] ist ...\n \nGeorge Bowering\n00:01:34\nOh I see, yeah right.\n \nTed Berrigan\n00:01:35\nHowever I don't have any available, only in Berlin [https://www.wikidata.org/wiki/Q64].\n \nGeorge Bowering\n00:01:38\nRight, so if you happen to be in Berlin, snap up a copy of Guillaume Apollinaire ist tot und Anders. So I'd like to mention that Ted Berrigan is going to read one set, and then he wants to stop for a very short intermission, say like a five-minute intermission, and then haul you back in again and do a second set. So ladies and gentlemen, etcetera, Ted Berrigan.\n \nAudience\n00:02:05\nApplause. \n \nUnknown\n00:02:07\n[Cut or edit made in tape. Unknown amount of time elapsed]. \n \nTed Berrigan\n00:02:08\nIn the first set I'm going to read mostly poems I've written over the last four or five years. Actually, longer than that, some going back to 1962, or '61. I don't know how long this set'll be. It'll, should be less than a half-hour. In the second set I'll read poems I've written over the last year or two. However I want to start with a poem that I wrote about two years ago. It's called \"Heroin\" I read this in high schools in Ann Arbor [https://www.wikidata.org/wiki/Q485172] which I went to read in a program called Poetry Ann Arbor, and I wanted, I read the title and then I wanted to, I read the title and then I wanted to, I found it real funny because it was called \"Heroin,\" and I wanted to disclaim that it was a pro-heroin poem. So I said, this poem is not a pro-heroin poem.Then I realized there wasn't an anti-heroin poem either.  So I ended them, it was just sort of an on-heroin poem. [Audience laughter]. All my poems are pretty much alike, and this is fairly typical of what you'll be hearing the rest of the evening. \n \nTed Berrigan\n00:03:19\nReads \"Heroin\".\n \nTed Berrigan\n00:04:22\nThis poem is called \"Frank O'Hara's Question\". Frank O'Hara [https://www.wikidata.org/wiki/Q951010] is a poet from New York [https://www.wikidata.org/wiki/Q60], who's dead, he died when he was forty years old a couple of years ago in an automobile accident. The title doesn't have too much to do with the poem, except that it sort of states something that Frank O'Hara evidently had to say, and so it says something that I have to say too in my own way, not that I have to say it the same way that Frank did. \n \nTed Berrigan\n00:04:56\nReads \"Frank O’Hara’s Question\".\n \nTed Berrigan\n00:05:42\nThis is a poem I wrote in 1962. It's called \"Words for Love\". It's a bit rhetorical, but it's the best I could do in 1962, and I still like it a lot, albeit I wonder at some of it.  \"Words for Love\". It was written, actually, at a very difficult time in my life, and I guess I felt the need to make some sort of statement.\n \nTed Berrigan\n00:06:09\nReads \"Words for Love\".\n \nTed Berrigan\n00:08:07\nReads [\"I wake up 11:30, back aching\"].\n \nTed Berrigan\n00:09:23\nReads “Personal Poem #7. \n \nTed Berrigan\n00:10:23\nReads “Personal Poem”.\n \nAudience\n00:11:08\nApplause.\n\nTed Berrigan\n00:11:10\nThank you. Charlie Stanton liked that one too. [Audience laughter]. This is the last one of those kind of poems [audience laughter]. \n \nTed Berrigan\n00:11:21\nReads “Personal Poem #9”.\n\nTed Berrigan\n00:12:32\nI've always liked that poem. [Laughter]. All of those are written around 1962, 61 and 62.  I want to skip up to around 1967. I wrote this poem called \"Things to do in New York City\". I was leaving New York, and this poem, like many of my poems, was written for a specific occasion. It was for someone's birthday. And the poem, it's just my poem, it's not about the other person's birthday, it's just a present for him on his birthday. \n \nTed Berrigan\n00:13:24\nReads \"Things to do in New York City\".\n \nTed Berrigan\n00:14:20\nThis poem is called \"Ten Things I do Every Day,\" which is...it's true, as a matter of fact, in a way. In a manner of speaking. But it's not true that it's ten things. Alas. But that was just the title, like the ten greatest movies of the year. \n \nTed Berrigan\n00:14:40\nReads \"Ten Things I do Every Day\".\n\nAudience\n00:15:16\nLaughter.\n \nTed Berrigan\n00:15:21\nThat's what you do in New York. [Audience laughter]. I'll read this poem called \"Resolution\". \n \nTed Berrigan\n00:15:35\nReads \"Resolution”.\n \nTed Berrigan\n00:15:58\nI don't know what I'll do about it if you do, but...something. All those dramatic poems. \n \nTed Berrigan\n00:16:06\nReads “Sonnet XXXVII”.\n \nTed Berrigan\n00:17:08\nI want to move around a little and not do exactly what I said. This is a poem I wrote last summer in London [https://www.wikidata.org/wiki/Q84], it's dedicated to the poet Tom Raworth [https://www.wikidata.org/wiki/Q7817338] and his wife. They lived in Colchester [https://www.wikidata.org/wiki/Q184163], which is an hour or two train-ride from London, and I was supposed to go down and see them, and I didn't go. And by way of apologies, I wrote this poem to Tom and to his wife, Val.\n \nTed Berrigan\n00:17:33\nReads \"Apologies to Val and Tom\".\n \nTed Berrigan\n00:19:05\nI'll read this one for George Bowering's old lady, [audience laughter] Mrs. Angela Bowering. It's called \"Things to do on Speed\". [Audience laughter].\n \nTed Berrigan\n00:19:19\nReads \"Things to do on Speed\" [audience laughter throughout].\n \nTed Berrigan\n00:20:58 [Laughter] I forgot about that one.  \n\nAudience \n00:21:01\nLaughter.\n \nTed Berrigan\n00:21:03\nResumes reading \"Things to do on Speed\".\n \nTed Berrigan\n00:22:21\nI wrote that one courtesy of The New York Times [https://www.wikidata.org/wiki/Q9684]. Okay, one more this set. This is called, \"Things to do in Providence\". [Audience laughter]. Which is, Providence [https://www.wikidata.org/wiki/Q18383], Rhode Island [https://www.wikidata.org/wiki/Q1387], or whatever else you can make of it.\n \nTed Berrigan\n00:22:50\nReads \"Things to do in Providence\".\n \nAudience\n00:26:23\nLaughter.\n \nTed Berrigan\n00:26:29\nResumes reading \"Things to do in Providence\".\n \nAudience\n00:27:46\nApplause.\n \nTed Berrigan\n00:27:52\n[Unintelligible].\n \nUnknown\n00:27:55\n[Cut or edit made in tape. Unknown amount of time elapsed].\n \nGeorge Bowering\n00:27:55\nHere he is again, terrible Ted Berrigan. \n \nTed Berrigan\n00:28:01\nAll the poems I'm going to read in this set are from my book, In the Early Morning Rain.  The title of this book I got from Gordon Lightfoot [https://www.wikidata.org/wiki/Q359552], the Canadian folk singer-songwriter, and I didn't know, I made, I decided to use that title before Bobby Dylan's [https://www.wikidata.org/wiki/Q392] album Self-Portrait [https://www.wikidata.org/wiki/Q634569] came out, so I didn't know that Bobby was going to record this song. I would have used it anyway, I'm sure. But, I mean if Dylan can steal it, I can steal it. And this book is a collection of poems of mine from over the last ten years, and I'm just going to read around in it. I wrote a lot of different kind of poems. I don't very often try for...I mean, I just take my poems where they come. This poem is called \"Hello\". \n \nTed Berrigan\n00:28:51\nReads \"Hello\" from In the Early Morning Rain.\n \nTed Berrigan\n00:29:06\nNow I'm going to read two or three poems that are from a section of this book called \"Life of a Man\".  \"Life of a Man\" is a book of poems in Italian by an Italian poet, a very great Italian poet who died not too long ago called Giuseppe Ungaretti [https://www.wikidata.org/wiki/Q311802]. There's a little story behind these. A lady poet named Barbara Guest [https://www.wikidata.org/wiki/Q807448] once asked my friend Ron Patchett and I, would we translate some of Ungaretti's poems, because Ungaretti was coming to America [https://www.wikidata.org/wiki/Q30]. And she thought it would be nice if we would translate them as a sort of homage to him. And so I told her, I said, “Barbara, but we don't understand Italian,” and she said, “Oh, I'm sure you can do it, you two are marvelous”.  And she said, “Just get a dictionary, and you can look up the words”. So I looked at Ron and he looked at me, and we said, yeah, we can translate 'em, sure, but we don't want to get any dictionaries. So we just translated 'em without any dictionaries. [Audience laughter]. And we never showed them to Ungaretti but we showed them to Barbara Guest and she had the horrors. The first one is called \"Matinee\". \n \nTed Berrigan\n00:30:16\nReads \"Matinee\" from In the Early Morning Rain [audience laughter throughout].\n\nTed Berrigan\n00:30:26\nThe next one is called \"December\" [audience laughter].\n \nTed Berrigan\n00:30:30\nReads \"December\" from In the Early Morning Rain [audience laughter throughout].\n \nTed Berrigan\n00:30:38\nAnd this one is called \"The Reply to the Fragile.\" \n \nTed Berrigan\n00:30:42\nReads \"The Reply to the Fragile\" from In the Early Morning Rain.\n \nTed Berrigan\n00:30:53\nThat one's a little, that's rated X. [Audience laughter]. And this is the last one, it's called “Corporal Pellegrini”. If any of you know Italian, you can understand where all these words came from [audience laughter].\n \nTed Berrigan\n00:31:09\nReads \"Corporal Pellegrini\" from In the Early Morning Rain.\n \nTed Berrigan\n00:31:38\nI think Ungaretti would've liked them. [Audience laughter]. He probably would have retranslated them and gotten some new ones. This next work is a translation too and it's a translation I did from French, which I understand some. And so this time I only had to leave certain words. This time I translated a lot of it accurately. But it's called \"Life among the woods\". And it's a translation of a page from a grammar book, some kind of book written in the French language. After I'd gotten this much done I decided it was over. Anyway, it's called \"Life Among the Woods\".\n \nTed Berrigan\n00:32:20\nReads \"Life Among the Woods\" from In the Early Morning Rain.\n \nTed Berrigan\n00:34:30.58\nPretty interesting family. This is a poem called \"In Four Parts.\"\n \nTed Berrigan\n00:34:40.14\nReads \"In Four Parts\" from In the Early Morning Rain.\n \nTed Berrigan\n00:35:22\nThat was four sentences from the New York Times. They had this secret continuity. [Laughter]. This is a poem called \"March 17th, 1970\".\n \nTed Berrigan\n00:35:35\nReads \"March 17th, 1970\" from In the Early Morning Rain.\n \nTed Berrigan\n00:36:03\nAnd you'd better believe it. Only not right now, right then. I don't know if I can subject you to this poem. I guess I will anyway. This is called \"The Ten Greatest Books of the Year, 1968\".\n \nTed Berrigan\n00:36:28\nReads \"The Ten Greatest Books of the Year, 1968\" from In the Early Morning Rain [audience laughter throughout].\n \nTed Berrigan\n00:38:02\nYou people that are laughing are getting it.\n\nTed Berrigan\n00:38:04\nResumes reading \"The Ten Greatest Books of the Year, 1968\" from In the Early Morning Rain. \n\nAudience\n00:38:14\nLaughter.\n\nTed Berrigan\n00:38:17\nThis is a poem called \"Thirty\".\n \nTed Berrigan\n00:38:18\nReads \"Thirty\" from In the Early Morning Rain\n \nTed Berrigan\n00:38:24\nThat's for all of you guys that did thirty. This poem is called \"Things to do in Anne's Room\".\n \nTed Berrigan\n00:38:34\nReads \"Things to do in Anne's Room\" from In the Early Morning Rain\n \nTed Berrigan\n00:39:42\nThis is called \"The Great Genius\".\n \nTed Berrigan\n00:39:45\nReads \"The Great Genius\" from In the Early Morning Rain.\n \nTed Berrigan\n00:39:56\nThis is called \"Anti-War Poem\". It's another New Year's poem, actually.\n \nTed Berrigan\n00:40:03\nReads \"Anti-War Poem\" from In the Early Morning Rain.\n \nTed Berrigan\n00:40:41\nAnd this poem is called \"Tough Brown Coat\".\n \nTed Berrigan\n00:40:43\nReads \"Tough Brown Coat\" from In the Early Morning Rain.\n \nTed Berrigan\n00:41:04\nThis poem is called \"Babe Rainbow\".\n \nTed Berrigan\n00:41:08\nReads \"Babe Rainbow\" from In the Early Morning Rain.\n \nTed Berrigan\n00:41:25\nAnd this is called \"In My Room\".\n \nTed Berrigan\n00:41:30\nReads \"In My Room\" from In the Early Morning Rain.\n \nTed Berrigan\n00:41:54\nThis is called \"Ann Arbor Elegy\". It was written for a girl who was killed in an automobile accident. September 27th, 1969. The funny thing about this poem is it was written before she was killed. And when I looked at it after she was dead, I saw that I didn't have to write an elegy for her, that somehow I'd written one already. \n \nTed Berrigan\n00:42:17\nReads \"Ann Arbor Elegy - For Franny Winston\" from In the Early Morning Rain.\n \nTed Berrigan\n00:43:13\nAnd this is a sort of berserk work, which I wrote called \"Wake Up,\" which is about all it says, really.\n \nTed Berrigan\n00:43:23\nReads \"Wake up\" from In the Early Morning Rain.\n \nTed Berrigan\n00:44:18\nI have another poem which I'd like to read but I won't, but it's a series of aphorisms from the works of Francis Picabia [https://www.wikidata.org/wiki/Q157321], the French poet and painter. And this friend Jim Carroll [https://www.wikidata.org/wiki/Q444806] and I translated these from French. I'll read you my favourite one, in any case, which Jim Carroll translated. It says, \"Spinoza [https://www.wikidata.org/wiki/Q35802] is the one who threw a pass to move Spinoza.\" I really...in this book I put some poems by some of my friends so I wouldn't have to read all my works. Though when I read I never read theirs, I notice. This poem is called \"In Bed\".\n \nTed Berrigan\n00:44:56\nReads \"In Bed\" from In the Early Morning Rain.\n \nTed Berrigan\n00:45:12\nThat's an example of saying nothing. [Audience laughter]. This poem is called \"Easy Living\". It's dedicated to a boy named David Henderson, a poet who was a friend of mine, whom I once took a trip to Pittsburgh [https://www.wikidata.org/wiki/Q1342] with. Had a very nice time. \n \nTed Berrigan\n00:45:33\nReads \"Easy Living\" from In the Early Morning Rain.\n \nTed Berrigan\n00:46:25\nThis is a poem I wrote, it's called \"Like Poem\". A friend of mine wrote a love poem to this girl, and I thought I should do that too. But I only wanted to write a like poem to her, because I don't want to have any obligations. [Audience laughter]. No, that isn't the reason why, but that's what came out. This is called \"Like Poem,\" it's to Joan Fagan, who's the wife of my friend Larry Fagan [https://www.wikidata.org/wiki/Q95906997], the poet. \n \nTed Berrigan\n00:46:50\nReads \"Like Poem\" from In the Early Morning Rain.\n \nTed Berrigan\n00:47:06\nThis poem is called \"Ann Arbor Song\". This poem I actually tried to write a poem out of a very corny feeling that I'd had, which nevertheless is very genuine. It starts at a poetry reading in Ann Arbor, but it's really about being in Ann Arbor and realizing I was leaving soon, and thinking about all the things that wouldn't happen to me again, because this trip was going to be over.  Even though, I'm--it's not all that sentimental, I mean I knew I might go to Ann Arbor again and all that, it was just that this particular trip was going to be over. I also wrote it with the idea in mind of reading it at a poetry reading too.  \"Ann Arbor Song\".\n \nTed Berrigan\n00:47:45\nReads \"Ann Arbor Song\" from In the Early Morning Rain.\n \nTed Berrigan\n00:49:22\nI'm going to read two more. First one's called \"Peace\".\n \nTed Berrigan\n00:49:29 \nReads \"Peace\" from In the Early Morning Rain.\n\nTed Berrigan\n00:50:37\nAlright, and this is the last poem. I hate to end heavy, but there's no place to read this poem but at the end. This poem is called \"People Who Died\". It's just a list. \"People Who Died\".\n \nTed Berrigan\n00:50:55\nReads \"People Who Died\" from In the Early Morning Rain.\n \nAudience\n00:52:48\nApplause.\n \nTed Berrigan\n00:52:53\nNot the most, uh...[laughter].\n \nEND\n00:52:59\n"],"Note":["[{\"note\":\"Year-Specific Information:\\n\\nIn 1970, Ted Berrigan published In the Early Morning Rain (Cape Goliard Press), and also privately published Scorpion, Eagle & Dove.\",\"type\":\"General\"},{\"note\":\"Local Connections:\\n\\nTed Berrigan’s connection to Sir George Williams University is unclear at the moment, but Berrigan was part of the so called ‘Second Beat’ movement, as well as part of the ‘New York School’ of poetry. In this recording, he dedicates a poem to Angela Bowering, (George Bowering’s wife) so he either had met her before this reading or because of the occasion.\",\"type\":\"General\"},{\"note\":\"Original transcript and print catalogue by Rachel Kyne\\n\\nOriginal print catalogue, research, introduction and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Ali Barillaro\\n\",\"type\":\"Cataloguer\"},{\"note\":\"Reel-to-reel tape>CD>digital file\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/in-the-early-morning-rain/oclc/563054848&referer=brief_results\",\"citation\":\"Berrigan, Ted. In the Early Morning Rain. London: Cape Goliard, 1970. \"},{\"url\":\"https://www.worldcat.org/title/sonnets/oclc/934480499&referer=brief_results\",\"citation\":\"Berrigan, Ted. The Sonnets. New York: Grove Press, 1964. \"},{\"url\":\"https://www.worldcat.org/title/many-happy-returns-poems/oclc/564000383&referer=brief_results\",\"citation\":\"Berrigan, Ted. Many Happy Returns. New York: Corinth Press, 1969. \"},{\"url\":\"https://www.worldcat.org/title/so-going-around-cities-new-and-selected-poems-1958-1979/oclc/255865532&referer=brief_results\",\"citation\":\"Berrigan, Ted. So Going Around Cities. Los Angeles: Berkley Press, 1980. \"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-twentieth-century-poetry-in-english/oclc/937869379&referer=brief_results\",\"citation\":\"Horning, Ron. \\\"Berrigan, Ted\\\". The Oxford Companion to Twentieth-Century Poetry in English. Ed. Ian Hamilton. Oxford University Press, 1996. \"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-american-literature/oclc/54356940&referer=brief_results\",\"citation\":\"\\\"Berrigan, Ted (Edmund J.M. Berrigan, Jr.)\\\". The Oxford Companion to American Literature. James D. Hart, ed., rev. Phillip W. Leininger. Oxford University Press 1995. \"},{\"url\":\"\",\"citation\":\"Pursglove, Glyn. “Berrigan, Ted”. Literature Online Biography. ProQuest LLC, 2009. \"}]"],"_version_":1853670548921384960,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"file_path\":\"\",\"filename\":\"I0086_11_0004_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"Ted Berrigan Tape Box - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"file_path\":\"\",\"filename\":\"I0086_11_0004_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"Ted Berrigan Tape Box - Front\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"file_path\":\"\",\"filename\":\"I0086_11_0004_side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"Ted Berrigan Tape Box - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"file_path\":\"\",\"filename\":\"I0086_11_0004_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"Ted Berrigan Tape Box - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/ted_berrigan_i086-11-004.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"ted_berrigan_i086-11-004.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"127.2 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"George Bowering\\n00:00:00\\nWelcome to at last the second reading in the series, for this year.  As you probably know, the series that we have, it might be loosely called a kind of an avant-garde series, and in the, this is our fifth year, and this is the first time we've ever had anybody from the New York School [https://www.wikidata.org/wiki/Q1972942]--it's not going to be the last time, we're going to have Kenneth Koch [https://www.wikidata.org/wiki/Q2708628] in the spring, and we're looking for Tom Clarke [https://www.wikidata.org/wiki/Q7815337] next fall. Berrigan [https://www.wikidata.org/wiki/Q2399732] is I guess now, one of the, say the halfback, I supposed, or quarterback of the New York School. Many of you have probably seen...[laughter] yeah, linebacker! When you ask when you're a little thin... And most of you have probably seen the propaganda sheet that's been around, downstairs and so on, and so you've heard the words that some of his confreres have said about him. I'd just like to add a little bit, in addition to those earlier books such as The Sonnets, and Bean Spasms, there's a couple of new books that have just appeared, one's called In the Early Morning Rain, which will be available here because it's a Cape Goliard book, and it's distributed in Canada [https://www.wikidata.org/wiki/Q16] by one of the big Toronto [https://www.wikidata.org/wiki/Q172] publishers, and another one with a Kraut title that I can't read that's bilingual, half-German and half-English that I'm sure we'll hear some from....\\n \\nTed Berrigan\\n00:01:31\\nThe title's [unintelligible] Guillaume Apollinaire [https://www.wikidata.org/wiki/Q133855] ist ...\\n \\nGeorge Bowering\\n00:01:34\\nOh I see, yeah right.\\n \\nTed Berrigan\\n00:01:35\\nHowever I don't have any available, only in Berlin [https://www.wikidata.org/wiki/Q64].\\n \\nGeorge Bowering\\n00:01:38\\nRight, so if you happen to be in Berlin, snap up a copy of Guillaume Apollinaire ist tot und Anders. So I'd like to mention that Ted Berrigan is going to read one set, and then he wants to stop for a very short intermission, say like a five-minute intermission, and then haul you back in again and do a second set. So ladies and gentlemen, etcetera, Ted Berrigan.\\n \\nAudience\\n00:02:05\\nApplause. \\n \\nUnknown\\n00:02:07\\n[Cut or edit made in tape. Unknown amount of time elapsed]. \\n \\nTed Berrigan\\n00:02:08\\nIn the first set I'm going to read mostly poems I've written over the last four or five years. Actually, longer than that, some going back to 1962, or '61. I don't know how long this set'll be. It'll, should be less than a half-hour. In the second set I'll read poems I've written over the last year or two. However I want to start with a poem that I wrote about two years ago. It's called \\\"Heroin\\\" I read this in high schools in Ann Arbor [https://www.wikidata.org/wiki/Q485172] which I went to read in a program called Poetry Ann Arbor, and I wanted, I read the title and then I wanted to, I read the title and then I wanted to, I found it real funny because it was called \\\"Heroin,\\\" and I wanted to disclaim that it was a pro-heroin poem. So I said, this poem is not a pro-heroin poem.Then I realized there wasn't an anti-heroin poem either.  So I ended them, it was just sort of an on-heroin poem. [Audience laughter]. All my poems are pretty much alike, and this is fairly typical of what you'll be hearing the rest of the evening. \\n \\nTed Berrigan\\n00:03:19\\nReads \\\"Heroin\\\".\\n \\nTed Berrigan\\n00:04:22\\nThis poem is called \\\"Frank O'Hara's Question\\\". Frank O'Hara [https://www.wikidata.org/wiki/Q951010] is a poet from New York [https://www.wikidata.org/wiki/Q60], who's dead, he died when he was forty years old a couple of years ago in an automobile accident. The title doesn't have too much to do with the poem, except that it sort of states something that Frank O'Hara evidently had to say, and so it says something that I have to say too in my own way, not that I have to say it the same way that Frank did. \\n \\nTed Berrigan\\n00:04:56\\nReads \\\"Frank O’Hara’s Question\\\".\\n \\nTed Berrigan\\n00:05:42\\nThis is a poem I wrote in 1962. It's called \\\"Words for Love\\\". It's a bit rhetorical, but it's the best I could do in 1962, and I still like it a lot, albeit I wonder at some of it.  \\\"Words for Love\\\". It was written, actually, at a very difficult time in my life, and I guess I felt the need to make some sort of statement.\\n \\nTed Berrigan\\n00:06:09\\nReads \\\"Words for Love\\\".\\n \\nTed Berrigan\\n00:08:07\\nReads [\\\"I wake up 11:30, back aching\\\"].\\n \\nTed Berrigan\\n00:09:23\\nReads “Personal Poem #7. \\n \\nTed Berrigan\\n00:10:23\\nReads “Personal Poem”.\\n \\nAudience\\n00:11:08\\nApplause.\\n\\nTed Berrigan\\n00:11:10\\nThank you. Charlie Stanton liked that one too. [Audience laughter]. This is the last one of those kind of poems [audience laughter]. \\n \\nTed Berrigan\\n00:11:21\\nReads “Personal Poem #9”.\\n\\nTed Berrigan\\n00:12:32\\nI've always liked that poem. [Laughter]. All of those are written around 1962, 61 and 62.  I want to skip up to around 1967. I wrote this poem called \\\"Things to do in New York City\\\". I was leaving New York, and this poem, like many of my poems, was written for a specific occasion. It was for someone's birthday. And the poem, it's just my poem, it's not about the other person's birthday, it's just a present for him on his birthday. \\n \\nTed Berrigan\\n00:13:24\\nReads \\\"Things to do in New York City\\\".\\n \\nTed Berrigan\\n00:14:20\\nThis poem is called \\\"Ten Things I do Every Day,\\\" which is...it's true, as a matter of fact, in a way. In a manner of speaking. But it's not true that it's ten things. Alas. But that was just the title, like the ten greatest movies of the year. \\n \\nTed Berrigan\\n00:14:40\\nReads \\\"Ten Things I do Every Day\\\".\\n\\nAudience\\n00:15:16\\nLaughter.\\n \\nTed Berrigan\\n00:15:21\\nThat's what you do in New York. [Audience laughter]. I'll read this poem called \\\"Resolution\\\". \\n \\nTed Berrigan\\n00:15:35\\nReads \\\"Resolution”.\\n \\nTed Berrigan\\n00:15:58\\nI don't know what I'll do about it if you do, but...something. All those dramatic poems. \\n \\nTed Berrigan\\n00:16:06\\nReads “Sonnet XXXVII”.\\n \\nTed Berrigan\\n00:17:08\\nI want to move around a little and not do exactly what I said. This is a poem I wrote last summer in London [https://www.wikidata.org/wiki/Q84], it's dedicated to the poet Tom Raworth [https://www.wikidata.org/wiki/Q7817338] and his wife. They lived in Colchester [https://www.wikidata.org/wiki/Q184163], which is an hour or two train-ride from London, and I was supposed to go down and see them, and I didn't go. And by way of apologies, I wrote this poem to Tom and to his wife, Val.\\n \\nTed Berrigan\\n00:17:33\\nReads \\\"Apologies to Val and Tom\\\".\\n \\nTed Berrigan\\n00:19:05\\nI'll read this one for George Bowering's old lady, [audience laughter] Mrs. Angela Bowering. It's called \\\"Things to do on Speed\\\". [Audience laughter].\\n \\nTed Berrigan\\n00:19:19\\nReads \\\"Things to do on Speed\\\" [audience laughter throughout].\\n \\nTed Berrigan\\n00:20:58 [Laughter] I forgot about that one.  \\n\\nAudience \\n00:21:01\\nLaughter.\\n \\nTed Berrigan\\n00:21:03\\nResumes reading \\\"Things to do on Speed\\\".\\n \\nTed Berrigan\\n00:22:21\\nI wrote that one courtesy of The New York Times [https://www.wikidata.org/wiki/Q9684]. Okay, one more this set. This is called, \\\"Things to do in Providence\\\". [Audience laughter]. Which is, Providence [https://www.wikidata.org/wiki/Q18383], Rhode Island [https://www.wikidata.org/wiki/Q1387], or whatever else you can make of it.\\n \\nTed Berrigan\\n00:22:50\\nReads \\\"Things to do in Providence\\\".\\n \\nAudience\\n00:26:23\\nLaughter.\\n \\nTed Berrigan\\n00:26:29\\nResumes reading \\\"Things to do in Providence\\\".\\n \\nAudience\\n00:27:46\\nApplause.\\n \\nTed Berrigan\\n00:27:52\\n[Unintelligible].\\n \\nUnknown\\n00:27:55\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n \\nGeorge Bowering\\n00:27:55\\nHere he is again, terrible Ted Berrigan. \\n \\nTed Berrigan\\n00:28:01\\nAll the poems I'm going to read in this set are from my book, In the Early Morning Rain.  The title of this book I got from Gordon Lightfoot [https://www.wikidata.org/wiki/Q359552], the Canadian folk singer-songwriter, and I didn't know, I made, I decided to use that title before Bobby Dylan's [https://www.wikidata.org/wiki/Q392] album Self-Portrait [https://www.wikidata.org/wiki/Q634569] came out, so I didn't know that Bobby was going to record this song. I would have used it anyway, I'm sure. But, I mean if Dylan can steal it, I can steal it. And this book is a collection of poems of mine from over the last ten years, and I'm just going to read around in it. I wrote a lot of different kind of poems. I don't very often try for...I mean, I just take my poems where they come. This poem is called \\\"Hello\\\". \\n \\nTed Berrigan\\n00:28:51\\nReads \\\"Hello\\\" from In the Early Morning Rain.\\n \\nTed Berrigan\\n00:29:06\\nNow I'm going to read two or three poems that are from a section of this book called \\\"Life of a Man\\\".  \\\"Life of a Man\\\" is a book of poems in Italian by an Italian poet, a very great Italian poet who died not too long ago called Giuseppe Ungaretti [https://www.wikidata.org/wiki/Q311802]. There's a little story behind these. A lady poet named Barbara Guest [https://www.wikidata.org/wiki/Q807448] once asked my friend Ron Patchett and I, would we translate some of Ungaretti's poems, because Ungaretti was coming to America [https://www.wikidata.org/wiki/Q30]. And she thought it would be nice if we would translate them as a sort of homage to him. And so I told her, I said, “Barbara, but we don't understand Italian,” and she said, “Oh, I'm sure you can do it, you two are marvelous”.  And she said, “Just get a dictionary, and you can look up the words”. So I looked at Ron and he looked at me, and we said, yeah, we can translate 'em, sure, but we don't want to get any dictionaries. So we just translated 'em without any dictionaries. [Audience laughter]. And we never showed them to Ungaretti but we showed them to Barbara Guest and she had the horrors. The first one is called \\\"Matinee\\\". \\n \\nTed Berrigan\\n00:30:16\\nReads \\\"Matinee\\\" from In the Early Morning Rain [audience laughter throughout].\\n\\nTed Berrigan\\n00:30:26\\nThe next one is called \\\"December\\\" [audience laughter].\\n \\nTed Berrigan\\n00:30:30\\nReads \\\"December\\\" from In the Early Morning Rain [audience laughter throughout].\\n \\nTed Berrigan\\n00:30:38\\nAnd this one is called \\\"The Reply to the Fragile.\\\" \\n \\nTed Berrigan\\n00:30:42\\nReads \\\"The Reply to the Fragile\\\" from In the Early Morning Rain.\\n \\nTed Berrigan\\n00:30:53\\nThat one's a little, that's rated X. [Audience laughter]. And this is the last one, it's called “Corporal Pellegrini”. If any of you know Italian, you can understand where all these words came from [audience laughter].\\n \\nTed Berrigan\\n00:31:09\\nReads \\\"Corporal Pellegrini\\\" from In the Early Morning Rain.\\n \\nTed Berrigan\\n00:31:38\\nI think Ungaretti would've liked them. [Audience laughter]. He probably would have retranslated them and gotten some new ones. This next work is a translation too and it's a translation I did from French, which I understand some. And so this time I only had to leave certain words. This time I translated a lot of it accurately. But it's called \\\"Life among the woods\\\". And it's a translation of a page from a grammar book, some kind of book written in the French language. After I'd gotten this much done I decided it was over. Anyway, it's called \\\"Life Among the Woods\\\".\\n \\nTed Berrigan\\n00:32:20\\nReads \\\"Life Among the Woods\\\" from In the Early Morning Rain.\\n \\nTed Berrigan\\n00:34:30.58\\nPretty interesting family. This is a poem called \\\"In Four Parts.\\\"\\n \\nTed Berrigan\\n00:34:40.14\\nReads \\\"In Four Parts\\\" from In the Early Morning Rain.\\n \\nTed Berrigan\\n00:35:22\\nThat was four sentences from the New York Times. They had this secret continuity. [Laughter]. This is a poem called \\\"March 17th, 1970\\\".\\n \\nTed Berrigan\\n00:35:35\\nReads \\\"March 17th, 1970\\\" from In the Early Morning Rain.\\n \\nTed Berrigan\\n00:36:03\\nAnd you'd better believe it. Only not right now, right then. I don't know if I can subject you to this poem. I guess I will anyway. This is called \\\"The Ten Greatest Books of the Year, 1968\\\".\\n \\nTed Berrigan\\n00:36:28\\nReads \\\"The Ten Greatest Books of the Year, 1968\\\" from In the Early Morning Rain [audience laughter throughout].\\n \\nTed Berrigan\\n00:38:02\\nYou people that are laughing are getting it.\\n\\nTed Berrigan\\n00:38:04\\nResumes reading \\\"The Ten Greatest Books of the Year, 1968\\\" from In the Early Morning Rain. \\n\\nAudience\\n00:38:14\\nLaughter.\\n\\nTed Berrigan\\n00:38:17\\nThis is a poem called \\\"Thirty\\\".\\n \\nTed Berrigan\\n00:38:18\\nReads \\\"Thirty\\\" from In the Early Morning Rain\\n \\nTed Berrigan\\n00:38:24\\nThat's for all of you guys that did thirty. This poem is called \\\"Things to do in Anne's Room\\\".\\n \\nTed Berrigan\\n00:38:34\\nReads \\\"Things to do in Anne's Room\\\" from In the Early Morning Rain\\n \\nTed Berrigan\\n00:39:42\\nThis is called \\\"The Great Genius\\\".\\n \\nTed Berrigan\\n00:39:45\\nReads \\\"The Great Genius\\\" from In the Early Morning Rain.\\n \\nTed Berrigan\\n00:39:56\\nThis is called \\\"Anti-War Poem\\\". It's another New Year's poem, actually.\\n \\nTed Berrigan\\n00:40:03\\nReads \\\"Anti-War Poem\\\" from In the Early Morning Rain.\\n \\nTed Berrigan\\n00:40:41\\nAnd this poem is called \\\"Tough Brown Coat\\\".\\n \\nTed Berrigan\\n00:40:43\\nReads \\\"Tough Brown Coat\\\" from In the Early Morning Rain.\\n \\nTed Berrigan\\n00:41:04\\nThis poem is called \\\"Babe Rainbow\\\".\\n \\nTed Berrigan\\n00:41:08\\nReads \\\"Babe Rainbow\\\" from In the Early Morning Rain.\\n \\nTed Berrigan\\n00:41:25\\nAnd this is called \\\"In My Room\\\".\\n \\nTed Berrigan\\n00:41:30\\nReads \\\"In My Room\\\" from In the Early Morning Rain.\\n \\nTed Berrigan\\n00:41:54\\nThis is called \\\"Ann Arbor Elegy\\\". It was written for a girl who was killed in an automobile accident. September 27th, 1969. The funny thing about this poem is it was written before she was killed. And when I looked at it after she was dead, I saw that I didn't have to write an elegy for her, that somehow I'd written one already. \\n \\nTed Berrigan\\n00:42:17\\nReads \\\"Ann Arbor Elegy - For Franny Winston\\\" from In the Early Morning Rain.\\n \\nTed Berrigan\\n00:43:13\\nAnd this is a sort of berserk work, which I wrote called \\\"Wake Up,\\\" which is about all it says, really.\\n \\nTed Berrigan\\n00:43:23\\nReads \\\"Wake up\\\" from In the Early Morning Rain.\\n \\nTed Berrigan\\n00:44:18\\nI have another poem which I'd like to read but I won't, but it's a series of aphorisms from the works of Francis Picabia [https://www.wikidata.org/wiki/Q157321], the French poet and painter. And this friend Jim Carroll [https://www.wikidata.org/wiki/Q444806] and I translated these from French. I'll read you my favourite one, in any case, which Jim Carroll translated. It says, \\\"Spinoza [https://www.wikidata.org/wiki/Q35802] is the one who threw a pass to move Spinoza.\\\" I really...in this book I put some poems by some of my friends so I wouldn't have to read all my works. Though when I read I never read theirs, I notice. This poem is called \\\"In Bed\\\".\\n \\nTed Berrigan\\n00:44:56\\nReads \\\"In Bed\\\" from In the Early Morning Rain.\\n \\nTed Berrigan\\n00:45:12\\nThat's an example of saying nothing. [Audience laughter]. This poem is called \\\"Easy Living\\\". It's dedicated to a boy named David Henderson, a poet who was a friend of mine, whom I once took a trip to Pittsburgh [https://www.wikidata.org/wiki/Q1342] with. Had a very nice time. \\n \\nTed Berrigan\\n00:45:33\\nReads \\\"Easy Living\\\" from In the Early Morning Rain.\\n \\nTed Berrigan\\n00:46:25\\nThis is a poem I wrote, it's called \\\"Like Poem\\\". A friend of mine wrote a love poem to this girl, and I thought I should do that too. But I only wanted to write a like poem to her, because I don't want to have any obligations. [Audience laughter]. No, that isn't the reason why, but that's what came out. This is called \\\"Like Poem,\\\" it's to Joan Fagan, who's the wife of my friend Larry Fagan [https://www.wikidata.org/wiki/Q95906997], the poet. \\n \\nTed Berrigan\\n00:46:50\\nReads \\\"Like Poem\\\" from In the Early Morning Rain.\\n \\nTed Berrigan\\n00:47:06\\nThis poem is called \\\"Ann Arbor Song\\\". This poem I actually tried to write a poem out of a very corny feeling that I'd had, which nevertheless is very genuine. It starts at a poetry reading in Ann Arbor, but it's really about being in Ann Arbor and realizing I was leaving soon, and thinking about all the things that wouldn't happen to me again, because this trip was going to be over.  Even though, I'm--it's not all that sentimental, I mean I knew I might go to Ann Arbor again and all that, it was just that this particular trip was going to be over. I also wrote it with the idea in mind of reading it at a poetry reading too.  \\\"Ann Arbor Song\\\".\\n \\nTed Berrigan\\n00:47:45\\nReads \\\"Ann Arbor Song\\\" from In the Early Morning Rain.\\n \\nTed Berrigan\\n00:49:22\\nI'm going to read two more. First one's called \\\"Peace\\\".\\n \\nTed Berrigan\\n00:49:29 \\nReads \\\"Peace\\\" from In the Early Morning Rain.\\n\\nTed Berrigan\\n00:50:37\\nAlright, and this is the last poem. I hate to end heavy, but there's no place to read this poem but at the end. This poem is called \\\"People Who Died\\\". It's just a list. \\\"People Who Died\\\".\\n \\nTed Berrigan\\n00:50:55\\nReads \\\"People Who Died\\\" from In the Early Morning Rain.\\n \\nAudience\\n00:52:48\\nApplause.\\n \\nTed Berrigan\\n00:52:53\\nNot the most, uh...[laughter].\\n \\nEND\\n00:52:59\\n\",\"notes\":\"Ted Berrigan reads from In the Early Morning Rain (Cape Goliard, 1970), The Sonnets (Grove Press, 1964), Many Happy Returns (Corinth, 1969) and poems later collected in So Going Around Cities (Berkley, 1980) as well as a few unknown poems.\\n\\n(Rachel has indexed individual poems)\\n00:00- George Bowering introduces Ted Berrigan. [INDEX: second reading in the series in 1970, series called ‘avant-garde series’, fifth year, first reader from the ‘New York School’, Kenneth Coke, Tom Clarke, quarterback of the school, ‘propaganda’ (advertisement) paper of reading, The Sonnets (1967), Bean Spasms (Kulchur Press, 1967, In the Early Morning Rain (Cape Goliard, 1970), Cape Goliard, distributed by big Toronto publisher, ‘Kraut’ title, half German, half English, Guillaume Apollinaire ist tot und Anders (sp?), Berlin.]\\n02:08- Ted Berrigan introduces “Heroin”. [INDEX: poems read from last 4-5 years, in first set   some read from 1961-62, in second set poems read from year or two before, poem read in high schools in Ann Arbour, program called Poetry Ann Arbour, not a pro-heroin poem, not anti-heroin poem either, ‘on-heroin poem’; from In the Early Morning Rain (Cape Goliard, 1970).]\\n03:19- Reads “Heroin”. [INDEX: list, heroin, photograph, Kerouac, Anne, heart, light, streets.]\\n04:22- Introduces “Frank O’Hara’s Question”. [INDEX: O’Hara: dead poet from new York, car accident, significance of title; from In the Early Mornin Rain (Cape Goliard, 1970).]\\n04:56- Reads “Frank O’Hara’s Question”. [INDEX: Frank O'Hara, list, sky, letter, Isaac        Dennison, high, happy, long poem, art, guard, mess, message.]\\n05:42- Introduces “Words for Love”. [INDEX: written in 1962, rhetorical; from Many Happy Returns (Corinth, 1969).]\\n06:09- Reads “Words for Love”. [INDEX: winter, snow, read, poetry, weakness, obsession, Jackson Pollock, Rilke, Benedict Arnold, psyche, high, drugs, poems, list, words, time, lady of the lake, God, heart]\\n08:07- Reads first line “I wake up at 11:30, back aching...”. [INDEX: confessional, New York, Pat, Ron, birthday, Pepsi, high, class, book, Juan Gris, poems, ballad, sonnet, Shakespeare, Auden, Spenser, Stevens, Pound, Frank O'Hara, Jan, Helen, Babe, David, ego, self, wonder, toilet paper; poem not indicated on Howard Fink Poem List.]\\n09:23- Reads “Personal Poem #7”. [INDEX: confessional, New York, drugs, sex, John   Ashbery, food, write, stealing; from Many Happy Returns (Corinth, 1969); poems not    \\tindicated on Howard Fink Poem List.]\\n10:23- Reads “Personal Poem #8”. [INDEX: confessional, diary, journal, love, Ray Joss, New York, court, wife, police, John Stanton; from Many Happy Returns (Corinth, 1969); poems not indicated on Howard Fink Poem List.]\\n11:07- Introduces first line “Personal Poem #9”. [INDEX: Charlie Stanton; from Many Happy   Returns (Corinth, 1969); poems not indicated on Howard Fink Poem List.]\\n11:21- Reads first line “Personal Poem #9”. [INDEX: confessional, journal, diary,      \\tBrooklyn, New York, Pepsi, food, memory, book.]\\n12:32- Explains last selection of poems, introduces “Things to do in New York City”. [INDEX: selection written in 1961-2, “Things to do in New York City” written around 1967, leaving New York, written for a birthday present.]\\n13:24- Reads “Things to do in New York City”. [INDEX: confessional, occasional poem, city, New York, By the Waters of Manhattan, drugs, cigarette, read, break, girls, love, death, birth, friends, departure; from Many Happy Returns (Corinth, 1969).]\\n14:20- Introduces “Ten Things I do Every Day”. [INDEX: title; from Many Happy    \\tReturns (Corinth, 1969).]\\n14:40- Reads “Ten Things I do Every Day”.  [INDEX: New York, waking, smoking, pot, love, eating, food, cat, sound, song, streets, read, children, friends, Pepsi.]\\n15:21- Introduces “Resolution”. [INDEX: New York City; from Many Happy  \\tReturns (Corinth, 1969).]\\n15:35- Reads “Resolution”. [INDEX: city, New York, snow, winter, New Year's, driving]\\n15:58- Introduces “Sonnet XXXVII”. [INDEX: from The Sonnets (Grove Press, 1964).] \\n16:06- Reads “Sonnet XXXVII”. [INDEX: night, sleep, Guillaume Apollinaire, poem, dream, crying, song, library, tear, light]\\n17:08- Introduces “Apologies to Val and Tom”. [INDEX: written last summer in London, dedicated to poet Tom Raworth and his wife, Colchester, London, apology; from unknown source.]\\n17:33- Reads “Apologies to Val and Tom”. [INDEX: place, London, apology, night, city, memory, remembrance, New York, friend, poem, visit.]\\n19:05- Introduces “Things to do on Speed”. [INDEX: for Angela Bowering, George Bowering; from the section “How We Live in the Jungle 1969-1970 in So Going Around Cities (Berkley, 1980).]\\n19:19- Reads “Things to do on Speed”. [INDEX: list, typewriter, mind, writing, book, desk, Pepsi, sleep, dream, paper, song, sickness, drugs, imperative, talking, New York, city, work, hallucination, high, sex, heroin, speed]\\n22:21- Explains “Things to do on Speed” and introduces “Things to do in Providence. [INDEX: New York Times, Providence, Rhode Island.]\\n22:50- Reads “Things to do in Providence”. [INDEX: confessional, place, Providence, Rhode Island, city, drugs, imperative, list, food, TV, war, Texas, movie, Western, tear, cowboy, New York, drunk, children, phone, talk, family, mother, birth, work, cigarette, hippie, teenager, home, car, death, grandmother, heart, stranger, sleep; from the section “Buffalo Days: Summer 1970 in So Going Around Cities (Berkley, 1980).]\\n27:55- After a break (cut in recording), George Bowering introduces Ted Berrigan again.\\n28:01- Ted Berrigan introduces “Hello”. [INDEX: poems read from In the Early Morning Rain, title from Gordon Lightfoot: Canadian Folk singer-songwriter, Bob Dylan’s Self Portrait Album, stealing titles, collection from last ten years; from In the Early Mornin Rain (Cape Goliard, 1970).] \\n28:51- Reads “Hello”. [INDEX: hello, etymology, health.]\\n29:06- Introduces section of book, “Life of a Man”, and poem “Matinee”. [INDEX: Italian poet Giuseppe Ungaretti, poet Barbara Guest, Ron Patchett, translate Ungaretti’s poems, translation without dictionary; from In the Early Mornin Rain (Cape Goliard, 1970).]  \\n30:16- Reads “Matinee”. [INDEX: translation, morning.]\\n30:26- Reads “December” [INDEX: translation, farewell, mother, brother, sister, sex, heart; from In the Early Morning Rain (Cape Goliard, 1970).]\\n30:38- Reads “Reply to the Fragile”. [INDEX: translation, bite, pain, sex, breasts; from In the Early Morning Rain (Cape Goliard, 1970).]\\n30:53- Introduces “Corporal Pellegrini”. [INDEX: Italian; from In the Early Mornin Rain    (Cape Goliard, 1970).]\\n31:09- Reads “Corporal Pellegrini”. [INDEX: translation, corporal, sex, horse, soldier, death.]\\n31:38- Introduces “Life Among the Woods”. [INDEX: Ungaretti, retranslated to make new poems, translation from French, from grammar book; from In the Early Mornin Rain  (Cape Goliard, 1970).] \\n32:20- Reads “Life Among the Woods”. [INDEX: translation, Paris, boat, woods, family, children, rich, house, garden, cooking, list.]\\n34:30- Reads “In Four Parts”.  [INDEX: beach, Israel, Mayor Frank X. Graves, Allen    Ginsberg, marijuana, news, William Carlos Williams, poet, American, New York Times;  \\tfrom In the Early Mornin Rain (Cape Goliard, 1970).]\\n35:22- Explains “In Four Parts”, introduces “March 17th, 1970”. [INDEX: sentences from the New York Times, secret continuity.] \\n35:35- Reads “March 17th, 1970”. [INDEX: love, like, phone, wire, listening, kill.]\\n36:03- Introduces “The Ten Greatest Books of the Year, 1968”.\\n36:28- Reads “The Ten Greatest Books of the Year, 1968”. [INDEX: book, list, William Carlos Williams, Charles Olson, Chicago Review, dictionary, Aristotle, language, Frank O'Hara, Ralph Conners, zodiac, consciousness, names, rank, sonnet; from In the Early Mornin Rain (Cape Goliard, 1970).]\\n38:13- Introduces “30”. [INDEX: from In the Early Morning Rain (Cape Goliard, 1970).]\\n38:18- Reads “30”.\\n38:34- Introduces “Things to do in Anne’s Room”.\\n38:34- Reads “Things to do in Anne’s Room”.  [INDEX: room, house, place, imperative, list, sex, couple, book, Moby Dick, Planet of the Apes, clothes, bed, alone, death; from In the Early Morning Rain (Cape Goliard, 1970).]\\n39:42- Reads “The Great Genius”. [INDEX: man, crazy; from In the Early Morning Rain (Cape Goliard, 1970).]\\n39:56- Introduces “Anti-War Poem”. [INDEX: New Year’s poem; from In the Early Morning Rain (Cape Goliard, 1970)\\n40:03- Reads “Anti-War Poem”. [INDEX: peace, war, resolution, New Year's Eve, 1968, Iowa City, city, memory, remembrance, death.]\\n40:41- Reads “Tough Brown Coat”. [INDEX: coat, description, clothes, death; from In the Early Morning Rain (Cape Goliard, 1970).]\\n41:04- Reads “Babe Rainbow”. [INDEX: smoke, cigarette, burn, bed, read; from In the Early Morning Rain (Cape Goliard, 1970)\\n41:25- Reads “In My Room”. [INDEX: place, house, room, list, Thanksgiving.]\\n42:17- Introduces “Ann Arbor Elegy”. [INDEX: girl killed in automobile accident on \\tSeptember 27, 1969, written before her accident; from In the Early Morning Rain (Cape   Goliard, 1970).]\\n42:17- Reads “Ann Arbor Elegy”. [INDEX: for Franny Winston, party, night, drinking, alcohol, high, girl, place, Ann Arbor, death, morning, sky, food, news.]\\n43:13- Reads “Wake Up”. [INDEX: morning, wake, bed, girl, work, Jim Dine, day, list, imperative; from In the Early Morning Rain (Cape Goliard, 1970).]\\n44:15- Introduces “In Bed”. [INDEX: series of aphorisms, Francis Picabia French poet and painter, Jim Carroll, translation from French, placing other poet’s work in his books; from In the Early Morning Rain (Cape Goliard, 1970).] \\n44:56- Reads “In Bed”. [INDEX: girl, bed, sex.]\\n45:12- Introduces “Easy Living”. [INDEX: dedicated to boy named David Henderson,    Pittsburgh; from In the Early Morning Rain (Cape Goliard, 1970).] \\n45:33- Reads “Easy Living”.   [INDEX: travel, Africa, time, rain, heat, weather, David    Henderson, Pittsburgh.]\\n46:25- Introduces “Like Poem”. [INDEX: friend wrote love poem, to Joan Fagan, wife of poet Larry Fagan; in the section “In the Wheel: Winter 1969” in So Going Around Cities (Berkley, 1980).]\\n46:50- Reads “Like Poem”. [INDEX: couple, drugs, Joan Fagan, like.]\\n47:06- Introduces “Ann Arbor Song”. [INDEX: feeling, poetry reading in Ann Arbor, trip.]\\n47:45- Reads “Ann Arbor Song”.  [INDEX: place, Ann Arbor, poetry, poetry reading, poem, boredom, Jack, Anne, high, drugs, friends, time, memory, remembrance.]\\n49:22- Reads “Peace”. [INDEX: heart, day, east, west, peace, couple, love, woman; unknown source.]\\n50:53- Introduces “People Who Died”. [INDEX: heavy poem, end of reading, list; from In the Early Morning Rain (Cape Goliard, 1970).]\\n50:55- Reads “People Who Died”. [INDEX: death, list, dates, friends, accidents, cancer, suicide, Neal Cassidy, Frank O'Hara, Ann Kepler, Franny Winston, Jack Kerouac.]\\n52:59.60- END OF RECORDING.\\n \\nPoems with Time Stamps and Duration                         \\tTime           \\tDuration (mins.)\\n“Heroin”                                                                             \\t00:03:19      \\t01:02  \\n“Frank O’Hara’s Question”            \\t                                \\t           00:04:56      \\t00:44\\n“Words For Love”                                                              \\t00:06:09      \\t01:57\\n[“I wake up 11:30, back aching”]                                       \\t00:08:07      \\t01:13\\n“Personal Poem #7                                                             \\t00:09:23      \\t00:58\\n“Personal Poem” (#8?)                                                       \\t00:10:23      \\t00:42\\n“Personal Poem #9                                                             \\t00:11:21      \\t01:08\\n“Things To Do in New York City”            \\t                       \\t00:13:24      \\t00:55\\n“Ten Things I Do Every Day”                                                    00:14:40      \\t00:35\\n“Resolution”                                                                       \\t00:15:35      \\t00:17\\n“Sonnet XXXVII”  \\t        \\t                                            \\t00:16:06      \\t01:01\\n“Apologies to Val And Tom”                                             \\t00:17:33      \\t01:31\\n“Things To Do On Speed”                                                 \\t00:19:19      \\t02:58\\n“Things To Do In Providence”                                           \\t00:22:50      \\t04:55\\n“Hello”                                                                                \\t00:28:51      \\t00:15\\n“Matinee”                                                                           \\t00:30:16      \\t00:09\\n“December”                                                                        \\t00:30:30      \\t00:07\\n“Reply to the Fragile”                                                        \\t00:30:42      \\t00:10\\n“Corporal Pelegrini”                                                           \\t00:31:09      \\t00:28\\n“Life Among the Woods”                                                   \\t00:32:20      \\t02:09\\n“In Four Parts”                                                                    \\t00:34:40      \\t00:40\\n“March 17, 1970”                                                               \\t00:35:35      \\t00:28\\n“The Ten Greatest Books of the Year – 1968”                  \\t00:36:28      \\t01:45\\n“Thirty”                                                                              \\t00:38:18      \\t00:06\\n“Things To Do In Anne’s Room”                                      \\t00:38:34      \\t01:09\\n“The Great Genius”                                                            \\t00:39:45      \\t00:10\\n“Anti-War Poem”                                                               \\t00:40:03      \\t00:37  \\n“Tough Brown Coat”                                                          \\t00:40:43      \\t00:20\\n“Babe Rainbow”                                                                 \\t00:41:08      \\t00:16\\n“In My Room”                                                                    \\t00:41:30      \\t00:23\\n“Ann Arbor Elegy”                                                             \\t00:42:17      \\t00:57\\n“Wake Up”                                                                         \\t00:43:23      \\t00:56\\n “In Bed”                                                                             \\t00:44:56      \\t00:15\\n“Easy Living”                                                                     \\t00:45:33      \\t00:50\\n“Like Poem”                                               \\t                    \\t00:46:50      \\t00:16\\n“Ann Arbor Song”                                                              \\t00:47:45      \\t01:46\\n“Peace”                                                                               \\t00:49:29      \\t01:07\\n“People Who Died”                                                            \\t00:50:55      \\t01:51\\n \\nHoward Fink List of Poems:\\n“Ted Berrigan”\\nIntroduction by George Bowering\\nRecorded December 4, 1970\\nNote: “Personal Poems” do not appear on this list, and an extra first line in between “Wake Up” and “In Bed” reads “Spinoza is the one who threw a pass...”.\\npg. 66\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/ted-berrigan-at-sgwu-1970/\"}]"],"score":0.01643844},{"id":"1292","cataloger_name":["Bindu,Reddy"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Dorothy Livesay at Sir George Williams University, The Poetry Series, 14 January 1972\n"],"item_title_source":["Cataloguer"],"item_title_note":["\"DORTHY LIVESAY POETRY (1 OF 2) 3 3/4 IPS 1/2 TR. (COPY)\" written on the back of the tape's box. DORTHY LIVESAY refers to Dorothy Livesay. DORTHY is mispelled. \"D. LIVESAY I086-11-032.1\" written on on the spine of the tape's box. \"D. LIVESAY 1/2 1-72-012-5\" and \"reel 1 I086-11-032.1\" written on stickers on the reel. \"D. LIVESAY 1/2 I086-11-032.1\" written on the front of the tape's box. \"Reel 1: Contents.- Edmonton Street.-The operation-The women syndrome.-Other.-Bartok and the geranium.-Later day Eve.\" written on sticker on the front of the tape's box\n\n\"DORTHY LIVESAY POETRY (2 OF 2) 3 3/4 IPS 1/2 TR. (COPY)\" written on the back of the tape's box. DORTHY LIVESAY refers to Dorothy Livesay. DORTHY is mispelled. \"D. LIVESAY I086-11-032.2\" written on on the spine of the tape's box. \"I086-11-032.2\" written on sticker on the reel. \"2/2 D. LIVESAY 1/2 1-72-012-5\" written on the front of the tape's box. \"Reel 2: Contents.-Day and night.-Lorea.-Weapons.-Alienation.-Climax.-Blindness.-Song for Solomon.-Poem.-Four Songs.-The taming.-Give us our trespasses.-The notations of love.-Moving out.- At dawn.\" written on sticker on the front of the tape's box"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 6"],"item_identifiers":["[I086-11-032.1, I086-11-032.2]"],"creator_names":["Livesay, Dorothy"],"creator_names_search":["Livesay, Dorothy"],"creators":["[{\"url\":\"http://viaf.org/viaf/116854541\",\"name\":\"Livesay, Dorothy\",\"dates\":\"1909-1996\",\"notes\":\"Poet Dorothy Livesay was born in Winnipeg in 1909, and moved to Toronto in 1920, when her father managed the Canadian Press. In the fall of 1926 she started studying at Trinity College, University of Toronto, where she was influenced by ideas of socialism and women’s rights. She published her first collection of poetry, Green pitcher (Macmillan, 1928) when she was only eighteen. Livesay then went to the south of France to study for one year, and after her graduation in 1931 (B.A.) she studied at the Sorbonne in Paris where she received a Diplôme d'études supérieures, in 1932. Influenced and affected by the Depression, she began studies at University of Toronto’s School of Social Work, joining the Communist Party. The same year, 1932, she published her second book, Signpost (Macmillan). She then moved to Montreal from 1933-1934, and to Englewood, New Jersey from 1934-1935, working with the unemployed as a social worker. During this time she also wrote for the Marxist news magazine New Frontier, Canadian Poetry Magazine and The Canadian Forum. Dorothy Livesay’s political poetry includes Day and Night (Ryerson Press, 1944) and Poems for the People (Ryerson Press, 1947), both of which won the Governor General’s Award. Married in 1937 to Duncan Macnair, Livesay raised two children in Vancouver. In 1960, when her husband had died and her children began their own lives, Dorothy Livesay moved to Zambia, where she taught English for UNESCO for three years. Returning to Vancouver, she earned a M.E.D. (1966) from University of British Columbia. She became involved in the Vancouver poetry scene and she experienced a change of style and content in her writing. She published The Unquiet Bed, illustrated by Roy Kiyooka (Ryerson Press, 1967), and Plainsongs (Fiddlehead Poetry Books, 1971), which both focused on aspects of femaleness. Livesay founded an important poetry magazine CV/II in 1975 and edited the anthology, Forty Women Poets of Canada in 1971 (Ingluvin Press). Dorothy Livesay also published several long poems, The Documentaries (Ryerson Press, 1968), Nine Poems of Farewell (Black Moss Press, 1973), The Raw Edges: Voices From Our Time (Turnstone Press, 1981), Phases of Love (Coach House Press, 1983), Feeling Worlds (Goose Lane/Fiddlehead,1984) and The Self-completing Tree (Porcepic Press, 1986). She also wrote several works of prose, including A Winnipeg Childhood (Peguis, 1973) and Beginnings (Newpress, 1988). She was appointed an Officer of the Order of Canada in 1987 and was the writer-in-residence and professor of English at many Canadian Universities. Livesay died in 1996.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1972],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"Half-track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"Half-track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel","Reel to Reel"],"physical_compositions":["Magnetic Tape","Magnetic Tape"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Mono","Mono"],"Dates":["[{\"date\":\"1972 1 14\",\"type\":\"Performance Date\",\"notes\":\"Date specified in written announcement \\\"Georgian Happenings\\\"\\n\",\"source\":\"Supplemental Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Room H-651\",\"notes\":\"\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Room H-651"],"City":["Montreal, Quebec"],"content_notes":["Dorothy Livesay reads poems from numerous sources, including Signpost (Macmillan, 1932), Day and Night (Ryerson Press, 1944), New Poems (Emblem Press, 1955), The Selected Poems 1926-1956 (Ryerson Press, 1957), The Unquiet Bed (Ryerson, 1967), Forty Women Poets of Canada (Ingluvin Publications, 1971), and Plainsongs (Fiddlehead Poetry Books, 1971)."],"contents":["dorothy_livesay_i086-11-032-1.mp3 [File 1 of 2]\n \nIntroducer\n00:00:02\nI was going to talk on about Dorothy Livesay's [https://www.wikidata.org/wiki/Q1250325] distinguished career, as a poet, and a critic and a teacher, but after what she told me tonight, I'm not sure if distinguished is exactly the right word, she says that at the age of nineteen, she snubbed the Prince of Wales [https://www.wikidata.org/wiki/Q590227]. Nevertheless, two books should be mentioned, her selected and uncollected poems to appear this September and a book which was called 39 Women Poets which has gained another poet and another title at the last moment and as 40 Women Poets of Canada [https://www.wikidata.org/wiki/Q16] is now on sale outside, as you may have seen as you came in. Back in 1965, I guess it was, Wynne Francis managed to catch Dorothy Livesay as she was passing through Montreal [https://www.wikidata.org/wiki/Q340], and Dorothy gave a really private reading in Wynne's office. Ever since then, we have been trying to convince her to come back and read to us all in the series. I'm extremely happy this year that we have been successful and that I can present to you Dorothy Livesay.\n \nDorothy Livesay\n00:01:58\nI think I might get hung up on this, I had quite a disastrous time getting here. I arrived with a new poem of seven, whose title is \"Disasters of the Sun\", and my first disaster was on the train, sitting on top of my glasses, which are now somewhat myopic, and second disaster going to Sherbrooke [https://www.wikidata.org/wiki/Q139473], the bus rolled right into an oil tanker, which somehow or other didn't blow up, but gashed my thumb, and at Bishop's [https://www.wikidata.org/wiki/Q3551383] I had only begun to read when a fire alarm started [laughter], and rang for ten minutes before they silenced it. So I have a feeling that somehow or other, there are more disasters ahead tonight. However, I'm supposed to read a while and then call an intermission I think. Mostly I like to sort of go back over the years and trace the different things, especially love poems from early times on, but I'm going to skip about a bit. Recently in Edmonton [https://www.wikidata.org/wiki/Q2096] I edited the fourth issue of a quarterly magazine, White Pelican. Which Sheila Watson [https://www.wikidata.org/wiki/Q7493167] edits but she gave this particular issue to me, and I chose the theme of North. Feeling perhaps that we are still trying to find our identity, whether we're English Canadians or French Canadians, and that perhaps the north has some element of it in it which helps us to find that. I discovered though, in collecting material, stories, poems, plays about the north, that it was the Native Indian people who have a different view altogether of the north than we do. At the same time, you find many young Canadian poets identifying with Native culture, and almost feeling that they must become Native, and become Indian to be real, to know who they are. I wrote at the beginning of this issue this little note I'll just read. “North is from wherever you are looking.” It's starting...[laughter]. “For those living below the 49th parallel, Canada itself is North. In a sense, we're all here as explorers without a home. Our great guilt at having ousted the Native peoples from their land is now seeking expression in an attempt to re-create the Indian and Eskimo past, and every month brings forth books of poetry, fiction and history which seek to come to terms with pre-history, with myth, or with the way the Inuit live in harmony with nature. In ironic contrast, the Native artists and writers are expressing their concern, not with their past, but with possible ways of accommodation to the present, the white man's world. Thus, the three British Columbia [https://www.wikidata.org/wiki/Q1974] Indian poets here represented, Skyros Bruce, Gordy Williams and Eleanor Crow are bitter, ironic and contemporary. Not for them the nostalgic recreation of the Indian myth, or even  not for them the vigorous folk humor of life in the north which you find in [unintelligible] and in later writers.” While I think it's worthwhile thinking about that because you do have a lot of young poets now seeping themselves in Indian or Eskimo culture, and feeling as if they must become that in order to be themselves. None of us can quite escape from this, and I have a poem or two that I'll begin with, which I suppose are my expression of coming to terms with the North, or the somewhat southernly north, Edmonton. I'll begin with a kind of collage poem where I put bits of history, bits of visual imagery and bits of surrealism together, called \"Edmonton Sweet\".\n \nDorothy Livesay\n00:06:56\nReads \"Edmonton Sweet\" [from Plainsongs].\n \nDorothy Livesay\n00:10:19\nQuite a different poem about going North is called \"The Operation\", and that is the poem which is in this anthology, just out today, 40 Women Poets. I didn't intend to put myself in, but the other editors suggested it was the only 'done' thing to put one or two poems of my own in it. So here's the one called \"The Operation\". It's a kind of three-way poem where the woman is addressing the doctor and her lover, alternately, and then perhaps herself.\n \nDorothy Livesay\n00:11:10\nReads \"The Operation\" [from Plainsongs and collected in 40 Women Poets] .\n \nDorothy Livesay\n00:15:36\nSince this anthology will probably be called a women's lib., even though it isn't, because none of the poets in it are consciously trying to be anything but their individual selves, nonetheless, I think there are poems by every woman which do express that individual point of view, that differentness, I have never been able, though perhaps I was a women's lib. creature in the thirties, I have never been able to feel that men and women are the same, and so I have poems, right through the years which illustrate that point of view. Here's a very recent one called \"The Woman Syndrome\".\n \nDorothy Livesay\n00:16:26\nReads \"The Woman Syndrome\" [published later in Archive For Our Times].\n \nDorothy Livesay\n00:17:05\nAnd a much earlier poem, written when I had a family and young children and I suppose frustrated and not getting out into the world. It's called \"Other\", it's in The Selected Poems of 1957.\n \nDorothy Livesay\n00:17:34\nReads \"Other\" from Selected Poems, 1926-1956.\n \nDorothy Livesay\n00:19:11\nAnd in a different vein altogether, the poem I suppose that's been the most anthologized of any of mine, which to me is a rather traditional way I suppose of seeing the male and female element. It's called \"Bartok and the Geranium\". The poem simply began because I was teaching an evening class of housewives the art of creative writing, and I gave them an assignment to write an imagistic or perhaps haiku-type poem, when they got home, to look at two objects, utterly different and disparate, and just see they could link these objects in a tension which would create a poem. Well the next day, I had sent the children to school after lunch and was sitting in the dining room listening to a CBC [https://www.wikidata.org/wiki/Q461761] concert, and heard music that I hadn't heard before at all, a violin concerto it seemed to be, and in the window as I was listening was this red geranium. So I thought to myself, well I've given my class an assignment, I wonder if I could do the same thing. And at the end of the concert they announced that it was Bela Bartok [https://www.wikidata.org/wiki/Q83326], violin concerto. So suddenly, the two elements, the music and the geranium, did seem to link in my mind and immediately I wrote the poem which I think I've never revised. I'll tell you afterwards about what some of the professors have said about the meaning of the poem.\n \nDorothy Livesay\n00:21:00\nReads \"Bartok and Geranium\" [from New Poems].\n \nDorothy Livesay\n00:22:10\nWell, a few years later, Dr. Roy Daniels was giving a course in Canadian Literature, which I was a member, and one day he asked me if I would not come to class, so I divined he was going to deal with my poems, and I asked a fellow student to please take notes. So this was one of the poems he dealt with, and he informed the class that this poem represented the conflict between nature and art. While at first I was a bit dumbfounded, you know now about how the whole thing began and then what I felt about the he and she of it. But perhaps upon meditation, that this could be another meaning in the poem which I as poet, wasn't aware of but which was still perhaps there. But still another example of the different interpretations which people take to themselves and perhaps get great pleasure from, was, happened in U.N.B. [https://www.wikidata.org/wiki/Q1112515] when Fred Cogswell [https://www.wikidata.org/wiki/Q5494855] put this poem on a sight examination for a first year Canadian lit. class, and one of the students who I'm afraid failed his year, wrote on the paper, and on seeing this poem decided that it was written by a man, and he said it was about this guy Bartok who walked along the street and saw a whore leaning out of the window. Well on the same, and finally, this last one on the same kind of he and she of it, a poem written about a year ago, right out of a dream, I mean I dreamed this poem. It's called \"Latter Day Eve\".\n \nDorothy Livesay\n00:24:18\nReads \"Latter Day Eve\" [from Plainsongs].\n \nDorothy Livesay\n00:25:34\nWell I'd like to jump back a bit, quite a long way back now, not to lyrical poems, which were the ones I really started out doing, but two poems from the thirties...\n\nEND\n00:25:51\n[Unknown amount of time elapsed between tapes].\n\ndorothy_livesay_i086-11-032-2.mp3 [File 2 of 2]\n\nDorothy Livesay\n00:00:00\n...Polish immigrant who came back to the same house to pick up his belongings, and not knowing what was happening, entered the house, and police shot him in the back and killed him. This happened in Montreal in 1934 or 5. So out of all those experiences, through the thirties, and out of another year I had in New Jersey [https://www.wikidata.org/wiki/Q1408], living amongst the Negro, very, very discriminated against people in Englewood [https://www.wikidata.org/wiki/Q986210], New Jersey. I, my whole poetry changed from being lyrical and personal to being social and yet I always, never felt it was something outside myself because I felt very powerfully the identification to what was happening to people. I returned from New Jersey about '36 and I wrote this poem which E.J. Pratt [https://www.wikidata.org/wiki/Q3045744] published in the first issue of the Canadian Poetry Magazine in ‘36. I guess I wrote it in about 1935. In it, there are various themes, the whole poem seemed to start from Cole Porter's [https://www.wikidata.org/wiki/Q215120] lines, the song we were all singing then, \"Night and Day\" [https://www.wikidata.org/wiki/Q1477068]. “Night and day, you are the one…” And then also there's a theme from Lennon [https://www.wikidata.org/wiki/Q1203], who said \"In order to make two steps forward you may have to go one step back\". And this poem reverses that idea, in looking at industrial capitalist society. The other theme is that of the Negro and that of his exploitation and also of his release in song, and in Negro spiritual, because I did know them very well that year.\n \nDorothy Livesay\n00:02:16\nReads \"Day and Night\" from Day and Night.\n \nDorothy Livesay\n00:07:57\nI might read one more poem from that period, \"Lorca\", and then perhaps you'd like a break. This is a little later, of course, this is about 1937-8, when the Spanish Civil War [https://www.wikidata.org/wiki/Q10859] was raging and haunted us very much in this country, many friends we knew joined the MacKenzie-Papineau Battalion [https://www.wikidata.org/wiki/Q1668887], and went to fight for Spain [https://www.wikidata.org/wiki/Q29]. At that time, we believed that the Spanish Court, Garcia Lorca [https://www.wikidata.org/wiki/Q41408], had been killed by Franco's [https://www.wikidata.org/wiki/Q29179] men. I believe that, well in fact, Jack Spicer [https://www.wikidata.org/wiki/Q3805658] taught me that there's another version of his killing, that of a love triangle, but it didn't matter, the point was that many poets were fighting for Spain, and many were killed. So I'll just read \"Lorca\" if I can find it. Yes.\n \nDorothy Livesay\n00:09:15\nReads \"Lorca\" [from Day and Night].\n \nDorothy Livesay\n00:11:29\nI'll pause now for a break. \n\nUnknown\n00:11:32\n[Cut or edit made in tape. Unknown amount of time elapsed].\n\nDorothy Livesay\n00:11:33\nAnd though I don't want to appear to suit every taste, quite a lot of my poetry has been personal love poetry, beginning with the earliest days, my teenage, and I thought I would read a few very early love poems and then you could, you might be interested to compare them with those written within the last five or six years. These were from a book published in 1932, Signpost. And you'll notice that they're pretty well structured, and in a sense quite conventional, but perhaps they have a kind of feeling in them. \"Weapons\".\n \nDorothy Livesay\n00:12:25\nReads \"Weapons\" from Signpost.\n \nDorothy Livesay\n00:12:54\nReads \"Alienation\" [from Signpost].\n \nDorothy Livesay\n00:13:26\nReads \"Climax\" [from Signpost].\n \nDorothy Livesay\n00:13:47\nReads \"Blindness\" [from Signpost].\n \nDorothy Livesay\n00:14:11\nAnd a very short lyric, \"Song for Solomon\".\n \nDorothy Livesay\n00:14:17\nReads \"Song for Solomon\" [from Signpost].\n \nDorothy Livesay\n00:14:36\nAnd now, recent poems from the 1967 book, The Unquiet Bed. I'll read a little ballad that is the title poem, which one of my students set to music at one point. \"The Unquiet Bed\".\n \nDorothy Livesay\n00:14:56\nReads \"The Unquiet Bed\" from The Unquiet Bed.\n \nDorothy Livesay\n00:15:25\nAnd \"Four Songs\".\n \nDorothy Livesay\n00:15:32\nReads \"Four Songs\" [from The Unquiet Bed].\n \nDorothy Livesay\n00:16:41\nAnd a poem which certainly wouldn't be acceptable to women's lib., yet it's an experience probably all women have had. It's called \"The Taming\".\n \nDorothy Livesay\n00:16:52\nReads \"The Taming\" [from The Unquiet Bed].\n \nDorothy Livesay\n00:17:34\nAnd \"The Touching\".\n \nDorothy Livesay\n00:17:39\nReads \"The Touching\" [from The Unquiet Bed].\n \nDorothy Livesay\n00:18:49\nAnd a little poem called \"Give Us Our Trespasses\", which was an attempt to do what Jack Spicer had advised us at some of his sessions, to completely wipe out all sensation, all the senses and see what happened when the words came out of this void, out of this [unintelligible] and I did one poem about dreams dedicated to him, and then a little later, this other one came. One would listen in the dark for the words, but not expecting or unexpecting, you understand, but they would certainly arrive and I would turn on the light and write them down. And then turn off the light, turn to sleep again, but again, more words came, and so this series has about seven of these little interludes in it.\n \nDorothy Livesay\n00:19:52\nReads \"And Give Us Our Trespasses\" [from The Unquiet Bed].\n \nDorothy Livesay\n00:21:08\nAnd two more from that book, one has five sections--six sections in it, it's called \"The Notations of Love\".\n \nDorothy Livesay\n00:21:22\nReads \"The Notations of Love\" [from The Unquiet Bed].\n \nDorothy Livesay\n00:23:27\nAnd a last one from there, \"Moving Out\".\n \nDorothy Livesay\n00:23:33\nReads \"Moving Out\" [from The Unquiet Bed].\n \nDorothy Livesay\n00:24:07\nWell, I have a few more recent poems, dealing a little differently perhaps with love. This is in the little book Plainsongs, which is still in print. \"At Dawn\".\n \nDorothy Livesay\n00:24:30\nReads \"At Dawn\" from Plainsongs.\n \nDorothy Livesay\n00:24:58\nAnd \"Dream\".\n \nDorothy Livesay\n00:25:03\nReads \"Dream\" [from Plainsongs].\n  \nDorothy Livesay\n00:25:30\nAnd this one \"The Uninvited\", the river in this is the St. John [https://www.wikidata.org/wiki/Q607546] in New Brunswick [https://www.wikidata.org/wiki/Q1965] and it's a theme that reoccurs a lot, whether one is a man or a woman, the feeling that even though one is walking with one's loved one, there is another lover who one also remembers, or who perhaps is coming, one fears.\n \nDorothy Livesay\n00:26:09\nReads \"The Uninvited\" [from Plainsongs].\n \nDorothy Livesay\n00:27:08\nAnd perhaps just this last one, \"Another Journey\".\n \nDorothy Livesay\n00:27:17\nReads \"Another Journey\" [from Plainsongs].\n \nDorothy Livesay\n00:28:08\nI'd like to read a poem about the West Coast. It was written summer before last, in Victoria [https://www.wikidata.org/wiki/Q2132], where one was, I suppose, feeling one's age, and yet observing the eternal pattern of the young. And perhaps relating it to our own history in this country. It's a more, I suppose, didactic poem. \"The Artefacts, West Coast\".\n \nDorothy Livesay\n00:28:51\nReads \"The Artefacts, West Coast\" [from Plainsongs; cut off].\n \nEND\n00:32:14\n"],"Note":["[{\"note\":\"Original transcript, research, introduction and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Ali Barillaro\",\"type\":\"Cataloguer\"},{\"note\":\"Year-Specific Information:\\n\\nForty Women Poets of Canada was published the same year, 1971, as was an extended and revised edition of Plainsongs.\",\"type\":\"General\"},{\"note\":\"Local Connections:\\n\\nDorothy Livesay has contributed considerably to the cannon of Canadian poetry, writing about national issues and extending the Canadian long poem. Her anthology, Forty Women Poets of Canada (1971) promoted other Canadian women and their work. Livesay’s writing was published by Canadian publishing houses, and she contributed to and edited Canadian journals and magazines of poetry and criticism. Wynne Francis, who was a professor at Sir George Williams University, met Livesay in 1965.\",\"type\":\"General\"},{\"note\":\"2 reel-to-reel tapes>CD>2 digital files\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-canadian-literature/oclc/605246871&referer=brief_results\",\"citation\":\"Davey, Frank. “Livesay, Dorothy”. The Oxford Companion to Canadian Literature. Benson, Eugene and William Toye (eds). Oxford University Press, 2001.\"},{\"url\":\"https://www.worldcat.org/title/15-canadian-poets-x2/oclc/40224711&referer=brief_results\",\"citation\":\"Geddes, Gary. Fifteen Canadian Poets Times Two. Toronto: Oxford University Press, 1990. \"},{\"url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/dorothy-livesay-at-sgwu-1971/#1\",\"citation\":\"“Georgian Happenings”. The Georgian. Montreal: Sir George Williams University, 11 January 1972. \"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-twentieth-century-poetry-in-english/oclc/807465072&referer=brief_results\",\"citation\":\"Gnarowski, Michael. “Livesay, Dorothy”. The Oxford Companion to Twentieth-Century Poetry in English. Hamilton, Ian (ed). Oxford University Press, 1996. \"},{\"url\":\"https://www.worldcat.org/title/archive-for-our-times-previously-uncollected-and-unpublished-poems-of-dorothy-livesay/oclc/409003526&referer=brief_results\",\"citation\":\"Livesay, Dorothy and Dean J. Irvine. Archive for our Times: Previously Uncollected and Unpublished Poems of Dorothy Livesay. Vancouver: Arsenal Pulp Press, 1998. \"},{\"url\":\"https://www.worldcat.org/title/selected-poems-of-dorothy-livesay-1926-1956/oclc/867932457&referer=brief_results\",\"citation\":\"Livesay, Dorothy. The Selected Poems, 1926-1956. Toronto: Ryerson Press, 1957. \"},{\"url\":\"https://www.worldcat.org/title/40-women-poets-of-canada/oclc/855266796&referer=brief_results\",\"citation\":\"Livesay, Dorothy and Seymour Mayne. Forty Women Poets of Canada. Montreal : Ingluvin Publications, 1971.\"},{\"url\":\"https://www.worldcat.org/title/day-and-night-poems/oclc/729783190?referer=di&ht=edition\",\"citation\":\"Livesay, Dorothy. Day and Night. Toronto: Ryerson Press, 1944. \"},{\"url\":\"https://www.worldcat.org/title/new-poems/oclc/933132856&referer=brief_results\",\"citation\":\"Livesay, Dorothy. New Poems. Toronto: Emblem Books, 1955. \"},{\"url\":\"https://www.worldcat.org/title/signpost/oclc/317413427&referer=brief_results\",\"citation\":\"Livesay, Dorothy. Signpost. Toronto: Macmillan, 1932. \"},{\"url\":\"https://www.worldcat.org/title/unquiet-bed/oclc/493383805&referer=brief_results\",\"citation\":\"Livesay, Dorothy. The Unquiet Bed. Toronto: Ryerson Press, 1967. \"},{\"url\":\"https://www.worldcat.org/title/plainsongs/oclc/1015379630&referer=brief_results\",\"citation\":\"Livesay, Dorothy. Plainsongs. Fredericton: Fiddlehead Poetry Books, 1971.\"},{\"url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/dorothy-livesay-at-sgwu-1971/#1\",\"citation\":\"Stromberg, Paula. “The Gentle Poetry of Dorothy Livesay”. The Georgian. Montreal: Sir George Williams University, 25 January 1972. \"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-canadian-history/oclc/990614829&referer=brief_results\",\"citation\":\"Strong-Boag, Veronica. “Livesay, Dorothy”. The Oxford Companion to Canadian History.        Hallowell, Gerald (ed). Oxford University Press, 2004. \"}]"],"_version_":1853670548925579264,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0086_11_0032-1_tape.jpg\",\"file_path\":\"\",\"filename\":\"I0086_11_0032-1_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Dorothy Livesay Tape Box 1 - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0086_11_0032-1_front.jpg\",\"file_path\":\"\",\"filename\":\"I0086_11_0032-1_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Dorothy Livesay Tape Box 1 - 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Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/dorothy_livesay_i086-11-032-2.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"dorothy_livesay_i086-11-032-2.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:32:14\",\"precision\":\"\",\"size\":\"77.4 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"dorothy_livesay_i086-11-032-2.mp3 [File 2 of 2]\\n\\nDorothy Livesay\\n00:00:00\\n...Polish immigrant who came back to the same house to pick up his belongings, and not knowing what was happening, entered the house, and police shot him in the back and killed him. This happened in Montreal in 1934 or 5. So out of all those experiences, through the thirties, and out of another year I had in New Jersey [https://www.wikidata.org/wiki/Q1408], living amongst the Negro, very, very discriminated against people in Englewood [https://www.wikidata.org/wiki/Q986210], New Jersey. I, my whole poetry changed from being lyrical and personal to being social and yet I always, never felt it was something outside myself because I felt very powerfully the identification to what was happening to people. I returned from New Jersey about '36 and I wrote this poem which E.J. Pratt [https://www.wikidata.org/wiki/Q3045744] published in the first issue of the Canadian Poetry Magazine in ‘36. I guess I wrote it in about 1935. In it, there are various themes, the whole poem seemed to start from Cole Porter's [https://www.wikidata.org/wiki/Q215120] lines, the song we were all singing then, \\\"Night and Day\\\" [https://www.wikidata.org/wiki/Q1477068]. “Night and day, you are the one…” And then also there's a theme from Lennon [https://www.wikidata.org/wiki/Q1203], who said \\\"In order to make two steps forward you may have to go one step back\\\". And this poem reverses that idea, in looking at industrial capitalist society. The other theme is that of the Negro and that of his exploitation and also of his release in song, and in Negro spiritual, because I did know them very well that year.\\n \\nDorothy Livesay\\n00:02:16\\nReads \\\"Day and Night\\\" from Day and Night.\\n \\nDorothy Livesay\\n00:07:57\\nI might read one more poem from that period, \\\"Lorca\\\", and then perhaps you'd like a break. This is a little later, of course, this is about 1937-8, when the Spanish Civil War [https://www.wikidata.org/wiki/Q10859] was raging and haunted us very much in this country, many friends we knew joined the MacKenzie-Papineau Battalion [https://www.wikidata.org/wiki/Q1668887], and went to fight for Spain [https://www.wikidata.org/wiki/Q29]. At that time, we believed that the Spanish Court, Garcia Lorca [https://www.wikidata.org/wiki/Q41408], had been killed by Franco's [https://www.wikidata.org/wiki/Q29179] men. I believe that, well in fact, Jack Spicer [https://www.wikidata.org/wiki/Q3805658] taught me that there's another version of his killing, that of a love triangle, but it didn't matter, the point was that many poets were fighting for Spain, and many were killed. So I'll just read \\\"Lorca\\\" if I can find it. Yes.\\n \\nDorothy Livesay\\n00:09:15\\nReads \\\"Lorca\\\" [from Day and Night].\\n \\nDorothy Livesay\\n00:11:29\\nI'll pause now for a break. \\n\\nUnknown\\n00:11:32\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n\\nDorothy Livesay\\n00:11:33\\nAnd though I don't want to appear to suit every taste, quite a lot of my poetry has been personal love poetry, beginning with the earliest days, my teenage, and I thought I would read a few very early love poems and then you could, you might be interested to compare them with those written within the last five or six years. These were from a book published in 1932, Signpost. And you'll notice that they're pretty well structured, and in a sense quite conventional, but perhaps they have a kind of feeling in them. \\\"Weapons\\\".\\n \\nDorothy Livesay\\n00:12:25\\nReads \\\"Weapons\\\" from Signpost.\\n \\nDorothy Livesay\\n00:12:54\\nReads \\\"Alienation\\\" [from Signpost].\\n \\nDorothy Livesay\\n00:13:26\\nReads \\\"Climax\\\" [from Signpost].\\n \\nDorothy Livesay\\n00:13:47\\nReads \\\"Blindness\\\" [from Signpost].\\n \\nDorothy Livesay\\n00:14:11\\nAnd a very short lyric, \\\"Song for Solomon\\\".\\n \\nDorothy Livesay\\n00:14:17\\nReads \\\"Song for Solomon\\\" [from Signpost].\\n \\nDorothy Livesay\\n00:14:36\\nAnd now, recent poems from the 1967 book, The Unquiet Bed. I'll read a little ballad that is the title poem, which one of my students set to music at one point. \\\"The Unquiet Bed\\\".\\n \\nDorothy Livesay\\n00:14:56\\nReads \\\"The Unquiet Bed\\\" from The Unquiet Bed.\\n \\nDorothy Livesay\\n00:15:25\\nAnd \\\"Four Songs\\\".\\n \\nDorothy Livesay\\n00:15:32\\nReads \\\"Four Songs\\\" [from The Unquiet Bed].\\n \\nDorothy Livesay\\n00:16:41\\nAnd a poem which certainly wouldn't be acceptable to women's lib., yet it's an experience probably all women have had. It's called \\\"The Taming\\\".\\n \\nDorothy Livesay\\n00:16:52\\nReads \\\"The Taming\\\" [from The Unquiet Bed].\\n \\nDorothy Livesay\\n00:17:34\\nAnd \\\"The Touching\\\".\\n \\nDorothy Livesay\\n00:17:39\\nReads \\\"The Touching\\\" [from The Unquiet Bed].\\n \\nDorothy Livesay\\n00:18:49\\nAnd a little poem called \\\"Give Us Our Trespasses\\\", which was an attempt to do what Jack Spicer had advised us at some of his sessions, to completely wipe out all sensation, all the senses and see what happened when the words came out of this void, out of this [unintelligible] and I did one poem about dreams dedicated to him, and then a little later, this other one came. One would listen in the dark for the words, but not expecting or unexpecting, you understand, but they would certainly arrive and I would turn on the light and write them down. And then turn off the light, turn to sleep again, but again, more words came, and so this series has about seven of these little interludes in it.\\n \\nDorothy Livesay\\n00:19:52\\nReads \\\"And Give Us Our Trespasses\\\" [from The Unquiet Bed].\\n \\nDorothy Livesay\\n00:21:08\\nAnd two more from that book, one has five sections--six sections in it, it's called \\\"The Notations of Love\\\".\\n \\nDorothy Livesay\\n00:21:22\\nReads \\\"The Notations of Love\\\" [from The Unquiet Bed].\\n \\nDorothy Livesay\\n00:23:27\\nAnd a last one from there, \\\"Moving Out\\\".\\n \\nDorothy Livesay\\n00:23:33\\nReads \\\"Moving Out\\\" [from The Unquiet Bed].\\n \\nDorothy Livesay\\n00:24:07\\nWell, I have a few more recent poems, dealing a little differently perhaps with love. This is in the little book Plainsongs, which is still in print. \\\"At Dawn\\\".\\n \\nDorothy Livesay\\n00:24:30\\nReads \\\"At Dawn\\\" from Plainsongs.\\n \\nDorothy Livesay\\n00:24:58\\nAnd \\\"Dream\\\".\\n \\nDorothy Livesay\\n00:25:03\\nReads \\\"Dream\\\" [from Plainsongs].\\n  \\nDorothy Livesay\\n00:25:30\\nAnd this one \\\"The Uninvited\\\", the river in this is the St. John [https://www.wikidata.org/wiki/Q607546] in New Brunswick [https://www.wikidata.org/wiki/Q1965] and it's a theme that reoccurs a lot, whether one is a man or a woman, the feeling that even though one is walking with one's loved one, there is another lover who one also remembers, or who perhaps is coming, one fears.\\n \\nDorothy Livesay\\n00:26:09\\nReads \\\"The Uninvited\\\" [from Plainsongs].\\n \\nDorothy Livesay\\n00:27:08\\nAnd perhaps just this last one, \\\"Another Journey\\\".\\n \\nDorothy Livesay\\n00:27:17\\nReads \\\"Another Journey\\\" [from Plainsongs].\\n \\nDorothy Livesay\\n00:28:08\\nI'd like to read a poem about the West Coast. It was written summer before last, in Victoria [https://www.wikidata.org/wiki/Q2132], where one was, I suppose, feeling one's age, and yet observing the eternal pattern of the young. And perhaps relating it to our own history in this country. It's a more, I suppose, didactic poem. \\\"The Artefacts, West Coast\\\".\\n \\nDorothy Livesay\\n00:28:51\\nReads \\\"The Artefacts, West Coast\\\" [from Plainsongs; cut off].\\n \\nEND\\n00:32:14\\n\",\"notes\":\"Dorothy Livesay reads poems from numerous sources, including Signpost (Macmillan, 1932), Day and Night (Ryerson Press, 1944), New Poems (Emblem Press, 1955), The Selected Poems 1926-1956 (Ryerson Press, 1957), The Unquiet Bed (Ryerson, 1967), Forty Women Poets of Canada (Ingluvin Publications, 1971), and Plainsongs (Fiddlehead Poetry Books, 1971).\\n\\n00:02- Unknown male introduces Dorothy Livesay [INDEX: Prince of Wales, Forty Women Poets, Wynne Francis, Montreal]\\n01:58- Dorothy Livesay introduces reading and “Edmonton Sweet” [INDEX: new poem:        “Disasters of the Sun”, love poems, Edmonton, White Pelican Magazine edited by Sheila Watson, Dorothy Guest edited “North” edition: contains three B.C. Native poets: Skyros Bruce, Gordy Williams, Eleanor Crow, Canadian Identity and Native American Identity, young poets searching for it]\\n06:56- Reads “Edmonton Sweet”\\n10:19- Introduces “The Operation” [INDEX:  40 Women Poets: Anthology edited by Dorothy Livesay]\\n11:10- Reads “The Operation”\\n15:36- Introduces “The Woman Syndrome” [INDEX: Women’s Liberation Movement]\\n16:26- Reads “The Woman Syndrome”\\n17:05- Introduces “Other” [INDEX: from The Selected Poems of 1957]\\n17:34- Reads “Other”\\n19:110 Introduces “Bartok and Geranium” [INDEX:  teaching creative writing to housewives, CBC radio- Violin concerto by Bela Bartok, most anthologized poem: “Bartok and Geranium”]\\n21:00- Reads “Bartok and Geranium”\\n22:10- Continues to explain “Bartok and Geranium”, also introduces “Latter Day    \\tEve” [INDEX: Dr. Roy Daniels, teaching Canadian Literature, Interpretations of her      \\tpoetry, University of New Brunswick, Professor Fred Cogswell]\\n24:18- Reads “Latter Day Eve”\\n25:34- Introduces “Day and Night” [INDEX: Day and Night, 1934/5 Montreal: shooting of a Polish man in his own home, Englewood, New Jersey, Discrimination against African \\tAmericans, E.J. Pratt’s first issue of Canadian Poetry Magazine in 1936, Cole Porter’s   song “Night and Day”, John Lennon quote: “In order to make two steps forward, you   \\tmay have to go one step back”, Negro spiritual songs]\\n28:07- Reads “Day and Night”\\n33:48- Introduces “Lorca” [INDEX: Spanish Civil War: Lorca and Franco, and the poets that were soldiers for Lorca, Jack Spicer, MacKenzie-Papineau Batallion]\\n35:06- Reads “Lorca”\\n37:20- Introduces “Weapons” [INDEX: Love poetry, 1932 Songpost by Dorothy Livesay]\\n38:16- Reads “Weapons”\\n38:45- Reads “An Alienation”\\n39:17- Reads “Climax”\\n39:38- Reads “Blindness”\\n40:02- Reads “Song for Solomon”\\n40:27- Introduces “The Unquiet Bed” [INDEX: 1967 The Unquiet Bed by Dorothy Livesay]\\n40:47- Reads “The Unquiet Bed”\\n41:16- Reads “Four Songs”\\n42:32- Introduces “The Taming”\\n42:43- Reads “The Taming”\\n43:25- Reads “The Touching”\\n44:40- Introduces “Give Us Our Trespasses” [INDEX: Jack Spicer]\\n45:43- Reads “Give Us Our Trespasses”\\n46:59- Introduces “The Notations of Love”\\n47:13- Reads “The Notations of Love”\\n49:18- Reads “Moving Out”\\n49:58- Introduces “At Dawn” [INDEX: 1968 Plainsongs by Dorothy Livesay]\\n50:21- Reads “At Dawn”\\n50:49- Reads “Dream”\\n51:21- Introduces “The Uninvited” [INDEX: St John River, New Brunswick]\\n52:00- Reads \\\"The Uninvited\\\".\\n52:59- Reads “Another Journey”\\n53:08- Introduces “The Artifacts, West Coast” [INDEX: West Coast, Victoria]\\n54:42- Reads “The Artifacts, West Coast”\\n58:05.94- END OF RECORDING\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/dorothy-livesay-at-sgwu-1971/#2\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/dorothy_livesay_i086-11-032-1.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"dorothy_livesay_i086-11-032-1.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:25:51\",\"precision\":\"\",\"size\":\"62.1 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"dorothy_livesay_i086-11-032-1.mp3 [File 1 of 2]\\n \\nIntroducer\\n00:00:02\\nI was going to talk on about Dorothy Livesay's [https://www.wikidata.org/wiki/Q1250325] distinguished career, as a poet, and a critic and a teacher, but after what she told me tonight, I'm not sure if distinguished is exactly the right word, she says that at the age of nineteen, she snubbed the Prince of Wales [https://www.wikidata.org/wiki/Q590227]. Nevertheless, two books should be mentioned, her selected and uncollected poems to appear this September and a book which was called 39 Women Poets which has gained another poet and another title at the last moment and as 40 Women Poets of Canada [https://www.wikidata.org/wiki/Q16] is now on sale outside, as you may have seen as you came in. Back in 1965, I guess it was, Wynne Francis managed to catch Dorothy Livesay as she was passing through Montreal [https://www.wikidata.org/wiki/Q340], and Dorothy gave a really private reading in Wynne's office. Ever since then, we have been trying to convince her to come back and read to us all in the series. I'm extremely happy this year that we have been successful and that I can present to you Dorothy Livesay.\\n \\nDorothy Livesay\\n00:01:58\\nI think I might get hung up on this, I had quite a disastrous time getting here. I arrived with a new poem of seven, whose title is \\\"Disasters of the Sun\\\", and my first disaster was on the train, sitting on top of my glasses, which are now somewhat myopic, and second disaster going to Sherbrooke [https://www.wikidata.org/wiki/Q139473], the bus rolled right into an oil tanker, which somehow or other didn't blow up, but gashed my thumb, and at Bishop's [https://www.wikidata.org/wiki/Q3551383] I had only begun to read when a fire alarm started [laughter], and rang for ten minutes before they silenced it. So I have a feeling that somehow or other, there are more disasters ahead tonight. However, I'm supposed to read a while and then call an intermission I think. Mostly I like to sort of go back over the years and trace the different things, especially love poems from early times on, but I'm going to skip about a bit. Recently in Edmonton [https://www.wikidata.org/wiki/Q2096] I edited the fourth issue of a quarterly magazine, White Pelican. Which Sheila Watson [https://www.wikidata.org/wiki/Q7493167] edits but she gave this particular issue to me, and I chose the theme of North. Feeling perhaps that we are still trying to find our identity, whether we're English Canadians or French Canadians, and that perhaps the north has some element of it in it which helps us to find that. I discovered though, in collecting material, stories, poems, plays about the north, that it was the Native Indian people who have a different view altogether of the north than we do. At the same time, you find many young Canadian poets identifying with Native culture, and almost feeling that they must become Native, and become Indian to be real, to know who they are. I wrote at the beginning of this issue this little note I'll just read. “North is from wherever you are looking.” It's starting...[laughter]. “For those living below the 49th parallel, Canada itself is North. In a sense, we're all here as explorers without a home. Our great guilt at having ousted the Native peoples from their land is now seeking expression in an attempt to re-create the Indian and Eskimo past, and every month brings forth books of poetry, fiction and history which seek to come to terms with pre-history, with myth, or with the way the Inuit live in harmony with nature. In ironic contrast, the Native artists and writers are expressing their concern, not with their past, but with possible ways of accommodation to the present, the white man's world. Thus, the three British Columbia [https://www.wikidata.org/wiki/Q1974] Indian poets here represented, Skyros Bruce, Gordy Williams and Eleanor Crow are bitter, ironic and contemporary. Not for them the nostalgic recreation of the Indian myth, or even  not for them the vigorous folk humor of life in the north which you find in [unintelligible] and in later writers.” While I think it's worthwhile thinking about that because you do have a lot of young poets now seeping themselves in Indian or Eskimo culture, and feeling as if they must become that in order to be themselves. None of us can quite escape from this, and I have a poem or two that I'll begin with, which I suppose are my expression of coming to terms with the North, or the somewhat southernly north, Edmonton. I'll begin with a kind of collage poem where I put bits of history, bits of visual imagery and bits of surrealism together, called \\\"Edmonton Sweet\\\".\\n \\nDorothy Livesay\\n00:06:56\\nReads \\\"Edmonton Sweet\\\" [from Plainsongs].\\n \\nDorothy Livesay\\n00:10:19\\nQuite a different poem about going North is called \\\"The Operation\\\", and that is the poem which is in this anthology, just out today, 40 Women Poets. I didn't intend to put myself in, but the other editors suggested it was the only 'done' thing to put one or two poems of my own in it. So here's the one called \\\"The Operation\\\". It's a kind of three-way poem where the woman is addressing the doctor and her lover, alternately, and then perhaps herself.\\n \\nDorothy Livesay\\n00:11:10\\nReads \\\"The Operation\\\" [from Plainsongs and collected in 40 Women Poets] .\\n \\nDorothy Livesay\\n00:15:36\\nSince this anthology will probably be called a women's lib., even though it isn't, because none of the poets in it are consciously trying to be anything but their individual selves, nonetheless, I think there are poems by every woman which do express that individual point of view, that differentness, I have never been able, though perhaps I was a women's lib. creature in the thirties, I have never been able to feel that men and women are the same, and so I have poems, right through the years which illustrate that point of view. Here's a very recent one called \\\"The Woman Syndrome\\\".\\n \\nDorothy Livesay\\n00:16:26\\nReads \\\"The Woman Syndrome\\\" [published later in Archive For Our Times].\\n \\nDorothy Livesay\\n00:17:05\\nAnd a much earlier poem, written when I had a family and young children and I suppose frustrated and not getting out into the world. It's called \\\"Other\\\", it's in The Selected Poems of 1957.\\n \\nDorothy Livesay\\n00:17:34\\nReads \\\"Other\\\" from Selected Poems, 1926-1956.\\n \\nDorothy Livesay\\n00:19:11\\nAnd in a different vein altogether, the poem I suppose that's been the most anthologized of any of mine, which to me is a rather traditional way I suppose of seeing the male and female element. It's called \\\"Bartok and the Geranium\\\". The poem simply began because I was teaching an evening class of housewives the art of creative writing, and I gave them an assignment to write an imagistic or perhaps haiku-type poem, when they got home, to look at two objects, utterly different and disparate, and just see they could link these objects in a tension which would create a poem. Well the next day, I had sent the children to school after lunch and was sitting in the dining room listening to a CBC [https://www.wikidata.org/wiki/Q461761] concert, and heard music that I hadn't heard before at all, a violin concerto it seemed to be, and in the window as I was listening was this red geranium. So I thought to myself, well I've given my class an assignment, I wonder if I could do the same thing. And at the end of the concert they announced that it was Bela Bartok [https://www.wikidata.org/wiki/Q83326], violin concerto. So suddenly, the two elements, the music and the geranium, did seem to link in my mind and immediately I wrote the poem which I think I've never revised. I'll tell you afterwards about what some of the professors have said about the meaning of the poem.\\n \\nDorothy Livesay\\n00:21:00\\nReads \\\"Bartok and Geranium\\\" [from New Poems].\\n \\nDorothy Livesay\\n00:22:10\\nWell, a few years later, Dr. Roy Daniels was giving a course in Canadian Literature, which I was a member, and one day he asked me if I would not come to class, so I divined he was going to deal with my poems, and I asked a fellow student to please take notes. So this was one of the poems he dealt with, and he informed the class that this poem represented the conflict between nature and art. While at first I was a bit dumbfounded, you know now about how the whole thing began and then what I felt about the he and she of it. But perhaps upon meditation, that this could be another meaning in the poem which I as poet, wasn't aware of but which was still perhaps there. But still another example of the different interpretations which people take to themselves and perhaps get great pleasure from, was, happened in U.N.B. [https://www.wikidata.org/wiki/Q1112515] when Fred Cogswell [https://www.wikidata.org/wiki/Q5494855] put this poem on a sight examination for a first year Canadian lit. class, and one of the students who I'm afraid failed his year, wrote on the paper, and on seeing this poem decided that it was written by a man, and he said it was about this guy Bartok who walked along the street and saw a whore leaning out of the window. Well on the same, and finally, this last one on the same kind of he and she of it, a poem written about a year ago, right out of a dream, I mean I dreamed this poem. It's called \\\"Latter Day Eve\\\".\\n \\nDorothy Livesay\\n00:24:18\\nReads \\\"Latter Day Eve\\\" [from Plainsongs].\\n \\nDorothy Livesay\\n00:25:34\\nWell I'd like to jump back a bit, quite a long way back now, not to lyrical poems, which were the ones I really started out doing, but two poems from the thirties...\\n\\nEND\\n00:25:51\\n[Unknown amount of time elapsed between tapes].\",\"notes\":\"Dorothy Livesay reads poems from numerous sources, including Signpost (Macmillan, 1932), Day and Night (Ryerson Press, 1944), New Poems (Emblem Press, 1955), The Selected Poems 1926-1956 (Ryerson Press, 1957), The Unquiet Bed (Ryerson, 1967), Forty Women Poets of Canada (Ingluvin Publications, 1971), and Plainsongs (Fiddlehead Poetry Books, 1971).\\n\\n00:02- Unknown male introduces Dorothy Livesay [INDEX: Prince of Wales, Forty Women Poets, Wynne Francis, Montreal]\\n01:58- Dorothy Livesay introduces reading and “Edmonton Sweet” [INDEX: new poem:        “Disasters of the Sun”, love poems, Edmonton, White Pelican Magazine edited by Sheila Watson, Dorothy Guest edited “North” edition: contains three B.C. Native poets: Skyros Bruce, Gordy Williams, Eleanor Crow, Canadian Identity and Native American Identity, young poets searching for it]\\n06:56- Reads “Edmonton Sweet”\\n10:19- Introduces “The Operation” [INDEX:  40 Women Poets: Anthology edited by Dorothy Livesay]\\n11:10- Reads “The Operation”\\n15:36- Introduces “The Woman Syndrome” [INDEX: Women’s Liberation Movement]\\n16:26- Reads “The Woman Syndrome”\\n17:05- Introduces “Other” [INDEX: from The Selected Poems of 1957]\\n17:34- Reads “Other”\\n19:110 Introduces “Bartok and Geranium” [INDEX:  teaching creative writing to housewives, CBC radio- Violin concerto by Bela Bartok, most anthologized poem: “Bartok and Geranium”]\\n21:00- Reads “Bartok and Geranium”\\n22:10- Continues to explain “Bartok and Geranium”, also introduces “Latter Day    \\tEve” [INDEX: Dr. Roy Daniels, teaching Canadian Literature, Interpretations of her      \\tpoetry, University of New Brunswick, Professor Fred Cogswell]\\n24:18- Reads “Latter Day Eve”\\n25:34- Introduces “Day and Night” [INDEX: Day and Night, 1934/5 Montreal: shooting of a Polish man in his own home, Englewood, New Jersey, Discrimination against African \\tAmericans, E.J. Pratt’s first issue of Canadian Poetry Magazine in 1936, Cole Porter’s   song “Night and Day”, John Lennon quote: “In order to make two steps forward, you   \\tmay have to go one step back”, Negro spiritual songs]\\n28:07- Reads “Day and Night”\\n33:48- Introduces “Lorca” [INDEX: Spanish Civil War: Lorca and Franco, and the poets that were soldiers for Lorca, Jack Spicer, MacKenzie-Papineau Batallion]\\n35:06- Reads “Lorca”\\n37:20- Introduces “Weapons” [INDEX: Love poetry, 1932 Songpost by Dorothy Livesay]\\n38:16- Reads “Weapons”\\n38:45- Reads “An Alienation”\\n39:17- Reads “Climax”\\n39:38- Reads “Blindness”\\n40:02- Reads “Song for Solomon”\\n40:27- Introduces “The Unquiet Bed” [INDEX: 1967 The Unquiet Bed by Dorothy Livesay]\\n40:47- Reads “The Unquiet Bed”\\n41:16- Reads “Four Songs”\\n42:32- Introduces “The Taming”\\n42:43- Reads “The Taming”\\n43:25- Reads “The Touching”\\n44:40- Introduces “Give Us Our Trespasses” [INDEX: Jack Spicer]\\n45:43- Reads “Give Us Our Trespasses”\\n46:59- Introduces “The Notations of Love”\\n47:13- Reads “The Notations of Love”\\n49:18- Reads “Moving Out”\\n49:58- Introduces “At Dawn” [INDEX: 1968 Plainsongs by Dorothy Livesay]\\n50:21- Reads “At Dawn”\\n50:49- Reads “Dream”\\n51:21- Introduces “The Uninvited” [INDEX: St John River, New Brunswick]\\n52:00- Reads \\\"The Uninvited\\\".\\n52:59- Reads “Another Journey”\\n53:08- Introduces “The Artifacts, West Coast” [INDEX: West Coast, Victoria]\\n54:42- Reads “The Artifacts, West Coast”\\n58:05.94- END OF RECORDING\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/dorothy-livesay-at-sgwu-1971/#1\"}]"],"score":0.01643844},{"id":"1293","cataloger_name":["Bindu,Reddy"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["David McFadden and Gerry Gilbert at Sir George Williams University, The Poetry Series, 15 January 1971"],"item_title_source":["Cataloguer"],"item_title_note":["\"DAVID McFADDEN AND GERRY GILBERT Recorded January 15, 1971 3.75 ips on 1 mil. tape, 1/2 track Quality: Fair to poor. Poems read alternately\" written on sticker on the back of the tape's box. \"DAVID McFADDEN GERRY GILBERT I006/SR19\" written on sticker on the spine of the tape's box. \"I006-11-019\" written on sticker on the reel.\n"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 5"],"item_identifiers":["[]"],"creator_names":["McFadden, David","Gilbert, Gerry"],"creator_names_search":["McFadden, David","Gilbert, Gerry"],"creators":["[{\"url\":\"http://viaf.org/viaf/7405434\",\"name\":\"McFadden, David\",\"dates\":\"1940-2018\",\"notes\":\"Writer David McFadden was born in 1940, in Hamilton, Ontario, where he spent his first thirty-nine years. He started Mountain, a mimeographed magazine in 1962, and his early work appeared in tish, Is, Evidence, Weed, and Talon. He became a proofreader for the Hamilton Spectator in 1962 and a reporter for the same in 1970. David McFadden’s first collections of poems were published in Letters from the earth to the earth in 1968 (Coach House Press), Poems worth knowing in 1971 (Coach House Press) and Intense pleasure in 1972 (McClelland and Stewart). His first novel was The great Canadian sonnet, published in 1970 (Coach House Press). In 1976 he resigned from the Hamilton Spectator to focus on freelance writing and editing. McFadden continued to publish his poems in A knight in dried plums in 1975 (McClelland and Stewart), and On the road again in 1978 (McClelland and Stewart). His short stories and novels include three from the ‘Great Lakes Series’, published from 1980 to 1988 (Coach House Press), and Animal spirits: stories to live by in 1983 (Coach House Press). McFadden has published over fifteen other novels and collections of poems from 1967 to 1995, which include My Body was Eaten by Dogs (McClelland and Stewart, 1981), selected poems edited and introduced by George Bowering, and The Art of Darkness (McClelland Stewart, 1984). Be Calm Honey (Mansfield Press, 2008) was a finalist for the 2009 Governor General’s Award and his final published book, What's the Score? (Mansfield Press, 2012) won the 2013 Canadian Griffin Poetry Prize. McFadden died in 2018.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"Canadian poet and photographer Gerry Gilbert, born in 1936, was one of the most experimental writers from Vancouver in the 60’s. He started as a television cameraman, and then concentrated on writing poetry. Gilbert founded and edited The B.C. Monthly, which published literary and political criticism. He was also the editor of Radio Free Rain Forest, published out of Vancouver. Gilbert’s publications are numerous, and include artful self-published books of poetry. White lunch: poems was published by Periwinkle Press in 1964, followed by The milk (Minimedia, 1967), Quote, New York, July 1965 (Ganglia Press, 1969), Phone book (Weed/Flower, 1969), On my face (G.Gilbert, 1970), The (Probable Latitude 76 ̊15' Longitude 113 ̊10'E, London, 1970), a film Doi,ngng (NFB, Ottawa, 1970), And a place in mind... (Hesheitworks, 1971), Apr. 35, 1978 (Hesheitworks, 1971), And (Blewointmentpress, 1971), Money (York Street Commune, 1971), Lease (Coach House Press, 1971), Journal to the East (Blewointmentpress, 1974), Bicycle (Caledonia Writing Series, 1977), New and used poems (G.Gilbert, 1980), Moby Jane (Coach House Press, 1987), The 1/2 of it (Wave 7 Press, 1989), Azure blues (Talon Books, 1991), Year off  (BC Monthly, 2001), and Poetrees (BC Monthly, 2006). Gilbert died in Vancouver in 2009.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"Presenter_name":["Bowering, George"],"Series_organizer_name":["Bowering, George"],"Performance_Date":[1971],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"Half-track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"Dates":["[{\"date\":\"1971 1 15\",\"type\":\"Performance Date\",\"notes\":\"Date written on sticker on the back of the tape's box and in written announcement\\n\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Room H-651\",\"notes\":\"\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Room H-651"],"City":["Montreal, Quebec"],"content_notes":["David McFadden reads from The Great Canadian Sonnet (Coach House Press, 1970), as well as poems published later in Poems Worth Knowing (Coach House Press, 1971) and Intense Pleasure (McClelland and Stewart, 1972). Gerry Gilbert reads from Money (York Street Commune, 1971) and Phone Book (Weed/Flower, 1969) and And (Blewointmentpress, 1971) as well as some poems from unknown sources."],"contents":["david_mcfadden_gerry_gilbert_i006-11-019.mp3\n\nGeorge Bowering\n00:00:08\nWe have two readers tonight, both Canadian poets, as you know, and, but in most cases when we have two poets as we did last time, we generally have one poet read for a while, then have a break, and then have the other poet read for a while, but we're not going to do it that way tonight. We're just going to throw the thing open to both David McFadden [https://www.wikidata.org/wiki/Q5237344] and Gerry Gilbert [https://www.wikidata.org/wiki/Q5552756] and they will work it out as it seems to work out for them. This makes a lot of sense, although they've never read together before, they're both published by the same publishing house, and published in the same magazines and know each other as they used to say in the old days in the ivy league by reputation. Gerry Gilbert is, as a lot of people we've had this year, is from the West Coast and has been involved for quite a while with an outfit in the coast that gobbles up your tax money called Intermedia [https://www.wikidata.org/wiki/Q39079179], that's why the screen is there, something might happen there occasionally. Gerry was at one time the editor of a seminal West Coast publishing venture called Radio Free Rain Forest, and is the author of a series of books and things that are like books, as for instance, White Lunch which came out several years ago in Vancouver [https://www.wikidata.org/wiki/Q24639] and Telephone Book which is published by Coach House Press, I think, no, Weed/Flower, sorry. David's also been published by Weed/Flower and the Coach House Press, and his forthcoming book is the second volume of the Big/Little Book novel, called The Great Canadian Sonnet with illustrations by a little-known London [https://www.wikidata.org/wiki/Q92561] artist named Greg Curnoe [https://www.wikidata.org/wiki/Q5605459]. His next book is going to be called Poems Worth Knowing, a title that anyone from Ontario [https://www.wikidata.org/wiki/Q1904] or British Columbia [https://www.wikidata.org/wiki/Q1974] will know. What we're going to do is they're going to operate for a little while, and then when they feel the need for a break there will be a short intermission, like about ten minutes, then we'll proceed again with what, as they say, the second set. So I'm not going to be able to say that somebody's reading first and somebody's reading second but what I will be able to say is that the readers will be David McFadden and Gerry Gilbert.\n \nUnknown\n00:02:39\n[Cut or edit made in tape. Unknown amount of time elapsed].\n\nDavid McFadden\n00:02:40\nReads unnamed poem. \n\nUnknown\n00:06:02\n[Cut or edit made in tape. Unknown amount of time elapsed].\n\nGerry Gilbert\n00:06:03\nReads \"Her white face where I have seen Her ride the last bus, before\" [from Money].\n \nGerry Gilbert\n00:07:14\nReads \"A moving picture moves, it's the truth about movies\" [from Money].\n \nDavid McFadden\n00:07:33\nReads unnamed poem. \n \nGerry Gilbert\n00:08:20\nReads \"I REMEMBER TOOTSIE ROLLS when they were only in American comic books\" [from Money].\n \nDavid McFadden\n00:09:46\nReads [“The Slippery Wig” published later in Intense Pleasure and collected in Why Are You So Sad?]. \n \nGerry Gilbert\n00:10:38\nReads \"London 1964\" [from Money]\n \nDavid McFadden\n00:12:28\nReads unnamed poem. \n \nGerry Gilbert\n00:13:37\nReads \"waitress calls the man in the corner, HARRY” [from Money].\n \nDavid McFadden\n00:14:30\nReads unnamed poem. \n \nGerry Gilbert\n00:14:53\nReads \"the pleasure. I said” [from Money].\n \nDavid McFadden\n00:16:14\nReads [“Titles I Have Heard Of But Not Read” published later in Intense Pleasure and collected in Why Are You So Sad?].\n \nGerry Gilbert\n00:18:26\nReads [\"Single Mens Unit\" from Money].\n \nDavid McFadden\n00:19:05\nReads unnamed poem. \n \nDavid McFadden\n00:21:03\nReads unnamed poem.\n \nGerry Gilbert\n00:23:13\nReads \"Goodness and mercy are following me across the lake\" [from Money].\n\nGerry Gilbert\n00:24:10\nReads \"Bicycle\" [from Money].\n \nGerry Gilbert\n00:24:55\nReads \"on the bed” [from Money].\n \nDavid McFadden\n00:25:32\nReads unnamed poem. \n \nDavid McFadden\n00:26:05\nReads unnamed poem.\n \nDavid McFadden\n00:26:18\nReads unnamed poem.\n \nGerry Gilbert\n00:26:49\nReads unnamed poem.\n \nGerry Gilbert\n00:28:03\nReads \"bone ring on my finger\" [from Money].\n \nDavid McFadden\n00:28:34\nReads unnamed poem. \n \nDavid McFadden\n00:31:05\nReads unnamed poem.\n \nGerry Gilbert\n00:32:10\nWe're reading Canadian history. A few of the poems from Phone Book.\n \nGerry Gilbert\n00:32:28\nReads untitled poem from Phone Book.\n \nGerry Gilbert\n00:33:05\nReads untitled poem from Phone Book.\n \nGerry Gilbert\n00:33:42\nReads untitled poem from Phone Book.\n \nGerry Gilbert\n00:34:31\nReads untitled poem from Phone Book.\n \nGerry Gilbert\n00:35:25\nReads untitled poem from Phone Book.\n \nGerry Gilbert\n00:36:37\nReads untitled poem from Phone Book.\n \nGerry Gilbert\n00:36:58\nReads untitled poem from Phone Book.\n \nGerry Gilbert\n00:37:29\nThis poem's called \"Garden\".\n \nGerry Gilbert \n00:37:35\nReads \"Garden\" [from Money].\n \nDavid McFadden\n00:38:38\nReads [“Journey To Love” published later in Poems Worth Knowing].\n \nDavid McFadden\n00:39:21\nReads [“A Poem Without A Title Is Like A Letter Without A Stamp” published later in Poems Worth Knowing].\n \nGerry Gilbert\n00:39:50\nReads \"find your birds\" [from Money].\n \nDavid McFadden\n00:41:32\nReads [“Art’s Variety” published later in Poems Worth Knowing].\n \nGerry Gilbert\n00:42:04\nReads \"sometimes I miss\" [from Money].\n \nDavid McFadden\n00:42:18\nReads [“Another Revolution” published later in Poems Worth Knowing].\n \nDavid McFadden\n00:42:57\nReads [“Chapter One” from The Great Canadian Sonnet].\n \nGerry Gilbert\n00:47:06\nDid I hear you say 'boiled skunks'? This is a little tale. \n\nGerry Gilbert\n00:49:24\nReads unnamed poem. \n\nGerry Gilbert\n00:49:45\nReads unnamed poem. \n \nGerry Gilbert\n00:51:42\nReads unnamed poem.\n \nDavid McFadden\n00:53:02\nReads \"Vital Statistics: Distances from Hamilton To...\" [from The Great Canadian Sonnet]. \n \nGerry Gilbert\n00:54:52\nReads unnamed poem.\n \nDavid McFadden\n00:54:52\nReads unnamed poem. \n \nDavid McFadden\n00:55:52\nReads unnamed poem [audience laughter throughout]. \n \nGerry Gilbert\n00:56:52\nReads [“SQUEEZE THRU THE TUBE” from And].\n\nGerry Gilbert\n00:57:08\nReads [“24.11.70. TORONTO” from And].\n\nGerry Gilbert\n00:57:59\nThe following is a Rochdale College [https://www.wikidata.org/wiki/Q14875408] council meeting. 23rd of November, 1970.\n\nGerry Gilbert\n00:58:08\nReads [“ROCHDALE COUNCIL MEETING 23.11.70” and other untitled sections from And].\n \nDavid McFadden\n01:01:24\nReads unnamed poem. \n \nDavid McFadden\n01:01:39\nReads unnamed poem. \n\nUnknown\n01:09:59\n[Cut or edit made in tape. Unknown amount of time elapsed].\n\nGerry Gilbert\n01:10:01\nReads [“QUIET” from And].\n\nGerry Gilbert\n01:10:28\nReads untitled poem [from And].\n\nGerry Gilbert\n01:10:41\nReads [“THE WEST IS ALONE SEA” from And].\n\nGerry Gilbert\n01:10:57\nReads “TICKET” [from And].\n\nGerry Gilbert\n01:11:33\nReads [“2.1.71” from And]. \n\nGerry Gilbert\n01:12:44\nReads [“49th week 1970” from And].\n\nGerry Gilbert\n01:12:49\nReads “FRIED EGG SANDWICH ON BROWN” [from And].\n\nDavid McFadden\n01:13:54\nReads unnamed poem. \n \nGerry Gilbert\n01:23:26\nReads [first section of “Babyland Blues” from Money]. \n \nGerry Gilbert\n01:27:05\nReads unnamed poem. \n \nGerry Gilbert\n01:27:52\nReads [section of “Babybland Blues from Money].\n \nGerry Gilbert\n01:28:44\nReads unnamed poem.\n \nGerry Gilbert\n01:29:04\nReads [final section of “Babyland Blues from Money].\n \nEND\n01:29:19\n"],"Note":["[{\"note\":\"Year-Specific Information:\\n\\nIn 1971, at the time of the reading, David McFadden was a reporter for the Hamilton Spectator, and his collection of poems, Poems Worth Knowing was to be published the same year. His novel, The Great Canadian Sonnet was published the year before, in 1970.\\n\\nIn 1971, Gerry Gilbert published And a place in mind... (Hesheitworks, 1971), Apr. 35, 1978 (Hesheitworks, 1971), And (Blewointmentpress, 1971), Money (York Street Commune, 1971), and Lease (Coach House Press, 1971).\",\"type\":\"General\"},{\"note\":\"Local Connections:\\n\\nMcFadden was heavily invested in Canadian writing, and lived his whole life in Ontario and British Columbia. He had connections with George Bowering, as Bowering published an interview with McFadden in 1971. McFadden and Bowering had met while Bowering was at the University of Western Ontario, between 1966 and 1967.\\n\\nGerry Gilbert was an important avant-garde poet and publisher in Vancouver in the 60’s through to today. His press, Blewointmentpress published poetry by other Canadian poets such as Maxine Gadd, bill bissett and bp Nichol. His direct connections to Sir George Williams University are unknown, however George Bowering or Roy Kiyooka might have known Gilbert from the Vancouver scene.\",\"type\":\"General\"},{\"note\":\"Original transcript, research, introduction and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Ali Barillaro\",\"type\":\"Cataloguer\"},{\"note\":\"Reel-to-reel tape>2 CDs>digital file\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/contemporary-canadian-poem-anthology/oclc/476332314&referer=brief_results\",\"citation\":\"Bowering, George, ed. The Contemporary Canadian Poem Anthology. Toronto: Coach House Press, 1984\"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-twentieth-century-poetry-in-english/oclc/1229534811&referer=brief_results\",\"citation\":\"Berry, Reg. \\\"McFadden, David\\\".  The Oxford Companion to Twentieth-Century Poetry in        English. Ian Hamilton. Oxford University Press, 1996. \"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-canadian-literature/oclc/858858596&referer=brief_results\",\"citation\":\"Davey, Frank. \\\"McFadden, David\\\", The Oxford Companion to Canadian Literature. Eugene Benson and William Toye. Oxford University Press 2001. \"},{\"url\":\"https://www.worldcat.org/title/from-there-to-here-a-guide-to-english-canadian-literature-since-1960-ii-our-nature-our-voices/oclc/878901819&referer=brief_results\",\"citation\":\"Davey, Frank. “Gerry Gilbert”. From There to Here: A Guide to English-Canadian Literature Since 1960, Our Nature-Our Voices II. Erin, Ontario: Press Porcepic, 1974. \"},{\"url\":\"https://www.worldcat.org/title/from-there-to-here-a-guide-to-english-canadian-literature-since-1960-ii-our-nature-our-voices/oclc/878901819&referer=brief_results\",\"citation\":\"Davey, Frank. “David McFadden”. From There to Here: A Guide to English-Canadian Literature Since 1960, Our Nature-Our Voices II. Erin, Ontario: Press Porcepic, 1974.\\n\"},{\"url\":\"https://www.worldcat.org/title/money/oclc/427223207&referer=brief_results\",\"citation\":\"Gilbert, Gerry. Money. Vancouver: York Street Commune Press, 1971.\"},{\"url\":\"https://www.worldcat.org/title/phone-book/oclc/92241&referer=brief_results\",\"citation\":\"Gilbert, Gerry. Phone Book. Toronto: Weed/Flower Press, 1969. \"},{\"url\":\"https://www.worldcat.org/title/white-lunch-poems/oclc/869020598&referer=brief_results\",\"citation\":\"Gilbert, Gerry. White Lunch, Poems. Vancouver: Periwinkle Press, 1964. \"},{\"url\":\"https://www.worldcat.org/title/grounds-poems/oclc/1087483441&referer=brief_results\",\"citation\":\"Gilbert, Gerry. Grounds. Vancouver: Talonbooks, 1976. \"},{\"url\":\"https://www.worldcat.org/title/lease/oclc/729960668?referer=di&ht=edition\",\"citation\":\"Gilbert, Gerry. Lease. Toronto: Coach House Press, 1972. \"},{\"url\":\"https://www.worldcat.org/title/and/oclc/1005955202&referer=brief_results\",\"citation\":\"Gilbert, Gerry. And. Vancouver: Blewointmentpress, 1971.\"},{\"url\":\"https://www.worldcat.org/title/great-canadian-sonnet/oclc/301438651&referer=brief_results\",\"citation\":\"McFadden, David. The Great Canadian Sonnet. Toronto: Coach House Press, 1970. \"},{\"url\":\"https://www.worldcat.org/title/great-canadian-sonnet-the-great-canadian-sonnet/oclc/15750598&referer=brief_results\",\"citation\":\"McFadden, David. The Great Canadian Sonnet. Toronto: Coach House Press, 1974. \"},{\"url\":\"https://www.worldcat.org/title/great-lakes-suite/oclc/37490622?referer=di&ht=edition\",\"citation\":\"McFadden, David. Great Lakes Suite. Vancouver, Talonbooks, 1997. \"},{\"url\":\"https://www.worldcat.org/title/intense-pleasure/oclc/421732872&referer=brief_results\",\"citation\":\"McFadden, David. Intense Pleasure. Toronto: McClelland and Stewart, 1972. \\n\"},{\"url\":\"https://www.worldcat.org/title/poems-worth-knowing/oclc/422697370&referer=brief_results\",\"citation\":\"McFadden, David. Poems Worth Knowing. Toronto: Coach House Press, 1971. \"},{\"url\":\"https://www.worldcat.org/title/why-are-you-so-sad/oclc/899150333&referer=brief_results\",\"citation\":\"McFadden, David. Why Are You So Sad? Toronto: Insomniac Press, 2007. \"},{\"url\":\"\",\"citation\":\"“Poetry Readings”. OP-ED. Montreal: Sir George Williams University, 6 October 1967, page 6. \"}]"],"_version_":1853670548930822144,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0019_tape.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0019_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"McFadden and Gilbert Tape Box - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0019_front.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0019_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"McFadden and Gilbert Tape Box - Front\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0019_back.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0019_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"McFadden and Gilbert Tape Box - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0019_side.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0019_side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"McFadden and Gilbert Tape Box - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/david_mcfadden_gerry_gilbert_i006-11-019.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\" david_mcfadden_gerry_gilbert_i006-11-019.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:29:19\",\"precision\":\"\",\"size\":\"214.4 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"George Bowering\\n00:00:08\\nWe have two readers tonight, both Canadian poets, as you know, and, but in most cases when we have two poets as we did last time, we generally have one poet read for a while, then have a break, and then have the other poet read for a while, but we're not going to do it that way tonight. We're just going to throw the thing open to both David McFadden [https://www.wikidata.org/wiki/Q5237344] and Gerry Gilbert [https://www.wikidata.org/wiki/Q5552756] and they will work it out as it seems to work out for them. This makes a lot of sense, although they've never read together before, they're both published by the same publishing house, and published in the same magazines and know each other as they used to say in the old days in the ivy league by reputation. Gerry Gilbert is, as a lot of people we've had this year, is from the West Coast and has been involved for quite a while with an outfit in the coast that gobbles up your tax money called Intermedia [https://www.wikidata.org/wiki/Q39079179], that's why the screen is there, something might happen there occasionally. Gerry was at one time the editor of a seminal West Coast publishing venture called Radio Free Rain Forest, and is the author of a series of books and things that are like books, as for instance, White Lunch which came out several years ago in Vancouver [https://www.wikidata.org/wiki/Q24639] and Telephone Book which is published by Coach House Press, I think, no, Weed/Flower, sorry. David's also been published by Weed/Flower and the Coach House Press, and his forthcoming book is the second volume of the Big/Little Book novel, called The Great Canadian Sonnet with illustrations by a little-known London [https://www.wikidata.org/wiki/Q92561] artist named Greg Curnoe [https://www.wikidata.org/wiki/Q5605459]. His next book is going to be called Poems Worth Knowing, a title that anyone from Ontario [https://www.wikidata.org/wiki/Q1904] or British Columbia [https://www.wikidata.org/wiki/Q1974] will know. What we're going to do is they're going to operate for a little while, and then when they feel the need for a break there will be a short intermission, like about ten minutes, then we'll proceed again with what, as they say, the second set. So I'm not going to be able to say that somebody's reading first and somebody's reading second but what I will be able to say is that the readers will be David McFadden and Gerry Gilbert.\\n \\nUnknown\\n00:02:39\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n\\nDavid McFadden\\n00:02:40\\nReads unnamed poem. \\n\\nUnknown\\n00:06:02\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n\\nGerry Gilbert\\n00:06:03\\nReads \\\"Her white face where I have seen Her ride the last bus, before\\\" [from Money].\\n \\nGerry Gilbert\\n00:07:14\\nReads \\\"A moving picture moves, it's the truth about movies\\\" [from Money].\\n \\nDavid McFadden\\n00:07:33\\nReads unnamed poem. \\n \\nGerry Gilbert\\n00:08:20\\nReads \\\"I REMEMBER TOOTSIE ROLLS when they were only in American comic books\\\" [from Money].\\n \\nDavid McFadden\\n00:09:46\\nReads [“The Slippery Wig” published later in Intense Pleasure and collected in Why Are You So Sad?]. \\n \\nGerry Gilbert\\n00:10:38\\nReads \\\"London 1964\\\" [from Money]\\n \\nDavid McFadden\\n00:12:28\\nReads unnamed poem. \\n \\nGerry Gilbert\\n00:13:37\\nReads \\\"waitress calls the man in the corner, HARRY” [from Money].\\n \\nDavid McFadden\\n00:14:30\\nReads unnamed poem. \\n \\nGerry Gilbert\\n00:14:53\\nReads \\\"the pleasure. I said” [from Money].\\n \\nDavid McFadden\\n00:16:14\\nReads [“Titles I Have Heard Of But Not Read” published later in Intense Pleasure and collected in Why Are You So Sad?].\\n \\nGerry Gilbert\\n00:18:26\\nReads [\\\"Single Mens Unit\\\" from Money].\\n \\nDavid McFadden\\n00:19:05\\nReads unnamed poem. \\n \\nDavid McFadden\\n00:21:03\\nReads unnamed poem.\\n \\nGerry Gilbert\\n00:23:13\\nReads \\\"Goodness and mercy are following me across the lake\\\" [from Money].\\n\\nGerry Gilbert\\n00:24:10\\nReads \\\"Bicycle\\\" [from Money].\\n \\nGerry Gilbert\\n00:24:55\\nReads \\\"on the bed” [from Money].\\n \\nDavid McFadden\\n00:25:32\\nReads unnamed poem. \\n \\nDavid McFadden\\n00:26:05\\nReads unnamed poem.\\n \\nDavid McFadden\\n00:26:18\\nReads unnamed poem.\\n \\nGerry Gilbert\\n00:26:49\\nReads unnamed poem.\\n \\nGerry Gilbert\\n00:28:03\\nReads \\\"bone ring on my finger\\\" [from Money].\\n \\nDavid McFadden\\n00:28:34\\nReads unnamed poem. \\n \\nDavid McFadden\\n00:31:05\\nReads unnamed poem.\\n \\nGerry Gilbert\\n00:32:10\\nWe're reading Canadian history. A few of the poems from Phone Book.\\n \\nGerry Gilbert\\n00:32:28\\nReads untitled poem from Phone Book.\\n \\nGerry Gilbert\\n00:33:05\\nReads untitled poem from Phone Book.\\n \\nGerry Gilbert\\n00:33:42\\nReads untitled poem from Phone Book.\\n \\nGerry Gilbert\\n00:34:31\\nReads untitled poem from Phone Book.\\n \\nGerry Gilbert\\n00:35:25\\nReads untitled poem from Phone Book.\\n \\nGerry Gilbert\\n00:36:37\\nReads untitled poem from Phone Book.\\n \\nGerry Gilbert\\n00:36:58\\nReads untitled poem from Phone Book.\\n \\nGerry Gilbert\\n00:37:29\\nThis poem's called \\\"Garden\\\".\\n \\nGerry Gilbert \\n00:37:35\\nReads \\\"Garden\\\" [from Money].\\n \\nDavid McFadden\\n00:38:38\\nReads [“Journey To Love” published later in Poems Worth Knowing].\\n \\nDavid McFadden\\n00:39:21\\nReads [“A Poem Without A Title Is Like A Letter Without A Stamp” published later in Poems Worth Knowing].\\n \\nGerry Gilbert\\n00:39:50\\nReads \\\"find your birds\\\" [from Money].\\n \\nDavid McFadden\\n00:41:32\\nReads [“Art’s Variety” published later in Poems Worth Knowing].\\n \\nGerry Gilbert\\n00:42:04\\nReads \\\"sometimes I miss\\\" [from Money].\\n \\nDavid McFadden\\n00:42:18\\nReads [“Another Revolution” published later in Poems Worth Knowing].\\n \\nDavid McFadden\\n00:42:57\\nReads [“Chapter One” from The Great Canadian Sonnet].\\n \\nGerry Gilbert\\n00:47:06\\nDid I hear you say 'boiled skunks'? This is a little tale. \\n\\nGerry Gilbert\\n00:49:24\\nReads unnamed poem. \\n\\nGerry Gilbert\\n00:49:45\\nReads unnamed poem. \\n \\nGerry Gilbert\\n00:51:42\\nReads unnamed poem.\\n \\nDavid McFadden\\n00:53:02\\nReads \\\"Vital Statistics: Distances from Hamilton To...\\\" [from The Great Canadian Sonnet]. \\n \\nGerry Gilbert\\n00:54:52\\nReads unnamed poem.\\n \\nDavid McFadden\\n00:54:52\\nReads unnamed poem. \\n \\nDavid McFadden\\n00:55:52\\nReads unnamed poem [audience laughter throughout]. \\n \\nGerry Gilbert\\n00:56:52\\nReads [“SQUEEZE THRU THE TUBE” from And].\\n\\nGerry Gilbert\\n00:57:08\\nReads [“24.11.70. TORONTO” from And].\\n\\nGerry Gilbert\\n00:57:59\\nThe following is a Rochdale College [https://www.wikidata.org/wiki/Q14875408] council meeting. 23rd of November, 1970.\\n\\nGerry Gilbert\\n00:58:08\\nReads [“ROCHDALE COUNCIL MEETING 23.11.70” and other untitled sections from And].\\n \\nDavid McFadden\\n01:01:24\\nReads unnamed poem. \\n \\nDavid McFadden\\n01:01:39\\nReads unnamed poem. \\n\\nUnknown\\n01:09:59\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n\\nGerry Gilbert\\n01:10:01\\nReads [“QUIET” from And].\\n\\nGerry Gilbert\\n01:10:28\\nReads untitled poem [from And].\\n\\nGerry Gilbert\\n01:10:41\\nReads [“THE WEST IS ALONE SEA” from And].\\n\\nGerry Gilbert\\n01:10:57\\nReads “TICKET” [from And].\\n\\nGerry Gilbert\\n01:11:33\\nReads [“2.1.71” from And]. \\n\\nGerry Gilbert\\n01:12:44\\nReads [“49th week 1970” from And].\\n\\nGerry Gilbert\\n01:12:49\\nReads “FRIED EGG SANDWICH ON BROWN” [from And].\\n\\nDavid McFadden\\n01:13:54\\nReads unnamed poem. \\n \\nGerry Gilbert\\n01:23:26\\nReads [first section of “Babyland Blues” from Money]. \\n \\nGerry Gilbert\\n01:27:05\\nReads unnamed poem. \\n \\nGerry Gilbert\\n01:27:52\\nReads [section of “Babybland Blues from Money].\\n \\nGerry Gilbert\\n01:28:44\\nReads unnamed poem.\\n \\nGerry Gilbert\\n01:29:04\\nReads [final section of “Babyland Blues from Money].\\n \\nEND\\n01:29:19\\n\",\"notes\":\"David McFadden reads from The Great Canadian Sonnet (Coach House Press, 1970), as well as poems published later in Poems Worth Knowing (Coach House Press, 1971) and Intense Pleasure (McClelland and Stewart, 1972). Gerry Gilbert reads from Money (York Street Commune, 1971) and Phone Book (Weed/Flower, 1969) and And (Blewointmentpress, 1971) as well as some poems from unknown sources.\\n00:00- Unknown Male introduces David McFadden and Gerry Gilbert [INDEX: Gerry Gilbert: West Coast, radiofreerainforest, Intermedia, White Lunch, Vancouver, Phone Book published by Weed/Flower Press. David McFadden: Coach House Press, Weed/Flower Press, Big Little Book novel, The Great Canadian Sonnet with illustrations by Greg Curnoe, Poems Worth Knowing, Ontario, British Columbia]\\n02:40- David McFadden reads first line “They try to teach you things so fast in school...”\\n06:03- Gerry Gilbert reads first line “Her right face, where I have seen her ride the last bus before...”\\n07:14- Gerry Gilbert reads first line “A moving picture moves...” [INDEX: in the section “For Crying Out Loud” in Money]\\n07:33- David McFadden reads first line “At the vending machine, Garfield got a bag of...”\\n08:20- Gerry Gilbert reads first line “I remember tootsie rolls were only in American comic books...” [INDEX: in the section “For Crying Out Loud” in Money]\\n09:46- David McFadden reads first line “I sat next to her on the bus. She kept adjusting her black wig...”\\n10:38- Gerry Gilbert reads “London 1964” [INDEX: in the section “For Crying Out Loud”, in Money]\\n12:28- David McFadden reads “Received your postcard today and dropped it...”\\n13:37- Gerry Gilbert reads “The waitress calls the man in the corner Harry...” [INDEX: in the section “For Crying Out Loud” in Money]\\n14:30- David McFadden reads first line “Nine inches from navel to vulva...”\\n14:53- Gerry Gilbert reads first line “The pleasure, I said, I dreamed I was in    Vietnam...” [INDEX: in the section “For Crying Out Loud” in Money]\\n16:14- David McFadden reads first line “Dreams have become so full of intricate detail...”\\n18:26- Gerry Gilbert reads “Single Mens Unit” [INDEX: in Money]\\n19:05- David McFadden reads first line “The Bursby Police are a fine group of men...”\\n21:03- David McFadden reads first line “Napanee home for the aged Japanese Canadians...”\\n23:13- Gerry Gilbert reads first line “Goodness and Mercy are following me...” [INDEX: in the section “For Crying Out Loud” in Money]\\n24:10- Gerry Gilbert reads “Bicycle” [INDEX: in Money]\\n24:55- Gerry Gilbert reads first line “On the bed, we held, two hands a pot...”\\n25:32- David McFadden reads first line “The successful young alderman of ambition...”\\n26:05- David McFadden reads first line “The tub was dirty so I washed it out...”\\n26:18- David McFadden reads first line “I’m leaving on Saturday, Harry the sweeper talking...”\\n26:49- Gerry Gilbert reads first line “Blow by blow, solid, solid, short...”\\n28:03- Gerry Gilbert reads first line “Bone, ring on my finger, bell...” [INDEX: in section “For Crying Out Loud” in Money]\\n28:34- David McFadden reads first line “Spitting out the used up toothpaste...”\\n31:05- David McFadden reads first line “If you’re lucky enough to be there when your name is called...”\\n32:28- Gerry Gilbert reads first line “Mirror, mirror from Middle English...” [INDEX: in    \\tPhone Book]\\n33:05- Gerry Gilbert reads first line “Stabit, she’s big, her mom sed...” [INDEX: in Phone    Book]\\n33:42- Gerry Gilbert reads first line “Conductor, CN Conductor...” [INDEX: in Phone Book]\\n35:25- Gerry Gilbert reads first line “It began to rain, we sat on the hill...” [INDEX: in Phone Book]\\n36:37- Gerry Gilbert reads first line “The killer is at the top window...” [INDEX: in Phone    Book]\\n36:58- Gerry Gilbert reads first line “Can’t see the key, you have to reach...” [INDEX: in     Phone Book]\\n37:29- Gerry Gilbert reads “Garden” [INDEX: in Money]\\n38:38- David McFadden reads first line “No one knows his own potential for evil...”\\n39:21- David McFadden reads first line “I made a left turn from Houston onto King...”\\n39:50- Gerry Gilbert reads first line “Find your birds, ladies and gentlemen...” [INDEX: in the section “For Crying Out Loud” in Money]\\n41:32- David McFadden reads first line “She was small and pretty, my heart broke...”\\n42:04- Gerry Gilbert reads first line “Sometimes I miss the times I miss...” [INDEX: in the   section “For Crying Out Loud” in Money]    \\n42:18- David McFadden reads first line “Elege [sp?] expands to fill the vacuum left by loss of spirit...”\\n42:57- David McFadden reads first line “I’m Alabama-bound, my brain is firming round...”\\n47:24- END OF RECORDING\\n\\n00:02- Gerry Gilbert reads first line “I rolled down the slime trail after slug...”\\n01:59- Gerry Gilbert reads first line “Semitic origin, these etymological discussions...”\\n02:21- Gerry Gilbert reads “Spadina Salvation Army, December 1969”\\n04:27- David McFadden reads first line “Vital statistics, distances from Hamilton to \\tBoston...”\\n05:38- Gerry Gilbert reads first line “A place in mind clicks, switch...”\\n07:27- David McFadden reads first line “Joan was telling me how she was driving...”\\n08:28- David McFadden reads first line “The dog across the street is a little Pekinese...”\\n09:28- Gerry Gilbert reads series of poems starting with first lines “I was in Ottawa...” and “Matches, I never saw Eddie...”\\n10:09- Gerry Gilbert reads series of poems starting with first lines “I can’t find the sky...” and “I see you and baby...” and “9 or 10 council men and women...”\\n14:00- David McFadden reads first line “Collier's Encyclopedia says...”\\n14:15- David McFadden reads first line “Joan said she was miserable that day...”\\n22:35- Gerry Gilbert reads of series of short poems with first lines “Buddha, somebody stole...”, “I jacked-off..”, “We’ve been having technical...”, “Go sooner than you   expect...”. “If you like lots of food...”, “Ticket, way West...”, “Pictures of windows...”, “Pencil, don’t dry out...”, “Each a life, eat your wife...”, “Fried egg sandwich...”, “The world is so young...”, “Your own, a better night...”, “She loved me...”, “Hair, hooked behind my ears...”, “Your first is something nobody...”\\n26:29- David McFadden reads first line “The car was running very well...”\\n36:01- Gerry Gilbert reads first line “I know what I’m doing...”\\n39:40- Gerry Gilbert reads first line “Eagle, hear me coming...”\\n40:28- Gerry Gilbert reads first line “Water the garden after...”\\n41:19- Gerry Gilbert reads first line “Each size, big places...”\\n41:40- Gerry Gilbert reads first line “Sweet, sweet babyland bird...”\\n41:55.46- END OF RECORDING\\n \\n*Note about Transcript: because both readers read their work without any extra-poetic speech, there are no ‘annotated’ notes. The text that is spoken by the poets is marked by quotation marks. Poem titles are indicated, when available, in the [Indexed] sections. \",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/david-mcfadden-and-gerry-gilbert-at-sgwu-1971/\"}]"],"score":0.01643844},{"id":"1294","cataloger_name":["Bindu,Reddy"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Kenneth Koch at Sir George Williams University, The Poetry Series, 19 February 1971"],"item_title_source":["Cataloguer "],"item_title_note":["\"KENNETH KOCH Recorded February 19, 1971 3.75 ips on 1 mil. tape, 1/2 track Fair quality\" written on sticker on the back of the tape's box. KENNETH KOCH I006/SR39 written on sticker on the spine of the tape's box. I006-11-039 written on sticker on the reel.\n"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 5"],"item_identifiers":["[]"],"creator_names":["Koch, Kenneth"],"creator_names_search":["Koch, Kenneth"],"creators":["[{\"url\":\"http://viaf.org/viaf/110467351\",\"name\":\"Koch, Kenneth\",\"dates\":\"1925-2002\",\"notes\":\"Poet, playwright, author and teacher Kenneth Koch was born on February 27, 1925 in Cincinnati, Ohio. In 1943, after completing high school, Koch served in the United States Army until 1945. He then enrolled at Harvard University, and received his B.A. degree in 1948 in English literature and writing. Koch then entered the Ph.D. program at Columbia University in New York City, through which he traveled on a Fulbright scholarship to France to study avant-garde poetry. In New York, he met poets John Ashbery and Frank O’Hara, the three of whom would be coined the New York School of Poets. Koch published his first collection of poetry, Poems (Tibor de Nagy Gallery, 1953), and wrote a play, Little Red Riding Hood (1953), followed by Ko; or, A Season on Earth (Grove Press, 1959).  During this time Koch taught at Rutgers and Brooklyn Colleges before he completed his Ph.D. in 1959. Koch’s second play, Bertha, debuted in 1960, along with a third collection of poetry, Permanently (Tiber Press, 1960). In the early 60’s, Koch published plays, including George Washington Crossing the Delaware, The Construction of Boston (both in 1962), Guinevere; or, The Death of the Kangaroo, (1964). Koch was also a brilliant teacher, creating poetry and reading programs for grade school students in New York City public schools, which he won a Harbison Award for teaching. He published his experiences in Wishes, Lies and Dreams: Teaching Children to Write Poetry (Chelsea House, 1970) and Rose, Where Did You Get That Red?: Teaching Great Poetry to Children (Random House, 1973), which won a Ohioana Book Award and a Christopher Book Award. He also launched a similar program for the elderly, as described in I Never Told Anybody: Teaching Poetry Writing in a Nursing Home (Random House, 1977). During this time Koch published numerous books of verse, namely The Pleasures of Peace and Other Poems (Grove Press, 1969), When the Sun Tries to Go On (Black Sparrow, 1969), Sleeping with Women (Black Sparrow Press, 1969), the highly praised The Art of Love (Random House, 1975) which won the National Institute of Arts and Letters award in 1976, The Burning Mystery of Anna in 1951 (Random House, 1979). A prolific writer, Koch wrote over forty books and plays, including Days and Nights (Random House, 1982), On the Edge (Alfred A. Knopf, 1986) which won an Award of Merit for Poetry from the American Academy and Institute of Arts and Letters, Selected Poems, 1950-1982 (Random House, 1985), a book of short dramatic selections One Thousand Avant-garde Plays (Knopf, 1988) won a National Book Critic’s Circle nomination, Selected Poems, (Carcanet, 1991), On the Great Atlantic Rainway: Selected Poems, 1950-1988 (Knopf, 1994) and his last book, New Addresses (Knopf, 2000). 1995 was a big year for Koch, as he was awarded the Bollingen Prize for a lifetime achievement to poetry, and was elected to the American Academy of Arts and Letters. Subsequently, Koch received the Rebekah Johnson Bobbitt National Prize for Poetry in 1996, the Chevalier de l’ordre des arts et des lettres in France in 1999, and the Phi Beta Kappa Poetry Award. Kenneth Koch died of leukemia on July 6, 2002 in New York City.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"Presenter_name":["Bowering, George"],"Series_organizer_name":["Bowering, George"],"Performance_Date":[1971],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"Half-track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"Dates":["[{\"date\":\"1971 2 19\",\"type\":\"Performance Date\",\"notes\":\"Date written on sticker on the back of the tape's box and in written announcement \\\"What Goes On!\\\"\\n\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Room H-651\",\"notes\":\"\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Room H-651"],"City":["Montreal, Quebec"],"content_notes":["Kenneth Koch reads from Thank You and Other Poems (Grove Press, 1962), The Pleasures of Peace and Other Poems (Grove Press, 1969), works published later in A Change of Hearts: Plays, Films, and Other Dramatic Works 1951-1971 (Random House, 1973) and from other unknown sources."],"contents":["kenneth_koch_i006-11-039.mp3\n\nGeorge Bowering\n00:00:00\nMost people will have seen, probably, the little promo sheet that went out about Kenneth [https://www.wikidata.org/wiki/Q2708628] talking about all his various books et cetera, so I'll keep this very short. Those that have been involved in reading American poetry over the past few years will naturally know who Kenneth Koch is, that he along with Frank O'Hara [https://www.wikidata.org/wiki/Q951010] probably invented modern American poetry in New York City [https://www.wikidata.org/wiki/Q60], and it's, and he's also been in the news lately in the various, Slick magazine in the United States [https://www.wikidata.org/wiki/Q30] as a teacher of poetry, a very important teacher of poetry to kids in schools. And he's the only man I know who's been able to write what I think is probably an epic in the American language. So I'd like to make this as fast as I can and introduce Mr. Kenneth Koch.\n \nAudience\n00:00:58\nApplause.\n \nUnknown\n00:01:03\n[Cut or edit in tape. Unknown amount of time elapsed].\n \nKenneth Koch\n00:01:04\nThe first poem I'll read is called \"Spring\". \n \nKenneth Koch\n00:01:08\nReads \"Spring\" [from Thank You and Other Poems].\n \nKenneth Koch\n00:02:36\nThe next poem I want to read is called \"Variations on a Theme by William Carlos Williams\". I love Williams' [https://www.wikidata.org/wiki/Q178106] work, and I usually only write parodies of people whose work I like a lot. This parody is based on a poem of Williams, well, actually, on a certain characteristic I saw in Williams' work for a long time which I like, which is sort of, the idea that if you really like something enough and if you want to do it enough, it's okay to do it. And I saw certain insane possibilities of this viewpoint. This is specifically a parody of a poem which goes, \"This is just to say I've eaten the plums in the icebox and which you were probably saving for breakfast. Forgive me, they were so cold and so delicious\". It's really a nice poem, but it seemed to me there was a little streak of insanity running through it. It's called, \"Variations on a Theme by William Carlos Williams\".\n \nKenneth Koch\n00:03:28\nReads \"Variations on a Theme by William Carlos Williams\" [from Thank You and Other Poems].\n \nKenneth Koch\n00:04:33\nI'd like to read another short poem, this is called \"You Were Wearing\".\n \nKenneth Koch\n00:04:38\nReads \"You Were Wearing\" [from Thank You and Other Poems].\n \nKenneth Koch\n00:06:37\nI'm trying to find the ideal lights still, it’s--okay, I think that's probably a bit better. The next thing that I want to read is a play called \"E.KOLOGY\". It's...E.KOLOGY is the name of the hero, it's like capital \"E,\" period, capital \"KOLOGY.\" I'd like to say something about this play. I read it at the University of Chicago [https://www.wikidata.org/wiki/Q131252] last year, and some students thought that I was making fun of the ecology movement. I'm not, and I would see to it that if it were produced that that was not the case. It just seemed to me that the ecology movement was such a, like a natural cause for pleasure that it wouldn't really do to be totally solemn about it. The, I wrote this to be performed on Earth Day [https://www.wikidata.org/wiki/Q124473], in New York last year in April, but they were supposed to have all these things in Union Square [https://www.wikidata.org/wiki/Q110007] and it just ended up being a lot of light shows and speeches, I think, because they couldn't get the actors together and the lights and the stage and everything. It was done in Philadelphia [https://www.wikidata.org/wiki/Q1345], did anyone see it, by any chance? Probably not. I didn't see it. I didn't even know it was done. In any case. E.KOLOGY. \n \nKenneth Koch\n00:07:44\nReads E.KOLOGY - Act One, Scene One [published later in A Change of Hearts: Plays, Films, and Other Dramatic Works 1951-1971].\n \nKenneth Koch\n00:09:38\nReads E.KOLOGY - Act One, Scene Two [published later in A Change of Hearts: Plays, Films, and Other Dramatic Works 1951-1971].\n \nKenneth Koch\n00:11:19\nReads E.KOLOGY - Act One, Scene Three [published later in A Change of Hearts: Plays, Films, and Other Dramatic Works 1951-1971].\n \nKenneth Koch\n00:12:06\nReads E.KOLOGY - Act Two [published later in A Change of Hearts: Plays, Films, and Other Dramatic Works 1951-1971].\n \nKenneth Koch\n00:13:54\nReads E.KOLOGY - Act Three, Scene One [published later in A Change of Hearts: Plays, Films, and Other Dramatic Works 1951-1971].\n \nKenneth Koch\n00:14:24\nReads E.KOLGOY - Act Three, Scene Two [published later in A Change of Hearts: Plays, Films, and Other Dramatic Works 1951-1971].\n \nKenneth Koch\n00:16:04\nReads E.KOLOGY - Act Four [published later in A Change of Hearts: Plays, Films, and Other Dramatic Works 1951-1971].\n \nKenneth Koch\n00:17:30\nReads E.KOLOGY - Act Five [published later in A Change of Hearts: Plays, Films, and Other Dramatic Works 1951-1971].\n \nAudience\n00:19:34\nApplause.\n \nKenneth Koch\n00:19:44\nWhile you're in the mood for theatre, I'll read a film script I wrote which I'd be delighted if someone would do. No one's ever done it. Apparently it would cost a great deal to do this, although it's very simple. It's called “Youth”.\n \nKenneth Koch\n00:19:57\nReads \"Youth\" [published later in A Change of Hearts: Plays, Films, and Other Dramatic Works 1951-1971].\n \nKenneth Koch\n00:21:36\nI don't hear any takers unless...Let's see. This is a very short poem called, \"Poem\".\n \nKenneth Koch\n00:21:53\nReads \"Poem\" [from The Pleasures of Peace and Other Poems].\n \nKenneth Koch\n00:22:11\nThis, this poem is called \"Ma Provence\", and my interest in writing it was the different way that French and English sound to me. \"Ma Provence\".\n \nKenneth Koch\n00:22:23\nReads \"Ma Provence\" [from The Pleasures of Peace and Other Poems].\n \nKenneth Koch\n00:22:52\nI usually translate the French, but I guess here I don't really have to. I'll read a...the French is very banal, it means, \"In my Provence the wheat is always green, the girls are pretty, they love me madly, they never die in my Provence\". This poem is called \"Great Beauty\". \n \nKenneth Koch\n00:23:14\nReads \"Great Beauty\".\n \nKenneth Koch\n00:23:31\nThis poem is called \"Little Known Historical Fact\".\n \nKenneth Koch\n00:23:35\nReads \"Little Known Historical Fact\".\n \nKenneth Koch\n00:23:48\nCharlemagne [https://www.wikidata.org/wiki/Q3044] is an Italian. [Audience laughter]. This is called...\"Getting Back on Land\".\n \nKenneth Koch\n00:24:06\nReads \"Getting Back on Land\".\n \nAudience\n00:24:22\nLaughter. \n \nKenneth Koch\n00:24:29\nThis, the next thing I want to read is part of a long poem I've been writing in the last year. George [https://www.wikidata.org/wiki/Q1239280] mentioned an epic poem I wrote called “Ko”, which I wrote about, oh twelve or fourteen years ago, and it's a poem...that's “Ko”, there it is, and it's about a hundred and twenty pages, it's in ottava rima, which is a stanza that Ariosto [https://www.wikidata.org/wiki/Q48900] used in Orlando Furioso [https://www.wikidata.org/wiki/Q48922] and it's also the stanza that Byron [https://www.wikidata.org/wiki/Q5679] used in Don Juan [https://www.wikidata.org/wiki/Q1245187]. It rhymes ABABABCC. And...I really like “Ko” a lot. It's a poem about a, the main character is a Japanese baseball player, a pitcher, who throws the ball so hard he knocks the grandstand down with every pitch. And there are a lot of other characters in it. When I wrote the poem I really was very happy, I was living in Florence [https://www.wikidata.org/wiki/Q2044], in a villino, and, sort of outside of town on the Viale Michelangelo, and what I tried to do in “Ko” is like to put in every pleasant thing I'd ever experienced in my life, and the poem is kind of happy and optimistic. And I always wanted to continue it, because I liked writing that way. And I never could, because the continuation was always sort of in the style of “Ko” exactly and not as good. It sort of lost that particular feeling. Then I finally was able to start doing it again, recently, but I noticed as I went on writing the poem that it had changed a good deal, that my idea about life and the world was not quite the same, naturally, partly because it changes in me, and partly because it changes in the world, but I don't want to get into metaphysical questions. In any case, the first thing I want to read from this poem is the, like the “Prologue”, which explains my problems in continuing this very happy poem fourteen years afterwards. The only, I think the only thing that needs explaining that I haven't explained is that “Ko” ends with the line, \"Huddle, meanwhile, was flaking at the knees.\" Now Huddle is a, like an Englishman in “Ko” who dies of mold fever in Rome [https://www.wikidata.org/wiki/Q220], and when he dies he turns into a statue which is set up near the Villa Giulia [https://www.wikidata.org/wiki/Q964499] in Rome. And all of the other characters that have been killed sort of turn into statues and start coming back to life, and this is a sign that Huddle is coming back to life but he's flaking at the knees. In any case, that's referred to at the beginning of the “Prologue”.\n \nKenneth Koch\n00:27:00\nReads \"Prologue\".\n \nKenneth Koch\n00:34:08\nThat's the end of the “Prologue”. I want to read the first episode in the poem, now. I realize there was another, perhaps incomprehensible thing in the “Prologue”. Pana Grady...Pana Grady's apartment was a place on...Central Park West [https://www.wikidata.org/wiki/Q2738041] where a lot of parties were held for Upper and Lower Bohemia in the days...well, it was about five or six years ago. Anyway. That's the end of the “Prologue”, which I'm not sure I'm finally going to attach to the poem, since I usually eliminate prologues. And this is the beginning of the poem. \n \nKenneth Koch\n00:34:55\nReads [\"Episode I”].\n \nKenneth Koch\n00:41:07\nThat's the end of the first part. To tell you what happens in this poem would take as long as reading the whole poem, which I don't have time to do. I think I'd like to read some brief, improvisational plays. I wrote these plays to be done at The Living Theatre [https://www.wikidata.org/wiki/Q1202416], though I knew they wouldn't do them. Somebody asked me to write some improvisational plays, it's really, it's really great, you know, writes it with some actors that want to do it, and I'd, I'd seen some improvisational plays and it seemed to me that the only emotions that actors could improvise were...let's see, passion, nostalgia, self-hatred, anxiety, and then make narcissism and then make topical references, and I decide to really throw sort of a curve at actors and give them something that would really be hard to improvise. My penalty has been that these plays have never been done. The first one I'd like to read...I'd be very glad if they were, could be given a premiere here in Canada [https://www.wikidata.org/wiki/Q16]. \"Mexico City\".\n \nKenneth Koch\n00:42:18\nReads \"Mexico City\" [published later in A Change of Hearts: Plays, Films, and Other Dramatic Works 1951-1971].\n \nKenneth Koch\n00:43:13\nThe next one is called \"The Lost Feed\".\n \nKenneth Koch\n00:43:16\nReads \"The Lost Feed\" [published later in A Change of Hearts: Plays, Films, and Other Dramatic Works 1951-1971].\n \nKenneth Koch\n00:44:12\nThe next play is called \"Coil Supreme\".\n \nKenneth Koch\n00:44:17\nReads \"Coil Supreme\" [published later in A Change of Hearts: Plays, Films, and Other Dramatic Works 1951-1971].\n \nKenneth Koch\n00:44:48\nThe last improvisational play I'll read is the one that has always moved me the most at the thought of production. It's called \"The Gold Standard\".\n \nKenneth Koch\n00:44:57\nReads \"The Gold Standard\" [published later in A Change of Hearts: Plays, Films, and Other Dramatic Works 1951-1971].\n \nKenneth Koch\n00:45:54\nI think I'd like to read a rather long poem called...my present plan, which--I don't want to really ruin people's evening, since I didn't start until 9:30, I think the poems that I would like to read will last until 11. So, it's twenty-five after ten now, I don't want to keep anybody up to late or anything. [Audience laughter]. If...Don't feel bad about leaving if you have to go, I want to read these two rather long poems. This is called \"The Pleasures of Peace\". I should say something about this poem, I wrote it...I started to write it, oh, three years ago, or whenever it was, maybe it was four years ago, but it took me a long time to write it. I guess about three years ago I started. It was at the moment of the, when there really was a lot of happiness in the peace movement in the United States. And it was like the first Peace Marches on Fifth Avenue, and people were jumping up and down for peace, and dancing for peace, and it really seemed as though what people were doing was going to do some good. And I remember feeling very excited in the first set of mass peace activities I was in because, being a poet, and having been brought up in America and everything and like almost all the other poets and artists I knew I sort of felt like a social outcast a little bit. And then I found, in the midst of the peace movement, like there were hundreds of thousands of people who sort of felt the same way about a lot of things, it was nice. And there was something very sort of grand and exciting about the peace movement which does not have anything to do with the issues at all, it was just a lot of fun. In a way it was sort of...it was very pleasant. There were a few other things that motivated this poem. One was I was very annoyed at a lot of my fellow-poets who were going around, giving, in groups to colleges, giving poetry readings for peace. Now there were two things about this that annoyed me, three things. One was that I wasn't doing it. But that, I think, was a minor thing  A second thing was that...who did they really think they were trying to convert, like college students who came to poetry readings? I mean, college students who come to poetry readings are not usually in favour of war. And in the second-place, all the poems they read for peace were the sort of things that would make you want to go out and kill people, like \"Lyndon Johnson [https://www.wikidata.org/wiki/Q9640], you, fuck the pregnant woman who's lying with her guts streaming out,\" [audience laughter] and they weren't, they didn't really...they didn't really seem like peace poems to me. It...And I felt it was sort of exploitative on their part to do that. So I wanted to write a--I'd never written a political poem and I wanted very much to write a poem, I had very strong feelings about the Vietnam War [https://www.wikidata.org/wiki/Q8740], and I wanted to write a poem against the war but which really, was really a poem, a positive poem about peace. I found it terribly hard to do, and I never worked so long on any poem. The fact that I worked so long on it does not mean that it's any better than anything else I ever wrote, but it was just hard, because I kept trying to put in sort of, things about suffering and so on, and they would jump out of the poem the way an artificial heart, I mean the way a transferred heart is sometimes rejected by the body. And I realized I was sort of stuck with writing a poem that was, like, one of my poems, it was really sort of a positive poem about peace. Another problem is that if you write a poem about the pleasures of peace it means you're writing a poem about the pleasures of life. And it's endless, in any case. That's about enough of that for now. It took me over a year to write, it was mainly the last part I couldn't write, since I didn't want to have sort of a literary copout at the end, and I didn't want to sort of end up, oh well, anyway. It's just a poem. The only thing--I got varied reactions to the poem. One...some dopey poet friend of mine came over and said, \"Boy, you really put the peace movement down\". And I haven't spoken to him very much since then. But then, a better reaction was that I got, some guy called me up and asked me if he could use this poem as his draft resistance statement. And I said you're going to languish in prison for a long time because, you know, judges don't like poetry. But anyway. Now just forget everything I've said [audience laughter] and I'll read this poem. And there's a pause. \"The Pleasures of Peace\". Oh! Another thing. [Audience laughter]. I read this poem in London [https://www.wikidata.org/wiki/Q84] last year, and I got this dopey review in the Times [https://www.wikidata.org/wiki/Q50008] by, who was it....I'm not sure. And he said, \"Kenneth Koch's 'Pleasures of Peace' is a very interesting poem but since he mentions the name of all his friends which we can't be expected to know”--like about 90% of the people in this poem are imaginary. They, they're not my friends. [Audience laughter]. Okay. Like Georgio Finogo is not a real person, okay?. \"The Pleasures of Peace\".\n \nKenneth Koch\n00:51:15\nReads \"The Pleasures of Peace\" [from The Pleasures of Peace and Other Poems].\n \nAudience\n01:11:09\nApplause. \n \nKenneth Koch\n01:11:15\nThank you. \n \nKenneth Koch\n01:11:22\nI want to read another poem which will take about seven minutes, but just to rest up I'll read a short poem...I can't find one short enough...Oh, this is called \"An X-Ray of Utah\".\n \nKenneth Koch\n01:12:00\nReads \"An X-Ray of Utah\" [from The Pleasures of Peace and Other Poems].\n \nKenneth Koch\n01:12:08\nWell that's the shortest poem I ever wrote. [Audience laughter]. Except, there's one that's not in any of my books which is called \"Tennis\", which is the same length. \n \nKenneth Koch\n01:12:19\nReads \"Tennis\".\n \nKenneth Koch\n01:12:29\nOh, I think I'll read a few movie scripts. I'll just read a few. This is really for, this is from something called \"Ten Films\", but I'll just read a few of them, which are my favourites. One of the films is called \"Sheep Harbour\".\n \nKenneth Koch\n01:12:44\nReads \"Sheep Harbour\" [published later in A Change of Hearts: Plays, Films, and Other Dramatic Works 1951-1971].\n \nKenneth Koch\n01:12:57\nLike, the camera could sort of show this for a long time.\n \nKenneth Koch\n01:13:03\nReads \"Oval Gold\" [published later in A Change of Hearts: Plays, Films, and Other Dramatic Works 1951-1971].\n \nKenneth Koch\n01:13:19\nI'll just read one more of these films. This is called \"The Cemetery\".\n \nKenneth Koch\n01:13:24\nReads \"The Cemetery\" [published later in A Change of Hearts: Plays, Films, and Other Dramatic Works 1951-1971].\n \nKenneth Koch\n01:13:49\nI'll read this one last poem which is called \"Sleeping with Women”.  \"Sleeping with Women\".\n \nKenneth Koch\n01:13:54\nReads \"Sleeping with Women\" [from The Pleasures of Peace and Other Poems].\n\nEND\n01:22:37\n"],"Note":["[{\"note\":\"Year-Specific Information:\\n\\nDuring this time, Koch published Wishes, Lies and Dreams: Teaching Children to Write Poetry (Chelsea House, 1970) and Rose, Where Did You Get That Red?: Teaching Great Poetry to Children (Random House, 1973), recounting his teaching experiences.\",\"type\":\"General\"},{\"note\":\"Local Connections:\\n\\nDirect connections to Kenneth Koch and Sir George Williams University are unknown, but Koch was an important and influential New York poet and educator.\",\"type\":\"General\"},{\"note\":\"Original transcript by Rachel Kyne\\n\\nOriginal print catalogue, research, introduction and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Ali Barillaro\\n\",\"type\":\"Cataloguer\"},{\"note\":\"Reel-to-reel tape>2 CDs>digital file\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/change-of-hearts-plays-films-and-other-dramatic-works/oclc/469682283&referer=brief_results\",\"citation\":\"Koch, Kenneth. A Change of Hearts: Plays, Films and Other Dramatic Works, 1951-1971. New York: Random House, 1973. \"},{\"url\":\"https://www.worldcat.org/title/pleasures-of-peace-and-other-poems/oclc/256034641&referer=brief_results\",\"citation\":\"Koch, Kenneth. The Pleasures of Peace and Other Poems. New York: Grove Press, Inc, 1969. \"},{\"url\":\"https://www.worldcat.org/title/thank-you-and-other-poems/oclc/256035573&referer=brief_results\",\"citation\":\"Koch, Kenneth. Thank You and Other Poems. New York: Grove Press, Inc, 1962. \"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-american-literature/oclc/54356940&referer=brief_results\",\"citation\":\"\\\"Koch, Kenneth [Jay]\\\". The Oxford Companion to American Literature. James D. Hart (ed.), Phillip W. Leininger (rev.). Oxford University Press 1995.\"},{\"url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/kenneth-koch-at-sgwu-1971/\",\"citation\":\"“What Goes On!”. The Georgian. Montreal: Sir George Williams University, 18 February 1971.\"},{\"url\":\"\",\"citation\":\"“Koch, Kenneth, 1925-”. Literature Online Biography. Cambridge: Chadwyck-Healey, Proquest, 2005.\"}]"],"_version_":1853670548932919296,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0039_tape.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0039_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Kenneth Koch Tape Box - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0039_front.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0039_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Kenneth Koch Tape Box - Front\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0039_back.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0039_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Kenneth Koch Tape Box - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0039_side.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0039_side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Kenneth Koch Tape Box - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/kenneth_koch_i006-11-039.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"kenneth_koch_i006-11-039.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:22:37\",\"precision\":\"\",\"size\":\"103.7 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"George Bowering\\n00:00:00\\nMost people will have seen, probably, the little promo sheet that went out about Kenneth [https://www.wikidata.org/wiki/Q2708628] talking about all his various books et cetera, so I'll keep this very short. Those that have been involved in reading American poetry over the past few years will naturally know who Kenneth Koch is, that he along with Frank O'Hara [https://www.wikidata.org/wiki/Q951010] probably invented modern American poetry in New York City [https://www.wikidata.org/wiki/Q60], and it's, and he's also been in the news lately in the various, Slick magazine in the United States [https://www.wikidata.org/wiki/Q30] as a teacher of poetry, a very important teacher of poetry to kids in schools. And he's the only man I know who's been able to write what I think is probably an epic in the American language. So I'd like to make this as fast as I can and introduce Mr. Kenneth Koch.\\n \\nAudience\\n00:00:58\\nApplause.\\n \\nUnknown\\n00:01:03\\n[Cut or edit in tape. Unknown amount of time elapsed].\\n \\nKenneth Koch\\n00:01:04\\nThe first poem I'll read is called \\\"Spring\\\". \\n \\nKenneth Koch\\n00:01:08\\nReads \\\"Spring\\\" [from Thank You and Other Poems].\\n \\nKenneth Koch\\n00:02:36\\nThe next poem I want to read is called \\\"Variations on a Theme by William Carlos Williams\\\". I love Williams' [https://www.wikidata.org/wiki/Q178106] work, and I usually only write parodies of people whose work I like a lot. This parody is based on a poem of Williams, well, actually, on a certain characteristic I saw in Williams' work for a long time which I like, which is sort of, the idea that if you really like something enough and if you want to do it enough, it's okay to do it. And I saw certain insane possibilities of this viewpoint. This is specifically a parody of a poem which goes, \\\"This is just to say I've eaten the plums in the icebox and which you were probably saving for breakfast. Forgive me, they were so cold and so delicious\\\". It's really a nice poem, but it seemed to me there was a little streak of insanity running through it. It's called, \\\"Variations on a Theme by William Carlos Williams\\\".\\n \\nKenneth Koch\\n00:03:28\\nReads \\\"Variations on a Theme by William Carlos Williams\\\" [from Thank You and Other Poems].\\n \\nKenneth Koch\\n00:04:33\\nI'd like to read another short poem, this is called \\\"You Were Wearing\\\".\\n \\nKenneth Koch\\n00:04:38\\nReads \\\"You Were Wearing\\\" [from Thank You and Other Poems].\\n \\nKenneth Koch\\n00:06:37\\nI'm trying to find the ideal lights still, it’s--okay, I think that's probably a bit better. The next thing that I want to read is a play called \\\"E.KOLOGY\\\". It's...E.KOLOGY is the name of the hero, it's like capital \\\"E,\\\" period, capital \\\"KOLOGY.\\\" I'd like to say something about this play. I read it at the University of Chicago [https://www.wikidata.org/wiki/Q131252] last year, and some students thought that I was making fun of the ecology movement. I'm not, and I would see to it that if it were produced that that was not the case. It just seemed to me that the ecology movement was such a, like a natural cause for pleasure that it wouldn't really do to be totally solemn about it. The, I wrote this to be performed on Earth Day [https://www.wikidata.org/wiki/Q124473], in New York last year in April, but they were supposed to have all these things in Union Square [https://www.wikidata.org/wiki/Q110007] and it just ended up being a lot of light shows and speeches, I think, because they couldn't get the actors together and the lights and the stage and everything. It was done in Philadelphia [https://www.wikidata.org/wiki/Q1345], did anyone see it, by any chance? Probably not. I didn't see it. I didn't even know it was done. In any case. E.KOLOGY. \\n \\nKenneth Koch\\n00:07:44\\nReads E.KOLOGY - Act One, Scene One [published later in A Change of Hearts: Plays, Films, and Other Dramatic Works 1951-1971].\\n \\nKenneth Koch\\n00:09:38\\nReads E.KOLOGY - Act One, Scene Two [published later in A Change of Hearts: Plays, Films, and Other Dramatic Works 1951-1971].\\n \\nKenneth Koch\\n00:11:19\\nReads E.KOLOGY - Act One, Scene Three [published later in A Change of Hearts: Plays, Films, and Other Dramatic Works 1951-1971].\\n \\nKenneth Koch\\n00:12:06\\nReads E.KOLOGY - Act Two [published later in A Change of Hearts: Plays, Films, and Other Dramatic Works 1951-1971].\\n \\nKenneth Koch\\n00:13:54\\nReads E.KOLOGY - Act Three, Scene One [published later in A Change of Hearts: Plays, Films, and Other Dramatic Works 1951-1971].\\n \\nKenneth Koch\\n00:14:24\\nReads E.KOLGOY - Act Three, Scene Two [published later in A Change of Hearts: Plays, Films, and Other Dramatic Works 1951-1971].\\n \\nKenneth Koch\\n00:16:04\\nReads E.KOLOGY - Act Four [published later in A Change of Hearts: Plays, Films, and Other Dramatic Works 1951-1971].\\n \\nKenneth Koch\\n00:17:30\\nReads E.KOLOGY - Act Five [published later in A Change of Hearts: Plays, Films, and Other Dramatic Works 1951-1971].\\n \\nAudience\\n00:19:34\\nApplause.\\n \\nKenneth Koch\\n00:19:44\\nWhile you're in the mood for theatre, I'll read a film script I wrote which I'd be delighted if someone would do. No one's ever done it. Apparently it would cost a great deal to do this, although it's very simple. It's called “Youth”.\\n \\nKenneth Koch\\n00:19:57\\nReads \\\"Youth\\\" [published later in A Change of Hearts: Plays, Films, and Other Dramatic Works 1951-1971].\\n \\nKenneth Koch\\n00:21:36\\nI don't hear any takers unless...Let's see. This is a very short poem called, \\\"Poem\\\".\\n \\nKenneth Koch\\n00:21:53\\nReads \\\"Poem\\\" [from The Pleasures of Peace and Other Poems].\\n \\nKenneth Koch\\n00:22:11\\nThis, this poem is called \\\"Ma Provence\\\", and my interest in writing it was the different way that French and English sound to me. \\\"Ma Provence\\\".\\n \\nKenneth Koch\\n00:22:23\\nReads \\\"Ma Provence\\\" [from The Pleasures of Peace and Other Poems].\\n \\nKenneth Koch\\n00:22:52\\nI usually translate the French, but I guess here I don't really have to. I'll read a...the French is very banal, it means, \\\"In my Provence the wheat is always green, the girls are pretty, they love me madly, they never die in my Provence\\\". This poem is called \\\"Great Beauty\\\". \\n \\nKenneth Koch\\n00:23:14\\nReads \\\"Great Beauty\\\".\\n \\nKenneth Koch\\n00:23:31\\nThis poem is called \\\"Little Known Historical Fact\\\".\\n \\nKenneth Koch\\n00:23:35\\nReads \\\"Little Known Historical Fact\\\".\\n \\nKenneth Koch\\n00:23:48\\nCharlemagne [https://www.wikidata.org/wiki/Q3044] is an Italian. [Audience laughter]. This is called...\\\"Getting Back on Land\\\".\\n \\nKenneth Koch\\n00:24:06\\nReads \\\"Getting Back on Land\\\".\\n \\nAudience\\n00:24:22\\nLaughter. \\n \\nKenneth Koch\\n00:24:29\\nThis, the next thing I want to read is part of a long poem I've been writing in the last year. George [https://www.wikidata.org/wiki/Q1239280] mentioned an epic poem I wrote called “Ko”, which I wrote about, oh twelve or fourteen years ago, and it's a poem...that's “Ko”, there it is, and it's about a hundred and twenty pages, it's in ottava rima, which is a stanza that Ariosto [https://www.wikidata.org/wiki/Q48900] used in Orlando Furioso [https://www.wikidata.org/wiki/Q48922] and it's also the stanza that Byron [https://www.wikidata.org/wiki/Q5679] used in Don Juan [https://www.wikidata.org/wiki/Q1245187]. It rhymes ABABABCC. And...I really like “Ko” a lot. It's a poem about a, the main character is a Japanese baseball player, a pitcher, who throws the ball so hard he knocks the grandstand down with every pitch. And there are a lot of other characters in it. When I wrote the poem I really was very happy, I was living in Florence [https://www.wikidata.org/wiki/Q2044], in a villino, and, sort of outside of town on the Viale Michelangelo, and what I tried to do in “Ko” is like to put in every pleasant thing I'd ever experienced in my life, and the poem is kind of happy and optimistic. And I always wanted to continue it, because I liked writing that way. And I never could, because the continuation was always sort of in the style of “Ko” exactly and not as good. It sort of lost that particular feeling. Then I finally was able to start doing it again, recently, but I noticed as I went on writing the poem that it had changed a good deal, that my idea about life and the world was not quite the same, naturally, partly because it changes in me, and partly because it changes in the world, but I don't want to get into metaphysical questions. In any case, the first thing I want to read from this poem is the, like the “Prologue”, which explains my problems in continuing this very happy poem fourteen years afterwards. The only, I think the only thing that needs explaining that I haven't explained is that “Ko” ends with the line, \\\"Huddle, meanwhile, was flaking at the knees.\\\" Now Huddle is a, like an Englishman in “Ko” who dies of mold fever in Rome [https://www.wikidata.org/wiki/Q220], and when he dies he turns into a statue which is set up near the Villa Giulia [https://www.wikidata.org/wiki/Q964499] in Rome. And all of the other characters that have been killed sort of turn into statues and start coming back to life, and this is a sign that Huddle is coming back to life but he's flaking at the knees. In any case, that's referred to at the beginning of the “Prologue”.\\n \\nKenneth Koch\\n00:27:00\\nReads \\\"Prologue\\\".\\n \\nKenneth Koch\\n00:34:08\\nThat's the end of the “Prologue”. I want to read the first episode in the poem, now. I realize there was another, perhaps incomprehensible thing in the “Prologue”. Pana Grady...Pana Grady's apartment was a place on...Central Park West [https://www.wikidata.org/wiki/Q2738041] where a lot of parties were held for Upper and Lower Bohemia in the days...well, it was about five or six years ago. Anyway. That's the end of the “Prologue”, which I'm not sure I'm finally going to attach to the poem, since I usually eliminate prologues. And this is the beginning of the poem. \\n \\nKenneth Koch\\n00:34:55\\nReads [\\\"Episode I”].\\n \\nKenneth Koch\\n00:41:07\\nThat's the end of the first part. To tell you what happens in this poem would take as long as reading the whole poem, which I don't have time to do. I think I'd like to read some brief, improvisational plays. I wrote these plays to be done at The Living Theatre [https://www.wikidata.org/wiki/Q1202416], though I knew they wouldn't do them. Somebody asked me to write some improvisational plays, it's really, it's really great, you know, writes it with some actors that want to do it, and I'd, I'd seen some improvisational plays and it seemed to me that the only emotions that actors could improvise were...let's see, passion, nostalgia, self-hatred, anxiety, and then make narcissism and then make topical references, and I decide to really throw sort of a curve at actors and give them something that would really be hard to improvise. My penalty has been that these plays have never been done. The first one I'd like to read...I'd be very glad if they were, could be given a premiere here in Canada [https://www.wikidata.org/wiki/Q16]. \\\"Mexico City\\\".\\n \\nKenneth Koch\\n00:42:18\\nReads \\\"Mexico City\\\" [published later in A Change of Hearts: Plays, Films, and Other Dramatic Works 1951-1971].\\n \\nKenneth Koch\\n00:43:13\\nThe next one is called \\\"The Lost Feed\\\".\\n \\nKenneth Koch\\n00:43:16\\nReads \\\"The Lost Feed\\\" [published later in A Change of Hearts: Plays, Films, and Other Dramatic Works 1951-1971].\\n \\nKenneth Koch\\n00:44:12\\nThe next play is called \\\"Coil Supreme\\\".\\n \\nKenneth Koch\\n00:44:17\\nReads \\\"Coil Supreme\\\" [published later in A Change of Hearts: Plays, Films, and Other Dramatic Works 1951-1971].\\n \\nKenneth Koch\\n00:44:48\\nThe last improvisational play I'll read is the one that has always moved me the most at the thought of production. It's called \\\"The Gold Standard\\\".\\n \\nKenneth Koch\\n00:44:57\\nReads \\\"The Gold Standard\\\" [published later in A Change of Hearts: Plays, Films, and Other Dramatic Works 1951-1971].\\n \\nKenneth Koch\\n00:45:54\\nI think I'd like to read a rather long poem called...my present plan, which--I don't want to really ruin people's evening, since I didn't start until 9:30, I think the poems that I would like to read will last until 11. So, it's twenty-five after ten now, I don't want to keep anybody up to late or anything. [Audience laughter]. If...Don't feel bad about leaving if you have to go, I want to read these two rather long poems. This is called \\\"The Pleasures of Peace\\\". I should say something about this poem, I wrote it...I started to write it, oh, three years ago, or whenever it was, maybe it was four years ago, but it took me a long time to write it. I guess about three years ago I started. It was at the moment of the, when there really was a lot of happiness in the peace movement in the United States. And it was like the first Peace Marches on Fifth Avenue, and people were jumping up and down for peace, and dancing for peace, and it really seemed as though what people were doing was going to do some good. And I remember feeling very excited in the first set of mass peace activities I was in because, being a poet, and having been brought up in America and everything and like almost all the other poets and artists I knew I sort of felt like a social outcast a little bit. And then I found, in the midst of the peace movement, like there were hundreds of thousands of people who sort of felt the same way about a lot of things, it was nice. And there was something very sort of grand and exciting about the peace movement which does not have anything to do with the issues at all, it was just a lot of fun. In a way it was sort of...it was very pleasant. There were a few other things that motivated this poem. One was I was very annoyed at a lot of my fellow-poets who were going around, giving, in groups to colleges, giving poetry readings for peace. Now there were two things about this that annoyed me, three things. One was that I wasn't doing it. But that, I think, was a minor thing  A second thing was that...who did they really think they were trying to convert, like college students who came to poetry readings? I mean, college students who come to poetry readings are not usually in favour of war. And in the second-place, all the poems they read for peace were the sort of things that would make you want to go out and kill people, like \\\"Lyndon Johnson [https://www.wikidata.org/wiki/Q9640], you, fuck the pregnant woman who's lying with her guts streaming out,\\\" [audience laughter] and they weren't, they didn't really...they didn't really seem like peace poems to me. It...And I felt it was sort of exploitative on their part to do that. So I wanted to write a--I'd never written a political poem and I wanted very much to write a poem, I had very strong feelings about the Vietnam War [https://www.wikidata.org/wiki/Q8740], and I wanted to write a poem against the war but which really, was really a poem, a positive poem about peace. I found it terribly hard to do, and I never worked so long on any poem. The fact that I worked so long on it does not mean that it's any better than anything else I ever wrote, but it was just hard, because I kept trying to put in sort of, things about suffering and so on, and they would jump out of the poem the way an artificial heart, I mean the way a transferred heart is sometimes rejected by the body. And I realized I was sort of stuck with writing a poem that was, like, one of my poems, it was really sort of a positive poem about peace. Another problem is that if you write a poem about the pleasures of peace it means you're writing a poem about the pleasures of life. And it's endless, in any case. That's about enough of that for now. It took me over a year to write, it was mainly the last part I couldn't write, since I didn't want to have sort of a literary copout at the end, and I didn't want to sort of end up, oh well, anyway. It's just a poem. The only thing--I got varied reactions to the poem. One...some dopey poet friend of mine came over and said, \\\"Boy, you really put the peace movement down\\\". And I haven't spoken to him very much since then. But then, a better reaction was that I got, some guy called me up and asked me if he could use this poem as his draft resistance statement. And I said you're going to languish in prison for a long time because, you know, judges don't like poetry. But anyway. Now just forget everything I've said [audience laughter] and I'll read this poem. And there's a pause. \\\"The Pleasures of Peace\\\". Oh! Another thing. [Audience laughter]. I read this poem in London [https://www.wikidata.org/wiki/Q84] last year, and I got this dopey review in the Times [https://www.wikidata.org/wiki/Q50008] by, who was it....I'm not sure. And he said, \\\"Kenneth Koch's 'Pleasures of Peace' is a very interesting poem but since he mentions the name of all his friends which we can't be expected to know”--like about 90% of the people in this poem are imaginary. They, they're not my friends. [Audience laughter]. Okay. Like Georgio Finogo is not a real person, okay?. \\\"The Pleasures of Peace\\\".\\n \\nKenneth Koch\\n00:51:15\\nReads \\\"The Pleasures of Peace\\\" [from The Pleasures of Peace and Other Poems].\\n \\nAudience\\n01:11:09\\nApplause. \\n \\nKenneth Koch\\n01:11:15\\nThank you. \\n \\nKenneth Koch\\n01:11:22\\nI want to read another poem which will take about seven minutes, but just to rest up I'll read a short poem...I can't find one short enough...Oh, this is called \\\"An X-Ray of Utah\\\".\\n \\nKenneth Koch\\n01:12:00\\nReads \\\"An X-Ray of Utah\\\" [from The Pleasures of Peace and Other Poems].\\n \\nKenneth Koch\\n01:12:08\\nWell that's the shortest poem I ever wrote. [Audience laughter]. Except, there's one that's not in any of my books which is called \\\"Tennis\\\", which is the same length. \\n \\nKenneth Koch\\n01:12:19\\nReads \\\"Tennis\\\".\\n \\nKenneth Koch\\n01:12:29\\nOh, I think I'll read a few movie scripts. I'll just read a few. This is really for, this is from something called \\\"Ten Films\\\", but I'll just read a few of them, which are my favourites. One of the films is called \\\"Sheep Harbour\\\".\\n \\nKenneth Koch\\n01:12:44\\nReads \\\"Sheep Harbour\\\" [published later in A Change of Hearts: Plays, Films, and Other Dramatic Works 1951-1971].\\n \\nKenneth Koch\\n01:12:57\\nLike, the camera could sort of show this for a long time.\\n \\nKenneth Koch\\n01:13:03\\nReads \\\"Oval Gold\\\" [published later in A Change of Hearts: Plays, Films, and Other Dramatic Works 1951-1971].\\n \\nKenneth Koch\\n01:13:19\\nI'll just read one more of these films. This is called \\\"The Cemetery\\\".\\n \\nKenneth Koch\\n01:13:24\\nReads \\\"The Cemetery\\\" [published later in A Change of Hearts: Plays, Films, and Other Dramatic Works 1951-1971].\\n \\nKenneth Koch\\n01:13:49\\nI'll read this one last poem which is called \\\"Sleeping with Women”.  \\\"Sleeping with Women\\\".\\n \\nKenneth Koch\\n01:13:54\\nReads \\\"Sleeping with Women\\\" [from The Pleasures of Peace and Other Poems].\\n\\nEND\\n01:22:37\\n\",\"notes\":\"Kenneth Koch reads from Thank You and Other Poems (Grove Press, 1962), The Pleasures of Peace and Other Poems (Grove Press, 1969), works published later in A Change of Hearts: Plays, Films, and Other Dramatic Works 1951-1971 (Random House, 1973) and from other unknown sources.\\n\\n00:00- George Bowering introduces Kenneth Koch. [INDEX: ‘promo sheet’, American poetry, Frank O’Hara, modern American poetry in New York City, Slick magazine, teacher of poetry, epic in the American Language.]\\n01:04- Kenneth Koch introduces “Spring”. [INDEX: from Thank You and Other Poems (Grove Press, 1962).]\\n01:08- Reads “Spring”.\\n02:36- Introduces “Variations on a Theme by William Carlos Williams”. [INDEX: parodies, Williams poem “This is Just to Say”, insanity; from Thank You and Other Poems (Grove Press, 1962).]\\n03:28- Reads “Variations on a Theme by William Carlos Williams”.\\n04:33- Introduces “You Were Wearing”. [INDEX: short poem from Thank You and Other    Poems (Grove Press, 1962).]\\n04:38- Reads “You Were Wearing”.\\n06:37- Introduces “E. KOLOGY”. [INDEX: play, hero, capital letters, read at the University of Chicago, ecology movement, performed on Earth Day in New York in April, Union Square, Philadelphia; from A Change of Hearts: Plays, Films, and Other Dramatic Works 1951-1971 (Random House, 1973).]\\n07:44- Reads “E.KOLOGY”- Act 1 Scene 1.\\n09:38- Reads “E.KOLOGY”- Act 1 Scene 2.\\n11:19- Reads “E.KOLOGY”- Act 1 Scene 3.\\n12:06 -Reads “E.KOLOGY”- Act 2.\\n13:54- Reads “E.KOLOGY”- Act 3 Scene 1.\\n14:24- Reads “E.KOLOGY”- Act 3 Scene 2.\\n16:04- Reads “E.KOLOGY”- Act 4.\\n17:30- Reads “E.KOLOGY”- Act 5.\\n19:44- Introduces “Youth”. [INDEX: theatre, film script, costly to produce; from  A Change of Hearts: Plays, Films, and Other Dramatic Works 1951-1971 (Random House, 1973).]\\n19:57- Reads “Youth”.\\n21:36- Introduces “Poem”. [INDEX: short poem; perhaps from The Pleasures of Peace and Other Poems (Grove Press, 1969)]\\n21:53- Reads “Poem”.\\n22:11- Introduces “Ma Provence”. [INDEX: interest in writing, English and French sound; from The Pleasures of Peace and Other Poems (Grove Press, 1969).]\\n22:23- Reads “Ma Provence”.\\n22:52- Explains “Ma Provence”, introduces “Great Beauty”. [INDEX: translate to english,  here he reads in french; from unknown source.]\\n23:14- Reads “Great Beauty”.\\n23:31- Introduces “Little Known Historical Fact”. [INDEX: from unknown source]\\n23:35- Reads “Little Known Historical Fact”.\\n23:48- Explains “Little Known Historical Fact”, introduces “Getting Back on Land”. [INDEX: Charlemagne, Italian, from unknown source.]          \\n24:06- Reads “Getting Back on Land”.\\n24:29- Introduces “Prologue”. [INDEX: George Bowering, epic poem “Ko”, written 12-14    years before, 120 pages, ottava rima: stanza Ariosto used in Orlando Furioso, Byron’s   Don Juan, rhyme scheme ABABABCC, main character Japanese baseball player, pitcher, ball, grandstand, pitch, characters, happy, living in Florence, villino, town outside the Viale Michelangelo, happy and optimistic poem, continuation, change, life, end lie of “Ko”: “Huddle, meanwhile, was flaking at the knees”, Englishman, mold fever, Rome, killed, statues; from unknown source.]\\n27:00- Reads “Prologue”.\\n34:08- Explains “Prologue”, introduces beginning of “Long poem, episode 1”. [INDEX: Pana Grady’s apartment on Central Park West, parties for Upper and Lower Bohemia, \\tuncertainty about publishing “Prologue”; from unknown source.]\\n34:55- Reads “Long Poem, Episode 1”.\\n41:07- Introduces “Mexico City”. [INDEX: long poem, improvisational plays, Living Theatre, actors, emotions, passion, nostalgia, self-hatred, anxiety, narcissism, penalty, premiere in Canada; from “Six Inspirational Plays” in A Change of Hearts: Plays, Films, and Other Dramatic Works 1951-1971 (Random House, 1973).]\\n42:18- Reads “Mexico City”.\\n43:13.69- END OF RECORDING.\\n\\n00:00- Kenneth Koch introduces “The Lost Feed”. [INDEX: play; in “Six Improvisational     Plays”, from A Change of Hearts: Plays, Films, and Other Dramatic Works 1951-1971 \\t(Random House, 1973).]\\n00:03- Reads “The Lost Feed”.\\n00:59- Introduces “Coil Supreme”. [INDEX: play; in “Six Improvisational Plays”, from A     Change of Hearts: Plays, Films, and Other Dramatic Works 1951-1971 (Random House, 1973.]\\n01:03- Reads “Coil Supreme”.\\n01:34- Introduces “The Gold Standard”. [INDEX: improvisational play, production; in “Six        Improvisational Plays” from A Change of Hearts: Plays, Films, and Other Dramatic Works 1951-1971 (Random House, 1973).]\\n01:43- Reads selection from “The Gold Standard”.\\n02:41- Introduces “The Pleasures of Peace”. [INDEX: reading started at 9:30, reading last until 11pm, started writing 3 or 4 years ago, peace movement in the United States, Peach Marches on Fifth Avenue, social outcast, fun, poetry readings for peace, college students, poems read like “Lyndon Johnson, you, fuck the pregnant woman who’s lying with her guts streaming out”, peace poems, exploitative, political poem, Vietnam War, positive poem about peace, working hard and long on a poem, suffering, artificial heart, rejected by the body, pleasures of life, literary copout, varied reactions, draft resistance statement, prison, London, review in the Times, made up names, Georgia Finogo; from The Pleasures of Peace and Other Poems (Grove Press, 1969).]\\n08:01- Reads “The Pleasures of Peace”.\\n28:09- Introduces “An X-Ray of Utah”. [INDEX: short poem; from the poem “Three Short   Poems” in The Pleasures of Peace and Other Poems (Grove Press, 1969).]\\n28:46- Reads “An X-Ray of Utah”.\\n28:55- Explains “An X-Ray of Utah” introduces “Tennis”. [INDEX: shortest poem, “Tennis” not in any books.]\\n29:05- Reads “Tennis”.\\n29:15- Introduces “Sheep Harbor”. [INDEX: movie script, reads favourites; from “Ten Films” in A Change of Hearts: Plays, Films, and Other Dramatic Works 1951-1971 (Random House, 1973).]\\n29:30- Reads “Sheep Harbour”. [INDEX: from “Ten Films” in A Change of Hearts: Plays,   Films, and Other Dramatic Works 1951-1971 (Random House, 1973).]\\n29:49- Reads “Oval Gold”. [INDEX: from “Ten Films” in A Change of Hearts: Plays, Films, \\tand Other Dramatic Works 1951-1971 (Random House, 1973).]\\n30:10- Reads “The Cemetery”. [INDEX: from “Ten Films” in A Change of Hearts: Plays,     Films, and Other Dramatic Works 1951-1971 (Random House, 1973).]\\n30:40- Reads “Sleeping with Women” [INDEX: from The Pleasures of Peace and Other Poems (Grove Press, 1969).]\\n39:23.67- END OF RECORDING.\\n \\nHoward Fink List of Poems\\n“Kenneth Koch”\\nIntroduction by George Bowering\\nRecorded February 19, 1971.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/kenneth-koch-at-sgwu-1971/\"}]"],"score":0.01643844},{"id":"1295","cataloger_name":["Bindu,Reddy"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Gary Snyder at Sir George Williams University, The Poetry Series, 5 November 1971\n"],"item_title_source":["Cataloguer"],"item_title_note":["\"POETRY READING GARY SNYDER #1 I006-11-106.1\" written on sticker on the spine of the tape's box. \"I006-11-106.1\" written on sticker on the reel\n\n\"POETRY READING GARY SNYDER #2 I006-11-106.2\" written on sticker on the spine of the tape's box. \"I006-11-106.2\" written on sticker on the reel\n\n\"POETRY READING GARY SNYDER #3 I006-11-106.3\" written on sticker on the spine of the tape's box. \"POETRY READING GARY SNYDER I006-11-106.3\" written on sticker on the reel\n\n\"POETRY READING GARY SNYDER #4 I006-11-106.4\" written on sticker on the spine of the tape's box. \"POETRY READING GARY SNYDER I006-11-106.4\" written on sticker on the reel\n"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 6"],"item_identifiers":["[I006-11-106.1, I006-11-106.2, I006-11-106.3, I006-11-106.4]"],"creator_names":["Snyder, Gary"],"creator_names_search":["Snyder, Gary"],"creators":["[{\"url\":\"http://viaf.org/viaf/68944804\",\"name\":\"Snyder, Gary\",\"dates\":\"1930-\",\"notes\":\"American poet and nature activist Gary Snyder was born in San Francisco on May 8, 1930. He spent most of his early life exploring the wilderness and cultures along the Pacific Coast around his parent’s dairy farm in Washington State. In 1942, his family moved to Portland, Oregon and in 1947 he enrolled in Reed College to study literature and anthropology. His senior thesis was later published in 1978 and called He Who Hunted Birds in His Father’s Village: The Dimensions of a Haida Myth (Grey Fox Press). Snyder then worked various jobs with the U.S. Forest Service and Park Service, with timber companies on Native American Reservations, and Snyder even climbed aboard a ship traveling to South America. In 1951, Snyder completed his bachelor’s degree and went to Indiana University to study linguistics, which only lasted one semester, after which, he traveled to San Francisco. Snyder met and lived with the poet Philip Whalen before entering into the University of California, Berkley in 1952 to begin graduate studies in East Asian languages. The poetry scene in San Francisco (San Francisco Renaissance) had begun to take shape and on October 7, 1955, Snyder read with Allen Ginsberg, Philip Lamantia, Michael McClure, Kenneth Rexroth and Philip Whalen at the famous “Six Poets at the Six Gallery”, a reading which launched the ‘Beat’ movement. In 1956, Snyder began formal Buddhist training in Kyoto, Japan, and traveled back and forth from the U.S. several times during the next decade, studying Buddhism and writing poetry. Snyder’s first collection of poetry was Riprap (Four Seasons Foundation, 1959), which was followed the next year by Myths and Texts (Totem Press, 1960), Six Sections from Mountains and Rivers without End (1965), Cold Mountain Poems (Four Seasons, 1965), The Back Country (New Directions, 1968), a collection of essays Earth House Hold (New Directions, 1969), Regarding Wave (Windhover Press, 1969), Manzanita (Four Seasons Foundation, 1972), The Fudo Trilogy (Shaman Drum, 1973) and the Pulitzer Prize-winning Turtle Island (New Directions, 1974). With an increase in popularity, Snyder became a spokesman for environmental issues and served on the Board for the California Arts Council between 1974 and 1979. He began local projects and schools, including the North San Juan School House and the Ring-of-Bone Zendo Buddhist community centre. Snyder then published a series of essays and prose in The Old Ways (City Lights Books, 1977), The Real Work: Interviews and Talks, 1964-1979 (New Directions, 1980), and an account of his travels with poets Joanne Kyger and Allen Ginsberg Passage through India (1983), and a return to poetry with Axe Handles (North Point Press, 1983), and Left Out in the Rain (North Point Press, 1986). Snyder then began teaching at the University of California, Davis, in both the English and Nature and Culture Departments. More recently, he has published essays and poetry in No Nature: New and Selected Poems (Pantheon Books, 1992), a completed version of a long poem previously published Mountains and Rivers without End (Counterpoint, 1996) which won the Bollingen Prize. His collected poetry can be found in The Gary Snyder Reader: Prose, Poetry and Translations 1952-1998 (Counterpoint, 1999) and The High Sierra of California: Poems and Journals of Gary Snyder (Quail Press, 2000). Snyder retired from teaching in 2002, but has continued advocating for environmental issues and writing poetry, publishing Danger on Peaks (Shoemaker & Hoard, 2004), Back on the Fire: Essays (Shoemaker & Hoard, 2007).\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Sommer, Richard"],"contributors_names_search":["Sommer, Richard"],"contributors":["[{\"url\":\"http://id.loc.gov/authorities/names/n84036163\",\"name\":\"Sommer, Richard\",\"dates\":\"1934-2012\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"Presenter_name":["Sommer, Richard"],"Series_organizer_name":["Sommer, Richard"],"Production_Date":[1971],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"2 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"2 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"2 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel","Reel to Reel","Reel to Reel","Reel to Reel"],"physical_compositions":["Magnetic Tape","Magnetic Tape","Magnetic Tape","Magnetic Tape"],"recording_type":["Analogue","Analogue","Analogue","Analogue"],"AV_type":["Audio","Audio","Audio","Audio"],"playback_mode":["Stereo","Stereo","Stereo","Stereo"],"Dates":["[{\"date\":\"1971 11 5\",\"type\":\"Production Date\",\"notes\":\"Date apecified in written announcements\\n\",\"source\":\"Supplemental Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Room H-651\",\"notes\":\"\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Room H-651"],"City":["Montreal, Quebec"],"content_notes":["Gary Snyder reads poems later collected in Turtle Island (New Directions, 1974), originally published in a limited edition book called Manzanita (Four Seasons Press, 1972). He also reads one poem from Regarding Wave (Fulcrum Press, 1971), one poem from Coyote’s Journal #9 (1971), one poem from The Fudo Trilogy (Shaman Drum, 1973), and several from Mountains and Rivers Without End (Counterpoint) only published in 1997, as well as other poems from unknown sources. "],"contents":["gary_snyder_i006-11-106-1.mp3 [File 1 of 4]\n\nRichard (Dick) Sommer\n00:00:00\nProbably some of us are here in order to look at or touch the Gary Snyder [https://www.wikidata.org/wiki/Q315963] who actually went and did all those semi-mythological things, who has climbed mountains and traveled in India with Allen Ginsberg [https://www.wikidata.org/wiki/Q6711], who provided Kerouac [https://www.wikidata.org/wiki/Q160534] with a book character, who has lived in or on the edges of several different kinds of wilderness, who has lived in the precincts of Japanese Buddhist monasteries, who has fought, I think has fought hard, to keep other cultures than ours, and other kinds of life than human life, from obliteration. And who has written poems out of the consciousness of these things. For myself, Gary Snyder hasn't made poems so much as he has provided me with windows made out of words. These are windows that have had a way of, themselves disappearing, leaving me usually standing where I think I want to be, out in the open world. So, I came here, I've come here, to meet whoever it is that makes so many good windows. I'll let you discover for yourselves how much this window-maker is what a windowmaker should be, himself, just open and clear. I'd like to present Gary Snyder.\n\nGary Snyder\n00:02:58\nI forgot one more thing I wanted to have out here. Good evening. I'm going to read in two sets this evening, with a little intermission. And first of all, I'm not going to read any poems tonight from my published books, because those poems are available and what is interesting to me is always what I'm doing, where I'm moving. So I'm going to read from a cycle of short poems, moderately short poems, which I call \"Charms\", and\nthen there'll be a break, and then I'm going to read recent sections that I've been working on from a long poem in progress called \"Mountains and Rivers Without End\". I came back to the United States [https://www.wikidata.org/wiki/Q30] from Japan [https://www.wikidata.org/wiki/Q17] with my wife and children about three years ago now, and went as rapidly as possible to settle in the foothills of the Sierra Nevada [https://www.wikidata.org/wiki/Q26777], on the north slope of the south fork of the Yuba river [https://www.wikidata.org/wiki/Q181973] at three-thousand foot elevation. And I've been living there for almost two years now. I'm saying this by way of introduction to this first cycle of poems called \"Charms\". I was brought up on a farm, and all of my ancestors that I know of, for the last few generations on both sides, were rural people, or miners, miners in Colorado [https://www.wikidata.org/wiki/Q1261], Leadville [https://www.wikidata.org/wiki/Q286702], places like that. And it amazes me in a mysterious way how to get back to doing what my father was doing when I was a little boy, and what, and which I remember as a little boy, and to get back to doing what my grandfather was doing, which is to say--again, looking at the fences, looking at the stumps, looking at the house, looking at the well, looking at the spring and saying, how are we going to do it--touches me more deeply than I can possibly explain. And at the same time, being confronted again with these choices, which are the choices of the American frontier, and also the choices of medieval Europeans, and neolithic Mediterranean people, and neolithic Japanese people, and neolithic Chinese people. With what I've come to understand, a little more now, about history, anthropology, and biology, I feel an extraordinary responsibility to understand why I make the choices I make, in such matters as, where does one break the ground and locate a garden, or which trees does one select to fall. In other words, I find myself again in that position of entering virgin land, and this time, I want to understand, in the process of making my own choices, I want to understand why we did it wrong, every time before, and hope to get some insights in how one goes about doing it right, this time. In moving toward that understanding, in making the choices that I have to make, about how we are going to live, in the semi-wilderness and true wilderness of the Sierra Nevada, my teachers have to be scientific foresters, biologists and ecologists on the one hand, and the American Indians on the other. There are no other teachers available for these choices.\n\nGary Snyder\n00:08:02\nAnd so these poems, in the cycle called \"Charms\", reflect those debts and reflect the search for that knowledge, insofar as I've gotten into it up to this point. It starts with a little chant, called \"Grace for Love\". Before we...grace, in the sense of the grace that we say before meals. Which is, grace is gratitude, an expression of gratitude for a meal. And the gratitude that we say at my rancheria is a kind of a rough translation from a Japanese Buddhist grace which goes like this in English: \"We venerate the three treasures and are thankful for this meal, the work of other people, and the suffering of other forms of life.\" The need for grace, for love, is something I became aware of when I realized that there was a level of validity in the Catholic Church's objection to contraceptive devices, insofar as love, like food, is a sacrament, and that there is level in which the act of love should inevitably be connected with the consciousness of its role in moving the seed, in transmitting the energy of the knowledge of the biomass, as transmitted down through time. But I felt that the church is far too simple-minded in assuming that the energy aroused in the sacrament of love, in the direction of fertility, has to mean literally that the people who are acting that sacrament out have to necessarily procreate their own kind. And so we came to this, I and several other people, came to this, as what primitive people would call the transferral of merit, or species-increase ritual. In other words, we make love with gratitude to other beings, and wish to transfer our fertility from the human race to the vanishing species.\n\nGary Snyder\n00:11:09\nPerforms \"Grace for Love\".\n\nGary Snyder\n00:14:20\nReads \"A Curse on the Man In the Pentagon, Washington\".\n\nGary Snyder\n00:16:37\nThat's from a Cheyenne ghost dance song, that little last chorus.\n\nGary Snyder\n00:16:43\nReads \"I went into the Maverick Bar\" [published later  in Turtle Island].\n\nGary Snyder\n00:18:25\nThe Navajo word \"Anasazi\" means \"the ancient ones.\" It's the name that the Navajo gave to the people who lived in the canyons and cliffs of Chaco Canyon [https://www.wikidata.org/wiki/Q49786970] and Canyon De Chelly [https://www.wikidata.org/wiki/Q41679118] and Mesa Verde [https://www.wikidata.org/wiki/Q6821095] and many other sites. Probably the people were the ancestors of the present Pueblo people, living there probably up until the twelfth century, till the great drought of the thirteenth century. The people who more than any others, to judge from what the Pueblo people are still able to transmit today, the people who more than any others have achieved what could truly be called \"civilization\" on this continent, and whose lore embodies perhaps two millennia of deep experience. I wrote this at Canyon De Chelly.\n\nGary Snyder\n00:19:52\nReads “Anasazi” [published later in Turtle Island].\n\nGary Snyder\n00:21:11\nThe Canyon De Chelly, which will come up in another poem I'm going to read later today, and in fact, all over the West, all over the Great Basin [https://www.wikidata.org/wiki/Q966943], and in other parts of North America [https://www.wikidata.org/wiki/Q49] too, notably on the granite outcroppings on th]e northern shores of Lake Superior [https://www.wikidata.org/wiki/Q1066], for example, are designs pecked into the rocks, petroglyphs. Anthropologists, Americanists, whatever you call 'em, haven't had much time to study those petroglyphs yet, because they've been engaged through all the years of this century in a hasty, half-successful salvage operation. Salvaging the remnants of this or that dying culture, recording and taping the last words of a dying language, and they've had no time to give to studying these older things that they know are there, such as the petroglyphs. But the petroglyphs have a repeated vocabulary of motifs which are found in patterns distributed all over North America, and particularly in the West. One of the most widespread is a hand, that someone has put on a cliff or a boulder face, apparently outlined, and then filled it in with red, hematite, or a red hand. That red hand often is lacking a finger, or lacking a finger-joint. This would not be notable in itself if it weren't that in the caves of southern France [https://www.wikidata.org/wiki/Q142] and northern Spain [https://www.wikidata.org/wiki/Q29], there are dated, back as far as 40,000 years, the same red hands, with missing fingers and missing finger-joints are found. This is only one of a number of things which are found all the way. And so this next poem, \"The Way West Underground\", is one of a number of poems, and this is perhaps the most intellectual of them, in which I'm trying to trace out how you get back to make the line of connection between what I know the American knows, what I am beginning to know the American Indian knew, and what I am beginning to know our prehistoric ancestors knew, which was not a different knowledge. And the question of why our prehistoric ancestors lost it is another question. Actually the main impetus of this poem deals with the bears, because there's an international mystery religion called the Bear Cult, that runs all the way from Finland [https://www.wikidata.org/wiki/Q33] to Utah [https://www.wikidata.org/wiki/Q829], across Siberia [https://www.wikidata.org/wiki/Q5428], and it shares the mysterious central theme, which is a girl who marries a bear. I've written several poems about that girl. And about the bears. And so this is coming in on that from another angle.\n\nGary Snyder\n00:25:12\nReads \"The Way West Underground\" [published later in Turtle Island].\n\nEND\n00:26:55\n\n\ngary_snyder_i006-11-106-2.mp3 [File 2 of 4]\n\nGary Snyder\n00:00:00\n--which is a way Finnish men sing folk songs together.\n\nGary Snyder\n00:00:05\nResumes reading of \"The Way West Underground\".\n\nUnknown\n00:02:20\n[Cut or edit made in tape].\n\nGary Snyder\n00:02:21\nSo I had to trace back again in my mind, with my eyes, with my observation: of course, the plants produce seeds, the birds feed on the seeds, and so forth. Small members of the food chain. The ocean is similar but in a different set of relationships. We live on an exuberance of sexuality. We eat the reproductive organs of grasses: wheat, rice. Because herring or cod have millions of eggs that hatch into millions of almost-microscopic fry, the food chains of the ocean are made possible.\n\nGary Snyder\n00:03:16 \nReads \"The Song of the Taste\" from Regarding Wave.\n\nGary Snyder\n00:04:51\nI read that because it goes so nicely with this other poem, called \"Song to the Raw Material\". I really think a lot about these things these days because I've put myself deliberately in the position of having to know where my food comes from, and it's no longer a question of, like do I eat natural foods or supermarket foods, or do I eat meat or am I a vegetarian, it's more sophisticated than that, it's a lot more subtle than that. Like literally, where did it come from. And by what means can I have a sense of responsibility and gratitude to what it is that I'm eating and in what sense can I repay that world, whichever world it is, that I am feeding off of. Well of course one way you can repay it is by being a willing, and gracious, member of the food chain yourself. Now we are rather large animals, which means that we are rather high in the food chain. But nonetheless, quite edible. And it would be a great honour, really, to be eaten by a large, rare predator, and I can't think of any way I'd rather finish my days than to give myself to a grizzly bear, if I could, you know, choose when. [Laughter]. Like get all my affairs in order first. I'm not ready yet! Or at least, go back, as large creatures often do, go back into the cycle of feeding smaller creatures. But you can see the basic biological ignorance of this society, the ignorance of what systems really are, what basic systems are, and what our responsibilities to our membership in basic systems is, by the fact that they either burn people up or they fill them full of chemicals which make them not tasty, and lock them in bronze caskets, and so forth. The only people in the world who are righteous about this particular question seem to be the Tibetans and the Parsis, I mean, really righteous about it. The Tibetans and the Parsis have an old tradition, which is mentioned, it's so old that it's mentioned by Herodotus [https://www.wikidata.org/wiki/Q11925546], in talking about a group of people called the Magi, in Persia [https://www.wikidata.org/wiki/Q794], that is to say they expose their dead in elevated places and feed them to the vultures. That's one very elegant way, actually, to deal with it. The Eskimo, an Eskimo shaman whose name I forget, is reputed to have said, \"We live dangerous lives, because our food consists entirely of souls\". “Song to the Raw Material”.\n\nGary Snyder\n00:08:12\nReads \"Song of the Raw Material\".\n\nGary Snyder\n00:09:12\nReads \"Steak\" [published later in Turtle Island; audience laughter and applause throughout].\n\nGary Snyder\n00:10:53\nI saw that in Lethbridge [https://www.wikidata.org/wiki/Q270887], Alberta [https://www.wikidata.org/wiki/Q1951]. [Audience laughter]. The creation mythology of Japan, called the kojiki, is very long, and very complicated. I tried to boil it down to some kind of a formula I could understand, at least boil down the first hundred pages of it, so I wrote this--it's about how the world is created according to the Japanese creation mythology. I think. I think that's what it is.\n\nGary Snyder\n00:11:28\nReads \"No matter, never mind\" [published later in Turtle Island].\n\nAudience\n00:12:14\nLaughter and applause.\n\nGary Snyder\n00:12:24\nIt's funny how the language is smarter than we are, [audience laughter] yeah. Like we can get hung up on mind/matter dualism, but the language won't accept it. It says the same thing two ways. \"The Bath\". Where we live we don't have any electricity or propane, and so we do everything with wood, including heating our bath, which we found the best wood-fired bathing system was a Finnish-type sauna, and...so this poem, you know just to set the scene, it's a somewhat longer poem, this poem is a sauna, with a wood-burning stove that also heats a tank of water on the side, and with a bench that you sit up on and a lower place that you can get down on and wash with. You can get these wood-fired sauna-stoves from some Finnish outfit in Michigan [https://www.wikidata.org/wiki/Q1166]. The only place in the United States that I have been able to locate that makes sauna stoves that fire wood. I highly recommend them. The personae in this are my wife, my three-year old son, my three-and a-half year old son, my two-year-old son.\n\nGary Snyder\n00:14:00\nReads \"The Bath\" [published later in Turtle Island].\n\nGary Snyder\n00:19:31\nSome friends said to us, when we moved up to the backcountry, ah, you're just getting away from your responsibilities. You're evading the struggle. So I wrote this little poem as a, kind of a light answer to that. It's called \"Front Lines\".\n\nGary Snyder\n00:19:59\nReads \"Front Lines\" [published later in Turtle Island].\n\nGary Snyder\n00:21:36\nThat poem is not an exaggeration of what we're doing. We are, like, where I am and a number of other people I know around this continent, have their backs up against the wilderness, so to speak, and they're not going to let this thing go past them. If they can help it, or as you say, over my dead body. The California Indians used to set control burns, as distinct from wildfires, forestry terms, which contributed to the maintenance of what you might call a climax timber stand, keeping the undergrowth burnt out, keeping an annual deer-forage coming in, and protecting the large timber, as it were, from destructive forest fires, because whenever a forest fire--which is very common in California [https://www.wikidata.org/wiki/Q99], it's an annual event--whenever forest fires go through, went through the forests when they were in that condition, it simply went through taking the ground cover off, but couldn't get hot enough or high enough to kill the large trees. With the advent of logging, mining, and the Manzanita brush that follows on that, the whole flora of California changed radically. All of the flora of California changed. What happened was that the woods got very brushy, and then the early forestry practices which were, of course, to put forest fires out whenever they came on them, in some ways contributed to the increasingly dangerous situation of dense brush, logging slash laying around, second-growth trees not really very large yet, and a situation where every brush fire that went through killed absolutely everything grew up. And that's the state of the state now, to a large extent, although there are some hip foresters now who are back into control burns as best as they can. This poem is called \"Control Burn\" and it only starts from what I'm just talking about, taking that as an image.\n\nGary Snyder\n00:24:00\nReads \"Control Burn\" [published later in Turtle Island].\n\nGary Snyder\n00:25:37\nReads \"The Great Mother\" [published later in Turtle Island].\n\nEND\n00:26:55\n\n\ngary_snyder_i006-11-106-3.mp3 [File 3 of 4]\n\nGary Snyder\n00:00:00\nEverything in this next poem is all true. Almost everything.\n \nGary Snyder\n00:00:17\nReads \"The Call of the Wild\", Part I [published later in Turtle Island]. \n \nGary Snyder\n00:00:32\nReads \"The Call of the Wild\", Part II [published later in Turtle Island]. \n \nAnnotation\n00:01:52.06\nReads \"The Call of the Wild,\" Part III [published later in Turtle Island]. \n \nGary Snyder\n00:04:11\nReads \"Source\" [published later in Turtle Island]. \n \nGary Snyder\n00:05:40\nIn the poem \"Charms\", which is dedicated to Michael McClure [https://www.wikidata.org/wiki/Q1390054], who has more than any other living poet, or person even that I know, has gone farther than anyone else, I think, into becoming one with, in understanding, in penetrating, in perceiving the consciousness of other beings.\n \nGary Snyder\n00:06:15\nReads \"Charms\" [published later in Turtle Island]. \n \nAudience\n00:07:45\nApplause. \n \nGary Snyder\n00:08:01\nI want to read one little poem that kind of, that I just wrote on the plane the other day.  Flying in here yesterday I wrote this. And then we'll take a break. But this belongs, really, with these poems. \n \nGary Snyder\n00:08:15\nReads \"How did a great red-tailed Hawk come to lie on the shoulder of Interstate 5\" [published later in Turtle Island]. \n \nGary Snyder\n00:10:05\nOkay, let's take a break.  \n\nAudience\n00:10:07\nApplause.\n\nUnknown\n00:10:17\nAmbient Sound [voices].\n \nAudience Member 1\n00:10:29\nDo you remember getting tiny toys for your children from San Francisco [https://www.wikidata.org/wiki/Q62]? There was a small book that I saw in the States, folded out in a certain, section-by-section, parts of the earth kinda, growing larger and larger and larger...\n \nGary Snyder\n00:10:46\nI haven't seen it.\n \nAudience Member 1\n00:10:48\nNo, I guess...it's sort of, um, anti-war toys.\n \nGary Snyder\n00:10:51\nSounds nice. Yeah. Some place in San Francisco you can get it?\n \nAudience Member 1\n00:10:56\nUm, I don't know, it was from a certain, a certain group of people, and I don't remember their names. It was beautiful. Nice gift to give little kids.\n \nGary Snyder\n00:11:07\nI shall watch for it when I go there again. Thank you. \n \nAudience Member 1\n00:11:13\nOkay. You bet. [Inaudible]\n \nGary Snyder\n00:11:14\nOkay. [Laughter].\n \nAudience Member 2\n00:11:19\nMan you're incredible. You're so good. I really dig your stuff.\n \nGary Snyder\n00:11:26\n[Laughter]. Thank you.\n \nAudience Member 2\n00:11:26\nI really dig it, will you come for a drink with me later? With me and my friends?\n \nGary Snyder\n00:11:31\nI gotta go some place later.\n \nAudience Member 2\n00:11:33\nYou sure? \n \nGary Snyder\n00:11:34\nYeah. I mean, like I...they got something set up for me. \n \nAudience Member 2\n00:11:38\nI don't, I don't know, I really dig that, I really dig that [inaudible] I just came in, I thought your stuff was so incredible...Your stuff, the way you bring it across to people!\n \nGary Snyder\n00:11:51\nWell, that's what I try to do.\n \nAudience Member 2\n00:11:54\nHave you written a book?\n \nGary Snyder\n00:11:54\nI've written a lot of books. [Laughter].\n \nAudience Member 2\n00:11:58\nNo no no, no really, no really, I don't know too much about...Gary Snyder, you know?\n \nGary Snyder\n00:12:04\nWell, you'd probably find, I don't know, because I'm coming here, because of my being here now, they've probably got some of my books in the bookstore, if you want to go look. [Laughter].\n \nAudience Member 2\n00:12:13\nSee I'm writing this play right now, you know? I'm trying to express myself and it's really...it's really strange [Cut off abruptly].\n \nUnknown\n00:12:27\n[Cut or edit in tape. Unknown amount of time elapsed].\n \nGary Snyder\n00:12:28\nWell, there has been a great deal of opposition to nuclear energy, and nuclear power-generating stations, in the United States so effective in some areas that a lot of generating plants have been blocked or slowed down in their construction. And I think that the United States government is about to launch on an enormous effort to calm the public and to lull it into accepting massive developments of nuclear energy generating centres, fast-breeder and later, perhaps, fusion. Now I myself would have no objection to such a thing if I could be convinced that it was safe, both in the long term and the short term, and although it might be conceivably safe in the short term, I can see no way in which it would be safe in the long run, because nuclear wastes accumulated over, say, several centuries, as they might be, or more, in increasing quantities around the globe, are going to out eventually, and even though you can say, well, we're putting it off for five hundred thousand years, five hundred thousand years is not a very long time.  And if we are feeding a wasteful, industrial, technological, consumer society for a few more centuries, buying it a few more centuries of life, at the expense of all future biological health on the planet, it's obviously not worth it. The Amchitka test, which is possibly interested in such things as what uses very large explosions would have in releasing oil from oil-bearing shale or something like that, I think the U.S. administration is going ahead with this test in the face of all this criticism, deliberately, as a deliberate and very intelligent gamble. The chances are that nothing will happen. When nothing happens, then they will be able to say, \"All you people were hysterical. You see?  Nothing happened\".  And that will buy them a lot of time and a lot of credibility to proceed strongly and forcibly with more nuclear testing and more nuclear power generation development. And the conservationists, perhaps, have in a way, played into their hands, by making such a big issue out of it, so that they will be left holding an empty bag if nothing happens. If something does happen, then the administration can say, \"You're right, we were wrong\", and Nixon [https://www.wikidata.org/wiki/Q9588] perhaps forfeits the next election. That's all. Okay. \n \nGary Snyder\n00:15:25.61\n\"Mountains and Rivers Without End\" is a poem that I've been working on, it's a long poem, a long series of interconnected long poems that I've been working on for some years. I'm going to read several sections from that tonight. Including one or two that are very recent, in fact these are all pretty recent. \"Mountains and Rivers without End\". The title of the poem comes from a Yuan Dynasty [https://www.wikidata.org/wiki/Q7313] Chinese scroll, that unfolds sideways and is thirty-five feet long. By way of introduction, a little poem called \"The Rabbit\". There are many sections to this, I'm only going to read [counts under breath.]..six tonight.\n \nGary Snyder\n00:16:27\nReads \"The Rabbit\" [published later in Mountains and Rivers Without End].\n \nGary Snyder\n00:18:04\n\"The California Water Plan\". The state of California at the moment is engaged in a large, incredibly wasteful, incredibly stupid, illegal, even by their own terms, water plan project, which if they're lucky, will salinate the Sacramento Valley [https://www.wikidata.org/wiki/Q1686914] and make agriculture permanently impossible. I was up in the Minarets [https://www.wikidata.org/wiki/Q2412852] in the Sierra last summer, thinking about the California Water Plan [https://www.wikidata.org/wiki/Q28228216], and I perceived something of what the true California Water Plan was. So I wrote this down. It refers to an obscure little Buddhist god called Fudo, or Achala [https://www.wikidata.org/wiki/Q337624], who is my particular guardian, my personal guardian and my personal teacher, and, so I use, I refer to him, in several poems. The other two poems in which I refer to him actually are a piece called \"Smokey the Bear Sutra\", and another piece called \"Spell Against Demons\". This is the final, actually, this is the third and final poem in the trilogy of Fudo poems. Also. But you'll find all about Fudo in this poem, it'll drive you crazy.    \n \nGary Snyder\n00:19:48\nReads \"The California Water Plan\" [later published in The Fudo Trilogy].\n \nGary Snyder\n00:25:34\n\"Kumarajiva's Mother\". Now, the rest of these poems that I'm going to read this evening are cutting back and forth between ancient India [https://www.wikidata.org/wiki/Q668] and ancient North America. I--living as I do and where I have lived all my life, we face the Pacific [https://www.wikidata.org/wiki/Q98]. And, the American Indian came from Asia [https://www.wikidata.org/wiki/Q48], or vice versa, the Asians came from North America. I mean I know a Shoshone who says that. He says, \"We've always been here, those Asians came from here\". [Laughter].  \"What do you mean we came from someplace else, that's some white anthropologist theory\". [Laughter]. \"Kumarajiva's Mother.\" Kumarajiva [https://www.wikidata.org/wiki/Q335293] was a great Buddhist monk-scholar-translator, who was kidnapped by the Chinese from Central Asia, by force, and carried off to China [https://www.wikidata.org/wiki/Q148] where he was made to translate Sanskrit Buddhist texts into Chinese, and he stayed there the rest of his life, with a crew of about eighty Chinese assistants, day and night, translating sutras. He did a lot of translation. He also got in trouble, because he liked girls, and on one occasion, because he actually had mistresses apparently, he ate a bowl of needles, like you sew with needles, in front of an assembly of all the monks and assistants in Peking [https://www.wikidata.org/wiki/Q956], or no it wasn't Peking in those days, it was Chang'an [https://www.wikidata.org/wiki/Q6501000], all of the monks and assistants in the capital, Chang'an, and then he said, \"When you boys can eat needles, you can have girlfriends too\". [Audience laughter]. But this poem is about his mother. [Audience laughter]. And I really, I mean I could explain to you why I wrote this poem but it isn't really worth explaining, I'll just read it. It has to do partly with the fact that my mother has freckles. And I was trying to figure out at this time, when I wrote this, I was trying to figure out whatever happened to women in Buddhism? Like something happened to 'em. They got lost. For a long time, anyway.\n \nGary Snyder\n00:28:22\nReads \"Kumarajiva's Mother\".\n \nEND\n00:30:59\n\n\ngary_snyder_i006-11-106-4.mp3 [File 4 of 4]\n \nGary Snyder\n00:00:00\n...alone in the 8th century, and studied at an enormous Buddhist, Mahayana university called Nalanda [https://www.wikidata.org/wiki/Q216243], for fifteen years, and then walked back to China, with a fraying pack full of books, which he translated for the next twenty years after he got back to China. He brought the school of Buddhism, which is called the school of Mind Only, and the school of Emptiness. That's one aspect of this next poem. Another aspect is a little petroglyph, American Indian petroglyph figure, called the hump-backed flute player, a little stick figure playing the flute, with a pack on his back, walking. He was found pecked on the rocks from Sonora [https://www.wikidata.org/wiki/Q46422], Mexico [https://www.wikidata.org/wiki/Q96] up into the Great Basin, and about which almost nothing is known. The Ghost Dance, which was a Messianic Indian religion, started by a Paiute named Wovoka https://www.wikidata.org/wiki/Q558420], which asserted that perhaps by magic the white man could be swept away from North America and the game would return.  And finally, the oldest living beings are the bristle-coned pine, who live in the White Mountains [https://www.wikidata.org/wiki/Q1556007], at an elevation of nine thousand feet in eastern California, the oldest of which is something like four thousand five hundred years old. So this poem is called \"The Humpbacked Flute Player\".\n \nGary Snyder\n00:01:59\nReads \"The Humpbacked Flute Player\" from Coyote’s Journal #9 [and published later in Mountains and Rivers Without End]. \n \nGary Snyder\n00:08:36\nI'm going to finish with one more poem called \"Down\". These poems are not in the order that they're going to be, but they're in a convenient order for the moment.\n \nGary Snyder\n00:09:05\nReads \"Down\".\n \nAudience\n00:11:48\nApplause.\n \nRichard (Dick) Sommer\n00:12:18\nI can't thank you for that. I don't know any way. Charles Simic [https://www.wikidata.org/wiki/Q722555] will be reading on November 19th. Thank you. \n\nAudience\n00:12:40 \nApplause.\n\nEND\n00:12:45\n"],"Note":["[{\"note\":\"Year-Specific Information:\\n\\nIn 1971, Gary Snyder published The back country (New Directions Press) and First time round (Roaring Fork Press), the first edition of Manzanita (Kent State University), Swimming naked in the Yuba River (Maidu Press), Anasazi (Yes! Press), Regarding Wave: Poems (Fulcrum Press) contributed to Sky, sea, birds, trees, earth, house, beasts, flowers (Unicorn Press) with Kenneth Rexroth, to Coyote’s journal: #9 (Book People) with Albert Glover, James Coller and Allen Ginsberg, and to Six poems/seven prints (Kent State University) with Alex Gildzen, John Ashbery, James Bertolino, Gwendolyn Brooks, Denise Levertov and Steven Osterlund.\",\"type\":\"General\"},{\"note\":\"Local Connections:\\n\\nIt is not clear what Gary Snyder’s connection to Sir George Williams University or Montreal was, but he no doubt had an influential role in the shaping of American poetry, specifically in the San Francisco Renaissance and the Beat movement. The series tried to include poets from all types of poetry backgrounds and from both Canada and the U.S.; Snyder was an important American poet at this time.\",\"type\":\"General\"},{\"note\":\"Original transcript and print catalogue by Rachel Kyne\\n\\nOriginal print catalogue, introduction, research and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Ali Barillaro\\n\",\"type\":\"Cataloguer\"},{\"note\":\"4 reel-to-reel tapes>2 CDs>4 digital files\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/gary-snyder-at-sgwu-1971/#1\",\"citation\":\"Boxer, Avi; Bryan McCarthy and Graham Seal. “Letters: re: Reverend Richard J. Sommer”. The Georgian. Montreal: Sir George Williams University, 12 November 1971, page 4. \"},{\"url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/gary-snyder-at-sgwu-1971/#1\",\"citation\":\"Boxer, Avi; Bryan McCarthy and Graham Seal. “Letters: Get Your Shit Together...”. The Georgian. Montreal: Sir George Williams University, 19 November 1971, page 4. \"},{\"url\":\"https://www.worldcat.org/title/oxford-encyclopedia-of-american-literature/oclc/769478515&referer=brief_results\",\"citation\":\"DiFranco, Aaron K. \\\"Snyder, Gary\\\". The Oxford Encyclopedia of American Literature. Jay Parini (ed). Oxford University Press, 2004. \"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-twentieth-century-poetry-in-english/oclc/807465072&referer=brief_results\",\"citation\":\"Maxwell, Glyn. \\\"Snyder, Gary\\\". The Oxford Companion to Twentieth-Century Poetry in English. Ian Hamilton (ed). Oxford University Press, 1996. \"},{\"url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/gary-snyder-at-sgwu-1971/#1\",\"citation\":\"Morrissey, Stephen. “Letters: Inexcusable Ignorance”. The Georgian. Montreal: Sir George Williams University, 26 November 1971, page 4. \"},{\"url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/gary-snyder-at-sgwu-1971/#1\",\"citation\":\"Pearson, Allen. “Letters: The Second Coming?”. The Georgian. Montreal: Sir George Williams University, 12 November 1971, page 4. \"},{\"url\":\"https://www.worldcat.org/title/fudo-trilogy/oclc/622284906&referer=brief_results\",\"citation\":\"Snyder, Gary. The Fudo Trilogy. Berkley, California: Shaman Drum, 1973. \"},{\"url\":\"https://www.wikidata.org/wiki/Q6925688\",\"citation\":\"Snyder, Gary. Mountains and Rivers Without End. Washington, D.C.: Counterpoint Press, 1996. \"},{\"url\":\"https://www.worldcat.org/title/regarding-wave-gary-snyder/oclc/463402884&referer=brief_results\",\"citation\":\"Snyder, Gary. Regarding Wave. New York: New Directions Press, 1967. \"},{\"url\":\"https://www.worldcat.org/title/six-sections-from-mountains-and-rivers-without-end/oclc/295205&referer=brief_results\",\"citation\":\"Snyder, Gary. Six Sections from Mountains and Rivers Without End. San Francisco: Four Seasons Press, 1965. \"},{\"url\":\"https://www.worldcat.org/title/concise-oxford-companion-to-american-literature/oclc/1146399202&referer=brief_results\",\"citation\":\"\\\"Snyder, Gary\\\". The Concise Oxford Companion to American Literature. James D. Hart (ed). Oxford University Press, 1986. \"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-american-literature/oclc/54356940&referer=brief_results\",\"citation\":\"\\\"Snyder, Gary [Sherman]\\\". The Oxford Companion to American Literature. James D. Hart (ed.), Phillip W. Leininger (rev). Oxford University Press, 1995. \"},{\"url\":\"\",\"citation\":\"Snyder, Gary. Turtle Island. 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Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2015/01/I0006_11_0106-4_front.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0106-4_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Gary Snyder Tape Box 4 - Front\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2015/01/I0006_11_0106-4_back.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0106-4_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Gary Snyder Tape Box 4 - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2015/01/I0006_11_0106-4_side.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0106-4_side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Gary Snyder Tape Box 4 - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/gary_snyder_i006-11-106-1.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"gary_snyder_i006-11-106-1.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:26:55\",\"precision\":\"\",\"size\":\"64.6 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"gary_snyder_i006-11-106-1.mp3 [File 1 of 4]\\n\\nRichard (Dick) Sommer\\n00:00:00\\nProbably some of us are here in order to look at or touch the Gary Snyder [https://www.wikidata.org/wiki/Q315963] who actually went and did all those semi-mythological things, who has climbed mountains and traveled in India with Allen Ginsberg [https://www.wikidata.org/wiki/Q6711], who provided Kerouac [https://www.wikidata.org/wiki/Q160534] with a book character, who has lived in or on the edges of several different kinds of wilderness, who has lived in the precincts of Japanese Buddhist monasteries, who has fought, I think has fought hard, to keep other cultures than ours, and other kinds of life than human life, from obliteration. And who has written poems out of the consciousness of these things. For myself, Gary Snyder hasn't made poems so much as he has provided me with windows made out of words. These are windows that have had a way of, themselves disappearing, leaving me usually standing where I think I want to be, out in the open world. So, I came here, I've come here, to meet whoever it is that makes so many good windows. I'll let you discover for yourselves how much this window-maker is what a windowmaker should be, himself, just open and clear. I'd like to present Gary Snyder.\\n\\nGary Snyder\\n00:02:58\\nI forgot one more thing I wanted to have out here. Good evening. I'm going to read in two sets this evening, with a little intermission. And first of all, I'm not going to read any poems tonight from my published books, because those poems are available and what is interesting to me is always what I'm doing, where I'm moving. So I'm going to read from a cycle of short poems, moderately short poems, which I call \\\"Charms\\\", and\\nthen there'll be a break, and then I'm going to read recent sections that I've been working on from a long poem in progress called \\\"Mountains and Rivers Without End\\\". I came back to the United States [https://www.wikidata.org/wiki/Q30] from Japan [https://www.wikidata.org/wiki/Q17] with my wife and children about three years ago now, and went as rapidly as possible to settle in the foothills of the Sierra Nevada [https://www.wikidata.org/wiki/Q26777], on the north slope of the south fork of the Yuba river [https://www.wikidata.org/wiki/Q181973] at three-thousand foot elevation. And I've been living there for almost two years now. I'm saying this by way of introduction to this first cycle of poems called \\\"Charms\\\". I was brought up on a farm, and all of my ancestors that I know of, for the last few generations on both sides, were rural people, or miners, miners in Colorado [https://www.wikidata.org/wiki/Q1261], Leadville [https://www.wikidata.org/wiki/Q286702], places like that. And it amazes me in a mysterious way how to get back to doing what my father was doing when I was a little boy, and what, and which I remember as a little boy, and to get back to doing what my grandfather was doing, which is to say--again, looking at the fences, looking at the stumps, looking at the house, looking at the well, looking at the spring and saying, how are we going to do it--touches me more deeply than I can possibly explain. And at the same time, being confronted again with these choices, which are the choices of the American frontier, and also the choices of medieval Europeans, and neolithic Mediterranean people, and neolithic Japanese people, and neolithic Chinese people. With what I've come to understand, a little more now, about history, anthropology, and biology, I feel an extraordinary responsibility to understand why I make the choices I make, in such matters as, where does one break the ground and locate a garden, or which trees does one select to fall. In other words, I find myself again in that position of entering virgin land, and this time, I want to understand, in the process of making my own choices, I want to understand why we did it wrong, every time before, and hope to get some insights in how one goes about doing it right, this time. In moving toward that understanding, in making the choices that I have to make, about how we are going to live, in the semi-wilderness and true wilderness of the Sierra Nevada, my teachers have to be scientific foresters, biologists and ecologists on the one hand, and the American Indians on the other. There are no other teachers available for these choices.\\n\\nGary Snyder\\n00:08:02\\nAnd so these poems, in the cycle called \\\"Charms\\\", reflect those debts and reflect the search for that knowledge, insofar as I've gotten into it up to this point. It starts with a little chant, called \\\"Grace for Love\\\". Before we...grace, in the sense of the grace that we say before meals. Which is, grace is gratitude, an expression of gratitude for a meal. And the gratitude that we say at my rancheria is a kind of a rough translation from a Japanese Buddhist grace which goes like this in English: \\\"We venerate the three treasures and are thankful for this meal, the work of other people, and the suffering of other forms of life.\\\" The need for grace, for love, is something I became aware of when I realized that there was a level of validity in the Catholic Church's objection to contraceptive devices, insofar as love, like food, is a sacrament, and that there is level in which the act of love should inevitably be connected with the consciousness of its role in moving the seed, in transmitting the energy of the knowledge of the biomass, as transmitted down through time. But I felt that the church is far too simple-minded in assuming that the energy aroused in the sacrament of love, in the direction of fertility, has to mean literally that the people who are acting that sacrament out have to necessarily procreate their own kind. And so we came to this, I and several other people, came to this, as what primitive people would call the transferral of merit, or species-increase ritual. In other words, we make love with gratitude to other beings, and wish to transfer our fertility from the human race to the vanishing species.\\n\\nGary Snyder\\n00:11:09\\nPerforms \\\"Grace for Love\\\".\\n\\nGary Snyder\\n00:14:20\\nReads \\\"A Curse on the Man In the Pentagon, Washington\\\".\\n\\nGary Snyder\\n00:16:37\\nThat's from a Cheyenne ghost dance song, that little last chorus.\\n\\nGary Snyder\\n00:16:43\\nReads \\\"I went into the Maverick Bar\\\" [published later  in Turtle Island].\\n\\nGary Snyder\\n00:18:25\\nThe Navajo word \\\"Anasazi\\\" means \\\"the ancient ones.\\\" It's the name that the Navajo gave to the people who lived in the canyons and cliffs of Chaco Canyon [https://www.wikidata.org/wiki/Q49786970] and Canyon De Chelly [https://www.wikidata.org/wiki/Q41679118] and Mesa Verde [https://www.wikidata.org/wiki/Q6821095] and many other sites. Probably the people were the ancestors of the present Pueblo people, living there probably up until the twelfth century, till the great drought of the thirteenth century. The people who more than any others, to judge from what the Pueblo people are still able to transmit today, the people who more than any others have achieved what could truly be called \\\"civilization\\\" on this continent, and whose lore embodies perhaps two millennia of deep experience. I wrote this at Canyon De Chelly.\\n\\nGary Snyder\\n00:19:52\\nReads “Anasazi” [published later in Turtle Island].\\n\\nGary Snyder\\n00:21:11\\nThe Canyon De Chelly, which will come up in another poem I'm going to read later today, and in fact, all over the West, all over the Great Basin [https://www.wikidata.org/wiki/Q966943], and in other parts of North America [https://www.wikidata.org/wiki/Q49] too, notably on the granite outcroppings on th]e northern shores of Lake Superior [https://www.wikidata.org/wiki/Q1066], for example, are designs pecked into the rocks, petroglyphs. Anthropologists, Americanists, whatever you call 'em, haven't had much time to study those petroglyphs yet, because they've been engaged through all the years of this century in a hasty, half-successful salvage operation. Salvaging the remnants of this or that dying culture, recording and taping the last words of a dying language, and they've had no time to give to studying these older things that they know are there, such as the petroglyphs. But the petroglyphs have a repeated vocabulary of motifs which are found in patterns distributed all over North America, and particularly in the West. One of the most widespread is a hand, that someone has put on a cliff or a boulder face, apparently outlined, and then filled it in with red, hematite, or a red hand. That red hand often is lacking a finger, or lacking a finger-joint. This would not be notable in itself if it weren't that in the caves of southern France [https://www.wikidata.org/wiki/Q142] and northern Spain [https://www.wikidata.org/wiki/Q29], there are dated, back as far as 40,000 years, the same red hands, with missing fingers and missing finger-joints are found. This is only one of a number of things which are found all the way. And so this next poem, \\\"The Way West Underground\\\", is one of a number of poems, and this is perhaps the most intellectual of them, in which I'm trying to trace out how you get back to make the line of connection between what I know the American knows, what I am beginning to know the American Indian knew, and what I am beginning to know our prehistoric ancestors knew, which was not a different knowledge. And the question of why our prehistoric ancestors lost it is another question. Actually the main impetus of this poem deals with the bears, because there's an international mystery religion called the Bear Cult, that runs all the way from Finland [https://www.wikidata.org/wiki/Q33] to Utah [https://www.wikidata.org/wiki/Q829], across Siberia [https://www.wikidata.org/wiki/Q5428], and it shares the mysterious central theme, which is a girl who marries a bear. I've written several poems about that girl. And about the bears. And so this is coming in on that from another angle.\\n\\nGary Snyder\\n00:25:12\\nReads \\\"The Way West Underground\\\" [published later in Turtle Island].\\n\\nEND\\n00:26:55\\n\",\"notes\":\"Gary Snyder reads poems later collected in Turtle Island (New Directions, 1974), originally published in a limited edition book called Manzanita (Four Seasons Press, 1972). He also reads one poem from Regarding Wave (Fulcrum Press, 1971), one poem from Coyote’s Journal #9 (1971), one poem from The Fudo Trilogy (Shaman Drum, 1973), and several from Mountains and Rivers Without End (Counterpoint) only published in 1997, as well as other poems from unknown sources. \\n\\nI006-11-106=AC.1\\n00:17- Introducer (Perhaps Richard Sommer) introduces Gary Snyder. [INDEX: semi mythological things, climbed mountains and traveled to India with Allen Ginsberg, Jack\\nKerouac’s book character, wilderness, living in precincts of Japanese Buddhist\\nmonasteries, keeping cultures from obliteration, poems out of the consciousness,\\nwindows, open world, window-maker].\\n02:58- Gary Snyder introduces the reading, and poetry cycle “Charms” and long poem\\n“Mountains and Rivers Without End”. [INDEX: reading in two sets, all poems read\\nare unpublished, long poem in-progress “Mountains and Rivers Without End”, returning\\nfrom Japan to the U.S. three years prior, wife and children, settling in the foothills of the\\nSierra Nevada, north slope of the south fork of the Yuba river, three-thousand foot\\nelevation, origins on a farm, miners in Leadville, Colorado, how to get back to father’s\\noccupation, childhood, grandfather, fences, as a child in nature, spring (river), American\\nfrontier, medieval Europeans, neolithic Mediterranean people, neolithic Japanese people, neolithic Chinese people, history, anthropology, biology, responsibility of humans’ place on earth, choices we make in terms of nature, scientific foresters, ecologists, American Indians (as teachers)].\\n08:02- Introduces poetry cycle “Charms”, and “Grace for Love”. [INDEX: debts, search for knowledge, grace (gratitude for meal), rancheria, Japanese Buddhist grace, love, level of validity in the Catholic Church’s objection to contraception, food, sacrament, act of love, transference of ‘seed’ or knowledge, transferral of merit, species-increase ritual; from unknown source].\\n11:09- Chants “Grace for Love”.\\n14:20- Reads “A Curse on the Man in the Pentagon, Washington”. [INDEX: from unknown source].\\n16:37- Explains last chorus of “A Curse on the Man in the Pentagon, Washington”.\\n16:43- Reads “I went into the Maverick Bar”. [INDEX: from Turtle Island].\\n18:25- Introduces “Anasazi”. [INDEX: means ‘ancient ones’ in Navajo, name of people living in Chaco Canyon, Mesa Verde and Canyon de Chelly, ancestors of present Pueblo people, 12th century, the great drought of the 13th century, civilization, two millennia of ‘deep experience’, written at Canyon de Chelly; from Turtle Island]\\n19:52- Reads “Anasazi”.\\n21:11- Introduces “The Way West Underground”. [INDEX: Canyon de Chelly, West and Great Basin, granite outcroppings of the northern shores of Lake Superior, petroglyphs,\\nAnthropologists, salvaging remnants of dying cultures, vocabulary of motifs, hand\\npetroglyph, caves of southern France and northern Spain, 40,000 years ago, intellectual\\npoem, tracing out lines of connections between Americans, American Indians, prehistoric ancestors, main impetus of the poem is an international mystery religion called the Bear Cult, runs from Finland to Utah, Siberia, central theme: girl who marries a bear; from Turtle Island].\\n25:12- Reads “The Way West Underground”.\\n26:55- Interjects comment about poem. [INDEX: Finnish men singing folk songs].\\n[*note: cut or edit made in transcript, time elapsed unknown*]\\n29:16- Snyder is talking (not sure if it’s about the poem). [INDEX: observation, plants, seeds, birds, small members of food chain, ocean, exuberance of sexuality, reproductive organs of grasses, wheat, rice, herring, cod, millions of eggs, food chain of the ocean].\\n30:11- Reads “The Song of the Taste”. [INDEX: from Regarding Wave].\\n31:46- Introduces “Song for the Raw Material”. [INDEX: food, natural vs. supermarket foods, vegetarian vs. carnivore, being part of the food chain, being eaten by a bear, biological ignorance of society, basic systems, chemicals, Tibetans and Parsis, Herodotus, Maghi in Persia, feeding dead to the vultures, Eskimo shaman quote].\\n35:07- Reads “Song of the Raw Material”. [INDEX: perhaps “Song to the Raw Material”,\\nunknown source].\\n36:07- Reads “Steak”. [INDEX: from Turtle Island].\\n37:48- Introduces “No matter, never mind”. [INDEX: Lethbridge, Alberta, creation mythology of Japan (koji-ki); from Turtle Island].\\n38:23- Reads “No matter, never mind”.\\n39:19- Introduces “The Bath”. [INDEX: no electricity (wood heating), Finnish sauna, poem as a sauna, Michigan, personae in the poem are his wife, three sons; from Turtle Island].\\n40:55- Reads “The Bath”.\\n46:26- Introduces “Front Lines”. [INDEX: evading the struggle; from Turtle Island].\\n46:54- Reads “Front Lines”.\\n48:31- Explains parts of “Front Lines”, introduces “Control Burn”. [INDEX: wilderness,\\nCalifornia ‘Indians’, control burns, forest fires in California, logging, mining, Manzanita\\nbrush, flora changing; from Turtle Island].\\n50:55- Reads “Control Burn”.\\n52:32- Reads “The Great Mother”. [INDEX: from Turtle Island].\\n\\nFIRST CD (I006-11-106=AC.1)\\nPoem Read:\\t\\t\\t\\t\\t\\tTime Stamp\\tDuration (mins):\\n\\n“Grace for Love”  \\t\\t\\t\\t\\t00:11:09   \\t03:10\\n“A Curse on the Man in the Pentagon…” \\t00:14:20        02:17\\n“I went into the Maverick Bar…”  \\t\\t\\t00:16:23        01:42\\n“Anasazi”  \\t\\t\\t\\t\\t\\t00:19:52        02:17\\n“The Way West Underground”  \\t\\t\\t00:25:12        04:01\\n“The Song of the Taste”  \\t\\t\\t\\t00:30:11        01:35\\n“Song for the Raw Material”  \\t\\t\\t00:35:07        00:58\\n“Steak”  \\t\\t\\t\\t\\t\\t00:36:07        01:41\\n“No Matter, Never Mind”   \\t\\t\\t\\t00:38:23        00:46\\n“The Bath” \\t\\t\\t\\t\\t\\t00:40:55        05:29\\n“Front Lines” \\t\\t\\t\\t\\t\\t00:46:54        01:36\\n“Control Burn” \\t\\t\\t\\t\\t00:50:55        01:37\\n“The Great Mother”  \\t\\t\\t\\t00:52:32        00:42\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/gary-snyder-at-sgwu-1971/#1\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/gary_snyder_i006-11-106-2.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"gary_snyder_i006-11-106-2.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:26:55\",\"precision\":\"\",\"size\":\"63.2 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"gary_snyder_i006-11-106-2.mp3 [File 2 of 4]\\n\\nGary Snyder\\n00:00:00\\n--which is a way Finnish men sing folk songs together.\\n\\nGary Snyder\\n00:00:05\\nResumes reading of \\\"The Way West Underground\\\".\\n\\nUnknown\\n00:02:20\\n[Cut or edit made in tape].\\n\\nGary Snyder\\n00:02:21\\nSo I had to trace back again in my mind, with my eyes, with my observation: of course, the plants produce seeds, the birds feed on the seeds, and so forth. Small members of the food chain. The ocean is similar but in a different set of relationships. We live on an exuberance of sexuality. We eat the reproductive organs of grasses: wheat, rice. Because herring or cod have millions of eggs that hatch into millions of almost-microscopic fry, the food chains of the ocean are made possible.\\n\\nGary Snyder\\n00:03:16 \\nReads \\\"The Song of the Taste\\\" from Regarding Wave.\\n\\nGary Snyder\\n00:04:51\\nI read that because it goes so nicely with this other poem, called \\\"Song to the Raw Material\\\". I really think a lot about these things these days because I've put myself deliberately in the position of having to know where my food comes from, and it's no longer a question of, like do I eat natural foods or supermarket foods, or do I eat meat or am I a vegetarian, it's more sophisticated than that, it's a lot more subtle than that. Like literally, where did it come from. And by what means can I have a sense of responsibility and gratitude to what it is that I'm eating and in what sense can I repay that world, whichever world it is, that I am feeding off of. Well of course one way you can repay it is by being a willing, and gracious, member of the food chain yourself. Now we are rather large animals, which means that we are rather high in the food chain. But nonetheless, quite edible. And it would be a great honour, really, to be eaten by a large, rare predator, and I can't think of any way I'd rather finish my days than to give myself to a grizzly bear, if I could, you know, choose when. [Laughter]. Like get all my affairs in order first. I'm not ready yet! Or at least, go back, as large creatures often do, go back into the cycle of feeding smaller creatures. But you can see the basic biological ignorance of this society, the ignorance of what systems really are, what basic systems are, and what our responsibilities to our membership in basic systems is, by the fact that they either burn people up or they fill them full of chemicals which make them not tasty, and lock them in bronze caskets, and so forth. The only people in the world who are righteous about this particular question seem to be the Tibetans and the Parsis, I mean, really righteous about it. The Tibetans and the Parsis have an old tradition, which is mentioned, it's so old that it's mentioned by Herodotus [https://www.wikidata.org/wiki/Q11925546], in talking about a group of people called the Magi, in Persia [https://www.wikidata.org/wiki/Q794], that is to say they expose their dead in elevated places and feed them to the vultures. That's one very elegant way, actually, to deal with it. The Eskimo, an Eskimo shaman whose name I forget, is reputed to have said, \\\"We live dangerous lives, because our food consists entirely of souls\\\". “Song to the Raw Material”.\\n\\nGary Snyder\\n00:08:12\\nReads \\\"Song of the Raw Material\\\".\\n\\nGary Snyder\\n00:09:12\\nReads \\\"Steak\\\" [published later in Turtle Island; audience laughter and applause throughout].\\n\\nGary Snyder\\n00:10:53\\nI saw that in Lethbridge [https://www.wikidata.org/wiki/Q270887], Alberta [https://www.wikidata.org/wiki/Q1951]. [Audience laughter]. The creation mythology of Japan, called the kojiki, is very long, and very complicated. I tried to boil it down to some kind of a formula I could understand, at least boil down the first hundred pages of it, so I wrote this--it's about how the world is created according to the Japanese creation mythology. I think. I think that's what it is.\\n\\nGary Snyder\\n00:11:28\\nReads \\\"No matter, never mind\\\" [published later in Turtle Island].\\n\\nAudience\\n00:12:14\\nLaughter and applause.\\n\\nGary Snyder\\n00:12:24\\nIt's funny how the language is smarter than we are, [audience laughter] yeah. Like we can get hung up on mind/matter dualism, but the language won't accept it. It says the same thing two ways. \\\"The Bath\\\". Where we live we don't have any electricity or propane, and so we do everything with wood, including heating our bath, which we found the best wood-fired bathing system was a Finnish-type sauna, and...so this poem, you know just to set the scene, it's a somewhat longer poem, this poem is a sauna, with a wood-burning stove that also heats a tank of water on the side, and with a bench that you sit up on and a lower place that you can get down on and wash with. You can get these wood-fired sauna-stoves from some Finnish outfit in Michigan [https://www.wikidata.org/wiki/Q1166]. The only place in the United States that I have been able to locate that makes sauna stoves that fire wood. I highly recommend them. The personae in this are my wife, my three-year old son, my three-and a-half year old son, my two-year-old son.\\n\\nGary Snyder\\n00:14:00\\nReads \\\"The Bath\\\" [published later in Turtle Island].\\n\\nGary Snyder\\n00:19:31\\nSome friends said to us, when we moved up to the backcountry, ah, you're just getting away from your responsibilities. You're evading the struggle. So I wrote this little poem as a, kind of a light answer to that. It's called \\\"Front Lines\\\".\\n\\nGary Snyder\\n00:19:59\\nReads \\\"Front Lines\\\" [published later in Turtle Island].\\n\\nGary Snyder\\n00:21:36\\nThat poem is not an exaggeration of what we're doing. We are, like, where I am and a number of other people I know around this continent, have their backs up against the wilderness, so to speak, and they're not going to let this thing go past them. If they can help it, or as you say, over my dead body. The California Indians used to set control burns, as distinct from wildfires, forestry terms, which contributed to the maintenance of what you might call a climax timber stand, keeping the undergrowth burnt out, keeping an annual deer-forage coming in, and protecting the large timber, as it were, from destructive forest fires, because whenever a forest fire--which is very common in California [https://www.wikidata.org/wiki/Q99], it's an annual event--whenever forest fires go through, went through the forests when they were in that condition, it simply went through taking the ground cover off, but couldn't get hot enough or high enough to kill the large trees. With the advent of logging, mining, and the Manzanita brush that follows on that, the whole flora of California changed radically. All of the flora of California changed. What happened was that the woods got very brushy, and then the early forestry practices which were, of course, to put forest fires out whenever they came on them, in some ways contributed to the increasingly dangerous situation of dense brush, logging slash laying around, second-growth trees not really very large yet, and a situation where every brush fire that went through killed absolutely everything grew up. And that's the state of the state now, to a large extent, although there are some hip foresters now who are back into control burns as best as they can. This poem is called \\\"Control Burn\\\" and it only starts from what I'm just talking about, taking that as an image.\\n\\nGary Snyder\\n00:24:00\\nReads \\\"Control Burn\\\" [published later in Turtle Island].\\n\\nGary Snyder\\n00:25:37\\nReads \\\"The Great Mother\\\" [published later in Turtle Island].\\n\\nEND\\n00:26:55\\n\",\"notes\":\"Gary Snyder reads poems later collected in Turtle Island (New Directions, 1974), originally published in a limited edition book called Manzanita (Four Seasons Press, 1972). He also reads one poem from Regarding Wave (Fulcrum Press, 1971), one poem from Coyote’s Journal #9 (1971), one poem from The Fudo Trilogy (Shaman Drum, 1973), and several from Mountains and Rivers Without End (Counterpoint) only published in 1997, as well as other poems from unknown sources. \\n\\nI006-11-106=AC.1\\n00:17- Introducer (Perhaps Richard Sommer) introduces Gary Snyder. [INDEX: semi mythological things, climbed mountains and traveled to India with Allen Ginsberg, Jack\\nKerouac’s book character, wilderness, living in precincts of Japanese Buddhist\\nmonasteries, keeping cultures from obliteration, poems out of the consciousness,\\nwindows, open world, window-maker].\\n02:58- Gary Snyder introduces the reading, and poetry cycle “Charms” and long poem\\n“Mountains and Rivers Without End”. [INDEX: reading in two sets, all poems read\\nare unpublished, long poem in-progress “Mountains and Rivers Without End”, returning\\nfrom Japan to the U.S. three years prior, wife and children, settling in the foothills of the\\nSierra Nevada, north slope of the south fork of the Yuba river, three-thousand foot\\nelevation, origins on a farm, miners in Leadville, Colorado, how to get back to father’s\\noccupation, childhood, grandfather, fences, as a child in nature, spring (river), American\\nfrontier, medieval Europeans, neolithic Mediterranean people, neolithic Japanese people, neolithic Chinese people, history, anthropology, biology, responsibility of humans’ place on earth, choices we make in terms of nature, scientific foresters, ecologists, American Indians (as teachers)].\\n08:02- Introduces poetry cycle “Charms”, and “Grace for Love”. [INDEX: debts, search for knowledge, grace (gratitude for meal), rancheria, Japanese Buddhist grace, love, level of validity in the Catholic Church’s objection to contraception, food, sacrament, act of love, transference of ‘seed’ or knowledge, transferral of merit, species-increase ritual; from unknown source].\\n11:09- Chants “Grace for Love”.\\n14:20- Reads “A Curse on the Man in the Pentagon, Washington”. [INDEX: from unknown source].\\n16:37- Explains last chorus of “A Curse on the Man in the Pentagon, Washington”.\\n16:43- Reads “I went into the Maverick Bar”. [INDEX: from Turtle Island].\\n18:25- Introduces “Anasazi”. [INDEX: means ‘ancient ones’ in Navajo, name of people living in Chaco Canyon, Mesa Verde and Canyon de Chelly, ancestors of present Pueblo people, 12th century, the great drought of the 13th century, civilization, two millennia of ‘deep experience’, written at Canyon de Chelly; from Turtle Island]\\n19:52- Reads “Anasazi”.\\n21:11- Introduces “The Way West Underground”. [INDEX: Canyon de Chelly, West and Great Basin, granite outcroppings of the northern shores of Lake Superior, petroglyphs,\\nAnthropologists, salvaging remnants of dying cultures, vocabulary of motifs, hand\\npetroglyph, caves of southern France and northern Spain, 40,000 years ago, intellectual\\npoem, tracing out lines of connections between Americans, American Indians, prehistoric ancestors, main impetus of the poem is an international mystery religion called the Bear Cult, runs from Finland to Utah, Siberia, central theme: girl who marries a bear; from Turtle Island].\\n25:12- Reads “The Way West Underground”.\\n26:55- Interjects comment about poem. [INDEX: Finnish men singing folk songs].\\n[*note: cut or edit made in transcript, time elapsed unknown*]\\n29:16- Snyder is talking (not sure if it’s about the poem). [INDEX: observation, plants, seeds, birds, small members of food chain, ocean, exuberance of sexuality, reproductive organs of grasses, wheat, rice, herring, cod, millions of eggs, food chain of the ocean].\\n30:11- Reads “The Song of the Taste”. [INDEX: from Regarding Wave].\\n31:46- Introduces “Song for the Raw Material”. [INDEX: food, natural vs. supermarket foods, vegetarian vs. carnivore, being part of the food chain, being eaten by a bear, biological ignorance of society, basic systems, chemicals, Tibetans and Parsis, Herodotus, Maghi in Persia, feeding dead to the vultures, Eskimo shaman quote].\\n35:07- Reads “Song of the Raw Material”. [INDEX: perhaps “Song to the Raw Material”,\\nunknown source].\\n36:07- Reads “Steak”. [INDEX: from Turtle Island].\\n37:48- Introduces “No matter, never mind”. [INDEX: Lethbridge, Alberta, creation mythology of Japan (koji-ki); from Turtle Island].\\n38:23- Reads “No matter, never mind”.\\n39:19- Introduces “The Bath”. [INDEX: no electricity (wood heating), Finnish sauna, poem as a sauna, Michigan, personae in the poem are his wife, three sons; from Turtle Island].\\n40:55- Reads “The Bath”.\\n46:26- Introduces “Front Lines”. [INDEX: evading the struggle; from Turtle Island].\\n46:54- Reads “Front Lines”.\\n48:31- Explains parts of “Front Lines”, introduces “Control Burn”. [INDEX: wilderness,\\nCalifornia ‘Indians’, control burns, forest fires in California, logging, mining, Manzanita\\nbrush, flora changing; from Turtle Island].\\n50:55- Reads “Control Burn”.\\n52:32- Reads “The Great Mother”. [INDEX: from Turtle Island].\\n\\nFIRST CD (I006-11-106=AC.1)\\nPoem Read:\\t\\t\\t\\t\\t\\tTime Stamp\\tDuration (mins):\\n\\n“Grace for Love”  \\t\\t\\t\\t\\t00:11:09   \\t03:10\\n“A Curse on the Man in the Pentagon…” \\t00:14:20        02:17\\n“I went into the Maverick Bar…”  \\t\\t\\t00:16:23        01:42\\n“Anasazi”  \\t\\t\\t\\t\\t\\t00:19:52        02:17\\n“The Way West Underground”  \\t\\t\\t00:25:12        04:01\\n“The Song of the Taste”  \\t\\t\\t\\t00:30:11        01:35\\n“Song for the Raw Material”  \\t\\t\\t00:35:07        00:58\\n“Steak”  \\t\\t\\t\\t\\t\\t00:36:07        01:41\\n“No Matter, Never Mind”   \\t\\t\\t\\t00:38:23        00:46\\n“The Bath” \\t\\t\\t\\t\\t\\t00:40:55        05:29\\n“Front Lines” \\t\\t\\t\\t\\t\\t00:46:54        01:36\\n“Control Burn” \\t\\t\\t\\t\\t00:50:55        01:37\\n“The Great Mother”  \\t\\t\\t\\t00:52:32        00:42\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/gary-snyder-at-sgwu-1971/#2\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/gary_snyder_i006-11-106-3.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"gary_snyder_i006-11-106-3.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:30:59\",\"precision\":\"\",\"size\":\"74.4 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"gary_snyder_i006-11-106-3.mp3 [File 3 of 4]\\n\\nGary Snyder\\n00:00:00\\nEverything in this next poem is all true. Almost everything.\\n \\nGary Snyder\\n00:00:17\\nReads \\\"The Call of the Wild\\\", Part I [published later in Turtle Island]. \\n \\nGary Snyder\\n00:00:32\\nReads \\\"The Call of the Wild\\\", Part II [published later in Turtle Island]. \\n \\nAnnotation\\n00:01:52.06\\nReads \\\"The Call of the Wild,\\\" Part III [published later in Turtle Island]. \\n \\nGary Snyder\\n00:04:11\\nReads \\\"Source\\\" [published later in Turtle Island]. \\n \\nGary Snyder\\n00:05:40\\nIn the poem \\\"Charms\\\", which is dedicated to Michael McClure [https://www.wikidata.org/wiki/Q1390054], who has more than any other living poet, or person even that I know, has gone farther than anyone else, I think, into becoming one with, in understanding, in penetrating, in perceiving the consciousness of other beings.\\n \\nGary Snyder\\n00:06:15\\nReads \\\"Charms\\\" [published later in Turtle Island]. \\n \\nAudience\\n00:07:45\\nApplause. \\n \\nGary Snyder\\n00:08:01\\nI want to read one little poem that kind of, that I just wrote on the plane the other day.  Flying in here yesterday I wrote this. And then we'll take a break. But this belongs, really, with these poems. \\n \\nGary Snyder\\n00:08:15\\nReads \\\"How did a great red-tailed Hawk come to lie on the shoulder of Interstate 5\\\" [published later in Turtle Island]. \\n \\nGary Snyder\\n00:10:05\\nOkay, let's take a break.  \\n\\nAudience\\n00:10:07\\nApplause.\\n\\nUnknown\\n00:10:17\\nAmbient Sound [voices].\\n \\nAudience Member 1\\n00:10:29\\nDo you remember getting tiny toys for your children from San Francisco [https://www.wikidata.org/wiki/Q62]? There was a small book that I saw in the States, folded out in a certain, section-by-section, parts of the earth kinda, growing larger and larger and larger...\\n \\nGary Snyder\\n00:10:46\\nI haven't seen it.\\n \\nAudience Member 1\\n00:10:48\\nNo, I guess...it's sort of, um, anti-war toys.\\n \\nGary Snyder\\n00:10:51\\nSounds nice. Yeah. Some place in San Francisco you can get it?\\n \\nAudience Member 1\\n00:10:56\\nUm, I don't know, it was from a certain, a certain group of people, and I don't remember their names. It was beautiful. Nice gift to give little kids.\\n \\nGary Snyder\\n00:11:07\\nI shall watch for it when I go there again. Thank you. \\n \\nAudience Member 1\\n00:11:13\\nOkay. You bet. [Inaudible]\\n \\nGary Snyder\\n00:11:14\\nOkay. [Laughter].\\n \\nAudience Member 2\\n00:11:19\\nMan you're incredible. You're so good. I really dig your stuff.\\n \\nGary Snyder\\n00:11:26\\n[Laughter]. Thank you.\\n \\nAudience Member 2\\n00:11:26\\nI really dig it, will you come for a drink with me later? With me and my friends?\\n \\nGary Snyder\\n00:11:31\\nI gotta go some place later.\\n \\nAudience Member 2\\n00:11:33\\nYou sure? \\n \\nGary Snyder\\n00:11:34\\nYeah. I mean, like I...they got something set up for me. \\n \\nAudience Member 2\\n00:11:38\\nI don't, I don't know, I really dig that, I really dig that [inaudible] I just came in, I thought your stuff was so incredible...Your stuff, the way you bring it across to people!\\n \\nGary Snyder\\n00:11:51\\nWell, that's what I try to do.\\n \\nAudience Member 2\\n00:11:54\\nHave you written a book?\\n \\nGary Snyder\\n00:11:54\\nI've written a lot of books. [Laughter].\\n \\nAudience Member 2\\n00:11:58\\nNo no no, no really, no really, I don't know too much about...Gary Snyder, you know?\\n \\nGary Snyder\\n00:12:04\\nWell, you'd probably find, I don't know, because I'm coming here, because of my being here now, they've probably got some of my books in the bookstore, if you want to go look. [Laughter].\\n \\nAudience Member 2\\n00:12:13\\nSee I'm writing this play right now, you know? I'm trying to express myself and it's really...it's really strange [Cut off abruptly].\\n \\nUnknown\\n00:12:27\\n[Cut or edit in tape. Unknown amount of time elapsed].\\n \\nGary Snyder\\n00:12:28\\nWell, there has been a great deal of opposition to nuclear energy, and nuclear power-generating stations, in the United States so effective in some areas that a lot of generating plants have been blocked or slowed down in their construction. And I think that the United States government is about to launch on an enormous effort to calm the public and to lull it into accepting massive developments of nuclear energy generating centres, fast-breeder and later, perhaps, fusion. Now I myself would have no objection to such a thing if I could be convinced that it was safe, both in the long term and the short term, and although it might be conceivably safe in the short term, I can see no way in which it would be safe in the long run, because nuclear wastes accumulated over, say, several centuries, as they might be, or more, in increasing quantities around the globe, are going to out eventually, and even though you can say, well, we're putting it off for five hundred thousand years, five hundred thousand years is not a very long time.  And if we are feeding a wasteful, industrial, technological, consumer society for a few more centuries, buying it a few more centuries of life, at the expense of all future biological health on the planet, it's obviously not worth it. The Amchitka test, which is possibly interested in such things as what uses very large explosions would have in releasing oil from oil-bearing shale or something like that, I think the U.S. administration is going ahead with this test in the face of all this criticism, deliberately, as a deliberate and very intelligent gamble. The chances are that nothing will happen. When nothing happens, then they will be able to say, \\\"All you people were hysterical. You see?  Nothing happened\\\".  And that will buy them a lot of time and a lot of credibility to proceed strongly and forcibly with more nuclear testing and more nuclear power generation development. And the conservationists, perhaps, have in a way, played into their hands, by making such a big issue out of it, so that they will be left holding an empty bag if nothing happens. If something does happen, then the administration can say, \\\"You're right, we were wrong\\\", and Nixon [https://www.wikidata.org/wiki/Q9588] perhaps forfeits the next election. That's all. Okay. \\n \\nGary Snyder\\n00:15:25.61\\n\\\"Mountains and Rivers Without End\\\" is a poem that I've been working on, it's a long poem, a long series of interconnected long poems that I've been working on for some years. I'm going to read several sections from that tonight. Including one or two that are very recent, in fact these are all pretty recent. \\\"Mountains and Rivers without End\\\". The title of the poem comes from a Yuan Dynasty [https://www.wikidata.org/wiki/Q7313] Chinese scroll, that unfolds sideways and is thirty-five feet long. By way of introduction, a little poem called \\\"The Rabbit\\\". There are many sections to this, I'm only going to read [counts under breath.]..six tonight.\\n \\nGary Snyder\\n00:16:27\\nReads \\\"The Rabbit\\\" [published later in Mountains and Rivers Without End].\\n \\nGary Snyder\\n00:18:04\\n\\\"The California Water Plan\\\". The state of California at the moment is engaged in a large, incredibly wasteful, incredibly stupid, illegal, even by their own terms, water plan project, which if they're lucky, will salinate the Sacramento Valley [https://www.wikidata.org/wiki/Q1686914] and make agriculture permanently impossible. I was up in the Minarets [https://www.wikidata.org/wiki/Q2412852] in the Sierra last summer, thinking about the California Water Plan [https://www.wikidata.org/wiki/Q28228216], and I perceived something of what the true California Water Plan was. So I wrote this down. It refers to an obscure little Buddhist god called Fudo, or Achala [https://www.wikidata.org/wiki/Q337624], who is my particular guardian, my personal guardian and my personal teacher, and, so I use, I refer to him, in several poems. The other two poems in which I refer to him actually are a piece called \\\"Smokey the Bear Sutra\\\", and another piece called \\\"Spell Against Demons\\\". This is the final, actually, this is the third and final poem in the trilogy of Fudo poems. Also. But you'll find all about Fudo in this poem, it'll drive you crazy.    \\n \\nGary Snyder\\n00:19:48\\nReads \\\"The California Water Plan\\\" [later published in The Fudo Trilogy].\\n \\nGary Snyder\\n00:25:34\\n\\\"Kumarajiva's Mother\\\". Now, the rest of these poems that I'm going to read this evening are cutting back and forth between ancient India [https://www.wikidata.org/wiki/Q668] and ancient North America. I--living as I do and where I have lived all my life, we face the Pacific [https://www.wikidata.org/wiki/Q98]. And, the American Indian came from Asia [https://www.wikidata.org/wiki/Q48], or vice versa, the Asians came from North America. I mean I know a Shoshone who says that. He says, \\\"We've always been here, those Asians came from here\\\". [Laughter].  \\\"What do you mean we came from someplace else, that's some white anthropologist theory\\\". [Laughter]. \\\"Kumarajiva's Mother.\\\" Kumarajiva [https://www.wikidata.org/wiki/Q335293] was a great Buddhist monk-scholar-translator, who was kidnapped by the Chinese from Central Asia, by force, and carried off to China [https://www.wikidata.org/wiki/Q148] where he was made to translate Sanskrit Buddhist texts into Chinese, and he stayed there the rest of his life, with a crew of about eighty Chinese assistants, day and night, translating sutras. He did a lot of translation. He also got in trouble, because he liked girls, and on one occasion, because he actually had mistresses apparently, he ate a bowl of needles, like you sew with needles, in front of an assembly of all the monks and assistants in Peking [https://www.wikidata.org/wiki/Q956], or no it wasn't Peking in those days, it was Chang'an [https://www.wikidata.org/wiki/Q6501000], all of the monks and assistants in the capital, Chang'an, and then he said, \\\"When you boys can eat needles, you can have girlfriends too\\\". [Audience laughter]. But this poem is about his mother. [Audience laughter]. And I really, I mean I could explain to you why I wrote this poem but it isn't really worth explaining, I'll just read it. It has to do partly with the fact that my mother has freckles. And I was trying to figure out at this time, when I wrote this, I was trying to figure out whatever happened to women in Buddhism? Like something happened to 'em. They got lost. For a long time, anyway.\\n \\nGary Snyder\\n00:28:22\\nReads \\\"Kumarajiva's Mother\\\".\\n \\nEND\\n00:30:59\\n\",\"notes\":\"I006-11-106=AC.2\\n00:02- Gary Snyder introduces “The Call of the Wild”. [INDEX: true; from Turtle Island (New Directions, 1974).]\\n00:17- Reads “The Call of the Wild”, Part I.\\n00:32- Reads “The Call of the Wild”, Part II.\\n01:52- Reads “The Call of the Wild”, Part III.\\n04:11- Reads “Source”. [INDEX: from Turtle Island (New Directions, 1974).]\\n05:40- Introduces “Charms”. [INDEX: dedicated to Michael McClure, consciousness of other beings; from Turtle Island (New Directions, 1974).]\\n06:15- Reads “Charms”.\\n08:01- Introduces “The Dead by the Side of the Road” [INDEX: wrote on the plane the        previous day; from Turtle Island (New Directions, 1974)]\\n08:15- Reads “The Dead by the Side of the Road”.\\n09:55- Break is taken, audience member #1 asks question. [INDEX: suggests small anti-war children’s toys.]\\n11:26- Audience member #2 asks question (part is cut). [INDEX: books, bookstore, writing play]\\n12:21- Gary Snyder speaks about opposition to nuclear energy. [INDEX: nuclear energy, nuclear power-generating stations, U.S. government, energy generating centres, industrial technological consumer society, expense on the future biological health of the planet, Amchitka test, oil-bearing shale, conservationists, Nixon, election.]\\n15:25- Introduces “Mountains and Rivers Without End” and “The Rabbit”. [INDEX: long \\tpoem, inter-connected long poems, reading several sections from it, title from Yuan     \\tDynasty Chinese scroll, little poem called “The Rabbit”, many sections- only reading 6;   \\tperhaps published as “Jackrabbit”, published much later in Mountains and Rivers Without End (Counterpoint, 1997).]\\n16:27- Reads “The Rabbit”.\\n18:04- Introduces “The California Water Plan”. [INDEX: state of California, water plan      project, salinate the Sacramento Valley and make the Sacramento Valley agriculturally  \\tdead, Minarets in the Sierra, Buddhist god called Fudo or Achala, personal guardian or    teacher, other two poems that reference Buddhist god: “Smokey the Bear Sutra” and “Spell Against Demons”, third poem in trilogy of Fudo poems; from The Fudo Trilogy      \\t(Shaman Drum, 1973).]\\n19:48- Reads “The California Water Plan”.\\n25:34- Introduces “Kumarajiva’s Mother”. [INDEX: rest of poems read are from ancient India and ancient North America, Pacific Ocean, American Indians from Asia or vice versa, Shoshone, white anthropologist theory, Kumarajiva was Buddhist monk-scholar-  \\ttranslator, Central Asia, China, translated Sanskrit Buddhist texts to Chinese, translating sutras, Peking (or Chang’an), Snyder’s mother, women in Buddhism; from unknown         source.]\\n28:22- Reads “Kumarajiva’s Mother”.\\n30:59- CUT made in tape, Snyder begins mid-sentence, introduces “The Humpbacked Flute Player”. [INDEX: 8th century, Mahayana university called NAllenda, China, Buddhism, school of the Mind Only, the school of Emptiness, two aspects of the poem, American Indian petroglyph figure of a hump-backed flute player, Sonora, Mexico, Great Basin, The Ghost Dance (Messianic Indian Religion started by a Paiute named Wovoka), oldest living beings are the bristle-coned pine, White Mountains, California; published in Coyote’s Journal 9 (1971) and in Mountains and Rivers Without End (Counterpoint, 1997).]\\n32:59- Reads “The Humpbacked Flute Player”.\\n39:36- Introduces “Down”. [INDEX: ordering of poems; from unknown source.]\\n40:05- Reads “Down”.\\n43:18- Introducer Richard Sommer thanks Gary Snyder, announces Charles Simic’s     \\treading. [INDEX: Charles Simic, November 19th, 1971.]\\n \\nSECOND CD (I006-11-106=AC.2) \\nPoems Read                                   \\t\\t\\t\\tTime Stamp:  Duration:\\n“The Call of the Wild” – Part I                                          \\t00:00:17      \\t00:16\\n“The Call of the Wild” – Part II                                         \\t00:00:32      \\t01:17\\n“The Call of the Wild” – Part III                                        \\t00:01:52      \\t02:15\\n“Source”                                                                             \\t00:04:11      \\t01:27\\n“Charms”                                                                            \\t00:06:15      \\t01:29\\n“The Dead by the Side of the Road”                                  \\t00:08:15      \\t01:40\\n“The Rabbit”                                                                       \\t00:16:27      \\t01:35\\n“The California Water Plan”                                  \\t        \\t00:19:48      \\t05:45\\n“Kumurajiva’s Mother”      \\t                                            \\t00:28:22      \\t02:36\\n“The Hump-Backed Flute Player”                                     \\t00:32:59      \\t06:34\\n“Down”                                                                               \\t00:40:05      \\t02:42\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/gary-snyder-at-sgwu-1971/#3\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/gary_snyder_i006-11-106-4.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"gary_snyder_i006-11-106-4.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:12:45\",\"precision\":\"\",\"size\":\"30.6 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"gary_snyder_i006-11-106-4.mp3 [File 4 of 4]\\n \\nGary Snyder\\n00:00:00\\n...alone in the 8th century, and studied at an enormous Buddhist, Mahayana university called Nalanda [https://www.wikidata.org/wiki/Q216243], for fifteen years, and then walked back to China, with a fraying pack full of books, which he translated for the next twenty years after he got back to China. He brought the school of Buddhism, which is called the school of Mind Only, and the school of Emptiness. That's one aspect of this next poem. Another aspect is a little petroglyph, American Indian petroglyph figure, called the hump-backed flute player, a little stick figure playing the flute, with a pack on his back, walking. He was found pecked on the rocks from Sonora [https://www.wikidata.org/wiki/Q46422], Mexico [https://www.wikidata.org/wiki/Q96] up into the Great Basin, and about which almost nothing is known. The Ghost Dance, which was a Messianic Indian religion, started by a Paiute named Wovoka https://www.wikidata.org/wiki/Q558420], which asserted that perhaps by magic the white man could be swept away from North America and the game would return.  And finally, the oldest living beings are the bristle-coned pine, who live in the White Mountains [https://www.wikidata.org/wiki/Q1556007], at an elevation of nine thousand feet in eastern California, the oldest of which is something like four thousand five hundred years old. So this poem is called \\\"The Humpbacked Flute Player\\\".\\n \\nGary Snyder\\n00:01:59\\nReads \\\"The Humpbacked Flute Player\\\" from Coyote’s Journal #9 [and published later in Mountains and Rivers Without End]. \\n \\nGary Snyder\\n00:08:36\\nI'm going to finish with one more poem called \\\"Down\\\". These poems are not in the order that they're going to be, but they're in a convenient order for the moment.\\n \\nGary Snyder\\n00:09:05\\nReads \\\"Down\\\".\\n \\nAudience\\n00:11:48\\nApplause.\\n \\nRichard (Dick) Sommer\\n00:12:18\\nI can't thank you for that. I don't know any way. Charles Simic [https://www.wikidata.org/wiki/Q722555] will be reading on November 19th. Thank you. \\n\\nAudience\\n00:12:40 \\nApplause.\\n\\nEND\\n00:12:45\\n\",\"notes\":\"I006-11-106=AC.2\\n00:02- Gary Snyder introduces “The Call of the Wild”. [INDEX: true; from Turtle Island (New Directions, 1974).]\\n00:17- Reads “The Call of the Wild”, Part I.\\n00:32- Reads “The Call of the Wild”, Part II.\\n01:52- Reads “The Call of the Wild”, Part III.\\n04:11- Reads “Source”. [INDEX: from Turtle Island (New Directions, 1974).]\\n05:40- Introduces “Charms”. [INDEX: dedicated to Michael McClure, consciousness of other beings; from Turtle Island (New Directions, 1974).]\\n06:15- Reads “Charms”.\\n08:01- Introduces “The Dead by the Side of the Road” [INDEX: wrote on the plane the        previous day; from Turtle Island (New Directions, 1974)]\\n08:15- Reads “The Dead by the Side of the Road”.\\n09:55- Break is taken, audience member #1 asks question. [INDEX: suggests small anti-war children’s toys.]\\n11:26- Audience member #2 asks question (part is cut). [INDEX: books, bookstore, writing play]\\n12:21- Gary Snyder speaks about opposition to nuclear energy. [INDEX: nuclear energy, nuclear power-generating stations, U.S. government, energy generating centres, industrial technological consumer society, expense on the future biological health of the planet, Amchitka test, oil-bearing shale, conservationists, Nixon, election.]\\n15:25- Introduces “Mountains and Rivers Without End” and “The Rabbit”. [INDEX: long \\tpoem, inter-connected long poems, reading several sections from it, title from Yuan     \\tDynasty Chinese scroll, little poem called “The Rabbit”, many sections- only reading 6;   \\tperhaps published as “Jackrabbit”, published much later in Mountains and Rivers Without End (Counterpoint, 1997).]\\n16:27- Reads “The Rabbit”.\\n18:04- Introduces “The California Water Plan”. [INDEX: state of California, water plan      project, salinate the Sacramento Valley and make the Sacramento Valley agriculturally  \\tdead, Minarets in the Sierra, Buddhist god called Fudo or Achala, personal guardian or    teacher, other two poems that reference Buddhist god: “Smokey the Bear Sutra” and “Spell Against Demons”, third poem in trilogy of Fudo poems; from The Fudo Trilogy      \\t(Shaman Drum, 1973).]\\n19:48- Reads “The California Water Plan”.\\n25:34- Introduces “Kumarajiva’s Mother”. [INDEX: rest of poems read are from ancient India and ancient North America, Pacific Ocean, American Indians from Asia or vice versa, Shoshone, white anthropologist theory, Kumarajiva was Buddhist monk-scholar-  \\ttranslator, Central Asia, China, translated Sanskrit Buddhist texts to Chinese, translating sutras, Peking (or Chang’an), Snyder’s mother, women in Buddhism; from unknown         source.]\\n28:22- Reads “Kumarajiva’s Mother”.\\n30:59- CUT made in tape, Snyder begins mid-sentence, introduces “The Humpbacked Flute Player”. [INDEX: 8th century, Mahayana university called NAllenda, China, Buddhism, school of the Mind Only, the school of Emptiness, two aspects of the poem, American Indian petroglyph figure of a hump-backed flute player, Sonora, Mexico, Great Basin, The Ghost Dance (Messianic Indian Religion started by a Paiute named Wovoka), oldest living beings are the bristle-coned pine, White Mountains, California; published in Coyote’s Journal 9 (1971) and in Mountains and Rivers Without End (Counterpoint, 1997).]\\n32:59- Reads “The Humpbacked Flute Player”.\\n39:36- Introduces “Down”. [INDEX: ordering of poems; from unknown source.]\\n40:05- Reads “Down”.\\n43:18- Introducer Richard Sommer thanks Gary Snyder, announces Charles Simic’s     \\treading. [INDEX: Charles Simic, November 19th, 1971.]\\n \\nSECOND CD (I006-11-106=AC.2) \\nPoems Read                                   \\t\\t\\t\\tTime Stamp:  Duration:\\n“The Call of the Wild” – Part I                                          \\t00:00:17      \\t00:16\\n“The Call of the Wild” – Part II                                         \\t00:00:32      \\t01:17\\n“The Call of the Wild” – Part III                                        \\t00:01:52      \\t02:15\\n“Source”                                                                             \\t00:04:11      \\t01:27\\n“Charms”                                                                            \\t00:06:15      \\t01:29\\n“The Dead by the Side of the Road”                                  \\t00:08:15      \\t01:40\\n“The Rabbit”                                                                       \\t00:16:27      \\t01:35\\n“The California Water Plan”                                  \\t        \\t00:19:48      \\t05:45\\n“Kumurajiva’s Mother”      \\t                                            \\t00:28:22      \\t02:36\\n“The Hump-Backed Flute Player”                                     \\t00:32:59      \\t06:34\\n“Down”                                                                               \\t00:40:05      \\t02:42\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/gary-snyder-at-sgwu-1971/#4\"}]"],"score":0.01643844},{"id":"1296","cataloger_name":["Mahtab,Banihashemi"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Jackson Mac Low at Sir George Williams University, The Poetry Series, 26 March 1971"],"item_title_source":["Cataloguer"],"item_title_note":["\"JACKSON MacLOW experiential poetry Recorded March 26, 1971 3.75 ips, 1/2 track 1 mil. tape Poorish technical quality\" written on sticker on the back of the tape's box. \"JACKSON MacLOW -1 I006/SR31.1\" written on sticker on the spine of the tape's box. \"Side 1 I006-11-031.1\" written on sticker on the reel.\n\n\"JACKSON MacLOW experiential poetry Recorded March 26, 1971 3.75 ips, 1/2 track 1 mil. tape Poorish technical quality\" written on sticker on the back of the tape's box. \"JACKSON MacLOW -2 I006/SR31.2\" written on sticker on the spine of the tape's box. \"I006-11-031.2\" written on sticker on the reel."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 5"],"item_identifiers":["[I006-11-031.1, I006-11-031.2]"],"creator_names":["Mac Low, Jackson"],"creator_names_search":["Mac Low, Jackson"],"creators":["[{\"url\":\"http://viaf.org/viaf/80245668\",\"name\":\"Mac Low, Jackson\",\"dates\":\"1922-2004\",\"notes\":\"Jackson Mac Low was born on September 12, 1922 in Chicago, Illinois, and became not only a poet, but a playwright, an editor, a literary critic, a translator, a teacher, a composer and a performer of verbal and theatrical works.  As a child, he studied music and poetry. Studying for an Associate in Arts degree in philosophy, poetics and literature at the University of Chicago from 1939 to 1943, Mac Low enrolled in Brooklyn College (now the City of University of New York) to pursue an A. B. degree in Greek, graduating cum laude. Jackson Mac Low was the poetry editor of Why? from 1950-1954. After holding a job as an editorial assistant at Funk & Wagnalls from 1957-1958, and again from 1961-1962, he taught at New York University for seven years. Mac Low married painter Iris Lezak in 1962 and had two children with her, however they divorced by 1978. Mac Low put on three plays, The Marrying Maiden: a play of changes from 1960-61, Verdurous Sanguinaria, 1961, and Questions & Answers...A Topical Play in 1963. He published his first set of plays The Twin Plays: Port-au-Prince & Adams County Illinois in 1963 (Something Else Press). The Pronouns- A Collection of 40 Dances-For the Dancers was first self-published in 1964, but was re-published numerous times in later years. Mac Low published a series of Light Poems, August Light Poems in 1967 (s.n. press), 22 Light Poems in 1968 (Black Sparrow Press), 23rd Light Poem: for Larry Eigner in 1969 (Tetrad Press), 38th Light Poem: In Memoriam Buster Keaton in 1975 (Permanent Press) and 54th Light Poem: For Ian Tyson in 1978 (Membrane Press). Stanzas for Iris Lezak, though written in 1968 was only published in 1972 (Something Else Press).  Publishing over twenty other books and performance pieces, Mac Low’s most noted works include Asymmetries 1-260: The First Section of a Series of 501 Performance Poems (Printed Editions, 1976), Antic Quatrains (Toothpaste Press for Bookslinger, 1980), Representative Works, 1938-1985 (Roof Books,1996) and Barnesbook: Four Poems Derived from Sentences by Djuna Barnes (Sun & Moon Press, 1996). Mac Low has won many awards, notably the American Academy of Arts and Sciences grant (1971), Creative Arts Public fellowship in multimedia (1973-1974) and in poetry (1976-77), Madeline Sadin Award in 1974, PEN American  Center grant 1974, National Endowment for the Arts fellowship (1979) and the Tanning Prize (1999). In 1990, he married the visual artist, poet and composer Anne Tardos. He then taught creative writing at numerous universities worldwide. Jackson Mac Low died of complications from a stroke on December 8, 2004.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1971],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"Duplicate\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"Half-track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"Half-track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel","Reel to Reel"],"physical_compositions":["Magnetic Tape","Magnetic Tape"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Mono","Mono"],"Dates":["[{\"date\":\"1971 3 26\",\"type\":\"Performance Date\",\"notes\":\"Date written on sticker on the back of the tape's box and in written announcement \\\"SIR GEORGE WILLIAMS UNIVERSITY POETRY 5\\\"\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Room H-651\",\"notes\":\"Location specified in written announcement \\\"What Goes On!\\\"\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Room H-651"],"City":["Montreal, Quebec"],"content_notes":["Jackson Mac Low reads from Stanzas for Iris Lezak (Something Else Press, 1971) and performs a number of pieces accompanied by recordings and audience participation. "],"contents":["jackson_maclow_i006-11-031-1.mp3 [File 1 of  2]\n \nUnknown\n00:00:02\nAmbient Sound [music; wood flute].\n \nJackson Mac Low\n00:00:36\nReads \"Glass Buildings\" accompanied by music. \n \nJackson Mac Low\n00:01:28\nReads “5.2.3.6.5., the 3rd biblical poem” [accompanied by music and other voices]. \n\nJackson Mac Low\n00:05:27\nFrom “Judges 6:4 to First Samuel 1:10”, written Saturday, 1st January 1955.\n \nJackson Mac Low\n00:05:40\nReads [“On the Glorious Burning of the Stars and Stripes in the Sheep Meadow in Central Park around about Noon on April 15, 1967 1967 May”].\n \nJackson Mac Low\n00:07:20\nNext is a “Word event for George Brecht” on the words 'anti-personnel bombs', this is a kind of poem that can be done on any words. I did it first on these words at a reading in New York [https://www.wikidata.org/wiki/Q60] where the Russian poet Voznesensky [https://www.wikidata.org/wiki/Q236619] joined some American poets in an anti-war reading.\n\nUnknown\n00:07:42\n[Cut or edit made in tape. Unknown amount of time elapsed]. \n\nJackson Mac Low\n00:07:43\nPerforms “Word event for George Brecht” accompanied by recording.\n \nJackson Mac Low\n00:21:12\nAll the people who are going to read the \"Number to Symmetries\" please come up for the microphone...These were a group of a hundred poems, of the form that has holes in it, that is the format of the poems are used to indicate silences, where there's white space on the page, they're silences. Some of the phonemes on the ends of words are prolonged, and others are stuttered. I'm not sure that any of them that are stuttered are in this particular batch. I wrote about 500 of these in late 1961, early--late, let's see, late ‘60 and early ‘61. I wish you'd say your own names, because I didn't get all your names down in the book, be sure to write your names in my book when you leave. Would the people participating just tell their names to the audience because I don't know all of them?\n \nAudience Participants\n00:22:47\nPeter Boxer, [unintelligible], Walter Katjetski, Robert Graham, Jenny Burn, [unintelligible], Ivan [Lourd (?)].\n \nJackson Mac Low\n00:22:59\nRemember when you get to the end of one, then the next person will take the mic.\n\nAudience Member 1\n00:23:03\nDo we circulate while we’re off mic?\n\nJackson Mac Low\n00:23:06\nYeah, if you want. Yeah, that would be very nice.\n\nUnknown\n00:23:26\nAmbient Sound [voices].\n\nJackson Mac Low\n00:23:40\nYeah, just go after...Would you rather have these than the book? Would you rather have papers or the book? Probably easier for you to just put the book down and say “I’m here.”...No, I’m just going to do these. Alright, does anybody have a lot of short ones? I have a few more...So, you prolong those phonemes and [unintelligible] repeated this one...Yeah...Do you need any...Anybody have lots of short ones? Alright. [Unintelligible]. Okay, I would say move a little bit that way. Now those without mics, I think you might be picked up by the mics of those who have them to at least to get on the tape. Okay.\n \nJackson Mac Low\n00:25:23\nPerforms \"Number to Symmetries\" accompanied by audience members. \n \nJackson Mac Low\n00:41:01\nIn 1960, just before I wrote this group, I wrote a group of poems called the...Stanzas for Iris Lezak, they're--this is the summer of ‘60, they're presently being published this year by the Something Else Press [https://www.wikidata.org/wiki/Q2299703], which is nominally in New York and really in Newhall [https://www.wikidata.org/wiki/Q7018086], California [https://www.wikidata.org/wiki/Q99], at the centre of the earthquake. I'll first read a short group, solo, and then read one in a duet with the--of the earlier performance of it. \"Poe and Psychoanalysis\".\n \nJackson Mac Low\n00:42:30\nReads \"Poe and Psychoanalysis\" from Stanzas for Iris Lezak.\n \nJackson Mac Low\n00:42:57\nReads \"Marseille\" from Stanzas for Iris Lezak.\n \nJackson Mac Low\n00:44:11\nReads \"London\" from Stanzas for Iris Lezak.\n \nJackson Mac Low\n00:44:48\nReads \"Sydney\" from Stanzas for Iris Lezak.\n \nJackson Mac Low\n00:44:58\nReads \"Berlin\" from Stanzas for Iris Lezak.\n \nJackson Mac Low\n00:45:12\nReads \"Madrid\" from Stanzas for Iris Lezak.\n \nJackson Mac Low\n00:45:21\nReads \"Rome\" from Stanzas for Iris Lezak.\n\nUnknown\n00:45:59\n[Cut or edit made in tape. Unknown amount of time elapsed].\n\nUnknown\n00:46:00\nAmbient sound [music and voices].\n \nJackson Mac Low\n00:47:37\nI'll explain a bit, I took these from whatever I was reading from about April to October of 1960, the group of place-name poems were from scatter paper called The National Enquirer [https://www.wikidata.org/wiki/Q1814777]. This is from the, an article in the Scientific American [https://www.wikidata.org/wiki/Q39379]...\n\nUnknown\n00:48:05\n[Cut or edit made in tape. Unknown amount of time elapsed].\n\nJackson Mac Low\n00:48:06\nReads [“Asymmetry from Scientific American” from Stanzas for Iris Lezak]. \n\nAudience\n00:55:20\nApplause. \n\nJackson Mac Low\n00:55:27\nThis is a, a number of these are collages of various times and places, as well as spontaneity in this room here, on two of these tapes, you will hear a lady's voice along with my own. I did a concert of my works along with Jim Tenney [https://www.wikidata.org/wiki/Q715379] and Max Neuhaus [https://www.wikidata.org/wiki/Q2182711], in town hall, New York in September of 1966, and still earlier Max Neuhaus had realized this particular piece which is a piece produced by subjecting the electric typewriter keyboard to randomization by random numbers, so it looks like a lot of different characters from the electric typewriter, Neuhaus recorded it at the University of Illinois [https://www.wikidata.org/wiki/Q1145814] laboratory, I guess some time earlier in ‘66 or maybe ‘65 and then put it down four octaves. He and another guy were reading from--the readers read from this in any way they wish, now I'll have the live readers to come up here...So then in... in this ‘66 concert, I did it as a duet, reading through the negatives from which this was printed, the blinking light, and a Jeanne Lee [https://www.wikidata.org/wiki/Q274580], a very fine blues singer was in the various works that were performed in that concert, and she's on the duet that you hear, that you will hear. A year ago, or a little more, I guess in April of last year I performed this in a class at NYU [https://www.wikidata.org/wiki/Q49210] along with the-oh and the Neuhaus tape was along with that performance in NYU, then the town hall performance and the Neuhaus tape--all three were in the NYU performance along with the NYU performance, so now you'll hear it at least four different times, plus the present, something like that.\n \nJackson Mac Low\n00:58:23\nPerforms unnamed piece accompanied by recording. \n \nJackson Mac Low\n01:06:11\nI'll do a piece called \"Fifth Gatha'', which is another group piece, uh, the readers who learned it, please come up with copies, and I'll have to toss around tapes for a few minutes here. I might explain that this particular piece is one of a series I call \"Gathas\" that are written on graphed paper, they by chance operations. I take the mantra of one religion or another, this happens to be the great prajnaparamita mantra, which is basic to Northern Buddhism and Zen Buddhism, and it's arranged by the method so that it falls over an axis of 'a's, 'u's and 'm's that is the word 'aum', wherever a's, u's and m's appear in the mantra they may cross the mantra, there aren't many u's in this particular one, so there isn't any--nothing crossing the u-line, you may be able to see the empty gap there. The mantra in question is \"Gone, gone to the other shore, quite gone over the other shore, boldly, wisdom, spaha, pray. Guthe, guthe, paraguthe [unintelligible]...\" you may, those of you who know zen may be more familiar with it in its Japanese version, which is sort of a Japanization of the Sanskrit. The group version of it was done in the Chelsea Hotel [https://www.wikidata.org/wiki/Q240711], I think in '67, but the German editor and producer, Carl Weissner [https://www.wikidata.org/wiki/Q1040995], the whisper version you hear, I did at home, earlier, maybe in ‘66, ‘65, ‘66. \n \nJackson Mac Low\n01:09:35\nPerforms \"Fifth Gatha\" accompanied by audience members and recording.\n \nJackson Mac Low\n01:26:20\nThe last poem I read was also from Stanzas for Iris Lezak. It's based on the Tibetan prayer to the gurus and it's translated by W.Y. Evans-Wentz [https://www.wikidata.org/wiki/Q456451]. The next piece is all about bluebirds. It’s again--it uses the form of...In recent years I've gone back to writing poems in the form of the asymmetries that I wrote in ‘60 and ‘61, but these tended to cluster around one subject matter. There's one in the current Aspen Magazine [https://www.wikidata.org/wiki/Q4807826] about young turtles, no one really knows where they go once they've hatched, and they know when they come back, but they don't really know what they do in between hatching and there is a natural history magazine, there was a caption to a picture, and so there was a record in the current Aspen, that's of that group. This is the first one of this type that I did on bluebirds, was for a group event that a number of us, let’s see, Iris Lezak, Emmett Williams [https://www.wikidata.org/wiki/Q719185], Carol [Bouget (?)] and [Jet Yalka (?)] and I did a collective event for the University of Syracuse [https://www.wikidata.org/wiki/Q617433] at Utica [https://www.wikidata.org/wiki/Q2495519], which we called, which Emmett named for us [\"Jack-a-Jurismatics (?)”] and so one of the pieces I wrote for that was this bluebirds piece. Emmett Williams has a beautiful work that has bluebirds in it, it's a permutation poem that also appears in this anthology, although this is an anthology that La Monte Young [https://www.wikidata.org/wiki/Q432822] got together in ‘60 and we--‘60 and ‘61 I guess, and he had many difficulties between the time that it was designed and the time it was printed and finally got it out at first in 1963, it's called An Anthology of--well, various things--Chance Operations, and well I don't know what, concept art, anti-art, indeterminacy improvisation, meaningless work, natural disasters and so on. And well, just recently, our first edition is now a sort of a collector's item, sells around a hundred, but recently a German publisher re-published it for us and the current, the new editions is going for $8.50, so if anyone is--I don't have copies here but I'll be happy to send any to anybody. Contains work mostly, a lot of it is music, musical scores, there's some other poetry, including the Emmett Williams mention. The Emmett Williams poem does all the variations, does all the permutations of one group of things, \"somewhere bluebirds are flying high in the sky, in the cellar even blackbirds are extinct\", each of those is considered a run unit, and all the possible permutations of them are written out \"somewhere bluebirds are flying high in the sky, in the cellar even blackbirds are extinct\". I'd love to read it, but it's very long. Usually we read it with five different voices, each taking the unit and once in a while, people get through it without breaking down laughing. [Unintelligible]. This was taken from, the bluebird asymmetries were from two...were from two encyclopedia articles on bluebirds, one I think the Audubon Encyclopedia, and I've forgotten what the other one was. They're very complimentary. The voices you hear are, you heard in another performance of Leslie [Sixfin (?)], Amy [Spurling (?)] and Harvey [Lesain (?)], along with four of my students at the Mannes School of Music [https://www.wikidata.org/wiki/Q1519151] and about done in 1966, or 1967, I think it was May of 1967 that this was done. There's a specially gifted group I felt that I happened to get together in that class, just towards the end we were doing mostly, we were just doing ordinary grammar English, I'm an English teacher, for my bread.\n \nEND\n01:32:11\n\n\njackson_maclow_i006-11-031-2.mp3 [File 2 of  2]\n\nUnknown Speaker\n00:00:00\nThis is the one you wanted some light percussive stuff?\n\nJackson Mac Low\n00:00:04\nYeah, but very easy on it, not very, you know, keep the amplitude down to, no higher than mezzo piano. Did someone take one from here? I'm supposed to have one and ten. Try to start with the earlier ones and then go into the later ones if possible. Those with the first, the earlier numbers should be on mic first. Those with numbers between two and five I guess you would have. So that the [unintelligible] will hear the earlier ones more than the later ones. You can prolong any of the phonemes at the ends of lines. This is another piece called [unintelligible].\n \nUnknown\n00:01:49\nAmbient Sound [recorded performance plays; title uncertain].\n \nJackson Mac Low\n00:03:00\nPerforms \"Bluebird Asymmetries\" accompanied by audience members and recording.\n \nJackson Mac Low\n00:12:35\nI have one last one that none of these people have yet seen, and so this one has no rules, that is, the others have some rules for how you put in silences, these will, these...In the summer of ‘69 I did a project for the Los Angeles Museum of Art [https://www.wikidata.org/wiki/Q1641836], an art technology show that's going to open this May. Unfortunately, my machine was bombed out, the corporation seems to be on the rocks, they're not providing the machine, but luckily I had poems that appeared on cathode ray tubes or something called a programmable film reader, and the words appear at the same time we sent the same impulses through an audio system and they turned out to be, well the oboe family, everything down from sopranino oboe to double, double, double bass oboe according to how long the lines were and so I did quite a few poems, this particular one is \"The\", and it's the last one I did, and tried to grab I guess three pages each, just use whatever discretion you want to, and listen, listen, listen. Earlier I had very strict rules governed by chance operations and so on, in reading these, well, in reading these kind of simultaneous works, and more and more I came to the, well I always had the principal of the most important things was to listen hard to everything that was happening, including whatever was happening in the room, whatever’s happening outside and so on, but more and more I relied on the readers to judge when to come in, and in--perform--these I found, this is one very long print-out of this particular poem. I don't want to--I think in, I don't remember, someplace there's a description of the idea of how they were made and all that, but what I got was a number of messages that, of which the units were permuted, the earliest form of my program was simply permuting the words in each, single words in each message. Later on I was able to get carriage returns and things like that so that in this, each message is a group of short sentences, usually about the same thing, and you'll, so that on the page each message looks like a sort of a stanza or strophe, and the groups of sentences--any number of the groups of sentences from any one of these strophe units may appear at any time according to way the thing is programmed. Does everybody have about three pages? Let's just make it...\n \nJackson Mac Low\n00:16:24\nPerforms \"The\" accompanied by audience members.\n \nJackson Mac Low\n00:27:57\nThank you.\n \nEND\n00:27:57\n[Cut off abruptly].\n"],"Note":["[{\"note\":\"Year-Specific Information:\\n\\nJackson Mac Low was in the process of writing “Odes for Iris”, written after the breakup of his first marriage. He won the American Academy of Arts and Sciences grant, and The Pronouns was republished in 1971. Mac Low was the editor of WIN Magazine and an instructor at New York University at the American Language Institute.\",\"type\":\"General\"},{\"note\":\"Local Connections:\\n\\nMac Low’s direct connection to Sir George Williams University is unknown, however, Mac Low was an important American avant-garde poet, playwright and professor.\",\"type\":\"General\"},{\"note\":\"Original transcript, research, introduction and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Ali Barillaro\",\"type\":\"Cataloguer\"},{\"note\":\"2 reel-to-reel tapes>3 CDs>2 digital files\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"http://www.jacksonmaclow.com/\",\"citation\":\"“Jackson Mac Low: Ten-Page Biography with Detailed Log of Activites 1985-1999”. Jackson Mac Low. Anne Tardos, 2009. \"},{\"url\":\"https://www.worldcat.org/title/stanzas-for-iris-lezak/oclc/795313792?referer=di&ht=edition\",\"citation\":\"Mac Low, Jackson. Stanzas For Iris Lezak. New York: Something Else Press, 1971. \"},{\"url\":\"\",\"citation\":\"Campbell, Bruce. \\\"Jackson Mac Low.\\\" American Poets Since World War II: Sixth Series. Joseph Mark Conte (ed). Dictionary of Literary Biography, Vol. 193. Detroit: Gale Research, 1998. \"},{\"url\":\"\",\"citation\":\"\\\"Jackson Mac Low.\\\" Contemporary Authors Online. Detroit: Gale, 2005.\"}]"],"_version_":1853670548943405056,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0031-1_tape.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0031-1_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Jackson Mac Low Tape Box 1 - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0031-1_front.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0031-1_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Jackson Mac Low Tape Box 1 - 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I did it first on these words at a reading in New York [https://www.wikidata.org/wiki/Q60] where the Russian poet Voznesensky [https://www.wikidata.org/wiki/Q236619] joined some American poets in an anti-war reading.\\n\\nUnknown\\n00:07:42\\n[Cut or edit made in tape. Unknown amount of time elapsed]. \\n\\nJackson Mac Low\\n00:07:43\\nPerforms “Word event for George Brecht” accompanied by recording.\\n \\nJackson Mac Low\\n00:21:12\\nAll the people who are going to read the \\\"Number to Symmetries\\\" please come up for the microphone...These were a group of a hundred poems, of the form that has holes in it, that is the format of the poems are used to indicate silences, where there's white space on the page, they're silences. Some of the phonemes on the ends of words are prolonged, and others are stuttered. I'm not sure that any of them that are stuttered are in this particular batch. I wrote about 500 of these in late 1961, early--late, let's see, late ‘60 and early ‘61. I wish you'd say your own names, because I didn't get all your names down in the book, be sure to write your names in my book when you leave. Would the people participating just tell their names to the audience because I don't know all of them?\\n \\nAudience Participants\\n00:22:47\\nPeter Boxer, [unintelligible], Walter Katjetski, Robert Graham, Jenny Burn, [unintelligible], Ivan [Lourd (?)].\\n \\nJackson Mac Low\\n00:22:59\\nRemember when you get to the end of one, then the next person will take the mic.\\n\\nAudience Member 1\\n00:23:03\\nDo we circulate while we’re off mic?\\n\\nJackson Mac Low\\n00:23:06\\nYeah, if you want. Yeah, that would be very nice.\\n\\nUnknown\\n00:23:26\\nAmbient Sound [voices].\\n\\nJackson Mac Low\\n00:23:40\\nYeah, just go after...Would you rather have these than the book? Would you rather have papers or the book? Probably easier for you to just put the book down and say “I’m here.”...No, I’m just going to do these. Alright, does anybody have a lot of short ones? I have a few more...So, you prolong those phonemes and [unintelligible] repeated this one...Yeah...Do you need any...Anybody have lots of short ones? Alright. [Unintelligible]. Okay, I would say move a little bit that way. Now those without mics, I think you might be picked up by the mics of those who have them to at least to get on the tape. Okay.\\n \\nJackson Mac Low\\n00:25:23\\nPerforms \\\"Number to Symmetries\\\" accompanied by audience members. \\n \\nJackson Mac Low\\n00:41:01\\nIn 1960, just before I wrote this group, I wrote a group of poems called the...Stanzas for Iris Lezak, they're--this is the summer of ‘60, they're presently being published this year by the Something Else Press [https://www.wikidata.org/wiki/Q2299703], which is nominally in New York and really in Newhall [https://www.wikidata.org/wiki/Q7018086], California [https://www.wikidata.org/wiki/Q99], at the centre of the earthquake. I'll first read a short group, solo, and then read one in a duet with the--of the earlier performance of it. \\\"Poe and Psychoanalysis\\\".\\n \\nJackson Mac Low\\n00:42:30\\nReads \\\"Poe and Psychoanalysis\\\" from Stanzas for Iris Lezak.\\n \\nJackson Mac Low\\n00:42:57\\nReads \\\"Marseille\\\" from Stanzas for Iris Lezak.\\n \\nJackson Mac Low\\n00:44:11\\nReads \\\"London\\\" from Stanzas for Iris Lezak.\\n \\nJackson Mac Low\\n00:44:48\\nReads \\\"Sydney\\\" from Stanzas for Iris Lezak.\\n \\nJackson Mac Low\\n00:44:58\\nReads \\\"Berlin\\\" from Stanzas for Iris Lezak.\\n \\nJackson Mac Low\\n00:45:12\\nReads \\\"Madrid\\\" from Stanzas for Iris Lezak.\\n \\nJackson Mac Low\\n00:45:21\\nReads \\\"Rome\\\" from Stanzas for Iris Lezak.\\n\\nUnknown\\n00:45:59\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n\\nUnknown\\n00:46:00\\nAmbient sound [music and voices].\\n \\nJackson Mac Low\\n00:47:37\\nI'll explain a bit, I took these from whatever I was reading from about April to October of 1960, the group of place-name poems were from scatter paper called The National Enquirer [https://www.wikidata.org/wiki/Q1814777]. This is from the, an article in the Scientific American [https://www.wikidata.org/wiki/Q39379]...\\n\\nUnknown\\n00:48:05\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n\\nJackson Mac Low\\n00:48:06\\nReads [“Asymmetry from Scientific American” from Stanzas for Iris Lezak]. \\n\\nAudience\\n00:55:20\\nApplause. \\n\\nJackson Mac Low\\n00:55:27\\nThis is a, a number of these are collages of various times and places, as well as spontaneity in this room here, on two of these tapes, you will hear a lady's voice along with my own. I did a concert of my works along with Jim Tenney [https://www.wikidata.org/wiki/Q715379] and Max Neuhaus [https://www.wikidata.org/wiki/Q2182711], in town hall, New York in September of 1966, and still earlier Max Neuhaus had realized this particular piece which is a piece produced by subjecting the electric typewriter keyboard to randomization by random numbers, so it looks like a lot of different characters from the electric typewriter, Neuhaus recorded it at the University of Illinois [https://www.wikidata.org/wiki/Q1145814] laboratory, I guess some time earlier in ‘66 or maybe ‘65 and then put it down four octaves. He and another guy were reading from--the readers read from this in any way they wish, now I'll have the live readers to come up here...So then in... in this ‘66 concert, I did it as a duet, reading through the negatives from which this was printed, the blinking light, and a Jeanne Lee [https://www.wikidata.org/wiki/Q274580], a very fine blues singer was in the various works that were performed in that concert, and she's on the duet that you hear, that you will hear. A year ago, or a little more, I guess in April of last year I performed this in a class at NYU [https://www.wikidata.org/wiki/Q49210] along with the-oh and the Neuhaus tape was along with that performance in NYU, then the town hall performance and the Neuhaus tape--all three were in the NYU performance along with the NYU performance, so now you'll hear it at least four different times, plus the present, something like that.\\n \\nJackson Mac Low\\n00:58:23\\nPerforms unnamed piece accompanied by recording. \\n \\nJackson Mac Low\\n01:06:11\\nI'll do a piece called \\\"Fifth Gatha'', which is another group piece, uh, the readers who learned it, please come up with copies, and I'll have to toss around tapes for a few minutes here. I might explain that this particular piece is one of a series I call \\\"Gathas\\\" that are written on graphed paper, they by chance operations. I take the mantra of one religion or another, this happens to be the great prajnaparamita mantra, which is basic to Northern Buddhism and Zen Buddhism, and it's arranged by the method so that it falls over an axis of 'a's, 'u's and 'm's that is the word 'aum', wherever a's, u's and m's appear in the mantra they may cross the mantra, there aren't many u's in this particular one, so there isn't any--nothing crossing the u-line, you may be able to see the empty gap there. The mantra in question is \\\"Gone, gone to the other shore, quite gone over the other shore, boldly, wisdom, spaha, pray. Guthe, guthe, paraguthe [unintelligible]...\\\" you may, those of you who know zen may be more familiar with it in its Japanese version, which is sort of a Japanization of the Sanskrit. The group version of it was done in the Chelsea Hotel [https://www.wikidata.org/wiki/Q240711], I think in '67, but the German editor and producer, Carl Weissner [https://www.wikidata.org/wiki/Q1040995], the whisper version you hear, I did at home, earlier, maybe in ‘66, ‘65, ‘66. \\n \\nJackson Mac Low\\n01:09:35\\nPerforms \\\"Fifth Gatha\\\" accompanied by audience members and recording.\\n \\nJackson Mac Low\\n01:26:20\\nThe last poem I read was also from Stanzas for Iris Lezak. It's based on the Tibetan prayer to the gurus and it's translated by W.Y. Evans-Wentz [https://www.wikidata.org/wiki/Q456451]. The next piece is all about bluebirds. It’s again--it uses the form of...In recent years I've gone back to writing poems in the form of the asymmetries that I wrote in ‘60 and ‘61, but these tended to cluster around one subject matter. There's one in the current Aspen Magazine [https://www.wikidata.org/wiki/Q4807826] about young turtles, no one really knows where they go once they've hatched, and they know when they come back, but they don't really know what they do in between hatching and there is a natural history magazine, there was a caption to a picture, and so there was a record in the current Aspen, that's of that group. This is the first one of this type that I did on bluebirds, was for a group event that a number of us, let’s see, Iris Lezak, Emmett Williams [https://www.wikidata.org/wiki/Q719185], Carol [Bouget (?)] and [Jet Yalka (?)] and I did a collective event for the University of Syracuse [https://www.wikidata.org/wiki/Q617433] at Utica [https://www.wikidata.org/wiki/Q2495519], which we called, which Emmett named for us [\\\"Jack-a-Jurismatics (?)”] and so one of the pieces I wrote for that was this bluebirds piece. Emmett Williams has a beautiful work that has bluebirds in it, it's a permutation poem that also appears in this anthology, although this is an anthology that La Monte Young [https://www.wikidata.org/wiki/Q432822] got together in ‘60 and we--‘60 and ‘61 I guess, and he had many difficulties between the time that it was designed and the time it was printed and finally got it out at first in 1963, it's called An Anthology of--well, various things--Chance Operations, and well I don't know what, concept art, anti-art, indeterminacy improvisation, meaningless work, natural disasters and so on. And well, just recently, our first edition is now a sort of a collector's item, sells around a hundred, but recently a German publisher re-published it for us and the current, the new editions is going for $8.50, so if anyone is--I don't have copies here but I'll be happy to send any to anybody. Contains work mostly, a lot of it is music, musical scores, there's some other poetry, including the Emmett Williams mention. The Emmett Williams poem does all the variations, does all the permutations of one group of things, \\\"somewhere bluebirds are flying high in the sky, in the cellar even blackbirds are extinct\\\", each of those is considered a run unit, and all the possible permutations of them are written out \\\"somewhere bluebirds are flying high in the sky, in the cellar even blackbirds are extinct\\\". I'd love to read it, but it's very long. Usually we read it with five different voices, each taking the unit and once in a while, people get through it without breaking down laughing. [Unintelligible]. This was taken from, the bluebird asymmetries were from two...were from two encyclopedia articles on bluebirds, one I think the Audubon Encyclopedia, and I've forgotten what the other one was. They're very complimentary. The voices you hear are, you heard in another performance of Leslie [Sixfin (?)], Amy [Spurling (?)] and Harvey [Lesain (?)], along with four of my students at the Mannes School of Music [https://www.wikidata.org/wiki/Q1519151] and about done in 1966, or 1967, I think it was May of 1967 that this was done. There's a specially gifted group I felt that I happened to get together in that class, just towards the end we were doing mostly, we were just doing ordinary grammar English, I'm an English teacher, for my bread.\\n \\nEND\\n01:32:11\\n\",\"notes\":\"Jackson Mac Low reads from Stanzas for Iris Lezak (Something Else Press, 1971) and performs a number of pieces accompanied by recordings and audience participation. \\n\\n00:00- Flute is being played, Jackson Mac Low speaks [inaudible]\\n00:36- Jackson Mac Low performs “Last Buildings” first line “When fiery water...”\\n01:28- Performs unknown poem first line “Sustenance...52365 the first biblical poem...”\\n05:27- Performs unknown poem first line “From Judges 6:4 to first Samuel 1:10...”\\n05:40- Performs unknown poem first line “And the glorious burning of the stars and    stripes...”\\n07:20- Introduces “Word event for George Brecht” using the words “anti-personnel  \\tbomb” [INDEX: George Brecht, word event on ‘anti-personnel bombs’, New York City,  \\tRussian poet Voznesensky, anti-war reading]\\n07:43- Performs “Word event for George Brecht”.\\n21:12- Introduces “Number to Symmetries” [INDEX: Audience participation readings,        intentional/quasi-intentional/non-intentional methods, chance methods of composing   \\tpoetry]\\n25:23- Performs “Number to Symmetries”\\n41:13.73- END OF RECORDING\\n\\n00:00- Introduces “Poem Psychoanalysis” [INDEX: Stanzas for Iris Lezak, Something Else Press, Newhall, California]\\n01:16- Reads “Poem Psychoanalysis”\\n01:44- Reads “Marseille”\\n02:57- Reads “London”\\n03:35- Reads “Sydney”\\n03:45- Reads “Berlin”\\n03:58- Reads “Madrid”\\n04:08- Reads “Rome”\\n06:23- Explains the last set of place-name poems, Introduces “Scientific American” poems [INDEX: National Enquirer Magazine, Scientific American Magazine]\\n06:52- Reads “Scientific American” poems\\n14:13- Introduces unknown performance [INDEX: NYU and Town Hall recordings]\\n17:09- Performs unknown performance [random numbers and letters] [INDEX: Jim (James) Newhouse, New York City Town Hall, University of Illinois, Jeanne  Lee (Blues Singer), New York University]\\n24:57- Introduces “Fifth Gata” [INDEX: Zen Mantras, Recording at the Chelsea Hotel, Karl Wiesner]\\n28:21- Performs “Fifth Gata”\\n44:48- Introduces unknown poem from Stanzas for Iris Lezak [INDEX: W.Y. Evan-Wentz, Tibetan Prayer, Aspen Magazine, Turtles, blue birds, reading by Emmett Williams, Carl Bouget, Jet Yalka [sp?] at the University of Syracuse Utica called “Jack-a-   Jurismatics” [sp?], permutation of poetry, Anthology of Chance Operations by La Monte   Young, concept art, anti-art, meaningless work, natural disasters, Emmett William’s  \\tbluebird permutation poems, Audubon Encyclopedia of Birds, Amy Sixfan, Amy         \\tSpurling, Harvey Lessah [sp?], Manne’s School of Music]\\n50:58.11- END OF RECORDING.\\n\\n\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/jackson-mac-low-at-sgwu-1971/#1\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/jackson_maclow_i006-11-031-2.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"jackson_maclow_i006-11-031-2.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:27:57\",\"precision\":\"\",\"size\":\"67.1 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"jackson_maclow_i006-11-031-2.mp3 [File 2 of  2]\\n\\nUnknown Speaker\\n00:00:00\\nThis is the one you wanted some light percussive stuff?\\n\\nJackson Mac Low\\n00:00:04\\nYeah, but very easy on it, not very, you know, keep the amplitude down to, no higher than mezzo piano. Did someone take one from here? I'm supposed to have one and ten. Try to start with the earlier ones and then go into the later ones if possible. Those with the first, the earlier numbers should be on mic first. Those with numbers between two and five I guess you would have. So that the [unintelligible] will hear the earlier ones more than the later ones. You can prolong any of the phonemes at the ends of lines. This is another piece called [unintelligible].\\n \\nUnknown\\n00:01:49\\nAmbient Sound [recorded performance plays; title uncertain].\\n \\nJackson Mac Low\\n00:03:00\\nPerforms \\\"Bluebird Asymmetries\\\" accompanied by audience members and recording.\\n \\nJackson Mac Low\\n00:12:35\\nI have one last one that none of these people have yet seen, and so this one has no rules, that is, the others have some rules for how you put in silences, these will, these...In the summer of ‘69 I did a project for the Los Angeles Museum of Art [https://www.wikidata.org/wiki/Q1641836], an art technology show that's going to open this May. Unfortunately, my machine was bombed out, the corporation seems to be on the rocks, they're not providing the machine, but luckily I had poems that appeared on cathode ray tubes or something called a programmable film reader, and the words appear at the same time we sent the same impulses through an audio system and they turned out to be, well the oboe family, everything down from sopranino oboe to double, double, double bass oboe according to how long the lines were and so I did quite a few poems, this particular one is \\\"The\\\", and it's the last one I did, and tried to grab I guess three pages each, just use whatever discretion you want to, and listen, listen, listen. Earlier I had very strict rules governed by chance operations and so on, in reading these, well, in reading these kind of simultaneous works, and more and more I came to the, well I always had the principal of the most important things was to listen hard to everything that was happening, including whatever was happening in the room, whatever’s happening outside and so on, but more and more I relied on the readers to judge when to come in, and in--perform--these I found, this is one very long print-out of this particular poem. I don't want to--I think in, I don't remember, someplace there's a description of the idea of how they were made and all that, but what I got was a number of messages that, of which the units were permuted, the earliest form of my program was simply permuting the words in each, single words in each message. Later on I was able to get carriage returns and things like that so that in this, each message is a group of short sentences, usually about the same thing, and you'll, so that on the page each message looks like a sort of a stanza or strophe, and the groups of sentences--any number of the groups of sentences from any one of these strophe units may appear at any time according to way the thing is programmed. Does everybody have about three pages? Let's just make it...\\n \\nJackson Mac Low\\n00:16:24\\nPerforms \\\"The\\\" accompanied by audience members.\\n \\nJackson Mac Low\\n00:27:57\\nThank you.\\n \\nEND\\n00:27:57\\n[Cut off abruptly].\",\"notes\":\"Jackson Mac Low reads from Stanzas for Iris Lezak (Something Else Press, 1971) and performs a number of pieces accompanied by recordings and audience participation. \\n\\n\\n00:00- Jackson Mac Low introduces poem “[inaudible word] and Ladders”\\n01:49- Performs “[inaudible word] and Ladders”\\n03:00- Performs “Blue Bird Asymmetries” [INDEX: from 21 Matched Asymmetries: The 10 Bluebird Asymmetries]\\n12:35- Introduces “The” [INDEX: Los Angeles Museum of Art project: Art and Technology program, 1969, reading permutations, chance operations, principals of Mac Low’s poetry \\treading techniques]\\n16:24- Performs “The”\\n27:57- END OF RECORDING\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/jackson-mac-low-at-sgwu-1971/#2\"}]"],"score":0.01643844},{"id":"1297","cataloger_name":["Masoumeh,Zaare"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Charles Simic at Sir George Williams University, The Poetry Series, 19 November 1971"],"item_title_source":["Cataloguer"],"item_title_note":["\"POETRY READING CHARLES SIMAC #1 I006/SR115.1\" written on sticker on the spine of the tape's box. CHARLES SIMAC refers to Charles Simic. SIMAC is misspelled. |I006-11-115.1\" written on sticker on the reel.\n\n\"POETRY READING CHARLES SIMAC #2 I006/SR115.2\" written on sticker on the spine of the tape's box. CHARLES SIMAC refers to Charles Simic. SIMAC is misspelled. \"I006-11-115.2\" written on sticker on the reel"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 6"],"item_identifiers":["[I006-11-115.1, I006-11-115.2]"],"creator_names":["Simic, Charles"],"creator_names_search":["Simic, Charles"],"creators":["[{\"url\":\"http://viaf.org/viaf/22044\",\"name\":\"Simic, Charles\",\"dates\":\" 1938-\",\"notes\":\"Poet, essayist and teacher Charles Simic was born in Belgrade, Yugoslavia on May 9, 1938 to Serbian parents. During his childhood, Simic witnessed both the military occupation by the Nazis during the Second World War, and then by the Soviet Union. His family left Yugoslavia for Paris in 1953, and then to Chicago in 1954. His first poem was published in the Chicago Review in 1959 when Simic was 19 years old. In 1961, Simic was enlisted in the US Army, and served until 1963 when he moved to New York City and enrolled in New York University. Simic met his future wife, designer Helene Dubin, with whom he had two children. Upon graduation with a B.A. in Russian in 1966, he worked as an editorial assistant for Aperture, a photography magazine. Simic’s first collection of poems, What the Grass Says (Kayak) was published in 1967 and was followed in 1969 with Somewhere Among Us a Stone Is Taking Notes (Kayak), and a number of anthologies, including Young American Poets (Follett Publishing Co, 1968), Contemporary American Poets (World Publishing Company, 1969), and Major Young American Poets (World Publishing Co, 1971). In 1970, Simic began teaching English at the University of California at Hayward, and earned a PEN International Award for his translation of Fire Gardens (New Rivers Press), written by Ivan V. Lalic. At that time, Simic also published an anthology of translations Four Modern Yugoslav Poets: Ivan V. Lalic, Branko Miljkovic, Milorad Pavic, Ljubomir Simovic, translations of Vasko Popa’s The Little Box (Charioteer Press, 1970) and his own collection of poetry, Dismantling the Silence (G. Braziller, 1971). Simic then received a fellowship from the Guggenheim Foundation, published White (New Rivers Press, 1972) and took a position of associate professor at the University of New Hampshire in 1973, which he would hold for over thirty years. A wildly prolific writer, Simic published poetry, translations and non-fiction, including Charon’s Cosmology (G. Braziller, 1977) which won the National Book Award, School for Dark Thoughts (Banyan Press, 1978), Classic Ballroom Dances (G. Braziller, 1980) which won both the Harriet Monroe Poetry Award and the Di Castagnola Award, Austerities (G. Braziller, 1982), Weather Forecast for Utopia and Vicinity (Station Hill Press, 1983), Unending Blues (Harcourt Brace Jovanovich, 1986), Brooms: Selected Poems (Edge, 1978), Selected Poems 1963-1983 (G. Braziller, 1985), The World Doesn’t End (Harcourt Brace Jovanovich, 1989) which won the Pulitzer Prize for Poetry in 1990, The Book of Gods and Devils (Harcourt Brace, 1990) and Hotel Insomnia (Harcourt, 1992). The 1990s saw Simic publishing numerous translations from Yugoslavian poets. Collections of Simic’s essays and memoirs include The Unemployed Fortune-Teller (Michigan Press, 1994), Orphan Factory (University of Michigan, 1997), Walking the Black Cat (Harcourt Brace & Co, 1996) and his more recent poetry collection The Voice at 3:00 am: Selected Late and New Poems (A.W. Ellsworth, 2003). In 2007, Simic was appointed U.S. Poet Laureate. Simic resides in Strafford, New Hampshire.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1971],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel","Reel to Reel"],"physical_compositions":["Magnetic Tape","Magnetic Tape"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Mono","Mono"],"Dates":["[{\"date\":\"1971 11 19\",\"type\":\"Performance Date\",\"notes\":\"Date specified by Richard Somner in I006-11-106.4\",\"source\":\"Previous recording \"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Room H-651\",\"notes\":\"Previous researcher\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Room H-651"],"City":["Montreal, Quebec"],"content_notes":["Charles Simic reads mostly from Dismantling the Silence (G. Braziller, 1971) as well as  a selection of, at the time, new and unpublished poems from a notebook that would later be published in Return to a Place Lit by a Glass of Milk (G. Braziller, 1974) and Selected Early Poems (G. Braziller, 1999)."],"contents":["charles_simic_i006-11-115-1.mp3 [File 1 of 2]\n\nIntroducer\n00:00:05\nA short quotation which appears in the Contributors' Notes to Paul Carroll's [https://www.wikidata.org/wiki/Q15459057] anthology The Young American Poets. Quote: “As far back as I can remember there was a kind of dumbness within me, a need that sought expression. How it eventually materialized in the act of writing a poem belongs to a biography which I have only been able to recount in a few successful poems. As for the finished product, the poem, my need requires it to be of, as Whitman [https://www.wikidata.org/wiki/Q81438] said, the thoughts of all men in all ages and lands, and further, if they are not yours as much as mine, they are nothing, or next to nothing. On a subjective level, I write to give being to that vibration which is my life, and to survive in a hard time”. Charles Simic [https://www.wikidata.org/wiki/Q722555].\n \nCharles Simic\n00:00:57\nThank you. Is this mic also for the audience or just for the tape? Oh it is, okay. I'll be reading mostly from my third book, including also some more recent poems. And I'll start off with a very recent poem which is called \"Breasts\".\n \nCharles Simic\n00:02:07\nReads \"Breasts\" from Dismantling the Silence.\n \nCharles Simic\n00:05:05\nThis is not from the book. A series of poems really dealing with inanimate objects. And the first poem in the series is called \"Table\".\n \nCharles Simic\n00:05:27\nReads \"Table\" from Dismantling the Silence.\n \nCharles Simic\n00:06:55\nReads \"Stone\" from Dismantling the Silence.\n \nCharles Simic\n00:08:14\nThere's a poem about a fork, and also a poem about a spoon and knife, and I'll read \"The Fork\".\n \nCharles Simic\n00:08:26\nReads \"The Fork\" Dismantling the Silence.\n\nCharles Simic\n00:09:12\nReads \"My Shoes\" from Dismantling the Silence.\n \nCharles Simic\n00:10:42\nThe last one of these has not been included in the book. I only discovered it about a year ago, in a notebook, but it was written around the same time, and I've sort of been fooling around with it. It's called \"Brooms\".  There's five parts. I'll just make a little pause within each part.\n \nCharles Simic\n00:11:13\nReads \"Brooms\", Part I [published later in Return to a place lit by a glass of milk].\n \nCharles Simic\n00:11:43\nReads \"Brooms\", Part II [published later in Return to a place lit by a glass of milk].\n \nCharles Simic\n00:12:41\nReads \"Brooms\", Part III [published later in Return to a place lit by a glass of milk].\n \nCharles Simic\n00:13:24\nReads \"Brooms\", Part IV [published later in Return to a place lit by a glass of milk].\n \nCharles Simic\n00:14:06\nReads \"Brooms\", Part V [published later in Return to a place lit by a glass of milk].\n \nCharles Simic\n00:14:55\nI'll read you the last poem of, in the book of this particular series, which really has nothing to do with objects, but it's a poem in which I imagine what would happen if someone really penetrated one of these inanimate objects, like his pores, kind of a Christopher Columbus [https://www.wikidata.org/wiki/Q7322] of entering an ashtray or something. It's called \"Explorers\".\n \nCharles Simic\n00:15:33\nReads \"Explorers\" from Dismantling the Silence.\n \nCharles Simic\n00:17:13\nLet's see. This is, this is called \"The Inner Man\".\n \nCharles Simic\n00:17:40\nReads \"The Inner Man\" from  Dismantling the Silence.\n\nCharles Simic\n00:19:06\nThis poem, this next poem is called \"The Animals\". I wrote it in New York City [https://www.wikidata.org/wiki/Q60], after living in New York City for about five-six years, and lamenting the pastoral quality of my first book, and my inability to return to that kind of nature poetry. I realized that I hadn't seen a tree or an animal in about three or four years, and yet at the same time writing, you know, occasionally about some cows, or, you know, and I was saying, what are these animals, you know, these shadowy animals. Anyway, here's the poem. \"The Animals\".\n \nCharles Simic\n00:19:46\nReads \"The Animals\" from Dismantling the Silence.\n \nCharles Simic\n00:21:07\nLet's see. Sort of change to some different kinds of poems. Here's a poem about Chicago [https://www.wikidata.org/wiki/Q1297]. Going back to Chicago. And, to see my mother. And...it's all there anyway. Hopefully. There's seven parts.\n \nCharles Simic\n00:22:03\nReads \"Chicago\", Part I.\n \nCharles Simic\n00:22:43\nReads \"Chicago\", Part II.\n\nCharles Simic\n00:23:17\nReads \"Chicago\", Part III.\n \nCharles Simic\n00:23:57\nReads \"Chicago\", Part IV.\n \nCharles Simic\n00:24:35\nReads \"Chicago\", Part V.\n \nCharles Simic\n00:25:06\nReads \"Chicago\", Part VI.\n \nCharles Simic\n00:25:33\nReads \"Chicago\", Part VII.\n \nCharles Simic\n00:26:39\nLet's see. I can't find it. Maybe it's not written yet. Oh here it is, yeah. \n \nCharles Simic\n00:27:01\nReads \"Tapestry\" from Dismantling the Silence.\n \nCharles Simic\n00:28:15\nThis is a very different kind of poem. The material for the the poem is, are, cliches, working with, with awful cliches, things which were totally beaten to death and, you know, can't be used anymore. Or proverbs, popular wisdom, and I'm twisting it all around, trying to reverse the kind of universe that is implied by, by let's say proverbs, if you get up in the morning and such and such a thing happens. There is something very deterministic about it, and to reverse that, to give it a little fresh air, I'll turn it around. And so I have a sequence of six poems which are entirely made up of these things, and they're called, the common title is \"Concerning my Neighbors, the Hittites\", and the...why the Hittites [https://www.wikidata.org/wiki/Q5406]...why not? [Laughter]. Hittites were simply something that I had not the slightest idea about and I sort of saw ourselves one day becoming the Hittites, you know, somebody sitting one day in some future century and, our century being, sort of the Hittites, you know. And so there are six poems, and, I guess that's about all to be said.\n \nCharles Simic\n00:29:58\nReads \"Concerning My Neighbors, the Hittites\", Part I [published later in Selected Early Poems].\n \nCharles Simic\n00:31:21\nReads \"Concerning My Neighbors, the Hittites\", Part II [published later in Selected Early Poems].\n \nUnknown\n00:32:09\nSilence [pause].\n \nCharles Simic\n00:33:20\nReads \"Concerning My Neighbors, the Hittites\", Part III [published later in Selected Early Poems].\n \nCharles Simic\n00:34:20\nReads \"Concerning My Neighbors, the Hittites\", Part IV [ [published later in Selected Early Poems; includes extra stanzas not included in the published version of the poem].\n \nCharles Simic\n00:35:12\nReads \"Concerning My Neighbors, the Hittites\", Part V [published later in Selected Early Poems].\n \nCharles Simic\n00:36:14\nReads \"Concerning My Neighbors, the Hittites\", Part VI [published later in Selected Early Poems].\n\nCharles Simic\n00:36:23\nDo you, we need a break? Should we take a break? Huh? No, yes. No. Take a break. Yeah, let's take a ten-minute break.  \n\nAudience\n00:36:30\nApplause [cut off].\n \nEND\n00:36:39\n\n\ncharles_simic_i006-11-115-2.mp3 [File 2 of 2]\n\nCharles Simic\n00:00:00\nI was asking [Ksemi Rothers (?)] about, you know, who are my great grand-uncles, and great-grandfathers and so on, and I found out that they all were killed or disappeared in some completely forgotten nineteenth-century Balkan wars which no one knows anymore the cause or the reason or why they were started. And so this poem kind of happened out of that. It's called \"Marching\". \n \nCharles Simic \n00:00:47\nReads \"Marching\" from Dismantling the Silence.\n \nCharles Simic\n00:03:28\nThis is a kind of a, you could say that it's sort of an elegy for my father, in seven parts.\n \nCharles Simic\n00:03:47\nReads “George Simic” [published later in Return to a place lit by a glass of milk].\n \nCharles Simic\n00:07:44\nThis is a love poem. I have a series of love poems in the new book but this is one of them. And I might use the title of this poem as the title of the new book. The title is \"Return to a place lit by a glass of milk\".\n \nCharles Simic\n00:08:08\nReads \"Return to a place lit by a glass of milk\" [published later in Return to a place lit by a glass of milk].\n \nCharles Simic\n00:09:20\nI want to read a couple more poems now. \"Dismantling the Silence\".\n \nCharles Simicn\n00:09:54\nReads \"Dismantling the Silence\" from Dismantling the Silence.\n \nCharles Simic\n00:11:17\nThe last poem in this book is called \"Errata\" for the good reason that after I finished the book I felt again, you know, a sense of frustration. I didn't say everything. And so each of the lines in this particular poem are really, refer to actual lines in the book. I'm kind of correcting myself. \"Errata\".\n \nCharles Simic\n00:11:53\nReads \"Errata\" from Dismantling the Silence.\n \nCharles Simic\n00:13:20\nThank you.  \n\nAudience\n00:13:23\nApplause.\n \nIntroducer\n00:13:35\nThe next reading will be on January 14th. Dorothy Livesay [https://www.wikidata.org/wiki/Q1250325] will read that night.\n \nEND\n00:13:44\n"],"Note":["[{\"note\":\"Year-Specific Information:\\n\\nIn 1971, Simic was teaching at the University of California at Hayward, and had published his third book, Dismantling the Silence (G. Braziller, 1971).\",\"type\":\"General\"},{\"note\":\"Local Connections:\\n\\nAny specific connections Simic had with Montreal or Sir George Williams University are unknown at this point, but Simic was an important and influential figure in American poetry, which no doubt had an impact on Canadian writers.\",\"type\":\"General\"},{\"note\":\"Original transcript by Rachel Kyne\\n\\nOriginal print catalogue, introduction, research and edits by Celyn Harding-Jones \\n\\nAdditional research and edits by Ali Barillaro\\n\",\"type\":\"Cataloguer\"},{\"note\":\"2 reel-to-reel tapes>CD>2 digital files\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/young-american-poets/oclc/1071394844&referer=brief_results\",\"citation\":\"Carroll, Paul. The Young American Poets. Chicago: Big Table Publishing, 1970. \"},{\"url\":\"https://www.worldcat.org/title/oxford-encyclopedia-of-american-literature/oclc/769478515&referer=brief_results\",\"citation\":\"Hart, Henry. \\\"Simic, Charles\\\". The Oxford Encyclopedia of American Literature. Jay Parini (ed). Oxford University Press, 2004. \"},{\"url\":\"http://news.google.com/newspapers?id=H0EjAAAAIBAJ&sjid=36EFAAAAIBAJ&pg=6219,3330526&dq=sir+george+williams+poetry&hl=en\",\"citation\":\"“General: Poetry Reading”. The Gazette. 19 November 1971. \"},{\"url\":\"https://www.worldcat.org/title/concise-oxford-companion-to-english-literature/oclc/869601178&referer=brief_results\",\"citation\":\"\\\"Simic, Charles\\\". The Concise Oxford Companion to English Literature. Margaret Drabble and Jenny Stringer (eds). Oxford University Press, 2007. \"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-american-literature/oclc/750769493&referer=brief_results\",\"citation\":\"\\\"Simic, Charles\\\". The Oxford Companion to American Literature. James D. Hart (ed), Phillip W. Leininger (rev). Oxford University Press, 1995. \"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-english-literature/oclc/937869384&referer=brief_results\",\"citation\":\"\\\"Simic, Charles”. The Oxford Companion to English Literature. Dinah Birch (ed). Oxford University Press, 2009. \"},{\"url\":\"https://www.worldcat.org/title/dismantling-the-silence/oclc/1154942465&referer=brief_results\",\"citation\":\"Simic, Charles. Dismantling the Silence. New York: Braziller, 1971. \"},{\"url\":\"https://www.worldcat.org/title/return-to-a-place-lit-by-a-glass-of-milk/oclc/1154834086&referer=brief_results\",\"citation\":\"Simic, Charles. Return to a place lit by a glass of milk. New York: Braziller, 1974.  \"},{\"url\":\"https://www.worldcat.org/title/charles-simic-selected-early-poems/oclc/1101269207&referer=brief_results\",\"citation\":\"Simic, Charles. Selected Early Poems. New York: Braziller, 1999. \"},{\"url\":\"\",\"citation\":\"“Simic, Charles, 1938-”. Literature Online Bibliography. Cambridge, UK: Proquest LLC, 2008.\"}]"],"_version_":1853670548945502208,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0115-1_tape.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0115-1_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Charles Simic Tape Box 1 - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0115-1_front.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0115-1_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Charles Simic Tape Box 1 - 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Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/charles_simic_i006-11-115-1.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"charles_simic_i006-11-115-1.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:36:39\",\"precision\":\"\",\"size\":\"88 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"charles_simic_i006-11-115-1.mp3 [File 1 of 2]\\n\\nIntroducer\\n00:00:05\\nA short quotation which appears in the Contributors' Notes to Paul Carroll's [https://www.wikidata.org/wiki/Q15459057] anthology The Young American Poets. Quote: “As far back as I can remember there was a kind of dumbness within me, a need that sought expression. How it eventually materialized in the act of writing a poem belongs to a biography which I have only been able to recount in a few successful poems. As for the finished product, the poem, my need requires it to be of, as Whitman [https://www.wikidata.org/wiki/Q81438] said, the thoughts of all men in all ages and lands, and further, if they are not yours as much as mine, they are nothing, or next to nothing. On a subjective level, I write to give being to that vibration which is my life, and to survive in a hard time”. Charles Simic [https://www.wikidata.org/wiki/Q722555].\\n \\nCharles Simic\\n00:00:57\\nThank you. Is this mic also for the audience or just for the tape? Oh it is, okay. I'll be reading mostly from my third book, including also some more recent poems. And I'll start off with a very recent poem which is called \\\"Breasts\\\".\\n \\nCharles Simic\\n00:02:07\\nReads \\\"Breasts\\\" from Dismantling the Silence.\\n \\nCharles Simic\\n00:05:05\\nThis is not from the book. A series of poems really dealing with inanimate objects. And the first poem in the series is called \\\"Table\\\".\\n \\nCharles Simic\\n00:05:27\\nReads \\\"Table\\\" from Dismantling the Silence.\\n \\nCharles Simic\\n00:06:55\\nReads \\\"Stone\\\" from Dismantling the Silence.\\n \\nCharles Simic\\n00:08:14\\nThere's a poem about a fork, and also a poem about a spoon and knife, and I'll read \\\"The Fork\\\".\\n \\nCharles Simic\\n00:08:26\\nReads \\\"The Fork\\\" Dismantling the Silence.\\n\\nCharles Simic\\n00:09:12\\nReads \\\"My Shoes\\\" from Dismantling the Silence.\\n \\nCharles Simic\\n00:10:42\\nThe last one of these has not been included in the book. I only discovered it about a year ago, in a notebook, but it was written around the same time, and I've sort of been fooling around with it. It's called \\\"Brooms\\\".  There's five parts. I'll just make a little pause within each part.\\n \\nCharles Simic\\n00:11:13\\nReads \\\"Brooms\\\", Part I [published later in Return to a place lit by a glass of milk].\\n \\nCharles Simic\\n00:11:43\\nReads \\\"Brooms\\\", Part II [published later in Return to a place lit by a glass of milk].\\n \\nCharles Simic\\n00:12:41\\nReads \\\"Brooms\\\", Part III [published later in Return to a place lit by a glass of milk].\\n \\nCharles Simic\\n00:13:24\\nReads \\\"Brooms\\\", Part IV [published later in Return to a place lit by a glass of milk].\\n \\nCharles Simic\\n00:14:06\\nReads \\\"Brooms\\\", Part V [published later in Return to a place lit by a glass of milk].\\n \\nCharles Simic\\n00:14:55\\nI'll read you the last poem of, in the book of this particular series, which really has nothing to do with objects, but it's a poem in which I imagine what would happen if someone really penetrated one of these inanimate objects, like his pores, kind of a Christopher Columbus [https://www.wikidata.org/wiki/Q7322] of entering an ashtray or something. It's called \\\"Explorers\\\".\\n \\nCharles Simic\\n00:15:33\\nReads \\\"Explorers\\\" from Dismantling the Silence.\\n \\nCharles Simic\\n00:17:13\\nLet's see. This is, this is called \\\"The Inner Man\\\".\\n \\nCharles Simic\\n00:17:40\\nReads \\\"The Inner Man\\\" from  Dismantling the Silence.\\n\\nCharles Simic\\n00:19:06\\nThis poem, this next poem is called \\\"The Animals\\\". I wrote it in New York City [https://www.wikidata.org/wiki/Q60], after living in New York City for about five-six years, and lamenting the pastoral quality of my first book, and my inability to return to that kind of nature poetry. I realized that I hadn't seen a tree or an animal in about three or four years, and yet at the same time writing, you know, occasionally about some cows, or, you know, and I was saying, what are these animals, you know, these shadowy animals. Anyway, here's the poem. \\\"The Animals\\\".\\n \\nCharles Simic\\n00:19:46\\nReads \\\"The Animals\\\" from Dismantling the Silence.\\n \\nCharles Simic\\n00:21:07\\nLet's see. Sort of change to some different kinds of poems. Here's a poem about Chicago [https://www.wikidata.org/wiki/Q1297]. Going back to Chicago. And, to see my mother. And...it's all there anyway. Hopefully. There's seven parts.\\n \\nCharles Simic\\n00:22:03\\nReads \\\"Chicago\\\", Part I.\\n \\nCharles Simic\\n00:22:43\\nReads \\\"Chicago\\\", Part II.\\n\\nCharles Simic\\n00:23:17\\nReads \\\"Chicago\\\", Part III.\\n \\nCharles Simic\\n00:23:57\\nReads \\\"Chicago\\\", Part IV.\\n \\nCharles Simic\\n00:24:35\\nReads \\\"Chicago\\\", Part V.\\n \\nCharles Simic\\n00:25:06\\nReads \\\"Chicago\\\", Part VI.\\n \\nCharles Simic\\n00:25:33\\nReads \\\"Chicago\\\", Part VII.\\n \\nCharles Simic\\n00:26:39\\nLet's see. I can't find it. Maybe it's not written yet. Oh here it is, yeah. \\n \\nCharles Simic\\n00:27:01\\nReads \\\"Tapestry\\\" from Dismantling the Silence.\\n \\nCharles Simic\\n00:28:15\\nThis is a very different kind of poem. The material for the the poem is, are, cliches, working with, with awful cliches, things which were totally beaten to death and, you know, can't be used anymore. Or proverbs, popular wisdom, and I'm twisting it all around, trying to reverse the kind of universe that is implied by, by let's say proverbs, if you get up in the morning and such and such a thing happens. There is something very deterministic about it, and to reverse that, to give it a little fresh air, I'll turn it around. And so I have a sequence of six poems which are entirely made up of these things, and they're called, the common title is \\\"Concerning my Neighbors, the Hittites\\\", and the...why the Hittites [https://www.wikidata.org/wiki/Q5406]...why not? [Laughter]. Hittites were simply something that I had not the slightest idea about and I sort of saw ourselves one day becoming the Hittites, you know, somebody sitting one day in some future century and, our century being, sort of the Hittites, you know. And so there are six poems, and, I guess that's about all to be said.\\n \\nCharles Simic\\n00:29:58\\nReads \\\"Concerning My Neighbors, the Hittites\\\", Part I [published later in Selected Early Poems].\\n \\nCharles Simic\\n00:31:21\\nReads \\\"Concerning My Neighbors, the Hittites\\\", Part II [published later in Selected Early Poems].\\n \\nUnknown\\n00:32:09\\nSilence [pause].\\n \\nCharles Simic\\n00:33:20\\nReads \\\"Concerning My Neighbors, the Hittites\\\", Part III [published later in Selected Early Poems].\\n \\nCharles Simic\\n00:34:20\\nReads \\\"Concerning My Neighbors, the Hittites\\\", Part IV [ [published later in Selected Early Poems; includes extra stanzas not included in the published version of the poem].\\n \\nCharles Simic\\n00:35:12\\nReads \\\"Concerning My Neighbors, the Hittites\\\", Part V [published later in Selected Early Poems].\\n \\nCharles Simic\\n00:36:14\\nReads \\\"Concerning My Neighbors, the Hittites\\\", Part VI [published later in Selected Early Poems].\\n\\nCharles Simic\\n00:36:23\\nDo you, we need a break? Should we take a break? Huh? No, yes. No. Take a break. Yeah, let's take a ten-minute break.  \\n\\nAudience\\n00:36:30\\nApplause [cut off].\\n \\nEND\\n00:36:39\\n\",\"notes\":\"Charles Simic reads mostly from Dismantling the Silence (G. Braziller, 1971) as well as  a selection of, at the time, new and unpublished poems from a notebook that would later be published in Return to a Place Lit by a Glass of Milk (G. Braziller, 1974) and Selected Early Poems (G. Braziller, 1999). \\n\\n00:00- Unknown introducer introduces Charles Simic. [INDEX: quotation from the Contributor's notes to Paul Carroll’s anthology, The Young American Poets, Walt Whitman.]\\n00:57- Charles Simic introduces reading, and “Breasts”. [INDEX: reading from his third book (Dismantling the Silence (G. Braziller, 1971)), as well as recent poems; this poem        published in 1974 in Return to a place lit by a glass of milk (G. Braziller, 1974).]      \\n02:07- Reads “Breasts”.\\n05:05- Introduces “Table”. [INDEX: not from the book Dismantling the Silence, dealing with inanimate objects.]\\n05:27- Reads “Table”.\\n06:55- Reads “Stone”. [INDEX: from Dismantling the Silence (G. Braziller, 1971)]\\n08:14- Introduces “The Fork”. [INDEX: poem about a spoon and a knife]\\n08:26- Reads “The Fork”. [INDEX: most likely in Dismantling the Silence (G. Braziller, 1971)]\\n09:12- Reads “My Shoes”. [INDEX: most likely in Dismantling the Silence (G. Braziller, 1971)]\\n10:42- Introduces “Brooms”, parts I-V. [INDEX: written in a notebook, not included in   published book with others; published in 1974 in Return to a place lit by a glass of milk \\t(G. Braziller, 1974).]\\n11:13- Reads “Brooms” Part I.\\n11:43- Reads “Brooms” Part II.\\n12:41- Reads “Brooms” Part III.\\n13:24- Reads “Brooms” Part IV.\\n14:06- Reads “Brooms” Part V.\\n14:55- Introduces “Explorers” [INDEX: last poem in book of particular series, Christopher Columbus entering an ashtray.] \\n15:33- Reads “Explorers”. [INDEX: most likely in Dismantling the Silence (G. Braziller, 1971)]\\n17:13- Reads “The Inner Man”. [INDEX: most likely in Dismantling the Silence (G. Braziller, 1971)]\\n19:06- Introduces “The Animals”. [INDEX: written in NYC, pastoral quality of first book,     inability to return to nature poetry, pastoral animals.]\\n19:46- Reads “The Animals”. [INDEX: in Dismantling the Silence (G. Braziller, 1971).]\\n21:07- Introduces “Chicago”, parts I-VII. [INDEX: about going back to Chicago, Simic’s      mother, perhaps not in Dismantling the Silence (G. Braziller, 1971).]\\n22:03- Reads “Chicago” Part I.\\n22:43- Reads “Chicago” Part II.\\n23:17- Reads “Chicago” Part III.\\n23:57- Reads “Chicago” Part IV.\\n24:35- Reads “Chicago” Part V.\\n25:06- Reads “Chicago” Part VI.\\n25:33- Reads “Chicago” Part VII.\\n27:01- Reads “Tapestry”. [INDEX: most likely in Dismantling the Silence (G. Braziller, 1971)]\\n28:15- Introduces “Concerning My Neighbors, the Hittites”, Parts I-VI. [INDEX: writing with cliches, proverbs, popular wisdom to twist them around, Hittites.]\\n29:58- Reads “Concerning My Neighbors, the Hittites” Part I.\\n31:21- Reads “Concerning My Neighbors, the Hittites” Part II.\\n33:20- Reading interrupted by pause, either Part II is continued or part III begins. [INDEX: discrepancies between published versions and the reading are noted here.]\\n34:20- Reads “Concerning my Neighbors, the Hittites” Part IV.\\n35:12- Reads “Concerning my Neighbors, the Hittites” Part V.\\n36:14- Reads “Concerning my Neighbors, the Hittites” Part VI.\\n36:39- Introduces “Marching”. [INDEX: Ksemi Rothers, Simic’s ancestors, Balkan wars, most likely in Dismantling the Silence (G. Braziller, 1971).]\\n37:27- Reads “Marching”.\\n40:08- Introduces “Elegy for my father” [INDEX: elegy for Simic’s father, seven parts; published in 1974 as “George Simic” in Return to a place lit by a glass of milk (G.   \\tBraziller, 1974).]\\n40:27- Reads “Elegy for my father”.\\n44:24- Introduces “Return to a place lit by a glass of milk”. [INDEX: love poem, might use title for title of new book.]\\n44:47- Reads “Return to a place lit by a glass of milk”. [INDEX: published in 1974 in Return to a place lit by a glass of milk (G. Braziller, 1974)]\\n46:34- Reads “Dismantling the Silence”. [INDEX: from Dismantling the Silence (G. Braziller, 1971)]\\n47:57- Introduces “Errata”. [INDEX: after finishing a book felt a sense of frustration of not being able to say everything, each line refers to actual lines in the book.]\\n48:33- Reads “Errata”.\\n50:15- Unknown speaker announces next reading [Dorothy Livesay on January 14.]\\n50:24.10- END OF RECORDING.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/charles-simic-at-sgwu-1971/#1\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/charles_simic_i006-11-115-2.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"charles_simic_i006-11-115-2.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:13:44\",\"precision\":\"\",\"size\":\"33 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"charles_simic_i006-11-115-2.mp3 [File 2 of 2]\\n\\nCharles Simic\\n00:00:00\\nI was asking [Ksemi Rothers (?)] about, you know, who are my great grand-uncles, and great-grandfathers and so on, and I found out that they all were killed or disappeared in some completely forgotten nineteenth-century Balkan wars which no one knows anymore the cause or the reason or why they were started. And so this poem kind of happened out of that. It's called \\\"Marching\\\". \\n \\nCharles Simic \\n00:00:47\\nReads \\\"Marching\\\" from Dismantling the Silence.\\n \\nCharles Simic\\n00:03:28\\nThis is a kind of a, you could say that it's sort of an elegy for my father, in seven parts.\\n \\nCharles Simic\\n00:03:47\\nReads “George Simic” [published later in Return to a place lit by a glass of milk].\\n \\nCharles Simic\\n00:07:44\\nThis is a love poem. I have a series of love poems in the new book but this is one of them. And I might use the title of this poem as the title of the new book. The title is \\\"Return to a place lit by a glass of milk\\\".\\n \\nCharles Simic\\n00:08:08\\nReads \\\"Return to a place lit by a glass of milk\\\" [published later in Return to a place lit by a glass of milk].\\n \\nCharles Simic\\n00:09:20\\nI want to read a couple more poems now. \\\"Dismantling the Silence\\\".\\n \\nCharles Simicn\\n00:09:54\\nReads \\\"Dismantling the Silence\\\" from Dismantling the Silence.\\n \\nCharles Simic\\n00:11:17\\nThe last poem in this book is called \\\"Errata\\\" for the good reason that after I finished the book I felt again, you know, a sense of frustration. I didn't say everything. And so each of the lines in this particular poem are really, refer to actual lines in the book. I'm kind of correcting myself. \\\"Errata\\\".\\n \\nCharles Simic\\n00:11:53\\nReads \\\"Errata\\\" from Dismantling the Silence.\\n \\nCharles Simic\\n00:13:20\\nThank you.  \\n\\nAudience\\n00:13:23\\nApplause.\\n \\nIntroducer\\n00:13:35\\nThe next reading will be on January 14th. Dorothy Livesay [https://www.wikidata.org/wiki/Q1250325] will read that night.\\n \\nEND\\n00:13:44\\n\",\"notes\":\"Charles Simic reads mostly from Dismantling the Silence (G. Braziller, 1971) as well as  a selection of, at the time, new and unpublished poems from a notebook that would later be published in Return to a Place Lit by a Glass of Milk (G. Braziller, 1974) and Selected Early Poems (G. Braziller, 1999). \\n\\n00:00- Unknown introducer introduces Charles Simic. [INDEX: quotation from the Contributor's notes to Paul Carroll’s anthology, The Young American Poets, Walt Whitman.]\\n00:57- Charles Simic introduces reading, and “Breasts”. [INDEX: reading from his third book (Dismantling the Silence (G. Braziller, 1971)), as well as recent poems; this poem        published in 1974 in Return to a place lit by a glass of milk (G. Braziller, 1974).]      \\n02:07- Reads “Breasts”.\\n05:05- Introduces “Table”. [INDEX: not from the book Dismantling the Silence, dealing with inanimate objects.]\\n05:27- Reads “Table”.\\n06:55- Reads “Stone”. [INDEX: from Dismantling the Silence (G. Braziller, 1971)]\\n08:14- Introduces “The Fork”. [INDEX: poem about a spoon and a knife]\\n08:26- Reads “The Fork”. [INDEX: most likely in Dismantling the Silence (G. Braziller, 1971)]\\n09:12- Reads “My Shoes”. [INDEX: most likely in Dismantling the Silence (G. Braziller, 1971)]\\n10:42- Introduces “Brooms”, parts I-V. [INDEX: written in a notebook, not included in   published book with others; published in 1974 in Return to a place lit by a glass of milk \\t(G. Braziller, 1974).]\\n11:13- Reads “Brooms” Part I.\\n11:43- Reads “Brooms” Part II.\\n12:41- Reads “Brooms” Part III.\\n13:24- Reads “Brooms” Part IV.\\n14:06- Reads “Brooms” Part V.\\n14:55- Introduces “Explorers” [INDEX: last poem in book of particular series, Christopher Columbus entering an ashtray.] \\n15:33- Reads “Explorers”. [INDEX: most likely in Dismantling the Silence (G. Braziller, 1971)]\\n17:13- Reads “The Inner Man”. [INDEX: most likely in Dismantling the Silence (G. Braziller, 1971)]\\n19:06- Introduces “The Animals”. [INDEX: written in NYC, pastoral quality of first book,     inability to return to nature poetry, pastoral animals.]\\n19:46- Reads “The Animals”. [INDEX: in Dismantling the Silence (G. Braziller, 1971).]\\n21:07- Introduces “Chicago”, parts I-VII. [INDEX: about going back to Chicago, Simic’s      mother, perhaps not in Dismantling the Silence (G. Braziller, 1971).]\\n22:03- Reads “Chicago” Part I.\\n22:43- Reads “Chicago” Part II.\\n23:17- Reads “Chicago” Part III.\\n23:57- Reads “Chicago” Part IV.\\n24:35- Reads “Chicago” Part V.\\n25:06- Reads “Chicago” Part VI.\\n25:33- Reads “Chicago” Part VII.\\n27:01- Reads “Tapestry”. [INDEX: most likely in Dismantling the Silence (G. Braziller, 1971)]\\n28:15- Introduces “Concerning My Neighbors, the Hittites”, Parts I-VI. [INDEX: writing with cliches, proverbs, popular wisdom to twist them around, Hittites.]\\n29:58- Reads “Concerning My Neighbors, the Hittites” Part I.\\n31:21- Reads “Concerning My Neighbors, the Hittites” Part II.\\n33:20- Reading interrupted by pause, either Part II is continued or part III begins. [INDEX: discrepancies between published versions and the reading are noted here.]\\n34:20- Reads “Concerning my Neighbors, the Hittites” Part IV.\\n35:12- Reads “Concerning my Neighbors, the Hittites” Part V.\\n36:14- Reads “Concerning my Neighbors, the Hittites” Part VI.\\n36:39- Introduces “Marching”. [INDEX: Ksemi Rothers, Simic’s ancestors, Balkan wars, most likely in Dismantling the Silence (G. Braziller, 1971).]\\n37:27- Reads “Marching”.\\n40:08- Introduces “Elegy for my father” [INDEX: elegy for Simic’s father, seven parts; published in 1974 as “George Simic” in Return to a place lit by a glass of milk (G.   \\tBraziller, 1974).]\\n40:27- Reads “Elegy for my father”.\\n44:24- Introduces “Return to a place lit by a glass of milk”. [INDEX: love poem, might use title for title of new book.]\\n44:47- Reads “Return to a place lit by a glass of milk”. [INDEX: published in 1974 in Return to a place lit by a glass of milk (G. Braziller, 1974)]\\n46:34- Reads “Dismantling the Silence”. [INDEX: from Dismantling the Silence (G. Braziller, 1971)]\\n47:57- Introduces “Errata”. [INDEX: after finishing a book felt a sense of frustration of not being able to say everything, each line refers to actual lines in the book.]\\n48:33- Reads “Errata”.\\n50:15- Unknown speaker announces next reading [Dorothy Livesay on January 14.]\\n50:24.10- END OF RECORDING.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/charles-simic-at-sgwu-1971/#2\"}]"],"score":0.01643844},{"id":"1298","cataloger_name":["Masoumeh,Zaare"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Maxine Gadd and Andreas Schroeder at Sir George Williams University, The Poetry Series, 18 February 1972"],"item_title_source":["Cataloguer"],"item_title_note":["\"SCHROEDER & GADD 1/4 I006-11-109.1\" written on the spine of the tape's box. SCHROEDER & GADD refers to Andreas Schroeder and Maxine Gadd. \"I006-11-109.1\" written on sticker on the reel. \"POETRY 6 TAPE #1 OF 4 SCHROEDER & GADD 2-72-012-6 3 3/4 ips MASTER\" written on the front of the tape's box.\n\n\"SCHROEDER & GADD 2/4 I006-11-109.2\" written on the spine of the tape's box. SCHROEDER & GADD refers to Andreas Schroeder and Maxine Gadd. \"I006-11-109.2\" written on sticker on the reel. \"POETRY 6 TAPE #2 OF 4 SCHROEDER & GADD 2-72-012-6 3 3/4 ips MASTER #2\" written on the front of the tape's box.\n\n'SCHROEDER & GADD 3/4 I006-11-109.3\" written on sticker on the spine of the tape's box. SCHROEDER & GADD refers to Andreas Schroeder and Maxine Gadd. \"I006-11-109.3\" written on sticker on the reel. \"POETRY 6 TAPE #3 OF 4 SCHROEDER & GADD 2-72-012-6 3 3/4 ips MASTER #3\" written on the front of the tape's box.\n\n\"SCHROEDER & GADD 4/4 I006-11-109.4\" written on sticker on the spine of the tape's box. SCHROEDER & GADD refers to Andreas Schroeder and Maxine Gadd. \"I006-11-109.4\" written on sticker on the reel. \"POETRY 6 TAPE #4 OF 4 SCHROEDER & GADD 2-72-012-6 3 3/4 ips MASTER #4\" written on the front of the tape's box."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 6"],"item_identifiers":["[I006-11-109.1, I006-11-109.2, I006-11-109.3, I006-11-109.4]"],"creator_names":["Gadd, Maxine","Schroeder, Andreas"],"creator_names_search":["Gadd, Maxine","Schroeder, Andreas"],"creators":["[{\"url\":\"http://viaf.org/viaf/75225856\",\"name\":\"Gadd, Maxine\",\"dates\":\"1940-\",\"notes\":\"Canadian poet Maxine Gadd was born in London, England in 1940, but moved to the West Coast as a young child in 1946. Gadd attended the University of British Columbia and published her poetry with the UBC journal The Raven. Gadd was married and had a baby by the time she graduated with her B.A. She spent some time in California with her child, then she returned to Vancouver. Gadd reunited with the poetry scene and met bill bissett. Her first collection of poetry, Guns of the West was published by bill bissett’s blewointment press in 1967, and was followed by Practical Knowledge (Intermedia, 1969). Gadd was a founding member of Vancouver’s Intermedia as well as being involved with the Poetry Front. She then published a series of chapbooks, hochelaga (blewointment press, 1970), air two (Air Press, 1971), Westerns (Air Press, 1975), and Fire in the Cove (mother tongue Press, 2001). Gadd lived in a commune on Galiano Island until 1984, when she moved back to Vancouver and was associated with the Kootenay School of Writing. In 1982, Daphne Marlatt and Ingrid Klassen published through Coach House Press Gadd’s Lost language: selected poems. Most recently, Gadd published Backup to Babylon: poems, 1972-1987 (New Star Books, 2006), which was nominated by the BC Book Prize and Subway Under Byzantium: Poems, 1988-1996 (New Star Books, 2008). An excerpt from “Mazine Meets Proteus in Gastown” from Backup to Babylon was part of Vancouver’s ‘Poetry in Transit’ project in 2007, and was shown on Vancouver busses.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]},{\"url\":\"http://viaf.org/viaf/57773869\",\"name\":\"Schroeder, Andreas\",\"dates\":\"1946-\",\"notes\":\"Andreas Schroeder was born in 1946 in Hoheneggelsen, Germany before his family immigrated to Canada in 1951. Schroeder grew up on a farm in the Fraser Valley in B.C., until he was fifteen when his family moved to Vancouver. He enrolled in the University of British Columbia’s creative writing program where he studied under Michael Bullock and J. Michael Yates and received his B.A. in 1969. He founded and edited The Journal of Contemporary Literature in Translation (1968-80) and worked as a columnist for the Vancouver Province (1968-73). Schroeder’s first collections of poetry were The ozone minotaur (Sono Nis Press, 1969) and File of uncertainties (Sono Nis Press, 1971), a collection of concrete poetry UNIverse (MassAge Press, 1971) and a collection of short stories, The late man (Sono Nis Press, 1972). Schroeder completed his M.A. in 1972 from the University of British Columbia, and began teaching creative writing at the University of Victoria from 1974-1975. Schroeder was the chair of the Writer’s Union of Canada between 1976-1977. His most popular book was Shaking it rough (Doubleday, 1976), and he has published over twenty books in poetry, fiction, non-fiction, radio drama, journalism, translation and criticism. Schroeder then taught at the University of British Columbia (1985-7) and at Simon Fraser University (1989-90), publishing The Mennonites: a pictorial history of their lives in Canada (Douglas & McIntyre, 1990), Carved from wood: Mission, B.C. 1891-1992 (Mission Foundation, 1991) and Scams, scandals and scullduggery (M & S, 1996). Schroeder worked as the “resident crookologist” or “resident Scam-meister” on the CBC Radio show Basic Black, which produced a few collections of history’s greatest scams, including a children’s book, Scams! (Annick Press, 2004). His most recent publication is Renovating Heaven (Ooolichan, 2008), and he continues to teach and write in B.C.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Sommer, Richard"],"contributors_names_search":["Sommer, Richard"],"contributors":["[{\"url\":\"\",\"name\":\"Sommer, Richard\",\"dates\":\"1934-2012\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\",\"Series organizer\"]}]"],"Presenter_name":["Sommer, Richard"],"Series_organizer_name":["Sommer, Richard"],"Performance_Date":[1972],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel","Reel to Reel","Reel to Reel","Reel to Reel"],"physical_compositions":["Magnetic Tape","Magnetic Tape","Magnetic Tape","Magnetic Tape"],"recording_type":["Analogue","Analogue","Analogue","Analogue"],"AV_type":["Audio","Audio","Audio","Audio"],"playback_mode":["Mono","Mono","Mono","Mono"],"Dates":["[{\"date\":\"1972 2 18\",\"type\":\"Performance Date\",\"notes\":\"Date specified in written announcement \\\"Georgian Happenings\\\"\",\"source\":\"Supplemental Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Room H-651\",\"notes\":\"Location specified in written announcement \\\"Georgian Happenings\\\"\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Room H-651"],"City":["Montreal, Quebec"],"content_notes":["Maxine Gadd reads several poems that were later collected in Lost Language (Coach House Press, 1982), one poem from air two (Air, 1971), but it is likely that many other poems went unpublished. Andreas Schroeder reads from The Late Man (SonoNis Press, 1971), The Ozone Minotaur (SoNoNis Press, 1969) and File of Uncertainties (SoNoNis Press, 1971)."],"contents":["maxine_gadd_i006-11-109-1.mp3 [File 1 of 4]\n \nRichard (Dick)  Sommer\n00:00:00\nI'd like to introduce you to two poets who are Vancouver [https://www.wikidata.org/wiki/Q24639] friends of mine. Their poetry is quite different, as you'll discover. But from my own point of view, they...I owe both of them a debt that is similar in both cases though neither probably knows it. They've made me, in their own ways, rethink my own feelings about  what ought to constitute poetry and poems. And in the case of Maxine Gadd, this thinking went into a review which was then sent to the Firepoint which then folded. So you may never see that. And in the case of Andy Schroeder [https://www.wikidata.org/wiki/Q4755619], found its way into a long tape harangue between the two of us on the subject of form in poetry. Which I think is now in the Sir George Williams Library [https://www.wikidata.org/wiki/Q5159005], where any of you can endure it if you wish to. At any rate, the first of these poets to read will be Maxine Gadd. There will be a fifteen minute break, and then Andreas Schroeder will read. Maxine. \n \nAudience\n00:01:32\nApplause. \n \nRichard (Dick) Sommer\n00:02:01\nYou're plugged in. \n \nMaxine Gadd\n00:02:03\nOh boy. Can you hear me? I don't know how much projection to do. I don't know how much to talk about the poetry. My connection is very loose to the mainstream I guess, because, I don't know, I'm just not socially related to what's going on maybe in the poetry reading. I guess my identifications with words are somewhat with a West Coast hippie trip. And between the country and the city, the first feeling being, you know, the desire for purity, you know when you're seventeen or eighteen years old and you've figured the country life is it. And later coming to realize the necessity of the communal life and the city. So I think that's a task I'm going to try to set myself right here. I...this...I'm going to read first of all the second \"well\" poem, which I did, experienced in the country, living in the country. I remember the first \"well\" poem, I don't remember where it's gone, because it didn't get published. I disregarded its importance, you know. I tended to take the judgment of editors, and you know, people that set themselves up as authorities, and that's why I'm here, you know. I've kept close enough to them, I guess. I remember the first one went something like, \"Wanting pure water I went to the well/too wonderful\"...and there was something about the oracle as the bucket clacked. This is the “Second Well Poem”. \n \nMaxine Gadd\n00:03:57\nReads \"Second Well Poem\" [published later as “Well poem” in Lost Language].\n\nMaxine Gadd\n00:04:41\nWhich is about where I feel right now. But that's about where my connection to poetry is right now. I wonder if that...I wonder if that one's around. I don't think it is. I guess I'll just take it as it comes. There's some scheme in this. I guess, I got published by a cat, by bill bissett [https://www.wikidata.org/wiki/Q4911496] you might have heard, who did the thing, did the guru thing, the super-energy thing of getting a lot of work done, and getting a lot of people's work out, and a lot of his work out, a lot of it was real shit but he got it out, you know, and some of it worked and some of it didn't, but there was so much of it, you know...I'd like to have had that confidence, you know, I guess almost, most people write poetry, they've got it all in their trunk, you know, they don't get it out. But I guess that's what it takes. This is from one of his first, really cheap magazines. He put, he...it's typed, you know. Pretty good typing. His typing got worse, I get very angry, he makes lots of mistakes. But he did a lot of drawings and things, if anybody wants to look at it, you know.  I mean, he did it minimum, you know, he was living really poor. And a lot of people still read his stuff, so, I mean, to me he was a folk poet in that sense, a lot of people still read his stuff because he got the stuff out cheap, you know. \"Trip\".\n \nMaxine Gadd\n00:06:05\nReads \"Trip\".\n \nMaxine Gadd\n00:07:47\nI'm going to go over there. This one is to a poet who is in the, is in another world, okay? He looks like a silver lizard, and he's very beautiful, and he knows all about the Greek trip, and Eleusis, which is one's talking about in the first poem, okay, the oracles from under the ground, that belief you must start out with. It's called...and it's admiration, as well as a bit of terror.\n \nMaxine Gadd\n00:08:22\nReads unnamed poem. \n \nMaxine Gadd\n00:10:19\nLeary, I should have mentioned, was Timothy Leary. Oh, I should have explained that before, yeah. Oh yeah, this is where I met...now I don't like it okay? And it's probably not a good poem. But that's, that's...you know, that's...the kind of art form I'd like to have seen as a collective art form, was what I yearned and hoped for. Poetry is what people write in rooms alone, and I don't like...I don't, you know, that's what I was stuck with. And I worked for a while with a group in Vancouver called, named, we called it \"Intermedia\". And I had the experience of working with a group, at one point there were five of us poets, you know, or what we called poets. And we'd go around to various places, we went to Edmonton [https://www.wikidata.org/wiki/Q2096] one time, and we tried things, we tried chanting and wailing, like, was it...who was that crazy old lady. Sitwell, Edith Sitwell [https://www.wikidata.org/wiki/Q259921], remember her? And if you ever heard the sort of sing, the song, sing sing she used to do, you know, we tried that. And it really worked, you know, but you'd go around and you'd say, \"Do you dig the poems?\" and they'd say, \"I can't hear them, but we really like your voice.\" You know. [Audience laughter]. So, you know, left that, you got an ache in the gut or something.   \n \nMaxine Gadd\n00:11:37\nReads \"Ratio\".\n \nMaxine Gadd\n00:12:48\nI don't like it. I don't want to be there. Here's one from last year. I got into printing stuff myself, you know, and I do that--I wish, oh, you can't see it, can you? It was mimeograph, it was real cheap, you know? And you could take images, you could take newspaper articles, you could take scraps of anything you saw that you dug, you know, put 'em together, and to me that was a, that was a form of concrete poetry. Can't, of course, I don't know, you couldn't really say that one or any number of them. This one is half-said, okay. Behind it I put a map, I found a map of B.C. [https://www.wikidata.org/wiki/Q1974]and Minster Island [https://www.wikidata.org/wiki/Q21906024] was a map, was an island I found once when I was working on a ship as a mess girl, on a freighter. \n \nMaxine Gadd\n00:13:46\nReads unnamed poem.\n \nMaxine Gadd\n00:15:33\nAnd where that ended up was just over the name Bella Coola [https://www.wikidata.org/wiki/Q815765], which is sort of where they do, can fish. There's no escape, though, you know? And...so then I want to read about Kitsilano [https://www.wikidata.org/wiki/Q4179275], where most of...I happened, you know, I grew up. Kitsilano's a sort of slum district of Vancouver. And it's disintegrating, and you probably all experienced this, you know, being city people, you know, they're bulldozing the places, there's no more cheap places to live, and so your friends, you know, you can't live there anymore, your friends can't live there anymore, so whatever you had, which was sometimes very heavy, you know, community's really beautiful, you know? I used to go over and play music with my friends. We had to move out, you know, because the city's being destroyed, and only the people who are well-to-do, who have some sort of stake in the city, you know, who are supporting the structure can stay. And this poem is about somebody who I met one day on the street, you know, and her story, she's sort of sick, just on the street, everything's falling to pieces. \n \nMaxine Gadd\n00:16:55\nReads “bee-people on 4th avenue” [published later in Lost Language].\n\nMaxine Gadd\n00:18:32\nWho's singing out there? But here, on the next street, you know, I ran into a friend of mine. Her name's Martina. And, you know, we're about the same age, and we've been through a lot of things, and, we've been through some bad things, you know, lots of rejections and refusal, no, there's no food now, you can't have any, go away, you know, fighting over somebody or other. \n \nMaxine Gadd\n00:18:58\nReads “4th ave” [published later in Lost Language].\n \nMaxine Gadd\n00:20:49\nUs old ladies. Okay, but that's not entirely true. I got involved into all that magic stuff, you know, the Sufis, and into politics, and like this summer I hope I'm going to start some sort of woman's centre, back where I live, you know. \n \nEND\n00:21:09\n[Unknown amount of time elapsed before start of next recording].\n\nmaxine_gadd_i006-11-109-2.mp3 [File 2 of 4]\n\nMaxine Gadd\n00:00:00\nReads unnamed poem [recording begins abruptly].\n \nMaxine Gadd\n00:02:20\nReads unnamed poem.\n \nMaxine Gadd\n00:11:10\nThis is the thing that the guy that held onto the raft for fourteen days knew. This is what Armstrong [https://www.wikidata.org/wiki/Q1615], Collins [https://www.wikidata.org/wiki/Q104859] and Reilley [https://www.wikidata.org/wiki/Q739214] out there, those astronauts, this is what they saved up for. It had to be good. \n \nMaxine Gadd\n00:11:29\nReads unnamed poem.\n \nMaxine Gadd\n00:23:31\nThat's the end of that one. \n \nAudience\n00:23:33\nApplause.\n \nMaxine Gadd\n00:23:40\nI think I made enough noise for a while, huh? My voice is getting sort of sore, or, you know, like that was a trip, so. I got a lot of poems, but...Did you feel like reading now or should we have a break or what? Do you think...do you think we should read some more or what? I got...You want to read some more? \n \nUnknown\n00:23:59\nAmbient Sound [voices].\n\nRichard (Dick) Sommer\n00:24:03\nDo you want to read some more? \n \nMaxine Gadd\n00:24:04\nI don't know. I've not nothing in particular form, just bits, that's the problem. \n \nRichard (Dick) Sommer\n00:24:12\nYou can't do the one on the Goat-god....\n \nMaxine Gadd\n00:24:13\nOkay, I'll do the Goat-god. Well okay, do you want to try improvising to a trip that's here? I'll let you read it. \n \nRichard (Dick) Sommer\n00:24:22\nSeriously, I'll do that? \n \nMaxine Gadd\n00:24:23\nYeah. It's just going to be some sounds. \n \nRichard (Dick) Sommer\n00:24:24\nOkay. I don't know if I can…[unintelligible].\n \nMaxine Gadd\n00:24:27\nI gotta find it first. What's that? Are we on? Oh, sorry. God. \n \nUnknown\n00:24:38\nAmbient Sound [voices].\n \nMaxine Gadd\n00:24:39\nWhat? The flute? I think it's over there. For fun...the same message...I'm asking...Richard's going to make some noise with my flute. \n \nRichard (Dick) Sommer\n00:24:55\nI'll make some noise if you'll give me a microphone. \n \nMaxine Gadd\n00:24:57\nOkay. Which one do you want? Let's share it. \n \nRichard (Dick) Sommer\n00:25:01\nGive me the [unintelligible].\n \nMaxine Gadd\n00:25:02\nIt goes with the poem. \n \nRichard (Dick) Sommer\n00:25:05\nWhen'd you do that? \n \nMaxine Gadd\n00:25:06\nWhat?\n \nRichard (Dick) Sommer\n00:25:07\nThis, this knot. \n \nMaxine Gadd\n00:25:08\nI tied myself into it. \n \nRichard (Dick) Sommer\n00:25:11\nOh, here we go. \n \nMaxine Gadd\n00:25:12\nI don't even know if I can find it. All these little pieces, pieces, pieces. Oh, here it is. Now how it goes, you have to keep quiet until...let's see now. He's never done this before.  \n \nRichard (Dick) Sommer\n00:25:40\nWhat did, yeah, what do you want me to do with it? \n \nMaxine Gadd\n00:25:42\nOkay, this is called \"Shore Animals\" and it's a speech piece with flute, and the flute has to listen. It can speak too. [Laughter]. You have to listen to it. You never heard it\n \nRichard (Dick) Sommer\n00:25:57\nI think it's learning how to speak. \n \nMaxine Gadd\n00:26:01\nIt's called \"Shore Animals,\" it's a speech piece with flute. \n \nMaxine Gadd\n00:26:07\nReads \"Shore Animals\" accompanied by Richard Sommer on flute.\n \nAudience\n00:30:13\nAudience.\n\nMaxine Gadd\n00:30:15\nMaybe I'll try to try that one…[audience applause continues throughout].\n\nRichard (Dick) Sommer\n00:30:24\nI'll give you your microphone back. \n \nMaxine Gadd\n00:30:25\nYes. How many minutes we got? \n \nRichard (Dick) Sommer\n00:30:29\nI don't know. [Unintelligible]. \n \nMaxine Gadd\n00:30:35\nOkay, I'm going to read, I'm going to do, this one's totally mindless, okay? It's dedicated to my friend Gerry Gilbert [https://www.wikidata.org/wiki/Q5552756] who used to like to do those trips. And you can go to sleep or something, because that's what I want you to do. \n \nMaxine Gadd\n00:30:51\nReads \"Cantaloup, 29 cents\".\n \nAudience\n00:38:33\nApplause. \n \nEND\n00:38:37\n[Unknown amount of time elapsed before start of next recording].\n\nandreas_schroeder_i006-11-109-3.mp3 [File 3 of 4]\n \nRichard (Dick) Sommer\n00:00:01\nOkay, we won't be using a flute this time, I think it's a bass trombone but I'm not sure.  It'll be up to Andy. I'd like to introduce to you Andy Schroeder.\n \nAudience\n00:00:15\nApplause.\n \nAndreas Schroeder\n00:00:40\nRight. Normally they hang you after a reading. Jesus. I'm going to read from, oh, just kind of a merry jaunt through various books. I think what I'll do is I'll read some of the, some poetry first, and then I'll slip over into fiction. I've just, two days ago, published a book called The Late Man of short fictions and extended prose poems and so on. The work that I've done is gone cyclic in terms of form. I started out with prose poems and went into much more of a linear poetry, and then went back to a fiction which was kind of a half prose poem, half short story, half God knows, film script. And right now I'm working hard at both styles. First book I published was called The Ozone Minotaur, and it was more surreal than anything I'm doing now. I really get very excited about illusions, and I guess that's probably what most of my work is all about. At first I was very interested in surreal illusions; now I'm very interested in real illusions, and I'm not sure there's any difference. Here's a prose poem from way back called \"Introduction\".\n \nAndreas Schroeder\n00:02:10\nReads \"Introduction\" from The Ozone Minotaur.\n \nAndreas Schroeder\n00:03:15\nAfter I found out that you couldn't live by writing poetry, I took a job with CPAir [https://www.wikidata.org/wiki/Q986941]. That doesn't really sound like a very logical progression, but anyway, it was a teletype machine that they put me on, I think I lasted about four days, but I got a poem out of it, and it's entitled \"Cables\".\n \nAndreas Schroeder\n00:03:35\nReads \"Cables\" [from The Ozone Minotaur].\n \nAndreas Schroeder\n00:05:29\nThis next book, File of Uncertainties, I supposed was kind of created when I woke up one morning and was overwhelmed with my own ignorance, so I decided to write a book about it. [Audience laughter]. And then I figured the best way to do it was to go up north and I did that, and I spent a winter up in Alaska [https://www.wikidata.org/wiki/Q797]. And that was where I really got into this illusion thing, because, you know, all the different, very very strange things that happen there, like white-outs, which you probably are familiar with here, as well, where a man suddenly loses all sense of up and down and forward and backward. They have better ones than that, though. They have, until the snowmobile rolls around, when people used to mush with dogs, they'd continually have this happening: a man would set off from one village for another, with his dogs, and he'd be perfectly well-dressed and perfectly well-fed, and apparently perfectly sane, and the dogs would arrive, and the sled would arrive but the man wouldn't, and they possibly found him and possibly not. But no one could ever understand what would make a man suddenly step off his sleigh and walk off in an entirely different direction to die. When he certainly didn't have it on his list of things to do when he left. They still haven't figured that out. Maybe it has something to do with the fact that man's body is made up of such an incredible percentage of water, and very strange things happen to water up there. [Audience laughter]. Anyway, I almost got caught by an avalanche, so I thought I'd check into it and I'd find out what you do if you do get caught by one, cause I figured by that time that survival was probably a good thing. So, they said, one of the things you do is, if you get caught by an avalanche, you make swimming motions with your hands. I guess the idea is that kind of tends to keep you close to the surface, which is a good place to be. Now...[audience laughter] the lovely illusion part, which really intrigued me, was that a man can survive under the snow up to a depth of approximately six feet, but only for a certain period of time, and apparently the closer you are to the surface, the better your chances are, and the way they dig for, well, it's not necessarily logical up there, at least it didn't seem like it, but the way they dig for a man like this is they use sounding rods, and these are very sensitive rods, like, almost like tuning forks, and they walk along, in a very definite rhythm, it's almost like a musical score, and they ram these poles in, one foot deep, about a foot at a time, and attempt to hit somebody that's buried underneath it. And then they go back again and they do it at two feet, and then at three feet and four feet to six feet, they don't go any deeper. Now the peculiar part of it is that they of course can't hear anyone, but the poor bugger that's under the snow can hear very, very clearly. And, you know, and he'll hear people saying, like I wonder where, I think there's a place he might be, and he'll be shouting in there, saying, \"I'm here,\" you know, \"I'm here!\" and they can't hear him, and it's really quite terrifying. Sound only travels one way through an avalanche, I don't...[Audience laughter]. Anyway, I'll, let me read some poems about it, I'll...File of Uncertainties was written in a very short time and mostly about the same thing, and you'll find recurring images all the way through, stylistic things that are similar all the way through, and the poems, because they match together fairly tightly, I didn't even bother naming them, I just numbered them, because they're all part of the same sequence. This is number four. \n \nAndreas Schroeder\n00:09:27\nReads \"File of Uncertainties: #4\" from File of Uncertainties.\n \nAndreas Schroeder\n00:10:25\nReads \"File of Uncertainties: #3\" from File of Uncertainties.\n\nAndreas Schroeder\n00:12:13\nReads \"File of Uncertainties: #5\" from File of Uncertainties.\n \nAndreas Schroeder\n00:12:54\nReads \"File of Uncertainties: #8\" from File of Uncertainties.\n \nAndreas Schroeder\n00:13:50\nI took up sky-diving after I came back and, because...yeah, believe it or not, it had very similar illusions going for it again. When...it's much like the white-out. When you jump off an aircraft, and it banks away, generally to your left, then you suddenly lose all points of reference. And because the earth below you is much too far away to really mean anything, and your parachute is still on your back, in other words not opened, so you can't, you haven't got anything above you either, you suddenly get hit with this incredibly stony silence, and absolutely nothing happens. I mean, you don't fall, you're not moving, you're not even really thinking because it's so suddenly quiet. It seems like everything just freezes. And in fact you're falling at about three hundred feet a second, but you have no sense of it whatsoever. And you just stand there in the sky, and kind of look around, and nothing is going on. Which is why you're not supposed to be stoned when you skydive because, [audience laughter] sometimes people tend to forget, you know. So I wrote a poem about it, and, actually it's not...well anything. It's “#9”, is what it is. \n \nAndreas Schroeder\n00:15:18\nReads \"#9\" [from File of Uncertainties].\n \nAndreas Schroeder\n00:17:31\nAlright, here's another poem from the north--\"#12\".\n \nAndreas Schroeder\n00:17:38\nReads \"# 12\".\n \nAndreas Schroeder\n00:18:29\nI think I'll just let that go for a minute there and go into some prose and then I'll just read some unpublished poems. This first story that I'm going to read is entitled \"The Tree\", and I wrote it after I met a very lovely old man down in Australia [https://www.wikidata.org/wiki/Q408]. Very old. He was an aborigine, and we tried to communicate; he didn't know my language and I didn't know his, which is maybe why we got along so well, but anyway, I built a story up on him. This was on a coral island...of course all islands down there are coral islands. \n \nAnnotationAndreas Schroeder\n00:19:19\nReads \"The Tree\" [from The Late Man].\n \nAudience\n00:25:45\nApplause.\n \nAndreas Schroeder\n00:25:54\nHere's another short one, entitled \"The Pub\", sort of a frenzied affair. They don't--it's sort of illegal to have fights in pubs, and in Vancouver I was the very happy observer of one, finally. Pub fights have sort of a beautiful ritualistic thing as long as you're not involved, like if you're just kind of watching, and the Cecil Hotel staged one one night and after that I wrote this, although it has nothing to do with that. \n \nAndreas Schroeder\n00:26:23\nReads \"The Pub\" [from The Late Man].\n \nAudience\n00:31:28\nApplause.\n \nEND\n00:31:32\n[Unknown amount of time elapsed before start of next recording].\n\nandreas_schroeder_i006-11-109-4.mp3 [File 4 of 4]\n \nAndreas Schroeder\n00:00:00\nReads [“The Theft” from The Late Man]. \n \nAudience\n00:05:03\nApplause.\n \nAndreas Schroeder\n00:05:09\nRight, just one more. This one is, is quite different. Quite different. In fact, if there is such a thing as a manifesto, I guess that's what it is. Or let's say it's a map or something about roughly where I'm at. It's called \"The Cage\".\n \nAndreas Schroeder\n00:05:32\nReads \"The Cage\" [from The Late Man]. \n \nAndreas Schroeder\n00:15:11\nThat's all. \n \nAudience\n00:15:12\nApplause.\n \nAndreas Schroeder\n00:15:19\nI don't know how to get that off. \n \nEND\n00:15:24"],"Note":["[{\"note\":\"Year-Specific Information:\\n\\nMaxine Gadd had published air two the previous year (1971), and was living in a commune on Galiano Island. Backup to Babylon: poems 1972-1987 collects poems Gadd wrote in 1972.\\n\\nIn 1972, Schroeder had just finished publishing The late man and File of Uncertainties, was editing The Journal of Contemporary Literature in Translation, writing for the Vancouver Province, and was completing his M.A. from UBC.\",\"type\":\"General\"},{\"note\":\"Local Connections:\\n\\nWhile shying away from mainstream poetic circles and public life, Gadd’s work and life has been deeply rooted in Canadian artistic discourse, creating a community and social activism. A Vancouver poet, Gadd was associated with other writers like Gerry Gilbert, Roy Kiyooka, bill bissett, and Daphne Marlatt. She met George Bowering, David Bromige and Lionel Kearns in Earle Birney’s UBC creative writing classes in the early 60’s.\\n\\nAlso a Vancouver writer, Schroeder has contributed over a dozen publications to Canadian literature, in poetry, prose, non-fiction, fiction, young adult non-fiction as well as contributing to CBC radio shows and Vancouver newspapers. A professor in Creative Non-fiction at the University of British Columbia, Schroeder has also represented writers in political positions and unions.\",\"type\":\"General\"},{\"note\":\"4 reel-to-reel tapes>4 CDs>4 digital files\",\"type\":\"Preservation\"},{\"note\":\"Original transcript by Rachel Kyne\\n\\nOriginal print catalogue, introduction, research and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Ali Barillaro\",\"type\":\"Cataloguer\"}]"],"Related_works":["[{\"url\":\"http://www.thinkcity.ca/node/133\",\"citation\":\"“Andreas Schroeder”. Story Tellers. Think City: Ideas for the 21st Century Vancouver. Think City Society, Vancouver, B.C. \"},{\"url\":\"https://www.annickpress.com/Contributors/S/Schroeder-Andreas\",\"citation\":\"“Andreas Schroder”. Authors. Annick Press: Excellence & Innovation in Children’s Literature. \"},{\"url\":\"https://www.writersunion.ca/member/andreas-schroeder\",\"citation\":\"“Andreas Schroeder”. Members’ Pages. The Writers’ Union of Canada.  2009. \"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-canadian-literature/oclc/605246871&referer=brief_results\",\"citation\":\"Davey, Frank. \\\"Schroeder, Andreas\\\". The Oxford Companion to Canadian Literature. Eugene Benson and William Toye (eds). Oxford University Press 2001. \"},{\"url\":\"https://www.worldcat.org/title/air-two/oclc/53868052&referer=brief_results\",\"citation\":\"Gadd, Maxine. air two. Vancouver: Air, 1971. \"},{\"url\":\"https://www.worldcat.org/title/lost-language-selected-poems/oclc/8919395&referer=brief_results\",\"citation\":\"Gadd, Maxine. Lost Language: Selected Poems. Daphne Marlatt and Ingrid Klassen (eds). Toronto: Coach House Press, 1982. \"},{\"url\":\"http://intermedia.vancouverartinthesixties.com/voices/012\",\"citation\":\"“Intermedia”. The Intermedia Catalogue. The Michael de Courcy Archive, 2009. \"},{\"url\":\"http://www.ccca.ca/history/ozz/english/authors/gadd_maxine.html\",\"citation\":\"(Maxine Gadd) “Maxine Gadd”. One Zero Zero: A Virtual Library of English Canadian Small Presses 1945-2044. Centre for Contemporary Canadian Art: York University, Toronto, 1997.  \"},{\"url\":\"http:// www.newstarbooks.com/author.php?author_id=3119\",\"citation\":\"“Maxine Gadd”. New Star Books website. Vancouver, British Columbia. \"},{\"url\":\"http://12or20questions.blogspot.com/2008/01/12-or-20-questions-with-maxine-gadd.html\",\"citation\":\"McLennan, Rob. “12 or 20 Questions: with Maxine Gadd”. Rob McLennan’s Blog. January 11, 2008.\"},{\"url\":\"http://www.vancouverartinthesixties.com/people/31\",\"citation\":\"“People: Maxine Gadd”. Ruins in Process: Vancouver Art in the Sixties. Digital Archive of Artwork, Ephemera and Film.\"},{\"url\":\"https://www.worldcat.org/title/ozone-minotaur/oclc/806554234&referer=brief_results\",\"citation\":\"Schroeder, Andreas. The Ozone Minotaur. Vancouver: Sono Nis Press, 1969. \"},{\"url\":\"https://www.worldcat.org/title/file-of-uncertainties-poems/oclc/421970309&referer=brief_results\",\"citation\":\"Schroeder, Andreas. File of Uncertainties: Poems. Vancouver: Sono Nis Press, 1971. \"},{\"url\":\"https://www.worldcat.org/title/late-man/oclc/654160621&referer=brief_results\",\"citation\":\"Schroeder, Andreas. The Late Man. Vancouver: Sono Nis Press, 1972. \"}]"],"_version_":1853670548949696512,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\" https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0109-1_tape.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0109-1_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Gadd and Schroeder Tape Box 1 - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2015/01/I0006_11_0109-1_front.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0109-1_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Gadd and Schroeder Tape Box 1 - 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Front\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2015/01/I0006_11_0109-4_back.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0109-4_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Gadd and Schroeder Tape Box 4 - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2015/01/I0006_11_0109-4_side.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0109-4_side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Gadd and Schroeder Tape Box 4 - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/andreas_schroeder_1_i006-11-109-3.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"andreas_schroeder_i006-11-109-3.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:31:32\",\"precision\":\"\",\"size\":\"75.7 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"andreas_schroeder_i006-11-109-3.mp3 [File 3 of 4]\\n \\nRichard (Dick) Sommer\\n00:00:01\\nOkay, we won't be using a flute this time, I think it's a bass trombone but I'm not sure.  It'll be up to Andy. I'd like to introduce to you Andy Schroeder.\\n \\nAudience\\n00:00:15\\nApplause.\\n \\nAndreas Schroeder\\n00:00:40\\nRight. Normally they hang you after a reading. Jesus. I'm going to read from, oh, just kind of a merry jaunt through various books. I think what I'll do is I'll read some of the, some poetry first, and then I'll slip over into fiction. I've just, two days ago, published a book called The Late Man of short fictions and extended prose poems and so on. The work that I've done is gone cyclic in terms of form. I started out with prose poems and went into much more of a linear poetry, and then went back to a fiction which was kind of a half prose poem, half short story, half God knows, film script. And right now I'm working hard at both styles. First book I published was called The Ozone Minotaur, and it was more surreal than anything I'm doing now. I really get very excited about illusions, and I guess that's probably what most of my work is all about. At first I was very interested in surreal illusions; now I'm very interested in real illusions, and I'm not sure there's any difference. Here's a prose poem from way back called \\\"Introduction\\\".\\n \\nAndreas Schroeder\\n00:02:10\\nReads \\\"Introduction\\\" from The Ozone Minotaur.\\n \\nAndreas Schroeder\\n00:03:15\\nAfter I found out that you couldn't live by writing poetry, I took a job with CPAir [https://www.wikidata.org/wiki/Q986941]. That doesn't really sound like a very logical progression, but anyway, it was a teletype machine that they put me on, I think I lasted about four days, but I got a poem out of it, and it's entitled \\\"Cables\\\".\\n \\nAndreas Schroeder\\n00:03:35\\nReads \\\"Cables\\\" [from The Ozone Minotaur].\\n \\nAndreas Schroeder\\n00:05:29\\nThis next book, File of Uncertainties, I supposed was kind of created when I woke up one morning and was overwhelmed with my own ignorance, so I decided to write a book about it. [Audience laughter]. And then I figured the best way to do it was to go up north and I did that, and I spent a winter up in Alaska [https://www.wikidata.org/wiki/Q797]. And that was where I really got into this illusion thing, because, you know, all the different, very very strange things that happen there, like white-outs, which you probably are familiar with here, as well, where a man suddenly loses all sense of up and down and forward and backward. They have better ones than that, though. They have, until the snowmobile rolls around, when people used to mush with dogs, they'd continually have this happening: a man would set off from one village for another, with his dogs, and he'd be perfectly well-dressed and perfectly well-fed, and apparently perfectly sane, and the dogs would arrive, and the sled would arrive but the man wouldn't, and they possibly found him and possibly not. But no one could ever understand what would make a man suddenly step off his sleigh and walk off in an entirely different direction to die. When he certainly didn't have it on his list of things to do when he left. They still haven't figured that out. Maybe it has something to do with the fact that man's body is made up of such an incredible percentage of water, and very strange things happen to water up there. [Audience laughter]. Anyway, I almost got caught by an avalanche, so I thought I'd check into it and I'd find out what you do if you do get caught by one, cause I figured by that time that survival was probably a good thing. So, they said, one of the things you do is, if you get caught by an avalanche, you make swimming motions with your hands. I guess the idea is that kind of tends to keep you close to the surface, which is a good place to be. Now...[audience laughter] the lovely illusion part, which really intrigued me, was that a man can survive under the snow up to a depth of approximately six feet, but only for a certain period of time, and apparently the closer you are to the surface, the better your chances are, and the way they dig for, well, it's not necessarily logical up there, at least it didn't seem like it, but the way they dig for a man like this is they use sounding rods, and these are very sensitive rods, like, almost like tuning forks, and they walk along, in a very definite rhythm, it's almost like a musical score, and they ram these poles in, one foot deep, about a foot at a time, and attempt to hit somebody that's buried underneath it. And then they go back again and they do it at two feet, and then at three feet and four feet to six feet, they don't go any deeper. Now the peculiar part of it is that they of course can't hear anyone, but the poor bugger that's under the snow can hear very, very clearly. And, you know, and he'll hear people saying, like I wonder where, I think there's a place he might be, and he'll be shouting in there, saying, \\\"I'm here,\\\" you know, \\\"I'm here!\\\" and they can't hear him, and it's really quite terrifying. Sound only travels one way through an avalanche, I don't...[Audience laughter]. Anyway, I'll, let me read some poems about it, I'll...File of Uncertainties was written in a very short time and mostly about the same thing, and you'll find recurring images all the way through, stylistic things that are similar all the way through, and the poems, because they match together fairly tightly, I didn't even bother naming them, I just numbered them, because they're all part of the same sequence. This is number four. \\n \\nAndreas Schroeder\\n00:09:27\\nReads \\\"File of Uncertainties: #4\\\" from File of Uncertainties.\\n \\nAndreas Schroeder\\n00:10:25\\nReads \\\"File of Uncertainties: #3\\\" from File of Uncertainties.\\n\\nAndreas Schroeder\\n00:12:13\\nReads \\\"File of Uncertainties: #5\\\" from File of Uncertainties.\\n \\nAndreas Schroeder\\n00:12:54\\nReads \\\"File of Uncertainties: #8\\\" from File of Uncertainties.\\n \\nAndreas Schroeder\\n00:13:50\\nI took up sky-diving after I came back and, because...yeah, believe it or not, it had very similar illusions going for it again. When...it's much like the white-out. When you jump off an aircraft, and it banks away, generally to your left, then you suddenly lose all points of reference. And because the earth below you is much too far away to really mean anything, and your parachute is still on your back, in other words not opened, so you can't, you haven't got anything above you either, you suddenly get hit with this incredibly stony silence, and absolutely nothing happens. I mean, you don't fall, you're not moving, you're not even really thinking because it's so suddenly quiet. It seems like everything just freezes. And in fact you're falling at about three hundred feet a second, but you have no sense of it whatsoever. And you just stand there in the sky, and kind of look around, and nothing is going on. Which is why you're not supposed to be stoned when you skydive because, [audience laughter] sometimes people tend to forget, you know. So I wrote a poem about it, and, actually it's not...well anything. It's “#9”, is what it is. \\n \\nAndreas Schroeder\\n00:15:18\\nReads \\\"#9\\\" [from File of Uncertainties].\\n \\nAndreas Schroeder\\n00:17:31\\nAlright, here's another poem from the north--\\\"#12\\\".\\n \\nAndreas Schroeder\\n00:17:38\\nReads \\\"# 12\\\".\\n \\nAndreas Schroeder\\n00:18:29\\nI think I'll just let that go for a minute there and go into some prose and then I'll just read some unpublished poems. This first story that I'm going to read is entitled \\\"The Tree\\\", and I wrote it after I met a very lovely old man down in Australia [https://www.wikidata.org/wiki/Q408]. Very old. He was an aborigine, and we tried to communicate; he didn't know my language and I didn't know his, which is maybe why we got along so well, but anyway, I built a story up on him. This was on a coral island...of course all islands down there are coral islands. \\n \\nAnnotationAndreas Schroeder\\n00:19:19\\nReads \\\"The Tree\\\" [from The Late Man].\\n \\nAudience\\n00:25:45\\nApplause.\\n \\nAndreas Schroeder\\n00:25:54\\nHere's another short one, entitled \\\"The Pub\\\", sort of a frenzied affair. They don't--it's sort of illegal to have fights in pubs, and in Vancouver I was the very happy observer of one, finally. Pub fights have sort of a beautiful ritualistic thing as long as you're not involved, like if you're just kind of watching, and the Cecil Hotel staged one one night and after that I wrote this, although it has nothing to do with that. \\n \\nAndreas Schroeder\\n00:26:23\\nReads \\\"The Pub\\\" [from The Late Man].\\n \\nAudience\\n00:31:28\\nApplause.\\n \\nEND\\n00:31:32\\n[Unknown amount of time elapsed before start of next recording].\",\"notes\":\"Andreas Schroeder reads from The Late Man (SonoNis Press, 1971), The Ozone Minotaur (SoNoNis Press, 1969) and File of Uncertainties (SoNoNis Press, 1971).\\n\\n00:01- Introducer (George Bowering?) introduces Andreas Schroeder. (As Andy).\\n00:40- Andreas Schroeder introduces reading and “Introduction”. [INDEX: The Late Man, prose poetry, form, short fiction, linear poetry, film script (genres melding together), first book The Ozone Minotaur, surreal illusions; from The Ozone Minotaur (SoNoNis Press, 1969).]\\n02:10- Reads “Introduction”.\\n03:15- Introduces “Cables”. [INDEX: CPAir job, teletype machine; from The Ozone Minotaur (SoNoNis Press, 1969).]\\n03:35- Reads “Cables”.\\n05:29- Introduces “File of Uncertainties: IV” and his next book, File of Uncertainties    (SoNoNis Press, 1971). [INDEX: creation of File of Uncertainties, ignorance, spent a      \\twinter in Alaska, illusions, avalanche, survival of man in an avalanche, sounding rods; from File of Uncertainties, (SoNoNis Press, 1971).]\\n09:27- Reads “File of Uncertainties: IV”.\\n10:25- Reads “File of Uncertainties: III”.\\n12:13- Reads “File of Uncertainties: V”.\\n12:54- Reads “File of Uncertainties: VIII”.\\n13:50- Introduces “Number IX”. [INDEX: Sky-diving experiences.]\\n15:18- Reads “Number IX”.\\n17:42- Introduces “Number XII”. [INDEX: poem from the North.]\\n17:38- Reads “Number XII”.\\n18:29- Introduces “The Tree”. [INDEX: prose, Australia, aborigine, coral island; from The Late Man (SoNoNis Press, 1971).]\\n19:19- Reads “The Tree”.\\n25:54- Introduces “The Pub”. [INDEX: Vancouver: illegal pub fights, Cecil Hotel; from The Late Man (SoNoNis Press, 1971).]\\n26:23- Reads “The Pub”.\\n31:32.07- END OF RECORDING\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/andreas-schroeder-at-sgwu-1972/#1\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/andreas_schroeder_2_i006-11-109-4.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"andreas_schroeder_i006-11-109-4.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:15:24\",\"precision\":\"\",\"size\":\"37 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"andreas_schroeder_i006-11-109-4.mp3 [File 4 of 4]\\n \\nAndreas Schroeder\\n00:00:00\\nReads [“The Theft” from The Late Man]. \\n \\nAudience\\n00:05:03\\nApplause.\\n \\nAndreas Schroeder\\n00:05:09\\nRight, just one more. This one is, is quite different. Quite different. In fact, if there is such a thing as a manifesto, I guess that's what it is. Or let's say it's a map or something about roughly where I'm at. It's called \\\"The Cage\\\".\\n \\nAndreas Schroeder\\n00:05:32\\nReads \\\"The Cage\\\" [from The Late Man]. \\n \\nAndreas Schroeder\\n00:15:11\\nThat's all. \\n \\nAudience\\n00:15:12\\nApplause.\\n \\nAndreas Schroeder\\n00:15:19\\nI don't know how to get that off. \\n \\nEND\\n00:15:24\",\"notes\":\"Andreas Schroeder reads from The Late Man (SonoNis Press, 1971), The Ozone Minotaur (SoNoNis Press, 1969) and File of Uncertainties (SoNoNis Press, 1971).\\n\\n00:00- Recording begins suddenly with Andreas Schroeder, potential first line “The living room was littered with papers, pens, bottles...” (short story).    \\n05:09- Introduces “The Cage”. [INDEX: manifesto, map.]\\n05:32- Reads “The Cage”.\\n15:24.10- END OF RECORDING.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/andreas-schroeder-at-sgwu-1972/#2\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/maxine_gadd_i006-11-109-2.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"maxine_gadd_i006-11-109-2.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:38:37\",\"precision\":\"\",\"size\":\"92.7 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"maxine_gadd_i006-11-109-2.mp3 [File 2 of 4]\\n\\nMaxine Gadd\\n00:00:00\\nReads unnamed poem [recording begins abruptly].\\n \\nMaxine Gadd\\n00:02:20\\nReads unnamed poem.\\n \\nMaxine Gadd\\n00:11:10\\nThis is the thing that the guy that held onto the raft for fourteen days knew. This is what Armstrong [https://www.wikidata.org/wiki/Q1615], Collins [https://www.wikidata.org/wiki/Q104859] and Reilley [https://www.wikidata.org/wiki/Q739214] out there, those astronauts, this is what they saved up for. It had to be good. \\n \\nMaxine Gadd\\n00:11:29\\nReads unnamed poem.\\n \\nMaxine Gadd\\n00:23:31\\nThat's the end of that one. \\n \\nAudience\\n00:23:33\\nApplause.\\n \\nMaxine Gadd\\n00:23:40\\nI think I made enough noise for a while, huh? My voice is getting sort of sore, or, you know, like that was a trip, so. I got a lot of poems, but...Did you feel like reading now or should we have a break or what? Do you think...do you think we should read some more or what? I got...You want to read some more? \\n \\nUnknown\\n00:23:59\\nAmbient Sound [voices].\\n\\nRichard (Dick) Sommer\\n00:24:03\\nDo you want to read some more? \\n \\nMaxine Gadd\\n00:24:04\\nI don't know. I've not nothing in particular form, just bits, that's the problem. \\n \\nRichard (Dick) Sommer\\n00:24:12\\nYou can't do the one on the Goat-god....\\n \\nMaxine Gadd\\n00:24:13\\nOkay, I'll do the Goat-god. Well okay, do you want to try improvising to a trip that's here? I'll let you read it. \\n \\nRichard (Dick) Sommer\\n00:24:22\\nSeriously, I'll do that? \\n \\nMaxine Gadd\\n00:24:23\\nYeah. It's just going to be some sounds. \\n \\nRichard (Dick) Sommer\\n00:24:24\\nOkay. I don't know if I can…[unintelligible].\\n \\nMaxine Gadd\\n00:24:27\\nI gotta find it first. What's that? Are we on? Oh, sorry. God. \\n \\nUnknown\\n00:24:38\\nAmbient Sound [voices].\\n \\nMaxine Gadd\\n00:24:39\\nWhat? The flute? I think it's over there. For fun...the same message...I'm asking...Richard's going to make some noise with my flute. \\n \\nRichard (Dick) Sommer\\n00:24:55\\nI'll make some noise if you'll give me a microphone. \\n \\nMaxine Gadd\\n00:24:57\\nOkay. Which one do you want? Let's share it. \\n \\nRichard (Dick) Sommer\\n00:25:01\\nGive me the [unintelligible].\\n \\nMaxine Gadd\\n00:25:02\\nIt goes with the poem. \\n \\nRichard (Dick) Sommer\\n00:25:05\\nWhen'd you do that? \\n \\nMaxine Gadd\\n00:25:06\\nWhat?\\n \\nRichard (Dick) Sommer\\n00:25:07\\nThis, this knot. \\n \\nMaxine Gadd\\n00:25:08\\nI tied myself into it. \\n \\nRichard (Dick) Sommer\\n00:25:11\\nOh, here we go. \\n \\nMaxine Gadd\\n00:25:12\\nI don't even know if I can find it. All these little pieces, pieces, pieces. Oh, here it is. Now how it goes, you have to keep quiet until...let's see now. He's never done this before.  \\n \\nRichard (Dick) Sommer\\n00:25:40\\nWhat did, yeah, what do you want me to do with it? \\n \\nMaxine Gadd\\n00:25:42\\nOkay, this is called \\\"Shore Animals\\\" and it's a speech piece with flute, and the flute has to listen. It can speak too. [Laughter]. You have to listen to it. You never heard it\\n \\nRichard (Dick) Sommer\\n00:25:57\\nI think it's learning how to speak. \\n \\nMaxine Gadd\\n00:26:01\\nIt's called \\\"Shore Animals,\\\" it's a speech piece with flute. \\n \\nMaxine Gadd\\n00:26:07\\nReads \\\"Shore Animals\\\" accompanied by Richard Sommer on flute.\\n \\nAudience\\n00:30:13\\nAudience.\\n\\nMaxine Gadd\\n00:30:15\\nMaybe I'll try to try that one…[audience applause continues throughout].\\n\\nRichard (Dick) Sommer\\n00:30:24\\nI'll give you your microphone back. \\n \\nMaxine Gadd\\n00:30:25\\nYes. How many minutes we got? \\n \\nRichard (Dick) Sommer\\n00:30:29\\nI don't know. [Unintelligible]. \\n \\nMaxine Gadd\\n00:30:35\\nOkay, I'm going to read, I'm going to do, this one's totally mindless, okay? It's dedicated to my friend Gerry Gilbert [https://www.wikidata.org/wiki/Q5552756] who used to like to do those trips. And you can go to sleep or something, because that's what I want you to do. \\n \\nMaxine Gadd\\n00:30:51\\nReads \\\"Cantaloup, 29 cents\\\".\\n \\nAudience\\n00:38:33\\nApplause. \\n \\nEND\\n00:38:37\\n[Unknown amount of time elapsed before start of next recording].\",\"notes\":\"Maxine Gadd reads several poems that were later collected in Lost Language (Coach House Press, 1982), one poem from air two (Air, 1971), but it is likely that many other poems went unpublished.\\n\\n00:00- Maxine Gadd reads, recording starts immediately, possible first line “Big there lady all come together...” [INDEX: from unknown source.]\\n02:20- Potential first line or continuation of last poem: “I promised to Hackett, though the        memory’s gone, of all I thought worthy to tell you, the person”.\\n02:29- Reads unknown poem, first line “The glistening tower in the ozone...”\\n11:10- Introduces unknown poem, first line “I am obedient to every sign...” [INDEX:    Armstrong, Collins, Riley, astronauts; from unknown source.]\\n11:29- Reads first line “I am obedient to every sign...”\\n15:48- Continues with “At this point there’s a maniac treading the stairs above my head...”\\n19:49- Continues with “No burn- the doctor promised this won’t hurt...”\\n24:12- Richard (Sommer?) asks for poem to be read, they sort out a collaboration with Richard and a flute [INDEX: God-goat poem, improvisation: music and poetry]\\n25:42- Gadd introduces “Shore Animals” [INDEX: from unknown source]\\n26:07- Reads “Shore Animals”, flute played by Richard\\n30:13- Sorting out of microphones, etc.\\n30:35- Introduces “Cantaloup, 29 cents” [INDEX: Gerry Gilbert; from unknown source]\\n30:51- Reads “Cantaloup, 29 cents”\\n38:37.60- END OF RECORDING.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/maxine-gadd-at-sgwu-1972/#2\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/maxine_gadd_i006-11-109-1.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"maxine_gadd_i006-11-109-1.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:21:09\",\"precision\":\"\",\"size\":\"50.8 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"maxine_gadd_i006-11-109-1.mp3 [File 1 of 4]\\n \\nRichard (Dick)  Sommer\\n00:00:00\\nI'd like to introduce you to two poets who are Vancouver [https://www.wikidata.org/wiki/Q24639] friends of mine. Their poetry is quite different, as you'll discover. But from my own point of view, they...I owe both of them a debt that is similar in both cases though neither probably knows it. They've made me, in their own ways, rethink my own feelings about  what ought to constitute poetry and poems. And in the case of Maxine Gadd, this thinking went into a review which was then sent to the Firepoint which then folded. So you may never see that. And in the case of Andy Schroeder [https://www.wikidata.org/wiki/Q4755619], found its way into a long tape harangue between the two of us on the subject of form in poetry. Which I think is now in the Sir George Williams Library [https://www.wikidata.org/wiki/Q5159005], where any of you can endure it if you wish to. At any rate, the first of these poets to read will be Maxine Gadd. There will be a fifteen minute break, and then Andreas Schroeder will read. Maxine. \\n \\nAudience\\n00:01:32\\nApplause. \\n \\nRichard (Dick) Sommer\\n00:02:01\\nYou're plugged in. \\n \\nMaxine Gadd\\n00:02:03\\nOh boy. Can you hear me? I don't know how much projection to do. I don't know how much to talk about the poetry. My connection is very loose to the mainstream I guess, because, I don't know, I'm just not socially related to what's going on maybe in the poetry reading. I guess my identifications with words are somewhat with a West Coast hippie trip. And between the country and the city, the first feeling being, you know, the desire for purity, you know when you're seventeen or eighteen years old and you've figured the country life is it. And later coming to realize the necessity of the communal life and the city. So I think that's a task I'm going to try to set myself right here. I...this...I'm going to read first of all the second \\\"well\\\" poem, which I did, experienced in the country, living in the country. I remember the first \\\"well\\\" poem, I don't remember where it's gone, because it didn't get published. I disregarded its importance, you know. I tended to take the judgment of editors, and you know, people that set themselves up as authorities, and that's why I'm here, you know. I've kept close enough to them, I guess. I remember the first one went something like, \\\"Wanting pure water I went to the well/too wonderful\\\"...and there was something about the oracle as the bucket clacked. This is the “Second Well Poem”. \\n \\nMaxine Gadd\\n00:03:57\\nReads \\\"Second Well Poem\\\" [published later as “Well poem” in Lost Language].\\n\\nMaxine Gadd\\n00:04:41\\nWhich is about where I feel right now. But that's about where my connection to poetry is right now. I wonder if that...I wonder if that one's around. I don't think it is. I guess I'll just take it as it comes. There's some scheme in this. I guess, I got published by a cat, by bill bissett [https://www.wikidata.org/wiki/Q4911496] you might have heard, who did the thing, did the guru thing, the super-energy thing of getting a lot of work done, and getting a lot of people's work out, and a lot of his work out, a lot of it was real shit but he got it out, you know, and some of it worked and some of it didn't, but there was so much of it, you know...I'd like to have had that confidence, you know, I guess almost, most people write poetry, they've got it all in their trunk, you know, they don't get it out. But I guess that's what it takes. This is from one of his first, really cheap magazines. He put, he...it's typed, you know. Pretty good typing. His typing got worse, I get very angry, he makes lots of mistakes. But he did a lot of drawings and things, if anybody wants to look at it, you know.  I mean, he did it minimum, you know, he was living really poor. And a lot of people still read his stuff, so, I mean, to me he was a folk poet in that sense, a lot of people still read his stuff because he got the stuff out cheap, you know. \\\"Trip\\\".\\n \\nMaxine Gadd\\n00:06:05\\nReads \\\"Trip\\\".\\n \\nMaxine Gadd\\n00:07:47\\nI'm going to go over there. This one is to a poet who is in the, is in another world, okay? He looks like a silver lizard, and he's very beautiful, and he knows all about the Greek trip, and Eleusis, which is one's talking about in the first poem, okay, the oracles from under the ground, that belief you must start out with. It's called...and it's admiration, as well as a bit of terror.\\n \\nMaxine Gadd\\n00:08:22\\nReads unnamed poem. \\n \\nMaxine Gadd\\n00:10:19\\nLeary, I should have mentioned, was Timothy Leary. Oh, I should have explained that before, yeah. Oh yeah, this is where I met...now I don't like it okay? And it's probably not a good poem. But that's, that's...you know, that's...the kind of art form I'd like to have seen as a collective art form, was what I yearned and hoped for. Poetry is what people write in rooms alone, and I don't like...I don't, you know, that's what I was stuck with. And I worked for a while with a group in Vancouver called, named, we called it \\\"Intermedia\\\". And I had the experience of working with a group, at one point there were five of us poets, you know, or what we called poets. And we'd go around to various places, we went to Edmonton [https://www.wikidata.org/wiki/Q2096] one time, and we tried things, we tried chanting and wailing, like, was it...who was that crazy old lady. Sitwell, Edith Sitwell [https://www.wikidata.org/wiki/Q259921], remember her? And if you ever heard the sort of sing, the song, sing sing she used to do, you know, we tried that. And it really worked, you know, but you'd go around and you'd say, \\\"Do you dig the poems?\\\" and they'd say, \\\"I can't hear them, but we really like your voice.\\\" You know. [Audience laughter]. So, you know, left that, you got an ache in the gut or something.   \\n \\nMaxine Gadd\\n00:11:37\\nReads \\\"Ratio\\\".\\n \\nMaxine Gadd\\n00:12:48\\nI don't like it. I don't want to be there. Here's one from last year. I got into printing stuff myself, you know, and I do that--I wish, oh, you can't see it, can you? It was mimeograph, it was real cheap, you know? And you could take images, you could take newspaper articles, you could take scraps of anything you saw that you dug, you know, put 'em together, and to me that was a, that was a form of concrete poetry. Can't, of course, I don't know, you couldn't really say that one or any number of them. This one is half-said, okay. Behind it I put a map, I found a map of B.C. [https://www.wikidata.org/wiki/Q1974]and Minster Island [https://www.wikidata.org/wiki/Q21906024] was a map, was an island I found once when I was working on a ship as a mess girl, on a freighter. \\n \\nMaxine Gadd\\n00:13:46\\nReads unnamed poem.\\n \\nMaxine Gadd\\n00:15:33\\nAnd where that ended up was just over the name Bella Coola [https://www.wikidata.org/wiki/Q815765], which is sort of where they do, can fish. There's no escape, though, you know? And...so then I want to read about Kitsilano [https://www.wikidata.org/wiki/Q4179275], where most of...I happened, you know, I grew up. Kitsilano's a sort of slum district of Vancouver. And it's disintegrating, and you probably all experienced this, you know, being city people, you know, they're bulldozing the places, there's no more cheap places to live, and so your friends, you know, you can't live there anymore, your friends can't live there anymore, so whatever you had, which was sometimes very heavy, you know, community's really beautiful, you know? I used to go over and play music with my friends. We had to move out, you know, because the city's being destroyed, and only the people who are well-to-do, who have some sort of stake in the city, you know, who are supporting the structure can stay. And this poem is about somebody who I met one day on the street, you know, and her story, she's sort of sick, just on the street, everything's falling to pieces. \\n \\nMaxine Gadd\\n00:16:55\\nReads “bee-people on 4th avenue” [published later in Lost Language].\\n\\nMaxine Gadd\\n00:18:32\\nWho's singing out there? But here, on the next street, you know, I ran into a friend of mine. Her name's Martina. And, you know, we're about the same age, and we've been through a lot of things, and, we've been through some bad things, you know, lots of rejections and refusal, no, there's no food now, you can't have any, go away, you know, fighting over somebody or other. \\n \\nMaxine Gadd\\n00:18:58\\nReads “4th ave” [published later in Lost Language].\\n \\nMaxine Gadd\\n00:20:49\\nUs old ladies. Okay, but that's not entirely true. I got involved into all that magic stuff, you know, the Sufis, and into politics, and like this summer I hope I'm going to start some sort of woman's centre, back where I live, you know. \\n \\nEND\\n00:21:09\\n[Unknown amount of time elapsed before start of next recording].\",\"notes\":\"Maxine Gadd reads several poems that were later collected in Lost Language (Coach House Press, 1982), one poem from air two (Air, 1971), but it is likely that many other poems went unpublished. \\n\\n00:00- Unknown Introducer (George Bowering?) introduces Andreas Schroeder and Maxine Gadd [INDEX: Vancouver poets, Firepoint magazine, tape interview between Schroeder and Introducer found in the Sir George Williams Library (not there anymore).]\\n02:03- Maxine Gadd introduces “The Second Well Poem”.  [INDEX: mainstream poetry, poetry scene (being outside of), country vs. city life, role of editors; perhaps published as “Well Poem” in Lost Language (1982).]\\n03:57- Reads “The Second Well Poem”.\\n04:41- Introduces “Trip”. [INDEX: Gadd’s connection to poetry, bill bissett publishing her    book, publishing poetry; from unknown source.]\\n06:05- Reads “Trip”.\\n07:47- Introduces unknown poem, first line “Robin has the horse in hand...”. [INDEX: Greek trip, Eleusis, oracles; from unknown source.]\\n08:22- Reads unknown poem, first line “Robin has the horse in hand...”.\\n10:19- Introduces “Ratio”. [INDEX: explains “Leary” from previous poem is Timothy Leary, \\tcollective art forms, working with Intermedia in Vancouver, poetry group traveled to Edmonton, Edith Sitwell.]\\n11:37- Reads “Ratio”.\\n12:48- Introduces unknown poem, first line “Heading up to Minster Island”. [INDEX: self        publishing poems, collages, form of concrete poetry, map of B.C., worked as a mess girl on a freighter.]\\n13:46- Reads unknown poem, first line “Heading up to Minster Island”.\\n15:33- Introduces “bee-people on 4th avenue”. [INDEX: Bella Coola, fishing, Kitsilano where she grew up, poverty and destruction of Vancouver; from Lost Language]\\n16:55- Reads “bee-people on 4th avenue”. \\n18:32- Introduces “4th ave.” [INDEX: friend of Gadd’s named Martina; from air two and Lost Language.]\\n18:58- Reads “4th ave.”\\n20:49- Begins to introduce another poem, unknown. [INDEX: Sufism, politics, hopes to start a  women’s centre.]\\n21:09.94- END OF RECORDING\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/maxine-gadd-at-sgwu-1972/#1\"}]"],"score":0.01643844},{"id":"1299","cataloger_name":["Masoumeh,Zaare"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Christopher Levenson at Sir George Williams University, The Poetry Series, 10 March 1972 "],"item_title_source":["Cataloguer"],"item_title_note":["\"CHRIS LEVINSON TAPE #1 OF 2 MASTER I006-11-104.1\" written on the spine of the tape's box. CHRIS LEVINSON refers to Chris Levenson. LEVINSON is misspelled. \"I006-11-104.1\" written on sticker on the reel. \"CHRIS LEVENSON TAPE #1 OF 2 MASTER 3-72--012-7 3 3/4 ips 1/2 track I006/SR104.1\" written on the front of the tape's box.\n\n\"CHRIS LEVINSON TAPE #2 OF 2 MASTER I006-11-104.2\" written on the spine of the tape's box. CHRIS LEVINSON refers to Chris Levenson. LEVINSON is misspelled. \"I006-11-104.2\" written on sticker on the reel. \"CHRIS LEVENSON TAPE #2 OF 2 MASTER 3-72--012-7 3 3/4 ips 1/2 track I006/SR104.2\" written on the front of the tape's box."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 6"],"item_identifiers":["[I006-11-104.1, I006-11-104.2]"],"creator_names":["Levenson, Christopher"],"creator_names_search":["Levenson, Christopher"],"creators":["[{\"url\":\"http://viaf.org/viaf/33620164\",\"name\":\"Levenson, Christopher\",\"dates\":\"1934-\",\"notes\":\"Poet, editor and translator Christopher Levenson was born in London, England in 1934. He studied at Cambridge University, the University of Bristol and at the University of Iowa, where he received his Master’s degree in 1970. Levenson edited Poetry from Cambridge (Fortune Press) in 1958 and was a contributor to New Poets, 1959: Iain Chrichton Smith, Karen Gershon, Christopher Levenson (Eyre & Spottiswoode, 1959) for which he won an Eric Gregory Award in 1960. His first book of poetry, Cairns, was published in 1969 in England by Chatto & Windus Press, followed by Stills in 1972, published by the same press. Levenson emigrated to Canada in 1968 and taught Creative Writing and Comparative Literature at Carleton University until 1999, becoming an Adjunct Professor. He then published Into the Open (Golden Dog Press, 1977) and The Journey Back (Sesame Press, 1978) which won the Archibald Lampman Award. Levenson has spent much time living in the Netherlands and in Germany, and translated both Seeking Hearts Solace (Aliquando Press, 1981) and Light of the World (Netherlandic Press, 1982). Arc Magazine was founded in 1978 with Michael Gnarowski, and Levenson served as main editor until 1988. In 1981, Levenson founded the Arc Reading Series in Ottawa, which ran for ten years. Levenson then published Arriving at night (Mosaic Press, 1986), Half Truths (Wolsak & Wynn, 1990) and Duplicities: New and Selected Poems (Mosaic Press, 1993). Levenson co-founded and served as series editor of the Harbinger Poetry Series at Carleton University Press from 1994-1999, and was a Reviews Editor for Literary Review of Canada in 1997 and English Studies in Canada from 1998-2002.  After retiring from Carleton University in 1999, he has taught at the University of St Petersburg, Russia (2002) and Kohinoor Business School in Indian (2004-2005). His most recent publications include The Bridge (Buschek Books, 2000) and Local Time (StoneFlower Press, 2006).\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1972],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"Half-track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"Half-track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel","Reel to Reel"],"physical_compositions":["Magnetic Tape","Magnetic Tape"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Mono","Mono"],"Dates":["[{\"date\":\"1972 3 10\",\"type\":\"Production Date\",\"notes\":\"Date specified in written announcement \\\"Georgian Happenings\\\"\",\"source\":\"Supplemental Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Room H-651\",\"notes\":\"Location specified in written announcement \\\"Georgian Happenings\\\"\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Room H-651"],"City":["Montreal, Quebec"],"content_notes":["Christopher Levenson reads from Cairns (Chatto and Windus, 1969) and Stills (Chatto and Windus, 1972), as well as poems published later in books like Into the Open (Golden Dog Press, 1977) and The Journey Back (Sesame Press, 1978)."],"contents":["chris_levenson_i006-11-104-1.mp3 [File 1 of 2]\n\nIntroducer\n00:00:00\nAbout seven years ago, our lives intersected for about two years at the University of Iowa [https://www.wikidata.org/wiki/Q182973], where Christopher [https://www.wikidata.org/wiki/Q5112730], along with two or three other poets suddenly arrived, in that middle state [https://www.wikidata.org/wiki/Q1546?wprov=srpw1_0] in the United States [https://www.wikidata.org/wiki/Q30?wprov=srpw1_0], with not just English accents, but a whole body of literatures and languages behind them. Christopher was not just in the poetry workshop, but was doing a lot of translations from German and Dutch, writing his own poetry, was a kind of formidable character with these obscure languages, at least obscure to me at the time. He has since come on, after doing his Ph.D. at Carleton [https://www.wikidata.org/wiki/Q1041737] where he is an Assistant Professor of English. His third book of poems, Stills, is being published in the next few weeks by Chatto and Windus [https://www.wikidata.org/wiki/Q3666843], and should be looked for at your bookstores. He's asked for it to come but it hasn't arrived yet. So without any further delay, Christopher Levenson. \n \nChristopher Levenson\n00:01:54\nGood evening. Trying to decide what I'm going to read this evening, presents the same sort of problems that it always does, when one's being asked to divide oneself up into certain sections, decide which poems you like best, and you know, you love them all, and don't want to make any choices. And to find some headings, some pigeonholes. Well, I'm not very good at this, but I'll start off with a few poems about the United States, about Canada [https://www.wikidata.org/wiki/Q16?wprov=srpw1_0], starting off with places, and then move on to some slightly more personal ones, before the interval. Alright, the first poem I want to read is called \"Modus Vivendi\", which, it sounds a bit affected, having a foreign language titles, but I felt this said a little bit more than simply 'way of life' because ‘modus vivendi’ implies something very transitory, and that was one of the aspects of my first impressions at least of American life, that struck me very forcibly, this really came out of my very first day in the States, traveling from New York [https://www.wikidata.org/wiki/Q60] to Chicago [https://www.wikidata.org/wiki/Q1297?wprov=srpw1_0] by train.\n \nChristopher Levenson\n00:03:42\nReads \"Modus Vivendi\" [from Cairns].\n \nChristopher Levenson\n00:05:20\nThen, a poem that will be in stills called \"Metropolis\". Well I think this is self-explanatory, and in fact one of reasons why I like reading aloud, is because a fair number of my poems are self-explanatory and don't have to say too much about them. So I won't. \"Metropolis\".\n \nChristopher Levenson\n00:05:49\nReads \"Metropolis\" [from Stills].\n \nChristopher Levenson\n00:06:57\nThat, I suppose, really brands me as--emotionally speaking, as a European, because it's different here in Montreal [https://www.wikidata.org/wiki/Q340]. I've not been to Quebec [https://www.wikidata.org/wiki/Q2145] yet, it's different in one or two places, but on the whole, you know, I find myself looking in vain for this sense of a centre. Now, a poem that I wrote not too long ago in Ottawa [https://www.wikidata.org/wiki/Q1930]. Called \"Office\", it's a shorter one. Sort this out a bit. Last time I gave a reading, somebody knocked water all over it. Here we go.\n \nChristopher Levenson\n00:07:54\nReads \"Office\".\n \nChristopher Levenson\n00:08:15\nAnd then one which is my main claim so far, I suppose, to writing a Canadian poem, \"Horse Sleigh\", certainly it's not one that I could have written anywhere else. One of the kids is at nursery school and they take them out each winter on a horse sleigh ride, and I went along. So, of course, it's not really about a horse sleigh.  One word- half way through, the word 'revenants' these are ghosts that come back to their own--literally, their old haunts. And can't seem to keep away from the place. \"Horse Sleigh\".\n \nChristopher Levenson\n00:09:07\nReads \"Horse Sleigh\".\n \nChristopher Levenson\n00:09:57\nThen, another poem, based pretty obviously I think on personal experience, in the States. It's called \"A Bad Trip\", not mine, somebody else's, but this would be, this I felt was sort of enough to keep me off it. Anyway, \"A Bad Trip\".\n \nChristopher Levenson\n00:10:34\nReads \"A Bad Trip\" [from Stills].\n \nChristopher Levenson\n00:12:26\nThen, one which came a long, long time after I was actually told of this incident by my wife in fact, and it must be something like 1956, actually it happened, a carnival referred to is a German carnival, and I guess things have changed quite a bit since then. \"Song of the Unmarried Mother\".\n \nChristopher Levenson\n00:13:00\nReads \"Song of the Unmarried Mother\".\n \nChristopher Levenson\n00:14:28\nThen maybe have a little bit of pseudo light relief before we go on. \"Ballad of the Psycho-Analyst\". Which is another, sort of relic, but again not a personal one, this started off as a fine number of my poems do from things people say to me. The first two lines here, \"They took me across the river, they laid me up the hill\", were almost exactly what somebody said. And I took it from there. Alright, \"The Ballad of the Psycho-Analyst\".\n \nChristopher Levenson\n00:15:07\nReads \"The Ballad of the Psycho-Analyst\" [from Cairns].\n \nChristopher Levenson\n00:16:54\nAnd, I'll read a couple more, sort of more personal ones, I guess. Well, this isn't really, this poem called \"Old Friend\".\n \nChristopher Levenson\n00:17:16\nReads \"Old Friend\" [from Stills].\n \nChristopher Levenson\n00:19:11\nAnd, \"Maps\". I've always been fascinated by maps and I find looking through my poems, certain images keep on recurring. One of them is that of maps, another one, as maybe you'll see later, is of stones, [unintelligible] and so on. And what I'm referring to in the first section here are these old maps where great chunks have come true and not known and so they just put in a zephyr, a wind, you know, or a dragon, or a dolphin or something like that to  make up for their ignorance. \"Maps\".\n \nChristopher Levenson\n00:19:58\nReads \"Maps\" [from Stills].\n \nChristopher Levenson\n00:21:29\nThen, a thing in this first part, I'll just read. One found poem, and then two excerpts from a sort of longer work in process. The found poem, I dedicate to Howard and [Marty (?)] Fink because that's where I found it. It's called the \"Bowfoot Scale\". The beaufort scale is simply an explanation in terms of miles per hour, I've left that column out, and in terms of symptoms so to speak of these words that you hear on the weather reports, calm, slight breeze and so forth. \"Beaufort Scale\".\n \nChristopher Levenson\n00:22:21\nReads \"Beaufort Scale\".\n \nChristopher Levenson\n00:23:31\n[Laughter]. I dare say it's a found poem. It's not really mine. I get a lot of fun out of finding poems. Now these next two excerpts are from a poem which is tentatively entitled, \"Hopkins in Piccadilly\", it won't be called that in the end, it's just, it started off thinking what Gerard Manley Hopkins [https://www.wikidata.org/wiki/Q313693] would think of contemporary London [https://www.wikidata.org/wiki/Q84], but it soon left that idea behind and what it's going to be now is a poem in several sections about various aspects of London. Trying to use as many words in my poems that I don't normally use in poems, you know, or that one does not normally see used in poems, and so a lot of, words which are not normally part of my poetic vocabulary. I'm not trying to be arch or archaic or anything like that, simply to expand my vocabulary and, hope to, therefore, I can say new things. Now the two that I've got semi finished, or at least enough to read, one's called \"Charing Cross Road\", if you know London, England [https://www.wikidata.org/wiki/Q21], you'll know that this is the road in which you find both some very good book shops and a lot of very sleazy so called hygienic stores, and it's this aspect I'm concentrating on there, and then the second one is on Hyde Park [https://www.wikidata.org/wiki/Q123738], with the idea of the public speakers and the orators. \"Charing Cross Road\" then.\n \nChristopher Levenson\n00:25:25\nReads \"Charing Cross Road\".\n \nChristopher Levenson\n00:26:34\nThat's as far as I've got with that bit so far. The next one, \"Hyde Park\", the Hyde Park Speaker's Corner [https://www.wikidata.org/wiki/Q510323] is what I'm thinking of particularly.\n \nChristopher Levenson\n00:26:47\nReads \"Hyde Park\".\n \nChristopher Levenson\n00:28:41\nIt's not really supposed to follow quite on from that, but a little bit later. \"But still at least we have our language...\"\n \nChristopher Levenson\n00:28:48\nResumes reading “Hyde Park”.\n \nChristopher Levenson\n00:29:08\nThat's as far as I've got with that section too for the moment. And I believe the custom is, sometimes, at least, here to have a sort of five or ten minute break and then we will have about another twenty minutes afterwards, if that's alright with you.\n\nUnknown\n00:30:22\n[Cut or edit made in tape. Unknown amount of time elapsed].\n\nChristopher Levenson\n00:30:23\nI'll read a few so called political poems, they're not really political in the normal sense, not sort of party political or anything like that, simply concerned about relationships between people in the community or sort of national attitudes, that sort of thing, more than specific political issues. Although this first one that I'm going to read, \"Terrorist\", comes, I think, fairly obviously from a particular situation, with which you here are particularly well acquainted. I was thinking, particularly of the FLQ [https://www.wikidata.org/wiki/Q1129564] crisis [https://www.wikidata.org/wiki/Q27702], but it could apply to any terrorist.\n \nChristopher Levenson\n00:31:31\nReads \"Terrorist\" [published later in The Journey Back].\n \nChristopher Levenson\n00:32:35\nI suppose if I have a recurring theme in these quasi-political poems, it is that, the tyranny of the ideal if you like, the way in which we force things to become what we want them to become. Force ourselves to see things so that they fit into our pre-selected beliefs. Alright, a rather different sort of poem called \"The Facts of Life\".  This too will be in the book.\n\nChristopher Levenson\n00:33:13\nReads \"The Facts of Life\" [from Stills].\n \nEND\n00:35:25\n\n\nchris_levenson_i006-11-104-2.mp3 [File 2 of 2] \n\nChristopher Levenson\n00:00:00\nResumes reading \"The Facts of Life\" [from Stills].\n \nChristopher Levenson\n00:00:59\nAnd another poem that comes from the same sort of period, as I said, I like finding poems, and this one I found in the window of a pharmacy, this time they had notices saying 'watch for these danger signs', they were danger signs of cancer, and I call this little poem, which is, as I say, a political poem, so I won't explain the metaphor any further, \"Introduction to Cancer Diagnosis\".\n \nChristopher Levenson\n00:01:32\nReads \"Introduction to Cancer Diagnosis\" [from Stills].\n \nChristopher Levenson\n00:02:17\nAnother poem, \"Epitaph for a Killer\", I think you will probably remember the incident this starts from. Charles Whitman [https://www.wikidata.org/wiki/Q453209] going up the University library tower [https://www.wikidata.org/wiki/Q28403236] in Austin [https://www.wikidata.org/wiki/Q16559], Texas and just picking a few people off with his telescopic lens gun. And the thing that struck me when I read these reports, as it so often happened with Richard Speck [https://www.wikidata.org/wiki/Q944350] and all those other sort of, mass killers, that people said, 'oh, but he was such a nice boy, such an ordinary boy' you know, 'such a decent lad'. You know, how could anyone so ordinary, you know if he had long hair, or if he'd been a hippie, we would have expected it. But you know, because they didn't go 'round the little- labels on them, they were expected to have conformed completely, and of course they didn't. \"Epitaph for a Killer\".\n \nChristopher Levenson\n00:03:32\nReads \"Epitaph for a Killer\" [from Stills].\n \nChristopher Levenson\n00:04:49\nI always forget until I finish reading that poem that that last line is not self-explanatory. It's a disease--I think it's called Sickle disease--Pardon? [audience member addresses Levenson]. Sickle Cell Disease [https://www.wikidata.org/wiki/Q185034], okay. Which apparently affects mainly African Negroes, and this is some sort of deficiency in the blood quite simply, but something which is totally inexplicable in the genes anyway. Alright, another, one more sort of pseudo or quasi political poem, this one is called \"Boreland Burlap\". Again, I don't know if you know exactly what I am referring to, but I think the poem explains it sufficiently, the way you get trees transplanted whole nowadays.\n \nChristopher Levenson\n00:06:05\nReads \"Boreland Burlap\".\n \nChristopher Levenson\n00:07:05\nAnd now, a section of poems, well, I've put ironically, self-ironically, \"The Solution\" I mean, having presented some political problems--of course, there are no solutions. What I've tried to do in some of the poems I'm going to read now is simply to capture certain textures, or to suggest certain qualities that I admire, or certain aspects of character. The first, well I think probably the only rock poem I'm going to read this evening, called \"Fossil\".\n \nChristopher Levenson\n00:07:57\nReads \"Fossil\" [from Cairns].\n \nChristopher Levenson\n00:08:50\nThen, a short little poem called \"Moss\", I've got to find it. Well, come back to that in a minute as they say on CBC [https://www.wikidata.org/wiki/Q461761]. Oh here we are, I think, no. Yes, there we are, \"Moss\".\n \nChristopher Levenson\n00:09:22\nReads \"Moss\".\n \nChristopher Levenson\n00:09:44\nAnd now, \"Skyscraper\".\n \nChristopher Levenson\n00:09:54\nReads \"Skyscraper\".\n \nChristopher Levenson\n00:10:22\n\"Mediation on Trees\". This too, part of it is found, so to speak, found of all places, in 'Life’ [https://www.wikidata.org/wiki/Q463198]. The magazine 'Life', an article about a Japanese wood carver, and I'll try to indicate by the tone of my voice, which are the quotations, the rest of it's me of course. \"Meditation on Trees\".\n \nChristopher Levenson\n00:11:03\nReads \"Meditation on Trees\" [published later in The Journey Back].\n \nChristopher Levenson\n00:12:57\nI just realized, I mentioned to one or two people that I was going to read a poem called \"Ottawa\" and I haven't read it, so I'll slip it in now.\n\nChristopher Levenson\n00:13:07\nReads \"Ottawa\".\n \nChristopher Levenson\n00:13:41\nAnother poem called \"The Face of Holland\", again concerned with certain characteristics, here I'm trying to identify national characteristics and the various sort of puns, hereto--I think the only thing I need to explain perhaps are the polders of course the land that originally reclaimed by the sea and now enclosed by dykes. I think the rest of it's self-explanatory.\n\nChristopher Levenson\n00:14:19\nReads \"The Face of Holland\" [published later in The Journey Back].\n \nChristopher Levenson\n00:15:47\nI think I'll read three more poems if you bear with me, these come under the general heading of 'Art', really the relationship of art to life, though this first one is at least, would-be light poem, called \"The Quartet\", to Carleton, where I teach now. We have a series of concerts in the winter, and most of them are pretty good but one particular one wasn't and it set me thinking about the whole marvelous artificiality of chamber music in a way.\n \nChristopher Levenson\n00:16:37\nReads \"The Quartet\" [from Stills].\n \nChristopher Levenson\n00:18:14\nThen, a poem called \"Watch the Birdie\" which is about the cost of art in human terms. If you know what a sea urchin is like in its natural and in its final state, final [unintelligible] state, it'll help. You know they're all, like, sort of hedgehogs or porcupines and you have to scrape all the spines off and then gauge the insides out, but that's described in lurid detail.\n\nChristopher Levenson\n00:19:02\nReads \"Watch the Birdie\" [from Stills].\n \nChristopher Levenson\n00:20:18\nThat sounds a bit pretentious, I'm afraid, those last four words in Latin, but it means \"you also\", or \"you likewise\", and I know gulls' cries don't really sound like that but, that seemed to me the briefest most concise way of making that point at the end of the poem. Finally, a poem which attempts to link love and art. Called \"Bathysphere\", or rather the kind of knowledge involved in both.\n \nChristopher Levenson\n00:21:11\nReads \"Bathysphere\" [published later in Into The Open].\n \nEND\n00:22:51\n"],"Note":["[{\"note\":\"Local connections: \\n\\nAccording to the transcript, Levenson and Fink met at the University of Iowa. Since moving to Canada, Levenson’s primary focus has been on the promotion and study of Canadian literature, and he has served on many editorial boards and organized reading series to strengthen the Canadian literary community.\",\"type\":\"General\"},{\"note\":\"Original transcript, research, introduction and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Sarah MacDonell & Ali Barillaro\\n\",\"type\":\"Cataloguer\"},{\"note\":\"2 reel-to-reel tapes>CD>2 digital files\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"http://www.writersunion.ca/ww_profile.asp?mem=1141&L=\",\"citation\":\"“Christopher Levenson”. The Writer’s Union of Canada, Members’ Pages. September 16, 2009. \"},{\"url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/christopher-levenson-at-sgwu-1972/#2\",\"citation\":\"“Georgian Happenings”. The Georgian. Montreal: Sir George Williams University, 10 March 1972.\\n\"},{\"url\":\"https://www.worldcat.org/title/cairns/oclc/729779089&referer=brief_results\",\"citation\":\"Levenson, Christopher. Cairns. London: Chatto and Windus, 1969. \"},{\"url\":\"https://www.worldcat.org/title/into-the-open-poems/oclc/3794830&referer=brief_results\",\"citation\":\"Levenson, Christopher. Into the Open. Ottawa: Golden Dog Press, 1977. \"},{\"url\":\"https://www.worldcat.org/title/stills/oclc/484767872&referer=brief_results\",\"citation\":\"Levenson, Christopher. Stills. London: Chatto and Windus, 1972. \"},{\"url\":\"https://www.worldcat.org/title/journey-back-and-other-poems/oclc/722588448&referer=brief_results\",\"citation\":\"Levenson, Christopher. The Journey Back. Windsor: Sesame Press, 1978. \"},{\"url\":\"https://www.worldcat.org/title/levenson-christopher-b-1934/oclc/4811302892&referer=brief_results\",\"citation\":\"Stevens, Peter. \\\"Levenson, Christopher\\\". The Oxford Companion to Canadian Literature. \"},{\"url\":\"\",\"citation\":\"\\\"Christopher Levenson.\\\" Contemporary Authors Online; Detroit: Gale, 2001. \"}]"],"_version_":1853670548953890816,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0104-1_tape.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0104-1_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Christopher Levenson Tape Box 1 - 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Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0104-2_side.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0104-2_side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Christopher Levenson Tape Box 2 - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/chris_levenson_i006-11-104-1.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"chris_levenson_i006-11-104-1.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:35:25\",\"precision\":\"\",\"size\":\"85 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"chris_levenson_i006-11-104-1.mp3 [File 1 of 2]\\n\\nIntroducer\\n00:00:00\\nAbout seven years ago, our lives intersected for about two years at the University of Iowa [https://www.wikidata.org/wiki/Q182973], where Christopher [https://www.wikidata.org/wiki/Q5112730], along with two or three other poets suddenly arrived, in that middle state [https://www.wikidata.org/wiki/Q1546?wprov=srpw1_0] in the United States [https://www.wikidata.org/wiki/Q30?wprov=srpw1_0], with not just English accents, but a whole body of literatures and languages behind them. Christopher was not just in the poetry workshop, but was doing a lot of translations from German and Dutch, writing his own poetry, was a kind of formidable character with these obscure languages, at least obscure to me at the time. He has since come on, after doing his Ph.D. at Carleton [https://www.wikidata.org/wiki/Q1041737] where he is an Assistant Professor of English. His third book of poems, Stills, is being published in the next few weeks by Chatto and Windus [https://www.wikidata.org/wiki/Q3666843], and should be looked for at your bookstores. He's asked for it to come but it hasn't arrived yet. So without any further delay, Christopher Levenson. \\n \\nChristopher Levenson\\n00:01:54\\nGood evening. Trying to decide what I'm going to read this evening, presents the same sort of problems that it always does, when one's being asked to divide oneself up into certain sections, decide which poems you like best, and you know, you love them all, and don't want to make any choices. And to find some headings, some pigeonholes. Well, I'm not very good at this, but I'll start off with a few poems about the United States, about Canada [https://www.wikidata.org/wiki/Q16?wprov=srpw1_0], starting off with places, and then move on to some slightly more personal ones, before the interval. Alright, the first poem I want to read is called \\\"Modus Vivendi\\\", which, it sounds a bit affected, having a foreign language titles, but I felt this said a little bit more than simply 'way of life' because ‘modus vivendi’ implies something very transitory, and that was one of the aspects of my first impressions at least of American life, that struck me very forcibly, this really came out of my very first day in the States, traveling from New York [https://www.wikidata.org/wiki/Q60] to Chicago [https://www.wikidata.org/wiki/Q1297?wprov=srpw1_0] by train.\\n \\nChristopher Levenson\\n00:03:42\\nReads \\\"Modus Vivendi\\\" [from Cairns].\\n \\nChristopher Levenson\\n00:05:20\\nThen, a poem that will be in stills called \\\"Metropolis\\\". Well I think this is self-explanatory, and in fact one of reasons why I like reading aloud, is because a fair number of my poems are self-explanatory and don't have to say too much about them. So I won't. \\\"Metropolis\\\".\\n \\nChristopher Levenson\\n00:05:49\\nReads \\\"Metropolis\\\" [from Stills].\\n \\nChristopher Levenson\\n00:06:57\\nThat, I suppose, really brands me as--emotionally speaking, as a European, because it's different here in Montreal [https://www.wikidata.org/wiki/Q340]. I've not been to Quebec [https://www.wikidata.org/wiki/Q2145] yet, it's different in one or two places, but on the whole, you know, I find myself looking in vain for this sense of a centre. Now, a poem that I wrote not too long ago in Ottawa [https://www.wikidata.org/wiki/Q1930]. Called \\\"Office\\\", it's a shorter one. Sort this out a bit. Last time I gave a reading, somebody knocked water all over it. Here we go.\\n \\nChristopher Levenson\\n00:07:54\\nReads \\\"Office\\\".\\n \\nChristopher Levenson\\n00:08:15\\nAnd then one which is my main claim so far, I suppose, to writing a Canadian poem, \\\"Horse Sleigh\\\", certainly it's not one that I could have written anywhere else. One of the kids is at nursery school and they take them out each winter on a horse sleigh ride, and I went along. So, of course, it's not really about a horse sleigh.  One word- half way through, the word 'revenants' these are ghosts that come back to their own--literally, their old haunts. And can't seem to keep away from the place. \\\"Horse Sleigh\\\".\\n \\nChristopher Levenson\\n00:09:07\\nReads \\\"Horse Sleigh\\\".\\n \\nChristopher Levenson\\n00:09:57\\nThen, another poem, based pretty obviously I think on personal experience, in the States. It's called \\\"A Bad Trip\\\", not mine, somebody else's, but this would be, this I felt was sort of enough to keep me off it. Anyway, \\\"A Bad Trip\\\".\\n \\nChristopher Levenson\\n00:10:34\\nReads \\\"A Bad Trip\\\" [from Stills].\\n \\nChristopher Levenson\\n00:12:26\\nThen, one which came a long, long time after I was actually told of this incident by my wife in fact, and it must be something like 1956, actually it happened, a carnival referred to is a German carnival, and I guess things have changed quite a bit since then. \\\"Song of the Unmarried Mother\\\".\\n \\nChristopher Levenson\\n00:13:00\\nReads \\\"Song of the Unmarried Mother\\\".\\n \\nChristopher Levenson\\n00:14:28\\nThen maybe have a little bit of pseudo light relief before we go on. \\\"Ballad of the Psycho-Analyst\\\". Which is another, sort of relic, but again not a personal one, this started off as a fine number of my poems do from things people say to me. The first two lines here, \\\"They took me across the river, they laid me up the hill\\\", were almost exactly what somebody said. And I took it from there. Alright, \\\"The Ballad of the Psycho-Analyst\\\".\\n \\nChristopher Levenson\\n00:15:07\\nReads \\\"The Ballad of the Psycho-Analyst\\\" [from Cairns].\\n \\nChristopher Levenson\\n00:16:54\\nAnd, I'll read a couple more, sort of more personal ones, I guess. Well, this isn't really, this poem called \\\"Old Friend\\\".\\n \\nChristopher Levenson\\n00:17:16\\nReads \\\"Old Friend\\\" [from Stills].\\n \\nChristopher Levenson\\n00:19:11\\nAnd, \\\"Maps\\\". I've always been fascinated by maps and I find looking through my poems, certain images keep on recurring. One of them is that of maps, another one, as maybe you'll see later, is of stones, [unintelligible] and so on. And what I'm referring to in the first section here are these old maps where great chunks have come true and not known and so they just put in a zephyr, a wind, you know, or a dragon, or a dolphin or something like that to  make up for their ignorance. \\\"Maps\\\".\\n \\nChristopher Levenson\\n00:19:58\\nReads \\\"Maps\\\" [from Stills].\\n \\nChristopher Levenson\\n00:21:29\\nThen, a thing in this first part, I'll just read. One found poem, and then two excerpts from a sort of longer work in process. The found poem, I dedicate to Howard and [Marty (?)] Fink because that's where I found it. It's called the \\\"Bowfoot Scale\\\". The beaufort scale is simply an explanation in terms of miles per hour, I've left that column out, and in terms of symptoms so to speak of these words that you hear on the weather reports, calm, slight breeze and so forth. \\\"Beaufort Scale\\\".\\n \\nChristopher Levenson\\n00:22:21\\nReads \\\"Beaufort Scale\\\".\\n \\nChristopher Levenson\\n00:23:31\\n[Laughter]. I dare say it's a found poem. It's not really mine. I get a lot of fun out of finding poems. Now these next two excerpts are from a poem which is tentatively entitled, \\\"Hopkins in Piccadilly\\\", it won't be called that in the end, it's just, it started off thinking what Gerard Manley Hopkins [https://www.wikidata.org/wiki/Q313693] would think of contemporary London [https://www.wikidata.org/wiki/Q84], but it soon left that idea behind and what it's going to be now is a poem in several sections about various aspects of London. Trying to use as many words in my poems that I don't normally use in poems, you know, or that one does not normally see used in poems, and so a lot of, words which are not normally part of my poetic vocabulary. I'm not trying to be arch or archaic or anything like that, simply to expand my vocabulary and, hope to, therefore, I can say new things. Now the two that I've got semi finished, or at least enough to read, one's called \\\"Charing Cross Road\\\", if you know London, England [https://www.wikidata.org/wiki/Q21], you'll know that this is the road in which you find both some very good book shops and a lot of very sleazy so called hygienic stores, and it's this aspect I'm concentrating on there, and then the second one is on Hyde Park [https://www.wikidata.org/wiki/Q123738], with the idea of the public speakers and the orators. \\\"Charing Cross Road\\\" then.\\n \\nChristopher Levenson\\n00:25:25\\nReads \\\"Charing Cross Road\\\".\\n \\nChristopher Levenson\\n00:26:34\\nThat's as far as I've got with that bit so far. The next one, \\\"Hyde Park\\\", the Hyde Park Speaker's Corner [https://www.wikidata.org/wiki/Q510323] is what I'm thinking of particularly.\\n \\nChristopher Levenson\\n00:26:47\\nReads \\\"Hyde Park\\\".\\n \\nChristopher Levenson\\n00:28:41\\nIt's not really supposed to follow quite on from that, but a little bit later. \\\"But still at least we have our language...\\\"\\n \\nChristopher Levenson\\n00:28:48\\nResumes reading “Hyde Park”.\\n \\nChristopher Levenson\\n00:29:08\\nThat's as far as I've got with that section too for the moment. And I believe the custom is, sometimes, at least, here to have a sort of five or ten minute break and then we will have about another twenty minutes afterwards, if that's alright with you.\\n\\nUnknown\\n00:30:22\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n\\nChristopher Levenson\\n00:30:23\\nI'll read a few so called political poems, they're not really political in the normal sense, not sort of party political or anything like that, simply concerned about relationships between people in the community or sort of national attitudes, that sort of thing, more than specific political issues. Although this first one that I'm going to read, \\\"Terrorist\\\", comes, I think, fairly obviously from a particular situation, with which you here are particularly well acquainted. I was thinking, particularly of the FLQ [https://www.wikidata.org/wiki/Q1129564] crisis [https://www.wikidata.org/wiki/Q27702], but it could apply to any terrorist.\\n \\nChristopher Levenson\\n00:31:31\\nReads \\\"Terrorist\\\" [published later in The Journey Back].\\n \\nChristopher Levenson\\n00:32:35\\nI suppose if I have a recurring theme in these quasi-political poems, it is that, the tyranny of the ideal if you like, the way in which we force things to become what we want them to become. Force ourselves to see things so that they fit into our pre-selected beliefs. Alright, a rather different sort of poem called \\\"The Facts of Life\\\".  This too will be in the book.\\n\\nChristopher Levenson\\n00:33:13\\nReads \\\"The Facts of Life\\\" [from Stills].\\n \\nEND\\n00:35:25\\n\",\"notes\":\"Christopher Levenson reads from Cairns (Chatto and Windus, 1969) and Stills (Chatto and Windus, 1972), as well as poems published later in books like Into the Open (Golden Dog Press, 1977) and The Journey Back (Sesame Press, 1978).\\n\\n00:00- Unknown male Introduces Christopher Levenson [INDEX: University of Iowa, United  \\tStates, translations from German and Dutch, Ph.D., Carleton University- Assistant       \\tProfessor of English, Stills published by Chatto and Windus]\\n01:54- Christopher introduces “Modus Vivendi” [INDEX: selecting poems for reading, poems   about United States and Canada, traveling from New York to Chicago by train]\\n03:42- Reads “Modus Vivendi”.\\n05:20- Introduces “Metropolis” [INDEX: process of reading out loud]\\n05:49- Reads “Metropolis”\\n06:57- Introduces “Office” [INDEX: European sentimentality, Montreal, Ottawa]\\n07:54- Reads “Office”\\n08:15- Introduces “Horse Sleigh” [INDEX: 'Canadian poem']\\n09:07- Reads “Horse Sleigh”\\n09:57- Introduces “A Bad Trip”\\n10:34- Reads “A Bad Trip”\\n12:26- Introduces “Song of the Unmarried Mother” [INDEX: German Carnival]\\n13:00- Reads “Song of the Unmarried Mother”\\n14:28- Introduces “The Ballad of the Psychoanalyst”\\n15:07- Reads “The Ballad of the Psychoanalyst”\\n16:54- Introduces “Old Friend”\\n17:16- Reads “Old Friend”\\n19:11- Introduces “Maps” [INDEX: images in his poetry: maps and stones]\\n19:58- Reads “Maps”\\n21:29- Introduces “Bowfoot Scale” [INDEX: found poem, Howard and Marty Fink [?], weather reports]\\n22:21- Reads “Bowfoot Scale”\\n23:31- Introduces “Charing Cross Road” [excerpts from “Hopkins in Piccadilly”] [INDEX:   \\tGerald Manley Hopkins, London, poetic vocabulary]\\n25:25- Reads “Charing Cross Road”\\n26:34- Introduces “Hyde Park” [also excerpt from “Hopkins in Piccadilly”]\\n26:47- Reads “Hyde Park”\\n29:08- Calls a break\\n30:33- Resumes from break, introduces “Terrorist” [INDEX: ‘Political poems’, FLQ crisis]\\n31:31- Reads “Terrorist”\\n32:35- Introduces “The Facts of Life” [INDEX: quasi-political poems, tyranny of the ideal]\\n33:13- Reads “The Facts of Life”\\n35:25.57- END OF RECORDING\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/christopher-levenson-at-sgwu-1972/#1\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/chris_levenson_i006-11-104-2.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"chris_levenson_i006-11-104-2.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:22:51\",\"precision\":\"\",\"size\":\"54.9 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"chris_levenson_i006-11-104-2.mp3 [File 2 of 2] \\n\\nChristopher Levenson\\n00:00:00\\nResumes reading \\\"The Facts of Life\\\" [from Stills].\\n \\nChristopher Levenson\\n00:00:59\\nAnd another poem that comes from the same sort of period, as I said, I like finding poems, and this one I found in the window of a pharmacy, this time they had notices saying 'watch for these danger signs', they were danger signs of cancer, and I call this little poem, which is, as I say, a political poem, so I won't explain the metaphor any further, \\\"Introduction to Cancer Diagnosis\\\".\\n \\nChristopher Levenson\\n00:01:32\\nReads \\\"Introduction to Cancer Diagnosis\\\" [from Stills].\\n \\nChristopher Levenson\\n00:02:17\\nAnother poem, \\\"Epitaph for a Killer\\\", I think you will probably remember the incident this starts from. Charles Whitman [https://www.wikidata.org/wiki/Q453209] going up the University library tower [https://www.wikidata.org/wiki/Q28403236] in Austin [https://www.wikidata.org/wiki/Q16559], Texas and just picking a few people off with his telescopic lens gun. And the thing that struck me when I read these reports, as it so often happened with Richard Speck [https://www.wikidata.org/wiki/Q944350] and all those other sort of, mass killers, that people said, 'oh, but he was such a nice boy, such an ordinary boy' you know, 'such a decent lad'. You know, how could anyone so ordinary, you know if he had long hair, or if he'd been a hippie, we would have expected it. But you know, because they didn't go 'round the little- labels on them, they were expected to have conformed completely, and of course they didn't. \\\"Epitaph for a Killer\\\".\\n \\nChristopher Levenson\\n00:03:32\\nReads \\\"Epitaph for a Killer\\\" [from Stills].\\n \\nChristopher Levenson\\n00:04:49\\nI always forget until I finish reading that poem that that last line is not self-explanatory. It's a disease--I think it's called Sickle disease--Pardon? [audience member addresses Levenson]. Sickle Cell Disease [https://www.wikidata.org/wiki/Q185034], okay. Which apparently affects mainly African Negroes, and this is some sort of deficiency in the blood quite simply, but something which is totally inexplicable in the genes anyway. Alright, another, one more sort of pseudo or quasi political poem, this one is called \\\"Boreland Burlap\\\". Again, I don't know if you know exactly what I am referring to, but I think the poem explains it sufficiently, the way you get trees transplanted whole nowadays.\\n \\nChristopher Levenson\\n00:06:05\\nReads \\\"Boreland Burlap\\\".\\n \\nChristopher Levenson\\n00:07:05\\nAnd now, a section of poems, well, I've put ironically, self-ironically, \\\"The Solution\\\" I mean, having presented some political problems--of course, there are no solutions. What I've tried to do in some of the poems I'm going to read now is simply to capture certain textures, or to suggest certain qualities that I admire, or certain aspects of character. The first, well I think probably the only rock poem I'm going to read this evening, called \\\"Fossil\\\".\\n \\nChristopher Levenson\\n00:07:57\\nReads \\\"Fossil\\\" [from Cairns].\\n \\nChristopher Levenson\\n00:08:50\\nThen, a short little poem called \\\"Moss\\\", I've got to find it. Well, come back to that in a minute as they say on CBC [https://www.wikidata.org/wiki/Q461761]. Oh here we are, I think, no. Yes, there we are, \\\"Moss\\\".\\n \\nChristopher Levenson\\n00:09:22\\nReads \\\"Moss\\\".\\n \\nChristopher Levenson\\n00:09:44\\nAnd now, \\\"Skyscraper\\\".\\n \\nChristopher Levenson\\n00:09:54\\nReads \\\"Skyscraper\\\".\\n \\nChristopher Levenson\\n00:10:22\\n\\\"Mediation on Trees\\\". This too, part of it is found, so to speak, found of all places, in 'Life’ [https://www.wikidata.org/wiki/Q463198]. The magazine 'Life', an article about a Japanese wood carver, and I'll try to indicate by the tone of my voice, which are the quotations, the rest of it's me of course. \\\"Meditation on Trees\\\".\\n \\nChristopher Levenson\\n00:11:03\\nReads \\\"Meditation on Trees\\\" [published later in The Journey Back].\\n \\nChristopher Levenson\\n00:12:57\\nI just realized, I mentioned to one or two people that I was going to read a poem called \\\"Ottawa\\\" and I haven't read it, so I'll slip it in now.\\n\\nChristopher Levenson\\n00:13:07\\nReads \\\"Ottawa\\\".\\n \\nChristopher Levenson\\n00:13:41\\nAnother poem called \\\"The Face of Holland\\\", again concerned with certain characteristics, here I'm trying to identify national characteristics and the various sort of puns, hereto--I think the only thing I need to explain perhaps are the polders of course the land that originally reclaimed by the sea and now enclosed by dykes. I think the rest of it's self-explanatory.\\n\\nChristopher Levenson\\n00:14:19\\nReads \\\"The Face of Holland\\\" [published later in The Journey Back].\\n \\nChristopher Levenson\\n00:15:47\\nI think I'll read three more poems if you bear with me, these come under the general heading of 'Art', really the relationship of art to life, though this first one is at least, would-be light poem, called \\\"The Quartet\\\", to Carleton, where I teach now. We have a series of concerts in the winter, and most of them are pretty good but one particular one wasn't and it set me thinking about the whole marvelous artificiality of chamber music in a way.\\n \\nChristopher Levenson\\n00:16:37\\nReads \\\"The Quartet\\\" [from Stills].\\n \\nChristopher Levenson\\n00:18:14\\nThen, a poem called \\\"Watch the Birdie\\\" which is about the cost of art in human terms. If you know what a sea urchin is like in its natural and in its final state, final [unintelligible] state, it'll help. You know they're all, like, sort of hedgehogs or porcupines and you have to scrape all the spines off and then gauge the insides out, but that's described in lurid detail.\\n\\nChristopher Levenson\\n00:19:02\\nReads \\\"Watch the Birdie\\\" [from Stills].\\n \\nChristopher Levenson\\n00:20:18\\nThat sounds a bit pretentious, I'm afraid, those last four words in Latin, but it means \\\"you also\\\", or \\\"you likewise\\\", and I know gulls' cries don't really sound like that but, that seemed to me the briefest most concise way of making that point at the end of the poem. Finally, a poem which attempts to link love and art. Called \\\"Bathysphere\\\", or rather the kind of knowledge involved in both.\\n \\nChristopher Levenson\\n00:21:11\\nReads \\\"Bathysphere\\\" [published later in Into The Open].\\n \\nEND\\n00:22:51\\n\",\"notes\":\"Christopher Levenson reads from Cairns (Chatto and Windus, 1969) and Stills (Chatto and Windus, 1972), as well as poems published later in books like Into the Open (Golden Dog Press, 1977) and The Journey Back (Sesame Press, 1978).\\n \\n00:00- [Recording starts mid-sentence] Reads “Notes for Foreign Students”.\\n00:59- Introduces “Introduction to Cancer Diagnosis” [INDEX: found poems, ‘political poem’]\\n01:32- Reads “Introduction to Cancer Diagnosis”\\n02:17- Introduces “Epitaph for a Killer” [INDEX: Charles Whitman, Austin Texas, Richard  \\tSpeck, people’s impressions of serial killers]\\n03:32- Reads “Epitaph for a Killer”\\n04:49- Explains last line of “Epitaph for a Killer”, introduces “Boreland Burlap” [INDEX: \\tSickle Cell disease, transplantation of trees]\\n06:05- Reads “Boreland Burlap”\\n07:05- Introduces section of poems called “The Solution” and “Fossil”\\n07:57- Reads “Fossil”\\n08:50- Introduces “Moss” [INDEX: CBC]\\n09:22- Reads “Moss”\\n09:44- Reads “Skyscraper”\\n10:22- Introduces “Meditation on Trees” [INDEX: found poem, Life Magazine, article on a   \\tJapanese wood carver]\\n11:03- Reads “Meditation on Trees”\\n12:57- Introduces “Ottawa”\\n13:07- Reads “Ottawa”\\n13:41- Introduces “The Face of Holland” [INDEX: national characteristics, Dutch Polders]\\n14:19- Reads “The Face of Holland”\\n15:47- Introduces “The Quartet” [INDEX: ‘Art’, Carleton University’s series of concerts in   \\twinter, chamber music]\\n16:37- Reads “The Quartet”\\n18:14- Introduces “Watch the Birdie” [INDEX: cost of art in human terms, sea urchin,   hedgehogs, porcupines]\\n19:02- Reads “Watch the Birdie”\\n20:18- Explains last line of “Watch the Birdie”, introduces “Bathysphere” [INDEX: Latin         \\tdefinition, linking love and art]\\n21:11- Reads “Bathysphere”\\n22:51.34- END OF RECORDING\\n\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/christopher-levenson-at-sgwu-1972/#2\"}]"],"score":0.01643844},{"id":"1300","cataloger_name":["Masoumeh,Zaare"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":[" L.E. Sissman at Sir George Williams University, The Poetry Series, 7 April 1972"],"item_title_source":["Cataloguer"],"item_title_note":["\"TAPE #1 OF 1 L.E. SISSMAN MASTER I006/SR110\" written on the spine of the tape's box. \"I006-11-110\" written on sticker on the reel. \"L.E. SISSMAN APRIL 6/72 TAPE #1 OF 1 4-72--012-8 MASTER 3 3/4 ips 1/2 track\" written on the front of the tape's box"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 6"],"item_identifiers":["[]"],"creator_names":["Sissman, Louis Edward"],"creator_names_search":["Sissman, Louis Edward"],"creators":["[{\"url\":\"http://viaf.org/viaf/65248808\",\"name\":\"Sissman, Louis Edward\",\"dates\":\"1928-1976 \",\"notes\":\"Born on New Year’s Day of 1928, poet Louis Edward (L.E.) Sissman grew up in Detroit, Michigan. At the age of thirteen, Sissman won the National Spelling Bee in Washington and was aired on national radio as a Quiz Kid. He entered Harvard at the young age of sixteen in 1944. In 1946, however, he was dismissed, got a job as a stack boy in the Boston Public Library, and began writing poetry. Sissman and a few of his classmates founded a literary magazine, Halcyon, which only ran for two issues, but nevertheless received contributions from e.e. cummings and Wallace Stevens. Sissman was readmitted to Harvard in 1948 and received Harvard’s Garrison Poetry Prize. He graduated cum laude in 1949, elected class poet. He then moved to New York and worked as a copy editor, until returning to Boston in 1952. By this time, he had stopped writing poetry. Sissman worked as an aide to John F. Kennedy’s first Senate campaign as well as various smaller jobs. In 1956 he was hired as a copywriter for the advertising firm of Kenyon and Eckhardt. By 1969, he was the vice president and creative director of the same firm. In 1963, he started to write poetry again. Sissman was diagnosed with the then-incurable Hodgkin’s disease in 1965, encouraging him to write more and more verse. He was awarded the Guggenheim fellowship in 1968, a grant from the National Institute of Arts and Letters in 1969. Sissman published his first book of poetry in 1968, Dying: An Introduction (Little, Brown and Company), and Pursuit of Honor in 1971 (Little, Brown and Company). He began writing reviews for the New Yorker, and in 1975 Innocent Bystander: The Scene from the 70’s was published (Vanguard Press). L.E. Sissman wrote up until his death in 1976. His unpublished poems were collected with previously published poems in Hello, Darkness: The Collected Poems of L.E. Sissman (Little, Brown and Company) in 1978.\\n\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Hoffman, Stanton"],"contributors_names_search":["Hoffman, Stanton"],"contributors":["[{\"url\":\"\",\"name\":\"Hoffman, Stanton\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"Presenter_name":["Hoffman, Stanton"],"Series_organizer_name":["Hoffman, Stanton"],"Performance_Date":[1972],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"01:30:00\",\"physical_condition\":\"\",\"track_configuration\":\"Half-track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"Dates":["[{\"date\":\"1972 4 7\",\"type\":\"Performance Date\",\"notes\":\"Date written on the front of the tape's box and in written announcement \\\"Georgian Happenings\\\"\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Room H-651\",\"notes\":\"Location specified in written announcement \\\"Georgian Happenings\\\"\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Room H-651"],"City":["Montreal, Quebec"],"content_notes":["L.E. Sissman reads from his first three books, Dying: An Introduction (Little, Brown 1968), Scattered Returns (Little, Brown 1969), and Pursuit of Honor (Little, Brown 1971), as well as poems that were new at the time and published posthumously in Hello, Darkness: The Collected Poems of L.E. Sissman (Little, Brown 1978)."],"contents":["le_sissman_i006-11-110.mp3\n\nStanton Hoffman\n00:00:00\nL.E. Sissman's three books of poems are Dying: An Introduction, Scattered Returns and Pursuit of Honor. The poet James Atlas made the following observation about Scattered Returns that it \"engages a voice so casual, so tuneless that the depression which pervades each page is in danger of being overlooked. Not the shrill agony of despair, but the flat surfaces of the unfulfilled or what characterizes his diction\". But also I'd like to take a line from a Sissman poem out of context, \"evidently, even desperation leads a charmed life\". Ladies and gentleman, L.E. Sissman.\n \nL.E. Sissman\n00:00:45\nThank you. Well let me begin by refuting one of those statements that Stanley just made, Stanton, I'm sorry, just made. I was not a singing vacuum cleaner salesman, that was a canard that was incorporated into my vita by my publisher, who misread a biographical note I wrote. I once worked for a vacuum cleaner company that made its salesmen sing pep songs before they went out to tackle the ladies in the neighbourhood, so we'd get up in the morning and sing all these ridiculous songs and then go out and try to sell vacuum cleaners but the two were not really related, it was just hyping oneself up for the gritty day of trying to sell these poor ladies on a vacuum cleaner. Now I've seen you've kindly reproduced, and incidentally you've been most kind here in Montreal, I've been received royally, more so than any place I've been lately to read poetry and I greatly appreciated, I feel it's kind of a homecoming since my mother is a Canadian, from Ontario [https://www.wikidata.org/wiki/Q1904], not Quebec [https://www.wikidata.org/wiki/Q176], but I've been in Montreal [https://www.wikidata.org/wiki/Q34] many times before and I'm very fond of this city and if I finally lose patience with the U. S. and A. [https://www.wikidata.org/wiki/Q30] as Walt Kelly [https://www.wikidata.org/wiki/Q933892] says in Pogo [https://www.wikidata.org/wiki/Q2100584] I'll migrate up here, I feel it an eminently sensible thing to do. So it's nice to have a pleasant reception here. And since you've kindly reproduced one of the poems from a group called \"Mouth Organ Tunes: the American Lost-and-Found\" on your mimeographed sheet, I thought I'd start off by reading that poem. I'm going to say a few words at the risk of being dull about what each one of these poems I'm going to read is for, what I meant it to mean. This particular one is talking about the well, kind of what James Atlas was talking about in his comment on my second book, this is in my third book, the terminal flatness and greyness of American life, United States life, and the attempts to alleviate this barrenness by all sorts of temporizing accommodations, going to Howard Johnson's [https://www.wikidata.org/wiki/Q5919997] on a Sunday, or having a kinky party in New York [https://www.wikidata.org/wiki/Q60] to show off one's new paintings or celebrating the death of a genuine antique American and New Englander and looking at the house that he lived in and so on. Anyway the tune is called, the poem is called \"Mouth Organ Tunes\", and I use the mouth organ as an instrument here to suggest the, well the mouth organ is something that can be played in a band, but is better not, it's a very solitary instrument and to me it always conveys the loneliness of an individual against insurmountable odds. The poem is called \"Mouth Organ Tunes: The American Lost-and-Found\" and the first section is called, as promised, \"In a Ho-Jo's by the River\".\n \nL.E. Sissman\n00:04:20\nReads \"Mouth Organ Tunes: The American Lost-and-Found, part 1: In a Ho-Jo's by the River\" from Pursuit of Honor. \n \nL.E. Sissman\n00:10:02\nLet me contrast that with a poem about Middle America in the best sense. The old Middle America of people who knew their own way and found their own way in the land, and lost their own way in recent years because of encroachments on the land. The poem is called \"The Big Rock Candy Mountain\" and it's dedicated to the memory of my half-brother, Winfield Shannon, itinerant farm worker, 1909-1969. And it has an epigraph by Basil Bunting [https://www.wikidata.org/wiki/Q2886803] which goes \"a mason times his mallet to a lark's twitter, ‘til the stone spells the name, naming none, a man abolished\".\n\nL.E. Sissman\n00:11:04\nReads \"The Big Rock Candy Mountain\",  parts 1-5 [from Pursuit of Honor].\n \nL.E. Sissman\n00:21:25\nLet me change to a slightly lighter vein, and read a poem that is a joke, essentially. It's called \"The Birdman of Cambridge, Mass.\" It's about a man I once roomed with in college, who was an Audobonophile, or whatever the word is, a bird nut and has since become a bird expert. Anyway, this is how the poem goes, it's called \"The Birdman of Cambridge, Mass.\".\n \nL.E. Sissman\n00:22:05\nReads \"The Birdman of Cambridge, Mass.\" [from Dying: An Introduction].\n \nL.E. Sissman\n00:22:55\nThat is also a description I should say, of the Least Bittern. This is another poem about being in college...good lord, twenty seven years ago, I can't believe this, 1945, yeah that is damn near twenty seven years ago. It's called \"A College Room, Lowell R-34\", a building at Harvard [https://www.wikidata.org/wiki/Q13371], 1945.\n \nL.E. Sissman\n00:23:26\nReads \"A College Room, Lowell R-34, 1945\" [from Dying: An Introduction].\n \nL.E. Sissman\n00:25:12\nAnd there's a footnote to this poem, dedicated to the maid, good lord, this is a long time ago, we had maids in those rooms. It was a very capable lady named Mrs. Circassian. And it's called \"Footnote, Mrs. Circassian\".\n \nL.E. Sissman\n00:25:28\nReads \"Footnote, Mrs. Circassian\" [from Dying: An Introduction].\n\nAudience\n00:26:07\nLaughter.\n\nL.E. Sissman\n00:26:10\nThank you, she was a very nice lady, and deserved a much less ironic tribute than that, she was a home away from home herself. Let's see now, I've got all sorts of possible choices here. Why don't I read a poem about a shattering experience I had which I think maybe all of you may have had at one time or another, going back to a place where you had lived as a kid, and finding how puny it was and how destroyed it was by the passage of time. This is a poem about a place in Detroit where I had lived in the 30's and went back to in 1964 when the poem was written. It's called \"East Congress and McDougall Streets, Detroit, May 25\".\n \nL.E. Sissman\n00:27:03\nReads \"East Congress and McDougall Streets, Detroit, May 25\" [from Dying: An Introduction].\n \nL.E. Sissman\n00:29:30\nAnd finally, one more poem from this rue, if I can find it, called \"The Museum of Comparative Zoology\" and it is about indeed falling in love with an old beat up museum of Comparative Zoology, and finding one's place in the philia.\n \nL.E. Sissman\n00:29:56\nReads \"The Museum of Comparative Zoology\" [from Dying: An Introduction].\n \nL.E. Sissman\n00:32:19\nLet me get onto a poem that is now again a little bit more serious, although not ultimately so, I hope. It's about being very sick at the hospital and knowing one is in good hands. It's called \"A Deathplace\".\n \nL.E. Sissman\n00:32:41\nReads \"A Death Place\" [from Scattered Returns].\n \nUnknown\n00:35:27\n[Cut or edit made in tape. Unknown amount of time elapsed].\n\nL.E. Sissman\n00:35:28\nReads “Small Space” [from Scattered Returns].\n \nL.E. Sissman\n00:36:12\nNot entirely and seriously...I think this might be time to call a five minute break during which I will smoke a cigarette and get my wind back and then we will proceed. Ok? \n[Audience applause]. Thank you. I won't take all this junk off, if I do I'll be in serious trouble.\n\nUnknown\n00:36:46\n[Cut or edit made in tape. Unknown amount of time elapsed].\n \nL.E. Sissman\n00:36:48\nThis is a poem about the same thing the last poem was about, called \"Getting On\", and I'll read only one part of it since that's all I've written so far. It's called \"Grave Expectations\".\n \nL.E. Sissman\n00:37:04\nReads \"Getting On: Grave Expectations\" [published later in Hello, Darkness: The Collected Poems of L.E. Sissman].\n \nL.E. Sissman\n00:39:15\nAnd this is a poem that is sort of mysterious and I'm not sure that I understand it either but I'll read it, called, if I can find the end of it, yeah. \"On Meeting No One in New York\". This is about doing a very daring thing in middle age, not taking a girl up on it. \"On Meeting No One in New York\".\n \nL.E. Sissman\n00:39:45\nReads \"The Mid-Forties: On Meeting No One in New York\" [published later in Hello, Darkness: The Collected Poems of L.E. Sissman].\n \nL.E. Sissman\n00:41:46\nAnd finally, not finally, there are two more I think. One is a true story, the other is a dream, but they are both nice to end on April 7th, even though there still may be snow on the ground, with a note of spring. This really happened to a friend of mine in Berlin [https://www.wikidata.org/wiki/Q64] in 1945 in April, and it's called \"A Comedy in Ruins\".\n \nL.E. Sissman\n00:42:24\nReads \"A Comedy in Ruins\" [published later in Hello, Darkness: The Collected Poems of L.E. Sissman].\n \nL.E. Sissman\n00:45:39\nAnd finally, an all nice sweet, pleasant poem, except for the passage of time which none of us can do anything about, based on a dream. It's called \"Cockaigne: A Dream\".\n \nL.E. Sissman\n00:45:56\nReads \"Cockaigne: A Dream\" [published later in Hello, Darkness: The Collected Poems of L.E. Sissman].\n\nL.E. Sissman\n00:50:38\nThank you.\n\nAudience\n00:50:39\nApplause [cut off].\n\nEND\n00:50:52\n"],"Note":["[{\"note\":\"Year-Specific Information:\\n\\nSissman’s second book of verse, Pursuit of Honor was published in 1971; he was writing reviews for The New Yorker and The Atlantic Monthly.\",\"type\":\"General\"},{\"note\":\"Local Connections:\\n\\nNo direct connections known between L.E. Sissman and Sir George Williams University, however Sissman was an important and influential poet in the 1960’s and 1970’s.\",\"type\":\"General\"},{\"note\":\"Original transcript, research, introduction and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Ali Barillaro\",\"type\":\"Cataloguer\"},{\"note\":\"Reel-to-reel tape>CD>digital file\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/l-e-sissman-at-sgwu-1972-stanton-hoffman/\",\"citation\":\"“Georgian Happenings”. The Georgian. Montreal: Sir George Williams University, 14 January 1972. \"},{\"url\":\"https://www.worldcat.org/title/american-poets-since-world-war-ii/oclc/489670821&referer=brief_results\",\"citation\":\"Mann, James. “L(ouis) E(dward) Sissman”. American Poets Since World War II. Donald J. Greiner (ed). Dictionary of Literary Biography. Vol 5. Detroit: Gale Research, 1980. \"},{\"url\":\"https://www.worldcat.org/title/dying-an-introduction/oclc/741688820&referer=brief_results\",\"citation\":\"Sissman, L.E.. Dying: An Introduction. Boston: Little, Brown and Company, 1968. \"},{\"url\":\"https://www.worldcat.org/title/hello-darkness-the-collected-poems-of-lf-sissman/oclc/468986004&referer=brief_results\",\"citation\":\"Sissman, L.E.. Hello, Darkness: The Collected Poems of L.E. Sissman, Peter Davison (ed.). Boston: Little, Brown and Company, 1978. \"},{\"url\":\"https://www.worldcat.org/title/pursuit-of-honor-poems/oclc/136810&referer=brief_results\",\"citation\":\"Sissman, L.E.. Pursuit of Honor. Boston: Little, Brown and Company, 1971.\"},{\"url\":\"https://www.worldcat.org/title/scattered-returns-poems/oclc/59073716&referer=brief_results\",\"citation\":\"Sissman, L.E.. Scattered Returns. Boston: Little, Brown and Company, 1969. \"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-twentieth-century-poetry-in-english/oclc/807465072&referer=brief_results\",\"citation\":\"Symons, Julian. \\\"Sissman, L(ouis) E(dward)\\\". The Oxford Companion to Twentieth-Century Poetry in English. Ian Hamilton (ed). Oxford University Press, 1996.\"},{\"url\":\"\",\"citation\":\"“L.E. Sissman”. Poets of Cambridge, U.S.A.. Harvard Square Library, 2006.\"},{\"url\":\"\",\"citation\":\"“Poetry 6: Sir George Williams Poetry Series, Fifth Reading, L.E. Sissman”. Montreal: Sir George Williams University, 1972. Found in “The Stephen Morrissey Papers, 1963 - 1998”, McGill McLennan Library, Special Collections and Rare Books, Montreal, Quebec, Canada.\"}]"],"_version_":1853670548958085120,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0110_tape.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0110_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"L.E. 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Sissman Tape Box - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0110_side.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0110_side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"L.E. Sissman Tape Box - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/le_sissman_i006-11-110.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"le_sissman_i006-11-110.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:50:52\",\"precision\":\"\",\"size\":\"122.1 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"Stanton Hoffman\\n00:00:00\\nL.E. Sissman's three books of poems are Dying: An Introduction, Scattered Returns and Pursuit of Honor. The poet James Atlas made the following observation about Scattered Returns that it \\\"engages a voice so casual, so tuneless that the depression which pervades each page is in danger of being overlooked. Not the shrill agony of despair, but the flat surfaces of the unfulfilled or what characterizes his diction\\\". But also I'd like to take a line from a Sissman poem out of context, \\\"evidently, even desperation leads a charmed life\\\". Ladies and gentleman, L.E. Sissman.\\n \\nL.E. Sissman\\n00:00:45\\nThank you. Well let me begin by refuting one of those statements that Stanley just made, Stanton, I'm sorry, just made. I was not a singing vacuum cleaner salesman, that was a canard that was incorporated into my vita by my publisher, who misread a biographical note I wrote. I once worked for a vacuum cleaner company that made its salesmen sing pep songs before they went out to tackle the ladies in the neighbourhood, so we'd get up in the morning and sing all these ridiculous songs and then go out and try to sell vacuum cleaners but the two were not really related, it was just hyping oneself up for the gritty day of trying to sell these poor ladies on a vacuum cleaner. Now I've seen you've kindly reproduced, and incidentally you've been most kind here in Montreal, I've been received royally, more so than any place I've been lately to read poetry and I greatly appreciated, I feel it's kind of a homecoming since my mother is a Canadian, from Ontario [https://www.wikidata.org/wiki/Q1904], not Quebec [https://www.wikidata.org/wiki/Q176], but I've been in Montreal [https://www.wikidata.org/wiki/Q34] many times before and I'm very fond of this city and if I finally lose patience with the U. S. and A. [https://www.wikidata.org/wiki/Q30] as Walt Kelly [https://www.wikidata.org/wiki/Q933892] says in Pogo [https://www.wikidata.org/wiki/Q2100584] I'll migrate up here, I feel it an eminently sensible thing to do. So it's nice to have a pleasant reception here. And since you've kindly reproduced one of the poems from a group called \\\"Mouth Organ Tunes: the American Lost-and-Found\\\" on your mimeographed sheet, I thought I'd start off by reading that poem. I'm going to say a few words at the risk of being dull about what each one of these poems I'm going to read is for, what I meant it to mean. This particular one is talking about the well, kind of what James Atlas was talking about in his comment on my second book, this is in my third book, the terminal flatness and greyness of American life, United States life, and the attempts to alleviate this barrenness by all sorts of temporizing accommodations, going to Howard Johnson's [https://www.wikidata.org/wiki/Q5919997] on a Sunday, or having a kinky party in New York [https://www.wikidata.org/wiki/Q60] to show off one's new paintings or celebrating the death of a genuine antique American and New Englander and looking at the house that he lived in and so on. Anyway the tune is called, the poem is called \\\"Mouth Organ Tunes\\\", and I use the mouth organ as an instrument here to suggest the, well the mouth organ is something that can be played in a band, but is better not, it's a very solitary instrument and to me it always conveys the loneliness of an individual against insurmountable odds. The poem is called \\\"Mouth Organ Tunes: The American Lost-and-Found\\\" and the first section is called, as promised, \\\"In a Ho-Jo's by the River\\\".\\n \\nL.E. Sissman\\n00:04:20\\nReads \\\"Mouth Organ Tunes: The American Lost-and-Found, part 1: In a Ho-Jo's by the River\\\" from Pursuit of Honor. \\n \\nL.E. Sissman\\n00:10:02\\nLet me contrast that with a poem about Middle America in the best sense. The old Middle America of people who knew their own way and found their own way in the land, and lost their own way in recent years because of encroachments on the land. The poem is called \\\"The Big Rock Candy Mountain\\\" and it's dedicated to the memory of my half-brother, Winfield Shannon, itinerant farm worker, 1909-1969. And it has an epigraph by Basil Bunting [https://www.wikidata.org/wiki/Q2886803] which goes \\\"a mason times his mallet to a lark's twitter, ‘til the stone spells the name, naming none, a man abolished\\\".\\n\\nL.E. Sissman\\n00:11:04\\nReads \\\"The Big Rock Candy Mountain\\\",  parts 1-5 [from Pursuit of Honor].\\n \\nL.E. Sissman\\n00:21:25\\nLet me change to a slightly lighter vein, and read a poem that is a joke, essentially. It's called \\\"The Birdman of Cambridge, Mass.\\\" It's about a man I once roomed with in college, who was an Audobonophile, or whatever the word is, a bird nut and has since become a bird expert. Anyway, this is how the poem goes, it's called \\\"The Birdman of Cambridge, Mass.\\\".\\n \\nL.E. Sissman\\n00:22:05\\nReads \\\"The Birdman of Cambridge, Mass.\\\" [from Dying: An Introduction].\\n \\nL.E. Sissman\\n00:22:55\\nThat is also a description I should say, of the Least Bittern. This is another poem about being in college...good lord, twenty seven years ago, I can't believe this, 1945, yeah that is damn near twenty seven years ago. It's called \\\"A College Room, Lowell R-34\\\", a building at Harvard [https://www.wikidata.org/wiki/Q13371], 1945.\\n \\nL.E. Sissman\\n00:23:26\\nReads \\\"A College Room, Lowell R-34, 1945\\\" [from Dying: An Introduction].\\n \\nL.E. Sissman\\n00:25:12\\nAnd there's a footnote to this poem, dedicated to the maid, good lord, this is a long time ago, we had maids in those rooms. It was a very capable lady named Mrs. Circassian. And it's called \\\"Footnote, Mrs. Circassian\\\".\\n \\nL.E. Sissman\\n00:25:28\\nReads \\\"Footnote, Mrs. Circassian\\\" [from Dying: An Introduction].\\n\\nAudience\\n00:26:07\\nLaughter.\\n\\nL.E. Sissman\\n00:26:10\\nThank you, she was a very nice lady, and deserved a much less ironic tribute than that, she was a home away from home herself. Let's see now, I've got all sorts of possible choices here. Why don't I read a poem about a shattering experience I had which I think maybe all of you may have had at one time or another, going back to a place where you had lived as a kid, and finding how puny it was and how destroyed it was by the passage of time. This is a poem about a place in Detroit where I had lived in the 30's and went back to in 1964 when the poem was written. It's called \\\"East Congress and McDougall Streets, Detroit, May 25\\\".\\n \\nL.E. Sissman\\n00:27:03\\nReads \\\"East Congress and McDougall Streets, Detroit, May 25\\\" [from Dying: An Introduction].\\n \\nL.E. Sissman\\n00:29:30\\nAnd finally, one more poem from this rue, if I can find it, called \\\"The Museum of Comparative Zoology\\\" and it is about indeed falling in love with an old beat up museum of Comparative Zoology, and finding one's place in the philia.\\n \\nL.E. Sissman\\n00:29:56\\nReads \\\"The Museum of Comparative Zoology\\\" [from Dying: An Introduction].\\n \\nL.E. Sissman\\n00:32:19\\nLet me get onto a poem that is now again a little bit more serious, although not ultimately so, I hope. It's about being very sick at the hospital and knowing one is in good hands. It's called \\\"A Deathplace\\\".\\n \\nL.E. Sissman\\n00:32:41\\nReads \\\"A Death Place\\\" [from Scattered Returns].\\n \\nUnknown\\n00:35:27\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n\\nL.E. Sissman\\n00:35:28\\nReads “Small Space” [from Scattered Returns].\\n \\nL.E. Sissman\\n00:36:12\\nNot entirely and seriously...I think this might be time to call a five minute break during which I will smoke a cigarette and get my wind back and then we will proceed. Ok? \\n[Audience applause]. Thank you. I won't take all this junk off, if I do I'll be in serious trouble.\\n\\nUnknown\\n00:36:46\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n \\nL.E. Sissman\\n00:36:48\\nThis is a poem about the same thing the last poem was about, called \\\"Getting On\\\", and I'll read only one part of it since that's all I've written so far. It's called \\\"Grave Expectations\\\".\\n \\nL.E. Sissman\\n00:37:04\\nReads \\\"Getting On: Grave Expectations\\\" [published later in Hello, Darkness: The Collected Poems of L.E. Sissman].\\n \\nL.E. Sissman\\n00:39:15\\nAnd this is a poem that is sort of mysterious and I'm not sure that I understand it either but I'll read it, called, if I can find the end of it, yeah. \\\"On Meeting No One in New York\\\". This is about doing a very daring thing in middle age, not taking a girl up on it. \\\"On Meeting No One in New York\\\".\\n \\nL.E. Sissman\\n00:39:45\\nReads \\\"The Mid-Forties: On Meeting No One in New York\\\" [published later in Hello, Darkness: The Collected Poems of L.E. Sissman].\\n \\nL.E. Sissman\\n00:41:46\\nAnd finally, not finally, there are two more I think. One is a true story, the other is a dream, but they are both nice to end on April 7th, even though there still may be snow on the ground, with a note of spring. This really happened to a friend of mine in Berlin [https://www.wikidata.org/wiki/Q64] in 1945 in April, and it's called \\\"A Comedy in Ruins\\\".\\n \\nL.E. Sissman\\n00:42:24\\nReads \\\"A Comedy in Ruins\\\" [published later in Hello, Darkness: The Collected Poems of L.E. Sissman].\\n \\nL.E. Sissman\\n00:45:39\\nAnd finally, an all nice sweet, pleasant poem, except for the passage of time which none of us can do anything about, based on a dream. It's called \\\"Cockaigne: A Dream\\\".\\n \\nL.E. Sissman\\n00:45:56\\nReads \\\"Cockaigne: A Dream\\\" [published later in Hello, Darkness: The Collected Poems of L.E. Sissman].\\n\\nL.E. Sissman\\n00:50:38\\nThank you.\\n\\nAudience\\n00:50:39\\nApplause [cut off].\\n\\nEND\\n00:50:52\\n\",\"notes\":\"L.E. Sissman reads from his first three books, Dying: An Introduction (Little, Brown 1968), Scattered Returns (Little, Brown 1969), and Pursuit of Honor (Little, Brown 1971), as well as poems that were new at the time and published posthumously in Hello, Darkness: The Collected Poems of L.E. Sissman (Little, Brown 1978).\\n\\n00:00- Introduction by Stanton Hoffman [INDEX: Dying: An Introduction, Scattered Ruins,Pursuit of Honor, Poet James Atlas]\\n00:45- Introduction by L.E. Sissman of “In A Ho-Jo’s by the River” [INDEX: Sissman’s      mother from Ontario, Walt Kelly: Pogo, “Mouth Organ Tunes: The American Lost and     Found”, American Life, Howard Johnson Restaurant and Hotel Chain]\\n04:20- Reads “In A Ho-Jo’s by the River”\\n10:02- Introduces “The Big Rock Candy Mountain” [INDEX: Middle America, Winfield     Shannon: Itinerant farm worker, Poet Basil Bunting]\\n11:04- Reads “The Big Rock Candy Mountain”\\n21:25- Introduces “The Bird-man of Cambridge, Mass.” [INDEX: Bird life, Cambridge      Massachusetts]\\n22:05- Reads “The Bird-man of Cambridge, Mass.”\\n22:55- Introduces “A College Room, Lowell R-34” [INDEX: Least Bittern Bird, Harvard 1945]\\n23:26- Reads “A College Room, Lowell R-34”\\n25:12- Introduces “Footnote, Mrs. Circassian”\\n25:28- Reads “Footnote, Mrs. Circassian”\\n26:10- Introduces “East Congress and McDougal Streets, Detroit, May 25”[INDEX: Detroit in 1920’s and 1930’s]\\n29:30- Reads “East Congress and McDougal Streets, Detroit, May 25”\\n29:30- Introduces “The Museum of Comparative Zoology” [INDEX: Museum of Comparative Zoology at Harvard]\\n29:56- Reads “The Museum of Comparative Zoology”\\n32:19- Introduces “A Death Place”\\n32:41- Reads “A Death Place”\\n35:28- Reads “Small Space”\\n36:48- Introduces “Grave Expectations”\\n37:04- Reads “Grave Expectations”\\n39:15- Introduces “On Meeting No One in New York”\\n39:45- Reads “On Meeting No One in New York”\\n41:46- Introduces “A Comedy in Ruins” [Berlin, 1945]\\n42:24- Reads “A Comedy in Ruins”\\n45:39- Introduces “Cockaigne: A Dream”\\n45:56- Reads “Cockaigne: A Dream”\\n50:52.51- END OF RECORDING\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/l-e-sissman-at-sgwu-1972-stanton-hoffman/\"}]"],"score":0.01643844},{"id":"1301","cataloger_name":["Masoumeh,Zaare"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["George Bowering at Sir George Williams University, The Poetry Series, 25 January 1974"],"item_title_source":["Cataloguer"],"item_title_note":["\"ENGLISH I006/SR34\" written on the spine of the tape's box. \"I006-11-034\" written on sticker on the reel. \"POETRY RM 435 JAN. 25/74 POETRY READING 8856 H. FINK ENGLISH 25-1-74\" written on the front of the tape's box"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_identifiers":["[]"],"rights":["In Copyright Educational Use Permitted (InC-EDU)"],"access":["Streaming"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"Poet, novelist, anthologist and critic George Bowering was born in Penticton, British Columbia in 1935. In 1954 he served in the Royal Canadian Air Force until 1957, when he pursued a Bachelor’s degree in 1960 and a Master’s degree in 1963 from the University of British Columbia. With fellow poets Frank Davey, David Dawson, James Reid, Fred Wah and critic Warren Tallman, he founded Tish in 1961, a poetry newsletter which had monumental reverberations across Canada. This magazine, influenced by styles of the Black Mountain Poets and of the East Coast poetry of Louis Dudek, Raymond Souster and Irving Layton, brought a “new wave” of poetry to Canada. Bowering’s first collection of poetry began with Sticks and Stones (Tishbooks, 1962) with a preface written by Robert Creeley, and was followed by Points on the grid (Contact Press, 1964) and Man in Yellow Boots (El Corno Emplumado, 1965). Bowering also founded the magazine Imago (1964-1974), which featured critical essays and poetry, and he also contributed to Open Letter as an editor. Bowering then moved eastwards, teaching at the University of Calgary from 1963-1966, enrolled in the Ph.D. program at the University of Western Ontario. A year later, Bowering accepted a position as the writer-in-residence in 1967 at Sir George Williams University (now Concordia University) in Montreal, becoming a lecturer in 1967-1971. Bowering joined the Sir George Williams University Poetry Reading Series Committee in the fall of 1967, which was being run by Roy Kiyooka, Stanton Hoffman and Howard Fink. In 1972 he left Montreal and began a long career teaching at Simon Fraser University in British Columbia. He has published over fifty books of poetry, prose, short stories, essays, reviews, plays as well as pieces that combine and defy genres. A selection of his publications are as follows: Genève (Coach House Press, 1971), Autobiology (New Star Books, 1972), Curious (Coach House Press, 1973), In the Flesh (McClelland & Stewart, 1974), Allophanes (Coach House Press, 1976), Burning Water (Beaufort Books, 1980), Caprice (Penguin Books, 1988),  Harry’s Fragments (Coach House Press, 1990), Rewriting my Grandfather (Nomados, 2005), Baseball Love (Talonbooks, 2006) and Shall I compare: July 2006 (George Bowering, 2008). Bowering published his interview with Black Mountain poet Robert Duncan: An Interview (Coach House Press, 1971), a book-length study on Canadian poet Al Purdy: Al Purdy (Copp Clark, 1970), along with editing several anthologies such as Vibrations: Poems from Youth (Cage, 1970), Fiction of Contemporary Canada (Coach House Press, 1980) and Likely Stories: A Postmodern Sampler (Coach House Press, 1992). Bowering has won two Governor General's Awards for poetry,  for Rocky Mountain Foot (McClelland & Stewart, 1968) and The Gangs Kosmos (House of Anansi, 1969), and one for fiction in 1980 for Burning Water (Beaufort Books, 1980). George Bowering continues teaching, inspiring and writing at Simon Fraser University in British Columbia.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/1301/I0006_11_0034_front-300x300.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"Dates":["[{\"date\":\"1974 1 25\",\"type\":\"Performance Date\",\"notes\":\"Date written on the front of the tape's box\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Room H-435\",\"notes\":\"Location specified in written announcement \\\"Bowering Back At SGWU\\\"\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Room H-435"],"City":["Montreal, Quebec"],"content_notes":["George Bowering reads from Autobiology (New Star Books, 1972) and Curious (Coach House Press, 1973), as well as a few poems from unknown sources."],"contents":["george_bowering_i006-11-034.mp3 \n\nIntroducer\n00:00:00\nAmbient Sound.\n \nGeorge Bowering\n00:01:54\nOh I just did a review of Al Purdy's [https://www.wikidata.org/wiki/Q4704621] new book of poems so maybe I'll just start off reading that. [Audience laughter]. I said I liked it Al. [Audience laughter]. I'm related to practically everybody here. I'll turn this off now. [Audience laughter].\n \nIntroducer\n00:04:12\n...I think that George Bowering  [https://www.wikidata.org/wiki/Q1239280] has read or done— or not done, or not written. On the back of [that book (?)], it says that he has two new books, one called Curious from Coach House Press [https://www.wikidata.org/wiki/Q5137585], and another In the Flesh, coming out with McClelland and Stewart [https://www.wikidata.org/wiki/Q6800322]. The one thing I can add to that is— has to do with baseball [https://www.wikidata.org/wiki/Q5369], about which I know much less than George. You still have your team?\n \nGeorge Bowering\n00:04:51\nYes.\n \nIntroducer\n00:04:54\nOkay, it's occurred to me that George understands one thing that is rather important to understand that is that the difference between stepping up to the plate and hitting the ball out of the park, and going [unintelligible], on the one hand, and on the other, stepping up to the plate and being there when the bat does what it's supposed to do and the ball takes itself out of the park. And this applies to baseball, and it also applies to poems. And that's what George understands.\n \nGeorge Bowering\n00:05:48\nFor those that live in California [https://www.wikidata.org/wiki/Q99], that's what Suzuki Roshi [https://www.wikidata.org/wiki/Q572599] calls Zen Baseball. I'm really excited to be back here, this is really a burn for me, because, can you hear me if I talk at this level? I'm hearing an echo, but I— can you hear me? [Audience laughter]. I'm reading for the next three weeks back and forth but this is the first one so I haven't got stale with any of this stuff yet in the east. And I'm going to come back in a few minutes to Autobiology, because I've never read it in the east although I started writing it in Montreal [https://www.wikidata.org/wiki/Q340] and finished it in Vancouver [https://www.wikidata.org/wiki/Q24639], but before I do I'm going to read a piece that is sort of representative of what I've been doing lately in Vancouver, called \"Desert Elm\", the desert being the Okanagan [https://www.wikidata.org/wiki/Q1812222] in this instance and the elm being the kind of tree that people planted there that wasn't there before and grew— they tried a lot of other ones and they didn't work. And it's a poem about my father and it deals with— it was begun with his heart attack he had in August and what happened after that, to me.\n \nGeorge Bowering\n00:07:22\nReads \"Desert Elm\".\n \nGeorge Bowering\n00:20:04\nThat's the longest one I'll read I think. I was going to go into Autobiology, but I'm just going to jump right now into one section of Curious, I'm going to read the Jack Spicer [https://www.wikidata.org/wiki/Q3805658] part for Artie [https://www.wikidata.org/wiki/Q4800979], and then I'll [unintelligible] Curious is a-—that's one of the books that's coming out this week, it's about, it's a book about poets, sort of, and this one's about Jack Spicer, who, Artie digs.\n \nGeorge Bowering\n00:20:43\nReads \"Jack Spicer\" from Curious.\n \nGeorge Bowering\n00:22:10\nHe was supposed to be moving— that was in the summer of '65, he was up in Vancouver and just decided to move up there so he wouldn't die, and because he would die if he stayed in San Francisco [https://www.wikidata.org/wiki/Q62], and then he said, well just before that I'll go down to the San Francisco Poetry Festival, and when that's over in three weeks I'll come up to Vancouver, and he died during the second week. Okay, this is— Autobiology is a book  that came out, two years ago this month, actually, 72, yeah. And I started writing it in Westmount [https://www.wikidata.org/wiki/Q139497] as they say and finished it in Kitsilano [https://www.wikidata.org/wiki/Q4179275]. I started writing it in an expensive flat in Westmount, and finished it in a commune on the edge of the water in Vancouver and it's a story about, as it suggests, it's a story, it's a book, it's poetry, it's prose, it's something about things that have changed me in terms of my head but first in terms of chemicals and physiologically, changed my body literally and so on. So I'll just, I'll read portions of it. I toyed with the idea of reading the whole book, it's the sort of thing we do in Vancouver, like we sit down and read the whole book, and this was published the same day as Stan Persky's [https://www.wikidata.org/wiki/Q2330087] The Day, a book called The Day, and it's the same length, about a hundred pages, and he read The Day and we took a break, and I read Autobiology and then we took a break of a couple of hours and he read The Day again. But that's sort of— that happens a little— it's a little easier to take when everybody is kind of a volunteer anyway, when everybody in the audience has known all the time that this was being written and that it was going to be read, the whole book. So I'll just read parts of it so you get a taste of it. Each section is about one and a quarter foolscap pages when it's handwritten, long, approximately so it turns out to be about two of these pages. \"Chapter One\"— there's forty-eight chapters. \"Chapter One: The Raspberries\".\n \nGeorge Bowering\n00:24:41 \nReads \"Chapter One: The Raspberries\" from Autobiology.\n \nGeorge Bowering\n00:26:06 \nDid that ever happen to--I'm sure these kinds of things must have happened to--the way I was telling [unintelligible] this afternoon that the way this book is written was I knew the general frame was things that changed me that way, from things put in my body, generally, or pieces of my body taken off, or whatever. Or pieces of my body going out into someone else's body or whatever. And I'd go home in my house in Westmount, from here, and I'd say 'I got it! Today I'm going to do the broken tool part' and I'd run home and I'd start controlling the thing and I'd throw it away, so all the pieces that are in here are the pieces that are not thrown away, the ones where I didn't know what I was going to write when I started writing. I have the sense that I tried to describe that afternoon as being simply equal to what was coming in the story. This is \"Chapter 2\", I'll read \"Chapter 1\" and 2 and 3 and 4 and then I'll skip. This is \"The Teeter Totter\".\n \nGeorge Bowering\n00:27:05\nReads \"Chapter 2: The Teeter Totter\" from Autobiology.\n \nGeorge Bowering\n00:28:22\nReads \"Chapter 3: The Pollywogs\" from Autobiology.\n \nGeorge Bowering\n00:29:31\n\"The Flying Dream\". This is the origin of why I decided to write poetry I think, or at least I've always made that connection. \"The Flying Dream\".\n \nGeorge Bowering\n00:29:40\nReads \"Chapter 4: The Flying Dream\" from Autobiology.\n \nGeorge Bowering\n00:30:54\nIt's the basis of that West Coast [https://www.wikidata.org/wiki/Q1974] elitism, Al. I— after I'd done this whole book I found out there's two chapters called \"The Breaks\", I'd totally forgotten that this chapter had written me this time. So this is the first chapter on “The Breaks”.\n \nGeorge Bowering\n00:31:15\nReads \"Chapter 8: The Breaks\" from Autobiology [audience laughter throughout].\n \nGeorge Bowering\n00:32:34\nGee, there's one I've never read before, I mean, out loud [audience laughter]. I'm not going to anyway, heck with it. Oh, here's one that every once in a while there's, it comes to, the thing comes to writing itself or talking about the writing of itself, so here's one called \"Composition\", for those that are worried about the problem it'll be totally clear. I think. It defines composition. \"Composition\".\n \nGeorge Bowering\n00:33:02\nReads \"Chapter 14: Composition\" from Autobiology.\n \nGeorge Bowering\n00:34:32\nHere's the other one called \"The Breaks\".\n \nGeorge Bowering \n00:34:35.49\nReads \"Chapter 20: The Breaks\" from Autobiology.\n \nGeorge Bowering\n00:35:53\nReads [“Chapter 21: Come’ from Autobiology].\n \nGeorge Bowering\n00:37:13\nThis is one that, this is a favourite amongst the [serifs (?)] in Vancouver. The— I live in a community now as different from the community I lived in a couple of years ago of all https://www.wikidata.org/wiki/Q5882404], Esalen [https://www.wikidata.org/wiki/Q5882404], encounters all the time and they're always talking about shrinkage and they're always telling me why don't you take shrinkage, and I say 'I don't feel like I need shrinkage' and they said 'that proves you need shrinkage'. Can't get out of it, you know, that's your problem— you don't think you need... So this one is sort of a reply to that, it's called \"The Childhood\".\n \nGeorge Bowering\n00:37:56\nReads \"Chapter 26: The Childhood\" from Autobiology.\n \nGeorge Bowering\n00:39:05\nThis one's about the literary world, it's called \"St. Louis\", where, St. Louis is where William Burroughs [https://www.wikidata.org/wiki/Q38022] and an earlier poet came from. T.S. Sandburn [https://www.wikidata.org/wiki/Q37767], I think his name was. [audience laughter.]\n \nGeorge Bowering\n00:39:21\nReads \"Chapter 27: St. Louis\" from Autobiology.\n \nGeorge Bowering\n00:40:49\nThen there's a whole series of pieces on towns that I lived in which I'll skip over. Skip that one, skip that one, get to these ones at the end. Here's one called \"The Flesh\", which I guess was involved with at the time, writing a book of poems about the flesh.\n \nGeorge Bowering\n00:41:23\nReads \"Chapter 43: The Flesh\" from Autobiology.\n \nGeorge Bowering\n00:42:43\nI think I'll read the last couple in this one, and then see what time it is. \"The Operations\" everybody is my chance, right? Every vessel, living in a house with my mother talking about operations the last couple of weeks and she couldn't really do it. So I get my chance now, ‘cause I don't really get the chance— that's my mother on the cover of the book by the way, that's my mother and that's me. There she is.\n \nGeorge Bowering\n00:43:14\nReads \"Chapter 45: The Operations\" from Autobiology.\n \nGeorge Bowering\n00:44:53\nAnd the last two, this is \"The Scars\".\n \nGeorge Bowering\n00:44:56\nReads \"Chapter 47: The Scars\" from Autobiology.\n \nGeorge Bowering\n00:46:24\nAnd the last one is called naturally, \"The Body\", Chapter 48.\n \nGeorge Bowering\n00:46:32\nReads \"Chapter 48: The Body\" from Autobiology.\n \nGeorge Bowering\n00:47:48\nThat was Autobiology, it's actually, can you imagine, a tetralogy. And the first volume was called Geneve and it was based on a found thing with the tarot pack [https://www.wikidata.org/wiki/Q583269] and with the Geneva version of the French pack, Marseilles pack. The second one was Autobiology and the third one was Curious and the fourth one is— Dwight Gardiner wrote it, in a book called the Book of the Occasional. I was going to write it but he wrote it, so I didn't have to. It's just absolutely beautiful and if you see a Book of the Occasional, you'll see what I mean. It's just a gorgeous, gorgeous book. Oh, gee, I'd love to read— how long can I have now?\n \nUnknown\n00:48:45\n[Cut or edit made in tape].\n \nGeorge Bowering\n00:48:46\n...Because I just suddenly remembered I'd love to read a piece I have called The Big Leagues. But then I also have a book called At War with the U.S. that I— was the first book of poems I've written in years, but maybe I'll just read The Big Leagues, that will probably take— and then maybe I'll read one or two pieces from Curious. This is a book—a thing called The Big Leagues and it's in a few- in five sections and maybe I'll get tired before I get to the fifth one, but I'll just see how— the first one is called \"The Detroit Tigers\" [https://www.wikidata.org/wiki/Q650855].\n \nGeorge Bowering\n00:49:21\nReads \"The Detroit Tigers\".\n \nGeorge Bowering\n00:51:57\nThat was written in South Slocan, B.C. [https://www.wikidata.org/wiki/Q18379776] I think this is my favourite one, it's called \"The Dallas Cowboys\" [https://www.wikidata.org/wiki/Q204862].\n \nGeorge Bowering\n00:52:09\nReads \"The Dallas Cowboys\".\n \nGeorge Bowering\n00:54:57\nThe next one's called \"The San Diego Padres\" [https://www.wikidata.org/wiki/Q721134] but I'm going to skip that one because it's about getting dope [https://www.wikidata.org/wiki/Q60168] into— what happens is that Chance is coming back, he's now wearing the uniform that Slim Chance had before he died, a U.S. Army uniform that says \"Chance\" on it and \"U.S. Army\" and they're sneaking some dope into San Diego and it has to do with some Padres whose clothes are taken off so they can use them to hide the dope and everything. The next one's called \"The Buffalo Sabres\" [https://www.wikidata.org/wiki/Q131206].\n \nGeorge Bowering\n00:55:32\nBegins reading \"The Buffalo Sabres\". \n\nGeorge Bowering\n00:55:37\nOh, by the way what happens is that I took four quotations from poetry, and three of them are taken from the normal Ohio academic American Poetry Anthology and one of them is taken from Robert Creeley [https://www.wikidata.org/wiki/Q918620] at the end, and you can tell. I can't even remember what poets I took from, like all those guys sorta have the same thing, you know, Donald Hall [https://www.wikidata.org/wiki/Q976924] Anthology Poets if you know what I mean.\n \nGeorge Bowering\n00:56:05\nResumes reading \"The Buffalo Sabres\".\n \nGeorge Bowering\n00:59:06\nAnd this one is for a lot of friends of mine, it's called \"The Minnesota Twins\" [https://www.wikidata.org/wiki/Q604879] and he's going on, he's leaving Buffalo [https://www.wikidata.org/wiki/Q40435] and going to— has anyone here been to— has anyone here been to Bemidji, Minnesota [https://www.wikidata.org/wiki/Q730430]? You know what they got there right? That great big, blue Ox and the great big Paul Bunyan [https://www.wikidata.org/wiki/Q7149597] carved about 30 feet high or something like that. And other than that, it's a beautiful town, you know, it has the— it looks like the underground of another town turn upside-down, so the bottom is up above the ground, right? \"The Minnesota Twins\".\n \nAnnotation\n00:59:39\nReads \"The Minnesota Twins\".\n \nGeorge Bowering\n01:02:26\nI think I'll read like for ten minutes and that'll be for a total of an hour, five minutes or something like that. I'll just, I'll pick, this is Curious, which is a— that other book's coming out, it's called In the Flesh and it's maybe the last book of occasional, magazine book verse poetry I ever do. It deals with the experience of being in your 30s and finding out that the world isn't round after all and how sad you can be and how strong emotions can be. It has an introduction called \"I Never Felt Such Love\". But it's mainly lyric poetry, and I just, I've read so much of that that it's got to be too easy to read and write and everything. So I'll read a few of these. The poets who are mentioned in Curious, it happens that there are a lot of my friends who aren't in the book. Because, again, I wrote it that way, if you know, if that person did not come up, excuse me, from the other side of the page or however that feeling is to be described, if the voice wasn't there or something, for instance I really wanted to do a Roy Kiyooka [https://www.wikidata.org/wiki/Q3445789] poem, and you know, I just couldn't and it didn't come and I had wanted to but if I had tried that it just would have been screwed up. Some of these are American, some are Canadians, a couple are English and maybe one or two other things. And the first one is, naturally, Charles Olson [https://www.wikidata.org/wiki/Q922978]. Olson, as you probably know, was about 6 ft 10 and weighed about 300 pounds. And I first met him— I was standing at the bottom of a flight of stairs and he was coming down them. So I said 'hello' to the knees of his sear-sucker suit.\n \nGeorge Bowering\n01:04:19\nReads \"Charles Olson\" from Curious.\n \nGeorge Bowering\n01:05:57\nI'll get some Canadians in here. Margaret Atwood [https://www.wikidata.org/wiki/Q183492], she's the first Canadian to appear in here.\n \nGeorge Bowering\n01:06:16\nReads \"Margaret Atwood\" from Curious.\n \nGeorge Bowering\n01:07:36\nThere are some poets in here that you won't know that are more specifically Vancouver-oriented poets perhaps that aren't as well known out here so I'll skip those. This is \"bp Nichol\". Everybody knows bpNichol [https://www.wikidata.org/wiki/Q4953105], or everybody is bpNichol.\n \nGeorge Bowering\n01:07:57\nReads \"bp Nichol\" from Curious.\n \nGeorge Bowering\n01:09:40\n\"Stephen Spender\" [https://www.wikidata.org/wiki/Q448764]. I was going to skip this one, but it has a few moments in it.\n \nGeorge Bowering\n01:09:53\nReads \"Stephen Spender\" from Curious.\n \nGeorge Bowering\n01:11:18\nThat's, boy, that's— like you're out on the West Coast where you've never seen a poet before in your life and the first one they bring you is this guy you've been reading in books and he's a white-haired— it's unbelievable. You know, John Newlove's [https://www.wikidata.org/wiki/Q6250356]? John Newlove, for those who know John Newlove.\n \nGeorge Bowering\n01:11:36\nReads \"John Newlove\" from Curious.\n \nGeorge Bowering\n01:13:08\nThat last part is from a title of one of his books. David McFadden [https://www.wikidata.org/wiki/Q5237344] is, this is the David McFadden piece and maybe I'll read it and a couple more. It's not my favourite but it's one that I like reading. David McFadden— well, it tells you what he's like, but David McFadden is a— he scared the hell out of Allen Ginsberg [https://www.wikidata.org/wiki/Q6711] because he writes really funny poems, like he literally has things, like he walks out into the backyard and sees the Archangel Gabriel [https://www.wikidata.org/wiki/Q81989] or a space man and just talks to it and talks about it in the story of the poem a paragraph after he's talked about going out and buying some cigarettes or something like that and Ginsberg thought, wow, what a weird spaced out guy, so Victor Coleman [https://www.wikidata.org/wiki/Q23882910] took him down to Hamilton [https://www.wikidata.org/wiki/Q133116] to see David, David— he's got, as he said in the note of one of his books, \"I was born in 1940 and I comb my hair straight back\", and in his house, he's got an electric pendulum clock and you know that sort of thing. And Ginsberg took one look and said [inaudible ‘scared’ sound], and ran away. Just couldn't believe it, you know, it's unbelievable. So, David McFadden.\n \nGeorge Bowering\n01:14:30\nReads \"David McFadden\" from Curious.\n \nGeorge Bowering\n01:16:24\nThere wasn't a comma in there, that was the Indian food coming back. Now let's see…\n\nAudience Member 1\n01:16:31\nAddresses George Bowering [unintelligible; requests poem].\n\nGeorge Bowering\n01:16:33\nNo, he didn't get in there either, and I'm very sad about that, just people that got in that I wish didn't get in and there's people that didn't get in that I wish did get in. \n\nAudience Member 2\n01:16:44\n[Unintelligible]...Raymond Souster [https://www.wikidata.org/wiki/Q304129].\n\nGeorge Bowering\n01:16:46\nYeah, I think I might have skipped over Raymond Souster, the Raymond Souster one is, as you might imagine the shortest one in the book.\n \nGeorge Bowering\n01:16:58\nReads \"Raymond Souster\" from Curious.\n \nGeorge Bowering\n01:17:59\nI got a Purdy one too, but Al weighs 210 pounds. No, I've always made it a policy not to read the ones of somebody that's there. I don't know if there are any other ones that I'm going to read.\n\nAudience Member 3\n01:18:25\nAddresses George Bowering [unintelligible; requests poem].\n\nGeorge Bowering\n01:18:26\nYeah, I don't know where the hell it is. I like the Lionel Kearns [https://www.wikidata.org/wiki/Q6555690] one actually...Oh I don't know what's happened to the Lionel Kearns one, it's one of my very favourites too. I think maybe, I'll see if I can find the Lionel one in a second then I'll read it and I'll finish off with the bill bissett [https://www.wikidata.org/wiki/Q4911496] one. If I just had the book with me it'd be a hell of a lot easier. I don't think I'm going to find the Kearns one. I can't find the Kearns one, it's all about how he can't find anything. This is the bissett one and then I'll finish off with that.\n \nGeorge Bowering\n01:19:30\nReads bill bissett\" from Curious.\n\nGeorge Bowering\n01:21:16\nThank you.\n\nAudience\n01:21:17\nApplause. \n\nEND\n01:21:29\n"],"Note":["[{\"note\":\"Year-specific Information:\\n\\nIn 1974, George Bowering had published At War with the U.S. (Talonbooks, 1974), Flycatcher & Other Stories (Oberon, 1974), In the Flesh (McClelland & Stewart, 1974) and the last issue of Imago: 20 (Talonbooks, 1974) and was teaching at Simon Fraser University.\",\"type\":\"General\"},{\"note\":\"Local connections:\\n\\nGeorge Bowering was very influential in promoting and enriching the Vancouver poetry scene in the early 1960s, through his magazines Tish and Imago as well as the hundreds of connections he made with other poets. His early connections with the Black Mountain Poets and the relationships he made with Canadian poets from Vancouver across Canada to Montreal have been essential because he bridged the gap of distance and made new types of poetry available to young poets. Montrealer Louis Dudek wrote that Bowering’s “most important contribution to the new generation of Montreal poets was the institution of a series of readings at Sir George [Williams University] which exposed them to the diverse experimentation that was taking place across Canada and the U.S.”\",\"type\":\"General\"},{\"note\":\"Original transcript, research, introduction and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Faith Paré (2020) & Ali Barillaro (2021)\\n\",\"type\":\"Cataloguer\"}]"],"Related_works":["[{\"url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/george-bowering-at-sgwu-1974/\",\"citation\":\"“Bowering Back at SGWU”. The Georgian. Montreal: Sir George Williams University, 25 January 1974. \"},{\"url\":\"https://www.worldcat.org/title/autobiology/oclc/729975561&referer=brief_results\",\"citation\":\"Bowering, George. Autobiology. Vancouver: New Star Books, 1972. \"},{\"url\":\"https://www.worldcat.org/title/curious/oclc/912490228&referer=brief_results\",\"citation\":\"Bowering, George. Curious. Toronto: Coach House Press, 1973. \"},{\"url\":\"https://www.worldcat.org/title/contemporary-canadian-poem-anthology/oclc/802667762&referer=brief_results\",\"citation\":\"Bowering, George. (ed). The Contemporary Canadian Poem Anthology. Toronto: Coach House Press, 1984. \"},{\"url\":\"https://www.worldcat.org/title/from-there-to-here-a-guide-to-english-canadian-literature-since-1960/oclc/962929534&referer=brief_results\",\"citation\":\"Davey, Frank. From There to Here: A Guide to English-Canadian Literature Since 1960. \\nOntario: Press Porcepic, 1974.\"},{\"url\":\"https://www.worldcat.org/title/montreal-english-poetry-of-the-seventies/oclc/757254674&referer=brief_results\",\"citation\":\"Farkas, Andre & Ken Norris, ed. Montreal English Poetry of the Seventies. Montreal: Vehicule Press, 1977. \"},{\"url\":\"https://www.worldcat.org/title/15-canadian-poets-times-2/oclc/622296707&referer=brief_results\",\"citation\":\"Geddes, Gary (ed). Fifteen Canadian Poets Times Two. Toronto: Oxford University Press, 1990. \"},{\"url\":\"https://www.worldcat.org/title/poets-of-contemporary-canada-1960-1970-edited-and-with-an-introduction-by-eli-mandel/oclc/1202953921&referer=brief_results\",\"citation\":\"Mandel, Eli (ed). Poets of Contemporary Canada 1960-1970. Montreal: McClelland and Stewart, 1972. \"},{\"url\":\"https://www.worldcat.org/title/encyclopedia-of-post-colonial-literatures-in-english-volume-1/oclc/636622714&referer=brief_results\",\"citation\":\"Miki, Roy. “Bowering, George (1935-)”. Routledge Encyclopedia of Post-Colonial Literatures in English. Ed. Benson, Eugene; Conolly, L.W. London: Routledge, \\n1994. \"},{\"url\":\"https://www.worldcat.org/title/record-of-writing-an-annotated-and-illustrated-bibliography-of-george-bowering/oclc/797558365&referer=brief_results\",\"citation\":\"Miki, Roy. A Record of Writing: an annotated and illustrated bibliography of George Bowering. Vancouver: Talonbooks, 1990. \"},{\"url\":\"https://www.worldcat.org/title/canadian-writers-since-1960-first-series/oclc/883361320&referer=brief_results\",\"citation\":\"Quartermain, Peter and Meredith. \\\"George Bowering.\\\" Canadian Writers Since 1960: \\nFirst Series. Ed. William H. New. Dictionary of Literary Biography, Vol. 53. \\nDetroit: Gale Research, 1986. \"}]"],"_version_":1853670548960182272,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0034_tape.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0034_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"George Bowering Tape Box 2 - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0034_front.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0034_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"George Bowering Tape Box 2 - Front\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0034_back.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0034_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"George Bowering Tape Box 2 - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0034_side.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0034_side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"George Bowering Tape Box 2 - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/george_bowering_i006-11-034.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"george_bowering_i006-11-034.mp3 \",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:21:29\",\"precision\":\"\",\"size\":\"195.6 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"Introducer\\n00:00:00\\nAmbient Sound.\\n \\nGeorge Bowering\\n00:01:54\\nOh I just did a review of Al Purdy's [https://www.wikidata.org/wiki/Q4704621] new book of poems so maybe I'll just start off reading that. [Audience laughter]. I said I liked it Al. [Audience laughter]. I'm related to practically everybody here. I'll turn this off now. [Audience laughter].\\n \\nIntroducer\\n00:04:12\\n...I think that George Bowering  [https://www.wikidata.org/wiki/Q1239280] has read or done— or not done, or not written. On the back of [that book (?)], it says that he has two new books, one called Curious from Coach House Press [https://www.wikidata.org/wiki/Q5137585], and another In the Flesh, coming out with McClelland and Stewart [https://www.wikidata.org/wiki/Q6800322]. The one thing I can add to that is— has to do with baseball [https://www.wikidata.org/wiki/Q5369], about which I know much less than George. You still have your team?\\n \\nGeorge Bowering\\n00:04:51\\nYes.\\n \\nIntroducer\\n00:04:54\\nOkay, it's occurred to me that George understands one thing that is rather important to understand that is that the difference between stepping up to the plate and hitting the ball out of the park, and going [unintelligible], on the one hand, and on the other, stepping up to the plate and being there when the bat does what it's supposed to do and the ball takes itself out of the park. And this applies to baseball, and it also applies to poems. And that's what George understands.\\n \\nGeorge Bowering\\n00:05:48\\nFor those that live in California [https://www.wikidata.org/wiki/Q99], that's what Suzuki Roshi [https://www.wikidata.org/wiki/Q572599] calls Zen Baseball. I'm really excited to be back here, this is really a burn for me, because, can you hear me if I talk at this level? I'm hearing an echo, but I— can you hear me? [Audience laughter]. I'm reading for the next three weeks back and forth but this is the first one so I haven't got stale with any of this stuff yet in the east. And I'm going to come back in a few minutes to Autobiology, because I've never read it in the east although I started writing it in Montreal [https://www.wikidata.org/wiki/Q340] and finished it in Vancouver [https://www.wikidata.org/wiki/Q24639], but before I do I'm going to read a piece that is sort of representative of what I've been doing lately in Vancouver, called \\\"Desert Elm\\\", the desert being the Okanagan [https://www.wikidata.org/wiki/Q1812222] in this instance and the elm being the kind of tree that people planted there that wasn't there before and grew— they tried a lot of other ones and they didn't work. And it's a poem about my father and it deals with— it was begun with his heart attack he had in August and what happened after that, to me.\\n \\nGeorge Bowering\\n00:07:22\\nReads \\\"Desert Elm\\\".\\n \\nGeorge Bowering\\n00:20:04\\nThat's the longest one I'll read I think. I was going to go into Autobiology, but I'm just going to jump right now into one section of Curious, I'm going to read the Jack Spicer [https://www.wikidata.org/wiki/Q3805658] part for Artie [https://www.wikidata.org/wiki/Q4800979], and then I'll [unintelligible] Curious is a-—that's one of the books that's coming out this week, it's about, it's a book about poets, sort of, and this one's about Jack Spicer, who, Artie digs.\\n \\nGeorge Bowering\\n00:20:43\\nReads \\\"Jack Spicer\\\" from Curious.\\n \\nGeorge Bowering\\n00:22:10\\nHe was supposed to be moving— that was in the summer of '65, he was up in Vancouver and just decided to move up there so he wouldn't die, and because he would die if he stayed in San Francisco [https://www.wikidata.org/wiki/Q62], and then he said, well just before that I'll go down to the San Francisco Poetry Festival, and when that's over in three weeks I'll come up to Vancouver, and he died during the second week. Okay, this is— Autobiology is a book  that came out, two years ago this month, actually, 72, yeah. And I started writing it in Westmount [https://www.wikidata.org/wiki/Q139497] as they say and finished it in Kitsilano [https://www.wikidata.org/wiki/Q4179275]. I started writing it in an expensive flat in Westmount, and finished it in a commune on the edge of the water in Vancouver and it's a story about, as it suggests, it's a story, it's a book, it's poetry, it's prose, it's something about things that have changed me in terms of my head but first in terms of chemicals and physiologically, changed my body literally and so on. So I'll just, I'll read portions of it. I toyed with the idea of reading the whole book, it's the sort of thing we do in Vancouver, like we sit down and read the whole book, and this was published the same day as Stan Persky's [https://www.wikidata.org/wiki/Q2330087] The Day, a book called The Day, and it's the same length, about a hundred pages, and he read The Day and we took a break, and I read Autobiology and then we took a break of a couple of hours and he read The Day again. But that's sort of— that happens a little— it's a little easier to take when everybody is kind of a volunteer anyway, when everybody in the audience has known all the time that this was being written and that it was going to be read, the whole book. So I'll just read parts of it so you get a taste of it. Each section is about one and a quarter foolscap pages when it's handwritten, long, approximately so it turns out to be about two of these pages. \\\"Chapter One\\\"— there's forty-eight chapters. \\\"Chapter One: The Raspberries\\\".\\n \\nGeorge Bowering\\n00:24:41 \\nReads \\\"Chapter One: The Raspberries\\\" from Autobiology.\\n \\nGeorge Bowering\\n00:26:06 \\nDid that ever happen to--I'm sure these kinds of things must have happened to--the way I was telling [unintelligible] this afternoon that the way this book is written was I knew the general frame was things that changed me that way, from things put in my body, generally, or pieces of my body taken off, or whatever. Or pieces of my body going out into someone else's body or whatever. And I'd go home in my house in Westmount, from here, and I'd say 'I got it! Today I'm going to do the broken tool part' and I'd run home and I'd start controlling the thing and I'd throw it away, so all the pieces that are in here are the pieces that are not thrown away, the ones where I didn't know what I was going to write when I started writing. I have the sense that I tried to describe that afternoon as being simply equal to what was coming in the story. This is \\\"Chapter 2\\\", I'll read \\\"Chapter 1\\\" and 2 and 3 and 4 and then I'll skip. This is \\\"The Teeter Totter\\\".\\n \\nGeorge Bowering\\n00:27:05\\nReads \\\"Chapter 2: The Teeter Totter\\\" from Autobiology.\\n \\nGeorge Bowering\\n00:28:22\\nReads \\\"Chapter 3: The Pollywogs\\\" from Autobiology.\\n \\nGeorge Bowering\\n00:29:31\\n\\\"The Flying Dream\\\". This is the origin of why I decided to write poetry I think, or at least I've always made that connection. \\\"The Flying Dream\\\".\\n \\nGeorge Bowering\\n00:29:40\\nReads \\\"Chapter 4: The Flying Dream\\\" from Autobiology.\\n \\nGeorge Bowering\\n00:30:54\\nIt's the basis of that West Coast [https://www.wikidata.org/wiki/Q1974] elitism, Al. I— after I'd done this whole book I found out there's two chapters called \\\"The Breaks\\\", I'd totally forgotten that this chapter had written me this time. So this is the first chapter on “The Breaks”.\\n \\nGeorge Bowering\\n00:31:15\\nReads \\\"Chapter 8: The Breaks\\\" from Autobiology [audience laughter throughout].\\n \\nGeorge Bowering\\n00:32:34\\nGee, there's one I've never read before, I mean, out loud [audience laughter]. I'm not going to anyway, heck with it. Oh, here's one that every once in a while there's, it comes to, the thing comes to writing itself or talking about the writing of itself, so here's one called \\\"Composition\\\", for those that are worried about the problem it'll be totally clear. I think. It defines composition. \\\"Composition\\\".\\n \\nGeorge Bowering\\n00:33:02\\nReads \\\"Chapter 14: Composition\\\" from Autobiology.\\n \\nGeorge Bowering\\n00:34:32\\nHere's the other one called \\\"The Breaks\\\".\\n \\nGeorge Bowering \\n00:34:35.49\\nReads \\\"Chapter 20: The Breaks\\\" from Autobiology.\\n \\nGeorge Bowering\\n00:35:53\\nReads [“Chapter 21: Come’ from Autobiology].\\n \\nGeorge Bowering\\n00:37:13\\nThis is one that, this is a favourite amongst the [serifs (?)] in Vancouver. The— I live in a community now as different from the community I lived in a couple of years ago of all https://www.wikidata.org/wiki/Q5882404], Esalen [https://www.wikidata.org/wiki/Q5882404], encounters all the time and they're always talking about shrinkage and they're always telling me why don't you take shrinkage, and I say 'I don't feel like I need shrinkage' and they said 'that proves you need shrinkage'. Can't get out of it, you know, that's your problem— you don't think you need... So this one is sort of a reply to that, it's called \\\"The Childhood\\\".\\n \\nGeorge Bowering\\n00:37:56\\nReads \\\"Chapter 26: The Childhood\\\" from Autobiology.\\n \\nGeorge Bowering\\n00:39:05\\nThis one's about the literary world, it's called \\\"St. Louis\\\", where, St. Louis is where William Burroughs [https://www.wikidata.org/wiki/Q38022] and an earlier poet came from. T.S. Sandburn [https://www.wikidata.org/wiki/Q37767], I think his name was. [audience laughter.]\\n \\nGeorge Bowering\\n00:39:21\\nReads \\\"Chapter 27: St. Louis\\\" from Autobiology.\\n \\nGeorge Bowering\\n00:40:49\\nThen there's a whole series of pieces on towns that I lived in which I'll skip over. Skip that one, skip that one, get to these ones at the end. Here's one called \\\"The Flesh\\\", which I guess was involved with at the time, writing a book of poems about the flesh.\\n \\nGeorge Bowering\\n00:41:23\\nReads \\\"Chapter 43: The Flesh\\\" from Autobiology.\\n \\nGeorge Bowering\\n00:42:43\\nI think I'll read the last couple in this one, and then see what time it is. \\\"The Operations\\\" everybody is my chance, right? Every vessel, living in a house with my mother talking about operations the last couple of weeks and she couldn't really do it. So I get my chance now, ‘cause I don't really get the chance— that's my mother on the cover of the book by the way, that's my mother and that's me. There she is.\\n \\nGeorge Bowering\\n00:43:14\\nReads \\\"Chapter 45: The Operations\\\" from Autobiology.\\n \\nGeorge Bowering\\n00:44:53\\nAnd the last two, this is \\\"The Scars\\\".\\n \\nGeorge Bowering\\n00:44:56\\nReads \\\"Chapter 47: The Scars\\\" from Autobiology.\\n \\nGeorge Bowering\\n00:46:24\\nAnd the last one is called naturally, \\\"The Body\\\", Chapter 48.\\n \\nGeorge Bowering\\n00:46:32\\nReads \\\"Chapter 48: The Body\\\" from Autobiology.\\n \\nGeorge Bowering\\n00:47:48\\nThat was Autobiology, it's actually, can you imagine, a tetralogy. And the first volume was called Geneve and it was based on a found thing with the tarot pack [https://www.wikidata.org/wiki/Q583269] and with the Geneva version of the French pack, Marseilles pack. The second one was Autobiology and the third one was Curious and the fourth one is— Dwight Gardiner wrote it, in a book called the Book of the Occasional. I was going to write it but he wrote it, so I didn't have to. It's just absolutely beautiful and if you see a Book of the Occasional, you'll see what I mean. It's just a gorgeous, gorgeous book. Oh, gee, I'd love to read— how long can I have now?\\n \\nUnknown\\n00:48:45\\n[Cut or edit made in tape].\\n \\nGeorge Bowering\\n00:48:46\\n...Because I just suddenly remembered I'd love to read a piece I have called The Big Leagues. But then I also have a book called At War with the U.S. that I— was the first book of poems I've written in years, but maybe I'll just read The Big Leagues, that will probably take— and then maybe I'll read one or two pieces from Curious. This is a book—a thing called The Big Leagues and it's in a few- in five sections and maybe I'll get tired before I get to the fifth one, but I'll just see how— the first one is called \\\"The Detroit Tigers\\\" [https://www.wikidata.org/wiki/Q650855].\\n \\nGeorge Bowering\\n00:49:21\\nReads \\\"The Detroit Tigers\\\".\\n \\nGeorge Bowering\\n00:51:57\\nThat was written in South Slocan, B.C. [https://www.wikidata.org/wiki/Q18379776] I think this is my favourite one, it's called \\\"The Dallas Cowboys\\\" [https://www.wikidata.org/wiki/Q204862].\\n \\nGeorge Bowering\\n00:52:09\\nReads \\\"The Dallas Cowboys\\\".\\n \\nGeorge Bowering\\n00:54:57\\nThe next one's called \\\"The San Diego Padres\\\" [https://www.wikidata.org/wiki/Q721134] but I'm going to skip that one because it's about getting dope [https://www.wikidata.org/wiki/Q60168] into— what happens is that Chance is coming back, he's now wearing the uniform that Slim Chance had before he died, a U.S. Army uniform that says \\\"Chance\\\" on it and \\\"U.S. Army\\\" and they're sneaking some dope into San Diego and it has to do with some Padres whose clothes are taken off so they can use them to hide the dope and everything. The next one's called \\\"The Buffalo Sabres\\\" [https://www.wikidata.org/wiki/Q131206].\\n \\nGeorge Bowering\\n00:55:32\\nBegins reading \\\"The Buffalo Sabres\\\". \\n\\nGeorge Bowering\\n00:55:37\\nOh, by the way what happens is that I took four quotations from poetry, and three of them are taken from the normal Ohio academic American Poetry Anthology and one of them is taken from Robert Creeley [https://www.wikidata.org/wiki/Q918620] at the end, and you can tell. I can't even remember what poets I took from, like all those guys sorta have the same thing, you know, Donald Hall [https://www.wikidata.org/wiki/Q976924] Anthology Poets if you know what I mean.\\n \\nGeorge Bowering\\n00:56:05\\nResumes reading \\\"The Buffalo Sabres\\\".\\n \\nGeorge Bowering\\n00:59:06\\nAnd this one is for a lot of friends of mine, it's called \\\"The Minnesota Twins\\\" [https://www.wikidata.org/wiki/Q604879] and he's going on, he's leaving Buffalo [https://www.wikidata.org/wiki/Q40435] and going to— has anyone here been to— has anyone here been to Bemidji, Minnesota [https://www.wikidata.org/wiki/Q730430]? You know what they got there right? That great big, blue Ox and the great big Paul Bunyan [https://www.wikidata.org/wiki/Q7149597] carved about 30 feet high or something like that. And other than that, it's a beautiful town, you know, it has the— it looks like the underground of another town turn upside-down, so the bottom is up above the ground, right? \\\"The Minnesota Twins\\\".\\n \\nAnnotation\\n00:59:39\\nReads \\\"The Minnesota Twins\\\".\\n \\nGeorge Bowering\\n01:02:26\\nI think I'll read like for ten minutes and that'll be for a total of an hour, five minutes or something like that. I'll just, I'll pick, this is Curious, which is a— that other book's coming out, it's called In the Flesh and it's maybe the last book of occasional, magazine book verse poetry I ever do. It deals with the experience of being in your 30s and finding out that the world isn't round after all and how sad you can be and how strong emotions can be. It has an introduction called \\\"I Never Felt Such Love\\\". But it's mainly lyric poetry, and I just, I've read so much of that that it's got to be too easy to read and write and everything. So I'll read a few of these. The poets who are mentioned in Curious, it happens that there are a lot of my friends who aren't in the book. Because, again, I wrote it that way, if you know, if that person did not come up, excuse me, from the other side of the page or however that feeling is to be described, if the voice wasn't there or something, for instance I really wanted to do a Roy Kiyooka [https://www.wikidata.org/wiki/Q3445789] poem, and you know, I just couldn't and it didn't come and I had wanted to but if I had tried that it just would have been screwed up. Some of these are American, some are Canadians, a couple are English and maybe one or two other things. And the first one is, naturally, Charles Olson [https://www.wikidata.org/wiki/Q922978]. Olson, as you probably know, was about 6 ft 10 and weighed about 300 pounds. And I first met him— I was standing at the bottom of a flight of stairs and he was coming down them. So I said 'hello' to the knees of his sear-sucker suit.\\n \\nGeorge Bowering\\n01:04:19\\nReads \\\"Charles Olson\\\" from Curious.\\n \\nGeorge Bowering\\n01:05:57\\nI'll get some Canadians in here. Margaret Atwood [https://www.wikidata.org/wiki/Q183492], she's the first Canadian to appear in here.\\n \\nGeorge Bowering\\n01:06:16\\nReads \\\"Margaret Atwood\\\" from Curious.\\n \\nGeorge Bowering\\n01:07:36\\nThere are some poets in here that you won't know that are more specifically Vancouver-oriented poets perhaps that aren't as well known out here so I'll skip those. This is \\\"bp Nichol\\\". Everybody knows bpNichol [https://www.wikidata.org/wiki/Q4953105], or everybody is bpNichol.\\n \\nGeorge Bowering\\n01:07:57\\nReads \\\"bp Nichol\\\" from Curious.\\n \\nGeorge Bowering\\n01:09:40\\n\\\"Stephen Spender\\\" [https://www.wikidata.org/wiki/Q448764]. I was going to skip this one, but it has a few moments in it.\\n \\nGeorge Bowering\\n01:09:53\\nReads \\\"Stephen Spender\\\" from Curious.\\n \\nGeorge Bowering\\n01:11:18\\nThat's, boy, that's— like you're out on the West Coast where you've never seen a poet before in your life and the first one they bring you is this guy you've been reading in books and he's a white-haired— it's unbelievable. You know, John Newlove's [https://www.wikidata.org/wiki/Q6250356]? John Newlove, for those who know John Newlove.\\n \\nGeorge Bowering\\n01:11:36\\nReads \\\"John Newlove\\\" from Curious.\\n \\nGeorge Bowering\\n01:13:08\\nThat last part is from a title of one of his books. David McFadden [https://www.wikidata.org/wiki/Q5237344] is, this is the David McFadden piece and maybe I'll read it and a couple more. It's not my favourite but it's one that I like reading. David McFadden— well, it tells you what he's like, but David McFadden is a— he scared the hell out of Allen Ginsberg [https://www.wikidata.org/wiki/Q6711] because he writes really funny poems, like he literally has things, like he walks out into the backyard and sees the Archangel Gabriel [https://www.wikidata.org/wiki/Q81989] or a space man and just talks to it and talks about it in the story of the poem a paragraph after he's talked about going out and buying some cigarettes or something like that and Ginsberg thought, wow, what a weird spaced out guy, so Victor Coleman [https://www.wikidata.org/wiki/Q23882910] took him down to Hamilton [https://www.wikidata.org/wiki/Q133116] to see David, David— he's got, as he said in the note of one of his books, \\\"I was born in 1940 and I comb my hair straight back\\\", and in his house, he's got an electric pendulum clock and you know that sort of thing. And Ginsberg took one look and said [inaudible ‘scared’ sound], and ran away. Just couldn't believe it, you know, it's unbelievable. So, David McFadden.\\n \\nGeorge Bowering\\n01:14:30\\nReads \\\"David McFadden\\\" from Curious.\\n \\nGeorge Bowering\\n01:16:24\\nThere wasn't a comma in there, that was the Indian food coming back. Now let's see…\\n\\nAudience Member 1\\n01:16:31\\nAddresses George Bowering [unintelligible; requests poem].\\n\\nGeorge Bowering\\n01:16:33\\nNo, he didn't get in there either, and I'm very sad about that, just people that got in that I wish didn't get in and there's people that didn't get in that I wish did get in. \\n\\nAudience Member 2\\n01:16:44\\n[Unintelligible]...Raymond Souster [https://www.wikidata.org/wiki/Q304129].\\n\\nGeorge Bowering\\n01:16:46\\nYeah, I think I might have skipped over Raymond Souster, the Raymond Souster one is, as you might imagine the shortest one in the book.\\n \\nGeorge Bowering\\n01:16:58\\nReads \\\"Raymond Souster\\\" from Curious.\\n \\nGeorge Bowering\\n01:17:59\\nI got a Purdy one too, but Al weighs 210 pounds. No, I've always made it a policy not to read the ones of somebody that's there. I don't know if there are any other ones that I'm going to read.\\n\\nAudience Member 3\\n01:18:25\\nAddresses George Bowering [unintelligible; requests poem].\\n\\nGeorge Bowering\\n01:18:26\\nYeah, I don't know where the hell it is. I like the Lionel Kearns [https://www.wikidata.org/wiki/Q6555690] one actually...Oh I don't know what's happened to the Lionel Kearns one, it's one of my very favourites too. I think maybe, I'll see if I can find the Lionel one in a second then I'll read it and I'll finish off with the bill bissett [https://www.wikidata.org/wiki/Q4911496] one. If I just had the book with me it'd be a hell of a lot easier. I don't think I'm going to find the Kearns one. I can't find the Kearns one, it's all about how he can't find anything. This is the bissett one and then I'll finish off with that.\\n \\nGeorge Bowering\\n01:19:30\\nReads bill bissett\\\" from Curious.\\n\\nGeorge Bowering\\n01:21:16\\nThank you.\\n\\nAudience\\n01:21:17\\nApplause. \\n\\nEND\\n01:21:29\\n\",\"notes\":\"George Bowering reads from Autobiology (New Star Books, 1972) and Curious (Coach House Press, 1973), as well as a few poems from unknown sources.\\n\\nList of Poems Read and Time Stamps:\\nPart 1\\n00:00 - Background noise, setting up microphone\\n01:54 - George Bowering introduces reading [INDEX: Al Purdy, review of his book of poems, Al Purdy in the audience]\\n04:12 - Unknown male introduces Bowering [INDEX: Curious published by Coach House Press; In the Flesh; baseball]\\n05:48 - George Bowering introduces “Desert Elm” [INDEX: California, Suzuki Roshi ‘Zen Baseball’; reading tour, Autobiology: written in Montreal, finished in Vancouver; Okanagan region in B.C., elm tree; father’s heart attack]\\n07:22 - Reads “Desert Elm”\\n20:04 - Introduces “Jack Spicer” from Curious [INDEX: Autobiology; reading from Curious, reading for Artie Gold, book about poets]\\n20:43 - Reads “Jack Spicer”\\n22:10 - Explains “Jack Spicer” and introduces “Chapter One: The Raspberries” from Autobiology. [INDEX: Jack Spicer, Summer of 1965, moving to Vancouver, San        \\tFrancisco Poetry Festival, Spicer’s death; Autobiology (about it), writing started in  \\tWestmount (Montreal) and finished in Kitsolano (Vancouver), published the same \\nday as Stan Perksy’s The Day, readings in Vancouver; handwritten page length of Autobiology]\\n24:41 - Reads “Chapter One: The Raspberries”\\n26:06 - Introduces “Chapter Two: The Teeter Totter” [INDEX: artistic process of writing Autobiology; Westmount]\\n27:05 - Reads “Chapter Two: The Teeter Totter”\\n28:22 - Reads “Chapter Three: The Pollywogs”\\n29:31 - Introduces “ Chapter Four: The Flying Dream” [INDEX: reason he started writing poetry]\\n29:40 - Reads “Chapter Four: The Flying Dream”\\n30:54 - Introduces “Chapter Eight: The Breaks” [INDEX: Two sections called “The Breaks”; West-Coast elitism]\\n31:15 - Reads “Chapter Eight: The Breaks”\\n32:24 - Introduces “Chapter Fourteen: Composition”\\n33:02 - Reads “Chapter Fourteen: Composition”\\n34:32 - Reads “Chapter Twenty: The Breaks” [First line “I broke my nose on a girl’s heel...”]\\n35:53 - Reads “Chapter Twenty-One: Come”\\n37:13 - Introduces “Chapter Twenty-Six: The Childhood” [INDEX: Vancouver, community living, Cold Mountain, Esalen, [?] shrinkage]\\n37:56 - Reads “Chapter Twenty-Six: The Childhood”\\n39:05 - Introduces “Chapter Twenty-Seven: St Louis” [INDEX: William Burroughs, T.S. Eliot]\\n39:21 - Reads “Chapter Twenty-Seven: St Louis”\\n40:49 - Introduces “Chapter Forty-Three: The Flesh” [INDEX: series of poems about towns \\tGeorge Bowering lived in]\\n41:23 - Reads “Chapter Forty-Three: The Flesh”\\n42:43 - Introduces “The Operations” [INDEX: Operations, chance, living with his mother; cover of the book is a photo of George and his mother]\\n43:14 - Reads “Chapter Forty-Five: The Operations”\\n44:53 - Reads “Chapter Forty-Seven: The Scars”\\n46:24 - Reads “Chapter Forty-Eight: The Body”\\n47:48 - Talks about Autobiology [INDEX: Tetrology: 1st volume: Geneve: based on a found poem in the Geneve version of the tarot card pack, 2nd volume: Autobiology, 3rd volume: written by Dwight Gardener Book of the Occasional]\\n48:45.59 - END OF RECORDING.\\n\\nPart 2\\n00:00 - George Bowering introduces “The Detroit Tigers” [INDEX: wants to read “The Big Leagues”, book At War with the U.S.; book Curious]\\n00:35 - Reads “The Detroit Tigers”\\n03:11 - Introduces “The Dallas Cowboys” [INDEX: “The Detroit Tigers” written in South       Slocan, B.C.]\\n03:23 - Reads “The Dallas Cowboys”\\n06:11 - Introduces “The Buffalo Sabers” [INDEX: “The San Diego Padres” about smuggling dope into San Diego, Slim Chance (Character), U.S. Army uniform]\\n06:46 - Reads “The Buffalo Sabers”\\n06:52 - Interrupts reading with explanation [INDEX: quotations taken from anthologies of       American poetry, Ohio, Great Anthology: New Poets of England and America edited by Donald Hall; Robert Creeley]\\n07:19 - Resumes reading “The Buffalo Sabers”.\\n10:21 - Introduces “The Minnesota Twins” [INDEX: leaving Buffalo going to Bemidji, Minnesota; Blue Ox and Paul Bunyan statues]\\n10:54 - Reads “The Minnesota Twins”\\n13:40 - Introduces “Charles Olson” from Curious. [INDEX: In the Flesh, Curious: book of the occasional, magazine verse, how strong emotions can be, Introduction: “I Never Felt Such Love”, about poets, how he chose what poets to put in the book, Roy Kiyooka, American, Canadian and British poets; Charles Olson and his first meeting with]\\n15:33 - Reads “Charles Olson”\\n17:11 - Introduces “Margaret Atwood” [INDEX: introduced as “Peggy Has”, Margaret Atwood]\\n17:31 - Reads “Margaret Atwood”\\n18:50 - Introduces “bp Nichol” [INDEX: Vancouver-oriented poets]\\n19:11 - Reads “bp Nichol”\\n20:55 - Introduces “Stephen Spender”\\n21:07 - Reads “Stephen Spender”\\n22:32 - Introduces “John Newlove” [INDEX: explains his first meeting with Stephen Spender]\\n24:23 - Reads “John Newlove”\\n24:23 - Introduces “David McFadden” [INDEX: tells story about how McFadden scared Allen Ginsberg, Victor Coleman]\\n25:44 - Reads “David McFadden”\\n27:28 - Introduces “Raymond Souster”\\n28:13 - Reads “Raymond Souster”\\n29:13 - Introduces “Bill Bissett” [INDEX: Al Purdy poem, Lionel Kearns]\\n30:44 - Reads “Bill Bissett”.\\n32:43.73 - END OF RECORDING.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/george-bowering-at-sgwu-1974/\"}]"],"score":0.01643844},{"id":"1302","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["George Bowering, Home Recording, 3 March 1967"],"item_title_source":["Cataloguer"],"item_title_note":["Title does not follow the typical formula for this collection, as this reading did not take place at Sir George Williams University, but rather in Bowering's home."],"item_language":["English"],"item_production_context":["Home recording"],"item_series_title":["The Poetry Series"],"item_identifiers":["[]"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"Poet, novelist, anthologist and critic George Bowering was born in Penticton, British Columbia in 1935. In 1954 he served in the Royal Canadian Air Force until 1957, when he pursued a Bachelor’s degree in 1960 and a Master’s degree in 1963 from the University of British Columbia. With fellow poets Frank Davey, David Dawson, James Reid, Fred Wah and critic Warren Tallman, he founded Tish in 1961, a poetry newsletter which had monumental reverberations across Canada. This magazine, influenced by styles of the Black Mountain Poets and of the East Coast poetry of Louis Dudek, Raymond Souster and Irving Layton, brought a “new wave” of poetry to Canada. Bowering’s first collection of poetry began with Sticks and Stones (Tishbooks, 1962) with a preface written by Robert Creeley, and was followed by Points on the Grid (Contact Press, 1964) and Man in Yellow Boots (El Corno Emplumado, 1965). Bowering also founded the magazine Imago (1964-1974), which featured critical essays and poetry, and he also contributed to Open Letter as an editor. Bowering then moved eastwards, teaching at the University of Calgary from 1963-1966, enrolled in the Ph.D. program at the University of Western Ontario. A year later, Bowering accepted a position as the writer-in-residence in 1967 at Sir George Williams University (now Concordia University) in Montreal, becoming a lecturer in 1967-1971. Bowering joined the Sir George Williams University Poetry Reading Series Committee in the fall of 1967, which was being run by Roy Kiyooka, Stanton Hoffman and Howard Fink. In 1972 he left Montreal and began a long career teaching at Simon Fraser University in British Columbia. He has published over fifty books of poetry, prose, short stories, essays, reviews, plays as well as pieces that combine and defy genres. A selection of his publications are as follows: Genève (Coach House Press, 1971), Autobiology (New Star Books, 1972), Curious (Coach House Press, 1973), In the Flesh (McClelland & Stewart, 1974), Allophanes (Coach House Press, 1976), Burning Water (Beaufort Books, 1980), Caprice (Penguin Books, 1988), Harry’s Fragments (Coach House Press, 1990), Rewriting my Grandfather (Nomados, 2005), Baseball Love (Talonbooks, 2006) and Shall I Compare: July 2006 (George Bowering, 2008). Bowering published his interview with Black Mountain poet Robert Duncan: An Interview, (Coach House Press, 1971), a book-length study on Canadian poet Al Purdy: Al Purdy (Copp Clark, 1970) along with editing several anthologies such as Vibrations: Poems from Youth (Cage, 1970), Fiction of Contemporary Canada (Coach House Press, 1980) and Likely Stories: A Postmodern Sampler (Coach House Oress, 1992). Bowering has won two Governor General Awards, for poetry in 1969 for Rocky Mountain Foot (McClelland & Stewart, 1968) and The Gangs Kosmos (Anasi, 1969); one for fiction in 1980 for Burning Water (Beaufort Books, 1980). George Bowering continues teaching, inspiring and writing at the Simon Fraser University in British Columbia.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[]"],"Performance_Date":[1967],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"BASF\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"Half-track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"Dates":["[{\"date\":\"1967 3 3\",\"type\":\"Performance Date\",\"notes\":\"Date reference in \\\"Howard Fink List\\\"\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"Bowering's home at the time\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["George Bowering reads from Points on the Grid (Contact, 1964), The Man in Yellow Boots (El Corno Emplumado, 1965) as well as one poem published later in Rocky Mountain Foot: a lyric, a memoir (1968). "],"contents":["George Bowering\n00:00:00\nFirst of all, my apologies for being so late with the tape, and a footnote that the noise in the background, if there is any, will be my wife making supper. \n\nUnknown\n00:00:12\nAmbient sound.\n\nGeorge Bowering\n00:00:17\nFirst I'll read, first I'll read from my first book, Points on the Grid.\n\nUnknown\n00:00:27\n[Cut in tape].\n\nGeorge Bowering\n00:00:32\nThis book published in 1964, by Contact Press. The first poem I'll read is the one called \"Trail\" [feedback sounds].\n\nGeorge Bowering\n00:00:49\nReads \"Trail\" from Points on the Grid.\n \nGeorge Bowering\n00:01:36\n\"Locus Solus\".\n \nGeorge Bowering\n00:01:40\nReads \"Locus Solus\" from Points on the Grid.\n \nGeorge Bowering\n00:02:42\nI might mention that the difference between this book and the other one is that more often you'll see on the page in this book that I've been working out certain ideas about poetics [https://www.wikidata.org/wiki/Q835023], certain ideas about syntax [https://www.wikidata.org/wiki/Q37437], ideas about how to get the page down on the poem, all the things the Tish poets [https://www.wikidata.org/wiki/Q2384384] were working out in the early 1960s. As an example, the poem, \"Walking Poem\".\n \nGeorge Bowering\n00:03:14\nReads \"Walking Poem\" from Points on the Grid.\n \nGeorge Bowering\n00:04:22\nI might mention, according to our poetics, or according to my poetics in that poem you'll see things operating such as a rhyme between the word 'shadow' and the word 'bashful'. \"Family\".\n \nGeorge Bowering\n00:04:39\nReads \"Family\" from Points on the Grid.\n \nGeorge Bowering\n00:05:33\nThe following is the poem that I think is the best in the book, and that I think most people whom I've talked to agree this is the best poem in the book. \"Grandfather\".\n \nGeorge Bowering\n00:05:47\nReads \"Grandfather\" from Points on the Grid.\n \nGeorge Bowering\n00:07:25\n\"For A.\".\n \nAnnotation\n00:07:28\nReads \"For A.\" from Points on the Grid.\n \nGeorge Bowering\n00:07:49\nOne thing that separates Western Canada [https://www.wikidata.org/wiki/Q1145847] from Eastern Canada [https://www.wikidata.org/wiki/Q795077] is the Spanish names of Western Canada and the Spaniards [https://www.wikidata.org/wiki/Q160894] left their names all the way up the coast, not only in California and Oregon. This poem, set partly in Vancouver [https://www.wikidata.org/wiki/Q24639] and partly on the rest of the B.C. coast is called \"Spanish B.C.\".\n\nGeorge Bowering\n00:08:11\nReads \"Spanish B.C\" from Points on the Grid.\n \nGeorge Bowering\n00:10:34\nI suppose I'd better read the title poem, \"Points on the Grid\".\n \nGeorge Bowering\n00:10:42\nReads \"Points on the Grid\" from Points on the Grid.\n \nGeorge Bowering\n00:12:10\nI might mention, just for the record, that many of the things that I learned and tried to practice in that first book, I learned originally from poets such as Robert Duncan [https://www.wikidata.org/wiki/Q964391], Robert Creeley [https://www.wikidata.org/wiki/Q918620], Charles Olson [https://www.wikidata.org/wiki/Q922978], all of whom visited Vancouver and helped the young poets in Vancouver out, very much, in learning about poetry. Now I plan to read from The Man in Yellow Boots, published this year, 1965, and in this book, I tend to move away from experimentation [https://www.wikidata.org/wiki/Q1384425], although I still retain many of the things that I tried to work out in the first book. In this book one of the things that I often do is turn to more social issues. First though, let me read the love poem that begins the book, this poem called \"To Cleave\".\n \nGeorge Bowering\n00:13:14\nReads \"To Cleave\" from The Man in Yellow Boots.\n \nGeorge Bowering\n00:13:43\nThis book is a bilingual book, unfortunately not with French [https://www.wikidata.org/wiki/Q150], but with Spanish [https://www.wikidata.org/wiki/Q1321] and just this once I'm going to see if I can read the Spanish version of the poem I just read. Spanish is called \"Penetrar\".\n \nGeorge Bowering\n00:13:58\nReads \"Penetrar\" from The Man in Yellow Boots in Spanish.\n \nGeorge Bowering\n00:14:39\nIncidentally as a poetic note, some of that scratching and scrabbling noise in the background is my two small dogs beating each other up. This poem called \"Moon Shadow\".\n \nGeorge Bowering\n00:14:54\nReads \"Moon Shadow\" from The Man in Yellow Boots.\n \nGeorge Bowering\n00:16:03\nThis then, is the other side of my poetry, this poem called \"Vox Crapulous\".\n \nGeorge Bowering\n00:16:09\nReads \"Vox Crapulous\" from The Man in Yellow Boots.\n \nGeorge Bowering\n00:17:31\nFurther in that vein, this poem’s written October 16, 1964: a momentous day. This poem is called \"The Day Before the Chinese A-Bomb\".\n \nGeorge Bowering\n00:17:46.49\nReads \"The Day Before the Chinese A-Bomb\" from The Man in Yellow Boots.\n \nGeorge Bowering\n00:18:29\nThis a longer poem, I think one of the two best poems in the book the other one being \"The Descent\", this poem's called \"For WCW\"\n \nGeorge Bowering\n00:18:39\nReads \"For WCW\" from The Man in Yellow Boots.\n \nGeorge Bowering\n00:21:16\nThis poem, written during our visit to Mexico [https://www.wikidata.org/wiki/Q96] in 1964, called \"Esta Muy Caliente\" and the reason it's not called \"Hace Mucho Calor\" is because of something inherent in the Spanish language that those that know will understand.\n \nGeorge Bowering\n00:21:35\nReads \"Esta Muy Caliente\" from The Man in Yellow Boots.\n \nGeorge Bowering\n00:23:09\nI think the following is the best poem in this book, it's called \"The Descent\", the title taken from a William Carlos Williams [https://www.wikidata.org/wiki/Q178106] poem of course.\n \nGeorge Bowering\n00:23:18.83\nReads \"The Descent\" from The Man in Yellow Boots.\n \nGeorge Bowering\n00:29:09\nAnd the last poem in the book, \"Breaking Up, Breaking Out\".\n \nGeorge Bowering\n00:29:14\nReads \"Breaking Up, Breaking Out\" from The Man in Yellow Boots.\n \nGeorge Bowering\n00:30:03\nNow, some newer poems, while there's time. This newest one called \"The Oil\", written after a drive to Edmonton [https://www.wikidata.org/wiki/Q2096] and back from Calgary [https://www.wikidata.org/wiki/Q36312].\n \nGeorge Bowering\n00:30:14\nReads \"The Oil\" [published later in Rocky Mountain Foot: a lyric, a memoir].\n \nGeorge Bowering\n00:32:03\nHere's a short poem called \"I Saw\".\n \nGeorge Bowering\n00:32:07\nReads \"I Saw\".\n \nGeorge Bowering\n00:32:20\nOkay, when I've just about come to the end of this side of the tape and I don't think I'll use the other side so that you can use it for somebody else, and once again I'm terribly sorry for being so late with this tape, and also if that does seem a loss, I'm sorry for not saying more things about poetry, I've been doing that less and less the further and further I've been getting away from Vancouver. So, Merry Christmas!\n \nEND\n00:32:58\n"],"Note":["[{\"note\":\"Year-specific Information:\\n\\nIn 1967, George Bowering had been hired at Sir George Williams University and was on the Reading Series Committee. Bowering was also editing his magazine Imago in Montreal.\",\"type\":\"General\"},{\"note\":\"Local connections:\\n\\nGeorge Bowering was very influential in promoting and enriching the Vancouver poetry scene in the early 1960s, through his magazines Tish and Imago as well as the hundreds of connections he made with other poets. His early connections with the Black Mountain Poets and the relationships he made with Canadian poets from Vancouver across Canada to Montreal  have been essential because he bridged the gap of distance and made new types of poetry available to young poets. Montrealer Louis Dudek wrote that Bowering’s “most important contribution to the new generation of Montreal poets was the institution of a series of readings at Sir George [Williams University] which exposed them to the diverse experimentation that was taking place across Canada and the U.S.”[1] . Bowering has anthologized many Canadian poets, as well as publishing over fifty books of his own writing, establishing himself as an important figure in Canadian poetry. \",\"type\":\"General\"},{\"note\":\"Original transcript, research, introduction and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Faith Paré (2020) & Ali Barillaro (2021)\\n\",\"type\":\"Cataloguer\"},{\"note\":\"Reel-to-reel tape>CD>digital file\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/rocky-mountain-foot-a-lyric-a-memoir/oclc/962929125&referer=brief_results\",\"citation\":\"Bowering, George. Rocky Mountain Foot: a lyric, a memoir. Toronto: McClelland & Stewart, 1968. \"},{\"url\":\"https://www.worldcat.org/title/concrete-island-montreal-poems-1967-1971/oclc/15849512&referer=brief_results\",\"citation\":\"Bowering, George. The Concrete Island: Montreal poems, 1967-1971. Montreal: Vehicule Press, 1977. \"},{\"url\":\"https://www.worldcat.org/title/points-on-the-grid/oclc/3391688&referer=brief_results\",\"citation\":\"Bowering, George. Points on the Grid. Toronto: Contact Press, 1964. \"},{\"url\":\"https://www.worldcat.org/title/contemporary-canadian-poem-anthology/oclc/802667762&referer=brief_results\",\"citation\":\"Bowering, George. (ed). The Contemporary Canadian Poem Anthology. Toronto: Coach House Press, 1984. \"},{\"url\":\"https://www.worldcat.org/title/montreal-english-poetry-of-the-seventies/oclc/757254674&referer=brief_results\",\"citation\":\"Farkas, Andre & Ken Norris, ed. Montreal English Poetry of the Seventies. Montreal: Vehicule Press, 1977.\"},{\"url\":\"https://www.worldcat.org/title/15-canadian-poets-times-2/oclc/622296707&referer=brief_results\",\"citation\":\"Geddes, Gary (ed). Fifteen Canadian Poets Times Two. Toronto: Oxford University Press, 1990. \"},{\"url\":\"https://www.worldcat.org/title/poets-of-contemporary-canada-1960-1970-edited-and-with-an-introduction-by-eli-mandel/oclc/1202953921&referer=brief_results\",\"citation\":\"Mandel, Eli (ed). Poets of Contemporary Canada 1960-1970. Montreal: McClelland and Stewart, 1972. \"},{\"url\":\"https://www.worldcat.org/title/encyclopedia-of-post-colonial-literatures-in-english-volume-1/oclc/636622714&referer=brief_results\",\"citation\":\"Miki, Roy. “Bowering, George (1935-)”. Routledge Encyclopedia of Post-Colonial Literatures in English. Ed. Benson, Eugene; Conolly, L.W. London: Routledge, 1994. \"},{\"url\":\"https://www.worldcat.org/title/record-of-writing-an-annotated-and-illustrated-bibliography-of-george-bowering/oclc/797558365&referer=brief_results\",\"citation\":\"Miki, Roy. A Record of Writing: an annotated and illustrated bibliography of George Bowering. Vancouver: Talonbooks, 1990. \"},{\"url\":\"https://www.worldcat.org/title/canadian-writers-since-1960-first-series/oclc/883361320&referer=brief_results\",\"citation\":\"Quartermain, Peter and Meredith. \\\"George Bowering.\\\" Canadian Writers Since 1960: \\nFirst Series. Ed. William H. New. Dictionary of Literary Biography, Vol. 53. Detroit: Gale Research, 1986. \"},{\"url\":\"https://www.worldcat.org/title/from-there-to-here-a-guide-to-english-canadian-literature-since-1960/oclc/962929534&referer=brief_results\",\"citation\":\"Davey, Frank. From There to Here: A Guide to English-Canadian Literature Since 1960. Ontario: Press Porcepic, 1974 .\"},{\"url\":\"https://www.worldcat.org/title/man-in-the-yellow-boots-el-hombre-de-las-botas-amarillas/oclc/1150284247&referer=brief_results\",\"citation\":\"Bowering, George and Sergio Mondragon. The Man in Yellow Boots. Mexico: El Corno Emplumado, 1965. \"}]"],"_version_":1853670548964376576,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:32:58\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"George Bowering\\n00:00:00\\nFirst of all, my apologies for being so late with the tape, and a footnote that the noise in the background, if there is any, will be my wife making supper. \\n\\nUnknown\\n00:00:12\\nAmbient sound.\\n\\nGeorge Bowering\\n00:00:17\\nFirst I'll read, first I'll read from my first book, Points on the Grid.\\n\\nUnknown\\n00:00:27\\n[Cut in tape].\\n\\nGeorge Bowering\\n00:00:32\\nThis book published in 1964, by Contact Press. The first poem I'll read is the one called \\\"Trail\\\" [feedback sounds].\\n\\nGeorge Bowering\\n00:00:49\\nReads \\\"Trail\\\" from Points on the Grid.\\n \\nGeorge Bowering\\n00:01:36\\n\\\"Locus Solus\\\".\\n \\nGeorge Bowering\\n00:01:40\\nReads \\\"Locus Solus\\\" from Points on the Grid.\\n \\nGeorge Bowering\\n00:02:42\\nI might mention that the difference between this book and the other one is that more often you'll see on the page in this book that I've been working out certain ideas about poetics [https://www.wikidata.org/wiki/Q835023], certain ideas about syntax [https://www.wikidata.org/wiki/Q37437], ideas about how to get the page down on the poem, all the things the Tish poets [https://www.wikidata.org/wiki/Q2384384] were working out in the early 1960s. As an example, the poem, \\\"Walking Poem\\\".\\n \\nGeorge Bowering\\n00:03:14\\nReads \\\"Walking Poem\\\" from Points on the Grid.\\n \\nGeorge Bowering\\n00:04:22\\nI might mention, according to our poetics, or according to my poetics in that poem you'll see things operating such as a rhyme between the word 'shadow' and the word 'bashful'. \\\"Family\\\".\\n \\nGeorge Bowering\\n00:04:39\\nReads \\\"Family\\\" from Points on the Grid.\\n \\nGeorge Bowering\\n00:05:33\\nThe following is the poem that I think is the best in the book, and that I think most people whom I've talked to agree this is the best poem in the book. \\\"Grandfather\\\".\\n \\nGeorge Bowering\\n00:05:47\\nReads \\\"Grandfather\\\" from Points on the Grid.\\n \\nGeorge Bowering\\n00:07:25\\n\\\"For A.\\\".\\n \\nAnnotation\\n00:07:28\\nReads \\\"For A.\\\" from Points on the Grid.\\n \\nGeorge Bowering\\n00:07:49\\nOne thing that separates Western Canada [https://www.wikidata.org/wiki/Q1145847] from Eastern Canada [https://www.wikidata.org/wiki/Q795077] is the Spanish names of Western Canada and the Spaniards [https://www.wikidata.org/wiki/Q160894] left their names all the way up the coast, not only in California and Oregon. This poem, set partly in Vancouver [https://www.wikidata.org/wiki/Q24639] and partly on the rest of the B.C. coast is called \\\"Spanish B.C.\\\".\\n\\nGeorge Bowering\\n00:08:11\\nReads \\\"Spanish B.C\\\" from Points on the Grid.\\n \\nGeorge Bowering\\n00:10:34\\nI suppose I'd better read the title poem, \\\"Points on the Grid\\\".\\n \\nGeorge Bowering\\n00:10:42\\nReads \\\"Points on the Grid\\\" from Points on the Grid.\\n \\nGeorge Bowering\\n00:12:10\\nI might mention, just for the record, that many of the things that I learned and tried to practice in that first book, I learned originally from poets such as Robert Duncan [https://www.wikidata.org/wiki/Q964391], Robert Creeley [https://www.wikidata.org/wiki/Q918620], Charles Olson [https://www.wikidata.org/wiki/Q922978], all of whom visited Vancouver and helped the young poets in Vancouver out, very much, in learning about poetry. Now I plan to read from The Man in Yellow Boots, published this year, 1965, and in this book, I tend to move away from experimentation [https://www.wikidata.org/wiki/Q1384425], although I still retain many of the things that I tried to work out in the first book. In this book one of the things that I often do is turn to more social issues. First though, let me read the love poem that begins the book, this poem called \\\"To Cleave\\\".\\n \\nGeorge Bowering\\n00:13:14\\nReads \\\"To Cleave\\\" from The Man in Yellow Boots.\\n \\nGeorge Bowering\\n00:13:43\\nThis book is a bilingual book, unfortunately not with French [https://www.wikidata.org/wiki/Q150], but with Spanish [https://www.wikidata.org/wiki/Q1321] and just this once I'm going to see if I can read the Spanish version of the poem I just read. Spanish is called \\\"Penetrar\\\".\\n \\nGeorge Bowering\\n00:13:58\\nReads \\\"Penetrar\\\" from The Man in Yellow Boots in Spanish.\\n \\nGeorge Bowering\\n00:14:39\\nIncidentally as a poetic note, some of that scratching and scrabbling noise in the background is my two small dogs beating each other up. This poem called \\\"Moon Shadow\\\".\\n \\nGeorge Bowering\\n00:14:54\\nReads \\\"Moon Shadow\\\" from The Man in Yellow Boots.\\n \\nGeorge Bowering\\n00:16:03\\nThis then, is the other side of my poetry, this poem called \\\"Vox Crapulous\\\".\\n \\nGeorge Bowering\\n00:16:09\\nReads \\\"Vox Crapulous\\\" from The Man in Yellow Boots.\\n \\nGeorge Bowering\\n00:17:31\\nFurther in that vein, this poem’s written October 16, 1964: a momentous day. This poem is called \\\"The Day Before the Chinese A-Bomb\\\".\\n \\nGeorge Bowering\\n00:17:46.49\\nReads \\\"The Day Before the Chinese A-Bomb\\\" from The Man in Yellow Boots.\\n \\nGeorge Bowering\\n00:18:29\\nThis a longer poem, I think one of the two best poems in the book the other one being \\\"The Descent\\\", this poem's called \\\"For WCW\\\"\\n \\nGeorge Bowering\\n00:18:39\\nReads \\\"For WCW\\\" from The Man in Yellow Boots.\\n \\nGeorge Bowering\\n00:21:16\\nThis poem, written during our visit to Mexico [https://www.wikidata.org/wiki/Q96] in 1964, called \\\"Esta Muy Caliente\\\" and the reason it's not called \\\"Hace Mucho Calor\\\" is because of something inherent in the Spanish language that those that know will understand.\\n \\nGeorge Bowering\\n00:21:35\\nReads \\\"Esta Muy Caliente\\\" from The Man in Yellow Boots.\\n \\nGeorge Bowering\\n00:23:09\\nI think the following is the best poem in this book, it's called \\\"The Descent\\\", the title taken from a William Carlos Williams [https://www.wikidata.org/wiki/Q178106] poem of course.\\n \\nGeorge Bowering\\n00:23:18.83\\nReads \\\"The Descent\\\" from The Man in Yellow Boots.\\n \\nGeorge Bowering\\n00:29:09\\nAnd the last poem in the book, \\\"Breaking Up, Breaking Out\\\".\\n \\nGeorge Bowering\\n00:29:14\\nReads \\\"Breaking Up, Breaking Out\\\" from The Man in Yellow Boots.\\n \\nGeorge Bowering\\n00:30:03\\nNow, some newer poems, while there's time. This newest one called \\\"The Oil\\\", written after a drive to Edmonton [https://www.wikidata.org/wiki/Q2096] and back from Calgary [https://www.wikidata.org/wiki/Q36312].\\n \\nGeorge Bowering\\n00:30:14\\nReads \\\"The Oil\\\" [published later in Rocky Mountain Foot: a lyric, a memoir].\\n \\nGeorge Bowering\\n00:32:03\\nHere's a short poem called \\\"I Saw\\\".\\n \\nGeorge Bowering\\n00:32:07\\nReads \\\"I Saw\\\".\\n \\nGeorge Bowering\\n00:32:20\\nOkay, when I've just about come to the end of this side of the tape and I don't think I'll use the other side so that you can use it for somebody else, and once again I'm terribly sorry for being so late with this tape, and also if that does seem a loss, I'm sorry for not saying more things about poetry, I've been doing that less and less the further and further I've been getting away from Vancouver. So, Merry Christmas!\\n \\nEND\\n00:32:58\\n\",\"notes\":\"George Bowering reads from Points on the Grid (Contact, 1964), The Man in Yellow Boots (El Corno Emplumado, 1965) as well as one poem published later in Rocky Mountain Foot: a lyric, a memoir (1968). \\n\\nList of Poems Read and Time Stamps:\\n00:00 - George Bowering introduces reading [INDEX: Points on the Grid ]\\n00:49 - Reads “Trail”\\n01:36 - Reads “Locus Solus” [INDEX: not on Howard Fink list of poems]\\n02:42 - Introduces “Walking Poem” [INDEX: Points on the Grid, Man in Yellow Boots, poetics, syntax, Tish poets in the early 1960’s]\\n03:14 - Reads “Walking Poem”\\n04:22 - Introduces “Family” [INDEX: poetics: rhyme]\\n04:39 - Reads “Family”\\n05:33 - Introduces “Grandfather”\\n05:47 - Reads “Grandfather”\\n07:25 - Reads “For A.”\\n07:49 - Introduces “Spanish B.C.” [INDEX: differences between Eastern and Western Canada, Spaniards on West Coast of North America, Vancouver]\\n08:11 - Reads “Spanish B.C.”\\n10:34 - Reads “Points on the Grid”\\n12:10 - Introduces “To Cleave” [INDEX: Robert Duncan, Robert Creeley, Charles Olson, young poets in Vancouver, The Man in Yellow Boots, experimentation in poetry]\\n13:14 - Reads “To Cleave”\\n13:43 - Introduces “Penetrar” [INDEX: not on Howard Fink List.]\\n13:58 - Reads “Penetrar”\\n14:39 - Introduces “Moon Shadow”\\n14:54 - Reads “Moon Shadow”\\n16:03 - Introduces “Vox Crappulous”\\n16:09 - Reads “Vox Crappulous”\\n17:31 - Introduces “The Day Before the Chinese A-Bomb” [INDEX: October 16, 1964]\\n17:46 - Reads “The Day Before the Chinese A-Bomb”\\n18:29 - Introduces “For W.C.W.” [INDEX: “The Descent”, William Carlos Williams]\\n18:39 - Reads “For W.C.W.”\\n21:16 - Introduces “Esta Muy Caliente” [INDEX: written during trip to Mexico in 1964, Spanish language]\\n23:09 - Reads “Esta Muy Caliente”\\n23:09 - Introduces “The Descent” [INDEX: William Carlos Williams poem]\\n23:18 - Reads “The Descent”\\n29:09 - Introduces “Breaking Up, Breaking Out”\\n29:14 - Reads “Breaking Up, Breaking Out”\\n30:03 - Introduces “The Oil” [INDEX: drive from Edmonton to Calgary, poem from \\nunknown source]\\n32:03 - Reads “The Oil”\\n32:03 - Reads “I Saw” [INDEX: poem from unknown source]\\n32:20 - George Bowering closes the reading [INDEX: talking about poetry, being away from Vancouver, Merry Christmas!]\\n\\nHoward Fink List of Poems:\\n“George Bowering” reading his own poetry\\nMarch 3, 1967\\nreel info: one, 5” tape, 3 3/4 ips, mono, one track, lasting 25 mins.\\n*note: some poems are missing from this list*\\n“Steps of love” is noted as being between “Walking Poem” and “Family”\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"file_path\":\"\",\"filename\":\"I0086_11_0006_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"George Bowering Tape Box 1 - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"file_path\":\"\",\"filename\":\"I0086_11_0006_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"George Bowering Tape Box 1 - Front\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"file_path\":\"\",\"filename\":\"I0086_11_0006_side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"George Bowering Tape Box 1 - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"file_path\":\"\",\"filename\":\"I0086_11_0006_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"George Bowering Tape Box 1 - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"score":0.01643844},{"id":"1303","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["James Wright at Sir George Williams University, The Poetry Series, 13 December 1968"],"item_title_source":["Cataloguer"],"item_title_note":["\"I006/SR157 JAMES WRIGHT\" written on sticker on the spine of the tape box. \"I006-11-157\" written on sticker on the reel."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 3"],"item_identifiers":["[]"],"creator_names":["Wright, James"],"creator_names_search":["Wright, James"],"creators":["[{\"url\":\"http://viaf.org/viaf/12322205\",\"name\":\"Wright, James\",\"dates\":\"1927-1980\",\"notes\":\"American poet James Arlington Wright was born on December 13, 1927 in Martins Ferry, Ohio, an industrial town along the Ohio River. He began writing sonnets as a young child, was encouraged by his teachers to continue writing, though he suffered from a nervous breakdown in 1943. After graduation in 1946, Wright joined the U.S. Army, serving in Japan until 1948 when he returned to Ohio and enrolled in Kenyon College (where the influential John Crowe Ransom was teaching). His poetry was published in the Kenyon Review, Poetry (Chicago) and in The New Yorker.  In 1952 he married a high school classmate Liberty Kardules and spent the next year on a Fulbright Fellowship at the University of Vienna. His first child, Franz, was born in 1953, and Wright enrolled in graduate studies at the University of Washington in Seattle, where his teachers were Theodore Roethke and Stanley Kunitz. His first book, The Green Wall (Yale University Press, 1958) was published because of his submission to the Yale Series of Younger Poets competition, which W.H. Auden was judging. His second book, published in 1959 was Saint Judas (Wesleyan University Press), the same year he completed his Ph.D. dissertation on Charles Dickens. During the next few years, Wright’s marriage failed, and he was denied tenure at the University of Minnesota. Wright’s next publication, The Branch Will Not Break (Wesleyan University Press, 1963) proved to be groundbreaking, and was followed by Shall We Gather at the River (1968). Wright spent a few years at the Macalester College in St. Paul, Minnesota and was then awarded a Guggenheim Fellowship in 1965-66. Wright moved again, to New York City and took up a position at Hunter College in 1966. He met his second wife, Edith Anne Runk that same year. Wright was awarded both a Rockefeller Foundation Grant and an Ingram Merrill Foundation award for the publication of Shall We Gather at the River (Wesleyan University) in 1969. Wright was able to publish his Collected Poems (Wesleyan University, 1971) which won a Pulitzer Prize and a Fellowship of the Academy of American Poets, and was followed by Two Citizens (Farrar, Straus and Giroux, 1973) and To a Blossoming Pear Tree (Farrer, Straus and Giroux, 1977). Wright was diagnosed with cancer of the tongue, and died four months later, in New York City on March 25, 1980. This Journey (Random House, 1982), Collected Prose (University of Michigan Press, 1983) and Above the River: The Complete Poems (Farrar, Straus and Giroux, 1992) were all published posthumously.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[]"],"Performance_Date":[1968],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"Dates":["[{\"date\":\"1968 12 13\",\"type\":\"Performance Date\",\"notes\":\"Date referenced in \\\"Howard Fink Print Catalogue\\\"\",\"source\":\"Supplemental Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building\",\"notes\":\"Exact venue location unknown \",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building"],"City":["Montreal, Quebec"],"content_notes":["James Wright reads from The Branch Will Not Break (Wesleyan University Press, 1963), Saint Judas (Wesleyan University Press, 1959), and from Shall We Gather at the River (Wesleyan University Press, 1968)."],"contents":["james_wright_ i086-11-157.mp3\n\nJames Wright\n00:00:00\nWell, I feel about poetry in a curious way, I guess. I have a very strong classical streak in me, I think, I like poems that are very regular, and poems that rhyme, and poems that are passionately intellectual, and I think that I feel this way because the poems that are the most passionately intellectual have a way of spilling over into something which is completely free in its feeling. Oh here's a little poem by Ben Jonson [https://www.wikidata.org/wiki/Q193857]. It's called \"On My First Sonne\" [https://www.wikidata.org/wiki/Q7091055]. A little elegy. \n \nJames Wright\n00:00:52\nReads \"On My First Sonne\" by Ben Jonson.\n \nJames Wright\n00:01:55\nPoor old Ben Jonson, in a pig's eye. The next poem I would like to say is by an American poet, W.S. Merwin [https://www.wikidata.org/wiki/Q680368], who has just published his selected translations, and of course in addition to the very beautiful poems of his own that Merwin has, he's been a prolific translator, and he, he really does know the languages. I've loved his poetry always because he has such a beautiful ear, it was very interesting to me when I saw him in New York [https://www.wikidata.org/wiki/Q60] a few weeks ago, when he said that his Selected Translations were about to appear. I asked him if he remembered the transla--well of course he remembered, I just told him I always liked very much the poem he had translated, a later poem by Garcia Lorca [https://www.wikidata.org/wiki/Q41408]called \"Gacela of Unforseen Love\". What a weird thing! He didn't remember that he had done it. And it's not in his book. Well, I wish it were. \"Gacela of Unforseen Love\".\n \nJames Wright\n00:03:35\nReads \"Gacela of Unforseen Love\" by Federico Garcia Lorca and translated in English by W.S. Mervin.\n \nJames Wright\n00:04:30\nCan't imagine doing that in English and then forgetting that you've done it. Maybe it was frightening. Here in Montreal [https://www.wikidata.org/wiki/Q340] I've been thinking about what in the United States [https://www.wikidata.org/wiki/Q30] we hear about Montreal, about the English background, and the French background, and the Canadian, all of which are very vital and alive, but what do you make of the Irish up here? Are there any Irishmen in Canada [https://www.wikidata.org/wiki/Q16]? [pauses for response]. Just on March 17th. Only on March 17th, fine. My own family background is kind of complicated. I'm an Ohioan, which is a kind of hell in itself [audience laughter]. But both sides of my family have roots in the south, but they have a strong streak of Irish behind them; it wasn't until I was quite old that I found out about some of Irish literature, of course we've all of us read Yeats [https://www.wikidata.org/wiki/Q40213]. The son of a bitch. He not only did everything first but he did it best. We all feel that. But really he didn't do it all first. He may have done it best but there are some Irish things that I found that perhaps he grew out of it. Do you know for example, the poems of, of all people, Jonathan Swift [https://www.wikidata.org/wiki/Q41166]? Jonathan Swift is a wonderful poet. He published Gulliver's Travels [https://www.wikidata.org/wiki/Q181488] in 1725, and I found a little poem of his called \"On Burning a Dull Poem\". Of 1729. And it has a, it's a wonderful expression of the Irish art of the curse. I shouldn't lean on this. I don't mean the poem, I mean the lectern. [Audience laughter]. But it's a wonderful example of the Irish art of the curse, what is supposed to be very regular and it's almost like a prayer. The art here is that you should decide first of all whether or not what you feel annoyed by really is worthy of a curse. And then if it is, you should not come out and blast it directly, but exercise some indirection on it. So here we have Swift, \"On Burning a Dull Poem\".\n \nJames Wright\n00:07:29\nReads  \"On Burning a Dull Poem\" by Jonathan Swift.\n \nJames Wright\n00:08:25\nI can't help bringing that a little closer to our own time. We all know the very beautiful plays of John Millington Synge [https://www.wikidata.org/wiki/Q213447]. Perhaps people haven't so widely enjoyed his poems. He didn't write a great many, but to my mind he wrote enough. He also, he made a translation of Petrarch [https://www.wikidata.org/wiki/Q1401] into the same language as those people, as those women on the Aran Islands [https://www.wikidata.org/wiki/Q212893] who used to clean his room. He said he learned something about the rhythm of his language just by listening to them. So that in the sound of the Petrarch after Laura is dead and is appearing in heaven, and the angels are astonished by her beauty, the sestet of that sonnet, in Synge's translation, the angels see Laura and suddenly say, \"What rare beauty is that now? What rare beauty at all.\" So that those old women who cleaned his room on the Aran Islands have the voices of the angels. Well, after The Playboy of the Western World [https://www.wikidata.org/wiki/Q451517] was first produced, he was criticized and he wanted to write something about the criticism. He didn't know whether the, who the critic was, really, he didn't know anything about him, he didn't know whether or not the critic had a sister. But there was the poem, and since he realized, as Aristotle [https://www.wikidata.org/wiki/Q868] said, that “poetry is a higher and more philosophical thing than history”--history being limited to what is or was, and poetry having available to it what ought to be, what might be...Synge invented a sister, and he wrote a little poem called \"Upon the Sister of the Critic who Attacked the Playboy\". [Audience laughter]. This is a prayer. [Audience laughter]. And blasphemy also is a very delicate art. \"Lord\"...no I have to say, that you have to understand, really what \"Mountjoy\" is. Mountjoy is a place on the edge of Dublin [https://www.wikidata.org/wiki/Q1761], a kind of charity place where the Skid Rowers go.  \n \nJames Wright\n00:11:06\nReads \"Upon the Sister of the Critic who Attacked the Playboy\" by John Millington Synge.\n \nAudience\n00:11:32\nLaughter.\n \nJames Wright\n00:11:43\nI came to like those Irish poets, so much, because they enjoyed poetry. My God, you've got to do something, life is a mess. Well, alright, I want to say one more poem that I care about. I know I'm going on too long with this business. One more. Let me say it in English first, and you can't say that I'm translating at sight, but perhaps by ear, and it'll be very awkward, but it's not awkward in the German. When--it's a poem that doesn't have a title. I don't think I'll tell you who wrote it. The poem goes: \"When the clocks nearby strike as if their own hearts were beating, and things--that is, material objects-things, with hesitant voices say to me softly, ‘Are you there?’ Then I am not the same man who woke this morning, for the night has sent me a name which no one to whom I spoke by daylight can listen to without being deeply frightened. Every door in me opens, and then I know that nothing dies, neither gesture, nor prayer. Things are too heavy for that. My whole childhood stands always around me. I am never alone. Many who live before me, and many who spring forth from me”--which I would also, I suppose, translate as ‘many who spring forth out of my body'--”wove, wove into my being. And if I sit down opposite you and say, lightly, I have been suffering, do you hear? Who knows? Who murmurs that voice with me?\"\n\nJames Wright\n00:14:19\nReads untitled poem by Rainer Maria Rilke in German.\n \nJames Wright\n00:15:28\nOh, no that's corny, of course it's by Rilke [https://www.wikidata.org/wiki/Q76483]. I mean it's corny to hold back the name. It's one of those lyrics that Rilke wrote between those New Poems [https://www.wikidata.org/wiki/Q7011009] and the big terrible ones, the Duino Elegies [https://www.wikidata.org/wiki/Q688426] and the Sonnets. Well, let me proceed now to some poems of my own. The first one I think I will read is a poem called \"A Note left in Jimmy Leonard's Shack\". I've been thinking about that poem a little bit recently for a lot of reasons. I think I should tell you something about what's behind it. There was an old guy called Minnegan Leonard who, or maybe Francis Leonard, who grew up--no, [laughter] I mean he was old, I grew up--he was already there [audience laughter]. Back in Martins Ferry [https://www.wikidata.org/wiki/Q1018313], Ohio [https://www.wikidata.org/wiki/Q1397]. The story about him was that he had been a very well-educated man and he sort of deteriorated, everyone said. One night, a couple of friends and I found him in the, when the snow was starting to fall. And his, he wore a pair of overalls, the ones that cross behind, and they were too big, my friends and I helped him get home. We were very much afraid of his brother, Jimmy. Minnegan had drunk so much that his brain was practically gone, and he had nothing left to say to the universe except \"God bless my soul.\" We were stupid, we were afraid of his brother Jimmy, because his brother Jimmy, although drunk, was still mean. He still had some of his humanity left. And we were afraid of him. I thought about this poem as being spoken by a boy, I was about twelve years old. I also wanted to see if I could get away with swearing in a poem, and give the word, give the profanity some of its true force. The only thing that I deplore about the open use of profanity is that very soon, when the four-letter words are used commonly, they start to lose touch with their old, magical, dark force. When I was in the army, twenty years ago, I realized that this happened. You couldn't say \"fuck\" to refer to anything dark or anything interesting. It became a musical notation. Merely a musical notation, like a comma, when you were having chow. [Audience laughter]. But then there came those necessary moments when one absolutely needs to curse, and what does one do then? Then I saw all sorts of people around me, floundering, turning to what Wordsworth would have called the \"poetic diction,\" and finding that to say \"fuck\" had about as much effect on the release of one's feelings as the Finney crew had on anybody who was trying to read about fish in the end of the 18th century. Then I met a poetic genius named Mark W. Patrick from Crafton, Alabama [https://www.wikidata.org/wiki/Q173], who was not hobbled by this. Someone asked him once, no he had invention, true invention. He knew how to swear. My wife has heard this before. Alright, I'll say it again. Someone said to him, \"Where are you from?\" And he said, \"I come from so far back in the country, they have to fan the coon-farts out of the kitchen to keep from making.” [Audience laughter]. No, wait a minute, you didn't hear the rest of the conceit. Now listen to this carefully and think of it as in Shakespearian. \"I come from so far back in the country they have to fan the coon-farts out of the kitchen to keep from making ring-tailed biscuits.\" [Audience laughter]. I thought, let us somehow rescue through invention our power to curse. Well this poem is called, \"A Note Left in Jimmy Leonard's Shack\". It's about taking Minnegan Leonard home when he was helpless in the snow.\n \nJames Wright\n00:21:07\nReads \"A Note Left in Jimmy Leonard's Shack\" [from Saint Judas].\n \nUnknown\n00:22:43\nAmbient Sound. \n \nJames Wright\n00:22:58\nNow for a while I think I would like to read from my new book. There are a couple of city poems in this new book, well, more than a couple, and many of the things that I had written before were about the country, more or less, in Ohio, and in Minnesota [https://www.wikidata.org/wiki/Q1527]. But I developed a certain feeling about cities, I guess, and...I didn't have a very happy time in Minneapolis [https://www.wikidata.org/wiki/Q36091] and St. Paul [https://www.wikidata.org/wiki/Q28848], but I lived there for about eight years, and before I left I thought I ought to say farewell, somehow. I couldn't think of a title for this poem that would convey or suggest what I really felt, and the true title came to me. I wanted it to be a poem about, not only about Minneapolis but about many American cities, and what has been happening in them. Minneapolis is my favourite because I lived there for quite a while, and they had a very big Skid Row there, and the Skid Row was cleared out by the city administration, the last, the most recent one. It was a very big Skid Row, between the Great Northern Railroad Station and the Mississippi River [https://www.wikidata.org/wiki/Q1497], right a strip across there, several blocks wide. And they sort of flattened it. They put up an insurance building and the rest were parking lots. And it never occurred to them that the people who lived there would...well, even existed. And I know where those people went, they went down Nickolet Avenue, scattered down there. It's a very strange thing. Spiro T. Agnew [https://www.wikidata.org/wiki/Q203433], our new American Vice-President said, during the campaign, \"The reasons the slums are so over-crowded is that there are too many people in them.\" [Audience laughter]. Well, this is my city poem. It's called \"The Minneapolis Poem\".\n \nJames Wright\n00:26:11\nReads \"The Minneapolis Poem\" [from Shall We Gather at the River].\n \nJames Wright\n00:30:39\nThe next poem is called, \"In Terror of Hospital\"-- [cut or edit in tape] \"In Terror of Hospital Bills\".\n \nJames Wright\n00:30:51\nReads \"In Terror of Hospital Bills\" [from Shall We Gather at the River].   \n \nJames Wright\n00:32:36\nThis poem is called \"The Poor Washed Up by Chicago Winter\". It's about leaving Chicago [https://www.wikidata.org/wiki/Q1297]. I went down there for a long Thanksgiving weekend to visit a man whose poetry I had seen, I had never met him, I admired it very much. His name is Bill Mott. He has finally published a first book. He lived in an area down there where there were some sort of poor people...I don't mean poor people in the sense of being savagely poor, really really put down, but just sort of drifters, the guys who go into the, who go in on Thanksgiving and get a dinner there from the Salvation Army [https://www.wikidata.org/wiki/Q188307] and look at it and then sweep up and leave. \n \nJames Wright\n00:33:53\nReads \"The Poor Washed Up by Chicago Winter\" [from Shall We Gather at the River].\n \nJames Wright\n00:35:43\nYou know, George Orwell [https://www.wikidata.org/wiki/Q3335] remarked in Down and Out in Paris and London [https://www.wikidata.org/wiki/Q1355487] that when he got back to London [https://www.wikidata.org/wiki/Q84] from France [https://www.wikidata.org/wiki/Q142] where he'd been a dishwasher, he had so little money that he realized that he would have to beg, only somehow his clothes, ratty as they were, were still too good to beg with. And so he, he sold what clothes he had, or traded them, rather, for a really crummy suit of clothes, and when he got those old, really poor man's clothes on, he noticed all sorts of strange things. The way people looked at him. The way women looked at him. As well as other men. And the fact that he was poor had an effect on the way people's souls were shaped, somehow. I only had a very slight experience of that in my life, and I don't want any more of it. Because it's not very romantic. For a while I had a sort of, an account at a department store in Minneapolis, and I was behind in my payments. At that time I had an old green coat my father had given me, it didn't quite fit but a coat is a coat. So I had it, and I was, in order to keep myself going one way or another, I went up to the cashier's office at this department store and tried to cash a small cheque for twenty dollars, or something like that. There was a very beautiful girl there, the cashier, and she looked at me, and she disappeared for a moment and she came back with a fellow who had a crew cut. And he evidently was the Grand Vizier, or something. Well, they were about a foot and a half away from my face while I waited, and they talked about me, without paying any attention to me. And I realized something I had never realized before. That I'm, I am content simply to think about it, I don't want it to happen to me again  I thought, Jesus Christ, there are millions of people in this country who are treated like things, every single intimate moment of their lives. And it's not pretty. Well. \"Before a Cashier's Window in a Department Store\". The poem is in different parts and I think I'll indicate the numbers. \n \nJames Wright\n00:38:45\nReads \"Before a Cashier's Window in a Department Store\", Part 1 [from Shall We Gather at the River].\n \nJames Wright\n00:39:17\nReads \"Before a Cashier's Window in a Department Store\", Part 2 [from Shall We Gather at the River].\n \nJames Wright\n00:39:44\nReads \"Before a Cashier's Window in a Department Store\", Part 3 [from Shall We Gather at the River].\n \nJames Wright\n00:40:20\nReads \"Before a Cashier's Window in a Department Store”, Part 4 [from Shall We Gather at the River].\n \nJames Wright\n00:40:38\nReads \"Before a Cashier's Window in a Department Store\", Part 5 [from Shall We Gather at the River].\n \nJames Wright\n00:41:11\nI think that I'll read a couple of nature poems. Nature, in poetry and song. One of the parts of the United States that I like very much...I came to like, I've spoken kind of harshly about Minneapolis, and I have harsh feelings about that city, but actually I love the West, out at the edge of Minnesota, you have, there's Minnesota, North Dakota [https://www.wikidata.org/wiki/Q1207], and South Dakota [https://www.wikidata.org/wiki/Q1211], and that part of the country there is sort of the, it's not really flat, it's a little rolling, but it's the beginning of the prairie, and the prairie is a beautiful thing. I spent a summer up around Fargo [https://www.wikidata.org/wiki/Q34109], North Dakota, and I like Fargo, I like to walk there in the summer evenings, I would go even out to the other end of town, and, well it really is a real city, there are about eighty-thousand people, but you could walk out to the edge of town, and just a little beyond the town the prairie would begin. There is something about that sudden opening that I like.  his is called, \"Outside Fargo, North Dakota\".\n \nJames Wright\n00:42:45\nReads \"Outside Fargo, North Dakota\" [from Shall We Gather at the River].\n \nJames Wright\n00:43:07\nNo, may I start the poem again, I miss, I made a mistake. \n \nJames Wright\n00:43:11\nReads \"Outside Fargo, North Dakota” [from Shall We Gather at the River].\n \nJames Wright\n00:44:04\nNow this one is called \"A Poem Written under an Archway in a Discontinued Railway Station, Fargo, North Dakota\". I love those old trains, we were talking about this earlier, there's a certain thing about trains, especially in the West, west of Chicago. It's not true in the East. One of these days somebody's going to get a train from New York to Connecticut [https://www.wikidata.org/wiki/Q779] or something and that train will never return, it'll keep coming back, every forty years with ghosts on it, flying Dutchmen. But it's different in the West, and...there's a discontinued railroad station. \n \nJames Wright\n00:44:53\nReads \"A Poem Written under an Archway in a Discontinued Railway Station, Fargo, North Dakota\" [from Shall We Gather at the River].\n \nJames Wright\n00:46:30\nI think I'll read...I think I'll read just a few more very short poems, perhaps two or three, and they're kind of nature poems, I guess. Nature indeed, one of them is a love poem. This is called \"A Light in the Hallway\". \n \nJames Wright\n00:47:07\nReads \"A Light in the Hallway\" [published as “The Lights in the Hallway” in Shall We Gather at the River]. \n \nJames Wright\n00:48:06\nAnd then a couple out of my previous book. This poem is called \"Mary Bly\", it's for my goddaughter, and I stood up there in the church and they said, well, I went through the ceremony and I am her godfather, Mary Bly, it's the first child of my old friend, my old friends, Robert and Carol Bly. I feel very proud of this poem, but it's one of those times that, it signifies one of those times in my life when I really thought of something nice to do and did it. So many things I want to do that would be nice, and usually they turn out to be something either asinine or too late, or something. But I wrote this poem for little Mary's christening, and I had it, it's the only time I've ever done this, I had it specially printed on very nice paper and print and had it put in a little silver frame, and gave it to her mother, on the day of the christening. What a calm thing to pull on an audience, how can you help but like it. [Audience laughter]. If you don't like it, it means you don't like motherhood or small children, no. \"Mary Bly\".\n \nJames Wright\n00:49:51\nReads \"Mary Bly\" [from The Branch Will Not Break].\n\nJames Wright\n00:50:42\nAnd I think I will conclude with a poem which is just a description. There were some other descriptive poems in my last book which, for some weird reason, drove some reviewers to distraction. For example, in one poem, there was a poem about being at a bus stop at a place in Ohio and looking out the window and seeing a farmer at the beginning of a rain calling his cows in, and one reviewer got terribly upset about this and said, how...he's only stopping there on the bus, how did he know that there were a hundred black and white Holsteins. [Audience laughter]. And Robert Bly urged me and urged me to send the reviewer a postcard. I never did it, I wish I had. It was to have said, \"I counted the tits and divided by four.\" [Audience laughter]. Well, no but, just, I just want to present this poem. It's called \"A Blessing\", and for what it is, it's just a description of something. \n \nJames Wright\n00:52:28\nReads \"A Blessing\" [from The Branch Will Not Break].\n \nJames Wright\n00:54:02\nThank you. \n \nAudience\n00:54:03\nApplause. \n \nIntroducer\n00:54:21\nI'd just like to express all our thanks to James Wright [https://www.wikidata.org/wiki/Q6145850] for sharing his poetry and his curses and blessings with us tonight, and to remind you that the next reading in the series is by Muriel Rukeyser [https://www.wikidata.org/wiki/Q735177] on Friday, January 24th. \n \nEND\n00:54:38\n"],"Note":["[{\"note\":\"Year-Specific Information:\\n\\nWright was teaching at the Uptown Branch of Hunter College and published Shall We Gather at the River (Wesleyan Press) in 1968.\",\"type\":\"General\"},{\"note\":\"Local Connections:\\n\\nJames Wright often taught summer courses at universities across the country, and he taught at Sir George Williams University sometime between 1967 and 1972.\",\"type\":\"General\"},{\"note\":\"Original transcript, research, introduction, and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Ali Barillaro\",\"type\":\"Cataloguer\"},{\"note\":\"Reel-to-reel tape>CD>digital file\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/oxford-encyclopedia-of-american-literature/oclc/769478515&referer=brief_results\",\"citation\":\"Cambridge, Gerry. \\\"Wright, James”. The Oxford Encyclopedia of American Literature. Jay Parini (ed). Oxford University Press 2004.\"},{\"url\":\"https://www.worldcat.org/title/wild-perfection-the-selected-letters-of-james-wright/oclc/56085881?referer=di&ht=edition\",\"citation\":\"Wright, Anne & Saundra Rose Maley & Johnathan Blunk (eds). A Wild Perfection: The Selected Letters of James Wright. New York: Farrar, Strauss & Giroux, 2005.\"},{\"url\":\"https://www.worldcat.org/title/collected-poems-james-wright/oclc/1097023113&referer=brief_results\",\"citation\":\"Wright, James. Collected Poems. Connecticut: Wesleyan University Press, 1971. \"},{\"url\":\"https://www.worldcat.org/title/branch-will-not-break-poems-3-print/oclc/469778489&referer=brief_results\",\"citation\":\"Wright, James. The Branch Will Not Break. Connecticut: Wesleyan University Press, 1963. \"},{\"url\":\"https://www.worldcat.org/title/saint-judas-poems/oclc/898904265&referer=brief_results\",\"citation\":\"Wright, James. Saint Judas. Connecticut: Wesleyan University Press, 1959. \"},{\"url\":\"https://www.worldcat.org/title/shall-we-gather-at-the-river/oclc/492204830&referer=brief_results\",\"citation\":\"Wright, James. Shall We Gather at the River. Connecticut: Wesleyan University Press, 1968. \"},{\"url\":\"https://www.worldcat.org/title/two-citizens/oclc/795309054&referer=brief_results\",\"citation\":\"Wright, James. Two Citizens. New York: Farrar, Straus & Giroux. 1973. \"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-american-literature/oclc/54356940&referer=brief_results\",\"citation\":\"\\\"Wright, James [Arlington]\\\". The Oxford Companion to American Literature. James D. Hart (ed.), Phillip W. Leininger (rev). Oxford University Press 1995. \"}]"],"_version_":1853670548966473728,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0086_11_0025_tape.jpg\",\"file_path\":\"\",\"filename\":\"I0086_11_0025_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"James Wright Box 1- Tape\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2011/01/I0006_11_0157_side.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0157_side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"James Wright Box 1- Side\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2011/01/I0006_11_0157_front.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0157_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"James Wright Box 1- Front\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2011/01/I0006_11_0157_back.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0157_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"James Wright Box 1- Back\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/james_wright_i006-11-157.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"james_wright_ i086-11-157.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:54:38\",\"precision\":\"\",\"size\":\"131.1 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"James Wright\\n00:00:00\\nWell, I feel about poetry in a curious way, I guess. I have a very strong classical streak in me, I think, I like poems that are very regular, and poems that rhyme, and poems that are passionately intellectual, and I think that I feel this way because the poems that are the most passionately intellectual have a way of spilling over into something which is completely free in its feeling. Oh here's a little poem by Ben Jonson [https://www.wikidata.org/wiki/Q193857]. It's called \\\"On My First Sonne\\\" [https://www.wikidata.org/wiki/Q7091055]. A little elegy. \\n \\nJames Wright\\n00:00:52\\nReads \\\"On My First Sonne\\\" by Ben Jonson.\\n \\nJames Wright\\n00:01:55\\nPoor old Ben Jonson, in a pig's eye. The next poem I would like to say is by an American poet, W.S. Merwin [https://www.wikidata.org/wiki/Q680368], who has just published his selected translations, and of course in addition to the very beautiful poems of his own that Merwin has, he's been a prolific translator, and he, he really does know the languages. I've loved his poetry always because he has such a beautiful ear, it was very interesting to me when I saw him in New York [https://www.wikidata.org/wiki/Q60] a few weeks ago, when he said that his Selected Translations were about to appear. I asked him if he remembered the transla--well of course he remembered, I just told him I always liked very much the poem he had translated, a later poem by Garcia Lorca [https://www.wikidata.org/wiki/Q41408]called \\\"Gacela of Unforseen Love\\\". What a weird thing! He didn't remember that he had done it. And it's not in his book. Well, I wish it were. \\\"Gacela of Unforseen Love\\\".\\n \\nJames Wright\\n00:03:35\\nReads \\\"Gacela of Unforseen Love\\\" by Federico Garcia Lorca and translated in English by W.S. Mervin.\\n \\nJames Wright\\n00:04:30\\nCan't imagine doing that in English and then forgetting that you've done it. Maybe it was frightening. Here in Montreal [https://www.wikidata.org/wiki/Q340] I've been thinking about what in the United States [https://www.wikidata.org/wiki/Q30] we hear about Montreal, about the English background, and the French background, and the Canadian, all of which are very vital and alive, but what do you make of the Irish up here? Are there any Irishmen in Canada [https://www.wikidata.org/wiki/Q16]? [pauses for response]. Just on March 17th. Only on March 17th, fine. My own family background is kind of complicated. I'm an Ohioan, which is a kind of hell in itself [audience laughter]. But both sides of my family have roots in the south, but they have a strong streak of Irish behind them; it wasn't until I was quite old that I found out about some of Irish literature, of course we've all of us read Yeats [https://www.wikidata.org/wiki/Q40213]. The son of a bitch. He not only did everything first but he did it best. We all feel that. But really he didn't do it all first. He may have done it best but there are some Irish things that I found that perhaps he grew out of it. Do you know for example, the poems of, of all people, Jonathan Swift [https://www.wikidata.org/wiki/Q41166]? Jonathan Swift is a wonderful poet. He published Gulliver's Travels [https://www.wikidata.org/wiki/Q181488] in 1725, and I found a little poem of his called \\\"On Burning a Dull Poem\\\". Of 1729. And it has a, it's a wonderful expression of the Irish art of the curse. I shouldn't lean on this. I don't mean the poem, I mean the lectern. [Audience laughter]. But it's a wonderful example of the Irish art of the curse, what is supposed to be very regular and it's almost like a prayer. The art here is that you should decide first of all whether or not what you feel annoyed by really is worthy of a curse. And then if it is, you should not come out and blast it directly, but exercise some indirection on it. So here we have Swift, \\\"On Burning a Dull Poem\\\".\\n \\nJames Wright\\n00:07:29\\nReads  \\\"On Burning a Dull Poem\\\" by Jonathan Swift.\\n \\nJames Wright\\n00:08:25\\nI can't help bringing that a little closer to our own time. We all know the very beautiful plays of John Millington Synge [https://www.wikidata.org/wiki/Q213447]. Perhaps people haven't so widely enjoyed his poems. He didn't write a great many, but to my mind he wrote enough. He also, he made a translation of Petrarch [https://www.wikidata.org/wiki/Q1401] into the same language as those people, as those women on the Aran Islands [https://www.wikidata.org/wiki/Q212893] who used to clean his room. He said he learned something about the rhythm of his language just by listening to them. So that in the sound of the Petrarch after Laura is dead and is appearing in heaven, and the angels are astonished by her beauty, the sestet of that sonnet, in Synge's translation, the angels see Laura and suddenly say, \\\"What rare beauty is that now? What rare beauty at all.\\\" So that those old women who cleaned his room on the Aran Islands have the voices of the angels. Well, after The Playboy of the Western World [https://www.wikidata.org/wiki/Q451517] was first produced, he was criticized and he wanted to write something about the criticism. He didn't know whether the, who the critic was, really, he didn't know anything about him, he didn't know whether or not the critic had a sister. But there was the poem, and since he realized, as Aristotle [https://www.wikidata.org/wiki/Q868] said, that “poetry is a higher and more philosophical thing than history”--history being limited to what is or was, and poetry having available to it what ought to be, what might be...Synge invented a sister, and he wrote a little poem called \\\"Upon the Sister of the Critic who Attacked the Playboy\\\". [Audience laughter]. This is a prayer. [Audience laughter]. And blasphemy also is a very delicate art. \\\"Lord\\\"...no I have to say, that you have to understand, really what \\\"Mountjoy\\\" is. Mountjoy is a place on the edge of Dublin [https://www.wikidata.org/wiki/Q1761], a kind of charity place where the Skid Rowers go.  \\n \\nJames Wright\\n00:11:06\\nReads \\\"Upon the Sister of the Critic who Attacked the Playboy\\\" by John Millington Synge.\\n \\nAudience\\n00:11:32\\nLaughter.\\n \\nJames Wright\\n00:11:43\\nI came to like those Irish poets, so much, because they enjoyed poetry. My God, you've got to do something, life is a mess. Well, alright, I want to say one more poem that I care about. I know I'm going on too long with this business. One more. Let me say it in English first, and you can't say that I'm translating at sight, but perhaps by ear, and it'll be very awkward, but it's not awkward in the German. When--it's a poem that doesn't have a title. I don't think I'll tell you who wrote it. The poem goes: \\\"When the clocks nearby strike as if their own hearts were beating, and things--that is, material objects-things, with hesitant voices say to me softly, ‘Are you there?’ Then I am not the same man who woke this morning, for the night has sent me a name which no one to whom I spoke by daylight can listen to without being deeply frightened. Every door in me opens, and then I know that nothing dies, neither gesture, nor prayer. Things are too heavy for that. My whole childhood stands always around me. I am never alone. Many who live before me, and many who spring forth from me”--which I would also, I suppose, translate as ‘many who spring forth out of my body'--”wove, wove into my being. And if I sit down opposite you and say, lightly, I have been suffering, do you hear? Who knows? Who murmurs that voice with me?\\\"\\n\\nJames Wright\\n00:14:19\\nReads untitled poem by Rainer Maria Rilke in German.\\n \\nJames Wright\\n00:15:28\\nOh, no that's corny, of course it's by Rilke [https://www.wikidata.org/wiki/Q76483]. I mean it's corny to hold back the name. It's one of those lyrics that Rilke wrote between those New Poems [https://www.wikidata.org/wiki/Q7011009] and the big terrible ones, the Duino Elegies [https://www.wikidata.org/wiki/Q688426] and the Sonnets. Well, let me proceed now to some poems of my own. The first one I think I will read is a poem called \\\"A Note left in Jimmy Leonard's Shack\\\". I've been thinking about that poem a little bit recently for a lot of reasons. I think I should tell you something about what's behind it. There was an old guy called Minnegan Leonard who, or maybe Francis Leonard, who grew up--no, [laughter] I mean he was old, I grew up--he was already there [audience laughter]. Back in Martins Ferry [https://www.wikidata.org/wiki/Q1018313], Ohio [https://www.wikidata.org/wiki/Q1397]. The story about him was that he had been a very well-educated man and he sort of deteriorated, everyone said. One night, a couple of friends and I found him in the, when the snow was starting to fall. And his, he wore a pair of overalls, the ones that cross behind, and they were too big, my friends and I helped him get home. We were very much afraid of his brother, Jimmy. Minnegan had drunk so much that his brain was practically gone, and he had nothing left to say to the universe except \\\"God bless my soul.\\\" We were stupid, we were afraid of his brother Jimmy, because his brother Jimmy, although drunk, was still mean. He still had some of his humanity left. And we were afraid of him. I thought about this poem as being spoken by a boy, I was about twelve years old. I also wanted to see if I could get away with swearing in a poem, and give the word, give the profanity some of its true force. The only thing that I deplore about the open use of profanity is that very soon, when the four-letter words are used commonly, they start to lose touch with their old, magical, dark force. When I was in the army, twenty years ago, I realized that this happened. You couldn't say \\\"fuck\\\" to refer to anything dark or anything interesting. It became a musical notation. Merely a musical notation, like a comma, when you were having chow. [Audience laughter]. But then there came those necessary moments when one absolutely needs to curse, and what does one do then? Then I saw all sorts of people around me, floundering, turning to what Wordsworth would have called the \\\"poetic diction,\\\" and finding that to say \\\"fuck\\\" had about as much effect on the release of one's feelings as the Finney crew had on anybody who was trying to read about fish in the end of the 18th century. Then I met a poetic genius named Mark W. Patrick from Crafton, Alabama [https://www.wikidata.org/wiki/Q173], who was not hobbled by this. Someone asked him once, no he had invention, true invention. He knew how to swear. My wife has heard this before. Alright, I'll say it again. Someone said to him, \\\"Where are you from?\\\" And he said, \\\"I come from so far back in the country, they have to fan the coon-farts out of the kitchen to keep from making.” [Audience laughter]. No, wait a minute, you didn't hear the rest of the conceit. Now listen to this carefully and think of it as in Shakespearian. \\\"I come from so far back in the country they have to fan the coon-farts out of the kitchen to keep from making ring-tailed biscuits.\\\" [Audience laughter]. I thought, let us somehow rescue through invention our power to curse. Well this poem is called, \\\"A Note Left in Jimmy Leonard's Shack\\\". It's about taking Minnegan Leonard home when he was helpless in the snow.\\n \\nJames Wright\\n00:21:07\\nReads \\\"A Note Left in Jimmy Leonard's Shack\\\" [from Saint Judas].\\n \\nUnknown\\n00:22:43\\nAmbient Sound. \\n \\nJames Wright\\n00:22:58\\nNow for a while I think I would like to read from my new book. There are a couple of city poems in this new book, well, more than a couple, and many of the things that I had written before were about the country, more or less, in Ohio, and in Minnesota [https://www.wikidata.org/wiki/Q1527]. But I developed a certain feeling about cities, I guess, and...I didn't have a very happy time in Minneapolis [https://www.wikidata.org/wiki/Q36091] and St. Paul [https://www.wikidata.org/wiki/Q28848], but I lived there for about eight years, and before I left I thought I ought to say farewell, somehow. I couldn't think of a title for this poem that would convey or suggest what I really felt, and the true title came to me. I wanted it to be a poem about, not only about Minneapolis but about many American cities, and what has been happening in them. Minneapolis is my favourite because I lived there for quite a while, and they had a very big Skid Row there, and the Skid Row was cleared out by the city administration, the last, the most recent one. It was a very big Skid Row, between the Great Northern Railroad Station and the Mississippi River [https://www.wikidata.org/wiki/Q1497], right a strip across there, several blocks wide. And they sort of flattened it. They put up an insurance building and the rest were parking lots. And it never occurred to them that the people who lived there would...well, even existed. And I know where those people went, they went down Nickolet Avenue, scattered down there. It's a very strange thing. Spiro T. Agnew [https://www.wikidata.org/wiki/Q203433], our new American Vice-President said, during the campaign, \\\"The reasons the slums are so over-crowded is that there are too many people in them.\\\" [Audience laughter]. Well, this is my city poem. It's called \\\"The Minneapolis Poem\\\".\\n \\nJames Wright\\n00:26:11\\nReads \\\"The Minneapolis Poem\\\" [from Shall We Gather at the River].\\n \\nJames Wright\\n00:30:39\\nThe next poem is called, \\\"In Terror of Hospital\\\"-- [cut or edit in tape] \\\"In Terror of Hospital Bills\\\".\\n \\nJames Wright\\n00:30:51\\nReads \\\"In Terror of Hospital Bills\\\" [from Shall We Gather at the River].   \\n \\nJames Wright\\n00:32:36\\nThis poem is called \\\"The Poor Washed Up by Chicago Winter\\\". It's about leaving Chicago [https://www.wikidata.org/wiki/Q1297]. I went down there for a long Thanksgiving weekend to visit a man whose poetry I had seen, I had never met him, I admired it very much. His name is Bill Mott. He has finally published a first book. He lived in an area down there where there were some sort of poor people...I don't mean poor people in the sense of being savagely poor, really really put down, but just sort of drifters, the guys who go into the, who go in on Thanksgiving and get a dinner there from the Salvation Army [https://www.wikidata.org/wiki/Q188307] and look at it and then sweep up and leave. \\n \\nJames Wright\\n00:33:53\\nReads \\\"The Poor Washed Up by Chicago Winter\\\" [from Shall We Gather at the River].\\n \\nJames Wright\\n00:35:43\\nYou know, George Orwell [https://www.wikidata.org/wiki/Q3335] remarked in Down and Out in Paris and London [https://www.wikidata.org/wiki/Q1355487] that when he got back to London [https://www.wikidata.org/wiki/Q84] from France [https://www.wikidata.org/wiki/Q142] where he'd been a dishwasher, he had so little money that he realized that he would have to beg, only somehow his clothes, ratty as they were, were still too good to beg with. And so he, he sold what clothes he had, or traded them, rather, for a really crummy suit of clothes, and when he got those old, really poor man's clothes on, he noticed all sorts of strange things. The way people looked at him. The way women looked at him. As well as other men. And the fact that he was poor had an effect on the way people's souls were shaped, somehow. I only had a very slight experience of that in my life, and I don't want any more of it. Because it's not very romantic. For a while I had a sort of, an account at a department store in Minneapolis, and I was behind in my payments. At that time I had an old green coat my father had given me, it didn't quite fit but a coat is a coat. So I had it, and I was, in order to keep myself going one way or another, I went up to the cashier's office at this department store and tried to cash a small cheque for twenty dollars, or something like that. There was a very beautiful girl there, the cashier, and she looked at me, and she disappeared for a moment and she came back with a fellow who had a crew cut. And he evidently was the Grand Vizier, or something. Well, they were about a foot and a half away from my face while I waited, and they talked about me, without paying any attention to me. And I realized something I had never realized before. That I'm, I am content simply to think about it, I don't want it to happen to me again  I thought, Jesus Christ, there are millions of people in this country who are treated like things, every single intimate moment of their lives. And it's not pretty. Well. \\\"Before a Cashier's Window in a Department Store\\\". The poem is in different parts and I think I'll indicate the numbers. \\n \\nJames Wright\\n00:38:45\\nReads \\\"Before a Cashier's Window in a Department Store\\\", Part 1 [from Shall We Gather at the River].\\n \\nJames Wright\\n00:39:17\\nReads \\\"Before a Cashier's Window in a Department Store\\\", Part 2 [from Shall We Gather at the River].\\n \\nJames Wright\\n00:39:44\\nReads \\\"Before a Cashier's Window in a Department Store\\\", Part 3 [from Shall We Gather at the River].\\n \\nJames Wright\\n00:40:20\\nReads \\\"Before a Cashier's Window in a Department Store”, Part 4 [from Shall We Gather at the River].\\n \\nJames Wright\\n00:40:38\\nReads \\\"Before a Cashier's Window in a Department Store\\\", Part 5 [from Shall We Gather at the River].\\n \\nJames Wright\\n00:41:11\\nI think that I'll read a couple of nature poems. Nature, in poetry and song. One of the parts of the United States that I like very much...I came to like, I've spoken kind of harshly about Minneapolis, and I have harsh feelings about that city, but actually I love the West, out at the edge of Minnesota, you have, there's Minnesota, North Dakota [https://www.wikidata.org/wiki/Q1207], and South Dakota [https://www.wikidata.org/wiki/Q1211], and that part of the country there is sort of the, it's not really flat, it's a little rolling, but it's the beginning of the prairie, and the prairie is a beautiful thing. I spent a summer up around Fargo [https://www.wikidata.org/wiki/Q34109], North Dakota, and I like Fargo, I like to walk there in the summer evenings, I would go even out to the other end of town, and, well it really is a real city, there are about eighty-thousand people, but you could walk out to the edge of town, and just a little beyond the town the prairie would begin. There is something about that sudden opening that I like.  his is called, \\\"Outside Fargo, North Dakota\\\".\\n \\nJames Wright\\n00:42:45\\nReads \\\"Outside Fargo, North Dakota\\\" [from Shall We Gather at the River].\\n \\nJames Wright\\n00:43:07\\nNo, may I start the poem again, I miss, I made a mistake. \\n \\nJames Wright\\n00:43:11\\nReads \\\"Outside Fargo, North Dakota” [from Shall We Gather at the River].\\n \\nJames Wright\\n00:44:04\\nNow this one is called \\\"A Poem Written under an Archway in a Discontinued Railway Station, Fargo, North Dakota\\\". I love those old trains, we were talking about this earlier, there's a certain thing about trains, especially in the West, west of Chicago. It's not true in the East. One of these days somebody's going to get a train from New York to Connecticut [https://www.wikidata.org/wiki/Q779] or something and that train will never return, it'll keep coming back, every forty years with ghosts on it, flying Dutchmen. But it's different in the West, and...there's a discontinued railroad station. \\n \\nJames Wright\\n00:44:53\\nReads \\\"A Poem Written under an Archway in a Discontinued Railway Station, Fargo, North Dakota\\\" [from Shall We Gather at the River].\\n \\nJames Wright\\n00:46:30\\nI think I'll read...I think I'll read just a few more very short poems, perhaps two or three, and they're kind of nature poems, I guess. Nature indeed, one of them is a love poem. This is called \\\"A Light in the Hallway\\\". \\n \\nJames Wright\\n00:47:07\\nReads \\\"A Light in the Hallway\\\" [published as “The Lights in the Hallway” in Shall We Gather at the River]. \\n \\nJames Wright\\n00:48:06\\nAnd then a couple out of my previous book. This poem is called \\\"Mary Bly\\\", it's for my goddaughter, and I stood up there in the church and they said, well, I went through the ceremony and I am her godfather, Mary Bly, it's the first child of my old friend, my old friends, Robert and Carol Bly. I feel very proud of this poem, but it's one of those times that, it signifies one of those times in my life when I really thought of something nice to do and did it. So many things I want to do that would be nice, and usually they turn out to be something either asinine or too late, or something. But I wrote this poem for little Mary's christening, and I had it, it's the only time I've ever done this, I had it specially printed on very nice paper and print and had it put in a little silver frame, and gave it to her mother, on the day of the christening. What a calm thing to pull on an audience, how can you help but like it. [Audience laughter]. If you don't like it, it means you don't like motherhood or small children, no. \\\"Mary Bly\\\".\\n \\nJames Wright\\n00:49:51\\nReads \\\"Mary Bly\\\" [from The Branch Will Not Break].\\n\\nJames Wright\\n00:50:42\\nAnd I think I will conclude with a poem which is just a description. There were some other descriptive poems in my last book which, for some weird reason, drove some reviewers to distraction. For example, in one poem, there was a poem about being at a bus stop at a place in Ohio and looking out the window and seeing a farmer at the beginning of a rain calling his cows in, and one reviewer got terribly upset about this and said, how...he's only stopping there on the bus, how did he know that there were a hundred black and white Holsteins. [Audience laughter]. And Robert Bly urged me and urged me to send the reviewer a postcard. I never did it, I wish I had. It was to have said, \\\"I counted the tits and divided by four.\\\" [Audience laughter]. Well, no but, just, I just want to present this poem. It's called \\\"A Blessing\\\", and for what it is, it's just a description of something. \\n \\nJames Wright\\n00:52:28\\nReads \\\"A Blessing\\\" [from The Branch Will Not Break].\\n \\nJames Wright\\n00:54:02\\nThank you. \\n \\nAudience\\n00:54:03\\nApplause. \\n \\nIntroducer\\n00:54:21\\nI'd just like to express all our thanks to James Wright [https://www.wikidata.org/wiki/Q6145850] for sharing his poetry and his curses and blessings with us tonight, and to remind you that the next reading in the series is by Muriel Rukeyser [https://www.wikidata.org/wiki/Q735177] on Friday, January 24th. \\n \\nEND\\n00:54:38\\n\",\"notes\":\"James Wright reads from The Branch Will Not Break (Wesleyan University Press, 1963), Saint Judas (Wesleyan University Press, 1959), and from Shall We Gather at the River (Wesleyan University Press, 1968).\\n\\n00:00- James Wright introduces reading and poem by Ben Jonson “On My First Son”. [INDEX: poetry, classical poetry, rhyme, passionately intellectual, free feeling, poem by  Ben Jonson, elegy.]\\n00:52- Reads poem by Ben Jonson, “On My First Son”.\\n01:55- Introuces poem translated by W.S. Merwin, by Frederico Garcia Lorca, “Garcela of Unforseen Love”. [INDEX: American poet, W.S. Merwin, translations, New York,     Selected Translations (Antheneum, 1979), poem by Garcia Lorca.]\\n03:35- Reads poem translated by W.S. Merwin, by Frederico Garcia Lorca “Garcela of        Unforseen Love”.\\n04:30- Introduces poem by Jonathan Swift, “On Burning a Dull Poem”. [INDEX: Montreal, United States, English and French, Canadian, Irish, March 17th, family background, Ohioan, hell, Southern roots, Irish literature, Yeats, Jonathan Swift published Gulliver’s Travels in 1725, poem, expression of the Irish art of the curse, lecturn, prayer.]\\n07:29- Reads poem by Jonathan Swift, “On Burning a Dull Poem”.\\n08:25- Introduces poem by John Millington Synge “Upon the Sister of the Critic who Attacked the Playboy”. [INDEX: time, plays of John Millington Synge, poems, translation of Petrarch, of the women on Erin Islands who cleaned his room, learnt from listening to rhythm of language, Petrarch, Laura, heaven, angels, sestet of the sonnet, quote “What rare beauty is that now? What rare beauty at all”, play “The Playboy of the Western World” produced, criticism, wrote about criticism, critic’s sister, Aristotle quote ‘poetry is a higher and more philosophical thing than history’, prayer, blasphemy as a   \\tdelicate art, Mountjoy is a place on the edge of Dublin, skid row.]\\n11:06- Reads poem by John Millington Synge “Upon the Sister of the Critic who    \\tAttacked the Playboy”.\\n11:43- Introduces and reads poem by Rilke, first line “When the clocks nearby strike as if their own hearts were beating...”. [INDEX: Irish poet, English, German, awkward  \\ttranslation, untitled poem, reads entire poem.]\\n11:14- Reads in German poem by Rilke, first line “When the clocks nearby strike as if       their own hearts were beating...”.\\n15:28- Explains Rilke poem, introduces “A Note Left in Jimmy Leonard’s Shack”. [INDEX: Minnegan Leonard, Francis Leonard, Martin’s Ferry Ohio, well educated man,  \\tdeteriorated, snow, overalls, afraid of his brother Jimmy, drunk, humanity, poem spoken      by twelve years old boy, swearing in a poem, army, swear word as a musical notation,     Wordsworth, ‘poetic diction’, Finney crew, fish, 18th Century, poetic genius, quote from Mark W. Patrick from Crafton, Alabama, power to curse; from Saint Judas (Wesleyan    Press, 1959).]\\n21:07- Reads “A Note Left in Jimmy Leonard’s Shack”.\\n22:58- Introduces “The Minneapolis Poem”. [INDEX: read from new book, Ohio, Minnesota, St. Paul, lived for 8 years, poem about Minneapolis, American cities, skid row, Great Northern Railway Station, Mississippi River, Nickolet Avenue, Spiro T. Agneau American Vice-President,  quote, slums, city poem; from Shall We Gather at the River (Wesleyan University Press, 1968).]\\n26:11- Reads “The Minneapolis Poem”.\\n30:39- Cut/edit in recording, sentence begins and then continues, repeated at lower quality sound, perhaps a tape change?\\n30:50- James Wright introduces “In Terror of Hospital Bills”. [INDEX: from Shall We Gather at the River (Wesleyan University Press, 1968).]\\n30:51- Reads “In Terror of Hospital Bills”.\\n32:36- Introduces “The Poor Washed Up By Chicago Winter”. [INDEX: leaving Chicago,        Thanksgiving weekend, Bill Mott, published first book, Salvation Army; from Shall We  Gather at the River (Wesleyan University Press, 1968).]\\n33:53- Reads “The Poor Washed Up By Chicago Winter”.\\n35:34- Introduces “Before a Cashier’s Window in a Department Store”. [INDEX: George  Orwell quote from Down and Out in Paris and London, France, dishwasher, beg, clothes too good to beg in, sold clothes, effects of being poor, not romantic, account at a  \\tdepartment store, Minneapolis, behind in payments, father’s coat, cheque for twenty    dollars, cashier, Grand Vizier, never wanting to feel poor again; from Shall We Gather at      the River (Wesleyan University Press, 1968).] \\n38:45- Reads “Before a Cashier’s Window in a Department Store, Part I”.\\n39:17- Reads “Before a Cashier’s Window in a Department Store, Part II”.\\n39:44- Reads “Before a Cashier’s Window in a Department Store, Part III”.\\n40:20- Reads “Before a Cashier’s Window in a Department Store, Part IV”.\\n40:38- Reads “Before a Cashier’s Window in a Department Store, Part V”.\\n41:11- Introduces “Outside Fargo, North Dakota” [INDEX: nature poems, poetry, song,       United States, West, North Dakota, Minnesota, South Dakota, country, prairies, summer, city; from Shall We Gather at the River (Wesleyan University Press, 1968).]\\n42:45- Reads “Outside Fargo, North Dakota”.\\n44:04- Introduces “A Poem Written Under an Archway in a Discontinued Railway Station, Fargo, North Dakota”. [INDEX: old trains, West, Chicago, East, New York, Conneticut, ghost train, flying Dutchmen; from Shall We Gather at the River (Wesleyan University Press, 1968).]\\n44:53- Reads “A Poem Written Under an Archway in a Discontinued Railway Station,     Fargo, North Dakota”.\\n46:30- Introduces “A Light in the Hallway”. [INDEX: nature poems, short poems, love poem; published as “The Lights in the Hallway” in Shall We Gather at the River (Wesleyan University Press, 1968).]\\n47:07- Reads “A Light in the Hallway”.\\n48:06- Introduces “Mary Bly”. [INDEX: from previous book, for his goddaughter, church,        ceremony, Robert and Carol Bly, first child, proud, christening, poem as a gift, audience,        motherhood, small children; from The Branch Will Not Break (Wesleyan University     Press, 1963).]\\n49:51- Reads “Mary Bly”.\\n50:42- Introduces “A Blessing”. [INDEX: description, reviewers, bus stop, Ohio, farmer, rain, cows, holsteins, Robert Bly, sent reviewer postcard; from The Branch Will Not Break \\t(Wesleyan University Press, 1963).]\\n52:28- Reads “A Blessing”.\\n54:02- Thanks audience\\n54:21- Unknown introducer thanks James Wright and introduces next reading, Mary-Lou Kaiser [?] on January 24th.\\n00:54:38.42- END OF RECORDING.\\n \\nHoward Fink List of Poems: \\nJames Wright\\nI086-11-052=AC\\nInformation from the Howard Fink Print Catalogue, Concordia Archives:\\n \\nTitle: James Wright reading his own poetry at Sir George Williams University\\nDate: December 13, 1968    \\nSource: one two-track, mono, 5” reel, @ 3 ¾ ips, duration 1 hour\\n \\n1. a poem by Ben Jonson “On My First Son”\\n2. a poem by W. S. Merwin “Nobody understood the perfume…”\\n3. a poem by Jonathan Swift “On Burning a Dull Poem”\\n4. A poem by John Millington Sing “Upon the Sister of the Critic who Attacked the Playboy”\\n5. A poem by Rilke “When the clocks nearby…” (trans. James Wright)\\n6. Title: “Note left in Jimmy Leonard’s Shack”\\n    first line: “Near the dry river’s watermark…”\\n7. Title: from his book Minneapolis Poems\\n    first line: “I wonder how many old men…”\\n8. Title: In Terror of Hospital Bills\\n    first line: “I still have some money…”\\n9. Title: The Poor Washed Up by Chicago Winter\\n    first line: “Well I still have a train ticket”\\n10. Title: Before a Cashier’s Window in a Department Store\\n      first line: “The beautiful cashier’s face…”\\n11. Title: Outside Fargo, North Dakota\\n      first line: “Along the…”\\n12. Title: A Poem Written Under an Archway in a Discontinued Rail Road Station\\n      first line: “Outside the great…”\\n13. Title: The Light in the Hallway\\n      first line: “The light in the hallway…”\\n14. Title: Mary Bly\\n      first line: “I sit here…”\\n15. Title: A Blessing “Just off the highway…”\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/james-wright-at-sgwu-1968/\"}]"],"score":0.01643844},{"id":"1304","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Ron Loewinsohn and Robert Hogg at Sir George Williams University, The Poetry Series, 20 February 1970"],"item_title_source":["Cataloguer"],"item_title_note":["\"RON LOEWINSOHN I086-11-033\" written on stickers on the spine of the tape box and on the reel. \"RT 526\" written on the back and on sticker on the front of the tape box.\n\n\"ROBERT HOGG I086-11-023\" written on stickers on the spine of the tape box and on the reel. \"RT 534\" written on the back and on sticker on the front of the tape box."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 4"],"item_identifiers":["[I086-11-033, I086-11-023]"],"creator_names":["Loewinsohn, Ron","Hogg, Robert"],"creator_names_search":["Loewinsohn, Ron","Hogg, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/85836314\",\"name\":\"Loewinsohn, Ron\",\"dates\":\"1937-2014\",\"notes\":\"Ron Loewinsohn was born in Iloilo, Philippines on December 15, 1937. His family moved to California in 1945, and he graduated from Abraham Lincoln High School in 1955 in San Francisco. Loewinsohn spent two years traveling the United States before marrying in 1957 and taking up a position as a lithographer that he held for the next twelve years. He completed an M.A. in 1967 at the University of California, Berkeley, and then an M.A. (1969) and Ph.D. (1971) from Harvard University, completing his doctoral dissertation on William Carlos Williams. He edited Sum magazine in 1974 with Canadian poet Fred Wah. Ron Loewinsohn became close friends with poets Robert Duncan, Jack Spicer, Philip Whalen, Gary Snyder, Robert Creeley, Denise Levertov and Charles Olson. His first collection of poems, Watermelons (Totem Press) was published in 1959 with an introduction by Allen Ginsberg, and a prefatory letter by Williams himself. The New American Poetry, 1945-1960 (Grove Press, 1960) anthologized Loewinsohn’s poetry and propelled him into popularity. His next collections, The World of the Lie (Change Press, 1963) which won a Poets Foundation Award, Against the Silences to Come (Four Seasons Foundation, 1965) and L’Autre (Black Sparrow Press, 1967) placed him securely in the Beat poetry movement. Loewinsohn published two collections of poetry in 1967, Lying Together, Turning the Head and Shifting the Weight, The Produce District and Other Places, Moving: A Spring Poem (Black Sparrow Press) and Three Backyard Dramas with Mamas (Unicorn Press), followed by The Sea, Around Us, and The Step in 1968 (both Black Sparrow Press). He collaborated with Diane Wakoski and Robert Kelly in 1968, publishing These Worlds Have Always Moved in Harmony (Black Sparrow Press). He won an Irving Stone Award from the Academy of American Poets in 1966, the University of California Scholar Award in 1967, a Woodrow Wilson Foundation graduate fellowship from 1967-8, a Harvard University fellowship from 1967-70, a National Education Association Fellowship in 1979 and 1986, and a Guggenheim Fellowship from 1984-5. Ron Loewinsohn began a career in teaching that spanned for more than thirty years at the University of California, Berkeley in 1970. His later works include Meat Air 1957-69 (Harcourt, Brace & World, 1970), followed by The Leaves (Black Sparrow Press, 1973) and Eight Fairy Tales (Black Sparrow Press, 1975) and his last volume of poetry, Goat Dances: Poems and Prose (Black Sparrow Press, 1976). Loewinsohn’s work has beeny anthologized in dozens of publications, including The Post Moderns: A New American Poetry Revised (1982), and published in periodicals including Poetry, Tri-Quarterly, Chicago Review and Occident. Loewinsohn authored two novels, Magnetic Fields (Knopf, 1983), and Where All the Ladders Start (Atlantic Monthly Press, 1987). Ron Loewinsohn retired from the University of California, Berkeley as professor emeritus in 2005. Loewinsohn died in 2014 at the age of 76.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91752751\",\"name\":\"Hogg, Robert\",\"dates\":\"1942-\",\"notes\":\"Robert Hogg was born in Edmonton, Alberta in 1942. His father was an accountant and his mother founded the Canadian Health League in 1948, and opened the first health food store in the Fraser Valley. After hearing Robert Duncan read from The Opening of the Field, in Vancouver with Frank Davey, he completed a BA at the University of British Columbia. There, he met the members of the newly formed Tish group, and became an integral part of the movement. George Bowering and Hogg published Robert Duncan: An Interview by George Bowering and Robert Hogg (Coach House Press, 1971), which was conducted in 1969. Hogg then went on to complete a Ph.D. from SUNY Buffalo in American Literature. Hogg and his family moved to Ottawa and bought a farm in Mountain Township and began organic farming. In 1968 Hogg began teaching Modern Poetry at Carleton University in Ottawa until he retired in 2005. Hogg’s published works include The connexions (Oyez Press, 1966), Standing back (Coach House Press, 1971), Of light (Coach House Press, 1978), Heat lightning (Black Moss Press, 1986), There is no falling (ECW Press, 1993) and most recently Hogg edited An English Canadian poetics (Talon Books, 2009) which he won a Marston Lafrance Research Fellowship award to write.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[]"],"Performance_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel","Reel to Reel"],"physical_compositions":["Magnetic Tape","Magnetic Tape"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Mono","Mono"],"Dates":["[{\"date\":\"1970 2 20\",\"type\":\"Performance Date\",\"notes\":\"Date reference in \\\"Howard Fink List\\\"\",\"source\":\"Supplemental Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Mixed Lounge (H-651)\",\"notes\":\"Location referenced by previous researcher\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Mixed Lounge (H-651)"],"City":["Montreal, Quebec"],"content_notes":["Ron Loewinsohn reads from Meat Air: Poems 1957-1969 (Harcourt, Brace & World, 1970). Robert Hogg reads from The Connexions (Oyez Press, 1966),  as well as poems later published in Standing Back (Coach House Press, 1972), and others from unknown sources."],"contents":["ron_loewinsohn-i086-11-033.mp3 [File 1 of 2]\n \nRon Loewinsohn\n00:00:00\nI do want to try to read as much as I can from the more recent material, the book is called Meat Air, and the last section which is the collection of new stuff is called “Book of Ayres”. Let me start out with, let me start out with one called \"His Music's Like His 20 Children\".\n \nRon Loewinsohn\n00:00:30\nReads \"His Music's Like His 20 Children\" from Meat Air: Poems 1957-1969.\n \nRon Loewinsohn\n00:01:54\nReads [\"It Is to Be Bathed in Light\" from Meat Air: Poems 1957-1969].\n \nRon Loewinsohn\n00:04:25\nThis is called \"Song\".\n \nRon Loewinsohn\n00:04:30\nReads \"Song\" [from Meat Air: Poems 1957-1969, section “L’autre 1967”].\n \nRon Loewinsohn\n00:05:10\nAnd this one called, \"The Rain, The Rain\".\n \nRon Loewinsohn\n00:05:17\nReads \"The Rain, The Rain\" [from Meat Air: Poems 1957-1969].\n \nRon Loewinsohn\n00:06:20\nLet me, let me do one called \"Fuck You With Your Home Run Title\". That title had to be changed, it was originally \"Fuck You Roger Maris [https://www.wikidata.org/wiki/Q741023]\", but Harcourt Brace [https://www.wikidata.org/wiki/Q5654997] didn't want to be sued. It's not as if I can't afford it, it's just that it wouldn't do anybody any good. So this is \"Fuck You With Your Home Run Title\".\n \nRon Loewinsohn\n00:07:04\nReads \"Fuck You With Your Home Run Title\" [from Meat Air: Poems 1957-1969].\n \nRon Loewinsohn\n00:07:41\nThe quote \"thoughts of the party were in my head\" is from the World Champion Weight Lifter, who is a Communist Chinese, and after he had pressed some 5,000 lbs or something they said, you know \"You're fantastic, how did you do it?\". And he said \"Thoughts of the party were in my head\". This is called \"Vision of Childhood''.\n \nRon Loewinsohn\n00:08:15\nReads \"Vision of Childhood\" [from Meat Air: Poems 1957-1969].\n \nRon Loewinsohn\n00:10:33\nThis is called \"Lots of Lakes\".\n \nRon Loewinsohn\n00:10:37\nReads \"Lots of Lakes\" [from Meat Air: Poems 1957-1969].\n \nRon Loewinsohn\n00:12:03\nThis is called \"The Sea, Around Us\".\n \nRon Loewinsohn\n00:12:17\nReads \"The Sea, Around Us\" [from The Sea, Around Us].\n \nRon Loewinsohn\n00:15:59\nI want to read some, most of the poems from this section called \"Book of Ayres\", and I want to explain just a little bit about it if I can, I guess the most important thing to say is that they declared themselves as a book of poems, in the middle of a final exam, I was taking an exam and one of the things that we had to deal with was a poem by Emily Dickinson [https://www.wikidata.org/wiki/Q4441], which I will read to you, it's a marvelous poem, I'd never seen it before. And it's so clearly tied all of the poems I'd been working on for the past year or so together, into a bundle, into a package. Let me read to you the, this little statement which I'd written for the publication of the book, and I, simply to insist that they are before anything else, religious poems, and I, as prepossessing as I am about them now, because I think that I may have occasion later on in the reading to call that, or you may have occasion to call that to mind. That they take, as their focus, the making, the finding of the flesh in the word, that is that the word is flesh and it has to be found as such. But let me just read this statement and then I'll read you the Emily Dickinson poem, we'll go right into the “Book of Ayres”. I hope that they're, also, that they're fun, and then you say 'religion', people say, 'uh-oh', this is going to be very grim and very heavy, and in the old sense of heavy. But I hope we can have fun with them, but simply, let me do this. All the poems in the “Book of Ayres” section Meat Air, were written with the intention, though not entirely conscious ‘til rather late in the series, of making the word flesh. That is, when the poet speaks, his words are physically only air, yet they can afford us the most sensorially tangible of experiences. Further, the poem, though merely air, is what sustains us, what the soul feeds on. The poet speaks to keep the soul of man alive, that's Yeats [https://www.wikidata.org/wiki/Q40213] in  “John Kinsella's Lament for Mrs. Mary Moore”, it's interesting that as I was grabbing for something to, for support, picked that line, because the line continues, or rather the whole passage goes \"And oh, but she had stories, though not for the priest's ear, to keep the soul of man alive, to banish age and care, and being old, she put a skin on everything she said.\" Or as Williams [https://www.wikidata.org/wiki/Q178106] puts it, \"It is difficult, to get the news from poems, yet we die, every day, for lack of what is found there.\" Yet if the word seeks to take on the actuality of flesh, of substance, substance itself, as the poet apprehends it, in the merest of tales of his life, from day to day, seeks to take on the resonating actuality of speech, to realize itself in the actuality of the word. Love itself is both a word and a continuing act or process, both an idea and a tension in the chest, viscera and genitals, a pressure toward articulation so complex that it often stifles speech. About halfway through “The Book of Ayres”, I realized that many of the poems I'd written over the past twelve years or so, had been attempting with various degrees of success to effect these transubstantiations and so, this collection. \"The Dickinson Poem\", which if you want to take a look at it is in Thomas Johnson's editions, it's number “1651”.\n \nRon Loewinsohn\n00:20:02 \nReads \"Poem 1651\" by Emily Dickinson.\n \nRon Loewinsohn\n00:20:49\nAnd one last note before starting in the book has an epigraph from Jim St. Jim. \"I need to take a new tack, and sit on it.\" The first poem's called \"’These Worlds Have Always Moved in Harmony’\".\n \nRon Loewinsohn\n00:21:11\nReads \"’These Worlds Have Always Moved in Harmony’\" [from Meat Air: Poems 1957-1969].\n \nUnknown\n00:21:20\nAmbient Sound [bell].\n\nRon Loewinsohn\n00:21:22\nWhat the hell is that? I have this terrible recollection of this story I heard about a college in the Midwest in the United States [https://www.wikidata.org/wiki/Q30] where a visiting prof came out to give a lecture on Plato [https://www.wikidata.org/wiki/Q859] or something and had this bell go off every fifteen minutes and after, it really unnerved him, and after the end of the lecture, he asked one of the people, like, \"What is that bell going off?\" and the guy, the administrator said \"Oh, that's to keep the students awake.\" I--If that's the case, God bless you, I hope we can do better than that.\n \nRon Loewinsohn\n00:22:08\nReads \"These Worlds Have Always Moved in Harmony\".\n \nRon Loewinsohn\n00:23:34\nAnd this is called \"The Sipapu\". Don't worry about the title, it clears up.\n \nRon Loewinsohn\n00:23:52\nReads \"The Sipapu\" [from Meat Air: Poems 1957-1969].\n \nRon Loewinsohn\n00:27:51\nThis is called \"Settling\".\n \nRon Loewinsohn\n00:27:58\nReads \"Settling\" [from Meat Air: Poems 1957-1969].\n \nRon Loewinsohn\n00:29:48\nThis is called, this next poem is called \"Paean\" p-a-e-a-n, paean, and is a collaboration in a sense that it's the kind of poem in which a number of people get together and contribute lines, you give me three lines, and I'll give you two lines and eventually the poem gets written, and simply to give credit where credit where credit is due, to list the people who did contribute or help out in the writing of this poem, John Dryden [https://www.wikidata.org/wiki/Q213355], William Carlos Williams, and the Associated Press [https://www.wikidata.org/wiki/Q40469].\n \nRon Loewinsohn\n00:30:31\nReads \"Paean\" [from Meat Air: Poems 1957-1969].\n \nRon Loewinsohn\n00:32:12\nThe story goes that St. Cecilia [https://www.wikidata.org/wiki/Q80513] invented the organ, and when she was playing an angel passed and mistook earth for heaven because of this fantastic music. \"Went to her organ vocal breath was given\" says John Dryden. These are a couple of songs.\n \nRon Loewinsohn\n00:32:38\nReads “Song” [from Meat Air: Poems 1957-1969; third poem entitled “Song” published in “Book of Ayres” section].\n\nRon Loewinsohn\n00:32:48\nThis one also called \"Song\".\n \nRon Loewinsohn\n00:32:54\nReads “Song\" [from Meat Air: Poems 1957-1969; fourth poem entitled “Song” published in “Book of Ayres” section].\n \nRon Loewinsohn\n00:33:12\nAnd this one also called \"Song\".\n \nRon Loewinsohn\n00:33:18\nReads “Song\" [from Meat Air: Poems 1957-1969; fifth poem entitled “Song” published in “Book of Ayres” section].\n \nRon Loewinsohn\n00:33:57\nAnd this one called \"Air\".\n \nRon Loewinsohn\n00:34:01\nReads \"Air\"  [from Meat Air: Poems 1957-1969].\n \nRon Loewinsohn\n00:34:59\nAnd this one called \"Goat Dance\".\n \nRon Loewinsohn\n00:35:07\nReads \"Goat Dance\" [from Meat Air: Poems 1957-1969; first poem entitled “Goat Dance” published in “Book of Ayres” section].\n \nRon Loewinsohn\n00:36:30\nThis one called \"Two Airs\".\n \nRon Loewinsohn\n00:36:36\nReads \"Two Airs\" [from Meat Air: Poems 1957-1969].\n \nRon Loewinsohn\n00:37:31\nAnd another one called \"Goat Dance\".\n \nRon Loewinsohn\n00:37:35\nReads \"Goat Dance\" [from Meat Air: Poems 1957-1969; third poem entitled “Goat Song” published in “Book of Ayres” section].\n \nRon Loewinsohn\n00:38:48\nAnd this, title, may perhaps need a little bit of explanation. \"The Romaunt of the Rose\", a 13th century French dream vision poem, dream allegory, written actually in two halves by Jean de Meun [https://www.wikidata.org/wiki/Q544925] and Guillaume de Lorris [https://www.wikidata.org/wiki/Q544959] I'm not sure but Chaucer [https://www.wikidata.org/wiki/Q5683] translated the first part of it, and the title comes from his title, \"The Romaunt of the Rose\". The last line of the poem, “smoot right to the herte rote” is from Chaucer's translation and it's \"smitten right to the heart's root\". And the whole, the title of the poem is \"The Romaunt of the Rose Fuck\".\n \nRon Loewinsohn\n00:39:39\nReads \"The Romaunt of the Rose Fuck\" [from Meat Air: Poems 1957-1969].\n \nRon Loewinsohn\n00:40:22\nI'll just do two more, the first one called \"K. 282\". Koechel is--don't please, be insulted that I explain that title, I read the poem in New York [https://www.wikidata.org/wiki/Q60] and a graduate student at Columbia [https://www.wikidata.org/wiki/Q49088] asked me if it meant \"Circa 282\", like circa 282, like approximately 282, and it is of course the catalogue number for the Mozart [https://www.wikidata.org/wiki/Q254] piano sonata, and it's a piano sonata, I forget which, what key it's in.\n \nRon Loewinsohn\n00:41:04\nReads \"K. 282\" [from Meat Air: Poems 1957-1969].\n \nRon Loewinsohn\n00:42:02\nAnd the last poem is the title poem of the book, \"Meat Air\".\n \nRon Loewinsohn\n00:42:08\nReads \"Meat Air\" from Meat Air: Poems 1957-1969.\n \nEND\n00:43:00\n\n\nrobert_hogg_i086-11-023.mp3 [File 2 of 2]\n \nRobert Hogg\n00:00:00\nI'd like to open the reading with a poem that's really part of a verse-play that I wrote in 1963 or 64, a long time ago, a play that never really made it as a play, but fragments of which I've salvaged because I like, I like what they do. And so this is sort of called \"Fragments of an Imaginary Noh Play\", and this is the dream that one of the figures has. \n \nRobert Hogg\n00:00:26\nReads \"Fragments of an Imaginary Noh Play - Walkie's Dream\".\n \nRobert Hogg\n00:02:39\nI'd like to read a few selections from my book of poems The Connexions, which was printed in 1965. I'd like to begin with a poem entitled \"The Command\". I should just briefly mention that these poems were all written in a very short period of time between November and January, mostly, and a few poems written later on throughout that spring of 1965. That is, November 1964 through the early part of 1965. Most of them were written in New York and involved an experience I had there where I was very ill, and part of the time delirious. This poem was actually written a little later than some of the poems that follow. They're not spaced out chronologically in the book. \"The Command\".\n \nRobert Hogg\n00:03:34\nReads \"The Command\" from The Connexions.\n \nRobert Hogg\n00:06:20\nThis poem, written, actually, previous to the other, is entitled \"Eclipse\", and it was written without my own, without my knowledge, actually, at the time, that there was an eclipse taking place. It was on the eighteenth of December, 1964, written in New York City. This was a lunar eclipse. Isn't there a lunar eclipse about to...is that tonight? [Audience laughter]. It's a full moon tonight. Something's happening.\n \nRobert Hogg\n00:07:06\nReads \"Eclipse\" from The Connexions.\n \nRobert Hogg\n00:09:12\nThe she of that last stanza enters into this poem, which was originally entitled \"The Changing of Skin\". There's a good, considerable amount of snake imagery in these poems, all of which was the result of having hepatitis and the turning of colours. I had hepatitis rather badly, and relapsed twice with it, and each time I relapsed, of course, I turned bright yellow again. And it was quite an unusual experience, especially the first time, in which I was in the hospital, and the nurses, especially the young nurses, would come round and look at you with the most peculiar eyes, you know, as if you were really something from another world, having changed colour like that. \n \nRobert Hogg\n00:10:02\nReads unnamed poem [originally entitled “The Changing of Skin”].\n \nRobert Hogg\n00:14:08\nAnother poem connected with this quite closely, another dream poem, entitled \"The Cave\".\n \nRobert Hogg\n00:14:17\nReads \"The Cave\".\n \nRobert Hogg\n00:15:36\nAfter this there's a descent, a further descent down, as has been instructed in an earlier poem, called \"The Command,\" and then a coming-out again. And then a poem that remembers, really, it's quite different, I'm not sure how much this poem really belonged in The Connexions. Most of the poems definitely did belong in the book, I think, though some of them don't bear reading, I don't think, now. This poem bears reading, I think, but doesn't really belong in the book. How's that?\n \nRobert Hogg\n00:16:09\nReads unnamed poem from The Connexions.\n \nRobert Hogg\n00:16:55\nAnd another poem, which was originally titled, \"Poem to Out of This World and Soul Lies\", was really written with John Sinclair [https://www.wikidata.org/wiki/Q706977] in mind, whom I hope all of you keep in mind at times, specially now that he's in prison, in Michigan [https://www.wikidata.org/wiki/Q1166]. It was written to...not written really for him, but written with him in mind, listening to the record \"Out of This World and Soul Lies\" by John Coltrane [https://www.wikidata.org/wiki/Q7346].\n \nRobert Hogg\n00:17:23\nReads [\"Out of This World\" , originally entitled “Poem to Out of This World and Soul Lies”].\n \nRobert Hogg\n00:19:09\nAnd the last poem in the collection is entitled, simply, \"Song\".\n \nRobert Hogg\n00:19:16\nReads \"Song\" from The Connexions.\n\nUnknown \n00:19:33\nAmbient Sound [bell].\n\nRobert Hogg\n00:19:34\nHave to change my trunks...Now I'd like to read a few poems that were written not too far removed from the time of The Connexions, some of them, and then moving right on up to the present. This poem titled simply, \"Once\" and the \"once\" is really part of the poem.\n \nRobert Hogg\n00:20:01\nReads \"Once\" [published later in Standing Back]. \n \nRobert Hogg\n00:20:24\nAnd another little poem called \"Tropos\", which means, \"to turn\" in Greek, or \"turning\" in Greek.\n \nRobert Hogg\n00:20:34\nReads \"Tropos\".\n \nRobert Hogg\n00:20:50\nAnother short poem, written some time later, but in the same vein. \"A Fragment of Love\".\n \nRobert Hogg\n00:20:57\nReads \"A Fragment of Love\".\n \nRobert Hogg\n00:21:12\nThis poem was written about four or five years ago also, and was written after having given a tarot reading for a friend. And I take it that most of you will have some familiarity with the tarot cards, and anyway, the poem attempts in several places to explain, in other places just simply to give you the reading of the tarot as it was done out. And so I've just simply in parts just listed the cards that fell. It's simply called \"A Reading\".\n \nRobert Hogg\n00:21:48\nReads \"A Reading\".\n \nRobert Hogg\n00:24:03\nAnd now, a longer poem, a poem that really, in a sense, deals with the subject of poetry, and the subject of love, together. The poem is entitled \"Aries and Pisces Dream\". And really, I supposed, ought to be dedicated to Charles Olson [https://www.wikidata.org/wiki/Q922978].\n \nRobert Hogg\n00:24:30\nReads \"Aries and Pisces Dream\" [published later in Standing Back].\n \nRobert Hogg\n00:29:03\nA short, and rather lyrical poem, which was written in response to a letter, not in very good response to a letter, actually...in which the other person asked me if I wouldn't tell them about Psyche [https://www.wikidata.org/wiki/Q843382], what I've defined psyche, which I found was an absolutely impossible thing to do, and something that I hope I can--you could--you know, once you spend one's whole life, I suppose, trying to do it, God help you if you actually get it done, you know. There'd be nothing left to do. This poem is called \"Of Psyche\".\n \nRobert Hogg\n00:29:39\nReads \"Of Psyche\" [published later in Standing Back]. \n \nRobert Hogg\n00:30:26\nA recent poem, entitled \"To the Moon\". The moon gets into a lot of my poems, one way or another. This one woke us up the other night, rather nastily. \n \nRobert Hogg\n00:30:37\nReads \"To the Moon\".\n \nRobert Hogg\n00:31:12\nThis is an untitled poem, a happy poem, I hope, written in September, on the seventh of September, and it struck me, as it was the seventh of September, that in fact, in the Latin, that September is the seventh month, and was apparently the seventh month of the Roman calendar year. And so I was suddenly taken by that, because, you know, if you write dates very often, you probably use the typical numerical method of you know, putting, the day, and the month, and the year, in terms of numbers. And you usually think of September as the ninth month, which in fact it is, in our calendar, but the word is obviously, suggests, as October suggests the eighth month, September is the seventh. And so I was happy. It seemed like something new was happening. It was nice, because you know, in September, in northern, any part of Ottawa [https://www.wikidata.org/wiki/Q1930], Ottawa-area, or Ontario [https://www.wikidata.org/wiki/Q1904], or Quebec [https://www.wikidata.org/wiki/Q176], you know what's coming, eh? You know, it's still here. So you got to be happy while you can. And it was also, I should add, that even in old times, you know, the calendar year was divided into twelve months, and so the seventh month would, in a sense, be the beginning of a new cycle. It would be six months, and that would end the first half, and there would be six more months, and September would be the first of it again. And that also excited me. It felt like Spring. [Laughter]. But I'm crazy.\n \nRobert Hogg\n00:32:42\nReads untitled poem [published later in Standing Back]. \n \nRobert Hogg\n00:33:05\nAnd now a sad poem, for someone who has, who had cancer, and is apparently alright, which is kind of nice. I think I was pessimistic, I'm always terribly pessimistic about something like that, I don't find it easy to be optimistic in such situations, and optimism, the optimism that I now have again for this person is only as qualified, I dare say. The poem is entitled \"A Lifetime\", and the more I thought about that word--I didn't get the title easily, I had to work it out--and the more I thought about that word, the more it began to mean to me. I think if you really think about that word, lifetime, as one word, it's very peculiar. And then I thought, I was thinking about time-life [audience laughter]. And that really, that was really funny. It's strange, isn't it, that those, that, that corporation should own those two words, as they do. It's very difficult to use them. We can't just call it--like, can you imagine putting out a magazine called Life? You know. Or Poetry magazine. These are very good names for a magazine. Or Time, you know. That's pretty big stuff! [Audience laughter]. What could they--and look what they've done with it, you know. So reduction is still possible [Laughter]. \"A Lifetime\"...And one other thing [laughter] before I begin this one, it's not altogether this way, you've probably, you know, you've probably found that my lines, my poetry, has a tendency, especially in the earlier poems, to be, like they say, poetic, you know, to try to be a little, to try to sound pretty. It was something that meant a great deal to me earlier, and means a little less to me now than it did then, though beauty still means as much to me as ever. I have tried, I have looked for in my poetry--and one thing, it was very pleasant hearing Ron's [https://www.wikidata.org/wiki/Q2165471] poems tonight, is a quality of voice, a quality of language, that doesn't necessarily try to be pretty at all--that tries to use the language that we are actually living with. I don't mean to try to talk about the old problems of prose and poetry, or anything of the kind. But just that, language needn't necessarily be quote, poetic, unquote. We had kind of a talk about that last night, at the reading in Ottawa, it was pretty funny. And this poem, just at least its beginning, it has that colloquialism that I enjoy.\n \nRobert Hogg\n00:35:37\nReads \"A Lifetime\".\n \nRobert Hogg\n00:37:03\nAnd the last poem that I'd like to read is a poem that is really a freak poem. This poem has taken me at least two years to write, a little longer than two years to write, I think, and has been written over and over and over and over again, and like I said about time/life, this one has also suffered a phenomenal reduction, starting out as about six pages and ending up as three, which is usually a good sign. Originally there was a line in the poem, something about the presages of civilization, you know, are on my back or in my ear, or something like that, and it was a horrible line. Like a lot of the other lines it had to be excised, and rewritten, and so forth. But the thought of it, the thought of that word, the meaning of that word, contained, lived with me, and lived with my sense of the poem. And so I've entitled it simply, \"Presages\". And also, to make it a little more comprehensible, I've put a sort of bracket, subtitle, \"From a Sixth-Floor Apartment\". Actually, the poem was begun in Manhattan [https://www.wikidata.org/wiki/Q11299], not in Manhattan, I'm sorry, in Queens [https://www.wikidata.org/wiki/Q18424], New York, when I was staying at my in-laws' house a little over two years ago, just briefly, and was written from their sixth-floor apartment. It actually, the strange thing about this poem is it was mostly written since then, really re-written, although the first part is pretty much as it was originally.\n \nRobert Hogg\n00:38:24\nReads \"Presages: From a Sixth-Floor Apartment\" [published later in Standing Back].\n \nRobert Hogg\n00:40:40\nThank you.\n \nEND\n00:40:42\n[Cut off abruptly]."],"Note":["[{\"note\":\"\\nIn 1970, Ron Loewinsohn was teaching at the University of Berkeley (perhaps he only started in the Fall semester?), Meat Air was published in the same year and he finished his Ph.D. from Harvard in 1971.\\n\\nIn 1970, Robert Hogg was a professor of Modern Poetry at Carleton University and was most likely working on publishing Standing back (Coach House Press, 1971) and Robert Duncan: An Interview by George Bowering and Robert Hogg (Coach House Press, 1971). \",\"type\":\"General\"},{\"note\":\"Local Connections:\\n\\nDirect connections from Loewinsohn to Montreal or Sir George Williams University are unknown, however, Loewinsohn was a heavy-hitter in the American poetry ring, befriending many members of the San Francisco Renaissance, Black Mountain and Beat groups.\\n\\nRobert Hogg met George Bowering (a SGWU Poetry Committee Member) in the 60’s in Vancouver, and became involved in the Tish group.\",\"type\":\"General\"},{\"note\":\"2 reel-to-reel tapes>2 CDs>2 digital files\",\"type\":\"Preservation\"},{\"note\":\"Original transcript, research, introduction andedits by Celyn Harding-Jones\\n\\nAdditional research and edits by Ali Barillaro\",\"type\":\"Cataloguer\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-twentieth-century-poetry-in-english/oclc/807465072&referer=brief_results\",\"citation\":\"Gray, Richard. \\\"Loewinsohn, Ron(ald William)\\\". The Oxford Companion to Twentieth-Century Poetry in English. Ian Hamilton (ed). Oxford University Press, 1996.\"},{\"url\":\"https://www.worldcat.org/title/connexions/oclc/976690442&referer=brief_results\",\"citation\":\"Hogg, Robert. The Connexions. Berkeley: Oyez, 1966. \"},{\"url\":\"https://www.worldcat.org/title/standing-back/oclc/1125106352&referer=brief_results\",\"citation\":\"Hogg, Robert.  Standing Back. Toronto: Coach House Press, 1971. \"},{\"url\":\"https://www.worldcat.org/title/interview-by-george-bowering-robert-hogg/oclc/57411146?referer=di&ht=edition\",\"citation\":\"Hogg, Robert & George Bowering. Robert Duncan: an interview by George Bowering & Robert Hogg. Montreal: A Beaver Kosmos Folio, 1971.\"},{\"url\":\"https://www.worldcat.org/title/meat-air-poems-1957-1969/oclc/869016387&referer=brief_results\",\"citation\":\"Loewinsohn, Ron. Meat Air: Poems 1957-1969. New York: Harcourt, Brace & World, 1970. \"},{\"url\":\"https://talonbooks.com/authors/robert-hogg\",\"citation\":\"“Robert Hogg”. Talonbooks website: Vancouver, B.C.. \"},{\"url\":\"\",\"citation\":\"“Loewinsohn, Ron”. Literature Online Biography. Proquest, 2009. \"},{\"url\":\"\",\"citation\":\"“Research, Teaching and Professional Awards: Marston Lafrance Research Fellow (2004-2005)”. Carleton NOW, Carleton University: May 3, 2004. \"},{\"url\":\"\",\"citation\":\"“Robert Hogg”. ECW Press website, Biographies: Toronto, Ontario.\"},{\"url\":\"\",\"citation\":\"“Robert Hogg, Mountain Path Flours”. Eco Farm Day 2010: Canadian Organic Growers/ Cultivons Biologique Canada, Speakers. \"},{\"url\":\"\",\"citation\":\"\\\"Ron(ald) (William) Loewinsohn.\\\" Contemporary Authors Online. Detroit: Gale, 2001. \"}]"],"_version_":1853670548970668032,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0086_11_0033_tape.jpg\",\"file_path\":\"\",\"filename\":\"I0086_11_0033_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Ron Loewinsohn Tape Box - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0086_11_0033_front.jpg\",\"file_path\":\"\",\"filename\":\"I0086_11_0033_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Ron Loewinsohn Tape Box - 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Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/robert_hogg_i086-11-023.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"robert_hogg_i086-11-023.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:40:42\",\"precision\":\"\",\"size\":\"97.7 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"robert_hogg_i086-11-023.mp3 [File 2 of 2]\\n \\nRobert Hogg\\n00:00:00\\nI'd like to open the reading with a poem that's really part of a verse-play that I wrote in 1963 or 64, a long time ago, a play that never really made it as a play, but fragments of which I've salvaged because I like, I like what they do. And so this is sort of called \\\"Fragments of an Imaginary Noh Play\\\", and this is the dream that one of the figures has. \\n \\nRobert Hogg\\n00:00:26\\nReads \\\"Fragments of an Imaginary Noh Play - Walkie's Dream\\\".\\n \\nRobert Hogg\\n00:02:39\\nI'd like to read a few selections from my book of poems The Connexions, which was printed in 1965. I'd like to begin with a poem entitled \\\"The Command\\\". I should just briefly mention that these poems were all written in a very short period of time between November and January, mostly, and a few poems written later on throughout that spring of 1965. That is, November 1964 through the early part of 1965. Most of them were written in New York and involved an experience I had there where I was very ill, and part of the time delirious. This poem was actually written a little later than some of the poems that follow. They're not spaced out chronologically in the book. \\\"The Command\\\".\\n \\nRobert Hogg\\n00:03:34\\nReads \\\"The Command\\\" from The Connexions.\\n \\nRobert Hogg\\n00:06:20\\nThis poem, written, actually, previous to the other, is entitled \\\"Eclipse\\\", and it was written without my own, without my knowledge, actually, at the time, that there was an eclipse taking place. It was on the eighteenth of December, 1964, written in New York City. This was a lunar eclipse. Isn't there a lunar eclipse about to...is that tonight? [Audience laughter]. It's a full moon tonight. Something's happening.\\n \\nRobert Hogg\\n00:07:06\\nReads \\\"Eclipse\\\" from The Connexions.\\n \\nRobert Hogg\\n00:09:12\\nThe she of that last stanza enters into this poem, which was originally entitled \\\"The Changing of Skin\\\". There's a good, considerable amount of snake imagery in these poems, all of which was the result of having hepatitis and the turning of colours. I had hepatitis rather badly, and relapsed twice with it, and each time I relapsed, of course, I turned bright yellow again. And it was quite an unusual experience, especially the first time, in which I was in the hospital, and the nurses, especially the young nurses, would come round and look at you with the most peculiar eyes, you know, as if you were really something from another world, having changed colour like that. \\n \\nRobert Hogg\\n00:10:02\\nReads unnamed poem [originally entitled “The Changing of Skin”].\\n \\nRobert Hogg\\n00:14:08\\nAnother poem connected with this quite closely, another dream poem, entitled \\\"The Cave\\\".\\n \\nRobert Hogg\\n00:14:17\\nReads \\\"The Cave\\\".\\n \\nRobert Hogg\\n00:15:36\\nAfter this there's a descent, a further descent down, as has been instructed in an earlier poem, called \\\"The Command,\\\" and then a coming-out again. And then a poem that remembers, really, it's quite different, I'm not sure how much this poem really belonged in The Connexions. Most of the poems definitely did belong in the book, I think, though some of them don't bear reading, I don't think, now. This poem bears reading, I think, but doesn't really belong in the book. How's that?\\n \\nRobert Hogg\\n00:16:09\\nReads unnamed poem from The Connexions.\\n \\nRobert Hogg\\n00:16:55\\nAnd another poem, which was originally titled, \\\"Poem to Out of This World and Soul Lies\\\", was really written with John Sinclair [https://www.wikidata.org/wiki/Q706977] in mind, whom I hope all of you keep in mind at times, specially now that he's in prison, in Michigan [https://www.wikidata.org/wiki/Q1166]. It was written to...not written really for him, but written with him in mind, listening to the record \\\"Out of This World and Soul Lies\\\" by John Coltrane [https://www.wikidata.org/wiki/Q7346].\\n \\nRobert Hogg\\n00:17:23\\nReads [\\\"Out of This World\\\" , originally entitled “Poem to Out of This World and Soul Lies”].\\n \\nRobert Hogg\\n00:19:09\\nAnd the last poem in the collection is entitled, simply, \\\"Song\\\".\\n \\nRobert Hogg\\n00:19:16\\nReads \\\"Song\\\" from The Connexions.\\n\\nUnknown \\n00:19:33\\nAmbient Sound [bell].\\n\\nRobert Hogg\\n00:19:34\\nHave to change my trunks...Now I'd like to read a few poems that were written not too far removed from the time of The Connexions, some of them, and then moving right on up to the present. This poem titled simply, \\\"Once\\\" and the \\\"once\\\" is really part of the poem.\\n \\nRobert Hogg\\n00:20:01\\nReads \\\"Once\\\" [published later in Standing Back]. \\n \\nRobert Hogg\\n00:20:24\\nAnd another little poem called \\\"Tropos\\\", which means, \\\"to turn\\\" in Greek, or \\\"turning\\\" in Greek.\\n \\nRobert Hogg\\n00:20:34\\nReads \\\"Tropos\\\".\\n \\nRobert Hogg\\n00:20:50\\nAnother short poem, written some time later, but in the same vein. \\\"A Fragment of Love\\\".\\n \\nRobert Hogg\\n00:20:57\\nReads \\\"A Fragment of Love\\\".\\n \\nRobert Hogg\\n00:21:12\\nThis poem was written about four or five years ago also, and was written after having given a tarot reading for a friend. And I take it that most of you will have some familiarity with the tarot cards, and anyway, the poem attempts in several places to explain, in other places just simply to give you the reading of the tarot as it was done out. And so I've just simply in parts just listed the cards that fell. It's simply called \\\"A Reading\\\".\\n \\nRobert Hogg\\n00:21:48\\nReads \\\"A Reading\\\".\\n \\nRobert Hogg\\n00:24:03\\nAnd now, a longer poem, a poem that really, in a sense, deals with the subject of poetry, and the subject of love, together. The poem is entitled \\\"Aries and Pisces Dream\\\". And really, I supposed, ought to be dedicated to Charles Olson [https://www.wikidata.org/wiki/Q922978].\\n \\nRobert Hogg\\n00:24:30\\nReads \\\"Aries and Pisces Dream\\\" [published later in Standing Back].\\n \\nRobert Hogg\\n00:29:03\\nA short, and rather lyrical poem, which was written in response to a letter, not in very good response to a letter, actually...in which the other person asked me if I wouldn't tell them about Psyche [https://www.wikidata.org/wiki/Q843382], what I've defined psyche, which I found was an absolutely impossible thing to do, and something that I hope I can--you could--you know, once you spend one's whole life, I suppose, trying to do it, God help you if you actually get it done, you know. There'd be nothing left to do. This poem is called \\\"Of Psyche\\\".\\n \\nRobert Hogg\\n00:29:39\\nReads \\\"Of Psyche\\\" [published later in Standing Back]. \\n \\nRobert Hogg\\n00:30:26\\nA recent poem, entitled \\\"To the Moon\\\". The moon gets into a lot of my poems, one way or another. This one woke us up the other night, rather nastily. \\n \\nRobert Hogg\\n00:30:37\\nReads \\\"To the Moon\\\".\\n \\nRobert Hogg\\n00:31:12\\nThis is an untitled poem, a happy poem, I hope, written in September, on the seventh of September, and it struck me, as it was the seventh of September, that in fact, in the Latin, that September is the seventh month, and was apparently the seventh month of the Roman calendar year. And so I was suddenly taken by that, because, you know, if you write dates very often, you probably use the typical numerical method of you know, putting, the day, and the month, and the year, in terms of numbers. And you usually think of September as the ninth month, which in fact it is, in our calendar, but the word is obviously, suggests, as October suggests the eighth month, September is the seventh. And so I was happy. It seemed like something new was happening. It was nice, because you know, in September, in northern, any part of Ottawa [https://www.wikidata.org/wiki/Q1930], Ottawa-area, or Ontario [https://www.wikidata.org/wiki/Q1904], or Quebec [https://www.wikidata.org/wiki/Q176], you know what's coming, eh? You know, it's still here. So you got to be happy while you can. And it was also, I should add, that even in old times, you know, the calendar year was divided into twelve months, and so the seventh month would, in a sense, be the beginning of a new cycle. It would be six months, and that would end the first half, and there would be six more months, and September would be the first of it again. And that also excited me. It felt like Spring. [Laughter]. But I'm crazy.\\n \\nRobert Hogg\\n00:32:42\\nReads untitled poem [published later in Standing Back]. \\n \\nRobert Hogg\\n00:33:05\\nAnd now a sad poem, for someone who has, who had cancer, and is apparently alright, which is kind of nice. I think I was pessimistic, I'm always terribly pessimistic about something like that, I don't find it easy to be optimistic in such situations, and optimism, the optimism that I now have again for this person is only as qualified, I dare say. The poem is entitled \\\"A Lifetime\\\", and the more I thought about that word--I didn't get the title easily, I had to work it out--and the more I thought about that word, the more it began to mean to me. I think if you really think about that word, lifetime, as one word, it's very peculiar. And then I thought, I was thinking about time-life [audience laughter]. And that really, that was really funny. It's strange, isn't it, that those, that, that corporation should own those two words, as they do. It's very difficult to use them. We can't just call it--like, can you imagine putting out a magazine called Life? You know. Or Poetry magazine. These are very good names for a magazine. Or Time, you know. That's pretty big stuff! [Audience laughter]. What could they--and look what they've done with it, you know. So reduction is still possible [Laughter]. \\\"A Lifetime\\\"...And one other thing [laughter] before I begin this one, it's not altogether this way, you've probably, you know, you've probably found that my lines, my poetry, has a tendency, especially in the earlier poems, to be, like they say, poetic, you know, to try to be a little, to try to sound pretty. It was something that meant a great deal to me earlier, and means a little less to me now than it did then, though beauty still means as much to me as ever. I have tried, I have looked for in my poetry--and one thing, it was very pleasant hearing Ron's [https://www.wikidata.org/wiki/Q2165471] poems tonight, is a quality of voice, a quality of language, that doesn't necessarily try to be pretty at all--that tries to use the language that we are actually living with. I don't mean to try to talk about the old problems of prose and poetry, or anything of the kind. But just that, language needn't necessarily be quote, poetic, unquote. We had kind of a talk about that last night, at the reading in Ottawa, it was pretty funny. And this poem, just at least its beginning, it has that colloquialism that I enjoy.\\n \\nRobert Hogg\\n00:35:37\\nReads \\\"A Lifetime\\\".\\n \\nRobert Hogg\\n00:37:03\\nAnd the last poem that I'd like to read is a poem that is really a freak poem. This poem has taken me at least two years to write, a little longer than two years to write, I think, and has been written over and over and over and over again, and like I said about time/life, this one has also suffered a phenomenal reduction, starting out as about six pages and ending up as three, which is usually a good sign. Originally there was a line in the poem, something about the presages of civilization, you know, are on my back or in my ear, or something like that, and it was a horrible line. Like a lot of the other lines it had to be excised, and rewritten, and so forth. But the thought of it, the thought of that word, the meaning of that word, contained, lived with me, and lived with my sense of the poem. And so I've entitled it simply, \\\"Presages\\\". And also, to make it a little more comprehensible, I've put a sort of bracket, subtitle, \\\"From a Sixth-Floor Apartment\\\". Actually, the poem was begun in Manhattan [https://www.wikidata.org/wiki/Q11299], not in Manhattan, I'm sorry, in Queens [https://www.wikidata.org/wiki/Q18424], New York, when I was staying at my in-laws' house a little over two years ago, just briefly, and was written from their sixth-floor apartment. It actually, the strange thing about this poem is it was mostly written since then, really re-written, although the first part is pretty much as it was originally.\\n \\nRobert Hogg\\n00:38:24\\nReads \\\"Presages: From a Sixth-Floor Apartment\\\" [published later in Standing Back].\\n \\nRobert Hogg\\n00:40:40\\nThank you.\\n \\nEND\\n00:40:42\\n[Cut off abruptly].\",\"notes\":\"Robert Hogg reads from The Connexions (Oyez Press, 1966),  as well as poems later published in Standing Back (Coach House Press, 1972), and others from unknown sources.\\n\\n00:00- Robert Hogg introduces reading and “Fragments of an Imaginary Noh Play”. [INDEX: poem, verse-play, written in 1963-4, fragments, dream.]\\n00:26- Reads “Fragments of an Imaginary Noh Play: Walkie’s Dream”. [INDEX: morning, wake, sleep, dream, water, sun, east, sea, swim, day, glass, window.]\\n02:39- Introduces “The Command”. [INDEX: selections from The Connexions, printed in     1965, written between November and January, spring of 1965, New York, ill, delirious, not chronological order.]\\n03:34- Reads “The Command”. [INDEX: snow, winter, unsaid, city, ice, wind, young, death, Erie, Great Lakes, place, New York, body, water, disease, sun, land, earth, memory, remembrance, mind, season, Eden, journey, snake.]\\n06:20- Introduces “Eclipse”. [INDEX: lunar eclipse, December 18, 1964, New York City, full moon the night of this reading.]\\n07:06- Reads “Eclipse”  [INDEX: earth, moon, fire, oracle, snake, body, naked, queen, sex, sperm, woman.]\\n09:12- Introduces unknown poem, first line “So it is empty, but for the animals...”. [INDEX: female from “Eclipse”, original title “The Changing of Skin”, snake imagery, hepatitis, relapsed, hospital, nurses.]\\n10:02- Reads unknown poem, first line “So it is empty, but for the animal...”  [INDEX:  New Testament, Judaism, Jew, Moses, Jesus, crucifixion, Mary Magdalene, vision, name, night, disease, illness, violence, snake, child, sex, mythology.]\\n14:08- Introduces “The Cave”. [INDEX: dream poem.]\\n14:17- Reads “The Cave”. [INDEX: child, cave, winter, day.]\\n15:36- Introduces unknown poem, first line “This much is remembered...”. [INDEX: descent down, “The Command”, memory, relevance in collection.]\\n16:09- Reads unknown poem, first line “This much is remembered...” [INDEX: memory,        remembrance, sea, man, land]\\n16:55- Introduces “Out of This World”. [INDEX: originally titled, “Poem to Out of This World and Soul Lies” written with John Sinclair, prison, Michigan, record “Out of this World and Soul Lies” by John Coltrane.]\\n17:23- Reads “Out of This World”. [INDEX: beginning, origin, eternity, birth, egg, snake,    woman, sex]\\n19:09- Introduces “Song” [INDEX: last poem in the collection]\\n19:16- Reads “Song”. [INDEX: sun, wind, tree, nature, bird, air, voice]\\n19:34- Introduces “Once”. [INDEX: poems written same time as The Connexions  up to the present]\\n20:01- Reads “Once”. [INDEX: poem, poet, poetry, love, line]\\n20:24- Introduces “Tropos”. [INDEX: Greek for ‘to turn’ or ‘turning’]\\n20:34- Reads “Tropos”. [INDEX: turning, couple, sight, beauty]\\n20:50- Introduces “A Fragment of Love”. [INDEX: short poem, same vein as “Tropos”]\\n20:57- Reads “A Fragment of Love”. [INDEX: winter, seasons, woman, nature]\\n21:12- Introduces “A Reading”. [INDEX: written 4-5 years previous, tarot reading, friend,     explain, cards.]\\n21:48- Reads “A Reading”. [INDEX: tarot, reading, fate, lover, magician, mother, father, night, child, blood, French, woman, friend, death, moon, sea, justice, sun, bilingual]\\n24:03- Introduces “Aries and Pisces Dream”. [INDEX: poetry, love, dedicated to Charles     Olson.] \\n24:30- Reads “Aries and Pisces Dream”. [INDEX: night, woman, awake, love, space, Charles Olson, moon, sun, earth, real, distance, bird, sleep, dance, word, world, measure, death]\\n29:03- Introduces “Of Psyche”. [INDEX: short, lyrical poem, response to a letter, Psyche, definition of Psyche.]\\n29:39- Reads “Of Psyche”. [INDEX: love, spring, Psyche, woman, man, beauty, window,      morning, dance.]\\n30:26- Introduces “To the Moon”. [INDEX: poems, moon, night.]\\n30:37- Reads “To the Moon”. [INDEX: moon, face, pain, woman, mother, light, night, laugh.]\\n31:12- Introduces Untitled Poem, first line “Fresh September...” [INDEX: written September 7th, Latin, Roman Calendar, numerical method of dates, October, Ottawa, Ontario, Quebec, happy, twelve months, new cycle, Spring.]\\n32:42- Reads Untitled Poem, first line “Fresh September...” [INDEX: nature, seasons, winter, spring, bird, sun, September]\\n33:05- Introduces “A Lifetime”. [INDEX: friend who had cancer, pessimistic, optimism, time, life, Life magazine, Poetry magazine, reduction, lines, beauty, Ron [Loewinsohn], quality of voice, quality of language, unpoetic language, Ottawa, colloquialism.]\\n35:37- Reads “A Lifetime”. [INDEX: idea, giving, time, rain, cancer, nothing, disease, death, dying, rose, tulip, growth, dark, waiting, silence.]\\n37:03- Introduces “Presages: From a Sixth-Floor Apartment”. [INDEX: freak poem, taken over two years to write, time, life, reduction of the text, six pages to three, original line in poem, presages of civilization, horrible line, rewriting, title, sub-title, begun in Queens New York, first part is original.]\\n38:24- Reads “Presages: From a Sixth-Floor Apartment”. [INDEX: city, New York, distance, apartment, earth, death, air, body, dream, river, sea, mind, time, soul, property, civilization, blood, fire, fish, Psyche, beach]\\n40:40- Robert Hogg thanks the audience.\\n40:42.66- END OF RECORDING.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/robert-hog-at-sgwu-1970/\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/ron_loewinsohn-i086-11-033.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"ron_loewinsohn-i086-11-033.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:43:00\",\"precision\":\"\",\"size\":\"103.2 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"ron_loewinsohn-i086-11-033.mp3 [File 1 of 2]\\n \\nRon Loewinsohn\\n00:00:00\\nI do want to try to read as much as I can from the more recent material, the book is called Meat Air, and the last section which is the collection of new stuff is called “Book of Ayres”. Let me start out with, let me start out with one called \\\"His Music's Like His 20 Children\\\".\\n \\nRon Loewinsohn\\n00:00:30\\nReads \\\"His Music's Like His 20 Children\\\" from Meat Air: Poems 1957-1969.\\n \\nRon Loewinsohn\\n00:01:54\\nReads [\\\"It Is to Be Bathed in Light\\\" from Meat Air: Poems 1957-1969].\\n \\nRon Loewinsohn\\n00:04:25\\nThis is called \\\"Song\\\".\\n \\nRon Loewinsohn\\n00:04:30\\nReads \\\"Song\\\" [from Meat Air: Poems 1957-1969, section “L’autre 1967”].\\n \\nRon Loewinsohn\\n00:05:10\\nAnd this one called, \\\"The Rain, The Rain\\\".\\n \\nRon Loewinsohn\\n00:05:17\\nReads \\\"The Rain, The Rain\\\" [from Meat Air: Poems 1957-1969].\\n \\nRon Loewinsohn\\n00:06:20\\nLet me, let me do one called \\\"Fuck You With Your Home Run Title\\\". That title had to be changed, it was originally \\\"Fuck You Roger Maris [https://www.wikidata.org/wiki/Q741023]\\\", but Harcourt Brace [https://www.wikidata.org/wiki/Q5654997] didn't want to be sued. It's not as if I can't afford it, it's just that it wouldn't do anybody any good. So this is \\\"Fuck You With Your Home Run Title\\\".\\n \\nRon Loewinsohn\\n00:07:04\\nReads \\\"Fuck You With Your Home Run Title\\\" [from Meat Air: Poems 1957-1969].\\n \\nRon Loewinsohn\\n00:07:41\\nThe quote \\\"thoughts of the party were in my head\\\" is from the World Champion Weight Lifter, who is a Communist Chinese, and after he had pressed some 5,000 lbs or something they said, you know \\\"You're fantastic, how did you do it?\\\". And he said \\\"Thoughts of the party were in my head\\\". This is called \\\"Vision of Childhood''.\\n \\nRon Loewinsohn\\n00:08:15\\nReads \\\"Vision of Childhood\\\" [from Meat Air: Poems 1957-1969].\\n \\nRon Loewinsohn\\n00:10:33\\nThis is called \\\"Lots of Lakes\\\".\\n \\nRon Loewinsohn\\n00:10:37\\nReads \\\"Lots of Lakes\\\" [from Meat Air: Poems 1957-1969].\\n \\nRon Loewinsohn\\n00:12:03\\nThis is called \\\"The Sea, Around Us\\\".\\n \\nRon Loewinsohn\\n00:12:17\\nReads \\\"The Sea, Around Us\\\" [from The Sea, Around Us].\\n \\nRon Loewinsohn\\n00:15:59\\nI want to read some, most of the poems from this section called \\\"Book of Ayres\\\", and I want to explain just a little bit about it if I can, I guess the most important thing to say is that they declared themselves as a book of poems, in the middle of a final exam, I was taking an exam and one of the things that we had to deal with was a poem by Emily Dickinson [https://www.wikidata.org/wiki/Q4441], which I will read to you, it's a marvelous poem, I'd never seen it before. And it's so clearly tied all of the poems I'd been working on for the past year or so together, into a bundle, into a package. Let me read to you the, this little statement which I'd written for the publication of the book, and I, simply to insist that they are before anything else, religious poems, and I, as prepossessing as I am about them now, because I think that I may have occasion later on in the reading to call that, or you may have occasion to call that to mind. That they take, as their focus, the making, the finding of the flesh in the word, that is that the word is flesh and it has to be found as such. But let me just read this statement and then I'll read you the Emily Dickinson poem, we'll go right into the “Book of Ayres”. I hope that they're, also, that they're fun, and then you say 'religion', people say, 'uh-oh', this is going to be very grim and very heavy, and in the old sense of heavy. But I hope we can have fun with them, but simply, let me do this. All the poems in the “Book of Ayres” section Meat Air, were written with the intention, though not entirely conscious ‘til rather late in the series, of making the word flesh. That is, when the poet speaks, his words are physically only air, yet they can afford us the most sensorially tangible of experiences. Further, the poem, though merely air, is what sustains us, what the soul feeds on. The poet speaks to keep the soul of man alive, that's Yeats [https://www.wikidata.org/wiki/Q40213] in  “John Kinsella's Lament for Mrs. Mary Moore”, it's interesting that as I was grabbing for something to, for support, picked that line, because the line continues, or rather the whole passage goes \\\"And oh, but she had stories, though not for the priest's ear, to keep the soul of man alive, to banish age and care, and being old, she put a skin on everything she said.\\\" Or as Williams [https://www.wikidata.org/wiki/Q178106] puts it, \\\"It is difficult, to get the news from poems, yet we die, every day, for lack of what is found there.\\\" Yet if the word seeks to take on the actuality of flesh, of substance, substance itself, as the poet apprehends it, in the merest of tales of his life, from day to day, seeks to take on the resonating actuality of speech, to realize itself in the actuality of the word. Love itself is both a word and a continuing act or process, both an idea and a tension in the chest, viscera and genitals, a pressure toward articulation so complex that it often stifles speech. About halfway through “The Book of Ayres”, I realized that many of the poems I'd written over the past twelve years or so, had been attempting with various degrees of success to effect these transubstantiations and so, this collection. \\\"The Dickinson Poem\\\", which if you want to take a look at it is in Thomas Johnson's editions, it's number “1651”.\\n \\nRon Loewinsohn\\n00:20:02 \\nReads \\\"Poem 1651\\\" by Emily Dickinson.\\n \\nRon Loewinsohn\\n00:20:49\\nAnd one last note before starting in the book has an epigraph from Jim St. Jim. \\\"I need to take a new tack, and sit on it.\\\" The first poem's called \\\"’These Worlds Have Always Moved in Harmony’\\\".\\n \\nRon Loewinsohn\\n00:21:11\\nReads \\\"’These Worlds Have Always Moved in Harmony’\\\" [from Meat Air: Poems 1957-1969].\\n \\nUnknown\\n00:21:20\\nAmbient Sound [bell].\\n\\nRon Loewinsohn\\n00:21:22\\nWhat the hell is that? I have this terrible recollection of this story I heard about a college in the Midwest in the United States [https://www.wikidata.org/wiki/Q30] where a visiting prof came out to give a lecture on Plato [https://www.wikidata.org/wiki/Q859] or something and had this bell go off every fifteen minutes and after, it really unnerved him, and after the end of the lecture, he asked one of the people, like, \\\"What is that bell going off?\\\" and the guy, the administrator said \\\"Oh, that's to keep the students awake.\\\" I--If that's the case, God bless you, I hope we can do better than that.\\n \\nRon Loewinsohn\\n00:22:08\\nReads \\\"These Worlds Have Always Moved in Harmony\\\".\\n \\nRon Loewinsohn\\n00:23:34\\nAnd this is called \\\"The Sipapu\\\". Don't worry about the title, it clears up.\\n \\nRon Loewinsohn\\n00:23:52\\nReads \\\"The Sipapu\\\" [from Meat Air: Poems 1957-1969].\\n \\nRon Loewinsohn\\n00:27:51\\nThis is called \\\"Settling\\\".\\n \\nRon Loewinsohn\\n00:27:58\\nReads \\\"Settling\\\" [from Meat Air: Poems 1957-1969].\\n \\nRon Loewinsohn\\n00:29:48\\nThis is called, this next poem is called \\\"Paean\\\" p-a-e-a-n, paean, and is a collaboration in a sense that it's the kind of poem in which a number of people get together and contribute lines, you give me three lines, and I'll give you two lines and eventually the poem gets written, and simply to give credit where credit where credit is due, to list the people who did contribute or help out in the writing of this poem, John Dryden [https://www.wikidata.org/wiki/Q213355], William Carlos Williams, and the Associated Press [https://www.wikidata.org/wiki/Q40469].\\n \\nRon Loewinsohn\\n00:30:31\\nReads \\\"Paean\\\" [from Meat Air: Poems 1957-1969].\\n \\nRon Loewinsohn\\n00:32:12\\nThe story goes that St. Cecilia [https://www.wikidata.org/wiki/Q80513] invented the organ, and when she was playing an angel passed and mistook earth for heaven because of this fantastic music. \\\"Went to her organ vocal breath was given\\\" says John Dryden. These are a couple of songs.\\n \\nRon Loewinsohn\\n00:32:38\\nReads “Song” [from Meat Air: Poems 1957-1969; third poem entitled “Song” published in “Book of Ayres” section].\\n\\nRon Loewinsohn\\n00:32:48\\nThis one also called \\\"Song\\\".\\n \\nRon Loewinsohn\\n00:32:54\\nReads “Song\\\" [from Meat Air: Poems 1957-1969; fourth poem entitled “Song” published in “Book of Ayres” section].\\n \\nRon Loewinsohn\\n00:33:12\\nAnd this one also called \\\"Song\\\".\\n \\nRon Loewinsohn\\n00:33:18\\nReads “Song\\\" [from Meat Air: Poems 1957-1969; fifth poem entitled “Song” published in “Book of Ayres” section].\\n \\nRon Loewinsohn\\n00:33:57\\nAnd this one called \\\"Air\\\".\\n \\nRon Loewinsohn\\n00:34:01\\nReads \\\"Air\\\"  [from Meat Air: Poems 1957-1969].\\n \\nRon Loewinsohn\\n00:34:59\\nAnd this one called \\\"Goat Dance\\\".\\n \\nRon Loewinsohn\\n00:35:07\\nReads \\\"Goat Dance\\\" [from Meat Air: Poems 1957-1969; first poem entitled “Goat Dance” published in “Book of Ayres” section].\\n \\nRon Loewinsohn\\n00:36:30\\nThis one called \\\"Two Airs\\\".\\n \\nRon Loewinsohn\\n00:36:36\\nReads \\\"Two Airs\\\" [from Meat Air: Poems 1957-1969].\\n \\nRon Loewinsohn\\n00:37:31\\nAnd another one called \\\"Goat Dance\\\".\\n \\nRon Loewinsohn\\n00:37:35\\nReads \\\"Goat Dance\\\" [from Meat Air: Poems 1957-1969; third poem entitled “Goat Song” published in “Book of Ayres” section].\\n \\nRon Loewinsohn\\n00:38:48\\nAnd this, title, may perhaps need a little bit of explanation. \\\"The Romaunt of the Rose\\\", a 13th century French dream vision poem, dream allegory, written actually in two halves by Jean de Meun [https://www.wikidata.org/wiki/Q544925] and Guillaume de Lorris [https://www.wikidata.org/wiki/Q544959] I'm not sure but Chaucer [https://www.wikidata.org/wiki/Q5683] translated the first part of it, and the title comes from his title, \\\"The Romaunt of the Rose\\\". The last line of the poem, “smoot right to the herte rote” is from Chaucer's translation and it's \\\"smitten right to the heart's root\\\". And the whole, the title of the poem is \\\"The Romaunt of the Rose Fuck\\\".\\n \\nRon Loewinsohn\\n00:39:39\\nReads \\\"The Romaunt of the Rose Fuck\\\" [from Meat Air: Poems 1957-1969].\\n \\nRon Loewinsohn\\n00:40:22\\nI'll just do two more, the first one called \\\"K. 282\\\". Koechel is--don't please, be insulted that I explain that title, I read the poem in New York [https://www.wikidata.org/wiki/Q60] and a graduate student at Columbia [https://www.wikidata.org/wiki/Q49088] asked me if it meant \\\"Circa 282\\\", like circa 282, like approximately 282, and it is of course the catalogue number for the Mozart [https://www.wikidata.org/wiki/Q254] piano sonata, and it's a piano sonata, I forget which, what key it's in.\\n \\nRon Loewinsohn\\n00:41:04\\nReads \\\"K. 282\\\" [from Meat Air: Poems 1957-1969].\\n \\nRon Loewinsohn\\n00:42:02\\nAnd the last poem is the title poem of the book, \\\"Meat Air\\\".\\n \\nRon Loewinsohn\\n00:42:08\\nReads \\\"Meat Air\\\" from Meat Air: Poems 1957-1969.\\n \\nEND\\n00:43:00\\n\",\"notes\":\"Ron Loewinsohn reads from Meat Air: Poems 1957-1969 (Harcourt, Brace & World, 1970).\\n\\n00:00- Ron Loewinsohn introduces “His Music’s Like His Twenty Children” [INDEX: Meat Air by Ron Loewinsohn, published by Harcourt Brace]\\n00:30- Reads “His Music’s Like His Twenty Children”\\n01:54- Reads “It Is to Be Bathed in Light”\\n04:25- Reads “Song”\\n05:20- Reads “The Rain, The Rain”\\n06:20- Introduces “Fuck You With Your Home Run Title” [INDEX: Roger Maris: baseball \\tplayer]\\n07:04- Reads “Fuck You With Your Home Run Title”\\n07:41- Explains a line from “Fuck You With Your Home Run Title” [INDEX: Communist  \\tChinese World Champion Weight Lifter]\\n08:15- Reads “Vision of Childhood”\\n10:33- Reads “Lots of Lakes”\\n12:03- Reads “The Sea Around Us”\\n15:59- Introduces section “Book of Ayres” and Emily Dickinson Poem, “Number        \\t1651” [INDEX: “Book of Ayres” section in Meat Air, Emily Dickinson Poem from         \\tThomas Johnson’s Collection #1651, Yeats’ poem “John Kinsella’s Lament for Mrs.     \\tMary Moore”, William Carlos Williams quote, religious poetry: words are flesh, epigraph    from Jim St. Jim [sp?]]\\n20:02- Reads “1651” by Emily Dickinson\\n20:49- Introduces epigraph in Meat Air\\n21:11- Reads “These Worlds Have Always Moved in Harmony”\\n21:22- Interrupted [INDEX: Mid-Western United States]\\n22:08- Re-starts “These Worlds Have Always Moved in Harmony”\\n23:34- Reads “The Sipapu” [INDEX: South Western Native American Tradition]\\n27:51- Reads “Settling”\\n28:48- Introduces “Paean” [INDEX: Collaborative poem: John Dryden, William Carlos Williams and the Associated Press]\\n30:31- Reads “Paean”\\n32:12- Explains “Paean” [INDEX: St. Cecilia invented Organ]\\n32:38- Reads “Song: I think of you through a pain in my throat...”\\n32:48- Reads “Song: Like two apples in a tree...”\\n33:12- Reads “Song: If there is nothing but the rhythm of tears...”\\n33:57- Reads “Air”\\n34:59- Reads “Goat Dance: You inspire me...”\\n36:30- Reads “Two Airs”\\n37:31- Reads “Goat Dance: 1. In the middle of the park...”\\n38:48- Introduces “The Romaunt of the Rose Fuck” [INDEX: 13th century French Dream   allegory poetry: by Jean de Meun, Guillaume de Lorris, translated by Chaucer into “The \\tRomaunt of the Rose”]\\n39:39- Reads “The Romaunt of the Rose Fuck”\\n40:22- Introduces “K. 282” [INDEX: Koechel: Mozart piano sonata k. 282]\\n41:04- Reads “K. 282”\\n42:02- Reads “Meat Air”\\n43:00.20- END OF RECORDING\\n\\nFrom the Howard Fink List of poems:\\n*Two separate and different typed pages in print sources...\\nPAGE 1) \\nFeb 20, 1970\\n5”, mono, single track, reel, @ 3 3/4 ips; lasting 50 mins.\\n1.  “His Music is Like His Twenty Children”\\n2.  “Song” first line: “Oh her lips swell...”\\n3.  “The Rain, The Rain”\\n4.  “Fuck You With Your Home-run Title”\\n5.  “Vision of Childhood”\\n6.  “Lots of Lakes”\\n7.  “The Sea Around Us”\\n8.  “A poem by E. Dickenson”\\n9.  first line: “Angelic spirits in a winter sky...”\\n10. first line: “But originally the real world...”\\n11. “Settling”\\n12. “Paean”\\n13. “Song” first line “I think of you through a pain...”\\n14. “Song” first line “Like two apples in a tree...”\\n15. “Song” first line “If there is nothing...”\\n16. “Air”\\n17. “Goat Dance” first line “You inspire me...”\\n18. “Two Airs”\\n19. “Goat Dance” first line “In the middle of the park...”\\n20. first line “In it’s tower of bone...”\\n21. first line “In the fullness...”\\n22. “Meat Air”\\nDiscrepancies on page 2)\\n2. It is To Be Bathed In Light\\n3. Song\\n4. The Rain, The Rain\\n5. Fuck You With Your Home-Run Title\\n6. Vision of Childhood\\n7. Lots of Lakes\\n8. The Sea Around Us\\n9. These Worlds Have Always Moved In Harmony\\n10. The Cee-pah-pooh (Where The Spirit Dwells)\\n11. Settling\\n12. Paean\\n13. I Think Of You With A Pain In My Throat\\n14. Song\\n15. Song\\n16. Air\\n17. Goat Dance\\n18.Two Airs\\n19. Goat Dance\\n20.The Ro-- Of The Rose\\n21. Kercshal 282\\n22. Meat Air\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/ron-loewinsohn-at-sgwu-1970-2/\"}]"],"score":0.01643844},{"id":"1286","cataloger_name":["Bindu,Reddy"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Frank Davey at Sir George Williams University, The Poetry Series, 6 February 1970"],"item_title_source":["Cataloguer"],"item_title_note":["\"FRANK DAVEY Recorded February 6, 1970 3.75 ips on 1 mil. tape, 1/2 track\" written on sticker on the back of the tape's box. \"FRANK DAVEY I006/SR48\" written on sticker on the spine of the tape's box. \"I006-11-048\" written on sticker on the reel\n"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 4"],"item_identifiers":["[]"],"creator_names":["Davey, Frank"],"creator_names_search":["Davey, Frank"],"creators":["[{\"url\":\"http://viaf.org/viaf/5029235\",\"name\":\"Davey, Frank\",\"dates\":\"1940-\",\"notes\":\"Poet, critic and editor Frank Davey was born in Vancouver in 1940. He received his B.A. and M.A. from the University of British Columbia, where he co-founded and edited the influential Tish magazine from 1961-1969. Davey’s first book of poetry was published in 1963, called D-Day and after (Tishbooks), which was followed by Bridge force (Contact Press, 1965) and The scarred hull (Imago, 1966). Davey founded Open Letter, a journal of avant-garde writing and theory(which is still being published) in 1965. He then completed a Ph.D. in 1968 at the University of Southern California, with a thesis on the Black Mountain poetics. His poems from this period were collected and published in 1972 in L’an trentiesme: selected poems 1961-1970 (Community Press, 1970). Davey’s most influential poetry was produced in the early 70’s, with Weeds (Coach House Press, 1970), Four Myths for Sam Perry (Talon Books, 1970), King of swords (Talon Books, 1972), Arcana (Coach House Press, 1973), and The Clallam (Talon Books, 1973). Davey’s criticism of the period was collected in From There to Here: A Guide to English-Canadian Literature Since 1960 (Porcepic Press, 1974), his 1976 essay of the same title, published in Surviving the Paraphrase (Turnstone Press, 1983) and Reading Canadian reading (Turnstone, 1988). bp Nichol wrote an important introduction for Davey’s Selected poems: the arches (Talon Books, 1980). Davey has documented and written on Canadian authors such as Margaret Atwood, Earle Birney, Louis Dudek and Raymond Souster among others, focusing on Canadian small-press poets who would have been looked over by bigger presses. His own poetry appeared in Capitalistic affection (Coach House Press, 1982), Edward and Patricia (Coach House Press, 1984), The Louis Riel organ and piano company (Turnstone, 1985), The Abbotsford guide to India (Porcepic, 1986) and Popular narratives (Talon Books, 1991). Davey founded Swift Current, a literary journal database published from 1984 to 1990. Davey has taught in Montreal, Toronto’s York University, and was the Carl F. Klinck professor of Canadian Literature at the University of Western Ontario at the time of his retirement in 2005. His criticism and poetics of the 90‘s include Post-national arguments: the politics of the Anglophone-Canadian novel since 1967 (University of Toronto Press, 1993), Canadian literary power (NeWest, 1994), Reading ‘Kim’ Right (Talon Books, 1993) and Karla’s Web (Viking, 1994). He continues to publish poetry, Poems Suitable to Current Material Conditions (2014) and Motel Homage for Greg Curnoe (2014) being his most recent publications. \",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Fink, Howard"],"contributors_names_search":["Fink, Howard"],"contributors":["[{\"url\":\"http://viaf.org/viaf/6332801\",\"name\":\"Fink, Howard\",\"dates\":\"1934-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"Presenter_name":["Fink, Howard"],"Series_organizer_name":["Fink, Howard"],"Performance_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"Half-track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"Dates":["[{\"date\":\"1970 2 6\",\"type\":\"Performance Date\",\"notes\":\"Date written on sticker on the back of the tape's box\\n\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Room H-651\",\"notes\":\"\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Room H-651"],"City":["Montreal, Quebec"],"content_notes":["Frank Davey reads from Four Myths for Sam Perry (Talonbooks, 1970) and Weeds (Coach House Press, 1970), as well as poems published later in Arcana (Coach House Press, 1973)."],"contents":["frank_davey_i006-11-048.mp3\n \nHoward Fink\n00:00:00\nFrank's a West Coast poet, as you know if you've been reading the entertainment section of the Montreal Star [https://www.wikidata.org/wiki/Q3521910], editor of, founding editor of Tish [https://www.wikidata.org/wiki/Q2384384], and of the Open Letter, prolific poet, and poeticist. His last two books Four Myths for Sam Perry and Weeds are at the publishers', and Myths for Sam Perry will be appearing in a month or so. Without further introduction, Frank Davey [https://www.wikidata.org/wiki/Q1443126].\n \nFrank Davey\n00:00:36\nThe first poems I'm going to read this evening are ones which came out of my experiences in my first marriage. My own feeling about reading poetry is that the poem is exposed to the audience at a much faster rate than what the poem is when it's on the page, and excuse me, I'm going to give you a fair bit of background material on some of these poems. These are a collection of prose poems.\n \nFrank Davey\n00:01:20\nReads unnamed poem.\n \nFrank Davey\n00:02:13\nReads “Counting” [from Weeds].\n\nFrank Davey\n00:03:11\nReads \"The Bandit\" [from Weeds]. \n \nFrank Davey\n00:04:08\nTo me some of these poems are remarkable because at the time I didn't know this marriage was breaking up and some of the, some of the poems as you can see are about experiences other than marriage and suddenly I realize of course as these poems were progressing, in particular toward the end, that the message was certainly that there was something rather infertile in my whole life, I mean even in the next poem I'm going to read, I didn't catch on, I thought, 'oh well, I'll write this poem, I can't really show it to my wife, but you know, so what'.\n \nFrank Davey\n00:04:44\nReads \"Mealtimes\" [from Weeds].\n \nFrank Davey\n00:05:46\nReads \"The Place\" [from Weeds].\n \nFrank Davey\n00:06:39\nThese poems actually form a sequence, I'm only giving you certain examples of them and jumping ahead and now the cat is suddenly in the next poem as if it hadn't left.\n \nFrank Davey\n00:06:52\nReads \"The Calling\" [from Weeds].\n \nFrank Davey\n00:08:08\nWell by this point in the sequence, the message was beginning to become more available to me. I was, I admit beginning to understand what I was writing by this point. I've always felt that it's important to write a poem whether or not you realize its significance or its relevance to your own life that you go ahead and write the poem anyway. And in this particular sequence, my own faith that poetry can reveal things to you, that the process of writing poems is a process of discovery, that in fact poems teach the poet, rather than the poet teaching the poems. The poems are wiser than the poet, if you want to look at it that way. This was--seemed to be borne out. \n\nFrank Davey\n00:09:15\nReads \"Leaves\" [from Weeds].\n \nFrank Davey\n00:10:25\nReads \"A Letter\" [from Weeds].\n \nFrank Davey\n00:11:35\nReads \"Them Apples\" [from Weeds].\n \nFrank Davey\n00:12:39\nReads \"I Do Not Write Poems\" [from Weeds].\n \nFrank Davey\n00:13:40\nReads \"Red\" [from Weeds].\n \nFrank Davey\n00:14:41\nMany ways experience played into the hands of the poems, very nice that the most disastrous years of that marriage happened to begin in a summertime situation, and to end in winter, so that the seasonal, the cycle of the seasons could play its part in the poem. But on the other hand, perhaps that wasn't accidental. One doesn't want to question these things after they've worked for you. Group of poems that are collected in the book, which Howard Fink spoke about in his introduction, Four Myths for Sam Perry.\n \nFrank Davey\n00:15:39\nReads \"Sentences of Welcome\" from Four Myths for Sam Perry.\n \nFrank Davey\n00:17:00\nI had the fortune, I was going to say good fortune, I had the fortune of being in Los Angeles [https://www.wikidata.org/wiki/Q65] during the Watts Riots in 1965 [https://www.wikidata.org/wiki/Q377682], and living in the riot area. I was very busy at the time and that particular experience I haven't really even begun to deal with.\n \nFrank Davey\n00:17:26\nReads \"Watts, 1965\" [from Four Myths for Sam Perry].\n \nFrank Davey\n00:18:34.12\nAt that time, in Vietnam [https://www.wikidata.org/wiki/Q881], the most contested piece of property was Hill 488. And most of us know that mountains have a peculiar history of being sacred to human beings, Olympus [https://www.wikidata.org/wiki/Q80344], Fuji [https://www.wikidata.org/wiki/Q39231], Sinai [https://www.wikidata.org/wiki/Q377485], there's a mountain in China [https://www.wikidata.org/wiki/Q148] called Tai Shan [https://www.wikidata.org/wiki/Q216059], I believe Confucius [https://www.wikidata.org/wiki/Q4604] made a pilgrimage up this mountain, which is apparently so sacred that the Chinese had carved thousands of steps all the way up to the summit of the mountain. There are mountains, of course, in the Himalayas [https://www.wikidata.org/wiki/Q5451], which house monasteries and which monks so far have successfully prevented anyone from climbing.\n \nFrank Davey\n00:19:39\nReads \"Hill 488\" [from Four Myths for Sam Perry].\n \nFrank Davey\n00:20:27\nDrongo is a purple bird that is peculiar to Southeast Asia [https://www.wikidata.org/wiki/Q11708], one of the things which is never really thought of in times of conflict are all of the more, well very specific natural features of the landscape which of course are threatened by destruction in such times. We think of the problems of the defoliant in South Vietnam, when what they estimate now that more than 10% of the country has been treated with defoliant. We don't think of the individual examples of the flora and fauna which may be threatened with extinction because of this defoliation. Man of course is only one of the many inhabitants of this planet and although it is certainly a despicable thing that the biological function of human beings have been interfered with by the defoliation, children are being born malnourished, these are not the only sufferers. \n \nFrank Davey\n00:21:58\nReads \"The Drongo\" [from Four Myths for Sam Perry].\n \nUnknown\n00:23:27\n[Cut or edit made in tape. Unknown amount of time elapsed].\n\nFrank Davey\n00:23:28\nAnd of course in the middle of this, there are tankers sinking.\n \nFrank Davey\n00:23:35\nReads \"Torrey Canyon\" [from Four Myths for Sam Perry].\n \nFrank Davey\n00:24:29\nWell actually for the past three years I've been writing poems, from the tarot pack. I've been somewhat disappointed to learn that all kinds of other poets have been doing this at the same time. They're getting their stuff into print but I haven't bothered because I was going to do all 88 cards and publish them all at once. At any rate, I'm going to say some more about the tarot pack later but this particular poem comes out of the tarot pack from the Emperor card and has a peculiar affinity to the poems I've just been reading.\n \nFrank Davey\n00:25:20\nReads \"The Emperor\" [published later as “Manuscript, 4 December, 1970, title ‘The Emperor’” in Arcana].\n \nFrank Davey\n00:27:03\nReads \"When\" [from Four Myths for Sam Perry]\n \nFrank Davey\n00:27:56\nBut there is also of course, another side of the coin.\n \nFrank Davey\n00:27:59\nReads \"For her, a Spring\" [from Four Myths for Sam Perry].\n \nFrank Davey\n00:30:39\nThe next poem is entitled \"A Light Poem\". For lack of a better descriptive term, I might call myself an anti-humanist, this is of course the--it's almost become a category, I thought it was unique at one point, but it's become of late a category. I think more and more people are realizing that man is not capable of appointing himself as manager, or he's capable of appointing himself, he's not capable of acting out his self-appointment as manager of this planet. That in fact, his capabilities at managing certain areas create problems that are multiples of the ones he has solved. And that the humanist dream of man through his own rationality creating a nearly utopian existence, coming to understand the workings of the universe in such a way that he can bend them to his own use, but this dream has not going to come true. And of course, one of the ways that this feeling in men has been manifested has been his utilization of light and energy, and well, to the poem. \"A Light Poem\".\n \nFrank Davey\n00:32:25\nReads \"A Light Poem\" [from Four Myths for Sam Perry]..\n \nUnknown\n00:37:24\n[Cut or edit made in tape. Unknown amount of time elapsed].\n\nFrank Davey\n00:37:25\nRecently I have been writing poems from tarot cards. I have noticed a couple of things about the tarot cards that are very important for the poems. One of these is that the female symbol seems to be the most important symbol in the deck and it seems to suggest that the universe itself is essentially feminine in nature, that the fertility of the universe is feminine. Another aspect of the cards suggests that the nature of the universe is such that all sorts of mysterious things can happen to it without our understanding them. That there are all sorts of forces indicated in these cards that are essentially outside of our control. This poem, entitled \"To Win at Cards\". Tarot cards are not cards whose primary purpose is to play a game. The decks of cards with which we are all familiar with are cards where you play a game, the object of course of playing cards is to win at cards. And winning of course, is something which we are all brought up to wish, so one of the things about our competitive society that makes it work is that we all want to win. And card games help indoctrinate us in this direction. Cards, can also tell you things, this is the thing that the tarot cards have in common with poetry, is that people don't win in poetry, you don't write a better poem than somebody else in order to win prizes or to--you don't use poems in order to seduce a girl, or you don't use poems in order to accomplish any kind of end outside of the end of writing the poem. If you do, your allegiance is not to the poem and it's to something else and you're prostituting the poem. The only thing which can win at poetry is the poem itself, and this is where the poet ought to apply his effort to, is to helping the poem win.\n \nFrank Davey\n00:40:15\nReads \"To Win at Cards\" published later in Arcana].\n \nFrank Davey\n00:41:20\nThis poem, entitled \"The Hermit\", one of the figures on the cards. The card happened to cause me to recall a childhood memory of an earthquake.\n \nFrank Davey\n00:41:35\nReads \"The Hermit\" [published later in Arcana].\n \nFrank Davey\n00:42:49\nIt became very clear to me writing these Tarot poems that indeed there were many things outside of one's control and my wife and I were putting together a jigsaw puzzle of the moon, I think it was a satellite photograph of one side of the moon, and things started to go wrong.\n \nFrank Davey\n00:43:16\nReads [“Luna”, published later in Arcana].\n \nFrank Davey\n00:44:52\nThroughout history of course, men have been obsessed with the idea of being displaced by another man. Either in the seat--in the kingdom, or in the favors of the special woman in their lives. We have in mythology of course, many myths of Gods being displaced very often by their children. In Greek drama of course, the classical example is the Oedipus [https://www.wikidata.org/wiki/Q130890] myth where Laius [https://www.wikidata.org/wiki/Q463898] and Jocasta [https://www.wikidata.org/wiki/Q131445] have their married lives disrupted by their son, Oedipus. This is a poem about this particular fear. Fear of being displaced by someone younger, very often, fear of being displaced by one's own son, although that's not necessarily integral to the poem.\n \nFrank Davey\n00:45:53\nReads [\"Menelaus, To You\", published later in Arcana].\n \nFrank Davey\n00:47:19\nIf you choose to go to war with the natural environment, strange things happen. “King of Pentacles” is wrapped in a coat of binds.\n \nFrank Davey\n00:47:34\nReads \"King of Pentacles\" [published later in Arcana].\n \nFrank Davey\n00:48:44\nTimes when men do the right things, or seem to do the right things. A poem called \"The Caughnawaga Bell\".\n \nFrank Davey\n00:48:55\nReads \"The Caughnawaga Bell\" [published later in Arcana].\n \nFrank Davey\n00:50:32\nI'd like to conclude with a couple of poems about the whole problem of writing. It's always a problem for a poet to keep the process of writing going. One of the tricks of poets of course is always to write poems about the fact that the process of writing isn't going. I have a number of these. \"The Mountain\".\n \nFrank Davey\n00:51:06\nReads \"The Mountain\" [from Four Myths for Sam Perry].\n \nFrank Davey\n00:51:50\nOf course, the thing is, as soon as you begin to pay homage to the fact that you're having trouble writing a poem and express your will to, you are in fact being repaid. As soon as I remembered this myth of Popocatepetl [https://www.wikidata.org/wiki/Q1782392] and you know, the earth literally repaying the boy for his homage representing him with a mountain. If you couldn't grow corn on it, at least you could lure the Yankees down to look at. [Audience laughter].\n \nFrank Davey\n00:52:24\nReads \"The Bells\" [from Four Myths for Sam Perry].\n \nFrank Davey\n00:53:33\nThis poem, entitled \"The Making\".\n \nFrank Davey\n00:53:41\nReads \"The Making\" [from Four Myths for Sam Perry].\n \nFrank Davey\n00:55:34\nAnd so, I wish you all good winds!\n \nEND\n00:55:37\n"],"Note":["[{\"note\":\"Year-Specific Information:\\n\\nIn 1970, Frank Davey had written both Weeds and Four Myths for Sam Perry, and his poems were collected in L’an Trentiesme: Selected Poems 1961-1970, all published that year. He was the writer-in-residence at Sir George Williams University from 1969-1970.\",\"type\":\"General\"},{\"note\":\"Local Connections:\\n\\nFrank Davey’s influence reaches farther than his numerous publications, as he was devoted to the publication of other new poets and to the little magazine in Canada. A founding member of Tish, along with Fred Wah and George Bowering (a magazine responsible for a re-birth of poetry in Vancouver and the publication of some of the most important figures in Canadian poetry today) and as a managing editor of Toronto’s Coach House Press, Davey has also documented his fellow poets through bibliographies and biographies. Davey and Bowering no doubt had a long history together, starting in Vancouver, and Bowering most likely invited Davey to Sir George Williams University to read in this series. \",\"type\":\"General\"},{\"note\":\"Original transcript, research, introduction and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Ali Barillaro\",\"type\":\"Cataloguer\"},{\"note\":\"Reel-to-reel tap>CD>digital file\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/contemporary-canadian-poem-anthology/oclc/476332314&referer=brief_results\",\"citation\":\"Bowering, George, ed. The Contemporary Canadian Poem Anthology. Toronto: Coach House Press, 1984. \"},{\"url\":\"https://www.worldcat.org/title/from-there-to-here-a-guide-to-english-canadian-literature-since-1960-ii-our-nature-our-voices/oclc/878901819&referer=brief_results\",\"citation\":\"Bowering, George. “Davey, Frank”. From There to Here: A Guide to English-Canadian Literature Since 1960, Our Nature-Our Voices II. Frank Davey.  Erin, Ontario: Press Porcepic, 1974. \"},{\"url\":\"https://www.worldcat.org/title/arcana/oclc/655182833&referer=brief_results\",\"citation\":\"Davey, Frank. Arcana. Toronto: Coach House Press, 1973. \"},{\"url\":\"https://www.worldcat.org/title/four-myths-for-sam-perry/oclc/422678742&referer=brief_results\",\"citation\":\"Davey, Frank. Four Myths for Sam Perry. Vancouver: Talonbooks, 1970. \"},{\"url\":\"https://www.worldcat.org/title/weeds-poems-by-frank-davey/oclc/639736215&referer=brief_results\",\"citation\":\"Davey, Frank. Weeds. Toronto: Coach House Press, 1970. \"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-canadian-literature/oclc/605246871&referer=brief_results\",\"citation\":\"Scobie, Stephen. \\\"Davey, Frank\\\".  The Oxford Companion to Canadian Literature. Eugene Benson and William Toye (eds). Oxford University Press 2001. \"},{\"url\":\"https://www.worldcat.org/title/encyclopedia-of-post-colonial-literatures-in-english-vol2/oclc/1156824609&referer=brief_results\",\"citation\":\"Whiteman, Bruce. “Davey, Frank (1940-)”. Routledge Encyclopedia of Post-Colonial Literatures in English. Benson, Eugene; Conolly, L.W. (eds). London: Routledge, 1994. 2v. \"}]"],"_version_":1853670548974862336,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I006_11_0048_back.jpg\",\"file_path\":\"\",\"filename\":\"I006_11_0048_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Frank Davey Tape Box - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I006_11_0048_front.jpg\",\"file_path\":\"\",\"filename\":\"I006_11_0048_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Frank Davey Tape Box - Front\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I006_11_0048_side.jpg\",\"file_path\":\"\",\"filename\":\"I006_11_0048_side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Frank Davey Tape Box - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I006_11_0048_tape.jpg\",\"file_path\":\"\",\"filename\":\"I006_11_0048_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Frank Davey Tape Box - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/frank_davey_i006-11-048.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"frank_davey_i006-11-048.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:55:37\",\"precision\":\"\",\"size\":\"133.5 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"Howard Fink\\n00:00:00\\nFrank's a West Coast poet, as you know if you've been reading the entertainment section of the Montreal Star [https://www.wikidata.org/wiki/Q3521910], editor of, founding editor of Tish [https://www.wikidata.org/wiki/Q2384384], and of the Open Letter, prolific poet, and poeticist. His last two books Four Myths for Sam Perry and Weeds are at the publishers', and Myths for Sam Perry will be appearing in a month or so. Without further introduction, Frank Davey [https://www.wikidata.org/wiki/Q1443126].\\n \\nFrank Davey\\n00:00:36\\nThe first poems I'm going to read this evening are ones which came out of my experiences in my first marriage. My own feeling about reading poetry is that the poem is exposed to the audience at a much faster rate than what the poem is when it's on the page, and excuse me, I'm going to give you a fair bit of background material on some of these poems. These are a collection of prose poems.\\n \\nFrank Davey\\n00:01:20\\nReads unnamed poem.\\n \\nFrank Davey\\n00:02:13\\nReads “Counting” [from Weeds].\\n\\nFrank Davey\\n00:03:11\\nReads \\\"The Bandit\\\" [from Weeds]. \\n \\nFrank Davey\\n00:04:08\\nTo me some of these poems are remarkable because at the time I didn't know this marriage was breaking up and some of the, some of the poems as you can see are about experiences other than marriage and suddenly I realize of course as these poems were progressing, in particular toward the end, that the message was certainly that there was something rather infertile in my whole life, I mean even in the next poem I'm going to read, I didn't catch on, I thought, 'oh well, I'll write this poem, I can't really show it to my wife, but you know, so what'.\\n \\nFrank Davey\\n00:04:44\\nReads \\\"Mealtimes\\\" [from Weeds].\\n \\nFrank Davey\\n00:05:46\\nReads \\\"The Place\\\" [from Weeds].\\n \\nFrank Davey\\n00:06:39\\nThese poems actually form a sequence, I'm only giving you certain examples of them and jumping ahead and now the cat is suddenly in the next poem as if it hadn't left.\\n \\nFrank Davey\\n00:06:52\\nReads \\\"The Calling\\\" [from Weeds].\\n \\nFrank Davey\\n00:08:08\\nWell by this point in the sequence, the message was beginning to become more available to me. I was, I admit beginning to understand what I was writing by this point. I've always felt that it's important to write a poem whether or not you realize its significance or its relevance to your own life that you go ahead and write the poem anyway. And in this particular sequence, my own faith that poetry can reveal things to you, that the process of writing poems is a process of discovery, that in fact poems teach the poet, rather than the poet teaching the poems. The poems are wiser than the poet, if you want to look at it that way. This was--seemed to be borne out. \\n\\nFrank Davey\\n00:09:15\\nReads \\\"Leaves\\\" [from Weeds].\\n \\nFrank Davey\\n00:10:25\\nReads \\\"A Letter\\\" [from Weeds].\\n \\nFrank Davey\\n00:11:35\\nReads \\\"Them Apples\\\" [from Weeds].\\n \\nFrank Davey\\n00:12:39\\nReads \\\"I Do Not Write Poems\\\" [from Weeds].\\n \\nFrank Davey\\n00:13:40\\nReads \\\"Red\\\" [from Weeds].\\n \\nFrank Davey\\n00:14:41\\nMany ways experience played into the hands of the poems, very nice that the most disastrous years of that marriage happened to begin in a summertime situation, and to end in winter, so that the seasonal, the cycle of the seasons could play its part in the poem. But on the other hand, perhaps that wasn't accidental. One doesn't want to question these things after they've worked for you. Group of poems that are collected in the book, which Howard Fink spoke about in his introduction, Four Myths for Sam Perry.\\n \\nFrank Davey\\n00:15:39\\nReads \\\"Sentences of Welcome\\\" from Four Myths for Sam Perry.\\n \\nFrank Davey\\n00:17:00\\nI had the fortune, I was going to say good fortune, I had the fortune of being in Los Angeles [https://www.wikidata.org/wiki/Q65] during the Watts Riots in 1965 [https://www.wikidata.org/wiki/Q377682], and living in the riot area. I was very busy at the time and that particular experience I haven't really even begun to deal with.\\n \\nFrank Davey\\n00:17:26\\nReads \\\"Watts, 1965\\\" [from Four Myths for Sam Perry].\\n \\nFrank Davey\\n00:18:34.12\\nAt that time, in Vietnam [https://www.wikidata.org/wiki/Q881], the most contested piece of property was Hill 488. And most of us know that mountains have a peculiar history of being sacred to human beings, Olympus [https://www.wikidata.org/wiki/Q80344], Fuji [https://www.wikidata.org/wiki/Q39231], Sinai [https://www.wikidata.org/wiki/Q377485], there's a mountain in China [https://www.wikidata.org/wiki/Q148] called Tai Shan [https://www.wikidata.org/wiki/Q216059], I believe Confucius [https://www.wikidata.org/wiki/Q4604] made a pilgrimage up this mountain, which is apparently so sacred that the Chinese had carved thousands of steps all the way up to the summit of the mountain. There are mountains, of course, in the Himalayas [https://www.wikidata.org/wiki/Q5451], which house monasteries and which monks so far have successfully prevented anyone from climbing.\\n \\nFrank Davey\\n00:19:39\\nReads \\\"Hill 488\\\" [from Four Myths for Sam Perry].\\n \\nFrank Davey\\n00:20:27\\nDrongo is a purple bird that is peculiar to Southeast Asia [https://www.wikidata.org/wiki/Q11708], one of the things which is never really thought of in times of conflict are all of the more, well very specific natural features of the landscape which of course are threatened by destruction in such times. We think of the problems of the defoliant in South Vietnam, when what they estimate now that more than 10% of the country has been treated with defoliant. We don't think of the individual examples of the flora and fauna which may be threatened with extinction because of this defoliation. Man of course is only one of the many inhabitants of this planet and although it is certainly a despicable thing that the biological function of human beings have been interfered with by the defoliation, children are being born malnourished, these are not the only sufferers. \\n \\nFrank Davey\\n00:21:58\\nReads \\\"The Drongo\\\" [from Four Myths for Sam Perry].\\n \\nUnknown\\n00:23:27\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n\\nFrank Davey\\n00:23:28\\nAnd of course in the middle of this, there are tankers sinking.\\n \\nFrank Davey\\n00:23:35\\nReads \\\"Torrey Canyon\\\" [from Four Myths for Sam Perry].\\n \\nFrank Davey\\n00:24:29\\nWell actually for the past three years I've been writing poems, from the tarot pack. I've been somewhat disappointed to learn that all kinds of other poets have been doing this at the same time. They're getting their stuff into print but I haven't bothered because I was going to do all 88 cards and publish them all at once. At any rate, I'm going to say some more about the tarot pack later but this particular poem comes out of the tarot pack from the Emperor card and has a peculiar affinity to the poems I've just been reading.\\n \\nFrank Davey\\n00:25:20\\nReads \\\"The Emperor\\\" [published later as “Manuscript, 4 December, 1970, title ‘The Emperor’” in Arcana].\\n \\nFrank Davey\\n00:27:03\\nReads \\\"When\\\" [from Four Myths for Sam Perry]\\n \\nFrank Davey\\n00:27:56\\nBut there is also of course, another side of the coin.\\n \\nFrank Davey\\n00:27:59\\nReads \\\"For her, a Spring\\\" [from Four Myths for Sam Perry].\\n \\nFrank Davey\\n00:30:39\\nThe next poem is entitled \\\"A Light Poem\\\". For lack of a better descriptive term, I might call myself an anti-humanist, this is of course the--it's almost become a category, I thought it was unique at one point, but it's become of late a category. I think more and more people are realizing that man is not capable of appointing himself as manager, or he's capable of appointing himself, he's not capable of acting out his self-appointment as manager of this planet. That in fact, his capabilities at managing certain areas create problems that are multiples of the ones he has solved. And that the humanist dream of man through his own rationality creating a nearly utopian existence, coming to understand the workings of the universe in such a way that he can bend them to his own use, but this dream has not going to come true. And of course, one of the ways that this feeling in men has been manifested has been his utilization of light and energy, and well, to the poem. \\\"A Light Poem\\\".\\n \\nFrank Davey\\n00:32:25\\nReads \\\"A Light Poem\\\" [from Four Myths for Sam Perry]..\\n \\nUnknown\\n00:37:24\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n\\nFrank Davey\\n00:37:25\\nRecently I have been writing poems from tarot cards. I have noticed a couple of things about the tarot cards that are very important for the poems. One of these is that the female symbol seems to be the most important symbol in the deck and it seems to suggest that the universe itself is essentially feminine in nature, that the fertility of the universe is feminine. Another aspect of the cards suggests that the nature of the universe is such that all sorts of mysterious things can happen to it without our understanding them. That there are all sorts of forces indicated in these cards that are essentially outside of our control. This poem, entitled \\\"To Win at Cards\\\". Tarot cards are not cards whose primary purpose is to play a game. The decks of cards with which we are all familiar with are cards where you play a game, the object of course of playing cards is to win at cards. And winning of course, is something which we are all brought up to wish, so one of the things about our competitive society that makes it work is that we all want to win. And card games help indoctrinate us in this direction. Cards, can also tell you things, this is the thing that the tarot cards have in common with poetry, is that people don't win in poetry, you don't write a better poem than somebody else in order to win prizes or to--you don't use poems in order to seduce a girl, or you don't use poems in order to accomplish any kind of end outside of the end of writing the poem. If you do, your allegiance is not to the poem and it's to something else and you're prostituting the poem. The only thing which can win at poetry is the poem itself, and this is where the poet ought to apply his effort to, is to helping the poem win.\\n \\nFrank Davey\\n00:40:15\\nReads \\\"To Win at Cards\\\" published later in Arcana].\\n \\nFrank Davey\\n00:41:20\\nThis poem, entitled \\\"The Hermit\\\", one of the figures on the cards. The card happened to cause me to recall a childhood memory of an earthquake.\\n \\nFrank Davey\\n00:41:35\\nReads \\\"The Hermit\\\" [published later in Arcana].\\n \\nFrank Davey\\n00:42:49\\nIt became very clear to me writing these Tarot poems that indeed there were many things outside of one's control and my wife and I were putting together a jigsaw puzzle of the moon, I think it was a satellite photograph of one side of the moon, and things started to go wrong.\\n \\nFrank Davey\\n00:43:16\\nReads [“Luna”, published later in Arcana].\\n \\nFrank Davey\\n00:44:52\\nThroughout history of course, men have been obsessed with the idea of being displaced by another man. Either in the seat--in the kingdom, or in the favors of the special woman in their lives. We have in mythology of course, many myths of Gods being displaced very often by their children. In Greek drama of course, the classical example is the Oedipus [https://www.wikidata.org/wiki/Q130890] myth where Laius [https://www.wikidata.org/wiki/Q463898] and Jocasta [https://www.wikidata.org/wiki/Q131445] have their married lives disrupted by their son, Oedipus. This is a poem about this particular fear. Fear of being displaced by someone younger, very often, fear of being displaced by one's own son, although that's not necessarily integral to the poem.\\n \\nFrank Davey\\n00:45:53\\nReads [\\\"Menelaus, To You\\\", published later in Arcana].\\n \\nFrank Davey\\n00:47:19\\nIf you choose to go to war with the natural environment, strange things happen. “King of Pentacles” is wrapped in a coat of binds.\\n \\nFrank Davey\\n00:47:34\\nReads \\\"King of Pentacles\\\" [published later in Arcana].\\n \\nFrank Davey\\n00:48:44\\nTimes when men do the right things, or seem to do the right things. A poem called \\\"The Caughnawaga Bell\\\".\\n \\nFrank Davey\\n00:48:55\\nReads \\\"The Caughnawaga Bell\\\" [published later in Arcana].\\n \\nFrank Davey\\n00:50:32\\nI'd like to conclude with a couple of poems about the whole problem of writing. It's always a problem for a poet to keep the process of writing going. One of the tricks of poets of course is always to write poems about the fact that the process of writing isn't going. I have a number of these. \\\"The Mountain\\\".\\n \\nFrank Davey\\n00:51:06\\nReads \\\"The Mountain\\\" [from Four Myths for Sam Perry].\\n \\nFrank Davey\\n00:51:50\\nOf course, the thing is, as soon as you begin to pay homage to the fact that you're having trouble writing a poem and express your will to, you are in fact being repaid. As soon as I remembered this myth of Popocatepetl [https://www.wikidata.org/wiki/Q1782392] and you know, the earth literally repaying the boy for his homage representing him with a mountain. If you couldn't grow corn on it, at least you could lure the Yankees down to look at. [Audience laughter].\\n \\nFrank Davey\\n00:52:24\\nReads \\\"The Bells\\\" [from Four Myths for Sam Perry].\\n \\nFrank Davey\\n00:53:33\\nThis poem, entitled \\\"The Making\\\".\\n \\nFrank Davey\\n00:53:41\\nReads \\\"The Making\\\" [from Four Myths for Sam Perry].\\n \\nFrank Davey\\n00:55:34\\nAnd so, I wish you all good winds!\\n \\nEND\\n00:55:37\\n\",\"notes\":\"Frank Davey reads from Four Myths for Sam Perry (Talonbooks, 1970) and Weeds (Coach House Press, 1970), as well as poems published later in Arcana (Coach House Press, 1973).\\n\\n00:00- Howard Fink introduces Frank Davey. [INDEX: West Coast poet, Montreal Star, founding editor of Tish, Open Letter, Four Myths for Sam Perry, Weeds in publication]\\n00:36- Frank Davey introduces poetry reading [INDEX: reading poetry, first marriage, prose poems]\\n01:20- Reads “How We Are” first line “How alone we are from each other...”\\n03:11- Reads “The Bandit”\\n04:08- Introduces next group of poems [INDEX: marriage, process of writing]\\n04:44- Reads “Meal Times”\\n05:46- Reads “The Place”\\n06:39- Explains that poems are in a sequence\\n06:52- Reads “The Calling”\\n08:08- Explains process of writing these poems [INDEX: process of writing]\\n09:15- Reads “Leaves”\\n10:25- Reads “A Letter”\\n11:35- Reads “Them Apples”\\n12:39- Reads “I Do Not Write Poems”\\n13:40- Reads “Red and Where is Love?”\\n14:41- Introduces group of poems from Four Myths for Sam Perry\\n15:39- Reads “Sentences of Welcome”\\n17:00- Introduces “Watts, 1965” [INDEX: Watts Riot in 1965, Los Angeles,]\\n17:26- Reads “Watts, 1965”\\n18:34- Introduces “Hill 488” [INDEX: Vietnam, Hill 488, Olympus, Fuji, Sinai, Tai Shan,        Confucius, Himalayas.]\\n19:39- Reads “Hill 488”\\n20:27- Introduces “The Drongo” [INDEX: Drongo bird, South East Asia, conflict, South       Vietnam, destruction of flora and fauna during war, defoliation]\\n21:58- Reads “The Drongo”\\n23:35- Reads “Torrey Canyon”\\n24:29- Introduces “The Emperor” [INDEX: tarot cards, Emperor card]\\n25:29- Reads “The Emperor”\\n27:03- Reads “When”\\n27:59- Reads “For Her, a Spring”\\n30:39- Introduces “A Light Poem” [INDEX: anti-humanism, light and energy]\\n32:25- Reads “A Light Poem”\\n37:25- Introduces “To Win at Cards” [INDEX: tarot cards]\\n40:15- Reads “To Win at Cards”\\n41:20- Introduces “The Hermit”\\n41:35- Reads “The Hermit”\\n42:49- Introduces “The Moon” first line “When the moon demanded that...” [INDEX: tarot    cards, moon]\\n43:16- Reads “The Moon”\\n44:52- Introduces “A Child” [INDEX: mythology of Oedipus]\\n45:53- Reads “A Child”\\n47:19- Introduces “King of Pentacles”\\n47:34- Reads “King of Pentacles”\\n48:44- Introduces “The Caughnawaga Bell”\\n48:55- Reads “The Caughnawaga Bell”\\n50:32- Introduces “The Mountain” [INDEX: process of writing’]\\n51:06- Reads “The Mountain”\\n51:50- Explains “The Mountain” [INDEX: myth of Popocatepetl ]\\n52:24- Reads “The Bells”\\n53:33- Reads “The Making”\\n55:37.72- END OF RECORDING\\n \\nHoward Fink List:\\nFrank Davey\\nRecorded Feb 6, 1970\\n \\n1.  “How Alone We Are”\\n2.  “Counting”\\n3.  “The Bandit”\\n4.  “Mealtimes”\\n5.  “The Place”\\n6.  “The Calling”\\n7.  “Leaves”\\n8.  “A Letter”\\n9.  “Them Apples”\\n10. “I Do Not Write Poems”\\n11. “Red”\\n12. “Sentences of Welcome”\\n13. “Watts- 1965”\\n14. “Hill 488”\\n15. “The Drongo”\\n16. “Tory Canyon”\\n17. “The Emperor”\\n18. “When”\\n19. “For Her A Spring” (serial poem)\\n20. “A Light Poem” (serial poem)\\n21. “To Win at Cards”\\n22. “The Hermit”\\n23. “The Moon”\\n24. “The Child”\\n25. “The Horned God”\\n26. (something missing) Vines...\\n27. “King of Pentacles”\\n28.“The Caughnawaga Bell”\\n29. “The Mountain”\\n30. “The Bell”\\n31.  “The Making”\\npg. 69\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/frank-davey-at-sgwu-1970-howard-fink/\"}]"],"score":0.01643844},{"id":"1287","cataloger_name":["Bindu,Reddy"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["David Ball and Tom Raworth at Sir George Williams University, The Poetry Series, 4 March 1970"],"item_title_source":["Cataloguer"],"item_title_note":["\"David Ball and Tom Raworth Reading at Sir George Williams University, 1970\" written on sticker on the back of the tape's box: \"BALL & RAWORTH Recorded March 4, 1970 3.75 ips, 1/2 track on 1 mil tape\". \n\n\"Ball, the Raworth. Separated by leader\" also written on sticker on the back of the tape's box. BALL refers to David Ball. \n\n\"DAVID BALL & TOM RAWORTH I006/SR133\" written on sticker on the spine of the tape's box. \n\n\"GLADYS HINDMARCH I006-11-133\" written on sticker on the reel (possible mistake)."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 4"],"item_identifiers":["[]"],"creator_names":["Ball, David","Raworth, Tom"],"creator_names_search":["Ball, David","Raworth, Tom"],"creators":["[{\"url\":\"http://viaf.org/viaf/43626927\",\"name\":\"Ball, David\",\"dates\":\"1942-\",\"notes\":\"David Ball was born on February 27, 1937 in New York, New York. He received his B.A. from Brandeis University in 1959, studied at the Sorbonne, University of Paris, Licence et Lettres in 1964, Docteur en Littérature Générale et Comparée in 1971. He was a lecturer at Smith College, MA, from 1969-1971, an assistant professor from 1971 to 1976, and an associate professor of French from 1976-. In 1959 David Ball was a Fulbright scholar, won a French Government fellowship from 1967 to 1968, and the Eugene M. Warren Poetry Prize from Brandeis University in 1957. Ball’s work appeared in Jazz Poems, an anthology edited by Anselm Hollow in 1963. He also wrote poems and translations to journals including Locus Solus, World, Massachusetts Review, Atlantic Monthly, New Republic, Études Anglaises and Revue de Littérature  Comparée. He served as the editor of Blue Pig magazine. David Ball published a chapbook, We Just Wanted to Tell You with Anselm Hollo  in 1963 (Writers Forum). His first book of verse, Two Poems came out in 1964, published by Matrix Press in London. His books New Topoi, (Buffalo Press,1972), The Mutant Daughter, (Buffalo Press, 1975), Praise of Crazy, (Diana’s bimonthly,1975), The Garbage Poems: From the New Zone in 1976 (Burning Deck), and In Cities (Potato Clock Editions) in 2001 followed. David Ball translated and introduced Leda: In Praise of the Blessings of Darkness (Cheeloniideae Press), by Pierre Louys in 1985 and Darkness Moves: An Henri Michaux Anthology 1927-1984 (University of California Press) in 1994, which won MLA’s Scaglione Prize for Outstanding Translation of a Literary Work in 1996. Other translations include Pierre Loti’s Constantinople: The Way It Was (Unlem Press) and The Green Mosque at Bursa in 2006, and Abdourahman A. Waberi’s In the United States of Africa (University of Nebraska Press) in 2009. Most recently he translated Alfred Jarry’s Ubu the King in the spring of 2009. David Ball is a member of PEN American Center. \",\"nation\":[],\"role\":[\"Performer\",\"Author\"]},{\"url\":\"https://viaf.org/viaf/79047481\",\"name\":\"Raworth, Tom\",\"dates\":\"1938-2017\",\"notes\":\"Poet Tom Raworth was born in 1938 and grew up in the outskirts of London. Raworth left grammar school at sixteen and pursued many odd jobs, frequented all-night jazz clubs while writing a collaborative secret-agent novel in addition to his own poetry. He married in the late 50’s and had three children. In 1963 he was publishing and printing his own magazine, Outburst, meeting the likes of Michael Horowitz, Anselm Hollo, David Ball, publishing Robert Creeley, Ed Dorn, Charles Olson, LeRoi Jones and Gregory Corso. His first book of verse, The Minicab War (Matrix Press) was a collaboration with Hollo and Corso in 1961. Under Matrix Press, he published Dorn’s From Gloucester Out, and Hollo’s History. Raworth met Barry Hall and in 1965, they formed Goliard Press and published books by Charles Olson, and Ron Padgett. Jonathan Cape’s publishing house and Goliard merged in 1967, becoming Cape Goliard Press, publishing Olson’s The Maximus Poems in 1970. The Relation Ship (Cape Goliard Press) was published in 1966, re-printed in 1969, and drew the attention of Donald Davie and Dorn at University of Essex, who offered him the opportunity to continue his education. The Relation Ship won the Alice Hunt Bartlett prize in 1969. Raworth also published smaller collections of poetry, Continuation in 1966 (Goliard), Haiku (another collaboration with Hollo and John Esam) in 1968 (Trigram Press), and Betrayal in 1969. A Serial Biography (Fulcrum Press) published in 1969 spawned from a correspondence with Ed Dorn, and culminated with correspondences from letters with Park magazine. Written in 1968 while Raworth was studying Spanish at the University of Granada, (through the University of Essex), Lion Lion (Trigram Press) was published in 1970. Over the subsequent two decades, Raworth took up position as poet-in-residence at King’s College, Cambridge for a year, and published over a dozen other books, including Ace (The Figures Press, 1974), Cloister (Sand Project Press, 1975), Logbook (Poltroon Press, 1977), Nicht Wahr, Rosie? (Poltroon Press,1980), and Lazy Left Hand: Notes from 1970-1975 (Actual Size Press,1986). His poems were later compiled in Collected Poems (Carcanet, 2003). Raworth died in 2017.\",\"nation\":[],\"role\":[\"Performer\",\"Author\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/1461/Screen Shot 2020-10-05 at 6.02.21 PM.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"Half-track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"Dates":["[{\"date\":\"1970 3 4\",\"type\":\"Performance Date\",\"notes\":\"Date written on sticker on the back of the tape's box. Previous researcher specifies March 2, 1970 as date. Possible mistake.\\n\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Room H-651\",\"notes\":\"\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Room H-651"],"City":["Montreal, Quebec"],"content_notes":["David Ball reads from unknown sources. Tom Raworth reads from The Relation Ship (Cape Goliard Press, 1969), The Big Green Day (Trigram, 1968),  Lion Lion (Trigram, 1970), as well as poems later published in Moving (Cape Goliard Press, 1971)."],"contents":["david_ball_tom_raworth_i006-11-133.mp3\n\nIntroducer\n00:00:00\nDavid Ball is currently a professor of French at Smith College [https://www.wikidata.org/wiki/Q49204], he has published his poetry in the Atlantic Monthly [https://www.wikidata.org/wiki/Q1542536], and Locus Solus [https://www.wikidata.org/wiki/Q6666062], Poor.Old.Tired.Horse [https://www.wikidata.org/wiki/Q64866104], Blue Pig which he was co-editor, Outburst, Jazz Poems, [The Wyvenhoe (?)] Park Review, etc, etc and a wide variety of publications. He has two tiny books that were published in London [https://www.wikidata.org/wiki/Q84], we just wanted to tell you, and two and he has two long, long poems that are published by the Matrix Press, and a long poem, titled “The Boring Poems”, which he will read tonight. This will also be published in Copenhagen [https://www.wikidata.org/wiki/Q1748] with a French title. David Ball has spent the last ten years in Paris [https://www.wikidata.org/wiki/Q90]. He has some other poem sequences which have been published along with Tom Raworth [https://www.wikidata.org/wiki/Q7817338] and others and he has worked with Tom Raworth on the translation of several of Rene Char's poems, one of which received an accolade from René Char [https://www.wikidata.org/wiki/Q315015] himself. We give you David Ball.\n\nDavid Ball\n00:01:40\nReads unnamed poem [series].\n\nDavid Ball\n00:11:34\nFrom Anti-Tish happenings, “The Second”. \n\nDavid Ball\n00:11:38\nReads \"The Second\".\n\nDavid Ball\n00:13:25\nThat's the end of the New Zone poems\n\nDavid Ball\n00:13:28\nReads unnamed poem [series].\n\nUnknown\n00:18:17\nSilence [cut or edit in tape].\n\nIntroducer\n00:18:26\nTom Raworth is a central figure in the emergence of the British Avant-Garde, he is also well represented in most forward North American publications, he was the editor of the underground Goliard Press before it was taken up as the revolutionary branch of Johnathan Cape [https://www.wikidata.org/wiki/Q3277534] books, and his own publications include The Relation Ship, The Big Green Day and most recently, Lion, Lion , poetry that along with that of Anselm Hollo [https://www.wikidata.org/wiki/Q252476], and Turnbull [https://www.wikidata.org/wiki/Q5516589] will define what happened in the British verse of the 60's. Cape Goliard has also published his Serial Biography which is a most exciting experiment on the British prose scene, and he is also one of the first poets to be heard on Steam Records, a series of LPs presenting leading American and British poets reading their works. This year, he is poet in residence at Essex [https://www.wikidata.org/wiki/Q1075104].\n\nTom Raworth\n00:19:40\nThis is a poem called \"My Face is My Own, I Thought\".\n\nTom Raworth\n00:19:44\nReads \"My Face is My Own, I Thought\" [from The Relation Ship].\n\nTom Raworth\n00:20:19\nThese are two poems about children, the first poem's called \"Three\".\n\nTom Raworth\n00:20:26\nReads \"Three\" [from The Relation Ship].\n\nTom Raworth\n00:20:51\nReads \"Morning\" from The Relation Ship. \n\nTom Raworth\n00:21:17\nReads \"The Third Retainer\" [from The Relation Ship]. \n\nTom Raworth\n00:21:54\nReads \"September Morning\" [from The Relation Ship]. \n\nTom Raworth\n00:22:40\nThis poem is called \"Shoes\".\n\nTom Raworth\n00:22:51\nReads \"Shoes\" [from The Big Green Day].\n\nTom Raworth\n00:23:35\nThis is a poem in eight parts called \"Love Poem\".\n\nTom Raworth\n00:23:43\nReads \"Love Poem\" [from The Big Green Day].\n\nTom Raworth\n00:25:06\nThis is a short poem called \"Georgia on My Mind\".\n\nTom Raworth\n00:25:10\nReads \"Georgia on My Mind\" [from The Big Green Day].\n\nTom Raworth\n00:25:32\nThis is a poem called \"Got Me\" which is difficult to read because the last part of the poem is the first part of it, corrected.\n\nTom Raworth\n00:25:43\nReads \"Got Me\" [from The Big Green Day].\n\nTom Raworth\n00:26:17\nThis poem is called \"Wham! The Race Begins\".\n\nTom Raworth\n00:26:24\nReads \"Wham! The Race Begins\" [from The Big Green Day].\n\nTom Raworth\n00:26:53\nReads \"Hot Day at the Races\" [from The Big Green Day].\n\nTom Raworth\n00:27:50\nI’ll just read a few poems from a book called Lion, Lion. The quote from the beginning is from an old poem from Gregory Corso [https://www.wikidata.org/wiki/Q470871]., called “Dementia in an African Apartment House”. \n\nTom Raworth\n00:28:02\nReads “Dementia in an African Apartment House” by Gregory Corso. \n\nTom Raworth\n00:28:10\nThe first poem is called \"Lion, Lion\".\n\nTom Raworth\n00:28:13\nReads \"Lion, Lion\" from Lion, Lion. \n\nTom Raworth\n00:28:27\nThis is a poem in four parts called \"Traveling\".\n\nTom Raworth\n00:28:35\nReads \"Traveling\" [from Lion, Lion].\n\nTom Raworth\n00:29:23\nReads \"The Plaza in the Flaming Orange Trees\" [from Lion, Lion].\n\nTom Raworth\n00:30:08\nThis poem is called \"Dear Sir, Flying Saucers, Flying Saucers, Flying Saucers\".\n\nTom Raworth\n00:30:14\nReads \"Dear Sir, Flying Saucers, Flying Saucers, Flying Saucers\" [from Lion, Lion].\n\nTom Raworth\n00:30:53\nThis is called \"King of the Snow\".\n\nTom Raworth\n00:30:58\nReads \"King of the Snow\" [from Lion, Lion].\n\nTom Raworth\n00:31:39\nReads \"South America\" [from Lion, Lion].\n\nTom Raworth\n00:33:00\nThis is a poem called \"Claudette Colbert by Billy Wilder”, and all the lines are just by Billy Wilder [https://www.wikidata.org/wiki/Q51547], they're from films that he made with Claudette Colbert https://www.wikidata.org/wiki/Q203819].\n\nTom Raworth\n00:33:15\nReads \"Claudette Colbert by Billy Wilder” [from Lion, Lion].\n\nTom Raworth\n00:34:12\nThe last poem in Lion, Lion is called \"Vensuramos\".\n\nTom Raworth\n00:34:16\nReads \"Vensuramos\" from Lion, Lion.\n\nTom Raworth\n00:34:46\nI'll just read a few poems from, that I've been working on recently, that's a sequence called “Into the Living Sea” from a poem by John Clare [https://www.wikidata.org/wiki/Q981572] called \"I Am\", the middle stanza of which goes \"Into the nothingness of scorn and noise, into the living sea of waking dream, where there is neither sense of life, nor joys, but the huge shipwreck of my own esteem, and all that's dear, even those that I love the best are strange, nay, they are stranger than the rest\". The first poem is called \"The Moon Upon the Waters\". \n\nTom Raworth\n00:35:27\nReads \"The Moon Upon the Waters\" [published later in Moving].\n\nTom Raworth\n00:36:35\nReads \"Reverse Map\" [published later in Moving].\n\nTom Raworth\n00:37:21\nReads \"Who Would True Valour See\" [published later in Moving].\n\nTom Raworth\n00:37:56\nReads \"The Corpse in My Head\" [published later in Moving].\n\nTom Raworth\n00:38:33\nThis is a poem called \"Helpston, £9,850 Stone Built Residence\".\n\nTom Raworth\n00:38:42\nReads \"Helpston, £9,850 Stone Built Residence\" [published later in Moving].\n\nTom Raworth\n00:39:26\nThis is just a short poem called \"The Stroboscopic Forest Light Plays\" .\n\nTom Raworth\n00:39:30\nReads \"The Stroboscopic Forest Light Plays\" [published later in Moving].\n\nTom Raworth \n00:39:40\nI'll just read two more poems. This one's called \"Purely Personal\".\n\nTom Raworth\n00:39:46\nReads \"Purely Personal\" [published later in Moving].\n\nTom Raworth\n00:40:19\nThe last poem's called \"Notes of the Song / Ain't Gonna Stay in This Town Long\".\n\nTom Raworth\n00:40:23\nReads \"Notes of the Song / Ain't Gonna Stay in This Town Long\" [published later in Moving].\n\nEND\n00:40:45\n"],"Note":["[{\"note\":\"Year-Specific Information:\\n\\nDavid Ball was a lecturer at Smith College, Massachusetts in 1970. \\n\\nTom Raworth was the poet-in-residence at the University of Essex. Lion Lion was also published in 1970. \",\"type\":\"General\"},{\"note\":\"Local Connections:\\n\\nBall--Unknown connection to Canadian, Montreal, and Sir George Williams University poetry scene at this point.\\n\\nRaworth--No known connections to Canadian/Montreal/Concordia poetry scene, however he was connected to David Ball. Tom Raworth was an important poet and publisher of poetry and experimental works, publishing the work of Robert Creeley, Ed Dorn, Charles Olson, Anselm Hollo and Gregory Corso. \",\"type\":\"General\"},{\"note\":\"Original transcript, research, introduction and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Faith Paré (2020) & Ali Barillaro (2021)\\n\",\"type\":\"Cataloguer\"},{\"note\":\"Reel-to-reel tape>CD>digital file\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/big-green-day/oclc/640029679&referer=brief_results\",\"citation\":\"Raworth, Tom. The Big Green Day: Poems. London: Trigram Press, 1968. \"},{\"url\":\"https://www.worldcat.org/title/relation-ship-poems/oclc/23061569&referer=brief_results\",\"citation\":\"Raworth, Tom. The Relation Ship. London: Goliard Press, 1969. \"},{\"url\":\"\",\"citation\":\"\\\"David Ball.\\\" Contemporary Authors Online. Detroit: Gale, 2001. \"},{\"url\":\"\",\"citation\":\"Robinson, Kit. \\\"Thomas Moore Raworth.\\\" Poets of Great Britain and Ireland Since 1960. Ed. Vincent B. Sherry. Dictionary of Literary Biography. Vol. 40. Detroit: Gale Research, 1985. \"},{\"url\":\"https://www.worldcat.org/title/lion-lion/oclc/941047536&referer=brief_results\",\"citation\":\"Raworth, Tom. Lion Lion. London: Tigram Press, 1970. \"},{\"url\":\"https://www.worldcat.org/title/moving/oclc/154144?referer=di&ht=edition\",\"citation\":\"Raworth, Tom. Moving. London: Cape Goliard Press, 1971.\"}]"],"_version_":1853670548978008064,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0133_back.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0133_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Ball and Raworth Tape Box - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0133_front.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0133_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Ball and Raworth Tape Box - Front\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0133_side.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0133_side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Ball and Raworth Tape Box - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0133_tape.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0133_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Ball and Raworth Tape Box - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/david_ball_tom_raworth_i006-11-133.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"david_ball_tom_raworth_i006-11-133.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:40:45\",\"precision\":\"\",\"size\":\"97.8 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"Introducer\\n00:00:00\\nDavid Ball is currently a professor of French at Smith College [https://www.wikidata.org/wiki/Q49204], he has published his poetry in the Atlantic Monthly [https://www.wikidata.org/wiki/Q1542536], and Locus Solus [https://www.wikidata.org/wiki/Q6666062], Poor.Old.Tired.Horse [https://www.wikidata.org/wiki/Q64866104], Blue Pig which he was co-editor, Outburst, Jazz Poems, [The Wyvenhoe (?)] Park Review, etc, etc and a wide variety of publications. He has two tiny books that were published in London [https://www.wikidata.org/wiki/Q84], we just wanted to tell you, and two and he has two long, long poems that are published by the Matrix Press, and a long poem, titled “The Boring Poems”, which he will read tonight. This will also be published in Copenhagen [https://www.wikidata.org/wiki/Q1748] with a French title. David Ball has spent the last ten years in Paris [https://www.wikidata.org/wiki/Q90]. He has some other poem sequences which have been published along with Tom Raworth [https://www.wikidata.org/wiki/Q7817338] and others and he has worked with Tom Raworth on the translation of several of Rene Char's poems, one of which received an accolade from René Char [https://www.wikidata.org/wiki/Q315015] himself. We give you David Ball.\\n\\nDavid Ball\\n00:01:40\\nReads unnamed poem [series].\\n\\nDavid Ball\\n00:11:34\\nFrom Anti-Tish happenings, “The Second”. \\n\\nDavid Ball\\n00:11:38\\nReads \\\"The Second\\\".\\n\\nDavid Ball\\n00:13:25\\nThat's the end of the New Zone poems\\n\\nDavid Ball\\n00:13:28\\nReads unnamed poem [series].\\n\\nUnknown\\n00:18:17\\nSilence [cut or edit in tape].\\n\\nIntroducer\\n00:18:26\\nTom Raworth is a central figure in the emergence of the British Avant-Garde, he is also well represented in most forward North American publications, he was the editor of the underground Goliard Press before it was taken up as the revolutionary branch of Johnathan Cape [https://www.wikidata.org/wiki/Q3277534] books, and his own publications include The Relation Ship, The Big Green Day and most recently, Lion, Lion , poetry that along with that of Anselm Hollo [https://www.wikidata.org/wiki/Q252476], and Turnbull [https://www.wikidata.org/wiki/Q5516589] will define what happened in the British verse of the 60's. Cape Goliard has also published his Serial Biography which is a most exciting experiment on the British prose scene, and he is also one of the first poets to be heard on Steam Records, a series of LPs presenting leading American and British poets reading their works. This year, he is poet in residence at Essex [https://www.wikidata.org/wiki/Q1075104].\\n\\nTom Raworth\\n00:19:40\\nThis is a poem called \\\"My Face is My Own, I Thought\\\".\\n\\nTom Raworth\\n00:19:44\\nReads \\\"My Face is My Own, I Thought\\\" [from The Relation Ship].\\n\\nTom Raworth\\n00:20:19\\nThese are two poems about children, the first poem's called \\\"Three\\\".\\n\\nTom Raworth\\n00:20:26\\nReads \\\"Three\\\" [from The Relation Ship].\\n\\nTom Raworth\\n00:20:51\\nReads \\\"Morning\\\" from The Relation Ship. \\n\\nTom Raworth\\n00:21:17\\nReads \\\"The Third Retainer\\\" [from The Relation Ship]. \\n\\nTom Raworth\\n00:21:54\\nReads \\\"September Morning\\\" [from The Relation Ship]. \\n\\nTom Raworth\\n00:22:40\\nThis poem is called \\\"Shoes\\\".\\n\\nTom Raworth\\n00:22:51\\nReads \\\"Shoes\\\" [from The Big Green Day].\\n\\nTom Raworth\\n00:23:35\\nThis is a poem in eight parts called \\\"Love Poem\\\".\\n\\nTom Raworth\\n00:23:43\\nReads \\\"Love Poem\\\" [from The Big Green Day].\\n\\nTom Raworth\\n00:25:06\\nThis is a short poem called \\\"Georgia on My Mind\\\".\\n\\nTom Raworth\\n00:25:10\\nReads \\\"Georgia on My Mind\\\" [from The Big Green Day].\\n\\nTom Raworth\\n00:25:32\\nThis is a poem called \\\"Got Me\\\" which is difficult to read because the last part of the poem is the first part of it, corrected.\\n\\nTom Raworth\\n00:25:43\\nReads \\\"Got Me\\\" [from The Big Green Day].\\n\\nTom Raworth\\n00:26:17\\nThis poem is called \\\"Wham! The Race Begins\\\".\\n\\nTom Raworth\\n00:26:24\\nReads \\\"Wham! The Race Begins\\\" [from The Big Green Day].\\n\\nTom Raworth\\n00:26:53\\nReads \\\"Hot Day at the Races\\\" [from The Big Green Day].\\n\\nTom Raworth\\n00:27:50\\nI’ll just read a few poems from a book called Lion, Lion. The quote from the beginning is from an old poem from Gregory Corso [https://www.wikidata.org/wiki/Q470871]., called “Dementia in an African Apartment House”. \\n\\nTom Raworth\\n00:28:02\\nReads “Dementia in an African Apartment House” by Gregory Corso. \\n\\nTom Raworth\\n00:28:10\\nThe first poem is called \\\"Lion, Lion\\\".\\n\\nTom Raworth\\n00:28:13\\nReads \\\"Lion, Lion\\\" from Lion, Lion. \\n\\nTom Raworth\\n00:28:27\\nThis is a poem in four parts called \\\"Traveling\\\".\\n\\nTom Raworth\\n00:28:35\\nReads \\\"Traveling\\\" [from Lion, Lion].\\n\\nTom Raworth\\n00:29:23\\nReads \\\"The Plaza in the Flaming Orange Trees\\\" [from Lion, Lion].\\n\\nTom Raworth\\n00:30:08\\nThis poem is called \\\"Dear Sir, Flying Saucers, Flying Saucers, Flying Saucers\\\".\\n\\nTom Raworth\\n00:30:14\\nReads \\\"Dear Sir, Flying Saucers, Flying Saucers, Flying Saucers\\\" [from Lion, Lion].\\n\\nTom Raworth\\n00:30:53\\nThis is called \\\"King of the Snow\\\".\\n\\nTom Raworth\\n00:30:58\\nReads \\\"King of the Snow\\\" [from Lion, Lion].\\n\\nTom Raworth\\n00:31:39\\nReads \\\"South America\\\" [from Lion, Lion].\\n\\nTom Raworth\\n00:33:00\\nThis is a poem called \\\"Claudette Colbert by Billy Wilder”, and all the lines are just by Billy Wilder [https://www.wikidata.org/wiki/Q51547], they're from films that he made with Claudette Colbert https://www.wikidata.org/wiki/Q203819].\\n\\nTom Raworth\\n00:33:15\\nReads \\\"Claudette Colbert by Billy Wilder” [from Lion, Lion].\\n\\nTom Raworth\\n00:34:12\\nThe last poem in Lion, Lion is called \\\"Vensuramos\\\".\\n\\nTom Raworth\\n00:34:16\\nReads \\\"Vensuramos\\\" from Lion, Lion.\\n\\nTom Raworth\\n00:34:46\\nI'll just read a few poems from, that I've been working on recently, that's a sequence called “Into the Living Sea” from a poem by John Clare [https://www.wikidata.org/wiki/Q981572] called \\\"I Am\\\", the middle stanza of which goes \\\"Into the nothingness of scorn and noise, into the living sea of waking dream, where there is neither sense of life, nor joys, but the huge shipwreck of my own esteem, and all that's dear, even those that I love the best are strange, nay, they are stranger than the rest\\\". The first poem is called \\\"The Moon Upon the Waters\\\". \\n\\nTom Raworth\\n00:35:27\\nReads \\\"The Moon Upon the Waters\\\" [published later in Moving].\\n\\nTom Raworth\\n00:36:35\\nReads \\\"Reverse Map\\\" [published later in Moving].\\n\\nTom Raworth\\n00:37:21\\nReads \\\"Who Would True Valour See\\\" [published later in Moving].\\n\\nTom Raworth\\n00:37:56\\nReads \\\"The Corpse in My Head\\\" [published later in Moving].\\n\\nTom Raworth\\n00:38:33\\nThis is a poem called \\\"Helpston, £9,850 Stone Built Residence\\\".\\n\\nTom Raworth\\n00:38:42\\nReads \\\"Helpston, £9,850 Stone Built Residence\\\" [published later in Moving].\\n\\nTom Raworth\\n00:39:26\\nThis is just a short poem called \\\"The Stroboscopic Forest Light Plays\\\" .\\n\\nTom Raworth\\n00:39:30\\nReads \\\"The Stroboscopic Forest Light Plays\\\" [published later in Moving].\\n\\nTom Raworth \\n00:39:40\\nI'll just read two more poems. This one's called \\\"Purely Personal\\\".\\n\\nTom Raworth\\n00:39:46\\nReads \\\"Purely Personal\\\" [published later in Moving].\\n\\nTom Raworth\\n00:40:19\\nThe last poem's called \\\"Notes of the Song / Ain't Gonna Stay in This Town Long\\\".\\n\\nTom Raworth\\n00:40:23\\nReads \\\"Notes of the Song / Ain't Gonna Stay in This Town Long\\\" [published later in Moving].\\n\\nEND\\n00:40:45\\n\",\"notes\":\"David Ball reads from unknown sources. Tom Raworth reads from The Relation Ship (Cape Goliard Press, 1969), The Big Green Day (Trigram, 1968),  Lion Lion (Trigram, 1970), as well as poems later published in Moving (Cape Goliard Press, 1971).\\n\\nList of Poems Read and Time Stamps\\n00:00 - Unknown Male introduces David Ball [INDEX: David Ball-- Professor of French at\\nSmith College, Atlantic Monthly Magazine, Locus Solus Journal, Poor.Old.Tired.Horse Magazine, Blue Pig Press, Outburst Magazine, Jazz Poems Magazine, the Wyvenhoe Park Press, Matrix Press, The Boring Poems published in Copenhagen, Paris/ Tom Raworth-- Translation of Rene Char’s poetry\\n01:40 - David Ball reads first line “The Smell of printer’s ink was more than...”\\n11:38 - Reads “The Second” [INDEX: anti-tish happenings]\\n13:28 - Reads first line “One: Stone face of..” (series)\\n18:26 - Unknown Male introduces Tom Raworth [INDEX: Tom Raworth: British Avant Guard,Goliard Press, Johnathan Cape Books, books by: The Relation Ship, The big green day, Lion, Lion, Anslem Hollo, British Verse of the 60’s, Steam Records LP, Poet in residence at Essex (1971), Outburst Magazine]\\n19:44 - Tom Raworth reads “My Face is My Own, I Thought” [INDEX: The Relation Ship]\\n20:19 - Introduces “Three” and “Morning”\\n20:26 - Reads “Three” [INDEX: The Relation Ship]\\n20:51 - Reads “Morning” [INDEX: The Relation Ship]\\n21:17 - Reads “The Third Retainer” [INDEX: The Relation Ship]\\n21:54 - Reads “September Morning” [INDEX: The Relation Ship]\\n22:40 - Reads “Shoes” [INDEX: Into the Living Sea]\\n23:35 - Reads “Love Poem” [INDEX: Into the Living Sea]\\n25:06 - Reads “Georgia On My Mind” [INDEX: Into the Living Sea]\\n25:32 - Introduces “Got Me” [INDEX: Into the Living Sea]\\n25:43 - Reads “Got Me”\\n26:17- Reads “Wham! The Race Begins” [INDEX: Into the Living Sea]\\n26:53 - Reads “Hot Day at the Races” [INDEX: the big green day]\\n27:50 - Introduces “Lion Lion” [INDEX: poem “Dementia in an African Apartment House” \\nby Gregory Corso]\\n28:02 - Reads Gregory Corso poem, “Dementia in an African Apartment House”\\n28:10 - Reads “Lion, Lion”\\n28.27 - Reads “Traveling”\\n29:23 - Reads “The Plaza in the Flaming Orange Trees”\\n30:08 - Reads “Dear Sir, Flying Saucers, Flying Saucers, Flying Saucers”\\n30:53 - Reads “King of the Snow”\\n31:39 - Reads “South America”\\n33:00 - Introduces “Claudette Colbert by Billy Wilder”\\n33:15 - Reads “Claudette Colbert by Billy Wilder”\\n34:12 - Reads “Vensuramos”\\n34:46 - Introduces “The Moon Upon the Waters” [INDEX: Into the Living Sea, poem by Jon Clare “I Am”]\\n35:27 - Reads “The Moon Upon the Waters”\\n36:35 - Reads “Reverse Map” [INDEX: Into the Living Sea]\\n37:21 - Reads “Who Would True Valor See” [INDEX: Into the Living Sea]\\n37:56 - Reads “The Corpse in My Head” [INDEX: Into the Living Sea]\\n38:33 - Reads “Helpston,£9,850. Stone Built Residence” [INDEX: Into the Living Sea]\\n39:26 - Reads “The Stroboscopic Forest Light Plays” [INDEX: Into the Living Sea]\\n39:40 - Reads “Purely Personal” [INDEX: Into the Living Sea]\\n40:19 - Reads “Notes of the Song: Ain’t Gunna Stay in This Town Long” [INDEX: Into the Living Sea]\\n40:45 - END OF RECORDING\\n\\nHoward Fink list of poems:\\n4/3/70\\non one 5”, mono, single track, tape, @ 3 3/4 ips, lasting 65 mins.\\nDavid Ball:\\n1. First line “The smell of printers ink was more...”\\n2. “The Second”\\n3. First line “Stone face of...”\\n\\nTom Raworth:\\n1. “My Face is My Own Thought”\\n2. “Three”\\n3. “Morning”\\n4. “The Third Retainer”\\n5. “September Morning”\\n6. “Shoes”\\n7. “Love Poem”\\n8. “Georgia on My Mind”\\n9. “Got Me”\\n10. “Wham! The Race Begins”\\n11 .“Hot Day at the Races”\\n12. “Lion Lion”\\n13.“Travelling”\\n14.“The Plaza in the Flaming Orange Trees:\\n15.“Dear Sir, Flying Saucers, Flying Saucers, Flying Saucers.\\n16.“King of Snow”\\n17.“South America”\\n18.“Claud et Colbert” by Billy Wilder\\n19. First line “Death came as the lion spoke...”\\n20. “The Moon upon the Waters”\\n21. “Reverse Map”\\n22. First Line “Everything is done to the ticking of a clock...”\\n23.“The Corps in My Head”\\n24. First Line “The view is again...\\n25. First Line “Gentlt (?) the walk to the door...”\\n26.“Purely Personal”\\n27.“Notes of the Song: Ain’t going to stay in this town long”\\n\\n* Second page of Tom Raworth poems (discrepancies)\\n1. “My Face Is My Own, I Thought”\\n7. “Love Poem” (serial poem)\\n13. “Travelling” (serial poem)\\n14. “The Flowers Are In The Flaming Orange Trees”\\n16. “King of the Snow”\\n18. “Claudette Colbert”\\n19. “Vensuramos”\\n20. “Into The Living Sea”\\n21. “The Moon Upon the Waters”\\n22. “Who Would True Valor See”\\n23. “The Corps In My Head”\\n24. “Help....Stone Residence” (something lost)\\n25. “The Strob Light Blaze”\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/david-ball-tom-raworth/\"}]"],"score":0.01643844},{"id":"1288","cataloger_name":["Bindu,Reddy"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":[" Al Purdy at Sir George Williams University, The Poetry Series, 13 March 1970"],"item_title_source":["Cataloguer"],"item_title_note":["\"AL PURDY Recorded March 13, 1970 3.75 ips, 1/2 tracl on 1 mil. tape\" written on sticker on the back of the tape's box. \"AL PURDY I006/SR37.1\" written on sticker on the spine of the tape's box. \n"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 4"],"item_identifiers":["[]"],"creator_names":["Purdy, Alfred Wellington"],"creator_names_search":["Purdy, Alfred Wellington"],"creators":["[{\"url\":\"http://viaf.org/viaf/7398775\",\"name\":\"Purdy, Alfred Wellington\",\"dates\":\"1918-2000\",\"notes\":\"Canadian poet Al Purdy was born on December 30, 1918, in Wooler, Ontario of United Empire Loyalists. Purdy attended Dufferin Public school in Trenton, Albert Collegiate in Belleville and Trenton Collegiate Institute, writing poems along the way. During the Second World War, Purdy enrolled in the RCAF, serving most at the remote base Woodcock, on the Skeena River in northern British Columbia. Purdy married Eurithe Mary Jane Parkurst in 1941, and they had a son, Alfred. His first collection of poems was The Enchanted Echo (Clarke & Stuart Company, 1944), but it was his second collection, Pressed on Sand (Ryerson Press, 1955) that showcased Purdy’s literary accomplishment. Despite this, he worked odd jobs across the country, and published poems and short stories in magazines like North and The Beaver. Purdy received his first Canada Council grant in 1960, and published Poems for all the Annettes (Contact Press, 1962) and The Cariboo horses (McClelland & Stewart, 1965) which won a Governor General’s Award. His next publication, North of summer: poems from Baffin Island (McClelland & Stewart, 1967) came out of a second Canada Council Grant, which he spent in the Baffin Islands, and was followed by Wild Grape Wine (McClelland & Stewart, 1968). That year, Purdy also became an editor for the Tamarack Review, an anthology, The New Romans, and Fifteen Winds. Purdy has published dozens more collections of poetry along with writing in other genres, including In search of Owen Roblin (McClelland & Stewart, 1974), autobiographical essays, No Other Country (McClelland & Stewart, 1977), Being alive: poems 1958-78 (McClelland & Stewart, 1978), a memoir, Morning and it’s summer (1983), a collection of letters, The Bukowski/Purdy letters 1964-1984 (Quadrant Editions, 1983), his only novel A Splinter in the Heart (McClelland & Stewart, 1990), a selection of prose recollections, Reaching for the Beaufort Sea: an autobiography (Harbour Publishing,1993), and Starting from Ameliasburgh: the collected prose of Al Purdy (Harbour Publishing, 1995). Purdy’s The Collected Poems of Al Purdy, 1956-1986 (McClelland & Stewart, 1986) won his second Governor General’s Award, and he was appointed to the Order of Canada in 1982 and the Order of Ontario in 1987. Dividing most of his time between North Saanich, B.C. and Roblin Lake, Ontario, Purdy supported himself through his poetry, guest lecturing, readings and editing. Al Purdy died in North Saanich, on April 21, 2000. His last collection of poetry, Beyond Remembering: The Collected Poems of Al Purdy (Harbour Publishing, 2000) was released posthumously. The Voice of the Land Award was created to honour Purdy’s contributions to Canadian poetry.\",\"nation\":[],\"role\":[\"Performer\",\"Author\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"Presenter_name":["Bowering, George"],"Series_organizer_name":["Bowering, George"],"Performance_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"Half-track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"Dates":["[{\"date\":\"1970 3 13\",\"type\":\"Performance Date\",\"notes\":\"Date written on sticker on the back of the tape's box. Date also specified in written announcement \\\"Poetry Four: Sir George Williams Poetry Series\\\"\\n\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Room H-651\",\"notes\":\"Location specified in written announcement \\\"Poetry Four: Sir George Williams Poetry Series\\\"\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Room H-651"],"City":["Montreal, Quebec"],"content_notes":["Al Purdy reads from a wide variety of his books, including Selected Poems (McClelland and Stewart, 1972), Love in a Burning Building (McClelland and Stewart, 1970), The Cariboo Horses (McClelland and Stewart, 1965), Poems for all the Annettes (Contact Press, 1962), and North of Summer (McClelland and Stewart, 1967)."],"contents":["al_purdy_i006-11-037-1.mp3\n\nGeorge Bowering\n00:00:00\nAs you know, the reader tonight is Al Purdy [https://www.wikidata.org/wiki/Q4704621], a man who's been described as, by Doug Featherling, as the most Canadian of all possible poets. And who has, as they say, paid his dues, and in that time, won all the prizes, like the President's Medal [https://www.wikidata.org/wiki/Q39089691], and the Governor General's Award [https://www.wikidata.org/wiki/Q283256], and countless numbers of Canada Council [https://www.wikidata.org/wiki/Q2993809] Grants and all those other things that come to you. [Laughter]. Currently, I don't know if whether or not I'm supposed to mention this or not, but currently making an excursion amongst the academics at...in other words, straightening people out at Simon Fraser University [https://www.wikidata.org/wiki/Q201603]. And a very welcome addition to our series. Al Purdy. \n \nUnknown\n00:00:55\n[Cut or edit in tape. Unknown amount of time elapsed]. \n \nAl Purdy\n00:00:56\nWhen I started to write poems about sixty-eight years ago, Bliss Carman [https://www.wikidata.org/wiki/Q3068116] was the only one writing. So I imitated Bliss Carman, and this first poem is a sort of imitation of Bliss Carman. [Audience laughter]. And there are hardly any new poems in there because it takes me two years to revise them for two years and then conclude them in a reading, and then besides which as George [https://www.wikidata.org/wiki/Q1239280] said, I've joined the academics because all the American members of the department at Simon Fraser have guilty consciences so they wanted a Canadian on staff [audience laughter].  \"About being a member of our armed forces\". This is, this is thirty years after I started to write poems. Remember--Oh, I should say, there are two, three phrases in this that would not ordinarily be understood by you people. \"Zombies,\" who were conscripts in the last war, and well, the CWACs were women members, Canadian Women's Army Corp [https://www.wikidata.org/wiki/Q5030688]. And during the early part of the last war, there were no rifles. So they used wooden rifles to drill with. \n \nAl Purdy\n00:02:09\nReads \"About Being a Member of Our Armed Forces\" [from Selected Poems; audience laughter throughout].\n \nAl Purdy\n00:03:29\nAs I said, I've become an academic lately, and one of the students in this class has asked for all my cigar tubes, little metal tubes that, you know, I get cigars in. He wants to put poems in them and float them down the North Saskatchewan River [https://www.wikidata.org/wiki/Q2237] [audience laughter]. And for some reason or other, this, that became the title of this particular poem. \"Floating Down the North Saskatchewan River\". [Audience laughter].\n \nAl Purdy\n00:04:01\nReads \"Floating Down the North Saskatchewan River\" [audience laughter throughout].\n \nAl Purdy\n00:04:40\nFunny, eh? [Audience laughter]. Something called \"Jubilate\", and I'm going to leave that out of there. \"Flight 17 Eastbound\". Ah...I keep revising some of these and I'm reading now from manuscript because I revised a lot of the poems here and I can't remember which ones I revised, so if they're in manuscript I'm sure they're either revised or that there's some reason for them being there. \n \nAl Purdy\n00:05:13\nReads \"Flight 17 Eastbound\".\n \nAl Purdy\n00:06:47\nI don't know what that means but it must be profound. [Audience laughter]. I'm getting together a collection of love poems, or I have gotten a collection of love poems together. They are, I am told, fairly hard-boiled love poems. Because when Jack McClelland [https://www.wikidata.org/wiki/Q6113965], of McClelland and Stewart [https://www.wikidata.org/wiki/Q6800322], heard about them they thought it was a good idea that Harold Town [https://www.wikidata.org/wiki/Q827127] should do some illustrations. But when they saw the poems, and of course it wasn't because they were bad poems, I'm sure, he didn't want to do the illustrations anymore, they said they were hard-boiled. As I said, they can't be bad poems. This was one of them. It's got...no, I don't think I'll read that anyway. I don't like it. However, here's another one along the same lines. [Audience laughter]. It's called \"With Words, Words\".\n \nAl Purdy\n00:07:51\nReads \"With Words, Words\" [from Love in a burning building].\n \nAl Purdy\n00:10:49\nI lived in Vancouver [https://www.wikidata.org/wiki/Q24639] for a while, and up till 1955 or 6. The first play I wrote for CBC [https://www.wikidata.org/wiki/Q461761] was accepted, and I thought I was a genius, and moved to Montreal  [https://www.wikidata.org/wiki/Q340] in order to reap the rewards of my genius. For a year in Montreal I think my...I sold a couple of adaptations to CBC. And eventually we moved to Roblin Lake [https://www.wikidata.org/wiki/Q22447801], near Ameliasburgh [https://www.wikidata.org/wiki/Q4742321] in Ontario [https://www.wikidata.org/wiki/Q1904], and built a house. And my wife having quit her job, she having decided that if I could get away without working she could too. So we sat down for a couple of years looking at each other, waiting for the other one, to see which one would break first. But this is a poem about that particular time, called \"One Rural Winter\".\n \nAl Purdy\n00:11:50\nReads \"One Rural Winter\" [from Selected Poems; audience laughter throughout].\n \nAl Purdy\n00:15:22\nI was in the Arctic [https://www.wikidata.org/wiki/Q25322] in '65, but this is a poem written long after that about the Arctic. And I suppose...certainly about the Canadian Arctic. I called it \"Arctic Romance\", but I think it should be just \"Arctic\", or something like that.\n \nAl Purdy\n00:15:46\nReads \"Arctic Romance\".\n \nAl Purdy\n00:17:13\nScrewed that up, I guess. You get tired of reading your own stuff, after a while. You forget what it sounded like the last time. This is a poem I kind of like but I keep revising it also, or have been several times in the last few years, called \"Dark Landscape\". It uses a couple of lines from an American poet who died thirty years ago called Vachel Lindsay [https://www.wikidata.org/wiki/Q1197667], whom probably nobody ever heard of. And it starts in a very prosy way, and is meant to sound that way, and then the rhythm quickens. \"Dark Landscape\".\n \nAl Purdy\n00:18:07\nReads \"Dark Landscape\".\n \nAl Purdy\n00:21:45\nIn case anybody is wondering about the particular Vachel Lindsay line, it was \"The spring comes on forever, and the Chinese nightingale\". And he also had \"Aladdin to the jinn\", except that Aladdin to the jinn, his jinn was J-I-N-N and mine was two J-I-N-N's, and one G-I-N. So that, always a little difficult to understand it without seeing it on the page. Kind of a sweet little poem, this was after we moved to Roblin Lake, and as I say, I sold a couple of plays and we bought a pile of used lumber with the proceeds and put the down payment on the lot and build this house. \n \nAl Purdy\n00:22:27\nReads \"Winter at Roblin Lake\" [from The Cariboo Horses].\n \nAl Purdy\n00:22:52\nAlso the same period, about building the house, or rather after the house was built. Trouble is, you can't, you can't smoke a cigar here, can you, something I...it always goes out. Anyway. \"Interruption\". \n \nAl Purdy\n00:23:13\nReads \"Interruption\" [from Selected Poems].\n \nAl Purdy\n00:24:49\nWhen I...when we first moved down to Ameliasburg, or to Roblin Lake, I should say, because Roblin Lake where we are is about a mile or so from Ameliasburg...I, after Montreal, and after the job I'd had in Vancouver, I suddenly had to become my own disciplinary straw boss, and it was quite difficult, and in other words, you know, I'd try to get up at a certain hour of the day and start writing. Which I could always, you know, I can always write prose, whenever I feel like it, but poems, I write them, well, I should say, I write poems whenever I feel like it, but you can, I can regimen my own prose, which I don't do much of these days. Anyway, when we moved to Roblin Lake, I wasn't physically regimented myself, so that I was waking up all hours of the day. And this is a short poem about that, but I also screwed up the poem, because I put lines at the end of, or words at the end of each line so that I don't know where the emphasis should be placed, even though I've read it dozens of times. It's called \"Late Rising at Roblin Lake\".\n \nAl Purdy\n00:25:57\nReads \"Late Rising at Roblin Lake\" [from The Cariboo Horses].\n \nAl Purdy\n00:26:47\nAnother poem about the same particular period, called \"Wilderness Gothic\". Uh...don't think there's a thing to say about this particular poem at all. \n \nAl Purdy\n00:27:03\nReads \"Wilderness Gothic\" [from Selected Poems].\n \nAl Purdy\n00:29:33\nWhen you read a bunch of poems over several years, I think you pick out the ones that you think will read the best, which is certainly what I do, because there are many of my own poems that I rarely read, or never read at all. In fact I, I never read this one. It's called \"Love Poem\".\n \nAl Purdy\n00:29:58\nReads \"Love Poem\" [from Poems for all the Annettes].\n \nAl Purdy\n00:31:40\nIn...This poem dates, the actual time of the poem dates about fifteen years ago. The poem itself was written about five years ago. At the time, a friend of mine was there also, which, other than his particular presence I might have acted a little bit differently than I did. You'll see what I mean in a, when I read the poem. Because nobody would take this chance in placing themselves in such a vulnerable position with a woman. \"Homemade Beer\".\n \nAl Purdy\n00:32:12\nReads \"Homemade Beer\" [from The Cariboo Horses].\n \nAudience\n00:33:48\nLaughter.\n \nUnknown\n00:33:51\n[Cut or edit in tape. Unknown amount of time elapsed].\n \nAl Purdy\n00:33:52\nOne called \"The Drunk Tank\". It's...Dates back two or three years ago when, after the time when I was in the Air Force [https://www.wikidata.org/wiki/Q25456], a friend of mine got out of the Air Force much later, so we celebrated. And...it was after quite a turbulent evening with my friend in Belleville [https://www.wikidata.org/wiki/Q34227], Ontario, we decided to get a couple of bottles of liquor and go out to the country where we wouldn't be disturbed, and drink it. But the farmer phoned the cops, and we were both thrown in jail. And this particular poem is about the first part of that experience, I mean the early part of being thrown in jail, more or less. But not the end of it, it turned into a sort of fantasy that means something other than I intended. \n \nAl Purdy\n00:34:43\nReads \"The Drunk Tank\" [from The Poems of Al Purdy].\n \nAl Purdy\n00:36:51\nThis is called \"Poem for Rita\", and about a couple of years ago in Toronto [https://www.wikidata.org/wiki/Q172], there was a couple of girls staying with myself, my wife and myself, and she kept asking me to write a poem. So after a while, I wrote this.\n \nAl Purdy\n00:37:10\nReads \"Poem for Rita\".\n \nAudience\n00:37:25\nLaughter.\n \nAl Purdy\n00:37:28\nThat's all. [Audience laughter]. I think it was actually kind of unkind on my part, because I was never sure whether she understood that or not, and I didn't know whether I wanted her to understand it. [Audience laughter]. There...when we first moved to Ameliasburg, as I mentioned, I was broke as hell. And after having lived in Vancouver, I learned how to make wine of one kind or another, and there was no way to, I didn't have enough money to make beer, so there were a lot of wild grapes around there and we made, I made wild grape wine, and one time, one particular season, I had about five hundred bottles. [Audience laughter]. I attribute the effects of this wine to having made me what I am today [audience laughter], if I could figure that out. But the poem eventually came out of it, called \"The Winemaker's Beatitude\".\n \nAl Purdy\n00:38:39\nReads \"The Winemaker's Beatitude\" [from Selected Poems].\n \nAl Purdy\n00:41:16\nIn '65, I went up to Baffin Island [https://www.wikidata.org/wiki/Q81178] on some government money, public money, rode a commercial airline plane from Montreal to Frobisher Bay [https://www.wikidata.org/wiki/Q1004067], hitchhiked a ride on what I thought was a DOT plane, but was a construction plane, a construction company charter, and then at Pangnirtung [https://www.wikidata.org/wiki/Q631747], which is on the Arctic Circle, the original administrator there arranged that I go along with an Eskimo family in their canoe to some islands in Cumberland Sound [https://www.wikidata.org/wiki/Q938327]. A year and a half after I got back from the Arctic, I got a bill for a hundred and ten dollars from the construction company that I thought I'd, whose plane I thought I'd hitchhiked on. Which I haven't paid. But anyway, all of these poems, except perhaps I think one or two, were written up there, written in the Arctic, except that after I got back from the Arctic I kept revising them. So you can make up your own mind whether they're written there or not. Among the poems here, there's one called \"At the Movies\".\n \nAl Purdy\n00:42:37\nReads \"At the Movies\" [from North of Summer].\n\n Al Purdy\n00:44:55\nThe business about the caribou draining in the bilge water was one of the reasons, I suppose, I found it so extraordinary that, perhaps, that Eskimos should enjoy these shoot-em-up movies, was that they had just come a hundred miles or so after shooting caribou, bringing them back to Pang, Pangnirtung on the, on the Sound, on the...jeez, my memory's failing, I can't even remember the fjord it was. But anyway, they had just shot them and come a hundred miles back with them, and yet...and they were draining in their Peterhead boats, and yet they found these movies so exciting--I suppose I shouldn't find that so unusual, but I do. A crappy Hollywood [https://www.wikidata.org/wiki/Q34006] movie. And here's one called \"The Sculptors\".\n \nAl Purdy\n00:45:50\nReads \"The Sculptors\" [from North of Summer].\n\nAl Purdy\n00:48:17\nI think I'm going to have about time for two more, so that I'd better...I could probably go on, oh I'd better make it three more  I'll give ya...this is, the trees in the Arctic are about, are very low, and well, this is treeless country on Baffin Island, where there, where practically nothing grows except moss and that, and the like of that, but I wrote a poem about trees at the Arctic Circle, and this is it....I see I'm getting, I'm only talking about the physical things about the Arctic, and I have some poems about the people, too, which, which I should read. Anyway, \"Trees at the Arctic Circle\".\n \nAl Purdy\n00:49:05\nReads \"Trees at the Arctic Circle\" [from North of Summer].\n \nAl Purdy\n00:51:07\nI want to read at least one about, about, about people there, because I used to, when I was on these islands, [inaudible] Islands in Cumberland Sound, the Eskimo women used to come over every day and drink tea. They could not speak any English and I could speak no Eskimo, and I would feed them tea and we would sit there, myself feeling about as silly as I could, so eventually I grew a bit desperate and I would read them poems and I would sing songs or I'd do any damn thing. However, eventually there was some kind of, I think, positive liking on my part. But this poem may express it as well as anything. \"Wash Day\".\n \nAl Purdy\n00:51:54\nReads \"Wash Day\" [from North of Summer].\n \nAl Purdy\n00:54:03\nTalking about shit, there's actually a poem that has a little bit to do with it here. The Arctic dogs have some qualities that are more pronounced and magnified in Arctic dogs than in southern dogs, that is, they like to eat the stuff. So that when you go, as all, everybody must go at some time or other in their lives, possibly once a day or not, one takes an Eskimo kid along to throw stones and keep the dogs off. When I came back from the Arctic I saw an hour-long film about the George River [https://www.wikidata.org/wiki/Q966023] Eskimos, and one scene in it showed about fifty Eskimos trying to get into a tent, and the Eskimos beating them into the tent, and the next thing you showed the same dogs trying to get out of the tent and the Eskimos beating them out of the tent. And the announcer said not one single word. And then I remembered that whenever the Eskimos leave a campsite, they use it for a privy, and then send the dogs in to clean up. So, actually, this is a poem about that.  \"When I Sat Down to Play the Piano\". [Audience laughter].\n \nAl Purdy\n00:55:10\nReads \"When I Sat Down to Play the Piano\" [from North of Summer; audience laughter throughout].\n\nAl Purdy\n00:58:23\nI've got one more poem if my voice can hold out. When Robert Kennedy  [https://www.wikidata.org/wiki/Q25310] was shot...I always think about anything that I'm interested and emotionally moved by, always, at least I have in the past, till I got to Simon Fraser, think about writing a poem about it. So the same thing was happening after Kennedy was shot and died, and I was thinking about writing a poem about it, and then the Star Weekly [https://www.wikidata.org/wiki/Q17112122] phoned up and asked me to write a poem about it. So this poem eventually got written. \"A Lament for Robert Kennedy\".\n \nAl Purdy\n00:59:06\nReads \"A Lament for Robert Kennedy\".\n\nAudience\n01:04:39\nApplause.\n \nEND\n01:04:55\n"],"Note":["[{\"note\":\"Original transcript and print catalogue by Rachel Kyne\\n\\nOriginal print catalogue, introduction, research and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Ali Barillaro\\n\",\"type\":\"Cataloguer\"},{\"note\":\"Year-Specific Information:\\n\\nIn 1970, Al Purdy published Love in a Burning Building (McClelland and Stewart). George Bowering’s study on Al Purdy came out that year, Al Purdy (Copp Clarke Co).\",\"type\":\"General\"},{\"note\":\"Local Connections:\\n\\nAl Purdy became an important figure in Canadian poetry, and was known as a “people’s poet”. He published over thirty books of poetry, but also published in dozens of other genres. Purdy was known as a generous mentor, and his work received several Governor General's Awards as well as other high Canadian honours. He lived in Vancouver, Montreal, and several locations in Ontario, and his poetry reflected Canadian landscape themes. Over the years he has been called the ‘most’ Canadian poet, the ‘first’ Canadian poet and the ‘last’ Canadian poet. In 1963, George Bowering convinced the University of British Columbia to invite Al Purdy to give a reading, where the two poets first met. Later on, Purdy was in contact with George Bowering, as he was completing a book about Purdy.\",\"type\":\"General\"},{\"note\":\"Reel-to-reel tape>CD>digital file\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"https://www.cbc.ca/archives/topic/al-purdy-an-uncommon-poet\",\"citation\":\"“Al Purdy, An Uncommon Poet”. CBC Digital Archives. Canadian Broadcasting Corporation, \\t2008.\"},{\"url\":\"https://www.worldcat.org/title/al-purdy/oclc/469555161&referer=brief_results\",\"citation\":\"“Al Purdy- The Voice of the Land”. Save Al Purdy’s Home. Harbour Publishing, 2009. \\nBowering, George. Al Purdy. Studies in Canadian Literature. Hugo McPherson and Gary Geddes (eds). Toronto: Copp Clarke Publishing Company, 1970. \"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-canadian-literature/oclc/605246871&referer=brief_results\",\"citation\":\"Brown, Russel and George Woodcock. \\\"Purdy, Al\\\". The Oxford Companion to Canadian         Literature. Eugene Benson and William Toye (eds). Oxford University Press, 2001. \"},{\"url\":\"https://www.worldcat.org/title/15-canadian-poets-x2/oclc/40224711\",\"citation\":\"Geddes, Gary. “Al Purdy”. Fifteen Canadian Poets Times Two. Toronto: Oxford University Press, 1990. \"},{\"url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/al-purdy-at-sgwu-1970-george-bowering\",\"citation\":\"“Poetry Four: Sir George Williams Poetry Series, Ninth Reading, Al Purdy”. Montreal, Quebec: Sir George Williams University, 1970. Found in “The Stephen Morrissey Papers, 1963 - 1998”, McGill McLennan Library, Special Collections and Rare Books, Montreal, Quebec, Canada. \"},{\"url\":\"https://www.worldcat.org/title/splinter-in-the-heart/oclc/47271421&referer=brief_results\",\"citation\":\"Purdy, Al. A Splinter in the Heart. Toronto: McClelland & Stewart, 2000.\"},{\"url\":\"https://www.worldcat.org/title/in-search-of-owen-roblin/oclc/245733376&referer=brief_results\",\"citation\":\"Purdy, Al. In Search of Owen Roblin. McClelland and Stewart, 1974. \"},{\"url\":\"https://www.worldcat.org/title/north-of-summer-poems-from-baffin-island/oclc/457913&referer=brief_results\",\"citation\":\"Purdy, Al. North of Summer. Toronto: McClelland and Stewart, 1967. \"},{\"url\":\"https://www.worldcat.org/title/poems-for-all-the-annettes/oclc/819106789&referer=brief_results\",\"citation\":\"Purdy, Al. Poems for all the Annettes. Toronto: Contact Press, 1962. \"},{\"url\":\"https://www.worldcat.org/title/selected-poems/oclc/637245&referer=brief_results\",\"citation\":\"Purdy, Al. Selected Poems. Toronto: McClelland and Stewart, 1972.\"},{\"url\":\"https://www.worldcat.org/title/cariboo-horses/oclc/869024275&referer=brief_results\",\"citation\":\"Purdy, Al. The Cariboo Horses. Toronto: McClelland and Stewart, 1965. \"},{\"url\":\"https://www.worldcat.org/title/poems-of-al-purdy/oclc/490247728&referer=brief_results\",\"citation\":\"Purdy, Al. The Poems of Al Purdy. Toronto: McClelland and Stewart, 1976. \"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-twentieth-century-poetry-in-english/oclc/807465072&referer=brief_results\",\"citation\":\"Steele, James. \\\"Purdy, Al(fred) (Wellington)\\\". The Oxford Companion to Twentieth-Century Poetry in English. Ian Hamilton (ed). Oxford University Press, 1996. \"}]"],"_version_":1853670548980105216,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0037-1_tape.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0037-1_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"Al Purdy Tape Box - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0037-1_front.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0037-1_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Al Purdy Tape Box - Front\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0037-1_back.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0037-1_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Al Purdy Tape Box - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0037-1_side.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0037-1_side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Al Purdy Tape Box - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/al_purdy_i006-11-037-1.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"al_purdy_i006-11-037-1.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:04:55\",\"precision\":\"\",\"size\":\"155.8 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"George Bowering\\n00:00:00\\nAs you know, the reader tonight is Al Purdy [https://www.wikidata.org/wiki/Q4704621], a man who's been described as, by Doug Featherling, as the most Canadian of all possible poets. And who has, as they say, paid his dues, and in that time, won all the prizes, like the President's Medal [https://www.wikidata.org/wiki/Q39089691], and the Governor General's Award [https://www.wikidata.org/wiki/Q283256], and countless numbers of Canada Council [https://www.wikidata.org/wiki/Q2993809] Grants and all those other things that come to you. [Laughter]. Currently, I don't know if whether or not I'm supposed to mention this or not, but currently making an excursion amongst the academics at...in other words, straightening people out at Simon Fraser University [https://www.wikidata.org/wiki/Q201603]. And a very welcome addition to our series. Al Purdy. \\n \\nUnknown\\n00:00:55\\n[Cut or edit in tape. Unknown amount of time elapsed]. \\n \\nAl Purdy\\n00:00:56\\nWhen I started to write poems about sixty-eight years ago, Bliss Carman [https://www.wikidata.org/wiki/Q3068116] was the only one writing. So I imitated Bliss Carman, and this first poem is a sort of imitation of Bliss Carman. [Audience laughter]. And there are hardly any new poems in there because it takes me two years to revise them for two years and then conclude them in a reading, and then besides which as George [https://www.wikidata.org/wiki/Q1239280] said, I've joined the academics because all the American members of the department at Simon Fraser have guilty consciences so they wanted a Canadian on staff [audience laughter].  \\\"About being a member of our armed forces\\\". This is, this is thirty years after I started to write poems. Remember--Oh, I should say, there are two, three phrases in this that would not ordinarily be understood by you people. \\\"Zombies,\\\" who were conscripts in the last war, and well, the CWACs were women members, Canadian Women's Army Corp [https://www.wikidata.org/wiki/Q5030688]. And during the early part of the last war, there were no rifles. So they used wooden rifles to drill with. \\n \\nAl Purdy\\n00:02:09\\nReads \\\"About Being a Member of Our Armed Forces\\\" [from Selected Poems; audience laughter throughout].\\n \\nAl Purdy\\n00:03:29\\nAs I said, I've become an academic lately, and one of the students in this class has asked for all my cigar tubes, little metal tubes that, you know, I get cigars in. He wants to put poems in them and float them down the North Saskatchewan River [https://www.wikidata.org/wiki/Q2237] [audience laughter]. And for some reason or other, this, that became the title of this particular poem. \\\"Floating Down the North Saskatchewan River\\\". [Audience laughter].\\n \\nAl Purdy\\n00:04:01\\nReads \\\"Floating Down the North Saskatchewan River\\\" [audience laughter throughout].\\n \\nAl Purdy\\n00:04:40\\nFunny, eh? [Audience laughter]. Something called \\\"Jubilate\\\", and I'm going to leave that out of there. \\\"Flight 17 Eastbound\\\". Ah...I keep revising some of these and I'm reading now from manuscript because I revised a lot of the poems here and I can't remember which ones I revised, so if they're in manuscript I'm sure they're either revised or that there's some reason for them being there. \\n \\nAl Purdy\\n00:05:13\\nReads \\\"Flight 17 Eastbound\\\".\\n \\nAl Purdy\\n00:06:47\\nI don't know what that means but it must be profound. [Audience laughter]. I'm getting together a collection of love poems, or I have gotten a collection of love poems together. They are, I am told, fairly hard-boiled love poems. Because when Jack McClelland [https://www.wikidata.org/wiki/Q6113965], of McClelland and Stewart [https://www.wikidata.org/wiki/Q6800322], heard about them they thought it was a good idea that Harold Town [https://www.wikidata.org/wiki/Q827127] should do some illustrations. But when they saw the poems, and of course it wasn't because they were bad poems, I'm sure, he didn't want to do the illustrations anymore, they said they were hard-boiled. As I said, they can't be bad poems. This was one of them. It's got...no, I don't think I'll read that anyway. I don't like it. However, here's another one along the same lines. [Audience laughter]. It's called \\\"With Words, Words\\\".\\n \\nAl Purdy\\n00:07:51\\nReads \\\"With Words, Words\\\" [from Love in a burning building].\\n \\nAl Purdy\\n00:10:49\\nI lived in Vancouver [https://www.wikidata.org/wiki/Q24639] for a while, and up till 1955 or 6. The first play I wrote for CBC [https://www.wikidata.org/wiki/Q461761] was accepted, and I thought I was a genius, and moved to Montreal  [https://www.wikidata.org/wiki/Q340] in order to reap the rewards of my genius. For a year in Montreal I think my...I sold a couple of adaptations to CBC. And eventually we moved to Roblin Lake [https://www.wikidata.org/wiki/Q22447801], near Ameliasburgh [https://www.wikidata.org/wiki/Q4742321] in Ontario [https://www.wikidata.org/wiki/Q1904], and built a house. And my wife having quit her job, she having decided that if I could get away without working she could too. So we sat down for a couple of years looking at each other, waiting for the other one, to see which one would break first. But this is a poem about that particular time, called \\\"One Rural Winter\\\".\\n \\nAl Purdy\\n00:11:50\\nReads \\\"One Rural Winter\\\" [from Selected Poems; audience laughter throughout].\\n \\nAl Purdy\\n00:15:22\\nI was in the Arctic [https://www.wikidata.org/wiki/Q25322] in '65, but this is a poem written long after that about the Arctic. And I suppose...certainly about the Canadian Arctic. I called it \\\"Arctic Romance\\\", but I think it should be just \\\"Arctic\\\", or something like that.\\n \\nAl Purdy\\n00:15:46\\nReads \\\"Arctic Romance\\\".\\n \\nAl Purdy\\n00:17:13\\nScrewed that up, I guess. You get tired of reading your own stuff, after a while. You forget what it sounded like the last time. This is a poem I kind of like but I keep revising it also, or have been several times in the last few years, called \\\"Dark Landscape\\\". It uses a couple of lines from an American poet who died thirty years ago called Vachel Lindsay [https://www.wikidata.org/wiki/Q1197667], whom probably nobody ever heard of. And it starts in a very prosy way, and is meant to sound that way, and then the rhythm quickens. \\\"Dark Landscape\\\".\\n \\nAl Purdy\\n00:18:07\\nReads \\\"Dark Landscape\\\".\\n \\nAl Purdy\\n00:21:45\\nIn case anybody is wondering about the particular Vachel Lindsay line, it was \\\"The spring comes on forever, and the Chinese nightingale\\\". And he also had \\\"Aladdin to the jinn\\\", except that Aladdin to the jinn, his jinn was J-I-N-N and mine was two J-I-N-N's, and one G-I-N. So that, always a little difficult to understand it without seeing it on the page. Kind of a sweet little poem, this was after we moved to Roblin Lake, and as I say, I sold a couple of plays and we bought a pile of used lumber with the proceeds and put the down payment on the lot and build this house. \\n \\nAl Purdy\\n00:22:27\\nReads \\\"Winter at Roblin Lake\\\" [from The Cariboo Horses].\\n \\nAl Purdy\\n00:22:52\\nAlso the same period, about building the house, or rather after the house was built. Trouble is, you can't, you can't smoke a cigar here, can you, something I...it always goes out. Anyway. \\\"Interruption\\\". \\n \\nAl Purdy\\n00:23:13\\nReads \\\"Interruption\\\" [from Selected Poems].\\n \\nAl Purdy\\n00:24:49\\nWhen I...when we first moved down to Ameliasburg, or to Roblin Lake, I should say, because Roblin Lake where we are is about a mile or so from Ameliasburg...I, after Montreal, and after the job I'd had in Vancouver, I suddenly had to become my own disciplinary straw boss, and it was quite difficult, and in other words, you know, I'd try to get up at a certain hour of the day and start writing. Which I could always, you know, I can always write prose, whenever I feel like it, but poems, I write them, well, I should say, I write poems whenever I feel like it, but you can, I can regimen my own prose, which I don't do much of these days. Anyway, when we moved to Roblin Lake, I wasn't physically regimented myself, so that I was waking up all hours of the day. And this is a short poem about that, but I also screwed up the poem, because I put lines at the end of, or words at the end of each line so that I don't know where the emphasis should be placed, even though I've read it dozens of times. It's called \\\"Late Rising at Roblin Lake\\\".\\n \\nAl Purdy\\n00:25:57\\nReads \\\"Late Rising at Roblin Lake\\\" [from The Cariboo Horses].\\n \\nAl Purdy\\n00:26:47\\nAnother poem about the same particular period, called \\\"Wilderness Gothic\\\". Uh...don't think there's a thing to say about this particular poem at all. \\n \\nAl Purdy\\n00:27:03\\nReads \\\"Wilderness Gothic\\\" [from Selected Poems].\\n \\nAl Purdy\\n00:29:33\\nWhen you read a bunch of poems over several years, I think you pick out the ones that you think will read the best, which is certainly what I do, because there are many of my own poems that I rarely read, or never read at all. In fact I, I never read this one. It's called \\\"Love Poem\\\".\\n \\nAl Purdy\\n00:29:58\\nReads \\\"Love Poem\\\" [from Poems for all the Annettes].\\n \\nAl Purdy\\n00:31:40\\nIn...This poem dates, the actual time of the poem dates about fifteen years ago. The poem itself was written about five years ago. At the time, a friend of mine was there also, which, other than his particular presence I might have acted a little bit differently than I did. You'll see what I mean in a, when I read the poem. Because nobody would take this chance in placing themselves in such a vulnerable position with a woman. \\\"Homemade Beer\\\".\\n \\nAl Purdy\\n00:32:12\\nReads \\\"Homemade Beer\\\" [from The Cariboo Horses].\\n \\nAudience\\n00:33:48\\nLaughter.\\n \\nUnknown\\n00:33:51\\n[Cut or edit in tape. Unknown amount of time elapsed].\\n \\nAl Purdy\\n00:33:52\\nOne called \\\"The Drunk Tank\\\". It's...Dates back two or three years ago when, after the time when I was in the Air Force [https://www.wikidata.org/wiki/Q25456], a friend of mine got out of the Air Force much later, so we celebrated. And...it was after quite a turbulent evening with my friend in Belleville [https://www.wikidata.org/wiki/Q34227], Ontario, we decided to get a couple of bottles of liquor and go out to the country where we wouldn't be disturbed, and drink it. But the farmer phoned the cops, and we were both thrown in jail. And this particular poem is about the first part of that experience, I mean the early part of being thrown in jail, more or less. But not the end of it, it turned into a sort of fantasy that means something other than I intended. \\n \\nAl Purdy\\n00:34:43\\nReads \\\"The Drunk Tank\\\" [from The Poems of Al Purdy].\\n \\nAl Purdy\\n00:36:51\\nThis is called \\\"Poem for Rita\\\", and about a couple of years ago in Toronto [https://www.wikidata.org/wiki/Q172], there was a couple of girls staying with myself, my wife and myself, and she kept asking me to write a poem. So after a while, I wrote this.\\n \\nAl Purdy\\n00:37:10\\nReads \\\"Poem for Rita\\\".\\n \\nAudience\\n00:37:25\\nLaughter.\\n \\nAl Purdy\\n00:37:28\\nThat's all. [Audience laughter]. I think it was actually kind of unkind on my part, because I was never sure whether she understood that or not, and I didn't know whether I wanted her to understand it. [Audience laughter]. There...when we first moved to Ameliasburg, as I mentioned, I was broke as hell. And after having lived in Vancouver, I learned how to make wine of one kind or another, and there was no way to, I didn't have enough money to make beer, so there were a lot of wild grapes around there and we made, I made wild grape wine, and one time, one particular season, I had about five hundred bottles. [Audience laughter]. I attribute the effects of this wine to having made me what I am today [audience laughter], if I could figure that out. But the poem eventually came out of it, called \\\"The Winemaker's Beatitude\\\".\\n \\nAl Purdy\\n00:38:39\\nReads \\\"The Winemaker's Beatitude\\\" [from Selected Poems].\\n \\nAl Purdy\\n00:41:16\\nIn '65, I went up to Baffin Island [https://www.wikidata.org/wiki/Q81178] on some government money, public money, rode a commercial airline plane from Montreal to Frobisher Bay [https://www.wikidata.org/wiki/Q1004067], hitchhiked a ride on what I thought was a DOT plane, but was a construction plane, a construction company charter, and then at Pangnirtung [https://www.wikidata.org/wiki/Q631747], which is on the Arctic Circle, the original administrator there arranged that I go along with an Eskimo family in their canoe to some islands in Cumberland Sound [https://www.wikidata.org/wiki/Q938327]. A year and a half after I got back from the Arctic, I got a bill for a hundred and ten dollars from the construction company that I thought I'd, whose plane I thought I'd hitchhiked on. Which I haven't paid. But anyway, all of these poems, except perhaps I think one or two, were written up there, written in the Arctic, except that after I got back from the Arctic I kept revising them. So you can make up your own mind whether they're written there or not. Among the poems here, there's one called \\\"At the Movies\\\".\\n \\nAl Purdy\\n00:42:37\\nReads \\\"At the Movies\\\" [from North of Summer].\\n\\n Al Purdy\\n00:44:55\\nThe business about the caribou draining in the bilge water was one of the reasons, I suppose, I found it so extraordinary that, perhaps, that Eskimos should enjoy these shoot-em-up movies, was that they had just come a hundred miles or so after shooting caribou, bringing them back to Pang, Pangnirtung on the, on the Sound, on the...jeez, my memory's failing, I can't even remember the fjord it was. But anyway, they had just shot them and come a hundred miles back with them, and yet...and they were draining in their Peterhead boats, and yet they found these movies so exciting--I suppose I shouldn't find that so unusual, but I do. A crappy Hollywood [https://www.wikidata.org/wiki/Q34006] movie. And here's one called \\\"The Sculptors\\\".\\n \\nAl Purdy\\n00:45:50\\nReads \\\"The Sculptors\\\" [from North of Summer].\\n\\nAl Purdy\\n00:48:17\\nI think I'm going to have about time for two more, so that I'd better...I could probably go on, oh I'd better make it three more  I'll give ya...this is, the trees in the Arctic are about, are very low, and well, this is treeless country on Baffin Island, where there, where practically nothing grows except moss and that, and the like of that, but I wrote a poem about trees at the Arctic Circle, and this is it....I see I'm getting, I'm only talking about the physical things about the Arctic, and I have some poems about the people, too, which, which I should read. Anyway, \\\"Trees at the Arctic Circle\\\".\\n \\nAl Purdy\\n00:49:05\\nReads \\\"Trees at the Arctic Circle\\\" [from North of Summer].\\n \\nAl Purdy\\n00:51:07\\nI want to read at least one about, about, about people there, because I used to, when I was on these islands, [inaudible] Islands in Cumberland Sound, the Eskimo women used to come over every day and drink tea. They could not speak any English and I could speak no Eskimo, and I would feed them tea and we would sit there, myself feeling about as silly as I could, so eventually I grew a bit desperate and I would read them poems and I would sing songs or I'd do any damn thing. However, eventually there was some kind of, I think, positive liking on my part. But this poem may express it as well as anything. \\\"Wash Day\\\".\\n \\nAl Purdy\\n00:51:54\\nReads \\\"Wash Day\\\" [from North of Summer].\\n \\nAl Purdy\\n00:54:03\\nTalking about shit, there's actually a poem that has a little bit to do with it here. The Arctic dogs have some qualities that are more pronounced and magnified in Arctic dogs than in southern dogs, that is, they like to eat the stuff. So that when you go, as all, everybody must go at some time or other in their lives, possibly once a day or not, one takes an Eskimo kid along to throw stones and keep the dogs off. When I came back from the Arctic I saw an hour-long film about the George River [https://www.wikidata.org/wiki/Q966023] Eskimos, and one scene in it showed about fifty Eskimos trying to get into a tent, and the Eskimos beating them into the tent, and the next thing you showed the same dogs trying to get out of the tent and the Eskimos beating them out of the tent. And the announcer said not one single word. And then I remembered that whenever the Eskimos leave a campsite, they use it for a privy, and then send the dogs in to clean up. So, actually, this is a poem about that.  \\\"When I Sat Down to Play the Piano\\\". [Audience laughter].\\n \\nAl Purdy\\n00:55:10\\nReads \\\"When I Sat Down to Play the Piano\\\" [from North of Summer; audience laughter throughout].\\n\\nAl Purdy\\n00:58:23\\nI've got one more poem if my voice can hold out. When Robert Kennedy  [https://www.wikidata.org/wiki/Q25310] was shot...I always think about anything that I'm interested and emotionally moved by, always, at least I have in the past, till I got to Simon Fraser, think about writing a poem about it. So the same thing was happening after Kennedy was shot and died, and I was thinking about writing a poem about it, and then the Star Weekly [https://www.wikidata.org/wiki/Q17112122] phoned up and asked me to write a poem about it. So this poem eventually got written. \\\"A Lament for Robert Kennedy\\\".\\n \\nAl Purdy\\n00:59:06\\nReads \\\"A Lament for Robert Kennedy\\\".\\n\\nAudience\\n01:04:39\\nApplause.\\n \\nEND\\n01:04:55\\n\",\"notes\":\"Al Purdy reads from a wide variety of his books, including Selected Poems (McClelland and Stewart, 1972), Love in a Burning Building (McClelland and Stewart, 1970), The Cariboo Horses (McClelland and Stewart, 1965), Poems for all the Annettes (Contact Press, 1962), and North of Summer (McClelland and Stewart, 1967).\\n\\n00:00- George Bowering introduces Al Purdy. [INDEX: Doug Featherling describes Purdy as“the most Canadian of all possible poets”, won the President’s Medal, Governor General’s award, Canada Council Grants, Simon Fraser University]\\n00:56- Al Purdy introduces the reading, and “About Being a Member of Our Armed Forces”. [INDEX: Bliss Carman as influence, Simon Fraser University, joining ‘academia’, conscripts in the war, CWAC: women members of the Canadian Women’s Army Corps, wooden drill rifles; from Selected Poems (McClelland and Stewart, 1972)].\\n02:09- Reads “About Being a Member of Our Armed Forces”.\\n03:29- Introduces “Floating Down the North Saskatchewan River”. [INDEX: student in his class, student’s poems in Purdy’s cigar tubes floating down the North Saskatchewan\\nRiver; read from unknown source].\\n04:01- Reads “Floating Down the North Saskatchewan River”.\\n04:40- Introduces “Flight 17 Eastbound”. [INDEX: revising his manuscript; from unknown source, could be known as “Jubilate on Flight 17, Eastbound”].\\n05:13- Reads “Flight 17 Eastbound”.\\n06:47- Introduces “With Words, Words”. [INDEX: collection of love poems, Jack McClelland and Stewart, Harold Town (illustrator); from Love in a burning building (McClelland and Stewart, 1970)].\\n07:51- Reads “With Words, Words”.\\n10:49- Introduces “One Rural Winter”. [INDEX: Vancouver, 1955-6, play for CBC accepted, moved to Montreal, Roblin Lake near Ameliasburg in Ontario, built house, *note that explanation is almost word-for-word identical as his explanation for the same poem, in the reading at the Vancouver Art Gallery (I086-11-042)*; from Selected Poems (1972)].\\n11:50- Reads “One Rural Winter”.\\n15:22- Introduces “Arctic Romance”. [INDEX: Arctic trip in 1965, naming of the poem; from unknown source; Howard Fink List “Arctic”].\\n15:46- Reads “Arctic Romance”.\\n17:13- Introduces “Dark Landscape”. [INDEX: reading, revising, lines from American pet\\nVachel Lindsay; from unknown source].\\n18:07- Reads “Dark Landscape”.\\n21:45- Explains Vachel Lindsay line, Introduces “Winter at Roblin Lake”. [INDEX: Vachel\\nLindsay line “The spring comes on forever, and the Chinese nightingale”, “Aladdin to the\\njinn”, changes Purdy made to the poem, Roblin lake, sold plays, building house of used\\nlumber; from The Cariboo Horses (McClelland and Stewart, 1965)].\\n22:27- Reads “Winter at Roblin Lake”.\\n22:52- Introduces “Interruption”. [INDEX: building house, smoking a cigar; from Selected\\nPoems (1972); not in Howard Fink List of poems].\\n23:13- Reads “Interruption”.\\n24:49- Introduces “Late Rising at Roblin Lake”. [INDEX: Ameliasburg, Montreal, Vancouver, discipline of writing, writing prose vs. writing poetry, process of reading many times; from The Cariboo Horses (1965)]\\n25:57- Reads “Late Rising at Roblin Lake”.\\n26:47- Introduces “Wilderness Gothic”. [INDEX: from Selected Poems (1972); Howard Fink List “One Ernest Gothic”].\\n27:03- Reads “Wilderness Gothic”.\\n29:33- Introduces “Love Poem”. [INDEX: preparing poems to be read, poems Purdy’s never read; from Poems for all the Annettes (Contact Press, 1962)].\\n29:58- Reads “Love Poem”.\\n31:40- Introduces “Homemade Beer”. [INDEX: poem dates five years prior; from The Cariboo Horses (1965)].\\n32:12- Reads “Homemade Beer”.\\n33:52- Introduces “The Drunk Tank”. [INDEX: Air Force, Belleville, Ontario, drinking with\\nfriend, cops called, thrown in jail, ending meaning something other than what was\\nintended; from The Poems of Al Purdy (McClelland and Stewart, 1976)].\\n34:43- Reads “The Drunk Tank”.\\n36:51- Introduces “Poem for Rita”. [INDEX: Toronto, girls staying with Purdy and his wife, girl asked him to write a poem; from unknown source, Howard Fink List “Poem for\\nEda”].\\n37:10- Reads “Poem for Rita”.\\n37:25- Introduces “The Winemaker’s Beat Etude”, and explains more about “Poem for Rita”. [INDEX: Ameliasburg, Vancouver, making homemade wine; from Selected Poems\\n(1972)].\\n38:39- Reads “The Winemaker’s Beat Etude”.\\n41:16- Introduces “At the Movies”. [INDEX: 1965, trip to Baffin Island on government money, plane from Montreal to Frobisher Bay, hitchhiked on DOT plane, construction company charter, Pangnirtung on Arctic Circle, “Eskimo” family’s canoe, bill for plane, Arctic poems; from North of Summer (McClelland and Stewart, 1967)].\\n42:36- Reads “At the Movies”.\\n44:55- Introduces “The Sculptors”. [INDEX: caribou draining, “Eskimos” shooting caribou then watching movies, Pangnirtung Sound, Peterhead boats, Hollywood movie; from North of Summer]\\n45:50- Reads “The Sculptors”.\\n48:17- Introduces “Trees at the Arctic Circle”. [INDEX: Trees on Baffin Island; from North of Summer].\\n49:05- Reads “Trees at the Arctic Circle”.\\n51:07- Introduces “Wash Day”. [INDEX: Cumberland Sound, Eskimo women, language\\nbarriers, tea, sing songs; from North of Summer].\\n51:54- Reads “Wash Day”.\\n54:03- Introduces “When I Sat Down to Play the Piano”. [INDEX: Arctic dogs, film about the George River Eskimos; from North of Summer].\\n55:10- Reads “When I Sat Down to Play the Piano”.\\n58:23- Introduces unknown poem “A Lament for Robert Kennedy”, perhaps actually “Death of John F. Kennedy”. [INDEX: Shooting of Robert Kennedy (John F?), Simon Fraser, writing poem about shooting, Star Weekly asked Purdy for a poem about it].\\n59:06- Reads “A Lament for Robert Kennedy”. [INDEX: perhaps “Death of John F.\\nKennedy”, found in The Cariboo Horses].\\n1:04:55- END OF RECORDING.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/al-purdy-at-sgwu-1970-george-bowering/\"}]"],"score":0.01643844},{"id":"1289","cataloger_name":["Mahtab,Banihashemi"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Joel Oppenheimer at Sir George Williams University, The Poetry Series, 3 April 1970"],"item_title_source":["Cataloguer"],"item_title_note":["\"JOEL OPPENHEIMER Recorded April 3, 1970 3.75 ips, 1/2 track on 1 mil tape\" written on sticker on the back of the tape's box. \"JOEL OPPENHEIMER I006/SR12\" written on sticker on the spine of the tape's box. \"Speed 3 3/4 I006-11-012\" written on sticker on the reel"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 4"],"item_identifiers":["[]"],"creator_names":["Oppenheimer, Joel"],"creator_names_search":["Oppenheimer, Joel"],"creators":["[{\"url\":\"http://viaf.org/viaf/57449787\",\"name\":\"Oppenheimer, Joel\",\"dates\":\"1930-1988\",\"notes\":\"Born in 1930 in Yonkers, New York, Joel Oppenheimer lived in New York City until 1950 when he attended Black Mountain College in North Carolina. There, he was influenced by Charles Olson and colleagues such as Robert Creeley, Ed Dorn, Jonathan Williams and Fielding Dawson, forming the Black Mountain Poets. Visiting writer William Carlos Williams and e.e. cummings also greatly influenced Oppenheimer. Joel published The Dancer in 1951 (Sad Devil Press at Black Mountain College), The Dutiful Son in 1956 (Short Hills, Johnathan Cape), The Love Bit in 1962 (Totem Press) and Sirventes on a Sad Occasion in 1967 (The Perishable Press) while working in a printing shop. In 1966 he became the director of the Poetry Project at St Mark’s Church in-the-Bowery, a New York City reading series and by 1969, Oppenheimer became a columnist for the Village Voice. He then published In Time: Poems 1962-1968 (Bobbs-Merrill, 1969), and in 1973 published On Occasion: Some Births, Deaths, Weddings, Birthdays, Holidays, and Other Events, a book of occasional poems (Bobbs-Merrill). The Woman Poems (Bobbs-Merrill) was published in 1975, and Names, Dates & Places (Saint Andrew’s Press, 1973) chronicled the New York Mets. He also wrote a popular book about Marilyn Monroe, called Marilyn Lives! (Delilah, 1981). In 1984 Oppenheimer taught creative writing at New England College in Henniker, New Hampshire. His last published book of poetry was New Spaces: Poems 1975-1983 (Black Sparrow Press, 1985). Joel Oppenheimer died of lung cancer on October 11, 1988.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"Presenter_name":["Bowering, George"],"Series_organizer_name":["Bowering, George"],"Performance_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"Half-track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"Dates":["[{\"date\":\"1970 4 3\",\"type\":\"Performance Date\",\"notes\":\"Date written on sticker on the back of the tape's box. Date also specified in previous written announcement \\\"Poetry Four: Sir George Williams Poetry Series\\\"\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Room H-651\",\"notes\":\"Location specified in previous written announcement \\\"Poetry Four: Sir George Williams Poetry Series,\\\" but not confirmed\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Room H-651"],"City":["Montreal, Quebec"],"content_notes":["Joel Oppeheimer reads from In Time: Poems 1962-1968 (Bobbs-Merrill,1969) as well as poems from Just Friends/Friends and Lovers (Jargon Society) which was only published in 1980."],"contents":["joel_oppenheimer_i006-11-012.mp3\n\nGeorge Bowering\n00:00:00\nI suppose everybody knows everything that everybody would say in an introduction to Joel Oppenheimer [https://www.wikidata.org/wiki/Q6213806] anyway, the Black Mountain [https://www.wikidata.org/wiki/Q2413277] blah blah blah, and the director of the St. Mark's Poetry Project [https://www.wikidata.org/wiki/Q7207506] blah blah blah but what I would like to mention specifically is that there's a big fat book called In Time with about 225 pages of Joel's poetry from the 1960's published by Bobbs-Merrill [https://www.wikidata.org/wiki/Q4934692] distributed by McClelland & Stewart [https://www.wikidata.org/wiki/Q6800322] in Canada [https://www.wikidata.org/wiki/Q16] if they ever get into bookstores in Montreal [https://www.wikidata.org/wiki/Q340]. Joel Oppenheimer, thank you.\n \nJoel Oppenheimer\n00:00:44\nI really didn't like, George [https://www.wikidata.org/wiki/Q1239280], being referred to as being a Black Mountain blah blah blah. I happen to be the finest softball pitcher Black Mountain ever had. And so that none of you lose any sleep tonight, the uniform is genuine United States [https://www.wikidata.org/wiki/Q30] Merchant Marine [https://www.wikidata.org/wiki/Q865132] uniform and the fifth stripe, the purple stripe denotes me as a chief poet, which I was appointed by three captains, two chief engineers and several assorted mates of United States lines and we invented the uniform one night and they threw in all the materials and my wife gave it to me for a Christmas present, so I am responsible for the moral, religious, emotional and sexual life of the crew while at sea. It's a very serious duty! The book that's out now is actually my fourth book of poems, the first to some of you may be familiar with some of the poems from The New American Poetry [https://www.wikidata.org/wiki/Q7753501]and so on, The Dutiful Son and The Love Bit. And In Time is the fourth book. The third book is a little known book because Jonathan Williams [https://www.wikidata.org/wiki/Q6274797] has been carrying it around in his briefcase for eight years and sends me postcards every six month saying he's bringing it out. I thought maybe since it probably will never get published I should read some poems from there, it's called Friends and Lovers and most of the poems have initialed inscriptions, some of which I will name to you, and some of which somebody going for his Master's thirty years from now will have to do a lot of research to figure out. It's divided into two parts, obviously in the first part is friends and in the second part is lovers. This is the dedicatory poem. \"Orpheus\" [https://www.wikidata.org/wiki/Q174353].\n \nJoel Oppenheimer\n00:02:52\nReads \"Orpheus\" [published later in Just Friends/Friends and Lovers].\n \nJoel Oppenheimer\n00:03:20\nThis is a poem called \"Lesson I\" and it's for Charles Olson [https://www.wikidata.org/wiki/Q922978]. It's also as sure you all recognize upon a parody on one of Pound's [https://www.wikidata.org/wiki/Q163366] Usury Cantos [https://www.wikidata.org/wiki/Q2701465] and it's based on an actual softball incident in which Charles was supposed to be coaching third base and instead was discussing Etruscan sculpture when I was rounding second on a long drive to left centre field.\n \nJoel Oppenheimer\n00:03:54\nReads \"Lesson I\".\n \nJoel Oppenheimer\n00:04:30\nCharles got very upset about that. This is a poem for Franz Kline [https://www.wikidata.org/wiki/Q374492]. Do I need to tell you who Franz was? Alright, if anybody doesn't know should ask the person next to them after the reading…”Pablo Nerruda--” It’s called “The Boys Whose Fathers\".\n \nJoel Oppenheimer\n00:04:57\nReads \"The Boys Whose Fathers\".\n \nJoel Oppenheimer\n00:08:31\nAnd this is for Cubby Selby [https://www.wikidata.org/wiki/Q551487] who wrote Last Exit to Brooklyn [https://www.wikidata.org/wiki/Q1400274]. “A Poem In Tune With Its Time”.\n \nJoel Oppenheimer\n00:08:39\nReads “A Poem In Tune With Its Time”.\n \nJoel Oppenheimer\n00:09:13\nThis is for Phillip Guston [https://www.wikidata.org/wiki/Q701952]. That's very strange, I find that now I can say the names. Philip is a still surviving member of the New York [https://www.wikidata.org/wiki/Q60] Abstract Expressionist school, or whatever they call it these days. And a marvelous painter.\n \nJoel Oppenheimer\n00:09:30\nReads \"A Grace for Painters\".\n \nJoel Oppenheimer\n00:11:21\nThis is another poem for Charles Olson. It's called \"Okay\". This is a funny book because it was written about 1961, as I say literally, it's been carried around in manuscript form for eight years and why I never pulled it back except that those damn postcards kept coming in so I kept saying, okay, six months more and it just was a scene I got into where I, personal poems to people became a thing that I was doing at that time. It's called \"Okay\".\n \nJoel Oppenheimer\n00:12:10\nReads \"Okay\".\n \nJoel Oppenheimer\n00:13:54\nThank you. I don't know how many of you knew Charles, that was a visit to New York and we did have a marvelous meal in New York's Chinatown [https://www.wikidata.org/wiki/Q866332] and I just said to the guy, you know, bring us so many dollars worth of food, and there were eleven of us, Ed Dorn [https://www.wikidata.org/wiki/Q5334756] and his wife were with us and LeRoi Jones [https://www.wikidata.org/wiki/Q354783] and his wife and Charles, and we sat there and they kept bringing dishes out everybody stuffed themselves and we were all sitting there and Charles, as most of you know was about 6'7” and about 250 pounds and after all this food had come out and been consumed, the guy came out with a sea bass about this big, and everybody sorta looked and Charles said, \"Oh, thank you Joel\" and proceeded to demolish this thing. Well, everybody just sitting...[audience laughter]. Ah, yes! I have a Canadian poem for you. I didn't even know that. This is a poem for Ed Dorn and it's called \"The Fourth Ark Royal\". One night at a bar called Dylan's, Ed and I had seen each other for the first time for about six years and a couple of sailors came in and they had Ark Royal on their caps and Canadian badges and finally after a couple of drinks I asked one of them what the Ark Royal was, and to their shame and my chagrin, and they really were abashed when they said it, it turns out now that the Ark Royal is now a Corvette, uh, after a long distinguished history and not that--I'm sure that it's a great Corvette, but still, a Corvette is a Corvette, you know.\n \nJoel Oppenheimer\n00:16:03\nReads \"The Fourth Ark Royal\".\n \nJoel Oppenheimer\n00:20:03\nDoes anybody know where the Fourth Ark Royal is anchored? I'll go see it tomorrow. I have to make a confession, I pulled a dreadful gaff yesterday and I'm sure that Stan and George are going to spread it around after I leave, so I'm going to confess it in public. I said \"Gee, we're going to be here for a couple of days and there's one thing I'd really like to see. And do you suppose somebody might, you know, give us a lift to the Plains of Abraham [https://www.wikidata.org/wiki/Q2726825]\", and they both looked at me and said \"It's 100 miles away in Quebec [https://www.wikidata.org/wiki/Q176]\" and I said \"Oh my god, you're right\" and then I got home, to the hotel, and I was reading through, what's the name of that lovely magazine they give you at the hotel? Canada Today or something, and I was reading through, and when I saw them today, I said \"Oh well, I was wrong about the Plains of Abraham, but we guys captured Montreal once\" and it made me feel much better. Of course, we didn't hold it very long, I think a day we were here. This is a thing called \"Spring Poem\". And let's hope that it gets here.\n \nJoel Oppenheimer\n00:21:24\nReads \"Spring Poem\".\n \nJoel Oppenheimer\n00:21:39\nAhah! Yes, gee, I don't know if you're liking these, but I'm so delighted, I really haven't looked at these poems in moons, and it's...this is a poem for Gil Sorrentino [https://www.wikidata.org/wiki/Q326773] called \"The Aces\", and it starts with a quote from Antony and Cleopatra [https://www.wikidata.org/wiki/Q606830]. And it's when, it's the speech that's always quoted where the death is announced to her, and everybody always quotes the crown he bestride the continents like [unintelligible] and crowns--the crown would drop from his pocket, but I always love the end of it, near the end, she says \"His delights were dolphin-like, they showed his back above the element they lived in\".\n \nJoel Oppenheimer\n00:22:28\nReads \"The Aces\".\n \nJoel Oppenheimer\n00:23:36\nFor J.C. Just to add a little mystery.\n \nJoel Oppenheimer\n00:23:56\nReads unnamed poem \"There are waterfalls pour straight down\".\n \nJoel Oppenheimer\n00:24:48\n\"La Revolución\", for J.S.\n \nJoel Oppenheimer\n00:24:51\nReads \"La Revolución\".\n \nJoel Oppenheimer\n00:25:55\nI think what I'll do is read one--this is kind of a long poem, are you up to a longish poem and then we'll call a break? \"A Little Mayan Head\", for E.W.\n \nJoel Oppenheimer\n00:26:23\nReads \"A Little Mayan Head\".\n\nUnknown\n00:30:22\n[Cut or edit made in tape. Unknown amount of time elapsed].\n \nJoel Oppenheimer\n00:30:23\nIt's titled \"N.B.\", but that isn't for a lady, that's Nota Bene, if I am correcting--if I am pronouncing that correctly, or correcting that pronouncedly.\n \nJoel Oppenheimer\n00:30:34\nReads \"N.B.\"\n \nJoel Oppenheimer\n00:31:10\n\"Poem for New Children\", for E. and L.\n \nJoel Oppenheimer\n00:31:14\nReads \"Poem for New Children\".\n \nJoel Oppenheimer\n00:31:35\n\"Peire Vidal at Thirty-Two\" and any of you who don't know Peire Vidal [https://www.wikidata.org/wiki/Q5269] are instructed to report to George Bowering on Monday morning and he will give you a lecture on Peire Vidal. And George, if you don't have a lecture prepared, you better by then. Peire Vidal was the most marvelous poet in the world, his vida begins, Peire Vidal was the son of a rich fourrier in Toulouse [https://www.wikidata.org/wiki/Q7880], he sang better than any man in the world and he wrote good songs and he was the biggest fool the world has ever known because he believed that what a woman told him in love was true. He also [audience laughter] wrote a poem, this will get an even bigger hit when he was an old man he wrote a gorgeous poem that I can't quote, and you can thank me for that, he wrote a gorgeous poem in which in the first stanza, he avowed his eternal love to four different chicks [audience laughter]. \n \nJoel Oppenheimer\n00:32:4\nReads \"Peire Vidal at Thirty-Two\".\n \nJoel Oppenheimer\n00:33:16\n\"The Truck Farmer\", for R. F.\n \nJoel Oppenheimer\n00:33:25\nReads \"The Truck Farmer\".\n \nJoel Oppenheimer\n00:35:01\n\"Dutch Interior: Sewing\", also for R.F. R.F. was my first wife.\n \nJoel Oppenheimer\n00:35:07\nReads \"Dutch Interior: Sewing\".\n \nJoel Oppenheimer\n00:35:36\n\"Clams on the Half-Shelf\" for M.M. And I must say I've been very disappointed, because everybody kept telling me what great seafood restaurants Montreal has and the only seafood I can really stand is fresh clams and every restaurant I go into says, \"Oh, yeah, we have oysters but we don't serve clams\". Does anyone know a restaurant where I can get fresh clams?...This is for M.M.\n \nJoel Oppenheimer\n00:36:09\nReads \"Clams on the Half-Shelf\".\n \nJoel Oppenheimer\n00:36:48\nI must confess to the ladies in the audience that my book has been branded by women's lib in New York as insulting to women, and I have great fights with all of them, I praise their bosoms, and they sort of calm down then, but they still keep putting up stickers on my book jackets. It's amazing what you can do to a women's lib chick if you just tell her that she has very nice tits, really. Immediately they desert the movement. \"New Blues for the Moon\" for D.D.\n \nJoel Oppenheimer\n00:37:34\nReads \"New Blues for the Moon\" [from In Time: 1962-1968].\n \nJoel Oppenheimer\n00:38:10\nIt took me four years after, I got the rhyme line to \"I know your door better than my own\" but now it's too late to write the blues, but if anybody's interested, it's \"And if you won't have me I still ain't goin' home.\" \"A Love Poem\" for M.S.\n \nJoel Oppenheimer\n00:38:33\nReads \"A Love Poem\".\n \nJoel Oppenheimer\n00:39:08\nOh yeah, that's a nice poem for today. \"Third of April\", for M.R.\n \nJoel Oppenheimer\n00:39:16\nReads \"Third of April\".\n \nJoel Oppenheimer\n00:39:59\n\"A Five Act Play\" for B.J.\n \nJoel Oppenheimer\n00:40:02\nReads \"A Five Act Play\".\n \nJoel Oppenheimer\n00:40:27\n\"Nature Boy\" for B.C. Helen, are you keeping notes on these initials?\n \nJoel Oppenheimer\n00:40:41\nReads \"Nature Boy\".\n \nJoel Oppenheimer\n00:41:22\n\"Flora\" for J.G.\n \nAnnotation\n00:41:31\nReads \"Flora\".\n \nJoel Oppenheimer\n00:42:04\nI'm not sure I like this poem but the story behind it is funny. The really, the fairest break-up, for very strange reasons, and this one literally broke up because the first day that the chick made me sunny-side up eggs, she mashed the yolk with her fork. [Audience laughter]. I knew that no matter how beautiful the scene had been I couldn't stay there anymore. It's called \"Purple Flowers\" and it's for S.G., wherever you might be.\n \nJoel Oppenheimer\n00:42:54\nReads \"Purple Flowers\" [audience laughter throughout].\n \nJoel Oppenheimer\n00:43:29\n\"The Apples\" for D.R.\n \nJoel Oppenheimer\n00:43:35\nReads \"The Apples\".\n \nJoel Oppenheimer\n00:44:10\nI have--this is the last poem in the book and if you want to hear some stuff from--this is a longish one, why don't we call a stop after this, and if people want to split, split and if people want to stay I'll read a little bit more from the new book. \"When What You Dream\" for F.E.\n \nJoel Oppenheimer\n00:44:45\nReads \"When What You Dream\".\n \nJoel Oppenheimer\n00:51:07\nThis book starts with a poem that was turned down by at least 37 little magazines, and I finally blackjacked it in as the introductory poem. It's called \"The Poem\".\n \nJoel Oppenheimer\n00:51:36\nReads \"The Poem\" [from In Time: 1962-1968].\n \nJoel Oppenheimer\n00:51:45\nNobody liked it. Dan Rice is the only person in the world I know that likes that poem. And I think it's the best poem I ever wrote. This is a poem for the other poet I have to most love for, Li Po [https://www.wikidata.org/wiki/Q7071], the Chinese poet from 700, 800, roughly. It's called \"shooting the moon\". Li Po, his particular distinctions were that he seduced the emperor of China's [https://www.wikidata.org/wiki/Q148] favourite courtesan, and showed up two hours late for the date, bombed out of his skull, and fell asleep on her bosom before doing anything, and the emperor was not terribly amused by it but at the same time he was impressed by the enormity of the action so he exiled him to the mountains but he gave him like 50 thousand acres and bread for life, it's just he was not to show up in court ever again. While there, he did several notable things, one of which is writing the best lush poem that's ever been written cause he got up on a beautiful spring day and was sitting out on his terrace and his servant brought him breakfast and he ate it and he started drinking some sake and the next thing he knew it was nine o'clock at night and like he had sorta missed spring so he started drinking again, and the last line of the poem is something like \"two hours later I was dancing with the moon\". So, he worked it out. The only problem was, that he was literally in love with the moon, and this image runs through his poem, and one night on the way home from a wine tavern, he decided finally to make it with the moon and he sat down at the edge of the river, left it under a rock with his clothes and dove in to screw the moon, literally, the reflection in the water, and drowned. And one hopes that--I don't know what the autopsy showed, but one hopes that he did make it before he drowned, you know, like, you have to love, you know, a guy like that.\n \nJoel Oppenheimer\n00:54:28\nReads \"Shooting the Moon\" [from In Time: 1962-1968].\n \nJoel Oppenheimer\n00:56:37\nHelen, do you remember, by any chance, where the other moon poem is? Hold on one--I think I have it. Marvelous picture in the Times [https://www.wikidata.org/wiki/Q9684] one day, the first time they took a--the first time one of the things went around the moon, and I wrote a very funny poem about it I think, if I can find it here. Oh well, while I'm looking for it, I'll read you \"Zeus, in May, Reflects on a Recent Letter from Astarte\".\n \nJoel Oppenheimer\n00:57:53\nReads \"Zeus, in May, Reflects on a Recent Letter from Astarte\" [from In Time: 1962-1968].\n \nJoel Oppenheimer\n00:58:37\nAm I allowed to read dirty poems here? Yeah? This is a poem called \"Poem in Praise of Perseverance\". And anybody who doesn't want to hear it should close their ears. This is another poem that was rejected by about 40 magazines.\n \nJoel Oppenheimer\n00:59:05\nReads \"Poem in Praise of Perseverance\" [from In Time: 1962-1968].\n \nJoel Oppenheimer\n00:59:34\nI really do want to find that damn moon poem. Alright, \"The New Standard Simplified American Cabala for Home Use\".\n \nJoel Oppenheimer\n00:59:53\nReads \"The New Standard Simplified American Cabala for Home Use\" [from In Time: 1962-1968].\n \nJoel Oppenheimer\n01:00:12\n\"The Three Old Ladies\".\n \nJoel Oppenheimer\n01:00:24\nReads \"The Three Old Ladies\" [from In Time: 1962-1968].\n \nJoel Oppenheimer\n01:01:14\nThat poem incidentally was because of a little incident in a college in Brooklyn [https://www.wikidata.org/wiki/Q18419] because they had a lady faculty member as a cop and she listened to me read and she objected to only one word in the entire reading and that was 'hard-on' and I suggested gently to the woman who called me about it that that might be that lady's problem, if she could listen to my--I found the moon poem, thank god--if that was the only word she found to object to that I really thought she might need a little help somewhere from somebody. \"Wrong Again\".\n \nJoel Oppenheimer\n01:02:11\nReads \"Wrong Again\" [from In Time: 1962-1968; audience laughter throughout].\n \nEND\n01:03:25\n[Cut off abruptly]."],"Note":["[{\"note\":\"Year-Specific Information:  \\n\\nIn Time: Poems 1962-1968 was published in 1969 while Joel Oppenheimer was writing columns for the Village Voice in New York City.\",\"type\":\"General\"},{\"note\":\"Local Connections:\\n\\nNo direct connections to Montreal or Sir George Williams University are known, however Oppenheimer was an influential member of the Black Mountain group, and a director of the Poetry Project at St. Mark’s Church in-the-Bowery in New York. George Bowering’s name appears on the list of correspondences between 1969 and 1978, in Joel Oppenheimer’s Papers. (See Related Works).\",\"type\":\"General\"},{\"note\":\"Original transcript, research, introduction and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Ali Barillaro\",\"type\":\"Cataloguer\"},{\"note\":\"Reel-to-reel tape>CD>digital file\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-twentieth-century-poetry-in-english/oclc/807465072&referer=brief_results\",\"citation\":\"Foster, Edward.\\\"Oppenheimer, Joel\\\". The Oxford Companion to Twentieth-Century Poetry in  English. Ian Hamilton (ed). Oxford University Press, 1996. \"},{\"url\":\"http://doddcentre.uconn.edu/           \\tfindaids/Oppenheimer/MSS19900056.html\",\"citation\":\"“Joel Oppenheimer Papers”. Archives & Special Collections at the Thomas J. Dodd Center, University of Connecticut, 2003.\"},{\"url\":\"https://www.worldcat.org/title/in-time-poems-1962-1968/oclc/48666?referer=di&ht=edition\",\"citation\":\"Oppenheimer, Joel. In Time: poems 1962-1968. Indianapolis: Bobbs-Merril, 1969.\"},{\"url\":\"https://www.worldcat.org/title/just-friendsfriends-and-lovers-poems-1959-1962/oclc/869017166&referer=brief_results\",\"citation\":\"Oppenheimer, Joel. Just Friends/Friends and Lovers. Asheville: Jargon Society, 1980.\"},{\"url\":\"\",\"citation\":\"“Oppenheimer, Joel”. Literature Online Biography. Proquest, 2008. \"},{\"url\":\"\",\"citation\":\"“Poetry Four: Sir George Williams Poetry Series, Ninth Reading, Al Purdy”. Montreal: Sir George Williams University, 1970. Found in “The Stephen Morrissey Papers, 1963 - 1998”, McGill McLennan Library, Special Collections and Rare Books, Montreal, Quebec, Canada.\"}]"],"_version_":1853670548984299520,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006-11-0012_tape.jpg\",\"file_path\":\"\",\"filename\":\"I0006-11-0012_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Joel Oppenheimer Tape Box - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006-11-0012_front.jpg\",\"file_path\":\"\",\"filename\":\"I0006-11-0012_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Joel Oppenheimer Tape Box - Front\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006-11-0012_back.jpg\",\"file_path\":\"\",\"filename\":\"I0006-11-0012_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Joel Oppenheimer Tape Box - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006-11-0012_side.jpg\",\"file_path\":\"\",\"filename\":\"I0006-11-0012_side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Joel Oppenheimer Tape Box - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/joel_oppenheimer_i006-11-012.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"joel_oppenheimer_i006-11-012.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:03:25\",\"precision\":\"\",\"size\":\"152.2 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"George Bowering\\n00:00:00\\nI suppose everybody knows everything that everybody would say in an introduction to Joel Oppenheimer [https://www.wikidata.org/wiki/Q6213806] anyway, the Black Mountain [https://www.wikidata.org/wiki/Q2413277] blah blah blah, and the director of the St. Mark's Poetry Project [https://www.wikidata.org/wiki/Q7207506] blah blah blah but what I would like to mention specifically is that there's a big fat book called In Time with about 225 pages of Joel's poetry from the 1960's published by Bobbs-Merrill [https://www.wikidata.org/wiki/Q4934692] distributed by McClelland & Stewart [https://www.wikidata.org/wiki/Q6800322] in Canada [https://www.wikidata.org/wiki/Q16] if they ever get into bookstores in Montreal [https://www.wikidata.org/wiki/Q340]. Joel Oppenheimer, thank you.\\n \\nJoel Oppenheimer\\n00:00:44\\nI really didn't like, George [https://www.wikidata.org/wiki/Q1239280], being referred to as being a Black Mountain blah blah blah. I happen to be the finest softball pitcher Black Mountain ever had. And so that none of you lose any sleep tonight, the uniform is genuine United States [https://www.wikidata.org/wiki/Q30] Merchant Marine [https://www.wikidata.org/wiki/Q865132] uniform and the fifth stripe, the purple stripe denotes me as a chief poet, which I was appointed by three captains, two chief engineers and several assorted mates of United States lines and we invented the uniform one night and they threw in all the materials and my wife gave it to me for a Christmas present, so I am responsible for the moral, religious, emotional and sexual life of the crew while at sea. It's a very serious duty! The book that's out now is actually my fourth book of poems, the first to some of you may be familiar with some of the poems from The New American Poetry [https://www.wikidata.org/wiki/Q7753501]and so on, The Dutiful Son and The Love Bit. And In Time is the fourth book. The third book is a little known book because Jonathan Williams [https://www.wikidata.org/wiki/Q6274797] has been carrying it around in his briefcase for eight years and sends me postcards every six month saying he's bringing it out. I thought maybe since it probably will never get published I should read some poems from there, it's called Friends and Lovers and most of the poems have initialed inscriptions, some of which I will name to you, and some of which somebody going for his Master's thirty years from now will have to do a lot of research to figure out. It's divided into two parts, obviously in the first part is friends and in the second part is lovers. This is the dedicatory poem. \\\"Orpheus\\\" [https://www.wikidata.org/wiki/Q174353].\\n \\nJoel Oppenheimer\\n00:02:52\\nReads \\\"Orpheus\\\" [published later in Just Friends/Friends and Lovers].\\n \\nJoel Oppenheimer\\n00:03:20\\nThis is a poem called \\\"Lesson I\\\" and it's for Charles Olson [https://www.wikidata.org/wiki/Q922978]. It's also as sure you all recognize upon a parody on one of Pound's [https://www.wikidata.org/wiki/Q163366] Usury Cantos [https://www.wikidata.org/wiki/Q2701465] and it's based on an actual softball incident in which Charles was supposed to be coaching third base and instead was discussing Etruscan sculpture when I was rounding second on a long drive to left centre field.\\n \\nJoel Oppenheimer\\n00:03:54\\nReads \\\"Lesson I\\\".\\n \\nJoel Oppenheimer\\n00:04:30\\nCharles got very upset about that. This is a poem for Franz Kline [https://www.wikidata.org/wiki/Q374492]. Do I need to tell you who Franz was? Alright, if anybody doesn't know should ask the person next to them after the reading…”Pablo Nerruda--” It’s called “The Boys Whose Fathers\\\".\\n \\nJoel Oppenheimer\\n00:04:57\\nReads \\\"The Boys Whose Fathers\\\".\\n \\nJoel Oppenheimer\\n00:08:31\\nAnd this is for Cubby Selby [https://www.wikidata.org/wiki/Q551487] who wrote Last Exit to Brooklyn [https://www.wikidata.org/wiki/Q1400274]. “A Poem In Tune With Its Time”.\\n \\nJoel Oppenheimer\\n00:08:39\\nReads “A Poem In Tune With Its Time”.\\n \\nJoel Oppenheimer\\n00:09:13\\nThis is for Phillip Guston [https://www.wikidata.org/wiki/Q701952]. That's very strange, I find that now I can say the names. Philip is a still surviving member of the New York [https://www.wikidata.org/wiki/Q60] Abstract Expressionist school, or whatever they call it these days. And a marvelous painter.\\n \\nJoel Oppenheimer\\n00:09:30\\nReads \\\"A Grace for Painters\\\".\\n \\nJoel Oppenheimer\\n00:11:21\\nThis is another poem for Charles Olson. It's called \\\"Okay\\\". This is a funny book because it was written about 1961, as I say literally, it's been carried around in manuscript form for eight years and why I never pulled it back except that those damn postcards kept coming in so I kept saying, okay, six months more and it just was a scene I got into where I, personal poems to people became a thing that I was doing at that time. It's called \\\"Okay\\\".\\n \\nJoel Oppenheimer\\n00:12:10\\nReads \\\"Okay\\\".\\n \\nJoel Oppenheimer\\n00:13:54\\nThank you. I don't know how many of you knew Charles, that was a visit to New York and we did have a marvelous meal in New York's Chinatown [https://www.wikidata.org/wiki/Q866332] and I just said to the guy, you know, bring us so many dollars worth of food, and there were eleven of us, Ed Dorn [https://www.wikidata.org/wiki/Q5334756] and his wife were with us and LeRoi Jones [https://www.wikidata.org/wiki/Q354783] and his wife and Charles, and we sat there and they kept bringing dishes out everybody stuffed themselves and we were all sitting there and Charles, as most of you know was about 6'7” and about 250 pounds and after all this food had come out and been consumed, the guy came out with a sea bass about this big, and everybody sorta looked and Charles said, \\\"Oh, thank you Joel\\\" and proceeded to demolish this thing. Well, everybody just sitting...[audience laughter]. Ah, yes! I have a Canadian poem for you. I didn't even know that. This is a poem for Ed Dorn and it's called \\\"The Fourth Ark Royal\\\". One night at a bar called Dylan's, Ed and I had seen each other for the first time for about six years and a couple of sailors came in and they had Ark Royal on their caps and Canadian badges and finally after a couple of drinks I asked one of them what the Ark Royal was, and to their shame and my chagrin, and they really were abashed when they said it, it turns out now that the Ark Royal is now a Corvette, uh, after a long distinguished history and not that--I'm sure that it's a great Corvette, but still, a Corvette is a Corvette, you know.\\n \\nJoel Oppenheimer\\n00:16:03\\nReads \\\"The Fourth Ark Royal\\\".\\n \\nJoel Oppenheimer\\n00:20:03\\nDoes anybody know where the Fourth Ark Royal is anchored? I'll go see it tomorrow. I have to make a confession, I pulled a dreadful gaff yesterday and I'm sure that Stan and George are going to spread it around after I leave, so I'm going to confess it in public. I said \\\"Gee, we're going to be here for a couple of days and there's one thing I'd really like to see. And do you suppose somebody might, you know, give us a lift to the Plains of Abraham [https://www.wikidata.org/wiki/Q2726825]\\\", and they both looked at me and said \\\"It's 100 miles away in Quebec [https://www.wikidata.org/wiki/Q176]\\\" and I said \\\"Oh my god, you're right\\\" and then I got home, to the hotel, and I was reading through, what's the name of that lovely magazine they give you at the hotel? Canada Today or something, and I was reading through, and when I saw them today, I said \\\"Oh well, I was wrong about the Plains of Abraham, but we guys captured Montreal once\\\" and it made me feel much better. Of course, we didn't hold it very long, I think a day we were here. This is a thing called \\\"Spring Poem\\\". And let's hope that it gets here.\\n \\nJoel Oppenheimer\\n00:21:24\\nReads \\\"Spring Poem\\\".\\n \\nJoel Oppenheimer\\n00:21:39\\nAhah! Yes, gee, I don't know if you're liking these, but I'm so delighted, I really haven't looked at these poems in moons, and it's...this is a poem for Gil Sorrentino [https://www.wikidata.org/wiki/Q326773] called \\\"The Aces\\\", and it starts with a quote from Antony and Cleopatra [https://www.wikidata.org/wiki/Q606830]. And it's when, it's the speech that's always quoted where the death is announced to her, and everybody always quotes the crown he bestride the continents like [unintelligible] and crowns--the crown would drop from his pocket, but I always love the end of it, near the end, she says \\\"His delights were dolphin-like, they showed his back above the element they lived in\\\".\\n \\nJoel Oppenheimer\\n00:22:28\\nReads \\\"The Aces\\\".\\n \\nJoel Oppenheimer\\n00:23:36\\nFor J.C. Just to add a little mystery.\\n \\nJoel Oppenheimer\\n00:23:56\\nReads unnamed poem \\\"There are waterfalls pour straight down\\\".\\n \\nJoel Oppenheimer\\n00:24:48\\n\\\"La Revolución\\\", for J.S.\\n \\nJoel Oppenheimer\\n00:24:51\\nReads \\\"La Revolución\\\".\\n \\nJoel Oppenheimer\\n00:25:55\\nI think what I'll do is read one--this is kind of a long poem, are you up to a longish poem and then we'll call a break? \\\"A Little Mayan Head\\\", for E.W.\\n \\nJoel Oppenheimer\\n00:26:23\\nReads \\\"A Little Mayan Head\\\".\\n\\nUnknown\\n00:30:22\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n \\nJoel Oppenheimer\\n00:30:23\\nIt's titled \\\"N.B.\\\", but that isn't for a lady, that's Nota Bene, if I am correcting--if I am pronouncing that correctly, or correcting that pronouncedly.\\n \\nJoel Oppenheimer\\n00:30:34\\nReads \\\"N.B.\\\"\\n \\nJoel Oppenheimer\\n00:31:10\\n\\\"Poem for New Children\\\", for E. and L.\\n \\nJoel Oppenheimer\\n00:31:14\\nReads \\\"Poem for New Children\\\".\\n \\nJoel Oppenheimer\\n00:31:35\\n\\\"Peire Vidal at Thirty-Two\\\" and any of you who don't know Peire Vidal [https://www.wikidata.org/wiki/Q5269] are instructed to report to George Bowering on Monday morning and he will give you a lecture on Peire Vidal. And George, if you don't have a lecture prepared, you better by then. Peire Vidal was the most marvelous poet in the world, his vida begins, Peire Vidal was the son of a rich fourrier in Toulouse [https://www.wikidata.org/wiki/Q7880], he sang better than any man in the world and he wrote good songs and he was the biggest fool the world has ever known because he believed that what a woman told him in love was true. He also [audience laughter] wrote a poem, this will get an even bigger hit when he was an old man he wrote a gorgeous poem that I can't quote, and you can thank me for that, he wrote a gorgeous poem in which in the first stanza, he avowed his eternal love to four different chicks [audience laughter]. \\n \\nJoel Oppenheimer\\n00:32:4\\nReads \\\"Peire Vidal at Thirty-Two\\\".\\n \\nJoel Oppenheimer\\n00:33:16\\n\\\"The Truck Farmer\\\", for R. F.\\n \\nJoel Oppenheimer\\n00:33:25\\nReads \\\"The Truck Farmer\\\".\\n \\nJoel Oppenheimer\\n00:35:01\\n\\\"Dutch Interior: Sewing\\\", also for R.F. R.F. was my first wife.\\n \\nJoel Oppenheimer\\n00:35:07\\nReads \\\"Dutch Interior: Sewing\\\".\\n \\nJoel Oppenheimer\\n00:35:36\\n\\\"Clams on the Half-Shelf\\\" for M.M. And I must say I've been very disappointed, because everybody kept telling me what great seafood restaurants Montreal has and the only seafood I can really stand is fresh clams and every restaurant I go into says, \\\"Oh, yeah, we have oysters but we don't serve clams\\\". Does anyone know a restaurant where I can get fresh clams?...This is for M.M.\\n \\nJoel Oppenheimer\\n00:36:09\\nReads \\\"Clams on the Half-Shelf\\\".\\n \\nJoel Oppenheimer\\n00:36:48\\nI must confess to the ladies in the audience that my book has been branded by women's lib in New York as insulting to women, and I have great fights with all of them, I praise their bosoms, and they sort of calm down then, but they still keep putting up stickers on my book jackets. It's amazing what you can do to a women's lib chick if you just tell her that she has very nice tits, really. Immediately they desert the movement. \\\"New Blues for the Moon\\\" for D.D.\\n \\nJoel Oppenheimer\\n00:37:34\\nReads \\\"New Blues for the Moon\\\" [from In Time: 1962-1968].\\n \\nJoel Oppenheimer\\n00:38:10\\nIt took me four years after, I got the rhyme line to \\\"I know your door better than my own\\\" but now it's too late to write the blues, but if anybody's interested, it's \\\"And if you won't have me I still ain't goin' home.\\\" \\\"A Love Poem\\\" for M.S.\\n \\nJoel Oppenheimer\\n00:38:33\\nReads \\\"A Love Poem\\\".\\n \\nJoel Oppenheimer\\n00:39:08\\nOh yeah, that's a nice poem for today. \\\"Third of April\\\", for M.R.\\n \\nJoel Oppenheimer\\n00:39:16\\nReads \\\"Third of April\\\".\\n \\nJoel Oppenheimer\\n00:39:59\\n\\\"A Five Act Play\\\" for B.J.\\n \\nJoel Oppenheimer\\n00:40:02\\nReads \\\"A Five Act Play\\\".\\n \\nJoel Oppenheimer\\n00:40:27\\n\\\"Nature Boy\\\" for B.C. Helen, are you keeping notes on these initials?\\n \\nJoel Oppenheimer\\n00:40:41\\nReads \\\"Nature Boy\\\".\\n \\nJoel Oppenheimer\\n00:41:22\\n\\\"Flora\\\" for J.G.\\n \\nAnnotation\\n00:41:31\\nReads \\\"Flora\\\".\\n \\nJoel Oppenheimer\\n00:42:04\\nI'm not sure I like this poem but the story behind it is funny. The really, the fairest break-up, for very strange reasons, and this one literally broke up because the first day that the chick made me sunny-side up eggs, she mashed the yolk with her fork. [Audience laughter]. I knew that no matter how beautiful the scene had been I couldn't stay there anymore. It's called \\\"Purple Flowers\\\" and it's for S.G., wherever you might be.\\n \\nJoel Oppenheimer\\n00:42:54\\nReads \\\"Purple Flowers\\\" [audience laughter throughout].\\n \\nJoel Oppenheimer\\n00:43:29\\n\\\"The Apples\\\" for D.R.\\n \\nJoel Oppenheimer\\n00:43:35\\nReads \\\"The Apples\\\".\\n \\nJoel Oppenheimer\\n00:44:10\\nI have--this is the last poem in the book and if you want to hear some stuff from--this is a longish one, why don't we call a stop after this, and if people want to split, split and if people want to stay I'll read a little bit more from the new book. \\\"When What You Dream\\\" for F.E.\\n \\nJoel Oppenheimer\\n00:44:45\\nReads \\\"When What You Dream\\\".\\n \\nJoel Oppenheimer\\n00:51:07\\nThis book starts with a poem that was turned down by at least 37 little magazines, and I finally blackjacked it in as the introductory poem. It's called \\\"The Poem\\\".\\n \\nJoel Oppenheimer\\n00:51:36\\nReads \\\"The Poem\\\" [from In Time: 1962-1968].\\n \\nJoel Oppenheimer\\n00:51:45\\nNobody liked it. Dan Rice is the only person in the world I know that likes that poem. And I think it's the best poem I ever wrote. This is a poem for the other poet I have to most love for, Li Po [https://www.wikidata.org/wiki/Q7071], the Chinese poet from 700, 800, roughly. It's called \\\"shooting the moon\\\". Li Po, his particular distinctions were that he seduced the emperor of China's [https://www.wikidata.org/wiki/Q148] favourite courtesan, and showed up two hours late for the date, bombed out of his skull, and fell asleep on her bosom before doing anything, and the emperor was not terribly amused by it but at the same time he was impressed by the enormity of the action so he exiled him to the mountains but he gave him like 50 thousand acres and bread for life, it's just he was not to show up in court ever again. While there, he did several notable things, one of which is writing the best lush poem that's ever been written cause he got up on a beautiful spring day and was sitting out on his terrace and his servant brought him breakfast and he ate it and he started drinking some sake and the next thing he knew it was nine o'clock at night and like he had sorta missed spring so he started drinking again, and the last line of the poem is something like \\\"two hours later I was dancing with the moon\\\". So, he worked it out. The only problem was, that he was literally in love with the moon, and this image runs through his poem, and one night on the way home from a wine tavern, he decided finally to make it with the moon and he sat down at the edge of the river, left it under a rock with his clothes and dove in to screw the moon, literally, the reflection in the water, and drowned. And one hopes that--I don't know what the autopsy showed, but one hopes that he did make it before he drowned, you know, like, you have to love, you know, a guy like that.\\n \\nJoel Oppenheimer\\n00:54:28\\nReads \\\"Shooting the Moon\\\" [from In Time: 1962-1968].\\n \\nJoel Oppenheimer\\n00:56:37\\nHelen, do you remember, by any chance, where the other moon poem is? Hold on one--I think I have it. Marvelous picture in the Times [https://www.wikidata.org/wiki/Q9684] one day, the first time they took a--the first time one of the things went around the moon, and I wrote a very funny poem about it I think, if I can find it here. Oh well, while I'm looking for it, I'll read you \\\"Zeus, in May, Reflects on a Recent Letter from Astarte\\\".\\n \\nJoel Oppenheimer\\n00:57:53\\nReads \\\"Zeus, in May, Reflects on a Recent Letter from Astarte\\\" [from In Time: 1962-1968].\\n \\nJoel Oppenheimer\\n00:58:37\\nAm I allowed to read dirty poems here? Yeah? This is a poem called \\\"Poem in Praise of Perseverance\\\". And anybody who doesn't want to hear it should close their ears. This is another poem that was rejected by about 40 magazines.\\n \\nJoel Oppenheimer\\n00:59:05\\nReads \\\"Poem in Praise of Perseverance\\\" [from In Time: 1962-1968].\\n \\nJoel Oppenheimer\\n00:59:34\\nI really do want to find that damn moon poem. Alright, \\\"The New Standard Simplified American Cabala for Home Use\\\".\\n \\nJoel Oppenheimer\\n00:59:53\\nReads \\\"The New Standard Simplified American Cabala for Home Use\\\" [from In Time: 1962-1968].\\n \\nJoel Oppenheimer\\n01:00:12\\n\\\"The Three Old Ladies\\\".\\n \\nJoel Oppenheimer\\n01:00:24\\nReads \\\"The Three Old Ladies\\\" [from In Time: 1962-1968].\\n \\nJoel Oppenheimer\\n01:01:14\\nThat poem incidentally was because of a little incident in a college in Brooklyn [https://www.wikidata.org/wiki/Q18419] because they had a lady faculty member as a cop and she listened to me read and she objected to only one word in the entire reading and that was 'hard-on' and I suggested gently to the woman who called me about it that that might be that lady's problem, if she could listen to my--I found the moon poem, thank god--if that was the only word she found to object to that I really thought she might need a little help somewhere from somebody. \\\"Wrong Again\\\".\\n \\nJoel Oppenheimer\\n01:02:11\\nReads \\\"Wrong Again\\\" [from In Time: 1962-1968; audience laughter throughout].\\n \\nEND\\n01:03:25\\n[Cut off abruptly].\",\"notes\":\"Joel Oppeheimer reads from In Time: Poems 1962-1968 (Bobbs-Merrill,1969) as well as poems from Just Friends/Friends and Lovers (Jargon Society) which was only published in 1980.\\n\\n00:00- Introduction for Joel Oppeheimer, by George Bowering [INDEX: Black Mountain,       director of the St. Mark’s Poetry Project, In Time published by Bobbs-Merrill distributed   by McCaulin Stewart.]\\n00:44- Joel Oppenheimer speaks, introduces “Orpheus” [INDEX: Black Mountain Softball pitcher, United States Merchant Marine uniform. The New American Poetry, The Dutiful Son, Love Bit, Johnathan Williams, Friends and Lovers, initialed inscriptions explained]\\n02:52- Reads “Orpheus” from Friends and Lovers\\n03:20- Introduces “Lesson I” [INDEX: Charles Olson, Ezra Pound’s Usury Cantos, Etruscan sculpture]\\n03:54- Reads “Lesson I”\\n04:30- Introduces “The Boys Whose Fathers” [INDEX: Franz Klein]\\n04:57- Reads “The Boys Whose Fathers”\\n08:31- Introduces “A Poem In Tune With Its Time” [INDEX: Cubby Selby’s Last Exit to               Brooklyn]\\n08:39- Reads “A Poem In Tune With Its Time”\\n09:13- Introduces “New York Abstract Expressionist School: For Philip Guston”, published as “A Grace for Painters” [INDEX: Philip Guston, New York Abstract Expressionist school]\\n09:30- Reads “A Grace for Painters”\\n11:21- Introduces “Okay” [INDEX: Charles Olson, written in 1961, personal poems for friends]\\n12:10- Reads “Okay”\\n13:54- Introduces “The Fourth Ark Royal” [Howard Fink List “The Fourthork Royal”]         [INDEX: Charles Olson, New York’s China Town. Ed Dorn, LeRoi Jones, Dylan’s Bar,              Forth ArK Royal sailors, Corvette]\\n16:03- Reads “The Fourth Ark Royal” [INDEX: Stan[ley Hoffman], George [Bowering],     Plains of Abraham, Quebec City, Canada Today magazine]\\n20:03- Introduces “Spring Poem”\\n21:24- Reads “Spring Poem”\\n21:39- Introduces “The Aces” [INDEX: Gil[bert] Sorrentino, Shakespeare’s “Anthony and     Cleopatra”]\\n22:28- Reads “The Aces”\\n23:36- Introduces poem for J.C, first line “There are waterfalls pour straight down...”\\n23:56- Reads first line “There are waterfalls pour straight down...”\\n24:48- Introduces “La Revolucion”\\n24:51- Reads “La Revolucion”\\n25:55- Introduces “A Little Mayan Head”\\n26:23- Reads “A Little Mayan Head”\\n30:23- Introduces “N.B.” [INDEX: “Nota Bene”]\\n30:34- Reads “N.B.”\\n31:10- Introduces “Poem for New Children” [INDEX: poem for children]\\n31:14- Reads “Poem for New Children”\\n31:35- Introduces “Peire Vidal at Thirty-Two” [Howard Fink List “Pervy Dahl at 32”]         [INDEX: George Bowering, Peire Vidal, Toulouse]\\n32:44- Reads “Peire Vidal at Thirty-Two”\\n33:16- Introduces “The Truck Farmer”\\n33:25- Reads “The Truck Farmer”\\n35:01- Introduces “Dutch Interior: Sewing” [INDEX: R.F. initial is his first wife]\\n35:07- Reads “Dutch Interior: Sewing”\\n35:36- Introduces “Clams on a Half-Shelf”\\n36:09- Reads “Clams on a Half-Shelf”\\n36:48- Introduces “New Blues for the Moon” [INDEX: Women’s Liberation Movement        branded as insulting to women]\\n37:34- Reads “New Blues for the Moon”\\n38:10- Introduces “A Love Poem”\\n38:33- Reads “A Love Poem”\\n39:08- Introduces “Third of April”\\n39:16- Reads “Third of April”\\n39:59- Introduces “A Five Act Play”\\n40:02- Reads “A Five Act Play”\\n40:27- Introduces “Nature Boy”\\n40:41- Reads “Nature Boy”\\n41:22- Introduces “Flora”\\n41:31- Reads “Flora”\\n42:04- Introduces “Purple Flowers”\\n42:54- Reads “Purple Flowers”\\n43:29- Introduces “The Apples”\\n43:35- Reads “The Apples”\\n44:10- Introduces “When What You Dream”\\n44:45- Reads “When What You Dream”\\n51:07- Introduces “the poem” from In Time Poems\\n51:36- Reads “the poem”\\n51:45- Introduces “shooting the moon” [INDEX: Dan Rice, Li Po seducing the moon, moon imagery]\\n54:28- Reads “shooting the moon”\\n56:37- Introduces “zeus, in may, reflects on a recent letter from astarte” [Howard Fink List: Xertes] [INDEX: Times magazine picture of the moon]\\n57:53- Reads “zeus in may, reflects on a recent letter from astarte”\\n58:37- Introduces “poem in praise of perseverance” [INDEX: “dirty” poems]\\n59:05- Reads “poem in praise of perseverance”\\n59:34- Introduces “the new standard simplified american cabala for home use”\\n59:53- Reads “the new standard simplified american cabala for home use”\\n1:00:12- Introduces “the three old ladies”\\n1:00:24- Reads “the three old ladies”\\n1:01:14- Introduces “wrong again” [INDEX: reading at a college in Brooklyn]\\n1:02:11- Reads “wrong again”\\n1:03:25- END OF RECORDING\\n \\nHoward Fink List:\\nIntroduction by George Bowering\\nRecorded April 3, 1970\\npage 77\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/joel-oppenheimer-at-sgwu-1970/\"}]"],"score":0.01643844},{"id":"1305","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":[" David Bromige at Sir George Williams University, The Poetry Series, 6 November 1970"],"item_title_source":["Cataloguer"],"item_title_note":["\"DAVID BROMIGE recorded November 6, 1970 3.75 ips, on 1. mil tape 1/2 track\" written on sticker on the back of the tape box.\"RT 550\" written on sticker on the front of the tape box. \"DAVID BROMIGE I086-11-007\" written on the spine of the tape box. \"DAVID BROMIGE\" and \"RT 550\" also written on stickers on the reel."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 5"],"item_identifiers":["[]"],"creator_names":["Bromige, David"],"creator_names_search":["Bromige, David"],"creators":["[{\"url\":\"http://viaf.org/viaf/7436750\",\"name\":\"Bromige, David\",\"dates\":\"1933-2009\",\"notes\":\"David Bromige was born in London, England, on October 22, 1933. He spent most of his childhood in England, surviving the German blitzkrieg during World War II. Bromige then left for Canada, to pursue an undergraduate degree in English from the University of British Columbia. There he met George Bowering and the Tish group of poets, and worked as an editor for the UBC newspaper. In 1962, he graduated and was offered a scholarship to complete his Master’s Degree from the University of California at Berkeley. He completed both his M.A. (1964) and his Ph.D. (1970), when he began teaching at the Sonoma State University in 1970, a position he held until his retirement 23 years later. His first publication was The Gathering (Sumbooks, 1965), which was followed by The Ends of the Earth (Black Sparrow Press, 1968), Please, Like Me (Black Sparrow Press, 1968) and Threads (Black Sparrow Press, 1971). Bromige was involved in the San Francisco poetry renaissance of the late 1960’s and early 1970’s. He then published Birds of the West (Coach House Press, 1973), Ten Years in the Making: Selected Poems, Songs & Stories, 1961-1970 (Vancouver Community Press, 1973), Three Stories (Black Sparrow Press, 1973), Out of my Hands (Black Sparrow Press, 1974) and Tight Corners & What’s Around Them: Prose & Poems (Black Sparrow Press, 1974). Bromige has published over forty volumes of prose and poetry, including Living in Advance (Open Ready Press, 1976), My Poetry (The Figures press, 1980), Desire: Selected Poems 1963-1987 (Black Sparrow Press, 1988) which won a Western States Arts Federation award, Piccolo Mondo (Coach House Press Books, 1998) with Angela and George Bowering and Michael Matthews, As in T, As in Tether (Chax Press, 2002), Ten Poems from Clearings in the Throat (dPress, 2005) and his last collection, with Richard Denner, Spade (dPress, 2006). Bromige’s many honours include a Pushcart Prize, two fellowships from the National Endowment for the Arts and two awards from the Poetry Foundation. David Bromige died on June 3, 2009 at the age of 75.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[]"],"Performance_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"Half-track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"Dates":["[{\"date\":\"1970 11 6\",\"type\":\"Performance Date\",\"notes\":\"Date referenced on the tape box. A. newspaper announcement mentioned Bromige was intended to read with Daphne Marlatt on November 13, but no other supporting evidence has been found at this time.\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building\",\"notes\":\"Exact venue location unknown\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building"],"City":["Montreal, Quebec"],"content_notes":["David Bromige reads from The Gathering (Sunbooks, 1965) and The Ends of the Earth (Black Sparrow Press, 1968), as well as poems published soon after in Threads (Black Sparrow Press, 1971), and later in Ten Years in the Making: selected poems, songs & stories 1961-1970 (Vancouver Community Press, 1973)."],"contents":["david_bromige_i086-11-007.mp3\n \nDavid Bromige\n00:00:00\n...the new book, Threads, that hasn't been published yet, and then I'm going to read some poems from the book The Ends of the Earth, that came out a couple of years ago. Add a few new poems. It's a book with poems that are not, some poems that are not, in any sense in theory, or are less important than others, but it moves from one tangle of threads to the next, so it moves in various stages or groups, but I'll read at least one poem from each group, so I think that'll make a story. This is the first poem in the book, and this is the presentation that decided me on the book. What the book, in a way, pushes against.\n \nDavid Bromige\n00:01:02\nReads \"In His Image\" [published later in Threads].\n\nDavid Bromige\n00:02:01\nReads \"After the Engraving\" [published later in Threads].\n\nDavid Bromige\n00:03:07\nAnd I got this take, this poem was printed in a magazine that George Bowering [https://www.wikidata.org/wiki/Q1239280] edits, Imago, Number 13, I think.\n \nDavid Bromige\n00:03:21\nReads \"First Love\" [published later in Threads].\n \nDavid Bromige\n00:07:08\nSee, what I was working there was both the delightful self-indulgence of being able to tell that story over to myself after so many years, but, what I had coming out in the poem before, the one about the light elves who danced the dark elves out into the light in order to petrify them, as an Anglo-Saxon, Teutonic conception, which has a lot to do with our idea of what a poem is or what a work of art is. And so then I had this matter of the one you love coming to you and enabling you to be both light and dark elf to yourself, so that the two of you...whose particular form had never been, without her, it was that cultural attachment to particular forms, also, that I was hoping to tell the story, part of the story of, again, there. Okay, here's “Psychoanalysis”.\n \nDavid Bromige\n00:08:23\nReads “Psychoanalysis” [published later in Threads].\n \nDavid Bromige\n00:08:32\nReads \"You Too\" [published later in Threads].\n \nDavid Bromige\n00:08:52\nReads \"Why I Went There\" [published later in Threads].\n \nDavid Bromige\n00:10:54\nReads \"I Can't Read, & Here's a Book\" [published later in Threads].\n \nDavid Bromige\n00:12:27\nAnd so, yeah, and then that shifts into this prose piece, \"They Want\".\n \nDavid Bromige\n00:12:33\nReads \"They Want\" [published later in Threads].\n \nDavid Bromige\n00:14:11\nThis one came out of the same meeting.\n \nDavid Bromige\n00:14:14\nReads \"I can See\" [published later in Threads].\n \nDavid Bromige\n00:14:31\nReads \"Only Fair\" [published later in Threads].\n \nDavid Bromige\n00:14:59\nReads \"Example” [published later in Threads].\n \nDavid Bromige\n00:15:11\nYeah, this would seem to be very useful here. \"Choosing the Event\". This came out of the troubles, the people's park troubles in Berkeley [https://www.wikidata.org/wiki/Q168756]. Whenever it was, I can't remember now, the year before last, I guess.\n \nDavid Bromige\n00:15:34\nReads \"Choosing the Event\" [published later in Threads].\n \nDavid Bromige\n00:17:18\nReads \"Logical Conclusions\" [published later in Threads].\n \nDavid Bromige\n00:17:47\nI still don't know who it was. I figure if I keep reading it, sooner or later someone's going to break. But it's not very likely here. \"An Invention\".\n \nDavid Bromige\n00:18:07\nReads \"An Invention\" [published later in Threads].\n \nDavid Bromige\n00:18:49\nReads \"Fond\" [published later in Threads].\n \nDavid Bromige\n00:19:45\nReads \"So\" [published later in Threads].\n \nDavid Bromige\n00:22:19\nAnd so I want to read a poem from my first book. It was written in Vancouver [https://www.wikidata.org/wiki/Q24639], of Vancouver. Well, I'm not a...particular landscapes don't often come into my poetry but here all kinds of images came in, from Hampstead Heath [https://www.wikidata.org/wiki/Q1570958], near where I spent my childhood, and also of Vancouver, and this poem also was published in TISH [https://www.wikidata.org/wiki/Q2384384], a publication from those Vancouver days.\n \nDavid Bromige\n00:22:52\nReads \"We Could Get a Drink\" from The Gathering.\n \nDavid Bromige\n00:24:57\nI'll read a few poems now from the book between--that was from a book called The Gathering. This is from The Ends of the Earth. And these, in their literal presence, these woods were the woods behind Deep Cove [https://www.wikidata.org/wiki/Q5250114], where I was living in 1964, just up from Vancouver.\n \nDavid Bromige\n00:25:24\nReads \"In Deep Woods\" from The Ends of the Earth.\n \nDavid Bromige\n00:26:17\nThis goes back to back with that, I guess. \n \nDavid Bromige\n00:26:20\nReads \"Just Think\" [from The Ends of the Earth].\n \nDavid Bromige\n00:26:57\nReads \"A Defect\" [from The Ends of the Earth].\n \nDavid Bromige\n00:27:32\nReads \"Taking Heart\" [from The Ends of the Earth].\n \nDavid Bromige\n00:28:11\nReads \"The Faster\" [from The Ends of the Earth].\n \nDavid Bromige\n00:28:45\nReads \"Why Not\" [from The Ends of the Earth].\n \nDavid Bromige\n00:29:25\nReads \"A Call\" [from The Ends of the Earth].\n \nDavid Bromige\n00:30:35\nThis is a...it's my own attempt to write a fairy story. And I just let come into it all the elements that I knew from various fairy stories, narrative tricks and devices and so forth, and tried to have my fun from them, but I didn't get away with it. They took me, even though I held off, as well as I could.\n \nDavid Bromige\n00:31:03\nReads \"A Final Mission\" [from The Ends of the Earth].\n \nAudience\n00:38:04\nApplause.\n \nDavid Bromige\n00:38:11\nThat's the closest, I guess, to a political poem I've ever written. [Audience laughter]. So I want a bit to break that mood, because I can't do anything more with that mood.\n \nDavid Bromige\n00:38:23\nReads \"A Kind Numbness\" [from The Ends of the Earth].\n \nDavid Bromige\n00:39:19\nI like that very much, that notion of the bargain by which we civilized beings live, it comes through for me very strongly there, but also, I mean when the sun gets up the flies get up, but also that you can focus on one or the other. Let's see how I'm doing for time. Okay, I'll read...I sent the manuscript of Threads off to the publisher about two months ago, and these are the poems I've written since then.\n \nDavid Bromige\n00:40:06\nReads \"Dear Night\".\n \nDavid Bromige\n00:42:29\nReads \"The Spell\" [published later in Ten Years in the Making: selected poems, songs & stories 1961-1970].\n\nDavid Bromige\n00:44:46\nReads \"Tom Thumb: A Relation on a Measure\".\n \nDavid Bromige\n00:48:23\nReads \"A Rime\" [published later in Ten Years in the Making: selected poems, songs & stories 1961-1970].\n \nUnknown\n00:48:26\n[Cut or edit made in tape; poem title is repeated]. \n \nDavid Bromige\n00:50:26\nReads \"From my Mother\".\n \nEND\n00:52:18\n"],"Note":["[{\"note\":\"Year-Specific Information: \\n\\nIn 1970, Bromige completed his Ph.D. from the University of California at Berkeley, and began teaching at Sonoma State University the same year. He was working on his book Threads which was published in 1971.\",\"type\":\"General\"},{\"note\":\"Local Connections:\\n\\nDavid Bromige completed an undergraduate degree at the University of British Columbia, where he met George Bowering (a Reading Series Committee member).\",\"type\":\"General\"},{\"note\":\"Original transcript by Rachel Kyne\\n\\nOriginal print catalogue, research, introduction and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Ali Barillaro\\n\",\"type\":\"Cataloguer\"},{\"note\":\"Reel-to-reel tape>CD>digital file\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"http://bromige.wordpress.com/memories-thoughts-reflections/\",\"citation\":\"Bowering, George. “Stories”. Comment made on the Remembering David website. Posted June 3, 2009. \"},{\"url\":\"https://www.worldcat.org/title/gathering-poems/oclc/869019454&referer=brief_results\",\"citation\":\"Bromige, David. The Gathering. Buffalo: Sunbooks, 1965. \\n\"},{\"url\":\"https://www.worldcat.org/title/threads/oclc/869019738&referer=brief_results\",\"citation\":\"Bromige, David. Threads. Los Angeles: Black Sparrow Press, 1971.\"},{\"url\":\"https://www.worldcat.org/title/ends-of-the-earth/oclc/869019696&referer=brief_results\",\"citation\":\"Bromige, David. The Ends of the Earth. Los Angeles: Black Sparrow Press, 1968. \"},{\"url\":\"https://www.worldcat.org/title/ten-years-in-the-making-selected-poems-songs-stories-1961-1970/oclc/496167582&referer=brief_results\",\"citation\":\"Bromige David. Ten Years in the Making: selected poems, songs & stories 1961-1970. Vancouver: Community Press, 1973. \"},{\"url\":\"http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2009/06/16/BAU3187NM6.DTL\",\"citation\":\"Jones, Carolyn. “Poet, teacher David Bromige dies”. The San Francisco Chronicle. B-6: June 17, 2009. \"},{\"url\":\"http://www.poetryfoundation.org/harriet/2009/06/in- memoriam-david-bromige\",\"citation\":\"Powell, D.A. “In Memoriam: David Bromige”. Harriet: a blog from the Poetry Foundation. June 10th, 2009. \"},{\"url\":\"\",\"citation\":\"“David Bromige”. Writing Canada into the Millennium: Canadian Poets Online. University of Calgary, English Department. \"}]"],"_version_":1853670548986396672,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0086_11_0007_tape.jpg\",\"file_path\":\"\",\"filename\":\"I0086_11_0007_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"David Bromige Tape Box - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0086_11_0007_front.jpg\",\"file_path\":\"\",\"filename\":\"I0086_11_0007_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"David Bromige Tape Box - Front\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0086_11_0007_back.jpg\",\"file_path\":\"\",\"filename\":\"I0086_11_0007_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"David Bromige Tape Box - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0086_11_0007_side.jpg\",\"file_path\":\"\",\"filename\":\"I0086_11_0007_side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"David Bromige Tape Box - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/david_bromige_i086-11-007.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"david_bromige_i086-11-007.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:52:18\",\"precision\":\"\",\"size\":\"125.7 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"David Bromige\\n00:00:00\\n...the new book, Threads, that hasn't been published yet, and then I'm going to read some poems from the book The Ends of the Earth, that came out a couple of years ago. Add a few new poems. It's a book with poems that are not, some poems that are not, in any sense in theory, or are less important than others, but it moves from one tangle of threads to the next, so it moves in various stages or groups, but I'll read at least one poem from each group, so I think that'll make a story. This is the first poem in the book, and this is the presentation that decided me on the book. What the book, in a way, pushes against.\\n \\nDavid Bromige\\n00:01:02\\nReads \\\"In His Image\\\" [published later in Threads].\\n\\nDavid Bromige\\n00:02:01\\nReads \\\"After the Engraving\\\" [published later in Threads].\\n\\nDavid Bromige\\n00:03:07\\nAnd I got this take, this poem was printed in a magazine that George Bowering [https://www.wikidata.org/wiki/Q1239280] edits, Imago, Number 13, I think.\\n \\nDavid Bromige\\n00:03:21\\nReads \\\"First Love\\\" [published later in Threads].\\n \\nDavid Bromige\\n00:07:08\\nSee, what I was working there was both the delightful self-indulgence of being able to tell that story over to myself after so many years, but, what I had coming out in the poem before, the one about the light elves who danced the dark elves out into the light in order to petrify them, as an Anglo-Saxon, Teutonic conception, which has a lot to do with our idea of what a poem is or what a work of art is. And so then I had this matter of the one you love coming to you and enabling you to be both light and dark elf to yourself, so that the two of you...whose particular form had never been, without her, it was that cultural attachment to particular forms, also, that I was hoping to tell the story, part of the story of, again, there. Okay, here's “Psychoanalysis”.\\n \\nDavid Bromige\\n00:08:23\\nReads “Psychoanalysis” [published later in Threads].\\n \\nDavid Bromige\\n00:08:32\\nReads \\\"You Too\\\" [published later in Threads].\\n \\nDavid Bromige\\n00:08:52\\nReads \\\"Why I Went There\\\" [published later in Threads].\\n \\nDavid Bromige\\n00:10:54\\nReads \\\"I Can't Read, & Here's a Book\\\" [published later in Threads].\\n \\nDavid Bromige\\n00:12:27\\nAnd so, yeah, and then that shifts into this prose piece, \\\"They Want\\\".\\n \\nDavid Bromige\\n00:12:33\\nReads \\\"They Want\\\" [published later in Threads].\\n \\nDavid Bromige\\n00:14:11\\nThis one came out of the same meeting.\\n \\nDavid Bromige\\n00:14:14\\nReads \\\"I can See\\\" [published later in Threads].\\n \\nDavid Bromige\\n00:14:31\\nReads \\\"Only Fair\\\" [published later in Threads].\\n \\nDavid Bromige\\n00:14:59\\nReads \\\"Example” [published later in Threads].\\n \\nDavid Bromige\\n00:15:11\\nYeah, this would seem to be very useful here. \\\"Choosing the Event\\\". This came out of the troubles, the people's park troubles in Berkeley [https://www.wikidata.org/wiki/Q168756]. Whenever it was, I can't remember now, the year before last, I guess.\\n \\nDavid Bromige\\n00:15:34\\nReads \\\"Choosing the Event\\\" [published later in Threads].\\n \\nDavid Bromige\\n00:17:18\\nReads \\\"Logical Conclusions\\\" [published later in Threads].\\n \\nDavid Bromige\\n00:17:47\\nI still don't know who it was. I figure if I keep reading it, sooner or later someone's going to break. But it's not very likely here. \\\"An Invention\\\".\\n \\nDavid Bromige\\n00:18:07\\nReads \\\"An Invention\\\" [published later in Threads].\\n \\nDavid Bromige\\n00:18:49\\nReads \\\"Fond\\\" [published later in Threads].\\n \\nDavid Bromige\\n00:19:45\\nReads \\\"So\\\" [published later in Threads].\\n \\nDavid Bromige\\n00:22:19\\nAnd so I want to read a poem from my first book. It was written in Vancouver [https://www.wikidata.org/wiki/Q24639], of Vancouver. Well, I'm not a...particular landscapes don't often come into my poetry but here all kinds of images came in, from Hampstead Heath [https://www.wikidata.org/wiki/Q1570958], near where I spent my childhood, and also of Vancouver, and this poem also was published in TISH [https://www.wikidata.org/wiki/Q2384384], a publication from those Vancouver days.\\n \\nDavid Bromige\\n00:22:52\\nReads \\\"We Could Get a Drink\\\" from The Gathering.\\n \\nDavid Bromige\\n00:24:57\\nI'll read a few poems now from the book between--that was from a book called The Gathering. This is from The Ends of the Earth. And these, in their literal presence, these woods were the woods behind Deep Cove [https://www.wikidata.org/wiki/Q5250114], where I was living in 1964, just up from Vancouver.\\n \\nDavid Bromige\\n00:25:24\\nReads \\\"In Deep Woods\\\" from The Ends of the Earth.\\n \\nDavid Bromige\\n00:26:17\\nThis goes back to back with that, I guess. \\n \\nDavid Bromige\\n00:26:20\\nReads \\\"Just Think\\\" [from The Ends of the Earth].\\n \\nDavid Bromige\\n00:26:57\\nReads \\\"A Defect\\\" [from The Ends of the Earth].\\n \\nDavid Bromige\\n00:27:32\\nReads \\\"Taking Heart\\\" [from The Ends of the Earth].\\n \\nDavid Bromige\\n00:28:11\\nReads \\\"The Faster\\\" [from The Ends of the Earth].\\n \\nDavid Bromige\\n00:28:45\\nReads \\\"Why Not\\\" [from The Ends of the Earth].\\n \\nDavid Bromige\\n00:29:25\\nReads \\\"A Call\\\" [from The Ends of the Earth].\\n \\nDavid Bromige\\n00:30:35\\nThis is a...it's my own attempt to write a fairy story. And I just let come into it all the elements that I knew from various fairy stories, narrative tricks and devices and so forth, and tried to have my fun from them, but I didn't get away with it. They took me, even though I held off, as well as I could.\\n \\nDavid Bromige\\n00:31:03\\nReads \\\"A Final Mission\\\" [from The Ends of the Earth].\\n \\nAudience\\n00:38:04\\nApplause.\\n \\nDavid Bromige\\n00:38:11\\nThat's the closest, I guess, to a political poem I've ever written. [Audience laughter]. So I want a bit to break that mood, because I can't do anything more with that mood.\\n \\nDavid Bromige\\n00:38:23\\nReads \\\"A Kind Numbness\\\" [from The Ends of the Earth].\\n \\nDavid Bromige\\n00:39:19\\nI like that very much, that notion of the bargain by which we civilized beings live, it comes through for me very strongly there, but also, I mean when the sun gets up the flies get up, but also that you can focus on one or the other. Let's see how I'm doing for time. Okay, I'll read...I sent the manuscript of Threads off to the publisher about two months ago, and these are the poems I've written since then.\\n \\nDavid Bromige\\n00:40:06\\nReads \\\"Dear Night\\\".\\n \\nDavid Bromige\\n00:42:29\\nReads \\\"The Spell\\\" [published later in Ten Years in the Making: selected poems, songs & stories 1961-1970].\\n\\nDavid Bromige\\n00:44:46\\nReads \\\"Tom Thumb: A Relation on a Measure\\\".\\n \\nDavid Bromige\\n00:48:23\\nReads \\\"A Rime\\\" [published later in Ten Years in the Making: selected poems, songs & stories 1961-1970].\\n \\nUnknown\\n00:48:26\\n[Cut or edit made in tape; poem title is repeated]. \\n \\nDavid Bromige\\n00:50:26\\nReads \\\"From my Mother\\\".\\n \\nEND\\n00:52:18\\n\",\"notes\":\"David Bromige reads from The Gathering (Sunbooks, 1965) and The Ends of the Earth (Black Sparrow Press, 1968), as well as poems published soon after in Threads (Black Sparrow Press, 1971), and later in Ten Years in the Making: selected poems, songs & stories 1961-1970 (Vancouver Community Press, 1973).\\n\\n00:00- Recording starts mid-sentence, David Bromige introduces reading and “In His Image”. [INDEX: Threads, The Ends of the Earth, new poems, reading as a story, first poem in the book, presentation; from Threads (Black Sparrow Press, 1971).]\\n01:02- Reads “In His Image”. [INDEX: death, grave, sight, sky, camera, eye, voice, water]\\n02:01- Reads “After the Engraving, for Tom Clark.  [INDEX: chisel, love, evil, luck,   fortune, sculpture, craft, amulet, sky, stone; from Threads (Black Sparrow Press, 1971).]\\n03:07- Introduces “First Love”. [INDEX: printed in George Bowering’s Imago number 13; from Threads (Black Sparrow Press, 1971).]\\n03:21- Reads “First Love”. [INDEX: couple, unity, work, city, anger, fortune, north, village, love, joy, grandparents, wave, sea, sex, music, dance, boat, Chicago, parting, loss, kiss.]\\n07:08- Explains “First Love”, introduces “Psychoanalysis”. [INDEX: self-indulgence, telling story, light elves, dark elves, Anglo-Saxon, Teutonic, idea of what a poem or work of art is, love, cultural attachment to particular forms, psychoanalysis; from Threads (Black Sparrow Press, 1971).]\\n08:23- Reads “Psychoanalysis”. [INDEX: sex, word, psychoanalysis, memory.]\\n08:32- Reads “You Too”. [INDEX: orders, will, uniform; from Threads (Black Sparrow Press, 1971).]\\n08:52- Reads “Why I Went There”. [INDEX: knowledge, travel, audience, memory, Barry, editor, party, night, meeting, love, son, job, resentment, heavy, alone, nightmare; from Threads (Black Sparrow Press, 1971)]\\n10:54- Reads “I Can’t Read & Here’s a Book” [INDEX: boy, son, book, reading, Hans Christian Anderson, fairy tale, alone, solitude, brain; from Threads (Black Sparrow Press, 1971).]\\n12:27- Introduces “They Want”. [INDEX:prose piece; from Threads (Black Sparrow Press, 1971).]\\n12:33- Reads “They Want” [INDEX: identity, student, faculty, meeting, form, evaluation, pain, necessity, structure, rhyme.]\\n14:11- Introduces “I Can See”. [INDEX: poem from same meeting as “They Want”; from    Threads (Black Sparrow Press, 1971)]\\n14:14- Reads “I Can See”. [INDEX: argument, meeting, intelligence]\\n14:31- Reads “Only Fair”. [INDEX: money, justice, banana; from Threads (Black Sparrow Press, 1971)]\\n14:59- Reads “Example”. [INDEX: competition; from Threads (Black Sparrow Press, 1971).]\\n15:11- Introduces “Choosing the Event”. [INDEX: people’s ‘park troubles’ in Berkeley; from Threads (Black Sparrow Press, 1971).]\\n15:34- Reads “Choosing the Event”. [INDEX: loss, luck, D-Day, suffering, forgetting, memory, feeling, interpreter, speaking, freedom, San Fernando, death.]\\n17:18- Reads “Logical Conclusions”.  [INDEX: friend, meeting, couple, door, welcome, trust; from Threads (Black Sparrow Press, 1971)]\\n17:47- Explains “Logical Conclusions”. [INDEX: figuring out who the subject of the poem is.]\\n18:07- Reads “An Invention”. [INDEX:  moon, zodiac, Virgo, date, birth, fate, accident,     determination, dread, sign; from Threads (Black Sparrow Press, 1971)]   \\n18:49- Reads “Fond”. [INDEX: love, failure, couple, sleep, night, kitchen, house; from Threads (Black Sparrow Press, 1971)]\\n19:45- Reads “So”. [INDEX: animal, kitten, eye, sight, vowel, consonant, language, word, loss, mistake, voice, iamb, writing, happiness, lust, joy, death, misery, resentment, cat; from Threads (Black Sparrow Press, 1971).]\\n22:19- Introduces “We Could Get a Drink”. [INDEX: first book, written in Vancouver, about Vancouver, Hampstead Heath, childhood, published in Tish from; The Gathering \\t(Sunbooks, 1965).]\\n22:52- Reads “We Could Get a Drink”. [INDEX: sun, memory, remembrance, Hampstead Heath, morning, tree, couple, love, Vancouver, place, shadow, camera, girl, starve, news, soldier, bomb, birch, drink.]\\n24: 57- Introduces “In Deep Woods”. [INDEX: previous poems from The Gathering, latter poems from The Ends of the Earth, literal presence, Deep Cove, 1964, living in    Vancouver; from The Ends of the Earth (Black Sparrow Press, 1968).]\\n25:24- Reads “In Deep Woods”. [INDEX: place, Vancouver, Deep Cove, fish, salmon, bear, house, forest, animal.]\\n26:17- Introduces “Just Think”. [INDEX: from The Ends of the Earth (Black Sparrow Press, 1968).]\\n26:20- Reads “Just Think”. [INDEX: reality, hypothesis, family, children, theatre]\\n26:57- Reads \\\"A Defect\\\". [INDEX:  doctor, defect, body, boy, meaning; from The Ends of the Earth (Black Sparrow Press, 1968)]\\n27:32- Reads \\\"Taking Heart\\\" [INDEX: mouth, trust, doubt, body, ocean, love, couple, loss, lake, river; from The Ends of the Earth (Black Sparrow Press, 1968)]\\n28:11- Reads \\\"The Faster\\\" [INDEX: night, time, play, statue, studio, representation; from The Ends of the Earth (Black Sparrow Press, 1968).]\\n28:45- Reads \\\"Why Not\\\" [INDEX: hypothetical, clothes, reflection, wind, dawn, window, sky, sun; from The Ends of the Earth (Black Sparrow Press, 1968)]\\n29:25- Reads “A Call”. [INDEX: city, door, solitude, alone, street, sleep, room, silence, sight, mouth; from The Ends of the Earth (Black Sparrow Press, 1968)]\\n30:35- Introduces “A Final Mission”. [INDEX: fairy story, elements of fairy stories, narrative tricks and devices, fun; from The Ends of the Earth (Black Sparrow Press, 1968).]    \\n31:03- Reads “A Final Mission”.  [INDEX: forest, place, fairy tale, wood, ownership, travel, friend, story, woman, naked, home, tree, listening, master, flower, nature, bridge, water, music, heart, sleep, dream, couple, semen, sex, flight, sight, body, star.]\\n38:11- Talks about mood of the reading. [INDEX: political poem, mood of reading and poems.]\\n38:23- Reads “A Kind Numbness”. [INDEX:  morning, sleep, cold, animal, horse, skin, fly, sun; from The Ends of the Earth (Black Sparrow Press, 1968).]\\n39:19- Explains “A Kind Numbness”, introduces new poems. [INDEX: bargain, civilization, sun, flies, manuscript of Threads sent off two months previous, poems written since then.]\\n40:06- Reads “Dear Night”. [INDEX: night, window, reflection, village, story, alone, woman, city, body, perception, praise, fate, figure of speech, language, absence, lover, love, blindness, shame, drinking, song; unknown source.]\\n42:29- Reads “The Spell”.  [INDEX: dark, danger, light, beauty, safety, pun, antonym, city, man, time, story, stone, word, gem, light; published later in Ten Years in the Making: selected poems, songs & stories 1961-1970 (Vancouver Community Press, 1973).]\\n44:46- Reads “Tom Thumb: a Relation on a Measure”. [INDEX: fairy tale, Tom Thumb, size, invisible, sight, child, soul, unique, island, Scotland, friend, betrayal, measure, memory, remembrance, house; unknown source.]\\n48: 23- Reads “A Rime”. [INDEX: nature, animal, bird, Great Horned Owl, sound, sight,       night, book, knowledge, voice, morning, silence, house, fire, cold; published later in Ten       Years in the Making: selected poems, songs & stories 1961-1970 (Vancouver Community Press, 1973)]\\n48:26- Cut/Edit in tape; Bromige reading poem's title is repeated. \\n50:26- Reads “From My Mother”. [INDEX: youth, mother, child, travel, father, home, wife, town, Pacific, Montreal, plane, meadow, St. Albans, education, woman, death; unknown source.]\\n52:18.07- RECORDING ENDS.\\n\\nTitle:\\nSource:\\nDate: Recorded November 6, 1970\\n \\n1. In His Image\\n2. After the Engraving: For Tom Clark\\n3. First Love\\n4. Psychoanalysis\\n5. You Too\\n6. Why I Went There\\n7. I Can’t Read and Here’s A Book\\n8. They Want\\n9. I Can See\\n10.  Only Fair\\n11.  Example\\n12.  Choosing the Event\\n13.  Logical Conclusions\\n14.  An Invention\\n15.  Fond\\n16.  So\\n17.  We Could Get A Drink\\n18.  In Deep Woods\\n19.  Just Think\\n20.  A Defect\\n21.  Taking Heart\\n22.  The Faster\\n23.  Why Not?\\n24.  The Call\\n25.  A Final Mission\\n26.  A Kind Numbness\\n27.  Dear Night\\n28.  The Spell\\n29.  Tom Thumb\\n30.  A Rhyme\\n31.  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"],"item_language":["English, French"],"item_production_context":["Documentary recording"],"item_series_title":["Alan Lord Collection"],"item_subseries_title":["Ultimatum [1]"],"item_identifiers":["[]"],"rights_notes":["Rights status in process. Alan Lord has permission waivers. We may wish to seek permission from individual artists.  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Weak signal.\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://drive.google.com/drive/u/1/folders/159po7gLf37T_uUBLTBk6flt9qZmR2LU3\",\"file_path\":\"\",\"filename\":\"Ultimatum_Mixdown_Daniel Guimond_U-1-1_T1_T2_T3_T4_T5_T6_T7_T8.mp3\",\"channel_field\":\"Mono\",\"sample_rate\":\"44.1kHz\",\"duration\":\"00:32:36\",\"precision\":\"\",\"size\":\"23.7 MB\",\"bitrate\":\"\",\"encoding\":\"mp3 \",\"contents\":\"Mixdown of Daniel Guimond at Ultimatum Festival 1985-05-01 consisting of tracks 1- 8, spanning xx:xx-of tape U-1-1. For full details on individual tracks see digital file descriptions. \\n\\nTIMESTAMPS\\n\",\"notes\":\"Mixdown created by Emma Telaro on audacity version... date..\",\"title\":\"Mixdown of Daniel Guimond at Ultimatum Festival 1985-05-01\",\"credit\":\"\",\"caption\":\"Mixdown of Daniel Guimond at Ultimatum Festival 1985-05-01\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-05-01\",\"type\":\"Performance Date\",\"notes\":\"According to brochure, performance began at 19:00. \",\"source\":\"Container, Brochure \"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"content_notes":["Bilingual \"Ultimatum Programme\" pamphlet describes performance as 'Poésie/Performance\" and \"Performance/Poetry\". \n\n"],"contents":["Ultimatum_Mixdown_Daniel Guimond_U-1-1_T1_T2_T3_T4_T5_T6_T7_T8  \n\nUnknown \n00:00:01.38 \nAmbient noise [high pitched whistle]    \n\nGuimond \n00:00:46.03 \nPerforms poem [underlying vocals can be heard throughout in English and French]. | Keywords: Drove; elusive; film; damage; skin; scar.  \n\nUnknown \n00:01:21.32 \nSilence [possible tape change].    \n\nGuimond \n00:02:25.57 \nPerforms piece. Underlying vocals throughout in English and French [sounds of electronic instrument or saxophone accompany]. | Keywords: Hair; dyed; darker; someone; elusive; rescue; scar; rupturing; integrity; exercise; contaminate; ramifications; cessation; hospital bed; overdose coma; older; ashtrays; bottles; gasping; air.     \n\nGuimond \n00:06:31.91 \nAmbient sounds [melodic recording and sounds of hitting/materials coming into contact]. Vocals can be heard unintelligibly.     \n\nGuimond \n00:08:02.60 \nFrench vocals.    \n\nGuimond \n00:11:01.69 \nMultilingual vocals (French and English) overlapping over electronic beat.    \n\nGuimond \n00:12:36.13 \nEnglish vocals. | Keyword: Mind; outset; responsible; stop; maintaining; invitation; skin; drugs; changed; spines; clear; reading; pages.  G\n\nGuimond \n00:15:14.57 \nVarious recorded sounds [recording of dogs or animals, voices running water, high pitched whistle] interspersed with French vocals.  \n\nGuimond \n00:16:23.06 \nFrench vocals.    \n\nGuimond \n00:21:45.02 \nVarious sounds [synthesizer, recordings; melodic, electric guitar, vocals (unintelligible)].  \n\nGuimond \n00:26:57.85 \nVarious sounds [recorded vocals (English and French), experimental electronics]. | Keywords: Waste; space; turn; job; easy; story; suicide; small.\n\nEND \n00:32:25.75 "],"Related_works":["[{\"url\":\"\",\"citation\":\"Cite secondary sources \\nPrimary sources by that performer \\nResearch involved in filling out entries for audio file \"},{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Ultimatum Program/me [Festival Pamphlet]\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.\"}]"],"_version_":1853670548991639552,"timestamp":"2026-01-07T14:59:53.477Z","Note":["[{\"note\":\"Media Preserve Metadata for Tape U-1-1.\\n\\n<MediaAsset>\\n<!-- Original Physical Asset and Transfer Details -->\\n<Original>\\n<Filename>U-1-1</Filename>\\n<Title>Daniel Guimond</Title>\\n<RunningTime>00:16:16</RunningTime>\\n<RecordDate>undated</RecordDate>\\n<FormatType>Open Reel</FormatType>\\n<StockBrand>Ampex</StockBrand>\\n<TapeModel>406</TapeModel>\\n<TapeWidth>1/4\\\"</TapeWidth>\\n<TapeType>Polyester</TapeType>\\n<ReelSize>7\\\"</ReelSize>\\n<TrackConfiguration>8 Track</TrackConfiguration>\\n<SoundField>Mono</SoundField>\\n<RecordingSpeed>15 ips</RecordingSpeed>\\n<NoiseReduction>None</NoiseReduction>\\n<Equalization>NAB</Equalization>\\n<PackOrientation>Heads 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"],"Note":["[]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"},{\"url\":\"\",\"citation\":\"Cite secondary sources \\nPrimary sources by that performer \\nResearch involved in filling out entries for audio file \"}]"],"_version_":1853670548995833856,"timestamp":"2026-01-07T14:59:53.477Z","score":0.01643844},{"id":"1476","cataloger_name":["Sadie,Barker"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Alan Lord collection"],"source_collection_label":["Alan Lord collection"],"collection_contributing_unit":["SpokenWeb at Concordia University"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Alan Lord collection contains all the archives regarding the Ultimatum poetry readings and the Ultimatum & Ultimatum II festivals, including film, sound and documentation."],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Christopher Dewdney at Ultimatum Festival 1985-05-02 "],"item_title_source":["Container and Brochure "],"item_title_note":["On tape \"U-2-1\", \"U-2-2\" and festival schedule corroborated in brochure. 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"],"creator_names":["Dewdney, Christopher"],"creator_names_search":["Dewdney, Christopher"],"creators":["[{\"url\":\"https://viaf.org/viaf/101952075/\",\"name\":\"Dewdney, Christopher\",\"dates\":\"1951-\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors_names":["Lord, Alan"],"contributors_names_search":["Lord, Alan"],"contributors":["[{\"url\":\"http://viaf.org/viaf/80186482\",\"name\":\"Lord, Alan\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Lord, Alan"],"Performance_Date":[1985],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3617/Screen Shot 2020-06-13 at 4.47.18 PM.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Ampex 460\",\"generations\":\"Audio taken from original reel to reel 8 track tape.\",\"Conservation\":\"Perforation repairs, baked.\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"15 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"8 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-2-1/U-2-1_t05_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-2-1_t05_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:16:04\",\"precision\":\"\",\"size\":\"85 MB\",\"bitrate\":\"2304000\",\"encoding\":\"Waveform \",\"contents\":\"This is track 5 of 8 tracks on tape U-2-1 containing a vocal track from Christopher Dewdney's performance. \\n\\nDewdney preforms [reads or recites] his poetry set. \",\"notes\":\"*Note for template: create one file description for each track, and use WAV form for entries.\\n\\nOnce final mixes are done, we will include a digital file description of the mix with a note of this sort: \\\"Above based upon mix of following tracks. 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\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-2-2/U-2-2_t03_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-2-2_t03_preservation.wav\",\"channel_field\":\"\",\"sample_rate\":\"96kHz\",\"duration\":\"00:16:08\",\"precision\":\"\",\"size\":\"85.4 MB\",\"bitrate\":\"2304000\",\"encoding\":\"Waveform\",\"contents\":\"This is track 3 of 8 tracks on tape U-2-2 containing a \\n vocal track from Christopher Dewdney's performance. \\n\\nDewdney preforms [reads or recites] his poetry set until 6:48 (from there on, is Konyves set).  \",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound 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\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"contents":["Coming soon. "],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Ultimatum pamphlet. \"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Ultimatum Administrative Council. Various manuscript notes for Ultimatum, Apr. 1985–May 1986, Alan Lord fonds (F039), Box 1, folder AL-Folder1_ult. 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Lord Collection"],"item_subseries_title":["Ultimatum [1]"],"item_identifiers":["[]"],"rights_notes":["Rights status in process. Alan Lord has permission waivers. We may wish to seek permission from individual artists.  "],"creator_names":["Konyves, Tom"],"creator_names_search":["Konyves, Tom"],"creators":["[{\"url\":\"http://viaf.org/viaf/28334185/#Konyves,_Tom\",\"name\":\"Konyves, Tom\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Lord, Alan"],"contributors_names_search":["Lord, Alan"],"contributors":["[{\"url\":\"http://viaf.org/viaf/80186482\",\"name\":\"Lord, Alan\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Lord, Alan"],"Performance_Date":[1985],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3638/Screen Shot 2020-06-16 at 12.00.32 PM.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Ampex 460\",\"generations\":\"Audio taken from original reel to reel 8 track tape.\",\"Conservation\":\"Perforation repairs, baked.\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"15 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"00:16:08\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"8 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-2-2/U-2-2_t01_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-2-2_t01_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:16:08\",\"precision\":\"\",\"size\":\"85.4 MB\",\"bitrate\":\"2304000\",\"encoding\":\"Waveform \",\"contents\":\"This is track 1 of 8 tracks on tape U-2-2 containing a backing track from Tom Konyve's performance. \\n\\nKonyves performance begins at 6:48 (the first half is Christopher Dewdney). Konyves reads/recites over computer-generated sounds. \",\"notes\":\"*Note for template: create one file description for each track, and use WAV form for entries.\\n\\nOnce final mixes are done, we will include a digital file description of the mix with a note of this sort: \\\"Above based upon mix of following tracks. 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Konyves reads/recites over computer-generated sounds. \",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-2-2/U-2-2_t03_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-2-2_t03_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:16:08\",\"precision\":\"\",\"size\":\"85.4 MB\",\"bitrate\":\"2304000\",\"encoding\":\"Waveform\",\"contents\":\"This is track 3 of 8 tracks on tape U-2-2 containing a \\n vocal track from Tom Konyve's performance. \\n\\nKonyves performance begins at 6:48 (the first half is Christopher Dewdney). Konyves reads/recites over computer-generated sounds. \",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-2-2/U-2-2_t04_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-2-2_t04_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:16:08\",\"precision\":\"\",\"size\":\"85.4 MB\",\"bitrate\":\"2304000\",\"encoding\":\"Waveform\",\"contents\":\"This is track 4 of 8 tracks on tape U-2-2 containing a \\n vocal track from Tom Konyve's performance. \\n\\nKonyves performance begins at 6:48 (the first half is Christopher Dewdney). 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Konyves reads/recites over computer-generated sounds. \",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-2-2/U-2-2_t06_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-2-2_t06_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:16:08\",\"precision\":\"\",\"size\":\"85.4 MB\",\"bitrate\":\"2304000\",\"encoding\":\"Waveform\",\"contents\":\"This is track 6 of 8 tracks on tape U-2-2 containing a \\n backing track from Tom Konyve's performance. \\n\\nKonyves performance ends at 4:24 (the second half of the track is Bill Bissett's performance). Konyves reads/recites over computer-generated sounds. \",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-2-2/U-2-2_t07_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-2-2_t07_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:16:08\",\"precision\":\"\",\"size\":\"85.4 MB\",\"bitrate\":\"2304000\",\"encoding\":\"Waveform\",\"contents\":\"This is track 7 of 8 tracks on tape U-2-2 containing a \\n vocal track from Tom Konyve's performance. \\n\\nKonyves performance ends at 4:24 (the second half of the track is Bill Bissett's performance). Konyves reads/recites over computer-generated sounds. \",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-2-2/U-2-2_t08_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-2-2_t08_preservation.wav\",\"channel_field\":\"\",\"sample_rate\":\"96kHz\",\"duration\":\"00:16:08\",\"precision\":\"\",\"size\":\"85.4 MB\",\"bitrate\":\"2304000\",\"encoding\":\"Waveform\",\"contents\":\"This is track 8 of 8 tracks on tape U-2-2 containing a \\n vocal track from Tom Konyve's performance. \\n\\nKonyves performance ends at 4:24 (the second half of the track is Bill Bissett's performance). Konyves reads/recites over computer-generated sounds. \",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-05-02\",\"type\":\"Performance Date\",\"notes\":\"According to brochure, performance began at 8:00pm.\",\"source\":\"Container, Brochure \"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"contents":["Coming soon. "],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Festival pamphlet.\"},{\"url\":\"\",\"citation\":\"Konyves, Tom. Performance plan, bionote, letter, and photo for Ultimatum, 1983–1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_kon. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Garnet, Eldon, and Tom Konyves. Typescript of \\\"Eldon Garnet 2:32 Ultimatum\\\" and \\\"'Be it resolved' Tom Konyves: $4:25,\\\" c. May [1985?], Alan Lord fonds (F039), Box 1, folder AL-Folder1_gar-kon. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Ultimatum Administrative Council. Various manuscript notes for Ultimatum, Apr. 1985–May 1986, Alan Lord fonds (F039), Box 1, folder AL-Folder1_ult. 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"],"item_language":["English, French"],"item_production_context":["Documentary recording"],"item_series_title":["Alan Lord Collection"],"item_subseries_title":["Ultimatum [1]"],"item_identifiers":["[]"],"rights_notes":["Rights status in process. Alan Lord has permission waivers. We may wish to seek permission from individual artists.  "],"creator_names":["Campo, Mario"],"creator_names_search":["Campo, Mario"],"creators":["[{\"url\":\"http://viaf.org/viaf/104028810\",\"name\":\"Campo, Mario\",\"dates\":\"1951-2006\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Lord, Alan"],"contributors_names_search":["Lord, Alan"],"contributors":["[{\"url\":\"http://viaf.org/viaf/80186482\",\"name\":\"Lord, Alan\",\"dates\":\"1954-\",\"notes\":\"Alan Lord has been designated Contributor when in the role of series organizer and Creator when in the role of Performer. \",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Lord, Alan"],"Performance_Date":[1985],"material_description":["[{\"side\":\"Tracks 1-2. 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Sticker identifying tape as U-1-2.\",\"other_physical_description\":\"Reel U-1-2\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-1-2/U-1-2_t01_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-1-2_t01_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:13:25\",\"precision\":\"\",\"size\":\"221.15 MB\",\"bitrate\":\"2304000 \",\"encoding\":\"Waveform \",\"contents\":\"This is track 1 of 8 tracks on tape U-1-2 containing backing track from Mario Campo performance. \\n\\nTrack 3 is silent. \",\"notes\":\"From Alan Lord on document file titled NOTES ON ULTIMATUM AUDIO TAPES AND MP3 FILES, \\\"Tracks U-1-2_t01 , U-1-2_t01 : the music tapes backing Mario Campo's reading. 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They were provided by Alan Lord, and is his electronic music plus, band Débris (Lord, Zilon, JM Mignault)\\\". \",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-1-2/U-1-2_t04_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-1-2_t04_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:13:25\",\"precision\":\"\",\"size\":\"221.15 MB\",\"bitrate\":\"2304000 \",\"encoding\":\"Waveform \",\"contents\":\"This is track 4 of 8 tracks on tape U-1-2 containing vocal track from Mario Campo performance. \\n\\nTrack 3 is silent. \",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-05-01\",\"type\":\"Performance Date\",\"notes\":\"According to brochure, performance began at 19:30. \",\"source\":\"Container. Brochure. \"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"content_notes":["Transcription by Emma Telaro\n\nBilingual \"Ultimatum Programme\" pamphlet describes performance as 'Poésie/Performance\" and \"Performance/Poetry\". "],"contents":["Ultimatum_Mixdown_Mario Campo_Tape U-1-2_T1_T2_T4.mp3\n\nThe following is a transcription of Mario Campo’s performance at Ultimatum, Monday May 1st, 1985 at the Foufounes Electriques. Campo reads, sings and chants poems to musical accompaniment. In his memoirs, Alan Lord writes how Campo first appeared onstage dressed in the head of an extraterrestrial, later changing into Bedouin headdress to perform Arabesque. This piece is included in the Ultimatum LP, which lists music and bass by Alan Lord, electronic percussions by Jean-Martin Mignault, vocals by Zilon and words and voice by Mario Campo. The performance is further referenced on Campo’s website, under the ‘biographie’ section, which provides a narrative account of his literary activities. Campo was a writer and poet involved with several alternative scenes, among some of his publications are the collections L’Anovulatoire (1978) and Coma Laudanum (1979). To access some of these writings and learn more about his biography, see his website dedicated to his art and memory, created by Alan Lord and Pierre Zovilé. \n\nTRANSCRIPT\n\nMario Campo \n00:00:00\nPerforms [electric sounds, poetry, drums] | Keywords: satellite, l’homme-singe, dinosaurs, ordinateurs, civilization.\n\nMario Campo\n00:02:28\nPerforms [transitions into new piece, electric sounds, poetry, drums] Keywords: miroir, humanoid, obsession, fixations, cure, piqûre, mercure. \n\nAudience \n00:04:38\nApplause [ambient sounds, cough]\n\nMario Campo \n00:05:03\nPerform “Arabesque” with electronic music by band Débris [electronic percussions, bass, vocals, music, chant, poetry] | Keywords: cité de minaret, fumé, fakir, kalif, saladin, baazar, balthazar, Koran, danse macabre, mosqué.  \n\nAudience\n00:08:30\nApplause\n\nMario Campo\n00:08:48\nPerforms [guitar, drums, electronic sounds, poetry] Keyword: Paris, flesh, danger, lust, love, syphilis, Verlaine, spleen, Baudelaire, pigale, Montparnasse. \n\nEND\n00:13:11 \nApplause\n"],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Ultimatum Program/me [Pamphlet]\"},{\"url\":\"http://mario-campo-poete.com/mariocampo-ultimatum85.html\",\"citation\":\"Website dedicated to Mario Campo's art and memory, created by Alan Lord and Pierre Zovilé. \"},{\"url\":\"https://soundcloud.com/alan-lord-4/10-mario-campo-arabesque\",\"citation\":\"Soundcloud link, selected performances from Ultimatum 85. Mario Campo performs \\\"Arabesque\\\". \"},{\"url\":\"https://www.discogs.com/release/2341164-Various-Ultimatum\",\"citation\":\"Discogs entry Ultimatum LP.\"},{\"url\":\"\",\"citation\":\"Alan Lord unpublished memoirs \"},{\"url\":\"https://ici.radio-canada.ca/ohdio/premiere/emissions/plus-on-est-de-fous-plus-on-lit/segments/prestation/5447/jean-paul-daoust-mario-campo-poesie\",\"citation\":\"Radio-Canada coverage of Mario Campo [Jean-Paul Daoust]\"},{\"url\":\"https://numerique.banq.qc.ca/patrimoine/details/52327/4047154\",\"citation\":\"Digitized copy of Mario Campo's book \\\"L'anovulatoire\\\" [Bibliothèque et Archives nationales du Québec]. \"},{\"url\":\"https://e-artexte.ca/id/eprint/9222/\",\"citation\":\"Collection of interviews featuring Mario Campo and other italo-quebecois artists [e-artexte]. \"},{\"url\":\"\",\"citation\":\"Campo, Mario. Contract and partial résumé for Ultimatum, Mar. 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_cam. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.\"}]"],"_version_":1853670549002125312,"timestamp":"2026-01-07T14:59:53.477Z","Note":["[{\"note\":\"Multitrack Mix File Name: Ultimatum_Mixdown_Mario Campo_U-1-2_T1_T2_T4.mp3\",\"type\":\"General\"},{\"note\":\"Media Preserve Metadata for Tape U-1-2.\\n\\n<MediaAsset>\\n<!-- Original Physical Asset and Transfer Details -->\\n<Original>\\n<Filename>U-1-2</Filename>\\n<Title>Mario Campo Michel Lefebvre</Title>\\n<RunningTime>00:13:25</RunningTime>\\n<RecordDate>undated</RecordDate>\\n<FormatType>Open Reel</FormatType>\\n<StockBrand>Ampex</StockBrand>\\n<TapeModel>406</TapeModel>\\n<TapeWidth>1/4\\\"</TapeWidth>\\n<TapeType>Polyester</TapeType>\\n<ReelSize>7\\\"</ReelSize>\\n<TrackConfiguration>8 Track</TrackConfiguration>\\n<SoundField>Mono</SoundField>\\n<RecordingSpeed>15 ips</RecordingSpeed>\\n<NoiseReduction>None</NoiseReduction>\\n<Equalization>NAB</Equalization>\\n<PackOrientation>Heads 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Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"content_notes":["Transcription by Emma Telaro. \n\nBilingual \"Ultimatum Programme\" pamphlet announces the performance of \"Les Tables de Babylone\". "],"contents":["Ultimatum_Mixdown_Michel Lefebvre_U-1-2_T5_T6_T8_U-1-3_T1_T2.mp3\n\nThe following is a transcription of Michel Lefebvre’s performance at Ultimatum, Monday May 1st, 1985 at the Foufounes Electriques. The Ultimatum festival program titles the performance as “Les Tables de Babylone” and Alan Lord describes the scene in his memoirs: “A quite visibly and audibly tipsy Michel Lefebvre dressed as a space alien, knocking over vials of liquid on a table, with a girl in a Hugo Ball costume hovering robotically nearby”. She is possibly the source of a woman’s voice in the recording, who chants and recites poetry as Lefebvre performs sounds, poems and various theatrical noises.\n\nTRANSCRIPTION\n\nMichel Lefebvre\n00:00:00\nPerforms as female voice chants and recites poetry throughout [electric guitar, music, chanting, yelling, recorded voices, human voices, female voice, poetry, electronic noises].\n\n[Unknown]\n00:3:57 \nPause [ambient sounds].\n\nMichel Lefebvre\n00:04:24\nContinues to perform sounds [chanting, poetry, drums, electronic sounds, vocal performance, group, female voice, drums, recorded voices, human voices] Keywords: orgueil, organe, bistoury, chirurgie.\n\nUnknown\n00:16:09\n[tape cut]\n\nMichel Lefebvre \n00:16:12\nContinues performance [recording cuts into electric guitar, human voices, singing, chanting, drums].\n\nUnknown\n00:18:53 \nPause [ambient sounds and mumbling into microphone]. \n\nMichel Lefebvre\n00:19:06\nPerforms instrumental [electric guitar].\n\nEND\n00:23:08\n"],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Ultimatum Program/me [Pamphlet] \"},{\"url\":\"\",\"citation\":\"Alan Lord unpublished memoirs.\"},{\"url\":\"\",\"citation\":\"Lefebvre, Michel. Facsimiled copy of \\\"Les tables de Babylone,\\\" 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder1_lef. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Lefebvre, Michel. Proposal and résumé for Ultimatum, 1984–1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_lef. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. 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For full details on tracks see digital file descriptions\\\".\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-2-2/U-2-2_t06_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-2-2_t06_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:16:08\",\"precision\":\"\",\"size\":\" 85.4 MB\",\"bitrate\":\"2304000\",\"encoding\":\"\",\"contents\":\"This is track 6 of 8 tracks on tape U-2-2 containing a \\n vocal track from Bisset's performance.\\n\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-2-2/U-2-2_t07_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-2-2_t07_preservation.wav\",\"channel_field\":\"\",\"sample_rate\":\"96kHz\",\"duration\":\"00:16:08\",\"precision\":\"\",\"size\":\"85.4 MB\",\"bitrate\":\"2304000\",\"encoding\":\"\",\"contents\":\"This is track 7 of 8 tracks on tape U-2-2 containing a \\n vocal track from Bisset's performance.\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-2-2/U-2-2_t08_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-2-2_t08_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:16:08\",\"precision\":\"\",\"size\":\"85.4 MB\",\"bitrate\":\"2304000\",\"encoding\":\"\",\"contents\":\"This is track 8 of 8 tracks on tape U-2-2 containing a \\n vocal track from Bisset's performance.\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-2-3/U-2-3_t03_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-2-3_t03_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:15:41\",\"precision\":\"\",\"size\":\"83 MB\",\"bitrate\":\"2304000\",\"encoding\":\"\",\"contents\":\"This is track 3 of 8 tracks on tape U-2-3 containing a \\n vocal track from Bisset's performance.\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-2-3/U-2-3_t04_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-2-3_t04_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:15:41\",\"precision\":\"\",\"size\":\"83 MB\",\"bitrate\":\"2304000\",\"encoding\":\"\",\"contents\":\"This is track 4 of 8 tracks on tape U-2-3 containing a \\n vocal track from Bisset's performance.\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-05-02\",\"type\":\"Performance Date\",\"notes\":\"According to brochure, performance began at 8:30PM\",\"source\":\"Container. Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"content_notes":["Rename mp3 to correct spelling of surname: bissett"],"contents":["Ultimatum_Mixdown_Bill Bisset_U-2-2_T5_T6_T7_T8_U-2-3_T3_T4.mp3  \n \n"],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Festival pamphlet. \"},{\"url\":\"\",\"citation\":\"bissett, bill. Annotated trypescripts of poems for Ultimatum, [20?] Feb. 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder1_bis. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"bissett, bill. Contract for Ultimatum, letters, poems, and press release, c. 20 Feb. 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_bis. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Rosen, Allan. Photo of bill bissett, n.d., Alan Lord fonds (F039), Box 1, folder AL-Folder2_bis. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Strom, Millie. Photo of bill bissett, n.d., Alan Lord fonds (F039), Box 1, folder AL-Folder2_bis. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-photos. Concordia University Library, Special Collections, Montréal, QC.\"}]"],"_version_":1853670549008416768,"timestamp":"2026-01-07T14:59:53.477Z","Note":["[{\"note\":\"Media Preserve Metadata for Tape U-2-2. \\n\\n<MediaAsset>\\n<!-- Original Physical Asset and Transfer Details -->\\n<Original>\\n<Filename>U-2-2</Filename>\\n<Title>Christopher Dewdney Tom Konyves Bill Bissett</Title>\\n<RunningTime>00:16:08</RunningTime>\\n<RecordDate>undated</RecordDate>\\n<FormatType>Open Reel</FormatType>\\n<StockBrand>Ampex</StockBrand>\\n<TapeModel>406</TapeModel>\\n<TapeWidth>1/4\\\"</TapeWidth>\\n<TapeType>Polyester</TapeType>\\n<ReelSize>7\\\"</ReelSize>\\n<TrackConfiguration>8 Track</TrackConfiguration>\\n<SoundField>Mono</SoundField>\\n<RecordingSpeed>15 ips</RecordingSpeed>\\n<NoiseReduction>None</NoiseReduction>\\n<Equalization>NAB</Equalization>\\n<PackOrientation>Heads 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Brochure.\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"},{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"contents":["Coming soon. "],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Festival pamphlet. \"},{\"url\":\"\",\"citation\":\"Ultimatum Administrative Council. Various manuscript notes for Ultimatum, Apr. 1985–May 1986, Alan Lord fonds (F039), Box 1, folder AL-Folder1_ult. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. 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"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Alan Lord Collection"],"item_subseries_title":["Ultimatum [1]"],"item_identifiers":["[]"],"rights_notes":["Rights status in process. Alan Lord has permission waivers. We may wish to seek permission from individual artists.  "],"creator_names":["Truhlar, Richard","Owen Sound","Dean, Michael","Smith, Steven"],"creator_names_search":["Truhlar, Richard","Owen Sound","Dean, Michael","Smith, Steven"],"creators":["[{\"url\":\"https://viaf.org/viaf/38165242\",\"name\":\"Truhlar, Richard\",\"dates\":\"1950-2013\",\"notes\":\"Band member of Owen Sound.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"https://viaf.org/viaf/1202154075979611860004\",\"name\":\"Owen Sound\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"https://viaf.org/viaf/832169261592509510009/\",\"name\":\"Dean, Michael\",\"dates\":\"\",\"notes\":\"Band member of Owen Sound.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Smith, Steven\",\"dates\":\"1945-\",\"notes\":\"Band member of Owen Sound.\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Lord, Alan"],"contributors_names_search":["Lord, Alan"],"contributors":["[{\"url\":\"http://viaf.org/viaf/80186482\",\"name\":\"Lord, Alan\",\"dates\":\"1954-\",\"notes\":\"Alan Lord has been designated Contributor when in the role of series organizer and Creator when in the role of Performer. \",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Lord, Alan"],"Performance_Date":[1985],"material_description":["[{\"side\":\"Tracks 3 - 8\",\"image\":\"../Uploads/3671/Screen Shot 2020-07-01 at 6.09.29 PM.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Ampex 460\",\"generations\":\"Audio taken from original reel to reel 8 track tape.\",\"Conservation\":\"Perforation repairs. 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No specific indication.\\n\\n\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-2-3/U-2-3_t06_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-2-3_t06_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:15:41\",\"precision\":\"\",\"size\":\"83 MB\",\"bitrate\":\"2304000\",\"encoding\":\"Waveform\",\"contents\":\"This is track 6 of 8 tracks on tape U-2-3 from Owen Sound's performance. No specific indication.\\n\\nBrief description of audio. \",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-2-3/U-2-3_t07_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-2-3_t07_preservation.wav\",\"channel_field\":\"\",\"sample_rate\":\"96kHz\",\"duration\":\"00:15:41\",\"precision\":\"\",\"size\":\"83 MB\",\"bitrate\":\"2304000\",\"encoding\":\"Waveform\",\"contents\":\"This is track 7 of 8 tracks on tape U-2-3 from Owen Sound's performance. No signal.\\n\\n\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-2-3/U-2-3_t08_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-2-3_t08_preservation.wav\",\"channel_field\":\"\",\"sample_rate\":\"96kHz\",\"duration\":\"00:15:41\",\"precision\":\"\",\"size\":\"83 MB\",\"bitrate\":\"2304000\",\"encoding\":\"Waveform\",\"contents\":\"This is track 8 of 8 tracks on tape U-2-3 from Owen Sound's performance. No signal. \\n\\n\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-2-3/U-2-3_t04_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-2-3_t04_preservation.wav\",\"channel_field\":\"\",\"sample_rate\":\"96kHz\",\"duration\":\"00:15:41\",\"precision\":\"\",\"size\":\"83 MB\",\"bitrate\":\"2304000\",\"encoding\":\"Waveform\",\"contents\":\"This is track 4 of 8 tracks on tape U-2-3 from Owen Sound's performance. No specific indication. \\n\\n\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-2-3/U-2-3_t03_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-2-3_t03_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:15:41\",\"precision\":\"\",\"size\":\" 83 MB\",\"bitrate\":\"2304000 \",\"encoding\":\"Waveform \",\"contents\":\"This is track 3 of 8 tracks on tape U-2-3 from Owen Sound's performance. No specific indication.\\n\\n\",\"notes\":\"*Note for template: create one file description for each track, and use WAV form for entries.\\n\\nOnce final mixes are done, we will include a digital file description of the mix with a note of this sort: \\\"Above based upon mix of following tracks. For full details on tracks see digital file descriptions\\\".\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-05-02\",\"type\":\"Performance Date\",\"notes\":\"According to brochure, performance began at 9:30pm.\",\"source\":\"Container. Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"contents":["Coming soon. "],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Festival pamphlet. \"},{\"url\":\"\",\"citation\":\"Dean, Michael, Steven Smith, and Richard Truhlar. Owen Sound CV, bionotes, and performance plan for Ultimatum, c. May 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_owe. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Westlake, Marilyn. Photos of Owen Sound, before May 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_owe. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Gelinas, Daniel. Photo of Owen Sound band members Michael Dean and Steven Smith, 2 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_gel-photo. 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Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"contents":["Coming soon. "],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Festival pamphlet.  \"},{\"url\":\"\",\"citation\":\"Arteau, Gilles. Facsimiled copy of \\\"THE WOEURKS, OU MÊME LA MUSIQUE IMMONDE,\\\" after 9 May 1983, Alan Lord fonds (F039), Box 1, folder AL-Folder2_art. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. 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Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"contents":["Coming soon. "],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Festival pamphlet. \"},{\"url\":\"\",\"citation\":\"Sanregret, Anonyme (Pierre Cornudet). Typescript of \\\"Microprocesseur\\\" for Ultimatum, c. May 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder1_san. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Sanregret, Anonyme (Pierre Cornudet). Contract and copies of poems for Ultimatum, 20 Feb. 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_san. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"VOLTICHENKÖ (Pierre Cornudet, aka Anonyme Sanregret). Arwork and invitation, 1985–1986, Alan Lord fonds (F039), Box 1, folder AL-Folder2_san. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Gagné, Daniel. Photo of Anonyme Sanregret (Pierre Cornudet), 1984, Alan Lord fonds (F039), Box 1, folder AL-Folder2_san. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Giorno, John, Anonyme Sanregret (Pierre Cornudet), and Geneviève Letarte. Typescript and manuscripts of \\\"Last night I gambled with my anger (and lost),\\\" \\\"Microprocesseur,\\\" and \\\"Petit Nuage et Betelgeuse,\\\" c. May 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder1_gio-let-san. 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Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Campbell, Jocelyn Ann. \\\"Denis Vanier récidive avec un nouveau recueil de poèmes\\\" in La Criée, 5–12 Jun 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_van. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.\"}]"],"_version_":1853670549026242560,"timestamp":"2026-01-07T14:59:53.477Z","Note":["[{\"note\":\"Media Preserve Metadata for Tape U-4-1.\\n\\n<MediaAsset>\\n<!-- Original Physical Asset and Transfer Details -->\\n<Original>\\n<Filename>U-4-1</Filename>\\n<Title>Denis Vanier Janou St-Denis Andre etc.</Title>\\n<RunningTime>00:15:28</RunningTime>\\n<RecordDate>undated</RecordDate>\\n<FormatType>Open Reel</FormatType>\\n<StockBrand>Ampex</StockBrand>\\n<TapeModel>406</TapeModel>\\n<TapeWidth>1/4\\\"</TapeWidth>\\n<TapeType>Polyester</TapeType>\\n<ReelSize>7\\\"</ReelSize>\\n<TrackConfiguration>8 Track</TrackConfiguration>\\n<SoundField>Mono</SoundField>\\n<RecordingSpeed>15 ips</RecordingSpeed>\\n<NoiseReduction>None</NoiseReduction>\\n<Equalization>NAB</Equalization>\\n<PackOrientation>Heads 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Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"contents":["Coming soon. "],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Festival pamphlet.  \"},{\"url\":\"\",\"citation\":\"saint-denis, janou. Press release and poster for \\\"GALGAL OU LA ROUE DU FEU SECRET,\\\" Jan.–Apr. 1984, Alan Lord fonds (F039), Box 1, folder AL-Folder2_sai. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"saint-denis, janou. Contract and bionote for Ultimatum, 15 Feb. 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_sai. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"saint-denis, janou. Copy of \\\"MANIFESTE DE LA PLACE AUX POETES,\\\" 1982, Alan Lord fonds (F039), Box 1, folder AL-Folder1_sai. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Ultimatum Administrative Council. Various manuscript notes for Ultimatum, Apr. 1985–May 1986, Alan Lord fonds (F039), Box 1, folder AL-Folder1_ult. 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Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"contents":["Coming soon. "],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Festival pamphlet. \"},{\"url\":\"\",\"citation\":\"Tcetera, André (André Trottier). Typescript of \\\"Et sortent les loups\\\" for Ultimatum, 9 Jan. 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder1_tce. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Tcetera, André (André Trottier). Typescript note and press kit after Ultimatum, after 3 May 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_tce. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Bédard, Robert. Photo of André Tcetera (André Trottier) at Ultimatum, 3 May 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_tce. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. 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Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"contents":["Coming soon. "],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Festival pamphlet. \"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-photos. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Concept Variable. Contract signed by bandleader Sylvain Houde, group description, and lyrics for Ultimatum, 1 Mar. 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_con. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Concept Variable. Annotated typescript of \\\"THE STORY OF BILLY MANICOTI\\\" for Ultimatum, c. May 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder1_con. 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Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"contents":["Coming soon. "],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Festival pamphlet. \"},{\"url\":\"\",\"citation\":\"Red Shift. Two manuscript versions of \\\"This is the worst of love,\\\" c. May 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder1_red. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. 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Marketing and admissions materials for Ultimatum, c. May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_ult-marketing. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. 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"],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Ultimatum Program/me [Festival Pamphlet]\"},{\"url\":\"https://eldongarnet.com/\",\"citation\":\"Artist website. \"},{\"url\":\"\",\"citation\":\"Pattibo. Photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-photos. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Garnet, Eldon, and Tom Konyves. Typescript of \\\"Eldon Garnet 2:32 Ultimatum\\\" and \\\"'Be it resolved' Tom Konyves: $4:25,\\\" c. May [1985?], Alan Lord fonds (F039), Box 1, folder AL-Folder1_gar-kon. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Garnet, Eldon. Letter to Alan Lord, 11 Mar. 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_gar. 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Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"contents":["Coming soon. "],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Ultimatum Program/me [Pamphlet]\"},{\"url\":\"http://web4.uwindsor.ca/rampike\",\"citation\":\"Rampike magazine edited by Karl Jirgens. \"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-photos. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Jirgens, Karl. Contract for Ultimatum, 23 Feb. 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_jir. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Jirgens, Karl. Typescript with performance plan for Ultimatum and facsimiled excerpt from Jirgens's book Strappado, c. May 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder1_jir. Concordia University Library, Special Collections, Montréal, QC.\"}]"],"_version_":1853670549047214080,"timestamp":"2026-01-07T14:59:53.477Z","Note":["[{\"note\":\"Media Preserve Metadata for Tape U-5-1.\\n\\n<MediaAsset>\\n<!-- Original Physical Asset and Transfer Details -->\\n<Original>\\n<Filename>U-5-1</Filename>\\n<Title>Paul Chamberland Eldon Garnet Karl Jirgens Sylvere Lotringer</Title>\\n<RunningTime>00:11:30</RunningTime>\\n<RecordDate>undated</RecordDate>\\n<FormatType>Open Reel</FormatType>\\n<StockBrand>Ampex</StockBrand>\\n<TapeModel>406</TapeModel>\\n<TapeWidth>1/4\\\"</TapeWidth>\\n<TapeType>Polyester</TapeType>\\n<ReelSize>7\\\"</ReelSize>\\n<TrackConfiguration>8 Track</TrackConfiguration>\\n<SoundField>Mono</SoundField>\\n<RecordingSpeed>15 ips</RecordingSpeed>\\n<NoiseReduction>None</NoiseReduction>\\n<Equalization>NAB</Equalization>\\n<PackOrientation>Heads 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No designation. \",\"notes\":\"Alan Lord indicates that Eldon Garnet joined Sylvère Lontringer on stage for these tracks. \",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-5-1/U-5-1_t07_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-5-1_t07_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:15:33\",\"precision\":\"\",\"size\":\" 82.3 MB\",\"bitrate\":\"2304000 \",\"encoding\":\"Waveform \",\"contents\":\"This is track 7 of 8 tracks on tape U-5-1 containing a vocal track from Lotringer's performance.\\n\\n\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-05-05\",\"type\":\"Performance Date\",\"notes\":\"According to brochure, performance began at 20:30.\",\"source\":\"Container. Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"contents":["Coming soon. "],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Ultimatum Program/me [Pamphlet]\"},{\"url\":\"http://semiotexte.com/?page_id=142\",\"citation\":\"Semiotext(e) website. Publiciation co-edited by Sylvère Lotringer, Chris Kraus, and Hedi El Kholti. \"},{\"url\":\"\",\"citation\":\"Ultimatum Administrative Council. Marketing and admissions materials for Ultimatum, c. May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_ult-marketing. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-photos. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Giorno, John. Event flyer and typescripts of \\\"Last night I gambled with my anger (and lost),\\\" Nov. 1984–May 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder1_gio. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Ultimatum II production team. Contact information of various performers and video credits for Ultimatum II, 1987, Alan Lord fonds (F039), Box 2, folder AL-UIIWB-12_A. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Ultimatum II production team. Poster, programs, and press releases for Ultimatum II, Sept. 1987, Alan Lord fonds (F039), Box 2, folder AL-UIIPK. Concordia University Library, Special Collections, Montréal, QC.\"}]"],"_version_":1853670549049311232,"timestamp":"2026-01-07T14:59:53.477Z","Note":["[{\"note\":\"Media Preserve Metadata for Tape U-5-1.\\n\\n<MediaAsset>\\n<!-- Original Physical Asset and Transfer Details -->\\n<Original>\\n<Filename>U-5-1</Filename>\\n<Title>Paul Chamberland Eldon Garnet Karl Jirgens Sylvere Lotringer</Title>\\n<RunningTime>00:11:30</RunningTime>\\n<RecordDate>undated</RecordDate>\\n<FormatType>Open Reel</FormatType>\\n<StockBrand>Ampex</StockBrand>\\n<TapeModel>406</TapeModel>\\n<TapeWidth>1/4\\\"</TapeWidth>\\n<TapeType>Polyester</TapeType>\\n<ReelSize>7\\\"</ReelSize>\\n<TrackConfiguration>8 Track</TrackConfiguration>\\n<SoundField>Mono</SoundField>\\n<RecordingSpeed>15 ips</RecordingSpeed>\\n<NoiseReduction>None</NoiseReduction>\\n<Equalization>NAB</Equalization>\\n<PackOrientation>Heads 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Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"content_notes":["Contents field [transcription] by Emma Telaro. \n\n"],"contents":["Ultimatum_Mixdown_Richard Martel_U-5-2_T5_T6_T7_T8.mp3\n\nThe following is a transcription of Richard Martel’s performance at Ultimatum, Sunday May 5th, 1985 at the Foufounes Electriques. The Ultimatum festival pamphlet notes Martel’s role as the editor of Intervention magazine, a Quebec-based journal of international repute also known as ‘Inter’. Since 1979, Inter has published articles on all forms of contemporary art, questioning the role of art in society, politics and culture. Martel is the author and editor of a number of articles and books on performance art. As a curator and multimedia artist he has organized and participated in various art events and festivals. His own practice centers on art and the social. At the beginning of his Ultimatum set, Martel introduces the 3 pieces he will perform, \"Subordination\", \"Insubordination\" and \"L'expérience de l'art comme disponibilité du temps” which consist of sound and poetry.\n\nTRANSCRIPTION\n\nRichard Martel \n00:00:00\nMicrophone test.\n\nRichard Martel \n00:00:17\nIntroduces title of performance pieces \"Subordination\", \"Insubordination\" and \"L'expérience de l'art comme disponibilité du temps\". \n\nStage\n00:00:40\nAmbient sound [clanging noise throughout].\n\nRichard Martel\n00:00:52\nPerforms \"Subordination\" [chant] | Keywords: Guttenberg, stigmate, typographie, visuelle. \n\nAudience\n00:03:18\nApplause [tape cut]. Ambient sound [end of clanging].\n\nRichard Martel\n00:03:38\nPerforms \"Insubordination\" [tape cuts in while performance in progress]. [Martel, Various noises, grunting, additional audio tape]. \n\nAudience\n00:08:43\nApplause\n\nRichard Martel\n00:09:12\n\"On peut-y-aller\". \n\nRichard Matel\n00:09:25\nPerforms \"L'expérience de l'art comme disponibilité du temps\". Ambient sounds [audio, fan, friction, voice] and poetry. | Keywords: langage, art, \"L'experience de l'art comme disponibilité du temps\", avions, Québec, formalisme, Nietszche, Lewis Carroll, Karl Marx, Félix Potin, dada, concrete poetry, [cuts out].\n\nEND\n00:15:54\n[cuts out]\n\n"],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Ultimatum Program/me [Festival Pamphlet]\"},{\"url\":\"https://www.erudit.org/en/journals/inter/\",\"citation\":\"Inter journal\"},{\"url\":\"https://inter-lelieu.org/le-lieu/equipe/\",\"citation\":\"Le lieu webpage \"},{\"url\":\"https://inter-lelieu.org/revue-inter/a-propos/\",\"citation\":\"Information about Inter journal on le lieu webpage.\"},{\"url\":\"https://www.discogs.com/artist/965090-Richard-Martel\",\"citation\":\"Discogs entry Richard Martel \"},{\"url\":\"https://e-artexte.ca/view/artists/Martel,_Richard.htmlhttps://www.google.com/url?q=https://e-artexte.ca/view/artists/Martel,_Richard.html&sa=D&source=docs&ust=1649188287726748&usg=AOvVaw2KmMZmQ9mvFsduN9QCd9-M\",\"citation\":\"List of items on e-artexte related to Richard Martel.\"},{\"url\":\"\",\"citation\":\"Martel, Richard. Contract, bionote, poem, and performance plan for Ultimatum, c. May 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_mar. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Various authors. Newsclippings about Richard Martel, Feb.–Nov. 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_mar. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-photos. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. 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Transcription and related works by Emma Telaro. \",\"type\":\"Cataloguer\"}]"],"score":0.01643844},{"id":"1498","cataloger_name":["Sadie,Barker"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Alan Lord collection"],"source_collection_label":["Alan Lord collection"],"collection_contributing_unit":["SpokenWeb at Concordia University"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Alan Lord collection contains all the archives regarding the Ultimatum poetry readings and the Ultimatum & Ultimatum II festivals, including film, sound and documentation."],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Jean-Paul Curtay at Ultimatum Festival 1985-05-05"],"item_title_source":["Container and Brochure "],"item_title_note":["On tape \"U-5-3\" and festival schedule corroborated in brochure. "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Alan Lord Collection"],"item_subseries_title":["Ultimatum [1]"],"item_identifiers":["[]"],"rights_notes":["Rights status in process. Alan Lord has permission waivers. We may wish to seek permission from individual artists.  "],"creator_names":["Curtay, Jean-Paul"],"creator_names_search":["Curtay, Jean-Paul"],"creators":["[{\"url\":\"http://viaf.org/viaf/29532386/#Curtay,_Jean-Paul\",\"name\":\"Curtay, Jean-Paul\",\"dates\":\"1951-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Lord, Alan"],"contributors_names_search":["Lord, Alan"],"contributors":["[{\"url\":\"http://viaf.org/viaf/80186482\",\"name\":\"Lord, Alan\",\"dates\":\"1954-\",\"notes\":\"Alan Lord has been designated Contributor when in the role of series organizer and Creator when in the role of Performer. \",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Lord, Alan"],"Performance_Date":[1985],"material_description":["[{\"side\":\"Tracks 1-4 \",\"image\":\"../Uploads/5876/Screen Shot 2020-11-08 at 8.11.39 PM.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Ampex 460\",\"generations\":\"Audio taken from original reel to reel 8 track tape.\",\"Conservation\":\"Perforation repairs. 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Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"content_notes":["Contents field [transcription] by Emma Telaro. \n\n"],"contents":["Ultimatum_Mixdown_Jean-Paul Curtay_U-5-3_T1_T2_T3_T4\n\nThe following is a transcription of the Jean-Paul Curtay set at Ultimatum, Sunday May 5th, 1985 at the Foufounes Électriques. The Ultimatum festival program lists the performance as “Sound Super Writing.” Curtay was a member of the French avant-garde Lettrist movement and provided vital sonic and written contributions to its exegesis (see Body Music and Hypegraphic Music). In his memoirs, Alan Lord describes how, in this performance, Curtay wraps his mouth around the microphone to produce the sounds of his Sound Super Writing. The recording ends with an audio excerpt of the film “Framed” by Montreal filmmaker [(?)] Napoléon Moffat, a go-between Curtay’s set and the John Giorno band. \n\nFor more on French Lettrism, see Curtay’s performances and publications.\n\nTRANSCRIPT\n\nJean-Paul Curtay\n00:00:00\nPerforms sound [tape or computer audio, barking, gurgling, recorded human voices, speech sounds, stomping, stepping, mouth sounds, sound super writing]. | Keywords: occupy, action\n\nUnknown\n00:03:05\nAmbient Sound [pause in performance, silence, microphone feedback]. \n\nJean-Paul Curtay\n00:03:25\nPerforms sound [warbling, speech sounds, mouth sounds, nonsense, words, echo, vibrations, yelling]. | Keywords: power, rights, El Salvador, schools, what if, et si. \n\nAudience\n00:10:23\nApplause\n\nJean-Paul Curtay \n00:10:42\nPerforms sound [tape or computer audio, fan, speech sounds, mouth sounds, electronic sounds, murmuring, gurgling]. | Keywords: copie. \n\nUnknown\n00:15:38\nSilence [tape cut]\n\nJean-Paul Curtay\n00:15:42\nPerforms sound [slurping, muffled music, mouth sounds, recorded human voices, engine sound, electronic sounds, mouth noises]. | Keywords: what are you doing, save the baby birds.\n\nJean-Paul Curtay\n00:21:13\nSilence [Pause] \n\nJean-Paul Curtay\n00:21:23\nPerforms sound [pre-recorded sounds fade in, vocals, warbling, mouth sounds, speech sounds, yelling, screaming, tape or computer audio, electronic sounds]. | Keywords: man, animal, manimal.\n\nAudience\n00:24:31\nAmbient sounds audible throughout the end of the piece [\"bravo\", applause, banter]. \n\nJean-Paul Curtay\n00:21:24\nContinues to perform sound. \n\nAudience\n00:27:38\nApplause [sounds from Curtay set fade out]. \n\nAlan Lord\n00:28:18\nAnnounces the John Giorno band as the following set and introduces cinematic interlude, the film “Framed” by Napoléon Moffat, while technicians exit stage. | Keywords: bonsoir, the John Giorno band, Napoleon Moffat, the John Giorno Band, poésie visuelle.\n\n[Sound from film]\n00:29:43\nMusic and narration from Napoleon Moffat film \"Framed\" [cuts out].\n\n"],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Ultimatum Program/me [Festival Pamphlet]\"},{\"url\":\"https://www.discogs.com/Jean-Paul-Curtay-Body-Music-1/release/7365316\",\"citation\":\"Discogs entry for Body Music. \"},{\"url\":\"https://www.tate.org.uk/art/archive/items/tga-200414-7-3-2-30/audio-arts-published-supplement-jean-paul-curtay-body-music\",\"citation\":\"Supplement from Body Music for Tate Museum Archive. \"},{\"url\":\"https://monoskop.org/images/0/09/Visible_Language_17_3_Lettrisme_Into_the_Present_1983.pdf\",\"citation\":\"Jean-Paul Curtay contribution to Lettrism special issue (“Chronology” of Lettrism and article “Super Writing 1983 – America 1683”)\\n\"},{\"url\":\"https://monoskop.org/images/2/29/Curtay_Jean-Paul_La_poesie_lettriste_1974.pdf\",\"citation\":\"Jean-Paul Curtay anthology on La Poésie Lettriste (1974).\"},{\"url\":\"https://www.worldcat.org/title/posie-lettriste/oclc/1050063824\",\"citation\":\"Worldcat entry for Jean-Paul Curtay anthology on La Poésie Lettriste (1974). \"},{\"url\":\"https://www.worldcat.org/title/letterism-and-hypergraphics-the-unknown-avant-garde-1945-1985/oclc/13537381\",\"citation\":\"Jean-Paul Curtay book Letterism and Hypergraphics: the unknown avant-garde, 1945-1985. \"},{\"url\":\"\",\"citation\":\"Curtay, Jean-Paul. Letter to Alan Lord, copy of poem, and event flyers for Ultimatum, 27 Feb. 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_cur. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Photo of Jean-Paul Curtay (uncredited photographer), n.d., Alan Lord fonds (F039), Box 1, folder AL-Folder2_cur. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Janicot, Françoise. Photo of Jean-Paul Curtay, n.d., Alan Lord fonds (F039), Box 1, folder AL-Folder2_cur. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Zimmerman, Ann. Photo of Jean-Paul Curtay, n.d., Alan Lord fonds (F039), Box 1, folder AL-Folder2_cur. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Ultimatum Administrative Council. Various manuscript notes for Ultimatum, Apr. 1985–May 1986, Alan Lord fonds (F039), Box 1, folder AL-Folder1_ult. Concordia University Library, Special Collections, Montréal, QC.\"}]"],"_version_":1853670549053505536,"timestamp":"2026-01-07T14:59:53.477Z","Note":["[{\"note\":\"Media Preserve Metadata for Tape U-5-3.\\n\\n<MediaAsset>\\n<!-- Original Physical Asset and Transfer Details -->\\n<Original>\\n<Filename>U-5-3</Filename>\\n<Title>Jean-Paul Curtsy</Title>\\n<RunningTime>00:03:09</RunningTime>\\n<RecordDate>undated</RecordDate>\\n<FormatType>Open Reel</FormatType>\\n<StockBrand>Ampex</StockBrand>\\n<TapeModel>406</TapeModel>\\n<TapeWidth>1/4\\\"</TapeWidth>\\n<TapeType>Polyester</TapeType>\\n<ReelSize>7\\\"</ReelSize>\\n<TrackConfiguration>8 Track</TrackConfiguration>\\n<SoundField>Stereo</SoundField>\\n<RecordingSpeed>15 ips</RecordingSpeed>\\n<NoiseReduction>None</NoiseReduction>\\n<Equalization>NAB</Equalization>\\n<PackOrientation>Heads 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Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-photos. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Ultimatum Administrative Council. Marketing and admissions materials for Ultimatum, c. May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_ult-marketing. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Giorno, John, Anonyme Sanregret (Pierre Cornudet), and Geneviève Letarte. Typescript and manuscripts of \\\"Last night I gambled with my anger (and lost),\\\" \\\"Microprocesseur,\\\" and \\\"Petit Nuage et Betelgeuse,\\\" c. May 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder1_gio-let-san. 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Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"contents":["Ultimatum_Mixdown_Herbert Huncke_U-5-5_T5_T6_T7  \n\nAudience \n00:00:03.70 \nApplause  \n\nAlan Lord \n00:00:07.19 \nIntroduces Herbert Huncke in French. | Keywords: Beat generation; Kerouac [https://www.wikidata.org/wiki/Q160534]; Ginsberg [https://www.wikidata.org/wiki/Q6711]; Burroughs [https://www.wikidata.org/wiki/Q188176].    \n\nAudience \n00:00:25.50 \nApplause  \n\nHerbert Huncke \n00:00:31.09 \nRefers to previous act (\"a hard act to follow\"). Discusses sound and lighting. \n   \nHerbert Huncke \n00:01:12.72 \nIntroduces first piece \"Cuba\". | Keywords: General theme; creative people; festival; young people; encouraging; strange story; individual; sorry.    \n\nHerbert Huncke \n00:02:21.53 \nReads \"Cuba.\" | Keywords: hustler; contraband; eggs; meat; pants; hair; contact; ten year sentence; paroled; deported; New York; prison; summer; scars; shower; tan; skin; symmetrical; medallion; mother; resenting; lover; job; mess hall; cigarettes; smokes; kind; favours; gambles; state prison; hospital.    \n\nAudience \n00:09:36.78 \nApplause    \n\nHerbert Huncke \n00:09:48.92 \nAddresses audience while searching for poem \"Alverez\". | Keywords: intended; start; sad story.    \n\nHerbert Huncke \n00:10:13.24 \nReads \"Alverez\" | Keywords: Knot; shoulders; body; toes; vomited; bile; moaning; police headquarters; fingerprinted; photographed; frisked; cold shower; cell; city prison; trial; junkie; cuffed; cell; bail; detective; courtroom; shivering; doctor; daylight; outside; weak; sleep; keys; Maria; Rita; Lola; collapsed; guard; Saturday; sadness; flesh; bunk; dead.    \n\nAudience \n00:24:54.97 \nApplause    \n\nHerbert Huncke \n00:25:33.40 \nReads \"Russian Blackie\" | Keywords: Bar; 42nd St. and 8th Ave; drunk; handsome; gloves; intoxicated; dapper; characters; hustlers; friends; hotels; exploits; underworld; thieves; favour; illegal; hipster; invitation; companion; exploits; love; reserve; hardness; wife; Frank; trust; danger; Frank Junior; babysitting.   \n\nAudience \n00:40:53.72 \nApplause    \n\nUnknown \n00:41:34.29 \nSpeaker addresses audience and references Alan Lord in French.    \n\nEND \n00:41:34.29 \n"],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Ultimatum Program/me [Festival Pamphlet].\"},{\"url\":\"\",\"citation\":\"Ultimatum Administrative Council. Marketing and admissions materials for Ultimatum, c. May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_ult-marketing. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Lord, Alan. Assorted materials regarding events Alan Lord helped produce, 1983–1986, Alan Lord fonds (F039), Box 2, folder AL-P. Concordia University Library, Special Collections, Montréal, QC.\"}]"],"_version_":1853670549058748416,"timestamp":"2026-01-07T14:59:53.477Z","Note":["[{\"note\":\"Media Preserve Metadata for Tape U-5-5.\\n\\n<MediaAsset>\\n<!-- Original Physical Asset and Transfer Details -->\\n<Original>\\n<Filename>U-5-5</Filename>\\n<Title>John Giorno Band Herbert Huneke</Title>\\n<RunningTime>00:14:15</RunningTime>\\n<RecordDate>undated</RecordDate>\\n<FormatType>Open Reel</FormatType>\\n<StockBrand>Ampex</StockBrand>\\n<TapeModel>406</TapeModel>\\n<TapeWidth>1/4\\\"</TapeWidth>\\n<TapeType>Polyester</TapeType>\\n<ReelSize>7\\\"</ReelSize>\\n<TrackConfiguration>8 Track</TrackConfiguration>\\n<SoundField>Mono</SoundField>\\n<RecordingSpeed>15 ips</RecordingSpeed>\\n<NoiseReduction>None</NoiseReduction>\\n<Equalization>NAB</Equalization>\\n<PackOrientation>Heads 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"],"item_language":["French"],"item_production_context":["Documentary recording"],"item_series_title":["Alan Lord Collection"],"item_subseries_title":["Ultimatum [1]"],"item_identifiers":["[]"],"rights_notes":["Rights status in process. Alan Lord has permission waivers. We may wish to seek permission from individual artists.  "],"creator_names":["Montambault, Steve"],"creator_names_search":["Montambault, Steve"],"creators":["[{\"url\":\"\",\"name\":\"Montambault, Steve\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Lord, Alan"],"contributors_names_search":["Lord, Alan"],"contributors":["[{\"url\":\"http://viaf.org/viaf/80186482\",\"name\":\"Lord, Alan\",\"dates\":\"1954-\",\"notes\":\"Alan Lord has been designated Contributor when in the role of series organizer and Creator when in the role of Performer. \\n\\n\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Lord, Alan"],"Performance_Date":[1985],"material_description":["[{\"side\":\"Tracks 1-3. Tracks 5, 7.  \",\"image\":\"../Uploads/5879/TAPES-U-1-3 IMG.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Ampex 406\",\"generations\":\"Audio taken from original reel to reel 8 track tape.\",\"Conservation\":\"Perforation repairs. Baked. \",\"equalization\":\"NAB. \",\"playback_mode\":\"Mono\",\"playing_speed\":\"15 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"8 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Tape box. Handwritten notes on front and back. Sticker identifying tape as U-1-3.\",\"other_physical_description\":\"Reel U-1-3\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-1-3/U-1-3_t01_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-1-3_t01_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:24:27\",\"precision\":\"\",\"size\":\"403.11 MB\",\"bitrate\":\"2304000 \",\"encoding\":\"Waveform \",\"contents\":\"This is track 1 of 8 tracks on tape U-1-3 containing a backing track from Steve Montambault. \",\"notes\":\"Notes from Alan Lord file \\\"ULTIMATUM - BANDE U-1-3.pdf\\\" :\\n\\nULTIMATUM - PISTES SUR LA BANDE U-1-3\\n\\nU-1-3_t01_LEFEBVRE-BT_MONTAMBAULT-BT_1\\nPiste musique de fond Lefebvre - jusqu'à 9:03\\nPiste musique de fond Montambault - débute à 9:48 jusqu'à la fin, à 24:28\\nmais avec un long vide au milieu\\n\\nU-1-3_t02_LEFEBVRE-BT_MONTAMBAULT-BT_2\\nPiste musique de fond Lefebvre - 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débute à 9:48 jusqu'à la fin, à 24:28\\nmais avec un long vide au milieu\\n\\nU-1-3_t02_LEFEBVRE-BT_MONTAMBAULT-BT_2\\nPiste musique de fond Lefebvre - jusqu'à 9:03\\nPiste musique de fond Montambault - débute à 9:48 jusqu'à la fin, à 24:28\\nmais avec un faible signal à partir de 15:36\\n\\nU-1-3_t03_MONTAMBAULT-VT\\nPiste voix - Steve Montambault - débute à 6:56 jusqu'à la fin, à 24:28\\n\\nU-1-3_t04_LEFEBVRE-VT\\nPiste voix - Michel Lefebvre\\nPiste micro de Lefebvre, mais qui capte bande de fond, jusqu'à 5:40 Piste vide de 5:40 jusqu'à la fin, à 24:28\\n\\nU-1-3_t05_MONTAMBAULT-BT_LETARTE-BT\\nPiste musique de fond Montambault - jusqu'à 5:56\\nPiste musique de fond Geneviève Letarte - débute à 6:25 jusqu'à la fin, à 24:03\\n\\nU-1-3_t06_LETARTE-BT\\nPiste musique de fond - Geneviève Letarte Du début à la fin, à 24:03\\n\\nU-1-3_t07_MONTAMBAULT-VT_LETARTE-BT\\nPiste voix Montambault - jusqu'à 5:56\\nPiste musique de fond Geneviève Letarte - débute à 6:13 jusqu'à la fin, à 24:03\\n\\nU-1-3_t08_LETARTE-VT\\nPiste voix - Geneviève Letarte\\nDébute à 7:45 - jusqu'à la fin de la bande, 24:03\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-1-3/U-1-3_t07_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-1-3_t07_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:24:02\",\"precision\":\"\",\"size\":\"396.33 MB\",\"bitrate\":\"2304000 \",\"encoding\":\"Waveform \",\"contents\":\"This is track 7 of 8 tracks on tape U-1-3 containing a vocal track from Steve Montambault. \",\"notes\":\"Notes from Alan Lord file \\\"ULTIMATUM - BANDE U-1-3.pdf\\\" :\\n\\nULTIMATUM - PISTES SUR LA BANDE U-1-3\\n\\nU-1-3_t01_LEFEBVRE-BT_MONTAMBAULT-BT_1\\nPiste musique de fond Lefebvre - jusqu'à 9:03\\nPiste musique de fond Montambault - débute à 9:48 jusqu'à la fin, à 24:28\\nmais avec un long vide au milieu\\n\\nU-1-3_t02_LEFEBVRE-BT_MONTAMBAULT-BT_2\\nPiste musique de fond Lefebvre - jusqu'à 9:03\\nPiste musique de fond Montambault - débute à 9:48 jusqu'à la fin, à 24:28\\nmais avec un faible signal à partir de 15:36\\n\\nU-1-3_t03_MONTAMBAULT-VT\\nPiste voix - Steve Montambault - débute à 6:56 jusqu'à la fin, à 24:28\\n\\nU-1-3_t04_LEFEBVRE-VT\\nPiste voix - Michel Lefebvre\\nPiste micro de Lefebvre, mais qui capte bande de fond, jusqu'à 5:40 Piste vide de 5:40 jusqu'à la fin, à 24:28\\n\\nU-1-3_t05_MONTAMBAULT-BT_LETARTE-BT\\nPiste musique de fond Montambault - jusqu'à 5:56\\nPiste musique de fond Geneviève Letarte - débute à 6:25 jusqu'à la fin, à 24:03\\n\\nU-1-3_t06_LETARTE-BT\\nPiste musique de fond - Geneviève Letarte Du début à la fin, à 24:03\\n\\nU-1-3_t07_MONTAMBAULT-VT_LETARTE-BT\\nPiste voix Montambault - jusqu'à 5:56\\nPiste musique de fond Geneviève Letarte - débute à 6:13 jusqu'à la fin, à 24:03\\n\\nU-1-3_t08_LETARTE-VT\\nPiste voix - Geneviève Letarte\\nDébute à 7:45 - jusqu'à la fin de la bande, 24:03\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-05-D01\",\"type\":\"Performance Date\",\"notes\":\"According to brochure, performance began at 20:30. \",\"source\":\"Container. Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"content_notes":["Transcription by Emma Telaro.\n\nNotes from Alan Lord file \"ULTIMATUM - BANDE U-1-3.pdf\" :\n\nULTIMATUM - PISTES SUR LA BANDE U-1-3\n\nU-1-3_t01_LEFEBVRE-BT_MONTAMBAULT-BT_1\nPiste musique de fond Lefebvre - jusqu'à 9:03\nPiste musique de fond Montambault - débute à 9:48 jusqu'à la fin, à 24:28\nmais avec un long vide au milieu\n\nU-1-3_t02_LEFEBVRE-BT_MONTAMBAULT-BT_2\nPiste musique de fond Lefebvre - jusqu'à 9:03\nPiste musique de fond Montambault - débute à 9:48 jusqu'à la fin, à 24:28\nmais avec un faible signal à partir de 15:36\n\nU-1-3_t03_MONTAMBAULT-VT\nPiste voix - Steve Montambault - débute à 6:56 jusqu'à la fin, à 24:28\n\nU-1-3_t04_LEFEBVRE-VT\nPiste voix - Michel Lefebvre\nPiste micro de Lefebvre, mais qui capte bande de fond, jusqu'à 5:40 Piste vide de 5:40 jusqu'à la fin, à 24:28\n\nU-1-3_t05_MONTAMBAULT-BT_LETARTE-BT\nPiste musique de fond Montambault - jusqu'à 5:56\nPiste musique de fond Geneviève Letarte - débute à 6:25 jusqu'à la fin, à 24:03\n\nU-1-3_t06_LETARTE-BT\nPiste musique de fond - Geneviève Letarte Du début à la fin, à 24:03\n\nU-1-3_t07_MONTAMBAULT-VT_LETARTE-BT\nPiste voix Montambault - jusqu'à 5:56\nPiste musique de fond Geneviève Letarte - débute à 6:13 jusqu'à la fin, à 24:03\n\nU-1-3_t08_LETARTE-VT\nPiste voix - Geneviève Letarte\nDébute à 7:45 - jusqu'à la fin de la bande, 24:03"],"contents":["Ultimatum_Mixdown_Steve Montambault_U-1-3_T1_T2_T3_T4_U-1-3_T5_T6_T7.mp3\n\nThe following is a transcription of Steve Montambault’s performance at Ultimatum, Wednesday May 1th, 1985. The Ultimatum festival pamphlet lists Montambault’s performance as “Poésie Sonore” or “Sound Poetry”. The recording features electronic sounds, poetry, vocal performances and microphone distortions. \n\nTRANSCRIPT\n\nSteve Montambault\n00:00:00\nPerforms Sound Poetry [sound effects, electronic sounds, bilingual words, alien voice, microphone distortions].\n\nAudience\n00:02:16\nApplause\n\nSteve Montambault\n00:02:49\nContinues performance [voice distortion, sound effects, electronic sounds, poetry].\n\nAudience\n00:08:41\nApplause \n\nSteve Montambault\n00:09:02\nPerforms English poem [voice distortion from microphone]. Keywords: hometown, car, key, people.\n\nAudience\n00:13:41\nLaughter and applause.\n\nSteve Montambault\n00:13:44\nContinues performance [electronic sounds and voice distortion from microphone]. \n\nUnknown\n00:17:30\nPause \n\n00:17:41\nPerforms electronic sounds [vocal repetition].\n\nEND\n00:23:03\n"],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Ultimatum Program/me [Pamphlet]\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.\"}]"],"_version_":1853670549060845568,"timestamp":"2026-01-07T14:59:53.477Z","Note":["[{\"note\":\"Multitrack Mix File Name: Ultimatum_Mixdown_Steve Montambault_U-1-3_T1_T2_T3_T4_U-1-3_T5_T6_T7.mp3\",\"type\":\"General\"},{\"note\":\"Media Preserve Metadata for Tape U-1-3.\\n\\n<MediaAsset>\\n<!-- Original Physical Asset and Transfer Details -->\\n<Original>\\n<Filename>U-1-3</Filename>\\n<Title>Michel Lefebvre Steve Montanbantt Genvieve Letarte</Title>\\n<RunningTime>00:24:27</RunningTime>\\n<RecordDate>undated</RecordDate>\\n<FormatType>Open Reel</FormatType>\\n<StockBrand>Ampex</StockBrand>\\n<TapeModel>406</TapeModel>\\n<TapeWidth>1/4\\\"</TapeWidth>\\n<TapeType>Polyester</TapeType>\\n<ReelSize>7\\\"</ReelSize>\\n<TrackConfiguration>8 Track</TrackConfiguration>\\n<SoundField>Mono</SoundField>\\n<RecordingSpeed>15 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Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"content_notes":["Transcription by Emma Telaro. \n\nNotes from Alan Lord file \"ULTIMATUM - BANDE U-1-3.pdf\" :\n\nULTIMATUM - PISTES SUR LA BANDE U-1-3\n\nU-1-3_t01_LEFEBVRE-BT_MONTAMBAULT-BT_1\nPiste musique de fond Lefebvre - jusqu'à 9:03\nPiste musique de fond Montambault - débute à 9:48 jusqu'à la fin, à 24:28\nmais avec un long vide au milieu\n\nU-1-3_t02_LEFEBVRE-BT_MONTAMBAULT-BT_2\nPiste musique de fond Lefebvre - jusqu'à 9:03\nPiste musique de fond Montambault - débute à 9:48 jusqu'à la fin, à 24:28\nmais avec un faible signal à partir de 15:36\n\nU-1-3_t03_MONTAMBAULT-VT\nPiste voix - Steve Montambault - débute à 6:56 jusqu'à la fin, à 24:28\n\nU-1-3_t04_LEFEBVRE-VT\nPiste voix - Michel Lefebvre\nPiste micro de Lefebvre, mais qui capte bande de fond, jusqu'à 5:40 Piste vide de 5:40 jusqu'à la fin, à 24:28\n\nU-1-3_t05_MONTAMBAULT-BT_LETARTE-BT\nPiste musique de fond Montambault - jusqu'à 5:56\nPiste musique de fond Geneviève Letarte - débute à 6:25 jusqu'à la fin, à 24:03\n\nU-1-3_t06_LETARTE-BT\nPiste musique de fond - Geneviève Letarte Du début à la fin, à 24:03\n\nU-1-3_t07_MONTAMBAULT-VT_LETARTE-BT\nPiste voix Montambault - jusqu'à 5:56\nPiste musique de fond Geneviève Letarte - débute à 6:13 jusqu'à la fin, à 24:03\n\nU-1-3_t08_LETARTE-VT\nPiste voix - Geneviève Letarte\nDébute à 7:45 - jusqu'à la fin de la bande, 24:03"],"contents":["Ultimatum_Mixdown_Geneviève Letarte_U-1-3_T5_T6_T7_T8_U-1-4_T1_T2_T3_T4.mp3\n\nThe following is a transcription of Genevieve Letarte’s performance at Ultimatum, Monday May 1st, 1985. Letarte is an interdisciplinary artist from Montréal, Québec, Canada, writing under various modes and capacities: she is the author of 4 novels, among them, Souvent la nuit tu te reveilles (2002) and Les Vertiges Molino (1996), a poet, singer and songwriter. Her most recent publication is a poetry collection entitled Mes Ailleurs (2020). Her performances often combine text, song and music, as does the following multimodal performance from Ultimatum ’85, which mixes sound, song and poetry. The Ultimatum LP features “Petite Nuage Et Betelgeueuse” from this set, with electronic percussion by Bernard Poirier, music by Trafic D’Influences, synthesizer and trombone by Claude Saint-Jean, and word and voice by Geneviève Letarte. \n\nGeneviève Letarte\n00:00:00\nPerforms [music, drums, instruments, electronic instruments, saxophone, chanting, singing, poetry, electronic sounds, vocal performance] | Keywords: répeter, texte, geste, oublier. \n\nGeneviève Letarte\n00:02:53\nPerforms [poetry, singing, music, keyboard, electronic sounds] | Keywords: reincarnation, négociation, ville, harpie, voyage, vide, magie, Afrique, café, Parisien, crash, cochonnes, silence.\n\nGeneviève Letarte\n00:07:55\nPerforms [poetry, electronic sounds] | Keywords: Saturne, dommage, Américaniser, absence, retrouvailles.  \n\nGeneviève Letarte\n00:11:01\nPerforms [poetry, music, electronic sounds, guitar] | Keywords: cheval, enfant, amour, laboratoire, tranquille, texte, peau, livre, bouche, téléphone, stylo, vacances, tendresse, chagrin, distance.\n\nUnknown\n00:17:48\nTape cut \n\nGeneviève Letarte\n00:17:51\nPerforms [poetry, singing, music, saxophone, electronic sounds] | Keywords: chair, peur, baiser, marcher, idoles, amant, coeur, théorie, train, maison. \n\nAudience\n00:21:40\nApplause \n\nEnd\n00:22:01\n\n"],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Ultimatum Program/me [Pamphlet]\"},{\"url\":\"http://www.edhexagone.com/genevieve-letarte/auteur/leta1003\",\"citation\":\"Geneviève Letarte bio on l'Hexagone [Québecor Média]\"},{\"url\":\"https://www.supermusique.qc.ca/fr/artistes/letarte_ge\",\"citation\":\"Artist bio, audio, and events on supermusique.ca.ca\"},{\"url\":\"https://www.discogs.com/artist/591749\",\"citation\":\"Discogs entry Geneviève Letarte\"},{\"url\":\"https://actuellecd.com/fr/artiste/letarte_ge/Genevi%C3%A8ve_Letarte\",\"citation\":\"Artist bio, press, and web links. \"},{\"url\":\"https://www.renaud-bray.com/Livres_Produit.aspx?id=3293463&def=Mes+ailleurs%2CLETARTE%2C+GENEVI%C3%88VE%2C9782896454013\",\"citation\":\"Link to purchase novel by Geneviève Letarte, \\\"Mes ailleurs\\\". \"},{\"url\":\"\",\"citation\":\"Letarte, Geneviève. Typescript of \\\"Petit Nuage et Betelgeuse,\\\" for Ultimatum, c. 1985 May, Alan Lord fonds (F039), Box 1, folder AL-Folder1_let. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Letarte, Geneviève. Contract for Ultimatum, 12 Apr. 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_let. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Butterfield, Sarah. Photo of Geneviève Letarte, n.d., Alan Lord fonds (F039), Box 1, folder AL-Folder2_let. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Maheux, Camille. Photo of Geneviève Letarte, n.d., Alan Lord fonds (F039), Box 1, folder AL-Folder2_let. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Ultimatum Administrative Council. Various manuscript notes for Ultimatum, Apr. 1985–May 1986, Alan Lord fonds (F039), Box 1, folder AL-Folder1_ult. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Ultimatum Administrative Council. Miscellaneous organizational material for Ultimatum, Feb.–Jun. 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_ult. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Giorno, John, Anonyme Sanregret (Pierre Cornudet), and Geneviève Letarte. Typescript and manuscripts of \\\"Last night I gambled with my anger (and lost),\\\" \\\"Microprocesseur,\\\" and \\\"Petit Nuage et Betelgeuse,\\\" c. May 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder1_gio-let-san. 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Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"content_notes":["Transcription by Emma Telaro. \n\nPerformance of \"Poésie Guerrière\" according to bilingual \"Ultimatum Programme\" pamphlet. "],"contents":["Ultimatum_Mixdown_Jack V_U-1-4_T1_T2_T3_T4.mp3\n\nThe following is a transcription of Jack V performance of “Poésie Guerrière” at Ultimatum, Monday May 1st, 1985 at the Foufounes Electriques. Alan Lord provides a description and interpretation of the performance in his memoirs: \n\n“For his performance—called Poésie guerrière—Jack read a few texts, then smashed a mirror, invoking \"seven years of bad luck!\" He then stripped down to the waist and smeared war paint on his face. He started dancing, prancing and swaying in abandon like a wild man, and soon a regiment of a dozen drummers joined him onstage one by one—a post-punk marching band—martially rat-tatting their snares. Jack was feline and menacing, irresistibly magnetic. This was poetry beyond words, like Alex nodding you his glass of Moloko Plus in A Clockwork Orange. When we watch Jack's clip we feel the shock of realizing his performance anticipates by some 35 years that of Joaquin Phoenix dancing down the stairs in Joker.”\n\nJack V entered the alternative scene by playing bass for Roro d’Haïti and later for Monty Casin, in First Aid Brigade. Lord determines that ultimately, Jack V “gave the most memorable performance of the festival”. \n\nTRANSCRIPT\n\nJack V\n00:00:00\nPerforms “Poésie Guerrière” [acapella singing, chanting and poetry over buzzing sound]. \n\nJack V\n00:58:00\nSmashes mirror, “7 ans de malheur!”.\n\nJack V\n00:01:02\nPerforms “Poésie Guerrière” [reads poem over musical track and electronic sounds] | Keywords: religieuse, avortement, écoliers, couronne, chagrin, intestin, l’inderteminable, absolu, chien, révolution, ange, violence, peur, alcohol, rock ’n roll, corps, tête, spectateur, sexe. \n\nJack V\n00:10:08\nContinues performance of “Poésie Guerrière” [chanting, singing, robot sounds, electronic sounds, human voices, poetry] | Keywords: trance, chapeau, taureau, habit, moine, guerre, sauvage, Zorro, Don Quixote, Pepino, radio. \n\nJack V\n00:13:12\nContinues performance of “Poésie Guerrière” [Jack V says a few words into the mic while music plays. Dancing, electronic sounds, drums, bass, guitar, keyboard] | Keywords: Rock n’Roll, Madonna.\n\nJack V\n00:16:52\nContinues performance of  “Poésie Guerrière” [repeats variations of “allons à la guerre” over sustained drum roll, keyboard and electronic sounds]. | Keywords: guerre, cause d’honneur, riche, pauvre, ridicule. \n\nEND\n00:19:02\nDrums and snares fade out. \n\n"],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Ultimatum Program/me [Pamphlet]\"},{\"url\":\"\",\"citation\":\"Alan Lord unpublished memoirs. \"},{\"url\":\"https://www.youtube.com/watch?v=dp5RbILEQpc\",\"citation\":\"Jack V performance at Ultimatum uploaded by Alan Lord on YouTube. \"},{\"url\":\"https://www.discogs.com/release/435530-Monty-Cantsin-First-Aid-Brigade-Mass-Media\",\"citation\":\"Discogs entry for Mounty Cantsin [Jack V on bass]. \"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. 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"],"item_language":["French"],"item_production_context":["Documentary recording"],"item_series_title":["Alan Lord Collection"],"item_subseries_title":["Ultimatum [1]"],"item_identifiers":["[]"],"rights_notes":["Rights status in process. Alan Lord has permission waivers. We may wish to seek permission from individual artists.  "],"creator_names":["Tougas, Colette"],"creator_names_search":["Tougas, Colette"],"creators":["[{\"url\":\"http://viaf.org/viaf/50700299\",\"name\":\"Tougas, Colette \",\"dates\":\"1950-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Lord, Alan"],"contributors_names_search":["Lord, Alan"],"contributors":["[{\"url\":\"http://viaf.org/viaf/80186482\",\"name\":\"Lord, Alan\",\"dates\":\"1954-\",\"notes\":\"Alan Lord has been designated Contributor when in the role of series organizer and Creator when in the role of Performer. \\n\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Lord, Alan"],"Performance_Date":[1985],"material_description":["[{\"side\":\"Tracks 7-8. \",\"image\":\"../Uploads/5881/Screen Shot 2020-11-07 at 1.17.54 PM.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Ampex 406\",\"generations\":\"Audio taken from original reel to reel 8 track tape.\",\"Conservation\":\"Perforation repairs. 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Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"content_notes":["According to festival pamphlet \"Ultimatum Programme\", Colette Tougas performs \"Clara la Brune\". Corroborated in listening.\n\nTranscription by Emma Telaro.  "],"contents":["Ultimatum_Mixdown_Colette Tougas_U-1-4_T7_T8.mp3\n\nThe following is a transcription of the Colette Tougas set at Ultimatum, Wednesday May 1st, 1984 at the Foufounes Électriques. Tougas performs “Clara La Brune”, an alluring, dramatic monologue with a refrain sung throughout. In his memoirs, Alan Lord counts the performance as one of the festival highlights, recalling “Writer Colette Tougas singing a capella the sultry Modesty in her smoldering breathy voice, which I just had to put on the festival's documentary LP...” Colette Tougas is a translator, writer of fiction and of essays, recently contributing art criticism to the online magazine, Ciel Variable. She is the author of Le Porphyre de la Rue Dezery (1985).  \n\nTRANSCRIPT\n\nAudience\n00:00:00\nAmbient Sounds [voices and laughter audible throughout]. \n\nColette Tougas\n00:00:04\nIntroduces performance “Clara La Brune”. | Keywords: Clara La Brune, seduction.\n\nColette Tougas\n00:00:13\nPerforms “Clara La Brune”. Sings refrain throughout ‘On m’appelle Clara La Brune, on m’appelle la dame qui fume des cigarettes russes’. \n\nColette Tougas \n00:00:28\nPerforms “Clara La Brune”. | Keywords: tigane, Roumanie, Adam, Ève, Clara, femme fictive, nounours, malaise, moderne, amour, Paris.  \n\n[Unknown]\n00:03:37\nLaughter. \n\nColette Tougas \n00:03:39\nSpeaks “Merci”.\n\nColette Tougas \n00:03:43\nContinues “Clara La Brune”. \n\nColette Tougas \n00:03:51\nSings in Italian. Repeated throughout. Keywords: prima volta, uomo, tanto bello.\n\nColette Tougas\n00:04:10\nContinues “Clara La Brune”. |  Keywords: automne, chien Kiki, homme.  \n\n[Unknown]\n00:04:24\nLaughter. \n\nColette Tougas\n00:04:26\nSings Italian refrain. \n\nColette Tougas\n00:04:44 \nContinues “Clara La Brune”. | Keywords: mondaine, Roumanie, Italienne. \n\nColette Tougas \n00:05:13\nSings Italian refrain. \n\nColette Tougas\n00:05:31\nContinues “Clara La Brune”. | Keywords: chien Kiki, Paris, homme. \n\nColette Tougas\n00:05:48\nSings Italian refrain. \n\nColette Tougas\n00:06:10\nContinues performance. | Keywords: Amour, Cinéma, alcohol, fumée, russe, cinéaste, chat, beau, laid, bonheur, prince, novembre, séduction, âme, beurrier, obsession, malaise, désir, amoureux.\n\n[Unknown]\n00:11:10\nClaps preemptively. \n\nColette Tougas\n00:11:12 \n“J’ai pas fini j’m’excuse” [laughs].\n\nColette Tougas\n00:11:17\nSings “Modesty”. | Keywords: diamonds, neck, lip, mink coat, fur, pur, presents, Rolls Royce.\n\nAudience\n00:13:46\nApplause \n\nColette Tougas \n00:13:58\nSpeaks “Merci”.\n\nColette Tougas \n00:14:01\nContinues “Clara La Brune”. | Keywords: désir, volonté, corps, veille de Noël, potins, flirt, l’art de la séduction, l’autre, regard, cigarette, boisson, passion. \n\nColette Tougas \n00:17:06\nSings French refrain, “On m’appelle Clara La Brune, on m’apelle la dame qui fume des cigarettes russes”. \n,\nColette Tougas\n00:17:16\nContinues “Clara La Brune”. | Keywords: femme fatale, sentimentale, banal, verticale. \n\nColette Tougas\n00:17:31\nSings French refrain.\n\nColette Tougas \n00:17:41\nContinues “Clara La Brune”. | Keywords: caserne, pompiers, escaliers, ascension, vanité, pâtissier, infini.\n\nColette Tougas\n00:18:06\nSings French refrain. \n\nColette Tougas\n00:18:17\nContinues “Clara La Brune”. \n\nColette Tougas \n00:18:31 \nSings French refrain.\n\nAudience \n00:18:42 \nApplause. \n"],"Related_works":["[{\"url\":\"http://cielvariable.ca/en/auteurscv/tougas-colette-en/\",\"citation\":\"Contributions to the online magazine \\\"Ciel Variable\\\". \\n\"},{\"url\":\"\",\"citation\":\"Title of piece performed, \\\"Clara la Brune\\\". \"},{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Ultimatum Program/me [Pamphlet]\"},{\"url\":\"https://soundcloud.com/alan-lord-4/05-colette-tougas-modesty\",\"citation\":\"Alan Lord soundcloud. Recording of Colette Tougas singing \\\"Modesty\\\". \"},{\"url\":\"\",\"citation\":\"Alan Lord unpublished memoirs. \"},{\"url\":\"https://www.discogs.com/release/2341164-Various-Ultimatum\",\"citation\":\"Ultimatum LP on discogs. \"},{\"url\":\"https://www.pleinelune.qc.ca/titre/255/le-porphyre-de-la-rue-dezery\",\"citation\":\"Le porphyre de la rue Dézéry, novel by Colette Tougas.\"},{\"url\":\"\",\"citation\":\"Tougas, Colette. Contract, bionote, and performance plan for Ultimatum, 25 Feb. 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_tou. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Tougas, Colette. Typescript and manuscript versions of \\\"Modesty\\\" for Ultimatum, c. 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"],"item_language":["English, French"],"item_production_context":["Documentary recording"],"item_series_title":["Alan Lord Collection"],"item_subseries_title":["Ultimatum [1]"],"item_identifiers":["[]"],"rights_notes":["Rights status in process. Alan Lord has permission waivers. We may wish to seek permission from individual artists.  "],"creator_names":["Lord, Alan"],"creator_names_search":["Lord, Alan"],"creators":["[{\"url\":\"http://viaf.org/viaf/80186482\",\"name\":\"Lord, Alan\",\"dates\":\"1954-\",\"notes\":\"Alan Lord has been designated Contributor when in the role of series organizer and Creator when in the role of Performer. \\n\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Lord, Alan"],"contributors_names_search":["Lord, Alan"],"contributors":["[{\"url\":\"http://viaf.org/viaf/80186482\",\"name\":\"Lord, Alan\",\"dates\":\"1954-\",\"notes\":\"Alan Lord has been designated Contributor when in the role of series organizer and Creator when in the role of Performer. \\n\\n\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Lord, Alan"],"Performance_Date":[1985],"material_description":["[{\"side\":\"Tracks 1-4. \",\"image\":\"../Uploads/5884/Screen Shot 2020-11-07 at 4.35.29 PM.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Ampex 406\",\"generations\":\"Audio taken from original reel to reel 8 track tape.\",\"Conservation\":\"Perforation repairs. 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Sticker identifying tape as ALAN LORD.\",\"other_physical_description\":\"Reel AL-1\"}]"],"material_designations":["Reel to Reel","Reel to Reel"],"physical_compositions":["Magnetic Tape","Magnetic Tape"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Mono","Mono"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-1-5/U-1-5_t01_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-1-5_t01_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:16:55\",\"precision\":\"\",\"size\":\"278.80 MB\",\"bitrate\":\"2304000 \",\"encoding\":\"Waveform \",\"contents\":\"This is track 1 of 8 tracks on tape U-1-5 containing a backing track from Alan Lord. \",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-1-5/U-1-5_t03_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-1-5_t03_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:16:55\",\"precision\":\"\",\"size\":\"278.80 MB\",\"bitrate\":\"2304000 \",\"encoding\":\"Waveform \",\"contents\":\"This is track 3 of 8 tracks on tape U-1-5 containing a vocal track from Alan Lord.\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-1-5/U-1-5_t02_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-1-5_t02_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:16:55\",\"precision\":\"\",\"size\":\"278.80 MB\",\"bitrate\":\"2304000 \",\"encoding\":\"Waveform \",\"contents\":\"This is track 2 of 8 tracks on tape U-1-5 containing a backing track from Alan Lord.\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-1-5/U-1-5_t04_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-1-5_t04_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:16:55\",\"precision\":\"\",\"size\":\"278.80 MB\",\"bitrate\":\"2304000 \",\"encoding\":\"Waveform \",\"contents\":\"This is track 4 of 8 tracks on tape U-1-5 containing a vocal track from Alan Lord.\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Document\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-05-01\",\"type\":\"Performance Date\",\"notes\":\"According to brochure, performance began at 22:30.\",\"source\":\"Container. Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"content_notes":["Transcription by Emma Telaro\n\nPerformance of \"Ignoring the Future Today\" according to festival pamphlet \"Ultimatum Programme\". "],"contents":["Ultimatum_Mixdown_Alan Lord_U-1-5_T1_T2_T3_T4.mp3\n\nThe following is a transcription of Alan Lord’s performance at Ultimatum, Wednesday May 1st, 1985. Alan Lord is the festival organizer and creator of Ultimatum. He is a Canadian musician, writer and engineer, and was a member of the bands Vex, the Marauders, Vent du Mont Scharr and Alan Lord & the Falling Men. An important figure for Montreal’s alternative punk scene, he is featured in Erik Cimon’s documentary “Mtl Punk -- The first wave” (2011). \n\nDuring his Ultimatum set, he performed four song-poems, including “Ignoring the Future Today '' and “Too Much Money” with accompanying electronic music tapes by Jean-Luc Bonspiel and computer graphics videos done by Boris Wanowitch. The Ultimatum LP features “Ignore the Future Today” with music by Jean-Luc Bonspiel and words and vocals by Alan Lord. \n\nTRANSCRIPT\n\nUnknown\n00:00:00\nAmbient sounds\n\nAlan Lord \n00:00:39\n“Ok on peut-y aller”\n\nAlan Lord\n00:01:01\nSpeaks\n\nAlan Lord\n00:01:06\nPerforms song [music, singing, speech, poetry, drum set, electric keyboard, electronic sounds] | Keywords: too much money, banks, stock exchange, secret deals, criminal, dream, wealth.\n\nAudience\n00:04:47\nApplause\n\nAlan Lord\n00:04:52\nSpeaks\n\nAlan Lord\n00:04:57\nPerforms song [cymbals, electronic sounds, electronic keyboard, bass, guitar, instruments, singing, poetry, speech] Keywords: career, media misery, starvation, sensation, fix, missiles, people, assassinate.\n\nAudience\n00:08:45 \nApplause\n\nAlan Lord \n00:08:47\nSpeaks\n\nAlan Lord\n00:08:49\nPerforms song [music, electronic sounds, bass, drum set, guitar, electric keyboard, singing, speech] | Keywords: everybody, stranger, change, universe, world. \n\nAudience\n00:11:44\nApplause\n\nAlan Lord\n00:11:58\nAnnounces upcoming performance on Friday [Boys du Severe] and performs song [electronic sounds, electric keyboard, bass, drum set, guitar, spoken word, speech] | Keywords: ecstatic, wind, sidewalk cracks, obstacles, work, cup of coffee, luxury, business, nation, egg, kid, philosophy, credibility, future. \n\nAudience \n00:16:25\nApplause \n\nAlan Lord\n00:16:38\nThanks the audience in French and explains his choice to write songs in English.\n"],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Ultimatum Program/me [Pamphlet]\\n\\n\"},{\"url\":\"https://www.discogs.com/release/2341164-Various-Ultimatum\",\"citation\":\"Discogs entry Ultimatum LP.\"},{\"url\":\"https://www.discogs.com/artist/1868386-Alan-Lord\",\"citation\":\"Discogs entry Alan Lord.\"},{\"url\":\"\",\"citation\":\"Alan Lord unpublished memoirs.\"},{\"url\":\"https://www.guernicaeditions.com/author/1005\",\"citation\":\"Guernica editions website: links, bio, and books by Alan Lord.\"},{\"url\":\"https://soundcloud.com/alan-lord-4/04-alan-lord-ignoring-the\",\"citation\":\"Select performances from Ultimatum 85 on Alan Lord Soundcloud. Track: Ignoring the Future Today by Alan Lord. \"},{\"url\":\"https://en.wikipedia.org/wiki/Alan_Lord\",\"citation\":\"Alan Lord wikipedia page.\"},{\"url\":\"https://montrealgazette.com/entertainment/mtl-punk-the-first-wave-captures-the-original-punk-scene-here\",\"citation\":\"Gazette article by Brendan Kelly on Erik Cimon’s documentary \\\"Mtl Punk – The First Waves\\\" which features Alan Lord.\"},{\"url\":\"https://minorliteratures.com/2019/03/22/burroughs-makes-it-to-the-foufounes-electriques-alan-lord/#\",\"citation\":\"Article \\\"Burroughs Makes It to The Foufounes Électriques\\\" by Alan Lord. \"},{\"url\":\"https://voir.ca/chroniques/mines-darchives/2019/06/06/alan-lord-gourou-paien-de-lunderground-quebecois/\",\"citation\":\"Article \\\"ALAN LORD, GOUROU PAÏEN DE L’UNDERGROUND QUÉBÉCOIS\\\" by Félix B. Desfossés. \"},{\"url\":\"https://vimeo.com/ondemand/punk1\",\"citation\":\"\\\"MTL PUNK - The First Wave\\\", by Érik Cimon and Alain Cliche (version anglaise)\"},{\"url\":\"\",\"citation\":\"Lord, Alan. Typescript of \\\"Ignoring The Future Today\\\" for Ultimatum, 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_lor-poem. Concordia University Library, Special Collections, Montréal, QC.\"}]"],"_version_":1853670549073428480,"timestamp":"2026-01-07T14:59:53.477Z","Note":["[{\"note\":\"Multitrack Mix File Name: \\nUltimatum_Mixdown_Alan Lord_U-1-5_T1_T2_T3_T4.mp3\",\"type\":\"General\"},{\"note\":\"Media Preserve Metadata for Tape U-1-5.\\n\\n<MediaAsset>\\n<!-- Original Physical Asset and Transfer Details -->\\n<Original>\\n<Filename>U-1-5</Filename>\\n<Title>Alan Lord Open Mouth</Title>\\n<RunningTime>00:16:55</RunningTime>\\n<RecordDate>undated</RecordDate>\\n<FormatType>Open Reel</FormatType>\\n<StockBrand>Ampex</StockBrand>\\n<TapeModel>406</TapeModel>\\n<TapeWidth>1/4\\\"</TapeWidth>\\n<TapeType>Polyester</TapeType>\\n<ReelSize>7\\\"</ReelSize>\\n<TrackConfiguration>8 Track</TrackConfiguration>\\n<SoundField>Mono</SoundField>\\n<RecordingSpeed>15 ips</RecordingSpeed>\\n<NoiseReduction>None</NoiseReduction>\\n<Equalization>NAB</Equalization>\\n<PackOrientation>Heads 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Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"content_notes":["Pamphlet describes performance as \"Text/Computer Music\" with performers: Tristan Renaud, Gaetan Gravel, Corrina Viereck. "],"contents":["Coming soon. "],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Ultimatum Program/me [Pamphlet]\"},{\"url\":\"https://www.discogs.com/Various-Ultimatum/release/2341164\",\"citation\":\"Ultimatum LP discogs entry. \"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. 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Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"content_notes":["Festival pamphlet describes performance as \"poetry/electronic tapes\". \n"],"contents":["Coming soon."],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Ultimatum Program/me [Pamphlet]\"},{\"url\":\"\",\"citation\":\"Pattibo. 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"],"contents":["Coming soon."],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Ultimatum Program/me [Pamphlet]\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Tcetera, André (André Trottier). Typescript note and press kit after Ultimatum, after 3 May 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_tce. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Toppings, Mike (Michael). Photo of Mike Toppings, n.d., Alan Lord fonds (F039), Box 1, folder AL-Folder2_top. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Toppings, Michael. Typescript of \\\"boom,\\\" n.d., Alan Lord fonds (F039), Box 1, folder AL-Folder1_top. 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"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Alan Lord Collection"],"item_subseries_title":["Ultimatum [1]"],"item_identifiers":["[]"],"rights_notes":["Rights status in process. Alan Lord has permission waivers. We may wish to seek permission from individual artists.  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"],"contents":["Coming soon."],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Ultimatum Program/me [Festival Pamphlet]\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-photos. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Renix, Thomas. Contract, bionote, performance plan, and photo for Ultimatum, 27 Feb. 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_ren. 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"],"item_language":["French"],"item_production_context":["Documentary recording"],"item_series_title":["Alan Lord Collection"],"item_subseries_title":["Ultimatum [1]"],"item_identifiers":["[]"],"rights_notes":["Rights status in process. Alan Lord has permission waivers. We may wish to seek permission from individual artists.  "],"creator_names":["Bonspiel, Jean-Luc","Mignault, Jean-Martin","Thibeault, Josée","Wanowitch, Boris","Lord, Alan"],"creator_names_search":["Bonspiel, Jean-Luc","Mignault, Jean-Martin","Thibeault, Josée","Wanowitch, Boris","Lord, Alan"],"creators":["[{\"url\":\"http://viaf.org/viaf/59159397449519301861\",\"name\":\"Bonspiel, Jean-Luc \",\"dates\":\"1960-\",\"notes\":\"From correspondence with Alan: \\\"The music you hear is by the band Boys du Sèvère (JL Bonspiel, Josée Thibeault, JM Mignault) - I only joined them to do the song \\\"The Wrong Way\\\". As stated previously, Boris W joined them and they called their JOINT performance \\\"Misère Plus\\\".\\n\\nAccording to Ultimatum LP entry on Discogs, words, music and vocals by Jean-Luc Bonspiel. \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"https://www.discogs.com/artist/2861340-Jean-Martin-Mignault\",\"name\":\"Mignault, Jean-Martin \",\"dates\":\"\",\"notes\":\"From correspondence with Alan: The music you hear is by the band Boys du Sèvère (JL Bonspiel, Josée Thibeault, JM Mignault) - I only joined them to do the song \\\"The Wrong Way\\\". As stated previously, Boris W joined them and they called their JOINT performance \\\"Misère Plus\\\".\\n\\nAccording to Ultimatum LP entry on Discogs, percussions by Jean-Martin Mignault. \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/104903653\",\"name\":\"Thibeault, Josée \",\"dates\":\"\",\"notes\":\"From correspondence with Alan: The music you hear is by the band Boys du Sèvère (JL Bonspiel, Josée Thibeault, JM Mignault) - I only joined them to do the song \\\"The Wrong Way\\\". As stated previously, Boris W joined them and they called their JOINT performance \\\"Misère Plus\\\".\\n\\nAccording to Ultimatum LP entry on Discogs, voice by Josée Thibeault. \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/104709851\",\"name\":\"Wanowitch, Boris\",\"dates\":\"\",\"notes\":\"Notes from Alan: Boris Wanowitch wound up integrating his performance with that of Boys du Sévère - the whole being called Misère Plus. Boris did the occasional art performance, but was mainly a computer artist. The \\\"poésie des yeux\\\" referred to the computer animations he did on the videos which accompanied their performance. Boris and JL Bonspiel took turns reading a text being printed randomly live on a dot-matrix printer. Then Boris sat in a chair reading a paper while Josée Thibeault gave him a haircut, with the buzzing electric clipper amplified by microphones.\\n\\nNote that according to pamphlet, Boris Wanowitch was meant to have his own set, but integrated his performance to that of the Boys du Sévère: the result was \\\"Misère Plus\\\". \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/80186482\",\"name\":\"Lord, Alan\",\"dates\":\"1954-\",\"notes\":\"From correspondence with Alan: The music you hear is by the band Boys du Sèvère (JL Bonspiel, Josée Thibeault, JM Mignault) - I only joined them to do the song \\\"The Wrong Way\\\". As stated previously, Boris W joined them and they called their JOINT performance \\\"Misère Plus\\\".\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Lord, Alan"],"contributors_names_search":["Lord, Alan"],"contributors":["[{\"url\":\"http://viaf.org/viaf/80186482\",\"name\":\"Lord, Alan\",\"dates\":\"1954-\",\"notes\":\"Alan Lord has been designated Contributor when in the role of series organizer and Creator when in the role of Performer. \",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Lord, Alan"],"Performance_Date":[1985],"material_description":["[{\"side\":\"Tracks 5-8. \",\"image\":\"../Uploads/5901/Screen Shot 2020-11-09 at 10.31.33 PM.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Ampex 406\",\"generations\":\"Audio taken from original reel to reel 8 track tape.\",\"Conservation\":\"Perforation repairs. 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Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"content_notes":["According to festival pamphlet, performance described as \"digital music\" or, \"musique digital, Insouciance\". \n\nNotes from Alan on the performance: \"Boris Wanowitch wound up integrating his performance with that of Boys du Sévère - the whole being called Misère Plus. Boris did the occasional art performance, but was mainly a computer artist. The \"poésie des yeux\" referred to the computer animations he did on the videos which accompanied their performance. Boris and JL Bonspiel took turns reading a text being printed randomly live on a dot-matrix printer. Then Boris sat in a chair reading a paper while Josée Thibeault gave him a haircut, with the buzzing electric clipper amplified by microphones\". \n\n\"The music you hear is by the band Boys du Sèvère (JL Bonspiel, Josée Thibeault, JM Mignault) - I only joined them to do the song \"The Wrong Way\". As stated previously, Boris W joined them and they called their JOINT performance \"Misère Plus\"."],"contents":["Coming soon."],"Related_works":["[{\"url\":\"https://www.discogs.com/Various-Ultimatum/release/2341164\",\"citation\":\"Discogs entry for Ultimatum LP.\"},{\"url\":\"\",\"citation\":\"Notes from Alan Lord (correspondence). \"},{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Ultimatum Program/me [Pamphlet]\"},{\"url\":\"\",\"citation\":\"Boys du Sévère. Manuscript of \\\"Jésus\\\" for Ultimatum, c. 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder1_boys. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.\"}]"],"_version_":1853670549118517248,"timestamp":"2026-01-07T14:59:53.772Z","Note":["[{\"note\":\"Multitrack Mix File Name: \\nUltimatum_Mixdown_Boys du Sévère_U-3-5_T5_T6_T7_T8_U-3-6(U-4-1)_T1_T2_T3_T4.mp3\",\"type\":\"General\"},{\"note\":\"Media Preserve Metadata for Tape U-3-5.\\n\\n<MediaAsset>\\n<!-- Original Physical Asset and Transfer Details -->\\n<Original>\\n<Filename>U-3-5</Filename>\\n<Title>Alain Martin Richard Jean-Claude Gagnon Boys du Severe (Misere +)</Title>\\n<RunningTime>00:16:04</RunningTime>\\n<RecordDate>undated</RecordDate>\\n<FormatType>Open Reel</FormatType>\\n<StockBrand>Ampex</StockBrand>\\n<TapeModel>406</TapeModel>\\n<TapeWidth>1/4\\\"</TapeWidth>\\n<TapeType>Polyester</TapeType>\\n<ReelSize>7\\\"</ReelSize>\\n<TrackConfiguration>8 Track</TrackConfiguration>\\n<SoundField>Mono</SoundField>\\n<RecordingSpeed>15 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Baked.\",\"equalization\":\"NAB. \",\"playback_mode\":\"Mono\",\"playing_speed\":\"15 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good.\",\"track_configuration\":\"8 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Tape box.\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-3-6_%28U-4-1%29/U-3-6_%28U-4-1%29_t07_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-3-6_%28U-4-1%29_t07_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:15:40\",\"precision\":\"\",\"size\":\"83 MB\",\"bitrate\":\"2304000\",\"encoding\":\"Waveform\",\"contents\":\"This is track 7 of 8 tracks on tape U-3-6/U-4-1 containing a vocal track from Daoust's performance.\\n\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-3-6_%28U-4-1%29/U-3-6_%28U-4-1%29_t06_preservation.wav\",\"file_path\":\"\",\"filename\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-3-6_%28U-4-1%29/U-3-6_%28U-4-1%29_t06_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:13:40\",\"precision\":\"\",\"size\":\" 72.3 MB\",\"bitrate\":\"2304000 \",\"encoding\":\"Waveform \",\"contents\":\"This is track 6 of 8 tracks on tape U-3-6/U-4-1 containing a vocal track from Daoust's performance.\\n\\n\",\"notes\":\"*Note for template: create one file description for each track, and use WAV form for entries.\\n\\nOnce final mixes are done, we will include a digital file description of the mix with a note of this sort: \\\"Above based upon mix of following tracks. For full details on tracks see digital file descriptions\\\".\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-05-04\",\"type\":\"Performance Date\",\"notes\":\"According to brochure, performance began at 7:40PM.\",\"source\":\"Container. Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"contents":["Coming soon. "],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Festival pamphlet. \"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Daoust, Jean-Paul. Contract and résume for Ultimatum, 28 Feb. 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_dao. Concordia University Library, Special Collections, Montréal, QC.\"}]"],"_version_":1853670549121662976,"timestamp":"2026-01-07T14:59:53.772Z","Note":["[{\"note\":\"Media Preserve Metadata for Tape U-3-6/U-4-1.\\n\\n<MediaAsset>\\n<!-- Original Physical Asset and Transfer Details -->\\n<Original>\\n<Filename>U-3-6_(U-4-1)</Filename>\\n<Title>Boys du Severe (Misere Plus) Claude Beausoleil + Michael Delisle</Title>\\n<RunningTime>00:10:01</RunningTime>\\n<RecordDate>undated</RecordDate>\\n<FormatType>Open Reel</FormatType>\\n<StockBrand>Ampex</StockBrand>\\n<TapeModel>406</TapeModel>\\n<TapeWidth>1/4\\\"</TapeWidth>\\n<TapeType>Polyester</TapeType>\\n<ReelSize>7\\\"</ReelSize>\\n<TrackConfiguration>8 Track</TrackConfiguration>\\n<SoundField>Mono</SoundField>\\n<RecordingSpeed>15 ips</RecordingSpeed>\\n<NoiseReduction>None</NoiseReduction>\\n<Equalization>NAB</Equalization>\\n<PackOrientation>Heads 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"],"creator_names":["Harvey, Pauline"],"creator_names_search":["Harvey, Pauline"],"creators":["[{\"url\":\"http://viaf.org/viaf/116543018/#Harvey,_Pauline\",\"name\":\"Harvey, Pauline\",\"dates\":\"1950-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Lord, Alan"],"contributors_names_search":["Lord, Alan"],"contributors":["[{\"url\":\"http://viaf.org/viaf/80186482\",\"name\":\"Lord, Alan\",\"dates\":\"1954-\",\"notes\":\"Alan Lord has been designated Contributor when in the role of series organizer and Creator when in the role of Performer. \",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Lord, Alan"],"Performance_Date":[1985],"material_description":["[{\"side\":\"Tracks 7 - 8 \",\"image\":\"../Uploads/6001/Screen Shot 2020-11-19 at 9.45.01 PM.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Ampex 460\",\"generations\":\"Audio taken from original reel to reel 8 track tape.\",\"Conservation\":\"Perforation repairs. 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For full details on tracks see digital file descriptions\\\".\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-3-6_%28U-4-1%29/U-3-6_%28U-4-1%29_t08_access.wav\",\"file_path\":\"\",\"filename\":\"U-3-6_%28U-4-1%29_t08_access.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:15:00\",\"precision\":\"\",\"size\":\"259.2 MB\",\"bitrate\":\"2304000\",\"encoding\":\"Waveform\",\"contents\":\"This is track 8 of 8 tracks on tape U-3-6/U-4-1 containing a vocal track from Pauline Harvey's performance.\\n\\n\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-05-04\",\"type\":\"Performance Date\",\"notes\":\"According to brochure, performance began at 8:00pm.\",\"source\":\"Container. Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"contents":["Coming soon. "],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Festival pamphlet. \"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-photos. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Harvey, Pauline. Photos of Pauline Harvey, n.d., Alan Lord fonds (F039), Box 1, folder AL-Folder2_har. 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[1]"],"item_identifiers":["[]"],"rights_notes":["Rights status in process. Alan Lord has permission waivers. We may wish to seek permission from individual artists.  "],"creator_names":["Huncke, Herbert"],"creator_names_search":["Huncke, Herbert"],"creators":["[{\"url\":\"http://viaf.org/viaf/51736048/#Huncke,_Herbert\",\"name\":\"Huncke, Herbert\",\"dates\":\"1915-1996\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Lord, Alan"],"contributors_names_search":["Lord, Alan"],"contributors":["[{\"url\":\"http://viaf.org/viaf/80186482\",\"name\":\"Lord, Alan\",\"dates\":\"1954-\",\"notes\":\"Alan Lord has been designated Contributor when in the role of series organizer and Creator when in the role of Performer. \",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Lord, Alan"],"Production_Date":[1985],"material_description":["[{\"side\":\"Tracks 1,5,7,8\",\"image\":\"../Uploads/8816/HH screenshot.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Ampex 406\",\"generations\":\"Audio taken from original reel to reel 8 track tape.\",\"Conservation\":\"Perforation repairs. 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Huncke talks and reads from \\\"The Evening Sun Turned Crimson\\\". \",\"source\":\"Container \"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Hotel du Parc\",\"notes\":\"Taped by Alan Lord in Huncke's Hotel room, on the occasion of Ultimatum 85, at the Hotel du Parc, on Park Avenue off Pine. The hotel is now the Air Transat Headquarters. Information about recording and location taken from Alan Lord's memoirs.\",\"address\":\"300 Rue Léo Pariseau, Montréal, QC H2X 4B3\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["300 Rue Léo Pariseau, Montréal, QC H2X 4B3"],"Venue":["Hotel du Parc"],"City":["Montreal, Quebec"],"contents":["How to describe: by tape, or recording as 'set'"],"Related_works":["[{\"url\":\"\",\"citation\":\"Cite secondary sources \\nPrimary sources by that performer \\nResearch involved in filling out entries for audio file \"},{\"url\":\"\",\"citation\":\"Alan Lord Memoirs \"},{\"url\":\"\",\"citation\":\"Huncke Ultimatum Notes.pdf from Alan Lord\\n\"},{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/04%20-%20HERBERT%20HUNCKE/2%20-%20REMEMBERING%20HERBERT%20HUNCKE.pdf\",\"citation\":\"Reminiscences of Herbert Huncke – by Alan Lord\"},{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/04%20-%20HERBERT%20HUNCKE/1%20-%20HERBERT%20HUNCKE.pdf\",\"citation\":\"Photo Compilation of Herbert Huncke and \\\"The Evening Sun Turned Crimson\\\" by Alan Lord. 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"],"contents":["Coming soon."],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Ultimatum Program/me [Festival Pamphlet]\"},{\"url\":\"\",\"citation\":\"Stephens, Ian. Contract for Ultimatum, 13 Feb. 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_ste. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Ultimatum Administrative Council. Various manuscript notes for Ultimatum, Apr. 1985–May 1986, Alan Lord fonds (F039), Box 1, folder AL-Folder1_ult. 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Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Weiss, A.M. (Anne-Marie). Contract, bionote, performance plan of \\\"Belle Laide,\\\" and photo for Ultimatum, 20 Feb. 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_wei. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Weiss, A.M. (Anne-Marie). Manuscripts of \\\"BELLE LAIDE\\\" for Ultimatum, c. May 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder1_wei. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Weiss, A.M. (Anne-Marie). Typescript of \\\"BELLE LAIDE,\\\" 1985, Alan Lord fonds (F039), Box 1, folder AL-BL. 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Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"content_notes":["Bilingual \"Ultimatum Programme\" festival pamphlet describes performance as 'Poésie/Performance\" and \"Performance/Poetry\". Specification that artist is \"de/from Québec\". \n\nContents field [transcription] by Emma Telaro. "],"contents":["Ultimatum_Mixdown_Alain Martin Richard_U-3-4_T5_T6_T7_T8_U-3-5_T1_T2_T3_T4.mp3\n\nThe following is a transcription of the Alain-Martin Richard set at Ultimatum, Friday May 3rd, 1985 at the Foufounes Électriques. Richard is a multidisciplinary artist, editor and critic from Québec, Canada, active since the late 70s, touring and presenting at festivals and events across North America, Europe and Japan. Previously, he was a member of the defunct international collective The Nomads and of INTER/Le Lieu from Quebec City. More recently, he has been involved with the collective Les Causes Perdues and Folie/Culture, having co-created the poetic game, “L’atopie textutelle est une cause qui se perd” for the first. He co-edited Performance in/au Canada 1970-1990 with Clive Robertson, the book Territoires Nomades and various catalogues and publications on art and performance. His experimental practice questions the social and the everyday, postmodernism, space and identity. \n\nTRANSCRIPT\n\n[Unknown]\n00:00:00\nAmbient sounds [music cuts out]\n\nAlain-Martin Richard \n00:00:07\nIntroduces performance. | Keywords: texte charnelle, ordinateur, voix, imprimante, toast melba, popsicle. \n\nAlain-Martin Richard\n00:00:42\nPerforms vocal and electronic sounds [reads, chants, pants and moans over pre-recorded sounds and voices]. Keywords: peaux, plaisir, chair, frénésie, orgasme, crâne, recherche, remplace. \n\n[Unknown]\n00:07:23\nPause [silence].\n\nAlain-Martin Richard \n00:07:26\nContinues performance.\n\nAudience\n00:09:41\nApplause [electronic sound fades out]\n"],"Related_works":["[{\"url\":\"https://artpublicmontreal.ca/artiste/richard-alain-martin/\",\"citation\":\"Art Public Montréal page on Alain-Martin Richard \"},{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Ultimatum Program/me [Pamphlet]\"},{\"url\":\"https://artpublicmontreal.ca/en/artiste/richard-alain-martin/\",\"citation\":\"Art Public Montréal\"},{\"url\":\"https://artpublicmontreal.ca/en/artiste/richard-alain-martin/\",\"citation\":\"Au numérique, préférer la chair [Mois Multi] by Alain Martin Richard. \\n\"},{\"url\":\"http://www.performanceart.ca/index.php?m=people_details&id=117\",\"citation\":\"FADO Performance Art Centre\"},{\"url\":\"http://www.performanceart.ca/index.php?m=program&id=171\",\"citation\":\"\\\"Route to Rosa\\\" performance piece by Alain Martin Richard.\"},{\"url\":\"https://www.fondation-langlois.org/html/e/page.php?NumPage=326\",\"citation\":\"Foundation Langlois, bio and list of publications. \"},{\"url\":\"https://www.fondation-langlois.org/html/e/page.php?NumPage=325\",\"citation\":\"\\\"L'atopie textuelle est une cause qui se perd\\\" (2001) by Alain Martin Richard. \"},{\"url\":\"\",\"citation\":\"Richard, Alain-Martin. Performance plan of \\\"LA MEMOIRE DU CORPS\\\" for Ultimatum, 4 Mar. 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_ric. Concordia University Library, Special Collections, Montréal, QC.\"}]"],"_version_":1853670549142634496,"timestamp":"2026-01-07T14:59:53.772Z","Note":["[{\"note\":\"Multitrack Mix File Name:\\nUltimatum_Mixdown_Alain Martin Richard_U-3-4_T5_T6_T7_T8_U-3-5_T1_T2_T3_T4.mp3\",\"type\":\"General\"},{\"note\":\"Media Preserve Metadata for Tape U-3-4.\\n\\n<MediaAsset>\\n<!-- Original Physical Asset and Transfer Details -->\\n<Original>\\n<Filename>U-3-4</Filename>\\n<Title>Ian Stephens A.M. 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\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"content_notes":["Bilingual \"Ultimatum Programme\" festival pamphlet describes performance as 'Poésie/Performance\" and \"Performance/Poetry\". 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Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Gagnon, Jean-Claude. Handmade booklet \\\"Beurk Tisselard au 'Festival D'IN(TER)VENTION(S)\\\", 1984, Alan Lord fonds (F039), Box 1, folder AL-Folder1_gag. 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Her debut poetry collection is MONUMENT (Brick Books).\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Elbanhawy, Sherine","Eastwood, Miranda","Pittella, Carlos A.","Andrews, Olive","Affonso, Alexandre","Ruby, Ariella"],"contributors_names_search":["Elbanhawy, Sherine","Eastwood, Miranda","Pittella, Carlos A.","Andrews, Olive","Affonso, Alexandre","Ruby, Ariella"],"contributors":["[{\"url\":\"\",\"name\":\"Elbanhawy, Sherine\",\"dates\":\"\",\"notes\":\"Co-managing editor of Headlight 24.\\n\\n\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Eastwood, Miranda\",\"dates\":\"\",\"notes\":\"Sound editor of Headlight 24.\",\"nation\":[],\"role\":[\"Producer\",\"Recordist\"]},{\"url\":\"https://viaf.org/viaf/97149659658506830525\",\"name\":\"Pittella, Carlos A.\",\"dates\":\"1983-\",\"notes\":\"Co-managing editor of Headlight 24.\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Andrews, Olive\",\"dates\":\"\",\"notes\":\"Poetry editor of Headlight 24.\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Affonso, Alexandre\",\"dates\":\"\",\"notes\":\"Nonfiction editor of Headlight 24.\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Ruby, Ariella\",\"dates\":\"\",\"notes\":\"Fiction editor of Headlight 24.\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]}]"],"Producer_name":["Elbanhawy, Sherine","Eastwood, Miranda","Pittella, Carlos A.","Andrews, Olive","Affonso, Alexandre","Ruby, Ariella"],"Recordist_name":["Eastwood, Miranda"],"Publication_Date":[2023],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"https://liveconcordia-my.sharepoint.com/:u:/g/personal/carlosa_pittella_concordia_ca/EWZdwizoVj5GsrXLDKd9LMoBMXg4dru-j-E8zG0G07nsKw\",\"file_path\":\"\",\"filename\":\"Headlight24-Bandukwala.wav\",\"channel_field\":\"\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"00:04:48\",\"precision\":\"\",\"size\":\"50.8 MB\",\"bitrate\":\"1411 kbps\",\"encoding\":\"WAV\",\"contents\":\"This is file 1 of 1 containing an audio-recording of the piece \\\"Turning Twenty-Four on the Rise of the Sturgeon Moon,\\\" by Manahil Bandukwala, as published in Headlight Anthology, no. 24.\",\"notes\":\"\",\"title\":\"Turning Twenty-Four on the Rise of the Sturgeon Moon\",\"credit\":\"Manahil Bandukwala\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://liveconcordia-my.sharepoint.com/:u:/g/personal/carlosa_pittella_concordia_ca/Ebmbo7PKcmdAuAL0nWyWg3oBHVKvMks_XlVTPOYOE5zS7Q\",\"file_path\":\"\",\"filename\":\"Headlight24-Bandukwala.mp3\",\"channel_field\":\"\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"00:04:48\",\"precision\":\"\",\"size\":\"2.3 MB\",\"bitrate\":\"145-185 kbps\",\"encoding\":\"MP3\",\"contents\":\"This is file 1 of 1 containing an audio-recording of the piece \\\"Turning Twenty-Four on the Rise of the Sturgeon Moon,\\\" by Manahil Bandukwala, as published in Headlight Anthology, no. 24.\",\"notes\":\"MP3 also available at https://headlightanthology.ca/archive/n24/turning-twenty-four-on-the-rise-of-the-sturgeon-moon/, accessed on June 9, 2023.\",\"title\":\"Turning Twenty-Four on the Rise of the Sturgeon Moon\",\"credit\":\"Manahil Bandukwala\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2023-06-02\",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"Headlight website\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1192154219\",\"venue\":\"Concordia University, Department of English\",\"notes\":\"Headlight Anthology operates out of Concordia’s graduate English Literature & Creative Writing department.\",\"address\":\"1455 Boul. de Maisonneuve O., LB 641, Montréal, QC, H3G 1M8\",\"latitude\":\"45.4969331\",\"longitude\":\"-73.5783742\"}]"],"Address":["1455 Boul. de Maisonneuve O., LB 641, Montréal, QC, H3G 1M8"],"Venue":["Concordia University, Department of English"],"City":["Montreal, Quebec"],"contents":["Turning Twenty-Four on the Rise of the Sturgeon Moon\n\nby Manahil Bandukwala\n\nA sturgeon, smiling, or swimming. River level rises in late summer. Waist-high. Once it might have engulfed me. Salt. I forgot to look over my shoulder two weeks ago and luck now eludes me.\n\n*\n\nWas I dreaming or is every sky pinker than the last. Snow catches fire five-hundred kilometres north-west of here. Here the sturgeon smiles, and swims. A full moon\n\nmorphed, elongated, swishing water and mud at the lake end.\n\nThink hard about wishes\nbefore blowing out\nthe candles,\n\ncareful not to waste any.\n\n*\n\nA wish is selfish. I wish for luck. To wish for time, or for more wishes. \n\n                          Sturgeon. \n                                            Wolf. \n                                                      Hungry. \n\n                                                                   Hungering.\n*\n\nThink back to last month, how every day felt thick. The month before, how the moon was beautiful and bloody. Get used to blood and red and copper. The reddest solstice of our lives so far, the pinkest the sky has been.\n\nLick the sturgeon eggs beneath the lake, a mingling of smoke and salt. Hints of cream cheese frosting between the wax.\n\n*\n\nThree birthday cakes and each candle on each cake is the same wish. As if the third time is when it sticks.\n\n*\n\nAs if elongating the moment between the song and blowing out all the candles in a single breath will pause the smoke, sturgeons, surging water. Live\n\nat the cusp of the full sturgeon moon. An abundance of fish in the lakes and rivers of this hemisphere.\n\nThe wind carries faint howls, and hunger.\n\n*\n\nAsk me of time. Birth time. Of the time the moon will be at its fullest but daylight floods the sky.\n\n*\n\nThe sun is the sole witness to the moon this month \n\n                                           but if not the sun’s flood then smoke, then water \n                                           waist-high, then the opaque film \n                                           of blood. \n*\n\nHad I looked over my shoulder on the new moon I might have caught a moment of luck in my net. As though luck could, like a sturgeon, swim out of the haze. Now all I am left with are wishes. Effective as luck, as elusive.\n\nThe net is torn, a tangle of string.\n\n*\n\nSo many names for the same thing, dependent on the latitude and the angle at which\nthe body is turned to the sky. So many signs point to the end ahead. \n\n                             Fewer sturgeons swimming each lake. \n                                            Each summer day a new film of smoke. \n                                                          Fire and fire and fire and fire and fire and— \n*\n\nCicadas scream, each day louder than the last. Screaming to find a mate while there is still time. This might be the last cycle of mating they have\n\nor they might emerge thirteen years later and find all the smoke cleared away and August’s sturgeons leaping against the silhouette of a full moon\n\n(but sturgeons are not fish that leap up against full moons.\n\nThis is the imagined future where imagination runs).\n\n*\n\nRiver rising. Summer more than halfway through. Was I dreaming or did snow really catch fire outside my window. Snow falls in summer, somewhere. How else to explain all this smoke.\n\n*\n\nI made twenty-four wishes.\n\n                                                           Each wish\nthe same.\n\nIn essence, to survive, to survive,\nto survive."],"Note":["[{\"note\":\"Carlos A. Pittella\",\"type\":\"Cataloguer\"}]"],"Related_works":["[{\"url\":\"https://headlightanthology.ca/archive/n24/turning-twenty-four-on-the-rise-of-the-sturgeon-moon/\",\"citation\":\"Bandukwala, Manahil. Turning Twenty-Four on the Rise of the Sturgeon Moon. Headlight Anthology, no. 24, 2023, pp. 11–15.\"}]"],"_version_":1853670549176188928,"timestamp":"2026-01-07T14:59:53.772Z","score":0.01643844},{"id":"5193","cataloger_name":["Carlos A.,Pittella"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Headlight Anthology Collection"],"source_collection_label":["Headlight Anthology Collection"],"collection_contributing_unit":[""],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Ari Mazur in Headlight 24, 2023"],"item_title_source":["Asset"],"item_title_note":["As published in Headlight Anthology."],"item_language":["English"],"item_production_context":["Studio recording"],"item_series_title":["Headlight 24"],"item_subseries_title":["Headlight 24 Pieces"],"item_identifiers":["[]"],"rights":["In Copyright Educational Use Permitted (InC-EDU)"],"rights_notes":["Copyright by Headlight Anthology and contributor. Online reproduction and archiving allowed. Republications under different publishers must be authorized by the contributor."],"creator_names":["Mazur, Ari"],"creator_names_search":["Mazur, Ari"],"creators":["[{\"url\":\"\",\"name\":\"Mazur, Ari\",\"dates\":\"\",\"notes\":\"Ari Mazur is a recent graduate of Concordia University’s creative writing program. She finds joy in writing, walking around, and apartment hunting. She hopes to continue pursuing these hobbies for a long time.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Elbanhawy, Sherine","Eastwood, Miranda","Pittella, Carlos A.","Andrews, Olive","Affonso, Alexandre","Ruby, Ariella"],"contributors_names_search":["Elbanhawy, Sherine","Eastwood, Miranda","Pittella, Carlos A.","Andrews, Olive","Affonso, Alexandre","Ruby, Ariella"],"contributors":["[{\"url\":\"\",\"name\":\"Elbanhawy, Sherine\",\"dates\":\"\",\"notes\":\"Co-managing editor of Headlight 24.\\n\\n\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Eastwood, Miranda\",\"dates\":\"\",\"notes\":\"Sound editor of Headlight 24.\",\"nation\":[],\"role\":[\"Producer\",\"Recordist\"]},{\"url\":\"https://viaf.org/viaf/97149659658506830525\",\"name\":\"Pittella, Carlos A.\",\"dates\":\"1983-\",\"notes\":\"Co-managing editor of Headlight 24.\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Andrews, Olive\",\"dates\":\"\",\"notes\":\"Poetry editor of Headlight 24.\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Affonso, Alexandre\",\"dates\":\"\",\"notes\":\"Nonfiction editor of Headlight 24.\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Ruby, Ariella\",\"dates\":\"\",\"notes\":\"Fiction editor of Headlight 24.\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]}]"],"Producer_name":["Elbanhawy, Sherine","Eastwood, Miranda","Pittella, Carlos A.","Andrews, Olive","Affonso, Alexandre","Ruby, Ariella"],"Recordist_name":["Eastwood, Miranda"],"Publication_Date":[2023],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"https://liveconcordia-my.sharepoint.com/:u:/g/personal/carlosa_pittella_concordia_ca/EapEUjCgXmNElKmdxliBoRUBz7F1-N6ZHXE_3RTxiIgyaw\",\"file_path\":\"\",\"filename\":\"Headlight24-Mazur.mp3\",\"channel_field\":\"\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"00:09:40\",\"precision\":\"\",\"size\":\"5.9 MB\",\"bitrate\":\"145-185 kbps\",\"encoding\":\"MP3\",\"contents\":\"This is file 1 of 1 containing an audio-recording of the piece \\\"A&W,\\\" by Ari Mazur, as published in Headlight Anthology, no. 24.\",\"notes\":\"MP3 also available at https://headlightanthology.ca/archive/n24/aw/, accessed on June 15, 2023.\",\"title\":\"A&W\",\"credit\":\"Ari Mazur\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"\"},{\"file_url\":\"https://liveconcordia-my.sharepoint.com/:u:/g/personal/carlosa_pittella_concordia_ca/EdV871owpSpPi4NH3GBlWYkBFazWsHUPgRJzYhX2BqMGOA\",\"file_path\":\"\",\"filename\":\"Headlight24-Mazur.wav\",\"channel_field\":\"\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"00:09:40\",\"precision\":\"\",\"size\":\"102.4 MB\",\"bitrate\":\"1411 kbps\",\"encoding\":\"WAV\",\"contents\":\"This is file 1 of 1 containing an audio-recording of the piece \\\"A&W,\\\" by Ari Mazur, as published in Headlight Anthology, no. 24.\",\"notes\":\"\",\"title\":\"A&W\",\"credit\":\"Ari Mazur\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2023-06-02\",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"Headlight website\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1192154219\",\"venue\":\"Concordia University, Department of English\",\"notes\":\"Headlight Anthology operates out of Concordia’s graduate English Literature & Creative Writing department.\",\"address\":\"1455 Boul. de Maisonneuve O., LB 641, Montréal, QC, H3G 1M8\",\"latitude\":\"45.4969331\",\"longitude\":\"-73.5783742\"}]"],"Address":["1455 Boul. de Maisonneuve O., LB 641, Montréal, QC, H3G 1M8"],"Venue":["Concordia University, Department of English"],"City":["Montreal, Quebec"],"Note":["[{\"note\":\"Carlos A. Pittella\",\"type\":\"Cataloguer\"}]"],"Related_works":["[{\"url\":\"https://headlightanthology.ca/archive/n24/aw/\",\"citation\":\"Mazur, Ari. A&W. Headlight Anthology, no. 24, 2023, pp. 25–33.\"}]"],"_version_":1853670549179334656,"timestamp":"2026-01-07T14:59:53.772Z","contents":["A&W\n\nby Ari Mazur\n\nI don’t recognize my face when I look in the mirror. I’m standing in the piss-covered bathroom of the twenty-four-hour A&W. There are about half a dozen fentanyl-addled homeless people who’ve ordered one root beer between them just outside the door. I can hear them laughing about me. Gruff French-Canadian laughs, sharp reedy cackles. They are laughing at me. My heart is racing. I’ve just crushed fifty mg of Adderall. My face doesn’t look like mine because I hate this woman looking back at me, and I don’t hate myself.\n\nHave I ever been this drunk before? That bitch from the bar put something in my drink, I swear to God.\n\nThey’re laughing because the one in the top hat—the one I give cigarettes to on the regular, mind you—grabbed my ass on my way into the bathroom. He’s never getting another fucking smoke off me.\n\nI have to call Sayed back. He called me four times already. He’s worried. It’s ringing.\n\nIt’s the eyes I don’t recognize. Why are they so sullen? She looks so guilty. Guilt makes people ugly. I hate ugly people.\n\n“Hello?”\n\n“Can you come pick me up?”\n\n“Where are you?”\n\n“Bathroom. I hate ugly, guilty people. Top Hat grabbed my ass. He grabbed it and I didn’t even do or say anything about it. I just took the Adderall your brother gave me.”\n\n“What the fuck are you saying? You’re not making any sense. Cami, where are you?”\n\n“Uh—A&W. I just said.”\n\n“No you didn—which one?”\n\n“I dunno. Three blocks east of mine?”\n\n“I’ll be there as soon as I can, okay? I’m calling an Uber right now.”\n\n“Hurry. They’re laughing at me.”\n\n“Um, okay. Stay put. Do you want to stay on the phone?”\n\nI hang up on Sayed. He’s so nice even though he has no personality. It’s crazy how people can go through life having no opinions on anything. Well, he has an opinion on me. He thinks he’s going to save me. I would prefer if someone else wanted to save me.\n\nI have to get out of the bathroom. I push open the door. They don’t even notice. Top Hat is showing the others something on his phone. I sit down at the table closest to the exit and put my head down. Nobody can see me now. I’m safe in a fort made of my own arms. It’s like an igloo in here.\n\n“Uh—excuse me. You can’t sleep here.”\n\nThe employee. He looks to be about seventeen. Pimply. His face doesn’t look guilty.\n\n“Oh, I’m not—I’m not sleeping. I just took a bunch of Adderall. And something else before that, I think.”\n\nHe gives me a look. Like a mix of pity and not caring whether I live or die.\n\n“Can I—”\n\nI make a motion mimicking my arm fort.\n\nHe shrugs.\n\nI collapse back onto the table.\n\nI’m being shaken out of the safety of my little cave by Sayed a few minutes later.\n\n“Did you fall asleep here, Cam? It’s not safe.”\n\nHe gestures toward the general vicinity of the homeless.\n\n“That’s presumptuous. Just because they’re homeless doesn’t mean—”\n\n“Oh, shut up Cam. You know what I mean.”\n\n“The one in the top hat grabbed my ass.”\n\n“What? Are you fucking serious?”\n\n“It’s fine. Whatever.”\n\n“It’s not fine. That’s fucked up.”\n\nHe looks like he’s about to do something about it.\n\n“Don’t do anything about it. Please.”\n\n“He can’t just do that.”\n\nSayed is walking over to the group and I’m suddenly—well, I’m not sure that it actually happened. The grabbing. Sometimes I make things like that up. I think I might have been dramatizing for the sake of making life a little more exciting. Top Hat is nice. He was just laughing with his friends about whatever it is that he’s always watching on his phone. I don’t think he’s ever even touched me. Sayed’s walking over there, though. I could say something.\n\nNo words are coming out.\n\nThere seems to be a verbal altercation. Some pointing in my direction. Then—there it is again—the laughing. It’s fucking incessant. Top Hat spits in Sayed’s direction and Sayed looks about ready to hit him. He won’t, though—he hasn’t got it in him. He does knock the phone out of Top Hat’s grasp, and it slides a few feet across the filthy linoleum. More than I ever thought him capable of. Sayed turns and starts walking back toward me. I see Top Hat get up.\n\n“Sayed.” I’m trying to warn him.\n\nBut it’s too late. Before he can turn around or react, Top Hat’s shoving him onto the floor. Sayed hits his head on a chair on his way down. Top Hat picks up his phone and walks back to the group. They’re still laughing. Sayed isn’t getting up. Why isn’t he getting up?\n\n“Is he okay?”\n\nThe employee is asking. Oh God, the employee is gonna call the cops. I’m not fit to be around cops right now.\n\n“Uh.”\n\nI suppose I should go and check on him. I get up from the comfort of my seat. He’s breathing, which I suppose is good.\n\n“Sayed? Hey. Hey. Are you alive?” I’m poking him.\n\nNo response.\n\n“Um, yeah. I think he’ll be fine,” I’m hearing myself shout to the cashier.\n\n“Doesn’t look fine to me.”\n\nThe laughter has ceased. At some point, they became aware of the severity of the situation. They’re looking over here. Top Hat stands.\n\n“Ah, fuck.”\n\nHe’s coming over.\n\n“Is he fuckin’ dead?”\n\n“No, no. Look he’s breathing. I mean—look. He’s breathing, right?”\n\nI thought I had seen Sayed breathe before but now I wasn’t too sure. Top Hat kneels by Sayed.\n\n“Yeah. He’s breathing, thank fuck. He’s knocked out pretty good, though. You should call an ambulance.”\n\n“Um. I don’t think that’s really—”\n\n“I already called one.”\n\nThe cashier called an ambulance. Since when did kids get so responsible? Fuck.\nI don’t want to be here when the paramedics come. I don’t want to go with him to the hospital and watch his face light up when he sees that I’m by his side. He’s the kindest person I’ve ever known. I stand.\n\n“Where you goin’?”\n\nTop Hat looks to me for a response.\n\n“I have to—get some air.”\n\nI stagger out into the cold night. I hardly process that I’m wearing nothing more than a thin hoodie until I start shivering. I stand outside and watch people gather around Sayed. He’s woken up, it seems. Top Hat is giving him water from a cup. The cashier looks bored. He’s watching TikToks, picking at his acne, and barely registering the situation. I hear the sirens then. It looks like Sayed might be protesting their arrival—he’s waving his arms and getting up. He’s looking around the restaurant—for me, presumably.\n\nI walk away. I’m walking home, I think. Sometimes I just walk until my legs get tired but it’s particularly cold tonight. I’m walking home. I hear the door of the A&W slam open and a shout.\n\nIt’s Sayed.\n\n“Cam? Cami?”\n\nI walk faster. Oh, God. I’m going to throw up. I can feel it. The cocktail of substances isn’t meshing well. I grab ahold of the wall nearest to me and next thing I know I’m on my knees throwing up on someone’s Christmas lawn ornaments. Little snowmen getting absolutely massacred. I hear footsteps behind me. Sayed. Fuck.\n\n“Cami, Cami, oh my God, are you okay?”\n\nI’m throwing up so I can’t answer.\n\n“God, that was so fucked up in there. I can’t believe how hard I hit my head.”\n\nI’m still throwing up.\n\n“Did you see they called the paramedics? I thought that was, like, unnecessary. Like—I’m fine. But you don’t seem fine. It’s more than just Adderall. What did you take before?”\n\nI’ve momentarily stopped throwing up.\n\n“I stole something from Ada’s purse at the bar earlier.”\n\nI throw up some more.\n\n“Okay, um, Cam? I actually think you might need to go to the hospital.”\n\n“I’m FINE.”\n\nHow can one person throw up this much? I try and swallow it back so that Sayed thinks I’m done vomiting, but it comes back up twice as strong. Putrid.\n\n“Cami. Stay right here, okay? I’ll go get the paramedics.”\n\nI need to lie down for a second, then I’ll keep walking home. I just need to settle in this little patch of snow at the corner right here and close my eyes for a second. Then I’ll run home as fast as possible.\n\nTwo strong men are lifting me up while Sayed explains the situation. It’s like he’s excited by this. If he were a dog his tail would be wagging.\n\n“Yeah, for sure Adderall, alcohol, probably some benzos, and I’m not sure what else.”\n\nThere is nothing else, I want to say. But I’m so comfortable not speaking while they carry me. It’s so lovely floating like a cloud away from the vomit-covered snowmen I’ve grown so used to. Goodbye, little snowmen.\n\n“I should probably come in the ambulance with her, no? I mean, it was called for me, wasn’t it?”\n\nHe chortles. This turn of events amuses Sayed.\n\n“And she really doesn’t have anyone else…”\n\nThe paramedics grunt back in response. Apparently, a grunt of acquiescence because in the next instant, I’m strapped into a gurney by a female paramedic while Sayed fusses over me.\n\nThis paramedic is nice. I think of her as a mother. She calls me sweetie.\n\n“Cami, is it?”\n\nI nod.\n\n“Camille.”\n\nSayed is answering for me now apparently.\n\n“Okay, Camille, honey, can you tell me what you’ve taken tonight? We’re gonna run some tests on you in a second but anything you can remember will help.”\n\nSayed starts to answer for me again but she cuts him off.\n\n“Look, I know you’re worried for your girlfriend, but I need to hear this information from her.”\n\nI like her. I have to say something.\n\n“Not his girlfriend.”\n\nI mumble.\n\n“What was that, sweetie?”\n\n“I’m not his girlfriend.”\n\nSayed scoffs.\n\n“Well, we’re not labelling it but it’s pretty much as confirmed as it can be. I mean, we do all the couple things together. Like, we’re in love and shit.”\n\n“Okay, well whatever you are to each other, I need Camille to answer some questions without your help.”\n\nHe sighs.\n\n“Okay, yeah. Whatever.”\n\n“Now, hun, tell me what you remember.”\n\n“Well… I remember Sayed hitting his head. On that chair. And I was really worried. I felt so sad.”\n\n“That’s natural, honey. I’m sure it was scary to see that happen. But I need you to tell me what you remember taking.”\n\n“No, I mean. I was so sad because. Because I was hoping he’d hit his head way harder, and that he wouldn’t wake up. But then he was breathing, and he’s fine now. That made me so sad.”"],"score":0.01643844},{"id":"5194","cataloger_name":["Carlos A.,Pittella"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Headlight Anthology Collection"],"source_collection_label":["Headlight Anthology Collection"],"collection_contributing_unit":[""],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Susi Lovell in Headlight 24, 2023"],"item_title_source":["Asset"],"item_title_note":["As published in Headlight Anthology."],"item_language":["English"],"item_production_context":["Studio recording"],"item_series_title":["Headlight 24"],"item_subseries_title":["Headlight 24 Pieces"],"item_identifiers":["[]"],"rights":["In Copyright Educational Use Permitted (InC-EDU)"],"rights_notes":["Copyright by Headlight Anthology and contributor. Online reproduction and archiving allowed. Republications under different publishers must be authorized by the contributor."],"creator_names":["Lovell, Susi"],"creator_names_search":["Lovell, Susi"],"creators":["[{\"url\":\"\",\"name\":\"Lovell, Susi\",\"dates\":\"\",\"notes\":\"Originally from England, Susi Lovell worked her way around the world before settling in Montreal. A movement artist-educator, choreographer and past dance critic for the Montreal Gazette, Susi’s stories have appeared in The New Quarterly, Stand Magazine, carte blanche, Grain, Fiddlehead and other journals.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Elbanhawy, Sherine","Eastwood, Miranda","Pittella, Carlos A.","Andrews, Olive","Affonso, Alexandre","Ruby, Ariella"],"contributors_names_search":["Elbanhawy, Sherine","Eastwood, Miranda","Pittella, Carlos A.","Andrews, Olive","Affonso, Alexandre","Ruby, Ariella"],"contributors":["[{\"url\":\"\",\"name\":\"Elbanhawy, Sherine\",\"dates\":\"\",\"notes\":\"Co-managing editor of Headlight 24.\\n\\n\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Eastwood, Miranda\",\"dates\":\"\",\"notes\":\"Sound editor of Headlight 24.\",\"nation\":[],\"role\":[\"Producer\",\"Recordist\"]},{\"url\":\"https://viaf.org/viaf/97149659658506830525\",\"name\":\"Pittella, Carlos A.\",\"dates\":\"1983-\",\"notes\":\"Co-managing editor of Headlight 24.\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Andrews, Olive\",\"dates\":\"\",\"notes\":\"Poetry editor of Headlight 24.\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Affonso, Alexandre\",\"dates\":\"\",\"notes\":\"Nonfiction editor of Headlight 24.\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Ruby, Ariella\",\"dates\":\"\",\"notes\":\"Fiction editor of Headlight 24.\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]}]"],"Producer_name":["Elbanhawy, Sherine","Eastwood, Miranda","Pittella, Carlos A.","Andrews, Olive","Affonso, Alexandre","Ruby, Ariella"],"Recordist_name":["Eastwood, Miranda"],"Publication_Date":[2023],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"https://liveconcordia-my.sharepoint.com/:u:/g/personal/carlosa_pittella_concordia_ca/EQ1SBmGXq8ZNrHf0QNXqgDMBE1UtjddZb6l-liIQXGKWRA\",\"file_path\":\"\",\"filename\":\"Headlight24-Lovell.mp3\",\"channel_field\":\"\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"00:02:08\",\"precision\":\"\",\"size\":\"1.2 MB\",\"bitrate\":\"145-185 kbps\",\"encoding\":\"MP3\",\"contents\":\"This is file 1 of 1 containing an audio-recording of the piece \\\"Unsafe in Large Doses,\\\" by Susi Lovell, as published in Headlight Anthology, no. 24.\",\"notes\":\"MP3 also available at https://headlightanthology.ca/archive/n24/unsafe-in-large-doses/, accessed on June 15, 2023.\",\"title\":\"Unsafe in Large Doses\",\"credit\":\"Susi Lovell\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"\"},{\"file_url\":\"https://liveconcordia-my.sharepoint.com/:u:/g/personal/carlosa_pittella_concordia_ca/EYND7dWB6OtIjsM1DfqcapYB98M_yd_oHi-Uqt_ubNO6bQ\",\"file_path\":\"\",\"filename\":\"Headlight24-Lovell.wav\",\"channel_field\":\"\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"00:02:08\",\"precision\":\"\",\"size\":\"22.7 MB\",\"bitrate\":\"1411 kbps\",\"encoding\":\"WAV\",\"contents\":\"This is file 1 of 1 containing an audio-recording of the piece \\\"Unsafe in Large Doses,\\\" by Susi Lovell, as published in Headlight Anthology, no. 24.\",\"notes\":\"\",\"title\":\"Unsafe in Large Doses\",\"credit\":\"Susi Lovell\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2023-06-02\",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"Headlight website\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1192154219\",\"venue\":\"Concordia University, Department of English\",\"notes\":\"Headlight Anthology operates out of Concordia’s graduate English Literature & Creative Writing department.\",\"address\":\"1455 Boul. de Maisonneuve O., LB 641, Montréal, QC, H3G 1M8\",\"latitude\":\"45.4969331\",\"longitude\":\"-73.5783742\"}]"],"Address":["1455 Boul. de Maisonneuve O., LB 641, Montréal, QC, H3G 1M8"],"Venue":["Concordia University, Department of English"],"City":["Montreal, Quebec"],"contents":["Unsafe in Large Doses\n\nby Susi Lovell\n\nmy feet follow the path, my boots unwilling.\n                 I regret the incident on the yacht. I agree\n                                       to toggle pride. I forget—a problem of age. I regret\n                                                   my age, a grim milestone. Also the photo I couldn’t\n                                                                   forget, the one with the boa. I regret the horse.\n                                                                                  It was so huge and fierce with such long \n                                                                                                      yellow teeth, I felt tiny and timid.\n                                                            I regret the yacht, the horse, the boa. My \n                                unwilling boots groan as I set them on the path.\n                At my age, I thought. Armed with boots, boa, age, I set out on the path.\nRegret is a treat, the luxury of thinking there are\n                            other possibilities. Regret is a yacht, a luminous boat\n                                          of pride, the assumption one could have done better.\n                                                     Regret is a photo left in the bottom drawer of the tallboy \n                                                                 beneath the old duvets, moth eaten\n                                                                             and musty, next to the bow tie that made him\n                                                                                        look the cat’s whiskers. Regret is a groan\n                                                                                                       of recognition—failed\n                                                                                                                                                        again.\n                                                                                                             Regret is the uncertain terrain\n                                                                                of the fens, mosquito infested, full of the\n                                  sulphurous smell of decomposed sphagnum. Regret is toggling\n                       what was with what is and trying to weasel out\n            of what you’ve become.\nRegret is a feather boa floating around your neck (the bird, the bird…. that dawn,\n                            the emu, the bird that can’t fly, flying long-legged across the red-lit\n                                         red sands of the Nullabor Desert.) Regret is age, an unfortunate\n                                                                 fact when it’s too late to rewrite what’s been written.\n                                                                                       Regret is rue, the woody yellow-flowered\n                            ruta graveolens of evil smell and bitter taste,\n                perennial, invasive, but beneficial\n                                           for headaches, arthritis, fevers\n                                                                                   of heart. Rue—herb-of-grace.\n                                                                                                                Unsafe in large doses."],"Note":["[{\"note\":\"Carlos A. Pittella\",\"type\":\"Cataloguer\"}]"],"Related_works":["[{\"url\":\"https://headlightanthology.ca/archive/n24/unsafe-in-large-doses/\",\"citation\":\"Lovell, Susi. Unsafe in Large Doses. Headlight Anthology, no. 24, 2023, pp. 34–35.\"}]"],"_version_":1853670549180383232,"timestamp":"2026-01-07T14:59:53.772Z","score":0.01643844},{"id":"5195","cataloger_name":["Carlos A.,Pittella"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Headlight Anthology Collection"],"source_collection_label":["Headlight Anthology Collection"],"collection_contributing_unit":[""],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Paz O’Farrell in Headlight 24, 2023"],"item_title_source":["Asset"],"item_title_note":["As published in Headlight Anthology. \n*Genre: nonfiction, CNF."],"item_language":["English"],"item_production_context":["Studio recording"],"item_series_title":["Headlight 24"],"item_subseries_title":["Headlight 24 Pieces"],"item_identifiers":["[]"],"rights":["In Copyright Educational Use Permitted (InC-EDU)"],"rights_notes":["Copyright by Headlight Anthology and contributor. Online reproduction and archiving allowed. Republications under different publishers must be authorized by the contributor."],"creator_names":["O’Farrell, Paz"],"creator_names_search":["O’Farrell, Paz"],"creators":["[{\"url\":\"\",\"name\":\"O’Farrell, Paz\",\"dates\":\"\",\"notes\":\"Paz O’Farrell is a writer from Buenos Aires pursuing a Creative Writing Master’s at Concordia. Her work has been published in the Scripps Journal and In Media Res, selected as a finalist for the DISQUIET non-fiction prize and the Adroit Prose Prize. She has received the Hollfelder Award.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Elbanhawy, Sherine","Eastwood, Miranda","Pittella, Carlos A.","Andrews, Olive","Affonso, Alexandre","Ruby, Ariella"],"contributors_names_search":["Elbanhawy, Sherine","Eastwood, Miranda","Pittella, Carlos A.","Andrews, Olive","Affonso, Alexandre","Ruby, Ariella"],"contributors":["[{\"url\":\"\",\"name\":\"Elbanhawy, Sherine\",\"dates\":\"\",\"notes\":\"Co-managing editor of Headlight 24.\\n\\n\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Eastwood, Miranda\",\"dates\":\"\",\"notes\":\"Sound editor of Headlight 24.\",\"nation\":[],\"role\":[\"Producer\",\"Recordist\"]},{\"url\":\"https://viaf.org/viaf/97149659658506830525\",\"name\":\"Pittella, Carlos A.\",\"dates\":\"1983-\",\"notes\":\"Co-managing editor of Headlight 24.\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Andrews, Olive\",\"dates\":\"\",\"notes\":\"Poetry editor of Headlight 24.\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Affonso, Alexandre\",\"dates\":\"\",\"notes\":\"Nonfiction editor of Headlight 24.\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Ruby, Ariella\",\"dates\":\"\",\"notes\":\"Fiction editor of Headlight 24.\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]}]"],"Producer_name":["Elbanhawy, Sherine","Eastwood, Miranda","Pittella, Carlos A.","Andrews, Olive","Affonso, Alexandre","Ruby, Ariella"],"Recordist_name":["Eastwood, Miranda"],"Publication_Date":[2023],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"https://liveconcordia-my.sharepoint.com/:u:/g/personal/carlosa_pittella_concordia_ca/ERuTHOhj0npPiBquhhtxZ6gBdhzrPDrFuaPsX4u1gMVR2A\",\"file_path\":\"\",\"filename\":\"Headlight24-O'Farrell.mp3\",\"channel_field\":\"\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"00:11:19\",\"precision\":\"\",\"size\":\"6 MB\",\"bitrate\":\"145-185 kbps\",\"encoding\":\"MP3\",\"contents\":\"This is file 1 of 1 containing an audio-recording of the piece \\\"I don’t even know what to do about all this,\\\" by Paz O’Farrell, as published in Headlight Anthology, no. 24.\",\"notes\":\"MP3 also available at https://headlightanthology.ca/archive/n24/i-dont-even-know-what-to-do-about-all-this/, accessed on June 15, 2023.\",\"title\":\"I don’t even know what to do about all this\",\"credit\":\"Paz O’Farrell\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"\"},{\"file_url\":\"https://liveconcordia-my.sharepoint.com/:u:/g/personal/carlosa_pittella_concordia_ca/EWn4qg1PYMpJnWX-t-tg9bkBLAGJLoqALxDoG-BVduaZ7g\",\"file_path\":\"\",\"filename\":\"Headlight24-O'Farrell.wav\",\"channel_field\":\"\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"00:11:19\",\"precision\":\"\",\"size\":\"119.8 MB\",\"bitrate\":\"1411 kbps\",\"encoding\":\"WAV\",\"contents\":\"This is file 1 of 1 containing an audio-recording of the piece \\\"I don’t even know what to do about all this,\\\" by Paz O’Farrell, as published in Headlight Anthology, no. 24.\",\"notes\":\"\",\"title\":\"I don’t even know what to do about all this\",\"credit\":\"Paz O’Farrell\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2023-06-02\",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"Headlight website\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1192154219\",\"venue\":\"Concordia University, Department of English\",\"notes\":\"Headlight Anthology operates out of Concordia’s graduate English Literature & Creative Writing department.\",\"address\":\"1455 Boul. de Maisonneuve O., LB 641, Montréal, QC, H3G 1M8\",\"latitude\":\"45.4969331\",\"longitude\":\"-73.5783742\"}]"],"Address":["1455 Boul. de Maisonneuve O., LB 641, Montréal, QC, H3G 1M8"],"Venue":["Concordia University, Department of English"],"City":["Montreal, Quebec"],"content_notes":["*CW: eating disorders"],"Note":["[{\"note\":\"Carlos A. Pittella\",\"type\":\"Cataloguer\"},{\"note\":\"Genre should be updated to \\\"Reading: nonfiction\\\" or \\\"Reading: CNF\\\" when one of this options is available.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"https://headlightanthology.ca/archive/n24/i-dont-even-know-what-to-do-about-all-this/\",\"citation\":\"O’Farrell, Paz. I don’t even know what to do about all this. Headlight Anthology, no. 24, 2023, pp. 37–47.\"}]"],"_version_":1853670549180383233,"timestamp":"2026-01-07T14:59:53.772Z","contents":["I don’t even know what to do about all this\n\nby Paz O’Farrell\n\n*CW: eating disorders\n\nEvery fact I have learned about food, since that little pyramid diagram from primary, has been against my will. Even the useful ones, like how one should order tomato juice on airplanes for maximum hydration. Now I can’t bear to ask for any other drink when they roll down the carts through the carpeted aisles, even though the whole time I watch them approach, slowly, like a menace, I’m thinking I’d kill for a 7UP.\n\nAnother liquid example is beer. A German exchange student I met one autumn night of my life, walking down the Quebecois streets, chose to spend that time telling me about how back home they call beer “liquid bread.” The next few hours I glared at a pitcher of IPA. At my thighs. At the machine that charged me 11 CAD, because everyone is charged individually in Canada. Not at him because he was happy. Liquid bread. I think about this every time my lips kiss the neck of a bottle or I hear a can crack like ice.\n\nMy ex-roommate (freshman year in California, got sent to the hospital that first weekend on account of tequila inexperience) told me avocados are healthy fats. Never mind the “healthy”—I can’t get over the fat part. I used to love putting them in my salads.\n\nMe and my salads. The fucking salads. I am a Sisyphus of kale.\n\n*\n\nHere’s the best one: pineapples eat you back.\n\n*\n\nI know no one really wants to hear about it, but that’s never really been a deterrent in any regard of my life, has it?\n\n*\n\nThese holidays I heard a phrase I hadn’t heard in a while: hacerse la flaca. It means to act like you are skinny, either by pretence or as flaunting. Both are dangerous. Weight has weight back home.\n\n*\n\nI have fruit every now and then. I delight in sugar, but I can’t have too much of it because it’ll make me freak out, so it’s not really delight. It’s like having sex with someone you know you shouldn’t, and you are left with all the bad parts as they keep snoring in the morning. Or like the ring of grime in a bathtub.\n\nYou know, I once had a birthday party where we all sat at a long table and decorated cupcakes. I still remember the purple sprinkles. This must have been eleven years ago. The day after Valentine’s day, a sweltering summer in Buenos Aires made tolerable by the icy pool (refrigerated by a formidable araucaria), the chlorine was drying in our hair—blonde girls turning green—and we dipped our fingers in whipped egg whites and sugar, dulce de leche, melted milk chocolate. I can guarantee I licked all my fingers, and this was all before the birthday cake.\n\n*\n\nThe same girls, two years later, would have a different outlook on cupcakes. The first year of middle school, three classmates of mine had to miss the three-day trip to San Clemente del Tuyú because they had been diagnosed as anorexic. I wasn’t really sure how anorexia would prevent them from whale watching, yet I have to say I remember the sticks they had for legs under the tunics we had to wear. I’d watch them walking down the hallway and imagine them tripping and shattering. It was hard not to. I thought of it as fragility then. My views have changed too.\n\n*\n\nI think potatoes are okay. A dermatologist told me grains break you out. The ex-college roommate said the same about dairy. Everything is bad for something.\n\n*\n\nI know it’s not original to write about eating and its disorders. How it’s bourgeois, even. Hunger as a choice when the world is consuming itself. I’m not sure what defence there is, other than pain. A weak defence. I’d like a moat.\n\nWe know it’s not really about vanity. We know it’s not even about my body! We all know that, like most people, I hated myself and so I designed a daily mechanism to exercise cruelty—figurative flagellation, femininity and catholicism being important factors to consider in light of the virtue of restriction. My American friend who did ballet and is still under its grip tried to convince me that I was alimentally fucked up like her, and I told her: “If that’s true, everyone I know back home has an eating disorder.”\n\nWhat worries me is this: Argentina is #2 in anorexia cases, internationally. Japan has us beat. I think it’s quite literally the opposite end of the world from where I’m writing this, although we are united by a fictional thread that crosses the Earth’s nucleus. #1. God help the Japanese.\n\n*\n\nLet me tell you about my collarbones. Let me tell you about feeling confident most items in the dressing room will look good on my little body. Let me tell you how people break their backs to help me out and buy me drinks. Let me tell you about getting my period about every 110 days and always worrying I’ve gotten fat when I do, and that no one else will ever get me a gin tonic or lift up my suitcase up a step or smile at me in the street or want to hold my hand, quietly, at night, just to feel me.\n\n*\n\nI know a man who got an operation where they cut off half his intestine, or they shrunk his stomach the way grapes get shrivelled. I’m not sure. Something violent and clinical and cosmetic. He did lose weight, but, apparently, every three months he has to pass a stone. My uncle just went on a fishing trip with him and they had to drive him to the hospital two nights in a row.\n\n*\n\nHave you heard about the K-pop idol diet? An apple for glucose, a protein bar for self-explanatory reasons, a potato. Why the fuck do I hold myself to the standard of a Korean pop star, you may wonder, as I do sometimes. And then sometimes I find a lot of comfort in the idea that I am a normal person, allowed to have some garlic butter. Or, obscenely, a slice of carrot cake, with icing, and the world does not swallow me whole.\n\nSince I left Argentina to go north and then even further north, I would throw in a line or two about my weight to my psychologist. Like a report, like a bone, before we moved on to my actual problems, which I had several of (not in the scope of this edible clusterfuck). We didn’t video-call, so it’s not like she saw my flesh and bones and had any grounds to be worried or suspicious. Pick a reason: I didn’t want to magnify it, it wasn’t a big deal, I didn’t want anyone to stop me.\n\nI really liked making myself skinny; it was something I could do as opposed to the aforementioned Actual Problems.\n\nUntil I didn’t and some months it felt excruciating because I had to eat and have a body every single day. I was tired. I am tired. To my bones, visible and near. When my psychologist saw me in person for the first time in years, that was that.\n\n*\n\nNot my mom, though. She didn’t congratulate me explicitly but you should hear the way she glows with pride when she says “this is my daughter” these days. She didn’t sound like that when I was fifteen and fat, I will tell you that. Seven years ago, the best way to get me to smile was an Oreo McFlurry.\n\n*\n\nSomeone explained to me what their keto cousin ate and I had a moment of recognition, except I knew what I had and it sounded like the cousin didn’t. If it isn’t a disguised disorder, what is it with keto? Moral superiority? Masochism?\n\nI used to tell people bread was my favourite food when I was younger. Any kind. I didn’t even put butter on it. Bread and circus, all I needed. I read a poem about bread being inevitable and I think about it like a prayer, as forgiveness, a caloric mantra.\n\n*\n\nDid you know that apparently my mother forbade my sisters from commenting on my weight? I think about that a lot. The sick sense of validation I predicted I’d get from her when my ribs started showing like the arches of the neighbourhood church. Being proven right. Then again, sometimes she frowns at the way a shirt hangs on me, or if I turn down ice cream.\n\nI’ve never understood the woman.\n\n*\n\nI’ve lived with someone who has a similar story. It’s hers to tell. She saw it in me.\n\nCooking for her was one of my favourite things to do. I spent an inflatable-mattress summer in San Francisco doing nothing but planning our meals, scouting recipes, going to the Safeway across the street daily. Bitching when she bitched that I got gluten free flour. Going to the treadmill most mornings.\n\nShe told me, you know, I never want to say anything about your weight (I knew where this was going), but you’re really very skinny. You could use a hamburger.\n\nI spouted some lie about endorphins.\n\nI did not feel really very skinny. I felt monstrous. Vile. I don’t think I saw my reflection that entire summer.\n\nShe said: it’s not on your body, it’s in your head. She tapped her temple twice.\n\nThat helped. But then she too will call me and tell me about gaining weight, mainly in her stomach but not her limbs, so that she feels like a spider. This is objectively funny. I just wish she could hold a mirror to the kind and wise things she tells me about the bullshit we share.\n\n*\n\nThe respect I have for people who don’t worry about any of this. For not applying these ridiculous standards to their body, for living outside of the mental chokehold. It rivals the respect I have for anyone thinner than I am. Our intimate acquaintance with the pain of restriction, like an invisible mutual friend in the room.\n\n*\n\nAt some point I looked at the kind strangers around me and I realized: These people are congratulating me on being thin.\n\nThen I realized further: It’s the discipline. My work ethic.\n\nLastly I realized that if my body is mine and not theirs, then I can look however I want. I can be ugly! I can have acne! I can have a bad haircut! I can even have meat and fat on my bones! And I’m trying to congratulate myself for knowing that, except, you know, everything you’ve read.\n\n*\n\nI haven’t read Delphine de Vigan so if she writes about any of this I’m sorry, it’s not on purpose.\n\n*\n\nLast week I wrote the worst essay of my life on Samuel Beckett and self consumption. Tomorrow I will watch the Timothée Chalamet cannibal movie. For years, one of my favourite stories to tell has been about the Chilean plane crash survivors, who report that human meat tastes like chicken.\n\nI am twenty-two and I am eating myself alive, like my loved ones before me.\n\n*\n\nThe anorexic ex-ballerina who now does pole, a bulimic former high school athlete, and I walk into a Korean barbecue joint. It’s the start of a joke and its punchline too.\n\n*\n\nAt the beach, I pulled out the saltines and offered them to said people. The bulimic said my diet was saltines and gum and I said that’s all you need to live. Are you okay, said the anorexic. A question I had gotten used to after shaving my head the week before. My hip bones were filed and I wore them like accessories. I laughed as a response.\n\n*\n\nI clock anyone skinnier than me. It’s an odd mix of fear and resentment and kinship. One April day I skimmed and scanned the entire populace at Disneyland with satisfaction, given I was the skinniest person at the rat amusement park. Until 5 PM, on the way out. A girl with toothpick legs. She was far younger than me and in a wheelchair. She looked like she was on her Make a Wish foundation trip or something. I don’t know what the fuck was wrong with me, being jealous of that unhealthiness. I wanted to apologize to her. I still do.\n\n*\n\nI remember which part of my tongue to send teriyaki sauce to, which glands thrive with ginger, the sector that blooms with the sweetness of peaches. One of these days I will have chocolate."],"score":0.01643844},{"id":"5196","cataloger_name":["Carlos A.,Pittella"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Headlight Anthology Collection"],"source_collection_label":["Headlight Anthology Collection"],"collection_contributing_unit":[""],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Benjamin Bush Anderson in Headlight 24, 2023"],"item_title_source":["Asset"],"item_title_note":["As published in Headlight Anthology."],"item_language":["English"],"item_production_context":["Studio recording"],"item_series_title":["Headlight 24"],"item_subseries_title":["Headlight 24 Pieces"],"item_identifiers":["[]"],"rights":["In Copyright Educational Use Permitted (InC-EDU)"],"rights_notes":["Copyright by Headlight Anthology and contributor. Online reproduction and archiving allowed. 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Anderson, as published in Headlight Anthology, no. 24.\",\"notes\":\"\",\"title\":\"THIS THAT\",\"credit\":\"Benjamin Bush Anderson\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2023-06-02\",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"Headlight website\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1192154219\",\"venue\":\"Concordia University, Department of English\",\"notes\":\"Headlight Anthology operates out of Concordia’s graduate English Literature & Creative Writing department.\",\"address\":\"1455 Boul. de Maisonneuve O., LB 641, Montréal, QC, H3G 1M8\",\"latitude\":\"45.4969331\",\"longitude\":\"-73.5783742\"}]"],"Address":["1455 Boul. de Maisonneuve O., LB 641, Montréal, QC, H3G 1M8"],"Venue":["Concordia University, Department of English"],"City":["Montreal, Quebec"],"contents":["Weeknight\n\nby Julie Triganne\n\nCircling the grocery store aisles.\nWe move like a slow moon settling.\n \nUnder retail lighting we tell ourselves\nto buy discount, or that it’s okay to indulge\n \nin premium peanut butter, pre-cut vegetables.\nCaramel pecan ice cream. \n \nThe week ordered by expiry dates.\nConsider what curdles.\n \nNerves run blue at day’s end. \nJudicial, the way you raise an eyebrow.\n \nMy intentions are good.\nIf I fail you, let’s call it poor planning.\n \nIn the checkout line we debate\namounts due, credit card balances.\n \nWhat we owe is incalculable, without origin.\nOur life, sutured with conditions.\n \nUnprepared to rid ourselves of the things\nthat affix to us, demand allegiance:\n \nour deliveries, our liabilities.\nOur Bluetooth tracker‐clad suitcases.\n \nIndulgence burrows in our jowls.\nI rack up debt and blame my childhood.\n \nHaving learned one can in fact purchase contentment.\nThat a nice shirt will sometimes suffice.\n \nOnce, I ate from your palm. Stood next to you,\nenamoured in a parking lot. Judged no one.\n \nThat’s what love is. Temperature swings, ice\nbreaking on the river. Thuds that imitate a whale call.\n\nYears falter. They’re not to be trusted\nLike weather, they sever expectations.\n \nBeg me open. I will be merciful.\nWhat bargains we have made to be here."],"Note":["[{\"note\":\"Carlos A. Pittella\",\"type\":\"Cataloguer\"}]"],"Related_works":["[{\"url\":\"https://headlightanthology.ca/archive/n24/this-that/\",\"citation\":\"Bush Anderson, Benjamin.  THIS THAT. Headlight Anthology, no. 24, 2023, pp. 50–53.\"}]"],"_version_":1853670549183528960,"timestamp":"2026-01-07T14:59:53.772Z","score":0.01643844},{"id":"5197","cataloger_name":["Carlos A.,Pittella"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Headlight Anthology Collection"],"source_collection_label":["Headlight Anthology Collection"],"collection_contributing_unit":[""],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Malaea Ergina in Headlight 24, 2023"],"item_title_source":["Asset"],"item_title_note":["As published in Headlight Anthology."],"item_language":["English"],"item_production_context":["Studio recording"],"item_series_title":["Headlight 24"],"item_subseries_title":["Headlight 24 Pieces"],"item_identifiers":["[]"],"rights":["In Copyright Educational Use Permitted (InC-EDU)"],"rights_notes":["Copyright by Headlight Anthology and contributor. Online reproduction and archiving allowed. Republications under different publishers must be authorized by the contributor."],"creator_names":["Ergina, Malaea"],"creator_names_search":["Ergina, Malaea"],"creators":["[{\"url\":\"\",\"name\":\"Ergina, Malaea\",\"dates\":\"\",\"notes\":\"Malaea Ergina is a writer from Tiohtià:ke/Montreal, where she is currently pursuing an MA in Creative Writing at Concordia University.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Elbanhawy, Sherine","Eastwood, Miranda","Pittella, Carlos A.","Andrews, Olive","Affonso, Alexandre","Ruby, Ariella"],"contributors_names_search":["Elbanhawy, Sherine","Eastwood, Miranda","Pittella, Carlos A.","Andrews, Olive","Affonso, Alexandre","Ruby, Ariella"],"contributors":["[{\"url\":\"\",\"name\":\"Elbanhawy, Sherine\",\"dates\":\"\",\"notes\":\"Co-managing editor of Headlight 24.\\n\\n\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Eastwood, Miranda\",\"dates\":\"\",\"notes\":\"Sound editor of 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Anthology, no. 24.\",\"notes\":\"\",\"title\":\"triptych\",\"credit\":\"Malaea Ergina\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2023-06-02\",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"Headlight website\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1192154219\",\"venue\":\"Concordia University, Department of English\",\"notes\":\"Headlight Anthology operates out of Concordia’s graduate English Literature & Creative Writing department.\",\"address\":\"1455 Boul. de Maisonneuve O., LB 641, Montréal, QC, H3G 1M8\",\"latitude\":\"45.4969331\",\"longitude\":\"-73.5783742\"}]"],"Address":["1455 Boul. de Maisonneuve O., LB 641, Montréal, QC, H3G 1M8"],"Venue":["Concordia University, Department of English"],"City":["Montreal, Quebec"],"contents":["triptych\n\nby Malaea Ergina\n\n1.\nthe hair that grows from the bathroom wall is\nwavy and dark, slick with condensation,\n\nunruly, when the body is lost,\nthe hair is still present, still growing,\n\nstill clinging wetly as I brush by it,\nuncoiling down the wall,\n\nknotted, grasping, infinitely growing,\ninfinitely hungry, uncontained\n\nanimal longing, uncontained\nanimal filth.\n\n2.\nlike leftover crepe paper streamers,\nthe moth webs trail down from the ceiling\n\nsticky, gray, multiplying,\ndust and more dust, shivering,\n\nwrithing as the moths burst out—\nin the bed, body webbed and sticky\n\nwith pain, there’s something else moving too,\na soft and ceaseless motion, the unwilling\n\nmovement of life in a dim room filled with\ninsect castings and unwashed laundry.\n\n3.\nthe flowers on the shelf are just dead things\nthat don’t know they’re dead yet meanwhile\n\nthe spider plant is dying in the corner\nand the things you acquired for nurturing\n\nare brown and dead meanwhile you pull\nyour body along behind you on a leash\n\nwhich is sometimes very long and sometimes very\nshort, your body so close you can feel\n\nits breath on your face, another\nthing to feed and water, another unbearable thing."],"Note":["[{\"note\":\"Carlos A. Pittella\",\"type\":\"Cataloguer\"}]"],"Related_works":["[{\"url\":\"https://headlightanthology.ca/archive/n24/triptych/\",\"citation\":\"Ergina, Malaea. triptych. Headlight Anthology, no. 24, 2023, pp. 56–57.\"}]"],"_version_":1853670549184577536,"timestamp":"2026-01-07T14:59:53.772Z","score":0.01643844},{"id":"5198","cataloger_name":["Carlos A.,Pittella"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Headlight Anthology Collection"],"source_collection_label":["Headlight Anthology Collection"],"collection_contributing_unit":[""],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Lauren Smith in Headlight 24, 2023"],"item_title_source":["Asset"],"item_title_note":["As published in Headlight Anthology. \n*Genre: nonfiction, CNF."],"item_language":["English"],"item_production_context":["Studio recording"],"item_series_title":["Headlight 24"],"item_subseries_title":["Headlight 24 Pieces"],"item_identifiers":["[]"],"rights":["In Copyright Educational Use Permitted (InC-EDU)"],"rights_notes":["Copyright by Headlight Anthology and contributor. Online reproduction and archiving allowed. Republications under different publishers must be authorized by the contributor."],"creator_names":["Smith, Lauren"],"creator_names_search":["Smith, Lauren"],"creators":["[{\"url\":\"\",\"name\":\"Smith, Lauren\",\"dates\":\"\",\"notes\":\"Lauren Smith is a Concordia student by day and an artist by night. She enjoys late nights printmaking in the darkroom and sitting on park benches typing her thoughts in her phone’s Notes app.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Elbanhawy, Sherine","Eastwood, Miranda","Pittella, Carlos A.","Andrews, Olive","Affonso, Alexandre","Ruby, Ariella"],"contributors_names_search":["Elbanhawy, Sherine","Eastwood, Miranda","Pittella, Carlos A.","Andrews, Olive","Affonso, Alexandre","Ruby, Ariella"],"contributors":["[{\"url\":\"\",\"name\":\"Elbanhawy, Sherine\",\"dates\":\"\",\"notes\":\"Co-managing editor of Headlight 24.\\n\\n\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Eastwood, Miranda\",\"dates\":\"\",\"notes\":\"Sound editor of Headlight 24.\",\"nation\":[],\"role\":[\"Producer\",\"Recordist\"]},{\"url\":\"https://viaf.org/viaf/97149659658506830525\",\"name\":\"Pittella, Carlos A.\",\"dates\":\"1983-\",\"notes\":\"Co-managing editor of Headlight 24.\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Andrews, Olive\",\"dates\":\"\",\"notes\":\"Poetry editor of Headlight 24.\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Affonso, Alexandre\",\"dates\":\"\",\"notes\":\"Nonfiction editor of Headlight 24.\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Ruby, Ariella\",\"dates\":\"\",\"notes\":\"Fiction editor of Headlight 24.\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]}]"],"Producer_name":["Elbanhawy, Sherine","Eastwood, Miranda","Pittella, Carlos A.","Andrews, Olive","Affonso, Alexandre","Ruby, Ariella"],"Recordist_name":["Eastwood, Miranda"],"Publication_Date":[2023],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"https://liveconcordia-my.sharepoint.com/:u:/g/personal/carlosa_pittella_concordia_ca/Ecx89VM23BFBmb1VsDtifzQBiBK7eF5niMdwHZRRxZdAgw\",\"file_path\":\"\",\"filename\":\"Headlight24-Smith.mp3\",\"channel_field\":\"\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"00:06:56\",\"precision\":\"\",\"size\":\"4.1 MB\",\"bitrate\":\"145-185 kbps\",\"encoding\":\"MP3\",\"contents\":\"This is file 1 of 1 containing an audio-recording of the piece \\\"Unspoken,\\\" by Lauren Smith, as published in Headlight Anthology, no. 24.\",\"notes\":\"MP3 also available at https://headlightanthology.ca/archive/n24/unspoken/, accessed on June 15, 2023.\",\"title\":\"Unspoken\",\"credit\":\"Lauren Smith\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"\"},{\"file_url\":\"https://liveconcordia-my.sharepoint.com/:u:/g/personal/carlosa_pittella_concordia_ca/EXlxWtIbDXNNnVNWGbPrOJIBDawzETv6ySJZwffPZzoFEw\",\"file_path\":\"\",\"filename\":\"Headlight24-Smith.wav\",\"channel_field\":\"\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"00:06:56\",\"precision\":\"\",\"size\":\"73.5 MB\",\"bitrate\":\"1411 kbps\",\"encoding\":\"WAV\",\"contents\":\"This is file 1 of 1 containing an audio-recording of the piece \\\"Unspoken,\\\" by Lauren Smith, as published in Headlight Anthology, no. 24.\",\"notes\":\"\",\"title\":\"Unspoken\",\"credit\":\"Lauren Smith\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2023-06-02\",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"Headlight website\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1192154219\",\"venue\":\"Concordia University, Department of English\",\"notes\":\"Headlight Anthology operates out of Concordia’s graduate English Literature & Creative Writing department.\",\"address\":\"1455 Boul. de Maisonneuve O., LB 641, Montréal, QC, H3G 1M8\",\"latitude\":\"45.4969331\",\"longitude\":\"-73.5783742\"}]"],"Address":["1455 Boul. de Maisonneuve O., LB 641, Montréal, QC, H3G 1M8"],"Venue":["Concordia University, Department of English"],"City":["Montreal, Quebec"],"Note":["[{\"note\":\"Carlos A. Pittella\",\"type\":\"Cataloguer\"},{\"note\":\"Genre should be updated to \\\"Reading: nonfiction\\\" or \\\"Reading: CNF\\\" when one of this options is available.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"https://headlightanthology.ca/archive/n24/unspoken/\",\"citation\":\"Smith, Lauren. Unspoken. Headlight Anthology, no. 24, 2023, pp. 58–62.\"}]"],"_version_":1853670549184577537,"timestamp":"2026-01-07T14:59:53.772Z","contents":["Unspoken\n\nby Lauren Smith\n\nIt was just before Christmas when the omicron variant spread, and the city of Montréal was once again inflamed with infection. I was sitting with my friend Alison and her flatmate Rosa on the tattered couches in the living room of their apartment, as we awaited the arrival of our friend Oskar, who lived on the floor below. He entered the door with a bag from which he pulled out three parcels wrapped in patterned paper and proceeded to hand one to each of us. In exchange, he received three smiles, perhaps the most rewarding being Rosa’s. As her fingers touched the paper, her mouth stretched so wide that Alison and I couldn’t help but giggle, joining in her pure delight.\n\n“This is my first time getting a Christmas present!” Rosa said with kilojoules of energy coursing through her veins; still, she handled the gift so delicately. She tilted it back and forth, examining it as if she wanted to remember every detail, from the creases where the paper was folded to the feel of the smooth plastic ribbon between her fingers. I could tell this would be one of those distinctive moments for her, vivid in her memory. It was certainly vivid in mine. Hidden within the festive paper of my gift was a sturdy, thread-bound journal in an olive green and a card with a few verses of poetry written in Italian.\n\nGrowing up I had an extensive collection of notebooks, each for a different purpose, my favourite being dedicated to the research and planning involved in catching Santa Claus on video. I was often gifted notebooks, such as the one I received from my childhood best friend with a note that said, “One day you will write like Hemingway” (the only famous author she’d heard of at the age of 10, but most certainly hadn’t read). Then there were the many others my dad would bring back from work, my dog’s sharp bark indicating his arrival. I’d enter the kitchen and be pleased to find a new notebook laying on the counter, each time with a different law firm’s contact information on the front. He would offer me a few candies as well, unfolding his palm to reveal Starbursts and with a grin asking, “Do you want a little burst of sunshine?” They were usually slightly warm from being kept in his pocket, but I always accepted them because the notebooks and candies were our way of communication.\n\nWith time, his offerings became increasingly rare. Weeks passed without a word shared until one quiet evening in May, I received a notebook again. Its vibrant red colour stood out against the contrasting bright blue of our laminate countertops. I was surprised to find a message on the front, handwritten in blue ink on a yellow sticky-note that read, “Lolo, for all of your deep thoughts.” Despite his efforts at communication, he wasn’t around that night for me to thank him. Just like he wasn’t around to pick me up from dance practice, or church, or watch me win the school board’s speech competition back when I wasn’t afraid to use my voice.\n\nHe could’ve been at Joe’s again, wasting the hours of daylight drinking in that dingy garage. Maybe he was at the pub. Maybe he was somewhere we wouldn’t have guessed but would later learn the address from a parking ticket mailed to our house. I never told him how I felt about his habits. It’d be a waste of breath. Not even my mom could get him to attend the 12-step program, and he persistently ran from doctors. We all wanted to help him. I’ll never understand why he didn’t want to help himself.\n\nA loud rip brought my attention to the pain in my chest. My throbbing heart tore like the gift wrap that was now scattered around the carpet in crumbled balls. With a deep breath I remembered my surroundings. A room full of cheap plastic lights in red, yellow, blue, and green, obnoxiously blinking at me as if to cheer me up. They didn’t. But it didn’t matter because the excitement had passed for us all. Rosa’s childlike bliss had faded, and we sat, without saying a word, as we listened to the sounds of distant cars passing through the crack of the opened window. It was as if a gust of melancholy had blown in. We couldn’t ignore the news reports. Another lockdown would be coming.\n\nOskar lit a cigarette and glanced across the room at Alison. She was staring at the paper balls amongst her feet, kicking them around. I picked at the frayed upholstery of the cushion beneath me, twirling the dark blue threads around my pointer finger. Rosa sat upright with rigid posture; her shoulders tensed as she looked at us with troubled eyes. She then shifted her gaze downwards and in a somber voice she murmured, “Did you hear about the suicide at the station today?”\n\nUnsettled by the break in silence, Oskar took a long drag of his cigarette. I watched Rosa sink back into the couch as she explained what she had witnessed. The metro abruptly stopping, the rush of people evacuating the train car, and her impulse to glance back at the tracks, which she regrets. She saw the body. Further description was withheld, but that didn’t do much. I could already see the deformed face, so mutilated it appeared nonhuman. Most haunting were the limp legs and droopy arms possessing a kind of motionlessness that should’ve been unsettling yet seemed almost peaceful.\n\nThe images in my mind slowly melded with my reality as I looked down at the journal in my lap and thought back to the little red book I had unexpectedly received from my dad. That was the last of all the notebooks he would give me, its final page torn out and used to write a letter. A collection of unspoken words enclosed within the thin lined paper, folded three times to fit in the palm of a hand. I can still see it sitting on the table beside the hospital bed where he laid, his yellow and sagging skin rendering him unrecognizable. I was told a nurse read it to him, but I’m not sure if he could still hear at that point.\n\nI thought he would survive long enough to answer my final questions, or at least the question I pondered most as Rosa finished her story. Is that what he always wanted? My grandma believes he gave his answer when he tried to pull the oxygen mask off his face. But what authority do we have to speak for him?\n\nMy arms shivered under my knit cardigan, but, before I could ask, Alison stood up to shut the window. Trembling, I brought my knees to my chest, hugging the notebook still in my lap. Rosa moved from across the room to sit beside me. Oskar ashed his cigarette into an empty bottle from the previous night’s party. Alison connected her phone to a speaker. The Christmas lights stopped flickering, my heart settled and the remaining smoke in the room froze in time as Françoise Hardy’s voice lulled the night. The sun rose late the next morning."],"score":0.01643844},{"id":"5199","cataloger_name":["Carlos A.,Pittella"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Headlight Anthology Collection"],"source_collection_label":["Headlight Anthology Collection"],"collection_contributing_unit":[""],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Tina Wayland in Headlight 24, 2023"],"item_title_source":["Asset"],"item_title_note":["As published in Headlight Anthology. \n*Genre: nonfiction, CNF."],"item_language":["English"],"item_production_context":["Studio recording"],"item_series_title":["Headlight 24"],"item_subseries_title":["Headlight 24 Pieces"],"item_identifiers":["[]"],"rights":["In Copyright Educational Use Permitted (InC-EDU)"],"rights_notes":["Copyright by Headlight Anthology and contributor. Online reproduction and archiving allowed. Republications under different publishers must be authorized by the contributor."],"creator_names":["Wayland, Tina"],"creator_names_search":["Wayland, Tina"],"creators":["[{\"url\":\"\",\"name\":\"Wayland, Tina\",\"dates\":\"\",\"notes\":\"Tina Wayland is completing her Creative Writing MA at Concordia University, where she won the department’s 2021 McKeen Award for “Where the Light Gets In.” She’s been published in such places as carte blanche and Open Door Magazine. Tina’s story “The Tending of Small Gardens” made the 2021 CBC Non-Fiction Prize longlist and “Foxholes” was shortlisted in Room Magazine’s 2022 Short Forms Contest.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Elbanhawy, Sherine","Eastwood, Miranda","Pittella, Carlos A.","Andrews, Olive","Affonso, Alexandre","Ruby, Ariella"],"contributors_names_search":["Elbanhawy, Sherine","Eastwood, Miranda","Pittella, Carlos A.","Andrews, Olive","Affonso, Alexandre","Ruby, Ariella"],"contributors":["[{\"url\":\"\",\"name\":\"Elbanhawy, Sherine\",\"dates\":\"\",\"notes\":\"Co-managing editor of Headlight 24.\\n\\n\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Eastwood, Miranda\",\"dates\":\"\",\"notes\":\"Sound editor of Headlight 24.\",\"nation\":[],\"role\":[\"Producer\",\"Recordist\"]},{\"url\":\"https://viaf.org/viaf/97149659658506830525\",\"name\":\"Pittella, Carlos A.\",\"dates\":\"1983-\",\"notes\":\"Co-managing editor of Headlight 24.\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Andrews, Olive\",\"dates\":\"\",\"notes\":\"Poetry editor of Headlight 24.\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Affonso, Alexandre\",\"dates\":\"\",\"notes\":\"Nonfiction editor of Headlight 24.\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Ruby, Ariella\",\"dates\":\"\",\"notes\":\"Fiction editor of Headlight 24.\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]}]"],"Producer_name":["Elbanhawy, Sherine","Eastwood, Miranda","Pittella, Carlos A.","Andrews, Olive","Affonso, Alexandre","Ruby, Ariella"],"Recordist_name":["Eastwood, Miranda"],"Publication_Date":[2023],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"https://liveconcordia-my.sharepoint.com/:u:/g/personal/carlosa_pittella_concordia_ca/EZvY8IQrR8FJu999FNqk5NsBYck5NNjRu5uqajBXMqtSSA\",\"file_path\":\"\",\"filename\":\"Headlight24-Wayland.wav\",\"channel_field\":\"\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"00:09:56\",\"precision\":\"\",\"size\":\"157.8 MB\",\"bitrate\":\"1411 kbps\",\"encoding\":\"WAV\",\"contents\":\"This is file 1 of 1 containing an audio-recording of the piece \\\"The Tending of Small Gardens,\\\" by Tina Wayland, as published in Headlight Anthology, no. 24.\",\"notes\":\"\",\"title\":\"The Tending of Small Gardens\",\"credit\":\"Tina Wayland\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://liveconcordia-my.sharepoint.com/:u:/g/personal/carlosa_pittella_concordia_ca/EcJp2bh8fddKmD7A3BO4nSMByRwvNwSNwT-IkJ0aJc1MoQ\",\"file_path\":\"\",\"filename\":\"Headlight24-Wayland.mp3\",\"channel_field\":\"\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"00:09:56\",\"precision\":\"\",\"size\":\"6.7 MB\",\"bitrate\":\"145-185 kbps\",\"encoding\":\"MP3\",\"contents\":\"This is file 1 of 1 containing an audio-recording of the piece \\\"The Tending of Small Gardens,\\\" by Tina Wayland, as published in Headlight Anthology, no. 24.\",\"notes\":\"MP3 also available at https://headlightanthology.ca/archive/n24/the-tending-of-small-gardens/, accessed on June 15, 2023.\",\"title\":\"The Tending of Small Gardens\",\"credit\":\"Tina Wayland\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2023-06-02\",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"Headlight website\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1192154219\",\"venue\":\"Concordia University, Department of English\",\"notes\":\"Headlight Anthology operates out of Concordia’s graduate English Literature & Creative Writing department.\",\"address\":\"1455 Boul. de Maisonneuve O., LB 641, Montréal, QC, H3G 1M8\",\"latitude\":\"45.4969331\",\"longitude\":\"-73.5783742\"}]"],"Address":["1455 Boul. de Maisonneuve O., LB 641, Montréal, QC, H3G 1M8"],"Venue":["Concordia University, Department of English"],"City":["Montreal, Quebec"],"Note":["[{\"note\":\"Carlos A. Pittella\",\"type\":\"Cataloguer\"},{\"note\":\"Genre should be updated to \\\"Reading: nonfiction\\\" or \\\"Reading: CNF\\\" when one of this options is available.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"https://headlightanthology.ca/archive/n24/the-tending-of-small-gardens/\",\"citation\":\"Wayland, Tina. The Tending of Small Gardens. Headlight Anthology, no. 24, 2023, pp. 84–91.\"}]"],"_version_":1853670549185626112,"timestamp":"2026-01-07T14:59:53.772Z","contents":["The Tending of Small Gardens\n\nby Tina Wayland\n\nIn late winter we walked through a neighbourhood in lockdown, my daughter and me, her 10-year-old hand in mine. In those early days a tendril of fear ran through everything, grew wild and sudden and unexpected like weeds in the thinnest, most impossible of cracks. We walked, scarves pulled up like masks, avoiding people, pacing up and down the same streets, over and over. Caught in a loop.\n\nThis tree, that park, those stairs.\n\nIt was sometime in mid-March, snow still on the ground, when we found our way behind the rows of the neighbourhood’s three-storey homes, those red- and yellow-brick houses with their winding, black-iron staircases. The Montreal of postcards. We stepped from the quiet of the street into somewhere else entirely—an alley, hidden, running the length of the block, covered in fresh snow.\n\nSafe.\n\nAnd filled with signs of life.\n\nMy daughter stepped forward and broke the crust with her boot, then reached for me to follow. We ducked, avoiding the grey branches of leafless trees hanging low into the alley, heavy, scattering snow as we passed. There were wood planks to peek through, wire fences, the backs of old storage sheds built flush against the alley, dirty windows revealing summer storage. I pointed out snow-covered deck chairs and mounds of wintering gardens and Christmas lights left up, months later, casting colour and light into the gloom.\n\nAs we slipped past houses the occupants would look up from tables and sinks full of dishes, watch us walk past as they stood in doorways smoking cigarettes, sipping coffee, housecoats billowing in the winter air. It was like walking in on some secret, shared between alley neighbours, no one saying a thing.\n\nOnce, my daughter handed me her gloves and we walked with palms stuck together in the late-March thaw. At her insistence we began to explore more of these places, finding our way in between row houses, learning how to access the back of every block. She began to venture out ahead, showing me alley treasures that had started to peek out from the snow: an empty insect house awaiting its spring tenants, a blue plastic rain barrel, a painted sign pointing the way to Paris and London and Miami.\n\nSome days we’d walk further to find new alleys, leaving the confines of our own streets for the uncertainty and distraction of something—anything—different. Other days we retraced our steps closer to home. It became our ritual, a way to break up identical days, to keep the fear away, to hold my daughter close. We didn’t need to restrict ourselves to sidewalks or step out of a stranger’s path. Instead, there was freedom of space, of movement, a way to pass by someone on either side of the alley, with plenty of room between. There were no cars to watch for, no delivery trucks to maneuver around. It was a path meant only for people, and it was mostly just the two of us.\n\nDays and weeks passed and yards began to emerge from hibernation, soil soaked in winter runoff, water puddling between the rows. When the sun was out the neighbours opened their windows a crack, filling the air with music and conversation and a trail of arguments, bits of life escaping from confinement. My daughter put her finger to her lips, listening, as some song I’d never heard escaped from an upstairs window. She walked down the path ahead of me, singing all the words.\n\nOn our walks we discovered a ruelle verte, marked with a rusty blue-and-green sign—a communal space tended by neighbours, filled with box planters and benches and walls of vines that had just begun to bud. Even in the pre-spring mud with the branches still so bare we could see these were different; we knew—in just weeks—they were going to be special. I felt a wave of anticipation and sadness for all that was about to change.\n\nAlmost overnight the weather warmed, rousing magnolia flowers that filled the bare trees with thick petals of pink and white before they fell and covered the ground like a carpet, making way for their leaves. Next came the tips of tulips growing long and green until they finally opened to reveal their colours. It became a game to guess which ones would emerge red or white or yellow, finding our way back down the alley to see who was right. Sometimes we’d be surprised with an orange tulip, or one with pointed petals, or a row of tulips so purple they were almost black, set against a wall of old bricks. Everything blooming, everything crumbling.\n\nSoon we switched our boots for shoes and balanced our way across puddles and along fences, my daughter’s spring coat suddenly too short, shoes too tight. I reached out to catch myself and she grabbed my arm with a hand that was so much bigger than I remembered. How had I missed this—this hand I’d held every day, this child whose head was now as high as my shoulders, legs sprouting out from pants two sizes too small?\n\nI placed a palm on the top of her head—hatless, hot from the spring sun—to get a feel for her height. To pause, to stop this moment. But she reached her hand up, pushed her fingers through the cracks of mine. Incapable of standing still.\n\nBack doors began to open, spilling new sounds into the alleyways—music, voices, the clanging of dishes and rattling of patio furniture pulled outdoors. The air filled with the smells of spring cleaning, lemon and pine and bleach. Now neighbours leaned against railings, lazily dangling cigarettes in the late afternoon sun, ashes falling and drifting in the warm spring wind.\n\nWe knew each back path by heart now, my daughter and me. Knew every inch of every alley. Yet everything around us was changing. The trees began to grow their leaves, in moments when we weren’t looking, turning bare branches into thick canopies that hung over our heads. The grey tentacles of wild vines that crisscrossed fences and walls were now a canvas of green with the brightest bursts of flowers, here pink, there white with flecks of blue. Dirt plots were turned and fertilized with fistfuls of compost and manure and crushed bone, a scent that clung to our noses and turned our stomachs.\n\nIn what felt like only days the gardens began to grow, and we peeked through metal fences and between slats for a glimpse at the life pushing up from the soil. These were not the ample lawns of the suburbs, with gardens neatly planted in one corner of pruned grass. These were yards in one of the city’s oldest neighbourhoods, built on land that was uneven and shifting, pierced with the roots of century-old trees that lifted and cracked everything in their path. Here gardens grew where they could—in plots pushed up against the fence where the light got in, in bright plastic buckets, old crates, clawfoot tubs that once washed families of eight or nine or ten children in a row.\n\nWe wondered how many had planted their gardens here before, generation after generation, each layer growing and maturing and dying to feed the ones that came next. Wondered who had been here before there were even gardens to tend. My daughter said these had probably been around since I was born, and I answered they’d been here much longer, our perceptions separated by an undergrowth of time.\n\nAs the days grew warm and long there was new life everywhere we looked. Box gardens were filled with neat rows of romaine and arugula. Pots on stoops and back stairs held tomato plants that threatened to drop ripe fruit against the trestles that held them in place. Squirrels gathered raspberries that climbed up thorny vines, tucking them into their cheeks, oblivious to the shiny metal plates planted on sticks to chase them away.\n\nAnd everywhere, everywhere the ivy grew and curled around everything, its green-and-white leaves fitting into even the smallest of spaces, clinging to fences knee-high, then eye level, finally reaching the top and breaking free to the other side. Once, I twisted a stray strand around my fist, tugged, trying to pull it, wield it to my will, then tucking it back into the yard it had come from. But the next day it had escaped, untameable, into the alley.\n\nThen spring became summer, and we walked the alleys in our bare legs, scraping against spiky milkweed pods and lily leaves, kicking pinecones with our feet. Sometimes my daughter would stop to lean on me and empty the rocks from her shoes, balancing on one foot as I reached out to steady her. Her fingers on my shoulder were so much bigger now, long and lean, nails no longer caked in the dirt that once seemed to never wash off, now tended to in her own private moments.\n\nNow back yards sprouted elderly men in wide-brimmed hats, lazy grey-bearded dogs, children in paddle pools. Neighbours typed on laptops in the sunshine, talked over fences. Everywhere we looked there was life, growing between cracks and around buildings, reaching up into trees and around telephone poles that had been planted here decades ago. We kicked up clouds as we walked, remnants of dirt and old brick dust that settled over everything, pieces of the past unearthed until the rain washed it all away again.\n\nOne day a familiar path we’d walked many times before had changed, overnight. A layer of green grass now covered the alley, fresh cut and even, the scent of it heavy, almost overwhelming in the air. Someone had laid stones down the middle, and we stepped from one to the next, each spaced perfectly for even the smallest of feet. There were old crates filled with newly planted flowers, herbs, and cucumbers, their yellow blossoms a promise of new growth to come. Plastic chairs in every colour had been set at each side, with tree stumps for tables covered in coffee cup rings and chipped saucers filled with ash. This was a country scene in the heart of the city, our alley oasis, grown out of the snow and the mud of the seasons into this landscape that reshaped the concrete foundations, taking up room, finding a life of its own. In our months of walking together, of escaping the confinement and weeding out the fear, exploring the spaces behind the scenes, these alleys had grown on us. Around us.\n\nI reached for my daughter’s hand, but she’d already moved away."],"score":0.01643844},{"id":"5200","cataloger_name":["Carlos A.,Pittella"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Headlight Anthology Collection"],"source_collection_label":["Headlight Anthology Collection"],"collection_contributing_unit":[""],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Sophia Cirignano in Headlight 24, 2023"],"item_title_source":["Asset"],"item_title_note":["As published in Headlight Anthology."],"item_language":["English"],"item_production_context":["Studio recording"],"item_series_title":["Headlight 24"],"item_subseries_title":["Headlight 24 Pieces"],"item_identifiers":["[]"],"rights":["In Copyright Educational Use Permitted (InC-EDU)"],"rights_notes":["Copyright by Headlight Anthology and contributor. Online reproduction and archiving allowed. Republications under different publishers must be authorized by the contributor."],"creator_names":["Cirignano, Sophia"],"creator_names_search":["Cirignano, Sophia"],"creators":["[{\"url\":\"\",\"name\":\"Cirignano, Sophia\",\"dates\":\"\",\"notes\":\"Sophia Cirignano is a recent Religious Studies graduate (MA) from Concordia University, with a focus on queer studies, writing, and teaching. Her poems have appeared in Ovunque Siamo, Apeiron Review, Gasher Journal, and elsewhere.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Elbanhawy, Sherine","Eastwood, Miranda","Pittella, Carlos A.","Andrews, Olive","Affonso, Alexandre","Ruby, Ariella"],"contributors_names_search":["Elbanhawy, Sherine","Eastwood, Miranda","Pittella, Carlos A.","Andrews, Olive","Affonso, Alexandre","Ruby, Ariella"],"contributors":["[{\"url\":\"\",\"name\":\"Elbanhawy, Sherine\",\"dates\":\"\",\"notes\":\"Co-managing editor of Headlight 24.\\n\\n\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Eastwood, Miranda\",\"dates\":\"\",\"notes\":\"Sound editor of Headlight 24.\",\"nation\":[],\"role\":[\"Producer\",\"Recordist\"]},{\"url\":\"https://viaf.org/viaf/97149659658506830525\",\"name\":\"Pittella, Carlos A.\",\"dates\":\"1983-\",\"notes\":\"Co-managing editor of Headlight 24.\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Andrews, Olive\",\"dates\":\"\",\"notes\":\"Poetry editor of Headlight 24.\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Affonso, Alexandre\",\"dates\":\"\",\"notes\":\"Nonfiction editor of Headlight 24.\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Ruby, Ariella\",\"dates\":\"\",\"notes\":\"Fiction editor of Headlight 24.\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]}]"],"Producer_name":["Elbanhawy, Sherine","Eastwood, Miranda","Pittella, Carlos A.","Andrews, Olive","Affonso, Alexandre","Ruby, Ariella"],"Recordist_name":["Eastwood, Miranda"],"Publication_Date":[2023],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"https://liveconcordia-my.sharepoint.com/:u:/g/personal/carlosa_pittella_concordia_ca/ET5tCJHk6fNBtHQNRpRxGhsBbeQudR5rq0oMI1mONcow_w\",\"file_path\":\"\",\"filename\":\"Headlight24-Cirignano.mp3\",\"channel_field\":\"\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"00:01:03\",\"precision\":\"\",\"size\":\"0.55 MB\",\"bitrate\":\"145-185 kbps\",\"encoding\":\"MP3\",\"contents\":\"This is file 1 of 1 containing an audio-recording of the piece \\\"Giverny,\\\" by Sophia Cirignano, as published in Headlight Anthology, no. 24.\",\"notes\":\"MP3 also available at https://headlightanthology.ca/archive/n24/giverny/, accessed on June 16, 2023.\",\"title\":\"Giverny\",\"credit\":\"Sophia Cirignano\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"\"},{\"file_url\":\"https://liveconcordia-my.sharepoint.com/:u:/g/personal/carlosa_pittella_concordia_ca/EZfbWpVhn51IgMo43XK1qewBCrWdY_MBS1hm-MLMlwy91w\",\"file_path\":\"\",\"filename\":\"Headlight24-Cirignano.wav\",\"channel_field\":\"\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"00:01:03\",\"precision\":\"\",\"size\":\"11.2 MB\",\"bitrate\":\"1411 kbps\",\"encoding\":\"WAV\",\"contents\":\"This is file 1 of 1 containing an audio-recording of the piece \\\"Giverny,\\\" by Sophia Cirignano, as published in Headlight Anthology, no. 24.\",\"notes\":\"\",\"title\":\"Giverny\",\"credit\":\"Sophia Cirignano\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2023-06-02\",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"Headlight website\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1192154219\",\"venue\":\"Concordia University, Department of English\",\"notes\":\"Headlight Anthology operates out of Concordia’s graduate English Literature & Creative Writing department.\",\"address\":\"1455 Boul. de Maisonneuve O., LB 641, Montréal, QC, H3G 1M8\",\"latitude\":\"45.4969331\",\"longitude\":\"-73.5783742\"}]"],"Address":["1455 Boul. de Maisonneuve O., LB 641, Montréal, QC, H3G 1M8"],"Venue":["Concordia University, Department of English"],"City":["Montreal, Quebec"],"contents":["Giverny\n\nby Sophia Cirignano\n\nAfter the hour walk in the sun \n              down the trembling \npath that appears around each \n              bend like a vision test \nthrough the pale lemon dining \n              room and bronze pans \nlined against the azure wall the \n              goops of imitation oils\nand the patterned garden with \n              its crowds of milky-haired \nwomen and their iphones poised \n              the perfect distance from \nreading glasses and past misted \n              armpits and hands gripping \ncherry coke, after all that and the \n              countless petal formations \nwe give new names to—jaundice \n              blush, luminous duster—\nwe take the time to look up in a \n              dark wide-irised moment \nto the rustle of a large oak whose \n              dull dull color and odorless \nlinen skin act as a digestive a \n              damp towel a cure to\nthe affliction of flowers."],"Note":["[{\"note\":\"Carlos A. Pittella\",\"type\":\"Cataloguer\"}]"],"Related_works":["[{\"url\":\"https://headlightanthology.ca/archive/n24/giverny/\",\"citation\":\"Cirignano, Sophia. Giverny. Headlight Anthology, no. 24, 2023, pp. 83.\"}]"],"_version_":1853670549186674688,"timestamp":"2026-01-07T14:59:53.772Z","score":0.01643844},{"id":"5201","cataloger_name":["Carlos A.,Pittella"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Headlight Anthology Collection"],"source_collection_label":["Headlight Anthology Collection"],"collection_contributing_unit":[""],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Nadia Trudel in Headlight 24, 2023"],"item_title_source":["Asset"],"item_title_note":["As published in Headlight Anthology."],"item_language":["English"],"item_production_context":["Studio recording"],"item_series_title":["Headlight 24"],"item_subseries_title":["Headlight 24 Pieces"],"item_identifiers":["[]"],"rights":["In Copyright Educational Use Permitted (InC-EDU)"],"rights_notes":["Copyright by Headlight Anthology and contributor. Online reproduction and archiving allowed. Republications under different publishers must be authorized by the contributor."],"creator_names":["Trudel, Nadia"],"creator_names_search":["Trudel, Nadia"],"creators":["[{\"url\":\"\",\"name\":\"Trudel, Nadia\",\"dates\":\"\",\"notes\":\"Nadia Trudel is a Tiohtià:ke/Montreal based writer, culture journalist, audio storyteller, one-time playwright, and general attention seeker.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Elbanhawy, Sherine","Eastwood, Miranda","Pittella, Carlos A.","Andrews, Olive","Affonso, Alexandre","Ruby, Ariella"],"contributors_names_search":["Elbanhawy, Sherine","Eastwood, Miranda","Pittella, Carlos A.","Andrews, Olive","Affonso, Alexandre","Ruby, Ariella"],"contributors":["[{\"url\":\"\",\"name\":\"Elbanhawy, Sherine\",\"dates\":\"\",\"notes\":\"Co-managing editor of Headlight 24.\\n\\n\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Eastwood, Miranda\",\"dates\":\"\",\"notes\":\"Sound editor of Headlight 24.\",\"nation\":[],\"role\":[\"Producer\",\"Recordist\"]},{\"url\":\"https://viaf.org/viaf/97149659658506830525\",\"name\":\"Pittella, Carlos A.\",\"dates\":\"1983-\",\"notes\":\"Co-managing editor of Headlight 24.\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Andrews, Olive\",\"dates\":\"\",\"notes\":\"Poetry editor of Headlight 24.\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Affonso, Alexandre\",\"dates\":\"\",\"notes\":\"Nonfiction editor of Headlight 24.\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Ruby, Ariella\",\"dates\":\"\",\"notes\":\"Fiction editor of Headlight 24.\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]}]"],"Producer_name":["Elbanhawy, Sherine","Eastwood, Miranda","Pittella, Carlos A.","Andrews, Olive","Affonso, Alexandre","Ruby, Ariella"],"Recordist_name":["Eastwood, Miranda"],"Publication_Date":[2023],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"https://liveconcordia-my.sharepoint.com/:u:/g/personal/carlosa_pittella_concordia_ca/EfX2tlMWKbRKnd5FCMC3RAgBcjWVFoyQJz6ivm7xu60ufA\",\"file_path\":\"\",\"filename\":\"Headlight24-Trudel.mp3\",\"channel_field\":\"\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"00:18:28\",\"precision\":\"\",\"size\":\"10.4 MB\",\"bitrate\":\"145-185 kbps\",\"encoding\":\"MP3\",\"contents\":\"This is file 1 of 1 containing an audio-recording of the piece \\\"Goblin,\\\" by Nadia Trudel, as published in Headlight Anthology, no. 24.\",\"notes\":\"MP3 also available at https://headlightanthology.ca/archive/n24/goblin/, accessed on June 16, 2023.\",\"title\":\"Goblin\",\"credit\":\"Nadia Trudel\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"\"},{\"file_url\":\"https://liveconcordia-my.sharepoint.com/:u:/g/personal/carlosa_pittella_concordia_ca/EfeiKMcE419JhF46SNcQI_0Bxa2IjaIh0DH2mJt_amr7Uw\",\"file_path\":\"\",\"filename\":\"Headlight24-Trudel.wav\",\"channel_field\":\"\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"00:18:28\",\"precision\":\"\",\"size\":\"293.2 MB\",\"bitrate\":\"1411 kbps\",\"encoding\":\"WAV\",\"contents\":\"This is file 1 of 1 containing an audio-recording of the piece \\\"Goblin,\\\" by Nadia Trudel, as published in Headlight Anthology, no. 24.\",\"notes\":\"\",\"title\":\"Goblin\",\"credit\":\"Nadia Trudel\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2023-06-02\",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"Headlight website\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1192154219\",\"venue\":\"Concordia University, Department of English\",\"notes\":\"Headlight Anthology operates out of Concordia’s graduate English Literature & Creative Writing department.\",\"address\":\"1455 Boul. de Maisonneuve O., LB 641, Montréal, QC, H3G 1M8\",\"latitude\":\"45.4969331\",\"longitude\":\"-73.5783742\"}]"],"Address":["1455 Boul. de Maisonneuve O., LB 641, Montréal, QC, H3G 1M8"],"Venue":["Concordia University, Department of English"],"City":["Montreal, Quebec"],"Note":["[{\"note\":\"Carlos A. Pittella\",\"type\":\"Cataloguer\"}]"],"Related_works":["[{\"url\":\"https://headlightanthology.ca/archive/n24/goblin/\",\"citation\":\"Trudel, Nadia. Goblin. Headlight Anthology, no. 24, 2023, pp. 65–82.\"}]"],"_version_":1853670549187723264,"timestamp":"2026-01-07T14:59:53.772Z","contents":["Goblin\n\nby Nadia Trudel\n\nWendy Kaufman is dead.\nIt feels so good to get that off my chest. I could just… shout it from the rooftop.\nBut I won’t.\nBecause then the people parked outside Wendy Kaufman’s house would hear.\nWendy Kaufman is dead, and it’s a secret. Only two people in the world know.\nI shouldn’t write this down. What if Beth decides to get nosey or a stalker breaks in?\n\nThe reason it’s still a secret is that we haven’t talked about it since we decided. And by we, I mean Ivy. But maybe I’m avoiding responsibility. My therapist said so.\n\nMy therapist doesn’t know Wendy Kaufman is dead. Because I am Wendy Kaufman. So I talk about a friend I lost named Maria. That’s Wendy’s real name.\n\nI tell Dr. Grant that I miss Maria. That I feel guilty. That I feel angry.\n\nI’ve never told Dr. Grant that I am also glad. Relieved. That Maria—Wendy Kaufman—is dead.\n\nDr. Grant suggested that I write a letter to Maria. Maybe I will. What could I say? Sorry you died and I agreed to be you so people could keep profiting off Wendy Kaufman? But I’m deflecting blame again; I profited the most.\n\n*\n\nI used to be able to go months without thinking about how Wendy Kaufman is dead. I grieved, but Wendy Kaufman has a busy lifestyle. Exciting. So it was easy to get caught up in things, forget that I wasn’t really Wendy Kaufman and that she had died. Things have slowed down though and I’m getting older.\n\nNowadays she’s all I can think about. She’s in my dreams. We look identical but I can just sense it’s her.\n\nI guess we won’t be identical someday. I keep getting older and she’s forever nineteen. Lucky bitch.\n\n*\n\nI thought about it more and I guess we’re already no longer identical. She must be like a skeleton by now, right?\n\n*\n\nI keep having nightmares of falling. Like Wendy. I think she fell 12 feet.\nI didn’t see her body, but I imagine it.\n\nI see our body on the floor, all twisted up as if we’ve been possessed by a demon, pooling blood creating a red halo around our delicate skull. She’s either completely alone or surrounded by flashing cameras. Subtle, right?\n\nDid she know she was dying?\nDid she think of me?\n\nThe big question is: what would she think of me being Wendy Kaufman? Of course, we’d like to think she’d be happy that I am maintaining and furthering her legacy or whatever, and that I finished her album.\n\nAnd then continued to make albums…\n\nBut I’m also Maria. Her parents don’t know Wendy Kaufman is dead, so they don’t know Maria is dead.\n\nI resent them for not being able to tell the difference between their daughter and a stranger.\n\nI guess it’s okay; we have that in common.\n\n*\n\nDr. Grant asked me today what would give me closure. And it was sort of funny because there’s nothing more closed or final than death. But maybe if I could visit a grave… leave flowers or something that would be nice. I’m not sure what happened to her body after she died; I didn’t think to ask then.\n\nIf she had a burial, did they put her real name on her gravestone? Probably not, her real name is on the internet.\n\nSo an alias then.\nAnother one.\nYou could lose track if you weren’t paying attention.\n\nOkay, so no grave visit like in the movies. There was the letter, like Dr. Grant suggested but… I don’t know, it feels silly.\n\n*\n\nI’m 27. How am I supposed to compare to a dead nineteen-year-old?\n\n*\n\nI’m listening to Wendy Kaufman’s albums. Her voice has changed.\nBecause women’s voices get a bit deeper when they get older.\nAnd Wendy Kaufman has smoked cigarettes since she was fourteen.\nAnd Wendy Kaufman is dead, and I am Wendy Kaufman now.\nI wonder which one of us is a better singer.\nWe’ve each won a Grammy.\nHers was for New Artist. Mine was for Best Impression.\nIt’s okay if Wendy Kaufman is a better singer than I am.\nDeep down I’m really an actress.\n\n*\n\nWhen you think about it, who’s really Wendy Kaufman? She was Wendy Kaufman for three years. I’ve been Wendy Kaufman for eight and I might be for eighty. Does time dictate ownership?\n\nWendy Kaufman is an African artifact, and I am the British Museum. I stole it and because it’s been so long, I refuse to give it back. Without the stolen artifacts, the British Museum has nothing.\n\n*\n\nI sort of lied earlier. Wendy Kaufman and I are not totally identical. Almost.\n\nPeople don’t know Wendy Kaufman is dead, but they do know Wendy Kaufman got in a big accident eight years ago. She was in the hospital for two months.\n\nThe accident explains for any slight changes. Besides, everyone knows fame changes you.\n\n*\n\nShe has a few tattoos. Paradise on her wrist, her parents’ birthdays on her ankles, her dead dog Mickey on her arm. But the one I hate the most is the cross on her back. I’m not a Christian.\n\nSince her death, Wendy Kaufman has gotten an angel tattooed on her arm.\n\nAfter the Black Dahlia era, Wendy Kaufman also got a tattoo of her alter ego’s floral namesake.\n\nWendy Kaufman and I went to the movies once. I think it was the only semi-normal hangout we ever had. They were playing a gory, experimental indie drama about the real Black Dahlia. The one who was murdered, you know?\n\nWe took a walk after and I just listened to Wendy talk about the Black Dahlia.\n\n“Isn’t it kinda awful that we never call her by her real name?” she asked. “The journalists just made that name up; she never gave permission.”\n\nShe thought about it more, “It is a pretty name though. Romantic. Glamorous.”\n“Wendy, she was murde—”\n“Cut in half. I mean it’s sick, totally, but, it’s also weirdly poetic, don’t you think?”\n“Uh…”\n“I don’t know… two names, two halves… kinda like us,” she smiled.\n\nThen a fan walked over and asked me, Wendy Kaufman, for a photo. Her, Wendy Kaufman, took the picture.\n\nI don’t know much but I’m pretty sure Wendy would have liked that I thought to use that name for the one album. A break from being Wendy Kaufman. She’d like the tattoo too.\n\n*\n\nToday I got an M tattooed on my hand.\nMaria.\nAnd Melissa.\nI’m Melissa.\nI was Melissa.\nMaria and Melissa.\nFunny coincidence.\nBoth dead.\nNo one remembers either.\nAt least I remember Maria.\nI forget about Melissa.\nPoor Melissa.\n\n*\n\nWhy should I feel guilty?\nIt’s not like I pushed her.\nShe died all on her own.\nThomas Paine said, “It is the living, and not the dead, that are to be accommodated.”\n\n*\n\nI had a panic attack today. Like Wendy Kaufman.\nThey were outside the dance studio waiting, then they followed me home.\n\nThey used to follow Wendy Kaufman more, but then she stopped going out. Whenever she’s not working, she’s at home. I started getting anxious being in big crowds, so no parties or clubs. Wendy Kaufman is still okay with concerts because she is above them all in her own little world and they just watch. The edge of the stage is lined with yellow tape.\n\nI only saw Wendy Kaufman have a panic attack once. She was in a limo. She was meant to go on a carpet, but it happened before she got there. I got a call and I had to clock in. We changed clothes in the limo with a small team in our company.\n\nI felt bad for her. She had no dignity, but they managed to take even more. She was naked and still crying when Wendy Kaufman got out of the limo fully dressed.\n\n“Close your eyes, I don’t want anyone to look at me.”\n\nIt’s uncanny. My body doing this thing. Her big weakness. The reason I was found, the reason I exist.\n\nUltimately the panic attack itself freaks me out more than what actually caused the panic attack.\n\n*\n\nI had good intentions at first. I wanted to protect Wendy Kaufman. She was a sweet girl. Shy. She’d started getting panic attacks because of all the attention. So they just hired me to distract or fill in occasionally. That’s all. An innocent body double. You know how it goes.\n\n*\n\nI wish I’d never met Wendy Kaufman.\nIt would’ve been so much easier if she’d been a stranger.\nBut we were friends.\nAt least I thought so.\nBut maybe she was just being nice.\nWendy Kaufman was a people pleaser.\n\n*\n\nWhen I first met Wendy Kaufman, I thought she was beautiful.\nAnd it was weird because I’d never looked at myself and thought that I was beautiful.\n\nWe were both giddy the day we met. We got ice cream, and I went to the studio with her.\n\nWe laughed when I tried imitating her singing.\nWe kept touching each other, checking to see if the other one was real.\nShe said it was a miracle. She believed in those kinds of things.\nShe also believed in things like sin and karma and hell.\n\n*\n\nIvy told me at rehearsals today that she’s worried about me. She said Wendy Kaufman looked tired and I told her I haven’t been able to sleep. When I do, I have nightmares. Ivy didn’t ask what my nightmares were about. She knows. But I wish she would ask. I wish we could share this load on our shoulders. But we were never partners in crime.\n\nSometimes I wonder if Ivy has forgotten that I’m not Wendy Kaufman, or that I wasn’t always Wendy Kaufman. Does she miss Wendy Kaufman? Did she grieve her like I did?\n\nWhat if Ivy never knew? Did I imagine that conversation? The one that happened in the hospital.\n\n*\n\nWendy Kaufman had a boyfriend when she died. River. He was a movie star.\nWe—I—was scared that it would be too obvious if I broke up with him right away.\nI cried after we had sex.\nHe didn’t notice anything, or he just didn’t care enough to say something. Tits are tits.\nRiver and his wife died a few years ago. I don’t remember why.\nTragic.\n\n*\n\nI never thought it would go on for this long.\nBut why did I say yes if I thought I’d get caught?\nMaybe I want to get caught; maybe I did from the start.\nI always ask myself why I said yes.\n\nA choice was presented but really it was an illusion. Who could say no to being Wendy Kaufman? If I wasn’t going to be Wendy Kaufman I wouldn’t exist.\n\nSomeone has to be Wendy Kaufman. Might as well be someone convincing.\n\n*\n\nWhat if they get rid of me?\n\n*\n\nWendy Kaufman is very busy nowadays. She feels better when she’s working.\n\nAnd it makes Wendy Kaufman’s fans happy when she makes music and she performs and when she’s pretty and skinny and smiling.\n\nThis is why I’m Wendy Kaufman.Wendy Kaufman wouldn’t mind. She’d be grateful really. Pat me on the back. One day she will pat me on the back. She’ll kiss me right on the mouth.\n\n*\n\nI can just sense that Wendy Kaufman’s next album will change the world.\n\nBecause I’m going to show them who I really am.\nWho I really am.\nWho Wendy Kaufman really is.\nWho… that other girl really is.\nHer name is on the tip of my tongue.\n\n*\n\nI’m the Pied Piper\nFollow the sound of my song\nCome here darling, I’m your paradise\nPlease don’t reject me\nI’m here to save you, here to ruin you\nPlease forgive me because we can’t live without each other\nYou can’t ever escape this maze\n\n*\n\nI dreamed about her again last night. Both of us.\nWe were wearing matching red jester outfits. Bells and all.\n\nI was holding a white rose and she was carrying a bindle. And there was this tiny white dog following us, yapping and nipping at our heels. I kept pricking my finger on the thorns but she told me I had to keep it. We were arguing about it and didn’t notice we were falling off a cliff. But then, as we were falling, the setting changed and we weren’t alone outside. We were surrounded by people, stage diving, and we looked at each other and smiled.\n\nAt the last second, the crowd disappeared, and she hit the ground. I saw her bleeding and I got scared because I couldn’t save myself. I woke up as I hit the floor.\n\n*\n\nI saw my parents today.\nI missed them.\nThey complain that I don’t come home often enough.\n\nMy mom asks me if it’s true I’m dating Swan. She reads everything about me. So do I. I’m Wendy Kaufman’s biggest fan.\n\nMy dad gave me an old diary with song lyrics. I used to always write my own songs.\n“You’d keep us up at night playing piano,” he says.\nDid I? I guess so. The grand piano in my house is gorgeous but decorative.\nWhen they hug me goodbye my mom says, “I love you, Maria.”\nMaria’s parents. Not mine. My inheritance.\nI wonder where my parents are. Have they forgotten me too?\n\nBut, well, if it mattered, then I’d know. If Melissa mattered at all she wouldn’t be dead and forgotten either.\n\n*\n\nI should try writing lyrics again.\n\nTurning distress and negativity into art sounds like something that therapist would tell me to do.\n\nOr write that letter.\n\n*\n\nGiven or Taken?\nGiven or Taken?\nGiven or Taken?\n\nBlessed or Cursed?\nBlessed or Cursed?\nBlessed or Cursed?\n\nStar, Saint or Sinner?\nStar, Saint or Sinner?\nStar, Saint or Sinner?\n\n*\n\nVictory was inherited, a secret in plain sight, ugly, under stage lights.\nI’m dancing in the marionette’s square.\nFor her, for you.\n\n*\n\nI bought blackout curtains for all the windows.\nI wish I could burn out their eyes like some kind of biblical revenge.\n\n*\n\nCan’t you see me?\n\n*\n\nWendy…\n\nWendy of loneliness.\nWendy of jealousy.\nBeautiful Wendy.\nInsecure Wendy.\nMint-choco flavoured Wendy.\nWendy the fraud.\nWendy underground.\nWendy in stripes.\nIt’s all Wendy.\n\nWendy, Wendy, Wendy.\nWendy, Wendy, Wendy.\n\n*\n\nTell me the name lingering on my lips.\nPlease call my name.\n\n*\n\nDear Wendy,\n\nI am sorry that you are dead. But you are so lucky to have me. You came back from the dead. You’re a vampire.\n\nI’m trying to be a good Wendy. A good girl. So please be on my side.\n\nI hope you didn’t suffer too much when you died. But maybe Ivy had mercy and just smothered you in the hospital bed. I think she’s out to get me too now, so I don’t sleep. She’s probably found another Wendy Kaufman, or maybe Ivy is switching it up and she’s found another Black Dahlia.\n\nI wonder if you were a good person. Please write me back to let me know if you’re upstairs or downstairs so I know where to go. I want to see you and hear all your names.\n\nLove,\nMaria\n\n*\n\nI think Melissa is evil.\nI’m scared of her.\nI think she wants to kill me.\n\n*\n\nThe show must go on.\n \nForever\n        \tand ever\n                    \t       and ever\n \n           1. for the money.\n           2. for the show\n           3. we get ready\n           4. we go\n*\n\nI have to burn the diary."],"score":0.01643844},{"id":"5202","cataloger_name":["Carlos A.,Pittella"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Headlight Anthology Collection"],"source_collection_label":["Headlight Anthology Collection"],"collection_contributing_unit":[""],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Jade Palmer in Headlight 24, 2023"],"item_title_source":["Asset"],"item_title_note":["As published in Headlight Anthology."],"item_language":["English"],"item_production_context":["Studio recording"],"item_series_title":["Headlight 24"],"item_subseries_title":["Headlight 24 Pieces"],"item_identifiers":["[]"],"rights":["In Copyright Educational Use Permitted (InC-EDU)"],"rights_notes":["Copyright by Headlight Anthology and contributor. Online reproduction and archiving allowed. Republications under different publishers must be authorized by the contributor."],"creator_names":["Palmer, Jade"],"creator_names_search":["Palmer, Jade"],"creators":["[{\"url\":\"\",\"name\":\"Palmer, Jade\",\"dates\":\"\",\"notes\":\"Jade Palmer (she/her) is pursuing a BA Honours in English and creative writing and a minor in sexuality studies at Concordia University in Tiohtià:ke/Montreal. She served as co-editor-in-chief of Soliloquies Anthology, Concordia’s undergraduate literary journal, during the 2022-2023 academic year. Her work has previously been published in long con magazine, and is forthcoming in yolk.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Elbanhawy, Sherine","Eastwood, Miranda","Pittella, Carlos A.","Andrews, Olive","Affonso, Alexandre","Ruby, Ariella"],"contributors_names_search":["Elbanhawy, Sherine","Eastwood, Miranda","Pittella, Carlos A.","Andrews, Olive","Affonso, Alexandre","Ruby, Ariella"],"contributors":["[{\"url\":\"\",\"name\":\"Elbanhawy, Sherine\",\"dates\":\"\",\"notes\":\"Co-managing editor of Headlight 24.\\n\\n\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Eastwood, Miranda\",\"dates\":\"\",\"notes\":\"Sound editor of Headlight 24.\",\"nation\":[],\"role\":[\"Producer\",\"Recordist\"]},{\"url\":\"https://viaf.org/viaf/97149659658506830525\",\"name\":\"Pittella, Carlos A.\",\"dates\":\"1983-\",\"notes\":\"Co-managing editor of Headlight 24.\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Andrews, Olive\",\"dates\":\"\",\"notes\":\"Poetry editor of Headlight 24.\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Affonso, Alexandre\",\"dates\":\"\",\"notes\":\"Nonfiction editor of Headlight 24.\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Ruby, Ariella\",\"dates\":\"\",\"notes\":\"Fiction editor of Headlight 24.\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]}]"],"Producer_name":["Elbanhawy, Sherine","Eastwood, Miranda","Pittella, Carlos A.","Andrews, Olive","Affonso, Alexandre","Ruby, Ariella"],"Recordist_name":["Eastwood, 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Jade Palmer, as published in Headlight Anthology, no. 24.\",\"notes\":\"\",\"title\":\"Onyx and Rose Gold\",\"credit\":\"Jade Palmer\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2023-06-02\",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"Headlight website\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1192154219\",\"venue\":\"Concordia University, Department of English\",\"notes\":\"Headlight Anthology operates out of Concordia’s graduate English Literature & Creative Writing department.\",\"address\":\"1455 Boul. de Maisonneuve O., LB 641, Montréal, QC, H3G 1M8\",\"latitude\":\"45.4969331\",\"longitude\":\"-73.5783742\"}]"],"Address":["1455 Boul. de Maisonneuve O., LB 641, Montréal, QC, H3G 1M8"],"Venue":["Concordia University, Department of English"],"City":["Montreal, Quebec"],"contents":["Onyx and Rose Gold\n\nby Jade Palmer\n\nWhen Grandma Flo says, “here, before you go, I want you to have this,” I think, oh no, not another useless trinket that will be stacked in the ever-closed closet of my childhood bedroom, she thinks she can sluff off all her old stuff on me just because she is about to d- and then she pulls out a rose gold pocket mirror with an Art Nouveau girl embossed on the top and puts it in my hand and it’s really quite ornate so I say, “wow, Grandma, this is really beautiful, thank you so much,” and then the Art Nouveau girl says, “you are going to have to write a poem for her funeral someday,” and I say, “I know,” and Grandma Flo says, “what,” and I say, “what,” and then actually in my head this time I think, oh fuck, and that’s when I notice Grandpa Wilson’s watery dementia eyes that are onyx and unmoving from the leather armchair in the corner and then the Art Nouveau girl says, “maybe he knows the most out of all of us,” and I kind of think she’s right even though I don’t say it but then Grandma Flo says, “what a shame Wilson’s great mind has escaped him,” pursing her lips and shaking her head staring right into the stones and I think, wow that was pretty cold-hearted, and the metal bottom of the mirror heats up in my palm and I feel a slender hand slither up my throat and I say, “have a good day, Wilson,” and Grandpa Wilson’s mouth hangs open a hundred leagues deep a well with no water at the bottom just a waft of old-meat-on-the-counter smell coming from his maw then Grandma Flo says, “lovely to see you, take care,” and I say, “lovely to see you too, Grandma,” and I kind of mean it I guess and then the door is swinging close close close and Grandpa Will says, “thank you,” and Grandma Flo looks at him and I look at him and the Art Nouveau girl sighs and the knob clicks shut."],"Note":["[{\"note\":\"Carlos A. Pittella\",\"type\":\"Cataloguer\"}]"],"Related_works":["[{\"url\":\"https://headlightanthology.ca/archive/n24/onyx-and-rose-gold/\",\"citation\":\"Palmer, Jade. Onyx and Rose Gold. Headlight Anthology, no. 24, 2023, pp. 63–64.\"}]"],"_version_":1853670549188771840,"timestamp":"2026-01-07T14:59:53.772Z","score":0.01643844},{"id":"5190","cataloger_name":["Carlos A.,Pittella"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Headlight Anthology Collection"],"source_collection_label":["Headlight Anthology Collection"],"collection_contributing_unit":[""],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Julie Triganne in Headlight 24, 2023"],"item_title_source":["Asset"],"item_title_note":["As published in Headlight Anthology."],"item_language":["English"],"item_production_context":["Studio recording"],"item_series_title":["Headlight 24"],"item_subseries_title":["Headlight 24 Pieces"],"item_identifiers":["[]"],"rights":["In Copyright Educational Use Permitted (InC-EDU)"],"rights_notes":["Copyright by Headlight Anthology and contributor. Online reproduction and archiving allowed. Republications under different publishers must be authorized by the contributor."],"creator_names":["Triganne, Julie"],"creator_names_search":["Triganne, Julie"],"creators":["[{\"url\":\"\",\"name\":\"Triganne, Julie\",\"dates\":\"\",\"notes\":\"Julie Triganne is from Tiohtià:ke/Montréal. 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Headlight Anthology, no. 24.\",\"notes\":\"\",\"title\":\"Weeknight\",\"credit\":\"Julie Triganne\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2023-06-02\",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"Headlight website\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1192154219\",\"venue\":\"Concordia University, Department of English\",\"notes\":\"Headlight Anthology operates out of Concordia’s graduate English Literature & Creative Writing department.\",\"address\":\"1455 Boul. de Maisonneuve O., LB 641, Montréal, QC, H3G 1M8\",\"latitude\":\"45.4969331\",\"longitude\":\"-73.5783742\"}]"],"Address":["1455 Boul. de Maisonneuve O., LB 641, Montréal, QC, H3G 1M8"],"Venue":["Concordia University, Department of English"],"City":["Montreal, Quebec"],"contents":["Weeknight\n\nby Julie Triganne\n\nCircling the grocery store aisles.\nWe move like a slow moon settling.\n \nUnder retail lighting we tell ourselves\nto buy discount, or that it’s okay to indulge\n \nin premium peanut butter, pre-cut vegetables.\nCaramel pecan ice cream. \n \nThe week ordered by expiry dates.\nConsider what curdles.\n \nNerves run blue at day’s end. \nJudicial, the way you raise an eyebrow.\n \nMy intentions are good.\nIf I fail you, let’s call it poor planning.\n \nIn the checkout line we debate\namounts due, credit card balances.\n \nWhat we owe is incalculable, without origin.\nOur life, sutured with conditions.\n \nUnprepared to rid ourselves of the things\nthat affix to us, demand allegiance:\n \nour deliveries, our liabilities.\nOur Bluetooth tracker‐clad suitcases.\n \nIndulgence burrows in our jowls.\nI rack up debt and blame my childhood.\n \nHaving learned one can in fact purchase contentment.\nThat a nice shirt will sometimes suffice.\n \nOnce, I ate from your palm. Stood next to you,\nenamoured in a parking lot. Judged no one.\n \nThat’s what love is. Temperature swings, ice\nbreaking on the river. Thuds that imitate a whale call.\n\nYears falter. They’re not to be trusted\nLike weather, they sever expectations.\n \nBeg me open. I will be merciful.\nWhat bargains we have made to be here."],"Note":["[{\"note\":\"Carlos A. Pittella\",\"type\":\"Cataloguer\"}]"],"Related_works":["[{\"url\":\"https://headlightanthology.ca/archive/n24/weeknight/\",\"citation\":\"Triganne, Julie. Weeknight. Headlight Anthology, no. 24, 2023, pp. 16–17.\"}]"],"_version_":1853670549192966144,"timestamp":"2026-01-07T14:59:53.772Z","score":0.01643844},{"id":"5191","cataloger_name":["Carlos A.,Pittella"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Headlight Anthology Collection"],"source_collection_label":["Headlight Anthology Collection"],"collection_contributing_unit":[""],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Misha Solomon in Headlight 24, 2023"],"item_title_source":["Asset"],"item_title_note":["As published in Headlight Anthology."],"item_language":["English"],"item_production_context":["Studio recording"],"item_series_title":["Headlight 24"],"item_subseries_title":["Headlight 24 Pieces"],"item_identifiers":["[]"],"rights":["In Copyright Educational Use Permitted (InC-EDU)"],"rights_notes":["Copyright by Headlight Anthology and contributor. Online reproduction and archiving allowed. Republications under different publishers must be authorized by the contributor."],"creator_names":["Solomon, Misha"],"creator_names_search":["Solomon, Misha"],"creators":["[{\"url\":\"https://viaf.org/viaf/19160208386348620534\",\"name\":\"Solomon, Misha\",\"dates\":\"\",\"notes\":\"Misha Solomon (he/him) is a homosexual poet in and of Tiohtià:ke/Montréal. He is the author of two chapbooks, FLORALS (above/ground press, 2020) and Full Sentences (Turret House Press, 2022), and his work has appeared or is forthcoming in Best Canadian Poetry 2024, The /tƐmz/ Review, Yolk, and Vallum.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Elbanhawy, Sherine","Eastwood, Miranda","Pittella, Carlos A.","Andrews, Olive","Affonso, Alexandre","Ruby, Ariella"],"contributors_names_search":["Elbanhawy, Sherine","Eastwood, Miranda","Pittella, Carlos A.","Andrews, Olive","Affonso, Alexandre","Ruby, Ariella"],"contributors":["[{\"url\":\"\",\"name\":\"Elbanhawy, Sherine\",\"dates\":\"\",\"notes\":\"Co-managing editor of Headlight 24.\\n\\n\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Eastwood, Miranda\",\"dates\":\"\",\"notes\":\"Sound editor of Headlight 24.\",\"nation\":[],\"role\":[\"Producer\",\"Recordist\"]},{\"url\":\"https://viaf.org/viaf/97149659658506830525\",\"name\":\"Pittella, Carlos A.\",\"dates\":\"1983-\",\"notes\":\"Co-managing editor of Headlight 24.\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Andrews, Olive\",\"dates\":\"\",\"notes\":\"Poetry editor of Headlight 24.\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Affonso, Alexandre\",\"dates\":\"\",\"notes\":\"Nonfiction editor of Headlight 24.\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Ruby, Ariella\",\"dates\":\"\",\"notes\":\"Fiction editor of Headlight 24.\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]}]"],"Producer_name":["Elbanhawy, Sherine","Eastwood, Miranda","Pittella, Carlos A.","Andrews, Olive","Affonso, Alexandre","Ruby, Ariella"],"Recordist_name":["Eastwood, Miranda"],"Publication_Date":[2023],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"https://liveconcordia-my.sharepoint.com/:u:/g/personal/carlosa_pittella_concordia_ca/ESqbAkKY2NRPsu4tuyhXI-wBV7JHhxFBIJNoKhTKvghQMw\",\"file_path\":\"\",\"filename\":\"Headlight24-Solomon.mp3\",\"channel_field\":\"\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"00:03:20\",\"precision\":\"\",\"size\":\"2.2 MB\",\"bitrate\":\"145-185 kbps\",\"encoding\":\"MP3\",\"contents\":\"This is file 1 of 1 containing an audio-recording of the piece \\\"Tubes,\\\" by Misha Solomon, as published in Headlight Anthology, no. 24.\",\"notes\":\"MP3 also available at https://headlightanthology.ca/archive/n24/tubes/, accessed on June 15, 2023.\",\"title\":\"Tubes\",\"credit\":\"Misha Solomon\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"\"},{\"file_url\":\"https://liveconcordia-my.sharepoint.com/:u:/g/personal/carlosa_pittella_concordia_ca/EeGekM3q1cRFmowTo126n-sBLQVWtIMoDJArltSS5vvu2Q\",\"file_path\":\"\",\"filename\":\"Headlight24-Solomon.wav\",\"channel_field\":\"\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"00:03:20\",\"precision\":\"\",\"size\":\"35.4 MB\",\"bitrate\":\"1411 kbps\",\"encoding\":\"WAV\",\"contents\":\"This is file 1 of 1 containing an audio-recording of the piece \\\"Tubes,\\\" by Misha Solomon, as published in Headlight Anthology, no. 24.\",\"notes\":\"\",\"title\":\"Tubes\",\"credit\":\"Misha Solomon\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2023-06-02\",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"Headlight website\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1192154219\",\"venue\":\"Concordia University, Department of English\",\"notes\":\"Headlight Anthology operates out of Concordia’s graduate English Literature & Creative Writing department.\",\"address\":\"1455 Boul. de Maisonneuve O., LB 641, Montréal, QC, H3G 1M8\",\"latitude\":\"45.4969331\",\"longitude\":\"-73.5783742\"}]"],"Address":["1455 Boul. de Maisonneuve O., LB 641, Montréal, QC, H3G 1M8"],"Venue":["Concordia University, Department of English"],"City":["Montreal, Quebec"],"contents":["Tubes\n\nby Misha Solomon\n\nI.\nThe Om Argan + Tucuma Lip Butter is a tube that contains another tube.\n\nPhoto of tube of Om Argan + Tucuma Lip Butter.\nRather, the Om Argan + Tucuma Lip Butter is a tube contained inside another tube, but this latter outer tube carries the inner tube’s name.\n\nPhoto of open tube of Om Argan + Tucuma Lip Butter.\n\nThe outer tube can be manipulated (opened, twisted) to reveal the inner tube, but the inner tube’s identity is always plainly identified upon the outer tube. The outer tube can lie, in that at any point in time the inner tube could be depleted and yet the outer tube would still advertise its contents. The inner tube, again, is the Om Argan + Tucuma Lip Butter and yet the inner tube can also not be the Om Argan + Tucuma Lip Butter, in that it can be used up entirely. The outer tube, again, carries only the name of the Om Argan + Tucuma Lip Butter, and therefore is not truly the Om Argan + Tucuma Lip Butter, and yet the outer tube can never not be the Om Argan + Tucuma Lip Butter, in that it always carries its name. It should also be noted that the Om Argan + Tucuma Lip Butter is applied to lips, which are essentially two tubes embedded in the flesh between the nose and the chin, two tubes that, when separated, allow access to a long inner tube that in turn connects to a near-endless system of inner tubes.\n\nII.\nThe Aesop Resurrection Aromatique Hand Balm is a tube in name only. Before use, the Aesop Resurrection Aromatique Hand Balm more closely resembles a conventional tube, but the object continues to be called a tube even as it is flattened and warped.\n\nPhoto of tube of Aesop Resurrection Aromatique Hand Balm.\n\nThe Aesop Resurrection Aromatique Hand Balm, rather, is a viscous liquid contained in a tube that bears its name. This outer tube, upon application of pressure, extrudes the liquid in the shape of tube.\n\nPhoto of open tube of Aesop Resurrection Aromatique Hand Balm.\n\nThe Aesop Resurrection Aromatique Hand Balm, however, quickly loses its tubal shape as it is extruded and applied to the hand. This would not be an apt time to mention that the hand is home to five tubes, known as fingers, and contains a number of tubes in the form of bones, veins, and tendons. Even less apt would be the mention of pores. The inner/outer dilemma, heretofore known as the Inner/Outer Dilemma, as explained in the discussion of Om Argan + Tucuma Lip Butter, applies here as well.\n\nIII.\nThe India Mahdavi Caran d’Ache Swiss-Made Pen is a tube contained in a tube.\n\nPhoto of tube of India Mahdavi Caran d’Ache Swiss-Made Pen.\n\nBoth the inner tube, the India Mahdavi Caran d’Ache Swiss-Made Pen, and its outer tube, the pen’s protective and decorative case, carry the name of said inner tube.\n\nPhoto of open tube of India Mahdavi Caran d’Ache Swiss-Made Pen.\n\nComplicating matters is the fact that the India Mahdavi Caran d’Ache Swiss-Made Pen almost definitely contains another tube, which in turn contains ink. Further complicating matters is the fact that the India Mahdavi Caran d’Ache Swiss-Made Pen has a golden tube, which, when pressed, reveals another pointed tube used to spread the ink, which is contained in the tube inside the tube. The doubly inner tube almost definitely does not carry the name of the tube, whereas the outer tube does carry the name of the tube. Is it relevant to add that the tube and its tube were given to me on the topmost storey of a large building, a rectangular tube, if you will, by a woman (remember the lips and hands, the tubes) who collects such tubes and who handed this tube over to me, her tubes grazing my tubes, after I remarked on the beauty of the tube, and that she did this likely because of her guilt over the dismal state of my grandfather’s finances? Guilt is in itself a tube, but I don’t know how or why."],"Note":["[{\"note\":\"Carlos A. Pittella\",\"type\":\"Cataloguer\"}]"],"Related_works":["[{\"url\":\"https://headlightanthology.ca/archive/n24/tubes/\",\"citation\":\"Solomon, Misha. Weeknight. Headlight Anthology, no. 24, 2023, pp. 18–21.\"}]"],"_version_":1853670549192966145,"timestamp":"2026-01-07T14:59:53.772Z","score":0.01643844},{"id":"5192","cataloger_name":["Carlos A.,Pittella"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Headlight Anthology Collection"],"source_collection_label":["Headlight Anthology Collection"],"collection_contributing_unit":[""],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Kim Poirier in Headlight 24, 2023"],"item_title_source":["Asset"],"item_title_note":["As published in Headlight Anthology."],"item_language":["English"],"item_production_context":["Studio recording"],"item_series_title":["Headlight 24"],"item_subseries_title":["Headlight 24 Pieces"],"item_identifiers":["[]"],"rights":["In Copyright Educational Use Permitted (InC-EDU)"],"rights_notes":["Copyright by Headlight Anthology and contributor. Online reproduction and archiving allowed. Republications under different publishers must be authorized by the contributor."],"creator_names":["Poirier, Kim"],"creator_names_search":["Poirier, Kim"],"creators":["[{\"url\":\"\",\"name\":\"Poirier, Kim\",\"dates\":\"\",\"notes\":\"Kim Poirier is a Montreal-based writer, poor person and globally-recognized eater of spaghetti. She was the 2021 recipient of the Dawson College SPACE Award for Short Fiction, and her work has appeared in OFIC Magazine, Soliloquies Anthology, Oranges Journal, Beaver Magazine and others.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Elbanhawy, Sherine","Pittella, Carlos A.","Andrews, Olive","Affonso, Alexandre","Ruby, Ariella","Eastwood, Miranda"],"contributors_names_search":["Elbanhawy, Sherine","Pittella, Carlos A.","Andrews, Olive","Affonso, Alexandre","Ruby, Ariella","Eastwood, Miranda"],"contributors":["[{\"url\":\"\",\"name\":\"Elbanhawy, Sherine\",\"dates\":\"\",\"notes\":\"Co-managing editor of Headlight 24.\\n\\n\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"https://viaf.org/viaf/97149659658506830525\",\"name\":\"Pittella, Carlos A.\",\"dates\":\"1983-\",\"notes\":\"Co-managing editor of Headlight 24.\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Andrews, Olive\",\"dates\":\"\",\"notes\":\"Poetry editor of Headlight 24.\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Affonso, Alexandre\",\"dates\":\"\",\"notes\":\"Nonfiction editor of Headlight 24.\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Ruby, Ariella\",\"dates\":\"\",\"notes\":\"Fiction editor of Headlight 24.\",\"nation\":[],\"role\":[\"Publisher\",\"Producer\"]},{\"url\":\"\",\"name\":\"Eastwood, Miranda\",\"dates\":\"\",\"notes\":\"Sound editor of Headlight 24.\",\"nation\":[],\"role\":[\"Producer\",\"Recordist\"]}]"],"Producer_name":["Elbanhawy, Sherine","Pittella, Carlos A.","Andrews, Olive","Affonso, Alexandre","Ruby, Ariella","Eastwood, Miranda"],"Recordist_name":["Eastwood, 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blue metro car travels down a cannibal’s throat\nThe Place Ville Marie searchlight swivels\nLeonard Cohen’s look of faint play adjudicates\nthe cold and hookery street.\nI am so vanishingly small beneath the hot, perfervid red shadow\nof the Mt Royal crucifix;\nMy cry in the concrete,\nMy cry in the bottleglass,\nMy cry in the frost:\nNot the gestalt of the thing,\nbut some slice.\n\nII. greening\n\nThere is a green wildfire of mint in a terracotta pot\nand there is a sheath of summer-smelling parsley woven against the ground\n\nThere is a you—on the yellow seat with wine.\nYou, who gathered african violets in her arms and stole them,\nwith rushing, nervy steps from their greening-golding continent,\nand there is a toothpick tilted against your lips, inert levantine wood, droll and unassuming.\n\nYour body screams yes god and your the-irish-were-oppressed-you-know green eyes are zambian-mined and dollar-minted and your Fashion Nova clothes come from nowhere all."],"Note":["[{\"note\":\"Carlos A. 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Online reproduction and archiving allowed. Republications under different publishers must be authorized by the contributors. All editors and contributors recorded have given their formal consent to be archived by SpokenWeb under those terms."],"creator_names":["Triganne, Julie","Solomon, Misha","Mazur, Ari","Lovell, Susi","Bush Anderson, Benjamin","Cirignano, Sophia","Wayland, Tina","Palmer, Jade"],"creator_names_search":["Triganne, Julie","Solomon, Misha","Mazur, Ari","Lovell, Susi","Bush Anderson, Benjamin","Cirignano, Sophia","Wayland, Tina","Palmer, Jade"],"creators":["[{\"url\":\"\",\"name\":\"Triganne, Julie\",\"dates\":\"\",\"notes\":\"Julie Triganne is from Tiohtià:ke/Montréal. 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Paw Prints, 2008.\"}]"],"_version_":1853670549216034816,"timestamp":"2026-01-07T14:59:53.772Z","score":0.01643844},{"id":"7856","cataloger_name":["Frances Grace,Fyfe"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Jewish General Hospital 2006\n"],"item_title_source":["Cataloguer"],"item_language":["English, French"],"item_production_context":["Documentary recording"],"item_series_title":["Words and Music"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["Kellough, Kaie","Tremblay, Tony","Fuerstenberg, Anna","Levine, Jesse"],"contributors_names_search":["Kellough, Kaie","Tremblay, Tony","Fuerstenberg, Anna","Levine, Jesse"],"contributors":["[{\"url\":\"http://viaf.org/viaf/68351676\",\"name\":\"Kellough, Kaie\",\"dates\":\"1975-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/233167561\",\"name\":\"Tremblay, Tony\",\"dates\":\"1968-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/3984638\",\"name\":\"Fuerstenberg, Anna\",\"dates\":\"1948-\",\"notes\":\"Anna Fuerstenberg has been a successful playwright produced in North and South America. She has sold six feature films and had two produced. She has taught in colleges and universities and given workshops in many countries. She is one of the founders of The Playwrights Guild of Canada and has directed a bi-lingual theatre company. 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Martin, who performs spoken word poetry. 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The MC thanks the readers: Ummni Khan, Laura Killam, Lisa Martin, Victoria Stanton, Zoe Whittall, Dana Bath and Sonia Skarstadt. The MC introduces herself as Julie Crysler. 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MC introduces the lineup of poets and performers: Ian Ferrier, Lynn Suderman, D Smith, Endre Farkas, Peter Brawley, La groupe de poesie moderne, Fluffy Pagan Echoes, Ian Stephens, Swifty Lazar, and Corey Frost. Live music provided by Hieronymus Borscht. MC welcomes first reader and co-organizer, Ian Ferrier, who performs spoken word. MC welcomes Lynn Suderman who performs spoken word. MC welcomes Endre Farkas. A dog can be heard barking. Farkas reads from his book of poetry, \"Surviving Words.\""],"Note":["[{\"note\":\"Frances Grace Fyfe\",\"type\":\"Cataloguer\"}]"],"Related_works":["[{\"url\":\"https://search.worldcat.org/title/46643910\",\"citation\":\"Farkas, Endre. Surviving Words. 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MC (different from the first MC) asks for money for CKUT, introduces Groupe de poésie moderne, who perform a skit."],"Note":["[{\"note\":\"Frances Grace Fyfe\",\"type\":\"Cataloguer\"}]"],"Related_works":["[]"],"_version_":1853670549339766786,"timestamp":"2026-01-07T14:59:53.966Z","score":0.01643844},{"id":"7986","cataloger_name":["Frances Grace,Fyfe"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Wired on Words Live 1995-03-25 #6 of 8"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Wired on Words"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian","Anderson, Fortner"],"creator_names_search":["Ferrier, Ian","Anderson, Fortner"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-2023\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"http://viaf.org/viaf/106026246\",\"name\":\"Anderson, Fortner\",\"dates\":\"1955-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Ferrier, Ian","Fluffy Pagan Echoes (Groupe)","Stanton, Victoria","Tinguely, Vincent","Smith, Deanna"],"contributors_names_search":["Ferrier, Ian","Fluffy Pagan Echoes (Groupe)","Stanton, Victoria","Tinguely, Vincent","Smith, Deanna"],"contributors":["[{\"url\":\"\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-2023\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/135986318\",\"name\":\"Fluffy Pagan Echoes (Groupe)\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/1975942\",\"name\":\"Stanton, Victoria\",\"dates\":\"1970-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/36425179\",\"name\":\"Tinguely, Vincent\",\"dates\":\"1959-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Smith, Deanna\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Fluffy Pagan Echoes (Groupe)","Stanton, Victoria","Tinguely, Vincent","Smith, Deanna"],"Presenter_name":["Ferrier, Ian"],"Performance_Date":[1995],"material_description":["[{\"side\":\"A\",\"image\":\"Uploads/7986/Ferrier_F085_SW7986_cassette.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"48kHz\",\"duration\":\"00:17:24\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Tape is reversed, cataloguer digitized and sped up to 100%.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1995-03-25\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/#map=11/45.5576/-73.8099\",\"venue\":\"Le building danse\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"45.5576\",\"longitude\":\"-73.8099\"}]"],"Venue":["Le building danse"],"contents":["Le groupe de poésie moderne continue performing a skit. Audience applauses. Tape cuts, MC can be heard saying \"please welcome them to the forefront,\" sound of overlapping yelling, performance piece of people saying \"resistance is reasonable\" (cataloguer: I believe this is Fluffy Pagan Echoes), MC introduces a short break, tape cuts. Ian Ferrier can be heard introducing Dee Smith, Norman Nawrocki, and Fortner Anderson, and Ian Stephens. Dee Smith thanks the crowd and performs four short spoken word pieces. Ian Ferrier thanks D. Smith."],"Note":["[{\"note\":\"Frances Grace Fyfe\",\"type\":\"Cataloguer\"}]"],"Related_works":["[]"],"_version_":1853670549339766787,"timestamp":"2026-01-07T14:59:53.966Z","score":0.01643844},{"id":"7987","cataloger_name":["Frances Grace,Fyfe"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Wired on Words Live 1995-03-25 #7 of 8"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Wired on Words"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian","Anderson, Fortner"],"creator_names_search":["Ferrier, Ian","Anderson, Fortner"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-2023\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"http://viaf.org/viaf/106026246\",\"name\":\"Anderson, Fortner\",\"dates\":\"1955-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Stephens, Ian","Evens, Aden","Anderson, Fortner","Ferrier, Ian"],"contributors_names_search":["Stephens, Ian","Evens, Aden","Anderson, Fortner","Ferrier, Ian"],"contributors":["[{\"url\":\"http://viaf.org/viaf/48507771\",\"name\":\"Stephens, Ian\",\"dates\":\"1954-1996\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/274968666\",\"name\":\"Evens, Aden\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/106026246\",\"name\":\"Anderson, Fortner\",\"dates\":\"1955-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-2023\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"performer_name":["Stephens, Ian","Evens, Aden"],"Presenter_name":["Anderson, Fortner","Ferrier, Ian"],"Performance_Date":[1995],"material_description":["[{\"side\":\"A\",\"image\":\"Uploads/7987/Ferrier_F085_SW7987_cassette.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"48kHz\",\"duration\":\"00:46:56\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Tape is reversed, cataloguer digitized and sped up to 100%.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1995-03-25\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/#map=11/45.5576/-73.8099\",\"venue\":\"Le building danse\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"45.5576\",\"longitude\":\"-73.8099\"}]"],"Venue":["Le building danse"],"contents":["Ian Stephens is heard performing poetry, someone close to the microphone starts breathing heavily and performing spoken word poetry, repeating the words \"thinking about cracks\" as the set closes. The poet continues sing/talking over light piano music. He continues performing, thanks Ian Ferrier and Fortner Anderson for putting the event together, thanks Endre Farkas for helping him with his book, continues performing. Ian Ferrier thanks Ian Stephens, presents Aden Evens who plays piano to close the night. Fortner Anderson can be heard announcing the winner of the CKUT T-shirt contest."],"Note":["[{\"note\":\"Frances Grace Fyfe\",\"type\":\"Cataloguer\"}]"],"Related_works":["[]"],"_version_":1853670549339766788,"timestamp":"2026-01-07T14:59:53.966Z","score":0.01643844},{"id":"7988","cataloger_name":["Frances Grace,Fyfe"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Luna Allison at Casa del Popolo 2006-10-25 # 2 - Ian Ferrier, Taqralik Partrdige, Geronimo Inutiq"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Miscellaneous"],"item_identifiers":["[]"],"creator_names":["Allison, Luna"],"creator_names_search":["Allison, Luna"],"creators":["[{\"url\":\"\",\"name\":\"Allison, Luna\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["Ferrier, Ian","Partridge, Taqralik","Inutiq, Geronimo"],"contributors_names_search":["Ferrier, Ian","Partridge, Taqralik","Inutiq, Geronimo"],"contributors":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-2023\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/15154257780224150501\",\"name\":\"Partridge, Taqralik\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/13151533773102772956\",\"name\":\"Inutiq, Geronimo\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Ferrier, Ian","Partridge, Taqralik","Inutiq, Geronimo"],"Presenter_name":["Ferrier, Ian"],"Performance_Date":[2006],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7988/Ferrier_F085_SW7988_Minidisc.png\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Minidisc"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"48kHz\",\"duration\":\"00:50:51\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2006-10-25\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/#map=19/45.52217/-73.59090\",\"venue\":\"Casa del Popolo\",\"notes\":\"\",\"address\":\"4873 St Laurent Blvd, Montreal, Quebec, Canada\",\"latitude\":\"45.52217\",\"longitude\":\"-73.59090\"}]"],"Address":["4873 St Laurent Blvd, Montreal, Quebec, Canada"],"Venue":["Casa del Popolo"],"City":["Montreal, Quebec"],"contents":["Ian Ferrier performs spoken word poetry over sound of droning/ fingerpicking guitar. Ian Ferrier welcomes Taqralik Partridge to the stage. Taqralik Partridge introduces her friend DJ Madeskimo (Geronimo Inutiq), thanks Luna Allison. Taqralik Partridge and DJ Madeskimo perform throat singing over recorded beats."],"Note":["[{\"note\":\"Frances Grace Fyfe\",\"type\":\"Cataloguer\"}]"],"Related_works":["[]"],"_version_":1853670549339766789,"timestamp":"2026-01-07T14:59:53.966Z","score":0.01643844},{"id":"7989","cataloger_name":["Frances Grace,Fyfe"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["The Upstairs Lounge 2001-06-10 #1 - Ian Ferrier, Bryan Highbloom, Catherine Kidd"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Miscellaneous"],"item_identifiers":["[]"],"creators":["[]"],"contributors_names":["Ferrier, Ian","Highbloom, Bryan","Kidd, Catherine"],"contributors_names_search":["Ferrier, Ian","Highbloom, Bryan","Kidd, Catherine"],"contributors":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-2023\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/3738159477916827990001\",\"name\":\"Highbloom, Bryan\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/13542322\",\"name\":\"Kidd, Catherine\",\"dates\":\"1967-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"performer_name":["Ferrier, Ian","Highbloom, Bryan"],"Presenter_name":["Kidd, Catherine"],"Performance_Date":[2001],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7989/Ferrier_F085_SW7989_Minidisc.png\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Minidisc"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"48kHz\",\"duration\":\"01:04:13\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2001-06-10\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/#map=17/45.49517/-73.57783\",\"venue\":\"The Upstairs Lounge\",\"notes\":\"\",\"address\":\"1254 Mackay St, Montreal, Quebec, canada\",\"latitude\":\"45.49517\",\"longitude\":\"-73.57783\"}]"],"Address":["1254 Mackay St, Montreal, Quebec, canada"],"Venue":["The Upstairs Lounge"],"City":["Montreal, Quebec"],"contents":["A woman introduces Ian Ferrier with Bryan Highbloom on saxophone. The two perform spoken word poetry with musical accompaniment, which is billed as a tribute to Ian Stephens. Ian Ferrier thanks Estelle. MC welcomes Catherine Kidd who performs spoken word poetry over choral music, reads from \"Bestial Rooms\" (cataloguers note: which was to become Kidd's book \"The Missing Ark)."],"Note":["[{\"note\":\"Frances Grace Fyfe\",\"type\":\"Cataloguer\"}]"],"Related_works":["[{\"url\":\"https://search.worldcat.org/title/81601391\",\"citation\":\"Kidd, Catherine. Missing the Ark. 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Woman speaking, hard to discern over crowd noise. She welcomes 3 of the 5 members of the (cataloguer: indecipherable) Theatre Troupe who perform improv sketch/ sound poetry."],"Note":["[{\"note\":\"Frances Grace Fyfe\",\"type\":\"Cataloguer\"}]"],"Related_works":["[]"],"_version_":1853670549340815360,"timestamp":"2026-01-07T14:59:53.966Z","score":0.01643844},{"id":"7991","cataloger_name":["Frances Grace,Fyfe"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Millennium Cabaret at the McGill Bookstore 1999"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Miscellaneous"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, 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The group perform percussive music. Ian Ferrier introduces Fortner Anderson who performs spoken word poetry. Ian Ferrier welcomes Heather O'Neill, who performs spoken word poetry. Ian Ferrier welcomes Alexis O'Hara, who performs poetry. Ian Ferrier welcomes Catherine Kidd, who performs. 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A man repeats the process. Someone (Bill Bissett?) talking about rates for music played on commercial radio. Tape cuts to Bissett singing over percussive music. Bill Bissett says, \"that was \"Dreaming of the Night,\" I'm Bill Bissett for Wired on Words.\" Tape cuts into silence, cuts back to sound of Bissett talk/singing."],"Note":["[{\"note\":\"Frances Grace Fyfe\",\"type\":\"Cataloguer\"}]"],"Related_works":["[]"],"_version_":1853670549340815362,"timestamp":"2026-01-07T14:59:53.966Z","score":0.01643844},{"id":"7993","cataloger_name":["Frances Grace,Fyfe"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Richard Howard at Sir George Williams University"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Miscellaneous"],"item_identifiers":["[]"],"creators":["[]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7993/Ferrier_F085_SW7993_cassette.png\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Maxell\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"48kHz\",\"duration\":\"00:29:00\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/#map=17/45.49517/-73.57918\",\"venue\":\"Sir George Williams University\",\"notes\":\"\",\"address\":\"Montreal, Quebec, Canada\",\"latitude\":\"45.49517\",\"longitude\":\"-73.57918\"}]"],"Address":["Montreal, Quebec, Canada"],"Venue":["Sir George Williams University"],"City":["Montreal, Quebec"],"contents":["A man can be heard welcoming Richard Howard and listing his accolades. 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Tape cuts."],"Note":["[]"],"Related_works":["[]"],"_version_":1853670549340815363,"timestamp":"2026-01-07T14:59:53.966Z","score":0.01643844},{"id":"7994","cataloger_name":["Frances Grace,Fyfe"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["John Ashbery at McGill University 1981"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Miscellaneous"],"item_identifiers":["[]"],"creators":["[]"],"contributors_names":["Ashbery, John"],"contributors_names_search":["Ashbery, John"],"contributors":["[{\"url\":\"http://viaf.org/viaf/100001869\",\"name\":\"Ashbery, John\",\"dates\":\"1927-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"Reader_name":["Ashbery, John"],"Performance_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Maxell\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"A\",\"image\":\"Uploads/7994/Ferrier_F085_SW994_cassette.png\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Maxell\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette","Cassette"],"physical_compositions":["Magnetic Tape","Magnetic Tape"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"48kHz\",\"duration\":\"00:35:12\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"A side\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"48kHz\",\"duration\":\"00:37:16\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/#map=18/45.50409/-73.57624\",\"venue\":\"McGill University\",\"notes\":\"\",\"address\":\"845 Sherbrooke St W, Montreal, Quebec, Canada\",\"latitude\":\"45.5069\",\"longitude\":\"-73.5788\"}]"],"Address":["845 Sherbrooke St W, Montreal, Quebec, Canada"],"Venue":["McGill University"],"City":["Montreal, Quebec"],"contents":["John Ashbery introduces new unpublished work, begins reading a piece of unpublished fiction. 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Someone welcomes the host, someone welcomes someone to stage who sounds like they might be speaking in Finnish(?), a surprise performer from Toronto named Dawn(?) performs spoken word poetry. Jake (Brown?) talks about teaching at Concordia, Ian Ferrier performs spoken word poetry, musical performance with woman vocalist and guitar. The MC introduces Fortner Anderson, who performs spoken word poetry."],"Note":["[{\"note\":\"Frances Grace Fyfe\",\"type\":\"Cataloguer\"}]"],"Related_works":["[]"],"_version_":1853670549340815365,"timestamp":"2026-01-07T14:59:53.966Z","score":0.01643844},{"id":"7956","cataloger_name":["Frances Grace,Fyfe"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["YAWP at The Rivoli #2"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["YAWP"],"item_identifiers":["[]"],"creators":["[]"],"contributors_names":["Lynch, Barbara"],"contributors_names_search":["Lynch, Barbara"],"contributors":["[{\"url\":\"\",\"name\":\"Lynch, Barbara\",\"dates\":\"\",\"notes\":\"Barbara Lynch is a musician/singer/songwriter from Toronto, Ontario, Canada. Her first album, Goodbye and Goodluck, was released by Duke Street Records in 1996. Lynch self-produced her second album, In the Nickelodeon. It was released in 2008 under GDA Records and then in 2009 become a part of the new Cowboy Junkies' record label, Latent Recordings, distributed by MapleMusic.\\n\\n\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Lynch, Barbara"],"material_description":["[{\"side\":\"B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"BASF\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"A\",\"image\":\"Uploads/7956/Ferrier_F085_SW7956_cassette.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"BASF\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette","Cassette"],"physical_compositions":["Magnetic Tape","Magnetic Tape"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"48kHz\",\"duration\":\"00:43:24\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"A side\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"48kHz\",\"duration\":\"00:43:24\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"B side\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/#map=19/43.64941/-79.39528\",\"venue\":\"The Rivoli\",\"notes\":\"\",\"address\":\"334 Queen St W, Toronto, ON, M5V 2A2\",\"latitude\":\"43.64941\",\"longitude\":\"-79.39528\"}]"],"Address":["334 Queen St W, Toronto, ON, M5V 2A2"],"Venue":["The Rivoli"],"City":["Toronto, Ontario"],"contents":["Someone (a woman) can be heard introducing a poem called \"Chocolate Dip,\" performs spoken word poetry, MC introduces next artist, who sings and plays a song on guitar called \"Life Ain't Easy,\" MC introduces Barbara Lynch, who performs guitar. On B side, other women perform spoken word poetry and music. 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On B side, a man performs spoken word poetry. Martha Wainwright performs music. A man (the MC?) rants about Immanuel Kant's incomprehensibility. A man from Alberta performs a piece of spoken word poetry. "],"Note":["[]"],"Related_works":["[]"],"_version_":1853670549341863936,"timestamp":"2026-01-07T14:59:53.966Z","score":0.01643844},{"id":"7958","cataloger_name":["Frances Grace,Fyfe"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["YAWP at The Rivoli - Lee Gotham"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["YAWP"],"item_identifiers":["[]"],"creators":["[]"],"contributors_names":["Gotham, Lee","Ferrier, Ian"],"contributors_names_search":["Gotham, Lee","Ferrier, Ian"],"contributors":["[{\"url\":\"http://viaf.org/viaf/106179112\",\"name\":\"Gotham, Lee\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-2023\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Gotham, Lee","Ferrier, Ian"],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7958/Ferrier_F085_SW7958_cassette.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"48kHz\",\"duration\":\"00:25:08\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/#map=19/43.64941/-79.39528\",\"venue\":\"The Rivoli\",\"notes\":\"\",\"address\":\"334 Queen St W, Toronto, ON, M5V 2A2\",\"latitude\":\"43.64941\",\"longitude\":\"-79.39528\"}]"],"Address":["334 Queen St W, Toronto, ON, M5V 2A2"],"Venue":["The Rivoli"],"City":["Toronto, Ontario"],"contents":["A man (Lee Gotham?) thanks Jake for the introduction, begins reading a series of odes. Ian Ferrier performs spoken word poetry over a live band. Tape cuts to recorded music, \"Adios,\" by Glen Campbell."],"Note":["[]"],"Related_works":["[]"],"_version_":1853670549341863937,"timestamp":"2026-01-07T14:59:53.966Z","score":0.01643844},{"id":"7995","cataloger_name":["Frances Grace,Fyfe"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Bill Bissett at Sir George Williams University 1979"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Miscellaneous"],"item_identifiers":["[]"],"creators":["[]"],"contributors_names":["Bissett, Bill"],"contributors_names_search":["Bissett, Bill"],"contributors":["[{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"Bissett, Bill\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Bissett, Bill"],"Performance_Date":[1979],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Maxell\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"A\",\"image\":\"Uploads/7995/Ferrier_F085_SW7995_cassette (1).png\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Maxell\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette","Cassette"],"physical_compositions":["Magnetic Tape","Magnetic Tape"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"48kHz\",\"duration\":\"00:31:36\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"A side\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"48kHz\",\"duration\":\"00:09:40\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1979\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/#map=17/45.49517/-73.57918\",\"venue\":\"Sir George Williams University\",\"notes\":\"\",\"address\":\"Montreal, Quebec, Canada\",\"latitude\":\"45.49517\",\"longitude\":\"-73.57918\"}]"],"Address":["Montreal, Quebec, Canada"],"Venue":["Sir George Williams University"],"City":["Montreal, Quebec"],"contents":["Bill Bissett sing/talks over percussive music. Very difficult to discern."],"Note":["[]"],"Related_works":["[]"],"_version_":1853670549341863938,"timestamp":"2026-01-07T14:59:53.966Z","score":0.01643844},{"id":"7996","cataloger_name":["Frances Grace,Fyfe"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Wired on Words Live 1995-03-25 #3 of 8"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Wired on Words"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian","Anderson, Fortner"],"creator_names_search":["Ferrier, Ian","Anderson, Fortner"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-2023\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"http://viaf.org/viaf/106026246\",\"name\":\"Anderson, Fortner\",\"dates\":\"1955-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["Anderson, Fortner","Farkas, Endre","Gotham, Lee","Brawley, Peter"],"contributors_names_search":["Anderson, Fortner","Farkas, Endre","Gotham, Lee","Brawley, Peter"],"contributors":["[{\"url\":\"http://viaf.org/viaf/106026246\",\"name\":\"Anderson, Fortner\",\"dates\":\"1955-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"https://viaf.org/viaf/115673614/#Farkas,_Endre,_1948-....\",\"name\":\"Farkas, Endre\",\"dates\":\"1948-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/106179112\",\"name\":\"Gotham, Lee\",\"dates\":\"1962-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Brawley, Peter\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Gotham, Lee","Brawley, Peter"],"Presenter_name":["Anderson, Fortner"],"Reader_name":["Farkas, Endre"],"Performance_Date":[1995],"material_description":["[{\"side\":\"A\",\"image\":\"Uploads/7996/Ferrier_F085_SW7796_cassette.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"48kHz\",\"duration\":\"00:46:56\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Tape is reversed, cataloguer digitized and sped up to 100%.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"},{\"date\":\"1995-03-25\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/#map=11/45.5576/-73.8099\",\"venue\":\"Le building danse\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"45.5576\",\"longitude\":\"-73.8099\"}]"],"Venue":["Le building danse"],"contents":["Endre Farkas is performing poetry about Canada/Quebec. Fortner Anderson thanks Endre Farkas and encourages people to spend money at the merchandise table and at the bar. Fortner Anderson welcomes Peter Brawley who performs poetry. Dogs are barking. Fortner Anderson welcomes Lee Gotham who performs spoken word poetry. Lee Gotham goes to introduce someone but the tape cuts."],"Note":["[{\"note\":\"Frances Grace Fyfe\",\"type\":\"Cataloguer\"}]"],"Related_works":["[{\"url\":\"https://search.worldcat.org/title/46643910\",\"citation\":\"Farkas, Endre. Surviving Words. Scirocco Drama, 1999.\"}]"],"_version_":1853670549527461888,"timestamp":"2026-01-07T14:59:53.966Z","score":0.01643844},{"id":"4038","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Frank Davey fonds"],"source_collection_label":["Frank Davey fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2014.002"],"persistent_url":[""],"item_title":["DAVEY - Robin MATHEWS Debate"],"item_title_source":["Title written on cassette."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Mathews, Robin","Davey, Frank","Canadian Book Publishing Council","Council for the Arts in Ottawa","Young, George","McMullen, Deborah"],"creator_names_search":["Mathews, Robin","Davey, Frank","Canadian Book Publishing Council","Council for the Arts in Ottawa","Young, George","McMullen, Deborah"],"creators":["[{\"url\":\"http://viaf.org/viaf/98040506\",\"name\":\"Mathews, Robin\",\"dates\":\"1931-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/5029235\",\"name\":\"Davey, Frank\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"\",\"name\":\"Canadian Book Publishing Council\",\"dates\":\"\",\"notes\":\"Sponsor.\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Council for the Arts in Ottawa\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"\",\"name\":\"Young, George\",\"dates\":\"\",\"notes\":\"Moderator of the panel. 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"],"contents":["Debate and reading held on October 19th, 1985 at the Ottawa Public Library between Robin Mathews (Professor at Carleton University) and Frank Davey (Head of English Dept at York University in Toronto). The debate was moderated and recorded by George Young, sponsored by the Canadian Book Publishing Council, and organized by the Council for the Arts in Ottawa. The event consists of a reading by Robin Mathews, then a reading by Frank Davey, and then a debate."],"Note":["[{\"note\":\"Item #: 2014.002.013\",\"type\":\"General\"},{\"note\":\"Digitization complete. Transcription complete.\",\"type\":\"General\"},{\"note\":\"For more information, see the article \\\"Computers to change book form?\\\" from Citizen Book editor, Burt Heward's column, \\\"Cover to Cover\\\" in The Ottawa Citizen, October 19, 1985. https://www.newspapers.com/newspage/464365037/\\nTranscription of \\\"Computers to change book form?\\\": \\n\\\"Ottawa's fourth annual Festival of the Arts is getting its biggest boost ever from the book community, specially the debate today between literary critics Frank Davey of York University and Robin Mathews of Carleton University.\\nThe first of the five lively events under the WordWorks title, the debate between computer-advocate Davey and nationalist Mathews, promises fireworks. It was to begin at 1 p.m. today in the Ottawa Public Library auditorium, Metcalfe and Laurier.\\nAuthor Mathews operates a traditional small publishing operation, Steel Rail Press, while poet Davey is founder of Swift Current, a computer network for writers. Most appropriately for them, the topic is 'Whither the Book?'\\n'I have opposed the Mathews style of nationalism, Davey said earlier, 'because it assumes a single definition of Canadian culture. It seems to stem from a United Empire Loyalist tradition that may be valid in Ontario, but is not in the West.'\\nDavey said he prefers a Diefenbaker-style 'community of communities ... an accumulation of regional artistic cultures.'\\nMathews's traditional views reflect a central stream of Canadian literature and valid concerns--shared by Davey--about the nation's cultural survival. Steel Rail next month launches Ottawa poet Patrick White's long poem in honor of a Chilean leftist martyr, Homage to Victor Jara (paperback, $7.95). It includes translation into Spanish by Ottawa Cuban-Canadian Juan O'Neil.\\nDo books, as we know them, have a future?\\nDavey offers a radical view that publishers will lose their power to decide the number of copies, the type of paper and the cost of books as readers assume authority.\\n'With the computer,' said Davey, 'you can actually send the text of the book to a bookstore and have the printing done there and the reader could determine there all the things decided by the publisher.'\\nDavey said the bookstore printings to suit individuals could vary from cheap formats to some approaching medieval manuscripts in appeal and quality.\\nCanada Council partly funds Swift Current, 'an electronic literary magazine' in which each of 40 Canadian writers edits his or her own contribution to the large data bank (Vax-750 operated by York University).\\n'We offer every reader an option of deleting not only an individual work but an individual author from his or her own view of the data base,' said Davey. Writers participate free in return for their writing and editing work. The 40 subscribers, so far, pay $25 (individuals) or $100 (libraries and other institutions). For classroom study, subscribers can pay for printouts at three cents for 50 lines (about 60 cents for 20 pages)--'a nominal fee.'\\nSwift Current gives regions and individuals an  escape from 'centralizing forces,' and Canadian writers a seawall against the flood of U.S. culture.\\\"\\n\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670549989883906,"timestamp":"2026-01-07T14:59:54.597Z","score":0.01643844},{"id":"4039","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Frank Davey fonds"],"source_collection_label":["Frank Davey fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2014.002"],"persistent_url":[""],"item_title":["DAVEY 4 - Cap 2 Tape 2"],"item_title_source":["Title written on reel box."],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Davey, Frank","Bowering, George"],"creator_names_search":["Davey, Frank","Bowering, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/5029235\",\"name\":\"Davey, Frank\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"Unconfirmed speaker on the tape.\",\"nation\":[],\"role\":[\"Speaker\",\"Interviewer\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/2360/UBCO_Davey_2014_002_006_a.jpg\",\"other\":\"5 inch reel. 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Date based on year Weeds was published.\",\"source\":\"Secondary research.\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary."],"contents":["Tape consists of [George Bowering?] interviewing Frank Davey about his recently published work Weeds."],"Note":["[{\"note\":\"Item #: 2014.002.007\",\"type\":\"General\"},{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Davey, Frank. Weeds. Coach House Press, 1970.\"}]"],"_version_":1853670549990932481,"timestamp":"2026-01-07T14:59:54.597Z","score":0.01643844},{"id":"4041","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Frank Davey fonds"],"source_collection_label":["Frank Davey fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2014.002"],"persistent_url":[""],"item_title":["DAVEY - Tape 5"],"item_title_source":["Title written on box."],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Davey, Frank","Bowering, George"],"creator_names_search":["Davey, Frank","Bowering, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/5029235\",\"name\":\"Davey, Frank\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"Unconfirmed speaker.\",\"nation\":[],\"role\":[\"Speaker\",\"Interviewer\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/2362/UBCO_Davey_2014_002_008_a.jpg\",\"other\":\"5 inch reel. Holds 900 ft. Reel is full.\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Charter Magnetic Tape\",\"generations\":\"\",\"Conservation\":\"Tape moldy.\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Poor\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"Not digitized. Tape moldy and requires conservation before digitization.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670549990932482,"timestamp":"2026-01-07T14:59:54.597Z","score":0.01643844},{"id":"4042","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Frank Davey fonds"],"source_collection_label":["Frank Davey fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2014.002"],"persistent_url":[""],"item_title":["Duncan Lecture 2 Robert Duncan Lectures"],"item_title_source":["Title on front of box."],"item_title_note":["Side 1 of reel reads: \nFrank Davey\nI (1) Duncan 1963 Conference \nlecture, Vancouver\n(2) - July 26, 1963 rdg.\nRdg for Fred & Pauline\n\nSide 2 of reel reads: II (1) Duncan: \"[illegible]\"\n(2) Rdg for Fred & Pauline cont'd\n\nWritten on accompanying card:\nI (1) 0 - Duncan Evening lecture, August 5, 1963\n0-582 (pt. 1) - 1014\nII (1) 0-605 Duncan: \"Man's Fulfillment in Order & Strife\" at Ellensberg, with, Conference on language & World Order\nI (2) - Duncan rgd., July 26, 1963. (0-450?)\n-Duncan rdg from San Francisco for Fred and Pauline (450 - END & B II (2))\nII (2) - San Francisco for Fred & Pauline cont'd (0-998?"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert"],"creator_names_search":["Duncan, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"One recipe card with timestamps.\",\"other_physical_description\":\"\"},{\"side\":\"A & B\",\"image\":\"../Uploads/2363/UBCO_Davey_2014_002_010_a.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Trubilt Magnetic Recording Tape Type T24TM\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2014.002.010_Robert Duncan Lectures 2_Side 2_L_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:08:46\",\"precision\":\"\",\"size\":\"792.3 MB\",\"bitrate\":\"16\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2014.002.010_Robert Duncan Lectures 2_Side 1_R_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:02:34\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"16\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Recording plays back at high speed. Requires Speed Edit. \",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2014.002.010_Robert Duncan Lectures 2_Side 1_L_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T02:05:29\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"16\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Recording plays back at high speed. Requires Speed Edit. \",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2014.002.010_Robert Duncan Lectures 2_Side 1_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T02:05:29\",\"precision\":\"\",\"size\":\"2.89 GB\",\"bitrate\":\"16\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Recording plays back at high speed. Requires Speed Edit. \",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Frank_Davey/2014.002.010/2014.002.010_Robert Duncan Lectures 2_Side 2\",\"filename\":\"2014.002.010_Robert Duncan Lectures 2_Side 2_R_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T:00:31:07\",\"precision\":\"\",\"size\":\"164.7 MB\",\"bitrate\":\"16\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Frank_Davey/2014.002.010/2014.002.010_Robert Duncan Lectures 2_Side 2\",\"filename\":\"2014.002.010_Robert Duncan Lectures 2_Side 2_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:08:46\",\"precision\":\"\",\"size\":\"1.58 GB\",\"bitrate\":\"16\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-07-26\",\"type\":\"Performance Date\",\"notes\":\"Date of reading during the 1963 Vancouver Poetry Conference.\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1963-08-05\",\"type\":\"Performance Date\",\"notes\":\"Date of lecture during Vancouver Poetry Conference.\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/2763312741\",\"venue\":\"The University of British Columbia\",\"notes\":\"Location of 1963 Vancouver Poetry Conference recordings.\",\"address\":\"1866 Main Mall, Vancouver, BC, Canada\",\"latitude\":\"49.2690758\",\"longitude\":\"-123.254727\"}]"],"Address":["1866 Main Mall, Vancouver, BC, Canada"],"Venue":["The University of British Columbia"],"City":["Vancouver, British Columbia"],"content_notes":["Contents entry temporary. Contains track description as found on recipe card within the box with the audio object."],"contents":["I (1) 0 - Duncan Evening lecture, August 5, 1963\n0-582 (pt. 1) - 1014\nII (1) 0-605 Duncan: \"Man's Fulfillment in Order & Strife\" at Ellensberg, with, Conference on language & World Order\nI (2) - Dunca rgd., July 26, 1963. (0-450?)\n-Duncan rdg from San Francisco for Fred and Pauline (450 - END & B II (2))\nII (2) - San Francisco for Fred & Pauline cont'd (0-998?"],"Note":["[{\"note\":\"Item #: 2014.002.010\",\"type\":\"General\"},{\"note\":\"Digitized. Recording plays back at high speed. See Speed Edit version for listening.\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670549990932483,"timestamp":"2026-01-07T14:59:54.597Z","score":0.01643844},{"id":"4043","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Frank Davey fonds"],"source_collection_label":["Frank Davey fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2014.002"],"persistent_url":[""],"item_title":["Spicer"],"item_title_source":["Title written on box."],"item_title_note":["Side B title: \nII (2) 0- 1021 pre TISH rdg, 1961\nII (1) 0-1324 Spicer lect. July 15/63\n\nAccompanying information:\nI (1) Spicer lecture, July 13, 1963 (0-1448) Birney 1455 ->\nII (1) Spicer lecture, July 15, 1963 (0-1324)\nI (2) Birney-Purdy[?] interview Feb 2-9, 1968\nII (2) TISH - group rgd, pre-TISH, Aug. 1961 (0-1021)"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Spicer, Jack","Birney, Earle","Purdy, Al"],"creator_names_search":["Spicer, Jack","Birney, Earle","Purdy, Al"],"creators":["[{\"url\":\"http://viaf.org/viaf/46807530\",\"name\":\"Spicer, Jack\",\"dates\":\"1925-1965\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/97679781\",\"name\":\"Birney, Earle\",\"dates\":\"1904-1995\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/7398775\",\"name\":\"Purdy, Al\",\"dates\":\"1918-2000\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors":["[]"],"Performance_Date":[1963],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/2364/UBCO_Davey_2014_002_011_a.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Trubilt Magnetic Recording Tape Type T24TM\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"One recipe card with timestamps.\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Frank_Davey/2014.002.011\",\"filename\":\"2014.002.001_Spicer_Side 1_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T:02:08:26\",\"precision\":\"\",\"size\":\"2.96 GB\",\"bitrate\":\"16\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Recording is sped up - see speed edit version. This recording contains both the left and right track.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Frank_Davey/2014.002.011\",\"filename\":\"2014.002.001_Spicer_Side 1_L_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"\",\"precision\":\"\",\"size\":\"1.48 GB\",\"bitrate\":\"16\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Recording is sped up - see speed edit version.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Frank_Davey/2014.002.011\",\"filename\":\"2014.002.001_Spicer_Side 1_R_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T:01:49:50\",\"precision\":\"\",\"size\":\"2.53 GB\",\"bitrate\":\"16\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Recording is sped up - see speed edit version.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Frank_Davey/2014.002.011/2014.002.011_Spicer_Side 2\",\"filename\":\"2014.002.011_Spicer_Side 2_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:05:27\",\"precision\":\"\",\"size\":\"1.97 GB\",\"bitrate\":\"16\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Recording is sped up - see speed edit version. This recording contains both Left and Right tracks.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Frank_Davey/2014.002.011/2014.002.011_Spicer_Side 2\",\"filename\":\"2014.002.011_Spicer_Side 2_L_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:01:06\",\"precision\":\"\",\"size\":\"1.41 GB\",\"bitrate\":\"16\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Recording is sped up - see speed edit version. \",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Frank_Davey/2014.002.011/2014.002.011_Spicer_Side 2\",\"filename\":\"2014.002.011_Spicer_Side 2_R_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:25:01\",\"precision\":\"\",\"size\":\"899.8 MB\",\"bitrate\":\"16\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Recording is sped up - see speed edit version. \",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-07-13\",\"type\":\"Performance Date\",\"notes\":\"Spicer Lecture\",\"source\":\"Listed on accompanying material.\"},{\"date\":\"1963-07-15\",\"type\":\"Performance Date\",\"notes\":\"Spicer Lecture\",\"source\":\"Listed on accompanying material.\"},{\"date\":\"1968-02-02\",\"type\":\"Performance Date\",\"notes\":\"Accompanying material reads Feb 2-9, 1968.\",\"source\":\"Listed on accompanying material.\"},{\"date\":\"1961-08\",\"type\":\"Performance Date\",\"notes\":\"TISH-group reading, pre-TISH.\",\"source\":\"Listed on accompanying material.\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary. Contains track list as written on recipe card accompanying the audio artifact."],"contents":["Recordings include the Jack Spicer Vancouver lectures from June 13, 15, and 17, 1965; Earle Birney interviewing Al Purdy, Feb 2-9, 1968; and \"TISH - group rgd, pre-TISH, Aug. 1961.\""],"Note":["[{\"note\":\"Item #: 2014.002.011\",\"type\":\"General\"},{\"note\":\"Digitized.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670549993029632,"timestamp":"2026-01-07T14:59:54.597Z","score":0.01643844},{"id":"4044","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Frank Davey fonds"],"source_collection_label":["Frank Davey fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2014.002"],"persistent_url":[""],"item_title":["BIRNEY Reminisces, Oct. 26, 1969"],"item_title_source":["Title written on box."],"item_title_note":["Side 1 reads: Birney / Oct 26, 69 / interviewed by F. D."],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright holder is Frank Davey. Permissions for public playback on SoundBox website have been granted."],"creator_names":["Birney, Earle","Davey, Frank"],"creator_names_search":["Birney, Earle","Davey, Frank"],"creators":["[{\"url\":\"http://viaf.org/viaf/97679781\",\"name\":\"Birney, Earle\",\"dates\":\"1904-1995\",\"notes\":\"Interviewee.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/5029235\",\"name\":\"Davey, Frank\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\",\"Recordist\"]}]"],"contributors":["[]"],"Performance_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/2365/UBCO_Davey_2014_002_012_a.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony Professional Recording Tape PR-150 Type 7\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2014.002.012_Birney_oct2667_interviewedbyFD_SideA_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:37:26\",\"precision\":\"\",\"size\":\"3.15 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2014.002.012_BirneyOct2669_interviewedbyFD_SideB_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:37:29\",\"precision\":\"\",\"size\":\"3.15 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969-10-26\",\"type\":\"Performance Date\",\"notes\":\"Date of interview as listed on tape and stated in the recording.\",\"source\":\"Listed on item\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary. To be transcribed."],"contents":["Tape consists of part of an oral history interview with Earle Birney as interviewed and recorded by Frank Davey. The interview was recorded on October 26, 1969 and took place in Frank Davey's home."],"Note":["[{\"note\":\"Item #: 2014.002.012\",\"type\":\"General\"},{\"note\":\"Digitization complete. Transcription complete.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670549993029633,"timestamp":"2026-01-07T14:59:54.597Z","score":0.01643844},{"id":"4045","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Frank Davey fonds"],"source_collection_label":["Frank Davey fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2014.002"],"persistent_url":[""],"item_title":["Frank Davey"],"item_title_source":["Title written on cassette."],"item_title_note":["Side A reads: Frank Davey.\n\nSide B: Blank"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Davey, Frank"],"creator_names_search":["Davey, Frank"],"creators":["[{\"url\":\"http://viaf.org/viaf/5029235\",\"name\":\"Davey, Frank\",\"dates\":\"1940-\",\"notes\":\"Interviewee.\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1975],"material_description":["[{\"side\":\"A\",\"image\":\"../Uploads/2366/UBCO_Davey_2014_002_014_c.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony Low Noise C60\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2014.002.014_FRANK_DAVEY_SideA_(MA)\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:32:23\",\"precision\":\"\",\"size\":\"1.13 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-07-20\",\"type\":\"Performance Date\",\"notes\":\"Exact date of interview is unconfirmed. Frank Davey recalls interview taking place around July 20, 1975, or perhaps one or two days later.\",\"source\":\"Correspondence with Frank Davey\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/9476864\",\"venue\":\"\",\"notes\":\"Frank Davey unsure if interview took place in Inuvik or Yellowknife.\",\"address\":\"Inuvik, Northwest Territories, Canada\",\"latitude\":\"68.3602632\",\"longitude\":\"-133.7203869\"},{\"url\":\"https://www.openstreetmap.org/relation/9476822\",\"venue\":\"\",\"notes\":\"Frank Davey unsure if interview took place in Inuvik or Yellowknife.\",\"address\":\"Yellowknife, Northwest Territories, Canada\",\"latitude\":\"62.4540807\",\"longitude\":\"-114.3773850\"}]"],"Address":["Inuvik, Northwest Territories, Canada","Yellowknife, Northwest Territories, Canada"],"content_notes":["Contents entry temporary.  To be time stamped and transcribed."],"contents":["Frank Davey reading from \"The King of Pentacles\" and discussing the poem with an unidentified interviewer on an unidentified radio program."],"Note":["[{\"note\":\"Digitization complete. Transcription complete.\",\"type\":\"General\"},{\"note\":\"Item #: 2014.002.014\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"http://www.jstor.org/stable/302053\",\"citation\":\"Davey, Frank. \\\"The King of Pentacles.\\\" boundary 2, vol. 1, no. 1, 1972, p. 77.\\n\"}]"],"_version_":1853670549993029634,"timestamp":"2026-01-07T14:59:54.597Z","score":0.01643844},{"id":"4046","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Frank Davey fonds"],"source_collection_label":["Frank Davey fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2014.002"],"persistent_url":[""],"item_title":["Victor Coleman, interviewed by Judy Fitzgerald, Jan 31, 1977"],"item_title_source":["Title written on cassette."],"item_title_note":["Side A reads: Victor Coleman, interviewed by Judy Fitzgerald, Jan 31, 1977\n\nSide B reads: Victor Coleman interview."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Coleman, Victor","Fitzgerald, Judy"],"creator_names_search":["Coleman, Victor","Fitzgerald, Judy"],"creators":["[{\"url\":\"http://viaf.org/viaf/38160442\",\"name\":\"Coleman, Victor\",\"dates\":\"1944-\",\"notes\":\"Interviewee.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Fitzgerald, Judy\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors":["[]"],"Performance_Date":[1977],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/2367/UBCO_Davey_2014_002_016_c.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch Brand ACV 60\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"30 min each side\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2014.002.016_Victor_Coleman_interviewed_by_Judy Fitzgerald_Jan_31_1977_SideA_(MA)\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:31:37\",\"precision\":\"\",\"size\":\"1.1 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2014.002.016_Victor_Coleman_interview_SideB_(MA)\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:12:46\",\"precision\":\"\",\"size\":\"443.8 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977-01-31\",\"type\":\"Performance Date\",\"notes\":\"Date the interview was recorded.\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary. To be time stamped and transcribed."],"contents":["Victor Coleman interviewed by Judy Fitzgerald. Coleman reads from poem \"Disengagement Ritual,\" which he wrote in Brandon, Manitoba, and Calgary, Alberta. Coleman notes during the recording that the poem was first performed on July 30, 1976."],"Note":["[{\"note\":\"Item #: 2014.002.016\",\"type\":\"General\"},{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Coleman, Victor. \\\"Disengagement Ritual.\\\"\"}]"],"_version_":1853670549994078208,"timestamp":"2026-01-07T14:59:54.597Z","score":0.01643844},{"id":"4047","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Frank Davey fonds"],"source_collection_label":["Frank Davey fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2014.002"],"persistent_url":[""],"item_title":["[Allen Ginsberg reading William Blake's \"Songs of Innocence and Experience\"]"],"item_title_source":["Title based on content of recording."],"item_title_note":["J-card reads:\n\"Allen Ginsberg/William Blake 'Songs of Innocence and Experience'\nSide 1 - Introduction\nThe Shepherd\nThe Ecchoing Green\nThe Lamb\nThe Little Black Boy\nThe Blossom\nThe Chimney Sweeper\nThe Little Boy Lost\nThe Little Boy Found\nLaughing Song\nHoly Thursday\nNight\nIntroduction\nNurses Song\nSick Rose\nAh! Sunflower\nGarden of Love\nLondon\n\nSide 2 - Human Abstract\nTirzah\nGrey Monk\""],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ginsberg, Allen"],"creator_names_search":["Ginsberg, Allen"],"creators":["[{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"Reading/singing the poems of William Blake.\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Blake, William"],"contributors_names_search":["Blake, William"],"contributors":["[{\"url\":\"http://viaf.org/viaf/54144439\",\"name\":\"Blake, William\",\"dates\":\"1757-1827\",\"notes\":\"Allen Ginsberg reads the poems and songs of William Blake.\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":["Blake, William"],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/2369/UBCO_Davey_2014_002_018_a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch Brand Tenzar Posi-Trak Backing Low Noise AVC 60 For Heavy Duty Applications\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2014.002.018_Allen_Ginsberg_William_Blake_SideA_(MA)\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:30:36\",\"precision\":\"\",\"size\":\"1.06 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2014.002.018_Allen_Ginsberg_William_Blake_SideB_(MA)\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:08:50\",\"precision\":\"\",\"size\":\"306.9 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary. Currently contains the track list as written on the j-card accompanying the audio artifact."],"contents":["Allen Ginsberg's sings William Blake 'Songs of Innocence and Experience'\nSide 1 - Introduction / The Shepherd / The Ecchoing Green / The Lamb / The Little Black Boy / The Blossom / The Chimney Sweeper / The Little Boy Lost / The Little Boy Found / Laughing Song / Holy Thursday / Night / Introduction/ Nurses Song / Sick Rose / Ah! Sunflower / Garden of Love / London\nSide 2 - Human Abstract / Tirzah / Grey Monk\""],"Note":["[{\"note\":\"Item #: 2014.002.018\",\"type\":\"General\"},{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"https://www.poemhunter.com/poem/the-shepherd/\",\"citation\":\"Blake, William. \\\"The Shepherd.\\\"\"},{\"url\":\"https://www.poetryfoundation.org/poems/56592/the-ecchoing-green\",\"citation\":\"Blake, William. \\\"The Ecchoing Green.\\\"\"},{\"url\":\"https://www.poetryfoundation.org/poems/43670/the-lamb-56d222765a3e1\",\"citation\":\"Blake, William. \\\"The Lamb.\\\"\"},{\"url\":\"https://www.poetryfoundation.org/poems/43671/the-little-black-boy\",\"citation\":\"Blake, William. \\\"The Little Black Boy.\\\"\"},{\"url\":\"https://www.poetryloverspage.com/poets/blake/blossom.html\",\"citation\":\"Blake, William. \\\"The Blossom.\\\"\"},{\"url\":\"https://www.poetryfoundation.org/poems/43654/the-chimney-sweeper-when-my-mother-died-i-was-very-young\",\"citation\":\"Blake, William. \\\"The Chimney Sweeper.\\\"\"},{\"url\":\"https://www.poetryfoundation.org/poems/52703/the-little-boy-lost\",\"citation\":\"Blake, William. \\\"The Little Boy Lost.\\\"\"},{\"url\":\"https://www.poetryloverspage.com/poets/blake/little_boy_found.html\",\"citation\":\"Blake, William. \\\"The Little Boy Found.\\\"\"},{\"url\":\"https://www.poetryloverspage.com/poets/blake/laughing_song.html\",\"citation\":\"Blake, William. \\\"Laughing Song.\\\"\"},{\"url\":\"https://www.poetryfoundation.org/poems/43661/holy-thursday-twas-on-a-holy-thursday-their-innocent-faces-clean\",\"citation\":\"Blake, William. \\\"Holy Thursday.\\\"\"},{\"url\":\"https://www.bartleby.com/101/491.html\",\"citation\":\"Blake, William. \\\"Night.\\\"\"},{\"url\":\"https://www.poetryloverspage.com/poets/blake/nurses_song.html\",\"citation\":\"Blake, William. \\\"Nurse's song.\\\"\"},{\"url\":\"https://www.poetryfoundation.org/poems/43682/the-sick-rose\",\"citation\":\"Blake, William. \\\"The Sick Rose.\\\"\"},{\"url\":\"https://www.poetryfoundation.org/poems/43649/ah-sun-flower\",\"citation\":\"Blake, William. \\\"Ah! Sun-flower.\\\"\"},{\"url\":\"https://www.poetryfoundation.org/poems/45950/the-garden-of-love\",\"citation\":\"Blake, William. \\\"The Garden of Love.\\\"\"},{\"url\":\"https://www.poetryfoundation.org/poems/43673/london-56d222777e969\",\"citation\":\"Blake, William. \\\"London.\\\"\"},{\"url\":\"https://www.poemhunter.com/poem/the-human-abstract/\",\"citation\":\"Blake, William. \\\"The Human Abstract.\\\"\"},{\"url\":\"https://www.poetryloverspage.com/poets/blake/to_tirzah.html\",\"citation\":\"Blake, William. \\\"To Tirzah.\\\"\"},{\"url\":\"https://www.poemhunter.com/poem/the-grey-monk/\",\"citation\":\"Blake, William. \\\"The Grey Monk.\\\"\"}]"],"_version_":1853670549994078209,"timestamp":"2026-01-07T14:59:54.597Z","score":0.01643844},{"id":"4048","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Frank Davey fonds"],"source_collection_label":["Frank Davey fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2014.002"],"persistent_url":[""],"item_title":["[Basil Bunting reads Briggflatts]"],"item_title_source":["Content written on j-card."],"item_title_note":["J-card: \"Basil Bunting - briggflatts\nSide One - one, two & three\nSide Two - four & five\""],"item_language":["English"],"item_production_context":["Audiobook"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bunting, Basil"],"creator_names_search":["Bunting, Basil"],"creators":["[{\"url\":\"http://viaf.org/viaf/4949021\",\"name\":\"Bunting, Basil\",\"dates\":\"1900-1985\",\"notes\":\"Bunting reads his long poem \\\"Briggflatts.\\\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/2370/UBCO_Davey_2014_002_019_c.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch Brand ACV 60\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"30 min each side\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2014.002.019_Basil_Bunting_briggflatts_SideA_(MA)\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:30:29\",\"precision\":\"\",\"size\":\"1.06 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2014.002.019_Basil_Bunting_briggflatts_SideB_(MA)\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:19:40\",\"precision\":\"\",\"size\":\"683.1 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary."],"contents":["Basil Bunting reads all five parts of his long poem \"Briggflatts.\""],"Note":["[{\"note\":\"Item #: 2014.002.019\",\"type\":\"General\"},{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Bunting, Basil. \\\"Briggflatts.\\\" Fulcrum Press, 1966.\"}]"],"_version_":1853670549994078210,"timestamp":"2026-01-07T14:59:54.597Z","score":0.01643844},{"id":"4049","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Frank Davey fonds"],"source_collection_label":["Frank Davey fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2014.002"],"persistent_url":[""],"item_title":["Marlatt [George Bowering interview of Daphne Marlatt on CFUV FM]"],"item_title_source":["Title written on container."],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Marlatt, Daphne","Bowering, George","Andrews, Jim"],"creator_names_search":["Marlatt, Daphne","Bowering, George","Andrews, Jim"],"creators":["[{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"Recording of Daphne Marlatt being interviewed by George Bowering and reading selections from Ana Historic.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"George Bowering interviews Daphne Marlatt about her book Ana Historic.\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"\",\"name\":\"Andrews, Jim\",\"dates\":\"\",\"notes\":\"Host of radio program \\\"Fine Lines: Canada's Coast and Coast Underground Literary Show.\\\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/596/Swallow_2014_002_015_c.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"30 min each side\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2014_002_015_DaphneMarlatt_Radio_int_w_Bowering_(MA)\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:02:45\",\"precision\":\"\",\"size\":\"2.18 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988\",\"type\":\"Performance Date\",\"notes\":\"Date approximate based on publication date of Daphne Marlatt's novel Ana Historic as is promoted in this interview recording.\",\"source\":\"Secondary research.\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"contents":["This tape consists of an interview by George Bowering of Daphne Marlatt discussing her new novel, Ana Historic, and reading selections from the text. The interview was recorded by CiTR FM at UBC, Vancouver, B.C., Canada. This pre-recorded interview was aired by CFUV FM at the University of Victoria on the campus radio program Coast to Coast: Canada's Underground Literary Review with Jim Andrews. The interview was likely pre-recorded ca. 1988, after Ana Historic was first published."],"Note":["[{\"note\":\"Item #: 2014.002.015\",\"type\":\"General\"},{\"note\":\"Digitization complete. Transcription complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Marlatt, Daphne. Ana Historic: a novel. Coach House Press, 1988.\"}]"],"_version_":1853670549994078211,"timestamp":"2026-01-07T14:59:54.597Z","score":0.01643844},{"id":"4050","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Frank Davey fonds"],"source_collection_label":["Frank Davey fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2014.002"],"persistent_url":[""],"item_title":["Robert Creeley [Vancouver Lectures, 1962 & Berkeley Lectures, 1965]"],"item_title_source":["Title written on container."],"item_title_note":["Written on recipe card in box:\nI (1) 0-797  \nCreeley Cal. Lecture: \"A Sense of Measure\"   805 -  Creeley Cal. rdg.   \nII (1) 0-  Creeley 1962 Festival rdg.   \nI (2) 0-1027 - Creeley 1962 Summer Lectures: Night I    \n1035-END - Night II    \nII (2) 0-30 - Night II cont'd    \n30-1075 - Night III    \nDuncan Lectures July 23-24-25, 1961   \nCreeley Lectures Aug 26-28-29-1962"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Davey, Frank","Tallman, Warren","Tallman, Ellen","Bowering, George","Wah, Fred","Creeley, Robert","Kearns, Lionel"],"creator_names_search":["Davey, Frank","Tallman, Warren","Tallman, Ellen","Bowering, George","Wah, Fred","Creeley, Robert","Kearns, Lionel"],"creators":["[{\"url\":\"http://viaf.org/viaf/5029235\",\"name\":\"Davey, Frank\",\"dates\":\"1940-\",\"notes\":\"Frank Davey recalls recording these lectures on a new Concord tape recorder.\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"Warren Tallman is heard asking Robert Creeley questions during his August 26, 28, and 29 lectures. These lectures were hosted in Warren and Ellen Tallman's living room in Vancouver, BC.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Tallman, Ellen\",\"dates\":\"\",\"notes\":\"Possibly heard speaking on the tape. 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artifact.\"},{\"date\":\"1962-08-29\",\"type\":\"Performance Date\",\"notes\":\"Robert Creeley's third lecture at Warren and Ellen Tallman's.\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1962-02-16\",\"type\":\"Performance Date\",\"notes\":\"Robert Creeley reading from poetry collection For Love at UBC Festival of Contemporary Arts — Poetry, February 16, 1962, 3:30pm, Arts 100, University of British Columbia, Vancouver, B.C.\",\"source\":\"Secondary Research\"},{\"date\":\"1965\",\"type\":\"Performance Date\",\"notes\":\"Date listed on artifact relating to Creeley's reading during the 1965 Berkeley Poetry Conference\",\"source\":\"Date listed on tape.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/24024512\",\"venue\":\"California Hall, Berkeley Campus, University of California\",\"notes\":\"\",\"address\":\"Sather Road, Berkeley, CA, USA\",\"latitude\":\"37.8718839\",\"longitude\":\"-122.260367372296\"},{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"The University of British Columbia\",\"notes\":\"Creeley's reading of For Love at UBC Festival of Contemporary Arts — Poetry, February 16, 1962, 3:30pm, Arts 100, University of British Columbia, Vancouver, B.C.\",\"address\":\"Vancouver, B.C., Canada\",\"latitude\":\"49.25839375\",\"longitude\":\"-123.246581610019\"},{\"url\":\"\",\"venue\":\"Warren and Ellen Tallman's home\",\"notes\":\"The August 26, 28, and 29, 1962 lectures by Robert Creeley were held in the living room of Warren and Ellen Tallman's home in Vancouver.\",\"address\":\"37th St., Vancouver, B.C.\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Sather Road, Berkeley, CA, USA","Vancouver, B.C., Canada","37th St., Vancouver, B.C."],"Venue":["California Hall, Berkeley Campus, University of California","The University of British Columbia","Warren and Ellen Tallman's home"],"City":["Berkeley, California","Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"Item #: 2014.002.001\",\"type\":\"General\"},{\"note\":\"Digitization Complete. Original digitized audio is sped up and content is unintelligible. See speed edit (S_Edit) versions of these files, as well as related details of edits.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670549994078212,"timestamp":"2026-01-07T14:59:54.597Z","score":0.01643844},{"id":"4051","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Frank Davey fonds"],"source_collection_label":["Frank Davey fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2014.002"],"persistent_url":[""],"item_title":["Charles Olson [Vancouver Readings and Lectures, 1963 & Berkeley Readings, 1965]"],"item_title_source":["Title written on container."],"item_title_note":["Written on recipe card in box:   \nI (1) 0-786 Olson Lect (Cal 65)   \n790 ->  Olson rdg. (lecture, actually) Cal, 65.   \nII (1) 0-346 - Olson rdg. (lecture, actually)   \n350-1058 - Olson, Aug. 14, 1963, rdg. (good)   \n1060->  Olson, Aug. 16, 1963, rdg.   \nI (2) 0-725  Olson, Aug. 16, 1963   \nII (2) Olson rdg from Gloucester  \n0-700 (Xmas tape)   "],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Olson, Charles"],"creator_names_search":["Olson, Charles"],"creators":["[{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"Lectures and reads from his poetic work.\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/628/Swallow_2014_002_002_a.jpg\",\"other\":\"\",\"extent\":\"1/4 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research.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/24024512\",\"venue\":\"California Hall, Berkeley Campus, University of California\",\"notes\":\"\",\"address\":\"Sather Road, Berkeley, CA, USA\",\"latitude\":\"37.8718839\",\"longitude\":\"-122.260367372296\"},{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"The University of British Columbia\",\"notes\":\"\",\"address\":\"Vancouver, B.C., Canada\",\"latitude\":\"49.25839375\",\"longitude\":\"-123.246581610019\"}]"],"Address":["Sather Road, Berkeley, CA, USA","Vancouver, B.C., Canada"],"Venue":["California Hall, Berkeley Campus, University of California","The University of British Columbia"],"City":["Berkeley, California","Vancouver, British Columbia"],"contents":["Olson Rdg. Aug 14, 1963\nChange from publ. Max. poems To New Max Poems in \"Max from Dogtown #7, Dec 5, 1959\"\n-\"Max to Himself at [illegible]\" \n-\"Max. To Gloucester, Letter 27.\" \n-\"Max further on, Dec. 28 '59\" \n-\"The Poimanderes\" \n-Two poems called \"The River\" I \n-II  Oceans. \n-\"Two Years later, 3 yrs from where we started\" \n-\"The South Wind Blows over Dogtown\" \n-\"I Tell you It's cruel\" (Ship Somersault over Shore) \n-\"These 3 represent a combination\" \n-\"Dog[illegible]\"\n-\"A Very Beautiful Woman\" (pond, serpent, woman dead) \n-\"She went off Fucking Mountain\" \n- Poem made up of nothing but Names (Pound, Ferrini, Hammond) \n-\"A coast is not the same as land\" (Indians & what's on [illegible] & shore) \n-\"Max letter # whatever\" (chockablock) (man & wife dame down tree to fix it up) \n-\"1st Stevens Song\" (I'll fix it up & sail it out to sea)\n-\"Upward Choking on Dogtown\""],"Note":["[{\"note\":\"Item #: 2014.002.002\",\"type\":\"General\"},{\"note\":\"Not digitized\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670549995126784,"timestamp":"2026-01-07T14:59:54.597Z","score":0.01643844},{"id":"4052","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Frank Davey fonds"],"source_collection_label":["Frank Davey fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2014.002"],"persistent_url":[""],"item_title":["[bp]Nichol Little Boy Lost"],"item_title_source":["Title written on artifact."],"item_title_note":["Side A title: Nichol Little Boy Lost"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated 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Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"2014.002.003_Nichol_LittleBoyLost_SideA_02.wav\",\"duration\":\"T00:57:20\",\"precision\":\"\",\"size\":\"1.9 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1968\",\"type\":\"Publication Date\",\"notes\":\"https://asc.library.carleton.ca/exhibits/bpnichol-we-are-words-and-our-meanings-change/visual-poetry/typewriter-poems\",\"source\":\"Secondary research.\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"contents":["Reel contains the complete CBC broadcast of bpNichol's radio serial, \"Little Boy Lost Meets Mother Tongue.\""],"Note":["[{\"note\":\"Item #: 2014.002.003\",\"type\":\"\"},{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"bpNichol. \\\"Little Boy Lost Meets Mother Tongue.\\\"\"}]"],"_version_":1853670549996175360,"timestamp":"2026-01-07T14:59:54.597Z","score":0.01643844},{"id":"4053","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Frank Davey fonds"],"source_collection_label":["Frank Davey fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2014.002"],"persistent_url":[""],"item_title":["Daphne Marlatt"],"item_title_source":["Title written on container."],"item_language":["English"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Marlatt, Daphne","Davey, Frank"],"creator_names_search":["Marlatt, 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Access copy will require edit.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-11-26\",\"type\":\"Performance Date\",\"notes\":\"Allen Ginsberg reading sponsored by Auerhehn Press.\",\"source\":\"Date listed on box.\"},{\"date\":\"1963-08-07\",\"type\":\"Performance Date\",\"notes\":\"Wednesday morning discussion on \\\"numinous.\\\"\",\"source\":\"Date listed on box.\"},{\"date\":\"1963-08-05\",\"type\":\"Performance Date\",\"notes\":\"Monday morning discussion on \\\"intention\\\" and \\\"induced hypersensitivity.\\\"\",\"source\":\"Date listed on box.\"},{\"date\":\"1966-07\",\"type\":\"Performance Date\",\"notes\":\"Allen Ginsberg reading \\\"Wichita Vortex Sutra\\\" from KGED program.\",\"source\":\"Date listed on box.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/91208094\",\"venue\":\"Buchanan Building, University of British Columbia\",\"notes\":\"\",\"address\":\"1866 Main Mall, Vancouver, B.C.\",\"latitude\":\"49.26827765\",\"longitude\":\"-123.2542416\"}]"],"Address":["1866 Main Mall, Vancouver, B.C."],"Venue":["Buchanan Building, University of British Columbia"],"City":["Vancouver, British Columbia"],"contents":["Original recordings from the 1963 Vancouver Poetry Conference. Charles Olson, Robert Creeley, Robert Duncan, Allen Ginsberg, Margaret Avison, and Denise Levertov Monday morning discussion on \"intention\" and \"induced hypersensitivity,\" August 5, 1963. Robert Creeley, Robert Duncan, Allen Ginsberg, Margaret Avison, and Denise Levertov Wednesday morning discussion on \"numinous,\" August 7, 1963. Recorded by Fred Wah. Tape also includes Allen Ginberg reading on November 26, 1963 (sponsored by Auerhahn Press), and Allen Ginsberg reading \"Wichita Vortex Sutra\" (recorded from KGED program) in July 1966. Recordist unknown."],"Note":["[{\"note\":\"Tape 8 in Fred Wah's catalogue.\",\"type\":\"General\"},{\"note\":\"Related tapes:\\n2012.002.021\\n2012.002.022\\n2012.002.023\\n2014.002.001\\n2014.002.002\\n2018.002.045\\n2022.002.126\\n2022.003.005\\n2022.003.006\\n2022.003.007\\n2022.003.009\\n2022.003.010\\n2022.003.011\\n2022.003.012\\n2022.003.013\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670549998272514,"timestamp":"2026-01-07T14:59:54.597Z","score":0.01643844},{"id":"4064","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Fred Wah fonds"],"source_collection_label":["Fred Wah fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2022.003"],"persistent_url":[""],"item_title":["9. (4) Morning Aug 9. Morn. Aug 12. Morning Aug 14."],"item_title_source":["Title written on box."],"item_title_note":["Title on box: 9. (4) Morning Aug 9. Morn. Aug 12. Morning Aug 14.\n\nSide A title: n/a\n\nSide B title: n/a\n\nInside of box: Tape #4\nFriday morning, Aug. 9\nall six poets.\n1-A (all)\n2-A (0-280)\n\nMonday morning, Aug. 12\n(Levertov, Duncan, Ginsberg, Creeley) (readings)\n2-A (280-end)\n1-B (000-550)\n\nWednesday morning, Aug. 14\n(Olson, Duncan, Ginsberg) (duende, angel, muse)\n1-B (550-end)\n2-B (all)\n\nBack of box: Tape #4\nFri Morning Aug 9\n1-A\n2-A (0-280)\nMon Morning Aug 12 (readings)\n(280-end)\n1-B 0-550\nWed. Morning Aug. 14. duende, angel, muse. Copy, transferred from tape #5.\n1-B (550-end)\n2-B (all)\n\nAccompanying information: n/a"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_series_title":["1963 Vancouver Poetry Conference"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Creeley, Robert","Ginsberg, Allen","Duncan, Robert","Avison, Margaret","Levertov, Denise","Olson, Charles","Tallman, Warren","Tallman, Ellen"],"creator_names_search":["Wah, Fred","Creeley, Robert","Ginsberg, Allen","Duncan, Robert","Avison, Margaret","Levertov, Denise","Olson, Charles","Tallman, Warren","Tallman, Ellen"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"Speaker in August 9th (morning) discussion and reader in August 12th (morning) 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Charles Olson, Robert Creeley, Robert Duncan, Allen Ginsberg, Margaret Avison, and Denise Levertov Friday morning discussion, August 9, 1963. Robert Creeley, Robert Duncan, Allen Ginsberg, and Denise Levertov Monday morning reading, August 12, 1963. Charles Olson, Robert Duncan, and Allen Ginsberg Wednesday morning discussion on \"duende, angel, muse,\" August 14, 1963. 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Morning Aug 16, Aug 2, July 24"],"item_title_source":["Title written on box."],"item_title_note":["Title on box: 10. Morning Aug 16, Aug 2, July 24\n\nSide A: n/a\n\nSide B: n/a\n\nInside of box: \nWednesday morning, July 24: Creeley & Ginsberg: 1-A (all). 2-A (0-135)\n\nFriday morning, August 2: Gins. Creeley, Duncan, Olson - 2-A (135 to end). 1-B (000-)\n\nFriday morning, August 16: Creeley, Ginsberg, Duncan. Linguistics. 1-B. 2-B. 2-B 170.\n\nBack of box: \n1-A: Wednesday morning. July 24: Creeley & Ginsberg.\n2-A: (000-135) Wednesday morning. July 24. (incomplete. last part of recording no good)\n2-A: (135 to end) Friday morning, August 2: Ginsberg, Creeley, Duncan, & Olson.\n1-B: (000-500) (copies transferred from tape #5)\n1-B: (500-end) Friday morning, August 16: Creeley, Ginsberg, Duncan.\n2-B: 170 'linguistics'\n\nAccompanying information: n/a"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_series_title":["1963 Vancouver Poetry Conference"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Creeley, Robert","Ginsberg, Allen","Duncan, Robert","Olson, Charles","Tallman, Warren","Tallman, Ellen"],"creator_names_search":["Wah, Fred","Creeley, Robert","Ginsberg, Allen","Duncan, Robert","Olson, Charles","Tallman, Warren","Tallman, Ellen"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, 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Morning Aug 16, Aug 2, July 24_Side 1_3-2_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:05:53\",\"precision\":\"\",\"size\":\"2.28 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-07-24\",\"type\":\"Performance Date\",\"notes\":\"Wednesday morning discussion.\",\"source\":\"Date listed on box.\"},{\"date\":\"1963-08-02\",\"type\":\"Performance Date\",\"notes\":\"Friday morning discussion.\",\"source\":\"Date listed on box.\"},{\"date\":\"1963-08-16\",\"type\":\"Performance Date\",\"notes\":\"Friday morning discussion.\",\"source\":\"Date listed on box.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/91208094\",\"venue\":\"Buchanan Building, University of British Columbia\",\"notes\":\"\",\"address\":\"1866 Main Mall, Vancouver, B.C.\",\"latitude\":\"49.26827765\",\"longitude\":\"-123.2542416\"}]"],"Address":["1866 Main Mall, Vancouver, B.C."],"Venue":["Buchanan Building, University of British Columbia"],"City":["Vancouver, British Columbia"],"contents":["Original recordings from the 1963 Vancouver Poetry Conference. Robert Creeley and Allen Ginsberg discussion on Wednesday morning, July 24, 1963. Robert Creeley, Robert Duncan, Allen Ginsberg, and Charles Olson discussion on Friday morning, August 2, 1963. Robert Duncan, Allen Ginsberg, and Robert Creeley discussion (possibly on \"linguistics\") on Friday morning, August 16, 1963. Recorded by Fred Wah."],"Note":["[{\"note\":\"Tape 10 in Fred Wah's catalogue.\",\"type\":\"General\"},{\"note\":\"Related tapes:\\n2012.002.021\\n2012.002.022\\n2012.002.023\\n2014.002.001\\n2014.002.002\\n2018.002.045\\n2022.002.126\\n2022.003.005\\n2022.003.006\\n2022.003.007\\n2022.003.008\\n2022.003.009\\n2022.003.011\\n2022.003.012\\n2022.003.013\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670550001418240,"timestamp":"2026-01-07T14:59:54.597Z","score":0.01643844},{"id":"4066","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Fred Wah fonds"],"source_collection_label":["Fred Wah fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2022.003"],"persistent_url":[""],"item_title":["11. 410 Readings 196 Ginsberg (early)"],"item_title_source":["Title written on box."],"item_title_note":["Title on box: 11. 410 Readings 196 Ginsberg (early)\n\nSide A title: n/a\n\nSide B title: n/a\n\nBack of box:\nGinsberg reading early poems: July 31/1963L 1-A (all). 2-A (000-157)\nGinsberg Reading Berkeley July 21/65. Intro by Thomas Parkinson. 1B (all). 2B 0-.\n\nAccompanying information: 1 index card with timestamps of contents. See images."],"item_language":["English"],"item_production_context":["Classroom recording"],"item_series_title":["1963 Vancouver Poetry Conference"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Ginsberg, Allen","Tallman, Warren","Tallman, Ellen","Parkinson, Thomas"],"creator_names_search":["Wah, Fred","Ginsberg, Allen","Tallman, Warren","Tallman, Ellen","Parkinson, Thomas"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1927-1997\",\"notes\":\"Reader at VPC, July 31, 1963 and at BPC, July 21, 1965.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"Organizer of VPC event.\",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"\",\"name\":\"Tallman, Ellen\",\"dates\":\"1927-2008\",\"notes\":\"Organizer of VPC event.\",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"http://viaf.org/viaf/92344899\",\"name\":\"Parkinson, Thomas\",\"dates\":\"1920-1992\",\"notes\":\"Introducer of Allen Ginsberg at BPC reading.\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10936/2022.003.011a-Resize.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Magnetic Recording Tape\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"1 index card with 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Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.011/audio\",\"filename\":\"2022.003.011_11. 410 Readings 196 Ginsberg (early)_Side 1_3-2_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:04:52\",\"precision\":\"\",\"size\":\"2.24 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-07-31\",\"type\":\"Performance Date\",\"notes\":\"Ginsberg VPC reading.\",\"source\":\"Date listed on box.\"},{\"date\":\"1963-07-21\",\"type\":\"Performance Date\",\"notes\":\"Ginsberg BPC reading.\",\"source\":\"Date listed on box.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/91208094\",\"venue\":\"Buchanan Building, University of British Columbia\",\"notes\":\"\",\"address\":\"1866 Main Mall, Vancouver, 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Recorded by Fred Wah.\n\nAllen Ginsberg reading on July 21, 1965 at Berkeley Poetry Conference. Introduced by Thomas Parkinson.\""],"Note":["[{\"note\":\"Tape 11 in Fred Wah's catalogue.\",\"type\":\"General\"},{\"note\":\"Related tapes:\\n2012.002.021\\n2012.002.022\\n2012.002.023\\n2014.002.001\\n2014.002.002\\n2018.002.045\\n2022.002.126\\n2022.003.005\\n2022.003.006\\n2022.003.007\\n2022.003.008\\n2022.003.009\\n2022.003.010\\n2022.003.012\\n2022.003.013\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670550002466816,"timestamp":"2026-01-07T14:59:54.597Z","score":0.01643844},{"id":"4067","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Fred Wah fonds"],"source_collection_label":["Fred Wah fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2022.003"],"persistent_url":[""],"item_title":["12. (7) Readings (Evening) Ginsberg / Levertov / Creeley / Olson"],"item_title_source":["Title written on box."],"item_title_note":["Title on box: 12. (7) Readings (Evening) Ginsberg / Levertov / Creeley / Olson\n\nSide A title: n/a\n\nSide B title: n/a\n\nBack of box:\n1-A Ginsberg - Aug 2 (990)\n2-A Levertov - Aug 9 (656)\n1-B Creeley - Aug 12 (132) Buffalo Oct 3/66\n2-B Olson - Aug 14 (1183)\n\nIndex card:\nTape #7\n1-A: GINSBERG reading from Journals (0-990) August 2/63\n2-A: LEVERTOV, August 9/63 (000-656)\n1-B: CREELEY, August 12/63 (000-132)\n2-B: OLSON, August 14/63 - first reading\n\nAccompanying information: 4 index cards with timestamps of contents. See images."],"item_language":["English"],"item_production_context":["Classroom recording"],"item_series_title":["1963 Vancouver Poetry Conference"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Ginsberg, Allen","Creeley, Robert","Olson, Charles","Levertov, Denise","Tallman, Warren","Tallman, Ellen"],"creator_names_search":["Wah, Fred","Ginsberg, Allen","Creeley, Robert","Olson, Charles","Levertov, Denise","Tallman, Warren","Tallman, Ellen"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1927-1997\",\"notes\":\"Reader at VPC, August 2, 1963.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"Reader at VPC, August 12, 1963.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"Reader at VPC, August 14, 1963.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/9868894\",\"name\":\"Levertov, Denise\",\"dates\":\"1923-1997\",\"notes\":\"Reader at VPC, August 9, 1963.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"Organizer of VPC event.\",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"\",\"name\":\"Tallman, Ellen\",\"dates\":\"1927-2008\",\"notes\":\"Organizer of VPC event.\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors":["[]"],"Performance_Date":[1963],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.012/audio\",\"filename\":\"2022.003.012_12. 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Allen Ginsberg reading from Journals, August 2, 1963; Denise Levertov reading, August 9, 1963; Robert Creeley reading, August 12, 1963; and Charles Olson reading, August 14, 1963. 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Olson Reading (Aug 16/63) / Bunting"],"item_title_source":["Title written on box."],"item_title_note":["Title on box: 13. Olson Reading (Aug 16/63) / Bunting\n\nSide A title: n/a\n\nSide B title: n/a\n\nBack of box: \n1-A Aug 16, 1963 - Olson\n2-A (565) Aug 16, 1963\n(762) Aug 16, 1963\n1-B 4. July 1966 - Basil Bunting Briggflatts\n950\n2-B 6. Bunting at SUB in Buffalo\nOppen in Buffalo\n\nAccompanying information: 1 index with list of contents. 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Charles Olson reading on August 16, 1963. Recorded by Fred Wah.\n\nTape also includes recordings of Basil Bunting reading of Briggflatts at Buffalo, July 1966, and George Oppen and John Wieners readings at Buffalo in Spring 1967.\""],"Note":["[{\"note\":\"Tape 13 in Fred Wah's catalogue.\",\"type\":\"General\"},{\"note\":\"Related tapes:\\n2012.002.021\\n2012.002.022\\n2012.002.023\\n2014.002.001\\n2014.002.002\\n2018.002.045\\n2022.002.126\\n2022.003.005\\n2022.003.006\\n2022.003.007\\n2022.003.008\\n2022.003.009\\n2022.003.010\\n2022.003.011\\n2022.003.012\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670550003515392,"timestamp":"2026-01-07T14:59:54.597Z","score":0.01643844},{"id":"4069","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Fred Wah fonds"],"source_collection_label":["Fred Wah fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2022.003"],"persistent_url":[""],"item_title":["14. Olson - Berkeley"],"item_title_source":["Title written on box."],"item_title_note":["Title on box: 14. Olson - Berkeley\n\nSide A title: n/a\n\nSide B title: n/a\n\nInside of box:\n1A-2A Charles Olson Reading Berkeley. Summer 1965.\n1B Olson Reading contd -> 150. Lecture \"The Casual Mythology.\"\n2B Lecture Cont'd.\n134\n232 Astride the Cabot Fault\n616 Emyalion\n711 7 years\n950 [illegible]\n\nAccompanying information: n/a"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Olson, Charles"],"creator_names_search":["Olson, Charles"],"creators":["[{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"Reader and lecturer at Berkeley Poetry Conference, Summer 1965.\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10939/2022.003.014a-Resize.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"High Fidelity Magnetic Recording Tape\",\"generations\":\"\",\"Conservation\":\"Reel is cracked and tape is warped.\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Poor\",\"track_configuration\":\"4 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"None\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10939/2022.003.014b-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10939/2022.003.014c-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10939/2022.003.014d-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10939/2022.003.014e-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.014/audio\",\"filename\":\"2022.003.014_14. 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Will require edit for access copy.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.014/audio\",\"filename\":\"2022.003.014_14. Olson - Berkeley_Side 2_3-2_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:35:10\",\"precision\":\"\",\"size\":\"3.29 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Volume varies a lot due to speaker moving from microphone?\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07\",\"type\":\"Performance Date\",\"notes\":\"Date listed on box. 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H.D. reading Helen in Egypt, date unknown. James Joyce reading Finnegan's Wake, date unknown. \"Young poets\" including Jim Boyack, Robin Eichele, VIctor Coleman, Robert Hogg, Steve Rodefer, and David Franks reading at Berkeley, July 1965. Ron Loewinsohn, David Bromige, and Richard Duerden reading in San Francisco, January 1964. Ron Loewinsohn reading at the University of New Mexico in Albuquerque, April 1964."],"Note":["[{\"note\":\"Tape 19 in Fred Wah's catalogue.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Joyce, James. Finnegan's Wake. 1939.\"},{\"url\":\"\",\"citation\":\"H.D. Helen in Egypt. 1961.\"},{\"url\":\"\",\"citation\":\"Schwitters, Kurt. \\\"An Anna Blume.\\\" 1919.\"},{\"url\":\"\",\"citation\":\"Schwitters, Kurt. \\\"A Anna LaFleur.\\\" Translation by Philip Granville.\"},{\"url\":\"\",\"citation\":\"Schwitters, Kurt. \\\"To Eve Blossom.\\\" Translation by Ernst Schwitters.\"},{\"url\":\"\",\"citation\":\"Schwitters, Kurt. \\\"Die Sonate in Urlauten.\\\" 1921-32. Translation by Ernst Schmitters.\"}]"],"_version_":1853670550005612544,"timestamp":"2026-01-07T14:59:54.597Z","score":0.01643844},{"id":"4075","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Fred Wah fonds"],"source_collection_label":["Fred Wah fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2022.003"],"persistent_url":[""],"item_title":["20. The Berkeley Poetry Conference. 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It also includes the N.E.T USA Poetry event with readings by Frank O'Hara, Ed Sanders, Denise Levertov, Charles Olson and Robert Creeley. Music by the Village Fugs. Albert Ayler Trio albums Spiritual Unity (1965) and Bells (1965). Paul Bley Quintet album Barrage (1964). The New Wave in Jazz album (1965)."],"Note":["[{\"note\":\"Tape 23 in Fred Wah's catalogue.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"The Fugs. The Fugs First Album. 1965.\"},{\"url\":\"\",\"citation\":\"Albert Ayler Trio. Spiritual Unity. 1965.\"},{\"url\":\"\",\"citation\":\"Albert Ayler Trio. Bells. 1965.\"},{\"url\":\"\",\"citation\":\"Paul Bley Quintet. Barrage. 1964.\"},{\"url\":\"\",\"citation\":\"The New Wave in Jazz. 1965.\"}]"],"_version_":1853670550007709697,"timestamp":"2026-01-07T14:59:54.597Z","score":0.01643844},{"id":"4079","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Fred Wah fonds"],"source_collection_label":["Fred Wah fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2022.003"],"persistent_url":[""],"item_title":["24. Pound Interviews, John Wieners"],"item_title_source":["Title written on box."],"item_title_note":["Title on box: 24. Pound Interviews, John Wieners\n\nSide A title: n/a\n\nSide B title: n/a\n\nBack of box: \n1-A Pound\n2-A Pound\n1-B Gerry Gilbert - July 15/65 ->177\n(180-) Edward Marshall \"Leave the word alone...\" Boston 1956.\n2-B John Wieners - Sept 19/65\n115->232 (first part didn't record)\n240-725 - Berkeley summer 1965.\n\nAccompanying information: n/a"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Pound, Ezra","Gilbert, Gerry","Marshall, Edward","Wieners, John"],"creator_names_search":["Pound, Ezra","Gilbert, Gerry","Marshall, Edward","Wieners, John"],"creators":["[{\"url\":\"http://viaf.org/viaf/24606774\",\"name\":\"Pound, Ezra\",\"dates\":\"1885-1972\",\"notes\":\"BBC Interview.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Marshall, Edward\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/90723960\",\"name\":\"Wieners, John\",\"dates\":\"1934-2002\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10949/2022.003.024a-Resize.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"DuPont Magnetic Recording Tape\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"4 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"None\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10949/2022.003.024b-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10949/2022.003.024c-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10949/2022.003.024d-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.024/audio\",\"filename\":\"2022.003.024_24. 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Pound 1958 Caedmon"],"item_title_source":["Inside of box"],"item_title_note":["Title on box: n/a\n\nSide A title: n/a\n\nSide B title: n/a\n\nInside of box: Pound 1958 Caedmon Tc1122\nMauberley\n220 Canto I\n276 Canto IV\n352 Canto XXXVI\n425 Canto LXXXIV\n490 Canto XLV\n533 Canto LI\n587 Canto LXXVI\n638 The Gypsy\n650 The Exile's Letter\n725 Canto 99\n\n2A Burnt Norton\n100 East Coker\n220 The Dry Salvages\nLittle Gidding ->\n1B - 0-258\nConcrete Poetry Oct 4/65 (3rd BBC) Ennitt Jandl, Michael Weaver, George MacBeth\n260-427 Paul de Vree 7 1/2 Organon - april am [illegible]: Louis De Meeste (6 [illegible])\n\nAccompanying information: 1 index card with timestamps of contents. See images"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Pound, Ezra","Eliot, T.S. (Thomas Stearns)","Stanley, George"],"creator_names_search":["Pound, Ezra","Eliot, T.S. 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reel\"},{\"side\":\"\",\"image\":\"../Uploads/11322/2022.003.083b-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/11322/2022.003.083c-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/11322/2022.003.083d-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/11322/2022.003.083e-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"contents":["Contents unknown."],"Note":["[]"],"Related_works":["[]"],"_version_":1853670550206939140,"timestamp":"2026-01-07T14:59:54.808Z","score":0.01643844},{"id":"4139","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Fred Wah fonds"],"source_collection_label":["Fred Wah fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2022.003"],"persistent_url":[""],"item_title":["January 14, 1969 Console #3 tape recorder R.S."],"item_title_source":["Title written on box."],"item_title_note":["Title on box: Caedmon \"Beowulf\" 3 3/4ips mono\nGeddes Anthology\n\nSide A title: n/a\n\nSide B title: n/a\n\nBack of box:\n[crossed out] 3 3/3 ips Anglo-Saxon Poetry\n\"Beowulf read by J.B. Bessinger Jr.\n\nMr F. Wah. English Department.\n\n[crossed out] Cohen. Thomas. Ginsberg. Olson. Creeley. For Geddes Anthology. Cancel.\n\nJanuary 14, 1969 Console #3 tape recorder R.S.\n\nAccompanying information: n/a"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["5 inch reels"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Geddes, Gary"],"creator_names_search":["Wah, Fred","Geddes, Gary"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"Name listed on back of box.\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/94290892\",\"name\":\"Geddes, Gary\",\"dates\":\"1940-\",\"notes\":\"Crossed out name on back of box.\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Performance_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11323/2022.003.084a-Resize.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Irish Professional Recording Tape\",\"generations\":\"\",\"Conservation\":\"Tape very dusty\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Poor\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"None\",\"other_physical_description\":\"5 inch reel\"},{\"side\":\"\",\"image\":\"../Uploads/11323/2022.003.084b-Resize.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Irish Professional Recording Tape\",\"generations\":\"\",\"Conservation\":\"Tape very dusty\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Poor\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"None\",\"other_physical_description\":\"5 inch reel\"},{\"side\":\"\",\"image\":\"../Uploads/11323/2022.003.084c-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/11323/2022.003.084d-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel","Reel to Reel"],"physical_compositions":["Magnetic Tape","Magnetic Tape"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.084/audio\",\"filename\":\"2022.003.084_January 14, 1969 Console #3 tape recorder R.S._Side 1_1-4.wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:25:17\",\"precision\":\"\",\"size\":\"873.6 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Access copy will require speed edit.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.084/audio\",\"filename\":\"2022.003.084_January 14, 1969 Console #3 tape recorder R.S._Side 1_3-2.wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:24:52\",\"precision\":\"\",\"size\":\"859.3 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Access copy will require speed edit. May be sound bleed through from other side of tape - starts 10 minutes into recording.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.084/audio\",\"filename\":\"2022.003.084_January 14, 1969 Console #3 tape recorder R.S._Side 2_1-4.wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:25:02\",\"precision\":\"\",\"size\":\"865.3 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Track 3/2 is blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969-01-14\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on box.\"}]"],"Location":["[]"],"City":["Other"],"contents":["Recording from January 14, 1969, possibly recorded by Fred Wah. Previous recordings appear to be a reading of \"Beowulf\" by J. B. Bessinger, Jr. and a selection of recordings for the Gary Geddes anthology, with poets including Leonard Cohen, Dylan Thomas, Allen Ginsberg, Charles Olson, and Robert Creeley."],"Note":["[]"],"Related_works":["[]"],"_version_":1853670550206939141,"timestamp":"2026-01-07T14:59:54.808Z","score":0.01643844},{"id":"4140","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Fred Wah fonds"],"source_collection_label":["Fred Wah fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2022.003"],"persistent_url":[""],"item_title":["Creeley, Kyger, Dorn // S.F. Aug '73"],"item_title_source":["Title written on box."],"item_title_note":["Title on box: Creeley, Kyger, Dorn // S.F. 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Side 1 + 2.\nMr. F. Wah\nARGO\nGeoffrey Chaucer\n\"Prologue to the Canterbury Tales\"\nJan 17, 1969 R.S. 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He also is heard talking with Thea in the recording.\",\"nation\":[],\"role\":[\"Recordist\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/49240132\",\"name\":\"Dudek, Louis\",\"dates\":\"1918-2001\",\"notes\":\"Interviewee.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/93542147\",\"name\":\"Bowering, Angela\",\"dates\":\"\",\"notes\":\"Angela Bowering is heard talking with Thea Bowering on Side A. \\n\\nAngela Bowering (unconfirmed) interviews Louis Dudek on Side B.\",\"nation\":[],\"role\":[\"Speaker\",\"Interviewer\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/1113/UBCO_Bowering_2019_003_004_c.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sanyo Compact Cassette\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"30 min each side\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2019.003.004_Thea_JAN_FEB_1973,_SideA_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:16:29\",\"precision\":\"\",\"size\":\"572.7 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2019.003.004_Dudek,_SideB\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:16:13\",\"precision\":\"\",\"size\":\"563.3 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-01\",\"type\":\"Performance Date\",\"notes\":\"Side A. 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Transcription complete.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550212182018,"timestamp":"2026-01-07T14:59:54.808Z","score":0.01643844},{"id":"4160","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["George Bowering fonds"],"source_collection_label":["George Bowering fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2019.003"],"persistent_url":[""],"item_title":["1968 Election Year - U.S.A."],"item_title_source":["Title written on cassette."],"item_title_note":["Title on case: n/a\n\nSide A title: 1968 Election Year - U.S.A.\n\nSide B title: n/a\n\nJ-card description: n/a"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","Bowering, Angela","Kiyooka, Roy"],"creator_names_search":["Bowering, George","Bowering, Angela","Kiyooka, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/93542147\",\"name\":\"Bowering, Angela\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1968],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/1114/UBCO_Bowering_2019_003_001_a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Maxell Compact Cassette C-60\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"30 min each side\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2019.003.001_Election_Year_USA_01_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:04:07\",\"precision\":\"\",\"size\":\"2.23 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A & B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1968-10\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/453998152\",\"venue\":\"George and Angela Bowering's home\",\"notes\":\"\",\"address\":\"Grosvenor Avenue, Montreal, Quebec, Canada\",\"latitude\":\"45.4872736\",\"longitude\":\"-73.619867\"}]"],"Address":["Grosvenor Avenue, Montreal, Quebec, Canada"],"Venue":["George and Angela Bowering's home"],"City":["Montreal, Quebec"],"content_notes":["Contents description temporary."],"contents":["Side A consists of George Bowering recording a collage of television news and advertisement clips, and excerpts from conversations.\n \nSide B of the recording features a conversation between George Bowering, Angela Bowering, and Roy Kiyooka."],"Note":["[{\"note\":\"Digitization complete. Transcription complete.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550212182019,"timestamp":"2026-01-07T14:59:54.808Z","score":0.01643844},{"id":"4161","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["George Bowering fonds"],"source_collection_label":["George Bowering fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2019.003"],"persistent_url":[""],"item_title":["1. Baby Thea 2. Mtl US Moon Shot - Warren + Kiyooka"],"item_title_source":["Title on front of box and content of tape."],"item_title_note":["Side A title: Baby Thea 1 week to 5 months\n\nSide B title: Warren, Roy, Moon, etc.\n\nTitle on case: Written on case:\n1. Baby Thea\n2. Mtl. 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The date, location, and name of this event is unknown."],"Note":["[{\"note\":\"Digitization complete. Transcription complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"https://www.poetryfoundation.org/poems/48636/the-glass-essay.\",\"citation\":\"Carson, Anne. \\\"The Glass Essay.\\\"\"},{\"url\":\"\",\"citation\":\"Bowering, Thea. \\\"Jeanne's Monologue.\\\" Love at Last Sight: Stories. 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Tape unmarked."],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"Creator of mix tape.\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1518/UBCO_Bowering_2019_003_018_a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"JVC GI-90 Normal Position\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2019.003.018_SideA_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:47:43\",\"precision\":\"\",\"size\":\"1.66 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary. Track list to be timestamped."],"contents":["Side A consists of a mix tape music recorded from the radio by George Bowering.\n\nSide B: Blank."],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550214279170,"timestamp":"2026-01-07T14:59:54.808Z","score":0.01643844},{"id":"4170","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["George Bowering fonds"],"source_collection_label":["George Bowering fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2019.003"],"persistent_url":[""],"item_title":["[Thea Bowering] Gumpy - 6 mon[ths] / Gumpy - nearly 1 yr."],"item_title_source":["Title written on artifact."],"item_title_note":["Side A: Gumpy - 6 mons(?)\n\nSide B: Gumpy - nearly 1 yr."],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, Thea","Bowering, George","Bowering, Angela"],"creator_names_search":["Bowering, Thea","Bowering, George","Bowering, Angela"],"creators":["[{\"url\":\"http://viaf.org/viaf/299953775\",\"name\":\"Bowering, Thea\",\"dates\":\"1971-\",\"notes\":\"Thea Bowering was a child at time of recording.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"George Bowering records and talks to his young daughter, Thea Bowering.\",\"nation\":[],\"role\":[\"Recordist\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/93542147\",\"name\":\"Bowering, Angela\",\"dates\":\"\",\"notes\":\"Angela Bowering heard interacting with baby Thea Bowering on recording.\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1972],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/3575/UBCO_Bowering_2019_003_003_b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"London Drug Compact Cassette C-60\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2019.003.003_Gumpy_6_mons,_nearly_1_yr_Side A_&_B_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"\",\"precision\":\"\",\"size\":\"2.5 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A & B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1972\",\"type\":\"Performance Date\",\"notes\":\"Approximate date based on Thea Bowering's age at time of recording.\",\"source\":\"Secondary research.\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary. To be time stamped and transcribed."],"contents":["Home recordings of baby Thea Bowering interacting with parents George Bowering and Angela Bowering circa 1971-1972. Recorded by George Bowering."],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550214279171,"timestamp":"2026-01-07T14:59:54.808Z","score":0.01643844},{"id":"4171","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["George Bowering fonds"],"source_collection_label":["George Bowering fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2019.003"],"persistent_url":[""],"item_title":["Thea 1973"],"item_title_source":["Title written on artifact."],"item_title_note":["Side A: Thea [Bowering] 1973 (Jap'nese music [crossed out])\n\nSide B: Thea [Bowering] 1973 (B.C. Election, 1972 [crossed out])"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, Thea","Bowering, George","Bowering, Angela"],"creator_names_search":["Bowering, Thea","Bowering, George","Bowering, Angela"],"creators":["[{\"url\":\"http://viaf.org/viaf/299953775\",\"name\":\"Bowering, Thea\",\"dates\":\"1971-\",\"notes\":\"Thea Bowering was a child when this was recorded.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"George Bowering recording conversations with his two-year old daughter, Thea Bowering.\",\"nation\":[],\"role\":[\"Recordist\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/93542147\",\"name\":\"Bowering, Angela\",\"dates\":\"\",\"notes\":\"Angela Bowering is heard talking and singing with her daughter Thea Bowering on the recording.\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/3576/UBCO_Bowering_2019_003_005_c.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Transonic Compact Cassette C-90\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2019.003.005_Thea_1973_SideA_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:47:27\",\"precision\":\"\",\"size\":\"1.5 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2019.003.005_Thea_1973_SideB_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:47:05\",\"precision\":\"\",\"size\":\"1.5 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary. To be timestamped."],"contents":["Side A and B consists of home recordings of George and Angela Bowering reading, singing, and talking with two-year-old daughter Thea Bowering in 1973."],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550214279172,"timestamp":"2026-01-07T14:59:54.808Z","score":0.01643844},{"id":"4172","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["George Bowering fonds"],"source_collection_label":["George Bowering fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2019.003"],"persistent_url":[""],"item_title":["Thea 1974 / Thea 75-76"],"item_title_source":["Title written on artifact."],"item_title_note":["Side A: Thea 1974\n\nSide B: Thea (74 [crossed out]) 75-76"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, Thea","Bowering, George","Bowering, Angela"],"creator_names_search":["Bowering, Thea","Bowering, George","Bowering, Angela"],"creators":["[{\"url\":\"http://viaf.org/viaf/299953775\",\"name\":\"Bowering, Thea\",\"dates\":\"1971-\",\"notes\":\"Thea Bowering was a child at the time of recording.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"Tape recorded by George Bowering. George Bowering is heard talking on both Side A and B.\",\"nation\":[],\"role\":[\"Recordist\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/93542147\",\"name\":\"Bowering, Angela\",\"dates\":\"\",\"notes\":\"Angela Bowering is heard talking on Side A.\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1974],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/3577/UBCO_Bowering_2019_003_006_b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"London Drug Compact Cassette C-90\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2019.003.006_Thea_1974_SideA_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:45:40\",\"precision\":\"\",\"size\":\"1.5 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2019.003.006_Thea_75-76_SideB_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:01:37\",\"precision\":\"\",\"size\":\"53.9 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974-12-25\",\"type\":\"Performance Date\",\"notes\":\"In the Side A recording George Bowering mentions he is recording on Christmas day 1974.\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1975\",\"type\":\"Performance Date\",\"notes\":\"Side B recording\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1976\",\"type\":\"Performance Date\",\"notes\":\"Side B recording.\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry is temporary. To be timestamped."],"contents":["Side A of tape consists of home recording of George and Angela Bowering talking to young daughter Thea Bowering on Christmas day 1974.\n\nSide B consists of home recording of George Bowering talking to young daughter Thea Bowering, circa 1975-1976."],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550214279173,"timestamp":"2026-01-07T14:59:54.808Z","score":0.01643844},{"id":"4173","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["George Bowering fonds"],"source_collection_label":["George Bowering fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2019.003"],"persistent_url":[""],"item_title":["Thea Nov. 24/80"],"item_title_source":["Title written on artifact."],"item_title_note":["Side A: Thea [Bowering] Nov. 24/80"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","Bowering, Thea"],"creator_names_search":["Bowering, George","Bowering, Thea"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"George Bowering is heard talking on the recording\",\"nation\":[],\"role\":[\"Recordist\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/299953775\",\"name\":\"Bowering, Thea\",\"dates\":\"1971-\",\"notes\":\"Thea Bowering heard talking and singing on home recording.\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1980],"material_description":["[{\"side\":\"A\",\"image\":\"../Uploads/3578/UBCO_Bowering_2019_003_007_b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK SA-C90\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2019.003.007_Thea_Nov_24_80_SideA_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:47:34\",\"precision\":\"\",\"size\":\"1.5 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1980-11-24\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary. To be timestamped and transcribed."],"contents":["Side A consists of a home recording of George Bowering and Thea Bowering singing and talking\n\nSide B - blank."],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550214279174,"timestamp":"2026-01-07T14:59:54.808Z","score":0.01643844},{"id":"4174","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["George Bowering fonds"],"source_collection_label":["George Bowering fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2019.003"],"persistent_url":[""],"item_title":["Thea, July '82 / Thea Piano Summer 1982"],"item_title_source":["Title written on artifact."],"item_title_note":["Cassette box title: Thea, July '82\n\nSide A title: Thea Piano Summer 1982"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, Thea","Bowering, George"],"creator_names_search":["Bowering, Thea","Bowering, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/299953775\",\"name\":\"Bowering, Thea\",\"dates\":\"1971-\",\"notes\":\"Thea Bowering is heard playing the piano and talking in recording. Thea Bowering was a child at the time of recording.\",\"nation\":[],\"role\":[\"Speaker\",\"Performer\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\",\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1982],"material_description":["[{\"side\":\"A\",\"image\":\"../Uploads/3579/UBCO_Bowering_2019_003_008_b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Memorex MRXI 90\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.003.008_Thea_Summer_Piano_1982_SideA_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:37:34\",\"precision\":\"\",\"size\":\"1.2 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-07\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary. To be timestamped and transcribed."],"contents":["Side A consists of a home recording by George Bowering of Thea Bowering playing the piano in July 1982.\n\nSide B - blank."],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550215327744,"timestamp":"2026-01-07T14:59:54.808Z","score":0.01643844},{"id":"4175","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["George Bowering fonds"],"source_collection_label":["George Bowering fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2019.003"],"persistent_url":[""],"item_title":["Bowering Party Readings Aug 16, 1986"],"item_title_source":["Title written on artifact."],"item_title_note":["Cassette case title: Bowering Party Readings Aug 16, 1986\n\nSide A title: Bowering Party Readings\n\nJ-card reads: Rob, Sharon [Thesen?], Dwight, Robin [Blaser?], Angela [Bowering?]."],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, Angela","Bowering, George","Thesen, Sharon","Blaser, Robin"],"creator_names_search":["Bowering, Angela","Bowering, George","Thesen, Sharon","Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/93542147\",\"name\":\"Bowering, Angela\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/115694373\",\"name\":\"Thesen, Sharon\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3580/UBCO_Bowering_2019_003_012_d.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony UCX 90 Type II Position\",\"generations\":\"\",\"Conservation\":\"Tape damaged. Tape has a loop ~30 min in SideA.\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Poor\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2019.003.012_Bowering_Party_Readings_(INCOMPLETE).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:24:41\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Recording incomplete. Tape damaged. Requires conservation and redigitization.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-08-16\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry is temporary. Tape is broken and digitized recording is incomplete. Tape requires conservation and re-digitization to confirm contents. To be timestamped and transcribed."],"contents":["Tape consists of an amateur home recording of a private reading among poets and friends hosted by George and Angela Bowering on August 16, 1986. Guest readers likely include Sharon Thesen and Robin Blaser. Other poets are unconfirmed.\n"],"Note":["[{\"note\":\"Only first 20 min of tape could be digitized as there is a loop at that point in the recording. Tape seems to consist of a home recording of a private reading among poets and friends hosted by George and Angela Bowering. Guest readers likely include Sharon Thesen and Robin Blaser. Other poets are unconfirmed.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550215327745,"timestamp":"2026-01-07T14:59:54.808Z","score":0.01643844},{"id":"4176","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["George Bowering fonds"],"source_collection_label":["George Bowering fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2019.003"],"persistent_url":[""],"item_title":["[Untitled]"],"item_title_note":["Blank, unmarked tape."],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creators":["[]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Maxell UR 60 Position IEC Type I Normal\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"Tape blank and unused.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550215327746,"timestamp":"2026-01-07T14:59:54.808Z","score":0.01643844},{"id":"4177","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Peter Quartermain fonds"],"source_collection_label":["Peter Quartermain fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of 180 cassette tapes."],"collection_source_collection_id":["2022.002"],"persistent_url":[""],"item_title":["BB#1"],"item_title_source":["Written on tape"],"item_title_note":["Title on case: N/A\n\nSide A title: BB#1 Side A\n\nSide B title: BB#1 Side B"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_series_title":["Teaching Recordings"],"item_subseries_title":["BB tapes"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Quartermain, Peter"],"creator_names_search":["Quartermain, Peter"],"creators":["[{\"url\":\"http://viaf.org/viaf/34534588\",\"name\":\"Quartermain, Peter\",\"dates\":\"1934-\",\"notes\":\"Peter Quartermain is the recordist and teacher of the graduate seminar.\",\"nation\":[],\"role\":[\"Recordist\",\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1984],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10210/2022.002.001a - Copy4.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"BASF\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"1 7/8 ips\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"90 minutes per side\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10210/2022.002.001b-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10210/2022.002.001c-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10210/2022.002.001d-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Volumes/research/AmpLab/SpokenWeb/Collection/Peter_Quartermain/2022.002.001/Audio\",\"filename\":\"2022.002.001_BB # 1_Side 1_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:47:09\",\"precision\":\"\",\"size\":\"748.6 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Issue with magnetic tape caused playback to stop at 26 minutes. Tape had to be fast forwarded to continue recording - there is a portion of the audio content missing.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Volumes/research/AmpLab/SpokenWeb/Collection/Peter_Quartermain/2022.002.001/Audio\",\"filename\":\"2022.002.001_BB # 1_Side 2_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:46:37\",\"precision\":\"\",\"size\":\"740.2 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Issue with magnetic tape caused playback to stop at 26 minutes. Tape had to be fast forwarded to continue recording - there is a portion of the audio content missing.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1984-05\",\"type\":\"Performance Date\",\"notes\":\"No date is listed on this tape, but it is in a box with other tapes from the same graduate seminar which took place between May 1984 and June 1984.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/27989131\",\"venue\":\"The University of British Columbia\",\"notes\":\"Location of the graduate seminar.\\n\",\"address\":\"Buchanan Tower, 1873 E Mall #397, Vancouver, BC V6T 1Z1\",\"latitude\":\"49.26859\",\"longitude\":\"-123.25343\"}]"],"Address":["Buchanan Tower, 1873 E Mall #397, Vancouver, BC V6T 1Z1"],"Venue":["The University of British Columbia"],"City":["Vancouver, British Columbia"],"contents":["Recording from Basil Bunting graduate seminar taught by Peter Quartermain in Spring 1984 at UBC. Tape 1 from set of 7 tapes."],"Note":["[{\"note\":\"Issue with magnetic tape caused playback to stop at 26 minutes on both sides. 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Side B is for personal recording of music or voice.\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2019.003.011_1._Peggy,_2._Stan_SideB_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:17:24\",\"precision\":\"\",\"size\":\"604.5 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2019.003.011_Musicassette_SideA_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:17:36\",\"precision\":\"\",\"size\":\"611.6 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"Performance Date\",\"notes\":\"Probably recorded circa 1968/9.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/453998152\",\"venue\":\"George and Angela Bowering's home\",\"notes\":\"\",\"address\":\"Grosvenor Avenue, Montreal, Quebec, Canada\",\"latitude\":\"45.4872736\",\"longitude\":\"-73.619867\"}]"],"Address":["Grosvenor Avenue, Montreal, Quebec, Canada"],"Venue":["George and Angela Bowering's home"],"City":["Montreal, Quebec"],"content_notes":["Contents entry temporary."],"contents":["Side A consists of a selection of commercial music.\n\nThe first part of Side B consists of George Bowering recording a poetry reading, perhaps of his students reading their own work. The tape then contains a conversation between George Bowering, Angela Bowering, Malcolm [?], and an unidentified female speaker. There are also excerpts from a different conversation between George Bowering, Angela Bowering, and an unidentified speaker with an Australian accent, possibly known as Tony from other recordings (2019.003.013)."],"Note":["[{\"note\":\"Digitization complete. Transcription complete.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550223716353,"timestamp":"2026-01-07T14:59:54.808Z","score":0.01643844},{"id":"4165","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["George Bowering fonds"],"source_collection_label":["George Bowering fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2019.003"],"persistent_url":[""],"item_title":["J. Langland Poet / Kiyooka, Gilbert, etc."],"item_title_source":["Title written on cassette."],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, Angela","Bowering, George","Kiyooka, Roy","Gilbert, Gerry"],"creator_names_search":["Bowering, Angela","Bowering, George","Kiyooka, Roy","Gilbert, Gerry"],"creators":["[{\"url\":\"http://viaf.org/viaf/93542147\",\"name\":\"Bowering, Angela\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1119/UBCO_Bowering_2019_003_013_b.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"A & B\",\"image\":\"../Uploads/1119/UBCO_Bowering_2019_003_013_c.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"SMG Compact Cassette C60\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2019.003.013_D._Langland_SideA_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:31:44\",\"precision\":\"\",\"size\":\"1.1 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2019.003.013_Kiyooka_Gilbert_etc_SideB_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:31:41\",\"precision\":\"\",\"size\":\"1.1 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary."],"contents":["Side A consists of a home recording by George Bowering in which he and Angela Bowering chat with an unknown third speaker with an Australian accent addressed as \"Tony.\"\n\nSide B consists of a home recording by George Bowering in which Roy Kiyooka, Gerry Gilbert, Angela Bowering, and several other unknown speakers chat at a party."],"Note":["[{\"note\":\"Digitization complete. Transcription complete.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550223716354,"timestamp":"2026-01-07T14:59:54.808Z","score":0.01643844},{"id":"4166","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["George Bowering fonds"],"source_collection_label":["George Bowering fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2019.003"],"persistent_url":[""],"item_title":["The Big Gundown - John Zorn plays Ennio Morricone"],"item_title_source":["Title written on cassette."],"item_title_note":["J-Card reads as follows:\n\nAug/87\n1. The Big Gundown\n2. Peur sur la Ville\n3. Poverty (Once Upon a Time in America)\n4. Milano Odea\n5. Erotico (The Burglars)\n6. Battle of Algiers\n7. Giu la Testa (Duck You Sucker!)\n8. Metamorfosi (La Classe Operaia Va In Paradiso)\n9. Tre nel 5000\n10. Once Upon a Time in the West\n\n(w. F. Frith, Tim Berne, Anton Fier, Arto Lindsay, Bill Frisell, Vern Reid & lots more N.Y. guys."],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Morricone, Ennio","Zorn, John","Bowering, George"],"creator_names_search":["Morricone, Ennio","Zorn, John","Bowering, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/17408291\",\"name\":\"Morricone, Ennio\",\"dates\":\"1928-2020\",\"notes\":\"Composer\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/49409876\",\"name\":\"Zorn, John\",\"dates\":\"1953-\",\"notes\":\"Musician\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"Home recording of studio recording.\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Publication_Date":[1985],"Production_Date":[1987],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/1515/UBCO_Bowering_2019_003_015_a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch 60 90 m\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card contains track list.\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2019.003.015_Aug89_SideA_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:28:19\",\"precision\":\"\",\"size\":\"983.8 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2019.003.015_Aug89_SideB_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:24:38\",\"precision\":\"\",\"size\":\"855.6 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985\",\"type\":\"Publication Date\",\"notes\":\"Year the album \\\"The Big Gundown\\\" was released.\",\"source\":\"\"},{\"date\":\"1987-08\",\"type\":\"Production Date\",\"notes\":\"Probably the date that Bowering recorded this album.\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[]"],"City":["Other"],"contents":["Amateur copy of studio album The Big Gundown by Ennio Morricone as played by John Zorn, 1985."],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550223716355,"timestamp":"2026-01-07T14:59:54.808Z","score":0.01643844},{"id":"4167","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["George Bowering fonds"],"source_collection_label":["George Bowering fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2019.003"],"persistent_url":[""],"item_title":["AB Phone Message"],"item_title_source":["Title written on cassette."],"item_title_note":["AB [Angela Bowering] Phone Message"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, Angela"],"creator_names_search":["Bowering, Angela"],"creators":["[{\"url\":\"http://viaf.org/viaf/93542147\",\"name\":\"Bowering, Angela\",\"dates\":\"\",\"notes\":\"Recorded message for answering machine.\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"A\",\"image\":\"../Uploads/1516/UBCO_Bowering_2019_003_016_c.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK SA 60 IEC/Type II High Bias\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"TAPE BRAND: Anti-Resonance Rigid-Construction Cassette Mechanism III\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2019_003_016_AB_phone_message_SideA\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:00:33\",\"precision\":\"\",\"size\":\"19.2 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"contents":["Tape consists of a recorded message by Angela Bowering for her telephone answering machine.\n\nAB: \"Hi, this is Angela. We're not able to come to the phone right now, so if you could leave your name and telephone number and the details of your call we'll get back to you as soon as we are able to. Thank you. Bye.\""],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550223716356,"timestamp":"2026-01-07T14:59:54.808Z","score":0.01643844},{"id":"4204","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Peter Quartermain fonds"],"source_collection_label":["Peter Quartermain fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of 180 cassette tapes."],"collection_source_collection_id":["2022.002"],"persistent_url":[""],"item_title":["Poet Critics Since 1945. 10 March 94. Zukofsky. (8)"],"item_title_source":["Title written on container."],"item_title_note":["Title on case: Poet Critics Since 1945. 10 March 94. Zukofsky. (8)\n\nSide A title: 10 March 94. Poet-Critics Since 1945. Zukofsky.\n\nSide B title: 10 March 94. Poet-Critics Since 1945. Zukofsky.\n\nJ-card description: Louis Zukofsky"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_series_title":["Teaching Recordings"],"item_subseries_title":["ENGL 551B: Poet-Critics Since 1945 (1994)"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Quartermain, Peter"],"creator_names_search":["Quartermain, Peter"],"creators":["[{\"url\":\"https://viaf.org/viaf/34534588/\",\"name\":\"Quartermain, Peter\",\"dates\":\"1934-\",\"notes\":\"Class professor and recordist\",\"nation\":[],\"role\":[\"Recordist\",\"Speaker\"]}]"],"contributors_names":["Zukofsky, Louis"],"contributors_names_search":["Zukofsky, Louis"],"contributors":["[{\"url\":\"http://viaf.org/viaf/42358\",\"name\":\"Zukofsky, Louis\",\"dates\":\"1904-1978\",\"notes\":\"Subject of Peter Quartermain's lecture.\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":["Zukofsky, Louis"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10443/2022.002.028a-Resize.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch XSM IV 90\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10443/2022.002.028b-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10443/2022.002.028c-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10443/2022.002.028d-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Volumes/research/AmpLab/SpokenWeb/Collection/Peter_Quartermain/2022.002.028/Audio\",\"filename\":\"2022.002.028_Poet Critics Since 1945. 10 March 94. Zukofsky. (8)_Side A_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:47:13\",\"precision\":\"\",\"size\":\"1.63 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"Louis Zukofsky's affect on poetry and poetics.\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Volumes/research/AmpLab/SpokenWeb/Collection/Peter_Quartermain/2022.002.028/Audio\",\"filename\":\"2022.002.028_Poet Critics Since 1945. 10 March 94. Zukofsky. (8)_Side B_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:47:08\",\"precision\":\"\",\"size\":\"1.63 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"Louis Zukofsky's affect on poetry and poetics.\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-03-10\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on tape.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/279891314987\",\"venue\":\"The University of British Columbia\",\"notes\":\"\",\"address\":\"Buchanan Tower, 1873 E Mall #397, Vancouver, BC V6T 1Z1\",\"latitude\":\" 49.26859\",\"longitude\":\"-123.25343\"}]"],"Address":["Buchanan Tower, 1873 E Mall #397, Vancouver, BC V6T 1Z1"],"Venue":["The University of British Columbia"],"City":["Vancouver, British Columbia"],"contents":["Peter Quartermain's \"Poet-Critics Since 1945\" class. Lecture: \"Louis Zukofsky.\" Recorded by Peter Quartermain on March 10 1994."],"Note":["[{\"note\":\"Tape 8 of 10 of Peter Quartermain's \\\"Poet-Critics Since 1945\\\" class at UBC, 1994.\",\"type\":\"Related Version\"},{\"note\":\"Related tapes:\\n2022.002.021\\n2022.002.022\\n2022.002.023\\n2022.002.024\\n2022.002.025\\n2022.002.026\\n2022.002.027\\n2022.002.029\\n2022.002.030\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670550223716357,"timestamp":"2026-01-07T14:59:54.808Z","score":0.01643844},{"id":"4209","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Peter Quartermain fonds"],"source_collection_label":["Peter Quartermain fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of 180 cassette tapes."],"collection_source_collection_id":["2022.002"],"persistent_url":[""],"item_title":["Lecture Three. 27 Jan 94. 551 B (3)"],"item_title_source":["Title written on container."],"item_title_note":["Title on case: Lecture Three. 27 Jan 94. 551 B (3)\n\nSide A title: English 551B. 27 Jan '94. Stein/Williams\n\nSide B title: 27 Jan 1994. Stein/Williams\n\nJ-card description: 27 Jan 1994. Stein/Williams. Please sign this out and return within 3 days. Thank you."],"item_language":["English"],"item_production_context":["Classroom recording"],"item_series_title":["Teaching Recordings"],"item_subseries_title":["ENGL 551B: Poet-Critics Since 1945 (1994)"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Quartermain, Peter"],"creator_names_search":["Quartermain, Peter"],"creators":["[{\"url\":\"https://viaf.org/viaf/34534588/\",\"name\":\"Quartermain, Peter\",\"dates\":\"1934-\",\"notes\":\"Class professor and recordist\",\"nation\":[],\"role\":[\"Recordist\",\"Speaker\"]}]"],"contributors_names":["Williams, William Carlos","Stein, Gertrude"],"contributors_names_search":["Williams, William Carlos","Stein, Gertrude"],"contributors":["[{\"url\":\"http://viaf.org/viaf/29542054\",\"name\":\"Williams, William Carlos\",\"dates\":\"1883-1963\",\"notes\":\"Subject of Peter Quartermain's lecture.\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/22149082\",\"name\":\"Stein, Gertrude\",\"dates\":\"1874-1946\",\"notes\":\"Subject of Peter Quartermain's lecture.\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":["Williams, William Carlos","Stein, Gertrude"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10451/2022.002.033a-Resize.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Avery No. IP-50C\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10451/2022.002.033b-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10451/2022.002.033c-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10451/2022.002.033d-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Volumes/research/AmpLab/SpokenWeb/Collection/Peter_Quartermain/2022.002.033/Audio\",\"filename\":\"2022.002.033_Lecture Three. 27 Jan 94. 551 B (3)_Side A_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:47:00\",\"precision\":\"\",\"size\":\"1.62 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"Discussiong of Robert Duncan manuscripts that draw from the works of Gertrude Stein. 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Thank you."],"item_language":["English"],"item_production_context":["Classroom recording"],"item_series_title":["Teaching Recordings"],"item_subseries_title":["ENGL 551B: Poet-Critics Since 1945 (1994)"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Quartermain, Peter"],"creator_names_search":["Quartermain, Peter"],"creators":["[{\"url\":\"https://viaf.org/viaf/34534588/\",\"name\":\"Quartermain, Peter\",\"dates\":\"1934-\",\"notes\":\"Class professor and recordist\",\"nation\":[],\"role\":[\"Recordist\",\"Speaker\"]}]"],"contributors_names":["Duncan, Robert"],"contributors_names_search":["Duncan, Robert"],"contributors":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"Subject of Peter Quartermain's lecture.\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":["Duncan, Robert"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10454/2022.002.036a-Resize.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"FUJI FR-II 90\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10454/2022.002.036b-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10454/2022.002.036c-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10454/2022.002.036d-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Volumes/research/AmpLab/SpokenWeb/Collection/Peter_Quartermain/2022.002.036/Audio\",\"filename\":\"2022.002.036_Lecture Six. 24 February 1994. 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This tape is a student borrowing copy of 2022.002.026 made by Peter Quartermain for accessibility purposes."],"Note":["[{\"note\":\"Tape 6 of 10 of Peter Quartermain's \\\"Poet-Critics Since 1945\\\" class at UBC, 1994. Student borrowing copy.\",\"type\":\"Related Version\"},{\"note\":\"Related tapes:\\n2022.002.031\\n2022.002.032\\n2022.002.033\\n2022.002.034\\n2022.002.035\\n2022.002.037\\n2022.002.038\\n2022.002.039\\n2022.002.040\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670550224764931,"timestamp":"2026-01-07T14:59:54.808Z","score":0.01643844},{"id":"4213","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Peter Quartermain fonds"],"source_collection_label":["Peter Quartermain fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of 180 cassette tapes."],"collection_source_collection_id":["2022.002"],"persistent_url":[""],"item_title":["Lecture Seven. 3 March 1994. ENGL 551 B (7)"],"item_title_source":["Title written on container."],"item_title_note":["Title on case: Lecture Seven. 3 March 1994. ENGL 551 B (7)\n\nSide A title: English 551B. 3 March 1994. The Line.\n\nSide B title: English 551B. 3 Mar '94. The Line.\n\nJ-card description: 3 March 1994. Both sides. The Line. Please sign out and return within THREE days. Thanks."],"item_language":["English"],"item_production_context":["Classroom recording"],"item_series_title":["Teaching Recordings"],"item_subseries_title":["ENGL 551B: Poet-Critics Since 1945 (1994)"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Quartermain, Peter"],"creator_names_search":["Quartermain, Peter"],"creators":["[{\"url\":\"https://viaf.org/viaf/34534588/\",\"name\":\"Quartermain, Peter\",\"dates\":\"1934-\",\"notes\":\"Class professor and recordist\",\"nation\":[],\"role\":[\"Recordist\",\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10455/2022.002.037a-Resize.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"FUJI FR-II 90\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10455/2022.002.037b-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10455/2022.002.037c-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10455/2022.002.037d-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Volumes/research/AmpLab/SpokenWeb/Collection/Peter_Quartermain/2022.002.037/Audio\",\"filename\":\"2022.002.037_Lecture Seven. 3 March 1994. ENGL 551 B (7)_Side B_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:46:57\",\"precision\":\"\",\"size\":\"1.62 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"Focus on the poetry of Denise Levertov\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Volumes/research/AmpLab/SpokenWeb/Collection/Peter_Quartermain/2022.002.037/Audio\",\"filename\":\"2022.002.037_Lecture Seven. 3 March 1994. ENGL 551 B (7)_Side A_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:46:55\",\"precision\":\"\",\"size\":\"1.62 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"Charles Olson as critic. Also discusses Emily Dickenson and editions/versioning of poems (discusses editors).\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-03-03\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on tape.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/279891314987\",\"venue\":\"The University of British Columbia\",\"notes\":\"\",\"address\":\"Buchanan Tower, 1873 E Mall #397, Vancouver, BC V6T 1Z1\",\"latitude\":\"49.26859\",\"longitude\":\"-123.25343\"}]"],"Address":["Buchanan Tower, 1873 E Mall #397, Vancouver, BC V6T 1Z1"],"Venue":["The University of British Columbia"],"City":["Vancouver, British Columbia"],"contents":["Peter Quartermain's \"Poet-Critics Since 1945\" class. Lecture: \"The Line.\" Recorded by Peter Quartermain on March 3, 1994. 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(8)"],"item_title_source":["Title written on container."],"item_title_note":["Title on case: Lecture Eight. 10 March 1994. ENGL 551 B. (8)\n\nSide A title: English 551B. 10 March 1994. Zukofsky.\n\nSide B title: English 551B. 10 Mar 94. Zukofsky.\n\nJ-card description: 10 March 1994. Both sides. Zukofsky. Please sign out and return within THREE days. Thanks."],"item_language":["English"],"item_production_context":["Classroom recording"],"item_series_title":["Teaching Recordings"],"item_subseries_title":["ENGL 551B: Poet-Critics Since 1945 (1994)"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Quartermain, Peter"],"creator_names_search":["Quartermain, Peter"],"creators":["[{\"url\":\"https://viaf.org/viaf/34534588/\",\"name\":\"Quartermain, Peter\",\"dates\":\"1934-\",\"notes\":\"Class professor and recordist\",\"nation\":[],\"role\":[\"Recordist\",\"Speaker\"]}]"],"contributors_names":["Zukofsky, Louis"],"contributors_names_search":["Zukofsky, Louis"],"contributors":["[{\"url\":\"http://viaf.org/viaf/42358\",\"name\":\"Zukofsky, Louis\",\"dates\":\"1904-1978\",\"notes\":\"Subject of Peter Quartermain's lecture.\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":["Zukofsky, Louis"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10456/2022.002.038a-Resize.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"FUJI FR-II 90\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10456/2022.002.038b-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10456/2022.002.038c-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10456/2022.002.038d-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Volumes/research/AmpLab/SpokenWeb/Collection/Peter_Quartermain/2022.002.038/Audio\",\"filename\":\"2022.003.038_Lecture Eight. 10 March 1994. 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Language Poetry."],"item_language":["English"],"item_production_context":["Classroom recording"],"item_series_title":["Teaching Recordings"],"item_subseries_title":["ENGL 551B: Poet-Critics Since 1945 (1994)"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Quartermain, Peter"],"creator_names_search":["Quartermain, Peter"],"creators":["[{\"url\":\"https://viaf.org/viaf/34534588/\",\"name\":\"Quartermain, Peter\",\"dates\":\"1934-\",\"notes\":\"Class professor and recordist\",\"nation\":[],\"role\":[\"Recordist\",\"Speaker\"]}]"],"contributors_names":["Andrews, Bruce"],"contributors_names_search":["Andrews, Bruce"],"contributors":["[{\"url\":\"http://viaf.org/viaf/106267587\",\"name\":\"Andrews, Bruce\",\"dates\":\"1948-\",\"notes\":\"Subject of Peter Quartermain's lecture.\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":["Andrews, Bruce"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10457/2022.002.039a-Resize.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"FUJI FR-II 90\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10457/2022.002.039b-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10457/2022.002.039c-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10457/2022.002.039d-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Volumes/research/AmpLab/SpokenWeb/Collection/Peter_Quartermain/2022.002.039/Audio\",\"filename\":\"2022.002.039_Lecture Nine. 17 March 1994. 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Do not edit.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969-02-15\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on tape.\"}]"],"Location":["[]"],"City":["Other"],"contents":["Robert Duncan recording, February 15, 1969."],"Note":["[]"],"Related_works":["[]"],"_version_":1853670550440771586,"timestamp":"2026-01-07T14:59:55.015Z","score":0.01643844},{"id":"4303","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Peter Quartermain fonds"],"source_collection_label":["Peter Quartermain fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of 180 cassette tapes."],"collection_source_collection_id":["2022.002"],"persistent_url":[""],"item_title":["26. 11 March 1970. 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Joanne: misc.\n\nJ-card description: n/a"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Copies of Tapes"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kyger, Joanne","Borregaard, Ebbe","Stanley, George"],"creator_names_search":["Kyger, Joanne","Borregaard, Ebbe","Stanley, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/71627705\",\"name\":\"Kyger, Joanne\",\"dates\":\"1934-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/43263290\",\"name\":\"Borregaard, Ebbe\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"\",\"name\":\"Stanley, George\",\"dates\":\"1934-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10715/2022.002.131a-Resize.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"BASF C 60\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"30 minutes per side\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10715/2022.002.131b-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10715/2022.002.131c-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10715/2022.002.131d-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Peter_Quartermain/2022.002.131/audio\",\"filename\":\"2022.002.131_Wed. 3 [illegible]. 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Missing small portion at T00:26:029 due to issue with cassette tape.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970-03-11\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on tape.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/11678160\",\"venue\":\"The University of British Columbia\",\"notes\":\"\",\"address\":\"Vancouver, BC V6T 1Z5\",\"latitude\":\"49.2581\",\"longitude\":\"-123.2448\"}]"],"Address":["Vancouver, BC V6T 1Z5"],"Venue":["The University of British Columbia"],"City":["Vancouver, British Columbia"],"contents":["Joanne Kyger, Ebbe Borregaard, and George Stanley at UBC, March 11, 1970."],"Note":["[{\"note\":\"Related tapes:\\n2022.002.130\\n2022.002.132\\n2022.002.133\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670550441820160,"timestamp":"2026-01-07T14:59:55.015Z","score":0.01643844},{"id":"4305","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Peter Quartermain fonds"],"source_collection_label":["Peter Quartermain fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of 180 cassette tapes."],"collection_source_collection_id":["2022.002"],"persistent_url":[""],"item_title":["Wed 11 March 1970. 3:30. 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Nite; Mar 13 70. Joanne, George, Ebbe, etc. Roy etc."],"item_title_source":["Title written on container."],"item_title_note":["Title on case: Fri. Nite; Mar 13 70. Joanne, George, Ebbe, etc. Roy etc.\n\nSide A title: n/a\n\nSide B title: Stanley, Kyger, [Illegible], Copithorne, Cacchioni, Welkes. Mon March 9. Evening. 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Nite; Mar 13 70. Joanne, George, Ebbe, etc. Roy etc._Side A_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:31:15\",\"precision\":\"\",\"size\":\"1.08 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A of Master Access file. Do not edit.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Peter_Quartermain/2022.002.133/audio\",\"filename\":\"2022.002.133_Fri. Nite; Mar 13 70. Joanne, George, Ebbe, etc. Roy etc._Side A_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:26:14\",\"precision\":\"\",\"size\":\"906.8 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B of Master Access file. Do not edit. Tape is damaged. 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                                                                                                                                                                            21 Oct 2000.                                                                                                                                                                Broadcast                                                                                                                                                  27 Oct 2000                                                                                                                                                             Ghost - Susan Bickley                                                                                                                                                 Judas - Thomas Randle                                                                                                                                           Christ - William Dazely                                                                                                                                  Conducted by Elgar Howarth                                                                                                                                                                            Also contains small (4 cm x 4 cm) newspaper clipping with description of performance.\""],"contents":["Recording of premiere of BBC Broadcast Performance of Harrison Birtwistle's opera \"The Last Supper\"."],"Note":["[]"],"Related_works":["[]"],"_version_":1853670550763732994,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4371","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["Robert Hogg Vancouver - 9 VI '95 / Peggy Kelley Austin Summer '95"],"item_title_source":["Title written on artifact."],"item_title_note":["Cassette box title: Robert Hogg Vancouver - 9 VI '95 / Peggy Kelley Austin Summer '95\n\nSide A title: Bobby Hogg / Black Sheep Books - \nVancouver / 9 June 1995\n\nSide B title: Robert Hogg - 2/2 / Peggy Kelley - \nKUT fm - Austin, Texas - '95 / \naradiofreerainforestape"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Coleman, Victor","Hogg, Robert","Kelley, Peggy"],"creator_names_search":["Coleman, Victor","Hogg, Robert","Kelley, Peggy"],"creators":["[{\"url\":\"http://viaf.org/viaf/38160442\",\"name\":\"Coleman, Victor\",\"dates\":\"1944-\",\"notes\":\"Victor Coleman introduces Robert Hogg at Black Sheep Books reading.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/91752751\",\"name\":\"Hogg, Robert\",\"dates\":\"1942-\",\"notes\":\"Robert Hogg reads There Is No Falling at Black Sheep Books (Side A, cont side B).\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/46615553\",\"name\":\"Kelley, Peggy\",\"dates\":\"1950-\",\"notes\":\"Peggy Kelley gives reading and interview on KUT-fm Austin, Texas (end of Side B).\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]}]"],"contributors_names":["Jones, Elvin"],"contributors_names_search":["Jones, Elvin"],"contributors":["[{\"url\":\"http://viaf.org/viaf/95318568\",\"name\":\"Jones, Elvin\",\"dates\":\"1927-2004\",\"notes\":\"Elvin Jones' Tribute to John Coltrane \\\"A Love Supreme\\\" is played by KUT-fm Austin, Texas following Peggy Kelley's reading on Side B of tape.\",\"nation\":[],\"role\":[]}]"],"Publication_Date":[1995],"Performance_Date":[1995],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/3887/UBCO_Hogg_2018_002_001_c.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Fuji DR\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.001_BOBBY_HOGG_Black_Sheep_Books-Vancouver_9_June_1995_SideA_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:42:56\",\"precision\":\"\",\"size\":\"1.4 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.001_ROBERT_HOGG_2_2_PEGGY_KELLEY_KUT-fm_AUSTIN,_TEXAS_-'95_ARADIOFREERAINFORESTAPE_SideB_(MA)_03-01.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T0:41:52\",\"precision\":\"\",\"size\":\"1.39 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1995-06-09\",\"type\":\"Performance Date\",\"notes\":\"Date of Robert Hogg's reading at Black Sheep Books.\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1995-09-24\",\"type\":\"Publication Date\",\"notes\":\"Date Robert Hogg's reading was aired on radiofreerainforest\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1995-09-10\",\"type\":\"Publication Date\",\"notes\":\"Date Peggy Kelley's reading and interview was re-aired on radiofreerainforest.\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/356755116\",\"venue\":\"KUT-fm Austin, Texas\",\"notes\":\"Location of Peggy Kelley's reading and interview (side B).\",\"address\":\"Crystal Creek Drive, Austin Lake Hills, Barton Creek, Travis County, Texas, 78746, United States of America\",\"latitude\":\"30.3143716\",\"longitude\":\"-97.8663975\"},{\"url\":\"https://www.openstreetmap.org/node/5833720328\",\"venue\":\"Black Sheep Books\",\"notes\":\"Location of Robert Hogg's reading (side A&B).\",\"address\":\"115 Fulford-Ganges Rd #3101, Salt Spring Island, BC V8K 2T9\",\"latitude\":\"48.8531816\",\"longitude\":\"-123.4977848\"}]"],"Address":["Crystal Creek Drive, Austin Lake Hills, Barton Creek, Travis County, Texas, 78746, United States of America","115 Fulford-Ganges Rd #3101, Salt Spring Island, BC V8K 2T9"],"Venue":["KUT-fm Austin, Texas","Black Sheep Books"],"content_notes":["Contents entry temporary. "],"contents":["Side A contains a recording of Robert Hogg's June 9, 1995 reading of There Is No Falling at Black Sheep Books, Vancouver B.C., as aired on aradiofreerainforestape on Sept. 24, 1995. Side B is a continuation of Hogg's reading. Following this is a recording of Peggy Kelley reading from \"Springs\" on the Austin, Texas station KUT FM which aired in the summer of 1995. This broadcast was re-aired by radiofreerainforest on September 10, 1995.\n\nJ-card description:\nA: Robert Hogg: \n-Reading at Black Sheep Books Vancouver - 9 June 1995\n-intro - Victor Coleman\n-on Radiofreerainforest - 24 IX 95\n-1/2 - 43:30\nB: Robert Hogg - 2/2 \n-end of 1st set, + 2nd set\n-15:15\nPeggy Kelley reading from \"Springs\" on KUT-fm Austin, Texas - SUmmer '95 with music mix + interview\n-23:45\n-on RFRF [aradiofreerainforestape] - 10 IX 95"],"Note":["[{\"note\":\"Digitization complete. Transcription complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Kelley, Peggy. \\\"Spring.\\\"\"},{\"url\":\"\",\"citation\":\"Hogg, Robert. There Is No Falling. Toronto: ECW Press, 1993.\"}]"],"_version_":1853670550763732996,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4372","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["R.L. Hogg - Ottawa"],"item_title_source":["Title written on artifact."],"item_title_note":["J-card description: R.L. Hogg - Ottawa"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Hogg, Robert"],"creator_names_search":["Hogg, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/91752751\",\"name\":\"Hogg, Robert\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"B\",\"image\":\"../Uploads/3888/UBCO_Hogg_2018_002_002_c.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony HF 90\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.002_R.L.Hogg_Ottawa_SideB_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:47:12\",\"precision\":\"\",\"size\":\"1.56 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"Location as listed on artifact.\",\"address\":\"Ottawa, ON, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Ottawa, ON, Canada"],"City":["Ottawa, Ontario"],"content_notes":["Contents entry temporary."],"contents":["Side A is blank. Side B contains a poetry reading by Robert Hogg in Ottawa, Ontario of his recently released poetry collection, There Is No Falling. Hogg also reads from his earlier collection, Heat Lightning. Given Hogg's reading of There Is No Falling, it is likely this reading took place circa 1995.\nFollowing Hogg's reading is an unknown poetry reading by an unknown poet. It is unclear if this is from the same event that Hogg was at, or is a recording from a completely unrelated event."],"Note":["[{\"note\":\"Digitization complete. Side A blank. Side B transcription complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Hogg, Robert. There Is No Falling. Toronto: ECW Press, 1993.\"},{\"url\":\"\",\"citation\":\"Hogg, Robert. Heat Lightning. Black Moss Press, 1986.\"}]"],"_version_":1853670550764781568,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4373","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["Interview with Robert Hogg Conducted \nBy Gregg Morgan and Robert Manery Part II / R. Hogg - Interview by Rob Manery Part II"],"item_title_source":["Title written on artifact."],"item_title_note":["Cassette box title: Interview with Robert Hogg Conducted By Gregg Morgan and Robert Manery Part II / R. Hogg - Interview by Rob Manery Part II"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Hogg, Robert","Morgan, Gregg","Manery, Robert"],"creator_names_search":["Hogg, Robert","Morgan, Gregg","Manery, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/91752751\",\"name\":\"Hogg, Robert\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Morgan, Gregg\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"\",\"name\":\"Manery, Robert\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"B\",\"image\":\"../Uploads/3889/UBCO_Hogg_2018_002_003_a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Memorex dBS 90\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.003_R.Hogg_Interview_by_Rob_Manery_Part_II_SideB_(MA)_02-01.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:10:51\",\"precision\":\"\",\"size\":\"359 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary. To be transcribed."],"contents":["Short interview with Robert Hogg conducted by Gregg Morgan and Robert Manery. Interview is followed by classical music."],"Note":["[{\"note\":\"Digitization complete. Side A blank. Only a short recording on Side B. To be transcribed.\",\"type\":\"General\"},{\"note\":\"Part 1 of this recording: 2018.002.060\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670550764781569,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4374","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["3a Duncan 18.12.75 Tower \n[illegible] / 3a Diary"],"item_title_source":["Title written on artifact."],"item_title_note":["Side A title: 3a Duncan 18.12.75 Tower \n[illegible]\n\nSide B title: 3a Diary"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creators":["[]"],"contributors_names":["Duncan, Robert"],"contributors_names_search":["Duncan, Robert"],"contributors":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"Subject of recordist's tape.\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":["Duncan, Robert"],"Performance_Date":[1975],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/3890/UBCO_Hogg_2018_002_004_c.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"BASF AV Headmaster Series 90\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"45 min each side\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.004_3a_Duncan_18.12.75_SideA_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:45:44\",\"precision\":\"\",\"size\":\"1.52 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.004_Diary_3a_SideB_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:33:57\",\"precision\":\"\",\"size\":\"1.13 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-12-18\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/140983204\",\"venue\":\"\",\"notes\":\"\",\"address\":\"North Beach, San Francisco, California, 94133, United States of America\",\"latitude\":\"37.8011749\",\"longitude\":\"-122.4090021\"}]"],"Address":["North Beach, San Francisco, California, 94133, United States of America"],"content_notes":["Contents entry temporary. Requires further research."],"contents":["Tape consists of a conversation between two unknown speakers, followed by the German speaker walking around North Beach, San Francisco, talking to art vendors, going to Chinatown, and visiting multiple venues with live music. The recordist speaks in both English and German and appears to be narrating the tour as he visits different sites. The recordist notes he is writing a biography on Robert Duncan and is trying to locate the hermetic brotherhood in Oakland, San Francisco."],"Note":["[{\"note\":\"Digitization complete. Further research required. To be transcribed.\",\"type\":\"General\"},{\"note\":\"Related recordings in the SoundBox Collection: 2018.002.005, 2018.002.011, 2018.002.056, 2018.002.061 and 2018.002.063.\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670550764781570,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4375","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["Duncan 1. Jan. 1976"],"item_title_source":["Title written on artifact."],"item_title_note":["Side A title: Duncan 1. Jan. 1975\n\nSide B title: Duncan 1. Jan. 1976"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creators":["[]"],"contributors_names":["Duncan, Robert"],"contributors_names_search":["Duncan, Robert"],"contributors":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"Subject of recordist's tape.\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":["Duncan, Robert"],"Performance_Date":[1975],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/3891/UBCO_Hogg_2018_002_005_c.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Compact Cassette: Instant Loading  Tape Cartridge\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"30 min each side\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.005_Duncan_1._Jan._1975_SideA_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:18:03\",\"precision\":\"\",\"size\":\"598 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.005_Duncan_1._Jan._76_SideB_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:20:42\",\"precision\":\"\",\"size\":\"685 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-01-01\",\"type\":\"Performance Date\",\"notes\":\"Side A date. May be incorrect.\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1976-01-01\",\"type\":\"Performance Date\",\"notes\":\"Side B date.\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary. Requires further research. To be transcribed."],"contents":["Tape consists of an interview/ conversation between two unknown speakers. Location of recording unknown. Sound quality is extremely poor and is almost inaudible. This recording may be connected to tape 2018.002.004."],"Note":["[{\"note\":\"Digitization complete. Requires further research. To be timestamped and transcribed.\",\"type\":\"General\"},{\"note\":\"Related recordings in the SoundBox Collection: 2018.002.004, 2018.002.011, 2018.002.056, 2018.002.061 and 2018.002.063.\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670550764781571,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4376","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["R. Duncan New College 2/17/82"],"item_title_source":["Title written on artifact."],"item_title_note":["Cassette box title: R. Duncan New College 2/17/82\n\nSide A title: Robert Duncan New College - 2/17/82\n\nSide B title: Duncan Con't"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert"],"creator_names_search":["Duncan, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"Robert Duncan lectures about Charles Olson.\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors_names":["Olson, Charles"],"contributors_names_search":["Olson, Charles"],"contributors":["[{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"Robert Duncan reads some of Charles Olson's poetry.\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":["Olson, Charles"],"Performance_Date":[1982],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/3893/UBCO_Hogg_2018_002_007_d.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Maxell LN 90\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.007_Robert_Duncan_New_College_2-17-82_SideA_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:46:27\",\"precision\":\"\",\"size\":\"1.54 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.007_Duncan_Cont'd_SideB_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:46:49\",\"precision\":\"\",\"size\":\"1.55 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-02-17\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/417389545\",\"venue\":\"New College\",\"notes\":\"\",\"address\":\"777 Valencia St, San Francisco, CA 94110, USA\",\"latitude\":\"37.7607664\",\"longitude\":\"-122.4214959\"}]"],"Address":["777 Valencia St, San Francisco, CA 94110, USA"],"Venue":["New College"],"content_notes":["Contents entry temporary. To be time stamped and transcribed."],"contents":["Tape consists of a lecture by Robert Duncan on Charles Olson at New College, on February 17, 1982."],"Note":["[{\"note\":\"Digitization complete. To be transcribed.\",\"type\":\"General\"},{\"note\":\"2018.002.008 contains parts C and D of this lecture.\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670550764781572,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4377","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["R. Duncan Olson 2"],"item_title_source":["Title written on artifact."],"item_title_note":["Cassette box title: R. Duncan Olson 2\n\nSide A title: [Side] C: Duncan On Olson 2/17/82 (Con't)\n\nSide B title: [Side] D: Duncan Concl. / Olson"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert"],"creator_names_search":["Duncan, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"Robert Duncan lectures about Charles Olson.\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors_names":["Olson, Charles"],"contributors_names_search":["Olson, Charles"],"contributors":["[{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"Robert Duncan reads some of Charles Olson's poetry.\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":["Olson, Charles"],"Performance_Date":[1982],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/3894/UBCO_Hogg_2018_002_008_d.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Maxell LN 90\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.008_DUNCAN_ON_OLSON_2-17-82_(con't)_SideA_(MASTER_ACCESS)_02-01.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:31:34\",\"precision\":\"\",\"size\":\"1.05 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.008_DUNCAN_CONCL._OLSON_SideB_(MASTER_ACCESS)_01.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:31:46\",\"precision\":\"\",\"size\":\"1.05 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-02-17\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/417389545\",\"venue\":\"New College\",\"notes\":\"\",\"address\":\"777 Valencia St, San Francisco, CA 94110, USA\",\"latitude\":\"37.7607664\",\"longitude\":\"-122.4214959\"}]"],"Address":["777 Valencia St, San Francisco, CA 94110, USA"],"Venue":["New College"],"content_notes":["Contents entry temporary. To be time stamped and transcribed."],"contents":["Tape consists of a lecture by Robert Duncan on Charles Olson at New College, on February 17, 1982."],"Note":["[{\"note\":\"Digitization complete. To be transcribed.\",\"type\":\"General\"},{\"note\":\"2018.002.007 contains parts A and B of this lecture.\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670550764781573,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4378","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["J.H. Prynne at SFU 1971"],"item_title_source":["Title written on artifact."],"item_title_note":["Cassette box title: J.H. Prynne at SFU 1971\n\nSide A title: J.H. Prynne at SFU 27 July 1971\n\nSide B title: Prynne Continued"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Prynne, J.H."],"creator_names_search":["Prynne, J.H."],"creators":["[{\"url\":\"http://viaf.org/viaf/39547652\",\"name\":\"Prynne, J.H.\",\"dates\":\"1936-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1971],"material_description":["[{\"side\":\"B\",\"image\":\"../Uploads/3895/UBCO_Hogg_2018_002_009_c.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony C-90HF\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.009_Prynne_continued_SideB_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:04:11\",\"precision\":\"\",\"size\":\"138 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1971-07-27\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"Simon Fraser University, Gaglardi Way, Barnet, Burnaby, Metro Vancouver Regional District, British Columbia, V5A 4W2, Canada \",\"latitude\":\"49.276709600000004\",\"longitude\":\"-122.91780296438841\"}]"],"Address":["Simon Fraser University, Gaglardi Way, Barnet, Burnaby, Metro Vancouver Regional District, British Columbia, V5A 4W2, Canada "],"Venue":["Simon Fraser University"],"City":["Vancouver, British Columbia"],"content_notes":["Contents entry temporary. To be transcribed."],"contents":["Side B of tape contains a short excerpt of J.H. Prynne answering the question of an unknown interviewer at SFU on July 27, 1971. Side A blank."],"Note":["[{\"note\":\"Digitization complete. Side A blank. To be time stamped and transcribed.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550765830144,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4379","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["Rexroth / double 1"],"item_title_source":["Title written on artifact."],"item_title_note":["Side A title: Rexroth / double 1\n\nSide B title: Rexroth double 1"],"item_language":["English"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Rexroth, Kenneth"],"creator_names_search":["Rexroth, Kenneth"],"creators":["[{\"url\":\"http://viaf.org/viaf/105850695\",\"name\":\"Rexroth, Kenneth\",\"dates\":\"1905-1982\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3896/UBCO_Hogg_2018_002_010_a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK D-C90\",\"generations\":\"\",\"Conservation\":\"Tape damaged.\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Poor\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"Not digitized.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550765830145,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4380","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["Creeley 29.12.75 (2)"],"item_title_source":["Title written on artifact."],"item_title_note":["Side A title: Creeley 29.12.75 (2)\n\nSide B title: Creeley 29.12.75 (2)"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert"],"creator_names_search":["Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1975],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/3897/UBCO_Hogg_2018_002_011_c.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK D-C90\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.011_Creeley_29.12.75_SideA_(MA)_03.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:51:07\",\"precision\":\"\",\"size\":\"1.7 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.011_Creeley_29.12.75_SideB_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:51:09\",\"precision\":\"\",\"size\":\"1.65 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-12-29\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/396487\",\"venue\":\"\",\"notes\":\"\",\"address\":\"San Francisco, California, United States of America\",\"latitude\":\"37.7647993\",\"longitude\":\"-122.4629897\"}]"],"Address":["San Francisco, California, United States of America"],"content_notes":["Contents entry temporary. To be timestamped and transcribed."],"contents":["Tape contains an interview/oral history with Robert Creeley. Interviewer is unknown, although may be the same person as in 2018.002.004 and 2018.002.005. Further research required."],"Note":["[{\"note\":\"Digitization complete. To be time stamped and transcribed.\",\"type\":\"General\"},{\"note\":\"Related recordings in the SoundBox Collection: 2018.002.004, 2018.002.005, 2018.002.056, 2018.002.061 and 2018.002.063.\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670550765830146,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4381","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["A - Leonard Cohen - The Future"],"item_title_source":["Title written on artifact."],"item_title_note":["Cassette box title: A - Leonard Cohen - The Future\n\nSide A title: Leonard Cohen - The Future\n"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Campbell, David","Robinson, Sharon","Cohen, Leonard"],"creator_names_search":["Campbell, David","Robinson, Sharon","Cohen, Leonard"],"creators":["[{\"url\":\"http://viaf.org/viaf/46970388\",\"name\":\"Campbell, David\",\"dates\":\"1948-\",\"notes\":\"Orchestral and background vocal arrangements.\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/220972425\",\"name\":\"Robinson, Sharon\",\"dates\":\"1958-\",\"notes\":\"Co-writer on \\\"Waiting for the Miracle\\\" \",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/56703476\",\"name\":\"Cohen, Leonard\",\"dates\":\"1936-2016\",\"notes\":\"Leonard Cohen responsible for writing songs, as well as lead vocals, programming, saxophone, and violin on album.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[]"],"Publication_Date":[1992],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/3898/UBCO_Hogg_2018_002_012_c.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony High Bias Type II\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.012_LeonardCohen_TheFuture_SideA_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:52:28\",\"precision\":\"\",\"size\":\"1.74 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.012_SideB_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:14:16\",\"precision\":\"\",\"size\":\"473 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1992-11-24\",\"type\":\"Publication Date\",\"notes\":\"Date studio album was released.\",\"source\":\"Secondary research.\"}]"],"Location":["[]"],"City":["Other"],"contents":["Tape contains a home recording of Leonard Cohen's studio album The Future released November 24, 1992.\n\nCassette j-card contains the track list for the album as follows:\n\"[Side A]\nThe Future\nWaiting for the Miracle\nBe For Real\nClosing Time\nAnthem\nDemocracy\nLight as the Breeze\nAlways (1/2)\n[Side B]\nAlways\nTacoma Trailer\""],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Cohen, Leonard. The Future. Album. Columbia, 1992.\"}]"],"_version_":1853670550766878720,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4382","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["Leonard Cohen - Morningside Interview by Peter Gzowski / 24 Nov 1993"],"item_title_source":["Title written on artifact."],"item_title_note":["Cassette box title: Leonard Cohen - Morningside Interview / 24 Nov 1993\n\nSide A title: Leonard Cohen Interviewed by Peter Gzowski 24 Nov '93 / Morningside Interview\n\nSide B title: Leonard Cohen cont'd Interview"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Cohen, Leonard","Gzowski, Peter"],"creator_names_search":["Cohen, Leonard","Gzowski, Peter"],"creators":["[{\"url\":\"http://viaf.org/viaf/56703476\",\"name\":\"Cohen, Leonard\",\"dates\":\"1934-2016\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/79064864\",\"name\":\"Gzowski, Peter\",\"dates\":\"1934-2002\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors":["[]"],"Publication_Date":[1993],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/3899/UBCO_Hogg_2018_002_013_c.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.013_LeonardCohenInterview_byPeterGzowski_24Nov93_MorningsideInterview_SideA_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:46:51\",\"precision\":\"\",\"size\":\"1.55 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.013_LeonardCohenInterview_SideB_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:03:40\",\"precision\":\"\",\"size\":\"121 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1993-11-24\",\"type\":\"Publication Date\",\"notes\":\"Date broadcast aired.\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[]"],"City":["Other"],"contents":["Side A and B contain a home recording of an interview with Leonard Cohen in which he discusses his latest album The Future and promotes his recent book Stranger Music: Selected Poems and Songs by Leonard Cohen. The interview was broadcast on the CBC show, the Morningside, with Peter Gzowski and aired on November 24, 1993. Songs from The Future are also played during the program."],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Cohen, Leonard. The Future. Album. Columbia, 1992.\"},{\"url\":\"\",\"citation\":\"Cohen, Leonard. Stranger Music: Selected Poems and Songs. McClelland & Stewart, 1993.\"}]"],"_version_":1853670550766878721,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4383","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["\"Lawrence Ferlinghetti\" on Ideas / CBC \nFeb 20, 2003. Bob Chelmyk"],"item_title_source":["Title written on artifact."],"item_title_note":["Cassette box title: \"Lawrence Ferlinghetti\" on Ideas / CBC \nFeb 20, 2003. Bob Chelmyk [Chelmick]\n\nSide A title: \"Law Ferlinghetti\" - Ideas 02/20/03\n\nSide B title: n/a"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Chelmick, Robert","Kennedy, Paul","Ferlinghetti, Lawrence"],"creator_names_search":["Chelmick, Robert","Kennedy, Paul","Ferlinghetti, Lawrence"],"creators":["[{\"url\":\"http://viaf.org/viaf/105412575\",\"name\":\"Chelmick, Robert\",\"dates\":\"1949-\",\"notes\":\"Bob Chelmick visits San Francisco to meet and interview Lawrence Ferlinghetti.\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"\",\"name\":\"Kennedy, Paul\",\"dates\":\"\",\"notes\":\"Host of CBC radio program IDEAS and narrator of the program.\",\"nation\":[],\"role\":[\"Narrator\"]},{\"url\":\"http://viaf.org/viaf/110070499\",\"name\":\"Ferlinghetti, Lawrence\",\"dates\":\"1919-\",\"notes\":\"Lawrence Ferlinghetti was interviewed by Bob Chelmick for the radio program IDEAS. Ferlignhetti is also heard reading his work in the program.\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Publication_Date":[2003],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/3900/UBCO_Hogg_2018_002_014_c.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Maxell XL II 90\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.014_LowFerlinghetti_Ideas_02-20-03_SideA_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:47:32\",\"precision\":\"\",\"size\":\"1.58 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.014_SideB_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:06:23\",\"precision\":\"\",\"size\":\"211 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2003-02-20\",\"type\":\"Publication Date\",\"notes\":\"Date broadcast was aired.\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/32858754\",\"venue\":\"City Lights Booksellers\",\"notes\":\"Location of interview between Bob Chelmick and Lawrence Ferlinghetti as playing in the radio program.\",\"address\":\"261 Columbus Avenue, San Francisco, California, 94133, United States of America\",\"latitude\":\"37.79765245\",\"longitude\":\"-122.40661673088152\"}]"],"Address":["261 Columbus Avenue, San Francisco, California, 94133, United States of America"],"Venue":["City Lights Booksellers"],"content_notes":["Contents entry temporary."],"contents":["Tape contains recording of a documentary broadcast about Lawrence Ferlinghetti as aired originally on Paul Kennedy's CBC radio 1 show IDEAS on February 20, 2003. In the program Edmonton artist and broadcaster Bob Chelmick goes to the City Lights Bookshop in San Francisco to interview Ferlinghetti. Program also contains readings by Ferlinghetti."],"Note":["[{\"note\":\"Digitization complete. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550766878722,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4384","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["\"Beat Generation\" Ideas 27/9/93 & \"Aesthetics: A New Battlefield\" Robert Fulford 8/10/93"],"item_title_source":["Title written on artifact."],"item_title_note":["Side A title: \"Beat Generation\" Ideas 27/9/93\n\nSide B title: \"Aesthetics: A New Battlefield\" \nR. Fulford 8/10/93"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Porter, Ian","Swick, David","Fulford, Robert"],"creator_names_search":["Porter, Ian","Swick, David","Fulford, Robert"],"creators":["[{\"url\":\"\",\"name\":\"Porter, Ian\",\"dates\":\"\",\"notes\":\"Side A program.\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"http://viaf.org/viaf/1959499\",\"name\":\"Swick, David\",\"dates\":\"1957-\",\"notes\":\"Writer of program on Side A.\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/94296765\",\"name\":\"Fulford, Robert\",\"dates\":\"1932-\",\"notes\":\"Speaker/narrator of program on Side B.\",\"nation\":[],\"role\":[\"Speaker\",\"Narrator\"]}]"],"contributors_names":["Kerouac, Jack","Ginsberg, Allen","Burroughs, William S."],"contributors_names_search":["Kerouac, Jack","Ginsberg, Allen","Burroughs, William S."],"contributors":["[{\"url\":\"http://viaf.org/viaf/27066713\",\"name\":\"Kerouac, Jack\",\"dates\":\"1922-1969\",\"notes\":\"Subject of radio broadcast on Side A.\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/27066713\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"Subject of radio broadcast on Side A.\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/108916275\",\"name\":\"Burroughs, William S.\",\"dates\":\"1914-1997\",\"notes\":\"Subject of radio broadcast on Side A.\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":["Kerouac, Jack","Ginsberg, Allen","Burroughs, William S."],"Publication_Date":[1993],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/3901/UBCO_Hogg_2018_002_015_c.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony HF Type I Normal Bias \",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.015_BeatGeneration_Ideas_27-9-93_SideA_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:54:40\",\"precision\":\"\",\"size\":\"1.81 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.015_Aesthetics-ANewBattleField_RFulford_8-10-93_SideB_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:57:42\",\"precision\":\"\",\"size\":\"1.91 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1993-09-27\",\"type\":\"Publication Date\",\"notes\":\"Broadcast date of Side A \\\"Beat Generation\\\" program.\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1993-10-08\",\"type\":\"Publication Date\",\"notes\":\"Broadcast date of Side B \\\"Aesthetics: A New Battlefield\\\" program.\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary. J-card is blank."],"contents":["Side A of tape contains a recording of program from CBC radio 1 broadcast IDEAS, titled \"Beat Generation.\" Side B contains a lecture, potentially connected to the CBC Morningside radio program with Robert Fulford titled \"Aesthetics: A New Battlefield.\""],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550766878723,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4385","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["CBC Ideas, Fall 1995 \"The Beats\""],"item_title_source":["Title written on artifact."],"item_title_note":["Cassette box title: CBC Ideas, Fall 1995 \"The Beats\"\n\nSide A title: CBC Ideas \"The Beats\" Fall '95\n\nSide B: n/a"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Swick, David"],"creator_names_search":["Swick, David"],"creators":["[{\"url\":\"http://viaf.org/viaf/1959499\",\"name\":\"Swick, David\",\"dates\":\"1957-\",\"notes\":\"Presenter of radio program \\\"The Beats\\\" on Side A.\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"contributors_names":["Kerouac, Jack","Ginsberg, Allen"],"contributors_names_search":["Kerouac, Jack","Ginsberg, Allen"],"contributors":["[{\"url\":\"http://viaf.org/viaf/27066713\",\"name\":\"Kerouac, Jack\",\"dates\":\"1922-1969\",\"notes\":\"Subject of radio broadcast on Side A.\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/27066713\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"Subject of radio broadcast on Side A.\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":["Kerouac, Jack","Ginsberg, Allen"],"Publication_Date":[1995],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/3902/UBCO_Hogg_2018_002_016_c.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Maxell UR 60 Position IEC Type I  Normal\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.016_CBCIdeas_TheBeats_Fall95_SideA_(MA)_02-01.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:31:37\",\"precision\":\"\",\"size\":\"1.05 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.016_SideB_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:30:06\",\"precision\":\"\",\"size\":\"997 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1995\",\"type\":\"Publication Date\",\"notes\":\"Date broadcast was aired on radio.\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary."],"contents":["Side A of tape contains a recording of a program on CBC's radio 1 broadcast IDEAS titled \"The Beats\" which aired in the Fall 1995. Side B contains the following recordings listed on the index: \n[Side B]\n\"From Here To Eternity\" with Jimi Hendrix.\nEdited [Ronald] Reagan Drug War Speech."],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550766878724,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4386","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["Allen Ginsberg's America (CBC)"],"item_title_source":["Title written on artifact."],"item_title_note":["Side A title: Allen Ginsberg's America (CBC)\n\nSide B title: Allen Ginsberg's America (CBC)"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kennedy, Paul"],"creator_names_search":["Kennedy, Paul"],"creators":["[{\"url\":\"\",\"name\":\"Kennedy, Paul\",\"dates\":\"\",\"notes\":\"Host of CBC radio program IDEAS and narrator of the program.\",\"nation\":[],\"role\":[\"Narrator\"]}]"],"contributors_names":["Ginsberg, Allen"],"contributors_names_search":["Ginsberg, Allen"],"contributors":["[{\"url\":\"http://viaf.org/viaf/27066713\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"Allen Ginsberg heard performing many of his poems in the radio broadcast.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"performer_name":["Ginsberg, Allen"],"author_name":["Ginsberg, Allen"],"Publication_Date":[1997],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/3903/UBCO_Hogg_2018_002_017_c.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Maxell XL II 110 High Bias IEC  Type II\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.017_AllenGinsbergsAmerica_CBC_SideA_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:54:38\",\"precision\":\"\",\"size\":\"1.81 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.017_AllenGinsbergsAmerica_CBC_SideB_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:57:17\",\"precision\":\"\",\"size\":\"1.90 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1997\",\"type\":\"Publication Date\",\"notes\":\"Probable year of broadcast to commemorate Ginsberg's death.\",\"source\":\"Secondary research.\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary."],"contents":["Side A of tape contains a recording of episode one of \"Allen Ginsberg's America\" titled \"Into the Vortex.\" Side B of tape contains a recording of episode two of \"Allen Ginsberg's America\" titled \"Death and Fame.\" Radio program was originally broadcast by CBC radio 1 on the program IDEAS with Paul Kennedy.\n\nSide B also features the recorded track \"When the Light Appears Boy\" from the 1997 studio album \"When I Was Born for the 7th Time\" by Cornershop.\n\nCassette j-card reads as follows:\nAllen Ginsberg's America (Pt. One)\n[Side B] \nAllen Ginsberg's America (Pt. Two)\nWhen the Light Appears Boy (Ginsberg w/ Cornershop)."],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550766878725,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4387","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["TS Eliot / Ezra Pound"],"item_title_source":["Title written on artifact."],"item_title_note":["Cassette box title: TS Eliot / Ezra Pound\n\nSide A title: n/a\n\nSide B title: TS Eliot & Ezra Pound"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Pound, Ezra","Eliot, T.S."],"creator_names_search":["Pound, Ezra","Eliot, T.S."],"creators":["[{\"url\":\"http://viaf.org/viaf/24606774\",\"name\":\"Pound, Ezra\",\"dates\":\"1885-1972\",\"notes\":\"Ezra Pound reads his poetry on Side A.\",\"nation\":[],\"role\":[\"Reader\",\"Author\"]},{\"url\":\"http://viaf.org/viaf/56609282\",\"name\":\"Eliot, T.S.\",\"dates\":\"1888-1965\",\"notes\":\"T.S. Eliot reads his poetry on Side B.\",\"nation\":[],\"role\":[\"Reader\",\"Author\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/3904/UBCO_Hogg_2018_002_018_c.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK D-60 IEC Type I Normal Position\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.018_TS_Eliot_&_Ezra_Pound__SideA_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:29:25\",\"precision\":\"\",\"size\":\"974 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.018_TS_Eliot_&_Ezra_Pound_SideB_(MA)_01.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:31:54\",\"precision\":\"\",\"size\":\"1.06 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary. To be timestamped."],"contents":["Side A consists of a recording of Ezra Pound reading his poems \"The Seafarer,\" \"Sestina: Altaforte,\" \"Homage To Sextus Propertius - Vi,\" \"Envoi,\" \"Hugh Selwyn Mauberley [Part II],\" \"Cantos XVII,\" \"Cantos XLV,\" and \"Cantico del Sole.\"\n\nSide B consists of a recording of T.S. Eliot reading his poems \"Gerontion,\" \"The Hollow Men,\" \"A Song for Simeon,\" \"Fragment of an Agon,\" \"The Love Song of J. Alfred Prufrock,\" \"Journey of the Magi,\" and \"Preludes.\"\n\nBoth recordings were likely dubbed from the radio or another recording."],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"https://www.web-books.com/Classics/Poetry/Anthology/Pound/Seafarer.htm\",\"citation\":\"Pound, Ezra. \\\"The Seafarer.\\\" \"},{\"url\":\"https://www.poetryfoundation.org/poems/53967/sestina-altaforte\",\"citation\":\"Pound, Ezra. \\\"Sestina: Altaforte.\\\"\"},{\"url\":\"https://www.poemhunter.com/poem/homage-to-sextus-propertius-vi/\",\"citation\":\"Pound, Ezra. \\\"Homage To Sextus Propertius - Vi.\\\"\"},{\"url\":\"https://www.poetryfoundation.org/poems/44914/envoi-56d2243243e40\",\"citation\":\"Pound, Ezra. \\\"Envoi.\\\"\"},{\"url\":\"https://www.poetryfoundation.org/poems/57353/hugh-selwyn-mauberley-part-ii\",\"citation\":\"Pound, Ezra. \\\"Hugh Selwyn Mauberley [Part II].\\\"\"},{\"url\":\"https://thecantosproject.ed.ac.uk/index.php/canto-17-27-overview/xviii-xix-geryon/xviiia/84-a-draft-of-xxx-cantos/cantos-17-27/xvii/275-canto-xvii-poem\",\"citation\":\"Pound, Ezra. \\\"Canto XVII.\\\"\"},{\"url\":\"https://www.poetryfoundation.org/poems/54319/canto-xlv\",\"citation\":\"Pound, Ezra. \\\"Cantos XLV.\\\" \"},{\"url\":\"https://www.poetryfoundation.org/poems/52318/cantico-del-sole\",\"citation\":\"Pound, Ezra. \\\"Cantico del Sole.\\\"\"},{\"url\":\"https://www.poetryfoundation.org/poems/47254/gerontion\",\"citation\":\"Eliot, T.S. \\\"Gerontion.\\\"\"},{\"url\":\"https://msu.edu/~jungahre/transmedia/the-hollow-men.html\",\"citation\":\"Eliot, T.S. \\\"The Hollow Men.\\\"\"},{\"url\":\"http://users.uoa.gr/~nektar/arts/poetry/thomas_stearns_elliot_a_song_for_simeon.htm\",\"citation\":\"Eliot, T.S. \\\"A Song for Simeon.\\\"\"},{\"url\":\"http://www.atherden.com/Eliot/fragment.html\",\"citation\":\"Eliot, T.S. \\\"Fragment of an Agon.\\\"\"},{\"url\":\"https://www.poetryfoundation.org/poetrymagazine/poems/44212/the-love-song-of-j-alfred-prufrock\",\"citation\":\"Eliot, T.S. \\\"The Love Song of J. Alfred Prufrock.\\\"\"},{\"url\":\"https://www.poetryinvoice.com/poems/journey-magi\",\"citation\":\"Eliot, T.S. \\\"Journey of the Magi.\\\"\"},{\"url\":\"https://www.poetryfoundation.org/poems/44214/preludes-56d22338dc954\",\"citation\":\"Eliot, T.S. \\\"Preludes.\\\"\"}]"],"_version_":1853670550766878726,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4388","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["Robert Frost / Wallace Stevens"],"item_title_source":["Title written on artifact."],"item_title_note":["Cassette box title: Robert Frost / Wallace Stevens\n\nSide A title: Robert Frost & Wallace Stevens\n\nSide B title: n/a"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Stevens, Wallace","Frost, Robert"],"creator_names_search":["Stevens, Wallace","Frost, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/61562486\",\"name\":\"Stevens, Wallace\",\"dates\":\"1879-1955\",\"notes\":\"Wallace Stevens reads his poems on Side A.\",\"nation\":[],\"role\":[\"Reader\",\"Author\"]},{\"url\":\"http://viaf.org/viaf/32010055\",\"name\":\"Frost, Robert\",\"dates\":\"1874-1963\",\"notes\":\"Robert Frost reads his poems on side B.\",\"nation\":[],\"role\":[\"Reader\",\"Author\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/3905/UBCO_Hogg_2018_002_019_c.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK D-60 IEC Type I Normal Position\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.019_Robert_Frost_&_Wallace_Stevens_SideA_03_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:31:01\",\"precision\":\"\",\"size\":\"1.03 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.019_Robert_Frost_&_Wallace_Stevens_SideB_02_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:30:55\",\"precision\":\"\",\"size\":\"1.02 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary. To be time stamped."],"contents":["Side A of tape consists of Wallace Stevens reading his poems \"To the One of Fictive Music,\" \"Not Ideas About the Thing but the Thing Itself,\" and \"The Auroras of Autumn.\"\n\nSide B of tape consists of Robert Frost reading his poems \"Revelation,\" \"Two Tramps in Mud Time,\" \"Accidentally on Purpose,\" \"Mother Goose,\" \"The Objection to being Stepped on,\" \"Bond and Free,\" \"A Soldier,\" \"One More Brevity,\" \"Neither Out Far Nor In Deep,\" \"Sand Dunes,\" \"Why Wait for Science,\" \"Etherealizing,\" \"The Gift Outright,\" \"Tree at my Window,\" \"A Considerable Speck,\" and \"Birches.\""],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"https://www.poetryfoundation.org/poems/148731/to-the-one-of-fictive-music\",\"citation\":\"Stevens, Wallace. \\\"To the One of Fictive Music.\\\"\"},{\"url\":\"https://wikipoem.org/workshop/not-ideas-about-the-thing-but-the-thing-itself-by-wallace-stevens/\",\"citation\":\"Stevens, Wallace. \\\"Not Ideas About the Thing but the Thing Itself.\\\"\"},{\"url\":\"https://www.poemhunter.com/poem/the-auroras-of-autumn/\",\"citation\":\"Stevens, Wallace. \\\"The Auroras of Autumn.\\\"\"},{\"url\":\"https://poets.org/poem/revelation\",\"citation\":\"Frost, Robert. \\\"Revelation.\\\"\"},{\"url\":\"http://holyjoe.org/poetry/frost4.htm\",\"citation\":\"Frost, Robert. \\\"Two Tramps in Mud Time.\\\"\"},{\"url\":\"\",\"citation\":\"Frost, Robert. \\\"Accidentally on Purpose.\\\"\"},{\"url\":\"\",\"citation\":\"Frost, Robert. \\\"Mother Goose.\\\"\"},{\"url\":\"https://allpoetry.com/The-Objection-To-Being-Stepped-On\",\"citation\":\"Frost, Robert. \\\"The Objection to Being Stepped On.\\\"\"},{\"url\":\"https://poets.org/poem/bond-and-free#:~:text=Love%20has%20earth%20to%20which,a%20pair%20of%20dauntless%20wings.\",\"citation\":\"Frost, Robert. \\\"Bond and Free.\\\"\"},{\"url\":\"https://www.poemhunter.com/poem/a-soldier/\",\"citation\":\"Frost, Robert. \\\"A Soldier.\\\"\"},{\"url\":\"https://genius.com/Robert-frost-one-more-brevity-annotated\",\"citation\":\"Frost, Robert. \\\"One More Brevity.\\\"\"},{\"url\":\"https://allpoetry.com/Neither-Out-Far-Nor-In-Deep\",\"citation\":\"Frost, Robert. \\\"Neither Out Far Nor In Deep.\\\"\"},{\"url\":\"https://genius.com/Robert-frost-sand-dunes-annotated#:~:text=Sand%20Dunes%20Lyrics,those%20are%20brown%20and%20dry.\",\"citation\":\"Frost, Robert. \\\"Sand Dunes.\\\"\"},{\"url\":\"https://maeleanor-ely-guzman-blog.tumblr.com/post/3022487718/why-wait-for-science\",\"citation\":\"Frost, Robert. \\\"Why Wait for Science.\\\"\"},{\"url\":\"poemshape.wordpress.com/category/frost-poems-discussed/etherealizing/\",\"citation\":\"Frost, Robert. \\\"Etherealizing.\\\"\"},{\"url\":\"https://www.poetryfoundation.org/poems/53013/the-gift-outright\",\"citation\":\"Frost, Robert. \\\"The Gift Outright.\\\"\"},{\"url\":\"https://allpoetry.com/Tree-At-My-Window\",\"citation\":\"Frost, Robert. \\\"Tree at My Window.\\\"\"},{\"url\":\"https://www.poemhunter.com/best-poems/robert-frost/a-considerable-speck/\",\"citation\":\"Frost, Robert. \\\"A Considerable Speck.\\\"\"},{\"url\":\"https://www.poetryfoundation.org/poems/44260/birches\",\"citation\":\"Frost, Robert. \\\"Birches.\\\"\"}]"],"_version_":1853670550767927296,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4389","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["W.H. Auden / Robinson \nJeffers / Theodore Roethke"],"item_title_source":["Title written on artifact."],"item_title_note":["Cassette box title: Auden / Teffers / Roethke\n\nSide A title: n/a\n\nSide B title: W.H. Auden / Robinson \nJeffers / Theodore Roethke"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Auden, W.H.","Roethke, Theodore","Jeffers, Robinson"],"creator_names_search":["Auden, W.H.","Roethke, Theodore","Jeffers, Robinson"],"creators":["[{\"url\":\"http://viaf.org/viaf/2465832\",\"name\":\"Auden, W.H.\",\"dates\":\"1907-1973\",\"notes\":\"W. H. Auden reads his poetry at a public reading on Side B.\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/24682652\",\"name\":\"Roethke, Theodore\",\"dates\":\"1908-1963\",\"notes\":\"Theodore Roethke reads his poetry on the second half of side A.\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/68956184\",\"name\":\"Jeffers, Robinson\",\"dates\":\"1887-1962\",\"notes\":\"Robinson Jeffers reads his poetry on the first half of Side A.\",\"nation\":[],\"role\":[\"Reader\",\"Author\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/3906/UBCO_Hogg_2018_002_020_c.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK D-60 IEC Type I Normal Position\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.020_WH_Audin_Robinson_Jeffers_Theodore_Roethke_SideA_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:27:23\",\"precision\":\"\",\"size\":\"907 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.020_WH_Audin_Robinson_Jeffers_Theodore_Roethke_SideB_(MA)_01.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:29:16\",\"precision\":\"\",\"size\":\"969 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary. To be time stamped."],"contents":["Side A contains a recording of Robinson Jeffers reading his poems \"To the Stone-Cutters,\" \"Suicide's Stone,\" \"Wise Men In Their Bad Hours,\" \"Natural Music,\" \"The Tower Beyond Tragedy,\" \"Watch the Light Fade,\" \"The Bloody Sire,\" and \"The Truce and the Peace.\" The second half of Side A contains Theodore Roethke reading his poems \"The Long Alley,\" and \"The Shape of the Fire.\"\n\nSide B contains W.H. Auden reading four sonnets from his collection \"Journey to a War,\" \"Song\" from \"Another Time,\" \"Thanksgiving for a Habitat,\" \"Autumn Song,\" \"A Walk After Dark,\" \"The Shield of Achilles,\" \", \"Doggerel by a Senior Citizen,\" and \"Moon Landing\" interspersed with dialogue.\n\nThis is likely a mixtape of readings and the poets were not at the same event. This cassette recording was likely dubbed from other recordings."],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Jeffers, Robinson. \\\"To the Stone-Cutters.\\\"\"},{\"url\":\"https://www.poemhunter.com/poem/suicide-s-stone/\",\"citation\":\"Jeffers, Robinson. \\\"Suicide's Stone.\\\"\"},{\"url\":\"https://www.americanpoems.com/poets/robinson-jeffers/wise-men-in-their-bad-hours/\",\"citation\":\"Jeffers, Robinson. \\\"Wise Men in Their Bad Hours.\\\"\"},{\"url\":\"https://www.poemhunter.com/poem/natural-music-2/\",\"citation\":\"Jeffers, Robinson. \\\"Natural Music.\\\"\"},{\"url\":\"https://www.poemhunter.com/poem/the-tower-beyond-tragedy/\",\"citation\":\"Jeffers, Robinson. \\\"The Tower Beyond Tragedy.\\\"\"},{\"url\":\"\",\"citation\":\"Jeffers, Robinson. \\\"Watch the Light Fade.\\\"\"},{\"url\":\"https://www.poetryfoundation.org/poetrymagazine/poems/22770/the-bloody-sire\",\"citation\":\"Jeffers, Robinson. \\\"The Bloody Sire.\\\"\"},{\"url\":\"https://www.poemhunter.com/poem/the-truce-and-the-peace/\",\"citation\":\"Jeffers, Robinson. \\\"The Truce and the Peace.\\\"\"},{\"url\":\"https://www.poetryfoundation.org/poetrymagazine/browse?contentId=24762\",\"citation\":\"Roethke, Theodore. \\\"The Long Alley.\\\"\"},{\"url\":\"https://allpoetry.com/The-Shape-Of-The-Fire\",\"citation\":\"Roethke, Theodore. \\\"The Shape of the Fire.\\\"\"},{\"url\":\"\",\"citation\":\"Auden, W.H. \\\"Journey to a War.\\\"\"},{\"url\":\"\",\"citation\":\"Auden, W.H. \\\"Song.\\\" Another Time.\"},{\"url\":\"https://allpoetry.com/Thanksgiving-for-a-Habitat\",\"citation\":\"Auden, W. H. \\\"Thanksgiving for a Habitat.\\\"\"},{\"url\":\"https://allpoetry.com/poem/8492957-Autumn-Song-by-W-H-Auden\",\"citation\":\"Auden, W.H. \\\"Autumn's Song.\\\"\"},{\"url\":\"https://allpoetry.com/A-Walk-After-Dark\",\"citation\":\"Auden, W. H. \\\"A Walk After Dark.\\\"\"},{\"url\":\"https://genius.com/W-h-auden-the-shield-of-achilles-annotated\",\"citation\":\"Auden, W.H. \\\"The Shield of Achilles.\\\"\"},{\"url\":\"https://www.google.com/search?sxsrf=ALeKk00_dyeSOYiNLtksodc6giSZlhmmYg%3A1598460479715&ei=P5JGX4ysK-bM0PEP2oql-Ac&q=doggerel+by+a+senior+citizen&gs_ssp=eJzj4tVP1zc0TCupyi3PzjM0YPSSSclPT08tSs1RSKpUSFQoTs3LzC9SSM4syaxKzQMAVswPow&oq=doggerel+by+a+s&gs_lcp=CgZwc3ktYWIQAxgAMgUILhCTAjICCAAyAggAMgYIABAWEB4yBggAEBYQHjIGCAAQFhAeMgYIABAWEB4yBggAEBYQHjIGCAAQFhAeMgYIABAWEB46BwgjEOoCECc6BAgjECc6BQguEJECOgsILhCxAxDHARCjAjoICC4QsQMQgwE6BAguEEM6CgguELEDEIMBEEM6BAgAEEM6BwguELEDEEM6BwgAELEDEEM6CAguEMcBEK8BOgUIABCxAzoJCCMQJxBGEPkBOgIILlCBeljuiwFgm5IBaAJwAHgAgAG_AYgB7g6SAQQzLjEymAEAoAEBqgEHZ3dzLXdperABCsABAQ&sclient=psy-ab\",\"citation\":\"Auden, W.H., \\\"Doggerel by a Senior Citizen.\\\"\"},{\"url\":\"https://allpoetry.com/Moon-landing\",\"citation\":\"Auden, W.H. \\\"Moon Landing.\\\"\"}]"],"_version_":1853670550767927297,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4390","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["Sylvia Plath / Robert Lowell"],"item_title_source":["Title written on artifact."],"item_title_note":["Cassette Box title: Lowell / Plath\n\nSide A title: n/a\n\nSide B title: Sylvia Plath / Robert Lowell"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Lowell, Robert","Plath, Sylvia"],"creator_names_search":["Lowell, Robert","Plath, Sylvia"],"creators":["[{\"url\":\"http://viaf.org/viaf/17249803\",\"name\":\"Lowell, Robert\",\"dates\":\"1917-1977\",\"notes\":\"Robert Lowell reads his poems on Side A.\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/14775269\",\"name\":\"Plath, Sylvia\",\"dates\":\"1932-1963\",\"notes\":\"Sylvia Plath reads her poetry on Side B.\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1977],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/3907/UBCO_Hogg_2018_002_021_c.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK D-60 IEC Type I Normal Position\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.021_Sylvia_Plath_Robert_Lowell_SideA_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:30:15\",\"precision\":\"\",\"size\":\"1.0 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.021_Sylvia_Plath_Robert_Lowell_SideB_(MA)_01.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:25:43\",\"precision\":\"\",\"size\":\"852 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977-04-30\",\"type\":\"Performance Date\",\"notes\":\"The Side A Robert Lowell reading was the last recorded reading before his death and was held on April 30, 1977. Source: https://www.lrb.co.uk/the-paper/v25/n17/michael-hofmann/his-own-prophet\",\"source\":\"Secondary research.\"},{\"date\":\"1958-06-13\",\"type\":\"Performance Date\",\"notes\":\"Sylvia Plath opens recording on Side B by noting the date of recording was June 13, 1958.\",\"source\":\"Audio recording.\"},{\"date\":\"1959-02-22\",\"type\":\"Performance Date\",\"notes\":\"Sylvia Plath opens second recording on Side B of recording by noting the date of recording was February 22, 1959.\",\"source\":\"Audio recording.\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary. To be timestamped."],"contents":["Side A of tape consists of Robert Lowell reading his poems \"Mr. Edwards and the Spiders,\" \"Bringing a Turtle Home,\" \"Returning Turtle,\" \"Memories of West St and Lepke,\" \"Central Park,\" \"The March I,\" \"The March II,\" \"For John Berryman: After Reading His Last Dream Song\" and \"To Frank Parker.\" This is likely a recording of Lowell's last recorded reading before his death, which was given on April 30, 1977.\n\nSide B consists first of a recording of Sylvia Plath reading her poems \"Black Rook in Rainy Weather,\" \"Maudlin,\" \"Sow,\" \"All The Dead Dears\"  on June 13, 1958. Side B also contains a reading by Sylvia Plath on Feb 22, 1959 of \"Full Fathom Five,\" \"Watercolor of Grantchester Meadows,\" \"Snakecharmer,\" \"Point Shirley,\" \"Departure,\" \"I Want, I Want,\" \"Lorelei,\" \"Moonrise,\" \"The Bull of Bendylaw,\" \"The Hermit of Outermost House,\" and \"Frog Autumn.\""],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"https://roundhousepoetrycircle.wordpress.com/2018/12/13/mr-edwards-and-the-spider/\",\"citation\":\"Lowell, Robert. \\\"Mr. Edwards and the Spider.\\\"\"},{\"url\":\"\",\"citation\":\"Lowell, Robert. \\\"Bringing a Turtle Home.\\\"\"},{\"url\":\"https://www.lorenwebster.net/In_a_Dark_Time/2004/11/26/robert-lowells-returning-turtle/\",\"citation\":\"Lowell, Robert. \\\"Returning Turtle.\\\"\"},{\"url\":\"https://www.poetryfoundation.org/poems/48338/memories-of-west-street-and-lepke\",\"citation\":\"Lowell, Robert. \\\"Memories of West Street and Lepke.\\\"\"},{\"url\":\"https://www.nybooks.com/articles/1965/10/14/central-park/\",\"citation\":\"Lowell, Robert. \\\"Central Park.\\\"\"},{\"url\":\"https://www.connotations.de/article/frank-j-kearful-poetics-and-politics-in-robert-lowells-the-march-1-and-the-march-2/\",\"citation\":\"Lowell, Robert. \\\"The March I.\\\"\"},{\"url\":\"https://www.connotations.de/article/frank-j-kearful-poetics-and-politics-in-robert-lowells-the-march-1-and-the-march-2/\",\"citation\":\"Lowell, Robert. \\\"The March II.\\\"\"},{\"url\":\"https://www.nybooks.com/articles/1977/06/23/for-john-berryman/\",\"citation\":\"Lowell, Robert. \\\"For John Berryman: After Reading His Last Dream Song.\\\"\"},{\"url\":\"google.com/search?sxsrf=ALeKk01R35E25WxjV2jBRlQYK0NWxNc35w%3A1595602823106&source=hp&ei=h_caX9L5A7XO0PEP1aaF6A8&q=to+frank+parker+robert+lowell&btnK=Google+Search&oq=how+to+change+default+search&gs_lcp=CgZwc3ktYWIQARgAMgIIADICCAAyAggAMgIIADICCAAyAggAMgIIADICCAAyAggAMgIIADoHCC4QJxCTAjoECCMQJzoICAAQsQMQgwE6CwguELEDEMcBEKMCOgUIABCxAzoICC4QsQMQgwE6AgguUPQGWPAwYPJNaABwAHgBgAH8CIgBz02SAQ0yLTEuMS4wLjMuMy41mAEAoAEBqgEHZ3dzLXdpeg&sclient=psy-ab\",\"citation\":\"Lowell, Robert. \\\"To Frank Parker.\\\"\"},{\"url\":\"https://www.internal.org/Sylvia_Plath/Black_Rook_in_Rainy_Weather\",\"citation\":\"Plath, Sylvia. \\\"Black Rook in Rainy Weather.\\\"\"},{\"url\":\"https://allpoetry.com/mussel-hunter-at-rock-harbor\",\"citation\":\"Plath, Sylvia. \\\"Mussel Hunter at Rock Harbor.\\\"\"},{\"url\":\"poemhunter.com/poem/maudlin/\",\"citation\":\"Plath, Sylvia. \\\"Maudlin.\\\"\"},{\"url\":\"http://caladesishore.com/dpc/Poets/SylviaPlath/Sow.html\",\"citation\":\"Plath, Sylvia. \\\"Sow.\\\"\"},{\"url\":\"https://www.poemhunter.com/poem/all-the-dead-dears/comments/\",\"citation\":\"Plath, Sylvia. \\\"All the Dead Dears.\\\"\"},{\"url\":\"https://hellopoetry.com/poem/645/full-fathom-five/\",\"citation\":\"Plath, Sylvia. \\\"Full Fathom Five.\\\"\"},{\"url\":\"https://www.poemhunter.com/poem/watercolor-of-grantchester-meadows/\",\"citation\":\"Plath, Sylvia. \\\"Watercolor of Grantchester Meadows.\\\"\"},{\"url\":\"https://allpoetry.com/Snakecharmer\",\"citation\":\"Plath, Sylvia. \\\"Snakecharmer.\\\"\"},{\"url\":\"https://allpoetry.com/Point-Shirley\",\"citation\":\"Plath, Sylvia. \\\"Point Shirley.\\\"\"},{\"url\":\"https://www.poeticous.com/sylvia-plath/departure\",\"citation\":\"Plath, Sylvia. \\\"Departure.\\\"\"},{\"url\":\"https://allpoetry.com/I-Want,-I-Want\",\"citation\":\"Plath, Sylvia. \\\"I Want, I Want.\\\"\"},{\"url\":\"https://www.poeticous.com/sylvia-plath/lorelei\",\"citation\":\"Plath, Sylvia. \\\"Lorelei.\\\"\"},{\"url\":\"https://www.poemhunter.com/poem/moonrise-16/comments/page-1/\",\"citation\":\"Plath, Sylvia. \\\"Moonrise.\\\"\"},{\"url\":\"https://www.internal.org/Sylvia_Plath/The_Bull_of_Bendylaw\",\"citation\":\"Plath, Sylvia. \\\"The Bull of Bendylaw.\\\"\"},{\"url\":\"https://allpoetry.com/The-Hermit-At-Outermost-House\",\"citation\":\"Plath, Sylvia. \\\"The Hermit at Outermost House.\\\"\"},{\"url\":\"http://www.phys.unm.edu/~tw/fas/yits/archive/plath_frogautumn.html\",\"citation\":\"Plath, Sylvia. \\\"Frog Autumn.\\\"\"}]"],"_version_":1853670550767927298,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4391","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["W.C. Williams & Marianne Moore"],"item_title_source":["Title written on artifact."],"item_title_note":["Cassette Box Title: Williams / Moore Reading\n\nSide A title: n/a\n\nSide B title: W.C. Williams & Marianne Moore"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Williams, William Carlos","Moore, Marianne"],"creator_names_search":["Williams, William Carlos","Moore, Marianne"],"creators":["[{\"url\":\"http://viaf.org/viaf/29542054\",\"name\":\"Williams, William Carlos\",\"dates\":\"1883-1963\",\"notes\":\"William Carlos Williams reads his poems on Side A.\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/61562401\",\"name\":\"Moore, Marianne\",\"dates\":\"1887-1972\",\"notes\":\"Marianne Moore reads her poems on Side B.\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/3908/UBCO_Hogg_2018_002_022_c.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK D-60 IEC Type I Normal Position\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.022_W.C.Williams_&_Marianne_Moore_SideA_02_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:31:43\",\"precision\":\"\",\"size\":\"1.61 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.022_W.C.Williams_&_Marianne_Moore_SideB_01_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:29:08\",\"precision\":\"\",\"size\":\"1.61 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary. To be time stamped."],"contents":["Side A of tape consists of a William Carlos Williams reading his poems \"Burning the Christmas Greens,\" \"The Visit,\" \"The Lion,\" \"Spring and All [By the road to the contagious hospital],\" \"This Is Just to Say,\" \"Flowers by the Sea,\" \"The Yachts,\" \"Virtue,\" \"Smell,\" \"To Greet a Letter-Carrier,\" \"At the Bar,\" \"Perfection,\" \"Fertile,\" \"Picture of a Nude in a Machine Shop,\" \"Venus over the Desert,\" and \"Birth of Venus.\"\n\nSide B consists of Marianne Moore reading her poems \"In Lieu of the Lyre,\" \"What are the Years,\" \"The Mind is an Enchanting Thing,\" \"A Carriage from Sweden,\" \"He Digesteth Harde Yron,\" and \"W.S. Landor,\" chatting with the audience."],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"https://www.poetryfoundation.org/poetrymagazine/browse?contentId=23753\",\"citation\":\"Williams, William Carlos. \\\"Burning the Christmas Greens.\\\"\"},{\"url\":\"\",\"citation\":\"Williams, William Carlos. \\\"The Visit.\\\"\"},{\"url\":\"\",\"citation\":\"Williams, William Carlos. \\\"The Lion.\\\"\"},{\"url\":\"https://poets.org/poem/spring-and-all-road-contagious-hospital\",\"citation\":\"Williams, William Carlos. \\\"Spring and All [By the road to the contagious hospital.]\\\"\"},{\"url\":\"https://www.poetryfoundation.org/poems/56159/this-is-just-to-say\",\"citation\":\"Williams, William Carlos. \\\"This Is Just to Say.\\\"\"},{\"url\":\"https://genius.com/William-carlos-williams-the-yachts-annotated\",\"citation\":\"Williams, William Carlos. \\\"The Yachts.\\\"\"},{\"url\":\"https://www.poetryfoundation.org/poems/53078/flowers-by-the-sea-56d23210587cf\",\"citation\":\"Williams, William Carlos. \\\"Flowers by the Sea.\\\"\"},{\"url\":\"https://www.poetrynook.com/poem/virtue-1\",\"citation\":\"Williams, William Carlos. \\\"Virtue.\\\"\"},{\"url\":\"https://poets.org/poem/smell\",\"citation\":\"Williams, William Carlos. \\\"Smell.\\\"\"},{\"url\":\"https://biblioklept.org/2018/05/28/to-greet-a-letter-carrier-william-carlos-williams/\",\"citation\":\"Williams, William Carlos. \\\"To Greet a Letter-Carrier.\\\"\"},{\"url\":\"https://biblioklept.org/2018/05/07/at-the-bar-william-carlos-williams/\",\"citation\":\"Williams, William Carlos. \\\"At the Bar.\\\"\"},{\"url\":\"https://ronnowpoetry.com/contents/williamswc/Perfection.html\",\"citation\":\"Williams, William Carlos. \\\"Perfection.\\\"\"},{\"url\":\"\",\"citation\":\"Williams, William Carlos. \\\"Fertile.\\\"\"},{\"url\":\"\",\"citation\":\"Williams, William Carlos. \\\"Picture of a Nude in a Machine Shop.\\\"\"},{\"url\":\"\",\"citation\":\"Williams, William Carlos. \\\"Venus over the Desert.\\\"\"},{\"url\":\"\",\"citation\":\"Williams, William Carlos. \\\"Birth of Venus.\\\"\"},{\"url\":\"\",\"citation\":\"Moore, Marianne. \\\"In Lieu of the Lyre.\\\"\"},{\"url\":\"https://www.poetryfoundation.org/harriet/2009/03/moores-what-are-years-how-does-this-poem-be\",\"citation\":\"Moore, Marianne. \\\"What are the Years.\\\"\"},{\"url\":\"https://socialecologies.wordpress.com/2015/11/24/marianne-moore-the-mind-is-an-enchanting-thing/\",\"citation\":\"Moore, Marianne. \\\"The Mind is an Enchanting Thing.\\\"\"},{\"url\":\"https://www.poetryexplorer.net/poem.php?id=10029217\",\"citation\":\"Moore, Marianne. \\\"A Carriage from Sweden.\\\"\"},{\"url\":\"https://poets.org/poem/he-digesteth-harde-yron\",\"citation\":\"Moore, Marianne. \\\"He 'Digesteth Harde Yron.'\\\"\"},{\"url\":\"https://www.poetrynook.com/poem/w-s-landor\",\"citation\":\"Moore, Marianne. \\\"W.S. Landor.\\\"\"}]"],"_version_":1853670550767927299,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4392","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["Randall Jarrell / John Berryman"],"item_title_source":["Title written on artifact."],"item_title_note":["Cassette box title: J Berryman / Randall Jarrell\n\nSide A title: n/a\n\nSide B title: Randall Jarrell / John Berryman"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Jarrell, Randall","Berryman, John"],"creator_names_search":["Jarrell, Randall","Berryman, John"],"creators":["[{\"url\":\"http://viaf.org/viaf/100256034\",\"name\":\"Jarrell, Randall\",\"dates\":\"1914-1965\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/5440157226600685410008\",\"name\":\"Berryman, John\",\"dates\":\"1914-1972\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Author\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/3909/UBCO_Hogg_2018_002_023_c.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK D-60 IEC Type I Normal Position\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.023_Randall_Jarrell_John_Berryman_SideA_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:36:12\",\"precision\":\"\",\"size\":\"1.2 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.023_Randall_Jarrell_John_Berryman_SideB_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:33:21\",\"precision\":\"\",\"size\":\"1.11 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary. To be time stamped."],"contents":["Side A consists of John Berryman reading The Dream Songs at a live poetry reading event. Berryman reads his poems \"Dream Song 1,\" \"Dream Song 5,\" \"Dream Song 27,\" \"Dream Song 69,\" \"Dream Song 23,\" \"Dream Song 22,\" \"Dream Song 48,\" \"Dream Song 17,\" \"Dream Song 55,\" \"Dream Song 53,\" \"Dream Song 29,\" \"Dream Song 8,\" \"Dream Song 3: A Stimulant for an Old Beast,\" \"Dream Song 36,\" \"Dream Song 75,\" \"Dream Song 34,\" \"Dream Song 67,\" \"Dream Song 71,\" and \"Dream Song 77.\"\n\nSide B consists of Randall Jarrell reading the following poems \"After the Door Shuts, and the Footsteps Die,\" \"A Camp in the Prussian Forest,\" \"Gunner,\" \"The Lines,\" \"A Ward in the States,\" \"In Montecito,\" \"Next day,\" \"Three Bills,\" and \"The Player Piano.\""],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"https://allpoetry.com/Dream-Song-1:-Huffy-Henry-hid-the-day\",\"citation\":\"Berryman, John. \\\"Dream Song 1.\\\"\"},{\"url\":\"https://genius.com/John-berryman-dream-song-5-annotated\",\"citation\":\"Berryman, John. \\\"Dream Song 5.\\\"\"},{\"url\":\"https://allpoetry.com/Dream-Song-27:--The-greens-of-the-Ganges-delta-foliate.-\",\"citation\":\"Berryman, John. \\\"Dream Song 27.\\\"\"},{\"url\":\"http://famouspoetsandpoems.com/poets/john_berryman/poems/12156\",\"citation\":\"Berryman, John. \\\"Dream Song 69.\\\"\"},{\"url\":\"https://allpoetry.com/Dream-Song-23:-The-Lay-of-Ike\",\"citation\":\"Berryman, John. \\\"Dream Song 23.\\\"\"},{\"url\":\"https://allpoetry.com/Dream-Song-22:-Of-1826\",\"citation\":\"Berryman, John. \\\"Dream Song 22.\\\"\"},{\"url\":\"https://allpoetry.com/Dream-Song-48:-He-yelled-at-me-in-Greek\",\"citation\":\"Berryman, John. \\\"Dream Song 48.\\\"\"},{\"url\":\" http://famouspoetsandpoems.com/poets/john_berryman/poems/12847\",\"citation\":\"Berryman, John. \\\"Dream Song 17.\\\"\"},{\"url\":\"http://famouspoetsandpoems.com/poets/john_berryman/poems/12024\",\"citation\":\"Berryman, John. \\\"Dream Song 55.\\\"\"},{\"url\":\"https://allpoetry.com/Dream-Song-53:-He-lay-in-the-middle-of-the-world,-and-twicht\",\"citation\":\"Berryman, John. \\\"Dream Song 53.\\\"\"},{\"url\":\"https://www.poetryfoundation.org/poems/48265/dream-song-29\",\"citation\":\"Berryman, John. \\\"Dream Song 29.\\\"\"},{\"url\":\"https://genius.com/John-berryman-dream-song-8-annotated\",\"citation\":\"Berryman, John. \\\"Dream Song 8.\\\"\"},{\"url\":\"https://allpoetry.com/Dream-Song-3:-A-Stimulant-for-an-Old-Beast\",\"citation\":\"Berryman, John. \\\"Dream Song 3: A Stimulant for an Old Beast.\\\"\"},{\"url\":\"https://allpoetry.com/Dream-Song-36:-The-high-ones-die,-die.-They-die\",\"citation\":\"Berryman, John. \\\"Dream Song 36.\\\"\"},{\"url\":\"http://famouspoetsandpoems.com/poets/john_berryman/poems/12155\",\"citation\":\"Berryman, John. \\\"Dream Song 75.\\\"\"},{\"url\":\"http://famouspoetsandpoems.com/poets/john_berryman/poems/12164.html\",\"citation\":\"Berryman, John. \\\"Dream Song 34.\\\"\"},{\"url\":\"https://www.poetrybyheart.org.uk/poems/i-dont-operate-often/\",\"citation\":\"Berryman, John. \\\"Dream Song 67.\\\"\"},{\"url\":\"https://allpoetry.com/Dream-Song-71:-Spellbound-held-subtle-Henry-all-his-four\",\"citation\":\"Berryman, John. \\\"Dream Song 71.\\\"\"},{\"url\":\"https://allpoetry.com/Dream-Song-77:-Seedy-Henry-rose-up-shy\",\"citation\":\"Berryman, John. \\\"Dream Song 77.\\\"\"},{\"url\":\"\",\"citation\":\"Jarrell, Randall. \\\"After the Door Shuts, and the Footsteps Die.\\\"\"},{\"url\":\"https://www.poemhunter.com/poem/a-camp-in-the-prussian-forest/\",\"citation\":\"Jarrell, Randall. \\\"A Camp in the Prussian Forest.\\\"\"},{\"url\":\"https://www.poemhunter.com/poem/gunner/\",\"citation\":\"Jarell, Randall. \\\"Gunner.\\\"\"},{\"url\":\"\",\"citation\":\"Jarell, Randall. \\\"The Lines.\\\"\"},{\"url\":\"\",\"citation\":\"Jarell, Randall. \\\"A Ward in the States.\\\"\"},{\"url\":\"\",\"citation\":\"Jarell, Randall. \\\"In Montecito\\\"​\"},{\"url\":\"https://www.poetryfoundation.org/poems/47687/next-day\",\"citation\":\"Jarrell, Randall. \\\"Next day.\\\"\"},{\"url\":\"\",\"citation\":\"Jarrell, Randall. \\\"Three bills.\\\"\"},{\"url\":\"https://www.poemhunter.com/poem/the-player-piano/​\",\"citation\":\"Jarrell, Randall. \\\"The Player Piano.\\\"\"}]"],"_version_":1853670550768975872,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4393","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["CBC Learning Systems / \nMargaret Atwood / The Twist of Feeling"],"item_title_source":["Title written on artifact."],"item_title_note":["Cassette Box title: CBC Learning Systems / \nMargaret Atwood / The Twist of Feeling\n\nSide A title: Marg. Atwood The Twist of Feeling CBC\n\nSide B title: n/a"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Atwood, Margaret"],"creator_names_search":["Atwood, Margaret"],"creators":["[{\"url\":\"http://viaf.org/viaf/109322990\",\"name\":\"Atwood, Margaret\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/3910/UBCO_Hogg_2018_002_024_c.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK D-60 IEC Type I Normal Position\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.024_MargAttwood_Thetwistoffeeling_CBC_SideA_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:22:48\",\"precision\":\"\",\"size\":\"755 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary."],"contents":["Tape consists of a CBC radio broadcast featuring guest Margaret Atwood. Atwood reads from her collection Power Politics."],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"},{\"note\":\"Side B blank.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Atwood, Margaret. Power Politics. House of Anansi Press, 1971.\"}]"],"_version_":1853670550770024448,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4394","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["Earle Birney + Nexus / CBC Stereo  26/7/85"],"item_title_source":["Title written on artifact."],"item_title_note":["Cassette box title: E. Birney - Nexus (CBC)\n\nSide A title: Earle Birney + Nexus / CBC Stereo  26/7/85\n\nSide B title: Earle Birney 2 Cuts - Player/Titles"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Birney, Earle","Nexus"],"creator_names_search":["Birney, Earle","Nexus"],"creators":["[{\"url\":\" http://viaf.org/viaf/97679781\",\"name\":\"Birney, Earle\",\"dates\":\"1904-1995\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/159368193\",\"name\":\"Nexus\",\"dates\":\"\",\"notes\":\"Musical group accompanying Earle Birney's poetry reading.\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/3911/UBCO_Hogg_2018_002_025_d.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch AVX 90 Studio Master\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.025_EarleBirney+Nexxus_CBCStereo_26-7-85_SideA_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:46:52\",\"precision\":\"\",\"size\":\"1.55 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.025_EarleBirney2Cuts_Prayer-Titles_SideB_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:04:07\",\"precision\":\"\",\"size\":\"136 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-07-26\",\"type\":\"\",\"notes\":\"\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/193202832\",\"venue\":\"Sharon Temple National Historic Site and Museum\",\"notes\":\"Location of reading/performance as noted by announcer at beginning of recording.\",\"address\":\"18974 Leslie St, Sharon, ON L0G 1V0\",\"latitude\":\"44.10126685\",\"longitude\":\"-79.44188334391367\"}]"],"Address":["18974 Leslie St, Sharon, ON L0G 1V0"],"Venue":["Sharon Temple National Historic Site and Museum"],"content_notes":["Contents entry temporary."],"contents":["Tape consists of a recording of a CBC broadcast collaboration between Earle Birney and Toronto-based percussion group Nexus. Recording is from the Arts National Friday Night _? Concert at the Sharon Temple, Ontario.\n\nJ-Card reads as follows:\nSide 1\nE. Birney and Nexus\nCBC Stereo 26/7/85\nSide 2\nAs Above 1st Cut\nTitles of Poetry 2nd Cut"],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550770024449,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4395","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["Readings by Jack Kerouac on \nthe Beat Generation"],"item_title_source":["Title written on artifact."],"item_title_note":["Cassette box title: Readings by Jack Kerouac on \nthe Beat Generation\n\nSide A title: J. Kerouac: Reading by J.K. On The\n Beat Generation 1 - 8\n\nSide B title: J.K. \"Is there a Beat Gen?\" 9"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kerouac, Jack"],"creator_names_search":["Kerouac, Jack"],"creators":["[{\"url\":\"http://viaf.org/viaf/27066713\",\"name\":\"Kerouac, Jack\",\"dates\":\"1922-1969\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/3912/UBCO_Hogg_2018_002_026_c.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK D-90 IEC I Type I Normal Position\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.026_J.Kerouac_Reading_by_JK_on_the_Beat_Gen_1-8_SideA_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:44:04\",\"precision\":\"\",\"size\":\"1.46 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.026_JK_Is_there_a_Beat_Gen_9_SideB_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:13:09\",\"precision\":\"\",\"size\":\"435 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary."],"contents":["Tape consists of a home recording of commercially-produced album of Jack Kerouac's third and final Spoken Word \nalbum titled \"Readings by Jack Kerouac on the Beat Generation\".\n\nJ-card includes the album's tract list as follows:\n1. The Beat Generation (3:09)\n2. Poems (3:17)\na) San Francisco\nb) Street Scene \nc) Money Honey\nd) Westinghouse Elevators\ne) Old Age\nf) Praised Be Man\ng) The Sad Turtle\n3. Lucien Midnight: the Sounds of the Universe in My Window, Pt. I (2:21)\n4. Lucien Midnight: the Sounds of the Universe in My Window, Pt. II (1:53)\n5. Fantasy: the Early History of Bop (10:53)\n6. Excerpts from 'The Subterraneans'\nV7. Visions of Neal: Neal and the Three Stooges, Pt. II (13:48)\nSIDE B\nBonus Track\n9. Is There A Beat Generation? (12:32)"],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550770024450,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4396","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["Jack Kerouac - Blues and Haikus"],"item_title_source":["Title written on artifact."],"item_title_note":["Cassette box title: Jack Kerouac - Blues and Haikus\n\nSide A title: J. Kerouac Blues & Haikus 1-6\n\nSide B title: J. Kerouac Last frag. Of Conclusion… R.R."],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kerouac, Jack"],"creator_names_search":["Kerouac, Jack"],"creators":["[{\"url\":\"http://viaf.org/viaf/27066713\",\"name\":\"Kerouac, Jack\",\"dates\":\"1922-1969\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/3913/UBCO_Hogg_2018_002_027_c.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK D-90 IEC I Type I Normal Position\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.027_J_Kerouac_Blues_&_Haikus_1-6_SideA_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:47:23\",\"precision\":\"\",\"size\":\"1.57 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.027_J_Kerouac_Last_Frag_of_Conclusion_…_R.R._SideB_(MA)_02-01.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:01:23\",\"precision\":\"\",\"size\":\"46 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary."],"contents":["Tape consists of a recording of Jack Kerouac's second studio-recorded Spoken Word album titled \"Blues and Haikus.\"\n\nJ-card lists the album's track list as follows:\n1. American Haikus (10:01)\n2. Hard Hearted Old Farmer (2:13)\n3. The Last Hotel & Some of Dharma (3:49)\n4. Poems from the unpublished 'Book of Blues' (14:08)\nBonus Tracks\n5. Old Western Movies (6:41)\n6. Conclusion of the Railroad Earth (10:04)\nContinued...\n6. Conclusion of the Railroad Earth (10:04)"],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550770024451,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4397","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["Kerouac Radio Show Quebec City Oct 1987"],"item_title_source":["Title written on artifact."],"item_title_note":["Cassette box title: Kerouac Radio Show Quebec City Oct 1987\n\nSide A title: Kerouac Radio Show taped Oct \n1987 Quebec City\n\nSide B title: n/a"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ginsberg, Allen","Cassady, Carolyn","Montgomery, John","Ferlinghetti, Lawrence"],"creator_names_search":["Ginsberg, Allen","Cassady, Carolyn","Montgomery, John","Ferlinghetti, Lawrence"],"creators":["[{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"Allen Ginsberg contributes commentary on the radio broadcast.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/93029979\",\"name\":\"Cassady, Carolyn\",\"dates\":\"1923-2013\",\"notes\":\"Carolyn Cassady contributes commentary on the radio broadcast.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/110055229\",\"name\":\"Montgomery, John\",\"dates\":\"1919-1992\",\"notes\":\"John Montgomery contributes commentary on the radio broadcast.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/110070499\",\"name\":\"Ferlinghetti, Lawrence\",\"dates\":\"1919-\",\"notes\":\"Lawrence Ferlinghetti contributes commentary on the radio broadcast.\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Kerouac, Jack"],"contributors_names_search":["Kerouac, Jack"],"contributors":["[{\"url\":\"http://viaf.org/viaf/27066713\",\"name\":\"Kerouac, Jack\",\"dates\":\"1922-1969\",\"notes\":\"Radio broadcast about Jack Kerouac.\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":["Kerouac, Jack"],"Performance_Date":[1987],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/3914/UBCO_Hogg_2018_002_028_c.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Fuji DR 90 Type I Normal Position\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Volumes/research/AmpLab/SpokenWeb/Collection/Robert_Hogg/2018.002.028/2018.002.028_KerouacRadioShow\",\"filename\":\"2018.002.028_SideA_KerouacRadioShow_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:44:19\",\"precision\":\"\",\"size\":\"704.6 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Allen Ginsburg, Lawrence Ferlinghetti, John Montgomery and Carolyn Cassady discuss Jack Kerouac on a radio broadcast.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-08\",\"type\":\"Performance Date\",\"notes\":\"Date in which program was recorded.\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2319206\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Québec City, Quebec, Canada\",\"latitude\":\"46.8137431\",\"longitude\":\"-71.2084061\"}]"],"Address":["Québec City, Quebec, Canada"],"City":["Quebec City, Quebec"],"content_notes":["Contents entry temporary."],"contents":["Tape consists of a recording of a radio show program about Jack Kerouac that was taped in October 1987 in Quebec City.\n\nJ-card reads as follows:\nRadio show on J.K.\nCommentary by A. Ginsberg, John Montgomery, Caroline [sic Carolyn] Cassady, L. Ferlinghetti"],"Note":["[{\"note\":\"Not digitized.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550770024452,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4398","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["Various Artists Kerouac - \nkicks joy darkness (a spoken word tribute with music)"],"item_title_source":["Title written on artifact."],"item_title_note":["Cassette box title: Various Artists Kerouac - \nkicks joy darkness (a spoken word tribute with music)\n\nSide A title: Kerouac: Kicks Joy Darkness Master\n\nSide B title: n/a"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Stipe, Michael","Tyler, Steven","Lewis, Richard","Helium","Kerouac, Jack","Strummer, Joe","Ginsberg, Allen","Vedder, Eddie","Campbell 2000","Sadie 7","Burroughs, William S.","Tomandandy","Hatfield, Juliana","Depp, Johnny","Come","Hunter, Robert","Colley, Dana","Domino, Anna","Buck, Robert","Chauvin, Danny","Smith, Patti","Moore, Thurston","Zevon, Warren","Wolff, Michael","Carroll, Jim","Kaye, Lenny","Ranaldo, Lee","Dillon, Matt","Altruda, Joey","Gonzalez, Joe","Buckley, Jeff","Morphine","Lunch, Lydia","Thompson, Hunter S.","Estep, Maggie","The Spitters","Ferlinghetti, Lawrence","Cale, John","Lorre, Inger","Andersen, Eric"],"creator_names_search":["Stipe, Michael","Tyler, Steven","Lewis, Richard","Helium","Kerouac, Jack","Strummer, Joe","Ginsberg, Allen","Vedder, Eddie","Campbell 2000","Sadie 7","Burroughs, William S.","Tomandandy","Hatfield, Juliana","Depp, Johnny","Come","Hunter, Robert","Colley, Dana","Domino, Anna","Buck, Robert","Chauvin, Danny","Smith, Patti","Moore, Thurston","Zevon, Warren","Wolff, Michael","Carroll, Jim","Kaye, Lenny","Ranaldo, Lee","Dillon, Matt","Altruda, Joey","Gonzalez, Joe","Buckley, Jeff","Morphine","Lunch, Lydia","Thompson, Hunter S.","Estep, Maggie","The Spitters","Ferlinghetti, Lawrence","Cale, John","Lorre, Inger","Andersen, Eric"],"contributors_names":["Kerouac, Jack"],"contributors_names_search":["Kerouac, Jack"],"contributors":["[{\"url\":\"http://viaf.org/viaf/27066713\",\"name\":\"Kerouac, Jack\",\"dates\":\"1922-1969\",\"notes\":\"A variety of poets and artists read Jack Kerouac's poetry in this tribute recording.\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":["Kerouac, Jack"],"Publication_Date":[1997],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/3915/UBCO_Hogg_2018_002_029_c.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Maxell XL II 90 Position High\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.029_Kerouac_KicksJoyDarkness_Master_SideA_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:39:16\",\"precision\":\"\",\"size\":\"1.30 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.029_SideB_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:40:39\",\"precision\":\"\",\"size\":\"1.35 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1997-04-08\",\"type\":\"Publication Date\",\"notes\":\"Date album was released.\",\"source\":\"Secondary research.\"}]"],"Location":["[]"],"City":["Other"],"contents":["Includes secections by Mark Sandman ; Lydia Lunch ; Michael Stipe ; Steven Tyler ; Hunter S. Thompson ; Maggie Estep ; Richard Lewis ; Lawrence Ferlinghetti ; Jack Kerouac ; Allen Ginsberg ; Eddie Vedder ; William Burroughs ; Juliana Hatfield ; Johnny Depp ; Robert Hunter ; Lee Ranaldo ; Anna Domino ; Danny Chauvin ; Patti Smith ; Warren Zevon ; Jim Carroll ; Matt Dillon ; Inger Lorre ; Eric Andersen."],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"},{\"note\":\"Duplicate recording: 2018.002.030\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670550771073024,"timestamp":"2026-01-07T14:59:55.332Z","creators":["[{\"url\":\"http://viaf.org/viaf/84964040\",\"name\":\"Stipe, Michael\",\"dates\":\"1960-\",\"notes\":\"Performs track 3 \\\"My Gang.\\\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/43055830\",\"name\":\"Tyler, Steven\",\"dates\":\"1948-\",\"notes\":\"Performs track 4 \\\"Dream: 'Us Kids Swim off a Gray Pier...'.\\\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/29743334\",\"name\":\"Lewis, Richard\",\"dates\":\"1947-\",\"notes\":\"Performs track 7 \\\"America's New Trinity of Love: Dean, Brando, Presley\\\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/120145003719561340005\",\"name\":\"Helium\",\"dates\":\"\",\"notes\":\"Performs on track 8 \\\"Dream: 'On a Sunny Afternoon...'\\\" with Lawrence Ferlinghetti.\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/27066713\",\"name\":\"Kerouac, Jack\",\"dates\":\"1922-1969\",\"notes\":\"Heard on track 9 \\\"MacDougal Street Blues\\\" with Joe Strummer.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/69116945\",\"name\":\"Strummer, Joe\",\"dates\":\"1952-2002\",\"notes\":\"Performs on track 9 \\\"MacDougal Street Blues\\\" with Jack Kerouac recording.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"Performs on track 10 \\\"The Brooklyn Bridge Blues (Choruses 1-9).\\\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/39579347\",\"name\":\"Vedder, Eddie\",\"dates\":\"1964-\",\"notes\":\"Performs on track 11 \\\"Hymn\\\" with Campbell 2000 and Sadie 7\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/160689151\",\"name\":\"Campbell 2000\",\"dates\":\"\",\"notes\":\"Performs on track 11 \\\"Hymn\\\" with Eddie Vedder and Sadie 7\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/316879434\",\"name\":\"Sadie 7\",\"dates\":\"1967-\",\"notes\":\"Performs on track 11 \\\"Hymn\\\" with Eddie Vedder and  Campbell 2000\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/108916275\",\"name\":\"Burroughs, William S.\",\"dates\":\"1914-1997\",\"notes\":\"Performs on track 12 \\\"Old Western Movies\\\" with Tomandandy.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/121137943\",\"name\":\"Tomandandy\",\"dates\":\"\",\"notes\":\"Performs on track 12 \\\"Old Western Movies\\\" with William S. Burroughs.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/61756682\",\"name\":\"Hatfield, Juliana\",\"dates\":\"1967-\",\"notes\":\"Performs track 13 \\\"Silly Goofball Poems.\\\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/85378128\",\"name\":\"Depp, Johnny\",\"dates\":\"1963-\",\"notes\":\"Performs track 15 \\\"Madroad Driving\\\" with Come.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Come\",\"dates\":\"\",\"notes\":\"Performs track 15 \\\"Madroad Driving\\\" with Johnny Depp.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/49406569\",\"name\":\"Hunter, Robert\",\"dates\":\"1941-2019\",\"notes\":\"Performs track 16 \\\"Have You Ever Seen Anyone Like Cody Pomeray?\\\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/70931564\",\"name\":\"Colley, Dana\",\"dates\":\"\",\"notes\":\"Performs on track 17 \\\"Letter to John Clellon Holmes\\\" with Lee Ranaldo.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/79591402\",\"name\":\"Domino, Anna\",\"dates\":\"1955-\",\"notes\":\"Performs track 18 \\\"Pome on Doctor Sax.\\\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/87397348\",\"name\":\"Buck, Robert\",\"dates\":\"1958-2000\",\"notes\":\"Performs on track 19 \\\"Mexico Rooftop\\\" with Danny Chauvin.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/160708012\",\"name\":\"Chauvin, Danny\",\"dates\":\"\",\"notes\":\"Performs on track 19 \\\"Mexico Rooftop\\\" with Robert Buck.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/84037206\",\"name\":\"Smith, Patti\",\"dates\":\"1946-\",\"notes\":\"Performs on track 20 \\\"The Last Hotel\\\" with Thurston Moore and Lenny Kaye.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/85805716\",\"name\":\"Moore, Thurston\",\"dates\":\"1958-\",\"notes\":\"Performs on track 20 \\\"The Last Hotel\\\" with Patti Smith and Lenny Kaye.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/19869322\",\"name\":\"Zevon, Warren\",\"dates\":\"1947-2003\",\"notes\":\"Performs on track 21 \\\"Running Through-Chinese Poem Song\\\" with Michael Wolff.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/51599731\",\"name\":\"Wolff, Michael\",\"dates\":\"1952-\",\"notes\":\"Performs on track 21 \\\"Running Through-Chinese Poem Song\\\" with Warren Zevon.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/14783289\",\"name\":\"Carroll, Jim\",\"dates\":\"1950-2009\",\"notes\":\"Performs on track 22 \\\"Woman\\\" with Lee Ranaldo and Lenny Kaye.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/65730198\",\"name\":\"Kaye, Lenny\",\"dates\":\"1946-\",\"notes\":\"Performs on track 20 \\\"The Last Hotel\\\" with Thurston Moore and Patti Smith.\\n\\nPerforms on track 22 \\\"Woman\\\" with Lee Ranaldo and Jim Carroll.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/46362134\",\"name\":\"Ranaldo, Lee\",\"dates\":\"1956-\",\"notes\":\"Performs on track 17 \\\"Letter to John Clellon Holmes\\\" with Dana Colley.\\n\\nPerforms on track 22 \\\"Woman\\\" with Jim Carroll and Lenny Kaye.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/76504572\",\"name\":\"Dillon, Matt\",\"dates\":\"1964-\",\"notes\":\"Performs track 23 \\\"Loneliness, Mexican\\\" with Joey Altruda and Joe Gonzalez.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/19059955\",\"name\":\"Altruda, Joey\",\"dates\":\"\",\"notes\":\"Performs track 23 \\\"Loneliness, Mexican\\\" with Matt Dillon and Joe Gonzalez.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/58821469\",\"name\":\"Gonzalez, Joe\",\"dates\":\"\",\"notes\":\"Performs track 23 \\\"Loneliness, Mexican\\\" with Matt Dillon and Joey Altruda.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/44493081\",\"name\":\"Buckley, Jeff\",\"dates\":\"1966-1997\",\"notes\":\"Performs track 24 \\\"Angel Mine\\\" with Inger Lorre.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/142081475\",\"name\":\"Morphine\",\"dates\":\"\",\"notes\":\"Performs track 1 \\\"Kerouac.\\\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/12451564\",\"name\":\"Lunch, Lydia\",\"dates\":\"1959-\",\"notes\":\"Performs track 2 \\\"Bowery Blues.\\\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/109030443\",\"name\":\"Thompson, Hunter S.\",\"dates\":\"1939-2005\",\"notes\":\"Performs track 5 \\\"Letter to William S. Burroughs & Ode to Jack.\\\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/48495450\",\"name\":\"Estep, Maggie\",\"dates\":\"1963-2014\",\"notes\":\"Performs on track 6 \\\"Skid Row Wine\\\" with The Spitters.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"The Spitters\",\"dates\":\"\",\"notes\":\"Performs on track 6 \\\"Skid Row Wine\\\" with Maggie Estep.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/110070499\",\"name\":\"Ferlinghetti, Lawrence\",\"dates\":\"1919-\",\"notes\":\"Performs on track 8 \\\"Dream: 'On a Sunny Afternoon...'\\\" with Helium.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/105264486\",\"name\":\"Cale, John\",\"dates\":\"1942-\",\"notes\":\"Performs on track 14 \\\"The Moon.\\\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/160476803\",\"name\":\"Lorre, Inger\",\"dates\":\"\",\"notes\":\"Performs track 24 \\\"Angel Mine\\\" with Jeff Buckley.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/70930931\",\"name\":\"Andersen, Eric\",\"dates\":\"1943-\",\"notes\":\"Performs track 25 \\\"The Brooklyn Bridge Blues (Chorus 10)\\\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"score":0.01643844},{"id":"4399","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["Various Artists Kerouac - \nkicks joy darkness (a spoken word tribute with music)"],"item_title_source":["Title written on artifact."],"item_title_note":["Cassette box title: Various Artists Kerouac - \nkicks joy darkness (a spoken word tribute with music)\n\nSide A title: Kerouac: Kicks, Joy, Darkness  Loan Copy\n\nSide B title: n/a\n"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Morphine","Lunch, Lydia","Stipe, Michael","Tyler, Steven","Thompson, Hunter S.","Estep, Maggie","The Spitters","Lewis, Richard","Ferlinghetti, Lawrence","Helium","Kerouac, Jack","Strummer, Joe","Ginsberg, Allen","Vedder, Eddie","Campbell 2000","Sadie 7","Burroughs, William S.","Tomandandy","Hatfield, Juliana","Cale, John","Depp, Johnny","Come","Hunter, Robert","Ranaldo, Lee","Colley, Dana","Domino, Anna","Buck, Robert","Chauvin, Danny","Smith, Patti","Moore, Thurston","Kaye, Lenny","Zevon, Warren","Wolff, Michael","Carroll, Jim","Dillon, Matt","Altruda, Joey","Gonzalez, Joe","Lorre, Inger","Buckley, Jeff","Andersen, Eric"],"creator_names_search":["Morphine","Lunch, Lydia","Stipe, Michael","Tyler, Steven","Thompson, Hunter S.","Estep, Maggie","The Spitters","Lewis, Richard","Ferlinghetti, Lawrence","Helium","Kerouac, Jack","Strummer, Joe","Ginsberg, Allen","Vedder, Eddie","Campbell 2000","Sadie 7","Burroughs, William S.","Tomandandy","Hatfield, Juliana","Cale, John","Depp, Johnny","Come","Hunter, Robert","Ranaldo, Lee","Colley, Dana","Domino, Anna","Buck, Robert","Chauvin, Danny","Smith, Patti","Moore, Thurston","Kaye, Lenny","Zevon, Warren","Wolff, Michael","Carroll, Jim","Dillon, Matt","Altruda, Joey","Gonzalez, Joe","Lorre, Inger","Buckley, Jeff","Andersen, Eric"],"contributors_names":["Kerouac, Jack"],"contributors_names_search":["Kerouac, Jack"],"contributors":["[{\"url\":\"http://viaf.org/viaf/27066713\",\"name\":\"Kerouac, Jack\",\"dates\":\"1922-1969\",\"notes\":\"A variety of poets and artists read Jack Kerouac's poetry in this tribute recording.\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":["Kerouac, Jack"],"Publication_Date":[1997],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/3916/UBCO_Hogg_2018_002_030_c.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Maxell XL II 90 Position High\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.030_Kerouac_KickJoyDarkness_LoanCopy_SideA_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:39:07\",\"precision\":\"\",\"size\":\"1.30 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.030_SideB_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:40:45\",\"precision\":\"\",\"size\":\"1.35 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1997-04-08\",\"type\":\"Publication Date\",\"notes\":\"Date album was released.\",\"source\":\"Secondary research.\"}]"],"Location":["[]"],"City":["Other"],"contents":["Tape consists of a recording of a spoken word tribute album titled \"Kerouac: kicks joy darkness.\" Tracks consist of a compilation of excepts from Kerouac's poems, read by various artists to accompanying music. A photocopy of the insert contains the track list and information regarding the performers of each poem. Includes secections by Mark Sandman ; Lydia Lunch ; Michael Stipe ; Steven Tyler ; Hunter S. Thompson ; Maggie Estep ; Richard Lewis ; Lawrence Ferlinghetti ; Jack Kerouac ; Allen Ginsberg ; Eddie Vedder ; William Burroughs ; Juliana Hatfield ; Johnny Depp ; Robert Hunter ; Lee Ranaldo ; Anna Domino ; Danny Chauvin ; Patti Smith ; Warren Zevon ; Jim Carroll ; Matt Dillon ; Inger Lorre ; Eric Andersen."],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"},{\"note\":\"Duplicate recording: 2018.002.029\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670550771073025,"timestamp":"2026-01-07T14:59:55.332Z","creators":["[{\"url\":\"http://viaf.org/viaf/142081475\",\"name\":\"Morphine\",\"dates\":\"\",\"notes\":\"Performs track 1 \\\"Kerouac.\\\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/12451564\",\"name\":\"Lunch, Lydia\",\"dates\":\"1959-\",\"notes\":\"Performs track 2 \\\"Bowery Blues.\\\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/84964040\",\"name\":\"Stipe, Michael\",\"dates\":\"1960-\",\"notes\":\"Performs track 3 \\\"My Gang.\\\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/43055830\",\"name\":\"Tyler, Steven\",\"dates\":\"1948-\",\"notes\":\"Performs track 4 \\\"Dream: 'Us Kids Swim off a Gray Pier...'.\\\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/109030443\",\"name\":\"Thompson, Hunter S.\",\"dates\":\"1939-2005\",\"notes\":\"Performs track 5 \\\"Letter to William S. Burroughs & Ode to Jack.\\\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/48495450\",\"name\":\"Estep, Maggie\",\"dates\":\"1963-2014\",\"notes\":\"Performs on track 6 \\\"Skid Row Wine\\\" with The Spitters.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"The Spitters\",\"dates\":\"\",\"notes\":\"Performs on track 6 \\\"Skid Row Wine\\\" with Maggie Estep.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/29743334\",\"name\":\"Lewis, Richard\",\"dates\":\"1947-\",\"notes\":\"Performs track 7 \\\"America's New Trinity of Love: Dean, Brando, Presley\\\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/110070499\",\"name\":\"Ferlinghetti, Lawrence\",\"dates\":\"1919-\",\"notes\":\"Performs on track 8 \\\"Dream: 'On a Sunny Afternoon...'\\\" with Helium.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/120145003719561340005\",\"name\":\"Helium\",\"dates\":\"\",\"notes\":\"Performs on track 8 \\\"Dream: 'On a Sunny Afternoon...'\\\" with Lawrence Ferlinghetti.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/27066713\",\"name\":\"Kerouac, Jack\",\"dates\":\"1922-1969\",\"notes\":\"Heard on track 9 \\\"MacDougal Street Blues\\\" with Joe Strummer.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/69116945\",\"name\":\"Strummer, Joe\",\"dates\":\"1952-2002\",\"notes\":\"Performs on track 9 \\\"MacDougal Street Blues\\\" with Jack Kerouac recording.\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"Performs on track 10 \\\"The Brooklyn Bridge Blues (Choruses 1-9).\\\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/39579347\",\"name\":\"Vedder, Eddie\",\"dates\":\"1964-\",\"notes\":\"Performs on track 11 \\\"Hymn\\\" with Campbell 2000 and Sadie 7\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/160689151\",\"name\":\"Campbell 2000\",\"dates\":\"\",\"notes\":\"Performs on track 11 \\\"Hymn\\\" with Eddie Vedder and Sadie 7\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/316879434\",\"name\":\"Sadie 7\",\"dates\":\"1967-\",\"notes\":\"Performs on track 11 \\\"Hymn\\\" with Eddie Vedder and  Campbell 2000\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/108916275\",\"name\":\"Burroughs, William S.\",\"dates\":\"1914-1997\",\"notes\":\"Performs on track 12 \\\"Old Western Movies\\\" with Tomandandy.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/121137943\",\"name\":\"Tomandandy\",\"dates\":\"\",\"notes\":\"Performs on track 12 \\\"Old Western Movies\\\" with William S. Burroughs.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/61756682\",\"name\":\"Hatfield, Juliana\",\"dates\":\"1967-\",\"notes\":\"Performs track 13 \\\"Silly Goofball Poems.\\\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/105264486\",\"name\":\"Cale, John\",\"dates\":\"1942-\",\"notes\":\"Performs on track 14 \\\"The Moon.\\\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/85378128\",\"name\":\"Depp, Johnny\",\"dates\":\"1963-\",\"notes\":\"Performs track 15 \\\"Madroad Driving\\\" with Come.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Come\",\"dates\":\"\",\"notes\":\"Performs track 15 \\\"Madroad Driving\\\" with Johnny Depp.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/49406569\",\"name\":\"Hunter, Robert\",\"dates\":\"1941-2019\",\"notes\":\"Performs track 16 \\\"Have You Ever Seen Anyone Like Cody Pomeray?\\\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/46362134\",\"name\":\"Ranaldo, Lee\",\"dates\":\"1956-\",\"notes\":\"Performs on track 17 \\\"Letter to John Clellon Holmes\\\" with Dana Colley.\\n\\nPerforms on track 22 \\\"Woman\\\" with Jim Carroll and Lenny Kaye.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/70931564\",\"name\":\"Colley, Dana\",\"dates\":\"\",\"notes\":\"Performs on track 17 \\\"Letter to John Clellon Holmes\\\" with Lee Ranaldo.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/79591402\",\"name\":\"Domino, Anna\",\"dates\":\"1955-\",\"notes\":\"Performs track 18 \\\"Pome on Doctor Sax.\\\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/87397348\",\"name\":\"Buck, Robert\",\"dates\":\"1958-2000\",\"notes\":\"Performs on track 19 \\\"Mexico Rooftop\\\" with Danny Chauvin.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/160708012\",\"name\":\"Chauvin, Danny\",\"dates\":\"\",\"notes\":\"Performs on track 19 \\\"Mexico Rooftop\\\" with Robert Buck.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/84037206\",\"name\":\"Smith, Patti\",\"dates\":\"1946-\",\"notes\":\"Performs on track 20 \\\"The Last Hotel\\\" with Thurston Moore and Lenny Kaye.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/85805716\",\"name\":\"Moore, Thurston\",\"dates\":\"1958-\",\"notes\":\"Performs on track 20 \\\"The Last Hotel\\\" with Patti Smith and Lenny Kaye.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/65730198\",\"name\":\"Kaye, Lenny\",\"dates\":\"1946-\",\"notes\":\"Performs on track 20 \\\"The Last Hotel\\\" with Thurston Moore and Patti Smith.\\n\\nPerforms on track 22 \\\"Woman\\\" with Lee Ranaldo and Jim Carroll.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/19869322\",\"name\":\"Zevon, Warren\",\"dates\":\"1947-2003\",\"notes\":\"Performs on track 21 \\\"Running Through-Chinese Poem Song\\\" with Michael Wolff.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/51599731\",\"name\":\"Wolff, Michael\",\"dates\":\"1952-\",\"notes\":\"Performs on track 21 \\\"Running Through-Chinese Poem Song\\\" with Warren Zevon.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/14783289\",\"name\":\"Carroll, Jim\",\"dates\":\"1950-2009\",\"notes\":\"Performs on track 22 \\\"Woman\\\" with Lee Ranaldo and Lenny Kaye.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/76504572\",\"name\":\"Dillon, Matt\",\"dates\":\"1964-\",\"notes\":\"Performs track 23 \\\"Loneliness, Mexican\\\" with Joey Altruda and Joe Gonzalez.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/19059955\",\"name\":\"Altruda, Joey\",\"dates\":\"\",\"notes\":\"Performs track 23 \\\"Loneliness, Mexican\\\" with Matt Dillon and Joe Gonzalez.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/58821469\",\"name\":\"Gonzalez, Joe\",\"dates\":\"\",\"notes\":\"Performs track 23 \\\"Loneliness, Mexican\\\" with Matt Dillon and Joey Altruda.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/160476803\",\"name\":\"Lorre, Inger\",\"dates\":\"\",\"notes\":\"Performs track 24 \\\"Angel Mine\\\" with Jeff Buckley.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/44493081\",\"name\":\"Buckley, Jeff\",\"dates\":\"1966-1997\",\"notes\":\"Performs track 24 \\\"Angel Mine\\\" with Inger Lorre.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/70930931\",\"name\":\"Andersen, Eric\",\"dates\":\"1943-\",\"notes\":\"Performs track 25 \\\"The Brooklyn Bridge Blues (Chorus 10)\\\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"score":0.01643844},{"id":"4400","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["Robert Priest The Mad Hand / Public Energies"],"item_title_source":["Title written on artifact."],"item_title_note":["Cassette box title: Robert Priest The Mad Hand /\n Public Energies\n\nSide A title: Robert Priest / The Mad Hand\n\nSide B title: n/a"],"item_language":["English"],"item_production_context":["Audiobook"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Priest, Robert"],"creator_names_search":["Priest, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/44339202\",\"name\":\"Priest, Robert\",\"dates\":\"1951-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1985],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/5663/UBCO_Hogg_2018_002_031_b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"30 min each side\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[]"],"Dates":["[{\"date\":\"1985-03-15\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/18886011\",\"venue\":\"Orion Reading Series\",\"notes\":\"\",\"address\":\"Ottawa, Ontario, Canada\",\"latitude\":\"45.4208777\",\"longitude\":\"-75.6901106\"}]"],"Address":["Ottawa, Ontario, Canada"],"Venue":["Orion Reading Series"],"City":["Ottawa, Ontario"],"contents":["A commercially published recording of a reading given by Robert Priest for the Orion reading series on March 15, 1985 in Ottawa, Canada."],"Note":["[{\"note\":\"Not digitized. Tape blank.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Priest, Robert. The Mad Hand. 1988.\"}]"],"_version_":1853670550773170176,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4401","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["Gerry Gilbert The Milieu 1-2"],"item_title_source":["Title written on artifact."],"item_title_note":["Cassette box title: n/a\n\nSide A title: Gerry Gilbert The Milieu 1\n\nSide B title: Gerry Gilbert The Milieu 2/4"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Gilbert, Gerry"],"creator_names_search":["Gilbert, Gerry"],"creators":["[{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/5664/UBCO_Hogg_2018_002_032_a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Fuji DR-II 100 Type II High Position\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.032_GerryGilbert_TheMilieu1_SideA_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:51:56\",\"precision\":\"\",\"size\":\"1.72 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.032_GerryGilbert_TheMilieu2-4_SideB_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:51:43\",\"precision\":\"\",\"size\":\"1.71 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"Publication Date\",\"notes\":\"Perhaps released between 1992 and 1995.\",\"source\":\"Secondary Research\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary. To be time stamped and transcribed."],"contents":["J-card reads as follows:\nGerry Gilbert  The Milieu 1&2/4\nGerry Gilbert  The Milieu 1&2/4\nA--Chapter 1: '93 recording\n      2-13: radiofreerainforest  / CFRO-fm 24 XII '95\n      14-15: '93\n      16: with Pearl  guitar  X  '93\n      17-25: rfrf  24 XII '95\nB-- 26-28:  \"            \"\n      29-35: with Roger Baird / percussion at the Glass Slipper 6\n       III '94\n       42-45: rfrf 24 XII '95\naradiofreerainforestape\nPO box 48884 -- Stn Bentall\nVancouver BC Canada -- V7X 1AB"],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"},{\"note\":\"Related recordings in the SoundBox collection include: 2018.002.033.\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670550773170177,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4402","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["Gerry Gilbert The Milieu 3-4"],"item_title_source":["Title written on artifact."],"item_title_note":["Cassette box title: n/a\n\nSide A title: Gerry Gilbert The Milieu 3\n\nSide B title: Gerry Gilbert The Milieu 4/4"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Gilbert, Gerry"],"creator_names_search":["Gilbert, Gerry"],"creators":["[{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/5665/UBCO_Hogg_2018_002_033_a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Fuji DR-II 100 Type II High Position\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.033_The_Milieu_Gerry_Gilbert_3&_4_4_SideA_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:52:25\",\"precision\":\"\",\"size\":\"1.74 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.033_The_Milieu_Gerry_Gilbert_3&_4_4_SideB_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:52:12\",\"precision\":\"\",\"size\":\"1.73 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"Publication Date\",\"notes\":\"Perhaps released between 1994 and 1995.\",\"source\":\"Secondary Research\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary. To be time stamped and transcribed."],"contents":["J-card reads as follows:\nGerry Gilbert  The Milieu 3&4/4\ngerry gilbert  the milieu 3&4/4\nA--Chapter 56-59: 27 XII '95\n      60: Reading Railroad/ RR Club\n             8 VII '94\nB-- 61-66:   \"       \"\n      67-70: 27 XII '95\naradiofreerainforestape\nPO box 48884 -- Stn Bentall\nVancouver BC Canada -- V7X 1AB'"],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"},{\"note\":\"Related recordings in the SoundBox collection include: 2018.002.032\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670550773170178,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4403","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["Gerry Gilbert Counterfeit Pennies 3-4"],"item_title_source":["Title written on artifact."],"item_title_note":["Cassette box title: n/a\n\nSide A title: Gerry Gilbert Counterfeit Pennies 3\n\nSide B title: 4/4 Counterfeit Pennies Gerry Gilbert"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Gilbert, Gerry"],"creator_names_search":["Gilbert, Gerry"],"creators":["[{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/5666/UBCO_Hogg_2018_002_034_a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Maxell XL II 90 Position High\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[]"],"Dates":["[{\"date\":\"\",\"type\":\"Publication Date\",\"notes\":\"Perhaps released between 1996 and 1997.\",\"source\":\"Secondary Research\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/36895705\",\"venue\":\"The Glass Slipper\",\"notes\":\"Recording location of first track on the tape.\",\"address\":\"2714 Prince Edward Street, Vancouver, BC, Canada\",\"latitude\":\"49.2649649\",\"longitude\":\"-123.0957896\"}]"],"Address":["2714 Prince Edward Street, Vancouver, BC, Canada"],"Venue":["The Glass Slipper"],"City":["Vancouver, British Columbia"],"content_notes":["Contents entry temporary. To be time stamped and transcribed."],"contents":["J-card reads as follows:\nGerry Gilbert  Counterfeit Pennies #3&4/4\nCounterfeit Pennies Gerry Gilbert #3&4/4\nA-- begins with a reprise of sloaoky recorded at the Glass Slipper with Glenda Higgins flute 25 X / '96 -- then pp 80-101\nB-- pp 102-152 written Fall '96 -- 14 II '97 & recorded 25-29 IV '97\naradiofreerainforestape\nPO box 48884 -- Stn Bentall\nVancouver BC Canada -- V7X 1AB"],"Note":["[{\"note\":\"Not digitized.\",\"type\":\"General\"},{\"note\":\"Duplicate recording in the SoundBox collection: 2018.002.035.\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670550773170179,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4404","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["Gerry Gilbert Counterfeit Pennies 3-4"],"item_title_source":["Title written on artifact."],"item_title_note":["Cassette box title: n/a\n\nSide A title: Gerry Gilbert Counterfeit Pennies 3\n\nSide B title: 4/4 Counterfeit Pennies Gerry Gilbert"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Higgins, Glenda","Gilbert, Gerry"],"creator_names_search":["Higgins, Glenda","Gilbert, Gerry"],"creators":["[{\"url\":\"\",\"name\":\"Higgins, Glenda\",\"dates\":\"\",\"notes\":\"Flutist at the Glass Slipper reading.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/5667/UBCO_Hogg_2018_002_035_a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Maxell XL II 90 Position High\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.035_Gerry_Gilbert_Counterfeit_Pennies_3_SideA_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:46:50\",\"precision\":\"\",\"size\":\"1.55 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.035_Gerry_Bilbert_Counterfeit_Pennies_3&4_4_SideB_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:46:12\",\"precision\":\"\",\"size\":\"1.56 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"Publication Date\",\"notes\":\"Perhaps released between 1996 and 1997.\",\"source\":\"Secondary Research\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/36895705\",\"venue\":\"The Glass Slipper\",\"notes\":\"Recording location of the first track on the tape.\",\"address\":\"Prince Edward Street, Mount Pleasant, Vancouver, Metro Vancouver Regional District, British Columbia, V5T, Canada\",\"latitude\":\"49.2649649\",\"longitude\":\"-123.0957896\"}]"],"Address":["Prince Edward Street, Mount Pleasant, Vancouver, Metro Vancouver Regional District, British Columbia, V5T, Canada"],"Venue":["The Glass Slipper"],"City":["Vancouver, British Columbia"],"content_notes":["Contents entry temporary. To be time stamped and transcribed."],"contents":["J-card reads as follows:\nGerry Gilbert  Counterfeit Pennies #3&4/4\nA-- begins with a reprise of sloaoky recorded at the Glass Slipper with Glenda Higgins flute 15 X / '96 -- then pp 80-101\nB-- pp 102-152 written Fall '96 -- 14 II '97 & recorded 25-29 IV '97\nCounterfeit Pennies Gerry Gilbert #3&4/4\naradiofreerainforestape\nPO box 48884 -- Stn Bentall\nVancouver -- BC -- Canada -- V7X 1AB"],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"},{\"note\":\"Related recordings in the SoundBox collection: 2018.002.034.\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670550773170180,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4405","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["Scotch Recording Tape"],"item_title_source":["Product title."],"item_title_note":["Box title: Scotch Recording Tape\n\nSide A title: n/a\n\nSide B title: n/a"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creators":["[]"],"contributors":["[]"],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/5668/UBCO_Hogg_2018_002_036_a.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch Brand Recording Tape  \\\"Living Letters\\\" 102\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"3 inch reel; 150 ft; 15 min\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Volumes/research/AmpLab/SpokenWeb/Collection/Robert_Hogg/2018.002.036/2018.002.036_Scotch Recording Tap_Side 1\",\"filename\":\"2018.002.036_Scotch Recording Tap_Side 1_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:08:32\",\"precision\":\"\",\"size\":\"295 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"Man speaking English recording a group of non-English speakers singing. Sunday November 12th (year not noted). \",\"notes\":\"-Possibly Robert Hogg speaking.\\n-This tape contains both the left and right tracks of side one. It appears that the left track is recorded backwards - likely bleed-through of the track on the other side.\\n-Speaker says Danam Village - I am not sure of spelling, or any other geological markers. 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It appears that the left track is recorded backwards - likely bleed-through of the track on the other side.\\n-Sunday November 12th (year not noted). \\n-Speaker says Danang Village - I am not sure of spelling, or any other geological markers. 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Night: Tape 1 black mountain college dub for Weaver\n\nSide B title: n/a"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Weaver, Michael"],"creator_names_search":["Weaver, Michael"],"creators":["[{\"url\":\"\",\"name\":\"Weaver, Michael\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/5672/UBCO_Hogg_2018_002_040_a.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"CBC Radio-Canada\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.040_TuesNightTape1_blackmountaincollegedubforWeaver_SideA_02_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:24:41\",\"precision\":\"\",\"size\":\"817 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary."],"contents":["Tape consists of the first of a two-part (2018.002.041) CBC broadcast about the history of Black Mountain College."],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"},{\"note\":\"Related recordings in the SoundBox Collection: 2018.002.041.\",\"type\":\"Related Version\"},{\"note\":\"Side A only. Side B - blank.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550775267328,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4410","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["Tape 2: Tuesday Night black mountain college dub for Weaver"],"item_title_source":["Title written on artifact."],"item_title_note":["Reel-to-reel box title: Tape 2: Tuesday Night black mountain college dub for Weaver\n\nSide A title: Tues. Night: Tape 2 black mountain college dub for Weaver\n\nSide B title: n/a"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Weaver, Michael"],"creator_names_search":["Weaver, Michael"],"creators":["[{\"url\":\"\",\"name\":\"Weaver, Michael\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/5673/UBCO_Hogg_2018_002_041_a.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"CBC Radio-Canada\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.041_TuesNightTape2_blackmountaincollegedubforweaver_SideA_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:19:50\",\"precision\":\"\",\"size\":\"657 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary."],"contents":["Tape consists of the second part to (2018.002.040) a CBC broadcast about the history of Black Mountain College."],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"},{\"note\":\"Related recordings in the SoundBox collection: 2018.002.040\",\"type\":\"Related Version\"},{\"note\":\"Side A only. Side B - blank.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550775267329,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4412","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["Ampex Mod. 781 See N.B. on Contents [Charles Olson readings]"],"item_title_source":["Title written on artifact."],"item_title_note":["Box title: BASF\n\nSide A title: Ampex Mod. 781 See N.B. on Contents not to be copied\n\nSide B title: n/a"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Olson, 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Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.043_Charles_Olson_SideA_1-4_(MA)_1.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:24:40\",\"precision\":\"\",\"size\":\"817 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A, Track 1-4, Part 1\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.043_Charles_Olson_SideA_1-4_(MA)_2.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:50:21\",\"precision\":\"\",\"size\":\"1.67 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A, Track 1-4, Part 2\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.043_Charles_Olson_SideA_1-4_(MA)_3.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:24:22\",\"precision\":\"\",\"size\":\"807 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A, Track 1-4, Part 3.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.043_Charles_Olson_SideA_1-4_(MA)_4.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:30:12\",\"precision\":\"\",\"size\":\"1.0 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A, Track 1-4, Part 4.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.043_Charles_Olson_SideA_3-2_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"\",\"precision\":\"\",\"size\":\"4.33 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A, Track 3-2\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.043_Charles_Olson_SideB_1-4_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"\",\"precision\":\"\",\"size\":\"4.31 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B, Track 1-4\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.043_Charles_Olson_SideB_3-2_(MA)_02-01.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:20:04\",\"precision\":\"\",\"size\":\"665 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B, Track 3-2\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-08-14\",\"type\":\"Performance Date\",\"notes\":\"Charles Olson reading Maximus IV, V, VI.\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1963-08-16\",\"type\":\"Performance Date\",\"notes\":\"Continuation of Charles Olson reading Maximus IV, V, VI\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary."],"contents":["J-card reads as follows:\n\"Ampex Mod. 781 See N.B. on Contents\nnot to be copied:\n1A 0-580 Charles Olson: Reading at Goddard NO COPIES MAY BE MADE\n 580-1300 Charles Olson: Reading Maximus IV, V, VI: Aug 14, 1963\n2A 0-> \" Reading continued then Aug 16, 1963\n1B 0-498 Charles Olson finishes Aug 16, 1963\nIB 498-end Charles Olson Reading Max poems (between 1959 or 1960 Not to be copied\n2B 0-130 Charles Olson Tape Letter to Robt. Creeley circa Xmas 1960 or 1961\""],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"},{\"note\":\"Recording is in box with 2018.002.044 and 2018.002.045.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Olson, Charles. Maximus.\"}]"],"_version_":1853670550776315904,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4413","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["Ed Dorn"],"item_title_source":["Title written on artifact."],"item_title_note":["Box title: BASF\n\nSide A title: Ed Dorn...\n\nSide B title: n/a\n"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Dorn, Edward"],"creator_names_search":["Dorn, Edward"],"creators":["[{\"url\":\"http://viaf.org/viaf/25166087\",\"name\":\"Dorn, Edward\",\"dates\":\"1929-1999\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/5678/2018_002_044_a-resized.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"BASF Badische Anilin- & Soda-Fabrik AG Ludwigshafen am Rhein\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.044_Ed_Dorn_SideA_1-4_(MA)_01.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"\",\"precision\":\"\",\"size\":\"4.23 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A, Track 1-4\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.044_Ed_Dorn_SideB_1-4_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:29:17\",\"precision\":\"\",\"size\":\"970 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B, track 1-4\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07-20\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1965-07-21\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2814221\",\"venue\":\"University of California, Berkeley\",\"notes\":\"\",\"address\":\"Berkeley, CA, USA\",\"latitude\":\"37.8753497\",\"longitude\":\"-122.23963364918777\"}]"],"Address":["Berkeley, CA, USA"],"Venue":["University of California, Berkeley"],"City":["Berkeley, California"],"content_notes":["Contents entry temporary."],"contents":["J-card reads as follows:\n\"IA 000- Ed Dorn: The Poet, the People, the Spirit, July 21, 1965 Berkeley 70 min\n Ed Dorn: Reading; Berkeley, July 20, 1965 1hr. 45 min.\n Ed Dorn: Continued\""],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"},{\"note\":\"In box with tapes 2018.002.043 and 2018.002.045.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550777364480,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4414","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["1963 Vancouver Poetry Conference"],"item_title_source":["Title written on artifact."],"item_title_note":["Box title: BASF\n\nSide A title: 1963 Vancouver Poetry Conference\n\nSide B title: n/a\n"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Olson, Charles","Creeley, Robert","Duncan, Robert","Ginsberg, Allen","Whalen, Philip","Avison, Margaret","Levertov, Denise","Dorn, Edward","Dawson, Fielding"],"creator_names_search":["Olson, Charles","Creeley, Robert","Duncan, Robert","Ginsberg, Allen","Whalen, Philip","Avison, Margaret","Levertov, Denise","Dorn, Edward","Dawson, Fielding"],"creators":["[{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/54270610\",\"name\":\"Whalen, Philip\",\"dates\":\"1923-2002\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/79128508\",\"name\":\"Avison, Margaret\",\"dates\":\"1918-2007\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/9868894\",\"name\":\"Levertov, Denise\",\"dates\":\"1923-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/25166087\",\"name\":\"Dorn, Edward\",\"dates\":\"1929-1999\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11120119\",\"name\":\"Dawson, Fielding\",\"dates\":\"1930-2002\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors":["[]"],"Performance_Date":[1963],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/5679/2018_002_045_a-resized.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"BASF Badische Anilin- & Soda-Fabrik AG Ludwigshafen am Rhein\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.045_1963_Vancouver_Conference_SideA_1-4_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"\",\"precision\":\"\",\"size\":\"4.29 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A, track 1-4.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.045_1963_Vancouver_Conference_SideA_3-2_(MA)_01.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"\",\"precision\":\"\",\"size\":\"4.29 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A, track 3-2.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.045_1963_Vancouver_Conference_SideB_1-4_(MA)_05.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"\",\"precision\":\"\",\"size\":\"4.27 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B, track 1-4\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.045_1963_Vancouver_Conference_SideB_3-2_(MA)_01.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"\",\"precision\":\"\",\"size\":\"3.96 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B, track 3-2.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-07-29\",\"type\":\"Performance Date\",\"notes\":\"Olson, Creeley, Duncan, Ginsberg and Whalen on 'History'\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1963-07-31\",\"type\":\"Performance Date\",\"notes\":\" Olson Creeley, Duncan, Ginsberg on 'Polis'\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1963-08-05\",\"type\":\"Performance Date\",\"notes\":\"Olson, Creeley, Duncan, Ginsberg, Levertov & Avison. Selections only.\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1963-08-14\",\"type\":\"Performance Date\",\"notes\":\"Olson, Duncan, Ginsberg on 'Duende, Angel, Muse'.\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1963-08-07\",\"type\":\"Performance Date\",\"notes\":\"Ginsberg, Creeley, Duncan, Levertov, and Avison. Selections only.\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1963-07-24\",\"type\":\"Performance Date\",\"notes\":\"Creeley and Ginsberg.\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1962\",\"type\":\"Performance Date\",\"notes\":\"-Creeley, Interview with Fielding Dawson, Albuquerque\\n-Ed Dorn on Creeley's radio program, Albuquerque\\n\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1963\",\"type\":\"Performance Date\",\"notes\":\"Creeley on Olson: tape made for his class at Univ. of New Mexico\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1961-07-23\",\"type\":\"Performance Date\",\"notes\":\"Robert Duncan: Two lectures at Vancouver\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1961-07-24\",\"type\":\"Performance Date\",\"notes\":\"Robert Duncan selections from lecture at Vancouver.\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2814221\",\"venue\":\"University of California, Berkeley\",\"notes\":\"\",\"address\":\"Berkeley, CA, USA\",\"latitude\":\"37.8753497\",\"longitude\":\"-122.2396336\"}]"],"Address":["Berkeley, CA, USA"],"Venue":["University of California, Berkeley"],"City":["Berkeley, California"],"content_notes":["Contents entry temporary."],"contents":["J-card reads as follows:\n\"1963 Vancouver Conference\n1A monday morn. July 29, 1963. Olson, Creeley, Duncan, Ginsberg and Whalen on 'History'\n1A/2A Wed. morning July 31, 1963 Olson Creeley, Duncan, Ginsberg on 'Polis'\n Mon. morn. Aug 5, 1963: Olson, Creeley, Duncan, Ginsberg, Levertov & Avison. Selections only\n1B Wed morn Aug 14, 1963: Olson, Duncan, Ginsberg on 'Duende, Angel, Muse'\n1B Wed morn Aug 7, 1963: Ginsberg, Creeley, Duncan, Levertov, and Avison. Selections only.\n?1B Wed morn July 24, 1963: Creeley and Ginsberg\n2B Creeley, Interview with Fielding Dawson, Albuquerque 1962\n2B Ed Dorn on Creeley's radio program, Albuquerque 1962\n2B Creeley on Olson: tape made for his class at Univ. of New Mexico, 1963\nOVER\n2A 630-end Robert Duncan: Two lectures at Vancouver July 23, 1961 - selections of\n2B 730-end# Robert Duncan: July 24, 1961, Selections\""],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"},{\"note\":\"Tape is in box with 2018.002.043 and 2018.002.044.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550777364481,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4415","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["SFU AVS"],"item_title_source":["Title written on artifact."],"item_title_note":["Box title: n/a\n\nSide A title: SFU AVS\n\nSide B title: SFU AVS"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creators":["[]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5680/2018_002_046_b-resized.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[]"],"Dates":["[]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2767096\",\"longitude\":\"-122.917803\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"Not digitized.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550778413056,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4416","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["[Untitled]"],"item_title_source":["No title."],"item_title_note":["Box title: n/a\n\nSide A title: n/a\n\nSide B title: n/a"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creators":["[]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5681/2018_002_047_a-resized.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Ampex Collector's Library\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"7 inch; 1200 ft\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Robert_Hogg/2018.002.047/2018.002.047_Untitled_Side 2\",\"filename\":\"2018.002.047_Untitled_Side 2_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:42:38\",\"precision\":\"\",\"size\":\"736.6 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"-Side 1, track L and R are blank\\n-One track on side 2 is blank\\n\\n-Master Access file starts at normal speed, then speeds up to double-time.\\n-This is not an issue with the digital playback machine or digitization, but with the tape. Possible one recording done overtop of another at a different speed. More to be found out during the process of creating edited versions.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"Not digitized.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550778413057,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4417","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["Story BK 54-68 - Gerry Gilbert / Story Bk 69-77"],"item_title_source":["Title written on artifact."],"item_title_note":["Box title: n/a\n\nSide A title: Story BK 54-68 - Gerry Gilbert\n\nSide B title: Story Bk 69-77"],"item_language":["English"],"item_production_context":["Audiobook"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Gilbert, Gerry"],"creator_names_search":["Gilbert, Gerry"],"creators":["[{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1999],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/5682/2018_002_048_a-resized.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Maxell 90 UR Position Normal\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.048_Story_BC_54-68_Gerry_Gilbert_SideA_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:47:14\",\"precision\":\"\",\"size\":\"1.57 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.048_Story_BC_69-77_Gerry_Gilbert_SideB_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:46:54\",\"precision\":\"\",\"size\":\"1.55 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1999-06\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1999-06\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"BC Monthly\",\"notes\":\"PO Box 48884\",\"address\":\"Vancouver, B.C. V7X A8\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Vancouver, B.C. V7X A8"],"Venue":["BC Monthly"],"City":["Vancouver, British Columbia"],"content_notes":["Contents entry temporary."],"contents":["J-card reads as follows:\n\"GG + John McCormack + Satchmo in Remusics\n90 minutes\nStory BK 54-77 Gerry Gilbert\nStory BK\n chapters 54-77/98 \nJanuary - mid-June 1999\ntape sides 5+6/7\nby Gerry Gilbert\naradiofreerainforestape\nBC Monthly\nPO Box 48884\nStn Bental[?]\nVancouver, B.C. V7X A8\nCanada"],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550778413058,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4418","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["C. Olson Gratwick talk (on Drugs) Nov. 16, 1963"],"item_title_source":["Title written on artifact."],"item_title_note":["Box title: C. Olson Gratwick talk (on Drugs) Nov. 16, 1963\n\nSide A title: Huey ... Sports concert\n\nSide B title: Huey Lewis: Concert; Sports"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Olson, Charles"],"creator_names_search":["Olson, Charles"],"creators":["[{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1963],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/5683/2018_002_049_a-resized.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.049_C._Olson_Gratwick_talk_(On_Drugs)_Nov._16_1963_SideA_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:31:09\",\"precision\":\"\",\"size\":\"1.03 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.049_C._Olson_Gratwick_talk_(On_Drugs)_Nov._16_1963_SideB_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:31:47\",\"precision\":\"\",\"size\":\"1.05 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-11-16\",\"type\":\"Performance Date\",\"notes\":\"Date of Charles Olson Gratwick talk.\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary. To be time stamped."],"contents":["Accompanying material reads as follows:\n\"Calvin G. Rand [letterhead]\nOlson\n-Pieces of Time 1:19-22\n-Postscript to Proprioception & Logography 2:27\n-Bridgework 3:6\n-The Kings of Civilization to be put back on the door 5:20-22\nReview 10:86-87\n"],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550778413059,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4419","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["George Johnston - Poetry Reading\nA Poetry Reading by George Johnston"],"item_title_source":["Title written on artifact."],"item_title_note":["Box title: George Johnston - Poetry Reading\nA Poetry Reading by George Johnston\n\nSide A title: George Johnston Poetry Reading\n\nSide B title: n/a"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Johnston, George"],"creator_names_search":["Johnston, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/94336709\",\"name\":\"Johnston, George\",\"dates\":\"1913-2004\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/5684/2018_002_050_a (1) (1).jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Fuji DR 60 Type I Normal Position\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.050_George_Johnston_Poetry_Reading_SideB_(MA)_02-01.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:02:20\",\"precision\":\"\",\"size\":\"77 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.050_George_Johnston_Poetry_Reading_SideA_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:32:20\",\"precision\":\"\",\"size\":\"1.07 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary. To be time stamped."],"contents":["Tape consists of George Johnston reading his poetry before a live audience. Date and location of reading unknown."],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550778413060,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4420","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["Atwood Bannerman Gathering for Canadian Literary Review Spring '83"],"item_title_source":["Title written on artifact."],"item_title_note":["Box title: Atwood Bannerman Gathering for Canadian Literary Review Spring '83\n\nSide A title: M. Atwood\n\nSide B title: M. Bannerman\n"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Atwood, Margaret","Bannerman, Maja"],"creator_names_search":["Atwood, Margaret","Bannerman, Maja"],"creators":["[{\"url\":\"http://viaf.org/viaf/109322990\",\"name\":\"Atwood, Margaret\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/93541732\",\"name\":\"Bannerman, Maja\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Performance_Date":[1983],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/5686/2018_002_051_a-resized.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Philips Fe*I 90 Type I Normal Bias\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.051_M._Atwood_SideA_(MA)_02-01.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:22:45\",\"precision\":\"\",\"size\":\"753 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.051_M._Bannerman_SideB_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:47:24\",\"precision\":\"\",\"size\":\"1.57 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary. To be time stamped and transcribed."],"contents":["Side A of tape consists of Margaret Atwood reading her story \"The Salt Garden\" at the Canadian Literary Review reading in the Spring of 1983.\n\nSide B of tape consists of Maja Bannerman performing her piece \"Close Up on Cancer and Camera\" followed by various musical performances."],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Atwood, Margaret. \\\"The Salt Garden.\\\" 1983\"},{\"url\":\"\",\"citation\":\"Bannerman, Maja. \\\"Close Up on Cancer and Camera.\\\"\"}]"],"_version_":1853670550779461632,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4421","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["B. Bunting, Audio tape of Interview by Alistair Clayne w/ B.B. re Pound"],"item_title_source":["Title written on artifact."],"item_title_note":["Box title: B. Bunting, Audio tape of Interview by Alistair Clayne w/ B.B. re Pound\n\nSide A title: [crossed out] Schitzophrenia -> Mike Batt + the London Symphony Orchestra\n\nSide B title: Lightfoot - Did she mention my name (side 2)\nELnP -> Works (side 2)"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bunting, Basil","Clayne, Alistair"],"creator_names_search":["Bunting, Basil","Clayne, Alistair"],"creators":["[{\"url\":\"http://viaf.org/viaf/4949021\",\"name\":\"Bunting, Basil\",\"dates\":\"1900-1985\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Clayne, Alistair\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Pound, Ezra"],"contributors_names_search":["Pound, Ezra"],"contributors":["[{\"url\":\" http://viaf.org/viaf/24606774\",\"name\":\"Pound, Ezra\",\"dates\":\"1885-1972\",\"notes\":\"Subject of documentary on Side A.\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/5687/2018_002_052_b-resized.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Maxell C 90\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.052_B._Bunting_Audiotape_of_Interview_by_Alistair_Clayne_w._B.B._vs_Pound_SideA_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:47:24\",\"precision\":\"\",\"size\":\"1.57 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.052_B._Bunting_Audiotape_of_Interview_by_Alistair_Clayne_w._B.B._vs_Pound_SideB_(MA)_02.\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:47:21\",\"precision\":\"\",\"size\":\"1.57 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary. To be time stamped."],"contents":["J-card reads: \"Bunting Film w/ A. Clayne on E. Pound.\"\n\nSide A consists of an audio recording of a documentary film about Ezra Pound. That recording is followed by a mix tape music recorded from the radio.\n\nSide B consists of a mix tape of music recorded from the radio."],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550779461633,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4422","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["Jaap Blonk Flux de Bouche"],"item_title_source":["Title written on artifact."],"item_title_note":["Box title: Jaap Blonk Flux de Bouche\n\nSide A title: Jaap Blonk Flux de Bouche 1-9 (incomplete)\n\nSide B title: Flux de Bouche 9-16"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Blonk, Jaap","Ball, Hugo","Higgins, Dick","Blummer, Rudolf","Wilson, Robert","de Cointet, Guy","Tzara, Tristan"],"creator_names_search":["Blonk, Jaap","Ball, Hugo","Higgins, Dick","Blummer, Rudolf","Wilson, Robert","de Cointet, Guy","Tzara, Tristan"],"creators":["[{\"url\":\"http://viaf.org/viaf/36551533\",\"name\":\"Blonk, Jaap\",\"dates\":\"1953-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Ball, Hugo\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Higgins, Dick\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Blummer, Rudolf\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Wilson, Robert\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"de Cointet, Guy\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Tzara, Tristan\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Publication_Date":[1992],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/5688/2018_002_053_a-resized.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK D60 Dynamic Cassette Low Noise High Output\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.053_Jaap_Blonk_Flux_de_bouche_1-9(incomplete)_SideA_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:31:47\",\"precision\":\"\",\"size\":\"1.05 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.053_Jaap_Blonk_Flux_de_bouche_1-9(incomplete)_SideB_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:31:08\",\"precision\":\"\",\"size\":\"1.03 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1992-10\",\"type\":\"Publication Date\",\"notes\":\"October to December 1992.\",\"source\":\"\"}]"],"Location":["[]"],"City":["Other"],"contents":["J-card reads as follows:\n\"Seepferdchen und Flugfische (Sea-horses and Flying Fishes) - [jaap blonk/hugo ball] 2:39\njust a thought [jaap blonk] :44\nder minister I [jaap blonk] :50\nglasslass [jaap blonk/dick higgins] 2:07\nAngo laine [jaap blonk/rudolf blumer] 4:24\nRhotic [jaap blonk] 7:04\nPopocatepetl [jaap blonk] 1:57\nDarg [jaap blonk] 4:35\nDina Sore [jaap blonk/robert wilson] 7:38\nAxtherastical [jaap blonk/guy de cointet] 3:06\nder minister II [jaap blonk] :45\nTotenklage (Dirge) [jaap blonk/hugo ball] 5:27\nFrictional [jaap blonk] 4:13\nFlux-de-Bouche [jaap blonk] 3:06\nMnemosyne [jaap blonk] 2:24\n(brullt) [jaap blonk/tristan tzara] 9:00\njaap blonk, voice\nrecorded and edited by abma geluidstechniek, amsterdam, october-december 1992\nproduced by jaap blonk\nfotography arthur nieuwenhuijs\ndesign yvonne willems\nno electronics have been used on the voice sound\"\nNote: See xerox in Legal size Folder Jaap Blonk\"\n"],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550779461634,"timestamp":"2026-01-07T14:59:55.332Z","score":0.01643844},{"id":"4425","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["Duncan 18 Dec 1975 1b"],"item_title_source":["Title written on artifact."],"item_title_note":["Side A title: Duncan 18 Dec 1975 1b\n\nSide B title: Duncan 18 Dec 1975 1b"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert"],"creator_names_search":["Duncan, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"Interviewee.\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Duncan, Robert"],"contributors_names_search":["Duncan, Robert"],"contributors":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"Subject of recordist's tape.\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1975],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/5693/2018.002.056_a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"BASF AV Headmaster Series 90\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"45 min each side\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Volumes/research/AmpLab/SpokenWeb/Collection/Robert_Hogg/2018.002.056/2018.002.056_Duncan 18 Dec_(MA)\",\"filename\":\"2018.002.056_Duncan 18 Dec_Side 1_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:46:20\",\"precision\":\"\",\"size\":\"735.5 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"Robert Duncan talks to an unknown speaker about his life, diaries and writing.\",\"notes\":\"The name \\\"Duncan\\\" written on the cassette case evidences that Robert Duncan is the speaker. However, the names of the speakers are never noted on the tape.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Volumes/research/AmpLab/SpokenWeb/Collection/Robert_Hogg/2018.002.056/2018.002.056_Duncan 18 Dec_(MA)\",\"filename\":\"2018.002.056_Duncan 18 Dec_Side 2_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:14:19\",\"precision\":\"\",\"size\":\"227.3 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"Robert Duncan talks to an unknown speaker about his life, diaries and writing.\",\"notes\":\"The name \\\"Duncan\\\" written on the cassette case evidences that Robert Duncan is the speaker. However, the names of the speakers are never noted on the tape.\\nThe master access file is sped up. For listening, the speed edit copy is required.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-12-18\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/140983204\",\"venue\":\"\",\"notes\":\"\",\"address\":\"North Beach, San Francisco, California, 94133, United States of America\",\"latitude\":\"37.8011749\",\"longitude\":\"-122.4090021\"}]"],"Address":["North Beach, San Francisco, California, 94133, United States of America"],"Note":["[{\"note\":\"Not digitized.\",\"type\":\"General\"},{\"note\":\"Related items in the SoundBox Collection include: 2018.002.004, 2018.002.005, 2018.002.011, and 2018.002.061.\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670550969253888,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4426","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["Robert Hogg CKCU FM"],"item_title_source":["Title written on artifact."],"item_title_note":["Cassette Box title: n/a\n\nSide A title: Robert Hogg CKCU FM\n\nSide B title: n/a"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Capello, Elena","Gugeler, Joy","Hogg, Robert","Charach, Ron"],"creator_names_search":["Capello, Elena","Gugeler, Joy","Hogg, Robert","Charach, Ron"],"creators":["[{\"url\":\"\",\"name\":\"Capello, Elena\",\"dates\":\"\",\"notes\":\"CKCU host and interviewer.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/106325936\",\"name\":\"Gugeler, Joy\",\"dates\":\"\",\"notes\":\"CKCU host and interviewer.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/91752751\",\"name\":\"Hogg, Robert\",\"dates\":\"1942-\",\"notes\":\"Interviewee on CKCU.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/63852612\",\"name\":\"Charach, Ron\",\"dates\":\"\",\"notes\":\"Interviewee on CKCU.\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Publication_Date":[1994],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/5694/2018.002.057_a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony HF 60\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"30 min each side\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Volumes/research/AmpLab/SpokenWeb/Collection/Robert_Hogg/2018.002.057/2018.002.057_Robert Hogg CKCU FM\",\"filename\":\"2018.002.057_Robert Hogg CKCU FM_Side B_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:31:33\",\"precision\":\"\",\"size\":\"501.2 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"Interview of Robert Hogg and Ron Charach on CKCU (Concordia's university radio station). Hosted by Joy Gugeler and Elena Capello (spelling of name may be incorrect). Discuss Ron Charach's \\\"Someone Else's Memoirs\\\" and Robert Hogg's \\\"There is no falling\\\".\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-06-28\",\"type\":\"Publication Date\",\"notes\":\"Date in which Joy Gugeler wrote note accompanying the tape copied and sent to Robert Hogg.\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary. To be time stamped and transcribed."],"contents":["Interview of Robert Hogg and Ron Charach on CKCU (Concordia's university radio station). Hosted by Joy Gugeler and Elena Capello (spelling of name may be incorrect). Discuss Ron Charach's \"Someone Else's Memoirs\" and Robert Hogg's \"There is no falling\". \nAccompanying letter reads:\n\"June 28/94\nDear Prof. Hogg,\nI apologize for the extensive delay in getting  you this tape - among other things, employment (Ass. [illegible] Inuit Art Quarterly Mag.) has waylaid me. However, I hope you enjoy the segment and that we have an opportunity to speak again. Best wishes for There is No Falling and future ventures.\nSincerely, Joy Gugeler (231-4996)"],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Hogg, Robert. \\\"There is no falling.\\\"\"},{\"url\":\"\",\"citation\":\"Charach, Ron. \\\"Someone Else's Memoirs.\\\"\"}]"],"_version_":1853670550970302464,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4427","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["Krishna Das Bunting 19.6.75[?] [illegible]"],"item_title_source":["Title written on artifact."],"item_title_note":["Cassette box title: n/a\n\nSide A title: Krishna Das Bunting 19.6.75[?] [illegible]\n\nSide B title: n/a"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bunting, Basil"],"creator_names_search":["Bunting, Basil"],"creators":["[{\"url\":\"http://viaf.org/viaf/4949021\",\"name\":\"Bunting, Basil\",\"dates\":\"1900-1985\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1975],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/5695/2018.002.058_a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Volumes/research/AmpLab/SpokenWeb/Collection/Robert_Hogg/2018.002.058/2018.002.058_Krishna Das Bunting 19.6.75\",\"filename\":\"2018.002.058_Krishna Das Bunting 19.6.75_Side2_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:09:34\",\"precision\":\"\",\"size\":\"151.8 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"Basil Bunting performs poems along with musical performances.\",\"notes\":\"This sounds like Bunting's voice. Basil Bunting passed away in 1985 so this may be a copy of a recording. \",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Volumes/research/AmpLab/SpokenWeb/Collection/Robert_Hogg/2018.002.058/2018.002.058_Krishna Das Bunting 19.6.75\",\"filename\":\"2018.002.058_Krishna Das Bunting 19.6.75_Side1_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:30:24\",\"precision\":\"\",\"size\":\"482.7 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"Basil Bunting performs his poem \\\"Briggflatts\\\" along with other poems and musical performances.\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-06-19\",\"type\":\"Performance Date\",\"notes\":\"Date may alternately read 1995. Requires confirmation.\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[]"],"City":["Other"],"contents":["Basil Bunting performs his poem \"Briggflatts\" along with other poems and musical performances."],"Note":["[{\"note\":\"Not digitized.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Bunting, Basil. Briggflatts.\"}]"],"_version_":1853670550970302465,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4428","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["Robert Hogg KSN 17 [illegible] '97"],"item_title_source":["Title written on artifact."],"item_title_note":["Cassette box title: n/a\n\nSide A title: Robert Hogg KSN 17 [illegible] '97\n\nSide B title: Robert Hogg - Discussion [illegible]"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Hogg, Robert"],"creator_names_search":["Hogg, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/91752751\",\"name\":\"Hogg, Robert\",\"dates\":\"1942-\",\"notes\":\"Interviewed by a student.\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Baez, Joan"],"contributors_names_search":["Baez, Joan"],"contributors":["[{\"url\":\"http://viaf.org/viaf/112435547\",\"name\":\"Baez, Joan\",\"dates\":\"1941-\",\"notes\":\"Songs recorded on tape.\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Baez, Joan"],"Performance_Date":[1997],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/5696/2018.002.059_a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony HF 90\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Volumes/research/AmpLab/SpokenWeb/Collection/Robert_Hogg/2018.002.059/2019.002.059_ Robert Hogg KSN 17 '97\",\"filename\":\"2019.002.059_ Robert Hogg KSN 17 '97_Side A_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:42:31\",\"precision\":\"\",\"size\":\"675.3 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"Robert Hogg interviewed by a student. After a long period of silence, several songs by Joan Baez are recorded onto the tape.\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Volumes/research/AmpLab/SpokenWeb/Collection/Robert_Hogg/2018.002.059/2019.002.059_ Robert Hogg KSN 17 '97\",\"filename\":\"2019.002.059_ Robert Hogg KSN 17 '97_Side B_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:42:09\",\"precision\":\"\",\"size\":\"670 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Robert Hogg interviewed by a student. 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2_R_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:03:14\",\"precision\":\"\",\"size\":\"1.09 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966-03\",\"type\":\"Performance Date\",\"notes\":\"Performance date of Allen Ginsberg reading of Wichita Vortex Sutra at Clarke Gym, SUNYAB.\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1966-07-29\",\"type\":\"Performance Date\",\"notes\":\"Performance date of Basil Bunting reading of Briggflatts.\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1967-02-17\",\"type\":\"Performance Date\",\"notes\":\"Performance date of George Oppen reading.\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1968-01-31\",\"type\":\"Performance Date\",\"notes\":\"Performance date of Robert Creeley reading For Love.\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/14332031\",\"venue\":\"The State University of New York at Buffalo\",\"notes\":\"Location of talk.\",\"address\":\"Buffalo, NY 14260, United States\",\"latitude\":\"43.00188805\",\"longitude\":\"-78.78524618\"}]"],"Address":["Buffalo, NY 14260, United States"],"Venue":["The State University of New York at Buffalo"],"City":["Buffalo, New York"],"content_notes":["Contents entry temporary. To be time stamped."],"contents":["Accompanying card means:\n\"Side A\nA 0-1014 Allen Ginsberg: Wichita Vortex Sutra March 1966, Clarke Gym, SUNYAB\nB 0-72 In [illegible] & Music Basil Bunting: Briggflatts July 29, 1966, Diefendorf, SUNYAB\nB 0-120 Basil Bunting Briggflatts\nB 129-6388 George Oppen: Feb. 17, 1967 SUNYAB\nB 540-909 Charles Olson: NET\nA 0-310 Robert Creeley: NET\nA 310-373 R. Creeley: The Finger Jan 31, 1968\nA 375 R. Creeley: Reading from For Love Words Oct. 3, 1966.\""],"Note":["[{\"note\":\"Stored in container with 2018.002.066 and 2018.002.067\",\"type\":\"General\"},{\"note\":\"Digitized. Not transcribed.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550971351042,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4435","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["R. Duncan: Structures of Rhyme I-XXVIII SUNYAB Monday, July 15, 1968; R. Duncan: Poetry reading. Buffalo Festival of the Arts Albright-Knox Art Gallery Auditorium March 6, 1968 Intro Robt. Creeley "],"item_title_source":["Title written on artifact."],"item_title_note":["Box title: BASF\n\nSide A title: \"R. Duncan: Structures of Rhyme I-XXVIII SUNYAB Monday, July 15, 1968 \nR. Duncan: Poetry reading. Buffalo Festival of the Arts Albright-Knox Art Gallery Auditorium March 6, 1968 \nIntro Robt. Creeley \nPassage 30, 31, & 32 have been deleted.\nR. Duncan: \nPassages /-30 May 1, 1967 SUNYAB, \nPassages 31-32 at Albright Knox March 6th 1968\n\"The Earth\" - 32\"\n\nSide B title: n/a"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert","Creeley, Robert"],"creator_names_search":["Duncan, Robert","Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"Introducer.\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1968],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/5766/2018.002.066_a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"BASF Badische Anilin- & Soda-Fabrik AG Ludwigshafen am Rhein\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[]"],"Dates":["[{\"date\":\"1968-07-15\",\"type\":\"Performance Date\",\"notes\":\"Performance date of Robert Duncan reading Structures of Rhyme at SUNYAB.\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1968-03-06\",\"type\":\"Performance Date\",\"notes\":\"Performance date of Robert Duncan reading at  Buffalo Festival of the Arts Albright-Knox Art Gallery Auditorium\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1967-05-01\",\"type\":\"\",\"notes\":\"Performance date of Robert Duncan reading at SUNYAB.\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/119504296\",\"venue\":\"Albright-Knox Art Gallery Auditorium\",\"notes\":\"Location of Robert Duncan's March 6, 1968 reading.\",\"address\":\"1285 Elmwood Ave, Buffalo, NY 14222, United States\",\"latitude\":\"42.9321293\",\"longitude\":\"-78.87568390024248\"}]"],"Address":["1285 Elmwood Ave, Buffalo, NY 14222, United States"],"Venue":["Albright-Knox Art Gallery Auditorium"],"City":["Buffalo, New York"],"content_notes":["Contents entry temporary. To be timestamped."],"contents":["Accompanying card reads: \n\"1 A 0-585 R. Duncan: Structures of Rhyme I-XXVIII SUNYAB Monday, July 15, 1968 \n1B 0-734 R. Duncan: Poetry reading. Buffalo Festival of the Arts Albright-Knox Art Gallery Auditorium March 6, 1968 Intro Robt. Creeley Passage 30, 31, & 32 have been deleted.\n2 A Reel R. Duncan: \nPassages /-30 May 1, 1967 SUNYAB, \nPassages 31-32 at Albright Knox March 6th 1968\n2B 0-707 \"The Earth\" - 32\""],"Note":["[{\"note\":\"Stored in container with 2018.002.065 and 2018.002.067.\",\"type\":\"General\"},{\"note\":\"Digitized. Not transcribed.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550972399616,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4436","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["Charles Olson Reading at Berkeley, Intro by R. Duncan, July 23, 1965 & Charles Olson \"Poetry on the Campus\" Oct 20, 1967, Cortland, N.Y."],"item_title_source":["Title written on artifact."],"item_title_note":["Box title: BASF\n\nSide A title: Charles Olson Reading at Berkeley, Intro by R. Duncan, July 23, 1965 & Charles Olson \"Poetry on the Campus\" Oct 20, 1967, Cortland, N.Y.\n\nSide B title: n/a"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Olson, Charles","Duncan, Robert"],"creator_names_search":["Olson, Charles","Duncan, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"Introducer.\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/5767/2018.002.067_a.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"BASF Badische Anilin- & Soda-Fabrik AG Ludwigshafen am Rhein\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Volumes/research/AmpLab/SpokenWeb/Collection/Robert_Hogg/2018.002.067/2018.002.067_Olson at Berkeley_Side 1\",\"filename\":\"2018.002.067_Olson at Berkeley_Side 1_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:02:25\",\"precision\":\"\",\"size\":\"1.44 GB\",\"bitrate\":\"16\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"July 23, 1965. File too large to save as 24-bit digital object.\",\"title\":\"Charles Olson Reading at Berkeley, Intro by R. Duncan, July 23, 1965\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Volumes/research/AmpLab/SpokenWeb/Collection/Robert_Hogg/2018.002.067/2018.002.067_Olson at Berkeley_Side 1\",\"filename\":\"2018.002.067_Olson at Berkeley_Side 1_L_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:02:25\",\"precision\":\"\",\"size\":\"1.44 GB\",\"bitrate\":\"16\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"July 23, 1965. File too large to save as 24-bit digital object.\",\"title\":\"Charles Olson Reading at Berkeley, Intro by R. 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File too large to export at 24 bit\",\"title\":\"Charles Olson Poetry on the Campus Oct 20, 1967, Cortland, N.Y.\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Volumes/research/AmpLab/SpokenWeb/Collection/Robert_Hogg/2018.002.067/2018.002.067_Olson at Cortland NY_Side 2\",\"filename\":\"2018.002.067_Olson at Cortland NY_Side 2_L_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:59:56\",\"precision\":\"\",\"size\":\"1.38 GB\",\"bitrate\":\"16\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"October 27, 1967. File too large to export at 24 bit\",\"title\":\"Charles Olson Poetry on the Campus Oct 20, 1967, Cortland, N.Y.\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Volumes/research/AmpLab/SpokenWeb/Collection/Robert_Hogg/2018.002.067/2018.002.067_Olson at Cortland NY_Side 2\",\"filename\":\"2018.002.067_Olson at Cortland NY_Side 2_R_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:56:49\",\"precision\":\"\",\"size\":\"1.36 GB\",\"bitrate\":\"16\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"October 27, 1967. File too large to export at 24 bit\",\"title\":\"Charles Olson Poetry on the Campus Oct 20, 1967, Cortland, N.Y.\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07-23\",\"type\":\"Performance Date\",\"notes\":\"Performance date of Charles Olson's reading at Berkeley.\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1967-10-20\",\"type\":\"Performance Date\",\"notes\":\"Performance date of Charles Olson's lecture \\\"Poetry on the Campus.\\\"\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2814221\",\"venue\":\"University of California, Berkeley\",\"notes\":\"\",\"address\":\"Berkeley, CA, USA\",\"latitude\":\"37.8753497\",\"longitude\":\"-122.23963364918777\"},{\"url\":\"https://www.openstreetmap.org/relation/1838016\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Cortland, New York, United States\",\"latitude\":\"42.5842136\",\"longitude\":\"-76.0704906\"}]"],"Address":["Berkeley, CA, USA","Cortland, New York, United States"],"Venue":["University of California, Berkeley"],"City":["Berkeley, California"],"content_notes":["Contents entry temporary. To be time stamped."],"contents":["Accompanying card reads: \"\n0- Charles Olson Reading at Berkeley, Intro by R. Duncan, July 23, 1965 \n0-\n0-\n0-75\n76-862 Charles Olson \"Poetry on the Campus\" Oct 20, 1967, Cortland, N.Y.\""],"Note":["[{\"note\":\"Stored in container with 2018.002.065 and 2018.002.066.\",\"type\":\"General\"},{\"note\":\"Digitized. Not transcribed.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550972399617,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4437","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Sharon Thesen fonds"],"source_collection_label":["Sharon Thesen fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2019.002"],"persistent_url":[""],"item_title":["Sharon [Thesen] Reading and On CBC Radio 1986/87"],"item_title_source":["Title written on j-card."],"item_title_note":["Cassette box title: Sharon Reading and On CBC Radio 1986/87\nSide A title: Sharon on CBC Radio\nSide B title: Sharon Reading - Feb/87"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Thesen, Sharon","Newlove, John","Bowering, George","Ritter, Erika","Webb, Phyllis"],"creator_names_search":["Thesen, Sharon","Newlove, John","Bowering, George","Ritter, Erika","Webb, Phyllis"],"creators":["[{\"url\":\"http://viaf.org/viaf/115694373\",\"name\":\"Thesen, Sharon\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/92277383\",\"name\":\"Newlove, John\",\"dates\":\"1938-2003\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/38381080\",\"name\":\"Ritter, Erika\",\"dates\":\"1948-\",\"notes\":\"Probably the interviewer/host of DAYSHIFT radio, but unconfirmed.\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/29847238\",\"name\":\"Webb, Phyllis\",\"dates\":\"1927-2021\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1120/UBCO_Thesen_2019_002_001_b.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"A & B\",\"image\":\"../Uploads/1120/UBCO_Thesen_2019_002_001_a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDX D 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Cuts to MORNINGSIDE Interview with George Bowering[?]."],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550972399618,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4438","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Sharon Thesen fonds"],"source_collection_label":["Sharon Thesen fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2019.002"],"persistent_url":[""],"item_title":["Sharon Thesen's Reading at Bowerings'"],"item_title_source":["Title written on cassette."],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Thesen, Sharon","Blaser, Robin","Bowering, George"],"creator_names_search":["Thesen, Sharon","Blaser, Robin","Bowering, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/115694373\",\"name\":\"Thesen, Sharon\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"Unconfirmed.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1980],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/1121/UBCO_Thesen_2019_002_002_b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Maxell C60 Communicator Series P/I Cassette Low Noise High Output\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2019.002.002_Sharon_Thesen_Reading_at_Bowerings'_SideA_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:31:41\",\"precision\":\"\",\"size\":\"1.1 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2019.002.002_SideB_02_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:31:45\",\"precision\":\"\",\"size\":\"1.1 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1980\",\"type\":\"Performance Date\",\"notes\":\"This date is unconfirmed. It is based on the year that the book Thesen reads, Artemis Hates Romance, was published.\",\"source\":\"\"}]"],"Location":["[]"],"City":["Other"],"contents":["Sharon Thesen reads from Artemis Hates Romance at George and Angela Bowering's house. Robin Blaser is heard in attendance."],"Note":["[{\"note\":\"Digitization complete. Transcription complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Thesen, Sharon. Artemis Hates Romance.\"}]"],"_version_":1853670550972399619,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4504","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["Daphne's 2d (205) lect - Fri Oct 24 86"],"item_title_source":["Title written on cassette."],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Marlatt, Daphne"],"creator_names_search":["Marlatt, Daphne"],"creators":["[{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"Guest lecturer.\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Bowering, George","Wah, Fred","Davey, Frank"],"contributors_names_search":["Bowering, George","Wah, Fred","Davey, Frank"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"Daphne Marlatt reads George Bowering's poetry.\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"Daphne Marlatt reads Fred Wah's poetry.\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/5029235\",\"name\":\"Davey, Frank\",\"dates\":\"1940-\",\"notes\":\"Daphne Marlatt reads Frank Davey's poetry.\",\"nation\":[],\"role\":[]}]"],"author_name":["Bowering, George","Wah, Fred"],"Performance_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1123/UBCO_Tallman_2012_002_031_a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"BASF AV 60\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.031_Daphne_Marlatt_Lecture_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:48:10\",\"precision\":\"\",\"size\":\"1.67 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-10-24\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/91208094\",\"venue\":\"Buchanan Building, University of British Columbia\",\"notes\":\"\",\"address\":\"1866 Main Mall, Vancouver, B.C.\",\"latitude\":\"49.26827765\",\"longitude\":\"-123.2542416\"}]"],"Address":["1866 Main Mall, Vancouver, B.C."],"Venue":["Buchanan Building, University of British Columbia"],"City":["Vancouver, British Columbia"],"content_notes":["Contents entry temporary."],"contents":["This recording consists of a guest lecture by Daphne Marlatt  in Warren Tallman's English 205 class at UBC. The lecture was given on Friday October 24, 1986. In the lecture Marlatt discusses Vancouver literary magazines including TISH, Blew Ointment, and The Georgia Straight. Marlatt also reads excepts from TISH by  poets Frank Davey, George Bowering, and Fred Wah."],"Note":["[{\"note\":\"Digitization complete. Transcription complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"https://voices.revealdigital.org/?a=d&d=DEIFAFG19620113.1.14&e=-------en-20--1--txt-txIN---------------1\",\"citation\":\"Bowering, George. \\\"The Problem of Margins.\\\" TISH, no. 5, 1/13/1962, p. 14. \"},{\"url\":\"https://voices.revealdigital.org/?a=d&d=DEIFAFG1961-01&e=-------en-20--1--txt-txIN---------------1\",\"citation\":\"Davey, Frank. \\\"Editorial.\\\" TISH, no 1, 1961, p.1.\"},{\"url\":\"https://voices.revealdigital.org/?a=d&d=DEIFAFG19620113.1.12&e=-------en-20--1--txt-txIN---------------1\",\"citation\":\"Davey, Frank. \\\"Bridge Poem.\\\" TISH, no. 5, 1/13/1962, p. 12.\"},{\"url\":\"https://voices.revealdigital.org/?a=d&d=DEIFAFG19611114.1.11&e=-------en-20--1--txt-txIN---------------1\",\"citation\":\"Davey, Frank. \\\"The Problem of Margins.\\\" TISH, no. 3, 11/14/1961, p. 11. \"},{\"url\":\"https://voices.revealdigital.org/?a=d&d=DEIFAFG19611214.1.9&e=-------en-20--1--txt-txIN---------------1\",\"citation\":\"Wah, Fred. \\\"Margins into Lines: A Relationship.\\\" TISH, no 4, 12/14/1961, p. 9. \"}]"],"_version_":1853670550973448192,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4505","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["312 Nov 17 '86 CREELEY / Nov 19 312 OLSON-CREELEY 2 [Warren Tallman lecture]"],"item_title_source":["Title written on cassette."],"item_title_note":["Side A title reads: 312 Nov 17 '86 CREELEY\n\nSide B title reads: Nov 19 312 OLSON-CREELEY 2"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren"],"creator_names_search":["Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"Lecturer\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Olson, Charles","Creeley, Robert","Pound, Ezra"],"contributors_names_search":["Olson, Charles","Creeley, Robert","Pound, Ezra"],"contributors":["[{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"Warren Tallman reads and lectures about Charles Olson's poetry.\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"Warren Tallman gives a lecture on Robert Creeley.\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/24606774\",\"name\":\"Pound, Ezra\",\"dates\":\"1885-1972\",\"notes\":\"Warren Tallman lectures about Ezra Pound.\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":["Olson, Charles","Creeley, Robert","Pound, Ezra"],"Performance_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/2368/UBCO_Davey_2014_002_017_c.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony HF 90 Type I (Normal) Position\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2014.002.017_312_Nov_17_86_CREELEY_SideA_(MA)\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:47:14\",\"precision\":\"\",\"size\":\"1.64 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2014.002.017_Nov_19_312_OLSON-CREELEY_2_SideB_(MA)\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:44:41\",\"precision\":\"\",\"size\":\"1.55 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-11-17\",\"type\":\"Performance Date\",\"notes\":\"Date Side A lecture was recorded.\",\"source\":\"Listed on item\"},{\"date\":\"1986-11-19\",\"type\":\"Performance Date\",\"notes\":\"Date Side B lecture was recorded.\",\"source\":\"Listed on item\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/2763312741\",\"venue\":\"Buchanan Building, The University of British Columbia\",\"notes\":\"\",\"address\":\"1866 Main Mall, Vancouver, BC, Canada\",\"latitude\":\"49.2690758\",\"longitude\":\"-123.254727\"}]"],"Address":["1866 Main Mall, Vancouver, BC, Canada"],"Venue":["Buchanan Building, The University of British Columbia"],"City":["Vancouver, British Columbia"],"content_notes":["Contents entry temporary."],"contents":["Side A: Tape consists of UBC English professor Warren Tallman giving a lecture to his ENGL 312: Studies in Poetry class on Robert Creeley. The lecture was held on November 17, 1986 in the Buchanan Buildings at UBC.\n\nSide B: Tape consists of Warren Tallman continuing on his previous lecture about Robert Creeley to his ENGL 312: Studies in Poetry class. Tallman also discusses the work of Ezra Pound and Charles Olson, and sings popular music about the moon from the early 20th century. The lecture was held on November 19, 1986 in the Buchanan Buildings at UBC."],"Note":["[{\"note\":\"Item #: 2012.002.065.\\n\\nPreviously numbered: 2014.002.017\",\"type\":\"General\"},{\"note\":\"Digitization complete. Transcription complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"https://www.poetryfoundation.org/poems/42839/i-know-a-man\",\"citation\":\"Creeley, Robert. \\\"I Know a Man.\\\" Poetry Foundation.\"},{\"url\":\"https://books.google.ca/books?id=HFSHcmlwxaQC&pg=PA145&lpg=PA145&dq=la+noche+robert+creeley&source=bl&ots=ctJBJfhNWE&sig=ACfU3U1DDnr7zKnn4uM39mBPtQ5oOuDZNQ&hl=en&sa=X&ved=2ahUKEwjWy4OglOvpAhUxFjQIHdY4AsEQ6AEwBHoECAkQAQ#v=onepage&q=la%20noche%20robert%20creeley&f=false\",\"citation\":\"Creeley, Robert. \\\"La Noche.\\\"\"},{\"url\":\"https://melodicverses.com/poems/19421/Like-They-Say\",\"citation\":\"Creeley, Robert. \\\"Like They Say.\\\"\"},{\"url\":\"https://www.poetryfoundation.org/poetrymagazine/poems/27979/the-door-56d211ce63a5f\",\"citation\":\"Creeley, Robert. \\\"The Door.\\\"\"},{\"url\":\"https://www.lyrics.com/lyric/1585242/It%27s+Only+a+Paper+Moon\",\"citation\":\"Arlen, Harold, Yip Harburg, and Billy Rose. \\\"It's Only A Paper Moon.\\\"\"},{\"url\":\"http://boppin.com/poets/creeley.htm\",\"citation\":\"Creeley, Robert. \\\"A Form of Women.\\\"\"},{\"url\":\"https://www.poetryfoundation.org/poems/54522/the-whip-56d234f509455\",\"citation\":\"Creeley, Robert. \\\"The Whip.\\\"\"},{\"url\":\"https://lyricsplayground.com/alpha/songs/t/taintnosintodancearoundinyourbones.html\",\"citation\":\"Donaldson, Walter and Edgar Leslie. \\\"T'ain't No Sin (To Dance Around in Your Bones).\\\"\"},{\"url\":\"https://www.lyricsondemand.com/miscellaneouslyrics/statesongslyrics/indianastatesonglyrics.html\",\"citation\":\"Dresser, Paul. \\\"On the Banks of the Wabash, Far Away.\\\"\"},{\"url\":\"https://lyricsplayground.com/alpha/songs/m/moonofmanakoorathe.html\",\"citation\":\"Loesser, Frank and Alfred Newman. \\\"Moon of Manakoora.\\\"\"},{\"url\":\"https://www.azlyrics.com/lyrics/andywilliams/moonriver.html\",\"citation\":\"Mercer, Johnny and Henry Mancini. \\\"Moon River.\\\"\"},{\"url\":\"https://www.lyrics.com/lyric/14829047/Kate+Smith/Shine+on+Harvest+Moon\",\"citation\":\"Norworth, Jack and Nora Bayes. \\\"Shine on Harvest Moon.\\\"\"},{\"url\":\"https://www.poetryfoundation.org/poems/54311/as-the-dead-prey-upon-us\",\"citation\":\"Olson, Charles. \\\"As the Dead Prey Upon Us.\\\"\"},{\"url\":\"https://www.azlyrics.com/lyrics/andywilliams/beginthebeguine.html\",\"citation\":\"Porter, Cole. \\\"Begin the Beguine.\\\"\"},{\"url\":\"https://www.poetryfoundation.org/poems/54316/canto-iv\",\"citation\":\"Pound, Ezra. “Cantos IV.”\"},{\"url\":\"https://www.poetryfoundation.org/poems/44914/envoi-56d2243243e40\",\"citation\":\"Pound, Ezra. “Envoi.\\\"\"}]"],"_version_":1853670550973448193,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4506","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["[ENGL] 205 Nov 19 86 Lucy / [ENGL] 312 Wed Nov 25 86 Vocab [Warren Tallman Lectures]"],"item_title_source":["Title written on artifact."],"item_title_note":["Title written on cassette case: 205 Nov 19 86 Lucy\n\nSide A title: 205 Nov 19 86 Lucy\n\nSide B title: 312 Wed Nov 25 86 Vocab"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren"],"creator_names_search":["Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"Recordist and lecturer in ENGL 205 class at UBC.\",\"nation\":[],\"role\":[\"Recordist\",\"Speaker\"]}]"],"contributors_names":["Wordsworth, William","Wordsworth, Dorothy","Coleridge, Samuel Taylor"],"contributors_names_search":["Wordsworth, William","Wordsworth, Dorothy","Coleridge, Samuel Taylor"],"contributors":["[{\"url\":\"http://viaf.org/viaf/35723133\",\"name\":\"Wordsworth, William\",\"dates\":\"1770-1850\",\"notes\":\"William Wordsworth's poetry is discussed and read by Warren Tallman in this lecture.\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/19695644\",\"name\":\"Wordsworth, Dorothy\",\"dates\":\"1771-1855\",\"notes\":\"Dorothy Wordsworth's writings are discussed and read by Warren Tallman in this lecture.\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/24599809\",\"name\":\"Coleridge, Samuel Taylor\",\"dates\":\"1772-1834\",\"notes\":\"Samuel Taylor Coleridge's poetry is discussed and read by Warren Tallman in this lecture.\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":["Wordsworth, William","Wordsworth, Dorothy","Coleridge, Samuel Taylor"],"Performance_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3607/UBCO_Tallman_2012_002_027_a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony HF 90 Type I (Normal) Position Normal Bias 120 us EQ\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\" 2012.002.027_205_Nov_19_86_Lucy_SideA_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:47:01\",\"precision\":\"\",\"size\":\"1.52 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"Side A of cassette.\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.027_312_Wed_Nov_25_86_Vocab_SideB_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:47:02\",\"precision\":\"\",\"size\":\"1.52 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"Side B of cassette.\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-11-25\",\"type\":\"Performance Date\",\"notes\":\"Side B performance date.\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1986-11-19\",\"type\":\"Performance Date\",\"notes\":\"Side A performance date.\",\"source\":\"Date listed on artifact box.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/91208094\",\"venue\":\"Buchanan Building, University of British Columbia\",\"notes\":\"\",\"address\":\"1866 Main Mall, Vancouver, B.C.\",\"latitude\":\"49.26827765\",\"longitude\":\"-123.25424162050663\"}]"],"Address":["1866 Main Mall, Vancouver, B.C."],"Venue":["Buchanan Building, University of British Columbia"],"City":["Vancouver, British Columbia"],"contents":["Side A of this recording contains a recorded lecture by UBC English professor Warren Tallman from his undergraduate course, ENGL 205: Introduction to Poetry. This 50 minute lecture was recorded on November 19, 1986 in the Buchanan Buildings at UBC. In the recording Tallman lectures about the Romantic poets, with special attention to the works of William Wordsworth, Dorothy Wordsworth, and Samuel Taylor Coleridge. Tallman reads, recites, and offers commentary on the following poems and writings:  \"Among All Lovely Things My Love Had Been,\" \"A Slumber did by Spirit Seal,\" \"Boat Stealing (excerpt from the Prelude),\" \"from The Prelude: Book 1: Childhood and School-time,\" \"I Travelled among Unknown Men,\"  \"I Wandered Lonely as a Cloud,\"  \"Lines Composed a Few Miles above Tintern Abbey, On Revisiting the Banks of the Wye during a Tour. July 13, 1798,\" \"Lucy Gray (or Solitude),\" \"Ode: Intimations of Immortality from Recollections of Early Childhood,\" \"She Dwelt among the Untrodden Ways,\" \"Strange Fits of Passion I have Known,\" \"There was a Boy,\" \"Three Years She Grew,\" and excerpts from Dorothy Wordsworth's journal. Unidentified students are occasionally audible throughout the recording answering questions posed by Tallman.\n\nSide B of the recording contains a recorded lecture by UBC English professor Warren Tallman from his undergraduate course, ENGL 312: Studies in Poetry. This 50 minute lecture was recorded on November 25, 1986 in the Buchanan Buildings at UBC. In the recording Tallman defines and lectures about poetic vocabulary including discussions about the concepts of \"vowel stress, consonant stress, primary stress, and juncture,\" Ezra Pound's \"phanopoeia, melopoeia, logopoeia,\" Ernest Fenollosa's \"metaphor as transfer of energy,\" \"Mother Nature and Mother Tongue,\" \"syntax and semantics,\" \"abstract and abstract real,\" and \"open form and close form poetry.\" Unidentified students are occasionally audible throughout the recording asking questions, answering questions, and contributing to the class discussion."],"Note":["[{\"note\":\"Digitization complete. Time stamps and transcription complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"https://human.libretexts.org/Courses/ASCCC/Writing_and_Critical_Thinking_Through_Literature_(Ringo_and_Kashyap)/03%3A_Creative_Nonfiction_Readings/3.11%3A_Wordsworth%2C_Dorothy_%22Daffodils%22_entry_from_Grasmere_journal_(1802)\",\"citation\":\"Wordsworth, Dorothy. \\\"3.11: Wordsworth, Dorothy 'Daffodils' entry from Grasmere journal (1802).\\\" \"},{\"url\":\"https://www.gutenberg.org/files/42856/42856-h/42856-h.htm\",\"citation\":\"Wordsworth, Dorothy. \\\"April 16, 1802.\\\" p. 108. \"},{\"url\":\"https://www.gutenberg.org/files/42856/42856-h/42856-h.htm\",\"citation\":\"Wordsworth, Dorothy. \\\"It is Christmas Day, Saturday, 25th December 1802.\\\" p. 157.\"},{\"url\":\"https://www.gutenberg.org/files/42856/42856-h/42856-h.htm\",\"citation\":\"Wordsworth, Dorothy. \\\"On Monday, 4th October 1802.\\\" p. 149. \"},{\"url\":\"https://www.poemhunter.com/best-poems/william-wordsworth/among-all-lovely-things-my-love-had-been/\",\"citation\":\"Wordsworth, William. \\\"Among All Lovely Things My Love Had Been.\\\" \"},{\"url\":\"https://www.poetryfoundation.org/poems/45553/a-slumber-did-my-spirit-seal\",\"citation\":\"Wordsworth, William. \\\"A Slumber did by Spirit Seal.\\\"\"},{\"url\":\"https://www.poetrybyheart.org.uk/poems/boat-stealing-the-prelude-1850/\",\"citation\":\"Wordsworth, William. \\\"Boat Stealing (excerpt from the Prelude).\\\" 1850 version. \"},{\"url\":\"https://www.poetryfoundation.org/poems/45542/the-prelude-book-1-childhood-and-school-time\",\"citation\":\"Wordsworth, William. \\\"from The Prelude: Book 1: Childhood and School-time.\\\" \"},{\"url\":\"https://www.poetryfoundation.org/poems/45520/i-travelled-among-unknown-men\",\"citation\":\"Wordsworth, William. \\\"I Travelled among Unknown Men.\\\" \"},{\"url\":\"https://www.poetryfoundation.org/poems/45521/i-wandered-lonely-as-a-cloud\",\"citation\":\"Wordsworth, William. \\\"I Wandered Lonely as a Cloud.\\\" \"},{\"url\":\"https://www.poetryfoundation.org/poems/45527/lines-composed-a-few-miles-above-tintern-abbey-on-revisiting-the-banks-of-the-wye-during-a-tour-july-13-1798\",\"citation\":\"Wordsworth, William. \\\"Lines Composed a Few Miles above Tintern Abbey, On Revisiting the Banks of the Wye during a Tour. July 13, 1798.\\\"\"},{\"url\":\"https://allpoetry.com/Lucy-Gray-_or-Solitude_\",\"citation\":\"Wordsworth, William. \\\"Lucy Gray (or Solitude).\\\"\"},{\"url\":\"https://www.poetryfoundation.org/poems/45536/ode-intimations-of-immortality-from-recollections-of-early-childhood\",\"citation\":\"Wordsworth, William. \\\"Ode: Intimations of Immortality from Recollections of Early Childhood.\\\" \"},{\"url\":\"https://www.poetryfoundation.org/poems/45549/she-dwelt-among-the-untrodden-ways\",\"citation\":\"Wordsworth, William. \\\"She Dwelt among the Untrodden Ways.\\\" \"},{\"url\":\"https://www.poemhunter.com/poem/strange-fits-of-passion-have-i-known/\",\"citation\":\"Wordsworth, William. \\\"Strange Fits of Passion I have Known.\\\" \"},{\"url\":\"https://www.poetryfoundation.org/poems/45558/there-was-a-boy\",\"citation\":\"Wordsworth, William. \\\"There was a Boy.\\\" \"},{\"url\":\"https://www.poetryfoundation.org/poems/45559/three-years-she-grew\",\"citation\":\"Wordsworth, William. \\\"Three Years She Grew.\\\" \"},{\"url\":\"https://www.poetryfoundation.org/poems/44402/the-windhover\",\"citation\":\"Hopkins, Gerald Manley. \\\"The Windhover.\\\" \"},{\"url\":\"https://www.poetryfoundation.org/poems/45480/when-lilacs-last-in-the-dooryard-bloomd\",\"citation\":\"Whitman, Walt. \\\"When Lilacs Last in the Dooryard Bloom'd.\\\" \"}]"],"_version_":1853670550973448194,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4507","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["Third Stream Music: The Modern Jazz Quartet"],"item_title_source":["Title written on box."],"item_title_note":["Side 1: (Time: 19:35)\n1. Da Capo (John Lewis)\n2. Fine (Jimmy Giuffre)\n3. Exposure (John Lewis)\n\nSide 2 (Time: 16:15)\n1. Sketch (John Lewis)\n2. Conversation (Gunther Schuller)"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Giuffre, Jimmy"],"creator_names_search":["Giuffre, Jimmy"],"creators":["[{\"url\":\"http://viaf.org/viaf/84976072\",\"name\":\"Giuffre, Jimmy\",\"dates\":\"1921-2008\",\"notes\":\"Specifically, The Jimmy Giuffre Three & The Beaux Arts String Quartet.\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Publication_Date":[1960],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Atlantic Stereo Tape\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"7 1/2 ips\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Commercial, mass-produced recording.\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.015_Third_Stream_Jazz_SideA_(M).WAV\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:20:51\",\"precision\":\"\",\"size\":\"691 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"Side 1 (Time: 19:35)\\n1. Da Capo (John Lewis)\\n2. Fine (Jimmy Giuffre)\\n3. Exposure (John Lewis)\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.015_Third_Stream_Jazz_SideB_(M).WAV\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:19:06\",\"precision\":\"\",\"size\":\"633 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"Side 2 (Time: 16:15)\\n1. Sketch (John Lewis)\\n2. Conversation (Gunther Schuller)\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1960\",\"type\":\"Publication Date\",\"notes\":\"Release date of album.\",\"source\":\"\"}]"],"Location":["[]"],"City":["Other"],"contents":["1. Da Capo (By John Lewis; MJQ Music, BMI. Time: 3:38)\n2. Fine (By Jimmy Giuffre; MJQ Music, BMI. Time: 6:06)\nAt the recording session, Da Capo & Fine were played one immediately after the other, with only a brief pause between compositions, and they are heard on this LP exactly as they were preformed, with no band separating them. The total time is 9:44.\n3. Exposure (By John Lewis; MJQ Music, BMI. Time: 9:43)\n1. Sketch (By John Lewis; MJQ Music, BMI. Time: 5:30)\n2. Conversation (By Gunther Schuller; MJQ Music, BMI. Time: 10:39)"],"Note":["[{\"note\":\"ITEM ID: 2012.002.015\",\"type\":\"General\"},{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550974496768,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4508","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["EBBE Wed BU 106 / tr 2 303"],"item_title_source":["Title written on box."],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Borregaard, Ebbe","Tallman, Warren"],"creator_names_search":["Borregaard, Ebbe","Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/43263290\",\"name\":\"Borregaard, Ebbe\",\"dates\":\"\",\"notes\":\"Side A 1-4 features Ebbe Borregaard giving a performance of both songs and poetry to Warren Tallman's English 303 class at UBC.\",\"nation\":[],\"role\":[\"Performer\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"Warren Tallman recorded the content of both Side A and B. In Side A 1-4 Warren Tallman records an event he organized with Ebbe Borregaard in his English 303 class. On Side A & B 3-2 Warren Tallman is heard as a speaker in a conversation with BC teachers.\",\"nation\":[],\"role\":[\"Recordist\",\"Series organizer\",\"Speaker\"]}]"],"contributors_names":["Spicer, Jack"],"contributors_names_search":["Spicer, Jack"],"contributors":["[{\"url\":\"http://viaf.org/viaf/46807530\",\"name\":\"Spicer, Jack\",\"dates\":\"1925-1965\",\"notes\":\"Ebbe Borregaard sings a few of Jack Spicer's songs during his performance in Warren Tallman's English 303 class.\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":["Spicer, Jack"],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/3685/UBCO_Tallman_2012_002_018_a.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Professional Sound Recording Tape Type No. 12A7\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.018_EBBEWedBu106_SideA_1-4_02_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:53:57\",\"precision\":\"\",\"size\":\"1.79 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"Ebbe Borregaard sings and reads poetry in Warren Tallman's English 303 class.\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.018_EBBEWedBu106_SideA_3-2_02_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:04:53\",\"precision\":\"\",\"size\":\"2.15 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"Conversation between Warren Tallman and West Coast teachers about pedagogy.\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.018_EBBEWedBu106_SideB_3-2_02_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:04:59\",\"precision\":\"\",\"size\":\"2.15 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"Continuation of Side A 3-2. Conversation between Warren Tallman and West Coast teachers about pedagogy.\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"197?\",\"type\":\"Performance Date\",\"notes\":\"Based on the context of the conversation and the books read, tr 3-2 of Side A and B was likely recorded circa 1971-72.\",\"source\":\"Secondary research.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/91208094\",\"venue\":\"Buchanan Building, University of British Columbia\",\"notes\":\"Location of recording on Side A 1-4\",\"address\":\"1866 Main Mall, Vancouver, B.C.\",\"latitude\":\"49.26827765\",\"longitude\":\"-123.25424162050663\"},{\"url\":\"\",\"venue\":\"Warren and Ellen Tallman's home\",\"notes\":\"Probable but unconfirmed location of recording on track 3-2 Sides A & B.\",\"address\":\"37th Street, Vancouver, B.C.\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["1866 Main Mall, Vancouver, B.C.","37th Street, Vancouver, B.C."],"Venue":["Buchanan Building, University of British Columbia","Warren and Ellen Tallman's home"],"City":["Vancouver, British Columbia","Vancouver, British Columbia"],"content_notes":["Side B 1-4 does not appear to be digitized currently, but may contain an event involving Ebbe Borregaard, Joanne Kyger, and George Stanley."],"contents":["Side A 1-4 consists of a recording of Ebbe Borregaard singing songs, playing the guitar, and reading poetry to Warren Tallman's English 303 class at UBC, circa 1970-72. \n\nSide A & B 3-2 consists of two parts of a recording in which Warren Tallman has a conversation with grade school teachers from the West Coast. The recording consists of teachers reading a \"statement of education\" followed by questions and comments from Warren Tallman and other teachers. This event was likely held in Warren Tallman's private residence, circa 1971-72."],"Note":["[{\"note\":\"Digitization complete. Transcription complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"http://cuneiformpress.com/wp-content/uploads/2014/09/Spicer-A-Book-of-Music-Complete.pdf.  \",\"citation\":\"Spicer, Jack. \\\"Orfeo.\\\" A Book of Music. White Rabbit Press, 1969. \"},{\"url\":\"\",\"citation\":\"Stephens, J.M. On the Psychology of Classroom Learning. Holt, Rienhart, and Winston, 1965.\"},{\"url\":\"\",\"citation\":\"Holt, John. How Children Fail. Pitman, 1964.\"},{\"url\":\"\",\"citation\":\"Neill, A.S. Summerhill: A radical approach to child learning. Forward by Erich Fromm. Hart Pub. co., 1960.\"}]"],"_version_":1853670550974496769,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4509","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["Robin Blaser - lecture #8 cont. side #3 / R.B. cont'd - side #4"],"item_title_source":["Title written on artifact."],"item_title_note":["Side A: Robin Blaser - lecture #8 cont. side #3 \n\nSide B: R.B. cont'd - side #4"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Blaser, Robin"],"creator_names_search":["Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3686/UBCO_Tallman_2012_002_028_b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Tracs Plus 90\",\"generations\":\"\",\"Conservation\":\"Tape damaged. Unplayable.\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"45 minutes each side\",\"physical_condition\":\"Poor\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"Not digitized. Tape damaged and requires conservation. This entry will require updating upon digitization.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550974496770,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4510","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["Robin Blaser / Lecture No. 8 / The Metaphysics of \nLight / Tape #1 / Sides 1 & 2 / Pierre Coupey / The Capilano Review"],"item_title_source":["Title written on container."],"item_title_note":["Side A: Robin Blaser - lecture #8 \"Metaphysics of Light\" - digression on Rings\n\nSide B: Light - Dionysios Areopagite & Dante cont to Duncan/ Nerval etc."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Blaser, Robin"],"creator_names_search":["Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/3687/UBCO_Tallman_2012_002_029_b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Lloyd's C90\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"45 minutes each side\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card labeling contents.\",\"other_physical_description\":\"\"},{\"side\":\"A & B\",\"image\":\"../Uploads/3687/UBCO_Tallman_2012_002_029_b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Lloyd's C90\",\"generations\":\"\",\"Conservation\":\"Tape damaged. Unplayable.\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"45 minutes each side\",\"physical_condition\":\"Poor\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card labeling contents.\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette","Cassette"],"physical_compositions":["Magnetic Tape","Magnetic Tape"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"digital_description":["[]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary. Contents taken from J-card."],"contents":["Robin Blaser - Tape #1\nLecture #8 - Metaphysics of Light\nSide 1\nMetaphysics of Light = Digression on Significance of rings - goes on to first part of side 2\nSide 2\nMetaphysics of Light, Cont.\nDionysios, Aeropagite, & Dante ->\n= Duncan Interval"],"Note":["[{\"note\":\"Not digitized. Tape damaged and requires conservation. This entry will require updating upon digitization.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550974496771,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4511","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["[Robin] Blaser - [Charles] Olson Lecture 25 March 1987"],"item_title_source":["Title written on container."],"item_title_note":["Container title: Blaser - Olson Lecture 25 March 1987\n\nSide A title: Blaser C.O. Lecture (2) 25 Mar 87"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Blaser, Robin"],"creator_names_search":["Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"Guest lecturer.\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Olson, Charles"],"contributors_names_search":["Olson, Charles"],"contributors":["[{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1987],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/3688/UBCO_Tallman_2012_002_030_a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK AD 90\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"A & B\",\"image\":\"../Uploads/3688/UBCO_Tallman_2012_002_030_a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK AD 90\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette","Cassette"],"physical_compositions":["Magnetic Tape","Magnetic Tape"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.030_BLASER_C.O._Lecture_(2)_25_Mar_87_SideA_(MASTER_ACCESS)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:47:02\",\"precision\":\"\",\"size\":\"1.56 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.030_BLASER_C.O._Lecture_(2)_25_Mar_87_SideB_(MASTER_ACCESS)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:27:19\",\"precision\":\"\",\"size\":\"905 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-03-25\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary. To be time stamped and transcribed."],"contents":["Tape consists of a lecture Robin Blaser gave on March 25, 1987. The lecture is the second of a series of three lectures Blaser gave at a conference (see also 2012.002.036, 2012.002.037). Blaser also participated in a panel discussion at this conference (2012.002.039)."],"Note":["[{\"note\":\"Other tapes in the SoundBox Collection recording lectures and panels from this event: 2012.002.036, 2012.002.037, 2012.002.039.\",\"type\":\"General\"},{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550975545344,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4512","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["Radio Free Rain Forest 24 March 1988\nCFRO-FM"],"item_title_source":["Title written on container."],"item_title_note":["Side A title: Radio Free Rain Forest 24 March 1988 1/2\n\nSide B title: RFRF - cont'd - 2/2"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Gilbert, Gerry","Bremner, Lary","Capstick, Larry","bissett, bill","Nawrocki, Norman","Castricano, Jodey","Larson, Jacqueline","Strang, Katrina","Pritchett, David"],"creator_names_search":["Gilbert, Gerry","Bremner, Lary","Capstick, Larry","bissett, bill","Nawrocki, Norman","Castricano, Jodey","Larson, Jacqueline","Strang, Katrina","Pritchett, David"],"creators":["[{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"Gerry Gilbert was the producer and host of Radio Free Rain Forest.\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"\",\"name\":\"Bremner, Lary\",\"dates\":\"\",\"notes\":\"Described on j-card as an \\\"operator.\\\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Capstick, Larry\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"bissett, bill\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34063513\",\"name\":\"Nawrocki, Norman\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/74068422\",\"name\":\"Castricano, Jodey\",\"dates\":\"1947-\",\"notes\":\"Jodey Castricano reads poetry and converses with other panelists.\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/78845839\",\"name\":\"Larson, Jacqueline\",\"dates\":\"\",\"notes\":\"Jacqueline Larson reads poetry and converses with other panelists.\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"\",\"name\":\"Strang, Katrina\",\"dates\":\"\",\"notes\":\"Katrina Strang reads poetry and converses with other panelists.\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/105607795\",\"name\":\"Pritchett, David\",\"dates\":\"\",\"notes\":\"David Pritchett reads poetry and converses with other panelists.\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Publication_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3690/UBCO_Tallman_2012_002_032_d.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony HF 90 Type I (Normal) Position Normal Bias 120 us EQ\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.032_RADIO_FREERAINFOREST_24_March_1988_SideA_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:36:13\",\"precision\":\"\",\"size\":\"1.2 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.032_RFRF_contd_2-2_SideB_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:33:11\",\"precision\":\"\",\"size\":\"1.1 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-03-24\",\"type\":\"Publication Date\",\"notes\":\"Date of broadcast.\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary. Contents description copied from j-card. To be time stamped and transcribed."],"contents":["RadioFreeRainForest - Thursday 24 March 1988\nProducer/Host - Gerry Gilbert\nOperator - Lary Bremner\nVancouver Co-op Radio - CFRO - 102.7 fm - One hour\nIn Studio - G.G. Jody Castricano - Jacqueline Carson - Katrina Strang - David Pritchett\nOn Tape - Larry Capstick - bill bissett - Norman Nawrocki\nOn Records - Gil Hodges - Dizzy Gillespie - Lena Horne\nPre-show - Lunar Adventures\nFlip A -> B & Rewind to Head of Tape\n+M80"],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550975545345,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4513","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["312 Oct 15, '86 [Warren Tallman lecture English 312] / Nov 14 86 205 Sharon Thesen [Guest lectures in Warren Tallman's English 205 class]"],"item_title_source":["Title written on artifact."],"item_title_note":["Side A title: 312 Oct 15, '86\n\nSide B title: Nov 14 86 205 Sharon Thesen"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Thesen, Sharon"],"creator_names_search":["Tallman, Warren","Thesen, Sharon"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"Side A: Warren Tallman gives a lecture in this English 312 class.\\n\\nSide B: Warren Tallman has records a conversation with guest lecturer, Sharon Thesen in English 205.\",\"nation\":[],\"role\":[\"Recordist\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/115694373\",\"name\":\"Thesen, Sharon\",\"dates\":\"1946-\",\"notes\":\"Side B: Sharon Thesen speaks with Warren Tallman in his 205 class and reads poetry.\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1986],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/3691/UBCO_Tallman_2012_002_033_b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony UX 90 Type II (CrO2) Position High Bias 70 us EQ\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.033_312_Oct_15,_'86_SideA_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:43:59\",\"precision\":\"\",\"size\":\"1.4 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.033_Nov_14_86205_Sharon_Thesen_SideB_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:47:01\",\"precision\":\"\",\"size\":\"1.4 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-10-15\",\"type\":\"Performance Date\",\"notes\":\"Side A performance date.\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1986-11-14\",\"type\":\"Performance Date\",\"notes\":\"Side B performance date.\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/91208094\",\"venue\":\"Buchanan Building, University of British Columbia\",\"notes\":\"\",\"address\":\"1866 Main Mall, Vancouver, B.C.\",\"latitude\":\"49.26827765\",\"longitude\":\"-123.25424162050663\"}]"],"Address":["1866 Main Mall, Vancouver, B.C."],"Venue":["Buchanan Building, University of British Columbia"],"City":["Vancouver, British Columbia"],"content_notes":["Contents entry temporary."],"contents":["Side A of this recording contains a recorded lecture by UBC English professor Warren Tallman from his undergraduate course, ENGL 312: Studies in Poetry. This 50-minute lecture was recorded on October 15, 1986 in the Buchanan Buildings at UBC. Unidentified students are occasionally audible throughout the recording answering questions posed by Tallman.\n\nSide B of the recording contains a recorded lecture by UBC English professor Warren Tallman from his undergraduate course, ENGL 205: Introduction to Poetry. This 50 minute lecture was recorded on November 14, 1986 in the Buchanan Buildings at UBC. In the recording Tallman speaks with guest lecturer Sharon Thesen who discusses poetics and reads selections of her own poetry. Unidentified students are occasionally audible throughout the recording asking questions, answering questions, and contributing to the class discussion."],"Note":["[{\"note\":\"Digitization complete. Transcription complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Thesen, Sharon. The Beginning of the Long Dash. Coach House Press, 1987.\"}]"],"_version_":1853670550975545346,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4514","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["ENGL 312 Fri Sept 19 - #1 [Warren Tallman Lecture]"],"item_title_source":["Title written on artifact."],"item_title_note":["Side A title: ENGL 312 Fri Sept 19 - #1"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren"],"creator_names_search":["Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"Recordist and lecturer in ENGL 205 class at UBC.\",\"nation\":[],\"role\":[\"Recordist\",\"Speaker\"]}]"],"contributors_names":["Fenollosa, Ernest","Pound, Ezra"],"contributors_names_search":["Fenollosa, Ernest","Pound, Ezra"],"contributors":["[{\"url\":\"http://viaf.org/viaf/61675892\",\"name\":\"Fenollosa, Ernest\",\"dates\":\"1853-1908\",\"notes\":\"Warren Tallman discusses Ernest Fenollosa's book The Chinese Written Character as a Medium for Poetry.\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/24606774\",\"name\":\"Pound, Ezra\",\"dates\":\"1885-1972\",\"notes\":\"Warren Tallman discusses the role of Ezra Pound in publishing Ernest Fenollosa's books The Chinese Written Character as a Medium for Poetry.\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":["Fenollosa, Ernest","Pound, Ezra"],"Performance_Date":[1986],"material_description":["[{\"side\":\"Side A\",\"image\":\"../Uploads/3692/UBCO_Tallman_2012_002_034_a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony HF-S 90 Type I (Normal) Position Normal Bias 120 us EQ\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.034_Engl312_Fri_Sept19_#1_SideA_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:47:20\",\"precision\":\"\",\"size\":\"1.57 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-09-19\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/91208094\",\"venue\":\"Buchanan Building, University of British Columbia\",\"notes\":\"\",\"address\":\"1866 Main Mall, Vancouver, B.C.\",\"latitude\":\"49.26827765\",\"longitude\":\"-123.25424162050663\"}]"],"Address":["1866 Main Mall, Vancouver, B.C."],"Venue":["Buchanan Building, University of British Columbia"],"City":["Vancouver, British Columbia"],"content_notes":["Contents entry temporary. Side B blank."],"contents":["Side A of the recording contains a recorded lecture by UBC English professor Warren Tallman from his undergraduate course, ENGL 312: Studies in Poetry. This 50 minute lecture was recorded on September 19, 1986 in the Buchanan Buildings at UBC. In the recording Tallman defines and lectures about poetic vocabulary including discussions about the concepts of \"metaphor,\" \"ego,\" Ernest Fenollosa's \"metaphor as transfer of energy.\"  Unidentified students are occasionally audible throughout the recording asking questions, answering questions, and contributing to the class discussion."],"Note":["[{\"note\":\"Digitization of side A complete. Side B is blank. Transcription complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Fenollosa, Ernest. The Chinese Written Character as a Medium for Poetry. Instigations, 1920.\"}]"],"_version_":1853670550975545347,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4515","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["205 Mon Sept 22 86, Vocab #3 [Warren Tallman Lecture]"],"item_title_source":["Title written on artifact."],"item_title_note":["Side A: 205 Mon Sept 22 86, Vocab #3"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren"],"creator_names_search":["Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"Recordist and lecturer in ENGL 205 class at UBC.\",\"nation\":[],\"role\":[\"Recordist\",\"Speaker\"]}]"],"contributors_names":["Jonson, Ben","Donne, John"],"contributors_names_search":["Jonson, Ben","Donne, John"],"contributors":["[{\"url\":\"http://viaf.org/viaf/292789691\",\"name\":\"Jonson, Ben\",\"dates\":\"1572-1637\",\"notes\":\"Warren Tallman reads and discusses the works of Ben Jonson.\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/73852666\",\"name\":\"Donne, John\",\"dates\":\"1572-1631\",\"notes\":\"Warren Tallman reads and discusses the works of John Donne.\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":["Jonson, Ben","Donne, John"],"Performance_Date":[1986],"material_description":["[{\"side\":\"Side A\",\"image\":\"../Uploads/3693/UBCO_Tallman_2012_002_035_b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony HF-S 90 Type I (Normal) Position Normal Bias 120 us EQ\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.035_205_Mon_Sept_22_86_Vocab_#3_SideA_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:47:04\",\"precision\":\"\",\"size\":\"1.56 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-09-22\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/91208094\",\"venue\":\"Buchanan Building, University of British Columbia\",\"notes\":\"\",\"address\":\"1866 Main Mall, Vancouver, B.C.\",\"latitude\":\"49.26827765\",\"longitude\":\"-123.25424162050663\"}]"],"Address":["1866 Main Mall, Vancouver, B.C."],"Venue":["Buchanan Building, University of British Columbia"],"City":["Vancouver, British Columbia"],"content_notes":["Contents entry temporary."],"contents":["Side A of the recording contains a recorded lecture by UBC English professor Warren Tallman from his undergraduate course, ENGL 205: Introduction to Poetry. This 50 minute lecture was recorded on September 22, 1986 in the Buchanan Buildings at UBC. In the recording Tallman discusses the poetry of Ben Jonson and John Donne. Unidentified students are occasionally audible throughout the recording asking questions, answering questions, and contributing to the class discussion."],"Note":["[{\"note\":\"Digitization complete. Side B blank. Transcription complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"http://www2.latech.edu/~bmagee/201/jonson/queenhunt.htm\",\"citation\":\"Jonson, Ben. \\\"Queen and Huntress.\\\"\"},{\"url\":\"https://www.poetryfoundation.org/poems/44466/to-the-memory-of-my-beloved-the-author-mr-william-shakespeare\",\"citation\":\"Jonson, Ben. \\\"To the Memory of My Beloved the Author, Mr. William Shakespeare.\\\"\"},{\"url\":\"https://www.poetryfoundation.org/poems/44461/my-picture-left-in-scotland\",\"citation\":\"Jonson, Ben. \\\"My Picture Left in Scotland.\\\"\"},{\"url\":\"https://www.poetryfoundation.org/poems/44097/the-canonization\",\"citation\":\"Donne, John. \\\"The Canonization.\\\"\"}]"],"_version_":1853670550976593920,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4516","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["[Robin] Blaser - [Charles] Olson Lecture \n27 March 1987"],"item_title_source":["Title written on artifact."],"item_title_note":["Title on cassette box: Blaser - Olson Lecture \n27 March 1987\n\nSide A title: Robin C.O. Lecture 3 27 Mar 87"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Blaser, Robin"],"creator_names_search":["Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"Guest lecturer.\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1987],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/3694/UBCO_Tallman_2012_002_036_c.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK AD 90 Normal Bias 120 us EQ\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"A & B\",\"image\":\"../Uploads/3694/UBCO_Tallman_2012_002_036_c.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK AD 90 Normal Bias 120 us EQ\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette","Cassette"],"physical_compositions":["Magnetic Tape","Magnetic Tape"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.036_Robin_CD_Lecture3_27Mar87_SideA_(MA)_03.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:45:52\",\"precision\":\"\",\"size\":\"1.52 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.036_SideB_(MA)_03.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:45:26\",\"precision\":\"\",\"size\":\"1.51 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-03-27\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary. To be time stamped and transcribed."],"contents":["Tape consists of a lecture Robin Blaser gave on March 27, 1987. The lecture is the third of a series of three lectures Blaser gave at a conference (see also 2012.002.030, 2012.002.037). Blaser also participated in a panel discussion at this conference (2012.002.039)."],"Note":["[{\"note\":\"Digitization complete. To be time stamped and transcribed.\",\"type\":\"General\"},{\"note\":\"Other tapes in the SoundBox Collection recording lectures and panels from this event: 2012.002.030, 2012.002.037, 2012.002.039.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550976593921,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4517","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["[Robin] Blaser - [Charles] Olson Lecture 23 March 1987"],"item_title_source":["Title written on artifact."],"item_title_note":["Title on cassette box: Blaser - Olson Lecture 23 March 1987\n\nSide A title: Blaser C.O. Lecture (1) 23 Mar 87"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Blaser, Robin"],"creator_names_search":["Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"Guest lecturer.\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1987],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/3695/UBCO_Tallman_2012_002_037_c.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK AD 90 Normal Bias 120 us EQ\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.037_Blaser_CO_Lecture_1_23March87_SideA_(MA)_02-01.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:37:55\",\"precision\":\"\",\"size\":\"1.26 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.037_SideB_(MA)_03.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:39:30\",\"precision\":\"\",\"size\":\"1.31 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-03-23\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary. To be time stamped and transcribed."],"contents":["Tape consists of a lecture Robin Blaser gave on March 23, 1987. The lecture is the first of a series of three lectures Blaser gave at a conference (see also 2012.002.030, 2012.002.036). Blaser also participated in a panel discussion at this conference (2012.002.039)."],"Note":["[{\"note\":\"Digitization complete. To be time stamped and transcribed.\",\"type\":\"General\"},{\"note\":\"Other tapes in the SoundBox Collection recording lectures and panels from this event: 2012.002.030, 2012.002.036, 2012.002.039.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550976593922,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4518","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["Eudora Welty Reads Tape 1"],"item_title_source":["Title written on artifact."],"item_title_note":["Cassette box title: Eudora Welty Reads Tape 1\n\nSide A title: Eudora Welty Reads \"Why I Live at the P.O.\" Tape 1 Side A\n\nSide B title: Eudora Welty Reads \"A Worn Path\" \"A Memory\" Tape 1 Side B"],"item_language":["English"],"item_production_context":["Audiobook"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Welty, Eudora"],"creator_names_search":["Welty, Eudora"],"creators":["[{\"url\":\"http://viaf.org/viaf/4938026\",\"name\":\"Welty, Eudora\",\"dates\":\"1909-2001\",\"notes\":\"Eudora Welty reading her own works\",\"nation\":[],\"role\":[\"Reader\",\"Author\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/3696/UBCO_Tallman_2012_002_038_d.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Maxell UR 60 Position IEC Type I  Normal\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.038_Eudora_Welty_Reads_Why_I_Live_at_the_P.O._Tape_1_SideA_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:21:23\",\"precision\":\"\",\"size\":\"7.9 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.038_Eudora_Welty_Reads_A_Worn_Path_and_A_Memory_Tape_1_SideB_(MA)_01.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:27:35\",\"precision\":\"\",\"size\":\"914 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"contents":["This cassette tape consists of a recording of Eudora Welty reading her short stories \"Why I Live at the P.O.,\" \"A Worn Path,\" and \"A Memory.\" These recordings were likely recorded off the radio or dubbed from another record onto this cassette."],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Welty, Eudora. \\\"Why I Live at the P.O.\\\" The Collected Stories. Book-of-the-Month Club, 2002, pp. 46-56.\"},{\"url\":\"\",\"citation\":\"Welty, Eudora. \\\"A Worn Path.\\\" The Collected Stories. Book-of-the-Month Club, 2002, pp. 142-149.\"},{\"url\":\"\",\"citation\":\"Welty, Eudora. \\\"A Memory.\\\" The Collected Stories. Book-of-the-Month Club, 2002, pp. 75-80.\"}]"],"_version_":1853670550978691072,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4364","cataloger_name":["Sarah,Cipes"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Peter Quartermain fonds"],"source_collection_label":["Peter Quartermain fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of 180 cassette tapes."],"collection_source_collection_id":["2022.002"],"persistent_url":[""],"item_title":["BB 21 Nov '84 w PQ"],"item_title_source":["Cassette Case"],"item_title_note":["Interview with poet Basil Bunting by Peter Quartermain, on 21 November 1984."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bunting, Basil","Quartermain, Peter"],"creator_names_search":["Bunting, Basil","Quartermain, Peter"],"creators":["[{\"url\":\"https://viaf.org/viaf/4949021/#Bunting,_Basil,_1900-1985\",\"name\":\"Bunting, Basil\",\"dates\":\"1900-1985\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"https://viaf.org/viaf/34534588/#Quartermain,_Peter\",\"name\":\"Quartermain, Peter\",\"dates\":\"1934-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors":["[]"],"Performance_Date":[1984],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Memorex dB Series 90\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"45 minutes per side\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Peter_Quartermain/2022.002.191/audio\",\"filename\":\"2022.002.191_BB 21 Nov '84 w PQ_Side A_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:23:48\",\"precision\":\"\",\"size\":\"822.5 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A of master access file. Side B is blank.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1984-11-21\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on tape\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["J-Card description: n/a"],"contents":["Cassette containing interview of poet Basil Bunting by UBC professor Peter Quartermain, November 21st 1984 (one year prior to Bunting's death)."],"Note":["[{\"note\":\"2022.002.190\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670550979739648,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4365","cataloger_name":["Sarah,Cipes"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Peter Quartermain fonds"],"source_collection_label":["Peter Quartermain fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of 180 cassette tapes."],"collection_source_collection_id":["2022.002"],"persistent_url":[""],"item_title":["Bunting: BBC 2 Programmed 11 May 1985"],"item_title_source":["Cassette Case"],"item_title_note":["Audio recording of the film \"83 Answers... and Some Questions\" (released in 1984) about Basil Bunting on BBC 2. Also contains ephemera (newspaper clipping) with description of programme."],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bunting, Basil"],"creator_names_search":["Bunting, Basil"],"creators":["[{\"url\":\"https://viaf.org/viaf/4949021/#Bunting,_Basil,_1900-1985\",\"name\":\"Bunting, Basil\",\"dates\":\"1900-1985\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Publication_Date":[1985],"Production_Date":[1984],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"AGFA-GEVAERT C90\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"45 minutes per side\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\" Also contains ephemera (newspaper clipping) with description of film \\\"83 Answers and Some Questions\\\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Peter_Quartermain/2022.002.193/audio\",\"filename\":\"2022.002.193_Bunting- BBC 2 Programmed 11 May 1985_Side A_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:29:18\",\"precision\":\"\",\"size\":\"1.01 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A of master access file. Side B is blank.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-05-11\",\"type\":\"Publication Date\",\"notes\":\"Written on case (date recorded)\",\"source\":\"\"},{\"date\":\"1984\",\"type\":\"Production Date\",\"notes\":\"Year film was released\",\"source\":\"\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["Included Ephemera (newspaper clipping): \"BBC 2 6.5 Basil Bunting\" with description of film. \n                                                                                                                                                             J-Card description:                                                                                                                                                                                                                                             BUNTING: BBC 2 Programme 11 May 1985"],"contents":["Sound recording of the film 83 Answers ... and Some Questions (made in 1983) in which Basil Bunting speaks about himself and his biographical history. "],"Note":["[]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/912912817 \",\"citation\":\"Bunting Basil et al. directors. 83 Answers and Some Questions. BBC North East 1984.\\n\\n\"}]"],"_version_":1853670550979739649,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4366","cataloger_name":["Sarah,Cipes"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Peter Quartermain fonds"],"source_collection_label":["Peter Quartermain fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of 180 cassette tapes."],"collection_source_collection_id":["2022.002"],"persistent_url":[""],"item_title":["Finnegans Wake"],"item_title_source":["Cassette Case"],"item_title_note":["Performances by Patrick Bedford (Musey Room), Siobhan McKenna and Cyril Cusack."],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Joyce, James","Bedford, Patrick","McKenna, Siobhán","Cusack, Cyril"],"creator_names_search":["Joyce, James","Bedford, Patrick","McKenna, Siobhán","Cusack, Cyril"],"creators":["[{\"url\":\"https://viaf.org/viaf/44300643/#Joyce,_James,_1882-1941\",\"name\":\"Joyce, James\",\"dates\":\"1882-1941\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"https://viaf.org/viaf/49022712/#Bedford,_Patrick,_1932-1999\",\"name\":\"Bedford, Patrick\",\"dates\":\"1932-1999\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"https://viaf.org/viaf/69140958/#McKenna,_Siobh%C3%A1n,_1923-1986\",\"name\":\"McKenna, Siobhán\",\"dates\":\"1922-1986\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"https://viaf.org/viaf/12500583/#Cusack,_Cyril,_1910-1993\",\"name\":\"Cusack, Cyril\",\"dates\":\"1910-1993\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Publication_Date":[1984],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Fuji FR-II 90\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"45 minutes per side\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Low priority for digitization due to copyright issues.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1984-11-21\",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"Date listed on tape\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["J-Card description:                                                                                                                                                       A: 1. This way to the musey room                                                                                                      Patrick Bedford. FW 8                                                                                                                                                                                                                                                                                                          \nAnna Livia Plurabelle.                                                                                                                                                                                                                                                                                                      Siobhan McKenna                                                                                                                                     [FW 196-216. (I.8)                                                                                                                                                  B: 1. Shem the Penman.                                                                                                                            Cyril Cusack                                                                                                                                                  FW 169-195 (I, 7)                                                                                                                                                                                                                                                                                       "],"contents":["Recording of actors performing James Joyce's \"Finnegan's Wake\". Radio broadcast. "],"Note":["[]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/3335835\",\"citation\":\"Joyce James. Finnegans Wake. 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Sincerely yours,                                                                                                                                                                                                                                                          Robert Montiegal Senior Producer                                                                                                                                                            J-Card description:                                                                                                                                                                                                                                                     BUNTING: The Sound of Poetry (NPR)"],"contents":["National Public Radio programme \"Basil Bunting: The Sound of Poetry\" with Hugh Kenner."],"Note":["[]"],"Related_works":["[]"],"_version_":1853670550979739651,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4519","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["March 26 '87 Panel  - 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Transcription complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Henderson, Brian. Smoking Mirror. ECW Press, 1990.\"},{\"url\":\"\",\"citation\":\"Larson, Jacqueline. Salt Physic. 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Side B transcription complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"https://www.poetryfoundation.org/poems/43671/the-little-black-boy\",\"citation\":\"Blake, William. \\\"The Little Black Boy.\\\" \"},{\"url\":\"https://www.mamalisa.com/?t=es&p=1493\",\"citation\":\"Anonymous. \\\"Goosey, Goosey Gander.\\\" \"},{\"url\":\"https://www.lyrics.com/lyric/6080114/The+Andrews+Sisters/Billy+Boy\",\"citation\":\"Dixon, Luther and Jack Douglas. \\\"Billy Boy.\\\" \"},{\"url\":\"https://www.poemhunter.com/poem/jest-fore-christmas/\",\"citation\":\"Field, Eugene. \\\"Jest 'Fore Christmas.\\\"\"},{\"url\":\"https://www.poetryfoundation.org/poems/44476/lines-on-the-mermaid-tavern\",\"citation\":\"Keats, John. \\\"Lines on Mermaid Tavern.\\\"\"},{\"url\":\"https://www.poetryfoundation.org/poems/44682/the-garden-56d223dec2ced\",\"citation\":\"Marvell, Andrew. \\\"The Garden.\\\" \"},{\"url\":\"https://www.bartleby.com/101/324.html\",\"citation\":\"Milton, John. Samson Agonistes.\"},{\"url\":\"https://www.irish-folk-songs.com/the-cow-kicked-nellie-lyrics-by-seamus-moore.html\",\"citation\":\"Moore, Seamus. \\\"The Cow Kicked Nellie.\\\" \"},{\"url\":\"https://www.poetryfoundation.org/poems/46964/hickory-dickory-dock\",\"citation\":\"Mother Goose. \\\"Hickory, dickory, dock.\\\" \"},{\"url\":\"https://www.poetryfoundation.org/poems/50427/song-when-that-i-was-and-a-little-tiny-boy-with-hey-ho-the-wind-and-the-rain\",\"citation\":\"Shakespeare, William. \\\"When that I was and a little tiny boy (With hey, ho, the wind and the rain).\\\" \"},{\"url\":\"https://www.bartleby.com/236/72.html\",\"citation\":\"Shelley, Percy Bysshe. Adonais.\"},{\"url\":\"https://poetrysociety.org/features/old-school/on-percy-bysshe-shelleys-evening-ponte-al-mare-pisa\",\"citation\":\"Shelley, Percy Bysshe. \\\"Evening, Ponte Al Mare, Pisa.\\\"\"},{\"url\":\"https://www.poetryfoundation.org/poems/43297/lapis-lazuli\",\"citation\":\"Yeats, William Butler. \\\"Lapis Lazuli.\\\"\"}]"],"_version_":1853670550981836808,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4543","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["H.D. Helen in Egypt"],"item_title_source":["Title written on artifact."],"item_title_note":["Side A title: H.D. 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Side B is blank.\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch XSM IV 90 135m Position IV 70 us EQ Metal Bias Polarisation metal\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.063_H.D._Helen_in_Egypt_SideA_(MA)_03-01.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:39:30\",\"precision\":\"\",\"size\":\"1.31 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1961\",\"type\":\"Publication Date\",\"notes\":\"Date an estimate based on year of publication of \\\"Helen in Egypt\\\" and H.D.'s death.\",\"source\":\"Secondary research.\"}]"],"Location":["[]"],"City":["Other"],"contents":["Side A of the tape consists of a recording of H.D. reading \"Helen in Egypt.\" This home recording was probably dubbed from the studio recording of another source."],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"H.D. \\\"Helen in Egypt.\\\" Grove Press, 1961.\"}]"],"_version_":1853670550981836809,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4544","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["Djuna Barnes/Gothic: Kathy Slade / Miriam Nichols. Catherine Bennett - Original"],"item_title_source":["Title written on artifact."],"item_title_note":["Cassette Box title: Djuna Barnes / Gothic:\n Kathy Slade / Miriam Nichols. Catherine Bennett - Original\n\nSide A title: Djuna Barnes/Gothic: Kathy Slade. Miriam Nicholls. 13.3.93\n\nSide B title: Djuna Barnes/Gothic: Catherine Bennett. Discussion"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Slade, Kathy","Bennett, Catherine","Nichols, Miriam","Strang, Catriona"],"creator_names_search":["Slade, Kathy","Bennett, Catherine","Nichols, Miriam","Strang, Catriona"],"creators":["[{\"url\":\"http://viaf.org/viaf/66268693\",\"name\":\"Slade, Kathy\",\"dates\":\"1966-\",\"notes\":\"Panelist.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Bennett, Catherine\",\"dates\":\"\",\"notes\":\"Panelist.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/44522700\",\"name\":\"Nichols, Miriam\",\"dates\":\"\",\"notes\":\"Panelist.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/46001359\",\"name\":\"Strang, Catriona\",\"dates\":\"\",\"notes\":\"Panel moderator.\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Castricano, Jodey"],"contributors_names_search":["Castricano, Jodey"],"contributors":["[{\"url\":\"http://viaf.org/viaf/74068422\",\"name\":\"Castricano, Jodey\",\"dates\":\"1947-\",\"notes\":\"As noted by Catriona Strang in the introduction, Jodey Castricano had intended to discuss Djuna Barnes on the panel but was sick and unable to attend the event.\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1993],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/3725/UBCO_Tallman_2012_002_064_c.jpg\",\"other\":\"Glitches during playback for Side A.\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony HF 90 All-round Audio Reproduction\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.064_DJUNA_BARNES_GOTHIC_KATHY_SLADE_MIRIAM_NICHOLLS_13.3.93_SideA_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:43:43\",\"precision\":\"\",\"size\":\"1.45 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.064_DJUNA_BARNES_GOTHIC_CATHERINE_BENNETT_discussion_SideB_(MA)_01-03.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:16:57\",\"precision\":\"\",\"size\":\"561 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1993-03-13\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/827973280\",\"venue\":\"The Kootenay School of Writing\",\"notes\":\"\",\"address\":\"112 HASTINGS ST W, Vancouver, BC, V6B 1G8\",\"latitude\":\"49.2804006\",\"longitude\":\"-122.9720833\"}]"],"Address":["112 HASTINGS ST W, Vancouver, BC, V6B 1G8"],"Venue":["The Kootenay School of Writing"],"City":["Vancouver, British Columbia"],"content_notes":["Contents as listed on J-card. Contents entry temporary."],"contents":["Djuna Barnes & The Gothic -- KSW / Panel Discussion Talks At KSW 13 February 1993 -- intros: Catriona Strang\nA\nKathy Slade (18:00)\nMiriam Nichols (tape defective)\nB\nCatherine Bennett (16:45)\n\"Discussion is Served\"\naradiofreerainforestape"],"Note":["[{\"note\":\"Note: There are glitches during the playback of Side A of the cassette.\",\"type\":\"General\"},{\"note\":\"Digitization complete. Transcription complete.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550982885376,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4545","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["Olson Memorial Sat Mar 14 St Anselm's (Olson Memorial) BLANK"],"item_title_source":["Title written on artifact."],"item_title_note":["Title written on reel box reads: Olson Memorial Sat Mar 14 St Anselm's (Olson Memorial)\n\nSticky note on box reads: BLANK"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creators":["[]"],"contributors":["[]"],"Performance_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5746/UBCO_Tallman_2012_002_019_a.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[]"],"Dates":["[{\"date\":\"1970-03-14\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"Tape Blank.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550982885377,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4546","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["[Untitled]"],"item_title_source":["No title."],"item_title_note":["Unlabeled tape."],"item_language":["English"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creators":["[]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.024_untitled_SideA_1-4(MA)_damaged\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:21:58\",\"precision\":\"\",\"size\":\"253 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"This file may run for longer than 22 minutes. Digitizer had to turn off the tape to avoid damaging the reel to reel machine.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.024_untitled_SideA_3-2(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:39:38\",\"precision\":\"\",\"size\":\"913.3 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Master file is sped up. Recommend listening to edited file.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"Not digitized.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550982885378,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4547","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["Nov 24 [1986] ([ENGL] 312) bill [bissett guest reading and lecture in Warren Tallman's class]"],"item_title_source":["Title written on artifact."],"item_title_note":["Side A title: Nov 24 (312) bill\n\nSide B title: n/a"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["bissett, bill","Tallman, Warren"],"creator_names_search":["bissett, bill","Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"bissett, bill\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Speaker\",\"Performer\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"Recordist and lecturer in ENGL 205 class at UBC.\",\"nation\":[],\"role\":[\"Recordist\",\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1986],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/5748/UBCO_Tallman_2012_002_026_a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony HF 90\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"45 min each side\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.026_Nov_24_(312)_SideA.L_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:56:31\",\"precision\":\"\",\"size\":\"936 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.026_Nov_24_(312)_SideA.L_(MASTER_ACCESS \",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:20:52\",\"precision\":\"\",\"size\":\"691 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-11-24\",\"type\":\"Performance Date\",\"notes\":\"Date of bill bissett guest reading and lecture in Warren Tallman's ENGL 312 class.\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/91208094\",\"venue\":\"Buchanan Building, University of British Columbia\",\"notes\":\"Location of Side A recording.\",\"address\":\"1866 Main Mall, Vancouver, B.C.\",\"latitude\":\"49.26827765\",\"longitude\":\"-123.25424162050663\"}]"],"Address":["1866 Main Mall, Vancouver, B.C."],"Venue":["Buchanan Building, University of British Columbia"],"City":["Vancouver, British Columbia"],"contents":["Side A of the recording contains a recorded guest poetry reading and lecture by bill bissett in UBC English professor Warren Tallman's undergraduate course, ENGL 312: Studies in Poetry. This 50 minute lecture was recorded on November 24, 1986 in the Buchanan Buildings at UBC. In the recording an unknown speaker introduces bill bissett, who then performs a chant, reads selections from his poetry collection Seagull on Yonge Street, and tells the class the origin story of the name bissett.\n\nSide B consists of Warren Tallman reading an early audio draft of what would become his Retirement Speech, \"How to Play Career and Win.\" The date of this recording is unknown, but was possibly recorded on November 24, 1986 as well."],"Note":["[{\"note\":\"Digitization complete. Transcription complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"bissett, bill. Seagull on Yonge Street. Talonbooks, 1983.\"}]"],"_version_":1853670550982885379,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4548","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["Charles Olson Memorial Poetry Reading - 14 March 1970 (Recorded: Richard Sommer) St. Anselm's Church, Vancouver"],"item_title_source":["Title taken from back of box"],"item_title_note":["Additional writing on front of box: \"Roberts Tape Recorders. \nSpeakers AR3 not AR3A. \nCommercial Elect: Sony Integrated Amplifier - 300/400. \nConsumers report for [illegible] on Speakers - Apr-May - 70. \nRichard Sommer 3757 Draper Montreal, Quebec.\"\n\nWritten on back of box: \"Charles Olson Memorial Poetry Reading - 14 March 1970 (Recorded: Richard Sommer) St. Anselm's Church, Vancouver. Readers: Judy Copithorne, Peter Quartermain, Lionel Kearns, Jim Brown, George Stanley (San Francisco), Stan Persky,  Roy Cartlidge (England), Brian Fawcett, Scott Lawrence, Ralph Maud, Richard Sommer, Doug Walker, Maxine Gadd, Mark Cacchioni, Ebbe Borregaard (San Francisco), Roy Kiyooka, Roger Field, Jon Furburg, Robin Blaser\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Copithorne, Judith","Quartermain, Peter","Kearns, Lionel","Brown, Jim","Kiyooka, Roy","Field, Roger","Furburg, Jon","Blaser, Robin","Sommer, Richard","Stanley, George"],"creator_names_search":["Copithorne, Judith","Quartermain, Peter","Kearns, Lionel","Brown, Jim","Kiyooka, Roy","Field, Roger","Furburg, Jon","Blaser, Robin","Sommer, Richard","Stanley, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/63020479\",\"name\":\"Copithorne, 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recording.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Cartlidge, Roy\",\"dates\":\"\",\"notes\":\"Attended event as reader and is listed as such on box, but is not present on this particular recording.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/35890\",\"name\":\"Fawcett, Brian\",\"dates\":\"1944-\",\"notes\":\"Attended event as reader and is listed as such on box, but is not present on this particular recording.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/66537561\",\"name\":\"Maud, Ralph\",\"dates\":\"1928-2014\",\"notes\":\"Attended event as reader and is listed as such on box, but is not present on this particular recording.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Lawrence, Scott\",\"dates\":\"\",\"notes\":\"Attended event as reader and is listed as such on box, but is not present on this particular recording.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Walker, Doug\",\"dates\":\"\",\"notes\":\"Attended event as reader and is listed as such on box, but is not present on this particular recording.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/75225856\",\"name\":\"Gadd, Maxine\",\"dates\":\"\",\"notes\":\"Attended event as reader and is listed as such on box, but is not present on this particular recording.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Cacchioni, Mark\",\"dates\":\"\",\"notes\":\"Attended event as reader and is listed as such on box, but is not present on this particular recording.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/43263290\",\"name\":\"Borregaard, Ebbe\",\"dates\":\"\",\"notes\":\"Attended event as reader and is listed as such on box, but is not present on this particular recording.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/79128508\",\"name\":\"Avison, Margaret\",\"dates\":\"1918-2007\",\"notes\":\"Her poem \\\"The Earth that Falls Away\\\" is read by Roy Kiyooka at memorial.\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"Subject of memorial event.\",\"nation\":[],\"role\":[\"-1\"]}]"],"author_name":["Avison, Margaret"],"Reader_name":["Persky, Stan","Cartlidge, Roy","Fawcett, Brian","Maud, Ralph","Lawrence, Scott","Walker, Doug","Gadd, Maxine","Cacchioni, Mark","Borregaard, Ebbe"],"Performance_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/225/UBCO_Tallman_2012_002_006_a.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Charles_Olson_Memorial_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:04:57\",\"precision\":\"\",\"size\":\"2.26 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970-03-14\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on box.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/682591080\",\"venue\":\"St. Anselm's Church\",\"notes\":\"\",\"address\":\"5210 University Blvd., Vancouver, B.C., Canada\",\"latitude\":\"49.2630752\",\"longitude\":\"-123.230414029594\"}]"],"Address":["5210 University Blvd., Vancouver, B.C., Canada"],"Venue":["St. Anselm's Church"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Readings by poets Stan Persky, Roy Cartlidge, Brian Fawcett, Scott Lawrence, Ralph Maud, Richard Sommer, Doug Walker, Maxine Gadd, Mark Cacchioni, and Ebbe Borregaard are not featured on this recording despite being listed so on the box. \",\"type\":\"General\"},{\"note\":\"Item ID: 2012.002.006\",\"type\":\"General\"},{\"note\":\"Digitization complete. Transcription complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"https://www.biblegateway.com/passage/?search=Revelation+1%3A4-20&version=KJV\",\"citation\":\"Revelations 1:4-20. King James Version.\"},{\"url\":\"\",\"citation\":\"Copithorne, Judy. \\\"On the roof of the ferry...\\\"\"},{\"url\":\"\",\"citation\":\"Copithorne, Judy. \\\"Later.\\\"\"},{\"url\":\"\",\"citation\":\"Copithorne, Judy. \\\"Bush in town...[?].\\\"\"},{\"url\":\"\",\"citation\":\"Copithorne, Judy. \\\"Get up white stove...\\\"\"},{\"url\":\"\",\"citation\":\"Copithorne, Judy. \\\"Sit beside the quick, silver sea...\\\"\"},{\"url\":\"\",\"citation\":\"Quartermain, Peter. \\\"What happens when the father can see no father...\\\"\"},{\"url\":\"\",\"citation\":\"Kearns, Lionel. “Language Dreams”\"},{\"url\":\"\",\"citation\":\"Brown, Jim. “The garden was unguarded but they went in at the gate…”\"},{\"url\":\"\",\"citation\":\"Jonas, Steve. “An Ode for Garcia Lorca.”\"},{\"url\":\"\",\"citation\":\"Jonas, Steve. “Love, the poem, the sea and other pieces examined by me…”\"},{\"url\":\"\",\"citation\":\"Olson, Charles. \\\"At Yorktown.\\\"\"},{\"url\":\"\",\"citation\":\"Olson, Charles. \\\"Merce of Egypt.\\\"\"},{\"url\":\"\",\"citation\":\"Avison, Margaret. “The Earth That Falls Away”\"},{\"url\":\"\",\"citation\":\"Field, Roger. “A Poem on a Yellow Envelope.”\"},{\"url\":\"\",\"citation\":\"Furburg, Jon. “Olson with his eien[?] in the rock…”\"},{\"url\":\"\",\"citation\":\"Olson, Charles. “In Cold Hell, In Thicket.”\"}]"],"_version_":1853670550982885380,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4549","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["Creeley, R. Notes on Poetry I Aug. 26 1962"],"item_title_source":["Title on front of box."],"item_title_note":["Other titles: Bob's Aug 26 '62 Notes on Poetry I  3 3/4"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Tallman, Warren","Bowering, George","Davey, Frank"],"creator_names_search":["Creeley, Robert","Tallman, Warren","Bowering, George","Davey, Frank"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"Unconfirmed. George Bowering seems to have been in attendance and is heard in the audience asking a question. Frank Davey confirms that George Bowering was present at this event in his book \\\"When TISH Happens\\\" (p. 160-2). \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/5029235\",\"name\":\"Davey, Frank\",\"dates\":\"1940-\",\"notes\":\"Frank Davey recalls being present at this event in his book \\\"When TISH Happens\\\" (p. 160-2). \",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1962],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/271/UBCO_Tallman_2012_002_001_a.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012_002_001_Robert_Creeley_Notes_On_Poetry_26_Aug_1962_Processed05302019_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"01:05:26\",\"precision\":\"\",\"size\":\"1.4 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1962-08-26\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Listed on item\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"This recording contains one of three lectures Robert Creeley gave at Warren and Ellen Tallmans' house on 37th Street in Vancouver, B.C. on Aug 26, 28, 29, 1962. Frank Davey refers to this event in When TISH Happens (p. 160-2).\",\"address\":\"Vancouver, B.C., Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Vancouver, B.C., Canada"],"City":["Vancouver, British Columbia"],"contents":["This tape copy contains a recording the first of three guest lectures Robert Creeley gave at Warren and Ellen Tallman's house on 37th Street, Vancouver, B.C. This particular lecture was recorded on August 26, 1962. The following two lectures were given on August 28 and August 29, 1962. These two lectures were also recorded, and are available in the Frank Davey fonds of the SoundBox Collection (2014.002.001). Frank Davey recorded the event and references the event in his book When TISH Happens (p. 160-2).\n\nIn this lecture Robert Creeley discusses the question, \"what is poetry?\" He draws on the definitions of many writers and poets including Joshua Whatmough, Samuel Taylor Coleridge, Robert Conquest, Ezra Pound, Edward Sapir, Walt Whitman, and William Carlos Williams. Warren Tallman and various students and guests including George Bowering occasionally ask questions."],"Note":["[{\"note\":\"Item ID: 2012.002.001\",\"type\":\"General\"},{\"note\":\"Digitization complete. Transcription complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"https://ebooks.adelaide.edu.au/c/coleridge/samuel_taylor/shakespeare-ben-jonson-beaumont-and-fletcher/chapter7.html\",\"citation\":\"Coleridge, Samuel Taylor. “Recapituation, and Summary Of the Characteristics of Shakespeare’s Dramas.” In Shakespeare, Ben Jonson, Beaumont and Fletcher. \"},{\"url\":\"https://books.google.ca/books/about/The_Pasternak_Affair.html?id=VBNgAAAAMAAJ&redir_esc=y\",\"citation\":\"Conquest, Robert. The Pasternak Affair: Courage of Genius; A Documentary Report. Lippincott, 1962. \"},{\"url\":\"https://books.google.ca/books?id=yXYlK8Uh3dUC&pg=PA21&lpg=PA21&dq=The+thinking+clarifying+faculty+must+move+and+leap+with+the+energizing+sentient,+musical+faculties+pound&source=bl&ots=nR4Jjmxaho&sig=ACfU3U2HO8jG9KkoPE-DWQ2N_lJ9RbXWEA&hl=en&sa=X&ved=2ahUKEwjNn5SLs5TkAhWkCjQIHWvrBasQ6AEwAnoECAcQAQ#v=onepage&q=The%20thinking%20clarifying%20faculty%20must%20move%20and%20leap%20with%20the%20energizing%20sentient%2C%20musical%20faculties%20pound&f=false\",\"citation\":\"Pound, Ezra. Literary Essays. \"},{\"url\":\"https://brocku.ca/MeadProject/Sapir/Sapir_1921/Sapir_1921_11.html\",\"citation\":\"Sapir, Edward. “Language and Literature.” In Language: An Introduction to the Study of Speech. Harcourt, Brace & World, 1921. \"},{\"url\":\"https://archive.org/stream/in.ernet.dli.2015.528965/2015.528965.language-a_djvu.txt\",\"citation\":\"Whatmough, Joshua. Language: A Modern Synthesis. St Martin’s Press, 1956. \"},{\"url\":\"https://books.google.ca/books?id=brT4kXyDYSIC&pg=PA426&lpg=PA426&dq=articulate+and+faithfully+express+in+poetic+or+literary+form+an+uncompromising+my+own+physical,+emotional,+moral,+intellectual,+and+aesthetic+personality&source=bl&ots=0CIeKoL76d&sig=ACfU3U0HqATtuzOYYvfuXOVnzo2QYHyt_A&hl=en&sa=X&ved=2ahUKEwiFj9-7tJTkAhUsFzQIHbxXBToQ6AEwAXoECAkQAQ#v=onepage&q&f=false\",\"citation\":\"Whitman, Walt. “A Backward Glance.” Leaves of Grass. \"},{\"url\":\"https://www.poetryfoundation.org/articles/69410/introduction-to-the-wedge\",\"citation\":\"Williams, William Carlos. “Author’s Introduction (The Wedge).” Selected Essays of Williams Carlos Williams. New Directions Publishing Corporation, 2009. \"}]"],"_version_":1853670550983933952,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4550","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["DHL Tape [Warren Tallman Interview of Daphne Marlatt, Vancouver, 1969]"],"item_title_source":["Title on front of box and content of tape."],"item_title_note":["Written on back of box: \"100 Class DHL [D.H. Lawrence] Tape. TR 2 Daphne Leaf-leafs\nTR #1 West-Coast with Sta - Gladys.\""],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Marlatt, Daphne","Hindmarch, Gladys Maria","Persky, Stan"],"creator_names_search":["Tallman, Warren","Marlatt, Daphne","Hindmarch, Gladys Maria","Persky, Stan"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"Interviewee.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/38164256\",\"name\":\"Hindmarch, Gladys Maria\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/57448780\",\"name\":\"Persky, Stan\",\"dates\":\"1941-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/272/Swallow_2012_002_016_a.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012_002_016_DHL_260419_CC_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:23:10\",\"precision\":\"\",\"size\":\"1.38 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012_002_016_Marlatt_LEAF LEAFS_(MAStER_ACCESS_.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:07:16\",\"precision\":\"\",\"size\":\"1.11 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on tape.\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Warren Tallman's Home (Vancouver)\",\"notes\":\"\",\"address\":\"Vancouver, B.C., Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Vancouver, B.C., Canada"],"Venue":["Warren Tallman's Home (Vancouver)"],"City":["Vancouver, British Columbia"],"contents":["This recording consists of two unrelated recordings, on Side A and Side B. \n\nSide A contains a recording called \"West Coast with Stan and Gladys\" in which UBC English professor Warren Tallman has a conversation with Stan Persky and G. Maria Hindmarch in his living room in Vancouver. The conversation was meant to establish the basic facts and context for a book Tallman was commissioned to write about West Coast Poetry.\n\nSide B contains a recording of Warren Tallman interviewing Daphne Marlatt about her recently published poetry collection Leaf Leaf/s (1968). In the recording Marlatt both discusses and reads excerpts from Leaf Leaf/s."],"Note":["[{\"note\":\"ITEM ID: 2012.002.016\",\"type\":\"General\"},{\"note\":\"Digitization complete. Transcription complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Marlatt, Daphne. Leaf Leaf/s. Black Sparrow Press, 1968.\"}]"],"_version_":1853670550983933953,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4551","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["Bob [Creeley] Collage / Daphne [Marlatt] (2-3)"],"item_title_source":["Title on front of box."],"item_title_note":["[Warren Tallman interview of Daphne Marlatt, Vancouver, 1968]"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Marlatt, Daphne","Tallman, Warren","Creeley, Robert"],"creator_names_search":["Marlatt, Daphne","Tallman, Warren","Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1968],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/273/UBCO_Tallman_2012_002_002_a.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012_002_002_DaphneMarlatt2_2019_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:12:07\",\"precision\":\"\",\"size\":\"2.3 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.002_Bob Collage_SideA_1-4(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T02:01:39\",\"precision\":\"\",\"size\":\"1.4 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1968-12\",\"type\":\"Production Date\",\"notes\":\"Supplied by researcher.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Warren Tallman's Home (Vancouver)\",\"notes\":\"Warren Tallman's interview of Daphne Marlatt took place in his house on 37th Street in Vancouver, B.C.\",\"address\":\"Vancouver, B.C., Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Vancouver, B.C., Canada"],"Venue":["Warren Tallman's Home (Vancouver)"],"City":["Vancouver, British Columbia"],"contents":["In this recording, Daphne Marlatt reads selections from her first collection, Frames of a story (1968), and is interviewed by Warren Tallman about her process and inspiration in writing the collection. The interview may have been conducted in preparation for a paid review by Warren Tallman for Ryerson Press, although such a review never seems to have been written. The interview was conducted and recorded in December 1968 in Warren Tallman’s home."],"Note":["[{\"note\":\"Item ID: 2012.002.002\",\"type\":\"General\"},{\"note\":\"Side A 1-4 and 3-2 have recordings. Side B is blank.\",\"type\":\"General\"},{\"note\":\"Digitization and transcription of Daphne Marlatt interview complete. Digitization and transcription of Bob Collage complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Marlatt, Daphne. Frames of a Story. Ryerson Press, 1968.\"}]"],"_version_":1853670550984982528,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4552","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["Bill Bissett [and Warren Tallman reading Walt Whitman's \"Crossing Brooklyn Ferry\"]"],"item_title_source":["Title on front of box."],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bissett, Bill","Gyseman, Douglas J.","Tallman, Warren"],"creator_names_search":["Bissett, Bill","Gyseman, Douglas J.","Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"Bissett, Bill\",\"dates\":\"1939-\",\"notes\":\"Reader of recording 1.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Gyseman, Douglas J.\",\"dates\":\"\",\"notes\":\"Unconfirmed. Possible recordist of recording 1.\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"Reader of recording 2. Recordist of recording 2.\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Whitman, Walt","Bach, Johann Sebastian"],"contributors_names_search":["Whitman, Walt","Bach, Johann Sebastian"],"contributors":["[{\"url\":\"http://viaf.org/viaf/2478331\",\"name\":\"Whitman, Walt\",\"dates\":\"1819-1892\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/12304462\",\"name\":\"Bach, Johann Sebastian\",\"dates\":\"1685-1750\",\"notes\":\"Bach's “Concerto for Two Violins in D Minor, BWV 1043, II. Largo Ma non Tanto\\\" is heard in the background of recording 2.\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":["Whitman, Walt","Bach, Johann Sebastian"],"Production_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/274/UBCO_Tallman_2012_002_005_a.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"7 1/2 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012_002_005_UBCO_BILLBISETT_20190418_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:27:42\",\"precision\":\"\",\"size\":\"918 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012_002_005_Warren_Tallman_reads_Whitman's_Crossing_Brooklyn_Ferry_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:15:22\",\"precision\":\"\",\"size\":\"510 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966\",\"type\":\"Production Date\",\"notes\":\"Approximate date of bill bissett reading.\",\"source\":\"Listed on item\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"contents":["Side A contains a bill bissett poetry reading.\n\nSide B contains a recording of Warren Tallman reading Walt Whitman's poem \"Crossing Brooklyn Ferry\" alongside Bach's \"Concerto for Two Violins in D Minor, BWV 1043, II. Largo Ma non Tanto.\""],"Note":["[{\"note\":\"Item ID: 2012.002.005\",\"type\":\"General\"},{\"note\":\"Digitization complete. Transcription complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"https://www.poetryfoundation.org/poems/45470/crossing-brooklyn-ferry\",\"citation\":\"Whitman, Walt. \\\"Crossing Brooklyn Ferry.\\\"\"}]"],"_version_":1853670550984982529,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4553","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["Warren Tallman Lecture on Modern Poetry / My Lecture, Glady's / Myself at Glady's Class Jamie"],"item_title_source":["Title on front of box."],"item_title_note":["Written on back: \n\"Myself at Glady's [Hindmarch] class\nJamie [Reid]\"\n\n\"Tr 1: Tallman lecture on mod. Poetry 3 3/4 / Tr 2: Jamie / blank tape for Mr. Hindmarch / Mr. Brown\""],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Hindmarch, Gladys","Tallman, Warren"],"creator_names_search":["Hindmarch, Gladys","Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/38164256\",\"name\":\"Hindmarch, Gladys\",\"dates\":\"1940-\",\"notes\":\"Unconfirmed. Gladys (Maria) Hindmarch introduces Warren Tallman as guest lecture in her class.\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"Guest lecturer in Gladys (Maria) Hindmarch's class.\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Graves, Robert","Creeley, Robert","Williams, William Carlos"],"contributors_names_search":["Graves, Robert","Creeley, Robert","Williams, William Carlos"],"contributors":["[{\"url\":\"http://viaf.org/viaf/68929835\",\"name\":\"Graves, Robert\",\"dates\":\"1895-1985\",\"notes\":\"Warren Tallman reads Robert Graves's poetry and discusses his work in this lecture.\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"Warren Tallman reads Robert Creeley's poetry and discusses his work in this lecture.\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/29542054\",\"name\":\"Williams, William Carlos\",\"dates\":\"1883-1963\",\"notes\":\"Warren Tallman reads William Carlos Williams's poetry and discusses his work in this lecture.\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":["Graves, Robert","Creeley, Robert","Williams, William Carlos"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/275/UBCO_Tallman_2012_002_008_a.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012_002_008_UBCO_Tallman_Lecture_L1_T1_050519_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:12:19\",\"precision\":\"\",\"size\":\"2.3 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Note":["[{\"note\":\"ITEM ID #: 2012.002.008\",\"type\":\"General\"},{\"note\":\"Digitization complete. Transcription complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"https://allpoetry.com/The-Innocence\",\"citation\":\"Creeley, Robert. \\\"The Innocence.\\\" \"},{\"url\":\"http://www.online-literature.com/frost/761/\",\"citation\":\"Frost, Robert. \\\"Neither Out Far Nor In Deep.\\\"\"},{\"url\":\"https://www.americanpoems.com/poets/williams/nantucket/\",\"citation\":\"Williams, William Carlos. \\\"Nantucket.\\\" \"}]"],"_version_":1853670550984982530,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4554","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["UBC - ARTSI POETRY FESTIVAL MARCH 21, 1970 JOHN HULCOOP"],"item_title_source":["Title taken from back of box"],"item_title_note":["Other information on back of box: 3 3/4 ips1/4 track stereotape II of 2"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Hulcoop, John","Tallman, Warren"],"creator_names_search":["Hulcoop, John","Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/105106789\",\"name\":\"Hulcoop, John\",\"dates\":\"1930-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"Probable recordist.\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/411/UBCO_Tallman_2012_002_003_a.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"Requires conservation. Tape is moldy.\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"1 7/8 ips\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Mold growth\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.003_John Hulcoop_Side1_1-4(MA)\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:20:48\",\"precision\":\"\",\"size\":\"246.8 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970-03-21\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Date listed on box.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/11678160\",\"venue\":\"The University of British Columbia\",\"notes\":\"\",\"address\":\"Vancouver, BC V6T 1Z5\",\"latitude\":\"49.2581\",\"longitude\":\"-123.2448\"}]"],"Address":["Vancouver, BC V6T 1Z5"],"Venue":["The University of British Columbia"],"City":["Vancouver, British Columbia"],"contents":["This tape contains a recording of John Hulcoop reading poetry at the UBC Artsi Poetry Festival, March 21, 1970. The tape was likely recorded by Warren Tallman."],"Note":["[{\"note\":\"Item ID: 2012.002.003\",\"type\":\"General\"},{\"note\":\"Digitized. Play speed on box (3 3/4) is incorrect. Actual speed is 1 7/8.\",\"type\":\"General\"},{\"note\":\"Transcription complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670550984982531,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4555","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["DUNCAN, ROBERT - CBC \"A PORTRAIT OF A POET\" MAY / 1966"],"item_title_source":["Title written on box."],"item_title_note":["Title on artifact: \nPgm. CBC SAT EVENING\nROBERT DUNCAN - PORTRAIT OF A POET \nDUB Date: May 20-66\nSpeed: 3 3/4\nTime: 60.00.   \n\nAccompanying letter reads: \nCANADIAN BROADCASTING CORPORATION\n701 Hornby Street,\nVancouver 1, B.C.\nMay 30, 1966\n\nMr. Warren Tallman,\n[home address]\nVancouver, B.C.\n\nDear Mr. Tallman:\nFurther to our telephone conversation this morning, I enclose a copy of the program \"A Portrait of Robert Duncan\", which was dubbed at 3 3/4 inches per second. My apologies for the delay in sending this to you.\nYours truly,\nD.F. Errington,\nRadio Producer\nDE/jeEnclosure"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert","Tallman, Warren"],"creator_names_search":["Duncan, Robert","Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"Interviewee.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Tallman, Warren","Errington, D.F."],"contributors_names_search":["Tallman, Warren","Errington, D.F."],"contributors":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"Requested copy of radio program.\",\"nation\":[],\"role\":[\"Collector\"]},{\"url\":\"\",\"name\":\"Errington, D.F.\",\"dates\":\"\",\"notes\":\"Radio producer at Vancouver office of CBC.\",\"nation\":[],\"role\":[\"Producer\"]}]"],"Producer_name":["Errington, D.F."],"Publication_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/570/UBCO_Tallman_2012_002_004_a.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Letter to Warren Tallman from D.F. Errington, Radio Producer, CBC per the enclosure of a copy of the program \",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.004 - Duncan, Robert - CBC A Portrait of a Poet May 66_01_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:56:07\",\"precision\":\"\",\"size\":\"1.8 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966-05-30\",\"type\":\"\",\"notes\":\"Copy of tape was made on 1966-05-30 by radio producer at CBC.\",\"source\":\"\"},{\"date\":\"1966-05-20\",\"type\":\"Publication Date\",\"notes\":\"Date program aired.\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/476504051\",\"venue\":\"Canadian Broadcasting Corporation\",\"notes\":\"Site of CBC office where copy of recording was made.\",\"address\":\"701 Hornby Street, Vancouver 1, B.C., Canada\",\"latitude\":\"49.2834385\",\"longitude\":\"-123.1205857\"}]"],"Address":["701 Hornby Street, Vancouver 1, B.C., Canada"],"Venue":["Canadian Broadcasting Corporation"],"City":["Vancouver, British Columbia"],"contents":["Warren Tallman interviews Robert Duncan on CBC's \"Saturday Evening\" Program which aired in May 1966.\n\nPoems read:\n\"Doves\"\nExcerpts from \"An African Elegy\"\n\"King Haydn of Miami Beach\"\n\"The Multiversity\"\n\"The Helmet of Goliath\"\n\"The Ballad of the Forfar Witches Sing\"\n"],"Note":["[{\"note\":\"Item ID: 2012.002.004\",\"type\":\"General\"},{\"note\":\"Digitization complete. To be timestamped and transcribed.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Duncan, Robert. \\\"Doves.\\\"\"},{\"url\":\"https://www.poetryfoundation.org/poems/46681/an-african-elegy\",\"citation\":\"Duncan, Robert. \\\"An African Elegy.\\\" Poetry Foundation.\\n\"},{\"url\":\"\",\"citation\":\"Duncan, Robert. \\\"King Haydn of Miami Beach.\\\"\"},{\"url\":\"\",\"citation\":\"Duncan, Robert. \\\"The Multiversity.\\\"\"},{\"url\":\"\",\"citation\":\"Duncan, Robert. \\\"The Helmet of Goliath.\\\"\"},{\"url\":\"\",\"citation\":\"Duncan, Robert. \\\"The Ballad of the Forfar Witches Sing.\\\"\"}]"],"_version_":1853670550984982532,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4556","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["FERLINGHETTI, LAWRENCE"],"item_title_source":["Title written on box."],"item_title_note":["Accompanying recipe card reads: \nFerlinghetti\n001 exercise - observation (not a poem)\n70 Goya (Coney Island of the Mind)\n117 Dog Poem\n180 Riding the \"el\"\n208 Starting from San Francisco \"The Great Chinese Dragon\"\nDog 130\nDragon 230"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ferlinghetti, Lawrence"],"creator_names_search":["Ferlinghetti, Lawrence"],"creators":["[{\"url\":\"http://viaf.org/viaf/110070499\",\"name\":\"Ferlinghetti, Lawrence\",\"dates\":\"1919-\",\"notes\":\"Guest reader at the 1962 UBC Festival of the Contemporary Arts.\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1962],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/571/UBCO_Tallman_2012_002_007_a.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Fair\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"One recipe card with timestamps.\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.007_Lawrence Ferlinghetti_SideA_1-4(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:29:32\",\"precision\":\"\",\"size\":\"680.5 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.007_Lawrence Ferlinghetti_SideA_3-2(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:08:02\",\"precision\":\"\",\"size\":\"1.57 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1962-02-09\",\"type\":\"Performance Date\",\"notes\":\"This date refers to Lawrence Ferlinghetti's reading at the UBC Festival of Contemporary Arts of 1962.\",\"source\":\"Secondary Research\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"Arts 100\",\"notes\":\"Location of Lawrence Ferlinghetti's reading at the 1962 UBC Festival of the Contemporary Arts.\",\"address\":\"University of British Columbia, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.258393749999996\",\"longitude\":\"-123.24658161001929\"}]"],"Address":["University of British Columbia, Vancouver, BC V6T 1Z4"],"Venue":["Arts 100"],"City":["Vancouver, British Columbia"],"contents":["\"Side A1-4 records Lawrence Ferlinghetti reading at UBC, February 2, 1962.\n\nSide A3-2 is titled a \"\"Self-Portrait Portrait of Robert Creeley\"\" by Warren Tallman, featuring a mixtape of clips of Robert Creeley.\""],"Note":["[{\"note\":\"Item ID: 2012.002.007\",\"type\":\"General\"},{\"note\":\"Digitization complete. To be timestamped and transcribed.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670550986031104,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4557","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["Lew Welch"],"item_title_source":["Title written on box."],"item_title_note":["Written on artifact: (1) Lew Welch 1 7/8"],"item_language":["English"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Welch, Lew"],"creator_names_search":["Welch, Lew"],"creators":["[{\"url\":\"http://viaf.org/viaf/72272999\",\"name\":\"Welch, 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His voice is not present on the recording. \",\"nation\":[],\"role\":[\"Recordist\"]}]"],"contributors_names":["García Lorca, Federico","Whitman, Walt","Emerson, Ralph Waldo","James, Henry","Crane, Hart"],"contributors_names_search":["García Lorca, Federico","Whitman, Walt","Emerson, Ralph Waldo","James, Henry","Crane, Hart"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34456883\",\"name\":\"García Lorca, Federico\",\"dates\":\"1898-1936\",\"notes\":\"Lorca's poetry is read by a student in this recording.\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/2478331\",\"name\":\"Whitman, Walt\",\"dates\":\"1819-1892\",\"notes\":\"Whitman's poetry is read by students in this recording.\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/27079964\",\"name\":\"Emerson, Ralph Waldo\",\"dates\":\"1803-1882\",\"notes\":\"Letters from Emerson to Whitman are read by students in this recording.\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/36920030\",\"name\":\"James, Henry\",\"dates\":\"1843-1916\",\"notes\":\"A letter from James to Whitman is read by a student in this recording.\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/22140431\",\"name\":\"Crane, Hart\",\"dates\":\"1899-1932\",\"notes\":\"Crane's poetry is read by a student in this recording.\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":["García Lorca, Federico","Whitman, Walt","Emerson, Ralph Waldo","James, Henry","Crane, Hart"],"Performance_Date":[1967],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/604/UBCO_Tallman_2012_002_017_a.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.017_Walt Reading_New_(MASTER_ACCESS_.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:56:01\",\"precision\":\"\",\"size\":\"1.86 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1967\",\"type\":\"Performance Date\",\"notes\":\"Warren Tallman references this event in his retirement speech, \\\"How To Play Career and Win\\\" (In the Midst, 253).\",\"source\":\"Secondary research.\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"contents":["This recording contains the audio from a public event hosted and performed by the graduate students of Warren Tallman's Walt Whitman English class in 1967. The poetry reading consists of approximately 12 students reading the poems and prose of Walt Whitman. Commercially recorded Civil War music is also played during a short intermission during the reading."],"Note":["[{\"note\":\"Warren Tallman refers to this event in his book In the Midst: \\\"In 1967 I taught a graduate Walt Whitman course. We put on a Whitman reading, really a group effort if ever there was one. So I gave an identical first class mark to each and all 12 participants. Bill Robbins frowned. The frown stayed on. In the 18 years since then my applications to teach graduate courses have been successful only twice, most recently, courtesy Ian Ross. I however, have taught a contemporary poetry course since 1959 in an on-campus, or at-home, or somewhere downtown, sort of way, aided and abetted for many years by Ellen, Karen, and Ken and a long parade of students, student poets, and poet friends, some of whom are here right now.\\\" (In the Midst, \\\"How To Play Career and Win,\\\" 253). https://www-deslibris-ca.ezproxy.library.ubc.ca/ID/409392\",\"type\":\"\"},{\"note\":\"Digitization complete. Transcription complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"https://muse.jhu.edu/chapter/456903\",\"citation\":\"Crane, Hart. \\\"IV. Cape Hatteras.\\\" The Bridge.\"},{\"url\":\"https://books.google.ca/books?id=xmgbAgAAQBAJ&pg=PT3657&lpg=PT3657&dq=When+I+cease+to+write+to+you+for+a+long+time+I+said+to+myself+emerson+carlyle&source=bl&ots=ovk6Mvy8_z&sig=ACfU3U20ZpNoXfQcHaXmuhXLI8y8TSS2FA&hl=en&sa=X&ved=2ahUKEwjbxK-Pu4LqAhUWFTQIHb4JAcUQ6AEwAXoECAsQAQ#v=onepage&q=When%20I%20cease%20to%20write%20to%20you%20for%20a%20long%20time%20I%20said%20to%20myself%20emerson%20carlyle&f=false\",\"citation\":\"Emerson, Ralph Waldo. \\\"[Letter from] Emerson to Carlyle, Concord, 6 May, 1856.\\\" \"},{\"url\":\"https://whitmanarchive.org/published/LG/1856/poems/34\",\"citation\":\"Emerson, Ralph Waldo. \\\"Letter to Walt Whitman, Concord, Massachusetts, 21 July, 1855.\\\" The Walt Whitman Archive.\"},{\"url\":\"https://whitmanarchive.org/criticism/reviews/drumtaps/anc.00054.html\",\"citation\":\"James, Henry. \\\"Letter to Walt Whitman, November 16, 1856.\\\" The Walt Whitman Archive.\"},{\"url\":\"https://www.poesi.as/fglpny31uk.htm\",\"citation\":\"Lorca, Federico Garcia. \\\"Ode to Walt Whitman.\\\" \"},{\"url\":\"https://www.poetryfoundation.org/poems/45473/a-noiseless-patient-spider\",\"citation\":\"Whitman, Walt. \\\"A Noiseless Patient Spider.\\\" \"},{\"url\":\"https://whitmanarchive.org/published/LG/1891/poems/161\",\"citation\":\"Whitman, Walt. \\\"By the Bivouac's Fitful Flame.\\\" \"},{\"url\":\"https://whitmanarchive.org/published/LG/1891/poems/172\",\"citation\":\"Whitman, Walt. \\\"Dirge for Two Veterans.\\\" \"},{\"url\":\"https://whitmanarchive.org/published/LG/1867/poems/223\",\"citation\":\"Whitman, Walt. \\\"In Clouds Descending, In Midnight Sleep.\\\" \"},{\"url\":\"https://whitmanarchive.org/published/LG/1867/poems/228\",\"citation\":\"Whitman, Walt. \\\"Reconciliation.\\\"\"},{\"url\":\"https://whitmanarchive.org/published/LG/1871/poems/162\",\"citation\":\"Whitman, Walt. \\\"Respondez!\\\"\"},{\"url\":\"https://www.poetryfoundation.org/poems/45477/song-of-myself-1892-version\",\"citation\":\"Whitman, Walt. \\\"Song of Myself (1892 version).\\\"\"},{\"url\":\"https://whitmanarchive.org/published/LG/1881/poems/202\",\"citation\":\"Whitman, Walt. \\\"There Was A Child Went Forth.\\\" \"},{\"url\":\"https://whitmanarchive.org/published/LG/1891/poems/186\",\"citation\":\"Whitman, Walt. \\\"To A Certain Civilian.\\\" \"},{\"url\":\"https://www.poetryfoundation.org/poems/45478/vigil-strange-i-kept-on-the-field-one-night\",\"citation\":\"Whitman, Walt. \\\"Vigil Strange I Kept on the Field One Night.\\\" \"},{\"url\":\"https://whitmanarchive.org/published/LG/1891/poems/168\",\"citation\":\"Whitman, Walt. \\\"Year That Trembled and Reel'd Beneath Me.\\\" \"}]"],"_version_":1853670550987079682,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4567","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["Liverpool Reading"],"item_title_source":["Title taken from back of box"],"item_title_note":["Reel box title: Liverpool Reading\n\nSide A title: n/a\n\nSide B title: n/a"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Olson, Charles","Pound, Ezra","Davis, Miles","Dylan, Bob","Joplin, Janis","Donovan","The Doors","Bartók, Béla"],"creator_names_search":["Tallman, Warren","Olson, Charles","Pound, Ezra","Davis, Miles","Dylan, Bob","Joplin, Janis","Donovan","The Doors","Bartók, Béla"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"Warren Tallman dubs the recording on this mix tape. Tallman is also heard talking in the background occasionally.\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"Tape contains dubbed recording of Charles Olson reading his poetry.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/24606774\",\"name\":\"Pound, Ezra\",\"dates\":\"1885-1972\",\"notes\":\"Tape contains dubbed recording of Ezra Pound Reading from the Cantos.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/97762193\",\"name\":\"Davis, Miles\",\"dates\":\"1926-1991\",\"notes\":\"Tape contains a dubbed recording of Miles Davis' \\\"Blue in Green.\\\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/97762193\",\"name\":\"Dylan, Bob\",\"dates\":\"1941-\",\"notes\":\"Tape contains a dubbed recording of Bob Dylan's \\\"I Threw It All Away.\\\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/97762193\",\"name\":\"Joplin, Janis\",\"dates\":\"1943-1970\",\"notes\":\"Tape consists of a dubbed recording of Janis Joplin's \\\"Summertime\\\" and \\\"Piece of your Heart.\\\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/64567120\",\"name\":\"Donovan\",\"dates\":\"1946-\",\"notes\":\"Tape consists of a dubbed recording of Donovan's \\\"Catch the Wind.\\\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/130191364\",\"name\":\"The Doors\",\"dates\":\"\",\"notes\":\"Tape consists of a dubbed recording of The Doors' \\\"Break on Through (To the Other Side)\\\" and \\\"Light My Fire.\\\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/89006617\",\"name\":\"Bartók, Béla\",\"dates\":\"1881-1945\",\"notes\":\"Tape consists of a dubbed recording of Béla Bartók's piece \\\"Music for Strings, Percussion and Celesta\\\" played by an unknown orchestra.\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/605/Swallow_2012_002_020_a.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.020_SideA_3-4_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:32:00\",\"precision\":\"\",\"size\":\"1.52 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.020_Liverpool_Reading_SideA_1-4_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:52:28\",\"precision\":\"\",\"size\":\"869 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"contents":["Side A, track 1-4 consists of a poetry reading by an unknown speaker, likely recorded in the class of Warren Tallman.\n\nSide A, track 3-2 consists of a mixtape of dubbed music and poetry readings. Track list consists of the following: Béla Bartók's \"Music for Strings, Percussion and Celesta\", Ezra Pound reading Cantos I and IV, \"I Threw It All Away\" by Bob Dylan, \"Blue In Green\" by Miles Davis, \"Summertime\" and \"Piece of My Heart\" by Janis Joplin, \"Catch the Wind\" by Donovan, \"Break on Through (To the Other Side)\" and \"Light My Fire\" by the Doors, and Charles Olson reading \"Maximus by Himself,\" \"Variations Done for Gerald Van De Wiele,\" and \"As the Dead Prey Upon Us.\" Warren Tallman can be heard talking occasionally while he is dubbing the music.\n\n"],"Note":["[{\"note\":\"Item ID: 2012.002.020\",\"type\":\"General\"},{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"https://www.poetryfoundation.org/poems/54314/canto-i\",\"citation\":\"Pound, Ezra. \\\"Cantos I.\\\"\"},{\"url\":\"https://www.poetryfoundation.org/poems/54316/canto-iv\",\"citation\":\"Pound, Ezra. \\\"Cantos IV.\\\"\"},{\"url\":\"https://www.poetryfoundation.org/poems/47494/maximus-to-himself\",\"citation\":\"Olson, Charles. \\\"Maximus to Himself.\\\"\"},{\"url\":\"https://www.poetryfoundation.org/poems/54312/variations-done-for-gerald-van-de-wiele-56d234838e371\",\"citation\":\"Olson, Charles. \\\"Variations Done for Gerald Van De Wiele.\\\"\"},{\"url\":\"https://www.poetryfoundation.org/poems/54311/as-the-dead-prey-upon-us#:~:text=As%20the%20dead%20prey%20upon%20us%2C,disentangle%20the%20nets%20of%20being!\",\"citation\":\"Olson, Charles. \\\"As the Dead Prey Upon Us.\\\"\"}]"],"_version_":1853670550987079683,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4568","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["Nov 24, 86 205 BLAKE  205 Nov 26 Wed Vocab"],"item_title_source":["Title written on artifact."],"item_title_note":["Side A: Nov 24, 86 205 BLAKE\n\nSide B: 205 Nov 26 Wed Vocab"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren"],"creator_names_search":["Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"Recordist and lecturer in ENGL 205 class at UBC.\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"contributors_names":["Blake, William"],"contributors_names_search":["Blake, William"],"contributors":["[{\"url\":\"http://viaf.org/viaf/54144439\",\"name\":\"Blake, William\",\"dates\":\"1757-1827\",\"notes\":\"Warren Tallman reads and discusses the poems of William Blake in the Side A lecture.\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":["Blake, William"],"Performance_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/606/Swallow_2012_002_025_a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.025_Nov_24,_86_205._Blake_SideA_(MASTER_ACCESS)\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:33:36\",\"precision\":\"\",\"size\":\"1.56 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.025_205_Nov_26_Wed_Vocab_06_SideB_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:32:44\",\"precision\":\"\",\"size\":\"1.56 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-11-24\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"},{\"date\":\"1986-11-26\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/91208094\",\"venue\":\"Buchanan Building, University of British Columbia\",\"notes\":\"\",\"address\":\"1866 Main Mall, Vancouver, B.C.\",\"latitude\":\"49.26827765\",\"longitude\":\"-123.25424162050663\"}]"],"Address":["1866 Main Mall, Vancouver, B.C."],"Venue":["Buchanan Building, University of British Columbia"],"City":["Vancouver, British Columbia"],"contents":["Side A of this recording contains a lecture by Warren Tallman in his ENGL 205: Introduction to Poetry class at UBC. The lecture was recorded on November 24, 1986, likely in one of the classrooms in the Buchanan Building at UBC, Vancouver. In the lecture Warren Tallman discusses the work of poet William Blake while integrating discussions of various poetic vocabulary including the eidetic. Warren Tallman also reads, or possibly recites, multiple poems of Blake's. Unknown students are occasionally heard asking questions.\n\nSide B of this recording contains a lecture by Warren Tallman in his ENGL 205: Introduction to Poetry class at UBC. The lecture was recorded on November 26, 1986, likely in one of the classrooms in the Buchanan Building at UBC, Vancouver. In the lecture Warren Tallman discusses poetic vocabulary such as phanopoeia, melopoeia, and logopoeia, Mother Earth and Mother Tongue, transfer of energy, numinous poets, oracular poets, the abstract, synchronicity, and the gnostic. Tallman also discusses the work of Ernest Fenollosa, Ezra Pound, WIlliam Carlos Williams, Charles Olson, and Robert Creeley. Unknown students are occasionally heard asking questions."],"Note":["[{\"note\":\"ITEM ID: 2012.002.025\",\"type\":\"General\"},{\"note\":\"Digitization complete. Transcription complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"https://www.poetryfoundation.org/poems/43687/the-tyger\",\"citation\":\"Blake, William. \\\"The Tyger.\\\"\"},{\"url\":\"https://www.poetryfoundation.org/poems/43671/the-little-black-boy\",\"citation\":\"Blake, William. \\\"The Little Black Boy.\\\"\"},{\"url\":\"https://www.poetryfoundation.org/poems/43649/ah-sun-flower\",\"citation\":\"Blake, William. \\\"Ah! Sun-flower.\\\"\"}]"],"_version_":1853670550988128256,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"6887","cataloger_name":["Sarah,Cipes"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Frank Davey fonds"],"source_collection_label":["Frank Davey fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2014.002"],"persistent_url":[""],"item_title":["[CHP Tape 2]"],"item_title_source":["Created title"],"item_title_note":["Title created based on information written on cassette. CHP likely stands for Coach House Press."],"item_language":["English"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creators":["[]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6887/IMG_1205.jpeg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Eaton Viking Cassette low noise C-60\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"60 minutes\",\"physical_condition\":\"Fair\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"Uploads/6887/IMG_1204.jpeg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Eaton Viking Cassette low noise C-60\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"60 minutes\",\"physical_condition\":\"Fair\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"Uploads/6887/IMG_1203.jpeg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette","Cassette"],"physical_compositions":["Magnetic Tape","Magnetic Tape"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Stereo","Stereo"],"digital_description":["[]"],"Dates":["[]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/search?query=Toronto%20Ontario%20M5S%203J4#map=18/43.66607/-79.40056\",\"venue\":\"\",\"notes\":\"Coach House Press, Toronto.\",\"address\":\"80 bpNichol Ln, Toronto, ON M5S 3J4\",\"latitude\":\"43.66607\",\"longitude\":\"-79.40056\"}]"],"Address":["80 bpNichol Ln, Toronto, ON M5S 3J4"],"City":["Toronto, Ontario"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670550988128257,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"6888","cataloger_name":["Sarah,Cipes"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Frank Davey fonds"],"source_collection_label":["Frank Davey fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2014.002"],"persistent_url":[""],"item_title":["[CHP Tape 3]"],"item_title_source":["Created title."],"item_title_note":["Created title based on information written on cassette. CHP likely stands for Coach House Press. "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creators":["[]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"DAK Enterprises 90\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"90 minutes\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[]"],"Dates":["[]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/search?query=Toronto%20Ontario%20M5S%203J4#map=18/43.66607/-79.40056\",\"venue\":\"43.66607\",\"notes\":\"Coach House Press, Toronto.\",\"address\":\"80 bpNichol Ln, Toronto, ON M5S 3J4\",\"latitude\":\"-79.40056\",\"longitude\":\"\"}]"],"Address":["80 bpNichol Ln, Toronto, ON M5S 3J4"],"Venue":["43.66607"],"City":["Toronto, Ontario"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670550988128258,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"6889","cataloger_name":["Sarah,Cipes"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Frank Davey fonds"],"source_collection_label":["Frank Davey fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2014.002"],"persistent_url":[""],"item_title":["Matt Cohen"],"item_title_source":["Cassette"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creators":["[]"],"contributors_names":["Cohen, Matt"],"contributors_names_search":["Cohen, Matt"],"contributors":["[{\"url\":\"https://viaf.org/viaf/49233359/#Cohen,_Matt,_1942-1999\",\"name\":\"Cohen, Matt\",\"dates\":\"1942-1999\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony Low-Noise C60\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"60 minutes\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670550989176832,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"6891","cataloger_name":["Sarah,Cipes"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Frank Davey fonds"],"source_collection_label":["Frank Davey fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2014.002"],"persistent_url":[""],"item_title":["Contract Editions Du Jour"],"item_title_source":["Cassette"],"item_language":["English"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creators":["[]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Eaton Viking Cassette low noise C-60\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"60 minutes\",\"physical_condition\":\"Good.\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670550989176833,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"6892","cataloger_name":["Sarah,Cipes"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Frank Davey fonds"],"source_collection_label":["Frank Davey fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2014.002"],"persistent_url":[""],"item_title":["[Gary Snyder Ed Dorn & John Weiners]"],"item_title_source":["Ephemera included in reel case."],"item_title_note":["Created title. Title created using information from included ephemera."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creators":["[]"],"contributors_names":["Snyder, Gary","Dorn, Ed","Wieners, John","Hogg, Robert","Welch, Lew","Kyger, Joanne"],"contributors_names_search":["Snyder, Gary","Dorn, Ed","Wieners, John","Hogg, Robert","Welch, Lew","Kyger, Joanne"],"contributors":["[{\"url\":\"https://viaf.org/viaf/68944804/#Snyder,_Gary,_1930.\",\"name\":\"Snyder, Gary\",\"dates\":\"1930-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"https://viaf.org/viaf/25166087/#Dorn,_Edward\",\"name\":\"Dorn, Ed\",\"dates\":\"1929-1999\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"https://viaf.org/viaf/90723960/#Wieners,_John,_1934-2002\",\"name\":\"Wieners, John\",\"dates\":\"1934-2002\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"https://viaf.org/viaf/91752751/#Hogg,_Robert,_1942-\",\"name\":\"Hogg, Robert\",\"dates\":\"1942-2022\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/72272999/#Welch,_Lew\",\"name\":\"Welch, Lew\",\"dates\":\"1926-1971\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/71627705/#Kyger,_Joanne\",\"name\":\"Kyger, Joanne\",\"dates\":\"1934-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"Reader_name":["Hogg, Robert","Welch, Lew","Kyger, Joanne"],"Speaker_name":["Snyder, Gary","Dorn, Ed","Wieners, John"],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Trubilt Magnetic Recording Tape Type T24TM\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Volumes/research/AmpLab/SpokenWeb/Collection/Frank_Davey/2014.002.024/audio\",\"filename\":\"2014.002.024_Gary Snyder Ed Dorn & John Weiners_Side 1_1-4_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:54:19\",\"precision\":\"\",\"size\":\"3.95 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Preservation file illegible. Requires amplification and speed edits for listening copy.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Volumes/research/AmpLab/SpokenWeb/Collection/Frank_Davey/2014.002.024/audio\",\"filename\":\"2014.002.024_Gary Snyder Ed Dorn & John Weiners_Side 2_1-4_(MA).flac\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T02:05:51\",\"precision\":\"\",\"size\":\"1.36 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Audacity cannot export .wav files over 4 GB, so I converted this to .flac (another lossless audio file) and then divided the .wav file up into two parts (below).\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Volumes/research/AmpLab/SpokenWeb/Collection/Frank_Davey/2014.002.024/audio\",\"filename\":\"2014.002.024_Gary Snyder Ed Dorn & John Weiners_Side 2_1-4_pt1_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:40:14\",\"precision\":\"\",\"size\":\"1.39 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Audacity cannot export .wav files over 4 GB, so I converted the full recording to a .flac (another lossless audio file, above) and then divided the .wav file up into two parts.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Volumes/research/AmpLab/SpokenWeb/Collection/Frank_Davey/2014.002.024/audio\",\"filename\":\"2014.002.024_Gary Snyder Ed Dorn & John Weiners_Side 2_1-4_pt2_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:25:37\",\"precision\":\"\",\"size\":\"2.96 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Audacity cannot export .wav files over 4 GB, so I converted the full recording to a .flac (another lossless audio file, above) and then divided the .wav file up into two parts.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670550989176834,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"6893","cataloger_name":["Sarah,Cipes"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Frank Davey fonds"],"source_collection_label":["Frank Davey fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2014.002"],"persistent_url":[""],"item_title":["Vancouver Poetry 'Conference' 1963"],"item_title_source":["Title written on case."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creators":["[]"],"contributors_names":["Creeley, Robert","Ginsberg, Allen","Duncan, Robert","Whalen, Philip","Olson, Charles","Levertov, Denise"],"contributors_names_search":["Creeley, Robert","Ginsberg, Allen","Duncan, Robert","Whalen, Philip","Olson, Charles","Levertov, Denise"],"contributors":["[{\"url\":\"https://viaf.org/viaf/109562114/#Creeley,_Robert,_1926-2005\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"https://viaf.org/viaf/108417923/\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"https://viaf.org/viaf/105142281/\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/54270610\",\"name\":\"Whalen, Philip\",\"dates\":\"1923-2002\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"https://viaf.org/viaf/27091190/\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"https://viaf.org/viaf/9868894/\",\"name\":\"Levertov, Denise\",\"dates\":\"1923-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Reader_name":["Creeley, Robert","Ginsberg, Allen"],"Speaker_name":["Creeley, Robert","Ginsberg, Allen","Duncan, Robert","Whalen, Philip","Olson, Charles","Levertov, Denise"],"Performance_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Trubilt Magnetic Recording Tape Type T24TM\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[]"],"Dates":["[{\"date\":\"1963-07-26\",\"type\":\"Performance Date\",\"notes\":\"Also recording date, listed on ephemera. Several dates recorded on this reel.\",\"source\":\"Ephemera included in reel case.\"},{\"date\":\"1963-07-23\",\"type\":\"Performance Date\",\"notes\":\"Also recording date, listed on ephemera. Several dates recorded on this reel.\",\"source\":\"Ephemera included in reel case.\"},{\"date\":\"1963-08-12\",\"type\":\"Performance Date\",\"notes\":\"Also recording date, listed on ephemera. Several dates recorded on this reel.\",\"source\":\"Ephemera included in reel case.\"},{\"date\":\"1963-08-14\",\"type\":\"Performance Date\",\"notes\":\"Also recording date, listed on ephemera. Several dates recorded on this reel.\",\"source\":\"Ephemera included in reel case.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/91208094\",\"venue\":\"Buchanan Building, University of British Columbia\",\"notes\":\"\",\"address\":\"1866 Main Mall, Vancouver, B.C.\",\"latitude\":\"49.26827765\",\"longitude\":\"-123.2542416\"}]"],"Address":["1866 Main Mall, Vancouver, B.C."],"Venue":["Buchanan Building, University of British Columbia"],"City":["Vancouver, British Columbia"],"content_notes":["Recording includes four pages of ephemera (two cue cards and two full-sized pages).                               See photographs of ephemera. Much of the writing is illegible. Find images here: /research/AmpLab/SpokenWeb/Collection/Frank_Davey/2014.002.025/photos"],"contents":["Recordings of four days/various events at the 1963 Vancouver Poetry Conference. Performers and speakers include Robert Duncan, Robert Creeley, Philip Whalen, Allen Ginsberg, Denise Levertov and Charles Olson. Other performers and speakers are noted on the ephemera, but unfortunately much of the included descriptive ephemera is illegible. More information will be found upon listening."],"Note":["[{\"note\":\"2018.002.043 ; 2018.002.045 ; 2018.002.049 ; 2022.002.126 ; 2022.003.005 ; 2022.003.006 ; 2022.003.007 ; 2022.003.008 ; 2022.003.009 ; 2022.003.010 ; 2022.003.011 ; 2022.003.012 ; 2022.003.013\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670550989176835,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4577","cataloger_name":["Carolin,Huang"],"partnerInstitution":["ARCMTL"],"collection_source_collection":["Dial-A-Poem Montreal fonds"],"source_collection_label":["Dial-A-Poem Montreal fonds"],"collection_contributing_unit":["Arcmtl Archives & Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["PDP"],"persistent_url":[""],"item_title":["Dial-A-Poem Authors 1"],"item_title_source":["Transcribed from title card"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Various Authors"],"creator_names_search":["Various Authors"],"creators":["[{\"url\":\"\",\"name\":\"Various Authors\",\"dates\":\"\",\"notes\":\"Michael Harris, Mona Adilman, Emanuel Lowi, Laurence Hutchman, Raymond Filip, Gerry Gilbert, Ruth Taylor, Robyn Potter, Renato Trujillo, Howard Tessler, Erin Moure, Endre Farkas, Louis Dudek, Tom Wayman, Fred Ward\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors_names":["Anderson, Fortner"],"contributors_names_search":["Anderson, Fortner"],"contributors":["[{\"url\":\"http://www.viaf.org/viaf/106026246\",\"name\":\"Anderson, Fortner\",\"dates\":\"1955-\",\"notes\":\"http://fortneranderson.com/\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Anderson, Fortner"],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK\",\"generations\":\"Copy of microcassettes\",\"Conservation\":\"\",\"equalization\":\"Normal\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Hand-labeled title card\",\"other_physical_description\":\"Casette with title card in plastic case.\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"PDP_SB_K0001A.WAV\",\"channel_field\":\"1\",\"sample_rate\":\"192kHz\",\"duration\":\"00:32:03.00\",\"precision\":\"\",\"size\":\"2.22 GB\",\"bitrate\":\"24\",\"encoding\":\"WAVE\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Montreal, Quebec, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Montreal, Quebec, Canada"],"City":["Montreal, Quebec"],"contents":["<item label=\"Dial-A-Poem Authors 1\">\n  <span label=\"Michael Harris reads 'The Gamekeeper'\" begin=\"00:00:01.00\" end=\"00:03:18.00\"/>\n  <span label=\"Mona Adilman reads 'Free Enterprise'\" begin=\"00:03:29.00\" end=\"00:06:53.00\"/>\n  <span label=\"Emanuel Lowi reads 'At the Spanish American Club'\" begin=\"00:07:01.00\" end=\"00:08:40.00\"/>\n  <span label=\"Laurence Hutchman reads 'Enchantress'\" begin=\"00:08:45.00\" end=\"00:10:05.00\"/>\n  <span label=\"Raymond Filip reads 'Stepfather's Dance'\" begin=\"00:10:17.00\" end=\"00:12:46.00\"/>\n  <span label=\"Gerry Gilbert reading Milton Acorn, 'Literature Deposit'\" begin=\"00:12:50.00\" end=\"00:15:00.00\"/>\n  <span label=\"Ruth Taylor reads 'Drawing Board'\" begin=\"00:15:02.00\" end=\"00:16:26.00\"/>\n  <span label=\"Robyn Potter reads 'Channel Crossing'\" begin=\"00:16:28.00\" end=\"00:18:26.00\"/>\n  <span label=\"Renato Trujillo reads 'Icarus 1'\" begin=\"00:18:30.00\" end=\"00:19:14.00\"/>\n  <span label=\"Howard Tesler reads 'Song for the Wolf'\" begin=\"00:19:17.00\" end=\"00:20:36.00\"/>\n  <span label=\"Erin Moure reads 'Lunge'\" begin=\"00:20:40.00\" end=\"00:22:46.00\"/>\n  <span label=\"Endre Farkas reads 'Wherefore Art Thou Now: A Poem in Five Acts'\" begin=\"00:22:47.00\" end=\"00:25:57.00\"/>\n  <span label=\"Louis Dudek reads 'Old Montreal'\" begin=\"00:25:58.00\" end=\"00:28:49.00\"/>\n  <span label=\"Tom Wayman reads 'Job Security'\" begin=\"00:28:51.00\" end=\"00:30:26.00\"/>\n  <span label=\"Fred Ward reads 'And Love'\" begin=\"00:30:30.00\" end=\"00:31:52.00\"/>\n</item> "],"Note":["[]"],"Related_works":["[]"],"_version_":1853670550990225409,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4578","cataloger_name":["Carolin,Huang"],"partnerInstitution":["ARCMTL"],"collection_source_collection":["Dial-A-Poem Montreal fonds"],"source_collection_label":["Dial-A-Poem Montreal fonds"],"collection_contributing_unit":["Arcmtl Archives & Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["PDP"],"persistent_url":[""],"item_title":["Dial-A-Poem Authors 1"],"item_title_source":["Transcribed from title card"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Various Authors"],"creator_names_search":["Various Authors"],"creators":["[{\"url\":\"\",\"name\":\"Various Authors\",\"dates\":\"\",\"notes\":\"Joy Lou G., Martin Kevan, Esther Ross, Donald Palmer, John Steffler, Michael Toppings, John Asfour, Robert McGee, Antonio D'Alfonso, Pasquale Verdicchio, Patrick Lane, Bill Fury, Fred Ward, Johanne Lafleur\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors_names":["Anderson, Fortner"],"contributors_names_search":["Anderson, Fortner"],"contributors":["[{\"url\":\"http://www.viaf.org/viaf/106026246\",\"name\":\"Anderson, Fortner\",\"dates\":\"1955-\",\"notes\":\"http://fortneranderson.com/\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Anderson, Fortner"],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK\",\"generations\":\"Copy of microcassettes\",\"Conservation\":\"\",\"equalization\":\"Normal\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Hand-labeled title card\",\"other_physical_description\":\"Casette with title card in plastic case.\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"PDP_SB_K0001B.WAV\",\"channel_field\":\"1\",\"sample_rate\":\"192kHz\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"24\",\"encoding\":\"WAVE\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Montreal, Quebec, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Montreal, Quebec, Canada"],"City":["Montreal, Quebec"],"contents":["<item label=\"Dial-A-Poem Authors 1\">\n  <span label=\"Joy Lou G. reads 'When You Blow Up a Balloon, All It Takes Is a Pin'\" begin=\"00:00:01.00\" end=\"00:05:31.00\"/>\n  <span label=\"Martin Kevan reads 'Waiting for the Postie'\" begin=\"00:05:34.00\" end=\"00:06:42.00\"/>\n  <span label=\"Esther Ross reads 'Two Versions of World War Two'\" begin=\"00:06:45.00\" end=\"00:08:17.00\"/>\n  <span label=\"Donald Palmer reads 'A Guide to Gothic Gardening'\" begin=\"00:08:19.00\" end=\"00:11:23.00\"/>\n  <span label=\"John Steffler reads 'On This Day of Sun and Showers'\" begin=\"00:11:24.00\" end=\"00:14:42.00\"/>\n  <span label=\"Michael Toppings reads 'God'\" begin=\"00:14:45.00\" end=\"00:15:57.00\"/>\n  <span label=\"A reading of John Asfour, 'Idols'\" begin=\"00:15:58.00\" end=\"00:17:16.00\"/>\n  <span label=\"Robert McGee reads 'Alphonsus the Hyperborean'\" begin=\"00:17:19.00\" end=\"00:19:01.00\"/>\n  <span label=\"Antonio D'Alfonso reads 'Douze'\" begin=\"00:19:03.00\" end=\"00:20:10.00\"/>\n  <span label=\"Pasquale Verdicchio reads 'Mexico'\" begin=\"00:20:11.00\" end=\"00:21:57.00\"/>\n  <span label=\"Patrick Lane reads 'Fragments'\" begin=\"00:22:04.00\" end=\"00:24:27.00\"/>\n  <span label=\"Billl Fury reads 'Watching Nuns Crossing Fletcher's Field'\" begin=\"00:24:32.00\" end=\"00:26:43.00\"/>\n  <span label=\"Fred Ward reads 'Blind Man's Blues\" begin=\"00:26:48.00\" end=\"00:27:47.00\"/>\n  <span label=\"Johanne Lafleur reads 'Word-Building or Script-Writing for a Soap Opera'\" begin=\"00:27:51.00\" end=\"00:29:50.00\"/>\n</item> "],"Note":["[]"],"Related_works":["[]"],"_version_":1853670550990225410,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4579","cataloger_name":["Carolin,Huang"],"partnerInstitution":["ARCMTL"],"collection_source_collection":["Dial-A-Poem Montreal fonds"],"source_collection_label":["Dial-A-Poem Montreal fonds"],"collection_contributing_unit":["Arcmtl Archives & Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["PDP"],"persistent_url":[""],"item_title":["Dial-A-Poem Live at the Western Front May 19, 1987"],"item_title_source":["Transcribed from title card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Various Authors"],"creator_names_search":["Various Authors"],"creators":["[{\"url\":\"\",\"name\":\"Various Authors\",\"dates\":\"\",\"notes\":\"Judy Radul, Isabella, Richard Hughs, Martha Stainsby, Roy Green, Dylan Cree, Anna Malkin, J.M. Whyte, Marvin Entz, Jeff Derksen, Mark Harris, Paul Plimley, Dan Farrel, Terry Crane, Denins Dennisoff, Gerry Gilbert, Byron Black\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors_names":["Radul, Judy"],"contributors_names_search":["Radul, Judy"],"contributors":["[{\"url\":\"http://viaf.org/viaf/281422023\",\"name\":\"Radul, Judy\",\"dates\":\"1962-\",\"notes\":\"http://www.judyradul.com/\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Radul, Judy"],"Production_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony UX-S 90\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"High\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Hand-labeled title card, printed design, and paper with list of poets\",\"other_physical_description\":\"Casette with title card and printed design in plastic case.\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"PDP_SB_K0002A.WAV\",\"channel_field\":\"1\",\"sample_rate\":\"192kHz\",\"duration\":\"\",\"precision\":\"\",\"size\":\"2.99 GB\",\"bitrate\":\"24\",\"encoding\":\"WAVE\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-05-19\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Written on the case.\"}]"],"Location":["[{\"url\":\"https://front.bc.ca/\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"Vancouver, British Columbia, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Vancouver, British Columbia, Canada"],"Venue":["The Western Front"],"City":["Vancouver, British Columbia"],"content_notes":["Two WAVE files."],"contents":["<item label=\"Dial-A-Poem Live at the Western Front May 19, 1987\">\n  <span label=\"Judy Radul Introduces Dial-A-Poem Nite in Vancouver'\" begin=\"00:00:04.00\" end=\"00:02:00.00\"></span>\n  <span label=\"Radul reads 'The Dream of Nothing'\" begin=\"00:02:00.00\" end=\"00:05:06.00\"></span>\n  <span label=\"Isabella reads 'Toronto, You and Me...'\" begin=\"00:05:15.00\" end=\"00:06:22.00\"></span>\n  <span label=\"Richard Hughs reads 'Cockraches Invest the White House...'\" begin=\"00:06:26.00\" end=\"00:07:53.00\"></span>\n  <span label=\"Martha Stainsby reads 'The Second Stepsister'\" begin=\"00:07:58.00\" end=\"00:09:47.00\"></span>\n  <span label=\"Roy Green reads 'Broken Record'\" begin=\"00:09:48.00\" end=\"00:11:42.00\"></span>\n  <span label=\"Dylan Cree reads 'Caught Without a Beginning and End...'\" begin=\"00:11:45.00\" end=\"00:13:16.00\"></span>\n  <span label=\"Anna Malkin reads 'A Knife Feels Better in My Hand'\" begin=\"00:13:23.00\" end=\"00:14:57.00\"></span>\n  <span label=\"J.M. Whyte reads 'To the Star...'\" begin=\"00:15:00.00\" end=\"00:16:36.00\"></span>\n  <span label=\"Marvin Entz reads 'The Smallest Pagota'\" begin=\"00:16:42.00\" end=\"00:18:24.00\"></span>\n  <span label=\"Jeff Derksen reads 'Whistlefiguring'\" begin=\"00:18:31.00\" end=\"00:22:25.00\"></span>\n  <span label=\"Mark Harris and Paul Plimley read 'The Fawn in Exile'\" begin=\"00:22:40.00\" end=\"00:25:02.00\"></span>\n  <span label=\"Dan Farrel reads 'The Man Lives in the United States'\" begin=\"00:25:09.00\" end=\"00:29:53.00\"></span>\n  <span label=\"Terry Crane reads 'I Disappeared Ten Years Ago...'\" begin=\"00:29:57.00\" end=\"00:31:02.00\"></span>\n  <span label=\"Dennis Dennisoff reads 'A Canadian Invasion of Canada\" begin=\"00:00:08.00\" end=\"00:03:51.00\"></span>\n  <span label=\"Gerry Gilbert reads 'Hello, This is God...'\" begin=\"00:03:54.00\" end=\"00:06:27.00\"></span>\n  <span label=\"Byron Black reads 'Finders Keepers'\" begin=\"00:06:34.00\" end=\"00:12:00.00\"></span>\n</item> "],"Note":["[]"],"Related_works":["[]"],"_version_":1853670550990225411,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4580","cataloger_name":["Carolin,Huang"],"partnerInstitution":["ARCMTL"],"collection_source_collection":["Dial-A-Poem Montreal fonds"],"source_collection_label":["Dial-A-Poem Montreal fonds"],"collection_contributing_unit":["Arcmtl Archives & Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["PDP"],"persistent_url":[""],"item_title":["Dial-A-Poem Live at the Western Front May 19, 1987"],"item_title_source":["Transcribed from title card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Various Authors"],"creator_names_search":["Various Authors"],"creators":["[{\"url\":\"\",\"name\":\"Various Authors\",\"dates\":\"\",\"notes\":\"Billy Little/Zonko LeChien, Todd Neave, Goh Goh Seng, Matt Little, Clochard, Judy Ouimette, Gary Norris, Deborah M.C. Delinsky\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors_names":["Radul, Judy"],"contributors_names_search":["Radul, Judy"],"contributors":["[{\"url\":\"http://viaf.org/viaf/281422023\",\"name\":\"Radul, Judy\",\"dates\":\"1962-\",\"notes\":\"http://www.judyradul.com/\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Radul, Judy"],"Production_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony UX-S 90\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"High\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Hand-labeled title card, printed design, and paper with list of poets\",\"other_physical_description\":\"Casette with title card and printed design in plastic case.\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"PDP_SB_K0002B.WAV\",\"channel_field\":\"1\",\"sample_rate\":\"192kHz\",\"duration\":\"\",\"precision\":\"\",\"size\":\"1.64 GB\",\"bitrate\":\"24\",\"encoding\":\"WAVE\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-05-19\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Written on the case.\"}]"],"Location":["[{\"url\":\"https://front.bc.ca/\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"Vancouver, British Columbia, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Vancouver, British Columbia, Canada"],"Venue":["The Western Front"],"City":["Vancouver, British Columbia"],"contents":["<item label=“Dial-A-Poem Live at the Western Front May 19, 1987”> \n<span label=“Billy Little/Zonko LeChien reads ‘Pinkies’” begin=“00:00:00.00\" end=\"00:03:49.00\"/>\n<span label=“Todd Neave reads ‘A Short Excuse for Bad Poetry’” begin=“00:04:02.00\" end=\"00:04:55.00\"/>\n<span label=“Goh Goh Seng reads ‘From Earth’” begin=“00:05:12.00\" end=\"00:06:05.00\"/>\n<span label=“Goh Goh Seng reads ‘Spring Move Blues’” begin=“00:06:05.00\" end=\"00:07:00.00\"/>\n<span label=“Matt Little reads ‘Cats’” begin=“00:07:12.00\" end=\"00:08:19.00\"/>\n<span label=“Clochard reads ‘Fishishes…’” begin=“00:08:40.00\" end=\"00:12:57.00\"/>\n<span label=“Judy Ouimette and Gary Norris reads ‘Skinner’” begin=“00:13:12.00\" end=\"00:17:37.00\"/>\n<span label=“Deborah M.C. Delinsky reads eleven really short poems” begin=“00:17:51.00\" end=\"00:20:20.00\"/>\n<span label=“Unknown poet” begin=“00:21:13.00\" end=\"00:21:38.00\"/>\n<span label=“Judy Radul closes the night” begin=“00:21:45.00\" end=\"00:22:14.00\"/>\n </item> \n"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670550990225412,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4581","cataloger_name":["Carolin,Huang"],"partnerInstitution":["ARCMTL"],"collection_source_collection":["Dial-A-Poem Montreal fonds"],"source_collection_label":["Dial-A-Poem Montreal fonds"],"collection_contributing_unit":["Arcmtl Archives & Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["PDP"],"persistent_url":[""],"item_title":["Dial-A-Poem Foufounes Party March 31st 1 of 2"],"item_title_source":["Transcribed from title card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Various Authors"],"creator_names_search":["Various Authors"],"creators":["[{\"url\":\"\",\"name\":\"Various Authors\",\"dates\":\"\",\"notes\":\"Robert Smith, Johanne Lafleur, Marcia Goldberg, Howard Tessler\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors_names":["Anderson, Fortner"],"contributors_names_search":["Anderson, Fortner"],"contributors":["[{\"url\":\"http://www.viaf.org/viaf/106026246\",\"name\":\"Anderson, Fortner\",\"dates\":\"1955-\",\"notes\":\"http://fortneranderson.com/\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Anderson, Fortner"],"Production_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK D60\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"Normal\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Hand-labeled title card\",\"other_physical_description\":\"Casette with title card in plastic case.\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"PDP_SB_K0003A.WAV\",\"channel_field\":\"1\",\"sample_rate\":\"192kHz\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"24\",\"encoding\":\"WAVE\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-03-31\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Written on the case.\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Foufounes Electriques\",\"notes\":\"\",\"address\":\"Montreal, Quebec, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Montreal, Quebec, Canada"],"Venue":["Foufounes Electriques"],"City":["Montreal, Quebec"],"contents":["<item label=\"Dial-A-Poem Foufounes Party March 31st 1 of 2\"> \n<span label=“Robert Smith reads ‘Beware of the Meek’” begin=\"00:00:23.00\" end=\"00:01:07.00\"/> \n<span label=“Robert Smith reads ‘No Panhandlers’” begin=\"00:01:22.00\" end=\"00:02:34.00\"/> \n<span label=“Robert Smith reads ‘The History of Torture in the West’” begin=\"00:02:53.00\" end=\"00:05:08.00\"/> \n<span label=“Robert Smith reads ‘Lonely in Pleasure, Lonely in Death’” begin=\"00:05:55.00\" end=\"00:07:26.00\"/> \n<span label=“Johanne Lafleur reads ‘A Blowjob in Montreal’” begin=\"00:08:13.00\" end=\"00:10:24.00\"/> \n<span label=“Johanne Lafleur reads ‘Eddy’” begin=\"00:10:27.00\" end=\"00:13:03.00\"/> \n<span label=“Johanne Lafleur reads ‘Upon Being a Laundry Basket…’” begin=\"00:13:14.00\" end=\"00:17:04.00\"/> \n<span label=“Marcia Goldberg reads ‘Unrespondent Etiquette after Tuckman’” begin=\"00:17:20.00\" end=\"00:18:45.00\"/> \n<span label=“Marcia Goldberg reads ‘For Every Daughter Who Feels Somehow Unborn’” begin=\"00:18:47.00\" end=\"00:21:39.00\"/> \n<span label=“Marcia Goldberg reads ‘Petronius Arbiter’ take one” begin=\"00:21:49.00\" end=\"00:22:22.00\"/> \n<span label=“Marcia Goldberg reads ‘Petronius Arbiter’” begin=\"00:22:22.00\" end=\"00:27:03.00\"/> \n<span label=“Howard Tessler reads ‘Drunk I am…’” begin=\"00:27:21.00\" end=\"00:29:17.00\"/> \n</item> "],"Note":["[]"],"Related_works":["[]"],"_version_":1853670550990225413,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4520","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["Warren Tallman's Retirement Speech At UBC Nov 27, 1986 - Buchanan A-100"],"item_title_source":["Title written on artifact."],"item_title_note":["Side A title: Warren Tallman's Retirement Speech At UBC Nov 27, 1986 - Buchanan A-100"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren"],"creator_names_search":["Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3698/UBCO_Tallman_2012_002_040_a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\\\"Sounds Great\\\" Tape Supply 3458 Dunbar St., Vancouver, B.C. V6S 2C2 Tel. 324-3800\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.040 Warren Tallman Retirement Speech_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:33:45\",\"precision\":\"\",\"size\":\"3.1 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A & B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-11-27\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/27989126\",\"venue\":\"Buchanan A-100, University of British Columbia\",\"notes\":\"\",\"address\":\"1866 Main Mall, Vancouver, B.C.\",\"latitude\":\"49.26827765\",\"longitude\":\"-123.25424162050663\"}]"],"Address":["1866 Main Mall, Vancouver, B.C."],"Venue":["Buchanan A-100, University of British Columbia"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Digitization complete. Transcription complete.\",\"type\":\"General\"},{\"note\":\"Duplicate recording in the SoundBox Collection: 2012.002.041.\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670550991273984,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4521","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["Warren Tallman's Retirement Speech at UBC Nov 27, 1986 - Buchanan A-100"],"item_title_source":["Title written on artifact."],"item_title_note":["Side A title: Warren Tallman's Retirement Speech at UBC Nov 27, 1986 - Buchanan A-100"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren"],"creator_names_search":["Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1986],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/3699/UBCO_Tallman_2012_002_041_a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\\\"Sounds Great\\\" Tape Supply\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.041_Warren_Tallman's_Retirement_Speech_at_UBC_NOV27,1986_Buchanan_A-100_SideA_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:47:07\",\"precision\":\"\",\"size\":\"1.56 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-11-27\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/27989126\",\"venue\":\"Buchanan A-100, University of British Columbia\",\"notes\":\"\",\"address\":\"1866 Main Mall, Vancouver, B.C.\",\"latitude\":\"49.26827765\",\"longitude\":\"-123.25424162050663\"}]"],"Address":["1866 Main Mall, Vancouver, B.C."],"Venue":["Buchanan A-100, University of British Columbia"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Digitization complete. Transcription complete.\",\"type\":\"General\"},{\"note\":\"Duplicate recording in the SoundBox Collection: 2012.002.040.\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670550991273985,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4522","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["Warren Tallman Dec 9/87"],"item_title_source":["Title written on artifact."],"item_title_note":["Side A title: Warren Tallman Dec 9/87"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Castricano, Jodey","Tallman, Warren"],"creator_names_search":["Castricano, Jodey","Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/74068422\",\"name\":\"Castricano, Jodey\",\"dates\":\"1947-\",\"notes\":\"Jodey Castricano interviews and records an interview with Warren Tallman.\",\"nation\":[],\"role\":[\"Interviewer\",\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"Interviewee.\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1987],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/3700/UBCO_Tallman_2012_002_042_c.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Cassion AXII 90\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.042_Dec_9,_87_Warren_Tallman_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:46:21\",\"precision\":\"\",\"size\":\"1.54 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.042_SideA_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:47:25\",\"precision\":\"\",\"size\":\"1.57 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-12-09\",\"type\":\"Performance Date\",\"notes\":\"Performance date of Side B Jodey Castricano/Warren Tallman interview.\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary."],"contents":["Side A consists of a recording of an unidentified art class for children.\n\nSide B consists of an interview of Warren Tallman by Jodey Castricano. The interview was recorded on December 9, 1987 in Tallman's home. In the interview Castricano asks Tallman questions about the 1963 Vancouver Poetry Conference and the production of the tapes from that event."],"Note":["[{\"note\":\"Digitization complete. Side B transcribed.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550991273986,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4523","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["Robin Blaser Story #1 / Apr 10, 1974 1a"],"item_title_source":["Title written on artifact."],"item_title_note":["Side A title: Robin Blaser Story #1 / Apr 10, 1974 1a"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Blaser, Robin","Tallman, Warren"],"creator_names_search":["Blaser, Robin","Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\",\"Recordist\",\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3701/UBCO_Tallman_2012_002_043_b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch C-120 Highlander / Low Noise\",\"generations\":\"\",\"Conservation\":\"Tape damaged. Unplayable.\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"60 minutes each side\",\"physical_condition\":\"Poor\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[]"],"Dates":["[{\"date\":\"1974-04-10\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"Not digitized. Tape damaged and requires conservation.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550991273987,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4582","cataloger_name":["Carolin,Huang"],"partnerInstitution":["ARCMTL"],"collection_source_collection":["Dial-A-Poem Montreal fonds"],"source_collection_label":["Dial-A-Poem Montreal fonds"],"collection_contributing_unit":["Arcmtl Archives & Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["PDP"],"persistent_url":[""],"item_title":["Dial-A-Poem Foufounes Party March 31st 1 of 2"],"item_title_source":["Transcribed from title card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Various Authors"],"creator_names_search":["Various Authors"],"creators":["[{\"url\":\"\",\"name\":\"Various Authors\",\"dates\":\"\",\"notes\":\"Howard Tessler, Alex McCarney, Martin Kevan, Hugh Hazelton\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors_names":["Anderson, Fortner"],"contributors_names_search":["Anderson, Fortner"],"contributors":["[{\"url\":\"http://www.viaf.org/viaf/106026246\",\"name\":\"Anderson, Fortner\",\"dates\":\"1955-\",\"notes\":\"http://fortneranderson.com/\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Anderson, Fortner"],"Production_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK D60\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"Normal\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Hand-labeled title card\",\"other_physical_description\":\"Casette with title card in plastic case.\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"PDP_SB_K0003B.WAV\",\"channel_field\":\"1\",\"sample_rate\":\"192kHz\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"24\",\"encoding\":\"WAVE\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-03-31\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Written on the case.\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Foufounes Electriques\",\"notes\":\"\",\"address\":\"Montreal, Quebec, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Montreal, Quebec, Canada"],"Venue":["Foufounes Electriques"],"City":["Montreal, Quebec"],"content_notes":["Two WAVE files."],"contents":["<item label=\"Dial-A-Poem Foufounes Party March 31st 1 of 2\"> \n<span label=“Howard Tessler reads ‘34…’” begin=\"00:00:07.00\" end=\"00:00:57.00\"/> \n<span label=“Howard Tessler reads ‘Scenario for an Untuned Grave’” begin=\"00:01:06.00\" end=\"00:02:16.00\"/> \n<span label=“Howard Tessler reads ‘Milty Acorn’” begin=\"00:02:22.00\" end=\"00:03:49.00\"/> \n<span label=“Alex McCarney reads ‘Heart of Stone’” begin=\"00:04:18.00\" end=\"00:04:49.00\"/> \n<span label=“Alex McCarney reads ‘Performance Anxiety’” begin=\"00:04:55.00\" end=\"00:06:29.00\"/> \n<span label=“Alex McCarney reads ‘I See Your Face All Over Town…’” begin=\"00:06:40.00\" end=\"00:08:04.00\"/> \n<span label=“Alex McCarney reads ‘Invino Veritas (Wine Truth)’” begin=\"00:08:11.00\" end=\"00:09:21.00\"/> \n<span label=“Anderson explains that the night is for Dial-A-Poem and his radio show” begin=\"00:09:34.00\" end=\"00:10:08.00\"/> \n<span label=“Martin Kevan reads ‘I Have A Thousand Colossal Passages…’” begin=\"00:10:31.00\" end=\"00:14:23.00\"/> \n\n<span label=“Hugh Hazelton reads ‘Violent Monkey” begin=\"00:15:25.00\" end=\"00:17:39.00\"/> \n<span label=“Hugh Hazelton reads ‘On A Quiet Afternoon…’” begin=\"00:17:53.00\" end=\"00:19:45.00\"/> \n<span label=“Hugh Hazelton reads ‘Drought’” begin=\"00:20:14.00\" end=\"00:23:50.00\"/> \n<span label=“Hugh Hazelton reads ‘Stupid Grad School Poem’” begin=\"00:24:36.00\" end=\"00:25:56.00\"/> \n</item> "],"Note":["[]"],"Related_works":["[]"],"_version_":1853670550991273988,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4587","cataloger_name":["Carolin,Huang"],"partnerInstitution":["ARCMTL"],"collection_source_collection":["Dial-A-Poem Montreal fonds"],"source_collection_label":["Dial-A-Poem Montreal fonds"],"collection_contributing_unit":["Arcmtl Archives & Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["PDP"],"persistent_url":[""],"item_title":["Dial-A-Poem Archives #3"],"item_title_source":["Transcribed from title card"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Various Authors"],"creator_names_search":["Various Authors"],"creators":["[{\"url\":\"\",\"name\":\"Various Authors\",\"dates\":\"\",\"notes\":\"John Steffler, Peter Van Toorn, Irving Layton, Anne McLean, Claudia Lapp, Roo Borson\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors_names":["Anderson, Fortner"],"contributors_names_search":["Anderson, Fortner"],"contributors":["[{\"url\":\"http://www.viaf.org/viaf/106026246\",\"name\":\"Anderson, Fortner\",\"dates\":\"1955-\",\"notes\":\"http://fortneranderson.com/\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Anderson, Fortner"],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"Dolby B noise reduction\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK SA90\",\"generations\":\"Copy of microcassettes\",\"Conservation\":\"\",\"equalization\":\"High\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Hand-labeled title card\",\"other_physical_description\":\"Casette with title card in plastic case. Title card reads: B: John Steffler, Peter Van Toorn, Irving Layton, Anne McLean, Claudia Lapp, Roo Borson\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"PDP_SB_K0006B.WAV\",\"channel_field\":\"1\",\"sample_rate\":\"192kHz\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"24\",\"encoding\":\"WAVE\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Montreal, Quebec, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Montreal, Quebec, Canada"],"City":["Montreal, Quebec"],"content_notes":["Two WAVE files."],"contents":["<item label=\"Dial-A-Poem Archives #3\"> \n<span label=“John Steffler reads ‘Crohn Denley on Losing His House’” begin=“00:00:04.00\" end=\"00:03:21.00\"/>\n<span label=“Peter Van Toorn reads ‘Mountain Dancer’” begin=“00:03:23.00\" end=\"00:06:00.00\"/>\n<span label=“Peter Van Toorn reads ‘Mountain Gallop’” begin=“00:06:08.00\" end=\"00:08:22.00\"/>\n<span label=“Peter Van Toorn reads ‘Mountain Surprise’” begin=“00:08:24.00\" end=\"00:14:06.00\"/>\n<span label=“Irving Layton reads ‘The Birth of Tragedy’” begin=“00:14:13.00\" end=\"00:15:56.00\"/>\n<span label=“Irving Layton reads ‘To the Girls of My Graduating Class’” begin=“00:16:04.00\" end=\"00:18:07.00\"/>\n<span label=“Irving Layton reads ‘I Take My Anna Everywhere’” begin=“00:16:04.00\" end=\"00:19:01.00\"/>\n<span label=“Irving Layton reads ‘Rhine Boat Trip” begin=“00:19:07.00\" end=\"00:20:40.00\"/>\n<span label=“Irving Layton reads ‘There Were No Signs’” begin=“00:20:47.00\" end=\"00:21:54.00\"/>\n<span label=“Anne McLean reads ‘Roses are Red…’” begin=“00:21:55.00\" end=\"00:23:28.00\"/>\n<span label=“Anne McLean reads ‘Between Every Woman and God’” begin=“00:23:30.00\" end=\"00:25:24.00\"/>\n<span label=“Anne McLean reads ‘When I First Came Here…’” begin=“00:25:35.00\" end=\"00:26:45.00\"/>\n<span label=“Anne McLean reads ‘Coffin for Two’” begin=“00:27:05.00\" end=\"00:28:19.00\"/>\n<span label=“Anne McLean reads ‘In a Village…’” begin=“00:28:31.00\" end=\"00:29:30.00\"/>\n<span label=“Anne McLean reads ‘In the Beginning…’” begin=“00:29:33.00\" end=\"00:30:12.00\"/>\n<span label=“Anne McLean reads ‘It Must Be Remembered…’” begin=“00:30:17.00\" end=\"00:00:08.00\"/>\n<span label=“Anne McLean reads ‘Between Every Woman and God’” begin=“00:00:11.00\" end=\"00:01:57.00\"/>\n<span label=“Anne McLean reads ‘The Heart Has its Four Winds…’” begin=“00:02:08.00\" end=\"00:03:10.00\"/>\n<span label=“Anne McLean reads ‘A Hunter Came Down…’” begin=“00:03:22.00\" end=\"00:05:39.00\"/>\n<span label=“Anne McLean reads ‘God Is Addict’” begin=“00:06:04.00\" end=\"00:07:34.00\"/>\n<span label=“Claudia Lapp reads ‘Women Wise’” begin=“00:07:42.00\" end=\"00:09:23.00\"/>\n<span label=“Claudia Lapp reads ‘Shirtshock’” begin=“00:09:24.00\" end=\"00:09:49.00\"/>\n<span label=“Claudia Lapp reads ‘Twine’” begin=“00:09:51.00\" end=\"00:10:40.00\"/>\n<span label=“Claudia Lapp reads ‘Jealousy’” begin=“00:10:42.00\" end=\"00:11:03.00\"/>\n<span label=“Claudia Lapp reads ‘’Supreme Rushing’” begin=“00:11:09.00\" end=\"00:11:45.00\"/>\n<span label=“Claudia Lapp reads ‘’Waters’” begin=“00:11:49.00\" end=\"00:12:47.00\"/>\n<span label=“Roo Borson reads ‘’Before the 1st Bird Thinks to Bear Its Weight from the Branch’” begin=“00:12:52.00\" end=\"00:14:51.00\"/>\n</item> "],"Note":["[]"],"Related_works":["[]"],"_version_":1853670550991273989,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4588","cataloger_name":["Carolin,Huang"],"partnerInstitution":["ARCMTL"],"collection_source_collection":["Dial-A-Poem Montreal 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Brian\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://www.viaf.org/viaf/34015325\",\"name\":\"Christakos, Margaret\",\"dates\":\"1962-\",\"notes\":\"https://www.wikidata.org/wiki/Q6759269\\nhttps://en.wikipedia.org/wiki/Margaret_Christakos\\nhttps://rpo.library.utoronto.ca/poets/christakos-margaret\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors_names":["Anderson, Fortner"],"contributors_names_search":["Anderson, Fortner"],"contributors":["[{\"url\":\"http://www.viaf.org/viaf/106026246\",\"name\":\"Anderson, Fortner\",\"dates\":\"1955-\",\"notes\":\"http://fortneranderson.com/\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Anderson, Fortner"],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"BASF SM LH60\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"Normal\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Hand-labeled title card\",\"other_physical_description\":\"Casette with title card in plastic case. Title card reads: 1) Errol MacDonald 000-186 Margaret Christakos 187-299 Brian Millward 301-End\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"PDP_SB_K0007A.WAV\",\"channel_field\":\"1\",\"sample_rate\":\"192kHz\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"24\",\"encoding\":\"WAVE\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Montreal, Quebec, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Montreal, Quebec, Canada"],"City":["Montreal, Quebec"],"contents":["<item label=“MacDonald, Christakos, Millward”> \n<span label=“Errol MacDonald reads ‘The House Was a Vast Plea of Innocence’” begin=“00:00:34.00\" end=\"00:01:34.00\"/>\n<span label=“Errol MacDonald reads ‘Perspex His Sunday Evening’” begin=“00:02:02.00\" end=\"00:04:09.00\"/>\n<span label=“Errol MacDonald reads ‘The History of Art’” begin=“00:04:17.00\" end=\"00:05:17.00\"/>\n<span label=“Errol MacDonald reads ‘The History of Art’” begin=“00:05:19.00\" end=\"00:08:35.00\"/>\n<span label=“Errol MacDonald reads ‘Variations in Moonlight’” begin=“00:08:47.00\" end=\"00:11:23.00\"/>\n<span label=“Margaret Christakos reads ‘Repoussoir’” begin=“00:11:31.00\" end=\"00:13:16.00\"/>\n<span label=“Margaret Christakos reads ‘It Becomes My Room…’” begin=“00:13:22.00\" end=\"00:14:45.00\"/>\n<span label=“Margaret Christakos reads ‘August 23rd’ [interrupted]” begin=“00:14:50.00\" end=\"00:16:08.00\"/>\n<span label=“Margaret Christakos reads ‘August 15th’” begin=“00:16:08.00\" end=\"00:16:50.00\"/>\n<span label=“Margaret Christakos reads ’El Norte: January 20th’” begin=“00:16:56.00\" end=\"00:19:22.00\"/>\n<span label=“Margaret Christakos reads ’March 12th’” begin=“00:19:28.00\" end=\"00:20:46.00\"/>\n<span label=“Brian Millward reads ‘No Rest For Trigger’” begin=“00:21:07.00\" end=\"00:22:38.00\"/>\n<span label=“Brian Millward reads ‘Dandelion Wine’” begin=“00:22:42.00\" end=\"00:24:32.00\"/>\n<span label=“Brian Millward reads ‘Dandelion Wine’” begin=“00:24:38.00\" end=\"00:26:32.00\"/>\n<span label=“Brian Millward reads ‘Poem’” begin=“00:26:37.00\" end=\"00:28:27.00\"/>\n<span label=“Brian Millward reads ‘Poem’” begin=“00:28:32.00\" end=\"00:30:25.00\"/>\n</item> \n"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670550991273990,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4589","cataloger_name":["Carolin,Huang"],"partnerInstitution":["ARCMTL"],"collection_source_collection":["Dial-A-Poem Montreal fonds"],"source_collection_label":["Dial-A-Poem Montreal fonds"],"collection_contributing_unit":["Arcmtl Archives & Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["PDP"],"persistent_url":[""],"item_title":["Millward, Togani, Tessler"],"item_title_source":["Transcribed from title card"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Millward, Brian","Togani, Mohammed","Tessler, Howard"],"creator_names_search":["Millward, Brian","Togani, Mohammed","Tessler, Howard"],"creators":["[{\"url\":\"\",\"name\":\"Millward, Brian\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"\",\"name\":\"Togani, Mohammed\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://www.viaf.org/viaf/65637305\",\"name\":\"Tessler, Howard\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors_names":["Anderson, Fortner"],"contributors_names_search":["Anderson, Fortner"],"contributors":["[{\"url\":\"http://www.viaf.org/viaf/106026246\",\"name\":\"Anderson, Fortner\",\"dates\":\"1955-\",\"notes\":\"http://fortneranderson.com/\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Anderson, Fortner"],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"BASF SM LH60\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"Normal\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Hand-labeled title card\",\"other_physical_description\":\"Casette with title card in plastic case. Title card reads: 2) Brian Millward 0-25 Mohamud Togani 28-288 Howard Tessler 290-\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"PDP_SB_K0007B.WAV\",\"channel_field\":\"1\",\"sample_rate\":\"192kHz\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"24\",\"encoding\":\"WAVE\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Montreal, Quebec, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Montreal, Quebec, Canada"],"City":["Montreal, Quebec"],"contents":["<item label=“Millward, Togani, Tessler”> \n<span label=“Brian Millward reads ‘Variations’” begin=“00:00:00.00\" end=\"00:01:03.00\"/>\n<span label=“Mohammed Togani reads ‘Love I Laugh’” begin=“00:01:17.00\" end=\"00:01:56.00\"/>\n<span label=“Mohammed Togani reads ‘Love I Laugh’” begin=“00:02:03.00\" end=\"00:03:33.00\"/>\n<span label=“Mohammed Togani reads ‘Exile 1’” begin=“00:03:40.00\" end=\"00:04:43.00\"/>\n<span label=“Mohammed Togani reads ‘Exile 2’” begin=“00:04:50.00\" end=\"00:05:52.00\"/>\n<span label=“Mohammed Togani reads ‘Exile 2’” begin=“00:06:08.00\" end=\"00:07:22.00\"/>\n<span label=“Mohammed Togani reads ‘Arfile’” begin=“00:07:29.00\" end=\"00:09:05.00\"/>\n<span label=“Mohammed Togani reads ‘Arfile’” begin=“00:09:05.00\" end=\"00:11:47.00\"/>\n<span label=“Mohammed Togani reads ‘Arfile’” begin=“00:11:47.00\" end=\"00:14:15.00\"/>\n<span label=“Mohammed Togani reads ‘Bye Bye Sir John Barleycorn’” begin=“00:14:18.00” end=\"00:15:08.00”/> \n<span label=“Mohammed Togani reads ‘Bye Bye Sir John Barleycorn’” begin=“00:15:08.00\" end=\"00:19:41.00”/> \n<span label=“Howard Tessler reads ‘Donut Shop Poem’” begin=“00:19:56.00\" end=\"00:21:29.00\"/>\n<span label=“Howard Tessler reads ‘Donut Shop Poem’” begin=“00:21:36.00\" end=\"00:23:06.00\"/>\n<span label=“Howard Tessler reads ‘Drunkard’” begin=“00:23:12.00\" end=\"00:23:48.00\"/>\n<span label=“Howard Tessler reads ‘Drunkard’” begin=“00:23:54.00\" end=\"00:24:31.00\"/>\n<span label=“Howard Tessler reads ‘The Sound of Ice on Ice’” begin=“00:24:36.00\" end=\"00:25:30.00\"/>\n<span label=“Howard Tessler reads ‘Song for the Wolf’” begin=“00:25:35.00\" end=\"00:26:44.00\"/>\n<span label=“Howard Tessler reads ‘Untitled’” begin=“00:26:48.00\" end=\"00:28:45.00\"/>\n<span label=“Howard Tessler reads ‘Untitled’” begin=“00:28:49.00\" end=\"00:30:09.00”/>** \n </item> "],"Note":["[]"],"Related_works":["[]"],"_version_":1853670550992322560,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4590","cataloger_name":["Carolin,Huang"],"partnerInstitution":["ARCMTL"],"collection_source_collection":["Dial-A-Poem Montreal fonds"],"source_collection_label":["Dial-A-Poem Montreal fonds"],"collection_contributing_unit":["Arcmtl Archives & Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["PDP"],"persistent_url":[""],"item_title":["Dial-A-Poem Poets 2"],"item_title_source":["Transcribed from title card"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Various Authors"],"creator_names_search":["Various Authors"],"creators":["[{\"url\":\"\",\"name\":\"Various Authors\",\"dates\":\"\",\"notes\":\"Burn Flicker, Steve Luxton, Erin Moure, Anne Cimon, John Asfour, Ken Norris, Richard Lemm, Clifford Duffy, Margaret Chirstakos, Roo Borson, Ruth Taylor, Robert McGee, Monty Cantsin\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors_names":["Anderson, Fortner"],"contributors_names_search":["Anderson, Fortner"],"contributors":["[{\"url\":\"http://www.viaf.org/viaf/106026246\",\"name\":\"Anderson, Fortner\",\"dates\":\"1955-\",\"notes\":\"http://fortneranderson.com/\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Anderson, Fortner"],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK D60\",\"generations\":\"Copy of microcassettes\",\"Conservation\":\"\",\"equalization\":\"Normal\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Hand-labeled title card\",\"other_physical_description\":\"Casette with title card in plastic case. \"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"PDP_SB_K0008A.WAV\",\"channel_field\":\"1\",\"sample_rate\":\"192kHz\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"24\",\"encoding\":\"WAVE\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Montreal, Quebec, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Montreal, Quebec, Canada"],"City":["Montreal, Quebec"],"contents":["<item label=“Dial-A-Poem Poets 2”> \n<span label=“Burn Flicker reads ‘Amsterdam Part 1’” begin=“00:00:03.00\" end=\"00:07:12.00\"/>\n<span label=“Steve Luxton reads ‘Sweeney Todd’” begin=“00:07:17.00\" end=\"00:10:14.00\"/>\n<span label=“Erin Moure reads ‘Horse Chestnuts’” begin=“00:10:14.00\" end=\"00:11:35.00\"/>\n<span label=“Anne Cimon reads ‘Freefloating’” begin=“00:11:36.00\" end=\"00:12:34.00\"/>\n<span label=“A reading of John Asfour’s ‘My Uncle’” begin=“00:12:39.00\" end=\"00:14:12.00\"/>\n<span label=“Ken Norris reads ‘You’re Reading This Too Fast’” begin=“00:14:15.00\" end=\"00:15:45.00\"/>\n<span label=“Richard Lemm reads ‘Love Poem’” begin=“00:15:46.00\" end=\"00:19:19.00\"/>\n<span label=“Cilfford Duffy reads ‘Nobody’s Perfect’” begin=“00:19:20.00\" end=\"00:21:48.00\"/>\n<span label=“Margaret Christokos reads ‘El Norte’” begin=“00:21:57.00\" end=\"00:24:24.00\"/>\n<span label=“Roo Borson reads ‘Intermittent Rain’” begin=“00:24:33.00\" end=\"00:26:42.00\"/>\n<span label=“Ruth Taylor reads ‘Taking It Hard’” begin=“00:26:46.00\" end=\"00:27:50.00\"/>\n<span label=“Robert McGee reads ‘The Cardinal’” begin=“00:27:52.00\" end=\"00:29:04.00\"/>\n<span label=“Monty Cantsin reads ‘Take Me Home’” begin=“00:29:04.00\" end=\"00:00:30.00\"/>\n </item> "],"Note":["[]"],"Related_works":["[]"],"_version_":1853670550992322561,"timestamp":"2026-01-07T14:59:55.538Z","score":0.01643844},{"id":"4591","cataloger_name":["Carolin,Huang"],"partnerInstitution":["ARCMTL"],"collection_source_collection":["Dial-A-Poem Montreal fonds"],"source_collection_label":["Dial-A-Poem Montreal fonds"],"collection_contributing_unit":["Arcmtl Archives & Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["PDP"],"persistent_url":[""],"item_title":["Dial-A-Poem Poets 2"],"item_title_source":["Transcribed from title card"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Various Authors"],"creator_names_search":["Various Authors"],"creators":["[{\"url\":\"\",\"name\":\"Various Authors\",\"dates\":\"\",\"notes\":\"Leo Kennedy, Donald Palmer, Jack Hannan, Thomas Renix, Shulamis Yelin, Edmundo Farolan, Marcia Goldberg, Neal Hindon, Eric Martin, Lucille King, Sonja Skarstedt, Eric Martin, Lorna Crozier, R.G. Everson, Ian Ferrier\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors_names":["Anderson, Fortner"],"contributors_names_search":["Anderson, Fortner"],"contributors":["[{\"url\":\"http://www.viaf.org/viaf/106026246\",\"name\":\"Anderson, Fortner\",\"dates\":\"1955-\",\"notes\":\"http://fortneranderson.com/\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Anderson, Fortner"],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK D60\",\"generations\":\"Copy of microcassettes\",\"Conservation\":\"\",\"equalization\":\"Normal\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Hand-labeled title card\",\"other_physical_description\":\"Casette with title card in plastic case. \"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"PDP_SB_K0008B.WAV\",\"channel_field\":\"1\",\"sample_rate\":\"192kHz\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"24\",\"encoding\":\"WAVE\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Montreal, Quebec, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Montreal, Quebec, Canada"],"City":["Montreal, Quebec"],"contents":["<item label=“Dial-A-Poem Poets 2”> \n<span label=“Leo Kennedy reads ‘Rite of Spring’” begin=“00:00:03.00\"\" end=\"\"00:03:36.00\"\"/>\n<span label=“Donald Palmer reads ‘Call to Arms’” begin=“00:03:39.00\"\" end=\"\"00:05:46.00\"\"/>\n<span label=“Jack Hannan reads ‘She was Good to Pooh’” begin=“00:05:51.00\"\" end=\"\"00:06:53.00\"\"/>\n<span label=“Thomas Renix reads ‘The Anti-Social Party I’” begin=“00:06:55.00\"\" end=\"\"00:08:33.00\"\"/>\n<span label=“Shulamis Yelin reads ‘Decision’” begin=“00:08:35.00\"\" end=\"\"00:10:14.00\"\"/>\n<span label=“Edmundo Farolan reads ‘Memories’” begin=“00:10:16.00\"\" end=\"\"00:11:52.00\"\"/>\n<span label=“Marcia Goldberg reads ‘Mariposa Politics’” begin=“00:01:54.00\"\" end=\"\"00:04:16.00\"\"/>\n<span label=“Neal Hindon reads ‘Prayer Flags’ and ‘Hot Weather in a Mexican Valley’” begin=“00:04:18.00\"\" end=\"\"00:05:44.00\"\"/>\n<span label=“Eric Martin reads ‘The Howling Beast’” begin=“00:05:50.00\"\" end=\"\"00:08:49.00\"\"/>\n<span label=“Lucille King Edwards reads ‘Safe’” begin=“00:08:51.00\"\" end=\"\"00:10:10.00\"\"/>\n<span label=“Sonja Skarstedt reads ‘Alonely’” begin=“00:10:10.00\"\" end=\"\"00:11:59.00\"\"/>\n<span label=“Eric Martin reads” begin=“00:11:59.00\"\" end=\"\"00:15:19.00\"\"/>\n<span label=“Lorna Crozier reads ‘The Child Who Walks Backwards’” begin=“00:15:20.00\"\" end=\"\"00:16:44.00\"\"/>\n<span label=“R.G. Everson reads ‘When I’m Going Well’” begin=“00:16:44.00\"\" end=\"\"00:18:03.00\"\"/>\n<span label=“R.G. Everson reads ‘None Knows Where We Are’” begin=“00:18:03.00\"\" end=\"\"00:19:10.00\"\"/>\n<span label=“Ian Ferrier reads ‘A Terrorist and a Belly Dancer’” begin=“00:19:12.00\"\" end=\"\"00:21:32.00\"\"/>\n </item> "],"Note":["[]"],"Related_works":["[]"],"_version_":1853670551184211968,"timestamp":"2026-01-07T14:59:55.742Z","score":0.01643844},{"id":"4592","cataloger_name":["Carolin,Huang"],"partnerInstitution":["ARCMTL"],"collection_source_collection":["Dial-A-Poem Montreal fonds"],"source_collection_label":["Dial-A-Poem Montreal fonds"],"collection_contributing_unit":["Arcmtl Archives & Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["PDP"],"persistent_url":[""],"item_title":["Dial-A-Poem Poets 3"],"item_title_source":["Transcribed from title card"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Various Authors"],"creator_names_search":["Various Authors"],"creators":["[{\"url\":\"\",\"name\":\"Various Authors\",\"dates\":\"\",\"notes\":\"Leo Kennedy, Ralph Gustafson, Ian Stephens, Robyn Potter, Anne McLean, Jack Hannan, Charlotte Hussey, R.G. Everson, Lorna Crozier, Errol MacDonald, Bill Furey,  Shulamis Yelin, Irving Layton, Fred Ward, Robert McGee\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors_names":["Anderson, Fortner"],"contributors_names_search":["Anderson, Fortner"],"contributors":["[{\"url\":\"http://www.viaf.org/viaf/106026246\",\"name\":\"Anderson, Fortner\",\"dates\":\"1955-\",\"notes\":\"http://fortneranderson.com/\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Anderson, Fortner"],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK D60\",\"generations\":\"Copy of microcassettes\",\"Conservation\":\"\",\"equalization\":\"Normal\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Hand-labeled title card\",\"other_physical_description\":\"Casette with title card in plastic case. \"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"PDP_SB_K0009A.WAV\",\"channel_field\":\"1\",\"sample_rate\":\"192kHz\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"24\",\"encoding\":\"WAVE\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Montreal, Quebec, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Montreal, Quebec, Canada"],"City":["Montreal, Quebec"],"contents":["<item label=“Dial-A-Poem Poets 3”> \n<span label=“Leo Kennedy reads ‘Reproach to Myself’” begin=“00:00:00.00\" end=\"00:02:05.00\"/>\n<span label=“Ralph Gustafson reads ‘In the Yukon’” begin=“00:02:06.00\" end=\"00:03:56.00\"/>\n<span label=“Ian Stephens reads ‘Tears of Infinite Repeat’” begin=“00:05:12.00\" end=\"00:06:36.00\"/>\n<span label=“Robyn Potter and Margaret Christakos” begin=“00:06:39.00\" end=\"00:10:11.00\"/>\n<span label=“Anne McLean reads ‘Between Every Woman and God’” begin=“00:10:13.00\" end=\"00:12:24.00\"/>\n<span label=“Jack Hannan reads ‘Put Yourself in My Shoes” begin=“00:12:26.00\" end=\"00:17:19.00\"/>\n<span label=“Charlotte Hussey reads ‘Birth’” begin=“00:17:19.00\" end=\"00:18:44.00\"/>\n<span label=“R.G. Everson ‘The Confrontation’” begin=“00:18:46.00\" end=\"00:19:51.00\"/>\n<span label=“Lorna Crozier reads ’The Sex Lives of Vegetables’” begin=“00:19:53.00\" end=\"00:20:59.00\"/>\n<span label=“Errol MacDonald reads ‘My Birth Lay Across The River’” begin=“00:21:01.00\" end=\"00:22:33.00\"/>\n<span label=“Bill Furey reads ‘Memory of My Grandfather’” begin=“00:22:34.00\" end=\"00:24:33.00\"/>\n<span label=“Shulamis Yelin reads ‘Between Poets’” begin=“00:24:35.00\" end=\"00:26:40.00\"/>\n<span label=“Irving Layton reads ‘There Were No Signs’” begin=“00:26:45.00\" end=\"00:27:44.00\"/>\n<span label=“Frederick Ward reads ‘Barefootin’’” begin=“00:27:48.00\" end=\"00:28:32.00\"/>\n<span label=“Robert McGee reads ‘Alphonsus Promethean’’” begin=“00:28:33.00\" end=\"00:29:46.00\"/>\n</item> 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Title card reads: B: Neal Hindon, Johanne Lafleur, Esther Ross, Martin Kevan, Steve Luxton\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Montreal, Quebec, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Montreal, Quebec, Canada"],"City":["Montreal, Quebec"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670551185260547,"timestamp":"2026-01-07T14:59:55.742Z","score":0.01643844},{"id":"4601","cataloger_name":["Carolin,Huang"],"partnerInstitution":["ARCMTL"],"collection_source_collection":["Dial-A-Poem Montreal fonds"],"source_collection_label":["Dial-A-Poem Montreal fonds"],"collection_contributing_unit":["Arcmtl Archives & Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["PDP"],"persistent_url":[""],"item_title":["Van Toorn, Yelin, Lake, Radul"],"item_title_source":["Transcribed from title card"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Yelin, Shulamis","Van Toorn, Peter"],"creator_names_search":["Yelin, Shulamis","Van Toorn, Peter"],"creators":["[{\"url\":\"http://www.viaf.org/viaf/91463490\",\"name\":\"Yelin, Shulamis\",\"dates\":\"1913-2002\",\"notes\":\"https://www.wikidata.org/wiki/Q56226327\\nhttps://en.wikipedia.org/wiki/Shulamis_Yelin\\nhttps://jwa.org/weremember/yelin-shulamis\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://www.viaf.org/viaf/92796875\",\"name\":\"Van Toorn, Peter\",\"dates\":\"1944-\",\"notes\":\"https://www.wikidata.org/wiki/Q47135804\\nhttps://en.wikipedia.org/wiki/Peter_van_Toorn\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors_names":["Anderson, Fortner"],"contributors_names_search":["Anderson, Fortner"],"contributors":["[{\"url\":\"http://www.viaf.org/viaf/106026246\",\"name\":\"Anderson, Fortner\",\"dates\":\"1955-\",\"notes\":\"http://fortneranderson.com/\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Anderson, Fortner"],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Maxell UR60\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"Normal\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Hand-labeled title card\",\"other_physical_description\":\"Casette with title card in plastic case. Title card reads: A: Van Toorn, Yelin\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"PDP_SB_K0014A.WAV\",\"channel_field\":\"1\",\"sample_rate\":\"192kHz\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"24\",\"encoding\":\"WAVE\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Montreal, Quebec, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Montreal, Quebec, Canada"],"City":["Montreal, Quebec"],"content_notes":["Two WAVE files."],"contents":["<item label=“Van Toorn/Yelin”> \n<span label=“Peter Van Toorn reads ‘The Mountain Surprise’” begin=“00:00:06.00\" end=\"00:05:50.00\"/>\n<span label=“Peter Van Toorn reads ‘Mountain Gallop’” begin=“00:05:55.00\" end=\"00:07:50.00\"/>\n<span label=“Peter Van Toorn reads ‘Mountain Hermit’” begin=“00:07:55.00\" end=\"00:08:32.00\"/>\n<span label=“Peter Van Toorn reads ‘Mountain Stars’” begin=“00:08:43.00\" end=\"00:09:14.00\"/>\n<span label=“Peter Van Toorn reads ‘Mountain Dancer’” begin=“00:09:23.00\" end=\"00:10:31.00\"/>\n<span label=“Peter Van Toorn reads ‘Mountain Friends’” begin=“00:10:37.00\" end=\"00:11:47.00\"/>\n<span label=“Shulamis Yelin reads ‘Invitation’” begin=“00:12:01.00\" end=\"00:13:03.00\"/>\n<span label=“Shulamis Yelin reads ‘Incompatability’” begin=“00:13:06.00\" end=\"00:14:08.00\"/>\n<span label=“Shulamis Yelin reads ‘Correction Please’” begin=“00:14:10.00\" end=\"00:14:49.00\"/>\n<span label=“Shulamis Yelin reads ‘First Snow’” begin=“00:14:52.00\" end=\"00:15:26.00\"/>\n<span label=“Shulamis Yelin reads ‘Revelations’” begin=“00:15:29.00\" end=\"00:15:52.00\"/>\n<span label=“Shulamis Yelin reads ‘While the Sabbath Begins on Friday Eve’” begin=“00:15:57.00\" end=\"00:18:40.00\"/>\n<span label=“Shulamis Yelin reads ‘King David Was Mighty…’” begin=“00:18:53.00\" end=\"00:19:56.00\"/>\n<span label=“Shulamis Yelin reads A.M. Klein’s ‘Dew Without a Ghetto’” begin=“00:20:02.00\" end=\"00:22:32.00\"/>\n<span label=“Shulamis Yelin reads ‘[Gaston Mirron] Reads’” begin=“00:22:37.00\" end=\"00:25:22.00\"/>\n<span label=“Shulamis Yelin reads ‘Dressing for the Banquet…’” begin=“00:25:30.00\" end=\"00:26:32.00\"/>\n<span label=“Shulamis Yelin reads ‘Famous Poets Gives a Class’” begin=“00:26:35.00\" end=\"00:28:09.00\"/>\n<span label=“Shulamis Yelin reads ‘[Mara Has]’” begin=“00:28:13.00\" end=\"00:28:56.00\"/>\n<span label=“Shulamis Yelin reads ‘The Awl Rowing Towards God’” begin=“00:28:58.00\" end=\"00:29:46.00\"/>\n<span label=“Shulamis Yelin reads ‘Milton Acorn Reads at Loyola’” begin=“00:29:50.00\" end=\"00:30:39.00\"/>\n<span label=“Shulamis Yelin reads ‘Sabotage’” begin=“00:30:43.00\" end=\"00:01:00.00\"/>\n</item> "],"Note":["[]"],"Related_works":["[]"],"_version_":1853670551185260548,"timestamp":"2026-01-07T14:59:55.742Z","score":0.01643844},{"id":"4602","cataloger_name":["Carolin,Huang"],"partnerInstitution":["ARCMTL"],"collection_source_collection":["Dial-A-Poem Montreal fonds"],"source_collection_label":["Dial-A-Poem Montreal fonds"],"collection_contributing_unit":["Arcmtl Archives & Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["PDP"],"persistent_url":[""],"item_title":["Van Toorn, Yelin, Lake, Radul"],"item_title_source":["Transcribed from title card"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Lake, Randy","Radul, Judy"],"creator_names_search":["Lake, Randy","Radul, Judy"],"creators":["[{\"url\":\"http://www.viaf.org/viaf/75964722\",\"name\":\"Lake, Randy\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://www.viaf.org/viaf/281422023\",\"name\":\"Radul, Judy\",\"dates\":\"1962-\",\"notes\":\"https://www.wikidata.org/wiki/Q19668517\\nhttps://en.wikipedia.org/wiki/Judy_Radul\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors_names":["Anderson, Fortner"],"contributors_names_search":["Anderson, Fortner"],"contributors":["[{\"url\":\"http://www.viaf.org/viaf/106026246\",\"name\":\"Anderson, Fortner\",\"dates\":\"1955-\",\"notes\":\"http://fortneranderson.com/\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Anderson, Fortner"],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Maxell UR60\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"Normal\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Hand-labeled title card\",\"other_physical_description\":\"Casette with title card in plastic case. Title card reads: B: Radul, Lake\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"PDP_SB_K0014B.WAV\",\"channel_field\":\"1\",\"sample_rate\":\"192kHz\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"24\",\"encoding\":\"WAVE\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Montreal, Quebec, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Montreal, Quebec, Canada"],"City":["Montreal, Quebec"],"content_notes":["Two WAVE files."],"contents":["<item label=“Radul/Lake”> \n<span label=“Judy Radul reads” begin=“00:00:01.00\" end=\"00:02:11.00\"/>\n<span label=“Judy Radul reads” begin=“00:02:12.00\" end=\"00:06:03.00\"/>\n<span label=“Judy Radul reads” begin=“00:06:09.00\" end=\"00:12:57.00\"/>\n<span label=“Judy Radul reads” begin=“00:13:01.00\" end=\"00:13:56.00\"/>\n<span label=“Randy Lake reads” begin=“00:14:41.00\" end=\"00:17:19.00\"/>\n<span label=“Randy Lake reads” begin=“00:00:08.00\" end=\"00:02:43.00\"/>\n<span label=“Randy Lake reads” begin=“00:02:48.00\" end=\"00:06:54.00\"/>\n</item> \n"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670551186309120,"timestamp":"2026-01-07T14:59:55.742Z","score":0.01643844},{"id":"4603","cataloger_name":["Carolin,Huang"],"partnerInstitution":["ARCMTL"],"collection_source_collection":["Dial-A-Poem Montreal fonds"],"source_collection_label":["Dial-A-Poem Montreal fonds"],"collection_contributing_unit":["Arcmtl Archives & Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["PDP"],"persistent_url":[""],"item_title":["Dial-A-Poem Archives #2"],"item_title_source":["Transcribed from title card"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Various Authors"],"creator_names_search":["Various Authors"],"creators":["[{\"url\":\"\",\"name\":\"Various Authors\",\"dates\":\"\",\"notes\":\"Kathy Acker, Fred Ward, Neil Affleck, David Rattray, R.G. Everson\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors_names":["Anderson, Fortner"],"contributors_names_search":["Anderson, Fortner"],"contributors":["[{\"url\":\"http://www.viaf.org/viaf/106026246\",\"name\":\"Anderson, Fortner\",\"dates\":\"1955-\",\"notes\":\"http://fortneranderson.com/\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Anderson, Fortner"],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"Dolby B noise reduction\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK SA90\",\"generations\":\"Copy of microcassettes\",\"Conservation\":\"\",\"equalization\":\"High\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Hand-labeled title card\",\"other_physical_description\":\"Casette with title card in plastic case. Title card reads: A: Kathy Acker, Fred Ward, Neil Affleck, David Rattray, R.G. Everson\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"PDP_SB_K0015A.WAV\",\"channel_field\":\"1\",\"sample_rate\":\"192kHz\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"24\",\"encoding\":\"WAVE\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Montreal, Quebec, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Montreal, Quebec, Canada"],"City":["Montreal, Quebec"],"contents":["<item label=“Dial A Poem Archives #2”> \n<span label=“Kathy Acker reads” begin=“00:00:04.00\" end=\"00:02:59.00\"/>\n<span label=“Kathy Acker reads” begin=“00:03:06.00\" end=\"00:06:52.00\"/>\n<span label=“Kathy Acker reads ‘Mountain Hermit’” begin=“00:06:57.00\" end=\"00:10:20.00\"/>\n<span label=“Fred Ward reads” begin=“00:10:25.00\" end=\"00:11:52.00\"/>\n<span label=“Fred Ward reads ‘Just Lightly’” begin=“00:11:52.00\" end=\"00:13:01.00\"/>\n<span label=“Fred Ward reads ‘Bare-Footin’” begin=“00:13:05.00\" end=\"00:14:07.00\"/>\n<span label=“Fred Ward reads ‘I Never Know’d’” begin=“00:14:09.00\" end=\"00:16:49.00\"/>\n<span label=“Fred Ward reads ‘I Had A Feeling’” begin=“00:16:54.00\" end=\"00:18:25.00\"/>\n<span label=“Fred Ward reads” begin=“00:18:31.00\" end=\"00:19:15.00\"/>\n<span label=“Burn Flicker reads ‘Amsterjam Part I’” begin=“00:19:23.00\" end=\"00:25:09.00\"/>\n<span label=“Burn Flicker reads ‘Amsterjam Part II’” begin=“00:25:14.00\" end=\"00:29:53.00\"/>\n<span label=“David Rattray reads ‘A Red-Framed Print of the Summer Palace’” begin=“00:29:53.00\" end=\"00:01:02.00\"/>\n<span label=“David Rattray reads ‘They Don’t Have to Have That Look’” begin=“00:01:04.00\" end=\"00:04:17.00\"/>\n<span label=“David Rattray reads ‘Le palais d’ete dans la cadre rouge’” begin=“00:04:18.00\" end=\"00:07:10.00\"/>\n<span label=“David Rattray reads ‘A Red-Framed Print of the Summer Palace’” begin=“00:00:10.00\" end=\"00:02:15.00\"/>\n<span label=“R.G. Everson reads ‘The Confrontation’” begin=“00:00:05.00\" end=\"00:01:39.00\"/>\n<span label=“R.G. Everson reads ‘None Knows Where We Are’” begin=“00:01:42.00\" end=\"00:02:35.00\"/>\n<span label=“R.G. Everson reads ‘Over the Orkneys’” begin=“00:02:42.00\" end=\"00:04:04.00\"/>\n</item> \n"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670551187357696,"timestamp":"2026-01-07T14:59:55.742Z","score":0.01643844},{"id":"4604","cataloger_name":["Carolin,Huang"],"partnerInstitution":["ARCMTL"],"collection_source_collection":["Dial-A-Poem Montreal fonds"],"source_collection_label":["Dial-A-Poem Montreal fonds"],"collection_contributing_unit":["Arcmtl Archives & Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["PDP"],"persistent_url":[""],"item_title":["Dial-A-Poem Archives #2"],"item_title_source":["Transcribed from title card"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Various Authors"],"creator_names_search":["Various Authors"],"creators":["[{\"url\":\"\",\"name\":\"Various Authors\",\"dates\":\"\",\"notes\":\"R.G. Everson, Erin Moure, Bill Furey, Errol MacDonald, Lucille King Edwards, Howard Tessler\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors_names":["Anderson, Fortner"],"contributors_names_search":["Anderson, Fortner"],"contributors":["[{\"url\":\"http://www.viaf.org/viaf/106026246\",\"name\":\"Anderson, Fortner\",\"dates\":\"1955-\",\"notes\":\"http://fortneranderson.com/\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Anderson, Fortner"],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"Dolby B noise reduction\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK SA90\",\"generations\":\"Copy of microcassettes\",\"Conservation\":\"\",\"equalization\":\"High\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Hand-labeled title card\",\"other_physical_description\":\"Casette with title card in plastic case. Title card reads: B: R.G. Everson, Erin Moure, Bill Furey, Errol MacDonald, Lucille King Edwards, Howard Tessler\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"PDP_SB_K0015B.WAV\",\"channel_field\":\"1\",\"sample_rate\":\"192kHz\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"24\",\"encoding\":\"WAVE\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Montreal, Quebec, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Montreal, Quebec, Canada"],"City":["Montreal, Quebec"],"contents":["<item label=“Dial A Poem Archives #2”> \n<span label=“R.G. Everson reads ‘Greeks Had Nothing Else to Do’” begin=“00:00:04.00\" end=\"00:01:23.00\"/>\n<span label=“R.G. Everson reads ‘When I’m Going Well’” begin=“00:01:27.00\" end=\"00:02:43.00\"/>\n<span label=“R.G. Everson reads ‘The Throwback Voice’” begin=“00:02:46.00\" end=\"00:05:24.00\"/>\n<span label=“Erin Moure reads ’Lunge’” begin=“00:05:25.00\" end=\"00:08:06.00\"/>\n<span label=“Erin Moure reads ’Lunge’” begin=“00:08:07.00\" end=\"00:10:19.00\"/>\n<span label=“Erin Moure reads ’Lunge’” begin=“00:10:19.00\" end=\"00:12:34.00\"/>\n<span label=“Erin Moure reads ’Some of the Women’” begin=“00:12:34.00\" end=\"00:14:27.00\"/>\n<span label=“Erin Moure reads ’Horse Chestnuts’” begin=“00:14:27.00\" end=\"00:15:36.00\"/>\n<span label=“Erin Moure reads ’Neighbours’” begin=“00:15:51.00\" end=\"00:17:14.00\"/>\n<span label=“Bill Furey reads ‘Watching Nuns Crossing Fletcher’s Field’” begin=“00:17:27.00\" end=\"00:20:01.00\"/>\n<span label=“Bill Furey reads ‘Memory of My Grandfather’” begin=“00:20:07.00\" end=\"00:22:29.00\"/>\n<span label=“Bill Furey reads ‘You Are’” begin=“00:22:32.00\" end=\"00:23:36.00\"/>\n<span label=“Errol MacDonald reads ‘The Sky Was a Vast Plea of Innocence’” begin=“00:23:41.00\" end=\"00:25:10.00\"/>\n<span label=“Errol MacDonald reads ‘Aviva Singing’” begin=“00:25:12.00\" end=\"00:25:56.00\"/>\n<span label=“Errol MacDonald reads ‘The History of Art’” begin=“00:26:59.00\" end=\"00:30:25.00\"/>\n<span label=“Errol MacDonald reads ‘Perspex His Sunday Evening’” begin=“00:30:28.00\" end=\"00:01:50.00\"/>\n<span label=“Errol MacDonald reads ‘My Birth Place Lay Across the River’” begin=“00:01:55.00\" end=\"00:03:24.00\"/>\n<span label=“Errol MacDonald reads ‘Variations in Moonlight’” begin=“00:03:27.00\" end=\"00:06:36.00\"/>\n<span label=“Errol MacDonald reads ‘In Memoriam Estelle Forbes 1910-1930’” begin=“00:06:37.00\" end=\"00:09:03.00\"/>\n<span label=“Lucille King Edwards reads ‘Always Leaving Vancouver’” begin=“00:09:07.00\" end=\"00:10:44.00\"/>\n<span label=“Howard Tessler reads ‘Donut Shop Poem’” begin=“00:10:46..00\" end=\"00:12:22.00\"/>\n</item> "],"Note":["[]"],"Related_works":["[]"],"_version_":1853670551187357697,"timestamp":"2026-01-07T14:59:55.742Z","score":0.01643844},{"id":"4605","cataloger_name":["Carolin,Huang"],"partnerInstitution":["ARCMTL"],"collection_source_collection":["Dial-A-Poem Montreal fonds"],"source_collection_label":["Dial-A-Poem Montreal fonds"],"collection_contributing_unit":["Arcmtl Archives & Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["PDP"],"persistent_url":[""],"item_title":["Dial-A-Poem Archives #4"],"item_title_source":["Transcribed from title card"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Various Authors"],"creator_names_search":["Various Authors"],"creators":["[{\"url\":\"\",\"name\":\"Various Authors\",\"dates\":\"\",\"notes\":\"Charlotte Hussey, Richard Lemm, Ian Stephens, Tim Crawford, Peter Brawley, Jean-Luc Bonspiel, Maila Shanks/Shelley Bloomer, Raymond Filip, Endre Farkas, Antonio D'Alfonso\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors_names":["Anderson, Fortner"],"contributors_names_search":["Anderson, Fortner"],"contributors":["[{\"url\":\"http://www.viaf.org/viaf/106026246\",\"name\":\"Anderson, Fortner\",\"dates\":\"1955-\",\"notes\":\"http://fortneranderson.com/\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Anderson, Fortner"],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"Dolby B noise reduction\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK SA90\",\"generations\":\"Copy of microcassettes\",\"Conservation\":\"\",\"equalization\":\"High\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Hand-labeled title card\",\"other_physical_description\":\"Casette with title card in plastic case. Title card reads: A: Charlotte Hussey, Richard Lemm, Ian Stephens, Tim Crawford, Peter Brawley, Jean-Luc Bonspiel, Maila Shanks/Shelley Bloomer, Raymond Filip, Endre Farkas, Antonio D'Alfonso\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Montreal, Quebec, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Montreal, Quebec, Canada"],"City":["Montreal, Quebec"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670551187357698,"timestamp":"2026-01-07T14:59:55.742Z","score":0.01643844},{"id":"4606","cataloger_name":["Carolin,Huang"],"partnerInstitution":["ARCMTL"],"collection_source_collection":["Dial-A-Poem Montreal fonds"],"source_collection_label":["Dial-A-Poem Montreal fonds"],"collection_contributing_unit":["Arcmtl Archives & Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["PDP"],"persistent_url":[""],"item_title":["Dial-A-Poem Archives #4"],"item_title_source":["Transcribed from title card"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Various Authors"],"creator_names_search":["Various Authors"],"creators":["[{\"url\":\"\",\"name\":\"Various Authors\",\"dates\":\"\",\"notes\":\"Lawrence Hutchman, Jack Hannan, Brian Bartlett, Ian Ferrier, Sam, Noah Zacharis, Mohammed Togani, Robert Allen, Katherine Beeman, Hugh Hazelton\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors_names":["Anderson, Fortner"],"contributors_names_search":["Anderson, Fortner"],"contributors":["[{\"url\":\"http://www.viaf.org/viaf/106026246\",\"name\":\"Anderson, Fortner\",\"dates\":\"1955-\",\"notes\":\"http://fortneranderson.com/\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Anderson, Fortner"],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"Dolby B noise reduction\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK SA90\",\"generations\":\"Copy of microcassettes\",\"Conservation\":\"\",\"equalization\":\"High\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Hand-labeled title card\",\"other_physical_description\":\"Casette with title card in plastic case. Title card reads: B: Lawrence Hutchman, Jack Hannan, Brian Bartlett, Ian Ferrier, Sam, Noah Zacharis, Mohammed Togani, Robert Allen, Katherine Beeman, Hugh Hazelton\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Montreal, Quebec, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Montreal, Quebec, Canada"],"City":["Montreal, Quebec"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670551187357699,"timestamp":"2026-01-07T14:59:55.742Z","score":0.01643844},{"id":"4607","cataloger_name":["Carolin,Huang"],"partnerInstitution":["ARCMTL"],"collection_source_collection":["Dial-A-Poem Montreal fonds"],"source_collection_label":["Dial-A-Poem Montreal fonds"],"collection_contributing_unit":["Arcmtl Archives & Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["PDP"],"persistent_url":[""],"item_title":["Dial-A-Poem Archives #6"],"item_title_source":["Transcribed from title card"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Various Authors"],"creator_names_search":["Various Authors"],"creators":["[{\"url\":\"\",\"name\":\"Various Authors\",\"dates\":\"\",\"notes\":\"Shulamis Yelin, Ken Norris\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors_names":["Anderson, Fortner"],"contributors_names_search":["Anderson, Fortner"],"contributors":["[{\"url\":\"http://www.viaf.org/viaf/106026246\",\"name\":\"Anderson, Fortner\",\"dates\":\"1955-\",\"notes\":\"http://fortneranderson.com/\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Anderson, Fortner"],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"Dolby B noise reduction\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK SA90\",\"generations\":\"Copy of microcassettes\",\"Conservation\":\"\",\"equalization\":\"High\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Hand-labeled title card\",\"other_physical_description\":\"Casette with title card in plastic case. Title card reads: Shulamis Yelin, Ken Norris\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Montreal, Quebec, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Montreal, Quebec, Canada"],"City":["Montreal, Quebec"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670551187357700,"timestamp":"2026-01-07T14:59:55.742Z","score":0.01643844},{"id":"4583","cataloger_name":["Carolin,Huang"],"partnerInstitution":["ARCMTL"],"collection_source_collection":["Dial-A-Poem Montreal fonds"],"source_collection_label":["Dial-A-Poem Montreal fonds"],"collection_contributing_unit":["Arcmtl Archives & Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["PDP"],"persistent_url":[""],"item_title":["Dial-A-Poem reading March 31.87 (The Foufounes Elec.) "],"item_title_source":["Transcribed from title card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Various Authors"],"creator_names_search":["Various Authors"],"creators":["[{\"url\":\"\",\"name\":\"Various Authors\",\"dates\":\"\",\"notes\":\"Jacques\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors_names":["Anderson, Fortner"],"contributors_names_search":["Anderson, Fortner"],"contributors":["[{\"url\":\"http://www.viaf.org/viaf/106026246\",\"name\":\"Anderson, Fortner\",\"dates\":\"1955-\",\"notes\":\"http://fortneranderson.com/\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Anderson, Fortner"],"Production_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"Box states TDK SA90 but tape states TDK D60\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK D60\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"Normal\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Hand-labeled title card\",\"other_physical_description\":\"Casette with title card in plastic case.\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"PDP_SB_K0004A.WAV\",\"channel_field\":\"1\",\"sample_rate\":\"192kHz\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"24\",\"encoding\":\"WAVE\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-03-31\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Written on the case.\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Foufounes Electriques\",\"notes\":\"\",\"address\":\"Montreal, Quebec, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Montreal, Quebec, Canada"],"Venue":["Foufounes Electriques"],"City":["Montreal, Quebec"],"contents":["<item label=\"Dial-A-Poem reading March 31.87\"> \n<span label=“Jacques reads ‘Syntax Error’” begin=\"00:00:01.00\" end=\"00:02:51.00\"/> \n<span label=“Jacques reads ‘Dans le [demessure] des diversite…’” begin=\"00:03:04.00\" end=\"00:05:13.00\"/> \n<span label=“Jacques reads ‘It’s the story of Simon Loskovich’” begin=\"00:05:23.00\" end=\"00:10:40.00\"/> \n<span label=“Jacques reads ‘Elle s’appelle Simon Loskovich’” begin=\"00:11:25.00\" end=\"00:12:57.00\"/>  \n<span label=“Anderson closes the night” begin=\"00:14:34.00\" end=\"00:15:17.00\"/>  \n</item> "],"Note":["[]"],"Related_works":["[]"],"_version_":1853670551195746306,"timestamp":"2026-01-07T14:59:55.742Z","score":0.01643844},{"id":"4584","cataloger_name":["Carolin,Huang"],"partnerInstitution":["ARCMTL"],"collection_source_collection":["Dial-A-Poem Montreal fonds"],"source_collection_label":["Dial-A-Poem Montreal fonds"],"collection_contributing_unit":["Arcmtl Archives & Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["PDP"],"persistent_url":[""],"item_title":["Endre Farkas/Erin Moure"],"item_title_source":["Transcribed from title card"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Farkas, Endre","Moure, Erin"],"creator_names_search":["Farkas, Endre","Moure, Erin"],"creators":["[{\"url\":\"http://www.viaf.org/viaf/115673614\",\"name\":\"Farkas, Endre\",\"dates\":\"1948-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"1955-\",\"name\":\"Moure, Erin\",\"dates\":\"https://viaf.org/viaf/22186962/\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors_names":["Anderson, Fortner"],"contributors_names_search":["Anderson, Fortner"],"contributors":["[{\"url\":\"http://www.viaf.org/viaf/106026246\",\"name\":\"Anderson, Fortner\",\"dates\":\"1955-\",\"notes\":\"http://fortneranderson.com/\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Anderson, Fortner"],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"BASF SM LH60\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"Normal\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Hand-labeled title card and piece of paper with poem titles and times.\",\"other_physical_description\":\"Casette with title card in plastic case. Title card reads: 1) Endre Farkas 000-305 Erin Moure 332-End.\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"PDP_SB_K0005A.WAV\",\"channel_field\":\"1\",\"sample_rate\":\"192kHz\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"24\",\"encoding\":\"WAVE\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Montreal, Quebec, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Montreal, Quebec, Canada"],"City":["Montreal, Quebec"],"content_notes":["Two WAVE files."],"contents":["<item label=\"Endre Farkas/Erin Moure\"> \n<span label=“Endre Farkas reads ‘How To’” begin=\"00:00:37.00\" end=\"00:02:02.00\"/> \n<span label=“Endre Farkas reads ‘How To’” begin=\"00:02:54.00\" end=\"00:04:17.00\"/> \n<span label=“Endre Farkas reads ‘Wherefore Art Thou Now’” begin=\"00:04:34.00\" end=\"00:05:16.00\"/> \n<span label=“Endre Farkas reads ‘Wherefore Art Thou Now’” begin=\"00:05:18.00\" end=\"00:07:25.00\"/> \n<span label=“Endre Farkas reads ‘Wherefore Art Thou Now’” begin=\"00:07:31.00\" end=\"00:10:30.00\"/> \n<span label=“Endre Farkas reads ‘Wherefore Art Thou Now’” begin=\"00:10:30.00\" end=\"00:13:41.00\"/> \n<span label=“Endre Farkas reads ‘Oral History’” begin=\"00:13:56.00\" end=\"00:16:06.00\"/> \n<span label=“Endre Farkas reads ‘Oral History’” begin=\"00:16:19.00\" end=\"00:18:33.00\"/> \n<span label=“Endre Farkas reads ‘Baby Poems’” begin=“00:18:40.00\" end=\"00:21:18.00\"/>\n \n<span label=“Erin Moure reads ‘Neighbors’” begin=“00:00:40.00\" end=\"00:01:36.00\"/>\n<span label=“Erin Moure reads ‘Lunge’” begin=“00:01:42.00\" end=\"00:03:57.00\"/>\n<span label=“Erin Moure reads ‘Lunge’” begin=“00:03:57.00\" end=\"00:06:03.00\"/>\n<span label=“Erin Moure reads ‘Some of the Women’” begin=“00:06:19.00\" end=\"00:07:43.00\"/>\n</item> "],"Note":["[]"],"Related_works":["[]"],"_version_":1853670551195746307,"timestamp":"2026-01-07T14:59:55.742Z","score":0.01643844},{"id":"4585","cataloger_name":["Carolin,Huang"],"partnerInstitution":["ARCMTL"],"collection_source_collection":["Dial-A-Poem Montreal fonds"],"source_collection_label":["Dial-A-Poem Montreal fonds"],"collection_contributing_unit":["Arcmtl Archives & Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["PDP"],"persistent_url":[""],"item_title":["Erin Moure/Renato Trujillo"],"item_title_source":["Transcribed from title card"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Moure, Erin","Trujillo, Renato"],"creator_names_search":["Moure, Erin","Trujillo, Renato"],"creators":["[{\"url\":\"1955-\",\"name\":\"Moure, Erin\",\"dates\":\"https://viaf.org/viaf/22186962/\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"\",\"name\":\"Trujillo, Renato\",\"dates\":\"1942-2000\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors_names":["Anderson, Fortner"],"contributors_names_search":["Anderson, Fortner"],"contributors":["[{\"url\":\"http://www.viaf.org/viaf/106026246\",\"name\":\"Anderson, Fortner\",\"dates\":\"1955-\",\"notes\":\"http://fortneranderson.com/\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Anderson, Fortner"],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"BASF SM LH60\",\"generations\":\"Master\",\"Conservation\":\"\",\"equalization\":\"Normal\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Hand-labeled title card and piece of paper with poem titles and times.\",\"other_physical_description\":\"Casette with title card in plastic case. Title card reads: 2) Erin Moure 000-025 Renato Trujillo 028-127.\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"PDP_SB_K0005B.WAV\",\"channel_field\":\"1\",\"sample_rate\":\"192kHz\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"24\",\"encoding\":\"WAVE\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Montreal, Quebec, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Montreal, Quebec, Canada"],"City":["Montreal, Quebec"],"contents":["<item label=\"Erin Moure/Renato Trujillo\"> \n<span label=“Erin Moure reads ‘Horsechestnuts’” begin=“00:00:00.00\" end=\"00:01:08.00\"/>\n<span label=“Renato Trujillo reads ‘Icarus One’” begin=“00:01:28.00\" end=\"00:01:50.00\"/>\n<span label=“Renato Trujillo reads ‘Stage Number’” begin=“00:02:03.00\" end=\"00:03:03.00\"/>\n<span label=“Renato Trujillo reads ’Sometimes’” begin=“00:03:11.00\" end=\"00:04:25.00\"/>\n<span label=“Renato Trujillo reads ’Without Words’” begin=“00:04:34.00\" end=\"00:05:13.00\"/>\n<span label=“Renato Trujillo reads ’Retournello’” begin=“00:05:19.00\" end=\"00:07:07.00\"/>\n</item> "],"Note":["[]"],"Related_works":["[]"],"_version_":1853670551195746308,"timestamp":"2026-01-07T14:59:55.742Z","score":0.01643844},{"id":"4586","cataloger_name":["Carolin,Huang"],"partnerInstitution":["ARCMTL"],"collection_source_collection":["Dial-A-Poem Montreal fonds"],"source_collection_label":["Dial-A-Poem Montreal fonds"],"collection_contributing_unit":["Arcmtl Archives & Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["PDP"],"persistent_url":[""],"item_title":["Dial-A-Poem Archives #3"],"item_title_source":["Transcribed from title card"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Various Authors"],"creator_names_search":["Various Authors"],"creators":["[{\"url\":\"\",\"name\":\"Various Authors\",\"dates\":\"\",\"notes\":\"Monty Cantsin, Sylvere Lotringer, Gordon W., Chris Kraus, David Rattray, Ruth Taylor\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors_names":["Anderson, Fortner"],"contributors_names_search":["Anderson, Fortner"],"contributors":["[{\"url\":\"http://www.viaf.org/viaf/106026246\",\"name\":\"Anderson, Fortner\",\"dates\":\"1955-\",\"notes\":\"http://fortneranderson.com/\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Anderson, Fortner"],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"Dolby B noise reduction\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK SA90\",\"generations\":\"Copy of microcassettes\",\"Conservation\":\"\",\"equalization\":\"High\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Hand-labeled title card\",\"other_physical_description\":\"Casette with title card in plastic case. Title card reads: A: Monty Cantsin, Sylvere Lotringer, Gordon W., Chris Kraus (D. 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Raids the Pillarness of Attachment and Aversion’” begin=“00:26:13.00\" end=\"00:30:52.00\"/>\n\n<span label=“Chris Kraus/David Rattray reads ’Voyage to Rodez’” begin=“00:00:10.00\" end=\"00:04:49.00\"/>\n<span label=“Ruth Taylor reads ’The Yellow Rose Tree’” begin=“00:04:52.00\" end=\"00:07:24.00\"/>\n<span label=“Ruth Taylor reads ’Taking it Hard’” begin=“00:07:35.00\" end=\"00:09:07.00\"/>\n<span label=“Ruth Taylor reads ’Untitled’” begin=“00:07:35.00\" end=\"00:09:07.00\"/>\n<span label=“Ruth Taylor reads ’Solutions’” begin=“00:09:09.00\" end=\"00:10:55.00\"/>\n<span label=“Ruth Taylor reads ’The Wide Vinegar Trees’” begin=“00:11:04.00\" end=\"00:12:35.00\"/>\n</item> "],"Note":["[]"],"Related_works":["[]"],"_version_":1853670551195746309,"timestamp":"2026-01-07T14:59:55.742Z","score":0.01643844},{"id":"8935","cataloger_name":["Jasmin,Macarios"],"partnerInstitution":["University of Ottawa"],"collection_source_collection":["LOOT Oral History Project collection"],"source_collection_label":["LOOT Oral History Project collection"],"collection_contributing_unit":["Archives et collections sp&eacute;ciales/Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["10-080"],"persistent_url":["https://arcs-atom.uottawa.ca/index.php/loot-oral-history-project-fonds"],"item_title":["Pat Murphy Interview, Toronto, Canada, 18 Apr 1989"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights_notes":["For copyright information contact Archives and Special Collections."],"creator_names":["Ross, Becki","Murphy, Pat"],"creator_names_search":["Ross, Becki","Murphy, Pat"],"creators":["[{\"url\":\"\",\"name\":\"Ross, Becki\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"interviewer\"]},{\"url\":\"\",\"name\":\"Murphy, Pat\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"interviewee\"]}]"],"contributors":["[]"],"Production_Date":[1989],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"02:05:49\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"Waveform\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1989-04-18\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/18063533\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Toronto, Ontario, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Toronto, Ontario, Canada"],"City":["Toronto, Ontario"],"content_notes":["Digital file was derived from the digitization of an audiocassette"],"contents":["This file consists of Becki Ross' interview with Pat Murphy in Toronto. She discusses the television shows she participated in with the Community Homophile Association of Toronto (CHAT) and Fly by Night."],"Note":["[]"],"Related_works":["[]"],"_version_":1853670552300945415,"timestamp":"2026-01-07T14:59:56.794Z","score":0.01643844},{"id":"8930","cataloger_name":["Jasmin,Macarios"],"partnerInstitution":["University of Ottawa"],"collection_source_collection":["LOOT Oral History Project collection"],"source_collection_label":["LOOT Oral History Project collection"],"collection_contributing_unit":["Archives et collections sp&eacute;ciales/Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["10-080"],"persistent_url":["https://arcs-atom.uottawa.ca/index.php/loot-oral-history-project-fonds"],"item_title":["Kathy Arnup and Sue Genge Interview, Toronto, Canada, 12 Dec 1989"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights_notes":["For copyright information contact Archives and Special Collections."],"creator_names":["Ross, Becki","Genge, Sue"],"creator_names_search":["Ross, Becki","Genge, Sue"],"creators":["[{\"url\":\"\",\"name\":\"Ross, Becki\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"interviewer, Kathy Arnup\"]},{\"url\":\"\",\"name\":\"Genge, Sue\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"interviewee\"]}]"],"contributors":["[]"],"Production_Date":[1989],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:59:58\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"Waveform\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1989-12-12\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/18063533\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Toronto, Ontario, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Toronto, Ontario, Canada"],"City":["Toronto, Ontario"],"content_notes":["Digital file was derived from the digitization of an audiocassette"],"contents":["This file consists of Becki Ross' interview with Kathy Arnup and Sue Genge in Toronto. They talk about their part in the Revolutionary Marxist Group (RMG), International Women's Day Committee (IWDC), and A Fine Kettle of Fish."],"Note":["[]"],"Related_works":["[]"],"_version_":1853670552300945416,"timestamp":"2026-01-07T14:59:56.794Z","score":0.01643844},{"id":"8929","cataloger_name":["Jasmin,Macarios"],"partnerInstitution":["University of Ottawa"],"collection_source_collection":["LOOT Oral History Project collection"],"source_collection_label":["LOOT Oral History Project collection"],"collection_contributing_unit":["Archives et collections sp&eacute;ciales/Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["10-080"],"persistent_url":["https://arcs-atom.uottawa.ca/index.php/loot-oral-history-project-fonds"],"item_title":["Chris Bearchell Interview, Toronto, Canada, 5 Nov 1988"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights_notes":["For copyright information contact Archives and Special Collections."],"creator_names":["Ross, Becki","Bearchell, Chris"],"creator_names_search":["Ross, Becki","Bearchell, Chris"],"creators":["[{\"url\":\"\",\"name\":\"Ross, Becki\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"interviewer\"]},{\"url\":\"\",\"name\":\"Bearchell, Chris\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"interviewee\"]}]"],"contributors":["[]"],"Production_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:05:29\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"Waveform\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-11-05\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/18063533\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Toronto, Ontario, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Toronto, Ontario, Canada"],"City":["Toronto, Ontario"],"content_notes":["Digital file was derived from the digitization of an audiocassette"],"contents":["This file consists of Becki Ross' interview with Chris Bearchell in Toronto. 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Action Poetry faculty and participants included: John Sobol, Jill Battson, Erik Belgium, Meryn Caddell, Djewel Davidson, Shawna Dempsey and Lorri Millan, Alex Ferguson, Kedrick James, Clifton Joseph, Darryl Keyes, Isobeau Miller, Ahdri Zhina Mandiela, Tracie Morris, Dasez Tempo and Richie D, Sean Paul Zitello (SPaZ), Lori Weidenhammer, Diane Wolkstein, Sheri-D Wilson, Adeena Karasick, Wendy Berner, Terrence Crane, Greg Young-Ing, Harold Carr, Peter McPhee, Thuong Vuong Riddick, Stephen Humphrey, Tim lander, Gunargie Ou2019Sullivan, Tom Henihan, Murdoch Burnett, Lillian Allen, Jeannette Armstrong, Paul Dutton, Bob Holman, Jayne Cortez, John Giorno, Richard Armstrong, the Pine Trio (Steve Lacy, Irene Aebi and Nicholas Isherwood), Aaron Williamson, Judy Radul and Deanna Ferguson, Uma Rao, Mary Dalton, and the Action Poetry house band Flex Plan Nine (Marilyn Lerner, Harold Carr, Tim Posgate and Peter Valsamis)."],"collection_source_collection_id":["ACP"],"persistent_url":["https://albertaonrecord.ca/action-poetry-fonds"],"item_title":["Lillian Allen : re-inventing rough mixes"],"item_title_source":["Transcribed from the Artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creator_names":["Allen, Lillian"],"creator_names_search":["Allen, Lillian"],"creators":["[{\"url\":\"\",\"name\":\"Allen, Lillian\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Sobol, John"],"contributors_names_search":["Sobol, John"],"contributors":["[{\"url\":\"\",\"name\":\"Sobol, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Sobol, John"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"T03:00:00\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"DAT\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["DAT"],"physical_compositions":["Magnetic Tape"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-04\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"107, Tunnel Mountain Drive, Banff, Alberta, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["107, Tunnel Mountain Drive, Banff, Alberta, Canada"],"City":["Banff, Alberta"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670552402657283,"timestamp":"2026-01-07T14:59:56.900Z","score":0.01643844},{"id":"5164","cataloger_name":["Andrew,Hennan"],"partnerInstitution":["Banff Centre for Arts and Creativity"],"collection_source_collection":["Action Poetry fonds"],"source_collection_label":["Action Poetry fonds"],"collection_contributing_unit":["Paul D. Fleck Library and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of records generated as part of Action Poetry u201894, a symposium and workshop of the spoken word, held at the Banff Centre between April 11th u2013 29th, 1994. Organized by John Sobol, Action Poetry was Intended to u201cprovide the opportunity for spoken word performers from diverse cultural and aesthetic traditions to establish a dialogue based upon a shared commitment to exploring the word in performance.u201d It included participants from a variety of backgrounds, including poets, rappers, dub poets, monologists, performance artists, street entertainers, storytellers, and stand-up comedians. The Action Poetry fonds contains video and audio recordings of performances and events, proposals and planning documents, internal and external correspondence, biographical information on participants, newspaper clippings, research notes, photographs, and material related to organizing the Nat Christie Poetry Day and Nat Christie Poetry Jam events. Action Poetry faculty and participants included: John Sobol, Jill Battson, Erik Belgium, Meryn Caddell, Djewel Davidson, Shawna Dempsey and Lorri Millan, Alex Ferguson, Kedrick James, Clifton Joseph, Darryl Keyes, Isobeau Miller, Ahdri Zhina Mandiela, Tracie Morris, Dasez Tempo and Richie D, Sean Paul Zitello (SPaZ), Lori Weidenhammer, Diane Wolkstein, Sheri-D Wilson, Adeena Karasick, Wendy Berner, Terrence Crane, Greg Young-Ing, Harold Carr, Peter McPhee, Thuong Vuong Riddick, Stephen Humphrey, Tim lander, Gunargie Ou2019Sullivan, Tom Henihan, Murdoch Burnett, Lillian Allen, Jeannette Armstrong, Paul Dutton, Bob Holman, Jayne Cortez, John Giorno, Richard Armstrong, the Pine Trio (Steve Lacy, Irene Aebi and Nicholas Isherwood), Aaron Williamson, Judy Radul and Deanna Ferguson, Uma Rao, Mary Dalton, and the Action Poetry house band Flex Plan Nine (Marilyn Lerner, Harold Carr, Tim Posgate and Peter Valsamis)."],"collection_source_collection_id":["ACP"],"persistent_url":["https://albertaonrecord.ca/action-poetry-fonds"],"item_title":["Sheri-D Wilson studio sessions"],"item_title_source":["Transcribed from the Artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creator_names":["Wilson, Sheri-D"],"creator_names_search":["Wilson, Sheri-D"],"creators":["[{\"url\":\"\",\"name\":\"Wilson, Sheri-D\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Sobol, John"],"contributors_names_search":["Sobol, John"],"contributors":["[{\"url\":\"\",\"name\":\"Sobol, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Sobol, John"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"T03:00:00\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"DAT\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["DAT"],"physical_compositions":["Magnetic Tape"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-04\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"107, Tunnel Mountain Drive, Banff, Alberta, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["107, Tunnel Mountain Drive, Banff, Alberta, Canada"],"City":["Banff, Alberta"],"contents":["Item is an audio recording of performances from Action Poetry '94 by Sheri-D Wilson.\n\nSheri-D Wilson\n- Sin city\n- Closet New Yorker\n- Brainwash"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670552402657284,"timestamp":"2026-01-07T14:59:56.900Z","score":0.01643844},{"id":"5163","cataloger_name":["Andrew,Hennan"],"partnerInstitution":["Banff Centre for Arts and Creativity"],"collection_source_collection":["Action Poetry fonds"],"source_collection_label":["Action Poetry fonds"],"collection_contributing_unit":["Paul D. Fleck Library and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of records generated as part of Action Poetry u201894, a symposium and workshop of the spoken word, held at the Banff Centre between April 11th u2013 29th, 1994. Organized by John Sobol, Action Poetry was Intended to u201cprovide the opportunity for spoken word performers from diverse cultural and aesthetic traditions to establish a dialogue based upon a shared commitment to exploring the word in performance.u201d It included participants from a variety of backgrounds, including poets, rappers, dub poets, monologists, performance artists, street entertainers, storytellers, and stand-up comedians. The Action Poetry fonds contains video and audio recordings of performances and events, proposals and planning documents, internal and external correspondence, biographical information on participants, newspaper clippings, research notes, photographs, and material related to organizing the Nat Christie Poetry Day and Nat Christie Poetry Jam events. Action Poetry faculty and participants included: John Sobol, Jill Battson, Erik Belgium, Meryn Caddell, Djewel Davidson, Shawna Dempsey and Lorri Millan, Alex Ferguson, Kedrick James, Clifton Joseph, Darryl Keyes, Isobeau Miller, Ahdri Zhina Mandiela, Tracie Morris, Dasez Tempo and Richie D, Sean Paul Zitello (SPaZ), Lori Weidenhammer, Diane Wolkstein, Sheri-D Wilson, Adeena Karasick, Wendy Berner, Terrence Crane, Greg Young-Ing, Harold Carr, Peter McPhee, Thuong Vuong Riddick, Stephen Humphrey, Tim lander, Gunargie Ou2019Sullivan, Tom Henihan, Murdoch Burnett, Lillian Allen, Jeannette Armstrong, Paul Dutton, Bob Holman, Jayne Cortez, John Giorno, Richard Armstrong, the Pine Trio (Steve Lacy, Irene Aebi and Nicholas Isherwood), Aaron Williamson, Judy Radul and Deanna Ferguson, Uma Rao, Mary Dalton, and the Action Poetry house band Flex Plan Nine (Marilyn Lerner, Harold Carr, Tim Posgate and Peter Valsamis)."],"collection_source_collection_id":["ACP"],"persistent_url":["https://albertaonrecord.ca/action-poetry-fonds"],"item_title":["Adeena Karasick edited masters"],"item_title_source":["Transcribed from the Artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creator_names":["Karasick, Adeena"],"creator_names_search":["Karasick, Adeena"],"creators":["[{\"url\":\"\",\"name\":\"Karasick, Adeena\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Sobol, John"],"contributors_names_search":["Sobol, John"],"contributors":["[{\"url\":\"\",\"name\":\"Sobol, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Sobol, John"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"T03:00:00\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"DAT\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["DAT"],"physical_compositions":["Magnetic Tape"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-04\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"107, Tunnel Mountain Drive, Banff, Alberta, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["107, Tunnel Mountain Drive, Banff, Alberta, Canada"],"City":["Banff, Alberta"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670552402657285,"timestamp":"2026-01-07T14:59:56.900Z","score":0.01643844},{"id":"5162","cataloger_name":["Andrew,Hennan"],"partnerInstitution":["Banff Centre for Arts and Creativity"],"collection_source_collection":["Action Poetry fonds"],"source_collection_label":["Action Poetry fonds"],"collection_contributing_unit":["Paul D. Fleck Library and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of records generated as part of Action Poetry u201894, a symposium and workshop of the spoken word, held at the Banff Centre between April 11th u2013 29th, 1994. Organized by John Sobol, Action Poetry was Intended to u201cprovide the opportunity for spoken word performers from diverse cultural and aesthetic traditions to establish a dialogue based upon a shared commitment to exploring the word in performance.u201d It included participants from a variety of backgrounds, including poets, rappers, dub poets, monologists, performance artists, street entertainers, storytellers, and stand-up comedians. The Action Poetry fonds contains video and audio recordings of performances and events, proposals and planning documents, internal and external correspondence, biographical information on participants, newspaper clippings, research notes, photographs, and material related to organizing the Nat Christie Poetry Day and Nat Christie Poetry Jam events. Action Poetry faculty and participants included: John Sobol, Jill Battson, Erik Belgium, Meryn Caddell, Djewel Davidson, Shawna Dempsey and Lorri Millan, Alex Ferguson, Kedrick James, Clifton Joseph, Darryl Keyes, Isobeau Miller, Ahdri Zhina Mandiela, Tracie Morris, Dasez Tempo and Richie D, Sean Paul Zitello (SPaZ), Lori Weidenhammer, Diane Wolkstein, Sheri-D Wilson, Adeena Karasick, Wendy Berner, Terrence Crane, Greg Young-Ing, Harold Carr, Peter McPhee, Thuong Vuong Riddick, Stephen Humphrey, Tim lander, Gunargie Ou2019Sullivan, Tom Henihan, Murdoch Burnett, Lillian Allen, Jeannette Armstrong, Paul Dutton, Bob Holman, Jayne Cortez, John Giorno, Richard Armstrong, the Pine Trio (Steve Lacy, Irene Aebi and Nicholas Isherwood), Aaron Williamson, Judy Radul and Deanna Ferguson, Uma Rao, Mary Dalton, and the Action Poetry house band Flex Plan Nine (Marilyn Lerner, Harold Carr, Tim Posgate and Peter Valsamis)."],"collection_source_collection_id":["ACP"],"persistent_url":["https://albertaonrecord.ca/action-poetry-fonds"],"item_title":["Action Poetry studio masters tape two"],"item_title_source":["Transcribed from the Artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors_names":["Sobol, John"],"contributors_names_search":["Sobol, John"],"contributors":["[{\"url\":\"\",\"name\":\"Sobol, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Sobol, John"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"T03:00:00\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"DAT\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["DAT"],"physical_compositions":["Magnetic Tape"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-04\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"107, Tunnel Mountain Drive, Banff, Alberta, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["107, Tunnel Mountain Drive, Banff, Alberta, Canada"],"City":["Banff, Alberta"],"contents":["Item is an audio recording of performances from Action Poetry '94.\n\nDarryl Keyes\n- Manuela\n- Robert A\n- On the corner\n- Tiger\n\nKedrick James\n- Spanglais\n- Fish mantra\n- Chanting\n- [Cryptic?] astronaut\n\nDasez Tempo\n- Move on\n\nMeryn Cadell\n- Why\n\n\nAhdri Zhina Mandiela\n- Cane fields\n- Blues bus"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670552403705856,"timestamp":"2026-01-07T14:59:56.900Z","score":0.01643844},{"id":"5161","cataloger_name":["Andrew,Hennan"],"partnerInstitution":["Banff Centre for Arts and Creativity"],"collection_source_collection":["Action Poetry fonds"],"source_collection_label":["Action Poetry fonds"],"collection_contributing_unit":["Paul D. Fleck Library and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of records generated as part of Action Poetry u201894, a symposium and workshop of the spoken word, held at the Banff Centre between April 11th u2013 29th, 1994. Organized by John Sobol, Action Poetry was Intended to u201cprovide the opportunity for spoken word performers from diverse cultural and aesthetic traditions to establish a dialogue based upon a shared commitment to exploring the word in performance.u201d It included participants from a variety of backgrounds, including poets, rappers, dub poets, monologists, performance artists, street entertainers, storytellers, and stand-up comedians. The Action Poetry fonds contains video and audio recordings of performances and events, proposals and planning documents, internal and external correspondence, biographical information on participants, newspaper clippings, research notes, photographs, and material related to organizing the Nat Christie Poetry Day and Nat Christie Poetry Jam events. Action Poetry faculty and participants included: John Sobol, Jill Battson, Erik Belgium, Meryn Caddell, Djewel Davidson, Shawna Dempsey and Lorri Millan, Alex Ferguson, Kedrick James, Clifton Joseph, Darryl Keyes, Isobeau Miller, Ahdri Zhina Mandiela, Tracie Morris, Dasez Tempo and Richie D, Sean Paul Zitello (SPaZ), Lori Weidenhammer, Diane Wolkstein, Sheri-D Wilson, Adeena Karasick, Wendy Berner, Terrence Crane, Greg Young-Ing, Harold Carr, Peter McPhee, Thuong Vuong Riddick, Stephen Humphrey, Tim lander, Gunargie Ou2019Sullivan, Tom Henihan, Murdoch Burnett, Lillian Allen, Jeannette Armstrong, Paul Dutton, Bob Holman, Jayne Cortez, John Giorno, Richard Armstrong, the Pine Trio (Steve Lacy, Irene Aebi and Nicholas Isherwood), Aaron Williamson, Judy Radul and Deanna Ferguson, Uma Rao, Mary Dalton, and the Action Poetry house band Flex Plan Nine (Marilyn Lerner, Harold Carr, Tim Posgate and Peter Valsamis)."],"collection_source_collection_id":["ACP"],"persistent_url":["https://albertaonrecord.ca/action-poetry-fonds"],"item_title":["Action Poetry : Luscar and Rice studio masters tape one"],"item_title_source":["Transcribed from the Artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors_names":["Sobol, John"],"contributors_names_search":["Sobol, John"],"contributors":["[{\"url\":\"\",\"name\":\"Sobol, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Sobol, John"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"T03:00:00\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"DAT\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["DAT"],"physical_compositions":["Magnetic Tape"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-04\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"107, Tunnel Mountain Drive, Banff, Alberta, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["107, Tunnel Mountain Drive, Banff, Alberta, Canada"],"City":["Banff, Alberta"],"contents":["Item is an audio recording of performances from Action Poetry '94.\n\nLillian Allen\n- The middle of inbetween\n- Limbo dancer\n\nTerrence Crane\n- Conversation symphony #1\n- Rock\n- Air\n- Water\n- Fire\n- Breathe\n- Conversation symphony #2\n\nJill Batson\n- The hanging\n- Nicked\n- The beggar\n- Degrazzia\n- Iodine\n\nIsobeau Miller\n- What the hero\n- Scissors of the physician\n- U+I R\n- Gravity of violence\n\nErik Belgium\n- Mob reactions"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670552403705857,"timestamp":"2026-01-07T14:59:56.900Z","score":0.01643844},{"id":"5160","cataloger_name":["Andrew,Hennan"],"partnerInstitution":["Banff Centre for Arts and Creativity"],"collection_source_collection":["Action Poetry fonds"],"source_collection_label":["Action Poetry fonds"],"collection_contributing_unit":["Paul D. Fleck Library and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of records generated as part of Action Poetry u201894, a symposium and workshop of the spoken word, held at the Banff Centre between April 11th u2013 29th, 1994. Organized by John Sobol, Action Poetry was Intended to u201cprovide the opportunity for spoken word performers from diverse cultural and aesthetic traditions to establish a dialogue based upon a shared commitment to exploring the word in performance.u201d It included participants from a variety of backgrounds, including poets, rappers, dub poets, monologists, performance artists, street entertainers, storytellers, and stand-up comedians. The Action Poetry fonds contains video and audio recordings of performances and events, proposals and planning documents, internal and external correspondence, biographical information on participants, newspaper clippings, research notes, photographs, and material related to organizing the Nat Christie Poetry Day and Nat Christie Poetry Jam events. Action Poetry faculty and participants included: John Sobol, Jill Battson, Erik Belgium, Meryn Caddell, Djewel Davidson, Shawna Dempsey and Lorri Millan, Alex Ferguson, Kedrick James, Clifton Joseph, Darryl Keyes, Isobeau Miller, Ahdri Zhina Mandiela, Tracie Morris, Dasez Tempo and Richie D, Sean Paul Zitello (SPaZ), Lori Weidenhammer, Diane Wolkstein, Sheri-D Wilson, Adeena Karasick, Wendy Berner, Terrence Crane, Greg Young-Ing, Harold Carr, Peter McPhee, Thuong Vuong Riddick, Stephen Humphrey, Tim lander, Gunargie Ou2019Sullivan, Tom Henihan, Murdoch Burnett, Lillian Allen, Jeannette Armstrong, Paul Dutton, Bob Holman, Jayne Cortez, John Giorno, Richard Armstrong, the Pine Trio (Steve Lacy, Irene Aebi and Nicholas Isherwood), Aaron Williamson, Judy Radul and Deanna Ferguson, Uma Rao, Mary Dalton, and the Action Poetry house band Flex Plan Nine (Marilyn Lerner, Harold Carr, Tim Posgate and Peter Valsamis)."],"collection_source_collection_id":["ACP"],"persistent_url":["https://albertaonrecord.ca/action-poetry-fonds"],"item_title":["Action Poetry : Ahdri Zhina Mandiela"],"item_title_source":["Transcribed from the Artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creator_names":["Mandiela, Ahdri"],"creator_names_search":["Mandiela, Ahdri"],"creators":["[{\"url\":\"\",\"name\":\"Mandiela, Ahdri\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Sobol, John"],"contributors_names_search":["Sobol, John"],"contributors":["[{\"url\":\"\",\"name\":\"Sobol, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Sobol, John"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"T03:00:00\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"DAT\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["DAT"],"physical_compositions":["Magnetic Tape"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-04-28\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"107, Tunnel Mountain Drive, Banff, Alberta, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["107, Tunnel Mountain Drive, Banff, Alberta, Canada"],"City":["Banff, Alberta"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670552403705858,"timestamp":"2026-01-07T14:59:56.900Z","score":0.01643844},{"id":"5159","cataloger_name":["Andrew,Hennan"],"partnerInstitution":["Banff Centre for Arts and Creativity"],"collection_source_collection":["Action Poetry fonds"],"source_collection_label":["Action Poetry fonds"],"collection_contributing_unit":["Paul D. Fleck Library and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of records generated as part of Action Poetry u201894, a symposium and workshop of the spoken word, held at the Banff Centre between April 11th u2013 29th, 1994. Organized by John Sobol, Action Poetry was Intended to u201cprovide the opportunity for spoken word performers from diverse cultural and aesthetic traditions to establish a dialogue based upon a shared commitment to exploring the word in performance.u201d It included participants from a variety of backgrounds, including poets, rappers, dub poets, monologists, performance artists, street entertainers, storytellers, and stand-up comedians. The Action Poetry fonds contains video and audio recordings of performances and events, proposals and planning documents, internal and external correspondence, biographical information on participants, newspaper clippings, research notes, photographs, and material related to organizing the Nat Christie Poetry Day and Nat Christie Poetry Jam events. Action Poetry faculty and participants included: John Sobol, Jill Battson, Erik Belgium, Meryn Caddell, Djewel Davidson, Shawna Dempsey and Lorri Millan, Alex Ferguson, Kedrick James, Clifton Joseph, Darryl Keyes, Isobeau Miller, Ahdri Zhina Mandiela, Tracie Morris, Dasez Tempo and Richie D, Sean Paul Zitello (SPaZ), Lori Weidenhammer, Diane Wolkstein, Sheri-D Wilson, Adeena Karasick, Wendy Berner, Terrence Crane, Greg Young-Ing, Harold Carr, Peter McPhee, Thuong Vuong Riddick, Stephen Humphrey, Tim lander, Gunargie Ou2019Sullivan, Tom Henihan, Murdoch Burnett, Lillian Allen, Jeannette Armstrong, Paul Dutton, Bob Holman, Jayne Cortez, John Giorno, Richard Armstrong, the Pine Trio (Steve Lacy, Irene Aebi and Nicholas Isherwood), Aaron Williamson, Judy Radul and Deanna Ferguson, Uma Rao, Mary Dalton, and the Action Poetry house band Flex Plan Nine (Marilyn Lerner, Harold Carr, Tim Posgate and Peter Valsamis)."],"collection_source_collection_id":["ACP"],"persistent_url":["https://albertaonrecord.ca/action-poetry-fonds"],"item_title":["Action Poetry : Sheri-D Wilson, Stephen Humphrey, Murdoch Burnett"],"item_title_source":["Transcribed from the Artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creator_names":["Wilson, Sheri-D","Humphrey, Stephen","Burnett, Murdoch"],"creator_names_search":["Wilson, Sheri-D","Humphrey, Stephen","Burnett, Murdoch"],"creators":["[{\"url\":\"\",\"name\":\"Wilson, Sheri-D\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Humphrey, Stephen\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Burnett, Murdoch\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Sobol, John"],"contributors_names_search":["Sobol, John"],"contributors":["[{\"url\":\"\",\"name\":\"Sobol, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Sobol, John"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"T03:00:00\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"DAT\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["DAT"],"physical_compositions":["Magnetic Tape"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-04-28\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"107, Tunnel Mountain Drive, Banff, Alberta, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["107, Tunnel Mountain Drive, Banff, Alberta, Canada"],"City":["Banff, Alberta"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670552403705859,"timestamp":"2026-01-07T14:59:56.900Z","score":0.01643844},{"id":"5158","cataloger_name":["Andrew,Hennan"],"partnerInstitution":["Banff Centre for Arts and Creativity"],"collection_source_collection":["Action Poetry fonds"],"source_collection_label":["Action Poetry fonds"],"collection_contributing_unit":["Paul D. Fleck Library and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of records generated as part of Action Poetry u201894, a symposium and workshop of the spoken word, held at the Banff Centre between April 11th u2013 29th, 1994. Organized by John Sobol, Action Poetry was Intended to u201cprovide the opportunity for spoken word performers from diverse cultural and aesthetic traditions to establish a dialogue based upon a shared commitment to exploring the word in performance.u201d It included participants from a variety of backgrounds, including poets, rappers, dub poets, monologists, performance artists, street entertainers, storytellers, and stand-up comedians. The Action Poetry fonds contains video and audio recordings of performances and events, proposals and planning documents, internal and external correspondence, biographical information on participants, newspaper clippings, research notes, photographs, and material related to organizing the Nat Christie Poetry Day and Nat Christie Poetry Jam events. Action Poetry faculty and participants included: John Sobol, Jill Battson, Erik Belgium, Meryn Caddell, Djewel Davidson, Shawna Dempsey and Lorri Millan, Alex Ferguson, Kedrick James, Clifton Joseph, Darryl Keyes, Isobeau Miller, Ahdri Zhina Mandiela, Tracie Morris, Dasez Tempo and Richie D, Sean Paul Zitello (SPaZ), Lori Weidenhammer, Diane Wolkstein, Sheri-D Wilson, Adeena Karasick, Wendy Berner, Terrence Crane, Greg Young-Ing, Harold Carr, Peter McPhee, Thuong Vuong Riddick, Stephen Humphrey, Tim lander, Gunargie Ou2019Sullivan, Tom Henihan, Murdoch Burnett, Lillian Allen, Jeannette Armstrong, Paul Dutton, Bob Holman, Jayne Cortez, John Giorno, Richard Armstrong, the Pine Trio (Steve Lacy, Irene Aebi and Nicholas Isherwood), Aaron Williamson, Judy Radul and Deanna Ferguson, Uma Rao, Mary Dalton, and the Action Poetry house band Flex Plan Nine (Marilyn Lerner, Harold Carr, Tim Posgate and Peter Valsamis)."],"collection_source_collection_id":["ACP"],"persistent_url":["https://albertaonrecord.ca/action-poetry-fonds"],"item_title":["Action Poetry : Isobeau Miller, Lori Weidenhammer, and Peter McPhee"],"item_title_source":["Transcribed from the Artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creator_names":["Miller, Isobeau","Weidenhammer, Lori","McPhee, Peter"],"creator_names_search":["Miller, Isobeau","Weidenhammer, Lori","McPhee, Peter"],"creators":["[{\"url\":\"\",\"name\":\"Miller, Isobeau\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Weidenhammer, Lori\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"McPhee, Peter\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Sobol, John"],"contributors_names_search":["Sobol, John"],"contributors":["[{\"url\":\"\",\"name\":\"Sobol, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Sobol, John"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"T03:00:00\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"DAT\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["DAT"],"physical_compositions":["Magnetic Tape"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-04-27\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"107, Tunnel Mountain Drive, Banff, Alberta, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["107, Tunnel Mountain Drive, Banff, Alberta, Canada"],"City":["Banff, Alberta"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670552406851584,"timestamp":"2026-01-07T14:59:56.900Z","score":0.01643844},{"id":"5157","cataloger_name":["Andrew,Hennan"],"partnerInstitution":["Banff Centre for Arts and Creativity"],"collection_source_collection":["Action Poetry fonds"],"source_collection_label":["Action Poetry fonds"],"collection_contributing_unit":["Paul D. Fleck Library and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of records generated as part of Action Poetry u201894, a symposium and workshop of the spoken word, held at the Banff Centre between April 11th u2013 29th, 1994. Organized by John Sobol, Action Poetry was Intended to u201cprovide the opportunity for spoken word performers from diverse cultural and aesthetic traditions to establish a dialogue based upon a shared commitment to exploring the word in performance.u201d It included participants from a variety of backgrounds, including poets, rappers, dub poets, monologists, performance artists, street entertainers, storytellers, and stand-up comedians. The Action Poetry fonds contains video and audio recordings of performances and events, proposals and planning documents, internal and external correspondence, biographical information on participants, newspaper clippings, research notes, photographs, and material related to organizing the Nat Christie Poetry Day and Nat Christie Poetry Jam events. Action Poetry faculty and participants included: John Sobol, Jill Battson, Erik Belgium, Meryn Caddell, Djewel Davidson, Shawna Dempsey and Lorri Millan, Alex Ferguson, Kedrick James, Clifton Joseph, Darryl Keyes, Isobeau Miller, Ahdri Zhina Mandiela, Tracie Morris, Dasez Tempo and Richie D, Sean Paul Zitello (SPaZ), Lori Weidenhammer, Diane Wolkstein, Sheri-D Wilson, Adeena Karasick, Wendy Berner, Terrence Crane, Greg Young-Ing, Harold Carr, Peter McPhee, Thuong Vuong Riddick, Stephen Humphrey, Tim lander, Gunargie Ou2019Sullivan, Tom Henihan, Murdoch Burnett, Lillian Allen, Jeannette Armstrong, Paul Dutton, Bob Holman, Jayne Cortez, John Giorno, Richard Armstrong, the Pine Trio (Steve Lacy, Irene Aebi and Nicholas Isherwood), Aaron Williamson, Judy Radul and Deanna Ferguson, Uma Rao, Mary Dalton, and the Action Poetry house band Flex Plan Nine (Marilyn Lerner, Harold Carr, Tim Posgate and Peter Valsamis)."],"collection_source_collection_id":["ACP"],"persistent_url":["https://albertaonrecord.ca/action-poetry-fonds"],"item_title":["Djewel Davidson"],"item_title_source":["Transcribed from the Artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creator_names":["Davidson, Djewel"],"creator_names_search":["Davidson, Djewel"],"creators":["[{\"url\":\"\",\"name\":\"Davidson, Djewel\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Sobol, John"],"contributors_names_search":["Sobol, John"],"contributors":["[{\"url\":\"\",\"name\":\"Sobol, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Sobol, John"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"T03:00:00\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"DAT\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["DAT"],"physical_compositions":["Magnetic Tape"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-04-27\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"107, Tunnel Mountain Drive, Banff, Alberta, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["107, Tunnel Mountain Drive, Banff, Alberta, Canada"],"City":["Banff, Alberta"],"contents":["Item is an audio recording of performances from Action Poetry '94 by Djewel Davidson.\n\nDjewel Davidson\n- You wanted to kill me\n- National\n- Used words\n- Deeper than Pat B.\n- Girl I really [want?] to smash your car\n- Something to do with books\n- Cause you can't tape them\n- A few years earlier\n- Soft as home\n- These are my friends\n- Tied\n- Guilt trip\n- Little Lester's babes of pleasure\n- After effects\n- The stripper's ride\n- Smash my love\n- Within\n- Tracey\n- Cause no doubt by reading\n- A good thing\n- Silent thought balloons\n- Another of my faults\n- Buck and bud\n- One never sought\n- Revision\n- Very very good addict\n- Film shoot\n- Too much future\n- Better nights\n- As far as yesterday\n- Drowning in shallow days\n- Tonight one of you will eat with me\n- So many ways\n- Heart of the world\n- Love or touch\n- A new kind im gone\n- Because\n- Much as I care"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670552406851585,"timestamp":"2026-01-07T14:59:56.900Z","score":0.01643844},{"id":"5156","cataloger_name":["Andrew,Hennan"],"partnerInstitution":["Banff Centre for Arts and Creativity"],"collection_source_collection":["Action Poetry fonds"],"source_collection_label":["Action Poetry fonds"],"collection_contributing_unit":["Paul D. Fleck Library and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of records generated as part of Action Poetry u201894, a symposium and workshop of the spoken word, held at the Banff Centre between April 11th u2013 29th, 1994. Organized by John Sobol, Action Poetry was Intended to u201cprovide the opportunity for spoken word performers from diverse cultural and aesthetic traditions to establish a dialogue based upon a shared commitment to exploring the word in performance.u201d It included participants from a variety of backgrounds, including poets, rappers, dub poets, monologists, performance artists, street entertainers, storytellers, and stand-up comedians. The Action Poetry fonds contains video and audio recordings of performances and events, proposals and planning documents, internal and external correspondence, biographical information on participants, newspaper clippings, research notes, photographs, and material related to organizing the Nat Christie Poetry Day and Nat Christie Poetry Jam events. Action Poetry faculty and participants included: John Sobol, Jill Battson, Erik Belgium, Meryn Caddell, Djewel Davidson, Shawna Dempsey and Lorri Millan, Alex Ferguson, Kedrick James, Clifton Joseph, Darryl Keyes, Isobeau Miller, Ahdri Zhina Mandiela, Tracie Morris, Dasez Tempo and Richie D, Sean Paul Zitello (SPaZ), Lori Weidenhammer, Diane Wolkstein, Sheri-D Wilson, Adeena Karasick, Wendy Berner, Terrence Crane, Greg Young-Ing, Harold Carr, Peter McPhee, Thuong Vuong Riddick, Stephen Humphrey, Tim lander, Gunargie Ou2019Sullivan, Tom Henihan, Murdoch Burnett, Lillian Allen, Jeannette Armstrong, Paul Dutton, Bob Holman, Jayne Cortez, John Giorno, Richard Armstrong, the Pine Trio (Steve Lacy, Irene Aebi and Nicholas Isherwood), Aaron Williamson, Judy Radul and Deanna Ferguson, Uma Rao, Mary Dalton, and the Action Poetry house band Flex Plan Nine (Marilyn Lerner, Harold Carr, Tim Posgate and Peter Valsamis)."],"collection_source_collection_id":["ACP"],"persistent_url":["https://albertaonrecord.ca/action-poetry-fonds"],"item_title":["Lori Weidenhammer"],"item_title_source":["Transcribed from the Artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creator_names":["Weidenhammer, Lori"],"creator_names_search":["Weidenhammer, Lori"],"creators":["[{\"url\":\"\",\"name\":\"Weidenhammer, Lori\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Sobol, John"],"contributors_names_search":["Sobol, John"],"contributors":["[{\"url\":\"\",\"name\":\"Sobol, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Sobol, John"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"T03:00:00\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"DAT\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["DAT"],"physical_compositions":["Magnetic Tape"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-04\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"107, Tunnel Mountain Drive, Banff, Alberta, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["107, Tunnel Mountain Drive, Banff, Alberta, Canada"],"City":["Banff, Alberta"],"contents":["Item is an audio recording of performances from Action Poetry '94 by Lori Weidenhammer.\n\nLori Weidenhammer\n- Girlfriend gotta take\n- Circus\n- Rescue 911\n- Something brown\n- Moment of horror"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670552407900160,"timestamp":"2026-01-07T14:59:56.900Z","score":0.01643844},{"id":"5155","cataloger_name":["Andrew,Hennan"],"partnerInstitution":["Banff Centre for Arts and Creativity"],"collection_source_collection":["Action Poetry fonds"],"source_collection_label":["Action Poetry fonds"],"collection_contributing_unit":["Paul D. Fleck Library and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of records generated as part of Action Poetry u201894, a symposium and workshop of the spoken word, held at the Banff Centre between April 11th u2013 29th, 1994. Organized by John Sobol, Action Poetry was Intended to u201cprovide the opportunity for spoken word performers from diverse cultural and aesthetic traditions to establish a dialogue based upon a shared commitment to exploring the word in performance.u201d It included participants from a variety of backgrounds, including poets, rappers, dub poets, monologists, performance artists, street entertainers, storytellers, and stand-up comedians. The Action Poetry fonds contains video and audio recordings of performances and events, proposals and planning documents, internal and external correspondence, biographical information on participants, newspaper clippings, research notes, photographs, and material related to organizing the Nat Christie Poetry Day and Nat Christie Poetry Jam events. Action Poetry faculty and participants included: John Sobol, Jill Battson, Erik Belgium, Meryn Caddell, Djewel Davidson, Shawna Dempsey and Lorri Millan, Alex Ferguson, Kedrick James, Clifton Joseph, Darryl Keyes, Isobeau Miller, Ahdri Zhina Mandiela, Tracie Morris, Dasez Tempo and Richie D, Sean Paul Zitello (SPaZ), Lori Weidenhammer, Diane Wolkstein, Sheri-D Wilson, Adeena Karasick, Wendy Berner, Terrence Crane, Greg Young-Ing, Harold Carr, Peter McPhee, Thuong Vuong Riddick, Stephen Humphrey, Tim lander, Gunargie Ou2019Sullivan, Tom Henihan, Murdoch Burnett, Lillian Allen, Jeannette Armstrong, Paul Dutton, Bob Holman, Jayne Cortez, John Giorno, Richard Armstrong, the Pine Trio (Steve Lacy, Irene Aebi and Nicholas Isherwood), Aaron Williamson, Judy Radul and Deanna Ferguson, Uma Rao, Mary Dalton, and the Action Poetry house band Flex Plan Nine (Marilyn Lerner, Harold Carr, Tim Posgate and Peter Valsamis)."],"collection_source_collection_id":["ACP"],"persistent_url":["https://albertaonrecord.ca/action-poetry-fonds"],"item_title":["Action Poetry live : Djewel Davidson, Thoung [Thuong Vuong-Riddick], and Darryl Keyes"],"item_title_source":["Transcribed from the Artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creator_names":["Davidson, Djewel","Vuong-Riddick, Thuong","Keyes, Darryl"],"creator_names_search":["Davidson, Djewel","Vuong-Riddick, Thuong","Keyes, Darryl"],"creators":["[{\"url\":\"\",\"name\":\"Davidson, Djewel\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Vuong-Riddick, Thuong\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Keyes, Darryl\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Sobol, John"],"contributors_names_search":["Sobol, John"],"contributors":["[{\"url\":\"\",\"name\":\"Sobol, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Sobol, John"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"T03:00:00\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"DAT\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["DAT"],"physical_compositions":["Magnetic Tape"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-04-26\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"107, Tunnel Mountain Drive, Banff, Alberta, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["107, Tunnel Mountain Drive, Banff, Alberta, Canada"],"City":["Banff, Alberta"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670552407900161,"timestamp":"2026-01-07T14:59:56.900Z","score":0.01643844},{"id":"5154","cataloger_name":["Andrew,Hennan"],"partnerInstitution":["Banff Centre for Arts and Creativity"],"collection_source_collection":["Action Poetry fonds"],"source_collection_label":["Action Poetry fonds"],"collection_contributing_unit":["Paul D. Fleck Library and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of records generated as part of Action Poetry u201894, a symposium and workshop of the spoken word, held at the Banff Centre between April 11th u2013 29th, 1994. Organized by John Sobol, Action Poetry was Intended to u201cprovide the opportunity for spoken word performers from diverse cultural and aesthetic traditions to establish a dialogue based upon a shared commitment to exploring the word in performance.u201d It included participants from a variety of backgrounds, including poets, rappers, dub poets, monologists, performance artists, street entertainers, storytellers, and stand-up comedians. The Action Poetry fonds contains video and audio recordings of performances and events, proposals and planning documents, internal and external correspondence, biographical information on participants, newspaper clippings, research notes, photographs, and material related to organizing the Nat Christie Poetry Day and Nat Christie Poetry Jam events. Action Poetry faculty and participants included: John Sobol, Jill Battson, Erik Belgium, Meryn Caddell, Djewel Davidson, Shawna Dempsey and Lorri Millan, Alex Ferguson, Kedrick James, Clifton Joseph, Darryl Keyes, Isobeau Miller, Ahdri Zhina Mandiela, Tracie Morris, Dasez Tempo and Richie D, Sean Paul Zitello (SPaZ), Lori Weidenhammer, Diane Wolkstein, Sheri-D Wilson, Adeena Karasick, Wendy Berner, Terrence Crane, Greg Young-Ing, Harold Carr, Peter McPhee, Thuong Vuong Riddick, Stephen Humphrey, Tim lander, Gunargie Ou2019Sullivan, Tom Henihan, Murdoch Burnett, Lillian Allen, Jeannette Armstrong, Paul Dutton, Bob Holman, Jayne Cortez, John Giorno, Richard Armstrong, the Pine Trio (Steve Lacy, Irene Aebi and Nicholas Isherwood), Aaron Williamson, Judy Radul and Deanna Ferguson, Uma Rao, Mary Dalton, and the Action Poetry house band Flex Plan Nine (Marilyn Lerner, Harold Carr, Tim Posgate and Peter Valsamis)."],"collection_source_collection_id":["ACP"],"persistent_url":["https://albertaonrecord.ca/action-poetry-fonds"],"item_title":["Action Poetry performance : Pine Trio with Flex Plan Nine"],"item_title_source":["Transcribed from the Artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors_names":["Sobol, John"],"contributors_names_search":["Sobol, John"],"contributors":["[{\"url\":\"\",\"name\":\"Sobol, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Sobol, John"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"T03:00:00\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"DAT\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["DAT"],"physical_compositions":["Magnetic Tape"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-04-25\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"107, Tunnel Mountain Drive, Banff, Alberta, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["107, Tunnel Mountain Drive, Banff, Alberta, Canada"],"City":["Banff, Alberta"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670552407900162,"timestamp":"2026-01-07T14:59:56.900Z","score":0.01643844},{"id":"5153","cataloger_name":["Andrew,Hennan"],"partnerInstitution":["Banff Centre for Arts and Creativity"],"collection_source_collection":["Action Poetry fonds"],"source_collection_label":["Action Poetry fonds"],"collection_contributing_unit":["Paul D. Fleck Library and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of records generated as part of Action Poetry u201894, a symposium and workshop of the spoken word, held at the Banff Centre between April 11th u2013 29th, 1994. Organized by John Sobol, Action Poetry was Intended to u201cprovide the opportunity for spoken word performers from diverse cultural and aesthetic traditions to establish a dialogue based upon a shared commitment to exploring the word in performance.u201d It included participants from a variety of backgrounds, including poets, rappers, dub poets, monologists, performance artists, street entertainers, storytellers, and stand-up comedians. The Action Poetry fonds contains video and audio recordings of performances and events, proposals and planning documents, internal and external correspondence, biographical information on participants, newspaper clippings, research notes, photographs, and material related to organizing the Nat Christie Poetry Day and Nat Christie Poetry Jam events. Action Poetry faculty and participants included: John Sobol, Jill Battson, Erik Belgium, Meryn Caddell, Djewel Davidson, Shawna Dempsey and Lorri Millan, Alex Ferguson, Kedrick James, Clifton Joseph, Darryl Keyes, Isobeau Miller, Ahdri Zhina Mandiela, Tracie Morris, Dasez Tempo and Richie D, Sean Paul Zitello (SPaZ), Lori Weidenhammer, Diane Wolkstein, Sheri-D Wilson, Adeena Karasick, Wendy Berner, Terrence Crane, Greg Young-Ing, Harold Carr, Peter McPhee, Thuong Vuong Riddick, Stephen Humphrey, Tim lander, Gunargie Ou2019Sullivan, Tom Henihan, Murdoch Burnett, Lillian Allen, Jeannette Armstrong, Paul Dutton, Bob Holman, Jayne Cortez, John Giorno, Richard Armstrong, the Pine Trio (Steve Lacy, Irene Aebi and Nicholas Isherwood), Aaron Williamson, Judy Radul and Deanna Ferguson, Uma Rao, Mary Dalton, and the Action Poetry house band Flex Plan Nine (Marilyn Lerner, Harold Carr, Tim Posgate and Peter Valsamis)."],"collection_source_collection_id":["ACP"],"persistent_url":["https://albertaonrecord.ca/action-poetry-fonds"],"item_title":["Action Poetry performance : Meryn Caddell, Tracie Morris, Tom Henihan"],"item_title_source":["Transcribed from the Artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creator_names":["Caddell, Meryn","Morris, Tracie","Henihan, Tom"],"creator_names_search":["Caddell, Meryn","Morris, Tracie","Henihan, Tom"],"creators":["[{\"url\":\"\",\"name\":\"Caddell, Meryn\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Morris, Tracie\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Henihan, Tom\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Sobol, John"],"contributors_names_search":["Sobol, John"],"contributors":["[{\"url\":\"\",\"name\":\"Sobol, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Sobol, John"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"T03:00:00\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"DAT\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["DAT"],"physical_compositions":["Magnetic Tape"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-04-23\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"107, Tunnel Mountain Drive, Banff, Alberta, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["107, Tunnel Mountain Drive, Banff, Alberta, Canada"],"City":["Banff, Alberta"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670552407900163,"timestamp":"2026-01-07T14:59:56.900Z","score":0.01643844},{"id":"5152","cataloger_name":["Andrew,Hennan"],"partnerInstitution":["Banff Centre for Arts and Creativity"],"collection_source_collection":["Action Poetry fonds"],"source_collection_label":["Action Poetry fonds"],"collection_contributing_unit":["Paul D. Fleck Library and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of records generated as part of Action Poetry u201894, a symposium and workshop of the spoken word, held at the Banff Centre between April 11th u2013 29th, 1994. Organized by John Sobol, Action Poetry was Intended to u201cprovide the opportunity for spoken word performers from diverse cultural and aesthetic traditions to establish a dialogue based upon a shared commitment to exploring the word in performance.u201d It included participants from a variety of backgrounds, including poets, rappers, dub poets, monologists, performance artists, street entertainers, storytellers, and stand-up comedians. The Action Poetry fonds contains video and audio recordings of performances and events, proposals and planning documents, internal and external correspondence, biographical information on participants, newspaper clippings, research notes, photographs, and material related to organizing the Nat Christie Poetry Day and Nat Christie Poetry Jam events. Action Poetry faculty and participants included: John Sobol, Jill Battson, Erik Belgium, Meryn Caddell, Djewel Davidson, Shawna Dempsey and Lorri Millan, Alex Ferguson, Kedrick James, Clifton Joseph, Darryl Keyes, Isobeau Miller, Ahdri Zhina Mandiela, Tracie Morris, Dasez Tempo and Richie D, Sean Paul Zitello (SPaZ), Lori Weidenhammer, Diane Wolkstein, Sheri-D Wilson, Adeena Karasick, Wendy Berner, Terrence Crane, Greg Young-Ing, Harold Carr, Peter McPhee, Thuong Vuong Riddick, Stephen Humphrey, Tim lander, Gunargie Ou2019Sullivan, Tom Henihan, Murdoch Burnett, Lillian Allen, Jeannette Armstrong, Paul Dutton, Bob Holman, Jayne Cortez, John Giorno, Richard Armstrong, the Pine Trio (Steve Lacy, Irene Aebi and Nicholas Isherwood), Aaron Williamson, Judy Radul and Deanna Ferguson, Uma Rao, Mary Dalton, and the Action Poetry house band Flex Plan Nine (Marilyn Lerner, Harold Carr, Tim Posgate and Peter Valsamis)."],"collection_source_collection_id":["ACP"],"persistent_url":["https://albertaonrecord.ca/action-poetry-fonds"],"item_title":["Action Poetry : Harold [Harold Carr], Alex [Alex Ferguson], and Jayne Cortez"],"item_title_source":["Transcribed from the Artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creator_names":["Carr, Harold","Ferguson, Alex","Cortez, Jayne"],"creator_names_search":["Carr, Harold","Ferguson, Alex","Cortez, Jayne"],"creators":["[{\"url\":\"\",\"name\":\"Carr, Harold\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Ferguson, Alex\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Cortez, Jayne\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Sobol, John"],"contributors_names_search":["Sobol, John"],"contributors":["[{\"url\":\"\",\"name\":\"Sobol, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Sobol, John"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"T03:00:00\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"DAT\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["DAT"],"physical_compositions":["Magnetic Tape"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-04-23\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"107, Tunnel Mountain Drive, Banff, Alberta, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["107, Tunnel Mountain Drive, Banff, Alberta, Canada"],"City":["Banff, Alberta"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670552407900164,"timestamp":"2026-01-07T14:59:56.900Z","score":0.01643844},{"id":"5151","cataloger_name":["Andrew,Hennan"],"partnerInstitution":["Banff Centre for Arts and Creativity"],"collection_source_collection":["Action Poetry fonds"],"source_collection_label":["Action Poetry fonds"],"collection_contributing_unit":["Paul D. Fleck Library and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of records generated as part of Action Poetry u201894, a symposium and workshop of the spoken word, held at the Banff Centre between April 11th u2013 29th, 1994. Organized by John Sobol, Action Poetry was Intended to u201cprovide the opportunity for spoken word performers from diverse cultural and aesthetic traditions to establish a dialogue based upon a shared commitment to exploring the word in performance.u201d It included participants from a variety of backgrounds, including poets, rappers, dub poets, monologists, performance artists, street entertainers, storytellers, and stand-up comedians. The Action Poetry fonds contains video and audio recordings of performances and events, proposals and planning documents, internal and external correspondence, biographical information on participants, newspaper clippings, research notes, photographs, and material related to organizing the Nat Christie Poetry Day and Nat Christie Poetry Jam events. Action Poetry faculty and participants included: John Sobol, Jill Battson, Erik Belgium, Meryn Caddell, Djewel Davidson, Shawna Dempsey and Lorri Millan, Alex Ferguson, Kedrick James, Clifton Joseph, Darryl Keyes, Isobeau Miller, Ahdri Zhina Mandiela, Tracie Morris, Dasez Tempo and Richie D, Sean Paul Zitello (SPaZ), Lori Weidenhammer, Diane Wolkstein, Sheri-D Wilson, Adeena Karasick, Wendy Berner, Terrence Crane, Greg Young-Ing, Harold Carr, Peter McPhee, Thuong Vuong Riddick, Stephen Humphrey, Tim lander, Gunargie Ou2019Sullivan, Tom Henihan, Murdoch Burnett, Lillian Allen, Jeannette Armstrong, Paul Dutton, Bob Holman, Jayne Cortez, John Giorno, Richard Armstrong, the Pine Trio (Steve Lacy, Irene Aebi and Nicholas Isherwood), Aaron Williamson, Judy Radul and Deanna Ferguson, Uma Rao, Mary Dalton, and the Action Poetry house band Flex Plan Nine (Marilyn Lerner, Harold Carr, Tim Posgate and Peter Valsamis)."],"collection_source_collection_id":["ACP"],"persistent_url":["https://albertaonrecord.ca/action-poetry-fonds"],"item_title":["Action Poetry : John Giorno continued"],"item_title_source":["Transcribed from the Artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creator_names":["Giorno, John"],"creator_names_search":["Giorno, John"],"creators":["[{\"url\":\"\",\"name\":\"Giorno, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Sobol, John"],"contributors_names_search":["Sobol, John"],"contributors":["[{\"url\":\"\",\"name\":\"Sobol, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Sobol, John"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"T03:00:00\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"DAT\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["DAT"],"physical_compositions":["Magnetic Tape"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-04-22\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"107, Tunnel Mountain Drive, Banff, Alberta, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["107, Tunnel Mountain Drive, Banff, Alberta, Canada"],"City":["Banff, Alberta"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670552408948736,"timestamp":"2026-01-07T14:59:56.900Z","score":0.01643844},{"id":"5150","cataloger_name":["Andrew,Hennan"],"partnerInstitution":["Banff Centre for Arts and Creativity"],"collection_source_collection":["Action Poetry fonds"],"source_collection_label":["Action Poetry fonds"],"collection_contributing_unit":["Paul D. Fleck Library and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of records generated as part of Action Poetry u201894, a symposium and workshop of the spoken word, held at the Banff Centre between April 11th u2013 29th, 1994. Organized by John Sobol, Action Poetry was Intended to u201cprovide the opportunity for spoken word performers from diverse cultural and aesthetic traditions to establish a dialogue based upon a shared commitment to exploring the word in performance.u201d It included participants from a variety of backgrounds, including poets, rappers, dub poets, monologists, performance artists, street entertainers, storytellers, and stand-up comedians. The Action Poetry fonds contains video and audio recordings of performances and events, proposals and planning documents, internal and external correspondence, biographical information on participants, newspaper clippings, research notes, photographs, and material related to organizing the Nat Christie Poetry Day and Nat Christie Poetry Jam events. Action Poetry faculty and participants included: John Sobol, Jill Battson, Erik Belgium, Meryn Caddell, Djewel Davidson, Shawna Dempsey and Lorri Millan, Alex Ferguson, Kedrick James, Clifton Joseph, Darryl Keyes, Isobeau Miller, Ahdri Zhina Mandiela, Tracie Morris, Dasez Tempo and Richie D, Sean Paul Zitello (SPaZ), Lori Weidenhammer, Diane Wolkstein, Sheri-D Wilson, Adeena Karasick, Wendy Berner, Terrence Crane, Greg Young-Ing, Harold Carr, Peter McPhee, Thuong Vuong Riddick, Stephen Humphrey, Tim lander, Gunargie Ou2019Sullivan, Tom Henihan, Murdoch Burnett, Lillian Allen, Jeannette Armstrong, Paul Dutton, Bob Holman, Jayne Cortez, John Giorno, Richard Armstrong, the Pine Trio (Steve Lacy, Irene Aebi and Nicholas Isherwood), Aaron Williamson, Judy Radul and Deanna Ferguson, Uma Rao, Mary Dalton, and the Action Poetry house band Flex Plan Nine (Marilyn Lerner, Harold Carr, Tim Posgate and Peter Valsamis)."],"collection_source_collection_id":["ACP"],"persistent_url":["https://albertaonrecord.ca/action-poetry-fonds"],"item_title":["Action Poetry : Shawna Dempsey and Lorri Millan, Clifton Joseph, and John Giorno"],"item_title_source":["Transcribed from the Artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creator_names":["Dempsey, Shawna","Millan, Lorri","Joseph, Clifton","Giorno, John"],"creator_names_search":["Dempsey, Shawna","Millan, Lorri","Joseph, Clifton","Giorno, John"],"creators":["[{\"url\":\"\",\"name\":\"Dempsey, Shawna\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Millan, Lorri\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Joseph, Clifton\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Giorno, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Sobol, John"],"contributors_names_search":["Sobol, John"],"contributors":["[{\"url\":\"\",\"name\":\"Sobol, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Sobol, John"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"T03:00:00\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"DAT\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["DAT"],"physical_compositions":["Magnetic Tape"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-04-22\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"107, Tunnel Mountain Drive, Banff, Alberta, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["107, Tunnel Mountain Drive, Banff, Alberta, Canada"],"City":["Banff, Alberta"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670552408948737,"timestamp":"2026-01-07T14:59:56.900Z","score":0.01643844},{"id":"5149","cataloger_name":["Andrew,Hennan"],"partnerInstitution":["Banff Centre for Arts and Creativity"],"collection_source_collection":["Action Poetry fonds"],"source_collection_label":["Action Poetry fonds"],"collection_contributing_unit":["Paul D. Fleck Library and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of records generated as part of Action Poetry u201894, a symposium and workshop of the spoken word, held at the Banff Centre between April 11th u2013 29th, 1994. Organized by John Sobol, Action Poetry was Intended to u201cprovide the opportunity for spoken word performers from diverse cultural and aesthetic traditions to establish a dialogue based upon a shared commitment to exploring the word in performance.u201d It included participants from a variety of backgrounds, including poets, rappers, dub poets, monologists, performance artists, street entertainers, storytellers, and stand-up comedians. The Action Poetry fonds contains video and audio recordings of performances and events, proposals and planning documents, internal and external correspondence, biographical information on participants, newspaper clippings, research notes, photographs, and material related to organizing the Nat Christie Poetry Day and Nat Christie Poetry Jam events. Action Poetry faculty and participants included: John Sobol, Jill Battson, Erik Belgium, Meryn Caddell, Djewel Davidson, Shawna Dempsey and Lorri Millan, Alex Ferguson, Kedrick James, Clifton Joseph, Darryl Keyes, Isobeau Miller, Ahdri Zhina Mandiela, Tracie Morris, Dasez Tempo and Richie D, Sean Paul Zitello (SPaZ), Lori Weidenhammer, Diane Wolkstein, Sheri-D Wilson, Adeena Karasick, Wendy Berner, Terrence Crane, Greg Young-Ing, Harold Carr, Peter McPhee, Thuong Vuong Riddick, Stephen Humphrey, Tim lander, Gunargie Ou2019Sullivan, Tom Henihan, Murdoch Burnett, Lillian Allen, Jeannette Armstrong, Paul Dutton, Bob Holman, Jayne Cortez, John Giorno, Richard Armstrong, the Pine Trio (Steve Lacy, Irene Aebi and Nicholas Isherwood), Aaron Williamson, Judy Radul and Deanna Ferguson, Uma Rao, Mary Dalton, and the Action Poetry house band Flex Plan Nine (Marilyn Lerner, Harold Carr, Tim Posgate and Peter Valsamis)."],"collection_source_collection_id":["ACP"],"persistent_url":["https://albertaonrecord.ca/action-poetry-fonds"],"item_title":["Action Poetry : Mary Dalton, Terry Crane, Tom Henihan, Kedrick James"],"item_title_source":["Transcribed from the Artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creator_names":["Dalton, Mary","Crane, Terrence","Henihan, Tom","James, Kedrick"],"creator_names_search":["Dalton, Mary","Crane, Terrence","Henihan, Tom","James, Kedrick"],"creators":["[{\"url\":\"\",\"name\":\"Dalton, Mary\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Crane, Terrence\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Henihan, Tom\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"James, Kedrick\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Sobol, John"],"contributors_names_search":["Sobol, John"],"contributors":["[{\"url\":\"\",\"name\":\"Sobol, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Sobol, John"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"T03:00:00\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"DAT\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["DAT"],"physical_compositions":["Magnetic Tape"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-04-21\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"107, Tunnel Mountain Drive, Banff, Alberta, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["107, Tunnel Mountain Drive, Banff, Alberta, Canada"],"City":["Banff, Alberta"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670552408948738,"timestamp":"2026-01-07T14:59:56.900Z","score":0.01643844},{"id":"5148","cataloger_name":["Andrew,Hennan"],"partnerInstitution":["Banff Centre for Arts and Creativity"],"collection_source_collection":["Action Poetry fonds"],"source_collection_label":["Action Poetry fonds"],"collection_contributing_unit":["Paul D. Fleck Library and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of records generated as part of Action Poetry u201894, a symposium and workshop of the spoken word, held at the Banff Centre between April 11th u2013 29th, 1994. Organized by John Sobol, Action Poetry was Intended to u201cprovide the opportunity for spoken word performers from diverse cultural and aesthetic traditions to establish a dialogue based upon a shared commitment to exploring the word in performance.u201d It included participants from a variety of backgrounds, including poets, rappers, dub poets, monologists, performance artists, street entertainers, storytellers, and stand-up comedians. The Action Poetry fonds contains video and audio recordings of performances and events, proposals and planning documents, internal and external correspondence, biographical information on participants, newspaper clippings, research notes, photographs, and material related to organizing the Nat Christie Poetry Day and Nat Christie Poetry Jam events. Action Poetry faculty and participants included: John Sobol, Jill Battson, Erik Belgium, Meryn Caddell, Djewel Davidson, Shawna Dempsey and Lorri Millan, Alex Ferguson, Kedrick James, Clifton Joseph, Darryl Keyes, Isobeau Miller, Ahdri Zhina Mandiela, Tracie Morris, Dasez Tempo and Richie D, Sean Paul Zitello (SPaZ), Lori Weidenhammer, Diane Wolkstein, Sheri-D Wilson, Adeena Karasick, Wendy Berner, Terrence Crane, Greg Young-Ing, Harold Carr, Peter McPhee, Thuong Vuong Riddick, Stephen Humphrey, Tim lander, Gunargie Ou2019Sullivan, Tom Henihan, Murdoch Burnett, Lillian Allen, Jeannette Armstrong, Paul Dutton, Bob Holman, Jayne Cortez, John Giorno, Richard Armstrong, the Pine Trio (Steve Lacy, Irene Aebi and Nicholas Isherwood), Aaron Williamson, Judy Radul and Deanna Ferguson, Uma Rao, Mary Dalton, and the Action Poetry house band Flex Plan Nine (Marilyn Lerner, Harold Carr, Tim Posgate and Peter Valsamis)."],"collection_source_collection_id":["ACP"],"persistent_url":["https://albertaonrecord.ca/action-poetry-fonds"],"item_title":["Alex Ferguson : Greenham [Margaret Greenham Theatre] sessions"],"item_title_source":["Transcribed from the Artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creator_names":["Ferguson, Alex"],"creator_names_search":["Ferguson, Alex"],"creators":["[{\"url\":\"\",\"name\":\"Ferguson, Alex\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Sobol, John"],"contributors_names_search":["Sobol, John"],"contributors":["[{\"url\":\"\",\"name\":\"Sobol, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Sobol, John"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"T03:00:00\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"DAT\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["DAT"],"physical_compositions":["Magnetic Tape"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-04-21\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"107, Tunnel Mountain Drive, Banff, Alberta, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["107, Tunnel Mountain Drive, Banff, Alberta, Canada"],"City":["Banff, Alberta"],"contents":["Item is an audio recording of performances from Action Poetry '94 by Alex Ferguson.\n\nAlex Ferguson\n- The future\n- Bone master\n- Society of unthinking brutes\n- Experience sought"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670552408948739,"timestamp":"2026-01-07T14:59:56.900Z","score":0.01643844},{"id":"5147","cataloger_name":["Andrew,Hennan"],"partnerInstitution":["Banff Centre for Arts and Creativity"],"collection_source_collection":["Action Poetry fonds"],"source_collection_label":["Action Poetry fonds"],"collection_contributing_unit":["Paul D. Fleck Library and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of records generated as part of Action Poetry u201894, a symposium and workshop of the spoken word, held at the Banff Centre between April 11th u2013 29th, 1994. Organized by John Sobol, Action Poetry was Intended to u201cprovide the opportunity for spoken word performers from diverse cultural and aesthetic traditions to establish a dialogue based upon a shared commitment to exploring the word in performance.u201d It included participants from a variety of backgrounds, including poets, rappers, dub poets, monologists, performance artists, street entertainers, storytellers, and stand-up comedians. The Action Poetry fonds contains video and audio recordings of performances and events, proposals and planning documents, internal and external correspondence, biographical information on participants, newspaper clippings, research notes, photographs, and material related to organizing the Nat Christie Poetry Day and Nat Christie Poetry Jam events. Action Poetry faculty and participants included: John Sobol, Jill Battson, Erik Belgium, Meryn Caddell, Djewel Davidson, Shawna Dempsey and Lorri Millan, Alex Ferguson, Kedrick James, Clifton Joseph, Darryl Keyes, Isobeau Miller, Ahdri Zhina Mandiela, Tracie Morris, Dasez Tempo and Richie D, Sean Paul Zitello (SPaZ), Lori Weidenhammer, Diane Wolkstein, Sheri-D Wilson, Adeena Karasick, Wendy Berner, Terrence Crane, Greg Young-Ing, Harold Carr, Peter McPhee, Thuong Vuong Riddick, Stephen Humphrey, Tim lander, Gunargie Ou2019Sullivan, Tom Henihan, Murdoch Burnett, Lillian Allen, Jeannette Armstrong, Paul Dutton, Bob Holman, Jayne Cortez, John Giorno, Richard Armstrong, the Pine Trio (Steve Lacy, Irene Aebi and Nicholas Isherwood), Aaron Williamson, Judy Radul and Deanna Ferguson, Uma Rao, Mary Dalton, and the Action Poetry house band Flex Plan Nine (Marilyn Lerner, Harold Carr, Tim Posgate and Peter Valsamis)."],"collection_source_collection_id":["ACP"],"persistent_url":["https://albertaonrecord.ca/action-poetry-fonds"],"item_title":["Action Poetry : Tim Landry [Tim Lander], Adeena [Adeena Karasick]"],"item_title_source":["Transcribed from the Artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creator_names":["Lander, Tim","Karasick, Adeena"],"creator_names_search":["Lander, Tim","Karasick, Adeena"],"creators":["[{\"url\":\"\",\"name\":\"Lander, Tim\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Karasick, Adeena\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Sobol, John"],"contributors_names_search":["Sobol, John"],"contributors":["[{\"url\":\"\",\"name\":\"Sobol, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Sobol, John"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"T03:00:00\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"DAT\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["DAT"],"physical_compositions":["Magnetic Tape"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-04-20\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"107, Tunnel Mountain Drive, Banff, Alberta, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["107, Tunnel Mountain Drive, Banff, Alberta, Canada"],"City":["Banff, Alberta"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670552408948740,"timestamp":"2026-01-07T14:59:56.900Z","score":0.01643844},{"id":"5146","cataloger_name":["Andrew,Hennan"],"partnerInstitution":["Banff Centre for Arts and Creativity"],"collection_source_collection":["Action Poetry fonds"],"source_collection_label":["Action Poetry fonds"],"collection_contributing_unit":["Paul D. Fleck Library and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of records generated as part of Action Poetry u201894, a symposium and workshop of the spoken word, held at the Banff Centre between April 11th u2013 29th, 1994. Organized by John Sobol, Action Poetry was Intended to u201cprovide the opportunity for spoken word performers from diverse cultural and aesthetic traditions to establish a dialogue based upon a shared commitment to exploring the word in performance.u201d It included participants from a variety of backgrounds, including poets, rappers, dub poets, monologists, performance artists, street entertainers, storytellers, and stand-up comedians. The Action Poetry fonds contains video and audio recordings of performances and events, proposals and planning documents, internal and external correspondence, biographical information on participants, newspaper clippings, research notes, photographs, and material related to organizing the Nat Christie Poetry Day and Nat Christie Poetry Jam events. Action Poetry faculty and participants included: John Sobol, Jill Battson, Erik Belgium, Meryn Caddell, Djewel Davidson, Shawna Dempsey and Lorri Millan, Alex Ferguson, Kedrick James, Clifton Joseph, Darryl Keyes, Isobeau Miller, Ahdri Zhina Mandiela, Tracie Morris, Dasez Tempo and Richie D, Sean Paul Zitello (SPaZ), Lori Weidenhammer, Diane Wolkstein, Sheri-D Wilson, Adeena Karasick, Wendy Berner, Terrence Crane, Greg Young-Ing, Harold Carr, Peter McPhee, Thuong Vuong Riddick, Stephen Humphrey, Tim lander, Gunargie Ou2019Sullivan, Tom Henihan, Murdoch Burnett, Lillian Allen, Jeannette Armstrong, Paul Dutton, Bob Holman, Jayne Cortez, John Giorno, Richard Armstrong, the Pine Trio (Steve Lacy, Irene Aebi and Nicholas Isherwood), Aaron Williamson, Judy Radul and Deanna Ferguson, Uma Rao, Mary Dalton, and the Action Poetry house band Flex Plan Nine (Marilyn Lerner, Harold Carr, Tim Posgate and Peter Valsamis)."],"collection_source_collection_id":["ACP"],"persistent_url":["https://albertaonrecord.ca/action-poetry-fonds"],"item_title":["Paul Dutton : Luscar recordings"],"item_title_source":["Transcribed from the Artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creator_names":["Dutton, Paul"],"creator_names_search":["Dutton, Paul"],"creators":["[{\"url\":\"\",\"name\":\"Dutton, Paul\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Sobol, John"],"contributors_names_search":["Sobol, John"],"contributors":["[{\"url\":\"\",\"name\":\"Sobol, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Sobol, John"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"T03:00:00\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"DAT\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["DAT"],"physical_compositions":["Magnetic Tape"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-04-19\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"107, Tunnel Mountain Drive, Banff, Alberta, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["107, Tunnel Mountain Drive, Banff, Alberta, Canada"],"City":["Banff, Alberta"],"contents":["Item is an audio recording of performances from Action Poetry '94 by Paul Dutton.\n\nPaul Dutton\n- Improv\n- Aurora Borealis\n- Stereo head\n- Wolf chant\n- Mercure\n- For the letter that begins them all, H\n- Smile\n- Score for Tony\n- Northern lights\n- Times 4"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670552408948741,"timestamp":"2026-01-07T14:59:56.900Z","score":0.01643844},{"id":"5145","cataloger_name":["Andrew,Hennan"],"partnerInstitution":["Banff Centre for Arts and Creativity"],"collection_source_collection":["Action Poetry fonds"],"source_collection_label":["Action Poetry fonds"],"collection_contributing_unit":["Paul D. Fleck Library and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of records generated as part of Action Poetry u201894, a symposium and workshop of the spoken word, held at the Banff Centre between April 11th u2013 29th, 1994. Organized by John Sobol, Action Poetry was Intended to u201cprovide the opportunity for spoken word performers from diverse cultural and aesthetic traditions to establish a dialogue based upon a shared commitment to exploring the word in performance.u201d It included participants from a variety of backgrounds, including poets, rappers, dub poets, monologists, performance artists, street entertainers, storytellers, and stand-up comedians. The Action Poetry fonds contains video and audio recordings of performances and events, proposals and planning documents, internal and external correspondence, biographical information on participants, newspaper clippings, research notes, photographs, and material related to organizing the Nat Christie Poetry Day and Nat Christie Poetry Jam events. Action Poetry faculty and participants included: John Sobol, Jill Battson, Erik Belgium, Meryn Caddell, Djewel Davidson, Shawna Dempsey and Lorri Millan, Alex Ferguson, Kedrick James, Clifton Joseph, Darryl Keyes, Isobeau Miller, Ahdri Zhina Mandiela, Tracie Morris, Dasez Tempo and Richie D, Sean Paul Zitello (SPaZ), Lori Weidenhammer, Diane Wolkstein, Sheri-D Wilson, Adeena Karasick, Wendy Berner, Terrence Crane, Greg Young-Ing, Harold Carr, Peter McPhee, Thuong Vuong Riddick, Stephen Humphrey, Tim lander, Gunargie Ou2019Sullivan, Tom Henihan, Murdoch Burnett, Lillian Allen, Jeannette Armstrong, Paul Dutton, Bob Holman, Jayne Cortez, John Giorno, Richard Armstrong, the Pine Trio (Steve Lacy, Irene Aebi and Nicholas Isherwood), Aaron Williamson, Judy Radul and Deanna Ferguson, Uma Rao, Mary Dalton, and the Action Poetry house band Flex Plan Nine (Marilyn Lerner, Harold Carr, Tim Posgate and Peter Valsamis)."],"collection_source_collection_id":["ACP"],"persistent_url":["https://albertaonrecord.ca/action-poetry-fonds"],"item_title":["Action Poetry Calgary poetry jam tape two : [Nat Christie Poetry Jam recording]"],"item_title_source":["Transcribed from the Artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors_names":["Sobol, John"],"contributors_names_search":["Sobol, John"],"contributors":["[{\"url\":\"\",\"name\":\"Sobol, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Sobol, John"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"T03:00:00\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"DAT\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["DAT"],"physical_compositions":["Magnetic Tape"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-04-19\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Uptown Theatre (Calgary)\",\"notes\":\"\",\"address\":\"612, 8 Avenue SW, Calgary, Alberta, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["612, 8 Avenue SW, Calgary, Alberta, Canada"],"Venue":["Uptown Theatre (Calgary)"],"City":["Calgary, Alberta"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670552408948742,"timestamp":"2026-01-07T14:59:56.900Z","score":0.01643844},{"id":"5144","cataloger_name":["Andrew,Hennan"],"partnerInstitution":["Banff Centre for Arts and Creativity"],"collection_source_collection":["Action Poetry fonds"],"source_collection_label":["Action Poetry fonds"],"collection_contributing_unit":["Paul D. Fleck Library and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of records generated as part of Action Poetry u201894, a symposium and workshop of the spoken word, held at the Banff Centre between April 11th u2013 29th, 1994. Organized by John Sobol, Action Poetry was Intended to u201cprovide the opportunity for spoken word performers from diverse cultural and aesthetic traditions to establish a dialogue based upon a shared commitment to exploring the word in performance.u201d It included participants from a variety of backgrounds, including poets, rappers, dub poets, monologists, performance artists, street entertainers, storytellers, and stand-up comedians. The Action Poetry fonds contains video and audio recordings of performances and events, proposals and planning documents, internal and external correspondence, biographical information on participants, newspaper clippings, research notes, photographs, and material related to organizing the Nat Christie Poetry Day and Nat Christie Poetry Jam events. Action Poetry faculty and participants included: John Sobol, Jill Battson, Erik Belgium, Meryn Caddell, Djewel Davidson, Shawna Dempsey and Lorri Millan, Alex Ferguson, Kedrick James, Clifton Joseph, Darryl Keyes, Isobeau Miller, Ahdri Zhina Mandiela, Tracie Morris, Dasez Tempo and Richie D, Sean Paul Zitello (SPaZ), Lori Weidenhammer, Diane Wolkstein, Sheri-D Wilson, Adeena Karasick, Wendy Berner, Terrence Crane, Greg Young-Ing, Harold Carr, Peter McPhee, Thuong Vuong Riddick, Stephen Humphrey, Tim lander, Gunargie Ou2019Sullivan, Tom Henihan, Murdoch Burnett, Lillian Allen, Jeannette Armstrong, Paul Dutton, Bob Holman, Jayne Cortez, John Giorno, Richard Armstrong, the Pine Trio (Steve Lacy, Irene Aebi and Nicholas Isherwood), Aaron Williamson, Judy Radul and Deanna Ferguson, Uma Rao, Mary Dalton, and the Action Poetry house band Flex Plan Nine (Marilyn Lerner, Harold Carr, Tim Posgate and Peter Valsamis)."],"collection_source_collection_id":["ACP"],"persistent_url":["https://albertaonrecord.ca/action-poetry-fonds"],"item_title":["Action Poetry Calgary poetry jam tape one : [Nat Christie Poetry Jam recording]"],"item_title_source":["Transcribed from the Artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors_names":["Sobol, John"],"contributors_names_search":["Sobol, John"],"contributors":["[{\"url\":\"\",\"name\":\"Sobol, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Sobol, John"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"T03:00:00\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"DAT\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["DAT"],"physical_compositions":["Magnetic Tape"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-04-19\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Uptown Theatre (Calgary)\",\"notes\":\"\",\"address\":\"612, 8 Avenue SW, Calgary, Alberta, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["612, 8 Avenue SW, Calgary, Alberta, Canada"],"Venue":["Uptown Theatre (Calgary)"],"City":["Calgary, Alberta"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670552409997312,"timestamp":"2026-01-07T14:59:56.900Z","score":0.01643844},{"id":"5143","cataloger_name":["Andrew,Hennan"],"partnerInstitution":["Banff Centre for Arts and Creativity"],"collection_source_collection":["Action Poetry fonds"],"source_collection_label":["Action Poetry fonds"],"collection_contributing_unit":["Paul D. Fleck Library and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of records generated as part of Action Poetry u201894, a symposium and workshop of the spoken word, held at the Banff Centre between April 11th u2013 29th, 1994. Organized by John Sobol, Action Poetry was Intended to u201cprovide the opportunity for spoken word performers from diverse cultural and aesthetic traditions to establish a dialogue based upon a shared commitment to exploring the word in performance.u201d It included participants from a variety of backgrounds, including poets, rappers, dub poets, monologists, performance artists, street entertainers, storytellers, and stand-up comedians. The Action Poetry fonds contains video and audio recordings of performances and events, proposals and planning documents, internal and external correspondence, biographical information on participants, newspaper clippings, research notes, photographs, and material related to organizing the Nat Christie Poetry Day and Nat Christie Poetry Jam events. Action Poetry faculty and participants included: John Sobol, Jill Battson, Erik Belgium, Meryn Caddell, Djewel Davidson, Shawna Dempsey and Lorri Millan, Alex Ferguson, Kedrick James, Clifton Joseph, Darryl Keyes, Isobeau Miller, Ahdri Zhina Mandiela, Tracie Morris, Dasez Tempo and Richie D, Sean Paul Zitello (SPaZ), Lori Weidenhammer, Diane Wolkstein, Sheri-D Wilson, Adeena Karasick, Wendy Berner, Terrence Crane, Greg Young-Ing, Harold Carr, Peter McPhee, Thuong Vuong Riddick, Stephen Humphrey, Tim lander, Gunargie Ou2019Sullivan, Tom Henihan, Murdoch Burnett, Lillian Allen, Jeannette Armstrong, Paul Dutton, Bob Holman, Jayne Cortez, John Giorno, Richard Armstrong, the Pine Trio (Steve Lacy, Irene Aebi and Nicholas Isherwood), Aaron Williamson, Judy Radul and Deanna Ferguson, Uma Rao, Mary Dalton, and the Action Poetry house band Flex Plan Nine (Marilyn Lerner, Harold Carr, Tim Posgate and Peter Valsamis)."],"collection_source_collection_id":["ACP"],"persistent_url":["https://albertaonrecord.ca/action-poetry-fonds"],"item_title":["Action Poetry : Wendy Berner continued"],"item_title_source":["Transcribed from the Artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creator_names":["Berner, Wendy"],"creator_names_search":["Berner, Wendy"],"creators":["[{\"url\":\"\",\"name\":\"Berner, Wendy\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Sobol, John"],"contributors_names_search":["Sobol, John"],"contributors":["[{\"url\":\"\",\"name\":\"Sobol, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Sobol, John"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"T03:00:00\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"DAT\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["DAT"],"physical_compositions":["Magnetic Tape"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-04-18\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"107, Tunnel Mountain Drive, Banff, Alberta, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["107, Tunnel Mountain Drive, Banff, Alberta, Canada"],"City":["Banff, Alberta"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670552409997313,"timestamp":"2026-01-07T14:59:56.900Z","score":0.01643844},{"id":"5142","cataloger_name":["Andrew,Hennan"],"partnerInstitution":["Banff Centre for Arts and Creativity"],"collection_source_collection":["Action Poetry fonds"],"source_collection_label":["Action Poetry fonds"],"collection_contributing_unit":["Paul D. Fleck Library and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of records generated as part of Action Poetry u201894, a symposium and workshop of the spoken word, held at the Banff Centre between April 11th u2013 29th, 1994. Organized by John Sobol, Action Poetry was Intended to u201cprovide the opportunity for spoken word performers from diverse cultural and aesthetic traditions to establish a dialogue based upon a shared commitment to exploring the word in performance.u201d It included participants from a variety of backgrounds, including poets, rappers, dub poets, monologists, performance artists, street entertainers, storytellers, and stand-up comedians. The Action Poetry fonds contains video and audio recordings of performances and events, proposals and planning documents, internal and external correspondence, biographical information on participants, newspaper clippings, research notes, photographs, and material related to organizing the Nat Christie Poetry Day and Nat Christie Poetry Jam events. Action Poetry faculty and participants included: John Sobol, Jill Battson, Erik Belgium, Meryn Caddell, Djewel Davidson, Shawna Dempsey and Lorri Millan, Alex Ferguson, Kedrick James, Clifton Joseph, Darryl Keyes, Isobeau Miller, Ahdri Zhina Mandiela, Tracie Morris, Dasez Tempo and Richie D, Sean Paul Zitello (SPaZ), Lori Weidenhammer, Diane Wolkstein, Sheri-D Wilson, Adeena Karasick, Wendy Berner, Terrence Crane, Greg Young-Ing, Harold Carr, Peter McPhee, Thuong Vuong Riddick, Stephen Humphrey, Tim lander, Gunargie Ou2019Sullivan, Tom Henihan, Murdoch Burnett, Lillian Allen, Jeannette Armstrong, Paul Dutton, Bob Holman, Jayne Cortez, John Giorno, Richard Armstrong, the Pine Trio (Steve Lacy, Irene Aebi and Nicholas Isherwood), Aaron Williamson, Judy Radul and Deanna Ferguson, Uma Rao, Mary Dalton, and the Action Poetry house band Flex Plan Nine (Marilyn Lerner, Harold Carr, Tim Posgate and Peter Valsamis)."],"collection_source_collection_id":["ACP"],"persistent_url":["https://albertaonrecord.ca/action-poetry-fonds"],"item_title":["Action Poetry : Diane Wolkstein, Bob Holman, Wendy Berner"],"item_title_source":["Transcribed from the Artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creator_names":["Wolkstein, Diane","Holman, Bob","Berner, Wendy"],"creator_names_search":["Wolkstein, Diane","Holman, Bob","Berner, Wendy"],"creators":["[{\"url\":\"\",\"name\":\"Wolkstein, Diane\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Holman, Bob\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Berner, Wendy\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Sobol, John"],"contributors_names_search":["Sobol, John"],"contributors":["[{\"url\":\"\",\"name\":\"Sobol, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Sobol, John"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"T03:00:00\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"DAT\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["DAT"],"physical_compositions":["Magnetic Tape"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-04-18\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"107, Tunnel Mountain Drive, Banff, Alberta, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["107, Tunnel Mountain Drive, Banff, Alberta, Canada"],"City":["Banff, Alberta"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670552409997314,"timestamp":"2026-01-07T14:59:56.900Z","score":0.01643844},{"id":"5141","cataloger_name":["Andrew,Hennan"],"partnerInstitution":["Banff Centre for Arts and Creativity"],"collection_source_collection":["Action Poetry fonds"],"source_collection_label":["Action Poetry fonds"],"collection_contributing_unit":["Paul D. Fleck Library and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of records generated as part of Action Poetry u201894, a symposium and workshop of the spoken word, held at the Banff Centre between April 11th u2013 29th, 1994. Organized by John Sobol, Action Poetry was Intended to u201cprovide the opportunity for spoken word performers from diverse cultural and aesthetic traditions to establish a dialogue based upon a shared commitment to exploring the word in performance.u201d It included participants from a variety of backgrounds, including poets, rappers, dub poets, monologists, performance artists, street entertainers, storytellers, and stand-up comedians. The Action Poetry fonds contains video and audio recordings of performances and events, proposals and planning documents, internal and external correspondence, biographical information on participants, newspaper clippings, research notes, photographs, and material related to organizing the Nat Christie Poetry Day and Nat Christie Poetry Jam events. Action Poetry faculty and participants included: John Sobol, Jill Battson, Erik Belgium, Meryn Caddell, Djewel Davidson, Shawna Dempsey and Lorri Millan, Alex Ferguson, Kedrick James, Clifton Joseph, Darryl Keyes, Isobeau Miller, Ahdri Zhina Mandiela, Tracie Morris, Dasez Tempo and Richie D, Sean Paul Zitello (SPaZ), Lori Weidenhammer, Diane Wolkstein, Sheri-D Wilson, Adeena Karasick, Wendy Berner, Terrence Crane, Greg Young-Ing, Harold Carr, Peter McPhee, Thuong Vuong Riddick, Stephen Humphrey, Tim lander, Gunargie Ou2019Sullivan, Tom Henihan, Murdoch Burnett, Lillian Allen, Jeannette Armstrong, Paul Dutton, Bob Holman, Jayne Cortez, John Giorno, Richard Armstrong, the Pine Trio (Steve Lacy, Irene Aebi and Nicholas Isherwood), Aaron Williamson, Judy Radul and Deanna Ferguson, Uma Rao, Mary Dalton, and the Action Poetry house band Flex Plan Nine (Marilyn Lerner, Harold Carr, Tim Posgate and Peter Valsamis)."],"collection_source_collection_id":["ACP"],"persistent_url":["https://albertaonrecord.ca/action-poetry-fonds"],"item_title":["Action Poetry : Paul Dutton and Dasez Tempo"],"item_title_source":["Transcribed from the Artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creator_names":["Dutton, Paul","Tempo, Richie","Scott, Dasez"],"creator_names_search":["Dutton, Paul","Tempo, Richie","Scott, Dasez"],"creators":["[{\"url\":\"\",\"name\":\"Dutton, Paul\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Tempo, Richie\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Scott, Dasez\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Sobol, John"],"contributors_names_search":["Sobol, John"],"contributors":["[{\"url\":\"\",\"name\":\"Sobol, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Sobol, John"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"T03:00:00\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"DAT\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["DAT"],"physical_compositions":["Magnetic Tape"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-04-16\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"107, Tunnel Mountain Drive, Banff, Alberta, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["107, Tunnel Mountain Drive, Banff, Alberta, Canada"],"City":["Banff, Alberta"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670552409997315,"timestamp":"2026-01-07T14:59:56.900Z","score":0.01643844},{"id":"5140","cataloger_name":["Andrew,Hennan"],"partnerInstitution":["Banff Centre for Arts and Creativity"],"collection_source_collection":["Action Poetry fonds"],"source_collection_label":["Action Poetry fonds"],"collection_contributing_unit":["Paul D. Fleck Library and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of records generated as part of Action Poetry u201894, a symposium and workshop of the spoken word, held at the Banff Centre between April 11th u2013 29th, 1994. Organized by John Sobol, Action Poetry was Intended to u201cprovide the opportunity for spoken word performers from diverse cultural and aesthetic traditions to establish a dialogue based upon a shared commitment to exploring the word in performance.u201d It included participants from a variety of backgrounds, including poets, rappers, dub poets, monologists, performance artists, street entertainers, storytellers, and stand-up comedians. The Action Poetry fonds contains video and audio recordings of performances and events, proposals and planning documents, internal and external correspondence, biographical information on participants, newspaper clippings, research notes, photographs, and material related to organizing the Nat Christie Poetry Day and Nat Christie Poetry Jam events. Action Poetry faculty and participants included: John Sobol, Jill Battson, Erik Belgium, Meryn Caddell, Djewel Davidson, Shawna Dempsey and Lorri Millan, Alex Ferguson, Kedrick James, Clifton Joseph, Darryl Keyes, Isobeau Miller, Ahdri Zhina Mandiela, Tracie Morris, Dasez Tempo and Richie D, Sean Paul Zitello (SPaZ), Lori Weidenhammer, Diane Wolkstein, Sheri-D Wilson, Adeena Karasick, Wendy Berner, Terrence Crane, Greg Young-Ing, Harold Carr, Peter McPhee, Thuong Vuong Riddick, Stephen Humphrey, Tim lander, Gunargie Ou2019Sullivan, Tom Henihan, Murdoch Burnett, Lillian Allen, Jeannette Armstrong, Paul Dutton, Bob Holman, Jayne Cortez, John Giorno, Richard Armstrong, the Pine Trio (Steve Lacy, Irene Aebi and Nicholas Isherwood), Aaron Williamson, Judy Radul and Deanna Ferguson, Uma Rao, Mary Dalton, and the Action Poetry house band Flex Plan Nine (Marilyn Lerner, Harold Carr, Tim Posgate and Peter Valsamis)."],"collection_source_collection_id":["ACP"],"persistent_url":["https://albertaonrecord.ca/action-poetry-fonds"],"item_title":["Action Poetry : Jill Batson and Terry Crane [Terrence Crane]"],"item_title_source":["Transcribed from the Artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creator_names":["Batson, Jill","Crane, Terrence"],"creator_names_search":["Batson, Jill","Crane, Terrence"],"creators":["[{\"url\":\"\",\"name\":\"Batson, Jill\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Crane, Terrence\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Sobol, John"],"contributors_names_search":["Sobol, John"],"contributors":["[{\"url\":\"\",\"name\":\"Sobol, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Sobol, John"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"T03:00:00\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"DAT\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["DAT"],"physical_compositions":["Magnetic Tape"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-04-15\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"107, Tunnel Mountain Drive, Banff, Alberta, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["107, Tunnel Mountain Drive, Banff, Alberta, Canada"],"City":["Banff, Alberta"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670552409997316,"timestamp":"2026-01-07T14:59:56.900Z","score":0.01643844},{"id":"5139","cataloger_name":["Andrew,Hennan"],"partnerInstitution":["Banff Centre for Arts and Creativity"],"collection_source_collection":["Action Poetry fonds"],"source_collection_label":["Action Poetry fonds"],"collection_contributing_unit":["Paul D. Fleck Library and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of records generated as part of Action Poetry u201894, a symposium and workshop of the spoken word, held at the Banff Centre between April 11th u2013 29th, 1994. Organized by John Sobol, Action Poetry was Intended to u201cprovide the opportunity for spoken word performers from diverse cultural and aesthetic traditions to establish a dialogue based upon a shared commitment to exploring the word in performance.u201d It included participants from a variety of backgrounds, including poets, rappers, dub poets, monologists, performance artists, street entertainers, storytellers, and stand-up comedians. The Action Poetry fonds contains video and audio recordings of performances and events, proposals and planning documents, internal and external correspondence, biographical information on participants, newspaper clippings, research notes, photographs, and material related to organizing the Nat Christie Poetry Day and Nat Christie Poetry Jam events. Action Poetry faculty and participants included: John Sobol, Jill Battson, Erik Belgium, Meryn Caddell, Djewel Davidson, Shawna Dempsey and Lorri Millan, Alex Ferguson, Kedrick James, Clifton Joseph, Darryl Keyes, Isobeau Miller, Ahdri Zhina Mandiela, Tracie Morris, Dasez Tempo and Richie D, Sean Paul Zitello (SPaZ), Lori Weidenhammer, Diane Wolkstein, Sheri-D Wilson, Adeena Karasick, Wendy Berner, Terrence Crane, Greg Young-Ing, Harold Carr, Peter McPhee, Thuong Vuong Riddick, Stephen Humphrey, Tim lander, Gunargie Ou2019Sullivan, Tom Henihan, Murdoch Burnett, Lillian Allen, Jeannette Armstrong, Paul Dutton, Bob Holman, Jayne Cortez, John Giorno, Richard Armstrong, the Pine Trio (Steve Lacy, Irene Aebi and Nicholas Isherwood), Aaron Williamson, Judy Radul and Deanna Ferguson, Uma Rao, Mary Dalton, and the Action Poetry house band Flex Plan Nine (Marilyn Lerner, Harold Carr, Tim Posgate and Peter Valsamis)."],"collection_source_collection_id":["ACP"],"persistent_url":["https://albertaonrecord.ca/action-poetry-fonds"],"item_title":["Action Poetry : Judy Radul and Jeannette Armstrong"],"item_title_source":["Transcribed from the Artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creator_names":["Radul, Judy","Armstrong, Jeannette"],"creator_names_search":["Radul, Judy","Armstrong, Jeannette"],"creators":["[{\"url\":\"\",\"name\":\"Radul, Judy\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Armstrong, Jeannette\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Sobol, John"],"contributors_names_search":["Sobol, John"],"contributors":["[{\"url\":\"\",\"name\":\"Sobol, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Sobol, John"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"T03:00:00\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"DAT\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["DAT"],"physical_compositions":["Magnetic Tape"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-04-14\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"107, Tunnel Mountain Drive, Banff, Alberta, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["107, Tunnel Mountain Drive, Banff, Alberta, Canada"],"City":["Banff, Alberta"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670552409997317,"timestamp":"2026-01-07T14:59:56.900Z","score":0.01643844},{"id":"5138","cataloger_name":["Andrew,Hennan"],"partnerInstitution":["Banff Centre for Arts and Creativity"],"collection_source_collection":["Action Poetry fonds"],"source_collection_label":["Action Poetry fonds"],"collection_contributing_unit":["Paul D. Fleck Library and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of records generated as part of Action Poetry u201894, a symposium and workshop of the spoken word, held at the Banff Centre between April 11th u2013 29th, 1994. Organized by John Sobol, Action Poetry was Intended to u201cprovide the opportunity for spoken word performers from diverse cultural and aesthetic traditions to establish a dialogue based upon a shared commitment to exploring the word in performance.u201d It included participants from a variety of backgrounds, including poets, rappers, dub poets, monologists, performance artists, street entertainers, storytellers, and stand-up comedians. The Action Poetry fonds contains video and audio recordings of performances and events, proposals and planning documents, internal and external correspondence, biographical information on participants, newspaper clippings, research notes, photographs, and material related to organizing the Nat Christie Poetry Day and Nat Christie Poetry Jam events. Action Poetry faculty and participants included: John Sobol, Jill Battson, Erik Belgium, Meryn Caddell, Djewel Davidson, Shawna Dempsey and Lorri Millan, Alex Ferguson, Kedrick James, Clifton Joseph, Darryl Keyes, Isobeau Miller, Ahdri Zhina Mandiela, Tracie Morris, Dasez Tempo and Richie D, Sean Paul Zitello (SPaZ), Lori Weidenhammer, Diane Wolkstein, Sheri-D Wilson, Adeena Karasick, Wendy Berner, Terrence Crane, Greg Young-Ing, Harold Carr, Peter McPhee, Thuong Vuong Riddick, Stephen Humphrey, Tim lander, Gunargie Ou2019Sullivan, Tom Henihan, Murdoch Burnett, Lillian Allen, Jeannette Armstrong, Paul Dutton, Bob Holman, Jayne Cortez, John Giorno, Richard Armstrong, the Pine Trio (Steve Lacy, Irene Aebi and Nicholas Isherwood), Aaron Williamson, Judy Radul and Deanna Ferguson, Uma Rao, Mary Dalton, and the Action Poetry house band Flex Plan Nine (Marilyn Lerner, Harold Carr, Tim Posgate and Peter Valsamis)."],"collection_source_collection_id":["ACP"],"persistent_url":["https://albertaonrecord.ca/action-poetry-fonds"],"item_title":["Action Poetry : Spaz [Sean Zitello], Deanna Ferguson, and Judy Radul"],"item_title_source":["Transcribed from the Artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creator_names":["Zitello, Sean","Ferguson, Deanna","Radul, Judy"],"creator_names_search":["Zitello, Sean","Ferguson, Deanna","Radul, Judy"],"creators":["[{\"url\":\"\",\"name\":\"Zitello, Sean\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Ferguson, Deanna\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Radul, Judy\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Sobol, John"],"contributors_names_search":["Sobol, John"],"contributors":["[{\"url\":\"\",\"name\":\"Sobol, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Sobol, John"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"T03:00:00\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"DAT\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["DAT"],"physical_compositions":["Magnetic Tape"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-04-14\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"107, Tunnel Mountain Drive, Banff, Alberta, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["107, Tunnel Mountain Drive, Banff, Alberta, Canada"],"City":["Banff, Alberta"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670552409997318,"timestamp":"2026-01-07T14:59:56.900Z","score":0.01643844},{"id":"5137","cataloger_name":["Andrew,Hennan"],"partnerInstitution":["Banff Centre for Arts and Creativity"],"collection_source_collection":["Action Poetry fonds"],"source_collection_label":["Action Poetry fonds"],"collection_contributing_unit":["Paul D. Fleck Library and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of records generated as part of Action Poetry u201894, a symposium and workshop of the spoken word, held at the Banff Centre between April 11th u2013 29th, 1994. Organized by John Sobol, Action Poetry was Intended to u201cprovide the opportunity for spoken word performers from diverse cultural and aesthetic traditions to establish a dialogue based upon a shared commitment to exploring the word in performance.u201d It included participants from a variety of backgrounds, including poets, rappers, dub poets, monologists, performance artists, street entertainers, storytellers, and stand-up comedians. The Action Poetry fonds contains video and audio recordings of performances and events, proposals and planning documents, internal and external correspondence, biographical information on participants, newspaper clippings, research notes, photographs, and material related to organizing the Nat Christie Poetry Day and Nat Christie Poetry Jam events. Action Poetry faculty and participants included: John Sobol, Jill Battson, Erik Belgium, Meryn Caddell, Djewel Davidson, Shawna Dempsey and Lorri Millan, Alex Ferguson, Kedrick James, Clifton Joseph, Darryl Keyes, Isobeau Miller, Ahdri Zhina Mandiela, Tracie Morris, Dasez Tempo and Richie D, Sean Paul Zitello (SPaZ), Lori Weidenhammer, Diane Wolkstein, Sheri-D Wilson, Adeena Karasick, Wendy Berner, Terrence Crane, Greg Young-Ing, Harold Carr, Peter McPhee, Thuong Vuong Riddick, Stephen Humphrey, Tim lander, Gunargie Ou2019Sullivan, Tom Henihan, Murdoch Burnett, Lillian Allen, Jeannette Armstrong, Paul Dutton, Bob Holman, Jayne Cortez, John Giorno, Richard Armstrong, the Pine Trio (Steve Lacy, Irene Aebi and Nicholas Isherwood), Aaron Williamson, Judy Radul and Deanna Ferguson, Uma Rao, Mary Dalton, and the Action Poetry house band Flex Plan Nine (Marilyn Lerner, Harold Carr, Tim Posgate and Peter Valsamis)."],"collection_source_collection_id":["ACP"],"persistent_url":["https://albertaonrecord.ca/action-poetry-fonds"],"item_title":["Lori Weidenhammer : remix"],"item_title_source":["Transcribed from the Artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creator_names":["Weidenhammer, Lori"],"creator_names_search":["Weidenhammer, Lori"],"creators":["[{\"url\":\"\",\"name\":\"Weidenhammer, Lori\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Sobol, John"],"contributors_names_search":["Sobol, John"],"contributors":["[{\"url\":\"\",\"name\":\"Sobol, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Sobol, John"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"T03:00:00\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"DAT\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["DAT"],"physical_compositions":["Magnetic Tape"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-04-14\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"107, Tunnel Mountain Drive, Banff, Alberta, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["107, Tunnel Mountain Drive, Banff, Alberta, Canada"],"City":["Banff, Alberta"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670552409997319,"timestamp":"2026-01-07T14:59:56.900Z","score":0.01643844},{"id":"5136","cataloger_name":["Andrew,Hennan"],"partnerInstitution":["Banff Centre for Arts and Creativity"],"collection_source_collection":["Action Poetry fonds"],"source_collection_label":["Action Poetry fonds"],"collection_contributing_unit":["Paul D. Fleck Library and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of records generated as part of Action Poetry u201894, a symposium and workshop of the spoken word, held at the Banff Centre between April 11th u2013 29th, 1994. Organized by John Sobol, Action Poetry was Intended to u201cprovide the opportunity for spoken word performers from diverse cultural and aesthetic traditions to establish a dialogue based upon a shared commitment to exploring the word in performance.u201d It included participants from a variety of backgrounds, including poets, rappers, dub poets, monologists, performance artists, street entertainers, storytellers, and stand-up comedians. The Action Poetry fonds contains video and audio recordings of performances and events, proposals and planning documents, internal and external correspondence, biographical information on participants, newspaper clippings, research notes, photographs, and material related to organizing the Nat Christie Poetry Day and Nat Christie Poetry Jam events. Action Poetry faculty and participants included: John Sobol, Jill Battson, Erik Belgium, Meryn Caddell, Djewel Davidson, Shawna Dempsey and Lorri Millan, Alex Ferguson, Kedrick James, Clifton Joseph, Darryl Keyes, Isobeau Miller, Ahdri Zhina Mandiela, Tracie Morris, Dasez Tempo and Richie D, Sean Paul Zitello (SPaZ), Lori Weidenhammer, Diane Wolkstein, Sheri-D Wilson, Adeena Karasick, Wendy Berner, Terrence Crane, Greg Young-Ing, Harold Carr, Peter McPhee, Thuong Vuong Riddick, Stephen Humphrey, Tim lander, Gunargie Ou2019Sullivan, Tom Henihan, Murdoch Burnett, Lillian Allen, Jeannette Armstrong, Paul Dutton, Bob Holman, Jayne Cortez, John Giorno, Richard Armstrong, the Pine Trio (Steve Lacy, Irene Aebi and Nicholas Isherwood), Aaron Williamson, Judy Radul and Deanna Ferguson, Uma Rao, Mary Dalton, and the Action Poetry house band Flex Plan Nine (Marilyn Lerner, Harold Carr, Tim Posgate and Peter Valsamis)."],"collection_source_collection_id":["ACP"],"persistent_url":["https://albertaonrecord.ca/action-poetry-fonds"],"item_title":["Lori Weidenhammer : Greenham [Margaret Greenham Theatre] session"],"item_title_source":["Transcribed from the Artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creator_names":["Weidenhammer, Lori"],"creator_names_search":["Weidenhammer, Lori"],"creators":["[{\"url\":\"\",\"name\":\"Weidenhammer, Lori\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Sobol, John"],"contributors_names_search":["Sobol, John"],"contributors":["[{\"url\":\"\",\"name\":\"Sobol, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Sobol, John"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"T03:00:00\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"DAT\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["DAT"],"physical_compositions":["Magnetic Tape"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-04-14\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"107, Tunnel Mountain Drive, Banff, Alberta, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["107, Tunnel Mountain Drive, Banff, Alberta, Canada"],"City":["Banff, Alberta"],"contents":["Item is an audio recording of performances from Action Poetry '94 by Lori Weidenhammer.\n\nLori Weidenhammer\n- Vacation from\n- 49 1/2' woman\n- Parasite\n- If I had a heart\n- I wanna be your angle\n- Thin enough\n- Rescue 911\n- My face blossoms\n- Bus driver\n- Beast\n- When I was waitress"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670552411045888,"timestamp":"2026-01-07T14:59:56.900Z","score":0.01643844},{"id":"5135","cataloger_name":["Andrew,Hennan"],"partnerInstitution":["Banff Centre for Arts and Creativity"],"collection_source_collection":["Action Poetry fonds"],"source_collection_label":["Action Poetry fonds"],"collection_contributing_unit":["Paul D. Fleck Library and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of records generated as part of Action Poetry u201894, a symposium and workshop of the spoken word, held at the Banff Centre between April 11th u2013 29th, 1994. Organized by John Sobol, Action Poetry was Intended to u201cprovide the opportunity for spoken word performers from diverse cultural and aesthetic traditions to establish a dialogue based upon a shared commitment to exploring the word in performance.u201d It included participants from a variety of backgrounds, including poets, rappers, dub poets, monologists, performance artists, street entertainers, storytellers, and stand-up comedians. The Action Poetry fonds contains video and audio recordings of performances and events, proposals and planning documents, internal and external correspondence, biographical information on participants, newspaper clippings, research notes, photographs, and material related to organizing the Nat Christie Poetry Day and Nat Christie Poetry Jam events. Action Poetry faculty and participants included: John Sobol, Jill Battson, Erik Belgium, Meryn Caddell, Djewel Davidson, Shawna Dempsey and Lorri Millan, Alex Ferguson, Kedrick James, Clifton Joseph, Darryl Keyes, Isobeau Miller, Ahdri Zhina Mandiela, Tracie Morris, Dasez Tempo and Richie D, Sean Paul Zitello (SPaZ), Lori Weidenhammer, Diane Wolkstein, Sheri-D Wilson, Adeena Karasick, Wendy Berner, Terrence Crane, Greg Young-Ing, Harold Carr, Peter McPhee, Thuong Vuong Riddick, Stephen Humphrey, Tim lander, Gunargie Ou2019Sullivan, Tom Henihan, Murdoch Burnett, Lillian Allen, Jeannette Armstrong, Paul Dutton, Bob Holman, Jayne Cortez, John Giorno, Richard Armstrong, the Pine Trio (Steve Lacy, Irene Aebi and Nicholas Isherwood), Aaron Williamson, Judy Radul and Deanna Ferguson, Uma Rao, Mary Dalton, and the Action Poetry house band Flex Plan Nine (Marilyn Lerner, Harold Carr, Tim Posgate and Peter Valsamis)."],"collection_source_collection_id":["ACP"],"persistent_url":["https://albertaonrecord.ca/action-poetry-fonds"],"item_title":["Lillian Allen : Greenham [Margaret Greenham Theatre] studio sessions"],"item_title_source":["Transcribed from the Artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creator_names":["Allen, Lillian"],"creator_names_search":["Allen, Lillian"],"creators":["[{\"url\":\"\",\"name\":\"Allen, Lillian\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Sobol, John"],"contributors_names_search":["Sobol, John"],"contributors":["[{\"url\":\"\",\"name\":\"Sobol, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Sobol, John"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"T03:00:00\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"DAT\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["DAT"],"physical_compositions":["Magnetic Tape"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-04-13\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"107, Tunnel Mountain Drive, Banff, Alberta, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["107, Tunnel Mountain Drive, Banff, Alberta, Canada"],"City":["Banff, Alberta"],"contents":["Item is an audio recording of performances from Action Poetry '94 by Lillian Allen.\n\nLillian Allen\n- First movement\n- Africa\n- Bay and College\n- Music shall live\n- Ooh this love\n- Muta\n- Heartbeat\n- Uggle conformity\n- Liberation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670552411045889,"timestamp":"2026-01-07T14:59:56.900Z","score":0.01643844},{"id":"5134","cataloger_name":["Andrew,Hennan"],"partnerInstitution":["Banff Centre for Arts and Creativity"],"collection_source_collection":["Action Poetry fonds"],"source_collection_label":["Action Poetry fonds"],"collection_contributing_unit":["Paul D. Fleck Library and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of records generated as part of Action Poetry u201894, a symposium and workshop of the spoken word, held at the Banff Centre between April 11th u2013 29th, 1994. Organized by John Sobol, Action Poetry was Intended to u201cprovide the opportunity for spoken word performers from diverse cultural and aesthetic traditions to establish a dialogue based upon a shared commitment to exploring the word in performance.u201d It included participants from a variety of backgrounds, including poets, rappers, dub poets, monologists, performance artists, street entertainers, storytellers, and stand-up comedians. The Action Poetry fonds contains video and audio recordings of performances and events, proposals and planning documents, internal and external correspondence, biographical information on participants, newspaper clippings, research notes, photographs, and material related to organizing the Nat Christie Poetry Day and Nat Christie Poetry Jam events. Action Poetry faculty and participants included: John Sobol, Jill Battson, Erik Belgium, Meryn Caddell, Djewel Davidson, Shawna Dempsey and Lorri Millan, Alex Ferguson, Kedrick James, Clifton Joseph, Darryl Keyes, Isobeau Miller, Ahdri Zhina Mandiela, Tracie Morris, Dasez Tempo and Richie D, Sean Paul Zitello (SPaZ), Lori Weidenhammer, Diane Wolkstein, Sheri-D Wilson, Adeena Karasick, Wendy Berner, Terrence Crane, Greg Young-Ing, Harold Carr, Peter McPhee, Thuong Vuong Riddick, Stephen Humphrey, Tim lander, Gunargie Ou2019Sullivan, Tom Henihan, Murdoch Burnett, Lillian Allen, Jeannette Armstrong, Paul Dutton, Bob Holman, Jayne Cortez, John Giorno, Richard Armstrong, the Pine Trio (Steve Lacy, Irene Aebi and Nicholas Isherwood), Aaron Williamson, Judy Radul and Deanna Ferguson, Uma Rao, Mary Dalton, and the Action Poetry house band Flex Plan Nine (Marilyn Lerner, Harold Carr, Tim Posgate and Peter Valsamis)."],"collection_source_collection_id":["ACP"],"persistent_url":["https://albertaonrecord.ca/action-poetry-fonds"],"item_title":["Action Poetry Flex Plan Nine and Aaron Williamson : performance three recording"],"item_title_source":["Transcribed from the Artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creator_names":["Lerner, Marilyn","Carr, Harold","Posgate, Tim","Valsamis, Peter","Williamson, Aaron"],"creator_names_search":["Lerner, Marilyn","Carr, Harold","Posgate, Tim","Valsamis, Peter","Williamson, Aaron"],"creators":["[{\"url\":\"\",\"name\":\"Lerner, Marilyn\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Carr, Harold\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Posgate, Tim\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Valsamis, Peter\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Williamson, Aaron\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Sobol, John"],"contributors_names_search":["Sobol, John"],"contributors":["[{\"url\":\"\",\"name\":\"Sobol, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Sobol, John"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"T03:00:00\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"DAT\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["DAT"],"physical_compositions":["Magnetic Tape"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-04-13\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"107, Tunnel Mountain Drive, Banff, Alberta, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["107, Tunnel Mountain Drive, Banff, Alberta, Canada"],"City":["Banff, Alberta"],"contents":["Item is an audio recording of performances from Action Poetry '94 by Flex Plan Nine and Aaron Williamson.\n\nFlex Plan Nine\n- John's intro [John Sobol]\n- Ice weasels (Tim)\n- Alone together (Sammy Cahn)\n- [Oldio?] (Sonny Rollins)\n- Dream song (Harold)\n- Holding hands (Marilyn)\n- Solar (Miles Davis)\n- Smatter (Kenny Wheeler)\n\nAaron Williamson\n- One set"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670552411045890,"timestamp":"2026-01-07T14:59:56.900Z","score":0.01643844},{"id":"5133","cataloger_name":["Andrew,Hennan"],"partnerInstitution":["Banff Centre for Arts and Creativity"],"collection_source_collection":["Action Poetry fonds"],"source_collection_label":["Action Poetry fonds"],"collection_contributing_unit":["Paul D. Fleck Library and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of records generated as part of Action Poetry u201894, a symposium and workshop of the spoken word, held at the Banff Centre between April 11th u2013 29th, 1994. Organized by John Sobol, Action Poetry was Intended to u201cprovide the opportunity for spoken word performers from diverse cultural and aesthetic traditions to establish a dialogue based upon a shared commitment to exploring the word in performance.u201d It included participants from a variety of backgrounds, including poets, rappers, dub poets, monologists, performance artists, street entertainers, storytellers, and stand-up comedians. The Action Poetry fonds contains video and audio recordings of performances and events, proposals and planning documents, internal and external correspondence, biographical information on participants, newspaper clippings, research notes, photographs, and material related to organizing the Nat Christie Poetry Day and Nat Christie Poetry Jam events. Action Poetry faculty and participants included: John Sobol, Jill Battson, Erik Belgium, Meryn Caddell, Djewel Davidson, Shawna Dempsey and Lorri Millan, Alex Ferguson, Kedrick James, Clifton Joseph, Darryl Keyes, Isobeau Miller, Ahdri Zhina Mandiela, Tracie Morris, Dasez Tempo and Richie D, Sean Paul Zitello (SPaZ), Lori Weidenhammer, Diane Wolkstein, Sheri-D Wilson, Adeena Karasick, Wendy Berner, Terrence Crane, Greg Young-Ing, Harold Carr, Peter McPhee, Thuong Vuong Riddick, Stephen Humphrey, Tim lander, Gunargie Ou2019Sullivan, Tom Henihan, Murdoch Burnett, Lillian Allen, Jeannette Armstrong, Paul Dutton, Bob Holman, Jayne Cortez, John Giorno, Richard Armstrong, the Pine Trio (Steve Lacy, Irene Aebi and Nicholas Isherwood), Aaron Williamson, Judy Radul and Deanna Ferguson, Uma Rao, Mary Dalton, and the Action Poetry house band Flex Plan Nine (Marilyn Lerner, Harold Carr, Tim Posgate and Peter Valsamis)."],"collection_source_collection_id":["ACP"],"persistent_url":["https://albertaonrecord.ca/action-poetry-fonds"],"item_title":["Action Poetry Uma Rao and Erik Belgium : performance two recording"],"item_title_source":["Transcribed from the Artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creator_names":["Rao, Uma","Belgium, Erik"],"creator_names_search":["Rao, Uma","Belgium, Erik"],"creators":["[{\"url\":\"\",\"name\":\"Rao, Uma\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Belgium, Erik\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Sobol, John"],"contributors_names_search":["Sobol, John"],"contributors":["[{\"url\":\"\",\"name\":\"Sobol, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Sobol, John"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"T03:00:00\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"DAT\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["DAT"],"physical_compositions":["Magnetic Tape"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-04-12\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"107, Tunnel Mountain Drive, Banff, Alberta, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["107, Tunnel Mountain Drive, Banff, Alberta, Canada"],"City":["Banff, Alberta"],"contents":["Item is an audio recording of performances from Action Poetry '94 by Uma Rao and Erik Belgium.\n\nUma Rao\n- The Flag\n- A Single Earring\n- Amassurie\n- Beyond\n\nErik Belgium\n- Donna\n\nUma Rao\n- Amassurie in Kanada\n- It's different in Vancouver"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670552412094464,"timestamp":"2026-01-07T14:59:56.900Z","score":0.01643844},{"id":"5132","cataloger_name":["Andrew,Hennan"],"partnerInstitution":["Banff Centre for Arts and Creativity"],"collection_source_collection":["Action Poetry fonds"],"source_collection_label":["Action Poetry fonds"],"collection_contributing_unit":["Paul D. Fleck Library and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of records generated as part of Action Poetry u201894, a symposium and workshop of the spoken word, held at the Banff Centre between April 11th u2013 29th, 1994. Organized by John Sobol, Action Poetry was Intended to u201cprovide the opportunity for spoken word performers from diverse cultural and aesthetic traditions to establish a dialogue based upon a shared commitment to exploring the word in performance.u201d It included participants from a variety of backgrounds, including poets, rappers, dub poets, monologists, performance artists, street entertainers, storytellers, and stand-up comedians. The Action Poetry fonds contains video and audio recordings of performances and events, proposals and planning documents, internal and external correspondence, biographical information on participants, newspaper clippings, research notes, photographs, and material related to organizing the Nat Christie Poetry Day and Nat Christie Poetry Jam events. Action Poetry faculty and participants included: John Sobol, Jill Battson, Erik Belgium, Meryn Caddell, Djewel Davidson, Shawna Dempsey and Lorri Millan, Alex Ferguson, Kedrick James, Clifton Joseph, Darryl Keyes, Isobeau Miller, Ahdri Zhina Mandiela, Tracie Morris, Dasez Tempo and Richie D, Sean Paul Zitello (SPaZ), Lori Weidenhammer, Diane Wolkstein, Sheri-D Wilson, Adeena Karasick, Wendy Berner, Terrence Crane, Greg Young-Ing, Harold Carr, Peter McPhee, Thuong Vuong Riddick, Stephen Humphrey, Tim lander, Gunargie Ou2019Sullivan, Tom Henihan, Murdoch Burnett, Lillian Allen, Jeannette Armstrong, Paul Dutton, Bob Holman, Jayne Cortez, John Giorno, Richard Armstrong, the Pine Trio (Steve Lacy, Irene Aebi and Nicholas Isherwood), Aaron Williamson, Judy Radul and Deanna Ferguson, Uma Rao, Mary Dalton, and the Action Poetry house band Flex Plan Nine (Marilyn Lerner, Harold Carr, Tim Posgate and Peter Valsamis)."],"collection_source_collection_id":["ACP"],"persistent_url":["https://albertaonrecord.ca/action-poetry-fonds"],"item_title":["Action Poetry Lillian Allen : performance one recording"],"item_title_source":["Transcribed from the Artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creator_names":["Allen, Lillian"],"creator_names_search":["Allen, Lillian"],"creators":["[{\"url\":\"\",\"name\":\"Allen, Lillian\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Sobol, John"],"contributors_names_search":["Sobol, John"],"contributors":["[{\"url\":\"\",\"name\":\"Sobol, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Sobol, John"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"T03:00:00\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"DAT\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["DAT"],"physical_compositions":["Magnetic Tape"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-04-11\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"107, Tunnel Mountain Drive, Banff, Alberta, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["107, Tunnel Mountain Drive, Banff, Alberta, Canada"],"City":["Banff, Alberta"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670552412094465,"timestamp":"2026-01-07T14:59:56.900Z","score":0.01643844},{"id":"5131","cataloger_name":["Andrew,Hennan"],"partnerInstitution":["Banff Centre for Arts and Creativity"],"collection_source_collection":["Action Poetry fonds"],"source_collection_label":["Action Poetry fonds"],"collection_contributing_unit":["Paul D. Fleck Library and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of records generated as part of Action Poetry u201894, a symposium and workshop of the spoken word, held at the Banff Centre between April 11th u2013 29th, 1994. Organized by John Sobol, Action Poetry was Intended to u201cprovide the opportunity for spoken word performers from diverse cultural and aesthetic traditions to establish a dialogue based upon a shared commitment to exploring the word in performance.u201d It included participants from a variety of backgrounds, including poets, rappers, dub poets, monologists, performance artists, street entertainers, storytellers, and stand-up comedians. The Action Poetry fonds contains video and audio recordings of performances and events, proposals and planning documents, internal and external correspondence, biographical information on participants, newspaper clippings, research notes, photographs, and material related to organizing the Nat Christie Poetry Day and Nat Christie Poetry Jam events. Action Poetry faculty and participants included: John Sobol, Jill Battson, Erik Belgium, Meryn Caddell, Djewel Davidson, Shawna Dempsey and Lorri Millan, Alex Ferguson, Kedrick James, Clifton Joseph, Darryl Keyes, Isobeau Miller, Ahdri Zhina Mandiela, Tracie Morris, Dasez Tempo and Richie D, Sean Paul Zitello (SPaZ), Lori Weidenhammer, Diane Wolkstein, Sheri-D Wilson, Adeena Karasick, Wendy Berner, Terrence Crane, Greg Young-Ing, Harold Carr, Peter McPhee, Thuong Vuong Riddick, Stephen Humphrey, Tim lander, Gunargie Ou2019Sullivan, Tom Henihan, Murdoch Burnett, Lillian Allen, Jeannette Armstrong, Paul Dutton, Bob Holman, Jayne Cortez, John Giorno, Richard Armstrong, the Pine Trio (Steve Lacy, Irene Aebi and Nicholas Isherwood), Aaron Williamson, Judy Radul and Deanna Ferguson, Uma Rao, Mary Dalton, and the Action Poetry house band Flex Plan Nine (Marilyn Lerner, Harold Carr, Tim Posgate and Peter Valsamis)."],"collection_source_collection_id":["ACP"],"persistent_url":["https://albertaonrecord.ca/action-poetry-fonds"],"item_title":["Action Poetry John Sobol and Lillian Allen : performance recording"],"item_title_source":["Transcribed from the Artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creator_names":["Sobol, John","Allen, Lillian"],"creator_names_search":["Sobol, John","Allen, Lillian"],"creators":["[{\"url\":\"\",\"name\":\"Sobol, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Allen, Lillian\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Sobol, John"],"contributors_names_search":["Sobol, John"],"contributors":["[{\"url\":\"\",\"name\":\"Sobol, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Sobol, John"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"T03:00:00\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"DAT\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["DAT"],"physical_compositions":["Magnetic Tape"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-04-11\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"107, Tunnel Mountain Drive, Banff, Alberta, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["107, Tunnel Mountain Drive, Banff, Alberta, Canada"],"City":["Banff, Alberta"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670552412094466,"timestamp":"2026-01-07T14:59:56.900Z","score":0.01643844},{"id":"8934","cataloger_name":["Jasmin,Macarios"],"partnerInstitution":["University of Ottawa"],"collection_source_collection":["LOOT Oral History Project collection"],"source_collection_label":["LOOT Oral History Project collection"],"collection_contributing_unit":["Archives et collections sp&eacute;ciales/Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["10-080"],"persistent_url":["https://arcs-atom.uottawa.ca/index.php/loot-oral-history-project-fonds"],"item_title":["Phil Masters Interview, Toronto, Canada, 19 Dec 1989"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights_notes":["For copyright information contact Archives and Special Collections."],"creator_names":["Ross, Becki","Masters, Phil"],"creator_names_search":["Ross, Becki","Masters, Phil"],"creators":["[{\"url\":\"\",\"name\":\"Ross, Becki\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"interviewer\"]},{\"url\":\"\",\"name\":\"Masters, Phil\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"interviewee\"]}]"],"contributors":["[]"],"Production_Date":[1989],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"02:24:20\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"Waveform\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound 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Side I; Scobie - 0 \\\"Ship\\\"; 45 \\\"The Black Ponies\\\"; 75 \\\"Genesis\\\"; 93 \\\"Moonfall\\\"; 103 \\\"Moonfall No. 2\\\"; 125 Work in Progress \\\"Part 5,\\\" 150 \\\"Part 8\\\"; Livesay - 220 \\\"Meditation Over Great Bear Lake Meditation\\\"; 245 \\\"Look at the End\\\"; 262 \\\"At Dawn\\\"; 270 \\\"Dream\\\"; 274 \\\"The Uninvited\\\"; 295 \\\"Another Journey\\\"; 306 \\\"The Operation\\\"; 369 \\\"Edmonton Suite\\\"; 431 \\\"Where I Usually Sit\\\"; FR Scott - 454 \\\"Eclipse\\\"; 460 \\\"Conflict\\\"; 488 \\\"Poetry\\\"; 511 \\\"Book of Poems\\\"; 542 \\\"To the Poets of India\\\"; 586 \\\"On the Death of Ghandi\\\"; Side II (see card inside [reel case]); Scobie 0 - \\\"This is the Morning of the Gunfight\\\"; 15 \\\"Thirteen\\\"; 41 \\\"Crescent\\\"; 47 \\\"Mills\\\"; 55 \\\"Heaven\\\"; 63 \\\"Sherwood\\\"; 71 \\\"Park\\\"; 81 \\\"The Gapin Land...\\\"; 91 \\\"You Came and Went\\\"; 99 \\\"North Wind Flowing\\\"; 105 \\\"Poem for my Father\\\"; Livesay 164 - \\\"The Triangular Woman\\\"; 191 \\\"Latter Day Eve\\\"; 208 \\\"Time Took Me Unawares\\\"; 216 \\\"To Robbie Burns\\\"; 227 \\\"Summer Landscape: Jasper\\\"; 241 \\\"Disasters of the Sun\\\"; Scott 291 - \\\"A Lass in Wonderland\\\"; 342 \\\"Examiner\\\"; 380 \\\"Martini Gram\\\"; 392 \\\"Eden\\\"; 423 \\\"Dancing\\\"; 439 \\\"In Time of Doubt\\\".\",\"type\":\"General\"},{\"note\":\"Part 1 and Part 2 of this recording are included in this resource\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552521146368,"timestamp":"2026-01-07T14:59:57.006Z","score":0.01643844},{"id":"9471","cataloger_name":["University of Alberta,"],"partnerInstitution":["University of Alberta"],"collection_source_collection":["Department of English Recorded Events"],"source_collection_label":["Department of English Recorded Events"],"collection_contributing_unit":["Department of English and Film Studies"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Literary readings, lectures, panels, and interviews organized by members of the Department of English, University of Alberta, featuring local and visiting authors. 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Smith; From typewritten slip inside reel case: Poetry Reading Two: Poets From the rest of Canada, Humanities Theatre 4:30pm Wednesday, 28th May, Readings by Christopher Levenson, Elizabeth Brewster, Dorothy Livesay, A.J.M. Smith, Ralph Gustafson\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552521146369,"timestamp":"2026-01-07T14:59:57.006Z","score":0.01643844},{"id":"9472","cataloger_name":["University of Alberta,"],"partnerInstitution":["University of Alberta"],"collection_source_collection":["Department of English Recorded Events"],"source_collection_label":["Department of English Recorded Events"],"collection_contributing_unit":["Department of English and Film Studies"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Literary readings, lectures, panels, and interviews organized by members of the Department of English, University of Alberta, featuring local and visiting authors. 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Handwritten from note taped inside reel case: Side One: John Newlove (UofA 19/03/81. Side #1 Only, Speed 3 3/4\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552522194944,"timestamp":"2026-01-07T14:59:57.006Z","score":0.01643844},{"id":"9475","cataloger_name":["University of Alberta,"],"partnerInstitution":["University of Alberta"],"collection_source_collection":["Department of English Recorded Events"],"source_collection_label":["Department of English Recorded Events"],"collection_contributing_unit":["Department of English and Film Studies"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Literary readings, lectures, panels, and interviews organized by members of the Department of English, University of Alberta, featuring local and visiting authors. 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Typewritten from sheet of paper inside reel case: Please announce to all your classes: A public reading by poet Jeni Couzin, Humanities Centre, University of Alberta, AV L-3, Thursday December 2nd 1976, 12:30 noon. Jeni Couzin was born in South Africa, spent ten years in Britain, and has recently settled in Canada. She was one of the founding members of Poets' Conference and Poets' Union in Britain, and was an influential figure in the formation of public reading series in England. She is the author of three books of poetry, all of which were well received: Flying (Workshop Press), Monkey's Wedding (Cape), and the recent Christmas in Africa (J.J. Douglas, Vancouver, & Heinemann, London). Some of the critical praise for Christmas in Africa: \\\"One is grateful to a poet who can recover for the modern reader the authentic and mythopoetic voice\\\" -- Rosemary Sullivan, CVII. \\\"She sings and curses, applauds and deplores the conditions of humanity in these wonderfully moving poems, which include memories of Africa, personal and symbolic extensions of themes in conteporary science-fiction writing, and finally, her own intesely human reactions to everyday things . . . 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Chairman Gary Frame\n\t\t047\tBallad – The woman I am is not what you see…\n\t\t090\tWeapons\n\t\t100\tAlienation\n\t\t109\tPerversity\n\t\t117\tSong for Solomon\n\t\t129\tThe Difference\n\t\t143\tThe thought of you is like a glove…\n\t\t164\tGreen Rain\n\t\t200\tComrade\n\t\t249\tFive Poems For Marcia\n\t\t274\tNativity Poem for my son\n\t\t308\tThe Three Emily’s\n\t\t345\tBartok and the Geranium\n\t\t476\tWedlock\n\t\t490\tOther\n\t\t553\tThe Taming\n\t\t570\tAnd Give Us Our Trespasses\n\t\t611\tThe Uninvited\n\t\t644\tLatter Day Eve\n\t\t695\tSalute To Monty Python\n\t\t727\tThe Widow\n\t\t747\tThe Cabbage\n\t\t760\tMore Rent\n\t\t782\tIce Age\n\t\t819\tBreathing\n\t\t848\tUncut Grass\n\t\t865\tWinter Night On The Rideau\n\t\t905\tMargaret\nTwo\tA\t000\tThe Origin of The Family"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670552748687364,"timestamp":"2026-01-07T14:59:57.226Z","score":0.01643844},{"id":"5204","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["BP Nichol Reading for Chum-FM, January 1967 #303"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P."],"creator_names_search":["Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1967],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/828/Readings in BC_MsC199_303.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"303-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:08\",\"precision\":\"\",\"size\":\"30.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"303-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:00\",\"precision\":\"\",\"size\":\"49.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1967-01-[08?]\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card and inventory\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t0000\t\n\t\t0006\tCHUM Radio (Toronto) introduction of “The Poetry Program”, the announcer is Ron Ray\n\t\t0014\tPastoral music fading in and out, this occurs on various occasions throughout the tape\n\t\t0020\tNichol introduces the selections he will be reading. “Ancient Maps of the Real World” (to be found as the middle section of “Journeying and the Returns” – Coach House Press, 1967)\n\t\t0139\t“Moonshot”\n\t\t0146\t“The Accusation”\n\t\t0152\t“Untitled”\n\t\t0157\t“No title – Rebuttal”\n\t\t0166\t“Walkthrough”\n\t\t0169\t“The New Improved Atlas of the World”\n\t\t0176\t“Change changes”\n\t\t0196\t“Small poem for Wayne and Julie Clifford”\n\t\t0201\t“Walk home during illness, May 28, 1:30 a.m.”\n\t\t0252\t“9 P.M. Blues”\n\t\t0256\t“Poem”\n\t\t0262\t“Is, for Rob”\n\t\t0267\t“The Junctions, for Wayne and Julie Clifford, Dennis and Logg Reid and Stan Bevington”\n\t\t0283\t“Varihiem”\n\t\t0291\t“Fifth Journeying”\n\t\t0298\t“Peace, for Chris Bowman, two days after the massacre”\n\t\t0302\t“The End of Etc.”\n\t\t0345\t“Leave Taking” (to be found as the middle section of “The Undiscovered Country”)\n\t\t0383\tPoetry reading ends\n\t\t0398\tConcluding remarks by Ron Ray, details are given of forthcoming bp Nichol readings and publications\n\t\t0404\tSide One ends\nTwo\t\t\tSide Two is blank"],"Note":["[{\"note\":\"Liner Notes: BP Nichol Reading for Chum-FM, January 1967 30 min. Dolby B #303\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552748687365,"timestamp":"2026-01-07T14:59:57.226Z","score":0.01643844},{"id":"5205","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["BP Nichol: Interview, part 1 of 2 recorded sometime in the mid-late 1970's #304a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P."],"creator_names_search":["Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/829/Readings in BC_MsC199_304a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"SFU\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"304a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:59\",\"precision\":\"\",\"size\":\"31.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"304a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:34:10\",\"precision\":\"\",\"size\":\"33.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"Production Date\",\"notes\":\"[1975-1979?].  Mid to late 1970’s.\",\"source\":\"Inventory\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t0000\t\n\t\t0006\tInterview with bp Nichol.  Interview deals with the origins and germinations of his poems, breaking down into eleven or so major areas (all of which are entwined with each other).\n\t\t\tShorter poems/lyrical poems\n\t\t\tThe Martyrology books\n\t\t\tSingle copy poems\n\t\t\tComic strips\n\t\t\t“Scrapture” series\n\t\t\tVarious working papers\n\t\t\tSelections from specific pieces and books\n\t\t\tThe Concrete poems\n\t\t\tGanglia poetry magazine\n\t\t\tNichol’s literary development\n\t\t0954\tInterview ends – to be continued on Side Two\n\t\t0999\tSide One ends"],"Note":["[{\"note\":\"Liner Notes: PP Nichol: Interview on the origins of Scriptures and the Martyology and other poems Side 1: 30:07 Side 2: 30:13 Tape 1 of 2 Voices sound thin due to filtering of very loud hum Dolby B\",\"type\":\"General\"},{\"note\":\"Inventory notes on sound quality: Loud hum and muffled, illegible voices make this tape very difficult to hear properly.  The same interview, with much better sound quality, can be heard on #551/552.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552749735936,"timestamp":"2026-01-07T14:59:57.226Z","score":0.01643844},{"id":"5206","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Gerry Gilbert Reading from Review of Difficult Words for English 102 at SFU on February 19, 1980 #307"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Gilbert, Gerry","Kearns, Lionel","Miki, Roy"],"creator_names_search":["Gilbert, Gerry","Kearns, Lionel","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/30784380\",\"name\":\"Kearns, Lionel\",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1980],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/830/Readings in BC_MsC199_307.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"SFU\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"307-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:28:57\",\"precision\":\"\",\"size\":\"28.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"307-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:30\",\"precision\":\"\",\"size\":\"20 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1980-02-19\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"Liner Notes: Gerry Gilbert Reading from Review of Difficult Words for English 102, Feb. 19, 1980 Side 1: 28min. Side 2: 20 min. Introduction by Roy Miki and Lionel Kearns Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552749735937,"timestamp":"2026-01-07T14:59:57.226Z","score":0.01643844},{"id":"5207","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["BP Nichol: Interview, part 2 of 2 recorded sometime in the mid-late 1970's #304b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P."],"creator_names_search":["Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/833/Readings in BC_MsC199_304b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"SFU\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"304b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:01\",\"precision\":\"\",\"size\":\"31.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"304b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:19:01\",\"precision\":\"\",\"size\":\"19.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"Production Date\",\"notes\":\"[1975-1979?]. Mid to late 1970’s.\",\"source\":\"Inventory\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t0000\t\n\t\t0006\tInterview continues\n\t\t0687\tInterview ends\n\t\t0999\tSide Two ends"],"Note":["[{\"note\":\"Liner Notes: BP Nichol: Interview on the origins of Scriptures and the Martyology and other poems Side 1: 30:07 Side 2: 30:13 Tape 1 of 2 Voices sound thin due to filtering of very loud hum Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552749735938,"timestamp":"2026-01-07T14:59:57.226Z","score":0.01643844},{"id":"5208","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. 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Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering reading Rocky Mountain Foot in Montreal on October 28, 1969 #703"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/871/Reading in BC_MsC199_703.jpg\",\"other\":\"\",\"extent\":\"1/8 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"703-side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:00\",\"precision\":\"\",\"size\":\"51.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969-10-28\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1634158\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Montreal, Canada\",\"latitude\":\"45.5179\",\"longitude\":\"-73.6935\"}]"],"Address":["Montreal, Canada"],"content_notes":["SFU BC Readings formatting\n"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t012\tBowering begins to read Rocky Mountain Foot\n\t\t013\t“still in the sky”\n\t\t026\t“the religious lake”\n\t\t040\t“tunnel mountain”\n\t\t057\t“mount norquay (for Tony Bellett)”\n\t\t111\t“Calgary now”\n\t\t117\t“prairie”\n\t\t129\t“geopolitic”\n\t\t141\t“calgary downtown sunday”\n\t\t161\t“indians in Calgary”\n\t\t166\t“the oil”\n\t\t190\t“the plain”\n\t\t231\t“the grass”\n\t\t236\t“the blue”\n\t\t241\t“the frost”\n\t\t246\t“the snow”\n\t\t255\t“the dust”\n\t\t264\t“above Calgary”\n\t\t292\t“the crumbling wall”\n\t\t299\t“the cabin”\n\t\t309\t“the road tells”\n\t\t314\t“a sudden measure”\n\t\t321\t“the mark”\n\t\t335\t“albertasaurus”\n\t\t344\t“30 below”\n\t\t354\t“I watch the storm”\n\t\t362\t“winter tan, a joke poem”\n\t\t368\t“forecast”\n\t\t375\t“alberta”\n\t\t389\t“another epiphany or was it apocalypse”\n\t\t392\t“old snow in the new year”\n\t\t403\t“east to west”\n\t\t421\t“high river, alberta”\n\t\t430\t“the name”\n\t\t439\t“the Calgary eye-opener”\n\t\t445\tEnd of Side One, mid-way through preceding piece\nTwo\t\t000\t\n\t\t007\t“the calgary eye-opener”continued\n\t\t029\t“calgary”\n\t\t053\t“vancouver-courtenay-calgary”\n\t\t067\t“indian summer”\n\t\t076\t“history in us”\n\t\t101\t“the simile”\n\t\t107\t“odd lost sounds”\n\t\t112\t“without words”\n\t\t139\t“and old conceit”\n\t\t151\t“footprints, fenceposts”\n\t\t158\t“warm February”\n\t\t167\t“the blood red fuck”\n\t\t178\t“prairie music”\n\t\t189\t“once in a while you catch yourself”\n\t\t200\t“zing”\n\t\t203\t“it’s the climate”\n\t\t207\t“angela sleeping”\n\t\t211\t“over the rockies”\n\t\t224\t“above montana”\n\t\t241\t“spinning”\n\t\t247\t“cpr window (for Raymond Souster)”\n\t\t251\t“the weight”\n\t\t257\t“harpo, a living stone”\n\t\t277\t“the streets of calgary”\n\t\t285\t“forget”\n\t\t289\t“stampede”\n\t\t296\t“& proceed”\n\t\t314\t“colonel fleming et jules et jim”\n\t\t326\t“layers 3”\n\t\t332\t“let me in let me out”\n\t\t337\t“general in the rockies”\n\t\t344\t“cold spell”\n\t\t362\t“girls in the snow”\n\t\t365\t“spring rime in calgary”\n\t\t371\t“mud time”\n\t\t375\t“community”\n\t\t387\t“the white station wagon strophes”\n\t\t407\t“back in vancouver for a vancouver visit”\n\t\t430\tConcluding comments from George Bowering\n\t\t442\tEnd"],"Note":["[{\"note\":\"Liner Notes: George Bowering, Montreal, October 28, 1969 #703 \\n\\\"Rocky Mountain Foot\\\" \\nside1: 31:17\\nside2: 31:00\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552751833092,"timestamp":"2026-01-07T14:59:57.226Z","score":0.01643844},{"id":"5221","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The University of Michigan Professional Theater: the Grass Harp, 1972 #501"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Richardson, Claibe","Rabb, Ellis","Kasdan, Michael","Berkman, John","Capote, Truman","Elmslie, Kenward","Tilton, James","Potts, Nancy","Billy, J","Planck, Ver","Levine, Rhoda","Tunik, Jonathan","Russell Bennett, Robert","Hoovar, Bruce A"],"creator_names_search":["Richardson, Claibe","Rabb, Ellis","Kasdan, Michael","Berkman, John","Capote, Truman","Elmslie, Kenward","Tilton, James","Potts, Nancy","Billy, J","Planck, Ver","Levine, Rhoda","Tunik, Jonathan","Russell Bennett, Robert","Hoovar, Bruce A"],"creators":["[{\"url\":\"http://viaf.org/viaf/50610115\",\"name\":\"Richardson, Claibe \",\"dates\":\"1929-2003\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/36454895\",\"name\":\"Rabb, Ellis\",\"dates\":\"1930-1998\",\"notes\":\"Diretcor \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Kasdan, Michael \",\"dates\":\"\",\"notes\":\"Associate producer\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"http://viaf.org/viaf/34641369\",\"name\":\"Berkman, John\",\"dates\":\"1964-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/1186145424674586830785\",\"name\":\"Capote, Truman\",\"dates\":\"1924-1984\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/13600197\",\"name\":\"Elmslie, Kenward\",\"dates\":\"1929-\",\"notes\":\"Book and lyric\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"\",\"name\":\"Tilton, James \",\"dates\":\"\",\"notes\":\"Design and lighting \",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"\",\"name\":\"Potts, Nancy\",\"dates\":\"\",\"notes\":\"Costumes \",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"\",\"name\":\"Billy, J\",\"dates\":\"\",\"notes\":\"Musical arrangements \",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"\",\"name\":\"Planck, Ver\",\"dates\":\"\",\"notes\":\"Musical arrangements \",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"\",\"name\":\"Levine, Rhoda\",\"dates\":\"\",\"notes\":\"Choreography \",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"\",\"name\":\"Tunik, Jonathan\",\"dates\":\"\",\"notes\":\"Additional orchestration \",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"\",\"name\":\"Russell Bennett, Robert\",\"dates\":\"\",\"notes\":\"Additional orchestration \",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"\",\"name\":\"Hoovar, Bruce A\",\"dates\":\"\",\"notes\":\"production stage manager\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1972],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/874/Reading in BC_MsC199_501.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:00:35\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"501-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:25\",\"precision\":\"\",\"size\":\"43.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"501-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:10\",\"precision\":\"\",\"size\":\"42.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1972\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/265320169\",\"venue\":\"Martin Beck Theatre\",\"notes\":\"The Martin Beck Theater has now been renamed \\\"Al Hirschfeld Theatre\\\".\",\"address\":\"New York county, New York, USA\",\"latitude\":\"40.75929\",\"longitude\":\"-73.98922\"}]"],"Address":["New York county, New York, USA"],"Venue":["Martin Beck Theatre"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA&B\t000\tOverture\n\t\t046\tDropsy cure weather\n\t\t145\tFloozies\n\t\t207\tBig rich\n\t\t259\tIf there’s love enough\n\t\t329\tYellow drum\n\t\t433\tMarry with me\n\t\t539\tChain of love\nTwo\tA&B\t000\tThis one day\n\t\t035\tThe babylove miracle show\n\t\t273\tWalk into heaven\n\t\t338\tIndian blues\n\t\t403\tWhat do I do now\n\t\t492\tReach out\n\t\t592\tFinale: yellow drum"],"Note":["[{\"note\":\"The musical was performed by the University of Michigan Professional Theater Program and the names and roles of the actors and actresses can be found in the J insert \",\"type\":\"General\"},{\"note\":\"The detailed information about the cassette and its contents can be found in the insert that can be seen on the photograph\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552752881664,"timestamp":"2026-01-07T14:59:57.226Z","score":0.01643844},{"id":"5223","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Yevgeny Yevtushenko Reading at The Felt Forum in New York on January 28th, 1972 and at Project Artaud in San Francisco, 1972 #502"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Boys, Barry","Yevtushenko, Yevgeny Aleksandrovich","Ginsberg, Allen","Ferlinghetti, Lawrence"],"creator_names_search":["Boys, Barry","Yevtushenko, Yevgeny Aleksandrovich","Ginsberg, Allen","Ferlinghetti, Lawrence"],"creators":["[{\"url\":\"http://viaf.org/viaf/93821782\",\"name\":\"Boys, Barry\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/79846190\",\"name\":\"Yevtushenko, Yevgeny Aleksandrovich\",\"dates\":\"1933-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/110070499\",\"name\":\"Ferlinghetti, Lawrence\",\"dates\":\"1919-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1972],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/877/502.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:00:31\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"502-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:14\",\"precision\":\"\",\"size\":\"29.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"502-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:17\",\"precision\":\"\",\"size\":\"29.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1972-01-28\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1972\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/8918770#map=16/37.7629/-122.4122&layers=N\",\"venue\":\"Project Artaud\",\"notes\":\"\",\"address\":\"499 Alabama St, San Francisco, CA 94110, United States\",\"latitude\":\"37.7622\",\"longitude\":\"-122.4121\"},{\"url\":\"https://www.openstreetmap.org/way/138141251\",\"venue\":\"Felt Forum ( known as Hulu Theater at Madison Square Garden)\",\"notes\":\"The Felt Forum has now been renamed the Hulu Theater. it's at Madison Square Garden\",\"address\":\"4 Pennsylvania Plaza, New York, NY 10001, United States\",\"latitude\":\"40.75056\",\"longitude\":\"-73.99348\"}]"],"Address":["499 Alabama St, San Francisco, CA 94110, United States","4 Pennsylvania Plaza, New York, NY 10001, United States"],"Venue":["Project Artaud","Felt Forum ( known as Hulu Theater at Madison Square Garden)"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tNew York\n\t\t000\tIntroduction – Yevtushenko\n\t\t035\t“Bombs for Balalaikas” – Barry Boys reading Yevtushenko\n\t\t125\t“Bombs for Balazaikas” – Yevtushenko reads in Russian\n\t\t305\t“Monologue of a broadway actress” – Viveca Lindfors\n\t\t422\t“Procession with the Madonna” – Richard Wilbur rads Yevtushenko\n\t\t521\tYevtushenko introduces “Freedom to kill”\n\t\t544\tBarry Boys & Yevtushenko read “Freedom to kill” San Francisco\nTwo\t\t000\tAllen Ginsberg introduces “The city of yes and the city of no”\n\t\t023\tGinsberg reads “the city of yes and the city of no”\n\t\t100\tYevtushenko introduces his reading\n\t\t125\tYevtushenko reads “The city of yes and the city of no” in Russian\n\t\t232\t“Question of freedom” – Allen Ginsberg\n\t\t295\t“Babi Yar” – read by Lawrence Ferlinghetti\n\t\t410\tYevtushenko reads “Babi Yar” in Russian\n\t\t572\t“In a steelworker’s home” – read by Barry Boys & Yevtushenko (all in English)"],"Note":["[{\"note\":\"The detailed information about the cassette and its contents can be found in the insert that can be seen on the photograph\",\"type\":\"General\"},{\"note\":\"There are several poems in Russian\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552752881666,"timestamp":"2026-01-07T14:59:57.226Z","score":0.01643844},{"id":"5224","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Lawrence Ferlinghetti and Langston Hughes reading in Vancouver, 1971 and Brian MacFarlan interview with Irving Layton #503"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ferlinghetti, Lawrence","Hughes, Langston","Layton, Irving","McFarlane, Brian"],"creator_names_search":["Ferlinghetti, Lawrence","Hughes, Langston","Layton, Irving","McFarlane, Brian"],"creators":["[{\"url\":\"http://viaf.org/viaf/110070499\",\"name\":\"Ferlinghetti, Lawrence\",\"dates\":\"1919-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/44315795\",\"name\":\"Hughes, Langston\",\"dates\":\"1902-1967\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/66482092\",\"name\":\"Layton, Irving\",\"dates\":\"1912-2006\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/41906686\",\"name\":\"McFarlane, Brian\",\"dates\":\"1934-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors":["[]"],"Production_Date":[1971],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/878/Reading in BC_MsC199_503.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:30:22\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"503-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:11\",\"precision\":\"\",\"size\":\"56.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"503-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:11\",\"precision\":\"\",\"size\":\"60.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1971\",\"type\":\"Production Date\",\"notes\":\"side two: Lawrence Ferlinghetti reads his poetry & writings, 1971\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"Lawrence Ferlinghetti: Poetry reading in Vancouver\",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Vancouver, BC, Canada"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tLawrence Ferlinghetti: Poetry reading in Vancouver\n\t\t000\t“Observation: 7:56, 1962”\n\t\t062\tTalks about observational skills, introduces “dog poem”\n\t\t107\t“The dog trots freely…”\n\t\t143\tFrom Staring from San Francisco : “The Great Chinese Dragon”\n\t\t252\tFrom Pictures of the Gone World: “It Was A Face Which Darkness Could Kill…”\n\t\t275\t“And She ‘Like a Young Year…’”\n\t\t294\tFrom Starting from San Francisco: “Come Lie With Me and Be My Love”\n\t\t313\t“Berlin”\n\t\t\tIrving Layton: Interview & readings\n\t\t405\tBrian MacFarlan interviews Irving Layton about Canada’s teenagers \n\t\t\tLayton reads from The Improved Binoculars:\n\t\t506\t“The Bull Calf”\n\t\t748*\t“The Cold Green Element”\n\t\t585\t“The Improved Binoculars”\n\t\t\tLangston Hughes : “Blues” poems\n\t\t609\t“Weary Blues”\n\t\t628\t“I don’t dare start thinkin’ in the mornin’…”\n\t\t645\t“Gimme six-bits worth of tickets…”\n\t\t670\t“Morning After”\n\t\t700\t“Could Be”\n\t\t715\t“Bad Luck Card”\n\t\t734\t“I’m a bad bad man…”\n\t\t760\t“I went down to the river…”\n\t\t787\tSide one ends\nTwo\t\t\tLawrence Ferlinghetti reads his poetry & writings, 1971\n\t\t000\tReads opening passage of “The Mexican Night, a Travel Journal’, published by New Directions, 1970\n\t\t025\t“Backroads to Far Places”, published by New Directions, 1971\n\t\t141\t“Deadeye Dick’s Fifth Term”\n\t\t260\t“The Third World”\n\t\t284\t“The Enigma of Ho Chi Minh’s Funeral”\n\t\t316\t“The Poem that Never Ends”\n\t\t336\t“Love is the strangest bird…”"],"Note":["[{\"note\":\"The detailed information about the cassette and its contents can be found in the insert that can be seen on the photograph\",\"type\":\"General\"},{\"note\":\"Liner Notes: \\nLawrence Ferlenghetti Reading in Vancouver (1962). 30:50\\nIrving Layton Interview and Reading  12:00\\nLangston Hughes Blues Poems 8:56\\nLawrence Ferlenghetti Poetry Readings (1971). 29:38\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552753930240,"timestamp":"2026-01-07T14:59:57.226Z","score":0.01643844},{"id":"5225","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Jim Brown reading at UBC, 1969 #705"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Brown, Jim"],"creator_names_search":["Brown, Jim"],"creators":["[{\"url\":\"\",\"name\":\"Brown, Jim\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/879/Reading in BC_MsC199_705.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:51:30\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"705-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:24\",\"precision\":\"\",\"size\":\"38.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"705-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:22\",\"precision\":\"\",\"size\":\"37.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t007\tA speaker (unknown) introduces Jim Brown\n\t\t039\tJim Brown begins by saying that “today we will do something certain”\n\t\t041\tThe first poem, untitled, is set by a small pool on a warm day\n\t\t067\t“Blue story under the eggs”\n\t\t087\tThe next poem concerns the sea\n\t\t111\t“Under mountain song”\n\t\t134\t“The room is bright in the window universe looking in”\n\t\t158\t“Lying on your back watching the sky people”\n\t\t177\t“A new voice speaking in this old body of mine”\n\t\t197\t“The multitude sees him”\n\t\t232\tBrown now says he will read a couple of sections from a novel that he is writing\n\t\t243\tSection 1: “Alan meets Santa Clays”\n\t\t276\tSection 2: “A factory”\n\t\t312\tSection 3: “The landlord”\n\t\t349\t“Stoned People”\n\t\t363\tEnd of Side One\nTwo\t\t000\t\n\t\t007\tBrown relates a conversation with bp Nichol\n\t\t016\t“Come together”\n\t\t043\t“For Bill & Beep a song”\n\t\t060\t“Letters”\n\t\t068\t“Blue”\n\t\t094\t“They told the dog to stay…”\n\t\t109\t“A basic history of the English foot”\n\t\t120\t“For once and for all”\n\t\t141\t“No way, baby…”\n\t\t151\t“There’s a long long road winding into the land of my dreams”\n\t\t197\t“We live”\n\t\t214\t“Relatives”\n\t\t229\t“Too much head game and not enough flair”\n\t\t235\t“Motive”\n\t\t250\t“A Light poem for J. McClure”\n\t\t263\t“The despair”\n\t\t273\t“Jewel (for Carl)”\n\t\t279\t“Only Cathedral Voices”\n\t\t294\t“The Garden”\n\t\t348\tEnd of Side Two"],"Note":["[{\"note\":\"Liner Notes: Jim Brown, UBC, 1969 #705 \\nside1: 26:30\\nside1: 25:00\\nDOLBY B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552754978816,"timestamp":"2026-01-07T14:59:57.226Z","score":0.01643844},{"id":"5226","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Ezra Pound Reading from his poetry, June 1958 #504"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Pound, Ezra"],"creator_names_search":["Pound, Ezra"],"creators":["[{\"url\":\"http://viaf.org/viaf/24606774\",\"name\":\"Pound, Ezra\",\"dates\":\"1885-1972\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1958],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/880/504.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:32:34\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"504-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:21\",\"precision\":\"\",\"size\":\"45.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"504-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:14\",\"precision\":\"\",\"size\":\" 44.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1958-06\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\t\t\tMours Contemporaines\nOne\t\t05\tI  “Mr. Styrax”\n\t\t16\tII “Clara”\n\t\t21\tIII “Soirée”\n\t\t26\tIV Sketch 48b. 11\n\t\t31\tV “Nodier laconte”\n\t\t47\tVI “Stele” After years of continence…”\n\t\t52\tVII “I Vecchii”\n\t\t66\tVIII “Ritratto”\n\t\t74\t“Cantico Del Sole” (from Instigations)\n\t\t\t“The thought of what America would be like…”\n\t\t84\tHugh Selwyn Mauberley\n\t\t\tE.P. Ode Pour L’Election De Son Supulchre I\n\t\t98\tII\n\t\t106\tIII\n\t\t121\tIV\n\t\t137\tV\n\t\t142\t“Yeux Glauques”\n\t\t\t“Gladstone was still respected…”\n\t\t155\t“Siena Mi Fe’ ; Disfecemi Maremma”\n\t\t\t“Among the pickled foctuses and bottled bones…”\n\t\t169\t“Brennbaub” “The sky-like limpid eyes…”\n\t\t176\t“Mr. Nixon”\n\t\t188\tX “Beneath the sagging roof…”\n\t\t194\tXI “Conservatrix of Milesien”\n\t\t201\tXII “Daphne with her thighs in bark…”\n\t\t218\t“Mauberley 1920” I\n\t\t224\tII\n\t\t251\t“The Age Demanded”\n\t\t287\tIV “Scattered Moluccas/Not knowing day to day…”\n\t\t300\tCanto I\n\t\t383\tCanto IV\n\t\t494\tCanto XXXVI\n\t\t607\tCanto LXXXIV\nTwo\t\t04\tCanto XLV\n\t\t44\tCanto LI\n\t\t91\tCanto LXXV 1 “lay in the soft grass by the cliff’s edge” to “l’enfernon plus”\n\t\t145\t“The Gypsy”\n\t\t154\t“Exile’s Letter”\n\t\t224\t“Canto XCIX”"],"Note":["[{\"note\":\"Volume 1 continues onto side B of the tape\",\"type\":\"General\"},{\"note\":\"Liner Notes:\\nVolume 1 and 2\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552754978817,"timestamp":"2026-01-07T14:59:57.226Z","score":0.01643844},{"id":"5227","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Homage To Fred and Pauline Wah: Colin Browne, Daphne Marlatt, Warren Tallman, Lionel Kearns, and George Bowering reading in Vancouver Island #707"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Browne, Colin","Marlatt, Daphne","Tallman, Warren","Kearns, Lionel","Bowering, George"],"creator_names_search":["Browne, Colin","Marlatt, Daphne","Tallman, Warren","Kearns, Lionel","Bowering, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/105886216\",\"name\":\"Browne, Colin\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne \",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren \",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/30784380\",\"name\":\"Kearns, Lionel\",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/881/Reading in BC_MsC199_707.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:10:53\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"707-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:27\",\"precision\":\"\",\"size\":\"43.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"707-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:26\",\"precision\":\"\",\"size\":\"46.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2249770\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Vancouver Island, BC, Canada\",\"latitude\":\"49.788\",\"longitude\":\"-125.804\"}]"],"Address":["Vancouver Island, BC, Canada"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t007\tBowering comes on with a joke, and appears to be the master of ceremonies for the homage to the Wahs\n\t\t044\tColin Browne takes the microphone\n\t\t060\tBrowne reads an ‘anagramatic square’\n\t\t112\tEnd of Colin Browne’s homage\n\t\t120\tBowering introduces Daphne Marlatt\n\t\t137\tMarlatt reads “Language”, beginning with a line from “Grasp the Sparrow’s Tail”\n\t\t154\tEnd of Marlatt’s homage\n\t\t164\tBowering introduces Warren Tallman\n\t\t179\tTallman reads\n\t\t260\tEnd of Tallman’s homage\n\t\t278\tBowering introduces Gladys Hindmarch\n\t\t286\tHindmarch speaks of her first introduction to the Wahs\n\t\t350\tEnd of Hindmarch’s homage\n\t\t356\tBowering introduces Lionel Kearns\n\t\t366\tKearns jokes about Hindmarch’s homage\n\t\t371\tKearns plans to discuss meaning and time\n\t\t443\tEnd of Kearn’s homage\n\t\t445\tBowering introduces himself as the last speaker\n\t\t463\tBowering reads “Fred and Pauline”\n\t\t523\tEnd of Bowering’s homage\n\t\t528\tWah opens his presents\n\t\t582\tEnd of Side One\nTwo\t\t000\tSide Two is blank"],"Note":["[{\"note\":\"Liner Notes: Homage To Fred and Pauline Wah\\nlocation: Vancouver Island, #707\\nPersons reading: Colin Browne, Daphne Marlatt, Warren Tallman, Lionel Kearns and G. Bowering\\n\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552754978818,"timestamp":"2026-01-07T14:59:57.226Z","score":0.01643844},{"id":"5228","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Ezra Pound reading his translations of the Confucian Odes #505"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Pound, Ezra"],"creator_names_search":["Pound, Ezra"],"creators":["[{\"url\":\"http://viaf.org/viaf/24606774\",\"name\":\"Pound, Ezra\",\"dates\":\"1885-1972\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/883/505.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:32:05\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"505-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:16:03\",\"precision\":\"\",\"size\":\"23.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"505-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:16:03\",\"precision\":\"\",\"size\":\"23.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n000\nEzra Pound, “Canto #3”\n030\n“Canto #49”\n064\n“Canto #106”\n150\nWilliam Rose Benet, “The Whale”\n200\n“Jesse James”\n279\nJohn Hall Wheelock, “The divine insect”\n357\n“The house in the green well”\n415\nH.D. (Hilda Doolittle), opening verses of Helen in Egypt\nTwo\nEzra Pound – translations of the Confucian odes\n000\n“Hid! Hid!”\n012\n“O omen tree”\n021\n“Kylins foot”\n026\n“In fleecy coats”\n034\n“Lies a dead deer”\n042\n“Dry grass, in vale”\n047\n“Ole brer rabbit watchin’ his feet”\n052\n“Hep-Cat Chung”\n062\n“On comes her car”\n076\n“Garden peach”\n085\n“I climb the knoll”\n095\n“RATS”\n109\n“Lonely pear tree”\n114\n“Chariots, rank on rank”\n122\n“What! No clothes?”\n131\n“Lord of the Light’s axe”\n139\n“Yaller bird”\n150\n“Heaven’s worry”\n175\n“Let the Great cart alone”\n182\n“The year puts on her shining robe”\n196\n“Flies,blue flies on a fence rail”\n204\n“Folk worn out”\n233\n“Show of respect”\n322\n“Compassionate heaven”\n348\n“Thick, all in mass”"],"Note":["[{\"note\":\"Liner Notes:\\nProduced by Spoken Arts Inc.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552754978819,"timestamp":"2026-01-07T14:59:57.226Z","score":0.01643844},{"id":"5229","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Le Testament de Villon opera: Ezra Pound performance at Berkeley Studios of Fantasy Records, 1972 #506"],"item_title_source":["cassette and j-card"],"item_language":["French"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Pound, Ezra"],"creator_names_search":["Pound, Ezra"],"creators":["[{\"url\":\"http://viaf.org/viaf/24606774\",\"name\":\"Pound, Ezra\",\"dates\":\"1885-1972\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Performer\"]}]"],"contributors":["[]"],"Performance_Date":[1972],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/885/Reading in BC_MsC199_506.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:00:56\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"506-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:29\",\"precision\":\"\",\"size\":\"29.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"506-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:26\",\"precision\":\"\",\"size\":\"29.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1972\",\"type\":\"Performance Date\",\"notes\":\"in the inventory, the date is written to be 1971\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/778620761#map=18/37.85844/-122.28996&layers=N\",\"venue\":\"Berkeley Studio of Fantasy Arts\",\"notes\":\"This Location has been permanently closed \",\"address\":\"2600 Tenth St, Berkeley, CA 94710, United States\",\"latitude\":\"37.85840\",\"longitude\":\"-122.28995\"}]"],"Address":["2600 Tenth St, Berkeley, CA 94710, United States"],"Venue":["Berkeley Studio of Fantasy Arts"],"City":["Berkeley, California"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tSpoken portion (English)\n\t\t018\t1.\tVillon: “Et Meure Paris ou Helaine…”\n\t\t073\t2.\tVillon: “Dictes may ou, n’en quell pays…”\n\t\t135\tSpoken portion (English)\n\t\t150\t3.\tYthier (echoed ironically by Rose): “Mort, j’appelle de ta rigeur…”\n\t\t190\t4.\tVillon: “Je plains le temps de ma jeunesse…”\n\t\t234\tSpoken portion\n\t\t247\t5.\tVillon: “Advis ne’est que j’oy regreter…”\n\t\t257\tLa Heaulmiere: “Ha, vielillesse felonne et fiere…”\n\t\t492\t6.\tThe Gallant: “Taulse beauté qui tant me couste chier…”\n\t\t537\t7.\tVillon: “Item, m’amour, ma chiere Rose…”\n\t\t549\tSpoken portion\n\t\t563\t8.\tLa Heaulmiere: “On y pensez, belle Gantiere…”\n\t\t645\t9.\tThe Priest: “Vergine pucele roiauz..”\nTwo\t\t000\t10.\tVillon’s Mother:”Dame cu ciel, regent terrienne…”\n\t\t082\tSpoken portion\n\t\t094\t11.\tThe Priest: “Suyvey beauté, courey au festes…”\n\t\t105\t12.\tBozo: “Se j’ayme et sers la belle de bon hait…”\n\t\t195\t13.\tThe Gallant: “Je regnie amours et despite…”\n\t\t240\t14.\tThe Chorus of Drinkers\n\t\t372\t15.\tChorus of the Hanged: “Freres humains qui après nous vivez…”\n\t\t\tN.B. The notes in the tape box contain English translations of the libretto"],"Note":["[{\"note\":\"Liner Notes: \\nSide 1: #1-9- 26:15 \\nSide 2: #10-15- 23:40\\nRecorded in 1972 as part of Fantasy 12001\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552754978820,"timestamp":"2026-01-07T14:59:57.226Z","score":0.01643844},{"id":"5230","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Pacifica Radio Series on Ezra Pound: discussion of Ezra Pound’s Le Testement de Villon by Charles Amirkhanian, Robert Hughes, and Hugh Kenner, 1973 Tape1 of 2 #507a"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Pound, Ezra","Amirkhanian, Charles","Hughes, Robert","Kenner, Hughes"],"creator_names_search":["Pound, Ezra","Amirkhanian, Charles","Hughes, Robert","Kenner, Hughes"],"creators":["[{\"url\":\"http://viaf.org/viaf/24606774\",\"name\":\"Pound, Ezra\",\"dates\":\"1885-1972\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\" http://viaf.org/viaf/7489149108420668780004\",\"name\":\"Amirkhanian, Charles\",\"dates\":\"1945-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/61574402\",\"name\":\"Hughes, Robert\",\"dates\":\"1938-2012\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/106966232\",\"name\":\"Kenner, Hughes\",\"dates\":\"1923-2003\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/887/Reading in BC_MsC199_507a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Real\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:30:40\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"507_1-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:21\",\"precision\":\"\",\"size\":\"45.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"507_1-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:20\",\"precision\":\"\",\"size\":\"43.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tIntroduction to, and discussion of, Ezra Pound’s Le Testement de Villon\n\t\t000\tIntroduction to the opera (for the opera itself, see tape #506) Robert Hughes, Charles Amirkhanian, Hugh Kenner discuss the opera\n\t\t017\tRobert Hughes (the conductor) synopsizes the plot\n\t\t030\tCharles Amirkhaman (Music Director at KPFA, Berkeley) asks Hughes about the musical structure of the work\n\t\t047\tHugh Kenner compares Pound, Stravinsky, and T.D. Eliot\n\t\t051\tThe cost of the opera is introduced (see notes in tape #506)\n\t\t062\tAnnouncer introduces the resumed discussion\n\t\t074\tHughes discusses the critical reaction to the opera, the difficulties of performing it, and the advantages of modern recording techniques\n\t\t096\tKenner describes his reaction to finally hearing a good performance of Le Testament de Villon\n\t\t109\tHughes talks about the problem of the opera’s not having much physical action and the audience’s lack of ability to understand the French of the Villon poem\n\t\t123\tKenner’s The Pound Era is discussed; Hughes speaks about techniques of expression used in Pound’s Cantos which are also used by Kenner.  Hughes then talks about the relationship of Pound’s poetry to music and vice versa\n\t\t203\tHistory of Pound’s involvement with music\n\t\t223\tPound is quoted: “I pointed out that music and poetry had been an alliance in the twelfth century, that the divorce of the two arts had been to the advantage of neither…”  This opinion is discussed\n\t\t265\tAmirkhanian reads from an article by George Antheil (who edited the opera in 1923) which assesses Pound’s music\n\t\t317\tPound’s lack of knowledge of harmony, etc., is discussed and compared to Stravinski’s lack of musical “hang-ups”\n\t\t360\tHughes defends Pound’s being opinionated and “bombastic” on the subject of music\n\t\t400\tHughes discusses Pound’s original manuscript of the score, and some of the problems of performing it as written\n\t\t460\tRobert Browning’s use of musical notation as part of some of his later poems is mentioned by Hughes; it is pointed out that Pound also does this in the Pisan Cantos\n\t\t485\tThe future of Pound’s opera as a lasting work is discussed, as is the inability of earlier orchestras to play such a complex work\n\t\t586\tPound’s “pan-cultural” approach to music and literature is discussed\n\t\t655\tHughes discusses how he gets musical inspiration for his own compositions from Pound’s writings\n\t\t734\tKenner talks about the “old fashioned” kind of scholarship needed to understand Pound’s works\n\t\t790\tKenner expresses the opinion that Le Testement may have been a “tryout” for the Cantos\n"],"Note":["[{\"note\":\"Liner Notes: This Tape contains an introduction to the opera (Band 1) and a discussion of the opera among Charles Amirkhanian (the Music Director at KPFA, Berkeley), Robert Hughes (the Conductor) and Hugh Kenner  \\nSide 1: 29:05\\nSide 2: 26:08\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552756027392,"timestamp":"2026-01-07T14:59:57.226Z","score":0.01643844},{"id":"5231","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Pacifica Radio Series on Ezra Pound: discussion of Ezra Pound’s Le Testement de Villon by Hugh Kenner, Paul Vangelisti, and Everett Lloyd Frost, 1973 Tape 2 of 2 #507b"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Pound, Ezra","Kenner, Hughes","Vangelisti, Paul","Frost, Everett Lloyd"],"creator_names_search":["Pound, Ezra","Kenner, Hughes","Vangelisti, Paul","Frost, Everett Lloyd"],"creators":["[{\"url\":\"http://viaf.org/viaf/24606774\",\"name\":\"Pound, Ezra\",\"dates\":\"1885-1972\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/106966232\",\"name\":\"Kenner, Hughes\",\"dates\":\"1923-2003\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/61690815\",\"name\":\"Vangelisti, Paul\",\"dates\":\"1945-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/311110613\",\"name\":\"Frost, Everett Lloyd\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/889/Reading in BC_MsC199_507b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:00:36\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"507_2-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:16\",\"precision\":\"\",\"size\":\"29.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"507_2-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:21\",\"precision\":\"\",\"size\":\"29.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t\tHugh Kenner (prof. of literature, U.C. Santa Barbara), Georg Gugelberger (prof. of comparative literature, U.C. Riverside), and Paul Vangelisti (editor of Invisible City) discuss Pound’s work\n\t\t000\tIntroduction: Kenner discusses the rationale behind designating a “Pound Era”\n\t\t052\tDiscussion of some of Pound’s contributions to modern poetry\n\t\t080\tPound’s influence on other writers\n\t\t100\tParis in 1920’s – important because it was possible for an author to get anything printed\n\t\t112\tPound’s translations as feats of invention\n\t\t130\tNotes of Ernest Fenollosa\n\t\t160\tPound’s desire that his readers should consult some of the original sources of his translations\n\t\t177\tContribution of Chinese poetry to English poetry: conveys a “literal sense”\n\t\t181\tKenner reads from “Poem by the Bridge at Ten-Shin” (Personae, p. 131)\n\t\t198\tE. Frost reads a passage from Kenner’s The Pound Era – Kenner’s idea that public events (i.e. W.W.I) dissipated the energy of the burgeoning London arts scene; Kenner describes how the “vortex” of London was destroyed, and its effect on writers such as T.S. Eliot\n\t\t300\tThe panel discusses the humorous anecdotes in The Pound Era (e.g. T.S. Eliot as a connoisseur of cheese)\n\t\t390\tCritical response to Kenner’s book is discussed\n\t\t467\tKenner quotes a letter from Pound to a Yale Prof. : “Naturally you can’t expect a professor to read [fer] to learn what he don’t know…”\n\t\t490\tDiscussion of Kenner’s book as not being just about Ezra Pound\n\t\t525\tPound’s “early retreat” from city life to rural Italy\n\t\t562\tPound’s unusual dating of his letters\n\t\t675\tEvents of Pound’s life\n\t\t702\tPound’s writing in the concentration camp\n\t\t770\tThe photographs in Kenner’s book are discussed as proof of Pound’s poems being literal descriptions of things which actually exist\n"],"Note":["[{\"note\":\"Liner Notes: \\nBased initially on Dr. Hugh Kenner's authoritative book of that title (University of California Press, 1971), this program attempts to place Ezra Pound in the context of his contemporaries; and to describe his influence and that of his aesthetic theories and writing. Dr. Kenner, who is Professor  of Literature at UC Santa Barbara joins with Pound Scholars Georg Gugelberger (Professor  of Contemporary Literature, UC Riverside), Paul Vangelisti (Editor of Invisible City), and Everrett Frost in a discussion.\\nSide 1: 29:39\\nSide 2: 29:40\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552756027393,"timestamp":"2026-01-07T14:59:57.226Z","score":0.01643844},{"id":"5232","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Al Purdy reading his poetry at Langara College on September 20, 1978 #182"],"item_title_source":["cassette and j-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Purdy, Al"],"creator_names_search":["Purdy, Al"],"creators":["[{\"url\":\"http://viaf.org/viaf/7398775\",\"name\":\"Purdy, Al\",\"dates\":\"1918-2000\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/891/Reading in BC_McS199_182.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"182-Side-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:02\",\"precision\":\"\",\"size\":\"42.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-09-20\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/23393992\",\"venue\":\"Langara College\",\"notes\":\"\",\"address\":\"100 W 49th Ave, Vancouver, BC V5Y 2Z6\",\"latitude\":\"49.22483\",\"longitude\":\"-123.10860\"}]"],"Address":["100 W 49th Ave, Vancouver, BC V5Y 2Z6"],"Venue":["Langara College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tIntroduction \n\t\t034\tHomemade Beer\n\t\t070\tPoem for (Eda?)\n\t\t082\tOne Rural Winter\n\t\t140\tWinter At Robin Lake\n\t\t150\tOld Alec\n\t\t200\tHandful of Earth to Rene Levesque\n\t\t250\tGateway\n\t\t315\tThe Drunk Tank\n\t\t410\tThe Horseman of Agawa\n\t\t487\tPoem\n\t\t528\tWhen I Sat Down To Play The Piano\n\t\t615\tLament For The Dorsets\n\t\t700\tRemember the early days of the phoney war…\n\t\t750\tQuestions from audience\n\t\t810\tRhododendrons\n\t\t850\tThe Chicken Hatchery\n\t\t860\tElegy for My Grandfather\n\t\t932\tLament\n\t\t980\t(Quinty?) Hotel"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670552756027394,"timestamp":"2026-01-07T14:59:57.226Z","score":0.01643844},{"id":"5233","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["E. R. Scott reading his poetry at Langara College on November 30, 1977 #183"],"item_title_source":["cassette and j-card"],"item_title_note":[" Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Scott, E. R."],"creator_names_search":["Scott, E. R."],"creators":["[{\"url\":\"\",\"name\":\"Scott, E. R.\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/892/Reading in BC_McS199_183.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"183-Side-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:17\",\"precision\":\"\",\"size\":\"31.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977-11-30\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/23393992\",\"venue\":\"Langara College\",\"notes\":\"\",\"address\":\"100 W 49th Ave, Vancouver, BC V5Y 2Z6\",\"latitude\":\"49.22483\",\"longitude\":\"-123.10860\"}]"],"Address":["100 W 49th Ave, Vancouver, BC V5Y 2Z6"],"Venue":["Langara College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tPrefatory remarks\n\t\t020\tEclipse Poem\n\t\t055\tPrivet Poetry\n\t\t111\tNew Paths\n\t\t168\tCome Muse by Walt Whitman\n\t\t231\tOld Song\n\t\t244\tNorth (Screen)?\n\t\t260\tIce Trees\n\t\t278\tSurfaces\n\t\t298\tMount Royal\n\t\t390\tTranscanada\n\t\t450\tLakeshore\n\t\t525\tLaurentian Shield\n\t\t585\tTape ends here"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670552756027395,"timestamp":"2026-01-07T14:59:57.226Z","score":0.01643844},{"id":"5234","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Readings at Sir George Williams: Eli Mandel and Doug Jones on March 7, 1969 #184"],"item_title_source":["cassette and j-card"],"item_title_note":["Liner notes: see the photo in material description\n"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Mandel, Eli","Jones, D. G. (Douglas Gordon)","Bowering, George"],"creator_names_search":["Mandel, Eli","Jones, D. G. (Douglas Gordon)","Bowering, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/59095399\",\"name\":\"Mandel, Eli\",\"dates\":\"1922-1992\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/41883605\",\"name\":\"Jones, D. G. (Douglas Gordon)\",\"dates\":\"1929-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"Introduction is by him\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/893/Reading in BC_McS199_184.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:14:30\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"184-side-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:23\",\"precision\":\"\",\"size\":\"44.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"184-side-B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:43:14\",\"precision\":\"\",\"size\":\"45.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969-03-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card \"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/103248053\",\"venue\":\"Sir George Williams University (Concordia University)\",\"notes\":\"\",\"address\":\"1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada\",\"latitude\":\"45.4954\",\"longitude\":\"-73.5783\"}]"],"Address":["1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada"],"Venue":["Sir George Williams University (Concordia University)"],"City":["Montreal, Quebec"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tIntroduction by George Bowering\n\t\t050\tPrefatory remarks by Mandel\n\t\t062\tSignatures\n\t\t101\tNeither Here Nor There\n\t\t114\tThe Direction Is North Until The Pole\n\t\t150\tDeparture\n\t\t170\tCassandra\n\t\t198\tThe Madness of Our Polity\n\t\t207\tWhence Cometh Our Help\n\t\t225\tManner of Suicide\n\t\t300\tThe Woman\n\t\t349\tListen, The Sea\n\t\t373\tMarina\n\t\t409\tThe Apology\n\t\t470\tLetter To Be Opened Later\n\t\t495\tTo My Children\n\t\t530\tThe Meaning Of The I Ching\n\t\t637\tPictures In An Institution\nTwo\tA\t000\tPrefatory remarks by Doug Jones\n\t\t033\tThe Perishing Bird\n\t\t060\tSummer Is A Poem By Ovid\n\t\t088\tDe Profundis Conjuge (voxe responsiv?)\n\t\t176\tOn A Picture of Your House\n\t\t233\tThe night is mild and the young moon whitens the gable ends…\n\t\t643\tSpring Flowers\n\t\t665\tTo Certain Poets Who Met In Toronto, October 1968"],"Note":["[{\"note\":\"Liner Notes: Side 1 Eli Mandel 44:45\\n2 Doug Jones 43:45\\nIntroduction by George Bowering Dolby B \",\"type\":\"General\"},{\"note\":\"Detailed information about the reading and transcription: https://montreal.spokenweb.ca/sgw-poetry-readings/eli-mandel-at-sgwu-1969-d-g-jones-george-bowering/\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670552757075968,"timestamp":"2026-01-07T14:59:57.226Z","score":0.01643844},{"id":"5235","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Readings at Sir George Williams: Robin Blaser reading on  March 28, 1969 #185"],"item_title_source":["J-card and SpokenWeb website"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"access":["Streaming"],"creator_names":["Blaser, Robin","Kiyooka, Roy"],"creator_names_search":["Blaser, Robin","Kiyooka, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"Introduction is by him\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/894/Reading in BC_McS199_185.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:57:49\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"185-side-B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:27:49\",\"precision\":\"\",\"size\":\"30 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/rbr-126/rb185a\",\"file_path\":\"\",\"filename\":\"185-side-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:31\",\"precision\":\"\",\"size\":\"32.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969-03-28\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"SpokewWeb website\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/103248053\",\"venue\":\"Sir George Williams University (Concordia University)\",\"notes\":\"\",\"address\":\"1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada\",\"latitude\":\"45.4954\",\"longitude\":\"-73.5783\"}]"],"Address":["1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada"],"Venue":["Sir George Williams University (Concordia University)"],"City":["Montreal, Quebec"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tIntroduction by Roy Kiyooka\n\t\t025\tPrefatory remarks by Blaser\n\t\t033\tThe Hunger Sound from Boston Poems 1956\n\t\t111\tCups\n\t\t230\tReading from the essay “The Fire”\n\t\t483\tReading from The Holy Forest Section\n\t\t\tThe drive to the spring mountains…\n\t\t486\tThe Prince\n\t\t494\tLove\n\t\t518\tSong\n\t\t526\tTranslation\n\t\t534\tFirst Tale, Over\n\t\t545\tSecond Tale, Return\n\t\t572\tAt Last\n\t\t583\tAphrodite of The Leaves\n\t\t629\tTranslator – A Tale\n\t\t650\tA Gift-Homage To Robert Creeley\n\t\t668\tBottom’s Dream\n\t\t681\tThe Finder\n\t\t728\tMerlin\n\t\t796\tImage-Nations 6- Marriage Poem for Galdys [Gladys] Hindmarch & Cliff?"],"Note":["[{\"note\":\"Liner Notes: (1969?)\\nIntroduction by Roy Kiyooka \\nSide 1 29:49\\n2 28:00\\nDolby B\",\"type\":\"General\"},{\"note\":\"Detailed information about the reading and transcription: https://montreal.spokenweb.ca/sgw-poetry-readings/robin-blaser-at-sgwu-1969/\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670552757075969,"timestamp":"2026-01-07T14:59:57.226Z","score":0.01643844},{"id":"5236","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["CBC Interviews: B.P. Nichol interview with George Bowering and reading selected poems from sound poem records #186"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","Nichol, B.P."],"creator_names_search":["Bowering, George","Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Performer\",\"Speaker\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/895/Reading in BC_McS199_186.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:22:15\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"186-side-B.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:12:42\",\"precision\":\"\",\"size\":\"12.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"186-side-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:09:16\",\"precision\":\"\",\"size\":\"9.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/456341915#map=19/43.65360/-79.37320\",\"venue\":\"CBC Studio\",\"notes\":\"We assume that this tape war recorded in Toronto. CBC Toronto studio address was changed in 1993 (after this recording took place) to 205 Wellington Street West, Toronto, Ontario, M5V 3G7 from a smaller facility on Jarvis Street, near the former television transmitter. (Source: https://en.wikipedia.org/wiki/Canadian_Broadcasting_Centre)\",\"address\":\"Jarvis Street, Toronto, Ontario, Canada\",\"latitude\":\"43.6562555\",\"longitude\":\"-79.374232\"}]"],"Address":["Jarvis Street, Toronto, Ontario, Canada"],"Venue":["CBC Studio"],"City":["Toronto, Ontario"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\t\t000\tNichol reading sound poem\n\t\t040\tUp on the mountain, air is, and sky…\n\t\t070\tBowering interviewing Nichol\n\t\t\t-discussion of concrete poetry and sound poetry\n\t\t211\tPoem in Memory of Hugo Ball\n\t\t311\tCycle #22\n\t\t323\tNot What The Siren Sang But What The Frag-Ment- for Margaret Avison\n\t\t360\tOne Sing\n\t\t368\tCycle #17\n\t\t385\tDial\n\t\t460\tPoem\n\t\t485\tEarly Morning, June 23"],"Note":["[{\"note\":\"Liner Notes:  B.P. Nichol\\nSide 1 9:25\\nwith George Bowering\\nside 2 12:50\\nSelections from sound poem records\\nDolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552757075970,"timestamp":"2026-01-07T14:59:57.226Z","score":0.01643844},{"id":"5237","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["CBC Interviews: David McFadden interview with George Bowering and reading for him [1968?] #187"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","McFadden, David"],"creator_names_search":["Bowering, George","McFadden, David"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/7405434\",\"name\":\"McFadden, David\",\"dates\":\"1940-2018\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/896/Reading in BC_McS199_187.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:26:00\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"187-side-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:25:22\",\"precision\":\"\",\"size\":\"26.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"Production Date\",\"notes\":\"[1968?]\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/456341915#map=19/43.65360/-79.37320\",\"venue\":\"CBC Studio\",\"notes\":\"We assume that this tape was recorded in Toronto. CBC Toronto studio address was changed in 1993 (after this recording took place) to 205 Wellington Street West, Toronto, Ontario, M5V 3G7 from a smaller facility on Jarvis Street, near the former television transmitter. (Source: https://en.wikipedia.org/wiki/Canadian_Broadcasting_Centre)\",\"address\":\"Jarvis Street, Toronto, Ontario, Canada\",\"latitude\":\"43.6562555\",\"longitude\":\"-79.374232 \"}]"],"Address":["Jarvis Street, Toronto, Ontario, Canada"],"Venue":["CBC Studio"],"City":["Toronto, Ontario"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tHey! Did you hear the one about the astrologer…\n\t\t029\tBowering interviewing McFadden\n\t\t180\tThe Saladeer\n\t\t190\tExpo 67\n\t\t221\tThe Big M\n\t\t251\tReunion\n\t\t266\tThe Fire Thief\n\t\t278\tBeverly Report\n\t\t300\tLast Fishing With Jack\n\t\t330\tBowring interviewing McFadden\n\t\t366\tHey! Did you hear the one about the astrologer…\n\t\t400\tDiscussion on being a poet"],"Note":["[{\"note\":\"Liner Notes:  David McFadden reading for George Bowering CBC\\n26 min\\nDolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552757075971,"timestamp":"2026-01-07T14:59:57.226Z","score":0.01643844},{"id":"5238","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Readings at Sir George Williams: Lionel Kearns and B.P. Nichol reading on November 22, 1968 Tape 1 of 2 #188a"],"item_title_source":["J-card and SpokenWeb website"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kearns, Lionel","Nichol, B.P."],"creator_names_search":["Kearns, Lionel","Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/30784380\",\"name\":\"Kearns, Lionel \",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1968],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/898/Reading in BC_McS199_188a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:55:20\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"188-side-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:27:14\",\"precision\":\"\",\"size\":\"26.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"188-side-B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:27:24\",\"precision\":\"\",\"size\":\"27 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1968-11-22\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"SpokewWeb website\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/103248053\",\"venue\":\"Sir George Williams (Concordia University)\",\"notes\":\"\",\"address\":\"1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada\",\"latitude\":\"45.4954\",\"longitude\":\"-73.5783\"}]"],"Address":["1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada"],"Venue":["Sir George Williams (Concordia University)"],"City":["Montreal, Quebec"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tIntroduction\n\t\t\tKearns and Nichol alternate in reading\n\t\t028\tKearns – Telephone\n\t\t076\tNichol – Selected Wierdness\n\t\t103\tNichol – Out of the middle the ends are taken, broken and bleeding…\n\t\t111\tKearns – Word\n\t\t120\tKearns – Poem Found Among The Ruins\n\t\t126\tKearns – The Business\n\t\t132\tKearns – Genres\n\t\t145\tKearns – The Answer\n\t\t165\tKearns – Labial Digital\n\t\t175\tNichol – It is not the story as he told it to me…\n\t\t225\tKearns – Smashing the wall with your fist…\n\t\t246\tKearns – Transport\n\t\t304\tNichol – Sound poem\n\t\t342\tNichol – Poem in Memory of Hugo Ball\n\t\t391\tKearns – Situation\n\t\t410\tKearns – Insights\n\t\t420\tKearns – Homage to Michado\n\t\t435\tKearns – Remains\n\t\t447\tKearns – Total Presence\n\t\t461\tKearns – Witness\n\t\t470\tKearns – Profile\n\t\t500\tNichol – The Martyrology\n\t\t521\tNichol – Ruth\n\t\t559\tNichol – Measure the clock talk past time…\n\t\t570\tNichol – Living now in terrible times, the TV talks from the next room…\n\t\t619\tKearns – Colour Problem\n\t\t635\tKearns – The Woman Who Reminded Him of the Woman Who\n\t\t675\tKearns & Nichol – The Kinetic Poem\n\t\t749\tKearns – The Parable of The Seventh Seal"],"Note":["[{\"note\":\"Liner Notes: (1968?)\\nTappe 1 of 2 \\nSide 1 27:35\\n2 27:45\\nPoor recording quality \\nDolby B\",\"type\":\"General\"},{\"note\":\"Detailed information about the reading and transcription: https://montreal.spokenweb.ca/sgw-poetry-readings/bpnichol-and-lionel-kearns-at-sgwu-1968/#1\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670552757075972,"timestamp":"2026-01-07T14:59:57.226Z","score":0.01643844},{"id":"5239","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Readings at Sir George Williams: Lionel Kearns and B.P. Nichol reading on November 22, 1968 Tape 2 of 2 and CBC interview with George Bowering and Lionel Kearns #188b"],"item_title_source":["J-card and SpokenWeb website"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","Nichol, B.P.","Kearns, Lionel"],"creator_names_search":["Bowering, George","Nichol, B.P.","Kearns, Lionel"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/30784380\",\"name\":\"Kearns, Lionel \",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1968],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/899/Reading in BC_McS199_188b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:56:42\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"188-tape-2-side-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:27:03\",\"precision\":\"\",\"size\":\"25.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"188-tape-2-side-B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:05\",\"precision\":\"\",\"size\":\"28.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1968-11-22\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"SpokewWeb website\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/456341915#map=19/43.65360/-79.37320\",\"venue\":\"CBC Studio\",\"notes\":\"We assume that this tape was recorded in Toronto. CBC Toronto studio address was changed in 1993 (after this recording took place) to 205 Wellington Street West, Toronto, Ontario, M5V 3G7 from a smaller facility on Jarvis Street, near the former television transmitter. (Source: https://en.wikipedia.org/wiki/Canadian_Broadcasting_Centre)\",\"address\":\"Jarvis Street, Toronto, Ontario, Canada\",\"latitude\":\"43.6562555\",\"longitude\":\"-79.374232 \"},{\"url\":\"https://www.openstreetmap.org/way/103248053\",\"venue\":\"Sir George Williams (Concordia University)\",\"notes\":\"\",\"address\":\"1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada\",\"latitude\":\"45.4954\",\"longitude\":\"-73.5783\"}]"],"Address":["Jarvis Street, Toronto, Ontario, Canada","1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada"],"Venue":["CBC Studio","Sir George Williams (Concordia University)"],"City":["Toronto, Ontario","Montreal, Quebec"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\tA\t000\tNichol – Historical Implications of Turnips\n\t\t009\tCycle #22 – Nichol\n\t\t018\tNichol – Milk\n\t\t030\tNichol – The New Captain Poetry Blues for David McFadden\n\t\t067\tKearns – Split\n\t\t085\tKearns – The Difference\n\t\t107\tKearns – A Christmas Poem\n\t\t130\tKearns – University\n\t\t135\tKearns – Economic Phonology\n\t\t138\tNichol – Alimony, Old Baloney\n\t\t215\tKearns – Ventilation Parable\n\t\t272\tKearns – Creation\n\t\t280\tNichol – Zero Phase\n\t\t304\tNichol – Returning\n\t\t342\tKearns – It\n\t\t360\tKearns – Amber Gris – A Statement On Source\n\t\t379\tKearns – Contra-diction\n\t\t390\tKearns – (?)\n\t\t407\tKearns – Friday at The Ex\n\t\t427\tKearns – Prototypes\n\t\t437\tKearns – End Poem\n\t\t445\tBowering interviewing Kearns\n\t\t497\tKearns reading “Contra-diction”\n\t\t505\tDiscussion of dreams as sources for poems\n\t\t549\tStuntman\n\t\t571\tFriday At The Ex\n\t\t603\tPrototypes\n\t\t620\tSituation"],"Note":["[{\"note\":\"Liner Notes: \\nTape 2 of 2\\nSide 3 27:25\\n4 17:05\\nLionel Kearns with George Bowering - CBC 12:12\\nDolby B\",\"type\":\"General\"},{\"note\":\"Detailed information about the reading and transcription: https://montreal.spokenweb.ca/sgw-poetry-readings/bpnichol-and-lionel-kearns-at-sgwu-1968/#2\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670552758124544,"timestamp":"2026-01-07T14:59:57.226Z","score":0.01643844},{"id":"5240","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["CBC Interviews: Seymour Mayne (Zauman Meine) reading and interview with George Bowering [1968?] #189"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","Mayne, Seymour"],"creator_names_search":["Bowering, George","Mayne, Seymour"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/56739500\",\"name\":\"Mayne, Seymour\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/900/Reading in BC_McS199_189.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:12:00\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"189-side-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:11:36\",\"precision\":\"\",\"size\":\"12.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"Production Date\",\"notes\":\"[1968?]\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/3764261726\",\"venue\":\"CBC Studio\",\"notes\":\"We assume that this tape was recorded in Vancouver. We don't know where CBC Vancouver located before 1975, now its address is  700 Hamilton Street\\nVancouver, British Columbia\\nV6B 4A2\",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\"49.27867\",\"longitude\":\"-123.11458\"}]"],"Address":["Vancouver, BC, Canada"],"Venue":["CBC Studio"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tThe Time\n\t\t085\tBowering in conversation with Mayne\n\t\t263\tLeaf\n\t\t319\tI Am Still The Boy\n\t\t381\tFor The First Time\n\t\t425\tDisappointment"],"Note":["[{\"note\":\"Liner Notes:  12 min \\nDolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552758124545,"timestamp":"2026-01-07T14:59:57.226Z","score":0.01643844},{"id":"5241","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["CBC Interviews: Gwendolyn MacEwan reading and interview with George Bowering on December 2, 1968 #190\n"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","MacEwen, Gwendolyn"],"creator_names_search":["Bowering, George","MacEwen, Gwendolyn"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/115290827\",\"name\":\"MacEwen, Gwendolyn\",\"dates\":\"1941-1987\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1968],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/901/Reading in BC_McS199_190.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:22:00\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"190-side-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:22:17\",\"precision\":\"\",\"size\":\"22.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1968-12-02\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/3764261726\",\"venue\":\"CBC Studio\",\"notes\":\"We assume that this tape was recorded in Vancouver. We don't know where CBC Vancouver located before 1975, now its address is  700 Hamilton Street\\nVancouver, British Columbia\\nV6B 4A2\",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\"49.27867\",\"longitude\":\"-123.11458\"}]"],"Address":["Vancouver, BC, Canada"],"Venue":["CBC Studio"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tA Breakfast For Barbarians\n\t\t050\tBowering in conversation with MacEwan\n\t\t289\tThe House\n\t\t327\tThe Compass\n\t\t423\tDark Pines Underwater\n\t\t466\tNight On Gull Lake\n\t\t549\tThe Sacrifice\n\t\t636\tInside The Great Pyramid\n\t\t725\tYou Held Out The Light"],"Note":["[{\"note\":\"Liner Notes:  22 min \\nDolby B\\nRecorded by CBC\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552758124546,"timestamp":"2026-01-07T14:59:57.226Z","score":0.01643844},{"id":"5242","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["CBC Interviews: Pat Lane reading and interview with George Bowering [1968?] #191"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","Lane, Pat"],"creator_names_search":["Bowering, George","Lane, Pat"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/66513400\",\"name\":\"Lane, Pat\",\"dates\":\"1939-2019\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/902/Reading in BC_McS199_191.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:14:00\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"191-side-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:13:36\",\"precision\":\"\",\"size\":\"14.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"Production Date\",\"notes\":\"[1968?]\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/3764261726\",\"venue\":\"CBC Studio\",\"notes\":\"We assume that this tape was recorded in Vancouver. We don't know where CBC Vancouver located before 1975, now its address is  700 Hamilton Street\\nVancouver, British Columbia\\nV6B 4A2\",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\"49.27867\",\"longitude\":\"-123.11458\"}]"],"Address":["Vancouver, BC, Canada"],"Venue":["CBC Studio"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tDeath Of A Poet\n\t\t100\tBowering and Lane discussing Red Lane’s poetry\n\t\t240\tPat Lane reading Red Lane’s children’s poems\n\t\t247\tWho Wrote All These Poems For You\n\t\t262\tOn Purpose Because\n\t\t296\tMyself In The Mirror\n\t\t317\tBreakfast Is\n\t\t356\tFun\n\t\t385\tThe Lunches That People"],"Note":["[{\"note\":\"Liner Notes:  14 min \\nDolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552758124547,"timestamp":"2026-01-07T14:59:57.226Z","score":0.01643844},{"id":"5243","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Bob Rose reading at SFU CLC Room on June 21, 1979 #192"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Rose, Bob"],"creator_names_search":["Rose, Bob"],"creators":["[{\"url\":\"\",\"name\":\"Rose, Bob\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1979],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/903/Reading in BC_McS199_192.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"192-Side-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:50\",\"precision\":\"\",\"size\":\"41.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"192-Side-B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:20\",\"precision\":\"\",\"size\":\"35 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1979-06-21\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/3764261726\",\"venue\":\"SFU CLC Reading Room\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU CLC Reading Room"],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"Liner Notes\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552838864896,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5244","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["CBC Program: A Portrait of William Carlos Williams #193"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Levertov, Denise","Laughlin, James","Rexroth, Kenneth","Creeley, Robert","Duncan, Robert","Layton, Irving","Williams, William Carlos"],"creator_names_search":["Levertov, Denise","Laughlin, James","Rexroth, Kenneth","Creeley, Robert","Duncan, Robert","Layton, Irving","Williams, William Carlos"],"creators":["[{\"url\":\"http://viaf.org/viaf/9868894\",\"name\":\"Levertov, Denise\",\"dates\":\"1923-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/97990150\",\"name\":\"Laughlin, James\",\"dates\":\"1914-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105850695\",\"name\":\"Rexroth, Kenneth \",\"dates\":\"1905-1982\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/66482092\",\"name\":\"Layton, Irving\",\"dates\":\"1912-2006\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/29542054\",\"name\":\"Williams, William Carlos \",\"dates\":\"1883-1963\",\"notes\":\"recording of him \",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Quartermain, Peter"],"contributors_names_search":["Quartermain, Peter"],"contributors":["[{\"url\":\" http://viaf.org/viaf/34534588\",\"name\":\"Quartermain, Peter\",\"dates\":\"1934-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/904/Reading in BC_McS199_193.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:21:05\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"193-side-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:43:47\",\"precision\":\"\",\"size\":\"43.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"193-side-B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:41:23\",\"precision\":\"\",\"size\":\"41.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/3764261726\",\"venue\":\"CBC Studio\",\"notes\":\"We assume that this tape was recorded in Vancouver. We don't know where CBC Vancouver located before 1975, now its address is  700 Hamilton Street\\nVancouver, British Columbia\\nV6B 4A2\",\"address\":\"Vancouver,  British Columbia, V6B 4P4, Canada\",\"latitude\":\"49.27867\",\"longitude\":\"-123.11458\"}]"],"Address":["Vancouver,  British Columbia, V6B 4P4, Canada"],"Venue":["CBC Studio"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t010\t“Asphodel”\n\t\t020\tWCW barely audible – speaking\n\t\t035\tJust speaking\n\t\t045\tDenise Levertov on WCW\n\t\t055\t“The red wheelbarrow”\n\t\t240\t“A descent”\n\t\t255\tJames Laughlin on WCW\n\t\t276\tKenneth Rexroth on WCW\n\t\t293\tJames Laughlin – New Directions – on WCW\n\t\t316\tWCW – on technique of artist\n\t\t345\t“I have learned much in my life from books…”\n\t\t351\tCreeley on WCW\n\t\t379\t“The cat”\n\t\t382\tDiscussion on Paterson – WCW\n\t\t403\tDuncan on WCW\n\t\t419\t“By the road to the contagious hospital…”\n\t\t441\tWCW – commentary\n\t\t460\tLevertov on WCW\n\t\t510\tDuncan on WCW\n\t\t570\tWCW – commentary\n\t\t605\t“What is good poetry made of?” read by (?) who?\n\t\t610\t? who ? is talking here?\n\t\t629\t“No ideas but in things” – who is talking about it??\n\t\t678\tDuncan on “No ideas but in things”\n\t\t730\tNothing – blank tape\n\t\t744\tPoem begins midway – what poem?\n\t\t752\tIrving Layton on WCW\n\t\t785\tWCW – reading poem on Old (Bunk?) Johnson\nTwo\t\t010\t“What a red and yellow and white mirror to the sun…”\n\t\t\tWho is talking?"],"Note":["[{\"note\":\"Liner Notes:  (Noisy reception radio muted first 40 minutes) \\nSide 1 44:20\\n2 41:45\\nDolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552839913472,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5245","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Louis Zukovsky reading \"The Five Spot\" in New York/Long Island on January 20, 1964 #194"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Zukofsky, Louis"],"creator_names_search":["Zukofsky, Louis"],"creators":["[{\"url\":\"http://viaf.org/viaf/42358\",\"name\":\"Zukofsky, Louis\",\"dates\":\"1904-1978\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1964],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/906/Reading in BC_McS199_194.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"194-Side-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:42\",\"precision\":\"\",\"size\":\"31.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"194-Side-B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:49\",\"precision\":\"\",\"size\":\"30.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1964-01-20\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/3955977\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Long Island, New York, USA\",\"latitude\":\"40.8325\",\"longitude\":\"-73.1168\"}]"],"Address":["Long Island, New York, USA"],"Note":["[{\"note\":\"Liner Notes\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552840962048,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5246","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Open Space Gallery: Jenny, John Pass, and Bill Bissett reading on February 10, 1979 part 1 of 2 #708"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Jenny","Tallman, Warren","Pass, John","Bissett, Bill"],"creator_names_search":["Jenny","Tallman, Warren","Pass, John","Bissett, Bill"],"creators":["[{\"url\":\"\",\"name\":\"Jenny\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren \",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/29611411\",\"name\":\"Pass, John\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"Bissett, Bill\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Performer\"]}]"],"contributors":["[]"],"Performance_Date":[1979],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1040/Reading in BC_MsC199_708.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:00:30\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"708-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:17\",\"precision\":\"\",\"size\":\"36.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"708-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:13\",\"precision\":\"\",\"size\":\"37.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1979-02-10\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/27142233\",\"venue\":\"Open Space Gallery (Art gallery in Victoria)ria\",\"notes\":\"\",\"address\":\"1040, Moss Street, Cook Street Village, Rockland, Victoria, Capital Regional District, British Columbia, V8V 3M8, Canada\",\"latitude\":\"48.42208\",\"longitude\":\"-123.34749\"}]"],"Address":["1040, Moss Street, Cook Street Village, Rockland, Victoria, Capital Regional District, British Columbia, V8V 3M8, Canada"],"Venue":["Open Space Gallery (Art gallery in Victoria)ria"],"City":["Victoria, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t007\tWarren Tallman makes an introduction for John Pass\n\t\t090\tJohn Pass takes the mike\n\t\t140\tPass reads ‘Invocation’\n\t\t169\t‘Welcome Lowry’\n\t\t209\t‘Still Life’\n\t\t240\tPass will now read from Port of Entry\n\t\t250\t‘The Image’\n\t\t266\t‘Landed’\n\t\t305\t‘North Shore’\n\t\t324\t‘Her Garden’\n\t\t330\t‘The Ache’\n\t\t377\t‘Real Roses’\n\t\t389\tPass will now read from There Go The Cars\n\t\t391\t‘Poem Facing the Other Way’\n\t\t400\tEnd of Side One\nTwo\t\t000\t\n\t\t006\t‘Leslie’ – a miniature’\n\t\t015\tJohn Pass ends his reading\n\t\t024\tJenny takes the microphone, her general theme will be childhood.  She will read the poetry of several N.Z. and Australian poets\n\t\t064\t‘A shift of Emphasis’\n\t\t091\t‘He was born in the sun’\n\t\t109\t‘for a 5 year-old’\n\t\t130\t‘Legend’\n\t\t170\t‘Pat came swinging along’\n\t\t250\t‘for Andrew’\n\t\t277\tThe Second Look’\n\t\t330\tJenny ends her reading\n\t\t339\tBill Bissett begins a chant\n\t\t386\tEnd of chant, end of tape"],"Note":["[{\"note\":\"\",\"type\":\"\"},{\"note\":\"Liner Notes: Open Space Gallery, part 1, Vancouver, BC, February 10, 1979 #708\\npersons reading: John Pass, Jenny, Bill Bissett\\n(Very noisy, radio program in background)\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552840962049,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5247","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Open Space Gallery: Bill Bissett and David McFadden reading on February 10, 1979 part 2 of 2 #709\n"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bissett, Bill","McFadden, David"],"creator_names_search":["Bissett, Bill","McFadden, David"],"creators":["[{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"Bissett, Bill\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/7405434\",\"name\":\"McFadden, David \",\"dates\":\"1940-2018\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1979],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1041/Reading in BC_MsC199_709.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"709-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:55\",\"precision\":\"\",\"size\":\"30.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"709-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:23\",\"precision\":\"\",\"size\":\"29.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1979-02-10\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/27142233\",\"venue\":\"Open Space Gallery (Art gallery in Victoria)ria\",\"notes\":\"\",\"address\":\"1040, Moss Street, Cook Street Village, Rockland, Victoria, Capital Regional District, British Columbia, V8V 3M8, Canada\",\"latitude\":\"48.42208\",\"longitude\":\"-123.34749\"}]"],"Address":["1040, Moss Street, Cook Street Village, Rockland, Victoria, Capital Regional District, British Columbia, V8V 3M8, Canada"],"Venue":["Open Space Gallery (Art gallery in Victoria)ria"],"City":["Victoria, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t006\tBill Bissett beings another chant, using rattles this time\n\t\t091\tEnd of Chant\n\t\t099\t‘The tumbling grass breathe…’\n\t\t142\tEnd\n\t\t145\tBissett leads clapping and ‘Honey, hone’\n\t\t166\tBissett finishes\n\t\t169\tTallman suggests a break\n\t\t187\tMcFadden takes the microphone\n\t\t196\tMcFadden starts with quote from Margaret Randall’s introduction to a book on Cuban Poets\n\t\t234\t‘Vision that came to a 38-yar old male, English speaking, living in a Southern Canadian community, in the autumn’\n\t\t240\t‘Driving Home (for John Pass)’\n\t\t244\t‘The Folk Center’\n\t\t255\t‘The People’\n\t\t264\t‘This is such an awful story…’\n\t\t296\t‘News from the Nursing Home’\n\t\t307\t‘On the reigning reading light’\n\t\t316\t‘A poem to be placed at the beginning of a book\n\t\t327\t‘The Bunny farm’\n\t\t372\t‘Greaseball’\n\t\t389\t‘The Rat’\n\t\t399\tEnd of Side One\nTwo\t\t000\t\n\t\t007\t‘The Rat’ continued\n\t\t016\t‘The Baby in the Glass Case’\n\t\t031\t‘Alison at 14 and a half’\n\t\t055\t‘Unforgettable Dreams of Childhood’\n\t\t098\t‘Driving through the West Kootenays’\n\t\t107\t‘Dreary Weekend at Half Moon Bay’\n\t\t128\t‘Pinnocchio’\n\t\t149\t‘Carlos Pizzeria, Kingston Ontario, 1:30 am’\n\t\t154\t‘Truckers at a Truck Stop’\n\t\t168\t‘Been dead 22 years…’\n\t\t188\t‘Riding the Bus…’\n\t\t192\tMcFadden concludes\n\t\t200\tEnd of Side Two"],"Note":["[{\"note\":\"The cassette's label says it is very noisy, but I could hear it well\",\"type\":\"\"},{\"note\":\"Liner Notes: Open Space Gallery, part II, Vancouver Island, February 10, 1979 #709 \\npersons reading: Bill Bissett and David McFadden \\n(Very noisy, radio program breaking in)\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552840962050,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5248","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Anne Waldman reading at Naropa institute on May 24, 1986 #710  "],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Waldman, Anne","Fida, Jane"],"creator_names_search":["Waldman, Anne","Fida, Jane"],"creators":["[{\"url\":\"http://viaf.org/viaf/84079610\",\"name\":\"Waldman, Anne \",\"dates\":\"1945-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Fida, Jane \",\"dates\":\"\",\"notes\":\"Jane Fida (Head of Naropa institute) introduces Anne Waldman and Rachel Farrel\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1042/Reading in BC_MsC199_710.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"710-side-1.mp3\",\"channel_field\":\"Stereo \",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:28\",\"precision\":\"\",\"size\":\"40.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"710-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:48\",\"precision\":\"\",\"size\":\"42.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-05-24\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/391232001\",\"venue\":\"Naropa institute \",\"notes\":\"\",\"address\":\"Marine Street, Boulder, Boulder County, Colorado, 80309, United States\",\"latitude\":\"40.01405\",\"longitude\":\"-105.26696\"}]"],"Address":["Marine Street, Boulder, Boulder County, Colorado, 80309, United States"],"Venue":["Naropa institute "],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t007\tA speaker makes an introduction for Jan Fida\n\t\t021\tJane Fida introduces Anne Waldman and Rachel Farrel\n\t\t053\tWaldman begins with ‘Said So’\n\t\t094\t‘Eyes in All heads to be looked out of…’\n\t\t188\t‘Ballad…’\n\t\t212\t‘Anarchy’\n\t\t237\t‘Lament’\n\t\t309\tFarrel sings ‘U-La-La’\n\t\t331\t‘Baby and the Gypsy’\n\t\t337\t‘In the down-filled U.S.A. Store’\n\t\t345\t‘The Number Song’\n\t\t351\t‘Mother and Child’\n\t\t362\t‘Crack in the World’\n\t\t398\tEnd of Side One\nTwo\t\t000\t\n\t\t006\t‘All Hallow’s Eve’\n\t\t021\t‘Sonnet after Sir Phillip Siddon’\n\t\t037\t‘Of a Cruel Mistress’\n\t\t051\t‘I think I’m in Love…’\n\t\t067\t‘Dance Sing after the Copper Eskimo to expel Hesitation’\n\t\t086\t‘Patchy Tears’\n\t\t111\t‘Corridor’\n\t\t132\tFarrel finishes with a chant poem\n\t\t191\tEnd of Side Two"],"Note":["[{\"note\":\"Liner Notes: Naropa institute, May 24, 1986 #710 \\nAnne Waldman reading\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552842010624,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5249","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Film about Louis Zukovsky on March 16, 1966 #195"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Zukofsky, Louis"],"creator_names_search":["Zukofsky, Louis"],"creators":["[{\"url\":\"http://viaf.org/viaf/42358\",\"name\":\"Zukofsky, Louis\",\"dates\":\"1904-1978\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1053/Reading in BC_McS199_195.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"195-Side-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:14\",\"precision\":\"\",\"size\":\"28.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966-03-16\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["At the beginning of the recording a voice says something I cannot decipher and then says that it is a film about Louis Zukovsky, from there is the title."],"Note":["[{\"note\":\"Liner Notes\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552842010625,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5250","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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Poetry Festival Night. Participating poets include Lionel Kearns, Pat Lane, Susan Musgrave, and Allan Safarik. Admission free. Side 1: Allan Safarik 26:15 Side 2: Pat Lane 22:05 Tape 1 of 2 Recorded by Kurtis Vanel (formerly Doug Gyseman) Dolby B\",\"type\":\"General\"},{\"note\":\"Susan Musgrave, and Lionel Kearns read on #314b\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670552842010630,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5255","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. 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Michael Yates Reading at Selkirk College on November 18, 1969 #315"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Yates, Michael J."],"creator_names_search":["Yates, Michael J."],"creators":["[{\"url\":\"\",\"name\":\"Yates, Michael J. \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1074/Readings in BC_MsC199_315.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"SFU\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"315-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:52\",\"precision\":\"\",\"size\":\"38.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"315-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:01\",\"precision\":\"\",\"size\":\"31.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969-11-18\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/540850981\",\"venue\":\"Selkirk College\",\"notes\":\"\",\"address\":\"Cedar Avenue, Trail, Regional District of Kootenay Boundary, British Columbia, V1R 4C5, Canada\",\"latitude\":\"49.09405\",\"longitude\":\"-117.70663\"}]"],"Address":["Cedar Avenue, Trail, Regional District of Kootenay Boundary, British Columbia, V1R 4C5, Canada"],"Venue":["Selkirk College"],"Note":["[{\"note\":\"Liner Notes: J. 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Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t000\tNesbitt introduces Susan Musgrave\n\t\t041\tMusgrave reads “Conversation during the Omlette au Fines herbes”\n\t\t075\t“Doubt being the measure of worth”\n\t\t104\t“Blu moon”\n\t\t118\t“Growth of the soil”\n\t\t124\t“Right through the heart”\n\t\t153\t“Afterwards when we climbed out into the black hills”\n\t\t185\t“One more lyric, one more”\n\t\t197\t“I want to remember David”\n\t\t213\t“John Berryman this is For you”\n\t\t231\t“A man From France”\n\t\t244\t“Just lust”\n\t\t252\t“Taboo Man”\n\t\t280\tNesbitt introduces Lionel Kearns\n\t\t307\tKearns reads From his book Practicing up to be human\n\t\t317\tReads the poem “Contrast”\n\t\t391\t“Takeover”\n\t\t438\t“Calculations”\n\t\t488\t“Part of what it means”\n\t\t538\t“Event”\n\t\t581\t“Whats a lusty old trapper look like”\n\t\t680\tRecording ends"],"Note":["[{\"note\":\"Liner Notes: Heritage Writers' 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Bobbie Louise Hawkins interview with Angela Bowering, #711"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Hawkins, Bobbie Louise","Bowering, Angela"],"creator_names_search":["Hawkins, Bobbie Louise","Bowering, Angela"],"creators":["[{\"url\":\"http://viaf.org/viaf/35849197\",\"name\":\"Hawkins, Bobbie Louise\",\"dates\":\"1930-2018\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/93542147\",\"name\":\"Bowering, Angela \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1092/Reading in BC_MsC199_711.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"711-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:20\",\"precision\":\"\",\"size\":\"43.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"711-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:21\",\"precision\":\"\",\"size\":\"41.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t015\tAngela Bowering ? asks Hawkins about the relationship between her stories, poetry, music, painting, the collage work, and the acting in Hawkins’ life\n\t\t026\tHawkins relates her teenage years and direction in life\n\t\t087\tBowering asks about Hawkins’ experiences in London, after relating her own\n\t\t146\tHawkins discusses the reading experience\n\t\t190\tHawkins tells of her slow acceptance and understanding of Henry James\n\t\t235\tOn the experience of discovering a book at ‘the right time’\n\t\t260\tHawkins dismisses cycles\n\t\t330\tHawkins relates her singing experiences\n\t\t365\tEating with Rosalie is discussed, in relation to “how to be with people”\n\t\t430\tBowering asks about ‘the deformed shaping’ in Hawkins’ writing, and ‘the Southern Gothic’\n\t\t440\tHawkins discusses Texas, and her southern voice\n\t\t494\tHawkins notes: “A fish will never discover water”\n\t\t535\tHawkins compares the speaking voice to the written voice\n\t\t554\t“Words, you know, are living things’, notes Hawkins\n\t\t560\tThe link between language and Eros is discussed\n\t\t576\tEnd of Side One\nTwo\t\t000\t\n\t\t007\tThe conservatism following the Second World War is discussed\n\t\t093\tJohn Muir’s writing, and his passion, is discussed\n\t\t183\tThe three things that people can do to involve themselves with words (speak, write, read) form a topic for discussion\n\t\t200\tMore things that people can do to involve themselves with words\n\t\t271\tThe Heisenburg uncertainty principle is touched upon\n\t\t276\tThe writing of James Hillman is important to Hawkins\n\t\t350\tOn the nature of schematics\n\t\t382\tHawkins discusses the four different ways she writes\n\t\t465\tThe trivialization of ego is discussed\n\t\t487\tEnd of interview"],"Note":["[{\"note\":\"Bobbie Louise Hawkins interview with Angela Bowering, #711\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552845156352,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5270","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering Interview, May 1988 part 1 of 2 #712"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","Ricou, Laurence (Laurie)","Quartermain, Peter"],"creator_names_search":["Bowering, George","Ricou, Laurence (Laurie)","Quartermain, Peter"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/16316481\",\"name\":\"Ricou, Laurence (Laurie)\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/34534588\",\"name\":\"Quartermain, Peter\",\"dates\":\"1934-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors":["[]"],"Performance_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1093/Reading in BC_MsC199_712.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"712-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:34\",\"precision\":\"\",\"size\":\"65.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"712-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:56\",\"precision\":\"\",\"size\":\"66.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-05\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t024\tThe interview asks about Bowering’s teaching experiences at SFU.  The tape is plagued intermittently by a strong feedback noise\n\t\t120\tCaprice is discussed\n\t\t170\tBowering’s sense of time in Caprice is discussed\n\t\t232\t“Is there a Canadian Western as a genre?” asks the interviewer\n\t\t270\t‘Coast Chauvinism’ is discussed\n\t\t310\tRealism is discussed\n\t\t340\tBowering remarks upon the Japanese touches found in Vancouver\n\t\t362\tBowering’s experiences publishing his work is elaborated upon\n\t\t460\tThe subject of teaching is touched upon again\n\t\t477\tBowering admits he still favors high culture, even though he is a post-modernist\n\t\t500\tGertrude Stein is discussed\n\t\t520\tJames T. Farrell is discussed\n\t\t563\tBowering is asked about his diary and his writing process\n\t\t608\tEnd of Side One\nTwo\t\t000\t\n\t\t004\tContinued discussion of Bowering’s writing process\n\t\t080\tBowering relates his year of travelling (1965) and Heraclitus\n\t\t188\tA 1963 Conference on poetry is described\n\t\t210\tBowering explains his love of plot and story\n\t\t270\tThe Western novel is discussed, in the context of their male-centeredness and the fact they take place on dry land\n\t\t311\t“So, do you have ‘desires’ for that story?” asks the interviewer\n\t\t350\t“The ground is really important in my work”, notes Bowering\n\t\t365\tDaphne Marlatt’s work is discussed\n\t\t400\tBowering says he believes that ‘reading’ comes before writing and speech\n\t\t422\tThe difference in tension between Bowering’s poetry and prose is discussed\n\t\t445\t‘Kerrisdale elegies’ are discussed\n\t\t490\tBaseball poetry is discussed\n\t\t536\t“The metaphysical is a useless concept if you are not retaining 100% of the notion of the physical”, notes Bowering.  It doesn’t mean anything unless it carries its opposite with it\n\t\t560\tEnd of Side Two"],"Note":["[{\"note\":\"The tape is plagued intermittently by a strong feedback noise that prevents us from hearing, in the beginning of side 1. \",\"type\":\"\"},{\"note\":\"Liner Notes: George Bowering Interview, Part I, May 1988 #712\\nLaurence (Laurie) Ricou  & peter quartermain\\nTape #1\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552845156353,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5271","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering Interview, May 1988 part 2 of 2 #713"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George \",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1094/Reading in BC_MsC199_713.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"713-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:17\",\"precision\":\"\",\"size\":\"47.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"713-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:15\",\"precision\":\"\",\"size\":\"49.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-05\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t004\tDiscussion of Kerrisdale Elegies continues\n\t\t125\tThe interviewer asks Bowering about ‘high culture’ in his poetry\n\t\t145\tDuncan is discussed\n\t\t215\tThe significance of ‘tradition’ is looked at\n\t\t322\t“I read a lot more stuff than I consider part of my world”, notes Bowering\n\t\t360\tOn the labor that the writing process is\n\t\t381\t“I feel best when I am writing everyday”, says Bowering\n\t\t450\tDiscussion of the use of the computer as a writing tool\n\t\t473\tTape abruptly ends, Bowering noting that he feels dizzy\nTwo\t\t000\tSide Two is blank"],"Note":["[{\"note\":\"Liner Notes: George Bowering Interview, Part II, May (19?),1988  \\nTape #2\\n#713\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552846204928,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5272","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Warren Tallman Radio interview: discussion of Tish #715"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren"],"creator_names_search":["Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1127/Reading in BC_MsC199_715.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"715-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:27\",\"precision\":\"\",\"size\":\"29.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"715-side-2.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:30:23\",\"precision\":\"\",\"size\":\"29.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t004\tA radio interview with Warren Tallman begins, with poor sound quality.  The subject appears to be poetry and nationalist identity, with Tallman arguing for a Canadian poetic identity\n\t\t088\tSound quality improves and a discussion of Tish follows, and further analysis of citizenship in poetry\n\t\t092\tCriticism of Jim Brown’s poetry\n\t\t142\t“Tish is a small, close-knit group of poets who…”\n\t\t157\tR. Blaser and J. Spicer are discussed\n\t\t195\tPacific Nation is discussed\n\t\t234\tPersky and The Georgia Strait are discussed\n\t\t304\tLimbo is discussed\n\t\t366\tHigh School poetry as subculture\n\t\t378\tEnd of Side One\nTwo\t\t000\t\n\t\t005\t“It’s hard to talk about Tish poets, because there are so many of them”, notes Tallman\n\t\t044\tTallman feels that the older poets of Tish are the ones that have the most trouble writing poetry\n\t\t153\tDiscussion of the reorganization of Tish after issue #19\n\t\t208\tJ. Spicer is discussed\n\t\t245\tSpicer’s view of pet as radio is discussed\n\t\t291\tDuncan’s The Structure of Rhyme is discussed\n\t\t327\tSpicer’s great skill as a poet is manifested in the distinctive style of his writing\n\t\t353\tSpicer’s love of complaining is touched upon\n\t\t378\tSide Two ends with Tallman moving to discuss Jim Brown"],"Note":["[{\"note\":\"Warren Tallman interview:\\ndiscussion of Tish\\n#715\",\"type\":\"General\"},{\"note\":\"Sound quality improves in side one after 5 minutes.\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670552846204929,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5274","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Warren Tallman and Robert Creeley interview with Don Allen on April 11, 1975 #716"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Allen, Don","Tallman, Warren","Creeley, Robert"],"creator_names_search":["Allen, Don","Tallman, Warren","Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/79111075\",\"name\":\"Allen, Don\",\"dates\":\"1912-2004\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert \",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1129/Reading in BC_MsC199_716.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"716-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:56\",\"precision\":\"\",\"size\":\"46.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"716-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:50\",\"precision\":\"\",\"size\":\"46.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-04-11\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t007\tThe methodology of the discussion to follow is discussed\n\t\t060\tTallman asks Don Allen about his Berkeley experience\n\t\t115\tDon Allen relates his experience working for Naval Intelligence and like in Japan\n\t\t200\t“How early did you have facility with languages?” asks Tallman\n\t\t228\tDon Allen relates his experiences moving to, and living in China\n\t\t248\tTallman asks Don Allen about his impressions of Berkeley\n\t\t321\tJosephine Miles is discussed \n\t\t346\tCreeley asks Don Allen about his early translations of poetry texts\n\t\t383\tDuncan is discussed – a lot of name-dropping follows\n\t\t395\tDon Allen relates his life in New York\n\t\t448\tThe editorial and publishing process is discussed\n\t\t508\tTrout Fishing is discussed\n\t\t568\tJ. Kerouac is discussed\n\t\t600\tEnd of Side One\nTwo\t\t000\t\n\t\t018\tTallman returns to the topic of New York and the publishing business.  Lots of small talk follows\n\t\t245\tDon Allen discusses the proofreading process\n\t\t355\tContinued discussion of New York\n\t\t420\tCreeley asks Don Allen, “what kept you independent and from becoming just another New York Establishment editor?”\n\t\t455\tA French play that Don Allen translated is discussed\n\t\t603\tSide Two ends"],"Note":["[{\"note\":\"Based on the info in inventory and what I heard in digital files, it seems that there is a discussion between Don Allen, Warren Tallman and Robert Creeley NOT an interview. They all get to ask questions and talk. Mainly, Don Allen is the one who is asked questions from rather than the one who asks questions. \",\"type\":\"\"},{\"note\":\"Liner Notes: interview with Warren Tallman and Robert Creeley, April 11, 1975 #716 \\nDon Allen interviewing \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552846204931,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5275","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Bobbie Creeley (Bobbie Louise Hawkins) reading #717"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Bobbie"],"creator_names_search":["Creeley, Bobbie"],"creators":["[{\"url\":\"http://viaf.org/viaf/263868544\",\"name\":\"Creeley, Bobbie\",\"dates\":\"1930-1976\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Storyteller\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1131/Reading in BC_MsC199_717.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"717-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:23\",\"precision\":\"\",\"size\":\"40.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"717-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:12\",\"precision\":\"\",\"size\":\"47.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t012\tBobbie will begin with poems\n\t\t017\t“The sky was empty…”\n\t\t025\t“Lord preserve us”\n\t\t037\t“He still lived…”\n\t\t061\t“The outermost trees…”\n\t\t070\t“The question of the ordinary and extraordinary”\n\t\t141\t“What time is it?”\n\t\t150\t“A Western desert town…”\n\t\t157\t“The view…”\n\t\t173\t“A fine net”\n\t\t197\t“I used to be left alone…”\n\t\t200\t“Each day…”\n\t\t207\t“Branches and leaves…”\n\t\t216\t“A lead song for love…”\n\t\t225\t“It’s another ignoble thing…”\n\t\t236\t“Commonplace”\n\t\t243\t“When I’m covered\n\t\t249\t“Endlessly”\n\t\t261\t“The thought that was called Helen”\n\t\t313\tEnd of Poetry Section\n\t\t316\tEnd of Side One\nTwo\t\t000\t\n\t\t024\tHawkins begins with a story she heard in the British Honduras\n\t\t083\tA story about Galveston and a woman with a crazy daughter\n\t\t134\t“When you’re stoned on grass…”\n\t\t218\tA story about her cousin Merilyn\n\t\t276\t“When I was little…”\n\t\t331\t“Mama, show Billie-Jean how…”\n\t\t401\tEnd of Side Two"],"Note":["[{\"note\":\"Liner Notes: Bobbie Creeley reading (Bobbie Louise Hawkins)\",\"type\":\"General\"},{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670552846204932,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5276","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["7 Poems for Robert Therrien by Robert Creeley on February 2, 1987 #718"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert"],"creator_names_search":["Creeley, Robert"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1132/Reading in BC_MsC199_718.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"718-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:24:08\",\"precision\":\"\",\"size\":\"23.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"718-side-2 - blank.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:01\",\"precision\":\"\",\"size\":\"23.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-02-02\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t010\tCreeley introduces 7 poems for Robert Therrien\n\t\t031\t‘Straight’\n\t\t038\tCommentary on ‘Straight’\n\t\t058\t‘Plate’\n\t\t081\t‘Red’\n\t\t091\tCommentary\n\t\t109\t‘Snowman’\n\t\t127\tCommentary\n\t\t135\t‘Wings’\n\t\t145\tCommentary – this time from W. Tallman (in the audience)\n\t\t184\t‘Box’\n\t\t191\tCommentary\n\t\t197\t‘Boat’\n\t\t201\tCommentary and a discussion on Therrien’s sculpture\n\t\t252\tEnd of Side One\nTwo\t\t000\tSide Two is blank"],"Note":["[{\"note\":\"Liner Notes: Robert Creeley (7 poems for Robert Therrien)\\nFebruary 2, 1987 \\n#718\",\"type\":\"General\"},{\"note\":\"Side 2 is blank\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670552846204933,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5277","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Futurity Poems: Lacy Steve and Irene Aebi performance #719"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Lacy, Steve","Aebi, Irene"],"creator_names_search":["Lacy, Steve","Aebi, Irene"],"creators":["[{\"url\":\"http://viaf.org/viaf/39562373\",\"name\":\"Lacy, Steve\",\"dates\":\"1934-2004\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/2658282\",\"name\":\"Aebi, Irene\",\"dates\":\"1939- \",\"notes\":\"Singer\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1133/Reading in BC_MsC199_719.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\" Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"719-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:17\",\"precision\":\"\",\"size\":\"62.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"719-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:15\",\"precision\":\"\",\"size\":\"62.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t008\tThe tape begins with Jazz-style music and singing\n\t\t\tThe title of the piece is unknown\n\t\t178\tEnd of 1st piece\n\t\t180\t2nd piece\n\t\t573\tEnd of Side One\nTwo\t\t000\t\n\t\t007\tMore jazz and Aebi sing Creeley’s Futurity Poems\n\t\t578\tEnd of Side Two"],"Note":["[{\"note\":\"Liner Notes: Lacy Creeley\\nFuturity Poems continued\\n#719\\n\",\"type\":\"General\"},{\"note\":\"There is no one under \\\"Lacy Creeley\\\" name. The person must be Lacy Steve (jazz composer/musicians) who plays saxophone while Irene Aebi sings Creeley's Futurity Poems. \",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670552847253504,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5278","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Creeley, Expo 86: 60th Birthday Reading in Vancouver, 1986 part 1 of 2 #720"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Gilbert, Gerry","Tallman, Warren"],"creator_names_search":["Creeley, Robert","Gilbert, Gerry","Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\",\"Donor\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry \",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1134/Reading in BC_MsC199_720.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"720-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:31\",\"precision\":\"\",\"size\":\"42.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"720-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:41\",\"precision\":\"\",\"size\":\"44.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986\",\"type\":\"Performance Date\",\"notes\":\"The mentioned date in the BC inventory document for the second part of this recording is 1986, so part one might've been recorded in the same year.  \",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\"49.2519\",\"longitude\":\"-123.1145\"}]"],"Address":["Vancouver, BC, Canada"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t005\tIntroductory comments by Warren Tallman\n\t\t133\tGerry Gilbert takes the microphone\n\t\t\tAnd warms up the audience\n\t\t226\tRobert Creeley takes the microphone\n\t\t232\tCreeley reads from : Hello\n\t\t400\tEnd\n\t\t411\tCreeley reads an untitled poem about Singapore\n\t\t428\tEnd\n\t\t440\tCreeley reads from Shelley’s “Triumph of Life”\n\t\t460\tEnd\n\t\t481\t“Blues”\n\t\t500\tEnd\n\t\t518\t“Rehearsal”\n\t\t551\tEnd\n\t\t553\t“If I had my Way”\n\t\t568\tEnd, End Side One\nTwo\t\t000\t\n\t\t008\t“The fact”\n\t\t043\tEnd\n\t\t058\tUntitled – about Perene Ricard\n\t\t092\tEnd\n\t\t113\t“First Rain”\n\t\t123\tEnd\n\t\t125\tMusic accompaniment\n\t\t296\t“Human Song”\n\t\t306\tEnd\n\t\t307\t“Time”\n\t\t328\tEnd\n\t\t329\t“Mothers Voice”\n\t\t339\tEnd\n\t\t341\t“Dreams”\n\t\t346\tEnd\n\t\t347\t“Outside”, “There”, “The Visit”, “Versions”, “Death”, “Age”, “Oh-Love”, “Wind Lifts”, The Movie Run Backward”, “Bresson’s Movies”, “Stone”, “Still Too Young”, “Two Kids”, “Echos”, Creeley reads these short poems in quick succession\n\t\t502\t“Such Flowers”\n\t\t\t“Buffalo Evening”\n\t\t\t“Winter”\n\t\t\t“All The Way”\n\t\t\t“Kid”\n\t\t\t“Early Reading”\n\t\t\t“Circles”\n\t\t\t“Worry”\n\t\t\t“Coming Home”\n\t\t\t“Be a Good Cheer”\n\t\t569\tEnd, End Side Two"],"Note":["[{\"note\":\"Liner Notes: \\nRobert Creeley \\nExpo 86, 60th birthday reading, Vancouver 1986\\npart one of two\\nSide 1: 44 min\\nDOLBY B\\n#720\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552847253505,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5279","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Creeley, Expo 86: 60th Birthday Reading in Vancouver on November 23, 1970, and 1986 part 2 of 2 #721"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert"],"creator_names_search":["Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1135/Reading in BC_MsC199_721.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"721-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:19\",\"precision\":\"\",\"size\":\"59.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"721-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:21\",\"precision\":\"\",\"size\":\"59.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970-11-23\",\"type\":\"Performance Date\",\"notes\":\"Side two (B)\",\"source\":\"Inventory\"},{\"date\":\"1986\",\"type\":\"Performance Date\",\"notes\":\"side one (A)\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\"49.2519\",\"longitude\":\"-123.1145\"}]"],"Address":["Vancouver, BC, Canada"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t002\tTape begins with Creeley in the midst of reading an unidentified poem\n\t\t040\tEnd\n\t\t060\t“Old Max”\n\t\t138\tEnd\n\t\t156\t“Heaven Knows”\n\t\t163\tEnd\n\t\t166\t“Hotel”\n\t\t172\tEnd\n\t\t173\t“Echo”\n\t\t177\tEnd\n\t\t178\t“Made in America”\n\t\t182\tEnd\n\t\t183\t“Always”\n\t\t188\tEnd\n\t\t189\t“Massachusetts in May”\n\t\t195\tEnd\n\t\t196\t“Memories”\n\t\t200\t“For John”\n\t\t219\tEnd\n\t\t220\t“Buffalo Afternoon”\n\t\t230\tEnd\n\t\t231\t“For Ted…”\n\t\t236\tEnd\n\t\t237\t“Hotel…”\n\t\t242\tEnd\n\t\t280\tUnidentified\n\t\t300\tEnd\n\t\t301\t“Late Love”\n\t\t306\tEnd\n\t\t307\t“Fathers”\n\t\t318\tEnd\n\t\t319\t“Memory Gardens”\n\t\t325\tEnd\n\t\t326\t“Flicker”\n\t\t333\tEnd\n\t\t334\t“Window”\n\t\t339\tEnd\n\t\t340\t“Winter Mourning”\n\t\t346\tEnd\n\t\t347\t“Lovers”\n\t\t353\tEnd\n\t\t354\t“Funeral”\n\t\t358\tEnd\n\t\t359\t“Supper”, “Classical”\n\t\t372\tEnd\n\t\t373\t“Mother’s Photograph”\n\t\t379\tEnd\n\t\t380\t“Valentine”\n\t\t384\tEnd\n\t\t385\t“Lecture”\n\t\t389\tEnd\n\t\t390\t“Days”\n\t\t396\tEnd\n\t\t402\t“To say it’ from Mirrors\n\t\t416\tEnd\n\t\t420\tMusic Accompaniment\n\t\t565\tEnd, End Side One\nTwo\t\t000\t-\tReading Nov. 23, 1970\n\t\t020\tCreeley takes the microphone\n\t\t040\t“Massachusetts”\n\t\t080\tEnd\n\t\t081\t“June 6, 1970”\n\t\t090\tEnd\n\t\t091\t“For Benny and Sabina”\n\t\t100\tEnd\n\t\t135\t“For Son and his Girlfriend”\n\t\t142\tEnd\n\t\t143\t“Song for John Chamberlan”\n\t\t147\tEnd\n\t\t148\t“Irish”\n\t\t158\tEnd\n\t\t160\t“Sitting up to Fill Pages…”\n\t\t173\tEnd\n\t\t174 \t“You”, “Walking the Dog”, “Envoy”, “Heaven”\n\t\t205\tEnd\n\t\t206\t“Wisdom”, “Echo”, “Trees”, “Person”, “For Allen”, “For Chuck Hinman”, “For Louis”, “Oh-Love”, “Pay”, “For Some Weeks”\n\t\t301\tEnd\n\t\t307\t“Hunger”, “Rain”, “Down Home”, “Mouths”, “Kid”, “Tiny Place”, “Smoke”, “Echos”, “Roads”, “Love”, “Mobile Homes:, “Curse”, “Epigraph”, “Bolinas and Me”\n\t\t420\tEnd\n\t\t425\t“In London”, “Homesick Etc.”, “12:30”, “Variance of Emotional Occasion”, “Do You Think”\n\t\t\t-\tIn this section Creeley is reading a flurry of poems, many of which are untitled"],"Note":["[{\"note\":\"Liner Notes: \\nRobert Creeley \\nExpo 86, 60th birthday reading, Vancouver, BC, part two of two\\n1986 \\nside B with Vancouver ART TRID\\n45 minutes\\nDOLBY B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552847253506,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5280","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Steve Swallow,Robert Creeley, Steve Kuhn, and Sheila Jordan in New York on April 7, 1983, and 1980 #722"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kuhn, Steve","Jordan, Sheila","Flaherty, Joseph P.","Creeley, Robert","Swallow, Steve"],"creator_names_search":["Kuhn, Steve","Jordan, Sheila","Flaherty, Joseph P.","Creeley, Robert","Swallow, Steve"],"creators":["[{\"url\":\"http://viaf.org/viaf/84970988\",\"name\":\"Kuhn, Steve\",\"dates\":\"1938-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/34643571\",\"name\":\"Jordan, Sheila \",\"dates\":\"1928- \",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/2071298\",\"name\":\"Flaherty, Joseph P.\",\"dates\":\"1940-\",\"notes\":\"Side two is recorded at the Red Mill, Rochester, NY, April 7, 1983. Joe Flaherty of Writers and Books introduces the side\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/42026809\",\"name\":\"Swallow, Steve\",\"dates\":\"1940-\",\"notes\":\"This person could be Steve Swallow\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Performance_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1136/Reading in BC_MsC199_722.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"722-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:34\",\"precision\":\"\",\"size\":\"44.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"722-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:36\",\"precision\":\"\",\"size\":\"42.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-04-07\",\"type\":\"Performance Date\",\"notes\":\"Side two is recorded at the Red Mill, Rochester, NY, April 7, 1983\",\"source\":\"J-card\"},{\"date\":\"1980\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/176069\",\"venue\":\"\",\"notes\":\"As it's mentioned in the BC inventory document, side two is recorded at the Red Mill, Rochester, NY, April 7, 1983\",\"address\":\"Rochester, New York, USA\",\"latitude\":\"43.1676\",\"longitude\":\"-77.6129\"}]"],"Address":["Rochester, New York, USA"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t007\tJazz music fills the side, with pieces such as ‘Some Echoes’, ‘She was Young’, ‘In the fall’, and ‘Ice Cream’\nTwo\t\t000\t\n\t\t007\tSide two intersperses song and poetry.  Side two is recorded at the Red Mill, Rochester, NY, April 7, 1983.  Joe Flaherty of Writers and Books introduces the side\n\t\t059\tSteve Kuhn & Sheila Jordan Play\n\t\t251\tEnd of piece – Creeley is introduced and reads ‘The Thirty Things’\n\t\t310\t‘For Ever and Ever with Love’\n\t\t329\t‘Kitchen’\n\t\t336\t‘Here is where there is’\n\t\t363\t‘Xmas Poem Bolinas’\n\t\t380\t‘Photo (for Joanne)’\n\t\t383\t‘The Loop’\n\t\t392\t‘Postcards’\n\t\t410\t‘Change’\n\t\t457\t‘The Plan is the Body’\n\t\t475\tA break\n\t\t490\tCreeley continues\n\t\t507\t‘Time (for Willie)’\n\t\t538\t‘Memory’\n\t\t547\tMore Jazz with Kuhn and Jordan\n\t\t574\tEnd of Side Two"],"Note":["[{\"note\":\"Liner Notes: Swallow/ Creeley/ S. Jordan/Kuhn  Rochester, NY, 1980/83\\n#722\\n\",\"type\":\"General\"},{\"note\":\"I personally searched and figured out that Swallow's first name is Steve and Creeley's first name is Robert. \",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670552850399232,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5281","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Charles Olson, lecture 1: Poetry and Truth and The Beloit Lectures and Poems on March 25, 1968 Tape 1 of 5 #904"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Olson, Charles"],"creator_names_search":["Olson, Charles"],"creators":["[{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles \",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1968],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1137/Reading in BC_MsC199_904.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:57:12\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"904-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:33\",\"precision\":\"\",\"size\":\"29.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"904-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:32\",\"precision\":\"\",\"size\":\"29.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1968-03-25\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/251997\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Beloit, Wisconsin, USA\",\"latitude\":\"42.5087\",\"longitude\":\"-89.0325\"}]"],"Address":["Beloit, Wisconsin, USA"],"Note":["[{\"note\":\"Liner notes: Side 1 29:10\\n2 28:02\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552850399233,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5282","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Margaret Atwood reading from Life Before Man with Fred Wah and Douglas Gordon Jones #723"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Atwood, Margaret","Wah, Fred","Jones, Douglas Gordon","Tallman, Warren"],"creator_names_search":["Atwood, Margaret","Wah, Fred","Jones, Douglas Gordon","Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/109322990\",\"name\":\" Atwood, Margaret \",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred \",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/41883605\",\"name\":\"Jones, Douglas Gordon \",\"dates\":\"1929-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1150/Reading in BC_MsC199_723.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\" Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"723-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:31\",\"precision\":\"\",\"size\":\"45.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"723-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:30\",\"precision\":\"\",\"size\":\"43.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t008\tAn introductory speaker makes irrelevant comments\n\t\t131\tThe same speaker begins to turn his comments directly about poetry and the three upcoming speakers\n\t\t162\tEnd\n\t\t168\tMargaret Atwood takes the microphone\n\t\t178\tAtwood reads from: Life Before Man.  At the time of the recording, Life Before Man is an upcoming novel.  Atwood reads a long passage which presents both a female and male perspective\n\t\t413\tEnd\n\t\t420\tFred Wah takes the microphone\n\t\t425\t“Among”, title poem from the collection Among\n\t\t430\tEnd\n\t\t437\t“Hamill’s last stand”, from Tree\n\t\t466\tEnd\n\t\t475\t“Severance springwater” from Earth\n\t\t488\tEnd\n\t\t490\tUntitled poem\n\t\t496\tEnd\n\t\t498\t“How to be something” and “How to hunt”\n\t\t510\tEnd\n\t\t511\t“What to do when you get there”\n\t\t517\tEnd\n\t\t518\t“How to disappear”\n\t\t524\tEnd\n\t\t525\t“How to build a fire”\n\t\t534\tEnd\n\t\t539\tVarious ‘river’ poems – possibly untitled, unpublished, contemporary work\n\t\t572\tEnd.  End Side One\nTwo\t\t000\t\n\t\t007\tFred Wah continued.  Wah reads three short poems\n\t\t058\t“For the writers…”, “A Cretian translation”, “Hermes”\n\t\t060\t“A sleeping poem”\n\t\t082\tEnd\n\t\t085\tP.G. Jones takes the microphone, making some humorous comments\n\t\t110\t“Spring flowers” from Under the Thunder the Flowers Light Up the Earth\n\t\t135\tEnd\n\t\t140\t“These flowers”\n\t\t156\tEnd\n\t\t160\tJones explains to the audience that he will be reading 13 poems in sequence, without pause.  All taken from Under the Thunder\n\t\t223\tJones begins reading\n\t\t350\tEnd\n\t\t356\tJones reads an unidentified three-line poem\n\t\t360\tEnd\n\t\t382\t“Lines inscribed on a stone”\n\t\t388\tEnd\n\t\t395\t“That’s it”\n\t\t401\tEnd\n\t\t407\t“Three cast with the I Ching”\n\t\t414\tEnd\n\t\t417\t“13/9/75 (Ta Kuo: Excess)”\n\t\t422\t“16/9/75 (I: Nourishment)”\n\t\t430\tEnd\n\t\t443\t“Dilemmas”\n\t\t469\tEnd\n\t\t485\t“7/5/75”\n\t\t496\tEnd\n\t\t500\t“10/5/76”\n\t\t512\tEnd\n\t\t522\t“The diamond Sutra”\n\t\t550\tEnd\n\t\t556\t“For Malcolm Lowry”\n\t\t565\tEnd\n\t\t575\t“Eliminate the valietics”\n\t\t580\tEnd"],"Note":["[{\"note\":\"Liner Notes: Margaret Atwood reading form \\\"Life Before Man\\\" with Fred Wah and D. G.  Jones, #723\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552853544960,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5295","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Daphne Marlatt talk on Steveston at UBC on March 19, 1980 #724"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Marlatt, Daphne"],"creator_names_search":["Marlatt, Daphne"],"creators":["[{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1980],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1151/Reading in BC_MsC199_724.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"724-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:15\",\"precision\":\"\",\"size\":\"57.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"724-side-2 - blank.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:19\",\"precision\":\"\",\"size\":\"62.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1980-03-19\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t008\tMarlatt speaks informally about “The origins of Steveston\n\t\t025\tMarlatt explains how she worked on a government writing project about the town of Steveston, the project allowing her to gain experience with the history of the people and township\n\t\t127\tMarlatt is questioned about how she was accepted within the Japanese community\n\t\t206\tMarlatt speaks about the relationship between the photographs and poems within Steveston\n\t\t230\t“Imagination is a vehicle to get into that ‘other’ which stands outside of us… when it’s historical, it’s doubly outside of us…”\n\t\t286\t“Imagine: a town”\n\t\t303\tEnd\n\t\t315\tMarlatt gives the background to “Pour, pour”\n\t\t353\t“Pour, pour”\n\t\t390\tEnd\n\t\t393\tMarlatt talks about ‘voice’, and the means of structuring the syntax to the represent her ‘voice’\n\t\t460\t“End of Cannery Channel”\n\t\t500\tEnd\n\t\t520\t“Sun and Moon Through the Japanese Fisherman’s Hospital 1898-1942”\n\t\t540\tEnd\n\t\t545\tGeneral questions from the audience about the history of the Japanese Canadian people\n\t\t580\tEnd.  End side One\nTwo\t\t000\tSide Two is blank"],"Note":["[{\"note\":\"Liner Notes: \\nDaphne Marlatt: \\\"Steveston\\\"\\nUBC March 19, 1980\\nside two is empty\\nDOLBY B\\n\",\"type\":\"General\"},{\"note\":\"Site two is empty\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670552854593536,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5296","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Poems from Apalache and Genda: Paul Metcalf reading on April 23, 1987 #725"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Metcalf, Paul"],"creator_names_search":["Metcalf, Paul"],"creators":["[{\"url\":\"http://viaf.org/viaf/80869459\",\"name\":\"Metcalf, Paul\",\"dates\":\"1917-1999\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1152/Reading in BC_MsC199_725.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"725-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:31\",\"precision\":\"\",\"size\":\"30.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"725-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:27\",\"precision\":\"\",\"size\":\"31.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-04-23\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t008\tIntroductory speaker\n\t\t050\tMetcalf takes the microphone\n\t\t065\tMetcalf begins reading Part 1 of “Bash Bish” from Apalache\n\t\t242\tEnd\n\t\t245\t“Bash Bish (Part 2)”\n\t\t330\tEnd\n\t\t340\tUnidentified section from Apalache dealing with the imagery of Sable Island\n\t\t380\tEnd of Side One\nTwo\t\t000\t\n\t\t005\tContinuation of last poem from Side One\n\t\t037\tEnd\n\t\t040\tMetcalf explains the narrative basis of Genoa\n\t\t060\t“Genoa (Part 5)” – From Genoa\n\t\t287\tEnd\n\t\t290\t“Willy’s Throw”\n\t\t375\tEnd, End of Side Two"],"Note":["[{\"note\":\"Liner Notes: Paul Metcalf \\npoem from Apalache and Genda \\nApril 23, 1987 \\n(very distorted sound)\\n#725\",\"type\":\"General\"},{\"note\":\"It's written on the cassette's label that the sound is very distorted, but it's not. The sound quality is good.\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670552854593537,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5297","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Douglas Gordon Jones interview on July 19, 1979 #726"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Jones, Douglas Gordon"],"creator_names_search":["Jones, Douglas Gordon"],"creators":["[{\"url\":\"http://viaf.org/viaf/41883605\",\"name\":\"Jones, Douglas Gordon\",\"dates\":\"1929-2016\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1979],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1153/Reading in BC_MsC199_726.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"726-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:25\",\"precision\":\"\",\"size\":\"46.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"726-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:15\",\"precision\":\"\",\"size\":\"45.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1979-07-19\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t003\tJones talks about his background with the French language\n\t\t075\t“To talk French, understand French, spoken, to read it and speak it are all different things… requiring different exercises”\n\t\t120\tJones talks about his work with Canadian literature at Sherbrook University\n\t\t140\tJones is asked about his position as a person\n\t\t195\tJones is questioned about Eclipse\n\t\t230\tJones is questioned about the process of translating from English to French and vice versa\n\t\t265\tJones is asked about this mixing of French and English words within his poetry\n\t\t295\tQuestion: “Have your books been translated?”\n\t\t310\tQuestion: “Do you think translating is a creative process?”\n\t\t326\tQuestion: “How much English-Canadian writing gets translated into French?”\n\t\t380\tJones talks about the similarities between English and French writers; and some of the co-operative projects which have taken place\n\t\t420\tQuestion: “Do Quebecers attend many poetry readings?”\n\t\t440\tJones speaks about the underground writing scene in Montreal\n\t\t480\tThe antagonisms between English and French Canadians\n\t\t512\tJones speaks about the modern political state in Quebec: i.e. some of the “absurd” conflicts between French and English culture\n\t\t547\t“There are very real splits, good and bad within Quebec society itself”\n\t\t576\tEnd.  End Side One\nTwo\t\t000\t\n\t\t005\tJones is still speaking, continuing, the debate about the differences and similarities of French and English culture.  Focus upon political elements\n\t\t130\tJones relates a story about two Quebec poets who travel to Pittsburg in order to perform at a reading\n\t\t250\tJones is questioned about the potential benefits of an English/French forum to discuss issues of culture\n\t\t270\tJones comments about likely French Canadian intellectuals who would take part in such a forum: Jones expresses his opinion about which French writers/academics would be essential to such a meeting\n\t\t\tAfter this point the interview begins to crawl – continued listless exchanges about appropriate conditions for the culture forum\n\t\t550\tEnd.  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Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Coast is Only a Line: Jack Hodgins Reading at the SFU Art Gallery on July 14, 1981 #335b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Hodgins, Jack","Mandel, Eli"],"creator_names_search":["Hodgins, Jack","Mandel, Eli"],"creators":["[{\"url\":\"http://viaf.org/viaf/114666696\",\"name\":\"Hodgins, Jack\",\"dates\":\"1938-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/59095399\",\"name\":\"Mandel, Eli\",\"dates\":\"1922-1992\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Vanel, Kurtis"],"contributors_names_search":["Vanel, Kurtis"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Vanel, Kurtis"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1163/Readings in BC_MsC199_335b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"335b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:29\",\"precision\":\"\",\"size\":\"30.1 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"335b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:22:03\",\"precision\":\"\",\"size\":\"22.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-14\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t001\tEli Mandel introduces Jack Hodgins\n\t\t025\tJack Hodgins discusses The Barclay family theatre\n\t\t085\tJack Hodgins reads chapter from The Barclay family theatre"],"Note":["[{\"note\":\"Liner Notes: The Coast is Only a Line Jack Hodgins Reading at the SFU Art Gallery, July 14, 1981 Side 1: 29:40 Side 2: 21:20 Recorded by Kurtis Vanel Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552856690688,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5308","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Coast is Only a Line: Bill Bissett Reading at the SFU Art Gallery on July 17, 1981 #337"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Bissett, Bill"],"creator_names_search":["Tallman, Warren","Bissett, Bill"],"creators":["[{\"url\":\" http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"Bissett, Bill\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Performer\"]}]"],"contributors_names":["Vanel, Kurtis"],"contributors_names_search":["Vanel, Kurtis"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Vanel, Kurtis"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1164/Readings in BC_MsC199_337.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"337-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:10\",\"precision\":\"\",\"size\":\"45.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"337-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:10\",\"precision\":\"\",\"size\":\"45.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-17\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Art Gallery\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU Art Gallery"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t001\tIntroduction by Warren Tallman\n\t\t034\tBissett chanting\n\t\t080\t“running down burrard street”\n\t\t105\t“sailor”\n\t\t111\t“th neatron bomb”\n\t\t124\t“th wunderfulness uv th mountees our secret police”\n\t\t148\t“arisin”\n\t\t185\t“yu sing”\n\t\t194\t“of th land divine service”\n\t\t206\t“I come from Halifax”\n\t\t212\t“beyond even faithful legends”\n\t\t255\t“awake in th red desert”\n\t\t282\t“let me tell yu a story uv how they met”\n\t\t348\t“carrying the torch”\n\t\t375\t“rain bow music”\n\t\t397\t“that great shootin gallery in the sky”\n\t\t408\t“th guy drivin round in” from plutonium missing\n\t\t415\t“oaoabaoadabaaogaoga” from awake in th red desert\n\t\t497\t“and the green wind is moving thru th summer trees”\n\t\t549\t“courting goes on forever”\n\t\t568\t“exposing th core”\n\t\t\t“ovr the edge”\n\t\t612\t“she wantid to get rid of it”\n\t\t621\t“when I first came to Vancouver”\n\t\t646\t“coyotes are fast movin”\n\t\t697\t“th birds in color”\n\t\t746\t“hun-nee”\nTwo\t\t001\tChanting yu want to walk with me through the forest\n\t\t\tCumin into me\n\t\t\tCumin into yu\n\t\t\tPoems from Northern Birds in Colour\n\t\t108\t“th ravens uv faro”\n\t\t216\t“Collingwood”\n\t\t368\t“I remember I was getting kinduv”\n\t\t424\t“keepin th fire goin”\n\t\t496\t“th last day”\n\t\t609\t“darling”\n\t\t633\t“northern birds in colour”"],"Note":["[{\"note\":\"Liner Notes: The Coast is Only a Line: Bill Bissett Reading at the SFU Art Gallery, July 17, 1981 Side 1: 44 min. Side 2: 38:30 Recorded at the SFU Art Gallery and IMC Studio by Kurtis Vanel Dolby B\",\"type\":\"General\"},{\"note\":\"This tape is a duplicate of the tape from the Roy Miki's collection \\\"Bill Bissett Reading at SFU on July 17, 1981\\\" (SWALLOW ID 9099)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670552856690689,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5309","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Coast is Only a Line: Fred Wah Reading at the SFU Art Gallery on July 21, 1981 #338"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Tallman, Warren"],"creator_names_search":["Wah, Fred","Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Vanel, Kurtis"],"contributors_names_search":["Vanel, Kurtis"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Vanel, Kurtis"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1165/Readings in BC_MsC199_338.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"338-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:02\",\"precision\":\"\",\"size\":\"47.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"338-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:03\",\"precision\":\"\",\"size\":\"45 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-21\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Art Gallery\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU Art Gallery"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction by Warren Tallman\n\t\t054\tFred Wah’s introduction to the reading, including statement “From in here” from Loki is buried at Smokey Creek: selected poems\n\t\t100\t“Lardeau summer 1964”\n\t\t119\t“Shape-of-a-bird-with-stars-in-its-eyes”\n\t\t131\t“Among”\n\t\t137\t“Hermes in the trees”\n\t\t162\t“The flower”\n\t\t175\t“Tree”\n\t\t181\t“Out here”\n\t\t193\t“On the earth”\n\t\t210\t“I imagine it”\n\t\t222\t“Severance spring water”\n\t\t247\t“It’s a red globe” from Breathin’ my name with a sigh\n\t\t290\t“I like the purity of all things seen”\n\t\t302\t“Loki death dog died”\n\t\t315\t“stomach-inging”\n\t\t321\t“Are origins magnetic lines across an ocean…?”\n\t\t328\t“Be careful story”\n\t\t340\t“mmmmmmmmm”\n\t\t348\t“I lie here and wait for life again”\n\t\t354\t“It’s not enough”\n\t\t362\t“the build up”\n\t\t368\t“lines”\n\t\t380\t“outside it’s snowing”\n\t\t388\t“OK I get a sense of it now”\n\t\t397\t“as he leaves her”\n\t\t408\t“sounds of o and ree…”\n\t\t423\t“Breathe dust like you breathe wind”\n\t\t450\t“my father hurt”\n\t\t459\t“poem lightens the lungs…”\n\t\t466\t“what’s it like to hold yourself in”\n\t\t482\t“try it”\n\t\t495\t“got his eyes sister”\n\t\t500\t“sigh”\n\t\t520\t“when he wanted to stay alive”\n\t\t530\t“to get at how the river…”\n\t\t540\t“the father grandfather”\n\t\t549\t“runs the cycle”\n\t\t565\t“waiting for Saskatchewan”\n\t\t590\t“I jazz I sing”\n\t\t595\t“next spring”\nTwo\t\t000\tIntroduction by Fred Wah\n\t\t012\t“How does the jazz go?”\n\t\t024\t“…With feeling”\n\t\t038\t“Introduction to Owner’s manual\n\t\t052\t“How to get across the river”\n\t\t067\t“How to do this”\n\t\t093\t“How to get back”\n\t\t094\t“How to read a map”\n\t\t148\t“How to be something”\n\t\t161\t“How to go south”\n\t\t174\t“How to hunt”\n\t\t192\t“What to do when you get there”\n\t\t209\t“How to disappear”\n\t\t222\t“How to build a fire”\n\t\t241\t“Guardian spirit”\n\t\t253\t“How to nest”\n\t\t269\t“How to take a leak in the snow on a January night up the valley”\n\t\t280\t“How to clean up in the spring and fall”\n\t\t300\t“How to farm”\n\t\t310\t“How to get away”\n\t\t322\t“How to find something”\n\t\t349\t“How to be sure”\n\t\t372\tIntroduction to translations from Nicole Brossard’s Mon continent\n\t\t378\t“But land which is placed to a set time…”\n\t\t398\t“My female place of all spaces”\n\t\t413\t“But my world these spaces of the mind”\n\t\t433\t“My multiple world of cells”\n\t\t467\t“My continent” from Breathin’ my name with a sigh\n\t\t489\t“stomach-inging”\n\t\t510\t“lines”\n\t\t540\t“poem lightens the lungs…”\n\t\t560\t“try it adds up to a colour”\n\t\t588\t“world”\n\t\t617\t“trumpet grammar subject act”\n\t\t641\t“I jazz I sing”"],"Note":["[{\"note\":\"Liner Notes: The Coast is Only a Line:  Fred Wah Reading at the SFU Art Gallery and IMC Sound Studio July 21, 1981 Side 1: 43:30. Side 2: 29:30 Recorded by Kurtis Vanel Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552856690690,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5310","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Coast is Only a Line: B.P. Nichol Reading at the SFU Art Gallery on July 23, 1981 #339a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P.","Tallman, Warren"],"creator_names_search":["Nichol, B.P.","Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Vanel, Kurtis"],"contributors_names_search":["Vanel, Kurtis"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"He was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Vanel, Kurtis"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1166/Readings in BC_MsC199_339a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"339a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:02\",\"precision\":\"\",\"size\":\"31.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"339a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:24:04\",\"precision\":\"\",\"size\":\"24.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-23\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Art Gallery\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU Art Gallery"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t001\tCrowd noise and mumblings\n\t\t008\tIntroduction by Warren Tallman\n\t\t053\tSketch of Steve McCaffery performing with CCMC\n\t\t079\tThe frog variations…\n\t\t091\t“Bashaiku”\n\t\t095\t“Oh moon…, splash”\n\t\t105\tOrgan music\n\t\t115\t“The vagina”\n\t\t146\t“The anus”\n\t\t182\tThe book of hours: 15, 16, 17\n\t\t320\tMartyrology, Book 5, Chain 7\n\t\t500\t“The tonsils”\n\t\t560\t“After words (for Gerry Gilbert)”\n\t\t568\t“Vortext”\n\t\t610\t“Robotics”"],"Note":["[{\"note\":\"Liner Notes: The Coast is Only a Line: B.P. Nichol Reading at the SFU Art Gallery and IMC Sound Studio July 23, 1981 Side 1: 25:30. Side 2: 22:40 Recorded by Kurtis Vanel Dolby B\",\"type\":\"General\"},{\"note\":\"This tape is a duplicate of the Fred Wah fonds tapes   \\\"bp Nichol reading for the Coast is Only a Line at Simon Fraser University on July 3, 1981\\\" (SWALLOW ID 6949)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670552856690691,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5311","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Coast is Only a Line: B.P. Nichol Reading at the SFU Art Gallery on July 23, 1981 #339b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P."],"creator_names_search":["Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Vanel, Kurtis"],"contributors_names_search":["Vanel, Kurtis"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Vanel, Kurtis"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1167/Readings in BC_MsC199_339b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"339b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:50\",\"precision\":\"\",\"size\":\"25.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"339b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:24:34\",\"precision\":\"\",\"size\":\"26 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-23\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t009\t“Martyrology, Book 5, Chain 1\n\t\t476\tThe Catullus translations\n\n"],"Note":["[{\"note\":\"Liner Notes: The Coast is Only a Line: B.P. Nichol Reading at the SFU Art Gallery and IMC Sound Studio July 23, 1981 Side 1: 20:30. Side 2: 21:15 Recorded by Kurtis Vanel Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552856690692,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5312","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Coast is Only a Line: Robert Kroetsch Reading at the SFU Art Gallery on July 28, 1981 #340"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Mandel, Eli","Kroetsch, Robert"],"creator_names_search":["Mandel, Eli","Kroetsch, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/59095399\",\"name\":\"Mandel, Eli\",\"dates\":\"1922-1992\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"known as Bob Kroetsch too\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Vanel, Kurtis"],"contributors_names_search":["Vanel, Kurtis"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Vanel, Kurtis"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1168/Readings in BC_MsC199_340.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"340-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:09\",\"precision\":\"\",\"size\":\"46.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"340-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:27\",\"precision\":\"\",\"size\":\"45.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-28\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Art Gallery\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU Art Gallery"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tEli Mandel introduces Robert Kroetsch\n\t\t029\tExcerpts from The crow journals\n\t\t\tFebruary 28, 1974\n\t\t\tOctober 12, 1976\n\t\t\tSeptember 26, 1976\n\t\t\tAugust 6, 1977\n\t\t\tAugust 7, 1977\n\t\t104\tOpening of Badlands\n\t\t\tFrom Field notes\n\t\t173\t“Sketches of a lemon”\n\t\t225\t“The criminal intensities of love as paradise”\n\t\t326\tSelections from “Seed catalogue”\n\t\t534\tFrom “The sad Phoenician”\n\t\t\t“a to g,” “The silent poet eats his words”\nTwo\t\t\tFrom Field notes\n\t\t000\t“Stone hammer poem”\n\t\t115\tSelections from “Seed catalogue”\n\t\t211\t“Sketches of a lemon”\n\t\t296\tFrom “The criminal intensities of love as paradise”\n\t\t\t‘Bear story with or without bear’\n\t\t\t‘And dreamers, even then, if dreaming’\n\t\t365\t“How I joined the seal herd”\n\t\t522\t“The silent poet sees red”"],"Note":["[{\"note\":\"Liner Notes: The Coast is Only a Line: Robert Kroetsch Reading at the SFU Art Gallery and IMC Sound Studio July 23, 1981 Side 1: 40:20. Side 2: 39:45 Recorded by Kurtis Vanel Dolby B\",\"type\":\"General\"},{\"note\":\"This tape is the complete duplicate of the tape from Roy Miki's collection \\\"Robert Kroetsch Reading at the SFU Art Gallery on July 28, 1981\\\" (SWALLOW ID 9091) and a duplicate of the tape from Roy Miki's collection \\\"Robert Kroetsch Reading at SFU on July 28, 1981\\\" (SWALLOW ID 9100)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670552857739264,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5313","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Coast is Only a Line: Gladys Hindmarch Reading at the SFU Art Gallery on July 29, 1981 #341a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Hindmarch, Gladys","Tallman, Warren"],"creator_names_search":["Hindmarch, Gladys","Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/38164256\",\"name\":\"Hindmarch, Gladys\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Vanel, Kurtis"],"contributors_names_search":["Vanel, Kurtis"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Vanel, Kurtis"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1169/Readings in BC_MsC199_341a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"341a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:00\",\"precision\":\"\",\"size\":\"22.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"341a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:54\",\"precision\":\"\",\"size\":\"37.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-29\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Art Gallery\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU Art Gallery"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction by Warren Tallman\n\t\t030\tGladys Hindmarch reading From Boat Stories\n\t\t\tFirst story (untitled)\ntwo\t\t262\tHalf of following story (untitled)\n\t\t513\tNew story (untitled) beginning “Sunday night I head back”"],"Note":["[{\"note\":\"Liner Notes: The Coast is Only a Line: Gladys Hindmarch Reading at the SFU Art Gallery and IMC Sound Studio July 23, 1981 from Boat Stories: Side 1 Part 1 21:57 Side 2 Part 2 15:20 Part 3 21:35 Recorded by Kurtis Vanel Dolby B\",\"type\":\"General\"},{\"note\":\"This tape is the duplicate of the tape from Roy Miki's collection \\\"Gladys Hindmarch Reading at SFU on July 29, 1981\\\" (SWALLOW ID 9101)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670552857739265,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5314","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Coast is Only a Line: Lionel Kearns Reading in SFU Room AQ 3003 on July 30, 1981 #341b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kearns, Lionel","Mandel, Eli"],"creator_names_search":["Kearns, Lionel","Mandel, Eli"],"creators":["[{\"url\":\"http://viaf.org/viaf/30784380\",\"name\":\"Kearns, Lionel\",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/59095399\",\"name\":\"Mandel, Eli\",\"dates\":\"1922-1992 \",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Vanel, Kurtis"],"contributors_names_search":["Vanel, Kurtis"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Vanel, Kurtis"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1170/Readings in BC_MsC199_341b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"341b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:57\",\"precision\":\"\",\"size\":\"36.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"341b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:24\",\"precision\":\"\",\"size\":\"28.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-30\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nTwo\t\t000\tIntroduction: Eli Mandel\n\t\t025\tLionel begins\n\t\t\tReading from Soft Inventions “The birth of God”\n\t\t045\tTalks about one and nothing as binary system and ikon.  Statement of poetic: language which draws attention to its own form.  Talks about animation of one and zero film, called the Berth of God improvisations on a 100 cycle hum, done with film maker Gordon Payne and Musician Peter Huse\n\t\t229\tShows film\n\t\t298\tReads poem “Art”\n\t\t329\tReads story “Blue moon”\n\t\t605\tIntroduces “Recycled poem”\n\t\t608\tGeorge Bowering reads “The Brush Fire”\n\t\t680\tLionel reads “Recycled poem”\n\t\t757\tLionel reads “Trap”\n\t\t792\tLionel reads “Market forces”\n\t\t896\tQuestions from audience\n\t\t1032\tEnd"],"Note":["[{\"note\":\"Liner Notes: Lionel Kearns Reading in SFU Room AQ 3003, July 30, 1981 Side 1 36:40 Side 2 28:28 Recorded by Kurtis Vanel Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552857739266,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5315","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Coast is Only a Line: Peter Trower Reading at the SFU Art Gallery and the IMC studio on July 31, 1981 #342"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Trower, Peter","Tallman, Warren"],"creator_names_search":["Trower, Peter","Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/56698931\",\"name\":\"Trower, Peter\",\"dates\":\"1938-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Vanel, Kurtis"],"contributors_names_search":["Vanel, Kurtis"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Vanel, Kurtis"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1171/Readings in BC_MsC199_342.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"342-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:50\",\"precision\":\"\",\"size\":\"47.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"342-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:17\",\"precision\":\"\",\"size\":\"46.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-31\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Art Gallery\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU Art Gallery"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction by Warren Tallman\n\t\t\tPeter Trower as “working man poet”\n\t\t\tLOGGING POEMS\n\t\t022\t“The last hand fallers”\n\t\t041\t“The Reclaimed”\n\t\t061\t“The Beacons of the Bad Days”\n\t\t086\t“The Last Spar Tree on Elphiastone Mountain”\n\t\t124\t“Grease for the Wheels of Winter”\n\t\t148\t“The Ravens”\n\t\t174\t“The Alders”\n\t\t\tNEW POEMS\n\t\t195\t“Shawnee of the Downfall days”\n\t\t215\t“Annie of the Corridors”\n\t\t250\t“Wispering Chester”\n\t\t268\t“The Last Living Room”\n\t\t288\t“Boat House”\n\t\t311\t“Brawls”\n\t\t\tPOEMS FROM THE INTERIOR\n\t\t353\t“The Guests”\n\t\t373\t“No Breeze on Lake Louise”\n\t\t390\t“The Abandoned Alexandra bridge”\n\t\t413\t“Hell’s Gate”\n\t\t430\t“Grindrod”\n\t\t\tMISCELLANEOUS POEMS\n\t\t465\t“In the Church Yard”\n\t\t494\t“Overhead Crane”\n\t\t540\t“Outhouse”\n\t\t577\t“Not-so-still life with Damp Beer Tables”\n\t\t590\t“Outside the Courtroom”\n\t\t621\t“The East End Toronto Railroad Insomnia Blues”\n\t\t659\t“A Pay with Big Dutch”\n\t\t705\t“The Popcorn Man’\n\t\t754\t“Kisses in the whiskey” ded. To Tom Waits\n\t\t805\t“Requirements”\nTwo\t\t007\tIntroduction by Peter Trower – “These poems are from a new manuscript called Music Against Midnight”\n\t\t012\t“The ghosts”\n\t\t070\t“Goose quill snags”\n\t\t111\t“Sailor”\n\t\t167\t“The million glitter”\n\t\t205\t“Where roads lead”\n\t\t260\t“Driftwood”\n\t\t309\t“The gathering”\n\t\t406\t“The beginning again”\n\t\t453\t“The storm riders”\n\t\t502\t“Boondocks”\n\t\t619\t“Kingdom of rust”\n\t\t673\t“The crippled girl”\n\t\t720\t“Windworld”\n\t\t774\t“A man goes mad with logging”\n\t\t871\t“The peaks”\n\t\t948\tEnd of tape"],"Note":["[{\"note\":\"Liner Notes: The Coast is Only a Line: Peter Trower Reading at the SFU Art Gallery and IMC Sound Studio July 31, 1981 Side 1: 42:30. Side 2: 42:30 Recorded by Kurtis Vanel Dolby B\",\"type\":\"General\"},{\"note\":\"This tape is a duplicate of the tape from the Roy Miki's collection \\\"Peter Trower Reading at the SFU Art Gallery and the IMC studio on July 31, 1981\\\" (SWALLOW ID 9102)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670552857739267,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5316","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Coast is Only a Line: George Bowering Reading at the SFU Art Gallery and the IMC Studio on August 4 and 5, 1981 #343"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Vanel, Kurtis"],"contributors_names_search":["Vanel, Kurtis"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Vanel, Kurtis"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1172/Readings in BC_MsC199_343.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch Cassette\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"343-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:23\",\"precision\":\"\",\"size\":\"29.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"343-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:26\",\"precision\":\"\",\"size\":\"30.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-08-05\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1981-08-04\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card and inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Art Gallery\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU Art Gallery"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t004\tWarren Tallman introduces George Bowering\n\t\t\tGeorge as a self who tries to do everything\n\t\t030\tGeorge talks about his briefcase full of books\n\t\t034\tGeorge “I want to prove I’m no stranger to deconstruction”\n\t\t\tDiscusses his use of a sonnet by John Milton and explains how he wrote his poem “When I”\n\t\t053\tReads Milton’s sonnet\n\t\t067\t“When I #1”\n\t\t071\t                 #2\n\t\t075\t                 #3\n\t\t083\t                 #4\n\t\t089\t                 #5\n\t\t095\tGeorge “I’ve been getting flak about being obscure… so I’m going to read newly rewritten prose text that won’t cause any trouble at all”\n\t\t100\tFrom Comparative Deaths series\n\t\t\tSection called “Stuffed Horse”\n\t\t164\tExplains himself to eastern critics\n\t\t169\t“The Brown Mountain pets”\n\t\t259\tGeorge : Prose doesn’t need to lead anywhere – it can be nothing more than the act itself\n\t\t273\t“Matchboxes”\n\t\t573\t“Spread eagle” from Comparative Deaths series\n\t\t687\tWarren Tallman – extro\nTwo\t\t004\tIntroduction by George Bowering\n\t\t\tReading from Particular Accidents\n\t\t011\t“E” from intro to Particular accidents\n\t\t020\t“Talent”\n\t\t040\tGeorge: “What I’m doing is opening the text at random and reading”\n\t\t\t“…such is the nature of selected poems”\n\t\t047\t“The house” 1\n\t\t065\t                        2\n\t\t082\t                        3\n\t\t095\t“The White Station-Wagon Strophes”\n\t\t150\tGeorge talks about old lisp & teeth\n\t\t158\t“The Believer”\n\t\t193\t“Mars” intro to poem\n\t\t208\t1\n\t\t220\t2\n\t\t230\t3\n\t\t242\t4\n\t\t253\t5\n\t\t260\t6\n\t\t272\t7\n\t\t290\t“The Acts”\n\t\t356\t“The Scars”\n\t\t402\t“Fred Wah” from Curious\n\t\t458\t“Frank Davey”\n\t\t524\tSection 4 Alaphanes\n\t\t559\tSection 12\n\t\t601\tSection 26\n\t\t631\tGeorge: “This was one of the books that those religious guys said they could print… and every poem has ‘fucking’ in it”\n\t\t653\tChapter XIX from A short sad book\n\t\t\t“What it Means to be a Canadian”\n\t\t672\tStarts XIX over\n\t\t763\tFrom Old standards 1978\n\t\t770\tSection 1\n\t\t823\tSection 2\n\t\t861\tSection 8\n\t\t909 \tChats with Roy Miki"],"Note":["[{\"note\":\"Liner Notes: The Coast is Only a Line: George Bowering Reading at the SFU Art Gallery Aug. 4, 1981 Side 1 Beginning 42:15 Side 2 Conclusion 7:02 Reading in the IMC Studio Aug. 5, 1981 30:20 Recorded by Kurtis Vanel Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552858787840,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5213","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Charles Olson, Joanne Kyger, Bill Brown, Robert Creeley discussion recorded in San Francisco, April 1968 #313"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Brown, Bill","Olson, Charles","Creeley, Robert","Kyger, Joanne"],"creator_names_search":["Brown, Bill","Olson, Charles","Creeley, Robert","Kyger, Joanne"],"creators":["[{\"url\":\" http://viaf.org/viaf/286550013\",\"name\":\"Brown, Bill \",\"dates\":\"1918-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\" http://viaf.org/viaf/71627705\",\"name\":\"Kyger, Joanne\",\"dates\":\"1934-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1968],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/840/Readings in BC_MsC199_313.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"SFU\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"313-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:20\",\"precision\":\"\",\"size\":\"44.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"313-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:09\",\"precision\":\"\",\"size\":\"46.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1968-04\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/111968\",\"venue\":\"\",\"notes\":\"\",\"address\":\"California, San Francisco, USA\",\"latitude\":\"37.7729\",\"longitude\":\"-122.4207\"}]"],"Address":["California, San Francisco, USA"],"Note":["[{\"note\":\"Liner Notes: Charles Olson, Joanne Kyger, Bill Brown, Robert Creeley  Recorded in San Francisco April 1968 Side 1: 40 min. Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552859836416,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5214","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Around New Sound Daily Means: Selected Poems by Larry Eigner and Gary Snyder, Tape 1 of 3 #500a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Snyder, Gary","Eigner, Larry"],"creator_names_search":["Snyder, Gary","Eigner, Larry"],"creators":["[{\"url\":\"http://viaf.org/viaf/68944804\",\"name\":\"Snyder, Gary\",\"dates\":\"1930-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\" http://viaf.org/viaf/1494149068356165730000\",\"name\":\"Eigner, Larry\",\"dates\":\"1927-1996\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/863/Reading in BC_MsC199_500a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:00:38\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"500a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:16\",\"precision\":\"\",\"size\":\"41.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"500a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:23\",\"precision\":\"\",\"size\":\"42.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"The Audio ends at 12:20 so the rest of side 1 of the tape is blank\\n\\nSide A is Larry Eigner, Side B is Gary Snyder\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552859836417,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5215","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["CBC radio interview: Sam Hamill interview with Vicky Grabereau, October 1989 #700"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Grabereau, Vicky","Hamill, Sam"],"creator_names_search":["Grabereau, Vicky","Hamill, Sam"],"creators":["[{\"url\":\"http://viaf.org/viaf/104844374\",\"name\":\"Grabereau, Vicky\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/9877415\",\"name\":\"Hamill, Sam\",\"dates\":\"1943-2018\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1989],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/866/Reading in BC_MsC199_700.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"700-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:34\",\"precision\":\"\",\"size\":\"34.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"700-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:56\",\"precision\":\"\",\"size\":\"34.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1989-10\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/50259713\",\"venue\":\"CBC studio\",\"notes\":\"We assume that this tape was recorded in Vancouver\",\"address\":\"700 Hamilton Street Vancouver, British Columbia V6B 4A2\",\"latitude\":\"49.27915495\",\"longitude\":\"-123.11434125336939\"}]"],"Address":["700 Hamilton Street Vancouver, British Columbia V6B 4A2"],"Venue":["CBC studio"],"City":["Hamilton, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t015\tThis is a radio interview – Hamill is interviewed and discusses his time spent in Japan\n\t\t025\tDiscussion of rain\n\t\t057\tThe interviewer asks Hamill if the rain is used by the poet in much the same way a musician uses a metronome – to set pace\n\t\t121\t“Historical Romance” is played\n\t\t152\tEnd\n\t\t154\tHamill relates his early childhood as a street kid\n\t\t187\tThe interviewer asks how a literary life could appeal to Hamill who, at 14, was an accomplished car thief\n\t\t225\tHamill discusses his entry into the Marine Corps and his posting in Okinawa\n\t\t252\tPrison life is discussed\n\t\t293\t“Requiem” is played\n\t\t316\tEnd of “Requiem”\n\t\t335\tHamill’s daily life is discussed\n\t\t340\t“Can poets get rich?”\n\t\t363 \tOn Zen and Buddhism\n\t\t378\tEnd of interview, “Coltrain” is played\n\t\t317\tEnd of recording\nTwo\t\t000\tSide two blank"],"Note":["[{\"note\":\"Liner Notes: CBC radio interview, Vicky Grabereau and Sam Hamill, October, 1989 #700\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552859836418,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5216","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["There is No Other Life: Selected Poems by Gary Snyder in Sierra Nevada on August 21, 1974 tape 2 of 3 #500b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Snyder, Gary","Kohler, Michael"],"creator_names_search":["Snyder, Gary","Kohler, Michael"],"creators":["[{\"url\":\"http://viaf.org/viaf/68944804\",\"name\":\"Snyder, Gary\",\"dates\":\"1930-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/114331797\",\"name\":\"Kohler, Michael\",\"dates\":\"1946-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/867/Reading in BC_MsC199_500b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:00:38\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"500b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:17:21\",\"precision\":\"\",\"size\":\"17.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"500b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:17:23\",\"precision\":\"\",\"size\":\" 17.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974-08-21\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/10470200\",\"venue\":\"Kitkitdizze\",\"notes\":\"\",\"address\":\"Kitkitdizze, Sierra Nevada, California, USA\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Kitkitdizze, Sierra Nevada, California, USA"],"Venue":["Kitkitdizze"],"Note":["[{\"note\":\"The detailed information about the cassette and its contents can be found in the insert that can be seen on the photograph\",\"type\":\"General\"},{\"note\":\"Liner Notes: Copy 2\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552859836419,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5317","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Coast is Only a Line: Gerry Gilbert Reading at the SFU Art Gallery on August 7, 1981 #344a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Gilbert, Gerry"],"creator_names_search":["Gilbert, Gerry"],"creators":["[{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Vanel, Kurtis"],"contributors_names_search":["Vanel, Kurtis"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Vanel, Kurtis"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1173/Readings in BC_MsC199_344a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"344a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:55\",\"precision\":\"\",\"size\":\"29.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"344a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:18\",\"precision\":\"\",\"size\":\"29.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-08-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Art Gallery\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU Art Gallery"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting\n"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction by Warren Tallman\n\t\t013\tGerry Gilbert\n\t\t034\tReads”Boredom from within – this week’s top 17 enemies of poetry”\n\t\t045\t“Wears and tears”\n\t\t049\t“Summer of 81”\n\t\t051\t“Baby gold”\n\t\t054\t“Never sniff a stinging nettle with your own nose”\n\t\t055\t“The phone woken alarm”\n\t\t056\t“Eh”\n\t\t068\t“Hoop” stops to talk about particularity\n\t\t104\t“Military comedian complex”\n\t\t106\t“Polar bear exercise”\n\t\t109\t“Big swings”\n\t\t118\t“Years & shirts”\n\t\t130\t“Don’t stumble over any stalled escalators”\n\t\t138\t“Having”\n\t\t143\t“Goes”\n\t\t151\t“Valentine”\n\t\t155\tWeeks “Tuesday”\n\t\t168\t              “Wednesday”\n\t\t175\t               “Thursday”\n\t\t183\t“Tobacco”\n\t\t195\tWeeks “Friday”\n\t\t198\t             “Saturday”\n\t\t205\t             “Sunday”\n\t\t213\t             “Monday”\n\t\t223\t            “Tuesday”\n\t\t233\t            “Wednesday”\n\t\t239\t            “Thursday”\n\t\t243\t             “Good Friday”\n\t\t250\t              “Bad Saturday”\n\t\t285\t              “Easter Sunday”\n\t\t299\t“Slow”\n\t\t311\t“Better Monday”\n\t\t318\t“Deep trigger”\n\t\t322\t“BYOP”\n\t\t336\t“Is’s and not’s”\n\t\t361\t“Days”\n\t\t364\t“At least”\n\t\t369\t“Epitaph”\n\t\t370\t“The driver”\n\t\t375\t“Free food”\n\t\t390\t“Naked similarities”\n\t\t400\t“Tune”\n\t\t421\t“A call”\n\t\t504\t“The poor baby that dies…”\n\t\t523\t“I open my notebook on the train”\n\t\t535\t“Canada House Trafalgar Square”\n\t\t561\t“BC monthly”\n\t\t725\tTalks about police downtown\n\t\t736\t“Sunday” (BC Monthly)\n\t\t765\t“Monday”\n\t\t803\t“Tuesday”\n\t\t848\t“Its taken a week and half to run out of tobacco”\n\t\t865\t“Come – come”\n\t\t892\t“Reggae is not punk-disco”\n\t\t912\t“Hear – hear”\n\t\t921\t“So – so”\n\t\t930\t“Now – now’"],"Note":["[{\"note\":\"Liner Notes: The Coast is Only a Line: Gerry Gilbert Reading at the SFU Art Gallery and IMC Sound Studio Aug. 7, 1981 Side 1: 28:20. Side 2: 30. Tape 1 of 2 Recorded by Kurtis Vanel Dolby B\",\"type\":\"General\"},{\"note\":\"This tape is a duplicate of the tape from the Roy Miki's collection \\\"Gerry Gilbert Reading at the SFU Art Gallery and Studio on August 7, 1981\\\" (SWALLOW ID 9128)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670552859836420,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5322","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Coast is Only a Line: Eli Mandel Reading at SFU on July 31, 1981 #347"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Mandel, Eli"],"creator_names_search":["Tallman, Warren","Mandel, Eli"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/59095399\",\"name\":\"Mandel, Eli\",\"dates\":\"1922-1992\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors_names":["Vanel, Kurtis","Tallman, Warren"],"contributors_names_search":["Vanel, Kurtis","Tallman, Warren"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Recordist_name":["Vanel, Kurtis"],"Speaker_name":["Tallman, Warren"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1178/Readings in BC_MsC199_347.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"347-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:29\",\"precision\":\"\",\"size\":\"44.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"347-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:22\",\"precision\":\"\",\"size\":\"44.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-31\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t003\tIntroduction to Eli Mandel and Frank Davey by Warren Tallman.  Poetry is a language used to describe that which lies beyond language – Warren Tallman gives a little talk himself.  Questions audience about Royal Wedding.  Once again introduces Eli Mandel and Frank Davey\n\t\t123\tEli Mandel introduces his “Anima poems” written for his wife, Ann, and discusses the nature of his reading and the fact that his poetry concerns magic and fantasy.\n\t\t\tFour kinds of fantasy (Journey through time, Doppelganger, Double story and Story within story)\n\t\t171\t“Four Kinds of fantasy” prose piece by Martin Avery\n\t\t201\tEli describes a dream he recently had.  He woke up aware of himself as nothing more than a number\n\t\t240\tReintroduces the ‘Anima poems” and discusses ‘courtship’ of his wife\n\t\t248\tQuestions Anima figure\n\t\t252\t“The moon in all her phases”\n\t\t265\t“Woodbine”\n\t\t279\t“Listen the sea”\n\t\t299\t“Marina”\n\t\t335\t“Notes from the underground”\n\t\t380\tDiscusses Anima poetry as sexist.  Introduces “The return”\n\t\t420\tQuestions audience about Dr. Hoffer and his work with LSD\n\t\t440\t“The return”\n\t\t470\t“Petroglyphs at Saint Victor” introduction\n\t\t490\t“Petroglyphs at Saint Victor”\n\t\t539\tEli begins discussion of what it is to live and work within Academia, and the discrimination women face in this field.  A general discussion of discrimination in the university context\n\t\t870\tGeneral discussion of Anima to end of tape\nTwo\t\t000\tContinuation of general discussion of Anima and double\n\t\t025\tEli tells his double story\n\t\t115\tDiscusses meaning of double\n\t\t124\tQuestions from audience\n\t\t144\t“Instructions on the nature of Doubles and Doubling”\n\t\t174\t“The Doppelganger, ways to prevent me” (The double speaking)"],"Note":["[{\"note\":\"Liner Notes: The Coast is Only a Line: Eli Mandel Reading at SFU, July 31, 1981 Introduction by Warren Tallman Side 1: 42 Side 2: 40 Includes discussion of university hiring practices and Doppelgänger story and poem. Recorded by Kurtis Vanel Dolby B\",\"type\":\"General\"},{\"note\":\"This tape is a duplicate of the tape from the Roy Miki collection \\\"\\nEli Mandel Reading at SFU on July 31, 1981\\\" (SWALLOW ID 9127)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670552860884992,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5323","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Paul de Barros and Bob Rose Reading in the Special Collections at SFU Library on November 7, 1980 #348"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Rose, Bob","Barros, Paul de"],"creator_names_search":["Rose, Bob","Barros, Paul de"],"creators":["[{\"url\":\"\",\"name\":\"Rose, Bob\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/104708432\",\"name\":\"Barros, Paul de\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1980],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1179/Readings in BC_MsC199_348.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"348-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:00\",\"precision\":\"\",\"size\":\"29.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"348-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:58\",\"precision\":\"\",\"size\":\"29.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1980-11-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t002\tIntroduction to Bob Rose and Paul De Barros by Charles Watts\n\t\t019\tBob Rose “I am going to read from Living on Islands”\n\t\t\tShort explanation of book\n\t\t028\t“Listening”\n\t\t034\t“Initiation”\n\t\t045\t“For Bill, specifically”\n\t\t060\t“After Lorca”\n\t\t069\t“September 19, Hannegan Pass”\n\t\t106\t“High ridge walker”\n\t\t115\t“Partridge Point in fog”\n\t\t124\t“Deception past, a circular meditation”\n\t\t135\t“Abundance”\n\t\t142\t“Damp sand, eighteen varas”\n\t\t160\t“The Hiccattee Hole”\n\t\t177\t“Berusu song”\n\t\t192\t“Easter Sunday”\n\t\t211\t“Waiting for Messiah”\n\t\t220\t“Counting the leaves on my new neighbour’s tree”\n\t\t239\t“Living on Islands” for Gordon Payne\n\t\t283\t“Waking next to you” for Mary\n\t\t296\t“Legacies”\n\t\t308\t“Mantas”\n\t\t312\t“Skagit May”\n\t\t315\tEnd of Bob Rose’s reading\n\t\t316\tPaul De Barros introduces himself.  Will read from The Day After They Shot the Bear\n\t\t327\tIntroduces poem “Poplars”\n\t\t335\t“Poplars”\n\t\t357\t“In a draw” (prose) ded. To Richard Gates\n\t\t531\t“Some evidence of foxing” ded. To Jack Shoemaker\n\t\t636\t“Cut off at the broken arms”\n\t\t660\t“An easement in through paradise”\n\t\t799\tEnd of reading"],"Note":["[{\"note\":\"Liner Notes: Paul de Barros and Bob Rose Reading at Special Collections, SFU Library, November 7, 1980 Side 1 26:30 + 3:25 Side 2 29  Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552860884993,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5324","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Jan Conn and Jane Munro Reading in the Special Collections at SFU library on December 9, 1981 #349"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Conn, Jan","Munro, Jane"],"creator_names_search":["Conn, Jan","Munro, Jane"],"creators":["[{\"url\":\"http://viaf.org/viaf/1430038\",\"name\":\"Conn, Jan\",\"dates\":\"1952-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/94943969\",\"name\":\"Munro, Jane\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1980],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1180/Readings in BC_MsC199_349.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"349-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:34\",\"precision\":\"\",\"size\":\"22.9 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"349-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:29\",\"precision\":\"\",\"size\":\"23.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1980-12-09\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Special Collections\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU Special Collections"],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"Liner Notes: Jan Conn and Jane Munro Reading at Special Collections, December 9, 1981 Side 1 22:10 Side 2 19:50 Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552860884994,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5325","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Sheila Watson Lecture at SFU on October 5, 1982 #350"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Watson, Sheila","Bowering, George"],"creator_names_search":["Watson, Sheila","Bowering, George"],"creators":["[{\"url\":\" http://viaf.org/viaf/35268398\",\"name\":\"Watson, Sheila\",\"dates\":\"1909-1998\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Vanel, Kurtis"],"contributors_names_search":["Vanel, Kurtis"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Vanel, Kurtis"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1182/Readings in BC_MsC199_350.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"350-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:21\",\"precision\":\"\",\"size\":\"31.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"350-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:02\",\"precision\":\"\",\"size\":\"20.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-10-05\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767 \",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t006\tIntroduction to Sheila Watson by George Bowering.  States that Sheila Watson will talk about James Joyce and modernism.  Description of ‘Watson Canon’  Sheila as a major influence on Kroetsch, Ondaatje and bp Nichol\n\t\t038\tSheila Watson begins\n\t\t\tThoughts on the problems of modernism\n\t\t062\tMemories of UBC\n\t\t115\tFuturist manifesto of 1909\n\t\t154\tEnd of manifesto\n\t\t176\tList of other, later futurist manifestos covering a wide range of the arts\n\t\t198\tWyndham Lewis and futurism and his history\n\t\t274\tLewis and Pound both publish first works in 1909\n\t\t281\t1840 as beginning of modernism\n\t\t299\tReaction against the bourgeoisie in the 1920’s\n\t\t316\tAdvertising’s use of modernist art – Bauhaus acceptance of advertising\n\t\t320\tLewis’ discomfort with this alliance\n\t\t359\tThe English and American languages\n\t\t378\tGertrude Stein – The English and insular life\n\t\t391\tStein learning how to write ‘American’ – an act of Futurism\n\t\t414\tAuthor’s intention\n\t\t442\tRegionalism – conflict between William Carlos Williams and Pound on the nature of tribe\n\t\t471\tDo we all speak the same languages\n\t\t524\tUtensils – humanity’s use of ‘things’\n\t\t548\tThe concern is how language treats these objects\n\t\t550\tLewis didn’t believe that writing could resemble painting\n\t\t571\tReduction of language\n\t\t579\tBeckett’s reductionism\n\t\t591\tLetters from Pound – attempts to get financial help for Wyndham Lewis and T.S. Eliot\n\t\t679\tRelation of art and society – who will support it and under what pressures – a major concern with Lewis\n\t\t718\tThe common voice\n\t\t724\tExtro by George Bowering"],"Note":["[{\"note\":\"Liner Notes: Lecture. Canadian novelist Shiela Watson will lecture on Wyndham Lewis. Sponsored by the English Department. Recorded at SFU by Kurtis Vanel Oct. 5, 1982 Side 1 29:50 Side 2 19:10 Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552860884995,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5326","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Sheila Watson Reading at SFU on October 6, 1982 tape 1 of 2 #351a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","Watson, Sheila","Miki, Roy"],"creator_names_search":["Bowering, George","Watson, Sheila","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\" http://viaf.org/viaf/35268398\",\"name\":\"Watson, Sheila\",\"dates\":\"1909-1998\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Vanel, Kurtis"],"contributors_names_search":["Vanel, Kurtis"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Vanel, Kurtis"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1183/Readings in BC_MsC199_351a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"351a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:31\",\"precision\":\"\",\"size\":\"32 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"351a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:30\",\"precision\":\"\",\"size\":\"21.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-10-06\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t003\tGeorge Bowering and Roy Miki chat\n\t\t009 \tGeorge Bowering introduces Sheila Watson\n\t\t029\tRoy talks about Coachhouse – works in process\n\t\t038\tSheila explains the background to her story “And The Four Animals”\n\t\t067\tReads “And the Four Animals”\n\t\t155\t“The Antigone”\n\t\t487\tEnd of reading – Beginning of discussion\n\t\t489\tRoy Miki questions Sheila Watson on mesh symbol in “Antigone”\n\t\t559\tGeorge Bowering talks about his experience with “Antigone”\n\t\t586\tRoy talks about his experience with “Antigone”\n\t\t637\tLevels and allegory\n\t\t723\tLearning how to stand upright in the void\n\t\t750\tWhat is the necessity of literature as ritual\n\t\t813\tEnd of side one"],"Note":["[{\"note\":\"Liner Notes: Sheila Watson Reading at SFU, October 6, 1982 Tape 1 of 2 And the Four Animals Antigone Side 1 26:20 Side 2 18:55 Recorded by Kurtis Vanel Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552861933568,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5327","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Sheila Watson Reading at SFU on October 6, 1982 tape 2 of 2 #351b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Watson, Sheila","Bowering, George","Miki, Roy"],"creator_names_search":["Watson, Sheila","Bowering, George","Miki, Roy"],"creators":["[{\"url\":\" http://viaf.org/viaf/35268398\",\"name\":\"Watson, Sheila\",\"dates\":\"1909-1998\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Vanel, Kurtis"],"contributors_names_search":["Vanel, Kurtis"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Vanel, Kurtis"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1184/Readings in BC_MsC199_351b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"351b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:56\",\"precision\":\"\",\"size\":\"30.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"351b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:18:28\",\"precision\":\"\",\"size\":\"18.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-10-06\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767 \",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t006\tContinuation of discussion – ritual as a means of understanding words\n\t\t040\tMalestrom and vortex and Marshall McLuhan\n\t\t068\tThe Guttenberg revolution\n\t\t088\tRoy Miki explains Guttenberg to class – aesthetic use of the printed page\n\t\t118\tThe book as quantity\n\t\t134\tGuttenberg’s influence in the metrical tradition – the unbroken page\n\t\t195\tRoy Miki asks about which Canadian writers are dealing with this problem/situation\n\t\t199\tSheila Watson mentions The Four Horsemen of the Apocalypse and bp Nichol\n\t\t242\tCreely and Ginsburg, Curious\n\t\t248\tGeorge on Barry McKinnon and Robert Kroetsch\n\t\t286\tJohn Cage’s “James Joyce” poems\n\t\t328\tRoy on Fred Wah’s Breath[ing] my name with a sigh non-linear poetics\n\t\t373\tThe reader’s right to make his/her own judgement\n\t\t440\tPage experimentation\n\t\t450\t“Learning” to read a poem\n\t\t500\tReading as a non passive act\n\t\t602\tThe experience of reading\n\t\t672\tJoyce\n\t\t740\tThe author who writes for her/himself and for strangers – writing for a lack of knowledge\n\t\t837\tEnd of discussion\n"],"Note":["[{\"note\":\"Liner Notes: Sheila Watson October 6, 1982 Tape 2 of 2 Side 3 29:40 Side 4 17:35 Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552861933569,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5328","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":[" B.P. Nichol Reading at SFU on November 30, 1982 tape 1 of 2 #352a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P.","Miki, Roy"],"creator_names_search":["Nichol, B.P.","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Vanel, Kurtis","Miki, Roy"],"contributors_names_search":["Vanel, Kurtis","Miki, Roy"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Recordist_name":["Vanel, Kurtis"],"Speaker_name":["Miki, Roy"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1185/Readings in BC_MsC199_352a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"352a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:31\",\"precision\":\"\",\"size\":\"30.6 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"352a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:31\",\"precision\":\"\",\"size\":\"30.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-11-30\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t006\tIntroduction by Roy Miki – The danger of survey and anthology courses.  The poem is complex and infinitely simple.  Poetry as a means of figuring out language.\n\t\t048\tIntroduces bp Nichol and his explorations of the inner dynamics of language, explorations analogous to the splitting of the atom (inner fission/inner vision)  The inside of a word is a sentence.  Words do do.\n\t\t103\tEnd of introduction – some reading logistics\n\t\t118\tBp Nichol discusses the background to his interest in Gertrude Stein and “I” poems\n\t\t134\tA.B.C. childhood” coll. With Brian Dedora\n\t\t138\tSection 8 from “A.B.C. childhood”\n\t\t149\tSection 9\n\t\t156\tSection 10\n\t\t162\tSection 11\n\t\t170\tIntroduction to “Organ Music” series\n\t\t183\t“The Vagina”\n1\n\t\t185\t2\n\t\t189\t3\n\t\t194\t4\n\t\t201\t5\n\t\t206\t6\n\t\t211\t7\n\t\t217\t“The Tonsils”\n\t\t221\t1\n\t\t225\t2\n\t\t231\t3\n\t\t235\t4\n\t\t239\t5\n\t\t244\t6\n\t\t246\t7\n\t\t250\t“The Anus”\n\t\t256\t1\n\t\t259\t2\n\t\t265\t3\n\t\t275\t4\n\t\t281\t5\n\t\t290\t6\n\t\t295\t7\n\t\t305\t“The Toes”\n1\n\t\t314\t2\n\t\t329\t3\n\t\t336\t4\n\t\t343\t5\n\t\t357\t6\n\t\t367\t“The lily”\n1\n\t\t374\t2\n\t\t381\t3\n\t\t389\t4\n\t\t400\t5\n\t\t409\t6\n\t\t419\t“The Mouth”\n1\n\t\t427\t2\n\t\t435\t3\n\t\t443\t4\n\t\t459\t5\n\t\t472\t6\n\t\t490\tA pause while students buy photocopies of parts of Martyrology book VI\n\t\t516\tIntroduction to “The book of hours”\n\t\t526\t“The fourth hour (9:35 am. – 10:35 am.)” from “The book of hours”\n\t\t598\t“Hour seventeen (5:35 – 6:35 pm.)”\n\t\t663\tFrom the grammar trilogy “Hour 22 (12:35 – 1:35 pm.)”\n\t\t749\tBrief explanation of “Follow-the-bouncing-ball poetry”\n\t\t770\tIntroduction to 3rd section of “Inchoate road”\n\t\t784\t“Incohate road”\n\t\t857\tEnd of tape"],"Note":["[{\"note\":\"Liner Notes: BP Nichol Reading at SFU Nov. 30, 1982 Introduction by Roy Miki Side 1 28:10 Side 2 27:30 Recorded by Kurtis Vanel Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552861933570,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5329","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":[" B.P. Nichol Lecture at SFU on November 30, 1982  tape 2 of 2 #352b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P.","Miki, Roy"],"creator_names_search":["Nichol, B.P.","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Vanel, Kurtis","Miki, Roy"],"contributors_names_search":["Vanel, Kurtis","Miki, Roy"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-11-30\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t004\tIntroduction by Roy Miki\n\t\t008\tBp Nichol acknowledges that bill bissett turned him onto Stein\n\t\t015\tAn explanation of forthcoming lecture (Stein’s saying says)\n\t\t\t(lecture will center on first five pages of Ida as part of general strategy on reading Stein)\n\t\t045\tBp Nichol’s previous work on Stein\n\t\t065\tReal time fiction – writer as writer, not talker\n\t\t075\tStein’s desire for the reader to be continuous\n\t\t098\t“When the time came” beginning of lecture proper – a talking/reading of the first five pages of Ida\n\t\t104\tPage on of Ida\n\t\t148\tThe I and the not I – “twoness”\n\t\t160\t“She saw the moon, she saw the sun…”\n\t\t176\t“Th subliminal echoes below Stein’s craft”\n\t\t190\t“Ida was not idle”\n\t\t220\tExtention of the two – Tuesday to do\n\t\t245\tUse of the gap – passage of time\n\t\t249\tStein’s notion of continuous time\n\t\t261\tPage seven of Ida – Old woman – ageing\n\t\t280\tPerceptions of age\n\t\t305\tThe orange blossom – a problem\n\t\t328\tMoving on to page 2\n\t\t338\tThe third I\n\t\t364\tThe multiple self – the complexity of what makes up the I\n\t\t383\tOrange blossoms again\n\t\t426\tGrowing older\n\t\t461\tQuestions from audience re: orange blossoms\n\t\t470\tDistinctions between pear and cherry trees as sexual\n\t\t500\tNothing funny about Ida – funny things happen to Ida\n\t\t530\tHer dog, love, blind\n\t\t637\tLove me, love my dog\n\t\t650\tEnd of lecture"],"Note":["[{\"note\":\"Liner Notes: BP Nichol at SFU Nov. 30, 1982 Lecture on Gertrude Stein Side 1 29:15 Side 2 16:30 Recorded by Kurtis Vanel Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552861933571,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5330","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":[" B.P. Nichol Reading at SFU on December 1, 1982 #353"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P.","Bowering, George","Miki, Roy"],"creator_names_search":["Nichol, B.P.","Bowering, George","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Vanel, Kurtis"],"contributors_names_search":["Vanel, Kurtis"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Vanel, Kurtis"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1187/Readings in BC_MsC199_353.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"SFU\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"353-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:20\",\"precision\":\"\",\"size\":\"37.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"353-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:33:00\",\"precision\":\"\",\"size\":\"33.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-12-01\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction – Roy Miki\n\t\t027\t“Two words, a wedding”\n\t\t063\t“Scrapture seventh sequence”\n\t\t117 \tFrom The Plunket papers “We rode the train”\n\t\t140\t“Two leaves touch”\n\t\t147\t“Y” dedicated to Victor Coleman\n\t\t164\tTalks about “Y” the use of double acrostics\n\t\t\tThe American imagination and Oz, the symbolic nature of the alphabet\n\t\t195\t“Organ music” – memories of the body\n\t\t215\t“The toes”\n\t\t281\t“The mouth”\n\t\t358\tFrom the Martyrology, Book VI\n\t\t\tReads the opening quotes by C.C. Bombaus\n\t\t\t“Oddities and curiosities of Words and Literature”\n\t\t360\tChristopher Okigbo – quotes\n\t\t375\tReads from The Book of Hours\n\t\t\tExplains the writing process\n\t\t421\t“The first hour – 10:35 pm. To 11:35 pm.”\n\t\t576\tTalks of Homo-linguistic translation systems\n\t\t592\tReads “The third hour – 1:35 pm. To 2:35 pm.”\n\t\t685\tEnds\nTwo\t\t000\tBp reads “Hour 15 – 8:35 pm. To 9:35 pm.\n\t\t066\t“Hour 16 – 3:35 pm. To 4:35 pm.”\n\t\t106\t“Hour 18 – 12:35 am. To 1:35 am.”\n\t\t153\t“Hour 19 – one voice version of three voice poem”\n\t\t\t“Heart alphabet”\n\t\t205\t“The grammar trilogy” corrects typo’s\n\t\t230\tBegins to read “12:35 – 1:35 am.”  (pm?)\n\t\t281\t“11:25 pm. – 12:40 am.”\n\t\t394\tQuestions – The origins of the saints\n\t\t\tThey came out of “St” words\n\t\t\tStranglehold = St. ranglehold\n\t\t520\tGeorge Bowering heckles – what is the meaning of life, of the universe.  Bp says le “if”\n\t\t540\tRoy Miki says part of the etymology of “verb” is to suffer\n\t\t550\tBp says Anglo-Saxon source of word “death” is lost"],"Note":["[{\"note\":\"Liner Notes: BP Nichol Reading at SFU Dec. 1, 1982 Side 1 27:10 Side 2 32:15 Recorded by Kurtis Vanel Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552861933572,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5331","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Poetry Seminar in the SFU Pub seminar room:  B.P. Nichol with George Bowering, Daphne Marlatt, and Roy Miki on July 21, 1982 part 1 of 4 #354a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","Marlatt, Daphne","Nichol, B.P.","Miki, Roy"],"creator_names_search":["Bowering, George","Marlatt, Daphne","Nichol, B.P.","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Vanel, Kurtis"],"contributors_names_search":["Vanel, Kurtis"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Vanel, Kurtis"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1188/Readings in BC_MsC199_354a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"354a-(1)-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:37\",\"precision\":\"\",\"size\":\"31.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"354a-(1)-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:02\",\"precision\":\"\",\"size\":\"31.2 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-07-21\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tRoy introduces bp.  He reads “a take” on the martyrology - \n\t\t\t“The poem became the life work”\n\t\t090\tReads from book six The Martyrology.  Describes the method behind the book of hours\n\t\t115\tHours 17 – 5:35 to 6:35 pm.\n\t\t149\t“Continental Trance.”  Written on the train, Vancouver to Toronto\n\t\t346\tHour 18 – 12:35 am. To 1:35 am.  Book of Hours\n\t\t395\tThe nineteenth hour\n\t\t441\tAlphabet poem\n\t\t450\tGives textual alterations in Inchoate Road\n\t\t493\tReads “Inchoate Road”\n\t\t690\tHour 15\n\t\t755\tFinishes"],"Note":["[{\"note\":\"Liner Notes: BP Nichol Poetry Seminar in the SFU Pub Seminar Room July 21, 1982 with George Bowering and Daphne Marlatt Side 1 28:57 Side 2 28:26 Tape 1 of 3 Recorded by Kurtis Vanel Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552862982144,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5332","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. 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Nichol with George Bowering, Daphne Marlatt, and Roy Miki on July 21, 1982 part 2 of 4 #354b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","Marlatt, Daphne","Nichol, B.P.","Miki, Roy"],"creator_names_search":["Bowering, George","Marlatt, Daphne","Nichol, B.P.","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\" http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Vanel, Kurtis"],"contributors_names_search":["Vanel, Kurtis"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Vanel, Kurtis"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1189/Readings in BC_MsC199_354b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"354a-(2)-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:50\",\"precision\":\"\",\"size\":\"30.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"354a-(2)-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:48\",\"precision\":\"\",\"size\":\"30.6 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-07-21\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t000\tRoy Miki asks bp how The Martyrology got going and what direction he had intended it to go\n\t\t051\tBp talks – the origin of his Saints in “St” words\n\t\t\tBegan to address these Saints in Scraptures\n\t\t\tStarted Martyrology in fall 1968\n\t\t123\tBook one has a stronger narrative form.  Bp says because it is less personal\n\t\t130\tRoy asks about utaniki – Basho’s Form\n\t\t\tEg. – “Basho’s Narrow Road to the Deep North”\n\t\t\tAn on-going linkage of prose and poetry in the Martyrology “a constant formal interruption”\n\t\t152\tGeorge says E.A. Poe says all long poems are prose interrupted by poetry\n\t\t159\tSyntax and body structure\n\t\t\tBp sees connection in breath, sequence, poem and body\n\t\t185\tGeorge says of imagists that they replaced regular syntax with syntax of the image, and bp has replaced syntax of the image with syntax of the body\n\t\t194\tSynapse – George asks if it is a thing or an action\n\t\t\tBp says it happens between Ganglia\n\t\t215\tBp says when he initially wrote he was trying to notate his voice as it happened, get the syntax down to the body and breathing.  Later he gets down to challenge the notation, to create a particular sound effect.  So he can use syntax and notation to extend the range of sound\n\t\t238\tGeorge talks about difference between typewriting and handwriting, the presence of the body in written script.  In the typewriter you can by pass the body\n\t\t260\tDaphne Marlatt disagrees – says the rush of the body is present in fast typing"],"Note":["[{\"note\":\"Liner Notes: BP Nichol Reading From Book Six of the Martyrology SFU July 21, 1982 Side 1 28:30 Side 2 25:50 Recorded by Kurtis Vanel Dolby B\",\"type\":\"General\"},{\"note\":\"The sound quality of side one is poor at the beginning although it improves \",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670552862982145,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5333","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. 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Nichol with George Bowering, Daphne Marlatt, and Roy Miki on July 21, 1982 part 4 of 4 #354d"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","Marlatt, Daphne","Nichol, B.P.","Miki, Roy"],"creator_names_search":["Bowering, George","Marlatt, Daphne","Nichol, B.P.","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1191/Readings in BC_MsC199_354d.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"354b-(2)-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:23\",\"precision\":\"\",\"size\":\"30.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"354b-(2)-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:21\",\"precision\":\"\",\"size\":\"30.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-07-21\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"Liner Notes: Poetry Seminar July 21, 1982 Tape 2 of 3 Side 3 29 min Side 4 28:08 Dolby B\",\"type\":\"General\"},{\"note\":\"This tape is a duplicate of The Capilano Review tape Poetry Seminar in the SFU Pub seminar room: B.P. Nichol with George Bowering, Daphne Marlatt, and Roy Miki on July 21, 1982 part 2. The sides are reversed. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552862982147,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5335","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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End Side One\nTwo\t\t000\t\n\t\t006\t“chang opning”\n\t\t177\tEnd\n\t\t182\t“I was on beech ave in vancouvr”\n\t\t206\tEnd\n\t\t213\t“vancouvr citee council 1986”\n\t\t232\tEnd\n\t\t234\t“Canada gees mate for life”\n\t\t272\tEnd\n\t\t274\t“wher we are in the karibu”\n\t\t292\tEnd\n\t\t294\t“mulroonee sells de haviland”\n\t\t318\tEnd\n\t\t319\t“I met yu in the park”\n\t\t335\tEnd\n\t\t336\t“it sz in th London free press”\n\t\t380\tEnd\n\t\t384\t“the goddess uv mersee th pink lites al getting pinkr”\n\t\t497\tEnd.  End side Two"],"Note":["[{\"note\":\"the length of the digital file's side 1 is T00:43:56 and side 2 is T00:45:33, but the performance only takes 34:50 on side 1 and 36:40 on side 2 and the rest of audio is empty \",\"type\":\"\"},{\"note\":\"Liner Notes:\\nBill Bissett\\n\\\"Jumping Cloud\\\" \\nSt. John’s, Newfoundland/Toronto\\nside 1 34:50\\nside 2 36:40\\nDOLBY B\\n #728\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552864030720,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5337","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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An introductory speaker is setting the stage for the speaker\n\t\t046\tKiyooka takes the microphone and proceeds to warm up\n\t\t080\tKiyooka plays some traditional Japanese music\n\t\t096\tKiyooka begins speaking; explaining the music we just heard\n\t\t119\t…explains the connection between music and language\n\t\t146\tKiyooka explains about his spontaneous style of creating\n\t\t187\tKiyooka phrases a question to himself – “How come I, as a second generation Japanese Canadian, was so thoroughly educated in the tradition of Western European Renaissance art?”\n\t\t220\tKiyooka fends various questions relating to the form of his work\n\t\t314\tKiyooka is questioned about his Japanese heritage, and his “Japanese-ness” as a Canadian\n\t\t356\tKiyooka draws an analogy between Eastern and Western culture – by elaborating on each culture’s music\n\t\t378\tEnd.  End side One\nTwo\t\t000\t\n\t\t008\tKiyooka is asked if he visits the historical Japanese areas within Vancouver\n\t\t034\tThe audience is encouraged to Question Kiyooka directly about some selected poems\n\t\t068\tKiyooka suggests a difference between the arrangement of words on a page, and the “space” between words: “The desire to make the poem articulate on the blank white page is a very strong one, it’s not just reading the words and what they’re meaning, but also the spaces and what they’re meaning…”\n\t\t124\tKiyooka comments about historical perspectives: For Kiyooka this is an important and somewhat mystical concept\n\t\t160\tKiyooka denies any strong dependency or concern with dreams or dream imagery – he points instead to a relativity of states of consciousness\n\t\t226\tAn audience member interprets one of Kiyooka’s poems: “The reality was the dream, and the waking world was only there to feed the dream”\n\t\t280\tKiyooka proposes a definition of articulateness: “You should be responsible in talking about anything – and that means candid… nothing is withheld”\n\t\t310\tKiyooka reads “The Fourth Frem”\n\t\t325\tEnd\n\t\t326\tKiyooka reads an unidentified poem\n\t\t342\tEnd.  End side Two"],"Note":["[{\"note\":\"Liner Notes:\\nRoy Kiyooka interview\\nMarch 13, 1980 \\n#729\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552865079296,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5338","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Joanne Kyger interview with Warren Tallman in Vancouver on April 9, 1979, part 2 of 2 #731"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kyger, Joanne","Tallman, Warren"],"creator_names_search":["Kyger, Joanne","Tallman, Warren"],"creators":["[{\"url\":\" http://viaf.org/viaf/71627705\",\"name\":\"Kyger, Joanne\",\"dates\":\"1934-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors":["[]"],"Performance_Date":[1979],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1202/Reading in BC_MsC199_731.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"731-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:54\",\"precision\":\"\",\"size\":\"39.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"731-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:38\",\"precision\":\"\",\"size\":\"29.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1979-04-09\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\"49.2591\",\"longitude\":\"-123.1138\"}]"],"Address":["Vancouver, BC, Canada"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes:\\nJoanne Kyger interview\\nwith Warren Tallman interviewing \\nApril 9 1979, Vancouver BC\\nPart two of two\\n#731\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552865079298,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5340","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Steve Cummings reading and interview with Warren Tallman on February 21, 1980 #733 "],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Cummings, Steve"],"creator_names_search":["Tallman, Warren","Cummings, Steve"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/93107845\",\"name\":\"Cummings, Steve \",\"dates\":\"1953-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1980],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1205/Reading in BC_MsC199_733.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"733-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:57\",\"precision\":\"\",\"size\":\"31.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"733-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:25\",\"precision\":\"\",\"size\":\"30.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1980-02-21\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t008\t“In the Tower at the Wheel”\n\t\t355\tEnd\n\t\t356\tDiscussion ensues – Cummings is asked about the significance of the title, and the origins of the sub-stories within the poem\n\t\t411\tEnd.  End Side One\nTwo\t\t000\t\n\t\t009\tCummings is speaking about the origins of the religious elements within the poem\n\t\t045\tCummings is questioned about his regionalism: i.e. the climatic sensations within the poem\n\t\t097\tCummings is questioned about his sensitivity to sounds, and the importance these experiences play within his poetry\n\t\t144\tCummings is asked about his sensitivity to the intense climate of his home town – Alabama question\n\t\t162\t“Is your physical organism geared up to a different wave length…?”\n\t\t194\tThe discussion focuses upon Cumming’s musical background, and how the poet deals with a hearing disability\n\t\t270\tThe discussion takes a more personal direction – between Cummings and interviewer\n\t\t375\tCummings is asked to list the sections of “In the Tower” in sequence"],"Note":["[{\"note\":\"I listened to the recording and I noticed that the interviewer is Warren Tallman, and it's not written neither on cassette's label nor inventory. I just added it to this entry \",\"type\":\"\"},{\"note\":\"Liner Notes:\\nSteve Cummings:\\nReading and Interviewe \\nFeb 21, 1980\\nDOLBY B\\n #733\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552865079299,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5341","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Julia Steele reading poems and some dictionary definitions at UBC on November 4, 1986 #734"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Steele, Julia","Hawkins, Bobbie Louise"],"creator_names_search":["Steele, Julia","Hawkins, Bobbie Louise"],"creators":["[{\"url\":\"http://viaf.org/viaf/272696517\",\"name\":\"Steele, Julia \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/35849197\",\"name\":\"Hawkins, Bobbie Louise\",\"dates\":\"1930-2018 \",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1206/Reading in BC_MsC199_734.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"734-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:56\",\"precision\":\"\",\"size\":\"49.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"734-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:52\",\"precision\":\"\",\"size\":\"52.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-11-04\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t019\tUntitled\n\t\t080\tEnd\n\t\t081\t“Metaphor” – a very long poem dealing with the forms of poetry, and the structure of language\n\t\t345\tEnd\n\t\t361\t“The Big Fat Lady is Naked”\n\t\t365\tEnd\n\t\t366\t“I am a Materialist”\n\t\t369\tEnd\n\t\t370\t“November is Cathartic”\n\t\t374\tEnd\n\t\t375\t“Empty Stomach”\n\t\t384\tEnd\n\t\t385\t“Getting Out of Bed for a Drink of Water: or the Nightmare of Sexism”\n\t\t396\tEnd\n\t\t397\t“The Young Man Unzipped His Fly”\n\t\t404\tEnd\n\t\t405\tUntitled\n\t\t408\tEnd\n\t\t412\t“1:49 A.M.”\n\t\t433\tEnd\n\t\t434\t“Baths With People I Know”\n\t\t445\tEnd\n\t\t446\tUntitled\n\t\t449\tEnd\n\t\t450\tUntitled\n\t\t459\tEnd.  End Side Two"],"Note":["[{\"note\":\"side two is blank\",\"type\":\"\"},{\"note\":\"Liner Notes:\\nJulia Steele reading: from 'dictionary difinitions' and 'poems'\\nUBC, November 4, 1986 \\nDOLBY B\\n#734\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552865079300,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5342","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Bobbie Louise Hawkins, George Bowering, and Joanne Kyger reading poems in Vancouver, May 1979 #735"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","Kyger, Joanne","Hawkins, Bobbie Louise"],"creator_names_search":["Bowering, George","Kyger, Joanne","Hawkins, Bobbie Louise"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\" http://viaf.org/viaf/71627705\",\"name\":\"Kyger, Joanne\",\"dates\":\"1934-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/35849197\",\"name\":\"Hawkins, Bobbie Louise\",\"dates\":\"1930-2018\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Donor\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1979],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1207/Reading in BC_MsC199_735.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"735-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:33\",\"precision\":\"\",\"size\":\"46.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"735-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:35\",\"precision\":\"\",\"size\":\"47.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1979-05\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\"49.2584\",\"longitude\":\"-123.1128\"}]"],"Address":["Vancouver, BC, Canada"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t009\tAn introductory speaker makes some opening comments\n\t\t050\tHawkins takes the microphone\n\t\t064\t“A Conversation Between Five Women”\n\t\t111\tEnd\n\t\t149\t“Twice”\n\t\t161\tEnd\n\t\t170\t“The Boyfriend”\n\t\t259\tEnd\n\t\t263\tUntitled\n\t\t270\tEnd\n\t\t272\t“Rainbow”\n\t\t293\tEnd\n\t\t302\t“The Grace of the Rising Sun”\n\t\t330\tEnd\n\t\t333\t“Pearl said”\n\t\t347\tEnd\n\t\t349\t“Curtis stuck his feet”\n\t\t360\tEnd\n\t\t361\t“Well, I’ll tell yawl”\n\t\t430\tEnd\n\t\t439\tGeorge Bowering takes the microphone\n\t\t576\tEnd\nTwo\t\t000\t\n\t\t008\tBowering continues reading\n\t\t288\t(stop)\n\t\t294\tKyger takes the microphone and will begin reading a series of poems from “The Wonderful Focus of You” [These poems flow into one another and, therefore, are not demarcated with separate tracking numbers’\n\t\t313\t“The Wonderful Focus of You”\n\t\t\t“February 15”\n\t\t\t“February 16”\n\t\t\t“March 2”\n\t\t\t“March 15”\n\t\t\t“March 28”\n\t\t\t“April 7”\n\t\t\t“April 8”\n\t\t\t“May 11”\n\t\t\t“May 11”\n\t\t\t“July 20”\n\t\t\t“July 21”\n\t\t\t“More on Thursday”\n\t\t\t“August 1”\n\t\t\t“August 16”\n\t\t\tUntitled\n\t\t\tUntitled\n\t\t\t“October 11”\n\t\t\tUntitled\n\t\t\tUntitled\n\t\t\tUntitled\n\t\t510\tEnd\n\t\t512\tEnd Side Two"],"Note":["[{\"note\":\"Liner Notes:\\nHawkins, Bowering, Kyger \\nVancouver, May, 1979\\n#735\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552868225024,"timestamp":"2026-01-07T14:59:57.321Z","score":0.01643844},{"id":"5343","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Duncan interview with Warren Tallman in  Vancouver, May 1979 #736"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert","Tallman, Warren"],"creator_names_search":["Duncan, Robert","Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors":["[]"],"Performance_Date":[1979],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1208/Reading in BC_MsC199_736.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"736-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:52:09\",\"precision\":\"\",\"size\":\"67.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"736-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:02\",\"precision\":\"\",\"size\":\"61.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1979-05\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\"49.2584\",\"longitude\":\"-123.1128\"}]"],"Address":["Vancouver, BC, Canada"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t005\tTallman questions Duncan about the definition of modernism\n\t\t040\tDuncan summarizes – a definition of the modern – inside a social context\n\t\t100\tDuncan talks about the rise of industrialism in the early 20th century and the influence of these developments upon social consciousness\n\t\t190\t“Those who call themselves a ‘Post Modernist’ is an idiot”\n\t\t220\tDuncan summarizes the Catholic crusade against poets – connecting some of the mythological elements which gave rise to the romantic movement\n\t\t311\tDuncan discusses the elements of romance as they relate to his work directly\n\t\t360\tDuncan delves into a long speech – attaching a mystical quality to ‘romance’\n\t\t460\tDuncan comments upon: eroticism, the poets’ ability to love, the sexual act and the textual relationship of these things in poetry (esp. Dante and Pound)\n\t\t475\t“In the poetic tradition it found that its Eros was the enemy of love and sexuality – this is a distinction that most people don’t understand”\n\t\t494\t“Poetry is profoundly against fulfillment and ultimately for the death…”\n\t\t579\t“Romance is what we have in the poetry – in a moment of revelation – which is the mind”\n\t\t583\tEnd Side One\nTwo\t\t000\t\n\t\t005\tDuncan says that he is drawn towards, in the sense of romance, is a mysterious friendship\n\t\t050\t“In the 19th century the greatest romance writer is Dickens”\n\t\t090\tDuncan condemns Freudian psychology – suggesting that Freud had a self-destructive drive: an underlying romantic drive\n\t\t142\tGinsberg and Buddhism\n\t\t188\t“I think mind is a very different thing from psyche”\n\t\t240\tDuncan suggests that romance can encompass a wide range of authors with opposing metaphysics\n\t\t286\tDiscussion focuses upon courtly love\n\t\t318\tDuncan – a most important notion is that the troubadour poet never consummated his love\n\t\t376\tDuncan proposes that the spirit of romance involves a denial of the body\n\t\t440\tThe discussion focuses upon the philosophical differences between Buddhism and Christianity\n\t\t484\tTallman questions some of the others present at the interview about their definition of romance\n\t\t525\tDuncan relates a story about Robert Creeley\n\t\t548\tEnd.  End Side Two"],"Note":["[{\"note\":\"Liner Notes:\\nWarren Tallman interviewing Robert Duncan Vancouver BC\\nMay 1979\\nDOLBY B\\n #736\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553052774400,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5344","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Frank Davey interview with Warren Tallman, May 1979 #737"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Davey, Frank","Tallman, Warren"],"creator_names_search":["Davey, Frank","Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/5029235\",\"name\":\"Davey, Frank \",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors":["[]"],"Performance_Date":[1979],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1209/Reading in BC_MsC199_737.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"737-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:31\",\"precision\":\"\",\"size\":\"46.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"737-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:39\",\"precision\":\"\",\"size\":\"46.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1979-05\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t005\tDavey is heard speaking about the environment of Canadian writing\n\t\t086\tDavey reviews some modern Canadian writers, comparing even Duncan and Pound to the milieu of Canadian authorship\n\t\t160\tDavey explains about the publishing industry and the specifics behind the publishing house of which he is involved\n\t\t230\tDavey speaks about some of the modern writers which he has published\n\t\t268\t“Vancouver publishing has to be responsible for the Vancouver scene … this is a complicating thing, Coach House [or Toronto Publishing] does not have to be responsible for the Toronto scene”\n\t\t338\tTallman questions Davey about his foundations as a writer – particularly about a phase in which Davey became preoccupied with criticism\n\t\t376\tDavey recounts that his writing is indebted to his colleagues – particularly the members of the Tish project\n\t\t440\tTallman reflects upon the body of Davey’s writing – suggesting that D-Day and After and Weeds will become key works\n\t\t500\tTallman and Davey fall into a long discussion about their colleagues – and how the entire group is changing\n\t\t560\tDavey: “The Reality of being a writer in Canada is different, [from the U.S.], not simply a political line, in terms of the actual necessities of life”\n\t\t577\tTallman makes an interesting statement to the effect: The older generation of Canadian poets lacked a courage of the imagination – The new generation, however, seems to be developing that courage\n\t\t590\tBoth speakers agree that the Tish project involved an imaginative courage\n\t\t605\tTallman reflects that at the time he was an undergraduate – no formal canon of Canadian literature existed\n\t\t610\tDavey reflects that this lack of a formal canon – infused the writing of his generation with a great sense of freedom to write\n\t\t615\tEnd.  End Side One\nTwo\t\t000\t\n\t\t010\tTallman talks about the pockets of resistance between the poet subculture, publishing poets, and the academic world\n\t\t070\tThe political/academic environment within B.C.\n\t\t170\t“I think B.C. in particular suffers from the kind of counter movement you are talking about… in the East… there is a desire to find a new kind of B.C. writing…” Davey\n\t\t180\tDavey suggests that Ontario has a tendency to dismiss the canon of B.C. writing as “American-style” writing\n\t\t235\tDavey characterizes the creative writing program at York\n\t\t330\tPoetic risk taking Toronto vs. B.C.\n\t\t350\tThe relationship of this conservative government to Canadian Cultural Councils, and the dangers of assigning political control over creative money\n\t\t381\tTallman summarizes his efforts to create local support for poetry within Vancouver: “I have just about written U.B.C. off, I think they are enemies of literature, the institutional, bureaucratic, professional attitude toward literature is killing off any real interest…”\n\t\t400\tBoth speakers embark on a long discussion about the attitude towards creative writing in B.C.’s universities\n\t\t465\tTallman draws an analogy between theology and the professionalism of B.C. universities\n\t\t545\tDavey focuses upon modern Quebec writing\n\t\t580\tTallman asks Davey what kind of a critical theory he employs when writing\n\t\t610\tEnd.  End Side Two"],"Note":["[{\"note\":\"Liner Notes:\\nFrank Davey interview Warren Tallman\\nMay 1979\\n#737\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553052774401,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5345","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Side one: Edward Dorn interview with Warren Tallman on June 23, 1979 / Side two: Eli and Ann Mandel interview with Warren Tallman #738"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Dorn, Edward","Mandel, Eli","Mandel, Ann","Tallman, Warren"],"creator_names_search":["Dorn, Edward","Mandel, Eli","Mandel, Ann","Tallman, Warren"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/25166087\",\"name\":\"Dorn, Edward\",\"dates\":\"1929-1999\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/59095399\",\"name\":\"Mandel, Eli\",\"dates\":\"1922-1992\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/31854728\",\"name\":\"Mandel, Ann\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors":["[]"],"Performance_Date":[1979],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1210/Reading in BC_MsC199_738.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"738-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:25\",\"precision\":\"\",\"size\":\"46.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"738-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:55:32\",\"precision\":\"\",\"size\":\"45.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1979-6-23\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tEd Dorn interview\n\t\t010\tDorn and interviewer share common childhood experiences – esp. about film and the experience of going to the theatre\n\t\t090\tDorn and interviewer talk about home town environments and the alienation that these small towns breed\n\t\t160\tDorn relates his first experience of travelling to Los Angeles\n\t\t200\tDorn explains about his employment on the railroad at the age of 14\n\t\t230\tDorn explains about the necessity of working as an adolescent – working on the family farm and the social expectations placed upon labour and employment\n\t\t287\tInterview continues from inside a car\n\t\t320\tDorn is asked about his proximity to the public library while growing up\n\t\t340\tThe two talk about the exposure to the classics, the experience of reading, and the social atmosphere of the time\n\t\t390\tDorn recounts some of the reading (novels, philosophers) which profoundly affected him\n\t\t470\tDorn admits to a rejection of older types of poetry – preferring the modern, 20th century forms\n\t\t515\tDorn is asked about the intellectual arenas within his high-school\n\t\t523\tEnd.  End side One\nTwo\t\t000\t\n\t\t005\tThe interviewer points out that in the graduate programs – women seem genuinely more interested in the literature; where men seem more interested in a career\n\t\t100\tThe interviewer goes on to point out that marriages between faculty members and outsiders (those who have no graduate training in English) often fail; while the tendency for a woman to leave school upon marriage – continues\n\t\t124\tThe interviewer asks whether these conditions still prevail\n\t\t158\tEli maintains that men in positions of power continue to marginalize women\n\t\t180\tEli states that a feminist movement is being propelled by a language which accommodates female expression – this language can be found in poetic movements\n\t\t250\tAnn responds that women are constantly placed in a subordinate position by institutional mechanism such as marriage and university\n\t\t290\tAnn points out that women, in university are still associated with creative writing\n\t\t328\tEli argues that women are allocated a kind of mystical rule in our culture through writing\n\t\t350\tAnn explains that women are in a double bind – they are frustrated, and forbidden to be militant\n\t\t383\tBoth speakers discuss the discriminatory practices of English faculty departments\n\t\t430\tEnd. End Side Two"],"Note":["[{\"note\":\"Both interviews are done by Warren Tallman although his name is not mentioned neither in J-Card nor the inventory. I just added.\",\"type\":\"\"},{\"note\":\"Liner Notes:\\nTwo interviews: Edward Dorn and Eli and Ann Mandel, June 23, 1979 \\nSide 1: Ed Dorn \\n38:55\\nSide 2: “The Situation of women in university English departments”/ Eli and Ann Mandel\\nDOLBY B\\n#738\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553053822976,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5346","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Colin Stewart and Duncan McNaughton reading poems on November 29, 1978 part 1 of 2 #739"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","McNaughton, Duncan","Stewart, Colin"],"creator_names_search":["Tallman, Warren","McNaughton, Duncan","Stewart, Colin"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/63059516\",\"name\":\"McNaughton, Duncan \",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/1899514\",\"name\":\"Stewart, Colin \",\"dates\":\"1959-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1213/Reading in BC_MsC199_739.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"739-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:39\",\"precision\":\"\",\"size\":\"41.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"739-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:28\",\"precision\":\"\",\"size\":\"39.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-11-29\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t005\tAn introduction speaker *[i.e. Warren Tallman] gives a background description of the upcoming readers\n\t\t050\tStewart takes the microphone\n\t\t065\t“The Conclusion to the ‘Triumph of Life’\n\t\t118\tEnd\n\t\t122\t“Getting into October”\n\t\t132\tEnd\n\t\t134\t“1999”\n\t\t154\tEnd\n\t\t166\tUntitled – a very long prose piece\n\t\t401\tEnd Side One\nTwo\t\t000\t\n\t\t008\tColin Stewart leaves the stage while a background speaker introduces Duncan McNaughton\n\t\t049\tUntitled – McNaughton reads a modern prose piece\n\t\t120\tEnd\n\t\t146\tUntitled – McNaughton again reads a prose piece.  This is an unpublished work-in-progress\n\t\t311\tEnd\n\t\t320\tEnd Side Two"],"Note":["[{\"note\":\"Liner Notes:\\nColin Stewart and Duncan McNaughton\\nNovember 29, 1978\\npart one of two\\nDOLBY B\\n #739 \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553053822977,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5347","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Colin Stewart and Duncan McNaughton discussion and interview with Warren Tallman on November 29, 1978 part 2 of 2 #740"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["McNaughton, Duncan","Tallman, Warren","Stewart, Colin"],"creator_names_search":["McNaughton, Duncan","Tallman, Warren","Stewart, Colin"],"creators":["[{\"url\":\"http://viaf.org/viaf/291599827\",\"name\":\"McNaughton, Duncan \",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/1899514\",\"name\":\"Stewart, Colin \",\"dates\":\"1959-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1214/Reading in BC_MsC199_740.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"740-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:00\",\"precision\":\"\",\"size\":\"47.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"740-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:51\",\"precision\":\"\",\"size\":\"51.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-11-29\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t020\tDuncan McNaughton explains about his modern prose project\n\t\t080\tMcNaughton explains about the process of writing – and the alcohol problem which propelled him into this writing project\n\t\t142\t“The book has no plot, it is a suspense book of sorts… the problem is, I don’t know how to get out of it” – McNaughton\n\t\t210\tMcNaughton is asked about the references to Massachusetts in the work he has just read\n\t\t270\tMcNaughton is asked about the aspect of surrealism within his work\n\t\t280\tStewart is asked about his awareness of writing mechanics during the process of writing\n\t\t295\tStewart comments about uniting as a process of illumination and destruction\n\t\t310\tStewart explains that writing, for him, is difficult process filled with resistance\n\t\t330\tStewart talks about the distinction between poetry and prose, and the difficulties involved in writing within each style\n\t\t386\tThe discussion focuses upon T.V. and popular culture\n\t\t400\tEnd.  End Side One\nTwo\t\t000\t\n\t\t020\tMcNaughton expresses great pessimism about television, popular film and the business of film production\n\t\t090\t“The Americans who write anything that interests me are people so attuned to live speech… and far away from books” – McNaughton\n\t\t160\tMcNaughton speaks about the Japanese language and his interest in Japanese fiction\n\t\t235\tMcNaughton relates a story about his meeting with Jack Kerouac and the literary philosophy which evolved from this meeting\n\t\t281\tMcNaughton is questioned about what he concentrates upon when writing, and how he develops a character\n\t\t320\tMcNaughton comments about one’s roots and the importance of being tied to a culture – a sense of place"],"Note":["[{\"note\":\"Liner Notes:\\nColin Stewart and Duncan McNaughton \\nNovember 29 1978\\npart two of two\\nDOLBY B\\n#740\",\"type\":\"General\"},{\"note\":\"Besides Warren Tallman, there is also a woman who asks some questions  \",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553053822978,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5348","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Frank Davey and Maxine Gadd reading on May 16, 1979 #741"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Gadd, Maxine","Davey, Frank"],"creator_names_search":["Gadd, Maxine","Davey, Frank"],"creators":["[{\"url\":\"http://viaf.org/viaf/75225856\",\"name\":\"Gadd, Maxine\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/5029235\",\"name\":\"Davey, Frank\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1979],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1215/Reading in BC_MsC199_741.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"741-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:51\",\"precision\":\"\",\"size\":\"44.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"741-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:54:32\",\"precision\":\"\",\"size\":\"68.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1979-05-16\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t005\tUntitled – Frank Davey reads\n\t\t028\t“The Alley”\n\t\t050\tEnd\n\t\t052\t“The Window”\n\t\t078\tEnd\n\t\t080\t“The Airplane”\n\t\t111\tEnd\n\t\t114\t“The Thunder”\n\t\t145\tEnd\n\t\t146\t“The Locks”\n\t\t170\tEnd\n\t\t173\t“The Shopping List”\n\t\t220\tEnd\n\t\t223\t“The Fish”\n\t\t230\tEnd\n\t\t233\t“The Trumpet”\n\t\t254\tEnd\n\t\t256\t“The Gun”\n\t\t268\tEnd\n\t\t269\t“The Piano”\n\t\t287\tEnd\n\t\t289\t“The Toilet”\n\t\t298\tEnd\n\t\t300\t“The Basement”\n\t\t314\tEnd\n\t\t315\tUntitled\n\t\t332\tEnd\n\t\t333\t“The Fleet”\n\t\t363\tEnd\n\t\t365\t“The New Car”\n\t\t387\tEnd. End Side One\nTwo\t\t000\t\n\t\t010\tMaxine Gadd begins reading from untitled work\n\t\t070\tEnd\n\t\t075\tUntitled\n\t\t105\tEnd\n\t\t109\tUntitled\n\t\t145\tEnd\n\t\t160\tUntitled\n\t\t180\tEnd\n\t\t190\t“The Wig Queen”\n\t\t261\tEnd. End Side Two"],"Note":["[{\"note\":\"Liner Notes:\\nFrank Davey, Maxine Gadd \\nMay 16, 1979\\nDOLBY B\\n#741\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553053822979,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5349","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. 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End Side One\nTwo\t\t000\t\n\t\t006\t“The Torn Cloth” – continued\n\t\t052\tEnd\n\t\t070\t“The Sentinels”\n\t\t143\tEnd\n\t\t228\t“Seven sessions”\n\t\t321\tEnd\n\t\t353\t“The Buddha’s Smile”\n\t\t386\tEnd\n\t\t447\t“An Eros/Amor/Love Cycle”\n\t\t530\tEnd. End Side Two"],"Note":["[{\"note\":\"Liner Notes:\\nRobert Creeley, Robert Duncan\\nMay 16, 1979\\nDOLBY B \\n#742\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553053822980,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5350","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Cesar Vallejo: Trilce: Clayton Eshleman at SFU on February 28, 1992 part 1 of 2 #743"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Vanel, Kurtis","Eshleman, Clayton"],"creator_names_search":["Vanel, Kurtis","Eshleman, Clayton"],"creators":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/79046419\",\"name\":\"Eshleman, Clayton\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1992],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1217/Reading in BC_MsC199_743.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:57:00\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"743-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:41\",\"precision\":\"\",\"size\":\"33.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"743-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:30\",\"precision\":\"\",\"size\":\"31.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1992-02-28\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"Note":["[{\"note\":\"the length of the digital file's side 1 is T00:30:37 and side 2 is T00:30:34, but the performance only takes 24 minute on side 1 and 28 minute on side 2 and the rest of audio is empty \",\"type\":\"\"},{\"note\":\"Liner Notes:\\nClayton Eshleman\\nFriday February 28 1992, SFU\\npart I\\nside 1: 24 minute\\nside 2: 28 minute\\nrecorded by Kurtis Vanel\\nDOLBY B\\n10:30 am-12:20 pm/ AQ5017\\nSpanish and Latin American studies. prof. Clayton Eshleman, English, Eastern Michigan U., discusses Cesar Vallejo: Trilce: a talk on the book and a bilingual reading in honor of the 100th Anniversary of Vallejo’s birth in Peru; and a short paper on the difficulties of translating Vallejo’s poetry\\n#743\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553054871552,"timestamp":"2026-01-07T14:59:57.525Z","contents":["Side\tTrack\tNo.\tComments\n\t\t\tTitle: Cesar Vallejo : Trilce : a talk on the book and a bilingual reading in honor of the 100th Anniversary of Vallejo’s birth in Peru; and a short paper on the difficulties of translating Vallejo’s poetry\nOne\t\t019\tTape starts halfway through Eshleman’s introductory comments\n\t\t036\tIntroduction to Eshleman’s Selected Poems 1960-1983 – “a bad translation is the insistent voice of the translator”.  Eshleman’s first experience with the “translator’s ego” was with Ben Belitt’s translation of Garcia Lorca’s Poet in New York in 1959.  Garcia’s last line in his poem, “La Aurora” was changed from “the shipwreck of blood” to “a bloody disaster”.  Belitt’s use of English slang effaced Lorca’s\n\t\t080\tBlood. In Belitt’s Lorca and Neruda translations, we hear the translator/poet’s own mannerisms, leaking into the meaning of the original texts.  A colonization of these poets’ terrain\n\t\t090\tThis colonization has sombre repercussions, especially in the case of a “first world” translator and a “third world” writer.  The translator implies that his mind is superior to the mind of the original text\n\t\t102\tBelitt’s translation seems more monolithic and damaging than that of other translators, says Eshleman.  Robert Lowell dropped 10 of Rimbaud’s 25 stanzas in translation for Le Bateau Ivre, (a presumption that only two thirds of this great French poem is worth carrying over to English).  Eshleman discusses further problems with translators\n\t\t112\tEshleman discusses his own ego impositions in his 1968 translation of Vallejo’s poetry\n\t\t116\tThe particular poem he discusses deals with Vallejo’s failure to connect with his wife.  Eshleman recounts the difficulties in gaining permission from Vallejo’s wife to translate his poetry, and admits the poem (Es una Historia) took on the symbolic weight of his frustration with her, resulting in his inappropriate rendition of the last line\n\t\t143\tHow might a translator work to resist ego imposition or translator imperialism?  There is no such thing as a literal translation and denotative choices comes up in every line\n\t\t155\tDiscusses translation of Martinique poet Aimē Cesaire, and work of denotative choices through text or dead author’s background\n\t\t169\tIn the 1969 Berger Bostock translation, Notebook of Return to the Native Land, Eshleman discusses incorrect translation of word for cove, and consequent misreading of the poem\n\t\t180\tEshleman explains his process for avoiding errors, through consultation with Spanish scholars, etc. and by respecting occasional misspellings, line and stanza breaks, and by rendering Vallejo’s obscurity and flatness as well as his brilliance\n\t\t189\tHis process also allows Vallejo’s influence to enter his own poetry, to allow his imaginings of Vallejo to be incorporated into his own work rather than allowing them to spill into Vallejo’s text\n\t\t214\tEshleman reveals his secondary motivations of wanting to translate certain poets to allow their work and knowledge of poetics to fuel that of Eshleman’s.  He discusses Vallejo’s influence on his own work\n\t\t236\tDiscussion ends (Part I)\n\t\t239\tDiscussion of the book Trilce.  Eshleman refers audience to a 30-page essay on Trilce that will be part of a book (to be published Fall 92) by Marsilio in New York City, introduction by Americo Ferrari (Bilingual, including 30 pages of notes on difficult words & phrases in the poems.  Eshleman’s discussion on the meaning of Trilce is brief\n\t\t246\tFirst edition came out in 1918, and second edition from Madrid in 1930.  Crucial differences in each edition and Eshleman describes problems with texts because of Vallejo’s failure to read the galleys\n\t\t250\tDiscusses disagreement over translations between Julio Ortega and himself, and process for translating from the 1918 edition, eg. keeping many misspellings as intentional and the 1918 edition as the original text\n\t\t266\tEffects on Trilce of various events in Vallejo’s life eg. His mother’s death in 1958 and five poems concerning his childhood that act as pillars supporting the body of poems\n\t\t276\tMany love poems and sex poems involving a number of women. Poem #9 representative of very explicitly sexual expression for Peru of the 1920’s.  *[Ofelia] Villaneueva’s story as Vallejo’s girlfriend and subsequent poems wound in with Mother theme\n\t\t305\tThe third big item in the production of Trilce is Vallejo’s imprisonment in northern Peru.  Vallejo severely revised earlier poems written for Trilce.  Aspejo attributes to this prison experience, the inspiration of the breakdown and new form of the sonnet which was difficult to read and expressing a new creative force in Vallejo\n\t\t327\tDiscusses the problem of the Trilce title\n\t\t346\tThe poem, “Trilce”, written in Europe, belongs in no volume.  The poem treats Trilce as a place in the world which one knows and is always approaching, an eerie sort of paradise\n\t\t357\tCredit is due to Englishman Henry Gifford who translated with Charles Tomlinson in the early ‘70’s and credits the title, Trilce with numerical meaning.  Eshleman gives evidence from a later found poem to support Gifford’s idea that Trilce comes from the numbers trillion and thirteen\n\t\t384\tSide One Ends\nTwo\t\t009\tSide Two Begins.  Eshleman discusses various hints throughout Trilce that support this reading of the trite\n\t\t036\tTrilce is full of burned bridges, and models of what is elsewhere burned.  The most striking writing in Trilce anticipates American projective verse, and the more recent language poetry, by a number of decades\n\t\t057\tThe major psychological pressure in the poems is that of sex and death\n\t\t069\tTo the banner year of 1922 and international modernism, Trilce can be added with a number of poems Eshleman lists\n\t\t078\tEshleman says his translational intent has been to respect Vallejo’s text with no attempts to improve or outwit it : to research all rare and technical words, and translating them instead of explaining them; and to bring the English up to Vallejo’s performance level in Spanish\n\t\t093\tIntroduction to Trilce poems, one through ten by Eshleman\n\t\t101\tIntroduction is made by late arriving instructor about Eshleman’s work\n\t\t118\tBrief discussion over who will read poems in Spanish.  Students who have been working on translations will read Spanish versions\n\t\t131\tStudents will read a poem in Spanish and alternate with Eshleman’s reading of the translation\n\t\t135\tReading in Spanish of poem 1\n\t\t147\tEshleman English translation\n\t\t159\tProfessor asks Professor Jorge Garcia to read the second poem\n\t\t161\tJorge Garcia reads #2\n\t\t170\tEshleman reads #2\n\t\t189\tStudent reads #3\n\t\t209\tEshleman explains relationship of 3 children in #3 to Vallejo.  Santiago is the bell-ringer who is blind.  Notes the difference between Trilce #3 and #4 as if someone else had written it\n\t\t217\tEshleman translates #3\n\t\t238\tJorge Garcia reads #4\n\t\t250\tEshleman reads English version of #4\n\t\t268\tStudent reads #5\n\t\t280\tEshleman reads English version of #5\n\t\t295\tStudent reads #6\n\t\t309\tEshleman reads translation #6\n\t\t327\tJorge Garcia reads #7\n\t\t337\tEshleman notes on opium or “high” consciousness to #7 – notes Vallejo’s use of brothels & feel of danger within #7 that could be related to his adventures\n\t\t347\tEshleman reads translation of #7\n\t\t362\tStudent reads #8\n\t\t369\tEshleman translates\n\t\t380\tTape 1, ends mid-verse"],"score":0.01643844},{"id":"5351","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Cesar Vallejo: Trilce: Clayton Eshleman at SFU on February 28, 1992 part 2 of 2 #744"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Eshleman, Clayton"],"creator_names_search":["Eshleman, Clayton"],"creators":["[{\"url\":\"http://viaf.org/viaf/79046419\",\"name\":\"Eshleman, Clayton\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1992],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1218/Reading in BC_MsC199_744.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:42:00\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"744-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:37\",\"precision\":\"\",\"size\":\"31.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"744-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:34\",\"precision\":\"\",\"size\":\"31.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1992-02-28\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"Note":["[{\"note\":\"the length of the digital file's side 1 is T00:30:37 and side 2 is T00:30:34, but the performance only takes 29 minute on side 1 and 13 minute on side 2 and the rest of audio is empty \",\"type\":\"\"},{\"note\":\"Liner Notes:\\nClayton Eshleman  \\nSFU, February 28 1992\\nside 1: 29 minute\\nside 2: 13 minute\\npart II \\n#744\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553054871553,"timestamp":"2026-01-07T14:59:57.525Z","contents":["(Tape Two One)\t\t007\tTape 2 begins with reading by student of #9\n\t\t031\tEshleman notes, along with #4, verse #9 is the most difficult to translate.  He reads\n\t\t067\tJorge Garcia reads #10\n\t\t084\tEshleman reads English translation of #10\n\t\t113\tReading ends\n\t\t117\tEshleman is asked to read his own poetry, but he declines, announcing his evening reading as a place to hear his poetry.  He refers instead to a presentation he has prepared on Vallejo’s work\n\t\t129\tEshleman is thanked and question period is opened.  Eshleman refers students to his translation notes, including disagreements by Ortega and himself\n\t\t154\tPoem #25, is sound orientated and Eshleman discusses the possibilities of translation through sound or meaning\n\t\t162\tDiscusses differences between Ortega’s belief that the text is idiomatic rather than concerned with syntactical constructions, that Vallejo is constructing new words with suffixes and prefixes; and the opposite opinion of others (Aerico Ferrari and Alberto Escobar)\n\t\t175\tEshleman says English translation tends to agree with Ferrari’s opinion and Spanish text has called for some invention in the translations of the neologisms.  This was the root of disagreement that led to Ortega leaving the project of translating Trilce\n\t\t188\tJorge Garcia questions Eshleman’s translation of “Manana Manana” as ‘tomorrow’ instead of ‘morning’\n\t\t219\tQuestion about ‘Beethovian’ flats changed to ‘grandiose B flats’ in number 1.  Eshleman discusses the problems in translation of text because Trilce is not referential.  Aspejo believes verse 1 referred to embarrassing prison experience in the latrines\n\t\t264\tEshleman notes the need to find words that are as antiquated to the English reader as the Spanish word used by Vallejo is to the Spanish reader\n\t\t270\tQuestion regarding Vallejo’s word play.  In verse one he accents “tanta” which normally doesn’t carry an accent.  How does Eshleman deal with this?  Eshleman asks if there is any other literary tradition for this\n\t\t306\tQuestion about the use of ‘era era’ as verb or noun.  Suggestion that era could mean ‘fertile land that is prepared for sowing’ and that Vallejo’s word play could involve multiple meanings.  Garcia disputes any agricultural reference\n\t\t348\tGarcia argues that Vallejo’s rich vocabulary is not free to be translated; the internal contextualization of the poetry will help the reader cancel out the meanings that don’t belong.  The reader has to try to cancel out false meanings in order to decode the poem\n\t\t361\tHow does Eshleman translate sounds?  Eshleman says he almost hesitates to explain what he did in #25, but he does\n\t\t390\tEnd of Side 1\n\t\t\tTape Accession #744\nTwo\t\t007\tSide 2 (tape 2).  Question about the relative difficulty of translating different poets\n\t\t011\tEshleman talks about travelling to Mexico and Japan with volumes of Neruda and Vallejo, and his decision to do a translation of the European poetry of Vallejo as a translator’s apprenticeship\n\t\t066\tQuestion regarding Eshleman’s relationship to the language of Spanish as it pertains to the translator’s ego\n\t\t072\tEshleman said he chose Vallejo, not the Spanish language because of the inspiration brought about by Vallejo’s poetry.  Eshleman gives some background to his connection to Vallejo and Mexico\n\t\t104\tThis is a poet to poet relationship as opposed to that of professional translator.  Eshleman works with professional Spanish translators because of his lack of thorough knowledge of the language.  This makes a certain kind of translating possible, because he wouldn’t be writing poetry if he were to spend the time studying Spanish\n\t\t126\tQuestion whether it is more appropriate to work with a co-translator whose language is the same as the poet’s, in order to deal with the issue of translator as colonizer\n\t\t130\tEshleman counters that professors and bi-lingual people are some of the worst translators.  He uses the example of Belitt\n\t\t150\tQuestion about the fifth poem and translation of “mi amor” to”amour”\n\t\t165\tWhat kind of influence did Vallejo have on Eshleman’s own works?\n\t\t167\tEshleman says the time spent on Vallejo has been a form of homework.  Who are you going to read and what is your relationship going to be with these people?\n\t\t190\tTape appears to cut off Eshleman’s above discussion and fades in halfway through a comment by Jorge Garcia.  Garcia is arguing that while Pablo Neruda has beautiful poetry, Eshleman has picked the great poet, in terms of working structurally with the language\n\t\t198\tEshleman recounts anecdote about Octavio Paz in response to Garcia’s point\n\t\t211\tThanks to Eshleman\n\t\t214\tSide 2 ends"],"score":0.01643844},{"id":"5352","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Clayton Eshleman Reading at The Western Front on February 28, 1992 #745"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Eshleman, Clayton","Watts, Charles"],"creator_names_search":["Eshleman, Clayton","Watts, Charles"],"creators":["[{\"url\":\"http://viaf.org/viaf/79046419\",\"name\":\"Eshleman, Clayton\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/102199951\",\"name\":\"Watts, Charles \",\"dates\":\"1941-\",\"notes\":\"Introduction of Clayton Eshleman by Charles Watts\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1992],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1219/Reading in BC_MsC199_745.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:57:00\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"745-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:35\",\"precision\":\"\",\"size\":\"48.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"745-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:22\",\"precision\":\"\",\"size\":\"47.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1992-02-28\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26392\",\"longitude\":\"-123.09870\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1"],"Venue":["The Western Front"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t004\tIntroduction of Clayton Eshleman by Charles Watts\n\t\t073\tEshleman reading from an unpublished manuscript.  He reviews his projects for the last three years, reading from the third of four sections in UnderWorld Arrest, and the fourth section “In Kali’s Marge”\n\t\t117\t“Short story” begins\n\t\t180\t“UnderWorld Arrest”\n\t\t260\tSection 4 “In Marge”\n\t\t274\t“Concerning poetic energy”\n\t\t328\t“Marginalia to Baudelaire”\n\t\t342\t“Guerdon”\n\t\t368\t“Ivory Tower”\n\t\t388\t“The Visionary Realist”\n\t\t435\t“Double Pelican”\n\t\t456\t“Blood Rock”\n\t\t492\t“Jolly Roger”\n\t\t520\t“Hum baba”\n\t\t553\tEnd of Side One\nTwo\t\t000\tSide Two begins\n\t\t007\tLast poem in Kali’s Marge Section “Navel of the Moon” (a translation of the word ‘Mexico’)  Put together from notes made during a month spent in Oaxaca, Spring 1991\n\t\t017\t“Navel of the Moon”\n\t\t244\tPoetry ends/End of Side Two"],"Note":["[{\"note\":\"the length of the digital file's side 1 is T00:46:35 and side 2 is T00:46:22, but the performance only takes 42 minute on side 1 and 15 minute on side 2 and the rest of audio is empty \",\"type\":\"\"},{\"note\":\"Liner Notes:\\nClayton Eshleman Reading at Western Front, Vancouver BC, Feb 28, 1992\\nside 1: 42 minute\\nside 2: 15 minute\\nDOLBY C\\n#745\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553055920128,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5353","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Side one: Steve McCaffery reading his poems recorded over Eli Mandel's lecture of English 360, Side two: Eli Mandel's lecture of English 360 at SFU on July 14, 1981 Part 1 of 2 #918"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Mandel, Eli","McCaffery, Steve"],"creator_names_search":["Mandel, Eli","McCaffery, Steve"],"creators":["[{\"url\":\"http://viaf.org/viaf/59095399\",\"name\":\"Mandel, Eli\",\"dates\":\"1922-1992\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1220/Reading in BC_McS199_918.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:22:32\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"918-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:59:24\",\"precision\":\"\",\"size\":\"58.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"918-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:40:16\",\"precision\":\"\",\"size\":\"38.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-14\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU  \",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU  "],"City":["Burnaby, British Columbia"],"content_notes":["Side 1: Steve McCaffery's poetry reading is recorded over Mandel's lecture. MacCaffery's first poem is still clear although with background noise of the class from Mandel's recording. After about 4.5 minutes Mandel's and McCaffery's voices interrupt each other, but can still be distinguished and recognized if needed"],"Note":["[{\"note\":\"The sound quality improves on side 2\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553056968704,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5354","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Eli Mandel's lecture of English 360 at SFU on July 14, 1981 Part 2 of 2 #919"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Hutchinson, Jack","Mandel, Eli"],"creator_names_search":["Hutchinson, Jack","Mandel, Eli"],"creators":["[{\"url\":\"\",\"name\":\"Hutchinson, Jack \",\"dates\":\"1972-2015\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/59095399\",\"name\":\"Mandel, Eli\",\"dates\":\"1922-1992\",\"notes\":\"Introduction by him\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1221/Reading in BC_McS199_919.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"919-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:40\",\"precision\":\"\",\"size\":\"38.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"919-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:33:00\",\"precision\":\"\",\"size\":\"42 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-14\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU  \",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU  "],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"Side 2: Nothing or noises throughout\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553056968705,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5355","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Clayton Eshleman reading at the Kootenay School of Writing on February 29, 1992 #746"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Eshleman, Clayton"],"creator_names_search":["Eshleman, Clayton"],"creators":["[{\"url\":\"http://viaf.org/viaf/79046419\",\"name\":\"Eshleman, Clayton\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1992],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1223/Reading in BC_MsC199_746.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"746-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:36\",\"precision\":\"\",\"size\":\"44.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"746-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:27\",\"precision\":\"\",\"size\":\"44.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1992-02-29\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/806961605\",\"venue\":\"Kootenay School of Writing\",\"notes\":\"\",\"address\":\"112 West Hastings, Vancouver, BC, Canada\",\"latitude\":\"49.28097\",\"longitude\":\"-122.99535\"}]"],"Address":["112 West Hastings, Vancouver, BC, Canada"],"Venue":["Kootenay School of Writing"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"Note":["[{\"note\":\"Clayton Eshleman at the Kootenay School of Writing \\nFeb 29, 1992 \\n#746\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553056968706,"timestamp":"2026-01-07T14:59:57.525Z","contents":["Side\tTrack\tNo.\tComments\nOne\t\t006\tEshleman is introduced\n\t\t035\tEshleman suggests outlining of three programs of his work for discussion purposes in lieu of any planned program for the evening, “The seeds of Narrative in Upper Paleolithic Art” talk and slide presentation based on fifteen years of visiting ice-age caves in southern France and Northern Spain; 2) Trilce, Cesar Villejo’s second book (1922) and the poetry written in Europe (1923-1928) (“The Human Poems” original title) which Eshleman is currently translating\n\t\t122\tRimbaud translations requested\n\t\t132\tEshleman begins reading Rimbaud’s “Drunken Boat”\n\t\t256\tEnd of poem\n\t\t275\tEshleman – We live in the age of the loss of eternity and the repercussions of this are so devastating for society.  Works done in the past are based on the assumption that sky, ocean and earth were eternal presences, and therefore our own impermanence was based on this foundation that something would continue\n\t\t309\tRimbaud never saw the ocean when he wrote “The Drunken Boat”.  Eshleman discusses Rimbaud’s poetry pre-Verlaine at 17 years old\n\t\t320\tPoem is in quatrains in French and they rhyme.  Eshleman has rhymed about a third of them.  Discusses translations of “The Drunken Boat”\n\t\t330\tThe most embarrassing translation was done by Robert Lowell who dropped out ten of the twenty-five stanzas\n\t\t354\tEshleman responds to inaudible question about the loss of eternity being equated with the loss of God.  The ontological significance of pollution.  He suggests that in psyche, the polluted world means – that all our lives, theories, etc. are based upon is now transient \n\t\t399\tEshleman asks, what happens to the elegy?  The elegy in poetry almost always has to do with accommodating a death in a larger frame\n\t\t413\tAudience member questions Eshleman’s idea of the loss of a larger framework.  We grew up with the loss of God, the loss of nature being more recent.  Neither of these, however, mean the loss of a larger framework.  Discussions ensue\n\t\t418\tSuggestion that the loss is a gradual loss of hierarchical power structures which is wonderful\n\t\t428\tLoss of transcendence throws responsibility back on living communities\n\t\t433\tEshleman argues that nature is all of this and, unlike a corrupt political system, if this goes, it’s not something you can have a revolution over\n\t\t452\tEshleman reads from Trilce, a cycle of 77 roman-numeralled poems without tiles\n\t\t481\tEnd of Trilce LIII\n\t\t483\tReading begins, Trilce XLIX\n\t\t500\tEnd of XLIX\n\t\t502\tReading from Trilce LVII\n\t\t518\tEnd of LVII\n\t\t523\tReading from Trilce LXXV\n\t\t552\tEnd of LXXV\n\t\t554\tEpilogue to this poem.  Villejo had left northern Peru and moved to Lima in late teens (1900). Made several trips back to where he was born, but increasingly found life in Trujillo boring.  LXXV a response to this life\n\t\t577\tNo manuscript to Trilce.  Discussion of this\n\t\t585\tEshleman recommends a Spanish text of Vallejo’s work, published by UNESCO, Collecion Archivo, complete works of Vallejo\n\t\t590\tSide One Ends\nTwo\t\t004\tSide Two begins mid-sentence with Eshleman discussing juxtaposition of Vallejo’s style\n\t\t019\tBegins reading III, Trilce\n\t\t063\tIII ends\n\t\t064\tIV begins (Trilce)\n\t\t103\tIV ends\n\t\t111\tXXV begins (Trilce)\n\t\t142\tXXV ends.  Eshleman notes that there seems to be a very coherent argument set forth, but he doesn’t know what poem is about 111)\n\t\t158\t“The Power Room” (about Les Eyzies, a village in southern France which used to dub itself the Prehistoric Capital of the World, epicentre of all ice age caves and shelters.  A museum houses what Eshleman calls “The Power Room” due to the slabs which have the first image-making on them, dated at 35-30,000 BC representing the point at which something we can begin to work with as image comes into active consciousness)\n\t\t179\tReading of “The Power Room” begins\n\t\t234\t“The Power Room” ends\n\t\t238\t“The Chaos of the Wise”\n\t\t323\tEnd of poem\n\t\t326\tEshleman is interested in 1945-48 period when Artaud, who had been in asylums for nearly 9 years begins to speak, correspond, be human again in the asylum of Rodez.  For the next three years he writes and draws at white heat, comparable, says Eshleman to Dickinson’s 1862 or Van Gogh\n\t\t345\tArtaud is in electric shock & his last experience is a turning point.  He began to write, chant his favourite writings, dictate to a secretary\n\t\t357\tPiece written in 1946, “Artaud the Yo-yo,” translated by Eshleman, title is explained.  Section I of the poem to be read is “The return of Artaud the yo-yo”\n\t\t369\tArtaud began to invent words in his asylum cell.  Rage and irrationality find escape valves in his poetry through such word sounds, as Artaud travels between worlds of madness and rationality, finding an expression for his madness\n\t\t478\tEnd of poem\n\t\t482\tArtaud from Conductors of the Pit, published by Paragon House in New York City, 1988\n\t\t496\tEshleman describes content of his translations in Conductors of the Pit\n\t\t516\tEshleman responds to a question (inaudible) about sound variations in the translations of Vallejo’s neologisms\n\t\t524\tQuestion about the shape of the movement in Trilce\n\t\t527\tEshleman discusses Vallejo’s poems about his mother in terms of their spacing and rhythm in Trilce.  He rejects the darkness of Trilce\n\t\t553\tInaudible question to which Eshleman responds on James Wright’s poetry, Peter Redgrove and Spicer\n\t\t593\tTape ends in the middle of barely audible discussion about Eshleman’s dream of the ghost of Spicer and James Wright’s corpse"],"score":0.01643844},{"id":"5356","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Upper Paleolithic Imagination and the Construction of the Underworld: Clayton Eshleman lecture at Vancouver Art Gallery on February 27, 1992 #747"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Eshleman, Clayton","Maud, Ralph"],"creator_names_search":["Eshleman, Clayton","Maud, Ralph"],"creators":["[{\"url\":\"http://viaf.org/viaf/79046419\",\"name\":\"Eshleman, Clayton\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/66537561\",\"name\":\"Maud, Ralph\",\"dates\":\"1928-2014\",\"notes\":\"Introduction to post-modern nature of Eshleman’s lecture and writing by Ralph Maud\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1992],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1224/Reading in BC_MsC199_747.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:25:00\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"747-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:34\",\"precision\":\"\",\"size\":\"46.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"747-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:42:37\",\"precision\":\"\",\"size\":\"41.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1992-02-27\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/69701736\",\"venue\":\"Vancouver Art Gallery \",\"notes\":\"\",\"address\":\"750, Hornby Street, Downtown, Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, V6Z, Canada\",\"latitude\":\"49.28292\",\"longitude\":\"-123.12056\"}]"],"Address":["750, Hornby Street, Downtown, Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, V6Z, Canada"],"Venue":["Vancouver Art Gallery "],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"Note":["[{\"note\":\"Clayton Eshleman (university of Eastern Michigan) sponsored by the institute of the Humanities, SFU\\nThe Upper Paleolithic Imagination and the Construction of the Underworld \\nVancouver Art Gallery\\nFebruary 27 1992\\nDOLBY B\\n#747\",\"type\":\"General\"},{\"note\":\"the length of the digital file's side 1 is T00:46:34 and side 2 is T00:42:37, but the performance only takes 44 minute on side 1 and 41 minute on side 2 and the rest of audio is empt\",\"type\":\"\"},{\"note\":\"Carol Eshleman is also present and she's introduced at the beginning of the program \",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553061163008,"timestamp":"2026-01-07T14:59:57.525Z","contents":["Side\tTrack\tNo.\tComments\nOne\t\t006\tClayton Eshleman & Carol Eshleman introduced\n\t\t049\tIntroduction to post-modern nature of Eshleman’s lecture and writing by Ralph Maud\n\t\t080\tCharles Olson and origins of the term post-modernism.  Post modernism requires a delving into the ‘primitive’ pre-western thinkers.  This is a post-modern travel lecture\n\t\t116\tEshleman lecture begins (based on trips to northern Spain and southwestern France between 1974 and 1986)\n\t\t146\t34 slides accompany lecture (not present in CLC’s collection)\n\t\t150\t“The seeds of narrative in upper paleolithic art” see talk in Clayton Eshleman, “Seeds of narrative in Upper Paleolithic art” (published form).  Antiphonal swing.  Selected prose 1962/1987 New York : McPherson & Co., 1989.  P. 161-173\n\t\t165\tEvidence of the beginnings of the liberation of autonomous imagination (south central France and northern Spain)\n\t\t508\tPoetry – “Fecality wants to be born—“\n\t\t542\tEnd of lecture\n\t\t548\tEssay, originally had as epigraph a passage from a letter which Antonin Artaud wrote to Henri Parisot from Asylum in Rodez in 1945.  Artaud envisions from poem by Baudelaire a shaft involved with fecality and death that relates in a bizarre way to the shaft at Lascaux.  Eshleman reads passage\n\t\t572\tSide One ends\nTwo\t\t007\tEshleman begins description of slides\n\t\t014\tSpear-thrower from Le Mas D’Azil dated 9000 BC end of upper paleolithic.  Eshleman entertains question\n\t\t051\tFrontal view of the Venus of Lozelle\n\t\t071\tSigfried Giedion’s The Eternal Present : the Beginnings of Art.  Giedion claims that if you stand at the bottom of the shaft and look up, the shaman is standing upright\n\t\t087\tRotunda and Axial Gallery in Lascaux – symbols discussed\n\t\t135\tAnimal figure has now become a consort, the figure of the god is now identified as a human being\n\t\t160\tDiscusses drawing by Abbe Breuil in the sanctuary at Les Trois Freres cave in the Ariage, southern France.  Breuil claims cave painting is also an engraving\n\t\t200\tBison man playing an instrument and wearing a mask dancing behind the animals.  Appears to be a narrative alignment between the human and the animals\n\t\t254\tEshleman calls for a critical reading of the paintings which for many years have been literally translated in terms of animals and the hunt, with no psychic or psychological reading of the material.  This is the time of the beginning of image-making, the construction of the underworld of the Cro-Magnon people, upon whose shoulders we stand\n\t\t265\tDiscussion of the Venus symbol anatomy\n\t\t315\t“Hand negatives” – many hands are anatomical and raise the mystery of their origins\n\t\t345\tGouged slabs (30-35000 BC) represent earliest form of image-making\n\t\t383\tQuestion period begins\n\t\t385\tQuestion – if the Shaman figure is only 2 feet tall, yet is 20 feet up the cave wall, is that the original interval between audience and image?\n\t\t389\tEshleman responds with “conjectural information” – formation of the cave may have been different at 13000 BC than it is now; scaffolding could have been used; there seems to be a fascination with placing images in virtually inaccessible spots\n\t\t398\tGives such an example of cave painting in Le Portel in the Ariege\n\t\t403\tQuestioner draws correlation to medieval cathedrals in France and England decorated with “roof art” of hundreds of intricate medallion designs not visible to the human eye, yet revealing many formal experiments\n\t\t425\tQuestion of cave audience for the wall paintings is purely conjectural.  Generally people lived outside of the caves, occasionally sleeping inside.  Caves seem to be used for initiation purposes.  Eshleman describes first free-standing sculpture 16000 BC likely used in such rites.  Refers to poem written about his experience of it, “Notes on a visit to Le Tuc D’Audoubert”\n\t\t444\tIn response to question of how Eshleman regards the human/animal hybrid figure, he sees it as a tension, with no clear-cut statement about human or animal.  As we move from pre-history into history, there is a progressive de-garbing of animality, of a freeing of human anatomy\n\t\t464\tDiscussion of python worship and endurance of animal symbology being cast off from the human form\n\t\t515\tEshleman responds to a question about his personal experience of the cave.  He refers to hallucinogens in use of cave paintings.  His unwillingness to impose a 20th century perspective on the abstract work.  Read The Dream and the Underworld by Hillman and found it useful to carry into the caves at Dordogne.  Hillman’s treatment of Underworld and underground, underworld as opposed to hell"],"score":0.01643844},{"id":"5357","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["bp Nichol interview with Pauline Butling on November 13, 1986 part 1 of 2 #748"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Butling, Pauline","Nichol, B. P."],"creator_names_search":["Butling, Pauline","Nichol, B. P."],"creators":["[{\"url\":\"http://viaf.org/viaf/44560494\",\"name\":\"Butling, Pauline\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B. P.\",\"dates\":\"1944-1988\",\"notes\":\"Nichol, Barrie Phillip\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1225/Reading in BC_MsC199_748.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"748-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:38\",\"precision\":\"\",\"size\":\"61.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"748-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:41\",\"precision\":\"\",\"size\":\"63.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-11-13\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2221423\",\"venue\":\"\",\"notes\":\"\",\"address\":\"[Nelson, British Columbia, Canada?]\",\"latitude\":\"49.4931\",\"longitude\":\"-117.2907\"}]"],"Address":["[Nelson, British Columbia, Canada?]"],"content_notes":["SFU BC Readings formatting\n"],"Note":["[{\"note\":\"BP Nichol interviewed by Pauline Butling \\nNovember 13, 1986\\n(Nelson, B.C. ?)\\nside 1: 45:47\\nDOLBY B\\npart I\\n#748\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553062211584,"timestamp":"2026-01-07T14:59:57.525Z","contents":["Side\tTrack\tNo.\tComments\nOne\t\t010\tTape begins mid-interview with bp Nichol about The Plunkett Papers and The Undiscovered Country, a long unpublished poem he spent seven years writing and then threw away.  He felt he was romanticizing, turning ordinary human experience into a mythic dimension; but wanted to get back to what is heroic on its own terms, and what is interesting in everyday life\n\t\t033\tHe discusses Burke Sproxton’s book Headframe about Flin Flon\n\t\t044\tPauline Butling : that romanticizing impulse has plagued Nichol from the start.  How does he resist it?\n\t\t047\tbpN: What is seductive about it is a voice tone he can get into.  It can become the “lyric I” or the “self-aggrandizing I” that is treacherous.  There’s no modulation of tone\n\t\t069\tbpN: In the Plunkett Hotel is a new poem, but is the best writing out of the experience of his earlier work\n\t\t093\t“Plunkett Hotel” comes out of a maternal grandmother’s family reunion Nichol attended in Plunkett, Saskatchewan\n\t\t181\tButling reads quote of Frank Davey’s criticizing bp Nichol’s work as irrelevant “visual poetry” and stating that poetry is still a language, and language of sound, rhythms, stress and pitch, and not just visual shapes\n\t\t204\tUnexplained search for a source (to the aforementioned quote??)  Nichol speaks of Alfred Kallir, who wrote Sign and Design, a psychogenetic (?) history of the alphabet; first published a monograph in 1944 called V is for Victory, then expounded on alphabet of the history of the world in Sign and Design, (an influential text for Nichol)\n\t\t221\tButling asks about The Flower Poem, recorded on High Barnett cassettes\n\t\t266\tMasaoka Shiki – Japanese poet mentioned by Nichol.  Nichol says he is doing a paraphrase of Shiki’s haiku from his First Record of my Peonies\n\t\t276\tPB: Likes context, and says criticism must establish a context in which the work can be read\n\t\t283\tbpN: Criticism is a written record of a reading process and provides the reader with a different accessing of the book\n\t\t301\tDiscussion of bp Nichol’s use of epigrams – Epi stands for epigrams a reversal of the technique he later gets into with the mathematical signs\n\t\t342\tBp Nichol refers to the Lost Literature of Medieval England; one of his fascinations is with works that don’t last.  In this book on books which were written, but no copies exist, was a reference to Buamundus; a character which has only one reference in English literature.  A child is named Buamundus as a joke, but we don’t know what the joke means\n\t\t363\tReferences to the meanings of crow\n\t\t372\tHistorically there are 2 St. Valentines.  One of them has the crow as his totem, found in the Dictionary of English Saints\n\t\t382\tButling is looking for themes of the multiples of doubles\n\t\t397\tNichol talks about returning to the idea of a historical narrative in The Martyrology in Book 1 and Book 6\n\t\t405\tNichol talks about taking 2 actual disciples of Christ about whom nothing is known and using the historical actuality that real people provide\n\t\t423\tButling asks about the rhetorical voice in Waves Against the Boat as the one Nichol is always resisting.  Is it o.k. to use it here because it is historical?\n\t\t424\tNichol says he is not taking personal history and claiming for himself privilege by being connected to mythic figures.  If we say our grandparents were mythic, we are saying we are one with the gods.  This is self-aggrandizement, two generations removed, whereas Nichol is using the tools of history to describe a certain situation and to deal with the problem in writing that kind of historical narrative\n\t\t433\tContinental Trance is the Canadian travel poem taken on.  Butling calls it the apocalyptic narrative\n\t\t438\tButling asks if Nichol investigated the research on the Bible in connection to the two figures Nichol uses.  Refers to the debate around the figure of Daniel\n\t\t444\tNichol refers to an MA thesis of a friend on James, the younger brother of the Lord – Jesus’ younger brother, used in his research, as well as alternate histories of the church, documents written by drooling fanatics, non-drooler documents, etc.\n\t\t454\tNichol found information to prove the Catholic Church did wipe out the English Christian Church, that was seen as a pagan tradition\n\t\t467\tNichol talks about a piece of work that is unnamed.  Butling asks where Nichol is “at” in terms of Book 5.  Suggests a real sense of loss\n\t\t491\tThe notion of imperfection is crucial to the whole beginning idea of The Martyrology.  Failure, imperfection, success has to be there structurally.  It is an argument with the notion that history was on a superhuman scale rather than “just a bunch of assholes that went around beating people up”\n\t\t516\tDiscussion of Vander Zalm leading people down the garden path with simplicity in poetics vs. the difficult structure of The Martyrology\n\t\t530\tButling comments on the structure of The Martyrology.  Bp Nichol suggests people approach his poetry like music and take what they like from it\n\t\t536\tNichol tells anecdote of a reading to students at Mohawk College in the 70’s\n\t\t580\tButling: How do you see these books interacting with one another?\n\t\t582\tBook 6 began with the imperfection of prophecy; up until then The Martyrology consisted of separate books begun and finished individually.  Nichol discusses how this changes with the carryover of themes in Book 5 to Book 6.  The twelve chains of Book 5 became the six books of Book 6\nTwo\t\t007\tSide Two Tape 1 begins\n\t\t015\tNichol discusses family reunion and his poetic themes; “The grace of the moment,” in which one finds the strength to deal with death\n\t\t084\tButling questions the use of form in The Martyrology\n\t\t093\tNichol discusses the dialogue between closed form and open form\n\t\t107\tNichol on inspiration and states of mind and The Book of Hours\n\t\t165\tButling on the arbitrariness of forms and the contemporary poet, does this form avoid the poet’s ego?\n\t\t188\tNichol discusses the structures “The Plunkett Hotel”, and Continental Trance\n\t\t197\tButling: Does taking those arbitrary forms free you from thinking about form?\n\t\t199\tNichol says it creates an extra tension, an external factor and elaborates briefly\n\t\t220\tButling: Does the punning and word play get you away from intention?\n\t\t223\tNichol talks about the objectivity these bring in to the work.  Point of view creates reality and its own argument\n\t\t240\tButling asks if the post-modern poets have dealt with the modernist question of absence through form\n\t\t284\tButling notes that word play hasn’t become dull or repetitive in Nichol’s work\n\t\t295\tNichol discusses formal advance of structure in Books I-VI\n\t\t317\tNichol talks about ideas for a new form for Book 10; The Bard project, a kind of Frankenstein monster of form in which he would work his way through every closed and open form\n\t\t440\tThey discuss Phyllis Webb’s poetry\n\t\t474\tGossip about the Montreal scene, F.R. Scott, Phyllis Webb etc.\n\t\t493\tNichol talks about his early teaching history and university\n\t\t517\tNichol on Adder magazine at King Edward, dadaists, Tish, and his first published poem\n\t\t549\tThe Tish movement and Frank Davey\n\t\t556\tNichol reminisces about UBC, readings by Freddy Douglas and Kurt Lang, Bill Bissett\n\t\t575\tNichol remembers student protest against Bay of Pigs Invasion, 1962\n\t\t597\t1963 Vancouver Poetry Conference.  Nichol says he is glad to have missed the conference because of the effect its influence would have had on his writing (ie. Olson)\n\t\t609\tEnd of Side Two"],"score":0.01643844},{"id":"5358","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["bp Nichol interview with Pauline Butling on November 13, 1986 part 2 of 2 #749"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, Barrie Phillip","Butling, Paulina"],"creator_names_search":["Nichol, Barrie Phillip","Butling, Paulina"],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, Barrie Phillip\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/44560494\",\"name\":\"Butling, Paulina\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors":["[]"],"Performance_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1226/Reading in BC_MsC199_749.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T02:28:00\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"749-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:39\",\"precision\":\"\",\"size\":\"43.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"749-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:37\",\"precision\":\"\",\"size\":\"43.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-11-13\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2221423\",\"venue\":\"\",\"notes\":\"\",\"address\":\"[Nelson, British Colombia, Canada?]\",\"latitude\":\"49.4931\",\"longitude\":\"-117.2907\"}]"],"Address":["[Nelson, British Colombia, Canada?]"],"content_notes":["SFU BC Readings formatting"],"Note":["[{\"note\":\"BP Nichol interviewed by Pauline Butling \\nNovember 13, 1986\\n(Nelson, B.C. ?)\\nside 1: 44:30\\nside 2: 44:30\\nDOLBY B\\npart II\\n#749\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553062211585,"timestamp":"2026-01-07T14:59:57.525Z","contents":["Side\tTrack\tNo.\tComments\nOne\t\t009\tSide One begins mid-anecdote by Nichol about giving a copy of Craft Dinner to his father (to whom the book is dedicated)\n\t\t054\tNichol comments on his father attending a reading of his poetry\n\t\t083\tButling re-asks the question about structure (see tape #748) and how the 6 books of The Martyrology interact\n\t\t089\tNichol is not working with a thematic structure; but is working with similar themes that recur in The Martyrology\n\t\t112\tNichol – discusses “Imperfection of Prophecy”, “In the Plunkett Hotel,” The Continental Trance as self-contained ideas; The Book of Hours and structure, “Inchoate Road”\n\t\t144\tButling asks about the circular structure of The Book of Hours as a deliberate structuring.  Discussion ensues about the form of meditation as a circle and The Book of Hours requiring no closure\n\t\t181\tButling: How are you consciously involved in form or are you?\n\t\t188\tBp Nichol cites “In the Plunkett Hotel” as an “in/from” structure that grew from the idea, whereas a more perceptual piece emerges as Nichol writes it and that dictates form, “Inchoate Road”\n\t\t215\tButling: You have to make choices about what you are writing, what is the basis for those decisions?\n\t\t223\tNichol responds that it is the play and the subjects that are arising that dictates form.  What is the piece about?  It is a piece of thinking, and he is trying to make the thinking cohere while not being obvious about it.  Possibilities present themselves: some discussion this\n\t\t256\tButling suggests that as soon as The Martyrology begins to deepen that it immediately goes back to surface\n\t\t259\tNichol says that is a conscious choice because statemental voice is too obvious and he would rather make a leap to something else.  It is a working out of ekstasis, not giving a person his vision in a narcissistic sense, but giving the person an experience of vision\n\t\t289\tThen he will cut to the didactic voice as a relief or a release from the other voice.  This becomes musical pacing as sometimes he will say something rather than show it for the rhythm of the poem\n\t\t290\tNichol on Ondaatje’s “Billy the Kid” poem as an example of this\n\t\t311\tBp Nichol explains that he is primarily led by the ear, and then led visually\n\t\t314\tWhat about morality?  Butling asks\n\t\t339\tNichol complains that much writing becomes a panacea, that writers used to pretend that they were more in control than they were, that literature presented an idea of life being utterly controllable.  Discussion of Robert Duncan, Robin Blaser, Charles Olson in this vein\n\t\t386\tNichol explains a notion he is working on; that which is unsignable, not because of a failure on the author’s part, but because it lies outside the range of that which is signable (linguistic-signed)\n\t\t395\tHe wants to use the medium of that which is written to talk about that which is unwritable.  He elaborates on presenting an essence, the blank page, not as a blank book, and putting the readers into the frame of mind where they will look at the page in a certain way\n\t\t405\tDiversion into bp Nichol’s expression “real mysteries”\n\t\t423\tNichol’s experience as a therapist and structures and systems that function for individuals; the self as multiple consciousnesses.  Pataphysics and “Probably systems”\n\t\t457\tButling senses absence in Nichol’s early work;’ questions if this is outside the self (Book 1 and 2)\n\t\t459\tNichols discusses alienation from the self as a reason why he was in therapy\n\t\t470\tWriters would create personas as a solution to absence, suggests Nichol\n\t\t479\tNichol’s mistrust of adjectives – all they say is the noun is weak\n\t\t486\tThe pun works like reference, it opens up additional worlds – pun provides multiple chords, like music, which becomes a “packing the noun”\n\t\t502\tNichol discusses the alienation of the self and title The Martyrology, and Books 4, 5 and 6\n\t\t511\tNichol takes on the Christian subtext in “really seriously”\n\t\t516\tNichol says The Martyrology attempts to work out a “no gimme” relationship to the concept of God.  He wants a relationship to God that does not include the notion of heaven, in which he “gets nothing for it”\n\t\t530\tIn the work there is also a tension of looking at that sense of loss historically and at the same time attempting to embrace \n\t\t539\tNichol says that life is in the present, a notion that connects with other ideas in The Martyrology of the dailiness of living and the argument with history\n\t\t543\tNichol’s favourite word in The Martyrology is ‘now’.  A discussion ensues regarding the philosophy of living in the present\n\t\t560\tNichol: The goal of high modernism gets us into trouble because it is to live beyond the moment\n\t\t568\tNichol says, “popular poetry” will talk of this tradition of the 20th century modernists in a way that is antithetical to world peace.  Nichol’s provisional solution is to make the work of art something that has history in it, but that also has the absolute reading of the moment in it\nTwo\t\t008\tSide 2 begins.  Nichol on fluid structure as counter to the high modernist notion that art is eternal\n\t\t015\tButling & Nichol discuss the contradiction between the argument with systems and structure that there isn’t any one, but may; but still giving a structure, creating a work that will live beyond the artists\n\t\t039\tNichol argues that it should not be presented as a prescription, but to present things side by side: statement/non-statement, concreteness/abstraction, coherence/incoherence oscillating within the same structure\n\t\t065\tThe Martyrology becomes a model of an approach to poetics\n\t\t122\tNichol: The minute I die [the structure’s] fixed… I want to revise my will so that it’s really obvious the thing should be published in its state, it shouldn’t be cleaned up\n\t\t142\tButling wants to talk about politics as an issue for Nichol partly because it’s an issue for Phyllis [Webb]\n\t\t159\tNichol sees his work as political but not in the sense of an Octavio Paz or Pablo Neruda.  Discussion ensues on Barthes, politics in art, and a Puritan approach; comments of Robert Kroetsch\n\t\t196\tYou have to have an imagination of difference, of a possibility of difference in the world, because Nichol cannot see the isms we have as working\n\t\t200\tThe problem with even talking about this [political solutions to complex if not insoluble problems] is that it begins to sound like a justification for it.  The analogy with talking about Americans’ ignorance of Canadian writing\n\t\t227\tThe problems begin in the mind and how people formulate problems and solutions – Nichol\n\t\t245\tOn deconstruction, concrete poetry not leading to chaos or dead ends; concrete poetry seen as ‘barbarism’, to take Louis Dudek’s terms.  Nichol discusses Dudek’s hostility to concrete poetry although realizing the use by Nichol’s generation of his own work\n\t\t270\tModernism as failure in proposing a permanent coherence; Nichol on Pound’s Cantos\n\t\t365\tNichol and Butling begin to review Nichol’s “The Grace of the Moment” (The Martyrology Book 6, VI) to examine what choices are open to him.  Poem beginning “The Grace of the Moment” is discussed, referencing Nichol’s work process as it pertains line by line to this work\n\t\t423\tNichol’s choice for words will be that which keeps as many meanings in the air as possible\n\t\t439\tThe Martyrology as a piece of music; the first time through you will hear certain things, the second time through certain others.  Discussion continues line by line on “The Grace of the Moment” to end of tape\n\t\t580\tSide 2 ends"],"score":0.01643844},{"id":"5359","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["bp Nichol interview with Fred Wah and Pauline Butling on November 16, 1986 part 2 of 2 #750"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Butling, Paulina","Wah, Fred","Nichol, B. P."],"creator_names_search":["Butling, Paulina","Wah, Fred","Nichol, B. P."],"creators":["[{\"url\":\"http://viaf.org/viaf/44560494\",\"name\":\"Butling, Paulina\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Interviewer\"]},{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred \",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B. P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1227/Reading in BC_MsC199_750.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T02:08:00\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"750-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:38\",\"precision\":\"\",\"size\":\"39.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"750-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:15:42\",\"precision\":\"\",\"size\":\"18.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-11-16\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t007\tTape begins mid-interview with Nichol on imagination and play and process\n\t\t075\tWah talks about a novel on the Titanic story that foreshadows the Titanic incident\n\t\t101\tWah asks Butling if she has talked to bp about the unit of composition in The Martyrology?  How it changes through the books.  A sketchy discussion evolves with bp Nichol very poorly miked and barely audible in the background – Wah exits discussion\n\t\t154\tButling states that content will take care of itself if bp Nichol looks after the form.  Discussion becomes even more inaudible\n\t\t217\tWah on a student’s book of poems, Robert McLean, who invented a line break\n\t\t253\tMike is moved to catch Nichol’s voice\n\t\t255\tNichol on pataphysical process in Book 2\n\t\t304\tButling : you’re committed to process, to things not ending, so how do you stop?\n\t\t307\tNichol says it’s arbitrary, it’s like a meditation\n\t\t315\tNichol says the poem is dealing with the absolute nature of the transitory\n\t\t325\tDeath brackets everything we’re talking about, which goes back to The Book of Hours\n\t\t350\tTrying to find an open structure which allows in the moment as well as a sense of history\n\t\t376\tButling on Nichol’s ability to exit the didactic voice through use of sound and multiple voices\n\t\t396\tSide One ends\nTwo\t\t009\tNichol on his family as a tribe with no national boundary\n\t\t022\tNichol has no place to return to, no hometown\n\t\t034\tNichol says he’s never become a regional poet because his family moved all the time.  Nichol says his childhood moving traumatized him.  Discussion ensues on the Canadian writing community\n\t\t072\tNichol’s theme on a notion of return, a return to language\n\t\t092\t“The Plunkett Hotel” is about the desperate attempt to establish roots.  A reclamation of what family was then\n\t\t125\tButling asks about community : what gives you permission to transgress, or to do things that aren’t considered acceptable or normal?\n\t\t147\tNichol on meeting Margaret Avison and her approval of his poetry\n\t\t167\tNichol on meeting McCaffery in 1968, support and publishing\n\t\t212\tNichol talks about media writing in later life and how it is not conducive to play"],"Note":["[{\"note\":\"BP Nichol with Fred Wah and Pauline Butling  November 16, 1986\\npart II \\nside 3: 28:57\\nside 4: 13:30\\nDOLBY B\\n#750\",\"type\":\"General\"},{\"note\":\"The first part of this interview is missing\",\"type\":\"\"},{\"note\":\"the length of the digital file's side 1 is T00:30:38 and side 2 is T00:15:42, but the performance only takes 28:57 on side 1 and 13:30 on side 2 and the rest of audio is empty \",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553063260160,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5360","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Eli Mandel's lecture of English 360 at SFU on July 21, 1981 Part 1 of 2  #920\n\n"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Mandel, Eli"],"creator_names_search":["Mandel, Eli"],"creators":["[{\"url\":\"http://viaf.org/viaf/59095399\",\"name\":\"Mandel, Eli\",\"dates\":\"1922-1992\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1228/Reading in BC_McS199_920.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"920-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:35:05\",\"precision\":\"\",\"size\":\"43.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"920-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:20:42\",\"precision\":\"\",\"size\":\"96.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-21\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU  \",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU  "],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"Liner Notes: Copy 1\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553063260161,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5361","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Eli Mandel's lecture of English 360 at SFU on July 21, 1981 Part 2 of 2 #921\n\n"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Mandel, Eli"],"creator_names_search":["Mandel, Eli"],"creators":["[{\"url\":\"http://viaf.org/viaf/59095399\",\"name\":\"Mandel, Eli\",\"dates\":\"1922-1992\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1229/Reading in BC_McS199_921.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"921-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:33\",\"precision\":\"\",\"size\":\"31.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"921-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:06\",\"precision\":\"\",\"size\":\"30.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-21\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU  \",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU  "],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"Liner Notes: Copy 1\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553063260162,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5362","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Warren Tallman's lecture of English 358 at SFU on July 22, 1981 Part 1 of 2 #922"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Wah, Fred"],"creator_names_search":["Tallman, Warren","Wah, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"I just guessed he is the reader on the second side cause he's not introduced completely \",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1230/Reading in BC_McS199_922.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"922-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:48\",\"precision\":\"\",\"size\":\"30.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"922-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:52\",\"precision\":\"\",\"size\":\"30.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-22\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU  \",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU  "],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"Liner Notes: Copy 1\",\"type\":\"General\"},{\"note\":\"Part of side 2 is recorded in slow mode, so it is hard to listen to it, but the sound improves\",\"type\":\"\"},{\"note\":\"There is someone else's voice on the cassette, but I do not know who the reader is because of the bad quality of the recording at some moments\",\"type\":\"General\"},{\"note\":\"The lecture starts only after 12:15 minutes of the recording.\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553063260163,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5363","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Eli Mandel's lecture of English 360 at SFU on July 23, 1981 Part 1 of 2 #924\n"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Mandel, Eli"],"creator_names_search":["Mandel, Eli"],"creators":["[{\"url\":\"http://viaf.org/viaf/59095399\",\"name\":\"Mandel, Eli\",\"dates\":\"1922-1992\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1234/Reading in BC_McS199_924.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"924-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:49:28\",\"precision\":\"\",\"size\":\"47.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"924-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:12\",\"precision\":\"\",\"size\":\"30.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-23\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU  \",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU  "],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"Liner Notes: Copy 1\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553063260165,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5365","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Coast is Only a Line: Conclusion of gallery reading, Gerry Gilbert Reading at the SFU Art Gallery and Studio Booth on August 7, 1981 #344b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Gilbert, Gerry"],"creator_names_search":["Gilbert, Gerry"],"creators":["[{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1174/Readings in BC_MsC199_344b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"344b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:24:55\",\"precision\":\"\",\"size\":\"24.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"344b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:15:34\",\"precision\":\"\",\"size\":\"15.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-08-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nTwo\t\t000\tReads from Phonebook brief intro.\n\t\t087\t*see above\n\t\t100\t4\n\t\t112\t5\n\t\t122\t6\n\t\t137\t7\n\t\t150\t8\n\t\t166\t9\n\t\t175\t10\n\t\t182\t11\n\t\t195\t12\n\t\t219\t14\n\t\t228\t15\n\t\t244\t16\n\t\t267\t17\n\t\t288\t18\n\t\t306\t19\n\t\t325\t20\n\t\t345\t21\n\t\t357\t22\n\t\t368\t23\n\t\t382\t24\n\t\t394\t25\n\t\t412\t26\n\t\t453\t27\n\t\t473\t28\n\t\t487\t29\n\t\t495\t30\n\t\t502\t31\n\t\t532\t33\n\t\t587\t34\n\t\t610\t35\n\t\t640\t36\n\t\t661\t37\n\t\t672\t38\n\t\t682\t39\n\t\t695\t40\n\t\t712\t41\n\t\t730\t42\n\t\t747\t43\n\t\t771\t44\n\t\t795\t45\n\t\t824\t46\n\t\t840\t47\n\t\t854\t48\n\t\t942\t49"],"Note":["[{\"note\":\"Liner Notes: Gerry Gilbert, August 7, 1981 Aug. 7, 1981 Conclusion of Gallery Reading Side 3 3:11 Reading in the IMC Studio: Phone Book 1-26 17:43 Side 3 14:48 Side 4 14:48 27-49, Retakes on 36 + 49\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553063260167,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5319","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Coast is Only a Line: Daphne Marlatt Reading at the SFU Art Gallery on August 11, 1981 #345"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Marlatt, Daphne","Bowering, George"],"creator_names_search":["Marlatt, Daphne","Bowering, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Vanel, Kurtis"],"contributors_names_search":["Vanel, Kurtis"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Vanel, Kurtis"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1175/Readings in BC_MsC199_345.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"345-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:31\",\"precision\":\"\",\"size\":\"44.8 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"345-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:59\",\"precision\":\"\",\"size\":\"31.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-08-11\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Art Gallery\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU Art Gallery"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t002\tIntroduction to Daphne Marlatt by George Bowering\n\t\t029\tDaphne: I will read a few poems suggested by other people\n\t\t033\t“Old Wood”\n\t\t063\tDaphne: I would like to use forests and totems as a kind of key note for this reading\n\t\t067\t“Sea treck etc” – from Steveston\n\t\t079\t“March 13, 1969 – Into the world”\n\t\t094\t“March 16, 1970” – written on a farm in Wisconson\n\t\t114\t“Last section of rings”\n\t\t261\t“When I was young”\n\t\t280\t“Note”\n\t\t297\tBackground for selections from Here and there\n\t\t313\t“Begin with ai  from Here and there\n\t\t347\t“Drive”\n\t\t377\t“In passing”\n\t\t418\tIntroduction to a series of new prose works dealing with a trip to Britain\n\t\t435\t“Departure – Beginning and ending”\n\t\t473\t“Kinderjune”\n\t\t529\t“On Dartmoor”\n\t\t605\tIntroduction to “To Ilfrecoombe”\n\t\t621\t“To Ilfrecoombe”\n\t\t671\t“Coombe Martin”\nSide\tTrack\tNo.\tComments\nTwo\t\t003\tDaphne: “I’m going to read from a sequence of poems titled Here and there (July 1980)\n\t\t009\t#1 “Arriving…”\n\t\t014\t“Arriving” (For Fred and Pauline)\n\t\t084\t“Where” (For David)\n\t\t153\t“Drive”\n\t\t193\t“Held” (For Gloria)\n\t\t260\t“In passing”\n\t\t318\t“Begin with ai” from Here and there\n\t\t373\t“From somewhere”\n\t\t438\t“Here”\n\t\t520\t“The car…”\n"],"Note":["[{\"note\":\"Liner Notes: The Coast is Only a Line: Daphne Marlatt Reading at the SFU Art Gallery Aug. 11, 1981 Side 1 Beginning 43:30 Side 2 Conclusion 9:30 Reading in the IMC Studio 22:17 Recorded by Kurtis Vanel Dolby B\",\"type\":\"General\"},{\"note\":\"This tape is a duplicate of the tape from the Roy Miki's collection \\\"Daphne Marlatt Reading at the SFU Art Gallery and Studio on August 11, 1981 (SWALLOW ID 9129)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670553064308736,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5320","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Coast is Only a Line: David McFadden Reading in the IMC Sound Studio at SFU on August 14, 1981 #346a"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["McFadden, David"],"creator_names_search":["McFadden, David"],"creators":["[{\"url\":\"http://viaf.org/viaf/7405434\",\"name\":\"McFadden, David\",\"dates\":\"1940-2018\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Vanel, Kurtis"],"contributors_names_search":["Vanel, Kurtis"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Vanel, Kurtis"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1176/Reading in BC_MsC199_346a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"SFU\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"346a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:42\",\"precision\":\"\",\"size\":\"27.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"346a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:10:29\",\"precision\":\"\",\"size\":\"12.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-08-14\",\"type\":\"Production Date\",\"notes\":\"it's written 13 or 14 on the j-card, but it's mentioned on the audio that it's on August 14th \",\"source\":\"Recording and J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduces reading from My body was eaten by dogs\n\t\t014\t“Bathing in diabolic acid”\n\t\t066\t“Chocolate bars can fly”\n\t\t072\t“The owl”\n\t\t080\t“Low tide at Noel”\n\t\t117\t“The Angel”\n\t\t220\t“The wound”\n\t\t234\t“A knight in dried plums”\n\t\t282\t“Prince George Express” – For Gerry Gilbert & David Young \n\t\t528\t“My body was eaten by dogs”"],"Note":["[{\"note\":\"Liner Notes: David McFadden Reading at the IMC Sound Studio, SFU August 13 (or 14?), 1981 Side 120:40 Side 2 10:05 Recorded by Kurtis Vanel Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553064308737,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5321","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Coast is Only a Line: Robin Blaser Reading at the SFU Art Gallery on August 14, 1981 #346b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[RB_346B]"],"rights":["In Copyright (InC)"],"access":["Streaming"],"creator_names":["Blaser, Robin"],"creator_names_search":["Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Vanel, Kurtis"],"contributors_names_search":["Vanel, Kurtis"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug 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Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/rbr-166/rb346ba\",\"file_path\":\"\",\"filename\":\"346b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:14\",\"precision\":\"\",\"size\":\"33.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/rbr-167/rb346bb\",\"file_path\":\"\",\"filename\":\"346b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:22:33\",\"precision\":\"\",\"size\":\"24.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-08-14\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Art Gallery\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU Art Gallery"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nTwo\t\t000\tRoy Miki introduces George Bowering\n\t\t013\tGeorge Bowering introduces Robin Blaser\n\t\t056\tRobin Blaser reads from Syntax\n\t\t074\t“The truth is laughter”\n\t\t135\t“Dreams – Jan. 1981”\n\t\t145\t“The truth is laughter”\n\t\t149\t“Tombstone”\n\t\t157\t“The truth is laughter”\n\t\t164\t“Image Nation 15”\n\t\t180\t“Image Nation 16 – Anaclytic variations”\n\t\t191\t“The truth is laughter”\n\t\t198\t“Alert d’or”\n\t\t210\t“The truth is laughter”\n\t\t230\t“The ceremony”\n\t\t240\t“Dreams, April 1981”\n\t\t266\t“Diary, April 11, 1981”\n\t\t296\t“The truth is laughter”\n\t\t304\t“Occasional thought”\n\t\t309\t“Image Nation 17 – Opercula”\n\t\t368\t“Graffito”\n\t\t372\t“The mystic east”\n\t\t405\t“Lake of souls” – Reading notes\n\t\t471\t“Song in four parts for Christ the Son”\n\t\t490\t“I think non[-sensically…”\n\t\t624\tFinishes"],"Note":["[{\"note\":\"Liner Notes: The Coast is Only a Line: Robin Blaser Reading in the SFU Art Gallery, August 14, 1981 Side 1: 26:15 Side 2: 21:15 Recorded by Kurtis Vanel Dolby B\",\"type\":\"General\"},{\"note\":\"This tape is a duplicate of the tape from the Roy Miki's collection \\\"Robin Blaser Reading at the SFU Art Gallery on August 14, 1981\\\" (SWALLOW ID 9131)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670553064308738,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5366","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Eli Mandel's lecture of English 360 at SFU on July 28, 1981 Part 1 of 2 #926\n"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Mandel, Eli","[Bob?]"],"creator_names_search":["Mandel, Eli","[Bob?]"],"creators":["[{\"url\":\"http://viaf.org/viaf/59095399\",\"name\":\"Mandel, Eli\",\"dates\":\"1922-1992\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"[Bob?]\",\"dates\":\"\",\"notes\":\"I just heard his name on the audio. Not sue who he might be\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1236/Reading in BC_McS199_926.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"926-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:07\",\"precision\":\"\",\"size\":\"31.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"926-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:47\",\"precision\":\"\",\"size\":\"31.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-28\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU  \",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU  "],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"Liner Notes: Copy 1\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553065357312,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5371","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Eli Mandel's lecture of English 360 at SFU on July 30, 1981 Part 2 of 2 #930\n"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Mandel, Eli","[Bowering, George?]"],"creator_names_search":["Mandel, Eli","[Bowering, George?]"],"creators":["[{\"url\":\"http://viaf.org/viaf/59095399\",\"name\":\"Mandel, Eli\",\"dates\":\"1922-1992\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"[Bowering, George?]\",\"dates\":\"1935-\",\"notes\":\"I heard his first name on the audio, and guessed maybe he is George Bowering; not sure  \",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1241/Reading in BC_McS199_930.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"930-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:38\",\"precision\":\"\",\"size\":\"30 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"930-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:36\",\"precision\":\"\",\"size\":\"31.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-30\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU  \",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU  "],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"Liner Notes: Copy 1\",\"type\":\"General\"},{\"note\":\"I think that there is someone else on the recording, but I am not sure and I cannot hear any intros\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553065357313,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5372","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Jack Spicer discussion conclusion on serial poems in Vancouver on June 15, 1965 part 2 of 2 #752"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Spicer, Jack"],"creator_names_search":["Spicer, Jack"],"creators":["[{\"url\":\"http://viaf.org/viaf/46807530\",\"name\":\"Spicer, Jack \",\"dates\":\"1925-1965\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1242/Reading in BC_MsC199_752.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:38:00\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"752-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:45\",\"precision\":\"\",\"size\":\"44.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"752-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:47\",\"precision\":\"\",\"size\":\"44.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-06-15\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\"49.2528\",\"longitude\":\"-123.1145\"}]"],"Address":["Vancouver, BC, Canada"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"Note":["[{\"note\":\"Jack Spicer: serial poems, The Holy Grail Vancouver BC, June 15, 1965\\npart II\\nside 1: 45:00\\nside 2: 43:10\\n#752\",\"type\":\"General\"},{\"note\":\"the length of the digital file's side 1 is T00:46:45 and side 2 is T00:42:47, but the performance only takes 45 minute on side 1 and 43:10 on side 2 and the rest of audio is empt\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553066405888,"timestamp":"2026-01-07T14:59:57.525Z","contents":["Side\tTrack\tNo.\tComments\nOne\t\t011\tQuestion regarding the distinctions in Sir Galahad between foolish and fool-ish\n\t\t012\tSpicer explains the fool as a kind of a holy thing as well as something that is just stupid\n\t\t048\tQ: What role do the recurring themes play in your own thought as you go along, like the forest, the boat, the Grail and the fool?\n\t\t030\tSpicer says he tries not to think about them as they recur.  He elaborates on the ocean and the non-ocean\n\t\t080\tQuestioner says he is interested in a particular mental action that keeps Spicer ignorant of what is in his mind\n\t\t087\tSpicer says you learn how not to trust yourself so much your mind becomes blank on it.  Discussion ensues on this line of question regarding mental processes leading to Spicer’s ideas on the character of Merlin\n\t\t159\tQ: How are purity and Long Island Sound equated?\n\t\t160\tSpicer says that to identify yourself with the landscape is as stupid as identifying the Grail with purity – lengthy discussion of this idea\n\t\t209\tQ: What’s the difference between the grail in your serial poem and the moth in Robin’s serial poem?\n\t\t215\tSpicer replies that if the question had been put in threes, the grail, the moth, and the hunting of the snark, and the difference between them, then they are all collective things to be searched for.  Robin’s was immediate appearance, Spicer’s was, through poetics, Gawain’s idea of the empty cup, the full cup.  For Lewis Carroll, the snark is something that turns into a “boojum”\n\t\t243\tQuestion about Edwin Muir’s poems being similar to Jack Spicer’s (from Dorothy Livesay)\n\t\t266\tQ: How did the Australians get into the poem?\n\t\t270\tSpicer gives anecdote of Australian soldiers given defense of Greece by the British who moved out during the invasion by the Germans.  Ninety percent were killed while the British sustained few casualties\n\t\t299\tQ: Since that vessel the Grail is elusive and a mystery, is there a process on your part of what you were doing, with what the serial poem is not?  Is there a “not” process that works, a not naming it?\n\t\t307\tSpicer says that when he knew it was a grail poem, he didn’t make any effort to find it because he knew he wouldn’t find it himself.  He elaborates on this process\n\t\t327\tComment by audience member that he had thought of the poem as a poetics poem\n\t\t328\tSpicer thinks the poem goes into more of the human condition in relation to the divine taking the human.  Spicer digresses into an anecdote about Glastonbury, south of Chester (where Arthur is supposed to be buried) and an 18th century machine that could write poetry\n\t\t360\tA question about whether the forest Spicer tries to get through in his writing is the same forest that Robin Blaser talks about… the holy forest\n\t\t363\tSpicer says Blaser’s holy forest is a different forest from the grail forest, Spicer’s forest being closer to Dante’s, the human condition\n\t\t378\tQ: Doesn’t Blaser talk about getting lost in the Forest?\n\t\t380\tSpicer responds that the Forest need not be a Jungian symbol.  Further questions and answers regarding trees versus forest symbolism\n\t\t434\tA question about Spicer’s connection to Gatsby’s Long Island\n\t\t436\tSpicer says Gatsby’s Long Island is his; Gatsby’s forest is the forest of ashes\n\t\t452\tSpicer asks if the idea of the serial poem makes any sense to people\n\t\t453\tA question about the fixed order of each segment and whether Spicer changes it\n\t\t456\tSpicer says changes means the poet will be taken along his own path.  His dissatisfaction with “The book of Lancelot” lies in the fact that he is speaking through the poem\n\t\t480\tQuestioner comments that Stevens’ writings about his poetry are similar to Spicer’s; does that make him a serial; poet?\n\t\t482\tSpicer says Stevens had a map for his poetry\n\t\t503\tSpicer has become more distrustful of Stevens as people who dislike poetry become more enamored with Steven’s poetry\n\t\t514\tSpicer explains the meaning of the title “serial”; that you go from one point to another to another not really knowing where you are\n\t\t516\tGeneral discussion ensues around the choice of the word “serial”\n\t\t521\tSpicer says The Pickwick Papers in the novel term, is the only place where Dickens is completely free of a destination\n\t\t528\tSpicer on Mr. Jingle and stream of consciousness writing\n\t\t533\tQ: Does Naked Lunch relate to serial poetry?\n\t\t535\tSpicer says he doesn’t like Naked Lunch so he doesn’t think it is serial\n\t\t546\tQuestion about the flow of Spicer’s writing over nine months\n\t\t554\tSpicer discusses the writing process and answers questions on the issue of cutting, editing etc.\n\t\t570\tSpicer advises new writers to take chances and not revise; to go straight into the serial poem process\n\t\t575\tSpicer on baseball metaphor.  Spicer says he wasted much of his time on writing perfect little poems, resents this wasted time, and advises new poets to try the most complicated things and fall flat on your ass doing it\n\t\t589\tThe emphasis on craft in universities is a bunch of hogshit according to Spicer\n\t\t600\tSpicer on his nine-month writing process.  When a line comes up that is perfect, that is exactly what he wants, he stops for several hours and waits and waits\n\t\t638\tQuestioner suggests that the poem can be just a matter of chance.  Does Spicer re-read his poems?  Does he review them and then continue writing?  Isn’t a later reading of ideas from the poem just a chance association?\n\t\t653\tThe message may not be important, but you must read it again and again to find that out\n\t\t659\tSpicer says that if you’re good enough, you can act like a radio tube or a transmitter to get stuff from yourself\n\t\t665\tQuestion about Spicer’s first serial poems, The Elegies*\n\t\t669\tSpicer describes his first serial poems written over a number of years.  Discussion emerges around challenging the concept of the serial poem process, and one questioner in particular suggests that revision and input would create a more complete poem\n\t\t743\tQuestioner suggests Spicer equates passivity with unconscious skill, and uses music as an example of where a mastered skill can allow composers to create with the aid of years of practice\n\t\t762\tSpicer seems to be cut off and tape resumes at a later spot in the discussion during which Spicer counsels against revision\n\t\t787\tQuestioner asks if Spicer’s preparation is perhaps not more conscious than Spicer wants it to be, due to years of mastering the technique of poetry\n\t\t797\tSpicer says this is a conditioned idea, as in painting, that an artist has to be trained in representation before painting an abstract work\n\t\t816\tSame questioner pursues this issue with an analogy to jazz\n\t\t859\tSpicer counters argument on form by advising students to fill their minds with reading and ideas, rather than studying form\n\t\t864\tSpicer refers to San Francisco poet, Jim Alexander (“The Jack Rabbit Poem” published in J).  Alexander uses a technique of breaking words, but because he can’t spell, it is difficult to know when certain misspellings are intentional or not.  Yet mastering the language and mastering difficult poetic forms are two different things\n\t\t907\tAudience member mentions Crane’s Voyages Two, and suggests that Crane could not have written the blank verse without the openness Spicer talks about\n\t\t934\tSame questioner asks if the enjoyment of poetry isn’t in seeing someone who understands language do what he wants with it and control it because he’s practised?\n\t\t943\tSpicer argues that poetry should not be meant as a pleasure for the audience, pleasures are incidental and unrelated to the poem\n\t\t959\tDispute is settled by Spicer suggesting the disagreement lies in what a young poet should focus on\n\t\t970\tSpicer says the young poet should focus on keeping his personality out of the poem and letting something else come in\n\t\t999\tPoetry is not for pleasure.  Spicer is not sure what poetry is for, but he is trying to pass on messages through his poems.  A long debate follows among audience and Spicer on the question of pleasure in art and baseball\nTwo\t\t\tBegins: question of pleasure in art and baseball\n\t\t047\tA question begins on the poems that Spicer throws away, that are conscious poems\n\t\t059\tSpicer responds to a question about serial poetry pre-20th century\n\t\t065\tIn ruling yourself out, does this have anything to do with Eliot’s idea of impersonality and getting rid of personality?\n\t\t066\tSpicer refers to Dante and Horace as the first to know this idea, it was not a “discovery” of Eliot’s\n\t\t071\tQuestioners ask about the issue of craft and Spicer’s apparent antipathy to the idea\n\t\t073\tSpicer expounds on craft and the artist\n\t\t088\tA tussle in the audience over one questioner imposing his categories on Jack’s poem, especially the term meditative.  Another audience member says this a way of talking about them so that he doesn’t see what they are\n\t\t093\tSpicer interrupts to talk about the use of “meditative”\n\t\t107\tQuestioner believes Spicer is more interested in meditation than poetry, in the Ignatian sense\n\t\t109\tSpicer agrees – says that’s the first thing for the poet, especially for the beginning poet\n\t\t118\tSpicer says it’s a question of what is the first thing to reach, you do the simplest thing first – empty yourself out\n\t\t146\tEnd of tape, Side two"],"score":0.01643844},{"id":"5373","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Warren Tallman's lecture of English 358 at SFU on July 31, 1981 Part 2 of 2 #932\n"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Mandel, Eli","Davey, Frank"],"creator_names_search":["Tallman, Warren","Mandel, Eli","Davey, Frank"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/59095399\",\"name\":\"Mandel, Eli\",\"dates\":\"1922-1992\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/5029235\",\"name\":\"Davey, Frank\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1244/Reading in BC_McS199_932.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"932-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:01\",\"precision\":\"\",\"size\":\"29.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"932-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:59\",\"precision\":\"\",\"size\":\"31 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-31\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU  \",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU  "],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"Liner Notes: Copy 1\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553066405890,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5375","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Eli Mandel's lecture of English 360 at SFU on August 4, 1981 Part 1 of 2 #933"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Mandel, Eli"],"creator_names_search":["Mandel, Eli"],"creators":["[{\"url\":\"http://viaf.org/viaf/59095399\",\"name\":\"Mandel, Eli\",\"dates\":\"1922-1992\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1247/Reading in BC_McS199_933.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"933-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:33:16\",\"precision\":\"\",\"size\":\"32.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"933-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:11\",\"precision\":\"\",\"size\":\"31.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-08-04\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU  \",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU  "],"City":["Burnaby, British Columbia"],"content_notes":["Side 1: Lecture starts after 13 minutes of the recording"],"Note":["[{\"note\":\"Liner Notes: Copy 1\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553066405891,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5376","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Lecture #3: Jack Spicer at Tallman’s house in Vancouver on June 17, 1965 part 1 of 2 #753"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Spicer, Jack"],"creator_names_search":["Spicer, Jack"],"creators":["[{\"url\":\"http://viaf.org/viaf/46807530\",\"name\":\"Spicer, Jack \",\"dates\":\"1925-1965\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1251/Reading in BC_MsC199_753.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T02:10:00\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"753-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:51\",\"precision\":\"\",\"size\":\"58.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"753-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:51\",\"precision\":\"\",\"size\":\"60.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-06-17\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/487641396\",\"venue\":\"Warren Tallman’s House\",\"notes\":\"Tallman and family lived in the '50s & '60s at 2527 West 37th Ave in Kerrisdale and this was where quite a few talks and reading were held and recorded.\",\"address\":\"2527 West 37th Avenue, Vancouver, British Columbia, Canada\",\"latitude\":\"49.23722\",\"longitude\":\"-123.11556\"}]"],"Address":["2527 West 37th Avenue, Vancouver, British Columbia, Canada"],"Venue":["Warren Tallman’s House"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"Note":["[{\"note\":\"Jack Spicer: Lecture #3, \\nJune 17, 1965\\nRecorded at Tallman's\\npart I\\nside 1: 45:30\\nside 2: 45:10\\nMASTER\\nDOLBY B\\n #753 \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553066405892,"timestamp":"2026-01-07T14:59:57.525Z","contents":["Side\tTrack\tNo.\tComments\nOne\t\t008\tSide one begins with introduction by Spicer on talking about and reading a poem in process, with the possibility this could ruin the poem\n\t\t032\tHe will give some background to the process of his poem.  He asks the audience to imagine that he has started to write a poem that he is one quarter to halfway through and invites questions on the process of this poem and how he would treat a poem he was starting now\n\t\t093\tSomeone asks what Spicer is worried about\n\t\t094\tQuestions begin before the reading of the poem-in-process beginning with someone asking if he wants the audience to write his poem.  Spicer responds, no, but that it is a possible problem when reading an unfinished work\n\t\t095\tSpicer responds with a discussion of the previous Vancouver poems he wrote, one of which was a section of a long poem called The Book of Magazine Verse\n\t\t122\tSpicer describes his numbering and sectioning process\n\t\t145\tSpicer thought of writing poems for magazines that wouldn’t print them.  General laughter\n\t\t139\tQuestioner asks if at this point he sees several directions at once\n\t\t160\tSpicer says he tries many directions and that this book, although good, is not that good… it may go down the drain\n\t\t173\tThe first of many questions about the mind being an empty vessel\n\t\t188\tSpicer considers the necessity of the element of chance in a poet’s work\n\t\t189\tQ; Is it possible that the voice could tell you the third part first?\n\t\t212\tSpicer says he’s never changed chronological order, but it is possible and he would like to.  But then whatever you’d like to do, is a very bad idea in a poem\n\t\t220\tSpicer on the poet’s own rules.  Rules can be arbitrary you can have rules that you cheat from, you can change the rules\n\t\t238\tAre you cheating at this game if you use the dream?\n\t\t241\tSpicer explains this question is in reference to Vancouver poems that were almost edited directly from drams he had in Vancouver in May, 1965\n\t\t249\tSpicer thinks a dream is the same as any other piece of furniture in the room.  But he doesn’t see the dream as being a meditation thing\n\t\t285\tQuestions about dictated thoughts – where, when, how they came to Spicer\n\t\t347\tQ: Is dictation usually in words or images or combinations of these?\n\t\t348\tSpicer says it comes never in images, sometimes in rhythms\n\t\t350\tDorothy Livesay interjects that Hopkins heard the music and the rhythm and finally had to write The Wreck of the Deutschland\n\t\t354\tSpicer says his Arthur poem mentions the noise in the head of the poem which dictates itself in rhythm, which always is in rhythm you don’t want\n\t\t363\tSpicer says you can always get poems if you know how to empty yourself\n\t\t377\tQ: Where does the craft and the intelligence of the poet enter into the poem?\n\t\t380\tSpicer says intelligence is part of the furniture and craft is something you want to get out of the house so enough ghosts can get into the house.  You have to learn to take out the majority of your craft\n\t\t396\tSpicer turns to the poems (from Book of Magazine Verse) “Two Poems for The Nation”\n\t\t416\tEnds\n\t\t417\t“Six Poems for Poetry Chicago”\n\t\t425\tTwo\n\t\t437\tThree\n\t\t439\tTape fades out and seems to begin again at 425 (above)\n\t\t449\tFour\n\t\t457\tFive\n\t\t472\tEnd\n\t\t473\tTISH Poems 1\n\t\t482\tTwo\n\t\t489\tThree\n\t\t498\tEnd\n\t\t499\t“Four Poems for Ramparts”\n\t\t521\tThree\n\t\t529\tFour\n\t\t540\tEnds\n\t\t541\tFour Poems for The St. Louis Sporting News\n\t\t551\tTwo\n\t\t560\tThree\n\t\t569\tFour\n\t\t578\tEnds\n\t\t579\t“Poems for the Vancouver Festival”\n\t\t604\tTape ends in the middle of #3\n\t\t\tContinued on Side Two\nTwo\t\t005\tSide two begins mid-reading by Spicer\n\t\t013\tQuestions begin with wanting to know how long Spicer had been working on this poem\n\t\t018\tSpicer discusses writing The Vancouver poems in Vancouver.  Spicer says the current poems are in a mess, not knowing what they want to be\n\t\t056\tSpicer asks what is the audience’s reaction to the poems just read (presumably the Vancouver poems) – do the voices come through?\n\t\t058\tVarious subjective comments from audience\n\t\t113\tSpicer feels the poem will move closer toward building the city instead of the celebration of the city as the Textbook of Poetry did\n\t\t149\tJamie sees the Vancouver Poems as being intimately connected wi5th the baseball image of the city – the diamond image connected with the city’s pearl in the sea image\n\t\t175\tSpicer says he wrote the poem after going to “that awful place where the ferry boats are” – (Horseshoe Bay)\n\t\t188\tSpicer explains his use of the term ‘measure’ as it relates to the city and walking through it\n\t\t253\tQuestioner argues that there must be a voice which is inherently that of the poet and not the furniture cluttering the mind\n\t\t255\tSpicer disagrees\n\t\t276\tSpicer goes into music and Stravinsky to elaborate his point\n\t\t302\tQuestioner asks if not all of the questions directed at Spicer contain a doubt that Spicer’s skills, personality, accomplishment with language are ruled out when the upside is dictating the poem.  If people are not wondering if you’re there, Jack Spicer?\n\t\t313\tSpicer agrees that people don’t believe him, but that they may believe him if there were to try it\n\t\t329\tSpicer is asked – again – if he sees the dictation of the poem as a meditative process instead of some technique of poetry\n\t\t330\tSpicer says Cezanne (his favourite painter) likely never meditated a day in his life, but he managed to have his last 10 years of painting pure of anything which he intended which is something that Kandinsky (nice painter) never did\n\t\t339\tSpicer points out that he doesn’t expect anyone to take his word on it, but he would like to see people experiment with it\n\t\t347\tSpicer goes back to the discussion of his mind being a blank as he works.  It is an impossible process to make your mind a blank – He points to the process of playing an instrument as an example\n\t\t363\tInterjection from listener claiming Spicer to have given the best and most accurate description of the production of art he has ever heard\n\t\t376\tSame speaker says Copland once remarked that the best performances always are those just this side of disaster.  He says this is so much like Spicer’s idea of taking a change and risking it\n\t\t386\tSpicer says Ernst Block came to CAL and was pleased by the fact that Toscanini said he wouldn’t play anything by Block because it was too bloody.  Bloch realized he had to play the dance between the tensions of bloody and too bloody\n\t\t403\tQ: How do you judge what comes through to be a true message, what do you want to say?\n\t\t407\tSpicer uses the analogy of baseball again calling the poet a catcher who likes to think of himself as a pitcher.  Diverges into a baseball pitching anecdote denoting how a pitcher gets pleased with something he’s done\n\t\t457\tQ: about the magazine verse poem and Spicer’s comment about being becalmed or not becalmed\n\t\t474\tSpicer asks what people thought about the lemon.  Discussion ensues about oranges and lemons and oval as the wrong description of a lemon\n\t\t515\tStudent remarks that it seemed like a Romantic poem compared to the Heads of the Town Up to the Aether which gave Spicer’s bitterness\n\t\t526\tSpicer asks if anyone saw the connection with the oranges and the last baseball poem\n\t\t531\tSpicer says Abner Doubleday was one of the first inventors of baseball and the first president of the American Theosophical Society.  Debate continues as to whether baseball belongs to Vancouver, or to Canada, or not.  Discussion dissolves into laughter and general chaos.\n\t\t537\tDorothy Livesay suggests the poem is about Spicer, about the States, it’s not Canadian.  She says baseball is an American game; here they play soccer and cricket.  She is generally laughed and booed down"],"score":0.01643844},{"id":"5377","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Lecture #3, Jack Spicer at Tallman’s house in Vancouver on June 17, 1965 part 2 of 2 #754"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Spicer, Jack"],"creator_names_search":["Spicer, Jack"],"creators":["[{\"url\":\"http://viaf.org/viaf/46807530\",\"name\":\"Spicer, Jack \",\"dates\":\"1925-1965\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1252/Reading in BC_MsC199_754.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:52:00\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"754-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:10\",\"precision\":\"\",\"size\":\"29.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"754-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:07\",\"precision\":\"\",\"size\":\"28.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-06-17\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/487641396\",\"venue\":\"Warren Tallman’s house\",\"notes\":\"Tallman and family lived in the '50s & '60s at 2527 West 37th Ave in Kerrisdale and this was where quite a few talks and reading were held and recorded.\",\"address\":\"2527 West 37th Avenue, Vancouver, British Columbia, Canada\",\"latitude\":\"49.23722\",\"longitude\":\"-123.11556\"}]"],"Address":["2527 West 37th Avenue, Vancouver, British Columbia, Canada"],"Venue":["Warren Tallman’s house"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"Note":["[{\"note\":\"Jack Spicer: Lecture #3, \\nJune 17, 1965\\nRecorded at Tallman's\\npart II\\nside 1: 29:25\\nside 2: 28:30\\nMASTER\\nDOLBY B\\n #754 \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553067454464,"timestamp":"2026-01-07T14:59:57.525Z","contents":["Side\tTrack\tNo.\tComments\nOne\t\t009\tQ: If you pitched an orange to your own catcher, you yourself writing, would you catch it?\n\t\t019\tSpicer: Is there a batter between the pitcher and the catcher?\n\t\t028\tSpicer goes into baseball metaphor to contend with this question\n\t\t047\tStudents ask about a play on the words lemon and pitcher, and various other word usages, ie. Oranges and lemons\n\t\t085\tQuestion regarding Yeats’s message of a non-tragic universe.  Does Spicer sense that the news coming to him is of a tragic or non-tragic nature?\n\t\t109\tA question about the fool to which Spicer responds on the catcher as the fool.  A long discussion baseball metaphors follows, which ends at 196 with Spicer saying he thinks the baseball metaphor has gotten them all confused\n\t\t202\tA return to the discussion with a question about how long it will take Spicer to finish the poem.  Spicer to finish the poem.  Spicer reflects on not wanting to leave Vancouver, not having a job, his reluctance to return to Berkeley\n\t\t217\tResponding to a question about a transition he is undergoing in his writing, Spicer uses radio metaphor to explain that one cannot separate writing from living\n\t\t226\tA question asking when Heads of the Town was written and several comments follow, including one by Dorothy Livesay, which agree that it seemed a different poem from others\n\t\t242\tA question on Spicer’s change of writing as it is affected by change in lifestyle\n\t\t245\tSpicer explains\n\t\t286\tEllen Tallman says the last part of the Vancouver festival poetry makes her feel that the questions and warnings that exist in Spicer’s other poems aren’t there in the last three poems\n\t\t292\tSpicer agrees that it scares him too\n\t\t294\tAn outburst of discussion on this point\n\t\t309\tQ: This change of geography – is it important to most poets and to yourself?\n\t\t317\tSpicer responds that gait is more important than measure to changes in geography\n\t\t333\tAnecdote about Valery going to a lecture about his own poems.  “I felt as though they were talking about a ghost of myself”\n\t\t345\tQuestioner returns to his inquiry into the tragic dimension of poetry and wants to pursue the discussion into what he sees as the comic dimension of Spicer’s poems\n\t\t348\tSpicer quotes Ogden Nash in response\n\t\t372\tA question about the lines of distinction between Spicer and the ghosts\n\t\t380\tSpicer complains that no one believes his belief in the ghost, that what he writes is outside of, rather than in his head\n\t\t383\tSomeone responds that it is not so much disbelief as the Vancouver writing community’s preoccupation with the handling of the language as prior, whereas Spicer’s method seems to reverse that\nSide\tTrack\tNo.\tComments\nOne\t\t397\tSide One ends in the middle of this discussion\nTwo\t\t006\tSide Two begins in the middle of a discussion about Spicer’s messages in his work\n\t\t050\tQ: At what point did Spicer begin to receive these messages\n\t\t056\tSpicer said they began halfway through the Lorca poems; before that he just wrote poems\n\t\t078\tLivesay questions Spicer about the importance of these messages to either Spicer or his readers wince Spicer says the messages are not important\n\t\t084\tSpicer qualifies his use of the term unimportant.  They are important to your life since you live it as something more than a human being\n\t\t107\tSpicer is asked if he is writing with any special purposes.  A debate ensues over Yeats\n\t\t156\tWarren Tallman asks if former poets can be part of the outside\n\t\t163\tSpicer discusses Dunbar’s Lament fort the Makers.  Says he got Lorca directly on the phone from the past.  But it’s difficult to know what is your reading of English literature and what is ghosts\n\t\t194\tSpicer describes Blaser’s ghosts and is less sure about Duncan’s ghosts\n\t\t213\tQuestion asked if the ghosts must be from or in the locale in which the writer works\n\t\t214\tSpicer says this makes sense.  A discussion of Lorca and Duende begins moving into a story about Billie Holiday\n\t\t311\tSpicer talks about TISH\n\t\t338\tTallman says that also in the summer of ’63 Olson had a visit from his angel – Did this make sense to Spicer?\n\t\t341\tSpicer says angel means messenger in Hebrew\n\t\t350\tLivesay asks if this is the same for Rilke’s angels\n\t\t351\tSpicer says Rilke’s angels come from things rather than the opposite way of Jacob’s wrestlers\n\t\t409\tSpicer invites one last question and is asked who he thinks will win the pennant.  His bet is Milwaukee\n\t\t427\tDiscussion dissolves"],"score":0.01643844},{"id":"5378","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Duncan speaks on Jack Spicer at Zen Center in San Francisco on April 13, 1980 part 1 of 2 #755\n"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert"],"creator_names_search":["Duncan, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1980],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1253/Reading in BC_MsC199_755.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"755-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:33:54\",\"precision\":\"\",\"size\":\"32.1 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"755-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:01\",\"precision\":\"\",\"size\":\"44.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1980-04-13\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/3439271\",\"venue\":\"Zen Center\",\"notes\":\"\",\"address\":\"300 Page St, San Francisco, CA 94102, United States\",\"latitude\":\"37.77391\",\"longitude\":\"-122.42612\"}]"],"Address":["300 Page St, San Francisco, CA 94102, United States"],"Venue":["Zen Center"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n½\t\t\tRobert Duncan speaks on Jack Spicer"],"Note":["[{\"note\":\"Robert Duncan speaks on Jack Spicer \\nSan Francisco, Zen Center\\nApril 13, 1980\\nPart I \\n#755 \",\"type\":\"General\"},{\"note\":\"The first 14 minutes and 47 seconds of side 2 is empty.\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553067454465,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5379","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Duncan speaks on Jack Spicer at Zen Center in San Francisco on April 13, 1980 part 2 of 2 #756"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert"],"creator_names_search":["Duncan, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1980],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1254/Reading in BC_MsC199_756.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"756-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:35:06\",\"precision\":\"\",\"size\":\"34.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"756-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:57\",\"precision\":\"\",\"size\":\"45.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1980-04-13\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/3439271\",\"venue\":\"Zen Center\",\"notes\":\"\",\"address\":\"300 Page St, San Francisco, CA 94102, United States\",\"latitude\":\"37.77391\",\"longitude\":\"-122.42612\"}]"],"Address":["300 Page St, San Francisco, CA 94102, United States"],"Venue":["Zen Center"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n½\t\t\tRobert Duncan speaks on Jack Spicer\n"],"Note":["[{\"note\":\"Robert Duncan speaks on Jack Spicer \\nSan Francisco, Zen Center\\nApril 13, 1980\\nPart II \\n#756\",\"type\":\"General\"},{\"note\":\"The first 14 minutes and 42 seconds of side 2 is empty.\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553067454466,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5380","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Performance_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1285/Reading in BC_MsC199_774.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"774-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:28\",\"precision\":\"\",\"size\":\"30.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"774-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:30\",\"precision\":\"\",\"size\":\"30.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-11-03\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n½ Part IV\t\t\tVictor Coleman, Adeena Karasick, Michael Ondaatje, Lola Tostevin\n"],"Note":["[{\"note\":\"bp Nichol Tribute\\npanel evening November 3, 1990\\nVictor Coleman, Adeena Karasick, Michael Ondaatje and Lola Tostevin\\nPart IV of IV\\nDLOBY B\\ntape 4\\n#774\",\"type\":\"General\"},{\"note\":\"Te first minutes 28 and 30 seconds of second side is full, and the rest is empty. \",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553073745921,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5410","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Two Toughs: Ed Sanders and Michael Brownstein reading at Naropa Institute Jack Kerouak school Disembodied poetics, Summer Session 1975. Duplicate 1 of 2. #775"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Brownstein, Michael","Sanders, Ed"],"creator_names_search":["Brownstein, Michael","Sanders, Ed"],"creators":["[{\"url\":\" http://viaf.org/viaf/91276819\",\"name\":\"Brownstein, Michael \",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/22183708\",\"name\":\"Sanders, Ed \",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1286/Reading in BC_MsC199_775.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"775-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:01:12\",\"precision\":\"\",\"size\":\"59.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"775-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:06:07\",\"precision\":\"\",\"size\":\"66.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976\",\"type\":\"Performance Date\",\"notes\":\"It's the date that is written in inventory BC document \",\"source\":\"Inventory\"},{\"date\":\"1975\",\"type\":\"Performance Date\",\"notes\":\"This is the date that is mentioned by Ed Sanders on the digital file \",\"source\":\"Recording\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/391232001\",\"venue\":\"Naropa Institute\",\"notes\":\"\",\"address\":\"2130 Arapahoe Ave, Boulder, CO 80302, United States\",\"latitude\":\"40.01405\",\"longitude\":\"-105.26695\"}]"],"Address":["2130 Arapahoe Ave, Boulder, CO 80302, United States"],"Venue":["Naropa Institute"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n1\t\t\tEd Sanders reading: Untitled I, Untitled II, The Struggle, Homage to Zap, Children of Freedom, Souls, From the Diary Secret Notebooks, Stand by My Side, Oh Lord, Eulogy for ()\n2\t\t\tMichael Brownstein reading: Plot to Save the World, Oh Tuna, Strindberg, The Sidewalk, The Wind, It Can’t be True, The Booklets, Dinner Music, Geography\n"],"Note":["[{\"note\":\"Two Toughs\\nside 1: Ed Sanders\\nside two: Michael Brownstein  \\n#775\",\"type\":\"General\"},{\"note\":\"The first 28 minutes and 34 seconds of side one is full, and the rest is empty. \\n\",\"type\":\"\"},{\"note\":\"The first 28 minutes and 35 seconds of side two is full, and the rest is empty. \",\"type\":\"\"},{\"note\":\"The reading date is different on inventory and audio file \",\"type\":\"\"},{\"note\":\"Tape #975 is duplicate 2\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670553073745922,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5411","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Gael Turnbull reading at University of New Mexico,\nOctober 1963 #776"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Turnbull, Gael"],"creator_names_search":["Turnbull, Gael"],"creators":["[{\"url\":\"http://viaf.org/viaf/92754332\",\"name\":\"Turnbull, Gael \",\"dates\":\"1928-2004\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1287/Reading in BC_MsC199_776.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:39:00\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"776-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:21:32\",\"precision\":\"\",\"size\":\"26.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"776-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:18:50\",\"precision\":\"\",\"size\":\"24.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-10\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/305072242\",\"venue\":\"University of New Mexico\",\"notes\":\"\",\"address\":\"Albuquerque, NM 87131, United States\",\"latitude\":\"35.0850\",\"longitude\":\"-106.6201\"}]"],"Address":["Albuquerque, NM 87131, United States"],"Venue":["University of New Mexico"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n½ \t\t\tGael Turnbull reading\n"],"Note":["[{\"note\":\"Gael Turnbull reading at University of New Mexico, October\\n1963\\nside 1: 21\\nside 2: 18\\nDOLBY B\\n#776 \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553073745923,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5367","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Jack Spicer discussion on serial poems and reading from \"The Holy Grail\" in Vancouver on June 15, 1965 part 1 of 2 #751\n"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Spicer, Jack"],"creator_names_search":["Spicer, Jack"],"creators":["[{\"url\":\"http://viaf.org/viaf/46807530\",\"name\":\"Spicer, Jack \",\"dates\":\"1925-1965\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1237/Reading in BC_MsC199_751.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T02:04:00\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"751-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:34:58\",\"precision\":\"\",\"size\":\"48.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"751-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:34:48\",\"precision\":\"\",\"size\":\"47.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-06-15\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\"49.2528\",\"longitude\":\"-123.1145\"}]"],"Address":["Vancouver, BC, Canada"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"Note":["[{\"note\":\"Jack Spicer: serial poems, The Holy Grail Vancouver BC, June 15, 1965\\npart I\\nside 1: 34:10\\nside 2: 33:57\\n#751 \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553073745924,"timestamp":"2026-01-07T14:59:57.525Z","contents":["Side\tTrack\tNo.\tComments\nOne\t\t009\tIntroductory comments by Jack Spicer\n\t\t036\tThe Serial Poem was a kind of joke to begin with; the name of it, that is, not the poem itself.  Spicer refers to Robin Blaser’s poetics and the similarities between their serial poems’ style\n\t\t050\tSpicer refers to Duncan’s poems “Medieval Scenes” (Selected Poems) and “The Opening of the Field” as his two best poems that are also “pure honest-to-god serial poems”\n\t\t066\tSpicer reflects on what a serial poem is.  First you have to know what it isn’t in order to determine what it is\n\t\t082\tYou have to go into a serial poem not knowing what you are doing.  You have to be tricked into it.  You can’t do what D.H. Lawrence did in Birds, Beasts and Flowers and say that this is a serial poem\n\t\t096\tA serial poem has to be chronological\n\t\t107\tSpicer says Stevens’ Harmonium is closer to the serial poem.  His poems written over four years do connect and seem to proceed under their own laws\n\t\t117\tOlson and Pound are good examples of how the planned poem can get caught up in and become a serial poem.  Olson’s Maximus Poems changed as he began his writing\n\t\t140\tOlson started out as a man facing history and the poems have become something more than that, which Spicer is sure has scared Olson many times by the way that the poems go\n\t\t158\tThe real serial poem takes you on a path that you have no idea about, and which permits no looking backwards\n\t\t190\tSpicer says he wrote The Holy Grail being completely unsuspicious that what he started out to write would become a book of poems\n\t\t196\tWhen the first book was completed, Spicer experienced surprise at the form that took place in the book.  He discusses the voices in search of the Holy Grail and the Book of Percival\n\t\t227\tSpicer thinks what makes people (Duncan, Robin Blaser, himself) write serial poems is the fact of becoming focused on the individual part enough to have a better chance of being an empty vessel to be filled up by whatever is outside\n\t\t244\tSpicer discusses his process of writing the “dictated poem” in one sitting to avoid the poet later imposing a voice on the poem\n\t\t253\tSpicer is asked if in the meantime other poems are happening to him\n\t\t256\tSpicer responds that this is probably true, yet they rarely have anything to do with the poem, and can result in you dictating the path to the poem rather than the poem dictating to you\n\t\t290\tSpicer discusses “the Hunting of the Snark” as a narrative poem which in some ways resembles a serial poem\n\t\t299\tQuestioner notes that Spicer argues you cannot interfere with the pathway, you cannot look back.  Spicer interrupts question with a comment that the myth of Orpheus and Eurydice was an attempt to enter this concept into Greek poetry\n\t\t305\tQuestioner asks then when do you know you’re on the wrong path?\n\t\t313 \tSpicer responds by discussing his process with his “textbook of poetry”.  (The Heads of the Town, Up to the Author, (Homage to Creeley)\n\t\t326\tSpicer talks about Yeats coming closer to the serial poem than most other poets\n\t\t330\tSpicer says cheating at this game is permissible as long as it’s done at the right time\n\t\t339\tSpicer introduces The Holy Grail by referencing poems by Tennyson (Idylls of the King)\n\t\t349\tSpicer reads from The Holy Grail\n\t\t426\tPoem 4 fades out on recording and fades in again at Poem 5\n\t\t476\tSide one ends at Poem #6\nTwo\t\t007\tSide two begins at start of Poem 6\n\t\t342\tEnd of reading of The Holy Grail\n\t\t347\tSpicer invites questions about things not understood in the poem\n\t\t358\tQuestion asked if the medium of dictating ended after “The Book of Arthur”\n\t\t359\tSpicer says the dictation about the death of Arthur had to end with his death\n\t\t368\tWho are the Tony(s) in the poem?\n\t\t368\tSpicer responds that proper names are a disturbance in the poem that must be addressed then left behind\n\t\t383\tQuestion about the reference to ocean in “the Book of Lancelot”\n\t\t385\tSpicer talks about the reference in terms of Irish versus non-Irish and a lack of an ocean off the Irish Coast.  The ocean is always at the outside, the periphery of the legend although the Grail legend does not mention an ocean\n\t\t392\tWho was the Old Flash?\n\t\t392\tSpicer says it was a Frankie Trish quotation from a baseball game\n\t\t397\tQuestioner says he’s at a loss with  The Book of Lancelot, seventh poem\n\t\t399\tIn response to Spicer’s “why”, questioner says he has problem with the horse being called “Dada”\n\t\t400\tSpicer says the Book of Lancelot is the most laboured.  (Dada refers to the word hobby horse chosen by the Dadaists).  Spicer says many things in this Book are radically wrong, and the poet is conscious of himself during the poem.  The Book of Guinevere, however rescues it\n\t\t412\tSpicer repeats that Guinevere is a bitch and questioner asks why he keeps saying that\n\t\t423\tSpicer says the book took nine months to write and that all mammals have different gestation periods, all books do too\n\t\t438\tSpicer explains the Foolkiller, as a Western American Story meant to frighten children\n\t\t456\tSpicer discusses character of Percival as the best person in the Grail story\n\t\t465\tSpicer found it annoying when the character of Percival entered the dictation because he thought the poem was finished\n\t\t473\tTape Side two ends mid-sentence"],"score":0.01643844},{"id":"5368","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Warren Tallman's lecture of English 358 at SFU on July 29, 1981 Part 1 of 2 #927\n"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Hindmarch, Gladys"],"creator_names_search":["Tallman, Warren","Hindmarch, Gladys"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/38164256\",\"name\":\"Hindmarch, Gladys\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1238/Reading in BC_McS199_927.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"927-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:40\",\"precision\":\"\",\"size\":\"37.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"927-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:41\",\"precision\":\"\",\"size\":\"38.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-29\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU  \",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU  "],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"Liner Notes: Copy 1\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553074794496,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5369","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Eli Mandel's lecture of English 360 at SFU on July 30, 1981 Part 1 of 2 #929\n"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Mandel, Eli","Kearns, Lionel"],"creator_names_search":["Mandel, Eli","Kearns, Lionel"],"creators":["[{\"url\":\"http://viaf.org/viaf/59095399\",\"name\":\"Mandel, Eli\",\"dates\":\"1922-1992\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/30784380\",\"name\":\"Kearns, Lionel \",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1240/Reading in BC_McS199_929.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"929-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:34\",\"precision\":\"\",\"size\":\"38.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"929-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:37\",\"precision\":\"\",\"size\":\"39.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-30\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU  \",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU  "],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"Liner Notes: Copy 1\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553074794498,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5412","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Patrick Lane’s 55th Birthday: Susan Musgrave and Patrick Lane live on a radio line on March 28 and 30, 1994 #777\n"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Lane, Patrick","Musgrave, Susan","[Phillip?]"],"creator_names_search":["Lane, Patrick","Musgrave, Susan","[Phillip?]"],"creators":["[{\"url\":\"http://viaf.org/viaf/66513400\",\"name\":\"Lane, Patrick\",\"dates\":\"1939-2019\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\" http://viaf.org/viaf/19806786\",\"name\":\" Musgrave, Susan\",\"dates\":\"1951-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"[Phillip?]\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors":["[]"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1288/Reading in BC_MsC199_777.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"777-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:10\",\"precision\":\"\",\"size\":\"61.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"777-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:36\",\"precision\":\"\",\"size\":\"63.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-03-28\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1994-03-30\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n½\t\t\tVarious readings\n"],"Note":["[{\"note\":\"Patrick Lane’s 55th Birthday\\nEarly edition March 28, 1994\\nMorningside March 30\\n13:39\\n10:53\\n#777 \",\"type\":\"General\"},{\"note\":\"The first 19 minutes and 40 seconds of side two is full, and the rest is empty.\\n\\npart two is empty\",\"type\":\"\"},{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553075843072,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5417","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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experiences in Cuba; impressions of the revolution, secret police, “faggot problem” (and reason for this), etc.\n\t\t282\tPersecution of persons with “bad ideology” in Cuba by dogmatic “finks”; “finks” opposed to liberal “true communists”\n\t\t325\tGinsberg told on arrival to speak freely to “free press”; comments made in interview branded over to secret police\n\t\t359\tHeavily censored Cuban press; news is spread by gossip\n\t\t377\tGinsberg’s friend arrested for conversing with foreigners\n\t\t435\tCuban officials effectively cut Ginsberg off from communicating\n\t\t506\tGinsberg deported to Prague\n\t\t533\tOther poets (members of La Casa de los Americas) also deported due to Tampdown by “dogmatic types”; this situation a result of American antagonism\n\t\t585\tCzechoslovakia: Prague the Czech equivalent to San Francisco; talks about youth culture, literary culture\n\t\t665\tGinsberg’s discreet sexual experiences in Prague\n\t\t687\tMoscow: Reads from a conversation with a Russian poet\n\t\t815\tGinsberg allowed to have private conference with Russian University professors and advanced students\n\t\t851\tPoland: Talks about 1956 “thaw”; censorship organizations in Czechoslovakia and Russia compared to Poland’s\n\t\t896\tReturn to Prague\n\t\t946\tMayday celebration In Prague, student’s festival in which May King and May Queen elected\n\t\t980\tSide one ends\nTwo\t\t000\tGinsberg recounts how he was elected May King, a title which was later stripped from him\n\t\t077\tGinsberg’s notebook, and how it got him into trouble\n\t\t181\tLecture ends"],"Note":["[{\"note\":\"The Berkeley Poetry Conference Part 6 July 22nd, 1965\\nAllan Ginsberg Lecture: What's Going on in the World\\nSide 1 43 min\\nSide 2 34 min\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553075843073,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5418","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["CBC Arts week: John Newlove interview with Shelagh Rogers on March 13, 1994 #778\n"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Newlove, John","Rogers, Shelagh"],"creator_names_search":["Newlove, John","Rogers, Shelagh"],"creators":["[{\"url\":\"http://viaf.org/viaf/92277383\",\"name\":\"Newlove, John\",\"dates\":\"1938-2003\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/31294368\",\"name\":\"Rogers, Shelagh \",\"dates\":\"1956-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors":["[]"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1301/Reading in BC_MsC199_778.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:19:20\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"778-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:24:56\",\"precision\":\"\",\"size\":\"25.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"778-side-2 - blank.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:38\",\"precision\":\"\",\"size\":\"24.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-03-13\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/50259713\",\"venue\":\"CBC studio\",\"notes\":\"We assume that this tape was recorded in Vancouver\",\"address\":\"700 Hamilton Street Vancouver, British Columbia V6B 4A2\",\"latitude\":\"49.27915495\",\"longitude\":\"-123.11434125336939\"}]"],"Address":["700 Hamilton Street Vancouver, British Columbia V6B 4A2"],"Venue":["CBC studio"],"City":["Hamilton, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n½ \t\t\tJohn Newlove: Apology for Absence\n"],"Note":["[{\"note\":\"John Newlove, Apology for Absence\\nCBC\\nArtsweek March 13, 1994 \\nDOLBY B\\n19:20\\n#778 \",\"type\":\"General\"},{\"note\":\"side two is empty.\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553075843074,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5419","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Robber Bride: Margaret Atwood at CBC\nMorning side on September 29 and Arts Week on October 3, 1993 #779\n"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Atwood, Margaret"],"creator_names_search":["Atwood, Margaret"],"creators":["[{\"url\":\"http://viaf.org/viaf/109322990\",\"name\":\"Atwood, Margaret\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1993],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1322/Reading in BC_MsC199_779.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:43:22\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"779-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:31\",\"precision\":\"\",\"size\":\"64.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"779-side-2 - blank.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:42\",\"precision\":\"\",\"size\":\"63.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1993-10-03\",\"type\":\"Performance Date\",\"notes\":\"Artsweek\",\"source\":\"J-card\"},{\"date\":\"1993-09-29\",\"type\":\"Performance Date\",\"notes\":\"Morning side\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/50259713\",\"venue\":\"CBC studio\",\"notes\":\"We assume that this tape was recorded in Vancouver\",\"address\":\"700 Hamilton Street Vancouver, British Columbia V6B 4A2\",\"latitude\":\"49.27915495\",\"longitude\":\"-123.11434125336939\"}]"],"Address":["700 Hamilton Street Vancouver, British Columbia V6B 4A2"],"Venue":["CBC studio"],"City":["Hamilton, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n1\t\t\tMorningside, Sept. 29, 1993\n2\t\t\tArtsweek, Oct. 3, 1993\n"],"Note":["[{\"note\":\"The Robber Bride, Margaret Atwood \\nCBC \\nMorningside September 29, 1993\\nArts week October 3, 1993 \\n23:45\\n19:37\\n#779\",\"type\":\"General\"},{\"note\":\"side two is empty.\\n\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553075843075,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5420","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Joe Ross and Douglas Messerli at Kootenay School of Writing on November 7, 1993 #780"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Messerli, Douglas","Ross, Joe"],"creator_names_search":["Messerli, Douglas","Ross, Joe"],"creators":["[{\"url\":\"http://viaf.org/viaf/110486405\",\"name\":\"Messerli, Douglas \",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/72118043\",\"name\":\"Ross, Joe \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1993],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1323/Reading in BC_MsC199_780.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"780-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:01\",\"precision\":\"\",\"size\":\"48.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"780-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:22\",\"precision\":\"\",\"size\":\"48.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1993-11-07\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/806961605\",\"venue\":\"Kootenay School of Writing\",\"notes\":\"\",\"address\":\"112 West Hastings, Vancouver, BC, Canada\",\"latitude\":\"49.28097 \",\"longitude\":\"-122.99535\"}]"],"Address":["112 West Hastings, Vancouver, BC, Canada"],"Venue":["Kootenay School of Writing"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n1\t\t\tJoe Ross\n2\t\t\tDouglas Messerli\n"],"Note":["[{\"note\":\"Joe Ross and Douglas Messerli\\nKootenay School of Writing, Vancouver BC November 7, 1993\\n#780\",\"type\":\"General\"},{\"note\":\"The first 23 minutes and 14 seconds of side 1 is full, and the rest is empty. Also, the quality is poor. \",\"type\":\"\"},{\"note\":\"The first 30 minutes and 50 seconds of side 2 is full, and the rest is empty. Also, the quality is poor.\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553075843076,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5421","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Pacifica Radio series on Ezra Pound: reading and discussion of the Cantos of Ezra Pound by Everett Frost, George Gupelberger, Paul Vangelisti, and Hugh Kenner, 1973 Part 2 of 2 #508b"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Pound, Ezra","Kenner, Hughes","Frost, Everett Lloyd","Vangelisti, Paul","Gugelberger, George"],"creator_names_search":["Pound, Ezra","Kenner, Hughes","Frost, Everett Lloyd","Vangelisti, Paul","Gugelberger, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/24606774\",\"name\":\"Pound, Ezra\",\"dates\":\"1885-1972\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/106966232\",\"name\":\"Kenner, Hughes\",\"dates\":\"1923-2003\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/311110613\",\"name\":\"Frost, Everett Lloyd\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/61690815\",\"name\":\"Vangelisti, Paul\",\"dates\":\"1945-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"\",\"name\":\"Gugelberger, George\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1356/508b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"508_2-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:18\",\"precision\":\"\",\"size\":\"29.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"508_2-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:17\",\"precision\":\"\",\"size\":\"29.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t000\tCanto XXXVI is discussed\n\t\t060\tPound’s American Cantos are discussed, especially the John Adams Cantos\n\t\t078\tPound reads Canto XLIX\n\t\t113\tCanto XLIX is discussed\n\t\t140\tPound reads Canto LXXXI\n\t\t271\tCanto LXXXI is discussed – the “money theme”, etc.\n\t\t372\tPound reads Canto LXXIV\n\t\t458\tCanto LXXXIV is discussed\n\t\t475\tPound’s stay in the concentration camp\n\t\t485\t“Coda” to the Pisas Cantos (Kenner’s idea): a letter by Pound to his lawyer, concerning his nervous breakdown\n\t\t508\tPound reads Canto CVI\n\t\t613\tThe Panel tries to assess the Cantos\n\t\t801\tPound reads from Canto CXV"],"Note":["[{\"note\":\"Liner Notes: \\nThe Cantos of Ezra Pound: A Discussion from KPFA\\nSide 1: 29:30\\nSide 2: 23:50\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553076891648,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5422","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Pacifica Radio series on Ezra Pound: reading and discussion of out of key with his time by Everett Frost, George Gupelberger, Paul Vangelisti, and Hugh Kenner, 1973 Part 1 of 2 #509a"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Pound, Ezra","Kenner, Hughes","Frost, Everett Lloyd","Vangelisti, Paul","Gugelberger, George"],"creator_names_search":["Pound, Ezra","Kenner, Hughes","Frost, Everett Lloyd","Vangelisti, Paul","Gugelberger, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/24606774\",\"name\":\"Pound, Ezra\",\"dates\":\"1885-1972\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/106966232\",\"name\":\"Kenner, Hughes\",\"dates\":\"1923-2003\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/311110613\",\"name\":\"Frost, Everett Lloyd\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/61690815\",\"name\":\"Vangelisti, Paul\",\"dates\":\"1945-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"\",\"name\":\"Gugelberger, George\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1357/509a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"509_1-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:15\",\"precision\":\"\",\"size\":\"40.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"509_1-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:15\",\"precision\":\"\",\"size\":\"40.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tHugh Kenner, et al., discuss Pound’s shorter poems\n\t\t000\tPound reads “Je Bois dans mon Verre”, from his translations of the Confucian odes (Part 1, Book IX, iii)\n\t\t015\tIntroduction by Everett Frost\n\t\t028\tKenner reads “The Seafarer,” Pound’s 1911 translation of the Old English poem (from New Directions Personae, p. 64)\n\t\t123\t“The Seafarer” is discussed\n\t\t209\tPound reads his translation of Li Po: “The Exile’s Letter” (Personae, p. 134)\n\t\t283\t“The Exile’s Letter” is compared to “The Seafarer”\n\t\t300\tDiscussion of the manuscripts (of Fenollosa) from which Pound worked to create his Chinese translations\n\t\t368\tDiscussion of “The Exile’s Letter”\n\t\t390\tKenner reads “Liu Ch’e”, discusses it as an example of an “imagist” poem (from Personae, p. 108)\n\t\t413\t“In a Station of the Metro” is read and discussed in the context of Pound’s idea of “imagism” (from Personae, p. 109)\n\t\t483\t“An Object” (from Personae p.63) is read and discussed\n\t\t510\t“Ancient Music” is read by Gugelberger (Personae, p.116)\n\t\t519\tPound reads “Soiree” and “Sketch 48 b.11” from”Moeurs Contemporaines” (from Personae, p. 179)\n\t\t530\tPound reads from “Homage to Sextus Propertius” (Personae, p. 205)\n\t\t625\t“Homage…” is discussed\n\t\t685\t“The Return” (Personae, p. 74)\n\t\t703\tDiscussion of “The Return”\n\t\t815\tDiscussion of “Hugh Selwyn Mauberley” (Personae, p. 185)"],"Note":["[{\"note\":\"Liner Notes: \\nThe Cantos of Ezra Pound: A Discussion from KPFA\\nSide 1: 29:30\\nSide 2: 23:50\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553076891649,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5423","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Pacifica Radio series on Ezra Pound: reading and discussion of out of key with his time by Everett Frost, George Gupelberger, Paul Vangelisti, and Hugh Kenner, 1973 Part 2 of 2 #509b"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Pound, Ezra","Kenner, Hughes","Frost, Everett Lloyd","Vangelisti, Paul","Gugelberger, George"],"creator_names_search":["Pound, Ezra","Kenner, Hughes","Frost, Everett Lloyd","Vangelisti, Paul","Gugelberger, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/24606774\",\"name\":\"Pound, Ezra\",\"dates\":\"1885-1972\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/106966232\",\"name\":\"Kenner, Hughes\",\"dates\":\"1923-2003\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/311110613\",\"name\":\"Frost, Everett Lloyd\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/61690815\",\"name\":\"Vangelisti, Paul\",\"dates\":\"1945-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"\",\"name\":\"Gugelberger, George\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1358/509b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"509_2-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:30\",\"precision\":\"\",\"size\":\"25.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"509_2-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:52\",\"precision\":\"\",\"size\":\"24.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t000\tDiscussion of “Mauberley” continues\n\t\t049\tPound reads “Hugh Selwyn Mauberley’ (“Envoi” and “Medallion” are read by Kenner)\n\t\t294\tIntroduction to Pound’s Confucian Odes\n\t\t312\tPound reads “O omen tree…” (Book 1:vi)\n\t\t322\t“Ole Brer Rabbit…” (Book VI: Aliter)\n\t\t328\t“Hep-Cat Chung…” (Book VII:ii)\n\t\t341\t“Garden peach…” (Book IX:iii)\n\t\t352\t“Flies, blue flies…” (Book VII: Sang Hu:v)\n\t\t360\t“Folk worn out…” (Book II: Decade of Sheng Min:ix)\n\t\t394\tIntroduction of “The Tree”\n\t\t399\tKenner reads “The Tree”\n\t\t410\tBrief discussion of “The Tree”\n\t\t437\tPound reads “Compassionate heaven…” (Book III: Decade of T’ang:xi)"],"Note":["[{\"note\":\"Liner Notes: \\nThe Cantos of Ezra Pound: A Discussion from KPFA\\nSide 1: 29:30\\nSide 2: 23:50\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553076891650,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5424","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Pacifica Radio series on Ezra Pound: discussion and reading by Everett Frost, George Gupelberger, Paul Vangelisti, and Hugh Kenner, 1973 Part 1 of 2 #510a "],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Pound, Ezra","Kenner, Hughes","Frost, Everett Lloyd","Vangelisti, Paul","Gugelberger, George"],"creator_names_search":["Pound, Ezra","Kenner, Hughes","Frost, Everett Lloyd","Vangelisti, Paul","Gugelberger, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/24606774\",\"name\":\"Pound, Ezra\",\"dates\":\"1885-1972\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/106966232\",\"name\":\"Kenner, Hughes\",\"dates\":\"1923-2003\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/311110613\",\"name\":\"Frost, Everett Lloyd\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/61690815\",\"name\":\"Vangelisti, Paul\",\"dates\":\"1945-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"\",\"name\":\"Gugelberger, George\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1359/Reading in BC_MsC199_510a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"510_1-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:34\",\"precision\":\"\",\"size\":\"42.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"510_1-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:27\",\"precision\":\"\",\"size\":\"44.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tDiscussion of Pound’s “extra-poetic” life\n\t\t000\tIntroduction by Everett Frost\n\t\t025\tPound reads two of his poems: Cantos XLV and \n\t\t063\tLI\n\t\t115\tDiscussion of Canto XLV; the meaning of “usura”; rhetoric of the poem reflecting a hypothetical prophet persona\n\t\t245\tPound’s economic views – based on C.H. Douglas’ Economic Democracy, 1919\n\t\t343\tPound’s important work in London during W.W.I. not the source of his income\n\t\t364\tPound and the “Marxist temptation”\n\t\t409\tPound speaking as an artist on behalf of artists\n\t\t480\tPound’s view of how art ought to be financed in a time of economic abundance\n\t\t540\tFunction of the artist in society\n\t\t595\t“Direction” of Pound’s Cantos; the accuracy of his language\n\t\t629\tPound’s aesthetic of recycling”\n\t\t650\tPound as an “expansionist” compiler of data rather than a reflective poet\n\t\t700\tAnti-Semitism"],"Note":["[{\"note\":\"Liner Notes: \\nHugh Kenner, Georg Gugelberger, Paul Vangelisti & Everrett Frost discuss Pound's politics, radio broadcasts, incarceration, \\\"insanity\\\" etc.\\nSide 1: 27:30\\nSide 2: 23 mins\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553076891651,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5425","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Pacifica Radio series on Ezra Pound: discussion and reading by Everett Frost, George Gupelberger, Paul Vangelisti, and Hugh Kenner, 1973 Part 2 of 2 #510b"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Pound, Ezra","Kenner, Hughes","Frost, Everett Lloyd","Vangelisti, Paul","Gugelberger, George"],"creator_names_search":["Pound, Ezra","Kenner, Hughes","Frost, Everett Lloyd","Vangelisti, Paul","Gugelberger, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/24606774\",\"name\":\"Pound, Ezra\",\"dates\":\"1885-1972\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/106966232\",\"name\":\"Kenner, Hughes\",\"dates\":\"1923-2003\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/311110613\",\"name\":\"Frost, Everett Lloyd\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/61690815\",\"name\":\"Vangelisti, Paul\",\"dates\":\"1945-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"\",\"name\":\"Gugelberger, George\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1360/510b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"510_2-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:33\",\"precision\":\"\",\"size\":\"24.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"510_2-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:26:43\",\"precision\":\"\",\"size\":\"27.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t000\tPound, like many of his American contemporaries, has more of an “evangelical” motivation than a political one\n\t\t010\tGugelbergr reads a short statement by Mike Gold (editor of the New Masses), cautioning Pound against uncritically accepting fascist ideology\n\t\t021\tPound’s radio broadcasts in Italy\n\t\t030\tPound’s reasons for supporting Italian fascism\n\t\t046\tFrost reads a letter written by Pound after his arrest, justifying his radio broadcasts; these are discussed by the panel\n\t\t100\tPound’s fascination with Mussolini\n\t\t155\tPound’s poetry based on two opposing operational principles: formalism and societal referentiality\n\t\t180\tPound’s ideal of “total engagement” (artistic & social) – Pound a “revolutionary simpleton” (Lewis)\n\t\t220\tPound’s unique (for an American) perspective on Mussolini, Italian fascism, and the complicity of the Allied powers in precipitating W.W.II – his naivety\n\t\t330\tPound’s selective structuring of reality – his emphases on things which interested him\n\t\t355\tPound’s “insanity”; his years at St. Elizabeth’s mental hospital; his involvement with Casper and Horton (of Square Dollar Books)\n\t\t449\tPound’s lucidity at St. Elizabeth’s\n\t\t490\tG. Gugelberger points out that Pound has retracted his anti-Semitic views\n\t\t519\tP. Vangelisti reads from a fragment of Canto CVII\n\t\t534\tDr. Kenner comments on Pound’s “penitential silence” in his last years\n\t\t540\tE. Frost’s closing comments, Canto CXX"],"Note":["[{\"note\":\"Liner Notes:\\nThe Case of Ezra Pound\\nSide 3: 22 min\\nSide 4: 21 mins\\nNote: There appears to be some material lost between the end of side 2 and the start of side 3\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553076891652,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5426","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Berkeley Poetry Conference Part 2: Ron Loewinsohn, Joanne Kyger, and Lew Welch reading on July 24th, 1965 tape 1 of 2 #513a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert","Loewinsohn, Ron","Kyger, Joanne","Welch, Lew"],"creator_names_search":["Duncan, Robert","Loewinsohn, Ron","Kyger, Joanne","Welch, Lew"],"creators":["[{\"url\":\" http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"Introduction by Robert Duncan\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/85836314\",\"name\":\"Loewinsohn, Ron\",\"dates\":\"1937- 2014\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\" http://viaf.org/viaf/71627705\",\"name\":\"Kyger, Joanne\",\"dates\":\"1934-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/72272999\",\"name\":\"Welch, Lew\",\"dates\":\"1926-1971\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1361/Reading in BC_MsC199_513a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:00:36\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"513_1-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:18\",\"precision\":\"\",\"size\":\"39.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"513_1-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:15\",\"precision\":\"\",\"size\":\"40.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07-24\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2833528\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Berkeley, California, USA\",\"latitude\":\"37.8679\",\"longitude\":\"-122.2984\"}]"],"Address":["Berkeley, California, USA"],"City":["Berkeley, California"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tStatement on Viet Nam\n\t\t023\tIntroduction by Robert Duncan\n\t\t050\tRon Loewinsohn reads from “The Step”:\n\t\t063\tThe Stern Alarum\n\t\t069\tGetting Her Feet Wet\n\t\t077\tInstructions: Reproducing Art-Work\n\t\t045\tSong, Without Objects\n\t\t103\tLost on a Plateau\n\t\t129\t3 work songs\n\t\t144\t“Brise Marine”\n\t\t157\tSuspicion\n\t\t167\tRoyal Blue\n\t\t183\tPilar Baugh, Nee Oz; a Swamp, A Plateau\n\t\t195\tSteps\n\t\t205\tThe Sea, For the Fifth Time\n\t\t223\tAnother State\n\t\t230\tThe Step\n\t\t285\tAn Actual Catalogue\n\t\t297\tAn Actual Song\n\t\t302\tAn Actual Play\n\t\t307\tLots of Lakes\n\t\t338\tThe Sea, Around Us\n\t\t378\t4 Backyard Dramas, With Mamas\n\t\t482\tRobert Duncan introduces Joanne Kyger\n\t\t516\tThe Maze\n\t\t550\tFrom The Long Poem\n\t\t633\t“Somewhere you can find a reference”\n\t\t661\t11\t29 & 30 (Dan as the son of Penelope)\n\t\t690\t“A song in the rope”\n\t\t707\t“waiting again”\n\t\t714\t“They are constructing a craft”\n\t\t727\t“It is lonely”\n\t\t739\tVision of heaven and hell\n\t\t761\tCaption for a miniature\n\t\t773\tMy Sister Evelyne\n\t\t800\tElizabeth\n\t\t809\tTapestry (“Dealing with the detail”)\n\t\t820\tThe Hunt in the Wood: Paolo Uccello\n\t\t838\tEnd of side one"],"Note":["[{\"note\":\"Liner Notes: \\nSide 1: 29:55\\nSide 2: 26:45\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553106251776,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5427","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Berkeley Poetry Conference Part 2: Ron Loewinsohn, Joanne Kyger, and Lew Welch reading on July 24th, 1965 tape 2 of 2 #513b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Loewinsohn, Ron","Kyger, Joanne","Welch, Lew"],"creator_names_search":["Loewinsohn, Ron","Kyger, Joanne","Welch, Lew"],"creators":["[{\"url\":\"http://viaf.org/viaf/85836314\",\"name\":\"Loewinsohn, Ron\",\"dates\":\"1937- 2014\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\" http://viaf.org/viaf/71627705\",\"name\":\"Kyger, Joanne\",\"dates\":\"1934-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\" http://viaf.org/viaf/72272999\",\"name\":\"Welch, Lew\",\"dates\":\"1926-1971\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1362/Reading in BC_MsC199_513b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:00:36\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"513_2-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:17\",\"precision\":\"\",\"size\":\"29.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"513_2-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:28:42\",\"precision\":\"\",\"size\":\"28.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07-24\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2833528\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Berkeley, California, USA\",\"latitude\":\"37.8679\",\"longitude\":\"-122.2888\"}]"],"Address":["Berkeley, California, USA"],"City":["Berkeley, California"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t000\t“The persimmons are falling”\n\t\t017\t“It always begins I can’t”\n\t\t026\tThe Odyssey Poems: I April 8.  The Plan\n\t\t044\tII (lines 3-33 are missing)\n\t\t046\tIII\n\t\t055\tIV April 23. Possibilities\n\t\t069\tV Meeting. May 20\n\t\t075\tVI\n\t\t088\t“there is no meeting”\n\t\t091\t“In July”\n\t\t098\tVII From our soundest sleep, it ends\n\t\t120\t“She comes up”\n\t\t131\tThe Pigs for Circe in May\n\t\t169\tAllen Ginsberg introduces Lew Welch\n\t\t200\tLew Welch talks about Viet Nam, Introduces his poems\n\t\t244\tA Round of English, for Philip Whalen\n\t\t324\tIn Answer to a Question from P.W.\n\t\t360\tBarbara/Van Gogh\n\t\t381\tLeo, Pleased\n\t\t420\tLeather Prunes: Abner Won’t Be Home For Dinner – A Play\n\t\t520\tA Leather Prune for J. Edgar Hoover\n\t\t548\tFour Studies in Perception, for Charles Olson: I\n\t\t580\tII\n\t\t602\tIII\n\t\t614\tIV\n\t\t627\tIntroduces song\n\t\t675\tSong\n\t\t718\tIntroduces next poem\n\t\t736\tFor All the Wet Green Girls\n\t\t761\tIntroduces Hermit Poems\n\t\t777\t“Not yet 40, my beard is already white”\n\t\t793\t“I now a man’s supposed to have his hair cut short”\n\t\t810\t“Apparently wasps”\n\t\t828\t“The Empress herself served tea to Su Tung-po”\n\t\t837\t“Step out onto the Planet”\n\t\t845\t“Whenever I make a new poem”\n\t\t860\t“The image, as in a Hexagram” (Welch reading is concluded on next tape)"],"Note":["[{\"note\":\"Liner Notes: \\nSide 1: 29:00\\nSide 2: 28:42\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553107300352,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5428","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["New letters on the air (Contemporary Writers on Radio) at University of Missouri: Anne Waldman performing her poems at River City Reunion in  Lawrence, September 1987 #801\n"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Waldman, Anne","Pearson, Rebecca"],"creator_names_search":["Waldman, Anne","Pearson, Rebecca"],"creators":["[{\"url\":\"http://viaf.org/viaf/84079610\",\"name\":\"Waldman, Anne \",\"dates\":\"1945-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Reader\"]},{\"url\":\"\",\"name\":\"Pearson, Rebecca \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors":["[]"],"Production_Date":[1987],"Performance_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1363/Reading in BC_MsC199_781.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"801-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:46\",\"precision\":\"\",\"size\":\"42.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"801-side-2 - blank.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:18\",\"precision\":\"\",\"size\":\"40.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-04\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1987-09\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Recording\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/237973251\",\"venue\":\"University of Missouri - Kansas City \",\"notes\":\"It's the location where the radio program is made\",\"address\":\"5000 Holmes St, Kansas City, MO 64110, United States\",\"latitude\":\"39.0343\",\"longitude\":\"-94.5786\"},{\"url\":\"https://www.openstreetmap.org/node/151399928\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Lawrence, Kansas\",\"latitude\":\"38.9733\",\"longitude\":\"-95.2405\"}]"],"Address":["5000 Holmes St, Kansas City, MO 64110, United States","Lawrence, Kansas"],"Venue":["University of Missouri - Kansas City "],"Note":["[{\"note\":\"side two is empty.\",\"type\":\"\"},{\"note\":\"Anne Waldman : New letters on the air (Contemporary Writers on Radio)\\n1988 April reading – University of Missouri Kansas City, MO 64110\\n#801\\n\",\"type\":\"General\"},{\"note\":\"[Karla Fish?] and [Ron Jones?] had some cooperation for the production of the program\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553107300353,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5429","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The songs we know best: John Ashbery reading #803"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ashbery, John"],"creator_names_search":["Ashbery, John"],"creators":["[{\"url\":\"http://viaf.org/viaf/100001869\",\"name\":\"Ashbery, John \",\"dates\":\"1927-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1365/Reading in BC_MsC199_783.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"803-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:12\",\"precision\":\"\",\"size\":\"41.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"803-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:17\",\"precision\":\"\",\"size\":\"43.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side 1 : 1. Two Scenes 2. The Instruction Manual 3. And You Know 4. Thoughts of a Young Girl 5. It was Raining in the Capital 6. Farm Implements and Rutabagas in a Landscape 7. And Ut Pictura Poesis Is Her Name 8. Landscape (After Baudelaire) 9. The Songs We Know Best\nSide 2 : 10. Sonnet “(Each servant stamps the reader…”) 11. “How Much Longer Will I Be Able to Inhabit the Divine Sepulcher…” 12. Rivers and Mountains 13. The Task 14. Song 15. The new Spirit (excerpt)"],"Note":["[{\"note\":\"The songs we know best\\nJohn Ashbery\\nDolby\\n#803\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553107300355,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5431","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The poetry of John Ashbery: John Ashbery at YM-YWHA Poetry Centre in New York, March 1967 #804"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ashbery, John","Howard, Richard"],"creator_names_search":["Ashbery, John","Howard, Richard"],"creators":["[{\"url\":\"http://viaf.org/viaf/100001869\",\"name\":\"Ashbery, John \",\"dates\":\"1927-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/94504153\",\"name\":\"Howard, Richard\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1967],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1366/Reading in BC_MsC199_784.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"804-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:21:54\",\"precision\":\"\",\"size\":\"21.4 MB \",\"bitrate\":\"32Bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"804-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:24:10\",\"precision\":\"\",\"size\":\"23.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1967-03\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Recording\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/3729655969\",\"venue\":\"YM-YWHA Poetry Centre\",\"notes\":\"\",\"address\":\"1395 Lexington Ave, New York, NY 10128, United States\",\"latitude\":\"40.78306\",\"longitude\":\"-73.95277\"}]"],"Address":["1395 Lexington Ave, New York, NY 10128, United States"],"Venue":["YM-YWHA Poetry Centre"],"Note":["[{\"note\":\"The poetry of John Ashbery\\n23157 John Ashbery \\n#804\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553107300356,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5432","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Gladys Hindmarch reading at the Western Front on March 8, 1976 #362a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Hindmarch, Gladys"],"creator_names_search":["Hindmarch, Gladys"],"creators":["[{\"url\":\"http://viaf.org/viaf/38164256\",\"name\":\"Hindmarch, Gladys\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1367/Readings in BC_MsC199_362a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"SFU\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"362a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:42:41\",\"precision\":\"\",\"size\":\"42.2 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"362a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:40:49\",\"precision\":\"\",\"size\":\"40.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-03-08\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26391\",\"longitude\":\"-123.09870\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1303 E 8th Ave E, Vancouver, BC V5T 1S1"],"Venue":["The Western Front"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tChan.1\t002\tGladys Hindmarch tells audience to move closer\n\t\t012\tExplanation of reading – rhyme “Peter, Peter Pumpkin Eater”\n\t\t015\tReads story “There was a man named Peter…”\n\t\t118\tExplanation of next story\n\t\t124\tNext story “For the first week Peter kept his wife in the pumpkin shell…”\n\t\t221\tExplanation of third story – recites next verse of nursery rhyme – “Peter, Peter had another…”\n\t\t237\tReads third story\n\t\t387\tIntroduces next story\n\t\t395\tReads fourth story\n\t\t488\tThe fifth Peter story\n\t\t728\tSome questions from the audience\n\t\t736\tHow the writer feels about writing\n\t\t745\tMore questions…\n\t\t812\tDiscussions of potential illustrations for the Peter [Pumkin] stories\n\t\t890\tEnd of discussion"],"Note":["[{\"note\":\"Liner Notes: Gladys Hindmarch at the Western Front, March 8, 1976 Side 1: 31 min. Side 2: 33:30 4 Peter Pumpkin Eater Stories Distortion in master tape. Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553107300357,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5433","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Sonja (Arntzen) Van Nostrand presenting and reading at the Western Front on March 22, 1976 #362b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Arntzen, Sonja"],"creator_names_search":["Arntzen, Sonja"],"creators":["[{\"url\":\" http://viaf.org/viaf/108631328\",\"name\":\"Arntzen, Sonja\",\"dates\":\"1945-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1368/Readings in BC_MsC199_362b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent \",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"362b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:22\",\"precision\":\"\",\"size\":\"29.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"362b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:35\",\"precision\":\"\",\"size\":\"29.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-03-22\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26391\",\"longitude\":\"-123.09870\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1"],"Venue":["The Western Front"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two \tBoth Chan.\t007\tSona Ansen (Van Nostrand) introduces herself\n\t\t013\tShe will read translations of poems by a Japanese Monk named Ikkyu\n\t\t016\tPasses around a photograph of work done by him\n\t\t021\tHistory of Ikkyu (1394-1481) and of Japan during Ikkyu’s life\n\t\t031\tDescription of the government in Japan during Ikkyu’s life\n\t\t042\tThe mirumachi period – when those below trample on those above – destruction of ‘natural’ order\n\t\t050\tFrom western historian perspective – the intimations of a bourgeois revolution\n\t\t060\tThe openness of the age – constant turmoil\n\t\t070\tPeasant uprising – famine\n\t\t080\tCulture – Ranja very popular – austere brushwork paintings\n\t\t091\tThe Zen church – Ikkyu’s religion\n\t\t103\tZen’s popularity with the warrior class\n\t\t109\tPosition of the center of learning\n\t\t121\tIts wealth – status\n\t\t128\tChina’s influence\n\t\t142\tZen church’s licensing of brothels\n\t\t145\tSake brewing and pawn broking – run by Zen church\n\t\t166\tIntro to first poem – description of the Shakahachi\n\t\t174\t“Shakahachi”\n\t\t179\tThat Ikkyu was weird, called himself crazy cloud\n\t\t186\t“Crazy mad man…”\n\t\t198\tBiography of Ikkyu\n\t\t238\tIkkyu’s enlightenment\n\t\t248\tIkkyu’s enlightenment poem\n\t\t261\tDiscussion of why Ikkyu wrote in Chinese and not in his native Japanese\n\t\t305\tIkkyu’s ‘anger’ poems – anger against the Zen establishment\n\t\t315\tIkkyu’s influences\n\t\t325\tIkkyu’s ‘creative’ translation of an earlier Zen master\n\t\t348\tAttacks against Ikkyu’s elder brother – another of his master’s disciples, Yoso\n\t\t362\tA particular quarrel between Yoso & Ikkyu’s\n\t\t391\tPoem about an ancient master’s begging.  Criticism of the lack of understanding about the virtues of poverty\n\t\t410\tAnother poem about Yoso “Purple robes…”\n\t\t430\tA catalogue possessions – a poem\n\t\t435\tAnother poem for Yoso\n\t\t445\t“From the mountains, returning to the city”\n\t\t470\tMore discussion\n\t\t487\t“Plum blossom waves”\n\t\t496\tExplanation of some images in above poem\n\t\t514\t“I hate incense”\n\t\t521\tScatological poetry\n\t\t530\tExplanation of some allusions in next poem\n\t\t554\t“The boa in the guest cup”\n\t\t569\t“Men embody the stupidity of horses…”\n\t\t580\tDiscussion of Zen – the use of poetry to describe Zen\n\t\t609\tExplanation of next poem\n\t\t651\t“Bodoë asks what is the meaning of [Bhuddism]\n\t\t666\t“Old master…”\n\t\t687\tExplanation of next poem\n\t\t704\t“Heaven and earth…”\n\t\t711\tExplanation of next poem – the soul/self\n\t\t732\t“The cow”\n\t\t748\tExplanation of next poem\n\t\t777\t“Cold, hot, pain, pleasure…”\n\t\t905\tA beer break – end or recording"],"Note":["[{\"note\":\"Liner Notes: Sonja (Arntzen) Van Nostrand at the Western Front, March 22, 1976 Tape 1 of 2 Side 1: 30:00 Side 2: 29: 06 Distortion on original tape Dolby B\",\"type\":\"General\"},{\"note\":\"Sonja (Arntzen) Van Nostrand re-reads one the poems in Chinese.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553108348928,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5434","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Sonja (Arntzen) Van Nostrand presenting and reading at the Western Front on March 22, 1976 #362c"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Arntzen, Sonja"],"creator_names_search":["Arntzen, Sonja"],"creators":["[{\"url\":\" http://viaf.org/viaf/108631328\",\"name\":\"Arntzen, Sonja\",\"dates\":\"1945-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1369/Readings in BC_MsC199_362c.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"SFU\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"362b_2-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:24\",\"precision\":\"\",\"size\":\"23.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"362b_2-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:36\",\"precision\":\"\",\"size\":\"23.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-03-22\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"Western Front\",\"notes\":\"\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26391\",\"longitude\":\"-123.09870\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1"],"Venue":["Western Front"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["\tChan.2\t015\tContinuation of reading on side 2\n\t\t019\tIkkyu’s love relationships – time spent in brothels\n\t\t024\tErotic verse from old monks to younger novices\n\t\t029\tCollections of homosexual love poems\n\t\t049\tIkkyu’s poems about brothels\n\t\t050\tIntro to next poem – explanation of allusions\n\t\t071\t“meeting with a beautiful woman the night before\n\t\t\tDyto’s Commemoration Ceremony”\n\t\t078\tExplanations of more allusions\n\t\t088\tNext poem’s explanation\n\t\t094\t“Picture of an Ahat revelling in a Brothel”\n\t\t100\t“Putting to shame the knowledge of the Dharma with a poem about a Brothel”\n\t\t111\t“With quiet skill, putting to shame disciples of opulence and arrogance”\n\t\t137\t“Sipping a beautiful woman’s wanton fluids”\n\t\t149\t“A beautiful woman’s dark place has the fragrance of a narcissus”\n\t\t167\tExplanation of next poem\n\t\t198\t“Tonight the moon at Fujo” (a poem by Tu Fu)\n\t\t207\t“Yushon’s raindrops…” (Ikkyu)\nOne\tChan.2\t213\tIkkyu’s love for a blind Nun\n\t\t225\t“I travelled…”\n\t\t223\tSome more biographical information – Ikkyu’s bishophood\n\t\t249\t“I recall the old times…”\n\t\t256\t“A lady rides in a cart”\n\t\t261\t“Wishing to thank Shin for my deep debt to her”\n\t\t270\tMore explanations – to next poem\n\t\t290\t“The old woman intended to make a ladder…”\n\t\t296\t“Calling my hand, Shin’s hand”\n\t\t303\t“Blind AShin, every night…”\n\t\t316\t“Fine evening, wind and moon…”\n\t\t327\t“Bojong’s hoe…”\n\t\t351\t“Look, look, the Zen in sickness”\n\t\t357\t“I remain, white-haired old monk…”\n\t\t380\tIkkyu’s death poem – departing from the world\n\t\t382\tPasses around some pictures and calligraphy\n\t\t396\t“South of Monzanaro” – calligraphy\n\t\t404\t“Ten years ago…”\n\t\t415\tReads last poem in original\n\t\t439\tRe-reads a poem in Chinese \n\t\t447\tQuestions from audience\n\t\t458\tAnnouncement about a film"],"Note":["[{\"note\":\"Liner Notes: Sonja  Van Nostrand, March 22, 1976 Tape 2 of 2 Side 3: 20:28 Side 4: 16:52 Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553108348929,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5435","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Douglas Woolf Reading at the Western Front on April 5, 1976 #363"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Woolf, Douglas"],"creator_names_search":["Woolf, Douglas"],"creators":["[{\"url\":\"http://viaf.org/viaf/92914022\",\"name\":\"Woolf, Douglas\",\"dates\":\"1922-1992\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1370/Readings in BC_MsC199_363.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"363-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:26\",\"precision\":\"\",\"size\":\"48 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"363-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:48\",\"precision\":\"\",\"size\":\"46.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-04-05\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26391\",\"longitude\":\"-123.09870\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1"],"Venue":["The Western Front"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t002\tFemale voice singing\n\t\t025\tDouglas Woolf introduces himself\n\t\t032\tWoolf begins reading from Hypocrite Days  pub. 1955\n\t\t044\tFrom Ya’ pub. 1971 “No one claimed him…”\n\t\t376\tFrom Wall to Wall, 1961\n\t\t652\tSinging resumes “She’ll be coming around the mountain”\n\t\t692\tWoolf beginning reading from Ya again\n\t\t797\t“Spring of the lamb”\n\t\t1140\tEnd of reading on side one\nTwo\t\t007\tReading resumes – from a recent work\n\t\t167\tEnd of reading"],"Note":["[{\"note\":\"Liner Notes: Douglas Woolf Reading at the Western Front, April 5, 1976 Side 1 45 Min. Side 2 44 Min. Distortion on original tape Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553108348930,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5436","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Michael Ondaatje Reading at the Western Front on April 12, 1976 #364a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ondaatje, Michael"],"creator_names_search":["Ondaatje, Michael"],"creators":["[{\"url\":\"http://viaf.org/viaf/111941870\",\"name\":\"Ondaatje, Michael\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1371/Readings in BC_MsC199_364a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"SFU\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"364a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:00\",\"precision\":\"\",\"size\":\"38.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"364a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:39:06\",\"precision\":\"\",\"size\":\"39.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-04-12\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26391\",\"longitude\":\"-123.09870\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1"],"Venue":["The Western Front"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t007\tIntroduction to Michael Ondaatje\n\t\t016\tOndaatje begins – will read one poem\n\t\t020\t“Fam…” (the poem)\n\t\t025\tOndaatje introduces the prose pieces he will read – readings will be from Coming Through Slaughter\n\t\t039\t“I’m terrified” – “His geography…”\n\t\t103\tOndaatje interrupts to talk about his first ideas about Buddy Bolden\n\t\t109\tReads from first section of Coming Through Slaughter\n\t\t132\tExplanations to next sections\n\t\t140\tReads more from first section\n\t\t201\tMore background to the text\n\t\t207\tReads another section – a monologue\n\t\t241\tOndaatje introduces a new character\n\t\t244\tReads again\n\t\t267\tMore background – introduces another character\n\t\t274\tBegins reading again – fight in barber shop “Tom Pickett walks in…”\n\t\t377\tMore explanation\n\t\t384\tReads “When he left – when Webb left…”\n\t\t447\tCabin sequence\n\t\t665\tBolden going home sequence\n\t\t727\t“Second evening”\n\t\t78\t“Third Day and Third Evening”\n\t\t846\t“April, 1907” – (after the parade)\n\t\t967\t“The last statement of T. Jones”\n\t\t1017\tEnd of reading"],"Note":["[{\"note\":\"Liner Notes: Michael Ondaatje Reading at the Western Front, April 12, 1976 Side 1 37:00 Side 2 33:30 Distortion of master tape Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553108348931,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5437","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Jon Furberg Reading at the Western Front on April 19, 1976 #364b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Furberg, Jon"],"creator_names_search":["Furberg, Jon"],"creators":["[{\"url\":\"\",\"name\":\"Furberg, Jon\",\"dates\":\"\",\"notes\":\"I got his date of birth on the internet\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1372/Readings in BC_MsC199_364b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"364b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:29\",\"precision\":\"\",\"size\":\"30.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"364b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:33:35\",\"precision\":\"\",\"size\":\"33.6 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-04-19\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26391\",\"longitude\":\"-123.09870\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1"],"Venue":["The Western Front"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t009\tJohn Furberg introduces himself – states that he will rave during this reading\n\t\t013\t“O Canada”\n\t\t068\t“Coffee” – an effort to write domestic verse\n\t\t144\t“Beer”\n\t\t211\tDescribes translation of an Anglo-saxon poem “The Wanderer” or a liberal paraphrase\n\t\t230\t“The Wanderer” (The Anhaga)\n\t\t414\tInterrupts to explain the significance of the wanderer and his plight\n\t\t425\tResumes reading The Anhaga\n\t\t562\tLine 85 – The work of giants from The Anhaga\n\t\t600\t“The Wall” from The Anhaga\n\t\t658\t“Money, goods, money, cattle…”\n\t\t708\t“Home…”\n\t\t729\t“Blood house” (the body)\n\t\t751\t“Threnos’\n\t\t773\tA prayer “Blessed is he who keeps covenant with pain…” from Anhaga\n\t\t781\tEnd of reading"],"Note":["[{\"note\":\"Liner Notes: Jon Furberg Reading at the Western Front, April 19, 1976 Side 1 30 min. Side 2 27:35 Distortion on master tape \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553109397504,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5438","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Mike Matthews, Jamie Reid, Marga Fiamengo, and Roma Murray reading and talking in 1965 #365"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ried, Jamie","Livesay, Dorothy","Matthews, Mike","Fiamengo, Marya","Murray, Roma"],"creator_names_search":["Ried, Jamie","Livesay, Dorothy","Matthews, Mike","Fiamengo, Marya","Murray, Roma"],"creators":["[{\"url\":\"http://viaf.org/viaf/1890177\",\"name\":\"Ried, Jamie\",\"dates\":\"1941-2015\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\" http://viaf.org/viaf/116854541\",\"name\":\"Livesay, Dorothy\",\"dates\":\"1909-1996\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/304974212\",\"name\":\"Matthews, Mike\",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/75327116\",\"name\":\"Fiamengo, Marya\",\"dates\":\"1926-2013\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"\",\"name\":\"Murray, Roma\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1373/Readings in BC_MsC199_365.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"SFU\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"White clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"365-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:34\",\"precision\":\"\",\"size\":\"44.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"365-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:45\",\"precision\":\"\",\"size\":\"45.1 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tChan.1\t04\tMike Matthews begins with his concern with problems of content – inability to break from content\n\t\t\tFirst poem – theme of inactivity\n\t\t34\t“Research Into Nervous and Mental Illnesses”\n\t\t58\tBreath group as unite of composition\n\t\t64\tStress by enjambing & discussion of poems rhythm\n\t\t85\t“On Reading the Toronto Quarterly Review of Canadian Poetry for 1962”\n\t\t100\tDiscussion of above poem – a ‘burst of energy’\n\t\t114\tFondness of esoteric detail\n\t\t118\t“The Cold Spring Harbour Symposium on Quantitative Biology”\n\t\t178\tMatthews discusses his influences, eg) Creeley\n\t\t209\tElizabethan uses of language\n\t\t231\tIntro to next poem\n\t\t249\t“No Smoking”\n\t\t285\tStanza as narrative unit\n\t\t327\tIntro to short poems\n\t\t352\t“The intruders”\n\t\t362\t“The Western”\n\t\t377\tInfluences to “The Western” in particular Charles Olson\n\t\t392\tBreak in tape\n\t\t393\tReading resumes – willingness to use actual names in modern poetry – closeness to experience\n\t\t438\t“James Bond”\n\t\t449\t“The Apple”\n\t\t462\t“Sky Blue Trades”\n\t\t473\tDiscussion of “Sky Blue Trades” The problem of writing poetry”\n\t\t490\tHow do you get power in poetry\n\t\t515\t“Monday Morning”\n\t\t538\tRhymes in “Monday Morning”\n\t\t583\tMetaphor – as an obvious mechanism\n\t\t602\tPreference for simile\n\t\t628\tIntro to next poem\n\t\t671\tReading ends abruptly\n\t\t673\tRoma Murray begins in mid-poem\n\t\t693\t“The Poem”\n\t\t730\t“Yellow Square”\n\t\t765\t“Peacock Garden”\n\t\t788\t“Dance”\n\t\t815\tEnd of reading\nTwo\tChan.1\t04\tMarya Fiamengo begins with explanation of first poem\n\t\t18\t“The Quality of Halves”\n\t\t57\tIntro to next poem – play between East & West\n\t\t66\t“A Choice of Temperment”\n\t\t160\tNaturalism of next poem\n\t\t164\t“Truth of Love”\n\t\t183\tExperimentation with monologue\n\t\t188\t“For Ferdinand of Calabria on an Ordinary Day”\n\t\t237\tReading ends\n\t\t238\tNext begins – Jamie Reid\n\t\t247\t“I Liked To See When I Was Young”\n\t\t260\tExplanation of above poem – Is the poem real or ‘made up’\n\t\t307\tAn untitled poem – about an obsession with deer.  Sound movement\n\t\t351\tFurther explanation of sound/feeling/environment\n\t\t371\t“Toronto subway…”\n\t\t386\tCoherence of sound\n\t\t457\t“Here in the gathering darkness…”\n\t\t485\tRepetition in last poem – poetic sense of gathering\n\t\t546\tShapes of shadows – shapes of fantasys\n\t\t588\tReid questioned about word usage\n\t\t688\tFear of metaphor\n\t\t711\t“There were doorways…”\n\t\t750\t-objection of metaphor\n\t\t765\t-ends abruptly\n\t\t780\tMike Matthews – begins in mid reading\n\t\t\t-an untitled poem\n\t\t828\t“How To Prove The Train That Would Never Come Back Is Easy” (for John Keys)\n\t\t907\t“One says I am the sound of man shouting in a barrow…”\n\t\t961\tAn experiment in short sentence form\n\t\t\t-personal surrealistic data\n\t\t980\t“The shape of the Falling Light”\n\t\t1001\tEnd of reading"],"Note":["[{\"note\":\"Liner Notes: Dorothy Livesay Poems and Discussion Side one: with Mike Matthews Side 2: with Jamie Reid Marya Fiamengo\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553110446080,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5439","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Dorothy Livesay Tapes: George Bowering, Margaret Atwood, Pat Lane, and Alden Nowlan Reading, 1969 and 1970 #367"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Atwood, Margaret","Bowering, George","Lane, Patrick","Nowlan, Alden"],"creator_names_search":["Atwood, Margaret","Bowering, George","Lane, Patrick","Nowlan, Alden"],"creators":["[{\"url\":\"http://viaf.org/viaf/109322990\",\"name\":\"Atwood, Margaret\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/66513400\",\"name\":\"Lane, Patrick\",\"dates\":\"1939-2019\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/61671170\",\"name\":\"Nowlan, Alden\",\"dates\":\"1933-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1374/Readings in BC_MsC199_367.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"SFU\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"367-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:07\",\"precision\":\"\",\"size\":\"33.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"367-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:37\",\"precision\":\"\",\"size\":\"29.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969-03-02\",\"type\":\"Production Date\",\"notes\":\"Bowering reads “Sir George computer university…”\",\"source\":\"J-card\"},{\"date\":\"[1970?]-10-30\",\"type\":\"Production Date\",\"notes\":\"Bowering reading was recorded on this date, and then it was sent to D.C.\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tChan.1\t005\tGeorge Bowering begins in mid-reading\n\t\t\t…climbing up Blue mountain\n\t\t022\t“Tuesday night…”\n\t\t039\tGeorge discusses the nature of this particular reading\n\t\t047\t“Walking poem”\n\t\t059\t“At Victory Square”\n\t\t073\t“Family”\n\t\t097\t“Grandfather”\n\t\t138\t“Wood”\n\t\t158\t“The hockey hero”\n\t\t174\t“Benzadrine”\n\t\t198\t“The bread”\n\t\t209\t“A metaphysic in things”\n\t\t335\t“Points on the grid”\n\t\t379\tThe speed of reading and ‘things’ in the last poems\n\t\t409\tUse of end line as punctuation\n\t\t430\tAdvantages of this type of punctuation\n\t\t446\t“The girl on the beach” as an example and explanation\n\t\t485\tReads from a selection of an essay on prosody\n\t\t\t“New American prosody in culture” in Culture No.15\n\t\t533\tPoem as a field of action\n\t\t549\tForm as nothing more than an extension of content\n\t\t588\tWilliams & prosody – Culture No.6\n\t\t606\tOlson’s essay Human Universe\n\t\t642\tEnd of George’s reading\n\t\t643\t“Sir George Williams university”\n\t\t\tBowering reads “Sir George computer university…”\n\t\t\tMarch 2 1969\n\t\t817\tEnd of George Bowering’s segment\n\t\t820\tMargaret Atwood begins – “After the flood we…”\n\t\t880\t“Kaleidoscopes, Baroque” (bad recording)\n\t\t930\tEnd of reading – tapes fades out\nTwo\tChan.1\t002\tThe house of the Sasquatch… (rec. off a radio?)\n\t\t\tCBC “anthology” – a poem for voices – Margaret Atwood\n\t\t288\tRecording ends abruptly\n\t\t294\tPat Lane begins reading\n\t\t299\t“The Carnival man” (for Fred Lane, a poet)\n\t\t621\tEnd of Pat Lane’s reading\n\t\t623\tAlden Nowlan begins – mid reading – bad recording\n\t\t656\tDiscussion of topics\n\t\t673\t“Gypsys”\n\t\t703\t“Darkness, the smell of birds…” a lot of volume fluctuations\n\t\t736\t“My cousins…”\n\t\t773\t“He’s wanted to go back...”\n\t\t801\t“Somebody loved…”\n\t\t806\tTape ends abruptly"],"Note":["[{\"note\":\"Liner Notes: Track 1 Time 23 George Bowering Reading and discussion his poems and a section of his article on prosody, culture no. 15 Recorded by G. B. and sent to D. C> Oct 30, Beginning lost. \\n\\nTime 4:15 on \\\"Sir George Williams\\\" March 2, 1969 -- Sunday Supplement \\n\\nTime 2 Margaret Atwood Reading\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553110446081,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5440","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Dorothy Livesay Tapes: Margaret Atwood, Dorothy Livesay, Ruby Wiebe, and Elizabeth Brewster, 1965, 1969, and 1970 part 1 of 2 #368a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Livesay, Dorothy","Brewster, Elizabeth","Wiebe, Ruby","Atwood, Margaret"],"creator_names_search":["Livesay, Dorothy","Brewster, Elizabeth","Wiebe, Ruby","Atwood, Margaret"],"creators":["[{\"url\":\"http://viaf.org/viaf/116854541\",\"name\":\"Livesay, Dorothy\",\"dates\":\"1909-1966\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/59125943\",\"name\":\"Brewster, Elizabeth\",\"dates\":\"1922-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1904145857052022921210\",\"name\":\"Wiebe, Ruby\",\"dates\":\"1952-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109322990\",\"name\":\"Atwood, Margaret\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1375/Readings in BC_MsC199_368a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"SFU\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"White clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"368-part-1-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:50\",\"precision\":\"\",\"size\":\"36.2 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"368-part-1-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 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Edmonton, Alberta, T6W 2Y1, Canada\",\"latitude\":\"53.40752\",\"longitude\":\"-113.53763\"}]"],"Address":["119A Street SW, Heritage Valley Town Centre, Heritage Valley, Edmonton, Alberta, T6W 2Y1, Canada"],"Venue":["Edmonton Public Library"],"City":["Edmonton, Alberta"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tChan.1\t003\tBegins mid reading… “Kaleidoscopes, Baroque”\n\t\t033\tDorothy Livesay interrupts to question Atwood about the splitting of phrases\n\t\t039\tAtwood on ignoring stanzas – breaking the visual line\n\t\t046\t“Descents”\n\t\t067\t“This is a photograph of me…”\n\t\t076\tConversational rhythm – the poem all of a piece\n\t\t091\t“Evening train station before departure”\n\t\t111\tEvidence of half rhyme\n\t\t119\tThe unconscious production of rhyme\n\t\t134\tNarrative structure as form\n\t\t157\tThe effect of music on poetry\n\t\t167\t“Nebethalanium”\n\t\t186\tStress and intonation\n\t\t202\tThe use of the semi-colon\n\t\t221\t“Camera”\n\t\t241\tEnd of first section\n\t\t243\tIntroduction to panel discussion at Edmonton Public Library: Dorothy Livesay, Rudy, Margaret Atwood, Elizabeth Brewster\n\t\t\tThe poets introduce each other – some bad sections in recording\n\t\t384\tThe discussion proper begins – Poetry in the prairies\n\t\t390\tFiction – the real prairie genre\n\t\t430\tPrairie poets\n\t\t451\tPainting analogy\n\t\t459\tThe difference between foreign and domestic poets and their ability to write about the prairies\n\t\t511\tPrairie literary publications\n\t\t551\tStudent publications – how to keep them going during periods of student apathy\n\t\t580\tThe lack of little magazines at the University of Alberta\n\t\t643\tCritics and the role of criticism in Canadian writing\n\t\t\tMargaret Atwood on the function and validity of critics\n\t\t675\tDorothy Livesay on the appalling lack of Canadian book reviews in Edmonton papers\n\t\t710\tElizabeth Brewster – the quality of “Canadianess” in poetry\n\t\t728\tAtwood – no doubt that there is a Canadian literature but not in a limiting sense – but in relation to space and time\n\t\t827\tThe artificiality of names – Atwood\n\t\t853\tTopics and motivations behind writing\n\t\t904\tElizabeth Brewster on poetic and prose forms\n\t\t950\tPoetry off the page – music – Livesay\n\t\t970\tEnd of side one"],"Note":["[{\"note\":\"Liner Notes: Track 1 Time 2.0 Reading and Interview March 1965 with Dorothy Livesay (beginning lost) Time 42 Panel Discussion: Edmonton Public Library, Oct. 20/1969 Dorothy Livesay, Margaret Atwood, Elizabeth Brewster, Rube Wiebe Track 2 Time 2.3 Panel Concluded Time 35 Margaret Atwood Writing Class--March 1970 Much mic rattling and hum Side 1: 31 min. Side 2: 32 min. Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553111494656,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5441","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Dorothy Livesay Tapes: Margaret Atwood, Dorothy Livesay, Ruby Wiebe, and Elizabeth Brewster, 1965, 1969, and 1970 part 2 of 2 #368b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Livesay, Dorothy","Atwood, Margaret","Wiebe, Ruby-","Brewster, Elizabeth"],"creator_names_search":["Livesay, Dorothy","Atwood, Margaret","Wiebe, Ruby-","Brewster, Elizabeth"],"creators":["[{\"url\":\"http://viaf.org/viaf/116854541\",\"name\":\"Livesay, Dorothy\",\"dates\":\"1909-1966\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109322990\",\"name\":\"Atwood, Margaret\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1904145857052022921210\",\"name\":\"Wiebe, Ruby-\",\"dates\":\"1952-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/59125943\",\"name\":\"Brewster, Elizabeth\",\"dates\":\"1922-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1376/Readings in BC_MsC199_368b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"SFU\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"White clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"368-part-2-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:17\",\"precision\":\"\",\"size\":\"29 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"368-part-2-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:13\",\"precision\":\"\",\"size\":\"28.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-03\",\"type\":\"Production Date\",\"notes\":\"Interview with Dorothy Livesay\",\"source\":\"J-card\"},{\"date\":\"1969-10-20\",\"type\":\"Production Date\",\"notes\":\"Panel discussion\",\"source\":\"J-card\"},{\"date\":\"1970-03\",\"type\":\"Production Date\",\"notes\":\"Margaret Atwood's writing class\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/6502607713\",\"venue\":\"Edmonton Public Library \",\"notes\":\"Panel discussion with Margaret Atwood, Dorothy Livesay, Ruby Wiebe, and Elizabeth Brewster\",\"address\":\"119A Street SW, Heritage Valley Town Centre, Heritage Valley, Edmonton, Alberta, T6W 2Y1, Canada\",\"latitude\":\"53.40752\",\"longitude\":\"-113.53763\"}]"],"Address":["119A Street SW, Heritage Valley Town Centre, Heritage Valley, Edmonton, Alberta, T6W 2Y1, Canada"],"Venue":["Edmonton Public Library "],"City":["Edmonton, Alberta"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t004\tDiscussion continued from side one\n\t\t008\tPoetry as an oral tradition – Livesay\n\t\t011\tAtwood on her decision to use the poetic form – or rather the lack of decision\n\t\t020\tRudy on same topic\n\t\t041\tLivesay on works in progress – fights with publishers\n\t\t062\tAtwood on her publishing history\n\t\t089\tBrewster on new works\n\t\t105\tHardcover versus paperback publishing\n\t\t135\tAudience is invited to ask questions\n\t\t139\tQuestions begin – hard to hear\n\t\t277\tEnd of discussion and questions\n\t\t280\tAtwood’s lecture to a creative writing class\n\t\t\t-very difficult to hear – a lot of mic hum and noise\n\t\t857\tEnd of lecture"],"Note":["[{\"note\":\"Liner Notes: Dorothy Livesay Tapes--Margaret Atwood Concl. Side 3 29:40 Side 4 28:30 Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553111494657,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5442","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Dorothy Livesay Tapes: Dorothy Livesay, Elizabeth Brewster, Alfred Purdy reading at Dorothy Livesay’s house, 1970 part 1 of 2 #369a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Brewster, Elizabeth","Livesay, Dorothy","Purdy, Al"],"creator_names_search":["Brewster, Elizabeth","Livesay, Dorothy","Purdy, Al"],"creators":["[{\"url\":\"http://viaf.org/viaf/59125943\",\"name\":\"Brewster, Elizabeth\",\"dates\":\"1922-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/116854541\",\"name\":\"Livesay, Dorothy\",\"dates\":\"1909-1966\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/7398775\",\"name\":\"Purdy, Al\",\"dates\":\"1918-2000\",\"notes\":\"(Alfred Wellington)\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1377/Readings in BC_MsC199_369a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"SFU\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"White clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"369-part-1-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:40:19\",\"precision\":\"\",\"size\":\"39.2 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"369-part-1-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:39\",\"precision\":\"\",\"size\":\"30.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970-09-12\",\"type\":\"Production Date\",\"notes\":\"Elizabeth Brewster reading\",\"source\":\"J-card\"},{\"date\":\"1970-02-07\",\"type\":\"Production Date\",\"notes\":\"CBC Anthology – “The myth includes” by Purdy \",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Dorothy Livesay’s house\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Venue":["Dorothy Livesay’s house"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tChan.1\t003\tElizabeth Brewster introduces herself\n\t\t007\t“Rising from [Winnepeg]”\n\t\t016\t“Moving Day”\n\t\t025\t“Cold spell”\n\t\t040\t“Labour Day Weekend”\n\t\t055\t“Gold man”\n\t\t063\t“Year’s end”\n\t\t077\tEnd of Elizabeth Brewster’s reading\n\t\t079\tDorothy Livesay practising for a radio broadcast\n\t\t080\t“And if I hurt my knee…”\n\t\t086\t“Sword into ploughshare”\n\t\t093\t“Rowan, Red Rowan”\n\t\t103\t“The artifacts, west coast”\n\t\t171\t“The unquiet bed”\n\t\t178\t“The taming”\n\t\t188\t“The notations of love”\n\t\t223\t“A dream” from Plainsongs\n\t\t232\t“The uninvited”\n\t\t245\t“The journey”\n\t\t257\tA warning poem “Hymn to man”\n\t\t285\tThe poem as a happening\n\t\t292\t“To autumn”\n\t\t300\t“Some silence”\n\t\t309\tPoems as recordings of certain emotions – most importantly, love\n\t\t323\t“Lest I be hurt…”\n\t\t331\t“What was it after all…”\n\t\t338\t“You did not see me dancing…”\n\t\t345\t“Prelude for spring”\n\t\t348\tReading ends abruptly\n\t\t349\t“A thought to think…”  Al Purdy – begins in mid-poem\n\t\t369\t“Old Alec”\n\t\t395\t“Necropsy of love”\n\t\t410\tDiscussion with Dorothy Livesay – Do Canadian writers feel hampered by the limits of Canada\n\t\t421\tPurdy’s concept of the audience – other poets – university etc…\n\t\t447\tAn original approach to poetry – concern for the future of Canada I poetry\n\t\t461\tDiscussion ends abruptly\n\t\t463\tCBC Anthology – “The myth includes” a poem for several voices by Purdy (comm. By CBC)\n\t\t819\tEnd of “The myth includes”"],"Note":["[{\"note\":\"Liner Notes: Track 1 Time 6:45 Elizabeth Brewster Reading Sept. 12, 1970 Time 23 Dorothy Livesay Reading Time &:45 Alfred Purdy Reading and discussion with D.C. (Beginning and end lost) Time 19:33 \\\"The Myth Includes\\\" by A. W. Purdy CBC \\\"Anthology\\\" Feb. 7, 1970 Side 1 29 min. Side 2 27: 15 Dolby B \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553111494658,"timestamp":"2026-01-07T14:59:57.525Z","score":0.01643844},{"id":"5443","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Dorothy Livesay Tapes: Dorothy Livesay, Al Purdy and Peter Stevens reading at Dorothy Livesay’s house, 1967 and 1969 part 2 of 2 #369b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Livesay, Dorothy","Purdy, Al","Stevens, Peter"],"creator_names_search":["Livesay, Dorothy","Purdy, Al","Stevens, Peter"],"creators":["[{\"url\":\"http://viaf.org/viaf/116854541\",\"name\":\"Livesay, Dorothy\",\"dates\":\"1909-1996\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/7398775\",\"name\":\"Purdy, Al\",\"dates\":\"1918-2000\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/110326580\",\"name\":\"Stevens, Peter\",\"dates\":\"1955-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1967],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1378/Readings in BC_MsC199_369b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"SFU\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"White clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"369-part-2-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:59\",\"precision\":\"\",\"size\":\"37.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"369-part-2-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:58\",\"precision\":\"\",\"size\":\"37.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1967-06-01\",\"type\":\"Production Date\",\"notes\":\"reading by Dorothy Livesay\",\"source\":\"J-card\"},{\"date\":\"1969-11\",\"type\":\"Production Date\",\"notes\":\"reading by Peter Stevens\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Dorothy Livesay’s house\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Venue":["Dorothy Livesay’s house"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t003\t“Complaint lodged with LCBO” Al Purdy continues from side on\n\t\t019\t“The winemakers beat etude”\n\t\t048\t“Deserting his wife”\n\t\t051\t“What it was”\n\t\t075\t“In sickness”\n\t\t098\t“Roblin’s Mills”\n\t\t120\t“Mr. Greenhaugh’s love poem, or, Passion among the espers”\n\t\t167\t“Inarticula”\n\t\t183\tPoem ends abruptly\n\t\t184\tDorothy Livesay reading on CBC’s “Anthology”\n\t\t185\t“The unquiet bed”\n\t\t192\t“Isolate”\n\t\t205\t“Moving out”\n\t\t212\t“There was a man here this morning, from Mars…”\n\t\t249\t“The road to Saint’s rest” Peter Stevens\n\t\t304\tCBC “Anthology” – “Poetry and prairie” by Peter Stevens\n\t\t931\tEnds abruptly"],"Note":["[{\"note\":\"Liner Notes: Track 2 Time 16 Readings by Al Purdy (end missing) Time 5 Readings by D. L. \\\"Anthology\\\" June 1, 1967 Time 4 The Road to Saint's Rest Time 35 Peter Stevens: Poetry + Prarie \\\"Anthology\\\" Nov. 1969 (end missing) Side 3 35 min. Side 4 35:15 Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553269829632,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5444","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Dorothy Livesay Tapes: Milton Acorn at Dorothy Livesay’s house, 1965 and 1976 part 1 of 2 #370a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Acorn, Milton","Livesay, Dorothy"],"creator_names_search":["Acorn, Milton","Livesay, Dorothy"],"creators":["[{\"url\":\" http://viaf.org/viaf/70219271\",\"name\":\"Acorn, Milton\",\"dates\":\"1923-1986\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/116854541\",\"name\":\"Livesay, Dorothy\",\"dates\":\"1909-1966\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1965],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1379/Readings in BC_MsC199_370a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"SFU\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"White clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"370-part-1-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:41\",\"precision\":\"\",\"size\":\"30 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"370-part-1-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:55:10\",\"precision\":\"\",\"size\":\"53.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965\",\"type\":\"Production Date\",\"notes\":\"Dorothy Livesay – an analysis of Milton Acorn’s poetic rhythms and Milton Acorn reading\",\"source\":\"J-card\"},{\"date\":\"1976-10-31\",\"type\":\"Production Date\",\"notes\":\"J-card indicates:  “MILTON ACORN – THE PEOPLE'S POET, CBC, OCT 31, 1976.\",\"source\":\"J-card\"},{\"date\":\"1965\",\"type\":\"Production Date\",\"notes\":\"J-card indicates: ANALYSIS OF MILTON ACORN\\\"S RHYTHMS, DOROTHY LIVESAY (BEGINNING LOST) 1965.\",\"source\":\"\"},{\"date\":\"1965\",\"type\":\"Performance Date\",\"notes\":\"J-card indicates: MILTON ACORN READING + DISCUSSION, (Probably 1965), 1972?\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Dorothy Livesay’s house\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Venue":["Dorothy Livesay’s house"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t003\tCBC anthology – “Milton Acorn – The people’s poet”\n\t\t\tReading & documentary\n\t\t334\tEnd of “The people’s poet”\n\t\t336\tDorothy Livesay – an analysis of Milton Acorn’s poetic rhythms\n\t\t352\tSummary of Acorn’s distancing from normal speech rhythms\n\t\t\t-creation of a new rhythmic whole\n\t\t364\tThe development of this in “A Poem for a Singer”\n\t\t370\tDorothy reads a portion from “A Poem for a Singer”\n\t\t383\tMilton Acorn reading – “The Fights”\n\t\t406\t“Poem for a singer”\n\t\t463\tMilton Acorn paraphrases a poem by Bill Bissett\n\t\t487\tOlson’s influence on Acorn\n\t\t493\tProblems with the idea of form being nothing more than an extension of content\n\t\t503\tThe breath group\n\t\t506\tWriting in the iambic pattern – learned by listening to the talk of seamen\n\t\t531\tSudden break in recording\n\t\t532\t“On Zombies”\n\t\t543\tDiscussion of “On Zombies” – one of Acorn’s last poems in iambs\n\t\t581\tGrowth in the interest of poetry – education\n\t\t611\tPicasso and his approach to form – interest in form\n\t\t621\tAcorn’s experimentation in form\n\t\t623\t“Half a Line Spoken in Passing”\n\t\t670\t“The Cigarette Machine”\n\t\t712\t“Bright Moon”\n\t\t750\t“Precentenial Ode for a Geographical Abortion”\n\t\t816\tRecording ends abruptly"],"Note":["[{\"note\":\"Liner Notes: Track 1 Time 27 Milton Acorn--the people's poet CBC, Oct. 31, 1976 Time 3 Analysis of Milton Acorn's Rhythms Dorothy Livesay (beginning lost) 1965 Time 10 Milton Acorn Reading + Discussion 1965 Time 15 Milton Acorn Reading + Discussion 1972? (Probably 1969) Side 1 27:15 Side 2 28:10 Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553269829633,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5445","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Dorothy Livesay Tapes: Seymour Mayne, Patrick Lane, John Newlove, Mike Matthews reading at Dorothy Livesay’s house, 1965 and 1969 part 2 of 2 #370b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Livesay, Dorothy","Mayne, Seymour","Newlove, John","Lane, Patrick","Mathews, Mike"],"creator_names_search":["Livesay, Dorothy","Mayne, Seymour","Newlove, John","Lane, Patrick","Mathews, Mike"],"creators":["[{\"url\":\"http://viaf.org/viaf/116854541\",\"name\":\"Livesay, Dorothy\",\"dates\":\"1909-1966\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/56739500\",\"name\":\"Mayne, Seymour\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/92277383\",\"name\":\"Newlove, John\",\"dates\":\"1938-2003\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/66513400\",\"name\":\"Lane, Patrick \",\"dates\":\"1939-2019\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"\",\"name\":\"Mathews, Mike  \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1380/Readings in BC_MsC199_370b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"SFU\",\"generations\":\"Second generation from 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"370-part-2-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:36\",\"precision\":\"\",\"size\":\"31.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969-03-23\",\"type\":\"Production Date\",\"notes\":\"reading by Seymour Mayne\",\"source\":\"J-card\"},{\"date\":\"1965-\",\"type\":\"Production Date\",\"notes\":\"Reading by John Newlove and Mike Matthews\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Dorothy Livesay’s 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trouble of lines\n\t\t318\t“Disappointment”\n\t\t331\tChanging meaning by changes in word positions\n\t\t336\t“While you were out Pt.1”\n\t\t343\t“While you were out Pt.2”\n\t\t354\t“You know’\n\t\t359\t“The flowers”\n\t\t408\tThe act of writing\n\t\t414\tEzra Pound’s ideas about rhythm\n\t\t419\tThe line as a breath unit – working variations on melody\n\t\t450\tBreaking the line\n\t\t472\t“Arrival”\n\t\t504\tGetting to Vancouver – a hesitant journey\n\t\t510\tOn the writing of “Arrival”\n\t\t558\t“Four small scars”\n\t\t469\t“The grass is a reasonable colour”\n\t\t591\t“East from the mountains”\n\t\t650\tEnd of John Newlove\n\t\t651\tMike Mathews “World without end”\n\t\t764\tThe criteria of poetry\n\t\t823\tEnd of recording"],"Note":["[{\"note\":\"Liner Notes: Track 2 Time 10 Seymoure Mayne March 23, 1969 Time 10 Patrick Lane Time 27 John Newlove Time 7 Mike Matthews 1965 End of Side 3 Side 3: 28:45 Side 4: 26:56 Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553270878208,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5446","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Dorothy Livesay Tapes, CBC recording: Gwendolyn Macewan and Dorothy Livesay reading, 1969 and 1971 #371 "],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Livesay, Dorothy","Macewan, Gwendolyn"],"creator_names_search":["Livesay, Dorothy","Macewan, Gwendolyn"],"creators":["[{\"url\":\"http://viaf.org/viaf/116854541\",\"name\":\"Livesay, Dorothy\",\"dates\":\"1909-1966\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/115290827\",\"name\":\"Macewan, Gwendolyn\",\"dates\":\"1941-1981\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1381/Readings in BC_MsC199_371.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"White clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"371-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:51\",\"precision\":\"\",\"size\":\"31.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"371-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:50\",\"precision\":\"\",\"size\":\"37.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969-04-26\",\"type\":\"Production Date\",\"notes\":\"reading by Gwendolyn Macewan\",\"source\":\"J-card\"},{\"date\":\"1971-03-20\",\"type\":\"Production Date\",\"notes\":\"reading by Gwendolyn Macewan\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/3764261726\",\"venue\":\"CBC Vancouver\",\"notes\":\"We assume that this tape was recorded in Vancouver. We don't know where CBC Vancouver located before 1975, now its address is  700 Hamilton Street\\nVancouver, British Columbia\\nV6B 4A2\",\"address\":\"Vancouver,  British Columbia, V6B 4P4, Canada\",\"latitude\":\"49.27868\",\"longitude\":\"-123.11458\"}]"],"Address":["Vancouver,  British Columbia, V6B 4P4, Canada"],"Venue":["CBC Vancouver"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tEmpty\nTwo\t\t003\tFrom a CBC recording – begins in mid performance\n\t\t\tGwendolyn MacEwan On the Duende\n\t\t\tDuende in the poetics of Layton, Yeats\n\t\t254\tRecording ends abruptly\n\t\t260\t“The Real Name of the Sea” – Gwendolyn MacEwan – from another CBC recording\n\t\t302\t“In McGill Park, Summer”\n\t\t314\t“Dining at the Severin”\n\t\t341\t“Moon Landing – 1969”\n\t\t358\tEnd of reading\n\t\t361\t“A soft bomb behind the eyes – The poetry of Dorothy Livesay” – from a radio program (CKUA radio-Edmonton)\n\t\t373\tHost introduces Dorothy Livesay – a brief history\n\t\t399\t“And if I hurt my knee…”\n\t\t406\tPoetry as a chant to ward off evil\n\t\t412\t“Hymn to Man”\n\t\t452\t“The Rat”\n\t\t483\tPoetry is…\n\t\t489\t“Weapons”\n\t\t499\t“Blindness”\n\t\t517\tLivesay on her later poetry\n\t\t524\t“On Looking Into Henry Moore”\n\t\t535\t“The Message of the Tree is This”\n\t\t567\tPoetry as a record of emotion\n\t\t576\t“These dreams abound…”\n\t\t643\t“The Unquiet Bed”\n\t\t654\t“The Taming”\n\t\t675\t“The Notations of Love”  “You left me nothing…”\n\t\t730\t“Dismantling our house…”\n\t\t742\t“Dream”\n\t\t755\t“The Uninvited”\n\t\t791\t“Now you have released me from your grip…”\n\t\t816\tPoetry as a comment on our times\n\t\t823\t“The Artifact : West Coast”\n\t\t938\tEnd of reading\n\t\t947\tEnd of tape"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553270878209,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5413","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Pacifica Radio series on Ezra Pound: reading and discussion of the Cantos of Ezra Pound by Everett Frost, George Gupelberger, Paul Vangelisti, and Hugh Kenner, 1973 Part 1 of 2 #508a"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Pound, Ezra","Kenner, Hughes","Frost, Everett Lloyd","Vangelisti, Paul","Gugelberger, George"],"creator_names_search":["Pound, Ezra","Kenner, Hughes","Frost, Everett Lloyd","Vangelisti, Paul","Gugelberger, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/24606774\",\"name\":\"Pound, Ezra\",\"dates\":\"1885-1972\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/106966232\",\"name\":\"Kenner, Hughes\",\"dates\":\"1923-2003\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/311110613\",\"name\":\"Frost, Everett Lloyd\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/61690815\",\"name\":\"Vangelisti, Paul\",\"dates\":\"1945-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"\",\"name\":\"Gugelberger, George\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1289/508a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"508_1-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:51\",\"precision\":\"\",\"size\":\"49.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"508_1-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:54\",\"precision\":\"\",\"size\":\"51.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tHugh Kenner et al discuss the Cantos of Ezra Pound\n\t\t000\tIntroduction of program\n\t\t023\tIntroduction of Canto I\n\t\t030\tPound reads, in Latin, from the Andreas Divus translation of Homer\n\t\t036\tKenner takes over reading (in Latin)\n\t\t042\tPound reads Canto I in English.  Kenner & Pound read in Latin\n\t\t110\tThe “completeness” of Pound’s epic is discussed\n\t\t127\tThe epic doesn’t end or begin; it begins with the word “and”\n\t\t137\tSome of the unfinished and, at the time of the broadcast, unpublished Cantos are mentioned\n\t\t162\tCanto I is discussed as a translation of Homer through Andreas Divus, and at the end, the Cretan (translator of the Homeric hymns)\n\t\t191\tPound’s troubles in beginning his epic are discussed\n\t\t224\tPound’s letter to his father (Apr.11, 1927) outlining “main scheme” of poem\n\t\t235\tPound reads Canto IV\n\t\t328\tThe difficulty of Canto IV is discussed; Kenner defends the coherence and symmetry of the poems as they are arranged\n\t\t427\tCanto IX is introduced; Kenner reads some of the “letters” contained therein\n\t\t529\tKenner, Frost, Gugelberber, Vangelisti, read Canto XIII\n\t\t588\tCanto XIII is discussed – problems knowing which versions have authority\n\t\t656\t“Hell” Cantos introduced\n\t\t667\tPound reads from Canto XVI\n\t\t721\tCanto XVI is discussed\n\t\t778\tThe publishing history of the Cantos is discussed; an excerpt from Kenner’s book, The Pound Era is read\n\t\t831\tPound reads Canto XXXVI"],"Note":["[{\"note\":\"Liner Notes: \\nThe Cantos of Ezra Pound: A Discussion from KPFA\\nSide 1: 37:20\\nSide 2: 37:25\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553270878210,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5414","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Hugh Kenner lecture about Ezra Pound, Language, and Literature Recorded at SFU on February 25th, 1975 #511"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Kenner, Hughes"],"creator_names_search":["Kenner, Hughes"],"creators":["[{\"url\":\"http://viaf.org/viaf/106966232\",\"name\":\"Kenner, Hughes\",\"dates\":\"1923-2003\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1290/511.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"511-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:18\",\"precision\":\"\",\"size\":\"80.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"511-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:54\",\"precision\":\"\",\"size\":\"66.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-02-25\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tLanguage and literature – Ezra Pound\n\t\t000\tIntroduction: Pound as a manipulator of large-scale forms\n\t\t042\tTwo questions are posed: “How can we sustain a conception of some length?” and “What do we have when we have a form?”\n\t\t115\tForms are accidents repeated by design; how this affected Pound’s poetry when fragments of Sopho manuscript were discovered\n\t\t154\tEdmond’s reconstruction of the Sopho poems\n\t\t178\tPound’s interest in archaeology: Sir Evans’ restorations in Crete\n\t\t202\tKenner points out that there are a great number of possible accidents in language.  Elaborate rhyme schemes, combined with a chance convergence of the poet’s intent and suitable sounding words, can be very important in determining the poem’s outcome\n\t\t275\tKenner talks about poetic forms as a way of “playing it safe”; he gives as examples Virgil’s and Milton’s indebtedness to Homeric forms\n\t\t340\tKenner tries to reconstruct Pound’s thinking in creating the forms of his poetry\n\t\t370\tPound’s system governing the use of his repetitions – details form a model of the larger structure in which the detail will function\n\t\t390\tPound’s motives for paying intense attention to detail\n\t\t415\tKenner reads a passage from Canto VII, relates its sonorities to the beginning of Canto I with the word “and”\n\t\t445\tThe poem begins with “and” because it is based on Book XI of The Odyssey, which begins with “et”\n\t\t475\tPound’s remark that one should “introduce new material near the end”\n\t\t505\tAnother fortunate accident: The decision to simply reproduce a portion of Divas resulted in Canto I having the appearance of a fragment, beginning with “and” & ending with “so that:”\n\t\t544\t“Where does ‘so that:’ go?”\n\t\t568\tKenner discusses Cathay\n\t\t599\tIn original Cathay, Pound put “The Seafarer” next to “Exile’s Letter” – an attempt at “rhyming one culture with another”\n\t\t632\tPound’s rhyme scheme: “Hugh Selwyn Mauberley” – (a study in form) a two-part poem somewhat based on James’ notes to The Ivory Tower\n\t\t688\tThe Cantos containing an array of possibilities, for example, the option to more extensively draw upon the Homeric hymns\n\t\t755\tOther options: Form of Canto I is repeated in Canto LXXXIII, with “Brother Wasp” going to “have speech with Tiresias”\n\t\t824\tThe “economic theme” of the early Cantos, especially regarding Sigismundo Malatestis, becomes important later\n\t\t880\tPound’s numerical sequences in the Cantos\nTwo\t\t000\tPound’s numerical devices reassure the reader of the poem’s formality\n\t\t022\tJuxtaposition of China and America in the Cantos\n\t\t039\tCantos II setting the pattern of cats being a prelude to visions of gods\n\t\t068\tNew material introduced near the end validates the pattern of the poem; the form is repeated, but the particulars are different\n\t\t082\tThe ability of the Cantos to withstand and assimilate the disastrous public events of the 20th century\n\t\t108\tPound’s willingness to accept Chance as a collaborator (Fortuna in Canto-XCVII)\n\t\t125\tLecture ends"],"Note":["[{\"note\":\"Liner Notes: Dr. Hugh Kenner, Language and Literature Recorded at SFU February 25th 1975\\nSide 1: 37:15\\nSide 2: 36:15\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553271926784,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5415","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Berkeley Poetry Conference Part 1: Gary Snyder reading on July 13th, 1965 #512"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Snyder, Gary","Parkinson, Thomas"],"creator_names_search":["Snyder, Gary","Parkinson, Thomas"],"creators":["[{\"url\":\"http://viaf.org/viaf/68944804\",\"name\":\"Snyder, Gary\",\"dates\":\"1930-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\" http://viaf.org/viaf/92344899\",\"name\":\"Parkinson, Thomas\",\"dates\":\"1920-1992\",\"notes\":\"Introduction by Thomas Parkinson\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1291/Reading in BC_MsC199_512.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:00:36\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"512-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:49\",\"precision\":\"\",\"size\":\"43.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"512-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:14\",\"precision\":\"\",\"size\":\"43.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07-13\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2833528\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Berkeley, California, USA\",\"latitude\":\"37.8686\",\"longitude\":\"-122.2947\"}]"],"Address":["Berkeley, California, USA"],"City":["Berkeley, California"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction by Thomas Parkinson\n\t\t024\tSnyder introduces his translations of the poems of Miyazawa Kenji\n\t\t038\t“The Politicians”\n\t\t045\t“Daydreaming on the Trail”\n\t\t058\t“The Great Power-Line Pole”\n\t\t066\t“Pine Needles”\n\t\t080\t“Orders”\n\t\t098\tIntroduces poems from Mountains and Rivers Without End\n\t\t110\t“Night Highway 99”\n\t\t127\tPart I\n\t\t146\tPart II\n\t\t199\tPart III\n\t\t230\tPart IV\n\t\t255\tPart V\n\t\t304\t“The Market”\n\t\t328\tPart I\n\t\t341\tPart II\n\t\t373\tPart III\n\t\t390\t“The Elwha River” Part I\n\t\t421\tPart II\n\t\t434\tPart III\n\t\t458\t“Journies” Part I\n\t\t485\tPart II\n\t\t492\tPart III\n\t\t500\tPart IV\n\t\t505\tPart V\n\t\t518\tPart VI\n\t\t530\tPart VII\n\t\t545\tPart VIII\n\t\t556\tPart IX\n\t\t575\tSnyder introduces the next two poems\n\t\t609\t“August”\n\t\t647\t“November”\n\t\t685\tIntroduces poems from The Back Country\n\t\t732\t“A Berry Feast” Part I\n\t\t769\tPart II\n\t\t804\tPart III\n\t\t865\t“Marin-An”\n\t\t892\tIntroduces “Oil”\nTwo\t\t000\t“Oil”\n\t\t014\t“How to Make Stew in the Binacate Desert”\n\t\t041\t“Yase: September”\n\t\t049\t“The Public Bath”\n\t\t090\t“A spring night in Shokoku-ji”\n\t\t101\t“An autumn morning in Shokoku-ji”\n\t\t110\t“The Firing”\n\t\t144\t“7. IV. 64”\n\t\t168\t“Hop, Skip, and Jump”\n\t\t201\t“2. XI. 64” (“August Was Foggy”)\n\t\t218\t“Four Corners Hopscotch”\n\t\t225\t“Could She See the Whole Real World with Her Ghost \n\t\t\tBreast Eyes Shut Under a Blouse Lid”\n\t\t243\t“The Six Hells of the Engine Room”\n\t\t256\t“For the Boy Who Was Dodger Point Lookout 15 Years Ago”\n\t\t280\t“Through the Smoke Hole”"],"Note":["[{\"note\":\"Liner Notes: \\nBerkeley Poetry Conference Part 1, July 13th 1965.\\nSide 1: 43 min\\nIntroduction by Thomas Parkinson Reading by Gary Snyder\\nSide 2: 43:10\\nConclusion of Reading\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553271926785,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5416","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Berkeley Poetry Conference Part 5: Charles Olson lecture and reading on July 20th, 1965 #516"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Olson, Charles","Duncan, Robert","Creeley, Bobbie"],"creator_names_search":["Olson, Charles","Duncan, Robert","Creeley, Bobbie"],"creators":["[{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"Introduction by Robert Duncan\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/263868544\",\"name\":\"Creeley, Bobbie \",\"dates\":\"1930-1976\",\"notes\":\"He participates in the discussion, and he is among the audience \",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1292/516.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:00:36\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"516-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:08\",\"precision\":\"\",\"size\":\"60.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"516-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:06\",\"precision\":\"\",\"size\":\"60.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07-20\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2833528\",\"venue\":\"\",\"notes\":\"\",\"address\":\" Berkeley, California, USA\",\"latitude\":\"37.8705\",\"longitude\":\"-122.2826\"}]"],"Address":[" Berkeley, California, USA"],"City":["Berkeley, California"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction by Robert Duncan\n\t\t029\tOlson begins to speak, identifies the lecture subject as “casual mythology”\n\t\t044\tDescribes recent meeting with Pound\n\t\t058\tFour topics for discussion: The Earth, the Image of the World, the History or City, and the Spirit of the World: these will be discussed under the epigraph, “that which exists through itself is what is called meaning”\n\t\t070\tPairs the Earth (orb) and the City (urb), as well as the Spirit of the World (anima mundi) and the Image of the World (imago mundi); these terms will be related to four Maximus poems\n\t\t094\tReads “Astride/the Cabot/fault…”\n\t\t103\tPrepares to discuss the Earth in terms of woman historian Francis Rose-Troup and “Mongolian Ice”\n\t\t116\tReads from “Letter, May 2, 1959: “then to now nothing/new…”\n\t\t126\tTalks about the Earth as a “One”\n\t\t142\tResumes reading from “Letter, May 2, 1959”\n\t\t177\tLooks for a passage in the text which he can’t find\n\t\t202\tReads as earlier passage from “Letter, May 2, 1959”\n\t\t213\tEarth as orb, a familiar theme\n\t\t221\tRereads “Astride/the Cabot/fault…”\n\t\t243\tBobbie Creeley asks about the meaning of “the Diorite Stone lopped off…”; Olson responds verbally and with blackboard illustration\n\t\t314\tDescribes how the poem “The Song of Ullikummi” relates to the Diorite Stone\n\t\t370\tQuestion: What is “lopped off at the left shoulder?”; Olson responds\n\t\t394\tReads story about “the condition of the two angels”\n\t\t416\tThe Diorite Stone as the “child of Mother Earth”\n\t\t495\tBegins to speak about the “imago mundi”\n\t\t533\tIntroduces next poem\n\t\t576\tReads “rages/strain/Dog of Tartarus…”\n\t\t620\tBegins to discuss History, or City\n\t\t682\tReads “7 years & you could carry cinders in your hand…”\nTwo\t\t060\tIntroduces the subject, “anima mundi”; reads “The Song of Ullikummi”\n\t\t122\tResponds to question about anima mundi as woman\n\t\t130\tResponds to question on why he draws on other cultures for myths\n\t\t228\tResponds to question about the link between mythological elements and the establishment, trade, and war \n\t\t268\tLecture ends"],"Note":["[{\"note\":\"Liner Notes: \\nThe Berkeley Poetry Conference Part 5 July 20th, 1965 \\nCharles Olson:\\nThe Causal Mythology Introduced by Robert Duncan\\nSide 1: 41 min\\nSide 2: 38:25\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553271926786,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5447","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["A selection: William Bronk reading #805"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bronk, William"],"creator_names_search":["Bronk, William"],"creators":["[{\"url\":\"http://viaf.org/viaf/79048234\",\"name\":\"Bronk, William \",\"dates\":\"1918-1999\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1382/Reading in BC_MsC199_785.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"805-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:27:44\",\"precision\":\"\",\"size\":\"31.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"805-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:27:46\",\"precision\":\"\",\"size\":\"34.1 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side 1 : The Inclination of the Earth 2. Home Address 3. My Father Photographed with Friends 4. The Changes 5. At Tikal 6. The Annihilation of Matter 7. The B-Beautiful Wall, Machu Picchu 8. The Nature of Musical Form 9. The World in Time and Space 10.The Outcry 11. The Smile on the Face of a Kooros 12. Colloquy on a Bed 13. On Credo Ut Intelligam 14. On Divers Geometries\nSide 2 : 15. : Uncle Will 16. The Real Surrounding : On Canaletto’s Venice 17. That Something There is Should Be 18. Something Like Tepees 19. The Abnegation 20. Yes : I Mean So OK – Love 21. The Ignorant Lust After Knowledge 22. Dos-A-Dos 23. The Fiction of Shape 24. The Importuning of Truth 25. To Praise the Music 26. Where it Ends 27. The Poems : All Concessions Made 28. Names Like Barney Cain’s 29. The Rapport 30. To Be a Saint Like Christopher 31. The Passage 32. On Being Together 33. The World 34. The Deprived 35. The inability 36. The Lack of Information"],"Note":["[{\"note\":\"Bronk: A selection\\nWilliam Bronk \\n#805\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553272975360,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5452","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Selections from The Writings of Gertrude Stein: Addison M. Metcalf reading Mother Goose of Montparnasse at Folkways Records Studio in New York City, 1956 #784"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Donegan, Martin","Darcy, Scott","Metcalf, Addison M"],"creator_names_search":["Donegan, Martin","Darcy, Scott","Metcalf, Addison M"],"creators":["[{\"url\":\"\",\"name\":\"Donegan, Martin \",\"dates\":\"\",\"notes\":\"Program arranged and directed by him\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"\",\"name\":\"Darcy, Scott \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"http://viaf.org/viaf/17024778\",\"name\":\"Metcalf, Addison M\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1956],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1400/Reading in BC_MsC199_784.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Digital"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"784-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:24:09\",\"precision\":\"\",\"size\":\"26.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"784-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:24:11\",\"precision\":\"\",\"size\":\"24.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1956\",\"type\":\"Performance Date\",\"notes\":\" In inventory, the date is 1965 (?)\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/2710082448\",\"venue\":\"Folkways Records\",\"notes\":\"\",\"address\":\"17 W 60th St, New York, NY 10023, United States\",\"latitude\":\"40.76937\",\"longitude\":\"-73.98296\"}]"],"Address":["17 W 60th St, New York, NY 10023, United States"],"Venue":["Folkways Records"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n1\t\t\tIntrolusion\n2\t\t\tThe Middle Half\n"],"Note":["[{\"note\":\"Read by Addison M. Metcalf\\nArranged and directed by Martin Donegan Producer/ Scott D'arcy/ poet's theater No. 8 \\nMother Goose of Montparnasse, Selections from The Writings of Gertrude Stein\\nFolkways Records, 1965 (?)\\n #784\",\"type\":\"General\"},{\"note\":\" In inventory, the date is 1965 (?)\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553272975361,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5453","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Allen Ginsberg First Blues: Rrags, ballads and harmonium songs #785 "],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ginsberg, Allen"],"creator_names_search":["Ginsberg, Allen"],"creators":["[{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen \",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1404/Reading in BC_MsC199_785.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"785-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:22\",\"precision\":\"\",\"size\":\"29.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"785-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:24\",\"precision\":\"\",\"size\":\"30.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Allen Ginsberg First Blues : rags, ballads and harmonium songs\nSide 1: 4 A.M. Blues/New York Blues/New York Youth Call Annunciation; Come back Christmas\nSide 2: Slack Key guitar/Siratoka beach croon; bus ride ballad road to Suva; prayer blues; dope fiend blues (More detailed notes inside case)"],"Note":["[{\"note\":\"Allen Ginsberg First Blues : rags, ballads and harmonium songs\\nSide 1: 4 A.M. Blues/New York Blues/New York Youth Call Annunciation; Come back Christmas/ Macdougal Street Blues. CIA Dope Calypso. Put Down Yr Cigarette Rag\\nSide 2: Slack Key Guitar/Siratoka Beach Croon; Bus Rride Ballad Road To Suva; Prayer Blues; Dope Fiend Blues \\n#785\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553272975362,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5454","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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I decided to put the date I found in the inventory. \",\"type\":\"\"},{\"note\":\"Liner Notes:\\nRobert Creeley II interview\\n1981 \\nNew letters on the air\\n(Contemporary Writers on Radio)\\nUniversity of Missouri Kansas City, MO 64110\\n(816)2761159\\n29 minutes\\npart II\\n04/88\\n #791\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553275072515,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5459","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["New letters on the air (Contemporary Writers on Radio) at University of Missouri: Clayton Eshleman reading, 1981 #792\n"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Stewart, Robert","Powell, Bud","Ray, David","Eshleman, Clayton","Rothenberg, Jerome","Miller, Rich"],"creator_names_search":["Stewart, Robert","Powell, Bud","Ray, David","Eshleman, Clayton","Rothenberg, Jerome","Miller, Rich"],"creators":["[{\"url\":\"\",\"name\":\"Stewart, Robert \",\"dates\":\"\",\"notes\":\"Executive editor \",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"http://viaf.org/viaf/197369\",\"name\":\"Powell, Bud\",\"dates\":\"1924-1966\",\"notes\":\"music is from \\\"Bouncing With Bud: album\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\" http://viaf.org/viaf/111391057\",\"name\":\"Ray, David\",\"dates\":\"1932-\",\"notes\":\"Executive editor \",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"http://viaf.org/viaf/79046419\",\"name\":\"Eshleman, Clayton\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\" http://viaf.org/viaf/109302361\",\"name\":\"Rothenberg, Jerome\",\"dates\":\"1931-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Miller, Rich\",\"dates\":\"\",\"notes\":\"The radio host\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1494/Reading in BC_MsC199_792.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:29:00\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"792-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:23\",\"precision\":\"\",\"size\":\"29.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"792-side-2 - blank.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:20\",\"precision\":\"\",\"size\":\"32.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/237973251\",\"venue\":\"University of Missouri - Kansas City \",\"notes\":\"It's the location of Newsletters magazine in Kansas City where this radio program was made not probably the place where Clayton Eshleman reading \",\"address\":\"5000 Holmes St, Kansas City, MO 64110, United States\",\"latitude\":\"39.0343\",\"longitude\":\"-94.5786\"}]"],"Address":["5000 Holmes St, Kansas City, MO 64110, United States"],"Venue":["University of Missouri - Kansas City "],"Note":["[{\"note\":\"Side two is empty.\",\"type\":\"\"},{\"note\":\"In the inventory document, the mentioned date is 1981 although on the J-card there is another date which is 1982-05. I decided to put the date I found in the inventory. \",\"type\":\"\"},{\"note\":\"Liner Notes:\\nClayton Eshleman \\n1981 reading\\nNew letters on the air\\n(Contemporary Writers on Radio)\\nUniversity of Missouri Kansas City, MO 64110\\n(816)2761159\\n29 minutes\\n05/82\\n #792\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553276121088,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5460","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["New letters on the air (Contemporary Writers on Radio) at University of Missouri: Lawrence Ferlinghetti interview with Rebecca Pearson at City Lights Books in California, April 1988 #793\n"],"item_title_source":["J-card and Recording "],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Pearson, Rebecca","Ferlinghetti, Lawrence"],"creator_names_search":["Pearson, Rebecca","Ferlinghetti, Lawrence"],"creators":["[{\"url\":\"\",\"name\":\"Pearson, Rebecca \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/110070499\",\"name\":\"Ferlinghetti, Lawrence\",\"dates\":\"1919-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1496/Reading in BC_MsC199_793.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:29:00\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"793-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:29\",\"precision\":\"\",\"size\":\"41.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"793-side-2 - blank.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:14\",\"precision\":\"\",\"size\":\"40.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-04\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/32858754\",\"venue\":\"City Lights Books\",\"notes\":\"\",\"address\":\"261 Columbus Ave, San Francisco, CA 94133, United States\",\"latitude\":\"37.79763\",\"longitude\":\"-122.40661\"},{\"url\":\"https://www.openstreetmap.org/way/237973251\",\"venue\":\"University of Missouri - Kansas City\",\"notes\":\"It's the location where the radio program is made\",\"address\":\"5000 Holmes St, Kansas City, MO 64110, United States\",\"latitude\":\"39.0343\",\"longitude\":\"-94.5786\"}]"],"Address":["261 Columbus Ave, San Francisco, CA 94133, United States","5000 Holmes St, Kansas City, MO 64110, United States"],"Venue":["City Lights Books","University of Missouri - Kansas City"],"Note":["[{\"note\":\"Side two is empty.\",\"type\":\"\"},{\"note\":\"Liner Notes:\\nLawrence Ferlinghetti\\n1988 April reading\\nNew letters on the air\\n(Contemporary Writers on Radio)\\nUniversity of Missouri Kansas City, MO 64110\\n(816)2761159\\n29 minutes\\n04/82\\n #793\",\"type\":\"General\"},{\"note\":\"[Karla Fish?] and [Ron Jones?] had some cooperation for the production of the program\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553276121089,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5461","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["New letters on the air (Contemporary Writers on Radio) at University of Missouri: Allen Ginsberg interview with Rebecca Pearson and Robert [Stewart?] at [convocation of beats?] in Lawrence, September 1987 #794\n"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ginsberg, Allen","[Stewart?] Robert","Pearson, Rebecca","Kemner, Gerald"],"creator_names_search":["Ginsberg, Allen","[Stewart?] Robert","Pearson, Rebecca","Kemner, Gerald"],"creators":["[{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen \",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"[Stewart?] Robert\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"\",\"name\":\"Pearson, Rebecca \",\"dates\":\"\",\"notes\":\"The program host\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"\",\"name\":\"Kemner, Gerald \",\"dates\":\"\",\"notes\":\"The writer of the program's music theme\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Performance_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1497/Reading in BC_MsC199_794.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:29:00\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"794-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:18\",\"precision\":\"\",\"size\":\"29.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"794-side-2 - blank.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:38\",\"precision\":\"\",\"size\":\"32.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-04\",\"type\":\"Performance Date\",\"notes\":\"the date on the recording is different from the one on the J-card. \",\"source\":\"J-card\"},{\"date\":\"1987-09\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"digital file (recording)\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/237973251\",\"venue\":\"University of Missouri - Kansas City\",\"notes\":\"It's the location where the radio program is made\",\"address\":\"5000 Holmes St, Kansas City, MO 64110, United States\",\"latitude\":\"39.0343\",\"longitude\":\"-94.5786\"},{\"url\":\"https://www.openstreetmap.org/node/151399928\",\"venue\":\"[convocation of beats?]\",\"notes\":\"The latitude and longitude of Lawrence have been entered since the exact location can't be found.\",\"address\":\"Lawrence, Kansas, USA\",\"latitude\":\"38.9754\",\"longitude\":\"-95.2405\"}]"],"Address":["5000 Holmes St, Kansas City, MO 64110, United States","Lawrence, Kansas, USA"],"Venue":["University of Missouri - Kansas City","[convocation of beats?]"],"Note":["[{\"note\":\"Side two is empty.\",\"type\":\"\"},{\"note\":\"Liner Notes:\\nLawrence Ferlinghetti\\n1988 April reading\\nNew letters on the air\\n(Contemporary Writers on Radio)\\nUniversity of Missouri Kansas City, MO 64110\\n(816)2761159\\n29 minutes\\n04/88\\n #794\",\"type\":\"General\"},{\"note\":\"[Karla Fish?] and [Ron Jones?] had some cooperation for the production of the program\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553276121090,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5462","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["New letters on the air (Contemporary Writers on Radio) at University of Missouri: John Giorno interview with Rebecca Pearson, April 1988 #795"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Pearson, Rebecca","Ray, David","Ray, Judy","Kimner, Gerald","Giorno, John"],"creator_names_search":["Pearson, Rebecca","Ray, David","Ray, Judy","Kimner, Gerald","Giorno, John"],"creators":["[{\"url\":\"\",\"name\":\"Pearson, Rebecca \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\",\"Producer\"]},{\"url\":\"http://viaf.org/viaf/111391057\",\"name\":\"Ray, David\",\"dates\":\"1932-\",\"notes\":\"founder\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Ray, Judy\",\"dates\":\"\",\"notes\":\"David ray's wife: founder\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Kimner, Gerald \",\"dates\":\"\",\"notes\":\"The program's music theme is written by him\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/84168002\",\"name\":\"Giorno, John \",\"dates\":\"1936-2019\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1499/Reading in BC_MsC199_795.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:29:00\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"795-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:15\",\"precision\":\"\",\"size\":\"41.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"795-side-2 - blank.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:59\",\"precision\":\"\",\"size\":\"41.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-04\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/237973251\",\"venue\":\"University of Missouri - Kansas City \",\"notes\":\"It's the location where the radio program is made. The location where the interview happened is not mentioned; it could be in the studio of the radio program \",\"address\":\"5000 Holmes St, Kansas City, MO 64110, United States\",\"latitude\":\"39.0343\",\"longitude\":\"-94.5786\"}]"],"Address":["5000 Holmes St, Kansas City, MO 64110, United States"],"Venue":["University of Missouri - Kansas City "],"Note":["[{\"note\":\"Side two is empty.\",\"type\":\"\"},{\"note\":\"Liner Notes:\\nJohn Giorno\\n1988 April reading\\nNew letters on the air\\n(Contemporary Writers on Radio)\\nUniversity of Missouri Kansas City, MO 64110\\n(816)2761159\\n29 minutes\\n04/88\\n #795\",\"type\":\"General\"},{\"note\":\"[Karla Fish?] and [Ron Jones?] had some cooperation for the production of the program\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553276121091,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5463","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["New letters on the air (Contemporary Writers on Radio) at University of Missouri: Amiri Baraka (Jones LeRoi) interview with Rebecca Pearson held during Black Writers Festival at Penn Valley Community College, September 1987 #796"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Pearson, Rebecca","Ray, David","Baraka, Imamu Amiri","Danial, [Lioyd?]","Kimner, Gerard"],"creator_names_search":["Pearson, Rebecca","Ray, David","Baraka, Imamu Amiri","Danial, [Lioyd?]","Kimner, Gerard"],"creators":["[{\"url\":\"\",\"name\":\"Pearson, Rebecca \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/111391057\",\"name\":\"Ray, David\",\"dates\":\"1932-\",\"notes\":\"and his wife Judy Ray are founders\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/39371896\",\"name\":\"Baraka, Imamu Amiri\",\"dates\":\"1934-2014\",\"notes\":\"Jones LeRoi \",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"\",\"name\":\"Danial, [Lioyd?]\",\"dates\":\"\",\"notes\":\"The conference and interview is coordinated and arranged by him\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"\",\"name\":\"Kimner, Gerard\",\"dates\":\"\",\"notes\":\"The program's music theme is written by him\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Publication_Date":[1988],"Production_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1500/Reading in BC_MsC199_796.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"796-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:21\",\"precision\":\"\",\"size\":\"29.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"796-side-2 - blank.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:19\",\"precision\":\"\",\"size\":\"32.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-02\",\"type\":\"Publication Date\",\"notes\":\"Since the date of recording is mentioned on the audio file, this could be the publication date\",\"source\":\"J-card\"},{\"date\":\"1987-09\",\"type\":\"Production Date\",\"notes\":\"The interview is recorded during the black writers festival\",\"source\":\"Recording\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/237973251\",\"venue\":\"University of Missouri - Kansas City\",\"notes\":\"It's the location where the radio program is made\",\"address\":\" 5000 Holmes St, Kansas City, MO 64110, United States\",\"latitude\":\"39.0343\",\"longitude\":\"-94.5786\"},{\"url\":\"https://www.openstreetmap.org/way/496008905\",\"venue\":\"Penn Valley Community College\",\"notes\":\"\",\"address\":\"3201 SW Trafficway, Kansas City, MO 64111, United States\",\"latitude\":\"39.06941\",\"longitude\":\"-94.59255\"}]"],"Address":[" 5000 Holmes St, Kansas City, MO 64110, United States","3201 SW Trafficway, Kansas City, MO 64111, United States"],"Venue":["University of Missouri - 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The location where the interview happened is not mentioned; it could be in the studio of the radio program \",\"address\":\"5000 Holmes St, Kansas City, MO 64110, United States\",\"latitude\":\"39.0343\",\"longitude\":\"-94.5786\"}]"],"Address":["5000 Holmes St, Kansas City, MO 64110, United States"],"Venue":["University of Missouri - Kansas City"],"Note":["[{\"note\":\"Side two is empty.\",\"type\":\"\"},{\"note\":\"Liner Notes:\\nDenise Levertov\\n1983 April reading\\nNew letters on the air\\n(Contemporary Writers on Radio)\\nUniversity of Missouri Kansas City, MO 64110\\n(816)2761159\\n29 minutes\\n04/83\\n #797\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553277169664,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5465","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["New letters on the air (Contemporary Writers on Radio) at University of Missouri: Diane Wakoski reading in the American Poetry Series at the Jewish Community Center, November 1977 #799"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["[Belg, Albert?]","Wakoski, Diane"],"creator_names_search":["[Belg, Albert?]","Wakoski, Diane"],"creators":["[{\"url\":\"\",\"name\":\"[Belg, Albert?]\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/79051243\",\"name\":\"Wakoski, Diane \",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1504/Reading in BC_MsC199_799.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:29:00\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"799-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:23\",\"precision\":\"\",\"size\":\"29.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"799-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:22\",\"precision\":\"\",\"size\":\"32.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977-11\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/237973251\",\"venue\":\"University of Missouri - Kansas City \",\"notes\":\"It's the location where the radio program is made\",\"address\":\" 5000 Holmes St, Kansas City, MO 64110, United States\",\"latitude\":\"39.0343\",\"longitude\":\"-94.5786\"},{\"url\":\"https://www.openstreetmap.org/node/358643714\",\"venue\":\"Jewish Community Center of Greater Kansas City \",\"notes\":\"we are not sure about the location of the Jewish Community Center; we thought it could be in Kansas City since the whole series has been recorded in Kansas.\",\"address\":\"5801 W 115th St, Overland Park, KS 66211, United States\",\"latitude\":\"38.91828\",\"longitude\":\"-94.65315\"}]"],"Address":[" 5000 Holmes St, Kansas City, MO 64110, United States","5801 W 115th St, Overland Park, KS 66211, United States"],"Venue":["University of Missouri - Kansas City ","Jewish Community Center of Greater Kansas City "],"Note":["[{\"note\":\"Side two is empty.\",\"type\":\"\"},{\"note\":\"Liner Notes:\\nDiane Wakoski\\n1977 November reading\\nNew letters on the air\\n(Contemporary Writers on Radio)\\nUniversity of Missouri Kansas City, MO 64110\\n(816)2761159\\n29 minutes\\n11/77\\n #799\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553277169666,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5467","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Berkeley Poetry Conference Part 3: reading and lecture by Lew Welch and Robert Duncan on July 24th  and July 13th, 1965 Tape 1 of 2 #514a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Welch, Lew","Duncan, Robert","Parkinson, Thomas","[Baker, Richard?]"],"creator_names_search":["Welch, Lew","Duncan, Robert","Parkinson, Thomas","[Baker, Richard?]"],"creators":["[{\"url\":\"http://viaf.org/viaf/72272999\",\"name\":\"Welch, Lew\",\"dates\":\"1926-1971\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"514_1-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:24\",\"precision\":\"\",\"size\":\"42.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07-24\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1965-07-13\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2833528\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Berkeley, California, USA\",\"latitude\":\"37.8679\",\"longitude\":\"-122.2888\"}]"],"Address":["Berkeley, California, USA"],"City":["Berkeley, California"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tWelch reading concluded:\n\t\t000\t“I saw myself”\n\t\t007\tHe Greets, Again, “the Open Road (Return to the City)”\n\t\t028\tThis Book is for Magda (On Out)\n\t\t045\tLecture: “Psyche: Myth and the Moment of Truth”, by Duncan\n\t\t\tIntroduction by Thomas Parkinson\n\t\t072\tRobert Duncan introduces his topic, discusses “myth”\n\t\t148\t“the moment of truth”, “Psyche”\n\t\t169\t“We are chemical events” Duncan discusses identity\n\t\t215\tBegins to discuss “A Poem Beginning With A Line by Pindar” – talks about its composition, how he came to begin his poem with this line\n\t\t260\tDuncan always gets out of a poem “by having a dance at the end”\n\t\t300\tDiscusses the “ill-kept garden”\n\t\t355\tReads and discusses the opening of the “Pindar” poem\n\t\t427\tPindar carries Duncan through the poem in the way that Virgil carries Dante through hell\n\t\t464\tReads and discusses the rest of part I of the “Pindar” poem\n\t\t525\tTalks about Psyche and Eros\n\t\t594\tTalks about developing the love of language\n\t\t672\t“Revision is meaningless…”\n\t\t703\tReads and discusses last section of part III of “Pindar”\n\t\t758\tReads beginning of part IV of “Pindar”, discusses “the footfall”\n\t\t832\tReads “that foot informed/by the weight of all things”, discusses the sound of these lines"],"Note":["[{\"note\":\"Liner Notes: \\nBerkeley Poetry Conference Part 3\\nLew Welch Reading Conclusion July 24th, 1965\\nIntroduction to Robert Duncan- Thomas Parkinson\\nRobert Duncan Lecture: Psyche- Myth and the Moment of Truth, July 13th\\nBeginning 26\\nContinued 29:50\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553277169668,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5469","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. 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Born, Never Asked 2. Closed Circuits 3. Dr. Miller 4. It Was Up in the Mountains 5. For Electronic Dogs 6. Structuralist Filmaking 7. Drums John Giorno/8. I Don’t Need It, I Don’t Want It, and You Cheated Me Out of It 9. Completely Attached to Delusion. William S. Burroughs/1. Introducing John Stanley Hart 2. Twilight’s Last Gleanings 3. My Protagonist Kim Carson 4. Salt Chunk Mary 5. Progressive Education 6. The Wild Fruits 7. The Name is Clem Snide 8. Mr. Hart Couldn’t Hear the Word Death"],"Note":["[{\"note\":\"Liner Notes:\\nYou’re the Guy I want to Share my Money With, Laurie Anderson, John Giorno and William S. 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Burroughs/Just Say No To Drug Hysteria (excerpt) Dead Souls ; David Byrne/Song For The Trees (or) I Know Sometimes The World is Wrong\nSide 2: Live Skull/”Tri-Power”, PMS/Living On The Outside (Fucked Up World) ; Karen Finley/Party Animal ; John Giorno Band/ It’s A Mistake to Think You’re Special ; Henry Rollins Band/Hard"],"Note":["[{\"note\":\"Liner Notes:\\nLike a Girl, I Want You to Keep Coming, Debbie Harry, New Order, William S.Burroughs, David Byrne, Live Skull (4:00), PMS (3:30), Karen Finley, John Giorno Band (5:44), Henry Rollins Band (4:10) performance \\n#812\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553280315392,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5479","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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The Springtime 3. Scenes from the Life of the Peppertrees 4. An Innocent 5. A Happening 6. The Earth Woman and the Water Woman 7. The Sage 8. To the Snake 9. Song for Ishtar 10. The Coming Fall 11. Olga Poems (excerpts 1,2,3,6) 12. The Day the Audience Walked Out on Me and Why 13. In Thai Binh (Peace) Province 14. The Long Way Round 15. Human Being\nSide 2 : 16. Nightingale Road 17. The 90th Year 18. In Memory of Muriel Rukeyser 19. The Acolyte 20. To Eros 21. Pig Dreams : Scenes from the Life of Sylvia (excerpts : Winger Pig, Her Secret) 22. Presence 23. The God of Flowers 24. What It Could Be 25. Urgent Whisper 26. Gathered at the River 27. Thinking about El Salvador 28. Perhaps No Poem but All I can Say and I Cannot Be Silent 29. The Task 30. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Saving the Bay and Other Poems: Josephine Miles  reading #817"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Miles, Josephine"],"creator_names_search":["Miles, Josephine"],"creators":["[{\"url\":\" http://viaf.org/viaf/110624639\",\"name\":\"Miles, Josephine \",\"dates\":\"1911-1985\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1535/Reading in BC_MsC199_817.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"817-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:19\",\"precision\":\"\",\"size\":\"41.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"817-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:54\",\"precision\":\"\",\"size\":\"41.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting\n"],"contents":["Side 1 : 1. For Futures 2. Moonrise in City Park 3. Midweek 4. Now That April’s There 5. Enlightenment 6. David 7. Oedipus 8. Sisyphus 9. Fish 10. Sheep 11. Reason 12. Student 13. The Campaign 14. “In the town where every man is king” 15. “I walked along the river path, the river” 16. “Yesterday evening as the sun set late” 17. “When I telephoned a friend, her husband told (Saving the Bay)\nSide 2 : 18. Tract19. New Tract 20. Paths 21. Toward II 22. Family 23. “Throwing his life away” 24. “When the sun came, the rooster expanded to meet it” 25. “Apart from branches in courtyards and small stones” 26. Trip 27. Doll 28. Readers 29. Officers 30. Trade Center 31. Delay 32. Nadirs 33. Center"],"Note":["[{\"note\":\"Liner Notes:\\nSaving the Bay and Other Poems: Josephine Miles #817\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553280315396,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5483","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Naropa Institute Archives Project: Jim Carroll reading on July 3 #818"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Carroll, Jim"],"creator_names_search":["Carroll, Jim"],"creators":["[{\"url\":\"http://viaf.org/viaf/14783289\",\"name\":\"Carroll, Jim \",\"dates\":\"1950-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1536/Reading in BC_MsC199_818.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"818-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:54:01\",\"precision\":\"\",\"size\":\"53.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"818-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:49:20\",\"precision\":\"\",\"size\":\"48.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"07-03\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Recording\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/391232001\",\"venue\":\"Naropa Institute\",\"notes\":\"\",\"address\":\" Marine Street, Boulder, Boulder County, Colorado, 80309, United States\",\"latitude\":\"40.01403\",\"longitude\":\"-105.26697\"}]"],"Address":[" Marine Street, Boulder, Boulder County, Colorado, 80309, United States"],"Venue":["Naropa Institute"],"Note":["[{\"note\":\"The first 31 minutes and 19 seconds of part one is full, and the rest is empty.\",\"type\":\"\"},{\"note\":\"The first 38 minutes and 52 seconds of part two is full, and the rest is empty.\",\"type\":\"\"},{\"note\":\"Liner Notes:\\nThe Naropa Institute Archives Project\\nc/o The Naropa Institute Library, 2130 Arapahoe Ave, Boulder, CO 80302, (303) 444-0202\\nJim Carroll reading \\n#818\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553280315397,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5484","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Ear Rational composed by bp Nichol, 1970 and 1980 #819"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P."],"creator_names_search":["Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1537/Reading in BC_MsC199_819.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"819-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:03\",\"precision\":\"\",\"size\":\"42.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"819-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:18\",\"precision\":\"\",\"size\":\"49.0 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1980\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side 1 : Dada Lama (1966) ; Pome Poem (1972) ; 060173 (1973) ; Eight Part Suite (1971) ; Cosmic Piece for Orchestra & Chorus (1969) ; Art in Upheaval (begun 1979) ; Generations Generated (1977) ; Afternoon Attentions (1973) ; “meeln” (1973)\nSide 2 : Acres Rare Meet (1977) ; Ballads of the Restless Are (1967) ; White Text Sure : Version 1 (1978) ; Outsize Reference (1973) ; Translating Translating Apollinaire 52 (1978) ; The Alphabet Game (1972) ; Interrupted Nap (1976 to 80)"],"Note":["[{\"note\":\"Liner Notes:\\nEar Rational composed by bp Nichol 1970-80 \\n#819  \\n\",\"type\":\"General\"},{\"note\":\"The first 26 minutes and 19 seconds of part two is full, and the rest is empty.\",\"type\":\"\"},{\"note\":\"The first 27 minutes and 23 seconds of part one is full, and the rest is empty.\",\"type\":\"\"},{\"note\":\"Versions of Ear Rational exist in the Readings in BC collection, Fred Wah fonds, Adeena Karasick, and bp Nichol fonds.\\nEar Rational composed by bp Nichol, 1970 and 1980 #819 - SWALLOW ID 5484 Identical tape\\nBpNichol Sound Poems 1970-80: Ear Rational SWALLOW ID 6971 Identical tape\\nEar Rational: Sound Poems 1970-80 by bpNichol SWALLOW ID 7260 Identical tape\\nDub of Ear Rational, Sound Poems by bpNichol #43 SWALLOW ID 7023 \\nEARRATIONAL, bpNichol, side 1, master tape, recorded Nov. 1, 1982 #14 SWALLOW ID 7045 - Reel-to-Reel \\nEARRATIONAL, bpNichol, Side 2, master tape, recorded Nov. 1, 1982 #15 SWALLOW ID 7045 - Reel-to-Reel \",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670553281363968,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5485","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Coach House Talking Books: Michael Ondaatje reading #820"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ondaatje, Michael"],"creator_names_search":["Ondaatje, Michael"],"creators":["[{\"url\":\"http://viaf.org/viaf/111941870\",\"name\":\"Ondaatje, Michael \",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1538/Reading in BC_MsC199_820.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"820-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:41\",\"precision\":\"\",\"size\":\"63.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"820-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:47\",\"precision\":\"\",\"size\":\"63.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side 1 : Light ; Dates ; Early Morning, Kingston to Gananoque ; Letters & Other Worlds ; King Kong Meets ; Wallace Stevens ; ‘The Gate in His Head’ ; Burning Hills ; White Dwarfs ; Farre Off ; Walking to Bellrock ; Pig Glass ; late Movies with Skyler ; Bearhug ; Tin Roof\nSide 2 : Elimination Dance (the intermission) ; The Hour of Cowdust ; Sweet Like a Crow ; The Cinnamon Peeler ; from Rock Bottom ; All Along the Mazinaw ; To a Sad Daughter ; Translations of My Postcards ; A Dog in San Francisco ; Bessie Smith at Roy ; Thomson Hall ; Red Accordian ; An Immigrant Song ; Birch Bark"],"Note":["[{\"note\":\"Liner Notes:\\nCoach House Talking Books: Michael Ondaatje #820\\n\\n \\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553281363969,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5486","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Elizabeth Brewster Reading for English 102 at SFU on March 3, 1981 #373"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Brewster, Elizabeth"],"creator_names_search":["Brewster, Elizabeth"],"creators":["[{\"url\":\"http://viaf.org/viaf/59125943\",\"name\":\"Brewster, Elizabeth\",\"dates\":\"1922-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3424/Readings in BC_MsC199_373.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"SFU\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"373-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:48\",\"precision\":\"\",\"size\":\"46.6 MB\",\"bitrate\":\"32.9 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"373-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:48\",\"precision\":\"\",\"size\":\"29.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-03-03\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\t\t000\tLong silence then inaudible\n\t\t163\tBrewster introduces her work – reads from The Form\n\t\t171\tBegins to read “_______at the end of the Form”\n\t\t204\t“Reason for reason”\n\t\t219\t“In favour of being alive’\n\t\t242\t“Aftermath of the Titanic”\n\t\t272\t“On the value of Fantasy”\n\t\t296\t“Man who is half there’\n\t\t335\t“Vancouver poems”\n\t\t360\t“On my way home”\n\t\t377\t“Sometimes I think of moving”\n\t\t415\t“Agent orange”\n\t\t479\t“The coup”\n\t\t546\t“Peeking in”\n\t\t583\t“This is west”\n\t\t618\t“West is west”\n\t\t655\t“Somebody said you have to be careful”\n\t\t740\tQuestions from audience\n\t\t859\tEnds"],"Note":["[{\"note\":\"Liner Notes: Elizabeth Brewster reading for English 102 March 3, 1981 (didn't wear mic; lots of buzz) Side 1 27: 25 Side 2 20:00 Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553281363970,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5487","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Eli Mandel Reading at SFU on February 7, 1985 #374"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Mandel, Eli"],"creator_names_search":["Mandel, Eli"],"creators":["[{\"url\":\"http://viaf.org/viaf/59095399\",\"name\":\"Mandel, Eli\",\"dates\":\"1922-1992\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Vanel, Kurtis","Buitenhuis, Peter"],"contributors_names_search":["Vanel, Kurtis","Buitenhuis, Peter"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/44322302\",\"name\":\"Buitenhuis, Peter\",\"dates\":\"1925-\",\"notes\":\"He introduces Eli Mandel\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Recordist_name":["Vanel, Kurtis"],"Speaker_name":["Buitenhuis, Peter"],"Production_Date":[1985],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3425/Readings in BC_MsC199_374.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"SFU\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent \",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"374-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:29\",\"precision\":\"\",\"size\":\"30.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"374-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:57:11\",\"precision\":\"\",\"size\":\"56.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-02-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\t\t000\tIntroduction by Peter Buitenhuis\n\t\t023\tMandel – reads prose journal entries about India\n\t\t052\tJan. 10 1977, journal entry\n\t\t133\tUdaipur entry\n\t\t159\tBombay entry\n\t\t221\tMysore entry\n\t\t249\tReads the poem “The Gods of India’\n\t\t277\t“Fatepur Sikri –The lost city”\n\t\t316\tReads poems from Out of Place\n\t\t336\t“Estavan 1934”\n\t\t357\t“Locality”\n\t\t384\t“Earthworms eat earthworms and learn”\n\t\t423\t“The return”\n\t\t452\t“Lost place”\n\t\t473\t“Doubles”\n\t\t529\t“Parting at the Lake Palace at Udaipur”\n\t\t507\t“It’s variously believed that this world is a double”\n\t\t569\tQuestion period\n\t\t673\tEnds"],"Note":["[{\"note\":\"Liner Notes: Eli Mandel Reading at SFU, February 7, 1985 Introduced by Peter Buitenhuis Recorded by Kurtis Vanel Side 1 27:10 Side 2 23:10 Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553281363971,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5488","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Joanne Kyger Reading at SFU on February 26, 1985 #375"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Lord, Susan","Kyger, Joanne"],"creator_names_search":["Lord, Susan","Kyger, Joanne"],"creators":["[{\"url\":\"http://viaf.org/viaf/337901\",\"name\":\"Lord, Susan\",\"dates\":\"1959-\",\"notes\":\"She introduces Joanne Kyger\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\" http://viaf.org/viaf/71627705\",\"name\":\"Kyger, Joanne\",\"dates\":\"1934-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors_names":["Vanel, Kurtis"],"contributors_names_search":["Vanel, Kurtis"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Vanel, Kurtis"],"Production_Date":[1985],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3426/Readings in BC_MsC199_375.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"SFU\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent \",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"375-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:20\",\"precision\":\"\",\"size\":\"37.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"375-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:39:19\",\"precision\":\"\",\"size\":\"38.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-02-26\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\t\t000\tIntroduction by Susan Lord\n\t\t009\tJoanne Kyger – reads from her Selected Poems\n\t\t027\t“Tapestry” – first published poem\n\t\t040\t“Refresh my thoughts on Penelope again”\n\t\t057\tReads from All This Everyday\n\t\t068\t“Tuesday Oct. 18”\n\t\t076\t“Wednesday dream”\n\t\t095\t“I am facing an expanse of water”\n\t\t117\t“Not yet”\n\t\t121\t“Notes from the revolution” –“Its been a long time”\n\t\t140\t“Soon”\n\t\t157\t“Noone was watching the tortillas”\n\t\t165\t“A small field”\n\t\t175\t“The grasses are light brown”\n\t\t196\t“O fresh day in February”\n\t\t217\t“I don’t believe in any of your gods or powers”\n\t\t222\t“The far off pine whose branches turn yellow”\n\t\t233\t“I thought I would never get out here again”\n\t\t246\t“Wooden walls”\n\t\t248\t“Of all things for you to go away made”\n\t\t262\t“The apple tree burgeoning\n\t\t271\t“I don’t want to repeat the same mistakes”\n\t\t286\t“Bear destruction”\n\t\t311\t“O well it’s a gray day”\n\t\t330\tBreak and questions.  She talks about her writing practises, and life in Bolinas\n\t\t440\t[Bhuddism] and writing\n\t\t493\tShe talks about her influences – T.S. Eliot, Duncan and Spicer, and later Whalen\n\t\t681\tTalks about Richard Brautigan’s In Watermelon Sugar\n\t\t758\tTalks about the publishing industry\n\t\t943\tShe talks about the influence of Pound and Williams\n\t\t969\tEnd of tape"],"Note":["[{\"note\":\"Liner Notes: Joanne Kyger Reading at SFU, February 26, 1985 Side 1 29 min. Side 2 34:25 Recorded by Kurtis Vanel Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553281363972,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5489","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Kenneth Koch reading his poems #821"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Koch, Kenneth","Kresh, Paul","Klein, Arthur Luce"],"creator_names_search":["Koch, Kenneth","Kresh, Paul","Klein, Arthur Luce"],"creators":["[{\"url\":\"http://viaf.org/viaf/110467351\",\"name\":\"Koch, Kenneth\",\"dates\":\"1925-2002\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/43116474\",\"name\":\"Kresh, Paul\",\"dates\":\"\",\"notes\":\"The tape is directed by Paul Kresh\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"http://viaf.org/viaf/19946688\",\"name\":\"Klein, Arthur Luce\",\"dates\":\"1916-1997\",\"notes\":\"The tape is presented by Arthur Luce Klein\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3434/Reading in BC_MsC199_821.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"821-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:27:07\",\"precision\":\"\",\"size\":\"27.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"821-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:25:32\",\"precision\":\"\",\"size\":\"25.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/23475269\",\"venue\":\" [Spoken Arts?]\",\"notes\":\"One of the first companies to record the spoken word, founded in 1956 by Dr. Luce and Arthur Klein. 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e.g., “metrical” in Olson’s sense of the word\n\t\t057\tWilliams’ large focus “on measure” and the difficulties he experienced after his strokes\n\t\t078\tCreeley relates how Williams’ concerns have affected his feelings about Pound, Olson, Zukosfsky, and others\n\t\t096\tWilliams’ feelings about the Russian cosmonaut’s orbit of the Earth\n\t\t110\tCreeley asks audience for feedback on what is meant by “measure”; response: Williams himself did not seem to know\n\t\t126\tWilliams’ reaction to Olson and vice versa\n\t\t143\tOlson’s “Projected Verse” essay\n\t\t173\tCreeley says “if anything is, then all things are”, relates this idea to poetry\n\t\t197\tCreeley’s use of the word measure\n\t\t211\tComments from Robert Duncan on measuring one’s measure while one is intoxicated\n\t\t277\tComments from Robert Duncan on measuring one’s measure while one is intoxicated\n\t\t343\t“Writing somehow doesn’t count”, says Creeley\n\t\t374\tDiscussion of numbers and counting as measures\n\t\t410\tDuncan speaks about the patterns in Pound’s “Rock Drill” Cantos\n\t\t456\tDuncan speaks about the crudity of “conscious numbers” as opposed to the complexity of “unconscious numbers” a “loosed mode”\n\t\t495\tCreeley discusses the “numbers” he uses in his poems\n\t\t514\tDuncan brings up the counted syllables in Williams’ work; Creeley discusses Tomlinson’s use of Williams’ style of syllabic verse\n\t\t562\tAudience member refers to a statement on the sonnet form by Zukofsky; Duncan comments\n\t\t605\tCreeley gets back to statement, “Writing somehow doesn’t count”; focuses on word “somehow”\n\t\t635\tAudience members enter into debate about whether arithmetical counting is necessary in poetry\n\t\t777\tCreeley discusses the many possibilities with poems that are consciously and ostensibly “measured” (or metred) by the writer\n\t\t864\tCreeley refers to Olson’s “testing and missing some proof”; audience debates conscious and unconscious experience of numbers\n\t\t965\tSide one ends\nTwo\t\t000\tDiscussion of unconscious experience of numbers resumes\n\t\t035\tDistinction between “measure” and “order”\n\t\t047\tDiscussion of the etymology of word “measure”\n\t\t084\tQuestion from audience: Is it important for the reader to get the same sense of measure as that which was intuitively experienced by the writer of a poem?; Duncan and Creeley respond\n\t\t148\tQuestion: How do you perceive a measure”\n\t\t176\tQuestion: Is the poet responsible for the readers’ understanding of the poem?\n\t\t278\tLecture ends"],"Note":["[{\"note\":\"The Berkeley Poetry Conference Part 7 July 23rd, 1965\\nRobert Creeley: A Sense of Measure\\nSide 1 43:25 min\\nSide 2 41:50 min\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553284509698,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5503","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Berkeley Poetry Conference Part 8: John Weiners Reading in Berkeley on July 14th, 1965 and at New York YM-YWHA Poetry Center on October 24th, 1966 #519"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Weiners, John","Creeley, Robert"],"creator_names_search":["Weiners, John","Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/90723960\",\"name\":\"Weiners, John\",\"dates\":\"1934-2002\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Author\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"Introduction by Robert Creeley\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3454/519.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"519-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:29:37\",\"precision\":\"\",\"size\":\"89.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"519-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:09\",\"precision\":\"\",\"size\":\"38.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07-14\",\"type\":\"Performance Date\",\"notes\":\"Berkeley Reading\",\"source\":\"J-card\"},{\"date\":\"1966-10-24\",\"type\":\"Performance Date\",\"notes\":\"New York Reading\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2833528\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Berkeley, California, USA\",\"latitude\":\"37.8705\",\"longitude\":\"-122.2826\"},{\"url\":\"https://www.openstreetmap.org/node/3729655969\",\"venue\":\"YM-YWHA Poetry Center\",\"notes\":\"\",\"address\":\"1395 Lexington Ave, New York, NY 10128, United States\",\"latitude\":\"40.78306\",\"longitude\":\"-73.95277\"}]"],"Address":["Berkeley, California, USA","1395 Lexington Ave, New York, NY 10128, United States"],"Venue":["YM-YWHA Poetry Center"],"City":["Berkeley, California"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction by Robert Creeley\n\t\t025\tJohn Wieners reads “Chinoiserie”\n\t\t035\t“Night Boat to Cairo”\n\t\t058\t“The Mole Proposes Solitude”\n\t\t080\t“To Denise Levertov”\n\t\t083\t“Where Fled”\n\t\t093\t“Moon poems”\n\t\t108\t“The Serpent’s Hiss”\n\t\t117\t“The Imperatrice”\n\t\t137\t“Tuesday 7:00 PM”\n\t\t150\t“Le Chariot”\n\t\t169\t“Procrastination”\n\t\t185\t“The Suicide”\n\t\t206\t“Address to the Woman”\n\t\t213\t“I walk under the distant stars…”\n\t\t227\tWieners reads from the original manuscript of The Hotel Wentley Poems (these are different from the published versions)\n\t\t250\t“A poem for painters”\n\t\t339\t“A poem for the old man”\n\t\t361\t“Wracked by beauty, wracked by pain…”\n\t\t387\t“Grieving battle of swing”\n\t\t401\t“A poem to dawn”\n\t\t419\t“Cocaine”\n\t\t445\t“Watchman, what of the night?”\n\t\t507\t“My Mother”\n\nJohn Wieners reading at New York YM-YWHA\n\nSide\tTrack\tNo.\tComments\nTwo\t\t\tJohn Wieners poetry reading\n\t\t000\tIntroduction\n\t\t016\tWieners reads “Diana”\n\t\t025\t“Invocation to Summer”\n\t\t035\t“Invitation au voyage II”\n\t\t056\t“Love”\n\t\t062\t“Time”\n\t\t069\t“Nocturne”\n\t\t089\t“Holy orders in life”\n\t\t109\t“Billy”\n\t\t118\t“LSD”\n\t\t131\t“Only lust rules there”\n\t\t143\t“A poem for vipers”\n\t\t165\t“A poem for painters”\n\t\t242\tReading ends"],"Note":["[{\"note\":\"The Berkeley Poetry Conference Part 8 July 14th, 1965\\nJohn Weiners Reading\\nSide 1 37 min\\nSide 2 5 min\\nReading at the New York YM YWHA Oct 24th, 1966\\n21:25\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553284509699,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5504","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Berkeley Poetry Conference Part 9: Robert Duncan Reading on July 16th, 1965 #520"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert","Parkinson, Thomas"],"creator_names_search":["Duncan, Robert","Parkinson, Thomas"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Author\"]},{\"url\":\"http://viaf.org/viaf/92344899\",\"name\":\"Parkinson, Thomas\",\"dates\":\"1920-1992\",\"notes\":\"Introduction by Thomas Parkinson\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3455/520.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"520-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:03:00\",\"precision\":\"\",\"size\":\"84.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"520-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:54\",\"precision\":\"\",\"size\":\"66.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07-16\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2833528\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Berkeley, California, USA\",\"latitude\":\"37.8705\",\"longitude\":\"-122.2826\"}]"],"Address":["Berkeley, California, USA"],"City":["Berkeley, California"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tRobert Duncan poetry reading\n\t\t000\tIntroduction by Thomas Parkinson\n\t\t040\tDuncan introduces “Passages”, an open series of poems\n\t\t081\t“from the Emperor Julian…”\n\t\t086\tI.\tTribal Memories\n\t\t115\tII.\tAt the Loom\n\t\t154\tIII.\tWhat I Saw\n\t\t163\tIV.\tWhere it Appears\n\t\t183\tV.\tThe Moon\n\t\t208\tVI.\tThe Collage\n\t\t260\tVII.\tEnvoy\n\t\t269\tVIII.\tAs in the Old Days\n\t\t294\tIX.\tThe Architecture\n\t\t344\tX.\tThese Past Years\n\t\t375\tXI.\tShadows\n\t\t415\tXII.\tWine\n\t\t468\tXIII.\tThe Fire\nTwo\t\t000\tMore introductory remarks by Duncan\n\t\t014\tXIV.\tChords\n\t\t048\tXV.\tSpelling\n\t\t119\tXVI.\tThe Currents\n\t\t159\tXVII.\tMoving the Moving Image\n\t\t217\tXVIII.\tThe Torso\n\t\t250\tXIX.\tThe Earth\n\t\t306\tXX.\tStructure of Rime XXVI for Kenneth Anger: An Illustration\n\t\t343\tXXI.\tMultiversity\n\t\t402\tXXII.\tIn the Place of a Passage 22\n\t\t442\tXXIII.\tBenefice\n\t\t456\tXXIV.\tOrders\n\t\t526\tXXV.\tUp-Rising\n\t\t589\tEnd of tape"],"Note":["[{\"note\":\"The Berkeley Poetry Conference Part 9 July 16th, 1965\\nRobert Duncan Reading\\nSide 1 47:45 min\\nSide 2 43:40 min\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553285558272,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5505","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Berkeley Poetry Conference Part 10: Jim Boyack, Robin Eichele, Victor Coleman, Bob Hogg, Stephen Rodefer, and David Franks reading on July 18th, 1965 #521"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Franks, David","Rodefer, Stephen","Coleman, Victor","Hogg, Bob","Boyack, James","Eichele, Robin"],"creator_names_search":["Franks, David","Rodefer, Stephen","Coleman, Victor","Hogg, Bob","Boyack, James","Eichele, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/30987347\",\"name\":\"Franks, David\",\"dates\":\"1948-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/67809994\",\"name\":\"Rodefer, Stephen\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/38160442\",\"name\":\"Coleman, Victor\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/93485103\",\"name\":\"Hogg, Bob\",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\" http://viaf.org/viaf/41483187\",\"name\":\"Boyack, James\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/77789284\",\"name\":\"Eichele, Robin\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3456/Reading in BC_MsC199_521.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"521-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:16\",\"precision\":\"\",\"size\":\"45.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"521-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:14\",\"precision\":\"\",\"size\":\"46.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07-18\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2833528\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Berkeley, California, USA\",\"latitude\":\"37.8705\",\"longitude\":\"-122.2826\"}]"],"Address":["Berkeley, California, USA"],"City":["Berkeley, California"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tVictor Coleman introduces Jim Boyak et al\n\t\t013\tJim Boyak reads “Les Cahiers, part I”\n\t\t100\t“Les Cahiers II”\n\t\t205\tRobin Eichele introduces his poems\n\t\t215\t“Boat Buck of the Cock and the Hen, or The Poet Takes a Wife”\n\t\t282\t“The Bridge”\n\t\t327\t“Electra”\n\t\t380\tPrologue and Part I of “Consummations: Letters to False Faces and Tin Soldiers” (Part I is “Poem Written on Water”)\n\t\t421\tVictor Coleman reads “Crosswalk”\n\t\t436\t“Close to the River”\n\t\t456\t“A Song”\n\t\t460\t“The Family”\n\t\t469\t“After Reading Spring and All, All and All, All”\n\t\t477\t“The Songs Motion”\n\t\t527\t“The Natural Is”\n\t\t532\t“Suzy Osado Out West”\n\t\t547\t“Cunnilingus”\n\t\t623\tBob Hogg reads three poems from The Connexions : “Opal is magic is…”\n\t\t632\t“Eclipse: 18-12-64”\n\t\t684\t“Awoke, and was afraid of darkness…”\n\t\t712\t“To a Woman and Her Child”\n\t\t729\t“Of Melody”\n\t\t747\t“Mnemosyne”\n\t\t780\t“Little Falls”\n\t\t820\t“Song” (from The Connexions)\nTwo\t\t000\tStephen Rodefer reads Preface to The Knife\n\t\t006\t“Miss Memorian”\n\t\t014\t“The Date”\n\t\t018\t“Belle-Lettres”\n\t\t023\t“The Evidence”\n\t\t027\t“Ear of Corn”\n\t\t034\t“The House”\n\t\t038\t“Bibliography”\n\t\t046\t“The Corners of the Sun”\n\t\t066\t“Love”\n\t\t072\t“The Trip”\n\t\t079\t“He Writes a Letter to His Brother”\n\t\t086\t“The Grill”\n\t\t097\t“Bedtime Story”\n\t\t104\t“Good Morning”\n\t\t112\t“Poem for Penny”\n\t\t159\tStephen Rodefer introduces David Franks\n\t\t172\tDavid Franks reads “The Dream”\n\t\t184\t“The Term”\n\t\t196\t“The Need”\n\t\t212\t“The Interior Distance”\n\t\t221\t“Poem to My Wife After Separation, A Prayer for Marianne”\n\t\t238\t“Touch”\n\t\t250\t“By Night an Ending”\n\t\t270\t“Portent of the Primary Green”\n\t\t278\t“For the Raising of the Flag – Non-Jurisdictional : for Bob and Bobbie”\n\t\t311\t“The Care”\n\t\t325\t“One Fact”\n\t\t330\t“Ohio Sky”\n\t\t338\t“Night Train”\n\t\t347\tDream Poem: “I made a fire in winter…”\n\t\t360\tUntitled Poem: “Only it’s weird, but yes…”\n\t\t371\t“White”\n\t\t379\tDream Poem: “I put my hand into the water…”\n\t\t392\t“The Way It Is” (other title: “The Quiet Summer”)\n\t\t420\tEnd of reading"],"Note":["[{\"note\":\"The Berkeley Poetry Conference Part 10 July 18th, 1965\\nim Boyack, Robin Eichele, Victor Coleman, Bob Hogg, Stephen Rodefer, David Franks\\nSide 1 45 min\\nSide 2 44 min\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553285558273,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5506","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Berkeley Poetry Conference Part 11: Ed Dorn Reading on July 20th, 1965 Tape 2 of 2 #522b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Dorn, Ed"],"creator_names_search":["Dorn, Ed"],"creators":["[{\"url\":\"http://viaf.org/viaf/25166087\",\"name\":\"Dorn, Ed\",\"dates\":\"1929-1999\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3459/522b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"522_2-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:48\",\"precision\":\"\",\"size\":\"58.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"522_2-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:29\",\"precision\":\"\",\"size\":\"34.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07-20\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2833528\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Berkeley, California, USA\",\"latitude\":\"37.8705\",\"longitude\":\"-122.2826\"}]"],"Address":["Berkeley, California, USA"],"City":["Berkeley, California"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t000\t“Song: Ritual Party in an Alley”\n\t\t014\t“A Luxurious Jungle in Which…”\n\t\t026\t“For the New Union Dead in Alabama”\n\t\t041\t“Song: Europa”\n\t\t056\t“Idaho Out’, part 1\n\t\t145\t“Idaho Out”, part 2\n\t\t155\t“Idaho Out”, part 3\n\t\t186\t“Idaho Out”, part 4\n\t\t191\t“Idaho Out”, part 5\n\t\t224\t“Idaho Out”, part 6\n\t\t233\t“Idaho Out” part 7\n\t\t299\t“The Teepee at Tomah”\n\t\t369\t“Hawthorne, End of March, 1962”\n\t\t382\t“In My Youth I Was a Tireless Dancer, But Now I Pass Graveyards in My Car”\n\t\t400\t“Hands Up”\n\t\t416\t“On the Debt My Mother Owed Sears-Roebuck”\n\t\t459\t“The Sense Comes Over Me, And the Waning Ligh of Man, By the 1st National Bank”\n\t\t578\tReading Ends"],"Note":["[{\"note\":\"The Berkeley Poetry Conference Part 11 July 20th, 1965\\nEd Dorn\\nTape 2 of 2\\nSide 3 21:40 min\\nSide 4 17:40 min\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553285558274,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5507","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Berkeley Poetry Conference Part 11: Ed Dorn Reading on July 20th, 1965 Tape 1 of 2 #522a "],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Dorn, Ed","Creeley, Robert"],"creator_names_search":["Dorn, Ed","Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/25166087\",\"name\":\"Dorn, Ed\",\"dates\":\"1929-1999\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"Introduction by Robert Creeley\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3461/Reading in BC_MsC199_522a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"522_1-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:35\",\"precision\":\"\",\"size\":\"31.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"522_1-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:23\",\"precision\":\"\",\"size\":\"43.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07-20\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2833528\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Berkeley, California, USA\",\"latitude\":\"37.8705\",\"longitude\":\"-122.2826\"}]"],"Address":["Berkeley, California, USA"],"City":["Berkeley, California"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction by Robert Creeley\n\t\t032\tIntroductory remarks by Dorn\n\t\t045\tFrom Geography: “Song : The astronauts”\n\t\t062\t“The Problem of the Poem for My Daughter, Left Unsolved”\n\t\t212\t“A Letter, In the Meantime, Not to be Mailed, Tonight”\n\t\t262\t“Inauguration Poem #2”\n\t\t414\t“Daffodil Song”\n\t\t421\tSong: “my wife is lovely…”\n\t\t431\t“Another Vague Love”\n\t\t438\tLove Song: “Out of the north branch of the river…”\n\t\t446\tLove Song: “Captured, her beauty…”\n\t\t455\tSong: “Oh Gods of my disembarked soul…”\n\t\t464\tSong: “If the world…”\n\t\t477\tA Song: “There is a blue sky…”\n\t\t492\t“The Explanation”\n\t\t506\t“Chronicle”\n\t\t526\tSong: “So we somewhat stagger together…”\n\t\t548\tSong: “This afternoon was Unholy, the sky…”\n\t\t575\tSong: “Christ of the sparrows…”\n\t\t613\tSong: “Heat”\n\t\t633\t“Fort Hall Obituary: A Note”\n\t\t653\t“Mourning Letter, March 29, 1963”\n\t\t675\t“Eugene Delacroix Says”\n\t\t751\t“Song: Venceremos”"],"Note":["[{\"note\":\"The Berkeley Poetry Conference Part 6 July 22nd, 1965\\nAllan Ginsberg Lecture: What's Going on in the World\\nSide 1 43 min\\nSide 2 34 min\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553285558275,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5508","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Berkeley Poetry Conference Part 12: Allen Ginsberg Reading on July 21th, 1965 tape 1 of 2 #523a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ginsberg, Allen","Parkinson, Thomas"],"creator_names_search":["Ginsberg, Allen","Parkinson, Thomas"],"creators":["[{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\" http://viaf.org/viaf/92344899\",\"name\":\"Parkinson, Thomas \",\"dates\":\"1920-1992\",\"notes\":\"Introduction by Thomas Parkinson\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3462/523a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"523-tape-1-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:52:04\",\"precision\":\"\",\"size\":\"71.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"523-tape-1-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:24\",\"precision\":\"\",\"size\":\"43.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07-21\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2833528\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Berkeley, California, USA\",\"latitude\":\"37.8705\",\"longitude\":\"-122.2826\"}]"],"Address":["Berkeley, California, USA"],"City":["Berkeley, California"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction by Thomas Parkinson\n\t\t040\tA Mantra\n\t\t088\t“19 December, 1962”\n\t\t174\t“Saraswati’s Birthday”\n\t\t225\t“To the Police of Benares”\n\t\t250\tTranslation from Omar Khayyam, via Baccham\n\t\t294\t“March 20th”\n\t\t325\t“The Change: Kyoto-Tokyo Express”\n\t\t493\t“July 19, 1963: Tokyo Tower”\n\t\t508\t“Bumphead Nazo” (written with Charles Plymall)\n\t\t517\t“To Robert Creeley”\n\t\t527\t“April 26, 1964 : After Yeats”\n\t\t539\t“Morning”\n\t\t606\t“March 16, 1964: Back to New York: (other title: “Waking in New York)"],"Note":["[{\"note\":\"The Berkeley Poetry Conference Part 12 July 26th, 1965\\nAllen Ginsberg Reading\\nSide 1 29 min\\nSide 2 29:30 min\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553285558276,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5509","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Berkeley Poetry Conference Part 12: Allen Ginsberg Reading on July 21th, 1965 tape 2 of 2 #523b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ginsberg, Allen","Parkinson, Thomas"],"creator_names_search":["Ginsberg, Allen","Parkinson, Thomas"],"creators":["[{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/92344899\",\"name\":\"Parkinson, Thomas\",\"dates\":\"1920-1992\",\"notes\":\"Introduction by Thomas Parkinson\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3463/523b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"523-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:42\",\"precision\":\"\",\"size\":\"21.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"523-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:52\",\"precision\":\"\",\"size\":\"21.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07-21\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2833528\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Berkeley, California, USA\",\"latitude\":\"37.8705\",\"longitude\":\"-122.2826\"}]"],"Address":["Berkeley, California, USA"],"City":["Berkeley, California"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t000\t“Why Is God Love, Jack?”\n\t\t022\t“I Am a Victim of Telephone”\n\t\t047\t“Journal, July 21, 1964\n\t\t159\t“Notation in Havana, Cathedral Square, 1965”\n\t\t187\t“Prague, May 1965 – Message II”\n\t\t212\t“Prague, March 11, 1965: Big Beat”\n\t\t240\t“Warsaw, April 10, 1965”\n\t\t290\t“The Moments Return”\n\t\t338\t“May 7, Back to Work”\n\t\t428\t“Who Be Kind To”\n\t\t563\tReading Ends"],"Note":["[{\"note\":\"The Berkeley Poetry Conference Part 12 July 26th, 1965\\nAllen Ginsberg Reading\\nTape 2/2\\nSide 1 19:45 min\\nSide 2 16:30 min\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553285558277,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5510","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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Duncan\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3464/524.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"524-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:15\",\"precision\":\"\",\"size\":\"58.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"524-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:10\",\"precision\":\"\",\"size\":\"61.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07-22\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2833528\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Berkeley, California, USA\",\"latitude\":\"37.8705\",\"longitude\":\"-122.2826\"}]"],"Address":["Berkeley, California, USA"],"City":["Berkeley, California"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction by Robert Duncan\n\t\t037\tIntroductory remarks by Creeley\n\t\t048\t“The Rhythm”\n\t\t060\tCreeley describes how he feels about the poems he is reading, and tells when they were written\n\t\t072\t“The Rocks”\n\t\t079\t“Water”\n\t\t091\t“The Mountains in the Desert”\n\t\t098\t“Waiting”\n\t\t106\t“The Invitation”\n\t\t116\t“For W.C.W” (“The rhyme is after…”)\n\t\t123\t“Song” (“The grit”)\n\t\t129\t“The Fire”\n\t\t138\t“For no clear reason”\n\t\t145\t“The Messengers, for Allen Ginsberg”\n\t\t157\t“I”\n\t\t175\t“Something”\n\t\t188\t“Walking”\n\t\t197\t“The Language”\n\t\t212\t“The Window”\n\t\t223\t“The Chance” (with explanatory comments)\n\t\t255\t“Hello”\n\t\t270\t“Quick-Step”\n\t\t276\t“Variations” (with introductory remarks)\n\t\t314\t“There Is”\n\t\t322\t“The Measure”\n\t\t328\t“The Woman”\n\t\t362\t“The Pattern”\n\t\t370\t“The Mechanic”\n\t\t375\t“Walls”\n\t\t379\t“I Keep to Myself Such Measures…”\n\t\t415\t“The Dream”\n\t\t462\t“One Way”\n\t\t482\t“Anger”\n\t\t552\t“Some Afternoon”\n\t\t568\t“Distance”\n\t\t631\t“Some Place”\n\t\t650\t“Song” (“I wouldn’t/embarrass you”) (with comments)\n\t\t690\t“Song” (“What do you/want, love…”)\n\t\t700\t“For Helen”\n\t\t713\t“A Night Sky”\n\t\t737\t“The Answer”\n\t\t747\t“Dimensions”\n\t\t773\t“A Place”\n\t\t786\t“Some Echoes”\n\t\t796\t“Fancy”\n\t\t810\t“The World”\nTwo\t\t000\tSecond half of “Going”\n\t\t002\t“The City”\n\t\t012\t“Words”\n\t\t021\t“A Reason”\n\t\t032\t“The Shame”\n\t\t038\t“The Window” (“Position is where you”)\n\t\t054\t“To Bobbie” (Creeley becomes emotional during reading, pauses to explain this to audience)\n\t\t090\t“They” (with explanatory comments, and reference to Ron Lowenson’s “Against the Silences to Come”)\n\t\t126\t“A Method” (a longer version than that in The Collected Works)\n\t\t149\t“A Sight”\n\t\t184\t“The Hole”\n\t\t214\tReading ends"],"Note":["[{\"note\":\"The Berkeley Poetry Conference Part 13 July 22nd, 1965\\nRobert Creeley Reading\\nSide 1 43:15 min\\nSide 2 33:05 min\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553286606848,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5511","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Berkeley Poetry Conference Part 14: Ed Dorn lecture on July 21st, 1965 #525"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Dorn, Ed","Creeley, Robert"],"creator_names_search":["Dorn, Ed","Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/25166087\",\"name\":\"Dorn, Ed\",\"dates\":\"1929-1999\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005 \",\"notes\":\"Introduction by Robert Creeley\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3470/525.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"525-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:08\",\"precision\":\"\",\"size\":\"38.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"525-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:07\",\"precision\":\"\",\"size\":\"36.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07-21\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2833528\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Berkeley, California, USA\",\"latitude\":\"37.8705\",\"longitude\":\"-122.2826\"}]"],"Address":["Berkeley, California, USA"],"City":["Berkeley, California"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction by Robert Creeley\n\t\t056\tDorn introduces his lecture’s “meaningless” title\n\t\t064\tDescribes his recent trip from Nevada with Leroy Lucas; talks about the land claims of the Shoshoni Indians, his and Lucas’ experiences dealing with them\n\t\t118\t“I always question what I am, who I am, where I am…”; Dorn describes the futility of introducing himself to the Indians as a poet, or even as an American\n\t\t150\tThe difficulty of trying to be “Indian” in modern America\n\t\t175\tShoshini speaking Indians around Fort Hall, Idaho; the Western Shoshini around Death Valley; some history of the Shoshini; their lack of “cute” attractiveness to tourists of the poor Fort Hall Shoshoni\n\t\t247\tWestern Shoshoni “richer” than those at Fort Hall, Pocatello; more assimilated\n\t\t297\tIsolation of the Shoshoneans makes them especially interesting to Dorn\n\t\t308\tDescribes some Indians they met at Mountain City; how these Indians’ perceptions of world events was outdated (they still referred to the Korean War as the Korean “conflict”); the “rowdy crowd”\n\t\t418\tThe “Rowdy crowd” wanted their pictures taken, unlike the more conservative Indians, but even they did not want to admit this; taking pictures is “doing something dirty”’ Dorn and Lucas argued about the propriety of their taking pictures of drunken Indians doing dangerous stunts\n\t\t490\tDorn feels he is, like the Indians, a member of the “fourth world”\n\t\t508\tA “bourgeois Indian”\n\t\t560\tMeeting the “bourgeois” Indian’s ancient and ailing grandparents\n\t\t696\tDorn wonders why the “bourgeois” Indian sent him and Lucas to see his destitute grandparents\n\t\t753\tDorn begins to talk abou the life inside of a nation\n\t\t784\tSide one ends\nTwo\t\t000\tDorn lecture resumes; the United States citizenry as a “vast constabulary”\n\t\t013\tThe difference between Indians on reservations and those around small towns living in hovels; the unlikelihood that the non-reservation Indians will soon be able to organize and better their condition\n\t\t076\tA poet must involve himself in some arena of life, must strive to “be there” in order to create the “force” of a poem\n\t\t109\tThe uselessness of national boundaries; the irrelevance of the state\n\t\t163\tLecture ends"],"Note":["[{\"note\":\"The Berkeley Poetry Conference Part 14 July 21st, 1965\\nEd Dorn Lecture: The Poet, The People, The Spirit\\nSide 1 37:20 min\\nSide 2 31:45 min\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553286606849,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5512","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Berkeley Poetry Conference Part 15: Charles Olson reading and lecture on July 23rd, 1965 tape 1 of 3 #526a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert","Olson, Charles"],"creator_names_search":["Duncan, Robert","Olson, Charles"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"Introduction by Robert Duncan\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3471/526a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"526_1-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:17\",\"precision\":\"\",\"size\":\"29.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"526_1-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:14\",\"precision\":\"\",\"size\":\"29.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07-23\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2833528\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Berkeley, California, USA\",\"latitude\":\"37.8705\",\"longitude\":\"-122.2826\"}]"],"Address":["Berkeley, California, USA"],"City":["Berkeley, California"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction by Robert Duncan\n\t\t034\tOlson introduces “The Ring Of”, reads same, p.2\n\t\t065\tIntroduces “An Ode on Nativity”\n\t\t124\tReads first part of same, p.5\n\t\t146\tDiscusses the poem\n\t\t214\tReads second section of “An Ode on Nativity”, with occasional comments, p.8\n\t\t315\tOlson re-evaluates the poem he has just read\n\t\t340\tPromises to rad “Maximus, Letter 9”, gets sidetracked and talks about radicalism, love, the death of late night clubs in Berkeley, etc. (see transcript)\n\t\t917\tTape ends"],"Note":["[{\"note\":\"The Berkeley Poetry Conference Part 6 July 22nd, 1965\\nCharles Olson Reading \\nTape 1 of 2\\nSide 1 26:20 min\\nSide 2 29:30 min\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553286606850,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5513","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Berkeley Poetry Conference Part 15: Charles Olson reading and lecture on July 23rd, 1965 tape 2 of 3 #526b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Olson, Charles"],"creator_names_search":["Olson, Charles"],"creators":["[{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3472/526b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"526_2-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:17\",\"precision\":\"\",\"size\":\"49.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"526_2-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:17\",\"precision\":\"\",\"size\":\"39.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07-23\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2833528\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Berkeley, California, USA\",\"latitude\":\"37.8705\",\"longitude\":\"-122.2826\"}]"],"Address":["Berkeley, California, USA"],"City":["Berkeley, California"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t000\tOlson continues to digress\n\t\t145\tIntroduces Maximus “Letter 9”\n\t\t214\tReads from Maximus “Letter 5”, p.32\n\t\t326\tIntermission, p.36\n\t\t434\tOlson continues wandering from subject to subject\n\t\t692\tCreeley asks Olson to please read the poems; Olson picks up reading Maximus “Letter 5” where he left off, p.47\n\t\t746\tOlson digresses again\n\t\t945 \tTape ends (lecture continues on next tape)"],"Note":["[{\"note\":\"The Berkeley Poetry Conference Part 15 July 23rd, 1965\\nCharles Olson Reading\\nSide 3 29:50 min\\nSide 4 29:55 min\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553286606851,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5514","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Kenneth Rexroth Reading at University of California, November 1977 #829"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Rexroth, Kenneth"],"creator_names_search":["Rexroth, Kenneth"],"creators":["[{\"url\":\"http://viaf.org/viaf/105850695\",\"name\":\"Rexroth, Kenneth \",\"dates\":\"1905-1982\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3475/Reading in BC_MsC199_829.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"829-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:40\",\"precision\":\"\",\"size\":\"38.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"829-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:39\",\"precision\":\"\",\"size\":\"36.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977-11\",\"type\":\"Performance Date\",\"notes\":\"I searched and found out that this poem reading was recorded in November 1977. I found the date on the website below:\\nhttps://www.worldcat.org/title/sword-in-a-cloud-of-light/oclc/11105989\",\"source\":\"internet\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/542863702\",\"venue\":\"University of California \",\"notes\":\"I found the location on the internet on this website:  https://www.worldcat.org/title/sword-in-a-cloud-of-light/oclc/11105989.\\n\\nNot sure if it's the exact right one\",\"address\":\"Santa Barbara, Santa Barbara County, California, 93106, United States of America\",\"latitude\":\"34.4136\",\"longitude\":\"-119.8467\"}]"],"Address":["Santa Barbara, Santa Barbara County, California, 93106, United States of America"],"Venue":["University of California "],"content_notes":["SFU BC Readings formatting"],"contents":["Kenneth Rexroth : A Sword in a Cloud of Light\nSide 1 : I Dream of Leslie 2. Blue Sunday 3. Sharp in My Heart 4. Married Blues 5. Sottoportico San Zaccaria 6. This Night Only 7. Between Myself and Death 8. For Eli Jacobson 9. A Sword in a Cloud of Light\nSide 2 : 10. Void Only Akiko translations : 11. “Press my breasts” 12. “Black hair” Marichiko translations: 13. “Who is there? Me” 14. “I hold your head tight” 15. “Every morning” 16. On Flower Wreath Hill"],"Note":["[{\"note\":\"Liner Notes:\\nKenneth Rexroth Reading\\n#829\",\"type\":\"General\"},{\"note\":\"I found the location and the date both on this website: https://www.worldcat.org/title/sword-in-a-cloud-of-light/oclc/11105989\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553287655424,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5515","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["David Chariandy and Fred Booker reading at SFU Special Collections on November 20, 2007 #1017"],"item_title_source":["cassette and j-card"],"item_title_note":["Year not mentioned on j-card but found on pg.15 here: https://www.lib.sfu.ca/system/files/26348/07-08anrp.pdf"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Barnholden, Michael","Chariandy, David","Booker, Fred"],"creator_names_search":["Barnholden, Michael","Chariandy, David","Booker, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/65963167\",\"name\":\"Barnholden, Michael\",\"dates\":\"1951-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/44088643\",\"name\":\"Chariandy, David\",\"dates\":\"1969-\",\"notes\":\"Black Canadian writer (SFU English department faculty)\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\",\"Author\",\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/106580039\",\"name\":\"Booker, Fred\",\"dates\":\"1939-2008\",\"notes\":\"Black American writer \\nDOD found here: https://en.wikipedia.org/wiki/Fred_Booker\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\",\"Author\"]}]"],"contributors":["[]"],"Performance_Date":[2007],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3658/Reading in BC_McS199_1017(1).jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1017-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:33\",\"precision\":\"\",\"size\":\"43.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"Ends abruptly\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1017-side-2 Blank.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:38\",\"precision\":\"\",\"size\":\"47.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"Blank\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2007-11-20\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU (Special Collections and Rare Books)\",\"notes\":\"\",\"address\":\" 8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":[" 8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["SFU (Special Collections and Rare Books)"],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553290801157,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5536","cataloger_name":["Nina,Fesenko"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Roy Miki reading at SFU Special Collections on November 23, 2006 #1018"],"item_title_source":["J-card and Recording"],"item_title_note":["Location of reading mentioned on tape"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Barnholden, Michael","Power, Tony","Miki, Roy"],"creator_names_search":["Barnholden, Michael","Power, Tony","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/65963167\",\"name\":\"Barnholden, Michael\",\"dates\":\"1951-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/311690744\",\"name\":\"Power, Tony\",\"dates\":\"1964-\",\"notes\":\"Sounds like Tony of Special Collections (https://www.lib.sfu.ca/users/tony-power)\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[2006],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3661/Reading in BC_McS199_1018(1).jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1018-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:33\",\"precision\":\"\",\"size\":\"60.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1018-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:50\",\"precision\":\"\",\"size\":\"41.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2006-11-23\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU (Special Collections and Rare Books)\",\"notes\":\"\",\"address\":\" 8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\" 49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":[" 8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["SFU (Special Collections and Rare Books)"],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"On J-card:\\n\\\"Roy Miki, award-winning writer, poet, editor, scholar, teach, activist reading from his new book of poems, There\\\"\",\"type\":\"General\"},{\"note\":\"Roy reads a poem inspired by time he spend with writer and fellow SFU faculty member George Bowering (6:15)\",\"type\":\"General\"},{\"note\":\"Roy reads part of a series of poems inspired by childhoods of Harry and Roy Kiyooka, as well as his own (A18:02)\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553290801158,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5537","cataloger_name":["Nina,Fesenko"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Lionel Kearns reading on Mount Currie and interview with Roy Kiyooka, May 1976 #1021"],"item_title_source":["cassette and j-card"],"item_title_note":["Exact date unknown"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kearns, Lionel","Kiyooka, Roy"],"creator_names_search":["Kearns, Lionel","Kiyooka, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/30784380\",\"name\":\"Kearns, Lionel\",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\",\"Author\"]},{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"\\\"Interview\\\" mentioned on cassette, although it seems like more of a post-reading Q&A\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors":["[]"],"Performance_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3662/Reading in BC_McS199_1021.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1021-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:47\",\"precision\":\"\",\"size\":\"31.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1021-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:49\",\"precision\":\"\",\"size\":\"30.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-05\",\"type\":\"Performance Date\",\"notes\":\"Exact date unknown\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/4740644968\",\"venue\":\"Mount Currie\",\"notes\":\"Exact location unknown\",\"address\":\"Squamish-Lillooet Regional District, British Columbia, Canada\",\"latitude\":\"50.3186\",\"longitude\":\"-122.7209\"}]"],"Address":["Squamish-Lillooet Regional District, British Columbia, Canada"],"Venue":["Mount Currie"],"Note":["[{\"note\":\"Lionel reads a poem of his based on a poem George Bowering wrote (A28:08-31:22)\",\"type\":\"General\"},{\"note\":\"Lionel has a great voice, sounds a bit like Jonathan Banks\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553290801159,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5538","cataloger_name":["Nina,Fesenko"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Hiromi Goto reading \"Canadian Asian Adian\" series for ENGL 396 at SFU on October 28, 1997 #1022"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Goto, Hiromi","Miki, Roy"],"creator_names_search":["Goto, Hiromi","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/114529294\",\"name\":\"Goto, Hiromi\",\"dates\":\"1966-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\",\"Author\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"Pretty sure it's him based on the voice and who was teaching in the English faculty that year (pg.123 https://www.sfu.ca/content/dam/sfu/students/academic-calendar-archive/calendar/9798-calendar.pdf)\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"contributors":["[]"],"Performance_Date":[1997],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3663/Reading in BC_McS199_1022(1).jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1022-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:32\",\"precision\":\"\",\"size\":\"55.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1022-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:30\",\"precision\":\"\",\"size\":\"58.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1997-10-28\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University \",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University "],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"Reading starts at A10:00\",\"type\":\"General\"},{\"note\":\"Hiromi has a great voice\",\"type\":\"General\"},{\"note\":\"At B15:58 a different recording starts; discussion regarding insurance and moral hazard - a business or economics seminar? (not mentioned on J-card or inventory)\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553291849728,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5539","cataloger_name":["Nina,Fesenko"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Hidden Culture Cost: Funding the Individual Literary Artist (documentary produced and edited by Paul Mutton) #1023"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Maillard, Keith","Twigg, Alan","Campbell, Gordon","Eliot, KT","Kernaghan, Eileen","Yates, J. Michael","Konyves, Tom","Baker, Jonathan","Mutton, Paul","Murray, Gordon","Siegler, Karl","Lee, Alma","Davies, Libby","Bowering, George","Crossland, Jackie","Johnson, Linda"],"creator_names_search":["Maillard, Keith","Twigg, Alan","Campbell, Gordon","Eliot, KT","Kernaghan, Eileen","Yates, J. Michael","Konyves, Tom","Baker, Jonathan","Mutton, Paul","Murray, Gordon","Siegler, Karl","Lee, Alma","Davies, Libby","Bowering, George","Crossland, Jackie","Johnson, Linda"],"creators":["[{\"url\":\"http://viaf.org/viaf/70211652\",\"name\":\"Maillard, Keith\",\"dates\":\"1942-\",\"notes\":\"Credited on J-card as member of U.B.C. Creative Writing Department\\nSide 1, T00:03:34-05:49\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/68950426\",\"name\":\"Twigg, Alan\",\"dates\":\"1952-\",\"notes\":\"Credited on J-card as Editor of B.C. BOOKWORLD\\nSide 1, T00:00:48-3:33\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/4362924\",\"name\":\"Campbell, Gordon\",\"dates\":\"1948-\",\"notes\":\"Credited on J-card as Mayor of Vancouver\\nSide 1, T00:05:50-07:49\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105270786\",\"name\":\"Eliot, KT\",\"dates\":\"1957-\",\"notes\":\"Credited on J-card as member of Canadian Poetry Association - Vancouver\\nSide 1, T00:12:11-14:59\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/23429210\",\"name\":\"Kernaghan, Eileen\",\"dates\":\"1939-\",\"notes\":\"Credited on J-card as member of Burnaby Writers' Society\\nSide 1, T00:15:01-17:33\\nDOB found here: https://en.wikipedia.org/wiki/Eileen_Kernaghan\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/92928172\",\"name\":\"Yates, J. Michael\",\"dates\":\"1938-\",\"notes\":\"Credited on J-card as editor at Cacanadadada Press Ltd.\\nSide 1, T00:17:34-25:15\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/28334185\",\"name\":\"Konyves, Tom\",\"dates\":\"1947-\",\"notes\":\"Credited on J-card as member of The League of Canadian Poets (in recording mentions he is \\\"one of two BC reps\\\")\\nSide 1, T00:07:50-12:10\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/40868633\",\"name\":\"Baker, Jonathan\",\"dates\":\"\",\"notes\":\"Credited on J-card as Vancouver Alderman\\nSide 1, T00:25:18-29:32\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105181366\",\"name\":\"Mutton, Paul\",\"dates\":\"\",\"notes\":\"Also credited as editor on J-card\",\"nation\":[],\"role\":[\"Producer\",\"Speaker\"]},{\"url\":\"\",\"name\":\"Murray, Gordon\",\"dates\":\"\",\"notes\":\"Credited on J-card as associated with Petarade Press\\nvery limited info found on him (see https://abcbookworld.com/writer/publishers-bc/ and http://catdir.loc.gov/catdir/toc/becites/cfb/90021318.html)\\nSide 2, T00:00:45-04:14\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/104710928\",\"name\":\"Siegler, Karl\",\"dates\":\"\",\"notes\":\"Credited on J-card as associated with Talonbooks (was business manager, editor, and publisher https://talonbooks.com/news/long-time-talonbooks-owner-and-publisher-karl-siegler-made-member-of-order-of-canada)\\nSide 2, T00:04:15-08:52\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/106284649\",\"name\":\"Lee, Alma\",\"dates\":\"1940-\",\"notes\":\"Credited on J-card as associated with Vancouver Writers Festival\\nmore info here: http://artsbc.com/connections/alma-lee/  (founded the festival)\\nSide 2, T00:13:36-16:43\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/60655743\",\"name\":\"Davies, Libby\",\"dates\":\"1953-\",\"notes\":\"Credited on J-card as Vancouver Alderman\\nDOB found here: https://en.wikipedia.org/wiki/Libby_Davies\\nSide 2, T00:16:44-22:34\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"Credited on J-card as associated with SFU English Department\\nSide 2, T00:22:35-30:22\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Crossland, Jackie\",\"dates\":\"\",\"notes\":\"Credited on J-card as Management Consultant\\nNo further info found\\nSide 2, T00:12:24-13:35\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Johnson, Linda\",\"dates\":\"\",\"notes\":\"Credited on J-card as associated with Department of Communication (unclear what jurisdiction but some level of government)\\nSide 2, T00:08:53-12:23\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Cowan, Ann"],"contributors_names_search":["Cowan, Ann"],"contributors":["[{\"url\":\"\",\"name\":\"Cowan, Ann\",\"dates\":\"\",\"notes\":\"https://atom.archives.sfu.ca/cowan-ann\\nWas thanked at the end of side 1 \\\"for her helpful suggestions\\\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1989],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3664/Reading in BC_McS199_1023(1).jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1023-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:28\",\"precision\":\"\",\"size\":\"29.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1023-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:33\",\"precision\":\"\",\"size\":\"30.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1989\",\"type\":\"Production Date\",\"notes\":\"[1989?]. Date unknown except that it was produced in 1988 or 1989 (see advertisement on p.27 https://issuu.com/wordworks/docs/wordworks_nov-december1989); Alma Lee briefly mentions the success of the first Vancouver Writers Fest (1988, presumably held in October) and the expectations for the next one, so must have been produced after that, but before 1989 Fest (https://writersfest.bc.ca/about/)\",\"source\":\"Recording and internet\"},{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/7802936235\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"Where it was produced/edited\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.28181\",\"longitude\":\"-123.10203\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"On j-card:\\n\\\"A documentary produced and edited by Paul Mutton in the studios of Co-op Radio 102.7 PM\\\"\",\"type\":\"General\"},{\"note\":\"On j-card:\\n\\\"ACKNOWLEDGEMENTS and introduction side two\\\"\\n(no image of side two available)\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553291849729,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5540","cataloger_name":["Nina,Fesenko"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["FINE LINES, CFUV-FM 105.1: Bill Bissett reading and interview #1024"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Andrews, Jim","Bissett, Bill","Scott, Tara","Collins, Jerry","Denny, Peter","Favreau, Murray"],"creator_names_search":["Andrews, Jim","Bissett, Bill","Scott, Tara","Collins, Jerry","Denny, Peter","Favreau, Murray"],"creators":["[{\"url\":\"\",\"name\":\"Andrews, Jim\",\"dates\":\"\",\"notes\":\"More info here (but no DOB): http://vispo.com/JimAndrews.htm\\nAs well in dissertation \\\"Typing the Dancing Signifier: Jim Andrews' (Vis)poetics\\\": https://drum.lib.umd.edu/bitstream/handle/1903/10799/Flores_umd_0117E_11445.pdf?sequence=1&isAllowed=y\",\"nation\":[],\"role\":[\"Interviewer\",\"Presenter\",\"Series organizer\",\"Reader\",\"Producer\",\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"Bissett, Bill\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\",\"Performer\"]},{\"url\":\"\",\"name\":\"Scott, Tara\",\"dates\":\"\",\"notes\":\"Side 2 T00:28:13 credited as producer of 2 poems read during the episode\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"\",\"name\":\"Collins, Jerry\",\"dates\":\"\",\"notes\":\"credited as the guitarist of Luddites (band Bissett plays with)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Denny, Peter\",\"dates\":\"\",\"notes\":\"credited as xylophone/vibraphone player for Luddites (band Bissett plays with)\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Favreau, Murray\",\"dates\":\"\",\"notes\":\"credited as guitarist for Luddites (band Bissett plays with)\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3675/1024 pamela barrow brooks cover graphic.jpg\",\"other\":\"posted by flickr user jwc 3o2 (https://www.flickr.com/photos/48593922@N04/6907462691/in/photolist-dLzrz6-62zHMy-an6mRh-afKczq-62zGrW-62zFGQ-aQBUxp-nm5RCH-NdXoew-Nm3Enf-Nm3Q4E-28utLTB-28utRNX-kkH9gV-kkJQ6U-9DPzHb-qTFSK4-6Dtozz-x2FYKS-otV6GW-aumJvE-38xw6b-auj6fx-4zn2PJ-9DLJSF-f5UQ8N-93xCyU-9gfT2P-fMAHfg-bbQaBK-bbQayZ-93uAi8-93uAra-9cQeUP-93uyWF-93uAjD-9v7DU1-6QmHCb-9cTjB3-93uy9T-f2RZsz-8VjDyY-65Gabw-93xGmQ-bwoy1k-93uzw6-93uAgr-7sVrUK-93xDj5-f2XcQG/)\",\"extent\":\"1/8 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1373463\",\"venue\":\"CFUV-FM 101.9 FM studio, basement of Student Union Building\",\"notes\":\"station changed from 105.1 to 101.9\\nhttp://cfuv.uvic.ca/cms/?page_id=27\",\"address\":\"3800 Finnerty Road, Victoria, BC V8P 5C2, Canada\",\"latitude\":\"48.4631\",\"longitude\":\"-123.3118\"}]"],"Address":["3800 Finnerty Road, Victoria, BC V8P 5C2, Canada"],"Venue":["CFUV-FM 101.9 FM studio, basement of Student Union Building"],"City":["Victoria, British Columbia"],"Note":["[{\"note\":\"FINE LINES ran from 1984-1990 (see: http://vispo.com/audio/)\",\"type\":\"General\"},{\"note\":\"Noted on j-card:\\nFine Lines, c/o CFUV, P.O. Box 1700, University of Victoria, Victoria, B.C., Canada, V8W2Y2\",\"type\":\"General\"},{\"note\":\"Side 2 at T00:05:41 talks about Sound Symposium in St. Johns (https://www.soundsymposium.com/symposium/history/)\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553291849730,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5541","cataloger_name":["Nina,Fesenko"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["FINE LINES, CFUV-FM 105.1: Susan Musgrave reading and interview #1025"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Andrews, Jim","Musgrave, Susan"],"creator_names_search":["Andrews, Jim","Musgrave, Susan"],"creators":["[{\"url\":\"\",\"name\":\"Andrews, Jim\",\"dates\":\"\",\"notes\":\"More info here (but no DOB): http://vispo.com/JimAndrews.htm\\nAs well in dissertation \\\"Typing the Dancing Signifier: Jim Andrews' (Vis)poetics\\\": https://drum.lib.umd.edu/bitstream/handle/1903/10799/Flores_umd_0117E_11445.pdf?sequence=1&isAllowed=y\",\"nation\":[],\"role\":[\"Speaker\",\"Interviewer\",\"Series organizer\",\"Presenter\",\"Producer\",\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/19806786\",\"name\":\"Musgrave, Susan\",\"dates\":\"1951-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3676/pamela barrow brooks cover graphic.jpg\",\"other\":\"posted by flickr user jwc 3o2 (https://www.flickr.com/photos/48593922@N04/6907462691/in/photolist-dLzrz6-62zHMy-an6mRh-afKczq-62zGrW-62zFGQ-aQBUxp-nm5RCH-NdXoew-Nm3Enf-Nm3Q4E-28utLTB-28utRNX-kkH9gV-kkJQ6U-9DPzHb-qTFSK4-6Dtozz-x2FYKS-otV6GW-aumJvE-38xw6b-auj6fx-4zn2PJ-9DLJSF-f5UQ8N-93xCyU-9gfT2P-fMAHfg-bbQaBK-bbQayZ-93uAi8-93uAra-9cQeUP-93uyWF-93uAjD-9v7DU1-6QmHCb-9cTjB3-93uy9T-f2RZsz-8VjDyY-65Gabw-93xGmQ-bwoy1k-93uzw6-93uAgr-7sVrUK-93xDj5-f2XcQG/)\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"Scan of cover graphic, designed by Pamela Barrow Brooks\"},{\"side\":\"\",\"image\":\"../Uploads/3676/Reading in BC_McS199_1025(1).jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1025-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:17\",\"precision\":\"\",\"size\":\"31.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1025-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:26\",\"precision\":\"\",\"size\":\"30.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1373463\",\"venue\":\"CFUV-FM 101.9 FM studio, basement of Student Union Building, University of Victoria\",\"notes\":\"station changed from 105.1 to 101.9\\nhttp://cfuv.uvic.ca/cms/?page_id=27\",\"address\":\"3800 Finnerty Road, Victoria, BC V8P 5C2, Canada\",\"latitude\":\"48.4631\",\"longitude\":\"-123.3118\"}]"],"Address":["3800 Finnerty Road, Victoria, BC V8P 5C2, Canada"],"Venue":["CFUV-FM 101.9 FM studio, basement of Student Union Building, University of Victoria"],"City":["Victoria, British Columbia"],"Note":["[{\"note\":\"FINE LINES ran from 1984-1990 (see: http://vispo.com/audio/)\",\"type\":\"General\"},{\"note\":\"Noted on j-card:\\nFine Lines, c/o CFUV, P.O. Box 1700, University of Victoria, Victoria, B.C., Canada, V8W2Y2\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553291849731,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5542","cataloger_name":["Nina,Fesenko"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["FINE LINES, CFUV-FM 105.1: Connie Rooke interview and reading from The Malahat Review #1026"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Rooke, Connie","Holliston, Tom","O'Sullivan, Ariel","Glickman, Susan","Andrews, Jim","McFadden, David","Kramer, Rita","Lane, Patrick","Wallace, Bronwen","Byard, Jaki","Wayman, Tom","Uzima","Renaldo and the Loaf","Imaginary Maps","Zorn, John"],"creator_names_search":["Rooke, Connie","Holliston, Tom","O'Sullivan, Ariel","Glickman, Susan","Andrews, Jim","McFadden, David","Kramer, Rita","Lane, Patrick","Wallace, Bronwen","Byard, Jaki","Wayman, Tom","Uzima","Renaldo and the Loaf","Imaginary Maps","Zorn, John"],"creators":["[{\"url\":\"http://viaf.org/viaf/68944219\",\"name\":\"Rooke, Connie\",\"dates\":\"1942-2008\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Holliston, Tom\",\"dates\":\"1960-\",\"notes\":\"No VIAF entry, see here: https://en.wikipedia.org/wiki/Tom_Holliston\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"O'Sullivan, Ariel\",\"dates\":\"\",\"notes\":\"No VIAF profile; most likely this is her: http://vca.ca/Faculty.php\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/61769668\",\"name\":\"Glickman, Susan\",\"dates\":\"1953-\",\"notes\":\"reads her piece \\\"Families\\\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"\",\"name\":\"Andrews, Jim\",\"dates\":\"\",\"notes\":\"More info here (but no DOB): http://vispo.com/JimAndrews.htm\\nAs well in dissertation \\\"Typing the Dancing Signifier: Jim Andrews' (Vis)poetics\\\": https://drum.lib.umd.edu/bitstream/handle/1903/10799/Flores_umd_0117E_11445.pdf?sequence=1&isAllowed=y\",\"nation\":[],\"role\":[\"Speaker\",\"Interviewer\",\"Series organizer\",\"Presenter\",\"Reader\",\"Producer\",\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/7405434\",\"name\":\"McFadden, David\",\"dates\":\"1940-2018\",\"notes\":\"his poem \\\"Blue Irises\\\" is read by Tom Holliston\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/62101655\",\"name\":\"Kramer, Rita\",\"dates\":\"1929-\",\"notes\":\"her piece \\\"The Other Side\\\" is read by Ariel O'Sullivan\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/66513400\",\"name\":\"Lane, Patrick\",\"dates\":\"1939-2019\",\"notes\":\"his piece \\\"Brothers\\\" is read by Jim Andrews\\n\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/115433409\",\"name\":\"Wallace, Bronwen\",\"dates\":\"1945-1989\",\"notes\":\"her piece \\\"Idol\\\" is read by Ariel O'Sullivan\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/61731187\",\"name\":\"Byard, Jaki\",\"dates\":\"1922-1999\",\"notes\":\"credited for his music on j-card\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/98293283\",\"name\":\"Wayman, Tom\",\"dates\":\"1945-\",\"notes\":\"his piece \\\"The Poet Milton Acorn Crosses Into the Republic of Heaven\\\" is read by Jim Andrews\\n\\n\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"\",\"name\":\"Uzima\",\"dates\":\"\",\"notes\":\"credited for their music on j-card, unable to find further info\\n\\n\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/144615647\",\"name\":\"Renaldo and the Loaf\",\"dates\":\"\",\"notes\":\"credited for their music on j-card\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Imaginary Maps\",\"dates\":\"\",\"notes\":\"credited for their music on j-card, unable to find further info\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/49409876\",\"name\":\"Zorn, John\",\"dates\":\"1953-\",\"notes\":\"credited for his music on j-card\\n\\n\\n\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/4851/Reading in BC_McS199_1026(1).jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/4851/pamela barrow brooks cover graphic.jpg\",\"other\":\"posted by flickr user jwc 3o2 (https://www.flickr.com/photos/48593922@N04/6907462691/in/photolist-dLzrz6-62zHMy-an6mRh-afKczq-62zGrW-62zFGQ-aQBUxp-nm5RCH-NdXoew-Nm3Enf-Nm3Q4E-28utLTB-28utRNX-kkH9gV-kkJQ6U-9DPzHb-qTFSK4-6Dtozz-x2FYKS-otV6GW-aumJvE-38xw6b-auj6fx-4zn2PJ-9DLJSF-f5UQ8N-93xCyU-9gfT2P-fMAHfg-bbQaBK-bbQayZ-93uAi8-93uAra-9cQeUP-93uyWF-93uAjD-9v7DU1-6QmHCb-9cTjB3-93uy9T-f2RZsz-8VjDyY-65Gabw-93xGmQ-bwoy1k-93uzw6-93uAgr-7sVrUK-93xDj5-f2XcQG/)\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"Scan of cover graphic, designed by Pamela Barrow Brooks\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1026-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:48\",\"precision\":\"\",\"size\":\"42.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1026-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:55\",\"precision\":\"\",\"size\":\"54.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1373463\",\"venue\":\"CFUV-FM 101.9 FM studio, basement of Student Union Building, University of Victoria\",\"notes\":\"station changed from 105.1 to 101.9\\nhttp://cfuv.uvic.ca/cms/?page_id=27\",\"address\":\"3800 Finnerty Road, Victoria, BC V8P 5C2, Canada\",\"latitude\":\"48.4631\",\"longitude\":\"-123.3118\"}]"],"Address":["3800 Finnerty Road, Victoria, BC V8P 5C2, Canada"],"Venue":["CFUV-FM 101.9 FM studio, basement of Student Union Building, University of Victoria"],"City":["Victoria, British Columbia"],"content_notes":["From liner notes"],"contents":["SIDE ONE: 29:30 Dolby Off, Cr02\nThis week: an interview with Dr. Connie Rooke, editor of The Malahat Review, and readings from the literary periodical, featuring:\n\"Blue Irises\" by David McFadden\n\"The Other Side\" by Rita Kramer\nMusic: Jaki Byard, Uzima, Renaldo and the Loaf, Jaki Byard.\nInstructions: Cue. Dolby off, Cr02. Play. Side One plays 29:30. Extro: \"We pause now for station i.d.\" Fast-forward. Insert i.d.. Show time this week is 58:54, so the break should be short. Flip tape. Side Two begins in 4 seconds.\nSIDE TWO: 29:24\nSide Two features more of the interview and:\n\"Brothers\" by Patrick Lane\n\"Families\" by Susan Glickman\n\"Idyll\" by Bronwen Wallace\n\"The Poet Milton Acorn Crosses Into the Republic of Heaven\" by Tom Wayman\nMusic: John Zorn, Sonic Youth, John Zorn, Imaginary Maps, Steve Roach, Jaki Byard (\"Sunshine\", from The Sunshine of My Soul.\nInstructions: Ten silent seconds follow the Wayman poem. Then the extro begins. Extro: \"Bye bye.\""],"Note":["[{\"note\":\"FINE LINES ran from 1984-1990 (see: http://vispo.com/audio/)\",\"type\":\"General\"},{\"note\":\"Noted on j-card:\\nFine Lines, c/o CFUV, P.O. Box 1700, University of Victoria, Victoria, B.C., Canada, V8W2Y2\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553292898304,"timestamp":"2026-01-07T14:59:57.732Z","score":0.01643844},{"id":"5543","cataloger_name":["Nina,Fesenko"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["SFU Friends of the Library lecture series: Robert Bringhurst's talk on June 6, 1998 Duplicate 1 of 2  #1028a"],"item_title_source":["j-card and recording"],"item_title_note":["j-card refers to it as a reading but in recording is referred to as part of a lecture series"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bringhurst, Robert","Chun, Ian","Lindsay, Hugh"],"creator_names_search":["Bringhurst, Robert","Chun, Ian","Lindsay, Hugh"],"creators":["[{\"url\":\"http://viaf.org/viaf/99260189\",\"name\":\"Bringhurst, Robert\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Chun, Ian\",\"dates\":\"\",\"notes\":\"unable to find any information, is member of board of Friends of the Simon Fraser University Library\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"\",\"name\":\"Lindsay, Hugh\",\"dates\":\"\",\"notes\":\"unable to find any information, is member of board of Friends of the Simon Fraser University Library\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"contributors":["[]"],"Performance_Date":[1998],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5685/Reading in BC_McS199_1028a(1).jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1028a-side-1\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:14\",\"precision\":\"\",\"size\":\"68 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1028a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:54\",\"precision\":\"\",\"size\":\"36.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1998-06-06\",\"type\":\"Performance Date\",\"notes\":\"spine shows 07-06 date but face is corrected to show 06-06 (on both 1028a and 1028b)\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"contents":["lecture on \"the painted reader and the sculpted book\" (about evolution of typography as seen through paintings)"],"Note":["[{\"note\":\"a lot of visuals referred to in the recording (may be useful to look up for context)\",\"type\":\"General\"},{\"note\":\"two copies exist, 1028a and 1028b\",\"type\":\"Related Version\"},{\"note\":\"recording mentions it is the 5th annual Friends of the University lecture (referring to the SFU library); believe this is a Yosef Wosk-Friends of Special Collections-Alcuin Society Annual Lecture (see https://www.lib.sfu.ca/about/overview/giving/wosk and https://www.lib.sfu.ca/system/files/26348/00-01anrp.pdf pg.5)\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553493176320,"timestamp":"2026-01-07T14:59:57.945Z","score":0.01643844},{"id":"5544","cataloger_name":["Nina,Fesenko"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robin Blaser reading at SFU Special Collections with introductions by Stephen Collis and Miriam Nichols on November 20, 2008 #1029"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Collis, Stephen","Nichols, Miriam","Blaser, Robin","DeLillo, Don","Howe, Susan","Benjamin, Walter"],"creator_names_search":["Collis, Stephen","Nichols, Miriam","Blaser, Robin","DeLillo, Don","Howe, Susan","Benjamin, Walter"],"creators":["[{\"url\":\"http://viaf.org/viaf/61873157\",\"name\":\"Collis, Stephen\",\"dates\":\"1965-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\",\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/44522700\",\"name\":\"Nichols, Miriam\",\"dates\":\"\",\"notes\":\"author of \\\"A Literary Biography of Robin Blaser: Mechanic of Splendor\\\" and editor of several of Blaser's works\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"Stephen Collis reads from his essay \\\"The Fire\\\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/17253973\",\"name\":\"DeLillo, Don\",\"dates\":\"1936-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/97914539\",\"name\":\"Howe, Susan\",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/46757196\",\"name\":\"Benjamin, Walter\",\"dates\":\"1892-1940\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[2008],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5691/Reading in BC_MsC199_1029.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1029-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:41\",\"precision\":\"\",\"size\":\"66 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1029-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:18:13\",\"precision\":\"\",\"size\":\"25.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2008-11-20\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Special Collections in WAC Bennett Library at Simon Fraser University\",\"notes\":\"\",\"address\":\"WAC Bennett Library, 8888 University Dr E, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":["WAC Bennett Library, 8888 University Dr E, Burnaby, BC V5A 1S6"],"Venue":["Special Collections in WAC Bennett Library at Simon Fraser University"],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"in celebration of the addition of Robin Blaser's archives to SFU Special Collections\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553494224896,"timestamp":"2026-01-07T14:59:57.945Z","score":0.01643844},{"id":"5545","cataloger_name":["Nina,Fesenko"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Miriam Waddington reading her poetry at The League of Canadian Poets #1030"],"item_title_source":["cassette and j-card"],"item_title_note":["relationship between Miriam and the League not explained on item (inferred instead)"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Waddington, Miriam"],"creator_names_search":["Waddington, Miriam"],"creators":["[{\"url\":\"http://viaf.org/viaf/2499852\",\"name\":\"Waddington, Miriam\",\"dates\":\"1917-2004\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5692/Reading in BC_McS199_1030(1).jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1030-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:28:02\",\"precision\":\"\",\"size\":\"27.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1030-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:31\",\"precision\":\"\",\"size\":\"42.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"File is labelled incorrectly - is the A-side for #1026 (Fine Lines featuring Connie Rooke)\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Note":["[{\"note\":\"found a database entry that may possibly be referring to this tape: https://www.worldcat.org/title/miriam-waddington-a-poetry-reading-by-miriam-waddington/oclc/228911296&referer=brief_results\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553494224897,"timestamp":"2026-01-07T14:59:57.945Z","score":0.01643844},{"id":"5495","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Poets and Person program: Joseph Parisi interview featured American poets W.S. Merwin and Gwendolyn Brooks #824"],"item_title_source":["Recording"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Fulton, Alice","Richardson, James","Merwin, W. S.","Brooks, Gwendolyn","Parisi, Joseph"],"creator_names_search":["Fulton, Alice","Richardson, James","Merwin, W. 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Milton by Firelight 3. Riprap. From Cold Mountain Poems : 4. “In the mountains it’s cold…” 5. “I wanted a good place to settle…” 6. “I’ve lived at Cold Mountain…” 7. Logging #2 8. Logging #7 9. Hunting #10 10. Burning #17 11. Sixth-Month Song in the Foothills 12. Oil 13. The Song of Taste 14. Shark Meat 15. The Bath 16. For Nothing 17. As for Poets 18. For the Children\nSide 2 : 19. It Pleases 20. Chinese Folk Song (in English & Chinese) 21. Axe Handles 22. For/From Lew 23. Among 24. Changing Diapers. From “Little Songs for Gaia” 25. “As the cricket’s soft autumn hum…” 26. “Log trucks go by at four in the morning…” 27 “Dead doe lying in the rain…” 29. “Hers was not a/Sheath…” 30. “I am sorry I disturbed you…” 31. Breasts 32. Dillingham, Alaska, the Willow Tree Bar 33. At White River Roadhouse in the Yukon 34. True Night 35. How Poetry Comes to Me 36. Why I Take Good Care of My Macintosh Computer 37. Right in the Trail 38. Building 39. Word Basket Woman 40. At Tower Peak"],"Note":["[{\"note\":\"\",\"type\":\"\"},{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553495273479,"timestamp":"2026-01-07T14:59:57.945Z","score":0.01643844},{"id":"5557","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Get Hot or Get Out: Jonathan Williams reading #834"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Williams, Jonathan"],"creator_names_search":["Williams, Jonathan"],"creators":["[{\"url\":\" http://viaf.org/viaf/36929915\",\"name\":\"Williams, Jonathan\",\"dates\":\"1929-2008\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5718/Reading in BC_MsC199_834.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"834-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:27:55\",\"precision\":\"\",\"size\":\"27.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"834-side-2.mp3\",\"channel_field\":\"44.1 kHz\",\"sample_rate\":\"Stereo\",\"duration\":\"T00:27:54\",\"precision\":\"\",\"size\":\"27.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side 1 : 1. Celebrations on Stones 2. Shepherd 3. Bea Hensley 4. Lee Ogle 5. Daddy Bostain 6. A Ride in a Blue Chevy 7. The Ancient of Days 8. Uncle IV Surveys His Domain 9. Three Sayings from Highlands 10. Dear Reverend Carl C. McIntire 11. Who is little Enis 12. Dealer’s Choice 13. The Deracination 14. The Blue Ridge Weather Prophet 15. My Quaker-Atheist Friend 16. A Celestial Centennial Reverie for Charles Edward Ives\nSide 2 : 17. The Wreck of the A222 18. The Triumph of Craft 19. “and he hath sown…” 20. Three Limericks for the Three Peaks 21. Blue Ball Blues 22. Two Pastorals for Samuel Palmer 23. The Fourteen-Year-Old Samuel Palmer’s… 24. Misericords 1-6 26. Imaginary Postcards 26. Browsing Through Playboy… 27. Richard Braithwaite 28. Notice in Eire 29. The Sexual Strut 30. Benedictine 31. O for the Muse 32. Shotgun Shuba 33. The Adhesive Autopsy of Walt Whitman 34. A Vulnerary 35. Symphony No. 5, in C Sharp Minor 36. The 52 Clerihews of Clara Hughes"],"Note":["[{\"note\":\"\",\"type\":\"\"},{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553496322048,"timestamp":"2026-01-07T14:59:57.945Z","score":0.01643844},{"id":"5558","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Poetry reading with commentary: William Carlos Williams on various dates in 1942, 1945, and 1950 #835_2"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Baker, Richard J","Swigg, Richard","Bradbury, Cliff","pargeter, Mark","Crick, Jeremy","Frankenberg, Lioyd","Williams, William Carlos","Emerson, Richard Wirtz"],"creator_names_search":["Baker, Richard J","Swigg, Richard","Bradbury, Cliff","pargeter, Mark","Crick, Jeremy","Frankenberg, Lioyd","Williams, William Carlos","Emerson, Richard Wirtz"],"creators":["[{\"url\":\"\",\"name\":\"Baker, Richard J\",\"dates\":\"\",\"notes\":\"Editor \",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Swigg, 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1949-05-20\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1942-01-09\",\"type\":\"Production Date\",\"notes\":\"Recorded by Courtesy of the National Council of Teachers of English\",\"source\":\"J-card\"},{\"date\":\"1950-11-15\",\"type\":\"Production Date\",\"notes\":\"Recorded by Courtesy of University of California \",\"source\":\"J-card\"},{\"date\":\"1950-08\",\"type\":\"Production Date\",\"notes\":\"Recorded by the Courtesy of Barry Magid\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/61651588#map=15/40.8218/-74.1090\",\"venue\":\"The William Carlos Williams House\",\"notes\":\"The reading of poems on Agust 1950 is recorded.\",\"address\":\"9, Ridge Road, Rutherford, Bergen County, New Jersey, United States of America\",\"latitude\":\"40.8216\",\"longitude\":\"-74.1090\"},{\"url\":\"https://www.openstreetmap.org/relation/7493269\",\"venue\":\"University of California\",\"notes\":\"Side one: 15 November, 1950\",\"address\":\"Los Angeles, Westwood Plaza, Westwood, Los Angeles, California, 90095, United States\",\"latitude\":\"34.0710\",\"longitude\":\"-118.4458\"},{\"url\":\"https://www.openstreetmap.org/way/732228095\",\"venue\":\"Columbia University\",\"notes\":\"I assume what is meant by Colombia records is Columbia University \",\"address\":\"New York, NY 10027, United States\",\"latitude\":\"40.80792\",\"longitude\":\"-73.96176\"}]"],"Address":["9, Ridge Road, Rutherford, Bergen County, New Jersey, United States of America","Los Angeles, Westwood Plaza, Westwood, Los Angeles, California, 90095, United States","New York, NY 10027, United States"],"Venue":["The William Carlos Williams House","University of California","Columbia University"],"content_notes":["SFU BC Readings formatting"],"contents":["Side 1 : 15 November 1950 : In Sisterly Fashion ; The Dance (“In Breughel’s great picture”) ; Franklin Square ; Raleigh Was Right ; At the Faucet of June ; The Eyeglasses ; Rigamarole ; To Elsie ; Spring and All ; The Pot of Flowers ; It is a Living Coral ; All the Fancy Things ; Paterson : The Falls; Poem (“As the cat”) ; Between Walls\nSide 2 : 9 January 1942 : The Red Wheelbarrow ; Tract ; The Defective Record ; To a Poor ; Old Woman ; A Coronal ; To Elsie ; The Wind increases ; Classic Scene ; 20 May 1949 : The Young Housewife ; The Bull ; Poem (“As the cat”) ; Lear ; The Dance (“In Brueghel’s great picture; El Hombre ; August 1950 : Choral : The Pink Church ; Portrait of a Lady ; Tract ; Pastoral (“The little sparrows”) ; A Poem for Norman Macleod ; To Waken an Old Lady ; The red Wheelbarrow ; This is Just to Say ; The Bull ; Poem (“As the cat”) ; Danse Russe ; The Widow’s Lament in Springtime ; The Dance (“In Brueghel’s great picture”) ; Lear ; Mama ; New Mexico ; The Lion ; St. Francis Einstein of the Daffodils"],"Note":["[{\"note\":\"The last 14 minutes of track two is empty.\",\"type\":\"\"},{\"note\":\"The collected recording are:\\nNational Council of Teachers of English\\nColumbia Records\\nRichard Wirtz Emerson \\nUniversity of California, Los Angeles\\n\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553496322050,"timestamp":"2026-01-07T14:59:57.945Z","score":0.01643844},{"id":"5560","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["William Carlos Williams reading on various dates in 1945 and 1947 #836"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Baker, Richard J","Swigg, Richard","Crick, Jeremy","Bradbury, Cliff","pargeter, Mark","Matthias, Edwin M","Williams, William Carlos"],"creator_names_search":["Baker, Richard J","Swigg, Richard","Crick, Jeremy","Bradbury, Cliff","pargeter, Mark","Matthias, Edwin M","Williams, William Carlos"],"creators":["[{\"url\":\"\",\"name\":\"Baker, Richard J\",\"dates\":\"\",\"notes\":\"Editor \",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/57529897\",\"name\":\"Swigg, Richard\",\"dates\":\"1938-\",\"notes\":\"General Editor\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Crick, Jeremy \",\"dates\":\"\",\"notes\":\"Program designed by him\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Bradbury, Cliff\",\"dates\":\"\",\"notes\":\"Sound Engineer\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"pargeter, Mark\",\"dates\":\"\",\"notes\":\"Business Manager\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Matthias, Edwin M \",\"dates\":\"\",\"notes\":\"The Motion Picture\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/92754332\",\"name\":\"Williams, William Carlos\",\"dates\":\"1883-1963\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1945],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5721/Reading in BC_MsC199_836.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"836-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:04\",\"precision\":\"\",\"size\":\"68.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"836-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:41\",\"precision\":\"\",\"size\":\"67.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1945-05-05\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1947-10-18\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1029374\",\"venue\":\"Library of Congress\",\"notes\":\"\",\"address\":\"John Adams Building, 120, 2nd Street Southeast, Washington, District of Columbia, 20003, United States\",\"latitude\":\"38.8886732\",\"longitude\":\"-77.00462973436265 \"},{\"url\":\"https://www.openstreetmap.org/node/6052834698\",\"venue\":\"NBC Studios\",\"notes\":\"Reading on October 18 is recorded at NBC Studios on behalf of the Library of Congress\",\"address\":\"Rockefeller Plaza, Midtown, Manhattan Community Board 5, Manhattan, New York County, New York, 10020, United States\",\"latitude\":\"40.7591424\",\"longitude\":\"-73.9796681 \"}]"],"Address":["John Adams Building, 120, 2nd Street Southeast, Washington, District of Columbia, 20003, United States","Rockefeller Plaza, Midtown, Manhattan Community Board 5, Manhattan, New York County, New York, 10020, United States"],"Venue":["Library of Congress","NBC Studios"],"content_notes":["SFU BC Readings formatting"],"contents":["Side 1 : 5 May 1945 : Sonnet 1919 (Martine and Katherine) ; Paterson : The Falls ; Peace on Earth ; Postlude ; Pastoral (“When I was younger”) ; Pastoral (“The little sparrows”) ; Dawn ; Portrait of a Woman in Bed ; Sympathetic Portrait of a Child ; Spring Strains ; Dedication for Plot of Ground ; Love Song (“I lie here thinking of you”) ; Overture to a Dance of Locomotives ; Complaint ; The Cold Night ; Primrose ; Queen-Anne’s-Lace ; To a Friend Concerning Several Ladies ; Youth and Beauty ; The Thinker ; The Nightingales ; The Widow’s Lament in Sprintime ; Light Hearted William ; Spring and All ; The Farmer ; The Eyeglasses ; Shoot it Jimmy! ; To Elsie ; The Red Wheelbarrow ; Rigamarole ; It is a Living Coral ; The Bull ; The Botticelian Trees ; Flowers by the Sea ; The yachts ; The Term ; A Sort of a Song ; The Dance (“In Brueghel’s great picture”) ; Burning the Christmas Greens ; In Sisterly Fashion ; The World Narrowed to a Point ; The Hounded Lovers ; The Cure ; The Rose (“The stillness of the rose”) ; Perfection ; The Last Turn\nSide 2 : 5 May 1945 (con’d) : The Aftermath ; The Yellow Chimney (two readings) ; Raleigh was Right ; A Night in June (short story). 18 October 1947 : The Semblables ; The Catholic Bells ; Perpetuum Mobile : The City ; From Paterson II; “Look for the nul: to “Alone, watching the May moon above the/trees ; From Paterson I ; “Paterson lies in the valley under the Passaic Falls” to “after a long flight to his cote”, From Paterson I III : “There is no direction” to “it drives in among the rocks fitfully”"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553496322051,"timestamp":"2026-01-07T14:59:57.945Z","score":0.01643844},{"id":"5561","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["John W. Gerber interview with William Carlos Williams at The William Carlos Williams House, June 1950 #837"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Williams, William Carlos","Gerber, John W","Sawyer, Miriam","Dollar, John","Swigg, Richard","Baker, Richard J","Bradbury, Cliff","Crick, Jeremy","Pargeter, Mark"],"creator_names_search":["Williams, William Carlos","Gerber, John W","Sawyer, Miriam","Dollar, John","Swigg, Richard","Baker, Richard J","Bradbury, Cliff","Crick, Jeremy","Pargeter, Mark"],"creators":["[{\"url\":\"http://viaf.org/viaf/92754332\",\"name\":\"Williams, William Carlos\",\"dates\":\"1883-1963\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Gerber, John W\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"\",\"name\":\"Sawyer, Miriam\",\"dates\":\"\",\"notes\":\"Director\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Dollar, John\",\"dates\":\"\",\"notes\":\"Farleigh Dickinson Univerity \",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Swigg, Richard\",\"dates\":\"\",\"notes\":\"General Editor\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Baker, Richard J\",\"dates\":\"\",\"notes\":\"Editor\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Bradbury, Cliff\",\"dates\":\"\",\"notes\":\"Sound Engineer\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Crick, Jeremy\",\"dates\":\"\",\"notes\":\"The program designed by him\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Pargeter, Mark\",\"dates\":\"\",\"notes\":\"Business Manager\",\"nation\":[],\"role\":[]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Publication_Date":[1951],"Production_Date":[1950],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5722/Reading in BC_MsC199_837.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"837-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:11\",\"precision\":\"\",\"size\":\"31.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"837-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:.33:34\",\"precision\":\"\",\"size\":\"32.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1950-06\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1951-01-13\",\"type\":\"Publication Date\",\"notes\":\"Broadcast on WNBC/WNYC\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/61651588#map=15/40.8218/-74.1090\",\"venue\":\"The William Carlos Williams House\",\"notes\":\"\",\"address\":\"9, Ridge Road, Rutherford, Bergen County, New Jersey, United States of America\",\"latitude\":\"40.8216\",\"longitude\":\"-74.1091\"}]"],"Address":["9, Ridge Road, Rutherford, Bergen County, New Jersey, United States of America"],"Venue":["The William Carlos Williams House"],"content_notes":["SFU BC Readings formatting"],"contents":["Side 1 : June 1950 :Synopsis ; Parental history; Horace Mann School ; Early poetry ; Billy Abbott ; “A black black cloud” ‘ Meeting Pound ; Poetry and medicine ; “Danse Russe” ; Loneliness ; Retirement Recent publicity ; Artist and world’s brutality ; MacLeish ; Bearing arms ; Pound : eccentricity, egotism, excellence\nSide 2 : June 1950 : “This is Just to Say” ; American dialects ; Subjects for poetry ; Pediatric practice ; Humanism and socialized medicine ; Patients ; Radical poet ; “Ol’ Bunk’s Band” ; “Portrait of a Lady” ; Spanish and “el Hombre” ; Not “Tract” ; Objectification ; Unlike Eliot on religion ; Using the American language ; Priestly ritual and the poet as iconoclast ; Getting a prize"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553497370624,"timestamp":"2026-01-07T14:59:57.945Z","score":0.01643844},{"id":"5562","cataloger_name":["Nina,Fesenko"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Charles Olson Literary Society meeting on January 27, 2001 Part 1 of 2 #1031"],"item_title_source":["cassette and j-card"],"item_title_note":["J-card indicates a November date but item and the following webpage corroborate that it is actually January: http://charlesolson.org/Files/SteinQuasha1.htm\n(site also explains that this is a meeting of the society, not indicated on item or j-card)\nOrder is also incorrect, j-card indicates this is part 1 but it is part 2 (corroborated by item and transcription of meeting)"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Quasha, George","Wolsak, Lissa","Bowering, George","Clark, Susan","Forkert, Kirsten","Byrne, Ted","Copithorne, Judith","McGauley, Tom","Candelaria, Fred","Michalak, Tomasz","Stein, Charles","Maud, Ralph","Olson, Charles"],"creator_names_search":["Quasha, George","Wolsak, Lissa","Bowering, George","Clark, Susan","Forkert, Kirsten","Byrne, Ted","Copithorne, Judith","McGauley, Tom","Candelaria, Fred","Michalak, Tomasz","Stein, Charles","Maud, Ralph","Olson, Charles"],"creators":["[{\"url\":\"http://viaf.org/viaf/29686917\",\"name\":\"Quasha, George\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/26310234\",\"name\":\"Wolsak, Lissa\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/22156587\",\"name\":\"Clark, Susan\",\"dates\":\"1948-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/296697443\",\"name\":\"Forkert, Kirsten\",\"dates\":\"1974-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/45924960\",\"name\":\"Byrne, Ted\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/63020479\",\"name\":\"Copithorne, Judith\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/104061105\",\"name\":\"McGauley, Tom\",\"dates\":\"1948-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94938550\",\"name\":\"Candelaria, Fred\",\"dates\":\"1929-2006\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Michalak, Tomasz\",\"dates\":\"\",\"notes\":\"Not able to find on VIAF, see here: http://www.improvcommunity.ca/about/people/tomasz-michalak\\nSpelled incorrectly on j-card (Tamasz)\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/68970262\",\"name\":\"Stein, Charles\",\"dates\":\"1944-\",\"notes\":\"Name spelled incorrectly on j-card (Shea vs. Stein)\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/66537561\",\"name\":\"Maud, Ralph\",\"dates\":\"1928-2014\",\"notes\":\"He was president of the society as well as editor/producer of its journal as mentioned here:\\nhttp://charlesolson.org/Files/myinvolvement.htm\",\"nation\":[],\"role\":[\"Speaker\",\"Series organizer\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[2001],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5724/Reading in BC_McS199_1031(1).jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1031-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:58\",\"precision\":\"\",\"size\":\"43.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1031-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:12:47\",\"precision\":\"\",\"size\":\"12.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2001-01-27\",\"type\":\"Performance Date\",\"notes\":\"See item and webpage for date (incorrect date on j-card): http://charlesolson.org/Files/SteinQuasha1.htm\",\"source\":\"J-card and internet\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"N/A\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Note":["[{\"note\":\"See here for an interview of Ralph Maud and more on his scholarship related to Olson (p.25): https://thecapilanoreview.com/app/uploads/2018/05/TCR_3.9.pdf\",\"type\":\"General\"},{\"note\":\"See here for more info on Olson and studies related to him: http://charlesolson.org/\",\"type\":\"General\"},{\"note\":\"See here for edited transcription of meeting (4 pages long, go to the bottom of the page to navigate):  http://charlesolson.org/Files/SteinQuasha1.htm\\nTranscription for pt.2 starts near the top of page 3\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553498419200,"timestamp":"2026-01-07T14:59:57.945Z","score":0.01643844},{"id":"5563","cataloger_name":["Nina,Fesenko"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Charles Olson Literary Society meeting on January 27, 2001 Part 2 of 2 #1032"],"item_title_source":["cassette and j-card"],"item_title_note":["Date on j-card is incorrect; see #1031 item and the following webpage: http://charlesolson.org/Files/SteinQuasha1.htm\n(site also explains that this is a meeting of the society, not indicated on item or j-card)\nOrder is also incorrect, j-card indicates this is part 2 but it is part 1 (corroborated by item and transcription of meeting)"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Quasha, George","Wolsak, Lissa","Bowering, George","Clark, Susan","Forkert, Kirsten","Byrne, Ted","Copithorne, Judith","McGauley, Tom","Candelaria, Fred","Stein, Charles","Maud, Ralph","Michalak, Tomasz","Olson, Charles","Crane, Linda"],"creator_names_search":["Quasha, George","Wolsak, Lissa","Bowering, George","Clark, Susan","Forkert, Kirsten","Byrne, Ted","Copithorne, Judith","McGauley, Tom","Candelaria, Fred","Stein, Charles","Maud, Ralph","Michalak, Tomasz","Olson, Charles","Crane, Linda"],"creators":["[{\"url\":\"http://viaf.org/viaf/29686917\",\"name\":\"Quasha, George\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/26310234\",\"name\":\"Wolsak, Lissa\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/22156587\",\"name\":\"Clark, Susan\",\"dates\":\"1948-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/296697443\",\"name\":\"Forkert, Kirsten\",\"dates\":\"1974-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/45924960\",\"name\":\"Byrne, Ted\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/63020479\",\"name\":\"Copithorne, Judith\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/104061105\",\"name\":\"McGauley, Tom\",\"dates\":\"1948-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94938550\",\"name\":\"Candelaria, Fred\",\"dates\":\"1929-2006\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/68970262\",\"name\":\"Stein, Charles\",\"dates\":\"1944-\",\"notes\":\"Name spelled incorrectly on j-card (Shea vs. Stein)\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/66537561\",\"name\":\"Maud, Ralph\",\"dates\":\"1928-2014\",\"notes\":\"He was president of the society as well as editor/producer of its journal as mentioned here:\\nhttp://charlesolson.org/Files/myinvolvement.htm\",\"nation\":[],\"role\":[\"Speaker\",\"Series organizer\"]},{\"url\":\"\",\"name\":\"Michalak, Tomasz\",\"dates\":\"\",\"notes\":\"Not able to find on VIAF, see here: http://www.improvcommunity.ca/about/people/tomasz-michalak\\nName spelled incorrectly on j-card (Tamasz)\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/1890597\",\"name\":\"Crane, Linda\",\"dates\":\"1945-2000\",\"notes\":\"Is discussed in relation to Olson (seems to have had a relationship with him until his death)\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[2001],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5725/Reading in BC_McS199_1032(1).jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["PRISM international's for the authors: Theresa Clark and Carletta Wilson and others at UBC, July 1990 #978"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Clark, Theresa","Wilson, Carletta","Attila, the Stockbroker","Courtemanche, Peter","MacLeod, Scott","Skratz G. P.","Davis, Bob","McCaffery, Steve","Bakken, Dick","Robertson, Wes","Bissett, Bill","Broomfield, Howard","O'Callahan, Jay"],"creator_names_search":["Clark, Theresa","Wilson, Carletta","Attila, the Stockbroker","Courtemanche, Peter","MacLeod, Scott","Skratz G. 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P. \",\"dates\":\"1949-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/29023564\",\"name\":\"Davis, Bob\",\"dates\":\"1959-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/3738783\",\"name\":\"Bakken, Dick\",\"dates\":\"1941-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/101521635\",\"name\":\"Robertson, Wes \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"Bissett, Bill\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/105149388\",\"name\":\"Broomfield, Howard\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/305232946\",\"name\":\"O'Callahan, Jay\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5732/Reading in BC_McS199_978.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"978-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:45\",\"precision\":\"\",\"size\":\"39.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"978-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:41\",\"precision\":\"\",\"size\":\"39.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\" 6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2590\",\"longitude\":\"-123.2457\"}]"],"Address":[" 6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553499467783,"timestamp":"2026-01-07T14:59:57.945Z","score":0.01643844},{"id":"5571","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Poetry reading with commentary: William Carlos Williams on various dates in 1950 and 1951 #838"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Swigg, Richard","Baker, Richard J","Bradbury, Cliff","Crick, Jeremy","Burke, Kenneth","Eyvind, Earle","Williams, William Carlos","Pargeter, Mark"],"creator_names_search":["Swigg, Richard","Baker, Richard J","Bradbury, Cliff","Crick, Jeremy","Burke, Kenneth","Eyvind, Earle","Williams, William Carlos","Pargeter, Mark"],"creators":["[{\"url\":\"\",\"name\":\"Swigg, Richard\",\"dates\":\"\",\"notes\":\"General Editor\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Baker, Richard J\",\"dates\":\"\",\"notes\":\"Editor\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Bradbury, Cliff\",\"dates\":\"\",\"notes\":\"Sound Engineer\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Crick, Jeremy\",\"dates\":\"\",\"notes\":\"The program designed by him\",\"nation\":[],\"role\":[]},{\"url\":\" http://viaf.org/viaf/100257278\",\"name\":\"Burke, Kenneth\",\"dates\":\"1897-1993\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"\",\"name\":\"Eyvind, Earle \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/92754332\",\"name\":\"Williams, William Carlos\",\"dates\":\"1883-1963\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"\",\"name\":\"Pargeter, Mark\",\"dates\":\"\",\"notes\":\"Business Manager\",\"nation\":[],\"role\":[]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Publication_Date":[1951],"Production_Date":[1950],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5733/Reading in BC_MsC199_838.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"838-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:17\",\"precision\":\"\",\"size\":\"63.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"838-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:49:56\",\"precision\":\"\",\"size\":\"66.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1950-11-16\",\"type\":\"Production Date\",\"notes\":\"From copies in the Yale Collection of Historical Sound Recording, Yale University library  \",\"source\":\"J-card\"},{\"date\":\"1951-12-07\",\"type\":\"Publication Date\",\"notes\":\"Recording reproduced by the permission of The Poetry/Rare Books Collection, University Libraries, SUNY at Buffalo \",\"source\":\"J-card\"},{\"date\":\"1951-06-21\",\"type\":\"Production Date\",\"notes\":\"From copies in the Yale Collection of Historical Sound Recording, Yale University library.\\n\\nThis date is announced to be June 18, 1951, on the audio.\",\"source\":\"J-card\"},{\"date\":\"1951-05-25\",\"type\":\"Production Date\",\"notes\":\"Recoding by the Courtesy of The American Academy and Institute of Arts and Letters\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/68036581\",\"venue\":\"University at Buffalo\",\"notes\":\"December 7, 1951\",\"address\":\"Buffalo, NY 14260, United States\",\"latitude\":\"42.9532\",\"longitude\":\"-78.8181\"},{\"url\":\"https://www.openstreetmap.org/node/2796837017\",\"venue\":\"American Academy of Arts and Letters\",\"notes\":\"May 25,1951\",\"address\":\"633 W 155th St, New York, NY 10032, United States\",\"latitude\":\"40.83364\",\"longitude\":\"-73.94747\"},{\"url\":\"https://www.openstreetmap.org/relation/170929\",\"venue\":\"Kenneth Burke's home\",\"notes\":\"The Url, latitude, and longitude belong to Andover in New Jersey not the exact address of Kenneth Burke's home\",\"address\":\"Andover, New Jersey, United States\",\"latitude\":\"40.9867\",\"longitude\":\"-74.7432\"},{\"url\":\"https://www.openstreetmap.org/relation/12378585\",\"venue\":\"Eyvind Earle's home\",\"notes\":\"The Url, latitude, and longitude belong to Van Nuys in San Fernando valley not the exact address of Eyvind Earle's home\",\"address\":\"Van Nuys, San Fernando valley, California\",\"latitude\":\"34.1870\",\"longitude\":\"-118.4489\"}]"],"Address":["Buffalo, NY 14260, United States","633 W 155th St, New York, NY 10032, United States","Andover, New Jersey, United States","Van Nuys, San Fernando valley, California"],"Venue":["University at Buffalo","American Academy of Arts and Letters","Kenneth Burke's home","Eyvind Earle's home"],"City":["Buffalo, New York"],"content_notes":["SFU BC Readings formatting"],"contents":["Side 1 : 16 November 1950 ; In Sisterly Fashion ; Tract ; Smell! ; Flowers by the Sea ; The Poor ; To Elsie ; This is Just to Say ; Impromptu : The Suckers ; All the Fancy Things ; It is a Living Coral ; Young Sycamore ; The Cod Head ; The Bull Poem (“As the cat”) ; Perpetuum Mobile : The City ; The Widow’s Lament in Springtime ; Arrival ; Great Mullen ; Queen-Anne’s Lace ; Overture to a Dance of Locomotives (incomplete the recording breaks off at the second syllable of line 11, “Covertly”)\nSide 2 : 21 June 1951 : The Desert Music ; The Cod Head ; Burning the Christmas Greens ; A Sort of a Song ; From Paterson I iii : “How strange you are, you idiot!” to “his mind drinks of desire” ; Tract ; Apres le Bain ; Spring is Here Again, Sir ; May 1st Tomorrow 25 1951 : William presents the Russell Loines Award for Poetry to John Crowe Ransom at the National Institute of Arts and Letters, New York"],"Note":["[{\"note\":\"Special Thanks to Richard Warren Jr and Robert J Bertholf are expressed.\",\"type\":\"\"},{\"note\":\"Earle's wife, Alice, his mother Charlotte, and Mrs Florence Williams are also present in Eyvinds' home \",\"type\":\"\"},{\"note\":\"The last 20 minutes of track two is empty.\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553500516352,"timestamp":"2026-01-07T14:59:57.945Z","score":0.01643844},{"id":"5572","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Poetry reading with commentary: William Carlos Williams at Harvard University on December 4, 1951 #839\n"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Swigg, Richard","Baker, Richard J","Bradbury, Cliff","Crick, Jeremy","Williams, William Carlos","Pargeter, Mark"],"creator_names_search":["Swigg, Richard","Baker, Richard J","Bradbury, Cliff","Crick, Jeremy","Williams, William Carlos","Pargeter, Mark"],"creators":["[{\"url\":\"\",\"name\":\"Swigg, Richard\",\"dates\":\"\",\"notes\":\"General Editor\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Baker, Richard J\",\"dates\":\"\",\"notes\":\"Editor\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Bradbury, Cliff\",\"dates\":\"\",\"notes\":\"Sound Engineer\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Crick, Jeremy\",\"dates\":\"\",\"notes\":\"The program designed by him\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/92754332\",\"name\":\"Williams, William Carlos\",\"dates\":\"1883-1963\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"\",\"name\":\"Pargeter, Mark\",\"dates\":\"\",\"notes\":\"Business Manager\",\"nation\":[],\"role\":[]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1951],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5734/Reading in BC_MsC199_839.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"839-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:34:46\",\"precision\":\"\",\"size\":\"33.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"839-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:34:37\",\"precision\":\"\",\"size\":\"34.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1951-11-04\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2415825\",\"venue\":\" Harvard University\",\"notes\":\"\",\"address\":\"Walker Court, Cambridgeport, Cambridge, Middlesex County, Massachusetts, 02138, United States\",\"latitude\":\"42.3668\",\"longitude\":\"-71.1266\"}]"],"Address":["Walker Court, Cambridgeport, Cambridge, Middlesex County, Massachusetts, 02138, United States"],"Venue":[" Harvard University"],"content_notes":["SFU BC Readings formatting"],"contents":["Side 1 : 4 December 1951 ; A Marriage Ritual ; Burning the Christmas Greens ; The Visit ; The Lion ; Spring and All ; This is Just to Say ; On Gay Wallpaper ; To a Poor Old Woman ; The Yachts ; History ; Smell!\nSide 2 : 4 December 1951 : Struggle of Wings (incomplete – the original tape ends at “all there is won”) ; To Greet a Letter-Carrier ; At the Bar ; These ; Perfection ; Fertile ; Chanson ; Design for November ; Picture of Nude in a Machine Shop ; The Hurricane ; Venus Over the Desert ; The Birth of Venus"],"Note":["[{\"note\":\"Special thanks are expressed Stratis Haviaras for making this recording available. \",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553500516353,"timestamp":"2026-01-07T14:59:57.945Z","score":0.01643844},{"id":"5573","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Poetry reading with commentary: William Carlos Williams at Princeton University on March 19, 1952 #840"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Swigg, Richard","Baker, Richard J","Bradbury, Cliff","Crick, Jeremy","Huff, M Wells","Williams, William Carlos","Pargeter, Mark"],"creator_names_search":["Swigg, Richard","Baker, Richard J","Bradbury, Cliff","Crick, Jeremy","Huff, M Wells","Williams, William Carlos","Pargeter, Mark"],"creators":["[{\"url\":\"\",\"name\":\"Swigg, Richard\",\"dates\":\"\",\"notes\":\"General Editor\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Baker, Richard J\",\"dates\":\"\",\"notes\":\"Editor\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Bradbury, Cliff\",\"dates\":\"\",\"notes\":\"Sound Engineer\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Crick, Jeremy\",\"dates\":\"\",\"notes\":\"The program designed by him\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Huff, M Wells\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/92754332\",\"name\":\"Williams, William Carlos\",\"dates\":\"1883-1963\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"\",\"name\":\"Pargeter, Mark\",\"dates\":\"\",\"notes\":\"Business Manager\",\"nation\":[],\"role\":[]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1952],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5738/Reading in BC_MsC199_840.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"840-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:51\",\"precision\":\"\",\"size\":\"46.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"840-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:04\",\"precision\":\"\",\"size\":\"45.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1952-03-19\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/6365145\",\"venue\":\"Princeton University\",\"notes\":\"\",\"address\":\"Carnegie Center, Princeton, Mercer County, New Jersey, 08540, United States\",\"latitude\":\"40.3396\",\"longitude\":\"-74.6582\"}]"],"Address":["Carnegie Center, Princeton, Mercer County, New Jersey, 08540, United States"],"Venue":["Princeton University"],"content_notes":["SFU BC Readings formatting"],"contents":["Side 1 : 19 March 1952 : Portrait of Lady ; El Hombre ; Tract ; Pastoral (“The little sparrows”) ; Smell! ; Queen-Anne’s Lace ; Great Mullen ; Waiting ; The Hunter ; Arrival ; The Widow’s Lament in Springtime ; To Elsie ; The Red Wheelbarrow ; This is Just to Say ; Poem (“As the cat”) ; Flowers by the Sea ; to a Poor Old Woman ; The Catholic Bells ; The Sea-Elephant ; A Unison\nSide 2 : 19 March 1952 : Reading and commentary continued ; The Desert Music"],"Note":["[{\"note\":\"Special thanks are expressed Stratis Haviaras for making this recording available and to John M Blaine for restoring the original recording. \",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553500516354,"timestamp":"2026-01-07T14:59:57.945Z","score":0.01643844},{"id":"5574","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Poetry reading with commentary: William Carlos Williams at Hanover College on May 16, 1952 #841"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Swigg, Richard","Baker, Richard J","Bradbury, Cliff","Crick, Jeremy","Williams, William Carlos","Pargeter, Mark"],"creator_names_search":["Swigg, Richard","Baker, Richard J","Bradbury, Cliff","Crick, Jeremy","Williams, William Carlos","Pargeter, Mark"],"creators":["[{\"url\":\"\",\"name\":\"Swigg, Richard\",\"dates\":\"\",\"notes\":\"General Editor\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Baker, Richard J\",\"dates\":\"\",\"notes\":\"Editor\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Bradbury, Cliff\",\"dates\":\"\",\"notes\":\"Sound Engineer\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Crick, Jeremy\",\"dates\":\"\",\"notes\":\"The program designed by him\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/92754332\",\"name\":\"Williams, William Carlos\",\"dates\":\"1883-1963\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"\",\"name\":\"Pargeter, Mark\",\"dates\":\"\",\"notes\":\"Business Manager\",\"nation\":[],\"role\":[]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1952],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5739/Reading in BC_MsC199_841.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"841-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:49:20\",\"precision\":\"\",\"size\":\"64.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"841-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:41\",\"precision\":\"\",\"size\":\"57.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1952-05-16\",\"type\":\"Production Date\",\"notes\":\"Recording by the courtesy of Hanover college\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/358676418\",\"venue\":\"Hanover College\",\"notes\":\"\",\"address\":\" Ball Drive, Hanover, Jefferson County, Indiana, 47243, United States\",\"latitude\":\"38.7141725\",\"longitude\":\"-85.4610948 \"}]"],"Address":[" Ball Drive, Hanover, Jefferson County, Indiana, 47243, United States"],"Venue":["Hanover College"],"content_notes":["SFU BC Readings formatting"],"contents":["Side 1 : 16 May 1952 : Synopsis : “Poems” not poetry ; Babies rather than adults ; Using the material of your own lives in poetry ; The new poetic measurement ; Wrong thinking in war and poetry versus a new world ; The necessity of the artist to alert us ; Toynbee quotation and the American inheritance of an ideal ; Whitman braking the verse-line ; Freneau, Bridges, Hardy, Ransom ; Necessarily slow changes in society and line Reads “Smell!” and from Paterson II iii: “Look for the nul” to “endless and indestructible”\nSide 2 : 16 ay 1952 : Portent ; The Botticellian Trees ; Flowers by the Sea ; To a Mexican Pig-Bank (two readings) ; To a Poor Old Woman ; Pastoral (“When I was younger”) ; To Elsie"],"Note":["[{\"note\":\"Special thanks are expressed Walter D Morrill and the staff of the Duggan Library, Hanover college \",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553500516355,"timestamp":"2026-01-07T14:59:57.945Z","score":0.01643844},{"id":"5575","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Collected Recordings: William Carlos Williams reading at his house on June 6, 1954 #843"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Swigg, Richard","Baker, Richard J","Bradbury, Cliff","Crick, Jeremy","Williams, William Carlos","Caedmon","Pargeter, Mark"],"creator_names_search":["Swigg, Richard","Baker, Richard J","Bradbury, Cliff","Crick, Jeremy","Williams, William Carlos","Caedmon","Pargeter, Mark"],"creators":["[{\"url\":\"\",\"name\":\"Swigg, Richard\",\"dates\":\"\",\"notes\":\"General Editor\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Baker, Richard J\",\"dates\":\"\",\"notes\":\"Editor\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Bradbury, Cliff\",\"dates\":\"\",\"notes\":\"Sound Engineer\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Crick, Jeremy\",\"dates\":\"\",\"notes\":\"The program designed by him\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/92754332\",\"name\":\"Williams, William Carlos\",\"dates\":\"1883-1963\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Caedmon \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"\",\"name\":\"Pargeter, Mark\",\"dates\":\"\",\"notes\":\"Business Manager\",\"nation\":[],\"role\":[]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1954],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5740/Reading in BC_MsC199_843.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"843-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:24:27\",\"precision\":\"\",\"size\":\"25.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"843-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:24:25\",\"precision\":\"\",\"size\":\"25.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1954-06-06\",\"type\":\"Production Date\",\"notes\":\"Recorded by Caedmon\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/61651588#map=15/40.8218/-74.1090\",\"venue\":\"The William Carlos Williams House\",\"notes\":\"\",\"address\":\"9, Ridge Road, Rutherford, Bergen County, New Jersey, United States of America\",\"latitude\":\"40.8218\",\"longitude\":\"-74.1089\"}]"],"Address":["9, Ridge Road, Rutherford, Bergen County, New Jersey, United States of America"],"Venue":["The William Carlos Williams House"],"content_notes":["SFU BC Readings formatting"],"contents":["Side 1 : 6 June 1954 : The Descent ; To Daphne and Virginia ; The Orchestra ; For Eleanor and Bill Monahan ; The Yellow Flower ; The Host ; Asphodel, That Greeny Flower I [excerpts] : “Of asphodel, that greeny flower” to “to sing to you” ; My heart rouses to “at peace in his bed/besides”\nSide 2 : 6 June 1954 : Trees ; Flowers by the Sea ; The Yachts ; The Catholic Bells ; Smell! ; Fish ; Primrose ; To Elsie ; Between Walls ; On Gay Wallpaper ; The Red Lily ; Seafarer"],"Note":["[{\"note\":\"Recorded by Caedmon \",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553500516356,"timestamp":"2026-01-07T14:59:57.945Z","score":0.01643844},{"id":"5576","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Collected Recordings: William Carlos Williams lecture at University of Washington on May 8, 1955 #844"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Swigg, Richard","Baker, Richard J","Bradbury, Cliff","Crick, Jeremy","Williams, William Carlos","Pargeter, Mark"],"creator_names_search":["Swigg, Richard","Baker, Richard J","Bradbury, Cliff","Crick, Jeremy","Williams, William Carlos","Pargeter, Mark"],"creators":["[{\"url\":\"\",\"name\":\"Swigg, Richard\",\"dates\":\"\",\"notes\":\"General Editor\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Baker, Richard J\",\"dates\":\"\",\"notes\":\"Editor\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Bradbury, Cliff\",\"dates\":\"\",\"notes\":\"Sound Engineer\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Crick, Jeremy\",\"dates\":\"\",\"notes\":\"The program designed by him\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/92754332\",\"name\":\"Williams, William Carlos\",\"dates\":\"1883-1963\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Pargeter, Mark\",\"dates\":\"\",\"notes\":\"Business Manager\",\"nation\":[],\"role\":[]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1955],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5741/Reading in BC_MsC199_844.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"844-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:19\",\"precision\":\"\",\"size\":\"40.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"844-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:22\",\"precision\":\"\",\"size\":\"39.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1955-05-08\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/185357801\",\"venue\":\"University of Washington\",\"notes\":\"\",\"address\":\"St. Louis, United Brooklyn Avenue Northeast, University District, Seattle, King County, Washington, 98105-6286, United States\",\"latitude\":\"38.64724015\",\"longitude\":\"-90.3084017323959 \"}]"],"Address":["St. Louis, United Brooklyn Avenue Northeast, University District, Seattle, King County, Washington, 98105-6286, United States"],"Venue":["University of Washington"],"content_notes":["SFU BC Readings formatting"],"contents":["Side 1 : Synopsis : The poem as a cry in the night ; The hysteric level and In the American Grain ; “A Black, black cloud” ; illustrated Dante ; The past and the new ; Shakespeare , Leonardo, Chinese painters, Pyrenean rock painters ; The language of the new : not English (the “robin”) not the class room, not copying authors from Beowulf to Rimbaud ; Rebirth ; Unrhyming and lower-case nonconformity ; Pound, Imagism, the Chinese : cutting out rhetoric ; Whitman : “free” verse, limitations, and structural innovation ; Lines from Song of Myself – Whitman’s self-delusion ; Mother’s anecdote about Coquelin\nSide 2 : May 1955 : Pound and the piano strings – Studying Pope at Harvard ; Cocteau’s realite and the poem’s dependence on structure ;The poem as object versus involvement in the emotional situation ; The “cry in the night ; modern poems and undeemed structure ; Auditory image and visual image ; Division of the line in Pound, Eliot, Char ; neglect of auditory image ; Poem’s structure and intellectual and moral make up – Modern poetic irregularities and relativity ; Poe, mathematics and poetry ; Hopkins and Whitman ; Poet’s logic and structure ; Escaping the totalitarian form ; The ideal state and the modern poem’s structure ; Discipline freer measure, yet not formless scrawls"],"Note":["[{\"note\":\"Special thanks are expressed to Carole E Prietto, the university archivist at the University of Washington, St. Louis. \",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553501564928,"timestamp":"2026-01-07T14:59:57.945Z","score":0.01643844},{"id":"5577","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Poetry reading with commentary: William Carlos Williams at University of California on May 19, 1955 #845"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Swigg, Richard","Baker, Richard J","Bradbury, Cliff","Crick, Jeremy","Williams, William Carlos","Pargeter, Mark"],"creator_names_search":["Swigg, Richard","Baker, Richard J","Bradbury, Cliff","Crick, Jeremy","Williams, William Carlos","Pargeter, Mark"],"creators":["[{\"url\":\"\",\"name\":\"Swigg, Richard\",\"dates\":\"\",\"notes\":\"General Editor\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Baker, Richard J\",\"dates\":\"\",\"notes\":\"Editor\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Bradbury, Cliff\",\"dates\":\"\",\"notes\":\"Sound Engineer\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Crick, Jeremy\",\"dates\":\"\",\"notes\":\"The program designed by him\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/92754332\",\"name\":\"Williams, William Carlos\",\"dates\":\"1883-1963\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"\",\"name\":\"Pargeter, Mark\",\"dates\":\"\",\"notes\":\"Business Manager\",\"nation\":[],\"role\":[]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1955],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5742/Reading in BC_MsC199_845.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"845-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:23\",\"precision\":\"\",\"size\":\"30.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"845-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:43\",\"precision\":\"\",\"size\":\"30.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1955-05-19\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/109193723\",\"venue\":\"University of California\",\"notes\":\"\",\"address\":\" Berkeley, North Street, Panoramic Hill, Berkeley, Alameda County, California, 94720-1076, United States\",\"latitude\":\"37.86422\",\"longitude\":\"-122.24753 \"}]"],"Address":[" Berkeley, North Street, Panoramic Hill, Berkeley, Alameda County, California, 94720-1076, United States"],"Venue":["University of California"],"City":["Berkeley, California"],"content_notes":["SFU BC Readings formatting"],"contents":["Side 1 : 19 May 1955 : Spring and All ; The Plot of Flowers ; Rain ; The Botticellian Trees ; To a Mexican Pig-Bank (two readings) ; To a Poor Old Woman ; The Catholic Bells ; A poem for Norman Macleod ; Danse Russe ; The late Singer ; At the Faucet of June ; The Avenue of Poplars ; The Sun ; A sort of a Song ; The Dance (“In Brueghel’s great picture”) ; The Gentle Rejoinder ; Seafarer\nSide 2 : 19 May 1955 : May 1st Tomorrow ; A Unison ; The Descent ; To Daphne and Virginia ; The Orchestra ; Asphodel, That Greeny Flower I (excerpt : “I speak in figures: to “die at peace in his bed/besides”)"],"Note":["[{\"note\":\"Special thanks are expressed to Laura Moriarty, archivist, American Poetry Archive, San Fransisco State university\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553501564929,"timestamp":"2026-01-07T14:59:57.945Z","score":0.01643844},{"id":"5578","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Poetry reading with commentary: William Carlos Williams at the University of California, May 1955 #846"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Swigg, Richard","Baker, Richard J","Bradbury, Cliff","Crick, Jeremy","Williams, William Carlos","Pargeter, Mark"],"creator_names_search":["Swigg, Richard","Baker, Richard J","Bradbury, Cliff","Crick, Jeremy","Williams, William Carlos","Pargeter, Mark"],"creators":["[{\"url\":\"\",\"name\":\"Swigg, Richard\",\"dates\":\"\",\"notes\":\"General Editor\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Baker, Richard J\",\"dates\":\"\",\"notes\":\"Editor\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Bradbury, Cliff\",\"dates\":\"\",\"notes\":\"Sound Engineer\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Crick, Jeremy\",\"dates\":\"\",\"notes\":\"The program designed by him\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/92754332\",\"name\":\"Williams, William Carlos\",\"dates\":\"1883-1963\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"\",\"name\":\"Pargeter, Mark\",\"dates\":\"\",\"notes\":\"Business Manager\",\"nation\":[],\"role\":[]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1955],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5743/Reading in BC_MsC199_846.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"846-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:03\",\"precision\":\"\",\"size\":\"31.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"846-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:30\",\"precision\":\"\",\"size\":\"31.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1955-05\",\"type\":\"Production Date\",\"notes\":\"Recorded by courtesy of University of California, Santa Barbara\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/542863702\",\"venue\":\"University of California, Santa Barbara\",\"notes\":\"\",\"address\":\" Santa Barbara, 552, Reed Court, Santa Barbara, Santa Barbara County, California, 93106, United States\",\"latitude\":\"37.8644\",\"longitude\":\"-122.2480\"}]"],"Address":[" Santa Barbara, 552, Reed Court, Santa Barbara, Santa Barbara County, California, 93106, United States"],"Venue":["University of California, Santa Barbara"],"content_notes":["SFU BC Readings formatting"],"contents":["Side 1 : May 1955 ; Seafarer ; A Unison ; The Descent ; To Daphne and Virginia ; The Orchestra ; Asphodel, That Greeny Flower I (excerpt : “I speak in figures: to “die at peace in his bed/besides”)\nSide 2 : May 1955 : The Ivy Crown ; Asphodel, That Greeny Flower, Coda"],"Note":["[{\"note\":\"Special thanks are expressed to Lorie Ritchie, Head of Special Collection, UCSB Library \",\"type\":\"\"},{\"note\":\"The last 18 minutes of track two is empty\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553501564930,"timestamp":"2026-01-07T14:59:57.945Z","score":0.01643844},{"id":"5579","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Poetry reading with commentary: William Carlos Williams at University of California, May and June 1955 #847"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Swigg, Richard","Baker, Richard J","Bradbury, Cliff","Crick, Jeremy","Williams, William Carlos","Pargeter, Mark"],"creator_names_search":["Swigg, Richard","Baker, Richard J","Bradbury, Cliff","Crick, Jeremy","Williams, William Carlos","Pargeter, Mark"],"creators":["[{\"url\":\"\",\"name\":\"Swigg, Richard\",\"dates\":\"\",\"notes\":\"General Editor\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Baker, Richard J\",\"dates\":\"\",\"notes\":\"Editor\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Bradbury, Cliff\",\"dates\":\"\",\"notes\":\"Sound Engineer\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Crick, Jeremy\",\"dates\":\"\",\"notes\":\"The program designed by him\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/92754332\",\"name\":\"Williams, William Carlos\",\"dates\":\"1883-1963\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"\",\"name\":\"Pargeter, Mark\",\"dates\":\"\",\"notes\":\"Business Manager\",\"nation\":[],\"role\":[]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1955],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5744/Reading in BC_MsC199_847.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"847-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:13\",\"precision\":\"\",\"size\":\"43.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"847-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T0:031:30\",\"precision\":\"\",\"size\":\"44.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1955-05\",\"type\":\"Production Date\",\"notes\":\"Recorded by courtesy of University of California, Los Angeles\",\"source\":\"J-card\"},{\"date\":\"1955-06\",\"type\":\"Production Date\",\"notes\":\"Recorded by courtesy of University of California, Los Angeles\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/7493269\",\"venue\":\"University of California, Los Angeles\",\"notes\":\"\",\"address\":\" Los Angeles, Westholme Avenue, Westwood, Los Angeles, California, 90095, United States\",\"latitude\":\"34.0706\",\"longitude\":\"-118.4455\"}]"],"Address":[" Los Angeles, Westholme Avenue, Westwood, Los Angeles, California, 90095, United States"],"Venue":["University of California, Los Angeles"],"content_notes":["SFU BC Readings formatting\n"],"contents":["Side 1 : May/June 1955 : The Botticellian Trees ; Flowers by the Sea ; Primrose ; Spring and All ; To Elsie ; On Gay Wallpaper ; The Red Lily ; The sun ; A Sort of a Song ; Seafarer ; May 1st Tomorrow ; A Unison ; The Sea-Elephant\nSide 2 : May/June 1955 : The Descent ; To Daphne and Virginia ; The Orchestra ; Shadows ; Asphodel, That Greeny Flower, Coda"],"Note":["[{\"note\":\"Special thanks are expressed to the staff of the University Archives, UCLA\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553501564931,"timestamp":"2026-01-07T14:59:57.945Z","score":0.01643844},{"id":"5580","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Poetry reading with commentary: William Carlos Williams at Eyvind Earle's home, May 1955 #848"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Swigg, Richard","Baker, Richard J","Bradbury, Cliff","Crick, Jeremy","Earle, Eyvind","Williams, William Carlos","Pargeter, Mark"],"creator_names_search":["Swigg, Richard","Baker, Richard J","Bradbury, Cliff","Crick, Jeremy","Earle, Eyvind","Williams, William Carlos","Pargeter, Mark"],"creators":["[{\"url\":\"\",\"name\":\"Swigg, Richard\",\"dates\":\"\",\"notes\":\"General Editor\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Baker, Richard J\",\"dates\":\"\",\"notes\":\"Editor\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Bradbury, Cliff\",\"dates\":\"\",\"notes\":\"Sound Engineer\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Crick, Jeremy\",\"dates\":\"\",\"notes\":\"The program designed by him\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Earle, Eyvind\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/92754332\",\"name\":\"Williams, William Carlos\",\"dates\":\"1883-1963\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Pargeter, Mark\",\"dates\":\"\",\"notes\":\"Business Manager\",\"nation\":[],\"role\":[]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1955],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5745/Reading in BC_MsC199_848.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"848-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:20\",\"precision\":\"\",\"size\":\"30.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"848-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:24\",\"precision\":\"\",\"size\":\"30.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1955-05\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/12378585\",\"venue\":\"Eyvind Earle's home\",\"notes\":\"The Url, latitude, and longitude belong to Van Nuys in San Fernando Valley, not the exact location of Eyvind Earle's home\",\"address\":\"Van Nuys, San Fernando Valley, California, United States \",\"latitude\":\"34.1862\",\"longitude\":\"-118.4491\"}]"],"Address":["Van Nuys, San Fernando Valley, California, United States "],"Venue":["Eyvind Earle's home"],"content_notes":["SFU BC Readings formatting"],"contents":["Side 1 : May 1955 : Peace on Earth ; The Botticellian Trees ; Flowers by the Sea ; Primrose ; Spring and All ; On Gay Wallpaper ; The Red Lily ; The Sun ; A Sort of a Song ; May 1st Tomorrow ; A Unison ; The Descent ; To Daphne and Virginia\nSide 2 : May 1955 : The Orchestra ; The Yellow Flower ; The Host ; The Mental Hospital Garden ; Asphodel ; That Greeny Flower (excerpt : “I speak in figures” to “die at peace in his bed/besides”) ; The Ivy Crown ; Shadows ; Asphodel, That Greeny Flower, Coda (excerpt : “Inseparable from the fire: to “which John Donne : where the recording breaks off)."],"Note":["[{\"note\":\"Special thanks are expressed to the Richard Warren Jr and Eyvind Earle \",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553502613504,"timestamp":"2026-01-07T14:59:57.945Z","score":0.01643844},{"id":"5581","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Broadcast of Williams’ contribution to A Tribute to Ezra Pound at the Yale University on December 5, 1955 #849"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Swigg, Richard","Baker, Richard J","Bradbury, Cliff","Crick, Jeremy","Williams, William Carlos","Pargeter, Mark"],"creator_names_search":["Swigg, Richard","Baker, Richard J","Bradbury, Cliff","Crick, Jeremy","Williams, William Carlos","Pargeter, Mark"],"creators":["[{\"url\":\"\",\"name\":\"Swigg, Richard\",\"dates\":\"\",\"notes\":\"General Editor\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Baker, Richard J\",\"dates\":\"\",\"notes\":\"Editor\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Bradbury, Cliff\",\"dates\":\"\",\"notes\":\"Sound Engineer\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Crick, Jeremy\",\"dates\":\"\",\"notes\":\"The program designed by him\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/92754332\",\"name\":\"Williams, William Carlos\",\"dates\":\"1883-1963\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Pargeter, Mark\",\"dates\":\"\",\"notes\":\"Business Manager\",\"nation\":[],\"role\":[]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1955],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5749/Reading in BC_MsC199_849.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"849-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:26\",\"precision\":\"\",\"size\":\"46.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"849-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:09\",\"precision\":\"\",\"size\":\"44.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1955-12-05\",\"type\":\"Production Date\",\"notes\":\"From copies in the Yale Collection of Historical Sound Recordings, Yale University Library\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/3861723\",\"venue\":\"Yale University, Radio Station\",\"notes\":\"\",\"address\":\"West Haven, New Haven County, Connecticut, 06516, United States\",\"latitude\":\"41.25713055\",\"longitude\":\"-72.98966960152231 \"}]"],"Address":["West Haven, New Haven County, Connecticut, 06516, United States"],"Venue":["Yale University, Radio Station"],"content_notes":["SFU BC Readings formatting"],"contents":["Side 1 : 5 December 1955 : Broadcast of Williams’ contribution to A Tribute to Ezra Pound, YHRC (the Yale radio station). This recording is the unedited interview made for use in the broadcast. Synopsis : First meeting with Pound ; EP’s daily sonnets ; His chanting ; Early verse in a Lume Spento ; EP as reader ; At Hamilton College ; As Bertrans de Born ; Cure for tuberculosis ; EP’s Americanism versus English rules : Provençal, Italian, Chinese, WCW visiting EP in 1910 ; The Shakespears – Visit to Ivy Peabody’s ; Yeats reading Dowson ; Gosse, Yeats, Johnson ; With EP in Church Walk [Loss of words on original tape from “and Ezra – “to” – Church Walk. He was in the lead as usual”]. The violets ; Restaurant and EP’s coat ; At the Tate Gallery"],"Note":["[{\"note\":\"Special thanks are expressed to the Richard Warren Jr\",\"type\":\"\"},{\"note\":\"The last 22 minutes of the second track is empty\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553502613505,"timestamp":"2026-01-07T14:59:57.945Z","score":0.01643844},{"id":"5582","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Spoken Arts Treasury of American Jewish Poets: Gertrude Stein, Louis Untermeyer, Dorothy Parker, Charles Reznikoff, and Babette Deutsch reading, part 1 of 7 #850"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Stein, Gertrude","Untermeyer, Louis","Parker, Dorothy","Reznikoff, Charles","Deutsch, Babette","Kresh, Paul","Klein, Arthur","Klein, Luce"],"creator_names_search":["Stein, Gertrude","Untermeyer, Louis","Parker, Dorothy","Reznikoff, Charles","Deutsch, Babette","Kresh, Paul","Klein, Arthur","Klein, Luce"],"creators":["[{\"url\":\"http://viaf.org/viaf/22149082\",\"name\":\"Stein, Gertrude\",\"dates\":\"1874-1946\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\" http://viaf.org/viaf/39541598\",\"name\":\"Untermeyer, Louis\",\"dates\":\"1885-1977\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\" http://viaf.org/viaf/7395211\",\"name\":\"Parker, Dorothy\",\"dates\":\"1893-1967\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/51811237\",\"name\":\"Reznikoff, Charles\",\"dates\":\"1894-1976\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/95300565\",\"name\":\"Deutsch, Babette\",\"dates\":\"1895-1982\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Kresh, Paul \",\"dates\":\"\",\"notes\":\"Editor\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Klein, Arthur \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\",\"Presenter\"]},{\"url\":\"\",\"name\":\"Klein, Luce\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\",\"Producer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5750/Reading in BC_MsC199_850.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"850-side-1.mp3\",\"channel_field\":\"44.1 kHz\",\"sample_rate\":\"Stereo\",\"duration\":\"T00:25:56\",\"precision\":\"\",\"size\":\"30.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"850-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:25:54\",\"precision\":\"\",\"size\":\"33.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Louis Untermeyer ; Dorothy Parker ; Charles Reznikoff ; Babette Deutsch\nSide 1 : Gertrude Stein : A portrait of T.S. Eliot ;A portrait of Christian Berard, a Painter ; Matisse ; She bowed to her brother ; Louis Untermeyer : Song Tournament : New Style ; Prayer ; Caliban in the Coal Mines ; Irony ; Hands ;Almost ; The wise woman ; Dorothy Parker ; The Lady’s reward ; One perfect rose ; Tombstones in the starlight ; Afternoon ; The Satin Dress ; Inscription for the ceiling of a bedroom ; Men ; For an unknown lady ; Resume\nSide 2 : Charles Reznikoff : Salmon and wine ; Meditations on the fall and winter holidays & Rosh Hashanah ; Day of Atonement ; Chanukah ; The Lamps are burning ; Samuel ; Kaddish ; Babette Deutsch : Stranger than the worst ; Homage to Paul Klee ; Homage to John Skelton"],"Note":["[{\"note\":\"Produced and presented by Yale University Library: 1984 Spoken Arts, Inc. Box 289, New Rochelle, New York 10801\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553503662080,"timestamp":"2026-01-07T14:59:57.945Z","score":0.01643844},{"id":"5583","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Spoken Arts Treasury of American Jewish Poets: Lenore G. Marshall, Louis Zukofsky, Stanley Kunitz, Hy Sobiloff, and Karl Shapiro reading, part 2 of 7 #851"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kresh, Paul","Klein, Arthur","Klein, Luce","Marshall, Lenore Guinzberg","Zukofsky, Louis","Kunitz, Stanley","Sobiloff, Hyman J.","Shapiro, Karl"],"creator_names_search":["Kresh, Paul","Klein, Arthur","Klein, Luce","Marshall, Lenore Guinzberg","Zukofsky, Louis","Kunitz, Stanley","Sobiloff, Hyman J.","Shapiro, Karl"],"creators":["[{\"url\":\"\",\"name\":\"Kresh, Paul \",\"dates\":\"\",\"notes\":\"Editor\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Klein, Arthur \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\",\"Presenter\"]},{\"url\":\"\",\"name\":\"Klein, Luce\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\",\"Producer\"]},{\"url\":\"http://viaf.org/viaf/50560749\",\"name\":\"Marshall, Lenore Guinzberg\",\"dates\":\"1897-1971\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/42358\",\"name\":\"Zukofsky, Louis\",\"dates\":\"1904-1978\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/109638294\",\"name\":\"Kunitz, Stanley\",\"dates\":\"1905-2006\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/202258459\",\"name\":\"Sobiloff, Hyman J.\",\"dates\":\"1912-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/109257053\",\"name\":\"Shapiro, Karl\",\"dates\":\"1913-2000\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5753/Reading in BC_MsC199_851.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"851-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:25:10\",\"precision\":\"\",\"size\":\"33.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"851-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:42\",\"precision\":\"\",\"size\":\"56.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side 1 : Lenore G. Marshall : Invented a Person ; As Though from Love ; Latest Will ; Shadow and Answer ; Louis Zukovsky : The Twelfth Movement of “A” ; Spooks Sabbath : a. Speccatto, b. Martele, c. Detache, d. Cacle, e. Staccatto ; Songs of Degree : a. With a Valentine, b. 14th February ; Nor did the Prophet ; As to How Much ; An incident ; The Record ; Song 22 ; 11 Mantis\nSide 2 : Stanley Kunitz : The Waltzer in the House ; So Intricately is This World Resolved ; Geometry of Moods ; The Tutored Child ; The Dragonfly ; A Choice of Weapons ;Hy Sobiloff : My Mother’s Table ; The Schoolmaster ; Pittsburgh ; Airship ; Hans Christian Andersen in Central Park ; Karl Shapiro : The Figurehead ; Love for a Hand ; Adam and Eve : a. The Sickness of Adam, B. The Recognition of Eve. C. The Kiss"],"Note":["[{\"note\":\"Produced and presented by Yale University Library: 1984 Spoken Arts, Inc. Box 289, New Rochelle, New York 10801\",\"type\":\"\"},{\"note\":\"Special thanks are expressed to Howard Moss, the poetry editor of the New Yorker, for his help as a consultant on this project \",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553503662081,"timestamp":"2026-01-07T14:59:57.945Z","score":0.01643844},{"id":"5584","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Spoken Arts Treasury of American Jewish Poets: Muriel Rukeyser, Delmore Schwartz, and David Ignatow reading, part 3 of 7 #852"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kresh, Paul","Klein, Arthur","Klein, Luce","Rukeyser, Muriel","Schwartz, Delmore","Ignatow, David"],"creator_names_search":["Kresh, Paul","Klein, Arthur","Klein, Luce","Rukeyser, Muriel","Schwartz, Delmore","Ignatow, David"],"creators":["[{\"url\":\"\",\"name\":\"Kresh, Paul \",\"dates\":\"\",\"notes\":\"Editor\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Klein, Arthur \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\",\"Presenter\"]},{\"url\":\"\",\"name\":\"Klein, Luce\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\",\"Producer\"]},{\"url\":\"http://viaf.org/viaf/137544\",\"name\":\"Rukeyser, Muriel\",\"dates\":\"1913-1980 \",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/36934167\",\"name\":\"Schwartz, Delmore\",\"dates\":\"1913-1966\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/91804619\",\"name\":\"Ignatow, David\",\"dates\":\"1914-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5754/Reading in BC_MsC199_852.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"852-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:25:18\",\"precision\":\"\",\"size\":\"24.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"852-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:46\",\"precision\":\"\",\"size\":\"31.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Rukeyser ; Delmore Schwartz ; David Ignatow\nSide 1 : Muriel Rukeyser : Reading Time: 1 Minute 26 Seconds ; Wars ; To Be A Jew in the Twentieth Century ; Akiba\nSide 2 : Delmore Schwartz : The Ballad of the Children of the Czar ; At a Solemn Musick ; Swift ; David Ignatow : We Came Naked ; Harold ; Europe and America ; Pricing ; The Pardon of Cain ; The Mountain is Stripped ; I Felt ; Without Fear ; And I Stand ; I shall Follow ; For the Living ; Noah ; God Said ; Samson ; A Semblance ; Job’s Anger ; The Bagel ; While I Live ; Rescue the Dead"],"Note":["[{\"note\":\"Produced and presented by Yale University Library: 1984 Spoken Arts, Inc. Box 289, New Rochelle, New York 10801\",\"type\":\"\"},{\"note\":\"Special thanks are expressed to Howard Moss, the poetry editor of the New Yorker, for his help as a consultant on this project \",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553503662082,"timestamp":"2026-01-07T14:59:57.945Z","score":0.01643844},{"id":"5585","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. 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Based on audio and #1034 audio, seems to be pt.1 (and #1035 is pt.2)."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Rose, Bob"],"creator_names_search":["Rose, Bob"],"creators":["[{\"url\":\"\",\"name\":\"Rose, Bob\",\"dates\":\"\",\"notes\":\"Unable to find VIAF profile, see https://thepoetrydepartment.wordpress.com/tag/bob-rose/\\nRachel Rose's father\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[2002],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5786/Reading in BC_McS199_1035(1).jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1035-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:52\",\"precision\":\"\",\"size\":\"59.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1035-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:00\",\"precision\":\"\",\"size\":\"60 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"Event starts at T00:05:15\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2002-03\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Note":["[{\"note\":\"Several names mentioned but unable to make out\",\"type\":\"General\"},{\"note\":\"Suspect it's a Charles Olson Literary Society meeting (he is mentioned several times).\",\"type\":\"General\"},{\"note\":\"Mentions an award but unable to make out the name; suspect this is a Charles Olson Society meeting (possibly corresponds to issue #45 (April 2002) of the society's journal\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553507856388,"timestamp":"2026-01-07T14:59:57.945Z","score":0.01643844},{"id":"5612","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Michael McClure interview with Eduardo Lipschutz-Villa, April 1993 part 1 of 2 #871"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Lipschutz-Villa, Eduardo","McClure, Michael"],"creator_names_search":["Lipschutz-Villa, Eduardo","McClure, Michael"],"creators":["[{\"url\":\"http://viaf.org/viaf/287645912\",\"name\":\"Lipschutz-Villa, Eduardo\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/71493269\",\"name\":\"McClure, Michael\",\"dates\":\"1932-2020\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1993],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5787/Reading in BC_MsC199_871.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"871-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:13\",\"precision\":\"\",\"size\":\"47.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"871-side-2 blank.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:14\",\"precision\":\"\",\"size\":\"48.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1993-04\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553507856389,"timestamp":"2026-01-07T14:59:57.945Z","score":0.01643844},{"id":"5613","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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Levertov talks about her now dead sister\n\t\t078\t“A lamentation”\n\t\t108\t“Relative Figure Re-appear”\n\t\t133\tIntroduction to a longer poem which finishes the series on her sister, called the “Olga Poems”\n\t\t153\t“Olga Poems” I\n\t\t162\tII\n\t\t173\tIII\n\t\t208\tIV\n\t\t219\tV\n\t\t260\tVI\n\t\t296\t“The Unknown”\n\t\t330\t“City Psalm”\n\t\t354\t“Stepping Westward” [Reflects on the association with Wordsworth & earlier poems]\n\t\t397\t“Joy” [with introductory quotation]\n\t\t409\tI\n\t\t421\tII\n\t\t433\tIII\n\t\t449\tIV\n\t\t457\t“A Man”\n\t\t469\tThe poet ceases to read\nTwo\t\t000\t\n\t\t009\tCopyright Information/Introduction of this particular seminar\n\t\t015\tIntroductory remarks concerning the poet & his relationship with his poetry\n\t\t058\tGeorge Oppen.  He announces he will read what he refers to as “A serial poem in 40 short poems which will make it easier to listen at one time”\n\t\t064\t“Of Being Numerous”\n\t\t301\tWalt Whitman quote is read\n\t\t309\t“Anyway But Back”\n\t\t326\tApplause then reading ends\n"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553733300224,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5596","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. 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Tom reading poems at home & in field c/w Porter Letter ; Tom talks & reads poems ; Tom & Mom ; Tom & Dad ; Darrell"],"Note":["[{\"note\":\"Tom McGauley reading \\nTom and Dad\\nTom and Mom\\nDarrell\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553733300225,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5597","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Jack Spicer reading on April 11, 1957 #392"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Spicer, Jack"],"creator_names_search":["Spicer, Jack"],"creators":["[{\"url\":\"http://viaf.org/viaf/46807530\",\"name\":\"Spicer, Jack\",\"dates\":\"1925-1965\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1957],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5821/Reading in BC_MsC199_392.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\" Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"392-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:04\",\"precision\":\"\",\"size\":\"43.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"392-side-2 - Blank.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:59\",\"precision\":\"\",\"size\":\"48.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1957-04-11\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t008\tJack Spicer reading assorted works.\n\t\t550\tEnd\nTwo\t\t000\tSide Two is blank"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553733300228,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5649","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["BpNichol: manuscripts, part 1 of 2 #398"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B. P."],"creator_names_search":["Nichol, B. P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B. P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5826/Reading in BC_MsC199_398.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"398-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:54\",\"precision\":\"\",\"size\":\"29.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"398-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:04\",\"precision\":\"\",\"size\":\"28.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t004\tTalking about The Martyrology with Linda McCartney (?)\n\t\t\tSt. – words becoming Saints\n\t\t\tScraptures as a generative work\n\t\t034\tLiving for a form not based on stylistic unity\n\t\t069\tFor Jesus Lunatic – inward search for an emotionally accurate picture\n\t\t078\tBook Three of The Martyrology – new formal developments\n\t\t093\tMonotones as prelude to Martyrology\n\t\t\tThe saints subsumed in Book Three become an energy, rather than isolate\n\t\t125\tThe Plunket Papers and Billy the Kid\n\t\t144\tCaptain Poetry.  Forming a kind of trilogy with The Plunket Papers and Billy the Kid.  “The book of the dead”\n\t\t161\tLove : A Book of Remembrances\n\t\t211\tBp’s publication plans – The Plunket poems\n\t\t\tMichael Ondaatje in the Plunket Papers, and Captain Poetry in Ondaatje’s Collected Works of Billy the Kid\n\t\t253\tCaptain Poetry in Ganglia issue\n\t\t283\tThe Aleph Bet Book\n\t\t\tCompositions occurring in units\n\t\t323\tThe Other Side of the Room – links to Plunket\n\t\t\tA book about isolation\n\t\t411\tEnds\nTwo\t\t000\tLong poem called “the Journey,” written 62, partly published in anthology “Thumbprints”\n\t\t\tA journey from west to east\n\t\t\tJourney and the Returns – east to west\n\t\t039\tNovels – For Jesus Lunatic.  Discarded novel, fall 1967.  Began The Martyrology 1967, when he realized the novel was not the right form\n\t\t095\tStill water.  Bp talking about a letter to Mary-Ellen Solte, talking about his writing.\n\t\t\tOriginal title of Still Water – The Chinese poems\n\t\t134\tUsing single edition books as a way of finding patterns in poetry\n\t\t141\tConcrete poetry, typewriter, Xeroxing, handwriting shaped poems\n\t\t219\tComic strips – in Scraptures, and Andy\n\t\t\tOverlap between Concrete and Comic strips\n\t\t260\tSound poetry – the beginning\n\t\t280\tConnection with Bissett\n\t\t308\tGertrude Stein.  European market, connection with Margaret Avison\n\t\t336\tThe Dream series – long concrete poem using “pivotal rhythm”\n\t\t385\tThe sonnet form as a natural flow in Italian. Rhyme in language\n\t\t407\tEnds"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553733300229,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5650","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["BpNichol: manuscripts, part 2 of 2 #399"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B. P."],"creator_names_search":["Nichol, B. P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["New York Art Quartet and Leroi Jones music and reading #400"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Baraka, Amiri","Rudd, Roswell","Tchicai, John","Worrell, Lewis","Graves, Milford"],"creator_names_search":["Baraka, Amiri","Rudd, Roswell","Tchicai, John","Worrell, Lewis","Graves, Milford"],"creators":["[{\"url\":\"http://viaf.org/viaf/39371896\",\"name\":\"Baraka, Amiri\",\"dates\":\"1934-2014\",\"notes\":\"Known as Leroi Jones\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/69116731\",\"name\":\"Rudd, Roswell\",\"dates\":\"1935-2017\",\"notes\":\" Trombonist\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/2558225\",\"name\":\"Tchicai, John\",\"dates\":\"1936-2012\",\"notes\":\"Saxophonist\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/48792075\",\"name\":\"Worrell, Lewis\",\"dates\":\"1934-\",\"notes\":\"Bass player \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/39561921\",\"name\":\"Graves, Milford\",\"dates\":\"1941-2021\",\"notes\":\"Percussion player\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5828/Reading in BC_MsC199_400.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"400-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:59\",\"precision\":\"\",\"size\":\"22.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"400-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:24:10\",\"precision\":\"\",\"size\":\"24.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\t\t\tRoswell Rudd – Trombone\n\t\t\tJohn Tchicai – Saxophone\n\t\t\tLewis Worrell – Bass\n\t\t\tMilford Graves – Percussion\n\t\t\tLeroi Jones – Recitation\nA\t\t\tShort by Roswell Rudd\n\t\t\tSweet by Roswell Rudd\n\t\t\tBlack Dada Nihilismus by Leroi Jones\nB\t\t\tRosmosis by Roswell Rudd\n\t\t\tNo. 6 by John Tchicai"],"Note":["[{\"note\":\"The New York Art Quartet was a free jazz ensemble, originally made up of saxophonist John Tchicai, trombonist Roswell Rudd, drummer Milford Graves, and bassist Lewis Worrell, that came into existence in 1964 in New York City.\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553734348801,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5652","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":[" Steve McCaffery reading: Wot We Wukkers Want and One Step To The Next on November 25 to December 3, 1977 #401"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["McCaffery, Steve"],"creator_names_search":["McCaffery, Steve"],"creators":["[{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5829/Reading in BC_MsC199_401.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"401-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:03\",\"precision\":\"\",\"size\":\"30.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"401-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:05:25\",\"precision\":\"\",\"size\":\"68.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977-11-25\",\"type\":\"Production Date\",\"notes\":\" November 25 to December 3\",\"source\":\"Recording\"},{\"date\":\"1977-12-03\",\"type\":\"Production Date\",\"notes\":\" November 25 to December 3\",\"source\":\"Recording\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/3227127\",\"venue\":\"\",\"notes\":\"Transcribed in Calgary \",\"address\":\"Calgary, Alberta, Canada\",\"latitude\":\"51.0474\",\"longitude\":\"-114.0587\"}]"],"Address":["Calgary, Alberta, Canada"],"City":["Calgary, Alberta"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nA\t\t\tWot we wukkers want\n\t\t\tMidnight peace\n\t\t\tA hundred and one zero s one ng\nB\t\t\tOne step to the next\n\t\t\tEmes I"],"Note":["[{\"note\":\"The Kommunist Manifesto or Wot We Wukkerz Want:\\nBi Charley Marx un Fred Engels\\nRedacted un traduced intuht’ dialect uht’ west riding er Yorkshuh bi Steve McCaffery,  eh son of that shire. Transcribed in Calgary 25 November to 3 December 1977  un dedicated  entirely to Messoors Robert Filliou and George Brecht uv wooz original idea this is a reullizaysh\",\"type\":\"\"},{\"note\":\"A1 (Wot We Wukkers Want) dedicated to Messrs. Robert Filliou and George Brecht.\\nA2 (Midnight Peace) composition 1973.\\nA3 (A Hundred And One Zero S One Ng: Translated By – George Brecht, Steve McCafferyWritten-By – Robert Filliou) a realization of McCaffery's translation of George Brecht's translation of the closing section of Robert Filliou's 14 Chansons et Charade. The title is a linear representation of a form poem.\\nB1 (One Step To The Next: Performer [Co-creation Of] – Clive Robertson) produced in Calgary, December 1977.\\nB2 (Emes¹) composed March 1979.\",\"type\":\"\"},{\"note\":\"The content of side one is not audible\",\"type\":\"\"},{\"note\":\"The language is not English\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553734348802,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5653","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Allen Ginsberg live at ST. Mark's church in New York on March 13, 1974 #402"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ginsberg, Allen"],"creator_names_search":["Ginsberg, Allen"],"creators":["[{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen \",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5830/Reading in BC_MsC199_402.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"402-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:39:55\",\"precision\":\"\",\"size\":\"39.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974-03-13\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card and inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/357585870\",\"venue\":\"Marks Church\",\"notes\":\"\",\"address\":\"West Main Street, Port Leyden, Lewis County, New York, 13433, United States\",\"latitude\":\"33.472359\",\"longitude\":\"-82.0831737 \"}]"],"Address":["West Main Street, Port Leyden, Lewis County, New York, 13433, United States"],"Venue":["Marks Church"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nA\t\t\t“Flying to Fiji”\n\t\t\t“Siratoko beach croon”\n\t\t\t“Bus ride ballad road to Suva”\n\t\t\t“Returning to the country for a brief visit”\n\t\t\t“Thus crosslegged on round pillow sat”\nB\t\t\t“Flying elegy”\n\t\t\t“D.C. mobilization”\n\t\t\t“Stay away from the White House”\n\t\t\t“On reading Dylan’s writings”\n\t\t\t“Jahwe and Allah battle”"],"Note":["[{\"note\":\"Side two is missing\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553734348803,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5654","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Sound seminar: George Oppen reading at the New York poetry center YM-YWHA on February 19, 1967 #403"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Oppen, George","Schwerner, Armand"],"creator_names_search":["Oppen, George","Schwerner, Armand"],"creators":["[{\"url\":\"http://viaf.org/viaf/98097764\",\"name\":\"Oppen, George\",\"dates\":\"1908-1984\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/92551112\",\"name\":\"Schwerner, Armand\",\"dates\":\"1927-1999\",\"notes\":\"Introduction by Armand Schwerner\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1967],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5831/Reading in BC_MsC199_403.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"403-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:45\",\"precision\":\"\",\"size\":\"31.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"403-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:47\",\"precision\":\"\",\"size\":\"31.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1967-02-19\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Recording\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/3729655969\",\"venue\":\"Poetry Center of the 92nd Street YM-YWHA\",\"notes\":\"\",\"address\":\"92nd Street Y, 1395, Lexington Avenue, Upper East Side, Carnegie Hill, Manhattan, New York County, New York, 10128, United States\",\"latitude\":\"40.7830439\",\"longitude\":\"-73.9527658 \"}]"],"Address":["92nd Street Y, 1395, Lexington Avenue, Upper East Side, Carnegie Hill, Manhattan, New York County, New York, 10128, United States"],"Venue":["Poetry Center of the 92nd Street YM-YWHA"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\t\t000\tIntroduction by Armand Schwerner\n\t\t048\tOppen begins to read – series of 40 short poems – Of Being Numerous\n\t\t052\t1  There are things… \n\t\t060\t2   So spoke of the existence of things…\n\t\t064\t3   The emotions are engaged\n\t\t068\t4   For the people of that flow\n\t\t071\t5   The great stone\n\t\t075\t6   We are pressed\n\t\t078\t7   Obsessed, bewildered\n\t\t081\t8   Amor Fati\n\t\t085\t9   Whether, as the intensity of seeing increases\n\t\t090\t10  Or, in that light…\n\t\t096\t11  It is that light…\n\t\t108\t12  In these explanations\n\t\t115\t13  Unable to begin\n\t\t123\t14  I cannot even now…\n\t\t131\t15  Chorus (androgynous)…\n\t\t134\t16  He who will not work…\n\t\t139\t17  The roots of words…\n\t\t144\t18  It is the air of atrocity…\n\t\t146\t19  Now in the helicopters…\n\t\t150\t20  They await\n\t\t160\t21  There can be a brick\n\t\t163\t22  Clarity\n\t\t166\t23  Half free\n\t\t173\t24  In this nation\n\t\t175\t25  Strange that the youngest…\n\t\t182\t26  They carry nativeness\n\t\t210\t27  It is difficult now to speak of poetry  \n\t\t226\t28  The light\n\t\t229\t29  My daughter, my daughter, what can I say\n\t\t243\t30  Behind their house\n\t\t247\t31  Because the known and the unknown\n\t\t250\t32  Only that it should be beautiful\n\t\t257\t33  Which is ours, which is ourselves\n\t\t260\t34  Like the wind in the trees and the bells\n\t\t272\t35  … or define\n\t\t276\t36  Tho the world\n\t\t286\t37  ‘…approached the window as if to see…’\n\t\t297\t38  You are the last\n\t\t302\t39  Occuring neither for self…\n\t\t305\t40  Whitman: ‘April 19, 1864’\n\t\t316\t“Anyway but back”\n\t\t343\tEnds"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553734348804,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5655","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Contemporary American Poets read their work: Robert Creeley reading in his house, 1971  #405"],"item_title_source":["J-card, Inventory, and Recording"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert"],"creator_names_search":["Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1971],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5832/Reading in BC_MsC199_405.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card \",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"405-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:15:05\",\"precision\":\"\",\"size\":\"14.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"405-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:15:00\",\"precision\":\"\",\"size\":\"14.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1971\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Robert Creeley's house \",\"notes\":\"He is in the room where he usually works.\",\"address\":\" Williams, California, USA\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":[" Williams, California, USA"],"Venue":["Robert Creeley's house "],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tCreeley talks about places he has lived and the progression of his writing\n\t\t031\t“Return” First poem published\n\t\t049\t“The charm”\n\t\t079\t“A form of women”\n\t\t104\t“It’s an invocation”\n\t\t117\tTalks about the company & friendship of poets\n\t\t128\t“Those rivers run from that land”\n\t\t150\t“For love”\n\t\t255\tEnd of side one\nTwo\t\t000\t“Anger”\n\t\t082\t“The finger”\n\t\t190\t“The moon”\n\t\t218\tEnd of side two\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553736445952,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5656","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Sound seminar: Robert Creeley reading at the New York poetry center YM-YWHA on October 24, 1966 #406"],"item_title_source":["J-card, Inventory, and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Wieners, John"],"creator_names_search":["Creeley, Robert","Wieners, John"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/90723960\",\"name\":\"Wieners, John\",\"dates\":\"1934-2002\",\"notes\":\"He introduces Robert Creeley in this seminar\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5833/Reading in BC_MsC199_406.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"406-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:26:32\",\"precision\":\"\",\"size\":\"26.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"406-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:26:33\",\"precision\":\"\",\"size\":\"26.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966-10-24\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Recording and inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/3729655969\",\"venue\":\"Poetry Center of the 92nd Street YM-YWHA\",\"notes\":\"\",\"address\":\"92nd Street Y, 1395, Lexington Avenue, Upper East Side, Carnegie Hill, Manhattan, New York County, New York, 10128, United States\",\"latitude\":\"40.7830439\",\"longitude\":\"-73.9527658\"}]"],"Address":["92nd Street Y, 1395, Lexington Avenue, Upper East Side, Carnegie Hill, Manhattan, New York County, New York, 10128, United States"],"Venue":["Poetry Center of the 92nd Street YM-YWHA"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nA\t\t000\tIntroduction by John Wieners\n\t\t037\t“Some place”\n\t\t056\t“For Helen”\n\t\t070\t“The answer’\n\t\t088\t“A place”\n\t\t093\t“Some echos”\n\t\t097\t“Fancy”\n\t\t120\t“Going”\n\t\t133\t“Words”\n\t\t142\t“A reason”\n\t\t155\t“The shame”\n\t\t169\t“The window”\n\t\t181\t“To Bobbie”\n\t\t196\t“They”\n\t\t219\t“A sight”\n\t\t250\t“Pieces”\n\t\t254\t“The circle”\n\t\t263\t“The hold”\n\t\t290\t“Remember the way you hunched up”\n\t\t297\t“Water”\n\t\t302\t“Intervals”\n\t\t316\t“For Joelle”\n\t\t344\tEnds"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553736445953,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5657","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Sound seminar: John Wieners reading at the New York poetry center YM-YWHA on October 24, 1966 #407"],"item_title_source":["J-card, Inventory, and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wieners, John"],"creator_names_search":["Wieners, John"],"creators":["[{\"url\":\"http://viaf.org/viaf/90723960\",\"name\":\"Wieners, John\",\"dates\":\"1934-2002\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5834/Reading in BC_MsC199_407.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"407-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T02:44:10\",\"precision\":\"\",\"size\":\"163.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"407-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T02:44:10\",\"precision\":\"\",\"size\":\"163.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966-10-24\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Recording and inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/3729655969\",\"venue\":\"Poetry Center of the 92nd Street YM-YWHA\",\"notes\":\"\",\"address\":\"92nd Street Y, 1395, Lexington Avenue, Upper East Side, Carnegie Hill, Manhattan, New York County, New York, 10128, United States\",\"latitude\":\"40.7830439\",\"longitude\":\"-73.9527658\"}]"],"Address":["92nd Street Y, 1395, Lexington Avenue, Upper East Side, Carnegie Hill, Manhattan, New York County, New York, 10128, United States"],"Venue":["Poetry Center of the 92nd Street YM-YWHA"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction\n\t\t020\t“Diana”\n\t\t030\t“Invocation to centre”\n\t\t040\t“Invitation to voyage”\n\t\t062\t“Love”\n\t\t071\t“Tom”\n\t\t079\t“Nocturne”\n\t\t101\t“Holy orders in life”\n\t\t126\t“Billy”\n\t\t137\t“LSD”\n\t\t155\t“Only lust moves there”\n\t\t170\t“For Vipers”\n\t\t198\t“A poem for painters”\n\t\t317\tEnds"],"Note":["[{\"note\":\"The first 20 minutes of side one is full and the rest is blank\",\"type\":\"\"},{\"note\":\"The content of side one and two is the same\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553736445954,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5658","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["BP Nichol and Barry Mckinnon reading at The Coburg Gallery on November 6, 1985 #408"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P.","McKinnon, Barry"],"creator_names_search":["Nichol, B.P.","McKinnon, Barry"],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"Side one: Last two sections of \\\"Martyrology\\\", Book 6\\n\\\"In the Plunkett\\\"\\n\\\"The Grace of the Moment\\\"\\n... from Book 7\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/60321164\",\"name\":\"McKinnon, Barry\",\"dates\":\"1944-\",\"notes\":\"Side two: \\\"The Petting Zoo\\\" and \\\"The Centre\\\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1985],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5835/Reading in BC_MsC199_408.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"408-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:55\",\"precision\":\"\",\"size\":\"45.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"408-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T02:06:47\",\"precision\":\"\",\"size\":\"125.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-11-06\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/69701736\",\"venue\":\"The Coburg Gallery\",\"notes\":\"I searched and I found it in Vancouver Art Gallery, but I am not sure\",\"address\":\"Vancouver Art Gallery, 750, Hornby Street, Downtown, Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, V6Z, Canada\",\"latitude\":\"49.28291\",\"longitude\":\"-123.12054\"}]"],"Address":["Vancouver Art Gallery, 750, Hornby Street, Downtown, Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, V6Z, Canada"],"Venue":["The Coburg Gallery"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tBp Nichol reads from The Martyrology Book 6\n\t\t018\t“In the Plunket Hotel”\n\t\t063\t“The grace of the moment”\n\t\t162\tBook 7 – beginning\n\t\t187\t“Rap traps”\n\t\t217\t“S mother me”\n\t\t220\tFor David McFadden – “Three days after the lightening”\n\t\t246\t“Names, lists”\n\t\t265\t“Passion”\n\t\t282\t“Muscle of speech”\n\t\t295\t“How space affects us most directly”\n\t\t314\t“Wandered the streets of Berkeley”\nTwo\t\t000\tBarry McKinnon introduces his two poems\n\t\t019\t“The petting zoo”\n\t\t031\t“The centre: an improvisation” – (long poem)\n\t\t189\tEnds "],"Note":["[{\"note\":\"The first 18 minutes of side two is full and the rest is blank\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553736445955,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5659","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Poetry Seminar: BP Nichol reading at SFU on July 7, 1983 part 1 of 2 #409"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P.","Miki, Roy"],"creator_names_search":["Nichol, B.P.","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"Roy Miki introduces bp\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5836/Reading in BC_MsC199_409.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"409 part 1-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:36\",\"precision\":\"\",\"size\":\"31.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"409 part 1-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:25\",\"precision\":\"\",\"size\":\"31.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-07-07\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University \",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["Simon Fraser University "],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nA\t\t000\tRoy Miki introduces bp\n\t\t023\tBp starts to read and talk about his early publications – early concrete publications.  Cycles– the first - 1965\n\t\t045\tReads “The historical implications of turnips\n\t\t074\t“The evening’s ritual”\n\t\t086\t“Milk” – the child in me\n\t\t138\t“Fishy”\n\t\t149\t“Cycle number twenty two” Retrospectively realized sound poem based on the typewriter grid\n\t\t224\tTalks about Schwitters and Hugo Ball\n\t\t283\tReads from “The undiscovered country” (discarded long poem)\nB\t\t000\tTalking about subjectivity and ego in poetry\n\t\t037\tFinding a way to objectify experience and language via the saints in book 1 of Martyrology\n\t\t049\tTalks about the concrete “The end of the affair” as a transformative structure and consciously working to get the “I” out\n\t\t081\tSequence 8 from Scraptures (reads)\n\t\t125\tSequence 7 from Scraptures\n\t\t186\tSequence 4 from Scraptures (in which the Saints emerge)\n\t\t256\tUncovering meaning and rhetorical speech\n\t\t310\tReads poem “Before closure”\n\t\t330\tTalks about the Captain Poetry Poems and reads several sections\n\t\t400\tEnds "],"Note":["[{\"note\":\"On the J-card it's written that the date on June 7 although on the audio it's said that it's July 7 \",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553736445956,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5660","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Poetry Seminar: BP Nichol reading at SFU on July 7, 1983 part 2 of 2 #410"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P."],"creator_names_search":["Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5837/Reading in BC_MsC199_410.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"410-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:28\",\"precision\":\"\",\"size\":\"31.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"410-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:26\",\"precision\":\"\",\"size\":\"31.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-07-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University \",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["Simon Fraser University "],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nA\t\t000\tReading from the Captain Poetry Poems\n\t\t037\tRhythms of Captain Poetry coming from Doctor Seuss\n\t\t053\tSong for George Bowering\n\t\t074\t“Beginning and End – Part 4 of Journeying and the Returns”\n\t\t082\tPart 2 of Journeying\n\t\t096\t“The end”\n\t\t104\tHow conscious was his stance as researcher, producer of theory\n\t\t175\tTalks about “Evil love” Blues\n\t\t\tFirst anthologized concrete piece\n\t\t271\tTalks about publication and presentation of the text\n\t\t295\tThe book as a unit of composition\n\t\t368\tEnds \nB\t\t000\t“The Chocolate poem”\n\t\t018\tThe Other Side of the Room – Reads “Unfinished song”\n\t\t030\t“Postcard between” – For Margaret Avison\n\t\t064\t“Old years poem”\n\t\t079\t“Be near”\n\t\t085\t“Sequence for Phyllis Webb”\n\t\t107\t“The end of etcetera”\n\t\t115\t“Ruth”\n\t\t146\tReads “The true eventual story of Billy the Kid”\n\t\t220\tReads “the story of Louis Riel”\n\t\t288\tReads “Love’s songs”\n\t\t304\t“A small song that is his”\n\t\t322\tEnds "],"Note":["[{\"note\":\"On the J-card it's written that the date on June 7 although on the audio it's said that it's July 7 \",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553736445957,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5661","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["BP Nichol open interview at SFU on July 7, 1983 part 1 of 2 #411"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P.","Bowering, George","Niechoda, Irene","Scobie, [Stephen?]","Miki, Roy"],"creator_names_search":["Nichol, B.P.","Bowering, George","Niechoda, Irene","Scobie, [Stephen?]","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105110668\",\"name\":\"Niechoda, Irene\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/18385392\",\"name\":\"Scobie, [Stephen?]\",\"dates\":\"1943-\",\"notes\":\"On the J-card, it's written Steven Scobie\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5838/Reading in BC_MsC199_411.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"411-tape-1-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:21\",\"precision\":\"\",\"size\":\"43.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"411-tape-1-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:24\",\"precision\":\"\",\"size\":\"43.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-07-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University \",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["Simon Fraser University "],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tTalking about fiction – pronoun as fictional carrier – with George Bowering\n\t\t035\tTalks about the three day Novel and writing practise\n\t\t105\tStructuring the Novel\n\t\t135\tChronological method of publishing – George talking about Robert Duncan\n\t\t250\tGertrude Stein and the muse contained within the text\n\t\t272\tVocabulary and de-centered meaning\n\t\t408\tScobie talks about homolinguistic translation\n\t\t570\tEnds\nTwo\t\t000\tBp reads from The Martyrology, p. 2\n\t\t026\tReading from typescript as a translation\n\t\t054\tCollage as a translative gesture, a move into pure texture\n\t\t109\tRecycling rejected text – Book Two of The Martyrology\n\t\t176\tToronto Research Group as “written thinking” (bp and Frank Davey/Steven Scobie)\n\t\t250\tThe Plunket Papers and sentimentalization of information bp calls it “bad romanticism”\n\t\t306\tTherafields, Freud, Lacan, psychology & language\n\t\t336\tBp talks about Jung, Lacan, sentimentalization and “False mystery”\n\t\t403\tPsychologized autobiography – nothing new done with the information that is put across\n\t\t459\tRoy asks what is the function of self in poems?\n\t\t\tThey concur none.  The poem is not a therapy\n\t\t\tBp says writing is a transformative strategy in life\n\t\t530\tWriting analogous to ritual in its transformative function\n\t\t597\tEnds "],"Note":["[{\"note\":\"It's part of BP Nichol's visit to SFU, writer-in-residence, July 5-8 \",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553737494528,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5662","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["BP Nichol open interview at SFU on July 7, 1983 part 2 of 2 #412"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P.","Bowering, George","Scobie, Stephen","Niechoda, Irene","Miki, Roy"],"creator_names_search":["Nichol, B.P.","Bowering, George","Scobie, Stephen","Niechoda, Irene","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/18385392\",\"name\":\"Scobie, Stephen\",\"dates\":\"1943-\",\"notes\":\"On the J-card, it's written Steven Scobie\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105110668\",\"name\":\"Niechoda, Irene\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5840/Reading in BC_MsC199_412.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"412-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:18\",\"precision\":\"\",\"size\":\"43.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"412-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:12\",\"precision\":\"\",\"size\":\"43.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-07-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University \",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["Simon Fraser University "],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tContinue to talk about subjectivity, self and poetry \n\t\t035\tBp says the use of creative writing classes is to make good readers and that publishing does the same for a writer\n\t\t052\tWilliams and Stein making the text an objective place, demanding a denial of subjectivity\n\t\t091\tGeorge talking about Virginia Woolf’s Jacob’s Room and its similarity to Gertrude Stein’s writing, esp., Composition as Explanation\n\t\t137\tPre WWII German film – H.D.’s movie\n\t\t157\tTalk turns to Ondaatje’s film The Sons of Captain Poetry\n\t\t166\tBill Bisset’s film Strange Gray Town\n\t\t255\tBp’s subtexts – Dr. Seuss, Mother Goose, the Alphabet\n\t\t303\tThe “I” as a construct of autobiographical moments, used to elucidate the writing (bp, and The Martyrology)\n\t\t374\tMaking use of computer graphics and type combinations in the poetic text\n\t\t509\tApplication of technological Innovations to poetry\n\t\t\tThe contest to be first\n\t\t601\tOver\nTwo\t\t000\tGeorge talking about the categorization of literature\n\t\t041\tThey talk about chain letters\n\t\t092\tDiscussion of American culture\n\t\t158\tBp reads from Book 6, The Martyrology, “The Plunket Hotel”\n\t\t219\tRoy mentions the sacred and the family in Book 6\n\t\t245\tMartyrology about moving, and written while moving\n\t\t258\tTravel as an enactment of metonymy as opposed to metaphone\n\t\t284\tThe shape of the letter H\n\t\t307\tThey talk about using computers to write\n\t\t327\tBp says he composes in the unit of the page\n\t\t351\tCaesura and line break affecting meaning\n\t\t425\tThey talk about bad poems and bad lines\n\t\t549\tRoy talks about tracking the sound of rhythmical units, saying bp has a characteristic unit of tracking\n\t\t601\tGeorge says bp used a lot of adverb clauses which makes for a larger more convolute rhythm"],"Note":["[{\"note\":\"It's part of BP Nichol's visit to SFU, writer-in-residence, July 5-8 \",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553737494529,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5663","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["bp Nichol reading from \"The Martyrology\" at SFU on July 8, 1983 part 1 of 3 #413"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P.","Miki, Roy"],"creator_names_search":["Nichol, B.P.","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5841/Reading in BC_MsC199_413.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"413-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:23\",\"precision\":\"\",\"size\":\"44.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"413-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:17\",\"precision\":\"\",\"size\":\"44.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-07-08\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University, Blue Room \",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["Simon Fraser University, Blue Room "],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tRoy Miki introduces bp\n\t\t020\tBp talks about the origins of The Martyrology\n\t\t045\tBegins reading from Book One – The geneology\n\t\t060\tFrom the chronicals of Narn\n\t\t070\tFrom the writings of St. And\n\t\t083\tMartyrology of St. And\n\t\t155\tScenes from the lives of the Saints\n\t\t234\tReads from “St. Reat and the 4 winds of the world” – 4th section of Book One\n\t\t286\tBeginning of Book 2. “Speech – each to each”\n\t\t292\tBook of Common Prayer\n\t\t373\tThe Clouds\n\t\t570\tEnds \nTwo\t\t000\t“It is the minute haunts you”\n\t\t030\t“This morning there are no clouds anywhere”\n\t\t059\tFrom the folk-tales of the Saints\n\t\t082\tSuns and divinations – 4th section of Book Two\n\t\t150\tFriends and footnotes – closing poem\n\t\t193\tBook Three – beginning – “Carrots, celery…”\n\t\t298\t“The book of Oz”\n\t\t366\t“Ellie and me”\n\t\t505\tEnds "],"Note":["[{\"note\":\"This tape is a duplicate of the Fred Wah fonds tapes   bp Nichol reading from The Martyrology at SFU on July 8, 1983 Tape 1 of 3 (SWALLOW ID 6943 and 6957)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670553737494530,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5664","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["bp Nichol reading from \"The Martyrology\" at SFU on July 8, 1983 part 2 of 3 #414"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P.","Miki, Roy"],"creator_names_search":["Nichol, B.P.","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5842/Reading in BC_MsC199_414.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"414-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:46\",\"precision\":\"\",\"size\":\"44.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"414-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:20\",\"precision\":\"\",\"size\":\"44.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-07-08\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University, Blue Room \",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["Simon Fraser University, Blue Room "],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t-begins halfway through Book 3 part V\n\t\t\t“hot night/sleepless in bed/I drempt of nothing…”\n\t\t090\tBook 3, part VI “Snow across the prairies”\n\t\t171\t- skips over “INTERLUDE : Double Vision”, and most of part VII\n\t\t173\tReads the last two parts of part VII, beginning “how is it done how is it said”\n\t\t200\tPart VIII “gazing into the sky”\n\t\t424\t“CODA: Mid-Initial Sequence”\n\t\t526\tSide one ends\nTwo\t\t000\tBp beings reading Book 4\n\t\t\t“purpose is a porpoise/a conceit”\n\t\t366\tBook 4 ends"],"Note":["[{\"note\":\"This tape is a duplicate of the Fred Wah fonds tapes   bp Nichol reading from The Martyrology at SFU on July 8, 1983 Tape 2 of 3 (SWALLOW ID 6946 and 6944)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670553737494531,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5665","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["bp Nichol reading from \"The Martyrology\" at SFU on July 8, 1983 part 3 of 3 #415"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P.","Bowering, George","Thesen, Sharon","Miki, Roy"],"creator_names_search":["Nichol, B.P.","Bowering, George","Thesen, Sharon","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/115694373\",\"name\":\"Thesen, Sharon\",\"dates\":\"1946-\",\"notes\":\"Bp, George Bowering, Roy Miki and Sharon Thesen talk about the connection of bp’s work, and the idea of family, with the sacred, (it's taken out from inventory)\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\",\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5843/Reading in BC_MsC199_415.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"415-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:19:14\",\"precision\":\"\",\"size\":\"78.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"415-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:22\",\"precision\":\"\",\"size\":\"44.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-07-08\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University, Blue Room \",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["Simon Fraser University, Blue Room "],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tBegins reading “chain one”, through “chain two”, From Book 5 then “chain seven” which is a particular reading of Book 1 of The Martyrology\n\t\t217\tBegins at “chain one” again, Shifts at the bottom of page 2 to “chain three”\n\t\t578\tRecording ends\nTwo\t\t000\tFrom “Deconstruction” – “driving east on 60 through Algonguin Park” (The Martyrology Book 5)\n\t\t044\tFrom Book 6, second book – “The book of hours”\n\t\t068\tThe first hour.  “Met a physic on the road…”\n\t\t134\t“The Birth-Death Cycle” From “The Book of Hours” – hours 12, 13 and 14\n\t\t138\t“hour twelve” “order/sweet seduction of that odour”\n\t\t166\t“hour 13” “briefly the heart does break”\n\t\t188\t“hour 14” “Passages from death into life”\n\t\t234\tBeginning of the fifth book of Book 6\n\t\t\t“In the Plunket Hotel the stairs creak all night”\n\t\t297\tBp, George Bowering, Roy Miki and Sharon Thesen talk about the connection of bp’s work, and the idea of family, with the sacred"],"Note":["[{\"note\":\"This tape is a duplicate of the Fred Wah fonds tapes   bp Nichol reading from The Martyrology at SFU on July 8, 1983 Tape 3 of 3 (SWALLOW ID 6947 and 6945)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670553738543104,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5666","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["BP Nichol reading at Octopus East Bookstore on August 27, 1983 #416"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P."],"creator_names_search":["Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5844/Reading in BC_MsC199_416.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"416-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:13\",\"precision\":\"\",\"size\":\"44.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"416-side-2.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:46:12\",\"precision\":\"\",\"size\":\"48.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-08-27\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/197584248\",\"venue\":\"Octopus East Bookstore \",\"notes\":\"\",\"address\":\"116, Third Avenue, The Glebe, Capital, (Old) Ottawa, Ottawa, Eastern Ontario, Ontario, K1S 2K1, Canada\",\"latitude\":\"45.40276\",\"longitude\":\"-75.68873\"}]"],"Address":["116, Third Avenue, The Glebe, Capital, (Old) Ottawa, Ottawa, Eastern Ontario, Ontario, K1S 2K1, Canada"],"Venue":["Octopus East Bookstore "],"City":["Ottawa, Ontario"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tPart 2, Book 6 of The Martyrology\n\t\t\t“The Book of Hours” – “hour 25”\n\t\t\t“somewhere there’s music…”\n\t\t036\t“In the Plunket Hotel”\n\t\t105\tThe three-day-novel – bp talks about tight temporal frameworks\n\t\t172\tHe reads from his novel Still\n\t\t420\tReads a Fragment of Book 6, sixth part\n\t\t488 \tRecording ends"],"Note":["[{\"note\":\"The general quality of the beginning part is poor. \",\"type\":\"\"},{\"note\":\"recoeded by Co-op Radio (Vancouver, C.-B.), Vanlit\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553738543105,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5667","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":[" Pull My Daisy: Jack Kerouac reading on the Beat Generation #417"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kerouac, Jack"],"creator_names_search":["Kerouac, Jack"],"creators":["[{\"url\":\"http://viaf.org/viaf/27066713\",\"name\":\"Kerouac, Jack\",\"dates\":\"1922-1969\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5846/Reading in BC_MsC199_417.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card \",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"417-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T02:50:31\",\"precision\":\"\",\"size\":\"172.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tA song – “Pull my Daisy”\n\t\t015\tKerouac reads “Early morning in the universe”\n\t\t312\tRecording ends\nTwo\t\t000\t“Now it’s jazz…” – readings on the Beat Generation\n\t\t032\t“San Francisco, San Francisco, you’re a muttering bum in a brown beat suit…”\n\t\t045\t“Praised be man…”\n\t\t057\t“In the ocean there lives a very sad turtle”\n\t\t068\t“Friday afternoon in the universe”\n\t\t112\t“Bop again with jazz…”\n\t\t534\tRecording ends"],"Note":["[{\"note\":\"The first 26 minutes of side one is full and the rest is blank. \\nThere is no side two for this cassette.\\nCassette is broken.\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553738543106,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5668","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Jack Kerouac reading: \"Poetry for the Beat Generation\" and \"Blues and Haikus\", March and Spring 1958 #418"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kerouac, Jack","Cohn, Al","Sims, Zoot","Allen, Steve"],"creator_names_search":["Kerouac, Jack","Cohn, Al","Sims, Zoot","Allen, Steve"],"creators":["[{\"url\":\"http://viaf.org/viaf/27066713\",\"name\":\"Kerouac, Jack\",\"dates\":\"1922-1969\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/44484718\",\"name\":\"Cohn, Al\",\"dates\":\"1925-1988\",\"notes\":\"saxophonist\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/100236756\",\"name\":\"Sims, Zoot\",\"dates\":\"1925-1985\",\"notes\":\"jazz saxophonist \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/301307159\",\"name\":\"Allen, Steve\",\"dates\":\"1921-2000\",\"notes\":\"Poetry for the Beat Generation\\nAlbum by Jack Kerouac and Steve Alle\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1958],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5847/Reading in BC_MsC199_418.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"418-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:17\",\"precision\":\"\",\"size\":\"44.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"418-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:48\",\"precision\":\"\",\"size\":\"45.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1958-03\",\"type\":\"Production Date\",\"notes\":\"Side one\",\"source\":\"J-card\"},{\"date\":\"1958\",\"type\":\"Production Date\",\"notes\":\"Side two\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t004\t“October in the Railroad Earth”\n\t\t\tJack Kerouac reads his poetry to the piano accompaniment of Steve Allen\n\t\t135\tEnd\n\t\t136\t“Deadbelly”\n\t\t153\tEnd\n\t\t154\t“Charlie Parker”\n\t\t210\tEnd\n\t\t211\t“The Sounds of the Universe Coming in my Window”\n\t\t257\tEnd\n\t\t258\t“One Mother”\n\t\t270\tEnd\n\t\t271\t“Goofing at the Table”\n\t\t293\tEnd\n\t\t294\t“Bowery Blues”\n\t\t342\tEnd\n\t\t344\t“Abraham”\n\t\t360\tEnd\n\t\t361\t“Dave Brubeck”\n\t\t369\tEnd\n\t\t370\t“I had a Slouch Hat Too One Time”\n\t\t438\tEnd\n\t\t439\t“The Wheel of the Quivering Meat Conception”\n\t\t458\tEnd\n\t\t459\t“McDougal Street Blues”\n\t\t494\tEnd\n\t\t495\t“The Moon her Majesty”\n\t\t512\tEnd\n\t\t513\t“I’d rather be Thin than Famous’\n\t\t519\tEnd\n\t\t\tEnd of Recording\nTwo\t\t000\t\n\t\t005\t“American Haikus” – Kerouac reads to the saxophone accompaniment of Zoot Sims\n\t\t180\tEnd\n\t\t181\t“Hard Hearted Old Farmer’ – Kerouac sings to the piano Jazz rhythms of Al Cohn\n\t\t202\tEnd\n\t\t203\t“The Last Hotel & Some of Dharma”\n\t\t258\tEnd\n\t\t259\t“Poems from the Unpublished ‘Book of Blues’” – Kerouac returns to traditional reading, saxophone duet acts as accompaniment\n\t\t427\tEnd"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553738543107,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5669","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Jack Kerouac singing to Jazz radio #419 "],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kerouac, Jack"],"creator_names_search":["Kerouac, Jack"],"creators":["[{\"url\":\"http://viaf.org/viaf/27066713\",\"name\":\"Kerouac, Jack\",\"dates\":\"1922-1969\",\"notes\":\"Singer\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5848/Reading in BC_MsC199_419.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"419-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:49\",\"precision\":\"\",\"size\":\"43.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"419-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:28\",\"precision\":\"\",\"size\":\"42.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t003\tMusic and singing – low quality recording of Kerouac, literally in an apartment or hotel room, singing along to pop rhythm and blues songs blaring from a radio in the background.  This appears to be an informal recording without specific intent of content or production value.  Throughout the recording the music changes, strangers enter the room; interruptions are commonplace; but generally Kerouac keeps harmonizing.  A very personal and candid recording\n\t\t580\tEnd\nTwo\t\t000\t\n\t\t005\tContinued music and singing\n\t\t570\tEnd"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553738543108,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5670","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Firing Line program - Panel on Hippies: Jack Kerouac and Ed Sanders, 1968 #420"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kerouac, Jack","Sanders, Ed"],"creator_names_search":["Kerouac, Jack","Sanders, Ed"],"creators":["[{\"url\":\"http://viaf.org/viaf/27066713\",\"name\":\"Kerouac, Jack\",\"dates\":\"1922-1969\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/22183708\",\"name\":\"Sanders, Ed\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1968],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5849/Reading in BC_MsC199_420.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"420-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:15\",\"precision\":\"\",\"size\":\"43.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"420-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:49:40\",\"precision\":\"\",\"size\":\"52.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1968\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t006\tA panel involving Jack Kerouac, Ed Sanders and others are interviewed about the Hippy movement\n\t\t025\tInterviewer asks Saunders if he is a “hippy”; and if not, how does he differ\n\t\t047\tQuestion – “Are we to assume from this that the [Hippy] does not have a highly developed political ideology?”\n\t\t065\tThe interviewer searches for a general definition of “Hippy”\n\t\t100\t“What distinguishes the Hippy movement?”\n\t\t117\tKerouac is asked, “To what extent do you believe that the Beat generation is related to the Hippies…?”\n\t\t130\tKerouac responds about the aspects of social insurrection which have been associated with the Beat generation\n\t\t185\tAn unidentified speaker ties the concept of misanthropy to the war: suggesting that a street culture has evolved as a way of rejecting the prospects of entering the Vietnam war\n\t\t210\tA university professor searches for a comprehensive definition to the Hippy movement\n\t\t250\tAmerican politics – particularly the governments of Kennedy and Johnson are compared\n\t\t284\tKerouac is asked if he thinks Americans are disillusioned with the political process\n\t\t300\tSanders makes extensive comments about Czechoslovakia, and legitimate means of non-violent political protest\n\t\t340\tThe discussion focuses upon recent issues involving violent confrontations between police and demonstrators\n\t\t409\tKerouac – “There are people who make a rule of creating chaos, once that chaos is under way, then they can be elected as the people to take care of the chaos… these people become ‘commissars’ of violence.”\n\t\t485\tThe “psychedelic creed” of the hippy movement is examined.  A question is directed to a panel member:\n\t\t547\t“What kind of a future do you see for the Hippy movement?”\n\t\t564\t“Would any of you regard the Hippy movement … as a manifestation of the psychological inadequacies of the individual Hippies themselves?”\n\t\t591\t“Do [the Hippies] plan to make it a life-time occupation; are they just going to sit around and watch the world go by?”\n\t\t599\tEnd.  End Side One"],"Note":["[{\"note\":\"Firing Line program: panel on Hippies \",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553738543109,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5671","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Giorno Poetry Systems: Smack My Crack recorded at various times between 1984-1986 #657"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Vanel, Kurtis","Haynes, Gibby","Leary, Paul","Galas, Diamanda","Burroughs, William S.","John Giorno Band","Waits, Tom","Stein, Chris","Gysin, Brion","Cave, Nick"],"creator_names_search":["Vanel, Kurtis","Haynes, Gibby","Leary, Paul","Galas, Diamanda","Burroughs, William S.","John Giorno Band","Waits, Tom","Stein, Chris","Gysin, Brion","Cave, Nick"],"creators":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"Also known as Doug Gyseman\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/153753449\",\"name\":\"Haynes, Gibby\",\"dates\":\"\",\"notes\":\"Member of Butthole Surfers\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/66656346\",\"name\":\"Leary, Paul\",\"dates\":\"1957-\",\"notes\":\"Member of Butthole Surfers\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/122323958\",\"name\":\"Galas, Diamanda \",\"dates\":\"1955-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/108916275\",\"name\":\"Burroughs, William S.\",\"dates\":\"1914-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/121146557\",\"name\":\"John Giorno Band\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/74039179\",\"name\":\"Waits, Tom\",\"dates\":\"1949-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/66729621\",\"name\":\"Stein, Chris\",\"dates\":\"1950-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/100267599\",\"name\":\" Gysin, Brion\",\"dates\":\"1916-1986\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/270687916\",\"name\":\"Cave, Nick\",\"dates\":\"1957-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Performance_Date":[1984],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5851/Reading in BC_MsC199_657.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"657-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:32\",\"precision\":\"\",\"size\":\"42.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"657-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:36\",\"precision\":\"\",\"size\":\"43.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1984\",\"type\":\"Performance Date\",\"notes\":\"Recorded at various times & between 1984-1986\",\"source\":\"Inventory\"},{\"date\":\"1986\",\"type\":\"Performance Date\",\"notes\":\"Recorded at various times & between 1984-1986\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tTime: 23 mins.\n\t\t000\tButthole Surfers\n\t\t075\t“Boilded Dove”\n\t\t\t“Eingfurzerde Neubauten\n\t\t140\t“Adler-Komml Spater’\n\t\t\tDiamanda Galas\n\t\t330\t“Solo Live in Amsterdam”\n\t\t\tWilliam S. Burroughs\n\t\t431\t“Words of Advice” [Same old stuff, very Vampirish]\n\t\t567\t“Kim Like the Great Gatsby” [From The Western Lands] Swans\n\t\t627\t“Anything for you” [Hang Me]\n\t\t865\tSide One over\nTwo\t\t\tTime: 23:30 mins.\n\t\t000\tJohn Giorno Band\n\t\t008\t“Sucking Mud”\n\t\t\tChad & Sudan\n\t\t187\t“Cheap Energy”\n\t\t\tTom Waits\n\t\t410\t“The Pontiac”\n\t\t\tChris Stein\n\t\t490\tIndia for Brian Gysin\n\t\t\tNick Cave\n\t\t624\t“The Atra Vivago” or “The Vargus Barking Spider”\n\t\t905\tSide Two over\n"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553739591680,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5672","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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S.","[Gerrard, Mike?]","Paterson, Bill","Tafler, Jonathan","McMullen, Karen","Hodson, Steve","Durden, Richard","Learner, David","Starkey, Colin","Letts, Pauline","Fraser, Sonia"],"creator_names_search":["Johnson, B. S.","[Gerrard, Mike?]","Paterson, Bill","Tafler, Jonathan","McMullen, Karen","Hodson, Steve","Durden, Richard","Learner, David","Starkey, Colin","Letts, Pauline","Fraser, Sonia"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5854/Reading in BC_McS199_984.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"984-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:10\",\"precision\":\"\",\"size\":\"49.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"984-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:07\",\"precision\":\"\",\"size\":\"49.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-05-05\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1999\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/10811256\",\"venue\":\"BBC Radio \",\"notes\":\"\",\"address\":\"Portland Pl, London W1A 1AA, UK\",\"latitude\":\"51.51888\",\"longitude\":\"-0.14378\"}]"],"Address":["Portland Pl, London W1A 1AA, UK"],"Venue":["BBC Radio "],"City":["London, United Kingdom"],"Note":["[{\"note\":\"more about this reading: https://genome.ch.bbc.co.uk/5d5524a9f2844ca2b104dac64e500e8a\\nLast part of the second tape is about B.S. Johnson\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553739591683,"timestamp":"2026-01-07T14:59:58.173Z","creators":["[{\"url\":\"http://viaf.org/viaf/36945634\",\"name\":\"Johnson, B. S.\",\"dates\":\"1933-1973\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"\",\"name\":\"[Gerrard, Mike?]\",\"dates\":\"\",\"notes\":\"dramatist\\n\\nThis person and others are introduced on side 2 after 36:55 not sure in spelling\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"\",\"name\":\"Paterson, Bill\",\"dates\":\"\",\"notes\":\"http://www.suttonelms.org.uk/r3-1987.html\\n\\nChristie Malry’s Own Double Entry \\nBy BS Johnson, dramatised by Mike Gerrard. Christie has a strong sense of the value of money and also of injustice, so devises a system for exacting payment for the various wrongs that he is made to suffer. The debts mount up, forcing him to take extreme measures to balance his books. The Author: Bill Paterson, Christie Malry: Jonathan Tafler, Headlam: Steve Hodson, Stegginson: Richard Durden, Alan: David Learner, Wagner: Colin Starkey, The Shrike: Karen McMullen, Old Mum: Pauline Letts, Christie’s Mother: Sonia Fraser. With Susie Brann, Avril Clark, Caroline Hutchison, Deborah Makepeace, Stuart Organ, Stephen Rashbrook, Tim Reynolds, Eric Stovell, Alan Thompson. Director: Jane Morgan. (Repeated on 19 April 1988)\\n\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"\",\"name\":\"Tafler, Jonathan\",\"dates\":\"\",\"notes\":\"http://www.suttonelms.org.uk/r3-1987.html\\n\\nChristie Malry’s Own Double Entry \\nBy BS Johnson, dramatised by Mike Gerrard. Christie has a strong sense of the value of money and also of injustice, so devises a system for exacting payment for the various wrongs that he is made to suffer. The debts mount up, forcing him to take extreme measures to balance his books. The Author: Bill Paterson, Christie Malry: Jonathan Tafler, Headlam: Steve Hodson, Stegginson: Richard Durden, Alan: David Learner, Wagner: Colin Starkey, The Shrike: Karen McMullen, Old Mum: Pauline Letts, Christie’s Mother: Sonia Fraser. With Susie Brann, Avril Clark, Caroline Hutchison, Deborah Makepeace, Stuart Organ, Stephen Rashbrook, Tim Reynolds, Eric Stovell, Alan Thompson. Director: Jane Morgan. (Repeated on 19 April 1988)\\n\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"McMullen, Karen\",\"dates\":\"\",\"notes\":\"http://www.suttonelms.org.uk/r3-1987.html\\n\\nChristie Malry’s Own Double Entry \\nBy BS Johnson, dramatised by Mike Gerrard. Christie has a strong sense of the value of money and also of injustice, so devises a system for exacting payment for the various wrongs that he is made to suffer. The debts mount up, forcing him to take extreme measures to balance his books. The Author: Bill Paterson, Christie Malry: Jonathan Tafler, Headlam: Steve Hodson, Stegginson: Richard Durden, Alan: David Learner, Wagner: Colin Starkey, The Shrike: Karen McMullen, Old Mum: Pauline Letts, Christie’s Mother: Sonia Fraser. With Susie Brann, Avril Clark, Caroline Hutchison, Deborah Makepeace, Stuart Organ, Stephen Rashbrook, Tim Reynolds, Eric Stovell, Alan Thompson. Director: Jane Morgan. (Repeated on 19 April 1988)\\n\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Hodson, Steve \",\"dates\":\"\",\"notes\":\"http://www.suttonelms.org.uk/r3-1987.html\\n\\nChristie Malry’s Own Double Entry \\nBy BS Johnson, dramatised by Mike Gerrard. Christie has a strong sense of the value of money and also of injustice, so devises a system for exacting payment for the various wrongs that he is made to suffer. The debts mount up, forcing him to take extreme measures to balance his books. The Author: Bill Paterson, Christie Malry: Jonathan Tafler, Headlam: Steve Hodson, Stegginson: Richard Durden, Alan: David Learner, Wagner: Colin Starkey, The Shrike: Karen McMullen, Old Mum: Pauline Letts, Christie’s Mother: Sonia Fraser. With Susie Brann, Avril Clark, Caroline Hutchison, Deborah Makepeace, Stuart Organ, Stephen Rashbrook, Tim Reynolds, Eric Stovell, Alan Thompson. Director: Jane Morgan. (Repeated on 19 April 1988)\\n\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Durden, Richard \",\"dates\":\"\",\"notes\":\"http://www.suttonelms.org.uk/r3-1987.html\\n\\nChristie Malry’s Own Double Entry \\nBy BS Johnson, dramatised by Mike Gerrard. Christie has a strong sense of the value of money and also of injustice, so devises a system for exacting payment for the various wrongs that he is made to suffer. The debts mount up, forcing him to take extreme measures to balance his books. The Author: Bill Paterson, Christie Malry: Jonathan Tafler, Headlam: Steve Hodson, Stegginson: Richard Durden, Alan: David Learner, Wagner: Colin Starkey, The Shrike: Karen McMullen, Old Mum: Pauline Letts, Christie’s Mother: Sonia Fraser. With Susie Brann, Avril Clark, Caroline Hutchison, Deborah Makepeace, Stuart Organ, Stephen Rashbrook, Tim Reynolds, Eric Stovell, Alan Thompson. Director: Jane Morgan. (Repeated on 19 April 1988)\\n\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Learner, David \",\"dates\":\"\",\"notes\":\"http://www.suttonelms.org.uk/r3-1987.html\\n\\nChristie Malry’s Own Double Entry \\nBy BS Johnson, dramatised by Mike Gerrard. Christie has a strong sense of the value of money and also of injustice, so devises a system for exacting payment for the various wrongs that he is made to suffer. The debts mount up, forcing him to take extreme measures to balance his books. The Author: Bill Paterson, Christie Malry: Jonathan Tafler, Headlam: Steve Hodson, Stegginson: Richard Durden, Alan: David Learner, Wagner: Colin Starkey, The Shrike: Karen McMullen, Old Mum: Pauline Letts, Christie’s Mother: Sonia Fraser. With Susie Brann, Avril Clark, Caroline Hutchison, Deborah Makepeace, Stuart Organ, Stephen Rashbrook, Tim Reynolds, Eric Stovell, Alan Thompson. Director: Jane Morgan. (Repeated on 19 April 1988)\\n\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Starkey, Colin \",\"dates\":\"\",\"notes\":\"http://www.suttonelms.org.uk/r3-1987.html\\n\\nChristie Malry’s Own Double Entry \\nBy BS Johnson, dramatised by Mike Gerrard. Christie has a strong sense of the value of money and also of injustice, so devises a system for exacting payment for the various wrongs that he is made to suffer. The debts mount up, forcing him to take extreme measures to balance his books. 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The Author: Bill Paterson, Christie Malry: Jonathan Tafler, Headlam: Steve Hodson, Stegginson: Richard Durden, Alan: David Learner, Wagner: Colin Starkey, The Shrike: Karen McMullen, Old Mum: Pauline Letts, Christie’s Mother: Sonia Fraser. With Susie Brann, Avril Clark, Caroline Hutchison, Deborah Makepeace, Stuart Organ, Stephen Rashbrook, Tim Reynolds, Eric Stovell, Alan Thompson. Director: Jane Morgan. (Repeated on 19 April 1988)\\n\",\"nation\":[],\"role\":[\"Performer\"]}]"],"score":0.01643844},{"id":"5675","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Brother Antoninus reading at the Honors College, (Wesleyan University) on April 30, 1968 #658"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Everson, William"],"creator_names_search":["Everson, William"],"creators":["[{\"url\":\"https://viaf.org/viaf/41848407/\",\"name\":\"Everson, William \",\"dates\":\"1912-1994\",\"notes\":\"Also known as Brother Antoninus\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1968],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5855/Reading in BC_MsC199_658.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"658 side1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:29\",\"precision\":\"\",\"size\":\"43.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"658 side2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:26\",\"precision\":\"\",\"size\":\"44.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1968-04-30\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/9212411\",\"venue\":\"Honors College ( Wesleyan University)\",\"notes\":\"\",\"address\":\"45 Wyllys Avenue, Middletown, CT\",\"latitude\":\"41.5565\",\"longitude\":\"-72.6570\"}]"],"Address":["45 Wyllys Avenue, Middletown, CT"],"Venue":["Honors College ( Wesleyan University)"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tTime: 30.09 mins.\n\t\t000\t\n\t\t010\tTape begins in mid-reading: “The Way of Life & the Way of Death”\n\t\t128\t“First Meditation”\n\t\t233\t“Immortal Strangeness”\n\t\t760\t“Second Meditation”\n\t\t846\t“The Rose of Solitude”\n\t\t1011\tSide one ends\nTwo\t\t\tTime: 27.61 mins.\n\t\t000\t\n\t\t003\t“Third Meditation”\n\t\t036\t“From the Rock Untombed”\n\t\t142\t“The Raging of the Rose”\n\t\t408\t“Fourth Meditation”\n\t\t526\t“The face I know”\n\t\t767\t“Fifth Meditation” – More of a monologue against women\n\t\t\tOr so it seems\n\t\t846\t“The Afterglow of the Rose”\n\t\t930\tSide two ends\n"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553742737408,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5676","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Duncan lecture on imagism at UBC on February 8, 1966 #659"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Livesay, Dorothy","Duncan, Robert","Vanel, Kurtis"],"creator_names_search":["Livesay, Dorothy","Duncan, Robert","Vanel, Kurtis"],"creators":["[{\"url\":\"http://viaf.org/viaf/116854541\",\"name\":\"Livesay, Dorothy\",\"dates\":\"1909-1996\",\"notes\":\"Introduces Robert Duncan\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"Also known as Doug Gyseman\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"contributors":["[]"],"Performance_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5856/Reading in BC_MsC199_659.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"659-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:10\",\"precision\":\"\",\"size\":\"64.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"659-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:15\",\"precision\":\"\",\"size\":\"64.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966-02-08\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"University of British Columbia\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452 \"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["University of British Columbia"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tTime: 63 mins.\n\t\t0000\t\n\t\t0004\tIntroduction by Dorothy Livesay; at first inaudible, then clears up into a brief statement on post WWII interest in “Imagism”\n\t\t0014\tRobert Duncan\n\t\t0002\tBreaks into song to create an analogy for his position\n\t\t0058\tStresses his lecture on “Imagism” is a personal viewpoint\n\t\t0063\tSpeaks of the literary tradition of “Imagism”\n\t\t0071\tH.D., Pound & Williams respective ideas on Imagism as well as Joyce & Lawrence’s relation to “Imagism”\n\t\t0081\tImpressions a reader gets from an image in a poem\n\t\t\tA.T.E. Hume poem is read as an example\n\t\t0118\tThree “Main” types of Images\n\t\t0120\tCommunity Images\n\t\t0124\tMyth Images\n\t\t0210\tInvocative Images\n\t\t0279\tEliot’s use of images & many others, do not have a universe of symbols behind it – Whereas someone like Yeats utilizes images that move both backward & forward in a universe of symbols\n\t\t0360\tHistorical tradition of Imagism – Dante’s “Divine Comedy”\n\t\t0489\tPoem as an agent of seeing “-the poet sees & “reports” to us in the hope we too will see” – In this case the tension between the Christian world & the Pagan world\n\t\t0550\tThe divine force in the poet’s images\n\t\t0573\tThe different between poetic impression and Imagism – the intensity of seeing\n\t\t0700\tH.D.’s images in relation to Plato\n\t\t0790\tPainting in relation to imagery; futile attempts by such people as Picasso to be too intellectual\n\t\t0755\tH.D.’s distaste for Yeat’s mythology imagery\n\t\t0849\tPound’s imprisonment cantos & the images revealed\n\t\t0971\tAs Duncan is reading a Pound canto, the tape cuts off\n\t\t0992\tSide one over\nTwo\t\t00000\t\n\t\t005\tTape breaks in where it cut off on Side 1\n\t\t022\tDiscussion on the tones of the Cantos\n\t\t060\tThe Image of Crucifixion\n\t\t078\tEuripide’s mystery faith, the influence it had on H.D.\n\t\t120\tSins in the poetry of H.D.\n\t\t130\tDuncan opens the floor for questions\n\t\t135\tInaudible question concerning Dylan Thomas & Images.  Duncan answers there are images in everything; reads some of his own poetry, he then begins to ramble\n\t\t255\tInaudible question\n\t\t262\tInaudible question\n\t\t\tDuncan expressing his belief in the intrinsic connection between feelings & Images\n\t\t301\tSide two over\n\t\t099\tSide two ends\n"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553743785984,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5677","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["An interview with Laurie Anderson on her work in London at Riverside Studios on 11 October, 1981 #689"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Anderson, Laurie","Furlong, William"],"creator_names_search":["Anderson, Laurie","Furlong, William"],"creators":["[{\"url\":\"http://viaf.org/viaf/39646022\",\"name\":\"Anderson, Laurie\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/15025585\",\"name\":\"Furlong, William\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors":["[]"],"Performance_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5857/Reading in BC_MsC199_689 (1).jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"689-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:16:00\",\"precision\":\"\",\"size\":\"15.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"689-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:15:48\",\"precision\":\"\",\"size\":\"15.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-10-11\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/97398691\",\"venue\":\"Riverside Studios\",\"notes\":\"\",\"address\":\"Crisp Road, Brook Green, London Borough of Hammersmith and Fulham, London, Hammersmith, Greater London, England, W6 9RG, United Kingdom\",\"latitude\":\"51.48877\",\"longitude\":\"-0.22826\"}]"],"Address":["Crisp Road, Brook Green, London Borough of Hammersmith and Fulham, London, Hammersmith, Greater London, England, W6 9RG, United Kingdom"],"Venue":["Riverside Studios"],"City":["London, United Kingdom"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t004\tAnderson is asked about the filters which distill experience\n\t\t015\tThe influence of memory and the use of multi-media is discussed\n\t\t040\tAnderson talks about the significance of using different voices\n\t\t112\tAnderson is asked about the use of technology in her work\n\t\t119\tAnderson talks about the ground of the music and her use of language\n\t\t175\tAnderson says that a lot of her songs could be construed as love songs and talks about how the notion of “love song” need not be (and in fact, isn’t in her music) confined to the traditional romantic schlock.  She also talks about codes, direction and structure\n\t\t195\tAnderson talks about visual images used on stage.  She talks about songs which are stories about work\nTwo\t\t000\t\n\t\t004\tAnderson talks about the importance of art as social criticism and the dangers of didacticism\n\t\t028\tAnderson is asked whether her process is an analogy to the process by which information is conveyed\n\t\t035\tAnderson talks about her work as a process of re-coding and re-filtering.  She acknowledges that her presentations are biased (which is exactly what the mass media wants to deny about itself)\n\t\t047\tAnderson is asked about how the artist can actually intervene in culture with their work\n\t\t056\tAnderson talks about the variety of audiences (in America) and her hope that artists will enter their own culture and use the existing (technological) networks\n\t\t133\tAnderson talks about the freedom of being an artist\nTwo\t\t143\tAnderson is asked if artists entering the media face the danger of having to conform to someone else’s rules\n\t\t150\tAnderson talks about her horrifying experience with NBC who were forced to do cultural specials\n\t\t174\tAnderson is asked about her interest in Burroughs and where it is leading her in her work\n"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553743785985,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5678","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Poetry reading by Robert Duncan: Knowplace, tape 1 of 2 #691"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert"],"creator_names_search":["Duncan, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5858/Reading in BC_MsC199_691.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"691-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:30\",\"precision\":\"\",\"size\":\"38.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"691-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:31\",\"precision\":\"\",\"size\":\"36.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t010\tVarious comments made in preparation for Bending the Bow “Structures of Rime”\n\t\t035\t“Structure of Rhime XXII”\n\t\t060\tEnd\n\t\t065\t“Structure of Rime XXIII”\n\t\t079\tEnd\n\t\t082\t“Structure of Rime XXIV”\n\t\t108\tEnd\n\t\t110\t“Structure of Rime XXV”\n\t\t130\tEnd\n\t\t136\t“An Illustration, Passages 20 (Structures of Rime XXVI)”\n\t\t173\tEnd\n\t\t180\tDuncan explains the genesis of “Structure”\n\t\t190\tDuncan talks about his first poetry workshop – 1953 – including experience with Helen Adam and Norman McLeod\n\t\t245\t“Figures of Speech” – a long poem concerning Blake’s imagery\n\t\t311\tEnd\n\t\t315\tDuncan makes general comments about poetry authenticity, and Jack Spicer\n\t\t330\tUnidentified poem – dedicated to Charles Olson\n\t\t360\tEnd\n\t\t362\tDuncan makes various comments about the sequence of his reading which is interrupted by the end of Side One\n\t\t379\tEnd\nTwo\t\t000\tDuncan talks about experience with “Black Mountain”\n\t\t045\t“At the End of a Period”\n\t\t097\tEnd\n\t\t098\t“Palace Athene”\n\t\t119\tEnd\n\t\t134\t“Question”\n\t\t165\tEnd\n\t\t178\t“Doves”\n\t\t220\tEnd\n\t\t230\tDuncan talks about orthodox criticism and some of the mythological roots of his poetry\n\t\t258\t“Cyparissus”\n\t\t308\tEnd\n\t\t338\t“A shrine to Ameinias”\n\t\t390\tEnd\n"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553743785986,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5679","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Poetry reading by Robert Duncan: Knowplace, tape 2 of 2 #692"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert"],"creator_names_search":["Duncan, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5859/Reading in BC_MsC199_692.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"692-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:53:02\",\"precision\":\"\",\"size\":\"51.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"692-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:10\",\"precision\":\"\",\"size\":\"36.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t006\tTape begins with Duncan reading “The Envoy”\n\t\t030\tDuncan talks about “The Structure of Rime (1956)” (begun while he was at Black Mountain) and about his work in general\n\t\t118\tDuncan finally begins reading “The architecture/it must have recesses…”\n\t\t314\tShort break\n\t\t329\t“The Ballad of Mrs. Noah”\n\t\t370\tShort break\n\t\t380\t“Variations on Two Dicta of William Blake”\n\t\t462\tEnd of Side One\nTwo\t\t000\t\n\t\t007\tTape begins – Duncan explains that he will read Passages XXX; XXXI; XXXII and “Epilogos”\n\t\t016\t“Stage directions/it’s not so/not strictly so…”\n\t\t148\tShort break\n\t\t155\tXXXI – “The Concert” – “Out of the sun/and the dispersing stars”\n\t\t211\t“Ancient Reveries and Declamations”\n\t\t307\t“Epilogos” – “And as an old man come forward into speech…”\n\t\t382\tApplause and after-reading chitchat\n"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553743785987,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5680","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Berkeley Poetry Conference Part 15: Charles Olson reading and lecture on July 23rd, 1965 tape 3 of 3 #527"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Olson, Charles"],"creator_names_search":["Olson, Charles"],"creators":["[{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Author\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5860/527.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"527-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:12\",\"precision\":\"\",\"size\":\"57.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"527-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:49\",\"precision\":\"\",\"size\":\"53.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07-23\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2833528\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Berkeley, California, USA\",\"latitude\":\"37.8705\",\"longitude\":\"-122.2826\"}]"],"Address":["Berkeley, California, USA"],"City":["Berkeley, California"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tOlson continues his discussion from tape #526, p. 51\n\t\t038\tReads from Maximus, “Letter 2”, p. 52\n\t\t041\tGap in recording.  New reel begins in the middle of “Letter 9”, p. 57\n\t\t062\tBegins reading “Letter 10”, digresses. P. 53\n\t\t158\tReads Maximus “Letter 10”, p. 55\n\t\t235\tInvites anyone who is tired to leave\n\t\t265\tTalks about “To Gerhardt, There, Among Europe’s Things of Which He Has Written Us in His ‘Brief on Creeley and Olson’” p. 58\n\t\t358\tIntroduces “On first looking out of Juan de la Cosas eyes”, p.60\n\t\t390\tReads “On First looking out of Juan de la Cosas eyes”, p. 60; interrupts reading to talk about various topics, p.62\n\t\t667\tIntermission\n\t\t700\tContinues reading “On first looking out of Juan de la Cosa’s eyes”, p. 67\n\t\t718\tInterrupts reading to discuss opinions on the Sistene Chapel, the Vatican, etc.\n\t\t845\tSide one ends\nTwo\t\t006\tContinues reading poem (p.69), with various digressions\n\t\t240\tTape ends"],"Note":["[{\"note\":\"The Berkeley Poetry Conference Part 15 July 23rd, 1965\\nCharles Olson Tape 3 of 3\\nSide 5 44:55 min\\nSide 6 37:40 min\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553744834560,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5681","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Vancouver CBC program: Margaret Atwood interview with Vicki Gabereau discussing The Handmaids Tale, Life in England, and The Canlit Cookbook, October 1985 #528"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Atwood, Margaret","Gabereau, Vicki"],"creator_names_search":["Atwood, Margaret","Gabereau, Vicki"],"creators":["[{\"url\":\"http://viaf.org/viaf/109322990\",\"name\":\"Atwood, Margaret\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Author\"]},{\"url\":\"http://viaf.org/viaf/104844374\",\"name\":\"Gabereau, Vicki\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\",\"Presenter\"]}]"],"contributors":["[]"],"Publication_Date":[1986],"Performance_Date":[1985],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5861/528.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"528-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:17\",\"precision\":\"\",\"size\":\"29.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"528-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:54\",\"precision\":\"\",\"size\":\"20.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-10\",\"type\":\"Performance Date\",\"notes\":\"Original recording happened on Oct 1985\",\"source\":\"J-card\"},{\"date\":\"1986-05-19\",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/50259713\",\"venue\":\"CBC Vancouver\",\"notes\":\"\",\"address\":\"700 Hamilton Street Vancouver, British Columbia V6B 4A2\",\"latitude\":\"49.27915495\",\"longitude\":\"-123.11434125336939\"}]"],"Address":["700 Hamilton Street Vancouver, British Columbia V6B 4A2"],"Venue":["CBC Vancouver"],"City":["Hamilton, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction by Vicki Gabereau\n\t\t023\tBeginning of discussion of The Hand Maid’s Tale\n\t\t032\tBook based on some real life developments, as reported in newspapers\n\t\t044\tStory set in Cambridge, Mass.; “the wall is the wall around Howard yard…”\n\t\t048\tDescription of Canadian and American covers\n\t\t068\tGroups like the “Moral Majority” would be eliminated by a powerful sect like the one depicted in the back\n\t\t080\tWhat would become of non-fertile women in such a regime\n\t\t\tWhat is going on in Canada While events unfold around Howard; the top of the “underground female-road”; Canada’s official position in neutral\n\t\t125\tPossible reactions to the book of U.S. women\n\t\t138\t“We take our freedom for granted…”\n\t\t157\tLiquid cash done away with in the book; any power group in control of appartatus can freeze individual’s assets over night\n\t\t174\t“A Coventry Carol” is introduced and played\n\t\t221\tInterview continues: Atwood wrote book in England\n\t\t274\tFinds it easier to write books outside of Canada\n\t\t302\tTalks about being a poor typist, taking Home Economics in school, etc.\n\t\t340\tAtwood introduces Offenbach piece, which is played\n\t\t403\tInterview resumes: Atwood’s involvement in P.E.N.; the Can-Lit Cookbook as a fundraiser\n\t\t450\tAnother fund raising idea\n\t\t477\tTalks about annoying questions from non-writing public\n\t\t511\tTalks about West Berlin where Atwood started The Handmaid’s Tale\n\t\t534\tTalks about learning German\n\t\t564\tTalks about current activities, past jobs, etc.\n\t\t608\tSong “I don’t want your millions, mister” is introduced and played (Atwood interview is over)"],"Note":["[{\"note\":\"Margaret Atwood on \\\"Gabereau\\\"\\nGabereau May 19, 1986\\nMargaret Atwood Discussing The Handmaids Tale, Life in England, The Canlit Cookbook\\nOriginally Broadcast October 1985 \\nHas some crackles due to thunderstorm\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553744834561,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5682","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Tony Towle reading at the New York YM-YWHA on November 25, 1968 #529"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Towle, Tony"],"creator_names_search":["Towle, Tony"],"creators":["[{\"url\":\"http://viaf.org/viaf/92742473\",\"name\":\"Towle, Tony\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1968],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5863/529.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"529-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:18:44\",\"precision\":\"\",\"size\":\"19.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"529-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:14:50\",\"precision\":\"\",\"size\":\"15.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1968-11-25\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/3729655969\",\"venue\":\"YM-YWHA Poetry Center\",\"notes\":\"\",\"address\":\"1395 Lexington Ave, New York, NY 10128, United States\",\"latitude\":\"40.78306\",\"longitude\":\"-73.95277\"}]"],"Address":["1395 Lexington Ave, New York, NY 10128, United States"],"Venue":["YM-YWHA Poetry Center"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tTony Towle reads selections from his poems\n\t\t000\tMcGraw-Hill warning against unauthorized use of poems on tape; introduction of the poet\n\t\t030\tTony Towle reads “George Towle”\n\t\t052\t“Poem: for Frank Lima”\n\t\t075\t“Poem: North”\n\t\t100\t“Poem” (“Today is Thursday…”)\n\t\t115\t“(For Bob, Diane, Henry, Irma and Myself)”\n\t\t142\t“Poets, Inc.: For Kenward Elmslie”\n\t\t160\t“For Irma During April”\n\t\t184\t“Daybreak”\n\t\t212\t“The Country Life”\n\t\t284\t“Occasional Poem”\n\t\t302\tSide one ends\nTwo\t\t000\t“Water Island: July 25, 1968”\n\t\t027\t“Poem” (“Custard voices and sunrise”)\n\t\t040\t“The City in the Throes of Despair”\n\t\t063\t“Untitled”\n\t\t102\t“Notes on Velasquez”\n\t\t116\t“Macy’s”\n\t\t142\t“Poem” (“Here we all are…”)\n\t\t152\t“The Allegorical Figure of Brooklyn\n\t\t162\t“Spring”\n\t\t185\t“Minutes Pass”\n\t\t195\t“November 25, 1968”\n\t\t215\t“Music”\n\t\t224\tEnd of reading"],"Note":["[{\"note\":\"Tony Towle Reading at The New York YM/YWHA November 25th, 1968\\nSide 1 18:20\\nSide 2 14:10\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553744834562,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5683","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Essay on Romeo and Juliet by Robert Duncan in Vancouver, 1972 tape 1 of 2  #693\n"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert","Tallman, Warren"],"creator_names_search":["Duncan, Robert","Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"Warren Tallman opens with comments on Robert Duncan\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1972],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5864/Reading in BC_MsC199_693.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"693-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:26\",\"precision\":\"\",\"size\":\"39.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"693-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:22\",\"precision\":\"\",\"size\":\"38.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1972\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\"49.2553\",\"longitude\":\"-123.1128\"}]"],"Address":["Vancouver, BC, Canada"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0002\nWarren Tallman opens with comments on Robert Duncan\n0077\nDuncan begins to talk\n0100\nDuncan explains his motivation to write about Romeo and Juliet\n0146\nOn the concept of the ‘Kick-Baby’\n0230\nDuncan’s goal is to determine “What is mystery when it leaves religion, when it leaves most of the places we thought of it as being in, and enters poetry?”\n0258\nDuncan feels that the play was written at a time when an intellectual cult arose around poetry, around 1590\n0309\nDuncan reads two prologues, first the quarto version, then the folio\n0391\nEnd of Side One\nTwo\n0000\n0047\nDuncan makes reference to Roman Catholic theology and its place in Romeo and Juliet\n0080\nThe prince, says Duncan, represents government\n0120\nOn Olson, his attitude toward field theory, poetics , and his relationship to Duncan\n0200\nDuncan makes some comments about J. Spicer\n0275\nDuncan reflects on the nature of the poetic and the rhythm of the poetic\n0358\n“I read a second phase in the poetry,” notes Duncan, “after the enchantment or pleasures or marvel, the poet as hero opens the door upon the consciousness” (of ill, sorrow, etc.)\n0365\nEnd of Side Two"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553744834563,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5684","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Twelve American text Sound pieces, 1962-1973 #530"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Dodge, Charles","Coolidge, Clark","Cage, John","Giorno, John","Ashley, Robert","Anderson, Beth","Gysin, Brion","O'Gallagher, Liam","Saroyan, Aram","Amirkhanian, Charles","Gnazzo, Anthony"],"creator_names_search":["Dodge, Charles","Coolidge, Clark","Cage, John","Giorno, John","Ashley, Robert","Anderson, Beth","Gysin, Brion","O'Gallagher, Liam","Saroyan, Aram","Amirkhanian, Charles","Gnazzo, Anthony"],"creators":["[{\"url\":\"http://viaf.org/viaf/74050891\",\"name\":\"Dodge, Charles\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/66488556\",\"name\":\"Coolidge, Clark\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/71577292\",\"name\":\"Cage, John\",\"dates\":\"1912-1992\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/84168002\",\"name\":\"Giorno, John\",\"dates\":\"1936-2019\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/86848770\",\"name\":\"Ashley, Robert\",\"dates\":\"1930-2014\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/199015\",\"name\":\"Anderson, Beth\",\"dates\":\"1950-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\" http://viaf.org/viaf/100267599\",\"name\":\"Gysin, Brion\",\"dates\":\"1916-1986\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/75314232\",\"name\":\"O'Gallagher, Liam\",\"dates\":\"1917-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/64104835\",\"name\":\"Saroyan, Aram\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/7489149108420668780004\",\"name\":\"Amirkhanian, Charles\",\"dates\":\"1945-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/345148752072841201128\",\"name\":\"Gnazzo, Anthony\",\"dates\":\"1945-1988\",\"notes\":\"Role mentioned as \\\"Vocalist\\\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Performance_Date":[1972],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5866/530.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"530-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:11\",\"precision\":\"\",\"size\":\"45.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"530-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:28:59\",\"precision\":\"\",\"size\":\"42.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1972\",\"type\":\"Performance Date\",\"notes\":\"Charles Amirkhanian reading\",\"source\":\"J-card\"},{\"date\":\"1973\",\"type\":\"Performance Date\",\"notes\":\"Charles Amirkhanian reading\",\"source\":\"J-card\"},{\"date\":\"1968\",\"type\":\"Performance Date\",\"notes\":\"Clark Coolidge reading\",\"source\":\"J-card\"},{\"date\":\"1971\",\"type\":\"Performance Date\",\"notes\":\"John Cage reading\",\"source\":\"J-card\"},{\"date\":\"1967\",\"type\":\"Performance Date\",\"notes\":\"John Giorno reading\",\"source\":\"J-card\"},{\"date\":\"1969\",\"type\":\"Performance Date\",\"notes\":\"Anthony Gnazzo reading\",\"source\":\"J-card\"},{\"date\":\"1973\",\"type\":\"Performance Date\",\"notes\":\"Charles Dodge reading\",\"source\":\"J-card\"},{\"date\":\"1972\",\"type\":\"Performance Date\",\"notes\":\"Robert Ashley reading 1972-1973\",\"source\":\"J-card\"},{\"date\":\"1973\",\"type\":\"Performance Date\",\"notes\":\"Robert Ashley reading 1972-1973\",\"source\":\"J-card\"},{\"date\":\"1973\",\"type\":\"Performance Date\",\"notes\":\"Beth Anderson reading\",\"source\":\"J-card\"},{\"date\":\"1962\",\"type\":\"Performance Date\",\"notes\":\"Brion Gysin reading\",\"source\":\"J-card\"},{\"date\":\"1970\",\"type\":\"Performance Date\",\"notes\":\"Liam O'Gallagher reading\",\"source\":\"J-card\"},{\"date\":\"1965\",\"type\":\"Performance Date\",\"notes\":\"Aram Saroyan reading\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tJust – Charles Amirkhanian\n\t\t098\tHeavy aspirations – Amirkhanian\n\t\t242\tPreface – Clark Coolidge\n\t\t395\t62 mesostics re Merce Cunningham – John Cage\n\t\t590\tGive it to me, baby – John Giorno\n\t\t817\tThe population explosion – Anthony Gnazzo\nTwo\t\t000\tSpeech songs (No.1 when I am with you) – Charles Dodge\n\t\t036\tSpeech songs (No.2 He destroyed her image) – Dodge\n\t\t082\tIn Sara, Mencken, Christ and Beethoven there were men and women – Robert Ashley\n\t\t172\tTorero piece – Beth Anderson\n\t\t266\tCome to free the words – Brion Gyson\n\t\t360\tBorder dissolve in audio space – Liam O’Gallagher\n\t\t796\tCrickets – Aram Saroyan"],"Note":["[{\"note\":\"Side 1 27:59\\nSide 2 27:25\",\"type\":\"General\"},{\"note\":\"I am not sure if there is a quality issue or if the sound is echoing intentionally\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553744834564,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5685","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Essay on Romeo and Juliet by Robert Duncan in Vancouver, 1972 tape 2 of 2 #694"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert"],"creator_names_search":["Duncan, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1972],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5867/Reading in BC_MsC199_694.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"694-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:57\",\"precision\":\"\",\"size\":\"36.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"694-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:56\",\"precision\":\"\",\"size\":\"36.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1972\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\"49.2553\",\"longitude\":\"-123.1128\"}]"],"Address":["Vancouver, BC, Canada"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0010\nA break is taken\n0148\nNotes on night, dark, and stars\n0246\nAnother break\n0320\nDuncan resumes with discussion of the sun and moon in relation to Romeo and Juliet\n0335\nOn the significance of ‘day’ and ‘awareness’\n0446\nOn Shakespeare as the theatre of what Dali called the paranoiac image\n0495\nA joke is made regarding the true author of Shakespeare’s works, among others\n0503\nAnother joke, this time at the expense of Freud\n0505\nTape ends\nTwo\n0000\n0015\n“Again and again, Shakespeare makes us self-conscious of the appearances and masks of what is not what it seems to be”\n0020\nDuncan goes on to discuss puns in Romeo and Juliet\n0235\nOn the transmutation in meaning from: “I am a pretty piece of flesh” to “I do but keep the peace”\n0303\nThe reworking of the prince’s admonition speech in the first section is discussed\n0355\n“There can only be one thing that Shakespeare is concealing,” notes Duncan,” …the nature of Christ and God…” The Christian mystery may be deepest of all mysteries\n0444\nTape ends abruptly"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553745883136,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5686","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Allen Ginsberg and Peter Orlovsky performance and reading at [UBC?], [1976?] #695"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ginsberg, Allen","Orlovsky, Peter","Persky, Stan"],"creator_names_search":["Ginsberg, Allen","Orlovsky, Peter","Persky, Stan"],"creators":["[{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Performer\"]},{\"url\":\"http://viaf.org/viaf/34654554\",\"name\":\"Orlovsky, Peter\",\"dates\":\"1933-2010\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/57448780\",\"name\":\"Persky, Stan\",\"dates\":\"1941-\",\"notes\":\"Introducer\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[0],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5868/Reading in BC_MsC199_695.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"695-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:15\",\"precision\":\"\",\"size\":\"39.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"695-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:20\",\"precision\":\"\",\"size\":\"39.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"[1976?]\",\"type\":\"Performance Date\",\"notes\":\"Exact performance date is uncertain: [1976?]\",\"source\":\"Inventory\"},{\"date\":\"1969\",\"type\":\"Performance Date\",\"notes\":\"\\nExact performance date is uncertain: [1964-1969?].\\n\\nAudio indicates that this performance happened after 1963, and given that Allen Ginsberg singing William Blake was recorded and released as an album in 1969/1970, this performance was certainly before 1969.\",\"source\":\"Audio\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"[University of British Columbia?]\",\"notes\":\"There is a question mark beside\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["[University of British Columbia?]"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t009\tStan Persky opens with comments about the need for unity and democracy in society and of Ginsberg’s reflection of this in his poetry – then Ginsberg is introduced\n\t\t043\tGinsberg begins by singing a song from Blake’s Song of Innocence and Experience : The Echoing Green\n\t\t102\tA song called ‘The Lamb’, also from Blake\n\t\t132\t‘The Chimney Sweeper’\n\t\t180\tGinsberg relates the last time he read poetry in Vancouver in 1963\n\t\t194\tGinsberg wants to begin where he left off in 1963, with ‘Television was a baby crawling toward that death chamber’\n\t\t509\tEnd of Side One\nTwo\t\t000\t\n\t\t007\tContinuation of ‘Television was a baby crawling toward that death chamber’\n\t\t139\tEnd of the poem\n\t\t140\tMusic begins and Ginsberg and Orlovsky begin singing ‘Hare Krishna’\n\t\t257\tSong ends\n\t\t266\tGinsberg reads ‘Morning’ (1963)\n\t\t292\tEnd of ‘Morning’\n\t\t294\tGinsberg reads ‘I am a victim of telephone’ (June 20, 1964)\n\t\t317\tGinsberg reads ‘Today’ (July 21, 1964)\n\t\t403\tEnd of ‘Today’\n\t\t408\tGinsberg reads ‘Message II’ (March 1965)\n\t\t422\tEnd of ‘Message II’\n\t\t424\tGinsberg reads ‘Kral Majales’ (May 7, 1965)\n\t\t471\tEnd of ‘Kral Majales’\n\t\t472\tEnd of tape\n"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553745883137,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5687","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. 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Stanley reads ‘Noise’\n\t\t190\tEnd of ‘Noise’\n\t\t191\tStanley reads ‘The Secretary’\n\t\t278\tEnd of ‘The Secretary’\n\t\t285\tStanley now reads a prose piece, ‘Missing Mass’\n\t\t524\tEnd of ‘Missing Mass’\n\t\t534\tStanley reads ‘Lamanet’\n\t\t555\tEnd of ‘Lament’\n\t\t560\tConcluding comments from Warren Tallman\n\t\t564\tEnd of tape\nTwo\t\t\tSide two is blank\n"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553745883138,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5688","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. 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It's just a guessed location \",\"address\":\"[Vancouver, BC, Canada?]\",\"latitude\":\"49.2575\",\"longitude\":\"-123.1142\"}]"],"Address":["[Vancouver, BC, Canada?]"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t010\tWarren Tallman makes an introduction for Diane Di Prima\n\t\t020\tDi Prima says she will begin with a recent piece, called “Hymn”\n\t\t076\tEnd of “Hymn”\n\t\t082\tDi Prima now reads “Song for Spring Equinox”\n\t\t109\tEnd of “Song for Spring Equinox”\n\t\t120\tDi Prima talks about “American-Political Oriented Poems”, and her reasons for them\n\t\t138\tDi Prima reads “Goodbye Nkrumah”\n\t\t170\tEnd of “Goodbye Nkrumah”\n\t\t177\tDi Prima reads “Ode to Keats” \n\t\t238\tEnd of “Ode to Keats”\n\t\t244\tDi Prima relates her experiences living at Timothy Leary’s estate for 3 or 4 months\n\t\t256\tDi Prima reads “A Counterspell to Millbrook, First Day of Winter”\n\t\t281\tEnd of “A Counterspell to Millbrook, First Day of Winter”\n\t\t287\tDi Prima reads “In Memory of My First Chapatis”\n\t\t300\tEnd of “In Memory of My First Chapatis”\n\t\t313\tDi Prima reads “The Yeoman of the Guard”\n\t\t322\tEnd of “The Yeoman of the Guard”\n\t\t325\tDi Prima reads “The Beach”\n\t\t337\tEnd of “The Beach”\n\t\t340\tDi Prima reads “The Jungle”\n\t\t384\tEnd of “The Jungle”\n\t\t386\tEnd of Side One\nTwo\t\t000\t\n\t\t010\tDi Prima reads “First Snow, Kerhonkson”\n\t\t026\tEnd of “First Snow, Kerhonkson”\n\t\t032\tDi Prima discusses her time at the New York Poets Theatre\n\t\t043\tDi Prima reads “Theatre Poem #1”\n\t\t056\tEnd of “Theatre Poem #1”\n\t\t059\tNow she reads “Theatre Poems #4 and #5”\n\t\t083\tEnd of “Theatre Poems #4 and #5”\n\t\t101\tDi Prima reads “Combination Theatre Poem and Birthday Poem for Ten People”\n\t\t184\tEnd of “Combination…”\n\t\t192\tDi Prima reads “Buddhist New Year Song”\n\t\t212\tEnd of “Buddhist New Year Song”\n\t\t220\tDi Prima reads “Note to John Wieners”\n\t\t230\tEnd of “Note to John Wieners”\n\t\t239\tDi Prima reads “To the Unnamed Buddhist Nun Who Burned Herself to Death on the Night of June 3, 1966”\n\t\t246\tEnd of “To the Unnamed Buddhist Nun…”\n\t\t261\tAnother political poem, “Rant, from a Cool Place”\n\t\t294\tEnd of “Rant, from a Cool Place”\n\t\t298\tDi Prima reads “Ode to Elegance”\n\t\t325\tEnd of “Ode to Elegance”\n\t\t326\tEnd of tape\n"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553746931715,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5694","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. 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End Side One\nTwo\t\t000\t\n\t\t002\tA poem in mid-progress, title unknown.  It is difficult to tell whether or not this is one long poem, or a series of poems\n\t\t090\tEnd\n\t\t092\tKyger begins a series of poems, written after Christmas\n\t\t195\tEnd\n\t\t196\t“Monday Evening”\n\t\t226\tEnd\n\t\t230\t“A Few Dialogues”\n\t\t254\tEnd\n\t\t262\t“The Yoga of the Dream State”\n\t\t334\tEnd.  Applause\n\t\t342\tEND SIDE TWO\n"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553746931716,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5695","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. 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Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Fast Speaking Woman: Anne Waldman reading at St. Mark’s Church on September 28, 1974 #531b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright 1977 by Anne Waldman and S Press Tonbandverlag, Dusseldorf/Munchen, West Germany"],"creator_names":["Waldman, Anne","Köhler, Michael"],"creator_names_search":["Waldman, Anne","Köhler, Michael"],"creators":["[{\"url\":\"http://viaf.org/viaf/84079610\",\"name\":\"Waldman, Anne\",\"dates\":\"1945-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/114331797\",\"name\":\"Köhler, Michael\",\"dates\":\"1946-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"contributors":["[]"],"Performance_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5990/Reading in BC_MsC199_531b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"531_2-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:20\",\"precision\":\"\",\"size\":\"41.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"531_2-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:21\",\"precision\":\"\",\"size\":\"43.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974-09-28\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/700521658\",\"venue\":\"St. Mark's Church\",\"notes\":\"\",\"address\":\"131 E 10th St, New York, NY 10003, United States\",\"latitude\":\"42.99188\",\"longitude\":\"-76.07456\"}]"],"Address":["131 E 10th St, New York, NY 10003, United States"],"Venue":["St. Mark's Church"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tWhite eyes\n\t\t335\tBrinks of fame\n\t\t424\tNon stop\n\t\t489\tFast speaking woman"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553747980288,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5697","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robin Blaser reading at UBC on February 10, 1966 Duplicate 2 #533 "],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[RB_533]"],"rights":["In Copyright (InC)"],"access":["Streaming"],"creator_names":["Tallman, Warren","Blaser, Robin","Vanel, Kurtis"],"creator_names_search":["Tallman, Warren","Blaser, Robin","Vanel, Kurtis"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"Robin Blaser is introduced by Warren Tallman. It is uncertain if he was the presenter for the rest of the event\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"contributors":["[]"],"Performance_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5991/Reading in BC_MsC199_533.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/rbr-174/rb533a\",\"file_path\":\"\",\"filename\":\"533-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:13\",\"precision\":\"\",\"size\":\"40.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/rbr-175/rb533b\",\"file_path\":\"\",\"filename\":\"533-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:17\",\"precision\":\"\",\"size\":\"40.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966-02-10\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2602\",\"longitude\":\"-123.2458\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction\n\t\t041\t“Cups” One\n\t\t052\tTwo\n\t\t060\tThree\n\t\t070\tFour\n\t\t076\tFive\n\t\t081\tSix\n\t\t090\tSeven\n\t\t101\tEight\n\t\t117\tNine\n\t\t126\tTen\n\t\t134\tEleven\n\t\t155\tTwelve\n\t\t170\t“The Park’ : “Cleo on the Section Gang…”\n\t\t177\t“The whir of traffic…”\n\t\t184\t“The soft step…”\n\t\t189\t“He follows…”\n\t\t195\t“Around us…”\n\t\t198\t“She went down…”\n\t\t203\t“She beat on the floor…”\n\t\t208\t“She bent over…”\n\t\t211\t“Sights float…”\n\t\t213\t“True and false…”\n\t\t215\t“The idiot…”\n\t\t223\t“Tincans smashed…”\n\t\t232\t“The oath between us…”\n\t\t237\t“From a high shelf…”\n\t\t245\t“The Faerie queen”: “An appearance”\n\t\t251\t“Metamorphoses”\n\t\t1257\t“So”\n\t\t268\t“From a Fortune Cookie”\n\t\t273\t“The Sphinx”\n\t\t281\t“For Gustave Moreau”\n\t\t290\t“The holy forest”: “A Flick”\n\t\t300\t“In a dark…”\n\t\t304\t“The Prince…”\n\t\t311\t“Love…”\n\t\t317\t“The Private Eye”\n\t\t330\t“Song”\n\t\t336\t“A Literalist”\n\t\t344\t“The Literalist”\n\t\t347\t“Between”\n\t\t351\t“The Borrower”\n\t\t358\t“Translation”\n\t\t365\t“First Tale”\n\t\t372\t“Second Tale”\n\t\t380\t“Third Tale”\n\t\t403\t“At Last”\n\t\t413\t“Winter Words”\n\t\t422\t“The Stories”\n\t\t434\t“Awake”\n\t\t440\t“Enfant Terrible”\n\t\t447\t“The Lot”\n\t\t457\t“Psyche”\n\t\t478\t“Supper Guest”\n\t\t487\t“The Medim”\n\t\t506\t“O-friend’\n\t\t531\t“Image-Nation 2”\n\t\t545\t“Invisible Pencil”\n\t\t556\t“Image-Nation 3”\n\t\t573\t“Sophia Nichols”\n\t\t609\t“Atlantis”\n\t\t637\t“My Dear_____”\n\t\t654\t“Paradise Quotations”\n\t\t684\t“it it it it”\n\t\t701\t“Salut”\nTwo\t\t000\t“The City”\n\t\t009\t“Orpheus”\n\t\t021\t“Saturn”\n\t\t033\t“Image-Nation 3”\n\t\t046\t“The Translator: a Tale”\n\t\t059\t“Les Chimeres”: “The Shadow”\n\t\t068\t“Myrthro”\n\t\t077\t“Horus”\n\t\t087\t“Delfica”\n\t\t094\t“Artemis”\n\t\t105\t“Christ among the olives”: One\n\t\t115\tTwo\n\t\t125\tThree\n\t\t134\tFour\n\t\t142\tFive\n\t\t151\t“Golden Poem”\n\t\t160\t“Here…”\n\t\t166\t“Image-Nation 1”\n\t\t179\t“A Gift (homage to Robert Creeley)”"],"Note":["[{\"note\":\"Robert Blaser reading at UBC, Feb 10, 1966\\nIntroduced by Warren Tallman\\nCups\\nThe Park\\nFairy Queen\\nThe Holy Forest\\nLes Chimeres\\nChrist among the olives\\nRecorded by Kurtis Vanel\\nSide 1 36:20\\nSide 2 37:20\",\"type\":\"General\"},{\"note\":\"This cassette is a duplicate of #234a.\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670553749028864,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5698","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Dial-A-Poem Poets: various poets reading, part 2 of 2 #536b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Brownstein, Michael","Coolidge, Clark","Cage, John","Gysin, Brion","O'Hara, Frank","Brainard, Joe","Mayer, Bernadette","Sinclair, John","Waldman, Anne","Henderson, David","Heathcote, William","Seale, Bobby","Cleaver, Kathleen","Ginsberg, Allen","Carroll, Jim"],"creator_names_search":["Brownstein, Michael","Coolidge, Clark","Cage, John","Gysin, Brion","O'Hara, Frank","Brainard, Joe","Mayer, Bernadette","Sinclair, John","Waldman, Anne","Henderson, David","Heathcote, William","Seale, Bobby","Cleaver, Kathleen","Ginsberg, Allen","Carroll, Jim"],"creators":["[{\"url\":\" http://viaf.org/viaf/91276819\",\"name\":\"Brownstein, Michael\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/66488556\",\"name\":\"Coolidge, Clark\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/71577292\",\"name\":\"Cage, John\",\"dates\":\"1912-1992\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/100267599\",\"name\":\"Gysin, Brion\",\"dates\":\"1916-1986\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/51698966\",\"name\":\"O'Hara, Frank\",\"dates\":\"1926-1966\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/91270464\",\"name\":\"Brainard, Joe 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Bobby\",\"dates\":\"1936-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/64209046\",\"name\":\"Cleaver, Kathleen\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/14783289\",\"name\":\"Carroll, Jim\",\"dates\":\"1950-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5992/Reading in BC_MsC199_536b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"536-part-2-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:33\",\"precision\":\"\",\"size\":\"31.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"536-part-2-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:22\",\"precision\":\"\",\"size\":\"31.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t000\tFrank O’Hara – Ode to Joy\n\t\t027\tFrank O’Hara – To Hell with it\n\t\t053\tJoe Brainard – excerpt from I Remember\n\t\t101\tClark Coolidge – small inventions : Suite V (Plurals)\n\t\t125\tJim Carroll – excerpts from The Basketball Diaries\n\t\t167\tJohn Cage – Mushroom Haiku\n\t\t227\tBernadette Mayer – These stories about after the revolution\n\t\t251\tMichael Brownstein – Geography\n\t\t341\tBrion Gysin – I am that I am\n\t\t379\tJohn Sinclair – The Destruction of America\n\t\t460\tAnne Waldman – Holy City\n\t\t489\tHeathcote Williams – I will not apy taxes until\n\t\t566\tDavid Henderson – The Louisiana weekly No.1\n\t\t601\tBobby Seale – excerpt from Fillmore East Speech\n\t\t649\tKathleen Cleaver – excerpt from Fillmore East Speech…\n\t\t708\tAllen Ginsberg – Blake Song: Merrily we welcome in the year"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553749028865,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5699","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["A Potpourri of Poetry: Allen Ginsberg, Anne Waldman, Ted Berrigan, Michael Brownstein, Chögyam Trungpa, John Ashbery, William S. Burroughs, Ron Padgett, Ed Sanders, and Philip Whalen reading, 1976 #538"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright Naropa Institute. Unauthorized duplication prohibited"],"creator_names":["Brownstein, Michael","Ashbery, John","Waldman, Anne","Trungpa, Chögyam","Berrigan, Ted","Burroughs, William S.","Padgett, Ron","Sanders, Ed","Whalen, Philip","Ginsberg, Allen"],"creator_names_search":["Brownstein, Michael","Ashbery, John","Waldman, Anne","Trungpa, Chögyam","Berrigan, Ted","Burroughs, William S.","Padgett, Ron","Sanders, Ed","Whalen, Philip","Ginsberg, Allen"],"creators":["[{\"url\":\" http://viaf.org/viaf/91276819\",\"name\":\"Brownstein, Michael\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/100001869\",\"name\":\"Ashbery, John\",\"dates\":\"1927-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/84079610\",\"name\":\"Waldman, Anne\",\"dates\":\"1945-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/95161934\",\"name\":\"Trungpa, Chögyam\",\"dates\":\"1939-1987\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\" http://viaf.org/viaf/64027570\",\"name\":\"Berrigan, Ted\",\"dates\":\"1934-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/108916275\",\"name\":\"Burroughs, William S.\",\"dates\":\"1914-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/17265862\",\"name\":\"Padgett, Ron\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/22183708\",\"name\":\"Sanders, Ed\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Author\"]},{\"url\":\"http://viaf.org/viaf/54270610\",\"name\":\"Whalen, Philip\",\"dates\":\"1923-2002\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5993/Reading in BC_MsC199_538.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"538-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:40\",\"precision\":\"\",\"size\":\"30.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"538-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:36\",\"precision\":\"\",\"size\":\"30.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/43306140#map=18/40.01935/-105.27823\",\"venue\":\"\",\"notes\":\"It seems recordings happened there, not sure though. That's the only location on the J-card\",\"address\":\"1345 Spruce Street Boulder, Colorado 80302\",\"latitude\":\"40.01938\",\"longitude\":\"-105.27809\"}]"],"Address":["1345 Spruce Street Boulder, Colorado 80302"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tAllen Ginsberg: “Thursday” (by W.C. Williams)\n\t\t019\t“Ego Confessions”\n\t\t100\tAnne Waldman: “Light and Shadow”\n\t\t330\tVen, Chogyam Trungpa, Rinpoche: “To Gesar of Ling”\n\t\t444\tTed Berrigan: “Heroin”\n\t\t485\t“Song, Prose, and Poetry”\n\t\t527\t“Hall of Mirrors”\n\t\t576\tMichael Brownstein: “Who Knows Where the Time Goes”\n\t\t740\t“Jet Set Melodrama”\nTwo\t\t000\tJohn Ashbery:”Wet Casements”\n\t\t045\t“Platitudes, Unctous”\n\t\t070\tWilliam S. Burroughs: “Evening News”\n\t\t144\tRon Padgett: “Joe Brainard’s Painting, Bingo”\n\t\t174\t“Ode to Stupidity”\n\t\t263\tEd Sanders: “The Blind Harp Strummer”\n\t\t424\tMichael Brownstein: “The Meditation Machine”\n\t\t499\t“The Overcoat”\n\t\t555\t“Dear God”\n\t\t587\tPhilip Whalen: “Denunciation”\n\t\t659\t“Whistler’s Mother”\n\t\t695\t“Regalia in Immediate Demand”\n\t\t723\t“Cyanide Water in Pittsburgh”\n\t\t\t(last two poems read by A. Ginsberg)"],"Note":["[{\"note\":\"Side A 29:11\\nSide B 27:45\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553749028866,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5700","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Dr. Ralph N. Maud lecture on Dylan Thomas at Fairleigh Dickinson University on March 20, 1968 #540a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Maud, Ralph","Thomas, Dylan"],"creator_names_search":["Maud, Ralph","Thomas, Dylan"],"creators":["[{\"url\":\"http://viaf.org/viaf/66537561\",\"name\":\"Maud, Ralph\",\"dates\":\"1928-2014\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/73860698\",\"name\":\"Thomas, Dylan\",\"dates\":\"1914-1953\",\"notes\":\"Topic of Discussion\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Performance_Date":[1968],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5994/Reading in BC_MsC199_540a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"540a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:16\",\"precision\":\"\",\"size\":\"43.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"540a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:29\",\"precision\":\"\",\"size\":\"46.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1968-03-20\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/278082419\",\"venue\":\"Fairleigh Dickinson University\",\"notes\":\"\",\"address\":\"Sagamore Avenue, West Englewood, Teaneck Township, Bergen County, New Jersey, 07666, United States of America\",\"latitude\":\"40.8980\",\"longitude\":\"-74.0303\"}]"],"Address":["Sagamore Avenue, West Englewood, Teaneck Township, Bergen County, New Jersey, 07666, United States of America"],"Venue":["Fairleigh Dickinson University"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction – how Maud became a “specialist” in D.Thomas’ poetry\n\t\t060\t“…words are paramount”, says Maud; reads “Especially when the November wind” (early version of “Especially when the October wind”), which clearly shows Thomas’ commitment to words, “imprisonment” by words\n\t\t108\tKnowledge of meaning of words of Thomas’ poems necessary before any generalizations can be made; that time has come\n\t\t128\tMaud’s vantage point on Thomas gained from association with other poets : Charles Olson, in particular (relates how he knows Olson)\n\t\t195\tMore on vantage point: Imagist Manifesto (1912) of Ezra Pound et al. ; focus on “direct treatment of the Thing”\n\t\t215\t“Objectivist Movement”: keep poet out of it; emphasize “The Thing”\n\t\t218\tReads from Olson’s “Human Universe” essay, which makes same point\n\t\t236\tDylan Thomas’ vantage point: technique, unlike Olson, et al., was to work from words to things\n\t\t249\tFrom Thomas’ letters: Thomas’ admission of being constrained by words, a “freak user of words, not a peot”\n\t\t285\tExamples of how Thomas’ conceits get, not to, but away from “the Thing”\n\t\t339\tProjected verse essay of Charles Olson: form, in poetry, should never be more than an extention of content, but Thomas was constrained by his own choice of forms, syllable counting, etc.\n\t\t375\tForm more important than content to Thomas, Maud says\n\t\t380\tThe “power” of modern poets, such as Ginsberg, Olson\n\t\t420\tNationalist movement in Wales\n\t\t440\tWhat Thomas felt about Wales (reads a 1949 piece by Thomas)\n\t\t500\tThomas “lets down” Maud by being too constrained by words, not being “political” enough, not relevant enough\n\t\t525\tThomas as a historical literary figure”, comparable to Donne\n\t\t558\tThomas as last representative of “age of European decadence”, “age of existentialism”\n\t\t591\tLines from Thomas’ last poem (which was to be called “In country heaven”), Maud’s comments on Thomas’ existentialism\n\t\t700\tQuestions from audience: Re Thomas\n\t\t759\tRe Olson\n\t\t780\tRe Thomas: Maud justifies judging Thomas on grounds that he wanted to be what he was not\n\t\t979\tThomas seems to use words to protect himself from painful/fearful emotions/ideas"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553749028867,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5701","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Dr. Ralph N. Maud reading of Charles Olson's Maximus Poems, [1968?] #540b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Maud, Ralph","Olson, Charles","Oxner, Diane"],"creator_names_search":["Maud, Ralph","Olson, Charles","Oxner, Diane"],"creators":["[{\"url\":\"http://viaf.org/viaf/66537561\",\"name\":\"Maud, Ralph\",\"dates\":\"1928-2014\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"The topic of Discussion: reading from Olson's Maximus poems.\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/313429207\",\"name\":\"Oxner, Diane \",\"dates\":\"1928-\",\"notes\":\"The Blue nose song \",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Performance_Date":[1968],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5996/Reading in BC_MsC199_540b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"540b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:06\",\"precision\":\"\",\"size\":\"39.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"540a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:04\",\"precision\":\"\",\"size\":\"38.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1968\",\"type\":\"Performance Date\",\"notes\":\"Exact date and Location is uncertain: [1968?]\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t000\tLetter 10\n\t\t009\tLetter 10:1\n\t\t019\tLetter 10: Conant’s\n\t\t028\tLetter 10:3\n\t\t034\tLetter 10:4\n\t\t047\tMaximus, to Gloucester, Letter II\n\t\t061\tLetter II: 1\n\t\t075\tLetter II: 2\n\t\t091\tLetter II: 3\n\t\t100\tLetter 23\n\t\t133\tA Plantation a beginning\n\t\t167\tCapt. Christopher Levett (of York)\n\t\t224\tMaximus of Gloucester, to you\n\t\t228\tI.\tMaximus of Gloucester, to you: 1\n\t\t234\tI.\tMaximus of Gloucester, to you: 2\n\t\t243\tI.\tMaximus of Gloucester, to you: 3\n\t\t256\tI.\tMaximus of Gloucester, to you: 4\n\t\t262\tI.\tMaximus of Gloucester, to you: 5\n\t\t274\tI.\tMaximus of Gloucester, to you: 6\n\t\t288\tMaximus, to Gloucester Letter 2\n\t\t294\tLetter 2:1\n\t\t303\tLetter 2:2\n\t\t333\tLetter 2:3\n\t\t346\tLetter 2:4\n\t\t350\tLetter 3\n\t\t364\tLetter 3:1\n\t\t371\tLetter 3:2\n\t\t392\tLetter 3:3\n\t\t418\tLetter 3:4\n\t\t421\tThe Songs of Maximus, Song 1\n\t\t430\tSong 2\n\t\t436\tSong 3\n\t\t455\tSong 4\n\t\t465\tSong 5\n\t\t468\tSong 6\n\t\t472\tLetter 5\n\t\t494\tLetter 5:1\n\t\t504\tLetter 5:2\n\t\t519\tLetter 5:3\n\t\t542\tLetter 5:4\n\t\t562\tLetter 5:5\n\t\t588\tLetter 5:6\n\t\t599\tLetter 5:7\n\t\t609\tLetter 5:8\n\t\t634\tLetter 5:9\n\t\t640\tLetter 6\n\t\t722\tMaud briefly answers question, “What is ‘polis’?”\n\t\t742\tLetter 7\n\t\t756\tLetter 7:1\n\t\t791\tLetter 7:2\n\t\t819\tLetter 7:3\n\t\t832\tLetter 9:1\n\t\t843\tLetter 9:2 (fades out at “and these pages…”)\n\t\t850\tThe Blue nose song (Diane Oxner)"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553750077440,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5702","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Charles Olson reading from Maximus Poems and from Mayan letters at his home in Gloucester, [1968?] #542b"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Olson, Charles"],"creator_names_search":["Olson, Charles"],"creators":["[{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5998/Reading in BC_MsC199_542_1.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"542_1-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:59\",\"precision\":\"\",\"size\":\"36.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"542_1-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:54\",\"precision\":\"\",\"size\":\"36.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975\",\"type\":\"Performance Date\",\"notes\":\"Exact date is uncertain: [1975?]\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2377876\",\"venue\":\"\",\"notes\":\"Recorded at his home in Gloucester, Massachusetts\",\"address\":\"Gloucester, Essex County, Massachusetts, United States of America\",\"latitude\":\"42.6158\",\"longitude\":\"-70.6778\"}]"],"Address":["Gloucester, Essex County, Massachusetts, United States of America"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t\tCharles Olson reads from the Maximus Poems IV, V, VI [1968]\n\t\t000\tI am The Gold Machine\n\t\t021\tAll My Life\n\t\t026\tPiggy-Back Poem\n\t\t030\tMaximus From Dogtown II\n\t\t079\tSequentio\n\t\t087\tGravely Hill\n\t\t154\tBetween Cruiser and Plato\n\t\t159\tI.\tJohn Watts\n\t\t166\tAfter The Storm Was Over\n\t\t174\tTo Travel Typhon\n\t\t179\tUp The Steps\n\t\t182\tPeople Want Delivery\n\t\t185\tThe Coast\n\t\t190\tTesserai Commisure\n\t\t194\tOlder Than Biblus\n\t\t198\tChronicles I\n\t\t213\tChronicles II\n\t\t220\tUntitled Maximus poem (from MSS)\n\t\t246\tVida Upanishad Eda Then\n\t\t248\tKent Circle (Wrote My First Poems)\n\t\t266\tFurther Completion Of Plot\n\t\t293\tMaximus poem – July 24, 1968\n\t\t339\tInto The Stream, Gloucester\n\t\t345\tThe Frontlet\n\t\t359\tTo Enter Into Their Bodies\n\t\t370\tHer Stern Like A Box\n\t\t377\tAnacobithic And Drag\n\t\t379\tThe Difference Of A Wild Thing\n\t\t382\tThe Cormorant And Spindle\n\t\t384\tAbsoluteness\n\t\t386\tIn The Harbour\n\t\t388\tKent Circle Song\n\t\t393\tI Swang Out At Eight Or Ten\n\t\t397\tJ.W.\n\t\t409\tNot the Itaglio Method\n\t\t413\tMayan Letter #13 (w/intro & commentary)\n\t\t555\tMayan Letter #7 (explanation of passage on WATER)\n\t\t584\tMayan letter #5 (excerpt)\n\t\t735\tChockablock\n\t\t783\tCaches\n\t\t832\tBolan I\n\t\t849\tBolan II\n\t\t864\tJohn Watts\n\t\t871\tThird Letter On Geroges\n\t\t918\tGulf of Main\n"],"Note":["[{\"note\":\"Released on Folkways FL 9738\\nSide 1 30:40\\nSide 1 30:55\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553750077441,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5703","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Jeremy H. Prynne discussion on Charles Olson's Maximus Poems at SFU on July 29, 1971 #542a"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Olson, Charles","Prynne, J. H."],"creator_names_search":["Olson, Charles","Prynne, J. H."],"creators":["[{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"Topic of Discussion\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/39547652\",\"name\":\"Prynne, J. H.\",\"dates\":\"1936-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1971],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5999/Reading in BC_MsC199_542_2.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"542_2-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:39\",\"precision\":\"\",\"size\":\"40.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"542_2-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:34\",\"precision\":\"\",\"size\":\"42.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1971-07-29\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2767,-122.9178 \",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tJeremy H. Prynne, Olson’s Maximus IV, V, VI\n\t\t000\tIntroduction\n\t\t024\tMaximus IV, V, VI, a “simple poem”.  It is not a lyric poem\n\t\t065\tHow a seemingly lyrical poem like “The Twist” avoids being lyrical\n\t\t071\t…poem is “simple” but Olson’s life dense and complex\n\t\t087\tDefinition of “cosmos”, “cosmology”\n\t\t100\t“Lyric” relies on metaphor; a condition “of the part”, not “of the whole”\n\t\t110\tFirst part of Maximus has a “lyrical” thrust outward into the ocean and cosmos; later part (IV, V, VI) man turns his back on the sea, back to the land\n\t\t148\tMaximus “folds back on itself”, from cosmos to land, from story to myth – “muthos”\n\t\t180\tMaximus a “circular” poem; when “lyric’ concludes, condition of myth takes over\n\t\t204\tMilton’s “Paradise Lost” a circular poem with a fault (original sin); Maximus a circular poem without a fault – “the world is an eternal event”\n\t\t240\tOlson gets away from the “lyric” by becoming “estranged from that which was most familiar”: the Earth, “home”\n\t\t288\t“Obscure LYRIC” IS PERMISSABLE; “OBSCURE EPIC” is a failed epic\n\t\t320\tSecond Maximus a simple part of an epic poem; describes “homecoming”\n\t\t340\tMaximus a “complete” poem\n\t\t389\t“We escape the metaphor… We participate in the condition of being… beyond the condition of meaning”\n\t\t406\t“The ‘love epic’” : Love for the “whole”, for the cosmos\n\t\t420\tOlson “nods to” Ezra Pound in his epic\n\t\t429\tKeats’ struggle to get out of “local” “lyrical” condition in “Hyperion”; struggle to do what Olson does\n\t\t467\t“the ‘curvature’ of the universe is love”\n\t\t502\tThe universe is simple as a whole, as is its language: a “capacity for love”\n\t\t576\tQuestions from the audience"],"Note":["[{\"note\":\"Released on Folkways FL 9738\\nSide 1 30:40\\nSide 1 30:55\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553750077442,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5704","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["\"You're the guy I want to share my money with\" by Laurie Anderson, John Giorno, and William S. Burroughs, 1981 part 1 of 2 #421"],"item_title_source":["cassette and J-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Burroughs, William S.","Giorno, John","Anderson, Laurie"],"creator_names_search":["Burroughs, William S.","Giorno, John","Anderson, Laurie"],"creators":["[{\"url\":\"http://viaf.org/viaf/108916275\",\"name\":\"Burroughs, William S. \",\"dates\":\"1914-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/84168002\",\"name\":\"Giorno, John\",\"dates\":\"1936-2019\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/39646022\",\"name\":\"Anderson, Laurie\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6002/Reading in BC_MsC199_421.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"421-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:21\",\"precision\":\"\",\"size\":\"19.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"421-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:18\",\"precision\":\"\",\"size\":\"19.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t005\t“Dr. Miller”\n\t\t088\tEnd\n\t\t089\t“It was up in the mountains”\n\t\t121\tEnd\n\t\t123\tDrums\n\t\t130\tEnd\n\t\t132\tClosed circuits\n\t\t236\tEnd\n\t\t237\t“Born, never asked”\n\t\t290\tEnd.  End side one\nTwo\t\t019\t“I don’t need it, I don’t want it”\n\t\t186\tEnd\n\t\t191\t“Completely attached to delusions”\n\t\t287\tEnd "],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553750077443,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5705","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["\"You're the guy I want to share my money with\" by Laurie Anderson, John Giorno, and William S. Burroughs, 1981 part 2 of 2 #422"],"item_title_source":["cassette and J-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Burroughs, William S.","Giorno, John","Anderson, Laurie","Stanley, John"],"creator_names_search":["Burroughs, William S.","Giorno, John","Anderson, Laurie","Stanley, John"],"creators":["[{\"url\":\"http://viaf.org/viaf/108916275\",\"name\":\"Burroughs, William S. \",\"dates\":\"1914-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/84168002\",\"name\":\"Giorno, John\",\"dates\":\"1936-2019\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/39646022\",\"name\":\"Anderson, Laurie\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/22328881\",\"name\":\"Stanley, John\",\"dates\":\"1712-1786\",\"notes\":\"Introducing John Stanley Hart: he entered the bar with the best intentions\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6003/Reading in BC_MsC199_422.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"422-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:14\",\"precision\":\"\",\"size\":\"31.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"422-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:01\",\"precision\":\"\",\"size\":\"32.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t009\tIntroducing John Stanley Hart: he entered the bar with the best intentions\n\t\t050\tEnd\n\t\t056\t“Twilight’s last gleamings”\n\t\t093\tEnd\n\t\t110\t“My protagonist Kim Carson”\n\t\t175\tEnd\n\t\t178\tUntitled\n\t\t224\tEnd\n\t\t226\t“Salt Chuck Mary: like Mr. Hart, Kim has a dark side to his character”\n\t\t276\tEnd\n\t\t278\t“Progressive education”\n\t\t358\tEnd\n\t\t360\t“The wild fruits”\n\t\t383\tEnd\n\t\t385\t“The unworthy vessel”\n\t\t410\tEnd. End side one\nTwo\t\t032\t“For electronic dogs’\n\t\t090\tEnd\n\t\t091\t“Structuralist film-making”\n\t\t109\tEnd\n\t\t110\t“Drums”\n\t\t122\tEnd\n\t\t124\t“The name is Clem Snide”\n\t\t150\tEnd\n\t\t152\t“Mr. Hart couldn’t hear the ward death”\n\t\t195\tEnd\n\t\t198\t“Put your ear to stone & open your heart to the sky\n\t\t400\tEnd"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553750077444,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5706","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robin Blaser reading at the Vancouver Art Gallery on November 3, 1982 part 1 of 2 #423"],"item_title_source":["cassette and J-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[RB_423]"],"rights":["In Copyright (InC)"],"access":["Streaming"],"creator_names":["Blaser, Robin"],"creator_names_search":["Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6005/Reading in BC_MsC199_423.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/rbr-169/rb423a\",\"file_path\":\"\",\"filename\":\"423-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:00\",\"precision\":\"\",\"size\":\"50.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/rbr-170/rb423b\",\"file_path\":\"\",\"filename\":\"423-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:58\",\"precision\":\"\",\"size\":\"50.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-11-03\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/69701736\",\"venue\":\"Vancouver Art Gallery\",\"notes\":\"\",\"address\":\"750, Hornby Street, Downtown, Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, V6Z, Canada\",\"latitude\":\"49.28287695\",\"longitude\":\"-123.1205638545168\"}]"],"Address":["750, Hornby Street, Downtown, Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, V6Z, Canada"],"Venue":["Vancouver Art Gallery"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t001\tBlaser introduces “The Violets”; the translation of Whitehead into poetry\n\t\t017\tPreface to the paper: a “collage” of quotations\n\t\t034\tQuotation from John Russel’s The Meanings of Modern Art (“Art is there to make sense of the World…”)\n\t\t046\tQuotation from Philip Rieff from Triumph of the Therapeutic\n\t\t060\tBlaser reads an entry from his journal\n\t\t102\tReads W.C. Williams’ “St. Francis Einstein of the Daffodils”\n\t\t120\tThe specialized meanings of some terms used by Whitehead: “prehension”, “subjective aim”, actual entities”, “eternal object”, “feeling”, “God”\n\t\t180\tBegins to read “The Violets”\n\t\t209\t“The American poet who has made the most profound use of Whitehead’s thought is Charles Olson…” (Lines, p. 61)\n\t\t248\t“The reality of Marxism remains, as it began, The other face of Hegel…” (p. 62)\n\t\t298\t“What I have noticed in the poetry and poetics of the most important poets is that they are arguing, weaving, and composing a cosmology and an epistemological practice” (p. 62)\n\t\t324\t“I have arranged my essay to include copious quotation” (p. 64)\n\t\t347\t“In a letter of 1916, before the essay was printed in 1919, Pound states his interest” (p. 65)\n\t\t385\t“This wonderful voice, guiding science and, as we shall see, entering into poetry, draws attention to what is most to be attended to in art…”\n\t\t430\t“Among Olson’s books, now collected in The Charles Olson Archives…” (p. 67)\n\t\t495\t“This lecture was “preceded and followed” by study sessions on Process and Reality” (p. 68)\n\t\t529\t“This well-judged summary brings us a long way into a sense of Olson’s response to the philosopher…” (p.69)\n\t\t558\t“A fresh world-view, their indebted to science by way of Einstein and Whitehead…” (p. 70)\n\t\t580\tSide one ends in the middle of a quotation from W.C. Williams\nTwo\t\t001\t“Paul Christensen describes the look and feel of the poems in just such terms…” (p. 70)\n\t\t010\t“Olson’s direct use of Whitehead’s thought by way of reference, bottowing, and quotation can be traced to Process and Reality and to Adventures in Ideas” (p. 71)\n\t\t050\t“This move away from a systematic relationship to Whitehead’s philosophy of organism should be noted…” (p. 72)\n\t\t080\t“This lecture is marked by its introductory character from the initial statement on coming to know Whitehead’s thought…” (p. 73)\n\t\t104\t“From the passages quoted by Olson, Whitehead turns to a further consideration of the ‘second stage of feeling’… (p. 74)\n\t\t136\t“It is at such a point as this that we may begin to understand what I have called Olson’s translation of Whitehead” (p. 75)\n\t\t170\t“Olson consistently translates Whitehead’s philosophy of organism and its magnificent ‘vision’ of process back into his own acts as a poet of perception and intelligence” (p. 76)\n\t\t206\t“Olson terms the condition a ‘return to object’ and he returns art to the ‘contest’” (p. 77)\n\t\t224\t“The sudden appearance of ‘one’s self’ in this context may seem abrupt.” (p. 78)\n\t\t261\t“With many a quotation, I have endeavoured to dramatize the two languages of these men…” (p. 79)\n\t\t288\t“Two epigraphs open the argument…” (p.80)\n\t\t332\t“Olson is proposing to date the loss of the sense of reality as a process at that point” (p. 81)\n\t\t370\t“Olson draws a line from the underlined word ‘multiplicity’ to the bottom of the page…” (p. 82)\n\t\t401\t“This ‘WILL’ includes an obedience within the process…”’ (p. 83)\n\t\t\t“Interpretation, with its lingering positivism and its confused urge towards materialism, too often ignores the fundamental religious temper of poetic thought” (p. 85)\n\t\t516\t“This is an important moment of preparation in von Hallberg’s argument…” (p. 86)\n\t\t584\t“From the underlined word ‘objects’, Olson draws a line to the bottom of the page…” (p. 87) – side two ends here"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553751126016,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5707","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robin Blaser reading at the Vancouver Art Gallery on November 3, 1982 part 2 of 2 #424"],"item_title_source":["cassette and J-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[RB_424]"],"rights":["In Copyright (InC)"],"access":["Streaming"],"creator_names":["Blaser, Robin"],"creator_names_search":["Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/6006/Reading in BC_MsC199_424.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Second generation from Reel-to-Reel\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"424-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:54\",\"precision\":\"\",\"size\":\"49.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"424-side-2 - blank.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:56\",\"precision\":\"\",\"size\":\"48.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-11-03\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/69701736\",\"venue\":\"Vancouver Art Gallery\",\"notes\":\"\",\"address\":\"750, Hornby Street, Downtown, Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, V6Z, Canada\",\"latitude\":\"49.28287695\",\"longitude\":\"-123.1205638545168\"}]"],"Address":["750, Hornby Street, Downtown, Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, V6Z, Canada"],"Venue":["Vancouver Art Gallery"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t001\tThis is a problem of methodology…” (Lines 2, p. 87)\n\t\t013\t“His spelling in Greek letters of the word chaos in interesting…” (p. 88)\n\t\t071\t“Olson is a careful and poised modern mind, but with this interest in the archaic he follows through on an intuition that has coloured the arts of our century…” (p. 90)\n\t\t103\tBlaser ends his lecture by reading some of Olson’s poems relating to poetics\n\t\t108\t“A Later Note on Letter #15 (pp. 93-94)\n\t\t150\t“history as time/alchemy of /slain kings roots…” (pp. 95-96)\n\t\t222\t“When do poppies bloom I ask myself…” pp. 98)\n\t\t238\tEnd of lecture"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553751126017,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5708","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robin Blaser, bp Nichol, Sharon Thesen in Poetry and the sacred at SFU on July 6th, 1983 tape 1 of 2 #425"],"item_title_source":["J-card and inventory"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Blaser, Robin","Nichol, B.P.","Thesen, Sharon","Vanel, Kurtis","Miki, Roy"],"creator_names_search":["Blaser, Robin","Nichol, B.P.","Thesen, Sharon","Vanel, Kurtis","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"bp Nichol\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/115694373\",\"name\":\"Thesen, Sharon\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy \",\"dates\":\"1942-2024\",\"notes\":\"He does the introduction part\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6007/Reading in BC_MsC199_425.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"425-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:41:35\",\"precision\":\"\",\"size\":\"62.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"425-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:10\",\"precision\":\"\",\"size\":\"40.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-07-06\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"The location is mentioned in inventory \",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t002\tIntroduction to the topic by Roy Miki\n\t\t049\tThe Sacred: “The disappearance of the sacred is tied to the birth of its necessity…”; Miki quotes relevant lines from H.D. and Gertrude Stein\n\t\t065\tGod died in the 19th century, but only that God dies who is removed from his creation\n\t\t080\tThe 20th century obsessive drive to de-sacrilize the World, relegate ritual to a “dead” past history…\n\t\t110\tSharon Thesen talks about the deanimation and reanimation of the World\n\t\t120\tThe epigraph of Thesen’s prepared statement on Poetry and the sacred: “Big Science… Hallelujah!” – Laurie Anderson\n\t\t130\tIssues of the sacred in these final years of the 20th century\n\t\t138\t“To what extent is poetry, then, the repository of the sacred in our time?”\n\t\t157\t“…the sacred is involved when poetry enacts or experiences limitation…”; both poetry and the language of religion express the limits of our understanding of our own experience.\n\t\t184\t“…the sacred inhabits the realm of what we call meaning and language is a trespass into this realm.”\n\t\t204\t“There is no form in scientific ideology… only method and results!  Poetry’s procedures mirror… the language of our apprehension of all creation… the interpenetration of flesh and spirit, one –and many, word and love, the feminine source of both.”\n\t\t223\tPoetry has to contend with the minute scrutiny of science, Thesen feels that it will\n\t\t240\tBp Nichol talks about the effects of the sacred and of faith on his own poetry\n\t\t442\tSide one ends\nTwo\t\t003\tRobin Blaser introduces his approach to the topic: an anthology of writing on the sacred\n\t\t018\tThe “God is dead” argument; Blaser reads second chapter of first book of Thus Spake Zarathustra\n\t\t060\tThe deconstruction of the Western tradition of humanism, and the peculiarities of the reconstruction; Blaser reads a passage from Faucault\n\t\t082\tThe etymology of the word “sacred”\n\t\t089\tAll men and women respond to a cosmology, it is the job of poetry to build this cosmos.  The structuralist movement was mistaken in trying to separate poetry from myth, and in continuing the battle between science and poetry\n\t\t114\tReads from Philip Rieff’s Triumph of the Therapeutic\n\t\t134\tReads a passage by Octavio Paz, on contemporary Marxist thought\n\t\t198\tDiscusses and reads from Rene Girard’s book Violence and the Sacred (sacrifice is necessary to “hold down” and hide human violence)\n\t\t316\tSide two ends\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553751126018,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5709","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. 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Sharon Thesen expresses an initial repulsion at the idea of convergence (of mind and matter).  Blaser responds\n\t\t114\tQuestion from the floor to the panel about the “slippage” between the very abstract notions of the sacred, and those notions derived from Social institutions which deal with the sacred… bp Nichol responds\n\t\t146\tBp Nichol is asked about whether there is any relationship between his view of the sacred and his work at Therfields; he responds\n\t\t203\tBp Nichol responds to a question about how he views the relationship between the family and the sacred\n\t\t257\tA question about the distinction between the sacred and the divine; the panel responds\n\t\t393\tQuestion about birth and death and their relationship to the sacred; Roy Miki and Robin Blaser respond, discussing how the certitude of death has affected poetry and contemporary attitudes toward the family.  Blaser begins to relate the yearning for family with the yearning for love\n\t\t473\tSide one ends\nTwo\t\t003\tBlaser continues to talk about love\n\t\t012\tSharon Thesen talks about the fragmentation of the family, says this is more easily related to deficiencies of language than to poetry or the sacred\n\t\t038\tComment from the audience and response by Robin Blaser about the language of the family and of the sacred\n\t\t058\tBlaser talks about ‘culture, institutions, power and civilization (as an “individual task”)\n\t\t074\tQuestion from audience: The tone of the present discussion seems to suggest a kind of lament for the loss of the sacred, but isn’t it true that the panel has been merely talking about the sacred, rather than acting within it?\n\t\t104\tA response: The poem, Portrait of the Poet as Landscape is a kind of lament for the absence of the sacred, but he failed to recognize that the sacred has become a part of the ordinary.  The disappearance of the sacred is at the base of modern thought\n\t\t133\tQuestion from audience about whether the fact that much respected modern writing on the sacred is in prose (not poetry) is a comment on the disappearance of the sacred.  The response: There is no distinguishable difference between poetry and the best prose on the sacred (Blaser: “…scholarship is a poetic act”)\n\t\t157\tBp Nichol brings the discussion back to the topic of death\n\t\t195\tComment from the audience on the relationship between violence and the sacred, and a question about whether the present discussion is a \"funeral or a party” for the sacred\n\t\t204\tBlaser expresses the view that “…we’re headed for a different kind of poem” in this so-called “post-modern” era; refers to Olson’s (and Pound’s) view that poetry and scholarship must come together\n\t\t244\tThe discussion ends, it is proposed that the panel reads some of their poetry\n\t\t259\tBp Nichol reads “Hour 24” from the second book of Book 6 of The Martyrology\n\t\t294\tSharon Thesen reads – from “Snakes and Ladders”\n\t\t321\t“What Now” – Thesen\n\t\t340\tRobin Blaser reads “The Universe Is a part of ourselves…”\n\t\t354\t“I have tried for 35 to redefine sweetness…” – Blaser\n\t\t261\tEnd of discussion"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553752174592,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5710","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Michael McClure lecture at SFU on March 2, 1984 Tape 1 of 2 #427"],"item_title_source":["cassette and J-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Mcclure, Michael","Blaser, Robin"],"creator_names_search":["Mcclure, Michael","Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/71493269\",\"name\":\"Mcclure, Michael\",\"dates\":\"1932-2020\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1984],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6009/Reading in BC_MsC199_427.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"427-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:41\",\"precision\":\"\",\"size\":\"35.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"427-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:31\",\"precision\":\"\",\"size\":\"34.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1984-03-02\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t003\tIntroduction by Robin Blaser\n\t\t063\tBlaser introduces and reads the preface to “The Surge” by Michael McClure\n\t\t083\tBlaser introduces and reads McClure’s “Plank” from Sagetrieb Vol. 2 No. 3\n\t\t100\tMcClure introduces his lecture by reading a poem by William Blake\n\t\t124\tMcClure reads the American Indian hunting song from the beginning of “The Beat Surface” as found in Scratching the Beat Surface (1982)\n\t\t128\tIntroduces and reads the introduction to “The Beat Surface” (“In 1958 I ate the American Indian drug peyote for the first time”)\n\t\t172\tReads “Peyote Poem”\n\t\t211\t“Of the one hundred and fifty copies of ‘Peyote Poem’ that Berman published, several were sold in City Lights Books…”\n\t\t222\tExplains that his lecture is about the relationship between the Beat Movement and nature, consciousness, the mind, and the environment\n\t\t235\tContinues reading from “The Beat Surface”\n\t\t315\tReads First part of “Howl” by Allen Ginsberg\n\t\t347\tReads first section of Gary Snyder’s “Berry Feast”\n\t\t377\t“Snyder’s gloss on the poem reads:…”\n\t\t395\tSide one ends\nTwo\t\t003\tContinues reading from “The Beat Surface”\n\t\t018\tIntroduces and reads Philip Whalen’s “Plus Ca Change”\n\t\t067\tReads his poem “Point Lobos: Animism”\n\t\t099\tReads “Poem” (“Linked part to part, toe to knee…”)\n\t\t110\tIntroduces and reads “For the Death of 100 Whales”\n\t\t154\tIntroduces and reads Robert Creeley’s “Desultory Days”\n\t\t207\tMcClure’s lecture ends.  Robin Blaser comments on the “postmodern” movement in poetry\n\t\t267\tMcClure talks about meeting Charles Olson in Gloucester\n\t\t313\tMcClure responds to a question on his feelings on science, especially biology\n\t\t402 \tSide two ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553752174593,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5711","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Michael McClure lecture at SFU on March 2, 1984 Tape 2 of 2 #428"],"item_title_source":["cassette and J-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Mcclure, Michael"],"creator_names_search":["Mcclure, Michael"],"creators":["[{\"url\":\"http://viaf.org/viaf/71493269\",\"name\":\"Mcclure, Michael\",\"dates\":\"1932-2020\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1984],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6011/Reading in BC_MsC199_428.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"428-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:09\",\"precision\":\"\",\"size\":\"49.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"428-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:57\",\"precision\":\"\",\"size\":\"48.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1984-03-02\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t002\tMcClure continues talking about his feelings on biology, nature, poetry, etc., and the effects of the Beat Movement\n\t\t074\tResponds to a question about literature critics and the difference (or lack thereof) between East and West Coast poetry\n\t\t130\tResponds to a question about how he feels about the relationship between the various arts\n\t\t184\tTalks about living in New York\n\t\t203\tTalks about John Wieners\n\t\t228\tHow McClure started writing plays\n\t\t275\tResponds to question about what is necessary for the act of composition\n\t\t337\tQuestion about the composition of “Fleas”, and “Ghost Tantras”\n\t\t405\tQuestion about whether McClure uses mind altering drugs while composing poetry (Answer: “No”)\n\t\t438\tQuestion about McClure’s feelings on the sonnet\n\t\t483\tMcClure’s variation on the sonnet: the “mad sonnet”\n\t\t\tReads two examples of “mad sonnets”\n\t\t544\tSide one ends\nTwo\t\t002\tMcClure’s feelings about Robinson Jeffers poetry\n\t\t027\tMcClure’s impressions of current performance artists like Laurie Anderson\n\t\t047\tTalk returns to sonnets, especially altered sonnets\n\t\t120\tThe American poets whose work McClure reads, from both the 19th and 20th centuries\n\t\t151\tMcClure responds to a question about “drive words’ in poetry; recites an example of a poem which makes almost exclusive use of these words\n\t\t218\tQuestion about Zukofsky’s notion of a poem’s sound preceding the words\n\t\t236\tMcClure’s feelings about abstract expressionism and the current art scene (especially in New York)\n\t\t315\tQuestion about whether there is anything happening in writing that is comparable to the current trends in painting.  McClure talks about European sound poetry\n\t\t352\tQuestion about whether the political significance of the harsh black and white handbills that are now so common\n\t\t378\tMcClure’s impressions of Henry Miller, Kenneth Rexroth, Kenneth Patchen and Robinson Jeffers\n\t\t491\tMcClure responds to a question about the Tung Dynasty\n\t\t518\tEnd of lecture and question period"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553752174594,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5712","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Miriam Nichols and Caffyn Kelley at SFU on November 14th, 1985 #429"],"item_title_source":["J-card and inventory"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichols, Miriam","Kelley, Caffyn"],"creator_names_search":["Nichols, Miriam","Kelley, Caffyn"],"creators":["[{\"url\":\"http://viaf.org/viaf/104945553\",\"name\":\"Nichols, Miriam\",\"dates\":\"1952-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/73451944\",\"name\":\"Kelley, Caffyn\",\"dates\":\"1957-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1985],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6012/Reading in BC_MsC199_429.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"429-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:23\",\"precision\":\"\",\"size\":\"30.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"429-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:17\",\"precision\":\"\",\"size\":\"31.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-11-14\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\t\t\tMiriam Nichols reading\nOne\t\t007\tPastoral I\n\t\t020\tPastoral II\n\t\t041\tReversing the Negative\n\t\t051\tSonata\n\t\t068\tDevelopment\n\t\t085\tRecapitulation\n\t\t094\t“Like being stranded on a small island in the middle of the ocean…”\n\t\t106\tArrogance of the Code, As It Imposes Direction On the Organism\n\t\t125\tPostscript\n\t\t128\tAntipastoral\n\t\t136\tMatrix Genatrix\n\t\t148\tMid-May\n\t\t160\tA story\n\t\t175\tThe Ice Palace\n\t\t209\tCold Paradise\nTwo\t\t\tCaffyn Kelley reading\n\t\t002\tNever the Same I\n\t\t048\tNever the Same II\n\t\t100\tNever the Same III\n\t\t145\tNever the Same IV\n\t\t185\tNever the Same V\n\t\t242\t“Work”, from Cumulation and Arrangement\n\t\t375\tReadings ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553752174595,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5713","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Nicole Brossard at SFU on February 10th, 1983 #430"],"item_title_source":["cassette and J-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English, French"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Brossard, Nicole"],"creator_names_search":["Brossard, Nicole"],"creators":["[{\"url\":\"http://viaf.org/viaf/7387642\",\"name\":\"Brossard, Nicole\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6013/Reading in BC_MsC199_430.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"430-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:24\",\"precision\":\"\",\"size\":\"44.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"430-side-1 - blank.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:44\",\"precision\":\"\",\"size\":\"47.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-02-10\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553753223168,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5714","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The poetry of Denise Levertov recorded at the New York Poetry Center on January 11, 1965  #431"],"item_title_source":["J-card and Recording"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Levertov, Denise"],"creator_names_search":["Levertov, Denise"],"creators":["[{\"url\":\"http://viaf.org/viaf/9868894\",\"name\":\"Levertov, Denise\",\"dates\":\"1923-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6014/Reading in BC_MsC199_431.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"431-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:21:22\",\"precision\":\"\",\"size\":\"20.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"431-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:21:19\",\"precision\":\"\",\"size\":\"20.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-01-11\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/3729655969\",\"venue\":\"Poetry Center, New York\",\"notes\":\"\",\"address\":\"92nd Street Y, 1395, Lexington Avenue, Upper East Side, Carnegie Hill, Manhattan, New York County, New York, 10128, United States\",\"latitude\":\"40.78305\",\"longitude\":\"-73.95277\"}]"],"Address":["92nd Street Y, 1395, Lexington Avenue, Upper East Side, Carnegie Hill, Manhattan, New York County, New York, 10128, United States"],"Venue":["Poetry Center, New York"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t011\tLevertov reading begins\n\t\t017\t“As It Happens”\n\t\t025\t“Face to Face”\n\t\t037\t“The Mutes”\n\t\t063\t“A Lamentation” with explanatory introduction\n\t\t113\t“Relative Figures Reappear”\n\t\t153\t“Olga Poems” with introductory remarks\n\t\t180\t“Olga Poems” i\n\t\t192\t“Olga Poems” ii\n\t\t207\t“Olga Poems” iii\n\t\t261\t“Olga Poems” iv\n\t\t275\t“Olga Poems” v\n\t\t308\tEnd of side one\nTwo\t\t002\t“Olga Poems” continued at v(ii)\n\t\t023\t“Olga Poems” vi\n\t\t057\t“The Unknown”\n\t\t090\t“City Psalm”\n\t\t112\t“Stepping Westward” with introductory comments\n\t\t140\t“The Son” (i The Disclosure)\n\t\t157\t“Joy”\n\t\t223\t“A Man”"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553754271744,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5715","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Gerry Gilbert with Gar Smith in Toronto on July 14th, 1982  #432"],"item_title_source":["cassette and j-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Gilbert, Gerry","Smith, Gar","Thompson, Gordon"],"creator_names_search":["Gilbert, Gerry","Smith, Gar","Thompson, Gordon"],"creators":["[{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/309624288\",\"name\":\"Smith, Gar\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/81204012\",\"name\":\"Thompson, Gordon\",\"dates\":\"1949-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6015/Reading in BC_MsC199_432.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-07-14\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/324211\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Toronto, Ontario, Canada\",\"latitude\":\"43.6545\",\"longitude\":\"-79.3831\"}]"],"Address":["Toronto, Ontario, Canada"],"City":["Toronto, Ontario"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tGerry Gilbert – Toronto Poems\n\t\t002\t“If music be the food of love, play on…”\n\t\t045\t“Karen Ann Quinlan lies unfocused in the sunny hospital room…”\n\t\t060\t“My faint smile/The 7:30 Granville bus from Hastings…”\n\t\t073\t“Toronto Streets”\n\t\t086\t“So there we were pausing on red together like Toronto traffic lights…”\n\t\t\t“Island and Ireland, Iran and I ran…”\n\t\t114\t“I get as lost as a shopping list and miss the boat back to the city…”\n\t\t132\t“You See”\n\t\t141\t“Never Better”\n\t\t150\t“I got to cabbagetown then I lost momentum somewhere…”\n\t\t181\t“A world aloft”\n\t\t187\t“Video drift”\n\t\t194\t“Executive bonsai”\n\t\t204\t“Yorkville”\n\t\t206\t“Make-up”\n\t\t210\t“The middleclass dream still sleeps in Toronto”\n\t\t225\t“Stash you cap on the tact of the snake & you won’t lose it” : “heading to the mainland…”\n\t\t233\t“Bus depot”\n\t\t242\t“Take a bus personally”\nTwo\t\t\tGerry Gilbert – The Summer of the Volcano\n\t\t002\tIntroduction\n\t\t012\t“Suck me, fuck me, make me write bad cheques…”\n\t\t016\t“Summer of the volcano…”: Vancouver\n\t\t042\t“Somebody winks and makes a toke sign at me…”\n\t\t074\t“Squander your pain, stare at the stripper…”\n\t\t084\t“Finally getting sleep…”\n\t\t114\t“I’m up to what I had in mind when I started this poem…”\n\t\t147\t“Well what do you know, according to the news I’ll be eligible for teeth next year…”\n\t\t150\t“I’m writing faster than you’re reading…”\n\t\t153\t“Meanwhile, I can’t drink Similkameen Superior B.C. wine anymore…”\n\t\t162\t“The face is my sunburn”\n\t\t172\t“Next week begins tomorrow…”\n\t\t188\t“Meanwhile at the joint I pay for the coffee refill…”\n\t\t208\tThere are hundreds of millions of us on the continent dressed as ourselves…”\n\t\t223\t“in a couple of days the dust falls as far north as Prince Rupert…”\n\t\t232\t“Vancouver, B.C. bay…”\n\t\t241\t“Just down the beach the young Native Indian boy was dancing…”\n\t\t248\tTape ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553754271745,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5716","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Gerry Gilbert reading at the Music Gallery, Toronto 1983-84, part 1 of 4 #433"],"item_title_source":["cassette and j-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Gilbert, Gerry","Bertram, Gordon W.","Muirhead, Ross","Kamevaar, Jack"],"creator_names_search":["Gilbert, Gerry","Bertram, Gordon W.","Muirhead, Ross","Kamevaar, Jack"],"creators":["[{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/34053060/#Bertram,_Gordon_W.\",\"name\":\"Bertram, Gordon W.\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/105106599\",\"name\":\"Muirhead, Ross\",\"dates\":\"1956-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/106645134\",\"name\":\"Kamevaar, Jack\",\"dates\":\"1921-\",\"notes\":\"John on the cassette\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6016/Reading in BC_MsC199_433.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"433-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:29\",\"precision\":\"\",\"size\":\"42.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"433-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:30\",\"precision\":\"\",\"size\":\"43.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1984\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/241163484\",\"venue\":\"Music Gallery\",\"notes\":\"not 100% sure that it is the right place, it could change the location since 1984\",\"address\":\"918 Bathurst St., Toronto, ON, M5R 3G5\",\"latitude\":\"43.668571\",\"longitude\":\"-79.41298653346495\"}]"],"Address":["918 Bathurst St., Toronto, ON, M5R 3G5"],"Venue":["Music Gallery"],"City":["Toronto, Ontario"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t002\t“I live to unite, I wake in the dead of night…”\n\t\t116\t“I thought I said when you come in from the daylight it’s the right time to look at the back of a painting…”\n\t\t221\tThis male “Deep down, sweet dark speak dream…”"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553754271746,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5717","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Gerry Gilbert reading at the Music Gallery, Toronto 1983-84, part 2 of 4 #434"],"item_title_source":["cassette and j-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Gilbert, Gerry","Kamevaar, Jack"],"creator_names_search":["Gilbert, Gerry","Kamevaar, Jack"],"creators":["[{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/106645134\",\"name\":\"Kamevaar, Jack\",\"dates\":\"1921-\",\"notes\":\"John on the cassette\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6017/Reading in BC_MsC199_434.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"434-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:56\",\"precision\":\"\",\"size\":\"30.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"434-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:41\",\"precision\":\"\",\"size\":\"30.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1984\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/241163484\",\"venue\":\"Music Gallery\",\"notes\":\"not 100% sure that it is the right place, it could change the location since 1984\",\"address\":\"918 Bathurst St., Toronto, ON, M5R 3G5\",\"latitude\":\"43.668571\",\"longitude\":\"-79.41298653346495\"}]"],"Address":["918 Bathurst St., Toronto, ON, M5R 3G5"],"Venue":["Music Gallery"],"City":["Toronto, Ontario"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nA\t\t000\t“Land home, wave by syllable…”\n\t\t004\t“One Mouth”\n\t\t006\t“The Free Trip to Fall”\n\t\t012\t“One Week”\n\t\t015\t“Star Fur”\n\t\t019\t“Used Life”\n\t\t035\t“One Night”\n\t\t037\t“The year pig”\n\t\t040\t“There’s a loan in marriage…”\n\t\t045\t“I love the weight…”\n\t\t048\t“Is growing old staying in love?”\n\t\t054\t“Saskatchewan yes is for maybe…”\n\t\t055\t“What with half an eternity…”\n\t\t063\t“This the way its ‘sposed to be”\n\t\t071\t“There would be no after without Memphis Slim…”\n\t\t082\t“Sex slaves of the world unit…”\n\t\t088\t“The joy of seismology…”\n\t\t095\t“Deep down sleep dark…” (xylophone, Ross Muirhead)\n\t\t206\t“I live to write…”\n\t\t209\t“It’s me...” (Sax – Gordon Bertrum)\n\t\t390\tEnd of side one\nB\t\t000\t“Equinox, [Beruit]*…”\n\t\t028\t“Keep your place with the mushroom…”\n\t\t050\t“What touches me when I see the pain…”\n\t\t104\t“The wave that can be waived is not the wave…”\n\t\t117\t“Ever the postmodern artist after our own heart”\n\t\t142\t“I think, note, at all its points the poem reveal thought…”\n\t\t147\t“The Tulch: The transformation of art into information”\n\t\t235\t“Guitars are all air…”\n\t\t427\tTape ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553754271747,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5718","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Gerry Gilbert reading at the Music Gallery, Toronto 1979-84, part 3 of 4 #435"],"item_title_source":["cassette and j-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Gilbert, Gerry"],"creator_names_search":["Gilbert, Gerry"],"creators":["[{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1984],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6018/Reading in BC_MsC199_435.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"435-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:38\",\"precision\":\"\",\"size\":\"30.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"435-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:59\",\"precision\":\"\",\"size\":\"30.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1984\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1979\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/241163484\",\"venue\":\"Music Gallery\",\"notes\":\"not 100% sure that it is the right place, it could change the location since 1984\",\"address\":\"918 Bathurst St., Toronto, ON, M5R 3G5\",\"latitude\":\"43.668571\",\"longitude\":\"-79.41298653346495\"}]"],"Address":["918 Bathurst St., Toronto, ON, M5R 3G5"],"Venue":["Music Gallery"],"City":["Toronto, Ontario"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nA\t\t000\tThe Class of ’54 (1984) “Wording Well”\n\t\t279\tA Canadian in Toronto (1982)\n\t\t426\tEnd of Side A\nB\t\t000\tPindrop (1984)\n\t\t530\tT-Shirts (1982) violin-Garsmith\n\t\t551\tSummer of the Volcano (1982) violin-Garsmith\n\t\t751\t“I’ve gone out to that house”\n\t\t850\tEnd of side B"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553754271748,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5719","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Gerry Gilbert reading at the Music Gallery, Toronto 1984, part 4 of 4 #436"],"item_title_source":["cassette and j-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Gilbert, Gerry"],"creator_names_search":["Gilbert, Gerry"],"creators":["[{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1984],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6019/Reading in BC_MsC199_436.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"436-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:03\",\"precision\":\"\",\"size\":\"30.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"436-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:35\",\"precision\":\"\",\"size\":\"31.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1984\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/241163484\",\"venue\":\"Music Gallery\",\"notes\":\"not 100% sure that it is the right place, it could change the location since 1984\",\"address\":\"918 Bathurst St., Toronto, ON, M5R 3G5\",\"latitude\":\"43.668571\",\"longitude\":\"-79.41298653346495\"}]"],"Address":["918 Bathurst St., Toronto, ON, M5R 3G5"],"Venue":["Music Gallery"],"City":["Toronto, Ontario"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nA\t\t000\tCCMC.  John Kamevaar Nobbn Kubota Casey Sokol with Gerry Gilbert\n\t\t409\tEnd of Side A\nB\t\t000\tThe Void (1982) Violin-Garsmith\n\t\t116\tNeut (1972)\n\t\t168\tFor L. Peltier (1976)\n\t\t209\tLog (1953-70)\n\t\t358\tAll told (1977)\n\t\t380\tCowboy (’81)\n\t\t391\tGoodboy (’81)\n\t\t397\tSlow (’82)\n\t\t417\tEnd of tape"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553755320320,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5720","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Leonard Cohen: CBC Interviews with Malka, Anne Petrie on October 19, 1978, and Vicki Gabereau on May 14, 1984 #437"],"item_title_source":["cassette and j-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Cohen, Leonard","Gabereau, Vicki","Petrie, Anne","Malka, Victor"],"creator_names_search":["Cohen, Leonard","Gabereau, Vicki","Petrie, Anne","Malka, Victor"],"creators":["[{\"url\":\"http://viaf.org/viaf/56703476\",\"name\":\"Cohen, Leonard\",\"dates\":\"1934-2016\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/104844374\",\"name\":\"Gabereau, Vicki\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/16138485\",\"name\":\"Petrie, Anne\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/44302199\",\"name\":\"Malka, Victor\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1984],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6020/Reading in BC_MsC199_437.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"437-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:13\",\"precision\":\"\",\"size\":\"44.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"437-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:59:02\",\"precision\":\"\",\"size\":\"59.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1984-05-14\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1978-10-19\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/50259713\",\"venue\":\"CBC studio\",\"notes\":\"We assume that this tape was recorded in Vancouver\",\"address\":\"700 Hamilton Street Vancouver, British Columbia V6B 4A2\",\"latitude\":\"49.27915495\",\"longitude\":\"-123.11434125336939\"}]"],"Address":["700 Hamilton Street Vancouver, British Columbia V6B 4A2"],"Venue":["CBC studio"],"City":["Hamilton, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nTwo\t\t08\tCohen reading “The monstrosity of Lilith attack…”\n\t\t34\tInterview with Malka begins.  This is Utopia?\n\t\t36\tQuestions about “Lover come Back to Me” (a song)\n\t\t\tCombination of invitation and attack in verses & refrain \n\t\t43\t“Love Come Back To Me”\n\t\t87\tCohen “When things got bad, when I wouldn’t hear you any longer…”\n\t\t103\tMalka – “are you surprised by older poems?”\n\t\t106\t“The Blind Man Loves you with his eyes…”\n\t\t117\tCohen reads “If I wasn’t a vegetarian I would eat steak now…”\n\t\t145\tMalka: “Leonard, why do you think that you are ugly?”\n\t\t150\tCohen “I remember you well in the Chelsea Hotel”\n\t\t175\tCohen “Conspiracy against lovers”\n\t\t\t-\tPeople don’t like to see others happy\n\t\t188\tJealousy & profound resentment towards those in touch with the creative center\n\t\t\tResentment towards those who are touched by the angels\n\t\t208\tCohen: “I am not bright & luminous enough”\n\t\t214\t“Who By The Fire”\n\t\t253\tCohen “How to Speak Poetry”\n\t\t325\tMalka: What inspired you to be a poet\n\t\t331\tCohen: “arrogance & inexperience” Layton’s influence\n\t\t340\tThe importance of influences\n\t\t370\t“You Are The Promise of Dawn”\n\t\t465\tCohen “Blow smoke at me – I’ve given up smoking”\n\t\t475\t“That’s no way to say goodbye”\n\t\t523\tEnd of interview"],"Note":["[{\"note\":\"On the cassette there are 2 #437 and #441, the second audio does not exist. Also, on the j-card the quality identified as poor and noisy, but the parts I've heard were fine, but I didn't listen to the entire cassette\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553755320321,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5721","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Charles Bukowski reading, December 1967 #438"],"item_title_source":["cassette and j-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bukowski, Charles"],"creator_names_search":["Bukowski, Charles"],"creators":["[{\"url\":\"http://viaf.org/viaf/64002815\",\"name\":\"Bukowski, Charles\",\"dates\":\"1920-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1967],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6021/Reading in BC_MsC199_438.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"438-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:31\",\"precision\":\"\",\"size\":\"24.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"438-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:24\",\"precision\":\"\",\"size\":\"24.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1967-12\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t08\t“Shot of Red Eye”\n\t\t124\t“KO”\n\t\t158\t“7th Race”\n\t\t210\t“On Going Out to Get the Mail”\n\t\t309\t“I Wanted to Overturn the Government”\n\t\t460\t“The Girls”\n\t\t485\t“The Clothing”\n\t\t529\t“35 seconds”\nTwo\t\t09\t“The Mexican Girls”\n\t\t67\t“True Story”\n\t\t104\t“The Weather is Hot on the Back of My Watch”\n\t\t206\t“X-Pug”\n\t\t243\t“The Intellectual”\n\t\t250\t“Red and Gold Paint”\n\t\t289\t“Brewed and Filled By”\n\t\t352\t“He Even Looked Like a Nice Guy”\n\t\t411\t“Now”\n\t\t493\t“I don’t need a bedsheet with slits…”"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553755320322,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5722","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Ed Dorn at The Western Front #439"],"item_title_source":["cassette and j-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Dorn, Edward"],"creator_names_search":["Dorn, Edward"],"creators":["[{\"url\":\"http://viaf.org/viaf/25166087\",\"name\":\"Dorn, Edward\",\"dates\":\"1929-1999\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6022/Reading in BC_MsC199_439.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"439-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:04\",\"precision\":\"\",\"size\":\"48.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"439-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:18\",\"precision\":\"\",\"size\":\"47.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"Arts Centre The Western Front\",\"notes\":\"\",\"address\":\"303, East 8th Avenue, The Village Shops, Mount Pleasant, Vancouver, Metro Vancouver Regional District, British Columbia, Canada\",\"latitude\":\"49.26386015\",\"longitude\":\"-123.098650299062\"}]"],"Address":["303, East 8th Avenue, The Village Shops, Mount Pleasant, Vancouver, Metro Vancouver Regional District, British Columbia, Canada"],"Venue":["Arts Centre The Western Front"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tEd Dorn introduces his reading – translations from The Book of Quetzalcoatl\n\t\t068\tQuetzalcoatl’s speech to the Franciscan emissaries\n\t\t160\tDorn introduces part one, book 4 of Gunslinger\n\t\t222\tReads “The Prolegomena” of Gunslinger\n\t\t256\tReads part one, book 4 of Gunslinger\n\t\t614\tPart one, book 4 ends\nTwo\t\t000\tReads part two, book 4 of Gunslinger\n\t\t290 \tEnds "],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553755320323,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5723","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 1 at SFU on September 11, 1973 #660"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 1973 George Bowering Lecture 1 Sept. 11 Outline of course; H.D.'s poem: Pink Rose"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6023/Reading in BC_MsC199_660.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_660 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:18\",\"precision\":\"\",\"size\":\"35.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_660 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:18\",\"precision\":\"\",\"size\":\"33.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-09-11\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n000\n005\nBowering tells a funny tale concerning Euripides & the SFU library\n012\nMicrophone problems, class takes direct interest in helping Bowering with this problem\n034\nBeing that this is a 20th century American poetry course, Bowering gives a list of recommended readings (essays actually).\nEmerson’s “The Poet” not his poem “The Poet”\nWhitman’s preface to the 1856 ed. of “Leaves of Grass”\nPoe’s essays, start with “The Rational of Verse”\n045\nBowering finds evidence for his “feeling” of a connection between H.D. & Poe\n060\nBegins H.D. discussion with a discussion on Poe’s essays\n079\nPoe’s influence abroad\n083\nPoe’s influence in America\nThe characterization of Poe – its intent\n118\nPoe’s image of the making of a work of art\nA duty to the Muse to prepare one’s self\n172\nThe analysis of definitions by quality\n200\n20th century assumptions about poetry\n“Patterson”\n“The Lantos”\n“Maximus” poems\n“A”\n216\nPoe’s stress on the effect the poem makes on the person\n230\nPoe’s concept of beauty\n242\nH.D. poem read as example\n282\nPreoccupation with “looking at Verse” not “listening to Verse”\n310\nAmerican poets using rhyme as functional technique not because it was what was required\n327\nPoe’s feud with established literary forces\n373\nPoe’s view that the best poem is “written solely for the poem’s sake”\nArt as an entity, not an isolated entity though\n450\nBowering takes a job at Robert Frost’s comments on free Verse, praises Robert Duncan\n490\nH.D. poem read\n536\nPoe’s concept of the desire for beauty\n561\nBowering apologizes for “Imagism”\n620\nWhy Poe is placed so low commonly on the American literary pole\n671\nAmerican attitudes towards writing ; how American writing is self-imploding\n736\nStates next class’s subject matter\n758\nSide one ends\nTwo\n000\nBlank"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553755320324,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5724","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Margaret Atwood: The Journals of Susanna Moodie CBC Production on October 4, 1969 #440"],"item_title_source":["cassette and j-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Atwood, Margaret"],"creator_names_search":["Atwood, Margaret"],"creators":["[{\"url\":\"http://viaf.org/viaf/109322990\",\"name\":\"Atwood, Margaret\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6024/Reading in BC_MsC199_440.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"440-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:25:12\",\"precision\":\"\",\"size\":\"25.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"440-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:46\",\"precision\":\"\",\"size\":\"24.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969-10-04\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/3764261726\",\"venue\":\"CBC \",\"notes\":\"We don't know where CBC Vancouver located before 1975, now its address is  700 Hamilton Street\\nVancouver, British Columbia\\nV6B 4A2\",\"address\":\"Vancouver, British Columbia, Canada\",\"latitude\":\"49.27867\",\"longitude\":\"-123.11458\"}]"],"Address":["Vancouver, British Columbia, Canada"],"Venue":["CBC "],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t06\tIntroduction to The Journals of Susannah Moodie\n\t\t15\tJournal I 1832-1840 “Disembarking in Quebec”\n\t\t42\t“Further Arrivals”\n\t\t68\t“First Neighbours”\n\t\t109\t“The Planters”\n\t\t138\t“There Wereman”\n\t\t168\t“Paths and Thingscape”\n\t\t202\t“The Two Fires”\n\t\t242\t“Looking In a Mirror”\n\t\t280\t“Departure from the Bush”\n\t\t\tJournal II 1840-1871\n\t\t324\t“Death of A Young Son by Drowning”\n\t\t378\t“The Immigrants”\n\t\t446\t“Dream I: The Bush Garden”\n\t\t476\t“1837 War in Retrospect”\n\t\t512\t“Dream II: Brian the Still-Hunter”\n\t\t552\t“Charivari”\nTwo\t\t09\t“Dream III: Night Bear Which Frightens Cattle”\n\t\t41\t“Deaths of The Other Children”\n\t\t66\t“The Double Voice”\n\t\t\tJournal III 1871-1969\n\t\t94\t“Later in Belleville: Career”\n\t\t116\t“Daguerrotype Taken in Old Chair”\n\t\t145\t“Wish: metamorphosis to Heraldic Emblem”\n\t\t175\t“Visit to Toronto with Companions”\n\t\t216\t“Solipsism While dying”\n\t\t269\t“Thoughts From Underground”\n\t\t304\t“Alternate Thoughts From Underground”\n\t\t340\t“Resurrection”\n\t\t370\t“A Bus Along St. Clair: December”\n\t\t417\tEnd of recording"],"Note":["[{\"note\":\"Sound Quality: quiet echo words precedes the same louder words of the speaker, the recording is still clear\",\"type\":\"General\"},{\"note\":\"The description printed out on the j-card is incorrect, it is not a Broadcast from oct. 4, 1969 read by Mia Anderson. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553756368896,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5725","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Basil Bunting reads Briggflatts in England #442"],"item_title_source":["cassette and J-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bunting, Basil"],"creator_names_search":["Bunting, Basil"],"creators":["[{\"url\":\"http://viaf.org/viaf/4949021\",\"name\":\"Bunting, Basil\",\"dates\":\"1900-1985\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6025/Reading in BC_MsC199_442.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"442-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:52\",\"precision\":\"\",\"size\":\"31.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"442-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:49\",\"precision\":\"\",\"size\":\"31.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"England \",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["England "],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tPart 1 “Brag, sweet tenor bull…”\n\t\t201\tPart 2 “Poet appointed dare not decline…”\n\t\t570\tPart 2 ends\nTwo\t\t000\tPart 3 “Down into dust and reeds…”\n\t\t224\tPart 4 “Grass caught in willow…”\n\t\t505\tPart 5 “Drip – icicle’s gone”\n\t\t842\tBriggflatts ends"],"Note":["[{\"note\":\"Recorded in England Stream Records P 1205\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553756368897,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5726","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Margaret Atwood reads \"Landscape as image bank\" recorded at SFU on March 14, 1975 #443"],"item_title_source":["cassette and j-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Atwood, Margaret"],"creator_names_search":["Atwood, Margaret"],"creators":["[{\"url\":\"http://viaf.org/viaf/109322990\",\"name\":\"Atwood, Margaret\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6026/Reading in BC_MsC199_443.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"443-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:50:52\",\"precision\":\"\",\"size\":\"49.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"443-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:17\",\"precision\":\"\",\"size\":\"44.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-03-14\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction\n\t\t015\tTalks about writing The Circle Game and its exploration of geography and landscape as metaphor\n\t\t039\tReads “This is a photograph of Me”\n\t\t079\tReads “An Attempted solution for chess problems”\n\t\t121\tReads “The City Planners”\n\t\t162\tReads “At the Tourist Centre in Boston”\n\t\t204\tReads “The Reincarnation of Captain Cook”\n\t\t224\tReads from Surfacing\n\t\t249\tReads from her work-in-progress Lady Oracle\n\t\t\t-\tChapter 9 of Lady Oracle\n\t\t684\tFinishes chapter 9.  Answers questions from audience\n\t\t717\tCritical response to a poet-novelist\n\t\t775\tSusan McFarlane asks about the length and procedures of the publishing process, and the status of women writers\nTwo\t\t000\tQuestions from Audience – regarding publishing procedures, and her thoughts about old writing\n\t\t072\tTalks about movie rights for Surfacing\n\t\t097\tQuestion “Is the end of Surfacing a mushroom trip”\n\t\t\tNo, famine\n\t\t119\tAlternate titles for Surfacing : “Where is Here” & “Forehead Eye”\n\t\t150\tHer attitude towards critical response\n\t\t182\tParallels between plot structures and landscapes\n\t\t211\tTape ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553756368898,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5727","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Leonard Cohen: Songs from a Room #444"],"item_title_source":["cassette and j-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Cohen, Leonard"],"creator_names_search":["Cohen, Leonard"],"creators":["[{\"url\":\"http://viaf.org/viaf/56703476\",\"name\":\"Cohen, Leonard\",\"dates\":\"1934-2016\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6027/Reading in BC_MsC199_444.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"444-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:49\",\"precision\":\"\",\"size\":\"20.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"444-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:33\",\"precision\":\"\",\"size\":\"19.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t“Bird on the Wire”\n\t\t70\t“Story of Isaac”\n\t\t157\t“A Bunch of Lonesome Heros”\n\t\t226\t“The Partisan”\n\t\t320\t“Seems so Long Ago Nancy”\n\t\t425\t“The Old Revolution”\n\t\t578\t“The Butcher”\nTwo\t\t000\t“You Know who I am”\n\t\t75\t“Lady Midnight”\n\t\t145\t“Tonight will be Fine”"],"Note":["[{\"note\":\"Sound quality: some crackling, doesn't affect the audibility much\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553756368899,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5728","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Barry McKinnon and George Francis Gilman Stanley reading at Capilano College on February 15 and November 23, 1978 #469a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["McKinnon, Barry","Stanley, George"],"creator_names_search":["McKinnon, Barry","Stanley, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/60321164\",\"name\":\"McKinnon, Barry\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/30781582\",\"name\":\"Stanley, George\",\"dates\":\"1934-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6030/Reading in BC_MsC199_469a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"469a-Side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:38\",\"precision\":\"\",\"size\":\"29.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"469a-Side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:43\",\"precision\":\"\",\"size\":\"32.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-02-15\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1978-11-23\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/485438830\",\"venue\":\"Capilano College\",\"notes\":\"\",\"address\":\"2055 Purcell Way, North Vancouver, BC V7J 3H5\",\"latitude\":\"49.3173\",\"longitude\":\" -123.0196\"}]"],"Address":["2055 Purcell Way, North Vancouver, BC V7J 3H5"],"Venue":["Capilano College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tBarry McKinnon reading\n\t\t\t-\tBeginning cut off\n\t\t013\t“I chopped down the house”\n\t\t027\t“The the” – From the Book The The\n\t\t\t-\tFor Pat Lane & Wallace Stevens\n\t\t081\t“This is For those who whistle down poetry” From The the\n\t\t115\t“as if” From The the\n\t\t130\t“The Organizer”\n\t\t155\t“The Bathtub races, Nanaimo”\n\t\t200\t“Nanaimo Bars for Myron Makepeace”\n\t\t206\t“The Welder”\n\t\t223\t“Real Estate”\n\t\t384\t“parts”\n\t\t260\t“Red Lane”\n\t\t365\t“Sex at 31” \n\t\t442\t“Sex at 31” – part 2\n\t\t530\tDeath of a Lyric Poet\n\t\t545\t“The North”\n\t\t554\t“Astoria”\n\t\t561\t“In the Face of it no one would touch her”\n\t\t599\t“Bayday”\n\t\t638\t“Bingo/Dance”\n\t\t657\t“Pearl”\n\t\t702 \t-\tEnd of reading"],"Note":["[{\"note\":\"The last 20 minutes of side two is empty.\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553756368900,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5729","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Barry McKinnon and George Francis Gilman Stanley reading at Capilano College on February 15 and November 23, 1978 #469b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["McKinnon, Barry","Stanley, George"],"creator_names_search":["McKinnon, Barry","Stanley, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/60321164\",\"name\":\"McKinnon, Barry\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/30781582\",\"name\":\"Stanley, George\",\"dates\":\"1934-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6031/Reading in BC_MsC199_469b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card \",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"469b-Side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:16\",\"precision\":\"\",\"size\":\"51.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"469b-Side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:41\",\"precision\":\"\",\"size\":\"41.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-02-15\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1978-11-23\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/485438830\",\"venue\":\"Capilano College\",\"notes\":\"\",\"address\":\"2055 Purcell Way, North Vancouver, BC V7J 3H5\",\"latitude\":\"49.3173\",\"longitude\":\" -123.0196\"}]"],"Address":["2055 Purcell Way, North Vancouver, BC V7J 3H5"],"Venue":["Capilano College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t000\tGeorge Stanley reading from The Stick, Opening Day, Mountains and Air & Paradise Valley\n\t\t010\t“After Verlaine” – For Scot Watson (From The Stick)\n\t\t036\t“Phaedrus” – a serial poem\n\t\t\t1 “Vancouver-Seattle”\n\t\t048\t2 “Psyche is mad”\n\t\t066\t3 “Phaedrus.  I am Phaedrus”\n\t\t066\t4 “Eros…”\n\t\t072\t5 “Big fields where horses run”\n\t\t082\t“Dublin-Sligo”\n\t\t090\t“The Words”\n\t\t099\t“Clifden”\n\t\t107\t“Dublin”\n\t\t117\t“After Creeley” – The operation\n\t\t120\t-\tThe pain\n\t\t124\t-\tExplanation\n\t\t129\t-\tThe heart\n\t\t132\t“Science-Fiction”\n\t\t148\t“Snowball”\n\t\t154\t“Orphans of Orpheus”\n\t\t166\t“I wish I could write a poem…”\n\t\t197\t“The Wind” – From Opening Day\n\t\t208\t“Easter Sunday, ‘75”\n\t\t232\t“Down in the Flats”\n\t\t250\t“Vancouver in April”\n\t\t285\t“Vancouver – 5:45 – 6 pm  25.10.75” for Russell and Dora”\n\t\t293\t“Donatello’s David” George sings\n\t\t378\t“Icarus”\n\t\t389\t“Tacoma”\n\t\t403\t“The Mist rises”\n\t\t407\t“Lake Elsa Avenue”\n\t\t421\tTell the Truth”\n\t\t440\t“Glaciers in the arms of trees”\n\t\t451\t“Big fish on the line”\n\t\t465\t“Fewer Cigarettes”\n\t\t489\t“The poem wrestles you to the ground”\n\t\t499\t“Work channel”\n\t\t516\t“Hamlet says this is a place”\n\t\t537\t“Slow”\n\t\t554\t“Rupert Winds”\n\t\t569\t“Chinatown”\n\t\t616\t“Terrace June”\n\t\t635\t“Jean’s Restaurant”"],"Note":["[{\"note\":\"The last 20 minutes of side two is empty.\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553757417472,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5730","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Raymond Souster reading for OISE (Ontario Institute for Studies in Education) #470"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Souster, Raymond"],"creator_names_search":["Souster, Raymond"],"creators":["[{\"url\":\"http://viaf.org/viaf/115682280\",\"name\":\"Souster, Raymond\",\"dates\":\"1921-2012\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6032/Reading in BC_MsC199_470.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"470-Side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:04\",\"precision\":\"\",\"size\":\"30.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"470-Side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:21\",\"precision\":\"\",\"size\":\"32.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/10725629\",\"venue\":\"OISE (Ontario Institute for Studies in Education)\",\"notes\":\"\",\"address\":\"252 Bloor St W, Toronto, ON M5S 1V6\",\"latitude\":\"43.66875\",\"longitude\":\"-79.39889\"}]"],"Address":["252 Bloor St W, Toronto, ON M5S 1V6"],"Venue":["OISE (Ontario Institute for Studies in Education)"],"City":["Toronto, Ontario"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\t\t005\t“The Hippies at Nathan Phillips Square”\n\t\t035\t“Yea Tigers”\n\t\t050\t“The Petition”\n\t\t106\t“The Girls of the Morning”\n\t\t140\t“And now we take you to Biafra”\n\t\t164\t“His Great-Grandfather Lacrosse”\n\t\t258\t“Top Secret”\n\t\t300\t“Small house in a small town”\n\t\t322\t“Peace Demonstration, 1967”\n\t\t360\t“First Snowflake”\n\t\t380\t“Christmas Lights of Yonge St.”\n\t\t400\t“Caterpillar”\n\t\t415\t“Centre Island, Late September”\n\t\t450\t“The train past Auschwitz”\n\t\t495\t“Our Sergeant-Major”\n\t\t544\t“These words, this music”\n\t\t585\t“Death chant For Mr. Johnson’s America”"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553757417473,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5731","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Poetry readings in The Cellar: Lawrence Ferlinghetti and Kenneth Rexroth with The Cellar Jazz Quintet, 1957 #471"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ferlinghetti, Lawrence","Rexroth, Kenneth","The Cellar Jazz Quintet"],"creator_names_search":["Ferlinghetti, Lawrence","Rexroth, Kenneth","The Cellar Jazz Quintet"],"creators":["[{\"url\":\"http://viaf.org/viaf/110070499\",\"name\":\"Ferlinghetti, Lawrence\",\"dates\":\"1919-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/105850695\",\"name\":\"Rexroth, Kenneth\",\"dates\":\"1905-1982\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/151542961\",\"name\":\"The Cellar Jazz Quintet\",\"dates\":\"\",\"notes\":\"The band members are: \\nBill Weisjahns, Bruce Lippincott, Dickie Mills, Jerry Goode, Sonny Wayne\\n\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Publication_Date":[1957],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6033/Reading in BC_MsC199_471.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"471-Side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:28\",\"precision\":\"\",\"size\":\"59.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"471-Side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T02:28:12\",\"precision\":\"\",\"size\":\"182.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1957\",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t“Autobiography”\n\t\t123\tConey Island, 6.  “”The Statue of St. Francis”\n\t\t148\t“Junkman’s Obligato”\n\t\t255\t“Timor Mortis Conturbat Mea”\n\t\t566\tRecording ends\nTwo\t\t000\t“Tentative Description of a Dinner Given to promote the impeachment of President Eisenhower”\n\t\t096\tConey Island, 1.  “Goya’s Dream”\n\t\t118\t“Pictures of a Gone World, 11”\n\t\t142\t“Pictures, 26” – “W.B. Yeats on the third avenue L”\n\t\t165\t“Coney Island, 19” – “Penny Candy Store”\n\t\t177\t“Pictures, 9” – “Truth is not the secret of a few”\n\t\t191\t“Pictures, 2” – “Poem about Love”\n\t\t211\t“Dog”\n\t\t256\t“Museum of Objects Depicting the History of my Race”\n\t\t369\t“Coney Island, 3” – “The Poet’s Eye”\n\t\t390\t“Coney Island, 5” – “Crucifixion Poem”\n\t\t422\t“Coney Island, 14” – “Chagall poem”\n\t\t433\t“Pictures, 8” – “Sarolla’s women in their picture hats”\n\t\t454\t“Coney Island 16” – Kafka Poem”\n\t\t475\t“Coney Island, 9” – “Poem about poetry (Written Olde English)”\n\t\t488\t“Coney Island, 15” –“The Poet as Acrobat”\n\t\t515\t-\tRecording ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553757417474,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5732","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Karl Siegler reading Sonnets to Orpheus at George and Angela Bowering home on January 27, 1979 #472"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Siegler, Karl"],"creator_names_search":["Siegler, Karl"],"creators":["[{\"url\":\"\",\"name\":\"Siegler, Karl \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1979],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6034/Reading in BC_MsC199_472.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"472-Side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:52\",\"precision\":\"\",\"size\":\"39.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"472-Side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:59\",\"precision\":\"\",\"size\":\"40.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1979-01-27\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/356584778#map=19/49.26359/-123.21061\",\"venue\":\"George and Angela Bowering home\",\"notes\":\"Angela Bowering was George Bowering's first wife who died quite a few years ago, and this is where they used to live.\",\"address\":\"401 – 4542 West 10th Vancouver, BC  V6R 2J1\",\"latitude\":\"49.26360\",\"longitude\":\"-123.21062\"}]"],"Address":["401 – 4542 West 10th Vancouver, BC  V6R 2J1"],"Venue":["George and Angela Bowering home"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tSiegler talks about the religiosity of the sonnets\n\t\t039\t-\tReads 1-1 – “There rose a tree…”\n\t\t048\tI-2 -  “and almost a maiden it was…”\n\t\t059\tI-3 – “”A god may” \n\t\t069\t1-4 – “Oh you tender ones”\n\t\t078\tI-5 – “Erect no stone”\n\t\t088\tI-6 – “Is he from here?”\n\t\t098\tI-7 – “Praise, that’s it!”\n\t\t106\tI-8 – “Only in the realm of praise”\n\t\t116\tI-9 – “Only he who has raised the lyre”\n\t\t125\tI-10 – “You that have never left my sensibility”\n\t\t133\tI-11 – “Observe the heavens”\n\t\t145\tI-12 – “Hail the spirit, that may unite us”\n\t\t153\tI-13 –“Fullness of apple…”\n\t\t165\tI-14 – “We go about with Flower…”\n\t\t175\tI-15 – “Stay… that tastes...”\n\t\t188\tI-16 – “You, my friend, are set apart…”\n\t\t200\tI-17 – “Undermost the ancient, entangled”\n\t\t209\tI-18 – “Do you hear the New, Lord”\n\t\t217\tI-19 – “Though the world may transform itself”\n\t\t224\tI-20 – “But to you Lord…”\n\t\t236\tI-21 – “Spring has come again”\n\t\t245\tI-22 – “We are the drivers…”\n\t\t253\tI-23 – “Oh, only then…”\n\t\t260\tI-24 – “Shall we cast aside our ancient Friendship”\n\t\t274\tI-25 – “But you now…”\n\t\t290\tI-26 – “But you, beautiful and godly…”\n\t\t311\tSome comments on part two – Siegler says the language starts to mirror the page\n\t\t338\t-\tReads II, 1, in German\n\t\t354\tTranslation of II, 1 “Breath, you invisible poem!”\n\t\t370\tII-2 – “As by the quick rising leaf…”\n\t\t382\tII-3 – “Mirrors: no one has written on you”\n\t\t397\tII-4 – “Oh this is the beast which is not”\n\t\t411\tII-5 – “Flower muscle”\n\t\t428\tII-6 – “Rose, enthroned”\n\t\t446\tII-7 – “Flowers, you are finally kin”\n\t\t459\tII-8 – “How Few there were of you”\n\t\t482\tII-9 – “Praise not yourselves…”\n\t\t502\tII-10 – “All we have attained…”\n\t\t524\tII-11 – “Many a quietly ordered law…”\n\t\t542\tII-12 – “Will the transformation”\n\t\t567\tII-13 – “Be previous to all parting…”\n\t\t586\tII-14 – “Look at the flowers…”\n\t\t605\tII-15 – “Oh fountain-mouth…”\n\t\t623\tII-16 – “Time and again we have torn him up”\n\t\t642\tII-17 – “Where, in which sacred gardens…”\n\t\t664\tII-18 – “Dancer…”\n\t\t687\tII-19 – “Somewhere the spoiled gold lives…”\n\t\t714\tII-20 – “Between the stars…”\n\t\t739\tII-21 – “Sing those gardens…”\n\t\t765\tII-22 – “Oh despite destiny…”\n\t\t789\tII-23 – “Summon me to one”\n\t\t811\tII-24 – “Oh this lust always new…”\n\t\t838\tII-25 – “Listen: already the First harrow’s work is”\n\t\t858\tII-26 – “How the cry of a bird seizes us…”\n\t\t882\tII-27 – “Does time really exist…”\n\t\t902\tII-28 – “Oh come and go”\n\t\t932\tII-29 – “Silent companion of the many distances”"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553757417475,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5733","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Al Purdy reading at Ontario Institute for Studies in Education #473"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Purdy, Al"],"creator_names_search":["Purdy, Al"],"creators":["[{\"url\":\"http://viaf.org/viaf/7398775\",\"name\":\"Purdy, Al\",\"dates\":\"1918-2000\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6035/Reading in BC_MsC199_473.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"473-Side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:24\",\"precision\":\"\",\"size\":\"29.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"473-Side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:17\",\"precision\":\"\",\"size\":\"31.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/10725629\",\"venue\":\"Ontario Institute for Studies in Education\",\"notes\":\"\",\"address\":\"252 Bloor St W, Toronto, ON M5S 1V6\",\"latitude\":\"43.66854\",\"longitude\":\"-79.39876\"}]"],"Address":["252 Bloor St W, Toronto, ON M5S 1V6"],"Venue":["Ontario Institute for Studies in Education"],"City":["Toronto, Ontario"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\t\t000\tPurdy introduces his poems & says they are autobiographical\n\t\t015\tReads “Percy Lawson”\n\t\t060\t“The drunk tank”\n\t\t120\t“homemade beer”\n\t\t173\t“About being a member of our Armed Forces”\n\t\t216\t“At the movies”\n\t\t310\t“Jubilate on Flight 17 eastbound”\n\t\t367\t“Street Scene”\n\t\t444\t“Hellas Express”\n\t\t525\t“The Sculptors”\n\t\t623\t“Winter at Roblin Lake”\n\t\t680\t“Hockey Players”\n\t\t838\t-\tRecording ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553757417476,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5734","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Falcon Scott reading at SFU on November 4, 1974 #474a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Scott, Robert Falcon"],"creator_names_search":["Scott, Robert Falcon"],"creators":["[{\"url\":\"http://viaf.org/viaf/66475494\",\"name\":\"Scott, Robert Falcon\",\"dates\":\"1868-1912\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6036/Reading in BC_MsC199_474a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"474a-Side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:17\",\"precision\":\"\",\"size\":\"29.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"474a-Side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:20\",\"precision\":\"\",\"size\":\"30.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974-11-04\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2780\",\"longitude\":\"-122.9283\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"The last 40 minutes of track two is empty\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553758466048,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5735","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Six Montreal Poets: Arthur James Marshall Smith, Leonard Cohen, Irving Layton, Louis Dudek, Francis Reginald Scott, and Abraham Moses Klein reading #474b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Smith, A.J.M.","Cohen, Leonard","Layton, Irving","Dudek, Louis","Klein, A.M.","Scott, F. R."],"creator_names_search":["Smith, A.J.M.","Cohen, Leonard","Layton, Irving","Dudek, Louis","Klein, A.M.","Scott, F. R."],"creators":["[{\"url\":\"http://viaf.org/viaf/79418083\",\"name\":\"Smith, A.J.M.\",\"dates\":\"1902-1980\",\"notes\":\"Arthur James Marshall\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/56703476\",\"name\":\"Cohen, Leonard\",\"dates\":\"1934-2016\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/66482092\",\"name\":\"Layton, Irving\",\"dates\":\"1912-2006\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/49240132\",\"name\":\"Dudek, Louis\",\"dates\":\"1918-2001\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/39390274\",\"name\":\"Klein, A.M. \",\"dates\":\"1909-1972\",\"notes\":\"Abraham Moses\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\" http://viaf.org/viaf/108944267\",\"name\":\"Scott, F. 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(Francis Reginald) Scott\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6037/Reading in BC_MsC199_474b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"474b-Side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:38\",\"precision\":\"\",\"size\":\"56.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"474b-Side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:18\",\"precision\":\"\",\"size\":\"62.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tA.J.M. Smith reading\n\t\t\t“Like an old proud king in a parable…”\n\t\t014\t“A hyacinth for Edith”\n\t\t030\t“Noctambule”\n\t\t042\t“The plot against Proteys”\n\t\t052\t“Business as usual,” 1946, and “Fear as Normal”, 1954 – two parts of one poem called “The Cold War”\n\t\t071\t“The Archer”\n\t\t082\t“Sonnet”\n\t\t092\t“My death”\n\t\t105\tLeonard Cohen reading from Let us Compare Mythologies\n\t\t107\t“For Wilf and his House”\n\t\t126\t“Beside the Shepherd”\n\t\t136\t“Poem”\n\t\t143\t“Lovers”\n\t\t152\t“The Sparrows”\n\t\t171\t“Warning”\n\t\t185\t“Les Vieux”\n\t\t193\t“Elegy”\n\t\t203\tIrving Layton reading from The Improved Binoculars\n\t\t\t“The Birth of Tragedy”\n\t\t222\t“The Fertile Muck”\n\t\t244\t“Maxie”\n\t\t263\t“The Bull Calf”\n\t\t280\t“The Cold Green Element”\n\t\t313\t“The Improved Binoculars”\n\t\t334\tF.R. Scott reading\n\t\t\t-\tThree Laurentian poems \n-\t– “Surfaces”\n\t\t344\t-\t- “Lakeshore”\n\t\t378\t-\t- “Laurentian Shield”\n\t\t404\t“The Bird”\n\t\t414\t“Caring”\n\t\t424\t“Bonne Entente”\n\t\t433\t“Memory”\n\t\t445\t“Will to Win”\n\t\t460\t“Conflict”\n\t\t479\tLouis Dudek – reads two poems from his book Europe poem 19 “the commotion of these waves…”\n\t\t496\tPoem 95 “the sea retains such images…”\n\t\t510\t“To an unknown in a restaurant”\n\t\t525\t“A crackerjack”\n\t\t544\t“The pomegranate”\n\t\t585\t“Line and Form”\n\t\t618\tA.M. Klein\n\t\t\t“A song to teach humility”\n\t\t642\t“Oh plumaged proxy”\n\t\t664\t“The rocking chair”\n\t\t700\t“Political meeting”\n\t\t746\t“For the Sisters of the Hotel de Dieu”\n\t\t760\t“O city metropole”\n\t\t837\tRecording ends\nTwo\t\t000\tIntroduction by Mrs. Clark\n\t\t060\tScott reads “New Names”, an early poem\n\t\t090\t“Trans Canada”\n\t\t127\t“Laurentian Shield”\n\t\t175\t“Surfaces”\n\t\t199\t“Autumn Lake”\n\t\t220\t“Flying to Fort Smith”\n\t\t241\t“3 found poems”\n\t\t305\t“Child running downhill”\n\t\t323\t“Passerby”\n\t\t351\t“Memory”\n\t\t368\t“Waiting”\n\t\t397\t“Heart”\n\t\t415\t“On watching Margaret Dying”\n\t\t435\t“Union”\n\t\t449\t“Dancing”\n\t\t473\t“This is a law”\n\t\t513\t“Alas in Wonderland”\n\t\t566\t“Vision”\n\t\t612\t-\tRecording ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553758466049,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5736","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["William Carlos Williams reading on June 6, 1954 #475"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Williams, William Carlos"],"creator_names_search":["Williams, William Carlos"],"creators":["[{\"url\":\"http://viaf.org/viaf/29542054\",\"name\":\"Williams, William Carlos\",\"dates\":\"1883-1963\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1954],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6038/Reading in BC_MsC199_475.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card \",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"475-Side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:39:38\",\"precision\":\"\",\"size\":\"39.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"475-Side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:35\",\"precision\":\"\",\"size\":\"23.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1954-06-06\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t“To Daphne and Virginia” – (beginning cut off)\n\t\t041\t“The Orchestra”\n\t\t086\t“For Eleanor and Bill Menahan”\n\t\t135\t“The Yellow Flowers\n\t\t172\t“The Host”\n\t\t216\t“Asphodel, that Greeny Flower”\n\t\t232\t“The Botticellian Trees”\n\t\t245\t“Flowers by the Sea”\n\t\t253\t“The Yachts”\n\t\t295\t“The Catholic Bells”\n\t\t326\t“Smell!”\n\t\t344\t“It is the whales…”\n\t\t420\t“Yellow, yellow…”\n\t\t444\t“Spring and all”, XVIII\n\t\t484\t“Between Walls”\n\t\t489\t“On Gay Wallpaper”\n\t\t503\t“The Red Lily”\n\t\t522\tRecording ends\n\n\n\n\nSide\tTrack\tNo.\tComments\nOne\t\t000\t“To Daphne and Virginia” – (beginning cut off)\n\t\t041\t“The Orchestra”\n\t\t086\t“For Eleanor and Bill Menahan”\n\t\t135\t“The Yellow Flowers\n\t\t172\t“The Host”\n\t\t216\t“Asphodel, that Greeny Flower”\n\t\t232\t“The Botticellian Trees”\n\t\t245\t“Flowers by the Sea”\n\t\t253\t“The Yachts”\n\t\t295\t“The Catholic Bells”\n\t\t326\t“Smell!”\n\t\t344\t“It is the whales…”\n\t\t420\t“Yellow, yellow…”\n\t\t444\t“Spring and all”, XVIII\n\t\t484\t“Between Walls”\n\t\t489\t“On Gay Wallpaper”\n\t\t503\t“The Red Lily”\n\t\t522\tRecording ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553759514624,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5737","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"Lionel Kearns, Lloyd Burritt, Ross Barrett, Jim Brown, Wayne Carr, and Al Neil Trio read and perform in Vancouver  \",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\"\",\"longitude\":\"\"},{\"url\":\"\",\"venue\":\"\",\"notes\":\"Bruce Clarke reads in Melbourne\",\"address\":\"Melbourne, Australia \",\"latitude\":\"\",\"longitude\":\"\"},{\"url\":\"\",\"venue\":\"\",\"notes\":\"Roy Cooper reads in Yorkshire\",\"address\":\"Yorkshire, England\",\"latitude\":\"\",\"longitude\":\"\"},{\"url\":\"\",\"venue\":\"\",\"notes\":\"BP Nichol reads in Toronto\",\"address\":\"Ontario, Tornoto, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Vancouver, BC, Canada","Melbourne, Australia ","Yorkshire, England","Ontario, Tornoto, Canada"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t“Another Day Older” – bp Nichol – Toronto\n\t\t048\t“The woman who” – Lionel Kearns – Vancouver\n\t\t120\t“Transport” – Lionel Kearns – Vancouver\n\t\t212\t“Of Spiralling Why” – Bruce Clarke-Melbourne, Australia\n\t\t490\t“The Hollow Men” – Lloyd Burritt-Vancouver\n\t\t580\tEnd of side one\nTwo\t\t000\t“Tree Person” – Ross Barrett/Jim Brown – Vancouver\n\t\t073\t“Prelude to 1984 – Roy Cooper-Yorkshire, England\n\t\t261\t“Lombardo” – Al Neil trio – Vancouver\n\t\t384\t“Timbral Changes” – Wayne Carr – Vancouver\n\t\t520\tEnd of recording"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553759514625,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5738","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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Eustace Ross “Cotton Mather”\n\t\t008\t“Plunging Into”\n\t\t014\t“The Walk”\n\t\t020\t“The Saws were Shrieking”\n\t\t026\t“The Snake Trying”\n\t\t032\t“Knocks”\n\t\t039\t“The Spring”\n\t\t057\t“Catacombs”\n\t\t061\t“Gerard de Nerval”\n\t\t066\t“The Creek”\n\t\t075\t“White Water Lily”\n\t\t\tAnne Wilkinson\n\t\t088\t“Penelope”\n\t\t095\t“Nature be Damned”\n\t\t131\t“In Praise of Burton”\n\t\t171\t“Lense”\n\t\t197\t“Noel”\n\t\t209\t“Tigers Know From Birth”\n\t\t219\t“The Pressure of the Night\n\t\t\tRaymond Souster\n\t\t230\t“The Urge”\n\t\t236\t“The 6 Quart Basket”\n\t\t239\t“The Rainbow”\n\t\t242\t“Downtown Corner Newstand”\n\t\t255\t“Rebirth”\n\t\t262\t“The Amusement Park”\n\t\t275\t“The Sleeper”\n\t\t280\t“The Creeper along the House Wall”\n\t\t288\t“The Top Hat”\n\t\t293\t“The Quarry”\n\t\t299\t“Flight of the Roller Coaster”\n\t\t311\t“Bridge over the Dawn”\n\t\t322\t“Dark Angel”\n\t\t328\t“The seller of roses”\n\t\t338\t“The Full Gospel Mission”\n\t\t344\t“The swing”\n\t\t349\t“The Child’s umbrella”\n\t\t353\t“Happy Birthday\n\t\t\tMargaret Avison\n\t\t361\t“Excerpt”\n\t\t408\t“Our working day may be menaced”\n\t\t452\t“Tennis”\n\t\t466\t“Not the Sweet Sicily of Gerard’s Herbal”\n\t\t\tJames Reaney\n\t\t495\t“The Crow”\n\t\t504\t“The Heart and the Sun”\n\t\t532\t“Dark Lagoon”\n\t\t558\t“Zone”\n\t\t575\t“The Beauty of Miss Beatty”\n\t\t594\t“Lake Superior”\n\t\t607\t“The Kattensjammer Kidds”\n\t\t628\t“Three Deadly Sins”\n\t\t\tJay Macpherson\n\t\t664\t“The Fisherman”\n\t\t670\t“Storm”\n\t\t689\t“Whale”\n\t\t698\t“Whale”\n\t\t710\t“Coral”\n\t\t723\t“Mermaid”\n\t\t732\t“Lung Fish”\n\t\t739\t“Egg”\n\t\t748\t“Mandrake”\n\t\t759\t“Phoenix”\n\t\t773\t“Abominable Snowman”\n\t\t793\t“Book”\n\t\t814\t“Retina”\n\t\t821\t“Reader”\n\t\t833\t“The Fisherman”"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553759514627,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5740","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. 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T. Prince reading\",\"source\":\"J-card\"},{\"date\":\"1976-10-20\",\"type\":\"Production Date\",\"notes\":\"John Ashbery reading\",\"source\":\"J-card\"},{\"date\":\"1977-12-07\",\"type\":\"Production Date\",\"notes\":\"Eileen Myles reading\",\"source\":\"J-card\"},{\"date\":\"1978-04-26\",\"type\":\"Production Date\",\"notes\":\"Tom Clark reading\",\"source\":\"J-card\"},{\"date\":\"1979-02-14\",\"type\":\"Production Date\",\"notes\":\"Steve Carey reading\",\"source\":\"J-card\"},{\"date\":\"1978-04-19\",\"type\":\"Production Date\",\"notes\":\"Carl Rakosi reading\",\"source\":\"J-card\"},{\"date\":\"1980-05-28\",\"type\":\"Production Date\",\"notes\":\"Maureen Owen reading\",\"source\":\"J-card\"},{\"date\":\"1973-02-14\",\"type\":\"Production Date\",\"notes\":\"Larry Fagin reading\",\"source\":\"J-card\"},{\"date\":\"1979-02-21\",\"type\":\"Production Date\",\"notes\":\"Alice Notley reading\",\"source\":\"J-card\"},{\"date\":\"1972-02-09\",\"type\":\"Production Date\",\"notes\":\"Edwin Denby reading\",\"source\":\"J-card\"},{\"date\":\"1973-03-28\",\"type\":\"Production Date\",\"notes\":\"Ted Berrigan reading\",\"source\":\"J-card\"},{\"date\":\"1976-12-15\",\"type\":\"Production Date\",\"notes\":\"Michael Brownstein reading\",\"source\":\"J-card\"},{\"date\":\"1979-05-09\",\"type\":\"Production Date\",\"notes\":\"Kenneth Koch and Allen Ginsberg reading\",\"source\":\"J-card\"},{\"date\":\"1975-10-22\",\"type\":\"Production Date\",\"notes\":\"Robert Creeley reading\",\"source\":\"J-card\"},{\"date\":\"(1970-11-04) to (1972-12-06)\",\"type\":\"Production Date\",\"notes\":\"Charles Reznikoff's reading date is uncertain, it should be some time from (1970-11-04) to (1972-12-06) \",\"source\":\"\"},{\"date\":\"1969\",\"type\":\"Production Date\",\"notes\":\"Anselm Hollo reading\",\"source\":\"J-card\"},{\"date\":\"1970\",\"type\":\"Production Date\",\"notes\":\"Fielding Dawson reading\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/5671429#map=16/40.7323/-73.9891\",\"venue\":\"Entermedia Theater \",\"notes\":\"\",\"address\":\"East 12th Street and 2nd Avenue New York, NY\",\"latitude\":\"40.7327\",\"longitude\":\"-73.9900\"},{\"url\":\"https://www.openstreetmap.org/node/2717543654\",\"venue\":\"The Town Hall\",\"notes\":\"\",\"address\":\"123 West 43rd Street, New York, NY 10036\",\"latitude\":\"40.75601\",\"longitude\":\"-73.98456\"},{\"url\":\"https://www.openstreetmap.org/search?whereami=1&query=40.73035%2C-73.98716#map=19/40.73035/-73.98716\",\"venue\":\"St. Marks Church-In-The-Bowery\",\"notes\":\"Sanctuary or Parish hall of the St. Mark church in-the-Bowery\",\"address\":\"131 E 10th St, New York, NY 10003, United States\",\"latitude\":\"40.73035\",\"longitude\":\"-73.98716\"},{\"url\":\"https://www.openstreetmap.org/way/248165477\",\"venue\":\" 57 St. Mark's Place\",\"notes\":\"\",\"address\":\"East Village, Manhattan, New York County, New York, 10003, United States\",\"latitude\":\"40.68217\",\"longitude\":\"-73.98042\"}]"],"Address":["East 12th Street and 2nd Avenue New York, NY","123 West 43rd Street, New York, NY 10036","131 E 10th St, New York, NY 10003, United States","East Village, Manhattan, New York County, New York, 10003, United States"],"Venue":["Entermedia Theater ","The Town Hall","St. Marks Church-In-The-Bowery"," 57 St. Mark's Place"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tFrom “Going To and Fro and Walking up and down” – “The young fellow walks about…”  Charles Reznikoff\n\t\t011\tFrom “By the well of living and seeing” – “You must not suppose…”  Charles Reznikoff\n\t\t013\t“Love Story”  Charles Reznikoff\n\t\t056\t“Tree Ode” Ray Bremser 1/13/71\n\t\t121\t“Loss” John Wieners 1/6/71\n\t\t128\t“Elizabeth Taylor is my Sister” John Wieners 1/6/71\n\t\t168\t“The Wrong Kind of Insurance” John Ashbery 10/20/76\n\t\t207\tFrom “Dry points of the Hasidim” F.T. Prince 5/24/78\n\t\t264\t“Van Gogh” Joe Brainard 3/31/71\n\t\t282\t“Living under Sacred Heart” Jamie MacInnis 3/28/79\n\t\t295\t“Classical Grass” Eileen Myles 12/7/77\n\t\t305\t“The Colour of Stepped on Gum” Tom Clark 4/26/78\n\t\t315\t“Gentle Subsidy” Steve Carey 2/14/79\n\t\t337\t“A Moment with the Imagination” Carl Rakosi 4/19/78\n\t\t352\t“Happy Mother’s Day” Maureen Owen 5/28/80\n\t\t371\t“Little Hand” Larry Fagin 2/14/73\n\t\t379\t“A woman Comes into the Room” Alice Notley 2/21/79\n\t\t396\t“Elegy – The Streets” Edwin Denby 2/9/72\n\t\t482\t“Things to do in New York City” Ted Berrigan 3/28/73\n\t\t496\t“Landscape with Figures (Southampton): Ted Berrigan 3/28/73\n\t\t510\t“Frank O’Hara” Ted Berrigan 3/28/73\n\t\t529\t“From Oracle Night” Michael Brownstein 12/15/76\n\t\t546\t“Popeyer William Blake Fight to the death” Kenneth Koch and Allen Ginsberg 5/9/79\n\t\t687\t“I is the grandson” Robert Creeley 10/22/75\n\t\t717\t“Anger” Robert Creeley 10/22/75\n\t\t821\tFrom “The Empress Hotel Poems” Anselm Hollo 1969\n\t\t856\t“’57 Series” Fielding Dawson 1970"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553760563200,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5741","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The World Record: Readings at the St. Mark's poetry project in New York City, 1969-1980 #481b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Thomas, Lorenzo","Coolidge, Clark","Mayer, Bernadette","Hawkins, Bobbie Louise","Herd, Dale","Cruz, Victor Hernández","Lenhart, Gary","Towle, Tony","Berkson, Bill","Waldman, Anne","Warsh, Lewis","Baraka, Amiri","Palmer, Michael","Levine, Steve","Schiff, Harris","Lowell, Robert","Elmslie, Kenward","Deifik, Kenneth","Norman, Howard","Padgett, Ron","Godfrey, John","Brodey, Jim","Sanders, Ed","Wright, Jeffrey C.","Greenwald, Ted","Rosenthal, Bob","Kraut, Rochelle","Kyger, Joanne"],"creator_names_search":["Thomas, Lorenzo","Coolidge, Clark","Mayer, Bernadette","Hawkins, Bobbie Louise","Herd, Dale","Cruz, Victor Hernández","Lenhart, Gary","Towle, Tony","Berkson, Bill","Waldman, Anne","Warsh, Lewis","Baraka, Amiri","Palmer, Michael","Levine, Steve","Schiff, Harris","Lowell, Robert","Elmslie, Kenward","Deifik, Kenneth","Norman, Howard","Padgett, Ron","Godfrey, John","Brodey, Jim","Sanders, Ed","Wright, Jeffrey C.","Greenwald, Ted","Rosenthal, Bob","Kraut, Rochelle","Kyger, Joanne"],"creators":["[{\"url\":\"http://viaf.org/viaf/116432048\",\"name\":\"Thomas, Lorenzo\",\"dates\":\"1944-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/66488556\",\"name\":\"Coolidge, Clark \",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/23311550\",\"name\":\"Mayer, Bernadette\",\"dates\":\"1945-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/35849197\",\"name\":\"Hawkins, Bobbie 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Kenward\",\"dates\":\"1929-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Deifik, Kenneth \",\"dates\":\"\",\"notes\":\"Harmonica music composed and performed by Kenneth Deifik \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/118417991\",\"name\":\"Norman, Howard\",\"dates\":\"1949-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/17265862\",\"name\":\"Padgett, Ron\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Godfrey, John \",\"dates\":\"1945-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11344215\",\"name\":\"Brodey, Jim\",\"dates\":\"1942-1993\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/22183708\",\"name\":\"Sanders, Ed \",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/28434127\",\"name\":\"Wright, Jeffrey C. \",\"dates\":\"1951-\",\"notes\":\"Jeffrey Cyphers\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/1267338\",\"name\":\"Greenwald, Ted\",\"dates\":\"1942-2016\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/98162226\",\"name\":\"Rosenthal, Bob\",\"dates\":\"1950-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/50685879\",\"name\":\"Kraut, Rochelle\",\"dates\":\"\",\"notes\":\"I care for not these ladies by Thomas Campion sung by Rochelle Kraut\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/71627705\",\"name\":\"Kyger, Joanne\",\"dates\":\"1934-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Publication_Date":[1975],"Production_Date":[1979],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6044/Reading in 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for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"481b-Side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:36\",\"precision\":\"\",\"size\":\"44.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1979-11-20\",\"type\":\"Production Date\",\"notes\":\"Lorenzo Thomas reading\",\"source\":\"J-card\"},{\"date\":\"1980-03-19\",\"type\":\"Production Date\",\"notes\":\"Clark Coolidge reading\",\"source\":\"J-card\"},{\"date\":\"1971-12-22\",\"type\":\"Production Date\",\"notes\":\"Bernadette Mayer reading\",\"source\":\"J-card\"},{\"date\":\"1978-05-10\",\"type\":\"Production Date\",\"notes\":\"Bobbie Louise Hawkins reading\",\"source\":\"J-card\"},{\"date\":\"1979-02-28\",\"type\":\"Production Date\",\"notes\":\"Dale Herd reading\",\"source\":\"J-card\"},{\"date\":\"1978-04-26\",\"type\":\"Production Date\",\"notes\":\"Victor Hernández Cruz reading\",\"source\":\"J-card\"},{\"date\":\"1977-07-18\",\"type\":\"Production Date\",\"notes\":\"Gary Lenhart reading\",\"source\":\"J-card\"},{\"date\":\"1980-01-02\",\"type\":\"Production Date\",\"notes\":\"Tony Towle reading\",\"source\":\"J-card\"},{\"date\":\"1978-05-17\",\"type\":\"Production Date\",\"notes\":\"Bill Berkson reading\",\"source\":\"J-card\"},{\"date\":\"1979-01-03\",\"type\":\"Production Date\",\"notes\":\"Anne Waldman reading\",\"source\":\"J-card\"},{\"date\":\"1974-10-02\",\"type\":\"Production Date\",\"notes\":\"Lewis Warsh reading\",\"source\":\"J-card\"},{\"date\":\"1975-11-12\",\"type\":\"Production Date\",\"notes\":\"Amiri Baraka reading\",\"source\":\"J-card\"},{\"date\":\"1979-01-01\",\"type\":\"Production Date\",\"notes\":\"Rochelle Kraut singing\",\"source\":\"J-card\"},{\"date\":\"1978-03-08\",\"type\":\"Production Date\",\"notes\":\"Michael Palmer reading\",\"source\":\"J-card\"},{\"date\":\"1979-11-28\",\"type\":\"Production Date\",\"notes\":\"Steve Levine reading\",\"source\":\"J-card\"},{\"date\":\"1980-04-19\",\"type\":\"Production Date\",\"notes\":\"Harris Schiff reading\",\"source\":\"J-card\"},{\"date\":\"1977-02-23\",\"type\":\"Production Date\",\"notes\":\"Robert Lowell reading\",\"source\":\"J-card\"},{\"date\":\"1977-05-17\",\"type\":\"Production Date\",\"notes\":\"Harris Schiff reading\",\"source\":\"J-card\"},{\"date\":\"1980-04-19\",\"type\":\"Production Date\",\"notes\":\"Kenward Elmslie reading\",\"source\":\"J-card\"},{\"date\":\"1979-10-24\",\"type\":\"Production Date\",\"notes\":\"Howard Norman reading\",\"source\":\"J-card\"},{\"date\":\"1973-01-24\",\"type\":\"Production Date\",\"notes\":\"Ron Padgett reading\",\"source\":\"J-card\"},{\"date\":\"1979-02-28\",\"type\":\"Production Date\",\"notes\":\"John Godfrey reading\",\"source\":\"J-card\"},{\"date\":\"1979-04-04\",\"type\":\"Production Date\",\"notes\":\"Jim Brodey reading\",\"source\":\"J-card\"},{\"date\":\"1975-10-22\",\"type\":\"Publication Date\",\"notes\":\"Ed Sanders reading\",\"source\":\"J-card\"},{\"date\":\"1979-11-07\",\"type\":\"Production Date\",\"notes\":\"Jeffrey C. Wright reading\",\"source\":\"J-card\"},{\"date\":\"1979-02-28\",\"type\":\"Production Date\",\"notes\":\"Ted Greenwald reading\",\"source\":\"J-card\"},{\"date\":\"1977-11-16\",\"type\":\"Production Date\",\"notes\":\"Bob Rosenthal reading\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/5671429#map=16/40.7323/-73.9891\",\"venue\":\"Entermedia Theater \",\"notes\":\"\",\"address\":\"East 12th Street and 2nd Avenue New York, NY\",\"latitude\":\"40.7327\",\"longitude\":\"-73.9900\"},{\"url\":\"https://www.openstreetmap.org/node/2717543654\",\"venue\":\"The Town Hall\",\"notes\":\"\",\"address\":\"123 West 43rd Street, New York, NY 10036\",\"latitude\":\"40.75601\",\"longitude\":\"-73.98456\"},{\"url\":\"https://www.openstreetmap.org/search?whereami=1&query=40.73035%2C-73.98716#map=19/40.73035/-73.98716\",\"venue\":\"St. Marks Church-In-The-Bowery\",\"notes\":\"Sanctuary or Parish hall of the St. Mark church in-the-Bowery\",\"address\":\"131 E 10th St, New York, NY 10003, United States\",\"latitude\":\"40.73035\",\"longitude\":\"-73.98716\"},{\"url\":\"https://www.openstreetmap.org/way/248165477\",\"venue\":\" 57 St. Mark's Place\",\"notes\":\"\",\"address\":\"East Village, Manhattan, New York County, New York, 10003, United States\",\"latitude\":\"40.68217\",\"longitude\":\"-73.98042\"}]"],"Address":["East 12th Street and 2nd Avenue New York, NY","123 West 43rd Street, New York, NY 10036","131 E 10th St, New York, NY 10003, United States","East Village, Manhattan, New York County, New York, 10003, United States"],"Venue":["Entermedia Theater ","The Town Hall","St. Marks Church-In-The-Bowery"," 57 St. Mark's Place"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t000\tFrom Visit to Mayaland (“In the time of the ancients…”) Joanne Kyger 3/22/78\n\t\t024\t“Red Cross Stations” Lorenzo Thomas 11/20/79\n\t\t042\t“On Induction of the hand” Clark Coolidge 3/19/80\n\t\t069\t“The hand Further” Clark Coolidge 3/19/80\n\t\t081\tFrom Studying Hunger –  “Blondie” Bernadette Mayer 12/22/71\n\t\t147\t“The Elevation of Terre Haute is 50 Feet” Bobbie Louise Hawkins 5/10/78\n\t\t200\t“Beauty” Dale Herd 2/28/79\n\t\t215\t“The Experimental Writer” Victor Hernandez Cruz 4/26/78\n\t\t250\t“Zanesville O” Gary Lenhart 7/18/77\n\t\t258\t“Social Poem” Tony Towle 1/2/80\n\t\t296\t“Blue is the Hero” Bill Berkson 5/17/78\n\t\t320\t“Musical Garden” Anne Waldman 1/3/79\n\t\t373\t“My Blue heaven” Lewis Warsh 10/2/74\n\t\t390\t“Pressure to grow” Amiri Baraka 11/12/75\n\t\t412\t“I care not for these ladies” Thomas Campion – sung by Rochell Kraut 1/1/79\n\t\t444\t“Dance of the Bees” Michael Palmer 3/8/78\n\t\t456\t“Modern Science” Steve Levine 11/28/79\n\t\t478\t“New York” Harris Schiff 4/19/80\n\t\t481\t“Freedom is your dream” Harris Schiff 5/17/77\n\t\t491\t“Speak of that woe that is in marriage” Robert Lowell 2/23/77\n\t\t518\t“Saga of Skunk’s Misery” Kenward Elmslie, with Harmonica Music composed and performed by Kenneth Deifik 4/19/80\n\t\t555\t“Lullaby” (in Cree and English) Howard Norman 10/24/79\n\t\t569\t“The Music Lesson” Ron Padgett 1/24/73\n\t\t710\t“Show me a rose” John Godfrey 2/28/79\n\t\t726\t“Homeward Bound” Jim Bradey 4/4/79\n\t\t747\t“…Variorum Edition…” Ed sanders 10/22/75\n\t\t797\t“You must pay the rent” Jeff Wright 11/7/79\n\t\t822\t“Whiff” Ted Greenwald 2/28/79\n\t\t876\t“Kissing game” Bob Rosenthal 11/16/77"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553760563201,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5742","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Jack Clarke lecture on Charles Olson on December 12, 1971 Tape 2 of 2 #543b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Olson, Charles","Clarke, John"],"creator_names_search":["Olson, Charles","Clarke, John"],"creators":["[{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"Jack Clarke discusses Charles Olson as an inspiration for FATHAR III\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/40837274\",\"name\":\"Clarke, John\",\"dates\":\"1933-1992\",\"notes\":\"John \\\"Jack\\\" Clarke\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1971],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6045/Reading in BC_MsC199_543_2.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"543_2-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:55\",\"precision\":\"\",\"size\":\"36.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"543_2-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:59\",\"precision\":\"\",\"size\":\"37.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1971-12-12\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t000\tFATHAR III written in Buffalo & Oregon from Memorial Day 1970 to Memorial Day 1971\n\t\t030\t“property is solace to everyone”\n\t\t052\tIntroduces “We are the Gypsies of Coalsack Bluff”\n\t\t090\tReads “We are the Gypsies…”\n\t\t110\tIntroduces ‘THE CHALLENGE”\n\t\t168\tReads “THE CHALLENGE”\n\t\t200\tReads “ANIMAE SIMPLICISSIMAE”\n\t\t238\tReads “OXFORD GONE TO THE DOGS”\n\t\t255\tReads “JOB ONLY GOES THROUGH”\n\t\t274\tReads “CRYPTIC EMERGENCY”\n\t\t280\tReads “PURCHASE ORDER THE STATE OF NEW YORK NELSON ROCKYFELLER GOVERNOR”\n\t\t298\tReads “LOTS OF VESTURE”\n\t\t307\tReads “BREAD ALONE”\n\t\t330\tReads “AND ALL THE DARK PLACES WRE LIGHTED UP FOR WYNTON”\n\t\t345\tExplains the mythology of “AND ALL THE DARK…”\n\t\t409\tReads “THE DECADE IS COMPLETE”\n\t\t421\tReads “THE WARDER OF THE WOOD”\n\t\t445\tReads “THE DELINEATION”\n\t\t472\tQuestions from the audience"],"Note":["[{\"note\":\"\\nSide 3 36:15\\nSide 4 26:00\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553760563202,"timestamp":"2026-01-07T14:59:58.173Z","score":0.01643844},{"id":"5743","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["American Text Sound Pieces / Record Seven, the poet speaks: John Betjeman, Robert Graves, Stephen Spender, Kathleen Raine, W.H. Auden, Basil Bunting, William Empson, Patric Dickinson, R.S. Thomas, and Hilary Anne Clark reading #483"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Betjeman, John","Graves, Robert","Spender, Stephen","Raine, Kathleen","Auden, W.H.","Bunting, Basil","Empson, William","Dickinson, Patric","Thomas, R.S.","Clark, Hilary Anne"],"creator_names_search":["Betjeman, John","Graves, Robert","Spender, Stephen","Raine, Kathleen","Auden, W.H.","Bunting, Basil","Empson, William","Dickinson, Patric","Thomas, R.S.","Clark, Hilary Anne"],"creators":["[{\"url\":\"http://viaf.org/viaf/66543881\",\"name\":\"Betjeman, John\",\"dates\":\"1906-1984\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/68929835\",\"name\":\"Graves, Robert\",\"dates\":\"1895-1985\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/39398656\",\"name\":\"Spender, Stephen\",\"dates\":\"1909-1995\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/71396599\",\"name\":\"Raine, Kathleen\",\"dates\":\"1908-2003\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/2465832\",\"name\":\"Auden, W.H.\",\"dates\":\" 1907-1973\",\"notes\":\"Wystan Hugh\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/4949021\",\"name\":\"Bunting, Basil\",\"dates\":\"1900-1985\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/34474006\",\"name\":\"Empson, William\",\"dates\":\"1906-1984\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/115738213\",\"name\":\"Dickinson, Patric\",\"dates\":\" 1914-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/98258962\",\"name\":\"Thomas, R.S. \",\"dates\":\"1913-2000\",\"notes\":\"Ronald Stuart\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/66597187\",\"name\":\"Clark, Hilary Anne\",\"dates\":\"1955-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6046/Reading in BC_MsC199_483.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"483-Side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:19\",\"precision\":\"\",\"size\":\"40.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"483-Side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:14\",\"precision\":\"\",\"size\":\"41.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966-05-19\",\"type\":\"Production Date\",\"notes\":\"John Betjeman reading\",\"source\":\"J-card\"},{\"date\":\"1964-08-26\",\"type\":\"Production Date\",\"notes\":\"Stephen Spender reading\",\"source\":\"J-card\"},{\"date\":\"1965-04-05\",\"type\":\"Production Date\",\"notes\":\"Kathleen Raine reading\",\"source\":\"\"},{\"date\":\"1965-09-10\",\"type\":\"Production Date\",\"notes\":\"Basil Bunting reading\",\"source\":\"J-card\"},{\"date\":\"1965-12-21\",\"type\":\"Production Date\",\"notes\":\"Patric Dickinson reading\",\"source\":\"J-card\"},{\"date\":\"1963-07-10\",\"type\":\"Production Date\",\"notes\":\"Hilary Anne Clark reading\",\"source\":\"J-card\"},{\"date\":\"1959\",\"type\":\"Production Date\",\"notes\":\"Robert Graves reading\",\"source\":\"J-card\"},{\"date\":\"1959\",\"type\":\"Production Date\",\"notes\":\"W.H. Auden reading\",\"source\":\"J-card\"},{\"date\":\"1958\",\"type\":\"Production Date\",\"notes\":\"William Empson reading\",\"source\":\"J-card\"},{\"date\":\"1958\",\"type\":\"Production Date\",\"notes\":\"R.S. Thomas reading\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/29270331\",\"venue\":\"Wylam\",\"notes\":\"Basil Bunting reading recorded there\",\"address\":\"Wylam, Northumberland, England \",\"latitude\":\"54.9768\",\"longitude\":\"-1.8224\"},{\"url\":\"https://www.openstreetmap.org/way/4255367\",\"venue\":\"Cloth Fair\",\"notes\":\"John Betjeman reading recorded there\",\"address\":\"Smithfield, City of London, Greater London, England, EC1A 7NT, United Kingdom\",\"latitude\":\"51.51908\",\"longitude\":\"-0.09960\"}]"],"Address":["Wylam, Northumberland, England ","Smithfield, City of London, Greater London, England, EC1A 7NT, United Kingdom"],"Venue":["Wylam","Cloth Fair"],"City":["London, United Kingdom"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tJohn Betjeman “A Shropshire Lad”\n\t\t063\t“Before the Anaesthetic”\n\t\t136\t“Late flowering lust”\n\t\t167\t“The Metropolitan Railway”\n\t\t226\tRobert Graves “The Devil’s advice to storytellers”\n\t\t269\t“Welsh Incident”\n\t\t355\t“Two Grotesques”\n\t\t419\tStephen Spender “Earth treading stars”\n\t\t545\t“Seascape”\n\t\t618\t“To My Daughter”\n\t\t637\tKathleen Raine “Statues”\n\t\t711\t“The Eternal Child”\nTwo\t\t\tW.H. Auden\n\t\t000\t“The Hard Question”\n\t\t049\t“Song”\n\t\t087\t“The More Loving One”\n\t\t107\t“Chorus”\n\t\t145\tBasil Bunting – talks about his influences\n\t\t167\t“Mesh cast for mackerel”\n\t\t193\t“Let Them remember Samangan”\n\t\t228\tWilliam Empson – talks about his use of metaphysical conceit\n\t\t249\t“Legal Fiction”\n\t\t280\t“To an Old Lady”\n\t\t344\tPatrick Dickinson – talks about the speaking voice\n\t\t375\t“Song”\n\t\t407\t“This Cold Universe”\n\t\t458\t“Lincoln Cathedral”\n\t\t\tR.S. Thomas\n\t\t495\t“Pisces”\n\t\t507\t“The Last of the Peasantry”\n\t\t544\t“No through road”\n\t\t582\t“The Welsh hill Country”\n\t\t628\tHilary Corke talks about ways of beginning\n\t\t656\t“The early Drowned”\n\t\t790\tRecording ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553953501184,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5744","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Cantos of Ezra Pound: Hugh Kenner, George Gugelberger & Paul Vangelisti, and Everett Frost, part 1 of 2 #484a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kenner, Hugh","Pound, Ezra","Gugelberger, Georg M.","Vangelisti, Paul","Frost, Everett"],"creator_names_search":["Kenner, Hugh","Pound, Ezra","Gugelberger, Georg M.","Vangelisti, Paul","Frost, Everett"],"creators":["[{\"url\":\"http://viaf.org/viaf/106966232\",\"name\":\"Kenner, Hugh\",\"dates\":\"1923-2003\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/24606774\",\"name\":\"Pound, 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"484a-Side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:22\",\"precision\":\"\",\"size\":\"52.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction of Hugh Kenner, George Gugelberger & Paul Vangelisti, by Everett Frost\n\t\t030\tDiscussion of canto 1\n\t\t032\tPound reads Homer “the decent into Hell” from The Odyssey, First in Greek, then Latin, then reads Canto 1\n\t\t114\tDiscussion of epic as unfinished work, an open Form\n\t\t166\tCanto 1 a translation, and a metaphor for translation\n\t\t222\tA letter from Pound to his father, April 11, 1927, describing the Cantos\n\t\t238\tPound Reads Canto IV\n\t\t329\t-discussion of the difficult coherence of Canto IV – a dream vision of history\n\t\t426\tCanto IX – Kenner gives a background and reads the portion – a letter to Malatestis Capitan General From Malatesta de Malatestis\n\t\t528\tThey read Canto XIII collectively “Kung walked/by the dynastic temple…”\n\t\t610\tPound’s use of blanks and dots in the manuscript, and various alterations in the text\n\t\t654\tPound reading a portion of Canto XVI – recording made in 1965, Spoleto, Italy, when Pound was 80 years old\n\t\t775\tFrost reads from The Pound Eva, by Hugh Kenner, on the availability of The Cantos as they were being written\n\t\t818\tPound reading Canto XXXVI\n\t\t975\tRecording ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553954549760,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5745","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Fugs: It Crawled into My Hand, Honest #485"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["The Fugs","Sanders, Ed","Kupferberg, Tuli","Kortchmar, Danny","Weaver, Ken","Larkey, Charles","Pine, Ken"],"creator_names_search":["The Fugs","Sanders, Ed","Kupferberg, Tuli","Kortchmar, Danny","Weaver, Ken","Larkey, Charles","Pine, Ken"],"creators":["[{\"url\":\"http://viaf.org/viaf/5237155105825776320007\",\"name\":\"The Fugs\",\"dates\":\"\",\"notes\":\"    Ed Sanders - vocals\\n    Ken Weaver - drums, vocals\\n    Tuli Kupferberg - vocals\\n    Ken Pine - guitar, vocals\\n    Danny Kootch - guitar, violin\\n    Charles Larkey - bass\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/301129107\",\"name\":\"Sanders, Ed\",\"dates\":\"1973-\",\"notes\":\"vocals\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/1030149198246074940006\",\"name\":\"Kupferberg, Tuli\",\"dates\":\"1923-2010\",\"notes\":\"vocals\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/53765291\",\"name\":\"Kortchmar, Danny \",\"dates\":\"1940-\",\"notes\":\"guitar and violin\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/75234455\",\"name\":\"Weaver, Ken\",\"dates\":\"1940-\",\"notes\":\" drums and vocals\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Larkey, Charles\",\"dates\":\"\",\"notes\":\"bass\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Pine, Ken \",\"dates\":\"\",\"notes\":\"guitar and vocals\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6048/Reading in BC_MsC199_485.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"485-Side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:33\",\"precision\":\"\",\"size\":\"22.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"485-Side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:34\",\"precision\":\"\",\"size\":\"22.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\t14 minutes\n\t\t\tCrystal Liason\n\t\t\tRamses II is Dead, my love\n\t\t\tBurial Waltz\n\t\t\tWide, Wide River\n\t\t\tLife is Strange\nTwo\t\t\t19 minutes\n\t\t\tJohnny Pissoff Meets the Red Angel\n\t\t\tMarijuana\n\t\t\tLeprechaun\n\t\t\tWhen the Mode of Music Changes\n\t\t\tWhimpers From the Jello\n\t\t\tThe divine toe (Part 1)\n\t\t\tWe’re both dead now, Alice\n\t\t\tLife is Funny\n\t\t\tGrope Need (Part 1)\n\t\t\tTuli, visited by the Ghost of Plontinus\n\t\t\tMore Grope Need (Grope Need- Part II)\n\t\t\tRobinson Crusoe\n\t\t\tClaude Pelieu and J.J. Lebel Discuss the Early Verlaine\n\t\t\tBread Crust Fragments\n\t\t\tThe National Haiku Contest\n\t\t\tThe Divine Toe (Part II)\n\t\t\tIrene"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553954549761,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5746","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Anselm Hollo reading \"With Ruth in Mind\" in Barrytown on July 21, 1978  #546"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Hollo, Anselm"],"creator_names_search":["Hollo, Anselm"],"creators":["[{\"url\":\"http://viaf.org/viaf/2485795\",\"name\":\"Hollo, Anselm\",\"dates\":\"1934-2013\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6049/Reading in BC_MsC199_546.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"546-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:42\",\"precision\":\"\",\"size\":\"37.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"546-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:41\",\"precision\":\"\",\"size\":\"45.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-07-21\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/158843437\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Barrytown, New York State \",\"latitude\":\"41.9988\",\"longitude\":\"-73.9243\"}]"],"Address":["Barrytown, New York State "],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction\n\t\t028\tTitle\n\t\t054\tOr, to hocus the animals of pursuers by changing their dream cassettes (old [thibetan] trick)\n\t\t426\tDragons & gazelles\n\t\t747\tOver there by the hibiscus\nTwo\t\t000\tOver there by the hibiscus"],"Note":["[{\"note\":\"Side 1 30:19\\nSide 2 13:30\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553954549762,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5747","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The 1028 Fugs First Album: Ed Sanders vocals recorded in New York City, April and July 1965 #547"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["All Compositions copyright 1965 by UNITED INTERNATIONAL (ASCAP)"],"creator_names":["Sanders, Ed","Kupferberg, Tuli","Weber, Steve","Weaver, Ken","Anderson, John","Stampfel, Peter","Leary, Vinny","Crabtree, Lee"],"creator_names_search":["Sanders, Ed","Kupferberg, Tuli","Weber, Steve","Weaver, Ken","Anderson, John","Stampfel, Peter","Leary, Vinny","Crabtree, Lee"],"creators":["[{\"url\":\"http://viaf.org/viaf/22183708\",\"name\":\"Sanders, Ed\",\"dates\":\"1939-\",\"notes\":\"Tambourine, maraccas, poetry\",\"nation\":[],\"role\":[\"Reader\",\"Performer\",\"Author\"]},{\"url\":\"http://viaf.org/viaf/1030149198246074940006\",\"name\":\"Kupferberg, Tuli\",\"dates\":\"1924-2010\",\"notes\":\"Tambourine maracas\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/1373157583875233970000\",\"name\":\"Weber, Steve\",\"dates\":\"\",\"notes\":\"Guitar\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/15108298\",\"name\":\"Weaver, Ken\",\"dates\":\"\",\"notes\":\"Drums\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/89819463\",\"name\":\"Anderson, John\",\"dates\":\"1954-\",\"notes\":\"Bass guitar\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/77665847\",\"name\":\"Stampfel, Peter \",\"dates\":\"1938-\",\"notes\":\"Guitar and fiddle harmonica \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Leary, Vinny \",\"dates\":\"\",\"notes\":\"Guitar\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Crabtree, Lee\",\"dates\":\"\",\"notes\":\"Piano, Celesta, and Bells\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Production_Date":[1965],"Performance_Date":[1979],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6050/Reading in BC_MsC199_547.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"547-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:22\",\"precision\":\"\",\"size\":\"61.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"547-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:24\",\"precision\":\"\",\"size\":\"62.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-04\",\"type\":\"Production Date\",\"notes\":\"Recorded in April and July of 1965 in New York City\",\"source\":\"J-card\"},{\"date\":\"1965-07\",\"type\":\"Production Date\",\"notes\":\"Recorded in April and July of 1965 in New York City\",\"source\":\"J-card\"},{\"date\":\"1979\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/175905\",\"venue\":\"\",\"notes\":\"Recorded in April and July of 1965 in New York City\",\"address\":\"New York City, New York, United States of America\",\"latitude\":\"40.6619\",\"longitude\":\"-73.9105\"}]"],"Address":["New York City, New York, United States of America"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tSlum Goddess (Ken Weaver)\n\t\t042\tAh! Sunflower Weary of Time (William Blake, Ed Sanders)\n\t\t094\tSupergirl (Juli Kupferberg)\n\t\t146\tSwineburne Stomp (A.C. Swineburne, Ed Sanders)\n\t\t213\tI Couldn’t Get High (Ken Weaver)\n\t\t265\tHow Sweet I Roamed From Field to Field (W. Blake, Ed Sanders)\n\t\t318\tSeize the Day (Juli Kuperferberg)\n\t\t450\tMy Baby Done Left Me (Ed Sanders)\n\t\t514\tBoobs a Lot (Steve Weber)\n\t\t577\tNothing (trad. Melody, lyrics by Kupferberg)\nTwo\t\t000\tFrenzy (Sanders)\n\t\t045\tI Want to Know (Sanders, Olson)\n\t\t092\tSkin Flowers (Sanders, Kearney)\n\t\t147\tGroup Grope (Sanders)\n\t\t236\tComing Down (Sanders)\n\t\t330\tDirty Old Man (Goldbart, Sanders)\n\t\t405\tKill for Peace (Kupferberg)\n\t\t464\tMorning, Morning (Kupferberg)\n\t\t524\tDoin’ All Right (Berrigan, Crabtree, Leary)\n\t\t600\tVirgin Forest (Sanders, Crabtree, Alderson)\n\t\t600\t-\tOut of Chaos\n\t\t627\t-\t- Birth of Aphrodite\n\t\t685\t-\tStructured Investigation of Rousseau\n\t\t\tI.\tSquack-man meets the Lunatic Vagina\n\t\t\tII.\tDog style diversion\n\t\t724\t-\tGobble Chorus\n\t\t731\t-\tDance of the Freak-gropers\n\t\t784\t-\tBurroughsian Time Grid\n\t\t817\t-\tThe Theme of the Virgin Forest\n\t\t910\t-\tDeath Stay Thy Phantoms"],"Note":["[{\"note\":\"Side 1 30:19\\nSide 2 13:30\",\"type\":\"General\"},{\"note\":\"The production supervised by Harry Smith\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553954549763,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5748","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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(Coca-Cola Douche)\n\t\t148\tHow Sweet I Roamed (lyrics by William Blake)\n\t\t235\tI Couldn’t Get High\n\t\t353\tSaran Wrap\n\t\t468\tI Want to Know\n\t\t560\tHome Ade\n\t\t765\tInstrumental\nTwo\t\t000\tNothing\n\t\t116\tSupergirl\n\t\t184\tEnd of record\n\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553954549764,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5749","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Poetry of Earth: William Everson discussion on the poetry of Robinson Jeffers #487"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Everson, William"],"creator_names_search":["Everson, William"],"creators":["[{\"url\":\"http://viaf.org/viaf/41848407\",\"name\":\"Everson, William\",\"dates\":\"1912-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6053/Reading in BC_MsC199_487.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"487-Side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:38\",\"precision\":\"\",\"size\":\"38.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"487-Side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:25\",\"precision\":\"\",\"size\":\"40.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tEverson is introduced\n\t\t015\tEverson discusses the poetry of Robinson Jeffers and the effect it had on his life\n\t\t069\tModern “cult of pure originality in writing” is deceptive – a young poet cannot help but be derivative\n\t\t130\t“Everything I’ve done is a kind of reduction of the breakthrough of Robinson Jeffers”\n\t\t217\tDiscusses a paper on Jeffers he read to ecological movement demonstrators on “Earth Day”\n\t\t316\tReads this paper: “The Poetry of Earth” Introduces the significance of this title to the ecological movement\n\t\t350\t“The ecological awakening will not be complete unless the poetic element presides over its consummation”\n\t\t416\tIntroduces poem by Jeffers\n\t\t443\tReads Jeffers’ “Science”\n\t\t466\tThe poet’s warning to Ecology\n\t\t525\t“The recovery of nature can only come through contemplation”\n\t\t569\tSide one ends\nTwo\t\t000\tEverson introduces Jeffers’ “Oh Lovely Rock”, reads same\n\t\t042\tTalks about “wildness” and “mystery”, domesticated and wild animals, how man appropriates the mystery of wild animals by wearing their skins\n\t\t100\tIntroduces and reads Jeffers’ “Hurt Hawks”\n\t\t152\tMystery of death and of renewal; mystery of renewal is greater than the fact of death\n\t\t198\tThe necessity of respecting violence and death: “Violence has been the sire of all the world’s values”\n\t\t235\tRenewal is the real certitude underlying the horrors of our pollution\n\t\t250\tIntroduces and reads Jeffers’ “Bixby’s Landing”\n\t\t298\tDiscussion ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553954549765,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5645","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Panel discussion: \"Spicer in Context\", Jack Spicer conference at New College of California with Bruce Boone, Michael Davidson, John Granger, and George Stanley on June 19, 1986 part 1 of 3 #393"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Spicer, Jack","Boone, Bruce","Davidson, Michael","Granger, John","Stanley, George"],"creator_names_search":["Spicer, Jack","Boone, Bruce","Davidson, Michael","Granger, John","Stanley, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/46807530\",\"name\":\"Spicer, Jack\",\"dates\":\"1925-1965\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Boone, Bruce\",\"dates\":\"1940-\",\"notes\":\"He is the program's moderator \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/111011925\",\"name\":\"Davidson, Michael\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/55986812\",\"name\":\"Granger, John\",\"dates\":\"1961-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/30781582\",\"name\":\"Stanley, George\",\"dates\":\"1934-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5822/Reading in BC_MsC199_393.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"393-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:01\",\"precision\":\"\",\"size\":\"44.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"393-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:02\",\"precision\":\"\",\"size\":\"44.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-06-19\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/358818845#map=19/37.86675/-122.26884\",\"venue\":\"New College of California\",\"notes\":\"New College Berkley\",\"address\":\"San Francisco, California , United States\",\"latitude\":\"37.8667498\",\"longitude\":\"-122.2688401\"}]"],"Address":["San Francisco, California , United States"],"Venue":["New College of California"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nA\t\t000\tIntroduction of “Spicer in context” discussion by Bruce Boone\n\t\t\tHe discusses the inter-relation of voice and text\n\t\t038\tBoone reads the poem “Battle of New Orleans”\n\t\t056\tBoone introduces Michael Davidson, who is writing a book on the San Francisco Poetry Renaissance\n\t\t070\tMichael Davidson reads a chapter about Spicer and community called “The City Redefined – Community and Dialogue in Jack Spicer.”\n\t\t300\tBoone introduces John Granger.  Granger talks about Spicer’s work as a decontextualization.  He says that disturbance in pronoun referents is a strategy among gay writers.\n\t\t372\tGranter reads the first “Marxist Essay,” and parts of Letters to Lorca\n\t\t532\tA cut in the tape. Discussion of the influence of the Cocteau movies\n\t\t588\tBoone introduces George Stanley, who discusses “The Battle of New Orleans”\n\t\t612\tTape ends\nB\t\t000\tStanley reads “A Diamond” – After Lorca and does a stanza by stanza analysis\n\t\t039\tSymbolic events in Spicer’s transitional works\n\t\t\t“For Billy”, “Admonitions: and “Apollo sends seven nursery rhymes.”\n\t\t143\tReads”Ghost song”\n\t\t152\tDiscusses “Duet for a chair and a table”\n\t\t162\tBilly the Kid as an Osiris Figure\n\t\t200\t“Fifteen false propositions against God”\n\t\t214\tReads the second quintet from “False propositions”\n\t\t232\tReads “Number seven” from above\n\t\t252\tReads from Apollo sends seven nursery rhymes\n\t\t264\tThe search for metaphysical ground in the later poems\n\t\t301\tDiscussion.  Bruce Boone asks – what would a poetic community look like as it progressed?\n\t\t373\tSpicer’s sense of politicism and sexuality\n\t\t439\tMichael Davidson reds a passage from Bakhtin on image and community\n\t\t469\tBataille and community\n\t\t510\tThe double necessity/impossibility of community in Spicer \n\t\t614\tTape over"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553956646912,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5646","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Panel discussion: \"Spicer in Context\", Jack Spicer conference at New College of California with Larry Fagin,  Lori Chamberlain, Ronald Silliman, and Michael Palmer on June 20, 1986 part 2 of 3 #394"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Fagin, Larry","Palmer, Michael","Blaser, Robin","Chamberlain, Lori","Silliman, Ronald"],"creator_names_search":["Fagin, Larry","Palmer, Michael","Blaser, Robin","Chamberlain, Lori","Silliman, Ronald"],"creators":["[{\"url\":\"http://viaf.org/viaf/94390890\",\"name\":\"Fagin, Larry\",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/100912074\",\"name\":\"Palmer, Michael\",\"dates\":\"1942-2013\",\"notes\":\"Michael Palmer is the program's moderator \\n \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"His part of speech is missing on side two\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Chamberlain, Lori \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/112184153\",\"name\":\"Silliman, Ronald\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5823/Reading in BC_MsC199_394.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"394-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:03\",\"precision\":\"\",\"size\":\"43.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"394-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:10\",\"precision\":\"\",\"size\":\"44.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-06-20\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/358818845#map=19/37.86675/-122.26884\",\"venue\":\"New College of California\",\"notes\":\"New College Berkley\",\"address\":\"San Francisco, California , United States\",\"latitude\":\"37.8667498\",\"longitude\":\"-122.2688401\"}]"],"Address":["San Francisco, California , United States"],"Venue":["New College of California"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t004\tDifference between Spicer Circle and Beat Circle\n\t\t\tSpicer Circle gay, preferred alcohol to drugs\n\t\t\tInterested in western rather than eastern philosophy\n\t\t023\tDharma Society\n\t\t050\tCareer and success – context for poets\n\t\t080\tSpicers poems – no completion – metonymic, engaging human contingency at every moment\n\t\t137\tVampirish sensibility – creating a community of the dead\n\t\t163\tSpicer’s expression of connection of the living and the dead\n\t\t183\tHumour in Spicer – in order to open you up to something more sinister in its impact than it appears to be\n\t\t212\tPurpose of pun- engage in Hellish meanings\n\t\t246\tSpicer – anarchist – knew all the political distinctions chose not to participate\n\t\t\tEquated Ginsberg to Beatles\n\t\t\tA “slippage” in the human crisis\n\t\t262\tJoe Miles as a figure in Spicer’s and Duncan’s development\n\t\t334\tDiscussion closed\n\t\t350\tMichael Palmer introduces discussion “Spicer’s vocabulary”\n\t\t\t“My vocabulary did this to me.  Your love will let you go on’\n\t\t\tSpicer’s last words to Blaser\n\t\t\tOffers some takes on the word vocabulary\n\t\t435\tLarry Fagin – reads poem from Harris Review from mid 70’s about Spicer\n\t\t487\tTalks about possession, territory, sexuality, etc.\n\t\t520\tThe need to defeat dualism as the bottom line of the human condition\n\t\t573\tVocabulary of gossip and baseball/pinball ritual\n\t\t610\tTape over\nTwo\t\t000\tLarry Fagin reads poems by Janey McKinnis\n\t\t013\t“I saw some Indians”\n\t\t034\t“You know who I am”\n\t\t037\t“The Janey tree”\n\t\t047\tPalmer introduces Lori Chamberlain\n\t\t052\tShe says her interest grows from reading Spicer’s correspondence\n\t\t064\tConfusion between public and private address, a resemblance between poems and letters\n\t\t072\tHis review of Dickenson’s letters.  No distinction between poetry and prose\n\t\t\t“experiments in a heightened prose”\n\t\t080\tSpicer’s letters as part of his poetic project\n\t\t091\tWhat is in the letters – weather, racism, city life, etc.\n\t\t\tRemarks on poetic work.  Letters as potential public documents.  He measures their success by how he can be deeply personal and deeply public at the same time\n\t\t152\tReads letter published in Caterpillar\n\t\t\t“Dear James” (James Alexander)\n\t\t200\tA dead letter – no addressee or address\n\t\t\tThe letter as a metaphor\n\t\t215\tSerially of correspondence and serial poems\n\t\t252\tRon Silliman introduced\n\t\t290\tNotes two sources – Clayton [Eshelman]* in Boundary 2 on After Lorca (notes sources of Spicer in particular Lorca poems.  Good knowledge of Lorca)\n\t\t301\tWalter Benjamin (killed as a result of confrontation with fascists on the Spanish border)\n\t\t\tAn article on the task of the translator\n\t\t311\tReads “My vocabulary did this to me”\n\t\t\tTalks about Spicer’s Vancouver lecture\n\t\t\t“Words are nothing but low ghosts…you are stuck with language”\n\t\t331\t“Words are counters – the structure of language is a counter, an obstruction to what the poem wants to do” – insistence on the instrumental function of language – unlike Creeley and Duncan\n\t\t372\tReads Spicer’s first published poem in Winter 1946 edition of Occident. “To the Semanticists”\n\t\t380\tSpicer divided his poetry into two periods – the later work beginning with After Lorca, 1957.  (conception of serial poem and the book as a unit of writing)\n\t\t398\tReads from the sixth letter\n\t\t\t“Most of my friends like words too well”\n\t\t\t“The perfect poem has an infinitely small vocabulary”\n\t\t444\tTalks about “The diamond” as a vortex\n\t\t475\t“These poems are not translations” but Spicer’s poetics are fundamentally of translation\n\t\t490\tSteps of poetic maturity – Vancouver talks\n\t\t533\tWalter Benjamin – Kinship to Spicer’s poetic of dictation\n\t\t564\tTranslation – “can carry across” only intention and “translatability” – Benjamin’s words\n\t\t604\tTranslation in one tongue becomes diction in another language\n\t\t612\tTape ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553956646913,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5647","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The poetry and voice of Margaret Atwood at poetry Centre in New York #396"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Atwood, Margaret"],"creator_names_search":["Atwood, Margaret"],"creators":["[{\"url\":\"http://viaf.org/viaf/109322990\",\"name\":\"Atwood, Margaret\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5824/Reading in BC_MsC199_396.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"396-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:19:41\",\"precision\":\"\",\"size\":\"19.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"396-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:19:30\",\"precision\":\"\",\"size\":\"19.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/3729655969\",\"venue\":\"poetry Centre, YMHA \",\"notes\":\"\",\"address\":\"1395 Lexington Ave, New York, NY 10128, USA\",\"latitude\":\"40.78306\",\"longitude\":\"-73.95276\"}]"],"Address":["1395 Lexington Ave, New York, NY 10128, USA"],"Venue":["poetry Centre, YMHA "],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nA\t\t\t“The animals in that country”\n\t\t\t“A foundling”\n\t\t\t“The land lady”\n\t\t\t“At the Tourist Centre in Boston”\n\t\t\t“Roominghouse, winter”\n\t\t\t“Game after supper”\n\t\t\t“Girl and horse, 1928”\n\t\t\t“The small cabin”\n\t\t\t“Midwinter, presolstice”\n\t\t\t“6 a.m., Boston, summer sublet’\n\t\t\t“Dreams of the animals”\n\t\t\t“Cyclops”\n\t\t\t“Younger sister, going swimming”\nB\t\t\t“Power politics”\n\t\t\t“They eat out”\n\t\t\t“My beautiful wooden leader”\n\t\t\t“We are hard on each other”\n\t\t\t“At first I was given centuries”\n\t\t\t“You refuse to own yourself”\n\t\t\t“They are hostile nations”\n\t\t\t“They were all inaccurate”\n\t\t\t“Tricks with mirrors”\n\t\t\t“You are happy”\n\t\t\t“There is only one of everything”\n\t\t\t“Late August”\n\t\t\t“Book of ancestors”"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553957695488,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5648","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Margaret Atwood reading at SFU on June 13, 1978 #397"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Atwood, Margaret","Vanel, Kurtis"],"creator_names_search":["Atwood, Margaret","Vanel, Kurtis"],"creators":["[{\"url\":\"http://viaf.org/viaf/109322990\",\"name\":\"Atwood, Margaret\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Vanel, Kurtis \",\"dates\":\"1936-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5825/Reading in BC_MsC199_397.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"397-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:36\",\"precision\":\"\",\"size\":\"32.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"397-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:29\",\"precision\":\"\",\"size\":\"32.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-06-13\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t006\t“This is a photograph of me”\n\t\t025\tTalks about The Journals of Susannah Moodie\n\t\t052\tReads “Death of a Young Son by Drowning”\n\t\t077\tReads “The Were-man”\n\t\t094\tTalks about The Journals of Susannah Moodie\n\t\t102\tReads “The woman who could not live with her faulty heart”\n\t\t136\t“Note from an Italian postcard factory”\n\t\t170\t“You begin”\n\t\t193\t“Dreams of the animals”\n\t\t240\tEnds "],"Note":["[{\"note\":\"This program is recorded for PEMC\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553957695489,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5750","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["William Seward Burroughs reading on November 7 and April 24, 1974 and April 17 and March 5, 1975 #488a"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Burroughs, William Seward"],"creator_names_search":["Burroughs, William Seward"],"creators":["[{\"url\":\"http://viaf.org/viaf/108916275\",\"name\":\"Burroughs, William Seward\",\"dates\":\"1914-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6054/Reading in BC_MsC199_488a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"488a-Side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:55\",\"precision\":\"\",\"size\":\"38.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"488a-Side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:12\",\"precision\":\"\",\"size\":\"38.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974-04-24\",\"type\":\"Performance Date\",\"notes\":\"William S. Burroughs reading from \\\"The Wild Boys, The Green Nun\\\" at  St. Mark’s Church April 24, 1974\",\"source\":\"Inventory\"},{\"date\":\"1975-04-17\",\"type\":\"Performance Date\",\"notes\":\"William S. Burroughs reading from \\\"Ah Pook is Here\\\" at Columbia University, New York, April 17, 1975\",\"source\":\"Inventory\"},{\"date\":\"1975-04-17\",\"type\":\"Performance Date\",\"notes\":\"William S. Burroughs reading from \\\"Cities of the Red Night\\\" at Columbia University, New York, April 17, 1975\",\"source\":\"Inventory\"},{\"date\":\"1975-03-05\",\"type\":\"Performance Date\",\"notes\":\"William S. Burroughs reading from \\\"Junkie\\\" and \\\"Naked Lunch\\\" at 103rd Street Boys, WBAI, New York, March 5, 1975\",\"source\":\"Inventory\"},{\"date\":\"1974-11-07\",\"type\":\"Performance Date\",\"notes\":\"William S. Burroughs reading from \\\"The Wildboys and \\\"Exterminator\\\" and \\\"The Chief Smiles\\\" at University of California Nov 7, 1974\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2814221\",\"venue\":\"University of California \",\"notes\":\"From The Wildboys, The Chief Smiles. University of California Nov. 7, 1974 \\nand\\nFrom Exterminator, From here to eternity, KPFA, Berkeley Barb Reading, University of California, Nov. 7, 1974\",\"address\":\" Berkeley, North Street, Panoramic Hill, Berkeley, Alameda County, California, 94720-1076, United States\",\"latitude\":\"37.8759\",\"longitude\":\"-122.2410\"},{\"url\":\"https://www.openstreetmap.org/way/732228095\",\"venue\":\"Columbia University\",\"notes\":\"From Exterminator, From here to eternity, KPFA, Berkeley Barb Reading, University of California, Nov. 7, 1974\\nand\\nFrom Cities of the Red Night (an unpublished novel), Columbia University, New York, April 17, 1975\",\"address\":\" West 116th Street, Morningside Heights, Manhattan, New York County, New York, 10027, United States\",\"latitude\":\"40.80791\",\"longitude\":\"-73.96182\"},{\"url\":\"https://www.openstreetmap.org/node/357606922\",\"venue\":\"WBAI Radio Station\",\"notes\":\"From Junkie, 103rd Street Boys, WBAI, New York, March 5, 1975\\nand\\nFrom Naked Lunch, WBAI, New York, March 5, 1975\\n\",\"address\":\"5th Avenue, Koreatown, Manhattan Community Board 5, Manhattan, New York County, New York, 10035, United States\",\"latitude\":\"40.74844\",\"longitude\":\"-73.98570\"},{\"url\":\"https://www.openstreetmap.org/way/700521658\",\"venue\":\"St. Marks Church-In-The-Bowery\",\"notes\":\"From The Wild Boys, The Green Nun St. Mark’s Church, New York, April 24, 1974\",\"address\":\"131 E 10th St, New York, NY 10003, United States\",\"latitude\":\"42.99189\",\"longitude\":\"-76.07456\"}]"],"Address":[" Berkeley, North Street, Panoramic Hill, Berkeley, Alameda County, California, 94720-1076, United States"," West 116th Street, Morningside Heights, Manhattan, New York County, New York, 10027, United States","5th Avenue, Koreatown, Manhattan Community Board 5, Manhattan, New York County, New York, 10035, United States","131 E 10th St, New York, NY 10003, United States"],"Venue":["University of California ","Columbia University","WBAI Radio Station","St. Marks Church-In-The-Bowery"],"City":["Berkeley, California"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t000\tWilliam S. Burroughs\n\t\t\tFrom The Wildboys, The Chief Smiles. University of California Nov. 7, 1974\n\t\t084\tFrom The Wild Boys, The Green Nun St. Mark’s Church, New York, April 24, 1974\n\t\t175\tFrom Ah Pook is Here (Columbia University, New York, April 17, 1975)\n\t\t272\tFrom Cities of the Red Night (an unpublished novel), Columbia University, New York, April 17, 1975\n\t\t402\tFrom Junkie, 103rd Street Boys, WBAI, New York, March 5, 1975\n\t\t502\tFrom Naked Lunch, WBAI, New York, March 5, 1975\n\t\t812\tFrom Exterminator, From here to eternity, KPFA, Berkeley Barb Reading, University of California, Nov. 7, 1974\n\t\t873\tTape ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553957695490,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5755","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Research on the mouth: Steve McCaffery sound poetry performance at SFU, 1977 and 1978 #493 "],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Southam, Ann","O'Huigin, Sean","Nichol, B.P.","Moses, Ted","McCaffery, Steve"],"creator_names_search":["Southam, Ann","O'Huigin, Sean","Nichol, B.P.","Moses, Ted","McCaffery, Steve"],"creators":["[{\"url\":\"http://viaf.org/viaf/65517963\",\"name\":\"Southam, Ann\",\"dates\":\"1937-2010\",\"notes\":\"Synthesization by Ann Southam\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/62816056\",\"name\":\"O'Huigin, Sean\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Moses, Ted\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6060/Reading in BC_MsC199_493.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"493-Side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:25\",\"precision\":\"\",\"size\":\"43.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"493-Side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:25\",\"precision\":\"\",\"size\":\"43.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1978\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2773\",\"longitude\":\"-122.9236\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tS.I.S.M.A. (Movements 1 & 2)\n\t\t107\tPortraits 1-34\n\t\t170\t121123\n\t\t\tSZZERZ\n\t\t294\t“Names for Cricket”\n\t\t389\t“Structure of Incident”\n\t\t501\t“A Little Valentine”\n\t\t637\t“Pleasant Ode for Vincent Trasov”\n\t\t689\tS.I.S.M.A. (Movement 3)\nTwo\t\t000\tAupe Relationships\n\t\t140\tBlack Aleph (1)\n\t\t359\tBlack Aleph (2)"],"Note":["[{\"note\":\"The last 16 minutes of side one and 18 minutes of side two is empty\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553957695491,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5756","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Michael McClure reading Ghost Tantras at his home in San Francisco on August 30, 1978 #495 "],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["McCaffery, Steve","Köhler, Michael"],"creator_names_search":["McCaffery, Steve","Köhler, Michael"],"creators":["[{\"url\":\"http://viaf.org/viaf/71493269\",\"name\":\"McCaffery, Steve\",\"dates\":\"1932-2020\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Performer\"]},{\"url\":\"http://viaf.org/viaf/114331797\",\"name\":\"Köhler, Michael\",\"dates\":\"1946-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6062/Reading in BC_MsC199_495.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"495-Side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:26\",\"precision\":\"\",\"size\":\"40.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"495-Side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:30\",\"precision\":\"\",\"size\":\"41.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-08-30\",\"type\":\"Production Date\",\"notes\":\"1970 is the written date in BC inventory document \",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Michael McClure's home\",\"notes\":\"This could be the address:\\n\\n3200 Brunell Drive\\nOakland, CA 94602\\nUSA   \",\"address\":\"San Francisco, United States\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["San Francisco, United States"],"Venue":["Michael McClure's home"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tGhost Tantras\n\t\t\tNo.51 “I love to think of the red purple rose…”\n\t\t054\tNo.50 “Gahr thy rooh…”\n\t\t086\tNo.39 “Marilyn Monroe, today thou hast passed”\n\t\t120\tNo.95 “Hrowsh nowRRR…”\n\t\t144\tNo.96 “Grahh Gharkr…”\n\t\t171\tNo.58 “The dark blue snake flares up…”\n\t\t197\tNo.67 “(Pale pearl pink on the walls…)”\n\t\t224\tNo.68 “(Rogreeosh, for I have dreamed…)”\n\t\t256\tNo.69 “(Ooogreeosh-drathor butterfly...)”\n\t\t289\tNo.71 “I’ve made it! Here is fatal acceptance and god-belief…”\n\t\t320\tNo.52 “Whahn we nroh heeer ahn thee…”\n\t\t352\tNo.53 “This is my body’s work…”\n\t\t387\tNo.54 “The motion of cool air shudders my shoulders with pleasure”\n\t\t426\t“Listen Lawrence”\n\t\t602\tEnd of side one\nTwo\t\t000\t“Listen Lawrence” continued\n\t\t123\t“Antechamber”\n\t\t435\tEnd of side two"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553957695492,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5757","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Victor Coleman reading from 33/3 Vic d’Or album at SFU on January 11, 1978 #496"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Coleman, Victor"],"creator_names_search":["Coleman, Victor"],"creators":["[{\"url\":\"http://viaf.org/viaf/38160442\",\"name\":\"Coleman, Victor\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6063/Reading in BC_MsC199_496.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card \",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"496-Side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:13\",\"precision\":\"\",\"size\":\"41.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"496-Side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:15\",\"precision\":\"\",\"size\":\"51.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-01-11\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University Stereo\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2773\",\"longitude\":\"-122.9236\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["Simon Fraser University Stereo"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\t“Moving Van”\n\t\t\tSolo voice\n\t\t027\t“Asymptote”\n\t\t\tWritten in collaboration with Penny Kemp, Larry Dubin, percussion and marimba\n\t\t361\t“No Flies”\n\t\t\tCasey Sokol, prepared piano & pocket trumpet\n\t\t487\t“Masturbation Ramble”\n\t\t\tLarry Dubin, drums, Al Mattes, bass\n\t\t510\t“Memory”\n\t\t\tMichael Snow, piano\n\t\t587\tRecording ends\nTwo\t\t000\t“Bulge event for the batty persons gallery” Michael Snow, muted trumpet\n\t\t039\t“From the realms of the unseen Father” Al Mattes, bass\n\t\t276\t“Birds” written in collaboration with Patrick Ready, Bill Smith, wooden flute, bird whistle, soprano saxophone, gongs & bells\n\t\t515\t“Rand McNally Ramble” Larry Dubin, drums.  Al Mattes, bass.\n\t\t540\t“Reply to an adamant lover at a distance” Michael Snow, trumpet\n\t\t610\t“Things to do in Northampton with my ‘Pectus Excavatum’”\n\t\t\tMichael Snow, piano\n\t\t680\tRecording ends\n\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553958744064,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5758","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Creeley reading for The Door selected poems in Buffalo on April 16,17 and 18, 1974 tape 2 of 2 #497b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Köhler, Michael"],"creator_names_search":["Creeley, Robert","Köhler, Michael"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/114331797\",\"name\":\"Köhler, Michael\",\"dates\":\"1946-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6065/Reading in BC_MsC199_497b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"497-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:52:30\",\"precision\":\"\",\"size\":\"69.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"494-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:49:29\",\"precision\":\"\",\"size\":\"65.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974-04-16\",\"type\":\"Performance Date\",\"notes\":\"Robert Creeley reading\",\"source\":\"J-card\"},{\"date\":\"1974-04-17\",\"type\":\"Performance Date\",\"notes\":\"Robert Creeley reading\",\"source\":\"J-card\"},{\"date\":\"1974-04-18\",\"type\":\"Performance Date\",\"notes\":\"Robert Creeley reading\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/68036581\",\"venue\":\"Buffalo – S.U.N.Y. (University at Buffalo)\",\"notes\":\"Robert Creeley reading is recorded In Buffalo; probably Buffalo refers to Buffalo – S.U.N.Y. (University at Buffalo), and it's where we put its address  \",\"address\":\"Buffalo, NY 14260, United States\",\"latitude\":\"42.9533\",\"longitude\":\"-78.8181\"}]"],"Address":["Buffalo, NY 14260, United States"],"Venue":["Buffalo – S.U.N.Y. (University at Buffalo)"],"City":["Buffalo, New York"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t\tRobert Creeley: The door.  April 16, 17 & 18 1974.  Buffalo, recorded by Michael Kohler\n\t\t000\tPoems from The Charm “Return”\n\t\t016\t“Sanine to Leda”\n\t\t026\t“An obscene poem”\n\t\t034\t“Broken back blues”\n\t\t051\t“For Somebody’s marriage”\n\t\t056\tFrom For Love “Le Fou”\n\t\t068\t“The Crisis”\n\t\t078\t“For Rainer Gerhardt”\n\t\t096\t“The immoral proposition”\n\t\t104\t“I know a man”\n\t\t110\t“The business”\n\t\t120\t“The warning”\n\t\t126\t“The whip”\n\t\t138\t“A wicker basket”\n\t\t160\t“The door”\n\t\t226\t“A token”\n\t\t231\t“The gift”\n\t\t242\t“The name”\n\t\t265\t“Love comes quietly”\n\t\t272\tFrom Words “The rocks”\n\t\t283\t“I”\n\t\t312\t“The Language”\n\t\t323\t“The measure”\n\t\t331\t“The woman”\n\t\t368\t“Distance”\n\t\t424\t“Some place”\n\t\t447\t“Going”\n\t\t448\t“The hole”\n\t\t480\t“Intervals”\n\t\t494\tFrom Numbers: 1\n\t\t511\t2\n\t\t529\t3\n\t\t546\t0\n\t\t594\tFrom A Day Book “Looking for a way”\n\t\t600\t“Persons”\n\t\t619\t“The act of love”\n\t\t661\t“Time”\n\t\t684\t“Massachusetts”\n\t\t713\t“For Benny and Sabina”\n\t\t734\t“Smoke”\n\t\t755\t“For the graduation”\n\t\t780\tEnd of recording"],"Note":["[{\"note\":\"The audio file is blank\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553958744065,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5759","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Jackson Mac Low performing -The 8-Voice Stereo-Canon Realization (11/25/73) Of The Black Tarantula Crossword Gathas, recorded in 1973, tape 1 of 2 #497a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Mac Low, Jackson"],"creator_names_search":["Mac Low, Jackson"],"creators":["[{\"url\":\"http://viaf.org/viaf/80245668\",\"name\":\"Mac Low, Jackson\",\"dates\":\"1922-2004\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6066/Reading in BC_MsC199_497a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"497-tape-3-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:33:03\",\"precision\":\"\",\"size\":\"43.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"497-tape-3-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:55\",\"precision\":\"\",\"size\":\"62.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tJackson MacLow\n\t\t000\tThe 8-voice stereo-canon realization (For Kathy Acker) of “The Black Tarantula Crossword Gathas”"],"Note":["[{\"note\":\"Side two is blank\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553958744066,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5760","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Five Poets: a discussion and interview with Charles Olson, Robert Duncan, Allen Ginsberg, Robert Creeley, and Denise Levertov recorded by Vancouver CBC on January 19, 1964 #499B"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Olson, Charles","Duncan, Robert","Ginsberg, Allen","Levertov, Denise","Webb, Phyllis"],"creator_names_search":["Creeley, Robert","Olson, Charles","Duncan, Robert","Ginsberg, Allen","Levertov, Denise","Webb, Phyllis"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles \",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen \",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/9868894\",\"name\":\"Levertov, Denise\",\"dates\":\"1923-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/29847238\",\"name\":\"Webb, Phyllis\",\"dates\":\"1927-2021\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1964],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6068/Reading in BC_MsC199_499-B.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"499B-2-Side-1.pm3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:24\",\"precision\":\"\",\"size\":\"30.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"499B-2-Side-2.pm3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:36\",\"precision\":\"\",\"size\":\"30.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1964-01-19\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/3764261726\",\"venue\":\"CBC\",\"notes\":\"We don't know where CBC Vancouver located before 1975, now its address is  700 Hamilton Street\\nVancouver, British Columbia\\nV6B 4A2\",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\"49.27867\",\"longitude\":\"-123.11458\"}]"],"Address":["Vancouver, BC, Canada"],"Venue":["CBC"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553958744068,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5762","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Diane Di Prima reading from her work, 1970 #464"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Di Prima, Diane"],"creator_names_search":["Di Prima, Diane"],"creators":["[{\"url\":\"http://viaf.org/viaf/83981636\",\"name\":\"Di Prima, Diane\",\"dates\":\"1934-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6070/Reading in BC_MsC199_464.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from 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walk\n\t\t48\t3.\tShe goes to the roof to meditate\n\t\t63\t4.\tShe continues to meditate\n\t\t70\t5.\tShe returns the child to its mother\n\t\t77\t6.\tShe leaves for the theatre at 3 pm exactly\n\t\t81\t7.\tShe returns from the theatre in the evening\n\t\t88\t8.\tShe goes to sleep\n\t\t96\t“First Snow, Kerhonkson” for Alan from The Kerhonkson Journal\n\t\t107\t“Song For Spring Equinox”\n\t\t128\t“In Memory of My First Chapatis”\n\t\t144\t“I Will Always Remember the Maltese Falcon”\n\t\t171\t“Hymn To Shiva”\n\t\t182\t“Poem in Praise of My Husband (Taos)”\n\t\t202\t“New Mexico Poem”\n\t\t\t“New Mexico -1”\n\t\t212\t“II-Corn Dance, Taos Pueblo”\n\t\t221\t“III-The Journey”\n\t\t235\t“IV-Evening, Taos Valley”\n\t\t243\t“V-Farewell, New Mexico”\n\t\t243\t“Rondeau For the Yule”\n\t\t282\t“Folly Beach” For Jasper Johns\n\t\t299\t“For The Dead Lecturer”\n\t\t316\t“Martha Graham at Fire Island” Section One\n\t\t\t1.\tLoki\n\t\t323\t2.\t\n\t\t327\t“Persona”\n1.\tAlan\n\t\t\t2.\tJimmy\n\t\t332\t3.\tRemmi\n\t\t337\t4.\tRoy\n\t\t338\t5.\t“I have lost something else”\n\t\t342\t6.\t“Freddy”\n\t\t343\t“Tempe-Warm”\n1.\t\n\t\t347\t2.\t\n\t\t350\t3.\t\n\t\t354\t4.\t\n\t\t358\t5.\t“De Angeles”\n\t\t364\tSection 2 – “Stinson Beach – 1”\n\t\t373\t“Stinson Beach 2”\n\t\t377\t“Stinson Beach 3” – “The Storm”\n\t\t392\t“Topanga Canyon”\n\t\t409\tSection 3 “Avenue A”\n\t\t415\t“Prayer” for John Wieners\n\t\t426\t“Cooper Square 1”\n\t\t432\t“Cooper Square 2”\n\t\t441\tHotel Albert Poems\n\t\t452\t“Chronology”\n\t\t464\t“Zero”\n\t\t489\t“Stone Take – Jan. 12, 1968”\n\t\t510\tUntitled “Old man who has so long…”\n\t\t524\tUntitled “The man you wish to be…”\n\t\t530\t“Archaeological Note”\n\t\t542\t“A Specific Felicia”\n\t\t558\t“For Bill…”\n\t\t575\t“Route 101: for Eldrige on the eve of his departure\n\t\t516\t“The Cooney exhibit – LA County Museum from LA Odyssey\n\t\t617\t“Elegy-1939”\n\t\t624\t“Pink Angels – Circa 1945”\n\t\t628\t“Woman, Wind & Window – 1956”\n\t\t636\t“Excavation – 1950”\n\t\t648\t“Woman 1 – 1950-52”\n\t\t656\t“Door to the River – 1960”\n\t\t669\tUntitled – “To look up from reading…”\n\t\t703\t“From San Francisco\n1.\t\n\t\t715\t2.\t\n\t\t728\t3.\t\n\t\t737\t4.\t\n\t\t747\t5.\t\n\t\t755\t“Canticle of St. Joan” for Robert Duncan\n\t\t780\t       2.\n\t\t796\t3.\t\n\t\t818\t4.\t"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553959792641,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5764","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Gertrude Stein reading from her work, 1934-1935 #465"],"item_title_source":["cassette and j-card"],"item_title_note":["J-Card Reads:\nGertrude Stein reading from her works. (1934–5) 18 min.\nExtracts from The Making of Americans\n\"Repeating then is an everyone...\"\n\"Family living can go on existing....\"\nA Valentine for Sherwood Anderson\nIf I Told Him, A Completed Portrait of Picasso\nAn Early Portrait of Henri Matisse, an Opera\nCaedmon TC-1050"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Stein, Gertrude"],"creator_names_search":["Stein, Gertrude"],"creators":["[{\"url\":\"http://viaf.org/viaf/22149082\",\"name\":\"Stein, Gertrude\",\"dates\":\"1874-1946\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1934],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6071/Reading in BC_MsC199_465.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"465-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:28\",\"precision\":\"\",\"size\":\"23.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"465-side-2 - Blank.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:35\",\"precision\":\"\",\"size\":\"29.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1934\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1935\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t08\t“Repeating then is an everyone…”\n\t\t54\t“Family living can go on existing…”\n\t\t111\t“A Valentine To Sherwood Anderson”\n\t\t192\t“If I Told Him; a completed Portrait of Picasso”\n\t\t274\t“An Early Portrait of Henri Matisse”\n\t\t345\t“Madame Recamier: An Opera”"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553959792642,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5765","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Ezra Pound reading from his poetry, June 1958 #466a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Pound, Ezra"],"creator_names_search":["Pound, Ezra"],"creators":["[{\"url\":\"http://viaf.org/viaf/24606774\",\"name\":\"Pound, Ezra\",\"dates\":\"1885-1972\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1958],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6072/Reading in BC_MsC199_466a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"466a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:21\",\"precision\":\"\",\"size\":\"30.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"466a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:19\",\"precision\":\"\",\"size\":\"29.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1958-06\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553959792643,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5766","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Ezra Pound reading from his poetry, June 1958 #466b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Pound, Ezra"],"creator_names_search":["Pound, Ezra"],"creators":["[{\"url\":\"http://viaf.org/viaf/24606774\",\"name\":\"Pound, Ezra\",\"dates\":\"1885-1972\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1958],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6073/Reading in BC_MsC199_466b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card \",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"466b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:28\",\"precision\":\"\",\"size\":\"23.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"466b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:28\",\"precision\":\"\",\"size\":\"24.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1958-06\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553959792644,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5767","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Four Horsemen performing Canadada. #467 DUPLICATE 2 of 2"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P.","Four Horsemen (Musical group)","McCaffery, Steve","Dutton, Paul","Barreto-Rivera, Rafael"],"creator_names_search":["Nichol, B.P.","Four Horsemen (Musical group)","McCaffery, Steve","Dutton, Paul","Barreto-Rivera, Rafael"],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Performer\"]},{\"url\":\"http://viaf.org/viaf/128949455\",\"name\":\"Four Horsemen (Musical group)\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/36999806\",\"name\":\"Dutton, Paul \",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/16154730\",\"name\":\"Barreto-Rivera, Rafael\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6074/Reading in BC_MsC199_467.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"467-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:29\",\"precision\":\"\",\"size\":\"41.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"467-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:26\",\"precision\":\"\",\"size\":\"42.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t“I dreamed I saw Hugo Ball”\n\t\t022\t“Mi zapatos estan muertos o microfono”\n\t\t072\t“Pigpen”\n\t\t132\t“What is becoming it is past now”\nTwo\t\t000\t“Sugar”\n\t\t024\t“Doors close upon the clock”"],"Note":["[{\"note\":\"Starborne Production is mentioned as the location of this tape in the BC inventory document  \",\"type\":\"\"},{\"note\":\"We are not sure which of the \\\"The Four Horsemen\\\" band performs on this tape. We just entered all the members of this band. \",\"type\":\"General\"},{\"note\":\"This cassette is a duplicate of The Four Horsemen: Canadada. #404 (SWALLOW ID 6314) in Readings in BC collection and three tapes in Fred Wah's fonds: The Four Horsemen performance: bpNichol, Rafael Barreto-Rivera, Paul Dutton, and Steve McCaffery (SWALLOW ID 6958), The Four Horsemen performance, Canadada: bpNichol, Rafael Barreto-Rivera, Paul Dutton, and Steve McCaffery - DUPLICATE 2 of 3 (SWALLOW ID 6959), The Four Horsemen performance at David Thompson University Centre (DTUC): bpNichol, Rafael Barreto-Rivera, Paul Dutton, and Steve McCaffery - DUPLICATE 3 of 3 (SWALLOW ID 6961) \",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670553959792645,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5768","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["CBC program: Women writers in Canada, Marian Engel discussion on works of Margaret Laurence, Alice Munro, and Adele Wiseman, March 1977 #468"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Engel, Marian","Will, Engels"],"creator_names_search":["Engel, Marian","Will, Engels"],"creators":["[{\"url\":\"http://viaf.org/viaf/24754124\",\"name\":\"Engel, Marian\",\"dates\":\"1933-1985 \",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Will, Engels \",\"dates\":\"\",\"notes\":\"Introduction – Engels will speak about the works of Margaret Laurence, Alice Munro & Adele Wiseman\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6075/Reading in BC_MsC199_468.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card \",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"468-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:41\",\"precision\":\"\",\"size\":\"31.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"468-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:51\",\"precision\":\"\",\"size\":\"30.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977-03\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/456341915#map=19/43.65360/-79.37320\",\"venue\":\"CBC Studio\",\"notes\":\"We assume that this tape was recorded in Toronto. CBC Toronto studio address was changed in 1993 (after this recording took place) to 205 Wellington Street West, Toronto, Ontario, M5V 3G7 from a smaller facility on Jarvis Street, near the former television transmitter. (Source: https://en.wikipedia.org/wiki/Canadian_Broadcasting_Centre)\",\"address\":\"Jarvis Street, Toronto, Ontario, Canada\",\"latitude\":\"43.6562555\",\"longitude\":\"-79.374232 \"},{\"url\":\"https://www.openstreetmap.org/node/4228286994\",\"venue\":\"Poor Alex theatre\",\"notes\":\"lecture was recorded there\",\"address\":\"772 Dundas St W, Toronto, ON M6J 1V1, Canada\",\"latitude\":\" 43.6521400\",\"longitude\":\"-79.4074563\"}]"],"Address":["Jarvis Street, Toronto, Ontario, Canada","772 Dundas St W, Toronto, ON M6J 1V1, Canada"],"Venue":["CBC Studio","Poor Alex theatre"],"City":["Toronto, Ontario","Toronto, Ontario"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nTwo\t\t000\tIntroduction – Engels will speak about the works of Margaret Laurence, Alice Munro & Adele Wiseman\n\t\t024\tEngels discusses her critical background\n\t\t074\tShe talks about the main Female characters in Five novels by Laurence, Munro, and Wiseman, seeking what is specifically Canadian and female about them\n\t\t105\tDenial of sexuality as a common point for these characters\n\t\t190\tShe talks about harlot – saints in Christianity, and sexual power in the novels\n\t\t290\tThe lack of experimentation in women’s writing\n\t\t356\tAn emergent spirituality in women’s writing, through “the description of women as being in possession of both minds and bodies, and confused by the balance of these two\n\t\t401\tShe reads the ending of the novel The Fire Dwellers  by Margaret Laurence\n\t\t422\tReads the ending of Lives of Girls and Woman, Alice Munro\n\t\t450\tReads the ending of A Test of God, Laurence\n\t\t481\tThe Stone Angel, Laurence\n\t\t490\tReads the ending of Crackpot, Adele Wiseman\n\t\t563\t“Women writers seem to be creating an iconography which is invisible to men”\n\t\t590\tFemale characters as victims of the Victorian image of womanhood, and the image of the pioneer wife\n\t\t703\tEngels finishes her talk"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553959792646,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5769","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 2 at SFU on September 13, 1973 #661"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 2 Sept. 13, 1973; H.D. and Imagism"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6076/Reading in BC_MsC199_661.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_661 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:13\",\"precision\":\"\",\"size\":\"35.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_661 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:09\",\"precision\":\"\",\"size\":\"49.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-09-13\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n000\n009\nTape breaks into a discussion on a SFU Bookstore mix-up\nSounds quite familiar doesn’t it?\n022\nBowering decides to disregard the text book problem & forge ahead, at one point, with a discussion on Naturalism\n027\nMore comments on Poe & the American Imagist poets’ connection. Similar ideals\n065\nPoe’s sense of an “original style which would be totally answerable to the soul”\n081\nIdeals of Imagism\n091\nClassism –What is it?\n101\nNouns that best define Imagism\n117\nH.D.’s notion that Imagism was really the self-instruction of young poets\n140\nH.D.’s translation of Euripides\nIn the introduction H.D. talks about the problems of translation; laying a lot of the blame at the feet of Swinburne & his ilk\n174\nH.D.’s outrage at the abuse of language\n177\nT.D. Humes essay “Romanticism & Classism” announcing the break with the 19th century\n209\nEzra Pound essay “A Retrospect”’ explaining the school of Imagism\n231\nDefinitions of what an “Image” is\n252\nDefinition by Bowering, of “description: - the process of the writer interpreting an experience for the reader (removing individual interpretation)\n290\nPound’s definition of “symbols”\n300\nSymbols must not only be accessible to an intellectual elite – Pound paraphrased\n328\nReading of a Swinburne sonnet\n352\nReading of a H.D. poem\n357\nDiscussion on contrasts between the two poems\n384\nImagist school innate legacy\n427\nPerfectibility of Man notion disregarded by 1905 / Influence of World War I\n447\nBowering places his emphasis on the period between 1903-1915 “Major change in American writing”\n465\nImagist desire to seek out foreign influences\n489\nRecommendation of The Imagist Poem by William Pratt as a “handy” source of reference\n496\nExamples of sources, Bowering reads aloud two Greek poems :\n“Poesidipus”\n“Refinis”\n518\nAn Ezra Pound poem from 1912 Awpia; this poem is to be seen, so Bowering feels, in reference to the two Greek poems read previously\n530\nH.D. poem, also written in 1912 “Orchid” or “Pryapous”\n550\nDiscussion of initial Imagist output/ The Eaglist magazine/Imagist anthology “Des Imagists”\n613\nPound’s discovery/creation of “Voiceism”. Bowering admits he is just skimming over things, he feels that those who are interested will investigate further for themselves & those who are not interested will be content with the information presented\n622\nOverview of next class “What Imagism did to Poetry” with emphasis on the work of H.D.\n627\nClass over\n982\nSide One over\nTwo\nSide two is blank"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553960841216,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5770","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 3 at SFU on September 17, 1973 #662"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 3 Sept. 17, 1973; Imagism continued"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6077/Reading in BC_MsC199_662.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_662 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:16\",\"precision\":\"\",\"size\":\"38.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_662 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:42\",\"precision\":\"\",\"size\":\"35.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-09-17\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"Note":["[{\"note\":\"Voice is clear but there is a low buzz throughout\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553961889792,"timestamp":"2026-01-07T14:59:58.384Z","contents":["Side\nTrack\nNo.\nComments\nOne\n000\n012\nH.D. (Bowering explains that he is aiming towards selections from War Trilogy)\n019\nWhat Imagism did to poetry\n021\nT.E. Hume – “A lecture on Modern Poetry”. Modern poetry at that time meant what the Imagists were doing and to a certain extent Symbolists and English poets\n029\nModern art makes its break with the Victorians in that “it no longer deals with heroic action. It has become definitely and finally introspective and deals with expression and communication of momentary phases in the poet’s mind”\n035\nExplains different relationship of reader to writer caused by shift in perspective: Impression vs. described action. Outlines implications of this with examples\n060\nRevelations rather than deliver. Likens Imagists to psychologists\n074\nH.D. and Freud\n082\nFreudian analysis – dredging up of an image\n090\nFreud actually did have a couch and sexually harassed H.D., George informs us\n0100\nReader’s participation in meaning\n0113\nWriter’s non-interference\n0118\nWhat does the iambic pentameter do to us? Looks at Pope’s poetry. Talks about its structure\n0137\nWhy is the structure there?\n0147\nFree verse is the scariest phrase in literature\n0160\nFrench meaning different from English. Defined in a negative sense\n0172\nPrescribed forms like airplane flight; free verse, like a bird’s\n0189\nSynthesis between different structures is what free verse does. Body is the determinant\n0200\nHighly structured works and automatic pilots\n0216\nRhythm and images\n0239\nHow can one portray a dream without converting it into a conscious censored pattern?\n0250\nGeorge’s diary entry from 1961\n0261\nInability of language to explain dreams\n0270\nSocial contract and manipulation\n0284\nHopkins\n0301\nBegin with sound\n0314\nReads from “Music of Poetry”, T.S. Eliot. Inner and outer unity. Organic form\n0340\nWhat has been thrown out in free verse\n0346\nWilliams – measure and metre\n0364\nCadence replaces metre as ordering principle\n0400\nStill waiting for definition of cadence from students, Bowering offers the word cadaver because it has same root\n0408\nGeorge offers definition – “where the foot falls”\n0414\nDefinition applied to English and Latin, qualitative and quantitative, respectively\n0419\nParallel with music (i.e. cadenza)\n0439\nCadence verse (as far as rhythm is concerned) and the English language\n0447\nE.A. Poe and the scansion of verse (in English), characterizing how to put a poem together moment by moment\n0461\nThe difference between a good H.D. poem and a bad H.D. poem is determined by the degree to which she “meddles”\n0465\nPound thought H.D. was getting “too mystical”\n0472\nWhat is being sought in an Imagist poem “to discover the inevitable”\n0483\nPope’s form social convention – English isn’t spoken in iambic\n0496\nRecommends John Gould Fletcher’s book Irradiations Sand and Spray. The preface describes how one goes about making an Imagist poem\n0506\nParaphrases T.E. Hume – Images are the only way to communicate with each other (verbal or pictorial)\n0536\nWhat is the poet’s job? To communicate with images; make those images fresh and make the combinations of those images fresh\n0545\nCraze to find new imagists (Imagists and Surrealists) and to rely as little as possible on descriptions, abstractions, and ‘function’ words (i.e. of, about, by for, from, until, etc.)\n0555\nContrasts with 18th century verse which relied on function words in order to be iambic\n0578\nImages for imagists not there to decorate the verse or illustrate an argument (as in 18th century especially)\nBowering offers other examples\n0613\nIn England in 1914 the Imagists were ridiculed (and in U.S.A.)\n0619\nGertrude Stein’s writing became a joke but her name became a household word. The situation was not this extreme for the Imagists\n0633\nImagists views became truisms about verse later on\n0665\nBowering stresses that every Imagist poem is by its own terms a failure because they had to compromise with language. Each making of poetic language is a compromise. Measuring the poem moment by moment works against the knowledge that it is a compromise. Quotes Pound “compromise as little as you can”. Bowering says this means “stay awake” when writing and reading the poem. Recommends Chapter 8 in ABC\nOf Reading, p. 63\n0696\nWill look at the first H.D. poems next time\nTwo\nSide two is blank"],"score":0.01643844},{"id":"5771","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 4 at SFU on September 18, 1973 #663"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 4 Sept. 18, 1973; Imagism continued; biography of H.D.; influence of Freud; influence of classicism"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6078/Reading in BC_MsC199_663.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_663 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:20\",\"precision\":\"\",\"size\":\"36.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_663 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:17\",\"precision\":\"\",\"size\":\"35.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-09-18\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553961889793,"timestamp":"2026-01-07T14:59:58.384Z","contents":["Side\nTrack\nNo.\nComments\nOne\n000\n003\nTape begins\n005\nBowering begins with page 63 of ABC of Reading by J.G. Fletcher\n008\nDiscusses the principles that are presented in this chapter. (i.e. 1 – Incompetence will show in the use of too many words). Bowering sees this book as a good demonstration of what it asks for itself\n017\nAs Pound notes, the principles that are set here are common to all poetry not just Imagist. The principles that Hume, Pound, Fletcher, etc. set are not an invention of imagism\n0027\n“Archaeological dig” of classicism especially for H.D.\n0029\nPoetic images and dream images. Hume and Freud. Pound and H.D.\n0052\nImagist poetry was sculpture just coming over into speech. Sculpture, like dreams cannot be discussed in terms of meaning save as you attend to its physical properties\n0062\nBowering recommends Pratt’s book on the Imagist poem, particularly the section on Pound’s “Station and the Metro”. “The making of that poem is almost a short history on the making of the Imagist movement”\n0071\nImagism, Bowering says, is a funny thing to have happened in the 20th century. Why should it show up in the 20th Century except as a response to the death of Romantic poetry in the hands of Swinbourne and company\n0077\nDiscussion of images in Romantic poetry at its height (Coleridge and Shelley). Images are not fixed. They are always in motion, in flight\n0098\nConstant flux picked up by American Poets. The prime images in Whitman, for example, are images of things in motion\n0105\nThe beginning of the 19th C. perspective akin to 20th C. notion in physics: impossible to distinguish between matter and energy. To carry (or impose) the image of matter that is not in motion is to impose a false image. And yet, the imagist poem suggest that there are absolute unchanging, eternal realities (with Pound it is rhythm)\n0117\nH.D.’s setting of ancient Greece for the modern mind is one of stasis. She uses “timeless” setting\n0124\nWhat do we make of this?\n0128\nFreud (not a political radical, says Bowering) offers a suggestion, a clue as William James did to G. Stein (another conservative) : there is a common bank of images and a common bank of symbols, that we can share\n0145\nThe mind is a flower pot, says Bowering, and the flower is the same as the one that grew in Greece. A yellow orchid in H.D.’s instance\n0149\nH.D.’s novel Palimpsest is discussed as an example of H.D.’s method\n0184\nImagists especially H.D. used experiences over and over again (“spiral”). A sense that she is hovering over the experiences getting different views, similar to the effect of walking by a Cezanne canvas\n0190\nShe is loyal in terms of detail to each of these times, but there is the sense that time hasn’t happened between them. The images know of no boundary called time\n0206\nShared memory (archetypes). For Freud all images are automatically symbols as soon as people become aware of them (this is echoed by Hume)\n0216\nShelley – I, she, he, it, etc. are simply different words denoting the same thing. Yeats as discussed by Unterraker is presented as an example: “No symbol has a meaning”\n0225\nImplication(s) of this discussed. Word-as-sign is the only exception but as soon as associations are made it becomes a symbol\n0232\nImagists provide exactly what the Freudian analysts did. Images are shared images. What H.D. is looking for according to Robert Duncan, is what the words can offer her. Because for H.D. words offer the unknown, they are not tools as for rationalist poets\n0253\n“What the words conceal” is the quality of words that H.D. is looking for in her poems. She is not using words to do this, the words are using her. Bowering likens this to dreams and psychoanalysis\n0274\nPresents Herbert Read’s discussion/demonstration of the difference between a sign and an image and a metaphor and symbol. Discussed in terms of psychoanalysis\n0297\nThe difference between bad imagist poem and good imagist poem. If the poet cannot resist hinting at the “meaning” of an image this is not an imagist poem. This is connected to the example of a patient undergoing psychoanalysis\n0301\nH.D.’s “Oread” closest to the most perfect imagist poem. Ironically, if patient/reader is asked to find out meaning rather than having one imposed upon her by analyst/poet then s/he is likely to come much closer to “intended” or “shared” meaning, says Bowering. He gives examples (similes, as well as metaphors)\n0324\nT.S. Eliot is quoted (from Preludes) on the experience that the writer/reader of imagist poem has\n0337\nHow are imagist procedures used to make a long poem or a novel? Pound is quoted (on the haiku & noh play) : “its unity consists in one image”\n0356\nBowering presents another view “an aggregate of images” that would lead to Pound’s discovery of ideograms\n0362\nPound’s definition of periplume (?) is given because none other is available\n0373\nPratt’s remarks on the long poems of Pound, Williams & Eliot “aggregate imagist poems set in a mosaic pattern around a dominant image” such as The Wasteland, Bowering likens these to certain early 205h C. paintings\n0380\nThe effect of instantaneous perception is discussed\n0393\nThe isolation of images from their surroundings is more pronounced in 20th C. paintings “unclouded by rhetoric”\n0421\nSolicits questions from students. Explains relation between psychoanalysis and imagism briefly\n0467\nLaunches into H.D. discussion. Mentions key things. Recommends Tribute to Freud and other biographies and autobiographies – Ezra Pound, Williams, Hemingway\n0504\nBegins with particulars of H.D.’s life\n0517\nDescription by H.D. in Tribute to Freud of her experience as a child being the only living daughter\n0542\nWhat her experience as being “only one in a world of twos” means (two things); First, (that she is) an outsider without balance and secondly, a rich interior life\n0566\nBowering discusses further H.D.’s feelings of isolation and estrangement\n0575\nDiscusses H.D.’s time at Bryn Mawr with Pound, Williams and Moore\n0581\nDiscusses two visions H.D. had: A childhood vision in which she sees a glowing block with a picture of a serpent and a thistle. Years later she sees a ring in the Louvre which has these images on it. Bowering connects this to collective unconscious (i.e. that images re (re)discovered or (re)membered not invented by individuals\n0617\nH.D.’s search for real and healing images\n0635\nExplains the peculiarly 20th C. view of art: Fragments to be gathered and reconstructed. This “archaeological” approach is connected to collective unconscious\n0700\nDecides to end lecture\n0712\nRecording ends\nTwo\nBlank"],"score":0.01643844},{"id":"5772","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 5 at SFU on September 20, 1973 #664"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 5 Sept. 20, 1973; Biography of H.D. continued"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6079/Reading in BC_MsC199_664.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_664 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:11\",\"precision\":\"\",\"size\":\"34.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_664 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:15\",\"precision\":\"\",\"size\":\"33.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-09-20\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0004\nLecture begins. Various announcements\n0036\nRecaps. (i.e. great interest in classical world)\n0045\nDiscusses translations and H.D.’s decision to not be “slavish” in translating\n0058\nImagists don’t have a “split” between translations and other poems: “She seeks the elemental (images)”\n0065\nThis ain’t no soft focus Greece\n0073\nBowering reads passages from Wm. Carlos Williams’ autobiography who was madly in love with H.D.\n0134\nBowering says that these passages give a different sense of her because they discuss her in relation to sea, storm, the sky, etc.\n0144\nSome biographical anecdotes\n0161\nRecommends My Friends When Young. More anecdotes and titles\n0183\nDiscusses impact of war on H.D. and her marriage and affairs. Mentions Bloomsbury Group. More biographical stories\n0213\nMentions that poems ‘reflect’ this turmoil. More biographical stories\n0232\n“The Islands” is discussed, esp. section IV which is read\n0290\nDiscusses Sappho’s “Fragment #113” and reads last stanza\n0312\nH.D.’s second famous vision (in Tribute to Freud) is discussed. More biographical stories follow\n0403\nWorld War II’s impact on H.D. Reads from Tribute to the Angels. (p.85). More titles and stories\n0446\n20th century chaos affects and resembles H.D. life. She tries to (re)discover who she is. Poems are an attempt at resolution\n0466\n“The blank page is a perfect poem” – Mallarme\n0467\nFreud “The childhood of the individual is the childhood of the race”. Discussed briefly in relation to H.D. and her work\n0475\nNew editions. Bowering reads some passages\n0502\nH.D.’s poems as a search for identity (partly). Bowering says he, unlike everyone else he knows, has not been in analysis because he does not believe in the unconscious (which some say proves one needs analysis!) Analysis anecdotes\n0519\nGreek myth as a metaphor but all poems autobiographical for H.D. This prevents the Sylvia Plath syndrome\n0541\nH.D.’s admiration for the hard, elemental strength of singularity versus the ease that the late Victorian Poets were being accused of. Mentions “Sea Rose” and mentions poem about Shakespeare “Good Friend”. Mentions various other titles\n0590\nLecture ends\n0673\nEnd of Side One"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553962938368,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5773","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 6 at SFU on September 24, 1973 #665"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 6 Sept. 24, 1973; H.D. continued"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6080/Reading in BC_MsC199_665.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_665 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:39\",\"precision\":\"\",\"size\":\"39.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_665 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:26\",\"precision\":\"\",\"size\":\"36.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-09-24\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553962938369,"timestamp":"2026-01-07T14:59:58.384Z","contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0024\nLecture begins\n0037\nMentions Harold Watts essay “H.D. and the Age of Myth” in Sewanee Review LVI Apr. 1948, and some dictionaries of myth (e.g. Classic Myths)\n0062\nDiscusses H.D.’s admiration for hard, elemental strength/courage in relation to “The Sea Rose”\n0074\n‘Rhyme and reason’ and the cult of mass communication\n0087\n“Words are not counters or tools… (They) are manifestations of a world we enter not as users or owners but, at the very most, equals to”\n0099\n“The qualities of words that can’t be described as things that we can own, explain or interpret,” in relation to “The Sea Rose”\n0145\nMentions “A Sea Lily”\n0159\nPsychological and aesthetic ramifications. Poems might be made to survive by their singularity\n0175\nBriefly looks at “North Star”\n0188\nThe connection between beauty and (the sustenance of) life. The only worthwhile beauty, for H.D., is assertive of life and survival versus decadence. Discusses in relation to the goddesses that H.D. admires (esp. Artemis who is inviolable as well, Athena, Demeter, Circe)\n0241\nIn “The Walls do not Fall” she becomes ISIS, Classicist aesthetics are concerned with the strength and survival of that which is beautiful; that which is beautiful is seen as that which lasts\n0252\nLooks at poem about Athena “Pallas”, an introductory poem. “They” in the poem refers to men\n0262\nReads out a passage. Athena is simultaneously the goddess; protector; example and at the same time, Greece (Athens) and women\n0296\nDiscusses the end-rhyme in the poem\n0302\n“What are the rhymes making you do?” asks Bowering. “This is the angle to attack the poem on.” Uses of rhyme are subtle. They don’t discard real speech patterns\n0332\nDon’t think that H.D. was just an anti-male amazon\n0347\nAnother aspect of the “War Trilogy” that must be kept in mind. One does not reach ‘The Mystery’ by abstractions but by sharp detail. Mentions “the scribe”. H.D. places herself philosophically against the Aristotelian genus sorting. She wants to portray how things come together, “wildly dissimilar yet actuated by the same fear the hippopotamus and the wild deer hide by the same river…”\n0365\nShe is against associating things in that organization “that places everything in boxes”. George discusses the scientific objectification of the world and its relation to capitalistic exploitation\n0408\nLooks at two more poems that connect to “The Walls do not Fall” whose theme is: What do we do with language?\n0413\nAfter the work of the poet has been done the mysteries remain\n0427\nThe mysteries are not explained away as is so common in the 20th Century where mystery gets changed into a puzzle – something solvable (i.e. poems of Tate, Ransom, etc.)\n[0042]\n“The Moon in your Hands” is discussed\n0460\n“The Good Friend” is discussed. A poem about poetry of the Elizabethans and her own – similarities between Elizabethans and moderns. Introduces “War Trilogy” and “Walls do not Fall”\n0514\nGreece is not the metaphor in “The Walls do not Fall”. All the sources of magic, religion, myth (i.e. Christian, Hebraic, Egyptian, Theban and the secret, hermetic forbidden) are there\n0550\nSense that she takes structures from Christianity and extends them so that they will take all the beginnings of myth and religion. The Holy Ghost becomes dreams. We admit the transubstantiation\n0578\nH.D. makes association between rhymes, images and between gods that nobody ever made before because she makes them purely on the basis of sound. Necromancy\n0597\nH.D. wants to make the “associations of delight” in terms of rhyme. She doesn’t see mystery as a puzzle (i.e. something that is outside of us that we can solve)\n0619\nH.D. doesn’t want any frills or ‘poetic devices’ for the war in terms of the use of the language. She wants to show the continuation of the spirit despite the mechanical horrors of war. This is discussed at some length\n0741\n“Inspiration stalks us through gloom” (stalks us unaware as Coleridge said)\n0750\nQuotes Joseph Riddle. “H.D. is like Helen in that she is captive at her loom within the sacred space of the walls (i.e. in Troy) which both protect her and hold her captive”\n0765\nLecture ends\n0771\nEnd of Side One\nSide Two is blank"],"score":0.01643844},{"id":"5774","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 7 at SFU on September 25, 1973 #666"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 7 Sept. 25, 1973; H.D. continued; The War Trilogy, The Walls Do Not Fall"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6081/Reading in BC_MsC199_666.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_666 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:13\",\"precision\":\"\",\"size\":\"37.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_666 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:12\",\"precision\":\"\",\"size\":\"35.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-09-25\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0004\nLecture begins\nMentions Gertrude Stein exhibit\n0018\nRecommends bibliography on H.D. in Wisconsin Studies in Contemporary Literature – 1969, “A Preliminary Checklist”\n0033\n“The Walls do not Fall” is poem of discussion. There is a change in H.D.’s thinking from volume to volume\n0046\n“Sand drifts… eternity endures… inspiration stalks us” taken as totems for theme\n0060\n“Stalked unaware” a vision is placed in front of us. Reads passage from poem\n0064\n“Stalked unaware” a vision is placed in front of us. Reads passage from poem\n0077\nPatterns of images (e.g. The python, etc.)\n0088\nPoem made up of fragments\n0093\nPoet (H.D.) looking for fragments to piece together universe\n0101\nH.D. says that there is a parallel between the smashed city and the condition of the 20th century (“sensitive”) mind\n0109\nShe posits a difference between scribes and priests. The priests have always been removed from the source of power (especially cosmic power) unlike the poets. The poets have revelations which the priests have to interpret. Poets do not close off any experience\n127\nH.D. does not see the subject/object split. Objects are “messages”\n0141\n“I sense my own limit… Be indigestible, hard, ungiving…” What is suggested by this to Bowering is that the individual consciousness can find access to all truth that has ever existed (D.N.A. : R.N.A. can be seen as repositories of all of it)\n0167\nWhy does anyone break into a song or dance?\n0174\nImage of worm as passage of time\n0188\nIs the genius in the jar another hermetically sealed room? Look at Fisher-King and worm images at some length\n0240\nImage of worm spinning its own shroud –a cocoon Imago – the last flowering stage of metamorphosis and root for image and has specific meaning in Freudian psychology (one’s image of one’s self after having gone through a dialective). Worm image discussed further\n0282\n“We are bearers of the secret wisdom … we are not only non-utilitarian we are pathetic/this is the new heresy/but if you cannot even understand what words say how can you expect to pass judgement on what words conceal.” Words are not tools any more than nature is a tool. Central poetic for H.D.\n0295\n“Speech is not only for use,” this is to destroy reactionary notions that poetry is frivolous\n0309\nThe writing on the wall\n0345\nThe holy ghost, for H.D., comes in terms of dreams. Discussion of dreams in “Walls do not Fall”. Visions that H.D. has had come up in the poem\n0397\nH.D.’s condemnation of Christianity. She sees it as out of touch with the mystery that inspires. Christianity is guilty of the objectification of the world which allows the exploitation of human beings and the destruction of the planet\n0421\nBowering reads section 20 of “Walls do not Fall”\n0442\nPassage 28 is discussed briefly\n0450\nPassage 36 is discussed along with 37\n0509\nThe poem, says Bowering, begins to feed upon itself. Poem not seeking status for timeless imagist poem. Time becomes part of the process of the poem itself. This is not referential time\n0538\nNon-referential time is a matter of process. The poem does not hover in imagistic stillness but becomes an act\n0548\nDiscussion of polytheism and monotheism. Explains relation between monotheism, the scientific objectification of life and capitalism\n0586\nBowering reads final section of “Walls do not Fall”\n0616\nDiscusses H.D.’s play(ing) with words as the loosening of the spirit. Sequential thinking is repressive. Bowering discusses Joker-Gods. (e.g. joker-coyote of the northwest Indians; the spider-joker of West Africa)\n0668\nLecture ends\n0680\nEnd of Side one\nSide two is blank"],"Note":["[{\"note\":\"Intermittent audio problem for first six minutes [indicated on J-card]\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553963986944,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5775","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 8 at SFU on September 27, 1973 #667"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 8 Sept. 27, 1973; H.D. continued"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6082/Reading in BC_MsC199_667.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_667 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:11\",\"precision\":\"\",\"size\":\"36.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_667 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:16\",\"precision\":\"\",\"size\":\"32.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-09-27\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0023\n(Tape begins with horrible high-pitched squeal and other loud noises)\n0023\nBowering begins speaking but noises still continue\n0034\nBowering begins by discussing H.D’s response to 1st World War in relation to Walls Do Not Fall and Tribute to the Angels\n0050\nThe reappearance of ruination in Tribute to the Angels. Views poem as a process or act\n0059\nThebes and Jerusalem become the major bodies of mytho-history that H.D. feeds on in poem\n0101\nBowering reads section 3 and discusses the “angelology”\n0121\nWar becomes part of process (of poem and history). Discusses view of war as inevitable part of progress (Whitman)\n0132\nSections 6 to 17, main passages on Aphrodite who becomes Mary. Bowering reads section 12. Discusses goddesses. Explains that there is a balance struck up between Aphrodite (the mother of us all, for H.D.) and Amen (Father)\n0162\nDiscusses images of beauty in relation to war, Section 17, and discusses H.D.’s two major visions in Section 23\n0200\nTransubstantiation image is discussed while reading Section 23\n0216\nThe second vision first appears in Section 28. The fusion of Venus and Mary is made here\n0231\nThe figure of Mary, explains Bowering, is not simply the Christian Figure of Mary. It is the figure of Mary as she becomes merged with ISIS, ASARTE, Demeter, etc.\n0236\nAn ambiguous gesture in Section 29 – the appearance of Mary gives us the sense that H.D. is expanding to all the Venus figures\n0247\nThe series of painters’ images of Mary in Section 29 is discussed\n0263\nThe ‘Palimpsest process’ is pointed out (i.e. Mary keeps resurfacing again and again)\n0274\nMary’s son combines Adonis and Dionysius, explains Bowering, during a discussion of the ‘evolution’ of religions. A lengthy discussion of collective dreams ensues\n0332\nFreudian dream theory\n0344\nSections 32, 35, 36 and 37 are discussed\n0400\nSection 1 is read and discussed. The totally purified Mary, before the Church imposes its image upon her, is the one H.D. wants to see/show\n0459\nSection 39 is read. Primitive terror is discussed, as well as the inability of language to express or convey a synthesis of ‘same’ and ‘different’\n0497\nSection 40 is read and discussed. In particular, Bowering discusses the subjection of experience by representation, and the inability of representation to ‘capture’ an impression or experience. One of the oldest problems artists have had\n0516\nBowering reads Section 41 and discusses it\n0554\nSection 43 is read and discussed\n0626\nLecture ends\nEnd of Side one\nSide Two is blank"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553963986945,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5776","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 9 at SFU on October 1, 1973 #668"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 9 Oct. 1, 1973; H.D - The War Trilogy, Flowering of the Rod"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6083/Reading in BC_MsC199_668.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_668 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:16\",\"precision\":\"\",\"size\":\"35.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_668 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:14\",\"precision\":\"\",\"size\":\"34.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-10-01\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0004\nRecording begins. Bowering comments on strange 747 noise. More noise\n0018\nLecture begins. Bowering outlines Gertrude Stein readings\n0040\nH.D. discussion begins with a question to the students and an explanation of the amount of time spent on H.D.\n0049\nPromotion for Special Collections room\n0065\nDiscussion of Flowering of the Rod begins with a comment on aesthetics\n0074\nThe Flowering of the Rod is the flowering of the pen and of the tree. Biblical story is mentioned. Sexual connotations of story are mentioned\n0090\nH.D.’s visions and her relationship to the war. Transcendence which is not merely resurrection\n0102\nResurrection images/metaphor\n0109\nBeginning of Section 3 of Flowering of the Rod is read and discussed\n0117\nSection 1 is rad and discussed in relation to other two volumes of War Trilogy\n0133\nSection 2 is read and discussed in part\n0142\nSection 3 is discussed further. Atlantis is supreme example of of the cities with walls\n0185\nSection 4 is read in part and discussed. The continued images of beauty and love are H.D.’s longing for the perfect\n0210\nH.D.’s position as an artist (in relation to poem) : she stands unsatisfied. Her search for beauty and the eternal is what is left instead of the eternal, beautiful, perfect\n0222\nBowering explains the difference between a cynic and a skeptic: a cynic denounces the search for the perfect because it is impossible to reach (this in itself is idealism). A skeptic accepts that we seek the perfect in art because that is the impulse to create all the while realizing that this is impossible. The difference between an artist and a “sensible” person lies in the acceptance or rejection, respectively, of this search\n0245\nThis eternal urge is the urge of dreamers, explains Bowering. He discusses the aforementioned in relation to art in general and the imagist’s use of Freudian dream theory. Section 5 is read in part and discussed\n0289\nBeatitudes in St. Matthew are discussed in relation to Section 5 images. Suffering and art are discussed in relation to H.D. and Romantics\n0324\nSection 6 is read and discussed. Bowering notes how the poem again feeds on itself\n0326\nSection 9 and 10 are discussed\n0473\nSection 11 is read and discussed. H.D.’s use of resurrection is looked at again\n0516\nSection 12 is read in part and discussed. H.D. ; Mary Magdalene; Eve and Lilith are connected. A woman from Atlantis who H.D. does not name is seen by her to be before Lilith (who is before Eve)\n0590\nFor H.D. doubt is absolutely necessary for the recurrence of faith. Could Faith exist without doubt? Faith and doubt are discussed at some length\n0690\nLecture ends\nEnd of Side one\nSide two is blank"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553963986946,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5777","cataloger_name":["Nina,Fesenko"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["bp Nichol's Motherlove album, 1968 #1036"],"item_title_source":["cassette and j-card"],"item_title_note":["Found additional info here: https://www.discogs.com/bpNichol-Motherlove/release/3096036\n\nLiner notes: see the photo in the material description"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P."],"creator_names_search":["Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Author\"]}]"],"contributors":["[]"],"Publication_Date":[1968],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6084/Reading in BC_McS199_1036(1).jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1036-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:40:57\",\"precision\":\"\",\"size\":\"39 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1036-side-2 - blank.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:22\",\"precision\":\"\",\"size\":\"48.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1968\",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"Internet\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553963986947,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5778","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 10 at SFU on October 2 , 1973 #669"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 10 Oct. 2, 1973; Gertrude Stein, Composition as Explanation"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6085/Reading in BC_MsC199_669.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_669 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:45\",\"precision\":\"\",\"size\":\"34.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_669 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:47\",\"precision\":\"\",\"size\":\"35.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-10-02\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553965035520,"timestamp":"2026-01-07T14:59:58.384Z","contents":["Side\nTrack\nNo.\nComments\nTwo\n0000\n0025\nLecture on Gertrude Stein begins\n0045\nDiscussion of place of Stein’s writing in relation to William James’\n0051\nThe area of the reading experience that Stein is primarily interested in as a student of William James\n0066\nStein saw her writing as a continuation of Henry James’ psychological realism. She tried to move beyond that\n0086\nWilliam James did not see abstract, logical entities only moving and becoming. This was why he was interested in the process of mind\n0095\nDiscussion of native Indians in California who perceive the world in motion. Their language does not allow for talking about anything at rest. Things are not manifest they are manifesting\n0105\nHow can H.D.’s sense of the past/present which doesn’t have any levels to it be compared to Stein’s sense of time?\n0123\nReads first scene of a Stein play\n0160\nPlays tape of Stein reading “If I Told Him” (her later portrait of Picasso)\n0203\nStein reading ends\n0219\nWhat does Stein mean when she says that “civilization began with a rose a rose is a rose is a rose”\n0230\nStein is stalling that process called reference (allusion or metaphor and even description)\n0244\nStein is perhaps attempting to do here what Buddha was trying to do in “The Flower Sutra”. Bowering discusses experience and its representation in language. What is the relationship between the primary experience and its representation? This is discussed at some length\n0340\nStein is interested in the conscious mind and its possibilities. Her Poetry works on this as opposed to turn-of-the-century (and later) “mining the unconscious” Stein doesn’t believe in the unconscious\n0354\nStein asks about how we can know the unconscious, consciously\n0363\nIn the late-early period of the early portraits on Tender Buttons Stein no longer thinks that words have to be used to refer to a world. She believes that they can fashion a world or become a world. Words do not have to be signs, images, or symbols\n0424\nRecommends The Third Rose by Malcolm Brinnin (a critical biography of Steins work). “Models’, (Stein reminds us in Brinnin’s book) “were everything until the beginning of the 20th century and now hardly any painter who interests anyone really has any realization that everybody used to have a model.:” This is discussed\n0478\nStein said that it was possible to use language in the way that painters could use color. (But color, plane and proportion in painting are not of themselves highly referential in the same way that language is in the “real” world.) Stein was trying to rescue them from their common dulling associations. She makes an assumption about the effect/experience of language\n(i.e. under the conventions that we have applied to the way we make language work is a primary language, a primary association with words). She believed (quite rightly) that each society’s syntactic habits are enforced in order to enforce political, economic, tribal preferences on the parts of those in power. In our post-Aristotlean world, we, like the Russians and Chinese put subject-over-object in that order. The subject is taken to exist previous to action. The object is only brought into being when that subject acts upon it. The subject object split maintained by language is the root of our exploitive capitalism. Stein is attempting to see the world previous to that overlay (her use of language is remedial)\n0556\nThe art is one’s primary experience while one is viewing it (“reality”). It doesn’t have to refer to some previous model. Bowering says that he will look at cubism later to further illustrate this\n0575\nBowering’s use of the word “order” is to imply a sense of beginning\n0594\nStein is interested mainly in “brain” rather than “mind” unlike H.D. brain can be described in terms of energy (and mind in terms of sets for some reason)\n0623\nMemory in connection to “mind” and “brain” is discussed. Memory, for the purposes of the writer especially (according to Stein) is more fruitful than philosophy or conjecture\n0638\nBowering says that whenever words are put together the product is “real”. It is not possible to not do this. The concept of “real” is discussed at some length\n0724\nA test of Stein’s fiction, says Bowering, would not be whether it is a simulacrum of an experience of the readers’ but whether the reader can remember a character\n0740\nConventional 19th century novels (and paintings) are discussed for their process of cause and effect: set of conditions that becomes the environment; the suggestion is, as it is in naturalism, that environment (as well as heredity) shapes character. Environment and character come together and make the event believable. Stein doesn’t bother with this because people do not look back on their lives that way, says Bowering. She takes major characteristics of a character and shows them appearing again and again through a series of actions. She calls this the continuous present\n0800\nLecture ends\nEnd of side Two"],"score":0.01643844},{"id":"5779","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 11  at SFU on October 4, 1973 #670"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 11 Oct. 4, 1973; Gertrude Stein: Composition as Explanation continued"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6086/Reading in BC_MsC199_670.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_670 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:21\",\"precision\":\"\",\"size\":\"35.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_670 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:17\",\"precision\":\"\",\"size\":\"33.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-10-04\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553965035521,"timestamp":"2026-01-07T14:59:58.384Z","contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0028\nBowering begins by explaining title of “Composition as Explanation” at some length\n0112\nReads passage and discusses it as a further elaboration of “Composition as Explanation”. “Composition is the difference” – Stein. Things cannot be seen as different unless they are first seen as similar otherwise there would be no such\nconcept as different.” Bowering waxes metaphysical. Composition and difference are discussed at some length\n0170\nCubism does not want to arrest some object in a moment of time, it wants to get multiple views of the same thing into one space that resists the movement of time. Bowering says he will discuss this further later on in the lecture\n0178\nComposition is involved in the consciousness of seeing (the similar in the different); placing yourself physically in the scene\n0181\nStein on the avant-garde: “No one is ahead of his time. It is only that the particular variety of creating his time is the one that his contemporaries who are also creating their own time refuse to accept.” She once stated that she created the 20th Century when she wrote The Making of Americans. (Created 20th Century America)\n0190\nAgainst description. (Places the writing in past). H.G. Wells is given as an example\n0222\nMcLuhan and rear-view mirror thinking is discussed briefly. “Artists are not ahead of their time,” said McLuhan, “everyone else is behind the time.”\n0231\nStein wants to create one’s time, says Bowering. This is the only thing one can do if one is not satisfied trying to describe (or translate) one’s time. This places one in the past and Stein is not interested in this\n0240\n“Those who are creating the modern composition authentically are naturally only of importance when they are dead because by that time the modern composition having become past is classified,” said Stein, “and the description of it is classical. This is the reason why the creator of the new composition in the arts is an outlaw until he is a classic. There is hardly a moment in between and it really is too bad, very much too bad, naturally for the creator but also very much too bad for the enjoyer. They all would really enjoy the created soon after it is made than when it is already a classic”\n0250\nThe irritation (shock) of the new (in literature or visual art) is discussed\n0270\nWhat is the source of this irritation? Stein locates it at the reader’s (or audience’s) experience of the work (rather than the work itself). Bowering gives a rather unconvincing David Hume-like analogy\n0279\nWhat is the source of this irritation? Stein locates it at the reader’s (or audience’s) experience of the work (rather than the work itself). Bowering gives a rather unconvincing David Hume-like analogy\n0300\nThe Stein sense of beautiful versus H.D.’s sense of the beautiful which is the eternal and perfect\n0320\nRepetition, beginnings and the ‘natural thing’ are discussed\n0344\nStein does not want to describe but to find the main characteristic. To solve problems she looked at what was not done, Bowering explains\n0380\nThe effect Stein wants to achieve is similar to the effect the cubists wanted to achieve. She wants to get multiple views of the same thing happening in the same time, explains Bowering. Repetition is discussed again as is the parallel in writing with a painting’s effects showing no recognizable object (no nouns)\n0401\nStein’s repetition of main characteristics in different circumstances is discussed as being the way she paints a picture of a person’s life. This perspective is discussed in relation to a historical perspective. Her point was to make people look at and hear her writing in the same way that the cubists wanted people to look at painting. A great deal of art is self-referring in the 20th century, says Bowering. Visual examples are shown\n0450\nWhile showing slides, Bowering discusses perspective, composition referentiality and abstractions\n0596\nDescription is criticized again and discussed in relation to the paintings on the slides. As soon as one enters into description the elements of nature are used by the artist who wants to direct the viewer/audience into having a certain set response to his main subject material\n0622\nDescription; interpretation, perspective; values systems and ego\n0657\nStein’s phrase on composition is discussed in relation to the direction of attention versus process of mind\n0684\nEnd of lecture and side one\nSide two is blank"],"score":0.01643844},{"id":"5780","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 12 at SFU on October 9, 1973 #671"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 12 Oct. 9, 1973; Gertrude Stein continued"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6087/Reading in BC_MsC199_671.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_671 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:13\",\"precision\":\"\",\"size\":\"34.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_671 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:15\",\"precision\":\"\",\"size\":\"33.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-10-09\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0004\nBowering begins with his usual Prince George and Sylvia Plath jokes\n0035\nBegins by looking at “Composition as Explanation”. Pg. 24, “A Question on Time.”\n0042\n“(t)he time in that composition is the natural phenomena of that composition and of that perhaps everyone can be certain” – Stein. This quotation is discussed in relation to time in paintings\n0072\n“Each period of living differs from any other period not in the way life is but in the way life is conducted and that, authentically speaking, is composition.” (Stein is trying to show what it is to live in her time. Composition is discussed in relation to consciousness and against certain kinds of realism\n0112\nStein is not interested in cause and effect or in questions of why people do things but how they do it; this places her as scientist as opposed to a religious or philosophical investigator, Bowering explains\n0119\n“Everything is the same except composition and as the composition is different and always going to be different, everything is not the same”. (p. 28 “composition as explanation”). Bowering discusses this quotation\n0142\nBowering discusses above quotation in relation to H.D. who believed that anyone’s mind could tap the arche-types and dissolve the self. Stein is more interested in how one acts, explains Bowering\n0156\nBowering discusses Melanctha. Though it seems a conventional story for Stein, it is still an odd way of writing for that period (because it is not like descriptive literature), says Bowering\n0182\nStein’s parallel between writing and war. The exigencies that demand modernism : if the war demands modern techniques, those modern techniques will be there sooner than for other things\n0199\nBowering discusses “the time of the composition is a natural thing…”\n0230\nStein tries to make time inconsequential, says Bowering, and the only time that is operative at all is the actual reading time of the piece\n0242\nBowering discusses the cubist’s who did away with conventional use of time and space. They too, like Stein and linguists who study natural language, are looking for an “order’ that exists before the conventionalized, interpretive mind gets a hold of the world and conceals it. This is discussed at quite some length\n0617\nUp until the 20th Century, there are no spaces between things (all space on canvas is filled). In 20th Century art, music and writing, there are spaces between things (different ordering). This is the difference in the modern perspective\n0663\nStein makes a distinction between insistence and repetition. She, as well as Williams, says that Stein doesn’t use repetition. How she writes the portraits is related (by Stein) to how one sees the world around. “Is there repetition or is there insistence? I am included to believe there is no such thing as repetition”. – Stein. This is discussed in relation to “same’ and “different “which is explained in metaphysical terms\n0737\nEnd of lecture\nEnd of Side one\nSide two blank"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553965035522,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5781","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 13 at SFU on October 15, 1973 #672"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 13 Oct. 15, 1973; Gertrude Stein: Ida"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6094/Reading in BC_MsC199_672.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_672 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:27\",\"precision\":\"\",\"size\":\"34.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_672 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:19\",\"precision\":\"\",\"size\":\"33.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-10-15\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0006\nBowering begins with one of his standard jokes\n0031\nBowering recapitulates about Stein’s process by quoting W.C. Williams from his 1931 Selected Essays. “It is a breakaway from that paralyzing vulgarity of logic for which the habits of science and philosophy coming over into literature, where they do not belong, are to blame”\n0065\nBowering wants us to think of realism as a challenge to form not to contend\n0072\nBowering begins with them. Stein is working out the problem of identity for a famous woman (Ida). Bowering discusses the conflict between identity vs. entity at quite some length and in relation to Stein’s own life\n0206\nWhy does conventional fiction use plot etc., asks Bowering: To assert an unproven greater significance to our existence, he answers\n0220\n“Nobody has identity. Do they put up with it? They put up with identity” – Stein. (Ida’s) identity is discussed at quite some length\n0325\nBowering discusses fable, legends, saints in relation to identity and publicity\n0348\nStein’s dreams and symbols are discussed (with the examples) as well as, fable-language; legend-language (that makes time cease)\n0397\nMagic paranoia fantasy\n0434\nIda is picaresque novel\n0460\nBowering’s description of Ida : “At first there is Ida and what will she do and then there is what she does but where is Ida?”\n0467\nIn Stein’s work we are always dealing with “How it (the mind) feels” not so much with what it says. Bowering illustrates this with examples\n0485\nStein’s jokes and puns are discussed at quite some length\n0627\nThe implications of Ida “making a name for herself” are discussed\n0680\nIda falling in love. Bowering gives an example of true Gertrude Stein logic\n0700\nBowering discusses what he considers one of the greatest empirical passages about growing to love. More discussing of identity\n0813\nEnd of lecture\nEnd of Side One\nSide Two is blank"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553966084096,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5782","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 14 at SFU on October 16, 1973 #673"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 14 Oct. 16, 1973; Gertrude Stein: Ida concluded; Hemingway - beginning"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6095/Reading in BC_MsC199_673.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_673 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:21\",\"precision\":\"\",\"size\":\"35.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_673 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:00\",\"precision\":\"\",\"size\":\"34.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-10-16\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting\n"],"contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0014\nBowering begins lecture by finishing off discussion of Ida (i.e. problems of identity – Ida as type in a picaresque sense; names and naming; Ida’s relationship to Andrew; her phase as her mother’s Ida; Ida’s attempts to formulate identity; her experience as trapped in identity, etc.). Quite a lengthy discussion ensues – “the story is not over until the reader dies”\n0209\nBowering begins Hemingway discussion by introducing Death in the Afternoon which he will allude to through the lecture\n0231\n“Remarks are not literature”, Stein tells Hemingway. Bowering recommends chapter on Hemingway in Stein’s The Autobiography of Alice B. Toklas\n0239\nBiographical anecdotes\n0266\nBowering reads from “Up in Michigan” (Hemingway’s “first story”) and discusses use of language\n0296\nBowering discusses The Nick Adams Stories and interchangeable, autobiographical Hemingway heroes\n0364\nOn the necessity of human bonding which appears almost exclusively as male bonding. Bowering gives various examples\n0409\n“Grace under pressure” is discussed along with Catholicism\n0444\nNick Adams Stories are discussed as initiation stories. One of the two most common themes in American Literature, says Bowering, along with the-disappointment-of-the-promise-made-by-the-constitution (i.e. also loss of innocence like the initiation stories)\n0483\nAnti-Hemingway position is reduced to two points: 1. The women are male-identified; unreal. 2. Hemingway is obsessed by violence, pain and death. Bowering dismisses the former point quickly with an unconvincing, standard (masculine) answer. The latter is discussed and rationalized\n0555\nThe social construction of masculinity is rationalized and glorified\n0590\nBowering recommends Turgenev’s Fathers and Sons\nEnd of Side One\nSide Two is blank"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553966084097,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5783","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 15 at SFU on November 1, 1973 #674"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 15 Nov. 1, 1973; William Carlos Williams"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6096/Reading in BC_MsC199_674.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_674 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:23\",\"precision\":\"\",\"size\":\"34.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_674 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:19\",\"precision\":\"\",\"size\":\"32.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-11-01\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553966084098,"timestamp":"2026-01-07T14:59:58.384Z","contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0005\nPaterson is a town, and, a man. Bowering discusses Williams’ urban home town – dirty, filthy, the population a result of the great immigrations into the United States in the early part of the 20th Century to feed the mills\n0027\nBowering notes that Williams chose Patterson as the setting for Paterson, rather than nearby Rutherford, as “He had to write a poem about everything and set it in its specific place”. The image that Paterson contains is the very central image of the waterfalls\n0032\nLike In the American Grain, Paterson is a book, a poem, about making poetry. Bowering goes on to discuss Paterson as a veritable mine of information on what Williams and other contemporaries thought and felt about poetics\n0071\n…on some pronouncements about poetry by William Carlos Williams: -- ‘Order’ for example\n0097\nDiscusses Yeats’ views of poetics in reference to a Comparison with Williams’ ideas on ‘order’\n0116\nYeats’ idea was to write a poem that lasts forever, containing images which defy death\n0138\nWilliams on ‘Masterpieces’ – beauty is found in the fresh, the unexplored. Masterpieces are only beautiful in the tragic sense, like a starfish stretched out dead on the beach in the sun\n0151\nBeauty – Uncertainty, hence Williams’ interest in ‘accident’, an important principle in Paterson\n0207\n“The impulse to order, then, involves measure, in all its meanings. The first thing one does when one finds oneself lost is try to start measuring, and the only access one has, in order to start measuring, is one’s own lineaments.” Bowering goes on to discuss various aspects of the idea of ‘measurement’\n0303\nA swift jump into ‘perspective’, another multi-meaning word. ‘Perspective’ suggests that the viewer is at the center, and “everything else is on the outside, and the farther away that something is from that ego, then the less important it is.”\n0337\nBowering discusses the desire of the imagists and the cubists to get rid of, or distort ‘perspective’, either by deliberate placement of an image, or by ‘dis-covering’ it. One can “see the world without dominating it”, as Williams says\n0376\nW.C. Williams says: “It is not what you say that matters, but the manner in which you say it”\n0406\nWilliams on ‘Ex-pression’\n0483\nBowering discusses Williams’ The Wedge, as a book written contemporaneously with Paterson\n0533\nWilliams – “One doesn’t seek beauty, it finds you.”\n0574\nFrom Williams “Revelation”: “The objective in writing is to reveal; it is not to teach, not to advertise, not to sell, not even to communicate (for that needs two), but to “reveal”. Bowering goes on to discuss Williams’ fascination for speech undistorted, by speech that reveals through its particular genre: “As a carrot grows up through the ground will have in its shape the particulars of that ground.” In other words, the place in which a person grows up will have to constitute how that person comes to the world, and has to be ‘dis’covered’ in the work itself\n0620\nBowering closes by looking at a late work of Williams, namely The Poem as a Field of Action (1948), which came out at the same time as Book II of Paterson\n0687\nEnd of Lecture a\n0699\nEnd of Side One\nTwo\nBlank\n\n*This appears to be a second version of Accession Number #674\n\nSide\nTrack\nNo.\nComments\nOne\n0000\n0004\nLecture begins with Bowering explaining various significances of Paterson (i.e. the city in New Jersey)\n0033\nPaterson, like many of Williams’ poems, is about making poems; this is discussed\n0053\nBowering recommends In the American Grain as being one of the most useful and accessible books to an understanding of the local (language and place) and the difference between marrying the language and raping it (with reference to Williams’ writing)\n0071\nBowering gives some of Williams’ pronouncements about poetry (esp. on order). “Time is a storm in which we are all lost only inside the convolutions of the storm itself shall we find our directions”\n0087\nYeats (and Pound) in relation to Williams’ work\n0097\nA discussion of artifacts (emblems of perfection and eternity) with reference to Yeats\n0134\nWhy Williams is opposed to masterpieces – they are “like starfish lying stretched dead on the beach in the sun”. Beauty is found in uncertainty and the unknown\n0154\nWilliams’ interest in accident is discussed with reference to Paterson and “Chora in Hell” and Marchel DuChamp\n0190\nBowering discusses Williams’ view of form and structure with reference to “Against the Weather” (storm and uncertainty and order)\n0206\n“The impulse to order involves measure in all its meanings” (measure as distinct from metre because metre is seen as something predecided – measure is used as a descriptive rather than a pre-scriptive term by Bowering)\n0233\nBowering discusses Olson’s image of a bird making a nest in relation to measure\n0255\nMeasure is discussed further in relation to prose, poetry and the self. “The measure intervenes. To measure is all we know. A choice among the measures”\n0291\nImagists wanted to rid the view of her/his self-centred interpretation of the world. The act of observation is discussed\n0302\nBowering discusses perspective at some length\n0373\nProcess and composition are discussed\n0398\nBowering discusses Arthur Simon’s quotation on Mallarme – “To be rather than to express that is what Mallarme has consistently sought in verse and prose”\n0410\nThe artist for Williams is a phenomenon among phenomena. She/he is not the “I” who is a creator of order but a discoverer or a rearranger of an order that is already there. This is discussed with reference to other poets\n0482\nBowering looks at Williams’ reface to “"],"score":0.01643844},{"id":"5784","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 16 at SFU on November 5, 1973 #675"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 16 Nov. 5, 1973; W. C. Williams continued - Paterson, Book I"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6097/Reading in BC_MsC199_675.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_675 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:30\",\"precision\":\"\",\"size\":\"34.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_675 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:21\",\"precision\":\"\",\"size\":\"33.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-11-05\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0015\nBowering notes that he feels that he is learning even more now from Paterson despite his experience and travails as a writer – each reading brings to light new issues and ideas\n0045\nPaterson is an example of how to write a long imagist or objectivist poem”, notes Bowering. Paterson is very much about writing\n0071\nDiscussion of the symbolic setting of Paterson, esp. the river and the falls\n0087\nBowering makes the point that one can look at the river in terms of its representation of the passage of one’s life, a familiar metaphor. The river also can be viewed as representative of thought that has not yet been turned into voice\n0120\nComparison of the treatment of water as a metaphor in a poem of Whitman’s Starting from Paumanok\n0161\nThere is a ‘set-up’ structure to Paterson, its original four books were each divided into three sections, for a total of twelve divisions, suggesting ‘the year’. The physical setting matches also – Book II about the spring\n0180\nAnother sense of structure in the books parallels the subject matter; Book I is relatively clear and straight-forward, but as we progress through the books, the writing grows progressively more ‘muddied’, as does the river in Paterson in its journey to the sea\n0203\n“There are some very particular oppositions to Eliot in Paterson…”\n0218\nThe image of the Dog\n0275\nThe image of the ‘particulars’ of the river\n0279\nWilliams: “Beauty cannot exist in a museum out of time and away from the human”\n0294\nThe idea of ‘Quest’ in literature is discussed\n0314\nThe theme of Marriage/Union as compared to Divorce/Rape is investigated\n0363\nThe metaphor of the City (Man) and the Park (Woman), with the river as thought is looked at. Male and female images are investigated\n0373\nWilliams’ reading of Freud played, perhaps, some bearing on the creation of Paterson, especially in terms of dream signification\n0419\nContinued discussion of ‘Marriage’ vs.’Rape’ in the poetry of Paterson\n0503\nWilliams’ attack on university writers is examined\n0520\nThe symbolism of the dead water of ‘the moat’ of poetry created as a result of middle-class motivations\n0595\nWilliams’ attempts to deal with the masculine, puritanical, death-wish drive in which the masculine values are championed. The American hero at the time was the quiet, unspeaking man of action vs. the suspect, effete man of words (i.e. European). In Selected Essays (p. 68), Williams said “The perfect type of the man of action is the suicide”\n0642\nEnd of lecture\nTwo\nSide two is blank"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553968181248,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5785","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 17 at SFU on November 6, 1973 #676"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 17 Nov. 6, 1973; W. C. Williams - Paterson Book I continued"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6098/Reading in BC_MsC199_676.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_676 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:13\",\"precision\":\"\",\"size\":\"34.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_676 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:30\",\"precision\":\"\",\"size\":\"33.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-11-06\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0010\nIntroductory remarks – how to read Paterson (?!)\n0027\nThe suicide of Sam Patch is touched upon, in reference to the theme of Marriage vs. Divorce/Rape\n0053\n“Williams works with crowds throughout Paterson…”\n0069\nThe key phrase in Paterson in which Williams rails against divorce, which he associates with perfection, or the striving for perfection : “A bud forever green…” (p. 18)\n0112\nWilliams looks at the rose as an image of Woman or Christ (p. 30)\n0146\n“Woman, earth, art, proceed; they are not captured, one cannot be the master of them”, Williams says. One cannot own language or poetry or control it without disrupting its essence\n0172\nWilliams’s examination of two disparate girls who wish to be alike is discussed. This discussion leads into the topic of the range of beauty in nature (ugly to beautiful) and of how that range should be reflected in the language and imagery of poetry. The beauty can be found anywhere – it is how one applies the language to it that interests Williams\n0220\nThe Freudian imagery in Paterson is touched on again by Bowering\n0265\nWilliams views on the ‘library’ and “history, but not for the sake of the encyclopedia”, are examined\n0302\n“The first problem Williams has, if he looks around the city and sees people divorced from their past, divorced from their language, divorced from each other, divorced for the reasons they are doing their jobs, divorced from the possibility of devising their own schedules – he has to find and admit and lay out those faults within himself”\n0372\nBowering notes that, in Paterson, we see people coming together not to share language and themselves, but they gather together as crowds to see dead bodies, to see freaks, to see false language, to rape the earth, to see outside beauty rather than their own\n0432\nQuestions are fielded concerning Book I\n0481\nIf the poet will allow, Bowering notes, his discrepancies, his hesitancies, all his imperfections to appear in the body of the poem, then we are lead to a consideration of the poet, the speaker, much more than we would be if we were offered a poem as a finished and perfect artifact\n0492\nBowering starts on Book II. In Book II, Williams discusses ‘the appearance of contemporaries’\n0547\nPuritans vs. Nature is discussed; “they came across to America claiming that they were going to find and people a new world. What they actually did was to make the Old World over again its worst aspects on the American continent”\n0560\nWilliams is like an explorer of the New World in Book II. Constraint is the major them in Book II\n0600\nThe images of people laying in the grass are examined\n0653\nLecture ends\nTwo\nSide Two is blank"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553968181249,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5786","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 18 at SFU on November 8, 1973 #677"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 18 Nov. 8, 1973; W. C. Williams continued - Paterson Book II"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6099/Reading in BC_MsC199_677.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_677 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:52\",\"precision\":\"\",\"size\":\"35.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_677 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:57\",\"precision\":\"\",\"size\":\"34.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-11-08\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0015\nBowering begins the discussion with reference to Williams 1923 Volume Springdoll, and a metaphor concerning the issue of imitation vs. copying in poetry with respect to nature\n0030\n“Art is to be placed beside Nature, in its own nature…”\n0040\nFor Williams, the ideal is “that the poem operate in the world vis Nature, in the way that a tree would”, notes Bowering\n0055\nIn Paterson, Book II, notes Bowering, we have Paterson going out to find out what the nature of people in the city is on Sunday in the park. A key motif is ‘walking’\n0083\nThe image of the roots is discussed (p. 44)\n0121\nPuritanism vs. Nature is discussed\n0151\nThe idea of ’property’ in Paterson is a topic for analysis\n0218\nProperty and theme of constraint\n0222\nDiscusses ‘dogs’\n0252\nProperty and price are discussed\n0277\nIssues surrounding Hamiltonian vs. Jeffersonian politics and 20th century American government are looked\n0331\nThe Federal Reserve banks are extensively discussed\n0416\nHow slavery was made into law in relation to the Federal Reserve banks is touched upon\n0420\n“There are forces which seek to block one’s marriage with nature, with one’s language, with one’s fellow beings and so forth, to keep the people divorced, to keep them constrained…”\n0428\nThe letters of the ‘neurotic poetess’ C. are discussed in reference to the theme of divorce\n0512\nA trick of Williams is to subtly poke fun at other poets by reiterating lines from other works\n0544\nThe business of invention is discussed, in relation to the creation of poetry and nature. ‘In-ven’tion’ = ‘to come in-to’\n0588\nThe freedom of art is associated with economic freedom, an image picked straight out of Pound’s Canto about Usury\n0634\n“Your poetics are directly related to the way you measure the rest of the universe…”\n0666\nBowering will talk about the Pagan and the Descent Passage next time\n0676\nEnd of tape\nTwo\nSide two is blank"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553968181250,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5787","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 19 at SFU on November 13, 1973 #678"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 19 Nov. 13, 1973; W. C. Williams - Paterson Book II continued, Book III begin"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6100/Reading in BC_MsC199_678.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_678 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:53\",\"precision\":\"\",\"size\":\"35.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_678 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:56\",\"precision\":\"\",\"size\":\"34.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-11-13\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0023\nBowering begins with a discussion of the Pagan vs. the Puritan\n0040\nAspects of the film Viva Mexico are touched upon in Paterson\n0059\n“In the Puritan”, Bowering states, “there is a fear built in of both the beautiful and the feminine”\n0088\n“The Evangelist gives all his money away, but he is always worried about cost and price…”\n0120\nPaterson’s great discovery against the deadening absolutes one is offered in life is that “marriage in the present is the way to enter the eternal”\n0152\nIn Part III of Book II we find a refusal to be negative\n0185\nThe descent passage of Book II, Part III, is the key moment of the Book\n0242\nWaterfall imagery in Part III is discussed\n0302\n“Williams force comes from the feminine…”\n0356\nBowering begins Paterson, Book III\n0365\nThe library is discussed - a place of coolness and escape\n0378\n“The library is about the search for new language – the realization that the old has to be picked up and shaken and literally re-formed”, notes Bowering. The image of fire, flood and cyclone runs through it\n0395\nWe are now in the summer season of Paterson\n0399\nFear is a major theme in Book III\n0419\nThat which inspires fear, in all cases in Book III, is the beautiful\n0446\nPaterson remains in the library all through Book III, but his mind keeps going outside to ’beautiful things’\n0526\nIn the library, Paterson is cut off from the city, ‘divorced’ and silent\n0556\nThe dreams of dead men are prisoners in the library\n0561\nThe moth image is discussed\n0607\nThe ‘toilet-training’ theory of literature is discussed\n0622\nThe imagery of the library sign ‘SILENCE!’ is discussed\n0650\nBowering talks about metamorphosis – of the worm, of the cyclone, of the flood, of the fire\n0685\nLecture ends\nTwo\nSide Two is blank"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553969229824,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5788","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 20 at SFU on November 15, 1973 #679"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 20 Nov. 15, 1973; W. C. Williams continued - Paterson Book III"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6101/Reading in BC_MsC199_679.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_679 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:05\",\"precision\":\"\",\"size\":\"36.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_679 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:16\",\"precision\":\"\",\"size\":\"35.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-11-15\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0020\nBowering discusses the nature of the course’s final exam\n0087\nPart III of Book III is discussed\n0131\nBowering relates an anecdote about auto-destructive art\n0185\nThe library image as a dam for fresh thought is discussed\n0230\nReference to In the American Grain is made in terms of the beauty of the un-raped, the new\n0266\nThe passage about the Indians turned over to the soldiers is analyzed. The idea of Williams as doctor is touched upon\n0278\nThe colonists were little more than rapists\n0285\nOn the nature of rapists\n0304\nMarriage vs. Death and Destroying is discussed\n0343\nThe puritan answer to the beauty that the poet hopes to encounter in his art in Paterson (that it is an unproductive useless activity or that it is a ‘dirty book’)\n0348\n“the puritan ethic”, states Bowering, “means the opposite of Williams’ decision to embrace the foulness – they do it without thinking they do, they do it while denying they’ve done it”\n0362\nThe Puritans were not only afraid of the animals in the forest, they were afraid of the animal in man\n0380\nToulouse Lautrec is discussed in the context of Paterson, Book III\n0490\n“So, beauty is not to be divorced from the local, not to be divorced from the vulgar”, states Bowering\n0552\nBeauty is not the moment of rest and contentment, but rather it is at the moment of being shaken just like the volcano or the raging fire – because it cracks open new places\n0628\nThe image of flame is reiterated: it consumes things of elementally lower order and raises them to a higher order – it is the one element (of Earth, Air, Water, Fire) that does not have any weight and is always in change. It is like the waterfall in Paterson\n0689\nEnd of lecture\nTwo\nSide Two is blank"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553969229825,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5789","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 21 at SFU on November 19, 1973 #680"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 21 Nov. 19, 1973; W. C. Williams: Paterson III"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6102/Reading in BC_MsC199_680.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_680 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:58\",\"precision\":\"\",\"size\":\"35.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_680 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:57\",\"precision\":\"\",\"size\":\"34.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-11-19\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0002\nBowering makes light of the fact that he is early for lecture\n0019\nPaterson, Book III is, as far as Bowering is concerned, the best in terms of verse, in terms of art, in the Paterson series\n0024\nBowering recaps his discussion on beauty and the significance of the fire, the flood and the cyclone\n0040\nReference is made to Shelley’s concept of the flame\n0105\nFlame and fire are the most common images for those things which both destroy and preserve. Water also has this quality\n0122\nWilliams said, “The province of the poem is the world. When the sun rises, it rises in the poem and when it sets, darkness comes down and the poem is dark”. That is to say that the poem is not a description of the world, the poem is a world – its own world\n0144\nBowering relates the history of Capt. Vancouver’s voyage up the Northwest Cost\n0165\nThe tightrope passage is discussed\n0204\nThe poetics of wind, the “Breath of poetry” is discussed\n0254\nWilliams’s attitude about the ‘doom’ of the city is looked at. Why does the puritan fear fire?\n0270\nThe events of the Apocalypse are discussed in light of Paterson\n0287\n“Rather than fear the flames”, notes Bowering, “or rather than be gloomy, N.F. Paterson, the poet, hears the laughter all the way through it”\n0315\nThe central image in Book III is the old bottle mauled by the fire. In-depth discussion follows\n0399\nAnother image of the accidental is discussed\n0454\nMore interpenetration and marriage images are given mention\n0493\n“Those books (in the Library)”, says Bowering, “that record of the confrontation with beauty are not the inspiration of the imagination in action at the moment”. What we get is what the guy wrote about that in most cases. How can we get past this conundrum? Asks Williams.\n0535\n“In Part III of Book III we get the flood”, states Bowering\n0547\nWhile the fire changes and form and makes beauty, the flood piles up the debris – it is the past, piling up like property\n0645\nThe wonder of the tin roof is mentioned, with reference to the apocalyptic\n0703\nTape ends abruptly in mid-sentence\nTwo\nSide Two is blank"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553969229826,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5790","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 22 at SFU on November 20, 1973 #681"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 22 Nov. 20, 1973; W. C. Williams: Paterson IV"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6103/Reading in BC_MsC199_681.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_681 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:23\",\"precision\":\"\",\"size\":\"33.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_681 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:45\",\"precision\":\"\",\"size\":\"34.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-11-20\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0004\nBowering begins with a comment from Olson, that Poetry seeks not to describe but to enact. Sound quality is poor\n0033\nComments about the pastoral are made\n0053\nThe setting for Book IV is New York City\n0063\nThe key word for Book IV is Rebirth. It is a mighty optimistic book, taking place, as it were, in the sewer\n0094\nThere is a lot of ‘busy’ poetry in Book IV that can lead the reader to a sense of disappointment, but Bowering feels that this is deliberate on Williams’ part\n0136\nBowering discusses a letter Williams wrote in 1951, the same time that the book came out\n0178\nBowering announces that since the form of Book IV is very ordered, he will discuss the work section by section in a linear fashion\n0222\nPeople in Paterson reveal themselves by their language, especially the early passage in the text concerning Corydon and Phyllis\n0331\n“The poetess, though”, notes Bowering, “must set up a game, a play if you like, and she is so divorced from the real that she can, at will, reverse the roles”\n0387\nThe ‘disappearance’ of the river is mentioned\n0400\nSound quality dramatically improves\n0494\nIn Book IV we are dealing with October-December, the end of the year…\n0514\nBowering remarks that certain sections of Book IV act in the opposite way of the ‘Fire’, in Book III : they bring a death to language, to the imagination, to the sense of love. It is not a burning away of the old, it is a forcing of people to live in out-worn buildings or poems. It is just a play at poetry\n0524\nThe image of Dr. Paterson is discussed\n0550\nThe association between the East River and Death is touched upon\n0571\nThe significance of the passage on the ‘Indian Princess’ is looked at\n0600\nThe theme of particularity is expanded upon\n0671\nTape ends abruptly – lecture was ending\nTwo\nSide Two is blank"],"Note":["[{\"note\":\"[From J-card] Poor quality copy - low volume and high noise\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553969229827,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5791","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 23 at SFU on November 22, 1973 #682"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 23 Nov. 22, 1973; W. C. Williams: Paterson Book IV continued"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6104/Reading in BC_MsC199_682.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Bowering_682A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:26:28\",\"precision\":\"\",\"size\":\"33.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Bowering_682B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:19:34\",\"precision\":\"\",\"size\":\"24.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-11-22\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0013\nDiscussion of take-home final exam\n0026\nSection II introduces themes of marriage and pregnancy. Paterson is himself a family man\n0054\nThe building imagery in Paterson is discussed, in light (pun intended) of the solarium\n0085\nBowering asks the class if anyone can give him a brief synopsis on how nuclear fission works. No response\n0118\nBowering notes that the destruction of uranium in a nuclear reaction to produce energy is beautiful in Williams’ terms\n0124\nThe parallel between the division of cells to create life and the division of atoms to create energy is discussed\n0156\nMadame Currie’s discovery of Radium is an important image in Book IV\n0198\nThe letter of ‘A.P.’ is discussed\n0212\nThe marriage and ‘pregnancy’ of M. Currie is looked at, and linked to discovery and invention\n0285\nWilliams wants to write the poem with dissonance, so that the slightest disturbance in its movement will hopefully set off a ‘chain reaction’ of thought or other response in the reader, much as a nuclear reaction is set off by the dissonance of a uranium atom losing valency and setting off a chain reaction\n0307\nThe Billy Sunday passage is discussed\n0350\nThe ‘coarsened hands’ passage is analyzed\n0434\nThe irony of relating M. Currie to Corydon is discussed\n0458\nAgain the piece returns to the American Federal Reserve and money : joke\n0557\nBowering starts Part III of Book IV. The year is December, and the river runs slowly now in Paterson\n0612\n“Writing will always be failure if one aims at the ideal, the perfect”\n0666\nThe lecture closes with a recommendation to look at reveries in Part III\n0673\nEnd of lecture\nTwo\nSide Two is blank"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553969229828,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5792","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 24 at SFU on November 26, 1973 #683"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 24 Nov. 26, 1973; W. C. Williams: Paterson Book IV cont'd"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6105/Reading in BC_MsC199_683.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Bowering_683A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:17\",\"precision\":\"\",\"size\":\"35.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Bowering_683B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:19:23\",\"precision\":\"\",\"size\":\"22.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-11-26\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0025\nMention of the take-home final is made once again\n0042\nBowering begins with a look at the poet’s offering of cop-outs and solace for his failures and his move into reveries\n0069\nThe poetry returns to a smooth and relaxed mode\n0082\nThe mention of I Ching is touched upon and its relevance to wind imagery in Paterson\n0116\nThe birth images from earlier sections, expressed in lively verse much like dance music, now alternates with the ‘weakness’ – this is the enactment of mind, we are given the state of Paterson’s mind as it goes back and forth between excitement and reverie\n0205\nWilliams intersperses the relaxed flow of the poetry with stories of murder and divorce and war and other violence. It’s like the river is just flowing along and people are dumping crap in it\n0253\n“Finally his reverie is broken with the word ‘falls…’\n0290\nImages of war and violence are examined more closely\n0377\nThe image of the seeds floating in the sea is discussed\n0480\nThe dogs reappear in Paterson again late in Book IV\n0525\nThe ‘beach plums’ passage at the very end of the book is discussed\n0545\nThe nature of crowds is again touched on\n0556\nThe ambiguity of pronunciation of the word ‘close’ in the final stanza is analyzed\n0574\nBowering feels that although the poem ends with reference to death, there is room for the view that it really ends with birth\n0594\nBowering returns to the beginning of Paterson to look at the section on ‘nine months’\n0634\n“So much death and graveyard is in Book IV that it seems a wonder that it should end in birth”\n0681\nThe author’s introduction to Paterson is examined\n0767\nEnd of lecture – Book V next time\nTwo\nSide Two is blank"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553970278400,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5793","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 25 at SFU on November 27, 1973 #684"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 25 Nov. 27, 1973; W. C. Williams: Paterson V"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6106/Reading in BC_MsC199_684.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Bowering_684A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:39:51\",\"precision\":\"\",\"size\":\"103 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Bowering_684B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:14:52\",\"precision\":\"\",\"size\":\"18.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-11-27\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0007\nDiscussion of take-home final exam\n0034\nWilliams, in talking about Paterson in “I Wanted to Write a Poem”, said that Paterson IV ends with the protagonist breaking through the bushes, identifying himself with the land, with America. He finally will die but it can’t be categorically stated that Death ends anything”\n0044\nBowering remarks that there is an interesting treatment of time in Book V, an embracing of the past and hope for art in the future\n0070\nPaterson V is, somewhat, a separate poem from the others\n0078\nThe language in Book V no longer descends or ascends – it can just soar. Bowering thinks of the poet as having died in Book V\n0095\nBook V was written after Williams had had a series of strokes which had nearly killed him. He had to quit his medical practice as a result. Much of Book V involves memory\n0132\nA key instruction to the reader in Book V is “What but indirection will get to the end of the sphere?”\n0200\nThe unicorn image is introduced in the context of the tapestries in Upper New York\n0242\nThe unicorn was generally treated in medieval art as an apparition of Christ. In Book V, the unicorn is the poet\n0300\nTime cannot be localized to a particular month in the year in Book V as it could in the other Paterson books. Williams is now writing for all time – a coda\n0309\nThe image of the tail (coda) is discussed\n0355\nSappho is discussed\n0410\nThe ‘deformed great toe-nail’ passage is looked at. The passage is a weaving of different images, just like the unicorn tapestry\n0471\nThat form of the poem in Book V is a record of the very search for that form; it does not end\n0509\nBowering returns to the beginning of the Book, and the eagle image\n0561\nBowering does ‘a little number’ on perspective and ends with it\n0643\nLecture ends\nTwo\nSide Two is blank"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553970278401,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5751","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["John Giorno reading, 1975 #488b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Giorno, John"],"creator_names_search":["Giorno, John"],"creators":["[{\"url\":\"http://viaf.org/viaf/84168002\",\"name\":\" Giorno, John\",\"dates\":\"1936-2019\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6055/Reading in BC_MsC199_488b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"488b-Side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:31\",\"precision\":\"\",\"size\":\"45.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"488b-Side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:34:43\",\"precision\":\"\",\"size\":\"49.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tJohn Giorno “Suicide Sutra”\n\t\t128\t“Eating human meat”\n\t\t360\t“Subduing Demons in America”\n\t\t824\tTape ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553970278402,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5752","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Douglas Blazek reading from published and unpublished poems, 1970 #489"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Blazek, Douglas"],"creator_names_search":["Blazek, Douglas"],"creators":["[{\"url\":\"http://viaf.org/viaf/25845791\",\"name\":\" Blazek, Douglas\",\"dates\":\"1941-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6056/Reading in BC_MsC199_489.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"489-Side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:32\",\"precision\":\"\",\"size\":\"31.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"489-Side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:01:00\",\"precision\":\"\",\"size\":\"61.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tFrom All Gods Must Learn to Kill\n\t\t\t“Cartwheel news flashes from paper cut-outs”\n\t\t050\t“Ballad of the San Francisco cardboard boxes”\n\t\t064\t“I have a habit of x-ing out”\n\t\t082\t“Room drownings”\n\t\t120\t“Myatis”\n\t\t160\tPlays the harmonica\n\t\t168\tFrom Skull Juices – unpublished manuscript\n\t\t\t“to my love, who was cleaning the basement”\n\t\t215\t“Slowly – the procession”\n\t\t273\tFrom Broken knuckle poems – unpublished\n\t\t\t“Swift entry and slow retreat”\n\t\t298\tFrom Flux and Reflux – unpublished “The signature of mysteries in the universe”\n\t\t312\tFrom Exercises in Memorizing Myself –unpublished\n\t\t\t“Up again, 5 am, and thinking, thinking”\n\t\t333\t“Putting it straight”\n\t\t363\tFrom Baptismal Corruption in the Sunflower patch – “For Dolly, who should know better, and for life, which does”\n\t\t387\tFrom Sting and Die “Axe from the interior corpse”\n\t\t400\tFrom Life in a Common Gun “And on the clock, a pair or horns”\n\t\t419\tFrom I advance with a Loaded Rose  “The year beyond where the trees web like green spiders”\n\t\t451\tUncollected poems – “Fire engines howl like red beasts in the zoo”\n\t\t480\t“Hallowe’en poem”\n\t\t540\t“449 North Woodland road”\n\t\t563\t“Lost and Found” – For Henry Miller\n\t\t619\t“the rain of the young bells”\n\t\t643\tTape ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553970278403,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5753","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Michael Brownstein reading \"Monkey Blues\", August 1978 #490"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Brownstein, Michael","Köhler, Michael"],"creator_names_search":["Brownstein, Michael","Köhler, Michael"],"creators":["[{\"url\":\"http://viaf.org/viaf/91276819\",\"name\":\" Brownstein, Michael\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/114331797\",\"name\":\"Köhler, Michael\",\"dates\":\"1946-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6057/Reading in BC_MsC199_490.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"490-Side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:24:19\",\"precision\":\"\",\"size\":\"24.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"490-Side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:46\",\"precision\":\"\",\"size\":\"23.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-08\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/512110134\",\"venue\":\"Varsity Townhouse\",\"notes\":\"\",\"address\":\"1555 Broadway #113, Boulder, CO 80302, United States\",\"latitude\":\"39.75231\",\"longitude\":\"-83.81727\"}]"],"Address":["1555 Broadway #113, Boulder, CO 80302, United States"],"Venue":["Varsity Townhouse"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nA\t\t\tStories\n\t\t000\t“In Our Town”\n\t\t095\t“Ned”\n\t\t163\t“Monkey Blues”\n\t\t204\t“Jet Set Melodrama”\n\t\t263\t“Dancing the Night Away”\n\t\t295\t“Dear God”\n\t\t316\t“Strindberg”\n\t\t368\t“Footprints on the Moon”\n\t\t476\t“The Meditation Machine”\nB\t\t\tPoems\n\t\t000\t“Geography”\n\t\t111\t“Personal Poem”\n\t\t119\t“Tremendous Pressure”\n\t\t146\t“Fingertips”\n\t\t177\t“Clean & Clear”\n\t\t200\t“Sacred Life”\n\t\t220\t“43 cents a quart”\n\t\t252\t“Rocky Flats Unilateral Mushroom Transplant Serenade”\n\t\t\t“Serenade”"],"Note":["[{\"note\":\"S-Press Tapes is the donor\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553970278404,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5754","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Bard & The Harper: James Broughton reading his poems to The Harp of Joel Andrews  #491"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Broughton, James","Andrews, Joel"],"creator_names_search":["Broughton, James","Andrews, Joel"],"creators":["[{\"url\":\"http://viaf.org/viaf/22263700\",\"name\":\"Broughton, James\",\"dates\":\"1913-1999\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/18858258\",\"name\":\"Andrews, Joel \",\"dates\":\"1928-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6058/Reading in BC_MsC199_491.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"491-Side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:34\",\"precision\":\"\",\"size\":\"23.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"491-Side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:00:19\",\"precision\":\"\",\"size\":\"59.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553971326976,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5794","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 26 at SFU on November 29, 1973 #685"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 26, Nov. 29, 1973; W. C. Williams: Paterson Book V"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6107/Reading in BC_MsC199_685.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Bowering_685A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:25:59\",\"precision\":\"\",\"size\":\"33.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Bowering_685B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:42\",\"precision\":\"\",\"size\":\"53.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-11-29\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0009\nBowering continues from last time with his discussion on perspective, moving into Arabic Art. Poor quality sound\n0058\nWatch it! Sound suddenly increases in volume\n0068\nBowering now returns (again) to the start of Book V\n0092\nWhat is being contemplated in Book V is women and flowers\n0125\nBowering discusses virginity as a possession for barter\n0206\nThe letter from Josie is touched upon\n0226\nAudubon is discussed as a type of artist\n0316\nThe letter of Ginsberg is discussed (#1); “Paterson is not a task like Milton going down to hell, it’s a flower to the mind”\n0332\nBowering refers to an earlier work from Williams – “Poetry does not tamper with the world, but moves it…”\n0352\nThe business of Sappho (Part 2) is returned to\n0394\nPaterson is virtually a disembodied sensitivity in Book V\n0430\n“The woman in our town” passage is discussed. Williams speaks out of a sense of beauty\n0450\nBessie Smith is discussed, with further discussion of dance and Satyric Plays\n0560\nPaul Klee, a 20th century artist who does not employ perspective, is mentioned\n0571\nBoshe is also mentioned in the same context of non-perspective art\n0632\nPaterson V is an instruction: “Dreams possess me and the dance of my thoughts…”\n0685\nEnd of lecture\nTwo\nSide Two is blank"],"Note":["[{\"note\":\"Note from J-card: First 5 min. very noisy\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553971326977,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5799","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Tenth Muse: Paul Mariah Reading from \"Concordance with Dali\" on July 3rd, 1968 #550"],"item_title_source":["cassette and j-card"],"item_title_note":["First Drafts. 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Pearl features the number one hit \\\"Me and Bobby McGee\\\", on which she played acoustic guitar, written by Kris Kristofferson and Fred Foster; \\\"Trust Me\\\", by Bobby Womack, written for Joplin; Howard Tate's \\\"Get It While You Can\\\", showcasing her vocal range; and the original songs \\\"Move Over\\\" and \\\"Mercedes Benz\\\", the latter co-written by Joplin, Bobby Neuwirth and Michael McClure.\\n\\nJoplin sang on all tracks except \\\"Buried Alive in the Blues\\\", which remained an instrumental because she died before recording vocals. The song's writer Nick Gravenites was offered the opportunity to sing it as a tribute to Joplin, but he turned it down.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553972375552,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5803","cataloger_name":["Nina,Fesenko"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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No dates are given\n\t\t014\tGinsberg reads from “Havana 1953” – this version is different from the one published in Collected Poems 1947-1980\n\t\t053\t“Malest Cornifici Tuo Catullo” (1955)\n\t\t070\t“Describe: The Rain on Daseswamedh Ghat” (1963)\n\t\t171\t“Kral Majales” (1965)\n\t\t270\t“Carmel Valley” (1965)\nTwo\t\t000\t\n\t\t005\t“Chances R” (1966)\n\t\t031\t“I Am a Victim of Telephone” (1964)\n\t\t073\t“Uptown” (1966)\n\t\t093\t“Chicago to Salt Lake by Air” (1968)"],"Note":["[{\"note\":\"Side 1 15 min\\nSide 2 15 min\",\"type\":\"General\"},{\"note\":\"The quality of side 2 is better than side 1\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553973424131,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5809","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The River or The Authentic Radio Life of Bruce Connor and Snoutburbler, 1970 #557"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["McClure, Michael"],"creator_names_search":["McClure, Michael"],"creators":["[{\"url\":\"http://viaf.org/viaf/4030582\",\"name\":\"McClure, Michael\",\"dates\":\"1950-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6130/Reading in BC_MsC199_557.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"557-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:15:52\",\"precision\":\"\",\"size\":\"15.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"557-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:40\",\"precision\":\"\",\"size\":\"28.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"(Blank Tape)\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Note":["[{\"note\":\"Boy...... Master Goldman And the ghosts of Brace Breemer, Jay Silverheels, William Throckmorton, Don Wilson, Lance Reemer, Jock McLaughlin, Fanny Tarcy, Ludwig Krautz, Doopie Freed, Lilly Tracewski, Kenniston Frontwell, Collie Martz, Joe Mellow, and a thousand others\\nSide 1 11:00\\nSide 2 blank\\n(Beginning of Master Tape has been lost)\",\"type\":\"General\"},{\"note\":\"There is a woman who's reading poetry on the second side, but she's unknown. The quality of the second side is quite poor. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553974472704,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5811","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Ted Berrigan and Diane Di Prima Reading their Poems at Naropa institute #558"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Berrigan, Ted","Di Prima, Diane"],"creator_names_search":["Berrigan, Ted","Di Prima, Diane"],"creators":["[{\"url\":\"http://viaf.org/viaf/64027570\",\"name\":\"Berrigan, Ted\",\"dates\":\"1934-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Author\"]},{\"url\":\"http://viaf.org/viaf/83981636\",\"name\":\"Di Prima, Diane\",\"dates\":\"1934-2020\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6131/Reading in BC_MsC199_558.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"558-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:30\",\"precision\":\"\",\"size\":\"28.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"558-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:34\",\"precision\":\"\",\"size\":\"29.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/391232001\",\"venue\":\"Naropa Institute\",\"notes\":\"\",\"address\":\"2130 Arapahoe Ave, Boulder, CO 80302, United States\",\"latitude\":\"40.01406\",\"longitude\":\"-105.26697\"}]"],"Address":["2130 Arapahoe Ave, Boulder, CO 80302, United States"],"Venue":["Naropa Institute"],"Note":["[{\"note\":\"Side 1: Diane Di Prima Reading Her Poems. 28:00\\nSide 1: Ted Berrigan Reading His Poems. 28:00\\nNaroda? Institute\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553974472705,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5812","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Gunslinger Part 1: Ed Dorn reading from Books I and II and The Cycle in Munich on February 20, 1975 Tape 1 of 3 #559a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright by Edward Dorn, 1975, and S Press Tonbandverlag, Dusseldorf/Munchen, West Germany, 1975. All Rights Reserved"],"creator_names":["Dorn, Edward","Köhler, Michael"],"creator_names_search":["Dorn, Edward","Köhler, Michael"],"creators":["[{\"url\":\"http://viaf.org/viaf/25166087\",\"name\":\"Dorn, Edward\",\"dates\":\"1929-1999\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Author\"]},{\"url\":\"http://viaf.org/viaf/114331797\",\"name\":\"Köhler, Michael\",\"dates\":\"1946-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6132/Reading in BC_MsC199_559_1.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"559_1-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:22\",\"precision\":\"\",\"size\":\"29.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"559_1-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:21\",\"precision\":\"\",\"size\":\"29.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-02-20\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/62428\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Munich, Bavaria, Germany\",\"latitude\":\"48.1597\",\"longitude\":\"11.5638\"}]"],"Address":["Munich, Bavaria, Germany"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n000\nEdward Dorn : Gunslinger Part One\n022\n“I held the reins of his horse…”\n052\n“an inward cast. They cause culture. Honk…”\n070\n“Howard? I asked…”\n091\n“Well boy, that was singular...”\n112\n“Because he was sayin some of the abstractest…”\n123\n“The Gunslinger sang…”\n144\n“No, my horse is not a Texan…”\n170\n“Thus we sat and still I knew not the principle of which he spoke”\n194\n“and the Bombed Horse took off his Stetson…”\n217\n“and he looped toward the juke then…”\n243\n“Into the cord of that question…”\n269\n“…changed its mind, muttering something about having been up too late last night…”\n295\n“your attempt is close but let me warn about having been up too late last night…”\n322\n“by that name leave, or come…”\n349\n“Well what do yu do I persisted”\n377\n“…into each chamber goes one bit of my repertoire…”\n400\n“the Song about a woman”\n443\nGunslinger, Book II :”This tapestry moves…”\n484\n“Have you noticed how everboring the following day is…”\n523\n“I see we are yet some distance outside Universe City…”\n563\n“And oh in the cool lateral morning even in the cool wide burn…”\n602\n“My fathers seed burst away…”\n637\n“That aint grammatical, Poet”\n681\n“Imagine that, Lil said patting I’s stiff knee”\n727\n“What subtle richness he whispered…”\n774\n“But I see none of my friends grazing there…”\n826\n“There was the faintest semblance of a smile on I’s posthumous mouth.”"],"Note":["[{\"note\":\"Dorn's high-spirited, crazy-quilt, complex anti-epic is a masterful critique of late twentieth-century capitalism and is one of the great comic poems of American literature. Dorn is one of the few political poets in America; this fantasy about a demigod cowboy, a saloon madam, and a talking horse named Claude Levi-Strauss, who travel the Southwest in search of Howard Hughes, has become a minor classic.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553974472706,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5813","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Gunslinger Part 1: Ed Dorn reading from Books I and II and The Cycle in Munich on February 20, 1975 Tape 2 of 3 #559b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright by Edward Dorn, 1975, and S Press Tonbandverlag, Dusseldorf/Munchen, West Germany, 1975. All Rights Reserved"],"creator_names":["Dorn, Edward","Köhler, Michael"],"creator_names_search":["Dorn, Edward","Köhler, Michael"],"creators":["[{\"url\":\"http://viaf.org/viaf/25166087\",\"name\":\"Dorn, Edward\",\"dates\":\"1929-1999\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Author\"]},{\"url\":\"http://viaf.org/viaf/114331797\",\"name\":\"Köhler, Michael\",\"dates\":\"1946-2005 \",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6133/Reading in BC_MsC199_559_2.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"559_2-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:36\",\"precision\":\"\",\"size\":\"30.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"559_2-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:27:18\",\"precision\":\"\",\"size\":\"26.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-02-20\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/62428\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Munich, Bavaria, Germany\",\"latitude\":\"48.1652\",\"longitude\":\"11.5453\"}]"],"Address":["Munich, Bavaria, Germany"],"content_notes":["SFU BC Readings formatting"],"contents":["“The Poet took away from his embroidered lapel the Rose of High Noon…”\n022\n“The Tautology walked from the stage step to the hitching post…”\n048\n“Into the dead center of this ellipsis the Slinger shot a complex gesture…”\n076\n“Hang light, Cool, the earth moves beneath yur feet…”\n099\n“And that’s gone north for the Winter the Horse reckoned…”\n126\n“That’s the trouble with a name like mine…”\n146\n“See! Theres the marquee/LITERATE PROJECTOR”\n171\n“I didn’t know you had a drawl, Slinger…”\n192\n“The Tensile Strength of Last Winter’s Icicles”\n217\n“PROCLAMATION RE: the Cycle of Robart’s Wallet”\n235\nThe Cycle: “The Slinger speaks…”\n246\n1\n262\n5\n277\n10\n290\n15\n302\n20\n313\n25\n326\n30\n341\n35\n370\n45\n385\n50\n398\nThe Cycle: “The Interior Decorator Runs the Scenario of the Winged Car”: 1\n420\n5\n433\n10\n448\n15\n459\n20\n462\nThe Cycle: “The I.D. Runs the Actual Furnishings” :1\n479\n5\n493\n10\n510\n15\n531\n20\n545\n25\n558\n30\n572\n35\n589\n40\n601\n45\n616\n“O Poet! The sun like a sword…”"],"Note":["[{\"note\":\"Dorn's high-spirited, crazy-quilt, complex anti-epic is a masterful critique of late twentieth-century capitalism and is one of the great comic poems of American literature. Dorn is one of the few political poets in America; this fantasy about a demigod cowboy, a saloon madam, and a talking horse named Claude Levi-Strauss, who travel the Southwest in search of Howard Hughes, has become a minor classic.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553974472707,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5814","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Gunslinger Part 1: Ed Dorn reading from Books I and II and The Cycle in Munich on February 20, 1975 Tape 3 of 3 #559c"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright by Edward Dorn, 1975, and S Press Tonbandverlag, Dusseldorf/Munchen, West Germany, 1975. All Rights Reserved"],"creator_names":["Dorn, Edward","Köhler, Michael"],"creator_names_search":["Dorn, Edward","Köhler, Michael"],"creators":["[{\"url\":\"http://viaf.org/viaf/25166087\",\"name\":\"Dorn, Edward\",\"dates\":\"1929-1999\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Author\"]},{\"url\":\"http://viaf.org/viaf/114331797\",\"name\":\"Köhler, Michael\",\"dates\":\"1946-2005 \",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6134/Reading in BC_MsC199_559c2.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"559 c2-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:53\",\"precision\":\"\",\"size\":\"20.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"559 c2-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:39\",\"precision\":\"\",\"size\":\"70.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-02-20\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/62428\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Munich, Bavaria, Germany\",\"latitude\":\"48.1652\",\"longitude\":\"11.5453\"}]"],"Address":["Munich, Bavaria, Germany"],"content_notes":["SFU BC Readings formatting"],"contents":["“The Poet took away from his embroidered lapel the Rose of High Noon…”\n022\n“The Tautology walked from the stage step to the hitching post…”\n048\n“Into the dead center of this ellipsis the Slinger shot a complex gesture…”\n076\n“Hang light, Cool, the earth moves beneath yur feet…”\n099\n“And that’s gone north for the Winter the Horse reckoned…”\n126\n“That’s the trouble with a name like mine…”\n146\n“See! Theres the marquee/LITERATE PROJECTOR”\n171\n“I didn’t know you had a drawl, Slinger…”\n192\n“The Tensile Strength of Last Winter’s Icicles”\n217\n“PROCLAMATION RE: the Cycle of Robart’s Wallet”\n235\nThe Cycle: “The Slinger speaks…”\n246\n1\n262\n5\n277\n10\n290\n15\n302\n20\n313\n25\n326\n30\n341\n35\n370\n45\n385\n50\n398\nThe Cycle: “The Interior Decorator Runs the Scenario of the Winged Car”: 1\n420\n5\n433\n10\n448\n15\n459\n20\n462\nThe Cycle: “The I.D. Runs the Actual Furnishings” :1\n479\n5\n493\n10\n510\n15\n531\n20\n545\n25\n558\n30\n572\n35\n589\n40\n601\n45\n616\n“O Poet! The sun like a sword…”"],"Note":["[{\"note\":\"Dorn's high-spirited, crazy-quilt, complex anti-epic is a masterful critique of late twentieth-century capitalism and is one of the great comic poems of American literature. Dorn is one of the few political poets in America; this fantasy about a demigod cowboy, a saloon madam, and a talking horse named Claude Levi-Strauss, who travel the Southwest in search of Howard Hughes, has become a minor classic.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553974472708,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5815","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"560_1-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:08\",\"precision\":\"\",\"size\":\"38.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"560_1-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:51\",\"precision\":\"\",\"size\":\"36.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-05-15\",\"type\":\"Performance Date\",\"notes\":\"Meredith Monk recording date\",\"source\":\"J-card\"},{\"date\":\"1978-01-18\",\"type\":\"Performance Date\",\"notes\":\"Michael Lally recording Date\",\"source\":\"J-card\"},{\"date\":\"1977-02-23\",\"type\":\"Performance Date\",\"notes\":\"Robert Lowell recording 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Christmas”"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553974472709,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5816","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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Gnazzo reading in January, 1975\",\"address\":\"Oakland City, California, USA\",\"latitude\":\"37.7789\",\"longitude\":\"-122.1954\"},{\"url\":\"https://www.openstreetmap.org/way/23566622\",\"venue\":\"Mills College\",\"notes\":\"Robert Ashley reading in May\",\"address\":\" 5000 MacArthur Blvd, Oakland, CA 94613, United States\",\"latitude\":\"37.7810\",\"longitude\":\"-122.1825\"},{\"url\":\"https://www.openstreetmap.org/way/391232001\",\"venue\":\"Naropa University (Institute)\",\"notes\":\"Anne Waldman reading on July 30, 1974\",\"address\":\"2130 Arapahoe Ave, Boulder, CO 80302, United States\",\"latitude\":\"40.01406\",\"longitude\":\"-105.26694\"},{\"url\":\"https://www.openstreetmap.org/node/357606922\",\"venue\":\"WBAI-FM (New York)\",\"notes\":\"Steve and Gloria Tropp reading in Dec, 1977 and Kenward Elmslie reading on January 29, 1977\",\"address\":\"New York City, USA\",\"latitude\":\"40.74844\",\"longitude\":\"-73.98570\"},{\"url\":\"https://www.openstreetmap.org/relation/170727\",\"venue\":\"\",\"notes\":\"Monda Da Vinci reading \",\"address\":\"Bloomfield, New Jersey\",\"latitude\":\"40.8128\",\"longitude\":\"-74.1872\"}]"],"Address":["West Main Street, Port Leyden, Lewis County, New York, 13433, United States","Fillmore, Allegany County, New York, 14735, United States","11 W 53rd St, New York, NY 10019, United States","Oakland City, California, USA"," 5000 MacArthur Blvd, Oakland, CA 94613, United States","2130 Arapahoe Ave, Boulder, CO 80302, United States","New York City, USA","Bloomfield, New Jersey"],"Venue":["St. Marks Church","Fillmore East","The Museum of Modern Art","Mills College","Naropa University (Institute)","WBAI-FM (New York)"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\n000\nEd Sanders “A Monologue” (the Fugs)\n023\nW.S. Burroughs excerpt from Naked Lunch : The Laboratory has been Locked for Three Hours Solid”\n047\nHarris Schiff “15 Years Passes”, “Dollar Bill”\n067\nOtis Brown “Boneless Chicken”\n087\nJoel Oppenheimer “Cities, This City”\n118\nThe Fugs “Saran Wrap” by Ed Sanders\n133\nClaes Oldenburg “June Was”, “Panodramdra”\n148\nDenise Levertov “Woman Alone” from “Homage to Pavese”\n190\nTed Greenwald “Friends”\n216\nAnthony J Gnaggo “Hisnia and Hernia”\n275\nSteve and Gloria Tropp “Snow White”\n289\nJim Brodey “Homeward Bound”\n314\nRobert Ashley “Interiors With Flash”\n358\nEileen Myles “Tuesday Brightness”\n370\nHelen Adam “Apartment on Twin Peaks”\n452\nAnne Waldman “Light and shadow”\n547\nJoe Johnson “Fly Ho”\n558\nLorenzo Thomas “Wonders”\n589\nIshmael Reed “Sky Diving”\n631\nKenward Elmslie “The Woolworth Song”\n676\nMona Da Vinci excerpt from “The Sacred Wood of Art : The Last Supper of Mona Da Vinci”\n731\nBernard Heidsieck “Canal Street No. 19”\n782\nSteve Hamilton”Promise”\n861\nFrank O’Hara “Poem”, “Poem”\n907\nRon Padgett “No title”"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553975521280,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5817","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Donald Davie Reading at Stanford, 1974 #561"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright 1974 by the Stanford Program for Recordings in Sound"],"creator_names":["Davie, Donald"],"creator_names_search":["Davie, Donald"],"creators":["[{\"url\":\"http://viaf.org/viaf/108291746\",\"name\":\"Davie, Donald\",\"dates\":\"1922-1995\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6137/Reading in BC_MsC199_561.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"561-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:28\",\"precision\":\"\",\"size\":\"37.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"561-side-2 - blank.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:33\",\"precision\":\"\",\"size\":\"31.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/29268613\",\"venue\":\"Stanford University\",\"notes\":\"\",\"address\":\"Stanford University, 408, Panama Mall, Stanford, Santa Clara County, California, 94305, United States\",\"latitude\":\"37.4310\",\"longitude\":\"-122.1699\"}]"],"Address":["Stanford University, 408, Panama Mall, Stanford, Santa Clara County, California, 94305, United States"],"Venue":["Stanford University"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n000\n“To Certain English Poets”\n014\n“Zip”\n023\n“Heart Beats”\n032\n“Demi-Exile Howth”\n045\n“Creon’s Mouse”\n064\n“Woodpigeons at Raheny”\n081\n“Remembering the Thirties”\n115\n“The Wind at Penistone”\n147\n“Time Passing, Beloved”\n160\n“The Mushroom Gatherers”\n175\n“To a Brother in the Mystery”\n225\n“Killala”\n255\n“Metals”\n270\n“A Meeting of Cultures”\n293\n“The Life of Service”\n314\nFrom The Forests of Lethuania\n595\n“Rodez”\n629\n“The North Sea”\n656\n“July, 1964”\n682\n“Out of East Anglia”\n694\n“Ezra Pound in Pisa”\n717\n“A Winter Landscape near Ely”\n732\n“Iowa”"],"Note":["[{\"note\":\"\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553975521281,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5818","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Allen Ginsberg's Reading William Blake's \"Songs of Innocence and Experience\", and Discussion of the poem and present ecological situation #562"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ginsberg, Allen"],"creator_names_search":["Ginsberg, Allen"],"creators":["[{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6138/Reading in BC_MsC199_562.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"562-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:16\",\"precision\":\"\",\"size\":\"60.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"562-side-2 - blank.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:23\",\"precision\":\"\",\"size\":\"61.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969\",\"type\":\"Performance Date\",\"notes\":\"It seems to be the year for side two\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Note":["[{\"note\":\"Side 1: 39 min\\nSide 2: 25 min\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553976569856,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5819","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["John Giorno's reading and performance of \"Everyone is a Complete Disappointment\" at ZBS Media on May 1, 1977 and \"Drinking the Blood of Every Woman's Period\" at Town Hall on November 9, 1976 and at ZBS Media on January 17, 1977 #563a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Giorno, John"],"creator_names_search":["Giorno, John"],"creators":["[{\"url\":\"http://viaf.org/viaf/84168002\",\"name\":\"Giorno, John\",\"dates\":\"1936-2019\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Performer\"]}]"],"contributors":["[]"],"Performance_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6139/Reading in BC_MsC199_563a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"563a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:30\",\"precision\":\"\",\"size\":\"43.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"563a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:29\",\"precision\":\"\",\"size\":\"29.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977-05-01\",\"type\":\"Performance Date\",\"notes\":\"John Giorno's reading and performance of \\\"Everyone is a Complete Disappointment\\\" at ZBS Media\",\"source\":\"J-card\"},{\"date\":\"1976-11-09\",\"type\":\"Performance Date\",\"notes\":\"John Giorno's reading and performance of \\\"Drinking the Blood of Every Woman's Period\\\" at Town Hall \",\"source\":\"J-card\"},{\"date\":\"1977-01-17\",\"type\":\"Performance Date\",\"notes\":\"John Giorno's reading and performance of \\\"Drinking the Blood of Every Woman's Period\\\" at ZBS Media\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/8395318496#map=19/43.17588/-73.58276&layers=N\",\"venue\":\"ZBS Media, Fort Edward, New York\",\"notes\":\"\",\"address\":\"174 N River Rd, Fort Edward, NY 12828, USA\",\"latitude\":\"43.17589\",\"longitude\":\"-73.58277\"},{\"url\":\"https://www.openstreetmap.org/node/2717543654\",\"venue\":\"The Town Hall \",\"notes\":\"\",\"address\":\"123 W 43rd St, New York, NY 10036, USA\",\"latitude\":\"40.75603\",\"longitude\":\"-73.98457\"}]"],"Address":["174 N River Rd, Fort Edward, NY 12828, USA","123 W 43rd St, New York, NY 10036, USA"],"Venue":["ZBS Media, Fort Edward, New York","The Town Hall "],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tJohn Giorno: “Everyone Is a Complete Disappointment”\n\t\t\tMay 1, 1977 at ZBS Media\n\t\t294\t“Drinking the Blood of Every Woman’s Period” Nov. 9, 1976 at Town Hall, New York and Jan. 17, 1977 at ZBS Media\n"],"Note":["[{\"note\":\"I put the audio quality excellent assuming that the reading is recorded this way intentionally\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553976569857,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5820","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Anne Waldman reading at different locations and dates #563b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Waldman, Anne"],"creator_names_search":["Waldman, Anne"],"creators":["[{\"url\":\"http://viaf.org/viaf/84079610\",\"name\":\"Waldman, Anne\",\"dates\":\"1945-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6141/Reading in BC_MsC199_563b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"563b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:43\",\"precision\":\"\",\"size\":\"42.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"563b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:17:46\",\"precision\":\"\",\"size\":\"97.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-11-09\",\"type\":\"Performance Date\",\"notes\":\"Performance at the New York Town Hall\",\"source\":\"J-card\"},{\"date\":\"1974-07-30\",\"type\":\"Performance Date\",\"notes\":\"Performance at the Naropa Institute, Boulder, Colorado\",\"source\":\"J-card\"},{\"date\":\"1974-11-19\",\"type\":\"Performance Date\",\"notes\":\"Recording at University of Wisconsin, Milwaukee\",\"source\":\"J-card\"},{\"date\":\"1975-01-01\",\"type\":\"Performance Date\",\"notes\":\"Performance at St. Mark's Church, New York\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/2717543654\",\"venue\":\"The Town Hall\",\"notes\":\"\",\"address\":\"123 W 43rd St, New York, NY 10036, USA\",\"latitude\":\"40.75603\",\"longitude\":\"-73.98456\"},{\"url\":\"https://www.openstreetmap.org/way/391232001\",\"venue\":\"Naropa Institute (University)\",\"notes\":\"\",\"address\":\"Boulder, Colorado, United States of America\",\"latitude\":\"40.01404\",\"longitude\":\"-105.26695\"},{\"url\":\"https://www.openstreetmap.org/relation/721788\",\"venue\":\"University of Wisconsin-Milwaukee\",\"notes\":\"\",\"address\":\"Milwaukee, WI 53211, United States\",\"latitude\":\"43.0779\",\"longitude\":\"-87.8820\"},{\"url\":\"https://www.openstreetmap.org/node/8395318496\",\"venue\":\"ZBS Media, Fort Edward, New York\",\"notes\":\"\",\"address\":\"Fort Edward, Town of Fort Edward, Washington County, New York, United States\",\"latitude\":\"43.17589\",\"longitude\":\"-73.58277\"},{\"url\":\"https://www.openstreetmap.org/node/13886722\",\"venue\":\"St. Marks Church\",\"notes\":\"\",\"address\":\"131 E 10th St, New York, NY 10003, United States\",\"latitude\":\"-33.87472\",\"longitude\":\"151.23640\"}]"],"Address":["123 W 43rd St, New York, NY 10036, USA","Boulder, Colorado, United States of America","Milwaukee, WI 53211, United States","Fort Edward, Town of Fort Edward, Washington County, New York, United States","131 E 10th St, New York, NY 10003, United States"],"Venue":["The Town Hall","Naropa Institute (University)","University of Wisconsin-Milwaukee","ZBS Media, Fort Edward, New York","St. Marks Church"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t000\tAnne Waldman: “For the Voice of Montserrat Caballe”\n\t\t018\t“Error”\n\t\t034\t“Sisters”\n\t\t048\t“Plutonium Poem”\n\t\t063\t“Billy Work Peyote”\n\t\t095\t“Sun the Blonde Out”\n\t\t122\t“Shaman Hisses You Slide Back Into the Night”¹\n\t\t283\t“Fast Speaking Woman” ²\n\t\t410\t“White Eyes”³\n\t\t624\t“Musical Garden”⁴\n\t\t\t¹ This and the preceding Waldman poems recorded at Town Hall, New York, Nov. 9, 1976\n\t\t\t² Naropa Institute, Boulder, Colorado, July 30, 1974\n\t\t\t³ University of Wisconsin, Milwaukee, Nov. 19, 1974\n\t\t\t⁴ St. Mark’s Church, New York, Jan. 1, 1975\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553976569858,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5821","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["John Giorno and friends reading poems in New York City, 1966, 1967, 1968, and 1970 #564c1"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright by John Giorno, New York City, and S Press Tonbandverlag, Dusseldorf/Munchen, West Germany."],"creator_names":["Geldzahler, Henry","Brown, Trisha","Ware, Anne","Berrigan, Ted","Perreault, John","Walton, Sarah","Crabtree, Lee","Oldenburg, Patty","Leary, Nina","Marden, Brice","McClanathan, Michael","Rainer, Yvonne","Rauschenberg, Robert","Waldman, Anne","Saret, Alan"],"creator_names_search":["Geldzahler, Henry","Brown, Trisha","Ware, Anne","Berrigan, Ted","Perreault, John","Walton, Sarah","Crabtree, Lee","Oldenburg, Patty","Leary, Nina","Marden, Brice","McClanathan, Michael","Rainer, Yvonne","Rauschenberg, Robert","Waldman, Anne","Saret, Alan"],"creators":["[{\"url\":\"http://viaf.org/viaf/74935312\",\"name\":\"Geldzahler, Henry\",\"dates\":\"1935-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/88069346\",\"name\":\"Brown, Trisha\",\"dates\":\"1936-2017 \",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Ware, Anne\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/64027570\",\"name\":\"Berrigan, Ted\",\"dates\":\"1934-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/110303657\",\"name\":\"Perreault, John\",\"dates\":\"1937-2015\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Walton, Sarah\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/72865744\",\"name\":\"Crabtree, 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Anne\",\"dates\":\"1945-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/5740524\",\"name\":\"Saret, Alan\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6142/Reading in BC_MsC199_564c1.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"564_1-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:30\",\"precision\":\"\",\"size\":\"46.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"564_1-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:24\",\"precision\":\"\",\"size\":\"47.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966\",\"type\":\"Performance Date\",\"notes\":\"Fall 1966\",\"source\":\"J-card\"},{\"date\":\"1967\",\"type\":\"Performance Date\",\"notes\":\"Fall 1967\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/175905\",\"venue\":\"\",\"notes\":\"\",\"address\":\"New York City, New York, USA\",\"latitude\":\"40.6598\",\"longitude\":\"-73.9174\"}]"],"Address":["New York City, New York, USA"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\nBalling Buddha\n000\n1. Pornographic Poem”, Fall, 1966, read by Henry Geldzahler,\n014\nTrisha Brown,\n029\nAnne Ware,\n045\nTed Berrigan,\n064\nJohn Perreault,\n082\nSarah Walton,\n097\nLee Crabtree,\n116\nAlan Saret,\n131\nPatty Oldenburg,\n147\nNina Leary,\n167\nBrice Marden,\n203\nMichael McClanathan,\n225\nYvonne Rainer,\n243\nRobert Rauschenberg\n266\n2. “Chromosome”, Fall, 1967\n“Rose”, read by Anne Waldman\n356\n“Cycle”, read by Michael McClanathan\n405\n“Flavor Grabber”, read by Brice Marden\n460\n“Chrome”, read by Brice Marden and Ann Waldman"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553976569859,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5822","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["John Giorno and friends reading poems in New York City, 1966, 1967, 1968, and 1970 #564c2"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright by John Giorno, New York City, and S Press Tonbandverlag, Dusseldorf/Munchen, West Germany."],"creator_names":["Giorno, John","Gold, Ron","Bang, Joy"],"creator_names_search":["Giorno, John","Gold, Ron","Bang, Joy"],"creators":["[{\"url\":\"http://viaf.org/viaf/84168002\",\"name\":\"Giorno, John\",\"dates\":\"1936-2019\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Gold, Ron \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Bang, Joy \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6143/Reading in BC_MsC199_564c2.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"564c2-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:50:05\",\"precision\":\"\",\"size\":\"49.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"564c2-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:07\",\"precision\":\"\",\"size\":\"37.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970-01\",\"type\":\"Performance Date\",\"notes\":\"“Balling Buddha”, Jan. 19790, read by Ron Gold & John Giorno\",\"source\":\"J-card\"},{\"date\":\"1968-01\",\"type\":\"Performance Date\",\"notes\":\"“Groovey & Linda”, Jan. 1968, read by Joy Bang\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/175905\",\"venue\":\"\",\"notes\":\"\",\"address\":\"New York City, New York, USA\",\"latitude\":\"40.6598\",\"longitude\":\"-73.9174\"}]"],"Address":["New York City, New York, USA"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\n000\n3. “Groovey & Linda”, Jan. 1968, read by Joy Bang\n132\n4. “Balling Buddha”, Jan. 19790, read by Ron Gold & John Giorno"],"Note":["[{\"note\":\"Side 1: 31:40\\nSide 2: 29:55\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553976569860,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5823","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["James Koller reads from his book \"Some Cows\" in San Francisco, 1968 #565"],"item_title_source":["cassette and j-card"],"item_title_note":["One of 25 copies, This is Number 4"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Koller, James"],"creator_names_search":["Koller, James"],"creators":["[{\"url\":\"http://viaf.org/viaf/7956149068550965730001\",\"name\":\"Koller, James\",\"dates\":\"1936-2014\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1968],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6144/Reading in BC_MsC199_565.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"565-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:35\",\"precision\":\"\",\"size\":\"40.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"565-side-2 - blank.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:30\",\"precision\":\"\",\"size\":\"42.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1968\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/111968\",\"venue\":\"\",\"notes\":\"\",\"address\":\"San Francisco, California, USA\",\"latitude\":\"37.7381\",\"longitude\":\"-123.0579\"}]"],"Address":["San Francisco, California, USA"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n000\n“Crossed the River”\n027\n“because she is soft & small & prefers”\n038\n“Like her mother blond”\n048\n“Llanto” : 1\n067\n“Llanto”: 2\n081\n“Llanto”: 3\n096\n“Llanto”:4\n110\n“covey the quail”\n126\n“the cistern dry & the well”\n137\n“a tree for kindling”\n149\n“Before You Were Born, P.J. Smith”\n164\n“Where There Ain’t No Rain”\n184\n“for Charles Hassler & Sally Jo Knowles”\n225\n“my grandfather, who was also Irish”\n247\n“After The Rain & Before The Sun”\n310\n“Gang Bang/A Group Showing”\n368\n“How Many Maggots In Whose Brain???”\n406\n“O Dirty Bird Yr Gizzard’s Too Big & Full of Sand”\n448\n“Climb The Sides Of This World”\n484\n“salt water swirls at the stone”\n499\n“Poem On My Birthday – 1964”\n522\n“Poem after an unsuccessful foray into a pawnshop where”\n565\n“Poem beginning with a poem by Michael McClure”\n591\n“Did You Ever Wonder Why So Many People Don’t Have Children???”\n617\n“The Bears”\n637\n“The Wind Was Out Of The North”\n664\n“Rose Hips & Blackberries”\n684\n“A Wolf & a Bear"],"Note":["[{\"note\":\"30 min\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553977618432,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5824","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["James Koller Reading California Poems in San Francisco, 1969 #566"],"item_title_source":["cassette and j-card"],"item_title_note":["One of 25 copies, This is Number 4"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Koller, James"],"creator_names_search":["Koller, James"],"creators":["[{\"url\":\"http://viaf.org/viaf/7956149068550965730001\",\"name\":\"Koller, James\",\"dates\":\"1936-2014\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6145/Reading in BC_MsC199_566.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"566-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:16:03\",\"precision\":\"\",\"size\":\"20.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"566-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:15:25\",\"precision\":\"\",\"size\":\"21.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/264779701\",\"venue\":\"\",\"notes\":\"\",\"address\":\"789 Noe Street, San Francisco, California 98114\",\"latitude\":\"37.75647\",\"longitude\":\"-122.43216\"}]"],"Address":["789 Noe Street, San Francisco, California 98114"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nA\n000\nCalifornia Poems 1965-67 “That fall, on bicycle”\n022\n“How it happened”\n063\n“Radio Poem”\n085\n“Wish you were here!!”\n110\n“Here I am again”\n127\n“I’m going home!”\n176\n“I ain’t no Shanshiro Sugata”\n229\n“So early to wake – dark”\n235\n“the blackberries were not ripe…”\n248\n“Poem For yellow hair”\n266\n“Blue green a mountain lake the sky…”\n282\n“I’d climb the highest mountain with you…”\n286\n“’Sorry lady, the train just left 10 minutes ago.’”\n353\n“Snow on Mt. St. Helena”\n387\n“I went to see my true love”\n477\nTape ends"],"Note":["[{\"note\":\"30 min\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553977618433,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5825","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Italian Radio Broadcast Tape 1 of 2 on February 19, 1942 with a 15-minute speech by Ezra Pound on \"Power\"  #567"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Pound, Ezra"],"creator_names_search":["Pound, Ezra"],"creators":["[{\"url\":\"http://viaf.org/viaf/24606774\",\"name\":\"Pound, Ezra\",\"dates\":\"1885-1972\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1942],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6146/Reading in BC_MsC199_567.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"567-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:24:05\",\"precision\":\"\",\"size\":\"34.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"567-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:53\",\"precision\":\"\",\"size\":\"32.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1942-02-19\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nA\n000\nRadio report on war news\nB\n000-134\nEzra Pound’s talk entitled “Power”"],"Note":["[{\"note\":\"Liner Notes: \\n(Sound fades erratically due to poor reception)\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553978667008,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5826","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Italian Radio Broadcast Tape 2 of 2 on February 19, 1942 with a 15-minute speech by Ezra Pound on \"Power\" #568"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Pound, Ezra"],"creator_names_search":["Pound, Ezra"],"creators":["[{\"url\":\"http://viaf.org/viaf/24606774\",\"name\":\"Pound, Ezra\",\"dates\":\"1885-1972\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1942],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6147/Reading in BC_MsC199_568.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"568-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:41:09\",\"precision\":\"\",\"size\":\"39.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"568-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:24:03\",\"precision\":\"\",\"size\":\"23.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1942-02-19\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nItalian Radio Broadcast continued from #567\nBroadcast Feb. 19, 1942\nBroadcast consists of various musical selections"],"Note":["[{\"note\":\"Liner Notes: \\n(Sound fades erratically due to poor reception)\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553978667009,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5827","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Contemporary American Poets Reading their work: Diane Wakoski #569"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wakoski, Diane"],"creator_names_search":["Wakoski, Diane"],"creators":["[{\"url\":\"http://viaf.org/viaf/79051243\",\"name\":\"Wakoski, Diane\",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6148/Reading in BC_MsC199_569.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"569-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:17\",\"precision\":\"\",\"size\":\"28.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"569-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:24\",\"precision\":\"\",\"size\":\"28.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nA\n000\nWakoski introduces her poems\n009\n“Justice is reason enough” She talks of her essay called “On creating a personal mythology”, published by Black Sparrow Press, which explains the method of composition of this poem\n033\n“Blue Monday”\n092\n“The Father of my country” part of a work called The George Washington Poems, in which Washington is used as a mythical figure relating to masculine, militaristic heritages\n224\n“The pink dress” from a book of poems organized around the mythical image of “the motorcycle man”\n290\nEnd of side a\nB\nDiane Wakoski Reading\n000\n“The pink dress’ continued\n028\n“Sun” a poem from a series using images from the tarot\n052\n“Thanking my mother for piano lessons”\n145\nWakoski introduces “The Story of Richard Maxfield”\n255\nEnd of reading"],"Note":["[{\"note\":\"Side 1: Wakoski introduces her poems\\nSide 2: Diane Wakoski Reading\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553978667010,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5828","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering lecture: “Poetic Measure and the Size of the World.” PI-DIGAMMA Open Seminars at SFU on March 19, 1987 Tape 1 of 2 #570"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6149/Reading in BC_MsC199_570.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"570-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:53\",\"precision\":\"\",\"size\":\"60.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"570-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:04\",\"precision\":\"\",\"size\":\"61.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-03-19\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tBlank until 047\n\t\t047\tQuotation from Williams’ “Desert Music” on measure in poetry\n\t\t059\tReads a statement on measure called “The end of the line”\n\t\t\tSpeech is a line lasting 90 years\n\t\t075\t-\tA Fetish for the page, the physical book\n\t\t094\tLine endings in conventional magazine verse usually serve no purpose\n\t\t120\tDiscusses Wordsworth’s metrics and long lines\n\t\t140\tYeats’ end rhymes in “Sailing to Byzantium” Line metrics and sentences working together\n\t\t198\tW.C. Williams’ use of active voice as a source for poetry\n\t\t228\tReads Williams’”By the road to the contagious hospital”\n\t\t238\tThe poem as a record of perception, not simply image\n\t\t256\tReads Williams’ “Unspeakable”\n\t\t269\tLine break recording meeting of self and other\n\t\t310\tTalks about John Donne’s use of difficult grammar to record a dialectic struggle in the self\n\t\t422\tModernism as a step out of Nature and into history\n\t\t480\tTalks about social & poetic “seriousness” as evident in the line\n\t\t548\tDiscusses Bill Bisset’s* use of alternate spelling, lower case, and chant\n\t\t595\tBisset’s written poems as scores for the voice\n\t\t598\tOver\nTwo\t\t000\tUse of measure in poetry analogous to measure in Music\n\t\t028\tRelationship of rhyme and measure\n\t\t059\tPossibility of cohering visual form of the poem with content\n\t\t069\tThe notion of experimentation\n\t\t081\tReading as the primary activity of language, preceding writing and language\n\t\t099\tDiscussion of the audience of poetry\n\t\t140\tFailures of criticism, & the role of criticism\n\t\t170\tThe poet’s responsibility to consider criticism\n\t\t300\tCharles Olson’s use of geography & ethnology\n\t\t340\tOlson’s sense and use of measure\n\t\t450\tWilliams’ explorations of American speech\n\t\t553\tDifferences between prose & poetry\n\t\t602\tEnd of side 2\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553978667011,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5829","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering lecture: “Poetic Measure and the Size of the World.” PI-DIGAMMA Open Seminars at SFU on March 19, 1987 Tape 2 of 2 #571"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6150/Reading in BC_MsC199_571.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"571-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:30\",\"precision\":\"\",\"size\":\"61.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"571-side-2 - blank.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:27\",\"precision\":\"\",\"size\":\"63.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-03-19\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nThree\n000\nPoetry as celebration\n028\nEmotive content of poetry carried by Rhythm & stress of language, not content\n037\nEzra Pound’s use of slang\n062\nHow is a particular genre chosen?\n110\nProcesses of revision\n140\nCompositional differences with computer typewriter and pen\n195\nHistory influences form\n220\nThe value of geography as a physical discipline\n250\nLinguistics as a disciplined approach to language\n263\nEnd of side 3"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553978667012,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5830","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Michael Palmer and Judith Roche Reading at Greenwood Gallery on February 20, 1981 #572"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Palmer, Michael","Roche, Judith"],"creator_names_search":["Palmer, Michael","Roche, Judith"],"creators":["[{\"url\":\"http://viaf.org/viaf/100912074\",\"name\":\"Palmer, Michael\",\"dates\":\"1942-2013\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/26009267\",\"name\":\"Roche, Judith\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6151/Reading in BC_MsC199_572.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"572-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:33\",\"precision\":\"\",\"size\":\"61.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"572-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:13\",\"precision\":\"\",\"size\":\"61.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-02-20\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/2420103600\",\"venue\":\"Greenwood Gallery\",\"notes\":\"\",\"address\":\"8537 Greenwood Ave N #1, Seattle, WA 98103, United States\",\"latitude\":\"47.69160\",\"longitude\":\"-122.35555\"}]"],"Address":["8537 Greenwood Ave N #1, Seattle, WA 98103, United States"],"Venue":["Greenwood Gallery"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nA\t\t000\tLoud tape hiss obscuring voice\n\t\t015\t“Words say”\n\t\t024\tTitle inaudible\n\t\t088\t“the secret remains in the book”\n\t\t105\t“You say a miracle convinced…”\n\t\t129\t“She says…”\n\t\t147\t“There is much that is precise between us”\n\t\t163\t“At the table we say…”\n\t\t198\tTitle inaudible\n\t\t227\t“I am not that one who once spoke of you”\n\t\t260\t“All those words we once used…”\n\t\t300\t“This is a glove”\n\t\t302\tTitle inaudible\n\t\t354\t“Songs for my daughter”\n\t\t418\tJudith Roche begins to read.  Title inaudible\n\t\t448\t“Conviction”\n\t\t492\t“I took a plane to Minnesota”\n\t\t536\tTitle inaudible\n\t\t560\t“In my dream I can’t sleep”\n\t\t578\t“Changing on the road”\n\t\t604\tEnd of side one\nTwo\t\t000\tJudith Roche, continued\n\t\t007\t“Bitching”\n\t\t029\t“Her story”\n\t\t069\t“The Rape”\n\t\t095\tMichael Davidson reads\n\t\t102\t“Subject matter” Michael Palmer reads with Davidson\n\t\t125\tUntitled, also read with Davidson\n\t\t140\t“Scales”\n\t\t176\t“White place”\n\t\t190\t“The Exegy”\n\t\t206\t“The report”\n\t\t217\t“More is up”\n\t\t263\t“The Memo”\n\t\t285\t“So what did you learn from King Lear”\n\t\t295\t“Cartoon Life”\n\t\t324\tExhibit A”\n\t\t339\tA series of prose pieces, each containing 5 sentences\n\t\t419\t“Beyond the Alps”\n\t\t502\tEnd of side two\n"],"Note":["[{\"note\":\"Side 1: Michael Palmer Reading\\nSide 2: Judith Roche Continues\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553978667013,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5831","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["bp Nichol Reading at SFU on July 2, 1987 #573"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B. P.","Miki, Roy"],"creator_names_search":["Nichol, B. P.","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B. P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy \",\"dates\":\"1942-2024\",\"notes\":\"Roy Miki introduces bp\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6152/Reading in BC_MsC199_573.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"573-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:52\",\"precision\":\"\",\"size\":\"51.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"573-side-2 - blank.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:51\",\"precision\":\"\",\"size\":\"47.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-07-02\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tRoy Miki introduces bp\n\t\t015\tBp reads from Book 6 of The Martyrology – the 6th book of Book 6, called “The Grace of the Moment”\n\t\t105\t“After Bird – improvising”\n\t\t136\tExplains the structures of Book 6, Book 7, & Book 8 \n\t\t157\tReads a Fragment of Book 7, beginning with a quote from Sharon Thesen.  “Language all her life is a second language”\n\t\t166\t“The punctuation periods of co-longing…”\n\t\t180\t“The night the man drowned in the canal…”\n\t\t218\t“Our Lady of the Assumption”\n\t\t258\t“Names lists”\n\t\t274\t“All these assumptions”\n\t\t290\t“Sun not yet visible…”\n\t\t300\t“Passion or Pa shun…”\n\t\t317\t“Rap traps”\n\t\t343\t“St Anzas” – From Book 10 Working in the Form of the Ode\n\t\t440\t“St. Anzas”, Part 2\n\t\t452\tPart 3 “and then your voice”\n\t\t479\tPart 6 “Three ‘Id end the same way”\n\t\t511\t“The white stone wall” from Book 7\n\t\t582\tEnd of tape\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553979715584,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5832","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Kroetsch Open Interview with George Bowering, Fred Wah, and Roy Miki at SFU on July 10, 1986 Tape 1 of 2 #574"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","Wah, Fred","Kroetsch, Robert","Miki, Roy"],"creator_names_search":["Bowering, George","Wah, Fred","Kroetsch, Robert","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6153/Reading in BC_MsC199_574.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"574-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:50\",\"precision\":\"\",\"size\":\"34.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"574-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:35\",\"precision\":\"\",\"size\":\"32.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-07-10\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t30:14 min\t000\tRoy Miki opens the discussion as George Bowering and Fred Wah arrive\n\t\t036\tThe Long Poem and Wallace Stevens\n\t\t050\tKroetsch talks about teaching in the United States.  The Odyssey and The Divine Comedy as introductions to the long poem form\n\t\t086\tPatterson and Williams’ insistence on local pride\n\t\t114\trelation of American poetry to Kroetsch’s rural Canadian background\n\t\t138\tFred Wah talks about Olson studies in Buffalo, 1964\n\t\t160\tInfluence of Williams\n\t\t189\tThe New Criticism and John Donne as a model of lyric complexity\n\t\t212\tStudy of the long poem as a lesson in construction of the novel\n\t\t289\tDiscovering an old seed catalogue in an archive in Calgary, 1975, and the poem “Seed catalogue”  coming together\n\t\t337\tWhitman’s “Leaves of Grass” as a model, and the method of adding more material\n\t\t361\tIncompletion as an exciting model in [Chancer]*, Spencer & Whitman\n\t\t396\tTape ends\nTwo\t26:25 min\t000\t“Applegarth” publication of The Ledger\n\t\t036\tThe idea of Field notes – notes towards a fiction\n\t\t083\tT.S. Eliot as the failed modernist poet.  Kroetsch’s resistance of the notion of poet in Four Quartets\n\t\t126\tThe Last Phoenicians – non-sacred language\n\t\t157\tIs there a difference between failing and abandoning a poem?\n\t\t188\tKroetsch’s sense of rapport with bp Nichol, Bowering, Marlatt, Wah\n\t\t208\tDifference between Canadian & American Experience.  Canadians live with a fragmentation which can be explored in the long poem\n\t\t257\tLevi-Strauss’ idea of bricaleur, as long-poem poet\n\t\t281\tUse of prose-poem form. An anxiety concerning the line\n\t\t226\tEnd of tape\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553979715585,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5833","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Kroetsch Open Interview with George Bowering, Fred Wah, and Roy Miki at SFU on July 10, 1986 Tape 2 of 2 #575"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kroetsch, Robert","Bowering, George","Wah, Fred","Miki, Roy"],"creator_names_search":["Kroetsch, Robert","Bowering, George","Wah, Fred","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6154/Reading in BC_MsC199_575.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"575-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:31\",\"precision\":\"\",\"size\":\"32.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"575-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:32\",\"precision\":\"\",\"size\":\"32.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-07-10\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tKroetsch discusses Ondaatje’s poem Billy the Kid.  The notion of borrowed material as an evasion of “here”\n\t\t029\tBowering talks about Ondaatje’s early British influence and the development away from that, in long poems such as “Tin Roof”\n\t\t068\tKroetsch talks about Phyllis Webb’s “Naked Poems”\n\t\t099\tKroetsch discusses unusual poetic Forms such as folding [bocks]*, poster poems, and stained glass windows\n\t\t125\tInvolvement in the physical production of the poem as part of the poetic process\n\t\t190\tKroetsch discusses his early life as a writer\n\t\t248\tThe arbitrary systems of numbers and the mathematics of a poem\n\t\t307\t[Ray]** Miki asks about the idea of “process poetry”\n\t\t391\tEnd of side one\nTwo\t\t000\tThe nation of “middles” in the long poem as opposed to an insistence on endings\n\t\t021\tBowering talks about Louis Sullivan’s notion of architecture in which beauty is equal to perfect economy, and how this concept carried into modernism\n\t\t056\t“notion of origins has been turned upside down”  A poetry of quotation announces the abundance of beginnings\n\t\t077\tAmerican long poem as epic.  In Canada long poem is simply long, Miki says, and remains undefined\n\t\t122\tCanadian scholarship and the problem of genre\n\t\t145\tUncertain origins in both Field Notes and The Martyrology\n\t\t174\tLong poem as a mode of discourse, away of dealing with complexities of thought\n\t\t221\tYeats’ developmental form\n\t\t250\tAccumulative function of the long poem\n\t\t294\tFred Wah says the long poem and the prose poem are needed to explore a mode of writing which is not lyric\n\t\t350\tEnd of discussion\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553979715586,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5834","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Kroetsch Reading at SFU on July 11, 1986 Tape 1 of 4 #576"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kroetsch, Robert"],"creator_names_search":["Kroetsch, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6155/Reading in BC_MsC199_576.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"576-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:37\",\"precision\":\"\",\"size\":\"74.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"576-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:02\",\"precision\":\"\",\"size\":\"68.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-07-11\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\" 8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":[" 8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t44 min.\t000\tKroetsch opens by saying that boredom is a part of performance\n\t\t034\tField Notes “Stone Hammer Poem” 1.\n\t\t040\t2. “This paperweight on my desk…”\n\t\t043\t3. “Grey, two-headed”\n\t\t047\t4. “This stone maul…”\n\t\t048\t5. “It is a stone…”\n\t\t052\t6.“This stone maul…”\n\t\t057\t7. “The poem…”\n\t\t058\t8. “Now the field is…”\n\t\t064\t9. “This won’t…”\n\t\t065\t10. “My Father (retired)…”\n\t\t072\t11. “I keep it…”\n\t\t078\t“The Ledger”\n\t\t347\t“Seed Catalogue” 1.\n\t\t394\t2. “My Father was mad at the badger”\n\t\t412\t3. “No. 1248 – Hubbard Squash:”\n\t\t448\t4.“It arrived in winter, the seed catalogue”\n\t\t489\t5. “I planted some melons…”\n\t\t495\t6. “No. 339 – McKenzie’s Pedigreed Early Snowcap Cauliflower:”\n\t\t560\tEnd of Side One\nTwo\t\t000\t7. “Brome Grass (Bromuslnermis)”\n\t\t026\t8. “We silence words…”\n\t\t035\t9. “The danger of merely living”\n\t\t050\t10.“After the bomb/blossoms…”\n\t\t070\t“How I Joined the Seal Herd”\n\t\t132\t“The Sad Phoenician” “A”\n\t\t455\tEnd of side two\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553980764160,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5835","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Kroetsch Reading at SFU on July 11, 1986 Tape 2 of 4 #577"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kroetsch, Robert"],"creator_names_search":["Kroetsch, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6156/Reading in BC_MsC199_577.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"577-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:26\",\"precision\":\"\",\"size\":\"49.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"577-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:53:00\",\"precision\":\"\",\"size\":\"56.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-07-11\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\" 8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":[" 8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t“The Silent Poet Sequence”\n\t\t\t“The Silent Poet Sees Red”\n\t\t021\t“The Silent Poet Moves his Office”\n\t\t041\t“The Silent Poet at Intermission”\n\t\t059\t“The Silent Poet Finds Out”\n\t\t093\t“The Silent Poet Eats his Words”\n\t\t118\t“The Winnipeg Zoo”\n\t\t165\t“Sketches of a Lemon” 1.\n\t\t171\t2. “As my father used to say…”\n\t\t173\t3. “I went and looked at Francis Ponge’s poem…”\n\t\t175\t4.“Sketches, I reminded myself”\n\t\t181\t5.“What about oranges?”\n\t\t184\t6. “Smaro is rolling a lemon on the breadboard”\n\t\t188\t7.“I had a very strong desire”\n\t\t190\t8.“I bought a second-hand car”\n\t\t191\t9.“If someone asked me”\n\t\t194\t10.“The lemon cure”\n\t\t197\t11.“Poem for a child who has just bit into”\n\t\t203\t12.“This hour is shaped like”\n\t\t207\t“The Criminal Intensities of Love as Paradise” ‘Morning’, Jasper Park’\n\t\t220\t‘Fire & Pan’\n\t\t233\t‘Breakfast, After, & Looking’\n\t\t244\t‘Standing Near a Waterfall’\n\t\t258\t‘Salt of Ocean Sea, of Tears”\n\t\t270\t‘Awoken and, Again, Hungry, Again’\n\t\t279\t‘Into Town’\n\t\t290\t‘Post Card to a Hillside’\n\t\t299\t‘Nude Swimmers in Late Afternoon’\n\t\t313\t‘Campsite, Home, Away From’\n\t\t324\t‘Bear Story with or without Bear’\n\t\t341\t‘And Dreamers, Even Thou, if Dreaming’\n\t\t363\t“Advice to my friends,” 1.\n\t\t377\t2. “To Eli Mandel, Setting his new alarm”\n\t\t392\t3. “To the Wahs, on the Kootenay River”\n\t\t408\t4. “Slocan Valley, July 17”\n\t\t424\t5. “Listening to the Radio, for Michael Ondaatje”\n\t\t440\t6.“Reading it in the Comics, for bp”\n\t\t456\t7. “The Bridegroom rises to speak”\n\t\t474\t8. “Wedding Dance, country style”\n\t\t493\t9. “Philosophy of composition, for Paul Thompson”\n\t\t512\t10. “Back in the spring of ’76, for Laurie Racoux”\n\t\t533\t11.“Laurie Racoux waiting to present a paper…”\n\t\t552\t12.“Late fall drive, for Berna Barclay”\n\t\t574\t13. “November 9, 1983, for Robert Hillas”\n\t\t597\tEnd of Side One\nTwo\t\t000\t14. “I find myself reading the old guys now”\n\t\t014\t15. “For Doug James: The Explanation”\n\t\t022\t16. “Seeing the Bear”\n\t\t028\t17. “Having a word with Columbus”\n\t\t037\t18. “Four questions for George Bowering”\n\t\t047\t19. “Stairway, for Giovanna Capon”\n\t\t056\t20. “A ritual for one”\n\t\t066\t“Mile Zero” \n\t\t085\t2. “Where did the Virgin come from…”\n\t\t099\t3. “On the third night west”\n\t\t123\t4.“Order Gentlemen, Order’\n\t\t139\t5. “The bindertwine of place”\n\t\t158\t6.“What I took to be an eagle”\n\t\t189\tLetters to Salonika\n\t\t500\tEnd of side two\n"],"Note":["[{\"note\":\"This tape is a duplicate of the tape from the Roy Miki's collection \\\"Robert Kroetsch Reading at SFU on July 11, 1986 Side 3\\\" (SWALLOW ID 9239)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670553980764161,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5836","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Kroetsch Reading at SFU on July 11, 1986 Tape 3 of 4 #578"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kroetsch, Robert"],"creator_names_search":["Kroetsch, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6157/Reading in BC_MsC199_578.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"578-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:36\",\"precision\":\"\",\"size\":\"54.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"578-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:37\",\"precision\":\"\",\"size\":\"53.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-07-11\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\" 8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":[" 8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tPost cards from China July 1\n\t\t024\tJuly 2 “You must have a guide”\n\t\t056\tJuly 3 “The bicycle riders are dancing”\n\t\t096\tJuly 4 “Tea in the cool dawn”\n\t\t112\tJuly 5\n\t\t144\tJuly 6 “The Tong Museum”\n\t\t171\tJuly 7 “Here Where the silk route began”\n\t\t200\tJuly 8 “Up early to fly to Gwan-Jo”\n\t\t221\tJuly ? “Taking the train from Gwan-Jo to Hong-Kong”\n\t\t236\t“Delphi Commentary”\n\t\t500\tEnd of side one\nTwo\t\t000\t“the wind was a dry wind…” Delphi Commentary, continued\n\t\t050\t“The Frankfurt Haubt: Bannhoff” 1. “Keep an eye peeled for an ancestor”\n\t\t097\t“Grab a cab…”\n\t\t500\tEnd of side two\nThree\t\t109\t3. “Frankfurt Main”\n\t\t138\t5.“Notation, divination, augury”\n\t\t151\t6.“the immense sadness of travel”\n\t\t163\t7.“Notation is a set of instructions for reading in the future”\n\t\t177\t8.“Notation in Field Notes.  Barry, is the relation between the reader and the text”\n\t\t185\t9.“Notation is the double of the poem”\n\t\t202\t10.“I was in the main railway station”\n\t\t227\t11.“Like I mean out and in…”\n\t\t236\tSounding the Name. Sonnet #1\n\t\t248\t“Birthday”\n\t\t273\t“Sounding the name”\n\t\t287\t“Sonnet #5”\n\t\t292\t“Sonnet for my daughters”\n\t\t299\t“The Poets’s mother” 1.\n\t\t309\t2. “I have sought my mother”\n\t\t315\t3. “I the fall of snow I hear my mother”\n\t\t323\t4. “these are the scars”\n\t\t352\tExcerpts from the real world\n"],"Note":["[{\"note\":\"This tape is a duplicate of the tape from Roy Miki's collection \\\"Robert Kroetsch Reading at SFU on July 11, 1986 Side 5 and 6\\\" (SWALLOW ID 9092)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670553980764162,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5837","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Kroetsch Reading at SFU on July 11, 1986 Tape 4 of 4 #579"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kroetsch, Robert","McFarlane, Susan"],"creator_names_search":["Kroetsch, Robert","McFarlane, Susan"],"creators":["[{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/106220852\",\"name\":\"McFarlane, Susan\",\"dates\":\"\",\"notes\":\"She is present in this reading session \",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6158/Reading in BC_MsC199_579.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"579-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:14\",\"precision\":\"\",\"size\":\"54.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"579-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:15\",\"precision\":\"\",\"size\":\"51.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-07-11\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\" 8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":[" 8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting\n"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tExcerpts from the real world continued 15 March “I liked the telegram…”\n\t\t245\t22 August\n\t\t267\t31 August\n\t\t282\t23 September\n\t\t319\t1 October\n\t\t357\t9 November\n\t\t404\t30 November\n\t\t444\tEnd of Excerpts from the real world\nTwo\t\t000\tDiscussion. Kroetsch comments on his penchant for endings, the appeal of the domestic, his difficulties with the feminine\n\t\t102\tThe dedication of Excerpts from the real world “to you, Ishtar” The power of language to elucidate a presence\n\t\t146\tSusan McFarlane asks if the excerpt is to leave out, or things that are not real\n\t\t196\tThe suppressed story of the Pacific, of Asia, and the restriction of the Atlantic story\n\t\t260\tDeconstructing Greece as an originary point\n\t\t317\tEnd of discussion\n"],"Note":["[{\"note\":\"This tape is a duplicate of the tape from Readings in BC collection \\\"Robert Kroetsch Reading at SFU on July 11, 1986 Side 7 and 8\\\" (SWALLOW ID 9093)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670553980764163,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5838","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Anselm Hollo reading The Coherences #580"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Hollo, Anselm"],"creator_names_search":["Hollo, Anselm"],"creators":["[{\"url\":\" http://viaf.org/viaf/2485795\",\"name\":\"Hollo, Anselm\",\"dates\":\"1934-2013\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6159/Reading in BC_MsC199_580.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"580-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:29\",\"precision\":\"\",\"size\":\"33.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"580-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:39\",\"precision\":\"\",\"size\":\"34.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction, from The Coherences\n\t\t009\t“The Empress Hotel poems” i “just get up…”\n\t\t015\tii “the typewriter banging…”\n\t\t021\tiii “The old housekeeper lady downstairs…”\n\t\t026\tiv “white smoke from Battersea Power station…”\n\t\t034\tv “go thru my things…”\n\t\t040\tvi “to return and find…”\n\t\t046\t“The going-on poem”\n\t\t092\t“instances”\n\t\t129\t“For the sea-sons & daughters we all are”\n\t\t140\t“3 bear poems”\n\t\t158\t“the coherences”\n\t\t198\t“the taxicab came lurching round the turn”\n\t\t212\t“love: discontinuous consciousness”\n\t\t225\t“possible definitions of ‘beauty’ & ‘happiness’”\n\t\t237\t“the one”\n\t\t241\t“the i.s.s.”\n\t\t251\t“meeting another”\n\t\t263\t“the charge”\n\t\t280\t“walking the beach with my daughter’s eyes & the news in my head”\n\t\t307\tEnd of side one\nTwo\t\t000\tPoems from The Man in the Treetop Hat, & it is a Song, and Faces and Forms\n\t\t019\t“recording”\n\t\t021\t“playback”\n\t\t023\t“From a book of rites and events”\n\t\t031\t“The lions”\n\t\t034\t“The red piano”\n\t\t040\t“my ancestors”\n\t\t045\t“the daughter, new”\n\t\t050\t“air to dream in”\n\t\t056\t“late, the aspen hour”\n\t\t061\t“1962, October dreams”\n\t\t076\t“la noce”\n\t\t093\t“love in the bathroom”\n\t\t105\t“poem”\n\t\t116\t“sunflowers”\n\t\t141\t“and what else is new”\n\t\t145\t“the trees at 2 am”\n\t\t153\t“zoo poem”\n\t\t183\t“poemology”\n\t\t190\t“that old sauna high”\n\t\t203\t“who walk by”\n\t\t259\t“any news from Alpha centauri”\n\t\t358\tEnd of side two\n"],"Note":["[{\"note\":\"Side 1: The Coherences\\nSide 2: The man in the treetop hat \\nAnd it is a song \\nFaces and forms\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553980764164,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5839","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Lee Harwood Reading Landscapes #581"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Harwood, Lee"],"creator_names_search":["Harwood, Lee"],"creators":["[{\"url\":\"http://viaf.org/viaf/101130732\",\"name\":\"Harwood, Lee\",\"dates\":\"1939-2015\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6160/Reading in BC_MsC199_581.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"581-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:10\",\"precision\":\"\",\"size\":\"44.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"581-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:57\",\"precision\":\"\",\"size\":\"31.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t“The paintbox”\n\t\t015\t“Landscapes”\n\t\t044\t“Final painting”\n\t\t064\t“Question of geography”\n\t\t089\t“Brooklyn Heights”\n\t\t102\t“In bed”\n\t\t113\t“The house”\n\t\t141\t“Blue glow”\n\t\t157\t“This year”\n\t\t201\t“New Zealand and outback”\n\t\t215\t“White”\n\t\t239\t“As your eyes are blue”\n\t\t300\tEnd of side one\nTwo\t\t000\t“The book: Four extracts” Part 1 “It is so much a question of isolation…”\n\t\t020\tPart 2 “The five twenty one Pullman train…”\n\t\t034\tPart 3 “The churchman was still leafing…”\n\t\t054\tPart 4 “It was not the same…”\n\t\t067\t“The doomed fleet” Part 1\n\t\t075\tPart 2 “The grey battleships lay in silence…”\n\t\t084\tPart 3 “Grey waves slapped…”\n\t\t101\tPart 4 “With so few exits left…”\n\t\t121\tPart 5 “Age began to show…”\n\t\t156\t“Plato was right though” Part 1\n\t\t206\tPart 2 “All the previous locations are now impossible…”\n\t\t248\tPart 3 “The fact that there should be…”\n\t\t320\tEnd of side two\n"],"Note":["[{\"note\":\"Side 1: 25 min\\nSide 2: 25 min\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553981812736,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5840","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Live in the West: Four Horsemen, February 1974 #582"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Four Horsemen (Musical group)"],"creator_names_search":["Four Horsemen (Musical group)"],"creators":["[{\"url\":\"http://viaf.org/viaf/128949455\",\"name\":\"Four Horsemen (Musical group)\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Performance_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6161/Reading in BC_MsC199_582.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"582-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:02\",\"precision\":\"\",\"size\":\"31.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"582-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:57\",\"precision\":\"\",\"size\":\"31.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974-02\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tMayakovsky\n\t\t031\tAssassin\n\t\t049\tSally Wants to Go\n\t\t061\tOver-Revised\n\t\t080\tHoly Thursday\n\t\t107\tMatthew’s Line\n\t\t137\tSonada\nTwo\t\t000\tMischievous Eve\n\t\t112\tGood bye\n\t\t122\tStagelost\n"],"Note":["[{\"note\":\"Side 1: 25 min\\nSide 2: 25 min\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553981812737,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5841","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Kenneth Patchen Reading the Journal of Albion Moonlight, 1941 #583"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Patchen, Kenneth"],"creator_names_search":["Patchen, Kenneth"],"creators":["[{\"url\":\"http://viaf.org/viaf/9851596\",\"name\":\"Patchen, Kenneth\",\"dates\":\"1911-1972\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Publication_Date":[1941],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6162/Reading in BC_MsC199_583.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"583-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:59\",\"precision\":\"\",\"size\":\"31.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"583-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:58\",\"precision\":\"\",\"size\":\"31.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1941\",\"type\":\"Publication Date\",\"notes\":\"Date the Book was Published\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tMay 2 (p.1)\n\t\t024\tMay 18 (p.11)\n\t\t028\tMay 19 (p.11)\n\t\t037\tJune 5, 1940 (p. 13)\n\t\t078\tJune 7 (p. 15)\n\t\t103\tJune 14 (p. 17)\n\t\t116\tJune 15 (p. 17)\n\t\t120\tJune 19 (p. 22)\n\t\t224\tJune 27 (p.53)\n\t\t300\tJuly 6 (p. 134)\n\t\t342\tJuly 16 (p. 135)\n\t\t378\tEnd of side one\nTwo\t\t000\tJuly 17 (p. 143)\n\t\t020\tJune 30\n\t\t231\tAug. 27 (p. 312)\n\t\t288\tEnd of side two\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553981812738,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5842","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Kenneth Patchen Reads his Love Poems at his house, September 1960 #584"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Patchen, Kenneth"],"creator_names_search":["Patchen, Kenneth"],"creators":["[{\"url\":\"http://viaf.org/viaf/9851596\",\"name\":\"Patchen, Kenneth\",\"dates\":\"1911-1972\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1960],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6163/Reading in BC_MsC199_584.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"584-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:58\",\"precision\":\"\",\"size\":\"31.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"584-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:56\",\"precision\":\"\",\"size\":\"31.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1960-09\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Patchen house\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Venue":["Patchen house"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t“Beautiful you are”\n\t\t018\t“Give you a lantern”\n\t\t031\t“Little birds sit on your shoulders”\n\t\t038\t“As beautiful as the hands of a winter tree”\n\t\t052\t“While the sun still spends his fabulous money”\n\t\t061\t“O now the drenched land wakes”\n\t\t069\t“The great birds”\n\t\t100\t“Do I not deal with Angels”\n\t\t112\t“O she is as lovely – often”\n\t\t141\t“O my darling troubles heaven”\n\t\t160\t“We go out together”\n\t\t173\t“From my [hign]? Love”\n\t\t191\t“A lament for the unlasting joys”\n\t\t367\tEnd of side one\nTwo\t\t000\t“She is the prettiest of creatures\n\t\t015\t“As she was thus alone”\n\t\t042\t“Be music, night”\n\t\t061\t“Fall of the evening star”\n\t\t080\t“She had concealed him”\n\t\t105\t“O my love the pretty town”\n\t\t125\t“Creation”\n\t\t141\t“The Character of love seen as a search for the lost”\n\t\t197\t“Religion is that I love you”\n\t\t222\t“23rd Street runs into heaven”\n\t\t243\t“The sea is awash with roses”\n\t\t277\t“For losing her love”\n\t\t298\t“The snow is deep on the ground”\n\t\t318\t“As we are so wonderfully done with each other”\n\t\t344\tEnd of side 2\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553981812739,"timestamp":"2026-01-07T14:59:58.384Z","score":0.01643844},{"id":"5843","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["CBC Vancouver program: Kenneth Patchen with the Alan Neil Quartet on February 17, 1959 #585"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright 1960 Folkways Records and Service Corp. 701 Seventh Avenue, NYC, USA"],"creator_names":["Patchen, Kenneth","Alan Neil Quartet"],"creator_names_search":["Patchen, Kenneth","Alan Neil Quartet"],"creators":["[{\"url\":\"http://viaf.org/viaf/9851596\",\"name\":\"Patchen, Kenneth\",\"dates\":\"1911-1972\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\" http://viaf.org/viaf/145374155\",\"name\":\"Alan Neil Quartet\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Performance_Date":[1959],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6164/Reading in BC_MsC199_585.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"585-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:15:52\",\"precision\":\"\",\"size\":\"15.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"585-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:16:14\",\"precision\":\"\",\"size\":\"15.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1959-02-17\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/3764261726\",\"venue\":\"CBC Studio Vancouver\",\"notes\":\"We don't know where CBC Vancouver located before 1975, now its address is  700 Hamilton Street\\nVancouver, British Columbia\\nV6B 4A2\",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\"49.27867\",\"longitude\":\"-123.11458\"}]"],"Address":["Vancouver, BC, Canada"],"Venue":["CBC Studio Vancouver"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t“There’s a place”\n\t\t024\t“They won’t let you in there”\n\t\t048\t“A sigh is little altered”\n\t\t063\t“The lonesome boy blues”\n\t\t089\tFour Song Poems (comp. by George Wallington)\n\t\t096\tThe Everlasting Contenders”\n\t\t117\t“Do I not deal with Angels”\n\t\t136\t“The sea is a wash with roses”\n\t\t155\t“Not many Kingdoms left”\n\t\t190\tEnd of side one\nTwo\t\t000\t“As I opened the window” (comp. by Dale Hillary)\n\t\t058\t“Glory, Glory” (Arr. By Alan Neil).  Speeches from Don’t Look Now\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554169507840,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5844","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Tina and David Meltzer performance at Sierra Sound Labs in Berkeley, 1969 #587"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Meltzer, Tina","Meltzer, David"],"creator_names_search":["Meltzer, Tina","Meltzer, David"],"creators":["[{\"url\":\"http://viaf.org/viaf/37151654769508282933\",\"name\":\"Meltzer, Tina\",\"dates\":\"-1997\",\"notes\":\"Singer\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/39497988\",\"name\":\"Meltzer, David\",\"dates\":\"1937-2016\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Performance_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6165/Reading in BC_MsC199_587.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"587-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1kHz\",\"duration\":\"T00:20:45\",\"precision\":\"\",\"size\":\"19.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"587-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:51\",\"precision\":\"\",\"size\":\"19.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969\",\"type\":\"Performance Date\",\"notes\":\"Date of Recording\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2833528#map=13/37.8712/-122.3013\",\"venue\":\"Sierra Sound Labs\",\"notes\":\"Latitude and Longitude of Berkeley have been entered. The exact location can not be found \",\"address\":\"Berkeley, Alameda County, California, United States\",\"latitude\":\"37.8688\",\"longitude\":\"-122.2910\"}]"],"Address":["Berkeley, Alameda County, California, United States"],"Venue":["Sierra Sound Labs"],"City":["Berkeley, California"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t“I’m the early morning racer (poem)”\n\t\t025\t“I’ll forget you”\n\t\t069\t“The bath (poem)”\n\t\t078\t“I’m a lover”\n\t\t115\t“Ravel Blues”\n\t\t184\t“The blackest rose (poem)”\n\t\t200\t“It is For you”\n\t\t231\t“Lullaby”\nTwo\t\t000\t“I’m so willing”\n\t\t063\t“Lamentation for Hank Williams” (poem)\n\t\t081\t“Hymn to Love”\n\t\t125\t“Confession” (poem)\n\t\t162\t“Pure white place”\n\t\t239\t“Poem for my wife” (poem)\n\t\t257\t“For Tina”\n"],"Note":["[{\"note\":\"Liner Notes: See Photo\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670554169507841,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5845","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Tina and David Meltzer performing 'The Serpent Power', 1967 #588"],"item_title_source":["J-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Meltzer, David","Meltzer, Tina"],"creator_names_search":["Meltzer, David","Meltzer, Tina"],"creators":["[{\"url\":\"http://viaf.org/viaf/39497988\",\"name\":\"Meltzer, David\",\"dates\":\"1937-2016\",\"notes\":\"Singer, Song-writer\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/37151654769508282933\",\"name\":\"Meltzer, Tina\",\"dates\":\"-1997\",\"notes\":\"Singer\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Performance_Date":[1967],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6166/Reading in BC_MsC199_588.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"588-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1kHz\",\"duration\":\"T00:23:41\",\"precision\":\"\",\"size\":\"22.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"588-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1kHz\",\"duration\":\"T00:23:46\",\"precision\":\"\",\"size\":\"23.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1967\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"No Location Specified. However, the cassette label mentions that all songs on the cassette were written by David Meltzer, Ryerson Music, BMI. \\nThis may suggest that the performance and recording was done at this Label\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t“Don’t you listen to her”\n\t\t032\t“Gently, Gently”\n\t\t063\t“Open House”\n\t\t105\t“Flying away”\n\t\t166\t“Nobody Blues”\n\t\t222\t“Up and down”\nTwo\t\t000\t“Sky baby”\n\t\t037\t“Forget”\n\t\t079\t“Dope again”\n\t\t096\t“Endless tunnel”\n"],"Note":["[{\"note\":\"Liner Notes: See photo\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670554169507842,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5846","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["English Department Colloquium with Robin Blaser, George Bowering, Fred Candelaria, Stanley Cooperman, Lionel Kearns at SFU on July 27th, 1972 tape 1 of 2 #447a"],"item_title_source":["J-card and inventory"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","Candelaria, Frederick H.","Cooperman, Stanley","Kearns, Lionel","Blaser, Robin"],"creator_names_search":["Bowering, George","Candelaria, Frederick H.","Cooperman, Stanley","Kearns, Lionel","Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94938550\",\"name\":\"Candelaria, Frederick H.\",\"dates\":\"1929-2006\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/42882018\",\"name\":\"Cooperman, Stanley\",\"dates\":\"1929-1976\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/30784380\",\"name\":\"Kearns, Lionel \",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1972],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6168/Reading in BC_MsC199_447a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"447a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:29\",\"precision\":\"\",\"size\":\"32.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"447a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:25\",\"precision\":\"\",\"size\":\"33.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1972-07-27\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU, AQ 3003\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU, AQ 3003"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tPanel members: Fred Candelaria, Lionel Kearns, Stanley Cooperman, George Bowering, Robin Blaser.  Moderator: Evan Alderson\nAlderson introduces the Panel\n\t\t052\tCandelaria speaks of Wittgenstein, language & poetics\n\t\t152\tCandelaria reads the poem “Survivors”\n\t\t158\tLionel Kearns speaks\n\t\t178\tKearns reads poem “Entropy”\n\t\t208\tKearns reads statement on poetry called “Ick”\n\t\t222\tKearns reads poem “Contra Diction”\n\t\t229\tStanley Cooperman speaks about poetry’s relation to reality and the state of language\n\t\t283\tHe says poetry is the creation of things to be remembered\n\t\t305\tReads poem “The Cannibal”\n\t\t333\tGeorge Bowering reads a statement on Composition\n\t\t380\tReads a piece called “The Code”\n\t\t415\tThey argue about the page, chaos and order\n\t\t447\tReads a piece called “Events and Things”\n\t\t472\tReads an autobiographical piece called “It”\n-\tCalls it “prosaics”\n\t\t504\tRobin Blaser speaks.  Poetry as a composition of the real\n\t\t544\tHe talks about the beginning of The Moth Poem\n\t\t559\tReads the section where “it” is born, in The Moth Poem\n\t\t668\tStanley Cooperman disagrees that poetry is an ineffable quality.  He says it is the perception of the rational\n\t\t795\tCooperman reads his poem “Cannibals” as an example of a poem with an overt polemic\n\t\t972\tEnd of side one"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554170556416,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5847","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["English Department Colloqium with Robin Blaser, George Bowering, Fred Candelaria, Stanley Cooperman, Lionel Kearns at SFU on July 27th, 1972 tape 2 of 2 #447b"],"item_title_source":["J-card and inventory"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","Candelaria, Frederick H.","Cooperman, Stanley","Kearns, Lionel","Blaser, Robin"],"creator_names_search":["Bowering, George","Candelaria, Frederick H.","Cooperman, Stanley","Kearns, Lionel","Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94938550\",\"name\":\"Candelaria, Frederick H.\",\"dates\":\"1929-2006\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/42882018\",\"name\":\"Cooperman, Stanley\",\"dates\":\"1929-1976\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/30784380\",\"name\":\"Kearns, Lionel \",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1972],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6169/Reading in BC_MsC199_447b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"447b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:27\",\"precision\":\"\",\"size\":\"31.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"447b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:35:22\",\"precision\":\"\",\"size\":\"36.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1972-07-27\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU, AQ 3003\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU, AQ 3003"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t000\tQuestions from the audience\n\t\t027\tDoes the poet write with a potential reader in mind? – is there a relationship of trust with the audience?\n\t\t052\tBlaser answers that in the public world there is no place for a language made abstract and transparent, and that the role of the poem is to put the particularities of experience in the world, making a dialectic of “binding”.  He says as long as the\n\t\t090\tdialectic is experiential the readership can include everyone\n\t\t141\tCooperman says for him the poem is a catalyst with an objective shape\n\t\t208\tBlaser says that every methodology is a record of belief\n\t\t248\tBernard Curtin asks about the social responsibility of the poet in a capitalist system\n\t\t275\tBlaser says that the poet has an absolute social responsibility, but that language extends beyond the social\n\t\t342\tLionel Kearns says he sees poetry as a kind of superior propaganda\n\t\t370\tBowering says perhaps the fault lies in reading the wrong poets, and that the poets responsibility is to avoid exploiting language, and thus, the people who use it\n\t\t445\tCooperman speaks of poetry and social responsibility\n\t\t480\tCandelaria reads the poem “Boundary Bay”\n\t\t494\tKearns reads “Trap”\n\t\t519\tCooperman reads “Flyleaf”\n\t\t534\tBowering reads “The Body” from Autobiology\n\t\t565\tBlaser reads the last of The Moth Poems\n\t\t602\tTape ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554171604992,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5848","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Patti Smith Reading, 1978 #589"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright 1978 by Patti Smith & S Press Tonbandverlag (Nicolaus Einhorn und Michael Kohler) Dusseldorf / Munchen"],"creator_names":["Smith, Patti"],"creator_names_search":["Smith, Patti"],"creators":["[{\"url\":\"http://viaf.org/viaf/84037206\",\"name\":\"Smith, Patti\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6174/Reading in BC_MsC199_589.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"589-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1kHz\",\"duration\":\"T00:16:04\",\"precision\":\"\",\"size\":\"15.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"589-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1kHz\",\"duration\":\"T00:16:08\",\"precision\":\"\",\"size\":\"15.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978\",\"type\":\"Production Date\",\"notes\":\"Copyright Date\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nA\t\t000\t“dream of Rimband”\n\t\t060\t“lullaby”\n\t\t097\t“seventh heaven”\n\t\t140\t“rape”\n\t\t221\t“Gloria”\nB\t\t000\t“babel Field”\n\t\t111\t“prayer”\n\t\t139\t“electric guitar statement”\n"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670554171604993,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5849","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Selected Readings of George Open, 1979 #590"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright 1982, The Watershed Foundation, All rights reserved. Unauthorized duplication is prohibited"],"creator_names":["Oppen, George"],"creator_names_search":["Oppen, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/98097764\",\"name\":\"Oppen, George\",\"dates\":\"1908-1984\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1979],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6175/Reading in BC_MsC199_590.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"590-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:22:09\",\"precision\":\"\",\"size\":\"21.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"590-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:22:07\",\"precision\":\"\",\"size\":\"22.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1979\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nA\t\t000\t“silver as the new design of the horizon…”\n\t\t015\t“oh whither seas of the doorsteps…”\n\t\t025\t“oh ships are preserved…”\n\t\t037\t“Climbing the peak…”\n\t\t049\t“The darkness of trees guards this life…”\n\t\t061\t“Exodus”\n\t\t070\t“Latitude, longitude”\n\t\t078\t“What do you want…”\n\t\t094\t“Political poem”\n\t\t106\t“Disasters”\n\t\t130\t“The Poem”\n\t\t145\t“To make much of the world”\n\t\t154\t“To the shining of rails in the night…”\n\t\t160\t“waken who knows…”\n\t\t168\t“If it all went up in smoke…”\n\t\t177\t“The tongues of appearance…”\n\t\t187\t“populist”\n\t\t217\t“Golden oak leaves”\n\t\t233\t“The natural”\n\t\t241\t“Strange are the products”\n\t\t259\t“Neighbours”\n\t\t287\t“Til other voices wake us”\nTwo\t\t000\tOf Being Numerous\n\t\t\t1.\t“There are things”\n\t\t010\t2.\t“So spoke of the existence of things”\n\t\t015\t3.\t“The emotions of engaged”\n\t\t019\t4.\t“For the people of that flow”\n\t\t023\t5.\t“The great stone”\n\t\t026\t6.\t“We are pressed, pressed on each other”\n\t\t030\t7.\t“Obsessed, bewildered…”\n\t\t032\t8.\t“Amor Fati”\n\t\t036\t9.\t“Whether, as the intensity of seeing increases…”\n\t\t043\t10.\t“Or, in that light, Newarts!”\n\t\t051\t11.\t“it is that light…”\n\t\t064\t12.\t“In these explanations…”\n\t\t073\t13.\t“unable to begin”\n\t\t082\t14.\t“I cannot even now…”\n\t\t090\t15.\t“Chorus (androgynous) :’Find me”\n\t\t093\t16.\t“…he who will not work shall not eat”\n\t\t100\t17.\t“The roots of words…”\n\t\t105\t18.\t“It is the air of atrocity”\n\t\t107\t19.\t“Now in the helicopters the casual will…”\n\t\t111\t20.\t“They await…”\n\t\t122\t21.\t“There can be a brick”\n\t\t125\t22.\t“Clarity…”\n\t\t130\t“Historic Pun”\n\t\t146\t“Ballad”\n\t\t165\t“From a phrase of Simone Weil’s and some words of Hegel’s “From Seascape : Needle’s eye\n\t\t181\t“The Occurences”\n\t\t197\t“Animula”\n\t\t214\t“West”\n\t\t241\t“Song, The Winds of Downhill”\n\t\t249\t“A Morality Play : Preface”\n\t\t277\t“The Translucent Mechanics”\n"],"Note":["[{\"note\":\"Liner notes: see photo\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670554171604994,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5850","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Making of Americans/ Lectures in America: Gertrude Stein Read by Marian Seldes #592"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Audiobook"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Seldes, Marian","Stein, Gertrude"],"creator_names_search":["Seldes, Marian","Stein, Gertrude"],"creators":["[{\"url\":\"http://viaf.org/viaf/29744413\",\"name\":\"Seldes, Marian\",\"dates\":\"1928-2014\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/22149082\",\"name\":\"Stein, Gertrude\",\"dates\":\"1874-1946\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6176/Reading in BC_MsC199_592.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"592-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:13\",\"precision\":\"\",\"size\":\"31.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"592-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:34:41\",\"precision\":\"\",\"size\":\"34.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tThe Making of Americans “I’m writing for myself and strangers”\n\t\t070\t“Each one slowly comes to be a whole one to me”\n\t\t150\t“As I was saying often for many years someone is baffling”\n\t\t205\t“Mostly everyone loves someone’s repeating”\n\t\t238\tEnd of side one\nTwo\t\t000\tLectures in America/Plays “In a book I wrote called How to Write I made a discovery…”\n\t\t125\t“There are then the three ways of having something to be exciting”\n\t\t210\t“If the emotion of the person looking at the theatre”\n\t\t250\tEnd of side two\n"],"Note":["[{\"note\":\"Liner Notes\\nSide 1: The Making of Americans\\nSide 2: Lectures in America : Plays\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670554171604995,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5851","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Tom Raworth reading Little Trace Remains of Emmett Miller #593"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Raworth, Tom"],"creator_names_search":["Raworth, Tom"],"creators":["[{\"url\":\"http://viaf.org/viaf/79047481\",\"name\":\"Raworth, Tom\",\"dates\":\"1938-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Author\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6177/Reading in BC_MsC199_593.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"593-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:26\",\"precision\":\"\",\"size\":\"46.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"593-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:26\",\"precision\":\"\",\"size\":\"47.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t“The big green day…”\n\t\t004\t“Here in Palinia…”\n\t\t015\t“The blown agent…”\n\t\t023\t“Orrery”\n\t\t037\t“Hot day at the races…”\n\t\t047\t“North Africa breakdown”\n\t\t057\t“Southland”\n\t\t066\t“Now the pink stripes”\n\t\t077\t“The race begins”\n\t\t088\t“Got me”\n\t\t094\t“Shoes”\n\t\t102\t“The lonely life of the lighthouse keeper”\n\t\t107\t“Inner space”\n\t\t113\t“All his days and all her days”\n\t\t125\t“Love poem”\n\t\t143\t“Sky”\n\t\t161\t“These are not catastrophes…”\n\t\t173\t“What is the question”\n\t\t182\t“Going away poem for Lee Harwood”\n\t\t193\t“Gitaine”\n\t\t214\t“The empty pain killer bottles”\n\t\t225\t“George, you’re on my mind”\n\t\t237\t“Haiku”\n\t\t270\tEnd of side One\nTwo\t\t000\t“Three”\n\t\t048\t“Six days”\n\t\t125\t“My Face is my own I thought”\n\t\t163\t“But I don’t love”\n\t\t190\t“The others”\n\t\t197\t“Sing”\n\t\t235\t“Morning”\n\t\t260\tEnd of side two\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554171604996,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5852","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Basil Bunting Reading From Brigg Flatts at UBC, 1972 #595"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Record by Bloodaxe Books"],"creator_names":["Johnson, Robert","Bunting, Basil"],"creator_names_search":["Johnson, Robert","Bunting, Basil"],"creators":["[{\"url\":\"\",\"name\":\"Johnson, Robert \",\"dates\":\"\",\"notes\":\"Basil Bunting's reading was video-recorded at Aidanvision Studios, Carlisle, on 15 April 1977 by Robert Johnson\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/4949021\",\"name\":\"Bunting, Basil\",\"dates\":\"1900-1985\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\",\"Author\"]}]"],"contributors":["[]"],"Performance_Date":[1972],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6179/Reading in BC_MsC199_595.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"595-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:39\",\"precision\":\"\",\"size\":\"44.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"595-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:33\",\"precision\":\"\",\"size\":\"45.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1972\",\"type\":\"Performance Date\",\"notes\":\"Introductory Remarks\",\"source\":\"J-card\"},{\"date\":\"1977-04-15\",\"type\":\"Performance Date\",\"notes\":\"Poem Recorded at Aidanvision Studios, Carlisle\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Aidanvision Studios\",\"notes\":\"Basil Bunting's reading was video-recorded at Aidanvision Studios, Carlisle, on 15 April 1977\",\"address\":\"Carlisle, Cumberland County, Pennsylvania, 17013, United States\",\"latitude\":\"\",\"longitude\":\"\"},{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"University of British Columbia\",\"notes\":\"Introductory Remarks\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2590\",\"longitude\":\"-123.2464\"}]"],"Address":["Carlisle, Cumberland County, Pennsylvania, 17013, United States","6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["Aidanvision Studios","University of British Columbia"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tBasil Bunting is introduced\n\t\t046\tBunting gives the North American equivalent of some uniquely British terms; relates some historical and geographical details about Brigg Flatts\n\t\t119\tMusical interlude\n\t\t161\t“Brag, sweet tenor bull…”\n\t\t332\t“Poet appointed dare not decline…”\n\t\t567\tSide one ends\nTwo\t\t000\t“Down into the dust and reeds...”\n\t\t118\t“Grass caught in willow”\n\t\t257\t“Drip – icicle’s gone…”\n\t\t398\t“A strong song tows…”\n\t\t460\tSide two ends\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554172653569,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5854","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Beauty and the Beast: Anne Waldman and Allen Ginsberg at Naropa Institute in poetry recording of August, 1975 #596"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright 1976, Allen Ginsberg and Anne Waldman. Unauthorized Distribution prohibited\n\nCopyright 1976, Naropa Institute. Unauthorized Distribution prohibited\n"],"creator_names":["Ginsberg, Allen","Waldman, Anne"],"creator_names_search":["Ginsberg, Allen","Waldman, Anne"],"creators":["[{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\",\"Author\"]},{\"url\":\"http://viaf.org/viaf/84079610\",\"name\":\"Waldman, Anne\",\"dates\":\"1945-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6180/Reading in BC_MsC199_596.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"596-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:27\",\"precision\":\"\",\"size\":\"43.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"596-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:30\",\"precision\":\"\",\"size\":\"45.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-08\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/391232001\",\"venue\":\"Naropa Institute\",\"notes\":\"\",\"address\":\"1345 Spruce Street, Boulder, Colorado, United States of America\",\"latitude\":\"40.01404\",\"longitude\":\"-105.26694\"}]"],"Address":["1345 Spruce Street, Boulder, Colorado, United States of America"],"Venue":["Naropa Institute"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction\n\t\t048\tAnne Waldman : “Rocky Plutonium Fantasy”\n\t\t065\t“Notes from Rolling Stones”\n\t\t088\t“Sun the Blond Out”\n\t\t107\t“Carressed you curiously…”\n\t\t135\t“Fast Speaking Woman”\n\t\t325\tEnd of side one\nTwo\t\t042\tAllen Ginsberg “Howl  I”\n\t\t240\t“Howl  II”\n\t\t303\t“Howl  III”\n\t\t349\t“Footnote to Howl”\n\t\t404\tTape ends\n"],"Note":["[{\"note\":\"side two starts at 4:34\",\"type\":\"\"},{\"note\":\"Tapes #596 and #811 are the same\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554172653570,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5855","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Dial-A-Poem Poets: \"Sugar, Alcohol and Meat\", Tape 1 of 2 #597"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright 1980 Giorno Poetry Systems"],"creator_names":["Morrow, Charlie","Ginsberg, Allen","Rodríguez-Piñero, Miguel","Algarin, Miguel","Giorno, John","Burroughs, William S.","Berrigan, Ted","Gordon, Peter","Cage, John","Carey, Tom","Voznesenskiĭ, Andreĭ"],"creator_names_search":["Morrow, Charlie","Ginsberg, Allen","Rodríguez-Piñero, Miguel","Algarin, Miguel","Giorno, John","Burroughs, William S.","Berrigan, Ted","Gordon, Peter","Cage, John","Carey, Tom","Voznesenskiĭ, Andreĭ"],"creators":["[{\"url\":\" http://viaf.org/viaf/6289971\",\"name\":\"Morrow, 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"597-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:58\",\"precision\":\"\",\"size\":\"31.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t#597\t\tTime: 28:47 min.\n\t\t000\tPeter Gordon excerpt from Extended Niceties\n\t\t032\tJohn Giorno “I Resigned Myself to Being Here”\n\t\t137\tJohn Cage “Alex & Gretchen Corazzo”\n\t\t150\t“The 6th Patriach of Zen Buddhism”\n\t\t176\t“Once I was visiting my Aunt Marge”\n\t\t184\t“Dorothy Norman Invited Me”\n\t\t199\t“One of Suzuki’s books”\n\t\t212\tTom Carey “Good night Irene [Come to me all you bewitching young men]”\n\t\t270\tAllen Ginsberg introduces Andrei Vosnesensky\n\t\t271\tTogether [in English & Russian] they read: “I am Goya”\n\t\t316\tIntro to “song of Moscow ancient church bells” by Vosnesensky\n\t\t328\tVosnesensky reads [in Russian] “Song of Moscow Ancient Church Bells”\n\t\t367\tSide 1 ends\nTwo\t\t\tTime: 29:50 min.\n\t\t000\tSide 2 begins\n\t\t010\tMiguel Pinero “New York City Hard Times Blues”\n\t\t090\tMiguel Algarin “Setenta Y Cinco Abriles”\n\t\t108\tMitchell Kreigman “In the bathtub”\n\t\t144\tWilliam S. Burroughs From Nova Express : “I was traveling with the intolerable kid on the Nova lark”\n\t\t252\tWilliam S. Burroughs, Jr. “Translucent boy”\n\t\t273\t“An excellent time”\n\t\t313\t“For Neal Cassidy”\n\t\t334\tCharlie Morrow “O Yeh-Don’t Die”\n\t\t383\tTed Berrigan Intro to “To Jack Kerouac”\n\t\t401 \tSide 2 ends\nThree\t#598\t\tTime: 30:20 min.\n\t\t000\tSide 3 begins\n\t\t003\tCharlotte Carter “Six months in Brooklyn”\n\t\t019\tPatti Smith “Parade”\n\t\t082\tCliff Fyman “Coffee [breakfast’}\n\t\t089\tRobin Messing “3 Subway Poems” from “Temporary worker”\n\t\t101\tPaul Violi “Whalefeathers”\n\t\t123\tBob Holman “Rap it up”\n\t\t158\tAllen Ginsberg Intro to “C.I.A. Dope Calypso”\n\t\t164\t“C.I.A. Dope Calypso”\n\t\t210\tAnne Waldman “Lady tactics”\n\t\t234\tJohn Ashbery [with Ann Lauterbach] “Litany”\n\t\t304\tBeth Anderson “I can’t stand it”\n\t\t344\tRene Ricard “Rene Ricard Famous at 20”\n\t\t398\tSide 3 ends\nFour\t\t\tTime: 29:40 min.\n\t\t000\tSide 4 begins\n\t\t010\tBarbara Barg “Skizo typesetting” \n\t\t014\t“Chicks”\n\t\t029\tNed Sublette “Nice Young Mormons”\n\t\t038\tKathy Acker “I was walking down the street”\n\t\t064\tEileen Myles “Lorna & Vicki”\n\t\t100\tBarbara Barg [with Chassler] “So fine”\n\t\t120\tDidi Susan Dubelyew “Who needs exercise”\n\t\t132\tRochelle Kraut “New born sleep”\n\t\t140 \tGary Snyder “What you should know to be a poet”\n\t\t183\tDaniela Gioseffi “Eggs”\n\t\t251\tRegina Beck “Message from Confucius”\n\t\t257\tBernard Heidseick “Canal Street No. 4”\n\t\t209\tCharles Bernstein “Wall As”\n\t\t357\tSteve McCaffery “Viking log Part 2”\n\t\t419\tRon Padgett “Zzzz”\n\t\t429\tSide 4 ends\n"],"Note":["[{\"note\":\"some poems in part one are read in Russian; Vosnesensky reads [in Russian] “Song of Moscow Ancient Church Bells”\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554172653571,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5856","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Dial-A-Poem Poets: \"Sugar, Alcohol and Meat\", Tape 2 of 2 #598"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"rights_notes":["Copyright 1980 Giorno Poetry Systems"],"creator_names":["Barg, Barbara","Sublette, Ned","Acker, Kathy","Myles, Eileen","Kraut, Rochelle","Snyder, Gary","Gioseffi, Daniela","Heidsieck, Bernard","Beck-Friis, Regina","Bernstein, Charles","McCaffery, Steve","Padgett, Ron","Carter, Charlotte","Smith, Patti","Fyman, Cliff","Messing, Robin","Violi, Paul","Holman, Bob","Ginsberg, Allen","Waldman, Anne","Ashbery, John","Anderson, Beth","Ricard, Rene"],"creator_names_search":["Barg, Barbara","Sublette, Ned","Acker, Kathy","Myles, Eileen","Kraut, Rochelle","Snyder, 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Bob\",\"dates\":\"1936-2016\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/84079610\",\"name\":\"Waldman, Anne\",\"dates\":\"1945-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/100001869\",\"name\":\"Ashbery, John\",\"dates\":\"1927-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/100001869\",\"name\":\"Anderson, Beth\",\"dates\":\"1950-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/93706003\",\"name\":\"Ricard, Rene\",\"dates\":\"1946-2014\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6182/Reading in BC_MsC199_598.jpg\",\"other\":\"\",\"extent\":\"1/8 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"598-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:12\",\"precision\":\"\",\"size\":\"44.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t#599\t\tTime: 32:32 mins.\n\t\t000\t\n\t\t004\tTerry Southern “Vignette of Idealistic Life in South Texas”\n\t\t017\tMaster of Ceremonies Comments\n\t\t019\tWilliam S. Burroughs Keynote Commentary [Philosophy of The Nova Convention] \n\t\t036\t“Roosevelt After Inauguration”\n\t\t082\tJohn Giorno “Eating the Sky” [a duet with himself]\n\t\t246\tPatti Smith Comments concerning Keith Richards, The Nova Convention and other related or unrelated subjects\n\t\t329\t“Poem for Jim Morrison”\n\t\t362\t“Bumblebee”\n\t\t530\tSide 1 ends\nTwo\t\t\tTime: 32:42 mins.\n\t\t000\t\n\t\t010\tIntroduction of William S. Burroughs by Brion Gyson\n\t\t037\tWilliam S. Burroughs “Letter from Dr. Benway in Jonestown”\n\t\t049\tPhilip Glass “Building” from Einstein On The Beach\n\t\t084\tBrion Gysin Introductory Comments\n\t\t094\t“Kick that Habit”\n\t\t106\t“Junk is No Good Baby”\n\t\t128\t“Somebody Special”\n\t\t142\t“Blue Baboon Blues”\n\t\t169\tFrank Zappa Reads Burroughs “The Talking Asshole” from Naked Lunch\n\t\t239\tWilliam S. Burroughs “This is Kim Carson” from Place of the Dead Roads\n\t\t268\t“The Collapse of Any Currency”\n\t\t297\t“The Whole Tamale”\n\t\t375\t“The Coming of the Purple Better One”\n\t\t425\t“The Aggressive Southern Ape May block Your Way to Space”\n\t\t524\tSide 2 ends\nThree\t#600\t\tTime: 32:35 mins.\n\t\t000\t\n\t\t004\tWelcome To The Nova Convention Agenda [Listing of Speakers]\n\t\t010\tWilliam S. Burroughs “What The Nova Convention is About”\n\t\t033\tEd Sanders Reading “Hymn to Aphrodite” by Sappho\n\t\t064\tReading “The Lily” and “The Question Answered” by William Blake; also “Hymn to Aphrodite” in the original Greek\n\t\t133\tJohn Cage Introductory Comments\n\t\t163\t“Writing for the Second Time Through Finnegans Wake”\n\t\t318\tUnknown Woman “It, It Looks…”\n\t\t342\tAnne Waldman “Plutonium Ode”\n\t\t369\t“Skin, meat, bones”\n\t\t533\tSide 3 ends\nFour\t\t\tTime: 33:00 mins.\n\t\t000\t\n\t\t006\tIntroduction\n\t\t010\tLaurie Anderson and Julia Heyward “Song from America on the Move”\n\t\t148\tAllen Ginsberg “Punk Rock”\n\t\t162\t“Old Pond”\n\t\t220\tPeter Orlovsky “Feeding Them Raspberries To Grow”\n\t\t263\tAllen Ginsberg Concise Introduction \n\t\t267\t“Nurses Song”\n\t\t323\tConversations [Burroughs, Gysin, Dr. Timothy Leary, Les Levine and Robert Anton Wilson] Gist of the conversations is “Space”. Individual members of the group didactically explain their view of “Space”. Much flattery is extended to Burroughs by the rest of the group\n\t\t535\tSide 4 ends\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554173702144,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5857","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Heritage Writers' Festival. George Bowering, John Mills, and Audrey Thomas discuss Problems of the B.C. Writer moderated by Bruce Nesbitt at SFU on June 13th, 1978 Tape 1 of 2  #448 - tape 1"],"item_title_source":["cassette and j-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","Mills, John","Thomas, Audrey","Nesbitt, Bruce"],"creator_names_search":["Bowering, George","Mills, John","Thomas, Audrey","Nesbitt, Bruce"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/107592894\",\"name\":\"Mills, John\",\"dates\":\"1930-2016\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/27082708\",\"name\":\"Thomas, Audrey\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/40907542\",\"name\":\"Nesbitt, Bruce\",\"dates\":\"1941-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6192/Reading in BC_MsC199_448-tape1.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card \"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"448-tape-1-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:33\",\"precision\":\"\",\"size\":\"40.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"448-tape-1-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:16\",\"precision\":\"\",\"size\":\"45.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-06-13\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tProf. Bruce Nesbitt introduces the panel\n\t\t\tHe gives a history of the problem of Canadian writing\n\t\t072\tJohn Mills begins by saying he has not experienced problems as a writer here.  The first problem he thinks of, is that a BC writer is seldom reviewed here.  It is hard to get a reputation locally\n\t\t191\tAudrey Thomas agrees with Mills – writers here are poorly reviewed\n\t\t284\tGeorge Bowering – says he writes much better here but makes very little money doing it\n\t\t444\tThomas says writers here are loyal to one another\n\t\t467\tMills talks about the falsity of “Canadian identity” and says that he thinks most writers are deracinated\n\t\t578\tBowering says he has always been bothered by “coast chauvinism”.  His landscape is neither green nor watery\n\t\t702\tMills says if you get published by an eastern publisher, you will get reviewed.   If you only get published in the west, you may be a loser\n\t\t787\tThomas talks about being labelled “a woman writer”\n\t\t814\tMills says the basic Canadian short story is boy-goes-out-shoots-coon-feels-guilt\n\t\t855\tRoy Miki comments that they all approach B.C. as a negativity, and that there has been no discussion of a political affiliation with a place\n\t\t914\tThomas responds that if you write sincerely about the human condition, that constitutes a political act"],"Note":["[{\"note\":\"Tape 2 is missing\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670554173702145,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5858","cataloger_name":["Nina,Fesenko"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Judith Forst, Sharon Thesen, and Daphne Marlatt at College Awareness Rally/ concert on March 27, 1985 #1041"],"item_title_source":["cassette and j-card"],"item_title_note":["Liner notes: see the photo in the material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Thesen, Sharon","Forst, Judith","Marlatt, Daphne"],"creator_names_search":["Thesen, Sharon","Forst, Judith","Marlatt, Daphne"],"creators":["[{\"url\":\"http://viaf.org/viaf/115694373\",\"name\":\"Thesen, Sharon\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/14804371/\",\"name\":\"Forst, Judith\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1985],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6220/Reading in BC_McS199_1041(1).jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1041-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:33:29\",\"precision\":\"\",\"size\":\"31.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1041-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:36:33\",\"precision\":\"\",\"size\":\"34.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-03-27\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670554173702146,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5859","cataloger_name":["Nina,Fesenko"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Martin J. Lowry reading at SFU Friends of the Library lecture series #1042"],"item_title_source":["cassette and j-card"],"item_title_note":["Label indicates confusion over whether the name is \"Malcolm\" or \"Martin\" - based on lecture content and titles written under name of Martin J. Lowry, \"Martin\" seems to be correct\nLiner notes: see the photo in the material description"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Lowry, Martin J."],"creator_names_search":["Lowry, Martin J."],"creators":["[{\"url\":\"\",\"name\":\"Lowry, Martin J.\",\"dates\":\"\",\"notes\":\"No VIAF profile but found some of his publications:\\n\\\"The 'New Academy' of Aldus Manutius: a Renaissance dream\\\" (1976)\\n\\\"The World of Aldus Manutius: Business and Scholarship in Renaissance Venice. Cornell University Press\\\" (1979)\\n\\\"Nicholas Jenson and the Rise of Venetian Publishing in Renaissance Europe\\\" (1991)\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6221/Reading in BC_McS199_1042(1).jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1042-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:36\",\"precision\":\"\",\"size\":\"48.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1042-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:35:28\",\"precision\":\"\",\"size\":\"40.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"contents":["Lecture on Italian Renaissance-era books/libraries and Aldus Manutius"],"Note":["[{\"note\":\"Lecture being given to students of SFU Publishing MA program\",\"type\":\"General\"},{\"note\":\"Very quiet with white noise\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670554173702147,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5860","cataloger_name":["Nina,Fesenko"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Steven Galloway reading at SFU Special Collections on March 3, 2009 #1043"],"item_title_source":["cassette and j-card"],"item_title_note":["Liner notes: see the photo in the material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Galloway, Steven"],"creator_names_search":["Galloway, Steven"],"creators":["[{\"url\":\"http://viaf.org/viaf/56945852\",\"name\":\"Galloway, Steven\",\"dates\":\"1975-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[2009],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Very quiet with white noise\"},{\"side\":\"\",\"image\":\"../Uploads/6222/Reading in BC_McS199_1043(1).jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1043-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:32\",\"precision\":\"\",\"size\":\"43.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1043-side-2BLANK.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:39\",\"precision\":\"\",\"size\":\"48.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"Blank.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2009-03-03\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU (Special Collections and Rare Books)\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["SFU (Special Collections and Rare Books)"],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"The sound is from far away and quiet\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670554174750720,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5861","cataloger_name":["Nina,Fesenko"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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(Source: https://en.wikipedia.org/wiki/Canadian_Broadcasting_Centre)\",\"address\":\"Jarvis Street, Toronto, Ontario, Canada\",\"latitude\":\"43.6562555\",\"longitude\":\"-79.374232 \"}]"],"Address":["Jarvis Street, Toronto, Ontario, Canada"],"Venue":["CBC Studio"],"City":["Toronto, Ontario"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIrving Layton – “Mrs. Fornheim, refugee”\n\t\t\t“First snow, Lake Achagan”\n\t\t\t“The Birth of Tragedy”\n\t\t\t“Song for Naomi”\n\t\t\t“Golfers”\n\t\t\t“The Bull Calf”\n\t\t\t“On Seeing the Statuettes”\n\t\t\t“Keine Lazarovich, 1870-1959”\n\t\t\t“Silence, for E.H.”\n\t\t\t“El Caudillo”\n\t\t078\tLeonard Cohen – “What I’m doing here”\n\t\t092\t“You Have the Lovers”\n\t\t130\t“Now of Sleeping”\n\t\t151\t“Style”\n\t\t183\t“Two Went to Sleep”\n\t\t209\t“Nothing Has Been Broken”\n\t\t221\t“These Heroics”\n\t\t233\tGeorge Bowering – “Grandfather”\n\t\t259\t“Moonshadow”\n\t\t280\t“Breaking Up, Breaking Out”\n\t\t294\t“The Descent”\n\t\t402\tGwendolyn MacEwen – “The Garden of Square Roots”\n\t\t429\t“Thou Jacob”\n\t\t448\t“The Thing is Violent”\n\t\t467\t“Arcanum One”\n\t\t491\t“Arcanum Two”\n\t\t518\t“Arcanum Three”\n\t\t550\t“The Caravan”\n\t\t570\t“The Self Assumes”"],"Note":["[{\"note\":\"Tape 1 is missing\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670554174750722,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5863","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Gerry Gilbert Reading at SFU on November 23, 1976 part 1 of 2 #452a"],"item_title_source":["cassette and j-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Gilbert, Gerry","Bowering, George"],"creator_names_search":["Gilbert, Gerry","Bowering, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Presenter\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6227/Reading in BC_MsC199_452a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"452-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:06:46\",\"precision\":\"\",\"size\":\"67.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"452-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:49\",\"precision\":\"\",\"size\":\"30.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-11-23\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tGeorge Bowering introduces Gerry Gilbert\n\t\t015\tGilbert talks about meeting Birney at UBC in the late 50’s.\n\t\t\tBirney suggested the Iowa writer’s workshop, then told him about “Tish”\n\t\t039\tIn the late 60’s the idea was “collage or perish” Now it is “straight writing”\n\t\t045\tReads “Starshit”\n\t\t051\t“Right here”\n\t\t060\t“Mass”\n\t\t070\t“and how”\n\t\t076\t“I’m going there now”\n\t\t084\tReads sequence from From Next Spring\n\t\t\t“Thanksgiving, 1976”\n\t\t096\t“The silence is more than we can hear”\n\t\t114\t“each other”\n\t\t130\t“your sure lightness”\n\t\t139\t“Canada isn’t an invention”\n\t\t152\t“That’s my old cup”\n\t\t190\t“Where were you Monday afternoon”\n\t\t230\tReads the Captions for 15 photographs of a tacky blues singer running From Burnaby Art Gallery to Vancouver City Hall\n\t\t276\tReads From a sequence called Due East, numbers 11 to 16\n\t\t331\tReads from his First book, White Lunch, from 1964\n\t\t\t-\tA version consisting of the cut-up then reconstructed \n\t\t\t-\tOriginal text\n\t\t525\tSections from From Next Spring\n\t\t527\t“You know the end of July”\n\t\t560\t“This place used to be called Eng’s”\n\t\t593\t“Prior to Union”\n\t\t691\t“Hero Duty”\n\t\t753\t“Giddy”\n\t\t778\t“A Dream”\n\t\t800\tTape ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554174750725,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5866","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Allen Ginsberg, Stokeny Carmichael, R.D. Laing - Discussion and Questions in England, July 1967 #456\n"],"item_title_source":["cassette and j-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ginsberg, Allen","Laing, R.D. (Ronald David)","Carmichael, Stokely"],"creator_names_search":["Ginsberg, Allen","Laing, R.D. (Ronald David)","Carmichael, Stokely"],"creators":["[{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen \",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\" http://viaf.org/viaf/14772266\",\"name\":\"Laing, R.D. (Ronald David)\",\"dates\":\"1927-1989\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/56766707\",\"name\":\"Carmichael, Stokely\",\"dates\":\"1941-1998\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1967],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6228/Reading in BC_MsC199_456.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"456-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:37\",\"precision\":\"\",\"size\":\"45.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"456-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:19\",\"precision\":\"\",\"size\":\"20.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1967-07\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"The United Kingdom (England) \",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["The United Kingdom (England) "],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tDiscussion on the personal nature of violence\n\t\t022\tRonald Laing speaks.  He talks about the use of drugs to suppress automatic ego reaction\n\t\t105\tAllen Ginsberg talks about racial violence and violence to the planet\n\t\t139\tThe necessity to abandon middle class values\n\t\t177\tGinsberg talks about the desire of the hippy movement to explore non-western cultures\n\t\t227\tDiscussion of rebel literature.  Ginsberg reads a passage from William Burroughs\n\t\t291\tThird World self determination\n\t\t312\tR.D. Laing talks about hippies’ experimentation with societal forms, and the necessity of reducing authoritarian violence\n\t\t338\tCarmichael talks about the stable economic background of the hippies\n\t\t386\tCarmichael says that individualism is a luxury that the third world can’t afford\n\t\t404\tGinsberg talks about a return to “mammal nature” rather than a return to destructive western culture\n\t\t529\tThe situation of blacks in England – much more apathy than in America or Africa\n\t\t620\tDiscussion of Carmichaels attitude towards violence\n\t\t650\tCarmichael says he would rather white liberals directed their energy to a transformation in their own society, and did not sympathize with blacks\n\t\t778\tCarmichael talks about Cecil B. Rhodes\n\t\t809\tGinsberg ends the argument by chanting\nTwo\t\t000\tGinsberg chanting\n\t\t129\tStokely Carmichael speaks about cultural imposition, white liberals, and black rights\n\t\t248\tLaing speaks about cruelty and violence in western society\n\t\t434\tQuestions regarding the political relevance of white liberalism, Vietnam, & wartime economy\n\t\t561\tCooper speaks of the necessity of violence\n\t\t600\tGinsberg questioned about Bhuddism and Hinduism\n\t\t691\tTape ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554179993600,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5867","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Allen Ginsberg Reading Howl and other poems Duplicate 1 #459a"],"item_title_source":["cassette and j-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ginsberg, Allen"],"creator_names_search":["Ginsberg, Allen"],"creators":["[{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen \",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6231/Reading in BC_MsC199_459a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card \"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"459a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:50\",\"precision\":\"\",\"size\":\"29.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"459a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:22\",\"precision\":\"\",\"size\":\"30.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t03\t“Howl” both channels\n\t\t23\t“Howl” continues on chan 2 but chan 1 becomes garbled with another recording\n\t\t36\tBoth channels resume with “howl”\n\t\t172\t“Howl” pt.2\n\t\t222\t“Howl” pt.3\n\t\t258\t“The Sunflower Sutra”\n\t\t322\t“Footnote to Howl”\n\t\t368\t“A Supermarket In California”\n\t\t406\t“Transcription of Organ Music”\n\t\t464\t“America”\n\t\t541\t“In Back of the Rio”\n\t\t555\t“A Strange New Cottage in Berkeley”\n\t\t572\t“Europe, Europe”\n\t\t631\t“Strange Now to Think of You”\n\t\t837\tEnd of Ginsberg’s reading\n\t\t839\tChan 2 only – unknown reader – Howesound parents and citizens committee announcement\n\t\t894\tUnknown reader – a Charles Olson poem\n\t\t\tMiscellaneous sounds to end"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554181042176,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5868","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 27 at SFU on  December 3, 1973 #686"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 27 Dec. 3, 1973; W. C. Williams: Paterson Book V concl."],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6232/Reading in BC_MsC199_686.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Bowering_686 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:16\",\"precision\":\"\",\"size\":\"35.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Bowering_686 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:16\",\"precision\":\"\",\"size\":\"36.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-12-03\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting\n"],"contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0033\nWe ‘zoom’ into Section 3 of Book V, with the Brueghel painting, which is discussed in great detail\n0130\nThe particularity of Brueghel’s work is compared to the local work that Williams picks up on. More discussion of Brueghel follows\n0232\nThe relation between gifts and art is mentioned\n0276\nThe particularity of Brueghel’s Joseph scene is immediately followed and associated with the local work\n0299\nThe letter from Edward is discussed\n0320\nThe connection between art and the imagination as escapes of death is seen in Book V. The tapestries stayed 500 years\n0400\nThe serpent with a tail in its mouth is discussed\n0448\nThe unicorn appears, to Bowering, as an image of art as a record of the imagination, where love is engendered\n0483\nOn the significance of digging in Paterson\n0504\nThe flowers of particularity in relation to the unicorn’s capture is touched upon. The description of every kind of flower hints that by showing the whole of the world, the magical qualities embodied in the unicorn may be appreciated\n0601\nThe last page of Book V is gone through line by line\n0639\nThe significance of ‘in-ter-vention’\n0696\n‘Assume’ is linked to the Hamiltonian ‘appropriate’\n0706\n“The unicorn is not going to leap into your garden if you do not make the effort to be ready for it, if you don’t have a virgin out there to capture it”, notes Bowering\n0735\nBowering was initially bothered by the end lines of Book V, but the tape cuts short before he can explain how he resolved this\n0764\nEnd\nTwo\nSide Two is blank"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670554181042177,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5869","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 28 at SFU on December 4, 1973 #687"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 28 Dec. 4, 1973; Charles Olson: Introduction and Maximus poems"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6233/Reading in BC_MsC199_687.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Bowering_687 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:42\",\"precision\":\"\",\"size\":\"38.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Bowering_687 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:20\",\"precision\":\"\",\"size\":\"35.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-12-04\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0036\nBowering gives a definition of Olson’s Maximus – Maximus is not a persona for Charles Olson; it is a metaphor\n0060\nOlson bases Maximus at Gloucester, Massachusetts\n0083\nBowering quotes from Letter 3 (3), and notes that one of the first questions one must ask upon reading poetry is “Who am I?”\n0117\nBowering discusses the geography of Gloucester as a small island and seaport\n0152\nOlson’s major themes are:\n1) Man should not exploit nature beyond his necessities\n2) Man should not assume that he be placed above nature, but rather be part of it\n3) Men should live communally and not exploit each other\n4) Men cannot exploit nature or others without exploiting themselves\n0250\nBowering quotes from an 1804 translation of Maximus of Tyre\n0323\nOlson goes through a litany of seamen and fishermen and their enemies through the three or four hundred year history of Maximus itself, reflects Bowering\n0327\nOlson felt that men, or artists, or poets go wrong when they demand more than they need, or more than nature can give. He is totally opposed to money being used to make money\n0383\nOlson’s enemies are greed, pride, and ambition, because they stop the mutual feeding processes in nature and man\n0441\nOlson noted that death begins to enter as soon as one begins to prefer society over the cosmos\n0458\nBowring quotes again from Maximus of Tyre\n0483\nBowering discusses the distinction between the source of the line and the source of the syllable\n0628\nOlson sees that the natural process in the world, most clearly seen in the ocean and the trees, is always shifting and always unfolding, and it is in opposition to advertising, the profit motive, exploitive power, the sprawling ego, and so forth, those cancers which seek to grow ever larger and feed themselves upon the death of others\n0652\nOlson said that you have to pay a moment-to-moment close attention to detail in reading his poems-you will not get an artifact at the end of his poem-you must pay attention to keep the poems from using you or to keep you from using the poem\n0682\nBowering notes that the poem’s use is to deliver news of the real, not to encapsulate reality\n0702\nBowering quotes from “Letter 22” of Maximus\n0738\nEnd of Lecture\nTwo\nSide two is blank"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670554181042178,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5870","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 29 at SFU on December 6, 1973 #688"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 29 Dec. 6, 1973; Charles Olson: Letters and songs of Maximus"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6234/Reading in BC_MsC199_688.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Bowering_688 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:19\",\"precision\":\"\",\"size\":\"34.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Bowering_688 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:38\",\"precision\":\"\",\"size\":\"28.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-12-06\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0027\nBowering begins by looking at a passage in Section 2 of Letter 3 of Maximus\n0060\nThe movement in Maximus is: your earth – your community – your language – the sources of your language – the depths of Tartarus\n0090\nThe braid image in Letter 1 is discussed\n0105\nBowering discusses the semantics of the words ‘true’, ‘actual’, and ‘real’\n0145\nDiscussion of Olson’s reluctance to create artifacts\n0190\nOlson’s ideas on history and the poem are discussed. Olson wanted the actual to be evident\n0215\nOn the difficulty of reading Olson\n0283\n“What we have in Gloucester,” notes Bowering, “is a perfect location for…”\n0320\nOlson’s perceptions on the mechanisms of being cut off from your roots forms a topic of discussion\n0375\nLetter 9 in Maximus and the bee image and the immediate\n0445\n‘The Songs of Maximus’ is discussed, and Bowering notes that the poem is at its most powerful when it is heard\n0540\nThe image of dirty postcards is touched upon\n0580\nThe irony of not knowing your own city after being raised in it (so that it should be reflected in your very being) because of the words that are laid on top of it in description\n0643\nThe flat Earth Society\n0710\nThe importance of Herodotus\n0736\nMaximus Letter 2\n0782\nEnd of lecture\nTwo\nSide Two is blank"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670554181042179,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5871","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Terry Southern, William S. Burroughs, John Giorno, and Patti Smith at The Nova Convention, November 30, 1978 to December 2, 1978 Tape 1 of 2  #599"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: \nTERRY SOUTHERN: Vingette of Idealistic Life in South Texas, 1:25 mins.\nWILLIAM S. BURROUGHS: Keynote commentary & Roosevelt After Inauguration, 5:52 mins.\nJOHN GIORNO: Eating The Sky, 13:30 mins.\nPATTI SMITH: Poem for Jim Morrison & Bumblebee, 11:45 mins."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Southern, Terry","Smith, Patti","Giorno, John","Gysin, Brion","Zappa, Frank","Burroughs, William Seward"],"creator_names_search":["Southern, Terry","Smith, Patti","Giorno, John","Gysin, Brion","Zappa, Frank","Burroughs, William Seward"],"creators":["[{\"url\":\"https://viaf.org/viaf/54154501/\",\"name\":\"Southern, Terry\",\"dates\":\"1924-1995\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/84037206\",\"name\":\"Smith, Patti\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/84168002\",\"name\":\"Giorno, John\",\"dates\":\"1936-2019\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/100267599\",\"name\":\"Gysin, Brion\",\"dates\":\"1916-1986\",\"notes\":\"Introduction of William S. Burroughs by Brion Gyson;\\nBrion Gysin Introductory Comments\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/100234697\",\"name\":\"Zappa, Frank\",\"dates\":\"1940-1993\",\"notes\":\"Frank Zappa Reads Burroughs “The Talking Asshole” from Naked Lunch\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/108916275\",\"name\":\"Burroughs, William Seward\",\"dates\":\"1914-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6235/Reading in BC_MsC199_599.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"599-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:16\",\"precision\":\"\",\"size\":\"37.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"599-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:00\",\"precision\":\"\",\"size\":\"39.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-11-30\",\"type\":\"Performance Date\",\"notes\":\"Convention was from Nov. 30, 1978 to Dec. 2, 1978\",\"source\":\"J-card\"},{\"date\":\"1978-12-02\",\"type\":\"Performance Date\",\"notes\":\"Convention was from Nov. 30, 1978 to Dec. 2, 1978\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/247852538\",\"venue\":\"Village East Cinema\",\"notes\":\"Formerly called Entermedia Theatre.\",\"address\":\"181-189 2nd Ave, New York City, New York\",\"latitude\":\"40.7309\",\"longitude\":\"-73.98652\"}]"],"Address":["181-189 2nd Ave, New York City, New York"],"Venue":["Village East Cinema"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t#599\t\tTime: 32:32 mins.\n\t\t000\t\n\t\t004\tTerry Southern “Vignette of Idealistic Life in South Texas”\n\t\t017\tMaster of Ceremonies Comments\n\t\t019\tWilliam S. Burroughs Keynote Commentary [Philosophy of The Nova Convention] \n\t\t036\t“Roosevelt After Inauguration”\n\t\t082\tJohn Giorno “Eating the Sky” [a duet with himself]\n\t\t246\tPatti Smith Comments concerning Keith Richards, The Nova Convention and other related or unrelated subjects\n\t\t329\t“Poem for Jim Morrison”\n\t\t362\t“Bumblebee”\n\t\t530\tSide 1 ends\nTwo\t\t\tTime: 32:42 mins.\n\t\t000\t\n\t\t010\tIntroduction of William S. Burroughs by Brion Gyson\n\t\t037\tWilliam S. Burroughs “Letter from Dr. Benway in Jonestown”\n\t\t049\tPhilip Glass “Building” from Einstein On The Beach\n\t\t084\tBrion Gysin Introductory Comments\n\t\t094\t“Kick that Habit”\n\t\t106\t“Junk is No Good Baby”\n\t\t128\t“Somebody Special”\n\t\t142\t“Blue Baboon Blues”\n\t\t169\tFrank Zappa Reads Burroughs “The Talking Asshole” from Naked Lunch\n\t\t239\tWilliam S. Burroughs “This is Kim Carson” from Place of the Dead Roads\n\t\t268\t“The Collapse of Any Currency”\n\t\t297\t“The Whole Tamale”\n\t\t375\t“The Coming of the Purple Better One”\n\t\t425\t“The Aggressive Southern Ape May block Your Way to Space”\n\t\t524\tSide 2 ends\n\n"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670554182090752,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5872","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["William S. Burroughs, Ed Sanders, John Cage, and Anne Waldman at The Nova Convention, November 30, 1978 to December 2, 1978 Tape 2 of 2 #600\n\n \t"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: \nWILLIAM S. BURROUGHS: What The Nova Convention Is About, 2:35 mins.\nED SANDERS: Hymn to Aphrodite from Sappho, 8:50 mins.\nJOHN CAGE: Writing for the Second Time Through Finnegans Wake, 14:15 mins\nANNE WALDMAN: Plutonium Ode & Skin Meat Bones, 6:35 mins."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Waldman, Anne","Cage, John","Heyward, Julia","Anderson, Laurie","Ginsberg, Allen","Orlovsky, Peter","Burroughs, William Seward","Leary, Timothy","Levine, Les","Wilson, Robert Anton","Gysin, Brion","Sanders, Ed"],"creator_names_search":["Waldman, Anne","Cage, John","Heyward, Julia","Anderson, Laurie","Ginsberg, Allen","Orlovsky, Peter","Burroughs, William Seward","Leary, Timothy","Levine, Les","Wilson, Robert Anton","Gysin, Brion","Sanders, Ed"],"creators":["[{\"url\":\"http://viaf.org/viaf/84079610\",\"name\":\"Waldman, Anne\",\"dates\":\"1945-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/71577292\",\"name\":\"Cage, John\",\"dates\":\"1914-1992\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/263217430\",\"name\":\"Heyward, Julia\",\"dates\":\"1949-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/39646022\",\"name\":\"Anderson, Laurie\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/34654554\",\"name\":\"Orlovsky, Peter\",\"dates\":\"1933-2010\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/108916275\",\"name\":\"Burroughs, William 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-11-30\",\"type\":\"Performance Date\",\"notes\":\"Convention was from Nov. 30, 1978 to Dec. 2, 1978\",\"source\":\"J-card\"},{\"date\":\"1978-12-02\",\"type\":\"Performance Date\",\"notes\":\"Convention was from Nov. 30, 1978 to Dec. 2, 1978\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/247852538\",\"venue\":\"Village East Cinema\",\"notes\":\"Formerly called Entermedia Theatre.\",\"address\":\"181-189 2nd Ave, New York City, New York\",\"latitude\":\"40.7309\",\"longitude\":\"-73.98652\"}]"],"Address":["181-189 2nd Ave, New York City, New York"],"Venue":["Village East Cinema"],"content_notes":["SFU BC Readings formatting"],"contents":["Three\t#600\t\tTime: 32:35 mins.\n\t\t000\t\n\t\t004\tWelcome To The Nova Convention Agenda [Listing of Speakers]\n\t\t010\tWilliam S. Burroughs “What The Nova Convention is About”\n\t\t033\tEd Sanders Reading “Hymn to Aphrodite” by Sappho\n\t\t064\tReading “The Lily” and “The Question Answered” by William Blake; also “Hymn to Aphrodite” in the original Greek\n\t\t133\tJohn Cage Introductory Comments\n\t\t163\t“Writing for the Second Time Through Finnegans Wake”\n\t\t318\tUnknown Woman “It, It Looks…”\n\t\t342\tAnne Waldman “Plutonium Ode”\n\t\t369\t“Skin, meat, bones”\n\t\t533\tSide 3 ends\nFour\t\t\tTime: 33:00 mins.\n\t\t000\t\n\t\t006\tIntroduction\n\t\t010\tLaurie Anderson and Julia Heyward “Song from America on the Move”\n\t\t148\tAllen Ginsberg “Punk Rock”\n\t\t162\t“Old Pond”\n\t\t220\tPeter Orlovsky “Feeding Them Raspberries To Grow”\n\t\t263\tAllen Ginsberg Concise Introduction \n\t\t267\t“Nurses Song”\n\t\t323\tConversations [Burroughs, Gysin, Dr. Timothy Leary, Les Levine and Robert Anton Wilson] Gist of the conversations is “Space”. Individual members of the group didactically explain their view of “Space”. Much flattery is extended to Burroughs by the rest of the group\n\t\t535\tSide 4 ends"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670554182090753,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5873","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["St. Mark's Poetry Project: Edith Jarolim lecture on editing Paul Blackburn in New York City, 1983 #601"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Jarolim, Edith","Blackburn, Paul"],"creator_names_search":["Jarolim, Edith","Blackburn, Paul"],"creators":["[{\"url\":\"https://viaf.org/viaf/53095842/\",\"name\":\"Jarolim, Edith\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/29555679\",\"name\":\"Blackburn, Paul\",\"dates\":\"1926-1971\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Performance_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6237/Reading in BC_MsC199_601.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"601-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:04\",\"precision\":\"\",\"size\":\"50.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"601-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:05\",\"precision\":\"\",\"size\":\"48.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/241844932\",\"venue\":\"St. Mark's Church\",\"notes\":\"\",\"address\":\"131 E. 10th Street, New York, NY\",\"latitude\":\"40.7303\",\"longitude\":\"-73.98727\"}]"],"Address":["131 E. 10th Street, New York, NY"],"Venue":["St. Mark's Church"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t001\tIntroduction\n\t\t\t*”Let Them Quarry Cleanly” – title of lecture\n\t\t\t*Background on Edith [Jerolin’s] academic career to date\n\t\t018\tLecture begins\n\t\t021\tDiscusses Blackburn’s work on the Poetry\n\t\t026\tDiscussion of Blackburn’s life\n\t\t\t*Reading from a grant application Blackburn wrote in mid-60’s\n\t\t\t*Continues from there onwards\n\t\t050\tBlackburn’s influence on fellow poets\n\t\t\t*He was an angel\n\t\t066\tHis work, his “good ear”\n\t\t072\tBlackburn’s theory [or rather lack of]\n\t\t078\t“He wrote very little criticism”\n\t\t\t*Letter to Robert Creeley is read aloud\n\t\t091\tHis work\n\t\t\t*Minor works\n\t\t\t*Major works\n\t\t103\t[Jerolin] on editing Blackburn’s complete work\n\t\t\t*Changes in editing and publishing\n\t\t\t*Posthumous legacy and methodology\n\t\t128\tThe title of the lecture explained\n\t\t144\tCome genres of Blackburn’s poetry\n\t\t166\tBlackburn’s attitude toward his text\n\t\t\t*Revision, reproduction, etc.\n\t\t185\tEditing and publishing techniques in the later 20th century\n\t\t\t*Blackburn’s poems were to be found in many different places and forms\n\t\t295\t*The small, many temporary magazines in which Blackburn’s poems appeared, sometimes under alias\n\t\t348\tThe many versions of Blackburn’s poems\n\t\t409\t*His lack of sequenal patterns\n\t\t523\t[Jerolin’s] trouble, organizing a chronology\n\t\t\t*Compare typeface of letters – which were dated – and of poems\n\t\t556\tLecture suddenly ends in mid-sentence\n\t\t613\tSide 1 ends\nTwo\t\t000\t\n\t\t027\tLecture begins where it left off\n\t\t\t*Comparing typefaces\n\t\t038\tDating the poems in a biographical sense\n\t\t\t*Events in his life, events of a poem\n\t\t\t*Letters and the addresses on them\n\t\t058\tDating the love poems\n\t\t090\tBlackburn and Creeley\n\t\t111\tConclusion, reiterating the themes of the lecture\n\t\t116\t[Jerolin] consents to a Question and Answer Session\n\t\t119\t*First question inaudible\n\t\t124\t*Question on method of establishing dates in relation to the typewriter Blackburn may have been using\n\t\t128\t*Third question inaudible – something to do with drafts\n\t\t139\t*Fourth question on did [Jerolin] “grow tired or grow to like Blackburn’s poems more” as she worked on the editing process\n\t\t149\t*Fifth question: “Did he publish the same poem several times?”\n\t\t161\t*Sixth question, basically inaudible, something to do with image poetry and the Black Mountain poets\n\t\t175\t*Seventh question, again basically inaudible, but something to do with revision methods\n\t\t189\t*Eighth question on the casual qualities of Blackburn’s poems\n\t\t205\t*Follow-up question, mainly inaudible\n\t\t222\t*Ninth question: “Did Blackburn keep a large number of the magazines in which his work was published?”\n\t\t235\t*Follow-up question on the ‘orbitary’ nature of small magazine publishing\n\t\t255\t*Discussion by [Jerolin] on poems that Blackburn did not intend for publishing\n\t\t\t*Editorial principle\n\t\t278\t*Tenth question, what to include, what not to\n\t\t292\t*Eleventh question and [Jerolin’s] reply are basically inaudible\n\t\t319\tQuestion and Answer Session ends\n\t\t320\tConcluding remarks, announcements on forthcoming lectures at the Poetry Project\n\t\t334\tPeople file out\n\t\t617\tSide two ends"],"Note":["[{\"note\":\"A few minutes of silence at beginning of each side of the tape\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670554182090754,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5874","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Louky Bersianik reading her own work on March 10, 1983 #602"],"item_title_source":["cassette and j-card"],"item_language":["French"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Durand, Lucille"],"creator_names_search":["Durand, Lucille"],"creators":["[{\"url\":\"https://viaf.org/viaf/27094343/\",\"name\":\"Durand, Lucille\",\"dates\":\"1930-2011\",\"notes\":\"Pen name Louky Bersianik\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6238/Reading in BC_MsC199_602.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"602-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:50\",\"precision\":\"\",\"size\":\"64.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"602-side-2 - blank.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:46\",\"precision\":\"\",\"size\":\"64.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-03-10\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Note":["[{\"note\":\"High-pitched squeal for first 40 seconds. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670554183139328,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5875","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Vic d'Or, Robertson, and Eugene Chadbourne at Parachute Studio #603"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Coleman, Victor","Chadbourne, Eugene","Robertson"],"creator_names_search":["Coleman, Victor","Chadbourne, Eugene","Robertson"],"creators":["[{\"url\":\"https://viaf.org/viaf/38160442/\",\"name\":\"Coleman, Victor\",\"dates\":\"1944-\",\"notes\":\"Vic d'Or the name they went by as a poet.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/14969931\",\"name\":\"Chadbourne, Eugene\",\"dates\":\"1954-\",\"notes\":\"American jazz guitarist\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Robertson\",\"dates\":\"\",\"notes\":\"The role might be different \",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6239/Reading in BC_MsC199_603.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"603-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:49\",\"precision\":\"\",\"size\":\"31.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"603-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:45\",\"precision\":\"\",\"size\":\"32.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Parachute Studio\",\"notes\":\"\",\"address\":\"San Diego, CA, USA\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["San Diego, CA, USA"],"Venue":["Parachute Studio"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t001\t“Take me to your leader”\n\t\t002\t“Environment Minister Jean Marson said…” [with piano and handbells]\n\t\t036\tIntroduction to next poem\n\t\t041\t“The October Frankins” [with Chadbourne on guitar]\n\t\t143\t“The October Frankins” ends\n\t\t144\tA break in the tape begins\n\t\t151\tTape comes back on\n\t\t152\t“The Scene” [with musical accompaniment]\n\t\t404\tTape ends suddenly\n\t\t408\tSide 1 ends\nTwo\t\t000\t\n\t\t001\t“The first time I heard about Bob Hope…”\n\t\t016\tIntroduction to “Psychious Sex”\n\t\t024\t“Psychious Sex” [with musical interludes]\n\t\t091\t“I just reach up and turn the light off”\n\t\t120\t“Forget, forget, you’ve got to forget”\n\t\t170\tTape seems to repeat previous poem over and over\n\t\t187\tLiverpool accent in a pub is to be heard faintly on the tape\n\t\t204\tThe Liverpool accent and another voice become much clearer and continue\n\t\t399\tA conversation with someone on the street\n\t\t409\tSide 2 ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554183139329,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5876","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Caedmon Treasury of Modern Poets Reading: Gertrude Stein, Archibald MacLeish, E.E. Cummings, Marianne Moore, William Empson, Stephen Spender, Conrad Aiken, Robert Frost, William Carlos Williams, Richard Eberhart, Ezra Pound, and Richard Wilbur reading #604"],"item_title_source":["cassette and j-card"],"item_title_note":["For full J-card information, including poems read, see material photo.\n"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Stein, Gertrude","MacLeish, Archibald","Cummings, E. E.","Moore, Marianne","Empson, William","Spender, Stephen","Aiken, Conrad","Frost, Robert","Williams, William Carlos","Eberhart, Richard","Pound, Ezra","Wilbur, Richard"],"creator_names_search":["Stein, Gertrude","MacLeish, Archibald","Cummings, E. E.","Moore, Marianne","Empson, William","Spender, Stephen","Aiken, Conrad","Frost, Robert","Williams, William Carlos","Eberhart, Richard","Pound, Ezra","Wilbur, Richard"],"creators":["[{\"url\":\"http://viaf.org/viaf/22149082\",\"name\":\"Stein, Gertrude\",\"dates\":\"1874-1946\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/85172667/\",\"name\":\"MacLeish, Archibald\",\"dates\":\"1892-1982\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/12306931/\",\"name\":\"Cummings, E. E.\",\"dates\":\"1894-1962\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/61562401/\",\"name\":\"Moore, Marianne\",\"dates\":\"1887-1972\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/34474006\",\"name\":\"Empson, William\",\"dates\":\"1906-1984\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/39398656\",\"name\":\"Spender, Stephen\",\"dates\":\"1909-1995\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/71433883/\",\"name\":\"Aiken, Conrad\",\"dates\":\"1889-1973\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/32010055/\",\"name\":\"Frost, Robert\",\"dates\":\"1874-1963\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/92754332\",\"name\":\"Williams, William Carlos\",\"dates\":\"1883-1963\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/97788157/\",\"name\":\"Eberhart, Richard\",\"dates\":\"1904-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/24606774\",\"name\":\"Pound, Ezra\",\"dates\":\"1885-1972\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/14804371/\",\"name\":\"Wilbur, Richard\",\"dates\":\"1921-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6240/Reading in BC_MsC199_604.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"604-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:40\",\"precision\":\"\",\"size\":\"46.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"604-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:37\",\"precision\":\"\",\"size\":\"47.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tTime: 25 mins.\n\t\t000\t\n\t\t004\tGertrude Stein: “If I Told Him” [A Completed Portrait of Picasso]\n\t\t039\tArchibald MacLeigh: “Epistle to be Left in the Earth”\n\t\t061\tE.E. Cummings: “What if a much of a which of a wind”\n\t\t082\tE.E. Cummings: “sweet spring is your”\n\t\t102\tMarianne Moore: “What are Years”\n\t\t115\tWilliam Empson: “Missing Dates”\n\t\t131\tStephen Spender: “I think continually of those”\n\t\t153\tStephen Spender: “Seascape”\n\t\t181\tConrad Aiken: “Tetelestai”\n\t\t427\tSide 1 ends\nTwo\t\t\tTime: 22 mins.\n\t\t000\t\n\t\t016\tRobert Frost: “Birches”\n\t\t046\tRobert Frost: “After Apple-Picking”\n\t\t067\tWilliam Carlos Williams: “The Seafarer”\n\t\t078\tWallace Stevens: “The Idea of Order at Key West”\n\t\t133\tRichard Eberhart: “The Groundhog”\n\t\t166\tEzra Pound: “Moeurs Contemporaines”\n\t\t245\tRichard Wilbur: “Love Calls Us to the Things of This World”\n\t\t431\tSide 2 ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554183139330,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5877","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["James Broughten reads songs from A Long Undressing, 1987 #605"],"item_title_source":["J-card and inventory"],"item_title_note":["For full J-card information, including song titles, see photo."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Broughton, James"],"creator_names_search":["Broughton, James"],"creators":["[{\"url\":\"http://viaf.org/viaf/22263700\",\"name\":\"Broughton, James\",\"dates\":\"1913-1999\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Publication_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6241/Reading in BC_MsC199_605.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\" Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"605-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:18:29\",\"precision\":\"\",\"size\":\"17.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"605-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:18:38\",\"precision\":\"\",\"size\":\"18.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987\",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tTime: 18 mins.\n\t\t000\t\n\t\t002\tSongs for Anxious Children\n\t\t096\tSongs for Certain Amorists\n\t\t220\tThe Water Circles\n\t\t275\tSide 1 ends\nTwo\t\t\tTime: 17 mins.\n\t\t000\t\n\t\t004\tTidings from the Sea\n\t\t115\tAll About It\n\t\t276\tSide 2 ends\n\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554184187904,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5878","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["James Broughton reads Graffit for the Johns of Heaven, 1987 #606"],"item_title_source":["J-card and inventory"],"item_title_note":["For full J-card information, including titles, see photo."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Broughton, James"],"creator_names_search":["Broughton, James"],"creators":["[{\"url\":\"http://viaf.org/viaf/22263700\",\"name\":\"Broughton, James\",\"dates\":\"1913-1999\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Publication_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6242/Reading in BC_MsC199_606.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"606-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:28\",\"precision\":\"\",\"size\":\"43.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"606-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:41\",\"precision\":\"\",\"size\":\"42.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987\",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tTime: 23:40 mins.\n\t\t000\tIntroduction: Dedications\n\t\t005\tSins of Emission\n\t\t192\tMash Notes to God\n\t\t407\tSide 1 ends\nTwo\t\t\tTime: 29:47 mins.\n\t\t000\t\n\t\t003\tMash Notes to God continued\n\t\t081\tPrivate Exposures\n\t\t409\tSide 2 ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554184187905,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5879","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["James Broughton reads Ecstasies, 1987 #607"],"item_title_source":["J-card and inventory"],"item_title_note":["For full J-card information, including titles, see photo."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Broughton, James"],"creator_names_search":["Broughton, James"],"creators":["[{\"url\":\"http://viaf.org/viaf/22263700\",\"name\":\"Broughton, James\",\"dates\":\"1913-1999\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Publication_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6243/Reading in BC_MsC199_607.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"607-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:40:30\",\"precision\":\"\",\"size\":\"52.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"607-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:35:18\",\"precision\":\"\",\"size\":\"45.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987\",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tTime: 35:15 mins.\n\t\t000\tIntroduction\n\t\t003\tThe Coming of the Beloved\n\t\t004\t   “Wondrous the Merge”\n\t\t067\t   “The Aisles of Eden”\n\t\t101\t   “The Bliss of With”\n\t\t151\t   “Quench”\n\t\t158\t   “I have the God”\n\t\t170\t   “Leaving the Taj Mahal”\n\t\t183\t   “The Angels of Ignacio”\n\t\t199\tHymns to Hermes\n\t\t201\t   “Hermes My Evus”\n\t\t212\t   “Piapic Godfather”\n\t\t223\t   “Hermes My Master Chef”\n\t\t235\t   “Lord of the Boys”\n\t\t250\t   “Hermes My Bacchus”\n\t\t259\t   “Hierophant Hermes”\n\t\t274\t   “Bear of Heaven”\n\t\t289\t   “Hermes Bringer of Heats”\n\t\t308\t   “Hermes My Bushwacker”\n\t\t318\t   “Hermes My Shiria”\n\t\t338\t   “Arsonist of My Body”\n\t\t352\t   “Hermes Bird”\n\t\t447\tSide 1 ends\nTwo\t\t\tTime: 33:45 mins.\n\t\t000\t\n\t\t002\tMysteries of the Godbody\n\t\t003\t   “Dance of the Godbody”\n\t\t022\t   “Song of the Godbody”\n\t\t062\t   “Canticle”\n\t\t070\t   “Credo of the Godbody”\n\t\t092\t   “Litany of the Godbody”\n\t\t099\t   “Sermon”\n\t\t109\t   “Ave Maria Godbody”\n\t\t116\t   “Confession”\n\t\t128\tThe Immanence of Angels\n\t\t129\t   “Brothers of the Singing Void”\n\t\t144\t   “Paean for Pan”\n\t\t154\t   “Mornings in Nepal”\n\t\t187\t   “Afternoons in Ceylon”\n\t\t216\t   “Going Through Customs”\n\t\t248\t   “To the Fire-Bearers of Sagittarius”\n\t\t272\t   “Here Comes Your Messiah”\n\t\t308\tShaman Psalm\n\t\t448\tSide 2 ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554184187906,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5880","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Okeanos: Poetry from the Sea #609"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6245/Reading in BC_MsC199_609.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"609-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:48\",\"precision\":\"\",\"size\":\"32.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"609-side-2 - blank.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:16\",\"precision\":\"\",\"size\":\"39.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting\n"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t003\t“Water were not, they say…”\n\t\t020\t“In the beginning…”\n\t\t024\t“The Sea was born of the earth…”\n\t\t035\t“Where was Earth when…”\n\t\t063\t“In the beginning of the new maid…”\n\t\t086\t“And huge Uranus came…”\n\t\t115\t“Waves coming up…”\n\t\t123\t“If you will lean over the rock…”\n\t\t147\t“Sailors from the sea…”\n\t\t201\t“When we were entering…”\n\t\t228\t“White tails of Heaven’s cordens…”\n\t\t240\t“But if you must go to sea for profit…”\n\t\t242\t“I cried by reason of affliction…”\n\t\t259\t“The sea had jeering kept…”\n\t\t431\tSide 1 ends\nTwo\t\t000\t\n\t\t001\tSide 1 blank\n\t\t432\tSide 2 ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554184187908,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5882","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Michael McClure and Allen Ginsberg reading in Natoma on May 8, 1983 and in San Francisco in Spring 1956 #610"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["McClure, Michael","Ginsberg, Allen"],"creator_names_search":["McClure, Michael","Ginsberg, Allen"],"creators":["[{\"url\":\"http://viaf.org/viaf/71493269\",\"name\":\"McClure, Michael\",\"dates\":\"1932-2020\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6246/Reading in BC_MsC199_610.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"610-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:59:49\",\"precision\":\"\",\"size\":\"61.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"610-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:49\",\"precision\":\"\",\"size\":\"43.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-05-08\",\"type\":\"Performance Date\",\"notes\":\"Michael McClure reading “The Daily Vision” in Natoma\",\"source\":\"J-card\"},{\"date\":\"1956\",\"type\":\"Performance Date\",\"notes\":\"Spring 1956 in San Fransisco \",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/130000\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Natoma, Osborne County, Kansas, United States\",\"latitude\":\"39.1894\",\"longitude\":\"-99.0248\"},{\"url\":\"https://www.openstreetmap.org/relation/111968\",\"venue\":\"\",\"notes\":\"\",\"address\":\"San Francisco, California, United States\",\"latitude\":\"37.7425\",\"longitude\":\"-123.0565\"}]"],"Address":["Natoma, Osborne County, Kansas, United States","San Francisco, California, United States"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t002\tIntroduction\n\t\t006\tMichael McClure\n\t\t026\t   “The Daily Vision” [read in its complete form]\n\t\t521\t   “The Daily Vision” cut off in mid-sentence\n\t\t522\tSide 1 ends\nTwo\t\t000\t\n\t\t001\tMichael McClure reading “The Daily Vision” where it was cut off on Side 1\n\t\t023\tA question and answer period\n\t\t058\tAllen Ginsberg\n\t\t\t   “Howl” [tape cuts in mid-verse]\n\t\t171\t   “Soloman”\n\t\t206\t   “Sunflower Sukra”\n\t\t299\t   “Supermarket”\n\t\t355\t   “America”\n\t\t491\tIntroduction of Robert Creeley reading, Dec. 4th, 1963, in Tucson, Arizona\n\t\t498\tRobert Creeley\n\t\t500\tRobert Creeley cut off in mid-sentence\n\t\t\tRest of Side 2 blank\n\t\t590\tSide 2 ends"],"Note":["[{\"note\":\"Sound warbles; possibly a problem with the digitization.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670554185236480,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5883","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Michael McClure interview with Robert Duncan on August 23, 1984 #611"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["McClure, Michael","Duncan, Robert"],"creator_names_search":["McClure, Michael","Duncan, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/71493269\",\"name\":\"McClure, Michael\",\"dates\":\"1932-2020\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1984],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6247/Reading in BC_MsC199_611.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"611-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:31\",\"precision\":\"\",\"size\":\"42.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"611-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:32\",\"precision\":\"\",\"size\":\"41.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1984-08-23\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t005\tDuncan is asked about his fascination with alchemy and other mystical science\n\t\t110\tDuncan is asked a question about the complexities Bending the Bow\n\t\t150\tDuncan gets “heavy” – questions about the process of construction in his work.  Duncan reiterates mystical process of “Assembly”\n\t\t260\tDuncan is questioned whether he thinks language precedes thought, or thought language\n\t\t280\tDuncan compares mental and physical states\n\t\t320\tDuncan falls into a long monologue about science, existence and other related matters\n\t\t366\tEnd side one\nTwo\t\t000\t\n\t\t003\tDuncan speaks\n\t\t027\t“Shakespeare has equality of souls”\n\t\t040\tDuncan reflects upon Darwin and evolution\n\t\t150\tDuncan recounts Nietzsche’s notion that we are struggling to become children\n\t\t170\tThe discussion focuses upon Jackson Pollock and the nature of the artist\n\t\t280\tDuncan elicits some notion about biological functions rooted to poetry and “life sense”\n\t\t340\tThe interviewer asks Duncan what poets he is reading at present\n\t\t360\tThe speakers recount how the present environment resembles the conditions of the 1950’s\n\t\t396\tEnd side two"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554185236481,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5884","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Marlene Swidzinksi and Angela Hryniuk reading at SFU on November 21, 1985 #612"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: Readings by Marlene Swidzinski and Angela Hryniuk; recorded at SFU on Nov. 21, 1985 by Kurtis Vanel"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Swidzinski, Marlene","Hryniuk, Angela"],"creator_names_search":["Swidzinski, Marlene","Hryniuk, Angela"],"creators":["[{\"url\":\"\",\"name\":\"Swidzinski, Marlene\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"\",\"name\":\"Hryniuk, Angela\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1985],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6248/Reading in BC_MsC199_612.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"612-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:19\",\"precision\":\"\",\"size\":\"23.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"612-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:18\",\"precision\":\"\",\"size\":\"23.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-11-21\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2773\",\"longitude\":\"-122.9218\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tTime: 19:20 mins.\n\t\t000\t\n\t\t004\tIntroduction to both poets\n\t\t010\tMarlene Swidzinski\n\t\t012\t“Winter Poem”\n\t\t015\t“Poem in which she renounces Cowboys”\n\t\t022\t“Housecall”\n\t\t033\t“The Waiting Poem”\n\t\t039\t“They have studied the dreams of humans”\n\t\t044\t“Small talk, Mall talk”\n\t\t057\t“They have studied the dreams of humans”\n\t\t075\t“She held discourse with herself”\n\t\t123\tSwidzinski pauses to announce she will read selections from her manuscript “Heathen “Wine”\n\t\t127\t“Time and/or Space”\n\t\t158\t“Heathen Wine”\n\t\t182\t“Essenses”\n\t\t201\t“Eozone”\n\t\t215\tSwidzinski introduces selections from her Science Fiction writings\n\t\t218\t“The Kinky Season”\n\t\t257\tMarlene Swidzinski’s reading ends\n\t\t332\tSide 1 ends\nTwo\t\t\tTime: 22:00 mins.\n\t\t000\t\n\t\t003\tAngela Hryniuk introduces her work\n\t\t011\t“Full Moon/Pregnant”\n\t\t030\tIntroduces next sections, talking about trip to United Kingdom & Northern Ireland\n\t\t036\t“The Life of a Lamb”\n\t\t063\t“Belfast”\n\t\t107\t“I’m taking ya to the market”\n\t\t160\tIntroduction to reading from “Kara”\n\t\t163\t“Kara”\n\t\t231\t“I want to strangle memories”\n\t\t159\t“There really isn’t…”\n\t\t274\tWe hold each other”\n\t\t305\tAngela Hryniuk reading ends\n\t\t332\tSide 2 ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554185236482,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5885","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Interview with Robert Trammel conducted by Gerald Burns with Joe Camrey at Dallas Institute of Humanities & Culture on October 20, 1982 #613"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Burns, Gerald","Camrey, Joe","Trammell, Robert"],"creator_names_search":["Burns, Gerald","Camrey, Joe","Trammell, Robert"],"creators":["[{\"url\":\"https://viaf.org/viaf/20961150/\",\"name\":\"Burns, Gerald\",\"dates\":\"1940-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"\",\"name\":\"Camrey, Joe\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/13563976\",\"name\":\"Trammell, Robert\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6249/Reading in BC_MsC199_613.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\" Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"613-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:47\",\"precision\":\"\",\"size\":\"59.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"613-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:47\",\"precision\":\"\",\"size\":\"59.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-10-20\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/471558978\",\"venue\":\"Dallas Institute of Humanities and Culture\",\"notes\":\"\",\"address\":\"2719 Routh St. Dallas, Texas 75201\",\"latitude\":\"32.79741\",\"longitude\":\"-96.8035\"}]"],"Address":["2719 Routh St. Dallas, Texas 75201"],"Venue":["Dallas Institute of Humanities and Culture"],"content_notes":["SFU BC Readings formatting"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554185236483,"timestamp":"2026-01-07T14:59:58.590Z","contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t006\tVoice over introducing interview\n\t\t008\tUnknown voice reading what appears to be verse\n\t\t010\tVoice over introducing interview for the third time\n\t\t011\tBrief background on Robert Trammel\n\t\t014\tRobert Trammel corrects the interviewer on the background information\n\t\t016\tInterview begins centering on Trammel’s bias, in particular myth & life in East Texas\n\t\t036\tEmphasis on Trammel’s use of oral Texas myth tradition\n\t\t064\tTrammel’s New York experiences\n\t\t092\tDiscussion on O’Hara, Creeley, Olson, Pound, etc. that is broken off prematurely\n\t\t110\tThe motivational forces behind the new book\n\t\t140\tBesides birds, Burns notes, there are few animals mentioned.  He asks why.  A digression by Trammel on the stupidity of turkeys\n\t\t165\tBurns asks Trammel to read a few poems\n\t\t167\tTrammel consents but continues on a digression on the lack of available culture when he was growing up in East Texas\n\t\t179\t“The day begins in the back hall…”\n\t\t193\tCamrey mentions motifs in the previous poem\n\t\t197\tTrammel responds\n\t\t212\t“The Long Hall That Splits the House”\n\t\t223\tBurns comments on the poem\n\t\t227\tTrammel talks about writing poems concerning “Houses”\n\t\t237\t“The Living Room” poem\n\t\t259\tBurns tries a weak joke “What do you use for your work, sex or drugs?”\n\t\t261\tTrammel responds, making a much better joke or rather a display of wit\n\t\t275\tDiscussion on violence and its involvement with love\n\t\t309\tBurns asks two disjointed questions: One concerning sport poems & one on his high school & college experiences\n\t\t320\tTrammel responds, discusses the Dallas Cowboy’s stadium as a temple\n\t\t358\tTrammel talks about non intentional art being real Art, he then reads from an article discussion Native Indian artistic tradition\n\t\t381\tBurns asks a long winded question concerning a poet living his poetry.  Trammel responds in kind\n\t\t427\tTrammel vs. the standard academic poets.  He wonders what is a “standard academic poet”?  He goes on to a pseudo-philosophical monologue on the state on modern poetry.  And solutions to the problems\n\t\t496\tBurns, semi-defensively talks about his own poetics\n\t\t509\t“Can other poets learn from you?”\n\t\t512\tTrammel responds discussing what he assumes is his audience, or rather is not his audience\n\t\t552\tBurns: “Do you think it is good to have audience you do not choose?”\n\t\t556\tDiscussion to change rooms and turn the tape over\n\t\t615\tSide one ends\nTwo\t\t000\t\n\t\t011\tInterview continues\n\t\t012\tTrammel reads some of his more recent work\n\t\t015\t“No one knew who live in hotels…”\n\t\t027\tBurns asks an irrelevant question concerning the previous poem\n\t\t028\tTrammel responds\n\t\t029\tDiscussion over what Trammel should read next\n\t\t032\t“Red and short…”\n\t\t043\tTrammel introduces the next poem\n\t\t045\t“This would fall fail first around the nail”\n\t\t053\tTrammel wonders if the poems work separately or in a group “referring back to themselves”\n\t\t055\tBurns talks about the mood Trammel creates [Burns can’t help but refer to his own work]  Trammel mentions the difficulty he has with having “persons” in his works, Olson & Pound are cited as examples\n\t\t080\t“The Jacksonville Poems” are brought up as well as the lack of interesting people & situations\n\t\t113\tCamrey brings up the element of disillusionment he senses in the poem, Burns argues with him.  Trammel sides with Camrey & goes on to seemingly inadvertently proving Camrey’s point\n\t\t158\tBurns brings up the mood of the room they are in.  Trammel says he would rather write a poem about it, then talk about it\n\t\t171\tBurns asks about past works specifically ones concerning “car wrecks”.  Trammel responds, seeing it as the Trickster element in Artists\n\t\t184\tTrammel, Burns says, “has kept his adolescence”.  Trammel sees his work not as nostalgia but as an attempt to get away from nostalgia\n\t\t191\tBurns brings up the religious background Trammel has\n\t\t213\t“Are you more sensitive to being duped or deceived?”  Trammel responds\n\t\t219\tA discussion develops over Trammel’s tendency to lie; Trammel says he doesn’t lie, he “Bullshits”, a myth-building trait.  People in New York, Trammel says, are very easy to bullshit\n\t\t251\t“Do you think you would have been that different if you hadn’t grown up in Texas?”\n\t\t255\tTrammel wonders when you start to become aware of where you grew up\n\t\t258\tA discussion on poets only becoming recognized when their talents begin to decrease.  Trammel puts it down to “expensive drugs” & offers acute insight.  The history of American poets going bad\n\t\t295\tThe freedom of being an obscure poet in America.  Allen Ginsberg is mention.  Trammel sees him as destroyed by celebrity, Burns says “…he handles it beautifully”\n\t\t314\tSalt Lake Press & its publisher Joe Hanney is brough up & its effect upon Burns & Trammel\n\t\t352\tCamrey asks a question concerning why a place so rich in artistic tradition as Texas has little time for poets.  Trammel responds, noting that songwriting has almost filled the poetry void.  A discussion ensues; citing culture is viewed in Texas as a feminine thing & the pseudo-french bent of Texas culture.  Dallas as a cultural centre\n\t\t489\tEndowment of poets & arts; the pitfalls\n\t\t510\tDallas culture & the poet in culture\n\t\t590\tBurns tries to paint Trammel as a bit of a cultural snob in comparison to himself.  Trammel responds\n\t\t615\tSide two ends"],"score":0.01643844},{"id":"5886","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Gerald Burns reading his works on October 29, 1982 #614"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Burns, Gerald"],"creator_names_search":["Burns, Gerald"],"creators":["[{\"url\":\"https://viaf.org/viaf/20961150/\",\"name\":\"Burns, Gerald\",\"dates\":\"1940-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6250/Reading in BC_MsC199_614.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"614-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:52\",\"precision\":\"\",\"size\":\"47.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"614-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:45\",\"precision\":\"\",\"size\":\"46.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-10-29\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t001\tIntroduction – “A Book of Spells to Date”\n\t\t102\tReading begins, concerning the abilities of words, though the central idea is hidden under a flood of poetics with such gems as “…sentences balance better than my checkbook”\n\t\t522\tAnnounces he is at line 830 of “A Book of Spells To Date”\n\t\t609\tSide 2 ends\nTwo\t\t000\t\n\t\t014\tFrom “The Slate Notebook” Burns reads\n\t\t041\tSelections from “Letters to Obscure Men” [which is Book 1 of “The Myth of Accidents”]\n\t\t212\tReading from Book 11 of”The Myth of Accidents’, the poem is titled “Punch in a Nutshell”\n\t\t296\tReads a piece of prose titled “For My Atheist Theologians”\n\t\t350\tBack to “Letters to Obscure Men”, each set of poems to be read in complementing pairs\n\t\t559\tBurns stops reading\n\t\t614\tSide 2 ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554187333632,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5887","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Poetry Readings: Ken Belfors reading in Vancouver on March 1, 1970 #79"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Belford, Ken"],"creator_names_search":["Belford, Ken"],"creators":["[{\"url\":\"http://viaf.org/viaf/8961892\",\"name\":\"Belford, Ken\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Gyseman, Doug"],"contributors_names_search":["Gyseman, Doug"],"contributors":["[{\"url\":\"\",\"name\":\"Gyseman, Doug\",\"dates\":\"1936-2017\",\"notes\":\"also known as Curtis Vanel\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Gyseman, Doug"],"Production_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/166/Reading in BC_MsC199_79.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"79-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:22:56\",\"precision\":\"\",\"size\":\"16.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970-03-01\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\"49.2530\",\"longitude\":\"-123.1128\"}]"],"Address":["Vancouver, BC, Canada"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tPoetry readings\nTwo\t\t\tPoetry readings\n\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554188382208,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5888","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Vancouver lectures: Jack Spicer Poetic dictation at Tallman Residence cont'd on June 13, 1965 #1b"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Spicer, Jack"],"creator_names_search":["Spicer, Jack"],"creators":["[{\"url\":\"http://viaf.org/viaf/46807530\",\"name\":\"Spicer, Jack\",\"dates\":\"1925-1965\",\"notes\":\"There are also voices of people who are asking questions.\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors_names":["Enomoto, Randy"],"contributors_names_search":["Enomoto, Randy"],"contributors":["[{\"url\":\"http://viaf.org/viaf/256444645\",\"name\":\"Enomoto, Randy \",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Enomoto, Randy "],"Production_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/167/Reading in BC_MsC199_1b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:02:05\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and clear case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T:00:31:15\",\"precision\":\"\",\"size\":\"21.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:01\",\"precision\":\"\",\"size\":\"20.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-06-13\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/487641396\",\"venue\":\"Tallman Residence\",\"notes\":\"Tallman and family lived in the '50s & '60s at 2527 West 37th Ave in Kerrisdale and this was where quite a few talks and reading were held and recorded.\",\"address\":\"2527 West 37th Avenue, Vancouver, British Columbia, Canada\",\"latitude\":\"49.23722\",\"longitude\":\"-123.11556\"}]"],"Address":["2527 West 37th Avenue, Vancouver, British Columbia, Canada"],"Venue":["Tallman Residence"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting\nSee detailed contents on j-card in Material Description"],"contents":["Two\tA\t000\tContinues with The Textbook of Poetry\n\t\t040\tComments from audience\n\t\t190\tReading continues\n\t\t170\tQuestions from audience\n\t\t290\tReading continues\n\t\t390\tQuestions from audience\n\n"],"Note":["[{\"note\":\"Liner Notes: Poetic Dictation Side 3 31:20 Side 4 30:45\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554188382209,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5889","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Vancouver lecture: Jack Spicer Poetic dictation at Tallman Residence cont'd on June 13, 1965 #2"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Spicer, Jack"],"creator_names_search":["Spicer, Jack"],"creators":["[{\"url\":\"http://viaf.org/viaf/46807530\",\"name\":\"Spicer, Jack\",\"dates\":\"1925-1965\",\"notes\":\"There are also voices of people who are asking questions.\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Enomoto, Randy"],"contributors_names_search":["Enomoto, Randy"],"contributors":["[{\"url\":\"http://viaf.org/viaf/256444645\",\"name\":\"Enomoto, Randy \",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Enomoto, Randy "],"Production_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/173/Reading in BC_MsC199_2.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:50:55\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:10\",\"precision\":\"\",\"size\":\"20.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T:00:21:06\",\"precision\":\"\",\"size\":\"14.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-06-13\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/487641396\",\"venue\":\"Tallman Residence\",\"notes\":\"Tallman and family lived in the '50s & '60s at 2527 West 37th Ave in Kerrisdale and this was where quite a few talks and reading were held and recorded.\",\"address\":\"2527 West 37th Avenue, Vancouver, British Columbia, Canada\",\"latitude\":\"49.23722\",\"longitude\":\"-123.11556\"}]"],"Address":["2527 West 37th Avenue, Vancouver, British Columbia, Canada"],"Venue":["Tallman Residence"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tContinuation of reading and discussion from tapes #1a and #1b\n"],"Note":["[{\"note\":\"Liner Notes: Poetic Dictation Side 5 30 min Side 6 20:55 Conclusion Dolby B Master\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554188382210,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5890","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robin Blaser, Jack Spicer, and Stan Persky readings at The New Design Gallery on June 1965 #3a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Spicer, Jack","Persky, Stan","Blaser, Robin"],"creator_names_search":["Spicer, Jack","Persky, Stan","Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/46807530\",\"name\":\"Spicer, Jack\",\"dates\":\"1925-1965\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/57448780\",\"name\":\"Persky, Stan\",\"dates\":\"1941-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Enomoto, Randy"],"contributors_names_search":["Enomoto, Randy"],"contributors":["[{\"url\":\"http://viaf.org/viaf/256444645\",\"name\":\"Enomoto, Randy \",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/174/Reading in BC_MsC199_3A.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:10:15\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"3a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:35:54\",\"precision\":\"\",\"size\":\"24.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"3a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:35:00\",\"precision\":\"\",\"size\":\"24.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-06\",\"type\":\"Production Date\",\"notes\":\"Recordered before June 13\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"New Design Gallery\",\"notes\":\"\",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Vancouver, BC, Canada"],"Venue":["New Design Gallery"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction and announcements\n\t\t030\tBlaser reads “The Moth Poem”\n\t\t157\tBlaser reads “Cups”\n\t\t254\tSpicer reads “Billy The Kid”\n\t\t320\tBlaser reads “The Park”\n\t\t386 \tPersky reads “The Lives of The French Symbolist Poets”\n\t\t477\tBlaser reads “The Moth Poem”\n\t\t680\tBlaser reads “The Translator”\n\n"],"Note":["[{\"note\":\"Liner Notes: Reading at New Design Gallery June 1965 Side 1 35:50Side 2 34:25 Dolby B Master\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554188382211,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5891","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Joel Oppenheimer reading in the Garden of the Coda Gallery on June 22, 1965 #201"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Oppenheimer, Joel"],"creator_names_search":["Oppenheimer, Joel"],"creators":["[{\"url\":\"http://viaf.org/viaf/57449787\",\"name\":\"Oppenheimer, Joel\",\"dates\":\"1930-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7360/Readings in BC_MsC199_201.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"201-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:51:19\",\"precision\":\"\",\"size\":\"50.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"201-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:39:05\",\"precision\":\"\",\"size\":\"38 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-06-22\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/search?whereami=1&query=33.7308%2C-116.3838#map=14/33.7308/-116.3838\",\"venue\":\"Coda Gallery\",\"notes\":\"The Url, latitude, and longitude of the Palm Desert area have been entered since the exact location could be found.\",\"address\":\"73400 El Paseo Suite B-1, Palm Desert, CA 92260, USA\",\"latitude\":\"33.7308\",\"longitude\":\"-116.3838\"}]"],"Address":["73400 El Paseo Suite B-1, Palm Desert, CA 92260, USA"],"Venue":["Coda Gallery"],"Note":["[{\"note\":\"Liner Notes: Joel Oppenheimer reading in the garden of the coda gallery. Side 1 32:15 min Side 2: 32:20 min Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554188382212,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5892","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Helen Adam reading at SFU on August 9, 1979 #205"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Adam, Helen","Blaser, Robin"],"creator_names_search":["Adam, Helen","Blaser, Robin"],"creators":["[{\"url\":\" http://viaf.org/viaf/105174496\",\"name\":\"Adam, Helen\",\"dates\":\"1953-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1979],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/176/Readings in BC_MsC199_205.jpg\",\"other\":\"J-card\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:18:85\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Black and white clear jewel case with J card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"205-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:39:26\",\"precision\":\"\",\"size\":\"37.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"205-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:54\",\"precision\":\"\",\"size\":\"44.4 MB \",\"bitrate\":\"32 Bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1979-08-09\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU \",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU "],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"Liner Notes: Helen Adam reading at SFU on August 9, 1979, with an introduction by Robin Blaser. Side 1: 35:40 min Side 2: 43.45 min Dolby B\",\"type\":\"General\"},{\"note\":\"This tape is the duplicate of the tape from Roy Miki's collection \\\"Helen Adam, introduced by Robin Blaser, reading at SFU on August 9, 1979\\\" (SWALLOW ID 9087)\",\"type\":\"Related Version\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554189430784,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5893","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Jess Songs & other poems #202"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Jess"],"creator_names_search":["Jess"],"creators":["[{\"url\":\"\",\"name\":\"Jess\",\"dates\":\"\",\"notes\":\"Information on tape is extremely limited. While the performer's name is indicated as Jess, it is unclear whether they are a creator or contributor. \",\"nation\":[],\"role\":[\"Reader\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7362/Reading in BC_MsC199_202.jpg\",\"other\":\"J-card\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Clear jewel case with (paper) J card insert\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"202-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:56:40\",\"precision\":\"\",\"size\":\"55.4 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"202-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:57:16\",\"precision\":\"\",\"size\":\"61.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Note":["[{\"note\":\"Liner Notes: Jess songs and other poems. \",\"type\":\"General\"},{\"note\":\"Information on tape is extremely limited. While the performer's name is indicated as Jess, it is unclear whether they are a creator or contributor. The tape begins with a reading that has no introduction, so the exact date of the recording is unspecified. \",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554189430785,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5894","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Mike Doyle reading at UBC on March 19, 1971 #204"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Doyle, Mike"],"creator_names_search":["Doyle, Mike"],"creators":["[{\"url\":\"http://viaf.org/viaf/13554538\",\"name\":\"Doyle, Mike\",\"dates\":\"1928-2016\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1971],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7363/Reading in BC_MsC199_204.jpg\",\"other\":\"J-card\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Black and white clear jewel case with J-card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"204-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:51:13\",\"precision\":\"\",\"size\":\"49.6 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"204-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:23\",\"precision\":\"\",\"size\":\"29.8 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1971-03-19\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\" 6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":[" 6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: Mike Doyle Reading at UBC March 19, 1971 #204 \\nSide 1: 29:20 \\nSide 2: 25:10 \\nDolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554189430786,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5895","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Clayton Eshleman reading from Indiana and Other Poems, 1969 #203"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Eshleman, Clayton"],"creator_names_search":["Eshleman, Clayton"],"creators":["[{\"url\":\"http://viaf.org/viaf/79046419\",\"name\":\"Eshleman, Clayton\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7364/Reading in BC_MsC199_203.jpg\",\"other\":\"J-card\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Black and white clear jewel case with J-card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"203-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:02:29\",\"precision\":\"\",\"size\":\"67.6 MB \",\"bitrate\":\"32 Bit \",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"203-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:02:07\",\"precision\":\"\",\"size\":\"60.7 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969\",\"type\":\"Production Date\",\"notes\":\"The exact date was unobtainable from what is specified on J-card and from listening. \",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Note":["[{\"note\":\"Liner Notes: Clayton Eshleman Reading from Indiana and Other Poems 1969 \",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554189430787,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5896","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["CBC, Canadian Poets: Phyllis Webb, Earle Birney, John Newlove, and Alfred Purdy reading in Toronto, 1966 tape 1 of 2 #449 - tape 1"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Birney, Earle","Newlove, John","Purdy, Al","Webb, Phyllis"],"creator_names_search":["Birney, Earle","Newlove, John","Purdy, Al","Webb, Phyllis"],"creators":["[{\"url\":\"http://viaf.org/viaf/97679781\",\"name\":\"Birney, Earle\",\"dates\":\"1904-1995 \",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/92277383\",\"name\":\"Newlove, John\",\"dates\":\"1938-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/7398775\",\"name\":\"Purdy, Al\",\"dates\":\"1918-2000\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/29847238\",\"name\":\"Webb, Phyllis\",\"dates\":\"1927-2021\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7365/Reading in BC_MsC199_449 - tape 1.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"449-tape-1-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:49\",\"precision\":\"\",\"size\":\"41.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"449-tape-1-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:31\",\"precision\":\"\",\"size\":\"43.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/456341915#map=19/43.65360/-79.37320\",\"venue\":\"CBC Studio\",\"notes\":\"CBC Toronto studio address was changed in 1993 (after this recording took place) to 205 Wellington Street West, Toronto, Ontario, M5V 3G7 from a smaller facility on Jarvis Street, near the former television transmitter. (Source: https://en.wikipedia.org/wiki/Canadian_Broadcasting_Centre)\",\"address\":\"Jarvis Street, Toronto, Ontario, Canada\",\"latitude\":\"43.6562555\",\"longitude\":\"-79.374232 \"}]"],"Address":["Jarvis Street, Toronto, Ontario, Canada"],"Venue":["CBC Studio"],"City":["Toronto, Ontario"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t000\tPhyllis Webb –“Alex”\n\t\t\t“Rilke”\n\t\t\t“Sitting”\n\t\t\t“The Time of Man”\n\t\t\t“Propositions”\n\t\t\t“Breaking”\n\t\t\t“Naked Poems”\n\t\t\tSuites One and Two\nTwo\t\t000\tPhyllis Webb –“Alex”\n\t\t\t“Rilke”\n\t\t\t“Sitting”\n\t\t\t“The Time of Man”\n\t\t\t“Propositions”\n\t\t\t“Breaking”\n\t\t\t“Naked Poems”\n\t\t\tSuites One and Two\n"],"Note":["[{\"note\":\"side one and two should be vice versa. Earle Birney, John Newlove, and Alfred Purdy parts are missing in the content \",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554189430788,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5897","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Coast is Only a Line: Phyllis Webb reading at the SFU Art Gallery on July 9, 1981 #335a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Vanel, Kurtis","Webb, Phyllis"],"creator_names_search":["Vanel, Kurtis","Webb, Phyllis"],"creators":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\" 1936-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/29847238\",\"name\":\"Webb, Phyllis\",\"dates\":\"1927-2021\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7366/Reading in BC_MsC199_335a.jpg\",\"other\":\"J-card\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Black and white clear jewel case with J card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"335a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:35\",\"precision\":\"\",\"size\":\"30.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"335a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:28\",\"precision\":\"\",\"size\":\"31.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-09\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Art Gallery\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU Art Gallery"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tRoy Miki introduces the reading series The Coast is Only a Line\n\t\t010\tEli Mandel introduces Phyllis Webb\n\t\t050\t“Here I am reading at the Planetarium”\n\t\t070\t“Field guide to snow crystals”\n\t\t099\tIntroduction to Wilson’s Bowl\n\t\t108\t“Poems of failure I”\n\t\t130\t“Father”\n\t\t145\t“Vasarely”\n\t\t185\t“Solitary confinement”\n\t\t210\t“from The Kropotkin poems”\n\t\t236\t“Wilson’s Bowl”\n\t\t259\t“Found poem”\n\t\t274\t“The Bowl”\n\t\t286\t“She sings”\n\t\t293\t“In this place”\n\t\t314\tThe place is where you find it\n\t\t329\tTwin masks\n\t\t350\tImperfect sestina\n\t\t413\tMetaphysics of spring\n\t\t432\tEschatology of spring\n\t\t465\tSpring thing\n\t\t482\tMessages\n\t\t467\tThe days of the unicorns\n\t\t620\tAnswer to inaudible question from the audience about the “Imperfect Sestina”\n\t\t697\tSpots of blood"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554189430789,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5898","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Jack Spicer reading Language at UBC in February, 1965 and in Berkeley: \"Summer Days,\" July 1965 #3b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Spicer, Jack","Persky, Stan","Blaser, Robin","Duncan, Robert","Woolf, Leonard"],"creator_names_search":["Spicer, Jack","Persky, Stan","Blaser, Robin","Duncan, Robert","Woolf, Leonard"],"creators":["[{\"url\":\"http://viaf.org/viaf/46807530\",\"name\":\"Spicer, Jack\",\"dates\":\"1925-1965\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/57448780\",\"name\":\"Persky, Stan\",\"dates\":\"1941-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/2534183\",\"name\":\"Woolf, Leonard\",\"dates\":\"1880-1969\",\"notes\":\"his poetry is read\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors_names":["Enomoto, Randy"],"contributors_names_search":["Enomoto, Randy"],"contributors":["[{\"url\":\"http://viaf.org/viaf/256444645\",\"name\":\"Enomoto, Randy \",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Enomoto, Randy "],"Production_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/184/Reading in BC_MsC199_3b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:10:15\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"3b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46.36\",\"precision\":\"\",\"size\":\"31.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"3b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:47\",\"precision\":\"\",\"size\":\"16 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-02 \",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1965-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2833528#map=13/37.8712/-122.3014\",\"venue\":\"Berkeley\",\"notes\":\"\",\"address\":\"Berkley, California, USA\",\"latitude\":\"37.8700\",\"longitude\":\"-122.2923\"},{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC \",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["Berkley, California, USA","6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["Berkeley","UBC "],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t000\tSpicer reads “Thing Language”\n\t\t168 \tSpicer reads “Intermissions”\n\t\t189\tSpicer reads “Transformations”\n\t\t212\tSpicer reads “Morphemics”\n\t\t243\tSpicer reads “Phonemics”\n\t\t294\tSpicer reads “Graphemics”\n\t\t\tJuly, 1965 – Berkeley – Summer Days\n\t\t383\tGeneral conversation with Duncan, Spicer, Blaser, Persky, and others\n\t\t454\tDuncan reads “Hark, hark, the cunning spring…”\n\t\t465\tConversation – predominantly Duncan\n\t\t538\tDuncan reads Leonard Woolf poem\n\t\t554\tConversation\n\t\t589\tBlaser reads Ken Kearns “Hymn To A Private Detective”\n\t\t598\tConversation\n"],"Note":["[{\"note\":\"Liner Notes: Side A: Jack Spicer reading Language at UBC, February, 1965 (P). 47 min. Side B: Berkley: \\\"Summer Days\\\", July 1965 Duncan Spicer, Blaser, Persky and others. 23:40 min\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554189430790,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5899","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Berkeley: Summer Days, cont'd July 1965 #4a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Spicer, Jack","Persky, Stan","Blaser, Robin","Duncan, Robert"],"creator_names_search":["Spicer, Jack","Persky, Stan","Blaser, Robin","Duncan, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/46807530\",\"name\":\"Spicer, Jack\",\"dates\":\"1925-1965\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/57448780\",\"name\":\"Persky, Stan\",\"dates\":\"1941-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Enomoto, Randy"],"contributors_names_search":["Enomoto, Randy"],"contributors":["[{\"url\":\"http://viaf.org/viaf/256444645\",\"name\":\"Enomoto, Randy \",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Enomoto, Randy "],"Production_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/185/Reading in BC_MsC199_4A.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:30:00\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\" Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"4a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:05\",\"precision\":\"\",\"size\":\"29.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"4a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:44\",\"precision\":\"\",\"size\":\"29.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07\",\"type\":\"Production Date\",\"notes\":\"No dates mentioned in the recording \",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2833528#map=13/37.8712/-122.3013\",\"venue\":\"Berkeley\",\"notes\":\"\",\"address\":\"Berkeley, California, USA\",\"latitude\":\"37.8700\",\"longitude\":\"-122.2923\"}]"],"Address":["Berkeley, California, USA"],"Venue":["Berkeley"],"City":["Berkeley, California"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tConversations from previous tapes\n\t\t274\tStan Persky reads Spicer’s play about Michael the Critic and Robert the Poet (written for a Josephine Miles’ class)\n\t\t290\tRobin Blaser replacing Persky for latter half of play\n\t\t390\tRobin Blaser reads Spicer’s poem “The Bridge Game”\n\t\t550\tRobert Duncan reads his “A Discourse On Love”\n\t\t630\tRobert Duncan reads “And now I have returned…”\n"],"Note":["[{\"note\":\"Liner Notes: Berkley: \\\"Summer Days\\\", July 1965 Duncan Spicer, Blaser, Persky and others. Side 2: 45 min Side 3: 45 min Continued on tape 4b\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554190479360,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5900","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Berkeley: Summer Days, cont'd July 1965 #4b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Spicer, Jack","Persky, Stan","Blaser, Robin","Duncan, Robert"],"creator_names_search":["Spicer, Jack","Persky, Stan","Blaser, Robin","Duncan, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/46807530\",\"name\":\"Spicer, Jack\",\"dates\":\"1925-1965\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/57448780\",\"name\":\"Persky, Stan\",\"dates\":\"1941-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Enomoto, Randy"],"contributors_names_search":["Enomoto, Randy"],"contributors":["[{\"url\":\"http://viaf.org/viaf/256444645\",\"name\":\"Enomoto, Randy \",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Enomoto, Randy "],"Production_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/187/Reading in BC_MsC199_4B.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:40:00\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\" Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"4b-side-4.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:30\",\"precision\":\"\",\"size\":\"26.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07\",\"type\":\"Production Date\",\"notes\":\"No dates mentioned on the recording \",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2833528#map=13/37.8712/-122.3013\",\"venue\":\"Berkeley\",\"notes\":\"\",\"address\":\"Berkeley, California, USA\",\"latitude\":\"37.8670\",\"longitude\":\"-122.2971\"}]"],"Address":["Berkeley, California, USA"],"Venue":["Berkeley"],"City":["Berkeley, California"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\tA\t000\tDuncan continues “And now I have returned…”\n\t\t017\tDuncan reads “The Revenant”\n\t\t\tBlaser re Ernst Kantorowitz\n\t\t\tDuncan says “We all read Mary Butts” (period 1944-45)\n\t\t\tBlaser reads “Those Were Not Soldiers”\n\t\t\tBlaser reads “Song in Four Parts for God the Son”\n\t\t\tBlaser reads “Song for Plato”\n\t\t\tBlaser reads Spicer’s Troy Poem\n\t\t\tPersky reads “Troy Poem”\n\t\t\tPersky reads Spicer’s “The Night in Four Parts”\n"],"Note":["[{\"note\":\"Liner Notes: Berkley: \\\"Summer Days\\\", July 1965 Duncan Spicer, Blaser, Persky and others. Side 4: 30 min Concludes with side 4.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554190479361,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5901","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Readings at Berkeley: Summer Days, cont'd July 1965 #5a copy 2"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Spicer, Jack","Persky, Stan","Blaser, Robin","Duncan, Robert"],"creator_names_search":["Spicer, Jack","Persky, Stan","Blaser, Robin","Duncan, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/46807530\",\"name\":\"Spicer, Jack\",\"dates\":\"1925-1965\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/57448780\",\"name\":\"Persky, Stan\",\"dates\":\"1941-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Enomoto, Randy"],"contributors_names_search":["Enomoto, Randy"],"contributors":["[{\"url\":\"http://viaf.org/viaf/256444645\",\"name\":\"Enomoto, Randy \",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Enomoto, Randy "],"Production_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/188/Reading in BC_MsC199_5A.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:01:30\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\" Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"5a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:44\",\"precision\":\"\",\"size\":\"20.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"5a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:13\",\"precision\":\"\",\"size\":\"21.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2833528#map=13/37.8712/-122.3013\",\"venue\":\"Berkeley\",\"notes\":\"\",\"address\":\"Berkley, California, USA\",\"latitude\":\"37.8670\",\"longitude\":\"-122.2971\"}]"],"Address":["Berkley, California, USA"],"Venue":["Berkeley"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tPersky continues reading Spicer’s  “The Night in Four Parts”\n\t\t\tDuncan reading his “The War Within Without The War” (for Robin Blaser)\n\t\t\tBlaser reads his answer to Duncan’s poem\n\t\t\tDuncan refers to Landis\n\t\t\tBlaser notes “Jack had left for Minnesota…”\n\t\t\tBlaser reads Spicer’s open letter to Duncan (dated around 1950)\n\t\t\tDuncan reads his answer\n\t\t\tDuncan reads his “The Morning Letter”\n\t\t\tSpicer recalls his first impressions of the Maximus Poems\n\t\t\tSpicer’s judgment of Ransom as a poet\n"],"Note":["[{\"note\":\"Liner Notes:  \\\"Summer Days\\\", Reading at Berkley, July 1965 Duncan Spicer, Blaser, Persky and others. Side 1: 30:45 min Side 2: 30:45\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554190479362,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5902","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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Side 3: 37 min Side 4: 38 min\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554191527936,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5903","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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Side 1: 29:10 Side 2: 27:40. Dolby B\",\"type\":\"General\"},{\"note\":\"Contents taken from RB_533 that is a duplicate of this one. \",\"type\":\"Related Version\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554191527938,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5905","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. 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Gladys Hindmarch (incomplete) 15:30 Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554194673664,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5911","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Roy Kiyooka reading at the College of New Caledonia #221"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kiyooka, Roy"],"creator_names_search":["Kiyooka, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Donor\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/202/Readings in BC_MsC199_221.jpg\",\"other\":\"J-card\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Black and white clear jewel case with J card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"221-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:59:43\",\"precision\":\"\",\"size\":\"58.3 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"221-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:09:53\",\"precision\":\"\",\"size\":\"67.7 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/443237227\",\"venue\":\"The College of New Caledonia\",\"notes\":\"\",\"address\":\"Imperial Parking, 3330 22 Ave, Prince George, BC V2N 1P8\",\"latitude\":\"53.90687\",\"longitude\":\"-122.78621\"}]"],"Address":["Imperial Parking, 3330 22 Ave, Prince George, BC V2N 1P8"],"Venue":["The College of New Caledonia"],"content_notes":["SFU BC Readings formatting"],"Note":["[{\"note\":\"The quality of the audio improves on the second side.\",\"type\":\"\"},{\"note\":\"Liner Notes: Roy Kiyooka Reading at the College of New Caledonia \\nSide 1: 45:20 \\nSide 2: 41:00 \\nVery noisy and distorted Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554194673665,"timestamp":"2026-01-07T14:59:58.590Z","contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tOpening remarks – “I’m gonna show you some pictures – 100 slides of a day in Bolinas, Ca.”\n\t\t008\tNo voice.  Kiyooka resumes at 018, speaks of magazine White Pelican in honour of Sheila Watson – reproduced a couple of his rap sessions in the 1st session\n\t\t032\tReads excerpts from these sessions – “made in Canada”\n\t\t080\tJohn Cage re “12 ready-made answers for all occasions”\n\t\t094\t“To be at the centre is where the ideas are – that is, to be in your own head, wherever you are”\n\t\t100\t“Art doesn’t support you” – gives resumé of varied jobs\n\t\t122\t“I’m not too interested in argument, particularly the kind that wants to argue “pathetics” – (esthetics?) – not that I’m not involved there, but simply – it’s not where my head is, most of the time.”  (Conclusion of excerpt)\n\t\t126\tReads another excerpt re/ “some aspects of education” :\n\t\t140\tReads “My three kids, 14, 12 and 9…”\n\t\t191\tEnd of 2nd excerpt\n\t\t193\t“I’ll rad you a few letters” – (see Trans Canada Letters)\n\t\t243\tReads letter to Gladys Hindmarch\n\t\t364\t“Dear Hugh”\n\t\t393\t“dear Brian”\n\t\t438\t“dear Bri”\n\t\t464\tKimo Danji (?) (? Kim Ondaatje?) is the treasurer of CAR…This is a letter to her\n\t\t489\tLetter to George Bowering\n\t\t562\t“Some thoughts from the Point… last weekend in June.”\n\t\t585\t“A little thing from Allen Ginsberg” – reads “Yes, that’s what I wanted…”\n\t\t590\t“A true reproduction for Libby, Gretchen, Mary, Valerie and Ken” – Cape Traverse, Prince Edward Island\n\t\t612\t“Another poem about Creeley’s in “Pieces” : (reads from “When he and I,” then reads “The Maritimes don’t seem to have that lovely pathos of paradise…”)\n\t\t640\t“A letter to Phil Whalen…”\n\t\t665\t“Here’s something that might tell you something about my being in Japan:: “For cool-hand Luke”\n\t\t671\tSound breaks off\nTwo\t\t000\tBegins in process; R.K. reading “…agricultural transplant…”\n\t\t023\t“This letter is to my second daughter…” “Dear Jan I got my suit…”\n\t\t050\t“I wrote a letter to recommend a woman I know (?) for a LIP grant… to start something that may have been the equivalent of Ms… Thank god it didn’t get off the ground.  Anyhow, To whom it may concern…”\n\t\t072\t“This is a letter I wrote to Brad Robinson from Halifax… Dear Engeldink…” [******]\n\t\t130\tSound gets muddy\n\t\t225\tLetter to Brad Robinson ends.  R.K. announces break\n\t\t231\tR.K. commences again: “I lived on fourth avenue…”  These were written in 1964.  Thy were printed in an issue of Imago magazine by George Bowering\n\t\t239\tReads “Tonight nothing is enough…”\n\t\t256\t“John Newlove lived with me at that time, for a year, so a lot of these poems have to do with [that]\n\t\t258\t“Dear John: I threw out all your dirty socks…”\n\t\t267\t“The colour of death is black and white puked into a million homes…”\n\t\t274\t“The argument”\n\t\t278\t“How long have you floated in the gray scum in my coffee cup”\n\t\t283\t“John (?) has left, John too…”\n\t\t303\t“Leaves of grass grow in the pavement’s cracks where my comely daughter sings”\n\t\t308\t“For John (or Joss?) somethere in the world…”\n\t\t316\t“Already I inhabit another room…”\n\t\t321\t“This room, John…”\n\t\t327\t“Cherry blossoms in Nitobe Garden…”\n\t\t331\t“Postscript to the room…”\n\t\t336\t“In the mid-60s I did a book called Nevertheless These Eyes, a beginner’s attempt to define what poetry is all about to one man… [there are] 3 sections – each section has a crib of quotation from Stanley Spencer… a very eccentric English painter.  It was after reading his biography that I wrote these poems.  The poems purport to tell you something about the goddess through 4 or 5 voices.\n\t\t361\tReads “Words to enliven the pedestal/she gyrates upon”\n\t\t371\t“This is a quotation slightly altered from the newspaper: “She was found in the early morning…”\n\t\t383\t“My hand covets whatever it can…”\n\t\t386\t“The image of her…”\n\t\t389\t“Among the shattered pieces of the mirror…”\n\t\t392\t“Across the meadow they come…”\n\t\t398\t“At least, the mirror framed her face perfectly…”\n\t\t403\t“The dead, the numinous ones…”\n\t\t407\t“Gaston La chaise you…”\n\t\t415\t“The wind ruffles her skirts…”\n\t\t419\t“In the meadow we lay in, the unseen wind…”\n\t\t427\t“Edward Munch stuffed her scream/into his painting…”\n\t\t433\t“In a room/full of mirrors…”\n\t\t437\t“Valentine”\n\t\t447\t“Since you asked me…”\n\t\t455\t“Her admonition”\n\t\t461\t“Now other faces…”\n\t\t465\t“Who/among you…”\n\t\t469\t“I thought I saw her…”\n\t\t475\t“She is not a collage…”\n\t\t478\t“The Beloved is/resilient…”\n\t\t484\t“Behind my eyes you move…”\n\t\t489\t“Men in the night/bite empty air…”\n\t\t491\t“O guardians of the meadow…”\n\t\t495\t“Now the shadow cast by the lid of the two (?)…”\n\t\t498\t“Climbing up into the mirror/ I sat between her thighs and fell asleep…”\n\t\t506\t“It was not that she was beautiful…”  (That last poem is from H.D.’s book, called Helen in Egypt)\n\t\t516\t“I think I’ll leave it at that” (end of tape)"],"score":0.01643844},{"id":"5912","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Gerry Gilbert reading at the College of New Caledonia, 1973 #222"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Gilbert, Gerry"],"creator_names_search":["Gilbert, Gerry"],"creators":["[{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7382/Readings in BC_MsC199_222.jpg\",\"other\":\"J-card\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Black and white clear jewel case with J card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"222-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:12:35\",\"precision\":\"\",\"size\":\"73.3 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"222-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:22\",\"precision\":\"\",\"size\":\"46.8 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/443237227\",\"venue\":\"The College of New Caledonia\",\"notes\":\"\",\"address\":\" Imperial Parking, 3330 22 Ave, Prince George, BC V2N 1P8\",\"latitude\":\"53.90687\",\"longitude\":\"-122.78621\"}]"],"Address":[" Imperial Parking, 3330 22 Ave, Prince George, BC V2N 1P8"],"Venue":["The College of New Caledonia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tReads “Shares”\n\t\t137\t“These poems were written after the death of my grandmother”\n\t\t140\t“She can wish you away…”\n\t\t142\t“Breathing stopped last night/peace…”\n\t\t147\t“Gulls on the water…”\n\t\t154\t“I really think that the era of tape recorders and cameras and snap shot albums is equivalent to the era of sonnets… or of popular verse forms…”\n\t\t175\t“These two poems were just done as (?) people told me…”\n\t\t177\t“Is nothing sacred?  Feel this…”\n\t\t183\t“In Rupert in 1943...”\n\t\t185\t“How to get a salmon out of a gill net…”\n\t\t190\t“Catch rock cod near shore/alive…”\n\t\t200\t“Net all the herring and you lose/the salmon…”\n\t\t209\t“You think you’ll sink?...”\n\t\t212\tHere’s a couple of short sets…\n\t\t221\t“Hot sweat breaks out…”\n\t\t226\t“Alphabet…”\n\t\t232\t“Scissors measure very nicely…”\n\t\t242\t“A sequence in which many of the poems are quite discrete…”\n\t\t246\t“Summer ‘71”\n\t\t252\t“It’s better to be at work than to wait for inspiration… what the poem becomes is receptacle for everything that could usefully be noted down, and sometimes even poems, in the sense of litte (?) lyrics.”\n\t\t262\tReads “I kept hearing Roy say ‘It’s this big!’”\n\t\t273\t“My boot heel got chewed in by the spoke/on this motorcycle wheel…”\n\t\t283\t“Love I want to grow home…”\n\t\t300\t“Eatin’ rice you get grain damage…”\n\t\t310\tSpeaks about stories\n\t\t319\tReads “A Tree of Knowledge,” a dream\n\t\t381\tReads “A rehearsal for a performance” (by dancer Yvonne Rainer)\n\t\t404\t“She hole he bang” (See Grounds)\n\t\t407\t“Crazy riding, sleeping, sweating…”\n\t\t410\tReads short pieces\n\t\t420\t“This was written at… a small beach near Long Beach, on the west coast of the island…”  Reads “I looked at the Pacific Ocean and fell asleep for a day…”\n\t\t433\t“Living is adventure.  Listen to everything…”\n\t\t444\t“Victor”\n\t\t457\t“I reach for something to break by throwing it…”\n\t\t463\tReads a poem for Robert Duncan: “Slow Dylan, Robert Duncan faint”\n\t\t500\t“This is [a poem about] the gentleman on the ferry who was lying down… his name was Johnny.”  Reads “We were coming from a John Wayne western, Max and me…”\n\t\t540\t“This is a biography of the wars I’ve heard about…”\n\t\t564\t“My favourite star is Anne Murray…”\n\t\t619\t“Here’s another piece of history: ‘November 19, ’71, Grey Cup broadcast’\n\t\t676\tSpeaks of poem in The Village Voice regarding Joel Oppenheimer’s love of a World War II plane the “Air Cuba”\n\t\t693\tReads “A letter to Joel Oppenheimer (and Clark Walton who wrote the poem)”\n\t\t734\tPause between 734 and 753\n\t\t753\t“Another daughter Tamsen/born 7”10 A.M.”\n\t\t766\t“Mine, the legacy, the other tradition…”\n\t\t770\t“Man Nuvalle”\n\t\t809\t“This poem’s from a book called “Phone Book” (Reads “Up to your nut in fucking shells…”)\n\t\t828\t“A Green Setting Sun…”\n\t\t839\t“Afterwords, wars…”\n\t\t850\t“Why don’t I come in out of the cold…”\n\t\t864\t“You can’t see the key, you have to reach for it…”\n\t\t879\t“This is for the Linda to remember by…”\n\t\t900\t“This is for the Hunchback of Notre Dame…”\n\t\t937\t“It is raining, come into the kitchen…”\n\t\t964\tThese are the words out of an era in London, 1964\n\t\t969\t“I heard of a man who cut his throat…”\n\t\t1013\t“This is written in New York on the way back from there (London) to here…”\n\t\t1018\tSoundbreaks off – end of side one\nTwo\t\t000\tBegins mid-poem: “…I want to lie and I can’t find any…”\n\t\t006\t“We are talking about going to Brasilia in 1973…”\n\t\t016\t“Babyland Blues”\n\t\t059\t“This was written on a bus going west across the prairies, called ‘Ticket’”\n\t\t081\t“I edit a small literary magazine called The British Columbia Monthly.  I’d like to read some of the things I’ve written in The B.C. Monthly.”\n\t\t091\t“A letter from Luke Warmwater, Sheriff of Element County…”\n\t\t096\t“How to make a movie…”\n\t\t105\t“A letter: how to lunch with a friend…”\n\t\t110\t“The Milky Way”\n\t\t130\t“I’ll finish with a section of “Lease”.”\n\t\t165\t“These are the poems… spring time poems.”\n\t\t187\t“Slugs are too fast”\n\t\t191\t“Fly away fly”\n\t\t197\tEnds"],"Note":["[{\"note\":\"Liner Notes: Gerry Gilbert Reading at The College of New Caledonia in 1973 \\nSide 1: 44:45 min \\nSide 2: 34:15 min \\nMuffled sound, noisy Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554194673666,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5913","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering reading at Vanier Hall in Prince George #223"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/206/Readings in BC_MsC199_223.jpg\",\"other\":\"J-card\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Black and white clear jewel case with J card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"223-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:30\",\"precision\":\"\",\"size\":\"37.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"223-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:19\",\"precision\":\"\",\"size\":\"46 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/251880742\",\"venue\":\"Vanier Hall\",\"notes\":\"\",\"address\":\" Prince George, BC V2M 2S7\",\"latitude\":\"53.90202\",\"longitude\":\"-122.77892\"}]"],"Address":[" Prince George, BC V2M 2S7"],"Venue":["Vanier Hall"],"Note":["[{\"note\":\"Liner Notes: George Bowering reading at Vanier Hall Prince George B.C. \\nSide 1: 34:55 min\\nSide 2: 31:14 min\\n Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554195722240,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5795","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Lionel Kearns Reading and discussing his poems with George Bowering for CBC Broadcast #445"],"item_title_source":["cassette and j-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Cohen, Leonard","Bowering, George"],"creator_names_search":["Cohen, Leonard","Bowering, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/56703476\",\"name\":\"Cohen, Leonard\",\"dates\":\"1934-2016\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6114/Reading in BC_MsC199_445.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"445-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:21:51\",\"precision\":\"\",\"size\":\"22.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"445-side-2 - Blank.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:16:17\",\"precision\":\"\",\"size\":\"16.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/3764261726\",\"venue\":\"CBC\",\"notes\":\"We assume that this tape was recorded in Vancouver. We don't know where CBC Vancouver located before 1975, now its address is  700 Hamilton Street\\nVancouver, British Columbia\\nV6B 4A2\",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\"49.27867\",\"longitude\":\"-123.11458\"}]"],"Address":["Vancouver, BC, Canada"],"Venue":["CBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tKearns reads “Composition”\n\t\t040\tBowering asks about Kearns’ Father and how he motivates Kearns’ poetry\n\t\t092\tBowering asks about Jesus as a symbolic figure\n\t\t106\tKearns reads poem “Contra Diction”\n\t\t146\tBowering asks about how an adolescent can write poems, other than “secretly”\n\t\t188\tKearns talks about poems and dreams – he reads poem “Stuntman”\n\t\t227\tSide one ends\nTwo\t\t000\tKearns reads poem “Friday at the Ex”\n\t\t090\tReads “Prototypes”\n\t\t131\tReads “Situation”\n\t\t187\tEnds "],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554195722241,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5796","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Edward Dorn reads from the North Atlantic Turbine, 1967 #446"],"item_title_source":["cassette and j-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Dorn, Edward"],"creator_names_search":["Dorn, Edward"],"creators":["[{\"url\":\"http://viaf.org/viaf/25166087\",\"name\":\"Dorn, Edward\",\"dates\":\"1929-1999\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1967],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6115/Reading in BC_MsC199_446.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"446-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:25\",\"precision\":\"\",\"size\":\"30.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"446-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:25\",\"precision\":\"\",\"size\":\"30.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1967\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t“Wait by the door awhile, death, there are others”\n\t\t109\t“A notation on the evening of November 27, 1967”\n\t\t135\t“A theory of truth: The North Atlantic turbine”\n\t\t313\t“The Sundering U.P. Tracks” – the end of the North Atlantic Poem\n\t\t349\t“The First Note (From London)”\n\t\t378\t“Thesis”\n\t\t419\t“Oxford – \nPart I: Fornication”\n\t\t504\t“Part II: In Town”\n\t\t519\t“Part III: Comforted by Limestone”\n\t\t532\t“Part IV: An Epistolary Comment”\n\t\t686\t“Part VI: Of the English Colonies”\n\t\t825\tRecording ends "],"Note":["[{\"note\":\"The location is written to be Intersound Recordings – Livingdisc: Pool in inventory\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554195722242,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5797","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Kelly reading poems from \"Finding the Measure\" in Los Angeles, July 1967 #548"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kelly, Robert"],"creator_names_search":["Kelly, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/7411990\",\"name\":\"Kelly, Robert\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1967],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6116/Reading in BC_MsC199_548.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"548-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:27\",\"precision\":\"\",\"size\":\"29.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"548-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:20\",\"precision\":\"\",\"size\":\"29.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1967-07\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/207359\",\"venue\":\"\",\"notes\":\"The location is written in the BC inventory document \",\"address\":\"Los Angeles, USA\",\"latitude\":\"34.0504\",\"longitude\":\"-118.2912\"}]"],"Address":["Los Angeles, USA"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t“Prefix : Finding the Measure”\n\t\t026\t“Stanzas from Dante”\n\t\t057\tZodiac Cycle : “The Expulsion of the Triumphant Beast” – Aries\n\t\t090\t“Flesh Cup” – Tevarus\n\t\t146\t“A Secret Poem (after Le matin des magiciens & for Chas, wishing we cd split 1) – Gemini\n\t\t178\t“Letter to Tarshish” – Cancer\n\t\t208\t“The Death of Baron Corvo” – Leo\n\t\t236\t“The Tomb of Rameses VI At Bollingen” – Virgo\n\t\t278\t“An Improvement of the Understanding” – Library\n\t\t333\t“Where it is We Call to Our Young” – Scorpio\n\t\t377\t“A Homage” – Sagitarius\n\t\t410\t“Omens” – Capricorn\n\t\t455\t“From the Grail Cycle” – Aquarius\n\t\t494\t“After the Ball” – Pisces (end of zodiac cycle)\n\t\t532\t“Of Earth”\n\t\t675\t“Poem for Easter”\n\t\t737\t“(Tensors)” (1)\n\t\t773 \t(2) (for Harvey & Timotha Bialy)\n\t\t806\t(3) (for Gi Li)\n\t\t845\t“Amy Strips” (1)\n\t\t864\t(2)\n\t\t882\t(3)\n\t\t899\t(4)\n\t\t916\t(5)\n\t\t940\t(6)\n\t\t973\t(7)\n\t\t1015\t“Morning Gathas”\nTwo\t\t000\t“(Alba)”\n\t\t030\t“Smith Cove Meditation”\n\t\t121\t“Jealous” 1.\n\t\t168\t2.\n\t\t281\t3. (Hermes’ Alchemy:\n\t\t298\t4. (& Renaissance’s:\n\t\t354\t5.\n\t\t380\t“Sheep, or Mutton”\n\t\t476\t“Lammas in Gloucester”\n\t\t684\t“King of Death”\n\t\t708\t“Opus Leonis”"],"Note":["[{\"note\":\"Side 1 26:40\\nSide 2 26:30\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670554195722243,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5798","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Bill Bissett Reading at York University, 1973 #549"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bissett, Bill"],"creator_names_search":["Bissett, Bill"],"creators":["[{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"Bissett, Bill\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6117/Reading in BC_MsC199_549.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"549-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:23\",\"precision\":\"\",\"size\":\"41.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"549-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:26\",\"precision\":\"\",\"size\":\"42.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/11928469\",\"venue\":\"York University\",\"notes\":\"\",\"address\":\"120, Ian Macdonald Boulevard, Humber River—Black Creek, North York, Toronto, Golden Horseshoe, Ontario, M7A 2C5, Canada\",\"latitude\":\"43.77390\",\"longitude\":\"-79.49981\"}]"],"Address":["120, Ian Macdonald Boulevard, Humber River—Black Creek, North York, Toronto, Golden Horseshoe, Ontario, M7A 2C5, Canada"],"Venue":["York University"],"City":["Toronto, Ontario"],"Note":["[{\"note\":\"Side 1 44 min\\nSide 2 37 min\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670554195722244,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5914","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Bill Bissett reading at the College of New Caledonia, [1971?] #224"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bisset, Bill"],"creator_names_search":["Bisset, Bill"],"creators":["[{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"Bisset, Bill\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/207/Readings in BC_MsC199_224.jpg\",\"other\":\"J-card\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Black and white clear jewel case with J card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"224-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:41\",\"precision\":\"\",\"size\":\"30.2 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"224-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:27:58\",\"precision\":\"\",\"size\":\"28.4 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory\"},{\"date\":\"[1971?]\",\"type\":\"Production Date\",\"notes\":\"The date in inventory is different from what's written on the j-card. The mentioned date in inventory is 1973\\n\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/443237227\",\"venue\":\"The College of New Caledonia\",\"notes\":\"\",\"address\":\" Imperial Parking, 3330 22 Ave, Prince George, BC V2N 1P8\",\"latitude\":\"53.90631\",\"longitude\":\"-122.78598\"}]"],"Address":[" Imperial Parking, 3330 22 Ave, Prince George, BC V2N 1P8"],"Venue":["The College of New Caledonia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t(Reading in progress) “In the mushroom village…”\n\t\t020\t“Killer Whale”\n\t\t070\t“The temple firing’\n\t\t111\t“Of the land, divine service…”\n\t\t129\t“For silver, and for gold…”\n\t\t150\t“The chain of gold which art of the children…”\n\t\t222\t“The day may come…”\n\t\t263\t“Hey you, noting eternity can be so cold…”\n\t\t279\t“This is a story called ‘The Molecular Robbery’.”\n\t\t374\t“Our friends in jail…”\n\t\t427\t“Holy day is due…”\n\t\t461\t“All the jewels in your carress…”\n\t\t501\tSound ends – no voice until 538; commences here in progress “what I’m going to do is a thing called :whisper piece.”\n\t\t\t(unidentified voice – bp Nichol?) speaks on and off mike\n\t\t555\t“M.L.’s dream”\n\t\t607\t“Flower Eyes”\n\t\t633\tRoars\n\t\t646\tRound breaks off\nTwo\t\t000\tOpens with rock and roll – Rolling Stones, Rod Stewart, Bette Midler to\n\t\t108\tBill Bissett: “did anyone see Bette Midler when she was in Vancouver?”\n\t\t113\t“The waterfalls in your mind and you get we too.”\n\t\t137\t“You want the music, you want the laughter…”\n\t\t167\t“I was just comin’ back from the V.G. clinic…”\n\t\t195\t“In this forest…”\n\t\t220\tSilence, B.B. comments, “You must think it’s crazy when I just sit here and turn pages…”\n\t\t230\tAnd turn pages…”\n\t\t232\t“Medicine”\n\t\t316\t“Your moon change into you…”\n\t\t355\t“To touch you…”\n\t\t406\t“Chile”\n\t\t422\t“And all the while we’re sitting here watching…”\n\t\t430\t“In Nova Scotia the people call shit houses Houses of Parliament…”\n\t\t457\t“Trail through the land.”\n\t\t497\t“O Kate, yu”\n\t\t524\t“Keep me alive”\n\t\t556\t“Where there is no ladder to/it takes me…”\n\t\t594\t“You are…”\n\t\t609\t“Small and tender creatures…”\n\t\t621\t“A chain of gold which art of the children…”\n\t\t663\t“The light is in thee…”  (from 606 to 733, silence)\n\t\t733\t“The endless spirit…”\nTwo\t\t850\t“We could start this one off by saying that you just clap your hands, period”\n\t\t861\t“Just a little song called “The Meeting”.  It could be anywhere – could be here.”\n\t\t957\tQuestion from the audience re Bissett’s chanting being “demagogic.”  \n\t\t993\tTape ends"],"Note":["[{\"note\":\"Liner Notes: Bill Bissett reading at The College of New Caledonia in 1971.\\n Side 1: 23:05 min \\nSide 2: 10:45 min \\nSevere distortion \\nDolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554196770816,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5919","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Pat Lane discusses the process of writing with creative students at the College of New Caledonia, part 1 of 2 #228a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Lane, Pat"],"creator_names_search":["Lane, Pat"],"creators":["[{\"url\":\"http://viaf.org/viaf/66513400\",\"name\":\"Lane, Pat\",\"dates\":\"1939-2019\",\"notes\":\"Lane, Patrick\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/212/Readings in BC_MsC199_228a.jpg\",\"other\":\"J-card\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Black and white clear jewel case with J card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"228a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:49:24\",\"precision\":\"\",\"size\":\"107.7 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"228a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T02:28:04\",\"precision\":\"\",\"size\":\"145.8 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/443237227\",\"venue\":\"The College of New Caledonia\",\"notes\":\"\",\"address\":\" Imperial Parking, 3330 22 Ave, Prince George, BC V2N 1P8\",\"latitude\":\"53.90584\",\"longitude\":\"-122.78442\"}]"],"Address":[" Imperial Parking, 3330 22 Ave, Prince George, BC V2N 1P8"],"Venue":["The College of New Caledonia"],"Note":["[{\"note\":\"Liner Notes: Pat Lane discusses the process of writing with creative students at the College of New Caledonia #228a \\nSide 1: 29:30 min \\nSide 2: 29:30 min \\nDolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554196770817,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5920","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Pat Lane discusses the process of writing with creative students at the College of New Caledonia, part 2 of 2 #228b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Lane, Pat"],"creator_names_search":["Lane, Pat"],"creators":["[{\"url\":\"http://viaf.org/viaf/66513400\",\"name\":\"Lane, Pat\",\"dates\":\"1939-2019\",\"notes\":\"Lane, Patrick\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/213/Readings in BC_MsC199_228b.jpg\",\"other\":\"J-card\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Black and white clear jewel case with J card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"228b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:34:33\",\"precision\":\"\",\"size\":\"33.5 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"228b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:28\",\"precision\":\"\",\"size\":\"30.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/443237227\",\"venue\":\"The College of New Caledonia\",\"notes\":\"\",\"address\":\" Imperial Parking, 3330 22 Ave, Prince George, BC V2N 1P8\",\"latitude\":\"53.90584\",\"longitude\":\"-122.78442\"}]"],"Address":[" Imperial Parking, 3330 22 Ave, Prince George, BC V2N 1P8"],"Venue":["The College of New Caledonia"],"Note":["[{\"note\":\"Liner Notes: Pat Lane on Creative Writing #228b Side 1: 28:40 min \\nSide 2: 24:20 min\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554196770818,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5921","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Gerry Gilbert reading with Sound Effects and Tape Echo #229"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Gilbert, Gerry"],"creator_names_search":["Gilbert, Gerry"],"creators":["[{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/214/Readings in BC_MsC199_229.jpg\",\"other\":\"J-card\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Black and white clear jewel case with J card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"229-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:28\",\"precision\":\"\",\"size\":\"30 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"229-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:42\",\"precision\":\"\",\"size\":\"46.1 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t“Homage to Bashō”\n\t\t019\t“Last day of Vancouver…”\n\t\t025\t“Slug eye…”\n\t\t120\t“We arrived at the CN station…”\n\t\t136\t“Dear Mrs…”\n\t\t144\t“Shitty stinky…”\n\t\t150\t“Chess clock”\n\t\t161\t“And…”\n\t\t169\t“The radio, 83 year-old with grandchildren…”\n\t\t198\t“The root of the word ‘to exist’”\n\t\t211\t“Anne Murray…”\n\t\t258\t“Here is Bashō’s 17th century haiku poem…”\n\t\t284\t“…I went to the Royal Ontario Museum…\n\t\t295\t“She hole he bang”\n\t\t297\t“I called him Newton”\n\t\t362\t“I kept hear Roy say, ‘it’s this big…’”\n\t\t383\t“War Canada…”\n\t\t390\t“I looked at the Pacific Ocean and fell asleep for a day…”\n\t\t415\t“Love is just a round corner”\n\t\t421\t“Making muffins to take to the beach…”\n\t\t443\t“Last Sunday afternoon in July, 1972…”\n\t\t468\t“Flies…” (tape collage)\n\t\t504\t“(Creeley speaking)\n\t\t530\t(collage continues)\n\t\t582\t“Chickory chick…”\n\t\t596\t“Tobacco…”\n\t\t654\t“Tape ends”"],"Note":["[{\"note\":\"Liner Notes: Gerry Gilbert Reading with Sound Effects and Tape Echo \\nSide 1: 28:23 min \\nSide 2: 18:15 min \\nSevere distortion throughout most of this tape Dolby B\",\"type\":\"General\"},{\"note\":\"BC inventory document says that the College of New Caledonia is a donor for this recording\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554196770819,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5922","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Brian Fawcett reading \"Cottonwood Canyon\" at Selkirk College on November 6, 1975 #230"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Fawcett, Brian"],"creator_names_search":["Fawcett, Brian"],"creators":["[{\"url\":\"http://viaf.org/viaf/35890\",\"name\":\"Fawcett, Brian\",\"dates\":\"1944-\",\"notes\":\" \",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/215/Readings in BC_MsC199_230.jpg\",\"other\":\"J-card\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Black and white clear jewel case with J card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"230-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:41:58\",\"precision\":\"\",\"size\":\"41.5 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"230-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:26\",\"precision\":\"\",\"size\":\"48.9 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-11-06\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/540850981\",\"venue\":\"Selkirk College\",\"notes\":\"\",\"address\":\"Selkirk College, Cedar Avenue, Trail, Regional District of Kootenay Boundary, British Columbia, V1R 4C5, Canada\",\"latitude\":\"49.09421\",\"longitude\":\"-117.70702\"}]"],"Address":["Selkirk College, Cedar Avenue, Trail, Regional District of Kootenay Boundary, British Columbia, V1R 4C5, Canada"],"Venue":["Selkirk College"],"Note":["[{\"note\":\"Liner Notes: Brian Fawcett Reading \\\"Cottonwood Canyon\\\" Selkirk College Nov 6, 1975. \\nOriginal tape ran out before end of reading.\\nVery noisy. \\nSide 1: 30:30 min \\nSide 2: blank \\nDolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554196770820,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5923","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Duncan reading at UBC on February 15, 1969 #8a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert"],"creator_names_search":["Duncan, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Enomoto, Randy"],"contributors_names_search":["Enomoto, Randy"],"contributors":["[{\"url\":\"http://viaf.org/viaf/256444645\",\"name\":\"Enomoto, Randy \",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/217/Reading in BC_MsC199_8a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:10:40\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"8a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:13\",\"precision\":\"\",\"size\":\"20.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"8a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:39\",\"precision\":\"\",\"size\":\"19.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969-02-15\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC \",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC "],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tPassages 8\n\t\t042\tPart of another Passages poem “let there be the clack of the shuttle flying…”\n\t\t059\t“For me too, I long ago shipping out with the cantos…”\n\t\t076\tYes, we move (to) (through) the day of crisis that will not come…\n\t\t099\t“Childless”\n\t\t114\tSpeaks on virus and cancer cells\n\t\t140\t“Keeping the was inside…”\n\t\t148\t“Fragments of a Zoroastrian hymn”\n\t\t161\t“Fire”\n\t\t287\tCommentary\n\t\t308\tPoem “Cathedrals”\n\t\t333\tIn the place of a passage 22\n\t\t373\tEpilogos\n\t\t446\tDuncan speaking\n\t\t474\tPassage 31, The concert\n\t\t526\t“Ancient reveries and declamations”\n\t\t641\tDuncan speaking\n\t\t666\t“Ancient questions” cut off reading Job: Art thou brooding old man upon thy work, staring in gloomy depths where incubate thy \n\t\t\tTape fades and fluctuates\n"],"Note":["[{\"note\":\"Liner Notes: Robert Duncan, UBC February 15, 1969  From Enomoto #8 Side 1: 29:30 min Side 2: 29:18 min Continued on next tape Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554196770821,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5924","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Duncan reading at UBC on February 15 and 16, 1969 #8b"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert"],"creator_names_search":["Duncan, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Enomoto, Randy"],"contributors_names_search":["Enomoto, Randy"],"contributors":["[{\"url\":\"http://viaf.org/viaf/256444645\",\"name\":\"Enomoto, Randy \",\"dates\":\"1944-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Publication_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/218/Reading in BC_MsC199_8b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:09:20\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"8b-side-3.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:06\",\"precision\":\"\",\"size\":\"20.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"8b-side-4.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:26\",\"precision\":\"\",\"size\":\"20.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969-02-16 \",\"type\":\"Publication Date\",\"notes\":\"8:45\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t000\tCont. “Ancient questions”\n\t\t016\t“Passages” 33\n\t\t071\t“Achilles”\n\t\t091\tDuncan speaking\n\t\t\tE. Tallman question – the democratizing of poetry\n\t\t404\tAnother question – excessive rumble in background\n\t\t\t“composing the world”\n\t\t571\tQuestion – Whitehead’s transformation of conflict – contrast\n\t\t610\tCut off\n"],"Note":["[{\"note\":\"Liner Notes: Robert Duncan, UBC February 15/16, 1969 8:45  From Enomoto #8 Side 3: 29:45 min (21 min on the insert) Side 2: 29:35 min Continued on next tape Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554196770822,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5925","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Duncan talk at UBC on February 16, 1969 #9"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert"],"creator_names_search":["Duncan, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Enomoto, Randy"],"contributors_names_search":["Enomoto, Randy"],"contributors":["[{\"url\":\"http://viaf.org/viaf/256444645\",\"name\":\"Enomoto, Randy \",\"dates\":\"1944-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Publication_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/219/Reading in BC_MsC199_9.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:13:40\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"9-side-5.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:39\",\"precision\":\"\",\"size\":\"26.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"9-side-6.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:29\",\"precision\":\"\",\"size\":\"25.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969-02-16 \",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t014\tFurther element in “democratizing of poetry” – competition is disappearing\n\t\t\t“area of liberation” – “poetry plays with ideas”\n\t\t078\tE. Tallman asks question – Duncan speaks on Freud and Jung\n\t\t156\tCan’t have a Poundian … it doesn’t consist of models, the clues are gone… the world that gave birth to the art of Picasso, Stravinsky, Pound and Schoenberg is gone…  It’s gone when you see a new thing \n\t\t180\t“Logopoeia” – in the dialectics of poetry, the world is transformed into a thing called poetic material… a matter existing in language\n\t\t369\tConversations and discussions – mixed\n\t\t655\tEnd\nTwo\t\t000\tGinsberg – Wichita Vortex Sutra – not very clear recording\n"],"Note":["[{\"note\":\"Liner Notes: Robert Duncan, UBC February 16, 1969  From Enomoto #8 Side 5: 37:25 min  Side 6: 36:15 min Conclusion\",\"type\":\"General\"},{\"note\":\"Side B is a not very clear recording of Allan Ginsberg reading Wichita Vortex Sutra, since it is not audible, Ginsberg is not included in the metadata as a creator\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554197819392,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5926","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Allen Ginsberg and Peter Orlovski at UBC on March 11, 1969 #10a"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Persky, Stan","Blake, William","Ginsberg, Allen","Orlovsky, Peter"],"creator_names_search":["Persky, Stan","Blake, William","Ginsberg, Allen","Orlovsky, Peter"],"creators":["[{\"url\":\"http://viaf.org/viaf/57448780\",\"name\":\"Persky, Stan\",\"dates\":\"1941-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/54144439\",\"name\":\"Blake, William\",\"dates\":\"1757-1827\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/34654554\",\"name\":\"Orlovsky, Peter\",\"dates\":\"1933-2010\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Enomoto, Randy"],"contributors_names_search":["Enomoto, Randy"],"contributors":["[{\"url\":\"http://viaf.org/viaf/256444645\",\"name\":\"Enomoto, Randy \",\"dates\":\"1944-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/220/Reading in BC_MsC199_10a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:06:00\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\" Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"10a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:36:21\",\"precision\":\"\",\"size\":\"24.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"10a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:32\",\"precision\":\"\",\"size\":\"19.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969-03-11\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction – UBC\n\t\t009\tGinsberg singing selections from Blake’s Songs of Innocence - Experience The Echoing Green\n\t\t033\tThe Lamb\n\t\t051\tThe Chimney Sweeper\n\t\t091\tGinsberg reading -   Television was a baby crawling toward that deathchamber\n\t\t403\tGinsberg and Orlovski performing chants\n\t\t515\tMorning\n\t\t570\tToday\n"],"Note":["[{\"note\":\"Liner Notes: Allen Ginsberg, UBC March 11, 1969  From Enomoto #10 Side 1: 37:00 min  Side 2: 29:00 min Introduction by Stan Persky Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554197819393,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5927","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Allen Ginsberg and Peter Orlovski at SFU on March 12, 1969 #10b"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Blake, William","Ginsberg, Allen","Orlovsky, Peter"],"creator_names_search":["Blake, William","Ginsberg, Allen","Orlovsky, Peter"],"creators":["[{\"url\":\"http://viaf.org/viaf/54144439\",\"name\":\"Blake, William\",\"dates\":\"1757-1827\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/34654554\",\"name\":\"Orlovsky, Peter\",\"dates\":\"1933-2010\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Enomoto, Randy"],"contributors_names_search":["Enomoto, Randy"],"contributors":["[{\"url\":\"http://viaf.org/viaf/256444645\",\"name\":\"Enomoto, Randy \",\"dates\":\"1944-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/221/Reading in BC_MsC199_10b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:58:40\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"10b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:23\",\"precision\":\"\",\"size\":\"20.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"10b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:22:41\",\"precision\":\"\",\"size\":\"21 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969-03-12\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t000\tKral Majales\n\t\t030\tIntroduction – SFU\n\t\t043\tGinsberg and Orlovski sing The Chimney Sweeper\n\t\t069\tThe Lamb\n\t\t084\tThe Laughing Song\n\t\t091\tFragments of a long poem\n\t\t250\tWichita Vortex Sutra\n"],"Note":["[{\"note\":\"Liner Notes: Allen Ginsberg, SFU March 12, 1969  From Enomoto #10 Side 1: 29:00 min  Side 2: 29:40 min Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554197819394,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5928","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Stan Persky on Spicer's Holy Grail in Vancouver on January 23, 1970 #11"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Persky, Stan"],"creator_names_search":["Persky, Stan"],"creators":["[{\"url\":\"http://viaf.org/viaf/57448780\",\"name\":\"Persky, Stan \",\"dates\":\"1941-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Enomoto, Randy"],"contributors_names_search":["Enomoto, Randy"],"contributors":["[{\"url\":\"http://viaf.org/viaf/256444645\",\"name\":\"Enomoto, Randy \",\"dates\":\"1944-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Publication_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/223/Reading in BC_MsC199_11.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:59:00\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"11-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:06\",\"precision\":\"\",\"size\":\"20.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"11-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:29\",\"precision\":\"\",\"size\":\"20.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970-01-23\",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\"49.2548\",\"longitude\":\"-123.1135\"}]"],"Address":["Vancouver, BC, Canada"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tInterview with Stan Persky re Spicer’s Holy Grail\n"],"Note":["[{\"note\":\"Liner Notes: Randy Enomoto #11Stan Persky on Spicer's Holy Grail Jan.23.1970 side1 30 min side 2 29 min very noisy, but mostly decipherable dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554197819395,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5929","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Memorial readings for Charles Olson at St. Anselm's Anglican Church on March 14, 1970, and February 14 part 2 of 2 #12b"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["n/a","Avison, Margaret","Olson, Charles","Gadd, Maxine","Hauser, Gwen","Kiyooka, Roy"],"creator_names_search":["n/a","Avison, Margaret","Olson, Charles","Gadd, Maxine","Hauser, Gwen","Kiyooka, Roy"],"creators":["[{\"url\":\"\",\"name\":\"n/a\",\"dates\":\"\",\"notes\":\"Almost all the poets do not introduce themselves.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/79128508\",\"name\":\"Avison, Margaret\",\"dates\":\"1918-2007\",\"notes\":\"Roy Kiyooka reads her long poem\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles \",\"dates\":\"1910-1970\",\"notes\":\"I have recognized at least one of his poems. I am not sure but there is a possibility that the voice on the recorded recording is also his.\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/75225856\",\"name\":\"Gadd, Maxine\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/268119769\",\"name\":\"Hauser, Gwen\",\"dates\":\"1944-\",\"notes\":\"There are two women voices on two cassettes, Copithorne I identified by her voice, this one I take as a second women's name from the spreadsheets\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Enomoto, Randy"],"contributors_names_search":["Enomoto, Randy"],"contributors":["[{\"url\":\"http://viaf.org/viaf/256444645\",\"name\":\"Enomoto, Randy \",\"dates\":\"1941-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/224/Reading in BC_MsC199_12b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:44:27\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"12b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:28:22\",\"precision\":\"\",\"size\":\"19.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"12b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:16:40\",\"precision\":\"\",\"size\":\"11.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970-03-14\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1970-02-14\",\"type\":\"Production Date\",\"notes\":\"The year was not identified, so I've checked if 14 Feb 1970 was Saturday and it was\",\"source\":\"Inventory reading in BC\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/682591080\",\"venue\":\"St. Anselm's Anglican Church\",\"notes\":\"info about place is from spreadsheets\",\"address\":\"5210 University Blvd, Vancouver, BC V6T 2H5\",\"latitude\":\"49.26314\",\"longitude\":\"-123.23046\"}]"],"Address":["5210 University Blvd, Vancouver, BC V6T 2H5"],"Venue":["St. Anselm's Anglican Church"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["\t\t\tReading Honey\n\t\t\tReading The Trouble\n\t\t\tReading Sycamore\n\t\t\tReading “A man opens a door, steps out…”\n\t\t\tMaxine Gadd reading Apollo is also dead…\n\t\t\t? reading “Charles Olson, I want to know you…”\n\t\t\t? reading “We are Olson’s children…\n\t\t\t? Reading?\n\t\t\t? Reading “How to be a poet”\n\t\t\tRoy Kiyooka reading Olson’s At Yorktown\n\t\t\tRoy Kiyooka reading\n\t\t\tRoy Kiyooka reading Margaret Avison’s poem The Earth That Falls Away\n"],"Note":["[{\"note\":\"Liner Notes: Olson March 14, 1970 Part2 Dolby B #12b\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554197819396,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5930","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Memorial readings for Charles Olson at St. Anselm's Anglican Church, March 14, 1970 and February 14 part 1 of 1 #12a"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["n/a","Blaser, Robin","Kearns, Lionel","Jonas, Stephen","Olson, Charles","Copithorne, Judith","Cartledge, Roger","Fawcett, Brian","[Scott, Lawrence?]","Maud, Ralph Noel"],"creator_names_search":["n/a","Blaser, Robin","Kearns, Lionel","Jonas, Stephen","Olson, Charles","Copithorne, Judith","Cartledge, Roger","Fawcett, Brian","[Scott, Lawrence?]","Maud, Ralph Noel"],"creators":["[{\"url\":\"\",\"name\":\"n/a\",\"dates\":\"\",\"notes\":\"most of the poets did not introduce themselves and there is also a recorded poem also without the reader's name\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/30784380\",\"name\":\"Kearns, Lionel \",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/77845972\",\"name\":\"Jonas, Stephen\",\"dates\":\"1921-1970\",\"notes\":\"Second speaker on side 2 says that he reads two poems by a Massachusetts poet who also died recently. The second poem he reads is \\\"LOVE, THE POEM, THE SEA & OTHER PIECES EXAMINED BY ME\\\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles \",\"dates\":\"1910-1970\",\"notes\":\"Many people read his poems\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/63020479\",\"name\":\"Copithorne, Judith \",\"dates\":\"1939-\",\"notes\":\"Identified by voice\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Cartledge, Roger \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/35890\",\"name\":\"Fawcett, Brian\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/24688793\",\"name\":\"[Scott, Lawrence?]\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/66537561\",\"name\":\"Maud, Ralph Noel\",\"dates\":\"1928-2014\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Enomoto, Randy"],"contributors_names_search":["Enomoto, Randy"],"contributors":["[{\"url\":\"http://viaf.org/viaf/256444645\",\"name\":\"Enomoto, Randy \",\"dates\":\"1944-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/224/Reading in BC_MsC199_12a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:57:57\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"12a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:54\",\"precision\":\"\",\"size\":\"20.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"12a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:28:17\",\"precision\":\"\",\"size\":\"19.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970-03-14\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"02-14\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory reading in BC\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/682591080\",\"venue\":\"St. Anselm's Anglican Church\",\"notes\":\"Info about place is from spreadsheets\",\"address\":\"5210 University Blvd, Vancouver, BC V6T 2H5\",\"latitude\":\"49.26314\",\"longitude\":\"-123.23046\"}]"],"Address":["5210 University Blvd, Vancouver, BC V6T 2H5"],"Venue":["St. Anselm's Anglican Church"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tB\t000\tRobin Blaser reading scripture from St. John\n\t\t\tTape recording of Charles Olson reading As the Dead Prey Upon Us – extract from his reading at the Vancouver Poetry Conference in 1963\n\t\t\tJudith Copithorne reading:\n\t\t\t“On the roof the ferry…”\n\t\t\t“What happens when the father…”\n\t\t\tLionel Kearns reading Language Dreams\n\t\t\tReader ? – “The garden was unguarded and they went in at the gate…”\n\t\t\tAn Ode for Garcia Lorca\n\t\t\t“Love, the poem, the sea and other pieces examined by me…”\n\t\t\tPersky reading from Maximus Poems-Bk ii chapter 37\n\t\t\tReading Saturday Feb. 14\n\t\t\tRoger Cartledge reading “When you heard he’d died…”\n\t\t\tBrian Fawcett reading from Maximus Poems\n\t\t\tReading “Maximus Letter # Whatever”\n\t\t\tReading A Story Told To Me\n\t\t\tReading Is It These White Bones\n\t\t\tScott Lawrence? Reading The Day Before Christmas \n\t\t\tReading Anima\n\t\t\tRalph Maud reading “Maximus to Gloucester”\n\t\t\tRe-reds it\n"],"Note":["[{\"note\":\"Liner Notes: Olson March 14, 1970 Side 1 29.50 min. Side 2 28.07 min. Side 3 28:12 min Side 4 16:15 minRandy Emoto #12 Part 1 Memorial Readings forCharles Soon March 14.1970 Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554198867968,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5931","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Copithorne,  Hauser, Fawcett, Persky, and Gilbert reading at Community Research Centre on April 15, 1970 #13a"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Persky, Stan","Hauser, Gwen","Fawcett, Brian","Copithorne, Judith","Gilbert, Gerry"],"creator_names_search":["Persky, Stan","Hauser, Gwen","Fawcett, Brian","Copithorne, Judith","Gilbert, Gerry"],"creators":["[{\"url\":\"http://viaf.org/viaf/57448780\",\"name\":\"Persky, Stan\",\"dates\":\"1941-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/268119769\",\"name\":\"Hauser, Gwen\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/35890\",\"name\":\"Fawcett, Brian\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/63020479\",\"name\":\"Copithorne, Judith\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Enomoto, Randy"],"contributors_names_search":["Enomoto, Randy"],"contributors":["[{\"url\":\"http://viaf.org/viaf/256444645\",\"name\":\"Enomoto, Randy \",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/232/Reading in BC_MsC199_13a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:20:06\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"13a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:52\",\"precision\":\"\",\"size\":\"30.4 MB\",\"bitrate\":\"32  bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"13a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:40:05\",\"precision\":\"\",\"size\":\"27.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970-04-15\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/2190689908\",\"venue\":\"Community Research Centre\",\"notes\":\"\",\"address\":\" 1007-808 Nelson St, Vancouver, BC V6Z 2H2\",\"latitude\":\"39.08539\",\"longitude\":\"-84.34808\"}]"],"Address":[" 1007-808 Nelson St, Vancouver, BC V6Z 2H2"],"Venue":["Community Research Centre"],"City":["Vancouver, British Columbia"],"contents":["Poetry reading and discussion"],"Note":["[{\"note\":\"Liner Notes: Copithorne,  Hauser, Fawcett, Persky, Gilbert Apr. 15, 1970 Side1: 45 min, Side2: 41 min Dolby BRandy Enomoto #13\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554199916544,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5932","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Ralph Maud Lecture on October 17, 1969 #13b"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Maud, Ralph"],"creator_names_search":["Maud, Ralph"],"creators":["[{\"url\":\"http://viaf.org/viaf/66537561\",\"name\":\"Maud, Ralph\",\"dates\":\"1928-2014\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Enomoto, Randy"],"contributors_names_search":["Enomoto, Randy"],"contributors":["[{\"url\":\"http://viaf.org/viaf/256444645\",\"name\":\"Enomoto, Randy \",\"dates\":\"1944-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/246/Reading in BC_McS199_13b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:30:13\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"13b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:02\",\"precision\":\"\",\"size\":\"30.7 MB\",\"bitrate\":\"32  bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"13b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:43:34\",\"precision\":\"\",\"size\":\"29.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969-10-17\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"contents":["Lecture and Q&A Noise and music on the background"],"Note":["[{\"note\":\"Liner Notes: Randy Enomoto #13 Ralph Maud Lecture October 17, 1969 Side 1 45:40 Side 2 44:33 Dobly B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554199916545,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5933","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Interview with Robin Blaser Re Jack Spicer in Vancouver on June 16, 1970 #14"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[RB_14]"],"rights":["In Copyright (InC)"],"access":["Streaming"],"creator_names":["Blaser, Robin"],"creator_names_search":["Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Narrator\"]}]"],"contributors_names":["Enomoto, Randy"],"contributors_names_search":["Enomoto, Randy"],"contributors":["[{\"url\":\"http://viaf.org/viaf/256444645\",\"name\":\"Enomoto, Randy \",\"dates\":\"1944-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Publication_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/247/Reading in BC_MsC199_14.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:56:40\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/rbr-35/rb14a\",\"file_path\":\"\",\"filename\":\"14-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:09\",\"precision\":\"\",\"size\":\"19.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/rbr-36/rb14b\",\"file_path\":\"\",\"filename\":\"14-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:17:33\",\"precision\":\"\",\"size\":\"11.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970-06-16\",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\"49.2557\",\"longitude\":\"-123.1142\"}]"],"Address":["Vancouver, BC, Canada"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\t\t\tInterview with Robin Blaser re Jack Spicer\n"],"Note":["[{\"note\":\"Liner Notes: Blaser June 16, 1970 Randy Enomoty #14 Interview with Robin Blaser Re Jack Spicer June 16, 1970 Side1 29:30 Side 2 17:10 Dolby B\",\"type\":\"General\"},{\"note\":\"there is also a woman's voice on the recording that is not identified \",\"type\":\"\"},{\"note\":\"The interviewer is not identified\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554199916546,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5934","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Cacchioni, Fawcett, Gladys, Persky, Russel, and Wah reading at Stan Persky’s house on August 26, 1970 #15a"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Russel, Marilyn","Cacchioni, Mark","Persky, Stan","Blaser, Robin","Fawcett, Brian","Stanley, George","Wah, Fred","Hindmarch, Gladys"],"creator_names_search":["Russel, Marilyn","Cacchioni, Mark","Persky, Stan","Blaser, Robin","Fawcett, Brian","Stanley, George","Wah, Fred","Hindmarch, Gladys"],"creators":["[{\"url\":\"\",\"name\":\"Russel, Marilyn \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Cacchioni, Mark \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/57448780\",\"name\":\"Persky, Stan\",\"dates\":\"1941-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/35890\",\"name\":\"Fawcett, Brian\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/30781582\",\"name\":\"Stanley, George\",\"dates\":\"1934-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/38164256\",\"name\":\"Hindmarch, Gladys\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Enomoto, Randy"],"contributors_names_search":["Enomoto, Randy"],"contributors":["[{\"url\":\"http://viaf.org/viaf/256444645\",\"name\":\"Enomoto, Randy \",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/248/Reading in BC_MsC199_15a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:29:30\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"15a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:07\",\"precision\":\"\",\"size\":\"29.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"15a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:26\",\"precision\":\"\",\"size\":\"29.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970-08-26\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Stan Persky’s house\",\"notes\":\"\",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Vancouver, BC, Canada"],"Venue":["Stan Persky’s house"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tConversation\n\t\t010\tGeorge Stanley reading Dream, after reading The Grand Inquisitor\n\t\t033\tGeorge Stanley reading Fairies\n\t\t065\t? reading from an anthology\n\t\t133\tMark Caccioni reading Song of Passing\n\t\t156\tMark Caccioni reading Purification\n\t\t316\tCaccioni reading Colin Stuart’s poem “Bending under the dark branches…”\n\t\t333\tCaccioni reading Stuart’s poem “Lady who stands by the oak…”\n\t\t347\tCaccioni reading Stuart’s poem Harlequin\n\t\t358\tCaccioni reading Stuart’s poem Petals\n\t\t370\tCaccioni reading Stuart’s poem Fragment 67 – August 1970\n\t\t473\tMarilyn Russel reading The Muses\n\t\t535\tBrian Fawcett reading The Ridge\n\t\t\tLady\n\t\t\tPrince George May 7, 1970\n\t\t\tSalmon River\n\t\t\tThe Ball-park\n\t\t\tThe Goddess\n\t\t\tAug. 21, 1970, Bedwell Bay\n"],"Note":["[{\"note\":\"Liner Notes: Cacchioni, Fawcett, Gladys, Persky, Russel, Wah August 26, 70 Randy Enomoto #15 Part 1 Side 1 45 min s 44:30 min 3 29.15 min 4 28:55 min 5 29:48 min 6 20:54 min\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554199916547,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5935","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970-08-26\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\"49.2595\",\"longitude\":\"-123.1138\"}]"],"Address":["Vancouver, BC, Canada"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t\tContinuing with Brian Fawcett\n\t\t\tColumbus\n\t\t\tThe Coven\n\t\t\tThe Chair\n\t\t\tThe Wedding\n\t\t403\tGladys Hindmarch reading a short story\n\t\t574\tGeorge Stanley reading translation of Virgil – “To the child whose birth will change the way the universe works – Brian de Beck stops part-way through-Brian Fawcett reads it\n"],"Note":["[{\"note\":\"Liner Notes: Cacchioni, Fawcett, Gladys, Persky, Russel, Wah Aug. 26, 70 Randy Enomoto #15b Part 2 \",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554200965120,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5936","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. 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Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The phantom English Dept: Stan Persky, Judith Copithorne, Brain Fawcett, Gwen Hauser, Tom Wayman reading at SFU on October 16 and 10 #16"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Hoover, Neap","Persky, Stan","Fawcett, Brian","Copithorne, Judith","Hauser, Gwen","Wayman, Tom"],"creator_names_search":["Hoover, Neap","Persky, Stan","Fawcett, Brian","Copithorne, Judith","Hauser, Gwen","Wayman, Tom"],"creators":["[{\"url\":\"\",\"name\":\"Hoover, Neap\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/57448780\",\"name\":\"Persky, 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BC_MsC199_16.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:16:10\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"16-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:23\",\"precision\":\"\",\"size\":\"30 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"16-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:18\",\"precision\":\"\",\"size\":\"21.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"19?-10-10\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"19?-10-16\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/search?query=SFU#map=15/49.2767/-122.9183\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tStan Persky provides introduction on Olson\n\t\t105\tPersky reading Maximus to Dogtown\n\t\t157\tJudith Copithorne reading Swamp People\n\t\t185\tWhen the Night Seizes You\n\t\t197\tAt Sechelt\n\t\t230\tElectronic Dreams\n\t\t240\tPoem\n\t\t254\tBrian Fawcett reading “The man wants power over animals…”\n\t\t264\tOrpheus\n\t\t269\t“If love can span seasons, worlds…”\n\t\t273\tOrion\n\t\t279\tThe Word\n\t\t285\tUrsus Horriblis\n\t\t290\tA Story Told To Me\n\t\t294\tAnd Love Returned\n\t\t299\tVariations I\n\t\t303\tVariations II\n\t\t307\tVariations III\n\t\t311\tBoulder Creek\n\t\t315\t“And hell is a created place”\n\t\t321\t“It is always spring when…”\n\t\t337\tGwen Hauser reading “When first I discovered that I had been raped…”\n\t\t349\tIn Your House\n\t\t358\tNotes From the Doll-house\n\t\t365\tControl Yourself\n\t\t370\tResponsibility\n\t\t372\tPoem written during housing shortage\n\t\t378\t“The important thing is about the triangle…”\nside \ntwo           395\tBridge Poem\n\t\t402\t“The sky is a reasonable blue today…”\n\t\t413\tPoem composed to a song\n\t\t468 \t“Another variation on a sound…”\n\t\t483\tBread Poem\n\t\t504\tPostscripts from insanity\n\t\t530\tPoem about a pig\n\t\t542\tPoem for Joan\n\t\t555\tMad Red Woman\n\t\t569\tCont. Tom Wayman reading Freeway\n\t\t603\tDespair\n\t\t659\t“The class becomes the poem…”\n\t\t687\tThe Dream of the Guerillas\n\t\t728\tNeap Hoover reading Friendly Cove\n\t\t743\t“Love echoing the boy who bends the ground…”\n\t\t751\tFragment-tape runs out midway through this poem\n\t2\t\tPhantom English Dept. Oct. 16 – 1 hour\n"],"Note":["[{\"note\":\"Liner Notes: Randy Enomoto #16 Side 1 44:50 min., Side 2 31:20 min., The phantom English Dept. - stan Persky; Judith Copithorne; Brain Fawcett; Owen; etc. \",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554200965122,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5938","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["John Newlove at The Arts Club on June 27, 1964 and at UBC on March 1, 1966 #17"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Newlove, John","Livesay, Dorothy"],"creator_names_search":["Newlove, John","Livesay, Dorothy"],"creators":["[{\"url\":\"http://viaf.org/viaf/92277383\",\"name\":\"Newlove, John\",\"dates\":\"1938-2003\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/116854541\",\"name\":\"Livesay, Dorothy\",\"dates\":\"1909-1996\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Gyseman, Doug"],"contributors_names_search":["Gyseman, Doug"],"contributors":["[{\"url\":\"\",\"name\":\"Gyseman, Doug \",\"dates\":\"1936-2017\",\"notes\":\"also known as Curtis Vanel\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Gyseman, Doug "],"Production_Date":[1964],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/299/Reading in BC_MsC199_17.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:22:2\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"17-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:03\",\"precision\":\"\",\"size\":\"32.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"17-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:17\",\"precision\":\"\",\"size\":\"27.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1964-06-27\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1966-03-01\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"2329 West Mall, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"},{\"url\":\"https://www.openstreetmap.org/way/42788935\",\"venue\":\"The Arts Club/ UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.26385\",\"longitude\":\"-123.25518\"}]"],"Address":["2329 West Mall, Vancouver, BC V6T 1Z4","6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC","The Arts Club/ UBC"],"City":["Vancouver, British Columbia","Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\tOne\t\t“The Singing Head\n\t\t\t“To My Niece, Judith”\n\t\t\t“Two Letters from Austria”\n\t\t\tThat’s What Misery Is\n\t\t\tThe Old Man\n\t\t\tTwo Poems of Mao Tse-Tung\n\t\t\t“The Dead Beast—“\n\t\t\tTwo Towns\n\t\t\tI Could See\n\t\t\tLove Letter\n\t\t\tDream of a Circus\n\t\t\tIt Just Lay There\n\t\t\tAdvertising\n\t\t\tMy Daddy Drowned\n\t\t\tWhite Cat\n\t\t\tThe flowers\n\t\t\tIn The Seed\n\t\t\tIntroduction\n\t\t\tComments\n\t\t\tVancouver Spring Dawn\n\t\t\tIndian Women\n\t\t\tThe Dam\n\t\t\tThe Dog\n\tTwo\t\t3 Dreams\n\t\t\tThe Grass is a Reasonable Color\n\t\t\tLines to a Young Lady Poet\n\t\t\tOn that Black Highway\n\t\t\tQuestion on Syntax\n\t\t\tQuiet Days\n\t\t\tComments / Elephants/ Sister Collins / My Daddy Drowned\n\t\t\tSources of Information\n\t\t\tCrazy Riel\n\t\t\tNorth America\n\t\t\tFlood\n\t\t\tThen He Ran Away…\n\t\t\tLike Counting Sheep\n\t\t\tWild Dream\n\t\t\tThe Flowers\n\t\t\tTwo Poems by Mao Tse-Tung\n\t\t\tTwo Small Poems\n\t\t\tThe Singing Head\n\t\t\tVerigin, Moving in alone…\n\t\t\tClosing Comments\n"],"Note":["[{\"note\":\"Liner Notes: Detailed description of the contents on the J-card\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554200965123,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5939","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Jamie Reid and Pierre Coupey reading to poetry class at UBC on March 8, 1966 #18"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Livesay, Dorothy","Coupey, Pierre","Reid, Jamie"],"creator_names_search":["Livesay, Dorothy","Coupey, Pierre","Reid, Jamie"],"creators":["[{\"url\":\"http://viaf.org/viaf/116854541\",\"name\":\"Livesay, Dorothy\",\"dates\":\"1909-1996\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/96212091\",\"name\":\"Coupey, Pierre\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/1890177\",\"name\":\"Reid, Jamie\",\"dates\":\"1941-2015\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Gyseman, Doug"],"contributors_names_search":["Gyseman, Doug"],"contributors":["[{\"url\":\"\",\"name\":\"Gyseman, Doug \",\"dates\":\"1936-2017\",\"notes\":\"also known as Curtis Vanel\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Gyseman, Doug "],"Production_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/300/Reading in BC_MsC199_18.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:13:00\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"18-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:03\",\"precision\":\"\",\"size\":\"32.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"18-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:39:06\",\"precision\":\"\",\"size\":\"26.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966-03-08\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\tOne\t\tJamie Reid reading to a poetry class at UBC.  He is introduced by Dorothy Livesay\n\t\t\tReading from the Playboy interview with Bob Dylan\n\t\t\t3 poems on the Spanish Horses\n\t\t\tThe Silent Universe\n\t\t\tThe Sea (for David Dawson)\n\t\t\tHow to prove the train that would never come back is easy (for John Keyes)\n\t\t\tTrust Wind and Water\n\t\t\tThe Sound of Something or Other that Suffers\n\t\t\tOne SAYS I Am\n\t\t\tBased on The I Ching: 1\n\t\t\tFurther Notations: 2\n\t\t\tFurther Notations: 3\n\t\t\tPriam to Helen\n\t\t\tThe Source of the Act is the Darkness\n\t\t\tThe Man Whose Path is on Fire #2\n\t\t\tThe Temptation to Conservatism\n\t\t\tThe Only Final Judgment is the One That Does You In\n\t\t\tThe Man Whose Path is on Fire #1\n\t\t\tBy Virtue of Distant Decisions\n\t\t\tCarnival\n\t\t\tPierre Coupey, reading from his work\n\t\t\tAnswers and Demands\n\t\t\tLaurentian\n\t\t\tThe Rider\n\t\t\tLa Voix Clair du Ciel\n\t\t\tPoem\n\t\t\tArt is the Praise of Art\n\t\t\tStudy no. 13\n\t\t\tBuses\n\t\t\tStudy no. 14\n\t\t\tFirst Cycle\n\t\t\tPoem to a figure of things\n\t\t\tTitle\n\t\t\tConspiracy\n\t\t\tA Warning\n\t\t\tWhite Valentine\n\t\t\tThe Wall\n\t\t\tMidnight\n\t\t\tCameo\n\t\t\tOn the Legibility of the Chinese Written Character (for James Reid)\n\t\t\tPoem to an Asian Architect – Nitobe Gardens\n\t\t\tPoem for Poets: The BLACK Saint\n\t\t\tVoice\n\t\t\tRain Variations\n\t\t\tTo Will is to Stir Up Paradox\n\t\t\tVoyage, Prefigurations of the Command (incomplete – continued on side 2)\n\tTwo\t\tThere Can be No History I have Not Lived Myself\n\t\t\tDeath Does Reveal\n\t\t\tNight Street\n\t\t\tQuestions to Pierre Coupey & Jamie Reid\n"],"Note":["[{\"note\":\"Liner Notes: Detailed description of the contents on the slip Doug Gyseman Jamie Reid 33 min Pierre Coupey 40 min Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554202013696,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5940","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Seymour Mayne and Maria Fiamengo Reading for Dorothy Livesay's Poetry class at UBC on March 15, 1966 #19a"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Livesay, Dorothy","Mayne, Seymour","Fiamengo, Marya"],"creator_names_search":["Livesay, Dorothy","Mayne, Seymour","Fiamengo, Marya"],"creators":["[{\"url\":\"http://viaf.org/viaf/116854541\",\"name\":\"Livesay, Dorothy\",\"dates\":\"1909-1996\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"http://viaf.org/viaf/56739500\",\"name\":\"Mayne, Seymour\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/75327116\",\"name\":\"Fiamengo, Marya\",\"dates\":\"1926-2013\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Gyseman, Doug"],"contributors_names_search":["Gyseman, Doug"],"contributors":["[{\"url\":\"\",\"name\":\"Gyseman, Doug \",\"dates\":\"1936-2017\",\"notes\":\"also known as Curtis Vanel\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Gyseman, Doug "],"Production_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/345/Reading in BC_MsC199_19_1.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:59:00\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"19-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:36\",\"precision\":\"\",\"size\":\"21.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"19-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:37\",\"precision\":\"\",\"size\":\"20.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966-03-15\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\tOne\t\tSeymour Mayne reading\n\t\t\tThe Poem\n\t\t\tThe Placement Service\n\t\t\tMontreal May 1963\n\t\t\tAfter The Wine\n\t\t\t11:30 P.M. – Poem\n\t\t\tMount Royal : An Aerial View\n\t\t\tTip-Toeing on the Mount\n\t\t\tRainbow\n\t\t\tI Did Not Have To Ask Her\n\t\t\tThe End of the Myth\n\t\t\tThe Noble Savage\n\t\t\tTime: 18 minutes\n\t\t\tMarya Fiamengo reading\n\t\t\tA Critical Appreciation of Myself\n\t\t\tThe Winter’s Tale\n\t\t\tMetamorphosis\n\t\t\tThe Choice of Temperament\n\t\t\tPoem for Sarajevo\n\t\t\tPoem for Zagreb\n\t\t\tA Memory of Honey\n\t\t\tRequiem for A Dark Boy\n\t\t\tRequiem for my Father-1\n\t\t\tRequiem for my Father-2\n\t\t\tParable on Neon Lights\n\t\t\tCradle Song\n"],"Note":["[{\"note\":\"The detailed description on the J-card\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554202013697,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5941","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Seymour Mayne, Maria Fiamengo Reading for Dorothy Livesay's Poetry class at UBC on March 15, 1966 #19b"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Mayne, Seymour","Fiamengo, Marya"],"creator_names_search":["Mayne, Seymour","Fiamengo, Marya"],"creators":["[{\"url\":\"http://viaf.org/viaf/56739500\",\"name\":\"Mayne, Seymour\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/75327116\",\"name\":\"Fiamengo, Marya\",\"dates\":\"1926-2013\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Gyseman, Doug"],"contributors_names_search":["Gyseman, Doug"],"contributors":["[{\"url\":\"\",\"name\":\"Gyseman, Doug \",\"dates\":\"1936-2017\",\"notes\":\"also known as Curtis Vanel\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Gyseman, Doug "],"Production_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/346/Reading in BC_MsC199_19.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:46:30\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"19-side-3.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:27:17\",\"precision\":\"\",\"size\":\"19.9 MB\",\"bitrate\":\"24 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"19-side-4.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:19:22\",\"precision\":\"\",\"size\":\"14.2 MB\",\"bitrate\":\"24 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966-03-15\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["\t\t\tGrace Abounding\n\t\t\tTime: 42 minutes\n\t\t\tSeymour Mayne reading\n\t\t\tFrom the Portals of Mouseholds\n\t\t\tTime: 44 minutes\n"],"Note":["[{\"note\":\"Liner Notes: Doug Gyseman No. 19 Side 3 Marya Fiamengo: Grace Abounding 3:11 min. (incomplete) Seymour Nayne: From the Portals of Mouseholes (Beginning) Side 4 - conclusion\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554202013698,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5942","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Wayne Nyberg and Bill Bissett Reading for Dorothy Livesay's Poetry class at UBC on March 22, 1966 #20a"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bissett, Bill","Nyberg, Wayne"],"creator_names_search":["Bissett, Bill","Nyberg, Wayne"],"creators":["[{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"Bissett, Bill\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/28580471\",\"name\":\"Nyberg, Wayne\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Gyseman, Doug"],"contributors_names_search":["Gyseman, Doug"],"contributors":["[{\"url\":\"\",\"name\":\"Gyseman, Doug \",\"dates\":\"1936-2017\",\"notes\":\"also known as Curtis Vanel\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Gyseman, Doug "],"Production_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/347/Reading in BC_MsC199_20a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:56:15\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"20a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:28:39\",\"precision\":\"\",\"size\":\"21.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"20a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:26:49\",\"precision\":\"\",\"size\":\"19.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966-03-22\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\tOne\t\tWayne Nyberg reading\n\t\t\tA Suite for Barbara\n\t\t\tThe Push to the Hinterland\n\t\t\tUntitled Occurrence\n\t\t\tThe Longest Distance Within One Life\n\t\t\tScenes circa equinox\n\t\t\tVancouver\n\t\t\tRoadrunner Requiem\n\t\t\tSelected episodes from an Empty Diary\n\t\t\tToward Bethlehem\n\t\t\tYeats’ The Second Coming\n\t\t\tPoem from Abandoned Gun Tower on the Beach at Point Grey\n\t\t\tPoem while sick in a house at Sunset Beach Where the Bodies Come\n\t\t\tThe Girls\n\t\t\tLove Poem\n\t\t\tMy Skull Ticks Inward\n\t\t\tOwl\n\t\t\tEulogy of Bone\n\t\t\tPoems of the Nautilus\n\t\t\tTime: 43 minutes\n\t\t\tBill Bissett reading\n\t\t\tPart I\n\t\t\t\n"],"Note":["[{\"note\":\"Liner Notes: Detailed description on the J-card\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554202013699,"timestamp":"2026-01-07T14:59:58.590Z","score":0.01643844},{"id":"5943","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Wayne Nyberg and Bill Bissett Reading for Dorothy Livesay's Poetry class at UBC on March 22, 1966 #20b"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bissett, Bill","Nyberg, Wayne"],"creator_names_search":["Bissett, Bill","Nyberg, Wayne"],"creators":["[{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"Bissett, Bill\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/28580471\",\"name\":\"Nyberg, Wayne\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Gyseman, Doug"],"contributors_names_search":["Gyseman, Doug"],"contributors":["[{\"url\":\"\",\"name\":\"Gyseman, Doug \",\"dates\":\"1936-2017\",\"notes\":\"also known as Curtis Vanel\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Gyseman, Doug "],"Production_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7413/Reading in BC_MsC199_20b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\" Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:58:59\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"20b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:25:47\",\"precision\":\"\",\"size\":\"18.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"20b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:32\",\"precision\":\"\",\"size\":\"16.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966-03-22\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["\tTwo\t\tBill Bissett reading\n\t\t\tPart II\n\t\t\tTime: 50 minutes\n\n"],"Note":["[{\"note\":\"Liner Notes: Bill Bissett March 22, 1966 Conclusion of reading  Side 3 25:53 min. Side 4 23:06 min. (incomplete) Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554393903104,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5944","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Rona Murray Reading for Dorothy Livesay's Poetry class at UBC on March 29, 1966 #21"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Murray, Nora"],"creator_names_search":["Murray, Nora"],"creators":["[{\"url\":\"http://viaf.org/viaf/46458126\",\"name\":\"Murray, Nora\",\"dates\":\"1919-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Gyseman, Doug"],"contributors_names_search":["Gyseman, Doug"],"contributors":["[{\"url\":\"\",\"name\":\"Gyseman, Doug \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Gyseman, Doug "],"Production_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/349/Reading in BC_MsC199_21.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:30:00\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"21-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:07\",\"precision\":\"\",\"size\":\"32.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"21-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:36\",\"precision\":\"\",\"size\":\"31.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966-03-29\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\tOne\t\tRona Murray reading\n\t\t\tSo With The Poem\n\t\t\tPoem\n\t\t\t-\tDiscussion on the writing of a poem\n\t\t\t-\tThe Sacrifice\n\t\t\t-\tVisitation\n\tTwo\t\tWe Enter The Darkness…\n\t\t\tI have Been Into The Halls of the Dead…\n\t\t\tThe Man, The Poet Wrote In Dust…\n\t\t\tThere was not, no not one animal, that was not white…\n\t\t\tThe waxed octagonal cells…\n\t\t\tEvery Quarter of every hour…\n\t\t\tIn the garden of the flesh…\n\t\t\tThen the grails came…\n\t\t\tWe have been into the water…\n\t\t\tLook! Do you see the figure…\n\t\t\tIt was then that I met my angel…\n\t\t\tTake my hands and take my heart…\n\t\t\tThe Child She Sang Her Morning Song\n\t\t\tLift Your Cup and Find Me Stretched\n\t\t\tIn this white wood…\n\t\t\tThe fragments of the angel’s voice…\n"],"Note":["[{\"note\":\"Liner Notes: Detailed description on the J-card\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554393903105,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5945","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Mountain Pass No 11: Pat Lane with Howard White and Norm Sibum at Halfmoon Bay on June 1976 #22,23"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["White, Howard","Sibum, Norm","Lane, Pat"],"creator_names_search":["White, Howard","Sibum, Norm","Lane, Pat"],"creators":["[{\"url\":\"\",\"name\":\"White, Howard\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Narrator\"]},{\"url\":\"http://viaf.org/viaf/28458185\",\"name\":\"Sibum, Norm\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/66513400\",\"name\":\"Lane, Pat\",\"dates\":\"1939-2019\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors_names":["Shaddock, Phil"],"contributors_names_search":["Shaddock, Phil"],"contributors":["[{\"url\":\"\",\"name\":\"Shaddock, Phil\",\"dates\":\"\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/350/Reading in BC_MsC199_22,23.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:02:00\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"22,23-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:39\",\"precision\":\"\",\"size\":\"21.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"22,23-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:55\",\"precision\":\"\",\"size\":\"21 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-06\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/52556296#map=13/49.5134/-123.9096\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Halfmoon Bay, BC,Canada\",\"latitude\":\"49.5140\",\"longitude\":\"-123.9102\"}]"],"Address":["Halfmoon Bay, BC,Canada"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tOne\t000\tPat Lane reading The Bird\n\t\t010\tLane presenting autobiographical sketch\n\t\t097\tLane reading After\n\t\t\tDiscussion of “social reality” and more autobiography\n\t\t\tDiscussion re poem as that which names the reality-poetry as call toward revolution, upheaval\n\t\t193\tReading On The Street\n\t\t250\tReading In Agony Allowing\n\t\t\tDiscussion re poem as that which names the reality-poetry as call toward revolution, upheaval\n\t\t388\tReading Last Night In Darkness\n\t\t406\tReading There Was A Woman Bending\n\t\t\tDiscussion re writers who influenced his writing-line from his poem Certs generates discussion re west coast writers who derive from the ‘Black Mountain’ school\n\t\t700\tReading Certs\n"],"Note":["[{\"note\":\"Liner Notes: Pat Lane With Howard White and Norm Sibum recorded June 1976 for mountain pass, CFRO Program No11 Side 1 31 min. Side 2 31 min. Dobly B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554394951680,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5946","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Mountain Pass No 26-28: Brain Fawcett at Prince George in Summer 1976 #26,27,28"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Fawcett, Brian","Shaddock, Philip","McKinnon, Barry"],"creator_names_search":["Fawcett, Brian","Shaddock, Philip","McKinnon, Barry"],"creators":["[{\"url\":\"http://viaf.org/viaf/35890\",\"name\":\"Fawcett, Brian\",\"dates\":\"1944-2022\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"https://viaf.org/viaf/296045432/#Shaddock,_Philip,_1949-\",\"name\":\"Shaddock, Philip\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"https://viaf.org/viaf/60321164/#McKinnon,_Barry,_1944-\",\"name\":\"McKinnon, Barry\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Narrator\"]}]"],"contributors":["[]"],"Production_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/352/Reading in BC_MsC199_26,27,28.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:31:25\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"26,27,28-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:33\",\"precision\":\"\",\"size\":\"32.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"26,27,28-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:33\",\"precision\":\"\",\"size\":\"32.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976\",\"type\":\"Production Date\",\"notes\":\"Summer\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2243544\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Prince George, BC,Canada\",\"latitude\":\"53.9335\",\"longitude\":\"-122.7791\"}]"],"Address":["Prince George, BC,Canada"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\n\ndisc\tFawcett discussing section 25 of Cottonwood Canyon-personal crises-journal writing-mode of self-discovery- “Yeah, it was a mode of self-discovery alright except with the proviso that what you always end up discovering is the world and not yourself, you wind up discovering that you’re in the world.”\n\t\t95\tTalks about Prince George – how does one get home-Odysseus-Cottonwood Canyon- return to Ithaca\n\t\t140\tFawcett reading Cottonwood Canyon (edited by Phil Shaddock)\n\t\t330\tFawcett discusses the poem (C.C.) – getting ‘particularity’ from Olson\n\t\t400\tFawcett reading Fall of Saigon\n\t\t515\tFawcett – “At this point, I’m not prepared to put up with the reification of mythology and myths for their own sake.” – discussion of myth\n\t\t-\t-mythopoesis-parataxis-property relations in capitalist society\n\t\t590\tQuote from Andre Breton\n\t\t660\t“History is the study of class conflict over the tools of meaning.  Bourgeois society has created enormous technologies in order to deprive society of meaning; it’s its only way of survival.  And I would say probably, our only means of survival is to regain control of the tools of meaning.  That’s the primary political struggle in the latter half of the twentieth century.”\n\t\t700\tDiscusses origin of NMFG\n\t\t825\tReading The Death of Clifford Gibbs\n\t\t940\t-poetry has didactic duty to renew and cleanse modes of thought within society\nTwo\tA\t017\t-the business of being a romantic poet\n\t\t\t-job of poetry is to make language of nation, culture clear and to purify that language-poetry and revolution\n\t\t065\tRecurring images of violence in his poems-discussion\n\t\t170\tReading Elegy Written By The Shores of An Okanagan Lake\n\t\t223\tEnvoi\n\t\t240\tRe Gray’s romanticized social reality\n\t\t\tRe Function of envoi\n"],"Note":["[{\"note\":\"Liner Notes: Brain Fawcett Mountain Pass Series Recorded by CFRO Side1: Program No26 30 min Begin No 27 15:30 min Side 2 No27 18:12 min No28. 27:43 min Program 28 is incomplete\",\"type\":\"General\"},{\"note\":\"Duplicate of this tape is in Pierre Coupe Fonds titled Brian Fawcett \\\"Mountain Pass,\\\" hosted by Barry McKinnon and interviewed by Philip Shaddock SWALLOW ID 7241\",\"type\":\"Related Version\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554394951681,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5947","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Mountain Pass No 12: Pat Lane on Co-op Radio on June 1976 #24,25"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Lane, Pat"],"creator_names_search":["Lane, Pat"],"creators":["[{\"url\":\"http://viaf.org/viaf/66513400\",\"name\":\"Lane, Pat\",\"dates\":\"1939-2019\",\"notes\":\"Lane, Patrick\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors_names":["Shaddock, Phil"],"contributors_names_search":["Shaddock, Phil"],"contributors":["[{\"url\":\"\",\"name\":\"Shaddock, Phil\",\"dates\":\"\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/352/Reading in BC_MsC199_24,25.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:59:40\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"24,25-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:56\",\"precision\":\"\",\"size\":\"21.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"24,25-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:28:51\",\"precision\":\"\",\"size\":\"20.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-06\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/52556296#map=13/49.5134/-123.9096\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Halfmoon Bay, BC,Canada\",\"latitude\":\"49.5140\",\"longitude\":\"-123.9102\"}]"],"Address":["Halfmoon Bay, BC,Canada"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\tOne\t000\tReading Passing Into Storm\n\t\t049\tReading White Mountain\n\t\t063\tReading Stones\n\t\t070\tReading anonymous prayer\n\t\t082\tReading Still Hunting\n\t\t160\tDiscusses his book Unborn Things as point of transition in his writing-speaks of previous period of “spiritual cowardice”\n\t\t225\tReading Unborn Things\n\t\t261\tReading The Hustler\n\t\t\tDiscussion re the church and Catholicism\n\t\t375\tReading Chile\n\t\t465\tReading The Caicusca\n\t\t590\tReading Albino Pheasants\n\t\t\tDiscussion re traditional rhythms, use of internal rhyme\n"],"Note":["[{\"note\":\"Liner Notes: Side 1 31 min Side 2 38:40 Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554394951682,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5948","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Mountain Pass No 29,30: Barry McKinnon at Prince George in Summer 1976 #29,30"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["McKinnon, Barry"],"creator_names_search":["McKinnon, Barry"],"creators":["[{\"url\":\"http://viaf.org/viaf/60321164\",\"name\":\"McKinnon, Barry\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors_names":["Shaddock, Phil"],"contributors_names_search":["Shaddock, Phil"],"contributors":["[{\"url\":\"\",\"name\":\"Shaddock, Phil\",\"dates\":\"\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/354/Reading in BC_MsC199_29,30.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:58:00\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"29,30-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:50\",\"precision\":\"\",\"size\":\"20.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"29,30-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:44\",\"precision\":\"\",\"size\":\"20.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976\",\"type\":\"Production Date\",\"notes\":\"Summer\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/search?query=Prince%20George#map=11/53.9273/-122.7518\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Prince George, BC, Canada\",\"latitude\":\"53.9335\",\"longitude\":\"-122.7791\"}]"],"Address":["Prince George, BC, Canada"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tOne\t000\tBarry McKinnon- “To Cease Disturbance”\n\t\t030\tReading Pages From A Prairie Journal\n\t\t\tDiscussion re this poem\n\t\t143\tReading This Place\n\t\t\tDiscussion re the purity of language\n\t\t254\tReading Six Songs from a Small Lounge\n\t\t365\tReading Notes – The Deer\n\t\t\tMore discussion\n\t\t609\tReading Pearl\n\t\t662\tReading Headache\n\t\t\tDiscussion re Olson’s – we treat our lives cheap\n\t\t825\tReading The Whale\n"],"Note":["[{\"note\":\"Liner Notes: Mountain Pass Series - CFRO Barry McKinnon Side 1 30 min. Side 2 28 min Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554394951683,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5949","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Mountain Pass No 31,32: Timothy Shay at SFU in Summer 1976 #31,32"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["[McNeill, Alan?]","Shay, Timothy"],"creator_names_search":["[McNeill, Alan?]","Shay, Timothy"],"creators":["[{\"url\":\"\",\"name\":\"[McNeill, Alan?]\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/105869663\",\"name\":\"Shay, Timothy\",\"dates\":\"1952-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors_names":["Shaddock, Phil"],"contributors_names_search":["Shaddock, Phil"],"contributors":["[{\"url\":\"\",\"name\":\"Shaddock, Phil\",\"dates\":\"\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\\n\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/355/Reading in BC_MsC199_31,32.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:59:55\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"31,32-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:42\",\"precision\":\"\",\"size\":\"21.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"31,32-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:36\",\"precision\":\"\",\"size\":\"21.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976\",\"type\":\"Production Date\",\"notes\":\"Summer\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nTwo\tOne\t000\tTimothy Shay “An Apprenticeship”\n\t\t\tPoetry is presently more of a statement than painting-poetry is didactic – the beginning of this interview includes a brief autobiographical section\n\t\t080\tReading Just Once\n\t\t\tDiscusses some of the literary influences in his life such as Al Purdy, Michael Ondaatje, Milton Acorn, Pat Lane and particularly Malcolm Lowry – discussion of his concern with roots, heritage\n\t\t236\tReading Mourning Song For Grandpa Kenneth\n\t\t\tDiscussion re double nature of seeking out one’s roots i.e. identification and exorcism\n\t\t333\tReading Rosy\n\t\t\tDiscussion re the interaction of image and thought\nRe “A word doesn’t live until it’s spoken” – assonance \nas major part of poetry, essential to communication- \nre narrative form-storytelling as artifact \nre fire in reference to his poem Fire, Fireman, Fire\n\t\t570\tShay reading ‘Fire, Fireman, Fire’ at the SFU Pub\n"],"Note":["[{\"note\":\"Liner Notes: Mountain Pass Series - CFRO Timothy Shay Side 1 29:45 min. Side 230:10 min Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554394951684,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5950","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Mountain Pass No 33,34: Stan Persky at Terrace in Summer 1976 #33,34"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["[McNeill, Alan?]","Persky, Stan"],"creator_names_search":["[McNeill, Alan?]","Persky, Stan"],"creators":["[{\"url\":\"\",\"name\":\"[McNeill, Alan?] \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/57448780\",\"name\":\"Persky, Stan\",\"dates\":\"1941-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors_names":["Shaddock, Phil"],"contributors_names_search":["Shaddock, Phil"],"contributors":["[{\"url\":\"\",\"name\":\"Shaddock, Phil\",\"dates\":\"\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/356/Reading in BC_MsC199_33,34.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:05:28\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"33,34-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:27:13\",\"precision\":\"\",\"size\":\"19.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"33,34-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:06\",\"precision\":\"\",\"size\":\"25.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976\",\"type\":\"Production Date\",\"notes\":\"Summer\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2222315\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Terrace, BC,Canada\",\"latitude\":\"54.5209\",\"longitude\":\"-128.6025\"}]"],"Address":["Terrace, BC,Canada"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tOne\t000\tStan Persky : Writing and Politics\n\t\t\tPersky provides autobiographical sketch-gay consciousness- upon first reading Ginsberg and Kerouac-meeting San Francisco poets Robert Duncan, Robin Blaser, George Stanley, Jack Spicer, Ron Loewinsohn-beginning of politicization through Ginsberg’s anti-war protests- increasing politicization within Canadian context i.e. student politics, gay liberation politics and socialist politics\n\t\t250\tPersky reads Nanaimo I\n\t\t\tDiscussion re relevance of Nanaimo I to present conditions – re Alcan workers strike in Kitimat B.C. – re political awareness and revolution\n\t\t430\tPersky reads Topic Sentence from a period referred to as Journal Writings\n\t\t\tDiscussion re the teaching of composition in the public school system : “The form and the behaviour that we were to display and be obedient to in a paragraph that we were being taught to write was exactly correspondent in not a conscious conspiratorial way but in a structural sense to the sort of obedient behaviour that we should display with respect to our appropriate stations in bourgeois society.  That is, we were to be well-behaved… “-topic sentence is a hoax, an invention… composing is the act of following out one perception after another- dialectical movement of thought (interviewer) – using Olson’s projective verse as his methodology- Nanaimo I as projective verse\n\t\t864\tPersky reads Phuoc Binh Statement – this poem was written after the realization concerning the lack of political awareness on the part of poets in the Canadian context – it is a statement of the relation between poetry and politics.  Discussion of the poem and ‘relevance’\n\t\t1020\tPersky’s question – Why are people so apolitical in this society or know so little about history as it relates to what human beings are trying to do?\n\n"],"Note":["[{\"note\":\"Liner Notes: Mountain Pass Series - CFRO Stan Persky Writings and Politics Side 1 37:13 min. Side 2 27:15 min Dolby 2B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554396000256,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5951","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Mountain Pass No 35,36: Pierre Coupey at Terrace in 1976 #35,36"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["[McNeill, Alan?]","Coupey, Pierre"],"creator_names_search":["[McNeill, Alan?]","Coupey, Pierre"],"creators":["[{\"url\":\"\",\"name\":\"[McNeill, Alan?]\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/96212091\",\"name\":\"Coupey, Pierre\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors_names":["Shaddock, Phil"],"contributors_names_search":["Shaddock, Phil"],"contributors":["[{\"url\":\"\",\"name\":\"Shaddock, Phil\",\"dates\":\"\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/357/Reading in BC_MsC199_35,36.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:55:57\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"35,36-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:36:43\",\"precision\":\"\",\"size\":\"25.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"35,36,-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:28:29\",\"precision\":\"\",\"size\":\"20.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976\",\"type\":\"Production Date\",\"notes\":\"Summer\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2222315\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Terrace, BC,Canada\",\"latitude\":\"54.5209\",\"longitude\":\"-128.6025\"}]"],"Address":["Terrace, BC,Canada"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nTwo\tOne\t\tTo Will is To Stir Up Paradox\n\t\t000\tIntroduction\n\t\t050\tCoupey reading To Will Is To Stir Up Paradox – from Circle Without Centre\n\t\t\tCoupey discusses personal relevance of this poem – speaks of the necessity of embracing the dark forces of nature and not to recoil from them – poem opens up this primitive aspect in us-\n\t\t350\tReading Terminal Series 7\n\t\t\tDiscussion re dictation – ego-will-order\n\t\t550\tReading The Future of Literature in Vancouver I-II\n\t\t\tDiscussion re loss of love for words- “There are too many poems and words and books around.”\n\t\t\tDiscussion of his two poems The Disorder and The Order which were published in NMFG\n\t\t\tSpeaks of trust, crisis, critical poetry\n\t\t1020\tReading The Disorder and The Order"],"Note":["[{\"note\":\"Liner Notes: Mountain Pass Series - CFRO Pierre Coupey Side 1 37:10 min. Side 2 28:47 min Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554396000257,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5952","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["UBC Poetry Festival: Creeley and Ginsberg on July 24, 1963 #37"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ginsberg, Allen","Creeley, Robert"],"creator_names_search":["Ginsberg, Allen","Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen \",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/358/Reading in BC_MsC199_37.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:58:45\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"37-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:31\",\"precision\":\"\",\"size\":\"19.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"37-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:17\",\"precision\":\"\",\"size\":\"19.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-07-24\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tBeginning of discussion on art and politics\n\t\t\tCreeley on Yevtushenko and Voznezhensky-psychological situation in Russia and America\n\t\t095\tGinsberg re interview with Esquire – feeling used – interview as “distortion of his reality.”\n\t\t180\tInvolvement of contexts of writing with governmental structures – governmental use of the contexts of art results in poets being placed in specific political situations\n\t\t225\tGinsberg on Yevtushenko and Voznezhensky – “Poetry may or may not be social but its relevance for them is mainly the exploration of mind, mind consciousness.  Therefore, the technique is no longer metaphor as in social poetry; it’s association. “-discussion on metaphor and association”\n\t\t370\tGinsberg re Indian Communist Party – literary movements in India\n\t\t490\tCreeley on creating contexts of feeling – art as primarily an occasion in which feeling is dealt with and in which terms of feeling are articulated\n\t\t555\tIntersection of art and politics –Mayakovsky and Lorca\nTwo\t\t000\tDiscussion on various contexts of being – the poem as a context of meaning-cannot depart from particular context in which you’re involved in order to understand its meaning – Creeley quoting from “Maximus to Gloucester” – “I have this sense, that I am one with my skin.”\n\t\t200\tDangers of familiar habits of writing – habituation as conscious determination\n"],"Note":["[{\"note\":\"Liner Notes: UBC Poetry Festival July, 24 1963 Side 1 29:30 Side 2 29:15 Continued on next tape\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554397048832,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5953","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["UBC Poetry Festival: Creeley and Ginsberg on July 24, 1963 and Duncan, Creeley, and Ginsberg on July 26, 1963 #38a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert","Ginsberg, Allen","Creeley, Robert"],"creator_names_search":["Duncan, Robert","Ginsberg, Allen","Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen \",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/359/Reading in BC_MsC199_38a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\" Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:00:00\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"38a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:20\",\"precision\":\"\",\"size\":\"19.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"38a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:52\",\"precision\":\"\",\"size\":\"21.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-07-24\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1963-07-26\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tDiscussion concerning physical contexts of writing-moving out of July 24 session with Creeley and Ginsberg\n\t\t090\tQuestion from Creeley – “What is responsible conduct in relation to one’s audience?” – are writers to be held responsible for the response to the formal context of their work, in terms of its possible use or abuse\n\t\t110\tDuncan – reader as stranger who keys in on something you don’t know about yourself\n\t\t\tGinsberg- it’s always a recognizable identity which comes out of the writing-discussion of the I and the self\n\t\t140\tDuncan-form of poem as counterpoint between semantics and sound-traces language back to vowel structures- presents tree analogy as criterion for the writing of a poem-\n"],"Note":["[{\"note\":\"Liner Notes: UBC Poetry Festival July, 24 1963 Side 3 29:30 Side 4 15:00 July 26 Duncan, Creeley, Ginsberg Side 4 14:30 Continued on next tape\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554397048833,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5954","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["UBC Poetry Festival: Duncan, Creeley, and Ginsberg on July 26, 1963 #38b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert","Ginsberg, Allen","Creeley, Robert"],"creator_names_search":["Duncan, Robert","Ginsberg, Allen","Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen \",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/360/Reading in BC_MsC199_38b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:00:05\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"38b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:42\",\"precision\":\"\",\"size\":\"21 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"38b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:10\",\"precision\":\"\",\"size\":\"21.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-07-26\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["\t\t295\tPoem as cosmic event\n\t\t\tWhitehead-human being as event\n\t\t\tPoetry as one of many ways to the event, to open the event\n\t\t\tDuncan’ ”What is it to want to write?”  Tideflow of poetry-one exists in the poetic tide, one does not generate it\nTwo\t\t000\tLiterary movements – time of the Egoist magazine – “disturbed generation” consisting of Rexroth, Patchen, Rukeyser- “reactionary generation” includes Tate, Crane, Ransom"],"Note":["[{\"note\":\"Linear Notes: UBC Poetry Festival July, 26 1963 Duncan, Creeley, Ginsberg Side 5 29:35 Side 6 29:30 Continued on next tape\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554397048834,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5955","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["UBC Poetry Festival: Duncan, Creeley, and Ginsberg, July 1963 #38c"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert","Ginsberg, Allen","Creeley, Robert"],"creator_names_search":["Duncan, Robert","Ginsberg, Allen","Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen \",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/361/Reading in BC_MsC199_38c.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:30:40\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"38c-side-1-damged at end.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:08\",\"precision\":\"\",\"size\":\"31.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"38c-side-2-damged at beginning.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:39\",\"precision\":\"\",\"size\":\"30.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["\t\t125\tDiscussion of the self and the I-Duncan to Ginsberg- “Is there an I that belongs entirely to “How” and not to you?  Do you have any sense of being a different occasion than the person writing the poem?”\n\t\t\tDuncan-writing from more than one centre – Gary Snyder\n\t\t500\tDiffering senses of “peril” in the poem\n\t\t600\tDuncan – how does one “realize form in a poem” – discusses patterns of his own writing\n"],"Note":["[{\"note\":\"Liner Notes: UBC Poetry Festival July 1963 Duncan, Creeley, Ginsberg Side 7 44:30 Side 8 45:10 Bad distortion end of side 7 and first 9 minutes of side 8\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554398097408,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5956","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["UBC Poetry Festival: Olson, Creeley, Duncan, and Ginsberg on July 31, 1963 part 1 of 2 #40a"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert","Ginsberg, Allen","Olson, Charles","Creeley, Robert"],"creator_names_search":["Duncan, Robert","Ginsberg, Allen","Olson, Charles","Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen \",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles \",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/363/Reading in BC_MsC199_40A.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"40a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:32\",\"precision\":\"\",\"size\":\"30.2 MB\",\"bitrate\":\"24 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"40a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:21:31\",\"precision\":\"\",\"size\":\"14.3 MB\",\"bitrate\":\"24 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-07-31\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card and inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tBegins with discussion of “polis”\n\t\t070\tWhat does “polis” mean?\n\t\t100\tDuncan – the ‘eye’ and ‘polis’ – ‘seen’ and ‘scene’\n\t\t133\tDiscussion re Zukofsky on the I and the Eye\n\t\t155\t‘istorin-finding out for oneself – you have to see it and engage in it, not merely interpret or analyse it\n\t\t165\tOlson on Herodotus, Pausanius and Thucydides – Herodotus is relevant because he recorded all that he saw and heard. – Thucydides is not relevant because he placed an evaluation upon events thereby characterizing events before they occur.\n\t\t180\tGinsberg- reporters in Vietnam discover the unreliability of secondary sources\n\t\t210\tCreeley – at some time you must trust yourself to an agency you don’t understand\n\t\t230\tGinsberg – importance of direct contact is located in feelings – one has to deal with feelings – responding to question about his interview with Esquire magazine – “Pull my daisy/Tip my cup/All my doors are open.”\n\t\t300\tDuncan – There are no hierarchies in “polis” though there may be personal forces – “polis” disappears with the advent of societies which consist of hierarchies and patterns; it’s the disappearance of people with eyes\n\t\t447\tGinsberg – the frustration of form anticipating occasion.  This is Creeley.\n\t\t500\tCreeley feeling “bankrupt”\n\t\t560\tPreconception of form-sonnets\n\t\t620\tCreeley – you can respond to any form if you’re engaged in it – must have an occasion of feeling\n\t\t640\tGinsberg – “Bankrupt” – wishing to be free of all expectations\n\t\t710\tCreeley – “Bankruptcy” – state of being or feeling where you see no possibility of where to go – must open doors to restore seeing if will is arbiter of possibility then that possibility is destroyed\n\t\t925\tCreeley – the more one learns about the craft of writing, the more one wants to take over.  I hate that; I don’t want the aggression of writing the world in that way, the vanity of it\n\t\t990\tDuncan answering audience question re his use of contrivances to get over a stoppage – “Why is it that we close ourselves off to resources? Calling upon powers, stars, muses?”\n"],"Note":["[{\"note\":\"Liner Notes: Olson, Duncan, Creeley, Ginsberg Wed.Juky 31, 19?\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554398097409,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5957","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":[" UBC Poetry Festival: Allen Ginsberg July 31, 1963 and August 2, 1963 #41a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ginsberg, Allen"],"creator_names_search":["Ginsberg, Allen"],"creators":["[{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen \",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/364/Reading in BC_MsC199_41a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"41a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:33\",\"precision\":\"\",\"size\":\"29.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"41a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:43:09\",\"precision\":\"\",\"size\":\"28.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-08-02\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1963-07-31\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\t\t\tGinsberg reading from manuscripts – some of these poems were later published in Reality Sandwiches and Planet News\nOne\t\t000\tSather Gate Illumination\n\t\t100\tJournal Night Thoughts\n\t\t140\t(volume begins to fluctuate until the sound cuts out altogether)\n\t\t318\tTape resumes – first line begins “Heartfelt kaddish, poetry of picture of consciousness…”\n\t\t385\tDeath News\n\t\t476\tPatna-Benares Express\n\t\t493\tLast Night In Calcutta\n\t\t537\tFirst line begins “And then a curtain of blue cloud fell on the lights of Tokyo/ and mist drifted by…”\n\t\t600\tWho Will Take Over The Universe?\n\t\t1076\tPoem begins “There, farewell, as repeated by Wagner, toward the immortal in many a gladdened expanding (milieu) of ours…” Ginsberg loses interest in the poem and stops reading\n"],"Note":["[{\"note\":\"Liner Notes: Allen Ginsberg, UBC, Vancouver, July 31, `963 and August 2, 1963 Side one:early poems\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554398097410,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5958","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["UBC Poetry Festival: Allen Ginsberg July 31, 1963 and August 2, 1963 #41b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ginsberg, Allen"],"creator_names_search":["Ginsberg, Allen"],"creators":["[{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen \",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/365/Reading in BC_MsC199_41b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"41b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:43:59\",\"precision\":\"\",\"size\":\"28.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"41b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:40:52\",\"precision\":\"\",\"size\":\"26.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-08-02\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1963-07-31\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t\tGinsberg reading early poems – Empty Mirror, Howl, Reality Sandwiches\n\t\t000\t“Tonite all is well…”  EM\n\t\t015\tPsalm I  EM\n\t\t026\tAfter All, What Else Is There To Say?  EM\n\t\t033\tThe trembling Of The Veil  EM\n\t\t042\tIn Society  EM\n\t\t060\tMetaphysics  EM\n\t\t067\tMarijuana Notation  EM\n\t\t079\tThe Bricklayer’s Lunch Hour  EM\n\t\t097\tHow Come He Got Canned At The Ribbon Factory  EM\n\t\t140\tHymn  \n\t\t170\tThe Archetype Poem  EM\n\t\t192\tWalking home at night  EM\n\t\t200\tMy Alba  RS\n\t\t217\tThe Green Automobile  RS\n\t\t306\tLove Poem on Theme By Whitman  RS\n\t\t345\tFirst line begins “The weight of the world is love…”  ‘SONG’ in Howl\n\t\t374\tFragment 1956  RS\n\t\t424\tBeings to read Howl – stops after first page\n\t\t450\tTranscription of Organ Music  Howl\n\t\t510\tSunflower Sutra  Howl\n\t\t612\tIn the Baggage Room At Greyhound  Howl\n\t\t682\tStrange new Cottage in Berkeley  RS\n\t\t701\tPsalm III  RS\n\t\t721\tTears  RS\n\t\t734\tBack on Times Square, Dreaming of Times Square  RS\n\t\t760\tMy Sad Self  RS\n\t\t817\tTo An Old Poet in Peru  RS\n\t\t885\tKaddish-first section\n\t\t919\tReading from middle of narrative section in Kaddish\n"],"Note":["[{\"note\":\"Liner Notes: Allen Ginsberg, UBC, Vancouver, July 31, `963 and August 2, 1963 Side two: Journals\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554398097411,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5959","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["UBC Poetry Festival: Creeley and Ginsberg \"Physical contexts of poetry\" on July 24, 1963  #42a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ginsberg, Allen","Creeley, Robert"],"creator_names_search":["Ginsberg, Allen","Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen \",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/366/Reading in BC_MsC199_42A.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"42a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:41:29\",\"precision\":\"\",\"size\":\"17.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"42a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:26:40\",\"precision\":\"\",\"size\":\"17.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-07-24\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tDiscussion concerning the physical contexts of writing – the first section of this discussion (up to 285) has been transcribed and published in Robert Creeley’s book Contexts of Poetry : Interviews 1961-1971.\n\t\t\tCreeley speaking on differing states of consciousness-on writing The Island – on the limitations of a particular physical context and the resulting qualifications in the writing\n\t\t285\tGinsberg re ‘accidents’ in writing which preclude a preconceived form- a writing which allows for the entry of anything\n\t\t350\tCreeley on learned habits of organization in writing\n\t\t490\tResponse from audience- concern over Creeley and Ginsberg being too apologetic about writing poetry\n\t\t718\tWriting is not doing things to satisfy something you know but rather to allow oneself entry into what is not known\n\t\t785\tCreeley- stylistic habits become the imposition of form on the writing, no longer allowing things to happen\n\t\t870\tCreeley- confidence in writing- possibility of the canon of one’s work becoming a burden ie having produced, can one continue to produce?\n\t\t959\tThis section which begins with Ginsberg speaking has also been transcribed in the abovementioned text\n\t\t\tDiscussion on the limitations of prescribed contexts- dangers of habits of articulation\n\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554399145984,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5960","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["UBC Poetry Festival: Creeley, Duncan, and Ginsberg on August 2, 1963 #43a"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert","Ginsberg, Allen","Creeley, Robert"],"creator_names_search":["Duncan, Robert","Ginsberg, Allen","Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen \",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/367/Reading in BC_MsC199_43A.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"43a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:36\",\"precision\":\"\",\"size\":\"15.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"43a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:52\",\"precision\":\"\",\"size\":\"30.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-08-02\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card and inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\t(The early portion of this tape is the final moments of the meeting of August 2d.  The beginning of the Friday morning August 16th session follows.  There is interference throughout all of side one & a portion of side two)\n\t\t048\tBeginning of Friday morning, August 16th, 1963 (voice interference also begins, at slow speed)\n\t\t\tCreeley, speaking of measure, poetry, & the university\n\t\t100\tCreeley asks for impressions, feed-back, from the audience\n\t\t116\tColeridge & Wordsworth\n\t\t142\t“emotion recollected in tranquility”\n\t\t173\t“the moment of composition”\n\t\t225\t“… but we are working from primary impulses in the act of writing.  The form of the poem is an issue of that fact or state.”\n\t\t261\tEdward Marshall’s “Leave the word alone.”\n\t\t290\tDuncan: “Any movement, or any thing alive coming up in poetry seems to come about with new formulations that kick in the face, in a way, the preceding ones.”\n\t\t315\tDuncan speaking of the thematic nature of his poetry\n\t\t332\tOlson’s Projective Verse” essay\n\t\t353\tTheory & writing\n\t\t363\tOlson & Pound\n\t\t383\t“… you must watch what is happening in the poem…”\n\t\t403\tWilliams & the line – measure\n\t\t424\t“…every one of the phrases is an emotional entity.”\n\t\t442\tMeasure, rhythm, & music\n\t\t467\tCharles Tomlinson’s use of Williams’ line\n        484\tEmotion, & sound, in the measure, the line\n\t\t515\t“This is now the convention…” Duncan, re Williams’ line\n\t\t523\t“The Desert Music”\n\t\t540\tEd Dorn\n\t\t550\t“Imitation of the convention, simply, will take you into some knowledge of what convention can do, as a technique, but it probably won’t provide you with any… release of what you have to say.”\n\t\t690\tDiscussion of linguistics & linguists\n\t\t825\tStress & measure\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554399145985,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5961","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["UBC Poetry Festival: Creeley, Duncan, and Ginsberg on August 16, 1963 #43b"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert","Ginsberg, Allen","Creeley, Robert"],"creator_names_search":["Duncan, Robert","Ginsberg, Allen","Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen \",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/368/Reading in BC_MsC199_43B.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"43b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:21:10\",\"precision\":\"\",\"size\":\"14.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"43b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:41:36\",\"precision\":\"\",\"size\":\"27.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-08-16\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card and inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t\tContinuation of discussion of stress & measure\n\t\t851\tCharlie Parker & rhythm; time\n\t\t861\tCreeley quoting Pound: “’verse consists of a constant & a variable’”\n\t\t870\tRhyme\n\t\t935\t(slight break in sound)\n\t\t941\tDiscussion of craft\n\t\t950\tDiscussion centering on Marshall’s “Leave the word alone”\n\t\t1075\tGinsberg: “sincerity with the word.”\n"],"Note":["[{\"note\":\"Liner Notes: \\\"Linguistics\\\" UBC Poetry  festival, August 16, 1963 Creeley, Duncan, and Ginsberg\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554399145986,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5962","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["UBC Poetry Festival: Robert Duncan Lecture on August 5, 1963 tape 1 of 2 #44a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert"],"creator_names_search":["Duncan, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/369/Reading in BC_MsC199_44A.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"44a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:35:04\",\"precision\":\"\",\"size\":\"33.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"44a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:25\",\"precision\":\"\",\"size\":\"31 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-08-05\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t030\tHow a life grows in poetry\n\t\t050\tKenkyusha – household oracle – pronouncement on the lecture: “office;” “expense” – as grievous experience; “upset, bewilder, throw off balance;” Judgment: “to prevent mistakes, to see that all is right.”\n\t\t090\tOffice of the poet; poet not self expressing the self.\n\t\t\tPoet – always has been an office; fulfilling office.  Performing the office – unconcerned about whether the performance is good or not – performance of the poem like a mass – magical operation with language\n\t\t120\t“Expense: -- (self’s involvement in poem)\n\t\t\tTransfer of heroic engagement: in the past, poet sang of heroes; all engagement with language is heroic today.  Excess – heroic hubris.  Throw off balance, upset, bewilder –“bankruptcy”\n\t\t280\tThe poet’s need for woman’s intelligence as audience: Lawrence, Jeffers\n\t\t320\tDiscovery of female intelligence to whom the poem is delivered up; drawn and recognized\n\t\t\t“Numen” – spirit that inhabits place and act: inhabits because we call upon it\n\t\t\tStory of Demeter’s oak: the attack on abundance; hubris; consequence – appearance of famine.  The childhood “refusal to eat.”  What is our work and what the attendance of the tree?  Language as tree\n\t\t480\tStruggle against “initiation.”\n\t\t520\tSacred, taboo nature of sexuality – in childhood, in adolescence\n\t\t680\t“other worlds” – Picture books, Greek myths\n\t\t726\tReads “Often I am permitted to return to a meadow” (fr. The Opening of the Field.)\n\t\t840\tCreative faculty and its disturbance – the key is not to be told what one is doing\n\t\t890\tFormative – things kept secretive\n\t\t970\tAura of personal power : not power over others.  To move as a power, to know yourself as a power moving, to know yourself as a power in the language, among people\n\t\t1035\tSide one ends\n"],"Note":["[{\"note\":\"Liner Notes: Fred Was Vancouver Poetry Festival August 5 1963 Robert Duncan Lecture\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554399145987,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5963","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":[" UBC Poetry Festival: Avison, Creeley, Duncan, Ginsberg, and Levertov on August 7, 1963 #45"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Avison, Margaret","Duncan, Robert","Ginsberg, Allen","Creeley, Robert","Levertov, Denise"],"creator_names_search":["Avison, Margaret","Duncan, Robert","Ginsberg, Allen","Creeley, Robert","Levertov, Denise"],"creators":["[{\"url\":\"http://viaf.org/viaf/79128508\",\"name\":\" Avison, Margaret\",\"dates\":\"1918-2007\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen \",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/9868894\",\"name\":\"Levertov, Denise\",\"dates\":\"1923-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/370/Reading in BC_MsC199_45.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"45-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:39\",\"precision\":\"\",\"size\":\"33.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"45-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:33:24\",\"precision\":\"\",\"size\":\"23.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-08-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card and inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t“Numen” – spirit that inhabits a place\n\t\t040\tDiscussion re senses of place-notion of ‘right’ or ‘wrong’ place is problematic, specious\n\t\t120\tAvison on objectivity of poem – locus\n\t\t175\tDuncan- distinction between personal psyche and the psyche in the language – writing becomes automatic when you enter the psyche in the language\n\t\t260\tObjectivity of poem – place where we can all be\n\t\t290\tDiscussion on feeling and rhythm\n\t\t425\tDuncan – individual poems become ‘the poem’ – ‘the poem’ is the place we come together in\n\t\t440\tDuncan-Ginsberg as “legend” becomes person of the poem, an “idea” in the poem – Whitman also a person of the poem\n\t\t700\tCreeley – “Olson believes we’ve gone beyond the issue of relations.  Fenollosa’s essay focused attention on the relational structure of language and in turn, on the whole relational structure of energy, activity of any order, of any instance.  Olson has said that we’ve now come to a point where Wordsworth’s sense of ‘emotion recollected in tranquillity’ becomes more a ‘place’ in this sense we’re talking about than the relational insistence that say Fenollosa had located thirty or forty years ago.”\n\t\t745\tDuncan-distinction between cosmic and psychic realities\n\t\t900\tDuncan- “when you’re in love, that’s a real place.”\nTwo\t\t005\tDuncan- “Who is I Maximus?”\n\t\t070\tLevertov re Wordsworth’s “language is the incarnation of thought”\n\t\t075\tDuncan – the “overself” – the “projective”\n\t\t150\tCreeley concludes session with “How can we be other than where we are? And for what good reason?”\n"],"Note":["[{\"note\":\"Liner Notes: Vancouver Poetry  festival, UBC, Vancouver, August 7, 1963 Avison, Creeley, Duncan, Ginsberg, and Levertov\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554399145988,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5964","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["UBC Poetry Festival: Avison, Olson, Creeley, Duncan, Ginsberg, Whalen, and Levertov on August 9, 1963 #46a"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Whalen, Philip","Avison, Margaret","Duncan, Robert","Ginsberg, Allen","Olson, Charles","Creeley, Robert","Levertov, Denise","Kiyooka, Roy","Keyes, John"],"creator_names_search":["Whalen, Philip","Avison, Margaret","Duncan, Robert","Ginsberg, Allen","Olson, Charles","Creeley, Robert","Levertov, Denise","Kiyooka, Roy","Keyes, John"],"creators":["[{\"url\":\"https://viaf.org/viaf/54270610/\",\"name\":\"Whalen, 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Denise\",\"dates\":\"1923-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Keyes, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/371/Reading in BC_MsC199_46A.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"46a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:23\",\"precision\":\"\",\"size\":\"29.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"46a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:55\",\"precision\":\"\",\"size\":\"13.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-08-09\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card and inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tCreeley presenting Zukofsky bibliography\n\t\t140\tAudience question – gestalt therapy in relation to poetics – discussion on contexts of being\n\t\t170\tCreeley – reality as extensive verbal construct – need to return to our bodies – often by the agencies of this order of help ie psychologists\n\t\t200\tGinsberg on keywords used by members of this discussion which reveal a definite experience of being here in the universe, in a place: field, energy, eternity, form-place, natural harmony, go for broke… samenesses and differences\n\t\t290\tDangers of static terminologies\n\t\t340\tCreeley recounts story of a reading in the mid-west.  After the reading, a young man who was deeply moved by the second to last poem, comes up to the reader and asks this question “Was that a real poem or did you just make it up yourself?”  Creeley’s question is “How shall we measure what we do?”\n\t\t360\tDiscussion on form and content – Creeley stating a context in which the issue of some occasion is the means by which a poem occurs as opposed to a putting on of form like a coat.  Levertov – form is never more than the revelation of content as opposed to Creeley’s “Form is never more than the extension of content”.\n\t\t395\tLevertov – the Elizabethan sonnet\n\t\t470\tAvison – the ‘machine’ and ‘form’\n\t\t510\tLevertov – “You don’t know what you think till you see what you do.”\n\t\t\tCreeley – “There’s no occasion other than what is, as is literally now.”\n\t\t580\tCreeley’s letter to Olson re ‘form-content’\n\t\t670\tThought preceding poem? – Form preceding occasion? – Wyatt’s “They Flee From Me”\n\t\t725\tRoy Kiyooka – form in painting – Rubens\n\t\t765\tCreeley – What do we mean by form in a poem? – How do we know when it’s a poem? – What is a poem?\n\t\t820\tCreeley – “What measure exists to know what a poem is? “ this is not a concern while you’re writing – story about Robert Graves being halfway through a poem for The New Yorker\n\t\t890\tJohn Keyes relates story about Franz Kline, destroying form, destroying himself- argument ensues involving Keyes, Creeley, Ginsberg, Kiyooka\n"],"Note":["[{\"note\":\"Liner Notes: Vancouver Poetry  festival, UBC, Vancouver, August 9, 1963 (side 1 of 2) Avison, Creeley, Duncan?, Ginsberg, Levertov, Whalen, Olson\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554400194560,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5965","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["UBC Poetry Festival: Avison, Olson, Creeley, Duncan, Ginsberg, Whalen, and Levertov on August 9, 1963 #46b"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Whalen, Philip","Avison, Margaret","Duncan, Robert","Ginsberg, Allen","Olson, Charles","Creeley, Robert","Levertov, Denise"],"creator_names_search":["Whalen, Philip","Avison, Margaret","Duncan, Robert","Ginsberg, Allen","Olson, Charles","Creeley, Robert","Levertov, Denise"],"creators":["[{\"url\":\"https://viaf.org/viaf/54270610/\",\"name\":\"Whalen, Philip\",\"dates\":\"1923-2002\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/79128508\",\"name\":\" Avison, Margaret\",\"dates\":\"1918-2007\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen \",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles \",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/9868894\",\"name\":\"Levertov, Denise\",\"dates\":\"1923-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/372/Reading in BC_MsC199_46B.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"46b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:35:59\",\"precision\":\"\",\"size\":\"23.6 MB\",\"bitrate\":\"24 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-08-09\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card and inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t000\tCreeley on new critics on Whitman and Crane\n\t\t100\tLevertov on first hearing Williams read in an American idiom\n\t\t160\t“Communication” through text of poem\n\t\t200\tLevertov – consideration of the listener\n\t\t250\tGinsberg- observation impedes function, self-consciousness impedes communication\n\t\t270\tGinsberg re his Friday night reading- “garbage reading” – feeling “bankrupt”\n\t\t360\tCreeley re Cassirer’s sense of definition as limitation\n\t\t405\tWhalen writing Stein bibliography on blackboard\n"],"Note":["[{\"note\":\"Liner Notes: Vancouver Poetry  festival, UBC, Vancouver, August 9, 1963 (side 2 of 2) Avison, Creeley, Duncan?, Ginsberg, Levertov, Whalen, Olson\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554400194561,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5966","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["UBC Poetry Festival: Creeley, Duncan, Ginsberg, and Levertov on August 12, 1963 #47a"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Ginsberg, Allen","Duncan, Robert","Levertov, Denise"],"creator_names_search":["Creeley, Robert","Ginsberg, Allen","Duncan, Robert","Levertov, Denise"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen \",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/9868894\",\"name\":\"Levertov, Denise\",\"dates\":\"1923-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/373/Reading in BC_MsC199_47a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"47a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:54\",\"precision\":\"\",\"size\":\"30.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-08-12\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card and inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tReadings from Hart Crane\n\t\t046\tCreeley reading “At Melville’s Tomb”\n\t\t066\tDuncan reading “Voyages 1”\n\t\t114\tGinsberg reading “Atlantis”\n\t\t218\tDuncan reading “Voyages 2”\n\t\t282\tGinsberg reading “Hurricane”\n\t\t367\tCreeley reading “The Broken Tower”\n\t\t\tReading from William Carlos Williams\n\t\t592\tLevertov – “The Ivy Crown”\n\t\t652\tCreeley- “Tribute To The Painters”\n\t\t716\tDuncan- “To Daphne and Virginia”\n\t\t822\tGinsberg- “For Eleanor and Bill Monahan”\n\t\t960\tLevertov – “The Turtle”\n"],"Note":["[{\"note\":\"Liner Notes: Vancouver Poetry  conference, UBC, Vancouver, August 12, 1963 Creeley, Duncan, Ginsberg, and Levertov\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554400194562,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5915","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Ken Belford reading at the College of New Caledonia #225a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Belford, Ken"],"creator_names_search":["Belford, Ken"],"creators":["[{\"url\":\"http://viaf.org/viaf/8961892\",\"name\":\"Belford, Ken\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7385/Reading in BC_MsC199_225a.jpg\",\"other\":\"J-card\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Black and white clear jewel case with J-card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"225a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:36:18\",\"precision\":\"\",\"size\":\"36.1 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"225a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:55\",\"precision\":\"\",\"size\":\"30.8 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/443237227\",\"venue\":\"The College of New Caledonia\",\"notes\":\"\",\"address\":\" Imperial Parking, 3330 22 Ave, Prince George, BC V2N 1P8\",\"latitude\":\"53.90631\",\"longitude\":\"-122.78598\"}]"],"Address":[" Imperial Parking, 3330 22 Ave, Prince George, BC V2N 1P8"],"Venue":["The College of New Caledonia"],"Note":["[{\"note\":\"Linear Notes: Ken Belford reading at The College of New Caledonia.\\n Side 1: 29:00 min \\nSide 2: 20:00 min \\nDolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554400194563,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5916","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Ken Belford reading at the Bau-Xi Gallery #225b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Belford, Ken"],"creator_names_search":["Belford, Ken"],"creators":["[{\"url\":\"http://viaf.org/viaf/8961892\",\"name\":\"Belford, Ken\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/209/Readings in BC_MsC199_225b.jpg\",\"other\":\"J-card\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Black and white clear jewel case with J card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"225b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:24:50\",\"precision\":\"\",\"size\":\"24.9 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"225b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:28:26\",\"precision\":\"\",\"size\":\"28.9 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1111302009\",\"venue\":\"The Bau-Xi Gallery\",\"notes\":\"\",\"address\":\"3045 Granville St, Vancouver, BC V6H 3J9\",\"latitude\":\"49.25842\",\"longitude\":\"-123.13901\"}]"],"Address":["3045 Granville St, Vancouver, BC V6H 3J9"],"Venue":["The Bau-Xi Gallery"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: Ken Belford reading at The Bau-Xi Gallery.\\n Includes echo experiments \\nSide 1: 22:37 min \\nSide 2: 06:00 min\\n Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554400194564,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5917","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Barry McKinnon reading at University of Alberta, 1971 #226"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["McKinnon, Barry"],"creator_names_search":["McKinnon, Barry"],"creators":["[{\"url\":\"http://viaf.org/viaf/60321164\",\"name\":\"McKinnon, Barry\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1971],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/210/Readings in BC_MsC199_226.jpg\",\"other\":\"J-card\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Black and white clear jewel case with J card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"226-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:39\",\"precision\":\"\",\"size\":\"28.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"226-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:08\",\"precision\":\"\",\"size\":\"31.6 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1971\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/10238561\",\"venue\":\"University of Alberta\",\"notes\":\"\",\"address\":\"116 St & 85 Ave, Edmonton, AB T6G 2R3\",\"latitude\":\"53.5268\",\"longitude\":\"-113.5254\"}]"],"Address":["116 St & 85 Ave, Edmonton, AB T6G 2R3"],"Venue":["University of Alberta"],"City":["Edmonton, Alberta"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t“I’ll probably read some more serious poems today.  This is…a pamphlet that I was working on…”\n\t\t004\tReads “Lust Lodge” (004-083)\n\t\t086\t“Pages from a Prairie Journal”\n\t\t130\t“His Wife”\n\t\t149\t“The short story of a Gentle Man”\n\t\t160\t“To his lover who takes care of his rooms”\n\t\t178\t“Letter Two”\n\t\t209\t“One poem danced, the other sung:\n\t\t213\t“The tree Song”\n\t\t217\t“The Lake (for Ken Belford)”\n\t\t226\t“The Land”\n\t\t239\t(Letter: Indian Girl, Napoli Pizzerama, 1 AM)\n\t\t250\t“I lost the poem in whispers near the sea…”\n\t\t261\t“A letter to Bill Bissett… Mush etcetera…”\n\t\t298\t“This was sent to Andy Suknaski… I took two pens and started writing things so you get a double line…”\n\t\t310\tBlue and red…\n\t\t315\t“waves waves…”\n\t\t323\t“One intention is to write a great pornographic novel…”\n\t\t353\t“I’m presently working on a long book.  The first part deals with my grandparents coming to the prairies; the second part is dealing with some of my childhood experiences; the third part, which I’m still writing, is an attempt to deal with my vision of the present moment… This is the second part; it’s called ‘The Moving Photograph!”\n\t\t482\t“I’ll just read one more poem…And to each the marigold”\n\t\t492\tReading ends"],"Note":["[{\"note\":\"Liner Notes: Berry McKinnon Reading reading at the University of Alberta. \\nSide 1: 21:15 min \\nSide 2: 16:09 min\\nDolby B\",\"type\":\"General\"},{\"note\":\"The master of this tape has been played close to a magnet. This has caused volume fluctuation and print-through \",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554400194565,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5918","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Barry McKinnon and Al Neil reading at the Western Front on February 25, 1974 #227"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["McKinnon, Barry","Neil, Al"],"creator_names_search":["McKinnon, Barry","Neil, Al"],"creators":["[{\"url\":\"http://viaf.org/viaf/60321164\",\"name\":\"McKinnon, Barry\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/46803421\",\"name\":\"Neil, Al\",\"dates\":\"1924-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/211/Readings in BC_MsC199_227.jpg\",\"other\":\"J-card\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Black and white clear jewel case with J card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"227-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:20\",\"precision\":\"\",\"size\":\"46.1 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"227-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:49:24\",\"precision\":\"\",\"size\":\"107.7 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974-02-25\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front \",\"notes\":\"\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26395\",\"longitude\":\"-123.09866\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1"],"Venue":["The Western Front "],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: Barry McKinnon and Al Neil reading at Western Front on Feb 25, 1974. \\nSide 1: 45:00 min\\n Side 2: 33:00 \\nConcludes with a selection from Hank the Hobo \",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554400194566,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5967","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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32 min side 2 29 min\",\"type\":\"General\"},{\"note\":\"Detailed information about the reading and transcription: https://montreal.spokenweb.ca/sgw-poetry-readings/david-bromige-at-sgwu-1970\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554402291713,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5976","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Readings at Sir George Williams: David Bromige Reading his poems on November 6, 1970 #74"],"item_title_source":["J-card, inventory, and SpokenWeb Montreal website"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bromige, David"],"creator_names_search":["Bromige, David"],"creators":["[{\"url\":\"http://viaf.org/viaf/7436750\",\"name\":\"Bromige, David\",\"dates\":\"1933-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/400/Reading in BC_MsC199_74.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:51:00\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"74-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:25\",\"precision\":\"\",\"size\":\"20.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"74-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:21\",\"precision\":\"\",\"size\":\"16.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970-11-06\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\" SpokenWeb Montreal website\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/103248053\",\"venue\":\"Sir George Williams University (Concordia University)\",\"notes\":\"\",\"address\":\"1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada\",\"latitude\":\"45.4954\",\"longitude\":\"-73.5783\"}]"],"Address":["1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada"],"Venue":["Sir George Williams University (Concordia University)"],"City":["Montreal, Quebec"],"content_notes":["SFU BC Readings formatting"],"contents":["Detailed information about the reading and transcription: https://montreal.spokenweb.ca/sgw-poetry-readings/david-bromige-at-sgwu-1970/\n\n\nSide\tTrack\tNo.\tComments\nOne\t\t022\tIn His Image\n\t\t037\tAfter The Engraving\n\t\t057\tFirst Love\n\t\t139\tPsychoanalysis\n\t\t145\tYou Too\n\t\t150\tWhy I Went There\n\t\t187\t“I can’t read & here’s a book”\n\t\t215\t“They Want”\n\t\t247\t“I can see”\n\t\t255\tOnly Fair\n\t\t263\tPrecept/Example\n\t\t269\tChoosing The Event\n\t\t309\tLogical Conclusions\n\t\t326\tAn Invention\n\t\t345\tFond\n\t\t363\t“So”\n\t\t434\t“We could get a drink”\n\t\t500\tIn Deep Woods\n\t\t525\tJust Think\n\t\t544\tA Defect\n\t\t560\tTaking Heart\n\t\t579\tThe Faster\n\t\t597\tWhy Not\nTwo\t\t000\tA Call\n\t\t020\tA Final Mission\n\t\t136\tA Kind Numbness\n\t\t164\t“Dear Night”\n\t\t204\tThe Spell\n\t\t244\tFor Tom Thumb – A Relation & A Measure\n\t\t310\tRime\n\t\t349\tFrom My Mother\n"],"Note":["[{\"note\":\"Detailed information about the reading and transcription: https://montreal.spokenweb.ca/sgw-poetry-readings/david-bromige-at-sgwu-1970\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554402291714,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5977","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Readings at Sir George Williams: Robert Creeley Reading his poems on February 24, 1967 #75"],"item_title_source":["J-card, inventory, and SpokenWeb Montreal website"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Layton, Irving"],"creator_names_search":["Creeley, Robert","Layton, Irving"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/66482092\",\"name\":\"Layton, Irving\",\"dates\":\"1912-2006\",\"notes\":\"He does the Introduction part\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1967],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/401/Reading in BC_MsC199_75.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:17:00\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"75-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:42:11\",\"precision\":\"\",\"size\":\"29 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"75-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:36:31\",\"precision\":\"\",\"size\":\"24.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1967-02-24\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\" SpokenWeb Montreal website\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/103248053\",\"venue\":\"Sir George Williams University (Concordia University)\",\"notes\":\"\",\"address\":\"1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada\",\"latitude\":\"45.4954\",\"longitude\":\"-73.5783\"}]"],"Address":["1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada"],"Venue":["Sir George Williams University (Concordia University)"],"City":["Montreal, Quebec"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction by Irving Layton\n\t\t085\tA Song\n\t\t099\tThe Conspiracy\n\t\t110\tChanson\n\t\t119\tThe Operation\n\t\t128\tThe Death of Venus\n\t\t177\tA Form of Adaptation\n\t\t192\tThe Whip\n\t\t206\tPlease\n\t\t222\tThe Three Ladies\n\t\t250\tNew Year’s\n\t\t273\tEntre Nous\n\t\t282\tThe Place\n\t\t305\tThe Hill\n\t\t321\tThe Awakening\n\t\t353\tThe Rain\n\t\t373\tKore\n\t\t395\tThe House\n\t\t409\tThe Pool\n\t\t432\tThe Rocks\n\t\t449\tWater\n\t\t460\tThe Fire\n\t\t476\tSomething\n\t\t525\tDistance\n\t\t600\tThe Window\n\t\t621\tTo Bobbie\n\t\t657\tThe Rose\n\t\t699\tLove Comes Quietly\n\t\t711\tThe Gesture\n\t\t728\tFor Love\nTwo\t\t010\tAnger\n\t\t247\tA Tally\n\t\t274\tEnough\n\t\t341\tThe Hole\n\t\t408\tReads a short story entitled “The Book”\n"],"Note":["[{\"note\":\"Liner Notes: Side 1 - 41 min Side 2 - 36 min\",\"type\":\"General\"},{\"note\":\"Detailed information about the reading and transcription: https://montreal.spokenweb.ca/sgw-poetry-readings/robert-creeley-at-sgwu-1967/\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554402291715,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5978","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Co-op Radio with M. Robyn and H. Potrobenko on May 5, 19, and 26, 1978 #76"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Rudd, Melody","Davitt, Pat","Rohatyn, Michelle","Benston, Margaret Lowe","Potrebenko, Helen"],"creator_names_search":["Rudd, Melody","Davitt, Pat","Rohatyn, Michelle","Benston, Margaret Lowe","Potrebenko, Helen"],"creators":["[{\"url\":\"\",\"name\":\"Rudd, Melody\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Davitt, Pat\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Rohatyn, Michelle\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/164061442\",\"name\":\"Benston, Margaret Lowe\",\"dates\":\"1937-1991\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/92400798\",\"name\":\"Potrebenko, Helen\",\"dates\":\"1940-2022\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Rohatyn, Michelle"],"contributors_names_search":["Rohatyn, Michelle"],"contributors":["[{\"url\":\"\",\"name\":\"Rohatyn, Michelle\",\"dates\":\"\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/402/Reading in BC_MsC199_76.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and clear case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"76-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T:00:30:56\",\"precision\":\"\",\"size\":\"21.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"76-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:28:59\",\"precision\":\"\",\"size\":\"19.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-05-05\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1978-05-19\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1978-05-26\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/7802936235\",\"venue\":\"Co-op Radio\",\"notes\":\"\",\"address\":\"110 - 360 Columbia Street Vancouver V6A 4J1\",\"latitude\":\"49.28181\",\"longitude\":\"-123.10203\"}]"],"Address":["110 - 360 Columbia Street Vancouver V6A 4J1"],"Venue":["Co-op Radio"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\t\t\tI-Relationships and Organizing\n\t\t\tHelen Potrobenko reading poems:\n\t\t\tCockle Doodle Hiss\n\t\t\tAdvice To The Lovelorn\n\t\t\tII – A Woman’s Liberation Play with no Message Whatsoever\n\t\t\tRead by: Pat Davitt, Helen Potrobenko, Melodie Rudd\n\t\t\tPoems:\n\t\t\tIn The Men’s Room by Marge Piercey – read by H. Potrobenko\n\t\t\tWomen’s Liberation by H. Potrobenko – read by Pat Davitt\n\t\t\tWhy Aren’t You Smiling by H. Potrobenko – read by Melody Rudd\n\t\t\tBob #3 by H. Potrobenko – read by Pat Davitt\n\t\t\tOde To Overpopulation by H. Potrobenko – read by M. Rudd\n\t\t\tA More Concrete Ecology Proposal by H. Potrobenko – read by H. Potrobenko\n\t\t\tLove Song To My Car by H. Potrobenko – read by P. Davitt\n\t\t\tDavie Stand by H. Potrobenko – read by P. Davitt\n"],"Note":["[{\"note\":\"Liner Notes: CO-OP radio, Friday, May 5, 19, 26, 1978 with M Robatyn and H. Potrobenko I. Relationships and organizing II a woman's liberation III Business Letters and other works of art IV First Business letter V Poems sonnets\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554402291716,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5979","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Lionel Kearns in an interview with Maurice Gibbons and his students at SFU on November 28, 1969 part 1 of 2 #78a"],"item_title_source":["J-card and inventory "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kearns, Lionel","Gibbons, Maurice"],"creator_names_search":["Kearns, Lionel","Gibbons, Maurice"],"creators":["[{\"url\":\"http://viaf.org/viaf/30784380\",\"name\":\"Kearns, Lionel \",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108708897\",\"name\":\"Gibbons, Maurice\",\"dates\":\"1931-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Gyseman, Doug"],"contributors_names_search":["Gyseman, Doug"],"contributors":["[{\"url\":\"\",\"name\":\"Gyseman, Doug \",\"dates\":\"1936-2017\",\"notes\":\"also known as Curtis Vanel\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Gyseman, Doug "],"Production_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/412/Reading in BC_MsC199_78a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"78a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:33:16\",\"precision\":\"\",\"size\":\"23.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"78a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:27:41\",\"precision\":\"\",\"size\":\"19.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969-11-28\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory \"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\tOne\t\tLionel Kearns in an interview with Maurice Gibbons and his students\nTime: 59 minutes\n\t"],"Note":["[{\"note\":\"Liner Notes: Interview with Maurice Gibbons and his students (before interview began, the group heard a recording of \\\"The woman who\\\")\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554403340288,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5980","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Bill Bissett in an interview with Maurice Gibbons and his students at SFU on November 28, 1969 part 2 of 2 #78b"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bisset, Bill","Gibbons, Maurice"],"creator_names_search":["Bisset, Bill","Gibbons, Maurice"],"creators":["[{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"Bisset, Bill\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108708897\",\"name\":\"Gibbons, Maurice\",\"dates\":\"1931-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Gyseman, Doug"],"contributors_names_search":["Gyseman, Doug"],"contributors":["[{\"url\":\"\",\"name\":\"Gyseman, Doug \",\"dates\":\"1936-2017\",\"notes\":\"also known as Curtis Vanel\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Gyseman, Doug "],"Production_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/413/Reading in BC_MsC199_78b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\" Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"78b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:30\",\"precision\":\"\",\"size\":\"31.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"78b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:15:28\",\"precision\":\"\",\"size\":\"10.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969-11-28\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory \"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["\tTwo\t\tBill Bissett in an interview with Maurice Gibbons and his students\nTime: 60 minutes\n\n"],"Note":["[{\"note\":\"Liner Notes: Bill Bissett Interview with Maurice Gibbons and his students (includes some readings)\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554403340289,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5981","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Poetry Readings with Judy Copithorne and Maxine Gadd (Don Druick, Flute) in Vancouver in 1967,1968, and 1969 #80"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Gadd, Maxine","Copithorne, Judith"],"creator_names_search":["Gadd, Maxine","Copithorne, Judith"],"creators":["[{\"url\":\" http://viaf.org/viaf/75225856\",\"name\":\"Gadd, Maxine\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/63020479\",\"name\":\"Copithorne, Judith\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Gyseman, Doug"],"contributors_names_search":["Gyseman, Doug"],"contributors":["[{\"url\":\"\",\"name\":\"Gyseman, Doug\",\"dates\":\"1936-2017\",\"notes\":\"also known as Curtis Vanel\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Gyseman, Doug"],"Production_Date":[1968],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/414/Reading in BC_MsC199_80.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"80-side-1.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:27:32\",\"precision\":\"\",\"size\":\"18.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"80-side-2.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:24:24\",\"precision\":\"\",\"size\":\"16.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1968\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory \"},{\"date\":\"1969\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory \"},{\"date\":\"1967\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\"49.2530\",\"longitude\":\"-123.1128\"}]"],"Address":["Vancouver, BC, Canada"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tJudy Copithorne reading – Time: 26 minutes\n\t\t\tMarch 21, 1967\n\t\t\tNovember 13, 1968\nTwo\t\t\tJudy Copithorne – Readings with music – Don Druick – flute\n\t\t\tNov. 10, 1969\n\t\t\tTime: 11 minutes\n\t\t\tCopithorne reading\n\t\t\tHeat\n\t\t\tAugust 5, 1969\n\t\t\tMaxine Gadd reading\n\t\t\tRite\n\t\t\tJuly 4, 1968\n\t\t\tTime: 7 minutes\n"],"Note":["[{\"note\":\"Liner Notes: Poetry readings Side one: Judy Copithorne Side two: Judy Cipithorne (with Don Druick, Flute) \\\"Heat\\\" Judy Copithorne \\\"Rite\\\" Maxine Gadd\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554403340290,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5982","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Kent Sharpe (Accompanied by Mike Dorsey, Guitar) in Vancouver in August 25, 1965 #81"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Sharpe, Kent","Ginsberg, Allen","Ferlinghetti, Lawrence","Dorsey, Mike"],"creator_names_search":["Sharpe, Kent","Ginsberg, Allen","Ferlinghetti, Lawrence","Dorsey, Mike"],"creators":["[{\"url\":\"\",\"name\":\"Sharpe, Kent\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen \",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/110070499\",\"name\":\"Ferlinghetti, Lawrence\",\"dates\":\"1919-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"\",\"name\":\"Dorsey, Mike\",\"dates\":\"\",\"notes\":\"Guitar player \",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Gyseman, Doug"],"contributors_names_search":["Gyseman, Doug"],"contributors":["[{\"url\":\"\",\"name\":\"Gyseman, Doug\",\"dates\":\"1936-2017\",\"notes\":\"also known as Curtis Vanel\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Gyseman, Doug"],"Production_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/415/Reading in BC_MsC199_81small.jpg\",\"other\":\"Mild crackling noise\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"81-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:53\",\"precision\":\"\",\"size\":\"25.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"81-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:09:15\",\"precision\":\"\",\"size\":\"6.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-08-25\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\"49.2530\",\"longitude\":\"-123.1128\"}]"],"Address":["Vancouver, BC, Canada"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\tOne\t\tKent Sharpe accompanied by Mike Dorsey on guitar\n\t\t\tThe Long Street\n\t\t\tAmerica (Ginsberg)\n\t\t\tDog (Ferlinghetti)\n\t\t\tJohnny Nolan (Ferlinghetti) [pencilled in]\n\t\t\tA First Awareness\n\t\t\tBeach Avenue\n\t\t\tYou Stand Vibrating\n\tTwo\t\tDidja Ever See\n\t\t\tA First Awareness\n\t\t\tBeach Avenue\n\t\t\tYou Stand Vibrating\n\t\t\tThe Cuckold’s Song (Leonard Cohen)\n"],"Note":["[{\"note\":\"Liner Notes: Kent Sharpe, August 25, 1965 (Accompanied by Mike Dorsey, Guitar) Side one: The long street America (Ginsberg) Dog (Ferlinghetti) Johnny Nolan A first Awarness Beach avenue You stand vibrating Side tow: Didja ever see a first awareness\",\"type\":\"General\"},{\"note\":\"In the middle of the tape the sound disappears \",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554403340291,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5983","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Paul Stoddard and friends in Vancouver in September 1973 #82"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Stoddard, Paul"],"creator_names_search":["Stoddard, Paul"],"creators":["[{\"url\":\"\",\"name\":\"Stoddard, Paul\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Gyseman, Doug"],"contributors_names_search":["Gyseman, Doug"],"contributors":["[{\"url\":\"\",\"name\":\"Gyseman, Doug\",\"dates\":\"1936-2017\",\"notes\":\"also known as Curtis Vanel\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Gyseman, Doug"],"Production_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/416/Reading in BC_MsC199_82.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"82-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:25:41\",\"precision\":\"\",\"size\":\"17.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"82-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:05\",\"precision\":\"\",\"size\":\"22.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-09\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\"49.2530\",\"longitude\":\"-123.1128\"}]"],"Address":["Vancouver, BC, Canada"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\tOne\t\tDay Coach Rider\n\t\t\tLady You Are A Golden Queen Of Change\n\t\t\tUsed Moon Dealer\n\t\t\tSolid To The Wander\n\t\t\tFrom Another Cirle\n\t\t\tHello Harold\n\t\t\tI Got A Letter From A Friend Today\n\t\t\tOkanagan\n"],"Note":["[{\"note\":\"Liner Notes: Paul Toppard and friends, September, 1973 Side one: Day Coach rider Side two: lady you are a golden queen of change used moon dealer Solid t the wander From another circle Hellow Harold I cot a letter from a friend Today Okanagan radio\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554403340292,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5984","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Red Lane reading children's poems in Vancouver in November 1964 #83"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Lane, Red"],"creator_names_search":["Lane, Red"],"creators":["[{\"url\":\"http://viaf.org/viaf/105856627\",\"name\":\"Lane, Red\",\"dates\":\"1936-1964\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Gyseman, Doug"],"contributors_names_search":["Gyseman, Doug"],"contributors":["[{\"url\":\"\",\"name\":\"Gyseman, Doug\",\"dates\":\"1936-2017\",\"notes\":\"also known as Curtis Vanel\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Gyseman, Doug"],"Production_Date":[1964],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/417/Reading in BC_MsC199_83.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J card\",\"other_physical_description\":\"Black and clear jewel case with a J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"83-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:19:21\",\"precision\":\"\",\"size\":\"18.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1964-11\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\"49.2530\",\"longitude\":\"-123.1128\"}]"],"Address":["Vancouver, BC, Canada"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side one\n\nRed Lane reading his poems:\nThe Child Can Ask Me\nWhat Is A Poem Is A Poet Is A Poem\nOne Of These Mornings\nOn Purpose Because\nBreakfast Is\nThe Lunches That People\nFun\n\nSide two\n\nThe Games that Seem\nI Am, And All Around Me\nIs Happening, It Happens To\nThere"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554403340293,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5985","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Graydon More with Leo Jung on Guitar in Vancouver in October 1968 #84"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Moore, Graydon","Jung, Leo"],"creator_names_search":["Moore, Graydon","Jung, Leo"],"creators":["[{\"url\":\"\",\"name\":\"Moore, Graydon\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Jung, Leo\",\"dates\":\"\",\"notes\":\"Guitar player\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Gyseman, Doug"],"contributors_names_search":["Gyseman, Doug"],"contributors":["[{\"url\":\"\",\"name\":\"Gyseman, Doug\",\"dates\":\"1936-2017\",\"notes\":\"also known as Curtis Vanel\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Gyseman, Doug"],"Production_Date":[1968],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/418/Reading in BC_MsC199_84.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"84-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:23\",\"precision\":\"\",\"size\":\"15.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"84-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:30\",\"precision\":\"\",\"size\":\"19.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1968-10\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory \"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\"49.2530\",\"longitude\":\"-123.1128\"}]"],"Address":["Vancouver, BC, Canada"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\t\t\tTrack 1:   “Citadel of Promises”  4:42\n\t\t\t                  “The Donkeyodeon”  17:24\n\t\t\tTrack 2:   “Planet Man”  7:01\n\t\t\t                  “The Homecoming of Manu”  13:06\n\t\t\t                  “Psynchronicity”  7:12\n"],"Note":["[{\"note\":\"Liner Notes: Graydon More with Leo Jung on Guitar Side 1: Citadel of Promises Planet And Side 2\\\" The homecoming of Mano Psynchronicity\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554403340294,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5986","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Lionel Kearns Reading \"By the Light of the Silvery Mclune\" in Vancouver on March 05, 1973 #85"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kearns, Lionel"],"creator_names_search":["Kearns, Lionel"],"creators":["[{\"url\":\"http://viaf.org/viaf/30784380\",\"name\":\"Kearns, Lionel\",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["[Gyseman, Doug?]"],"contributors_names_search":["[Gyseman, Doug?]"],"contributors":["[{\"url\":\"\",\"name\":\"[Gyseman, Doug?]\",\"dates\":\"1936-2017\",\"notes\":\"also known as Curtis Vanel\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["[Gyseman, Doug?]"],"Production_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/419/Reading in BC_MsC199_85.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"85-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:26:50\",\"precision\":\"\",\"size\":\"18.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"85-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:17:16\",\"precision\":\"\",\"size\":\"11.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-03-05\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory \"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\"49.2530\",\"longitude\":\"-123.1128\"}]"],"Address":["Vancouver, BC, Canada"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\tOne\t\tLionel Kearns reading from BY THE LIGHT OF THE SILVERY MCCLUNE\n\t\t\t“Art”\n\t\t\t“Environment”\n\t\t\t“Foreign Aid”\n\t\t\t“Points of View”\n\t\t\t“The Business”\n\t\t\t“Telephone”\n\t\t\t“Ablution”\n\t\t\t“Inflation”\n\t\t\t“Economic Chronology”\n\t\t\t“The Seventh Seal”\n\t\t\t“Growing Up In A Consumer Society”\n\t\t\t“Conflict”\n\t\t\tZa Zen\n\tTwo\t\t“Hockey is Zen”\n\t\t\t“Trap”\n\t\t\t“Meter”\n\t\t\t“Taking Your Time”\n\t\t\t“One Time”\n\t\t\t“Now”\n\t\t\t“Medium”\n\t\t\t“Expression”\n\t\t\t“Transport”\n\t\t\t“Domesticity”\n\t\t\t“Entropy”\n\t\t\t“Language Dreams”\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554404388864,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5987","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Vancouver Poetry Festival: Robin Blaser Reading on February 10, part 3 of 3 1966 #234c"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Robin Blaser"],"creator_names_search":["Robin Blaser"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Robin Blaser\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/420/Readings in BC_MsC199_234c.jpg\",\"other\":\"J-card\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Black and white clear jewel case with J card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"234c.2-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:42\",\"precision\":\"\",\"size\":\"39 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"234c.2-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:14\",\"precision\":\"\",\"size\":\"40.1 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966-02-10\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\"49.2687\",\"longitude\":\"-123.1368\"}]"],"Address":["Vancouver, BC, Canada"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: Vancouver Poetry Festival Feb. 10/33 Robin Blaser Reading #234c Robin Blaser Reading 3 (fragments) of Moth Poem - some incomplete Lecture on Charles Olson After Moths - Fragments\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554404388865,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5988","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Wallace Stevens memorial lecture: Louis Zukofsky reading at University of Connecticut on April 29, 1971 #211"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Zukofsky, Louis","Stevens, Wallace"],"creator_names_search":["Zukofsky, Louis","Stevens, Wallace"],"creators":["[{\"url\":\"http://viaf.org/viaf/42358\",\"name\":\"Zukofsky, Louis\",\"dates\":\"1904-1978\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/61562486\",\"name\":\"Stevens, Wallace\",\"dates\":\"1879-1955\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1971],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/428/Readings in BC_MsC199_211.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"j-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"211-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:42\",\"precision\":\"\",\"size\":\"45.8 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"211-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:41:57\",\"precision\":\"\",\"size\":\"41.8 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1971-04-29\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/246315722\",\"venue\":\"University of Connecticut\",\"notes\":\"\",\"address\":\"Storrs, CT 06269, United States\",\"latitude\":\"41.8162\",\"longitude\":\"-72.2643\"}]"],"Address":["Storrs, CT 06269, United States"],"Venue":["University of Connecticut"],"Note":["[{\"note\":\"Liner Notes: Louis Zukofsky Reading at University of Connecticut April 29, 1971 Side 1: 46:30 Side 2: 42:20 The Wallace Stevens Memorial Lecture Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554405437441,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5995","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["San Francisco/Vancouver Poets: Stan Persky, Roy Kiyooka, and Dan Conrad reading on March 13, 1970 part 1 of 2 #212a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Persky, Stan","Kiyooka, Roy","Conrad, Daniel"],"creator_names_search":["Persky, Stan","Kiyooka, Roy","Conrad, Daniel"],"creators":["[{\"url\":\"http://viaf.org/viaf/57448780\",\"name\":\"Persky, Stan\",\"dates\":\"1941-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1026-1944\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11176358\",\"name\":\"Conrad, Daniel\",\"dates\":\"1938-\",\"notes\":\"Dan Conrad\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Quartermain, Peter"],"contributors_names_search":["Quartermain, Peter"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34534588\",\"name\":\"Quartermain, Peter\",\"dates\":\"1934-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/430/Readings in BC_MsC199_212a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"j-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"212a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:28:53\",\"precision\":\"\",\"size\":\"27.4 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"212a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:27:07\",\"precision\":\"\",\"size\":\"26 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970-03-13\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/111968\",\"venue\":\"\",\"notes\":\"\",\"address\":\"San Francisco, California, USA\",\"latitude\":\"37.7544\",\"longitude\":\"-122.4605\"}]"],"Address":["San Francisco, California, USA"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tStanley – prefatory remarks\n\t\t020\tStan Persky – reads story – “This is last night…”\n\t\t072\tStan Persky – reads another story – “Very still, consciously moving things slowly…”\n\t\t180\tRoy Kiyooka reading\n\t\t205\t“Higashiyama” – from Kyoto Airs 1963 – sequence of poems for Cid Corman\n\t\t275\t“White”\n\t\t297\t“Sunflower”\n\t\t328\t“On the occasion of Angela Bowering’s first acid trip…”\n\t\t360\t“In Botticelli’s nativity…”\n\t\t400\tCommentary on next poem – Kiyooka\n\t\t441\t“Stone gloves”\n\t\t550\tReads quotation from Jean Dubefay, French painter\n\t\t558\t“Deeper than death the breadth of breath…”\n\t\t573\tSequence for Margaret Avison\n\t\t\t“Five fingers make a pass at the moon…”\n\t\t591\t“Trinity”\n\t\t620\t“Alms for sharp palms…”\n\t\t627\t“Somewhere in front of all these words…”\n\t\t640\tBackground comments\n\t\t672\tDan Conrad reads poems\n\t\t\t“Factory pipes, ominous, stretching and twisting…”\n\t\t702\t“Lazarus”\n\t\t736\t“Riding the IND in dark Manhattan…”\n\t\t767\t“Messiah”\n\t\t794\t“The toast”"],"Note":["[{\"note\":\"Liner Notes: SF/Vancouver Poets March 13, 1970 Tape 1 of 2 Side 1: 29:12 Side 2: 27:30 Stan Persky, Roy Kiyooka, Dan Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554406486016,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5996","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Ideas: Ezra Pound reading on January 6, 1976 #213"],"item_title_source":["cassette and j-card"],"item_title_note":["Title on liner notes says Ideas: Ezra Pound. Title on tape says Ideas: The Case of Ezra Pound"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Pound, Ezra"],"creator_names_search":["Pound, Ezra"],"creators":["[{\"url\":\"http://viaf.org/viaf/24606774\",\"name\":\"Pound, Ezra\",\"dates\":\"1885-1972\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Publication_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/431/Readings in BC_MsC199_213.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"j-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"213-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:00\",\"precision\":\"\",\"size\":\"30.6 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"213-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:24:11\",\"precision\":\"\",\"size\":\"24.2 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-01-06\",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Note":["[{\"note\":\"Liner Notes: Ideas: Ezra Pound Jan. 6, 1976 Side 1: 27:48 Side 2 24:18 Program fades out periodically - the problem is not on this cassette. Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554406486017,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5997","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["San Francisco/Vancouver Poets: Dan Conrad, Rick Burns, and Maxine Gadd reading on March 13, 1970 part 2 of 2 #212b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Gadd, Maxine","Conrad, Daniel","Burns, Rick"],"creator_names_search":["Gadd, Maxine","Conrad, Daniel","Burns, Rick"],"creators":["[{\"url\":\"http://viaf.org/viaf/75225856\",\"name\":\"Gadd, Maxine\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11176358\",\"name\":\"Conrad, Daniel\",\"dates\":\"1938-\",\"notes\":\"Dan Conrad\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/104201398\",\"name\":\"Burns, Rick\",\"dates\":\"1949-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Quartermain, Peter"],"contributors_names_search":["Quartermain, Peter"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34534588\",\"name\":\"Quartermain, Peter\",\"dates\":\"1934-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/432/Readings in BC_MsC199_212b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"j-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"212db-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:21:53\",\"precision\":\"\",\"size\":\"20.7 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"212db-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:16:33\",\"precision\":\"\",\"size\":\"15.8 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970-03-13\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/111968\",\"venue\":\"\",\"notes\":\"\",\"address\":\"San Francisco, California, USA\",\"latitude\":\"37.7544\",\"longitude\":\"-122.4605\"}]"],"Address":["San Francisco, California, USA"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t008\tRick Burns reading\n\t\t011\t“No poems exists alone…”\n\t\t020\t“Out of darkness, trees…”\n\t\t027\tMarco (Vandini?) reading\n\t\t032\t“The lady and her cats”\n\t\t069\t“Slaughter (?) midnight sidewalk”\n\t\t129\t“Sat down on a boulder…”\n\t\t140\tMaxine Gadd reading\n\t\t154\t“Robin has the horse in hand”\n\t\t175\t“European interest in the [Ottomas] Empire circa 1815”\n\t\t215\t“Noxious gases happen past…”\n\t\t234\t“January 31”\n\t\t260\t“’67 – spring”\n\t\t295\t“Something headed”\n\t\t338\t“Place the machine over the last tiny hunk of…”\n\t\t400\t“Poem for two voices”\n\t\t475\tEnd of Session"],"Note":["[{\"note\":\"Liner Notes: SF/Vancouver Poets March 13, 1970 Tape 2 of 2 Side 3: 22:00 Side 4: 16:40 Dan?, Mario, Maxine\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554406486018,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5998","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Rosemary Hollingshead reading Pulp Broadside on January 9, 1976 #214"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Hollingshead, Rosemary"],"creator_names_search":["Hollingshead, Rosemary"],"creators":["[{\"url\":\"http://viaf.org/viaf/33496356\",\"name\":\"Hollingshead, Rosemary\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/433/Readings in BC_MsC199_214.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"j-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"214-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:57\",\"precision\":\"\",\"size\":\"23.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"214-side-2-blank.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:57\",\"precision\":\"\",\"size\":\"24.8 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-01-09\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Note":["[{\"note\":\"Liner Notes: Rosemary Hollingshead Broadside: Fuck You Say Mating Stone I Pulp Broadsides Jan 9, 1976 Side 1: 16 min Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554406486019,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5999","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["San Francisco/Vancouver Poets: George Stanley, Joanne Kyger, Gerry Gilbert, and Ebbe Borregaard discussion on March 9, 1970 #215"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Stanley, George","Gilbert, Gerry","Borregaard, Ebbe","Kyger, Joanne","[Hauser, Gwen?]","Walker, John","Miles, Josephine","Cacchioni, Mark"],"creator_names_search":["Stanley, George","Gilbert, Gerry","Borregaard, Ebbe","Kyger, Joanne","[Hauser, Gwen?]","Walker, John","Miles, Josephine","Cacchioni, Mark"],"creators":["[{\"url\":\"http://viaf.org/viaf/30781582\",\"name\":\"Stanley, George\",\"dates\":\"1934-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/43263290\",\"name\":\"Borregaard, Ebbe\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\" http://viaf.org/viaf/71627705\",\"name\":\"Kyger, Joanne\",\"dates\":\"1934-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/25971407\",\"name\":\"[Hauser, Gwen?]\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Walker, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/110624639\",\"name\":\"Miles, Josephine\",\"dates\":\"1911-1985\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Cacchioni, Mark \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors_names":["Quartermain, Peter"],"contributors_names_search":["Quartermain, Peter"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34534588\",\"name\":\"Quartermain, Peter\",\"dates\":\"1934-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7469/Reading in BC_MsC199_215.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"j-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"215-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:41:32\",\"precision\":\"\",\"size\":\"39.9 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"215-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:42:23\",\"precision\":\"\",\"size\":\"40.7 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970-03-09\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/111968\",\"venue\":\"\",\"notes\":\"\",\"address\":\"San Francisco, California, USA\",\"latitude\":\"37.7870\",\"longitude\":\"-122.4673\"}]"],"Address":["San Francisco, California, USA"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t[Left]\t000\tGeorge Stanley re nostalgia\n\t\t010\tGerry Gilbert (?) with story of ambassador and monk\n\t\t018\tConversation re nostalgia and poems – what you’ve lost is your country.” – John Wieners –SF is our country\n\t\t028\tA criticism that is justified\n\t\t034\t“What holds me back is it seems to imply a criticism of the imagination to say that poetry in a sense consists of feeling about a lost home.”  Would seem to detract from its function as creating a home…\n\t\t041\tJosephine Miles re 20s and 30s in California as a paradise which we have lost now\n\t\t045\tIn the 50s – nostalgia for the city\n\t\t056\tThe system using us as raw materials\n\t\t064\tKyger : What is the point?  G.S. – The point is that I accept nostalgia\n\t\t067\tJ.K. – you sense a great nostalgia … some kind of fresh imprint that you get from something that’s not really clear… a fuzzy imprint – your influences and the feelings you feel then -\n\t\t074\tJ.K. : Jack Spicer was a poet that was a strong person, wasn’t a published poet – hard to see clearly what’s gone into your life\n\t\t090\tG.S. – publishing serial poems as books – Spicer’s et al – an innovation.  Those books represented competitiveness – desire to be known.\n\t\t108\tQuestion (?) – Is the movement that went on in SF in 50 – some odd – supposed to be reconstructed in 70? No.\n\t\t111\tG.G. – It seems as though we’ve learned quite a bit – We’ve done away with getting together to talk and reading together – with getting our books published and almost every poet from SF in ’60 and ’61 scattered\n\t\t123\tAll over the world.  Battle between Jack and Robert over the great world\n\t\t133\tEbbe Borregaard (?) Don’t think he (Spicer) ever told me, “son, keep out of the great world.”\n\t\t135\tJ.K.: Poetry up to that time had been in academic world – when things started to change, new image of what poetry was about, Jack’s position was, keep it right in the living room, don’t get close to the academic, don’t publish – when it became time to move on out, becomes a little difficult\n\t\t147\tJ.K. : This afternoon being in an academic environment seemed to be a little bit risky…\n\t\t152\tJ.K. : Where music is at today, has a much truer audience than where poets are in the university…\n\t\t159\tG.G. : Poets in Vancouver not connected to any institution but their own…\n\t\t176\tMarc Caccione (?) – Poetry (?) like a used car lot – a subjective existence.  J.K. – Don’t despair – just do it.  Forget about the analogy.\n\t\t195\tE.B. : Just despair all the harder – there’s no end, you know.  Know R. Crumb?  Pfeiffer – I think that’s where poetry is.  Despair Comics\n\t\t212\tJ.K. – I thought we should start to read or something…\n\t\t214\tE.B. – invites someone to read\n\t\t222\tJ.K. speaks of reading in S.F. – everyone talking about Eastern mind – no rationalism – thought must be something to do with rational mind – so wrote piece on Descarte’s Discourse on Method – a clue to the Western mind – we just think it makes sense\n\t\t242\tReads “Descartes and the Splendor of a Real Drama of Everyday Life in 6 parts.”\n\t\t380\tEnds\n\t\t388\tSound ends abruptly \n\t\t430\tSound picks up again\n\t\t439\tGwen Hauser (?) speaks\n\t\t448\tG.H. (?) reads – “Of course I’m afraid of you.”\n\t\t473\tReads “Everybody must have a vision/some are smaller than others.”\n\t\t500\tReads “A Circle Goes Round a Man and Woman.”\n\t\t517\tMarc Caccione reads “Mooching Ferns”\n\t\t667\tM.C. reads “Hail North Beach”\n\t\t760\tJohn Walker reads 8 poems on cormorants off the coast of Sechelt\n\t\t838\tJ.W. reads Big City Shaman\n\t\t862\tReads “The stone shutters wrought close to the countered gate”\n\t\t959\tReads Babyland Blues\n\t\t980\tSound breaks off"],"Note":["[{\"note\":\"Liner Notes: SF/Vancouver Poets March 9, 1970 Stanley, Kyger, Stockholder Side 1: 31:40 Side 2 31:35\",\"type\":\"General\"},{\"note\":\"No one is introduced on the recording\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554406486020,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"6000","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["San Francisco/Vancouver Poets: George Stanley, Joanne Kyger, and Ebbe Borregaard reading on March 11, 1970 tape 1 of 2 #218"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Borregaard, Ebbe","Stanley, George","Kyger, Joanne"],"creator_names_search":["Borregaard, Ebbe","Stanley, George","Kyger, Joanne"],"creators":["[{\"url\":\"http://viaf.org/viaf/43263290\",\"name\":\"Borregaard, Ebbe\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/30781582\",\"name\":\"Stanley, George\",\"dates\":\"1934-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\" http://viaf.org/viaf/71627705\",\"name\":\"Kyger, Joanne\",\"dates\":\"1934-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Quartermain, Peter"],"contributors_names_search":["Quartermain, Peter"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34534588\",\"name\":\"Quartermain, Peter\",\"dates\":\"1934-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/435/Readings in BC_MsC199_218.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"218-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:17\",\"precision\":\"\",\"size\":\"42.6 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"218-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:00:30\",\"precision\":\"\",\"size\":\"57.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970-03-11\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/111968\",\"venue\":\"\",\"notes\":\"\",\"address\":\"San Francisco, California, USA\",\"latitude\":\"37.7870\",\"longitude\":\"-122.4673\"}]"],"Address":["San Francisco, California, USA"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction\n\t\t014\tKyger – very unclear, fuzzy\n\t\t\t“The pigs for Circe and me”\n\t\t058\t“She comes up a long walk behind her…”\n\t\t070\tQuestions and commentary – George Stanley\n\t\t077\t“Granted that General (?) did whatever he was supposed to do…” \n\t\t\t“Tete rouge” (title of poem?) – George Stanley\n\t\t395\tCommentary by (?) who?\n\t\t408\tDwarf poems – Ebbe Borregaard\n\t\t469\t“I do not believe ourselves have troubled much to read our pomes…”\n\t\t492\t“Even as progenitor of a poem is impossible to delaminate his imagination…”\n\t\t520\t“Is life more precious than the thrill of pleasure…”\n\t\t580\t“My love says”\n\t\t631\t“Caption for a miniature”\n\t\t649\t“Tuesday February 13th”\n\t\t674\tImaginary apparitions – remarks\n\t\t685\tRemarks from (Stanley?)\n\t\t710\t“Like a lantern, it was interesting to find structure in that mess…”\n\t\t731\t“I didn’t know which direction, she whispers in his ear…”\n\t\t741\t“They said the moon wasn’t going to rise…”\n\t\t787\t“Rising up from a lower landscape…”\n\t\t811\t“Dear dearest, alone in this room…”"],"Note":["[{\"note\":\"Liner Notes: SF/Vancouver Stanley, Kyger, Borregaard Poets March 11, 1970 Tape 1 of 2 Side 1 45:13 Side 2 40:00 Conclusion of afternoon reading 13 min. Beginning of evening 27 min.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554407534592,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"6001","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Duncan recorded from NETV on April 16, 1978 #219"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert"],"creator_names_search":["Duncan, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/436/Readings in BC_MsC199_219.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"j-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"219-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:14:36\",\"precision\":\"\",\"size\":\"72.2 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"219-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:26\",\"precision\":\"\",\"size\":\"31.5 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-04-16\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Note":["[{\"note\":\"Liner Notes: Robert Duncan recorded from NETV April 16, 1978 \\\"Originals\\\" Includes \\\"Dream Data\\\" \\\"Structure of Rime I\\\" \\\"Passages 15\\\" Side 1 29:30 Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554407534593,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5968","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["UBC Poetry Festival: Charles Olson on August 14, 1963 #48"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Olson, Charles"],"creator_names_search":["Olson, Charles"],"creators":["[{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles \",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/376/Reading in BC_MsC199_48.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:55:00\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"48-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:26:57\",\"precision\":\"\",\"size\":\"19.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"48-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:08\",\"precision\":\"\",\"size\":\"28.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-08-14\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z46398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z46398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting\n"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tThis tape & tape #50 consists of Charles Olson reading from the then not yet published MS of Maximus IV, V, VI.  The poems and the order of the poems here read differ in some respects from the printed version of Maximus IV, V, VI.  Some of these differences have been examined by Georgia Linley, in her master’s essay entitled “Charles Olson’s Maximus Poems IV, V, VI (SFU, 1972).  Below these will be marked w/ an asterisk (*).\n\t\t\tMAXIMUS, FROM DOGTOWN – II\n\t\t\tMaximus, / to himself, / as of “Phoenicians”:\n\t\t\tMaximus to Gloucester, Letter 27 withheld\n\t\t\tMaximus further on (December 28th 1959)\n\t\t\t“The Poimanderes…”\n\t\t\tThe River – I\n\t\t\tThe River – 2\n\t\t\t“Okeanos”*\n\t\t\t“The southeast wind blows over”*\n\t\t\tCashes\n\t\t\t“like / Mr. Pester acknowledges his sinfulness in being\n\t\t\t“Of old times, there was a very beautiful”\n\t\t\t“They said she went off fucking every Sunday.”\n\t\t\tA Maximus\n\t\t\tDECEMBER, 1960\n\t\t\tMaximus Letter # whatever\n\t\t\tFirst Stevens- song*\n\t\t\tUpward choking on Dogtown*\n\t\t\t“I forced the calm grey waters,  I wanted her (Maximus, March 1961-I)\n\t\t\tSee Linley, p.76, for a variant.)\n\n\n"],"Note":["[{\"note\":\"Liner Notes: Charles Olson reading at the Vancouver Poetry Conference. August 14, 1963 Part 1 Side 1 26 min Side 2 29 min Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554407534594,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5969","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["UBC Poetry Festival: Charles Olson on August 14, 1963 #49"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Olson, Charles"],"creator_names_search":["Olson, Charles"],"creators":["[{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles \",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/377/Reading in BC_MsC199_49.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:39:35\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"49-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:22:57\",\"precision\":\"\",\"size\":\"16.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"49-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:17:57\",\"precision\":\"\",\"size\":\"12.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-08-14\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne  (con’d)\t\t\tMaximus, March 1961 – 2\n\t\t\t“The Rock”*\n\t\t\t“there are 5 elements”*\n\t\t\tThe Account Bokk [Book] of B Ellery\n\t\t\tA Maximus Song\n\t\t\tLATER TYRIAN BUSINESS\n\t\t\tFor Robt Duncan / who understands / what’s going on – written because of him / March 17, 1961\n\t\t\tO John Josselyn you\n\t\t\tFurther Completion of Plat\n\t\t\t“A Prayer, to the Lord, cast down like a good old Catholic\n\t\t\tBohlin 2\n\t\t\t**“Gee, what I call the upper road was the way  \n\t\t\tThe winning thing\n`\t\t\t23 School and 16 Columbia\n\t\t\t“the bottom\n\t\t\tJL 17 1961\n\t\t\tLetter 72\n\t\t\t“ta meteura\n\t\t\t“Descartes soldier\n\t\t\tIn the interleaved Almanacks for 1646 and 1647 of Danforth\n\t\t\tThurs Sept 14th 1961  (see Linley, p. 78, for additional information)\n\t\t\tOf the Parsonses\n\t\t\tTHE BEGINNINGS (facts\n\t\t\t“On Bemo Ledge he fell\n\t\t\t“Shag Rock”*\n\t\t\tTHE CUT\n\t\t\tScheria -- ?\n\t\t\tMy Carpenter’s Son’s Son’s Will, Lt\n\t\t\tWilliam Stevens, 1701, Inventory 1712/13\n\t\t\tMaximus, at the Harbor\n"],"Note":["[{\"note\":\"Liner Notes: Charles Olson reading at the Vancouver Poetry Conference. August 14, 1963 Part 2 Side 3 22:20 min Side 4 17:15 min Original tape ran out at this point\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554407534595,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5970","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["UBC Poetry Festival: Charles Olson on August 16, 1963 #50"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Olson, Charles"],"creator_names_search":["Olson, Charles"],"creators":["[{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles \",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/378/Reading in BC_MsC199_50.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:25:50\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"50a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:39:03\",\"precision\":\"\",\"size\":\"26.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"50b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:39:47\",\"precision\":\"\",\"size\":\"28.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-08-16\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tSecond Century Song\n\t\t\tA Later Note on / Letter # 15\n\t\t\t“128 a mole\n\t\t\t“View” : fr the Orontes fr where Typhon\n\t\t\t“The Young Ladies\n\t\t\t“patriotism\n\t\t\tBk ii chapter 37\n\t\t\tThe rocks in settlement Cove\n\t\t\t“Peloria the dog’s upper lip kept curling\n\t\t\t“while on\n\t\t\t“Shag Rock\n\t\t\t“Cyprus\n\t\t\t“after the storm was over\n\t\t\t“up the steps, along the porch\n\t\t\t“people want delivery\n\t\t\t“the coast goes from the Hurrian Hazzi to Tyre\n\t\t\t“cessarae / commissure”\n\t\t\t“Lane’s eye-view of Gloucester\n\t\t\t“Older than Byblos\n\t\t\tCHRONICLES\n\t\t\t“Sanuncthion lived\n\t\t\t“John Watts took\n\t\t\tTHE GULF OF MAINE\n\t\t\tAN ODE ON CAPE ANNE*\n\t\t\t“Okeanos in and under Anaximanders *\n\t\t\tIn the Face of the Chinese View of the City\n\t\t\t“off-upland\n\t\t\t“The earth with a city in her hair\n\t\t\t“and now let all the ships come in\n\t\t\tHEPIT . NAGA. ATOSIS\n\t\t\t“Barbara Ellis, ramp”\n\t\t\t“the diadem of the dog\n\t\t\t“Caught in the third root which goes to Ocean *\n\t\t\t“The earth is the Black Syone, Midgard” *\n\t\t\t“She vaulted onto his back *\n\t\t\t“No wunde-strands here abouts depths*\n\t\t\t“Phoenician landmarks Hawks Island*\n\t\t\t“no matter how nicely you heist up your behind” *\n\t\t\t“They brawld in the streets, tripped the night watchman\n\t\t\t“out over the land skope view as from Alexander Baker’s still\n\t\t\tPart of the Flower of Gloucester\n\t\t\t“Veda Upanishad edda than\n\t\t\t“Wrote my first poems\n\t\t\tThe 1st lot from the Cutt\n\t\t\t*Boule *\n\t\t\t“The outer circumference *\n\t\t\t“Cracking of the skull is organized into *\n\t\t\t“I am the Gold Machine and Now I have trenched out, smeared, occupied \n\t\t\tProem\n\t\t\t“In the harbor\n\t\t\tKent Circle Song\n\t\t\t“I Swung out at 8 or 10\n\t\t\t“JW (from the Danelaw) says:\n\t\t\t“in the wood *\n\t\t\t“not the intaglio method or skating\n\t\t\t“mother-spirit to fuck at noumen, Vierge\n\t\t\t“Cunt the underground *\n\t\t\t“Ocean is the child*\n\t\t\tMonday, November 26th, 1962\n\t\t\tRoots of the tree also *\n\t\t\t“he who walks with his house on (I)\n\t\t\t“she who met the serpent in the pool the adultress (II)\n\t\t\t“the woman who said she went out every Sunday (III)\n\t\t\tTHE FRONTLET\n\t\t\t“Homo Anthropos”\n\t\t\t“to enter into their bodies * (for a variant reading, see Linley, p. 89\n\t\t\tThe Cow / of Dogtown\n\t\t\tSequentior\n\t\t\tFurther Completion of Plat (before they drown Dogtown with a reservoir, and beautify it)\n\t\t\t“the Vault / of Heaven\n\t\t\t“at the boundary of the mighty world” H. (T) 620 foll.\n\t\t\tMAXIMUS, FROM DOGTOWN –IV\nTwo\t\t\t“why light, and flowers? Paul Oakley\n\t\t\tFort Point section\n\t\t\t“you drew the space in\n\t\t\tCivic Disaster for Ed Bloomberg\n\t\t\t“Or Lindsay / roared upon the town\n\t\t\t“the distances / up and down\n\t\t\t“rotundum\n\t\t\tJune 6th, 1963\n\t\t\t“into the hill went into\n\t\t\tTantrist\n\t\t\t“I stand up on your Fort Place”\n\t\t\t“13 vessels, and David Pearce’s\n\t\t\t“The lap\n\t\t\t“a Contract Entered Into By\n\t\t\tThe River Map and we’re done\n\t\t\tThe Songs of Maximus\n\t\t\tMaximus, to himself\n\t\t\t“after the storm was over (January 17 1962, as In Maximus, V)\n\t\t\tThe Lordly and Isolate Satyrs\n\t\t\tVariations, done for Gerard van de Wiele\n\t\t\tAs the Dead Prey upon us\n\t\t\tThe Kingfishers  (incomplete)\n\t\t\tLetter #3\n"],"Note":["[{\"note\":\"Liner Notes: Charles Olson reading at UBC. August 16, 1963 Side 1 42:20 min Side 2 43:30 min\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554408583168,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"5971","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":[" UBC Poetry Festival: Denise Levertov on August 9, 1963 #51"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Levertov, Denise"],"creator_names_search":["Levertov, Denise"],"creators":["[{\"url\":\"http://viaf.org/viaf/9868894\",\"name\":\"Levertov, Denise\",\"dates\":\"1923-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/379/Reading in BC_MsC199_51.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"51-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:27\",\"precision\":\"\",\"size\":\"30.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"51-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:18:16\",\"precision\":\"\",\"size\":\"12.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-08-09\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452 \"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t“Matins” – Jacob’s Ladder\n\t\t057\t“The Necessity” – Jacob’s Ladder\n\t\t076\tThe following poems are from O Taste And See\n\t\t\tThe Ache of Marriage\n\t\t\tThe Elves\n\t\t\tSong For Ishtar\n\t\t136\tKingdoms of Heaven\n\t\t161 \tSparks\n\t\t178\tThe Film\n\t\t198\tAnother Spring\n\t\t221\tThe Secret\n\t\t247\tThe Crack\n\t\t275\tSeptember 1961\n\t\t310\tClaritas\n\t\t346\tShalom\n\t\t370\tWho Is At My Window\n\t\t389\tThe Old Adam\n\t\t443\tPuñal\n\t\t454\tThe Novices\n\t\t500\tEros At Temple Stream\n\t\t513\tO Taste And See\n\t\t526\tMelody Grundy\n\t\t545\tThe Disclosure\n\t\t559\tGone Away\n\t\t653\tInto The Interior\n\t\t674\tThe Novel\n\t\t731\tThreshold\n\t\t765\tLooking Glass\n\t\t781\tOur Bodies\n\t\t821\tThe Prayer\n\t\t855\tLosing Track\n\t\t883\tHypocrite Women\n\t\t920\tIn Mind\n\t\t945\tThe Runes\n"],"Note":["[{\"note\":\"Liner Notes: UBC Poetry Fest, August 9, 1963 Denise Levertov Reading her poems\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554408583169,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"6002","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Duncan reading at University of Victoria on February 8, 1971 #220"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert"],"creator_names_search":["Duncan, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1971],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/437/Readings in BC_MsC199_220.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"j-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"220-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T02:20:28\",\"precision\":\"\",\"size\":\"138.1 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"220-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:47\",\"precision\":\"\",\"size\":\"48.2 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1971-02-08\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1373463\",\"venue\":\"University of Victoria\",\"notes\":\"\",\"address\":\"3800 Finnerty Road, Victoria, BC V8P 5C2, Canada.\",\"latitude\":\"48.4665\",\"longitude\":\"-123.3159\"}]"],"Address":["3800 Finnerty Road, Victoria, BC V8P 5C2, Canada."],"Venue":["University of Victoria"],"City":["Victoria, British Columbia"],"Note":["[{\"note\":\"Liner Notes: Robert Duncan Reading at University of Victoria February 8, 1971 Side 1: 43:50 Side 2: 32:45 Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554408583170,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"6007","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Alden Nowlan reading at Malaspina College on February 20, 1975 #243"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nowlan, Alden"],"creator_names_search":["Nowlan, Alden"],"creators":["[{\"url\":\"http://viaf.org/viaf/61671170\",\"name\":\"Nowlan, Alden\",\"dates\":\"1933-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/443/Readings in BC_MsC199_243.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"243-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:24\",\"precision\":\"\",\"size\":\"31.5 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"243-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:00:55\",\"precision\":\"\",\"size\":\"60.7 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-02-20\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/200091020\",\"venue\":\"Malaspina College\",\"notes\":\"Malaspina College has changed to Vancouver Island University\",\"address\":\"Vancouver Island University, 900, Fifth Street, Nanaimo, Regional District of Nanaimo, British Columbia, V9R 5S5, Canada\",\"latitude\":\"49.1576\",\"longitude\":\"-123.9658\"}]"],"Address":["Vancouver Island University, 900, Fifth Street, Nanaimo, Regional District of Nanaimo, British Columbia, V9R 5S5, Canada"],"Venue":["Malaspina College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tReading opens without introduction; AN speaking\n\t\t003\t“I’m in trouble,’ she said…”\n\t\t012\t“Junkets”\n\t\t018\t“Election song”\n\t\t030\t“The great Cape Breton cockfight”\n\t\t041\t“Song from the kettle drum”\n\t\t054\t“…I’ll read a few verses from my most recent published collection, I’m a stranger here myself...”\n\t\t059\t“Night flight to Montreal”\n\t\t073\t“We were younger then”\n\t\t102\t“The old gentleman”\n\t\t114\t“Answer to a small child’s question”\n\t\t120\t“Four o’clock in the morning”\n\t\t148\t“Parlor game”\n\t\t160\t“Poem for Barbara and Lindsay’s wedding”\n\t\t179\t“A night for hot punch”\n\t\t188\t“In the newsroom”\n\t\t197\t“Body and soul”\n\t\t214\t“Their first meeting”\n\t\t223\t“In the officers’ mess”\n\t\t259\t“A note on the public transportation system”\n\t\t274\t“This is a poem about the correspondence column of Penthouse magazine”\n\t\t282\t“There’ll be nothing more on television tonight…”\n\t\t292\t“The jelly bean man”\n\t\t313\t“Aftermath to a plane crash”\n\t\t320\t“The broadcaster’s poem”\n\t\t343\t“In praise of the great bull walrus”\n\t\t361\t“The night of the party”\n\t\t370\t“Now… I’ll read a few earlier poems…”\n\t\t379\t“The mysterious naked man”\n\t\t402\t“The married man’s poem”\n\t\t407\t“First lesson in theology”\n\t\t412\t“The people who are gone”\n\t\t445\t“Ypres 1915”\n\t\t515\tUnidentified voice asking for questions; question period follows\n\t\t523\tRe: poems based on personal experience\n\t\t540\tRe: Flat Earth Society\n\t\t562\tRe: a poem written after a nightmare\n\t\t575\tAre you pursuing a direction with your poems?\n\t\t595\tRe: justice\n\t\t620\tRe: revising poems – John Newlove\n\t\t640\tRE: Ideally in any work of literature, the measure of greatness is the number of depths in it\n\t\t665\tRe: criticism\n\t\t705\tRe: “taking words out: on rewriting\n\t\t722\tRe: editorial criteria for poetry  magazines\n\t\t773\t“How long have you been writing?”\n\t\t806\t“Were you writing when you were working in the forest?”\n\t\t830\tQuestion period and reading ends"],"Note":["[{\"note\":\"Alden Nowlan Reading at Malaspina College, Feb. 20, 1975 Side 1: 29:05 Side 2: 28:45 Echo was generated on the original tape. Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554408583171,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"6008","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Skookum Wawa reading: A Gathering of Writers introduced by Gary Geddes and reading of Kevin Roberts, Lionel Kearns, Jack Hodgins, and Helene Rosenthal at Bayview Villa in Nanaimo on November 28, 1975 part 1 of 2 #244a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kearns, Lionel","Hodgins, Jack","Roberts, Kevin","Rosenthal, Helene","Geddes, Gary"],"creator_names_search":["Kearns, Lionel","Hodgins, Jack","Roberts, Kevin","Rosenthal, Helene","Geddes, Gary"],"creators":["[{\"url\":\"http://viaf.org/viaf/30784380\",\"name\":\"Kearns, Lionel\",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/114666696\",\"name\":\"Hodgins, Jack\",\"dates\":\"1938-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/31006126\",\"name\":\"Roberts, Kevin\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/187005300\",\"name\":\"Rosenthal, Helene\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94290892\",\"name\":\"Geddes, Gary\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/444/Readings in BC_MsC199_244a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"244a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:33:06\",\"precision\":\"\",\"size\":\"32.7 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"244a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:30\",\"precision\":\"\",\"size\":\"43.1 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-11-28\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/151323442\",\"venue\":\"Bayview Villa\",\"notes\":\"\",\"address\":\"Nanaimo, BC, Canada\",\"latitude\":\"49.18982\",\"longitude\":\"-123.95748\"}]"],"Address":["Nanaimo, BC, Canada"],"Venue":["Bayview Villa"],"City":["Nanaimo, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction by Gary Geddes re/ formation of Skookum Wawa\n\t\t023\tSpeaks of Emily Carr’s “Fresh Seeing,” re a western Canadian voice\n\t\t053 GG\tIntroduces Kevin Roberts\n\t\t074\tK.R. tells anecdote of trying to buy a shower curtain\n\t\t093\tReads “The University of Exeter”\n\t\t124\tReads “The roots,” he said, “I’ll make a bonza’ fire…”\n\t\t138\tReads three poems from “Caribou fishing notes”:\n\t\t140\t“In the end I chose/not to fish the streams…”\n\t\t144\t“June, and a lace mist…”\n\t\t155\t“The lst time we fished ten mile, it snowed…”\n\t\t166\t“A poem for Pat Lane, called “Skating Down Trout”\n\t\t188\t“Harmac Pulp Mill Guide Tour: - “which is a damn lie, as anyone from Harmac will tell you.”  Explains “Ned Lud.”\n\t\t227 GG\tIntroduces Lionel Kearns; reminisces re early acquaintance with Kearns and George Bowering at UBC, “Lionel once played professional hockey in Mexico City”\n\t\t259\tL.K. reads “Genes”\n\t\t305\t“This is a public poem that I… was once commissioned to write…  It was written for a Canada Day celebration on Manitoulin Island.”\n\t\t390\tGary Geddes tells Pat Lane’s story about the chain saw in the next room\n\t\t398 GG\tIntroduces Helen Rosenthal\n\t\t415\tH.R. reads from “Peace”\n\t\t430\t“Moscow Circus Aerialists”\n\t\t465\t“The next one is a poem about my father…”  (reads “Not to Be Born”)\n\t\t515\t“A political poem written on the occasion of the visit of Premier Kosygin to Vancouver… “The Kosygin Dinner”\n\t\t590\t“Play Poem”\n\t\t629\t“Wry on Rock”\n\t\t644\t“In Defense of Free Lust”\n\t\t667\tG.G. introduces Jack Hodgins\n\t\t704\tReads opening story from _____________ called “Separated”"],"Note":["[{\"note\":\"Liner Notes: Skookum Wawa: A gathering of writers, introduced by Gary Geddes Nov. 28, 1975 Bayview Villa, Nanaimo B.C. Side 1: Kevin Roberts, Lionel Kearns 29:15 Side 2: Helene Rosenthal, Jack Hodgins 29:45 Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554408583172,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"6009","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Skookum Wawa reading: A Gathering of Writers introduced by Gary Geddes and reading of Jack Hodgins, John Marshall, Ken Cathers, and Carmichael Michael at Bayview Villa in Nanaimo on November 28, 1975 part 2 #244b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Geddes, Gary","Cathers, Ken","Carmichael, Michael","Marshall, John","Hodgins, Jack"],"creator_names_search":["Geddes, Gary","Cathers, Ken","Carmichael, Michael","Marshall, John","Hodgins, Jack"],"creators":["[{\"url\":\"http://viaf.org/viaf/94290892\",\"name\":\"Geddes, Gary\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/45550284\",\"name\":\"Cathers, Ken\",\"dates\":\"1951-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Carmichael, Michael\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/5165149198299174940005\",\"name\":\"Marshall, John\",\"dates\":\"1941-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/114666696\",\"name\":\"Hodgins, Jack\",\"dates\":\"1938-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/445/Readings in BC_MsC199_244b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"244b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:42:13\",\"precision\":\"\",\"size\":\"40.8 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"244b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:18\",\"precision\":\"\",\"size\":\"31.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-11-28\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/151323442\",\"venue\":\"Bayview Villa\",\"notes\":\"\",\"address\":\"Nanaimo, BC, Canada\",\"latitude\":\"49.18982\",\"longitude\":\"-123.95748\"}]"],"Address":["Nanaimo, BC, Canada"],"Venue":["Bayview Villa"],"City":["Nanaimo, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t000\tJ.H.’s story resumes \n\t\t097\tG.G. announces a break\n\t\t101\tGlG. Introduces John _____________, editor of Island Magazine\n\t\t126\tJohn _________reads “Kennedy River Expedition”\n\t\t133\tReads “Ritual Poem no. 22-38”\n\t\t146\t“Differing Theories of Being Meat”\n\t\t154\t“We Meet Here”\n\t\t161\t“A poem called ‘They Never Come Home Yet’”\n\t\t209\tReads from Jack Spicer, “Thing Language”\n\t\t216\t“It turns out/my fear of/space…”\n\t\t223\t“On the lookout, her glassy eyes…”\n\t\t230\t“Pachina, Carmana, the Husiad…”\n\t\t236\t“Given six days and fifty miles of good book to pack…”\n\t\t242\t“As for the ancestral totem…”\n\t\t249\t“Squatting around the fire…”\n\t\t261\tG.G. Introduces Michael Carmichael\n\t\t268\tReads “Dirty Bob”\n\t\t292\tG.G. introduces Ken Cathers\n\t\t307\tK.C. reads “Morning”\n\t\t322\t“Playground”\n\t\t341\t“The Boat House”\n\t\t359\t“She Lets Me Drive”\n\t\t370\tDedicated to Gabriel Roy: “All night, below the living moon…”\n\t\t389\t“Salmon spawning…”\n\t\t410\t“Outlaw Bysshe”\n\t\t441\tGary Geddes reads:\n\t\t452\t“The Promised Land”\n\t\t475\t“Speaks of his new baby’s birth”\n\t\t483\t“Word”\n\t\t506\t“The letter of the Master of Horse”\n\t\t637\tReading ends"],"Note":["[{\"note\":\"Liner Notes: Skookum Wawa Part 2 Side 1: Jack Hodgins continued John Marshall 26:35 Side 2: Michael Carmichael Ken Cathers Gary Geddes 25:13 Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554409631744,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"6010","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. 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Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Vancouver Poetry Center: An evening with Allen Ginsberg, Karl Siegler, Warren Tallman, and Bill Bissett reading and speaking at Langara College on November 24, 1978 part 1 of 2 #245a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Siegler, Karl","Blaser, Robin","Tallman, Warren","Bissett, Bill","Ginsberg, Allen"],"creator_names_search":["Siegler, Karl","Blaser, Robin","Tallman, Warren","Bissett, Bill","Ginsberg, Allen"],"creators":["[{\"url\":\"\",\"name\":\"Siegler, Karl\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"Moderator \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"Bissett, Bill\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/446/Readings in BC_MsC199_245a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"245a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:39\",\"precision\":\"\",\"size\":\"40.5 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"245a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:42\",\"precision\":\"\",\"size\":\"38 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-11-24\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/23393992\",\"venue\":\"Langara College\",\"notes\":\"\",\"address\":\"100 W 49th Ave, Vancouver, BC V5Y 2Z6\",\"latitude\":\"49.22540\",\"longitude\":\"-123.10937\"}]"],"Address":["100 W 49th Ave, Vancouver, BC V5Y 2Z6"],"Venue":["Langara College"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: Allen Ginsberg and Bill Bissett Reading and Speaking at Langara College, Nov. 24, 1978 Side 1: 36:28 Side 2: 33:05 (contents list inside) Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554409631745,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"6011","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Ezra Pound's opera Le Testement de Villon produced by Murray Schafter for BBC in 1962 #238"],"item_title_source":["cassette and j-card"],"item_title_note":["I took part of the information from the inventory document and the information about the production date is from https://www.nytimes.com/2021/08/23/arts/music/r-murray-schafer-dead.html :\nIn Italy, Mr. Schafer convinced Ezra Pound to allow him to revive this little-known opera, “Le Testament de Villon,” which became a major BBC broadcast in 1962. (Pound gave him an envelope containing his final series of “Cantos” and asked him to deliver it to T.S. Eliot in London.)"],"item_language":["English, French"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Schafer, R. Murray","Pound, Ezra"],"creator_names_search":["Schafer, R. Murray","Pound, Ezra"],"creators":["[{\"url\":\"http://viaf.org/viaf/78771967\",\"name\":\"Schafer, R. Murray\",\"dates\":\"1933-\",\"notes\":\"This program made by R. Murray Schafer for the BBC\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"http://viaf.org/viaf/24606774\",\"name\":\"Pound, Ezra\",\"dates\":\"1885-1972\",\"notes\":\"Composer\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors_names":["Fawcett, Brian"],"contributors_names_search":["Fawcett, Brian"],"contributors":["[{\"url\":\"http://viaf.org/viaf/35890\",\"name\":\"Fawcett, Brian\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/465/Readings in BC_MsC199_238.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"238-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:51\",\"precision\":\"\",\"size\":\"45.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"238-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:33:19\",\"precision\":\"\",\"size\":\"31.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tOverture or musical introd.\n\t\t010\t“The scene is Paris, the date, 1462.  A warrant is out for the arrest of Francois Villon.  The warrant is about to be executed.”\n\t\t030\t“It is late afternoon.  Outside a wine shop, Francois Villon is writing a verse…”\n\t\t045\t“Et mourut Paris et Helaine…”  (Paris dies and Helen dies…)\n\t\t070\t“Dictes moy ou, n’en quel pays…”  (Tell me in what land…)  (Where are the snows of yesteryear…)\n\t\t106\t“Mort j’appelle de ta rigeur…”  (Death, I appeal against your hardness…)  (Ythier)\n\t\t130\t“Je plains le temps de ma jeunesse…”  (I regret the time of my youth…)\n\t\t157\t“Advis m’est que j’oy regret…”  (It seemed I heard regretting…)\n\t\t159\t“Ha viellesse felonne et fiere…”  (Ah, traitorous, fierce old age…)  (Heaulmiere)\n\t\t179\t“Qu’est devenu ce front poly…”  (Where is the smooth brow…)\n\t\t212\t“Faulse beaute…”  (False beauty which costs me dear…)  (The gallant)\n\t\t230\t“Item, m’amour, ma chiere Rose…”  (Item: to my love, my dear Rose…)  (Villon)\n\t\t238\t“Or y pensez, belle Gantiere…” (So think it over, pretty Gantiere… )  (Heaulmiere)\n\t\t249\t“…Jehanneton le Chapperonniere…” (Joan the bonnet-maker…)  (Heaulmiere and Beauty)\n\t\t261\t“Filles, vueillez vous entremettre…”  (Girls, for your own sake…)  (Villon’s mother)\n\t\t277\t“Dame du ciel, regent terrienne…”  (Lady of Heaven, Earth’s regent…)\n\t\t328\t“Vergine pucelle roiauz…”  (Maiden and virgin loyal…)  (Priest)\n\t\t362\t“Suyvez beaute, courez au festes…”  (Pursue ye beauty, run to feasting…)  “Aimez, aimez tant que voudrez…”  (Love light, desire all that ye will…)  (Priest)\n\t\t368\tLapse in the sound – to 377\n\t\t377\t“Villon and the others watch him ironically…”\n\t\t385\t“Se j’ayme et sers la belle de bon hart…”  (If I love and serve my pretty lady gladly…)  (Bozo the brother keeper)\n\t\t439\t“Je regnie amours et despite…”  (All loves I renounce and cure…)  (Gallant)\n\t\t466\t“Pere Noe qui plantastes la vigne…”  (Father Noah who planted the vine…)\n\t\t554\tThe scene changes… near Paris on a deserted highway…\n\t\t574\t“Freres humains qui apre nous vivez…”  (Brothers who live on after us…)  (Chorus of the hanged)\n\t\t672\t“Icy ce clost le testament…”  (Here ends the testament…)  (Halberdiers)"],"Note":["[{\"note\":\"Liner Notes: Ezra Pound Le Testement de Villon Produced by R. Murray Schafer for the BBC Side 1: 26:30 Side 2: 22:00 Dolby B\",\"type\":\"General\"},{\"note\":\"I took part of the information from the inventory document and the information about the production date is from https://www.nytimes.com/2021/08/23/arts/music/r-murray-schafer-dead.html :\\nIn Italy, Mr. Schafer convinced Ezra Pound to allow him to revive this little-known opera, “Le Testament de Villon,” which became a major BBC broadcast in 1962. (Pound gave him an envelope containing his final series of “Cantos” and asked him to deliver it to T.S. Eliot in London.)\",\"type\":\"General\"},{\"note\":\"It was impossible to select the correct genre because we don't have anything close to opera in the existing options\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554411728898,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"6018","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Charles Olson reading Maximus IV, V, VI, and Mayan Letters, part 1 of 2 #236a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Olson, Charles"],"creator_names_search":["Olson, Charles"],"creators":["[{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/467/Readings in BC_MsC199_236a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"236a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:55\",\"precision\":\"\",\"size\":\"28.9 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"236a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:47\",\"precision\":\"\",\"size\":\"29.3 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Note":["[{\"note\":\"Liner Notes: Charles Olson reading Maximus IV, V, VI, Mayan Letters\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554411728899,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"6019","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Brett Enemark reading at the Western Front on February 3, 1975 #283a  "],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Enemark, Brett"],"creator_names_search":["Enemark, Brett"],"creators":["[{\"url\":\"http://viaf.org/viaf/40850774\",\"name\":\"Enemark, Brett\",\"dates\":\"1948-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Knechtel, Mary Beth"],"contributors_names_search":["Knechtel, Mary Beth"],"contributors":["[{\"url\":\"http://viaf.org/viaf/93615375\",\"name\":\"Knechtel, Mary Beth\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Knechtel, Mary Beth"],"Production_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/468/Readings in BC_MsC199_283a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"283a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"32.4 MB\",\"precision\":\"\",\"size\":\"T00:29:59\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"283a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:46\",\"precision\":\"\",\"size\":\"32.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-02-03\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26388\",\"longitude\":\"-123.09871\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1"],"Venue":["The Western Front"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tBrett Enemark introduces himself and his poetry – “I’m trying to make a map of Prince George… I’m going to read some advertising that was published somewhere between 1911 and 1912 by a real estate developer named George J. Hammond.”\n\t\t029\tReads “For George occupies the same strategic commercial location in relation to its own territory as Chicago and Winnipeg…”\n\t\t084\t“Blue snow’\n\t\t139\t“Prince George, January 2, 1973: 1 a.m.”\n\t\t203\t“Age fifteen: writing poetry at Klucas Lake…”\n\t\t244\t“The bridge (for Robin Blaser)\n\t\t259\t“Construction (for D’arcy Margison)”\n\t\t277\t“Photography lesson number 1”\n\t\t293\t“Disappearance”\n\t\t313\t“Gnosis”\n\t\t328\t“Photography lesson two”\n\t\t344\t“The wounding”\n\t\t366\t“The voices”\n\t\t446\t“Purple”\n\t\t506\t“Recent murders near Windy Point”\n\t\t522\t“Once upon a place, time and space/collided…”\n\t\t565\t“The birth of time”\n\t\t602\t“Two dancers (for Reva)”\n\t\t683\t“The death of Orion”\n\t\t722\t“Love”\n\t\t740\t“Mia gloriosa donna”\n\t\t774\t“Pandora’s tree (to be viewed):\n\t\t815\t“Vision unlimited”\n\t\t959\t“Woman (for Charles Olson)”\n\t\t978\t“A lot”\n\t\t1040\t“The knight of cups”\n\t\t1060\t“Song (for George Bowering)”\n\t\t1075\t“Love II”\n\t\t1115\t“Love III”\n`\t\t1168\t“UIC blues (for Bill/to get over)”\n\t\t1210\t“Bird calls (to Eleanor)”\n\t\t1262\t“Where the middle river empties”\n\t\t1356\t“The blast”\n\t\t1468\tSound breaks off"],"Note":["[{\"note\":\"Brett Enemark Reading Side 1: 26:50 Side 2: 25:30 Recorded at the Western Front Feb 3, 1975 By Mary Beth Knechtel Dolby B\",\"type\":\"General\"},{\"note\":\"The Western Front is the donor as inventory says \",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554412777472,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"6020","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Brian Fawcett reading at the Western Front on March 3, 1975 #288"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Fawcett, Brian"],"creator_names_search":["Fawcett, Brian"],"creators":["[{\"url\":\"http://viaf.org/viaf/35890\",\"name\":\"Fawcett, Brian\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Knechtel, Mary Beth"],"contributors_names_search":["Knechtel, Mary Beth"],"contributors":["[{\"url\":\"http://viaf.org/viaf/93615375\",\"name\":\"Knechtel, Mary Beth\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Knechtel, Mary Beth"],"Production_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/469/Reading in BC_MsC199_288.jpg.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"288-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:56\",\"precision\":\"\",\"size\":\"48.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"288-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:19\",\"precision\":\"\",\"size\":\"47 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-03-03\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26391\",\"longitude\":\"-123.09869\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1"],"Venue":["The Western Front"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"Note":["[{\"note\":\"Brian Fawcett Reading at the Western Front, March 3, 1975 (Beginning of reading not on tape) Side 1 44:40 Side 2 32:08 Recorded by Mary Beth Knechtel Dolby B\",\"type\":\"General\"},{\"note\":\"The Western Front is the donor as inventory says \",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554412777473,"timestamp":"2026-01-07T14:59:58.804Z","contents":["Side\tTrack\tNo.\tComments\nOne\tLeft\t000\tNo sound\n\t\t103\tB.F. in midst of reading: “…out on the street it’s me…”\n\t\t\t(“Yeah,/fuck it…” from Permanent relationships, Toronto: Coach House, 1975)\n\t\t110\t“I’m tired of fighting…” (from Permanent relationships)\n\t\t121\t“I mean when I say I love you…” (from Permanent relationships)\n\t\t127\t“So I could die…” (from Permanent relationships)\n\t\t139\t“Into each moment I go…” (from Permanent relationships)\n\t\t147\t“Coming inside you…” (from Permanent relationships)\n\t\t162\t“Out the window it’s still/going on…” (from Permanent relationships)\n\t\t172\t“Sweet psyche…” (from Permanent relationships)\n\t\t184\t“Further vague encounters…” (from Permanent relationships)\n\t\t199\t“The female out…” (from Permanent relationships)\n\t\t229\t“Softness I’ve lost…” (from Permanent relationships)\n\t\t242\t“All that was not beautiful…” (from Permanent relationships)\n\t\t255\t“Cocoon and chrysalis, bird opening…” (from Permanent relationships)\n\t\t275\t“Beautiful blueblack/blossoms of love.”  (from Permanent relationships)\n\t\t292\t“Finding a way to love to find…”  (from Permanent relationships)\n\t\t304\t“What is so awful…” (from Permanent relationships)\n\t\t313\t“Serial…” (from Permanent relationships)\n\t\t329\t“In the alley sparrows…” (from Permanent relationships)\n\t\t344\t“I want to speak of this as/serious story…” (from Permanent relationship)\n\t\t360\t“1./Not simply to fuck…” (from Permanent relationships)\n\t\t395\t“Yeah the moon/has its demands…” (from Permanent relationships)\n\t\t406\tEnds reading of Permanent relationships\n\t\t430\t“Whatever sense grew out of that book was an instinct to attack what Robin Blaser once told me was “the lyric glory hole.”\n\t\t459\tSpeaks of a “book called Hotel Lyric.  I want to read a number of poems that come from that.”\n\t\t465\t“Paris”\n\t\t479\t“From the notice board (for Angela Bowering)”\n\t\t497\t“Gunsmoke”\n\t\t514\t“Stiff aspidistra in dirty window…”\n\t\t529\t“Eros to Psyche” (a variant printed in Creatures of state, p. 56)\n\t\t542\t“The hanged man” (Creatures of state, p. 54)\n\t\t567\t“The fifth transformation”\n\t\t578\t“Three poems, all entitled ‘after Dante’” (Creatures of state, p. 88)\n\t\t\t(The second and third poems are not in the printed sequence)\n\t\t612\t“For Rick Duckles”\n\t\t630\t“Prince George (for Roy Kiyooka)”\n\t\t640\tSound ends this side\nTwo\t\t000\tBackground noise\n\t\t017\tBrian Fawcett speaking, introducing second half of reading\n\t\t039\t“What I want to do is take up from where I was the last time I read in Vancouver, which is about a year ago… in terms of verse, the last book that I did was The opening and that was neither in any clear sense verse or prose.  I want to take the first half of the reading to pick up where the prose has gone from there.”\n\t\t052\t“I’ll read the last section from The opening…I’ve got a story and a speech, and then a statement.”\n\t\t062\tFrom The opening: “Up north, the first frosts are killing the weaker plants…” (125: “That was…August 30, 1972”)\n\t\t130\tWhen I wrote this book (The opening) I was on a Canada Council writing grant, and about two thirds of the way through, I went to work for the planning department as an organizer… One of the things I got to do, and… the subject of the second part of this reading tonight will be two images of cottonwood…\n\t\t157\t“I have this theory about the world, that you don’t have to go looking for images or make them up, because they always appear to you…”\n\t\t\t(Speaks of being a community organizer)\n\t\t209\tReads “The organizer” (printed in Capilano review no. 12 (2/1977), p. 137)\n\t\t544\t“That’s one ‘Cottonwood’ (speaking of the preceding story)”\n\t\t561\t“This is a fairly long and much more metered piece than the last one…\n\t\t594\t“This is a piece called Cottonwood Canyon” (explains the geography of the poem)\n\t\t648\t“Cottonwood Canyon” (reprinted in Creatures of state, p. 7)\n\t\t1370\tSound stops – turn tape over to side 1, right channel \nOne\t\t\tRight channel\n\t\t000\tB.F. (mid sentence to tape operator): “Ready to go?”\n\t\t004\tAnd outside Vanderhoof, heading west, Bill Reese and Tim La Chance… (This continues Cottonwood Canyon, part VII, Creatures of state, (Talon, 1977) p. 17\n\t\t049\tEnd of Cottonwood Canyon\n\t\t054\t“…I’ve got one more piece that I wouldn’t mind reading…”\n\t\t057\t“The agent of language” (begins “I don’t want to write…”)\n\t\t195\tReading ends.  Sound ends."],"score":0.01643844},{"id":"6021","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Louis Zukofsky: Albright Knox Reading in Buffalo on March 4, 1968 #267"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Zukofsky, Louis"],"creator_names_search":["Zukofsky, Louis"],"creators":["[{\"url\":\"http://viaf.org/viaf/42358\",\"name\":\"Zukofsky, Louis\",\"dates\":\"1904-1978\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1968],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/472/Readings in BC_MsC199_267.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"267-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:39\",\"precision\":\"\",\"size\":\"32.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"267-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:27\",\"precision\":\"\",\"size\":\"31.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1968-03-04\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/search?whereami=1&query=42.8888%2C-78.8777#map=12/42.8889/-78.8775\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Buffalo, New York, USA\",\"latitude\":\"42.8888\",\"longitude\":\"-78.8777\"}]"],"Address":["Buffalo, New York, USA"],"City":["Buffalo, New York"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tThe sound quality of this tape is very poor; poems are listed below in order of appearance only\n\t\t\t“’A’” – 12th Movement\n\t\t\t“63” from Catullus\n\t\t\tPoem from : Vol. 1 of All\n\t\t\t“No one Inn”\n\t\t\t“Pleasantly drunk”\n\t\t\t“’A’ – 11”\n\t\t\t“’A’ – 19”\nTwo\t\t000\t“’A’ – 19” - continued\n"],"Note":["[{\"note\":\"Liner Notes: Louis Zukofsky - Albright Knox Reading in Buffalo, NY, March 4, 1968\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554412777474,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"6022","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Gladys Hindmarch, Judy Copithorne, and Daphne Marlatt Reading at UBC on February 16, 1973 #253"],"item_title_source":["j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Copithorne, Judith","Hindmarch, Gladys","Marlatt, Daphne"],"creator_names_search":["Copithorne, Judith","Hindmarch, Gladys","Marlatt, Daphne"],"creators":["[{\"url\":\"http://viaf.org/viaf/63020479\",\"name\":\"Copithorne, Judith\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/38164256\",\"name\":\"Hindmarch, Gladys\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/473/Readings in BC_MsC199_253.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:49:39\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"253-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:51\",\"precision\":\"\",\"size\":\"45.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"253-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:33:19\",\"precision\":\"\",\"size\":\"31.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-02-16\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/search?whereami=1&query=49.2615%2C-123.2460#map=14/49.2614/-123.2460\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2615\",\"longitude\":\"-123.246\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["No contents in the inventory file"],"Note":["[{\"note\":\"Liner Notes: Gladys Hindmarch, Judy Copithorne, Daphne Marlatt reading at UBC Feb. 16, 1973 Side 1: 29:30 Side 2: 20:09 Lots of Buzz and CBC Radio picked up by the mic cable Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554412777475,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"6023","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Karl Siegler Reading from His Translation of Rilke at SFU on February 8, 1979 #259"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Siegler, Karl"],"creator_names_search":["Siegler, Karl"],"creators":["[{\"url\":\"http://viaf.org/viaf/104710928\",\"name\":\"Siegler, Karl\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1979],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7493/Reading in BC_MsC199_259.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:26:45\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"259-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:51\",\"precision\":\"\",\"size\":\"46.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"259-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:17\",\"precision\":\"\",\"size\":\"45.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1979-02-08\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["No contents in the inventory file"],"Note":["[{\"note\":\"Liner Notes: Karl Siegler reading from his translation of Rilke: Sonnets to Orpheus recorded at SFU Feb 8, 1979 Side 1: 44:30 Side 2: 42:15 Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554412777476,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"6024","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Edwin Varney Reading His Own Work, 1973 #254"],"item_title_source":["j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Varney, Edwin"],"creator_names_search":["Varney, Edwin"],"creators":["[{\"url\":\"http://viaf.org/viaf/289523538\",\"name\":\"Varney, Edwin\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/475/Readings in BC_MsC199_254.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:25:20\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"254-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:10\",\"precision\":\"\",\"size\":\"29.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"254-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:23\",\"precision\":\"\",\"size\":\"31.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["No contents in the inventory file"],"Note":["[{\"note\":\"Liner Notes: Edwin Varney Reading His Own Work, 1973 Side 1: 25:20 Side 2: Blank Produced by Poem Company Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554413826048,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"6025","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. 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Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Tim Lander and Beth Jankola Reading at the Vancouver Public Library, 1973 #252"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Lander, Tim","Jankola, Beth"],"creator_names_search":["Lander, Tim","Jankola, Beth"],"creators":["[{\"url\":\"http://viaf.org/viaf/43362812\",\"name\":\"Lander, Tim\",\"dates\":\"1938-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/275239408\",\"name\":\"Jankola, Beth\",\"dates\":\"1936-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/497/Readings in BC_MsC199_252.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:48:50\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"252-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:00\",\"precision\":\"\",\"size\":\"30.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"252-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:18\",\"precision\":\"\",\"size\":\"29.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"Production Date\",\"notes\":\"[1973?]\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/search?whereami=1&query=49.27962%2C-123.11547#map=18/49.27962/-123.11547\",\"venue\":\"Vancouver Public Library \",\"notes\":\"\",\"address\":\"350, West Georgia Street, Downtown, Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, V6B 6B1, Canada\",\"latitude\":\"49.27962\",\"longitude\":\"-123.11547\"}]"],"Address":["350, West Georgia Street, Downtown, Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, V6B 6B1, Canada"],"Venue":["Vancouver Public Library "],"City":["Vancouver, British Columbia"],"content_notes":["No contents in the inventory file"],"Note":["[{\"note\":\"Liner Notes: Tim Lander and Beth Jankola Reading at the Vancouver Public Library (1973?) Side 1: 28:45 Side 2: 21:05 Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554414874629,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"6036","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Henry Rappaport Reading, 1972 #255"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Rappaport, Henry"],"creator_names_search":["Rappaport, Henry"],"creators":["[{\"url\":\"http://viaf.org/viaf/60598383\",\"name\":\"Rappaport, Henry\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1972],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/498/Readings in BC_MsC199_255.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:13:00\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"255-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:15:21\",\"precision\":\"\",\"size\":\"15.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"255-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:15:25\",\"precision\":\"\",\"size\":\"15.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1972\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["No contents in the inventory file"],"Note":["[{\"note\":\"Liner Notes: Henry Rappaport (?) 1972 Spring Flowers this Year How About You GOod Friday Finger Zen(?) 13 min. \",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554414874630,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"6037","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Henry Rappaport with Maxine Gadd and Gerry Gilbert reading #256"],"item_title_source":["j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Gilbert, Gerry","Gadd, Maxine","Rappaport, Henry"],"creator_names_search":["Gilbert, Gerry","Gadd, Maxine","Rappaport, Henry"],"creators":["[{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\" http://viaf.org/viaf/75225856\",\"name\":\"Gadd, Maxine\",\"dates\":\"1972-1987\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/60598383\",\"name\":\"Rappaport, Henry \",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/499/Readings in BC_MsC199_256.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:07:00\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"256-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:25\",\"precision\":\"\",\"size\":\"45.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"256-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:08\",\"precision\":\"\",\"size\":\"45.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["No contents in the inventory file"],"Note":["[{\"note\":\"Liner Notes: Henry Rappaport with Maxine Gadd and Gerry Gilbert Aeiou 12 Nark Dark Room 5 I will 2 Nursery Rhymes 19 Beautiful - And on Tape 11 Voice is what you are and song is what you do 18 Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554414874631,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"6038","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Varney, Lander, Carter, and Rappaport reading, [1973?] #257"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Rappaport, Henry","Lander, Tim","Varney, Edwin","Carter, Jim"],"creator_names_search":["Rappaport, Henry","Lander, Tim","Varney, Edwin","Carter, Jim"],"creators":["[{\"url\":\"http://viaf.org/viaf/60598383\",\"name\":\"Rappaport, Henry \",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/43362812\",\"name\":\"Lander, Tim\",\"dates\":\"1938-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/289523538\",\"name\":\"Varney, Edwin\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/95071767\",\"name\":\"Carter, Jim\",\"dates\":\"1948-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/500/Readings in BC_MsC199_257.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:10:20\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"257-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:11:10\",\"precision\":\"\",\"size\":\"11.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"257-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:58:50\",\"precision\":\"\",\"size\":\"72.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"Production Date\",\"notes\":\"[1973?]\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["No contents in the inventory file"],"Note":["[{\"note\":\"Liner Notes: The Poem Company Edwin Varney Tim Lander Jim Carter Henry Rapport Reading 10:20 \",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554415923200,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"6039","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Louis Zukofsky reading at Library of Congress on November 3 and 4, 1960 Tape 1 of 2 #260a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Zukofsky, Louis"],"creator_names_search":["Zukofsky, Louis"],"creators":["[{\"url\":\"http://viaf.org/viaf/42358\",\"name\":\"Zukofsky, Louis\",\"dates\":\"1904-1978\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1960],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/501/Readings in BC_MsC199_260a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"260a-tape-1-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:29\",\"precision\":\"\",\"size\":\"34.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"260a-tape-1-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:06\",\"precision\":\"\",\"size\":\"35 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1960-11-04\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1960-11-03\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/66418868\",\"venue\":\"Library of Congress\",\"notes\":\"Recorded for this library, not necessarily in it, there is no such information in the recording\",\"address\":\"101 Independence Ave SE, Washington, DC 20540, United States\",\"latitude\":\"38.8867409\",\"longitude\":\"-77.00470552371982\"}]"],"Address":["101 Independence Ave SE, Washington, DC 20540, United States"],"Venue":["Library of Congress"],"content_notes":["SFU BC Readings formatting\n\nIn the inventory, there is information that there are two cassettes on three sides, when in realty there are two cassettes on two sides, so the contents may be divided not precisely among the cassettes"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t010\t“Poem “13”\n\t\t015\tEnd\n\t\t016\t“22”\n\t\t068\tEnd\n\t\t069\t“’B’-1”\n\t\t122\tEnd\n\t\t124\t“’B’-2”  : (International episode)\n\t\t190\tEnd\n\t\t191\t“’B’-3”\n\t\t196\tEnd\n\t\t197\t“’B’-4” : (More Renaissance)\n\t\t212\tEnd\n\t\t213\t“’B’-“\n\t\t269\tEnd\n\t\t270\t“’B’-6”\n\t\t305\tEnd\n\t\t308\tSony “3” From : 55 Poems\n\t\t318\tEnd\n\t\t319\t“8”\n\t\t329\tEnd\n\t\t330\t“13”\n\t\t335\tEnd\n\t\t336\t“18”\n\t\t340\tEnd\n\t\t341\t“22”\n\t\t363\tEnd\n\t\t366\t“12” From : Anew\n\t\t388\tEnd\n\t\t389\t“26”\n\t\t410\tEnd\n\t\t411\t“29”\n\t\t414\tEnd\n\t\t415\tEnd\n\t\t420\tEnd, End Side One\nTwo\t\t000\t\n\t\t004\t“41” From : Anew\n\t\t026\tEnd\n\t\t027\t“1”, “2”, “3”, “4”, “5” From : Some Time (Sequence 1944-C)\n\t\t079\tEnd\n\t\t080\t“Synophanies”\n\t\t096\tEnd\n\t\t097\t“As to how much”\n\t\t107\tEnd\n\t\t108\t“Air”\n\t\t124\tEnd\n\t\t125\t“The Judge and the Bird”\n\t\t148\tEnd\n\t\t149\t“Songs of Degrees”\n\t\t162\tEnd\n\t\t163\t“The Guest”\n\t\t177\tEnd\n\t\t178\t“Shunk Cup”\n\t\t186\tEnd\n\t\t187\t“The Record”\n\t\t200\tEnd\n\t\t201\t“1”,”2”,”3”,”4”,”5”,”6”,”7”,”8” from: Catullus\n\t\t327\tEnd\n\t\t328\tVarious poems from the collection Barely and Widely\n\t\t360\tEnd\n\t\t361\tPoem “1” Barely and Widely\n\t\t379\tEnd\n\t\t380\t“The dedication” from Barely and Widely\n\t\t384\tEnd\n\t\t385\t“2”,”4”,”5”\n\t\t409\tEnd, End Side Two\n"],"Note":["[{\"note\":\"Liner Notes: Liner Notes: Louis Zukofsky Tape for Library of Congress, Nov. 3-4, 1960 Tape 1 of 2\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554415923201,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"6040","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Earle Birney reading at SFU on January 27, 1969 #92"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Birney, Earle","Newlove, John"],"creator_names_search":["Birney, Earle","Newlove, John"],"creators":["[{\"url\":\"http://viaf.org/viaf/97679781\",\"name\":\"Birney, Earle\",\"dates\":\"1904-1995\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/92277383\",\"name\":\"Newlove, John\",\"dates\":\"1938-2003\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Enomoto, Randy"],"contributors_names_search":["Enomoto, Randy"],"contributors":["[{\"url\":\"http://viaf.org/viaf/256444645\",\"name\":\"Enomoto, Randy \",\"dates\":\"1944-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/503/Reading in BC_MsC199_92.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:54:10\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"92-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:27:47\",\"precision\":\"\",\"size\":\"25.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969-01-27\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tEarle Birney reads:\n\t\t\tFound Swahili Serenade\n\t\t020\tAlaska Passage\n\t\t034\tLines (a computer poem)\n\t\t071\tCaptain Cook\n\t\t110\tHalifax\n\t\t125\t1497 Giovanni sailed\n\t\t135\tThe Maple Leaf Forever\n\t\t160\tBillboard Poem\n\t\t180\tCampus Theatre Steps\n\t\t190\tGuadalupe\n\t\t200\tSinaloa\n\t\t232\tPlaza de Inquisicion\n\t\t240\tEl Greco: Espolio\n\t\t267\tSalt Fish With ?\n\t\t285\tFor George Lamming\n\t\t310\tMeeting of Strangers\n\t\t338\tA poem by W.B. Yeats – Prayer For Old Age\n\t\t350\tCuracao\n\t\t360\tStill\n\t\t366\tI think you are a whole city…\n\t\t380\tLike an eddy, my words turn…\n\t\t392\tA Song For Sunsets\n\t\t410\tFine Arts\n\t\t420\tAnswers to a Grade School Biology Test\n\t\t455\tHippodorus\n\t\t475\tWind-chimes in a Temple Ruin\n\t\t485\tFrom The Hazel-bough\nOne\tB\t000\tJohn Newlove reads:\n\t\t014\tIt Just Lay There\n\t\t019\tFor Judith Now About Ten Years Old\n\t\t029\tBlack Night Window\n\t\t033\tThe Pride\n"],"Note":["[{\"note\":\"Liner Notes: Earle Birney Reading at SFU Jan. 27, 1960 Side 1 27:50 Side 2 25:20\",\"type\":\"General\"},{\"note\":\"No digital file for Side 2\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554415923202,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"6041","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Jack Spicer reading The Serial Poem at Tallman's Residence on June 15, 1965 tape 2 of 6 #93b"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Spicer, Jack"],"creator_names_search":["Spicer, Jack"],"creators":["[{\"url\":\"http://viaf.org/viaf/46807530\",\"name\":\"Spicer, Jack\",\"dates\":\"1925-1965\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors_names":["Enomoto, Randy"],"contributors_names_search":["Enomoto, Randy"],"contributors":["[{\"url\":\"http://viaf.org/viaf/256444645\",\"name\":\"Enomoto, Randy \",\"dates\":\"1944-\",\"notes\":\"In the inventory it states that he is a donor, but we do not know what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/504/Reading in BC_MsC199_93b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:12:15\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"93b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T:00:38:11\",\"precision\":\"\",\"size\":\"25.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"93b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:05\",\"precision\":\"\",\"size\":\"24.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-06-15\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/487641396\",\"venue\":\"Tallman Residence\",\"notes\":\"Tallman and family lived in the '50s & '60s at 2527 West 37th Ave in Kerrisdale and this was where quite a few talks and reading were held and recorded.\",\"address\":\"2527 West 37th Avenue, Vancouver, British Columbia, Canada\",\"latitude\":\"49.23722\",\"longitude\":\"-123.11556\"}]"],"Address":["2527 West 37th Avenue, Vancouver, British Columbia, Canada"],"Venue":["Tallman Residence"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t000\tFurther discussion of pleasure\n\t\t\t-more advice to young poets\n\n"],"Note":["[{\"note\":\"Liner Notes: Jack Spicer. June 15, 1965 Side 3 35:15 Side 4 37:00 Serial Poems - continued\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554416971776,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"6042","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Jack Spicer reading The Serial Poem at Tallman's Residence on June 15, 1965 tape 1 of 6 #93a"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Spicer, Jack"],"creator_names_search":["Spicer, Jack"],"creators":["[{\"url\":\"http://viaf.org/viaf/46807530\",\"name\":\"Spicer, Jack\",\"dates\":\"1925-1965\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors_names":["Enomoto, Randy"],"contributors_names_search":["Enomoto, Randy"],"contributors":["[{\"url\":\"http://viaf.org/viaf/256444645\",\"name\":\"Enomoto, Randy \",\"dates\":\"1944-\",\"notes\":\"In the inventory it states that he is a donor, but we do not know what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/506/Reading in BC_MsC199_93a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:13:00\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"93a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T:00:30:45\",\"precision\":\"\",\"size\":\"20.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"93a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:34:10\",\"precision\":\"\",\"size\":\"22.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-06-15\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/487641396\",\"venue\":\"Tallman Residence\",\"notes\":\"Tallman and family lived in the '50s & '60s at 2527 West 37th Ave in Kerrisdale and this was where quite a few talks and reading were held and recorded.\",\"address\":\"2527 West 37th Avenue, Vancouver, British Columbia, Canada\",\"latitude\":\"49.23722\",\"longitude\":\"-123.11556\"}]"],"Address":["2527 West 37th Avenue, Vancouver, British Columbia, Canada"],"Venue":["Tallman Residence"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tSpicer begins lecture on the serial poem\n\t\t185\tBegins reading The Holy Grail\n\t\t\tThe Book of Gawain\n\t\t225\tThe Book of Percival – in part IV of this section, the volume is considerably reduced and is not regained until midway through part V\n\t\t264\tThe Book of Lancelot\n\t\t320\tThe Book of Gwenivere\n\t\t372\tThe Book of Merlin\n\t\t424\tThe Book of Galahad\n\t\t483\tThe Book of The Death of Arthur\n\t\t550\tQuestions from audience re The Holy Grail\n\t\t\tMore questions and discussion re:\n\t\t\t-the writing of a serial poem\n\t\t\t-similarities and differences in the work of Spicer, Blaser and Duncan\n\t\t\t-revision – Yeats, Stevens\n\t\t\t-formal conventions\n\t\t\t-dictation\n\t\t\t-poetry not meant as a pleasure – pleasure is only incidental\n"],"Note":["[{\"note\":\"Liner Notes: Jack Spicer. June 15, 1965 The Serial Poem 13 min. The Holy Grail: The Book of Gawain The Book of Percival (Part 4 missing) The book of Lancelot 14 min The book of Guinevere The book of Merlin The book of Galahad The death of Arthur\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554416971777,"timestamp":"2026-01-07T14:59:58.804Z","score":0.01643844},{"id":"6043","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Jack Spicer reading The Serial Poem: conclusion and The Book of Magazine Verse at Tallman's Residence on June 15 and 17, 1965 tape 3 of 6 #94a"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Spicer, Jack"],"creator_names_search":["Spicer, Jack"],"creators":["[{\"url\":\"http://viaf.org/viaf/46807530\",\"name\":\"Spicer, Jack\",\"dates\":\"1925-1965\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors_names":["Enomoto, Randy"],"contributors_names_search":["Enomoto, Randy"],"contributors":["[{\"url\":\"http://viaf.org/viaf/256444645\",\"name\":\"Enomoto, Randy \",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/512/Reading in BC_MsC199_94a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:59:30\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"94a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T:00:29:42\",\"precision\":\"\",\"size\":\"19.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"94a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:28:52\",\"precision\":\"\",\"size\":\"27.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-06-15\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1965-06-17\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/487641396\",\"venue\":\"Tallman Residence\",\"notes\":\"Tallman and family lived in the '50s & '60s at 2527 West 37th Ave in Kerrisdale and this was where quite a few talks and reading were held and recorded.\",\"address\":\"2527 West 37th Avenue, Vancouver, British Columbia, Canada\",\"latitude\":\"49.23722\",\"longitude\":\"-123.11556\"}]"],"Address":["2527 West 37th Avenue, Vancouver, British Columbia, Canada"],"Venue":["Tallman Residence"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tConclusion of discussion on The Holy Grail – Tape #93, June 15/65 – Tallman’s\n\t\t230\tBeginning of discussion on The Book of Magazine Verse which at that time was still in the process of being written.\n\t\t565\tReading from The Book of Magazine Verse\n\t\t\tTwo Poems for The Nation\n\t\t594\tSix Poems For Poetry Chicago\n"],"Note":["[{\"note\":\"Liner Notes: Jack Spicer. June 15, 1965 Side 5 The serial poem - conclusion of June 15 20 min Beginn June 17: The Book of Magazine verse 10 min Side 6 Magazine Verse continued 29:30\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554724204544,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6044","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Jack Spicer reading The Book of Magazine Verse at Tallman's Residence on June 17, 1965 tape 4 of 6 #94b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Spicer, Jack"],"creator_names_search":["Spicer, Jack"],"creators":["[{\"url\":\"http://viaf.org/viaf/46807530\",\"name\":\"Spicer, Jack\",\"dates\":\"1925-1965\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Enomoto, Randy"],"contributors_names_search":["Enomoto, Randy"],"contributors":["[{\"url\":\"http://viaf.org/viaf/256444645\",\"name\":\"Enomoto, Randy \",\"dates\":\"1944-\",\"notes\":\"In the inventory it states that he is a donor, but we do not know what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/517/Reading in BC_MsC199_94b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:00:00\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"94b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T:00:29:57\",\"precision\":\"\",\"size\":\"28.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"94b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:37\",\"precision\":\"\",\"size\":\"28.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-06-17\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/487641396\",\"venue\":\"Tallman Residence\",\"notes\":\"Tallman and family lived in the '50s & '60s at 2527 West 37th Ave in Kerrisdale and this was where quite a few talks and reading were held and recorded.\",\"address\":\"2527 West 37th Avenue, Vancouver, British Columbia, Canada\",\"latitude\":\"49.23722\",\"longitude\":\"-123.11556\"}]"],"Address":["2527 West 37th Avenue, Vancouver, British Columbia, Canada"],"Venue":["Tallman Residence"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t025\tThree Poems For Tish\n\t\t042\tFour Poems For Ramparts\n\t\t073\tFour Poems For St. Louis Sporting News\n\t\t104\tPoems For Vancouver Festival\n\t\t200\tDiscussion re reading, various aspects of writing\n\t\t\tLast part of this discussion is to be found on Tape #95 – Tallman’s\n"],"Note":["[{\"note\":\"Liner Notes: Jack Spicer. June 17, 1965 Side 7 30 min Book of Magazine verse Side 8 30 min\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554725253120,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6045","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Jack Spicer giving Lecture after The Serial Poem at Tallman's Residence on June 17, 1965 tape 5 of 6 #95"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Spicer, Jack"],"creator_names_search":["Spicer, Jack"],"creators":["[{\"url\":\"http://viaf.org/viaf/46807530\",\"name\":\"Spicer, Jack\",\"dates\":\"1925-1965\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Enomoto, Randy"],"contributors_names_search":["Enomoto, Randy"],"contributors":["[{\"url\":\"http://viaf.org/viaf/256444645\",\"name\":\"Enomoto, Randy \",\"dates\":\"1944-\",\"notes\":\"In the inventory it states that he is a donor, but we do not know what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/518/Reading in BC_MsC199_95.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:57:00\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"95-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T:00:29:41\",\"precision\":\"\",\"size\":\"27.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"95-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:27:21\",\"precision\":\"\",\"size\":\"25.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-06-17\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/487641396\",\"venue\":\"Tallman Residence\",\"notes\":\"Tallman and family lived in the '50s & '60s at 2527 West 37th Ave in Kerrisdale and this was where quite a few talks and reading were held and recorded.\",\"address\":\"2527 West 37th Avenue, Vancouver, British Columbia, Canada\",\"latitude\":\"49.23722\",\"longitude\":\"-123.11556\"}]"],"Address":["2527 West 37th Avenue, Vancouver, British Columbia, Canada"],"Venue":["Tallman Residence"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting\n"],"contents":["Side\tTrack\tNo.\tComments\nOne\t1\t000\tConclusion of June 17 lecture\n\t\t\tDiscussion re: baseball\n\t\t\t                          Tragedy\n\t\t\t                          Messages\n\t\t\t                          The ‘outside’\n\t\t\t                          Dictation\n\t\t\t                          Angel-messenger\nOne\t2\t000\tJack Spicer reading from Language\n\t\t\tThing Language\n\t\t\tLove Poems\n\t\t\tIntermissions\n\t\t\tTransformations\n\t\t\tMorphemics\n\t\t\tPhonemics\n\t\t\tGraphemics\n"],"Note":["[{\"note\":\"Liner Notes: Jack Spicer. June 17, 1965 Side 9 29:40 min  Side 10 27:20 min Conclusion of lecture Tape 5\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554725253121,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6046","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Jack Spicer reading from Language at Tallman's Residence on June 15, 1965 tape 6 of 6 #96"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Spicer, Jack"],"creator_names_search":["Spicer, Jack"],"creators":["[{\"url\":\"http://viaf.org/viaf/46807530\",\"name\":\"Spicer, Jack\",\"dates\":\"1925-1965\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Enomoto, Randy"],"contributors_names_search":["Enomoto, Randy"],"contributors":["[{\"url\":\"http://viaf.org/viaf/256444645\",\"name\":\"Enomoto, Randy \",\"dates\":\"1944-\",\"notes\":\"In the inventory it states that he is a donor, but we do not know what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/519/Reading in BC_MsC199_96.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:44:30\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"96-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T:00:28:31\",\"precision\":\"\",\"size\":\"26.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"96-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:16:16\",\"precision\":\"\",\"size\":\"15.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-06-15\",\"type\":\"Production Date\",\"notes\":\"There is some confusion with months on the tape, but it is June\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/487641396\",\"venue\":\"Tallman Residence\",\"notes\":\"Tallman and family lived in the '50s & '60s at 2527 West 37th Ave in Kerrisdale and this was where quite a few talks and reading were held and recorded.\",\"address\":\"2527 West 37th Avenue, Vancouver, British Columbia, Canada\",\"latitude\":\"49.23722\",\"longitude\":\"-123.11556\"}]"],"Address":["2527 West 37th Avenue, Vancouver, British Columbia, Canada"],"Venue":["Tallman Residence"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tConclusion of the first lecture at the Tallman’s\n\t\t\tA transcription of this session can be found in the journal Caterpillar #12\n"],"Note":["[{\"note\":\"Liner Notes: Jack Spicer. June 15, 1965 \\\"Dictation\\\" Side 1 28:30 Side 2 16:00\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554725253122,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6047","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Louis Zukofsky Interview in New York with Richard O. Moore on March 16, 1966 #97"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Moore, Richard O.","Zukofsky, Louis"],"creator_names_search":["Moore, Richard O.","Zukofsky, Louis"],"creators":["[{\"url\":\"http://viaf.org/viaf/96741717\",\"name\":\"Moore, Richard O. \",\"dates\":\"1920-1915\",\"notes\":\"Viaf file is not complete, so I am not sure that it is him. The dates of birth are taken from wiki\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/42358\",\"name\":\"Zukofsky, Louis\",\"dates\":\"1904-1978\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/520/Reading in BC_MsC199_97.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:31:45\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"97-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:33\",\"precision\":\"\",\"size\":\"34.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966-03-16\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/175905\",\"venue\":\"\",\"notes\":\"\",\"address\":\"New York, NY, USA\",\"latitude\":\"40.6681\",\"longitude\":\"-73.9078\"}]"],"Address":["New York, NY, USA"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\t\t\tAn interview with Richard Moore, in which Zukofsky reads part of “A 9” and a fairly long section of the Catullus he translated with his wife, Celia.  Zukofsky also discusses Joyce, Pound, Williams, & Duncan, among others.  Of interest is his reference to Henry James’ “solidity of specification.”  He also discusses problems in translating from another language, e.g. Latin, Italian, into what has been called “the American idiom.”\n\t\t\tTape duration: 33 minutes\n"],"Note":["[{\"note\":\"Liner Notes: Louis Zukovsky Interview in New York city with Richard O. Moore 1966 Very Poor Recording 31:45\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554725253123,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6048","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Jack Spicer reading in Vancouver and Charles Olson in [Buffalo?] both on June 17, 1965 #237"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Spicer, Jack","Olson, Charles"],"creator_names_search":["Spicer, Jack","Olson, Charles"],"creators":["[{\"url\":\"http://viaf.org/viaf/46807530\",\"name\":\"Spicer, Jack\",\"dates\":\"1925-1965\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/522/Readings in BC_MsC199_237.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"237-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:03\",\"precision\":\"\",\"size\":\"35.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"237-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:34\",\"precision\":\"\",\"size\":\"45.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-06-17\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Vancouver, BC, Canada \",\"latitude\":\"49.2727\",\"longitude\":\"-123.1554\"},{\"url\":\"https://www.openstreetmap.org/way/68036581\",\"venue\":\"[Buffalo – S.U.N.Y. (University at Buffalo)?]\",\"notes\":\"This location is not confirmed\",\"address\":\"Buffalo, NY 14260, United States\",\"latitude\":\"42.9533\",\"longitude\":\"-78.8181\"}]"],"Address":["Vancouver, BC, Canada ","Buffalo, NY 14260, United States"],"Venue":["[Buffalo – S.U.N.Y. (University at Buffalo)?]"],"City":["Vancouver, British Columbia","Buffalo, New York"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tWater sounds – to 028 See “Letter 14,” Brian Fawcett, 5 Books of a North Manual\n\t\t028\tJack Spicer reading “Two poems for the nation” from Book of Magazine Verse\n\t\t\t1.\t“Pieces of the past…”\n\t\t038\t2.\t“These big trucks drive and in each one…”\n\t\t047\tSix poems for Poetry Chicago: 1. “Lemon tree very pretty…”\n\t\t056\t3.\t“Pieces of the past…” *(Spicer explains repetition of this poem)  \n\t\t285\tEnds in midst of “Seven Poems for the Vancouver Festival”, after 3.  “Nothing but the last sun falling in the last oily water by the docks.”\n\t\t286\tSound of water to 319\n\t\t320\tCharles Olson in middle of reading (at Buffalo?): “…They’re all written in what I call fivers (fibres)… The third one is called Capt. Christopher Levitt of York”\n\t\t363\t“7 years and you cld carry cinders in yr hand (Max 3)”\n\t\t379\t“…I’d like finally to end with the spirit of the world…”  (Reads from “The Song of Ulikumi”)\n\t\t450\tQuestions and remarks between audience and Olson\n\t\t518\tConversation breaks off…\n\t\t519\tOlson, reading, “Mellow and enclosed, both the local and the past…” \n\t\t530\tMoves back to discourse: “so I’m really suggesting how much this poem, which was written ’59, is very loaded again…”\n\t\t541\tReads “Astride the Cabot fault”\n\t\t569\t“What do you mean about the diorite stone lopped off at the left shoulder?”  (Question from audience)\n\t\t576\tSpeaks of Dan McLeod: “He showed me a thing in Vancouver I had never realized, that there’s a split in the Atlantic Ocean, a fault, which runs just where all my own intention has been.  Nor ‘east, and that it runs right through Gloucester…”\n\t\t597\t“That which exists through itself is called meaning…”\n\t\t609\t“I was very lucky once to have what poets call visions”\n\t\t630\tSpeaks of “the creature which the poem calls the diorite stone”\n\t\t661\tSound increases in volume rapidly\n\t\t670\t“The stone is the truest condition of creation.”\n\t\t692\t“The only interest of a spiritual exercise is production.”\n\t\t725\tReads “A little story about the condition of … two angels.”\n\t\t760\tSpeaks of the ‘double’.\n\t\t767\t“I want to end by reading a poem I read in front of Ezra Pound two weeks ago in honor of him – and it fell dead.”\n\t\t785\t“the Wall/to arise from the River, the Diorite Stone to be lopped off the Left Shoulder.”  (from “Astride/the Cabot/fault”)\n\t\t809\t“that there is no world except that we are the pictures of it…”\n\t\t826\t“the overt spiritual exercise of initiation in initiated in us… for having been born”\n\t\t835\tSound ends"],"Note":["[{\"note\":\"Liner Notes: Jack Spicer and Charles Olson Side 1: Sound of Water 2:30 Reading by Jack Spicer 20 More Water 2:30 Lecture by Charles Olson 3:30 Side 2: Olson continued, but incomplete 27:37 Dolby B\",\"type\":\"General\"},{\"note\":\"The first part of this tape duplicates J.S. reading The Book of Magazine Verse; see Tape #96 side 1 & 2 for better copy\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554725253124,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6049","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Charles Olson and Edward Dorn at Berkeley July, 1965 and Charles Olson in Gloucester, March 1966 part 1 of 2 #98"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Olson, Charles","Dorn, Edward"],"creator_names_search":["Olson, Charles","Dorn, Edward"],"creators":["[{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles \",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/25166087\",\"name\":\"Dorn, Edward\",\"dates\":\"1929-1999\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/529/Reading in BC_MsC199_98.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"98-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:04\",\"precision\":\"\",\"size\":\"33.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"98-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:27:26\",\"precision\":\"\",\"size\":\"18.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07\",\"type\":\"Production Date\",\"notes\":\"side 1\",\"source\":\"Inventory\"},{\"date\":\"1966-03\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2833528\",\"venue\":\"Berkeley\",\"notes\":\"\",\"address\":\"Berkeley, California, USA\",\"latitude\":\"37.8677\",\"longitude\":\"-122.2923\"},{\"url\":\"https://www.openstreetmap.org/relation/2377876\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Gloucester, Massachusetts, USA\",\"latitude\":\"42.6213\",\"longitude\":\"-70.6819\"}]"],"Address":["Berkeley, California, USA","Gloucester, Massachusetts, USA"],"Venue":["Berkeley"],"City":["Berkeley, California"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tCharles Olson & Ed Dorn talking on the grass at Berkeley Poetry Conference, in 1965.  They discuss their friendship, their concern with the local, and “finding out for oneself.”  Ed Dorn talks about recently travelling through the west, speaking with the natives of the region who had been visited and studied by anthropologists.  Olson and Dorn discuss the “primitive” not as something without “civilization” but as its own civilization, and the power of “letting the song lie in the thing itself.”\nOlson also discusses his work in Gloucester, and The Maximus Poems.\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554726301696,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6050","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Charles Olson reading in Gloucester (Massachusetts), March 1966 part 2 of 2 #99"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Olson, Charles"],"creator_names_search":["Olson, Charles"],"creators":["[{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles \",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/530/Reading in BC_MsC199_99.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"99-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:34:32\",\"precision\":\"\",\"size\":\"22.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"99-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:34:18\",\"precision\":\"\",\"size\":\"22.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966-03\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2377876\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Gloucester, Massachusetts, USA\",\"latitude\":\"42.6213\",\"longitude\":\"-70.6819\"}]"],"Address":["Gloucester, Massachusetts, USA"],"content_notes":["SFU BC Readings formatting"],"contents":["#98 continued: \nSide\tTrack\tNo.\tComments\nOne\nAnd\ntwo\t\t\tIn this recording, made while he was working on volume III of The Maximus Poems, Olson discusses his work as poet in Gloucester, displaying a map of notes on people, events, agricultural and fishing interests, and political history which he refers to as a “topographical creation.”  He also discusses geology, geography, history, and poetry; Dorn, Creeley, Ferrini, Williams, Avicenna, Hesiod, and Charles Peirce.\n\t\t\tHe Reads:\n\t\t\tMaximus, from Dogtown –I\n\t\t\tMaximus, from Dogtown—II\n\t\t\tThe Librarian\n\t\t\tThe Cow of Dogtown\n\t\t\tAll my life I’ve heard about many\n\t\t\tA note on the above\n\t\t\tCashes\n\t\t\tHe recites “These Days.”\n\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554726301697,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6051","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Basil Bunting Reading in San Francisco on April 1976 #100"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bunting, Basil"],"creator_names_search":["Bunting, Basil"],"creators":["[{\"url\":\"http://viaf.org/viaf/4949021\",\"name\":\"Bunting, Basil\",\"dates\":\"1900-1985\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/532/Reading in BC_MsC199_100.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:56:00\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"100-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:28:47\",\"precision\":\"\",\"size\":\"19.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"100-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:27:41\",\"precision\":\"\",\"size\":\"19 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-04\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/111968\",\"venue\":\"\",\"notes\":\"\",\"address\":\"San Francisco, California, USA\",\"latitude\":\"37.7740\",\"longitude\":\"-122.4454\"}]"],"Address":["San Francisco, California, USA"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tBasil Bunting reading Brigg Flatts, Parts I & II\nTwo\t\t\tBrigg Flatts, Parts III, IV, V, and Coda\n"],"Note":["[{\"note\":\"Liner Notes: Basil Bunting Reading in San Francisco (Date unknown) Brigg Flatts - Begginning 28 - conclusion 28\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554726301698,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6052","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Vancouver Poetry Center: Allen Ginsberg reading and performing at the PNE Garden Auditorium on November 25, 1978 #246"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ginsberg, Allen","Blaser, Robin"],"creator_names_search":["Ginsberg, Allen","Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Performer\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/533/Readings in BC_MsC199_246.jpg\",\"other\":\"J-card\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Black and white clear jewel case with J card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"246-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:29\",\"precision\":\"\",\"size\":\"43.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"246-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:28\",\"precision\":\"\",\"size\":\"44.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-11-25\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://whttps://www.openstreetmap.org/way/761850460w.openstreetmap.org/search?whereami=1&query=49.28156%2C-123.03638#map=19/49.28156/-123.03638\",\"venue\":\"PNE Garden\",\"notes\":\"\",\"address\":\"Playland, PNE Playland Entrance, Hastings-Sunrise, Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, V5K, Canada\",\"latitude\":\"49.28150\",\"longitude\":\"-123.03618\"}]"],"Address":["Playland, PNE Playland Entrance, Hastings-Sunrise, Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, V5K, Canada"],"Venue":["PNE Garden"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tSings Blake’s “Spring” from Songs of Innocence\n\t\t070\tWarren Tallman speaks\n\t\t073\tRobin Blaser introduces AG\n\t\t106\tAG reads “in the style of Australian aborigine men…”\n\t\t112\t“When the red pond fills…”\n\t\t131\t“Xmas gift, 1972: dream”\n\t\t196\t“What I’m doing is reciting and singing in chronological order, this is 1973, February: a little poem called “Everybody sing.”\n\t\t237\t“Dope fiend blues shuffle”\n\t\t304\t“Hard-on blues”\n\t\t346\t“The next poem is a by-product of Buddhist meditation practice… Shamathah style… the next poem is written during a period of sitting ten hours a day for a month… but I’m afraid it’s not totally comprehensible unless everybody understands that practice, so what I would like to do is… have a five minute period of sitting practice…”\n\t\t502\tPeriod of meditation ends\n\t\t510\tMind Breaths (title poem written at Teton Village in 1973 in the fall, where I was at a meditation seminary with Chogyam Trungpa and a hundred other sitters)…”\n\t\t525\t“Mind breaths”\n\t\t645\tSound breaks off in mid-poem\n\t\t647\tSound returns\n\t\t665\t“A few years later I sat for… a couple of weeks… and wrote a few haiku poems.”\n\t\t674\t“Sitting on a tree stump…”\n\t\t678\t“Not a word…”\n\t\t681\t“Fly on my nose…”\n\t\t682\t“An hour after dawn…”\n\t\t684\t“Walking into King’s supermarket…”\n\t\t691\tSound stops – end of side one\nTwo\t\t000\t“My father died in 1976…”\n\t\t010\tThis is a series of poems called “Don’t grow old”\n\t\t012\t“Old poet, poetry’s final subject glimmers, month ahead.”\n\t\t047\t“And my father died while I was in Colorado, so I flew home and wrote”Father death blues” (sings)\n\t\t083\t(increase in volume)\n\t\t104\t“Near the scrapyard my father will be buried…”\n\t\t115\t“What’s to be done about death?”\n\t\t121\t“Don’t grow old.  8”\n\t\t138\t“At my urging, my eldest nephew came to keep his grandfather company…”\n\t\t159\t“Ten: resigned”\n\t\t169\t“That’s the end of that series, and next we have “Punk rock” (reads)\n\t\t187\t“A bluegrass version of the traditional Bashō haiku: “The old pond./ frog jumps in the water/sound of water splashing.”\n\t\t193\tSings “The old pond/frog jumps in: ker-plunk…”\n\t\t261\tThe last of the evening is “Plutonium ode,” written this year (1978) The platonic great year is 24,000 years… that is the ½-life of plutonium… (Prefaces with story of the reverse or gnostic or Ophidic interpretation of the story of the garden of Eden.)…  This poem was written the night before I went out to get busted (at Rocky Flats, Colo.) (gives “footnotes to the poem”)\n\t\t355\tReads “Plutonium ode”\n\t\t500\t“Plutonium ode” ends – preparation for “The tyger”\n\t\t541\tBlake’s “Tyger”\n\t\t590\tReading ends.  AG announces Gary Cramer’s band\n\t\t605\tSound ends"],"Note":["[{\"note\":\"Liner Notes: Allen Ginsberg Reading at the PNE Garden Auditorium, November 25, 1978 Side 1: 44:30 Side 2: 44:00 (Volume jumps up and down wildly at many points) Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554726301699,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6053","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Tom McGauley and Carolyn Zonailo reading their poems at SFU on July 27, 1978 #101"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["McGauley, Tom","Zonailo, Carolyn"],"creator_names_search":["McGauley, Tom","Zonailo, Carolyn"],"creators":["[{\"url\":\"http://viaf.org/viaf/104061105\",\"name\":\"McGauley, Tom\",\"dates\":\"1948-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/1419062\",\"name\":\"Zonailo, Carolyn\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/534/Reading in BC_MsC199_101.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:08:52\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"101-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:40:19\",\"precision\":\"\",\"size\":\"29.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"101-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:28:22\",\"precision\":\"\",\"size\":\"21.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-07-27\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\t\t\tTom McGauley and Carolyn Zonailo reading their poetry\n\n\nSide\tTrack\tNo.\tComments\n\t\t\tTom McGauley and Carolyn Zonailo reading their poetry\n\n\n"],"Note":["[{\"note\":\"Liner Notes: Tom MacGauley reading his poems 40:22 Carolyn Zonailo reading her poems 28:30 \",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554726301700,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6054","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Paul Kelley and Ted Byrne reading at SFU on August 3, 1978 #102"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Byrne, Ted","Kelley, Paul"],"creator_names_search":["Byrne, Ted","Kelley, Paul"],"creators":["[{\"url\":\"http://viaf.org/viaf/45924960\",\"name\":\"Byrne, Ted\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/105702628\",\"name\":\"Kelley, Paul\",\"dates\":\"1951\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/535/Reading in BC_MsC199_102.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:52:55\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"102-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:28:57\",\"precision\":\"\",\"size\":\"20.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"102-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:24:17\",\"precision\":\"\",\"size\":\"17.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-08-03\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\t\t\tPaul Kelley and Ted Byrne reading their poetry.\n"],"Note":["[{\"note\":\"Liner Notes: Ted Byrne and Paul Kelley reading at SFU Aug. 3 1978 Side 1 Ted Byrney 28:50 Side 2 Paul Kelley 24:05 Doly B #102\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554727350272,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6055","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["UBC Poetry Festival: Margaret Avison on August 7, 1963 #103a"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Avison, Margaret"],"creator_names_search":["Avison, Margaret"],"creators":["[{\"url\":\"http://viaf.org/viaf/79128508\",\"name\":\" Avison, Margaret\",\"dates\":\"1918-2007\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/536/Reading in BC_MsC199_103a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:00:15\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"103a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:41\",\"precision\":\"\",\"size\":\"20.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"103a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:07\",\"precision\":\"\",\"size\":\"20.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-07-26\",\"type\":\"Production Date\",\"notes\":\"Not clear what date is it\",\"source\":\"Inventory \"},{\"date\":\"1963-08-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card \"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tMargaret Avison reading early poems written at the age of 17\n\t\t065\tA Poet’s Preface\n\t\t075\tVancouver Street Sketch\n\t\t\tThree Sketches in the Reading Room\n\t\t124\tPublic Address\n\t\t129\tThe Swimmer’s Moment\n\t\t145\tThaw\n\t\t163\tVoluptuaries and Others\n\t\t190 \tIn a Season of Unemployment\n\t\t211\tTransit\n\t\t221\t(the title of the poem is not announced)\n\t\t260\tTransit\n\t\t281\tA Nameless One\n\t\t300\tThe Medical Arts\n\t\t337\tHot June\n\t\t347\tUnspeakable\n\t\t360\tWaiting Room (?)\n\t\t472\tOld… Young\n\t\t485\tFarm at Dark on the Great Plain (Translation)\n\t\t660\tFirst\n\t\t672\tPerson\n\t\t692\tThe Dumbfounding\n\t\t725\tSearching and Sounding\n\t\t\tMost of these poems are to be found in Winter Sun and The Dumbfounding\n"],"Note":["[{\"note\":\"Liner Notes: Margaret Avison at the Vancouver Poetry  festival August 7, 1963 Side 1 30 min Sidewinder's 2 30:15 Very poor soul d lots of noise even after filtering Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554727350273,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6056","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["UBC Poetry Festival: Robert Duncan at the Vancouver Poetry conference on August 5, 1963 #103b"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert"],"creator_names_search":["Duncan, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/537/Reading in BC_MsC199_103b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:17:22\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"103b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:20\",\"precision\":\"\",\"size\":\"33.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"103b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:00\",\"precision\":\"\",\"size\":\"33.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-08-05\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1963-07-26\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory\"},{\"date\":\"1963-07-25\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nTwo\tA\t000\tRobert Duncan reading his poems; announces reading will be from Opening of the Field  (New York : Grove Press, 1960) & from “work written since 1960 that hasn’t been printed” (most of which appears in Roots & Branches (New York : Scribner’s, 1964)\n\t\t006\t“The Question.” (Opening of the Field, p. 54)\n\t\t033\t“Three sections from a long continuous work called Structure of Rime… it’s literally continuous, it has no terminous [sic] point at all… I’m going to read now, IX X and XI (O F 71, 72, 73)”\n\t\t038\t“The Structure of Rime IX”\n\t\t056\t“The Structure of Rime X” (“… where thi* has the sound of tree and thA has the sound of nut”)\n\t\t075\t“The Structure of Rime XI”\n\t\t093\t“Ingmar Bergman’s SEVENTH SEAL (O F 93)”\n\t\t120\t“Now I’m going to read a long poem, ‘Apprehensions,’ and then later, a sequence of Romantic odes…”\n\t\t131\t“Apprehensions 1” (Roots and Branches, 30)\n\t\t160\t“Apprehensions 2.  The Directive” (R&B 32)\n\t\t197\t“Apprehensions 3” (R&B, 35)\n\t\t248\t“Apprehensions 4.  (Structure of Rime XIV):  (R&B, 39)\n\t\t267\t“Apprehensions 5.  (First Poem)”  (R&B, 39-40)\n\t\t281\t“Apprehensions 5.  (Second Poem)”  (R&B, 40-42)\n\t\t309\t“Apprehensions 5. (Close)” (R&B, 42-43.  Duncan does not read the line “the orders of the stars and of words;” as printed, p. 43)\n\t\t339\t“Come, Let Me Free Myself” (R&B, 55)\n\t\t356\t“Risk” (R&B, 56)\n\t\t420\t“Now I want to read a later series of the Structure of Rime…”\n\t\t424\t“The Structure of Rime XVI”  (R&B, \n\t\t438\t“The Structure of Rime XVII”  (R&B, 65-66.  Reads “Come, my love” before stanza beginning “Desire paces Eternity…”)\n\t\t462\t“The Structure of Rime XVIII”  (R&B, 67)\n\t\t485\t(Tells story of letter from editor of mag. Set, for which D. wrote the following poem:\n\ncontinues:\n\nSide\tTrack\tNo.\tComments\nTwo\t\t495\t“Osiris and Set” (R&B, 67)\n\t\t555\t“Two Presentations” (from Windings, R&B, 73-76)\n\t\t649\tSings “A Song of the Old Order.”  (O F, 52-53)\n\t\t695\t“This is a song from a different kind of wife, from a Halloween Masque…”\n\t\t708\tSings “A Country Wife’s Song” (from A Play with Masques, R&B, 94-97)\n\t\t747\t“This is a set of romantic hymns that owes something to Mike McClure”\n\t\t769\tA Set of Romantic Hymns, R&B, 106-115.\n\t\t917\t“I’ll read four sonnets…”\n\t\t950\t“Sonnet 1” (R&B, 122)\n\t\t965\t“Sonnet 2” (R&B, 123)\n\t\t983\t“Sonnet 3 / from Dante’s Sixth Sonnet”  (R&B, 124)\n\t\t1004\t“Sonnet 4 (“He’s given me his thee to keep…”)  (in Bending the Bow, New York : New Directions, 1968, 3)\n\t\t1052\tSings again “A Country Wife’s Song.”\n\t\t1105\t“A little, tidy, little old closing…”\n\t\t1115\t“Poem Beginning with a line by Pindar,”  (O F, 62-69)\n\t\t1371\t(Recorded at another time (?))” The Continent,”  (R&B, 172-176.)\n"],"Note":["[{\"note\":\"Very poor sound\",\"type\":\"General\"},{\"note\":\"Liner Notes: Robert Duncan at the Vancouver Poetry conference August 5, 1963 Side 1 46:20 Side 2 46:02 Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554727350274,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6057","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Duncan reading at The Western Front on March 15, 1976 part 1 of 2 #104a"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert"],"creator_names_search":["Duncan, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/538/Reading in BC_MsC199_104a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:59:30\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"104a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:38\",\"precision\":\"\",\"size\":\"22.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"104a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:14\",\"precision\":\"\",\"size\":\"21.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-03-15\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"The Western Fronthttps://www.openstreetmap.org/relation/1424987\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"303, East 8th Avenue, The Village Shops, Mount Pleasant, Vancouver, Metro Vancouver Regional District, British Columbia, Canada\",\"latitude\":\"49.26392\",\"longitude\":\"-123.09869\"}]"],"Address":["303, East 8th Avenue, The Village Shops, Mount Pleasant, Vancouver, Metro Vancouver Regional District, British Columbia, Canada"],"Venue":["The Western Front"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\t\t\tRobert Duncan reading his poetry\n\n"],"Note":["[{\"note\":\"Liner Notes: Robert Duncan at the western Front Side 1 29:30 Side 2 29:00 Very noisy and distorted. Has reverse channel crosstalk. \",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554727350275,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6058","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Duncan reading at The Western Front on March 15, 1976 part 2 of 2 #104b"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert"],"creator_names_search":["Duncan, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/539/Reading in BC_MsC199_104b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\" Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:53:15\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"104b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:34\",\"precision\":\"\",\"size\":\"23.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"104b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:13\",\"precision\":\"\",\"size\":\"17.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-03-15\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"303, East 8th Avenue, The Village Shops, Mount Pleasant, Vancouver, Metro Vancouver Regional District, British Columbia, Canada\",\"latitude\":\"49.26392\",\"longitude\":\"-123.09869\"}]"],"Address":["303, East 8th Avenue, The Village Shops, Mount Pleasant, Vancouver, Metro Vancouver Regional District, British Columbia, Canada"],"Venue":["The Western Front"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\t\t\tRobert Duncan reading his poetry\n\n"],"Note":["[{\"note\":\"Liner Notes: Robert Duncan at the western Front Side 3 30 Side 4 23:15 Intermittent microphone connection on side 4\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554727350276,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6059","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Ed Dorn reading at the Western Front on March 1976, part 1 of 2 #105"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Dorn, Edward"],"creator_names_search":["Dorn, Edward"],"creators":["[{\"url\":\"http://viaf.org/viaf/25166087\",\"name\":\"Dorn, Edward\",\"dates\":\"1929-1999\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/541/Reading in BC_MsC199_105.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:07:18\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"105-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:36:45\",\"precision\":\"\",\"size\":\"28.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"105-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:34:10\",\"precision\":\"\",\"size\":\"26.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-03\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"303, East 8th Avenue, The Village Shops, Mount Pleasant, Vancouver, Metro Vancouver Regional District, British Columbia, Canada\",\"latitude\":\"49.26391\",\"longitude\":\"-123.09869\"}]"],"Address":["303, East 8th Avenue, The Village Shops, Mount Pleasant, Vancouver, Metro Vancouver Regional District, British Columbia, Canada"],"Venue":["The Western Front"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\t\t\tEd Dorn reading his poetry at the Western Front\n"],"Note":["[{\"note\":\"Liner Notes: Ed Dorn at the western Front (Date Unknown) 1976? From a Book By Quetzalcoatl 12:45 From Gunslinber, Book 4, Part 1 23:30 Part 1 Concluded 9:15 Part 2 24:43\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554728398848,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6060","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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Side A finishes somewhere in the middle, Side B is empty\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554729447424,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6061","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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Side A finishes somewhere in the middle, Side B is empty\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554729447425,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6062","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Jeremy Prynne Reading his poems in Vancouver on July 30, 1971 part 1 of 2 #106a"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Prynne, J. H."],"creator_names_search":["Prynne, J. H."],"creators":["[{\"url\":\"http://viaf.org/viaf/39547652\",\"name\":\"Prynne, J. H.\",\"dates\":\"1936-\",\"notes\":\"Jeremy\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1971],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/544/Reading in BC_MsC199_106a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:57:30\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"106-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:36\",\"precision\":\"\",\"size\":\"20.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"106-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:28:06\",\"precision\":\"\",\"size\":\"18.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1971-07-30\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\"49.2530\",\"longitude\":\"-123.1128\"}]"],"Address":["Vancouver, BC, Canada"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t009\tThinking of You     from Brass\n\t\t027\tRoyal Fern     from Brass\n\t\t080\tIn Cimmerian Darkness     from The White Stones\n\t\t130\tMoon Poem     from The White Stones\n\t\t184\tThe Glacial Question, Unsolved     from The White Stones\n\t\t273\tA Dream of Retained Colour     from The White Stones\n\t\t335\tStar Damage at Home     from The White Stones\n\t\t404\tFrost and Snow, Falling     from The White Stones\n\t\t490\tA Stone Called Nothing     from The White Stones\n\t\t550\tAristeas, in Seven Years     from The White Stones\n\t\t\tThe tape cuts out before the reading is finished-\n\t\t738\tNumbers in Time of Trouble     from Kitchen Poems\n\t\t907\tQuality in That Case As Pressure     from TWS\n\t\t1028\tShadow Songs     from TWS\n\t\t1126\tOn The Matter of Thermal Packing      from TWS   \n\t\t1234\tOil     from TWS\n     \t\t1337\tFrom End to End     from TWS\n"],"Note":["[{\"note\":\"Liner Notes: Jeremy Prymme Reading his poems in Vancouver 1971 July, 30 Tape 1 Side 1 29:40 Side 2 27:50 Dolby B #106a\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554729447426,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6063","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Louis Zukofsky Reading on August 28, 1962 #262a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Zukofsky, Louis"],"creator_names_search":["Zukofsky, Louis"],"creators":["[{\"url\":\"http://viaf.org/viaf/42358\",\"name\":\"Zukofsky, Louis\",\"dates\":\"1904-1978\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1962],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/545/Readings in BC_MsC199_262a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:15:00\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"262a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:31\",\"precision\":\"\",\"size\":\"33.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"262a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:17\",\"precision\":\"\",\"size\":\"32.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1962-08-28\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t003\t“’A’-13” (i-Movement)\n\t\t\t“’A-13” (ii Movement)\n\t\t408\tEnd, End side One\nTwo\t\t000\t\n\t\t003\t“’A’-113” (ii – Movement continues)\n\t\t206\tEnd\n\t\t211\t“’A’-13” (iv – Movement)\n\t\t248\tEnd\n\t\t250\t“’A’-5”\n\t\t286\tEnd\n\t\t290\t“’A’-11”\n\t\t324\tEnd\n\t\t326\t“Agua in Perpetuum”\n\t\t353\tEnd\n\t\t354\t“The waves”\n\t\t365\tEnd\n\t\t370\t“7” From : Catullus\n\t\t382\tEnd\n\t\t383\t“8”\n\t\t400\tEnd\n\t\t401\t“14”\n\t\t408\tEnd, End side two\n"],"Note":["[{\"note\":\"Liner Notes: Louis Zukofsky Reading, August 28, 1962 Side 1: Catulus Side 2: Catulus: Some Time\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554729447427,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6064","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Louis Zukofsky Reading on August 28, 1962 #262b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Zukofsky, Louis"],"creator_names_search":["Zukofsky, Louis"],"creators":["[{\"url\":\"http://viaf.org/viaf/42358\",\"name\":\"Zukofsky, Louis\",\"dates\":\"1904-1978\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1962],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/546/Readings in BC_MsC199_262b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:15:00\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J insert\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"262b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:34:55\",\"precision\":\"\",\"size\":\"37.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"262b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:09\",\"precision\":\"\",\"size\":\"34.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1962-08-28\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Three\t\t000\t\n\t\t022\tUnidentified Poem from : Catullus\n\t\t048\tEnd\n\t\t049\t“32” – Catullus\n\t\t064\tEnd\n\t\t067\t“37”\n\t\t096\tEnd\n\t\t098\t“46”\n\t\t111\tEnd\n\t\t123\t“51”\n\t\t136\tEnd\n\t\t140\t“5/a”\n\t\t146\tEnd\n\t\t152\tUnidentified section from : Some Time\n\t\t157\tEnd\n\t\t158\t“Sequence 1944-6”\n\t\t216\tEnd\n\t\t217\t“Reading and talking”\n\t\t244\tEnd\n\t\t245\t“As to How Much”\n\t\t255\tEnd\n\t\t256\t“Names”\n\t\t273\tEnd\n\t\t276\tZukofsky proceeds to read various poems from Barely and Widely and Anew\n\t\t402\tEnds, End side Three\nFour\t\t000\t\n\t\t003\t“25” from : 55 poems\n\t\t021\tEnd\n\t\t022\t“26”\n\t\t034\tEnd\n\t\t037\tUnidentified\n\t\t065\tEnd\n\t\t068\t“18”\n\t\t078\tEnd\n\t\t079\t“Further than”\n\t\t105\tEnd\n\t\t110\t“13”\n\t\t115\tEnd, End side Four\n"],"Note":["[{\"note\":\"Liner Notes: Louis Zukofsky Reading, August 28, 1962 Side 1: Barely and Widely; Anew Side 2: 55 Poems\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554730496000,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6003","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Kevin Roberts and the Unknown reading poetry at the Nanaimo Yacht Club on March 31,1974 part 1 of 2  #240a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Roberts, Kevin"],"creator_names_search":["Roberts, Kevin"],"creators":["[{\"url\":\"http://viaf.org/viaf/31006126\",\"name\":\"Roberts, Kevin\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/439/Readings in BC_MsC199_240a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"240a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:39\",\"precision\":\"\",\"size\":\"37.9 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"240a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:17\",\"precision\":\"\",\"size\":\"29.1 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974-03-31\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/682005892\",\"venue\":\"Nanaimo Yacht Club \",\"notes\":\"\",\"address\":\"Nanaimo Yacht Club, Newcastle Avenue, Nanaimo, Regional District of Nanaimo, British Columbia, V9S 4J2, Canada\",\"latitude\":\"49.17762\",\"longitude\":\"-123.94160\"}]"],"Address":["Nanaimo Yacht Club, Newcastle Avenue, Nanaimo, Regional District of Nanaimo, British Columbia, V9S 4J2, Canada"],"Venue":["Nanaimo Yacht Club "],"City":["Nanaimo, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t_______________ reading (Yves Tremblay?)\n\t\t002\t“I ask, as I write poems, what is music?...”\n\t\t010\t“I did some translations from American Indian chants… I’d like to read you a cycle of these… which are under four headings; about birth, about love, about food, and about death…”\n\t\t028\t“Girl’s premonition (from the Tlingit)”\n\t\t030\t“A song from the Navajo”\n\t\t035\t“Song of the elements (from the Passamaquoddy)”\n\t\t040\t“Complaint (from the Haida)”\n\t\t043\t“Her song”\n\t\t046\t“His song”\n\t\t060\t“A poem from the Ojibway which I call ‘Aubade’”\n\t\t076\t“The deer song (from the Pima)”\n\t\t082\t“The hunter’s song”\n\t\t088\t“Dance song (from the Copper Eskimos)”\n\t\t094\t“A Kachina song (from the Hopi)”\n\t\t099\t“Song of the Blue Corn Dance (from the Zuni)”\n\t\t105\t“What the eagle heard”\n\t\t109\t“Song of a hanged man”\n\t\t111\t“By the dead (Eskimo)”\n\t\t114\t“By one about to die (from the Tlingit)”\n\t\t118\t“Instructions (an Envoi from the Inca)”\n\t\t125\tSpeaks about driving: “the next three poems are going to feature… driving a car.”\n\t\t134\t“This is a little song about a disappointment in love…”\n\t\t148\t“Song at the gas pump”\n\t\t156\t“Here’s another aubade…”\n\t\t166\t“I’d like to read you an attempt at handling the city…”\n\t\t182\t“Compassion, dead…”\n\t\t197\t“To conclude… I’ve been thinking of writing a poem for six simultaneous voices… this might be elements feeding into that… I would call these poems or fragments “dicta” and “praises”…”\n\t\t208\t“Moving eye, sculptor…”\n\t\t216\t“At the hard bud of ego…”\n\t\t223\t“Against stasis, song is given…”\n\t\t229\t____________ reading: “This is called ‘Oil spill herons’.”\n\t\t246\t“I don’t like fur coats or people who wear fur coats”:\n\t\t255\t“The printed black letters…”\n\t\t279\t“Most of time I am normal…”\n\t\t294\t“The come at night on silent shadow feet…”\n\t\t306\t“People of the northwest coast believe that there are four worlds…”\n\t\t313\t“I didn’t want to go…”\n\t\t342\t“From behind the fire-gutted eyes…”\n\t\t364\t“I have a fight with TV ladies…”\n\t\t376\t“I did not come apart tidily…”\n\t\t395\t“Come with me where gulls never stop soaring…”\n\t\t424\t“I know the shape-forms of the gods…”\n\t\t459\t“Yesterday, when houses had peaked roofs…”\n\t\t480\t“Fine, black, low-tide mud…”\n\t\t497\t“Sometimes I go to bed in the afternoon...”\n\t\t534\t“The tires are [squshing] the highway…”\n\t\t549\t“Under the sea, the light is green…”\n\t\t570\t“When I was a little girl I had parties with grasshoppers and aphids for guests…”\n\t\t590\t“Happy birthday to me…”\n\t\t612\t“Johnny Blades was the cutest little boy in grade one…”\n\t\t656\tIntroduction of Kevin Roberts (thumping on table)\n\t\t773\t“The University of Exeter is such a boring place…”\n\t\t855\t“Exminster one.”\n\t\t921\tSound breaks off."],"Note":["[{\"note\":\"Poetry Readings at the Nanaimo Yacht Club March 31, 1974 Side 1: First reading (unidentified) 20:12 Second Reading beginning 9:30 Side 2: Second reading concluded 19:23 Third Reading: Kevin Roberts beginning 9:20\",\"type\":\"General\"},{\"note\":\"THe first two readers are unidentified.\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554730496001,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6004","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Kevin Roberts and Eve Johnston reading poetry at the Nanaimo Yacht Club on March 31, 1974 part 2 of 2 #240b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Roberts, Kevin","Johnston, Eve"],"creator_names_search":["Roberts, Kevin","Johnston, Eve"],"creators":["[{\"url\":\"http://viaf.org/viaf/31006126\",\"name\":\"Roberts, Kevin\",\"dates\":\"1940\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Johnston, Eve\",\"dates\":\"1946-\",\"notes\":\"I found her birth date on Wikipedia\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/440/Readings in BC_MsC199_240b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"240b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:51:31\",\"precision\":\"\",\"size\":\"50.2 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"240b-side-2.mp3\",\"channel_field\":\"44.1 kHz\",\"sample_rate\":\"Stereo\",\"duration\":\"T00:44:44\",\"precision\":\"\",\"size\":\"44 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974-03-31\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/682005892\",\"venue\":\"Nanaimo Yacht Club \",\"notes\":\"\",\"address\":\"Nanaimo Yacht Club, Newcastle Avenue, Nanaimo, Regional District of Nanaimo, British Columbia, V9S 4J2, Canada\",\"latitude\":\"49.17762\",\"longitude\":\"-123.94160\"}]"],"Address":["Nanaimo Yacht Club, Newcastle Avenue, Nanaimo, Regional District of Nanaimo, British Columbia, V9S 4J2, Canada"],"Venue":["Nanaimo Yacht Club "],"City":["Nanaimo, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t000\tPicks up where side one breaks off – “I’m indebted to Yves Tremblay for all that stuff about Aubades or morning songs… I have one here.”\n\t\t008\t“The blackbird is in the garden…”\n\t\t023\t“A little poem for my two little boys”:\n\t\t026\t“For my sons”\n\t\t052\t“Here the wind forms no lips, blows no tune…”\n\t\t074\t“…I grew up in South Australia…”\n\t\t083\t“In the Padowillunga Sand Hills behind West Beach we were explorers down the Murray…”\n\t\t100\t“Incredibly they pour golden blood at high noon…”\n\t\t137\t“Concentration”\n\t\t147\t“Postscript for stampede.”\n\t\t155\t“Horseshoe Bay ferry”\n\t\t164\t“Transcanada”\n\t\t179\t“Southern Vancouver Island Indian Association panel discussion”\n\t\t192\tNorthbrook Mall (?)\n\t\t213\tBastion\n\t\t247\t“We come to ‘Cariboo Fishing Notes’…”\n\t\t257\t“In February we augured two two foot holes…”\n\t\t274\t“Late May and the word came from McCleese Lake…”\n\t\t298\t“June and a lace mist...”\n\t\t321\t“The last time we fished Ten Mile Lake, it snowed…”\n\t\t337\tAnnouncement of short break and a period of open reading.\n\t\t342\tEileen (?) or Eve Johnston reads:\n\t\t349\t“Swimmers”\n\t\t373\t“Inside the hourglass”\n\t\t388\t“Speaks of translating Paul Eluard”\n\t\t403\t“Cat”\n\t\t417\t“Poetry and truth”\n\t\t425\t“Curtain”\n\t\t433\t“I thought rest possible”\n\t\t444\t“The habit of the tropics”\n\t\t525\tReading ends."],"Note":["[{\"note\":\"Nanaimo Yacht Club March 31, 1974 Side 1: Kevin Roberts continued 29:50 Side 2: Kevin Roberts concluded 1:05 Fourth reading: Eve Johnston 12:50 Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554730496002,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6005","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Lost Unterfog \"Reading\" at Malaspina College on December 2, 1975 #241"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Lost Unterfog"],"creator_names_search":["Lost Unterfog"],"creators":["[{\"url\":\"\",\"name\":\"Lost Unterfog\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/441/Readings in BC_MsC199_241.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"241-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:02\",\"precision\":\"\",\"size\":\"37.1 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"241-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:00:44\",\"precision\":\"\",\"size\":\"70.5 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-12-02\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/200091020\",\"venue\":\"Malaspina College\",\"notes\":\"Malaspina College has changed to Vancouver Island University\",\"address\":\"Vancouver Island University, 900, Fifth Street, Nanaimo, Regional District of Nanaimo, British Columbia, V9R 5S5, Canada\",\"latitude\":\"49.1577\",\"longitude\":\"-123.9664\"}]"],"Address":["Vancouver Island University, 900, Fifth Street, Nanaimo, Regional District of Nanaimo, British Columbia, V9R 5S5, Canada"],"Venue":["Malaspina College"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: Lost Unterfog \\\"Reading\\\" at Malaspina College Dec. 2, 1975 Side 1: Schplit! 13:20 The Masked Poet Contest 7:00\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554730496003,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6006","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Lance Farrell, Jennifer Jones, and Susan Pritchard readings at Malaspina College on November 4, 1971 #242"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Farrell, Lance","Jones, Jennifer","Pritchard, Susan"],"creator_names_search":["Farrell, Lance","Jones, Jennifer","Pritchard, Susan"],"creators":["[{\"url\":\"http://viaf.org/viaf/105621767\",\"name\":\"Farrell, Lance\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/304232751\",\"name\":\"Jones, Jennifer\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Pritchard, Susan\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1971],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/442/Readings in BC_MsC199_242.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"241-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:23\",\"precision\":\"\",\"size\":\"45.4 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"241-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:53:19\",\"precision\":\"\",\"size\":\"51.5 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1971-11-04\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/200091020\",\"venue\":\"Malaspina College\",\"notes\":\"Malaspina College has changed to Vancouver Island University\",\"address\":\"Vancouver Island University, 900, Fifth Street, Nanaimo, Regional District of Nanaimo, British Columbia, V9R 5S5, Canada\",\"latitude\":\"49.1577\",\"longitude\":\"-123.9664\"}]"],"Address":["Vancouver Island University, 900, Fifth Street, Nanaimo, Regional District of Nanaimo, British Columbia, V9R 5S5, Canada"],"Venue":["Malaspina College"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: Readings at Malaspina College Nov 4,1971 Lance Farrell Jennifer Jones Susan Pritchard Side 1: 43:30 Side 2: 35:10 Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554730496004,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6065","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Jeremy Prynne Reading his poems in Vancouver on August 1, 1971 part 2 of 2 #106b"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Prynne, J. H."],"creator_names_search":["Prynne, J. H."],"creators":["[{\"url\":\"http://viaf.org/viaf/39547652\",\"name\":\"Prynne, J. H.\",\"dates\":\"1936-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1971],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/547/Reading in BC_MsC199_106b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:14:10\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"106b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:20\",\"precision\":\"\",\"size\":\"31.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"106b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:38\",\"precision\":\"\",\"size\":\"31.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1971-08-01\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\"49.2530\",\"longitude\":\"-123.1128\"}]"],"Address":["Vancouver, BC, Canada"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\tA\t036\tA Sonnet to Famous Hopes     from TWS\n\t\t075\tThe Corn Burned By Syrius     from TWS\n\t\t108\tStarvation/Dream     from TWS\n\t\t140\tCrown     from TWS\n\t\t188\tAs It Were An Attendant     from TWS\n\t\t\tTape cuts out before the end of the poem\n\t\t233 \tNight Square\n\t\t336\tEs Lebe Der König     from Brass\n\t\t402\tThe Kirghiz Disasters     from Brass\n\t\t543\tThe Five Hindrances     from Brass\n\t\t606\tOf Sanguine Fire     from Brass\n"],"Note":["[{\"note\":\"Liner Notes: Jeremy Prymme Reading his poems in Vancouver 1971 August, 1 Tape 2 Side 1 44:50 Side 2 44:20 Dolby B #106b\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554730496005,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6070","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Louis Zukofsky: Wbai Reading on August 6, 1961 #265"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Zukofsky, Louis"],"creator_names_search":["Zukofsky, Louis"],"creators":["[{\"url\":\"http://viaf.org/viaf/42358\",\"name\":\"Zukofsky, Louis\",\"dates\":\"1904-1978\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1961],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/552/Readings in BC_MsC199_265.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"265-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:45\",\"precision\":\"\",\"size\":\"33.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"265-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:41\",\"precision\":\"\",\"size\":\"32.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1961-08-06\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t003\tOpening: unidentified poem and discussion by Zukofsky\n\t\t058\t“’A’-7”\n\t\t156\tEnd\n\t\t162\t“’A’-9” (Zukofsky will read the second half of this poem)\n\t\t232\tEnd\n\t\t254\t“’A’-11”\n\t\t289\tEnd\n\t\t294\t“Four other countries” – reading from the volume Barely and Widely\n\t\t424\tEnd, End side one\nTwo\t\t000\t\n\t\t030\t“Four other countries’ – continued -\n\t\t082\tEnd\n\t\t095\t“22” – from Catullus\n\t\t124\tEnd\n\t\t125\t“29” – from Catullus\n\t\t155\tEnd, End side two\n\n\n\n\n"],"Note":["[{\"note\":\"Liner Notes: Louis Zukofsky Tape for Library of Congress, Nov. 3-4, 1960 Tape 2 of 2\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554731544576,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6071","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Ed Dorn reading in Vancouver on July 29, 1971 Tape 3 of 3  #107c"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Dorn, Edward"],"creator_names_search":["Dorn, Edward"],"creators":["[{\"url\":\"http://viaf.org/viaf/25166087\",\"name\":\"Dorn, Edward\",\"dates\":\"1929-1999\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1971],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/553/Reading in BC_MsC199_107c.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:55:45\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"107c-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:27:53\",\"precision\":\"\",\"size\":\"19.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"107c-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:27:59\",\"precision\":\"\",\"size\":\"18.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1971-07-29\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory\"},{\"date\":\"1971-07-30\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/30176546\",\"venue\":\"York Street Commune\",\"notes\":\"\",\"address\":\"3477 Commercial St, Vancouver, BC V5N 4E8\",\"latitude\":\"49.25202\",\"longitude\":\"-123.06804\"}]"],"Address":["3477 Commercial St, Vancouver, BC V5N 4E8"],"Venue":["York Street Commune"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\tA\t000\tThe Cycle cont.\n\t\t085\tThe ID. Runs the Actual Furnishings\n\t\t212\tGunslinger – Book III – The Winter Book\n\t\t682\tMultiple Choice\n\t\t753\tAlexander Hamilton\n\t\t794\tFor the Boys and Girls in the Free Ideas Store\n\t\t812\tDay Reports\n\t\t984\tThe Kultchural Exchange\n\t\t1056\tDay Reports\n\n"],"Note":["[{\"note\":\"Liner Notes: Ed Dorn reading in Vancouver, July 1971 The winter book Concluded 27:45 Small Pieces - Day Reports 28:00 Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554731544577,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6072","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Louis Zukofsky: Translations of Catullus on September 11, 1961 #266"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Zukofsky, Louis"],"creator_names_search":["Zukofsky, Louis"],"creators":["[{\"url\":\"http://viaf.org/viaf/42358\",\"name\":\"Zukofsky, Louis\",\"dates\":\"1904-1978\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1961],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/555/Readings in BC_MsC199_266.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"266-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:45\",\"precision\":\"\",\"size\":\"35.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"266-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:33:34\",\"precision\":\"\",\"size\":\"35.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1961-09-11\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t007\t“”1” ------ Zukofsky reads translations of Catullus, A text translated, in part, by Louis Zukofsky\n\t\t024\tEnd\n\t\t025\t“2”\n\t\t044\tEnd\n\t\t045\t“3”\n\t\t067\tEnd\n\t\t068\t“4”\n\t\t100\tEnd\n\t\t101\t“5”\n\t\t119\tEnd\n\t\t120\t“6”\n\t\t134\tEnd\n\t\t135\t“7”\n\t\t148\tEnd\n\t\t149\t“8”\n\t\t169\tEnd\n\t\t170\t“9”\n\t\t180\tEnd\n\t\t181\t“10”\n\t\t206\tEnd\n\t\t207\t“11”\n\t\t225\tEnd\n\t\t226\t“12”\n\t\t239\tEnd\n\t\t240\t“15”\n\t\t251\tEnd\n\t\t252\t“14”\n\t\t270\tEnd\n\t\t271\t“14A”\n\t\t275\tEnd\n\t\t276\t“15”\n\t\t290\tEnd\n\t\t291\t“16”\n\t\t302\tEnd\n\t\t303\t“17”\n\t\t316\tEnd\n\t\t317\t“18”\n\t\t330\tEnd\n\t\t331\t“21”\n\t\t340\tEnd\n\t\t341\t“22”\n\t\t359\tEnd\n\t\t360\t“23”\n\t\t378\tEnd\n\t\t379\t“24”\n\t\t387\tEnd\n\t\t388\t“25”\n\t\t399\tEnd\n\t\t400\t“26”\n\t\t404\tEnd\n\t\t405\t“27”\n\t\t410\tEnd\n\t\t411\t“28”\n\t\t423\tEnd, End side 1\nTwo\t\t000\t\n\t\t003\t“29”\n\t\t040\tEnd\n\t\t041\t“30”\n\t\t065\tEnd\n\t\t066\t“31”\n\t\t089\tEnd\n\t\t090\t“32”\n\t\t104\tEnd\n\t\t105\t“33”\n\t\t114\tEnd\n\t\t115\t“34”\n\t\t134\tEnd\n\t\t135\t“35”\n\t\t153\tEnd\n\t\t154\t“36”\n\t\t172\tEnd\n\t\t173\t“37”\n\t\t194\tEnd\n\t\t195\t“38”\n\t\t204\tEnd\n\t\t205\t“39”\n\t\t226\tEnd\n\t\t227\t“40”\n\t\t234\tEnd\n\t\t235\t“41”\n\t\t244\tEnd\n\t\t245\t“42”\n\t\t263\tEnd\n\t\t264\t“43”\n\t\t272\tEnd\n\t\t273\t“44”\n\t\t292\tEnd\n\t\t293\t“45”\n\t\t316\tEnd\n\t\t317\t“46”\n\t\t327\tEnd, End side two\n"],"Note":["[{\"note\":\"Liner Notes: Zukofsky Translations of Catullus, #1-46, September 11, 1961 Side 1: #1-28 Side 2: #29-46\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554731544578,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6073","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Tom Wayman Reading at The College of New Caledonia #268a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wayman, Tony"],"creator_names_search":["Wayman, Tony"],"creators":["[{\"url\":\"http://viaf.org/viaf/98293283\",\"name\":\"Wayman, Tony\",\"dates\":\"1945-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/556/Readings in BC_MsC199_268a.jpg\",\"other\":\"J-card\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:55:17\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Black and white clear jewel case with J card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"268a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:32\",\"precision\":\"\",\"size\":\"28.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"268a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:35:27\",\"precision\":\"\",\"size\":\"33.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/search?whereami=1&query=53.90489%2C-122.78487#map=17/53.90489/-122.78487\",\"venue\":\"The College of New Caledonia\",\"notes\":\"\",\"address\":\" Imperial Parking, 3330 22 Ave, Prince George, BC V2N 1P8\",\"latitude\":\"53.90489\",\"longitude\":\"-122.78487\"}]"],"Address":[" Imperial Parking, 3330 22 Ave, Prince George, BC V2N 1P8"],"Venue":["The College of New Caledonia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tOpens with Crosby, Stills and Nash – Guinevere (breaks abruptly at 16)\n\t\t028\tWayman reading opens with T.W.’s announcement that “I’m going to read about 40 minutes…”\n\t\t033\tVolume comes up\n\t\t036\t“Opening the family…”\n\t\t067\t“Grandmother”\n\t\t100\t“Poem composed in Rogue River Park, Grant’s Pass, Oregon, after Wayman’s car stopped dead on the Oregon Coast, in the middle of a howling rainstorm, and had to be towed, first to Yachats, Oregon, where it couldn’t be fixed, and then 100 miles through the mountains to Eugene, where after it was repaired and Wayman started out again, his accelerator cable parted, and he had to run on the last dozen miles or so into Grant’s Pass at midnight with his throttle jammed open, and spend the night waiting for the garage to open, which is at this moment working on his car…”\n\t\t124\t“Life on the Land Grant Review”\n\t\t152\t“The country of every-day literary criticism”\n\t\t190\t“The dancer: (from The country of every-day)\n\t\t230\t“Wayman in love”\n\t\t255\t“It is 7 o’clock”\n\t\t311\t“Routine”\n\t\t367\t“Bob Trine’s song”\n\t\t 405\t“For Allende”\n\t\t430\t“Two soldiers are lifting a dead man/out of the rubble of a factory…”\n\t\t458\t“Industrial music”\n\t\t515\t“Wayman reads from an anthology of poems on work which he edited: a poem by Andy Molen “The Ballad of the red dump truck\n\n\t\t540\tQuestion period follows\n\t\t572\tSession breaks up – general conversation\n\t\t590\tSound breaks off\n\t\t591\tSound again – Wayman reading\n\t\t604\t“The projected poems of Lyndon Johnson”\n\t\t645\tSpeaks of a demonstration against Dow Chemical with poet Robert By, reads:\n\t\t658\t“Despair”\n\t\t752\t“Reads “Life on the Land Grant Review” again\n\t\t803\t“The country of everyday literary criticism” again\n\t\t874\tSound ends abruptly with Wayman in mid-sentence\n"],"Note":["[{\"note\":\"Liner Notes: Tom Wayman Reading at The College of New Caledonia (Not Dated) Side 1: 28:15 Side 2: 27:56 Original tape cut off before end of reading Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554731544579,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6074","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Tom Wayman Reading at The College of New Caledonia, Second Evening #268b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wayman, Tom"],"creator_names_search":["Wayman, Tom"],"creators":["[{\"url\":\"http://viaf.org/viaf/98293283\",\"name\":\"Wayman, Tom\",\"dates\":\"1945-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/557/Readings in BC_MsC199_268b.jpg\",\"other\":\"J-card\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:29:50\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Black and white clear jewel case with J card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"268b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:05\",\"precision\":\"\",\"size\":\"28.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"268b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:29\",\"precision\":\"\",\"size\":\"31.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/search?whereami=1&query=53.90489%2C-122.78487#map=17/53.90489/-122.78487\",\"venue\":\"The College of New Caledonia\",\"notes\":\"\",\"address\":\" Imperial Parking, 3330 22 Ave, Prince George, BC V2N 1P8\",\"latitude\":\"53.90489\",\"longitude\":\"-122.78487\"}]"],"Address":[" Imperial Parking, 3330 22 Ave, Prince George, BC V2N 1P8"],"Venue":["The College of New Caledonia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tSomeone singing “Hezekiah Jones”\n\t\t019\tSound breaks off = nothing til 030\n\t\t030\tQuestion (by John Harris (?)) “How much stuff do you publish in the States?  Do you still have a lot of contacts down there?”\n\t\t031\tWayman… about a third of what I do… but not books\n\t\t038\tWhy do Canadian magazines shut themselves off from American contribution?\n\t\t040\tWayman re/ number of submissions.  Poetry Northwest in Seattle gets 40,000 poems a year\n\t\t052\tJ.H.: Do you think (lack of American poetry) is a real limitation in Canadian poetry magazines?”\n\t\t055\tT.W.: re “American magazines are full of translations… whereas Canada is trying to get the wagon train in a circle… and see what we got inside…”\n\t\t064\tBarry McKinnon: a story re/ Irving Layton and Black Mountain Review\n\t\t073\tT.W.: in Colorado they feel very bitter about the literature of the west… and how it’s being swamped by eastern U.S. literature\n\t\t080\tRe/population of States\n\t\t093\tT.W.: “I’ll read some more “truck plant delights”\n\t\t100\tReads “Routine”\n\t\t133\tNeil Watts poem\n\t\t171\t“Bob Trine’s song” read again\n\t\t202\tT.W. reads a poem about “freaks” (hippies) from “The country of everyday life”\n\t\t218\t“The flower the diggers come out”\n\t\t267\tEnd of reading\n\t\t276\tThe scene apparently shifts, conversation is random\n\t\t390\tSound stops\n"],"Note":["[{\"note\":\"Liner Notes: Tom Wayman Reading at The College of New Caledonia -- Second Evening Side 1: 29:50 Side 2: Blank Dolby B \",\"type\":\"General\"},{\"note\":\"Side 2 is empty\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554731544580,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6075","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["B.P. Nichol Reading at The College of New Caledonia #269"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P."],"creator_names_search":["Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/558/Readings in BC_MsC199_269.jpg\",\"other\":\"J-card\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:08:00\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Black and white clear jewel case with J card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"269-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:56\",\"precision\":\"\",\"size\":\"36.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"269-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:23\",\"precision\":\"\",\"size\":\"38 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/search?whereami=1&query=53.90489%2C-122.78487#map=17/53.90489/-122.78487\",\"venue\":\"The College of New Caledonia\",\"notes\":\"\",\"address\":\" Imperial Parking, 3330 22 Ave, Prince George, BC V2N 1P8\",\"latitude\":\"53.90489\",\"longitude\":\"-122.78487\"}]"],"Address":[" Imperial Parking, 3330 22 Ave, Prince George, BC V2N 1P8"],"Venue":["The College of New Caledonia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tOpens with bp speaking\n\t\t005\t“Whisper piece”\n\t\t027\t“M.L.’s dream”\n\t\t060\t“Flower eyes”\n\t\t075\t“Milk”\n\t\t098\t“Poetry being at a dead end…”\n\t\t114\tReads from The Martyrology  - book two\n\t\t124\t“Clouds” (the migration of the saints from cloudtown to earth)\n\t\t151\tA quote from “The folktales of the saints: a tale about how St. Andrew heard about cloudwoman”\n\t\t159\t“no other story/fit to tell”\n\t\t163\t“if I could stretch out once in a field”\n\t\t171\t“as if there were no adequate words to fit the mind’s/conceptions…”\n\t\t178\t“Christ is wanted to be there…”\n\t\t185\t“how I would wish you happiness…”\n\t\t191\t“now the wind blows the clouds away…”\n\t\t200\t“peace…”\n\t\t204\t“only the should’ve been…”\n\t\t209\t“the country you spoke of…”\n\t\t217\tFrom “The great migration” The folk tales of the saints\n\t\t222\t“faces cloud in on me…”\n\t\t230\t“pile up the movement the fingers…”\n\t\t237\t“how shall I call you father who have left me here…”\n\t\t243\t“grew up twice…”\n\t\t248\t“living as you did in winter worlds”\n\t\t256\t“father I stand where I did before…”\n\t\t266\t“Now I’m going to read a few from a thing called ‘The Plunkett papers”\n\t\t287\t“The dead porcupine…”\n\t\t298\t“My father almost told me he voted liberal…”\n\t\t301\t“As Cabot in 1497/discovered the west was good for fishing…”\n\t\t314\t“Plunkett, Saskatchewan, Humboldt Highschool, Sept. 2, 1927: Teddy Roosevelt…”\n\t\t322\t“Misaskwetoomena, the Cree name for the blue berries…”\n\t\t331\t“This next poem begins with a quote from… The art of loving…”\n\t\t336\t“The Bible says, ‘It is better to sow your seed in a whore’s belly…”\n\t\t345\t“My mother is Avis…”\n\t\t351\t“My father quit the CNR…”\n\t\t358\t“Lying here tonight beneath the moon…”\n\t\t364\t“The Workmans and the Nichols…”\n\t\t381\t“When poetry came to the prairies, they made him a captain…”\n\t\t389\t“Poem – snake made his home in Nun…”\n\t\t399\t“As always, the point is lost…”\n\t\t406\t“She was just a girl, my grandma says…”\n\t\t425\t“We went up to Erie, early summer…”\n\t\t437\t“November, ’33, my sister Donna is dead…”\n\t\t442\t“This is a poem for my brother D.J.:”\n\t\t450\t“My brother grows older…”\n\t\t464\t“Days numbered, as th years are even…”\n\t\t479\t“When great uncle Gus came home from the civil war…”\n\t\t485\t“Charlie, he was some drinker…”\n\t\t502\t“I wanted to forget you…”\n\t\t597\t“For Matthew Robin Sullivan… one of 3 incest songs…”\n\t\t640\tSound breaks off\nTwo\t\t000\t“This is a lullaby for his daughter, Ulya…”\n\t\t015\t“A love song for Gertrude Stein…”\n\t\t044\t“Son of sonnet”\n\t\t080\t“Some more poems from the Plunkett papers:”\n\t\t081\t“This week Dennie writes from Oregon…”\n\t\t091\t“A myth is simply a lie that works…”\n\t\t099\t“To become pregnant is not difficult, but to give birth…”\n\t\t104\t“My father was raised in Goodwater…”\n\t\t116\t“This was in South Dakota, near Iroquois…”\n\t\t125\t“A porpoise (?) made his home under the CPR branch line in Plunkett…”\n\t\t130\tVolume drops to 132\n\t\t132\t“You run the hotel, you work in the mines…”\n\t\t140\t“We rode the train back west in ’54…”\n\t\t150\t“Tonight I long for you as never before…”\n\t\t163\t“My great-aunt Maggie married four times…”\n\t\t172\t“Lovely lady, it’s nice to have you here…”\n\t\t179\t“All my life having searched in the west…”\n\t\t188\tSound breaks off\n\t\t189\tSound resumes: “the day before Billy died…”\n\t\t195\t“When I die, I’d like it written: “Life was his whole life”…”\n\t\t198\t“I war the image of my family…”\n\t\t202\t“Old pig lived on Mike Lay’s farm…”\n\t\t210\t“Name names, place places…”\n\t\t221\t“Did I tell you ‘bout my uncle Fred…”\n\t\t225\t“I got most of my source material for these things from my grandma…”\n\t\t227\tVolume stops abruptly, tape ends\n"],"Note":["[{\"note\":\"Liner Notes: B.P. Nichol Reading at The College of New Caledonia (No Date) Side 1: 37 min Side 2: 31 min Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554731544581,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6076","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Discussion of writing by Stan Persky at The College of New Caledonia #270"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Persky, Stan"],"creator_names_search":["Persky, Stan"],"creators":["[{\"url\":\"http://viaf.org/viaf/57448780\",\"name\":\"Persky, Stan\",\"dates\":\"1941-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/559/Readings in BC_MsC199_270.jpg\",\"other\":\"J-card\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Black and white clear jewel case with J card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"270-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:22\",\"precision\":\"\",\"size\":\"36.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"270-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:39:01\",\"precision\":\"\",\"size\":\"36.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/443237227\",\"venue\":\"The College of New Caledonia\",\"notes\":\"\",\"address\":\" Imperial Parking, 3330 22 Ave, Prince George, BC V2N 1P8\",\"latitude\":\"53.90701\",\"longitude\":\"-122.78238\"}]"],"Address":[" Imperial Parking, 3330 22 Ave, Prince George, BC V2N 1P8"],"Venue":["The College of New Caledonia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tOpens with Persky speaking in mid-sentence: “I’m not interested in art…but in the world.”\n\t\t012\tWoman’s voice (?): “You’re challenging something we’ve accepted…for a long time… that art has an interrelation with life…”\n\t\t015\tConversation continues re/ “not poetry, but writing e.g. Falconbridge”\n\t\t030\t“Canada is predisposed to good writing in political economics”\n\t\t039\tComment by another woman at low volume – needs turning up to be audible\n\t\t050\tQuestions & comments continue\n\t\t060\tRe/ writing in the north of B.C.\n\t\t090\tRe/ “imagination” not part of Persky’s experience as a writer`\n\t\t100\tRe/ false ideas about art, writing\n\t\t110\t“Most poets I know of aren’t very good, very interesting, don’t know enough to produce interesting poetry at this point – that’s the extremity of my arrogance at this point…”\n\t\t118\tStan Shafer (?): “So you’re saying that you’re not very interested in the personal, then… that imagination is a very personal, subjective thing…”\n\t\t122\tRe/ cultural conditioning\n\t\t140\tRe/ Vietnam war; speaks of “disappearance of Vietnam from news coverage after 1975; of an Italian journalist’s book on the defeat and retreat of the U.S. on April 30, 1975.\n\t\t153\tReads Phuoc Binh statement.  (Phuoc Binh refers to a battle that took place Jan., 1975)  (See Wrestling the angel, p. 173)\n\t\t218\tConversation re/ the poem Phuoc Binh statement\n\t\t230\tRe/ abstraction of poetry and social unconsciousness; “poetry as an escape… too few people read poetry for it to be an escape…”\n\t\t270\t“…Dante is the most political, economic poet in writing so far…” … that is not what most writers are doing… occasionally a complaint about how terrible things are – never a solution about how to make things better.\n\t\t284\tConversation ensues re/ solution to social problems; the solution brought about the Vietnamese victory over U.S. imperialism, Q: “You’re one of those people who think that… those people are better off for having won the war?”  A: “For having won the war, yeah.”\n\t\t312\tQ: “What about the question of what do you believe?  Is that relevant?”\n\t\t\tA: “It’s not specific enough.”\n\t\t327\tQ: “are there no poets who are working along the grain of what you’re talking about?”  A: “Oh, yeah, there are lots of them… Mayakovsky… poets in Vietnam after the revolution…”\n\t\t340\tDiscussion of the heated exchange re/ Vietnam which occurred earlier\n\t\t364\tSound cuts off\n\t\t367\tStan Shafer makes announcement of following poetry reading, for Nov. 22; introduces “Stan Persky, from Terrace.”\n\t\t380\tIntroductory remarks\n\t\t392\t“I should say that my occupation is teaching anthropology, political economy, sociology and history of the Canadian working class.  My activity as a writer… of poetry is spare time activity.”\n\t\t420\t“Topic Sentence” (in Wrestling the angel, p. 131)\n\t\t610\t“…Childhood socialization and learning process, that’s what it’s called.  Well I call that politicization,” re/ teaching people to write\n\t\t630\t“I feel obligated to read ‘a poem,’ ‘cause I don’t intend to read many poems this evening”\n\t\t633\tReads “Lake”\n\t\t657\t“Comic river” (the piece as printed in Wrestling the angel, p. 140) begins @ 723\n\t\t927\tSound breaks off, recording ends"],"Note":["[{\"note\":\"Liner Notes: Stan Persky Reading at The College of New Caledonia (No Date) Discussion of writing -- talent, climate, society Side 1: 31 min Side 2: 31 min Poor mic placement and very noisy fan make it difficult to hear some audience comments Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554733641728,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6077","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Daphne Marlatt reading at Richard Pender Books #271"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Marlatt, Daphne"],"creator_names_search":["Marlatt, Daphne"],"creators":["[{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/560/Readings in BC_MsC199_271.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"271-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:38\",\"precision\":\"\",\"size\":\"29.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"271-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:12\",\"precision\":\"\",\"size\":\"33.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/3789883056\",\"venue\":\"Bookstore at Richards and Pender St\",\"notes\":\"There is a very old MacLeod's Books bookstore on this corder, it may be the same one, so I've taken its address.\",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\"49.2833877\",\"longitude\":\"-123.1126033\"}]"],"Address":["Vancouver, BC, Canada"],"Venue":["Bookstore at Richards and Pender St"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tD.M. begins with a preface of the piece which she is about to read.  “I started writing with other people for the first time… a story by 8 of us… on a trip to Prince George recently.”\n\t\t026\t“A story (in debt to the original story, a collaboration of voices which became a moving into one voice, with its Steinian echoes and Spicerian changes, this story is the child of.”  (D.M. says: “I felt I had to acknowledge my debts.”)\n\t\t061\tD.M. interrupts to further explain context of the story\n\t\t075\t“I’m going to start at the beginning again.”\n\t\t125\tD.M. interrupts to say she had a dream about the trip 2 weeks before going\n\t\t131\tResumes\n\t\t140\tVolume rises suddenly\n\t\t162\tVolume drops\n\t\t355\tSound breaks off, side one ends  (D.M.’s reading stops here as on page 23 of The story, she said (B.C. Monthly, vol. III, no.))"],"Note":["[{\"note\":\"Liner Notes: Daphne Marlatt Reading at Richard Pender Books Side 1: 29:15 Side 2: Blank Dolby B\",\"type\":\"General\"},{\"note\":\"College of New Caledonia is the donor\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554734690304,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6078","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Basil Bunting Reading \"Briggflatts\" at Buffalo – S.U.N.Y. (University at Buffalo), July 1966 #108a"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bunting, Basil"],"creator_names_search":["Bunting, Basil"],"creators":["[{\"url\":\"http://viaf.org/viaf/4949021\",\"name\":\"Bunting, Basil\",\"dates\":\"1900-1985\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/561/Reading in BC_MsC199_108a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:21:00\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"108a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:25\",\"precision\":\"\",\"size\":\"30.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"108a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:36:43\",\"precision\":\"\",\"size\":\"24.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card \"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/68036581\",\"venue\":\"Buffalo – S.U.N.Y. (University at Buffalo)\",\"notes\":\"The State University of New York at Buffalo, commonly referred to as the University at Buffalo or SUNY Buffalo\",\"address\":\"Buffalo, NY 14260, United States\",\"latitude\":\"42.9533\",\"longitude\":\"-78.8181\"}]"],"Address":["Buffalo, NY 14260, United States"],"Venue":["Buffalo – S.U.N.Y. (University at Buffalo)"],"City":["Buffalo, New York"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tBasil Bunting reading Briggflatts\n\t\t520\tThe tape skips over four lines here\n\t\t1175\tEnd of poem\n"],"Note":["[{\"note\":\"Liner Notes: Basil Bunting Reading July 1966 \\\"Briggflatts\\\" with Harppichord Accompaniment Note: Poor quality recording intermittent tape squeal Side 1 44:30 Side 2 36: 30\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554734690305,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6079","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Bradley Robinson reading at The College of New Caledonia, 1970 #273"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Robinson, Bradley"],"creator_names_search":["Robinson, Bradley"],"creators":["[{\"url\":\"http://viaf.org/viaf/104301205\",\"name\":\"Robinson, Bradley\",\"dates\":\"1950-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/562/Readings in BC_MsC199_273.jpg\",\"other\":\"J-card\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Black and white clear jewel case with J card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"273-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:24:55\",\"precision\":\"\",\"size\":\"24.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"273-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:24:51\",\"precision\":\"\",\"size\":\"24.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/443237227\",\"venue\":\"The College of New Caledonia\",\"notes\":\"\",\"address\":\" Imperial Parking, 3330 22 Ave, Prince George, BC V2N 1P8\",\"latitude\":\"53.90535\",\"longitude\":\"-122.78457\"}]"],"Address":[" Imperial Parking, 3330 22 Ave, Prince George, BC V2N 1P8"],"Venue":["The College of New Caledonia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tB.R. speaking, introducing himself: “The first poem is from the fall of 1966…”\n\t\t008\t“For the ladies at the bus stop”\n\t\t016\tRE/ a poem by Nerval\n\t\t018\t“Fantasy.”  (tr. Of Nerval poem?)\n\t\t038\t“Oh god, god, god…”\n\t\t045\t“’Show off yr ass,’ she said…”\n\t\t053\t“And here the poet takes on the persona of Odysseus:”\n\t\t056\t“Odysseus’ song: a memory of your eyes”\n\t\t068\t“The edges” (B.R.’s preface to the poem)\n\t\t074\t“The edges (for Nancy Marshall)”\n\t\t090\t“Placing my lips against…”\n\t\t098\t“In his dream, her leg was tanned…”\n\t\t121\t“Bullshit is poetry in a rainpipe…”\n\t\t128\t“Poetry is making war when love should be…”\n\t\t133\t“War is rain falling when you’re writing poetry…”\n\t\t138\t“We are unable to stand inside a rainpipe…”\n\t\t147\t“He meets his beloved in Montreal.”\n\t\t160\t“A memory”\n\t\t226\t“From head to heart to floor (for George Bowering): (from Skin scales for psoriasis sufferers)\n\t\t229\t“Song 3”\n\t\t231\t“For the birds”\n\t\t236\t“For her knee”\n\t\t238\t“A cinch to art in France”\n\t\t242\t“A meditation on the moon”\n\t\t248\t“Islands to islands…”\n\t\t252\t“Envoi”\n\t\t274\t“To notify one’s city (for George Hayman, on the coast)”\n\t\t298\t“Millie, you’re absolutely glowing…”\n\t\t317\t“On the plane two years later”\n\t\t356\t“The first kiss…” (“in the fields of slumber…”)\n\t\t370\t“It was early in the morning…” (a story)\n\t\t433\tReading ends\n\t\t456\tSound ends"],"Note":["[{\"note\":\"Liner Notes: Bradley Robinson Reading at The College of New Caledonia (No Date) Side 1: 19:20 Side 2: 17:45\",\"type\":\"General\"},{\"note\":\"College of New Caledonia is the donor as inventory says\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554735738880,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6080","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Duncan reading at the University of New Mexico, Spring 1964 #277"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert","Creeley, Robert"],"creator_names_search":["Duncan, Robert","Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1964],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/563/Readings in BC_MsC199_277.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"277-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:49:20\",\"precision\":\"\",\"size\":\"47.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"277-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:50\",\"precision\":\"\",\"size\":\"47.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1964\",\"type\":\"Production Date\",\"notes\":\"Spring\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/305072242\",\"venue\":\"University of New Mexico\",\"notes\":\"\",\"address\":\"Albuquerque, NM 87131, United States\",\"latitude\":\"35.0859\",\"longitude\":\"-106.6223\"}]"],"Address":["Albuquerque, NM 87131, United States"],"Venue":["University of New Mexico"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t050\tCreeley introduction\n\t\t060\tDuncan – prefatory remarks\n\t\t117\tRoots and branches\n\t\t136\tWhat [di] I know of the old lore?\n\t\t200\tCuts dover to another portion of the reading\n\t\t200\tTwo presentations\n\t\t275\tAfter reading H.D.’s Hermetic definitions\n\t\t325\tDoves\n\t\t433\tPassages 1 and 2 (from Bending the Bow)\n\t\t511\tPassages 4 (from Bending the Bow)\n\t\t531\tPassages 5 (from Bending the Bow)\n\t\t557\tA song of the old order – from The opening of the field\n\t\t619\tA country wife’s song\n\t\t665\tEnd of this portion"],"Note":["[{\"note\":\"Liner Notes: Robert Duncan Reading from \\\"Roots and Branches\\\" at University of New Mexico Spring 1964 Introduced by Robert Creeley Side 1 44 min Side 2 Blank Dolby B \",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554735738881,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6081","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Creeley reading in Tuscan Arizona on December 4, 1963 #278"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert"],"creator_names_search":["Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/564/Readings in BC_MsC199_278.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"278-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:47\",\"precision\":\"\",\"size\":\"43.9 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"278-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:41\",\"precision\":\"\",\"size\":\"46:41\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-12-04\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/115028047\",\"venue\":\" University of Arizona\",\"notes\":\"\",\"address\":\"East Polk Street, Central City, Phoenix, Maricopa County, Arizona, 85004, United States\",\"latitude\":\"33.45202\",\"longitude\":\"-112.06367\"}]"],"Address":["East Polk Street, Central City, Phoenix, Maricopa County, Arizona, 85004, United States"],"Venue":[" University of Arizona"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\t\t200\tCreeley – prefatory remarks\n\t\t208\tHart Crane\n\t\t250\tLe fou – for Olson\n\t\t261\tThe crisis\n\t\t287\tThe immoral propositions\n\t\t306\tI know a man\n\t\t340\tWait for me\n\t\t368\tThe whip\n\t\t383\tNew year’s\n\t\t422\tThe door – for Duncan\n\t\t478\tKore\n\t\t[609]\tThe name\n\t\t530\tFire\n\t\t570\tFor love\n\t\t622\tThe language\n\t\t650\tThere is\n\t\t664\tThe book"],"Note":["[{\"note\":\"Liner Notes: Robert Creeley Reading in Tuscan, Arizona, December 4, 1963 Side 1: 45:00 Side 2: Blank Dolby B \",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554735738882,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6082","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Allen Ginsberg performance on November 26, 1963 #281 "],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ginsberg, Allen"],"creator_names_search":["Ginsberg, Allen"],"creators":["[{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Performer\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/565/Readings in BC_MsC199_281.jpg\",\"other\":\"J-card\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Black and white clear jewel case with J card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"281-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:32\",\"precision\":\"\",\"size\":\"30.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"281-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:20\",\"precision\":\"\",\"size\":\"31.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-11-26\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tHare Krishna\n\t\t025\tMan’s glory shines on top of mountains where the great stone monasteries\n\t\t049\tWho will take over the universe, 1960\n\t\t072\tA lysergic acid recollection\n\t\t095\tA little rendering of a dream, January 5, 1962\n\t\t139\tKarima (in Benares)\n\t\t186\tChant\n\t\t221\tWichita vortex sutra\n\t\t558\tChant"],"Note":["[{\"note\":\"Liner Notes: Allen Ginsberg Reading November 26, 1963 (location unknown) SIde 1: 29:20 Side 2: 16:12 Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554736787456,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6083","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Daphne Marlatt reading on November 6, 1970 #282"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Marlatt, Daphne"],"creator_names_search":["Marlatt, Daphne"],"creators":["[{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/566/Readings in BC_MsC199_282.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"282-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:05\",\"precision\":\"\",\"size\":\"29.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"282-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:15\",\"precision\":\"\",\"size\":\"29.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970-11-06\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tD.M. speaking – announces she will be reading from The Vancouver poems\n\t\t007\tTwo quotes: from Rimbaud: “Je est un autre,” from Randy Newman: “She say I/talk to strangers/ if I want to/coz I’m a stranger too.”\n\t\t017\t“Lagoon”\n\t\t038\t“The first poem in the book is sort of an entranceway into the book as a whole.  In some ways it sets up my method…”  Speaks of Nō plays, the central figure of spirit plays, the shīte.\n\t\t057\tRe/ the Kwakiutl and the Hamatsa society\n\t\t071\t“Wet fur wavers” (“A Spanish Banks poem”)\n\t\t089\tThis is about the old public library, the Carnegie Library… located in the heart of skid row…”\n\t\t094\t“Slimey…”\n\t\t128\t“’It’s rained…’”\n\t\t151\t“One last one that connects with the Kwakiutl Hamats’a society re/ “Baxbakaulany Xsuve” – the original spirit who informed the Hamats’a who gave them their cannibal rite… The first one to eat man at the mouth of the river” (see notes at back of Vancouver poems)\n\t\t191\t“This is dedicated to: ‘Aloazar, Cecil, Belmont, New Fountain, names/ stations of the way, to/Entrances’”\n\t\t228\t“Little poems for my niece who has a thing about bugs… so I wrote these four poems to explain to her what it was like to be a bug…”\n\t\t232\t“Bugs in the heart (for Karen)”\n\t\t246\t“Agenda”\n\t\t253\t“Points west or southwest…” (small break in sound)\n\t\t263\t“Depressed/area space/lived in…”\n\t\t271\tSmall drop in volume, up again by 275\n\t\t280\t“Bird of passage” (“a poem I wrote when I was 7 or 8 months pregnant”)\n\t\t317\tThe original Vancouver poem… “Old bird…”\n\t\t342\t“About Vancouver’s first in 1886… there are a lot of quotes in here and… all of them are taken from a historical journal put out by the city archives… concerned with W.H. Gallagher’s eyewitness account.”\n\t\t358\t“’Our city is ashes…’”\n\t\t400\t“This is Bowen Island: ‘Bowen.  Leaving snug coves behind…’”\n\t\t429\t“I knew there was a bridge in Vancouver with a jack-knife span that opened like London Bridge… it began to be confused in my mind with the old Second Narrows Bridge…”\n\t\t441\tYour/gray-green fathoms un/fathomed…”\n\t\t479\t“This is also a skid row poem.  It’s a combination of present and past…”\n\t\t498\t“Trails…”\n\t\t527\tSound ends after poem “Trails” finishes."],"Note":["[{\"note\":\"Liner Notes: Daphne Marlatt Reading at Richard Pender Books Side 1: 29:15 Side 2: Blank Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554736787457,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6084","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Billy Little reading at Western Front on February 3, 1975 #283b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Little, Billy"],"creator_names_search":["Little, Billy"],"creators":["[{\"url\":\"http://viaf.org/viaf/223141797\",\"name\":\"Little, Billy\",\"dates\":\"1943-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Knechtel, Mary Beth"],"contributors_names_search":["Knechtel, Mary Beth"],"contributors":["[{\"url\":\"http://viaf.org/viaf/93615375\",\"name\":\"Knechtel, Mary Beth\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Knechtel, Mary Beth"],"Production_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/567/Readings in BC_MsC199_283b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"283b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"31.3 MB\",\"precision\":\"\",\"size\":\"T00:30:19\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"283b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:05\",\"precision\":\"\",\"size\":\"31.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-02-03\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26388\",\"longitude\":\"-123.09871\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1"],"Venue":["The Western Front"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t000\tBrett Enemark: end of a poem: “I fill the shades of a city/that you may see me with your own light/Lambs of construction.”\n\t\t007\t“To Prince George: February 1, 1975 (for Brian Fawcett)”\n\t\t062\t“Each with an eye for the new world”\n\t\t101\t“Love IV”\n\t\t119\tConclusion of Brett Enemark’s reading\n\t\t120\tBill Little begins with introduction: “What I’m gonna do tonight is fairly well like an annual stockholders’ report.”  Announces his future reading at Capilano College toward the end of the month (February, 1975), “where I’ll do a ten year tableau.  This (present) reading will be just poems from the past year.”\n\t\t135\t“Every poem I write is an attempt to change the world…”\n\t\t197\t“If you have to go out in the cold, dress yourself in this poem first: warm arm, warm arm…”\n\t\t233\t“The second poem I’ll read is a collaboration between Brett and I, done under the pseudonym of “R. Ming Zero La Fou.”  It’s called “Balderdash”.”\n\t\t267\t“These first poems are my own, from early on in the year, part of a “too true” series…”\n\t\t271\t“Is murder murder or murder?: a blues for Gertrude”\n\t\t304\t“Which is which?”\n\t\t320\t“Both true (for V and K)”\n\t\t363\t“(Still from that series Song)”\n\t\t380\t“O Pierre – too good to be true”\n\t\t410\t“I wash these hands for you…”\n\t\t440\t“No vitalized ode: a C”\n\t\t514\t“The last in this series is called “To Orial: the horn of love’s delight””\n\t\t557\t“Dance”\n\t\t589\t“Z”\n\t\t596\t“Image”\n\t\t612\t“So they tell me”\n\t\t640\t“Limited vision”\n\t\t652\t“Caution: vision restricted”\n\t\t671\t“10 p.m. north of Hastings Street”\n\t\t690\t“A fool for beauty (might be construed as an homage to Louis Zukofsky)”\n\t\t698\t“This neat poem started out to be a ‘razos’ for Jack Spicer…”\n\t\t704\t“Dancing works”\n\t\t742\t“Love is in trouble”\n\t\t772\t“Really living”\n\t\t821\t“In other words”\n\t\t887\t“I want sex”\n\t\t948\t“Pure lust (Cole’s notes for the autobiography of one Zonko)”\n\t\t982\t“Eating a peach (starring one Zonko (for P.J. Blumenthal))”\n\t\t1013\t“This is a series of poems called The blue book.”\n\t\t1028\t“One Zonko only needs everything…”\n\t\t1054\t“The crux”\n\t\t1079\t“Way we work”\n\t\t1119\t“To allay”\n\t\t1167\t“Guru goniffs (for Glenn)”\n\t\t1202\t“Trying to be funny”\n\t\t1223\t“With tense…”\n\t\t1253\t“Repeat them exactly”\n\t\t1306\t“Four broke…”\n\t\t1350\t“A blazin’ laser”\n\t\t1392\t“Paint in broken glass…”\n\t\t1405\t“Lonely for inspiration”\n\t\t1434\t“What number did you dial, please?”\n\t\t1466\t“A bang”\n\t\t1505\t“The last things I want to read is a… small quartet… called “Ask me: three paintings and a sculpture”\n\t\t1520\tI: “Vague enough”\n\t\t1538\tII: “Not vague” (tape runs out here, the last part of this poem may be on the second side, right channel)"],"Note":["[{\"note\":\"Liner Notes;  Bill Little Reading at Western Front, February 3, 1975 Side 1: 27:55 Side 2: 15:00 Recorded by Mary Beth Knechtel Dolby B\",\"type\":\"General\"},{\"note\":\"The Western Front is the donor as inventory says \",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554736787458,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6085","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Daphne Marlatt and Dwight Gardiner reading at the Western Front on February 10, 1975 #284"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Marlatt, Daphne","Dwight, Gardiner"],"creator_names_search":["Marlatt, Daphne","Dwight, Gardiner"],"creators":["[{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/67941247\",\"name\":\"Dwight, Gardiner\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/568/Readings in BC_MsC199_284.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"284-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:42\",\"precision\":\"\",\"size\":\"23.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"284-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:55\",\"precision\":\"\",\"size\":\"24.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-02-10\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26391\",\"longitude\":\"-123.09869\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1"],"Venue":["The Western Front"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tD.M. is already reading: “…wondering, just a little about the story… (The text is from The Story, She Said, by Daphne Marlatt.  D.M. reads from the right side of the page, printed in roman type, D.G. reads from the left side, printed in italic type.  The reading begins on p. 27 of the text printed as B.C. Monthly, vol. III, no. 8: “She took his hand, wondering, just a little about the story…”)”\n\t\t057\tD.G. begins reading, p.28 “Who was that maskt man?” queried Charles…\n\t\t407\tStory concludes; tape ends."],"Note":["[{\"note\":\"Liner Notes: Daphne Marlatt Reading at Richard Pender Books Side 1: 29:15 Side 2: Blank Dolby B\",\"type\":\"General\"},{\"note\":\"The Western Front is the donor as inventory says \",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554736787459,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6086","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Artie Gold reading at the Western Front on February 17, 1975 #285"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Gold, Artie"],"creator_names_search":["Gold, Artie"],"creators":["[{\"url\":\"http://viaf.org/viaf/77789307\",\"name\":\"Gold, Artie\",\"dates\":\"1947-2007\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Knechtel, Mary Beth"],"contributors_names_search":["Knechtel, Mary Beth"],"contributors":["[{\"url\":\"http://viaf.org/viaf/93615375\",\"name\":\"Knechtel, Mary Beth\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Knechtel, Mary Beth"],"Production_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7557/Reading in BC_MsC199_285.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"285-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"52.8 MB\",\"precision\":\"\",\"size\":\"T00:46:29\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"285-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:28\",\"precision\":\"\",\"size\":\"49.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-02-17\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26391\",\"longitude\":\"-123.09869\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1"],"Venue":["The Western Front"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"Note":["[{\"note\":\"Liner Notes: Artie Gold Reading at the Western Front, February 17, 1975 Side 1: 39:30 Beginning several minutes erased from master; continues to 42:20 Side 2: 42: 10 conclusion Recorded by Mary Beth Knechtel Dolby B\",\"type\":\"General\"},{\"note\":\"The Western Front is the donor as inventory says \",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554736787460,"timestamp":"2026-01-07T14:59:59.119Z","contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tArtie Gold begins\n\t\t012\t“This is a… transmogrified Shakespearean sonnet…”\n\t\t027\t“Whatever you order at the Compromise Cafeteria…” (reads): “The climate of my dream…”\n\t\t043\t“I kiss her fever…” ( a love poem)\n\t\t075\tSpeaks of native naming ritual\n\t\t090\t“I am False Bear…”\n\t\t136\t“Small man”\n\t\t190\tSpeaks of Frank O’Hara\n\t\t200\tReads “O’Hara died like Christ” (from Even yr photograph looks afraid of me, p. 26)\n\t\t236\t“I’ll do another thing – I did a bunch of things I called O’Hara Landscapes, which are sort of views of the poet asleep, forever.”\n\t\t240\t“Green grass and melons, vines trailing…”\n\t\t283\t“Outside my bus, endless dirt shoulder…”\n\t\t316\t“1947”\n\t\t353\t“There are a thousand parts of traveling long distances…”\n\t\t372\t“Novel”\n\t\t437\t“Alice B. Toklas…”\n\t\t482\t“Don Quixote and son”\n\t\t503\t“In Montreal, covers pulled over…”\n\t\t536\tSpeaks of his collaborational poems with Geoff Young, editor of Stooge magazine, using lines from the poems of various poets.  “We tried to weld these things on, like further distances measured on a chart or something…”\n\t\t600\tReads from Mixed doubles: fifteen poems by Artie Gold and Geoff Young, San Francisco: The Figures, 1975.\n\t\t604\t“One” (“My year 4…”)\n\t\t630\t“Two” (5: praise from a grandmother for a mud pie lion…)\n\t\t658\t“Three” (“6: the found book…”)\n\t\t685\t“Four” (“Diana of the Ephesians”)\n\t\t714\t“Five” (“Egyptian embalmers and the sepulchral barge”)\n\t\t741\t“Six” (“The fight between the monster Tiamat…”)\n\t\t769\t“Seven” (“Where water is the parent of all things…”)\n\t\t801\t“Eight” (“Face illuminated by the sun and moon…”)\n\t\t825\t“Nine” (“The Babylonian hero wrestling the lion…”)\n\t\t858\t“Ten” (“tossing a bull”)\n\t\t887\t“Eleven” (“Standing on a gryphon”)\n\t\t913\t“Twelve” (“The carrying of mud bricks by yoke and cord…”)\n\t\t938\t“Thirteen” (“the dialectic of survival”)\n\t\t967\t“Fourteen” (“Everything I sought, seek”)\n\t\t997\t“Fifteen” (“What I will die not finding”)\n\t\t1065\tSpeaks of the method he and Geoff Young used to compose these poems\n\t\t1126\tSound breaks off; turn to side 2\nTwo\t\t\t(right channel)  (channel 2)\n\t\t000\tA.G. speaking; in mid-sentence: “…and… Robert Bruce swimwear…”\n\t\t033\t“A Sirventes for Montreal in five sections” (“Five for Bruce”) in: Even yr photograph looks afraid of me, Vancouver: Talonbooks, 1975.\n\t\t035\t“One (for Bruce)”\n\t\t061\t“Two (for Bruce)”\n\t\t082\t“Three”\n\t\t107\t“Four”\n\t\t134\t“Five”\n\t\t185\t“It’s hell down there, n’est ce pas?”\n\t\t199\tReading ends\nTwo\t\t\t(left channel)  (channel 1)\n\t\t199\tA.G. in mid-line: “…finally draws off, slithering down the hall, as the black cat turns back, craning his head to see what he won.”\n\t\t204\t“For years I’ve been sharing showers…”\n\t\t213\t“Don’t stop clapping ‘til I’m famous.”\n\t\t259\t“Having a coke with you” (from Love poems) “I would rather be willing in your arms now”, p.40 of EYPLAOM\n\t\t273\t“When there’s something sinister about the local hard facts…”\n\t\t362\t“The farmer of your tongue is growing poets for the cities…”\n\t\t401\t“Valentine’s day ballad”\n\t\t427\t“Another Pope poem… it’s got a great last line…”\n\t\t448\t“We counted the ways” (EYPLAOM, p. 46)\n\t\t507\t“We will visit a few towns…” (from Cheesecake)\n\t\t530\t“Inform the general/we are about to leave…”  (from Cheesecake)\n\t\t552\t“It was a hell of a party…”\n\t\t609\t“Sometimes, as if life itself were the enemy…”\n\t\t623\t“She worries when I sleep a three day stretch…”\n\t\t664\t“The coffee’s not made yet” (p. 28 EYPLAOM)\n\t\t684\t“Sad, these winters, our cat sluthering…”\n\t\t692\t“Fable”\n\t\t720\t“Old poet fucker”\n\t\t737\t“Man, I knew we were about to be raided…”\n\t\t750\t“We ride tandem together,” (p. 41 EYPLAOM)\n\t\t761\t“Phrase book,” (p. 39, EYPLAOM)\n\t\t775\t“Mischief” (p. 51, EYPLAOM)\nTwo\t\t789\t“Each piece of Highway is like a jumbo jet passenger”\n\t\t797\t“My mind reaches out for a friend…”\n\t\t805\t“Sitting here before she dame…”\n\t\t823\t“Please shave my head…”  (p. 63 EYPLAOM)\n\t\t836\t“There are areas where my mother was uncompromisable”\n\t\t864\t“The day I got my Hermes typewriter…”\n\t\t896\t“So I didn’t get my week of sleep…”\n\t\t907\t“Take me home,” I imagined”\n\t\t920\t“Calendars are very much like snakes and ladders”\n\t\t952\t“I near got botulloid scampi” (p. 13, EYPLAOM)\n\t\t966\t“Here’s a poem for my father: “Mike, while I was waiting for you to come, I browsed around some…”\n\t\t997\t“Crude Robert” p. 59 EYPLAOM\n\t\t1014\t“There’s a muse poem here”: “I sometimes park my convertible along the curb” (p. 29 EYPLAOM)\n\t\t1062\t“I have no astrologer…”\n\t\t1094\t“The week’s dirty poem”\n\t\t1172\t“Ultra modern times” (p. 16, EYPLAOM)\n\t\t1211\t“puddy/comes in…” (from Some of the cat poems, Montreal: Cross Country Press, 1978)\n\t\t1218\t“out walking my father’s dog…”\n\t\t1246\t“Here, 400 miles of Wall Street…”\n\t\t1313\t“Well, Daphne’s on a breather…”\n\t\t1378\tReading ends (?)\n"],"score":0.01643844},{"id":"6087","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["John Wieners and George Oppen at Buffalo – S.U.N.Y. (University at Buffalo), July 1967 #108b"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wieners, John","Oppen, George"],"creator_names_search":["Wieners, John","Oppen, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/90723960\",\"name\":\"Wieners, John\",\"dates\":\"1934-2002\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/98097764\",\"name\":\"Oppen, George\",\"dates\":\"1908-1984\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1967],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/583/Reading in BC_MsC199_108b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:25:00\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"108b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:43:45\",\"precision\":\"\",\"size\":\"31 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"108-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:41:10\",\"precision\":\"\",\"size\":\"29.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1967-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/68036581\",\"venue\":\"Buffalo – S.U.N.Y. (University at Buffalo)\",\"notes\":\"\",\"address\":\"Buffalo, NY 14260, United States\",\"latitude\":\"42.9533\",\"longitude\":\"-78.8181\"}]"],"Address":["Buffalo, NY 14260, United States"],"Venue":["Buffalo – S.U.N.Y. (University at Buffalo)"],"City":["Buffalo, New York"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\tA\t010\tJohn Wieners reading: Invitation au Voyage\n\t\t038\t“Hope your neighbours don’t care…”\n\t\t051\tOppression\n\t\t059\t“What has happened to me…”\n\t\t074\t“He Will take me far beyond the sea…”\n\t\t082\tBillie\n\t\t098\tClarification and Wonders\n\t\t143\tHow My Mother’s Embroidered Apron Unfolds In My Life\n\t\t171\tUnutterable\n\t\t179\tIna O’Shea\n\t\t199\tWhere Did Our Love Go\n\t\t233\tA poem for tea heads\n\t\t255\tSunset\n\t\t286\tWhere Did Our Love Go\n\t\t323\tThe Mermaid’s Song\n\t\t340\tLet the heart’s pain slack off\n\t\t358\tAddress to the Woman\n\t\t371\tFor Jan\n\t\t384\tConfession\n\t\t424\tCocaine\n\t\t441\tMoon Poems\n\t\t455\tThe Serpent’s Hiss\n\t\t470\tThe music loses itself in a labyrinth of deception\n\t\t482\t5.9 The lady plucks a lute above my head\n\t\t495\t“I walk under the distant stars…”\n\t\t520\tPerfect\n\t\t530\tGod Love You\n\t\t554\tGeorge Oppen reading: Of Being Numerous\n\t\t908\tA Preface\n\t\t916\tHistoric Pun\n\t\t944\tTo a critic – “I’ve been insulted in St. Peter’s…”\n\t\t948\tBallad- “Astrolobes and lexicons once in the great houses…”\n\t\t972\tPower of the Enchanted World\n\t\t1012\tRoute\n"],"Note":["[{\"note\":\"Liner Notes: John Wieners Buffalo, 1967 44 min  George Oppen Buffalo, 1967 41 min #108b\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554737836032,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6088","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Ed Dorn reading at UBC on February 11, 1962 and in Albuquerque on October 30, 1963, Side 1&2 #109a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Dorn, Ed"],"creator_names_search":["Dorn, Ed"],"creators":["[{\"url\":\"http://viaf.org/viaf/25166087\",\"name\":\"Dorn, Ed\",\"dates\":\"1929-1999\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1962],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/584/Reading in BC_MsC199_109a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"109a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:16\",\"precision\":\"\",\"size\":\"26.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"109a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:24:15\",\"precision\":\"\",\"size\":\"23 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1962-02-11\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1963-10-30\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"},{\"url\":\"https://www.openstreetmap.org/relation/171262\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Albuquerque, New Mexico, USA\",\"latitude\":\"35.0868\",\"longitude\":\"-106.6450\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4","Albuquerque, New Mexico, USA"],"Venue":["UBC"],"City":["Vancouver, British Columbia","Albuquerque, New Mexico"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tIntroduction by Robert Creeley – this reading is [isn]* Vancouver\n\t\t025\tIdaho Out\n\t\t247\tFrom Gloucester Out\n\t\t323\tTeepee at Toma\n\t\t393\tDeath While Journeying\n\t\t434\tWest of Moab\n\t\t472\tAn Old Love\n\t\t491\tThe Mountains\n\t\t520\tSo Long Cuba\n\t\t600\tNature\n\t\t627\tVaquero\n\t\t642\tWagon Wheels\n\t\t656\tThe Sea Corner, of the Eye\n\t\t676\tTrail Creek, August 11, The Reason of Higher Powers\n\t\t715\tHome on the Range, February 1962\n\t\t757\tOn the Debt My Mother Owed to Sears Roebuck\n\t\t820\tReading in Albuquerque\n\t\t822\tVaquero\n\t\t835\tThe Deer’s Eyes, The Hunter’s Nose\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554737836033,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6089","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Ed Dorn reading in Albuquerque on October 30, 1963 Side 1 #109b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Dorn, Ed"],"creator_names_search":["Dorn, Ed"],"creators":["[{\"url\":\"http://viaf.org/viaf/25166087\",\"name\":\"Dorn, Ed\",\"dates\":\"1929-1999\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/585/Reading in BC_MsC199_109b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"109b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:42\",\"precision\":\"\",\"size\":\"33.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-10-30\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/171262\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Albuquerque, New Mexico, USA\",\"latitude\":\"35.0851\",\"longitude\":\"-106.6512\"}]"],"Address":["Albuquerque, New Mexico, USA"],"City":["Albuquerque, New Mexico"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\tA\t000\tTrail Creek, August 11, The Reason of Higher Powers\n\t\t028\tHome on the Range, February 1962\n\t\t050\tComparison\n\t\t057\tAre they Dancing\n\t\t069\tHawthorne-End of March, 1962\n\t\t078\tAn Inauguration Poem\n\t\t098\tThe Encounter\n\t\t109\tThe Air of June Sings\n\t\t140\tHemlocks\n\t\t156\tTime Blonde\n\t\t170\tDaffodil Song\n\t\t176\tA Song\n\t\t186\tLove Song\n\t\t193\tLove Song\n\t\t199\tThis March Afternoon\n\t\t208\tMourning Letter, March 19, 1963\n\t\t217\tA Walk of Spring\n\t\t232\tThe Territories\n\t\t244\tPoem While Waiting\n\t\t254\tDark Ceiling\n\t\t265\tThe Smug, Never Silent Guns of the Enemy\n\t\t285\tFort Hall Obituary\n\t\t296\tFor Jimmy Workman (?)\n\t\t312\tAn Attempt at Self-Sorrow\n\t\t332\tFrom Gloucester Out\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554737836034,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6090","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Chris Hurst Reading at The Western Front on April 14, 1975 #289b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Hurst, Chris"],"creator_names_search":["Hurst, Chris"],"creators":["[{\"url\":\"\",\"name\":\"Hurst, Chris\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/586/Readings in BC_MsC199_289b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"289b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:50\",\"precision\":\"\",\"size\":\"31.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"289b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:42\",\"precision\":\"\",\"size\":\"31.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-04-14\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26391\",\"longitude\":\"-123.09869\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1"],"Venue":["The Western Front"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"Note":["[{\"note\":\"Liner Notes: Chris Hurst Reading at The Western Front April 14, 1975 Side 1 16:35 Side 2 19:55 Dolby B\",\"type\":\"General\"},{\"note\":\"The Western Front is the donor as inventory says\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554738884608,"timestamp":"2026-01-07T14:59:59.119Z","contents":["Side\tTrack\tNo.\tComments\nOne\tRight\t000\tSound of two hands clapping, voices muffled\n\t\t005\tChris Hurst introduces his reading\n\t\t013\t“…I’m going to read a new poem and a few old ones, and then I’m going to read from a work in progress…”\n\t\t017\t“They had both known that it would come to this…”\n\t\t023\t“What I was trying to say to you”\n\t\t031\t“He cannot see”\n\t\t040\t“Your body is a flower that will not open up to me…”\n\t\t056\t“In bed.  Feeling the slope of your back…”\n\t\t060\t“The green Devon sea, wide against the beach…”\n\t\t068\t“This is the beginning of… a work in progress.  The first section is called ‘Homes without hands or hands without homes’…”\n\t\t077\t“It starts with a quote…” (Explains the origin of the poems in a found book about rose galls)\n\t\t093\t“The book fell open at a section on rose galls and what ensued…”\n\t\t097\t“When the synops rosa deposits her eggs upon the rose…”\n\t\t101\t“say I am concealed…”\n\t\t108\t“Natural powers are always adjusted to the work which their possessors have to perform…”\n\t\t115\t“Before me, I watch the features of your face…”\n\t\t119\t“Blood seeps out onto the surface of a gall…”\n\t\t125\t“The cells are of different sizes…”\n\t\t130\t“That first time, your touch cut like a knife…”\n\t\t139\t“In many of the cells, the perfect insect may be found…”\n\t\t143\t“Upon the surface of his skin, the slow incision of a wound with perfect intent…”\n\t\t153\t“That’s the end of the first section.  The second section is called “Fragments of a churinga’s songs””\n\t\t176\tA quote: “The second self is the individual’s guardian angel, but if made angry by neglect, it can also be his enemy, causing illness…  The churinga accompanies him throughout life, warns him of the dangers threatening him, and helps him to escape them…”\n\t\t188\t“The opening section is a found poem…a description of an initiation rite in a New Guinea tribe…”\n\t\t204\t“This section is extracts from a journal while I was staying in the Hebrides… interposed with psalms…”\nOne\tRight\t222\t“Out of west Linton, on the road to Peebles, I…”\n\t\t227\t“Want to forget…”\n\t\t231\t“Watches yesterday.  A heron fishing…”\n\t\t234\t“Someone is singing in the wings…”\n\t\t240\t“Victim song”\n\t\t247\t“At dusk, I walked among the high old hedges and narrow pass of Dunvegin castle…”\n\t\t253\t“Think/of all the lies we told…”\n\t\t256\t“Yesterday, I talked to Alastair, who built the Golden Hill House…”\n\t\t260\t“Churinga song II”\n\t\t267\t“A woman sits under a naked electric lightbulb…”\n\t\t272\t“Mist.  Low.  Scattered…”\n\t\t279\t“The Sciani (?) Islands lie to my left…”\n\t\t287\t“Churinga, sometimes you are here…”\n\t\t292\t“Off and on in the distance, the lighthouse…”\n\t\t298\t“Rain falls…”\n\t\t303\t“That is the end of the second section”\n\t\t307\t“Facing you two”\n\t\t317\t“So where did it come from…”\n\t\t323\t“I have not completely made my exit from her mouth…”\n\t\t330\t“The third section is … a letter I wrote to four friends when I came back to Toronto from the Hebrides…”\n\t\t335\t“When I walked through the pasture I…”\n\t\t347\t“When I offer myself to another I don’t know what I give...”\n\t\t352\t“I went to visit my uncle…”\n\t\t356\t“It is impossible to return…”\n\t\t365\t“Part of me is my uncle…”\n\t\t372\t“When you asked me what I knew, I shouldn’t have told you…”\n\t\t380\t“I walked down the street…”\n\t\t388\t“And on his face, the question of a child…”\n\t\t395\t“I watch your face/turn into a thousand other faces…”\n\t\t401\t“When I walked through the pasture I didn’t need a mirror…”\n\t\t407\t“The next section is the fourth section.  I don’t have a title for it.”\n\t\t411\t“A found poem… from the Shaga tribe in New Guinea…” (“if you dare to tell anyone of the secret of men…”)\n\t\t426\t“All through high school/she had a fear of being stabbed…”\n\t\t429\t“When I was young, I devised a ceremony…”\n\t\t434\t“Think that to start, I thought there was no difference…”\n\t\t439\t“I remember the toughest guy in our public school…”\n\t\t447\t“The story”\n\t\t453\t“Where I spent time with men, I felt young and free…”\n\t\t461\t“On returning to the village after their initiation rites…”\n\t\t482\t“A black moon gleams through the trees of reason…”\n\tRight\t487\t“In the morning the men came to him…”\n\t\t494\t“We talked, and there were no answers…”\n\t\t500\t“I, also”\n\t\t507\t“A black moon gleams through the trees of reason…”\n\t\t522\t“No man walks alone on this planet…”\n\t\t536\t“That’s the end of the last section that I have…”\n\t\t540\t“Chris, Christopher. Christian…”\n\t\t552\t“In the grey dawn”\n\t\t564\tReading ends"],"score":0.01643844},{"id":"6091","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["John Wieners lecture and reading at Buffalo – S.U.N.Y. (University at Buffalo), Spring 1967 Tape 1 of 2 #110a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wieners, John"],"creator_names_search":["Wieners, John"],"creators":["[{\"url\":\"http://viaf.org/viaf/90723960\",\"name\":\"Wieners, John\",\"dates\":\"1934-2002\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1967],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/589/Reading in BC_MsC199_110a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:58:00\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"110a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:32\",\"precision\":\"\",\"size\":\"28.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"110b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:30\",\"precision\":\"\",\"size\":\"29 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1967\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/68036581\",\"venue\":\"Buffalo – S.U.N.Y. (University at Buffalo)\",\"notes\":\"\",\"address\":\"Buffalo, NY 14260, United States\",\"latitude\":\"42.9538\",\"longitude\":\"-78.8180\"}]"],"Address":["Buffalo, NY 14260, United States"],"Venue":["Buffalo – S.U.N.Y. (University at Buffalo)"],"City":["Buffalo, New York"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\t\t\tLecture and Reading by John Wieners\n\t\t\t\nDrugs and the Unconscious”\n\n"],"Note":["[{\"note\":\"Liner Notes: John Wieners lecture and reading in Buffalo, Spring 1967 Side 1 30 min 2 28 min #110a\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554738884609,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6092","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["John Wieners lecture and reading at Buffalo – S.U.N.Y. (University at Buffalo), Spring 1967 Tape 2 of 2 #110b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wieners, John"],"creator_names_search":["Wieners, John"],"creators":["[{\"url\":\"http://viaf.org/viaf/90723960\",\"name\":\"Wieners, John\",\"dates\":\"1934-2002\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1967],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/591/Reading in BC_MsC199_110b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:52:00\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"110b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:28\",\"precision\":\"\",\"size\":\"28.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"110b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:22:05\",\"precision\":\"\",\"size\":\"16.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1967\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/68036581\",\"venue\":\"Buffalo – S.U.N.Y. (University at Buffalo)\",\"notes\":\"\",\"address\":\"Buffalo, NY 14260, United States\",\"latitude\":\"42.9538\",\"longitude\":\"-78.8180\"}]"],"Address":["Buffalo, NY 14260, United States"],"Venue":["Buffalo – S.U.N.Y. (University at Buffalo)"],"City":["Buffalo, New York"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\t\t\tLecture and Reading by John Wieners\n\t\t\t\nDrugs and the Unconscious”\n\n"],"Note":["[{\"note\":\"Liner Notes: John Wieners  Buffalo, 1967 Side 2 30 min 2 22 min #110b\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554738884610,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6093","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Creeley Reading at UBC, February 1962  #111a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert"],"creator_names_search":["Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1962],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/592/Reading in BC_MsC199_111a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"111a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:26\",\"precision\":\"\",\"size\":\"30 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"111a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:34:02\",\"precision\":\"\",\"size\":\"22.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1962-02\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tRobert Creeley reading his poetry – the reading is interspersed with commentaries on various poems\n\t\t045\tLe Fou\n\t\t064\tA Song\n\t\t075\tThe Rites\n\t\t090\tThe Rhyme\n\t\t095\tThe Innocence\n\t\t191\tThe Ball Game\n\t\t202\tThe Carnival\n\t\t209\tAfter Lorca\n\t\t223\tThe Immoral Proposition\n\t\t245\tThe Operation\n\t\t267\tThe Conspiracy\n\t\t276\tI Know A Man\n\t\t288\tThe Lover\n\t\t311\tWait For Me\n\t\t322\tLa Noche\n\t\t345\tThe Whip\n\t\t371\tAll That Is Lovely In Men\n\t\t408\tJuggler’s Thought\n\t\t415\tA Form of Women\n\t\t458\tBallad of the Despairing Husband\n\t\t517\tIf You\n\t\t556\tThe Door\n\t\t622\tThe Hill\n\t\t636\tThe Awakening\n\t\t676\tFor Love\n"],"Note":["[{\"note\":\"Liner Notes: Side one Robert Creeley, Reading at UBC, Feb./62 Side two Robert Creeley, Reading at UBC (Conclusion) \",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554738884611,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6094","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Creeley and Lawrence Ferlinghetti Reading  (conclusion) at UBC, February 1962 #111b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ferlinghetti, Lawrence","Creeley, Robert"],"creator_names_search":["Ferlinghetti, Lawrence","Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/110070499\",\"name\":\"Ferlinghetti, Lawrence\",\"dates\":\"1919-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Archivist\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1962],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/593/Reading in BC_MsC199_111b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"111b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:11:02\",\"precision\":\"\",\"size\":\"7.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1962-02\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\tA\t049\tThe Rain\n\t\t070\tGoodbye\n\t\t105\tOh No\n\t\t109\tJust Friends\n\t\t118\tThe Way\n\t\t130\tLawrence Ferlinghetti reading: begins part-way through a poem- in a restaurant\n\t\t190\tThe Dog Poem\n\t\t270\tThe Great Chinese Dragon\n\t\t385\tIt was a face which darkness could kill\n\t\t405\tAnd she, like a young year \n\t\t422\tSonnet to a Dark Lady\n\t\t439\tBerlin – tape cuts out part-way through the poem at 467\n"],"Note":["[{\"note\":\"Liner Notes: Lawrence Ferlinghetti, Reading, UBC, Feb./62 (conclusion)\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554739933184,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6095","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Denise Levertov reading at University of New Mexico on March 9, 1964 Tape 1 of 2 #112a"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Levertov, Denise"],"creator_names_search":["Creeley, Robert","Levertov, Denise"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/9868894\",\"name\":\"Levertov, Denise\",\"dates\":\"1923-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1964],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/594/Reading in BC_MsC199_112a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:46:20\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"112-part-1-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:13\",\"precision\":\"\",\"size\":\"15.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"112-part-1-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:42\",\"precision\":\"\",\"size\":\"22.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1964-03-09\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/305072242\",\"venue\":\"University of New Mexico\",\"notes\":\"\",\"address\":\" Albuquerque, NM 87131, USA\",\"latitude\":\"35.0846\",\"longitude\":\"-106.6196\"}]"],"Address":[" Albuquerque, NM 87131, USA"],"Venue":["University of New Mexico"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tIntroduction by Robert Creeley\n\t\t026\tLiving With A Painting\n\t\t044\tThe Message\n\t\t066\tThe Breathing\n\t\t077\tSeptember, ‘61\n\t\t132\tSong For Ishtar\n\t\t141\tThe Elves\n\t\t149\tThe Ache of Marriage\n\t\t161\tKingdoms of Heaven\n\t\t181\tSparks\n\t\t200\tA Cure of Souls\n\t\t253\tAnother Spring\n\t\t269\tThe Film\n\t\t294\tAbove the Cave\n\t\t318\tThe Secret\n\t\t335\tLeaving Forever\n\t\t344\tTo The Muse\n\t\t432\tThe Crack\n\t\t448\tA Figure of Time\n\t\t476\tThe Resolve\n\t\t486\tOverhead\n\t\t498\tClaritas\n\t\t531\tShalom\n\t\t568\tThe Coming Fall\n\t\t613\tThe Gorund-Mist\n\t\t635\tThe Old Adam\n\t\t675\tWho Is At My Window\n\t\t705\tPuñal\n\t\t730\tO Taste and See\n\t\t775\tIn Abeyance\n\t\t802\tEros at Temple Stream\n"],"Note":["[{\"note\":\"Liner Notes: Denise Levertov reading March 9, 1964 Introduction by Robert Creeley Side 1 23:20 Side 2 23 min (Note: There is a fain echo throughout this recording) Dolby B #112a\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554739933185,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6096","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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Karl Siegler reads from his translation of Rainier Maria Rilke’s Sonnets to Orpheus.\n\t\t025\tSiegler reading Part I\n\t\t335\tSiegler reading Part II\n"],"Note":["[{\"note\":\"Liner Notes: Karl Siegler reading Rilke's \\\"Sonnets to Orpheus,\\\" January 27, 1979(Side 1 and 2) Introduction by Brian Fawcett #124\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554745176067,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6124","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Duncan discussion of \"The Fire\" in South Slocan on January 14, 1973 Part 1 of 4 #125a1"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert"],"creator_names_search":["Duncan, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/674/Reading in BC_McS199_125a1.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:00:30\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"125a-part-1-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:08\",\"precision\":\"\",\"size\":\"20.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"125a-part-1-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:16\",\"precision\":\"\",\"size\":\"20.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-01-14\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/5027360758\",\"venue\":\"Wah's home\",\"notes\":\"\",\"address\":\"South Slocan, BC, Canada\",\"latitude\":\"49.4451\",\"longitude\":\"-117.5365\"}]"],"Address":["South Slocan, BC, Canada"],"Venue":["Wah's home"],"City":["South Slocan, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tDiscussion of: Form\n\t\t\tLanguage\n\t\t\tFreudianism\n\t\t\tNames\n\t\t\tFenellosa and Pound\n\t\t\t“Structures of Rime”\n"],"Note":["[{\"note\":\"Liner Notes: Robert Duncan atr South Slocan Part 1 of 4 Side 1 30:20 Side 2 30:10 Discussion of \\\"The fire\\\"  #125a1\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554746224640,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6125","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Duncan discussion of \"The Fire\" in South Slocan on January 14, 1973 Part 2 of 4 #125a2"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert"],"creator_names_search":["Duncan, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/675/Reading in BC_McS199_125a2.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:59:10\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"125a-part-2-side-3.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:16\",\"precision\":\"\",\"size\":\"20.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"125a-part-2-side-4.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:28:46\",\"precision\":\"\",\"size\":\"19.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-01-14\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/5027360758\",\"venue\":\"Wah's home\",\"notes\":\"\",\"address\":\"South Slocan, BC, Canada\",\"latitude\":\"49.4454\",\"longitude\":\"-117.5365\"}]"],"Address":["South Slocan, BC, Canada"],"Venue":["Wah's home"],"City":["South Slocan, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\tA\t000\tDiscussion of: Breath in Olson’s “Projective Verse”\n\t\t\tSound\n\t\t\tPunctuation\n\t\t\tRhythms of speech\n\t\t650\tDuncan reads “The Fire-Passages 13”\n"],"Note":["[{\"note\":\"Liner Notes: Robert Duncan atr South Slocan Part 2 of 4 Side 3 30:10 Side 4 29:00 Discussion of \\\"The fire\\\"  #125a2\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554746224641,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6126","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Duncan discussion of \"The Fire\" in South Slocan on January 14, 1973 Part 4 of 4 #125b2"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert"],"creator_names_search":["Duncan, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/677/Reading in BC_McS199_125b2.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:51:05\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"125b-part-4-side-7.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:45\",\"precision\":\"\",\"size\":\"20 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"125b-part-4-side-8.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:21:29\",\"precision\":\"\",\"size\":\"14.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-01-14\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/5027360758\",\"venue\":\"Wah's home\",\"notes\":\"\",\"address\":\"South Slocan, BC, Canada\",\"latitude\":\"49.4454\",\"longitude\":\"-117.5365\"}]"],"Address":["South Slocan, BC, Canada"],"Venue":["Wah's home"],"City":["South Slocan, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\tA\t000\tDiscussion continues\n\t\t140\tEnd of Discussion – conversation begins\n"],"Note":["[{\"note\":\"Liner Notes: Robert Duncan atr South Slocan Part 4 of 4 Side 7 29:50 Side 8 21:15 Discussion of \\\"The fire\\\"  #125a2\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554746224643,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6128","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Billy Little reading poems at SFU on February 19, 1979 #128a"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Little, Billy"],"creator_names_search":["Little, Billy"],"creators":["[{\"url\":\"http://viaf.org/viaf/223141797\",\"name\":\"Little, Billy\",\"dates\":\"1943-2009\",\"notes\":\"Zonko\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1979],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/678/Reading in BC_McS199_128a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"128-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:58\",\"precision\":\"\",\"size\":\"32.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"128-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:21:13\",\"precision\":\"\",\"size\":\"16 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1979-02-19\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA&B\t000\t“Stupid!  Disgusting!  The American poet Billy Little / aka Zonko / will bore you silly / reading his poetry.”\n"],"Note":["[{\"note\":\"Liner Notes: side 1 and 2\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554747273216,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6129","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Billy Little reading poems at SFU on February 19, 1979 #128b"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Little, Billy"],"creator_names_search":["Little, Billy"],"creators":["[{\"url\":\"http://viaf.org/viaf/223141797\",\"name\":\"Little, Billy\",\"dates\":\"1943-2009\",\"notes\":\"Zonko\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1979],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/679/Reading in BC_McS199_128b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"128-side-3.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:17:18\",\"precision\":\"\",\"size\":\"12.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1979-02-19\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\tA&B\t000\tReading continues.\n\n"],"Note":["[{\"note\":\"Liner Notes: side 3 and 4\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554747273217,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6130","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Maxine Gadd reading in Capilano College on March 26, 1974 (incomplete recording) #129"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Gadd, Maxine"],"creator_names_search":["Gadd, Maxine"],"creators":["[{\"url\":\"http://viaf.org/viaf/75225856\",\"name\":\"Gadd, Maxine\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/680/Reading in BC_McS199_129.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"129-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:33:56\",\"precision\":\"\",\"size\":\"23.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974-03-26\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/485438830\",\"venue\":\"Capilano College\",\"notes\":\"\",\"address\":\"2055 Purcell Way, North Vancouver, BC V7J 3H5\",\"latitude\":\"49.3179\",\"longitude\":\"-123.0193\"}]"],"Address":["2055 Purcell Way, North Vancouver, BC V7J 3H5"],"Venue":["Capilano College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t002\tOpening comments\n\t\t019\t“She is a Bitch…”\n\t\t022\t“Can you Help…”\n\t\t040\t“It Came in a Dream…”\n\t\t063\tComments\n\t\t070\t“In Media Rays…”\n\t\t149\tComments\n\t\t155\t“Pico de la Mirandola”\n\t\t177\tComments\n\t\t185\t“Kitsilano”\n\t\t227\t“The Happy Vision Gone…”\n\t\t285\t“The Evening Star”\n\t\t330\tComments\n\t\t343\t“I’m on My High Horse…”\n\t\t352\tComments\n\t\t370\t“That Poor Damned Sakajowia…”\n\t\t390\tComments\n\t\t395\t“Billy-Joe Royal”\n\t\t438\tEnd of Tape\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554747273218,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6131","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Pat Lane reading at Capilano College on February 26, [1974?] #130"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Lane, Pat"],"creator_names_search":["Lane, Pat"],"creators":["[{\"url\":\"http://viaf.org/viaf/66513400\",\"name\":\"Lane, Pat\",\"dates\":\"1939-2019\",\"notes\":\"Lane, Patrick\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/681/Reading in BC_McS199_130.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:58:10\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"130-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:02\",\"precision\":\"\",\"size\":\"22.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"130-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:38\",\"precision\":\"\",\"size\":\"21.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974\",\"type\":\"Production Date\",\"notes\":\"[1974?]-02-26. On the J-card it's written 1973 although in BC inventory document it's 1974\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/485438830\",\"venue\":\"Capilano College\",\"notes\":\"\",\"address\":\"2055 Purcell Way, North Vancouver, BC V7J 3H5\",\"latitude\":\"49.3180\",\"longitude\":\"-123.0193\"}]"],"Address":["2055 Purcell Way, North Vancouver, BC V7J 3H5"],"Venue":["Capilano College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["One\t\t000\tIntroduction & quotation from Celine\n\t\t026\t“A Small Prayer”\n\t\t197\t“Passing in the Storm”\n\t\t220\t“After”, for Pat Lowther\n\t\t237\t“Thirty Below”\n\t\t263\t“We Talk of Women”\n\t\t340\t“Thinking on that Contest”\n\t\t370\t“Thirty Miles in from the Coast”\n\t\t465\t“Gerald”\n\t\t523\t“You Learn When You Wake Up”\n\t\t558\t“The Picket Fence”\n\t\t616\t“The Water Truck”\n\t\t\tEnd of Side One\nTwo\t\t000\t“Avenue Scene, New York City”\n\t\t020\t“There Was a Woman Bending”\n\t\t037\t“With Your Finger You Trace Your Pain”\n\t\t054\t“For Rita, in Asylum”\n\t\t078\t“Mountain Oysters”\n\t\t098\t“The Sun Has Begun to Eat the Mountains”\n\t\t118\t“Poem for a Gone Woman”\n\t\t145\t“The Dump”\n\t\t181\t“Wild Dogs”\n\t\t230\t“The Interior”\n\t\t252\t“Bunk House North”\n\t\t295\t“What Does Not Change”\n"],"Note":["[{\"note\":\"Liner Notes: Pat Lane at Capilano College Feb. 1973 (74?) Side 1 30:00 Side 2 28:10 \",\"type\":\"General\"},{\"note\":\"The exact date of the recording appears only in the inventory\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554747273219,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6132","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Doug Jones reading at Capilano College on September 28, 1978 #131"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Jones, Doug","Jones, D. G. (Douglas Gordon)"],"creator_names_search":["Jones, Doug","Jones, D. G. (Douglas Gordon)"],"creators":["[{\"url\":\"http://viaf.org/viaf/106535090\",\"name\":\"Jones, Doug\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/41883605\",\"name\":\"Jones, D. G. (Douglas Gordon)\",\"dates\":\"1929-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/682/Reading in BC_McS199_131.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"131-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:13\",\"precision\":\"\",\"size\":\"31.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"131-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:21:37\",\"precision\":\"\",\"size\":\"15.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-09-28\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/485438830\",\"venue\":\"Capilano College\",\"notes\":\"\",\"address\":\"2055 Purcell Way, North Vancouver, BC V7J 3H5\",\"latitude\":\"49.3180\",\"longitude\":\"-123.0193\"}]"],"Address":["2055 Purcell Way, North Vancouver, BC V7J 3H5"],"Venue":["Capilano College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t025\tA garland (garden?) of Milne\n\t\t107\tSpring flowers\n\t\t130\tFor Irving Layton\n\t\t165\tSebastian ??\n\t\t195\tFrom ? sea we have emerged into a room\n\t\t215\t25/2/71\n\t\t245\tWords from the aviary\n\t\t290\tThat’s it\n\t\t319\tYou’d think it was a single bed…\n\t\t350\tThree casts with the I Ching\n\t\t400\tI annihilate the purple finch in the apple tree…\n\t\t460\tThere’s no place in this garden for a 707…\n\t\t500\tThe Lampman poem\n\t\t895\t13/1/77\nTwo\t\t000\tCont. from side one\n\t\t025\tThe little lizard (flickers) down the stone\n\t\t081\tReport\n\t\t142\tFor Malcolm Lowry\n\t\t160\tFor Wayne Brown\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554747273220,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6133","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Marie-Claire Blaise reading at Capilano College on October 19, 1978 #132"],"item_title_source":["J-card and inventory"],"item_language":["French"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Blais, Marie-Claire","[Fawcett, Shannon]?"],"creator_names_search":["Blais, Marie-Claire","[Fawcett, Shannon]?"],"creators":["[{\"url\":\"http://viaf.org/viaf/79020626\",\"name\":\"Blais, Marie-Claire\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"[Fawcett, Shannon]?\",\"dates\":\"\",\"notes\":\"Her name does not appear on the cassette, but she is mentioned in the Inventory, and there are two readers on the cassette\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/683/Reading in BC_McS199_132.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"132-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:55\",\"precision\":\"\",\"size\":\"32 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"132-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:18:04\",\"precision\":\"\",\"size\":\"12.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-10-19\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/485438830\",\"venue\":\"Capilano College\",\"notes\":\"\",\"address\":\"2055 Purcell Way, North Vancouver, BC V7J 3H5\",\"latitude\":\"49.3179\",\"longitude\":\"-123.0195\"}]"],"Address":["2055 Purcell Way, North Vancouver, BC V7J 3H5"],"Venue":["Capilano College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tPassage from Season in the Life of Emmanuel\n\t\t\tEnglish translation\n\t\t\tBlais reads in French\n\t\t170\tQuestion period\n\t\t190\tManuscripts of Pauline Archangel\n\t\t\tA Reminiscence\n\t\t257\tPassage from Le Loupe – Blais reads in French\n\t\t380\tQuestion period\n\t\t500\tPassage from Le Loupe (same as above) read in English\n\t\t700\tQuestion period\n\t\t785\tExcerpt from St. Lawrence Blues\n\t\t\tEnd of Side One\nTwo\t\t000\tQuestions about translation\n\t\t095\tPassage from Durer’s Angel – read in English\n\t\t152\tLes Liaisons Parisienne\n\t\t200\tQuestion period\n"],"Note":["[{\"note\":\"the recording is in English and French\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554747273221,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6134","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering reading at Capilano College on October 24, 1975 #133"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/684/Reading in BC_McS199_133.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"133-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00: 43:39\",\"precision\":\"\",\"size\":\"35.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"133-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:02:44\",\"precision\":\"\",\"size\":\"2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-10-24\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/485438830\",\"venue\":\"Capilano College\",\"notes\":\"\",\"address\":\"2055 Purcell Way, North Vancouver, BC V7J 3H5\",\"latitude\":\"49.3179\",\"longitude\":\"-123.0195\"}]"],"Address":["2055 Purcell Way, North Vancouver, BC V7J 3H5"],"Venue":["Capilano College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t“At War with the U.S.”\n\t\t050\tThe Big League:  \n\t\t\ti)\t“The Detroit Tigers”\n\t\t\tii)\t“The Dallas Cowboys”\n\t\t\tiii)\t“The San Diego Padres”\n\t\t\tiv)\t“The Buffalo Sabres”\n\t\t\tv)\t“The Minnesota Twins”\n\t\t305\t“In the Flesh”\n\t\t320\t“The Bigamist”\n\t\t348\t“The Window”\n\t\t\t“Nine Holes”\n\t\t395\t“Coltrane and Che”\n\t\t412\t“That Old Testament”\n\t\t450\t“Losing and Getting to be Lost”\n\t\t488\t“The Horse”\n\t\t515\t“The Parent”\n\t\t535\t“Frame”\n\t\t555\t“Sit Down”\n\t\t576\t“Strangers and Friends”\n\t\t617\t“The Ground of Lincoln County”\n\t\t650\t“Place Names in the Global Village”\n\t\t667\t“Smoking Drugs with Strangers”\n\t\t716\t“Indulgence”\n\t\t740\t“Take me, she said, smiling inwardly”\n\t\t765\t“Careering” \n\t\t800\t“The Breath Released”\n\t\t905\t“While”\n\t\t942\t“To you and you”\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554748321792,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6135","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Gladys Hindmarch reading at Capilano College, Fall 1973 #134"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Hindmarch, Gladys"],"creator_names_search":["Hindmarch, Gladys"],"creators":["[{\"url\":\"http://viaf.org/viaf/38164256\",\"name\":\"Hindmarch, Gladys\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/685/Reading in BC_McS199_134.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:02:00\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"134-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:04\",\"precision\":\"\",\"size\":\"31.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"134-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:21:27\",\"precision\":\"\",\"size\":\"15.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973    \",\"type\":\"Production Date\",\"notes\":\"Fall\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/485438830\",\"venue\":\"Capilano College\",\"notes\":\"\",\"address\":\"2055 Purcell Way, North Vancouver, BC V7J 3H5\",\"latitude\":\"49.3179\",\"longitude\":\"-123.0195\"}]"],"Address":["2055 Purcell Way, North Vancouver, BC V7J 3H5"],"Venue":["Capilano College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tIntroduction by Daphne Marlatt\n\t\t020\tPeter Pumpkin Eater – first story\n\t\t165\tPeter Pumpkin Eater – second story\n\t\t340\tFreight Boat Story\n\t\t592\tFreight Boat Story #2\n\t\t760\tDiscussion of Freight Boat Story\n\t\t794\tYellow green plants grow…\n\t\t850\t11 weeks, October…\n\t\t872\tA Read Heart Made of a Bread Loaf…\n\t\t978\tBreakfast is My Favourite Meal\nTwo\tA\t000\tDriving Hurts When I Unpark\n\t\t054\tPassages from Birth Account\n"],"Note":["[{\"note\":\"Liner Notes: Side 1 47 min Side 2 15 min\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554748321793,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6136","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Audrey Thomas reading Chapter 1 of Blown Figures at Capilano College on December 11, 1974 #135a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Thomas, Audrey"],"creator_names_search":["Thomas, Audrey"],"creators":["[{\"url\":\"http://viaf.org/viaf/27082708\",\"name\":\"Thomas, Audrey\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/686/Reading in BC_McS199_135a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:53:50\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"135a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:29\",\"precision\":\"\",\"size\":\"21.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"135a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:26:13\",\"precision\":\"\",\"size\":\"18.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974-12-11   \",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/485438830\",\"venue\":\"Capilano College\",\"notes\":\"\",\"address\":\"2055 Purcell Way, North Vancouver, BC V7J 3H5\",\"latitude\":\" 49.3179\",\"longitude\":\"-123.0195\"}]"],"Address":["2055 Purcell Way, North Vancouver, BC V7J 3H5"],"Venue":["Capilano College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tReading from Blown Figures\n\t\t397\tTape cuts out momentarily\n"],"Note":["[{\"note\":\"Liner Notes: Side 1 28 min Side 2 25:50 min\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554748321794,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6137","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["John Bentley Mays reading at Capilano College on October 15, 1975 #135b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Mays, John Bentley"],"creator_names_search":["Mays, John Bentley"],"creators":["[{\"url\":\"http://viaf.org/viaf/12379647\",\"name\":\"Mays, John Bentley\",\"dates\":\"1941-2016\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/687/Reading in BC_McS199_135b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:00:10\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"135-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:29\",\"precision\":\"\",\"size\":\"21.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"135b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:27:12\",\"precision\":\"\",\"size\":\"19.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-10-15\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/485438830\",\"venue\":\"Capilano College\",\"notes\":\"\",\"address\":\"2055 Purcell Way, North Vancouver, BC V7J 3H5\",\"latitude\":\"49.3179\",\"longitude\":\"-123.0195\"}]"],"Address":["2055 Purcell Way, North Vancouver, BC V7J 3H5"],"Venue":["Capilano College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t\tSide Two, John Bentley Mays\n\t\t000\t“Under the Waterfall”\n\t\t150\t“The Sewn Picture”\n"],"Note":["[{\"note\":\"Liner Notes: Under the waterfall 13:50 The sewn Picture - Beginning 14:00 Conclusion 22:40 Dolby B #135b\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554748321795,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6138","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Bill Bissett reading his poems at Capilano College, Fall 1973 #136"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bisset, Bill"],"creator_names_search":["Bisset, Bill"],"creators":["[{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"Bisset, Bill\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/688/Reading in BC_McS199_136.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:49:34\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"136-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:16\",\"precision\":\"\",\"size\":\"21.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"136-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:22:00\",\"precision\":\"\",\"size\":\"15.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973    \",\"type\":\"Production Date\",\"notes\":\"Fall\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/485438830\",\"venue\":\"Capilano College\",\"notes\":\"\",\"address\":\"2055 Purcell Way, North Vancouver, BC V7J 3H5\",\"latitude\":\" 49.3179\",\"longitude\":\"-123.0195\"}]"],"Address":["2055 Purcell Way, North Vancouver, BC V7J 3H5"],"Venue":["Capilano College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t“The Spirit of the Gods is in Thee”\n\t\t055\t“Medicine”\n\t\t123\t“May all These Blessings”\n\t\t167\t“Rainbow Music”\n\t\t184\t“Lifting Hands”\n\t\t216\t“The Temple Firing”\n\t\t232\t“Ode to Frank Silvera”\n\t\t252\t“Trail to the Land”\n\t\t278\t“The Holy Lace Around Her Shoulders”\n\t\t295\t“I have heard that the spirits of the Gods is in us”\n\t\t335\t“A Chain of Gold Which Art of the Children”\n\t\t\t“There is No Ladder”\n\t\t\t“The Light Jump, the Light Flow”\n\t\t401\t“In the Middle of the Winter”\n\t\t455\t“Could We Grow Lamb in the Bomb Shelter”\n\t\t462\t“Green Sky Open”\n\t\t485\t“Ballet Dancers”\n\t\t525\t“The Breath is Continuous”\n\t\t612 \t“The Meeting”\n\t\t658\t“The Endless Spirit Singing”\n\n"],"Note":["[{\"note\":\"Liner Notes: Side 1 27:30 min Side 2 22:04 min\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554748321796,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6139","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Pat Lane reading his poems at Capilano College on February 16, 1979 #137"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Lane, Pat"],"creator_names_search":["Lane, Pat"],"creators":["[{\"url\":\"http://viaf.org/viaf/66513400\",\"name\":\"Lane, Pat\",\"dates\":\"1939-2019\",\"notes\":\"Lane, Patrick\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1979],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/689/Reading in BC_McS199_137.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:09:45\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"137-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:43:48\",\"precision\":\"\",\"size\":\"31 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"137-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:26:59\",\"precision\":\"\",\"size\":\"19.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1979-02-16\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/485438830\",\"venue\":\"Capilano College\",\"notes\":\"\",\"address\":\"2055 Purcell Way, North Vancouver, BC V7J 3H5\",\"latitude\":\"49.3179\",\"longitude\":\"-123.0195\"}]"],"Address":["2055 Purcell Way, North Vancouver, BC V7J 3H5"],"Venue":["Capilano College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tTalk on cultural imperialism\n\t\t090\t“The Witnesses”\n\t\t154\t“For Rita, In Asylum”\n\t\t185\t“The Bird”\n\t\t224\t“The Dog”\n\t\t233\t“Chile”\n\t\t243\t“The Hustler”\n\t\t412\t“At The Edge of the Jungle”\n\t\t479\t“If”\n\t\t597\t“I’m Tired of Your Politics”\n\t\t600\t“Fragments”\n\t\t700\t“CNR Station”\n\t\t\tEnd of Side One\nTwo\t\t000\t“My Lady”\n\t\t102\t“Annie”\n\t\t164\t“Hell Even This”\n\t\t205\t“From the Hot Hills”\n\t\t255\t“A Murder of Crows”\n\n"],"Note":["[{\"note\":\"Liner Notes: Pat Lane at Capilano College Feb. 161979 Side 1 43 min Side 2 26:45 min\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554748321797,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6140","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["B.P. Nichol reading at Capilano College on September 19, 1974 Tape 2 of 2 #138a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Hindmarch, Gladys","Coupey, Pierre","Marlatt, Daphne","Nichol, B.P."],"creator_names_search":["Hindmarch, Gladys","Coupey, Pierre","Marlatt, Daphne","Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/38164256\",\"name\":\"Hindmarch, Gladys\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/96212091\",\"name\":\"Coupey, Pierre\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7611/Reading in BC_McS199_138a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:53:50\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"138a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:43\",\"precision\":\"\",\"size\":\"31.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"138a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:07\",\"precision\":\"\",\"size\":\"32.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974-09-19\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/485438830\",\"venue\":\"Capilano College\",\"notes\":\"\",\"address\":\"2055 Purcell Way, North Vancouver, BC V7J 3H5\",\"latitude\":\"49.3179\",\"longitude\":\"-123.0195\"}]"],"Address":["2055 Purcell Way, North Vancouver, BC V7J 3H5"],"Venue":["Capilano College"],"City":["Vancouver, British Columbia"],"contents":["Interview continues;\nconclusion "],"Note":["[{\"note\":\"Liner Notes: Side 3 Interview continued 44:30 Side 4 Conclusion 45:20 138a\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554748321798,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6141","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["B.P. Nichol reading at Capilano College on September 18-19, 1974 Tape 1 of 2 #138b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Hindmarch, Gladys","Coupey, Pierre","Marlatt, Daphne","Nichol, B.P."],"creator_names_search":["Hindmarch, Gladys","Coupey, Pierre","Marlatt, Daphne","Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/38164256\",\"name\":\"Hindmarch, Gladys\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/96212091\",\"name\":\"Coupey, Pierre\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/691/Reading in BC_McS199_138b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:29:20\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"138b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:35\",\"precision\":\"\",\"size\":\"30.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"138b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:13\",\"precision\":\"\",\"size\":\"31.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974-09-19\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1974-09-18\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/485438830\",\"venue\":\"Capilano College\",\"notes\":\"\",\"address\":\"2055 Purcell Way, North Vancouver, BC V7J 3H5\",\"latitude\":\" 49.3179\",\"longitude\":\"-123.0195\"}]"],"Address":["2055 Purcell Way, North Vancouver, BC V7J 3H5"],"Venue":["Capilano College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tBp Nichol reading The long Weekend – Louis Riel\n\t\t042\tThe Rug is Too Many Covers\n\t\t050\tEarly Morning Light\n\t\t055\tFragments from the novel Journal\n\t\t680\tInterview begins – discussion of prose writing, narrative voice, naming-nouns, aesthetics\n\n"],"Note":["[{\"note\":\"Liner Notes: September 18, 1974 Side 1 Beginning 44:50 2 conclusion 9  Interview September 19, 1974 Beginning 35:40 (with Daphne Marlatt, Gladys Hindmarch, Pierre Coupey)\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554749370368,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6142","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Stan Persky reading at Capilano College on April 9, 1974 #139a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Persky, Stan"],"creator_names_search":["Persky, Stan"],"creators":["[{\"url\":\"http://viaf.org/viaf/57448780\",\"name\":\"Persky, Stan\",\"dates\":\"1941-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/692/Reading in BC_McS199_139a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:00:48\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"139a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:16\",\"precision\":\"\",\"size\":\"22.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"139-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:31\",\"precision\":\"\",\"size\":\"22.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974-04-09\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/485438830\",\"venue\":\"Capilano College\",\"notes\":\"\",\"address\":\"2055 Purcell Way, North Vancouver, BC V7J 3H5\",\"latitude\":\" 49.3179\",\"longitude\":\"-123.0195\"}]"],"Address":["2055 Purcell Way, North Vancouver, BC V7J 3H5"],"Venue":["Capilano College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t060\tUse Your Head\n\t\t098\tThe Women have had enough of men’s shit…\n\t\t115\tThe Lieutenant\n\t\t141\tWhat Have I to Say\n\t\t205\tAgainst Hetero-Homosexuality as Such, from Red Butterfly Journal\n\t\t354\tTopic Sentence\n\t\t541\tTeaching\n\t\t847\tSlaves\n\t\t\tEnd of Side One (@ 900)\n"],"Note":["[{\"note\":\"Liner Notes: Side 1 31:30 Side 2 29:18 Note: Original Tape Ran out before end of reading\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554749370369,"timestamp":"2026-01-07T14:59:59.119Z","score":0.01643844},{"id":"6143","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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Discussion of own poetics and sources of poetry in social practices. (Incl. questions and answers)\n\t\t440\tThursday, 16 January 1975\n\t\t660\tPhuoc Binh, statement and commentary\n\t\t\tI Lust You By the River\n\t\t695\tLake\n\t\t740\tProcess of composition & its relation to political reality (Beauty is Across the Lake… Are You Writing Now…)\n\t\t882\tTopic Sentence, from Wrestling the Angel\n\t\t1096\tUse Your Head, from The Day\n"],"Note":["[{\"note\":\"Liner Notes: Side 1 37:30 Side 2 36 min Poor quality - muffled and noisy - audience questions mostly inaudible\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554823819264,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6144","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Barry McKinnon reading at Capilano College on February 15, 1978 #140a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["McKinnon, Barry"],"creator_names_search":["McKinnon, Barry"],"creators":["[{\"url\":\"http://viaf.org/viaf/60321164\",\"name\":\"McKinnon, Barry\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/694/Reading in BC_McS199_140a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:50:57\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"140a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:08\",\"precision\":\"\",\"size\":\"22.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"140a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:22\",\"precision\":\"\",\"size\":\"17.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-02-15 \",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/485438830\",\"venue\":\"Capilano College\",\"notes\":\"\",\"address\":\"2055 Purcell Way, North Vancouver, BC V7J 3H5\",\"latitude\":\"49.3179\",\"longitude\":\"-123.0195\"}]"],"Address":["2055 Purcell Way, North Vancouver, BC V7J 3H5"],"Venue":["Capilano College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t“I Chopped Down the House…”\n\t\t040\t“The The”, for Pat Lane and Wallace Stevens\n\t\t092\t“For Those Who Whistle Down Poetry”\n\t\t125\t“The Organizer”\n\t\t180\t“Bathtub Races, Nanaimo”\n\t\t205\t“Nanaimo Bars”\n\t\t212\t“The Welder”\n\t\t230\t“Real Estate”\n\t\t270\t“Once Again I’m Back in the Valley of Tears”, by Red Lane\n\t\t380\t“Sex at 31”\n\t\t550\t“Radio Contest CKPG Prince George”\n\t\t625\t“Bay Day”\n\t\t660\t“A Bingo Dance is not a Spot Dance”\n\t\t\tGeorge Stanley – reading from The Stick, Opening Day, Mountains & Air\n"],"Note":["[{\"note\":\"Liner Notes: Side 1 28:27 min Side 2 22:30 min\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554823819265,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6145","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Stanley reading his poems at Capilano College on November 23, 1978 #140b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Stanley, George"],"creator_names_search":["Stanley, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/30781582\",\"name\":\"Stanley, George\",\"dates\":\"1934-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/695/Reading in BC_McS199_140b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:48:45\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"140b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:21\",\"precision\":\"\",\"size\":\"44.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"140-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:29\",\"precision\":\"\",\"size\":\"48.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-11-23\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/485438830\",\"venue\":\"Capilano College\",\"notes\":\"\",\"address\":\"2055 Purcell Way, North Vancouver, BC V7J 3H5\",\"latitude\":\"49.3179\",\"longitude\":\"-123.0195\"}]"],"Address":["2055 Purcell Way, North Vancouver, BC V7J 3H5"],"Venue":["Capilano College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t017\t“After Verlaine”\n\t\t030\t“Phaedrus”\n\t\t117\t“After Creeley – The Operation”\n\t\t121\t“The Pain”\n\t\t125\t“Explanation”\n\t\t130\t“The Heart”\n\t\t133\t“Science-Fiction”\nTwo\t\t150\t“Snowball”\n\t\t156\t“Orphans of Orpheus”\n\t\t167\t“I wish I could write a poem beginning with those two lines…” from Opening Day\n\t\t200\t“The Wind”\n\t\t212\t“Easter Sunday, ‘75”\n\t\t256\t“Vancouver in April”\n\t\t292\t“Vancouver 5:45 – 6 P.M. 25-10-75 for Russel & Dora”\n\t\t300\t“Donatello’s David”\n\t\t345\tSings “Donatello’s David”\n\t\t387\t“Icarus”\n\t\t401\t“Tacoma”\n\t\t421\t“Lake (Else) Avenue”\n\t\t433\t“Tell the Truth”\n\t\t456\t“Glaciers in the Arms of Trees”\n\t\t464\t“Big Fish on the Line”\n\t\t553\t“Slow”\n\t\t573\t“Rupert Winds”\n\t\t588\t“Chinatown”\n\t\t637\t“Terrace June”\n\t\t650\t“Jean’s Restaurant”, for Warren\n\n\n"],"Note":["[{\"note\":\"Liner Notes: Side 1 30 min Side 2 18:45 min\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554824867840,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6146","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Milton Acorn reading at Capilano College on March 5, 1974  Side 1 & 2  #141a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Acorn, Milton"],"creator_names_search":["Acorn, Milton"],"creators":["[{\"url\":\"http://viaf.org/viaf/79430115\",\"name\":\"Acorn, Milton\",\"dates\":\"1923-1986\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/696/Reading in BC_McS199_141a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974-03-05\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/485438830\",\"venue\":\"Capilano College\",\"notes\":\"\",\"address\":\"2055 Purcell Way, North Vancouver, BC V7J 3H5\",\"latitude\":\"49.3179\",\"longitude\":\"-123.0195\"}]"],"Address":["2055 Purcell Way, North Vancouver, BC V7J 3H5"],"Venue":["Capilano College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tWhy I Don’t Write Like Leonard Cohen\n\t\t019\tYou Going\n\t\t028\tAshea Dancing\n\t\t045\tRequest\n\t\t058\tPoem in June\n\t\t069\tThat Look\n\t\t081\tI Shout Love\n\t\t187\tWhy A Carpenter Wears His Watch Inside the Vest\n\t\t204\tShithouse Doorlocks Are Always Broken\n\t\t216\tLove Poem\n\t\t241\tCanadian Poets Are Always Walking\n\t\t350\tThe Hanged Man\n\t\t381\tThe Lady and the Tiger\n\t\t447\tFlesh Tones On A Sunlit Nude\n\t\t560\tWhere is Che Guevera?\n\t\t673\tLove With a Bourgeois Girl\n\t\t693\tThe Hand, for B.M. by Gwendolyn MacEwen\n\t\t774\tThe Impacted Man\n\t\t810\tI’ll Cast a Silver Bullet\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554824867841,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6147","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Milton Acorn reading at Capilano College on March 5, 1974 side 3 #141b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Acorn, Milton"],"creator_names_search":["Acorn, Milton"],"creators":["[{\"url\":\"http://viaf.org/viaf/79430115\",\"name\":\"Acorn, Milton\",\"dates\":\"1923-1986\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/697/Reading in BC_McS199_141b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"141b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:29\",\"precision\":\"\",\"size\":\"45.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974-03-05\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/485438830\",\"venue\":\"Capilano College\",\"notes\":\"\",\"address\":\"2055 Purcell Way, North Vancouver, BC V7J 3H5\",\"latitude\":\"49.3179\",\"longitude\":\"-123.0195\"}]"],"Address":["2055 Purcell Way, North Vancouver, BC V7J 3H5"],"Venue":["Capilano College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\tA\t000\tIntroduction\n\t\t005\tAutobiographical sketch\n\t\t106\tI’ve Tasted My Blood\n\t\t132\tRooming House\n\t\t239\tOde to The Timothy Eaton Memorial Church\n\t\t289\tSince I’m Island Born\n\t\t410\tGirl\n\t\t420\tThe Retired Carpenter\n\t\t465\tRiding With Joe Hensby\n\t\t524\tOh, In What Power and Tenderness\n\t\t539\tThe Prince of Carabs\n\t\t624\tBethuniverse\n\t\t951\tThe Lead War\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554824867842,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6148","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Beverley Simons discussing her plays with readings at Capilano College on December 15, 1977 #142"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Simons, Beverley"],"creator_names_search":["Simons, Beverley"],"creators":["[{\"url\":\"http://viaf.org/viaf/105613818\",\"name\":\"Simons, Beverley\",\"dates\":\"1938-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/698/Reading in BC_McS199_142.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:29:43\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"142-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:23\",\"precision\":\"\",\"size\":\"46 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"142-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:35\",\"precision\":\"\",\"size\":\"47.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977-12-15\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/485438830\",\"venue\":\"Capilano College\",\"notes\":\"\",\"address\":\"2055 Purcell Way, North Vancouver, BC V7J 3H5\",\"latitude\":\"49.3179\",\"longitude\":\"-123.0195\"}]"],"Address":["2055 Purcell Way, North Vancouver, BC V7J 3H5"],"Venue":["Capilano College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction\n\t\t070\tReads part of play written at age 16 (one dialogue)\n\t\t138\tThe Elephant & The Jewish Question (not yet published)\n\t\t212\t“Greenlawn Rest Home”\n\t\t390\t“Crabdance”\n\t\t\tEnd of Side One\nTwo\t\t000\tPassage from film\n\t\t110 \tReads section from /lil8/\n"],"Note":["[{\"note\":\"Liner Notes: Side 1 44:45 min Side 2 44:58 min\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554824867843,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6149","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robin Blaser at Capilano College on November 13, 1975 Side 1 and 2 #143a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[RB_143A]"],"rights":["In Copyright (InC)"],"access":["Streaming"],"creator_names":["Blaser, Robin","Coupey, Pierre"],"creator_names_search":["Blaser, Robin","Coupey, Pierre"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/96212091\",\"name\":\"Coupey, Pierre\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/699/Reading in BC_McS199_143a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\" Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/rbr-68/rb143aa\",\"file_path\":\"\",\"filename\":\"143a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:40:13\",\"precision\":\"\",\"size\":\"42.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/rbr-69/rb143ab\",\"file_path\":\"\",\"filename\":\"143a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:42\",\"precision\":\"\",\"size\":\"44.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-11-15   \",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/485438830\",\"venue\":\"Capilano College\",\"notes\":\"\",\"address\":\"2055 Purcell Way, North Vancouver, BC V7J 3H5\",\"latitude\":\"49.3179\",\"longitude\":\"-123.0195\"}]"],"Address":["2055 Purcell Way, North Vancouver, BC V7J 3H5"],"Venue":["Capilano College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tIntroduction by Pierre Coupey\n\t\t010\tPrefatory Remarks\n\t\t152\tWindows\n\t\t185\tRevision of Windows\n\t\t213\tIt, It, It\n\t\t231\tHoly Forest : Section:\n\t\t231\tTranslation\n\t\t237\tWinter Words\n\t\t245\tThe Story\n\t\t255\tIn The Dark\n\t\t260\tThe Prince\n\t\t269\tLove\n\t\t276\tThe Private Eye\n\t\t292\tSong\n\t\t298\tFirst Tale, Over\n\t\t308\tSecond Tale, Return\n\t\t335\tAt Last\n\t\t346\tAphrodite of the Leaves\n\t\t354\tThe City\n\t\t368\tTranslator – A Tale\n\t\t389\tGran\n\t\t429\tA Gift – Homage To Creeley\n\t\t447\tBottom’s Dream\n\t\t462\tThe Finder\n\t\t509\tMerlin\n\t\t529\tThe Cry of Merlin\n\t\t574\tA Lion\n"],"Note":["[{\"note\":\"Liner Notes: Side 1 Talk with Creative writing class Side 2 Reading (side 1 and 2)\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554825916416,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6150","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robin Blaser at Capilano College on November 13, 1975 Side3 #143b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[RB_143B]"],"rights":["In Copyright (InC)"],"access":["Streaming"],"creator_names":["Blaser, Robin"],"creator_names_search":["Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/700/Reading in BC_McS199_143b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/rbr-89/rb143ba\",\"file_path\":\"\",\"filename\":\"143b-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:19:52\",\"precision\":\"\",\"size\":\"19.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-11-15   \",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/485438830\",\"venue\":\"Capilano College\",\"notes\":\"\",\"address\":\"2055 Purcell Way, North Vancouver, BC V7J 3H5\",\"latitude\":\"49.3179\",\"longitude\":\"-123.0195\"}]"],"Address":["2055 Purcell Way, North Vancouver, BC V7J 3H5"],"Venue":["Capilano College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n                574\tA Lion\n\t\t650\tImage Nation 13 – The Telephone\n\t\t712\tImage Nation 14 – The Face\n\t\t734\tLuck, Unluck, One Luck\n\t\t812\tSkystone\n\t\t867\tSuddenly\n\t\t898\tGathering\n"],"Note":["[{\"note\":\"Liner Notes:  Side 3 Reading (conclusion)\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554825916417,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6151","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["John Pass, February 12, 1974 and David Phillips, February 19, 1974 at Capilano College Side 1 and 2  #144a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Pass, John","Phillips, David"],"creator_names_search":["Pass, John","Phillips, David"],"creators":["[{\"url\":\"http://viaf.org/viaf/29611411\",\"name\":\"Pass, John\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/103973060\",\"name\":\"Phillips, David\",\"dates\":\"1949-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/701/Reading in BC_McS199_144a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"144a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:18:36\",\"precision\":\"\",\"size\":\"18.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"144a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:05\",\"precision\":\"\",\"size\":\"43.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974-02-12\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1974-02-19\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/485438830\",\"venue\":\"Capilano College\",\"notes\":\"\",\"address\":\"2055 Purcell Way, North Vancouver, BC V7J 3H5\",\"latitude\":\" 49.3179\",\"longitude\":\"-123.0195\"}]"],"Address":["2055 Purcell Way, North Vancouver, BC V7J 3H5"],"Venue":["Capilano College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tIntroduction\n\t\t031\tThey that go down to the sea in ships…\n\t\t037\tOverseas\n\t\t049\tAnother Music\n\t\t058\tAt Thalmouth\n\t\t064\tThe Choice\n\t\t078\tThe Stream Again\n\t\t090\tKernow\n\t\t106\tThe Image\n\t\t120\tPart II – begins with quotation from David Thompson\n\t\t127\tLanded\n\t\t153\tMount Hollyburn\n\t\t173\tA Marriage\n\t\t186\tRaza\n\t\t206\tRelations\n\t\t220\tEvergreen\n\t\t232\tSkid Road\n\t\t239\tStringing Fence\n\t\t249\tMount Pleasant\n\t\t270\tThe Carpet\n\t\t283\tFerns\n\t\t291\tUpper Levels\n\t\t297\tFootnote\n\t\t300\tPacific\n\t\t306\tPart III – description\n\t\t318\tHacking out the alder in the backyard…\n\t\t321\tThe Injury \n\t\t330\tThe Vein\n\t\t351\tThe Ship\n\t\t363\tThe Great Divide\n\t\t368\tThe Separation\n\t\t379\tThe Clearing\n\t\t385\tThe Embankment\n\t\t405\tNorth Shore\n\t\t422\tNatural History\n\t\t449\tSpecific Ocean\n\t\t464\tThe Dive\n\t\t488\tTenderness\n\t\t497\tSolution\n\t\t505\tRecovery\n\t\t522\tWreck Beach in Winter\n\t\t550\tPrefatory remarks on Kenojouak Prints.\n\t\t597\tComplex of Birds\n\t\t611\tDogs See The Spirits\n\t\t620\tDream\n\t\t630\tOwl, Ravens & Dogs\n\t\t638\tRabbit Eating Seaweed\n\t\t649\tBlue Owl\n\t\t656\tHare Spirits\n\t\t666\tSun Owl\n\t\t672\tTundra Hawk\n\t\t681\tOwls & Bears\n\t\t692\tTriumvirate\n\t\t700\tSentinel Owl\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554825916418,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6152","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["John Pass, February 12, 1974 and David Phillips, February 19, 1974 at Capilano College Side 1 and 2  #144b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Pass, John","Phillips, David"],"creator_names_search":["Pass, John","Phillips, David"],"creators":["[{\"url\":\"http://viaf.org/viaf/29611411\",\"name\":\"Pass, John\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/103973060\",\"name\":\"Phillips, David\",\"dates\":\"1949-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/702/Reading in BC_McS199_144b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"144b-side-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:23\",\"precision\":\"\",\"size\":\"38.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"144b-side-B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:07:27\",\"precision\":\"\",\"size\":\"7.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974-02-12\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1974-02-19\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/485438830\",\"venue\":\"Capilano College\",\"notes\":\"\",\"address\":\"2055 Purcell Way, North Vancouver, BC V7J 3H5\",\"latitude\":\"49.3179\",\"longitude\":\"-123.0195\"}]"],"Address":["2055 Purcell Way, North Vancouver, BC V7J 3H5"],"Venue":["Capilano College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nTwo\tA\t006\tThe Eyes Don’t Lie\n\t\t019\tThirteen Ways\n\t\t031\tThe New York Poet for David Rosenberg\n\t\t052\tSomeone\n\t\t060\tThe Song\n\t\t063\tThe Movies\n\t\t069\tThe Gift\n\t\t080\tA friend flies off into the ark…\n\t\t096\tThe Others\n\t\t105\tMinding My Desk\n\t\t111\tThe Completion\n\t\t130\tJuly 3, 1971\n\t\t145\tNotes Concerning An Apple Orchard\n\t\t160\tIn The Morning\n\t\t170\tThe Poem\n\t\t192\tThe Photograph\n\t\t201\tThe Company\n\t\t211\tIn Praise of What is Left\n\t\t218\tDown At The Job Site & The Mysteries Thereof\n\t\t229\tThe Extremity\n\t\t235\tThe Suicide\n\t\t251\tIncidentally\n\t\t264\tTen Years of Romance\n\t\t281\tFour Songs\n\t\t302\tThe Dancers\n\t\t317\tThe Act of Writing Is AnAffirmation\n\t\t341\tYou Embrace What Is Not Yours\n\t\t353\tPrologue Two\n\t\t369\tA Blues Song\n\t\t387\tThe Touch\n\t\t406\tThe Phone Will Ring\n\t\t436\tWave\n\t\t450\tThe Reply\n\t\t457\tReal Dream, Number Two\n\t\t486\tThe Letter\n\t\t533\tThe Presence\n\t\t550\tThe End\n\t\t563\tThe 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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V of Lady Oracle – this is an early draft\n\t\t267\tEncounters with the Element Man – prose piece\n\t\t484\tAtwood reading poems\n\t\t\tThere is Only One of Everything\n\t\t505\tLate August\n\t\t624\tQuestions from the audience\n\t\t838\tDiscussion with Pierre Coupey’s creative writing class\n"],"Note":["[{\"note\":\"Liner Notes: Margaret Atwood, reading/interive Capilano College, March 12, 1975 Reading: 66 min Talk to Pierre Coupey's creative writing class: 37 min. 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Interview: 86 min\",\"type\":\"General\"},{\"note\":\"The information about the time of the recording  on the cassette is incorrect, it is probably the time of 151a and 151b and 151c\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554829062144,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6164","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. 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Interview: 86 min\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554829062145,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6165","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Readings at Sir George Williams: Margaret Avison reading on January 27, 1967 #152"],"item_title_source":["J-card, inventory, and SpokenWeb Montreal website"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Avison, Margaret","Kiyooka, Roy"],"creator_names_search":["Avison, Margaret","Kiyooka, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/79128508\",\"name\":\"Avison, Margaret\",\"dates\":\"1918-2007\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"He does the introduction part\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1967],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/718/Reading in BC_McS199_152.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:10:35\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"152-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:37\",\"precision\":\"\",\"size\":\"38 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"152-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:40\",\"precision\":\"\",\"size\":\"37.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1967-01-27\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\" SpokenWeb Montreal website\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/103248053\",\"venue\":\"Sir George Williams University (Concordia University)\",\"notes\":\"\",\"address\":\"1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada\",\"latitude\":\"45.4954\",\"longitude\":\"-73.5783\"}]"],"Address":["1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada"],"Venue":["Sir George Williams University (Concordia University)"],"City":["Montreal, Quebec"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tIntroduction by Roy Kiyooka\n\t\t040\tAvison-prefatory remarks\n\t\t056\tAn excerpt from a prose piece by Bukowski\n\t\t068\tAn excerpt from a piece by Al Fowler\n\t\t078\t“Zoo” by Gerry Gilbert\n\t\t086\t“The Delinquent” by a young friend\n\t\t143\tSubway Poem #1\n\t\t156\tSubway Station, Why Not?\n\t\t170\tInsomniac Report\n\t\t192\tIs That You Me Standing On My Your Feet\n\t\t236\tOctober 21/66\n\t\t258\tDedicated to Jacques?\n\t\t303\tSketching\n\t\t314\tThe Seven Birds\n\t\t340\tOf Tyranny, in One Breath (translated from a Hungarian poem by Gyula Illyes)\n\t\t465\tBestialities\n\t\t498\tThe Absorbed\n\t\t544\tThaw\n\t\t573\tTwo Mayday Selves\n\t\t603\tBlack-White Under Green, May 18, 1965-\nTwo\tA\t005\tThe Valiant Vacationist\n\t\t038\tTo Professor X, Year Y\n\t\t069\tThe Absolute-The Day\n\t\t083\tThe Earth That Falls Away\n\n"],"Note":["[{\"note\":\"Liner Notes: Side 1 - 41 min Side 2 - 36 min\",\"type\":\"General\"},{\"note\":\"Detailed information about the reading and transcription: https://montreal.spokenweb.ca/sgw-poetry-readings/victor-coleman-at-sgwu/\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554829062146,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6166","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Readings at Sir George Williams: Victor Coleman Reading on March 3, 1967 #153"],"item_title_source":["J-card and Concordia Spokenweb website"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Coleman, Victor","Hutton, Bill"],"creator_names_search":["Coleman, Victor","Hutton, Bill"],"creators":["[{\"url\":\"http://viaf.org/viaf/38160442\",\"name\":\"Coleman, Victor\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/18671987\",\"name\":\"Hutton, Bill\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1967],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/719/Reading in BC_McS199_153.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"153-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:59\",\"precision\":\"\",\"size\":\"47 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1967-03-03\",\"type\":\"Production Date\",\"notes\":\"Exact date is taken from SpokeWeb Montreal\",\"source\":\"SpokeWeb Montreal\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/103248053\",\"venue\":\"Sir George Williams University (Concordia University)\",\"notes\":\"\",\"address\":\"1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada\",\"latitude\":\"45.4954\",\"longitude\":\"-73.5783\"}]"],"Address":["1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada"],"Venue":["Sir George Williams University (Concordia University)"],"City":["Montreal, Quebec"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tIntroduction\n\t\t065\tColeman reading passage from History of America by Bill Hutton\n\t\t130\tBuff,/Hello/6 – the following are from One/Eye/Love \n\t\t203\tThe Lady Vanishes\n\t\t256\tFor Basil Bunting\n\t\t317\tDay Seven\n\t\t334\tDay Eight for Sarah\n\t\t354\tDay Ten\n\t\t390\tDay Thirteen\nTwo\tA\t014\tDay Twenty-One\n\t\t053\tDay Twenty-Two\n\t\t096\tDay Twenty-Four\n\t\t170\tSeparations\n"],"Note":["[{\"note\":\"Liner Notes:  side 1 - 32 min side 2 29 min\",\"type\":\"General\"},{\"note\":\"Detailed information about the reading and transcription: https://montreal.spokenweb.ca/sgw-poetry-readings/victor-coleman-at-sgwu/\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554829062147,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6167","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Readings at Sir George Williams: John Wieners Reading on October 8, 1966 #154"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wieners, John"],"creator_names_search":["Wieners, John"],"creators":["[{\"url\":\"http://viaf.org/viaf/90723960\",\"name\":\"Wieners, John\",\"dates\":\"1934-2002\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/720/Reading in BC_McS199_154.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"154-side-1.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:45:02\",\"precision\":\"\",\"size\":\"45.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966-10-08\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/103248053\",\"venue\":\"Sir George Williams University (Concordia University)\",\"notes\":\"\",\"address\":\"1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada\",\"latitude\":\"45.4954\",\"longitude\":\"-73.5783\"}]"],"Address":["1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada"],"Venue":["Sir George Williams University (Concordia University)"],"City":["Montreal, Quebec"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t005\tInvitation To Summer\n\t\t045\tInvitation Au Voyage\n\t\t138\tLong Nook\n\t\t180\tAt Big Sur\n\t\t198\tThe wind is a guitar in the house tonight…\n\t\t240\t“I have found her snow white in my head”\n\t\t302\tThe Serpent’s Hiss\n\t\t340\tTuesday, 5 P.M.\n\t\t510\tThe Imperatrice\nTwo\tA\t000\tThe Suicide\n\t\t070\tIn patience, wait the flooding of your lands…\n\t\t204\tThe Defrocked Priest\n\t\t\tMost of these poems are from Ace of Pentacles\n"],"Note":["[{\"note\":\"Detailed information about the reading and transcription: https://montreal.spokenweb.ca/sgw-poetry-readings/john-wieners-at-sgwu-1966/\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554829062148,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6168","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Readings at Sir George Williams: Robert Duncan reading on April 19, 1969 Tape 1 of 2 #155a"],"item_title_source":["J-card and Concordia SpokenWeb website"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert","Bowering, George"],"creator_names_search":["Duncan, Robert","Bowering, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"He does the introduction part\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/721/Reading in BC_McS199_155a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:58:30\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"155a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:28\",\"precision\":\"\",\"size\":\"39 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"155a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:21\",\"precision\":\"\",\"size\":\"30.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969-04-19\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\" SpokenWeb Montreal website\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/103248053\",\"venue\":\"Sir George Williams University (Concordia University)\",\"notes\":\"\",\"address\":\"1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada\",\"latitude\":\"45.4954\",\"longitude\":\"-73.5783\"}]"],"Address":["1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada"],"Venue":["Sir George Williams University (Concordia University)"],"City":["Montreal, Quebec"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tIntroduction by George Bowering\n\t\t010\tPrefatory remarks by Duncan\n\t\t085\tThe Law I Love Is A Major Mover\n\t\t137\tThe Structure of Rime XIII\n\t\t192\tThe Law\n\t\t280\tPassage from “John Adams-Marginalia…”\n\t\t331\tThe Dance\n\t\t390\tA Song of the Old Order\n\t\t445\tA Poem Beginning With A Line By Pindar\n\t\t655\tRisk\n\t\t726\tThe Continent – at 788, the tape jumps from “Then” in part II to “horizon” in part IV\n\t\t840\tA Country Wife’s Song\n\t\t897\tTransgressing The Real, Passages 27\n\t\t957\tEpilogos\n\t\t1076\tAchille’s Song\n\t\t1300\tReflections\n"],"Note":["[{\"note\":\"Liner Notes: Side 1 - 29:45 min Side 2 - 28:45 min\",\"type\":\"General\"},{\"note\":\"Detailed information about the reading and transcription: https://montreal.spokenweb.ca/sgw-poetry-readings/robert-duncan-at-sgwu-1970/#1\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554829062149,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6169","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Readings at Sir George Williams: Robert Duncan reading on April 19, 1969 Tape 2 of 2 #155b"],"item_title_source":["J-card and Concordia SpokenWeb website"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert"],"creator_names_search":["Duncan, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/722/Reading in BC_McS199_155b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:08:40\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"155b-side-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:35:33\",\"precision\":\"\",\"size\":\"35.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"155b-side-B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:56\",\"precision\":\"\",\"size\":\"32.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969-04-19\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\" SpokenWeb Montreal website\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/103248053\",\"venue\":\"Sir George Williams University (Concordia University)\",\"notes\":\"\",\"address\":\"1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada\",\"latitude\":\"45.4954\",\"longitude\":\"-73.5783\"}]"],"Address":["1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada"],"Venue":["Sir George Williams University (Concordia University)"],"City":["Montreal, Quebec"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\tA\t000\tThe Fire, Passages 13\n\t\t230\tExcerpt from In The Place of a Passage 22\n\t\t244\tThe Twentieth Century\n\t\t265\tEye of God, Passages 29\n\t\t340\tStage Directions, Passages 30\n\t\t443\tApril 1, Structure of Rime"],"Note":["[{\"note\":\"Liner Notes: Side 1 - 36:10 min Side 2 - 32:30 min\",\"type\":\"General\"},{\"note\":\"Detailed information about the reading and transcription: https://montreal.spokenweb.ca/sgw-poetry-readings/robert-duncan-at-sgwu-1970/#1\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554830110720,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6170","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Readings at Sir George Williams: Paul Blackburn 1967 Side 1 and 2 #156a"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Blackburn, Paul"],"creator_names_search":["Blackburn, Paul"],"creators":["[{\"url\":\"http://viaf.org/viaf/29555679\",\"name\":\"Blackburn, Paul\",\"dates\":\"1926-1971\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1967],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/723/Reading in BC_McS199_156a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"156a-sideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:41:33\",\"precision\":\"\",\"size\":\"43.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"156a-sideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:19:31\",\"precision\":\"\",\"size\":\"20.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1967\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/103248053\",\"venue\":\"Sir George Williams University (Concordia University)\",\"notes\":\"\",\"address\":\"1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada\",\"latitude\":\"45.4954\",\"longitude\":\"-73.5783\"}]"],"Address":["1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada"],"Venue":["Sir George Williams University (Concordia University)"],"City":["Montreal, Quebec"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tIntroduction\n\t\t025\tBlackburn talking about “Angry Arts Against the War in Vietnam” campaign\n\t\t058\tThe Crisis : a few notes\n\t\t086\tPolitical Poem for Our Emerging African Nations\n\t\t094\tForeign Policy Commitments or You Get Into the Catamaran First Old Buddy\n\t\t120\tNews clips – Written Last Year December 6 & 7\n\t\t179\tNight Cappy\n\t\t202\tThe Metamorphosis\n\t\t212\tMother, in the 45¢ bottle\n\t\t223\tRitual X : The Evening Pair of Ales\n\t\t240\tThe Assassination of President McKinley\n\t\t270\tGetting  a Job\n\t\t276\tObit Page\n\t\t284\tTwo Songs for the Opp\n\t\t293\tOn The Rocks\n\t\t321\tThe Slogan\n\t\t347\tPoor Dog\n\t\t383\tSunflower Rock\n\t\t419\tScoffing It\n\t\t427\tThis Is Not The Same As Sharing Anyone Else’s Despair\n\t\t465\tIt Might As Well Be Spring\n\t\t492\tThis Couldn’t Happen Again\n\t\t501\tHark, Hark\n\t\t516\tShe Holds His Hand\n\t\t526\tSo Who Nneedds Legs?  We do\n\t\t544\tBeyond\n\t\t552\tRitual Seven\n\t\t584\tBryant Park\n\t\t668\tOut\n\t\t708\tHow To Get Up Off It\n\t\t797\tPre-Lentan Gestures\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554830110721,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6171","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Readings at Sir George Williams: Paul Blackburn  1967 Side 3 and 4 #156b"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Blackburn, Paul"],"creator_names_search":["Blackburn, Paul"],"creators":["[{\"url\":\"http://viaf.org/viaf/29555679\",\"name\":\"Blackburn, Paul\",\"dates\":\"1926-1971\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1967],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/724/Reading in BC_McS199_156b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"156b-side-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:43:57\",\"precision\":\"\",\"size\":\"45.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"156b-side-B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:14:31\",\"precision\":\"\",\"size\":\"14.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1967\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/103248053\",\"venue\":\"Sir George Williams University (Concordia University)\",\"notes\":\"\",\"address\":\"1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada\",\"latitude\":\"45.4954\",\"longitude\":\"-73.5783\"}]"],"Address":["1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada"],"Venue":["Sir George Williams University (Concordia University)"],"City":["Montreal, Quebec"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\tA\t000\tI Had A Friend Who Took A Cruise\n\t\t014\tSector Five\n\t\t026\tThe Crossing\n\t\t038\tThe Man Turned Against Himself\n\t\t044\t(Escalapiades?)\n\t\t053\tMarine Cumulus\n\t\t062\tThe Glory (hairs?)\n\t\t071\tThe Siege\n\t\t091\t(Hesperides?) The Evening Comes\n\t\t107\tCity Sunset\n\t\t116\tFaces 1\n\t\t149\tThe Reality Invokes\n\t\t166\tTorch Ballad for John Spicer, Died 8/17/65\n\t\t183\tCatherine Ladue\n\t\t188\tAt The Well\n\t\t230\tL’orcus\n\t\t235\tAnd They Were Alone On That Mountain\n\t\t241\tThe Proposition\n\t\t260\tHow To Sublet An Apartment To Friends\n\t\t275\tCancer Ejaculations\n\t\t295\tO, Do That Medieval Thing Again Baby\n\t\t302\tLanguage Difficulty – The Joke\n\t\t322\tComplaining\n\t\t355\tSlippers Anyone?\n\t\t360\tAugust 13, 1949\n\t\t372\tThe Amazing\n\t\t398\tA Lesson In Translation\n\t\t416\tHaikus for Robert Reardon\n\t\t470\tI know you, he said…\n\t\t480\tGreetings\n\t\t507\tThe Interview with F. Scott McNut\n\t\t527\tThe (goat?)\n\t\t547\tI Think I Know\n\t\t576\tUntranslatable\n\t\t599\tThe Single Edge\n\t\t640\tThe Young\n\t\t646\tThe Old Days\n\t\t662\tYou Light It\n\t\t695\tTranslations from Nichols (Ajin?)\n\t\t710\tMi Padre…?\n\t\t790\tRoyal Ebony\n\t\t830\tChant to kill a snake"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554830110722,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6172","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Readings at Sir George Williams: Charles Reznikoff reading on November 17, 1967 #157"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Reznikoff, Charles"],"creator_names_search":["Reznikoff, Charles"],"creators":["[{\"url\":\" http://viaf.org/viaf/51811237\",\"name\":\"Reznikoff, Charles\",\"dates\":\"1894-1976\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1967],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/737/Reading in BC_McS199_157.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"157-side-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:43:13\",\"precision\":\"\",\"size\":\"41.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"157-side-B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:08:45\",\"precision\":\"\",\"size\":\"8.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1967-11-17\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/103248053\",\"venue\":\"Sir George Williams University (Concordia University)\",\"notes\":\"\",\"address\":\"1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada\",\"latitude\":\"45.4954\",\"longitude\":\"-73.5783\"}]"],"Address":["1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada"],"Venue":["Sir George Williams University (Concordia University)"],"City":["Montreal, Quebec"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tIntroduction by George Bowering\n\t\t039\tReznikoff reading translation of 11th century Chinese statement on poetics\n\t\t050\tSalmon and red wine…\n\t\t060\tI have neither the time nor skill…\n\t\t068\tThe winter afternoon darkens…\n\t\t071\tScrubwoman\n\t\t075\tThe peddler who goes from shop to shop…\n\t\t079\tThe elevator man…\n\t\t084\tThe shopgirls…\n\t\t087\tCooped in a library, men and women…\n\t\t092\tShowing a torn sleeve…\n\t\t097\tTwo girls of twelve…\n\t\t105\tI am always surprised to meet…\n\t\t110\tRails in the subway…\n\t\t113\tThis subway station…\n\t\t118\tAmong the heaps…\n\t\t121\tAnd the sky is blue…\n\t\t125\tSuburban River Winter\n\t\t130\tSuburban River Summer\n\t\t135\tTwilight\n\t\t138\tFraser, I think tells of a Roman…\n\t\t143\tThe dogs that walk with me…\n\t\t147\tA Fable\n\t\t155\tOne of my sentinels…\n\t\t159\tI have not even been in the fields…\n\t\t162\tHow grey you are…\n\t\t166\tBlurred sight…\n\t\t171\tYou were young and contemptuous\n\t\t173\tHardened Cloth\n\t\t230\tMeditations on the Fallen Winter Holidays – New Years\n\t\t260\tThe Day of Atonement\n\t\t278\tHannukah\n\t\t310\tThe lamps are burning in the synagogue…\n\t\t327\tSamuel\n\t\t350\tIt was nearly daylight when she gave birth… from Testimony\n\t\t365\tTilda was just a child… from Testimony\n\t\t383\tYears ago a company procured land… from Testimony\n\t\t402\tKaddish\n\t\t449\tAfter Reading Translations of Ancient Texts on Stone and Clay\n\t\t471\tAs I was wandering with my unhappy thoughts…\n\t\t480\tThe young fellow walks about…\n\t\t488\tA well-pitched eulogy…\n\t\t497\tOn a Sunday…\n\t\t507\tReading from Testimony\n\t\t537\tReading from Testimony\n\t\t562\tMalicious women greet you…\n\t\t580\tHe had with him a bag…\n\t\t596\tOn a seat in the subway…\n\t\t610\tPermit me to warn you…\n\t\t616\tThese days, the papers in the streets…\n\t\t654\tBecause I saw the desolation of Zion… from the Book of Ezra"],"Note":["[{\"note\":\"Detailed information about the reading and transcription: https://montreal.spokenweb.ca/sgw-poetry-readings/charles-reznikoff-at-sgwu-1967/\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554831159296,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6173","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Readings at Sir George Williams: Joe Roseblatt and John Newlove reading on February 9, 1968 #158"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Newlove, John","Rosenblatt, Joe"],"creator_names_search":["Newlove, John","Rosenblatt, Joe"],"creators":["[{\"url\":\"http://viaf.org/viaf/92277383\",\"name\":\"Newlove, John\",\"dates\":\"1938-2003\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/69752567\",\"name\":\"Rosenblatt, Joe\",\"dates\":\"1933-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1968],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/738/Reading in BC_McS199_158.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:17:00\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"158-side-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:41:19\",\"precision\":\"\",\"size\":\"42.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"158-side-B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:34:48\",\"precision\":\"\",\"size\":\"35.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1968-02-09\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/103248053\",\"venue\":\"Sir George Williams University (Concordia University)\",\"notes\":\"\",\"address\":\"1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada\",\"latitude\":\"45.4954\",\"longitude\":\"-73.5783\"}]"],"Address":["1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada"],"Venue":["Sir George Williams University (Concordia University)"],"City":["Montreal, Quebec"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tIntroduction by Roy Kiyooka\n\t\t040\tPrefatory remarks by Rosenblatt\n\t\t045\tUncle Nathan – Blessed Is Memory Speaketh From Landlocked Green\n\t\t091\tIchtycide\n\t\t120\tThe Shell Game\n\t\t150\tBats\n\t\t172\tThe Fruit Bat\n\t\t194\tThe Bat Cage\n\t\t220\tWay Back In The Days Of The British Empire\n\t\t235\tThe Zombie\n\t\t275\tThe Butterfly Bat\n\t\t303\tOrpheus in Stanley Park\n\t\t315\tSex and Death\n\t\t340\tEgg Sonata\n\t\t395\tIt’s In The Egg\n\t\t435\tThe Easter Egg I Got For Passover\n\t\t503\tThe Beehive\n\t\t522\tFable\n\t\t541\tThe Crab Louse\n\t\t555\tThe Firebug Poet\n\t\t580\tHow Mice Make Love\n\t\t600\tThe Electric Rose\n\t\t640\tThe Itch\n\t\t793\tBetter She Dressed In A Black Garment\nTwo\tA\t000\tIntroduction by Roy Kiyooka\n\t\t065\tPreamble by Newlove\n\t\t076\tThe Almost King\n\t\t123\tThe Candle\n\t\t129\tThe Engine and the Sea\n\t\t159\tBefore Sleep\n\t\t180\tThe Dream Man\n\t\t206\tBurn\n\t\t214\tNo Song\n\t\t224\tWhat Do You Want?  What Do You Want?\n\t\t241\tStrand by Strand\n\t\t267\tOne Day\n\t\t285\tFor Charles Williams\n\t\t304\tSolitaire\n\t\t315\tEl Paso\n\t\t330\tGod Bless You\n\t\t341\tBy The Gray Atlantic\n\t\t357\tThe Photograph My Mother Keeps\n\t\t375\tOn Her Long Bed Of Light\n\t\t397\tMy Father\n\t\t412\tHalf in Love\n\t\t425\tSister (Cohen?)\n\t\t441\tVancouver Studio Poem\n\t\t453\tThe Elephant’s Poem\n\t\t463\tThe Fat Man"],"Note":["[{\"note\":\"Liner Notes: Side 1: 42 min Side 2: 35 min\",\"type\":\"General\"},{\"note\":\"Detailed information about the reading and transcription: https://montreal.spokenweb.ca/sgw-poetry-readings/joe-rosenblatt-at-sgwu-1968/\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554831159297,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6174","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Readings at Sir George Williams: Irving Layton reading on March 18, 1967 #159"],"item_title_source":["J-card and Concordia Spoken Web"],"item_title_note":["date from Concordia SpokenWeb"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Layton, Irving"],"creator_names_search":["Layton, Irving"],"creators":["[{\"url\":\"http://viaf.org/viaf/66482092\",\"name\":\"Layton, Irving\",\"dates\":\"1912-2006\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1967],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/739/Reading in BC_McS199_159.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:46:00\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"159-side-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:27\",\"precision\":\"\",\"size\":\"32.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"159-side-b.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:03\",\"precision\":\"\",\"size\":\"46.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1967-03-18\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Concordia SpokenWeb website\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/103248053#map=16/45.4952/-73.5778\",\"venue\":\"Sir George Williams University (Concordia University)\",\"notes\":\"\",\"address\":\"1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada\",\"latitude\":\"45.4952\",\"longitude\":\"-73.5781\"}]"],"Address":["1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada"],"Venue":["Sir George Williams University (Concordia University)"],"City":["Montreal, Quebec"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tIntroduction\n\t\t050\tPreamble by Layton\n\t\t065\tThere Are No Signs\n\t\t103\tThe Swimmer\n\t\t147\tMrs. Fornheim-Refugee\n\t\t167\tGothic Landscape\n\t\t214\tThe Black Huntsman\n\t\t267\tArchetypes\n\t\t306\tThe (Bouillon?) Street\n\t\t353\tOn My Way To School\n\t\t382\tLove A Conqueror Worm\n\t\t416\tThe Satyr\n\t\t491\tCemetery in August\n\t\t580\tThe Girls of My Graduating Class\n\t\t663\tBacchanal\n\t\t710\tMaxie\n\t\t812\tSeven O’Clock Lecture\nTwo\tA\t000\tThe Birth of Tragedy\n\t\t053\tMisunderstanding\n\t\t063\tA Cold Green Element\n\t\t124\tThe Improved Binoculars\n\t\t169\tPoets are the distant time…\n\t\t205\tDeath of a Construction Worker\n\t\t240\tShe came to us recommended…\n\t\t272\tSong for Naomi"],"Note":["[{\"note\":\"Liner Notes: Side 1: 31:30 min Side 2: 14:30 min\",\"type\":\"General\"},{\"note\":\"Detailed information about the reading and transcription: https://montreal.spokenweb.ca/sgw-poetry-readings/irving-layton-at-sgwu-1967/\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554831159298,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6175","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Readings at Sir George Williams: Margaret Atwood and Alden Nowlan reading on October 13, 1967 #160"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Atwood, Margaret","Nowlan, Alden"],"creator_names_search":["Atwood, Margaret","Nowlan, Alden"],"creators":["[{\"url\":\"http://viaf.org/viaf/109322990\",\"name\":\"Atwood, Margaret\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/61671170\",\"name\":\"Nowlan, Alden\",\"dates\":\"1933-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1967],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/740/Reading in BC_McS199_160.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:00:00\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"160-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:03\",\"precision\":\"\",\"size\":\"45.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"160-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:36:22\",\"precision\":\"\",\"size\":\"38.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1967-10-13\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/103248053#map=16/45.4952/-73.5778\",\"venue\":\"Sir George Williams University (Concordia University)\",\"notes\":\"\",\"address\":\"1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada\",\"latitude\":\"45.4952\",\"longitude\":\"-73.5781\"}]"],"Address":["1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada"],"Venue":["Sir George Williams University (Concordia University)"],"City":["Montreal, Quebec"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t005\tAtwood reading – This is A Photograph Of Me\n\t\t024\tCamera\n\t\t049\tCarved Animals\n\t\t069\tAt The Tourist Centre in Boston\n\t\t101\tThe Green Man\n\t\t120\tA Fortification\n\t\t140\tThe Landlady\n\t\t163\tA Foundling\n\t\t197\tChronology\n\t\t228\tBackdrop Addresses Cowboy\n\t\t255\tThe Voice\n\t\t274\tAn Elegy For The Giant Tortoises\n\t\t301\tIt Is Dangerous To Read Newspapers\n\t\t327\tI Was Reading A Scientific Article\n\t\t354\tThe Reincarnation of Captain Cook\nTwo\tA\t000\tIntroduction by Roy Kiyooka\n\t\t010\tPreamble by Nowlan\n\t\t027\tPoem For The Rich (?) Carleton\n\t\t044\tI, Icarus\n\t\t063\tSailors\n\t\t085\tThe Cinnamon Bears\n\t\t131\tBriton Street, St. John, New Brunswick\n\t\t164\tSecret Life\n\t\t195\tReport From Ottawa\n\t\t216\tA View From The Bridge\n\t\t244\tThe Changeling\n\t\t259\tThe Hollow Men\n\t\t273\tAncestral Memories Evoked By Attending The Opening of the Playhouse in Fredericton, New Brunswick\n\t\t305\tEvery Man Owes God A Debt\n\t\t339\tThe loneliness of the Long Distance Runner\n\t\t345\tA Boy In A Red Loincloth\n\t\t370\tIn The Operating Room\n\t\t450\tFor Jamil? Burundi?, Saudi Arabian Ambassador to the United Nations on the Occasion of His Address to The Security Council June, 1967\n\t\t515\tFireworks\n\t\t537\tTwo Poems For The Nova Scotia Department of Highways\n\t\t579\tState Visit"],"Note":["[{\"note\":\"Liner Notes: Side 1: 23 min (Margaret Atwood) Side 2: 37 min (Alden Nowlan)\",\"type\":\"General\"},{\"note\":\"Detailed information about the reading and transcription:https://montreal.spokenweb.ca/sgw-poetry-readings/margaret-atwood-and-alden-nowlan-at-sgwu-1967/\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554832207872,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6176","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Chris Dewdney reading at The Western Front on February 24, 1975 #286"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Dewdney, Christopher"],"creator_names_search":["Dewdney, Christopher"],"creators":["[{\"url\":\"http://viaf.org/viaf/101952075\",\"name\":\"Dewdney, Christopher\",\"dates\":\"1951-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/749/Readings in BC_MsC199_286.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"286-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:39\",\"precision\":\"\",\"size\":\"25.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"286-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:25:05\",\"precision\":\"\",\"size\":\"26.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-02-24\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26391\",\"longitude\":\"-123.09869\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1"],"Venue":["The Western Front"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tC.D. introduces himself\n\t\t012\t“I’m going to read a few poems from Geology…”\n\t\t021\t“Transubstantiation” (from A Paleozoic geology of London, Ontario, Toronto : Coach House, 1973)\n\t\t072\t“…when I was doing Geology I liked constructing poems simply out of a complete vacuum… like a crystal precipitation… you get a basic molecular structure for that particular substance and it’ll grow a whole crystal.. during Geology I allowed several poems to… compose themselves…”\n\t\t092\t“Gas port” (from Fovea centralis, Toronto : Coach House, 1975)\n\t\t112\t“These are poems out of Fovea centralis which is just being done at the Coach House Press now… and this is one section of the book called Remote control…”\n\t\t131\t“On attaining remote control” (from Fovea centralis, Toronto: Coach House Press, 1975, p.33)\n\t\t167\t“The rest of this… particular part of Remote Control is going to be on a P.A. system…”\n\t\t178\t“From a handbook of remote control” (from Fovea centralis, Toronto Coach House Press, 1975, p.87)\n\t\t359\t“Scenario” (from Fovea centralis, Toronto : Coach House, 1975, p. 84)\n\t\t432\t“The midnight dew” (from Fovea centralis, Toronto : Coach House, 1975, p. 27)\n\t\t444\t“Palace of fear” (from Fovea centralis, Toronto : Coach House, 1975, p. 30)\n\t\t465\t“A metaphor from remote control”\n\t\t513\t“The song of remote control” (from Fovea centralis, Toronto : Coach House, 1975, p. 94)\n\t\t530\t“That’s the end of the Remote control section… now some of the poetry from Fovea centralis “\n\t\t544\t“I wrote a number of poems called ‘Opium poems’…”\n\t\t560\t“Opium love #3” (from Fovea centralis, Toronto : Coach House, 1975, p. 24)\n\t\t581\t“Opium #2” (from Fovea centralis, Toronto, Coach House, 1975, p. 23)\n\t\t597\t“Opium #1” (from Fovea centralis, Toronto : Coach House, 1975, p. 22)\n\t\t606\t“Permanent trust – Huron & Erie” (from Fovea centralis, Toronto : Coach House 1975, p. 17)\n\t\t648\t“That night at Lake Huron” (from Fovea centralis, Coach House, 1975, p. 16)\n\t\t690\t“The drawing out of colour” (from Fovea centralis, Toronto : Coach House, 1975, p.1)\n\t\t730\t“Vampires” (from Fovea centralis, Toronto : Coach House, 1975, p. 21)\n\t\t754\t“Some kettles” (from Fovea centralis, Toronto: Coach House, 1975, p.32)\n\t\t771\t“Poem” (from Fovea centralis, Toronto : Coach House, 1975, p.7)\n\t\t818\t“Venom” (printed as “Poem” in Fovea centralis, Toronto : Coach House, 1975, p.31)\n\t\t834\t“I’m going to read an elegy to a friend of mine who committed suicide…my memory system seems to work like a conveyor belt… this poem took six months to come out:”\n\t\t861\t“I am the Lord and these are my flies, for John Koegler”\n\t\t930\t“The fish machine” (from Fovea centralis, Toronto Coach House, 1975, p.5)\n\t\t1028\t“Your supper is intending” (from Fovea centralis, Toronto : Coach House, 1975, p.12)\n\t\t1059\t“October” (from Fovea centralis, Toronto : Coach House, 1975, p.29)\n\t\t1107\t“Into the vortex” (printed as “Into the maelstrom” in Fovea centralis, Toronto : Coach House, 1975, p.11)\n\t\t1162\t“October” (from Fovea centralis, Toronto : Coach House, 1975, p.8)\n\t\t1269\t“Tone of interruption” (from Fovea centralis, Toronto : Coach House, 1975, p.13)\n\t\t1324\tEnd of tape"],"Note":["[{\"note\":\"Liner Notes: Chris Dewdney Reading at The Western Front, Feb. 24, 1975 Side 1 22:20 SIDE 2 19:45 Dolby B\",\"type\":\"General\"},{\"note\":\"The Western Front is the donor as inventory says \",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554832207873,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6177","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Fones reading at the Western Front on March 31, 1975 #287"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Fones, Robert","Knechtel, Mary Beth","Dewdney, Christopher"],"creator_names_search":["Fones, Robert","Knechtel, Mary Beth","Dewdney, Christopher"],"creators":["[{\"url\":\"http://viaf.org/viaf/16845071\",\"name\":\"Fones, Robert\",\"dates\":\"1949-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/93615375\",\"name\":\"Knechtel, Mary Beth\",\"dates\":\"1943-\",\"notes\":\"As it's written in the BC inventory document, it's assumed that Mary Beth Knechtel introduces Robert Fones\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/101952075\",\"name\":\"Dewdney, Christopher\",\"dates\":\"1951-\",\"notes\":\"His reading part is missing on this tape. Christopher’s reading part appears to be on tape #286.\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/753/Readings in BC_MsC199_287.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\" Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"287-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:39\",\"precision\":\"\",\"size\":\"31.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"287-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:51\",\"precision\":\"\",\"size\":\"31.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"The first minute is full and the rest is blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-03-31\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26391\",\"longitude\":\"-123.09869\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1"],"Venue":["The Western Front"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tC.D. speaking “O.K. that’s the only part that’s going to be over the P.A.  (Announces he’ll read)  “The song of remote control”  (from Fovea centralis, Toronto : Coach House, 1975,p. 92)  The beginning of this tape is a duplicate of tape 286 from side 1, 513\n\t\t571\tC.D.’s reading ends as on side one, tape 286\n\t\t572\tIntroduction of Robert Fones by Mary Beth Knechtel (?) “He read at the Front on March 31, 1975.”\n\t\t585\tRobert Fones: “I’m going to start off with a few things from Anthropomorphiks…”\n\t\t590\t“City”\n\t\t620\t“The one-eyed jack”\n\t\t657\t“Ozone” (“The beginning of a new series of things I’ve been writing based on “The ant lions”)\n\t\t692\t“Ode to a miniature Roy Rogers”\n\t\t801\tReads poems from The forest city\n\t\t808\t“Music beings convey the tone arm to the record...”\n\t\t848\t“Seen through a snow fence, a frieze of history animates…”\n\t\t887\t“Here, in the city, where there are no foxes…”\n\t\t1000\t“…I was…conceiving London (Ont.) as a grail city, in a sense…and everyone is a hologram in the poem…This (next) poem is…the arrival of the Galahad figure, who is going to free \nthe town…”\n\t\t1018\t“I am a knight with a Cadillac of power windows…\"\n\t\t1041\t“Woozles” (for Chris Dewdney)\n\t\t1100\t“Turpentine”\n\t\t1137\tSpeaks of the following two poems as being tied in with his sense of limited vision”.\n\t\t1213\t“Partial”\n\t\t1262\t“Impartial”\n\t\t1291\t“Rinky-Tink for slinger” (for Ed Dorn)\n\t\t1320\t“This is one of the few cone poems I ever wrote that explains…my fascination for them, called “Wouldn’t it be sad if there were no cones?”\n\t\t1412\t“Roberts Creek”\n\t\t1480\tSound ends – side one ends\n\t\t\tThe rest of Robert Fones’s reading may be found on Tape no. 290, side on left channel."],"Note":["[{\"note\":\"Liner Notes: Robert Fones Reading at the Western Front March 31, 1975 24 min Dolby B\",\"type\":\"General\"},{\"note\":\"The Western Front is the donor as inventory says \",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554832207874,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6178","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["David Dawson Reading at the Western Front on March 17, 1975 #289a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Dawson, David"],"creator_names_search":["Dawson, David"],"creators":["[{\"url\":\"\",\"name\":\"Dawson, David\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/756/Readings in BC_MsC199_289a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"289a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:36\",\"precision\":\"\",\"size\":\"25 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"289a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:48\",\"precision\":\"\",\"size\":\"25 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-03-17\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26391\",\"longitude\":\"-123.09869\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1"],"Venue":["The Western Front"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tLeft\t000\tBrief jazz riff – cut off\n\t\t002\tDavid Dawson introducing his reading\n\t\t011\t“In a new year”\n\t\t021\t“The island (three variations): see Ceremonial (Toronto: Coach House Press, 1972), p. 58\n\t\t062\t“Today I see a weaver’s tufted, textured presentation…”\n\t\t083\t“An evening: seas in motion” (a set of 3 poems)\n\t\t104\t“Two spring songs”, 1.  “Each spring, I live out my habit of anticipation”\n\t\t112\t2. “Shudders of the end of gestation…”\n\t\t119\t“poem by number”\n\t\t125\t“Earth, seen from an altered perspective…”\n\t\t130\t“Notes for a dancer”\n\t\t144\t“From what I saw from where I am…”\n\t\t170\t“A tribute of sorts”\n\t\t188\t“Omage” (for Louis and Celia Zukofsky)\n\t\t203\t“Ceremonial (a serial poem for several voices)” (see Ceremonial, p. 85)\n\t\t258\t“In the cold night, bird voices call…”\n\t\t264\t“A summer sequence” (Ceremonial, p. 79)\n\t\t323\tSpeaks of the current talk about the Tish poets\n\t\t329\t“I go back to a serial called ‘Tentative coastlines’:\n\t\t332\t“Tentative coastlines” (Ceremonial.  P. 20)\n\t\t430\t“In a new year” again\n\t\t451\t“For days now, I have been on the verge/of rushing north a hundred miles…”\n\t\t485\tReadings ends"],"Note":["[{\"note\":\"David Dawson Reading at the Western Front, March 17, 1975 \\\"Ceremonial\\\" Side 1 21:55 Side 2 19:20 Dolby B\",\"type\":\"General\"},{\"note\":\"The Western Front is the donor as inventory says\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554835353600,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6179","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["David McFadden Reading at the Western Front on April 21, 1975 #290"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["McFadden, David","Bowering, George"],"creator_names_search":["McFadden, David","Bowering, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/7405434\",\"name\":\"McFadden, David\",\"dates\":\"1940-2018\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"George Bowering introduces David McFadden\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/757/Readings in BC_MsC199_290.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"290-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:56\",\"precision\":\"\",\"size\":\"50.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"290-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:38\",\"precision\":\"\",\"size\":\"50 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-04-21\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26391\",\"longitude\":\"-123.09869\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1"],"Venue":["The Western Front"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tRight channel\t000\tGeorge Bowering introducing David McFadden\n\t\t013\tD. McFadden reads: “All people are frightened of time, but time is afraid of poetry.”\n\t\t020\t“The Mother of God.”\n\t\t037\t“The community of poets.”\n\t\t055\t“An Experiment with Tim Horton”\n\t\t087\t“Greed”\n\t\t094\t“Resting Place”\n\t\t109\t“Domestic Art”\n\t\t118\t“Young Mother”\n\t\t129\t“Small Flowers”\n\t\t148\t“The Rockies”\n\t\t163\t“The Legendary Wisdom of the Aged”\n\t\t172\t“This poem is about my wife: “The years have been tough on her…”\n\t\t211\t“An experiment with Leonard Cohen”\n\t\t218\t“A man was Teaching a little girl to play solitaire…”\n\t\t221\t“Bob & Paul are co-workers in the rolling mill…”\n\t\t240\t“3 cows Standing in a Pond”\n\t\t294\t“Flying Over Indiana”\n\t\t308\t“Twins”\n\t\t318\t“An Experiment with Debussy”\n\t\t349\t“Orpheus”\n\t\t365\t“The Morning Man”\n\t\t413\t“Food Poisoning”\n\t\t574\t“Moose Jaw”\n\t\t600\t“This is in… 7 parts… “The Golden Treasury of Knowledge”\n\t\t731\t“The Wound”\n\t\t752\t“Fairies”\n\t\t841\t“Vibrations (for Mr. Doug Henning)”\n\t\t877\t“How to Become Part of Nature”\n\t\t903\t“I Met a Hairy Woman on a Hill”\n\t\t927\t“Incident at Parsborough”\n\t\t955\t“Apple Tree”\n\t\t966\t“Somewhere South of Springhill”\n\t\t1016\t“Low Tide at Noel”\n\t\t1051\t“Painting the Fence”\n\t\t1069\t“The night Watchman”\n\t\t1084\t“Burnt Toast”\n\t\t1115\t“The Invention of Gunpowder”\n\t\t1134\t“Debbie and Doris’ Dad”\n\t\t1159\t“The Death of Prose”\n\t\t1180\t“Scar Tissue”\n\t\t1189\t“The Saint”\n\t\t1204\t“Impotence”\n\t\t1233\t“The Sign Fell Off”\n\t\t1271\t“Rapid Boiler Makers”\n\t\t1307\t“Little Ralter Rope”\n\t\t1335\t“Death of a Man Who Owned the Swimming Pool”\n\t\t1365\tEnd of reading"],"Note":["[{\"note\":\"David McFadden Reading at the Western Front, April 21, 1975 Side 1 45 min. Side 2 45 min. Dolby B\",\"type\":\"General\"},{\"note\":\"The Western Front is the donor as inventory says \",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554835353601,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6180","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Susan Musgrave Reading at the Western Front on October 20, 1975 #291a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Musgrave, Susan"],"creator_names_search":["Musgrave, Susan"],"creators":["[{\"url\":\" http://viaf.org/viaf/19806786\",\"name\":\"Musgrave, Susan\",\"dates\":\"1951-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/760/Readings in BC_MsC199_291a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"291a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:49\",\"precision\":\"\",\"size\":\"38.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"291a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:20\",\"precision\":\"\",\"size\":\"38 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-10-20\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26391\",\"longitude\":\"-123.09869\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1"],"Venue":["The Western Front"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Susan Musgrave Reading at the Western Front, October 20, 1975\\nSide 1: 32:30 \\nSide 2: 29:00 \\nDolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554835353602,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6066","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Louis Zukofsky Reading at Franconia and Glassboro State Colleges on October 7, 1972 #263"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Zukofsky, Louis"],"creator_names_search":["Zukofsky, Louis"],"creators":["[{\"url\":\"http://viaf.org/viaf/42358\",\"name\":\"Zukofsky, Louis\",\"dates\":\"1904-1978\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1972],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/548/Readings in BC_MsC199_263.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"263-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:20\",\"precision\":\"\",\"size\":\"32.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"263-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:39\",\"precision\":\"\",\"size\":\"32 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1972-10-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/search?whereami=1&query=39.7116%2C-75.1206#map=15/39.7116/-75.1206\",\"venue\":\"Glassboro State College (Rowan University) \",\"notes\":\"\",\"address\":\"New Jersey, USA\",\"latitude\":\"39.7116\",\"longitude\":\"-75.1206\"},{\"url\":\"https://www.openstreetmap.org/search?whereami=1&query=44.22610%2C-71.74853#map=18/44.22610/-71.74853\",\"venue\":\"Franconia College\",\"notes\":\"\",\"address\":\"Franconia College; Franconia, NH 03580, Franconia, NH, USA\",\"latitude\":\"44.2261\",\"longitude\":\"-71.74853\"}]"],"Address":["New Jersey, USA","Franconia College; Franconia, NH 03580, Franconia, NH, USA"],"Venue":["Glassboro State College (Rowan University) ","Franconia College"],"content_notes":["SFU BC Readings formatting"],"contents":["One\t\t000\tFranconia State College\n\t\t020\t“A-1” and “’A’-2” – Various experts\n\t\t137\tEnd\n\t\t138\tUnidentified poem\n\t\t218\tEnd\n\t\t220\tUnidentified poem\n\t\t280\tEnd, End Side one\nTwo\t\t000\tGlassboro State College\n\t\t002\tIntroductory comments by unknown speaker\n\t\t060\tZukofsky takes the microphone\n\t\t102\t“Washstand” from; Autobiography\n\t\t142\tEnd\n\t\t143\t“21,”, “11”, “13” from; 55 poems\n\t\t176\tEnd\n\t\t179\t“29” from; Anew\n\t\t185\tEnd\n\t\t186\t“Cold”\n\t\t193\tEnd\n\t\t200\t“Chapter 11” from; Little\n\t\t314\tEnd, End Side Two\n"],"Note":["[{\"note\":\"Liner Notes: Louis Zukofsky Reading at Franconia (and) Glassboro State Colleges, October 7, 1972 Side A: Franconia State College Side B: Glassboro State College\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554836402176,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6067","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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Runs the Actual Furnishings\n\t\t212\tGunslinger – Book III – The Winter Book\n\t\t682\tMultiple Choice\n\t\t753\tAlexander Hamilton\n\t\t794\tFor the Boys and Girls in the Free Ideas Store\n\t\t812\tDay Reports\n\t\t984\tThe Kultchural Exchange\n\t\t1056\tDay Reports\n\n"],"Note":["[{\"note\":\"Liner Notes: Ed Dorn reading in Vancouver,  Book 2 continued (tape ran out at 8 min) The cycle beginning 22 The cycle conclusion 24 Book 3: The winter book Beginning 6 Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554836402179,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6181","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Bob Hogg Reading at the Western Front on October 27, 1975 #291b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Hogg, Bob"],"creator_names_search":["Hogg, Bob"],"creators":["[{\"url\":\"http://viaf.org/viaf/93485103\",\"name\":\"Hogg, Bob\",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/761/Readings in BC_MsC199_291b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"291b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:32\",\"precision\":\"\",\"size\":\"33 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"291b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:01\",\"precision\":\"\",\"size\":\"31.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-10-27\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26391\",\"longitude\":\"-123.09869\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1"],"Venue":["The Western Front"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Bob Hogg Reading at the Western Front, October 27, 1975 Side 1 29:30 Side 2 24:00 Dolby B\",\"type\":\"General\"},{\"note\":\"The Western Front is the donor as inventory says \",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554836402180,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6186","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Readings at Sir George Williams: John Logan reading on January 26, 1968 #161"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Logan, John"],"creator_names_search":["Logan, John"],"creators":["[{\"url\":\"http://viaf.org/viaf/85933786\",\"name\":\"Logan, John\",\"dates\":\"1923-1987\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1968],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/768/Reading in BC_McS199_161.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:05:00\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"161-side-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00: 24:34\",\"precision\":\"\",\"size\":\"25.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"161-side-B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:41:23\",\"precision\":\"\",\"size\":\"42.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1968-01-26\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/103248053\",\"venue\":\"Sir George Williams University (Concordia University)\",\"notes\":\"\",\"address\":\"1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada\",\"latitude\":\"45.4952\",\"longitude\":\"-73.5781\"}]"],"Address":["1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada"],"Venue":["Sir George Williams University (Concordia University)"],"City":["Montreal, Quebec"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tSperm in the womb quickens to a man… in eight parts\n\t\t062\tTwo Preludes For (Lapouche?)\n\t\t169\tDeception Pass\n\t\t217\tThree moves in six months…\n\t\t250\tPoem Slow To Come On The Death of Cummings\n\t\t370\tLove Poem\nTwo\tA\t000\tA Trip To Four or Five Towns\n\t\t191\tBig Sur, Partington Cove\n\t\t373\tThree moves in six months…\n\t\t437\tLines on Locks\n\t\t600\tThe Search"],"Note":["[{\"note\":\"Liner Notes: Side 1: 25 min Side 2: 40 min \",\"type\":\"General\"},{\"note\":\"Detailed information about the reading and transcription: https://montreal.spokenweb.ca/sgw-poetry-readings/john-logan-at-sgwu-1968/\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554836402181,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6187","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Readings at Sir George Williams: Joseph Langland on March 8, 1968 Side 1 and 2 #162a"],"item_title_source":["J-card and Concordia SpokenWeb website"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Langland, Joseph"],"creator_names_search":["Langland, Joseph"],"creators":["[{\"url\":\"http://viaf.org/viaf/92023235\",\"name\":\"Langland, Joseph\",\"dates\":\"1917-2007\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Performer\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1968],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/769/Reading in BC_McS199_162a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:02:00\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"162-side-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:41:43\",\"precision\":\"\",\"size\":\"41.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1968-03-08\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\" SpokenWeb Montreal website\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/103248053\",\"venue\":\"Sir George Williams University (Concordia University)\",\"notes\":\"\",\"address\":\"1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada\",\"latitude\":\"45.4952\",\"longitude\":\"-73.5781\"}]"],"Address":["1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada"],"Venue":["Sir George Williams University (Concordia University)"],"City":["Montreal, Quebec"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tIntroduction\n\t\t036\tDesperate Equations\n\t\t046\tNatures\n\t\t070\tDandelion\n\t\t115\tThe (Amalfi Gratto?)\n\t\t134\tWar\n\t\t200\tA Hard Song To Sing\n\t\t240\tAn Open Letter To Ralph Ellison\n\t\t320\tSo How It So Help Me Was\n\t\t365\t(Still?) To Be Man\n\t\t414\tLa Donna Roma, Oddyssey\n\t\t442\tNot Quite A Conversation, Half Song pt. I-He and Her, pt. II-She and Him\n\t\t500\tSinging In Late Summer\n\t\t545\tNorwegian Rivers\n\t\t647\tDrowning-translation of poem by Russian underground writer\n\t\t660\tJewish Cemetery Near Leningrad-translation as above\n\t\t704\tConditions-translation as above\n\t\t740\tNow That I Know – translation as above\n\t\t754\tAfter The War – translation as Above\n\t\t805\tKeeping Up With The Humensky’s\n\t\t854\tMarching In (?)"],"Note":["[{\"note\":\"Detailed information about the reading and transcription: https://montreal.spokenweb.ca/sgw-poetry-readings/joseph-langland-at-sgwu-1968/\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554837450752,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6188","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Readings at Sir George Williams: Joseph Langland on March 8, 1968 Side 3 #162b"],"item_title_source":["J-card and SpokenWeb Montreal website"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Langland, Joseph"],"creator_names_search":["Langland, Joseph"],"creators":["[{\"url\":\"http://viaf.org/viaf/92023235\",\"name\":\"Langland, Joseph\",\"dates\":\"1917-2007\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1968],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/770/Reading in BC_McS199_162b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"162b-side-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:59\",\"precision\":\"\",\"size\":\"46.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"162b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:11\",\"precision\":\"\",\"size\":\"45.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1968-03-08\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\" SpokenWeb Montreal website\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/103248053\",\"venue\":\"Sir George Williams University (Concordia University)\",\"notes\":\"\",\"address\":\"1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada\",\"latitude\":\"45.4952\",\"longitude\":\"-73.5781\"}]"],"Address":["1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada"],"Venue":["Sir George Williams University (Concordia University)"],"City":["Montreal, Quebec"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\tA\t000\tThe Garbage Collector\n\t\t021\tSongs- All The Lovers That You Ever Knew\n\t\t041\tAlone, The Evening Falls On Me\n\t\t065\tJump On My Back\n\t\t076\tThe Hiroshima Lullaby\n\t\t135\tMarching Song\n\t\t219\tSacrifice Of A Rainbow Trout\n\t\t232\tThe Owl\n\t\t255\tSacrifice Of My Neighbours\n\t\t296\tSacrifice Of A Gunnysack of Cats\n\t\t365\tThe Old Sow\n\t\t385\tFor Eric\n\t\t428\tThe Squirrel Poem\n\t\t474\tBallad for Adlai Stevenson"],"Note":["[{\"note\":\"Detailed information about the reading and transcription: https://montreal.spokenweb.ca/sgw-poetry-readings/joseph-langland-at-sgwu-1968/\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554837450753,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6189","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Readings at Sir George Williams:  Michael McClure on March 22, 1968 Side 1 and 2 #163a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["McClure, Michael"],"creator_names_search":["McClure, Michael"],"creators":["[{\"url\":\" http://viaf.org/viaf/71493269\",\"name\":\"McClure, Michael\",\"dates\":\"1932-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1968],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/771/Reading in BC_McS199_163a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"163a-side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:06:22\",\"precision\":\"\",\"size\":\"67 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"163a-side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:07:18\",\"precision\":\"\",\"size\":\"7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1968-03-22\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/103248053\",\"venue\":\"Sir George Williams University (Concordia University)\",\"notes\":\"\",\"address\":\"1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada\",\"latitude\":\"45.4952\",\"longitude\":\"-73.5781\"}]"],"Address":["1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada"],"Venue":["Sir George Williams University (Concordia University)"],"City":["Montreal, Quebec"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tMcClure making prefatory remarks about The Beard\n\t\t035\tPassages from The Beard\n\t\t120\tMad Song #1\n\t\t148\tMad Song #2\n\t\t175\tMad Song #3\n\t\t208\tTo Science\n\t\t250\tGhost Tantras\n\t\t341\tAugust 6/62 – Marilyn Monroe\n\t\t408\tDark Brown\n\t\t444\tThe black, black, black…\n\t\t480\tThe huge figure’s fucking…"],"Note":["[{\"note\":\"Detailed information about the reading and transcription: https://montreal.spokenweb.ca/sgw-poetry-readings/michael-mcclure-and-george-montana-at-sgwu-1968/\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554837450754,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6190","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Readings at Sir George Williams: Michael McClure on March 22, 1968 Side 3 and 4 #163b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Montana, George","McClure, Michael"],"creator_names_search":["Montana, George","McClure, Michael"],"creators":["[{\"url\":\"\",\"name\":\"Montana, George\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/71493269\",\"name\":\"McClure, Michael\",\"dates\":\"1932-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1968],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/772/Reading in BC_McS199_163b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"163b-side-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:43:41\",\"precision\":\"\",\"size\":\"43.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1968-03-22\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/103248053\",\"venue\":\"Sir George Williams University (Concordia University)\",\"notes\":\"\",\"address\":\"1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada\",\"latitude\":\"45.4952\",\"longitude\":\"-73.5781\"}]"],"Address":["1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada"],"Venue":["Sir George Williams University (Concordia University)"],"City":["Montreal, Quebec"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\tA\t000\tMusic composed by McClure and George Montana\n\t\t115\tSong #2 with lyrics\n\t\t235\tSong – Allen Ginsberg For President\n\t\t292\tSong – The Bells of Moscow\n\t\t389\tBlake Song"],"Note":["[{\"note\":\"Detailed information about the reading and transcription: https://montreal.spokenweb.ca/sgw-poetry-readings/michael-mcclure-and-george-montana-at-sgwu-1968/\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554837450755,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6191","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Lawrence Ferlinghetti reading at University of New Mexico in Albuquerque, 1962 #164"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ferlinghetti, Lawrence"],"creator_names_search":["Ferlinghetti, Lawrence"],"creators":["[{\"url\":\"http://viaf.org/viaf/110070499\",\"name\":\"Ferlinghetti, Lawrence\",\"dates\":\"1919-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1962],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/773/Reading in BC_McS199_164.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:53:38\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"164-side-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:28:25\",\"precision\":\"\",\"size\":\"27.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"164-side-B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:24:33\",\"precision\":\"\",\"size\":\"23.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1962\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/305072242\",\"venue\":\"University of New Mexico\",\"notes\":\"\",\"address\":\"Albuquerque, NM 87131, United States\",\"latitude\":\"35.0845\",\"longitude\":\"-106.6199\"}]"],"Address":["Albuquerque, NM 87131, United States"],"Venue":["University of New Mexico"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tFerlinghetti reading from Starting From San Francisco & A Coney Island Of The Mind\n\t\t\tStarting from San Francisco, here I go again….\n\t\t063\tGod, I had forgotten how the Hudson burned in autumn…\n\t\t094\tIn Goya’s greatest scenes we seem to see…\n\t\t120\tDon’t let that horse eat that violet…\n\t\t137\t(Saroya’s?) women in their picture hats…\n\t\t152\tOne of those paintings that would not die…\n\t\t167\tTruth is not the secret…\n\t\t182\tPenny Candy Store\n\t\t210\tThe Dog\n\t\t248\tAnd that’s the way it always is…\n\t\t296\tThe world is a beautiful place to be born into…\n\t\t325\tReading Yeats I do not think of Ireland…\n\t\t364\tBig Fat Hairy Vision of Evil\n\t\t424\tUnderwear\n\t\t497\tCome Lie With Me And Be My Love\n\t\t510\tFlying Out Of It\n\t\t535\tEuphoria\n\t\t585\t-intermission-\n\t\t624\tOverpopulation\n\t\t725\tBerlin"],"Note":["[{\"note\":\"Liner Notes: Side 1 28:48 Side 2 24:50\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554837450756,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6192","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Readings at Sir George Williams: Earle Birney reading on February 23, 1968 #165"],"item_title_source":["J-card and Concordia SpokenWeb"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Birney, Earle","Bowering, George"],"creator_names_search":["Birney, Earle","Bowering, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/97679781\",\"name\":\"Birney, Earle\",\"dates\":\"1904-1995\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"introduction by him\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1968],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/774/Reading in BC_McS199_165.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:19:20\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"165_sideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:41:19\",\"precision\":\"\",\"size\":\"42 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"165_sideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:36:52\",\"precision\":\"\",\"size\":\"37.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1968-02-23\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card and Concordia SpokenWeb\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/103248053\",\"venue\":\"Sir George Williams University (Concordia University)\",\"notes\":\"\",\"address\":\"1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada\",\"latitude\":\"45.4954\",\"longitude\":\"-73.5783\"}]"],"Address":["1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada"],"Venue":["Sir George Williams University (Concordia University)"],"City":["Montreal, Quebec"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tIntroduction by George Bowering\n\t\t035\tPrefatory remarks by Birney\n\t\t055\tA Prayer For Old Age by William Butler Yeats\n\t\t118\tTwenty-Third Flight\n\t\t178\tHonolulu\n\t\t222\tWind Chimes In A Temple Ruin\n\t\t251\tPlaza de Inquizicione\n\t\t302\tEl Greco-Espolo\n\t\t360\tEllesmere Land\n\t\t391\tCanada’s Case History\n\t\t455\tOur forefather’s literary… (unpublished poem)\n\t\t516\tSecret Message From Poet\n\t\t550\tIn Purdy’s Ameliasburg\n\t\t635\tWay To The West\n\t\t750\tNovember Walk Near False Creek Mouth\nTwo\tA\t000\tSwahili Serenade\n\t\t022\tSpace Conquest\n\t\t055\tKooks of the Monk\n\t\t064\tThe Train From Cardiff To London\n\t\t080\tToronto Daily Telly Starlings\n\t\t115\tLike an eddy my owrds [words?] move about your bright rock…\n\t\t144\tTwo Haiku\n\t\t165\tI’m Always Going Back To Chaucer\n\t\t200\tTea With My Shetland Grand-Aunt\n\t\t277\tLooking From Oregon\n\t\t315\tCampus Theatre Steps\n\t\t350\tBillboards\n\t\t395\t(Iropuato?)\n\t\t416\tMemory No Servant\n\t\t440\tFor George Lamming\n\t\t480\tMeeting Of Strangers\n\t\t527\tFrom Curacao\n\t\t550\tThe Road To (Naimegan?)\n\t\t578\tLetter Home To A Friend\n\t\t635\tFrom The Hazel Bough"],"Note":["[{\"note\":\"Liner Notes:(Distortion in Original Tape) Side 1 42:00 Side 2 37:29\",\"type\":\"General\"},{\"note\":\"Detailed information about the reading and transcription: https://montreal.spokenweb.ca/sgw-poetry-readings/earle-birney-at-sgwu-1968/\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554837450757,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6193","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Daphne Marlatt reading poem \"Steveston\" at Langara College on November 14, 1975 #166"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Marlatt, Daphne"],"creator_names_search":["Marlatt, Daphne"],"creators":["[{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/775/Reading in BC_McS199_166.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:46:58\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"166_SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:58\",\"precision\":\"\",\"size\":\"22.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"166_SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:22:19\",\"precision\":\"\",\"size\":\"21.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-11-14\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/23393992\",\"venue\":\"Langara College\",\"notes\":\"\",\"address\":\"100 W 49th Ave, Vancouver, BC V5Y 2Z6\",\"latitude\":\"49.22483\",\"longitude\":\"-123.10860\"}]"],"Address":["100 W 49th Ave, Vancouver, BC V5Y 2Z6"],"Venue":["Langara College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\t\t\tReading of poems from Steveston\n\t\t\t“Imagine: a town”\n\t\t\t“Imperial Cannery, 1913”\n\t\t\t“How it goes”\n\t\t\t“Work”\n\t\t\t“Not to be taken”\n\t\t\t“Finn Road”\n\t\t\t“A by-channel; a small backwater”"],"Note":["[{\"note\":\"Liner Notes: Daphne Marlatt reading from \\\"Steverston\\\" November 14, 1975 Side 1 24:20 Side 2 22:38 Very noisy Location Much rumble has been filtered out, but other noise cannot be removed Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554838499328,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6194","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Dorothy Livesay reading at Langara College on February 19, 1976 #167"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Livesay, Dorothy"],"creator_names_search":["Livesay, Dorothy"],"creators":["[{\"url\":\"http://viaf.org/viaf/116854541\",\"name\":\"Livesay, Dorothy\",\"dates\":\"1909-1996\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/776/Reading in BC_McS199_167.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:54:24\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"J-card, inventory, and SpokenWeb Montreal website Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"167-Side-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:28:37\",\"precision\":\"\",\"size\":\"27.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"167-Side-B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:24:58\",\"precision\":\"\",\"size\":\"24 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-02-19\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/23393992\",\"venue\":\"Langara College\",\"notes\":\"\",\"address\":\"100 W 49th Ave, Vancouver, BC V5Y 2Z6\",\"latitude\":\"49.22483\",\"longitude\":\"-123.10860\"}]"],"Address":["100 W 49th Ave, Vancouver, BC V5Y 2Z6"],"Venue":["Langara College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\t\t\t“The Unquiet Bed”\n\t\t\t“Salute to Monty Python”\n\t\t\t“The Cabbage”\n\t\t\t“Widow Woman”\n\t\t\t“Widow (I)”\n\t\t\t“Widow (II)”\n\t\t\t“Green Rain”\n\t\t\t“The High”\n\t\t\t“Five Months Young (for Galen)”\n\t\t\t“The rock is old and so as such, I treat it with respect…”\n\t\t\t“Pioneer”\n\t\t\t“Whitepiece”\n\t\t\t“Ice Age”\n\t\t\t“The Survivor”\n\t\t\t“Blindness”\n\t\t\t“Perversity”\n\t\t\t“The Door”\n\t\t\t“The Three Emilys”\n\t\t\t“Bartok and the Geranium”\n\t\t\t“Ballad of Me”\n\t\t\t“Again the fever, at last to see you at last the deep kiss…”\n\t\t\t“I never know much about silence until I know your silence over mine…”\n\t\t\t“The Touching”\n\t\t\t“Depression Suite”\n\t\t\t“Spain”\n\t\t\t“Catalonia” (last verse)"],"Note":["[{\"note\":\"Liner Notes:  Side 1 24:10 Side 2 25:14 Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554838499329,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6195","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Victor Coleman reading at Langara College, [1976?] #168"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Coleman, Victor","Bull, Hank"],"creator_names_search":["Coleman, Victor","Bull, Hank"],"creators":["[{\"url\":\"http://viaf.org/viaf/38160442\",\"name\":\"Coleman, Victor\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/205149294089180520706\",\"name\":\"Bull, Hank\",\"dates\":\"1949-\",\"notes\":\"accordion\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/777/Reading in BC_McS199_168.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:50:00\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"168-Side-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:15\",\"precision\":\"\",\"size\":\"30.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"168-Side-B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:07\",\"precision\":\"\",\"size\":\"19.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976\",\"type\":\"Production Date\",\"notes\":\"[1975-10-16?]. There are different dates on the J-card and in the BC inventory document \",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/23393992\",\"venue\":\"Langara College\",\"notes\":\"\",\"address\":\"100 W 49th Ave, Vancouver, BC V5Y 2Z6\",\"latitude\":\"49.22483\",\"longitude\":\"-123.10860\"}]"],"Address":["100 W 49th Ave, Vancouver, BC V5Y 2Z6"],"Venue":["Langara College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\t\t\tPART I\n\t\t\tEarlier works (ca. 10 years ago)\n\t\t\t“Lake Ontario”\n\t\t\t“After a Canto of Ezra Pound (Canto 49)”\n\t\t\tMost recent works (from Speech Sucks)\n\t\t\t“In Memoriam: Brian Jones”\n\t\t\t“Some Plays: On Words”\n\t\t\t“The Left Hand of God” (a collaborative work with Davis Young, Fred Carp, Wade Bell, Robert Fones)\n\t\t\t“From the Realms of the Unseen Father” – sequence of sonnets\n\t\t\tPART II\n\t\t\tSongs and poems accompanied on the accordion by Hank Bull:\n\t\t\t“Fog Get Me Not” – theme song from CBC radio play, “Murder in the Fog”\n\t\t\t“A milkshake splurged in innocence is not a name to put on anything…”\n\t\t\t“Fone’s Call” – for Robert Fones\n\t\t\t“Where in me does the woman begin?”\n\t\t\t“Cone’s Fall” – for Ton Cone\n\t\t\t“A steady flow of money, lifting our voices in praise of the state…”"],"Note":["[{\"note\":\"Liner Notes:  No date, probably 1976 Side 1 29:40 Side 2 20:20 Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554839547904,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6196","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["A.J.M. Smith reading his poetry at Langara College on October 30, 1975 #169"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Smith, A.J.M."],"creator_names_search":["Smith, A.J.M."],"creators":["[{\"url\":\"http://viaf.org/viaf/79418083\",\"name\":\"Smith, A.J.M.\",\"dates\":\"1902-1980\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/778/Reading in BC_McS199_169.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"169-Side-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:40:16\",\"precision\":\"\",\"size\":\"38.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-10-30\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/23393992\",\"venue\":\"Langara College\",\"notes\":\"\",\"address\":\"100 W 49th Ave, Vancouver, BC V5Y 2Z6\",\"latitude\":\"49.22483\",\"longitude\":\"-123.10860\"}]"],"Address":["100 W 49th Ave, Vancouver, BC V5Y 2Z6"],"Venue":["Langara College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\t\t\tReading of:\n\t\t\tI)\t Studies in Moving Water:\n\t\t\t“Swift Current”\n\t\t\t“Sea Cliff”\n\t\t\t“The Creek”\n\t\t\t“The Lonely Land”\n\t\t\tII)\tFour sonnets:\n\t\t\t“Bird and Flower”\n\t\t\t“To the Christian Fathers”\n\t\t\t“The Plot Against Proteus”\n\t\t\t“A Review of Irving Layton’s Anthology of Canadian Erotic Poetry, Love Where the Nights are Long\n\t\t\tIII)\tMiscellany:\n\t\t\t“To Irving Layton on His Love Poem to Jacqueline Kennedy, Then the First Lady”\n\t\t\t“To Frank Scott Esquire on the Occasion of his Seventieth Birthday”\n\t\t\t“A Hyacinth for Edith”\n\t\t\t“An Iliad for his Summer Sweetheart”\n\t\t\t“Thomas More and Sweet Annie”\n\t\t\t“The country Lovers: A Little Epilogue for Irving and Aviva”\n\t\t\t“The bellow of good master bull astoundeth jaunty cow…” – mock medieval ballad\n\t\t\t“The Sorcerer”\n\t\t\t“The Brigadeer”\n\t\t\t“A Little Night Piece”\n\t\t\t“The Fountain”\n\t\t\t“Far West”\n\t\t\t“What the Emanation of Casey Jones Said to the Medium”\n\t\t\tIV)\tFour Poems on Death:\n\t\t\t“The Wisdom of Old Jelly Roll”\n\t\t\t“On Knowing Nothing”\n\t\t\t“Watching the Old Man Die”\n\t\t\t“The Archer”"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554839547905,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6197","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering reading his poetry at Langara College on November 27, 1975 #170"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/779/Reading in BC_McS199_170.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"170-Side-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:43:13\",\"precision\":\"\",\"size\":\"40.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"170-Side-B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:10\",\"precision\":\"\",\"size\":\"46 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-11-27\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/23393992\",\"venue\":\"Langara College\",\"notes\":\"\",\"address\":\"100 W 49th Ave, Vancouver, BC V5Y 2Z6\",\"latitude\":\"49.22483\",\"longitude\":\"-123.10860\"}]"],"Address":["100 W 49th Ave, Vancouver, BC V5Y 2Z6"],"Venue":["Langara College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\t\t\tReading of:\n\t\t\tI)\tRandom excerpts from Curious:\n\t\t\t“Charles Olson”\n\t\t\t“George Stanley”\n\t\t\t“bp Nichol”\n\t\t\t“Gladys Hindmarch”\n\t\t\t“David McFadden”\n\t\t\t“Alden Nowlan”\n\t\t\t“bill bissett”\n\t\t\tII)\tThe first ten chapters from\n\t\t\tA Short Sad Book"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554839547906,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6198","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Milton Acorn reading at Langara College on November 6, 1975 #171"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Acorn, Milton"],"creator_names_search":["Acorn, Milton"],"creators":["[{\"url\":\"http://viaf.org/viaf/79430115\",\"name\":\"Acorn, Milton\",\"dates\":\"1923-1986\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/790/Reading in BC_McS199_171.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:57:20\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"171-Side-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:27:39\",\"precision\":\"\",\"size\":\"27.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"171-Side-B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:14\",\"precision\":\"\",\"size\":\"28.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-11-06\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/23393992\",\"venue\":\"Langara College\",\"notes\":\"\",\"address\":\"100 W 49th Ave, Vancouver, BC V5Y 2Z6\",\"latitude\":\"49.22483\",\"longitude\":\"-123.10860\"}]"],"Address":["100 W 49th Ave, Vancouver, BC V5Y 2Z6"],"Venue":["Langara College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\t\t\tPoems read:\n\t\t\t“Reg at The Gears”\n\t\t\t“I Milton Acorn”\n\t\t\t“I’d Like To Mark Myself”\n\t\t\t“Down The Mountain”\n\t\t\t“William Trooper”\n\t\t\t“Death Walks On Petty Feet”\n\t\t\t“The Bronze Piper”\n\t\t\t“On Speaking Ojibway”\n\t\t\t“The Mind Is Also Of Nature’\n\t\t\t“On The First… Royal Canadian Mounted Police”\n\t\t\t“The Hangman On The Ten Dollar Bill”\n\t\t\t“Riding With Joe Hensby”"],"Note":["[{\"note\":\"Liner Notes: Side 1 27:50 Side 2 29:30\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554839547907,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6199","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["John Newlove reading his poetry at Langara College on January 28, 1976 #173"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Newlove, John"],"creator_names_search":["Newlove, John"],"creators":["[{\"url\":\"http://viaf.org/viaf/92277383\",\"name\":\"Newlove, John\",\"dates\":\"1938-2003\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/791/Reading in BC_McS199_173.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"173-Side-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:29\",\"precision\":\"\",\"size\":\"30.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-01-28\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/23393992\",\"venue\":\"Langara College\",\"notes\":\"\",\"address\":\"100 W 49th Ave, Vancouver, BC V5Y 2Z6\",\"latitude\":\"49.22483\",\"longitude\":\"-123.10860\"}]"],"Address":["100 W 49th Ave, Vancouver, BC V5Y 2Z6"],"Venue":["Langara College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\t\t\tPoems read:\n\t\t\t“Two Letters From Austria”\n\t\t\t“The Hitchhiker”\n\t\t\t“Ride On Any Horizon”\n\t\t\t“Solitaire”\n\t\t\t“Doukhobor”\n\t\t\t“America”\n\t\t\t“Alcazar”\n\t\t\t“Fat Man”\n\t\t\t“Elephants”\n\t\t\t“The Hero Around Me”\n\t\t\t“The Mountain”\n\t\t\t“Everywhere I Go”\n\t\t\t“Flowers”"],"Note":["[{\"note\":\"Liner Notes: Side one only\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554839547908,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6200","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Audrey Thomas reading her fiction at Langara College on December 5, 1977 #174"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Thomas, Audrey"],"creator_names_search":["Thomas, Audrey"],"creators":["[{\"url\":\"http://viaf.org/viaf/27082708\",\"name\":\"Thomas, Audrey\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/792/Reading in BC_McS199_174.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"174-Side-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:21\",\"precision\":\"\",\"size\":\"40.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"174-Side-B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:09:53\",\"precision\":\"\",\"size\":\"9.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977-12-05\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/23393992\",\"venue\":\"Langara College\",\"notes\":\"\",\"address\":\"100 W 49th Ave, Vancouver, BC V5Y 2Z6\",\"latitude\":\"49.22483\",\"longitude\":\"-123.10860\"}]"],"Address":["100 W 49th Ave, Vancouver, BC V5Y 2Z6"],"Venue":["Langara College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tAudrey Thomas reading short fiction\n\t\t030\tJoseph and His Brother\n\t\t370\tCommentary on one of her novels\n\t\t420\tReads chapter from novel\n\t\t730\tQuestions from audience\nTwo\tA\t000\tQuestions cont.\n\t\t090\tEnd of session"],"Note":["[{\"note\":\"Liner Notes: Side 1 + 2\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554839547909,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6201","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Dialogue with George Ryga at Langara College on January 27, 1972 #175"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Ellen","Ryga, George"],"creator_names_search":["Tallman, Ellen","Ryga, George"],"creators":["[{\"url\":\"\",\"name\":\"Tallman, Ellen\",\"dates\":\"1927-2008\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/207528845\",\"name\":\"Ryga, George\",\"dates\":\"1932-1987\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1972],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/793/Reading in BC_McS199_175.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:04:30\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"175-Side-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:51\",\"precision\":\"\",\"size\":\"31.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"175-Side-B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:49\",\"precision\":\"\",\"size\":\"31.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1972-01-27\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/23393992\",\"venue\":\"Langara College\",\"notes\":\"\",\"address\":\"100 W 49th Ave, Vancouver, BC V5Y 2Z6\",\"latitude\":\"49.22483\",\"longitude\":\"-123.10860\"}]"],"Address":["100 W 49th Ave, Vancouver, BC V5Y 2Z6"],"Venue":["Langara College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tIntroduction by Ellen Tallman\n\t\t010\tRyga commenting on aftermath of The Ecstasy of Rita Joe\n\t\t\t-\tTheatre and its function\n\t\t\t-\tTheatre and rationalism\n\t\t\t-\tCanadian content\n\t\t060\tRyga asks for questions from audience\n\t\t\tQuestion: “How did you come to realize the plight of Indians in the city?”\n\t\t140\tQuestion: “Is your play still valid in the present sociological context?”\n\t\t\tRyga: play is not a polemic, it is drama\n\t\t180\tQuestion: “How accessible is theatre to the general public?”\n\t\t500\tComments on the ballet based on Rita Joe\n\t\t570\tWhy the title word ‘ecstasy’?\nTwo\tA\t000\tQuestions continue"],"Note":["[{\"note\":\"Liner Notes: Side 1 32:20 Side 2 32:10\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554840596480,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6202","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Joe Rosenblatt reading his poetry at Langara College on October 24, 1977 #176"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Rosenblatt, Joe"],"creator_names_search":["Rosenblatt, Joe"],"creators":["[{\"url\":\"http://viaf.org/viaf/69752567\",\"name\":\"Rosenblatt, Joe\",\"dates\":\"1933-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/794/Reading in BC_McS199_176.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"176-Side-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:43:56\",\"precision\":\"\",\"size\":\"40.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"176-Side-B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:03:48\",\"precision\":\"\",\"size\":\"3.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977-10-24\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/23393992\",\"venue\":\"Langara College\",\"notes\":\"\",\"address\":\"100 W 49th Ave, Vancouver, BC V5Y 2Z6\",\"latitude\":\"49.22483\",\"longitude\":\"-123.10860\"}]"],"Address":["100 W 49th Ave, Vancouver, BC V5Y 2Z6"],"Venue":["Langara College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tPrefatory remarks\n\t\t025\tBees Are Flies With Galnd [Gland] Trouble\n\t\t044\tNatural Prayer\n\t\t069\tMother Nature’s Helpers\n\t\t088\tI Want To Hijack A Bumblebee\n\t\t098\tPoem For A Dying Bumblebee\n\t\t109\tTribe Rhythm\n\t\t124\tToad Poem For John Newlove\n\t\t152\tThe Spider\n\t\t175\tJack In The Pulpit As A Flower With Its Fly Open\n\t\t190\tLove Poem For Fay\n\t\t222\tMy Body Surrenders To Female Green\n\t\t242\tThe Cool Dream\n\t\t263\tDream Food\n\t\t278\tPet\n\t\t300\tHe Is The Mozart Of Animal Sounds\n\t\t315\tDream\n\t\t333\tLamentation\n\t\t348\tInto The Glow Of An Atom\n\t\t365\tNarrowly He Nipped Through The Tender Trees\n\t\t399\tPrayer For An Earth Apple\n\t\t426\tWaiter, There’s An Alligator In My Coffee\n\t\t470\tEgg Sonata\n\t\t526\tThe Electric Rose\n\t\t561\tSun Poem\n\t\t570\tQuestions from audience\n\t\t739\tThe Funeral of The Great Bullfrog\n\t\t760\tThe Black Flower\n\t\t790\tFurther questions and commentary"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554840596481,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6203","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Johnston reading his poetry at Langara College on January 17, 1978 #177"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Johnston, George"],"creator_names_search":["Johnston, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/94336709\",\"name\":\"Johnston, George\",\"dates\":\"1913-2004\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/795/Reading in BC_McS199_177.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"177-Side-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:43:08\",\"precision\":\"\",\"size\":\"40.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"177-Side-B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:06:00\",\"precision\":\"\",\"size\":\"5.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-01-17\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/23393992\",\"venue\":\"Langara College\",\"notes\":\"\",\"address\":\"100 W 49th Ave, Vancouver, BC V5Y 2Z6\",\"latitude\":\"49.22483\",\"longitude\":\"-123.10860\"}]"],"Address":["100 W 49th Ave, Vancouver, BC V5Y 2Z6"],"Venue":["Langara College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tIntroduction\n\t\t009\tThose of us who love the moon and pause to look at her…\n\t\t021\tMoon in a town sky, half shut…\n\t\t032\tI stare back at a (gibbis?) moon and brood…\n\t\t045\tWhat voice up there…\n\t\t069\tKathleen Sweeping\n\t\t104\tRest Hour\n\t\t153\tWhat’s on your mind tonight…\n\t\t173\tMultitude\n\t\t250\tUs Together\n\t\t285\tIt There\n\t\t390\tBesides the prose…\n\t\t440\tI fought a lone fateful fight…\n\t\t490\tThe (Gesli?) Saga-A Skaldic Poem\n\t\t671\tAn Invitation\n\t\t742\tSkunk Cabbage\n\t\t810\tSoftly falls the night…\n\t\t852\tFrustration\n\t\t920\tMarriage Poem for Andrew\n\t\t1000\tQuestion period"],"Note":["[{\"note\":\"Liner Notes: Side 1 + 2\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554840596482,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6204","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Douglas Barbour reading his poetry at Langara College on February 28, 1979 #178"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Barbour, Douglas"],"creator_names_search":["Barbour, Douglas"],"creators":["[{\"url\":\"http://viaf.org/viaf/14864700\",\"name\":\"Barbour, Douglas\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1979],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/796/Reading in BC_McS199_178.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"178-Side-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:43:26\",\"precision\":\"\",\"size\":\"40.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"178-Side-B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:01:41\",\"precision\":\"\",\"size\":\"1.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1979-02-28\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/23393992\",\"venue\":\"Langara College\",\"notes\":\"\",\"address\":\"100 W 49th Ave, Vancouver, BC V5Y 2Z6\",\"latitude\":\"49.22483\",\"longitude\":\"-123.10860\"}]"],"Address":["100 W 49th Ave, Vancouver, BC V5Y 2Z6"],"Venue":["Langara College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tIntroduction\n\t\t050\tNot So Ancient Ruins\n\t\t070\tThe Al Purdy Dream Poem in The Athens Archaeological Museum\n\t\t125\tThe Sun Dance\n\t\t216\tSit, The Deer\n\t\t240\tRumours of War, Rumours of Weather\n\t\t305\tAn American Vision-Gertrude Stein’s Mean Streets\n\t\t330\tWoman Gas Station Attendant\n\t\t390\tWhere They Stand\n\t\t430\tBibliography On Aging\n\t\t458\tSkylight\n\t\t480\tHomage to Jack Chambers\n\t\t540\t(Yukamara’s?) Woman-#1\n\t\t600\tDerrida\n\t\t615\tHow Art Materials Affect You\n\t\t720\tSong Five of The Sea\n\t\t732\tSong Six\n\t\t744\tSong For Spring\n\t\t750\tSong For Autumn\n\t\t760\tSong For Their Burnt-Out Marriage\n\t\t790\tThese For Those From Whom – in IV parts\n\t\t880\tParticularize The Particular\nTwo\tA\t000\tThe Complete Works\n\t\t028\tExistential, Quintessential Rock and Roll\n\t\t060\tQuestion period"],"Note":["[{\"note\":\"Liner Notes: Side 1 + 2\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554840596483,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6205","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Ralph Gustafson reading his poetry at Langara College on March 21, 1978 #179"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Gustafson, Ralph","Mrs. Church"],"creator_names_search":["Gustafson, Ralph","Mrs. Church"],"creators":["[{\"url\":\"http://viaf.org/viaf/91633501\",\"name\":\"Gustafson, Ralph\",\"dates\":\"1909-1995\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Mrs. Church\",\"dates\":\"\",\"notes\":\"Introduction. There is no information of who it is\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/797/Reading in BC_McS199_179.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"179-Side-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:14\",\"precision\":\"\",\"size\":\"40.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"179-Side-B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:08:55\",\"precision\":\"\",\"size\":\"8.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-03-21\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/23393992\",\"venue\":\"Langara College\",\"notes\":\"\",\"address\":\"100 W 49th Ave, Vancouver, BC V5Y 2Z6\",\"latitude\":\"49.22483\",\"longitude\":\"-123.10860\"}]"],"Address":["100 W 49th Ave, Vancouver, BC V5Y 2Z6"],"Venue":["Langara College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tIntroduction by Mrs. Church\n\t\t020\tPrefatory remarks by Gustafson\n\t\t070\tThe Old Moscow Woman\n\t\t170\tFlight Into Darkness\n\t\t340\tInto The Tonquin Valley – from Rocky Mountain Series\n\t\t450\tTakaka Falls\n\t\t497\tWe struck a berry patch… \n\t\t575\tSome of these trails test stamina…\n\t\t729\tTwo humps of snow stood in two fir trees… from Winter Walks\n\t\t870\tQuestions from the audience"],"Note":["[{\"note\":\"Liner Notes: Side 1 + 2\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554840596484,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6206","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["P. K. Page reading her poetry at Langara College on February 22, 1978 #180"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Page, P. K.","Mrs. Church"],"creator_names_search":["Page, P. K.","Mrs. Church"],"creators":["[{\"url\":\"http://viaf.org/viaf/59208470\",\"name\":\"Page, P. K.\",\"dates\":\"1916-2010\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Mrs. Church\",\"dates\":\"\",\"notes\":\"Introduction. There is no information about this person\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/799/Reading in BC_McS199_180.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"180-Side-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:39:52\",\"precision\":\"\",\"size\":\"36.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"180-Side-B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:11:37\",\"precision\":\"\",\"size\":\"10.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-02-22\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/23393992\",\"venue\":\"Langara College\",\"notes\":\"\",\"address\":\"100 W 49th Ave, Vancouver, BC V5Y 2Z6\",\"latitude\":\"49.22483\",\"longitude\":\"-123.10860\"}]"],"Address":["100 W 49th Ave, Vancouver, BC V5Y 2Z6"],"Venue":["Langara College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tIntroduction by Mrs. Church\n\t\t030\tPrefatory remarks by Page\n\t\t045\tCook’s Mountains\n\t\t074\tAfter Rain\n\t\t133\tTraveller’s Palm\n\t\t185\tArras\n\t\t260\tLeather Jacket\n\t\t329\tSestina for Pat Lane\n\t\t389\tImages of Angels\n\t\t490\tStephen\n\t\t530\tA Backwards Journey\n\t\t570\tMotel Pool\n\t\t615\tPoem For A Summer Afternoon\n\t\t680\tPhone Call From Mexico\n\t\t777\tThe Evening Dance of the Grey Flies\n\t\t818\tAnother Space"],"Note":["[{\"note\":\"Liner Notes: Side 1 + 2\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554840596485,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6207","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Anne Waldman Reading at the Western Front on April 26, 1976 #355a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Waldman, Anne"],"creator_names_search":["Waldman, Anne"],"creators":["[{\"url\":\"http://viaf.org/viaf/84079610\",\"name\":\"Waldman, Anne\",\"dates\":\"1945-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1192/Readings in BC_MsC199_355a.jpg\",\"other\":\"J-card\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Black and white clear jewel case with J card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"355a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:59\",\"precision\":\"\",\"size\":\"36.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"355a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:00\",\"precision\":\"\",\"size\":\"36.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-04-26\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26390\",\"longitude\":\"-123.09868\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1"],"Venue":["The Western Front"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tCh. 1\t004\tAnne Waldman singing with unidentified band\n\t\t\t(on both channels) @ 7 ½ ips\n\t\t046\tIntroduction to Anne Waldman (channel one - @3 1/3 ips)\n\t\t\t‘Anne’s regenerative effect’\n\t\t076\tAnne Waldman – “I will read mostly what I call chants”\n\t\t082\t“Battery” written for a St. Mark’s Church reading on Valentine’s Day\n\t\t109\t“Lady Tactics”\n\t\t131\t“Shaman”\n\t\t298\t“From a continuing work in Spanish”\n\t\t417\t“Paul Elovard”\n\t\t437\t“George Sand”\n\t\t460\t“Balzac”\n\t\t471\t“Fresh Dafs”\n\t\t479\t“Light and shadow”\n\t\t609\t“Plutonium Poem”\n\t\t628\t“This is an energy crisis”\n\t\t706\t“Mirror meditation”\n\t\t775\t“And protect deer also”\n\t\t959\tEnd of reading on Ch. 1"],"Note":["[{\"note\":\"Liner Notes: Anne Waldman Reading at the Western Front, April 26, 1976 Side 1 31:20 Side 2 36:18 Severe Distortion on Master Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554840596486,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6208","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Lionel Kearns Reading at the Western Front on November 1, 1976 #356"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kearns, Lionel"],"creator_names_search":["Kearns, Lionel"],"creators":["[{\"url\":\"http://viaf.org/viaf/30784380\",\"name\":\"Kearns, Lionel\",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1193/Readings in BC_MsC199_356.jpg\",\"other\":\"J-card\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Black and white clear jewel case with J card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"356-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:31\",\"precision\":\"\",\"size\":\"29.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"356-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:22:00\",\"precision\":\"\",\"size\":\"21.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-11-01\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26390\",\"longitude\":\"-123.09869\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1"],"Venue":["The Western Front"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t004\tLionel Kearns begins “I am going to read a few poems, present a few images and then read a few more poems.”\n\t\t026\t“The subject of my sermon tonight is time…”\n\t\t\tTime as an abstraction – dealt with through metaphor.\n\t\t\tConventional metaphors do not suffice\n\t\t090\t“Trap”\n\t\t116\t“Channels of culture, time into space”\n\t\t140\t“Report”\n\t\t150\tKearns “I am trying to get away from the units of duration”\n\t\t189\t“Both”\n\t\t205\t“Homage to Micado”\n\t\t240\t“Creation”\n\t\t263\t“Economic chronology”\n\t\t278\tLionel “Ways of capturing and dealing with time” – eg. The movie camera which allows one to ‘show’ time.\n\t\t\tLionel goes on to talk about a film he has been working on\n\t\t385\tTape turned off briefly during slide presentation\n\t\t390\tReading resumes\n\t\t397\t“Composition”\n\t\t440\t“Residue”\n\t\t467\t“Presents”\n\t\t513\t“Business”\n\t\t532\t“Another time”\n\t\t602\t“Last time”\n\t\t690\tDiffering concepts of time\n\t\t747\t“Sometime”\n\t\t874\t“That time”\n\t\t958\t“He asks if he was dead…”\n\t\t1075\t“The poet is seen at his desk…”\n\t\t1143\tIntro. To next poem\n\t\t1225\t“One time”\n\t\t1325\t“Now, if the past is regret…”\n\t\t1345\t“Another time”\n\t\t1420\t“Taking your time”\n\t\t1538\tEnd of reading"],"Note":["[{\"note\":\"Liner Notes: Lionel Kearns Reading at the Western Front, November 1, 1976 Side 1 26:45 Side 2 20:57 Original tape is at very low volume Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554841645056,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6209","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Bob Wallace Reading at the Western Front on May 10, 1976 #355b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wallace, Bob"],"creator_names_search":["Wallace, Bob"],"creators":["[{\"url\":\"http://viaf.org/viaf/14266562\",\"name\":\"Wallace, Bob\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1194/Readings in BC_MsC199_355b.jpg\",\"other\":\"J-card\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Black and white clear jewel case with J card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"355b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:13\",\"precision\":\"\",\"size\":\"48.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"355b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:39\",\"precision\":\"\",\"size\":\"47.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-05-10\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26390\",\"longitude\":\"-123.09868\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1"],"Venue":["The Western Front"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tCh.2\t000\tMusic noted on listing for chan. 1\n\t\t042\tBob Wallace introduces his first play – describes set:\n\t\t\tMen’s toilet at a subway stop in New York, a very claustrophic space\n\t\t237\tBegins reading of Act 1\n\t\t1068\tEnd of reading"],"Note":["[{\"note\":\"Liner Notes: Bob Wallace Reading His Play at the Western Front, May 10, 1976 Side 1 45 min Side 2 40 min Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554841645057,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6210","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["David McFadden and Daphne Marlatt Reading at the Western Front, February 1977 #357"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Marlatt, Daphne","McFadden, David"],"creator_names_search":["Marlatt, Daphne","McFadden, David"],"creators":["[{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/7405434\",\"name\":\"McFadden, David\",\"dates\":\"1940-2018\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1195/Readings in BC_MsC199_357.jpg\",\"other\":\"J-card\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Black and white clear jewel case with J card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"357-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:24:00\",\"precision\":\"\",\"size\":\"26.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"357-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:31\",\"precision\":\"\",\"size\":\"31.5 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977-02\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26391\",\"longitude\":\"-123.09870\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1"],"Venue":["The Western Front"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nTwo\t1\t004\tDavid McFadden begins with, “Fairies”\n\t\t116\t“Anthropomorphics”\n\t\t150\t“Mountain air”\n\t\t205\t“Growing strong”\n\t\t225\t“Sparrow Hawk”\n\t\t241\t“The Nightwatchman”\n\t\t287\t“Salamanders”\n\t\t297\t“Whiteman”\n\t\t358\t“My Body was Eaten by Dogs”\n\t\t413\tEnd of David McFadden’s reading\n\t\t414\tDaphne Marlatt “Seatrack etc.”\n\t\t443\t“A bi-channel…”\n\t\t591\tEnd of Daphne Marlatt reading"],"Note":["[{\"note\":\"Liner Notes: David McFadden 1. Fairies 5:39 2. Anthropomorphics 2:00 3. Mountain Air 2:30 4. Growing Strong Sparrow Hawk The Night Watchman 4:00 5. Salamanders Whiteman 3:00 6. My Body was Eaten By Dogs 2:00 Daphne Marlatt 7. Fishing Piece No. 1 1:00 8. No. 2 6:00 Recorded at the Western Front Feb. 1977 Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554841645058,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6211","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Victor Coleman Reading at the Western Front, October 1977 #358"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Coleman, Victor"],"creator_names_search":["Coleman, Victor"],"creators":["[{\"url\":\"http://viaf.org/viaf/38160442\",\"name\":\"Coleman, Victor\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1196/Readings in BC_MsC199_358.jpg\",\"other\":\"J-card\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Black and white clear jewel case with J card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"358-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:33:01\",\"precision\":\"\",\"size\":\"33.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"358-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:00\",\"precision\":\"\",\"size\":\"30.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977-10\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26391\",\"longitude\":\"-123.09870\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1"],"Venue":["The Western Front"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t004\tVictor Coleman recites an old Sanskrit adage (in Sanskrit)\n\t\t\tThe difference between a crow and a beggar\n\t\t012\tColeman continues – Introduces his first selection – from a mystery novel by Wyndam Lewis\n\t\t015\t“Mrs. Duke’s Millions”\n\t\t214\tColeman introduces the poems he will read written by Steve Rodefer\n\t\t219\tA Quote from Charles Olson (from a book of S. Rodefer’s poetry)\n\t\t224\t“Erosis”\n\t\t238\t“Commotion”\n\t\t245\t“What is it in us…”\n\t\t250\t“Poem called…”\n\t\t260\t“She Cine”\n\t\t285\tIntroduces poems from a record soon to be released called “3 ¾” – perhaps “45”\n\t\t294\t“Moving Van”\n\t\t304\t“Written on the breast of Sue” (in collaboration with Perry Chalmers)\n\t\t324\t“There is blood on the sheets…” (for Anna Banana)\n\t\t346\t“Bulge event – for the Batty Persons Gallery”\n\t\t368\t“Masturbation ramble”\n\t\t379\t“Rand McNally ramble”\n\t\t393\t“Give me your hand…”\n\t\t\tFrom “Lady material” (tent. Title for MS)\n\t\t421\t“Memory”\n\t\t443\t“Reply to an adamant lover at a distance”\n\t\t480\tColeman talks about his fantasy poetry reading tour\n\t\t485\t“Things to do in North Hampton with my Pectus Excavatum”\n\t\t509\tIntro. to poems from Doppelganger sonnet sequence\n\t\t519\t“Sonnet – Doppelganger #1”\n\t\t533\t“I live in the violent heterosexual night…”\n\t\t546\tExperiences at the Kerouac School of disembodied poetics\n\t\t561\t“Entertainments of the socially outcast”\n\t\t582\t“Sonnet – Doppelganger #2”\n\t\t617\t“A flame” (for Vicky)\n\t\t650\t“Homesick, lovesick blues”\n\t\t689\t“An indulgence”\n\t\t739\t“I am not now nor have I ever been…”\n\t\t801 \tEnd of reading"],"Note":["[{\"note\":\"Liner Notes: Victor Coleman Reading at the Western Front, October 1977 Side 1 32:20 Side 2 28:50 Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554841645059,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6212","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Filliov, Vincent Trasov, Steve McCaffery, and Allan Caprow Reading at the Western Front on November 3, 1977 #359"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Filliov, Robert","Caprow, Allan","McCaffery, Steve","Trasov, Vincent"],"creator_names_search":["Filliov, Robert","Caprow, Allan","McCaffery, Steve","Trasov, Vincent"],"creators":["[{\"url\":\"\",\"name\":\"Filliov, Robert\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Caprow, Allan\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/42437050\",\"name\":\"Trasov, Vincent\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1197/Readings in BC_MsC199_359.jpg\",\"other\":\"J-card\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Black and white clear jewel case with J card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"359-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:44\",\"precision\":\"\",\"size\":\"23.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"359-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:15:15\",\"precision\":\"\",\"size\":\"15.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977-11-03\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26390\",\"longitude\":\"-123.09869\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1"],"Venue":["The Western Front"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: Robert Filliov, Vincent Trasov, Steve McCaffery, Allan Caprow at the Western Front, November 3, 1977 Side 1 23 min. Side 2 15 min. Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554841645060,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6213","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Paul Dutton Reading at the Western Front on November 29, 1977 #360"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Dutton, Paul"],"creator_names_search":["Dutton, Paul"],"creators":["[{\"url\":\"http://viaf.org/viaf/36999806\",\"name\":\"Dutton, Paul\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1212/Readings in BC_MsC199_360.jpg\",\"other\":\"J-card\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Black and white clear jewel case with J card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"360-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:36\",\"precision\":\"\",\"size\":\"29.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"360-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:41\",\"precision\":\"\",\"size\":\"29.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977-11-29\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26390\",\"longitude\":\"-123.09869\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1"],"Venue":["The Western Front"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nTwo\t\t050\tRecording starts mid-reading\n\t\t051\t“Chapter two” from The Book of Numbers\n\t\t070\t“Chapter three”\n\t\t076\t“Chapter four”\n\t\t087\t“Chapter five”\n\t\t100\t“Chapter six”\n\t\t109\t“Chapter seven”\n\t\t111\t“Chapter eight”\n\t\t121\t“Chapter nine”\n\t\t130\t“Chapter ten”\n\t\t138\t“Chapter eleven”\n\t\t207\t“Chapter twelve”\n\t\t297\t“Chapter thirteen”\n\t\t374\t“Chapter fourteen”\n\t\t394\t“Chapter fifteen”\n\t\t434\t“Sound blues”\n\t\t541\t“so’net I from Right Hemisphere, Left Ear\n\t\t560\t“So’net 2” for Rafael\n \t\t583\t“So’net 3”\n\t\t608\t“So’net r”\n\t\t638\t“A little light love”\n\t\t703\t“Score for Tony”\n\t\t777\t“Score for Tony” – movement II”\n\t\t852\t“Dementi formel de diefenbakei”\n\t\t881\t“Dooley did”\n\t\t930\t“In times of war…”\n\t\t1070\t“Jazz musician” to James Moody\n\t\t1169\tEnd of reading\nOne\t\t002\tTape starts mid reading\n\t\t017\t“3:33”\n\t\t038\t“Fine line”\n\t\t053\t“To understand the condition…”\n\t\t090\t“The death of Strindberg, Andree, and Fraenkel on their arctic expedition”\n\t\t147\t“How to kill the noun”\n\t\t167\t“His eyes, her eyes”\n\t\t200\t“Ah” for Louis Dudek\n\t\t247\tVisionary portraits 1\n\t\t497\tVisionary portraits 2"],"Note":["[{\"note\":\"Liner Notes: Paul Dutton at the Western Front, November 29, 1977 Side 1 29:45 Side 2 29:20 Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554842693632,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6214","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Vancouver lectures: Jack Spicer Poetic Dictation at Tallman Residence on June 13, 1965 #1a\n\n\n\n"],"item_title_source":["J-card and inventory"],"item_title_note":["Liner notes: see the photo in the material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Spicer, Jack"],"creator_names_search":["Spicer, Jack"],"creators":["[{\"url\":\"http://viaf.org/viaf/46807530\",\"name\":\"Spicer, Jack\",\"dates\":\"1925-1965\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors_names":["Enomoto, Randy"],"contributors_names_search":["Enomoto, Randy"],"contributors":["[{\"url\":\"http://viaf.org/viaf/256444645\",\"name\":\"Enomoto, Randy \",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Enomoto, Randy "],"Production_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1412/Reading in BC_MsC199_1a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:01:36\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and clear case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T:00:30:58\",\"precision\":\"\",\"size\":\"20.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:41\",\"precision\":\"\",\"size\":\"20.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-06-13\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/487641396\",\"venue\":\"Tallman Residence\",\"notes\":\"Tallman and family lived in the '50s & '60s at 2527 West 37th Ave in Kerrisdale and this was where quite a few talks and reading were held and recorded.\",\"address\":\"2527 West 37th Avenue, Vancouver, British Columbia, Canada\",\"latitude\":\"49.23722\",\"longitude\":\"-123.11556\"}]"],"Address":["2527 West 37th Avenue, Vancouver, British Columbia, Canada"],"Venue":["Tallman Residence"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tIntroductory lecture\n\t\t235\tQuestions from audience\n\t\t540\tPrefatory remarks to The Textbook of Poetry\n\t\t595\tBegins to read The Textbook of Poetry\n"],"Note":["[{\"note\":\"Liner Notes: Jack Spicer, The Vancouver Lectures, Poetic Dictation Side 1 31 min Side 2 30:36 Recorded at the Tallman Residence by Randy Enomoto\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554842693633,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6215","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Louis Zukofsky at Library of Congress on November 3 and 4, 1960 Tape 2 of 2 #260b"],"item_title_source":["cassette and j-card"],"item_title_note":["Liner notes: see the photo in the material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Zukofsky, Louis"],"creator_names_search":["Zukofsky, Louis"],"creators":["[{\"url\":\"http://viaf.org/viaf/42358\",\"name\":\"Zukofsky, Louis\",\"dates\":\"1904-1978\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1960],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7831/Readings in BC_MsC199_260b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"260b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:37\",\"precision\":\"\",\"size\":\"33.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"260b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:55:16\",\"precision\":\"\",\"size\":\"61.6 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1960-11-03\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"j-card\"},{\"date\":\"1960-11-04\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/66418868\",\"venue\":\"Library of Congress\",\"notes\":\"Recorded for this library, not necessarily in it, there is no such information in the recording\",\"address\":\"101 Independence Ave SE, Washington, DC 20540, United States\",\"latitude\":\"38.8867409\",\"longitude\":\"-77.00470552371982\"}]"],"Address":["101 Independence Ave SE, Washington, DC 20540, United States"],"Venue":["Library of Congress"],"Note":["[{\"note\":\"Liner Notes: Liner Notes: Louis Zukofsky Tape for Library of Congress, Nov. 3-4, 1960 Tape 1 of 2\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554842693634,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6216","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Reading by members of the Kootenay school of writing at SFU on April 4, 1985 #380"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Whitehead, Gary","Derksen, Jeff","Wharton, Calvin","Lord, Susan","Vanel, Kurtis"],"creator_names_search":["Whitehead, Gary","Derksen, Jeff","Wharton, Calvin","Lord, Susan","Vanel, Kurtis"],"creators":["[{\"url\":\"http://viaf.org/viaf/29421904\",\"name\":\"Whitehead, Gary \",\"dates\":\"1957-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/30591332\",\"name\":\"Derksen, Jeff \",\"dates\":\"1958-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/23765293\",\"name\":\"Wharton, Calvin \",\"dates\":\"1952-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/337901\",\"name\":\"Lord, Susan \",\"dates\":\"1959-\",\"notes\":\"She does the introduction part \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1985],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7849/Readings in BC_MsC199_380.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"380-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:48\",\"precision\":\"\",\"size\":\"40.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"380-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:51\",\"precision\":\"\",\"size\":\"39.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-04-04\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"Burnaby, British Columbia, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["Burnaby, British Columbia, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t004\tIntroduction to three Kootenay School writers by Susan Lord\n\t\t008\tFirst reader Calvin Wharton – from Gebiki (dictionary)\n\t\t013\t“Gebiki” 1\n\t\t016\t“Gebiki” 2\n\t\t020\t“Herons”\n\t\t025\t“Ten”\n\t\t030\t“Foreign Cycle”\n\t\t039\t“The profound desire of the Gods”\n\t\t050\t“Nihon jazz”\n\t\t054\t“Angler photo 1941”\n\t\t061\t“Chicken of the sea, tuna of the land”\n\t\t065\t“This day our daily bread”\n\t\t101\t“Tough hombre” a short story\n\t\t203\tEnd of first reading\n\t\t209\tSecond reader begins Gary Whitehead\n\t\t216\t“Supply and demand” –a ‘true’ story\n\t\t426\tEnd of second reader\n\t\t427\tJeff Derksen begins\n\t\t432\t“Wrists”\n\t\t556\t“Thanks to a dictionary, Louis” for Louis Zukovsky\n\t\t594\t“Appendix”\n\t\t1045\tEnd of Jeff Derksen’s reading\n\t\t1052\tEnd of tape"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554842693635,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6217","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Creeley interview by Vicki Gabereau at CBC on May 30, 1986 #381"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Gabereau, Vicki","Creeley, Robert"],"creator_names_search":["Gabereau, Vicki","Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/104844374\",\"name\":\"Gabereau, Vicki\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7850/Readings in BC_MsC199_381.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"381-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:35\",\"precision\":\"\",\"size\":\"29.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"381-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:14\",\"precision\":\"\",\"size\":\"29.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-05-30\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/50259713\",\"venue\":\"CBC Radio\",\"notes\":\"It's not specified which CBC studio this program is recorded, but it's highly possible that it's recorded at CBC studio in Vancouver downtown \",\"address\":\"700 Hamilton Street Vancouver, British Columbia V6B 4A2\",\"latitude\":\"49.27912\",\"longitude\":\"-123.11452\"}]"],"Address":["700 Hamilton Street Vancouver, British Columbia V6B 4A2"],"Venue":["CBC Radio"],"City":["Hamilton, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tEmpty\nTwo\t\t003\tIntroduction to Creeley by Vicki Gabereau\n\t\t020\tCreeley’s visit to Vancouver and reasons why\n\t\t031\tRecollections of Vancouver in 1963\n\t\t073\tTeaching at UBC\n\t\t085\tLife in New Mexico\n\t\t114\tBuffalo, New York and New York State University\n\t\t159\tCanadian poetry and poets\n\t\t187\tTrip to France\n\t\t231\tLate eighties as a time of poets\n\t\t276\tYears at Harvard\n\t\t309\tCreeley reads “My mother’s voice”\n\t\t320\tJazz – “Little Willy jumps” Bud Powell\n\t\t438\tJazz rhythms – beats – meters\n\t\t463\tCreeley’s desire to play banjo and bass\n\t\t486\tRecreation of mood\n\t\t430\tCreeley’s family\n\t\t450\tWork and distractions\n\t\t629\tThelonius Monk to end of tape"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554843742208,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6218","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Cid Corman reading, April 29 and May 21, 1969 plus  Lorine Niedecker reading at Ft. Atkinson on November 15, 1970 #382"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Niedecker, Lorine","Corman, Cid"],"creator_names_search":["Niedecker, Lorine","Corman, Cid"],"creators":["[{\"url\":\"http://viaf.org/viaf/61814094\",\"name\":\"Niedecker, Lorine \",\"dates\":\"1903-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/7405370\",\"name\":\"Corman, Cid\",\"dates\":\"1924-2004\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Donor\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7851/Readings in BC_MsC199_382.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"382-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:35\",\"precision\":\"\",\"size\":\"29.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"382-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:14\",\"precision\":\"\",\"size\":\"29.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969-04-29\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1969-05-21\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1970-11-15\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/128922\",\"venue\":\"Fort Atkinson\",\"notes\":\"Lorine Niedecker reads there\",\"address\":\"Winneshiek County, Iowa, United States\",\"latitude\":\"43.1444\",\"longitude\":\"-91.9340\"}]"],"Address":["Winneshiek County, Iowa, United States"],"Venue":["Fort Atkinson"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nTwo\t\t000\tCorman introduces his poetry.  Two series of poems, one of 16, another of 30\n\t\t020\tOne “nothing…not even that”\n\t\t028\tTwo “as much me as you are you”\n\t\t035\tThree “even now, now, tears”\n\t\t043\tFour “soft because there is nothing now to cry out”\n\t\t054\tFive “hopeless joy, to be in this room”\n\t\t072\tSix “the breath delivers me…”\n\t\t080\tSeven “it hardly matters that I speak”\n\t\t089\tEight “if you say it long enough…”\n\t\t100\tNine “my voice, you will be here”\n\t\t109\tTen “whatever I say, I say words”\n\t\t114\tEleven “you want to know why I am not laughing”\n\t\t125\tTwelve “it makes no sense to speak of time”\n\t\t132\tThirteen “and now, my parents dead”\n\t\t139\tFourteen “only one night left”\n\t\t144\tFifteen “what did it mean”\n\t\t152\tSixteen “there is little left to say”\n\t\t167\tCorman introduces his second series, 21 May\n\t\t185\tOne “how past a number is”\n\t\t913\tTwo “in the direction of it would seem”\n\t\t203\tThree “all ghost are holy”\n\t\t211\tFour “before long after”\n\t\t222\tFive “the mind a penthouse”\n\t\t230\tSix “turn it around”\n\t\t240\tSeven”lucky you.  Pick up the die”\n\t\t248\tEight “it is a slow merry-go-round”\n\t\t255\tNine “nothing is mine”\n\t\t270\tTen “it seems to speak”\n\t\t281\tEleven “and here we are”\n\t\t289\tTwelve “the hours of the day”\n\t\t299\tThirteen “the hand I hold”\n\t\t314\tFourteen “a hand comes down from heaven”\n\t\t325\tFifteen “get your damned hands out of my pockets”\n\t\t336\tSixteen “strawberries and lime sherbet”\n\t\t347\tSeventeen “don’t breath or I’ll die”\n\t\t358\tEighteen “you sit and listen”\n\t\t368\tNineteen “you want to turn me off”\n\t\t384\tTwenty “every night the dog barks”\n\t\t405\tTwentyone “something fell”\n\t\t428\tTwentytwo “bark, bark, bark”\n\t\t442\tTwentythree “you sit with a friend”\n\t\t463\tTwentyfour “listen close”\n\t\t481\tTwentyfive “we live”\n\t\t490\tTwentysix “love, love man”\n\t\t504\tTwentyseven “I love you man, man and woman”\n\t\t520\tTwentyeight “and so we lean”\n\t\t541\tTwentynine “God Lord must we weep at every word”\n\t\t557\tThirty “and this is all I have to say”\n\n\n\n\n\n"],"Note":["[{\"note\":\"There is some technical issue with side two \",\"type\":\"\"},{\"note\":\"side one and two should be vice versa in the content part\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554843742209,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6219","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Liberational Biology: Michael McClure speaking at Gainesville in Florida on April 20, 1975 #383"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["McClure, Michael"],"creator_names_search":["McClure, Michael"],"creators":["[{\"url\":\"http://viaf.org/viaf/71493269\",\"name\":\"McClure, Michael\",\"dates\":\"1932-2020\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7852/Readings in BC_MsC199_383.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"383-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:15:44\",\"precision\":\"\",\"size\":\"16.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"383-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:15:41\",\"precision\":\"\",\"size\":\"16.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-04-20\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/118870\",\"venue\":\"Gainesville\",\"notes\":\"\",\"address\":\"Gainesville, Florida, USA\",\"latitude\":\"29.6821\",\"longitude\":\"-82.3453\"}]"],"Address":["Gainesville, Florida, USA"],"Venue":["Gainesville"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t008\tLiberational aspects of biology\n\t\t\tImpossible to remove ourselves from social structure and return to a freer natural state\n\t\t034\tIts only in the last 7,000 years that we have developed society around us that is self sustaining\n\t\t064\tGoverned by the rules of society\n\t\t097\tAll land as owned – fenced – creation of maze – entrapment\n\t\t118\tLiberation through Buddhism – but can we make a planet anymore – unconstrict ourselves\n\t\t152\tWe have to reacquaint ourselves with biology in order to become free beings\n\t\t200\tFinding of nature – not to be confused with the outdoors\n\t\t\tTo know what it means to be a mammal for example\n\t\t288\t‘Beat’ generation as an environmental movement and not a literary movement\n\t\t326\t“I don’t want to be an American patriot – I want to be a mammal patriot”"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554843742210,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6220","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Michael McClure reading at Humboldt College on April 23, 1975 #384"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["McClure, Michael"],"creator_names_search":["McClure, Michael"],"creators":["[{\"url\":\"http://viaf.org/viaf/71493269\",\"name\":\"McClure, Michael\",\"dates\":\"1932-2020\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7853/Readings in BC_MsC199_384.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"384-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:51\",\"precision\":\"\",\"size\":\"31.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"384-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:32\",\"precision\":\"\",\"size\":\"30.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-04-23\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/165481206\",\"venue\":\"Humboldt College\",\"notes\":\"The Humboldt College is closed we assume that it changed its name to Carlton Trail College.\",\"address\":\"Carlton Trail, North Battleford, Saskatchewan, S9A 4A9, Canada\",\"latitude\":\"52.76348\",\"longitude\":\"-108.27489\"}]"],"Address":["Carlton Trail, North Battleford, Saskatchewan, S9A 4A9, Canada"],"Venue":["Humboldt College"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\t-audio levels often fluctuate\n\t\t03\tIntroduction to Michael McClure\n\t\t32\tMcClure begins – I feel like a chef’s salad\n\t\t38\tDiscussion of the beat period\n\t\t51\tNeed to read from a wide spectrum of works – periods\n\t\t68\t“My mother Said to Me Tonight” from 1951\n\t\t81\tHistory of next selection – interest in natural history and anatomy\n\t\t48\t“Linked part to part…”\n\t\t114\t‘Cool’ Jazz and the beat poets’ interest in it\n\t\t122\t“Sleepwalkers, ghosts…”\n\t\t137\tThe beauty of cities\n\t\t142\t“How beautiful things are…”\n\t\t157\tPoems from the sixties\n\t\t164\tPoems in an invented language\n\t\t176\tFirst in series of invented language poems – in ‘baby’ talk\n\t\t188\tA steam bath experience\n\t\t198\tAnother invented language poem\n\t\t215\tAnother – read to 4 lions in the San Fran. Zoo\n\t\t270\tReading of* an environmental symposium – flying there & noticing airplane food\n\t\t283\t“American Airlines”\n\t\t297\tExperiences of the night after a solstice\n\t\t305\t“Grey Fox at Soltice”\n\t\t324\tA poem for Shakespeare’s birthday\n\t\t\t“Shakespeare’s birthday”\n\t\t351\tA notebook poem “Trip”\n\t\t371\t“The young Lady cat…”\n\t\t392\t“Americans passing by…”\n\t\t434\tA historical poem – prehistory of the Lincoln county area – killing off of namillian mega-fawna\n\t\t511\t“The kid is so raging beautiful…”\nTwo\t\t07\t“Rains of Spring”\n\t\t20\tEnd of reading proper – McClure asks for questions from audience\n\t\t23\t1st question – not audible\n\t\t27\tMClure repeats question – does the influence of Blake & other poetry undermine originality\n\t\t33\tNo – other poets are incredible instruments\n\t\t55\tMcClure as a structuralist – Leustrauss, Clomsky etc…\n\t\t69\tMcClure decides to read a few more poems\n\t\t73\t“Those stars of light…”\n\t\t82\t“Each with his little hoard of gold…”\n\t\t89\t“Borrowed Feet”\n\t\t111\tEnd of recording"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554844790784,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6221","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Allen Ginsberg and Michael McClure reading at Naropa Institute,1976 part 1 of 2 #385a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["McClure, Michael","Ginsberg, Allen"],"creator_names_search":["McClure, Michael","Ginsberg, Allen"],"creators":["[{\"url\":\"http://viaf.org/viaf/71493269\",\"name\":\"McClure, Michael\",\"dates\":\"1932-2020\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen \",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7854/Readings in BC_MsC199_385a.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"385a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:52\",\"precision\":\"\",\"size\":\"30.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"385a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:00:52\",\"precision\":\"\",\"size\":\"59.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/391232001\",\"venue\":\"Naropa Institute\",\"notes\":\"\",\"address\":\"Marine Street, Boulder, Boulder County, Colorado, 80309, United States\",\"latitude\":\"40.01404\",\"longitude\":\"-105.26695\"}]"],"Address":["Marine Street, Boulder, Boulder County, Colorado, 80309, United States"],"Venue":["Naropa Institute"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction\n\t\t040\tAllen Ginsberg – saying they will read words chronologically, beginning at the mid 50’s\n\t\t064\tGinsberg reads beginning of Howl\n\t\t124\tMichael McClure reads poem written for the death of a hundred killer whales, 1954\n\t\t148\t“Linked part to part”\n\t\t167\t“How beautiful beautiful things are”\n\t\t180\tGinsberg “My Alba”\n\t\t200\t“Sakyamuni coming out of the mountain”\n\t\t233\t“The green automobile”\n\t\t310\tMcClure reads the ballad “My mother said to me tonight”\n\t\t344\t“Peyote poem”\n\t\t412\t“Sleepwalkers, ghosts”\n\t\t426\tGinsberg reads “Poem on Burroughs’ work”\n\t\t442\t“Love poem on a theme by Walt Whitman”\n\t\t470\tSong (“The Weight of the World”)\n\t\t498\tMcClure “Dark brown”\n\t\t520\t“Fuck Ode”\n\t\t660\tGinsberg “I’m happy Kerouac”\n\t\t679\t“Dream record, June 8 1955”\n\t\t716\t“A strange new cottage in [Berkley]”\n\t\t790\tMcClure “I love to think of the red-purple rose…” (Ghost Tantra #51)\n\t\t835\t“Silence the eyes…” (Ghost Tantra #49)\n\t\t878\tGinsberg “Sather Gate illumination”\n\t\t1001\tTape runs out mid poem"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554844790785,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6222","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Allen Ginsberg and Michael McClure reading at Naropa Institute,1976 part 2 of 2 #385b "],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["McClure, Michael","Ginsberg, Allen"],"creator_names_search":["McClure, Michael","Ginsberg, Allen"],"creators":["[{\"url\":\"http://viaf.org/viaf/71493269\",\"name\":\"McClure, Michael\",\"dates\":\"1932-2020\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen \",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7855/Readings in BC_MsC199_385b.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"385b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:35\",\"precision\":\"\",\"size\":\"20.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"385b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:29\",\"precision\":\"\",\"size\":\"20.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/391232001\",\"venue\":\"Naropa Institute\",\"notes\":\"\",\"address\":\"Marine Street, Boulder, Boulder County, Colorado, 80309, United States\",\"latitude\":\"40.01404\",\"longitude\":\"-105.26695\"}]"],"Address":["Marine Street, Boulder, Boulder County, Colorado, 80309, United States"],"Venue":["Naropa Institute"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t000\tSather Gate continued (Ginsberg)\n\t\t036\t“Tears, 1956” (Ginsberg)\n\t\t044\tMcClure “I’m an eagle in a whirlpool” from Jaguar Skies\n\t\t060\t“Absorb all the beautiful systems” (McClure)\n\t\t077\t“C’mon, give me my Blackness”\n\t\t090\t“The young lady cat”\n\t\t100\t“How sweet to be a rose” (McClure)\n\t\t105\tGinsberg reads “To my father” (early version of “Don’t grow old”)\n\t\t136\t“I came out in my business suit”\n\t\t160\tSings two songs (Ginsberg)\n\t\t281\tMcClure reads “I know nothing about boats…”\n\t\t450\tTape ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554844790786,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6223","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Berkeley Poetry Festival: Michael McClure and Lewis MacAdams reading on February 22, 1977 part 1 of 2 #386a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["McClure, Michael","MacAdams, Lewis","McNaughton, Duncan"],"creator_names_search":["McClure, Michael","MacAdams, Lewis","McNaughton, Duncan"],"creators":["[{\"url\":\"http://viaf.org/viaf/71493269\",\"name\":\"McClure, Michael\",\"dates\":\"1932-2020\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/23609123\",\"name\":\"MacAdams, Lewis \",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/63059516\",\"name\":\"McNaughton, Duncan\",\"dates\":\"1942-\",\"notes\":\"He introduces reading\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7857/Readings in BC_MsC199_386a.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"386a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:16\",\"precision\":\"\",\"size\":\"30.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"386a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:12\",\"precision\":\"\",\"size\":\"29.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977-02-22\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2833528\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Berkeley, Alameda County, California, United States\",\"latitude\":\"37.8678\",\"longitude\":\"-122.2933\"}]"],"Address":["Berkeley, Alameda County, California, United States"],"City":["Berkeley, California"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tDuncan McNaughton introduces the reading\n\t\t041\tMcClure reads from an essay called “Specks”\n\t\t170\tReads a poem by Otama Yakamoshi written 750 AD\n\t\t190\t“The Mona Lisa is Isis”\n\t\t219\t“Float like a Hummingbird/Sting like a Bee”\n\t\t292\t“The movies stars appear to glow with wholeness”\n\t\t334\t“When some British school children were asked what is the loveliest thing you know”\n\t\t343\t“On the mountain where we slept”\n\t\t354\t“We are white flames in black”\n\t\t388\tMcClure finishes reading.  McNaughton introduces Lewis MacAdams\n\t\t411\tMacAdams reads “Logic is delirium”, for Jean-Luc Godard\n\t\t454\t“Total eclipse”\n\t\t507\t“Dorn’s fifty”\n\t\t522\t“Hugo Panell”\n\t\t566\t“For Beth”\n\t\t580\tPoems from News from Niman Farm\n\t\t\t“This is the last streetcar”\n\t\t590\t“Look, I declair”\n\t\t641\t“A street person crying”\n\t\t657\t“Eamon de Valera”\n\t\t781\t“Written in water this very afternoon”\n\t\t910\tMacAdams finishes reading"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554844790787,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6224","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Berkeley Poetry Festival: Ed Dorn and Duncan McNaughton reading on February 22, 1977 part 2 of 2 #386b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Dorn, Edward","McNaughton, Duncan"],"creator_names_search":["Dorn, Edward","McNaughton, Duncan"],"creators":["[{\"url\":\"http://viaf.org/viaf/25166087\",\"name\":\"Dorn, Edward\",\"dates\":\"1929-1999\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/63059516\",\"name\":\"McNaughton, Duncan\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7858/Readings in BC_MsC199_386b.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"386b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:20\",\"precision\":\"\",\"size\":\"29.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"386b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:25\",\"precision\":\"\",\"size\":\"30.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977-02-22\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2833528\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Berkeley, Alameda County, California, USA\",\"latitude\":\"37.8678\",\"longitude\":\"-122.2933\"}]"],"Address":["Berkeley, Alameda County, California, USA"],"City":["Berkeley, California"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t000\tIntroduction cut off\n\t\t\tEd Dorn reading\n\t\t009\tReading from a book called Hello LeHoya\n\t\t018\t“Fly wheel program”\n\t\t035\t“A reduction of a certain amount of recent copy”\n\t\t099\t“Pete stores ammonia from horse manure”\n\t\t107\tPoems from series “one-o-one”\n\t\t144\t“A late luddite opinion”\n\t\t164\t“They’re going to put you in a Petrie dish”\n\t\t176\t“Corrupt usages of some words widely used and abused in Modern poetry”\n\t\t244\t“What will be historically durable”\n\t\t249\t“Useful information section”\n\t\t268\t“Alaska”\n\t\t270\t“Del Mar”\n\t\t278\t“Fly wheel programs”\n\t\t287\t“If somebody asks you where you came from”\n\t\t299\t“One-o-one”\n\t\t302\t“Wanted”\n\t\t314\tCut off\n\t\t318\tDuncan McNaughton introduced\n\t\t331\tReads poem “Sumeriana”\n\t\t355\tProse – “One of Melville’s churches”\n\t\t484\t“One of Melville’s churches, #3”\n\t\t543\t“Sonnet”\n\t\t570\t“For Lise and Fred Wah”\n\t\t587\t“There was a man one time”\n\t\t600\tTape ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554844790788,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6225","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Minnie Mouse and The Tap Dancing Buddha: Michael McClure play alongside Rick Nowels music #387"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nowels, Rick","McClure, Michael"],"creator_names_search":["Nowels, Rick","McClure, Michael"],"creators":["[{\"url\":\"http://viaf.org/viaf/300446927\",\"name\":\"Nowels, Rick \",\"dates\":\"1960-\",\"notes\":\"Music and score\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/71493269\",\"name\":\"McClure, Michael\",\"dates\":\"1932-2020\",\"notes\":\"Play and lyrics\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7859/Readings in BC_MsC199_387.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"387-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:35\",\"precision\":\"\",\"size\":\"29.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"387-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:59:32\",\"precision\":\"\",\"size\":\"70.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t08\tMinnie Mouse and The Tap Dancing Buddha\n\t\t\t-performed by the Magic Theatre\n\t\t20\t“I miss my Mickey…”\n\t\t42\t“Its hard to tell evil from truth…” (Mickey isn’t here)\n\t\t93\t“Oh! I’ve had a vision…” (Minnie)\n\t\t162\t“Oh big white blossoms/perk up your ears…”\n\t\t219\t“And the thing goes ding-ding…”\n\t\t281\t“Remember, the trilionic universal realms reflecting one another…”\n\t\t317\t“Please carry on Miss Mouse…”\n\t\t334\t“My Mickey’s very sensitive…”\n\t\t380\t“Hi, Hi, Hi…”\n\t\t420\t“You can laugh and you can stumble…”\n\t\t478\t“We’re roosters crowing in the glue…”\n\t\t562\t“Something shot from a shooting star…”\n\t\t587\t“How wonderful! I’m free of my own [immagination]…”\n\t\t652\t“Miss Mouse…”\n\t\t685\t“It’s all dark in here…”\n\t\t748\t“Let me see…” (I ran away from the animation table)\n\t\t806\t“Better off worse, we broke the curse…”\n\t\t883\t“Liberation is all that counts…”\n\t\t961\tEnd of recording"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554844790789,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6226","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Poet for children: Red Lane reading, 1964 #388"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Lane, Red"],"creator_names_search":["Lane, Red"],"creators":["[{\"url\":\"http://viaf.org/viaf/171149196478074791651\",\"name\":\"Lane, Red \",\"dates\":\"1939-2015\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1964],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7860/Readings in BC_MsC199_388.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"388-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:37\",\"precision\":\"\",\"size\":\"19.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"388-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:33\",\"precision\":\"\",\"size\":\"21.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1964\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\t\t01\tAn introduction to children’s poetry\n\t\t\t-\tA lot of noise & hum\n\t\t09\t-\tGetting into a child’s mind\n\t\t13\t“The child can ask me”\n\t\t26\tTelling children what a poem is\n\t\t31\t“What is a Poem, is a Poet, is a Poem”\n\t\t46\t“One of These Mornings”\n\t\t63\t“On Purpose, Because”\n\t\t80\t“Breakfast is”\n\t\t97\t“The Lunch is the People”\n\t\t149\t“Fun”\n\t\t163\t“The Games That Seem”\n\t\t241\t“Is Happening, Is Happened To”\n\t\t284\t“There”\n\t\t297\tEnds abruptly\n\t\t303\tDorothy [Linesay] begins reading – a prose piece \n\t\t350\tEnd of prose piece\n\t\t351\tA few re-readings of above reading\n\t\t384\tA mike check\n\t\t398\tUnknown female voice – reading a postcard\n\t\t462\tIdle chatter between Dorothy [Linesay] & several other voices.\n\t\t\tEnd of tape\nSide\tTrack\tNo.\tComments\n\t\t01\tAn introduction to children’s poetry\n\t\t\t-\tA lot of noise & hum\n\t\t09\t-\tGetting into a child’s mind\n\t\t13\t“The child can ask me”\n\t\t26\tTelling children what a poem is\n\t\t31\t“What is a Poem, is a Poet, is a Poem”\n\t\t46\t“One of These Mornings”\n\t\t63\t“On Purpose, Because”\n\t\t80\t“Breakfast is”\n\t\t97\t“The Lunch is the People”\n\t\t149\t“Fun”\n\t\t163\t“The Games That Seem”\n\t\t241\t“Is Happening, Is Happened To”\n\t\t284\t“There”\n\t\t297\tEnds abruptly\n\t\t303\tDorothy [Linesay] begins reading – a prose piece \n\t\t350\tEnd of prose piece\n\t\t351\tA few re-readings of above reading\n\t\t384\tA mike check\n\t\t398\tUnknown female voice – reading a postcard\n\t\t462\tIdle chatter between Dorothy [Linesay] & several other voices.\n\t\t\tEnd of tape"],"Note":["[{\"note\":\"Dorothy [Linesay] is probably the reader on side two that is blank\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554845839360,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6227","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Heritage Writers' Festival: George Bowering, John Mills, and Audrey Thomas discuss Problems of the B.C. Writer moderated by Bruce Nesbitt at SFU on June 13th, 1978 Tape 2 of 2  #448 - tape 2"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","Mills, John","Thomas, Audrey","Nesbitt, Bruce"],"creator_names_search":["Bowering, George","Mills, John","Thomas, Audrey","Nesbitt, Bruce"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/17408236\",\"name\":\"Mills, John\",\"dates\":\"1908-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\" http://viaf.org/viaf/27082708\",\"name\":\"Thomas, Audrey\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/40907542\",\"name\":\"Nesbitt, Bruce\",\"dates\":\"1941-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7865/Reading in BC_MsC199_448-tape2.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"448-tape-2-side-1.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:24:57\",\"precision\":\"\",\"size\":\"26.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"448-tape-2-side-2.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:24:57\",\"precision\":\"\",\"size\":\"26.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-06-13\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767 \",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t000\tJohn Mills says moralism is not a motivation for writing, and that the act of writing is an act of play\n\t\t030\tBowering talks about Captain George Vancouver’s botanist Archibald Menzies, who drew and reported on the plant and animal life of this coast.  He likens this act to the pet’s function as a political activator\n\t\t080\tBowering talks about Canadian writers or B.C. writers as being those who speak the vocabulary and the imagery of the place, rather than those who were born in the place\n\t\t114\tJohn Mills talks about the problem of the limited readership in B.C.\n\t\t130\tAudrey Thomas says she gets more reviews in the east than here\n\t\t168\tThomas and Bowering talk about their ideas of who they are writing for.  Mills says he writes for an imaginary ear.  He questions the relevance of labelling a writer by nationality\n\t\t207\tMills says reading a lot helped him most, as a beginning writer.  Bowering talks about the combination of reading a lot and finding peers who helped him.  Thomas says the discovery of women writers urged her to write\n\t\t271\tMills talks about search for an artificial sense of identity in a place\n\t\t295\tBowering tells about bad writing advice\n\t\t\tWrite about what you know, & find your own voice\n\t\t323\tThomas says writing is essentially the discovery of language and its roots\n\t\t373\tJohn Mills says that he writes novels because they can pose epistemological questions\n\t\t435\tThey talk about “suitable subjects” for writing.  Mills says that relationships interest him more than characters.  Bowering says autobiographical content is more acceptable in poems, and that revenge is a good motivation for writing\n\t\t497\tBowering says that content-oriented writing holds women back from the forefront of the avant guard, where Stein and H.D. were 50 years ago\n\t\t540\tThey discuss realism and writing and lyricism\n\t\t581\tTape ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554845839361,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6182","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Bob Rose Reading at the Western Front on November 3, 1975 #291c"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Rose, Bob","Little, Billy"],"creator_names_search":["Rose, Bob","Little, Billy"],"creators":["[{\"url\":\"\",\"name\":\"Rose, Bob\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/223141797\",\"name\":\"Little, Billy\",\"dates\":\"1943-\",\"notes\":\"In the BC inventory document, it's mentioned that Bill Little introduces Bob Rose. I assumed it's Billy \",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/762/Readings in BC_MsC199_291c.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"291c-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:36\",\"precision\":\"\",\"size\":\"39.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"291c-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:03\",\"precision\":\"\",\"size\":\"39.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-11-03\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26391\",\"longitude\":\"-123.09869\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1"],"Venue":["The Western Front"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tRight channel\t\t\n\t\t000\tBill Little introducing Bob Rose\n\t\t008\tBob Rose: “I’d like to read work that I’ve written in the last year… Kilo Overo and I… King Sparkle, collaborated on a poem called “Love in the rain” (Reads)\n\t\t035\t“This is a collaboration with 4 six-year-olds and an eight-year-old… (reads) “Once upon a time there was a pink sun…”\n\t\t063\t“Living on Islands (for Gordon Payne)”*\n\t\t100\t“This is a Translation of a Caribbean song from… Belize” (reads) “The north wind blows so beautifully…”*\n\t\t111\t“In Seine Bright a Spanish-speaking man…”\n\t\t135\t“The Hiccatee hole”*\n\t\t150\t“This poem is to a well-digger, who is digging a hand-dug well in Chimaltenango, Guatemala.” (reads) “Damp Sand, 18 varas (for Gordon and Amalia)”* (last 2 lines are not in the printed version)\n\t\t169\t“Prayer meeting at Bird’s Island (for Charlie Parker)”\n\t\t218\t“The player’s prologue”\n\t\t222\t“Forms of address”\n\t\t224\t“Two for Marianna (seven altars, Amatique Bay, Guatemala)”\n\t\t248\t“What I’m going to read now is work from Hornby Island”\n\t\t265\t“The blind date”\n\t\t304\t“The foundation in the orchard”\n\t\t320\t“Home”\n\t\t359\t“Moving in”\n\t\t384\t“For the time: being”\n\t\t438\t“Hi! Cousin”\n\t\t441\t“His hair was shorter, now…”\n\t\t531\t“Modern times (for Jerry, Margaret & Yahua Pethick)”\n\t\t594\t“A piece for Michael Davidson written in La Jolla, California…”\n\t\t605\t“Ritual”\n\t\t612\t“If the whole world were people, just people…”\n\t\t617\t“The ones that count (for Peter Huse)”\n\t\t628\t“For Brian and Sandy”\n\t\t640\t“The day is like wide water without sound…”\n\t\t647\t“Struggle”\n\t\t676\t“Constant Reminders”\n\t\t685\t“Both sides”\n\t\t695\t“Why do you retreat from me, so far away and shaded…”\n\t\t702\t“And it’s a long way down to Reno, Nevada…”\n\t\t708\t“The gestation period of an ass…”\n\t\t710\t“Discovery”\n\t\t716\t“Wasps”\n\t\t724\t“Mountain climbing (for Buster Keaton)\n\t\t742\t“Winston Churchill set down…”\n\t\t747\t“I wish Purple…”\n\t\t755\t“A wing of smoke against the garden…”\n\t\t764\t“Waking up next to you.”*\n\t\t788\tReading ends"],"Note":["[{\"note\":\"Bob Rose Reading at the Western Front, November 3, 1975 Side 1 36:18 Side 2 24:05 Dolby B\",\"type\":\"General\"},{\"note\":\"The Western Front is the donor as inventory says\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554845839362,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6183","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["A.S.A. Harrison Reading at the Western Front on December 8, 1975 #292"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Harrison, A.S.A."],"creator_names_search":["Harrison, A.S.A."],"creators":["[{\"url\":\"http://viaf.org/viaf/91678191\",\"name\":\"Harrison, A.S.A.\",\"dates\":\"1948-2013\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors_names":["Knechtel, Mary Beth"],"contributors_names_search":["Knechtel, Mary Beth"],"contributors":["[{\"url\":\"http://viaf.org/viaf/93615375\",\"name\":\"Knechtel, Mary Beth\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Knechtel, Mary Beth"],"Production_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/763/Readings in BC_MsC199_292.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"292-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:44\",\"precision\":\"\",\"size\":\"28.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"292-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:50\",\"precision\":\"\",\"size\":\"28.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-12-08\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26391\",\"longitude\":\"-123.09869\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1"],"Venue":["The Western Front"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting\n\nWe are not entirely sure that these contents are correct"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction of Harrison, Dewdney, Fones, McFadden (by M.B. Knechtel?)\n\t\t056\t“A.S.A. Harrison reads “Ada’s Desire”\n\t\t661\tEnd of story; M.B.K. plugs A.S.A.H.’s book\n\t\t671\tIntroduces Chris Dewdney\n\t\t679\tC.D. reading Feb. 24, 1975.  This recording duplicates tape no. 286\nTwo\t\t\tRobert Fones at Western Front, March 31, 1975\n\t\t000\tThis duplicates tape 290, side one, left channel, from counter no. 592, the long serial “Roberts Creek poem, part two.”  This recording ends at 369, the end of “Modern Times”\n\t\t370\tMary Beth Knechtel introduces David McFadden\n\t\t377\tMcFadden speaking.  This tape duplicates the material on tape 290, side one, right channel\n"],"Note":["[{\"note\":\"A.S.A. Harrison Reading at the Western Front, December 8, 1975 Introduction 2:30 Reading 26:10 Dolby B\",\"type\":\"General\"},{\"note\":\"The female speaker at the beginning of side one introducing A.S.A. Harrison is not known.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554845839363,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6184","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["William Burroughs Reading at the Western Front, [1975?] #293"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Burroughs, William"],"creator_names_search":["Burroughs, William"],"creators":["[{\"url\":\"http://viaf.org/viaf/108916275\",\"name\":\"Burroughs, William \",\"dates\":\"1914-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[0],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/764/Readings in BC_MsC199_293.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"293-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:49\",\"precision\":\"\",\"size\":\"37.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"293-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:03\",\"precision\":\"\",\"size\":\"36.8\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"[1974-11-17?]\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory\"},{\"date\":\"\",\"type\":\"Production Date\",\"notes\":\"[1975?]\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26391\",\"longitude\":\"-123.09869\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1"],"Venue":["The Western Front"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"Note":["[{\"note\":\"William Burroughs at the Western Front (No date - 1975?) Making a non-sequential film Side 1 30:36 Side 2 7:12   Reading 24:34 Tape ran out before end of reading Dolby B\",\"type\":\"General\"},{\"note\":\"There are quite a number of questions asked by different people that are anonymous. \",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554846887936,"timestamp":"2026-01-07T14:59:59.214Z","contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tOpens with W.B. speaking about “the film you’ve just seen.”  Speaks of Hollywood films and the discouragement of experimentation in film.\n\t\t044\t“Film with the customary beginning, middle and end is as arbitrary as the form of the sonnet.”\n\t\t050\t“This film was actually made from a quite sequential although rather cryptic and science fiction piece of detective narrative… rather than percent that we cut it up as you saw, but it could not have been directed that way…”\n\t\t063\t“What exactly is a cut-up and how does it differ from the assembling and editing that takes place in the cutting room of any film?”\n\t\t090\t“In 1959, Bryon Gysin said that writing was 50 years behind painting and applied the collage technique to writing… these first cut-ups were published in a pamphlet entitled “Minutes to go”.”\n\t\t108\tAsks for questions\n\t\t114\tQ. Does your method of cut-up have anything to do with alpha rhythms?\nA. No, it was purely arbitrary…\n\t\t140\t“The film did produce strong reactions and many viewers were disoriented by seeing it.”\n\t\t150\t“The cut-ups make explicit a process that goes on all the time…”\n\t\t171\tQ. You seem to be preoccupied with technique… do you give much thought to content?  Is that a worthwhile distinction for you?\nA. Certainly… we have the original content of the film; and then the technique was, to cut that content up… the film was shot in London, Paris, New York and Tangier.\n\t\t200\tQ. Isn’t that an inhuman way to cut up a film?\nA. Inhuman? (laughter) You’ve seen films like L’age d’or…with much less content that this film had originally… what is inhuman about experimenting with your actual medium?\n\t\t220\tQ. Where you just doing a physical exercise after the shooting of the film, physically playing, rather than thinking about what you sought?\n\t\t224\tA. Precisely…The thing is at some point arbitrary, and therefore you’re going to get something new.  If you just artistically and consciously move around what you’ve already got, you’re not going to get anything new… just… your own interpretation of the material, but if you cut it arbitrarily, you’re going to get actually new images and new material…\n\t\t270\tQ. Does sound track cutting have any relation to phased sound, memory tapes and biocomputers…\n\t\t294\tA. Yes… the process you’ve just seen is going on in your minds all the time… you are shifting between the places you’ve been at very short intervals on an arbitrary basis and that basis of course is what you’re seeing at the moment…\n\t\t311\tQ. But when you make it explicit you’re breaking a very strong taboo… a strong visual taboo\nA. Yeah.  Well, the visual taboo is the sequential narrative…\n\t\t340\tQ. Could you explain what you were trying to do that would be beyond (the catchwords “new” and “different,” and “taboo”)?  What was your object?  What was your end?\n\t\t355\tA. Science, pure science, experimentation (applause)…\n\t\t375\tQ. When you made the narrative, did you at that time intend to cut it up…?\n\t\t380\tA. Well, of course… but we had a narrative structure…\n\t\t395\tQ. Why do you begin with a conventional narrative\n\t\t397\tA.Well, you want to have something that is approximately sequential to see what happens when you cut it up… sort of like a control experiment in a laboratory…\n\t\t422\tQ. What’s after collage?\nA. There are all sorts of things with speed up and slow down that haven’t been done (e.g.) speed up and slow down on comparatively immobile objects or faces…\n\t\t446\tQ. Is this (film) your solution (to a problem) or are you going to go further?\nA. Experimental films are experiments… in artistic experiments you never necessarily arrive at a definitive conclusion.\n\t\t465\tQ. What’s Bryon Gysin doing now?\nA. He’s living in Paris and painting.\n\t\t470\tQ. Would you comment on the film “Performance” as a studio film… toward your point of view?\n\t\t475\tA.It sure did.  Nicholas Roeg saw this film and Andy Balch (?) explained to him the techniques and he used some of those techniques in “Performance.”\n\t\t482\tQ. Can you talk about the “dream machine”?  Is it easy to make?\n\t\t484\tA.It’s comparatively easy to make, yes.  You have a cylinder with slots and… with a light that goes down into it…essentially it’s a flicker in the eyes of 8 to 13 persecond, which is the alpha rhythm.  It’s a means of inducing alpha rhythms in the brain.\n\t\t525\tQ. Could you comment on the effects on the biologic system of witnessing cut-ups of one’s own images?\n\t\t538\tA.I would hope that it would have a liberating effect, liberating you from the sequential associations…see, most people, okay, their images go from here to here…they’re associational networks…Now, if you cut those up, presumably they would have some liberation from that sequential associational network in which everyone is part of…\n\t\t564\tQ.Is this point where you became acquainted with scientology? And the IMIR?\n\t\t568\tA.Well, the IMIR (?) is simply a psycho-galvanometer – it’s simply a reaction detector of which there are many…\n\t\t577\tQ.But observing that reaction has no liberating effect?\n\t\t581\tA.Well, it can have some… it’s a form of biofeedback\n\t\t590\tQ.What changes have you seen people go through who’ve been affected by… having their association lines cut? (by cut-ups)\n\t\t596\tA.I’ve seen people who… were liberated from their associational lines.\n\t\t630\tW.B. I think that the cut-up process goes on all the time (in thinking) and that we automatically try to make it more linear…try to fit it into a logical or linear context because of our training.\n\t\t640\tQ.Would you say that was a human property or a cultural thing?\n\t\t647\tA.Oh, cultural, absolutely cultural – because all cultures don’t do it…Our culture, western culture definitely imposes a linear context…but I don’t think that this is at all necessarily true of other cultures.\n\t\t657\tQ.What cultures can you think of…\n\t\t659\tA.I don’t think it’s nearly as true of the Arabs, I certainly don’t think it’s true of the Chinese…\n\t\t665\tQ.How is that exhibited in their art or in their lives?\nA.It’s certainly exhibited by the Chinese in a much higher degree of equanimity.\n\t\t705\tQ.If that’s true, then… what in our culture does it to us?\n\t\t710\tA.Well, it’s our whole training from birth.  You’re taught to think from here to here to here.\n\t\t715\tQ.For what reason?\n\t\t717\tA.To make you more controllable, obviously…\n\t\t720\t(A long exchange between questioner and W.B. over B’s intention in his books to “subvert the reader” and the reader’s susceptibility being controlled.)\n\t\t856\tQ.Is the cut-up a cooperative effort between yourself and this film?\nA.Yes.\n\t\t920\tQ.Do you mean to propose that the mind works in an arbitrary way?\nA. Yes…\n\t\t926\tSound cuts off\nTwo\t\t000\tQuestions talking about the western mind’s attempt to put that cut version through a sequential version.\n\t\t004\tW.B. Automatically they attempt to put it into a sequential version because of their training.\n\t\t015\tQuestion re/ “the difference between mind and perception, subjective and objective.”  B: “There’s no difference…every time you walk down the street, you’re subjected to all these random influences, they’re cutting into your sequential stream of consciousness at random intervals\nTwo\t\t027\tQ.That’s true, but now you’ve spoken of a stream of consciousness and things cutting into it…we have two quasi entities.\n\t\t031\tA.They’re not quasi-entities at all – they’re simply a parts of the same process…\n\t\t059\tQ.As a writer who’s getting involved in film…do you feel that writing has reached a limitation or do you see more experimentation in writing?...\n\t\t071\tA.As to whether there’s any further point to which writing can go…we’ve seen the extremes to which painting went when it was shoved out of the representational position by photography…and you had collage, which was…much closer to the actual facts of perception than sequential painting…\n\t\t085\tQ.Did you have fun making that film?\nA.Oh, yeah, sure.  Lots of fun.\n\t\t100\tQ. re drugs and B’s philosophy.\nA… I asked Jasper Johns, “what is painting all about?” and he turned to me and he said, “what’s writing all about?” and I said I didn’t know and he said he didn’t know…\n\t\t160\tAnnouncement of a break, after which W.B. reads.\n\t\t168\t(Burroughs reading): “Well, what is the purpose of the Pope…”\n\t\t392\t“This reading is from a work in progress entitled Cities of the red night and it’s entitled ‘Introduction of Virus B-we’.”\n\t\t414\t“Virus B-23”\n\t\t724\t“From ‘The wild boys”.”  (“Old Sarge smiles, “ The wild boys, New York : Grove Press, 1971, p. 25)\n\t\t1000\tSound ends, tape side 2 ends"],"score":0.01643844},{"id":"6185","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Creeley Reading at the Western Front on November 14, 1975 #294"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert"],"creator_names_search":["Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert \",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/765/Readings in BC_MsC199_294.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"294-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:52:15\",\"precision\":\"\",\"size\":\"52 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"294-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:51:25\",\"precision\":\"\",\"size\":\"51 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-11-14\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26391\",\"longitude\":\"-123.09869\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1"],"Venue":["The Western Front"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"Note":["[{\"note\":\"Robert Creeley at the Western Front, November 14, 1975 Side 1 31:55 Side 2 31:10 Tape ran out before end of reading Dolby B\",\"type\":\"General\"},{\"note\":\"The Western Front is the donor as inventory says\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554846887937,"timestamp":"2026-01-07T14:59:59.214Z","contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tRobert Creeley speaking, introduction recalling summer of ’63, poetry conference at UBC – speaks of Allen Ginsberg’s current activities as “W.C. Williams”.\n\t\t060\t“The I ching: biting through”\n\t\t076\t“Two of the people in (Bolinas) are in this story…Joanne Kyger… and Peter (?)”\n\t\t093\t“Big things and little things’ (from Presences, a text for Marisol, New York: Scribner’s, 1976, section one)\n\t\t200\tSpeaks of Donald Sutherland’s “On, comma, Romanticism.”  Reads the epigram to Presences, which is taken from Sutherland’s book.  Explains background of “Big things and little things…”, his meeting with Marisol.\n\t\t395\tSpeaks of James Hillman’s Revisioning psychology\n\t\t408\t“It is a scene…”  (Presences, sect 4)\n\t\t573\t“From a piece called Mabel … a kind of homage to Burroughs… (see Mabel : a story, London : Marion Boyars, 1976, p. 151)\n\t\t729\t“Explains…that the kind of women you have in mind are not persons of the town,” (the line is from p. 153)\n\t\t740\t“Think of the good times…” (Mabel, p. 152)\n\t\t1013\tSound ends, side one ends\nTwo\t\t000\tApplause…\n\t\t003\tI want to read the poem that Bob Rose… (printed).  James Hillman… pointed out that the whole sense of image in so-called western cultural patterns is really inhibited… and either moving towards what he calls the Judeo and or Hebraic pattern…monotheistic…or else you move to the Hellenic, which is the pluralistic, many-changing spatial trip, and I would simply opt for the plurality, I suppose, and the most information I have of it, is, like this, you dig:\n\t\t030\t“The plan is the body” (Creeley is reading from a broadside printed by Bob Rose for Prester John, Vancouver, B.C., 1975 – prepared for the occasion of Creeley’s reading at the Western Front.)\n\t\t095\t(Creeley reads from his notebook)\n\t\t112\tSpeaks of Laurie Gilpin, a photographer\n\t\t128\t“Possible statement in novel…”\n\t\t144\tA supper menu\n\t\t153\t“Wake in white-washed simple room in Spain”\n\t\t170\t“Thinking of Joanne Kyger: “These days flooded with preoccupation, mind flooded with mind…” (“I was thinking of a poem of hers called September.”)”\nTwo\t\t180\t“Wind in the wet upper spaces of a tree/yeah/reality’s wet.”\n\t\t184\t“In the forest”\n\t\t190\t“People…”\n\t\t197\t“Happy home”\n\t\t201\t“Bobbie’s got one here: ‘Like this one.  This is a beautiful one.’”\n\t\t204\t“Like a like…”\n\t\t205\t“Come here moon…”\n\t\t216\t“I don’t like one word poems…”\n\t\t217\t“It hurts to have to hear you…”\n\t\t224\t“Forgotten it all…”\n\t\t231\t“Why Dorothy’s wise…”\n\t\t233\t“Something doesn’t necessarily happen after something”\n\t\t237\t“Music…”\n\t\t250\t“Secrets”\n\t\t256\t“Thinking of sea” (or C?)\n\t\t265\t“World” (“a root in Wir eld… a human age”)\n\t\t279\t“To be alive is to be in each place come to…”\n\t\t296\t(Interrupts: “I’m just reading some recent poems…”)\n\t\t297\t“A lot of it’s here”\n\t\t298\t“So”\n\t\t305\t“Stan Brakhage apropos himself in Naropa scene, Boulder: ‘I was their token local.’”\n\t\t309\t“Bobbie’s phrase apropos LeRoi Jones: ‘AKA Baraka’”\n\t\t314\t“Mean”\n\t\t334\t“Here is a poem that I like that was written when Warren (Tallman) was happily down in Bolinas…”  (speaks of the artist John Chamberlain and invitation of Houston Art Gallery to R.C. to come read on occasion of John Chamberlain’s opening there.  Reads:)\n\t\t386\t“For John”\n\t\t478\t“I’ll read the other poem to him (Chamberlain)…”\n\t\t501\tSpeaks of Bob Grenier, a poet who works in word spaces and patterns, …”He did for me a generous job; he did a Selected poems for me that I couldn’t truly do myself, and this is hopefully coming out sometime this next year (1976)… He would not put a poem in, like “I propose to you a body bleached…” He would include this poem”:\n\t\t550\t“The box” from Words, rpt. Selected poems, New York : Scribner’s p. 76\n\t\t569\t“This book is one Chamberlain called – he said, ‘You’re busy measuring everything.’  It’s… a book that’s persistently involved with measure I’ll read you one that has literally to do with measure, called “Distance.”  It has to do with a photograph by Harry Callahan…”\n\t\t597\t“Distance” from Words, rpt. Selected poems, p. 60.\nTwo\t\t704\t“I get this quote in a book by James Hillman again… from Whitehead that said: ‘Importance is the…emotional worth you are.’”\n\t\t729\t“dimensions” (from Words, rpt. Selected poems, p. 67)\n\t\t780\t“I never had a chance to read this poem… It began here, actually, in Warren’s house some years ago.  And – this is it – we can all go home.  It’s called:”\n\t\t789\t“Bolinas and me” (for Stan Persky) (from A day book, rpt. In Selected poems, p. 164)\n\t\t972\tSound ends mid-poem, side 2 ends"],"score":0.01643844},{"id":"6228","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Tom Marshall reading his poems at SFU on September 30, 1975 tape 2 of 2 #450 - tape 2"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Marshall, Tom"],"creator_names_search":["Marshall, Tom"],"creators":["[{\"url\":\"http://viaf.org/viaf/75682376\",\"name\":\"Marshall, Tom \",\"dates\":\"1921-1993\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7866/Reading in BC_MsC199_450-tape2.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"450-tape-2-side-1.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:08:03\",\"precision\":\"\",\"size\":\"67.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"450-tape-2-side-2.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:44:58\",\"precision\":\"\",\"size\":\"44.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-09-30\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767 \",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t07\tIntroduction to whole Canadian poetry series at SFU sponsored by English Dept.\n\t\t19\tIntroduction to Tom Marshall\n\t\t38\tTom Marshall begins – description of the format of his books – the associations involved\n\t\t57\tThe elements in elemental poetry\n\t\t68\tExperience as a literary form\n\t\t83\t“Surely there was no more violence…” from Silence of Fire\n\t\t112\t“Interior Monologue - #666”\n\t\t123\t“Winter Angels’ from Magic Water (ded. To Gail Fox)\n\t\t144\t“Spring Angels” from Magic Water\n\t\t159\tDescriptions of new poems from Hot Air\n\t\t163\t“Visiting Trent University”\n\t\t203\t“Definitions of Paradise” (for Ezra Pound)\n\t\t218\t“Country Places”\n\t\t249\t“Out There: Objects Disposed, Fragmenting In Our Own Space” – the introduction – from Hot Air\n\t\t298\tFrom the conclusion of “Out There”\n\t\t323\t“The Earth Book” from The Earth Booi\n\t\t338\t“Crab Tryptich” from The Earth Book\n\t\t362\t“Legend”\n\t\t368\t“Second Legend”\n\t\t377\t“An Elegy for A.M. Klein”\n\t\t390\t“Prothylamium”\n\t\t406\t“Indian Summer”\n\t\t483\tDescription of next poems – from 4 Women section of Hot Air\n\t\t502\t“Susannah Moodie”\n\t\t522\t“Hygia”\n\t\t566\t“The Poet”\n\t\t614\t“The Lamb”"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554847936512,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6233","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Pat Lane and Allan Safarik reading at SFU on November 18, 1974 tape1 of 2 #454 tape 1"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Lane, Pat","Safarik, Allan"],"creator_names_search":["Lane, Pat","Safarik, Allan"],"creators":["[{\"url\":\"http://viaf.org/viaf/18752295\",\"name\":\"Lane, Pat\",\"dates\":\"1931-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/92512913\",\"name\":\"Safarik, Allan\",\"dates\":\"1948-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7871/Reading in BC_MsC199_454.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"454-tape1_side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:18\",\"precision\":\"\",\"size\":\"28.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"454-tape1_side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:42\",\"precision\":\"\",\"size\":\"29.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974-11-18\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\" 8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":[" 8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t05\t“Loneliness of the Unemployed” – Allan Safarik\n\t\t29\t“Yellow On the Grave Sea”\n\t\t52\t“Blood Pie or Zeal for Revolutionary Zeal”\n\t\t74\t“To the Dynamite Man”\n\t\t99\tLife in a bus and a bus depot\n\t\t104\t“Cache Creek”\n\t\t140\t“Poem of Record for K.P.”\n\t\t149\t“The Art of Diplomacy or A Quick end to a Shit Kicking”\n\t\t178\t“Going up the Stairs”\n\t\t207\tPat Lane begins.  Will begin with poems from Passing in the Storm\n\t\t312*\t“Know him for a white man…”\n\t\t226\t“After” (for Pat Lowther & John Newlove)\n\t\t240\t“Sleep is the Silence Darkness Takes” for Pat Lane’s father\n\t\t291\t“There was a woman bending…”\n\t\t278\t“For Rita In Asylum”\n\t\t337\t“The Huster”\n\t\t376\t“Chile”\n\t\t387\t“The Man”\n\t\t397\t“Her”\n\t\t414\t“Farmers”\n\t\t442\t“Unborn Things”\n\t\t468\t“The Carpenter”\n\t\t494\t“George”\n\t\t519\t“From the Hot Hills”\n\t\t561\t“Albino Pheasants”\n\t\t624\t“Thinking On That Contest”\n\t\t627\t“30 Miles in from the coast”\n\t\t647\t“Gerald”\n\t\t681\t“The Bird you Captured is Dead”\n\t\t697\t“Gray John”\n\t\t714\t“The Interior”\n\t\t731\t“Bunkhouse North”\n\t\t757\tRecording ends"],"Note":["[{\"note\":\"P.K. Page also is written to be reading on #454 tape 2 although the digital files are missing \",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554847936513,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6234","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Allen Ginsberg on Consciousness & Practical Action, July 1967 #455"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ginsberg, Allen"],"creator_names_search":["Ginsberg, Allen"],"creators":["[{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1967],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7872/Reading in BC_MsC199_455.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"455-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:06\",\"precision\":\"\",\"size\":\"45.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"455-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:54\",\"precision\":\"\",\"size\":\"45.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1967-07\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tConsciousness & Practical Action\n\t\t07\t“You are hearing an electronic voice and not a human voice” – ask yourself if what you are hearing is reality\n\t\t16\t“The Nova Express” by William S. Burroughs conditions of Life in outer space\n\t\t128\t“We have seen, this week, an increase in paranoia an imaging, language image to scare us out of bodies\n\t\t138\tRaces subject to patterns of conditioning\n\t\t145\tApocalyptic aspect of anxiety. ie) Greenhouse effect\n\t\t182\t“human insight” – in tribal societies, black tradition, Buddhism, Taoism\n\t\t210\t“The substance that we all live in neither exists nor doesn’t exist”\n\t\t224\tA return to tribal, cultural heritage\n\t\t229\tShamanism\n\t\t237\t“out of the void and into the illusion”\n\t\t252\tMysticism has not yet developed its language with which to communicate\n\t\t265\tSource of paranoia – everything is in a giant conspiracy\n\t\t285\tCenter of consciousness and center of political activity\n\t\t314\tPractical plans – classified generally as Flower Power\n\t\t\t-make San Francisco an Electric Tibet\n\t\t322\tNeed to be aware of movements of wind and acceptance of language that has no referent\n\t\t353\tThe enemies’ projection of image – image creation through language \n\t\t412\tActive poetry – active use of poetry\n\t\t423\tOveractive search for heaven\n\t\t477\tIndividual as particle of the universe\n\t\t490\tTreating people as people – not as a role – not as cop\n\t\t\tCapitalist or communist\n\t\t\t-address others to their eye\n\t\t514\tNeutralization of negative aspects – development of community\n\t\t532\tPractising for Utopia on what is known now\n\t\t552\tReplanting the surface of the planet\n\t\t580\tPraxis – free food, free music etc…\n\t\t586\tEnd of talk\n\t\t589\tPrevious presentation discussed by an unknown voice\n\t\t\t-no one can be conscious on bad food\n\t\t637\tFlute music\n\t\t650\tResistance to change\n\t\t670\tConsciousness raising mantra “What are we going to do?  Save the world\n\t\t679\tTape fades out"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554848985088,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6235","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Allen Ginsberg and friends recorded at SFU on March 12, 1969 #457"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ginsberg, Allen"],"creator_names_search":["Ginsberg, Allen"],"creators":["[{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7873/Reading in BC_MsC199_457.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"457-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:50:03\",\"precision\":\"\",\"size\":\"66.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"457-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:42\",\"precision\":\"\",\"size\":\"63.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969-03-12\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t04\tGinsberg questions audience about quality of sound\n\t\t11\tSongs from Blake’s Songs of Innocence & Experience put to music by Ginsberg\n\t\t\t“The Chimney Sweeper” (recording levels fluctuate a great deal)\n\t\t42\t“The Lamb”\n\t\t65\tAnother of Blake’s songs – title indistinguishable\n\t\t78\tGinsberg decides not read “Witchita Vortex Sutra” but other long poems which are continuations of it – a mind collage – “A Long Poem On These States”\n\t\t88\tFirst sections – travelling around the States – 1965 to pres. Starting with California\n\t\t100\t1.\t“Hollywood to San Francisco”\n\t\t209\t2.\t“Movie in Hollywood – 1966”\n\t\t300\tGinsberg reads an announcement about a rally protesting the arrest of a draft deserter\n\t\t318\tInto middle America – from Witchita Kansas to Lincoln Nebraska from “Witchita Vortex Sutra”\n\t\t472\t“Kansas City to St. Louis” Middle of “a long poem on these states”\n\t\t482\tGinsberg decides to take a break before reading Kansas to St. Louis\n\t\t\t-chants a Hare Krishna mantra\n\t\t638\tBack to the middle of “a long poem on these states”\n\t\t\t-Kansas to St. Louis\n\t\t837\tEnd of reading on side one\nTwo\t\t03\tJan. 8, 1967\n\t\t71\tA year later – Chicago to Salt Lake – March 30, 1968\n\t\t163\tSings William Blake’s “Holy Thursday”\n\t\t197\t“I die, I die…” (a song)\n\t\t235\tGinsberg repeats message about rally\n\t\t240\tEnd of reading"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554848985089,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6236","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Gary Snyder & Allen Ginsberg reading at Reed College on February 14, 1956 #458a\n"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ginsberg, Allen","Snyder, Gary"],"creator_names_search":["Ginsberg, Allen","Snyder, Gary"],"creators":["[{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/68944804\",\"name\":\"Snyder, Gary\",\"dates\":\"1930-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1956],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7874/Reading in BC_MsC199_458a.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"458a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:31\",\"precision\":\"\",\"size\":\"29.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"458a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:23\",\"precision\":\"\",\"size\":\"29.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1956-02-14\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/27400683\",\"venue\":\"Reed College\",\"notes\":\"\",\"address\":\"Southeast 28th Avenue, Eastmoreland, Portland, Multnomah County, Oregon, 97202, United States\",\"latitude\":\"45.4815\",\"longitude\":\"-122.6309\"}]"],"Address":["Southeast 28th Avenue, Eastmoreland, Portland, Multnomah County, Oregon, 97202, United States"],"Venue":["Reed College"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t05\tGary Snyder begins – will read a work in progress Myths and Texts\n\t\t\t-\tIn three parts 1. Groves 2. Beasts 3. Changes\n\t\t27\tSources – Japanese, Chinese & American Indian\n\t\t45\tAn epigraph to Myths and Texts: a dendrologists’ observations about the Lodge Pole pine tree\n\t\t53\tSelections from The Grove section\n\t\t57\t“Seami, Kwanami” “Pines, under pines…”\n\t\t78\t“Ray Wells, a big Nisqually, and I…”\n\t\t83\t“Felix Baran. Hugo Gerlot…”\n\t\t95\t“Each dawn is clear…”\n\t\t135\tFrom the beasts section- “First Shaman’s Song”\n\t\t181\t“This Poem is for Bear”\n\t\t207\t“This Poem is for Deer”\n\t\t227\t“Deer don’t want to die for me…”\n\t\t232\t“Tiger Song”\n\t\t237\t“The Making of The Horn Spoon”\n\t\t246\t“Mouse”\n\t\t255\t“Two Dance Songs – For a four crowned Dancing Hat”\n\t\t264\t“Maitreya, The Future Buddha”\n\t\t282\t“Out the Grey Wolf Valley…”\n\t\t300\t“First day of the world…”\n\t\t311\t“How rare to be born a human being…”\n\t\t334\t“from “Changes” section – “The Second Shaman’s Song”\n\t\t379\t“A skin-bound bundle of clutchings…”\n\t\t406\tFrom another work in progress “The Late Snow and Lumber Strike of the Summer of 1954”\n\t\t428\t“Poem For a Stone Girl”\n\t\t450\t“Milton by Firelight”\n\t\t475\t“A Dry Day Just Before the Rainy Season”\n\t\t497\t“Poem For a Friend”\n\t\t521\t“You’ve gone cold I suppose…”\n\t\t542\t“Lines On a Carp For An Apocalypse”\n\t\t554\t“Perched on their bare and windy peaks…”\n\t\t578\t“Villahelle’\n\t\t593\t“Epistemological Fancies”\n\t\t608\t“One Left on Sourdough Mountain Lookout”\n\t\t617\t“Under The Skin Of It”\n\t\t631\t“To hell with your fertility cults…” (a parody on Robert Graves)\n\t\t651\t“Praise For Sick Women”\n\t\t697\t“Mid-August at Sourdough Mountain Lookout”\n\t\t718\t“Numerous Broken Eggs”\n\t\t761\t“A Walk”\n\t\t803\t“Biyou Creek”\n\t\t830\tEnd of side one"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670554848985090,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6237","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Allen Ginsberg reading at Reed College on February 14, 1956 #458b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ginsberg, Allen"],"creator_names_search":["Ginsberg, Allen"],"creators":["[{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1956],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7875/Reading in BC_MsC199_458b.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"458b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:49:11\",\"precision\":\"\",\"size\":\"50.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"458b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:36:35\",\"precision\":\"\",\"size\":\"37.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1956-02-14\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/27400683\",\"venue\":\"Reed College\",\"notes\":\"\",\"address\":\"Southeast 28th Avenue, Eastmoreland, Portland, Multnomah County, Oregon, 97202, United States\",\"latitude\":\"45.4815\",\"longitude\":\"-122.6309\"}]"],"Address":["Southeast 28th Avenue, Eastmoreland, Portland, Multnomah County, Oregon, 97202, United States"],"Venue":["Reed College"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t03\t“Epithalomion” Allen Ginsberg\n\t\t22\t“Wild Orphan”\n\t\t36\t“Over Kansas”\n\t\t88\t“A Dream Record”\n\t\t113\t“Blessed Be The Muses”\n\t\t117\t“A Super Market in California”\n\t\t145\t“The Trembling of the Veil”\n\t\t199\tIntroduction to Howl\n\t\t217\t“Howl” (pt. 1)\n\t\t422 \tGinsberg decides to cut the reading of the remainder of “Howl”"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554848985091,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6238","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Patrick Lane reading at Capilano College on February 16, 1979 #460\n\n"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Lane, Patrick"],"creator_names_search":["Lane, Patrick"],"creators":["[{\"url\":\"http://viaf.org/viaf/66513400\",\"name\":\"Lane, Patrick\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1979],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7876/Reading in BC_MsC199_460.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"460-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:14:27\",\"precision\":\"\",\"size\":\"72.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"460-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:14\",\"precision\":\"\",\"size\":\"45.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1979-02-16\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/485438830\",\"venue\":\"Capilano College\",\"notes\":\"\",\"address\":\"2055 Purcell Way, North Vancouver, BC, Canada\",\"latitude\":\"49.3179\",\"longitude\":\"-123.0194\"}]"],"Address":["2055 Purcell Way, North Vancouver, BC, Canada"],"Venue":["Capilano College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t06\tPatrick Lane begins – discusses what he calls “this Warren Tallman business”\n\t\t39\tLane – bored to death with constant homage to American writers such as Creeley and Duncan over British Columbian writers\n\t\t76\tLane – American writers’ lack of awareness about Canadian poets\n\t\t99\t“The Witnesses”\n\t\t162\t“For Rita”In Assylum”\n\t\t193\t“The Bird”\n\t\t234\t“The Dog” (a companion poem to “The Bird”)\n\t\t260\tThe macho image and Walt Disney\n\t\t290\t“The Hustler”\n\t\t346\t“Chilie”\n\t\t371\t“Election Day”\n\t\t421\t-\tclimbing through liberal bullshit\n\t\t428\tCensorship by Oxford University Press\n\t\t497\t“If”\n\t\t533\t-\tA poetry reading in Winnipeg\n\t\t552\t-\tHow to be impersonal without passion?\n\t\t567\t“I’m Tired of Your Politics” (to Dorothy Livesay)\n\t\t624\t“Fragments”\n\t\t736\t“You sit…”  a poem about the CNR station in Winnipeg \n\t\t799\tEnd of side one\nTwo\t\t08\t“My Lady #1\n\t\t46\t#3\n\t\t65\t#4\n\t\t86\t#5\n\t\t112\tAnnie’s Mum who lives up the coast\n\t\t121\t“Annie”\n\t\t174\t“Hell, Even This”\n\t\t217\t“From The Hot Hills”\n\t\t267\t“A Murder of Crows”\n\t\t313\t“How The Heart Stinks With Its Derotien” ded. To the Brothers Damour & Johnny Gringo\n\t\t338\tPat Lane asks if there are any questions\n\t\t358\tPoetry & Politics\n\t\t363\tThe personal vs high rhetoric – back to Dorothy Livesay"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554850033664,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6239","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Eli Mandel reading his poems #461"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Mandel, Eli"],"creator_names_search":["Mandel, Eli"],"creators":["[{\"url\":\"http://viaf.org/viaf/59095399\",\"name\":\"Mandel, Eli\",\"dates\":\"1922-1992\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7877/Reading in BC_MsC199_461.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"461-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:27\",\"precision\":\"\",\"size\":\"20.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"461-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:27\",\"precision\":\"\",\"size\":\"20.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554850033665,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6240","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Crow of Odin: Albert Glover reading at Lawrence University on November 10, 1970 #462"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Glover, Albert","Maud, Ralph"],"creator_names_search":["Glover, Albert","Maud, Ralph"],"creators":["[{\"url\":\"http://viaf.org/viaf/65249411\",\"name\":\"Glover, Albert\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/66537561\",\"name\":\"Maud, Ralph\",\"dates\":\"1928-2014\",\"notes\":\"Ralph Maud invites audience to a reading on the following day\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7878/Reading in BC_MsC199_462.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"462-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:15\",\"precision\":\"\",\"size\":\"42.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"462-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:11\",\"precision\":\"\",\"size\":\"42.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970-11-10\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/3941264\",\"venue\":\"Lawrence University\",\"notes\":\"\",\"address\":\"711, East Boldt Way, Appleton, Outagamie County, Wisconsin, 54911, United States\",\"latitude\":\"44.2605\",\"longitude\":\"-88.3983\"}]"],"Address":["711, East Boldt Way, Appleton, Outagamie County, Wisconsin, 54911, United States"],"Venue":["Lawrence University"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t04\tRalph Maud invites audience to a reading on the following day\n\t\t14\tMaud introduces Albert Glover – talks about his house on Wall St. which exists in a half-finished state\n\t\t36\tAlbert Glover begins – corrects some things that were stated earlier (in an earlier reading?)\n\t\t65\tCharles Olson’s funeral\n\t\t85\tIntroduces the text he will deal with – from the “Lay of Grimnye” – under a new title “The Crow of Odin”\n\t\t109\tThe Crow as a double\n\t\t160\t“Hugyn” and “Munyn” (thought and memory)\n\t\t141\tGraduate work and Letters of Origin – letters to and from Charles Olson\n\t\t223\tConflicts with state police – America is dead – why kill a dead thing\n\t\t230\tThe FLQ\n\t\t283\tThe need to live in peace\n\t\t286\tThe study of Shamanism\n\t\t298\tAccess to LSD\n\t\t411\tElectric Kool-Aid Acid Test\n\t\t461\tMushrooms, ancestry and memory\n\t\t515\tSiberian Shamanism – a history\n\t\t540\tShamanistic mushrooms\n\t\t610\t“Two men came to a hole in the sky…”\n\t\t633\tTurning back\n\t\t640\tCarlos Castoneda and Shamanism\n\t\t660\t“I am a crow…”\n\t\t727\t“Jack Clark’s Garage Door”\n\t\t792\tMore on crows\n\t\t810\t“The Eastern Crow knows a good thing when he sees it…” from A Trio in G\n\t\t881\t“For a bird in the air…”\n\t\t934\t“Indian Pike, up out of the ground…”\n\t\t958\t“I have put feathers in my hair…”\n\t\t977\tEnd of side one\nTwo\t\t06\t“My home over there…”\n\t\t14\tCrowd noise to 71\n\t\t72\tA conversation about just who Odin is – his crow and Old Norse (many voices muffled and hard to understand)\n\t\t121\tThe story of Odin hanging from a tree – the discovery of the runes\n\t\t136\tThe Promethean situation\n\t\t148\tOdin as Shaman\n\t\t210\tDon Juan & Carlos Custeneda – Does the teacher have to be severe?\n\t\t259\tIdle chatter – tape becomes very muffled\n\t\t\tContinues to end of side two"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554850033666,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6241","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Sacred Geography Seminar: Prof. Robin Blaser lecture at SFU on September 13, 1976 Tape 1 of 2 #617"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[RB_617]"],"rights":["In Copyright (InC)"],"access":["Streaming"],"creator_names":["Blaser, Robin"],"creator_names_search":["Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7879/Reading in BC_MsC199_617.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/rbr-179/rb617a\",\"file_path\":\"\",\"filename\":\"617-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:00\",\"precision\":\"\",\"size\":\"38.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/rbr-180/rb617b\",\"file_path\":\"\",\"filename\":\"617-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:48\",\"precision\":\"\",\"size\":\"37.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-09-13\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t001\tInaudible voices, something about getting a “copy… in West Vancouver.”  A man’s voice & a woman’s voice.  The discussion seems to revolve around poetics.  The tape covers a university seminar on poetics.  The predominant man’s voice, whom we assume is the instructor, goes on to warn his student about being too academic & attempting to be too clever in their essays\n\t\t113\tDiscussion on poetic creation, with reference to Charles Olson\n\t\t140\tGroup discussion on students intellectual merits\n\t\t240\tThe group wade into Olson’s “Maximus” poems\n\t\t315\tDiscussion of other seminar texts\n\t\t415\tSide one ends midway through a long-wind sermon on issues the seminar will not address\nTwo\t\t000\t\n\t\t001\tThe same voices, all the more difficult to hear properly.  Though I did make out something about Olson\n\t\t017\tQuotations from Marx in reference to poetics, its response to standard bourgeois literature.  The instructor calls such a view a “cop-out”.  Control, tradition, & eloquence are the standards to be observed\n\t\t090\tA class discussion that, like most of the tape, is basically inaudible\n\t\t130\tSomething about the poetic pitfalls of an addiction to alcohol\n\t\t162\tTape lapses into almost complete inaudibility\n\t\t260\tPound, Eliot & Yeats are mentioned\n\t\t297\tDiscussion on’Yeats’ reputation & his own hand in fostering it.  From this point onwards the conversation wanders\n\t\t389\tClass dismissed.  Feet shuffle & chairs are moved about\n\t\t419\tSide two ends"],"Note":["[{\"note\":\"Prof. Blaser’s “Sacred Geography” series breaks down into two organizational components, that of semi-formal lectures and that of seminars. The lectures have been indexed and are to be found throughout the Audio Tape Holdings catalogue under their respective accession numbers. The indexing is fairly self-explanatory. The seminars are not indexed for a variety of reasons, however, in conjunction with its respective lecture tape, each seminar is both important and invaluable to an understanding of the “Sacred Geography” series and the intentions of Prof. Blaser.\\n“And knowing”, Confucius says, “brings one to the goal”. Sacred Geography Lecture, October 22, 1976 (#630)\",\"type\":\"\"},{\"note\":\"It seems the whole seminar was happening from Sep 13 to Dec 3 in 1976\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554850033667,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6242","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Sacred Geography Seminar: Prof. Robin Blaser lecture at SFU on September 13, 1976 Tape 2 of 2 #618"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[RB_618]"],"rights":["In Copyright (InC)"],"access":["Streaming"],"creator_names":["Blaser, Robin"],"creator_names_search":["Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7899/Reading in BC_MsC199_618.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/rbr-182/rb618a\",\"file_path\":\"\",\"filename\":\"618-tape-2_side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:33:48\",\"precision\":\"\",\"size\":\"31.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/rbr-183/rb618b\",\"file_path\":\"\",\"filename\":\"618-tape-2_side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:16\",\"precision\":\"\",\"size\":\"30.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-09-13\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"Prof. Blaser’s “Sacred Geography” series breaks down into two organizational components, that of semi-formal lectures and that of seminars. The lectures have been indexed and are to be found throughout the Audio Tape Holdings catalogue under their respective accession numbers. The indexing is fairly self-explanatory. The seminars are not indexed for a variety of reasons, however, in conjunction with its respective lecture tape, each seminar is both important and invaluable to an understanding of the “Sacred Geography” series and the intentions of Prof. Blaser.\\n“And knowing”, Confucius says, “brings one to the goal”. Sacred Geography Lecture, October 22, 1976 (#630)\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554851082240,"timestamp":"2026-01-07T14:59:59.214Z","score":0.01643844},{"id":"6243","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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The lectures have been indexed and are to be found throughout the Audio Tape Holdings catalogue under their respective accession numbers. The indexing is fairly self-explanatory. The seminars are not indexed for a variety of reasons, however, in conjunction with its respective lecture tape, each seminar is both important and invaluable to an understanding of the “Sacred Geography” series and the intentions of Prof. Blaser.\\n“And knowing”, Confucius says, “brings one to the goal”. Sacred Geography Lecture, October 22, 1976 (#630)\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555057651712,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6244","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Sacred Geography Seminar: Prof. Robin Blaser lecture at SFU on September 24, 1976 Tape 2 of 2 #618b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[RB_618B]"],"rights":["In Copyright (InC)"],"access":["Streaming"],"creator_names":["Blaser, Robin"],"creator_names_search":["Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7906/Reading in BC_MsC199_618b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/rbr-188/rb618ba\",\"file_path\":\"\",\"filename\":\"618b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:57\",\"precision\":\"\",\"size\":\"27.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/rbr-189/rb618bb\",\"file_path\":\"\",\"filename\":\"618b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:03\",\"precision\":\"\",\"size\":\"29.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-09-24\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"Prof. Blaser’s “Sacred Geography” series breaks down into two organizational components, that of semi-formal lectures and that of seminars. The lectures have been indexed and are to be found throughout the Audio Tape Holdings catalogue under their respective accession numbers. The indexing is fairly self-explanatory. The seminars are not indexed for a variety of reasons, however, in conjunction with its respective lecture tape, each seminar is both important and invaluable to an understanding of the “Sacred Geography” series and the intentions of Prof. Blaser.\\n“And knowing”, Confucius says, “brings one to the goal”. Sacred Geography Lecture, October 22, 1976 (#630)\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555057651713,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6245","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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Sacred Geography Lecture, October 22, 1976 (#630)\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555058700288,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6246","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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Sacred Geography Lecture, October 22, 1976 (#630)\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555058700289,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6247","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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Patchen\n\t\t000\tAnd what with the Blunders\n\t\t056\tThe Origin of Baseball\n\t\t085\tThe Wolf of Winter\n\t\t104\tThe Fox\n\t\t123\tNice Day for a Lynching\n\t\t146\t23rd Street Runs into Heaven\n\t\t178\tThe Lions of Fire Shall Have Their Hunting\n\t\t208\tRed Wine and Yellow Hair\n\t\t365\tThe Orange Bears\n\t\t403\tSo Be It\n\t\t430\tThe Everlasting Contenders\n\t\t460\tIn Order To\n\t\t512\tThe Reason of Skylarks\n\t\t642\tPastoral\n\t\t678\tThe State of the Nation\n\t\t730\t‘Be Music, Night’\n\t\t782\tShow Time\n\t\t806\tWhere Shall We Walk\nTwo\t\t\tFables by K. Patchen:\n\t\t000\tThe Evolution of the Hippopotamus\n\t\t044\tA Case of Unmistakable Identity\n\t\t079\tChicken Fried in Honey\n\t\t215\tGaunt Eve in the Mornin’\n\t\t303\tHow the Slingshot Came to be Invented\n\t\t431\tThe Professional Son\n\t\t516\tThe Tale of Rosie Bottom"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555058700290,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6248","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. 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Allen"],"creators":["[{\"url\":\"http://viaf.org/viaf/83981636\",\"name\":\"Di Prima, Diane\",\"dates\":\"1934-2020\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/108916275\",\"name\":\"Burroughs, William S.\",\"dates\":\"1914-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/84079610\",\"name\":\"Waldman, Anne\",\"dates\":\"1945-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/84168002\",\"name\":\"Giorno, John\",\"dates\":\"1936-2019\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/51836797\",\"name\":\"Williams, Emmett\",\"dates\":\"1925-2007\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/301129107\",\"name\":\"Sanders, Ed\",\"dates\":\"1973-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/196198031\",\"name\":\"Mead, 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Ted\",\"dates\":\"1934-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7946/Reading in BC_McC199_536a.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tAllen Ginsberg – Vajra Mantra\n\t\t021\tDiana Di Prima – Revolutionary letters nos. 7, 13, 16, 49\n\t\t100\tWilliam S. Burroughs – excerpts from the Wild Boys\n\t\t181\tAnne Waldman – pressure\n\t\t230\tJohn Giorno – Vajra Kisses\n\t\t338\tEmmett Williams – duet\n\t\t363\tEd Sanders – Cemetery Hill\n\t\t421\tTaylor Mead – motorcycles\n\t\t450\tAllen Ginsberg – Green automobile\n\t\t547\tRobert Creeley – the messenger for Allen Ginsberg\n\t\t562\tRobert Creeley – I know a man\n\t\t569\tHarris Schiff – poems\n\t\t634\tLenore Kandel – Kali\n\t\t677\tAram Saroyan – not a cricket\n\t\t681\tPhilip Whalen – excerpts from Scenes of Life at the Capitol\n\t\t740\tTed Berrigan – excerpts from The Sonnets"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555058700291,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6249","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Bill Bissett reading, 1974 #537"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bissett, Bill"],"creator_names_search":["Bissett, Bill"],"creators":["[{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"Bissett, Bill\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7948/Reading in BC_MsC199_537.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"537-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:46\",\"precision\":\"\",\"size\":\"20.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"537-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:41:04\",\"precision\":\"\",\"size\":\"45.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t“The water falls in your mind…”*\n\t\t054\t“A red harvest on the river bank…”*\n\t\t156\tGreen sky open\n\t\t251\t“The green bridge”*\nTwo\t\t000\t“Liftin’ hands…”*\n\t\t073\tMedicine"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555058700292,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6250","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Butterick lecture and reading on Charles Olson \"The Entailment\" at SFU on November 10, 1970 part 1 of 2 #541a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Butterick, George F.","Maud, Ralph Noel"],"creator_names_search":["Butterick, George F.","Maud, Ralph Noel"],"creators":["[{\"url\":\"http://viaf.org/viaf/109397621\",\"name\":\"Butterick, George F.\",\"dates\":\"1942-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/66537561\",\"name\":\"Maud, Ralph Noel\",\"dates\":\"1928-2014\",\"notes\":\"Introduction by Ralph Maud\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7953/Reading in BC_MsC199_541_1.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"541_1-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:36\",\"precision\":\"\",\"size\":\"38.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"541_1-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:36:55\",\"precision\":\"\",\"size\":\"47.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970-11-10\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"},{\"url\":\"https://www.openstreetmap.org/relation/6961857\",\"venue\":\"Wilson College\",\"notes\":\"There are two locations on the J-card, and it's not known what happened at each\",\"address\":\"1015 Philadelphia Ave, Chambersburg, PA 17201, United States\",\"latitude\":\"39.9508\",\"longitude\":\"-77.6527\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6","1015 Philadelphia Ave, Chambersburg, PA 17201, United States"],"Venue":["SFU","Wilson College"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction by Ralph Maud\n\t\t115\tGeorge Butterick, who helped catalogue Olson’s journals, etc.\n\t\t120\tIntroduction to the “entailment” of Olson’s private writings.  How he dealt with living at the end of civilization\n\t\t144\tPolitics: Why Olson did not fight in the Spanish Civil War : Olson’s personal papers, 1967; recollections of Olson’s friend, who did fight\n\t\t275\tOlson not as interested in politics or war as in creation of a language to transcend politics, help build a “New republic”\n\t\t295\tHow does Olson’s individualism relate to republicanism (communism, Marxism)? – Olson and national politics\n\t\t532\tWhy Olson “stayed at home” in late ‘60’s did not run for president – notes from Olson’s journal\n\t\t644\tPoem: “Wholly absorbed into my own conduits…”\n\t\t682\tOlson’s ambitions for movies, poems, etc. (idea for West) – his prolific writing and incredible scope of reading; His reason for limiting focus of Maximus to Gloucester\n\t\t850\tButterick reads “Dylan Thomas, and now Matthew Mead, as he himself, to Edward Thomas”"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555058700293,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6251","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Butterick lecture and reading on Charles Olson \"The Entailment\" at SFU on November 10, 1970 part 2 of 2 #541b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Butterick, George F."],"creator_names_search":["Butterick, George F."],"creators":["[{\"url\":\"http://viaf.org/viaf/109397621\",\"name\":\"Butterick, George F.\",\"dates\":\"1942-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7954/Reading in BC_MsC199_541_2.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"541_2-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:59\",\"precision\":\"\",\"size\":\"45.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"541_2-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:02\",\"precision\":\"\",\"size\":\"49.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970-11-10\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"},{\"url\":\"https://www.openstreetmap.org/relation/6961857\",\"venue\":\"Wilson College\",\"notes\":\"There are two locations on the J-card, and it's not known what happened at each\",\"address\":\"1015 Philadelphia Ave, Chambersburg, PA 17201, United States\",\"latitude\":\"39.9508\",\"longitude\":\"-77.6527\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6","1015 Philadelphia Ave, Chambersburg, PA 17201, United States"],"Venue":["SFU","Wilson College"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t000\tReads “As the Shield Goddess, Mycenae…”\n\t\t034\tReads “The chain of memory is resurrection…”\n\t\t041\tSays, on finishing last poem “It’s in the poetry, not the life”, quotes from a lecture of Olson’s\n\t\t148\tCoffee break\n\t\t199\tOlson’s mother, “The Temple of Childhood”; his mother’s forcefulness, its effect on Olson\n\t\t280\tOlson had to “wrestle with” his mother; end of Maximus IV, V, VI a “teaser”, originally from a longer, unpublished poem, which Butterick reads, and relates to Maximus\n\t\t311\tOlson’s notes on Maximus: “What 1) is Maximus, and 2) where can he go?:” – purpose of Maximus\n\t\t380\tQuestions from the audience\n\t\t684\tQuestions end, remainder of the tape is idle chit-chat"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555059748864,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6252","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Jack Clarke lecture on Charles Olson on December 12, 1971 Tape 1 of 2 #543a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Olson, Charles","Clarke, John"],"creator_names_search":["Olson, Charles","Clarke, John"],"creators":["[{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"Jack Clarke discusses Charles Olson as an inspiration for FATHAR III\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/40837274\",\"name\":\"Clarke, John\",\"dates\":\"1933-1992\",\"notes\":\"John \\\"Jack\\\" Clarke\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1971],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7957/Reading in BC_MsC199_543_1.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"543_1-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:34\",\"precision\":\"\",\"size\":\"30.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"543_1-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:30\",\"precision\":\"\",\"size\":\"30.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1971-12-12\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tClarke is introduced\n\t\t027\tJack Clarke begins to discuss the context of FATHAR III, mentions D.H. Lawrence\n\t\t064\t“I’ve got a oem that begins with the word ‘pre’.”\n\t\t076\tClarke inspired by a poster of Charles Olson before he left on his 1970 sabbatical, wrote the poems in FATHAR III\n\t\t122\tThe source of these poems “unknown”, in Lawrence’s sense\n\t\t275\tTalks about the 60’s, tells story of woman who asks her husband where he comes from discusses marriage\n\t\t340\tMarriage, etc., different in the 70’s, burden on man to express “unknown”\n\t\t425\tStory of South American man who is charged with being a shaman\n\t\t571\tLawrence:”…marriage is further than death…”\n\t\t594\tReads “As a matter of fact, unless a woman is held by man safe within the bounds of belief…” (Lawrence)\n\t\t678\tDiscusses Lawrence’s writing about Pearl from The Scarlet Letter"],"Note":["[{\"note\":\"\\nSide 3 36:15\\nSide 4 26:00\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555059748865,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6253","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Charles Olson discussion on psychedelic drugs, his experiences with the Howard Group, and philosophical position on November 16, 1963 Tape 1 of 2 #544a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Olson, Charles"],"creator_names_search":["Olson, Charles"],"creators":["[{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7958/Reading in BC_MsC199_544_1.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"544_1-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:34\",\"precision\":\"\",\"size\":\"39.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"544_1-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:31\",\"precision\":\"\",\"size\":\"36.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-11-16\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction\n\t\t010\tCharles Olson begins to discuss his experiences with the Howard Group\n\t\t055\tMushrooms (psyllicibin)\n\t\t113\tMorning Glory seeds similar to LSD\n\t\t177\tKessler’s experience with the Harvard Group\n\t\t225\tHarmon’s *summary of 3 types of mushroom experiences; Olson refers to this article\n\t\t312\t“…triad of politics, theology, and epistemology”, discussion of why some people have bad experiences on drugs (example: man who became violent on LSD in Mexico)\n\t\t425\tOlson responds to a question comparing alcohol to psychedelic drugs, tries to link their psychological effects to physiological effects\n\t\t615\tOlson quotes from Harmon’s article (“The Issue of the consciousness Expanding Drugs”)\n\t\t765\tThere should be houses where-people can gather socially and take psychedelic drugs\n\t\t780\tMagic, religion, science\n\t\t833\tSound fades out"],"Note":["[{\"note\":\"\\nSide 3 36:15\\nSide 4 26:00\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555059748866,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6254","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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Ponti, discusses “structures of consciousness”\n\t\t625\t“’It’ the Object…” – Object is the motive of an event, rather than the cause of an event\n\t\t725\tDiscussion of time, eternity\n\t\t770\tOlson describes his duties a professor of myth and literature"],"Note":["[{\"note\":\"\\nSide 3 36:15\\nSide 4 26:00\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555059748867,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6255","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. 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Burroughs – what Washington, what orders\n\t\t278\tCharles Plymell – 100 flies on an airplane flying around the world\n\t\t317\tMichael Brownstein – monologue from the tope\n\t\t343\tJohn Cage – excerpt from Silence\n\t\t371\tAnne Waldman – fast speaking woman\n\t\t451\tDiane Di Prima – excerpt from Loba\n\t\t487\tBernadette Mayer – excerpt from Studying hunger\n\t\t546\tRobert Creeley – the name\n\t\t568\tDiane Wakosi – exorcism\n\t\t610\tLorenzo Thomas – high heel Jesus\n\t\t635\tGregory Corso – marriage\n\t\t780\tMaureen Owen – body rush\n\t\t800\tEd Sanders – stand by my side, oh Lord\n\t\t853\tCharles Olson – the ridge\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555061846016,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6258","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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Jack","Carroll, Jim","Orlovsky, Peter","Baraka, Imamu Amiri","Dorn, Ed","Lima, Frank","O'Hara, Frank","Clark, Tom","Blackburn, Paul","Ashbery, John","Whalen, Philip","Fagin, Larry","Padgett, Ron","Coolidge, Clark","Amirkhanian, Charles","Berkson, Bill","McClure, Michael"],"creators":["[{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/91270464\",\"name\":\"Brainard, Joe\",\"dates\":\"1942-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/90723960\",\"name\":\"Wieners, John\",\"dates\":\"1932-2002\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Malange, Gerard\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/110303657\",\"name\":\"Perreault, John\",\"dates\":\"1937-2015\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/46807530\",\"name\":\"Spicer, Jack\",\"dates\":\"1925-1965\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/14783289\",\"name\":\"Carroll, Jim\",\"dates\":\"1950-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/34654554\",\"name\":\"Orlovsky, Peter\",\"dates\":\"1933-2010\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/39371896\",\"name\":\"Baraka, Imamu Amiri\",\"dates\":\"1934-2014\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/25166087\",\"name\":\"Dorn, Ed\",\"dates\":\"1929-1999\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\" http://viaf.org/viaf/77849004\",\"name\":\"Lima, Frank\",\"dates\":\"1939-2013\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/51698966\",\"name\":\"O'Hara, Frank\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/4943177\",\"name\":\"Clark, Tom\",\"dates\":\"1941-2018\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/29555679\",\"name\":\"Blackburn, Paul\",\"dates\":\"1926-1971\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/100001869\",\"name\":\"Ashbery, John\",\"dates\":\"1927-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/54270610/\",\"name\":\"Whalen, Philip\",\"dates\":\"1923-2002\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/94390890\",\"name\":\"Fagin, Larry\",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/17265862\",\"name\":\"Padgett, Ron\",\"dates\":\"1942- \",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/66488556\",\"name\":\"Coolidge, Clark\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/7489149108420668780004\",\"name\":\"Amirkhanian, Charles\",\"dates\":\"1945-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/74456855\",\"name\":\"Berkson, Bill\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/71493269\",\"name\":\"McClure, Michael\",\"dates\":\" 1932-2020\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7978/Reading in BC_MsC199_535-tape2.jpg\",\"other\":\"\",\"extent\":\"1/8 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"535-tape-2-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:34:46\",\"precision\":\"\",\"size\":\"44.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"No location mentioned in the recording\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t000\tAllen Ginsberg – Jimmy Berman\n\t\t044\tJoe Brainard – excerpt from More I Remember More\n\t\t119\tJohn Wieners – excerpt from Memories in a small apartment\n\t\t174\tGerard Malange – A last poem (tentative title)\n\t\t183\tJohn Perreault – nude death\n\t\t204\tJack Spicer – excerpt from Billy the Kid\n\t\t250\tJim Carroll – from the basketball diaries, age 13, spring 1965\n\t\t299\tPeter Orlovsky – all around the garden\n\t\t364\tImamu Amiri Baraka (Leroi Jones) – Our nation is like ourselves\n\t\t433\tMichael McClure – Lion poem\n\t\t466\tEd Dorn – Recollections of Grande Apacharia\n\t\t537\tFrank Lima – the hunter\n\t\t564\tFrank O’Hara – Adieu Norman, Bonjour to Joan and Jean Paul\n\t\t619\tBill Berkson – Stanky\n\t\t625\tLarry Fagin – a play\n\t\t631\tTom Clark – little aria\n\t\t644\tPaul Blackburn – the once-over\n\t\t668\tPhilip Whalen – if you’re so smart, why aren’t you rich\n\t\t707\tRon Padgett – June 17, 1942\n\t\t797\tJohn Ashbery – the tennis court oath\n\t\t844\tClark Coolidge – excerpt from DEWS\n\t\t873\tCharles Amirkhanian - RADIL\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555061846017,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6259","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["\"Call me Burroughs:\" William Burroughs reading his poetry followed by an Interview with Tony Aspler #539"],"item_title_source":["J-card and Recording"],"item_title_note":["Liner notes: see the photo in the material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Burroughs, William","Aspler, Tony"],"creator_names_search":["Burroughs, William","Aspler, Tony"],"creators":["[{\"url\":\"http://viaf.org/viaf/108916275\",\"name\":\"Burroughs, William\",\"dates\":\"1914-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\",\"Author\"]},{\"url\":\"http://viaf.org/viaf/101840966\",\"name\":\"Aspler, Tony\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7979/Reading in BC_MsC199_539.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"539-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:05\",\"precision\":\"\",\"size\":\"49.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"539-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:47\",\"precision\":\"\",\"size\":\"48 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"contents":[""],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555061846018,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6260","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Sacred Geography Seminar: Prof. Robin Blaser lecture at SFU on October 1, 1976 Tape 1 of 2 #621"],"item_title_source":["cassette and j-card"],"item_title_note":["J-card mistakenly indicates both Sept. 13 and Sept. 29 as the dates of this seminar; the correct date is September 29, 1976."],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[RB_621]"],"rights":["In Copyright (InC)"],"access":["Streaming"],"creator_names":["Blaser, Robin"],"creator_names_search":["Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7984/Reading in BC_MsC199_621.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/rbr-196/rb621a\",\"file_path\":\"\",\"filename\":\"621-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:46\",\"precision\":\"\",\"size\":\"29.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/rbr-197/rb621b\",\"file_path\":\"\",\"filename\":\"621-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:36\",\"precision\":\"\",\"size\":\"29.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-10-01\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"Note":["[{\"note\":\"Prof. Blaser’s “Sacred Geography” series breaks down into two organizational components, that of semi-formal lectures and that of seminars. The lectures have been indexed and are to be found throughout the Audio Tape Holdings catalogue under their respective accession numbers. The indexing is fairly self-explanatory. The seminars are not indexed for a variety of reasons, however, in conjunction with its respective lecture tape, each seminar is both important and invaluable to an understanding of the “Sacred Geography” series and the intentions of Prof. Blaser.\\n“And knowing”, Confucius says, “brings one to the goal”. Sacred Geography Lecture, October 22, 1976 (#630)\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555062894592,"timestamp":"2026-01-07T14:59:59.437Z","contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t001\tBlaser’s voice is heard in mid-sentence\n\t\t002\tDiscussion of the text, Egyptian Book of the Dead, Blaser will be relying on\n\t\t015\tApparent continuation of discussion on the Divine Falcon.  A part of enactment mythology & an enactment ritual in Egyptian myth Osiris, etc.\n\t\t037\t“The cosmology is still not entirely understood” Set & Isis are cited\n\t\t054\tImportance of Horus [god/god-like figure in the text] not the poet\n\t\t058\tMovement towards Death in Egyptian mythology; Principle of passage\n\t\t069\tOsiris arising to serve the order of the world\n\t\t088\tRites of Osiris\n\t\t094\tBlaser’s theory that the priests of the temples kept certain aspects of the rituals a mystery as a representation of the aspects of the god that were indeed a mystery.  He rejects the contemporary notion that it was done as a form of social control on the part of the priests\n\t\t100\tRituals serving as an enactment of metaphysical concepts.  For example, The Book of the Dead: its use of Time & Space\n\t\t120\tBlaser’s main point being that of duel nature of God/Godhead.  Double in nature, but transcendent\n\t\t138\tTheory of the emergent & the transcendent\n\t\t179\tDoctrine of Osiris resurrection as found in the Pyramid texts. The Doctrine is contrasted & compared with the Legend of the Holy Grail\n\t\t215\tHerodious’  work is utilized, at this point, for its significant references to Mystery Cults/Religions\n\t\t243\tPassage dealing with the Osiris cult & its rituals as found in The Book of the Dead.  Discussion follows dealing with the innate significance of the passage\n\t\t287\t“The Ancients thought of death as the essential prelude to life.”  A polarity existing in all of nature.  Further definition, especially of the concept of the “underworld” is given\n\t\t345\tGeneology of Osiris & his fellow gods, also the concept of his Kingship is explained\n\t\t400\tPrimeval time to be considered as the time before duality\n\t\t412\tLecture broken off in mid-sentence as tape ends\nTwo\t\t000\t\n\t\t001\tBlaser’s voice in mid-sentence.  He is explaining, more so outlining, the concept of the original duality of male & female.  It is a complimentary notion, that is, unfortunately altered with the birth of Set.  Set represents elements of confusion/chaos\n\t\t027\tBlaser notes the lack of love between Set and his mother.  He comments, in words to the effect of, that this is a strange twist on a rather common theme, that of Mother fixation in no way does this even begin to imply that Set is in any way a child god\n\t\t047\tSet as existing “outside” the community of the gods\n\t\t072\tThe birth of Horus, the undefinable conflict that arises between Horus and Set [in the tangible forms of a homosexual element that seems to be mostly implied in The Book of the Dead and a physical fight that is much more than merely implied]\n\t\t104\tThe importance of the eyes of a being.  Special reference is given to what the eyes reveal after one engages in considerable sexual activity.  Even the gods of The Book of the Dead, according to Blaser feel this is important\n\t\t115\tThe poison semen that Horus receives; the warning given Horus\n\t\t137\tThe sexual element between Horus and Set, noted also is the role Isis plays.  As the conflict intensifies, the seed of Horus is spread on the vegetables growing in Set’s garden\n\t\t167\tThe pregnancy of Set; the battle for the disc; the notion that the eye of Horus comes from the forehead of Set; the birth of Wroth\n\t\t177\tOrigin of the creation of the moon [i.e. the eye of Horus] myth.  Explanation on the religious symbol that the moon becomes.  Blaser goes on to define a ‘symbol’ as a sign that conveys an image, that in our reality gives expression to a reality of a different order\n\t\t237\tThe ‘sound eye’ the eye that has been healed.  Blaser utilizes mathematical concepts to further develop his position.  The ‘sound eye’ serves as a notion of soundness and reality, via integrated contrasts.  The newborn and Wroth has constructed the ‘eye’ in such a way that it presents a ‘new image of reality’ (being and non-being)\n\t\t292\tBlaser comments on what he feels is the greatest wonder of Egypian mythology, the notion of the journey to the underworld as an experience of complete totality\n\t\t314\tEgyptian concept of the essential duality that always exists, a series of contrasts and comparisons.  Blaser calls them ‘polarities’\n\t\t340\tThe element of metamorphosis.  Light and Sexuality become the focal points for the ensuing discussion\n\t\t411\tSide two ends"],"score":0.01643844},{"id":"6261","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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He then goes on to speculate on the alterations in the relationships between the Egyptian gods.  Further speculation is given to the results of Set; homosexual tendencies\n\t\t037\tNotion of duality.  Blaser draws interesting assumption as he displays that Oasis is death from which life arises and Set is life from which death arises.  As the relationship between the two gods deteriorate, Death becomes a visible, semi-separate entity unto itself\n\t\t055\tThe shift in emphasis on the worship of Set by the Egyptians\n\t\t074\tBlaser describes the ideas, mainly the “layers of the world” concept, that he wants the students to keep in mind as they read and re-read the text(s)\n\t\t160\tDiscussion turns to the “central issues”, relating from two particular texts, they being Causal Mythology and Poetry and Truth.  Some of these “issues” include the notions of narrative and vocabulary\n\t\t203\tBeginning of a discussion on the narrative as having two particular facets, that of speech and that of speaking.  Blaser goes on to say “…narrative is made up of events, not facts.”  He stresses the ability of the narrative to pull the reader into the work\n\t\t225\tInvestigation into what Blaser calls “the means whereby we wish to speak of the active mode…”  Topics such as sense, nonsense and a “pure” language are to be raised\n\t\t250\tReiteration of the active role the reader must play in the events of the narrative\n\t\t277\t“Presence” in the work of Jack Spicer, who most of the preceding discussion dealt with.  Also, introduction of Surrealistic concepts into the discourse, specifically “the violent displacement of language that is then intended to control the marvelous”\n\t\t292\tSuggestion to read specific letters of Arthur Rimbaud.  The letters announce the psychological notion of “otherness”\n\t\t325\tBlaser lays great emphasis, perhaps even the major emphasis of the entire course, on the “constant operation of the language”.  Elaboration follows\n\t\t367\tFoucault, French poet, and his analysis of the evolution of the modern mind is stressed.  It too utilized the concept of “otherness’ in a slightly economic sense\n\t\t420\tTape ends, cutting Blaser off in a discussion of scientific principles\nTwo\t\t000\t\n\t\t001\tTape cuts in on some humorous interplay between Blaser and his students\n\t\t003\tDiscussion moves back to the multi-textured issue of language.  Language, it is stressed, by its very nature involves a sense of “otherness”.  “I’m not paying any attention, at this point, to God and all that stuff” says Blaser; he is dealing with direct experience\n\t\t010\tThe consciousness of modern language and its restructuring.  Blaser reads from an essay by Zollah, the title of the essay is unintelligible – that stresses social oneness.  Linguistic origins and the developments of Indo-European tongue are brought to the discussion, especially the connection between myth, symbols and the resulting language in the construction of the self\n\t\t075\tQuestion of a point of detail from a member of the seminar.  Blaser responds by reading from the text and repeating some of what he said previously.  He uses the question as the link to “the consistent movement inside language”\n\t\t095\tBlaser turns to a book by Western Labarr called Ghostdance for which he expresses particular disdain for its overly simplistic and naturalistic approach to the subject of religion\n\t\t148\tQuestion from a seminar member concerning Spicer.  Blaser feels the student has misunderstood his position and goes to re-explain that “the consistent efforts of all these texts is to speak to its own historical past”, adding further examples to strengthen his position.  The student seems satisfied with the response, as do others in the seminar\n\t\t278\tTurn to Causual Mythology as reading for next seminar is assigned\n\t\t282\tClass breaks up with Blaser commenting on how much he appreciates question and dissent in his classes\n\t\t287\tSound ends\n\t\t410\tSide two over"],"Note":["[{\"note\":\"Prof. Blaser’s “Sacred Geography” series breaks down into two organizational components, that of semi-formal lectures and that of seminars. The lectures have been indexed and are to be found throughout the Audio Tape Holdings catalogue under their respective accession numbers. The indexing is fairly self-explanatory. The seminars are not indexed for a variety of reasons, however, in conjunction with its respective lecture tape, each seminar is both important and invaluable to an understanding of the “Sacred Geography” series and the intentions of Prof. Blaser.\\n“And knowing”, Confucius says, “brings one to the goal”. Sacred Geography Lecture, October 22, 1976 (#630)\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555062894593,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6262","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. 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Sacred Geography Lecture, October 22, 1976 (#630)\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555063943168,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6263","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Sacred Geography Seminar with Prof. Robin Blaser on October 15, 1976 tape 1 of 2 #627"],"item_title_source":["j-card"],"item_title_note":["Liner notes: see the photo in the material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[RB_627]"],"rights":["In Copyright (InC)"],"access":["Streaming"],"creator_names":["Blaser, Robin"],"creator_names_search":["Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8103/627.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Clear box with j-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/rbr-216/rb627a\",\"file_path\":\"\",\"filename\":\"627-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:35:30\",\"precision\":\"\",\"size\":\"33.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/rbr-217/rb627b\",\"file_path\":\"\",\"filename\":\"627-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:43\",\"precision\":\"\",\"size\":\"29.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-10-15\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.276709600000004\",\"longitude\":\"-122.91780296438841\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555063943172,"timestamp":"2026-01-07T14:59:59.437Z","contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t001\tBlaser begins discussion on Jack Spicer and the concept of “pure language”.  Pure language being that which involves “us” in polarities and opposites\n\t\t047\tBlaser draws a link from confusion to sexuality to language, making reference to past lectures and the Osiris myth of Kingship\n\t\t054\tDiscussion on the mythological language of “Theogony”, a poem, mentions Blaser, that “is extremely difficult to interpret”, yet this is, in many ways, why he chose to include it in the seminar, especially for its broken narrative\n\t\t063\tThe direct engagement of the poet in his historical condition, “there are not many poets who are engaged in this way”\n\t\t071\tBlaser’s question “Why does theology appear repeatedly?”  Ensuing discussion with emphasis on Spicer and Olson\n\t\t099\tWide tradition of “Theogony”, its language is to be found all around the world – it’s the primary/the pure language\n\t\t135\tThe primary place of “Theogony” in Babylonian New Year worship of Marduk.  Blaser stresses the powerful interaction the piece played in society\n\t\t171\tAfter reading from Genesis, Blaser develops a pattern of “cosmogony and cosmology followed by the genealogy of heroes and priests”.  The Persian story of Ohrmzd and his opposite Ahraman is cited as example of a narration that speaks of polarity.  Blaser notes the “listing” pattern (names, titles, deeds, etc.) in mythology drawing an appropriate contrast between the 50 names of Marduk and the equally numerous names of the Norse God, Odin\n\t\t243\tViolva’s Prophecy is noted as the voice of past, present and future.  Yet another creation myth confirming the listing pattern.  The original tie between the magic and the poetic, before the written word, which implies the theory of the language, the nature of the word.  The magical aspect manifests itself in the power it gives; power over the order or to reveal the order\n\t\t319\tThe need to gather a better understanding of the narrative, utilizing unseen diagrams which draw heavily from West’s introduction to “Theogony” and Normana/Brown.  In the case of “Theogony” this is best displayed in the invocations\n\t\t374\tBlaser draws a parallel between the generational narrative of the Old Testament and other such ancient relevant texts as an example\n\t\t416\tUtilizing the many myths of Zeus and his children as further example, Blaser seeks to display the exclusive nature in his estimation of the generational narrative. The tape ends sharply, cutting Blaser off\nTwo\t\t000\t\n\t\t001\tBlaser’s voice comes in during mid-sentence stressing the need to move through the process of the “Theogony” to reach the generational climax of Zeus and his supreme intelligence\n\t\t021\tThe succession story of Zeus, the birth of Aphrodite and story of Medusa, etc., all flow through each other.  Almost “mythological digressions” yet completely necessary to the great whole of the story\n\t\t070\tThe structure of the poem is the succession story, which Blaser outlines.  He then explores, by listing, the descriptive catalogues of the poem linking them to an implied movement in the human order\n\t\t141\tThe oriental flavor of the poem is pointed out as is West’s mention of a Phoenician history text compiled/written by San Chuniathon (a Phoenician poet) that was translated into Greek around the 2nd century A.D. and eventually translated into English on the insistence of Charles Olson.   Both examples add further strength to the pure/primary language theory\n\t\t230\tSan Chuniathon’s work as yet further example of the narrative move towards an established order\n\t\t244\tBlaser announces a contemporary reading he would like the class to attend.  The writer in question is [Foelling]* Dawson, reading at the Odd Infanitum Gallery, 3632 W. 4th Avenue on October 16/76.  Blaser goes on to discourse on the importance of the contemporary\n\t\t266\tGenealogy in the structural poem “What should be the critic’s vocabulary?”  The succession myth as the plot that is not truly apparent.  Blaser links the genealogy as the “living movement of that succession (myth)” also taken into account is the cosmology\n\t\t319\tDistinction drawn between visionary and prophet.  Examples and embellishment are provided by Blaser to further his point\n\t\t348\tThe prophet poet as one who “looks into his own time” which involves a use of “pure language”, Spicer and Olson are cited\n\t\t379\tReturn to the genealogy of ”Theogony” as the subject of discussion\n\t\t413\tAs Blaser was reintroducing the use of the listing pattern his voice was cut off\n\t\t413\tSide Two ends"],"score":0.01643844},{"id":"6267","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Sacred Geography Seminar with Prof. Robin Blaser on October 15, 1976 tape 2 of 2 #628"],"item_title_source":["j-card"],"item_title_note":["Liner notes: see the photo in the material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[RB_628]"],"rights":["In Copyright (InC)"],"access":["Streaming"],"creator_names":["Blaser, Robin"],"creator_names_search":["Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8104/628.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Clear box with j-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/rbr-219/rb628a\",\"file_path\":\"\",\"filename\":\"628-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:08:34\",\"precision\":\"\",\"size\":\"83.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/rbr-220/rb628b\",\"file_path\":\"\",\"filename\":\"628-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:58:25\",\"precision\":\"\",\"size\":\"72.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-10-15\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"Location taken from cassette 627\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.276709600000004\",\"longitude\":\"-122.91780296438841\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555064991744,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6268","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. 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Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Sacred Geography Seminar with Prof. Robin Blaser on October 20, 1976 tape 2 of 2 #629"],"item_title_source":["j-card"],"item_title_note":["Liner notes: see the photo in the material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[RB_629]"],"rights":["In Copyright (InC)"],"access":["Streaming"],"creator_names":["Blaser, Robin"],"creator_names_search":["Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8105/629.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Clear box with j-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/rbr-224/rb629a\",\"file_path\":\"\",\"filename\":\"629-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:41\",\"precision\":\"\",\"size\":\"30.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/rbr-225/rb629b\",\"file_path\":\"\",\"filename\":\"629-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:31\",\"precision\":\"\",\"size\":\"29.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-10-20\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"Location taken from cassette #630\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.276709600000004\",\"longitude\":\"-122.91780296438841\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"Only part 2 of 2 from October 20, 1976 is available\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555064991745,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6269","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The invention of Language: Gerry Gilbert and the Paul Plimley Trio at Acropolis in Vancouver, October 1987 #732"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Gilbert, Gerry","Paul Plimley Trio"],"creator_names_search":["Gilbert, Gerry","Paul Plimley Trio"],"creators":["[{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/132460437\",\"name\":\"Paul Plimley Trio\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Performance_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8112/Reading in BC_MsC199_732.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"732-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:07\",\"precision\":\"\",\"size\":\"52.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"732-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:07\",\"precision\":\"\",\"size\":\"52.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-10\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Acropolis \",\"notes\":\"\",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Vancouver, BC, Canada"],"Venue":["Acropolis "],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t005\t“The Invention of Language”\n\t\t\tThis production is a musical/oral collaboration.  Many of the oral pieces in this production are either unidentified, untitled, or unpublished.  For the sake of brevity, any poems falling into the above three categories are simply demarcated “untitled”\n\t\t200\tEnd\n\t\t206\t“We Stop for Nickles”\n\t\t359\tEnd\n\t\t361\t“Vanguard Cover and Pages…”\n\t\t394\tEnd\n\t\t395\t“The Playball Vacuum”\n\t\t448\tEnd\n\t\t450\tUntitled\n\t\t474\tEnd\n\t\t475\tUntitled\n\t\t506\tEnd\n\t\t507\tUntitled\n\t\t544\tEnd\n\t\t546\tUntitled\n\t\t557\tEnd\n\t\t558\t“Film Review: Alsino + the Condor (Nicaragua 1982)”\n\t\t582\tEnd\n\t\t583\tUntitled\n\t\t590\tEnd\n\t\t593\tUntitled\n\t\t625\tEnd\n\t\t628\t“Resistance: for the 1987 B.C. General strike”\n\t\t660\tEnd.  End side One\nTwo\t\t000\t\n\t\t005\tMusic continued from side one\n\t\t016\tEnd\n\t\t020\tUntitled\n\t\t095\tEnd\n\t\t099\tUntitled\n\t\t148\tEnd\n\t\t150\t“Sound is in Accord with Light”\n\t\t329\tEnd\n\t\t333\tUntitled\n\t\t367\tEnd\n\t\t368\tUntitled\n\t\t404\tEnd\n\t\t405\t“How to Eat a Peach: From the Tune of Fools Rush In”\n\t\t419\tEnd\n\t\t420\t“Dream”\n\t\t428\tEnd\n\t\t429\t“Bursts of Friendliness”\n\t\t450\tEnd\n\t\t451\t“Sight Buds”\n\t\t456\tEnd\n\t\t457\t“Absolutely Posilute”\n\t\t469\tEnd\n\t\t470\t“Make your Point and Move On”\n\t\t478\tEnd\n\t\t479\t“Walking There”\n\t\t484\tEnd\n\t\t485\t“Canada’s a Nice Place to Read but I Wouldn’t Wanna Write There”\n\t\t494\tEnd\n\t\t495\t“Idle Idol Idyl”\n\t\t499\tEnd\n\t\t500\tUntitled\n\t\t507\tEnd\n\t\t508\t“Less”\n\t\t514\tEnd\n\t\t515\t“Easy Reader”\n\t\t517\tEnd\n\t\t518\tUntitled\n\t\t524\tEnd\n\t\t525\t“Pray Tell”\n\t\t529\tEnd\n\t\t530\t“Defective story”\n\t\t536\tEnd\n\t\t537\t“The Courtyard”\n\t\t553\tEnd\n\t\t555\t“My Knife Wants a Harley”\n\t\t586\tEnd\n\t\t587\t“Poet”\n\t\t605\tEnd\n\t\t607\t“Notes”\n\t\t610\t“Available Light”\n\t\t648\tEnd.  End side Two"],"Note":["[{\"note\":\"Prof. Blaser’s “Sacred Geography” series breaks down into two organizational components, that of semi-formal lectures and that of seminars. The lectures have been indexed and are to be found throughout the Audio Tape Holdings catalogue under their respective accession numbers. The indexing is fairly self-explanatory. The seminars are not indexed for a variety of reasons, however, in conjunction with its respective lecture tape, each seminar is both important and invaluable to an understanding of the “Sacred Geography” series and the intentions of Prof. Blaser.\\n“And knowing”, Confucius says, “brings one to the goal”. Sacred Geography Lecture, October 22, 1976 (#630)\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555064991746,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6270","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Sacred Geography Seminar with Prof. Robin Blaser on October 22, 1976 tape 1 of 2 #630"],"item_title_source":["j-card"],"item_title_note":["Liner notes: see the photo in the material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[RB_630]"],"rights":["In Copyright (InC)"],"access":["Streaming"],"creator_names":["Blaser, Robin"],"creator_names_search":["Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8113/630.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Clear box with j-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/rbr-227/rb630a\",\"file_path\":\"\",\"filename\":\"630-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:29\",\"precision\":\"\",\"size\":\"29.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/rbr-228/rb630b\",\"file_path\":\"\",\"filename\":\"630-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:45\",\"precision\":\"\",\"size\":\"29.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-10-22\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"Location taken from cassette #631\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.276709600000004\",\"longitude\":\"-122.91780296438841\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"Note":["[{\"note\":\"The numbers of tapes #631 and #630 are confused either on the cassette or on J-card. We made the order according to the contents of the cassettes, so the go in the proper order. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555064991747,"timestamp":"2026-01-07T14:59:59.437Z","contents":["Side\tTrack\tNo.\tComments\nOne\t\t003\tTape begins with Blaser discussing the need to find a vocabulary fitting for investigation of ‘the primary world’\n\t\t030\tHomer & Hesiod & the defense of divinity in the social world.  Hesiod as a progression over Homer, Hesiod touted as the more abstract of the two writers, Blaser agrees but with distinct reservations, which he explains\n\t\t105\tStructure of The Iliad.  Its narrative, its core story & its engaging formula.  Pound & Olson are mentioned as inheritors of The Iliad’s formula, it’s a literary tradition utilized to maintain that which the culture must remember “in order to continue”\n\t\t127\tPreface to Plato by Havelock & the attempt to defeat poetry.  Blaser utilizes Havelock’s book to examine the didactic nature of Homer & Hesiod in the transmission of social knowledge, public usage & private habit\n\t\t154\tHavelock’s outline of The Iliad\n\t\t170\tStudent presentation dealing with descriptive & connective phrasing, as well as the meter of The Iliad\n\t\t226\tOutline of The Iliad again, with scant commentary of Blaser’s part\n\t\t260\tPoetry as the transmission of social knowledge.  Meaning & the interplay with the existing social structure.  Plato wanted to remove the poet for such a powerful position in society & place the philosopher in such a role\n\t\t290\tExamination of the work of Hesiod, specifically the first 130 lines, Hymns to the Muses.  Here we find, for the first time in the history of the West, the poet’s view of himself, his profession & what it means.  Blaser feels that Hesiod’s Hymns teach History & Prophecy, they also teach morality & philosophy.  This is the poet’s vital social role\n\t\t307\tThe creation of a realm of belief.  How such a realm came to be is a major element of Hesiod’s work.  This is the creation of a mythology\n\t\t315\tThe mythology of the ancient world, that of Olympia, & its central link to poetry\n\t\t393\tHesiod’s “rationalization of world history”, the nation is explored by the seminar\n\t\t406\tSide one ends, unfortunately cutting Blaser off in mid-sent.\nTwo\t\t002\tTape cuts in, picking up where Side one left off.  Continuation of investigation of the poetic process with supplementation from Havelock text\n\t\t035\tHesiod’s description of the Muses\n\t\t077\tHavelock & Hesiod’s catalogue of the nine Muses.  This discussion moves into the area of the [segmentized] educational system perfected by the 5th century B.C. Greeks & still haunting us to this very day\n\t\t175\tA look at the principles of the poetic which exists in our modern lives.  Definitions of “reason” & “subject” which thematically structure contemporary perspectives.  Marcuse’s Reason & Revolution, especially the Preface, is utilized at this point\n\t\t213\tThe rejection of the contradiction in search for synthesis which results in a return to the subject, Blaser views this as an enormous distortion of the real.  Marcuse desires a system of thought by negation\n\t\t230\tNegation as a positive act, it comes far closer to a reality than the world of figures & facts ever could.  Obviously Blaser elaborates on this notion\n\t\t239\tThe “experience” of poetry.  Also a reference to Spicer & his use of the “primary”\n\t\t250\tThe poet who stresses the “primary” battles against the ideology of factual language, out of logical & into experiential form\n\t\t262\tThe search for an authentic language, a common element.  Robert Duncan’s objections to this are mentioned & briefly addressed. Blaser stresses that “ideas” are not being disregarded rather they are being re-positioned.\n\t\t319\tCharles Olson’s letter to Elaine Feinstein (May 1959).  Blaser gives background information & then goes on to read the letter.  The letter is a response to general questions on poetics & more specific queries on the use of the image.  Blaser peppers his reading of the letter with extremely relevant commentary\n\t\t362\tOlson letter continues, as does Blaser’s commentary\n\t\t390\tThe peripheral role given to poetry in the modern world is a victory of the logical.  Blaser, quite rightly, feels that the logical must be resisted & poetry returned to its central social role\n\t\t406 \tSide two ends"],"score":0.01643844},{"id":"6271","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Sacred Geography Seminar with Prof. Robin Blaser on October 22, 1976 tape 2 of 2 #631"],"item_title_source":["j-card"],"item_title_note":["Liner notes: see the photo in the material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[RB_631]"],"rights":["In Copyright (InC)"],"access":["Streaming"],"creator_names":["Blaser, Robin"],"creator_names_search":["Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8114/631.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Clear box with j-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/rbr-230/rb631a\",\"file_path\":\"\",\"filename\":\"631-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:00\",\"precision\":\"\",\"size\":\"29.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/rbr-231/rb631b\",\"file_path\":\"\",\"filename\":\"631-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:37\",\"precision\":\"\",\"size\":\"30.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-10-22\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"Location taken from cassette #631\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.276709600000004\",\"longitude\":\"-122.91780296438841\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"Note":["[{\"note\":\"The numbers of tapes #631 and #630 are confused either on the cassette or on J-card. We made the order according to the contents of the cassettes, so the go in the proper order. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555064991748,"timestamp":"2026-01-07T14:59:59.437Z","contents":["Side\tTrack\tNo.\tComments\nOne\t\t003\tTape begins with Blaser discussing the need to find a vocabulary fitting for investigation of ‘the primary world’\n\t\t030\tHomer & Hesiod & the defense of divinity in the social world.  Hesiod as a progression over Homer, Hesiod touted as the more abstract of the two writers, Blaser agrees but with distinct reservations, which he explains\n\t\t105\tStructure of The Iliad.  Its narrative, its core story & its engaging formula.  Pound & Olson are mentioned as inheritors of The Iliad’s formula, it’s a literary tradition utilized to maintain that which the culture must remember “in order to continue”\n\t\t127\tPreface to Plato by Havelock & the attempt to defeat poetry.  Blaser utilizes Havelock’s book to examine the didactic nature of Homer & Hesiod in the transmission of social knowledge, public usage & private habit\n\t\t154\tHavelock’s outline of The Iliad\n\t\t170\tStudent presentation dealing with descriptive & connective phrasing, as well as the meter of The Iliad\n\t\t226\tOutline of The Iliad again, with scant commentary of Blaser’s part\n\t\t260\tPoetry as the transmission of social knowledge.  Meaning & the interplay with the existing social structure.  Plato wanted to remove the poet for such a powerful position in society & place the philosopher in such a role\n\t\t290\tExamination of the work of Hesiod, specifically the first 130 lines, Hymns to the Muses.  Here we find, for the first time in the history of the West, the poet’s view of himself, his profession & what it means.  Blaser feels that Hesiod’s Hymns teach History & Prophecy, they also teach morality & philosophy.  This is the poet’s vital social role\n\t\t307\tThe creation of a realm of belief.  How such a realm came to be is a major element of Hesiod’s work.  This is the creation of a mythology\n\t\t315\tThe mythology of the ancient world, that of Olympia, & its central link to poetry\n\t\t393\tHesiod’s “rationalization of world history”, the nation is explored by the seminar\n\t\t406\tSide one ends, unfortunately cutting Blaser off in mid-sent.\nTwo\t\t002\tTape cuts in, picking up where Side one left off.  Continuation of investigation of the poetic process with supplementation from Havelock text\n\t\t035\tHesiod’s description of the Muses\n\t\t077\tHavelock & Hesiod’s catalogue of the nine Muses.  This discussion moves into the area of the [segmentized] educational system perfected by the 5th century B.C. Greeks & still haunting us to this very day\n\t\t175\tA look at the principles of the poetic which exists in our modern lives.  Definitions of “reason” & “subject” which thematically structure contemporary perspectives.  Marcuse’s Reason & Revolution, especially the Preface, is utilized at this point\n\t\t213\tThe rejection of the contradiction in search for synthesis which results in a return to the subject, Blaser views this as an enormous distortion of the real.  Marcuse desires a system of thought by negation\n\t\t230\tNegation as a positive act, it comes far closer to a reality than the world of figures & facts ever could.  Obviously Blaser elaborates on this notion\n\t\t239\tThe “experience” of poetry.  Also a reference to Spicer & his use of the “primary”\n\t\t250\tThe poet who stresses the “primary” battles against the ideology of factual language, out of logical & into experiential form\n\t\t262\tThe search for an authentic language, a common element.  Robert Duncan’s objections to this are mentioned & briefly addressed. Blaser stresses that “ideas” are not being disregarded rather they are being re-positioned.\n\t\t319\tCharles Olson’s letter to Elaine Feinstein (May 1959).  Blaser gives background information & then goes on to read the letter.  The letter is a response to general questions on poetics & more specific queries on the use of the image.  Blaser peppers his reading of the letter with extremely relevant commentary\n\t\t362\tOlson letter continues, as does Blaser’s commentary\n\t\t390\tThe peripheral role given to poetry in the modern world is a victory of the logical.  Blaser, quite rightly, feels that the logical must be resisted & poetry returned to its central social role\n\t\t406 \tSide two ends"],"score":0.01643844},{"id":"6272","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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References to Olson & nature of the “primary” soon follow\n\t\t018\tThe historical task of the poet, the greater context.  Once this has been understood one can truly appreciate texts that stand outside their mere contemporary context, the “otherness” of a poetic text\n\t\t040\tThe 20th century “consciousness of language”, Blaser agrees that the Romantics started the move towards the notion of language but he thinks it was individuals such as Pound who began to comprehend and appreciate the polar relationships of poetry with a consciousness of the nature of language\n\t\t074\tBy way of an investigation into divine poetic nature, Blaser examines texts that detail the relationship between the Ancient (Homeric?) Greeks and their gods\n\t\t104\tThe balance of heaven and earth (“earth and sky”) and the emerging notion of “the universe”.  “A destiny of the Greeks is neither a justification nor disruption or elimination of the natural course of the world.  It is this natural course of the world itself”\n\t\t130\tTo create an understanding of the foundation of this world view, Blaser explains that to the Homeric Greeks the world was not an observable, examinable place but a “realm” of “the ever unobjective to which we are subordinate as long as the paths of birth and death, of blessing and curse, hold us thrust into being where the essential lessons of our history befall us and which are taken over and abandoned, misunderstood and again sought by us.  Their world’s the world.  Prof. Blaser is drawing most of his material from Victor Vycinas’ The Earth and Gods : an introduction to the Philosophy of Martin Heidegger\n\t\t142\tArt as the stabilizer of the lucidity of the world\n\t\t\tProf. Blaser, as he does on other tapes in the series, argues that, as part of human being’s nature, Truth is to be found only in “unreason”.  Truth as emerging from the primeval strife to “that which is”.  The strife between the world and the earth can “only become Truth when it takes a stand within the realm of openness obtained by it.  “….such a “stand” can only be actualized as an Artwork”\n\t\t220\tHermes, who “what he is, as an example of a deity.  The various roles and responsibilities of the god are listed and detailed; an attempt is made by Blaser to limit the god’s many titles into a conceptual whole\n\t\t269\tThe discussion on the many traits of Hermes continues\n\t\t276\tBlaser turns onto Zeus “The worldness of a world is Zeus”.  Zeus as a god of light, which innately infers that Zeus is a god of revealing, “of disclosing… by reflecting the truth of the god, these forms are true.  They are the logos of this god.  Zeus, then, is the logos par excellence\n\t\t289\tThe nature of Truth.  “Truth as Reason, becomes in the poetic argument simply our Reason.  And this confronts what Olson calls the “demonic nature of experience”.  The link is made easily between this notion and the notion of the polarity, the “tension” of experience in mythology.  Reference is made to Charles Olson’s Poetry and Truth (The Beloit Lectures and Poems).  In the existence that lies behind poetry, more than the language we speak\n\t\t311\tReturn of topic to the “tension of existence”.  Blaser notes the interdependence to the “other”.  Olson’s so-called attack on Einstein in Poetry and Truth is brought up to display the content of the concept; Einstein’s relativity is viewed as another one of the modes of reason.  Olson harkens to the dynamically-relational.  A Maurice Merleon-Ponty essay to be found in Sense-non-Sense, is cited by Blaser as summing up the issue at immediate hand here\n\t\t333\tThe disclosure of the world the way it appears to the I.  Again Olson’s Poetry and Truth is mentioned.  One point of particular noteworthiness is that the “I” is to be found “among” not isolated in any manner.  Notion of disclosure and concealment; the “active” agent of the unknown\n\t\t348\tSpeech as a stance of language, revealing the relationship(s) between intellect and objects.  Language and freedom.  Freedom as possessing the individual (not vice versa), Spicer and Olson cited.  Human referring as a result of the outward mode, Logos, in this primary sense, “is our assembling of otherness to ourselves”\n\t\t368\tClassroom confusion results in Blaser repeating his previous statements to clarify their meaning\n\t\t384\tMartin Heidegger is cited once again, a quotation “Our thinking is giving thanks”.  Further quotations are given and explored, all searching for the language behind language\n\t\t398\tOlson’s notion that “so say” (speech) is “to bring into appearance”.  Such a notion should not be confused with the “creation” of appearance; words do not follow things”.  Olson calls this “Mythologos”, words bringing things from their position of concealment\n\t\t407\tSide One ends\nTwo\t\t000\t\n\t\t003\tBlaser’s voice emerges in mid-sentence, discussing such topics as “truth” and “freedom”.  The movement toward “the future” and its being is discussed.  Vyainds’ is quoted and references to Olson and Spicer are made\n\t\t029\tThe future “as “improvised… in Utopias”; with the absence of a tradition, human beings “therefore… constantly break the ties of tradition by revolts”.  While the concept seemingly contradicts itself, Blaser proves the opposite to in fact be the case\n\t\t052\tContemporary human beings standing between philosophy and the upcoming of a greater thought, the thought of being itself”.  Blaser, utilizing Heidegger directly, states that thinking of the future assembles the language/being of the future thinking as no longer philosophy but now mythology\n\t\t106\tOperative and Representational language: Representational language represent the “red” of the world.  Operative language presents – discloses – what was previously covered.  The language is interactive when its operative sense\n\t\t132\tStructural elements of the world: Earth, Sky, Mortals and Gods.  Together they make up the “action of the world… its light”.  Concealment and Revealment are explored once again; Earth as having a “tendency to concealment, the World to revealment.  Art, the Truth, emerges from the strife between the Earth and the World\n\t\t160\tChaos as “the holiness itself: (L. Heidegger), it stands as the ultimate course of all.  The Realm of Destiny, binding everything.  Blaser embellishes this fully, conjuring up Heroditas, Spicer and Olson\n\t\t198\tThe song of the poet being the place where ghouls, human beings and holiness can all appear.  “All true poetry has its beginning in an encounter with the divine”\n\t\t215\tDiscussion moves onto earth-centered religions; the cathonoing society in which the dead are real and powerful in that they go to the earth.  Blaser notes that Spiker refused to separate the dead and the living, and in fact gave the dead a prominence over the living\n\t\t229\tOlympian religion gains prominence over the Cathonain religion, death is shunned.  Numerous references made to Homer’s place in this\n\t\t247\tThe reversal of Logos, the reversal of light.  Characteristics of Olympian and Cathonain religion are explored in contrast\n\t\t280\tEarth, Sky, Gods, Mortal men – “all of them are in strife, as parts of the world”.  Art as a creating a world, creating a hold on the “earth in the world”.  The guarding of the earth and the world in their strife is a fundamental feature of Art work.  Letting the Truth take place in the struggle between the worldness of the world and earth\n\t\t311\tBlaser draws a transition connecting concepts of the ancient world with the contemporary interest in “open form”.  Charles Olson is cited as using such “open form” as projective and as field; Jack Spicer is also cited for his “serial poems’ a constant opening of time itself\n\t\t322\tBlaser vocalizes his view that he feels the “openform” vs. “closed form” debate is little more than an intellectual “hang-up”\n\t\t330\tThe nature of “open form”; openness as it is “attached to a primary condition” – the narrative as a new stance, a new content.  Blaser quotes\n\t\t340\tClosing remarks.  Blaser answers a class question.  Blaser reading (his own work?)\n\t\t359\tSide Two ends"],"score":0.01643844},{"id":"6275","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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The topic is then further expanded into that of Norse religion and the old Norse world view.  Blaser elaborates and explains the myths with references to Indo-European cultures\n\t\t0038\tBlaser discusses the family of languages.  He refers to Webster’s International Dictionary.  He draws together various pieces of cultural evidence to construct the characteristics of “Indo-European speech and culture”\n\t\t0105\tBlaser looks at “The Volaspa” for its Norse creation story.  Discusses the generative act where we have a mutual attraction and opposition of cold and heat.  The singular origin and identity is not the same as the Platonic one; this is a flow\n\t\t0155\tEverything, in this cosmology, returns to matter.  Matter and spirit are not split as in our tradition.  This difference is discussed\n\t\t185\tBlaser discusses the lack of creator in the Norse mythology.  Creation is assumed to be spontaneous as a product of two opposed forces (heat and cold)\n\t\t214\tBlaser refers to Hinduism: he discusses the shape of the cosmos (shaped around the “eternal conflict which is life”).  The cosmos develops in one of a fragile “order” of time and temporal relations with the “threat of disorder” always looming.  Blaser discusses the structure of the Norse cosmos in some detail\n\t\t250\tThe connection between the world of gods and the world of men, the ash tree, Yggdrasil.  Blaser postulates that the world tree, any mythological world tree is the “latent invisible fire in the living wood which is the perfect symbol of eternal spirit trapped in matter”.  Dionysus is an anthropomorphized version of this vision\n\t\t270\tA thorough examination of the Norse world-tree ensues\n\t\t319\tEnd of lecture\nTwo\t\t000\t\n\t\t003\tTape begins with an announcement of a poetry reading.  Blaser begins his lecture by introducing Charles Olson’s “The Horses of the Sea” [to be found in Sparrow, 43, Black Sparrow Press]\n\t\t055\tA very lengthy discussion of sources in Olson’s work ensues\n\t\t0156\tBlaser introduces a passage from Fowler’s book on Norse religions and present some propositions that he has been building that are meant to allow us to speak to the nature of the “real”"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555068137472,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6276","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. 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Maud\n\t\t224\t1.\t“the manner of his death…” from Iron : 3\n\t\t231\t2.\t“The queerness of things…”\n\t\t238\t3.\t“Remember all that sound…”\n\t\t241\t4.\t“It was a snake that bit Euridice…”\n\t\t249\t5.\t“The hummingbirds…”\n\t\t255\t6.\t“Lets go back to camp Orpheus…”\n\t\t264\tSong 1 “When you Came To…”\n\t\t269\tSong 2 “Unfortunately its not that simple…”\n\t\t274\tBibliographies II\n\t\t284\t“Nobody listens to poetry…”\n\t\t293\tLandscapes – physical and spiritual\n\t\t303\t“The sea breeze…” from the fifth book\n\t\t307\t“The ocean at high tide…”\n\t\t312\t“Tonight At Kitsilano Park”\n\t\t322\t“Jack Spicer stumbling along…”\n\t\t338\tMoving away from the are \n1. –away from the sea\n\t\t347\t2. \n\t\t355\t3.\n\t\t362\t“A transcription”\n\t\t378\t1.\t“The heart of it, North…” (on returning to Prince George)\n\t\t403\t2.\t“The heart is between us…”\n\t\t420\t“The girls you know…” (for Elbin Golden)\n\t\t452\tNew poems (“for all my friends”)\n\t\t455\t1.\t“The man wants power over animals…”\n\t\t462\t2.\t“Orpheus charming birds with his flute…”\n\t\t470\t3.\t“If love can span seasons…”\n\t\t476\t“Isis is physis…” (for Colin Stuart)\n\t\t497\t“Forest”\n\t\t511\t“Ursus horiblus” (grizzly bear)\n\t\t531\t“Orion”\n\t\t539\t“The World”\n\t\t557\tThe poet struck with his own vision\n\t\t565\t“Spring Song” (a poem helped along by Alan* Ginsberg)\n\t\t594\tEnd of Brian Fawcett’s reading"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555069186050,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6230","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. 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Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Joanne Kyger reading, 1964-1968 #453"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kyger, Joanne"],"creator_names_search":["Kyger, Joanne"],"creators":["[{\"url\":\"http://viaf.org/viaf/71627705\",\"name\":\"Kyger, Joanne\",\"dates\":\"1934-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1964],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7868/Reading in BC_MsC199_453.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"453-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:01:22\",\"precision\":\"\",\"size\":\"73.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"453-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:44\",\"precision\":\"\",\"size\":\"41.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1964\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Inventory\"},{\"date\":\"1968\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t03\tDescartes – And the Splendour of a Real Drama of Everyday life (1968)\n\t\t\t(Beginning is muffled as part of the electronic effect)\n\t\t\tElectronic effects by Richard Feliciano\n\t\t129\t“The Odyssey Poems – April 8 – The Plan” (1964)\n\t\t157\tII “Whether he is dead or not…”\n\t\t193\t“April 22 – Possibilities”\n\t\t209\t“May 20 – meeting”\n\t\t238\t“In July:”\n\t\t\tPoems from Rome 1966\n\t\t283\t“The Apples, the Rabbit, the Moon and the Nun.”\n\t\t309\t“An apology for those Apples”\n\t\t326\t“An Explanation of They”\n\t\t337\t“I Have No Strength for Mind”\n\t\t354\t“Dying Thoughts Which are Thirsty”\n\t\t368\t“Flatten their leafy ground…”\n\t\t387\t“All the freedom you want…”\n\t\t396\t“Hesitation”\n\t\t414\t“It is pleasant to begin…”\n\t\t433\tA novel-written in Paris April, 1966\n\t\t434\tChapter 1\n\t\t462\tChapter 2\n\t\t494\tChapter 3\n\t\t545\tChapter 4\n\t\t579\tChapter 5\n\t\t614\tChapter 6\n\t\t619\tChapter 7\n\t\t703\tChapter 8\n\t\t741\t“Braid” a poem with electronic background taken from a 1968 film by Bill Brown\n\t\t809\tEnd of recording"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555069186051,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6231","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Janine Pommy Vega, Freewheelin Frank Reynolds, and Charles Olson in San Francisco on March 25, 1968, October 9, 1968, and October 1957 #615"],"item_title_source":["cassette and j-card"],"item_title_note":["Janine Pommy Vega is misspelled as \"Pummy-Vega\" on the J-card."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Vega, Janice Pommy","Olson, Charles","Reynolds, Frank"],"creator_names_search":["Vega, Janice Pommy","Olson, Charles","Reynolds, Frank"],"creators":["[{\"url\":\"http://viaf.org/viaf/6224865\",\"name\":\"Vega, Janice Pommy\",\"dates\":\"1942-2010\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Reynolds, Frank\",\"dates\":\"1943-2003\",\"notes\":\"Identified as \\\"Freewheelin Frank Reynolds\\\" on the J-card.\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1968],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7869/Reading in BC_MsC199_615.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"615-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:49\",\"precision\":\"\",\"size\":\"41.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"615-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:00\",\"precision\":\"\",\"size\":\"40.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1968-10-09\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1957-10\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1968-03-25\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/111968\",\"venue\":\"\",\"notes\":\"\",\"address\":\" San Francisco, California, United States\",\"latitude\":\"37.7789\",\"longitude\":\"-122.4213\"}]"],"Address":[" San Francisco, California, United States"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t002\tJanine Pummy-Vega introducing “Poems to Fernando”, a book dedicated to the memory of her father\n\t\t012\tFirst she decides to read some of her more recent works\n\t\t019\t“A Vision of Haight St. with Glasses”\n\t\t092\t“Poem of The Newly Loved Dower Faced One of the Strange Ways”\n\t\t066\tPummy-Vega is cut-off in mid-verse, music which then is also cut-off\n\t\t068\tFreewheelin’ Frank Reynolds appears in mid-verse\n\t\t\t“The vast & low, we brake through…”\n\t\t078\tHe too is cut off, only to return\n\t\t080\t“And when I think of lovely Larry…”\n\t\t105\t“Walking in the rain at midday…”\n\t\t119\t“Thirteen Hells Angels…”\n\t\t138\t“O spirits, spirits…”\n\t\t148\t“The vast & low, we brake through…”\n\t\t169\t“Whether or not your souls have…”\n\t\t192\t“Water 19, Smoke goes on…”\n\t\t212\t“This is a poem for Michael McClure”\n\t\t221\t“On April 9, the day of Larry’s death…”\n\t\t382\t“There are thieves”\n\t\t407\tFreewheelin’ Frank talks about his involvement with Michael McClure; he then reads from a book they wrote together\n\t\t429\tSide 1 ends\nTwo\t\t000\t\n\t\t001\tFreewheelin’ Frank continues his rading from the book he & Michael McClure wrote together\n\t\t014\tFreewheelin’ Frank discourses with an unidentified individual on the nature of the Hell’s Angels in America\n\t\t[013]?\tConversation cut off momentarily only to resume quickly\n\t\t080\tFrank talks about Hell’s Angels response to the war in Vietnam & the Angel’s in capitalist society\n\t\t197\tTape shifts to Charles Olson talking to a small group.  Only Olson’s voice is truly audible; the rest is a dark murmur\n\t\t233\tOlson cut off\n\t\t428\tSide two ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555070234624,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6232","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Poetry Festival in Bisbee: Michael McClure reading and interview at Cochise Fine Arts in Arizona, 1980 #616"],"item_title_source":["cassette and j-card"],"item_title_note":["Tape reads \"Micheal McClure Bisbee Poetry Festival 1980 Reading\" and \"Cochise Fine Arts, PO Box 1783 Bisbee, Ariz. 85603\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["McClure, Michael"],"creator_names_search":["McClure, Michael"],"creators":["[{\"url\":\"http://viaf.org/viaf/71493269\",\"name\":\"McClure, Michael\",\"dates\":\"1932-2020\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1980],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7870/Reading in BC_MsC199_616.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"616-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:08\",\"precision\":\"\",\"size\":\"27.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"616-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:36\",\"precision\":\"\",\"size\":\"29.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1980\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/6833664\",\"venue\":\"Cochise Fine Arts\",\"notes\":\"latitude and latitude of Bisbee have been entered since the exact location can't be found \",\"address\":\"Bisbee, Arizona\",\"latitude\":\"31.4489\",\"longitude\":\"109.9283\"}]"],"Address":["Bisbee, Arizona"],"Venue":["Cochise Fine Arts"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t001\tIntroduction of Michael McClure reading from “Anti-chamber & other poems”, as well even more recent work\n\t\t012\tMichael McClure [sound quality is poor]\n\t\t024\t“I love to think of the red purple rose…”\n\t\t035\t“How sweet to…”\n\t\t042\tMcClure introduces next poem\n\t\t046\t“The world is ours…”\n\t\t056\t“My mother said to me…”\n\t\t065\tA Poem for Lawrence Ferlinghetti “Listen Lawrence…”\n\t\t120\tIntroduction to the next set of poems\n\t\t133\t“Watching the Vulture”\n\t\t147\t“Love me for the fool…”\n\t\t170\t“The Blacked In One”\n\t\t182\t“To the Drive-in Teller at the Bank”\n\t\t196\tTape breaks into “Listen Lawrence” halfway through the poem\n\t\t209\tIntroduction to the next few pieces which are excerpts from a larger work. “I know nothing about boats…”\n\t\t260\t“We are baby locks…”\n\t\t322\t“Politics starts with the barrel of a gun”\n\t\t338\t“Cousin to the…”\n\t\t345\tIntroduction to the next poem, something to do with gravity, most of it is inaudible\n\t\t358\t“How beautiful gravity is”\n\t\t377\t“I am the dead coyote on the…”\n\t\t388\tSound cuts off\n\t\t409\tSide One ends\nTwo\t\t000\t\n\t\t001\tIntroduction to the next poem, written after a trip to Disneyland\n\t\t005\t“How sad the silhouettes…”\n\t\t014\t“Hymn to Quanam Goddess of Mercy”\n\t\t049\t“Sure, Let me Burst Again”\n\t\t068\tSome short poems\n\t\t075\tThe rose is a pink yellow…”\n\t\t080\t“I work with the shape…”\n\t\t088\tThe interview with McClure appears to commence.  Poet as an evolutionary scientist.  McClure reads from a poem on the subject.  The conversation continues along such lines\n\t\t149\tThe subject of Animals & their place in McClure’s work\n\t\t210\tA discussion of McClure’s Japanese tastes & sensibilities\n\t\t265\tConversation concludes with applause\n\t\t412\tSide two ends"],"Note":["[{\"note\":\"Sound quality for reading is poor; sound quality for interview (which starts partway through side 2) is excellent.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555070234625,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6284","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Sacred Geography Seminar with Prof. Robin Blaser on November 17, 1976 tape 1 of 2 #644"],"item_title_source":["j-card"],"item_title_note":["Liner notes: see the photo in the material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[RB_644]"],"rights":["In Copyright (InC)"],"access":["Streaming"],"creator_names":["Blaser, Robin"],"creator_names_search":["Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8128/644.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Clear box with j-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/rbr-27/rb644a\",\"file_path\":\"\",\"filename\":\"644-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:53\",\"precision\":\"\",\"size\":\"29.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/rbr-28/rb644b\",\"file_path\":\"\",\"filename\":\"644-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:13\",\"precision\":\"\",\"size\":\"29.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-11-17\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"Location taken from cassette #631\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.276709600000004\",\"longitude\":\"-122.91780296438841\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555070234626,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6289","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["BP Nichol reading from Motherlove and Other Inventions at his home on June 6, 1967 #300, #301, #302"],"item_title_source":["cassette and j-card"],"item_title_note":["Liner notes: see the photo in the material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P."],"creator_names_search":["Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\",\"Performer\"]}]"],"contributors":["[]"],"Production_Date":[1967],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8140/Reading in BC_MsC199_300,301,302.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"SFU\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"300,301,302-side-1.mp3\",\"channel_field\":\"2 (stereo)\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:55\",\"precision\":\"\",\"size\":\"45.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"300,301,302-side-2.mp3\",\"channel_field\":\"2 (stereo)\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:43\",\"precision\":\"\",\"size\":\"45.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1967-06-06\",\"type\":\"Production Date\",\"notes\":\"JUNE 6TH DATE OF THE FIRST PERFORMANCE\",\"source\":\"J-card and inventory\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"BP Nichol home \",\"notes\":\"he is reading some additional material at his place on June 6, 1967\",\"address\":\"Toronto, Ontario, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Toronto, Ontario, Canada"],"Venue":["BP Nichol home "],"City":["Toronto, Ontario"],"content_notes":["SFU BC Readings formatting"],"contents":["#300\nSide\tTrack\tNo.\tComments\n\t\t\tFrom ML & OI\n\t\t\tNo title: humble\n\t\t\tBallad of the Drowning Poet\n\t\t\tFebruary Poem (for Barb Shore)\n\t\t\tFrom DN / SR\n\t\t\tSmall Poem (for Wayne & Juli)\n\t\t\tThe Island \n\t\t\t“clock talk / clap trap…”\n\t\t\tLAND\n\t\t\tTranslating Apollinaire\n\t\t\t“the large branches of the tree…”\n\t\t\tPrologue\n\t\t\tFrom ML & OI\n\t\t\tTunespupple\n\t\t\tFrom DN / SR\n\t\t\tReturn (for dave & denise)\n\t\t\tFrom ML & OI\n\t\t\tThe Latehouse Keeper\n\n#301\nSide\tTrack\tNo.\tComments\n\t\t\tFrom DN / SR\n\t\t\t“Walk thru the winter streets…”\n\t\t\tAbsences\n\t\t\tWalk Home 1:30 A.M.\n\t\t\tWinter City\n\t\t\tConnections\n\t\t\tWinter Song\n\t\t\t“tin phrases…”\n\t\t\t“Now it is night…”\n\t\t\tLeave-Taking\n\t\t\t9 p.m. Blues\n\t\t\tFor D.J.\n\t\t\t“Dark & tangled is the root of dreams…”\n\t\t\tHandling a Memory (for Margaret)\n\t\t\tThe Accusation\n\n#302\nSide\tTrack\tNo.\tComments\nOne\t\t0000\t\n\t\t0016\t“Fallout”\n\t\t0024\t“Who thought to know has known least”\n\t\t0039\t“Note”\n\t\t0054\t“No title”\n\t\t0059\t“Circles”\n\t\t0077\tNichol gives historical context for the next poem\n\t\t0086\t“A Gift of Chalices”\n\t\t0109\t“For Ellie”\n\t\t0141\tNichol explains the structure of the following poems:\n\t\t0148\t“Twos”\n\t\t0240\t“No title”\n\t\t0254\t“Sthnal” (for Glinda)\n\t\t0417\t“One, one”\n\t\t0465\tNichol explains the musical element, in the form of accompaniment, that has been added to “Sthnal” (for Glinda) and “One, one” in the past\n\t\t0476\tTape cuts into “additional material” recorded at home on June 6, 1967 by Nichol\n\t\t0489\t“Oh, did you”\n\t\t0524\tNichol can be heard rummaging through a file box to find examples of his visual prose writing.  As he does so, he explains his conception of visual prose\n\t\t0580\tSelections from a work in progress\n\t\t0581\tIntroductory selection\n\t\t0616\tFirst part that Nichol considers finished – “The Formalist”\n\t\t0725\tElectronic music interspersed with Nichol chanting\n\t\t0871\tNichol cites previous musical selection as Scrapture 12th or 13th sequence\n\t\t0900\tMore electronic music in a similar vein to the Scrapture sequences\n\t\t0981\tScrapture sequence ends\n\t\t1005\tSide One ends\nTwo\t\t0000\t\n\t\t0314\tNichol reading and chanting, the poet employs various audio techniques such as severe echo in his presentation of sounds\n\t\t0376\tA second sound reading, more electric than the first\n\t\t0556\tA third sound poem\n\t\t0569\tA fourth sound poem\n\t\t0704\tA fifth sound poem\n\t\t0721\tA sixth sound poem\n\t\t0489\tA seventh sound poem\n\t\t0874\tAn eighth sound poem\n\t\t0926\tA ninth sound pem\n\t\t1009\tSide Two ends\n\t\t\t"],"Note":["[{\"note\":\"\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555072331776,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6296","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["BP Nichol Reading from The Undercover Country,  #297, #298, #299"],"item_title_source":["cassette and j-card"],"item_title_note":["Liner notes: see the photo in the material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P."],"creator_names_search":["Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8141/Reading in BC_MsC199_297,298,299.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"SFU\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"297,298,299-side-2.mp3\",\"channel_field\":\"2 (stereo)\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:49\",\"precision\":\"\",\"size\":\"46.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"297,298,299-side-1.mp3\",\"channel_field\":\"2 (stereo)\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:34\",\"precision\":\"\",\"size\":\"46.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting\nThe first two minutes of the first side of #297 are missing. It starts from Autumn (Fox Fires flaming…)"],"contents":["#297\nSide\tTrack\tNo.\tComments\nOne\t\t\tAutumn (Fox Fires flaming…)\n\t\t\tSummer (Blues on Green)\n\t\t\tAutumn (Ancient Maps of / Real World)\n\t\t\tLate Autumn-Early Winter (Beginning.  And.  End)\n\t\t\tLate Winter-Spring (Letters from a rainy season)\nTwo\t\t\tEarly Autumn (We went to the forest…)\n\t\t\tAutumn (Sliding from sight…)\n\t\t\tEarly Winter (last poem / or the language folds in…)\n\t\t\tAfter Christmas (always a season / bitter…)\n\t\t\tMid-Winter (having risen from the bath…)\n\t\t\tJanuary\n\n#298\nSide\tTrack\tNo.\tComments\nToo\t\t\t(continued)\n\t\t\tMid-Winter\n\t\t\tFebruary (the river the streets are to become…)  \n\t\t\tSpring (clarity / distance / claritas…)\nHalf\t\t\t(in process at time of recording)\n\t\t\tSummer (owl in the wood / wouldja come…)\n\t\t\t(all that summer / hot…) absorbed into MONO tones\n\t\t\t(the humber empties out into the lake…)\n\t\t\t(sometimes the humber is not the humber…)\n\t\t\tOther rivers (kaministiqua and red)\n\t\t\tLate summer-some letters\n\t\t\tLetter 1 (2 drafts) for john & joanne\n\t\t\tLetter 2 for bill & martina\n\t\t\tLetter 3 for david & ruth\n\t\t\tLetter 4 for wayn & Juli (later realized this was for vic & sarah)\nWON\t\t\t(One short poem at time of recording)\n\t\t\tOne / to have won something…\n\t\t\tEnd of Undiscovered Country\n\t\t\tBLUES (for Bill & Martina)\n\n#299\nSide\tTrack\tNo.\tComments\n\t\t\tDark Night / Secret Room\n\t\t\tLunar Eclipse (for Rob)\n\t\t\tNo title: Rebuttal\n\t\t\tVarinheim\n\t\t\tFifth Journey\n\t\t\tMotherlove and other inventions\n\t\t\tFar Well (for Christine Baumann)\n\t\t\tFrom DN/SR\n\t\t\tThe End of Etc.\n\t\t\t“how am I able to saw what I would…”\n\t\t\tThe Room (for Margaret A)\n\t\t\tPeace (for Chris Baumann)\n\t\t\tLove Song\n\t\t\tOne for the Gideon Music\n\t\t\t2nd Poem (for Dace)\n\t\t\tThe Ordinary Man (for Dave A)\n\t\t\tFrom ML & OI\n\t\t\tQueen’s for a Day\n\t\t\tNo title: Evil\n\t\t\tNo title: Inevitable\n\t\t\tPostcard Between (for Margaret A)\n\t\t\tMoonshot (for Dace)\n\t\t\tThe New Improved Atlas of the World\n\t\t\tAfter Hokusai\n\t\t\tA Poem by Bill Bissett\n\t\t\t22\n\t\t\tTwo Songs\n\t\t\tThe Junctions\n\t\t\tNight Thots"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555072331777,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6297","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["BP Nichol On Ideas: reading \"Little Boy Lost\" and \"Mother Tongue\", 1969 #295, #296"],"item_title_source":["cassette and j-card"],"item_title_note":["Liner notes: see the photo in the material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P."],"creator_names_search":["Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8142/Reading in BC_MsC199_295,296.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"SFU\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"295-side-1.mp3\",\"channel_field\":\"2 (stereo)\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:34\",\"precision\":\"\",\"size\":\"27.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"296-side-2.mp3\",\"channel_field\":\"2 (stereo)\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:46\",\"precision\":\"\",\"size\":\"28.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969\",\"type\":\"Performance Date\",\"notes\":\"This date is taken from j-card, I assume that it is the date when the recording was made\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["#295\nSide\tTrack\tNo.\tComments\nOne\t\t0000\t\n\t\t0008\tIntro – Children’s choir followed by voice over “Philosophy is just one road on the way to understanding language.  Sound poet bp Nichol has devised another way, a trip to the land of Lingwa.  A place, I’m sure you’ll agree, which is only slightly improbable.”\n\t\t0020\tIdeas New Radio serial: Little Boy Lost meets Mother Tongue.\n\t\t0022\t\"Episode #1\n“Once upon a time…”  Linguistics and its drive towards understanding presented in the rhyme, meter and tone of a fairy tale.  Nichol adopts various voices within the format\"\n\t\t0200\tEpisode #1 ends.  Details of Episode #2 storyline are given\n\t\t0215\tEpisode #2 (more children’s choir music at the beginning)  Little Boy Lost in the Sea of Logical Sequences.  Later rescued by the Beast of Illogicality\n\t\t0430\tEpisode #2 ends.  Details of Episode #3 storyline are given\n\t\t0449\tEpisode #3 (more ridiculous children’s choir music at the beginning) Little Boy Lost continues on his adventures\n\t\t0840\tEpisode #3 ends.  Details of Episode #4 storyline are given\nTwo\t\t\tSide two is blank\n\n#296\nSide\tTrack\tNo.\tComments\nOne\t\t0000\t\n\t\t0009\tChildren’s choir music and singing.  “It’s time now for the fourth episode in bp Nichol’s radio serial “Little Boy Lost Meets Mother Tongue”.  An epic odyssey set in the land of Lingwa\n\t\t0023\t\"Little Boy Lost Meets Mother Tongue\nEpisode #4 (Episodes #1-#3 are to be found on Tape #295)\"\n\t\t0194\tEpisode #4 ends.  Details of Episode #5 storyline are given\n\t\t0218\tEpisode #5 – “What will happen to Nim, Gronk and L.B.L.?”\n\t\t0438\tEpisode #5 ends.  Episode #6 storyline is given\n\t\t0452\tEpisode #6 – “The new unity of communative states”.\n\t\t0737\tEpisode #6 ends\n\t\t1026\tSide One ends\nTwo\t\t\tSide Two is blank\n"],"Note":["[{\"note\":\"As the BC inventory document states, the second side of each tape #265 and #296 are blank, but the first sides of these tapes are digitized on two side of 295,296-side-1.mp3 and 295,296-side-2.mp3\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555072331778,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6298","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Coast is Only a Line Series: P. K. Page reading her poetry at SFU on July 10, 1981 #336\t"],"item_title_source":["cassette and j-card"],"item_title_note":["Liner notes: see the photo in the material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Page, P. K.","Mandel, Eli","Vanel, Kurtis","Miki, Roy"],"creator_names_search":["Page, P. K.","Mandel, Eli","Vanel, Kurtis","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/59208470\",\"name\":\"Page, P. K.\",\"dates\":\"1916-2010\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Author\"]},{\"url\":\"http://viaf.org/viaf/59095399\",\"name\":\"Mandel, Eli\",\"dates\":\"1922-1992\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"contributors":["[]"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8143/Reading in BC_MsC199_336.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"SFU\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"336-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:25\",\"precision\":\"\",\"size\":\"45.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"336-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:03\",\"precision\":\"\",\"size\":\"31.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-10\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Gallery\",\"notes\":\"The Art Gallery and IMC Studio at SFU\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6, Canada\",\"latitude\":\"122.9192\",\"longitude\":\"49.2787\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6, Canada"],"Venue":["SFU Gallery"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nTwo\t\t000\tRoy Miki introduces George Bowering\n\t\t013\tGeorge Bowering introduces Robin Blaser\n\t\t056\tRobin Blaser reads from Syntax\n\t\t074\t“The truth is laughter”\n\t\t135\t“Dreams – Jan. 1981”\n\t\t145\t“The truth is laughter”\n\t\t149\t“Tombstone”\n\t\t157\t“The truth is laughter”\n\t\t164\t“Image Nation 15”\n\t\t180\t“Image Nation 16 – Anaclytic variations”\n\t\t191\t“The truth is laughter”\n\t\t198\t“Alert d’or”\n\t\t210\t“The truth is laughter”\n\t\t230\t“The ceremony”\n\t\t240\t“Dreams, April 1981”\n\t\t266\t“Diary, April 11, 1981”\n\t\t296\t“The truth is laughter”\n\t\t304\t“Occasional thought”\n\t\t309\t“Image Nation 17 – Opercula”\n\t\t368\t“Graffito”\n\t\t372\t“The mystic east”\n\t\t405\t“Lake of souls” – Reading notes\n\t\t471\t“Song in four parts for Christ the Son”\n\t\t490\t“I think non[-sensically…”\n\t\t624\tFinishes\n"],"Note":["[{\"note\":\"This tape is a duplicate of the tape from the Roy Miki's collection \\\"P. K. Page reading her poetry at SFU Gallery on July 10, 1981\\\" (SWALLOW ID 9098)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670555073380352,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6299","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Bill Bissett reading at the Western Front on April 17, 1978 #361"],"item_title_source":["cassette and j-card"],"item_title_note":["Liner notes: see the photo in the material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bissett, Bill"],"creator_names_search":["Bissett, Bill"],"creators":["[{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"Bissett, Bill\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8144/Reading in BC_MsC199_361.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"361-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:33:58\",\"precision\":\"\",\"size\":\"32.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"361-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:31\",\"precision\":\"\",\"size\":\"29.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-04-17\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"j-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"Western Front gallery\",\"notes\":\"\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1, Canada\",\"latitude\":\"49.26382084921007\",\"longitude\":\"-123.09866024518996\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1, Canada"],"Venue":["Western Front gallery"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nTwo\t\t012\tTape opens with a chanting poem “In the middle of winter…”\n\t\t091\t“AWAKE IN TH RED DESERT”\n\t\t128\t“Lava brew…”\n\t\t250\t“Arrow at the beginning”\n\t\t292\t“Th neutron bomb”\n\t\t318\t“Th wundrfulness uv th mountees our secret police”\n\t\t360\t“He ws sayin to himself”\n\t\t406\t“Doors opening in the sky…”\n\t\t418\t“My aunt had anthrax myopia”\n\t\t443\t“Plastr coffing”\n\t\t475\t“Normal is not returning”\n\t\t506\t“It sz on th sign in th shopprs drug”\n\t\t532\t“Th guy drivn round in th vankouvr city pound truck”\n\t\t540\t“Last night I dreamed…”\n\t\t554\t“Why do magazines lie?”\n\t\t591\t“Riff th veil from my eyez”\n\t\t629\t“Carrying th torch”\n\t\t633\tChanting poem “…all these blessings…”\n\t\t788\tPOMES FOR YOSHI\n\t\t1563\tTape ends mid reading\nOne\t\t006\tContinuation of POMES FOR YOSHI from side 2\n\t\t067\t“TH UNICORN IS LOOS”\n\t\t106\t“Again th first light cum”\n\t\t181\tBissett invites audience to “make noise” with him\n\t\t183\tChants with audience\n\t\t730\tQuestions about the availability of beer\n\t\t240\tEnd of reading"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555073380353,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6300","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Hilda Doolittle reading 'Helen in Egypt' in Switzerland, September to November 1955 #586"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Audiobook"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Doolittle, Hilda"],"creator_names_search":["Doolittle, Hilda"],"creators":["[{\"url\":\"http://viaf.org/viaf/4925150\",\"name\":\"Doolittle, Hilda \",\"dates\":\"1886-1961\",\"notes\":\"Also known as H.D\",\"nation\":[],\"role\":[\"Reader\",\"Author\"]}]"],"contributors":["[]"],"Performance_Date":[1955],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8147/Reading in BC_MsC199_586.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"586-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:17\",\"precision\":\"\",\"size\":\"19.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"586-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:21\",\"precision\":\"\",\"size\":\"19.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1955-11\",\"type\":\"Performance Date\",\"notes\":\"September to November, 1955\",\"source\":\"J-card\"},{\"date\":\"1955-09\",\"type\":\"Performance Date\",\"notes\":\"September to November, 1955\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/51701\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Switzerland\",\"latitude\":\"46.838\",\"longitude\":\"8.416\"}]"],"Address":["Switzerland"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tPallinode, Book I: sec. 3 (excerpt)\n\t\t017\tPallinode, Book I: sec. 1 (excerpt)\n\t\t019\tPallinode: sec. 4\n\t\t034\tPallinode: sec. 6\n\t\t056\tPallinode: sec. 7\n\t\t073\tPallinode: sec. 8\n\t\t103\tPallinode, Book III: sec. 3\n\t\t123\tPallinode, Book II: sec. 4\n\t\t149\tLeuke, Book III: sec. 1\n\t\t187\tLeuke: sec. 2\n\t\t202\tLeuke: sec. 3\n\t\t224\tLeuke, Book II: sec. 2\n\t\t250\tLeuke, Book III: sec. 6\n\t\t272 \tLeuke: sec. 7\n\t\t298\tEnd of side one\nTwo\t\t000\tLeuke, Book III: sec. 8\n\t\t014\tPallinode, Book IV: sec. 1\n\t\t030\tPallinode: sec. 3\n\t\t048\tLeuke, Book II: sec. 3 (excerpt)\n\t\t060\tLeuke: sec. 5\n\t\t072\tLeuke: sec. 6\n\t\t086\tLeuke: sec. 7\n\t\t099\tEidolon, Book II: sec. 5\n\t\t115\tEidolon: sec. 6\n\t\t120\tEidolon: sec. 7\n\t\t140\tEidolon: sec. 8\n\t\t153\tEidolon, Book III: sec. 1\n\t\t180\tEidolon: sec. 3\n\t\t206\tEidolon: sec. 4\n\t\t225\tEidolon: sec. 5\n\t\t248\tEidolon: sec. 7\n\t\t265\tEidolon: sec 8 (excerpt)\n"],"Note":["[{\"note\":\"Liner Notes: See photo\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555073380354,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6301","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["SFU Friends of the Library lecture series: Robert Bringhurst's talk on June 6, 1998 Duplicate 2 of 2  #1028b"],"item_title_source":["j-card and recording"],"item_title_note":["j-card refers to it as a reading but in recording is referred to as part of a lecture series"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bringhurst, Robert","Chun, Ian","Lindsay, Hugh"],"creator_names_search":["Bringhurst, Robert","Chun, Ian","Lindsay, Hugh"],"creators":["[{\"url\":\"http://viaf.org/viaf/99260189\",\"name\":\"Bringhurst, Robert\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Chun, Ian\",\"dates\":\"\",\"notes\":\"unable to find any information, is member of board of Friends of the Simon Fraser University Library\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"\",\"name\":\"Lindsay, Hugh\",\"dates\":\"\",\"notes\":\"unable to find any information, is member of board of Friends of the Simon Fraser University Library\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"contributors":["[]"],"Performance_Date":[1998],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8313/Reading in BC_McS199_1028b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1028b-side-1\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:18\",\"precision\":\"\",\"size\":\"42.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1028b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:24:20\",\"precision\":\"\",\"size\":\"23.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1998-06-06\",\"type\":\"Performance Date\",\"notes\":\"spine shows 07-06 date but face is corrected to show 06-06 (on both 1028a and 1028b)\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"contents":["lecture on \"the painted reader and the sculpted book\" (about evolution of typography as seen through paintings)"],"Note":["[{\"note\":\"a lot of visuals referred to in the recording (may be useful to look up for context)\",\"type\":\"General\"},{\"note\":\"two copies exist, 1028a and 1028b\",\"type\":\"Related Version\"},{\"note\":\"recording mentions it is the 5th annual Friends of the University lecture (referring to the SFU library); believe this is a Yosef Wosk-Friends of Special Collections-Alcuin Society Annual Lecture (see https://www.lib.sfu.ca/about/overview/giving/wosk and https://www.lib.sfu.ca/system/files/26348/00-01anrp.pdf pg.5)\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555073380355,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6302","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["P. K. Page  reading at SFU on November 25, 1974 tape 2 of 2 #454 tape 2"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Page, P. K."],"creator_names_search":["Page, P. K."],"creators":["[{\"url\":\"http://viaf.org/viaf/59208470\",\"name\":\"Page, P. K.\",\"dates\":\"1916-2010\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8315/Reading in BC_MsC199_454b.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"453-tape-2-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:22:40\",\"precision\":\"\",\"size\":\"26.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"Audio file has a wrong name, but it is the right one\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"453-tape-2-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:39\",\"precision\":\"\",\"size\":\"29.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"Audio file has a wrong name, but it is the right one\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974-11-25\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\" 8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":[" 8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t05\t“Loneliness of the Unemployed” – Allan Safarik\n\t\t29\t“Yellow On the Grave Sea”\n\t\t52\t“Blood Pie or Zeal for Revolutionary Zeal”\n\t\t74\t“To the Dynamite Man”\n\t\t99\tLife in a bus and a bus depot\n\t\t104\t“Cache Creek”\n\t\t140\t“Poem of Record for K.P.”\n\t\t149\t“The Art of Diplomacy or A Quick end to a Shit Kicking”\n\t\t178\t“Going up the Stairs”\n\t\t207\tPat Lane begins.  Will begin with poems from Passing in the Storm\n\t\t312*\t“Know him for a white man…”\n\t\t226\t“After” (for Pat Lowther & John Newlove)\n\t\t240\t“Sleep is the Silence Darkness Takes” for Pat Lane’s father\n\t\t291\t“There was a woman bending…”\n\t\t278\t“For Rita In Asylum”\n\t\t337\t“The Huster”\n\t\t376\t“Chile”\n\t\t387\t“The Man”\n\t\t397\t“Her”\n\t\t414\t“Farmers”\n\t\t442\t“Unborn Things”\n\t\t468\t“The Carpenter”\n\t\t494\t“George”\n\t\t519\t“From the Hot Hills”\n\t\t561\t“Albino Pheasants”\n\t\t624\t“Thinking On That Contest”\n\t\t627\t“30 Miles in from the coast”\n\t\t647\t“Gerald”\n\t\t681\t“The Bird you Captured is Dead”\n\t\t697\t“Gray John”\n\t\t714\t“The Interior”\n\t\t731\t“Bunkhouse North”\n\t\t757\tRecording ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555073380356,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6303","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Poetry Festival in Honour of\nRobin Blaser. Panel #4: Heterologies at Emily Carr University of Art and Design on June 2, 1995 part 9a of 15 #886"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Marriott, David","Scalapino, Leslie","Schelling, Andrew","Leggott, Michele Joy"],"creator_names_search":["Marriott, David","Scalapino, Leslie","Schelling, Andrew","Leggott, Michele Joy"],"creators":["[{\"url\":\"http://viaf.org/viaf/233732756\",\"name\":\"Marriott, David \",\"dates\":\"1963-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/93303045\",\"name\":\"Scalapino, Leslie\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/51863517\",\"name\":\"Schelling, Andrew\",\"dates\":\"1953-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\" http://viaf.org/viaf/92139230\",\"name\":\"Leggott, Michele Joy\",\"dates\":\"1956-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1995],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8318/Reading in BC_MsC199_886.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"886-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:35\",\"precision\":\"\",\"size\":\"45.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"886-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:25\",\"precision\":\"\",\"size\":\"46.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1995-06-02\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\"49.2579\",\"longitude\":\"-123.1128\"}]"],"Address":["Vancouver, BC, Canada"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555073380357,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6304","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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& Names” commenting on it as he reads\n\t\t454\tOlson reads “Bk ii chapter 37” (wee Maximus Poems IV,V,VI).\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670555074428928,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6305","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. 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& Names” commenting on it as he reads\n\t\t454\tOlson reads “Bk ii chapter 37” (wee Maximus Poems IV,V,VI).\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670555074428929,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6306","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Poetry Reading at SFU: Tom McGauley and Paul Kelley on March 7, 1985 part 1 of 2  #376a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kelley, Paul","McGauley, Tom"],"creator_names_search":["Kelley, Paul","McGauley, Tom"],"creators":["[{\"url\":\"http://viaf.org/viaf/105702628\",\"name\":\"Kelley, Paul\",\"dates\":\"1951-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/104061105\",\"name\":\"McGauley, Tom\",\"dates\":\"1948-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1985],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"4 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"White clear jewel case with J card\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/8514/Readings in BC_MsC199_376a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent \",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"White clear jewel case with J card\"}]"],"material_designations":["Reel to Reel","Cassette"],"physical_compositions":["Magnetic Tape","Magnetic Tape"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Stereo","Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"376a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:27\",\"precision\":\"\",\"size\":\"25.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"376a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:26:12\",\"precision\":\"\",\"size\":\"28.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-03-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["One\t\t000\tIntroduction\n\t\t012\tTom McGauley – reads a short story and a poem\n\t\t025\tReads the story first.  Untitled, dealing with a young boy and a murder\n\t\t330\tStory ends.  Tom introduces his second piece, gives the background – a Russian [Dhukobour] funeral\n\t\t408\tReads the Funeral poem\n\t\t563\tFinishes\n\t\t579\tPaul Kelley reads “Father time”\n\t\t633\t“A certain Jonathan”\n\t\t681\t“Jeu d’Enfants”\n\t\t729\tTape ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555074428930,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6307","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["San Francisco/Vancouver Poets: Stan Persky, Stuart, Brian Fawcett, Robin Blaser, and Joanne Kyger on March 11, 1970 Tape 2 of 2 #216"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Persky, Stan","Fawcett, Brian","Blaser, Robin","Kyger, Joanne","Stuart, Colin"],"creator_names_search":["Persky, Stan","Fawcett, Brian","Blaser, Robin","Kyger, Joanne","Stuart, Colin"],"creators":["[{\"url\":\"http://viaf.org/viaf/57448780\",\"name\":\"Persky, Stan\",\"dates\":\"1941-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/35890\",\"name\":\"Fawcett, Brian\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/71627705\",\"name\":\"Kyger, Joanne\",\"dates\":\"1934-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Stuart, Colin\",\"dates\":\"\",\"notes\":\"There are several Colin Stuarts on VIAF, but they do not fit\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Quartermain, Peter"],"contributors_names_search":["Quartermain, Peter"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34534588\",\"name\":\"Quartermain, Peter\",\"dates\":\"1934-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8618/Reading in BC_MsC199_216.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"j-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"216-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:19\",\"precision\":\"\",\"size\":\"51.5 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"216-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:15\",\"precision\":\"\",\"size\":\"54.3 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970-03-11\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/111968\",\"venue\":\"\",\"notes\":\"\",\"address\":\"San Francisco, California, USA\",\"latitude\":\"37.7870\",\"longitude\":\"-122.4673\"}]"],"Address":["San Francisco, California, USA"],"content_notes":["SFU BC Readings formatting\n\nNote: the contents in the document do not entirely correspond to the contents in the recording"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tBackground conversations\n\t\t015\tKyger – prefatory remarks\n\t\t023\tKyger reads “Places to go”\n\t\t087\tPersky reading from The Day – prefatory remarks\n\t\t\tInvocation to Helliconian Muses\n\t\t132\t“Notebook – around December 9, 1969” – Persky\n\t\t179\t“Notebook – Wednesday around December 10, 1969”\n\t\t220\t“Notebook – January 25 and 26, 1970”\n\t\t281\t“Notebook – January 26, 1970”\n\t\t355\tComments from audience\n\t\t366\t“Saturday February 14”\n\t\t423\tColin Stuart – reads passage from Olson “Angel (?Rub?)”\n\t\t445\tColin Stuart – (title?) Actress?\n\t\t459\t“Saw the wind mixed with the sea spray…”`\n\t\t464\t“Going down the hill in a streetcar, surrounded by white…”\n\t\t485\t“(Across the inlet for land?), across the colours of the earth…”\n\t\t507\t“Yet how the day erases the dark shade when Zephyrus is sent to do his chore…”\n\t\t575\tBrian Fawcett – reading\n\t\t\t“Jack phones… “ story\n\t\t695\tCommentary\n\t\t703\t“Zodiac March 10, 1970”\nTwo\t\t006\tRobin Blaser – prefatory remarks\n\t\t010\tThe Holy Forest – “Translation\n\t\t016\tWinter words”\n\t\t022\t“The stories”\n\t\t039\t“Love”\n\t\t055\t“Song”\n\t\t060\t“First tale – over”\n\t\t066\t“Second tale – return”\n\t\t083\t“At last”\n\t\t091\t“Aphrodite of the leaves”\n\t\t105\t“The translator – tale”\n\t\t119\t“Sophia Nichols’\n\t\t142\t“A gift – a homage to Creeley”\n\t\t153\t“Bottom’s dream”\n\t\t162\t“The finder”\n\t\t190\t“Merlin”\n\t\t201\t“The pride of Merlin”\n\t\t228\t“Envoi”\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670555074428931,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6308","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Rap Session with Gerry Gilbert, George Bowering, and Lionel Kearns at SFU on November 23, 1976 part 2 of 2 #452b"],"item_title_source":["cassette and j-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Gilbert, Gerry","Bowering, George","Kearns, Lionel"],"creator_names_search":["Gilbert, Gerry","Bowering, George","Kearns, Lionel"],"creators":["[{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/30784380\",\"name\":\"Kearns, Lionel \",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8633/Reading in BC_MsC199_452b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"452-tape-1-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:42\",\"precision\":\"\",\"size\":\"39.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"452-tape-1-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:36:27\",\"precision\":\"\",\"size\":\"47.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-11-23\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nTwo\t\t000\tGeorge Bowering – talks about the poetry renaissance in Vancouver in the 60’s\n\t\t066\tBowering and Gilbert talk about the early coffee-house poetry readings\n\t\t110\tBowering talks about his discovery of contemporary poetry in the UBC library\n\t\t167\tGilbert talks about discovering poetry as a literary form whose language he couldn’t see through\n\t\t217\tBowering says that when he began writing he had no sense of western writing, or that there were western writers\n\t\t300\tBowering says he had a closer connection to the USA than to eastern Canada\n\t\t320\tLionel Kearns talks about Tish, its format and Circulation\n\t\t345\tBowering Reads a poem for Lionel Kearns called “Topcoat”, from Tish #5, January 1962\n\t\t360\tKearns reads a Bowering poem called “Motor-aid”\n\t\t379\tGeorge reads a letter to Tish from Mike Matthews.  He says a main job of Tish was to be a poetry newsletter, and to react against Prism\n\t\t493\tQuestions from audience – Kearns talks about the importance of poets working in groups, in a collective space\n\t\t549\tBowering says he used Williams as a model, and Kearns says Kerouac was his\n\t\t595\tBowering says that since Kerouac was not prestigious, they quoted Olson\n\t\t630\tKearns says the Tish poets were very derivative, but that Gilbert’s poetry was distinctly unique\n\t\t661\tGilbert talks about the Zen influence and aesthetic\n\t\t695\tBowering talks about the value of imitation as a learning tool\n\t\t709\tTape ends\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555075477504,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6309","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["UBC Poetry Festival: Robert Duncan Lecture on August 5, 1963 part 2 of 2 #44b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert","Wah, Fred"],"creator_names_search":["Duncan, Robert","Wah, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8637/Reading in BC_MsC199_44b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"44b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:28\",\"precision\":\"\",\"size\":\"13.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"44b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:28\",\"precision\":\"\",\"size\":\"24 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-08-05\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t090\tShamanism : Duncan’s desire to be a shaman; his experience\n\t\t135\tContradiction or distinction between shaman and poet, shamanism and poet-muse relationship; female intelligence\n\t\t170\tDerivation: “trafficking with the dead;” communicating with the dead; “dead” poetry\n\t\t205\t“Poem beginning with a line from Pindar”: Duncan reads a stanza from Part IV (p. 67, The Opening of the Field)\n\t\t300\t“Self-induced hypersensitivity” – re/ morning discussion w/ Denise Levertov: prejudice against self-induced sensitivity as prejudice against shamanic, magical, operational area which the poet is near.  Like the hero, the shaman is inherited by the poet.  Poet as 3 primary entities which have merged into one.\n1.\tPoein – making the poem, artisanship, craft –Greek. Roman.\n2.\tBiblical inspiration: to speak with God’s voice.\n3.\tCeltic, the Bard – verge upon shaman world.  Shaman “translates” himself into an other world\n\t\t350\tWhat is “the Work”?\n\t\t\tWe are engaged in defining the Work through our participation in it\n\t\t400\tTo be engaged at every point in relation to every other point in the poem – those “roots” are to tie that knot.\n\t\t455\tReads “The Risk.”\n\t\t480\tWhat brings the hand into action?  (heart, tongue); (Stravinsky – intervals); Moslem knotted rugs – accounting for all your days\n\t\t560\tThe work of the poem living in each one of us – if we allow it.  No engagement in the poem – bankruptcy\n\t\t600\tPoem is a re-engaging in something analogous to alchemical gold\n\t\t635\tTo deliver up the life you’ve led – medium is language\n\t\t700\tEnds lecture by reading “The Continent,” later printed in Roots and Branches\n"],"Note":["[{\"note\":\"Liner Notes: Fred Was Vancouver Poetry Festival August 5 1963 Robert Duncan Lecture\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670555075477505,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6310","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Vancouver Poetry center: An Evening with Allen Ginsberg at Langara College cafeteria on November 24, 1978 tape 1 of 2 #389"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Blaser, Robin","Siegler, Karl","Tallman, Warren","Bissett, Bill","Ginsberg, Allen"],"creator_names_search":["Blaser, Robin","Siegler, Karl","Tallman, Warren","Bissett, Bill","Ginsberg, Allen"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/104710928\",\"name\":\"Siegler, Karl\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"Bissett, Bill\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8658/Reading in BC_MsC199_389.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"389-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:57\",\"precision\":\"\",\"size\":\"49.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"389-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:29\",\"precision\":\"\",\"size\":\"46.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-11-24\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"j-card, inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/23393992\",\"venue\":\"Langara College\",\"notes\":\"\",\"address\":\"100 W 49th Ave, Vancouver, BC V5Y 2Z6\",\"latitude\":\"49.22483\",\"longitude\":\"-123.10860\"}]"],"Address":["100 W 49th Ave, Vancouver, BC V5Y 2Z6"],"Venue":["Langara College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting\n\nDetailed contents on the j-card"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction – Robin Blaser\n\t\t024\t[Carl]* Ziegler – Cut backs in art funding\n\t\t\tThe economics of [Talon books]**\n\t\t178\tRobin Blaser introduces Warren Tallman\n\t\t184\tWarren Tallman talks about Canada Council’s support of Talonbooks and Bill Bisset*** (Noam Katan & Gertrude Lang)\n\t\t246\tRobin Blaser introduces Bill Bisset\n\t\t251\tBill Bisset talks about tour of Ontario High schools by sound poets after sound poetry Festival in Toronto\n\t\t280\tRobin Blaser introduces Allen Ginsberg and Bill Bisset\n\t\t284\tGinsberg talking about censorship experiences\n\t\t617\t\nTwo\t\t000\tGinsberg continued.  Censorship 1964 (Lenny Bruce)\n\t\t027\tUnderground movies\n\t\t045\tLeroy Jones\n\t\t295\tBill Bisset – talks about censorship in Canada & civil liberties\n\t\t\tBook & Periodical Development Corp.\n\t\t410\tBill and Alan**** talk about Canada Council and censorship\n\t\t659\tBisset reading\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555075477508,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6313","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. 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Naming and violence\n\t\t037\tThe fifth poem of Down beat –“If this is dictation it’s driving we wild”\n\t\t046\tRobin Blaser introduced\n\t\t055\tContext and vocabulary/vocabulary and context\n\t\t\t“The intelligence of context is vocabulary and syntax hypotactic or paratactic.”\n\t\t077\tBlaser came to Berkeley as Hiawatha; Jack came as a detective with a foot in the century, by way of his father.  Duncan arrived and dragged them into the century. \n\t\t\tAn opening of vocabulary\n\t\t111\t“Vocabulary and context can only be understood in terms of the way we get into the century” we have to work to do it.  It is a crime that few do, he says\n\t\t125\tMallarme and deconstruction – the content of the word God\n\t\t\tThe end of modernism = the end of 400 years of artistic intelligence, and the gift of the materiality of language\n\t\t140\tTalks of “Ecology of the Imagination”\n\t\t153\tReads the Galahad passage of The Holy Grail\n\t\t185\tHelen Adolph “Viseo Paxus” Vision of Peace\n\t\t\tSpicer read it – the constant haunting quality of matters of the sacred.  Sacred a central problem of the modern condition.  We need to watch how its vocabulary works\n\t\t214\tPoetry of dictation – dictated by love\n\t\t\tDante – his range of reference\n\t\t242\tJack’s closest mentor is Yeats.  (who misunderstood Blake)\n\t\t\tYeat’s use of dictation\n\t\t262\tLanguage as outside self – giving it to the other, as opposed to “me – language”\n\t\t270\tA discourse of cosmos – in Spicer among other discourses – Not – supernaturalism\n\t\t284\tParmenidean identity of thought and being in Spicer – not the same\n\t\t294\tFundamental tradition of the other.  We fear it\nB\t\t000\tRobin Blaser talking about Spicer’s letters\n\t\t029\tRilke’s letters and The Duino Elegies as models for the elegies and the theory of dictation\n\t\t030\tJack’s spelling and his linguistic geography job in Berkeley\n\t\t\tAlcohol and the demise of his spelling\n\t\t085\tInclusion of women in Jack’s group – not a misogynist community\n\t\t095\tSpicer’s anti-semitism.  As an extension of an incipient American anti-semitism\n\t\t122\tSpicer’s poem to/against Denise Levertov and her answer 5 years later, “White elephant”\n\t\t144\tSpicer and baseball – his belief that it is a fixed script\n\t\t190\tDictation/translation/Benjamin\n\t\t212\tRadicality and vocabulary, 16-17th century.  Sense of freed language\n\t\t224\tThe murder of God – Nietztche, Mallarme, Spicer\n\t\t258\tBlaser – the history of the sacred and violence\n\t\t274\tThe change of discourse and cosmos.  The sacred remains\n\t\t308\tDeath of meaning in Spicer\n\t\t318\tUse of blasphemy to charge up the community\n\t\t323\tThe danger of contextualizing the sense of other in readings of Spicer\n\t\t339\tDiscussion ends\n\t\t352\tSt. Theresa, St. Ignacius, John Donne in Spicer’s vocabulary\n\t\t377\tVocabulary founded in a dissociation between cosmic language and divine speaker\n\t\t390\tRefusal of Macrocosm, ego of speech act\n\t\t436\tSpicer’s language has no property – so it takes the form of the lack and the desire of the other\n\t\t482\tBlaser ends\n\t\t\tQuestions\n\t\t555\tSpicer’s difference from Duncan’s language and romantic poets\n\t\t\tHis favourite romantic – Byron, also Pope\n\t\t612\tEnds \n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555075477509,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6314","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Four Horsemen: Canadada. #404 DUPLICATE 1 of 2"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Four Horsemen (Musical group)","Barreto-Rivera, Rafael","Dutton, Paul","McCaffery, Steve","Nichol, B. P."],"creator_names_search":["Four Horsemen (Musical group)","Barreto-Rivera, Rafael","Dutton, Paul","McCaffery, Steve","Nichol, B. P."],"creators":["[{\"url\":\"http://viaf.org/viaf/128949455\",\"name\":\"Four Horsemen (Musical group)\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/16154730\",\"name\":\"Barreto-Rivera, Rafael\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/36999806\",\"name\":\"Dutton, Paul\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B. P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8660/Reading in BC_MsC199_404.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"404-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:16\",\"precision\":\"\",\"size\":\"31.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"404-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:35:06\",\"precision\":\"\",\"size\":\"34.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nA\t\t000\t“I dreamed I saw Hugo Ball”\n\t\t010\t“My shoes are dead o microphone”\n\t\t045\t“Piece dedicated to Rob”\n\t\t087\t“What is becoming it is past now”\n\t\t272\tSilence\n\t\t303\tVery distant sounds – nearly inaudible until the end\n\t\t430\tThe end\nB\t\t000\tAbstract sound composition\n\t\t010\t“Doors close upon the clock”\n\t\t116\t“What I am about to say could be monotonous”\n\t\t139\t“Nothing but no and I and I” (bp Nichol speaking)\n\t\t180\t“In the middle of a blue balloon”\n\t\t276\tInaudible until the end\n\t\t429\tThe end\n"],"Note":["[{\"note\":\"This cassette is a duplicate of The Four Horsemen performing Canadada. #467 (SWALLOW ID 5767) in Readings in BC collection and three tapes in Fred Wah's fonds: The Four Horsemen performance: bpNichol, Rafael Barreto-Rivera, Paul Dutton, and Steve McCaffery (SWALLOW ID 6958), The Four Horsemen performance, Canadada: bpNichol, Rafael Barreto-Rivera, Paul Dutton, and Steve McCaffery - DUPLICATE 2 of 3 (SWALLOW ID 6959), The Four Horsemen performance at David Thompson University Centre (DTUC): bpNichol, Rafael Barreto-Rivera, Paul Dutton, and Steve McCaffery - DUPLICATE 3 of 3 (SWALLOW ID 6961) \",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670555076526080,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6315","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Cantos of Ezra Pound: Hugh Kenner, George Gugelberger & Paul Vangelisti, and Everett Frost, part 2 of 2 #484b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kenner, Hugh","Pound, Ezra","Gugelberger, Georg M.","Vangelisti, Paul","Frost, Everett"],"creator_names_search":["Kenner, Hugh","Pound, Ezra","Gugelberger, Georg M.","Vangelisti, Paul","Frost, Everett"],"creators":["[{\"url\":\"http://viaf.org/viaf/106966232\",\"name\":\"Kenner, Hugh\",\"dates\":\"1923-2003\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/24606774\",\"name\":\"Pound, Ezra\",\"dates\":\"1885-1972\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/32156973\",\"name\":\"Gugelberger, Georg M.\",\"dates\":\"1941-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/61690815\",\"name\":\"Vangelisti, Paul\",\"dates\":\"1945-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/112188497\",\"name\":\"Frost, Everett\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8661/Reading in BC_MsC199_484b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"484b-Side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:26\",\"precision\":\"\",\"size\":\"29.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"484b-Side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:20\",\"precision\":\"\",\"size\":\"29.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nTwo\t\t000\tBegins mid conversation they speak of the poem “Dona me prega”, in Pound’s work and life\n\t\t005\tThe Goddess, or beauty, in Calvacanti’s poems and sonnets\n\t\t072\tThe American Cantos – John Adams\n\t\t084\tCanto XLIX read by Pound\n\t\t120\t-a canto which is a translation of visual pictures into words\n\t\t144\tPound reading Canto LXXXI, 1965 Spoleto tapes (The Pisan Cantos)\n\t\t280\tKenner speaks of the backgroup – Henner Pound’s mint, and gold as a metaphor for love\n\t\t365\tChaucerian rhythms in the “pull down thy vanity” passage\n\t\t377\tPound reading Canto LXXIV\n\t\t490\tBackground of the Pisan Cantos\n\t\t551\tPound reading Canto CVI – “Thrones”\n\t\t617\tFrost draws the program to a conclusion.  They talk about the success or Failure of the poem & whether it coheres \n\t\t795\tRecording ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555077574656,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6316","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["wot we wakers want: Steve McCaffery in 1977,1973 & 1979 #494"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["McCaffery, Steve","Kaprow, Allan","Filliou, Robert"],"creator_names_search":["McCaffery, Steve","Kaprow, Allan","Filliou, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/54189222\",\"name\":\"Kaprow, Allan\",\"dates\":\"1927-2006\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/64005599\",\"name\":\"Filliou, Robert\",\"dates\":\"1926-1987\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8682/Reading in BC_MsC199_494.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"494-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:29\",\"precision\":\"\",\"size\":\"59.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"494-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:33\",\"precision\":\"\",\"size\":\"59.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1978\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1979-03\",\"type\":\"Production Date\",\"notes\":\"composed on this date\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/3227127\",\"venue\":\"\",\"notes\":\"Transcribed in Calgary \",\"address\":\"Calgary, Alberta, Canada\",\"latitude\":\"51.0474\",\"longitude\":\"-114.0587\"}]"],"Address":["Calgary, Alberta, Canada"],"City":["Calgary, Alberta"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tS.I.S.M.A. (Movements 1 & 2)\n\t\t107\tPortraits 1-34\n\t\t170\t121123\n\t\t\tSZZERZ\n\t\t294\t“Names for Cricket”\n\t\t389\t“Structure of Incident”\n\t\t501\t“A Little Valentine”\n\t\t637\t“Pleasant Ode for Vincent Trasov”\n\t\t689\tS.I.S.M.A. (Movement 3)\nTwo\t\t000\tAupe Relationships\n\t\t140\tBlack Aleph (1)\n\t\t359\tBlack Aleph (2)"],"Note":["[{\"note\":\"The last 16 minutes of side one and 18 minutes of side two is empty\",\"type\":\"\"},{\"note\":\"Tapes #494 and #401 are the same\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555077574657,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6317","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Duncan Reading A Play with Masks recorded in 1968 #499a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert"],"creator_names_search":["Duncan, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1968],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8683/Reading in BC_MsC199_499a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"499a-Side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:24\",\"precision\":\"\",\"size\":\"39.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"499a-Side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:19\",\"precision\":\"\",\"size\":\"42.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1968\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555077574658,"timestamp":"2026-01-07T14:59:59.437Z","score":0.01643844},{"id":"6318","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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The fonds has been arranged into the following eleven series: Background research records ([ca. 1965-2000]), Fiction - poetry records (1958-2014), Fiction - drama records (2000-2011), Non-fiction works records (1975-2008), Awards and grants records ([ca. 1965-2012]), Correspondence with publishers ([ca. 1977-2013]), Professional activities records (1983-2013), Teaching records (1973-2010), Electronic records and other media (1974-2012), Personal records (1966-2014), and Personal and professional correspondence (1961-2014)."],"collection_source_collection_id":["MsC 142"],"persistent_url":[""],"item_title":["Gordon Cumyow interview with Daphne Marlatt for the book \"Opening Doors: In Vancouver’s East End: Strathcona\", [1979?]"],"item_title_source":["J-card and internet"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[MsC 142 Box 33 Item 959]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Marlatt, Daphne","Cumyow, Gordon"],"creator_names_search":["Marlatt, Daphne","Cumyow, Gordon"],"creators":["[{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"\",\"name\":\"Cumyow, Gordon \",\"dates\":\"\",\"notes\":\"Cumyow, Gordon (Won)\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1979],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5870/Daphne Marlatt Fonds_MsC 142.959.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/gordon-cumyow-interview-daphne-marlatt-book-opening-doors-vancouvers-east-end-strathcona-1979-part\",\"file_path\":\"\",\"filename\":\"MSC142.959-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:24\",\"precision\":\"\",\"size\":\"37.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/gordon-cumyow-interview-daphne-marlatt-book-opening-doors-vancouvers-east-end-strathcona-1979-0\",\"file_path\":\"\",\"filename\":\"MSC142.959-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:22\",\"precision\":\"\",\"size\":\"37.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1979\",\"type\":\"Production Date\",\"notes\":\"[1979?]. 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Part of a subseries of records created or accumulated by Marlatt and co-editor Carole Itter while conducting research for and working on the project “Opening Doors - In Vancouver's East End:\nStrathcona,\" a work that documents the history and culture of Vancouver's Strathcona neighborhood\nthrough oral history interviews with community members."],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[MsC 142 Box 33 Item 960]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Marlatt, Daphne","Freedman, Abraham Myer"],"creator_names_search":["Marlatt, Daphne","Freedman, Abraham Myer"],"creators":["[{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"\",\"name\":\"Freedman, Abraham Myer\",\"dates\":\"1910-2003\",\"notes\":\"Interviewee\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5871/Daphne Marlatt Fonds_MsC 142.960.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\" white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/abraham-myer-freedman-interview-daphne-marlatt-book-opening-doors-vancouvers-east-end-strathcona\",\"file_path\":\"\",\"filename\":\"MsC 142.960-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:48\",\"precision\":\"\",\"size\":\"36.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/abraham-myer-freedman-interview-daphne-marlatt-book-opening-doors-vancouvers-east-end-strathcona-0\",\"file_path\":\"\",\"filename\":\"MsC 142.960-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:50\",\"precision\":\"\",\"size\":\"36.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977-05-19\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1100938486#map=14/49.2796/-123.0900\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Strathcona, Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, V6A, Canada\",\"latitude\":\"49.2797\",\"longitude\":\"-123.0900\"}]"],"Address":["Strathcona, Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, V6A, Canada"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Interview between Daphne Marlatt and Abraham Myer Freedman about life in the Strathcona neighbourhood in the early 20th century\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555262124032,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6346","cataloger_name":["Kandice,Sharren"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Daphne Marlatt Fonds"],"source_collection_label":["Daphne Marlatt Fonds"],"collection_contributing_unit":["Simon Fraser University Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of records created or accumulated by Daphne Marlatt through her personal and professional activities, predominantly after the year 1990. 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The fonds has been arranged into the following eleven series: Background research records ([ca. 1965-2000]), Fiction - poetry records (1958-2014), Fiction - drama records (2000-2011), Non-fiction works records (1975-2008), Awards and grants records ([ca. 1965-2012]), Correspondence with publishers ([ca. 1977-2013]), Professional activities records (1983-2013), Teaching records (1973-2010), Electronic records and other media (1974-2012), Personal records (1966-2014), and Personal and professional correspondence (1961-2014)."],"collection_source_collection_id":["MsC 142"],"persistent_url":[""],"item_title":["Ivy Kaji McAdams interview with Daphne Marlatt for the book \"Opening Doors: In Vancouver’s East End: Strathcona\", May 1977"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[MsC 142 Box 33 Item 961]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Marlatt, Daphne","McAdams, Ivy Kaji"],"creator_names_search":["Marlatt, Daphne","McAdams, Ivy Kaji"],"creators":["[{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"\",\"name\":\"McAdams, Ivy Kaji\",\"dates\":\"1920-\",\"notes\":\"Interviewee\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5898/Daphne Marlatt Fonds_MsC 142.961.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Digital"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/ivy-kaji-mcadams-interview-daphne-marlatt-book-opening-doors-vancouvers-east-end-strathcona-may\",\"file_path\":\"\",\"filename\":\"MsC142.961-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:56\",\"precision\":\"\",\"size\":\"37.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"BLANK\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/ivy-kaji-mcadams-interview-daphne-marlatt-book-opening-doors-vancouvers-east-end-strathcona-may-0\",\"file_path\":\"\",\"filename\":\"MsC142.961-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:49\",\"precision\":\"\",\"size\":\"37.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977-05\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1100938486#map=14/49.2796/-123.0900\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Strathcona, Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, V6A, Canada\",\"latitude\":\"49.2797\",\"longitude\":\"-123.0903\"}]"],"Address":["Strathcona, Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, V6A, Canada"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Side B contains May 1977 interview with Ivy Kaji McAdams for the book Opening Doors: In Vancouver’s East End: Strathcona. 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[Vancouver?] location inferred from J-card.\",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\"49.2595\",\"longitude\":\"-123.1135\"}]"],"Address":["Vancouver, BC, Canada"],"City":["Vancouver, British Columbia"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670555262124034,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6348","cataloger_name":["Kandice,Sharren"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Anita Rau Badami fonds"],"source_collection_label":["Anita Rau Badami fonds"],"collection_contributing_unit":["Simon Fraser University Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of correspondence, drafts, articles, reviews, and other records created and accumulated by Anita Rau Badami in the course of her career as a writer. 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It is not clear from the tape which date this panel occurred on.\",\"source\":\"digital file (Recording)\"},{\"date\":\"2001-04-29\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"digital file (Recording)\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/807458549\",\"venue\":\" University of California\",\"notes\":\"\",\"address\":\"Los Angeles, Westholme Avenue, Westwood, Los Angeles, California, 90095, United States\",\"latitude\":\"34.0706\",\"longitude\":\"-118.4454\"}]"],"Address":["Los Angeles, Westholme Avenue, Westwood, Los Angeles, California, 90095, United States"],"Venue":[" University of California"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670555263172609,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6360","cataloger_name":["Maya,Schwartz"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Lisa Robertson Collection"],"source_collection_label":["Lisa Robertson 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only brief remarks by Kim Minkus\nSide B: Intro by Stephen Collis; Lisa Robertson begins at 4:30"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555265269760,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6366","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Carolyn Zonailo Fonds"],"source_collection_label":["Carolyn Zonailo Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":["https://digital.lib.sfu.ca/unarchiving-margins"],"collection_image_url":[""],"collection_source_collection_description":["The fonds contains manuscripts, correspondence, journals, documents related to provincial and national writers organizations and documents related to the founding and running of Caitlin Press, The Poem Factory/Usine de Poeme, and Coracle Press including correspondence, manuscripts, promotional materials, and business records. 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Jung Society of Montreal and editor of its newsletter are also included as well as correspondence, periodicals, graphic materials, and other records related to astrology."],"collection_source_collection_id":["MsC 79"],"persistent_url":[""],"item_title":["Taste of Giving: Carolyn Zonailo's poem with Kevin Godsoe's music performance"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Unarchiving the Margins Collection"],"item_series_description":["Historically, literary studies and literary-archival work has focused on the stories of white, male writers. As a way of disrupting this narrow focus, the Unarchiving the Margins Collection digitizes, preserves, and brings to life almost 80 tapes of literary audio from the fonds of a diverse set of writers from equity deserving groups.\n\nThe digitization and public distribution of this collection amplifies voices of women, queer writers, and writers of colour who have been historically left out of the archive and thus not highlighted in many digitizing projects. SFU is committed to prioritizing projects that promote content by writers from historically underserved groups in order to ensure that more researchers, scholars, and interested members of the public have access to these materials.\n\nHighlights\n\nThe Unarchiving the Margins Collection brings together interviews, readings, and discussions featuring hundreds of voices and writers from equity deserving groups, such as: Daphne Marlatt, Nicole Brossard, Maria Campbell, Dorothy Livesay, Phyllis Webb, Lillian Allen, Ellen Tallman, Penn Kemp, Jeanette Armstrong, Betsy Warland, Fred Wah, Shani Mootoo, Sharon Thesen, Mary Billy, Anita Rau Badami, Lorna Crozier, and many more!\n\nThe collection also features renowned Canadian male writers, including: George Bowering, Stuart McLean, and bp Nichol.\n\nVisit the SFU Library Special Collections and Rare Books Unarchiving the Margins collection page for more details about this collection."],"item_series_uri":["https://digital.lib.sfu.ca/unarchiving-margins"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Zonailo, Carolyn","Godsoe, Kevin"],"creator_names_search":["Zonailo, Carolyn","Godsoe, Kevin"],"creators":["[{\"url\":\"http://viaf.org/viaf/1419062\",\"name\":\"Zonailo, Carolyn\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"\",\"name\":\"Godsoe, Kevin \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/9761/Carolyn Zonailo Fond_MsC79_2.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC79.30-002/MSC79.30-002-02.mp3\",\"file_path\":\"\",\"filename\":\"MsC 79-002-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:34:29\",\"precision\":\"\",\"size\":\"36.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/taste-giving-carolyn-zonailos-poem-kevin-godsoes-music-performance-part-2\"},{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC79.30-002/MSC79.30-002-01.mp3\",\"file_path\":\"\",\"filename\":\"MsC 79-002-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:55\",\"precision\":\"\",\"size\":\"33.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"The list of poems that Carolyn Zonailo reads in this tape are all written on the J-card\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555265269761,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6369","cataloger_name":["Teddie,Brock"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["SFU Archives Readings"],"source_collection_label":["SFU Archives Readings"],"collection_contributing_unit":["SFU Archives and Records Management"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["A collection of poetry readings and panels that took place at SFU during the 1970s and are located in the SFU Archives. 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This group includes writers such as Margaret Atwood, Dorothy Livesay, Anne Marriott, Joy Kagawa, P. K. 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Brown Hall (Simon Fraser University)"],"content_notes":["Sound quality: background hum on recording"],"Note":["[{\"note\":\"Information taken from SFU Archives: see https://atom.archives.sfu.ca/f-231-1-2-0-0-13\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555266318337,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6373","cataloger_name":["Teddie,Brock"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["SFU Archives Readings"],"source_collection_label":["SFU Archives Readings"],"collection_contributing_unit":["SFU Archives and Records Management"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["A collection of poetry readings and panels that took place at SFU during the 1970s and are located in the SFU Archives. This group includes writers such as Margaret Atwood, Dorothy Livesay, Anne Marriott, Joy Kagawa, P. K. 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This group includes writers such as Margaret Atwood, Dorothy Livesay, Anne Marriott, Joy Kagawa, P. K. 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Fonds is arranged into the following six series: Administrative records (1993u20132008); Financial records (1993u20132008); Marketing files (1993u20132002); Editorial files (1995u20132004); Event files (1993u20132001); and Chapbooks (1993u20132006)."],"collection_source_collection_id":["MsC 73"],"persistent_url":[""],"item_title":["Filling Station's first poem Slam Bunctious: Live studio poetry reading competition in Calgary on September 24, 1994 DUPLICATE 1 OF 2"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Broadcast"],"item_series_title":["Unarchiving the Margins Collection"],"item_series_description":["Historically, literary studies and literary-archival work has focused on the stories of white, male writers. As a way of disrupting this narrow focus, the Unarchiving the Margins Collection digitizes, preserves, and brings to life almost 80 tapes of literary audio from the fonds of a diverse set of writers from equity deserving groups.\n\nThe digitization and public distribution of this collection amplifies voices of women, queer writers, and writers of colour who have been historically left out of the archive and thus not highlighted in many digitizing projects. SFU is committed to prioritizing projects that promote content by writers from historically underserved groups in order to ensure that more researchers, scholars, and interested members of the public have access to these materials.\n\nHighlights\n\nThe Unarchiving the Margins Collection brings together interviews, readings, and discussions featuring hundreds of voices and writers from equity deserving groups, such as: Daphne Marlatt, Nicole Brossard, Maria Campbell, Dorothy Livesay, Phyllis Webb, Lillian Allen, Ellen Tallman, Penn Kemp, Jeanette Armstrong, Betsy Warland, Fred Wah, Shani Mootoo, Sharon Thesen, Mary Billy, Anita Rau Badami, Lorna Crozier, and many more!\n\nThe collection also features renowned Canadian male writers, including: George Bowering, Stuart McLean, and bp Nichol.\n\nVisit the SFU Library Special Collections and Rare Books Unarchiving the Margins collection page for more details about this collection."],"item_series_uri":["https://digital.lib.sfu.ca/unarchiving-margins"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Walker, Mike","Creepy, Cybele","Rhodes, Shane","[Colin, Jeff?]","Taylor, Colleen","Pickup, Tracey","Flaathen, Jim","Hall, Sean","Collins, Gabriel","Klassen, Peter","Davies, John","Steffens, Josh","Stanklo, Brian","Robinson, Mike","Irvine, Dean"],"creator_names_search":["Walker, Mike","Creepy, Cybele","Rhodes, Shane","[Colin, Jeff?]","Taylor, Colleen","Pickup, Tracey","Flaathen, Jim","Hall, Sean","Collins, Gabriel","Klassen, Peter","Davies, John","Steffens, Josh","Stanklo, Brian","Robinson, Mike","Irvine, Dean"],"creators":["[{\"url\":\"\",\"name\":\"Walker, Mike\",\"dates\":\"\",\"notes\":\"He was one of the seven competitors who got selected by the judges for the second round of the reading competition.\\nThe spelling of the name is taken from 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person was one of the seven competitors who got selected by the judges for the second round of the reading competition.\\nThe spelling of the name is taken from https://digital.lib.sfu.ca/spokenweb-200/filling-stations-first-poem-slump-live-stanpit-city-september-24th-competitor-readers\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Stanklo, Brian\",\"dates\":\"\",\"notes\":\"The person was one of the seven competitors who got selected by the judges for the second round and the third round of the reading competition.\\nThe spelling of the name is taken from https://digital.lib.sfu.ca/spokenweb-200/filling-stations-first-poem-slump-live-stanpit-city-september-24th-competitor-readers\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Robinson, Mike\",\"dates\":\"\",\"notes\":\"The person was one of the seven competitors who got selected by the judges for the second and the third round of the reading competition.\\nThe spelling of the name is taken from https://digital.lib.sfu.ca/spokenweb-200/filling-stations-first-poem-slump-live-stanpit-city-september-24th-competitor-readers\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Irvine, Dean\",\"dates\":\"\",\"notes\":\"The person was one of the seven competitors who got selected by the judges for the second round and the third round of the reading competition. He was announced to be the winner at the end of the second side\\nThe spelling of the name is taken from https://digital.lib.sfu.ca/spokenweb-200/filling-stations-first-poem-slump-live-stanpit-city-september-24th-competitor-readers\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6376/Filling Station Fond_MsC73_5.jpeg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC73-005/MSC73-005-01.mp3\",\"file_path\":\"\",\"filename\":\"MsC 73-005-Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:33\",\"precision\":\"\",\"size\":\"33.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/filling-stations-first-poem-slump-live-stanpit-city-september-24th-competitor-readers-reading\"},{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC73-005/MSC73-005-02.mp3\",\"file_path\":\"\",\"filename\":\"MsC 73-005-Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:38\",\"precision\":\"\",\"size\":\"34 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/filling-stations-first-poem-slump-live-stanpit-city-september-24th-competitor-readers-reading-0\"}]"],"Dates":["[{\"date\":\"1994-09-24\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/3227127\",\"venue\":\"\",\"notes\":\"It's mentioned on the first side that it's in Stampede; we are not sure if it could be the exact location for this event.\",\"address\":\"Calgary, Alberta, Canada\",\"latitude\":\"51.0466\",\"longitude\":\"-114.0532\"}]"],"Address":["Calgary, Alberta, Canada"],"City":["Calgary, Alberta"],"Note":["[{\"note\":\"This item is the duplicate of SWALLOW ID 8718\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670555267366914,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6377","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Filling Station Fonds"],"source_collection_label":["Filling Station Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":["https://digital.lib.sfu.ca/unarchiving-margins"],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of records documenting the establishment of the filling Station Publications Society in Calgary, Alberta, in 1993, and its ongoing business editing and publishing \"filling Station\" magazine, individual chapbooks and hosting literary events. Fonds is arranged into the following six series: Administrative records (1993u20132008); Financial records (1993u20132008); Marketing files (1993u20132002); Editorial files (1995u20132004); Event files (1993u20132001); and Chapbooks (1993u20132006)."],"collection_source_collection_id":["MsC 73"],"persistent_url":[""],"item_title":["Back from the Front: Poetry reading "],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Unarchiving the Margins Collection"],"item_series_description":["Historically, literary studies and literary-archival work has focused on the stories of white, male writers. As a way of disrupting this narrow focus, the Unarchiving the Margins Collection digitizes, preserves, and brings to life almost 80 tapes of literary audio from the fonds of a diverse set of writers from equity deserving groups.\n\nThe digitization and public distribution of this collection amplifies voices of women, queer writers, and writers of colour who have been historically left out of the archive and thus not highlighted in many digitizing projects. SFU is committed to prioritizing projects that promote content by writers from historically underserved groups in order to ensure that more researchers, scholars, and interested members of the public have access to these materials.\n\nHighlights\n\nThe Unarchiving the Margins Collection brings together interviews, readings, and discussions featuring hundreds of voices and writers from equity deserving groups, such as: Daphne Marlatt, Nicole Brossard, Maria Campbell, Dorothy Livesay, Phyllis Webb, Lillian Allen, Ellen Tallman, Penn Kemp, Jeanette Armstrong, Betsy Warland, Fred Wah, Shani Mootoo, Sharon Thesen, Mary Billy, Anita Rau Badami, Lorna Crozier, and many more!\n\nThe collection also features renowned Canadian male writers, including: George Bowering, Stuart McLean, and bp Nichol.\n\nVisit the SFU Library Special Collections and Rare Books Unarchiving the Margins collection page for more details about this collection."],"item_series_uri":["https://digital.lib.sfu.ca/unarchiving-margins"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Rickey, Ross","Turner, Jacqueline","Samuels, Ian","Hunt, Jeff","Steedman, Doug","Muir, Tom","Kyllo, Blaine","Rhodes, Shane","Irvine, Dean"],"creator_names_search":["Rickey, Ross","Turner, Jacqueline","Samuels, Ian","Hunt, Jeff","Steedman, Doug","Muir, Tom","Kyllo, Blaine","Rhodes, Shane","Irvine, Dean"],"creators":["[{\"url\":\"\",\"name\":\"Rickey, Ross\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Turner, Jacqueline\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/43642637\",\"name\":\"Samuels, Ian\",\"dates\":\"1975-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Hunt, Jeff \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Steedman, Doug \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Muir, Tom \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/73484406\",\"name\":\"Kyllo, Blaine\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/80658930\",\"name\":\"Rhodes, Shane\",\"dates\":\"1973-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Irvine, Dean\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6377/Filling Station Fond_MsC73_8.jpeg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC73-008/MSC73-008-01.mp3\",\"file_path\":\"\",\"filename\":\"MsC 73-008-Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:39:29\",\"precision\":\"\",\"size\":\"42.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/poetry-reading-part-1\"},{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC73-008/MSC73-008-02.mp3\",\"file_path\":\"\",\"filename\":\"MsC 73-008-Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:39:29\",\"precision\":\"\",\"size\":\"42.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/poetry-reading-part-2\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670555267366915,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6378","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Filling Station Fonds"],"source_collection_label":["Filling Station Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":["https://digital.lib.sfu.ca/unarchiving-margins"],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of records documenting the establishment of the filling Station Publications Society in Calgary, Alberta, in 1993, and its ongoing business editing and publishing \"filling Station\" magazine, individual chapbooks and hosting literary events. Fonds is arranged into the following six series: Administrative records (1993u20132008); Financial records (1993u20132008); Marketing files (1993u20132002); Editorial files (1995u20132004); Event files (1993u20132001); and Chapbooks (1993u20132006)."],"collection_source_collection_id":["MsC 73"],"persistent_url":[""],"item_title":["Sound and performance poet Jaap Blonk interview in Calgary"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Unarchiving the Margins Collection"],"item_series_description":["Historically, literary studies and literary-archival work has focused on the stories of white, male writers. As a way of disrupting this narrow focus, the Unarchiving the Margins Collection digitizes, preserves, and brings to life almost 80 tapes of literary audio from the fonds of a diverse set of writers from equity deserving groups.\n\nThe digitization and public distribution of this collection amplifies voices of women, queer writers, and writers of colour who have been historically left out of the archive and thus not highlighted in many digitizing projects. SFU is committed to prioritizing projects that promote content by writers from historically underserved groups in order to ensure that more researchers, scholars, and interested members of the public have access to these materials.\n\nHighlights\n\nThe Unarchiving the Margins Collection brings together interviews, readings, and discussions featuring hundreds of voices and writers from equity deserving groups, such as: Daphne Marlatt, Nicole Brossard, Maria Campbell, Dorothy Livesay, Phyllis Webb, Lillian Allen, Ellen Tallman, Penn Kemp, Jeanette Armstrong, Betsy Warland, Fred Wah, Shani Mootoo, Sharon Thesen, Mary Billy, Anita Rau Badami, Lorna Crozier, and many more!\n\nThe collection also features renowned Canadian male writers, including: George Bowering, Stuart McLean, and bp Nichol.\n\nVisit the SFU Library Special Collections and Rare Books Unarchiving the Margins collection page for more details about this collection."],"item_series_uri":["https://digital.lib.sfu.ca/unarchiving-margins"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Blonk, Jaap"],"creator_names_search":["Blonk, Jaap"],"creators":["[{\"url\":\"http://viaf.org/viaf/36551533\",\"name\":\"Blonk, Jaap\",\"dates\":\"1953-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6378/Filling Station Fond_MsC73_9.jpeg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC73-009/MSC73-009-01.mp3\",\"file_path\":\"\",\"filename\":\"MsC 73-009-Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:32\",\"precision\":\"\",\"size\":\"51.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/sound-and-performance-poet-jaap-blonk-interview-calgary-part-1\"},{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC73-009/MSC73-009-02.mp3\",\"file_path\":\"\",\"filename\":\"MsC 73-009-Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:49:25\",\"precision\":\"\",\"size\":\"53.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"BLANK\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/sound-and-performance-poet-jaap-blonk-interview-calgary-part-2\"}]"],"Dates":["[]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/3227127\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Calgary, Alberta, Canada\",\"latitude\":\"51.0466\",\"longitude\":\"-114.0532\"}]"],"Address":["Calgary, Alberta, Canada"],"City":["Calgary, Alberta"],"Note":["[{\"note\":\"The interviewer is anonymous.\\nJaap Blonk says something in Dutch in the beginning of side one. \\n\",\"type\":\"General\"},{\"note\":\"The interview focuses primarily on Jaap Blonk’s sound poetry. He explains how he became interested in the form and shares some of his background in music. Blonk also discusses the specific techniques he employs in his sound poetry performances, as well as the types of data that inform his work.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555267366916,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6379","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Filling Station Fonds"],"source_collection_label":["Filling Station Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":["https://digital.lib.sfu.ca/unarchiving-margins"],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of records documenting the establishment of the filling Station Publications Society in Calgary, Alberta, in 1993, and its ongoing business editing and publishing \"filling Station\" magazine, individual chapbooks and hosting literary events. Fonds is arranged into the following six series: Administrative records (1993u20132008); Financial records (1993u20132008); Marketing files (1993u20132002); Editorial files (1995u20132004); Event files (1993u20132001); and Chapbooks (1993u20132006)."],"collection_source_collection_id":["MsC 73"],"persistent_url":[""],"item_title":["Filling Station #17 launch with Hiromi Goto, Lindsay Tipping, Ian Samuels, Alden Alfan, Ross Rickey, Julia Williams, Darren Matthies, Jill Hartman, and Jonathan Wilcke reading poetry on March 3, 2000"],"item_title_source":["cassette and j-card"],"item_language":["English, French"],"item_production_context":["Documentary recording"],"item_series_title":["Unarchiving the Margins Collection"],"item_series_description":["Historically, literary studies and literary-archival work has focused on the stories of white, male writers. As a way of disrupting this narrow focus, the Unarchiving the Margins Collection digitizes, preserves, and brings to life almost 80 tapes of literary audio from the fonds of a diverse set of writers from equity deserving groups.\n\nThe digitization and public distribution of this collection amplifies voices of women, queer writers, and writers of colour who have been historically left out of the archive and thus not highlighted in many digitizing projects. SFU is committed to prioritizing projects that promote content by writers from historically underserved groups in order to ensure that more researchers, scholars, and interested members of the public have access to these materials.\n\nHighlights\n\nThe Unarchiving the Margins Collection brings together interviews, readings, and discussions featuring hundreds of voices and writers from equity deserving groups, such as: Daphne Marlatt, Nicole Brossard, Maria Campbell, Dorothy Livesay, Phyllis Webb, Lillian Allen, Ellen Tallman, Penn Kemp, Jeanette Armstrong, Betsy Warland, Fred Wah, Shani Mootoo, Sharon Thesen, Mary Billy, Anita Rau Badami, Lorna Crozier, and many more!\n\nThe collection also features renowned Canadian male writers, including: George Bowering, Stuart McLean, and bp Nichol.\n\nVisit the SFU Library Special Collections and Rare Books Unarchiving the Margins collection page for more details about this collection."],"item_series_uri":["https://digital.lib.sfu.ca/unarchiving-margins"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Goto, Hiromi","Tipping, Lindsay","Samuels, Ian","Alfan, Alden","Rickey, Ross","Williams, Julia","Matthies, Darren","Hartman, Jill","[Tmuir,?]","Wilcke, Jonathan"],"creator_names_search":["Goto, Hiromi","Tipping, Lindsay","Samuels, Ian","Alfan, Alden","Rickey, Ross","Williams, Julia","Matthies, Darren","Hartman, Jill","[Tmuir,?]","Wilcke, Jonathan"],"creators":["[{\"url\":\"http://viaf.org/viaf/114529294\",\"name\":\"Goto, Hiromi\",\"dates\":\"1966-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Tipping, Lindsay \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Samuels, Ian \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Alfan, Alden \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Rickey, Ross \",\"dates\":\"\",\"notes\":\"He is also the host of the event\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/350145549491796660004\",\"name\":\"Williams, Julia\",\"dates\":\"1976-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Matthies, Darren \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/24295240\",\"name\":\"Hartman, Jill\",\"dates\":\"1974-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"[Tmuir,?] \",\"dates\":\"\",\"notes\":\"We guess, he is introduced at 21:20 on side one\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Wilcke, Jonathan\",\"dates\":\"\",\"notes\":\"We are not sure about the reader's last name\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[2000],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6379/Filling Station Fond_MsC73_10.jpeg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC73-010.mp3\",\"file_path\":\"\",\"filename\":\"MsC 73-010-Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:17\",\"precision\":\"\",\"size\":\"50.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/unarchiving-margins/filling-station-event\"}]"],"Dates":["[{\"date\":\"2000-03-03\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"j-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"More people must have been present at this event since their names got mentioned by Ross Rickey, the host of this event. People like Fred Wah, David [Makan?], and some others, however, are not heard on side one.\",\"type\":\"General\"},{\"note\":\"The list of the poems that they are reading from the calendar are all written on the J-card. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555268415488,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6380","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 22 December, 1985"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Snell, Balso","Karmak, Vincent","Farmilo, Tina","Spicer, Jack","McRae, Ian","Page, Patti","Hughes, Richard","Bowering, George","McKay, Roberto","[Gradow, Ed?]","Sosa, Roberto","Bennett, Lin","Gilbert, Gerry"],"creator_names_search":["Snell, Balso","Karmak, Vincent","Farmilo, Tina","Spicer, Jack","McRae, Ian","Page, Patti","Hughes, Richard","Bowering, George","McKay, Roberto","[Gradow, Ed?]","Sosa, Roberto","Bennett, Lin","Gilbert, Gerry"],"creators":["[{\"url\":\"\",\"name\":\"Snell, Balso\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Karmak, Vincent\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Farmilo, Tina\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"https://viaf.org/viaf/46807530\",\"name\":\"Spicer, Jack\",\"dates\":\"1925-1965\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/75765123\",\"name\":\"McRae, Ian\",\"dates\":\"1929-2020\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/56801571\",\"name\":\"Page, Patti\",\"dates\":\"1927-2013\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"https://viaf.org/viaf/90734890\",\"name\":\"Hughes, Richard \",\"dates\":\"1941-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"He mentions an author of the first poem Ed Gradow (I am not sure)\\n\\nWestern Front Nicaragua Benefit Readings, 5 Dec\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/75102538\",\"name\":\"McKay, Roberto\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"\",\"name\":\"[Gradow, Ed?]\",\"dates\":\"\",\"notes\":\"Author of first poem read by George Bowering\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/56616559\",\"name\":\"Sosa, Roberto\",\"dates\":\"1930-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"\",\"name\":\"Bennett, Lin\",\"dates\":\"\",\"notes\":\"Reading with Gerry Gilbert, \\\"Dr. Doom and the Art Angel,\\\" Western Front Nicaragua Benefit Reading, 5 Dec\",\"nation\":[],\"role\":[\"Performer\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"also host\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\",\"Speaker\",\"Donor\",\"Producer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1985],"Performance_Date":[1985],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1514/radiofreerainforest_1.1.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Panasonic\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:30:00\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC14-1.1-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:01\",\"precision\":\"\",\"size\":\"43.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC14-1.1-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:06\",\"precision\":\"\",\"size\":\"35.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-12-22\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1985-12-05\",\"type\":\"Performance Date\",\"notes\":\"Date of Western Front Nicaragua Benefit Reading (Recording mentions month but not date)\",\"source\":\"digital file (Recording) and J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/7802936235#map=19/49.28180/-123.10236\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"},{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front Arts Centre\",\"notes\":\"Location of Nicaragua Benefit Reading (Bowering, Bennett, Gilbert)\",\"address\":\"303 East 8th Avenue, The Village Shops, Mount Pleasant, Vancouver, Metro Vancouver Regional District, British Columbia, Canada\",\"latitude\":\"49.26386015\",\"longitude\":\"-123.098650299062\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1","303 East 8th Avenue, The Village Shops, Mount Pleasant, Vancouver, Metro Vancouver Regional District, British Columbia, Canada"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM","The Western Front Arts Centre"],"City":["Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555268415489,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6381","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 28 February, 1988"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["McCaffery, Steve","Gadd, Maxine","Kelley, Peggy","Parent, Yvonne","Gilbert, Gerry","Mandrake, Jill","Culley, Peter","Copithorne, Judith","Lusk, Dorothy"],"creator_names_search":["McCaffery, Steve","Gadd, Maxine","Kelley, Peggy","Parent, Yvonne","Gilbert, Gerry","Mandrake, Jill","Culley, Peter","Copithorne, Judith","Lusk, Dorothy"],"creators":["[{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/75225856\",\"name\":\"Gadd, Maxine\",\"dates\":\"1962-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/46615553\",\"name\":\"Kelley, Peggy\",\"dates\":\"1950-\",\"notes\":\"Reading at R2B2 Books Books on February 19th\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/105947148\",\"name\":\"Parent, Yvonne\",\"dates\":\"\",\"notes\":\"Reading on February 14th at the Western Front \",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"Also host\",\"nation\":[],\"role\":[\"Speaker\",\"Series organizer\",\"Presenter\",\"Donor\",\"Producer\"]},{\"url\":\"http://viaf.org/viaf/3154257780124150539\",\"name\":\"Mandrake, Jill\",\"dates\":\"1951-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/166436053\",\"name\":\"Culley, Peter\",\"dates\":\"1958-2015\",\"notes\":\"I listened to the audio file, and I could find the part where this person is either talking or reading. The part might be missing, not sure \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/63020479/\",\"name\":\"Copithorne, Judith\",\"dates\":\"1939-\",\"notes\":\"she is also called Judy.\\nI listened to the audio file, and I could find the part where this person is either talking or reading. The part might be missing, not sure \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/13862026\",\"name\":\"Lusk, Dorothy\",\"dates\":\"1953-\",\"notes\":\"Dorothy Trujllo\\nI listened to the audio file, and I could find the part where this person is either talking or reading. The part might be missing, not sure \",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1988],"Performance_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1539/Gerry Gilbert Fonds_MsC14_105.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-7/radiofreerainforest-28-february-1988-part-1\",\"file_path\":\"\",\"filename\":\"MSC14-105-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:10\",\"precision\":\"\",\"size\":\"54.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-8/radiofreerainforest-28-february-1988-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-105-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:22:46\",\"precision\":\"\",\"size\":\"26.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-02-28\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1988-02-19\",\"type\":\"Performance Date\",\"notes\":\"Exact year of Peggy Kelley reading uncertain: [1988?]-02-19\",\"source\":\"digital file (Recording)\"},{\"date\":\"1988-02-14\",\"type\":\"Performance Date\",\"notes\":\"Exact year of Yvonne Parent reading uncertain: [1988?]-02-14.\",\"source\":\"digital file (Recording)\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/7802936235#map=19/49.28180/-123.10236\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"},{\"url\":\"https://www.openstreetmap.org/node/3974498662\",\"venue\":\"R2B2 Books Books\",\"notes\":\"Location of Peggy Kelley reading\",\"address\":\"2742 West 4th Ave, Vancouver, BC V6K 1R1\",\"latitude\":\"49.26855\",\"longitude\":\"-123.16739\"},{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"Yvonne Parent reading \",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26392\",\"longitude\":\"-123.09870\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1","2742 West 4th Ave, Vancouver, BC V6K 1R1","303 E 8th Ave E, Vancouver, BC V5T 1S1"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM","R2B2 Books Books","The Western Front"],"City":["Vancouver, British Columbia","Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"},{\"note\":\"Although I chose good for sound quality, there are some parts that the quality is really poor: crackling, warping during some readings, overlapping track at outro \",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555268415490,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6382","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 14 January, 1988"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Goh, Poh Seng","Stanley, George","Liddy, James","Gilbert, Gerry"],"creator_names_search":["Goh, Poh Seng","Stanley, George","Liddy, James","Gilbert, Gerry"],"creators":["[{\"url\":\"http://viaf.org/viaf/87584233\",\"name\":\"Goh, Poh Seng\",\"dates\":\"1936-2010\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/30781582\",\"name\":\"Stanley, George\",\"dates\":\"1934-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/92060622\",\"name\":\"Liddy, James\",\"dates\":\"1934-2008\",\"notes\":\"Read by George Stanley\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\",\"Donor\",\"Series organizer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1988],"Performance_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1540/radiofreerainforest_1.2.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:30:00\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-10/radiofreerainforest-14-january-1988-part-1\",\"file_path\":\"\",\"filename\":\"MSC14-1.2-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:33:52\",\"precision\":\"\",\"size\":\"40.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-11/radiofreerainforest-14-january-1988-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-1.2-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:24:37\",\"precision\":\"\",\"size\":\"28.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-01-14\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1988-01-05\",\"type\":\"Performance Date\",\"notes\":\"date of Goh Poh Seng reading\",\"source\":\"J-card\"},{\"date\":\"1987-12-30\",\"type\":\"Performance Date\",\"notes\":\"date of George Stanley reading (reading James Liddy)\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/7802936235#map=19/49.28180/-123.10236\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"},{\"url\":\"https://www.openstreetmap.org/node/3974498662\",\"venue\":\"R2B2: Books Books\",\"notes\":\"Location of Goh Poh Seng and George Stanley readings \",\"address\":\"2742 West 4th Ave, Vancouver, BC V6K 1R1\",\"latitude\":\"49.2679903\",\"longitude\":\"-123.1529668\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1","2742 West 4th Ave, Vancouver, BC V6K 1R1"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM","R2B2: Books Books"],"City":["Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"},{\"note\":\"Side A is almost inaudible, the quality is horrible. Side B's sound is excellent\\n\",\"type\":\"General\"},{\"note\":\"No introduction by Gerry Gilbert, probably a draft of the show\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555268415491,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6383","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 24 May, 1986"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Creede, Gerald","Watts, Charles","Rosenfeld, Rhoda","Gilbert, Gerry","Kemp, Penny","Prentice, David","Walker, Victoria","Kelley, Peggy","Brown, Jim","Culley, Peter","Copithorne, Judith","Mitchum, Robert","Kroetsch, Robert","Gould, Glenn"],"creator_names_search":["Creede, Gerald","Watts, Charles","Rosenfeld, Rhoda","Gilbert, Gerry","Kemp, Penny","Prentice, David","Walker, Victoria","Kelley, Peggy","Brown, Jim","Culley, Peter","Copithorne, Judith","Mitchum, Robert","Kroetsch, Robert","Gould, Glenn"],"creators":["[{\"url\":\"http://viaf.org/viaf/11296961\",\"name\":\"Creede, Gerald\",\"dates\":\"1951-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/4094573\",\"name\":\"Watts, Charles\",\"dates\":\"1947-1998\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/104850618\",\"name\":\"Rosenfeld, Rhoda\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"The host\",\"nation\":[],\"role\":[\"Speaker\",\"Presenter\",\"Reader\",\"Donor\",\"Producer\",\"Series organizer\"]},{\"url\":\"http://viaf.org/viaf/43083879\",\"name\":\"Kemp, Penny\",\"dates\":\"1951-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/187476298\",\"name\":\"Prentice, David\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/104046068\",\"name\":\"Walker, Victoria\",\"dates\":\"1945-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/46615553/\",\"name\":\"Kelley, Peggy\",\"dates\":\"1950-\",\"notes\":\"Spelling on the cassette was incorrect\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/106615300/\",\"name\":\"Brown, Jim\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/166436053\",\"name\":\"Culley, Peter\",\"dates\":\"1958-2015\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/63020479\",\"name\":\"Copithorne, Judith\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/69009464\",\"name\":\" Mitchum, 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bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-35/radiofreerainforest-28-january-1988-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-1.5-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:05\",\"precision\":\"\",\"size\":\"48.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-01-28\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1988-01-14\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/7802936235#map=19/49.28180/-123.10236\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"},{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front Arts Centre\",\"notes\":\"\",\"address\":\"303 East 8th Avenue, The Village Shops, Mount Pleasant, Vancouver, Metro Vancouver Regional District, British Columbia, Canada\",\"latitude\":\"49.26386015\",\"longitude\":\"-123.098650299062\"},{\"url\":\"\",\"venue\":\"\",\"notes\":\"Gilbert says the venue, but I cannot understand it clearly\",\"address\":\"Edmonton, Alberta, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1","303 East 8th Avenue, The Village Shops, Mount Pleasant, Vancouver, Metro Vancouver Regional District, British Columbia, Canada","Edmonton, Alberta, Canada"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM","The Western Front Arts Centre"],"City":["Vancouver, British Columbia","Vancouver, British Columbia","Edmonton, Alberta"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"},{\"note\":\"It is unclear what is happening on the Side B of the cassette, I am not sure that everything that is written on J-card actually corresponds to the audio that ends with woman reading her poems, I do not even see any women mentioned there. \",\"type\":\"General\"},{\"note\":\"The cassette starts with one voice on another tape, but it lasts only a minute or two\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555270512643,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6391","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 24 April and 22 May, 1988"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Phillips, David","Wah, Fred","Gilbert, Gerry"],"creator_names_search":["Phillips, David","Wah, Fred","Gilbert, Gerry"],"creators":["[{\"url\":\"http://viaf.org/viaf/92376773\",\"name\":\"Phillips, David\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\",\"Producer\",\"Speaker\",\"Presenter\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1988],"Performance_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1552/Gerry Gilbert Fonds_MsC14_111.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:25:30\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-37/radiofreerainforest-24-april-and-22-may-1988-part-1\",\"file_path\":\"\",\"filename\":\"MSC14-111-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:36\",\"precision\":\"\",\"size\":\"59 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-38/radiofreerainforest-24-april-and-22-may-1988-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-111-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:44\",\"precision\":\"\",\"size\":\"62.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-04-22\",\"type\":\"Performance Date\",\"notes\":\"Fred Wah reading\",\"source\":\"J-card\"},{\"date\":\"1988-03-04\",\"type\":\"Performance Date\",\"notes\":\"David Philips reading\",\"source\":\"J-card\"},{\"date\":\"1988-04-24\",\"type\":\"Production Date\",\"notes\":\"David Philips reading\",\"source\":\"J-card\"},{\"date\":\"1988-05-22\",\"type\":\"Production Date\",\"notes\":\"Fred Wah reading\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/7802936235#map=19/49.28180/-123.10236\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"},{\"url\":\"https://www.openstreetmap.org/node/3974498662\",\"venue\":\"R2B2: Books Books\",\"notes\":\"Location of David Phillips and Fred Wah. \",\"address\":\"2742 West 4th Ave, Vancouver, BC V6K 1R1\",\"latitude\":\"49.2679903\",\"longitude\":\"-123.1529668\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1","2742 West 4th Ave, Vancouver, BC V6K 1R1"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM","R2B2: Books Books"],"City":["Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555271561216,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6336","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robin Blaser speaking at the \"Recovery of the Public world\" conference in Frederic Wood Theatre at UBC on June 4, 1995 #993"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[RB_993]"],"rights":["In Copyright (InC)"],"access":["Streaming"],"creator_names":["Blaser, Robin"],"creator_names_search":["Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1995],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8709/Reading in BC_MsC199_993.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"993-side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:00\",\"precision\":\"\",\"size\":\"67.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/rbr-161/rb993a\",\"file_path\":\"\",\"filename\":\"993-side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:00\",\"precision\":\"\",\"size\":\"73.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1995-06-04\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"Frederic Wood Theatre, UBC\",\"notes\":\"\",\"address\":\" Robin Blaser speaking at the \\\"Recovery of the Public world\\\" conference in Frederic Wood Theatre, UBC on June 4, 1995 #993\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":[" Robin Blaser speaking at the \"Recovery of the Public world\" conference in Frederic Wood Theatre, UBC on June 4, 1995 #993"],"Venue":["Frederic Wood Theatre, UBC"],"Note":["[{\"note\":\"Side B is empty\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555271561217,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6337","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["A selection of writing by bpNichol chosen and read by his friends at a Gala Tribute at Toronto's Harbourfront on December 2, 1989 #994"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Gatensby, Greg","Tostevin, Lola Lemire","Lee, Dennis","Dewdney, Christropher","Barbour, Douglas","Scobie, Stephen","Hartog, Diana","Dedora, Brian","Nichol, B. P.","Van Loon, Nellas","Sereda, David","Smith, Whitney","Pulsiver, Alan","Pepper, John","Shaw, Maggie","Marlatt, Daphne","Wah, Fred","McFadden, David","Shikatani, Gerry","Ondaatje, Michael","Dutton, Paul","Coleman, Victor","Hodge, Paul","Westlake, Marilyn","Swwinghammer, Kurt","Steve MeCaffery","Barreto-Rivera, Rafael","Webb, Phyllis"],"creator_names_search":["Gatensby, Greg","Tostevin, Lola Lemire","Lee, Dennis","Dewdney, Christropher","Barbour, Douglas","Scobie, Stephen","Hartog, Diana","Dedora, Brian","Nichol, B. P.","Van Loon, Nellas","Sereda, David","Smith, Whitney","Pulsiver, Alan","Pepper, John","Shaw, Maggie","Marlatt, Daphne","Wah, Fred","McFadden, David","Shikatani, Gerry","Ondaatje, Michael","Dutton, Paul","Coleman, Victor","Hodge, Paul","Westlake, Marilyn","Swwinghammer, Kurt","Steve MeCaffery","Barreto-Rivera, Rafael","Webb, Phyllis"],"creators":["[{\"url\":\"\",\"name\":\"Gatensby, Greg \",\"dates\":\"\",\"notes\":\"Introduction by him \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/8771515\",\"name\":\"Tostevin, Lola Lemire\",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/150749702\",\"name\":\"Lee, Dennis\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Dewdney, Christropher \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/14864700\",\"name\":\"Barbour, Douglas\",\"dates\":\"1940-\",\"notes\":\"Helped with sounding \",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/18385392\",\"name\":\"Scobie, Stephen\",\"dates\":\"1943-\",\"notes\":\"Helped with sounding \",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/91401282\",\"name\":\"Hartog, Diana\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11347776\",\"name\":\"Dedora, Brian\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\" Nichol, B. P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"\",\"name\":\"Van Loon, Nellas\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Sereda, David \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Smith, Whitney\",\"dates\":\"\",\"notes\":\"Vocal\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Pulsiver, Alan\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Pepper, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Shaw, Maggie\",\"dates\":\"\",\"notes\":\"Vocal\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/7405434\",\"name\":\"McFadden, David\",\"dates\":\"1940-2018\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/30931468\",\"name\":\"Shikatani, Gerry\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/111941870\",\"name\":\"Ondaatje, Michael\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/36999806\",\"name\":\"Dutton, Paul\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/38160442\",\"name\":\"Coleman, Victor\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"\",\"name\":\"Hodge, Paul \",\"dates\":\"\",\"notes\":\"Editor\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Westlake, Marilyn\",\"dates\":\"\",\"notes\":\"Photo by her\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Swwinghammer, Kurt\",\"dates\":\"\",\"notes\":\"Design by him\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Steve MeCaffery\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/16154730\",\"name\":\"Barreto-Rivera, Rafael\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/29847238\",\"name\":\"Webb, Phyllis\",\"dates\":\"1927-2021\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1989],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8712/Reading in BC_MsC199_994.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1989-12-02\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/146040705#map=19/43.63926/-79.38284\",\"venue\":\"Toronto's Harbourfront\",\"notes\":\"\",\"address\":\"235 Queens Quay West, Toronto, ON M5J 2G8\",\"latitude\":\"43.638840\",\"longitude\":\"-79.381996\"}]"],"Address":["235 Queens Quay West, Toronto, ON M5J 2G8"],"Venue":["Toronto's Harbourfront"],"City":["Toronto, Ontario"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555271561218,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6338","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Fred Wah reading at Kootenay School of Writing on March 10, 1990 #1019"],"item_title_source":["cassette and j-card"],"item_title_note":["Liner Notes: see photo"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred"],"creator_names_search":["Wah, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/8717/Reading in BC_MsC199_1019.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent \",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape","Magnetic Tape"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Mono","Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1019-Side A.mp3\",\"channel_field\":\"2 (stereo)\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:38\",\"precision\":\"\",\"size\":\"55.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1019-Side B.mp3\",\"channel_field\":\"2 (stereo)\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:45\",\"precision\":\"\",\"size\":\"57.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-03-10\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"j-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/search?whereami=1&query=49.28185%2C-123.10780#map=19/49.28185/-123.10780\",\"venue\":\"Kootenay School of Writing\",\"notes\":\"\",\"address\":\"112 West Hastings, Vancouver, BC, Canada\",\"latitude\":\"49.28185\",\"longitude\":\"-123.10780\"}]"],"Address":["112 West Hastings, Vancouver, BC, Canada"],"Venue":["Kootenay School of Writing"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555272609792,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6339","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Dial-A-poem poets: biting off the tongue of a corpse #492"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Snyder, Gary","Giorno, John","Burroughs, William Seward","Olson, Charles","Berrigan, Ted","Sanders, Ed","Wieners, John","Levertov, Denise","Gage, John","Denby, Edwin","Adam, Helen","Di Prima, Diane","Duncan, Robert","O'Hara, Frank","Koch, Kenneth","Ashbery, John","Stein, Charles"],"creator_names_search":["Snyder, Gary","Giorno, John","Burroughs, William Seward","Olson, Charles","Berrigan, Ted","Sanders, Ed","Wieners, John","Levertov, Denise","Gage, John","Denby, Edwin","Adam, Helen","Di Prima, Diane","Duncan, Robert","O'Hara, Frank","Koch, Kenneth","Ashbery, John","Stein, Charles"],"creators":["[{\"url\":\"http://viaf.org/viaf/68944804\",\"name\":\"Snyder, Gary\",\"dates\":\"1930-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/84168002\",\"name\":\" Giorno, John\",\"dates\":\"1936-2019\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/108916275\",\"name\":\"Burroughs, William Seward\",\"dates\":\"1914-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles \",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/64027570\",\"name\":\"Berrigan, Ted\",\"dates\":\"1934-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/22183708\",\"name\":\"Sanders, Ed \",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/90723960\",\"name\":\"Wieners, John\",\"dates\":\"1934-2002\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/9868894\",\"name\":\"Levertov, Denise\",\"dates\":\"1923-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/109427868\",\"name\":\"Gage, John\",\"dates\":\"1938-2012\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/5018505\",\"name\":\"Denby, Edwin\",\"dates\":\"1903-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/70219271\",\"name\":\"Adam, Helen\",\"dates\":\"1909-1993\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/83981636\",\"name\":\"Di Prima, Diane\",\"dates\":\"1934-2020\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\" http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/51698966\",\"name\":\"O'Hara, Frank\",\"dates\":\"1926-1966\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/110467351\",\"name\":\"Koch, Kenneth\",\"dates\":\"1925-2002\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/100001869\",\"name\":\"Ashbery, John\",\"dates\":\"1927-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/72970041\",\"name\":\"Stein, Charles\",\"dates\":\"1920-2016\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8789/Reading in BC_MsC199_492.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"492-Side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:46:38\",\"precision\":\"\",\"size\":\"108.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"492-Side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:50:22\",\"precision\":\"\",\"size\":\"51.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-01-29\",\"type\":\"Production Date\",\"notes\":\"Gary Snyder reading\",\"source\":\"J-card\"},{\"date\":\"1975-01-06\",\"type\":\"Production Date\",\"notes\":\"John Giorno reading \",\"source\":\"J-card\"},{\"date\":\"1974-04-24\",\"type\":\"Production Date\",\"notes\":\"William Seward Burroughs reading\",\"source\":\"J-card\"},{\"date\":\"1967-10-20\",\"type\":\"Production Date\",\"notes\":\"Charles Olson reading\",\"source\":\"J-card\"},{\"date\":\"1974-03-24\",\"type\":\"Production Date\",\"notes\":\"Ted Berrigan reading \",\"source\":\"J-card\"},{\"date\":\"1975-01-01\",\"type\":\"Production Date\",\"notes\":\"Ed Sanders reading\",\"source\":\"J-card\"},{\"date\":\"1974-12-11\",\"type\":\"Production Date\",\"notes\":\"Edwin Denby reading\",\"source\":\"J-card\"},{\"date\":\"1975-01-01\",\"type\":\"Production Date\",\"notes\":\"Helen Adam reading\",\"source\":\"J-card\"},{\"date\":\"1974-07-30\",\"type\":\"Production Date\",\"notes\":\"Diane Di Prima reading\",\"source\":\"J-card\"},{\"date\":\"1968-03-19\",\"type\":\"Production Date\",\"notes\":\"John Wieners reading\",\"source\":\"J-card\"},{\"date\":\"1975-01-01\",\"type\":\"Production Date\",\"notes\":\"John Cage reading\",\"source\":\"J-card\"},{\"date\":\"1974-10\",\"type\":\"Production Date\",\"notes\":\"Robert Duncan reading\",\"source\":\"J-card\"},{\"date\":\"1966\",\"type\":\"Production Date\",\"notes\":\"Denise Levertov, Frank O'Hara, Kenneth Koch, and John Ashbery reading\",\"source\":\"J-card\"},{\"date\":\"1975-01-01\",\"type\":\"Production Date\",\"notes\":\"Charles Stein reading\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/20633769\",\"venue\":\"ZBS Foundation recording studio\",\"notes\":\"\",\"address\":\"174 N River Rd, Fort Edward, NY 12828, United States\",\"latitude\":\"43.17765\",\"longitude\":\"-73.58187\"},{\"url\":\"https://www.openstreetmap.org/relation/174991\",\"venue\":\"Cortland\",\"notes\":\"\",\"address\":\"Cortland County, New York, United States of America\",\"latitude\":\"42.6005\",\"longitude\":\"-76.1872\"},{\"url\":\"\",\"venue\":\"Scottish Arts Council\",\"notes\":\"\",\"address\":\"Glasgow City, Scotland\",\"latitude\":\"\",\"longitude\":\"\"},{\"url\":\"https://www.openstreetmap.org/way/241844932\",\"venue\":\"St. Marks Church-In-The-Bowery\",\"notes\":\"\",\"address\":\"131 E 10th St, New York, NY 10003, United States\",\"latitude\":\"40.73036\",\"longitude\":\"-73.98718\"},{\"url\":\"https://www.openstreetmap.org/way/391232001\",\"venue\":\"Naropa institute \",\"notes\":\"\",\"address\":\"Marine Street, Boulder, Boulder County, Colorado, 80309, United States\",\"latitude\":\"40.01405\",\"longitude\":\"-105.26696\"},{\"url\":\"https://www.openstreetmap.org/way/68036581\",\"venue\":\"Buffalo – S.U.N.Y. (University at Buffalo)\",\"notes\":\"\",\"address\":\"Buffalo, NY 14260, United States\",\"latitude\":\"42.9538\",\"longitude\":\"-78.8180\"},{\"url\":\"https://www.openstreetmap.org/way/32865757\",\"venue\":\"War Memorial Veterans Building\",\"notes\":\"We are not sure if it's the exact address. On the J-card it's just written Veterans auditorium \",\"address\":\"401, Van Ness Avenue, Hayes Valley, San Francisco, California, 94102, United States\",\"latitude\":\"37.77957\",\"longitude\":\"-122.42105\"},{\"url\":\"\",\"venue\":\"Net-TV, poetry\",\"notes\":\"\",\"address\":\"USA\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["174 N River Rd, Fort Edward, NY 12828, United States","Cortland County, New York, United States of America","Glasgow City, Scotland","131 E 10th St, New York, NY 10003, United States","Marine Street, Boulder, Boulder County, Colorado, 80309, United States","Buffalo, NY 14260, United States","401, Van Ness Avenue, Hayes Valley, San Francisco, California, 94102, United States","USA"],"Venue":["ZBS Foundation recording studio","Cortland","Scottish Arts Council","St. Marks Church-In-The-Bowery","Naropa institute ","Buffalo – S.U.N.Y. (University at Buffalo)","War Memorial Veterans Building","Net-TV, poetry"],"City":["Buffalo, New York"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tBiting Off The Tongue Of A Corpse\n\t\t000\tGary Snyder, from Turtle Island (St. Mark’s Church, NY, Jan. 29, 1975) “Anasazi”\n\t\t039\t“The Wild Mushroom”\n\t\t074\t“Avocado”\n\t\t094\tOne should not speak to a skilled hunter”\n\t\t118\t“No shoes, no shirt, no service”\n\t\t146\tJohn Giorno – excerpt from Subduing Demons in America ZBX Media, Fort Edwards, NY, Jan. 29, 1975)\n\t\t342\tWilliam S. Burroughs – From The Wild Boys “A Top level conference is in progress” (St. Mark’s Church, NY, April 24, 1974)\n\t\t523\tCharles Olson (SUNY Cortland, NY, Oct. 20, 1967) “Maximus of Gloucester” (only my written work)\n\t\t577\tTed Berrigan (Scottish Arts Council Glasgow, Scotland March 24, 1974) excerpts from Memorial Day\n\t\t721\tEd Sanders (St. Mark’s Church, NY, Jan. 1 1975) “The Struggle”\nTwo\t\t000\tEdwin Denby (GPS, December 11, 1974) “The Shoulder”\n\t\t027\t“Over Manhattan Island”\n\t\t043\t“Over Manhattan Island”\n\t\t089\t“Disorder Mental Strikes me”\n\t\t113\t“Suppose [ther’s] a cranky woman inside me”\n\t\t137\t“Helen Adam (St. Mark’s Church NY, Jan. 1, 1975) Cheerless Junkie Song”\n\t\t205\tDiana Di Prima (Naropa Institute, Boulder, Colorado, July 30, 1974) “Ave”\n\t\t325\tJohn Wieners (SUNY, Buffalo, NY, March 19, 1968) “In Public”\n\t\t354\tRobert Duncan (Dharma Festival San Francisco, Oct. 74)\n\t\t\t“To speak my mind”\n\t\t395\t“We, convivial in what is ours”\n\t\t441\tJohn Cage (St. Mark’s Church, NY, Jan. 1, 75) “Mureau”\n\t\t569\tDenise Levertov (NET-TV, Poetry: USA, 1966) “Life at war”\n\t\t699\tFrank O’Hara (NET-TV, Poetry: USA, 1966) “Having a coke with you” from The Love Poems\n\t\t777\tKenneth Koch (NET-TV, Poetry : USA, 1966) “Spring”\n\t\t852\tJohn Ashbery (NET-TV, Poetry: USA, 1966) “A blessing in disguise”\n\t\t930\tCharles Stein (St. Mark’s Church, NY, Jan. 1 1975) “Seed poem”"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555272609793,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6392","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 1 May, 1988"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Phillips, David","Bouvier, David","Hartog, Diana","Gilbert, Gerry","Thesen, Sharon"],"creator_names_search":["Phillips, David","Bouvier, David","Hartog, Diana","Gilbert, Gerry","Thesen, Sharon"],"creators":["[{\"url\":\"http://viaf.org/viaf/92376773\",\"name\":\"Phillips, David\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/235379623\",\"name\":\"Bouvier, David\",\"dates\":\"1957-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/91401282\",\"name\":\"Hartog, Diana\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"The host\",\"nation\":[],\"role\":[\"Speaker\",\"Series organizer\",\"Donor\",\"Producer\",\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/115694373\",\"name\":\"Thesen, Sharon\",\"dates\":\"1946-\",\"notes\":\"She introduces Diana Hartog\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1988],"Performance_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1553/Gerry Gilbert Fonds_MsC14_112.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Clear White and Black box with J insert\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-40/radiofreerainforest-1-may-1988-part-1\",\"file_path\":\"\",\"filename\":\"MSC14-112-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:27\",\"precision\":\"\",\"size\":\"54.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-41/radiofreerainforest-1-may-1988-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-112-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:19:53\",\"precision\":\"\",\"size\":\"24 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-05-01\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"item and j-card\"},{\"date\":\"1988-03-24\",\"type\":\"Performance Date\",\"notes\":\"Diana Hartog reading on March 24th at Capilano College. \",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/485438830\",\"venue\":\"Capilano Univeristy\",\"notes\":\"Diana Hartog reads there. \",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\"49.31798055\",\"longitude\":\"-123.019476968314\"},{\"url\":\"https://www.openstreetmap.org/node/7802936235#map=19/49.28180/-123.10236\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"}]"],"Address":["Vancouver, BC, Canada","370 Columbia St, Vancouver, BC V6A 4J1"],"Venue":["Capilano Univeristy","Vancouver Co-op Radio CFRO 100.5 FM"],"City":["Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"},{\"note\":\"Not sure if the first 6 minutes of side A belong to RFRF. The host introduces himself and the performers, but unfortunately I could catch and found their names.  \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555272609794,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6397","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 2,12, and 16 June, 1988"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Mccreery, Della","Lawronce, Ramoy","Jankola, Beth","Miller, Stephen","Thompson, Bill","Lau, Evelyn","Enzensberger, Hans Magnus","Beyers, Joanna","Wolf, Nina","Gilbert, Gerry","Agogo, Tippy"],"creator_names_search":["Mccreery, Della","Lawronce, Ramoy","Jankola, Beth","Miller, Stephen","Thompson, Bill","Lau, Evelyn","Enzensberger, Hans Magnus","Beyers, Joanna","Wolf, Nina","Gilbert, Gerry","Agogo, Tippy"],"creators":["[{\"url\":\"\",\"name\":\"Mccreery, Della\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Lawronce, Ramoy\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/275239408\",\"name\":\"Jankola, Beth\",\"dates\":\"1936-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/32121409\",\"name\":\"Miller, Stephen\",\"dates\":\"1941-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\" http://viaf.org/viaf/73411551\",\"name\":\"Thompson, Bill\",\"dates\":\"1913-1971\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/57418207\",\"name\":\"Lau, Evelyn\",\"dates\":\"1971-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/31725760\",\"name\":\"Enzensberger, Hans 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The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 5 and 12 June, 1988"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Thompson, Bill","Rode, Ajmer","Tanguay, Cole","Campbell, David","Gilbert, Gerry","Culley, Peter"],"creator_names_search":["Thompson, Bill","Rode, Ajmer","Tanguay, Cole","Campbell, David","Gilbert, Gerry","Culley, Peter"],"creators":["[{\"url\":\"http://viaf.org/viaf/73411551\",\"name\":\"Thompson, Bill\",\"dates\":\"1913-1971\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/8694478\",\"name\":\"Rode, 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Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC14-117-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:21\",\"precision\":\"\",\"size\":\"66.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC14-117-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:39:47\",\"precision\":\"\",\"size\":\"56.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-06-05\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1988-06-12\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1988-03-07\",\"type\":\"Performance Date\",\"notes\":\"Peter Culley lectures at Art Speaks in Vancouver. \",\"source\":\"digital file (Recording)\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/7802936235\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555275755520,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6399","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 16 and 19 June, 1988"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Bowering, George","Thompson, Bill","Gilbert, Gerry","Carroll, Lewis","[Lutaor Cediled, Pranic?]"],"creator_names_search":["Bowering, George","Thompson, Bill","Gilbert, Gerry","Carroll, Lewis","[Lutaor Cediled, Pranic?]"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/73411551\",\"name\":\"Thompson, Bill\",\"dates\":\"1913-1971\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Producer\",\"Series organizer\",\"Donor\"]},{\"url\":\"http://viaf.org/viaf/66462036\",\"name\":\"Carroll, Lewis\",\"dates\":\"1832-1898\",\"notes\":\"Song by him\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"\",\"name\":\"[Lutaor Cediled, Pranic?]\",\"dates\":\"\",\"notes\":\"This name is written on the J-card, and it seems he is the singer of Lewis Carroll's song. I looked it up, but I could not find him due to the misspelling\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1988],"Performance_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1576/Gerry Gilbert Fonds_MsC14_118.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-61/radiofreerainforest-16-19-june-1988-part-1\",\"file_path\":\"\",\"filename\":\"MSC14-118-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:18\",\"precision\":\"\",\"size\":\"55.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-62/radiofreerainforest-16-19-june-1988-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-118-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:43:14\",\"precision\":\"\",\"size\":\"50.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-06-16\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1988-03-18\",\"type\":\"Performance Date\",\"notes\":\"George Bowering reads at R2B2 \",\"source\":\"J-card\"},{\"date\":\"1988-06-10\",\"type\":\"Performance Date\",\"notes\":\"Gerry Gilbert reads at La Qena: Art Against Racism \",\"source\":\"J-card\"},{\"date\":\"1988-06-30\",\"type\":\"Performance Date\",\"notes\":\"Seems the singer was on RFRF on this date\",\"source\":\"J-card\"},{\"date\":\"1988-06-19\",\"type\":\"Production Date\",\"notes\":\"George Bowering reading\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/7802936235\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"},{\"url\":\"https://www.openstreetmap.org/node/3974498662\",\"venue\":\"R2B2: Books Books\",\"notes\":\"George Bowering reads there.\",\"address\":\"2100 W 4th Ave Vancouver, BC V6K 1N6\",\"latitude\":\"49.26855\",\"longitude\":\" -123.16739\"},{\"url\":\"https://www.openstreetmap.org/way/467943913\",\"venue\":\"La Quena\",\"notes\":\"Gerry Gilbet reads there. I am not sure if it's the exact address;\",\"address\":\"La Quena Coffeehouse 1111 Commercial Drive Vancouver, BC\",\"latitude\":\"49.2812318\",\"longitude\":\"-123.0704567\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1","2100 W 4th Ave Vancouver, BC V6K 1N6","La Quena Coffeehouse 1111 Commercial Drive Vancouver, BC"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM","R2B2: Books Books","La Quena"],"City":["Vancouver, British Columbia","Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555275755521,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6400","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. 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He read at R2B2 Books Books\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/87584233\",\"name\":\"Goh, Poh Seng\",\"dates\":\"1936-2010\",\"notes\":\"I heard his name on the digital file, but his speech part is missing.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/112672229\",\"name\":\"Wong-Chu, Jim\",\"dates\":\"1949-2017\",\"notes\":\"I heard his name on the digital file, but his speech part is missing.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"[Queen Ted orchestra?]\",\"dates\":\"\",\"notes\":\"Gerry Gilbert introduces this orchestra in the middle of the second side. He says it's a performance of this band in 1979\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1988],"Performance_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1583/Gerry Gilbert Fonds_MsC14_119.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-64/radiofreerainforest-314-28-july-1988-part-1\",\"file_path\":\"\",\"filename\":\"MSC14-119-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:22:46\",\"precision\":\"\",\"size\":\"31.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-65/radiofreerainforest-314-28-july-1988-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-119-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:40:07\",\"precision\":\"\",\"size\":\"58.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-07-03\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1988-07-14\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1988-07-28\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1988-06-30\",\"type\":\"Performance Date\",\"notes\":\"Readings occurred on this date\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/7802936235\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"},{\"url\":\"https://www.openstreetmap.org/node/3974498662\",\"venue\":\"R2B2: Books Books\",\"notes\":\"All readings occured at R2B2 Books Books \",\"address\":\"2100 W 4th Ave Vancouver, BC V6K 1N6\",\"latitude\":\"49.26855 \",\"longitude\":\"-123.16739\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1","2100 W 4th Ave Vancouver, BC V6K 1N6"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM","R2B2: Books Books"],"City":["Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"},{\"note\":\"There are some names that are mentioned by Gerry Gilbert in the beginning of the first digital file that are not written on the J-card.\",\"type\":\"\"},{\"note\":\"The quality of the second side is poor. There are two events of reading and an interview that are overlapped.   \",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555275755522,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6401","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 21 February, 1988"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Baker, Marie Annharte","Kelley, Peggy","Derksen, Jeff","Rodin, Renee","Neil, Al","Gilbert, Gerry","[Vance, Dennis?]"],"creator_names_search":["Baker, Marie Annharte","Kelley, Peggy","Derksen, Jeff","Rodin, Renee","Neil, Al","Gilbert, Gerry","[Vance, Dennis?]"],"creators":["[{\"url\":\"http://viaf.org/viaf/36969605\",\"name\":\"Baker, Marie Annharte\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/46615553\",\"name\":\"Kelley, Peggy\",\"dates\":\"1950-\",\"notes\":\" reading from Four Shields of Power\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/30591332\",\"name\":\"Derksen, Jeff\",\"dates\":\"1958-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/33740093\",\"name\":\"Rodin, Renee\",\"dates\":\"1945-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/46803421\",\"name\":\"Neil, Al\",\"dates\":\"1924-2017\",\"notes\":\"D.J. Vance \\nWas never introduced, I assume that he made some of the music, but not sure\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Speaker\",\"Performer\",\"Interviewer\",\"Donor\",\"Producer\",\"Recordist\"]},{\"url\":\"\",\"name\":\"[Vance, Dennis?] \",\"dates\":\"\",\"notes\":\"The performer of the piece that side one begins with is Dennis 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Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 24 March, 1988"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Capstick, Larry","Strang, Catriona","Larsen, Jacqueline Joudo","Castricano, Jodey","Pritchett, David","Bissett, Bill","Nawrocki, Norman","Gillespie, Dizzy","Horne, Lena","Timewell, Lary","Gilbert, Gerry","[Hedges, Gil?]","Hodges, Johnny"],"creator_names_search":["Capstick, Larry","Strang, Catriona","Larsen, Jacqueline Joudo","Castricano, Jodey","Pritchett, David","Bissett, Bill","Nawrocki, Norman","Gillespie, Dizzy","Horne, Lena","Timewell, Lary","Gilbert, Gerry","[Hedges, Gil?]","Hodges, Johnny"],"creators":["[{\"url\":\"\",\"name\":\"Capstick, Larry\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/46001359\",\"name\":\"Strang, Catriona\",\"dates\":\"\",\"notes\":\"G.G. misspelled her name\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/101396189\",\"name\":\"Larsen, Jacqueline Joudo\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/74068422\",\"name\":\"Castricano, Jodey\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/105607795\",\"name\":\"Pritchett, David\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"Bissett, Bill\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/34063513\",\"name\":\"Nawrocki, Norman\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/77110276\",\"name\":\"Gillespie, Dizzy\",\"dates\":\"1917-1993\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/44453548\",\"name\":\"Horne, Lena\",\"dates\":\"1917-2010\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/68009652\",\"name\":\"Timewell, Lary\",\"dates\":\"1950-\",\"notes\":\"on j-card Bremner, Lary\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Speaker\",\"Performer\",\"Interviewer\",\"Donor\",\"Producer\",\"Recordist\"]},{\"url\":\"\",\"name\":\"[Hedges, Gil?]\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/71578250\",\"name\":\"Hodges, Johnny\",\"dates\":\"1906-1970\",\"notes\":\"Ellington is written next to her name. Not sure, but it could be Duke Ellington who is an English composer. \",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/1598/radiofreerainforest_1.8.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Panasonic\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:30:00\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-70/radiofreerainforest-24-march-1988-part-1\",\"file_path\":\"\",\"filename\":\"MSC14-1.8-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:35:52\",\"precision\":\"\",\"size\":\"40.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-71/radiofreerainforest-24-march-1988-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-1.8-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:50\",\"precision\":\"\",\"size\":\"36.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-03-24\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"j-card\"}]"],"Location":["[{\"url\":\"https://nominatim.openstreetmap.org/details.php?place_id=92340333\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555276804097,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6403","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 5 and 17 July, 1988"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Kerouac, Jack","Neil, Al","Mcconnell, Harley","Burroughs, William S.","Gilbert, Gerry","Patchen, Kenneth","Bissett, Bill"],"creator_names_search":["Kerouac, Jack","Neil, Al","Mcconnell, Harley","Burroughs, William S.","Gilbert, Gerry","Patchen, Kenneth","Bissett, Bill"],"creators":["[{\"url\":\"http://viaf.org/viaf/27066713\",\"name\":\"Kerouac, Jack\",\"dates\":\"1922-1969\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/46803421\",\"name\":\"Neil, Al\",\"dates\":\"1924-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Performer\"]},{\"url\":\"\",\"name\":\"Mcconnell, Harley\",\"dates\":\"\",\"notes\":\"He is the host and probably the editor of the program \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108916275\",\"name\":\"Burroughs, William S.\",\"dates\":\"1914-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Donor\",\"Producer\"]},{\"url\":\"\",\"name\":\"Patchen, Kenneth\",\"dates\":\"1911-1972\",\"notes\":\"I got his the dates of his death and birth on the internet \",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"Bissett, Bill\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1599/Gerry Gilbert Fonds_MsC14_120.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Clear White and Black box with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-07-17\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1988-07-05\",\"type\":\"Production Date\",\"notes\":\"Seems edited on this date.\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/7802936235\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"},{\"note\":\"At 23:08 Kenneth Patchen introduces the band he is reading 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inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:30:00\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-85/radiofreerainforest-29-may-1988-part-1\",\"file_path\":\"\",\"filename\":\"MSC14-2.2-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:36:13\",\"precision\":\"\",\"size\":\"40.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-86/radiofreerainforest-29-may-1988-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-2.2-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:22:41\",\"precision\":\"\",\"size\":\"25.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-05-29\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1988-05-20\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1988-05-19\",\"type\":\"Performance Date\",\"notes\":\"Hopeton Anderson\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/7802936235\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"},{\"url\":\"https://www.openstreetmap.org/node/3974498662\",\"venue\":\"R2B2: Books Books\",\"notes\":\"Hopeton Anderson reading\",\"address\":\"2100 W 4th Ave Vancouver, BC V6K 1N6\",\"latitude\":\"49.2679903\",\"longitude\":\"-123.1529668\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1","2100 W 4th Ave Vancouver, BC V6K 1N6"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM","R2B2: Books Books"],"City":["Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555278901248,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6408","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 7 and 25 August, 1988, and 30 October, 1988"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Gilbert, Liz","Gilbert, Gerry","Maracle, Lee","Brand, Dionne","Mandrake, Jill"],"creator_names_search":["Gilbert, Liz","Gilbert, Gerry","Maracle, Lee","Brand, Dionne","Mandrake, Jill"],"creators":["[{\"url\":\"\",\"name\":\"Gilbert, Liz\",\"dates\":\"\",\"notes\":\"Singer\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Speaker\",\"Interviewer\",\"Producer\",\"Recordist\",\"Donor\"]},{\"url\":\"http://viaf.org/viaf/25511009\",\"name\":\"Maracle, Lee\",\"dates\":\"1950-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/61584279\",\"name\":\"Brand, Dionne\",\"dates\":\"1953-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/3154257780124150539\",\"name\":\"Mandrake, Jill\",\"dates\":\"1951-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/1604/radiofreerainforest_2.5both.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:30:00\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-88/radiofreerainforest-7-25-august-1988-and-30-october-1988-part-1\",\"file_path\":\"\",\"filename\":\"MSC14-2.5-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:05\",\"precision\":\"\",\"size\":\"36 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-89/radiofreerainforest-7-25-august-1988-and-30-october-1988-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-2.5-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:22\",\"precision\":\"\",\"size\":\"53 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-10-30\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"digital file (Recording) and J-card\"},{\"date\":\"1988-08-25\",\"type\":\"Production Date\",\"notes\":\"Liz Gilbert performance\",\"source\":\"J-card\"},{\"date\":\"1988-08-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"digital file (Recording) and J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/7802936235\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"},{\"url\":\"https://www.openstreetmap.org/way/197584248\",\"venue\":\"Octopus books\",\"notes\":\"Not sure if it's the exact bookstore that Jill Mandrake read at\",\"address\":\" Octopus Books, 116, Third Avenue, The Glebe, Capital, (Old) Ottawa, Ottawa, Eastern Ontario, Ontario, K1S 2K1, Canada\",\"latitude\":\"45.40275\",\"longitude\":\"-75.68872\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1"," Octopus Books, 116, Third Avenue, The Glebe, Capital, (Old) Ottawa, Ottawa, Eastern Ontario, Ontario, K1S 2K1, Canada"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM","Octopus books"],"City":["Vancouver, British Columbia","Ottawa, Ontario"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"},{\"note\":\"Half of Side B is a mix of various voices and songs probably unedited. I don't know what it is and there is no G.G. voice in between\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555278901249,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6409","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 14 August and 31 July, 1988"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Takeo","Ismail, Jamila","Miyata, Mami","Kiyooka, Roy","Ito, Sally","Gilbert, Gerry"],"creator_names_search":["Takeo","Ismail, Jamila","Miyata, Mami","Kiyooka, Roy","Ito, Sally","Gilbert, Gerry"],"creators":["[{\"url\":\"\",\"name\":\"Takeo\",\"dates\":\"\",\"notes\":\"Takeo could be the person who plays Flute. \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/105789361\",\"name\":\"Ismail, Jamila\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/265040189\",\"name\":\"Miyata, Mami\",\"dates\":\"1951-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/117855300\",\"name\":\"Ito, Sally\",\"dates\":\"1964-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\",\"Donor\",\"Recordist\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1988],"Performance_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1605/Gerry Gilbert Fonds_MsC14_123.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-91/radiofreerainforest-14-august-and-31-july-1988-part-1\",\"file_path\":\"\",\"filename\":\"MSC14-123-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:33:02\",\"precision\":\"\",\"size\":\"46.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-92/radiofreerainforest-14-august-and-31-july-1988-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-123-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:19\",\"precision\":\"\",\"size\":\"62.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-08-14\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1988-08-12\",\"type\":\"Performance Date\",\"notes\":\"Jamila Ismail read at R2B2 on this date.\",\"source\":\"J-card\"},{\"date\":\"1988-07-31\",\"type\":\"Production Date\",\"notes\":\"The Powell Street Wall Festival\",\"source\":\"J-card\"},{\"date\":\"1988-07-30\",\"type\":\"Production Date\",\"notes\":\"The Powell Street Wall Festival\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/7802936235\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"},{\"url\":\"https://www.openstreetmap.org/node/3974498662\",\"venue\":\"R2B2: Books Books\",\"notes\":\"Jamila Ismail reads there.\",\"address\":\"2100 W 4th Ave Vancouver, BC V6K 1N6\",\"latitude\":\"49.2679903\",\"longitude\":\"-123.1529668\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1","2100 W 4th Ave Vancouver, BC V6K 1N6"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM","R2B2: Books Books"],"City":["Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555278901250,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6410","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 28 August and 8 September, 1988"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Boone, Bruce","Coleman, Elizabeth","Bluesinger, Taki","Paige, Elaine","Gilbert, Gerry"],"creator_names_search":["Boone, Bruce","Coleman, Elizabeth","Bluesinger, Taki","Paige, Elaine","Gilbert, Gerry"],"creators":["[{\"url\":\"http://viaf.org/viaf/45636382\",\"name\":\"Boone, Bruce\",\"dates\":\"\",\"notes\":\"Bruce Boone is written on the J-card although I could not hear his name on the digital file. \",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/266633421\",\"name\":\"Coleman, Elizabeth\",\"dates\":\"1962-\",\"notes\":\"I heard her name on the digital file at the end of side two. Her real last name is [Tune? / Tone?], but she is Known as Elizabeth Coleman.\",\"nation\":[],\"role\":[\"Reader\",\"Performer\"]},{\"url\":\" http://viaf.org/viaf/921159474192427661084\",\"name\":\"Bluesinger, Taki \",\"dates\":\"1943-2004\",\"notes\":\"I found his date of birth and death on the internet.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/88581530\",\"name\":\"Paige, Elaine\",\"dates\":\"1948-\",\"notes\":\"I heard her name on the digital file at the end of side two.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Interviewer\",\"Producer\",\"Recordist\",\"Donor\",\"Series organizer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1606/Gerry Gilbert Fonds_MsC14_124 A.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC14-124-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:13\",\"precision\":\"\",\"size\":\"52.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC14-124-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:09:11\",\"precision\":\"\",\"size\":\"10.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-08-28\",\"type\":\"Production Date\",\"notes\":\"Taki Bluesinger interview \",\"source\":\"J-card\"},{\"date\":\"1988-09-11\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"[1967?]\",\"type\":\"Production Date\",\"notes\":\"I heard in the second part of digital file that Elizabeth Coleman's reading was recorded in 1967 By G.G. \",\"source\":\"digital file (Recording)\"},{\"date\":\"1988-09-08\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/7802936235\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"},{\"note\":\"There are two cassettes for 124, 124A and 124B while there is only one digital file for. On the other hand, there is one cassette for 129 while there are two digital files for. I listened to the digital file 129B,and I noticed that I hear the names that I have on Cassette's 124B J-card.\\nThus, The digital file for cassette 124B is titled 129B. \",\"type\":\"\"},{\"note\":\"Bruce Boone is written on the J-card while I could not hear his name on the digital file.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555278901251,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6411","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 6, 13, and 17 November, 1988"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Hejinian, Lyn","Coolidge, Clark","Gilbert, Gerry"],"creator_names_search":["Hejinian, Lyn","Coolidge, Clark","Gilbert, Gerry"],"creators":["[{\"url\":\"http://viaf.org/viaf/44325651\",\"name\":\"Hejinian, Lyn\",\"dates\":\"1941-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/66488556\",\"name\":\"Coolidge, Clark\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry \",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\",\"Donor\",\"Series organizer\",\"Recordist\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1988],"Performance_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1607/Gerry Gilbert Fonds_MsC14_124 B.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-97/radiofreerainforest-6-13-and-17-november-1988-part-1\",\"file_path\":\"\",\"filename\":\"MSC14-124B-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:55\",\"precision\":\"\",\"size\":\"66.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-98/radiofreerainforest-6-13-and-17-november-1988-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-124B-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:40\",\"precision\":\"\",\"size\":\"65.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-11-17\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1988-11-13\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1988-11-06\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1988-10-09\",\"type\":\"Performance Date\",\"notes\":\"Lyn Hejinian and Clark Coolidge talk on this date.\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/7802936235\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"},{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"The Kootenay School of Writing\",\"notes\":\"Lyn and Clark have their talk there.\",\"address\":\"Hastings Street, Downtown, New Westminster, Metro Vancouver Regional District, British Columbia, V3L 2G1, Canada\",\"latitude\":\"49.20931\",\"longitude\":\"-122.90053\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1","Hastings Street, Downtown, New Westminster, Metro Vancouver Regional District, British Columbia, V3L 2G1, Canada"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM","The Kootenay School of Writing"],"City":["Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"},{\"note\":\"There are two cassettes for 124, 124A and 124B while there is only one digital file for. On the other hand, there is one cassette for 129 while there are two digital files for. I listened to the digital file 129B,and I noticed that I hear the names that I have on Cassette's 124B J-card.\",\"type\":\"\"},{\"note\":\"It's written on the J-card that Clh is reading from \\\"The Wide Read\\\" with Carla Harryman's collaboration although I did not hear them reading on the digital file.\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555279949824,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6412","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 26 August, 1988, and 25 September, 1988"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Stannard, Claire","Gilbert, Gerry","Bird, Dick"],"creator_names_search":["Stannard, Claire","Gilbert, Gerry","Bird, Dick"],"creators":["[{\"url\":\"\",\"name\":\"Stannard, Claire\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series 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MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-101/radiofreerainforest-26-august-1988-and-25-september-1988-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-2.6-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:36:13\",\"precision\":\"\",\"size\":\"35.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-08-21\",\"type\":\"Performance Date\",\"notes\":\"Dick Bird reading\",\"source\":\"J-card\"},{\"date\":\"1988-08-26\",\"type\":\"Production Date\",\"notes\":\"Dick Bird reading\",\"source\":\"digital file (Recording) and J-card\"},{\"date\":\"1988-09-25\",\"type\":\"Production Date\",\"notes\":\"Claire Stannard reading\",\"source\":\"digital file (Recording) and J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/7802936235\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555279949825,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6413","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert 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Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 12 March, 1989 1/2, and 10 December, 1989 1/2"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Creede, Gerard","Radul, Judy","Gilbert, Gerry","Copithorne, Judy (Judith)","Chambers, Carole","Hoffman, Avron","Delany, Sheila"],"creator_names_search":["Creede, Gerard","Radul, Judy","Gilbert, Gerry","Copithorne, Judy (Judith)","Chambers, Carole","Hoffman, Avron","Delany, Sheila"],"creators":["[{\"url\":\"http://viaf.org/viaf/11296961\",\"name\":\"Creede, Gerard\",\"dates\":\"1951-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/16537379\",\"name\":\"Radul, Judy\",\"dates\":\"1962-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Speaker\",\"Interviewer\",\"Producer\",\"Recordist\",\"Donor\"]},{\"url\":\"http://viaf.org/viaf/63020479\",\"name\":\"Copithorne, Judy (Judith)\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/105114644\",\"name\":\"Chambers, Carole\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/55394384\",\"name\":\"Hoffman, Avron\",\"dates\":\"1938-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/27761\",\"name\":\"Delany, Sheila\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1989],"Performance_Date":[1989],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/1609/radiofreerainforest_2.9.jpg\",\"other\":\"\",\"extent\":\"1/8 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Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 18 September and 6 October, 1988"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Creede, Gerald","Davies, Kevin","Gilbert, Gerry","Hejinian, Lyn"],"creator_names_search":["Creede, Gerald","Davies, Kevin","Gilbert, Gerry","Hejinian, Lyn"],"creators":["[{\"url\":\"http://viaf.org/viaf/11296961\",\"name\":\"Creede, Gerald\",\"dates\":\"1951-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/57518906\",\"name\":\"Davies, Kevin\",\"dates\":\"1960-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\",\"Recordist\",\"Donor\",\"Series organizer\"]},{\"url\":\"http://viaf.org/viaf/44325651\",\"name\":\"Hejinian, Lyn\",\"dates\":\"1941-\",\"notes\":\"Dedicate her readings to BP Nickole\\n\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1988],"Performance_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1610/Gerry Gilbert Fonds_MsC14_126.jpg\",\"other\":\"\",\"extent\":\"1/8 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bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-107/radiofreerainforest-18-september-and-6-october-1988-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-126-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:58\",\"precision\":\"\",\"size\":\"65.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-10-06\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1988-09-30\",\"type\":\"Performance Date\",\"notes\":\"Lyn Hejinian reads at The Western Front on this 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photo\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555279949827,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6415","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 2 and 6 October, 26 June, and 10 November, 1988"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Gilbert, Gerry","Hejinian, Lyn","Sereda, David","Nichol, B.P."],"creator_names_search":["Gilbert, Gerry","Hejinian, Lyn","Sereda, David","Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\",\"Recordist\",\"Donor\",\"Series organizer\"]},{\"url\":\"http://viaf.org/viaf/44325651\",\"name\":\"Hejinian, Lyn\",\"dates\":\"1941-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/104039459\",\"name\":\"Sereda, David\",\"dates\":\"1961-\",\"notes\":\"Vocals\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"The second part of the audio file that belongs to BP Nickl is clipped and his part is missing.\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1988],"Performance_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1611/Gerry Gilbert Fonds_MsC14_127.jpg\",\"other\":\"\",\"extent\":\"1/8 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kHz\",\"duration\":\"T00:19:57\",\"precision\":\"\",\"size\":\"24.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-110/radiofreerainforest-2-6-october-26-june-and-10-november-1988-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-127-Side B[clipped].mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:14:50\",\"precision\":\"\",\"size\":\"16.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-10-02\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1988-11-10\",\"type\":\"Production Date\",\"notes\":\"BP Nickole reading \",\"source\":\"J-card\"},{\"date\":\"1988-10-06\",\"type\":\"Production Date\",\"notes\":\"Lyn Hejinian reading\",\"source\":\"J-card\"},{\"date\":\"1988-06-26\",\"type\":\"Performance Date\",\"notes\":\"BP Nickol reading continues\",\"source\":\"J-card\"},{\"date\":\"1988-11-06\",\"type\":\"Production Date\",\"notes\":\"BP Nickol reading \",\"source\":\"J-card\"},{\"date\":\"1988-06-01\",\"type\":\"Performance Date\",\"notes\":\"BP Nickol reading at Langara College\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/7802936235\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"},{\"url\":\"https://www.openstreetmap.org/way/23393992\",\"venue\":\"Langara College\",\"notes\":\"It seems BP Nichol reads at this college. \",\"address\":\"100 W 49th Ave, Vancouver, BC V5Y 2Z6\",\"latitude\":\"49.22497395\",\"longitude\":\"-123.1086230369668\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1","100 W 49th Ave, Vancouver, BC V5Y 2Z6"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM","Langara College"],"City":["Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"},{\"note\":\"The first 8 minutes and 44 seconds of part one are filled, and the rest is blank. \",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555279949828,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6416","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 17 and 20 November, 1988"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Coolidge, Clark","Hejinian, Lyn","Gilbert, Gerry","Harryman, Carla"],"creator_names_search":["Coolidge, Clark","Hejinian, Lyn","Gilbert, Gerry","Harryman, Carla"],"creators":["[{\"url\":\"http://viaf.org/viaf/66488556\",\"name\":\"Coolidge, Clark\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/44325651\",\"name\":\"Hejinian, Lyn\",\"dates\":\"1941-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\",\"Recordist\",\"Donor\",\"Series organizer\"]},{\"url\":\"http://viaf.org/viaf/59379261\",\"name\":\"Harryman, Carla\",\"dates\":\"1952-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1988],"Performance_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1612/Gerry Gilbert Fonds_MsC14_128.jpg\",\"other\":\"\",\"extent\":\"1/8 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bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-113/radiofreerainforest-17-20-november-1988-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-128-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:45\",\"precision\":\"\",\"size\":\"61.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-11-17\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1988-10-09\",\"type\":\"Performance Date\",\"notes\":\"Clark and Lyn having their conversation on this date.\",\"source\":\"J-card\"},{\"date\":\"1988-10-12\",\"type\":\"Performance Date\",\"notes\":\"Clark Coolidge reading at the Vancouver Art Gallery \",\"source\":\"J-card\"},{\"date\":\"1988-11-20\",\"type\":\"Production Date\",\"notes\":\"Clark Coolidge reading\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/7802936235\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"},{\"url\":\"https://www.openstreetmap.org/way/35485550\",\"venue\":\"The Kootenay School of Writing\",\"notes\":\"Clark and Lyn having their conversation there.\",\"address\":\"112 HASTINGS ST W, Vancouver, BC V6B 1G8\",\"latitude\":\"49.20931\",\"longitude\":\"-122.90053\"},{\"url\":\"https://www.openstreetmap.org/way/69701736\",\"venue\":\"The Vancouver Art Gallery\",\"notes\":\"\",\"address\":\"750, Hornby Street, Downtown, Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, V6Z, Canada\",\"latitude\":\"49.28292\",\"longitude\":\"-123.12056\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1","112 HASTINGS ST W, Vancouver, BC V6B 1G8","750, Hornby Street, Downtown, Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, V6Z, Canada"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM","The Kootenay School of Writing","The Vancouver Art Gallery"],"City":["Vancouver, British Columbia","Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555279949829,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6417","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 9 October, 1988"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Enemark, Brett","Gilbert, Gerry","[Fernandez, Bablo?]"],"creator_names_search":["Enemark, Brett","Gilbert, Gerry","[Fernandez, Bablo?]"],"creators":["[{\"url\":\" http://viaf.org/viaf/40850774\",\"name\":\"Enemark, Brett \",\"dates\":\"1948-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Producer\",\"Recordist\",\"Donor\",\"Series organizer\"]},{\"url\":\"\",\"name\":\"[Fernandez, Bablo?]\",\"dates\":\"\",\"notes\":\"This name is written on the j-card as a person who does the introduction \",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1988],"Performance_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1613/Gerry Gilbert Fonds_MsC14_129.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-115/radiofreerainforest-9-october-1988-part-1\",\"file_path\":\"\",\"filename\":\"MSC14-129-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:50\",\"precision\":\"\",\"size\":\"36.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-116/radiofreerainforest-9-october-1988-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-129-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:02\",\"precision\":\"\",\"size\":\"34.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-10-09\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1988-09-30\",\"type\":\"Performance Date\",\"notes\":\"The reading is edited on this date.\",\"source\":\"J-card\"},{\"date\":\"1989-04-06\",\"type\":\"Performance Date\",\"notes\":\"Editing date, Panel discussion \",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/7802936235\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"},{\"url\":\"https://www.openstreetmap.org/node/3974498662\",\"venue\":\"R2B2: Books Books\",\"notes\":\"Brett reads there.\",\"address\":\"2100 W 4th Ave Vancouver, BC V6K 1N6\",\"latitude\":\"49.2679903\",\"longitude\":\"-123.1529668\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1","2100 W 4th Ave Vancouver, BC V6K 1N6"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM","R2B2: Books Books"],"City":["Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"},{\"note\":\"There are some voices that I can hear, but their names are not written on the J-card, and they are not introduced on the audio.\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555280998400,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6418","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 15 October, 1988"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Kiyooka, Roy","Tallman, Warren","Hindmarch, Gladys","Kamboureli, Smaro","Gilbert, Gerry","Scobie, Stephen","Little, Billy","Phillips, David","Blaser, Robin","Bowering, George","Bowering, Angela","Nichol, B. P.","Webb, Phyllis","Miki, Roy"],"creator_names_search":["Kiyooka, Roy","Tallman, Warren","Hindmarch, Gladys","Kamboureli, Smaro","Gilbert, Gerry","Scobie, Stephen","Little, Billy","Phillips, David","Blaser, Robin","Bowering, George","Bowering, Angela","Nichol, B. 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on the j-card it's written Bremner, Lary\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\" http://viaf.org/viaf/45924514\",\"name\":\"Mittenthal, Robert\",\"dates\":\"1957-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/52001659\",\"name\":\"Robertson, Lisa\",\"dates\":\"1961-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/53241677\",\"name\":\"Shaw, Nancy \",\"dates\":\"1962-2007\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/17229643\",\"name\":\"Smith, Colin\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/272696517\",\"name\":\"Steele, Julia\",\"dates\":\"\",\"notes\":\"Spelled Steel on the j-card\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/106267587\",\"name\":\"Andrews, Bruce\",\"dates\":\"1948-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/30591332\",\"name\":\"Derksen, Jeff\",\"dates\":\"1958-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\" 1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\",\"Recordist\",\"Donor\",\"Series organizer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1990],"Performance_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/1617/radiofreerainforest_3.1.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:30:00\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-127/radiofreerainforest-29-april-1990-and-bruce-anders-reading-western-front-12\",\"file_path\":\"\",\"filename\":\"MSC14-3.1-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:50\",\"precision\":\"\",\"size\":\"53.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-128/radiofreerainforest-29-april-1990-and-bruce-anders-reading-western-front-12\",\"file_path\":\"\",\"filename\":\"MSC14-3.1-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:53\",\"precision\":\"\",\"size\":\"43.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-04-07\",\"type\":\"Performance Date\",\"notes\":\"The Kootenay School of Writing's 5th anniversary In Vancouver Reading at the Western Front \",\"source\":\"J-card\"},{\"date\":\"1990-04-22\",\"type\":\"Performance Date\",\"notes\":\"Side 1/2 is in a cassette dated RFRF April 22, 1990\",\"source\":\"J-card\"},{\"date\":\"1990-05-12\",\"type\":\"Performance Date\",\"notes\":\"Bruce Andrews reading ; side 1/3\",\"source\":\"J-card\"},{\"date\":\"1990-04-29\",\"type\":\"Production Date\",\"notes\":\"The Kootenay School of Writing's 5th anniversary In Vancouver Reading at the Western Front, side 2/2\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"303, East 8th Avenue, The Village Shops, Mount Pleasant, Vancouver, Metro Vancouver Regional District, British Columbia, Canada\",\"latitude\":\"49.26391\",\"longitude\":\"-123.09869\"},{\"url\":\"https://www.openstreetmap.org/node/7802936235\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"}]"],"Address":["303, East 8th Avenue, The Village Shops, Mount Pleasant, Vancouver, Metro Vancouver Regional District, British Columbia, Canada","370 Columbia St, Vancouver, BC V6A 4J1"],"Venue":["The Western Front","Vancouver Co-op Radio CFRO 100.5 FM"],"City":["Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555280998404,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6422","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 30 October, 1988 2/2"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Baretto Rivera, Rafael","McCaffery, Steve","Boone, Bruce","Dutton, Paul","Nichol, B. P.","Gilbert, Gerry"],"creator_names_search":["Baretto Rivera, Rafael","McCaffery, Steve","Boone, Bruce","Dutton, Paul","Nichol, B. P.","Gilbert, Gerry"],"creators":["[{\"url\":\"\",\"name\":\"Baretto Rivera, Rafael\",\"dates\":\"\",\"notes\":\"Four Horsemen\",\"nation\":[],\"role\":[\"Reader\",\"Performer\"]},{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"Four Horsemen\",\"nation\":[],\"role\":[\"Reader\",\"Performer\"]},{\"url\":\"http://viaf.org/viaf/45636382\",\"name\":\"Boone, Bruce\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/36999806\",\"name\":\"Dutton, Paul\",\"dates\":\"1943-\",\"notes\":\"Four Horsemen\",\"nation\":[],\"role\":[\"Reader\",\"Performer\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B. P.\",\"dates\":\"1944-1988\",\"notes\":\"Four Horsemen\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\",\"Recordist\",\"Donor\",\"Series organizer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1988],"Performance_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1618/Gerry Gilbert Fonds_MsC14_132B.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-130/radiofreerainforest-30-october-1988-part-1\",\"file_path\":\"\",\"filename\":\"MSC14-132B-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:52\",\"precision\":\"\",\"size\":\"64.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-131/radiofreerainforest-30-october-1988-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-132B-Side 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\",\"address\":\"Innovation Drive, Winnipeg, Winnipeg (city), Manitoba, R3T 2Z1, Canada\",\"latitude\":\"49.8099\",\"longitude\":\"-97.1310\"},{\"url\":\"https://www.openstreetmap.org/node/7802936235\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"},{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"The Four Horsemen live at the Western Front, University of Alta, and University at Manitoba \",\"address\":\" 303, East 8th Avenue, Mount Pleasant, Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, V5T 1S1, Canada\",\"latitude\":\"49.26391\",\"longitude\":\"-123.09870\"},{\"url\":\"\",\"venue\":\"University of Alta\",\"notes\":\"The Four Horsemen live at the Western Front, University of Alta, and University at Manitoba \",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"},{\"url\":\"https://www.openstreetmap.org/way/35485550\",\"venue\":\"The Kootenay School of Writing\",\"notes\":\"Bruce Boone reading \",\"address\":\"112 HASTINGS ST W, Vancouver, BC V6B 1G8\",\"latitude\":\"49.20933\",\"longitude\":\"-122.90057\"}]"],"Address":["Innovation Drive, Winnipeg, Winnipeg (city), Manitoba, R3T 2Z1, Canada","370 Columbia St, Vancouver, BC V6A 4J1"," 303, East 8th Avenue, Mount Pleasant, Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, V5T 1S1, Canada","112 HASTINGS ST W, Vancouver, BC V6B 1G8"],"Venue":["University of Manitoba","Vancouver Co-op Radio CFRO 100.5 FM","The Western Front","University of Alta","The Kootenay School of Writing"],"City":["Winnipeg, Manitoba","Vancouver, British Columbia","Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555282046976,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6423","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 2 November, 1986, and 9 November, 1986 2/2"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Gilbert, Gerry","Belford, Ken","Jagger, Mick","Spicer, Jack","Shikatani, Gerry"],"creator_names_search":["Gilbert, Gerry","Belford, Ken","Jagger, Mick","Spicer, Jack","Shikatani, Gerry"],"creators":["[{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Producer\",\"Recordist\",\"Donor\",\"Series organizer\"]},{\"url\":\"http://viaf.org/viaf/8961892\",\"name\":\"Belford, Ken\",\"dates\":\"1946-\",\"notes\":\"Edit of his RFRF reading in April 1986\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/44485393\",\"name\":\"Jagger, Mick\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/46807530\",\"name\":\"Spicer, Jack\",\"dates\":\"1925-1965\",\"notes\":\"I heard his name on the audio file, side one. It seems Ken Belford reading a poem of him\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/30931468\",\"name\":\"Shikatani, Gerry\",\"dates\":\"1950-\",\"notes\":\"Live at the studio \",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1986],"Performance_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1619/Gerry Gilbert Fonds_MsC14_158.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:30:00\",\"physical_condition\":\"Exellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-133/radiofreerainforest-2-november-1986-and-9-november-1986-22-part-1\",\"file_path\":\"\",\"filename\":\"MSC14-158-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:18\",\"precision\":\"\",\"size\":\"54.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-134/radiofreerainforest-2-november-1986-and-9-november-1986-22-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-158-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:26:07\",\"precision\":\"\",\"size\":\"31.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-10-19\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1986-11-02\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1986-04\",\"type\":\"Performance Date\",\"notes\":\"Ken Belford reading \",\"source\":\"digital file (Recording)\"},{\"date\":\"1986-10-[19?]\",\"type\":\"Performance Date\",\"notes\":\"Side 1/2\",\"source\":\"J-card\"},{\"date\":\"1986-11-09\",\"type\":\"Production Date\",\"notes\":\"Side 2/2\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/7802936235\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: See Photo\",\"type\":\"General\"},{\"note\":\"There are some speakers and pieces of performances and music at the end of the second side, but they are not known. \",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555282046977,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6424","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. 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The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 28 December, 1986, and 9 August 1987"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Gilbert, Gerry","Little, Billy","Kearns, Lionel","Hanssen Pigott, Gwyn","Whitehead, Gary","Jankola, Beth","[morricone, John?]","Hollo, Anselm"],"creator_names_search":["Gilbert, Gerry","Little, Billy","Kearns, Lionel","Hanssen Pigott, Gwyn","Whitehead, Gary","Jankola, Beth","[morricone, John?]","Hollo, Anselm"],"creators":["[{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Producer\",\"Recordist\",\"Donor\",\"Reader\",\"Series organizer\"]},{\"url\":\"http://viaf.org/viaf/223141797\",\"name\":\"Little, Billy\",\"dates\":\"1943-\",\"notes\":\"Zonko\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/30784380\",\"name\":\"Kearns, Lionel\",\"dates\":\"1937- \",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\" http://viaf.org/viaf/45464281\",\"name\":\"Hanssen Pigott, Gwyn\",\"dates\":\"1935-2013\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/53559874\",\"name\":\"Whitehead, Gary\",\"dates\":\"1957- \",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/275239408\",\"name\":\"Jankola, Beth\",\"dates\":\"1936-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"[morricone, John?] \",\"dates\":\"\",\"notes\":\"I heard his name on the first side of the audio file. He's introduced by Gerry Gilbert. His last name's also written on the J-card; he is the music composer \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/2485795\",\"name\":\"Hollo, Anselm\",\"dates\":\" 1934-2013\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1986],"Performance_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1620/Gerry Gilbert Fonds_MsC14_159.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"Very Good\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:30:00\",\"physical_condition\":\"Exellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC14-159-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:42:09\",\"precision\":\"\",\"size\":\"58.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC14-159-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:41:20\",\"precision\":\"\",\"size\":\"61.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-12-28\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1987-08-09\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1987-05\",\"type\":\"Performance Date\",\"notes\":\"Anselm Hollo, Lionel Kearns, and Gerry Gilbert discussion recorded in May 1987\",\"source\":\"digital file (Recording)\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/7802936235\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: See Photo\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555283095552,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6393","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 2, 8,15, and 22 May, 1988"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Culley, Peter","Haraldsson, Arni Runar","Ferguson, Deanna","Davies, Kevin","Shaw, Nancy","Nichols, Miriam","Lord, Susan","Creede, Gerald","McGrath, Steve","Persky, Stan","Hindmarch, Gladys","Gilbert, Gerry"],"creator_names_search":["Culley, Peter","Haraldsson, Arni Runar","Ferguson, Deanna","Davies, Kevin","Shaw, Nancy","Nichols, Miriam","Lord, Susan","Creede, Gerald","McGrath, Steve","Persky, Stan","Hindmarch, Gladys","Gilbert, Gerry"],"creators":["[{\"url\":\"http://viaf.org/viaf/166436053\",\"name\":\"Culley, Peter\",\"dates\":\"1958-2015\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/55759861\",\"name\":\"Haraldsson, Arni Runar\",\"dates\":\"1958-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/9448936\",\"name\":\"Ferguson, Deanna\",\"dates\":\"1962-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/57518906\",\"name\":\"Davies, Kevin\",\"dates\":\"1960- \",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/53241677\",\"name\":\"Shaw, Nancy \",\"dates\":\"1962-2007\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/104945553\",\"name\":\"Nichols, Miriam \",\"dates\":\"1952-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/337901\",\"name\":\"Lord, Susan\",\"dates\":\"1959-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11296961\",\"name\":\"Creede, Gerald\",\"dates\":\"1951-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/314854185\",\"name\":\"McGrath, Steve \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/57448780\",\"name\":\"Persky, Stan\",\"dates\":\"1941-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/38164256\",\"name\":\"Hindmarch, Gladys\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\",\"Producer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1988],"Performance_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1554/Gerry Gilbert Fonds_MsC14_113.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC14-113-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:10\",\"precision\":\"\",\"size\":\"62.3 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC14-113-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:41\",\"precision\":\"\",\"size\":\"52.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-05-21\",\"type\":\"Performance Date\",\"notes\":\"Gladys Hindmarch reads on this date.\",\"source\":\"J-card\"},{\"date\":\"1988-05-24\",\"type\":\"Performance Date\",\"notes\":\"This date is written on the J-card for 2/2. There is no other info for it. \",\"source\":\"J-card\"},{\"date\":\"1988-05-22\",\"type\":\"Production Date\",\"notes\":\"Gladys Hindmarch reading\",\"source\":\"J-card\"},{\"date\":\"1988-05-15\",\"type\":\"Production Date\",\"notes\":\"Susan Lord and Gerald Creede reading \",\"source\":\"J-card\"},{\"date\":\"1988-05-08\",\"type\":\"Production Date\",\"notes\":\"Susan Lord and Gerald Creede reading \",\"source\":\"J-card\"},{\"date\":\"1988-05-02\",\"type\":\"Performance Date\",\"notes\":\"J-card says that the recording date is May 2nd. Tsunami Edition and Fissure Books Benefit\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"Tsunami Edition and Fissure Books Benefit, 2 May at The Western Front.\",\"address\":\"303 8 AVE E, Vancouver, BC V5T 1S1, Canada\",\"latitude\":\"49.26386015\",\"longitude\":\"-123.098650299062\"},{\"url\":\"https://www.openstreetmap.org/node/7802936235#map=19/49.28180/-123.10236\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"},{\"url\":\"\",\"venue\":\"Octopus Books\",\"notes\":\"Gladys Hindmarch reads there. There is no other info where exactly this place is \",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["303 8 AVE E, Vancouver, BC V5T 1S1, Canada","370 Columbia St, Vancouver, BC V6A 4J1"],"Venue":["The Western Front","Vancouver Co-op Radio CFRO 100.5 FM","Octopus Books"],"City":["Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555283095553,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6394","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 5 May, 1988"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Copithorne, Judith","Gilbert, Gerry","Lowy, Steven","[Torah?]"],"creator_names_search":["Copithorne, Judith","Gilbert, Gerry","Lowy, Steven","[Torah?]"],"creators":["[{\"url\":\"http://viaf.org/viaf/63020479\",\"name\":\"Copithorne, Judith\",\"dates\":\"1939-\",\"notes\":\" Judy\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"The host\",\"nation\":[],\"role\":[\"Speaker\",\"Series organizer\",\"Donor\",\"Producer\"]},{\"url\":\"http://viaf.org/viaf/291380442\",\"name\":\"Lowy, Steven\",\"dates\":\"1958-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"[Torah?]\",\"dates\":\"\",\"notes\":\"Torah and Steven Lowy are both at the studio with Gerry Gilbert talking and reading poems\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1988],"Performance_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1555/Gerry Gilbert Fonds_MsC14_114.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-46/radiofreerainforest-5-may-1988-part-1\",\"file_path\":\"\",\"filename\":\"MSC14-114-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:52\",\"precision\":\"\",\"size\":\"40.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-47/radiofreerainforest-5-may-1988-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-114-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:11\",\"precision\":\"\",\"size\":\"31.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-11-13\",\"type\":\"Performance Date\",\"notes\":\"Judith Copithorne read at R2B2 on this date.\",\"source\":\"J-card\"},{\"date\":\"1988-05-05\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/7802936235#map=19/49.28180/-123.10236\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"},{\"url\":\"https://www.openstreetmap.org/node/3974498662\",\"venue\":\"R2B2: Books Books\",\"notes\":\"Judy Copithorne reads there.\",\"address\":\"2742 West 4th Ave, Vancouver, BC V6K 1R1\",\"latitude\":\"49.2679903\",\"longitude\":\"-123.1529668\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1","2742 West 4th Ave, Vancouver, BC V6K 1R1"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM","R2B2: Books Books"],"City":["Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555283095554,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6395","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 8,15, and 19 May, 1988"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Cummings, Peter Mervyn","Wharton, Calvin","Derksen, Jeff","Smith, Colin","Chambers, Carole","Timewell, Lary","Gilbert, Gerry","MacLeod, Kathryn"],"creator_names_search":["Cummings, Peter Mervyn","Wharton, Calvin","Derksen, Jeff","Smith, Colin","Chambers, Carole","Timewell, Lary","Gilbert, Gerry","MacLeod, Kathryn"],"creators":["[{\"url\":\"http://viaf.org/viaf/272609529\",\"name\":\"Cummings, Peter Mervyn \",\"dates\":\"1937- \",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/23765293\",\"name\":\"Wharton, Calvin\",\"dates\":\"1952- \",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/30591332\",\"name\":\"Derksen, Jeff\",\"dates\":\"1958-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/17229643\",\"name\":\"Smith, Colin\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/105114644\",\"name\":\"Chambers, Carole\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/68009652\",\"name\":\"Timewell, Lary\",\"dates\":\"1950-\",\"notes\":\"Also known as Bremner, Lary\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\",\"Series organizer\",\"Donor\"]},{\"url\":\"http://viaf.org/viaf/65537152\",\"name\":\"MacLeod, Kathryn\",\"dates\":\"1962-\",\"notes\":\"Not sure about the permalink (URL link). 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The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 3 and 6 November, 1988"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Hejinian, Lyn","Gilbert, Gerry"],"creator_names_search":["Hejinian, Lyn","Gilbert, Gerry"],"creators":["[{\"url\":\"http://viaf.org/viaf/44325651\",\"name\":\"Hejinian, Lyn\",\"dates\":\"1941-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\",\"Recordist\",\"Donor\",\"Series organizer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1988],"Performance_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1629/Gerry Gilbert Fonds_MsC14_133.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC14-133-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:47\",\"precision\":\"\",\"size\":\"52.4 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC14-133-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:43:44\",\"precision\":\"\",\"size\":\"49.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-11-06\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1988-11-03\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1988-10-06\",\"type\":\"Performance Date\",\"notes\":\"Lyn gives a lecture on that date.\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/7802936235\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"},{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front \",\"notes\":\"Lyn Hejinian's discussion happens there. \",\"address\":\"The Western Front, 303, East 8th Avenue, Mount Pleasant, Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, V5T 1S1, Canada\",\"latitude\":\"49.26391\",\"longitude\":\"-123.09869\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1","The Western Front, 303, East 8th Avenue, Mount Pleasant, Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, V5T 1S1, Canada"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM","The Western Front "],"City":["Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555284144131,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6434","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 22 March and 5 April, 1987"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Gilbert, Gerry","Balma, Donna","Kaiser, Henry","Gadd, Maxine"],"creator_names_search":["Gilbert, Gerry","Balma, Donna","Kaiser, Henry","Gadd, Maxine"],"creators":["[{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Producer\",\"Recordist\",\"Donor\",\"Series organizer\"]},{\"url\":\"http://viaf.org/viaf/106660420\",\"name\":\"Balma, Donna\",\"dates\":\"1934-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/85608201\",\"name\":\"Kaiser, Henry\",\"dates\":\"1952-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/75225856\",\"name\":\"Gadd, Maxine\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1987],"Performance_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1630/Gerry Gilbert Fonds_MsC14_168.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:30:00\",\"physical_condition\":\"Exellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC14-168-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:41:19\",\"precision\":\"\",\"size\":\"45.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC14-168-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:36:58\",\"precision\":\"\",\"size\":\"40.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-03-22\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1987-04-05\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1987-03-12\",\"type\":\"Performance Date\",\"notes\":\"Donna Balma reads at R2B2\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/7802936235\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: See Photo\",\"type\":\"General\"},{\"note\":\"There might be more performers on this tape that are not introduced. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555284144132,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6435","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest  1 and [18?] December and 27 November, 1988"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Murphy, Sarah","Emmott, Kirsten","Konyves, Tom","Schertzer, Mike","Gilbert, Gerry","Reece, Murray","Hanssen Pigott, Gwyn","Morrison, Jim","Culley, Peter"],"creator_names_search":["Murphy, Sarah","Emmott, Kirsten","Konyves, Tom","Schertzer, Mike","Gilbert, Gerry","Reece, Murray","Hanssen Pigott, Gwyn","Morrison, Jim","Culley, Peter"],"creators":["[{\"url\":\"http://viaf.org/viaf/91542129\",\"name\":\"Murphy, Sarah\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\" http://viaf.org/viaf/104629651\",\"name\":\"Emmott, Kirsten\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\" http://viaf.org/viaf/28334185\",\"name\":\"Konyves, Tom\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/50956432\",\"name\":\"Schertzer, Mike\",\"dates\":\"1965-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Producer\",\"Recordist\",\"Donor\",\"Series organizer\"]},{\"url\":\"http://viaf.org/viaf/54090633\",\"name\":\"Reece, Murray\",\"dates\":\"\",\"notes\":\"He introduces the readers.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/45464281\",\"name\":\"Hanssen Pigott, Gwyn\",\"dates\":\"1935-2013\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/56614064\",\"name\":\"Morrison, Jim\",\"dates\":\"1943-1971\",\"notes\":\"His song is performed by Peter Culley \",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/166436053\",\"name\":\"Culley, Peter\",\"dates\":\"1958-2015\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1988],"Performance_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1631/Gerry Gilbert Fonds_MsC14_134.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC14-134-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:05\",\"precision\":\"\",\"size\":\"68.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC14-134-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:41:48\",\"precision\":\"\",\"size\":\"59.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-11-27\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1988-12-01\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1988-11-10\",\"type\":\"Performance Date\",\"notes\":\"Sarah Murphy reads on this date. \",\"source\":\"J-card\"},{\"date\":\"1988-11-14\",\"type\":\"Performance Date\",\"notes\":\"Tom Konyves reads then.\",\"source\":\"J-card\"},{\"date\":\"1988-12-[18?]\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1988-10-15\",\"type\":\"Performance Date\",\"notes\":\"Probably this is the date when Peter Culley performs a song by Jim Morrison \",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/7802936235\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"},{\"note\":\"It seems there are some unknown performers on the second side of this tape.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555284144133,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6436","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 29 March, 1987"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Paul Plimley Trio","Aebi, Irene","Timewell, Lary","Culley, Peter","Gilbert, Gerry","Mac Cormack, Karen","Derksen, Jeff","Ashley, Robert","McCaffery, Steve"],"creator_names_search":["Paul Plimley Trio","Aebi, Irene","Timewell, Lary","Culley, Peter","Gilbert, Gerry","Mac Cormack, Karen","Derksen, Jeff","Ashley, Robert","McCaffery, Steve"],"creators":["[{\"url\":\"http://viaf.org/viaf/51285246\",\"name\":\"Paul Plimley Trio\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/2658282\",\"name\":\"Aebi, Irene\",\"dates\":\"1939-\",\"notes\":\"Visiting Musician - Violin and cello\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/68009652\",\"name\":\"Timewell, Lary\",\"dates\":\"1950-\",\"notes\":\"also known as Lary Bremner, Operator \",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/166436053\",\"name\":\"Culley, Peter\",\"dates\":\"1958-2015\",\"notes\":\"The host\",\"nation\":[],\"role\":[\"Speaker\",\"Producer\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\",\"Recordist\",\"Donor\",\"Series organizer\",\"Performer\"]},{\"url\":\"http://viaf.org/viaf/93697411\",\"name\":\"Mac Cormack, Karen\",\"dates\":\"1956-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/30591332\",\"name\":\"Derksen, Jeff\",\"dates\":\"1958-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/86848770\",\"name\":\"Ashley, Robert\",\"dates\":\"1930-2014\",\"notes\":\"Robert Ashley performs \\\"The Bar Perfect Lives (Private Parts)\\\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"His name is written on the J-card although I could hear him reading or talking.\",\"nation\":[],\"role\":[]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1632/Gerry Gilbert Fonds_MsC14_169.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:30:00\",\"physical_condition\":\"Exellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC14-169-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:26\",\"precision\":\"\",\"size\":\"52.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC14-169-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:44\",\"precision\":\"\",\"size\":\"41.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-03-29\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/7802936235\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"},{\"url\":\"https://www.openstreetmap.org/way/478240404\",\"venue\":\"[Kolbe Gallery Vancouver?]\",\"notes\":\"This is the location where Karen Mccormack reads. I heard it on the audio, and I am not sure if it's the exact location.\",\"address\":\"185 Forester St, North Vancouver, BC V7H 2M9\",\"latitude\":\"49.30701\",\"longitude\":\"-123.01086\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1","185 Forester St, North Vancouver, BC V7H 2M9"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM","[Kolbe Gallery Vancouver?]"],"City":["Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: See Photo\",\"type\":\"General\"},{\"note\":\"There's a song that seems to be called \\\"what's the time\\\" that its performers are unknown.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555284144134,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6437","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 27 November and 4, 11, and 15 December, 1988"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Gilbert, Gerry","[Valdez, Harold?]","Laba, Mark","McCaffery, Steve","Ross, Stewart","Nichol, B. P."],"creator_names_search":["Gilbert, Gerry","[Valdez, Harold?]","Laba, Mark","McCaffery, Steve","Ross, Stewart","Nichol, B. P."],"creators":["[{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Producer\",\"Recordist\",\"Donor\",\"Series organizer\"]},{\"url\":\"\",\"name\":\"[Valdez, Harold?]\",\"dates\":\"\",\"notes\":\"He introduces himself at the beginning of the audio. I entered what I heard, and I am not sure about the spelling.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/122117166\",\"name\":\"Laba, Mark\",\"dates\":\"1959-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Performer\"]},{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/29675684\",\"name\":\"Ross, Stewart\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B. 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Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 15 July, 1990"],"item_title_source":["item and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Lusk, Dorothy","Gilbert, Gerry","Derksen, Jeff"],"creator_names_search":["Lusk, Dorothy","Gilbert, Gerry","Derksen, Jeff"],"creators":["[{\"url\":\"https://viaf.org/viaf/13862026\",\"name\":\"Lusk, Dorothy\",\"dates\":\"1953-\",\"notes\":\"Trujillo \",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"Operator \",\"nation\":[],\"role\":[\"Series organizer\",\"Speaker\",\"Reader\",\"Producer\",\"Recordist\",\"Donor\"]},{\"url\":\"http://viaf.org/viaf/30591332\",\"name\":\"Derksen, Jeff\",\"dates\":\"1958-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1990],"Performance_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/1641/radiofreerainforest_3.7.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:00:00\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-199/radiofreerainforest-15-july-1990-part-1\",\"file_path\":\"\",\"filename\":\"MSC14-3.7-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:21\",\"precision\":\"\",\"size\":\"36.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-200/radiofreerainforest-15-july-1990-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-3.7-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:22:16\",\"precision\":\"\",\"size\":\"26.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-07-15\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"j-card\"},{\"date\":\"1990-07-14\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://nominatim.openstreetmap.org/details.php?place_id=92340333\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"},{\"url\":\"https://nominatim.openstreetmap.org/details.php?place_id=267631307\",\"venue\":\"The Kootenay School of Writing\",\"notes\":\"\",\"address\":\"112 HASTINGS ST W, Vancouver, BC V6B 1G8\",\"latitude\":\"49.280414\",\"longitude\":\"-122.9646729\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1","112 HASTINGS ST W, Vancouver, BC V6B 1G8"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM","The Kootenay School of Writing"],"City":["Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555287289859,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6446","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 1 & 29 January 1989"],"item_title_source":["item and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Culley, Peter","Bissett, Bill"],"creator_names_search":["Culley, Peter","Bissett, Bill"],"creators":["[{\"url\":\"http://viaf.org/viaf/166436053\",\"name\":\"Culley, Peter\",\"dates\":\"1958-2015\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"Bissett, Bill\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Performer\"]}]"],"contributors_names":["Gilbert, Gerry"],"contributors_names_search":["Gilbert, Gerry"],"contributors":["[{\"url\":\"https://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\",\"Donor\"]}]"],"Producer_name":["Gilbert, Gerry"],"Production_Date":[1989],"Performance_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1643/Gerry Gilbert Fonds_MsC14_139.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Clear White and Black box with J insert\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-202/radiofreerainforest-1-29-january-1989-part-1\",\"file_path\":\"\",\"filename\":\"MSC14-139-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:42:05\",\"precision\":\"\",\"size\":\"46.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-203/radiofreerainforest-1-29-january-1989-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-139-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:05\",\"precision\":\"\",\"size\":\"42.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1989-01-29\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1989-01-01\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1988-12-29\",\"type\":\"Performance Date\",\"notes\":\"Bill Bissett's reading is recorded on this date.\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://nominatim.openstreetmap.org/details.php?place_id=92340333\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"},{\"url\":\"https://nominatim.openstreetmap.org/details.php?place_id=51252663\",\"venue\":\"R2B2: Books Books\",\"notes\":\"Bill Bissett and Peter Culley both reads there.\",\"address\":\"2100 W 4th Ave Vancouver, BC V6K 1N6\",\"latitude\":\"49.2679903\",\"longitude\":\"-123.1529668\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1","2100 W 4th Ave Vancouver, BC V6K 1N6"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM","R2B2: Books Books"],"City":["Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"},{\"note\":\"Confusing dates are written on the J-card, and I feel some were written wrongly. it's written that Bill Bissett's reading was recorded on December 12,1988 and it was launched as a radio program on January 1,1988 which does not make sense. We have also January 1,1989 on the J-card, and I put this date for Bill bissett's reading radio program.\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555287289860,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6447","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 15, 22 & 8 January 1989"],"item_title_source":["item and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Gilbert, Gerry","Bowering, George","Watts, Charles","Pass, John","Little, Billy","Phillips, David","Thesen, Sharon","Kiyooka, Roy","Blaser, Robin","Tallman, Warren","Marlatt, Daphne","Webb, Phyllis","Miki, Roy"],"creator_names_search":["Gilbert, Gerry","Bowering, George","Watts, Charles","Pass, John","Little, Billy","Phillips, David","Thesen, Sharon","Kiyooka, Roy","Blaser, Robin","Tallman, Warren","Marlatt, Daphne","Webb, Phyllis","Miki, Roy"],"creators":["[{\"url\":\"https://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/4094573\",\"name\":\"Watts, Charles\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/29611411\",\"name\":\"Pass, John\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/223141797\",\"name\":\"Little, Billy\",\"dates\":\"1943-2009\",\"notes\":\"Zonko\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/92376773\",\"name\":\"Phillips, David\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/115694373\",\"name\":\"Thesen, Sharon\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\" http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/29847238\",\"name\":\"Webb, Phyllis\",\"dates\":\"1927-2021\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/94949252/#Miki,_Roy\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Gilbert, Gerry","Nichol, B. P."],"contributors_names_search":["Gilbert, Gerry","Nichol, B. P."],"contributors":["[{\"url\":\"https://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\",\"Donor\"]},{\"url\":\"https://viaf.org/viaf/76350280\",\"name\":\"Nichol, B. P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":["Nichol, B. P."],"Producer_name":["Gilbert, Gerry"],"Production_Date":[1989],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1644/Gerry Gilbert Fonds_MsC14_140.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Clear White and Black box with J insert\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-205/radiofreerainforest-15-22-8-january-1989-part-1\",\"file_path\":\"\",\"filename\":\"MSC14-140-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:21\",\"precision\":\"\",\"size\":\"65.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-206/radiofreerainforest-15-22-8-january-1989-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-140-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:27\",\"precision\":\"\",\"size\":\"65.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1989-01-22\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1989-01-15\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1989-01-08\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://nominatim.openstreetmap.org/details.php?place_id=92340333\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555287289861,"timestamp":"2026-01-07T14:59:59.632Z","score":0.01643844},{"id":"6448","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 20 January 1989"],"item_title_source":["item and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Hamilton, Jane Eaton","Freeman, Victoria","Casper, Claudia","Woodward, Caroline","[Ba..., Norman]"],"creator_names_search":["Hamilton, Jane Eaton","Freeman, Victoria","Casper, Claudia","Woodward, Caroline","[Ba..., Norman]"],"creators":["[{\"url\":\"https://viaf.org/viaf/24467289/#Hamilton,_Jane_Eaton,_1954-\",\"name\":\"Hamilton, Jane Eaton\",\"dates\":\"1954- \",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/53632804/#Freeman,_Victoria\",\"name\":\"Freeman, Victoria\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/79435053/#Casper,_Claudia\",\"name\":\"Casper, Claudia\",\"dates\":\"1957-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/9043794/#Woodward,_Caroline,_1952-\",\"name\":\"Woodward, Caroline\",\"dates\":\"1952-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"[Ba..., Norman]\",\"dates\":\"\",\"notes\":\"Not sure even with the first name, Norman\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Gilbert, Gerry"],"contributors_names_search":["Gilbert, Gerry"],"contributors":["[{\"url\":\"https://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\",\"Donor\"]}]"],"Producer_name":["Gilbert, Gerry"],"Production_Date":[1989],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1645/Gerry Gilbert Fonds_MsC14_141.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Clear White and Black box with J insert\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-208/radiofreerainforest-20-january-1989-part-1\",\"file_path\":\"\",\"filename\":\"MSC14-141-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:40:23\",\"precision\":\"\",\"size\":\"43.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-209/radiofreerainforest-20-january-1989-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-141-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:41:29\",\"precision\":\"\",\"size\":\"44.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1989-01-20\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://nominatim.openstreetmap.org/details.php?place_id=92340333\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"},{\"url\":\"https://nominatim.openstreetmap.org/details.php?place_id=51252663\",\"venue\":\"R2B2: Books Books\",\"notes\":\"\",\"address\":\"2100 W 4th Ave Vancouver, BC V6K 1N6\",\"latitude\":\"49.2679903\",\"longitude\":\"-123.1529668\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1","2100 W 4th Ave Vancouver, BC V6K 1N6"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM","R2B2: Books Books"],"City":["Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"},{\"note\":\"I just heard one woman is reading a poetry although there are a list of names attached to the cassette. I don't hear any other voices but that woman. \",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555596619776,"timestamp":"2026-01-07T14:59:59.951Z","score":0.01643844},{"id":"6449","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 26 & 29 January 1989"],"item_title_source":["item and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Gilbert, Gerry","Cumming, Peter","Heber, Jackie","Culley, Peter","Creede, Gerald","Little, Billy","Thesen, Sharon","Persky, Stan","Blaser, Robin"],"creator_names_search":["Gilbert, Gerry","Cumming, Peter","Heber, Jackie","Culley, Peter","Creede, Gerald","Little, Billy","Thesen, Sharon","Persky, Stan","Blaser, Robin"],"creators":["[{\"url\":\"https://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"https://viaf.org/viaf/25235823/#Cumming,_Peter,_1951-\",\"name\":\"Cumming, Peter\",\"dates\":\"1951-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Heber, Jackie\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/166436053\",\"name\":\"Culley, Peter\",\"dates\":\"1958-2015\",\"notes\":\"He could be a reader as well.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11296961\",\"name\":\"Creede, Gerald\",\"dates\":\"1951-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/223141797\",\"name\":\"Little, Billy\",\"dates\":\"1943-2009\",\"notes\":\"Zonko\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"https://viaf.org/viaf/115694373\",\"name\":\"Thesen, Sharon\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"https://viaf.org/viaf/57448780\",\"name\":\"Persky, Stan\",\"dates\":\"1941-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Gilbert, Gerry"],"contributors_names_search":["Gilbert, Gerry"],"contributors":["[{\"url\":\"https://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\",\"Donor\"]}]"],"Producer_name":["Gilbert, Gerry"],"Production_Date":[1989],"Performance_Date":[1989],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1646/Gerry Gilbert Fonds_MsC14_142.jpg\",\"other\":\"\",\"extent\":\"1/8 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master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-212/radiofreerainforest-26-29-january-1989-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-142-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:58\",\"precision\":\"\",\"size\":\"50.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1989-01-26\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1989-01-29\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1989-01-16\",\"type\":\"Performance Date\",\"notes\":\"Robin Blaser reads at the Western Front on this date.\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://nominatim.openstreetmap.org/details.php?place_id=92340333\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"},{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"Robin Blaser reads there.\",\"address\":\" 303 8 AVE E, Vancouver, BC V5T 1S1, Canada\",\"latitude\":\"49.26386015\",\"longitude\":\"-123.098650299062\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1"," 303 8 AVE E, Vancouver, BC V5T 1S1, Canada"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM","The Western Front"],"City":["Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"},{\"note\":\"There are some names that are mentioned in the beginning of part two thought they are not written on the J-card. \",\"type\":\"\"},{\"note\":\"The quality of part two is really poor in some parts. \",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555597668352,"timestamp":"2026-01-07T14:59:59.951Z","score":0.01643844},{"id":"6450","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 19 February 1989"],"item_title_source":["item and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Gilbert, Gerry","Cumming, Peter","Heber, Jackie","Culley, Peter","Creede, Gerald","Timewell, Lary","Little, Billy"],"creator_names_search":["Gilbert, Gerry","Cumming, Peter","Heber, Jackie","Culley, Peter","Creede, Gerald","Timewell, Lary","Little, Billy"],"creators":["[{\"url\":\"https://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"https://viaf.org/viaf/25235823/#Cumming,_Peter,_1951-\",\"name\":\"Cumming, Peter\",\"dates\":\"1951-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"\",\"name\":\"Heber, Jackie\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/166436053\",\"name\":\"Culley, Peter\",\"dates\":\"1958-2015\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11296961\",\"name\":\"Creede, Gerald\",\"dates\":\"1951-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"https://viaf.org/viaf/68009652/\",\"name\":\"Timewell, Lary\",\"dates\":\"1950-\",\"notes\":\"Operator. Also known as Bremner, Lary. \",\"nation\":[],\"role\":[]},{\"url\":\"https://viaf.org/viaf/223141797\",\"name\":\"Little, Billy\",\"dates\":\"1943-2009\",\"notes\":\"Zonko\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors_names":["Gilbert, Gerry"],"contributors_names_search":["Gilbert, Gerry"],"contributors":["[{\"url\":\"https://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\" Host\",\"nation\":[],\"role\":[\"Producer\",\"Donor\"]}]"],"Producer_name":["Gilbert, Gerry"],"Production_Date":[1989],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1647/Gerry Gillbert Fonds_MsC14_143.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Clear White and Black box with J insert\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-214/audio-missing-radiofreerainforest-19-february-1989-part-1\",\"file_path\":\"\",\"filename\":\"MSC14-143-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:10\",\"precision\":\"\",\"size\":\"66.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-215/audio-missing-radiofreerainforest-19-february-1989-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-143-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:12\",\"precision\":\"\",\"size\":\"62.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1989-02-19\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://nominatim.openstreetmap.org/details.php?place_id=92340333\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"},{\"note\":\"The digital files are missing. I chose the creators' roles based on what I think and what I saw on the J-card.\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555597668353,"timestamp":"2026-01-07T14:59:59.951Z","score":0.01643844},{"id":"6451","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 26 February and 16 April 1989"],"item_title_source":["item and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Culley, Peter","Pass, John"],"creator_names_search":["Culley, Peter","Pass, John"],"creators":["[{\"url\":\"http://viaf.org/viaf/166436053\",\"name\":\"Culley, Peter\",\"dates\":\"1958-2015\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/29611411\",\"name\":\"Pass, John\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Gilbert, Gerry"],"contributors_names_search":["Gilbert, Gerry"],"contributors":["[{\"url\":\"https://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\",\"Donor\"]}]"],"Producer_name":["Gilbert, Gerry"],"Production_Date":[1989],"Performance_Date":[1989],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1648/Gerry Gillbert Fonds_MsC14_144.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Clear White and Black box with J insert\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-217/radiofreerainforest-26-february-and-16-april-1989-part-1\",\"file_path\":\"\",\"filename\":\"MSC14-144-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:43:53\",\"precision\":\"\",\"size\":\"47.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-218/radiofreerainforest-26-february-and-16-april-1989-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-144-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:40:30\",\"precision\":\"\",\"size\":\"44.1 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1989-02-26\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1989-04-16\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1989-01-27\",\"type\":\"Performance Date\",\"notes\":\"Peter Culley reads at R2B2 Books on this date.\",\"source\":\"J-card\"},{\"date\":\"1989-02-10\",\"type\":\"Performance Date\",\"notes\":\"John Pass reads at R2B2 Books on this date.\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://nominatim.openstreetmap.org/details.php?place_id=92340333\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"},{\"url\":\"https://nominatim.openstreetmap.org/details.php?place_id=51252663\",\"venue\":\"R2B2: Books Books\",\"notes\":\"\",\"address\":\"2100 W 4th Ave Vancouver, BC V6K 1N6\",\"latitude\":\"49.2679903\",\"longitude\":\"-123.1529668\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1","2100 W 4th Ave Vancouver, BC V6K 1N6"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM","R2B2: Books Books"],"City":["Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555597668354,"timestamp":"2026-01-07T14:59:59.951Z","score":0.01643844},{"id":"6452","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 9 March 1989"],"item_title_source":["item and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Gilbert, Gerry","Young, David","Mitchell, Ken","Neil, Al"],"creator_names_search":["Gilbert, Gerry","Young, David","Mitchell, Ken","Neil, Al"],"creators":["[{\"url\":\"https://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"https://viaf.org/viaf/39391937/#Young,_David,_1936-\",\"name\":\"Young, David\",\"dates\":\"1936-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"https://viaf.org/viaf/117468255/#Mitchell,_Ken,_1940-\",\"name\":\"Mitchell, Ken\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"https://viaf.org/viaf/46803421\",\"name\":\"Neil, Al\",\"dates\":\"1924-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Gilbert, Gerry"],"contributors_names_search":["Gilbert, Gerry"],"contributors":["[{\"url\":\"https://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\",\"Donor\"]}]"],"Producer_name":["Gilbert, Gerry"],"Production_Date":[1989],"Performance_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1649/Gerry Gillbert Fonds_MsC14_145.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Clear White and Black box with J insert\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-220/radiofreerainforest-9-march-1989-part-1\",\"file_path\":\"\",\"filename\":\"MSC14-145-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:05\",\"precision\":\"\",\"size\":\"43.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-221/radiofreerainforest-9-march-1989-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-145-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:57\",\"precision\":\"\",\"size\":\"42.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1989-03-09\",\"type\":\"Production Date\",\"notes\":\"David Young and Ken Mitchell both read On October,1988.\",\"source\":\"J-card\"},{\"date\":\"1988-09\",\"type\":\"Performance Date\",\"notes\":\"David Young and Ken Mitchell have a conversation at the Vancouver writer'sfFestival\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://nominatim.openstreetmap.org/details.php?place_id=92340333\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555597668355,"timestamp":"2026-01-07T14:59:59.951Z","score":0.01643844},{"id":"6453","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. 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The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 12 March and 3 December 1989"],"item_title_source":["item and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Gilbert, Gerry","Alieson, Jody","Culley, Peter","Rosenfeld, Rhoda","Creede, Gerald","Timewell, Lary"],"creator_names_search":["Gilbert, Gerry","Alieson, Jody","Culley, Peter","Rosenfeld, Rhoda","Creede, Gerald","Timewell, Lary"],"creators":["[{\"url\":\"https://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Alieson, Jody\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/166436053\",\"name\":\"Culley, Peter\",\"dates\":\"1958-2015\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Performer\"]},{\"url\":\"https://viaf.org/viaf/104850618\",\"name\":\"Rosenfeld, Rhoda\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/11296961\",\"name\":\"Creede, Gerald\",\"dates\":\"1951-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/68009652/\",\"name\":\"Timewell, Lary\",\"dates\":\"1950-\",\"notes\":\"Operator. Also known as Bremner, Lary\",\"nation\":[],\"role\":[]}]"],"contributors_names":["Gilbert, Gerry"],"contributors_names_search":["Gilbert, Gerry"],"contributors":["[{\"url\":\"https://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\",\"Donor\"]}]"],"Producer_name":["Gilbert, Gerry"],"Production_Date":[1989],"Performance_Date":[1989],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1654/Gerry Gilbert Fonds_MsC14_146.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Clear White and Black box with J insert\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-223/radiofreerainforest-12-march-and-3-december-1989-part-1\",\"file_path\":\"\",\"filename\":\"MSC14-146-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:33:39\",\"precision\":\"\",\"size\":\"43.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-224/radiofreerainforest-12-march-and-3-december-1989-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-146-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:33\",\"precision\":\"\",\"size\":\"59.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1989-03-12\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1989-12-03\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1989-01-14\",\"type\":\"Performance Date\",\"notes\":\"Jody Alieson reads at R2B2 Books on this date.\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://nominatim.openstreetmap.org/details.php?place_id=92340333\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"},{\"url\":\"https://nominatim.openstreetmap.org/details.php?place_id=51252663\",\"venue\":\"R2B2: Books Books\",\"notes\":\"Jody Alieson reads there. \",\"address\":\"2100 W 4th Ave Vancouver, BC V6K 1N6\",\"latitude\":\"49.2679903\",\"longitude\":\"-123.1529668\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1","2100 W 4th Ave Vancouver, BC V6K 1N6"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM","R2B2: Books Books"],"City":["Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555597668356,"timestamp":"2026-01-07T14:59:59.951Z","score":0.01643844},{"id":"6454","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. 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\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1989-04-06\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://nominatim.openstreetmap.org/details.php?place_id=92340333\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: see 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I chose the creators' role based on what I saw on the J-card. \",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555598716930,"timestamp":"2026-01-07T14:59:59.951Z","score":0.01643844},{"id":"6458","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 7 May 1989"],"item_title_source":["item and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Sheard, Sarah","Gilbert, Gerry","Baker, Marie Annharte","Cram, Paul"],"creator_names_search":["Sheard, Sarah","Gilbert, Gerry","Baker, Marie Annharte","Cram, Paul"],"creators":["[{\"url\":\"https://viaf.org/viaf/100143243/#Sheard,_Sarah.\",\"name\":\"Sheard, Sarah\",\"dates\":\"1953-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"https://viaf.org/viaf/36969605/#Baker,_Marie_Annharte,_1942-\",\"name\":\"Baker, Marie Annharte\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/104040488/\",\"name\":\"Cram, Paul\",\"dates\":\"\",\"notes\":\"Paul Cram Band\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Gilbert, Gerry"],"contributors_names_search":["Gilbert, Gerry"],"contributors":["[{\"url\":\"https://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\",\"Donor\"]}]"],"Producer_name":["Gilbert, Gerry"],"Production_Date":[1989],"Performance_Date":[1989],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1659/Gerry Gilbert Fonds_MsC14_152.jpg\",\"other\":\"\",\"extent\":\"1/8 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files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-236/radiofreerainforest-7-may-1989-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-152-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:27:07\",\"precision\":\"\",\"size\":\"31.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1989-05-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1989-03-22\",\"type\":\"Performance Date\",\"notes\":\"Sarah Sheard's reading was recorded at the Rivoli on this date.\",\"source\":\"J-card\"},{\"date\":\"1989-03-08\",\"type\":\"Performance Date\",\"notes\":\"Ann Harte reads on this date.\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://nominatim.openstreetmap.org/details.php?place_id=92340333\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"},{\"url\":\"https://www.openstreetmap.org/node/5573420336\",\"venue\":\"Rivoli Pool Hall\",\"notes\":\"Sarah Sheard's reading was recorded there.\",\"address\":\" 334 Queen St W, Toronto, ON M5V 2A2\",\"latitude\":\"43.649408\",\"longitude\":\"-79.3949432\"},{\"url\":\"https://www.openstreetmap.org/way/286951796\",\"venue\":\"The Exchange Club\",\"notes\":\"\",\"address\":\"2431 8th Ave, Regina, SK S4R 5J7\",\"latitude\":\"50.45646995\",\"longitude\":\"-104.61553104999999\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1"," 334 Queen St W, Toronto, ON M5V 2A2","2431 8th Ave, Regina, SK S4R 5J7"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM","Rivoli Pool Hall","The Exchange Club"],"City":["Vancouver, British Columbia","Toronto, Ontario","Regina, Saskatchewan"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555598716931,"timestamp":"2026-01-07T14:59:59.951Z","score":0.01643844},{"id":"6459","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. 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Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. 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Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 8 October, 1989 "],"item_title_source":["item and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Hunt, Pearl","Weaver, Sheila A. 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(Sheila Ann)\",\"dates\":\"1957-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"host\",\"nation\":[],\"role\":[\"Series organizer\",\"Speaker\",\"Reader\",\"Interviewer\"]}]"],"contributors_names":["Gilbert, Gerry"],"contributors_names_search":["Gilbert, Gerry"],"contributors":["[{\"url\":\"http://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"editor\",\"nation\":[],\"role\":[\"Producer\",\"Donor\"]}]"],"Producer_name":["Gilbert, Gerry"],"Production_Date":[1989],"Performance_Date":[1989],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/2154/radiofreerainforest_6.5.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:00:00\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-424/radiofreerainforest-8-october-1989-part-1\",\"file_path\":\"\",\"filename\":\"MSC14-6.5-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:12\",\"precision\":\"\",\"size\":\"36.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-425/radiofreerainforest-8-october-1989-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-6.5-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:19:59\",\"precision\":\"\",\"size\":\"23.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1989-10-08\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"j-card\"},{\"date\":\"1989-10-05\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"j-card\"}]"],"Location":["[{\"url\":\"https://nominatim.openstreetmap.org/details.php?place_id=92340333\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"},{\"note\":\"there are many songs on this cassette\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555612348417,"timestamp":"2026-01-07T14:59:59.951Z","score":0.01643844},{"id":"6524","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. 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Some of the names on the j-card are incomplete, so it is impossible to understand them.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555612348418,"timestamp":"2026-01-07T14:59:59.951Z","score":0.01643844},{"id":"6525","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. 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Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-439/radiofreerainforest-11-january-1990-part-1\",\"file_path\":\"\",\"filename\":\"MSC14-7.1-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:28:37\",\"precision\":\"\",\"size\":\"32.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-440/radiofreerainforest-11-january-1990-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-7.1-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:28:45\",\"precision\":\"\",\"size\":\"33.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online 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for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-443/radiofreerainforest-25-january-1990-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-7.2-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:22:52\",\"precision\":\"\",\"size\":\"26.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-01-25\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"j-card\"},{\"date\":\"1988-02-09\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"j-card\"},{\"date\":\"1989-05-10\",\"type\":\"Performance 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The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest + from the vault 12 August, 1990 Master sides 2+4/4"],"item_title_source":["item and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Gilbert, Gerry","Munro, Jim","Parlett, Mark","Muirhead, Brad","Simpson, Greg","Samworth, Ron","Cooke, Coat","Gadd, Maxine","Little, Billy","Kiyooka, Roy"],"creator_names_search":["Gilbert, Gerry","Munro, Jim","Parlett, Mark","Muirhead, Brad","Simpson, Greg","Samworth, Ron","Cooke, Coat","Gadd, Maxine","Little, Billy","Kiyooka, 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Gerry"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/2173/radiofreerainforest_8.6.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:30:00\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC14-8.6-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:05\",\"precision\":\"\",\"size\":\"48.3 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The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 26 August and 2 September, 1990 1/2"],"item_title_source":["item and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Levy, Andrew","Neilson, Melany","Derksen, Jeff"],"creator_names_search":["Levy, Andrew","Neilson, Melany","Derksen, Jeff"],"creators":["[{\"url\":\"http://viaf.org/viaf/85920214/#Levy,_Andrew,_1962-....\",\"name\":\"Levy, Andrew\",\"dates\":\"1962-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/194303663/#Neilson,_Melany,_1958-\",\"name\":\"Neilson, Melany\",\"dates\":\"1958-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/30591332\",\"name\":\"Derksen, Jeff\",\"dates\":\"1958-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Gilbert, Gerry"],"contributors_names_search":["Gilbert, Gerry"],"contributors":["[{\"url\":\"http://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\",\"Donor\",\"Series organizer\"]}]"],"Producer_name":["Gilbert, Gerry"],"Series_organizer_name":["Gilbert, Gerry"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/2174/radiofreerainforest_8.7.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:40:00\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-484/radiofreerainforest-26-august-and-2-september-1990-12-part-1\",\"file_path\":\"\",\"filename\":\"MSC14-8.7-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:50:18\",\"precision\":\"\",\"size\":\"58.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-485/radiofreerainforest-26-august-and-2-september-1990-12-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-8.7-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:39\",\"precision\":\"\",\"size\":\"34.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-08-26\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"j-card\"},{\"date\":\"1990-09-02\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"j-card\"}]"],"Location":["[{\"url\":\"https://nominatim.openstreetmap.org/details.php?place_id=92340333\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"},{\"note\":\"Even though, they are mentioned on the j-card G.G and Paul Mutton do not appear on the recording, as a result, I am not sure that KSW and 17 and 19 August are relevant, that is why I delete this information from the recording info \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555616542721,"timestamp":"2026-01-07T14:59:59.951Z","score":0.01643844},{"id":"6544","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. 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for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-491/radiofreerainforest-6-september-1990-part-2https://digital.lib.sfu.ca/radiofreerainforest-491/radiofreerainforest-6-september-1990-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-8.9-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:03\",\"precision\":\"\",\"size\":\"46.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-09-06\",\"type\":\"Production 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Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. 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for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-515/radiofreerainforest-24-february-1985-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-70-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:29\",\"precision\":\"\",\"size\":\"37.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-02-24\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"j-card\"},{\"date\":\"1984-02\",\"type\":\"Performance Date\",\"notes\":\"at Convertible 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Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 29 July, 1985"],"item_title_source":["item and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Gilbert, Gerry","Cull, David"],"creator_names_search":["Gilbert, Gerry","Cull, David"],"creators":["[{\"url\":\"http://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"host\",\"nation\":[],\"role\":[\"Series organizer\",\"Speaker\",\"Reader\",\"Interviewer\"]},{\"url\":\"https://viaf.org/viaf/77801521/#Cull,_David,_1942-\",\"name\":\"Cull, David\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors_names":["Gilbert, Gerry"],"contributors_names_search":["Gilbert, Gerry"],"contributors":["[{\"url\":\"http://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\",\"Donor\"]}]"],"Producer_name":["Gilbert, Gerry"],"Production_Date":[1985],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/2185/radiofreerainforest_71.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:00:00\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC14-71-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:43:34\",\"precision\":\"\",\"size\":\"50.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC14-71-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:05:38\",\"precision\":\"\",\"size\":\"6.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-07-29\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"j-card\"}]"],"Location":["[{\"url\":\"https://nominatim.openstreetmap.org/details.php?place_id=92340333\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"},{\"url\":\"\",\"venue\":\"New Era Social Club\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM","New Era Social Club"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"},{\"note\":\"Side B starts with about 2 empty minutes and it is not completely digitized, and I assume that the original cassette can be damaged as well according to the note on the cassette: \\\"Tape Stuck\\\"\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555814723586,"timestamp":"2026-01-07T15:00:00.156Z","score":0.01643844},{"id":"6555","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 13 + 18 August, 1985 Assembled on 13 September, 1985"],"item_title_source":["item and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Gilbert, Gerry","Swidzinski, Marlene","Culley, Peter","Creede, Gerald","Duncan, Robert","Little, Billy","Derksen, Jeff","Marlatt, Daphne","Browne, Colin","Bissett, Bill","Kyger, Joanne"],"creator_names_search":["Gilbert, Gerry","Swidzinski, Marlene","Culley, Peter","Creede, Gerald","Duncan, Robert","Little, Billy","Derksen, Jeff","Marlatt, Daphne","Browne, Colin","Bissett, Bill","Kyger, Joanne"],"creators":["[{\"url\":\"http://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"host\",\"nation\":[],\"role\":[\"Series organizer\",\"Speaker\",\"Reader\",\"Interviewer\",\"Performer\"]},{\"url\":\"\",\"name\":\"Swidzinski, Marlene\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/166436053\",\"name\":\"Culley, Peter\",\"dates\":\"1958-2015\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11296961\",\"name\":\"Creede, Gerald\",\"dates\":\"1951-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Speaker\"]},{\"url\":\"https://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/223141797\",\"name\":\"Little, Billy\",\"dates\":\"1943-2009\",\"notes\":\"Zonko\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/30591332\",\"name\":\"Derksen, Jeff\",\"dates\":\"1958-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\" http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/105886216\",\"name\":\"Browne, Colin\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"Bissett, Bill\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/71627705\",\"name\":\"Kyger, Joanne\",\"dates\":\"1934-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Gilbert, Gerry"],"contributors_names_search":["Gilbert, Gerry"],"contributors":["[{\"url\":\"http://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\",\"Donor\"]}]"],"Producer_name":["Gilbert, Gerry"],"Production_Date":[1985],"Performance_Date":[1985],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/2186/radiofreerainforest_72.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:30:00\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-520/radiofreerainforest-13-18-august-1985-assembled-13-september-1985-part-1\",\"file_path\":\"\",\"filename\":\"MSC14-72-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:00\",\"precision\":\"\",\"size\":\"54.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-521/radiofreerainforest-13-18-august-1985-assembled-13-september-1985-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-72-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:10\",\"precision\":\"\",\"size\":\"54.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-08-13\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"j-card\"},{\"date\":\"1985-08-19\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"j-card\"},{\"date\":\"1985-09-13\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"j-card\"},{\"date\":\"1985\",\"type\":\"Performance Date\",\"notes\":\"spiting\",\"source\":\"j-card\"},{\"date\":\"1971\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"j-card\"}]"],"Location":["[{\"url\":\"https://nominatim.openstreetmap.org/details.php?place_id=92340333\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"},{\"url\":\"https://nominatim.openstreetmap.org/details.php?place_id=142934422\",\"venue\":\"Arts Centre The Western Front\",\"notes\":\"\",\"address\":\"303, East 8th Avenue, The Village Shops, Mount Pleasant, Vancouver, Metro Vancouver Regional District, British Columbia, Canada\",\"latitude\":\"49.26386015\",\"longitude\":\"-123.098650299062\"},{\"url\":\"https://nominatim.openstreetmap.org/details.php?place_id=198629528\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"Vancouver, BC\",\"latitude\":\"49.25839375\",\"longitude\":\"-123.246581610019\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1","303, East 8th Avenue, The Village Shops, Mount Pleasant, Vancouver, Metro Vancouver Regional District, British Columbia, Canada","Vancouver, BC"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM","Arts Centre The Western Front","UBC"],"City":["Vancouver, British Columbia","Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555814723587,"timestamp":"2026-01-07T15:00:00.156Z","score":0.01643844},{"id":"6556","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 25 August, 1985"],"item_title_source":["item and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Gilbert, Gerry","Howe, Susan","Watten, Barrett","Palmer, Michael","Bernstein, Charles","Harryman, Carla","Bancroft, Marian Penner","Perelman, Bob","McCaffery, Steve","Watts, Charles","Hejinian, Lyn"],"creator_names_search":["Gilbert, Gerry","Howe, Susan","Watten, Barrett","Palmer, Michael","Bernstein, Charles","Harryman, Carla","Bancroft, Marian Penner","Perelman, Bob","McCaffery, Steve","Watts, Charles","Hejinian, Lyn"],"creators":["[{\"url\":\"http://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/97914539/#Howe,_Susan,_1937-....\",\"name\":\"Howe, Susan\",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94690309/#Watten,_Barrett\",\"name\":\"Watten, Barrett\",\"dates\":\"1948-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/100912074/#Palmer,_Michael,_1942-2013\",\"name\":\"Palmer, Michael\",\"dates\":\"1942-2013\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/106505739/#Bernstein,_Charles,_1950-....\",\"name\":\"Bernstein, Charles\",\"dates\":\"1950-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"https://viaf.org/viaf/59379261/#Harryman,_Carla\",\"name\":\"Harryman, Carla\",\"dates\":\"1952-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/96133353/#Bancroft,_Marian_Penner\",\"name\":\"Bancroft, Marian Penner\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/14798839/#Perelman,_Bob.\",\"name\":\"Perelman, Bob\",\"dates\":\"1947-\",\"notes\":\"He is mentioned on the j-card, but I think that he is cut out of the actual recording\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/4094573\",\"name\":\"Watts, Charles\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/44325651\",\"name\":\"Hejinian, Lyn\",\"dates\":\"1941-\",\"notes\":\"She is mentioned on the j-card, but I think that she is cut out of the actual recording\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Gilbert, Gerry"],"contributors_names_search":["Gilbert, Gerry"],"contributors":["[{\"url\":\"http://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\",\"Producer\"]}]"],"Producer_name":["Gilbert, Gerry"],"Production_Date":[1985],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"Magnetic 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Tape"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Mono","Stereo"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-523/radiofreerainforest-25-august-1985-part-1\",\"file_path\":\"\",\"filename\":\"MSC14-73-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:04:39\",\"precision\":\"\",\"size\":\"5.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-524/radiofreerainforest-25-august-1985-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-73-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:35\",\"precision\":\"\",\"size\":\"52.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-08-25\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"j-card\"}]"],"Location":["[{\"url\":\"https://nominatim.openstreetmap.org/details.php?place_id=92340333\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\" 370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\" 49.2818703\",\"longitude\":\" -123.1022474\"}]"],"Address":[" 370 Columbia St, Vancouver, BC V6A 4J1"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"},{\"note\":\"Side A and B are mixed up. Side A is the ending of the event\",\"type\":\"General\"},{\"note\":\"On the j-card it says that it is someone's backyard, but I cannot completely read the name\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555814723588,"timestamp":"2026-01-07T15:00:00.156Z","score":0.01643844},{"id":"6557","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 22 September, 1985 "],"item_title_source":["item and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Gilbert, Gerry","Rose, Bob","Duncan, Robert","Kiyooka, Roy"],"creator_names_search":["Gilbert, Gerry","Rose, Bob","Duncan, Robert","Kiyooka, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"host\",\"nation\":[],\"role\":[\"Series organizer\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/140153061272519201195/#Rose,_Bob,_1937-\",\"name\":\"Rose, Bob\",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"https://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Gilbert, Gerry"],"contributors_names_search":["Gilbert, Gerry"],"contributors":["[{\"url\":\"http://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\",\"Donor\"]}]"],"Producer_name":["Gilbert, Gerry"],"Production_Date":[1985],"Performance_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/2188/radiofreerainforest_74.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:30:00\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-526/radiofreerainforest-22-september-1985-part-1\",\"file_path\":\"\",\"filename\":\"MSC14-74-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:01\",\"precision\":\"\",\"size\":\"52.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-527/radiofreerainforest-22-september-1985-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-74-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:15:47\",\"precision\":\"\",\"size\":\"18.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-09-22\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"j-card\"},{\"date\":\"1978-07-03\",\"type\":\"Performance 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The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 26 January, 1986"],"item_title_source":["item and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Gilbert, Gerry","Smith, Jim","Byrne, Edward","Beyers, Joanna"],"creator_names_search":["Gilbert, Gerry","Smith, Jim","Byrne, Edward","Beyers, Joanna"],"creators":["[{\"url\":\"http://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"host\",\"nation\":[],\"role\":[\"Series 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Also known as Timewell, Lary\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\",\"Recordist\"]},{\"url\":\"https://viaf.org/viaf/88386378\",\"name\":\"Wolff, Leon\",\"dates\":\"1969-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/223141797\",\"name\":\"Little, Billy\",\"dates\":\"1943-2009\",\"notes\":\"Zonko\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"https://viaf.org/viaf/60706728/\",\"name\":\"Beyers, Joanna\",\"dates\":\"\",\"notes\":\"Operator\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"https://viaf.org/viaf/23765293\",\"name\":\"Wharton, Calvin\",\"dates\":\"1952-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/46803421\",\"name\":\"Neil, Al\",\"dates\":\"1924-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"https://viaf.org/viaf/9448936\",\"name\":\"Ferguson, Deanna\",\"dates\":\"1962-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Gilbert, Gerry"],"contributors_names_search":["Gilbert, Gerry"],"contributors":["[{\"url\":\"http://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\",\"Donor\"]}]"],"Producer_name":["Gilbert, Gerry"],"Production_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/2247/radiofreerainforest_93.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:30:00\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-601/radiofreerainforest-19-october-1986-sides-33-and-9-november-1986-part-1\",\"file_path\":\"\",\"filename\":\"MSC14-93-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:50\",\"precision\":\"\",\"size\":\"47 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-602/radiofreerainforest-19-october-1986-sides-33-and-9-november-1986-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-93-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:32\",\"precision\":\"\",\"size\":\"65.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-10-19\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"j-card\"},{\"date\":\"1986-11-09\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"j-card\"}]"],"Location":["[{\"url\":\"https://nominatim.openstreetmap.org/details.php?place_id=92340333\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"},{\"note\":\"I am not sure which readers appear in the previous part of this show and which appear here, so I have them all in both entries\",\"type\":\"General\"},{\"note\":\"Side B is not RFRF!\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555826257921,"timestamp":"2026-01-07T15:00:00.156Z","score":0.01643844},{"id":"6583","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. 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Also known as Bremner, Lary\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"contributors_names":["Gilbert, Gerry"],"contributors_names_search":["Gilbert, Gerry"],"contributors":["[{\"url\":\"http://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\",\"Donor\"]}]"],"Producer_name":["Gilbert, Gerry"],"Production_Date":[1986],"Performance_Date":[1972],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/2248/radiofreerainforest_94.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:30:00\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-604/radiofreerainforest-16-november-1986-part-1\",\"file_path\":\"\",\"filename\":\"MSC14-94-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:43:29\",\"precision\":\"\",\"size\":\"61.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-605/radiofreerainforest-16-november-1986-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-94-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:18:42\",\"precision\":\"\",\"size\":\"26.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-11-16\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"j-card\"},{\"date\":\"1972-12-06\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"j-card\"}]"],"Location":["[{\"url\":\"https://nominatim.openstreetmap.org/details.php?place_id=92340333\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555828355072,"timestamp":"2026-01-07T15:00:00.156Z","score":0.01643844},{"id":"6584","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. 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The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 13 December, 1990"],"item_title_source":["item and box"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Gilbert, Gerry","Samworth, Ron","Munro, Jim"],"creator_names_search":["Gilbert, Gerry","Samworth, Ron","Munro, Jim"],"creators":["[{\"url\":\"https://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\",\"Series organizer\"]},{\"url\":\"http://viaf.org/viaf/105134351/#Samworth,_Ron\",\"name\":\"Samworth, Ron\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/106677408/#Munro,_Jim,_1958-\",\"name\":\"Munro, Jim\",\"dates\":\"1958-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Gilbert, Gerry"],"contributors_names_search":["Gilbert, Gerry"],"contributors":["[{\"url\":\"http://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\",\"Producer\"]}]"],"Producer_name":["Gilbert, Gerry"],"Performance_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 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Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape","Magnetic Tape"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Mono","Stereo"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-670/radiofreerainforest-13-december-1990-part-1\",\"file_path\":\"\",\"filename\":\"MSC14-261-Side A.mp3\",\"channel_field\":\"2 (stereo)\",\"sample_rate\":\"44100 Hz\",\"duration\":\"T00:31:04\",\"precision\":\"\",\"size\":\"40.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-671/radiofreerainforest-13-december-1990-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-261-Side B.mp3\",\"channel_field\":\"2 (stereo)\",\"sample_rate\":\"44100 Hz\",\"duration\":\"T00:30:55\",\"precision\":\"\",\"size\":\"42.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-12-13\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"j-card\"}]"],"Location":["[{\"url\":\"https://nominatim.openstreetmap.org/details.php?place_id=92340333\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\" 370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\" 49.2818703\",\"longitude\":\" -123.1022474\"}]"],"Address":[" 370 Columbia St, Vancouver, BC V6A 4J1"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: See photo attachment\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555840937985,"timestamp":"2026-01-07T15:00:00.156Z","score":0.01643844},{"id":"6630","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest, Margaret Christakos Reading at R2B2 Books, 9 December, 1990"],"item_title_source":["item and box"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Christakos, Margaret","Benson, Neil"],"creator_names_search":["Christakos, Margaret","Benson, Neil"],"creators":["[{\"url\":\"https://viaf.org/viaf/34015325/#Christakos,_Margaret\",\"name\":\"Christakos, Margaret \",\"dates\":\"1962-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/296080010/#Benson,_Neil\",\"name\":\"Benson, Neil\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Gilbert, Gerry"],"contributors_names_search":["Gilbert, Gerry"],"contributors":["[{\"url\":\"http://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\",\"Producer\"]}]"],"Producer_name":["Gilbert, Gerry"],"Production_Date":[1990],"Performance_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/2336/radiofreerainforest_260.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"HF\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:00:00\",\"physical_condition\":\"Excellent \",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape","Magnetic Tape"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Mono","Stereo"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-673/radiofreerainforest-margaret-christakos-reading-r2b2-books-9-december-1990\",\"file_path\":\"\",\"filename\":\"MSC14-260-Side A.mp3\",\"channel_field\":\"2 (stereo)\",\"sample_rate\":\"44100 Hz\",\"duration\":\"T00:31:19\",\"precision\":\"\",\"size\":\"36.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-674/radiofreerainforest-margaret-christakos-reading-r2b2-books-9-december-1990\",\"file_path\":\"\",\"filename\":\"MSC14-260-Side B.mp3\",\"channel_field\":\"2 (stereo)\",\"sample_rate\":\"44100 Hz\",\"duration\":\"T00:27:42\",\"precision\":\"\",\"size\":\"32.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-12-09\",\"type\":\"Production Date\",\"notes\":\"Neil Benson reading two poems live\",\"source\":\"j-card\"},{\"date\":\"1990-11-30\",\"type\":\"Performance Date\",\"notes\":\"Margaret Christakos reading from Not Egypt at R2B2 Books\",\"source\":\"j-card\"}]"],"Location":["[{\"url\":\"https://nominatim.openstreetmap.org/details.php?place_id=92340333\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\" 370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\" 49.2818703\",\"longitude\":\" -123.1022474\"},{\"url\":\"https://www.openstreetmap.org/search?whereami=1&query=49.26855%2C-\",\"venue\":\"R2B2 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Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest, Margaret Christakos, 2 December, 1990"],"item_title_source":["artifact"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Christakos, Margaret","Gilbert, Gerry"],"creator_names_search":["Christakos, Margaret","Gilbert, Gerry"],"creators":["[{\"url\":\"https://viaf.org/viaf/34015325/#Christakos,_Margaret\",\"name\":\"Christakos, Margaret\",\"dates\":\"1962-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Series organizer\"]}]"],"contributors_names":["Gilbert, Gerry"],"contributors_names_search":["Gilbert, Gerry"],"contributors":["[{\"url\":\"http://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\",\"Producer\"]}]"],"Producer_name":["Gilbert, Gerry"],"Production_Date":[1990],"Performance_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"Magnetic 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Canada\",\"latitude\":\"49.26855\",\"longitude\":\"-123.16739\"}]"],"Address":[" 370 Columbia St, Vancouver, BC V6A 4J1","2742 West 4th Avenue, Vancouver, BC, Canada"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM","R2B2 Books"],"City":["Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: See photo attachment\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555840937987,"timestamp":"2026-01-07T15:00:00.156Z","score":0.01643844},{"id":"6632","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest, Student War Protest, 20 January, 1991"],"item_title_source":["artifact"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Gilbert, Gerry","Gadd, Maxine"],"creator_names_search":["Gilbert, Gerry","Gadd, Maxine"],"creators":["[{\"url\":\"https://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\",\"Series organizer\"]},{\"url\":\"https://viaf.org/viaf/75225856\",\"name\":\"Gadd, Maxine\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Gilbert, Gerry"],"contributors_names_search":["Gilbert, Gerry"],"contributors":["[{\"url\":\"http://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\",\"Producer\"]}]"],"Producer_name":["Gilbert, Gerry"],"Performance_Date":[1991],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"Magnetic 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MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1991-01-20\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"j-card\"},{\"date\":\"1991-01-14\",\"type\":\"Performance Date\",\"notes\":\"Student protest against the Persian Gulf War threat\",\"source\":\"j-card\"}]"],"Location":["[{\"url\":\"https://nominatim.openstreetmap.org/details.php?place_id=92340333\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\" 370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\" 49.2818703\",\"longitude\":\" -123.1022474\"},{\"url\":\"https://www.openstreetmap.org/search?whereami=1&query=49.26855%2C-123.16739#map=17/49.26901/-123.16579\",\"venue\":\"R2B2 Books\",\"notes\":\"\",\"address\":\" 2742 West 4th 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The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest, Between Blue Music Moons (a collaboration - Lisa Kucharski & Kervi Godsoe), 24 September, 1989"],"item_title_source":["item and box"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Kucharski, Lisa","Kervi Godsoe"],"creator_names_search":["Kucharski, Lisa","Kervi Godsoe"],"creators":["[{\"url\":\"\",\"name\":\"Kucharski, Lisa\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Kervi Godsoe\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Gilbert, Gerry"],"contributors_names_search":["Gilbert, Gerry"],"contributors":["[{\"url\":\"http://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\",\"Producer\"]}]"],"Producer_name":["Gilbert, Gerry"],"Production_Date":[1989],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/2381/radiofreerainforest_255.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Fuji\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:00:00\",\"physical_condition\":\"Excellent \",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape","Magnetic Tape"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Mono","Stereo"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-760/radiofreerainforest-between-blue-music-moons-collaboration-lisa-kucharski\",\"file_path\":\"\",\"filename\":\"MSC14-255-Side A.mp3\",\"channel_field\":\"2 (stereo)\",\"sample_rate\":\"44100 Hz\",\"duration\":\"T00:26:19\",\"precision\":\"\",\"size\":\"36.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-761/radiofreerainforest-between-blue-music-moons-collaboration-lisa-kucharski\",\"file_path\":\"\",\"filename\":\"MSC14-255-Side B.mp3\",\"channel_field\":\"2 (stereo)\",\"sample_rate\":\"44100 Hz\",\"duration\":\"T00:30:03\",\"precision\":\"\",\"size\":\"41.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1989-09-24\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"j-card\"}]"],"Location":["[{\"url\":\"https://nominatim.openstreetmap.org/details.php?place_id=157538565\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\" 370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\" 49.2818703\",\"longitude\":\" -123.1022474\"}]"],"Address":[" 370 Columbia St, Vancouver, BC V6A 4J1"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: See photo attachment. Poets' addresses are listed.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556035973120,"timestamp":"2026-01-07T15:00:00.367Z","score":0.01643844},{"id":"6662","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["Billy Little and Ken Lester reading, 18 April 1988"],"item_title_source":["item and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Lester, Ken","Radul, Judy","Gilbert, Gerry","Little, Billy","Jankola, Beth"],"creator_names_search":["Lester, Ken","Radul, Judy","Gilbert, Gerry","Little, Billy","Jankola, Beth"],"creators":["[{\"url\":\"\",\"name\":\"Lester, Ken\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/281422023/#Radul,_Judy,_1962-....\",\"name\":\"Radul, Judy\",\"dates\":\"1962-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/223141797\",\"name\":\"Little, Billy\",\"dates\":\"1943-2009\",\"notes\":\"Zonko\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/275239408\",\"name\":\" Jankola, Beth\",\"dates\":\"1936-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/2453/109.png\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Clear White and Black box with J insert\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-763/billy-little-and-ken-lester-reading-18-april-1988-part-1\",\"file_path\":\"\",\"filename\":\"MSC14-109-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:41:11\",\"precision\":\"\",\"size\":\"46.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-764/billy-little-and-ken-lester-reading-18-april-1988-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-109-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:39:05\",\"precision\":\"\",\"size\":\"44.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-04-18\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102240432\",\"venue\":\"Studio B\",\"notes\":\"\",\"address\":\"Canada, BC, Vancouver\",\"latitude\":\"49.2548601\",\"longitude\":\"-122.93521673859061\"}]"],"Address":["Canada, BC, Vancouver"],"Venue":["Studio B"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"},{\"note\":\"This cassette does not belong to RadioRainforest\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670556035973121,"timestamp":"2026-01-07T15:00:00.367Z","score":0.01643844},{"id":"6663","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 3 March, 1985"],"item_title_source":["item and box"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Perks, Gretchen","Hurtig, Annette","Gilbert, Gerry","[Ellie Cserpe?]","Bennett, Lin","Vasey, Lyn","Davies, Kevin","Kyger, Joanne"],"creator_names_search":["Perks, Gretchen","Hurtig, Annette","Gilbert, Gerry","[Ellie Cserpe?]","Bennett, Lin","Vasey, Lyn","Davies, Kevin","Kyger, Joanne"],"creators":["[{\"url\":\"\",\"name\":\"Perks, Gretchen \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/104945175/#Hurtig,_Annette,_1946-\",\"name\":\"Hurtig, Annette\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Series organizer\"]},{\"url\":\"\",\"name\":\"[Ellie Cserpe?]\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Bennett, Lin\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Vasey, Lyn\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/57518906\",\"name\":\"Davies, Kevin\",\"dates\":\"1960-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/71627705\",\"name\":\"Kyger, Joanne\",\"dates\":\"1934-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Gilbert, Gerry"],"contributors_names_search":["Gilbert, Gerry"],"contributors":["[{\"url\":\"http://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\",\"Producer\"]}]"],"Producer_name":["Gilbert, Gerry"],"Performance_Date":[1985],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/2455/radiofreerainforest_205.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:00:00\",\"physical_condition\":\"Excellent \",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape","Magnetic Tape"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Mono","Stereo"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-766/radiofreerainforest-3-march-1985-part-1\",\"file_path\":\"\",\"filename\":\"MSC14-205-Side A.mp3\",\"channel_field\":\"2 (stereo)\",\"sample_rate\":\"44100 Hz\",\"duration\":\"T00:31:20\",\"precision\":\"\",\"size\":\"36.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-767/radiofreerainforest-3-march-1985-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-205-Side B.mp3\",\"channel_field\":\"2 (stereo)\",\"sample_rate\":\"44100 Hz\",\"duration\":\"T01:03:08\",\"precision\":\"\",\"size\":\"75.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-03-03\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"j-card\"}]"],"Location":["[{\"url\":\"https://nominatim.openstreetmap.org/details.php?place_id=92340333\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\" 370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\" 49.2818703\",\"longitude\":\" -123.1022474\"}]"],"Address":[" 370 Columbia St, Vancouver, BC V6A 4J1"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: See photo attachment.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556035973122,"timestamp":"2026-01-07T15:00:00.367Z","score":0.01643844},{"id":"6680","cataloger_name":["Kandice,Sharren"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Mary Billy Fonds"],"source_collection_label":["Mary Billy Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of records relating to Mary Billy's life and work as a feminist and editor of Herspectives magazine. Records include correspondence, notes, drafts, poetry, womenu2019s activism records, diaries, journals, clippings, photographs, and research records.\nThe fonds has been arranged into the following six series: Correspondence (1986-2005); Written works (1978-2002); Diaries (1978-2002); Herspectives records (1989-1995); Womenu2019s activism records (1985-2004); and Works by others (1977-1994)."],"collection_source_collection_id":["MsC 170"],"persistent_url":[""],"item_title":["Mary Billy giving a conference speech on feminism and performing two songs named \"This Little Light of Mine\" and \" Light One Candle\" "],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Armstrong, Luanne","Billy, Mary","Loes, Harry Dixon","Peter, Paul, and Mary (Musical group)"],"creator_names_search":["Armstrong, Luanne","Billy, Mary","Loes, Harry Dixon","Peter, Paul, and Mary (Musical group)"],"creators":["[{\"url\":\"http://viaf.org/viaf/74727272\",\"name\":\"Armstrong, Luanne\",\"dates\":\"1949-\",\"notes\":\"Author of the essay read by Mary Billy\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/28302864\",\"name\":\"Billy, Mary\",\"dates\":\"1936–2015\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/3524148997639159870001\",\"name\":\"Loes, Harry Dixon\",\"dates\":\" 1892-1965\",\"notes\":\"We are not sure if he is the author of the \\\"This little light of mine\\\" song Marry Billy performs. this is what we found on the internet.  \",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/121287770\",\"name\":\"Peter, Paul, and Mary (Musical group)\",\"dates\":\"\",\"notes\":\"We are not sure if the \\\"Light One Candle\\\" song that Marry Billy performs is from this band.\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/9241/Mary Billy Fonds_MsC 170_1.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"60 min\",\"physical_condition\":\"good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Clear tape box and J-card\",\"other_physical_description\":\"Clear tape box and J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/side-one-and-side-two-mary-billy-giving-conference-speech-feminism-and-performing-two-songs-named\",\"file_path\":\"\",\"filename\":\"MSC170-001-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:28:09\",\"precision\":\"\",\"size\":\"33.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"Mary Billy reading Luanne Armstrong essay, inviting conference attendees to sing along to \\\"This Little Light of Mine\\\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/side-one-and-side-two-mary-billy-giving-conference-speech-feminism-and-performing-two-songs-named-0\",\"file_path\":\"\",\"filename\":\"MSC170-001-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:07:42\",\"precision\":\"\",\"size\":\"80.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"This seems to be the digitization of Side A and Side B combined into one file\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"[199-?]\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Finding Aid\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"This seems to be the digitization of Side A and Side B combined into one file\",\"type\":\"General\"},{\"note\":\"Although \\\"Power, Passion, and Silence\\\" is written on the J-card, it's not read on either side of this tape. it's on the second side of tape 2 in Marry Billy collection. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556035973123,"timestamp":"2026-01-07T15:00:00.367Z","score":0.01643844},{"id":"6681","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Mary Billy Fonds"],"source_collection_label":["Mary Billy Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of records relating to Mary Billy's life and work as a feminist and editor of Herspectives magazine. Records include correspondence, notes, drafts, poetry, womenu2019s activism records, diaries, journals, clippings, photographs, and research records.\nThe fonds has been arranged into the following six series: Correspondence (1986-2005); Written works (1978-2002); Diaries (1978-2002); Herspectives records (1989-1995); Womenu2019s activism records (1985-2004); and Works by others (1977-1994)."],"collection_source_collection_id":["MsC 170"],"persistent_url":[""],"item_title":["Side one: Mary Billy's conference speeches on feminism, and Side two: Marry Billy reading Power, Passion, and Silence by Luanne Armstrong"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Billy, Mary","Armstrong, Luanne"],"creator_names_search":["Billy, Mary","Armstrong, Luanne"],"creators":["[{\"url\":\"http://viaf.org/viaf/28302864\",\"name\":\"Billy, Mary\",\"dates\":\"1936–2015\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/74727272\",\"name\":\"Armstrong, Luanne\",\"dates\":\"1949-\",\"notes\":\"The author of the essay read by Mary Billy\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"Uploads/6681/Mary Billy Fonds_MsC 170.2.jpeg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/side-one-mary-billys-conference-speeches-feminism-and-side-two-marry-billy-reading-power-passion\",\"file_path\":\"\",\"filename\":\"MSC170-002-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:02\",\"precision\":\"\",\"size\":\"37.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/side-one-mary-billys-conference-speeches-feminism-and-side-two-marry-billy-reading-power-passion-0\",\"file_path\":\"\",\"filename\":\"MSC170-002-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:35\",\"precision\":\"\",\"size\":\"37.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-\",\"type\":\"Production Date\",\"notes\":\"We have no idea what date it is. It's written on the J-card, and we are not sure if it was the year when Marry Billy had her conference speeches. \",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"She also talks about the peace that feminists could bring into the whole world saying \\\"let there be peace on death and let it begin with me\\\".  \\nProbably, it could connect what we have on the J-card and the audio file. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556037021696,"timestamp":"2026-01-07T15:00:00.367Z","score":0.01643844},{"id":"6682","cataloger_name":["Kandice,Sharren"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Shani Mootoo Fonds"],"source_collection_label":["Shani Mootoo Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":["https://digital.lib.sfu.ca/unarchiving-margins"],"collection_image_url":[""],"collection_source_collection_description":["Shani Mootoo is known for her work as an artist and writer. She was born in Ireland in 1957, grew up in Trinidad, and has lived in Canada since the early 1980s. Mootoo studied fine arts at the University of Western Ontario where she began to paint and produce video works. She earned a master of fine arts equivalent at the Emily Carr College of Art and Design in Vancouver in 1982. Mootoo's collection of short stories Out on Main Street was published in 1993. This was followed in 1996 by her first novel, Cereus Blooms at Night, which was published in fourteen countries and was a finalist for the Giller Prize, the Ethel Wilson Fiction Prize, and the Chapters/Books in Canada First Novel Award. In 2001, Mootoo published a collection of poetry, The Predicament of Or. Her second novel, He Drown She in the Sea, was published in May 2005. Mootoo has been a writer in residence at the University of Alberta, at Mills College in Oakland, California, and at the Varuna Writers Residency program in Australia. She has taught writing at the University of Alberta, Capilano College in North Vancouver, the BC Festival of the Arts, and the BC Arts Council. Her visual art and video productions have been exhibited at the Museum of Modern Art in New York, the Queens Museum, the Vancouver Art Gallery, and the Venice Biennale.\n\nThe fonds reflects Mootoo's work as a writer and artist. It contains printed typescripts of published works with drafts and related working papers, published reviews, drafts of unpublished works, lecture notes, professional correspondence, notebooks and sketchbooks, video productions in VHS format, audio materials and works of visual art.\n\nThe audio materials in this collection consist of a reading of Mootoo's story, \"All in a Day,\" as well as radio interviews and panels on Vancouver Coop Radio, Radio Centre-Ville in Montreal, and CBC Radio's Writers and Company."],"collection_source_collection_id":["MsC 76"],"persistent_url":[""],"item_title":["Coop Radio: Shani Mootoo interview in March 1992"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Broadcast"],"item_series_title":["Unarchiving the Margins Collection"],"item_series_description":["Historically, literary studies and literary-archival work has focused on the stories of white, male writers. As a way of disrupting this narrow focus, the Unarchiving the Margins Collection digitizes, preserves, and brings to life almost 80 tapes of literary audio from the fonds of a diverse set of writers from equity deserving groups.\n\nThe digitization and public distribution of this collection amplifies voices of women, queer writers, and writers of colour who have been historically left out of the archive and thus not highlighted in many digitizing projects. SFU is committed to prioritizing projects that promote content by writers from historically underserved groups in order to ensure that more researchers, scholars, and interested members of the public have access to these materials.\n\nHighlights\n\nThe Unarchiving the Margins Collection brings together interviews, readings, and discussions featuring hundreds of voices and writers from equity deserving groups, such as: Daphne Marlatt, Nicole Brossard, Maria Campbell, Dorothy Livesay, Phyllis Webb, Lillian Allen, Ellen Tallman, Penn Kemp, Jeanette Armstrong, Betsy Warland, Fred Wah, Shani Mootoo, Sharon Thesen, Mary Billy, Anita Rau Badami, Lorna Crozier, and many more!\n\nThe collection also features renowned Canadian male writers, including: George Bowering, Stuart McLean, and bp Nichol.\n\nVisit the SFU Library Special Collections and Rare Books Unarchiving the Margins collection page for more details about this collection."],"item_series_uri":["https://digital.lib.sfu.ca/unarchiving-margins"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Mootoo, Shani","Jiwani, Yasmin","Boschman, Lorna","McGowan, Sharon","Braithwaite, Diana","Manly, Eva"],"creator_names_search":["Mootoo, Shani","Jiwani, Yasmin","Boschman, Lorna","McGowan, Sharon","Braithwaite, Diana","Manly, Eva"],"creators":["[{\"url\":\"http://viaf.org/viaf/79160427\",\"name\":\"Mootoo, Shani\",\"dates\":\"1957-\",\"notes\":\"Speaks about her short film, \\\"English Lesson\\\" (1992)\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/66024065\",\"name\":\"Jiwani, Yasmin\",\"dates\":\"\",\"notes\":\"Affiliated with the NFB Theatre\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/310685917\",\"name\":\"Boschman, Lorna\",\"dates\":\"1955-\",\"notes\":\"Speaks about the prison system and women in prison, especially her film Doing Time (1991)\\n\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/273902119\",\"name\":\"McGowan, Sharon\",\"dates\":\"1974-\",\"notes\":\"Discussing her film “When the Day Comes” (1991) about elder care\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34360643\",\"name\":\"Braithwaite, Diana\",\"dates\":\"\",\"notes\":\"After discussion ends, the host plays Diana Braithwaite's \\\"Just the Way I Planned It\\\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Manly, Eva\",\"dates\":\"\",\"notes\":\"Discussing abortion access and her film \\\"A Story to Tell You\\\" (1990)\\nManly's Website: http://manlymedia.com/about/eva-manly/\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1992],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3881/Shani Mootoo_MSC76.12_1.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Maxell\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC76.12-01/MSC76.12-01-01.mp3\",\"file_path\":\"\",\"filename\":\"MSC76-001-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:23\",\"precision\":\"\",\"size\":\"56.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/coop-radio-shani-mootoo-interview-march-1992-part-1\"},{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC76.12-01/MSC76.12-01-02.mp3\",\"file_path\":\"\",\"filename\":\"MSC76-001-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:25\",\"precision\":\"\",\"size\":\"56.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/coop-radio-shani-mootoo-interview-march-1992-part-2\"}]"],"Dates":["[{\"date\":\"1992-03\",\"type\":\"Performance Date\",\"notes\":\"According to interview, it took place during the first week of March 1992\",\"source\":\"digital file (Recording) and J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/7802936235\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia Street, Vancouver BC V6A 1T1\",\"latitude\":\"49.2818042\",\"longitude\":\"-123.1020641\"}]"],"Address":["370 Columbia Street, Vancouver BC V6A 1T1"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Side A: Unidentified Music\\nSide B: Recorded broadcast of panel interview about the 1992 International Women's Week screenings at the Vancouver Cinémathèque\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556037021697,"timestamp":"2026-01-07T15:00:00.367Z","score":0.01643844},{"id":"6683","cataloger_name":["Kandice,Sharren"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Shani Mootoo Fonds"],"source_collection_label":["Shani Mootoo Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":["https://digital.lib.sfu.ca/unarchiving-margins"],"collection_image_url":[""],"collection_source_collection_description":["Shani Mootoo is known for her work as an artist and writer. She was born in Ireland in 1957, grew up in Trinidad, and has lived in Canada since the early 1980s. Mootoo studied fine arts at the University of Western Ontario where she began to paint and produce video works. She earned a master of fine arts equivalent at the Emily Carr College of Art and Design in Vancouver in 1982. Mootoo's collection of short stories Out on Main Street was published in 1993. This was followed in 1996 by her first novel, Cereus Blooms at Night, which was published in fourteen countries and was a finalist for the Giller Prize, the Ethel Wilson Fiction Prize, and the Chapters/Books in Canada First Novel Award. In 2001, Mootoo published a collection of poetry, The Predicament of Or. Her second novel, He Drown She in the Sea, was published in May 2005. Mootoo has been a writer in residence at the University of Alberta, at Mills College in Oakland, California, and at the Varuna Writers Residency program in Australia. She has taught writing at the University of Alberta, Capilano College in North Vancouver, the BC Festival of the Arts, and the BC Arts Council. Her visual art and video productions have been exhibited at the Museum of Modern Art in New York, the Queens Museum, the Vancouver Art Gallery, and the Venice Biennale.\n\nThe fonds reflects Mootoo's work as a writer and artist. It contains printed typescripts of published works with drafts and related working papers, published reviews, drafts of unpublished works, lecture notes, professional correspondence, notebooks and sketchbooks, video productions in VHS format, audio materials and works of visual art.\n\nThe audio materials in this collection consist of a reading of Mootoo's story, \"All in a Day,\" as well as radio interviews and panels on Vancouver Coop Radio, Radio Centre-Ville in Montreal, and CBC Radio's Writers and Company."],"collection_source_collection_id":["MsC 76"],"persistent_url":[""],"item_title":["Our Sister's Place: Shani Mootoo Interview with Laura Yaros at Radio Centre-Ville on November 20, 1993"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_series_title":["Unarchiving the Margins Collection"],"item_series_description":["Historically, literary studies and literary-archival work has focused on the stories of white, male writers. As a way of disrupting this narrow focus, the Unarchiving the Margins Collection digitizes, preserves, and brings to life almost 80 tapes of literary audio from the fonds of a diverse set of writers from equity deserving groups.\n\nThe digitization and public distribution of this collection amplifies voices of women, queer writers, and writers of colour who have been historically left out of the archive and thus not highlighted in many digitizing projects. SFU is committed to prioritizing projects that promote content by writers from historically underserved groups in order to ensure that more researchers, scholars, and interested members of the public have access to these materials.\n\nHighlights\n\nThe Unarchiving the Margins Collection brings together interviews, readings, and discussions featuring hundreds of voices and writers from equity deserving groups, such as: Daphne Marlatt, Nicole Brossard, Maria Campbell, Dorothy Livesay, Phyllis Webb, Lillian Allen, Ellen Tallman, Penn Kemp, Jeanette Armstrong, Betsy Warland, Fred Wah, Shani Mootoo, Sharon Thesen, Mary Billy, Anita Rau Badami, Lorna Crozier, and many more!\n\nThe collection also features renowned Canadian male writers, including: George Bowering, Stuart McLean, and bp Nichol.\n\nVisit the SFU Library Special Collections and Rare Books Unarchiving the Margins collection page for more details about this collection."],"item_series_uri":["https://digital.lib.sfu.ca/unarchiving-margins"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Mootoo, Shani","Yaros, Laura","Medley, Sue"],"creator_names_search":["Mootoo, Shani","Yaros, Laura","Medley, Sue"],"creators":["[{\"url\":\"http://viaf.org/viaf/79160427\",\"name\":\"Mootoo, Shani\",\"dates\":\"1957-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Yaros, Laura\",\"dates\":\"\",\"notes\":\"Host of \\\"Our Sister's Place\\\" on Radio Centre-Ville\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/79742147\",\"name\":\"Medley, Sue\",\"dates\":\"1962-\",\"notes\":\"Musician; recording includes her song \\\"I Am Alive\\\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Production_Date":[1993],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3882/Shani Mootoo_MSC76.12_2.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK D90\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC76.12-02.mp3\",\"file_path\":\"\",\"filename\":\"MSC76-002-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:21\",\"precision\":\"\",\"size\":\"56.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/unarchiving-margins/our-sisters-place-shani-mootoo-interview-laura-yaros-radio-centre-ville\"}]"],"Dates":["[{\"date\":\"1993-11-20\",\"type\":\"Production Date\",\"notes\":\"Interview apparently recorded a week earlier\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/234716341\",\"venue\":\"Radio Centre-Ville, C.I.N.Q. FM\",\"notes\":\"Broadcast location; interview location referenced as a friend of Mootoo's house\",\"address\":\"5212 St Laurent Blvd, Montreal, Quebec H2T 1S1\",\"latitude\":\"45.52397\",\"longitude\":\"-73.59499\"}]"],"Address":["5212 St Laurent Blvd, Montreal, Quebec H2T 1S1"],"Venue":["Radio Centre-Ville, C.I.N.Q. FM"],"City":["Montreal, Quebec"],"Note":["[{\"note\":\"Side A: Recording of \\\"Our Sister's Place\\\": Laura Yaros plays Sue Medley's \\\"I Am Alive\\\" then an interview with Shani Mootoo\\nSide B: Blank\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556038070272,"timestamp":"2026-01-07T15:00:00.367Z","score":0.01643844},{"id":"6684","cataloger_name":["Kandice,Sharren"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Shani Mootoo Fonds"],"source_collection_label":["Shani Mootoo Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":["https://digital.lib.sfu.ca/unarchiving-margins"],"collection_image_url":[""],"collection_source_collection_description":["Shani Mootoo is known for her work as an artist and writer. She was born in Ireland in 1957, grew up in Trinidad, and has lived in Canada since the early 1980s. Mootoo studied fine arts at the University of Western Ontario where she began to paint and produce video works. She earned a master of fine arts equivalent at the Emily Carr College of Art and Design in Vancouver in 1982. Mootoo's collection of short stories Out on Main Street was published in 1993. This was followed in 1996 by her first novel, Cereus Blooms at Night, which was published in fourteen countries and was a finalist for the Giller Prize, the Ethel Wilson Fiction Prize, and the Chapters/Books in Canada First Novel Award. In 2001, Mootoo published a collection of poetry, The Predicament of Or. Her second novel, He Drown She in the Sea, was published in May 2005. Mootoo has been a writer in residence at the University of Alberta, at Mills College in Oakland, California, and at the Varuna Writers Residency program in Australia. She has taught writing at the University of Alberta, Capilano College in North Vancouver, the BC Festival of the Arts, and the BC Arts Council. Her visual art and video productions have been exhibited at the Museum of Modern Art in New York, the Queens Museum, the Vancouver Art Gallery, and the Venice Biennale.\n\nThe fonds reflects Mootoo's work as a writer and artist. It contains printed typescripts of published works with drafts and related working papers, published reviews, drafts of unpublished works, lecture notes, professional correspondence, notebooks and sketchbooks, video productions in VHS format, audio materials and works of visual art.\n\nThe audio materials in this collection consist of a reading of Mootoo's story, \"All in a Day,\" as well as radio interviews and panels on Vancouver Coop Radio, Radio Centre-Ville in Montreal, and CBC Radio's Writers and Company."],"collection_source_collection_id":["MsC 76"],"persistent_url":[""],"item_title":["Shani Mootoo reading \"All in a Day\" on October 13, 2001"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Home recording"],"item_series_title":["Unarchiving the Margins Collection"],"item_series_description":["Historically, literary studies and literary-archival work has focused on the stories of white, male writers. As a way of disrupting this narrow focus, the Unarchiving the Margins Collection digitizes, preserves, and brings to life almost 80 tapes of literary audio from the fonds of a diverse set of writers from equity deserving groups.\n\nThe digitization and public distribution of this collection amplifies voices of women, queer writers, and writers of colour who have been historically left out of the archive and thus not highlighted in many digitizing projects. SFU is committed to prioritizing projects that promote content by writers from historically underserved groups in order to ensure that more researchers, scholars, and interested members of the public have access to these materials.\n\nHighlights\n\nThe Unarchiving the Margins Collection brings together interviews, readings, and discussions featuring hundreds of voices and writers from equity deserving groups, such as: Daphne Marlatt, Nicole Brossard, Maria Campbell, Dorothy Livesay, Phyllis Webb, Lillian Allen, Ellen Tallman, Penn Kemp, Jeanette Armstrong, Betsy Warland, Fred Wah, Shani Mootoo, Sharon Thesen, Mary Billy, Anita Rau Badami, Lorna Crozier, and many more!\n\nThe collection also features renowned Canadian male writers, including: George Bowering, Stuart McLean, and bp Nichol.\n\nVisit the SFU Library Special Collections and Rare Books Unarchiving the Margins collection page for more details about this collection."],"item_series_uri":["https://digital.lib.sfu.ca/unarchiving-margins"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Mootoo, Shani"],"creator_names_search":["Mootoo, Shani"],"creators":["[{\"url\":\"http://viaf.org/viaf/79160427\",\"name\":\"Mootoo, Shani\",\"dates\":\"1957-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\",\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[2001],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3883/Shani Mootoo_MSC76.12_3.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Fuji\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC76.12-03.mp3\",\"file_path\":\"\",\"filename\":\"MSC76-003-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:43:47\",\"precision\":\"\",\"size\":\"50.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/unarchiving-margins/shani-mootoo-reading-all-day-october-13-2001\"}]"],"Dates":["[{\"date\":\"2001-10-13\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"Side A: Reading of short story “All in a Day” by Shani Mootoo \\nSide B: Blank\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556038070273,"timestamp":"2026-01-07T15:00:00.367Z","score":0.01643844},{"id":"6685","cataloger_name":["Kandice,Sharren"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Shani Mootoo Fonds"],"source_collection_label":["Shani Mootoo Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":["https://digital.lib.sfu.ca/unarchiving-margins"],"collection_image_url":[""],"collection_source_collection_description":["Shani Mootoo is known for her work as an artist and writer. She was born in Ireland in 1957, grew up in Trinidad, and has lived in Canada since the early 1980s. Mootoo studied fine arts at the University of Western Ontario where she began to paint and produce video works. She earned a master of fine arts equivalent at the Emily Carr College of Art and Design in Vancouver in 1982. Mootoo's collection of short stories Out on Main Street was published in 1993. This was followed in 1996 by her first novel, Cereus Blooms at Night, which was published in fourteen countries and was a finalist for the Giller Prize, the Ethel Wilson Fiction Prize, and the Chapters/Books in Canada First Novel Award. In 2001, Mootoo published a collection of poetry, The Predicament of Or. Her second novel, He Drown She in the Sea, was published in May 2005. Mootoo has been a writer in residence at the University of Alberta, at Mills College in Oakland, California, and at the Varuna Writers Residency program in Australia. She has taught writing at the University of Alberta, Capilano College in North Vancouver, the BC Festival of the Arts, and the BC Arts Council. Her visual art and video productions have been exhibited at the Museum of Modern Art in New York, the Queens Museum, the Vancouver Art Gallery, and the Venice Biennale.\n\nThe fonds reflects Mootoo's work as a writer and artist. It contains printed typescripts of published works with drafts and related working papers, published reviews, drafts of unpublished works, lecture notes, professional correspondence, notebooks and sketchbooks, video productions in VHS format, audio materials and works of visual art.\n\nThe audio materials in this collection consist of a reading of Mootoo's story, \"All in a Day,\" as well as radio interviews and panels on Vancouver Coop Radio, Radio Centre-Ville in Montreal, and CBC Radio's Writers and Company."],"collection_source_collection_id":["MsC 76"],"persistent_url":[""],"item_title":["Interview CBC: Shani Mootoo, George Bowering, David Guterson, Audrey Thomas, and Wayson Choy conversation with Eleanor Wachtel at Arts Club Theatre in February 2003 "],"item_title_source":["cassette and j-card"],"item_title_note":["J-card misspells Wayson Choy's name as \"Wayson Choi\""],"item_language":["English"],"item_production_context":["Broadcast"],"item_series_title":["Unarchiving the Margins Collection"],"item_series_description":["Historically, literary studies and literary-archival work has focused on the stories of white, male writers. As a way of disrupting this narrow focus, the Unarchiving the Margins Collection digitizes, preserves, and brings to life almost 80 tapes of literary audio from the fonds of a diverse set of writers from equity deserving groups.\n\nThe digitization and public distribution of this collection amplifies voices of women, queer writers, and writers of colour who have been historically left out of the archive and thus not highlighted in many digitizing projects. SFU is committed to prioritizing projects that promote content by writers from historically underserved groups in order to ensure that more researchers, scholars, and interested members of the public have access to these materials.\n\nHighlights\n\nThe Unarchiving the Margins Collection brings together interviews, readings, and discussions featuring hundreds of voices and writers from equity deserving groups, such as: Daphne Marlatt, Nicole Brossard, Maria Campbell, Dorothy Livesay, Phyllis Webb, Lillian Allen, Ellen Tallman, Penn Kemp, Jeanette Armstrong, Betsy Warland, Fred Wah, Shani Mootoo, Sharon Thesen, Mary Billy, Anita Rau Badami, Lorna Crozier, and many more!\n\nThe collection also features renowned Canadian male writers, including: George Bowering, Stuart McLean, and bp Nichol.\n\nVisit the SFU Library Special Collections and Rare Books Unarchiving the Margins collection page for more details about this collection."],"item_series_uri":["https://digital.lib.sfu.ca/unarchiving-margins"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wachtel, Eleanor","Mootoo, Shani","Bowering, George","Guterson, David","Thomas, Audrey","Choy, Wayson"],"creator_names_search":["Wachtel, Eleanor","Mootoo, Shani","Bowering, George","Guterson, David","Thomas, Audrey","Choy, Wayson"],"creators":["[{\"url\":\"http://viaf.org/viaf/93489523\",\"name\":\"Wachtel, Eleanor\",\"dates\":\"1947-\",\"notes\":\"host\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/79160427\",\"name\":\"Mootoo, Shani\",\"dates\":\"1957-\",\"notes\":\"interviewee\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"interviewee\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/84055110\",\"name\":\"Guterson, David\",\"dates\":\"1956\",\"notes\":\"interviewee\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/27082708\",\"name\":\"Thomas, Audrey\",\"dates\":\"1935-\",\"notes\":\"interviewee\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/116852444\",\"name\":\"Choy, Wayson\",\"dates\":\"1939-\",\"notes\":\"Last name misspelled as \\\"Choi\\\" on j-card; interviewee\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Publication_Date":[2003],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3885/Shani Mootoo_MSC76.12_4.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Fuji\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC76.12-04/MSC76.12-04-01.mp3\",\"file_path\":\"\",\"filename\":\"MSC76-004-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:43\",\"precision\":\"\",\"size\":\"37.7MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/interview-cbc-shani-mootoo-george-bowering-david-guterson-audrey-thomas-and-wayson-choy\"},{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC76.12-04/MSC76.12-04-02.mp3\",\"file_path\":\"\",\"filename\":\"MSC76-004-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:42\",\"precision\":\"\",\"size\":\"37.5MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/interview-cbc-shani-mootoo-george-bowering-david-guterson-audrey-thomas-and-wayson-choy-0\"}]"],"Dates":["[{\"date\":\"2003-02\",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/314060746\",\"venue\":\"Arts Club Theatre, Granville Island\",\"notes\":\"\",\"address\":\"1585 Johnston Street, Vancouver BC V6H 3R9\",\"latitude\":\"49.27213\",\"longitude\":\"-123.13443\"}]"],"Address":["1585 Johnston Street, Vancouver BC V6H 3R9"],"Venue":["Arts Club Theatre, Granville Island"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Side A and B a continuous recording of  a panel discussion with George Bowering, Wayson Choi, David Guterson, Shani Mootoo, Audrey Thomas; conversation loosely focused on “home”\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556039118848,"timestamp":"2026-01-07T15:00:00.367Z","score":0.01643844},{"id":"6686","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Women and Words Fonds"],"source_collection_label":["Women and Words Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The West Coast Women and Words Society was incorporated in 1982 with the goal of supporting women's writing. The society held an influential conference in Vancouver from June 30 to July 3, 1983; participants included Canadian women writers, editors, publishers, critics, printers, typesetters, academics, playwrights, librarians, distributors, booksellers, translators, and educational and cultural organizers. The conference featured presentations of papers, panel discussions, workshops and interviews relevant to such themes as: feminism, power and alternative structures doing it (i.e. developing work strategies), traditions and new directions. Following the conference, the West Coast Women and Word Society continued to fulfil their mandate by organizing poetry competitions, hosting readings and events, editing and compiling anthologies of women's writing, and running a mentorship program designed to connect young women writers with more established ones."],"collection_source_collection_id":["MsC 23"],"persistent_url":[""],"item_title":["Women and Words -  \"Criticizing Criticism: Women's Writing and the Literary Tradition\": Louky Bersianik, Carolyn Hlus, Ann Saddlemyer, France Théoret, Lorraine Weir, Jennifer Waelti-Walters at UBC on July 1, 1983"],"item_title_source":["Conference Program"],"item_language":["English, French"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Waelti-Walters, Jennifer","Bersianik, Louky","Hlus, Carolyn","Saddlemyer, Ann","Théoret, France","Weir, Lorraine"],"creator_names_search":["Waelti-Walters, Jennifer","Bersianik, Louky","Hlus, Carolyn","Saddlemyer, Ann","Théoret, France","Weir, Lorraine"],"creators":["[{\"url\":\"http://viaf.org/viaf/44306611\",\"name\":\"Waelti-Walters, Jennifer\",\"dates\":\"1942-\",\"notes\":\"Panel moderator\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/27094343\",\"name\":\"Bersianik, Louky\",\"dates\":\"1930-2011\",\"notes\":\"writer\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/104803167\",\"name\":\"Hlus, Carolyn\",\"dates\":\"1941-\",\"notes\":\"Affiliated with the University of Alberta\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/66481339\",\"name\":\"Saddlemyer, Ann\",\"dates\":\"1932-\",\"notes\":\"Author of Theatre History in Canada\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/79057261\",\"name\":\"Théoret, France\",\"dates\":\"1942-\",\"notes\":\"Author of Spirale\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/34478391\",\"name\":\"Weir, Lorraine\",\"dates\":\"1946-\",\"notes\":\"Affiliated with the University of British Columbia\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"contributors":["[]"],"Performance_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3878/IMG_7405.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"clear tape box\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/women-and-words-criticizing-criticism-womens-writing-and-literary-tradition-louky-bersianik-carolyn\",\"file_path\":\"\",\"filename\":\"MSC23-2-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:09\",\"precision\":\"\",\"size\":\"54.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/women-and-words-criticizing-criticism-womens-writing-and-literary-tradition-louky-bersianik-0\",\"file_path\":\"\",\"filename\":\"MSC23-2-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:00\",\"precision\":\"\",\"size\":\"52.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-07-01\",\"type\":\"Performance Date\",\"notes\":\"Friday at 9:00 AM-10:30 AM\",\"source\":\"Conference program\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/83433307\",\"venue\":\"Angus Building, University of British Columbia, Room A110\",\"notes\":\"\",\"address\":\"Vancouver, British Columbia\",\"latitude\":\"49.26503765\",\"longitude\":\"-123.25386541436339\"}]"],"Address":["Vancouver, British Columbia"],"Venue":["Angus Building, University of British Columbia, Room A110"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Panel with simultaneous translation\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556039118849,"timestamp":"2026-01-07T15:00:00.367Z","score":0.01643844},{"id":"6687","cataloger_name":["Kandice,Sharren"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Women and Words Fonds"],"source_collection_label":["Women and Words Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The West Coast Women and Words Society was incorporated in 1982 with the goal of supporting women's writing. The society held an influential conference in Vancouver from June 30 to July 3, 1983; participants included Canadian women writers, editors, publishers, critics, printers, typesetters, academics, playwrights, librarians, distributors, booksellers, translators, and educational and cultural organizers. The conference featured presentations of papers, panel discussions, workshops and interviews relevant to such themes as: feminism, power and alternative structures doing it (i.e. developing work strategies), traditions and new directions. 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The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest, Deanna Ferguson and Dennis Dennison "],"item_title_source":["item and box"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Dennison, Dennis","Bremner, Lary","Ferguson, Deanna"],"creator_names_search":["Dennison, Dennis","Bremner, Lary","Ferguson, Deanna"],"creators":["[{\"url\":\"\",\"name\":\"Dennison, Dennis\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/68009652\",\"name\":\"Bremner, Lary\",\"dates\":\"1950-\",\"notes\":\"Also known as Timewell, Lary\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"https://viaf.org/viaf/9448936\",\"name\":\"Ferguson, Deanna\",\"dates\":\"1962-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Gilbert, Gerry"],"contributors_names_search":["Gilbert, Gerry"],"contributors":["[{\"url\":\"http://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\",\"Producer\"]}]"],"Producer_name":["Gilbert, Gerry"],"Production_Date":[1989],"Performance_Date":[1989],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/2380/radiofreerainforest_248.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:30:00\",\"physical_condition\":\"Excellent \",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape","Magnetic Tape"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Mono","Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"2 (stereo)\",\"sample_rate\":\"44100 Hz\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"2 (stereo)\",\"sample_rate\":\"44100 Hz\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1989-06-24\",\"type\":\"Performance Date\",\"notes\":\"Deanna Ferguson reading at the Kootenay School of Writing\",\"source\":\"j-card\"},{\"date\":\"1989-06-25\",\"type\":\"Production Date\",\"notes\":\"Dennis Dennison on RFRF\",\"source\":\"j-card\"},{\"date\":\"1989-06-29\",\"type\":\"Production Date\",\"notes\":\"Dennis Dennison on RFRF\",\"source\":\"j-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/search?whereami=1&query=49.28185%2C-\",\"venue\":\"Kootenay School of Writing\",\"notes\":\"\",\"address\":\"112 West Hastings, Vancouver, BC, Canada\",\"latitude\":\" 49.28185\",\"longitude\":\"-123.10780\"},{\"url\":\"https://nominatim.openstreetmap.org/details.php?place_id=157538565\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\" 370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\" 49.2818703\",\"longitude\":\" -123.1022474\"}]"],"Address":["112 West Hastings, Vancouver, BC, Canada"," 370 Columbia St, Vancouver, BC V6A 4J1"],"Venue":["Kootenay School of Writing","Vancouver Co-op Radio CFRO 100.5 FM"],"City":["Vancouver, British Columbia","Vancouver, British Columbia"],"content_notes":["Digital file is empty. See cassette for audio content."],"Note":["[{\"note\":\"Liner Notes: See photo attachment\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556047507456,"timestamp":"2026-01-07T15:00:00.367Z","score":0.01643844},{"id":"6718","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Women and Words Fonds"],"source_collection_label":["Women and Words Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The West Coast Women and Words Society was incorporated in 1982 with the goal of supporting women's writing. The society held an influential conference in Vancouver from June 30 to July 3, 1983; participants included Canadian women writers, editors, publishers, critics, printers, typesetters, academics, playwrights, librarians, distributors, booksellers, translators, and educational and cultural organizers. The conference featured presentations of papers, panel discussions, workshops and interviews relevant to such themes as: feminism, power and alternative structures doing it (i.e. developing work strategies), traditions and new directions. Following the conference, the West Coast Women and Word Society continued to fulfil their mandate by organizing poetry competitions, hosting readings and events, editing and compiling anthologies of women's writing, and running a mentorship program designed to connect young women writers with more established ones."],"collection_source_collection_id":["MsC 23"],"persistent_url":[""],"item_title":["Women and Words - \"Differences Between French and English Canadian Women Writers Since 1950\": Cécile Cloutier, Gwladys Downes, Barbara Godard, Pat Morley, and Thong Vuong-Riddick at UBC on July 2,1983"],"item_title_source":["Conference Program"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Cloutier, Cécile","Downes, Gwladys","Godard, Barbara","Vuong-Riddick, Thong","Scott, Anne","Morley, Pat"],"creator_names_search":["Cloutier, Cécile","Downes, Gwladys","Godard, Barbara","Vuong-Riddick, Thong","Scott, Anne","Morley, Pat"],"creators":["[{\"url\":\"https://viaf.org/viaf/103651301/\",\"name\":\"Cloutier, Cécile\",\"dates\":\"1930-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Presenter\"]},{\"url\":\"https://viaf.org/viaf/11319472\",\"name\":\"Downes, Gwladys\",\"dates\":\"1915-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Presenter\"]},{\"url\":\"https://viaf.org/viaf/67996917/\",\"name\":\"Godard, Barbara\",\"dates\":\"1942-2010\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\",\"Speaker\"]},{\"url\":\"https://viaf.org/viaf/9108919\",\"name\":\"Vuong-Riddick, Thong\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\",\"Speaker\"]},{\"url\":\"\",\"name\":\"Scott, Anne\",\"dates\":\"\",\"notes\":\"Moderator\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Morley, Pat\",\"dates\":\"1929-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\",\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8824/MSC76-027a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"Good\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Clear tape box\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/women-and-words-differences-between-french-and-english-canadian-women-writers-1950-cecile-cloutier\",\"file_path\":\"\",\"filename\":\"MSC23-27-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:15:52\",\"precision\":\"\",\"size\":\"17.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/women-and-words-differences-between-french-and-english-canadian-women-writers-1950-cecile-0\",\"file_path\":\"\",\"filename\":\"MSC23-27-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:15:51\",\"precision\":\"\",\"size\":\"17.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-07-02\",\"type\":\"Performance Date\",\"notes\":\"Saturday at 2-3:30pm\",\"source\":\"Conference Program\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/83433307\",\"venue\":\"Angus Building, University of British Columbia, Room A226\",\"notes\":\"\",\"address\":\"University of British Columbia, Vancouver, BC\",\"latitude\":\"49.26503765\",\"longitude\":\"-123.25386541436339\"}]"],"Address":["University of British Columbia, Vancouver, BC"],"Venue":["Angus Building, University of British Columbia, Room A226"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Side A starts near the end of the panel, and stops at 6:45. The rest of Side A is blank, and so is Side B.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556047507457,"timestamp":"2026-01-07T15:00:00.367Z","score":0.01643844},{"id":"6723","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Women and Words Fonds"],"source_collection_label":["Women and Words Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The West Coast Women and Words Society was incorporated in 1982 with the goal of supporting women's writing. The society held an influential conference in Vancouver from June 30 to July 3, 1983; participants included Canadian women writers, editors, publishers, critics, printers, typesetters, academics, playwrights, librarians, distributors, booksellers, translators, and educational and cultural organizers. The conference featured presentations of papers, panel discussions, workshops and interviews relevant to such themes as: feminism, power and alternative structures doing it (i.e. developing work strategies), traditions and new directions. Following the conference, the West Coast Women and Word Society continued to fulfil their mandate by organizing poetry competitions, hosting readings and events, editing and compiling anthologies of women's writing, and running a mentorship program designed to connect young women writers with more established ones."],"collection_source_collection_id":["MsC 23"],"persistent_url":[""],"item_title":["West Word IV: Dionne Brand, Chrystos, and Lee Maracle reading at R2B2, August 1988"],"item_title_source":["Event poster and tape"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Brand, Dionne","Chrystos","Maracle, Lee"],"creator_names_search":["Brand, Dionne","Chrystos","Maracle, Lee"],"creators":["[{\"url\":\"https://viaf.org/viaf/61584279/\",\"name\":\"Brand, Dionne\",\"dates\":\"1953-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/79379583/\",\"name\":\"Chrystos\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/25511009/\",\"name\":\"Maracle, Lee\",\"dates\":\"1950-2021\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/9779/MSC23-036a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"Good\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"West Word IV Public Events poster\",\"other_physical_description\":\"Clear tape box\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC23-36-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:40\",\"precision\":\"\",\"size\":\"58.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC23-36-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:54\",\"precision\":\"\",\"size\":\"58.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-08\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Tape and event poster\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/3974498662\",\"venue\":\"R2B2: Books Books\",\"notes\":\"\",\"address\":\"2742 West 4th Ave, Vancouver, BC V6K 1R1\",\"latitude\":\"49.2679903\",\"longitude\":\"-123.1529668\"}]"],"Address":["2742 West 4th Ave, Vancouver, BC V6K 1R1"],"Venue":["R2B2: Books Books"],"City":["Vancouver, British Columbia"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556048556032,"timestamp":"2026-01-07T15:00:00.367Z","score":0.01643844},{"id":"6724","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Women and Words Fonds"],"source_collection_label":["Women and Words Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The West Coast Women and Words Society was incorporated in 1982 with the goal of supporting women's writing. The society held an influential conference in Vancouver from June 30 to July 3, 1983; participants included Canadian women writers, editors, publishers, critics, printers, typesetters, academics, playwrights, librarians, distributors, booksellers, translators, and educational and cultural organizers. The conference featured presentations of papers, panel discussions, workshops and interviews relevant to such themes as: feminism, power and alternative structures doing it (i.e. developing work strategies), traditions and new directions. Following the conference, the West Coast Women and Word Society continued to fulfil their mandate by organizing poetry competitions, hosting readings and events, editing and compiling anthologies of women's writing, and running a mentorship program designed to connect young women writers with more established ones."],"collection_source_collection_id":["MsC 23"],"persistent_url":[""],"item_title":["West Word IV: Barbara Smith reading at R2B2 on August 3, 1988"],"item_title_source":["Event poster and tape"],"item_title_note":["Locatition copied from another tape recorded at this event SWALLOW 6723"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Smith, Barbara"],"creator_names_search":["Smith, Barbara"],"creators":["[{\"url\":\"\",\"name\":\"Smith, Barbara \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/9780/MSC23-037a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"Good\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"West Word IV Public Events poster\",\"other_physical_description\":\"Clear tape box\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC23-37-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:45\",\"precision\":\"\",\"size\":\"59.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC23-37-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:32\",\"precision\":\"\",\"size\":\"59.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-08-03\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Tape and event poster\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/3974498662\",\"venue\":\"R2B2: Books Books\",\"notes\":\"\",\"address\":\"2742 West 4th Ave, Vancouver, BC V6K 1R1\",\"latitude\":\"49.2679903\",\"longitude\":\"-123.1529668\"}]"],"Address":["2742 West 4th Ave, Vancouver, BC V6K 1R1"],"Venue":["R2B2: Books Books"],"City":["Vancouver, British Columbia"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556048556033,"timestamp":"2026-01-07T15:00:00.367Z","score":0.01643844},{"id":"6725","cataloger_name":["Maya,Schwartz"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Women and Words Fonds"],"source_collection_label":["Women and Words Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The West Coast Women and Words Society was incorporated in 1982 with the goal of supporting women's writing. The society held an influential conference in Vancouver from June 30 to July 3, 1983; participants included Canadian women writers, editors, publishers, critics, printers, typesetters, academics, playwrights, librarians, distributors, booksellers, translators, and educational and cultural organizers. The conference featured presentations of papers, panel discussions, workshops and interviews relevant to such themes as: feminism, power and alternative structures doing it (i.e. developing work strategies), traditions and new directions. Following the conference, the West Coast Women and Word Society continued to fulfil their mandate by organizing poetry competitions, hosting readings and events, editing and compiling anthologies of women's writing, and running a mentorship program designed to connect young women writers with more established ones."],"collection_source_collection_id":["MsC 23"],"persistent_url":[""],"item_title":["Women and Words - \"How Class Affects Women's Writing\""],"item_title_source":["Item"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creators":["[]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11890/Women and Words_MsC23_1.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Clear tape case\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC23-1-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:15:41\",\"precision\":\"\",\"size\":\"19.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"Sound is warped\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC23-1-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:15:43\",\"precision\":\"\",\"size\":\"18.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"Sound is warped\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"The information on the recording is not clear due to sound quality.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556048556034,"timestamp":"2026-01-07T15:00:00.367Z","score":0.01643844},{"id":"6726","cataloger_name":["Maya,Schwartz"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Women and Words Fonds"],"source_collection_label":["Women and Words Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The West Coast Women and Words Society was incorporated in 1982 with the goal of supporting women's writing. 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Following the conference, the West Coast Women and Word Society continued to fulfil their mandate by organizing poetry competitions, hosting readings and events, editing and compiling anthologies of women's writing, and running a mentorship program designed to connect young women writers with more established ones."],"collection_source_collection_id":["MsC 23"],"persistent_url":[""],"item_title":["Women in Words - \"Criticizing Criticism: Women's Writing and the Literary Tradition\": Caroline Hlus, Louky Bersianik, Ann Saddlemyer, Lorraine Weir, UBC, July 1, 1983"],"item_title_source":["Item, recording"],"item_language":["English, French"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Hlus, Caroline","Bersianik, Louky","Saddlemyer, Ann","Lorraine, Weir"],"creator_names_search":["Hlus, Caroline","Bersianik, Louky","Saddlemyer, Ann","Lorraine, Weir"],"creators":["[{\"url\":\"http://viaf.org/viaf/104803167\",\"name\":\"Hlus, Caroline \",\"dates\":\"1941-\",\"notes\":\"Affiliated with the University of Alberta\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"https://viaf.org/viaf/27094343/\",\"name\":\"Bersianik, Louky \",\"dates\":\"1930-2011\",\"notes\":\"Writer\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/66481339\",\"name\":\"Saddlemyer, Ann \",\"dates\":\"1932-\",\"notes\":\"Author of Theatre History in Canada\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/34478391\",\"name\":\"Lorraine, Weir\",\"dates\":\"1946-\",\"notes\":\"Affiliated with the University of British Columbia\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"contributors":["[]"],"Performance_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11895/Women and Words–MSC23-002a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Clear tape box\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC23-2-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:01\",\"precision\":\"\",\"size\":\"53.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC23-2-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:15:40\",\"precision\":\"\",\"size\":\"54.2 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-07-01\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Item recording\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/83433307\",\"venue\":\"IRC, University of British Columbia\",\"notes\":\"Room 110\",\"address\":\"University of British Columbia, Vancouver, BC\",\"latitude\":\"49.26503765\",\"longitude\":\"-123.25386541436339\"}]"],"Address":["University of British Columbia, Vancouver, BC"],"Venue":["IRC, University of British Columbia"],"City":["Vancouver, British Columbia"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556048556035,"timestamp":"2026-01-07T15:00:00.367Z","score":0.01643844},{"id":"6895","cataloger_name":["Teddie,Brock"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["The Poem Show (West Coast Showcase for Poets and Songwriters) Pilot No. 1: Written and Produced by Jim Brown, Vancouver BC"],"item_title_source":["item, j-card, recording"],"item_title_note":["Liner notes: see the photo in material description\n\nNo date identified on item or recording"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Phillips, David","[Kramer, Gary?]","Gilbert, Gerry","Barrett, Ross","[Genule, Gerry?]","Hunt, L. A. 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The Pilot tape #1 showcase for poets and songwriters\\\" (SWALLOW ID 7207)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670556048556036,"timestamp":"2026-01-07T15:00:00.367Z","score":0.01643844},{"id":"6896","cataloger_name":["Teddie,Brock"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Fred Wah and Yasmin Ladha Poetry Reading and Interview at CJSW Campus Radio, University of Calgary"],"item_title_source":["item, j-card, recording"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ladha, Yasmin","[Smalek, Trisha?]","Wah, Fred"],"creator_names_search":["Ladha, Yasmin","[Smalek, Trisha?]","Wah, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/60765647\",\"name\":\"Ladha, Yasmin\",\"dates\":\"1958–\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"\",\"name\":\"[Smalek, Trisha?]\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939–\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7900/Fred Wah Fonds_MsC 17e_2.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC17E-02/MSC17E-02-01.mp3\",\"file_path\":\"\",\"filename\":\"MSC17E-02-01.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:35\",\"precision\":\"\",\"size\":\"30.3 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/fred-wah-and-yasmin-ladha-poetry-reading-and-interview-cjsw-campus-radio-university-calgary-part-1\"},{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC17E-02/MSC17E-02-02.mp3\",\"file_path\":\"\",\"filename\":\"MSC17E-02-02.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:33\",\"precision\":\"\",\"size\":\"30.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/fred-wah-and-yasmin-ladha-poetry-reading-and-interview-cjsw-campus-radio-university-calgary-part-2\"}]"],"Dates":["[]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/5082554161\",\"venue\":\"CJSW Radio\",\"notes\":\"\",\"address\":\"MacEwan Student Centre, 2500 University Dr NW, Calgary, AB T2N 1N4\",\"latitude\":\" 51.0788832\",\"longitude\":\"-114.1301225\"}]"],"Address":["MacEwan Student Centre, 2500 University Dr NW, Calgary, AB T2N 1N4"],"Venue":["CJSW Radio"],"City":["Calgary, Alberta"],"content_notes":["Side 1: Fred Wah reading + interview\nSide 2: Yasmin Ladha reading + interview"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556049604608,"timestamp":"2026-01-07T15:00:00.367Z","score":0.01643844},{"id":"6897","cataloger_name":["Teddie,Brock"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Vancouver Co-op Radio (Mountain Pass series): Fred Wah interview with Brian Fawcett on December 22, 1976 DUPLICATE 1 of 4"],"item_title_source":["item, j-card, recording"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Shaddock, Philip","Fawcett, Brian"],"creator_names_search":["Wah, Fred","Shaddock, Philip","Fawcett, Brian"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939–\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/296045432\",\"name\":\"Shaddock, Philip\",\"dates\":\"1949–\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/35890\",\"name\":\"Fawcett, Brian\",\"dates\":\"1944–\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors":["[]"],"Publication_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7901/Fred Wah Fonds_MsC 17e_3.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC17E-03/MSC17E-03-01.mp3\",\"file_path\":\"\",\"filename\":\"MSC17E-03-01.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:33:08\",\"precision\":\"\",\"size\":\"31.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/fred-wah-reading-and-interview-brian-fawcett-vancouver-co-op-radio-bc-poets-series-december-22-1976\"},{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC17E-03/MSC17E-03-02.mp3\",\"file_path\":\"\",\"filename\":\"MSC17E-03-02.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:33:05\",\"precision\":\"\",\"size\":\"31.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/fred-wah-reading-and-interview-brian-fawcett-vancouver-co-op-radio-bc-poets-series-december-22-0\"}]"],"Dates":["[{\"date\":\"1976-12-22\",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"item\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/7802936235#map=19/49.28180/-123.10236\",\"venue\":\"Vancouver Co-op Radio\",\"notes\":\"\",\"address\":\"370 Columbia St. Vancouver BC V6A 4J1\",\"latitude\":\"49.2817999\",\"longitude\":\"-123.1020211\"}]"],"Address":["370 Columbia St. Vancouver BC V6A 4J1"],"Venue":["Vancouver Co-op Radio"],"City":["Vancouver, British Columbia"],"content_notes":["Recordings end abruptly, possible parts missing in transition from Side 1 to Side 2"],"Note":["[{\"note\":\"This tape is a duplicate of the following tapes in Fred Wah Fonds with the same title: MsC 17e.40.4 \\\"Vancouver Co-op Radio (Mountain Pass series): Fred Wah interview with Brian Fawcett on December 22, 1976 DUPLICATE 2 of 4\\\" (SWALLOW ID 6918), MsC 17e.41.5 \\\"Vancouver Co-op Radio (Mountain Pass series): Fred Wah interview with Brian Fawcett on December 22, 1976 DUPLICATE 3 of 4\\\" (SWALLOW ID 6919), and MsC 17g.29 \\\"Vancouver Co-op Radio (Mountain Pass series): Fred Wah interview with Brian Fawcett on December 22, 1976 DUPLICATE 4 of 4 \\\"(SWALLOW ID 7513). Original not determined. Due to variances in sound channels, it is possible that multiple microphones had been arranged in different locations and that multiple tapes were produced. \\n\\n\\n\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670556049604609,"timestamp":"2026-01-07T15:00:00.367Z","score":0.01643844},{"id":"6898","cataloger_name":["Teddie,Brock"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Fred Wah Reading at SFU on July 21, 1981"],"item_title_source":["item"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred"],"creator_names_search":["Wah, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939–\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7927/Fred Wah Fonds_MsC 17e_11.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"FW_011 side 2 - blank.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:10\",\"precision\":\"\",\"size\":\"44.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/unarchiving-margins/fred-wah-reading-sfu-july-21-1981\",\"file_path\":\"\",\"filename\":\"FW_011 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:09\",\"precision\":\"\",\"size\":\"44.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-21\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"item\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132#map=15/49.2767/-122.9236\",\"venue\":\"SFU\",\"notes\":\"Specific location on campus unknown\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.276709600000004\",\"longitude\":\"-122.91780296438841\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["Side 1: Recording ends at T00:26:39\nSide 2: Blank"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670556050653185,"timestamp":"2026-01-07T15:00:00.367Z","score":0.01643844},{"id":"6904","cataloger_name":["Teddie,Brock"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Fred Wah Interview with CBC Radio on February 2, 1982"],"item_title_source":["item"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred"],"creator_names_search":["Wah, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939–\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7928/Fred Wah Fonds_MsC 17e_12.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"FW_012 side 2 - blank.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:33:52\",\"precision\":\"\",\"size\":\"48.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/unarchiving-margins/fred-wah-interview-cbc-radio-february-2-1982\",\"file_path\":\"\",\"filename\":\"FW_012 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:35:27\",\"precision\":\"\",\"size\":\"51.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-02-02\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"item\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/50259713\",\"venue\":\"CBC Radio\",\"notes\":\"\",\"address\":\"700 Hamilton Street Vancouver, British Columbia V6B 4A2\",\"latitude\":\"49.27912\",\"longitude\":\"-123.11452\"}]"],"Address":["700 Hamilton Street Vancouver, British Columbia V6B 4A2"],"Venue":["CBC Radio"],"City":["Hamilton, British Columbia"],"Note":["[{\"note\":\"Side 1: Recording ends at T00:11:03\\nSide 2: Blank\\n\\nInterviewer not identified\",\"type\":\"General\"},{\"note\":\"Sound quality: slight wavering throughout recording, background noise\",\"type\":\"General\"},{\"note\":\"Likely a home recording of the original radio program. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556050653186,"timestamp":"2026-01-07T15:00:00.367Z","score":0.01643844},{"id":"6905","cataloger_name":["Teddie,Brock"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Fred Wah Prose-Poetry Reading in Canton, New York "],"item_title_source":["item, j-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred"],"creator_names_search":["Wah, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939–\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7929/Fred Wah Fonds_MsC 17e_13.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"j-card\",\"other_physical_description\":\"white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC17E-13/MSC17E-13-01.mp3\",\"file_path\":\"\",\"filename\":\"MSC17E-13-01.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:45\",\"precision\":\"\",\"size\":\"44.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/fred-wah-prose-poetry-reading-canton-new-york-part-1\"},{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC17E-13/MSC17E-13-02.mp3\",\"file_path\":\"\",\"filename\":\"MSC17E-13-02.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:45\",\"precision\":\"\",\"size\":\"44.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/fred-wah-prose-poetry-reading-canton-new-york-part-2\"}]"],"Dates":["[]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/175977\",\"venue\":\"\",\"notes\":\"Venue unknown\",\"address\":\"Canton, New York\",\"latitude\":\"44.5975\",\"longitude\":\"-75.171111\"}]"],"Address":["Canton, New York"],"content_notes":["Side 1: Recording starts abruptly in middle of reading, ends at T00:14:00\nSide 2: Blank\n"],"Note":["[{\"note\":\"Sound quality: recurring wavy tape noise after recording ends (both sides)\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556050653187,"timestamp":"2026-01-07T15:00:00.367Z","score":0.01643844},{"id":"6906","cataloger_name":["Teddie,Brock"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Fred Wah, \"Making Strange Poetics\" Reading During \"Long-Liners\" Conference at York University, 1984"],"item_title_source":["item, recording"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred"],"creator_names_search":["Wah, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939–\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1984],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7930/Fred Wah Fonds_MsC 17e_14.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC17E-14-Service%20File.mp3\",\"file_path\":\"\",\"filename\":\"MSC17E-14-01.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:20\",\"precision\":\"\",\"size\":\"30.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/unarchiving-margins/fred-wah-making-strange-poetics-reading-during-long-liners-conference-york\"}]"],"Dates":["[{\"date\":\"1984\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"item\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/6370888053\",\"venue\":\"York University\",\"notes\":\"\",\"address\":\"4700 Keele St, Toronto, ON M3J 1P3\",\"latitude\":\" 43.7587808\",\"longitude\":\"-79.5194336\"}]"],"Address":["4700 Keele St, Toronto, ON M3J 1P3"],"Venue":["York University"],"City":["Toronto, Ontario"],"content_notes":["Side 1: Recording ends at T00:25:26\nSide 2: Blank"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556050653188,"timestamp":"2026-01-07T15:00:00.367Z","score":0.01643844},{"id":"6907","cataloger_name":["Teddie,Brock"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Fred Wah Interview with Stuart McLean on CBC Toronto \"Morningside\" Program on March 4, 1986"],"item_title_source":["item, recording"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","McLean, Stuart","Wells, Judy","[Donavich, Gerald?]"],"creator_names_search":["Wah, Fred","McLean, Stuart","Wells, Judy","[Donavich, Gerald?]"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939–\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/53310596\",\"name\":\"McLean, Stuart\",\"dates\":\"1948–2017\",\"notes\":\"radio host\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/11265660\",\"name\":\"Wells, Judy\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"[Donavich, Gerald?]\",\"dates\":\"\",\"notes\":\"musician - saxophone quartet\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Production_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7949/Fred Wah Fonds_MsC 17e_15.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"j-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC17E-15-Service%20File.mp3\",\"file_path\":\"\",\"filename\":\"MSC17E-15-01.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:47\",\"precision\":\"\",\"size\":\"29.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/unarchiving-margins/fred-wah-interview-stuart-mclean-cbc-toronto-morningside-program-march-4-1986\"}]"],"Dates":["[{\"date\":\"1986-03-04\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"item, recording\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/456341915#map=19/43.65360/-79.37320\",\"venue\":\"CBC Studio Toronto\",\"notes\":\"CBC Toronto studio address was changed in 1993 (after this recording took place) to 205 Wellington Street West, Toronto, Ontario, M5V 3G7 from a smaller facility on Jarvis Street, near the former television transmitter. (Source: https://en.wikipedia.org/wiki/Canadian_Broadcasting_Centre) \",\"address\":\"Jarvis Street, Toronto, Ontario, Canada\",\"latitude\":\"43.6562555\",\"longitude\":\"-79.374232 \"}]"],"Address":["Jarvis Street, Toronto, Ontario, Canada"],"Venue":["CBC Studio Toronto"],"City":["Toronto, Ontario"],"content_notes":["Side 1: Wah interview ends at T00:17:44\nSide 2: Blank\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670556050653189,"timestamp":"2026-01-07T15:00:00.367Z","score":0.01643844},{"id":"6908","cataloger_name":["Teddie,Brock"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Fred Wah Classroom Lecture: \"The Line\" in Red Deer, Alberta on July 8, 1987"],"item_title_source":["item"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","[Nichol, bp (Barrie Phillip)?]"],"creator_names_search":["Wah, Fred","[Nichol, bp (Barrie Phillip)?]"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939–\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"[Nichol, bp (Barrie Phillip)?]\",\"dates\":\"1944–1988\",\"notes\":\"Unconfirmed, though bpNichol is most likely the second speaker co-teaching with Wah. At T:00:27:55 there is a a possible reference to himself where he compares the \\\"reader's digest bpNichol version\\\" with Wah's poetics. \\n\\nAt T:00:36:48 the speaker also tells an anecdote about his older brother, Bob, who is mentioned in Frank Davey's text \\\"Aka bpnichol: A Preliminary Biography\\\"\\n\\nAlso see Msc 17e.53.17 for audio comparison of Nichol's voice. \\n\\n\\n\\n\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7950/Fred Wah Fonds_MsC 17e_16.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"j-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC17E-16.mp3\",\"file_path\":\"\",\"filename\":\"MSC17E-16-01.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:15\",\"precision\":\"\",\"size\":\"45.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/unarchiving-margins/fred-wah-classroom-lecture-line-red-deer-alberta-july-8-1987\"}]"],"Dates":["[{\"date\":\"1987-07-08\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"item\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/8757446195\",\"venue\":\"\",\"notes\":\"Venue unknown\",\"address\":\"Red Deer, Alberta\",\"latitude\":\" 52.2686120\",\"longitude\":\"-113.8096073\"}]"],"Address":["Red Deer, Alberta"],"Note":["[{\"note\":\"Sound quality: Voices very faint, tape noise throughout recording \\n\\n\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556050653190,"timestamp":"2026-01-07T15:00:00.367Z","score":0.01643844},{"id":"6909","cataloger_name":["Teddie,Brock"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Fred Wah, Lorna Crozier, bpNichol Panel Seminar on Poetry at Weyburn Writers' Conference, 1988"],"item_title_source":["item"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Crozier, Lorna","Wah, Fred","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Crozier, Lorna","Wah, Fred","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/115427026\",\"name\":\"Crozier, Lorna\",\"dates\":\"1948–\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939–\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944–1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7951/Fred Wah Fonds_MsC 17e_17.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC17E-17/MSC17E-17-01.mp3\",\"file_path\":\"\",\"filename\":\"MSC17E-17-01.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:49\",\"precision\":\"\",\"size\":\"44 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/fred-wah-lorna-crozier-bpnichol-panel-seminar-poetry-weyburn-writers-conference-1988-part-1\"},{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC17E-17/MSC17E-17-02.mp3\",\"file_path\":\"\",\"filename\":\"MSC17E-17-02.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:51\",\"precision\":\"\",\"size\":\"44 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/fred-wah-lorna-crozier-bpnichol-panel-seminar-poetry-weyburn-writers-conference-1988-part-2\"}]"],"Dates":["[{\"date\":\"1988\",\"type\":\"Production Date\",\"notes\":\"Month or day not confirmed by entity, but event likely took place between April 15-17, 1988 according to WordWorks Magazine, March 1988 edition (information here: https://issuu.com/wordwork /docs/wordworks1988march). Also includes a note on p. 11 that festival inquiries should be directed to Weyburn Public Library, which could also be the venue. \",\"source\":\"item\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/52288814#map=14/49.6660/-103.8411\",\"venue\":\"\",\"notes\":\"Venue not confirmed by entity, but it possibly took place at the Weyburn Public Library (see location note and more information at: https://issuu.com/wordworks/docs/wordworks1988march pp. 11) \",\"address\":\"Weyburn, Saskatchewan, Manitoba \",\"latitude\":\"49.6694050\",\"longitude\":\"-103.8510130\"}]"],"Address":["Weyburn, Saskatchewan, Manitoba "],"content_notes":["Side 2: recording ends at T00:24:15"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556050653191,"timestamp":"2026-01-07T15:00:00.367Z","score":0.01643844},{"id":"6910","cataloger_name":["Teddie,Brock"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Fred Wah Reading for SFU Class with Roy Miki on Vancouver Co-op Radio \"Prismatic\" Program, March 8, 1990 (Aired March 21, 1990)"],"item_title_source":["item, j-card, recording"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Miki, Roy"],"creator_names_search":["Wah, Fred","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939–\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1990],"Performance_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7980/Fred Wah Fonds_MsC 17e_18.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from cassette (complementary copy)\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"j-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC17E-18-Service%20File.mp3\",\"file_path\":\"\",\"filename\":\"MSC17E-18-01.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:31\",\"precision\":\"\",\"size\":\"30.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/unarchiving-margins/fred-wah-reading-sfu-class-roy-miki-vancouver-co-op-radio-prismatic-program\"}]"],"Dates":["[{\"date\":\"1990-03-08\",\"type\":\"Performance Date\",\"notes\":\"Date of reading event\",\"source\":\"j-card, recording\"},{\"date\":\"1990-03-21\",\"type\":\"Production Date\",\"notes\":\"Broadcast date\",\"source\":\"j-card, recording\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/7802936235#map=19/49.28180/-123.10236\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St. Vancouver BC V6A 4J1\",\"latitude\":\"49.2817999\",\"longitude\":\"-123.1020211\"},{\"url\":\"https://www.openstreetmap.org/way/102254132#map=15/49.2767/-122.9236\",\"venue\":\"SFU\",\"notes\":\"Building/room unknown\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.276709600000004\",\"longitude\":\"-122.91780296438841\"}]"],"Address":["370 Columbia St. Vancouver BC V6A 4J1","8888 University Dr, Burnaby, BC, Canada"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM","SFU"],"City":["Vancouver, British Columbia","Burnaby, British Columbia"],"content_notes":["Side 1: Reading ends at T00:22:00\nRecording ends at T00:27:05\n\nSide 2: Blank\n"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556052750336,"timestamp":"2026-01-07T15:00:00.367Z","score":0.01643844},{"id":"6911","cataloger_name":["Teddie,Brock"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Fred Wah, Nancy Bauer, Alistair MacLeod Interviewed by Erika Ritter on Air Craft, April 19, 1990"],"item_title_source":["item, recording"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Bauer, Nancy","MacLeod, Alistair","Ritter, Erika","Scollard, Rose","McLean, Stuart","McGuinness, Fred","Carr, Jim","[Ziland, Svetlana?]"],"creator_names_search":["Wah, Fred","Bauer, Nancy","MacLeod, Alistair","Ritter, Erika","Scollard, Rose","McLean, Stuart","McGuinness, Fred","Carr, Jim","[Ziland, Svetlana?]"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939–\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/14997453\",\"name\":\"Bauer, Nancy\",\"dates\":\"1960–\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/76490556\",\"name\":\"MacLeod, Alistair\",\"dates\":\"1936–2014\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/38381080\",\"name\":\"Ritter, Erika\",\"dates\":\"1948–\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/169659938\",\"name\":\"Scollard, Rose\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/53310596\",\"name\":\"McLean, Stuart\",\"dates\":\"1948–2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/40829746\",\"name\":\"McGuinness, Fred \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Carr, Jim\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"[Ziland, Svetlana?]\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7981/Fred Wah Fonds_MsC 17e_19.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC17E-19/MSC17E-19-01.mp3\",\"file_path\":\"\",\"filename\":\"MSC17E-19-01.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:01\",\"precision\":\"\",\"size\":\"30.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/fred-wah-nancy-bauer-alistair-macleod-interviewed-erika-ritter-air-craft-april-19-1990-part-1\"},{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC17E-19/MSC17E-19-02.mp3\",\"file_path\":\"\",\"filename\":\"MSC17E-19-02.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:00\",\"precision\":\"\",\"size\":\"30.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/fred-wah-nancy-bauer-alistair-macleod-interviewed-erika-ritter-air-craft-april-19-1990-part-2\"}]"],"Dates":["[{\"date\":\"1990-04-19\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"item, recording\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Side 1: Interview ends at T:00:23:00"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556053798912,"timestamp":"2026-01-07T15:00:00.367Z","score":0.01643844},{"id":"6912","cataloger_name":["Teddie,Brock"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Fred Wah Phone Interview with Tim McKort on CJSR Campus Radio at the University of Alberta (On Air With Dead Tree) on November 27, 1991"],"item_title_source":["item, recording"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","McKort, Tim"],"creator_names_search":["Wah, Fred","McKort, Tim"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939–\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"McKort, Tim\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors":["[]"],"Production_Date":[1991],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7982/Fred Wah Fonds_MsC 17e_20.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"j-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC17E-20-Service%20File.mp3\",\"file_path\":\"\",\"filename\":\"MSC17E-20-01.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:13\",\"precision\":\"\",\"size\":\"44.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/unarchiving-margins/fred-wah-phone-interview-tim-mckort-cjsr-campus-radio-university-alberta-air\"}]"],"Dates":["[{\"date\":\"1991-11-27\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"item\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/3758438523\",\"venue\":\"CJSR 88.5 FM Campus Radio\",\"notes\":\"\",\"address\":\"Room 0-09 Students’ Union Building University of Alberta Edmonton, AB T6G 2J7\",\"latitude\":\" 53.5249398\",\"longitude\":\"-113.5274646\"}]"],"Address":["Room 0-09 Students’ Union Building University of Alberta Edmonton, AB T6G 2J7"],"Venue":["CJSR 88.5 FM Campus Radio"],"City":["Edmonton, Alberta"],"content_notes":["Side 1: Interview ends at T:00:21:33\nSide 2: Blank"],"Note":["[{\"note\":\"Sound quality: interviewer's voice is grainy, loud. Recurrent wave-like noise throughout tape. Wah's voice comparatively quiet. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556053798913,"timestamp":"2026-01-07T15:00:00.367Z","score":0.01643844},{"id":"6913","cataloger_name":["Teddie,Brock"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["radiofreerainforest 17 November, 1992 and 10 December, 1992 "],"item_title_source":["item, j-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kiyooka, Roy","Wah, Fred","Shaw, Nancy"],"creator_names_search":["Kiyooka, Roy","Wah, Fred","Shaw, Nancy"],"creators":["[{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939–\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/53241677\",\"name\":\"Shaw, Nancy\",\"dates\":\"1962–2007\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"contributors":["[]"],"Production_Date":[1992],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7983/Fred Wah Fonds_MsC 17e_21.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-17-november-1992-sides-11-and-10-december-1992-sides-12-22-part-2\",\"file_path\":\"\",\"filename\":\"FW_021 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:11\",\"precision\":\"\",\"size\":\"45.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC17E-21/MSC17E-21-01.mp3\",\"file_path\":\"\",\"filename\":\"MSC17E-21-01.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:12\",\"precision\":\"\",\"size\":\"29.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-17-november-1992-sides-11-and-10-december-1992-sides-12-22-part-1\"}]"],"Dates":["[{\"date\":\"1992-12-10\",\"type\":\"Production Date\",\"notes\":\"date of Roy Kiyooka reading\",\"source\":\"item, j-card\"},{\"date\":\"1992-11-17\",\"type\":\"Production Date\",\"notes\":\"date of Fred Wah reading \",\"source\":\"item, j-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/69701736#map=19/49.28288/-123.12056\",\"venue\":\"Vancouver Art Gallery\",\"notes\":\"Venue of Roy Kiyooka reading\",\"address\":\"750 Hornby St, Vancouver, BC V6Z 2H7\",\"latitude\":\"49.2829\",\"longitude\":\"-123.12049\"},{\"url\":\"https://www.openstreetmap.org/node/3974498662\",\"venue\":\"R2B2 Books Books (Vancouver)\",\"notes\":\"Venue of Fred Wah reading. Originally located at 2742 West 4th Avenue, Vancouver (approximate OSM link)\",\"address\":\"2742 West 4th Ave, Vancouver, BC V6K 1R1\",\"latitude\":\"49.26855\",\"longitude\":\"-123.16739\"}]"],"Address":["750 Hornby St, Vancouver, BC V6Z 2H7","2742 West 4th Ave, Vancouver, BC V6K 1R1"],"Venue":["Vancouver Art Gallery","R2B2 Books Books (Vancouver)"],"City":["Vancouver, British Columbia","Vancouver, British Columbia"],"content_notes":["Side 1: 1/2 of Fred Wah reading lost (also indicated on physical tape). Includes 2/2 of reading + 1/2 of Roy Kiyooka reading at T00:18:42\n\nSide 2: 2/2 of Roy Kiyooka reading from \"Mothertalk\"\n\n"],"Note":["[{\"note\":\"Sound quality: Wah recording is very quiet in relation to foreground noise; Kiyooka reading significantly louder.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556053798914,"timestamp":"2026-01-07T15:00:00.367Z","score":0.01643844},{"id":"6914","cataloger_name":["Teddie,Brock"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Fred Wah Interviewed by Mary Howes in Wah's Office at the University of Calgary on October 31, 1993 "],"item_title_source":["item, j-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Howes, Mary"],"creator_names_search":["Wah, Fred","Howes, Mary"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939–\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/104109241\",\"name\":\"Howes, Mary\",\"dates\":\"1941–\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors":["[]"],"Production_Date":[1993],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8099/Fred Wah Fonds_MsC 17e_22.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"j-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC17E-22/MSC17E-22-01.mp3\",\"file_path\":\"\",\"filename\":\"MSC17E-22-01.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:21:12\",\"precision\":\"\",\"size\":\"20.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/fred-wah-interviewed-mary-howes-wahs-office-university-calgary-october-31-1993-part-1\"},{\"file_url\":\"https://digital.lib.sfu.ca/fred-wah-interviewed-mary-howes-wahs-office-university-calgary-october-31-1993-part-2\",\"file_path\":\"\",\"filename\":\"MSC17E-22-02.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:18\",\"precision\":\"\",\"size\":\"45.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/fred-wah-interviewed-mary-howes-wahs-office-university-calgary-october-31-1993-part-2\"}]"],"Dates":["[{\"date\":\"1993-10-31\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"item, j-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/4973042#map=19/51.07909/-114.12691\",\"venue\":\"University of Calgary - Department of English (Fred Wah's Office)\",\"notes\":\"Recording took place at Fred Wah's office, presumably somewhere in the Social Sciences Building where the Department of English is located at the University of Calgary \",\"address\":\"Social Sciences, 500 Campus Place NW, Charleswood, Calgary, Alberta, T2N 1N7, Canada\",\"latitude\":\"51.07912\",\"longitude\":\"-114.12695\"}]"],"Address":["Social Sciences, 500 Campus Place NW, Charleswood, Calgary, Alberta, T2N 1N7, Canada"],"Venue":["University of Calgary - Department of English (Fred Wah's Office)"],"City":["Calgary, Alberta"],"content_notes":["Side 1: Complete interview\nSide 2: Repeated ending segment of interview, recording ends at T00:08:50\n\n"],"Note":["[{\"note\":\"Tape is likely second generation: a segment of the interview is repeated on Side B of the tape.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556054847488,"timestamp":"2026-01-07T15:00:00.367Z","score":0.01643844},{"id":"6915","cataloger_name":["Teddie,Brock"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Fred Wah Reading in Nelson on November 15, 1996 and Stuart McLean reading Fred Wah poem on CBC's Vinyl Cafe "],"item_title_source":["item, j-card, recording"],"item_title_note":["Liner notes: see the photo in material description\n\nSide 1: Fred Wah Nelson reading sponsored by the Kootenay School of Writing. \n\nSide 2: Stuart McLean reads Wah poem \"Soft Ice Cream Hits Nelson\" "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Krall, Diana","Waters, Sneezy","Verch, April","Newman, Randy","Black, Frances","Earth Baby","McLean, Stuart","[Stevenson, Helen?]","Brothers Creeggan"],"creator_names_search":["Wah, Fred","Krall, Diana","Waters, Sneezy","Verch, April","Newman, Randy","Black, Frances","Earth Baby","McLean, Stuart","[Stevenson, Helen?]","Brothers Creeggan"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939–\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/12499712\",\"name\":\"Krall, Diana\",\"dates\":\"1964–\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/103992253\",\"name\":\"Waters, Sneezy\",\"dates\":\"1945–\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/34140672\",\"name\":\"Verch, April\",\"dates\":\"1978–\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/47557171\",\"name\":\"Newman, Randy\",\"dates\":\"1943–\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/35641466\",\"name\":\"Black, Frances\",\"dates\":\"1960–\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/154708896\",\"name\":\"Earth Baby\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/53310596\",\"name\":\"McLean, Stuart\",\"dates\":\"1948–2017\",\"notes\":\"Host of \\\"Vinyl Cafe\\\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/104077467\",\"name\":\"[Stevenson, Helen?]\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/144197115\",\"name\":\"Brothers Creeggan\",\"dates\":\"\",\"notes\":\"The Brothers Creeggan was a Canadian alternative rock/jazz band composed of Jim Creeggan (upright bass, guitar, bass guitar, vocals), Andy Creeggan (guitar, piano, accordion, percussion, vocals) and Ian McLauchlan (drums). The group has released four albums: The Brothers Creeggan (1993), The Brothers Creeggan II (1997), Trunks (2000) and Sleepyhead (2002).\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Production_Date":[1996],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8100/Fred Wah Fonds_MsC 17e_23.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC17E-23/MSC17E-23-01.mp3\",\"file_path\":\"\",\"filename\":\"MSC17E-23-01.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:58\",\"precision\":\"\",\"size\":\"45.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/fred-wah-reading-nelson-november-15-1996-and-stuart-mclean-reading-fred-wah-poem-cbcs-vinyl-cafe\"},{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC17E-23/MSC17E-23-02.mp3\",\"file_path\":\"\",\"filename\":\"MSC17E-23-02.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:52\",\"precision\":\"\",\"size\":\"45 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/fred-wah-reading-nelson-november-15-1996-and-stuart-mclean-reading-fred-wah-poem-cbcs-vinyl-cafe-0\"}]"],"Dates":["[{\"date\":\"1996-11-15\",\"type\":\"Production Date\",\"notes\":\"date of Nelson reading\",\"source\":\"item, j-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"Airing of \\\"Vinyl Cafe\\\" show on CBC 1, Calgary. General coordinates of city where tape (not program) was likely recorded. \",\"address\":\"Calgary, Alberta, Canada\",\"latitude\":\"51.0454\",\"longitude\":\"-114.0565\"},{\"url\":\"https://www.openstreetmap.org/node/3136041944#map=15/49.4933/-117.2956\",\"venue\":\"\",\"notes\":\"Venue not identified, but likely downtown. Wah mentions recent visit to Kootenay School of Art (KSA), event sponsored by Kootenay School of Writing,\",\"address\":\"Nelson, BC, Canada\",\"latitude\":\"49.4928\",\"longitude\":\"-117.2958\"}]"],"Address":["Calgary, Alberta, Canada","Nelson, BC, Canada"],"City":["Calgary, Alberta"],"content_notes":["SIde 1: Fred Wah reading in Nelson\n\nSide 2: Stuart McLean reading Fred Wah poem on CBC (segment starts at T00:06:08, ends at T00:08:20)"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556054847489,"timestamp":"2026-01-07T15:00:00.367Z","score":0.01643844},{"id":"6916","cataloger_name":["Teddie,Brock"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Fred Wah Poetry Reading with Stuart McLean on CBC's Vinyl Cafe - Live at the Jubilee Auditorium in Calgary on June 2, 2002"],"item_title_source":["item, j-card, recording"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","McLean, Stuart","Crane, Ben","Hill, James","Peters, Jake","Bird, Bill","Rasmussen, Greg"],"creator_names_search":["Wah, Fred","McLean, Stuart","Crane, Ben","Hill, James","Peters, Jake","Bird, Bill","Rasmussen, Greg"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939–\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/53310596\",\"name\":\"McLean, Stuart\",\"dates\":\"1948–2017\",\"notes\":\"Host of \\\"Vinyl Cafe\\\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Crane, Ben\",\"dates\":\"\",\"notes\":\"Member of \\\"Spur of the Moment\\\" band\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/106696177\",\"name\":\"Hill, James\",\"dates\":\"1980–\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Peters, Jake\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Bird, Bill\",\"dates\":\"\",\"notes\":\"Host on the CBC\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"\",\"name\":\"Rasmussen, Greg\",\"dates\":\"\",\"notes\":\"CBC reporter\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[2002],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8106/Fred Wah Fonds_MsC 17e_24.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"j-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC17E-24.mp3\",\"file_path\":\"\",\"filename\":\"MSC17E-24-01.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:57:00\",\"precision\":\"\",\"size\":\"54.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/unarchiving-margins/fred-wah-poetry-reading-stuart-mclean-cbcs-vinyl-cafe-live-jubilee-auditorium\"}]"],"Dates":["[{\"date\":\"2002-06-02\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"item, j-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/19154132#map=18/51.06254/-114.09252\",\"venue\":\"Southern Alberta Jubilee Auditorium\",\"notes\":\"\",\"address\":\"1415 – 14 Ave NW, Calgary, AB, T2N 1M4\",\"latitude\":\"51.06258\",\"longitude\":\"-114.09256\"}]"],"Address":["1415 – 14 Ave NW, Calgary, AB, T2N 1M4"],"Venue":["Southern Alberta Jubilee Auditorium"],"City":["Calgary, Alberta"],"content_notes":["Side 1: Fred Wah appearance between T00:28:20 — T00:31:55. Vinyl Cafe program ends at T00:53:59. Recording includes beginning of CBC news programming \n\nSide 2: Blank"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556054847490,"timestamp":"2026-01-07T15:00:00.367Z","score":0.01643844},{"id":"6917","cataloger_name":["Teddie,Brock"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Fred Wah Reading for the Department of English at the University of Calgary on October 6, 2006"],"item_title_source":["item, j-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred"],"creator_names_search":["Wah, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939–\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[2006],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8107/Fred Wah Fonds_MsC 17e_25.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"j-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC17E-25.mp3\",\"file_path\":\"\",\"filename\":\"MSC17E-25-01.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:57:04\",\"precision\":\"\",\"size\":\"54.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/unarchiving-margins/fred-wah-reading-department-english-university-calgary-october-6-2006\"}]"],"Dates":["[{\"date\":\"2006-10-06\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"item, j-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/4973042#map=19/51.07909/-114.12691\",\"venue\":\"University of Calgary - Department of English\",\"notes\":\"Likely where recording took place: Department of English of University of Calgary is located in the Social Sciences Building\",\"address\":\"Social Sciences, 500 Campus Place NW, Charleswood, Calgary, Alberta, T2N 1N7, Canada\",\"latitude\":\"51.07912\",\"longitude\":\"-114.12695\"}]"],"Address":["Social Sciences, 500 Campus Place NW, Charleswood, Calgary, Alberta, T2N 1N7, Canada"],"Venue":["University of Calgary - Department of English"],"City":["Calgary, Alberta"],"content_notes":["Side 1: Reading ends at T00:38:03, Q&A starts T00:38:12  \n\nSide 2: Blank"],"Note":["[{\"note\":\"Side 1: Sound quality is excellent until T00:38:20 (during Q & A). Quiet, Left/right fading in/out + recurrent beeping sound for rest of tape.\\n\",\"type\":\"General\"},{\"note\":\"Unidentified speaker at introduction.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556054847491,"timestamp":"2026-01-07T15:00:00.367Z","score":0.01643844},{"id":"6918","cataloger_name":["Teddie,Brock"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Vancouver Co-op Radio (Mountain Pass series): Fred Wah interview with Brian Fawcett on December 22, 1976 DUPLICATE 2 of 4"],"item_title_source":["item, j-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Shaddock, Philip","Fawcett, Brian"],"creator_names_search":["Wah, Fred","Shaddock, Philip","Fawcett, Brian"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939–\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/296045432\",\"name\":\"Shaddock, Philip\",\"dates\":\"1949–\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/35890\",\"name\":\"Fawcett, Brian\",\"dates\":\"1944–\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors":["[]"],"Publication_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8108/Fred Wah Fonds_MsC 17e_4.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC17E-04/MSC17E-04-01.mp3\",\"file_path\":\"\",\"filename\":\"MSC17E-04-01.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:33:32\",\"precision\":\"\",\"size\":\"32.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/fred-wah-reading-and-interview-brian-fawcett-vancouver-co-op-radio-bc-poets-series-december-22-1\"},{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC17E-04/MSC17E-04-02.mp3\",\"file_path\":\"\",\"filename\":\"MSC17E-04-02.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:33:17\",\"precision\":\"\",\"size\":\"32 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\" https://digital.lib.sfu.ca/fred-wah-reading-and-interview-brian-fawcett-vancouver-co-op-radio-bc-poets-series-december-22-2 https://digital.lib.sfu.ca/fred-wah-reading-and-interview-brian-fawcett-vancouver-co-op-radio-bc-poets-series-december-22-2\"}]"],"Dates":["[{\"date\":\"1976-12-22\",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"item\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/7802936235\",\"venue\":\"Vancouver Co-op Radio\",\"notes\":\"\",\"address\":\"370 Columbia St. Vancouver BC V6A 4J1\",\"latitude\":\"49.2817999\",\"longitude\":\"-123.1020211\"}]"],"Address":["370 Columbia St. Vancouver BC V6A 4J1"],"Venue":["Vancouver Co-op Radio"],"City":["Vancouver, British Columbia"],"content_notes":["Recordings end abruptly, possible segments missing in transition from Side 1 to Side 2"],"Note":["[{\"note\":\"Sides are reversed in order of interview: Side 1 = Part 2, Side 2 = Part 1\\n\",\"type\":\"General\"},{\"note\":\"This tape is a duplicate of the following tapes in Fred Wah Fonds with the same title: MsC 17e.41.5 \\\"Vancouver Co-op Radio (Mountain Pass series): Fred Wah interview with Brian Fawcett on December 22, 1976 DUPLICATE 3 of 4\\\" (SWALLOW ID 6919), MsC 17g.29 \\\"Vancouver Co-op Radio (Mountain Pass series): Fred Wah interview with Brian Fawcett on December 22, 1976 DUPLICATE 4 of 4\\\" (SWALLOW ID 7513), and 17e.39.3 \\\"ancouver Co-op Radio (Mountain Pass series): Fred Wah interview with Brian Fawcett on December 22, 1976 DUPLICATE 1 of 4\\\" (SWALLOW ID 6897). Original not determined. Due to variances in sound channels, it is possible that multiple microphones had been arranged in different locations and that multiple tapes were produced. \",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670556054847492,"timestamp":"2026-01-07T15:00:00.367Z","score":0.01643844},{"id":"6919","cataloger_name":["Teddie,Brock"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Vancouver Co-op Radio (Mountain Pass series): Fred Wah interview with Brian Fawcett on December 22, 1976  DUPLICATE 3 of 4"],"item_title_source":["item"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Shaddock, Philip","Fawcett, Brian"],"creator_names_search":["Wah, Fred","Shaddock, Philip","Fawcett, Brian"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939–\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/296045432\",\"name\":\"Shaddock, Philip\",\"dates\":\"1949–\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/35890\",\"name\":\"Fawcett, Brian\",\"dates\":\"1944–\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors":["[]"],"Publication_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8109/Fred Wah Fonds_MsC 17e_5.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC17E-05/MSC17E-05-01.mp3\",\"file_path\":\"\",\"filename\":\"MSC17E-05-01.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:33:29\",\"precision\":\"\",\"size\":\"32.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/fred-wah-reading-and-interview-brian-fawcett-vancouver-co-op-radio-bc-poets-series-december-22-3\"},{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC17E-05/MSC17E-05-02.mp3\",\"file_path\":\"\",\"filename\":\"MSC17E-05-02.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:33:57\",\"precision\":\"\",\"size\":\"32.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/fred-wah-reading-and-interview-brian-fawcett-vancouver-co-op-radio-bc-poets-series-december-22-4\"}]"],"Dates":["[{\"date\":\"1976-12-22\",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"item\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/7802936235\",\"venue\":\"Vancouver Co-op Radio\",\"notes\":\"\",\"address\":\"370 Columbia St. Vancouver BC V6A 4J1\",\"latitude\":\"49.2817999\",\"longitude\":\"-123.1020211\"}]"],"Address":["370 Columbia St. Vancouver BC V6A 4J1"],"Venue":["Vancouver Co-op Radio"],"City":["Vancouver, British Columbia"],"content_notes":["Recordings end abruptly, possible segments missing from transition to Side 1 to Side 2"],"Note":["[{\"note\":\"This tape is a duplicate of the following tapes in Fred Wah Fonds with the same title: MsC 17e.40.4 \\\"Vancouver Co-op Radio (Mountain Pass series): Fred Wah interview with Brian Fawcett on December 22, 1976 DUPLICATE 2 of 4\\\" (SWALLOW ID 6918), MsC 17g.29 \\\"Vancouver Co-op Radio (Mountain Pass series): Fred Wah interview with Brian Fawcett on December 22, 1976 DUPLICATE 4 of 4\\\" (SWALLOW ID 7513), and 17e.39.3 \\\"Vancouver Co-op Radio (Mountain Pass series): Fred Wah interview with Brian Fawcett on December 22, 1976 DUPLICATE 1 of 4\\\" (SWALLOW ID 6897). Original not determined. Due to variances in sound channels, it is possible that multiple microphones had been arranged in different locations and that multiple tapes were produced. \",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670556054847493,"timestamp":"2026-01-07T15:00:00.367Z","score":0.01643844},{"id":"6920","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["CBC Radio Program: Sunday Morning Art at Diamond club in Toronto, and George Bowering reading \"The Great Grandchildren of Bill Bissette's Mice\" in Vancouver"],"item_title_source":["cassette and j-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["McCormack, Eric","Browning, Norman","Bowering, George","Bowering, Angela","Wah, Fred","Weiner, Gerry","Watt, Keith","Little, Adam","O'Connell, Mary","Young, Gerry","Raven-Hill, Stuart","Kourianten, Tony","White, Donn","Healey, Jeff","[Hutchinson, Max?]","[Roloff?], Reneé","[Dutt, Charlotte?]","[Caurteron, Daniel?]","Doray, Michelle","[Castongase, Sandy?]","Henderson, Graham","Mellett, Donald Ring","Reed, James","Ritter, Erica","Cowboy Junkies","Deber, Raisa B."],"creator_names_search":["McCormack, Eric","Browning, Norman","Bowering, George","Bowering, Angela","Wah, Fred","Weiner, Gerry","Watt, Keith","Little, Adam","O'Connell, Mary","Young, Gerry","Raven-Hill, Stuart","Kourianten, Tony","White, Donn","Healey, Jeff","[Hutchinson, Max?]","[Roloff?], Reneé","[Dutt, Charlotte?]","[Caurteron, Daniel?]","Doray, Michelle","[Castongase, Sandy?]","Henderson, Graham","Mellett, Donald Ring","Reed, James","Ritter, Erica","Cowboy Junkies","Deber, Raisa B."],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/9689/Fred Wah Fonds_MsC 17 f_1.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-001-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:00:18\",\"precision\":\"\",\"size\":\"55.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-001-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:09\",\"precision\":\"\",\"size\":\"43.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"On the second side, it's mentioned that Donald Mellet produced the reading performance \\\" The Great Grandchildren of Bill Bissette's Mice\\\" in Vancouver, Canada\",\"address\":\"Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, Canada\",\"latitude\":\"49.2597\",\"longitude\":\"-123.1155\"},{\"url\":\"https://www.openstreetmap.org/way/50259713\",\"venue\":\"CBC Studio\",\"notes\":\"It's hard to say if this tape was recorded in Vancouver or Toronto; we entered the locations for both Vancouver and Toronto CBC Radio \",\"address\":\"700 Hamilton Street Vancouver, British Columbia V6B 4A2\",\"latitude\":\"49.27915495\",\"longitude\":\"-123.11434125336939\"},{\"url\":\"https://www.openstreetmap.org/way/456341915#map=19/43.65360/-79.37320\",\"venue\":\"CBC Studio\",\"notes\":\"It's hard to say if this tape was recorded in Vancouver or Toronto; we entered the locations for both Vancouver and Toronto CBC Radio.\\n\\nWe do not know how old this tape is, and if this program was recorded before 1993. CBC Toronto studio address was changed in 1993 (after this recording took place) to 205 Wellington Street West, Toronto, Ontario, M5V 3G7 from a smaller facility on Jarvis Street, near the former television transmitter. (Source: https://en.wikipedia.org/wiki/Canadian_Broadcasting_Centre)\",\"address\":\"Jarvis Street, Toronto, Ontario, Canada\",\"latitude\":\"43.6562555\",\"longitude\":\"-79.374232\"},{\"url\":\"https://www.openstreetmap.org/way/388179961\",\"venue\":\"\",\"notes\":\"At the beginning of side one, Keith Watt says that he is on East Hastings Street in Vancouver\",\"address\":\"East Hastings Street, Hastings-Sunrise, Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, V5K, Canada\",\"latitude\":\"49.28111\",\"longitude\":\"-123.02882\"},{\"url\":\"https://www.openstreetmap.org/node/380036501#map=19/43.664606/-79.373938\",\"venue\":\" Diamond Club (Phoenix Concert Theatre)\",\"notes\":\"The host of the program on side one states that she is at the Diamond Club in Toronto. The Diamond Club at 410 Sherbourne Street in 1991 changed to the Phoenix Concert Theatre\",\"address\":\"410 Sherbourne St, Toronto, ON M5X 1K2\",\"latitude\":\"43.664606\",\"longitude\":\"-79.373938\"}]"],"Address":["Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, Canada","700 Hamilton Street Vancouver, British Columbia V6B 4A2","Jarvis Street, Toronto, Ontario, Canada","East Hastings Street, Hastings-Sunrise, Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, V5K, Canada","410 Sherbourne St, Toronto, ON M5X 1K2"],"Venue":["CBC Studio","CBC Studio"," Diamond Club (Phoenix Concert Theatre)"],"City":["Vancouver, British Columbia","Hamilton, British Columbia","Toronto, Ontario","Vancouver, British Columbia","Toronto, Ontario"],"Note":["[{\"note\":\"The first two minutes of the second side is Reneé [Roloff?] reading her report and at 8:45 [Erica Reader?] introduces George Bowering's reading performance called \\\"The Great Grandchildren of Bill Bissette's Mice.\\\"\",\"type\":\"General\"},{\"note\":\"This radio program is all about art and the challenges that confronted Canadian local artists. \\nIt begins with the topic of ethnic community and multiculturalism, focusing on their expectations that the government would support their integration into the mainstream by providing increased funding and helping them gain recognition as professional artists, rather than being seen only as preservers of folk music.\\n\\nA part of this program is also about Canadian record labels and how Canadian musicians would fail to make a name for themselves here in Canada; it's all about how American record companies and the American music market provided them with amazing opportunities to be far more successful. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556055896064,"timestamp":"2026-01-07T15:00:00.367Z","creators":["[{\"url\":\"http://viaf.org/viaf/267707248\",\"name\":\"McCormack, Eric\",\"dates\":\"1963-\",\"notes\":\"The author's choice of the program is Eric McCormack speaking at 17:00 on the first side. \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Browning, Norman\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Reader\"]},{\"url\":\" http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/93542147\",\"name\":\"Bowering, Angela\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/67157581575233780187\",\"name\":\"Weiner, Gerry\",\"dates\":\"\",\"notes\":\"Minister of State for Multiculturalism talking on side one\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Watt, Keith \",\"dates\":\"\",\"notes\":\"Side A first speaker\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Little, Adam\",\"dates\":\"\",\"notes\":\"He speaks at 12:06 on the first side. \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"O'Connell, Mary\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Young, Gerry\",\"dates\":\"\",\"notes\":\"https://www.tomcattt.com/gerry-young\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Raven-Hill, Stuart\",\"dates\":\"\",\"notes\":\"https://www.discogs.com/artist/2255802-Stuart-Raven-Hill?srsltid=AfmBOoqxONBX4kRAFunNyRp76B2ihZaWU-U6We9iYiLck0MxXKf4VhU9\\n\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Kourianten, Tony\",\"dates\":\"\",\"notes\":\"He speaks in the week and review part of the program at 32:57 on side one\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"White, Donn\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/60736172\",\"name\":\"Healey, Jeff\",\"dates\":\"1966-2008\",\"notes\":\"https://en.wikipedia.org/wiki/Jeff_Healey\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"[Hutchinson, Max?]\",\"dates\":\"\",\"notes\":\"Canadian agent that turned down Jeff Healey. Could not find him.\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"\",\"name\":\"[Roloff?], Reneé\",\"dates\":\"\",\"notes\":\"She reads her report at the first two minutes of the second side \",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"[Dutt, Charlotte?]\",\"dates\":\"\",\"notes\":\"A writer and lobbyist in Ottawa. She speaks at 5:56 on side one. No further information found.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"[Caurteron, Daniel?]\",\"dates\":\"\",\"notes\":\"Music promoter speaking at 8:16 on side one. No further information about him.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Doray, Michelle\",\"dates\":\"\",\"notes\":\"She had the Canadian conference of the Arts\\nspeaking at 7:10 and 10:00 on side one\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"[Castongase, Sandy?]\",\"dates\":\"\",\"notes\":\"Sandy is introduced as the president of New York's pop music management company, The Big Jump. He is speaking at 25:04 on side one. The information about this person and the company could not be found online.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Henderson, Graham\",\"dates\":\"\",\"notes\":\"He speaks at 30:00 on side one.\\nHe is married to Margo Timmins of Cowboy Junkies and was an attorney of the band.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/78841690\",\"name\":\"Mellett, Donald Ring\",\"dates\":\"1891-1926\",\"notes\":\"George Bowring's reading performance \\\"The Great Grandchildren of Bill Bissette's Mice\\\" is produced by him.\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"\",\"name\":\"Reed, James\",\"dates\":\"\",\"notes\":\"He is the engineer of George Bowring's reading performance \\\"The Great Grandchildren of Bill Bissette's Mice.\\\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Ritter, Erica\",\"dates\":\"\",\"notes\":\"She is the CBC reader program's host on the second side; she introduces herself at 30:20 on the second side.\\n\\nIn addition to her work as a playwright, Ritter has written and hosted programming for CBC Radio. Ritter was host of Saturday Stereo Theatre (1983–1984).\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/157038178\",\"name\":\"Cowboy Junkies\",\"dates\":\"\",\"notes\":\"The band's music is heard on side one.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Deber, Raisa B. \",\"dates\":\"\",\"notes\":\"She is a health economist:\\nhttps://discover.research.utoronto.ca/243-raisa-deber\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"score":0.01643844},{"id":"6921","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. 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Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["George Bowering reading \"The Concrete Island: Montreal Poems, 1967-1971\" at [The Western Front?] on October 3, 1977"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","Wah, Fred"],"creator_names_search":["Bowering, George","Wah, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]}]"],"contributors":["[]"],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/9743/Fred Wah Fonds_MsC 17 f_6.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-006-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:03:03\",\"precision\":\"\",\"size\":\"60.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-006-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:03:05\",\"precision\":\"\",\"size\":\"60.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977-10-03\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"[The Western Front?]\",\"notes\":\"\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26392\",\"longitude\":\"-123.09870\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1"],"Venue":["[The Western Front?]"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"The locations are written on the J-card, but it is hard to understand what's written. The second side is blank\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556056944640,"timestamp":"2026-01-07T15:00:00.367Z","score":0.01643844},{"id":"6925","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. 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The interview, recorded on March 16, 2000, focuses on his book [Broken Entries?].\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556056944641,"timestamp":"2026-01-07T15:00:00.367Z","score":0.01643844},{"id":"6926","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Association of Canadian Archivists: George Bowering reading poetry on January 22, 1996"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","Wah, Fred"],"creator_names_search":["Bowering, George","Wah, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]}]"],"contributors":["[]"],"Production_Date":[1996],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6926/Fred Wah Fonds_MsC 17f_8.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-008-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:58\",\"precision\":\"\",\"size\":\"29.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-008-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:18\",\"precision\":\"\",\"size\":\"30.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-01-22\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"There are some anonymous people whose voices are heard all through the tape. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556056944642,"timestamp":"2026-01-07T15:00:00.367Z","score":0.01643844},{"id":"6927","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["George Bowering lecture on \"Regionalism\" at Buffalo – S.U.N.Y. 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Bowering continues to talk about regionalism and how it puzzled him as an author and poet. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556056944643,"timestamp":"2026-01-07T15:00:00.367Z","score":0.01643844},{"id":"6928","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Canadian Postmodernism and 20th C. Poetics seminar: Roy Miki's talk at UBC on January 31, 1994"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Miki, Roy"],"creator_names_search":["Wah, Fred","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"He introduces Roy Miki at the beginning of the first side. \",\"nation\":[],\"role\":[\"Donor\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6928/Fred Wah Fonds_MsC 17f_10.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-010-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:50\",\"precision\":\"\",\"size\":\"45.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-010-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:53\",\"precision\":\"\",\"size\":\"46 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-01-31\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\" \",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"There are some anonymous people whose voices are heard on the second side of this tape. \",\"type\":\"General\"},{\"note\":\"The main discussion areas for the seminar are:\\nComplicity in Joy Kogawa's Obasan; the destabilized positions of \\\"race\\\"; the politics of improvisation; and Roy Miki's role as an editor, teacher, political activist, and poet.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556057993216,"timestamp":"2026-01-07T15:00:00.367Z","score":0.01643844},{"id":"6929","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Re Race Poetry: Roy Miki poetry reading and interview with Fred Wah on June 1"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Miki, Roy"],"creator_names_search":["Wah, Fred","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"Fred Wah begins his interview on the second side at 6:30 \",\"nation\":[],\"role\":[\"Donor\",\"Speaker\",\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6929/Fred Wah Fonds_MsC 17f_11.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-011-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:57:25\",\"precision\":\"\",\"size\":\"55.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-011-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:58:02\",\"precision\":\"\",\"size\":\"55.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"Blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"06-01\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"\",\"address\":\"City Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, Canada\",\"latitude\":\"49.2595\",\"longitude\":\"-123.1155\"}]"],"Address":["City Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, Canada"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"There are some anonymous people in this program whose voices are heard when they ask questions to Roy Miki. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556059041792,"timestamp":"2026-01-07T15:00:00.367Z","score":0.01643844},{"id":"6930","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Roy Miki's presentation \"Sliding the scale of Religion, Race Constructs, Cultural Practice\" on February 3, 1995  "],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Miki, Roy"],"creator_names_search":["Wah, Fred","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"He reads his paper at this conference \",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1995],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6930/Fred Wah Fonds_MsC 17f_12.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-012-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:55\",\"precision\":\"\",\"size\":\"44.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-012-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:27\",\"precision\":\"\",\"size\":\"45.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1995-02-03\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Note":["[{\"note\":\"There are some anonymous people whose voices are heard on both sides of this tape. \",\"type\":\"General\"},{\"note\":\"The organizers of the event are introduced as “Barben and Branda,” though it is also possible that this refers to a single person named Barben Branden.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556059041793,"timestamp":"2026-01-07T15:00:00.367Z","score":0.01643844},{"id":"6931","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["radiofreerainforest tape: Story BK by Gerry Gilbert chapters 54 - 77 recorded during January, 1998 to mid June, 1999"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Gilbert, Gerry","McCormack, John","Wah, Fred","Armstrong, Louis"],"creator_names_search":["Gilbert, Gerry","McCormack, John","Wah, Fred","Armstrong, Louis"],"creators":["[{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\" 1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/37102744\",\"name\":\"McCormack, John\",\"dates\":\"1884-1945\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/195226\",\"name\":\"Armstrong, Louis\",\"dates\":\"1901-1971\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Production_Date":[1998],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6931/Fred Wah Fonds_MsC 17f_13.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-013-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:55\",\"precision\":\"\",\"size\":\"45 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-013-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:41\",\"precision\":\"\",\"size\":\"44.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1998-01\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1999-06\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/search?query=V7X%201A8%20#map=15/49.2604/-123.0320\",\"venue\":\"\",\"notes\":\"This location is written on the J-card. it's found on the internet as one of the Canadian experiential poetry/art magazines. \",\"address\":\"Box 48884, Station Bent., Vancouver, B. C. V7X 1A8\",\"latitude\":\"49.26044\",\"longitude\":\"-123.03199\"}]"],"Address":["Box 48884, Station Bent., Vancouver, B. C. V7X 1A8"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556059041794,"timestamp":"2026-01-07T15:00:00.367Z","score":0.01643844},{"id":"6932","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Gerry Gilbert poetry reading at Selkirk College on November 28, 1974 Tape 1 of 2"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Gilbert, Gerry","Wah, Fred"],"creator_names_search":["Gilbert, Gerry","Wah, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\" 1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6932/Fred Wah Fonds_MsC 17f_14.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-014-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:34\",\"precision\":\"\",\"size\":\"29.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-014-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:54\",\"precision\":\"\",\"size\":\"29.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974-11-28\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/270034909\",\"venue\":\"Selkirk College\",\"notes\":\"We assume this poetry reading is recorded at Selkirk College since it's the first part of Gerry Gilbert's talk at Selkirk College on November 28 in 1974, and the location (Selkirk College) is written on the tape's 15 j-card.\\n\\n\",\"address\":\"College Selkirk College, 10th Street Campus, 11th Street, Fairview, Nelson, Regional District of Central Kootenay, British Columbia, V1L 3C7, Canada\",\"latitude\":\"49.50554\",\"longitude\":\"-117.26734\"}]"],"Address":["College Selkirk College, 10th Street Campus, 11th Street, Fairview, Nelson, Regional District of Central Kootenay, British Columbia, V1L 3C7, Canada"],"Venue":["Selkirk College"],"Note":["[{\"note\":\"The quality of the tape is not good at the beginning; however, it improves after the first 6 minutes. The quality of side two is not good either, but it's audible.\",\"type\":\"General\"},{\"note\":\"Side one begins with a kid's [Jeff?] voice, singing a very short song about having read a book and is ready to read another book soon. \\n\\nGerry Gilbert's speech begins at 3:11 on the first side. The quality of the tape is poor at the beginning; however, it improves after the first 6 minutes.\",\"type\":\"General\"},{\"note\":\"Tapes 15 and 16 look as if they belong to the same event as this tape, however, they are blank, and it is impossible to confirm that. The information for that tape is taken from this tape anyway.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556235202560,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"6933","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["BC monthly 44: Gerry Gilbert reading \"Being Per\" in Vancouver in December 1991"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Gilbert, Gerry","Wah, Fred"],"creator_names_search":["Gilbert, Gerry","Wah, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\" 1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]}]"],"contributors":["[]"],"Production_Date":[1991],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6933/Fred Wah Fonds_MsC 17f_17.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-017-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:03\",\"precision\":\"\",\"size\":\"46.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-017-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:17\",\"precision\":\"\",\"size\":\"46.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1991-12\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/search?query=V7X%201A8%20#map=15/49.2604/-123.0320\",\"venue\":\"\",\"notes\":\"This location is written on the J-card. it's found on the internet as one of the Canadian experiential poetry/ art magazines. \",\"address\":\"Box 48884, Station Bent., Vancouver, B. C. V7X 1A8\",\"latitude\":\"49.26044\",\"longitude\":\"-123.03199\"},{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, Canada\",\"latitude\":\"49.2620\",\"longitude\":\"-123.1131\"}]"],"Address":["Box 48884, Station Bent., Vancouver, B. C. V7X 1A8","Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, Canada"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"This tape is a duplicate of \\\"PER by Gerry Gilbert, bc monthly 44, December 1991\\\" from Piere Coupey Fonds (SWALLOW ID 7236) and \\\"Gerry Gilbert reading poetry for BC Monthly 44 in December, 1991\\\" from Warren Tallman Fonds (SWALLOW ID 7177)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670556235202561,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"6934","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Sleepwalkers by Steven Smith and Richard Truhlar recorded at Artculture Resource Center in Toronto on February 23, 1985 and at the Cilog Electronic Studio in Toronto between January 1985 to May 1987"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Smith, Steven","Potts, Keith","Elijosius, John","Wah, Fred","Truhlar, Richard"],"creator_names_search":["Smith, Steven","Potts, Keith","Elijosius, John","Wah, Fred","Truhlar, Richard"],"creators":["[{\"url\":\"\",\"name\":\"Smith, Steven \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Potts, Keith\",\"dates\":\"\",\"notes\":\"Recording Engineer \",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Elijosius, John\",\"dates\":\"\",\"notes\":\"Cover photo by him\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/38165242\",\"name\":\"Truhlar, Richard \",\"dates\":\"1950-\",\"notes\":\"Mixed and mastered also done by him\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Performance_Date":[1985],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6934/Fred Wah Fonds_MsC 17f_18.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card and a peice of paper with poems have written on\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-018-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:50\",\"precision\":\"\",\"size\":\"30.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-018-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:47\",\"precision\":\"\",\"size\":\"30.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-02-23\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1985-01\",\"type\":\"Performance Date\",\"notes\":\"Other cuts except for 3, 6, and 10 were recorded from January 1985 to May 1987\",\"source\":\"J-card\"},{\"date\":\"1987-05\",\"type\":\"Performance Date\",\"notes\":\"Other cuts except for 3, 6, and 10 were recorded from January 1985 to May 1987\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2989349\",\"venue\":\"Artculture Resource Center\",\"notes\":\"The exact location cannot be found, so we decided to put Toronto's latitude, longitude, and Url\",\"address\":\"City Toronto, Golden Horseshoe, Ontario, Canada\",\"latitude\":\"43.6530\",\"longitude\":\"-79.3838\"},{\"url\":\"https://www.openstreetmap.org/relation/2989349\",\"venue\":\"Cilog Electronic Studio\",\"notes\":\"The exact location cannot be found, so we decided to put Toronto's latitude, longitude, and Url\\nOther cuts except for 3, 6, and 10 were recorded from January 1985 to May 1987 at Cilog Electronic Studio\",\"address\":\"City Toronto, Golden Horseshoe, Ontario, Canada\",\"latitude\":\"43.6530\",\"longitude\":\"-79.3838\"},{\"url\":\"\",\"venue\":\"Underwhich Editions\",\"notes\":\"This is where these performances were published \",\"address\":\"Underwhich Editions P.O. Box 262 Adelaide Street Station Toronto, Ontario Canada MSC 2J4 \",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["City Toronto, Golden Horseshoe, Ontario, Canada","City Toronto, Golden Horseshoe, Ontario, Canada","Underwhich Editions P.O. Box 262 Adelaide Street Station Toronto, Ontario Canada MSC 2J4 "],"Venue":["Artculture Resource Center","Cilog Electronic Studio","Underwhich Editions"],"City":["Toronto, Ontario","Toronto, Ontario","Toronto, Ontario"],"Note":["[{\"note\":\"A list of the performances are written on the J-card.\",\"type\":\"General\"},{\"note\":\"Kontakte Writers Performance Series: Steven Smith and Richard Truhlar perform Sleepwalkers (cuts 3, 6, and 10) at the Artculture Resource Center in Toronto on February 23, 1985, with additional cuts recorded at the Cilog Electronic Studio in Toronto between January 1985 and May 1987.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556236251136,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"6935","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["An evening with bp Nichol reading poetry at NSCAD University in Halifax in [1971 or 1972?], Tape 1 of 2"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kiyooka, Roy","Wah, Fred","[Mc?, Brian]","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Kiyooka, Roy","Wah, Fred","[Mc?, Brian]","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\" http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"His name is written on the J-card as a person who brought BP to Halifax for a visit. We are not sure if he were present at BP's reading, but we decided to put his name here as a person who might've been present there.\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"\",\"name\":\"[Mc?, Brian]\",\"dates\":\"\",\"notes\":\"His letter is attached to the tapes with the recordings, he describes his emotions during the reading and that his breathing can be heard\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1971],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6935/Fred Wah Fonds_MsC 17f_19.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-019-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:49\",\"precision\":\"\",\"size\":\"30.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-019-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:15\",\"precision\":\"\",\"size\":\"31 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1971\",\"type\":\"Production Date\",\"notes\":\"The year is uncertain. According to the J-card it is either 1971 or 1972.  \\n\\nAs for the month and day, the J-card indicates 11-03. We suppose this date is written by Fred Wah although we are not sure what date it is (whether November 3 or March 11).\",\"source\":\"J-card\"},{\"date\":\"2000-11-03\",\"type\":\"\",\"notes\":\"The supporting letter to Fred Wah and his wife Pauline was written on this day\",\"source\":\"letter\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/88879165\",\"venue\":\"NSCAD University\",\"notes\":\"\",\"address\":\"University NSCAD, Marginal Road, Halifax, Halifax Regional Municipality, Halifax County, Nova Scotia, B3H 4N4, Canada\",\"latitude\":\"44.63931\",\"longitude\":\"-63.56549\"}]"],"Address":["University NSCAD, Marginal Road, Halifax, Halifax Regional Municipality, Halifax County, Nova Scotia, B3H 4N4, Canada"],"Venue":["NSCAD University"],"City":["Halifax, Nova Scotia"],"Note":["[{\"note\":\"There is a name on the j-card, and we assume it could be Brian [Mc?]. It is very likely that he recorded these tapes and gave them to Fred Wah.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556236251137,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"6936","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["An evening with bpNichol reading poetry at NSCAD University in Halifax in [1971 or 1972?], Tape 2 of 2"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Kiyooka, Roy","[Mc?, Brian]","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Wah, Fred","Kiyooka, Roy","[Mc?, Brian]","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Donor\"]},{\"url\":\" http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"His name is written on the J-card as a person who brought BP to Halifax for a visit. We are not sure if he was present at BP's reading, but we decided to put his name here as a person who might've been present there.\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"[Mc?, Brian]\",\"dates\":\"\",\"notes\":\"His letter is attached to the tapes with the recordings, he describes his emotions during the reading and that his breathing can be heard\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Author\",\"Performer\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1971],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6936/Fred Wah Fonds_MsC 17f_20.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-020-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:27\",\"precision\":\"\",\"size\":\"34 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-020-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:10\",\"precision\":\"\",\"size\":\"34.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1971\",\"type\":\"Production Date\",\"notes\":\"The year is uncertain. According to the J-card it is either 1971 or 1972. \\n\\nThe month and day is indicated on the J-card as 11-03. We suppose this date was written by Fred Wah although we are not sure  what date it is, whether November 3 or March 11.\",\"source\":\"J-card\"},{\"date\":\"2000-11-03\",\"type\":\"\",\"notes\":\"The supporting letter to Fred Wah and his wife Pauline was written on this day\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/88879165\",\"venue\":\"NSCAD University\",\"notes\":\"\",\"address\":\"University NSCAD, Marginal Road, Halifax, Halifax Regional Municipality, Halifax County, Nova Scotia, B3H 4N4, Canada\",\"latitude\":\"44.63931\",\"longitude\":\"-63.56549\"}]"],"Address":["University NSCAD, Marginal Road, Halifax, Halifax Regional Municipality, Halifax County, Nova Scotia, B3H 4N4, Canada"],"Venue":["NSCAD University"],"City":["Halifax, Nova Scotia"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556236251138,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"6937","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["The Four Horsemen performance: bp Nichol, Rafael Barreto-Rivera, Paul Dutton, and Steve McCaffery at the Student Union Building (SUB)"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Barreto-Rivera, Rafael","Dutton, Paul","McCaffery, Steve","Wah, Fred","Four Horsemen (Musical group)","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Barreto-Rivera, Rafael","Dutton, Paul","McCaffery, Steve","Wah, Fred","Four Horsemen (Musical group)","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/16154730\",\"name\":\"Barreto-Rivera, Rafael\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/36999806\",\"name\":\"Dutton, Paul\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/128949455\",\"name\":\"Four Horsemen (Musical group)\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\",\"Speaker\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6937/Fred Wah Fonds_MsC 17f_23.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-023-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:04\",\"precision\":\"\",\"size\":\"49.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-023-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:44\",\"precision\":\"\",\"size\":\"50.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"We do not know which university’s Student Union Building hosted this event.\",\"type\":\"General\"},{\"note\":\"The quality of the first side is poor and inaudible, but it improves by 32:23 when [bpNichol?] begins talking about sound poetry, specifically explaining what it is.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556236251139,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"6938","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["bp Nichol poetry reading from Martyrology and discussion in January 1977 - Side 2 DUPLICATE 1 OF 2"],"item_title_source":["cassette and j-card"],"item_title_note":["Since the recording's second side has a duplicate, information for the title was filled in using additional info from MsC 17f tape 25"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6938/Fred Wah Fonds_MsC 17f_24.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-024-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:15:27\",\"precision\":\"\",\"size\":\"16.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-024-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:02:00\",\"precision\":\"\",\"size\":\"65.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977-01\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Note":["[{\"note\":\"bpNichol reads a poem inspired by his childhood, when he frequently moved across Canada and lived in different neighborhoods. This experience led him to write numerous poems. Following the reading, he engages in a related discussion.\",\"type\":\"General\"},{\"note\":\"The voices of some anonymous people are heard. \",\"type\":\"General\"},{\"note\":\"Although side one is blank, side two has same content as MsC 17f.25 in the \\\"Fred Wah Fonds\\\" collection. Original not determined. \\n\\nTape 25: bpNichol poetry reading from Martyrology and discussion in January 1977 - Side 2 DUPLICATE 2 OF 2 (SWALLOW ID 6939)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670556236251140,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"6939","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["bp Nichol poetry reading from Martyrology and discussion in January 1977 - Side 2 DUPLICATE 2 OF 2"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\",\"Performer\"]}]"],"contributors":["[]"],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6939/Fred Wah Fonds_MsC 17f_25.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-025-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:59:50\",\"precision\":\"\",\"size\":\"63.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-025-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:01:57\",\"precision\":\"\",\"size\":\"65.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977-01\",\"type\":\"Production Date\",\"notes\":\"The date taken from this tape's duplicate SWALLOW ID 6938\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"After the reading session ends at 13:55 on the second side, bpNichol engages in a conversation, responding to questions from the audience. He also reads from The Martyrology during this portion.\",\"type\":\"General\"},{\"note\":\"Duplicate of tape 24 - side 2 \\\"bpNichol poetry reading from Martyrology and discussion in January 1977 - Side 2 DUPLICATE 1 OF 2\\\" (SWALLOW ID 6938)\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556237299712,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"6940","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["CBC Radio Program: bp Nichol on morningside in Toronto on October 13, 1983"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","The Four Horsemen","Nichol, bp (Barrie Phillip)","Astaire, Fred"],"creator_names_search":["Wah, Fred","The Four Horsemen","Nichol, bp (Barrie Phillip)","Astaire, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/128949455\",\"name\":\"The Four Horsemen\",\"dates\":\"\",\"notes\":\"There is a piece of performance from \\\"The Four Horsemen\\\" on the first side played as part of this radio program\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\",\"Performer\"]},{\"url\":\"http://viaf.org/viaf/9888263\",\"name\":\"Astaire, Fred\",\"dates\":\"1899-1987\",\"notes\":\"A song from him named \\\"Top Hat, White Tie and Tails\\\" is played for bpNichol at CBC radio program on the first side.\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6940/Fred Wah Fonds_MsC 17f_27.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-027-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:34:41\",\"precision\":\"\",\"size\":\"36.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-027-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:34:53\",\"precision\":\"\",\"size\":\"37 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-10-13\",\"type\":\"Production Date\",\"notes\":\"bpNichol on the morning side of CBC radio program\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/456341915#map=19/43.65360/-79.37320\",\"venue\":\"CBC Studio\",\"notes\":\"CBC Toronto studio address was changed in 1993 (after this recording took place) to 205 Wellington Street West, Toronto, Ontario, M5V 3G7 from a smaller facility on Jarvis Street, near the former television transmitter. (Source: https://en.wikipedia.org/wiki/Canadian_Broadcasting_Centre)\",\"address\":\"Jarvis Street, Toronto, Ontario, Canada\",\"latitude\":\"43.6562555\",\"longitude\":\"-79.374232\"}]"],"Address":["Jarvis Street, Toronto, Ontario, Canada"],"Venue":["CBC Studio"],"City":["Toronto, Ontario"],"Note":["[{\"note\":\"On the first side, bpNichol is having an interview at CBC in Toronto; he also reads a poem from \\\"3-Day Novel Still\\\". He continues talking about one of the Horsemen performances and a performance called \\\"The Dreams Remains\\\" and its structure.  \\nHe also talks a little bit about his writing process and his mixed feelings about it.  \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556237299713,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"6941","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["bp Nichol interview on November 16, 1986 Part 1 of 2 "],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6941/Fred Wah Fonds_MsC 17f_28.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-028-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:57\",\"precision\":\"\",\"size\":\"48.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-028-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:08\",\"precision\":\"\",\"size\":\"49.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-11-16\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"The interviewer is anonymous. \",\"type\":\"General\"},{\"note\":\"The interview focuses specifically on The Martyrology, its six books, and their overall structure.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556237299714,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"6719","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Women and Words Fonds"],"source_collection_label":["Women and Words Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The West Coast Women and Words Society was incorporated in 1982 with the goal of supporting women's writing. The society held an influential conference in Vancouver from June 30 to July 3, 1983; participants included Canadian women writers, editors, publishers, critics, printers, typesetters, academics, playwrights, librarians, distributors, booksellers, translators, and educational and cultural organizers. The conference featured presentations of papers, panel discussions, workshops and interviews relevant to such themes as: feminism, power and alternative structures doing it (i.e. developing work strategies), traditions and new directions. Following the conference, the West Coast Women and Word Society continued to fulfil their mandate by organizing poetry competitions, hosting readings and events, editing and compiling anthologies of women's writing, and running a mentorship program designed to connect young women writers with more established ones."],"collection_source_collection_id":["MsC 23"],"persistent_url":[""],"item_title":["Women and Words - \"History of Feminist Presses and Magazines\" (workshop): Francine Pelletier, Lois Pike, and Frances Rooney at UBC on July 2, 1983"],"item_title_source":["Conference Program"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Pelletier, Francine","Pike, Lois","Rooney, Frances","Ireland, Sally"],"creator_names_search":["Pelletier, Francine","Pike, Lois","Rooney, Frances","Ireland, Sally"],"creators":["[{\"url\":\"https://viaf.org/viaf/104940308/\",\"name\":\"Pelletier, Francine\",\"dates\":\"1955-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Pike, Lois\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Rooney, Frances\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Ireland, Sally\",\"dates\":\"\",\"notes\":\"Workshop organizer\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/9025/MSC76-028a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"Good\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Clear tape box\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/women-and-words-history-feminist-presses-and-magazines-workshop-francine-pelletier-lois-pike-and\",\"file_path\":\"\",\"filename\":\"MSC23-28-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:52:26\",\"precision\":\"\",\"size\":\"57.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/women-and-words-history-feminist-presses-and-magazines-workshop-francine-pelletier-lois-pike-and-0\",\"file_path\":\"\",\"filename\":\"MSC23-28-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:56\",\"precision\":\"\",\"size\":\"53.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-07-02\",\"type\":\"Performance Date\",\"notes\":\"Saturday at 2-3:30pm\",\"source\":\"Conference Program\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/83433307\",\"venue\":\"Angus Building, University of British Columbia, Room A326\",\"notes\":\"\",\"address\":\"University of British Columbia, Vancouver, BC\",\"latitude\":\"49.26503765\",\"longitude\":\"-123.25386541436339\"}]"],"Address":["University of British Columbia, Vancouver, BC"],"Venue":["Angus Building, University of British Columbia, Room A326"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670556237299715,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"6720","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Women and Words Fonds"],"source_collection_label":["Women and Words Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The West Coast Women and Words Society was incorporated in 1982 with the goal of supporting women's writing. The society held an influential conference in Vancouver from June 30 to July 3, 1983; participants included Canadian women writers, editors, publishers, critics, printers, typesetters, academics, playwrights, librarians, distributors, booksellers, translators, and educational and cultural organizers. The conference featured presentations of papers, panel discussions, workshops and interviews relevant to such themes as: feminism, power and alternative structures doing it (i.e. developing work strategies), traditions and new directions. Following the conference, the West Coast Women and Word Society continued to fulfil their mandate by organizing poetry competitions, hosting readings and events, editing and compiling anthologies of women's writing, and running a mentorship program designed to connect young women writers with more established ones."],"collection_source_collection_id":["MsC 23"],"persistent_url":[""],"item_title":["Women and Words - \"Opportunities of the Long Poem\" (workshop): Travis Lane at UBC on July 2, 1983"],"item_title_source":["Conference Program"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Lane, Travis"],"creator_names_search":["Lane, Travis"],"creators":["[{\"url\":\"https://viaf.org/viaf/45550437\",\"name\":\"Lane, Travis\",\"dates\":\"1934-\",\"notes\":\"Workshop organizer. Full name Millicent Travis Lane, goes by Travis Lane\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/9165/MSC76-024a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"Good\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Clear tape box\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/women-and-words-opportunities-long-poem-workshop-travis-lane-ubc-july-2-1983-part-1\",\"file_path\":\"\",\"filename\":\"MSC23-24-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:52\",\"precision\":\"\",\"size\":\"50.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/women-and-words-opportunities-long-poem-workshop-travis-lane-ubc-july-2-1983-part-2\",\"file_path\":\"\",\"filename\":\"MSC23-24-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:33:43\",\"precision\":\"\",\"size\":\"102 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-07-02\",\"type\":\"Performance Date\",\"notes\":\"Saturday at 2-3:30pm\",\"source\":\"Conference Program\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/83433307\",\"venue\":\"Angus Building, University of British Columbia, Room A412\",\"notes\":\"\",\"address\":\"University of British Columbia, Vancouver, BC\",\"latitude\":\"49.26503765\",\"longitude\":\"-123.25386541436339\"}]"],"Address":["University of British Columbia, Vancouver, BC"],"Venue":["Angus Building, University of British Columbia, Room A412"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Side A holds the first half of the workshop; Side B holds the entire recording.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556237299716,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"6721","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Women and Words Fonds"],"source_collection_label":["Women and Words Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The West Coast Women and Words Society was incorporated in 1982 with the goal of supporting women's writing. The society held an influential conference in Vancouver from June 30 to July 3, 1983; participants included Canadian women writers, editors, publishers, critics, printers, typesetters, academics, playwrights, librarians, distributors, booksellers, translators, and educational and cultural organizers. The conference featured presentations of papers, panel discussions, workshops and interviews relevant to such themes as: feminism, power and alternative structures doing it (i.e. developing work strategies), traditions and new directions. Following the conference, the West Coast Women and Word Society continued to fulfil their mandate by organizing poetry competitions, hosting readings and events, editing and compiling anthologies of women's writing, and running a mentorship program designed to connect young women writers with more established ones."],"collection_source_collection_id":["MsC 23"],"persistent_url":[""],"item_title":["Women and Words - \"Writing From a Native Woman's Perspective\" (workshop): Jeanette Armstrong, Maria Campbell, and Beth Cuthand at UBC on July 2, 1983"],"item_title_source":["Conference Program"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Armstrong, Jeanette","Campbell, Maria","Cuthand, Beth"],"creator_names_search":["Armstrong, Jeanette","Campbell, Maria","Cuthand, Beth"],"creators":["[{\"url\":\"https://viaf.org/viaf/72246477/\",\"name\":\"Armstrong, Jeanette\",\"dates\":\"1948-\",\"notes\":\"Workshop organizer\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"https://viaf.org/viaf/64135396/\",\"name\":\"Campbell, Maria\",\"dates\":\"1940-\",\"notes\":\"Workshop organizer\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"https://viaf.org/viaf/91340925/\",\"name\":\"Cuthand, Beth\",\"dates\":\"1949-\",\"notes\":\"Workshop organizer\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/9166/MSC76-017a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"Good\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Clear tape box\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/women-and-words-writing-native-womans-perspective-workshop-jeanette-armstrong-maria-campbell-and\",\"file_path\":\"\",\"filename\":\"MSC23-17-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:45\",\"precision\":\"\",\"size\":\"52.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/women-and-words-writing-native-womans-perspective-workshop-jeanette-armstrong-maria-campbell-and-0\",\"file_path\":\"\",\"filename\":\"MSC23-17-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:45\",\"precision\":\"\",\"size\":\"51.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-07-02\",\"type\":\"Performance Date\",\"notes\":\"Saturday at 2-3:30pm\",\"source\":\"Conference Program\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/83433307\",\"venue\":\"Angus Building, University of British Columbia, Room A425\",\"notes\":\"\",\"address\":\"University of British Columbia, Vancouver, BC\",\"latitude\":\"49.26503765\",\"longitude\":\"-123.25386541436339\"}]"],"Address":["University of British Columbia, Vancouver, BC"],"Venue":["Angus Building, University of British Columbia, Room A425"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670556237299717,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"6722","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Women and Words Fonds"],"source_collection_label":["Women and Words Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The West Coast Women and Words Society was incorporated in 1982 with the goal of supporting women's writing. The society held an influential conference in Vancouver from June 30 to July 3, 1983; participants included Canadian women writers, editors, publishers, critics, printers, typesetters, academics, playwrights, librarians, distributors, booksellers, translators, and educational and cultural organizers. The conference featured presentations of papers, panel discussions, workshops and interviews relevant to such themes as: feminism, power and alternative structures doing it (i.e. developing work strategies), traditions and new directions. Following the conference, the West Coast Women and Word Society continued to fulfil their mandate by organizing poetry competitions, hosting readings and events, editing and compiling anthologies of women's writing, and running a mentorship program designed to connect young women writers with more established ones."],"collection_source_collection_id":["MsC 23"],"persistent_url":[""],"item_title":["Women and Words - \"Reading II\" in the Evening Program: Louky Bersianik, Joy Kogawa, Kristana Gunnars, and Dorothy Livesay at UBC on July 1, 1983"],"item_title_source":["Conference Program"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bersianik, Louky","Kogawa, Joy","Gunnars, Kristjana","Livesay, Dorothy"],"creator_names_search":["Bersianik, Louky","Kogawa, Joy","Gunnars, Kristjana","Livesay, Dorothy"],"creators":["[{\"url\":\"https://viaf.org/viaf/27094343/\",\"name\":\"Bersianik, Louky\",\"dates\":\"1930-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/84082627/\",\"name\":\"Kogawa, Joy\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/73888775/\",\"name\":\"Gunnars, Kristjana\",\"dates\":\"1948-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/116854541\",\"name\":\"Livesay, Dorothy\",\"dates\":\"1909-1996\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/9196/MSC76-074a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"Good\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Poor\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Clear tape box\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/women-and-words-reading-ii-evening-program-louky-bersianik-joy-kogawa-kristana-gunnars-and-dorothy\",\"file_path\":\"\",\"filename\":\"MSC23-74-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:54\",\"precision\":\"\",\"size\":\"52.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/women-and-words-reading-ii-evening-program-louky-bersianik-joy-kogawa-kristana-gunnars-and-0\",\"file_path\":\"\",\"filename\":\"MSC23-74-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:56:12\",\"precision\":\"\",\"size\":\"60.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-07-01\",\"type\":\"Performance Date\",\"notes\":\"Friday at 7:30pm\",\"source\":\"Conference Program\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/83433307\",\"venue\":\"IRC, University of British Columbia\",\"notes\":\"\",\"address\":\"University of British Columbia, Vancouver, BC\",\"latitude\":\"49.26503765\",\"longitude\":\"-123.25386541436339\"}]"],"Address":["University of British Columbia, Vancouver, BC"],"Venue":["IRC, University of British Columbia"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670556237299718,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"6942","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["bpNichol's Sound Poetry Workshop at Selkirk College on March 9, 1982  DUPLICATE 1 of 5"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Performer\"]}]"],"contributors":["[]"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/9819/Fred Wah Fonds_MsC 17 f_32.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-032-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:30\",\"precision\":\"\",\"size\":\"51.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-032-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:04\",\"precision\":\"\",\"size\":\"50.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-03-09\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/270034909\",\"venue\":\"Selkirk College\",\"notes\":\"Selkirk College has up to 8 campuses, and we are not sure which campus this poetry reading must've taken place; we decided to put Selkirk College,10th Street since most of the events in this collection were held there.\",\"address\":\"College Selkirk College, 10th Street Campus, 11th Street, Fairview, Nelson, Regional District of Central Kootenay, British Columbia, V1L 3C7, Canada\",\"latitude\":\"49.50554\",\"longitude\":\"-117.26734\"}]"],"Address":["College Selkirk College, 10th Street Campus, 11th Street, Fairview, Nelson, Regional District of Central Kootenay, British Columbia, V1L 3C7, Canada"],"Venue":["Selkirk College"],"Note":["[{\"note\":\"Unrecognized voices are heard on the tape\",\"type\":\"General\"},{\"note\":\"Same content as MsC 17f.33 \\\"bpNichol Series at Selkirk College on March 9, 1982 Series: Sound Poetry Workshop - DUPLICATE 2 of 3\\\" (SWALLOW ID 6963)\\nand\\nMsC 17f.34 \\\"bpNichol Series at Selkirk College on March 9, 1982 Series: Sound Poetry Workshop - DUPLICATE 3 of 3\\\" (SWALLOW ID 6964)\\n\",\"type\":\"Related Version\"},{\"note\":\"As bpNichol explains, the focus of the first side is on exploring the questions and techniques of sound poetry. He performs one of his early pieces, “Dala Lama,” and goes on to define sound poetry and outline its features. The second side is devoted to a discussion of meaning through sound, which he facilitates through performances and demonstrations.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556238348288,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"6947","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["bp Nichol reading from The Martyrology at SFU on July 8, 1983 Tape 3 of 3 - DUPLICATE 2 of 2"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","Bowering, Angela","Wah, Fred","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Bowering, George","Bowering, Angela","Wah, Fred","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/93542147\",\"name\":\"Bowering, Angela \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\",\"Performer\"]}]"],"contributors":["[]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6947/Fred Wah Fonds_MsC 17f_40.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-040-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:49:44\",\"precision\":\"\",\"size\":\"54.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-040-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:49:45\",\"precision\":\"\",\"size\":\"49.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-07-08\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"j-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tBegins reading “chain one”, through “chain two”, From Book 5 then “chain seven” which is a particular reading of Book 1 of The Martyrology\n\t\t217\tBegins at “chain one” again, Shifts at the bottom of page 2 to “chain three”\n\t\t578\tRecording ends\nTwo\t\t000\tFrom “Deconstruction” – “driving east on 60 through Algonguin Park” (The Martyrology Book 5)\n\t\t044\tFrom Book 6, second book – “The book of hours”\n\t\t068\tThe first hour.  “Met a physic on the road…”\n\t\t134\t“The Birth-Death Cycle” From “The Book of Hours” – hours 12, 13 and 14\n\t\t138\t“hour twelve” “order/sweet seduction of that odour”\n\t\t166\t“hour 13” “briefly the heart does break”\n\t\t188\t“hour 14” “Passages from death into life”\n\t\t234\tBeginning of the fifth book of Book 6\n\t\t\t“In the Plunket Hotel the stairs creak all night”\n\t\t297\tbp, George Bowering, Roy Miki and Sharon Thesen talk about the connection of bp’s work, and the idea of family, with the sacred"],"Note":["[{\"note\":\"Side A and B contain readings from select chains from Book 5 of The Martyrology. Side B contains a long conversation between bpNichol, Bowering, and numerous other unidentified speakers.\",\"type\":\"General\"},{\"note\":\"This tape is the duplicate of Fred Wah fonds \\\"bpNichol reading from The Martyrology at SFU on July 8, 1983 Tape 3 of 3 - DUPLICATE 1 of 2\\\" (SWALLOW ID 6945) and from Readings in BC collection: bpNichol reading from \\\"The Martyrology\\\" at SFU on July 8, 1983 part 3 of 3 #415 (SWALLOW ID 5665). Original not determined \",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670556238348289,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"6948","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["bp Nichol reading from The Martyrology at Selkirk College on January 19, 1977 - DUPLICATE 1 OF 2"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6948/Fred Wah Fonds_MsC 17f_41.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-041-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:02:32\",\"precision\":\"\",\"size\":\"67.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-041-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:01:49\",\"precision\":\"\",\"size\":\"65.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977-01-19\",\"type\":\"Production Date\",\"notes\":\"Month and year determined from j-card. Day determined by comparing it to tape MsC 17e.41, which documents the same event.\",\"source\":\"j-card \"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/270034909\",\"venue\":\"Selkirk College\",\"notes\":\"Selkirk College has up to 8 campuses, and we are not sure which campus this poetry reading must've taken place; we decided to put Selkirk College,10th Street since most of the events in this collection were held there.\",\"address\":\"College Selkirk College, 10th Street Campus, 11th Street, Fairview, Nelson, Regional District of Central Kootenay, British Columbia, V1L 3C7, Canada\",\"latitude\":\"49.50554\",\"longitude\":\"-117.26734\"}]"],"Address":["College Selkirk College, 10th Street Campus, 11th Street, Fairview, Nelson, Regional District of Central Kootenay, British Columbia, V1L 3C7, Canada"],"Venue":["Selkirk College"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t001\tCrowd noise and mumblings\n\t\t008\tIntroduction by Warren Tallman\n\t\t053\tSketch of Steve McCaffery performing with CCMC\n\t\t079\tThe frog variations…\n\t\t091\t“Bashaiku”\n\t\t095\t“Oh moon…, splash”\n\t\t105\tOrgan music\n\t\t115\t“The vagina”\n\t\t146\t“The anus”\n\t\t182\tThe book of hours: 15, 16, 17\n\t\t320\tMartyrology, Book 5, Chain 7\n\t\t500\t“The tonsils”\n\t\t560\t“After words (for Gerry Gilbert)”\n\t\t568\t“Vortext”\n\t\t610\t“Robotics”"],"Note":["[{\"note\":\"bp Nichol reads from select passages of The Martyrology Books 1-5 as well as \\\"Chocolate Poem,\\\" \\\"Pome Poem,\\\" and others.\",\"type\":\"General\"},{\"note\":\"Different recording, but the same event as that on MsC 17f.49 \\\"bpNichol reading from The Martyrology at Selkirk College on January 19, 1977 - DUPLICATE 2 of 2\\\" (SWALLOW ID 6956). While they sound more or less the same on the A side, on the B side (at the end), different conversations can be heard taking place in opposite parts of the room due to the two tape recorders being positioned in different places \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556238348290,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"6949","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["CBC broadcast of bpNichol's Meme: a Nopera and national news, March 1991 Tape 2 of 2"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1991],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6954/Fred Wah Fonds_MsC 17f_47.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-047-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:27\",\"precision\":\"\",\"size\":\"50.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-047-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:00\",\"precision\":\"\",\"size\":\"50.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1991-03\",\"type\":\"Production Date\",\"notes\":\"Date determined from the recorded sports reporting on the IAAF World Indoor Championships (March 1991) and the Brier Curling Championship Final (March 1991).\",\"source\":\"Recording\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/456341915#map=19/43.65360/-79.37320\",\"venue\":\"CBC Studio\",\"notes\":\"CBC Toronto studio address was changed in 1993 (after this recording took place) to 205 Wellington Street West, Toronto, Ontario, M5V 3G7 from a smaller facility on Jarvis Street, near the former television transmitter. 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(Source: https://en.wikipedia.org/wiki/Canadian_Broadcasting_Centre)\",\"address\":\"Jarvis Street, Toronto, Ontario, Canada\",\"latitude\":\"43.6562555\",\"longitude\":\"-79.374232\"}]"],"Address":["Jarvis Street, Toronto, Ontario, Canada"],"Venue":["CBC Studio"],"City":["Toronto, Ontario"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556240445442,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"6956","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["bp Nichol reading from The Martyrology at Selkirk College on January 19, 1977 - DUPLICATE 2 of 2"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6956/Fred Wah Fonds_MsC 17f_49.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Three J-cards\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-049-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:01:57\",\"precision\":\"\",\"size\":\"65.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-049-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:27:14\",\"precision\":\"\",\"size\":\"66.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977-01-19\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"j-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/270034909\",\"venue\":\"Selkirk College\",\"notes\":\"Selkirk College, formerly known as David Thompson University College.\",\"address\":\"College Selkirk College, 10th Street Campus, 11th Street, Fairview, Nelson, Regional District of Central Kootenay, British Columbia, V1L 3C7, Canada\",\"latitude\":\"49.50554\",\"longitude\":\"-117.26734\"}]"],"Address":["College Selkirk College, 10th Street Campus, 11th Street, Fairview, Nelson, Regional District of Central Kootenay, British Columbia, V1L 3C7, Canada"],"Venue":["Selkirk College"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t001\tCrowd noise and mumblings\n\t\t008\tIntroduction by Warren Tallman\n\t\t053\tSketch of Steve McCaffery performing with CCMC\n\t\t079\tThe frog variations…\n\t\t091\t“Bashaiku”\n\t\t095\t“Oh moon…, splash”\n\t\t105\tOrgan music\n\t\t115\t“The vagina”\n\t\t146\t“The anus”\n\t\t182\tThe book of hours: 15, 16, 17\n\t\t320\tMartyrology, Book 5, Chain 7\n\t\t500\t“The tonsils”\n\t\t560\t“After words (for Gerry Gilbert)”\n\t\t568\t“Vortext”\n\t\t610\t“Robotics”"],"Note":["[{\"note\":\"Different recording, but the same event as that on MsC 17f.41 \\\"bp Nichol reading from The Martyrology at Selkirk College on January 19, 1977 - DUPLICATE 1 OF 2\\\" (SWALLOW ID 6948). While they sound more or less the same on the A side, on the B side (at the end), different conversations can be heard taking place in opposite parts of the room due to the two tape recorders being positioned in different places\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670556240445443,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"6957","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["bp Nichol reading from The Martyrology at SFU on July 8, 1983 Tape 1 of 3 - DUPLICATE 2 of 2"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6957/Fred Wah Fonds_MsC 17f_38.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-038-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:03\",\"precision\":\"\",\"size\":\"51 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-038-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:44\",\"precision\":\"\",\"size\":\"50.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-07-08\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tRoy Miki introduces bp\n\t\t020\tbbb p talks about the origins of The Martyrology\n\t\t045\tBegins reading from Book One – The geneology\n\t\t060\tFrom the chronicals of Narn\n\t\t070\tFrom the writings of St. And\n\t\t083\tMartyrology of St. And\n\t\t155\tScenes from the lives of the Saints\n\t\t234\tReads from “St. Reat and the 4 winds of the world” – 4th section of Book One\n\t\t286\tBeginning of Book 2. “Speech – each to each”\n\t\t292\tBook of Common Prayer\n\t\t373\tThe Clouds\n\t\t570\tEnds \nTwo\t\t000\t“It is the minute haunts you”\n\t\t030\t“This morning there are no clouds anywhere”\n\t\t059\tFrom the folk-tales of the Saints\n\t\t082\tSuns and divinations – 4th section of Book Two\n\t\t150\tFriends and footnotes – closing poem\n\t\t193\tBook Three – beginning – “Carrots, celery…”\n\t\t298\t“The book of Oz”\n\t\t366\t“Ellie and me”\n\t\t505\tEnds "],"Note":["[{\"note\":\"This tape is the duplicate of Fred Wah fonds \\\"bp Nichol reading from The Martyrology at SFU on July 8, 1983 Tape 1 of 3 - DUPLICATE 1 of 2\\\" (SWALLOW ID 6943) and from Readings in BC collection: bp Nichol reading from \\\"The Martyrology\\\" at SFU on July 8, 1983 part 1 of 3 #413 (SWALLOW ID 5663). Original not determined \",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670556240445444,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"6958","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. 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\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Acker, Liz \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Gertler, Alfred \",\"dates\":\"\",\"notes\":\"Bass performer \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/38160442\",\"name\":\"Coleman, Victor\",\"dates\":\"1944-\",\"notes\":\"Dr. Benway's song adapted from William Seward Burroughs by Victor Coleman and Whitney Smith\",\"nation\":[],\"role\":[\"Author\",\"Producer\"]},{\"url\":\"\",\"name\":\"Hodge, Paul \",\"dates\":\"\",\"notes\":\"Recording Engineer \",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Cheeseman, John \",\"dates\":\"\",\"notes\":\"Drum performer\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/121788778\",\"name\":\"Pitre, Louise\",\"dates\":\"1957-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Verwymeren, Mark\",\"dates\":\"\",\"notes\":\"Let Girls At Swift's\\nKnown as Mark Peter \",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"Poet as Songwriters used to be an ongoing project produced by bpNichol and Whitney Smith. \\nSong\\nLet Love Lead You\",\"nation\":[],\"role\":[\"Producer\",\"Author\"]},{\"url\":\"\",\"name\":\"Smith, Whitney \",\"dates\":\"\",\"notes\":\"Poet as Songwriters used to be an ongoing project produced by bpNichol and Whitney Smith. Guitar player \\nSong\\nHonkytonk Heartbreak \",\"nation\":[],\"role\":[\"Performer\",\"Producer\"]},{\"url\":\"http://viaf.org/viaf/44339202\",\"name\":\"Priest, Robert\",\"dates\":\"1951-\",\"notes\":\"Every love is a victory; it's not mentioned on the j-card if the person is the performer or songwriter.\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"\",\"name\":\"Booth, Alan \",\"dates\":\"\",\"notes\":\"Every love is a victory; it's not mentioned on the j-card if the person is the performer or songwriter\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/108916275\",\"name\":\"Burroughs, William Seward\",\"dates\":\"1914-1997\",\"notes\":\"Dr. Benway's song adapted from William Seward Burroughs by Victor Coleman and Whitney Smith.\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10124/Fred Wah Fonds_MsC 17 f_31.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-031-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:27\",\"precision\":\"\",\"size\":\"25.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-031-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:23\",\"precision\":\"\",\"size\":\"25.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[{\"url\":\"\",\"venue\":\"Station A\",\"notes\":\"This address is written on the J-card for the Ear Lick project\",\"address\":\"P.O. Box 1127, Station A, Toronto, Ontario, Canada, M5W 166\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["P.O. Box 1127, Station A, Toronto, Ontario, Canada, M5W 166"],"Venue":["Station A"],"City":["Toronto, Ontario"],"Note":["[{\"note\":\"Ear Lick project (Poets as Songwriters) is produced by bpNichol and Whitney Smith. It was made possible through the generous support of the Ontario Art Council, The Music Gallery, and the Therafields Foundation.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556241494018,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"6963","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["bpNichol's Sound Poetry Workshop at Selkirk College on March 9, 1982 DUPLICATE 2 of 5"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Performer\"]}]"],"contributors":["[]"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6963/Fred Wah Fonds_MsC 17f_33.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-033-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:12\",\"precision\":\"\",\"size\":\"51.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-033-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:30\",\"precision\":\"\",\"size\":\"51.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-03-09\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/270034909\",\"venue\":\"Selkirk College\",\"notes\":\"\",\"address\":\"College Selkirk College, 10th Street Campus, 11th Street, Fairview, Nelson, Regional District of Central Kootenay, British Columbia, V1L 3C7, Canada\",\"latitude\":\"49.50554\",\"longitude\":\"-117.26734\"}]"],"Address":["College Selkirk College, 10th Street Campus, 11th Street, Fairview, Nelson, Regional District of Central Kootenay, British Columbia, V1L 3C7, Canada"],"Venue":["Selkirk College"],"Note":["[{\"note\":\"The subject of the first side as bpNichol states is to consider the questions and techniques of sound poetry. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["bpNichol's Sound Poetry Workshop at Selkirk College on March 9, 1982 DUPLICATE 3 of 5"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Performer\"]}]"],"contributors":["[]"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6964/Fred Wah Fonds_MsC 17f_34.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-034-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:34\",\"precision\":\"\",\"size\":\"51.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-034-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:30\",\"precision\":\"\",\"size\":\"51.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-03-09\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/270034909\",\"venue\":\"Selkirk College\",\"notes\":\"\",\"address\":\"College Selkirk College, 10th Street Campus, 11th Street, Fairview, Nelson, Regional District of Central Kootenay, British Columbia, V1L 3C7, Canada\",\"latitude\":\"49.50554\",\"longitude\":\"-117.26734\"}]"],"Address":["College Selkirk College, 10th Street Campus, 11th Street, Fairview, Nelson, Regional District of Central Kootenay, British Columbia, V1L 3C7, Canada"],"Venue":["Selkirk College"],"Note":["[{\"note\":\"Same content as MsC 17f.32 \\\"bpNichol Series at Selkirk College on March 9, 1982 Series: Sound Poetry Workshop - DUPLICATE 1 of 3\\\" (SWALLOW ID 6942)\\nand\\nMsC 17f.33 \\\"bpNichol Series at Selkirk College on March 9, 1982 Series: Sound Poetry Workshop - DUPLICATE 2 of 3\\\" (SWALLOW ID 6963)\",\"type\":\"Related Version\"},{\"note\":\"Unrecognized voices are heard on the tape.\",\"type\":\"General\"},{\"note\":\"The subject of the first side as bpNichol states is to consider the questions and techniques of sound poetry. He performs one of his early pieces called \\\"Dala Lama\\\" and continues with the definition of sound poetry and its features. On the second side, he specifically facilities a discussion on the subject of meaning through sound alongside some performances and demonstrations.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556241494020,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"6965","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["BLANK. Gerry Gilbert poetry reading at Selkirk College on November 28, 1974 Tape 2 of 2 DUPLICATE 2 of 2"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Gilbert, Gerry"],"creator_names_search":["Wah, Fred","Gilbert, Gerry"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\" 1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Production_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6965/Fred Wah Fonds_MsC 17 f_16.jpeg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-016-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:59\",\"precision\":\"\",\"size\":\"45.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-016-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:08\",\"precision\":\"\",\"size\":\"45.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974-11-28\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/270034909\",\"venue\":\"Selkirk College \",\"notes\":\"\",\"address\":\"College Selkirk College, 10th Street Campus, 11th Street, Fairview, Nelson, Regional District of Central Kootenay, British Columbia, V1L 3C7, Canada\",\"latitude\":\"49.50554\",\"longitude\":\"-117.26734\"}]"],"Address":["College Selkirk College, 10th Street Campus, 11th Street, Fairview, Nelson, Regional District of Central Kootenay, British Columbia, V1L 3C7, Canada"],"Venue":["Selkirk College "],"Note":["[{\"note\":\"Tapes 15 and 16 (duplicates) look as if they belong to the same event as this tape, however, they are blank, and it is impossible to confirm that. The information for that tapes is taken from this tape anyway.\",\"type\":\"General\"},{\"note\":\"According to the information on the cassette, this tape should contain Side 3 of the recording, however it is empty. On tape 16, the information is the same, so we assume that they were supposed to be duplicates. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556242542592,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"6966","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["bp Nichol reading at University of Alberta, 1974"],"item_title_source":["cassette and j-card"],"item_title_note":["Title is created from cassette and j-card. PennSound lists this same cassette as a tape titled \"bp Nichol,\" published in 1971 by High Barnet Company."],"item_language":["English"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\",\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10181/Fred Wah Fonds_MsC 17 f_50.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"j-card created from piece of paper\",\"other_physical_description\":\"Title on cassette and j-card conflict: \"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-050-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:43\",\"precision\":\"\",\"size\":\"33.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"wah2021-050-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:45\",\"precision\":\"\",\"size\":\"34.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/10238561\",\"venue\":\"University of Alberta\",\"notes\":\"\",\"address\":\"115 Street NW, University of Alberta Neighbourhood, Greater Strathcona, Edmonton, Edmonton (city), Alberta, T6G 1C9, Canada\",\"latitude\":\"53,5230690\",\"longitude\":\"-113,5303539\"}]"],"Address":["115 Street NW, University of Alberta Neighbourhood, Greater Strathcona, Edmonton, Edmonton (city), Alberta, T6G 1C9, Canada"],"Venue":["University of Alberta"],"City":["Edmonton, Alberta"],"Note":["[{\"note\":\"It seems tapes 50 and 51 belong to the same event. On this tape, bp is not reading \\\"at\\\" the University of Alberta. we believe that it was a tape that was sent to Fred Wah from the University of Alberta, which is why it says \\\"from U of A\\\" on the cassette. To this same end, it is not a live reading, but instead a studio recording which, we believe, later became \\\"bp Nichol\\\" (1971). \\nSee PennSound #3: https://www.writing.upenn.edu/pennsound/x/Nichol.php. \",\"type\":\"General\"},{\"note\":\"The list of poems that bpNichol reads and performs are written on the j-card.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556242542593,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"6967","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["bp Nichol Reading at University of Alberta in March, 1974"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10182/Fred Wah Fonds_MsC 17 f_51.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"homemade j-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-051-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:17\",\"precision\":\"\",\"size\":\"51.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-051-Side b.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:54\",\"precision\":\"\",\"size\":\"51.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"03-1974\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"cassette and j-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/10238561\",\"venue\":\"University of Alberta\",\"notes\":\"\",\"address\":\"115 Street NW, University of Alberta Neighbourhood, Greater Strathcona, Edmonton, Edmonton (city), Alberta, T6G 1C9, Canada\",\"latitude\":\"53,5230690\",\"longitude\":\"-113,5303539\"}]"],"Address":["115 Street NW, University of Alberta Neighbourhood, Greater Strathcona, Edmonton, Edmonton (city), Alberta, T6G 1C9, Canada"],"Venue":["University of Alberta"],"City":["Edmonton, Alberta"],"Note":["[{\"note\":\"The list of poems that bpNichol reads is written on the j-card.\",\"type\":\"General\"},{\"note\":\"It seems tapes 50 and 51 belong to the same event.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556242542594,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"6968","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["bp Nichol (1944-88): A Tribute, Coah House/ Music Gallery, Talking Books, 1989"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creator_names":["Tostevin, Lola Lemire","Lee, Dennis","Dewdney, Christopher","Scobie, Stephen","Barbour, Douglas","Hartog, Diana","Dedora, Brian","Marlatt, Daphne","McFadden, David","Van Loon, Nelles","Ondaatje, Michael","Barreto-Rivera, Rafael","Dutton, Paul","Wah, Fred","McCaffery, Steve","Webb, Phyllis","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Tostevin, Lola Lemire","Lee, Dennis","Dewdney, Christopher","Scobie, Stephen","Barbour, Douglas","Hartog, Diana","Dedora, Brian","Marlatt, Daphne","McFadden, David","Van Loon, Nelles","Ondaatje, Michael","Barreto-Rivera, Rafael","Dutton, Paul","Wah, Fred","McCaffery, Steve","Webb, Phyllis","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/8771515\",\"name\":\"Tostevin, Lola Lemire\",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/150749702\",\"name\":\"Lee, Dennis\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/101952075\",\"name\":\"Dewdney, Christopher\",\"dates\":\"1951-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/18385392\",\"name\":\"Scobie, Stephen\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/14864700\",\"name\":\"Barbour, Douglas\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/91401282\",\"name\":\"Hartog, Diana\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11347776\",\"name\":\"Dedora, Brian\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/7405434\",\"name\":\"McFadden, David\",\"dates\":\"1940-2018\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/310713612\",\"name\":\"Van Loon, Nelles\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/111941870\",\"name\":\"Ondaatje, Michael\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/16154730\",\"name\":\"Barreto-Rivera, Rafael\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/36999806\",\"name\":\"Dutton, Paul\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Donor\"]},{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Performer\"]},{\"url\":\"http://viaf.org/viaf/29847238\",\"name\":\"Webb, Phyllis\",\"dates\":\"1927-2021\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1989],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10186/Fred Wah Fonds_MsC 17 f_52.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-052-Side 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Centre\",\"notes\":\"\",\"address\":\"235 Queens Quay W, Toronto, ON M5J 2G8\",\"latitude\":\"43,6376644\",\"longitude\":\"-79,3836602\"}]"],"Address":["235 Queens Quay W, Toronto, ON M5J 2G8"],"Venue":["Harbourfront Centre"],"City":["Toronto, Ontario"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556243591168,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"6969","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["bpNichol's Sound Poetry Workshop at Selkirk College on March 9, 1982 DUPLICATE 4 of 5"],"item_title_source":["cassette and j-card"],"item_title_note":["Since the recording has a duplicate, information for the title was filled in using the additional info from MsC 17 tape 54."],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\",\"Presenter\",\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10213/Fred Wah Fonds_MsC 17 f_53.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Poor\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-053-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:11\",\"precision\":\"\",\"size\":\"51 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-053-Side B(empty).mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:14:20\",\"precision\":\"\",\"size\":\"15.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"Empty tape\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-03-09\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/270034909\",\"venue\":\"Selkirk College\",\"notes\":\"\",\"address\":\"College Selkirk College, 10th Street Campus, 11th Street, Fairview, Nelson, Regional District of Central Kootenay, British Columbia, V1L 3C7, Canada\",\"latitude\":\"49.50554\",\"longitude\":\"-117.26734\"}]"],"Address":["College Selkirk College, 10th Street Campus, 11th Street, Fairview, Nelson, Regional District of Central Kootenay, British Columbia, V1L 3C7, Canada"],"Venue":["Selkirk College"],"Note":["[{\"note\":\"Duplicate of MsC 17f.54 \\\"bpNichol Series at Selkirk College on March 9, 1982 Series: Sound Poetry Workshop - DUPLICATE 2 of 2\\\" (SWALLOW ID 6970)\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556243591169,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"6970","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["bpNichol's Sound Poetry Workshop at Selkirk College on March 9, 1982 - DUPLICATE 5 of 5"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\",\"Series organizer\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Author\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10214/Fred Wah Fonds_MsC 17 f_54.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Poor\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-054-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:50:35\",\"precision\":\"\",\"size\":\"53.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-054-Side B (empty).mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:18\",\"precision\":\"\",\"size\":\"50.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-03-09\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"j-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/989685880\",\"venue\":\"Selkirk College\",\"notes\":\"\",\"address\":\"301 Frank Beinder Way, Castlegar, BC V1N 4L3\",\"latitude\":\"49,3005826\",\"longitude\":\"-117,6403843\"}]"],"Address":["301 Frank Beinder Way, Castlegar, BC V1N 4L3"],"Venue":["Selkirk College"],"City":["Castlegar, British Columbia"],"Note":["[{\"note\":\"Duplicate of MsC 17f.53 \\\"bpNichol Series at Selkirk College on March 9, 1982 Series: Sound Poetry Workshop - DUPLICATE 1 of 2\\\" (SWALLOW ID 6969)\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556243591170,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"6971","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["bp Nichol Sound Poems 1970-80: Ear Rational"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creator_names":["McCaffery, Steve","Nichol, bp (Barrie Phillip)","Dutton, Paul","Dean, Michael","Penhale, David","Truhlar, Richard","Smith, Steven"],"creator_names_search":["McCaffery, Steve","Nichol, bp (Barrie Phillip)","Dutton, Paul","Dean, Michael","Penhale, David","Truhlar, Richard","Smith, Steven"],"creators":["[{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"\\\"Cosmic Piece for Orchestra\\\" and \\\"Chorus\\\" songs are performed by Steve McCaffery and bpNichol; \\\"Acres Rare Meet\\\" is also performed by him and a group of other poets. \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\\\"Cosmic Piece for Orchestra\\\" and \\\"Chorus\\\" songs are performed by Steve McCaffery and bpNichol.\",\"nation\":[],\"role\":[\"Performer\",\"Author\"]},{\"url\":\"http://viaf.org/viaf/36999806\",\"name\":\"Dutton, Paul\",\"dates\":\"1943-\",\"notes\":\"\\\"Acres Rare Meet\\\" is performed by him and a group of other poets. \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Dean, Michael\",\"dates\":\"\",\"notes\":\"\\\"Acres Rare Meet\\\" is performed by him and a group of other poets. \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/16023367\",\"name\":\"Penhale, David\",\"dates\":\"\",\"notes\":\"\\\"Acres Rare Meet\\\" is performed by him and a group of other poets. \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/38165242\",\"name\":\"Truhlar, Richard\",\"dates\":\"1950-\",\"notes\":\"\\\"Acres Rare Meet\\\" is performed by him and a group of other poets. \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Smith, Steven\",\"dates\":\"\",\"notes\":\"\\\"Acres Rare Meet\\\" is performed by him and a group of other poets. \",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Production_Date":[1973],"Performance_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10216/Fred Wah Fonds_MsC 17 f_55.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-055-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:36\",\"precision\":\"\",\"size\":\"33.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-055-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:42\",\"precision\":\"\",\"size\":\"32.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977-10\",\"type\":\"Performance Date\",\"notes\":\"\\\"Acres Rare meet\\\" was recorded live in Toronto\",\"source\":\"J-card\"},{\"date\":\"1972\",\"type\":\"Performance Date\",\"notes\":\"\\\"The Alphabet Game\\\" was recorded at CBC Studios (Toronto); this is the circa date\",\"source\":\"J-card\"},{\"date\":\"1969\",\"type\":\"Performance Date\",\"notes\":\"\\\"Dada Lama\\\" was recorded at CBC Studios (Toronto). This is the circa date since another date is given for this piece, and it's in 1966 \",\"source\":\"J-card\"},{\"date\":\"1982-01-10\",\"type\":\"Performance Date\",\"notes\":\"All the recordings except for \\\"Dada Lama\\\", \\\"The Alphabet Game\\\", and \\\"Acres Rare Meet\\\" are recorded at the Studios of T.R.G \",\"source\":\"j-card\"},{\"date\":\"1973\",\"type\":\"Production Date\",\"notes\":\"\\\"060173\\\", \\\"Afternoon Attentions\\\", \\\"Meeln\\\", and \\\"Outsize Reference\\\"\",\"source\":\"J-card\"},{\"date\":\"1971\",\"type\":\"Production Date\",\"notes\":\"\\\"Eight Part Suite\\\"\",\"source\":\"J-card\"},{\"date\":\"1969\",\"type\":\"Production Date\",\"notes\":\"\\\"Cosmic piece for Orchestra and Chorus\\\"\",\"source\":\"J-card\"},{\"date\":\"1972\",\"type\":\"Production Date\",\"notes\":\"\\\"Poem Poem\\\"\",\"source\":\"J-card\"},{\"date\":\"1979\",\"type\":\"Production Date\",\"notes\":\"\\\"Art in Upheval\\\" begun in 1979\",\"source\":\"J-card\"},{\"date\":\"1977\",\"type\":\"Production Date\",\"notes\":\"\\\"Generations Generated\\\"\",\"source\":\"J-card\"},{\"date\":\"1967\",\"type\":\"Production Date\",\"notes\":\"\\\"Ballades Of The Restless Are\\\"\",\"source\":\"J-card\"},{\"date\":\"1978\",\"type\":\"Production Date\",\"notes\":\"\\\"White Text Sure: Version 1\\\"\",\"source\":\"J-card\"},{\"date\":\"1978\",\"type\":\"Production Date\",\"notes\":\"\\\"Translating Translating Apollinaire\\\"\",\"source\":\"J-card\"},{\"date\":\"1976-1980\",\"type\":\"Production Date\",\"notes\":\"\\\"Interupted Nap\\\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/7969162\",\"venue\":\"CBC Toronto\",\"notes\":\"\\\"Dada Lama\\\" and \\\"The Alphabet Game\\\" were recorded at CBC Studios \",\"address\":\"250 Front St W, Toronto, ON M5V 3G5\",\"latitude\":\"43,6444522\",\"longitude\":\"-79,3872615\"},{\"url\":\"https://www.openstreetmap.org/relation/2989349\",\"venue\":\"\",\"notes\":\"\\\"Acres Rare meet\\\" was recorded live in Toronto\",\"address\":\"City Toronto, Golden Horseshoe, Ontario, Canada\",\"latitude\":\"43.6542\",\"longitude\":\"-79.3841\"},{\"url\":\"\",\"venue\":\"Studios of T.R.G \",\"notes\":\"All the recordings except for \\\"Dada Lama\\\", \\\"The Alphabet Game\\\", and \\\"Acres Rare Meet\\\" are recorded at the Studios of T.R.G on January 10 in 1982\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["250 Front St W, Toronto, ON M5V 3G5","City Toronto, Golden Horseshoe, Ontario, Canada"],"Venue":["CBC Toronto","Studios of T.R.G "],"City":["Toronto, Ontario","Toronto, Ontario"],"Note":["[{\"note\":\"As it's written on the J-card, the woman's voice on \\\"The Alphabet Game\\\" song is that of the friend of the producer who, unfortunately, bpNichols had lost all record of.\",\"type\":\"General\"},{\"note\":\"Versions of Ear Rational exist in the Readings in BC collection, Fred Wah fonds, Adeena Karasick, and bp Nichol fonds.\\nEar Rational composed by bp Nichol, 1970 and 1980 #819 - SWALLOW ID 5484 Identical tape\\nbpNichol Sound Poems 1970-80: Ear Rational SWALLOW ID 6971 Identical tape\\nEar Rational: Sound Poems 1970-80 by bpNichol SWALLOW ID 7260 Identical tape\\nDub of Ear Rational, Sound Poems by bpNichol #43 SWALLOW ID 7023 \\nEARRATIONAL, bpNichol, side 1, master tape, recorded Nov. 1, 1982 #14 SWALLOW ID 7045 - Reel-to-Reel \\nEARRATIONAL, bpNichol, Side 2, master tape, recorded Nov. 1, 1982 #15 SWALLOW ID 7045 - Reel-to-Reel \",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670556243591171,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"6972","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["bpNichol's Reading and Performance at Selkirk College on March 9, 1982 DUPLICATE 1 of 2"],"item_title_source":["J-card and Recording"],"item_title_note":["Since the recording has a duplicate, information for the title was filled in using additional info from MsC 17 tape 62"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Nichol, bp (Barrie Phillip)","Miki, Roy"],"creator_names_search":["Wah, Fred","Nichol, bp (Barrie Phillip)","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Performer\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"Roy Miki performs a piece called \\\"Interrupted Map\\\" with bpNichol at the beginning of the second side. His name is mentioned by bpNichol.\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10212/Fred Wah Fonds_MsC 17 f_56.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-056-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:12\",\"precision\":\"\",\"size\":\"50.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-056-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:28\",\"precision\":\"\",\"size\":\"49.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-03-09\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/989685880\",\"venue\":\"Selkirk College\",\"notes\":\"  \",\"address\":\"College Selkirk College (Castlegar Campus), 301, Frank Beinder Way, Castlegar, Regional District of Central Kootenay, British Columbia, V1N1H8, Canada\",\"latitude\":\"49.3069\",\"longitude\":\"-117.6470\"}]"],"Address":["College Selkirk College (Castlegar Campus), 301, Frank Beinder Way, Castlegar, Regional District of Central Kootenay, British Columbia, V1N1H8, Canada"],"Venue":["Selkirk College"],"City":["Castlegar, British Columbia"],"Note":["[{\"note\":\"Same content as MsC 17f.62 \\\"bpNichol Series at Selkirk College on March 9, 1982: Reading and Performance - DUPLICATE 2 of 2\\\" (SWALLOW ID 6977). 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["bpNichol's Reading and Performance at Selkirk College on March 9, 1982 DUPLICATE 2 of 2"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Nichol, bp (Barrie Phillip)","Miki, Roy"],"creator_names_search":["Wah, Fred","Nichol, bp (Barrie Phillip)","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Performer\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"Roy Miki performs a piece called \\\"Interrupted Map\\\" with bpNichol at the beginning of the second side. 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Original not determined. \",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670556244639746,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"6978","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Lionel Kearns reading his poems at David Thompson University Centre (DTUC) on January 25, 1980"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Kearns, Lionel"],"creator_names_search":["Wah, Fred","Kearns, Lionel"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/30784380\",\"name\":\"Kearns, Lionel\",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1980],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12039/Fred Wah Fonds_MsC 17e_63.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"063 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:26\",\"precision\":\"\",\"size\":\"32.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"063 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:31\",\"precision\":\"\",\"size\":\"32.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1980-01-25\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/936493657\",\"venue\":\"David Thompson University Centre\",\"notes\":\"David Thompson University Centre got closed in Nelson in 1984; its current adopted name is Notre Dame University College\\n\\nSince the exact location could not be found on OpenStreetMap, the provided link refers to the closest point on Vernon Street in Downtown Nelson, within the Regional District of Central Kootenay, British Columbia, V1L 4G2, Canada\",\"address\":\"713 Vernon Street, Nelson, BC, V1L 4G8\",\"latitude\":\"49.489145\",\"longitude\":\"-117.301457\"}]"],"Address":["713 Vernon Street, Nelson, BC, V1L 4G8"],"Venue":["David Thompson University Centre"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556244639747,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"6979","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Victor Coleman talking about his journey with Coach House Press at University of Calgary on December 7, 1994"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Coleman, Victor"],"creator_names_search":["Wah, Fred","Coleman, Victor"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/38160442\",\"name\":\"Coleman, Victor\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12040/Fred Wah Fonds_MsC 17e_64.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"064 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:40\",\"precision\":\"\",\"size\":\"32.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"064 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:45\",\"precision\":\"\",\"size\":\"32.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-12-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/4814074\",\"venue\":\"University of Calgary\",\"notes\":\"\",\"address\":\" 2500 University Dr NW, Calgary, AB T2N 1N4\",\"latitude\":\"51.07837\",\"longitude\":\"-114.12832\"}]"],"Address":[" 2500 University Dr NW, Calgary, AB T2N 1N4"],"Venue":["University of Calgary"],"City":["Calgary, Alberta"],"Note":["[{\"note\":\"Victor Coleman recounts his experiences with Coach House Press as one of its early poets, discussing the challenges they faced, the books they were able to publish, and their efforts to secure initial funding. He also speaks about his collaboration with bpNichol. Coleman concludes his talk by reading a poem about the time Coach House Press was stolen.\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556246736896,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"6980","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Ken Mitchell lecture at David Thompson University Centre (DTUC) in January 1979 DUPLICATE 1 of 3"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Mitchell, Ken"],"creator_names_search":["Wah, Fred","Mitchell, Ken"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/117468255\",\"name\":\"Mitchell, Ken\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1979],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12041/Fred Wah Fonds_MsC 17e_65.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"065 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:35\",\"precision\":\"\",\"size\":\"49.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"065 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:40\",\"precision\":\"\",\"size\":\"49.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1979-01\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/936493657\",\"venue\":\"David Thompson University Centre\",\"notes\":\"David Thompson University Centre got closed in Nelson in 1984; its current adopted name is Notre Dame University College\\n\\nSince the exact location could not be found on OpenStreetMap, the provided link refers to the closest point on Vernon Street in Downtown Nelson, within the Regional District of Central Kootenay, British Columbia, V1L 4G2, Canada\",\"address\":\"713 Vernon Street, Nelson, BC, V1L 4G8\",\"latitude\":\"49.489145\",\"longitude\":\"-117.301457\"}]"],"Address":["713 Vernon Street, Nelson, BC, V1L 4G8"],"Venue":["David Thompson University Centre"],"Note":["[{\"note\":\"Duplicate of tape 124 \\\"Ken Mitchell lecture at David Thompson University Centre (DTUC) in January 1979 DUPLICATE 2 of 3\\\" (SWALLOW ID 7885)\\nand\\nTape 128 \\\"Ken Mitchell lecture at David Thompson University Centre (DTUC) in January 1979 DUPLICATE (ONLY SIDE ONE) 3 of 3\\\" (SWALLOW 7893)\",\"type\":\"General\"},{\"note\":\"Ken Mitchell reads and shares some of his memories, viewpoints, writing, and teaching experiences with the students.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556246736897,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"6981","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Jane Rule discussion on \"Contract with the World\" on November 27, 1981 DUPLICATE 1 OF 2"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Rule, Jane","Wah, Fred"],"creator_names_search":["Rule, Jane","Wah, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/62399671\",\"name\":\"Rule, Jane\",\"dates\":\"1931-2007\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Author\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"Fred Wah is in the audience and he asks some questions. This program seems to be coordinated by him.\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12042/Fred Wah Fonds_MsC 17e_66.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"066 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:45\",\"precision\":\"\",\"size\":\"29.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-11-27\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"Fred Wah thanks someone called [Erin or Irene?]; she is the one who reads a part of Jane Rule's book in the beginning of the first side.\",\"type\":\"General\"},{\"note\":\"The first side of this tape is missing, but it can be found on tape #99, whose second side is a duplicate of this tape. Tape #99 appears to be the complete version. On it, Jane Rule discusses how she became involved in sexual writing and addresses the distinction between eroticism and pornography, including the vocabulary associated with this type of writing. She responds to various questions about lesbianism, its historical recognition, and the societal hostility faced by women and men. Rule also reflects on the social responsibility she feels in relation to her writing and human relationships.\",\"type\":\"General\"},{\"note\":\"This tape is a duplicate of tape 99's second side: \\nJane Rule's discussion on \\\"Contract with the World\\\" on November 27, 1981 DUPLICATE 2 OF 2 (SIDE 2 ONLY) (SWALLOW ID 7302)\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556246736898,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"6982","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Ken Mitchell interview, and Margaret Hollingsworth interview and a radio play for Vancouver CBC Radio program on Arts in BC on December 1, 1986"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Hollingsworth, Margaret","Mitchell, Ken","Wachtel, Eleanor","Creed, Dawn","McNair, Jeffrey","Nelson, Willie"],"creator_names_search":["Wah, Fred","Hollingsworth, Margaret","Mitchell, Ken","Wachtel, Eleanor","Creed, Dawn","McNair, Jeffrey","Nelson, Willie"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/92298543\",\"name\":\"Hollingsworth, Margaret\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/117468255\",\"name\":\"Mitchell, Ken\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Speaker\",\"Performer\"]},{\"url\":\"\",\"name\":\"Wachtel, Eleanor \",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Creed, Dawn\",\"dates\":\"\",\"notes\":\"Dawn Creed and the song \\\"Old Folks in the Snow\\\" were introduced by the host at 30:45 on side one. \\nCreed is a musician from Saskatoon.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/171112194\",\"name\":\"McNair, Jeffrey\",\"dates\":\"\",\"notes\":\"He is introduced as the vice president of marketing and entertainment in the time of the interview and was the VP of Marketing and Development of Vancouver's World Fair, or Expo (which is the actual name that it's more known for), in 1986. \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/27252664\",\"name\":\"Nelson, Willie\",\"dates\":\"1933-\",\"notes\":\"A cover of “Blue Skies” by Willie Nelson, released in 1978, plays after Ken Mitchell's interview. \\nThis song is originally by Irving Berlin (1888–1989) and was released in 1926.\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Production_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12043/Fred Wah Fonds_MsC 17e_67.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"067 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:40\",\"precision\":\"\",\"size\":\"51.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"067 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:35\",\"precision\":\"\",\"size\":\"50.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-12-01\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/50259713\",\"venue\":\"CBC studio\",\"notes\":\"We listen to CBC radio program on the second side.\\n\",\"address\":\"700 Hamilton Street Vancouver, British Columbia V6B 4A2\",\"latitude\":\"49.27915495\",\"longitude\":\"-123.11434125336939\"}]"],"Address":["700 Hamilton Street Vancouver, British Columbia V6B 4A2"],"Venue":["CBC studio"],"City":["Hamilton, British Columbia"],"Note":["[{\"note\":\"We don’t know who the host is interviewing on the first side. However, on the second side, she interviews Margaret Hollingsworth. The radio program also features a play, and while the actors are introduced, we are unable to catch all of their names.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556246736899,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"6983","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Phyllis Webb reading excerpts from Naked Poems "],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Webb, Phyllis","Bowering, George"],"creator_names_search":["Wah, Fred","Webb, Phyllis","Bowering, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/29847238\",\"name\":\"Webb, Phyllis\",\"dates\":\"1927-2021\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"He is heard laughing\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12046/Fred Wah Fonds_MsC 17e_69.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"069 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:24:24\",\"precision\":\"\",\"size\":\"26.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"069 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:24:39\",\"precision\":\"\",\"size\":\"27.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"At the beginning of the first side, she reads from her book called Wilson's Bowl.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556247785473,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"6985","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Al Purdy and Eli Mandel reading "],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Purdy, Al","Mandel, Eli"],"creator_names_search":["Wah, Fred","Purdy, Al","Mandel, Eli"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/7398775\",\"name\":\"Purdy, Al\",\"dates\":\"1918-2000\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/59095399\",\"name\":\"Mandel, Eli\",\"dates\":\" 1922-1992\",\"notes\":\"He is reading Minotaur poems published in a book called Trio\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12050/Fred Wah Fonds_MsC 17e_70.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"070 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:33:39\",\"precision\":\"\",\"size\":\"37.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"070 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:33:52\",\"precision\":\"\",\"size\":\"38.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"The quality of audio improves on the second side. The sound quality is quite good on the second side.\",\"type\":\"General\"},{\"note\":\"Al Purdy reads from the beginning to 5:04; 5:05 is blank until 10:18, but he begins reading again. The quality of the audio is quite poor.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556247785474,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"6986","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Robert Kroetsch and Rudy Wiebe talk and [graduate?] students reading in Spring 1976"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Kroetsch, Robert","Wiebe, Rudy"],"creator_names_search":["Wah, Fred","Kroetsch, Robert","Wiebe, Rudy"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/39385421\",\"name\":\"Wiebe, Rudy\",\"dates\":\"1934-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12051/Fred Wah Fonds_MsC 17e_71.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"071 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:25\",\"precision\":\"\",\"size\":\"33.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"071 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:58:43\",\"precision\":\"\",\"size\":\"70.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976\",\"type\":\"Production Date\",\"notes\":\"1976 Spring is written on the j-card. We do not if it's the date of [graduate?] student reading or Robert Kroetsch and Rudy Wiebe talk\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"We get to hear Rudy Wiebe and Robert Kroetsch talk in the first 19 minutes. At 19:13, we hear a group of anonymous [graduate?] students reading.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556247785475,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"6987","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. 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S."],"creator_names_search":["Wah, Fred","Compton, Wayde","Foggo, Cheryl","Este, David","Samuels, Ian","Giscombe, C. S."],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/17464408\",\"name\":\"Compton, Wayde\",\"dates\":\"1972-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/71246050\",\"name\":\"Foggo, Cheryl\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/264981978\",\"name\":\"Este, David\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/43642637\",\"name\":\"Samuels, Ian\",\"dates\":\"1975-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/33683529\",\"name\":\"Giscombe, C. 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She concludes her reading on the second side at 15:50, after which the recording continues with a panel discussion. During the discussion, three audience members ask questions—their names are heard as [BJ Ray?] (22:01), [unclear name], and [Jeff?].\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556249882624,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"6994","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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She introduces Phyllis Webb and Michael Ondaatje for the \\\"State of the Art\\\" program.\\n\\nShe is a Canadian journalist and award-winning author born in Montreal, but lived in Toronto for most of her life. She wrote for many Canadian journals, like The Globe and Mail. \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"McNiell, Lucie \",\"dates\":\"\",\"notes\":\"CBC radio host on the second side at 17:04\\nHost Almanac and The Early Edition CBC Radio Vancouver 1981-93; Beijing Radio China and freelance CBC 1993; international development assistance consultant 1996-2008; director of public affairs University of British Columbia 2011-2014.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Doctor, Doug \",\"dates\":\"\",\"notes\":\"He is introduced as a CBC program sound engineers at 14:28 on side two.\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Warren, David\",\"dates\":\"\",\"notes\":\"He is introduced on the first side as the writer and producer of \\\"Toronto Toronto\\\" theater show program. He has an interview with the CBC host regarding theater and commercial Cabaret.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/111941870\",\"name\":\"Ondaatje, Michael\",\"dates\":\"1943-\",\"notes\":\"He reads from \\\"Secular Love\\\" collection. \",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/29847238\",\"name\":\"Webb, Phyllis\",\"dates\":\"1927-2021\",\"notes\":\"She reads from her recent book called \\\"Water and Light.\\\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]}]"],"score":0.01643844},{"id":"6995","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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(University at Buffalo)"],"City":["Buffalo, New York"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556250931200,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"6999","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Daphne Marlatt interview with Fred Wah in Summer 1980"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Marlatt, Daphne"],"creator_names_search":["Wah, Fred","Marlatt, Daphne"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\",\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1980],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12362/Fred Wah Fonds_MsC 17e_84.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"084 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:52\",\"precision\":\"\",\"size\":\"31.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"084 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:50\",\"precision\":\"\",\"size\":\"31.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1980\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"Fred Wah and Daphne Marlatt discuss Marlatt’s early poetry and the challenge of balancing the dual roles of housewife and poet/writer. Marlatt also reflects on her novel writing and on the authors she was reading during her university years—such as [Laurence?], Virginia Woolf, Henry James, and Jack Kerouac. She considers how her novels’ plots engage with the audience’s consciousness and contribute to the development of their subconscious. Marlatt briefly describes her travels to different countries and the discoveries these journeys afforded: about the self and about one’s relationship to the surrounding environment. 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Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Robert Kroetsch reading Seed Catalogue in Nelson on December 1, 1978"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kroetsch, Robert","Wah, Fred"],"creator_names_search":["Kroetsch, Robert","Wah, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\" 1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"Fred Wah introduces Robert Kroetsch in the beginning of the first side. \",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7003/Fred Wah Fonds_MsC 17f_88.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"088 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:40\",\"precision\":\"\",\"size\":\"48.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"088 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:54\",\"precision\":\"\",\"size\":\"47.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-12-01\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"Robert Kroetsch begins by discussing the process of writing his long poem Seed Catalogue, reflecting on the challenges he faced in conceiving it, before moving on to read from the work itself.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556250931205,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"7004","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["bpNichol reading at Selkirk College on January 26, 1977 #1"],"item_title_source":["j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P."],"creator_names_search":["Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\",\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11127/bpNichol Fonds_Msc12_1.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Clear jewel case with black cassette\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"001 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:01:28\",\"precision\":\"\",\"size\":\"66.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"001 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:03:14\",\"precision\":\"\",\"size\":\"67.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977-01-26\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"j-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/989685880#map=15/49.3052/-117.6426\",\"venue\":\"Selkirk College\",\"notes\":\"\",\"address\":\"301 Frank Beinder Way, Castlegar, BC V1N 4L3\",\"latitude\":\"49.3169\",\"longitude\":\"-117.6674\"}]"],"Address":["301 Frank Beinder Way, Castlegar, BC V1N 4L3"],"Venue":["Selkirk College"],"City":["Castlegar, British Columbia"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556250931206,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"7005","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. 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He also mentions Nichol's performances in Glasgow and with the Four Horsemen at the Sound Poetry Festival of Toronto. Lastly he mentions the Martyrology as a testament to the value of this work. \\n\\nNichol begins by mentioning he has the Martyrology Book 5, Chain 8 for sale for one dollar each.\\n\\n02:27 - \\\"Six Thots\\\"\\n03:50 - \\\"Five images,\\\" which Nichol notes documents his and Eleanor's visit with Michael Ondaatje's family. \\n05:41 - \\\"Two Words: a wedding\\\"\\n08:02 - Interlude wherein Nichol mentions his experiments with translations as conversations with the dead: collaborating with the writer who is no longer here. The next two poems, he writes, he took the English words which the Kwakiul words looked most like and translated them as such. The second employs the same process except from a Chipiwa text. \\n09:00 - \\\"[interpretive translation of] Kwakiutl working man's song\\\"\\n10:03 - \\\"[interpretive translation of] Chippewa chant to the firefly\\\"\\n\\n10:30 \\\"From Cattulis, Poem 89\\\"\\n11:17 \\\"From Cattlus, Poem 85\\\"\\n\\nInterlude on writing a poem-a-day in '76 and using Canadian Singers and their Songs, published by McLellan and Stewart (1925). \\n\\n12:45 - \\\"After Frank O Calls\\\"\\n14:35 - \\\"May 18 after James V Dollar\\\"\\n\\n15:56 - \\\"May 21, after Alexander Louis Fraser\\\"\\n16:58 - \\\"May 23, after Alfred Gordon\\\"\\n19:19 - \\\"Three months in New York City\\\" which Nichol notes is drawn from newspaper headlines in NY for about three months\\n20:38 - \\\"TTA 52\\\" from a longer series called translating translating Apollinaire. It could be called a book of research.\\n23:30 \\\"from Translating Apollinaire\\\"\\n24:49 \\\"TTA 19, replacing words with their meanings, using Webster's dictionary for everyday use\\\" \\n\\n27:39 - Interlude where Nichol sells and hands out copies of The Martyrology Book V, Chain 8\\n\\n28:35 - Introduction on the Martyrology and how Book V was supposed to be the end of the series, the personal nature of the project, and his fascination with language. \\n\\n30:21 - from \\\"The Martyrology Book V, Chain 8\\\"\\n38:30 - Interlude on Book V's chains and the different paths through the text, and the little poems at the end of the journal section of Book V.\\n39:45 - \\\"Maps\\\"\\n40:40 - Interlude on writing and the muse and how writing may be a state of mind, an issue of getting in touch with it, rather than waiting.\\n \\\"Hours, from a Counting\\\" (later to become Book of Hours in Book 6). and Basho's Uttanniki, which was inspirational for Nichol's own work with the Martyrology. \\n44:01 - \\\"First hour, 10:35pm-11:35pm, February 11 1979\\\"\\n46:57 - Tape ends\\n\\n\\n\\n\\n\\n\\n\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/export#map=15/53.5235/-113.5237\",\"venue\":\"University of Alberta\",\"notes\":\"\",\"address\":\"116 St & 85 Ave, Edmonton, AB T6G 2R3\",\"latitude\":\"53.5342\",\"longitude\":\"-113.5485\"}]"],"Address":["116 St & 85 Ave, Edmonton, AB T6G 2R3"],"Venue":["University of Alberta"],"City":["Edmonton, Alberta"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556250931207,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"7006","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["bpNichol reading at Don Mills Collegiate Institute on February 14, 1980 tape 1 of 2 #3"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P."],"creator_names_search":["Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Reader\",\"Author\",\"Donor\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1980],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11132/bpNichol Fonds_MsC12_3.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Poor\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with black cassette\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"003 Partial Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:19:22\",\"precision\":\"\",\"size\":\"20.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1980-02-14\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"cassette\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/40754689\",\"venue\":\"Don Mills Collegiate Institute\",\"notes\":\"\",\"address\":\"15 The Donway E, North York, ON M3C 1X6\",\"latitude\":\"43.73695\",\"longitude\":\"-79.34197\"}]"],"Address":["15 The Donway E, North York, ON M3C 1X6"],"Venue":["Don Mills Collegiate Institute"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556251979776,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"7007","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["bpNichol reading at Don Mills Collegiate Institute, February 14, 1980 tape 2 of 2 #4"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P."],"creator_names_search":["Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\",\"Reader\",\"Speaker\",\"Donor\"]}]"],"contributors":["[]"],"Performance_Date":[1980],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11790/bpNichol Fonds_MsC12_4.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"004 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:51:08\",\"precision\":\"\",\"size\":\"53.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\\n \\n\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1980-02-14\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"cassette\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/40754689\",\"venue\":\"Don Mills Collegiate Institute\",\"notes\":\"\",\"address\":\"15 The Donway E, North York, ON M3C 1X6\",\"latitude\":\"43.73695\",\"longitude\":\"-79.34197\"}]"],"Address":["15 The Donway E, North York, ON M3C 1X6"],"Venue":["Don Mills Collegiate Institute"],"contents":["0:40 - Pome pome song \n4 :10 - Poems from \"Captain Poetry Poems\"\n9:15 - \"Julia, a novel, Julia,\" whose title comes directly from a conversation with a friend, to whom Nichol was explaining what the work was.\n13:10 - \"[Mind] on a lake\" \n15:00 - from \"The May Day Book\" Nichol began with a book of Canadian songs and used each Canadian song as a prompt for a poem. \n22:30 - Here Nichol mentions the \"e\" book from the Ouilepo group (name) and the essay On And, both forms of procedural-based forms of writing.\n23:30 - \"[Two pieces on ...]\"\n26:15 - Questions and Answers \n30:45 - Performance of \"Milk\" by audience request"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556251979777,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"7008","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["bpNichol reading at Milwaukee Public Library for Woodland Pattern on February 24, 1980 #5"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P."],"creator_names_search":["Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\",\"Donor\"]}]"],"contributors":["[]"],"Performance_Date":[1980],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11796/bpNichol Fonds_MsC12_5.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"005 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:31\",\"precision\":\"\",\"size\":\"50.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\\n\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"005 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:16\",\"precision\":\"\",\"size\":\"46.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1980-02-24\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"cassette\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/export#map=19/43.03955/-87.92237\",\"venue\":\"Milwaukee Public Library\",\"notes\":\"\",\"address\":\"814 W Wisconsin Ave, Milwaukee, WI 53233\",\"latitude\":\"43.04037\",\"longitude\":\"-87.92392\"}]"],"Address":["814 W Wisconsin Ave, Milwaukee, WI 53233"],"Venue":["Milwaukee Public Library"],"contents":["In this reading at the Milwaukee Public Library, Nichol reads from sections of each of the books of the Martyrology which he had at that point completed. He makes reference to bill bissett, W.S. Merwin and Dick Tracy comics as different sources of inspiration.\nSide A\n0:20 - from \"The Martyrology of St. And\"\n6:00 - from \"The Martyrology Book 2\"\n9:30 - song from \"The Martyrology\"\n11:10 - from \"The Martyrology Book 2, Friends as Footnotes\"\n15:00 - from \"The Martyrology Book 3\"\n25:00 - \"Mid-initial Sequence from Coda, of Martyrology Book 3\"\n28:25 - from \"The Martyrology Book 4\"\n35:00 - from \"The Martyrology Book 5\"\nSide B\n0:20 - \"Two Words: a wedding\" \n2:30 - \"a counting\" from \"The Book of Hours\"\n10:30 - \"Hour 3\" from \"The Book of Hours,\" which he says was written on a ferry between Vancouver and Victoria, BC.\n15:30 - \"Hour 5\" from \"The Book of Hours\" written outside of Saskatchewan on an eventual train from Toronto, ON, to Vancouver, BC.\n19:40 - \"Hour 7\" from \"The Book of Hours\" written in a building outside of Toronto during a storm.\n25:35 - \"Hour 11\" from \"The Book of Hours\"\n29:40 - from \"Translating Translating Apollinaire\"\n39:00 - song or sound poem called \"Flower Eyes\"\n41:20 - \"Song for St. ein\" which Nichol notes is drawn from a question posed by Gertrude Stein\n42:20 - \"You too Nicky\" from \"a counting\" which Nichol notes is drawn from the Japanese poetic form the Uttanikki, used in his Martyrology. \n\n"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556251979778,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"7009","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["bpNichol reading the Martyrology at SFU on July 23, 1981 #7"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P."],"creator_names_search":["Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\",\"Donor\"]}]"],"contributors":["[]"],"Performance_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11799/bpNichol Fonds_MsC12_7.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"007 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:46\",\"precision\":\"\",\"size\":\"36.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"007 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:05\",\"precision\":\"\",\"size\":\"33.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-23\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"j-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/export#map=15/49.2767/-122.9182\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2884\",\"longitude\":\"-122.9430\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"contents":["This is a reading of Book 5 of the Martyrology. At multiple points in the reading Nichol re-reads certain verses in order to get them the way in which he wants them read. \n\nSide A\n0:00 - Introduction discussing the beginnings of this section of the Martyrology as based on the street names in the Annex or Toronto. He also mentions Fred Wah and his notion of \"place...rooted in a certain sense of language.\"\n1:05 -  Chain 1 from \"Book 5 of the Martyrology\" \n28:00 - At this point in the recording, the quality of the audio decreases and the sound waves become much wider, perhaps indicating that this tape was comprised of different recordings.\n\nSide B\nThis recording is a continuation of the former. Nichol finishes reading Chain 5 of Book 5 of the Martyrology and at one point speaks to a recordist. Toward the end of the tape he reads from TTA, Translating Translating Appolinaire.\n0:00 - from Chain 1 of Book 5\n0:27 - Nichol speaks to recordist\n0:38 - Chain 1 of Book 5\n7:50 - from Catulsis of TTA.\n8:30 - Poem 31 from TTA\n9:24 - Catulis 93\n9:48 - Catulis 91. Here Nichol also speaks directly to a Fred, presumably Fred Wah.\n10:35 - Catulis 111"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556251979779,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"7010","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["bpNichol reading at Carleton University on October 14, 1984 #8"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P."],"creator_names_search":["Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Donor\",\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1984],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11800/bpNichol Fonds_MsC12_8.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"008 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:59\",\"precision\":\"\",\"size\":\"60.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"008 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:51:26\",\"precision\":\"\",\"size\":\"121.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1984-10-14\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"j-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/export#map=15/45.3858/-75.6953\",\"venue\":\"Carleton University\",\"notes\":\"\",\"address\":\"1125 Colonel By Dr, Ottawa, ON K1S 5B6\",\"latitude\":\"45.3984\",\"longitude\":\"-75.7200\"}]"],"Address":["1125 Colonel By Dr, Ottawa, ON K1S 5B6"],"Venue":["Carleton University"],"City":["Ottawa, Ontario"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556251979780,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"7011","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["bpNichol reading The Martyrology in Tofino on May 7, 1987 #9"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P."],"creator_names_search":["Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\",\"Donor\"]}]"],"contributors":["[]"],"Performance_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11808/bpNichol Fonds_MsC12_9.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"009 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:42:32\",\"precision\":\"\",\"size\":\"44.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-05-07\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"j-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/export#map=17/49.15234/-125.90415\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Tofino, BC, Canada\",\"latitude\":\"49.15525\",\"longitude\":\"-125.91034\"}]"],"Address":["Tofino, BC, Canada"],"contents":["In this reading by bpNichol, he draws primarily from his work on the Martyrology. He also notably discusses the project as finished, which for years it was, until he began it again and added on an additional 4 books. The audio in the first three minutes is of lower quality than the rest of the tape to follow. Much of the tape is Nichol answering to questions from the group.\n15:45 - Interlude about the Canadian Great Lakes region, discussed in the section to follow.\n18:36 - Hour 17 from the Book of Hours\n21:14 - Interlude \n22:11 - Comment from audience member\n22:50 - Question\n22:52 - Answer\n24:20 - Question\n25:53 - Interlude about Hour 13\n27:21 - Hour 13\n29:15 - Interlude\n29:37 - Interlude about Hour 24 \n31:46 - Hour 24\n33:52 - Interlude about knowledge, Kepler, religion, celestial bodies,\n39:44 - Hour 24\n41:51 - Salutations\n0:00 - Introduction by Nichol \n4:34 - from Book of Hours \n7:14 - Break for questions\n7:34 - Question, barely audible\n8:00 - Answer\n9:30 - Question about poetry as magic \n10:00 - Answer\n11:37 - Question about contemporary poetry\n12:45 - Answer\n"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556253028352,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"7012","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["Ear Lick performed for CBC on April 13, 1987 #30"],"item_title_source":["j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P.","Dutton, Paul","Barreto-Rivera, Rafael"],"creator_names_search":["Nichol, B.P.","Dutton, Paul","Barreto-Rivera, Rafael"],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Speaker\",\"Donor\",\"Reader\"]},{\"url\":\" http://viaf.org/viaf/30591332 http://viaf.org/viaf/101952075 http://viaf.org/viaf/83981636 http://viaf.org/viaf/25166087  http://viaf.org/viaf/39400140 http://viaf.org/viaf/13554538 http://viaf.org/viaf/102795332 http://viaf.org/viaf/105142281 http://viaf.org/viaf/315084078\",\"name\":\"Dutton, Paul\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/16154730\",\"name\":\"Barreto-Rivera, Rafael\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11809/bpNichol Fonds_MsC12_30.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"030 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:50\",\"precision\":\"\",\"size\":\"49.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"030 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:34:00\",\"precision\":\"\",\"size\":\"36.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-04-13\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"j-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/export#map=19/43.64484/-79.38814\",\"venue\":\"CBC Toronto\",\"notes\":\"\",\"address\":\"250 Front St W, Toronto, ON M5V 3G5\",\"latitude\":\"43.64564\",\"longitude\":\"-79.38969\"}]"],"Address":["250 Front St W, Toronto, ON M5V 3G5"],"Venue":["CBC Toronto"],"City":["Toronto, Ontario"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556253028353,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"7013","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["Interview with bpNichol on May 8, 1987 #32 (Tape 2 of 2)"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P."],"creator_names_search":["Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Donor\"]}]"],"contributors":["[]"],"Performance_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11810/bpNichol Fonds_MsC 12_32.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"032 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:53\",\"precision\":\"\",\"size\":\"32.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"032 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:25\",\"precision\":\"\",\"size\":\"50.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"This tape contains a conversation between bpNichol and an unnamed interviewer. Their conversation revolves around Nichol's Martyrology and touches on his interests in etymology, religion, the after life, knowledge, word play, and more.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-05-08\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"j-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/export#map=11/46.3696/-81.2390\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Sudbury, Ontario, Canada\",\"latitude\":\"46.5655\",\"longitude\":\"-81.6353\"}]"],"Address":["Sudbury, Ontario, Canada"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556254076928,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"7014","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. 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Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["2 Nights by The Four Horsemen"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creator_names":["Nichol, B.P.","Four Horsemen (Musical group)","McCaffery, Steve","Dutton, Paul","Barreto-Rivera, Rafael"],"creator_names_search":["Nichol, B.P.","Four Horsemen (Musical group)","McCaffery, Steve","Dutton, Paul","Barreto-Rivera, Rafael"],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/128949455\",\"name\":\"Four Horsemen (Musical group)\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/36999806\",\"name\":\"Dutton, Paul\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/16154730\",\"name\":\"Barreto-Rivera, Rafael\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Publication_Date":[1988],"Performance_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12069/bpNichol Fonds_MsC12_2Nights.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"036 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:57\",\"precision\":\"\",\"size\":\"53 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"036 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:21\",\"precision\":\"\",\"size\":\"50.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-10-09\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"j-card\"},{\"date\":\"1988\",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"j-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/241163484\",\"venue\":\"The Music Gallery\",\"notes\":\"\",\"address\":\"918 Bathurst St, Toronto ON M5R 3G5\",\"latitude\":\"43.66944\",\"longitude\":\"-79.41372\"}]"],"Address":["918 Bathurst St, Toronto ON M5R 3G5"],"Venue":["The Music Gallery"],"City":["Toronto, Ontario"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556254076936,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"7022","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["bp nichol by High Barnet Company #42"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P."],"creator_names_search":["Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\",\"Reader\",\"Speaker\",\"Donor\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12070/bpNichol Fonds_MsC12_42.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"022 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:43:49\",\"precision\":\"\",\"size\":\"49 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"This is a tape published by High Barnet Company  in 1971. It includes both traditional and sound poetry as well as several excerpts from Books 1 and 2 of The Martyrology.\\n\\n0:00 - A Love Poem for Gertrude Stein\\n2:27 - Flower Eyes\\n4:06 - A Sound Sequence for David W. Harris\\n6:53 - \\\"As there are words I haven't written\\\" from Book 2 of The Martyrology\\n9:33 - from the \\\"Clouds\\\" section of The Martyrology  \\n18:44 - from the \\\"Augeries\\\" section of Book 2\\n23:59 - from the \\\"Sons and Divinations\\\" section of Book 2\\n28:25 - \\\"Oh Let Me Sing\\\"\\n29:03 - Tape ends\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"022 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:13\",\"precision\":\"\",\"size\":\"35.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"This is the second side to a tape called bp nichol, recorded by High Barnett Company in 1971. It includes poems from across Nichol's varied poetic practice.\\n\\n0:00 - from \\\"Friends as Footnotes\\\"\\n15:31 - \\\"Music\\\"\\n16:57 - \\\"Clover\\\"\\n22:07 - \\\"A Hum for Rube on his 22nd Birthday\\\"\\n23:09 - \\\"Hiroshima Mon Amour\\\"\\n24:42 - \\\"Beast for Hugo Ball\\\"\\n\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/66222957#map=19/43.66708/-79.40805\",\"venue\":\"High Barnet Company\",\"notes\":\"\",\"address\":\"338 Brunswick Avenue, Toronto, Canada\",\"latitude\":\"43.66875\",\"longitude\":\"-79.40950\"}]"],"Address":["338 Brunswick Avenue, Toronto, Canada"],"Venue":["High Barnet Company"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556254076937,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"7023","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["Dub of Ear Rational, Sound Poems by bpNichol #43"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creator_names":["Nichol, B.P."],"creator_names_search":["Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\",\"Donor\"]}]"],"contributors":["[]"],"Publication_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12072/bpNichol Fonds_MsC12_43.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"023 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:52\",\"precision\":\"\",\"size\":\"52.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"023 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:40\",\"precision\":\"\",\"size\":\"32.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982\",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"j-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"New Fire Tapes a division of Membrane Press\",\"notes\":\"\",\"address\":\" Milwaukee, Wisconsin, United States\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":[" Milwaukee, Wisconsin, United States"],"Venue":["New Fire Tapes a division of Membrane Press"],"Note":["[{\"note\":\"Versions of Ear Rational exist in the Readings in BC collection, Fred Wah fonds, Adeena Karasick, and bp Nichol fonds.\\nEar Rational composed by bp Nichol, 1970 and 1980 #819 - SWALLOW ID 5484 Identical tape\\nBpNichol Sound Poems 1970-80: Ear Rational SWALLOW ID 6971 Identical tape\\nEar Rational: Sound Poems 1970-80 by bpNichol SWALLOW ID 7260 Identical tape\\nDub of Ear Rational, Sound Poems by bpNichol #43 SWALLOW ID 7023 \\nEARRATIONAL, bpNichol, side 1, master tape, recorded Nov. 1, 1982 #14 SWALLOW ID 7045 - Reel-to-Reel \\nEARRATIONAL, bpNichol, Side 2, master tape, recorded Nov. 1, 1982 #15 SWALLOW ID 7045 - Reel-to-Reel \",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670556255125504,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"7024","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["Song by bpNichol #44"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P."],"creator_names_search":["Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\",\"Donor\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12073/bpNichol Fonds_MsC12_44.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"024 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:41:21\",\"precision\":\"\",\"size\":\"107 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"This tape contains one short song written and performed by bpNichol. The song is directed to his wife, Eleanor Nichol.\\n\\n0:00-0:53 - \\\"[Don't ever leave me],\\\" song by bpNichol\\n\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556255125505,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"7025","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["bpNichol Kids Songs Recorded on Fisher-Price Cassette #45"],"item_title_source":["cassette and j-card"],"item_title_note":["bpNichol Kids Songs Recorded on Fisher-Price Cassette"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P."],"creator_names_search":["Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\",\"Recordist\",\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12074/bpNichol Fonds_MsC12_45.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"025 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:45\",\"precision\":\"\",\"size\":\"33.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"These are songs written and performed by bpNichol. Four of seven tracks listed here are either written as children's songs, or addressed directly to bpNichol's daughter, Sarah Nichol. Based on the note written on the cassette, they were recorded on a children's tape recorder.\\n\\n0:00 - \\\"[you were born to laugh]\\\"\\n2:38 - \\\"[Sarah and Pop]\\\"\\n3:33 - \\\"[The wonderful girl in the pink pink sleeper]\\\"\\n4:20 - \\\"[One day I'll be mobile too]\\\"\\n6:08 - \\\"[Gimme hair]\\\"\\n6:51 - \\\"[I hear]\\\"\\n7:53 - \\\"[When you're weary of the world]\\\"\\n\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556255125506,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"7026","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. 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While Nichol uses phonemes sometimes resembling those used in jazz scatting, the pianist frequently speaks back with staccato notes.\\n\\n0:00 - Piano prelude\\n7:23 - Nichol and piano\\n20:33 - Nichol and percussion\\n24:54 - Nichol scatting and piano (lower key)\\n31:40 - \\\"[I was walking down that street]\\\"\\n41:40 - Lyrical poetry and piano \\n\\n\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556255125507,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"7027","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. 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Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["MATING TIME by bpNichol and John Beckwith for T.R.G Performance on CBC #48"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P.","Beckwith, John"],"creator_names_search":["Nichol, B.P.","Beckwith, John"],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\",\"Reader\",\"Speaker\",\"Donor\"]},{\"url\":\"http://viaf.org/viaf/113215951\",\"name\":\"Beckwith, John\",\"dates\":\"1927-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\",\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12077/bpNichol Fonds_MsC12_48.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"028 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:51:36\",\"precision\":\"\",\"size\":\"55.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"028 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:14\",\"precision\":\"\",\"size\":\"54.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"Side B is all music \",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556255125509,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"7029","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. 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Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["The Four Horsemen Performing at Walter Phillips Gallery on Tuesday, May 18 #50"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P.","Four Horsemen (Musical group)","McCaffery, Steve","Dutton, Paul","Barreto-Rivera, Rafael"],"creator_names_search":["Nichol, B.P.","Four Horsemen (Musical group)","McCaffery, Steve","Dutton, Paul","Barreto-Rivera, Rafael"],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/128949455\",\"name\":\"Four Horsemen (Musical group)\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/36999806\",\"name\":\"Dutton, Paul\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/16154730\",\"name\":\"Barreto-Rivera, Rafael\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12079/bpNichol Fonds_MsC12_50.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"030 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:50\",\"precision\":\"\",\"size\":\"49.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"030 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:34:00\",\"precision\":\"\",\"size\":\"36.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"05-18\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"cassette\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Walter Phillips Gallery\",\"notes\":\"\",\"address\":\"107 Tunnel Mountain Dr, Banff AB T1L 1H5\",\"latitude\":\"51.17507\",\"longitude\":\"-115.56323\"}]"],"Address":["107 Tunnel Mountain Dr, Banff AB T1L 1H5"],"Venue":["Walter Phillips Gallery"],"City":["Banff, Alberta"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556255125511,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"7031","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["The Four Horsemen Reading at Rivoli on Oct. 11, 1984 #51"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P.","Four Horsemen (Musical group)","McCaffery, Steve","Barreto-Rivera, Rafael","Dutton, Paul"],"creator_names_search":["Nichol, B.P.","Four Horsemen (Musical group)","McCaffery, Steve","Barreto-Rivera, Rafael","Dutton, Paul"],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/128949455\",\"name\":\"Four Horsemen (Musical group)\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/16154730\",\"name\":\"Barreto-Rivera, Rafael\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/36999806\",\"name\":\"Dutton, Paul\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Performance_Date":[1984],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12080/bpNichol Fonds_MsC12_51.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"031 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:41:38\",\"precision\":\"\",\"size\":\"45.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1984-10-11\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"cassette\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/161835042\",\"venue\":\"Rivoli Toronto\",\"notes\":\"\",\"address\":\"334 Queen Street West, Toronto ON M5V 2A2\",\"latitude\":\"43.65035\",\"longitude\":\"-79.39570\"}]"],"Address":["334 Queen Street West, Toronto ON M5V 2A2"],"Venue":["Rivoli Toronto"],"City":["Toronto, Ontario"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556255125512,"timestamp":"2026-01-07T15:00:00.560Z","score":0.01643844},{"id":"7032","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["Let's Write, programs 9-12: instructional tape including bpNichol, by Ontario Educational Communications Authority #52"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creator_names":["Nichol, B.P."],"creator_names_search":["Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\",\"Author\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12081/bpNichol Fonds_MsC12_52.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"032 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:33:02\",\"precision\":\"\",\"size\":\"35.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"032 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:33:02\",\"precision\":\"\",\"size\":\"32.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/565553623\",\"venue\":\"Ontario Educational Communications Authority\",\"notes\":\"\",\"address\":\"2180 Yonge Street, Toronto, Canada, M4S 2C1\",\"latitude\":\"43.70518\",\"longitude\":\"-79.39878\"}]"],"Address":["2180 Yonge Street, Toronto, Canada, M4S 2C1"],"Venue":["Ontario Educational Communications Authority"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556457500672,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7033","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["bpNichol Tape Notebook #54"],"item_title_source":["cassette"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P."],"creator_names_search":["Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Author\",\"Donor\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12082/bpNichol Fonds_MsC12_54.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"034 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:15\",\"precision\":\"\",\"size\":\"51.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"Side B is all recorded music\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"034 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:17\",\"precision\":\"\",\"size\":\"50.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"This tape is the first audio journal by bpNichol. It was recorded on Wednesday, Nov.7, (year unclear) in the morning at 7am and the evening, past 9pm of the same day, driving to and from a farm outside of the city back into Toronto. It begins with Nichol reading from early drafts of Book 5 of the Martyrology and concludes with a more diaristic entry before the recorder becomes too muffled to discern Nichol's words.\\n\\n0:00 - Nichol speaking directly into the tape recorder about the street names and Martyrology\\n1:31 - Short song\\n1:58 - Poem about street names and naming generally\\n3:18 - Early preamble to the Martyrology Book 5\\n3:56 - Body of the Martyrology Book 5\\n5:08 - Early draft of a chain in Martyrology Book 5\\n6:47 - Self note about order of the tape\\n8:06 - Reflections on self-recording\\n9:30 - Reflection on acquisition of papers and future audience\\n10:18 - Timestamp, driving back into Toronto\\n10:47 - Reflection on visual image and connection to own writing\\n14:08 - Audio recording as way around physical impediments \\n15:17 - Audio becomes muffled\\n15:59 - Nichol becomes audible again\\n17:05 - Audio becomes muffled again\\n18:55 - Nichol reading (very muffled)\\n\\n\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556458549248,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7034","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["bpNichol Tape Notebook 2 containing \"Ordinary Man\" and Stan Dragland #55"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P.","Dragland, Stan"],"creator_names_search":["Nichol, B.P.","Dragland, Stan"],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\",\"Reader\",\"Donor\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/113934168\",\"name\":\"Dragland, Stan\",\"dates\":\"1942-2022\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12083/bpNichol Fonds_MsC12_55.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"037 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:34:49\",\"precision\":\"\",\"size\":\"38.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"037 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:50:14\",\"precision\":\"\",\"size\":\"55.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556458549249,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7036","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["bpNichol's MotherLove master tape Side 1 #2"],"item_title_source":["reel case"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P."],"creator_names_search":["Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\",\"Reader\",\"Speaker\",\"Donor\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12135/bpNichol Fonds_MsC12_Reel 2.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC12.Nichol.Tape2\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:15\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"This is the single master tape for bpNichol's Motherlove LP (1968). In addition to the six tracks included on the album, there are three extra tracks on this recording, some of which were later published on other albums such as Ear Rational (1982).\\n\\n0:27 - \\\"Dada Lama\\\"\\n3:35 - \\\"The Incest Song\\\"\\n6:02 - \\\"Bill Bissett's Lullaby\\\"\\n6:58 - \\\"A Hum for Stevie Winwood\\\"\\n7:45 - \\\"M.L's Dream\\\"\\n8:51 - \\\"[I wanted to forget you so I tried to erase your name]\\\"\\n13:36 - \\\"Historical Implications of Turnips\\\"\\n14:02 - \\\"The Child in Me\\\"\\n14:48 - \\\"Pleasure Sweets\\\"\\n\\n\\n\\n\\n\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556458549251,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7037","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["bill bissett [and th mandan masacacre?] sound poems #4"],"item_title_source":["reel case"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["bissett, bill","th mandan masacre (band)"],"creator_names_search":["bissett, bill","th mandan masacre (band)"],"creators":["[{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"bissett, bill\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\",\"Reader\"]},{\"url\":\"\",\"name\":\"th mandan masacre (band)\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Production_Date":[1968],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12136/bpNichol Fonds_MsC12_Reel 4.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC12.Nichol.Tape4\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:21:48\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1968?\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[]"],"City":["Other"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556458549252,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7038","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["bpNichol sound experiments and poetry #5"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P."],"creator_names_search":["Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\",\"Recordist\",\"Reader\",\"Donor\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12137/bpNichol Fonds_MsC12_Reel 5.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC12.Nichol.Tape5\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:17:10\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"This tape includes some of bpNichol's sound poetry, notably his piece \\\"Dada Lama\\\" alongside experimental electronic music and orchestral samples. \\n\\n0:00 - \\\"[Experimental song]\\\"\\n2:09 - \\\"Dada Lama\\\" (experimental version with synths)\\n3:57 - \\\"Dada Lama\\\" (experimental version with synths part 2)\\n5:34 - \\\"[Song including orchestral sample]\\\"\\n6:40 - \\\"[Orchestral interlude]\\\"\\n7:22 - \\\"[Dubbed orchestral music]\\\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556458549253,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7039","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["bill bissett sound poems master tape: air to the bells, the face in the moon, valley dancers, colours #6"],"item_title_source":["reel case"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["bissett, bill"],"creator_names_search":["bissett, bill"],"creators":["[{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"bissett, bill\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Production_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12138/bpNichol Fonds_MsC12_Reel 6.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC12.Nichol.Tape6\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:15:19\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Baroka Studios\",\"notes\":\"\",\"address\":\"Vancouver, BC\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Vancouver, BC"],"Venue":["Baroka Studios"],"City":["Vancouver, British Columbia"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556458549254,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7040","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["Bob Dylan dub recorded at 1 7/8 speed and early draft of bpNichol's Dada Lama #7"],"item_title_source":["reel case"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P.","Dylan, Bob"],"creator_names_search":["Nichol, B.P.","Dylan, Bob"],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\",\"Recordist\",\"Donor\"]},{\"url\":\"http://viaf.org/viaf/111894442\",\"name\":\"Dylan, Bob\",\"dates\":\"1941-\",\"notes\":\"dub of one of Bob Dylan's records\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12139/bpNichol Fonds_MsC12_Reel 7.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC12.Nichol.Tape7.SideA\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:03:05\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC12.Nichol.Tape7.SideB\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:14:52\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556458549255,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7041","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. 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Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["David (UU) Harris sound poems #11"],"item_title_note":["Recordings of poems later included in \"Past Eroticism: Canadian Sound Poetry of the 1960s: Volume 1\" (1986)"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Harris, David W","Nichol, B.P."],"creator_names_search":["Harris, David W","Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/120997905\",\"name\":\"Harris, David W\",\"dates\":\"1948-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\",\"Recordist\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12141/bpNichol Fonds_MsC12_Reel 11.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC12.Nichol.Tape11\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:29\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556459597825,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7043","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. 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Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["EARRATIONAL, bpNichol, side 1, master tape, recorded Nov. 1, 1982 #14 "],"item_title_source":["reel case"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P."],"creator_names_search":["Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\",\"Donor\"]}]"],"contributors":["[]"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12144/bpNichol Fonds_MsC12_Reel 14.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC12.Nichol.Tape14\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:28:14\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"This tape contains many poems recorded for Ear Rational (1982) and two which were not included in the album's official release. \\n\\n0:00 - Dada Lama\\n2:20 - Pome Poem\\n5:10 - 060173\\n6:13 - \\\"Eight Part Suite\\\"\\n8:29 - \\\"Cosmic Piece for Orchestra & Chorus\\\"\\n10:30 - \\\"Art in Upheaval\\\"\\n16:04 - \\\"Generations Generated\\\"\\n25:46 - \\\"[rug rung]\\\"\\n27:34 - \\\"[outro]\\\"\\n\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-11-01\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"reel case\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"Versions of Ear Rational exist in the Readings in BC collection, Fred Wah fonds, Adeena Karasick, and bp Nichol fonds.\\nEar Rational composed by bp Nichol, 1970 and 1980 #819 - SWALLOW ID 5484 Identical tape\\nBpNichol Sound Poems 1970-80: Ear Rational SWALLOW ID 6971 Identical tape\\nEar Rational: Sound Poems 1970-80 by bpNichol SWALLOW ID 7260 Identical tape\\nDub of Ear Rational, Sound Poems by bpNichol #43 SWALLOW ID 7023 \\nEARRATIONAL, bpNichol, side 1, master tape, recorded Nov. 1, 1982 #14 SWALLOW ID 7045 - Reel-to-Reel \\nEARRATIONAL, bpNichol, Side 2, master tape, recorded Nov. 1, 1982 #15 SWALLOW ID 7045 - Reel-to-Reel \",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670556459597828,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7046","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. 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Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["bpNichol reading The Martyrology Book 1 #22"],"item_title_source":["reel case"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P."],"creator_names_search":["Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\",\"Presenter\",\"Speaker\",\"Donor\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12154/bpNichol Fonds_MsC12_Reel 22.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC12.Nichol.Tape22\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:40:46\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"This is the first tape in a five tape series of bpNichol reading The Martyrology. He notes before he begins reading that this event was put together both as a way for him to reflect upon the development of his long poem as well as a fundraiser for the launch of one of his friend's books. In this first recording, Nichol reads from Book 1 of The Martyrology. He also gives a brief foreword on this long poem as an uttanikki and how it \\\"stands at the center of everything else [he] is doing.\\\"\\n\\n0:00 - Introduction\\n03:39 - Beginning of Book 1 of The Martyrology\\n39:37 - Interlude about Scraptures\\n\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556460646406,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7053","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["bpNichol reading The Martyrology Book 2 #23"],"item_title_source":["reel case"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P."],"creator_names_search":["Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\",\"Presenter\",\"Reader\",\"Speaker\",\"Donor\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12155/bpNichol Fonds_MsC12_Reel 23.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC12.Nichol.Tape23\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:43:48\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"This is the second tape in a five tape collection of bpNichol reading the Martyrology. In this tape Nichol reads from Book 2 of the Martyrology, from the beginning up until the \\\"Clouds\\\" section. \\n\\n0:00 - Introduction \\n0:18 - Beginning of Book 2\\n26:21 - Short break and interlude\\n29:12 - \\\"Augeries\\\" section from Book 2\\n\\n\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556460646407,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7054","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["bpNichol reading from The Martyrology Book 2 #24"],"item_title_source":["reel case"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P."],"creator_names_search":["Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\",\"Presenter\",\"Reader\",\"Donor\",\"Speaker\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12156/bpNichol Fonds_MsC12_Reel 24.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC12.Nichol.Tape24\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:41:07\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"This is the third tape in a five tape series documenting bpNichol reading The Martyrology. This is additionally the final tape recorded on the first day. At the beginning of this recording Nichol had already been reading The Martyrology for 90 minutes. \\n\\n0: 00 - \\\"Sons & Divinations\\\" from Book 2\\n22:34 - Interlude on the names of The Martyrology\\n23:27 - \\\"Friends as Footnotes,\\\" from Book 2\\n37:13 - Afterword on the first two books of The Martyrology\\n\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556460646408,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"6943","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["bp Nichol reading from The Martyrology at SFU on July 8, 1983 Tape 1 of 3 - DUPLICATE 1 of 2"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6943/Fred Wah Fonds_MsC 17f_35.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-035-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:12\",\"precision\":\"\",\"size\":\"50.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-035-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:42\",\"precision\":\"\",\"size\":\"51.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-07-08\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tRoy Miki introduces bp\n\t\t020\tbp talks about the origins of The Martyrology\n\t\t045\tBegins reading from Book One – The geneology\n\t\t060\tFrom the chronicals of Narn\n\t\t070\tFrom the writings of St. And\n\t\t083\tMartyrology of St. And\n\t\t155\tScenes from the lives of the Saints\n\t\t234\tReads from “St. Reat and the 4 winds of the world” – 4th section of Book One\n\t\t286\tBeginning of Book 2. “Speech – each to each”\n\t\t292\tBook of Common Prayer\n\t\t373\tThe Clouds\n\t\t570\tEnds \nTwo\t\t000\t“It is the minute haunts you”\n\t\t030\t“This morning there are no clouds anywhere”\n\t\t059\tFrom the folk-tales of the Saints\n\t\t082\tSuns and divinations – 4th section of Book Two\n\t\t150\tFriends and footnotes – closing poem\n\t\t193\tBook Three – beginning – “Carrots, celery…”\n\t\t298\t“The book of Oz”\n\t\t366\t“Ellie and me”\n\t\t505\tEnds "],"Note":["[{\"note\":\"This tape is the duplicate of Fred Wah fonds \\\"bp Nichol reading from Martyrology at SFU on July 8, 1983 Tape 1 of 3 - DUPLICATE 1 of 2\\\" (SWALLOW ID 6957) and from Readings in BC collection: bp Nichol reading from \\\"The Martyrology\\\" at SFU on July 8, 1983 part 1 of 3 #413 (SWALLOW ID 5663). Original not determined\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670556460646409,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"6944","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["bp Nichol reading from The Martyrology at SFU on July 8, 1983 Tape 2 of 3 - DUPLICATE 1 of 2"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6944/Fred Wah Fonds_MsC 17f_36.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-036-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:26\",\"precision\":\"\",\"size\":\"51.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-036-Side Bwav.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:59\",\"precision\":\"\",\"size\":\"51.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-07-08\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t-begins halfway through Book 3 part V\n\t\t\t“hot night/sleepless in bed/I drempt of nothing…”\n\t\t090\tBook 3, part VI “Snow across the prairies”\n\t\t171\t- skips over “INTERLUDE : Double Vision”, and most of part VII\n\t\t173\tReads the last two parts of part VII, beginning “how is it done how is it said”\n\t\t200\tPart VIII “gazing into the sky”\n\t\t424\t“CODA: Mid-Initial Sequence”\n\t\t526\tSide one ends\nTwo\t\t000\tbp beings reading Book 4\n\t\t\t“purpose is a porpoise/a conceit”\n\t\t366\tBook 4 ends"],"Note":["[{\"note\":\"This tape begins halfway through book number three, and he continues on from there.\",\"type\":\"General\"},{\"note\":\"This tape is the duplicate of Fred Wah fonds \\\"bpNichol reading from The Martyrology at SFU on July 8, 1983 Tape 2 of 3 - DUPLICATE 2 of 2\\\" (SWALLOW ID 6946) and from Readings in BC collection: bpNichol reading from \\\"The Martyrology\\\" at SFU on July 8, 1983 part 2 of 3 #414 (SWALLOW ID 5664). Original not determined \",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670556461694976,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"6945","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["bp Nichol reading from The Martyrology at SFU on July 8, 1983 Tape 3 of 3 - DUPLICATE 1 of 2"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, Angela","Bowering, George","Wah, Fred","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Bowering, Angela","Bowering, George","Wah, Fred","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/93542147\",\"name\":\"Bowering, Angela \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6945/Fred Wah Fonds_MsC 17f_37.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-037-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:31\",\"precision\":\"\",\"size\":\"48.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-037-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:00\",\"precision\":\"\",\"size\":\"49.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-07-08\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tBegins reading “chain one”, through “chain two”, From Book 5 then “chain seven” which is a particular reading of Book 1 of The Martyrology\n\t\t217\tBegins at “chain one” again, Shifts at the bottom of page 2 to “chain three”\n\t\t578\tRecording ends\nTwo\t\t000\tFrom “Deconstruction” – “driving east on 60 through Algonguin Park” (The Martyrology Book 5)\n\t\t044\tFrom Book 6, second book – “The book of hours”\n\t\t068\tThe first hour.  “Met a physic on the road…”\n\t\t134\t“The Birth-Death Cycle” From “The Book of Hours” – hours 12, 13 and 14\n\t\t138\t“hour twelve” “order/sweet seduction of that odour”\n\t\t166\t“hour 13” “briefly the heart does break”\n\t\t188\t“hour 14” “Passages from death into life”\n\t\t234\tBeginning of the fifth book of Book 6\n\t\t\t“In the Plunket Hotel the stairs creak all night”\n\t\t297\tbp, George Bowering, Roy Miki and Sharon Thesen talk about the connection of bp’s work, and the idea of family, with the sacred"],"Note":["[{\"note\":\"There is a conversation happening at the end of the second side, and some anonymous people's voices are heard.\",\"type\":\"General\"},{\"note\":\"bpNichol finishes reading books one to four on tapes #35 \\\"bp Nichol reading from The Martyrology at SFU on July 8, 1983 Tape 1 of 3 - DUPLICATE 1 of 2\\\" (SWALLOW ID 6943) and #36 \\\"bpNichol reading from Martyrology at Simon Fraser University on July 8, 1983 Tape 2 of 3 - DUPLICATE 1 of 2\\\" (SWALLOW ID 6944). \\n\\nbpNichol begins with a complete reading path, then continues with selected passages from different books from The Martyrology series.\",\"type\":\"General\"},{\"note\":\"This tape is the duplicate of Fred Wah fonds \\\"bp Nichol reading from The Martyrology at SFU on July 8, 1983 Tape 3 of 3 - DUPLICATE 2 of 2\\\" (SWALLOW ID 6947) and from Readings in BC collection: bp Nichol reading from \\\"The Martyrology\\\" at SFU on July 8, 1983 part 3 of 3 #415 (SWALLOW ID 5665). Original not determined \",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670556461694977,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"6946","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["bp Nichol reading from The Martyrology at SFU on July 8, 1983 Tape 2 of 3 - DUPLICATE 2 of 2"],"item_title_source":["J-card and Recording"],"item_title_note":["Title created using information from the j-cards of #38 and #40 also, a series to which this tape belongs."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6946/Fred Wah Fonds_MsC 17f_39.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-039-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:29\",\"precision\":\"\",\"size\":\"50.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-039-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:55\",\"precision\":\"\",\"size\":\"51.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-07-08\",\"type\":\"Production Date\",\"notes\":\"Date gleaned from the j-cards of #38 and #40 also, a series to which this tape belongs.\",\"source\":\"j-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/export#map=15/49.2767/-122.9182\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"Simon Fraser University, University Drive East, Burnaby, Metro Vancouver Regional District, British Columbia, V5A 4Y6, Canada\",\"latitude\":\"49.2884\",\"longitude\":\"-122.9430\"}]"],"Address":["Simon Fraser University, University Drive East, Burnaby, Metro Vancouver Regional District, British Columbia, V5A 4Y6, Canada"],"Venue":["Simon Fraser University"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t-begins halfway through Book 3 part V\n\t\t\t“hot night/sleepless in bed/I drempt of nothing…”\n\t\t090\tBook 3, part VI “Snow across the prairies”\n\t\t171\t- skips over “INTERLUDE : Double Vision”, and most of part VII\n\t\t173\tReads the last two parts of part VII, beginning “how is it done how is it said”\n\t\t200\tPart VIII “gazing into the sky”\n\t\t424\t“CODA: Mid-Initial Sequence”\n\t\t526\tSide one ends\nTwo\t\t000\tbp beings reading Book 4\n\t\t\t“purpose is a porpoise/a conceit”\n\t\t366\tBook 4 ends"],"Note":["[{\"note\":\"This tape is the duplicate of Fred Wah fonds \\\"bp Nichol reading from The Martyrology at SFU on July 8, 1983 Tape 2 of 3 - DUPLICATE 1 of 2\\\" (SWALLOW ID 6944) and from Readings in BC collection: bp Nichol reading from \\\"The Martyrology\\\" at SFU on July 8, 1983 part 2 of 3 #414 (SWALLOW ID 5664). Original not determined \",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670556461694978,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7055","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["bpNichol reading from The Martyrology Book 4 #25"],"item_title_source":["reel case"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P."],"creator_names_search":["Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\",\"Presenter\",\"Reader\",\"Speaker\",\"Donor\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12157/bpNichol Fonds_MsC12_Reel 25.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC12.Nichol.Tape25\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:36:35\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"This tape contains bpNichol reading Book 4 of The Martyrology from beginning to end. In the first minute of this recording he remarks briefly on the Korean proverbs used as epigraphs. While this tape is numbered 25, it should follow tape 26, in which Nichol reads Book 3.\\n\\n0:00 - Introduction\\n0:39 - The Martyrology Book 4\\n35:32 - Afterword\\n\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556461694979,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7060","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Lola Lemire Tostevin's poetry reading and interview with Warren Tallman at York University on February 27, 1992 Part 1 of 2"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Williams, William Carlos","Tallman, Warren","Tostevin, Lola Lemire","Ondaatje, Michael","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Williams, William Carlos","Tallman, Warren","Tostevin, Lola Lemire","Ondaatje, Michael","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/29542054\",\"name\":\"Williams, William Carlos\",\"dates\":\"1883-1963\",\"notes\":\"Warren Tallman plays a poetry reading recording from William Carlos Williams at 8:04 on the first side. \",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"He seems to be the facilitator of the event; 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The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Warren Tallman's memento recorded in November 1988 for Steve McCaffery compiled with contributions from Adeena Karasick, Colin Browne, Warren Tallman, bpNichol, and Steve McCaffery reading poetry"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Browne, Colin","Karasick, Adeena","McCaffery, Steve","Nichol, bp (Barrie Phillip)","Tallman, Warren"],"creator_names_search":["Browne, Colin","Karasick, Adeena","McCaffery, Steve","Nichol, bp (Barrie Phillip)","Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/105886216\",\"name\":\"Browne, Colin\",\"dates\":\"1946-\",\"notes\":\"Colin Browne reading Fred Wah \\\"Music at the Heart of Thinking\\\" at Langara College Theater on June 1 \",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"On the first side, Adeena Karasick reading \\\"Manipulating Stairs\\\" in Cranbrook at 1:46, and she is reconstructing Bill Bissett Phonetic A B C with various words they spell from London, Ontario at 13:00\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"Reading at Bella Vista on November 22, 1988 \",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"bpNichol also reads some of his poems on June 1st at Langara College Theater\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"Warren Tallman reading a piece named \\\"Claw\\\" that he'd written for bp Nichol at Bowering's. It seems Warren recorded this part for [Adeena Karasick?] \",\"nation\":[],\"role\":[\"Speaker\",\"Reader\",\"Recordist\"]}]"],"contributors":["[]"],"Production_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10348/Warren Tallman Fonds_MsC 26.42_58.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-58-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:52\",\"precision\":\"\",\"size\":\"61.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-58-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:56\",\"precision\":\"\",\"size\":\"61 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-11\",\"type\":\"Production Date\",\"notes\":\"This tape is recorded in November 1988 by Warren Tallman \",\"source\":\"J-card and Recording \"},{\"date\":\"1988-11-22\",\"type\":\"Production Date\",\"notes\":\"Steve McCaffery reading \",\"source\":\"Recording\"},{\"date\":\"1988-11-09\",\"type\":\"Production Date\",\"notes\":\"Adeena reading \\\"Manipulating Stairs\\\" in Cranbrook \",\"source\":\"Recording\"},{\"date\":\"1988-10-15\",\"type\":\"Production Date\",\"notes\":\"Warren Tallman reading a piece named \\\"Claw\\\" that he'd written for bp Nichol at Bowering's \",\"source\":\"Recording\"},{\"date\":\"1988-06-01\",\"type\":\"Production Date\",\"notes\":\"Colin Browne reading Fred Wah \\\"Music at the Heart of Thinking\\\" at Langara College Theater on June 1 bpNichol also reads some of his poems on this date\",\"source\":\"Recording\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Bowering's house\",\"notes\":\"Warren Tallman reading \\\"Claw\\\" on October 15th, 1988.\\nWarren Tallman mentions Bowering's house location at 14:20 on the first side\\n\",\"address\":\"[2499- Western E 7th?]\",\"latitude\":\"\",\"longitude\":\"\"},{\"url\":\"https://www.openstreetmap.org/way/30880923\",\"venue\":\"Warren Tallman’s House\",\"notes\":\"In the '70s(?) he moved to 3504 Bella Vista in East Vancouver V5N 3W9 and lived there till his death. We assume Steve McCaffery is reading at Warren Tallman’s house\",\"address\":\"3504 Bella Vista in East Vancouver V5N 3W9\",\"latitude\":\"49.25312\",\"longitude\":\"-123.07054\"},{\"url\":\"https://www.openstreetmap.org/node/51969524\",\"venue\":\"\",\"notes\":\"Adeena Karasick reading \\\"Manipulating Stairs\\\" on November 9th in Cranbrook\",\"address\":\"Cranbrook, Regional District of East Kootenay, British Columbia, V1C 2N0, Canada\",\"latitude\":\"49.5118\",\"longitude\":\"-115.7671\"},{\"url\":\"https://www.openstreetmap.org/way/23393992\",\"venue\":\"Langara College Theater \",\"notes\":\"Colin Browne reading Fred Wah's \\\"Music at the Heart of Thinking\\\" at Langara College Theater on June 1; bpNichol also reads some of his poems\",\"address\":\"College Langara College, 100, West 49th Avenue, Oakridge, Vancouver, Metro Vancouver Regional District, British Columbia, V5Y 2Z6, Canada\",\"latitude\":\"49.22484\",\"longitude\":\"-123.10867\"}]"],"Address":["[2499- Western E 7th?]","3504 Bella Vista in East Vancouver V5N 3W9","Cranbrook, Regional District of East Kootenay, British Columbia, V1C 2N0, Canada","College Langara College, 100, West 49th Avenue, Oakridge, Vancouver, Metro Vancouver Regional District, British Columbia, V5Y 2Z6, Canada"],"Venue":["Bowering's house","Warren Tallman’s House","Langara College Theater "],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"We found some identical content on tapes #117 and #119\",\"type\":\"Related Version\"},{\"note\":\"almost duplicate/DUPLICATE with tapes #117 SWALLOW ID 7119 and #119 SWALLOW ID 7121\",\"type\":\"Related Version\"},{\"note\":\"A part of this tape is duplicate of tape 148 (Time slot 34:38). Steve McCaffery reading takes place on November 22 in 1988 at Tallman's home onBella Vista in Vancouver.\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670556462743556,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7065","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Warren Tallman's compilation and introduction of  poetry readings by William Carlos Williams, Hilda Doolittle, Adeena Karasick, bpNichol, Bill Bissett, and Basil Bunting recorded for Eli Mandel at Buffalo – S.U.N.Y. University on May 11, 1987"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Doolittle, Hilda","Karasick, Adeena","Tallman, Warren","Williams, William Carlos","Bissett, Bill","Bunting, Basil","Mandel, Eli","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Doolittle, Hilda","Karasick, Adeena","Tallman, Warren","Williams, William Carlos","Bissett, Bill","Bunting, Basil","Mandel, Eli","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/4925150\",\"name\":\"Doolittle, Hilda \",\"dates\":\"1886-1961\",\"notes\":\"Known as H.D.\\nAs Warren Tallman indicates at 27:20 on the first side, H.D. reads \\\"This Is One of the Great Privileges of Our Life\\\" poem by H.D.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\",\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/29542054\",\"name\":\"Williams, William Carlos\",\"dates\":\"1883-1963\",\"notes\":\"Here are this list of poems which William Carlos Williams reads from \\\"The Desert Music and Other Poems\\\"; poems he wrote after he'd had a stroke:\\n\\n\\\"The Descent\\\"\\n\\\"To Daphne and Virginia\\\"\\n\\\"The Orchestra\\\"\\n\\\"For Eleanor and Bill Monahan\\\"\\n\\\"The Yellow Flower\\\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"Bissett, Bill\",\"dates\":\"1939-\",\"notes\":\"Bill Bissett reading at Warren Tallman's poetry class on November 24, 1986 in Vancouver\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/4949021\",\"name\":\"Bunting, Basil\",\"dates\":\"1900-1985\",\"notes\":\"Basil Bunting reading \\\"Cantos 4\\\" at UBC on November 30, 1970.\\nHis part is not audible \",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\" http://viaf.org/viaf/59095399\",\"name\":\"Mandel, Eli\",\"dates\":\"1922-1992\",\"notes\":\"Warren Tallman is recording this tape for him\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"bp reading a part of Meteorology in Warren Tallman's class at UBC on January 26, 1971\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10384/Warren Tallman Fonds_MsC 26.42_59.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-59-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:59\",\"precision\":\"\",\"size\":\"50.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-59-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:02\",\"precision\":\"\",\"size\":\"50.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970-11-30\",\"type\":\"Production Date\",\"notes\":\"Basil Bunting reading \\\"Cantos 4\\\" at UBC\",\"source\":\"Recording\"},{\"date\":\"1986-11-24\",\"type\":\"Production Date\",\"notes\":\"Bill Bissett reading at Warren Tallman's poetry class in Vancouver\",\"source\":\"Recording\"},{\"date\":\"1971-01-26\",\"type\":\"Production Date\",\"notes\":\"BP reading a part of Meteorology in Warren Tallman's class at UBC \",\"source\":\"Recording\"},{\"date\":\"1987-05-11\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Recording\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/68036581\",\"venue\":\"Buffalo – S.U.N.Y. (University at Buffalo)\",\"notes\":\"Warren Tallmen indicates that he is in Buffalo; We assume it refers to the University at Buffalo in New York. The State University of New York at Buffalo, commonly referred to as the University at Buffalo or SUNY Buffalo.\",\"address\":\"Buffalo, NY 14260, United States\",\"latitude\":\"42.9533\",\"longitude\":\"-78.8181\"},{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"Bill Bissett reading at Warren Tallman's poetry class on November 24, 1986 in Vancouver\",\"address\":\"Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, Canada\",\"latitude\":\"49.2604\",\"longitude\":\"-123.1145\"},{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"University of British Columbia \",\"notes\":\"BP reading a part of Meteorology in Warren Tallman's class at UBC on January 26, 1971 and Basil Bunting reading \\\"Cantos 4\\\" on November 30, 1970.\",\"address\":\"University of British Columbia, Long Trail, University of British Columbia, Electoral Area A, District of North Vancouver, Metro Vancouver Regional District, British Columbia, V6S 0A9, Canada\",\"latitude\":\"49.2600\",\"longitude\":\"-123.2469\"}]"],"Address":["Buffalo, NY 14260, United States","Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, Canada","University of British Columbia, Long Trail, University of British Columbia, Electoral Area A, District of North Vancouver, Metro Vancouver Regional District, British Columbia, V6S 0A9, Canada"],"Venue":["Buffalo – S.U.N.Y. (University at Buffalo)","University of British Columbia "],"City":["Buffalo, New York","Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"The quality of sound increases in the parts which Warren Tallman speaks\\n\\nWarren Tallman held a temporary teaching appointment at SUNY Buffalo for the academic year 1987-1988, working alongside his good friend Robert Creeley.  (Creeley was faculty at SUNY Buffalo from 1966-2003 and Tallman visited him several times, though this was his only teaching appointment there).\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556463792128,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7066","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Warren Tallman's Birthday Collage for Adeena Karasick that includes Warren Tallman reading Olivia's letter on May 28-30, 1990 and Roy Miki's letter on May 28, 1990"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Karasick, Adeena"],"creator_names_search":["Tallman, Warren","Karasick, Adeena"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\",\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"Warren Tallman is recording this tape on the occasion of her birthday.\\nShe's present on side two when Warren Tallman begin reading on May 28, 1991\",\"nation\":[],\"role\":[\"Author\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7066/Warren Tallman Fonds_MsC 26.42_60.jpeg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-60-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:44\",\"precision\":\"\",\"size\":\"64.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-60-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:57\",\"precision\":\"\",\"size\":\"62.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-05-30\",\"type\":\"Production Date\",\"notes\":\"Warren Tallman resumes reading after his break at 11:01\",\"source\":\"Recording\"},{\"date\":\"1990-06-01\",\"type\":\"Production Date\",\"notes\":\"It seems Warren Tallman is recording this tape on June 1 in 1990.\",\"source\":\"Recording\"},{\"date\":\"1991-05-28\",\"type\":\"Production Date\",\"notes\":\"Warren Tallman reading Olivia letter on side two\",\"source\":\"Recording\"},{\"date\":\"1990-05-28\",\"type\":\"Production Date\",\"notes\":\"Warren Tallman reading Olivia letter on side one\",\"source\":\"Recording\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/298855107\",\"venue\":\"[Red Wallbarrow?]\",\"notes\":\"According to what Warren Tallman says in tape 60, [Red Wallbarrow?] is located at \\\"109, 88 East Pender Street, Vancouver, BC, [15L 1W7?] and named after William Carlos Williams by Warren Tallman. The Url we get for 88 East Pender Street, Vancouver, BC points to the current \\\"Vancouver Film School\\\". We are not sure, but this location could be the current Vancouver Film School in 88 E Pender.\\n\",\"address\":\"109, 88 East Pender Street, Vancouver, BC, [15L 1W7?]\",\"latitude\":\"49.28018\",\"longitude\":\"-123.10266\"}]"],"Address":["109, 88 East Pender Street, Vancouver, BC, [15L 1W7?]"],"Venue":["[Red Wallbarrow?]"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Warren Tallman reads Olivia and Roy Miki Letters on the second side, and he reads Olivia Letter which is duplicate of what we have on the first side) \",\"type\":\"General\"},{\"note\":\"It seems Warren Tallman reads the complete version of \\\"Olivia Letter\\\" and \\\"Roy Miki Letter\\\" on the second side. The Olivia Letter parts seem to be the same on both sides one and two. \\n\\nAt 10:40, on the first side, Warren Tallman explains that he could not record the whole Roy Miki Letter as one part since he was interrupted and he had to talk to another woman about a poem she'd written for her mother. \\n\\nThe beginning of Side B suggests that these letters are all for Adeena as addressee; \\\"Olivia\\\" and \\\"Roy Miki\\\" may be just discussed in the letters, rather than the intended recipients. bpNichol is also discussed at length and Lola [Lemire Tostevin]. Some of the discussion directed to Adeena should be approached with sensitivity.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556465889280,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7067","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Warren Tallman's Birthday Collage for Adeena at Red Wallbarrow on June 11, 1990 with Tallman reading his Robert Creeley introduction for her birthday at The Western Front on June 1, 1990 "],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Karasick, Adeena","Creeley, Robert","Miki, Roy"],"creator_names_search":["Tallman, Warren","Karasick, Adeena","Creeley, Robert","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\",\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"Warren Tallman is recording this tape on the occasion of her birthday \",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"Warren Tallman reads his introduction for Robert Creeley at The Western Front\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"Roy Miki introduce Warren Tallman in the beginning of this event at The Western Front\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10502/Warren Tallman Fonds_MsC 26.42_61.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-61-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:47\",\"precision\":\"\",\"size\":\"67.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-61-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:46\",\"precision\":\"\",\"size\":\"63.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-06-01\",\"type\":\"Production Date\",\"notes\":\"Warren Tallman is reading his \\\"Robert Creeley introduction\\\" as Western Front birthday gift\",\"source\":\"Recording\"},{\"date\":\"1990-06-11\",\"type\":\"Production Date\",\"notes\":\"Warren Tallman states this date in the beginning of the first side. We are not sure, but it seems he recorded the second part of his collage birthday on this date.\",\"source\":\"Recording\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"Warren Tallman is reading his \\\"Robert Creeley introduction\\\" as Western Front birthday gift\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26392\",\"longitude\":\"123.09870\"},{\"url\":\"https://www.openstreetmap.org/way/298855107\",\"venue\":\"[Red Wallbarrow?]\",\"notes\":\"According to what Warren Tallman says in tape 60, [Red Wallbarrow?] is located at \\\"109, 88 East Pender Street, Vancouver, BC, [15L 1W7?] and named after William Carlos Williams by Warren Tallman. The Url we get for 88 East Pender Street, Vancouver, BC points to the current \\\"Vancouver Film School\\\". We are not sure, but this location could be the current Vancouver Film School in 88 E Pender.\\n\",\"address\":\"109, 88 East Pender Street, Vancouver, BC, [15L 1W7?]\",\"latitude\":\"49.28018\",\"longitude\":\"-123.10266\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1","109, 88 East Pender Street, Vancouver, BC, [15L 1W7?]"],"Venue":["The Western Front","[Red Wallbarrow?]"],"City":["Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556466937856,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7068","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. 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The Url we get for 88 East Pender Street, Vancouver, BC points to the current \\\"Vancouver Film School\\\". 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It seems she is reading the [Duncan letter?]\",\"source\":\"Recording\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"We are not sure if side one has any relevance to the practice for Duncan letter since he keeps talking about impressionism \",\"type\":\"General\"},{\"note\":\"Side one: Warren Tallman talking about impressionism and reading poems from BPNichol, and Side two: practice for Duncan Letter: Adeena Karasick and Warren Tallman [Selvie hotel room?] \",\"type\":\"General\"},{\"note\":\"We suppose that [Adeena Karasick?] is reading the \\\"Duncan letter\\\" on the second side; it is likely that this was recorded at Hotel Selby in Toronto, which Karasick mentions. In correspondence dated Dec. 20, 1989, Tallman describes that the Hotel Selby is \\\"just three doors down from Adeena's house\\\" and also contains paintings by bill bissett in the lobby. \\n\\nThe j-card label \\\"Duncan Letter\\\" is unclear: Robert Duncan passed away in 1988 so this is a posthumous paper and recording.\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556466937859,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7071","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Warren Tallman'a lecture on dyslexia and Warren Tallman's lecture on Robert Creeley's dictionary at Naropa Institute on July 7, 1991"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Jonson, Ben","Ginsberg, Allen","Creeley, Robert"],"creator_names_search":["Tallman, Warren","Jonson, Ben","Ginsberg, Allen","Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/292789691\",\"name\":\"Jonson, Ben\",\"dates\":\"1572-1637\",\"notes\":\"Warren Tallman reads a poem from him on the second side\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"He asks Warren Tallman a question on the first side; on the second side also he introduces Warren Tallman saying that Naropa organization is modelled based on what Warren had set up in Vancouver in 1963, and introduces him as the father of this kind of situations and programs like \\\"New American Poetics\\\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"This program held in Robert Creeley seminar week, and Warren Tallman's lectures is about him\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1991],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10530/Warren Tallman Fonds_MsC 26.42_65.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-65-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:03\",\"precision\":\"\",\"size\":\"63.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-65-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:57\",\"precision\":\"\",\"size\":\"59.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1991-07-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/391232001\",\"venue\":\"Naropa Institute\",\"notes\":\"We assume that the \\\"New American Poetics\\\" program held in Naropa Institute since Allen and Warren refers to it as \\\"here\\\" in their speeches \",\"address\":\" 2130 Arapahoe Ave, Boulder, CO 80302, United States\",\"latitude\":\"40.01405\",\"longitude\":\"-105.26695\"}]"],"Address":[" 2130 Arapahoe Ave, Boulder, CO 80302, United States"],"Venue":["Naropa Institute"],"Note":["[{\"note\":\"Side two: Warren Tallman lecture on Robert Creeley dictionary at the summer writing program called \\\"New American Poetics\\\" at Naropa Institute in Boulder, CO on July 7, 1991\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556467986432,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7072","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Warren Tallman reading the \"Invitation\" for Robert Creeley in Vancouver on April 8, 1990"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Creeley, Robert","Karasick, Adeena"],"creator_names_search":["Tallman, Warren","Creeley, Robert","Karasick, Adeena"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"Warren Tallman reading \\\"The Invitation\\\" for Robert Creeley\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10531/Warren Tallman Fonds_MsC 26.42_66.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-66-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:46\",\"precision\":\"\",\"size\":\"53.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-66-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:24\",\"precision\":\"\",\"size\":\"55.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-04-02\",\"type\":\"Production Date\",\"notes\":\"Warren Tallman mentions another date at 4:23 on the first side. As he says, this date is the date when he wrote \\\"Invitation\\\" for Robert Creeley\",\"source\":\"Recording\"},{\"date\":\"[1990?]-03-04\",\"type\":\"Production Date\",\"notes\":\"As Warren Tallman says at on the first side, he plays part of Adeena Karasick's presentation on March 4 at the English department of York University.\\nHe does not mention the date, but we assume it must've been in the same year when he recorded this tape  \",\"source\":\"Recording\"},{\"date\":\"1990-04-08\",\"type\":\"Production Date\",\"notes\":\"Warren Tallman mentions the date at the beginning of side one saying that \\\"Today is Sunday morning, just about 10:46 am, April 8, 1990  \",\"source\":\"Recording and J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/15396822\",\"venue\":\"York University\",\"notes\":\"Adeena Karasick's presentation March 4 at the English department of York University \",\"address\":\"4700 Keele St, Toronto, ON M3J 1P3, Canada\",\"latitude\":\"43.7737\",\"longitude\":\"-79.5038\"},{\"url\":\"https://www.openstreetmap.org/way/298855107\",\"venue\":\"[Red Wallbarrow?]\",\"notes\":\"The Url we get for 88 East Pender Street, Vancouver, BC points to \\\"Vancouver Film School\\\". We are not sure, but the location where Warren Tallman named [Red Wallbarrow?] could be the current Vancouver Film School in 88 E Pender.\\nHere we put the latitude, longitude, and url of Vancouver Film School \",\"address\":\"109, 88 East Pender Street, Vancouver, BC, [15L 1W7?]\",\"latitude\":\"49.28018\",\"longitude\":\"-123.10266\"}]"],"Address":["4700 Keele St, Toronto, ON M3J 1P3, Canada","109, 88 East Pender Street, Vancouver, BC, [15L 1W7?]"],"Venue":["York University","[Red Wallbarrow?]"],"City":["Toronto, Ontario","Vancouver, British Columbia"],"Note":["[{\"note\":\"Version also exists in Adeena Karasick Fonds as \\\"\\\"Invitation\\\" Tape for Robert Creeley, April 8, 1990\\\" SWALLOW ID 7270\",\"type\":\"Related Version\"},{\"note\":\"As Warren Tallman says at the beginning of the first side, he named the location of recording \\\"109, 88 East Pender Street, Vancouver, BC\\\", Red Wallbarrow? after William Carlos Williams.\\n\\nThis invitation precedes the discussions and reading in honour of Robert Creeley at Western front in early June 1990, also among Tallman's recordings.\\n\\nThe Red Wallbarrow describes an apartment and office space Tallman rented during this period, located in Vancouver's Chinatown. Tallman's fonds contain a red plastic sign that bears this name.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556467986433,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7073","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Warren Tallman's program notes recorded in Vancouver on March 4, 1989 for Marthe Larsen for an upcoming poetry reading "],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Larsen, Marthe","[Tallman?], Ellen","[Kennedy?], Sarah"],"creator_names_search":["Tallman, Warren","Larsen, Marthe","[Tallman?], Ellen","[Kennedy?], Sarah"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\",\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/37145970004632250469\",\"name\":\"Larsen, Marthe \",\"dates\":\"\",\"notes\":\"Warren Tallman is recording Marthe Larsen a preface for the poetry reading event that he has with her\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"\",\"name\":\"[Tallman?], Ellen\",\"dates\":\"\",\"notes\":\"Ellen is one of the names mentioned by Warren Tallman in the beginning of this tape. We are not sure if she is Ellen Tallman, it's just our guess based on the info we get listening to this tape\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"\",\"name\":\"[Kennedy?], Sarah\",\"dates\":\"\",\"notes\":\"on the first side, Warren Tallman reads the poem \\\"Still Life\\\" from Sarah's book named \\\"Even in Winter\\\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1989],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10532/Warren Tallman Fonds_MsC 26.42_67.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-67-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:24:49\",\"precision\":\"\",\"size\":\"35.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-67-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:25:02\",\"precision\":\"\",\"size\":\"33.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1989-03-04\",\"type\":\"Production Date\",\"notes\":\"This tape was recorded on March 4, 1989 for an poetry reading event on March 5\",\"source\":\"Recording\"},{\"date\":\"1989-03-05\",\"type\":\"Production Date\",\"notes\":\"The poetry reading event that Warren Tallman is recording this tape for is on March 5, 1989\",\"source\":\"J-card and Recording\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Vancouver, British Columbia, Canada \",\"latitude\":\" 49.2530\",\"longitude\":\"-123.1128\"}]"],"Address":["Vancouver, British Columbia, Canada "],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"It seems Warren Tallman is recording this tape for someone for named \\\"Alison\\\"; this is the name he mentions in the beginning of side one  \\n\\nMarthe Larsen, who may have gone by Marthe Whitcomb at this time, was Ellen Tallman's best friend when the girls were in their early twenties and met at Mills College (CA). Marthe--who both Warren and Ellen celebrate in other recordings for her intellectual and artistic giftedness--would go on to marry poet Kenneth Rexroth (and later, be in a relationship with Robert Creeley). Like Ellen Tallman, Larsen would have been at the center of poetry circles in San Francisco including Black Mountain and Beat poets, as well as Bay Area anarchist groups.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556467986434,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7074","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. 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On the second side, Warren Tallman asks an unidentified speaker [possibly Robert Kroetsch as Victoria is mentioned] and talks about bpNichol and everything regarding the publication the other speaker had done in Open Letter about bp; this tape finishes with Adeena Karasick reading one of bp's poems called \\\"Manipulating Stairs\\\" \\n\\nKarasick began her MA at York University working with Frank Davey and eventually worked primarily with Barbara Godard to support her interests in feminism.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556469035009,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7079","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. 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Warren Tallman refers to one of the readers by her name, [Julia?] at 10:37.\\n\\nWarren Tallman held a temporary teaching appointment at SUNY Buffalo during the 1987-88 academic year, working alongside his good friend Robert Creeley, so these lectures would have been recorded during the classes he taught there.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556471132162,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7088","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. 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The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Warren Tallman's ENGL 312 lecture on John Keats on November 30, 1986 at UBC"],"item_title_source":["Recording and J-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Keats, John","Tallman, Warren"],"creator_names_search":["Keats, John","Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/66508882\",\"name\":\"Keats, John\",\"dates\":\"1795-1821\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11083/Warren Tallman Fonds_MsC 26.42_83.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-83-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:29:17\",\"precision\":\"\",\"size\":\"105 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-83-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T02:16:52\",\"precision\":\"\",\"size\":\"166 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-11-30\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"Side one and two are duplicate. They have the exact same content. \",\"type\":\"General\"},{\"note\":\"We have no idea what H&D stands for on the j-card\",\"type\":\"General\"},{\"note\":\"Warren Tallman begins his lecture by introducing John Keats and telling some details about his life and death, and then he starts talking about Keats' vision and poems. He shares the \\\"Cupid and Psyche\\\" tale and reads Keats' poem named \\\"Ode to Psyche\\\". \\nWarren Tallman also talks more about Keats' death, his personality, and shares another poem named \\\"Ode To A Nightingale\\\" by him.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556471132163,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7089","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. 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He spends some time discussing and getting some ideas regarding the poems' similarities and differences. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556471132164,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7090","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. 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The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Warren Tallman's ENGL 205 lectures on Ben Jonson and William Shakespeare's poetry and on \"Medallion\" by Ezra Pound and \"Nantucket\" by William Carlos Williams on October 3, 1986 at UBC"],"item_title_source":["Recording and J-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Shakespeare, William","Jonson, Ben","Williams, William Carlos"],"creator_names_search":["Tallman, Warren","Shakespeare, William","Jonson, Ben","Williams, William Carlos"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\" http://viaf.org/viaf/96994048\",\"name\":\"Shakespeare, William\",\"dates\":\"1564-1616\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/292789691\",\"name\":\"Jonson, Ben\",\"dates\":\"1572-1637\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/29542054\",\"name\":\"Williams, William Carlos\",\"dates\":\"1883-1963\",\"notes\":\"Warren Tallman's lecture is on \\\"Nantucket\\\" by William Carlos Williams\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11104/Warren Tallman Fonds_MsC 26.42_85.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-85-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:20\",\"precision\":\"\",\"size\":\"50.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-85-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:34\",\"precision\":\"\",\"size\":\"51.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-10-03\",\"type\":\"Production Date\",\"notes\":\"Following the covered classrooms' topics on sides one and two, it seems they are two different classrooms on two different days. We have no idea whether side one or two is recorded on October 3. \",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"Warren Tallman's lecture specifically focuses on poetry, highlighting Ben Jonson's and William Shakespeare in examples from their poetry and play-writing; on the second side he also discusses \\\"Nantucket\\\" by William Carlos Williams and \\\"Medallion\\\" be Ezra Pound\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556471132165,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7091","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. 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We have no idea whether side one or two is recorded on November 12. \",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Note":["[{\"note\":\"Warren Tallman's lecture mostly focuses on the William and Dorothy Wordsworth's biography and their relationship with Samuel Taylor Coleridge. As the title states his lecture's main focus is on William Wordsworth's theory of nature and how it connects with his attitude toward language \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556471132166,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7092","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. 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The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Warren Tallman lecture at Naropa Institute (CO) on July 1, 1984 - DUPLICATE 2 OF 2"],"item_title_source":["Recording and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren"],"creator_names_search":["Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11111/Warren Tallman Fonds_MsC 26.42_87.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-87-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:34\",\"precision\":\"\",\"size\":\"49.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-87-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:36\",\"precision\":\"\",\"size\":\"52.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"Side two is blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-07-01\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/391232001\",\"venue\":\"Naropa institute \",\"notes\":\" \",\"address\":\"Marine Street, Boulder, Boulder County, Colorado, 80309, United States\",\"latitude\":\"40.01405\",\"longitude\":\"-105.26696\"}]"],"Address":["Marine Street, Boulder, Boulder County, Colorado, 80309, United States"],"Venue":["Naropa institute "],"Note":["[{\"note\":\"Tapes #79 SWALLOW ID 7084 and #87 SWALLOW ID 7092 are DUPLICATES\",\"type\":\"Related Version\"},{\"note\":\"Warren Tallman lecture on poetry, mother tongue, and language in three periods of pre-modernism, modernism, and post-modernism. This talk was presented during the summer institute at Naropa (Boulder, CO). \\n\\nAnne Waldman, Allen Ginsburg, John Cage, and Diane di Prima, she would go on to found the Jack Kerouac Disembodied School of Poetics there too, in which Tallman was a participant.\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556472180736,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7093","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Warren Tallman's ENGL 205 lecture on \"The concept of energy in poetry\" on October 1, 1986 at UBC"],"item_title_source":["Recording and J-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Jonson, Ben","Pound, Ezra"],"creator_names_search":["Tallman, Warren","Jonson, Ben","Pound, Ezra"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/292789691\",\"name\":\"Jonson, Ben\",\"dates\":\"1572-1637\",\"notes\":\"Warren Tallman talks about him, his theories, and reads some of his poets \",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/24606774\",\"name\":\"Pound, Ezra\",\"dates\":\"1885-1972\",\"notes\":\"Warren Tallman talks about him and his theories toward the concept of energy in poetry on the second side.\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11112/Warren Tallman Fonds_MsC 26.42_88.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-88-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:43\",\"precision\":\"\",\"size\":\"60.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-88-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:48\",\"precision\":\"\",\"size\":\"60.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-10-01\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"We are not sure if sides one and two belong to the same lecture since Warren Tallman states at the end of side one that his time is up. We are not sure if both sides were recorded on October 1\",\"type\":\"General\"},{\"note\":\"As Warren Tallman states at the beginning of the first side, the main focus of this lecture is the major modes by which intelligence and energy move in a poem, named vowel, consonant, primary, and [Junkser?] stress. He does some poetry reading from Ben Jonson giving examples to support each concept. \\nOn the second side, Warren Tallman focuses on concept on energy in poetry. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556472180737,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7094","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. 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The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Warren Tallman reading his paper in Halifax on February 7, 1980"],"item_title_source":["Recording and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren"],"creator_names_search":["Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1980],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11120/Warren Tallman Fonds_MsC 26.42_89.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-89-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:03:11\",\"precision\":\"\",\"size\":\"69.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-89-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:03:14\",\"precision\":\"\",\"size\":\"71.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1980-02-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/9092218\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Halifax, Halifax Regional Municipality, Halifax County, Nova Scotia, Canada\",\"latitude\":\"44.6477\",\"longitude\":\"-63.5858\"}]"],"Address":["Halifax, Halifax Regional Municipality, Halifax County, Nova Scotia, Canada"],"City":["Halifax, Nova Scotia"],"Note":["[{\"note\":\"Warren Tallman reads his paper that he first wrote for Robert Matthew 18 months before this event in Halifax (August 1978). As he states, he'd revised it to the day of event, and it's his second time reading it. He does not seem to be sure what to call his paper, but he indicates that he might call it  \\\"American in Canada\\\"\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556472180738,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7095","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. 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This j-card is unlabelled so tape was likely recorded during a class at UBC, though it could also be during his temporary appointment at SUNY Buffalo.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556472180739,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7096","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Warren Tallman's ENGL 205 lecture on John Donne and his poetry on October 31, 1986 at UBC"],"item_title_source":["Recording and J-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Donne, John","Tallman, Warren","Thesen, Sharon"],"creator_names_search":["Donne, John","Tallman, Warren","Thesen, Sharon"],"creators":["[{\"url\":\"http://viaf.org/viaf/73852666\",\"name\":\"Donne, John\",\"dates\":\"1572-1631\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/115694373\",\"name\":\"Thesen, Sharon\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[0],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11141/Warren Tallman Fonds_MsC 26.42_91.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-91-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:52\",\"precision\":\"\",\"size\":\"59.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-91-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:51\",\"precision\":\"\",\"size\":\"60 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"[1986?]-10-31\",\"type\":\"Production Date\",\"notes\":\"We are not sure if both sides are recorded on the same date. We decided not to put the same date for the second side. \",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"On the second side, Warren Tallman refers to UBC as \\\"here\\\", so it's likely that Warren Tallman's lecture is at UBC\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Warren Tallman's main focus in on John Donne, his poems, his love life, and his poetry life. Warren Tallman reads some of Donne's poems such as \\\"The Bait\\\" and \\\"Go and Catch a Falling Star\\\".\\nOn the second side though Warren Tallman talks about contemporary masterpieces and the libraries and art galleries where they are held. He also talks about the permission and copyright policies of poets' works, and at the end he begins talking about contemporary BC poet Sharon Thesen and her writing \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556472180740,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7097","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Warren Tallman's ENGL 242 lecture on \"American poem\" (Day 3) at Buffalo – S.U.N.Y. University on January 27, 1987"],"item_title_source":["Recording and J-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Williams, William Carlos","Dickinson, Emily"],"creator_names_search":["Tallman, Warren","Williams, William Carlos","Dickinson, Emily"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/29542054\",\"name\":\"Williams, William Carlos\",\"dates\":\"1883-1963\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\" http://viaf.org/viaf/31995584\",\"name\":\"Dickinson, Emily\",\"dates\":\" 1830-1886\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11142/Warren Tallman Fonds_MsC 26.42_92.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-92-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:27\",\"precision\":\"\",\"size\":\"51.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-92-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:33\",\"precision\":\"\",\"size\":\"52.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"Side two is blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-01-27\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/68036581\",\"venue\":\"Buffalo – S.U.N.Y. (University at Buffalo)\",\"notes\":\"We assume Buffalo on the j-card refers to the University at Buffalo in New York. The State University of New York at Buffalo, commonly referred to as the University at Buffalo or SUNY Buffalo.\",\"address\":\"Buffalo, NY 14260, United States\",\"latitude\":\"42.9533\",\"longitude\":\"-78.8181\"}]"],"Address":["Buffalo, NY 14260, United States"],"Venue":["Buffalo – S.U.N.Y. (University at Buffalo)"],"City":["Buffalo, New York"],"Note":["[{\"note\":\"This tape was recorded during the ENGL 242 class he taught well on a temporary appointment at SUNY Buffalo. It's likely \\\"Day 3\\\" of the course, given this note on the j-card. Warren Tallman focuses on American poetry and the assignment that he wants students to do. He tries to clarify what exactly he'd like students to do. Meanwhile, he talks a bit about Emily Dickinson and William Carlos Williams.\\nIt seems students are supposed to write on poems that have some images. Students are supposed to write about what those images might possibly tell them and about the poems\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556472180741,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7098","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Warren Tallman's lecture at Buffalo – S.U.N.Y. University on January 20, 1987"],"item_title_source":["Recording and J-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Dickinson, Emily","Whitman, Walt"],"creator_names_search":["Tallman, Warren","Dickinson, Emily","Whitman, Walt"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/31995584\",\"name\":\"Dickinson, Emily\",\"dates\":\"1830-1886\",\"notes\":\"Warren Tallman talks about Emily and her poetry on the second side\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/2478331\",\"name\":\"Whitman, Walt\",\"dates\":\"1819-1892\",\"notes\":\"Warren Tallman talks about Emily and Wall and their poetry elements on the first side\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11143/Warren Tallman Fonds_MsC 26.42_93.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-93-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:31\",\"precision\":\"\",\"size\":\"50.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-93-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:30\",\"precision\":\"\",\"size\":\"50.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-01-20\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/68036581\",\"venue\":\"Buffalo – S.U.N.Y. (University at Buffalo)\",\"notes\":\"We assume Buffalo on the j-card refers to the University at Buffalo in New York. The State University of New York at Buffalo, commonly referred to as the University at Buffalo or SUNY Buffalo.\",\"address\":\"Buffalo, NY 14260, United States\",\"latitude\":\"42.9533\",\"longitude\":\"-78.8181\"}]"],"Address":["Buffalo, NY 14260, United States"],"Venue":["Buffalo – S.U.N.Y. (University at Buffalo)"],"City":["Buffalo, New York"],"Note":["[{\"note\":\"On the first side, Warren Tallman's lecture mainly focuses on pre-modern and modern ear of American English literature language and its vocabularies. Meanwhile, he begins talking about Emily Dickinson and Walt Whitman and their poetry elements such as tone, syllabus; he continues on the second side talking about poets' primary stress, vowel, and consonant stress.\\n\\nWarren Tallman held a temporary teaching appointment at SUNY Buffalo during the 1987-88 academic year, working alongside his good friend Robert Creeley, so these lectures would have been recorded during the classes he taught there.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556472180742,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7099","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Students reading poetry in Warren Tallman's poetry class (1975-1976, likely at UBC)"],"item_title_source":["Recording and J-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren"],"creator_names_search":["Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"He talks a bit at the end of the second side although due to poor sound quality his voice is not audible \",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11147/Warren Tallman Fonds_MsC 26.42_94.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-94-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:57\",\"precision\":\"\",\"size\":\"59.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-94-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:57\",\"precision\":\"\",\"size\":\"59 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"Unknown students reading poetry in Warren Tallman's classroom\",\"type\":\"General\"},{\"note\":\"J-card label reads \\\"Poetry Class 75-76\\\" which suggests this class was held in either 1975 or 1976.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556473229312,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7100","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Warren Tallman's ENGL 205 lecture on mother language and literary language history in pre- and post-modern era on October 15, 1986"],"item_title_source":["Recording and J-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Karasick, Adeena"],"creator_names_search":["Tallman, Warren","Karasick, Adeena"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"Her name is written on the j-card as someone who is present. We did not hear her though \",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Production_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11148/Warren Tallman Fonds_MsC 26.42_95.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-95-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:24:59\",\"precision\":\"\",\"size\":\"101 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-95-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:58\",\"precision\":\"\",\"size\":\"59.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-10-15\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"University of British Columbia\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Venue":["University of British Columbia"],"Note":["[{\"note\":\"Recorded lecture from Tallman's ENGL 205 class at UBC on October 15, 1986. Tallman notes on the j-card \\\"Adeena there,\\\" which indicates his student Adeena Karasick was present (and possibly participated in the recorded discussion).\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670556473229313,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7101","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Speeches recorded on May 25, 1989 at Betty Ford Clinic during the last day Warren Tallman received treatment there\n"],"item_title_source":["Recording and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren"],"creator_names_search":["Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1989],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11198/Warren Tallman Fonds_MsC 26.42_96.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-96-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:00\",\"precision\":\"\",\"size\":\"50.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-96-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:03\",\"precision\":\"\",\"size\":\"50.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"Side two is blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1989-05-25\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"These speeches were recorded by others in treatment with Warren Tallman during his twenty eight day treatment for alcoholism the Betty Ford Clinic [in California]. Mentioned are the personal connections Tallman formed with each speaker and his help and assistance to him during this period. Speakers are anonymous and this recording should be handled with sensitivity and discretion. \",\"type\":\"General\"},{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670556473229314,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7102","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Warren Tallman's lecture on a variety of poets, including TISH poets and their poetry styles"],"item_title_source":["Recording and J-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Duncan, Robert","Ginsberg, Allen","Creeley, Robert","Davey, Frank","Olson, Charles","Blaser, Robin","Bissett, Bill","Marlatt, Daphne"],"creator_names_search":["Tallman, Warren","Duncan, Robert","Ginsberg, Allen","Creeley, Robert","Davey, Frank","Olson, Charles","Blaser, Robin","Bissett, Bill","Marlatt, Daphne"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\" http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\" http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/5029235\",\"name\":\"Davey, Frank\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\", 1910-1970\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"Bissett, Bill\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11199/Warren Tallman Fonds_MsC 26.42_97.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card and a sticky note saying Tallman lecture\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-97-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:00:24\",\"precision\":\"\",\"size\":\"76.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-97-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:00:31\",\"precision\":\"\",\"size\":\"76.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"Warren Tallman talks about different poets, their poems and poetry styles. He mentions the names of different poets besides TISH poets trying to provide his students with some knowledge about them and their poetry. We just entered the poets whose names were repeated quite a number of times.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556473229315,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7103","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Tootsie, Warren Tallman's mother, interviewed by her son on September 11, 1982 and Daphne Marlatt talking and reading poems from \"Steveston\" in Tallman's poetry class at UBC on March 19, 1980"],"item_title_source":["Recording and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Marlatt, Daphne","Tallman, Warren","Minden, Robert","Shepard, Dorothy"],"creator_names_search":["Marlatt, Daphne","Tallman, Warren","Minden, Robert","Shepard, Dorothy"],"creators":["[{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Interviewer\"]},{\"url\":\"\",\"name\":\"Minden, Robert \",\"dates\":\"\",\"notes\":\"He is the photographer whom Daphne Marlatt had a collaboration for her book called \\\"Steveston\\\". She talks about this collaboration on the second side\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"\",\"name\":\"Shepard, Dorothy\",\"dates\":\"1896-19?\",\"notes\":\"Warren Tallman's mother Tootsie\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1980],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11200/Warren Tallman Fonds_MsC 26.42_98.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-98-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:03:05\",\"precision\":\"\",\"size\":\"67.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-98-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:03:16\",\"precision\":\"\",\"size\":\"67.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1980-03-19\",\"type\":\"Production Date\",\"notes\":\"This date refers to Warren Tallman poetry class at UBC\",\"source\":\"J-card\"},{\"date\":\"11-09-1982\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"University of British Columbia\",\"notes\":\"Warren Tallman poetry class at UBC\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"},{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"[Olympia, WA, USA?]\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4","[Olympia, WA, USA?]"],"Venue":["University of British Columbia"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"The quality improves on the second side. On Side A, the recording is clearer after the first two minutes.\",\"type\":\"General\"},{\"note\":\"On the first side, Warren Tallman interviews his mother, who goes by Tootsie. Tootsie's birth name was Dorothy Shepard and she was born in St. Joseph, MI (37:55). Tallman notes on tape that Tootsie was born in 1896 (5:29), her father was Arthur Shepard (1:00), her mother's last name was Jocelyn (1:19), and both parents \\\"died so young\\\" (1:47). Tootsie was raised by an Aunt Alice who was born in Fredonia, NY (4:21). Their conversation implies that Tootsie grew up in Niles, MI (37:51).\\n\\nThe interview's location is not given but it is likely taking place at Tootsie's home in Olympia (her dog, Jenny, is present). She may have been living with Tallman's sister Jean and Jean's husband David at the time. Though Warren is eager for Tootsie to  talk about her family she repeatedly refuses (and initially cites an earlier recording by Warren where \\\"we went through all this already on your tape recorder.\\\" They briefly discuss other U.S. cities, David Copperfield, Voltaire, a 1978 Disraeli TV mini series, history and politics from Reagan and Jefferson as well as pets, kitchens, and earrings. The interview finishes at 55:50 and abruptly cuts into  a few minutes of a recorded class or group conversation led by Robin Blaser, discussing the relation of language to reality and how this is managed by unnamed English department colleagues and other literary scholars. \\n\\nOn the second side, Daphne Marlatt talks about her book Steveston and her collaboration with Robert Minden.\\n\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556473229316,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7104","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Warren Tallman interviewed by Roy Miki in Vancouver on February 28, 1983 Session 2 Tape 7"],"item_title_source":["Recording and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Miki, Roy"],"creator_names_search":["Tallman, Warren","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\",\"Recordist\"]}]"],"contributors":["[]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11212/Warren Tallman Fonds_MsC 26.42_100.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-100-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:16:45\",\"precision\":\"\",\"size\":\"18.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-100-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:33:40\",\"precision\":\"\",\"size\":\"36.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-02-28\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\" 49.2530\",\"longitude\":\"-123.1128\"}]"],"Address":["Vancouver, BC, Canada"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Side one and the first 15 minutes of the second side are duplicate. The first side on tape one finishes while Roy Miki is talking and we assume that Warren Tallman interview tape three side two begins 17:43 on the second side. There is some blank parts between side one and two of tape one\",\"type\":\"General\"},{\"note\":\"Warren Tallman interview mostly focuses on the power of women in the literary world. Basically, he talks about feminine in literature in San Francisco and Seattle. He talks about the role of women and poets named [Ellen King?], [Martha Larsen?], Henry James, and [Laurence?]\",\"type\":\"General\"},{\"note\":\"Warren Tallman keeps talking about Ellen King and [Martha?] and the period when feminine moved in the literary circle and became the power \",\"type\":\"General\"},{\"note\":\"This tape is the third tape that Roy Miki is recording in the second session of his series of interview with Warren Tallman. \",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670556474277888,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7105","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Warren Tallman interviewed by Roy Miki in Vancouver on February 28, 1983 Session 2 Tape 5"],"item_title_source":["Recording and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Williams, William Carlos","Emerson, Ralph Waldo","Whitman, Walt","Dickinson, Emily","Miki, Roy"],"creator_names_search":["Tallman, Warren","Williams, William Carlos","Emerson, Ralph Waldo","Whitman, Walt","Dickinson, Emily","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/29542054\",\"name\":\"Williams, William Carlos\",\"dates\":\"1883-1963\",\"notes\":\"Roy Miki's thesis is somehow based on William Carlos Williams, he keeps talking about it all through his interview with Warren Tallman\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/27079964\",\"name\":\"Emerson, Ralph Waldo\",\"dates\":\"1803-1882\",\"notes\":\"On the second side of tape one, Warren Tallman keeps talking about Emerson, Emily, and Whitman and their impressive impact on the literary world\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/2478331\",\"name\":\"Whitman, Walt\",\"dates\":\"1819-1892.\",\"notes\":\"On the second side of tape one, Warren Tallman keeps talking about Emerson, Emily, and Whitman and their impressive impact on the literary world\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/31995584\",\"name\":\"Dickinson, Emily\",\"dates\":\"1830-1886\",\"notes\":\"On the second side of tape one, Warren Tallman keeps talking about Emerson, Emily, and Whitman and their impressive impact on the literary world\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\",\"Recordist\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11213/Warren Tallman Fonds_MsC 26.42_101.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-101-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:29\",\"precision\":\"\",\"size\":\"34.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-101-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:05:00\",\"precision\":\"\",\"size\":\"70.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-02-28\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\" 49.2530\",\"longitude\":\"-123.1128\"}]"],"Address":["Vancouver, BC, Canada"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Side one and the first 32 minutes of the second side are duplicate. The first side on tape one finishes while Roy Miki is talking and then Warren Tallman interview tape one side two begins 33:45 on the second side. There is some blank parts between side one and two of tape one\",\"type\":\"General\"},{\"note\":\"Tape one, Side two: Warren Tallman mostly focuses on Walt Whitman, Emily Dickinson, and Ralph Waldo Emerson and how their impressive literary works were off the flow and beat back then in their time, and how their works distinguish them from the British literal world \",\"type\":\"General\"},{\"note\":\"Tape one, Side one: Warren Tallman and Roy Miki mostly focus on Roy Miki's thesis on William Carlos Williams, and phone call he received regarding its publication; meanwhile he also talks about how he wrote his dissertation. He finally got to share the story how the briefcase that he had his notes and dissertation in got stolen\",\"type\":\"General\"},{\"note\":\"Following what we hear in the beginning of sides one and two, this tape is the first tape that Roy Miki is recording in the second session of his series of interview with Warren Tallman. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556474277889,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7056","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["bpNichol reading from The Martyrology Book 3 #26"],"item_title_source":["reel case"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P."],"creator_names_search":["Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\",\"Speaker\",\"Reader\",\"Donor\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12158/bpNichol Fonds_MsC12_Reel 27.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC12.Nichol.Tape26\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:41\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"This tape contains bpNichol reading from Book 3 of The Martyrology, from its beginning up until section V. He begins with the preamble and letter from David (Aylward?), after which he gives a brief introduction to the Batik prayer at the beginning of this book.  \\n\\n0:00 - Prelude\\n1:00 - Letter from David\\n2:59 - Book 3 of The Martyrology\\n18:18 - Note on the comic references in this poem\\n18:53 - Book 3 of The Martyrology\\n44:37 - Break\\n\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556475326464,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7057","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["bpNichol reading from The Martyrology Book 3 beginning with part 6 #27"],"item_title_source":["reel case"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P."],"creator_names_search":["Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Donor\",\"Speaker\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12160/bpNichol Fonds_MsC12_Reel 27.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC12.Nichol.Tape27\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:43:46\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556475326465,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7058","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["Interview with bpNichol on May 5, 1987 #31 (Tape 1 of 2)\t"],"item_title_source":["j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P."],"creator_names_search":["Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Speaker\",\"Donor\"]}]"],"contributors":["[]"],"Production_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"017 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"\",\"duration\":\"T00:47:17\",\"precision\":\"\",\"size\":\"50.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"This tape contains a conversation between bpNichol and an unnamed interviewer, which took place during a trip to Italy. Here Nichol mentions his attraction toward writing as a form, problems posed by The Martyrology's length, word play, and his unique approach to writing.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-05-05\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"j-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556475326466,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7059","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Warren Tallman poetry reading class at Buffalo – S.U.N.Y. University on March 28, 1987 - DUPLICATE 1 of 3"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Karasick, Adeena"],"creator_names_search":["Tallman, Warren","Karasick, Adeena"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10318/Warren Tallman Fonds_MsC 26.42_52.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-52-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:10\",\"precision\":\"\",\"size\":\"59.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-52-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:15\",\"precision\":\"\",\"size\":\"60.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-03-28\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/68036581\",\"venue\":\"Buffalo – S.U.N.Y. (University at Buffalo)\",\"notes\":\"We assume, Buffalo on the j-card refers to the University at Buffalo in New York. The State University of New York at Buffalo, commonly referred to as the University at Buffalo or SUNY Buffalo.\",\"address\":\"Buffalo, NY 14260, United States\",\"latitude\":\"42.9533\",\"longitude\":\"-78.8181\"}]"],"Address":["Buffalo, NY 14260, United States"],"Venue":["Buffalo – S.U.N.Y. (University at Buffalo)"],"City":["Buffalo, New York"],"Note":["[{\"note\":\"Tapes #52 (Swallow ID 7059), #82 (Swallow ID 7087), and #105 (Swallow ID 7109) are duplicates. It is a poetry reading  happening at Buffalo – S.U.N.Y. (University at Buffalo) where Warren Tallman and some other authors, whose names are not mentioned, are reading poetry. Some readers mention the poems' titles  on the recording. Warren Tallman refers to one of the readers by her name, [Julia?] at 10:37 \\n\\nWarren Tallman held a temporary teaching appointment at SUNY Buffalo for the academic year 1987-1988, working alongside his good friend Robert Creeley.  (Creeley was faculty at SUNY Buffalo from 1966-2003 and Tallman visited him several times, though this was his only teaching appointment there).\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556475326467,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7106","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Warren Tallman interviewed by Roy Miki in Vancouver on February 21, 1983 Session 1 Tape 4"],"item_title_source":["Recording and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Miki, Roy"],"creator_names_search":["Tallman, Warren","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\",\"Recordist\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11222/Warren Tallman Fonds_MsC 26.42_102.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-102-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:52\",\"precision\":\"\",\"size\":\"41.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-102-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:11\",\"precision\":\"\",\"size\":\"42.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-02-21\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\" 49.2530\",\"longitude\":\"-123.1128\"}]"],"Address":["Vancouver, BC, Canada"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"On the first side, Warren Tallman talks about his life focusing on his undergraduate life, his first and second marriage. He also talks about Ellen King (his second wife), how they met and got married. \\nOn the second side, his main focus is mostly on the authors and to some extent the poets whom were taught when Warren was a university student; and who he was interested in. He also explained about his PHD life, his thesis, and what his wife was doing and how she lost her interest in writing during this time. He also talked about his life in Vancouver and how he got his job at UBC   \",\"type\":\"General\"},{\"note\":\"This tape must be the third tape that Roy Miki is recording in the first session of his series of interview with Warren Tallman. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556475326468,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7111","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Gerry Gilbert's tape of Adeena and Warren Tallman's students reading poetry at Bella Vista Street in December, 1985."],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Gilbert, Gerry","Karasick, Adeena"],"creator_names_search":["Tallman, Warren","Gilbert, Gerry","Karasick, Adeena"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"His name is mentioned at 12:41 on the second side.\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"Adeena Karasick is written on the j-card\",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Production_Date":[1985],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11273/Warren Tallman Fonds_MsC 26.42_108.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-108-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:09\",\"precision\":\"\",\"size\":\"39.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-108-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:03\",\"precision\":\"\",\"size\":\"40.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-12\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/30880923\",\"venue\":\"[Warren Tallman’s House?]\",\"notes\":\"In the '70s(?) he moved to 3504 Bella Vista in East Vancouver V5N 3W9 and lived there till his death. We assume this reading happened at Warren Tallman’s House\",\"address\":\"3504 Bella Vista in East Vancouver V5N 3W9\",\"latitude\":\"49.25312\",\"longitude\":\"-123.07054\"}]"],"Address":["3504 Bella Vista in East Vancouver V5N 3W9"],"Venue":["[Warren Tallman’s House?]"],"Note":["[{\"note\":\"Anonymous poets reading poetry \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556475326469,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7112","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. 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The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Adeena Karasick's rehearsal for Cleveland reading  at Bella Vista Street on August 29, 1986, Tape 3 of 3."],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Karasick, Adeena","Tallman, Warren"],"creator_names_search":["Karasick, Adeena","Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11340/Warren Tallman Fonds_MsC 26.42_109.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-109-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:33:12\",\"precision\":\"\",\"size\":\"34.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-109-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:46\",\"precision\":\"\",\"size\":\"34.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-08-29\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/30880923\",\"venue\":\"Warren Tallman’s House\",\"notes\":\"In the '70s(?) he moved to 3504 Bella Vista in East Vancouver V5N 3W9 and lived there till his death.\\nWe assume that Adeena Karasick is reading at Warren Tallman's house\",\"address\":\"3504 Bella Vista in East Vancouver V5N 3W9\",\"latitude\":\"49.25312\",\"longitude\":\"-123.07054\"}]"],"Address":["3504 Bella Vista in East Vancouver V5N 3W9"],"Venue":["Warren Tallman’s House"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556475326470,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7113","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. 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Minutes 24 to 31:23 are blank, and at 31:07 Adeena Karasick's reading begins. \\nOn the second side though we have music performances whose performer is not known \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556475326471,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7114","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. 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they talk about different topics such as modern poetry and active reading\",\"type\":\"General\"},{\"note\":\"The second side of this tape could be the first part of  Adeena Karasick rehearsal for Cleveland reading at Bella Vista Street since \\\"Cleveland\\\" is written on the j-card and Warren Tallman states the introduction of [Cleveland?].\",\"type\":\"General\"},{\"note\":\"The first 33 minutes of Side One is blank, and at 33:14 Adeena Karasick starts reading her first English paper written in October; on the second side Warren Tallman states the date (Spetember 25th) in the begining and begins reading [Geography of Canada 1?]\\n\\nThe recording takes place at Warren Tallman's home during the 70s, 80s, and 90s, where he lived with his daughter Karen Tallman DeBeck and her family.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556476375040,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7115","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. 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The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["ENGL 312 Party: Poetry reading on November 14, 1986"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Karasick, Adeena","Tallman, Warren"],"creator_names_search":["Karasick, Adeena","Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"Warren Tallman's voice is heard on side one\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11344/Warren Tallman Fonds_MsC 26.42_113.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-113-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T0:47:20\",\"precision\":\"\",\"size\":\"51 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-113-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:76\",\"precision\":\"\",\"size\":\"50.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-11-14\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"At 17:43, One of the readers mentions a name, [Mary Carla?] reading 'An Introduction to America\\\"; It could be the name of the reader herself. other names on the j-card could be [Denis(?), Carla?]\",\"type\":\"General\"},{\"note\":\"Besides Adeena Karasick, there are other unknown poets reading poetry, presumably her classmates in ENGL 312 at UBC. On the second side, we get to hear some music performances, likely at the same event, including singalongs of songs like \\\"Frère Jacques.\\\"\\n\\nAt 18:04 on Side B, there is some discussion recorded.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556476375041,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7116","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Adeena Karasick reading  and sharing her experience of departure from Frankfurt Flughafen airport in November, 1991"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Karasick, Adeena","Tallman, Warren"],"creator_names_search":["Karasick, Adeena","Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"This tape belongs to Warren Tallman collection, so put his name as one of the creators. Warren Tallman is not heard on this tape\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1991],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11345/Warren Tallman Fonds_MsC 26.42_114.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-114-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T0:47:03\",\"precision\":\"\",\"size\":\"61 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-114-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:43\",\"precision\":\"\",\"size\":\"61.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1991-11\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/30221936#map=15/50.0529/8.5699\",\"venue\":\"Frankfurt Flughafen\",\"notes\":\"\",\"address\":\"Frankfurt am Main Airport Long distance trains, Am Flughafen, Flughafen, Süd, Frankfurt, Hesse, 60549, Germany\",\"latitude\":\"50.0530\",\"longitude\":\"8.5699\"}]"],"Address":["Frankfurt am Main Airport Long distance trains, Am Flughafen, Flughafen, Süd, Frankfurt, Hesse, 60549, Germany"],"Venue":["Frankfurt Flughafen"],"Note":["[{\"note\":\"Adeena Karasick reads in German\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556476375042,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7117","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. 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We found the dates on tape #58. They are relevant tapes since both have almost the same content \",\"type\":\"Related Version\"},{\"note\":\"The quality of the tape is poor but still audible \",\"type\":\"General\"},{\"note\":\"also almost duplicate/DUPLICATE with tape #58 SWALLOW ID 7064\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670556476375045,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7120","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. 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Afterwards, the hosts switch the topic to if people should work and ask people to talk and express their opinions about the raised question. We get to hear some anonymous people's voices sharing their thoughts. \\nOn the second side though, the topic mostly focuses on the number of women who had been murdered, and concerns such as lack of safety, equality for people of color, prostitutes and dancers, and the protests happening back then then. \\nWe get to hear a radio host talks to a historical geographer from UBC talking about the historical geography of BC. \\nIn the last part of radio program, we hear the host talking to two guest discussing their opinion about a movie named \\\"Wedding in Galilee\\\"\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556477423616,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7121","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Adeena Karasick reading \"Manipulating Stairs\" in Cranbrook, BC on November 11, Warren Tallman reading \"Claw\" at Bowering's on October 15, and Adeena Karasick and bpNichol  reading at Langara college on June 1, 1988 DUPLICATE 2 OF 2"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Karasick, Adeena","Tallman, Warren","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Karasick, Adeena","Tallman, Warren","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"On the first side, Adeena Karasick reading \\\"Manipulating Stairs\\\" in Cranbrook at 1:46, and she is reconstructing Bill Bissett Phonetic A B C with various words \",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"bpNichol also reads some of his poems on June 1st at Langara College Theater\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11356/Warren Tallman Fonds_MsC 26.42_119.jpg\",\"other\":\"\",\"extent\":\"1/8 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-119-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:10\",\"precision\":\"\",\"size\":\"53.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-11-09\",\"type\":\"Production Date\",\"notes\":\"Adeena reading \\\"Manipulating Stairs\\\" in Cranbrook \",\"source\":\"Recording\"},{\"date\":\"1988-10-15\",\"type\":\"Production Date\",\"notes\":\"Warren Tallman reading a piece named \\\"Claw\\\" that he'd written for bp Nichol at Bowering's \",\"source\":\"Recording\"},{\"date\":\"1988-06-01\",\"type\":\"Production Date\",\"notes\":\"bpNichol reading poetry at Langara College\",\"source\":\"Recording\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Bowering's house\",\"notes\":\"Warren Tallman reading \\\"Claw\\\" on October 15th, 1988.\\nWarren Tallman mentions Bowering's house location at 14:20 on the first side\\n\",\"address\":\"[2499- Western E 7th?]\",\"latitude\":\"\",\"longitude\":\"\"},{\"url\":\"https://www.openstreetmap.org/node/51969524\",\"venue\":\"\",\"notes\":\"Adeena Karasick reading \\\"Manipulating Stairs\\\" on November 9th in Cranbrook\",\"address\":\"Cranbrook, Regional District of East Kootenay, British Columbia, V1C 2N0, Canada\",\"latitude\":\"49.5118\",\"longitude\":\"-115.7671\"},{\"url\":\"https://www.openstreetmap.org/way/23393992\",\"venue\":\"Langara College Theater \",\"notes\":\"bpNichol and Adeena Karasick reading at Langara College Theater on June 1\",\"address\":\"College Langara College, 100, West 49th Avenue, Oakridge, Vancouver, Metro Vancouver Regional District, British Columbia, V5Y 2Z6, Canada\",\"latitude\":\"49.22484\",\"longitude\":\"-123.10867\"}]"],"Address":["[2499- Western E 7th?]","Cranbrook, Regional District of East Kootenay, British Columbia, V1C 2N0, Canada","College Langara College, 100, West 49th Avenue, Oakridge, Vancouver, Metro Vancouver Regional District, British Columbia, V5Y 2Z6, Canada"],"Venue":["Bowering's house","Langara College Theater "],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"We found the dates on tape #58. They are relevant tapes since both have more or less the same content \",\"type\":\"Related Version\"},{\"note\":\"also almost duplicate/DUPLICATE with tape #58 SWALLOW ID 7064\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670556477423617,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7122","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Adeena Karasick reading “Intertextile, Text in Exile\"; and the repeat of her bpNichol paper that she'd read at York University grad colloquium on March 2, 1990 DUPLICATE 4 OF 4"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Karasick, Adeena","Damon, Maria","Tallman, Warren","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Karasick, Adeena","Damon, Maria","Tallman, Warren","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/43496891\",\"name\":\"Damon, Maria\",\"dates\":\"1955-\",\"notes\":\"Adeena Karasick had a collaboration with Maria Damon working on “Intertextile, Text in Exile: Shmata Mash-up: A Jewette for Two Voices”\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"Adeena Karasick reads for Warren Tallman and bp\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"Adeena Karasick reads for Warren Tallman and bp\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1989],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11357/Warren Tallman Fonds_MsC 26.42_120.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-120-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:24\",\"precision\":\"\",\"size\":\"52.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-120-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:25\",\"precision\":\"\",\"size\":\"53.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1989-12\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/4958306\",\"venue\":\"Sherbourne Street\",\"notes\":\"We could find the exact location; as it's written on the j-card, we assume it could be Sherbourne Street in Old Toronto \",\"address\":\"Sherbourne Street, Toronto Centre, Old Toronto, Toronto, Golden Horseshoe, Ontario, M4X 1W4, Canada\",\"latitude\":\"43.67198\",\"longitude\":\"-79.37671\"}]"],"Address":["Sherbourne Street, Toronto Centre, Old Toronto, Toronto, Golden Horseshoe, Ontario, M4X 1W4, Canada"],"Venue":["Sherbourne Street"],"City":["Toronto, Ontario"],"Note":["[{\"note\":\"The content of this tape is duplicate of the content on tapes #141, #129, and #128\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556477423618,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7123","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. 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The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Re-recordings from two albums by the Dial-A-Poem Poets, Totally Corrupt (1976) and Sugar, Alcohol & Meat (1980)"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Sanders, Ed","Bukowski, Charles","Waldman, Anne","Baraka, Amiri","Higgins, Erica","Kesey, Ken","Mac Low, Jackson","Amirkhanian, Charles","Barg, Barbara","Sublette, Ned","Acker, Kathy","McCaffery, Steve","Olson, Charles","Weatherly, Tom","Merwin, W. S.","Owen, Maureen","Rothenburg, Jerome","Orlovsky, Peter","Bukowski, Charles","Burroughs, William Seward","Plath, Sylvia","Giorno, John","McLure, Michael","McLure, Michael"],"creator_names_search":["Sanders, Ed","Bukowski, Charles","Waldman, Anne","Baraka, Amiri","Higgins, Erica","Kesey, Ken","Mac Low, Jackson","Amirkhanian, Charles","Barg, Barbara","Sublette, Ned","Acker, Kathy","McCaffery, Steve","Olson, Charles","Weatherly, Tom","Merwin, W. S.","Owen, Maureen","Rothenburg, Jerome","Orlovsky, Peter","Bukowski, Charles","Burroughs, William Seward","Plath, Sylvia","Giorno, John","McLure, Michael","McLure, Michael"],"creators":["[{\"url\":\"http://viaf.org/viaf/22183708\",\"name\":\"Sanders, Ed \",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/64002815\",\"name\":\"Bukowski, Charles\",\"dates\":\"1920-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/84079610\",\"name\":\"Waldman, Anne \",\"dates\":\"1945-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/39371896\",\"name\":\"Baraka, Amiri \",\"dates\":\"1934-2014\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Higgins, Erica\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Kesey, Ken\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/80245668\",\"name\":\"Mac Low, Jackson \",\"dates\":\"1922-2004\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/7489149108420668780004\",\"name\":\"Amirkhanian, Charles\",\"dates\":\"1945-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Barg, Barbara\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Sublette, Ned\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Acker, Kathy\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles \",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Weatherly, Tom\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/110923132\",\"name\":\"Merwin, W. S.\",\"dates\":\"1927-2019\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/33963867\",\"name\":\"Owen, Maureen\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Rothenburg, Jerome\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/34654554\",\"name\":\"Orlovsky, Peter\",\"dates\":\"1933-2010\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/64002815\",\"name\":\"Bukowski, Charles\",\"dates\":\"1920-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/108916275\",\"name\":\"Burroughs, William Seward\",\"dates\":\"1914-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Plath, Sylvia \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/84168002\",\"name\":\"Giorno, John \",\"dates\":\"1936-2019\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/42005878\",\"name\":\"McLure, Michael \",\"dates\":\"1959-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/42005878\",\"name\":\"McLure, Michael \",\"dates\":\"1959-\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11358/Warren Tallman Fonds_MsC 26.42_121.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-121-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:52\",\"precision\":\"\",\"size\":\"51.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-121-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:23\",\"precision\":\"\",\"size\":\"54.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-03-09\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"The content does not correspond to what's written on the j-card regarding Adeena Karasick. The tape's adhesive label could indicate Kedrick James is the recorder. Sides A and B represent a true mix tape in that few of the tracks or poets appear as they are arranged on the actual LPs; the re-recorder also works back and forth across both albums. Side A contains performances by Ed Sanders, Charles Bukowski, Anne Waldman, Amiri Baraka, Erica Higgins, Ken Kesey, Jackson Mac Low, Charles Amirkhanian, Barbara Barg, Ned Sublette, Kathy Acker, Steve McCaffery, and Gary Snyder, ending at 47:13. \\n\\nSide B includes readings by Tom Weatherly, Charles Olson, W.S. Merwin, Maureen Owen, Jerome Rothenburg, Peter Orlovsky, Charles Bukowski, Ed Dorn, William S. Burroughs, Sylvia Plath, John Giorno, and Michael McLure and ends at 47:34. \\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556478472192,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7124","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. 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Pender Street in Vancouver's Chinatown, which he called \\\"Red Wallbarrow.\\\"\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556478472193,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7125","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. 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They also discuss if knowing the biography of authors matters when it comes to having a reflection on their written work.\\n\\nAdeena accompanied Tallman to Victoria as he developed his essays for In the Midst, published by Talonbooks in 1992. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556478472195,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7127","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. 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The Url we get for 88 East Pender Street, Vancouver, BC points to the current \\\"Vancouver Film School\\\". We are not sure, but this location could be the current Vancouver Film School in 88 E Pender.\\n\",\"address\":\"109, 88 East Pender Street, Vancouver, BC, [15L 1W7?]\",\"latitude\":\"49.28018\",\"longitude\":\"-123.10266\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1","109, 88 East Pender Street, Vancouver, BC, [15L 1W7?]"],"Venue":["The Western Front","[Red Wallbarrow?]"],"City":["Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"Tapes 61, 62, and 126 have duplicate part of Warren Tallman's introduction for Robert Creeley at The Western Front on June 1, 1990\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670556478472196,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7128","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. 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Warren Tallman is at [Red Wallbarrow on E. Pender?] reading a letter\",\"source\":\"Recording \"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"Warren Tallman's Robert Creeley introduction for his Friday his reading on June 1 in 1998 at The Western Front\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26392\",\"longitude\":\"123.09870\"},{\"url\":\"https://www.openstreetmap.org/way/298855107\",\"venue\":\"[Red Wallbarrow?]\",\"notes\":\"According to what Warren Tallman says in tape 60, [Red Wallbarrow?] is located at \\\"109, 88 East Pender Street, Vancouver, BC, [15L 1W7?] and named after William Carlos Williams by Warren Tallman. The Url we get for 88 East Pender Street, Vancouver, BC points to the current \\\"Vancouver Film School\\\". We are not sure, but this location could be the current Vancouver Film School in 88 E Pender.\\n\",\"address\":\"109, 88 East Pender Street, Vancouver, BC, [15L 1W7?]\",\"latitude\":\"49.28018\",\"longitude\":\"-123.10266\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1","109, 88 East Pender Street, Vancouver, BC, [15L 1W7?]"],"Venue":["The Western Front","[Red Wallbarrow?]"],"City":["Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"Tapes 61, 62, 126, and 127 have duplicate part of Warren Tallman's introduction for Robert Creeley at The Western Front on June 1, 1990\",\"type\":\"Related Version\"},{\"note\":\"What's written on the j-card is irrelevant to the content of the audio files \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556478472197,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7129","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Adeena Karasick reading her bpNichol paper that she'd read at York University grad colloquium on March 2, 1990 - DUPLICATE 3 OF 4 (INCOMPLETE VERSION) "],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Karasick, Adeena","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Tallman, Warren","Karasick, Adeena","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11392/Warren Tallman Fonds_MsC 26.42_128.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-128-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:22\",\"precision\":\"\",\"size\":\"51 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-128-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:23\",\"precision\":\"\",\"size\":\"51.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-03-02\",\"type\":\"Production Date\",\"notes\":\"As Adeena states in the beginning of side one, this tape is the repeat of her presentation at York University on March second \",\"source\":\"Recording \"},{\"date\":\"1990-03-09\",\"type\":\"Production Date\",\"notes\":\"It's the date written on the j-card\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/15396822\",\"venue\":\"York University\",\"notes\":\"Adeena is reading the paper she'd read at York University on March 2nd.    \",\"address\":\"York University, Keele Campus, York University Busway, Humber River—Black Creek, North York, Toronto, Golden Horseshoe, Ontario, M3J 3M6, Canada\",\"latitude\":\"43.7736\",\"longitude\":\"-79.5040\"}]"],"Address":["York University, Keele Campus, York University Busway, Humber River—Black Creek, North York, Toronto, Golden Horseshoe, Ontario, M3J 3M6, Canada"],"Venue":["York University"],"City":["Toronto, Ontario"],"Note":["[{\"note\":\"What we mean by duplicate here is just the tape content; we are not sure if Adeena Karasick has read her paper on the same date or different dates. It should be different dates because we see different dates on the tapes' j-cards.\\nThe date written on this tape's j-card is March 9, 1990\",\"type\":\"General\"},{\"note\":\"The content of this tape is an incomplete duplicate of the content on tapes #120, #129, and #141\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556479520768,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7130","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. 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The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Adeena Karasick is on beep and convergences: Adeena is reading the repeat of her bpNichol paper that she'd read at York University grad colloquium on March 2, 1990 - DUPLICATE 1 OF 4"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Karasick, Adeena","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Tallman, Warren","Karasick, Adeena","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988 \",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11441/Warren Tallman Fonds_MsC 26.42_129.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-129-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:06\",\"precision\":\"\",\"size\":\"60.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-129-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:34:30\",\"precision\":\"\",\"size\":\"121 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-03-02\",\"type\":\"Production Date\",\"notes\":\"As Adeena states in the beginning of side one and two, this tape is the repeat of her presentation at York University on March second; \",\"source\":\"J-card\"},{\"date\":\"1990-03\",\"type\":\"Production Date\",\"notes\":\"This tape could've been recorded in March\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/4958306#map=19/43.67198/-79.37670\",\"venue\":\"\",\"notes\":\"Sherbourne, Toronto is written on the j-card. Adeena might've been in Toronto when she recorded this tape.\\nThis is not the exact address; Sherbourne is a long street, and we just put the latitude and longitude of a part \",\"address\":\"Sherbourne Street, Toronto Centre, Old Toronto, Toronto, Golden Horseshoe, Ontario, M4X 1W4, Canada\",\"latitude\":\"43.67198\",\"longitude\":\"-79.37671\"},{\"url\":\"https://www.openstreetmap.org/way/15396822\",\"venue\":\"York University\",\"notes\":\"Adeena is reading the paper she'd read at York University on March 2nd.   \",\"address\":\"York University, Keele Campus, York University Busway, Humber River—Black Creek, North York, Toronto, Golden Horseshoe, Ontario, M3J 3M6, Canada\",\"latitude\":\"43.7736\",\"longitude\":\"-79.5040\"}]"],"Address":["Sherbourne Street, Toronto Centre, Old Toronto, Toronto, Golden Horseshoe, Ontario, M4X 1W4, Canada","York University, Keele Campus, York University Busway, Humber River—Black Creek, North York, Toronto, Golden Horseshoe, Ontario, M3J 3M6, Canada"],"Venue":["York University"],"City":["Toronto, Ontario","Toronto, Ontario"],"Note":["[{\"note\":\"The content of this tape is duplicate of the content on tapes #120, #128, and #141\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556479520769,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7131","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. 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The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Adeena Karasick's rehearsal three of Sensasound at Kensington Kitchen on September 1, and Warren Tallman reading Lola's letter at Kensington Kitchen on September 2, 1990 "],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Karasick, Adeena","Tallman, Warren"],"creator_names_search":["Karasick, Adeena","Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11442/Warren Tallman Fonds_MsC 26.42_130.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-130-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:07\",\"precision\":\"\",\"size\":\"52.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-130-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:34\",\"precision\":\"\",\"size\":\"53.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-09-02\",\"type\":\"Production Date\",\"notes\":\"Warren Tallman reading Lola letter \",\"source\":\"J-card and Recording\"},{\"date\":\"1990-09-01\",\"type\":\"Production Date\",\"notes\":\"Adeena states the date in the beginning of side one; it's Adeena's rehearsal date \",\"source\":\"Recording\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"we couldn't find the exact location\",\"address\":\"Kensington Kitchen\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Kensington Kitchen"],"Note":["[{\"note\":\"This practice is Duplicate of practice #3 on tape #131 SWALLOW ID7132\",\"type\":\"Related Version\"},{\"note\":\"The sound quality of the tape is poor, but it's still audible.\\n\\nIn \\\"ANERCA: woMANIFESTivO,\\\" Adeena Karasick writes, \\\"In 1988, Kedrick [James] and I moved for a year to Montreal where, connecting with both the renegade English and French poetry and music scenes, we organized SENSASOUND—a Sound Poetry Fest\\nin both Montreal at McGill and Toronto (at the Rivoli) where, together with bill bissett, Steve McCaffery, Lillian Allen, Christopher Dewdney, Rafael Barreto-Rivera, Paul Dutton, we tried to revivify a sense of performance in poetry within an increasingly sterile environment\\\" (22). \\n\\nSee: To Breathe Poetry Among the Neighbours: Two Essays on Anerca, a Journal of Experimental Writing (1985-1990), available in pdf format from library.buffalo.edu.\\n\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556479520770,"timestamp":"2026-01-07T15:00:00.772Z","score":0.01643844},{"id":"7132","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Adeena Karasick's practice tape four of Sensasound at different locations and dates"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Karasick, Adeena","Tallman, Warren"],"creator_names_search":["Karasick, Adeena","Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11453/Warren Tallman Fonds_MsC 26.42_131.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-131-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:32\",\"precision\":\"\",\"size\":\"50.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-131-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:56\",\"precision\":\"\",\"size\":\"60.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-08-27\",\"type\":\"Production Date\",\"notes\":\"Adeena's second practice; she states the date at 12:51 on the first side\",\"source\":\"Recording\"},{\"date\":\"1990-09-03\",\"type\":\"Production Date\",\"notes\":\"Adeena's fourth practice; she states the date at 38:29 on the first side\",\"source\":\"Recording\"},{\"date\":\"1990-09-13\",\"type\":\"Production Date\",\"notes\":\"Adeena's practice, tape 1; she states the date at 00:10 on the second side\",\"source\":\"Recording\"},{\"date\":\"1990-09-01\",\"type\":\"Production Date\",\"notes\":\"Adeena's third practice; she states the date at 25:36 on the first side. Het third rehearsal is duplicate of tape #130 when Adeena Karasick has her third practice at [Kensington Kitchen?]\",\"source\":\"Recording\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/4301473\",\"venue\":\"\",\"notes\":\"It's not the exact address. Adeena mentions that the second practice occurs in Toronto, Concord, and Concord Ave. is named on the j-card.\",\"address\":\"Concord Avenue\",\"latitude\":\"43.65792\",\"longitude\":\"-79.4254\"}]"],"Address":["Concord Avenue"],"Note":["[{\"note\":\"Sides one and two are the four practices of Adeena Karasick Sensasound at various dates and places. J-card reads \\\"Concord Ave,\\\" which is in Toronto.\\n\\nIn \\\"ANERCA: woMANIFESTivO,\\\" Adeena Karasick writes, \\\"In 1988, Kedrick [James] and I moved for a year to Montreal where, connecting with both the renegade English and French poetry and music scenes, we organized SENSASOUND—a Sound Poetry Fest\\nin both Montreal at McGill and Toronto (at the Rivoli) where, together with bill bissett, Steve McCaffery, Lillian Allen, Christopher Dewdney, Rafael Barreto-Rivera, Paul Dutton, we tried to revivify a sense of performance in poetry within an increasingly sterile environment\\\" (22). \\n\\nSee: To Breathe Poetry Among the Neighbours: Two Essays on Anerca, a Journal of Experimental Writing (1985-1990), available in pdf format from library.buffalo.edu.\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556678750208,"timestamp":"2026-01-07T15:00:00.983Z","score":0.01643844},{"id":"7133","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["CBC Radio Program with Adeena Karasick, Paul Dutton, and Rafael Barreto-Rivera on air talking about sound poetry on September 26, 1990 and Adeena Karasick's sound poetry performance "],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Karasick, Adeena","Dutton, Paul","Barreto-Rivera, Rafael"],"creator_names_search":["Tallman, Warren","Karasick, Adeena","Dutton, Paul","Barreto-Rivera, Rafael"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/36999806\",\"name\":\"Dutton, Paul\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/16154730\",\"name\":\"Barreto-Rivera, Rafael\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11483/Warren Tallman Fonds_MsC 26.42_132.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-132-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:29\",\"precision\":\"\",\"size\":\"41.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-132-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:27\",\"precision\":\"\",\"size\":\"40.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-09-26\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/456341915#map=19/43.65360/-79.37320\",\"venue\":\"CBC Studio\",\"notes\":\"We assume that this tape war recorded in Toronto. CBC Toronto studio address was changed in 1993 (after this recording took place) to 205 Wellington Street West, Toronto, Ontario, M5V 3G7 from a smaller facility on Jarvis Street, near the former television transmitter. (Source: https://en.wikipedia.org/wiki/Canadian_Broadcasting_Centre)\",\"address\":\"Jarvis Street, Toronto, Ontario, Canada\",\"latitude\":\"43.6562555\",\"longitude\":\"-79.374232\"}]"],"Address":["Jarvis Street, Toronto, Ontario, Canada"],"Venue":["CBC Studio"],"City":["Toronto, Ontario"],"Note":["[{\"note\":\"The host mentions BamBoo club on Queen St. in the beginning of side one, so we thought this tape probably belongs to CBC Toronto radio program  \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556678750209,"timestamp":"2026-01-07T15:00:00.983Z","score":0.01643844},{"id":"7134","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Warren Tallman's compilation on December 2, 1990 of Adeena Karasick's readings from bpNichol's \"Martyrology Book 7\" at The Western Front on September 31 in 1990 and reading her poems at Carnegie Hall "],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","[Barbour, Douglas?]","Coleman, Victor","Karasick, Adeena","Tallman, Warren","Miki, Roy","Tostevin, Lola Lemire"],"creator_names_search":["Bowering, George","[Barbour, Douglas?]","Coleman, Victor","Karasick, Adeena","Tallman, Warren","Miki, Roy","Tostevin, Lola Lemire"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"He's introduced as the moderator of BP paper reading event at The Western Front \",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/14864700\",\"name\":\"[Barbour, Douglas?]\",\"dates\":\"1940-\",\"notes\":\"He's introduced by Warren Tallman as one of the readers of BP paper reading event at The Western Front. Warren Tallman does not put his part in his recorded tape\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/38160442\",\"name\":\"Coleman, Victor\",\"dates\":\"1944-\",\"notes\":\"He's introduced by Warren Tallman as one of the readers of BP paper reading event at The Western Front. Warren Tallman does not put his part in his recorded tape\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\",\"Author\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"He's introduced by Warren Tallman as one of the readers of BP paper reading event at The Western Front. Warren Tallman does not put his part in his recorded tape\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/8771515\",\"name\":\"Tostevin, Lola Lemire\",\"dates\":\"1937-\",\"notes\":\"she's introduced by Warren Tallman as one of the readers of bp paper reading event at The Western Front. Warren Tallman does not put her part in his recorded tape\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11484/Warren Tallman Fonds_MsC 26.42_133.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-133-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:44\",\"precision\":\"\",\"size\":\"60.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-133-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:49\",\"precision\":\"\",\"size\":\"60.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-09-31\",\"type\":\"Production Date\",\"notes\":\"Adeena Karasick reading from Martyrology book 7\",\"source\":\"Recording\"},{\"date\":\"1990-12-01\",\"type\":\"Production Date\",\"notes\":\"Warren Tallman recorded this tape on this date at [Red Wallbarrow on E. Pender?]\",\"source\":\"Recording\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"Adeena Karasick reading BPNichol work\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26391\",\"longitude\":\"-123.09869\"},{\"url\":\"https://www.openstreetmap.org/way/265148502\",\"venue\":\"Carnegie Hall\",\"notes\":\"Adeena Karasick reading her poem \",\"address\":\"Carnegie Hall, West 56th Street, Manhattan Community Board 5, Manhattan, New York County, New York, 10019, United States\",\"latitude\":\"40.76505\",\"longitude\":\"-73.97994\"},{\"url\":\"https://www.openstreetmap.org/way/298855107\",\"venue\":\"[Red Wallbarrow?]\",\"notes\":\"According to what Warren Tallman says in tape 60, [Red Wallbarrow?] is located at \\\"109, 88 East Pender Street, Vancouver, BC, [15L 1W7?] and named after William Carlos Williams by Warren Tallman. The Url we get for 88 East Pender Street, Vancouver, BC points to the current \\\"Vancouver Film School\\\". We are not sure, but this location could be the current Vancouver Film School in 88 E Pender.\\n\\nWarren Tallman recorded this tape on this date at [Red Wallbarrow?]\\n\",\"address\":\"109, 88 East Pender Street, Vancouver, BC, [15L 1W7?]\",\"latitude\":\"49.28018\",\"longitude\":\"-123.10266\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1","Carnegie Hall, West 56th Street, Manhattan Community Board 5, Manhattan, New York County, New York, 10019, United States","109, 88 East Pender Street, Vancouver, BC, [15L 1W7?]"],"Venue":["The Western Front","Carnegie Hall","[Red Wallbarrow?]"],"City":["Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"Warren Tallman records a tape which includes Adeena Karasick's reading performances at various locations and on different dates\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556678750210,"timestamp":"2026-01-07T15:00:00.983Z","score":0.01643844},{"id":"7135","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Warren Tallman's compilation from May 15, 1990 of Adeena Karasick's four different readings of \"Manipulating Stairs\" "],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Browne, Colin","Karasick, Adeena"],"creator_names_search":["Tallman, Warren","Browne, Colin","Karasick, Adeena"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/105886216\",\"name\":\"Browne, Colin\",\"dates\":\"1946-\",\"notes\":\"Colin Browne reading Fred Wah \\\"Music at the Heart of Thinking\\\" at Langara College Theater on June 1 \",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"On the first side, Adeena Karasick reading \\\"Manipulating Stairs\\\" in Cranbrook; she is reconstructing Bill Bissett Phonetic A B C with various words they spell from London, Ontario\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1989],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11487/Warren Tallman Fonds_MsC 26.42_134.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-134-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:02:44\",\"precision\":\"\",\"size\":\"82 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-134-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:02:37\",\"precision\":\"\",\"size\":\"81.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1989-10-14\",\"type\":\"Production Date\",\"notes\":\"Adeena Karasick reading \\\"Manipulating Stairs\\\" at Vancouver Art Gallery on this date.\",\"source\":\"Recording\"},{\"date\":\"1990-04-02\",\"type\":\"Production Date\",\"notes\":\"Adeena Karasick reading \\\"Manipulating Stairs\\\" in Toronto on this date.\",\"source\":\"Recording\"},{\"date\":\"1988-11-09\",\"type\":\"Production Date\",\"notes\":\"Adeena reading \\\"Manipulating Stairs\\\" in Cranbrook\",\"source\":\"Recording\"},{\"date\":\"1990-03-09\",\"type\":\"Production Date\",\"notes\":\"Adeena is reading the paper she'd read at York University on March 2nd.   \",\"source\":\"Recording \"},{\"date\":\"1990-05-15\",\"type\":\"Production Date\",\"notes\":\"This date is written on the j-card; we assume it could be the date when Warren Tallman recorded this tape; it's just a guess \",\"source\":\"J-card\"},{\"date\":\"1989-08-14\",\"type\":\"Production Date\",\"notes\":\"Adeena Karasick reading \\\"Manipulating Stairs\\\" at [Red Wallbarrow?] on this date.\",\"source\":\"Recording\"},{\"date\":\"1988-06-01\",\"type\":\"Production Date\",\"notes\":\"Colin Browne reading Fred Wah \\\"Music at the Heart of Thinking\\\" at Langara College Theater on June 1 bpNichol also reads some of his poems on this date\",\"source\":\"Recording\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/4958306\",\"venue\":\"Sherbourne Street\",\"notes\":\"We could find the exact location; as it's written on the j-card, we assume it could be Sherbourne Street in Old Toronto \",\"address\":\"Sherbourne Street, Toronto Centre, Old Toronto, Toronto, Golden Horseshoe, Ontario, M4X 1W4, Canada\",\"latitude\":\"43.67198\",\"longitude\":\"-79.37671\"},{\"url\":\"https://www.openstreetmap.org/way/69701736\",\"venue\":\"Vancouver Art Gallery\",\"notes\":\"Adeena Karasick reading \\\"Manipulating Stairs\\\" on October 14, 1989\",\"address\":\"Gallery Vancouver Art Gallery, 750, Hornby Street, Yaletown, Downtown, Vancouver, Metro Vancouver Regional District, British Columbia, V6Z, Canada\",\"latitude\":\"49.28288\",\"longitude\":\"-123.12060\"},{\"url\":\"https://www.openstreetmap.org/way/15396822\",\"venue\":\"York University\",\"notes\":\"Adeena is reading the paper she'd read at York University on March 2nd.    \",\"address\":\"York University, Keele Campus, York University Busway, Humber River—Black Creek, North York, Toronto, Golden Horseshoe, Ontario, M3J 3M6, Canada\",\"latitude\":\"43.7736\",\"longitude\":\"-79.5040\"},{\"url\":\"https://www.openstreetmap.org/way/161835042\",\"venue\":\"[Rivoli Toronto?]\",\"notes\":\"Adeena Karasick reading \\\"Manipulating Stairs\\\" at [Rivoli Toronto?] on April 2 in 1990.\\nAs it's written on the tape's 223 j-card and mentioned by Warren Tallman, this language event happened at Rivoli Toronto, but we are not sure if it's the same as the location we put in here\",\"address\":\"Rivoli, 332-334, Queen Street West, Queen West, Spadina—Fort York, Old Toronto, Toronto, Golden Horseshoe, Ontario, M5V 2A2, Canada\",\"latitude\":\"43.64943\",\"longitude\":\"-79.39495\"},{\"url\":\"https://www.openstreetmap.org/way/298855107\",\"venue\":\"[Red Wallbarrow?]\",\"notes\":\"According to what Warren Tallman says in tape 60, [Red Wallbarrow?] is located at \\\"109, 88 East Pender Street, Vancouver, BC, [15L 1W7?] and named after William Carlos Williams by Warren Tallman. The Url we get for 88 East Pender Street, Vancouver, BC points to the current \\\"Vancouver Film School\\\". We are not sure, but this location could be the current Vancouver Film School in 88 E Pender.\\n\",\"address\":\"109, 88 East Pender Street, Vancouver, BC, [15L 1W7?]\",\"latitude\":\"49.28018\",\"longitude\":\"-123.10266\"},{\"url\":\"https://www.openstreetmap.org/node/51969524\",\"venue\":\"\",\"notes\":\" Adeena Karasick reading \\\"Manipulating Stairs\\\" on November 9th in Cranbrook\",\"address\":\"Cranbrook, Regional District of East Kootenay, British Columbia, V1C 2N0, Canada\",\"latitude\":\"49.5118\",\"longitude\":\"-115.7671\"},{\"url\":\"https://www.openstreetmap.org/way/23393992\",\"venue\":\"Langara College Theater \",\"notes\":\"Colin Browne reading Fred Wah \\\"Music at the Heart of Thinking\\\" at Langara College Theater on June 1; bpNichol also reads some of his poems\",\"address\":\"College Langara College, 100, West 49th Avenue, Oakridge, Vancouver, Metro Vancouver Regional District, British Columbia, V5Y 2Z6, Canada\",\"latitude\":\"49.22484\",\"longitude\":\"-123.10867\"}]"],"Address":["Sherbourne Street, Toronto Centre, Old Toronto, Toronto, Golden Horseshoe, Ontario, M4X 1W4, Canada","Gallery Vancouver Art Gallery, 750, Hornby Street, Yaletown, Downtown, Vancouver, Metro Vancouver Regional District, British Columbia, V6Z, Canada","York University, Keele Campus, York University Busway, Humber River—Black Creek, North York, Toronto, Golden Horseshoe, Ontario, M3J 3M6, Canada","Rivoli, 332-334, Queen Street West, Queen West, Spadina—Fort York, Old Toronto, Toronto, Golden Horseshoe, Ontario, M5V 2A2, Canada","109, 88 East Pender Street, Vancouver, BC, [15L 1W7?]","Cranbrook, Regional District of East Kootenay, British Columbia, V1C 2N0, Canada","College Langara College, 100, West 49th Avenue, Oakridge, Vancouver, Metro Vancouver Regional District, British Columbia, V5Y 2Z6, Canada"],"Venue":["Sherbourne Street","Vancouver Art Gallery","York University","[Rivoli Toronto?]","[Red Wallbarrow?]","Langara College Theater "],"City":["Toronto, Ontario","Vancouver, British Columbia","Toronto, Ontario","Toronto, Ontario","Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"Warren Tallman records a tape which includes Adeena Karasick's reading performances at various locations and on different dates\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556679798784,"timestamp":"2026-01-07T15:00:00.983Z","score":0.01643844},{"id":"7136","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Adeena Karasick reading her \"magpie letter\" at 8989 Arbutus Street in Vancouver on June 23, 1990"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Karasick, Adeena"],"creator_names_search":["Tallman, Warren","Karasick, Adeena"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11510/Warren Tallman Fonds_MsC 26.42_135.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-135-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:48\",\"precision\":\"\",\"size\":\"60.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-135-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:40\",\"precision\":\"\",\"size\":\"60.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-06-23\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/340581878#map=19/49.25152/-123.15299\",\"venue\":\"\",\"notes\":\"What we put here are the latitude and longitude of \\\"Secondary Road Arbutus Street, Arbutus-Ridge, Vancouver, Metro Vancouver Regional District, British Columbia, V6L, Canada\\\". We failed to find the very exact location \",\"address\":\"8989 Arbutus St Vancouver, BC V6M 4J2\",\"latitude\":\"49.25152\",\"longitude\":\"-123.15299\"}]"],"Address":["8989 Arbutus St Vancouver, BC V6M 4J2"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Ken, Frances Karasick is written on the j-card (Adeena's parents) and this recording takes place at their home.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556679798785,"timestamp":"2026-01-07T15:00:00.983Z","score":0.01643844},{"id":"7137","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["The launch of Adeena Karasick's book \"Mêmewars\" at Railway Club in Vancouver on May 4, 1994"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Karasick, Adeena","Tallman, Warren","Farquharson, Heather","Siegler, Karl"],"creator_names_search":["Karasick, Adeena","Tallman, Warren","Farquharson, Heather","Siegler, Karl"],"creators":["[{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"Reading his manuscript to introduce Adeena Karasick\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"\",\"name\":\"Farquharson, Heather \",\"dates\":\"\",\"notes\":\"She introduces Warren Tallman and Adeena Karasick in the beginning \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Siegler, Karl \",\"dates\":\"\",\"notes\":\"He introduces Adeena Karasick \",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11514/Warren Tallman Fonds_MsC 26.42_137.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-137-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:56\",\"precision\":\"\",\"size\":\"60.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-137-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:51\",\"precision\":\"\",\"size\":\"61.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-05-04\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/3746968903\",\"venue\":\"Railway Club\",\"notes\":\"\",\"address\":\"Bar Railway Club, 579, Dunsmuir Street, Yaletown, Downtown, Vancouver, Metro Vancouver Regional District, British Columbia, V6B, Canada\",\"latitude\":\"49.28294\",\"longitude\":\"-123.11512\"}]"],"Address":["Bar Railway Club, 579, Dunsmuir Street, Yaletown, Downtown, Vancouver, Metro Vancouver Regional District, British Columbia, V6B, Canada"],"Venue":["Railway Club"],"City":["Vancouver, British Columbia"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556679798786,"timestamp":"2026-01-07T15:00:00.983Z","score":0.01643844},{"id":"7138","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. 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Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. 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They also have a discussion regarding that letter afterwards\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11247/Warren Tallman Fonds_MsC 26.42_104.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-104-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:11\",\"precision\":\"\",\"size\":\"51.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-104-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:23\",\"precision\":\"\",\"size\":\"52.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-03-29\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"Warren Tallman reads his letter about Robert Creeley at Simon Fraser University \",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"},{\"url\":\"https://www.openstreetmap.org/way/298855107\",\"venue\":\"[Red Wallbarrow?]\",\"notes\":\"According to what Warren Tallman says in tape 60, [Red Wallbarrow?] is located at \\\"109, 88 East Pender Street, Vancouver, BC, [15L 1W7?] and named after William Carlos Williams by Warren Tallman. The Url we get for 88 East Pender Street, Vancouver, BC points to the current \\\"Vancouver Film School\\\". We are not sure, but this location could be the current Vancouver Film School in 88 E Pender.\\n\",\"address\":\"109, 88 East Pender Street, Vancouver, BC, [15L 1W7?]\",\"latitude\":\" 49.28018\",\"longitude\":\"-123.10266\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada","109, 88 East Pender Street, Vancouver, BC, [15L 1W7?]"],"Venue":["SFU","[Red Wallbarrow?]"],"City":["Burnaby, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"As Warren Tallman states in the beginning of Side One, he records this tape for Adeena Karasick and plans to mail it to her address in Toronto. \\n\\nOn this tape he reproduces a conversation between he and Roy Miki the same day, at Simon Fraser University. Tallman reads Roy a letter he has been working on for invitees to events celebrating Robert Creeley, planned for early June, 1990. He begins reading with the salutation, \\\"Dear George [Bowering],\\\" but it seems to be a letter he will send to all invitees that is poetic in nature and reflects on Creeley's life. The letter continues until 15:42.\\n\\nRoy and Warren continue discussion of the invitation and events during Creeley's visit. Tallman debates speakers, \\\"Fred [Wah] and Pauline [Butling], George and Angela [Bowering],\\\" and Roy asks if they might collect photos of Creeley from the invitees. They also discuss the possibility of a feature in Miki's West Coast Line journal, which was published in Vol. 24, Iss. 3 (January 1990).\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556681895939,"timestamp":"2026-01-07T15:00:00.983Z","score":0.01643844},{"id":"7109","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Warren Tallman poetry reading class at Buffalo – S.U.N.Y. University on March 28, 1987 - DUPLICATE 3 OF 3"],"item_title_source":["Recording and J-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Karasick, Adeena"],"creator_names_search":["Tallman, Warren","Karasick, Adeena"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11271/Warren Tallman Fonds_MsC 26.42_105.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-105-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:03:48\",\"precision\":\"\",\"size\":\"77.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-105-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:50:44\",\"precision\":\"\",\"size\":\"64.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-03-28\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/68036581\",\"venue\":\"Buffalo – S.U.N.Y. (University at Buffalo)\",\"notes\":\"We assume Buffalo on the j-card refers to the University at Buffalo in New York. The State University of New York at Buffalo, commonly referred to as the University at Buffalo or SUNY Buffalo.\",\"address\":\"Buffalo, NY 14260, United States\",\"latitude\":\"42.9533\",\"longitude\":\"-78.8181\"}]"],"Address":["Buffalo, NY 14260, United States"],"Venue":["Buffalo – S.U.N.Y. (University at Buffalo)"],"City":["Buffalo, New York"],"Note":["[{\"note\":\"Tapes #52 (Swallow ID 7059), #82 (Swallow ID 7087), and #105 (Swallow ID 7109) are duplicates. It is a poetry reading  happening at Buffalo – S.U.N.Y. (University at Buffalo) where Warren Tallman and some other authors, whose names are not mentioned, are reading poetry. Some readers mention the poems' titles  on the recording. Warren Tallman refers to one of the readers by her name, [Julia?] at 10:37. Warren Tallman held a temporary teaching appointment at SUNY Buffalo for the academic year 1987-1988, working alongside his good friend Robert Creeley.  (Creeley was faculty at SUNY Buffalo from 1966-2003 and Tallman visited him several times, though this was his only teaching appointment there).\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556681895940,"timestamp":"2026-01-07T15:00:00.983Z","score":0.01643844},{"id":"7110","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Anne Waldman reading and performance at Naropa institute on May 24, 1986"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Waldman, Anne","Fida, Jane"],"creator_names_search":["Waldman, Anne","Fida, Jane"],"creators":["[{\"url\":\"http://viaf.org/viaf/84079610\",\"name\":\"Waldman, Anne \",\"dates\":\"1945-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Fida, Jane \",\"dates\":\"\",\"notes\":\"Jane Fida (Head of Naropa institute) introduces Anne Waldman \",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11272/Warren Tallman Fonds_MsC 26.42_107.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-107-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:30\",\"precision\":\"\",\"size\":\"61.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-107-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:28\",\"precision\":\"\",\"size\":\"60.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-05-24\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/391232001\",\"venue\":\"Naropa Institute \",\"notes\":\"\",\"address\":\"Marine Street, Boulder, Boulder County, Colorado, 80309, United States\",\"latitude\":\"40.01405\",\"longitude\":\"-105.26696\"}]"],"Address":["Marine Street, Boulder, Boulder County, Colorado, 80309, United States"],"Venue":["Naropa Institute "],"Note":["[{\"note\":\"Tape #710 in \\\"Reading in BC\\\" collection is a duplicate version of this tape.\\n\\nAnne Waldman was faculty at the Naropa Institute's summer sessions since the institute's founding in 1974. With Allen Ginsburg, John Cage, and Diane di Prima, she would go on to found the Jack Kerouac Disembodied School of Poetics there too. Tallman may have been present at this reading and performance as he attended the institute a couple of times himself and presented there on Kerouac.\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670556682944512,"timestamp":"2026-01-07T15:00:00.983Z","score":0.01643844},{"id":"7142","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Lionel Kearns reading from bp Nichol's Martyrology, Book 3 and Judith Copithorne reading from Book 5"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Copithorne, Judith","Kearns, Lionel","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Tallman, Warren","Copithorne, Judith","Kearns, Lionel","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/63020479\",\"name\":\"Copithorne, Judith\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/30784380\",\"name\":\"Kearns, Lionel\",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988 \",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11521/Warren Tallman Fonds_MsC 26.42_142.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-142-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:49\",\"precision\":\"\",\"size\":\"61.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-142-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:01\",\"precision\":\"\",\"size\":\"62.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-02-13\",\"type\":\"Production Date\",\"notes\":\"This date is written on the j-card; we are not sure what date it is \",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556682944513,"timestamp":"2026-01-07T15:00:00.983Z","score":0.01643844},{"id":"7147","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Steve McCaffery reading at Bella Vista Street (Warren Tallman’s House) on November 22, 1988"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","McCaffery, Steve","Karasick, Adeena","Lamb, Charles","Hazlitt, William","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Tallman, Warren","McCaffery, Steve","Karasick, Adeena","Lamb, Charles","Hazlitt, William","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/64007908\",\"name\":\"Lamb, Charles\",\"dates\":\"1775-1834\",\"notes\":\"It seems, Steve McCaffery is reading a poem which the false [portray?] of BPNichol as Charles Lamb. 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1S1\",\"latitude\":\"49.26392\",\"longitude\":\"123.09870\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1"],"Venue":["The Western Front"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"They all talk about bp and his books, particularly \\\"Martyrology.\\\" \",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670556689235968,"timestamp":"2026-01-07T15:00:00.983Z","score":0.01643844},{"id":"7159","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. 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The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["A Tribute to bpNichol at Harbourfront in Toronto on December 2, 1989"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tostevin, Lola Lemire","Lee, Dennis","Webb, Phyllis","Dewdney, Christopher","Barbour, Douglas","Scobie, Stephen","Hartog, Diana","Dedora, Brian","Sereda, David","Van Loon, Nelles","Pepper, John","Shaw, Maggie","Marlatt, Daphne","Wah, Fred","McFadden, David","Ondaatje, Michael","Barreto-Rivera, Rafael","Dutton, Paul","McCaffery, Steve","Hodge, Paul","Westlake, Marilyn","Swinghammer, Kurt","Tallman, Warren","Pulsiver, Alan","Gatenby, Greg","Smith, Whitney","Shikatani, Gerry","Coleman, Victor","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Tostevin, Lola Lemire","Lee, Dennis","Webb, Phyllis","Dewdney, Christopher","Barbour, Douglas","Scobie, Stephen","Hartog, Diana","Dedora, Brian","Sereda, David","Van Loon, Nelles","Pepper, John","Shaw, Maggie","Marlatt, Daphne","Wah, Fred","McFadden, David","Ondaatje, Michael","Barreto-Rivera, Rafael","Dutton, Paul","McCaffery, Steve","Hodge, Paul","Westlake, Marilyn","Swinghammer, Kurt","Tallman, Warren","Pulsiver, Alan","Gatenby, Greg","Smith, Whitney","Shikatani, Gerry","Coleman, Victor","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/8771515\",\"name\":\"Tostevin, Lola Lemire\",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/150749702\",\"name\":\"Lee, Dennis\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/29847238\",\"name\":\"Webb, Phyllis\",\"dates\":\"1927-2021\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/101952075\",\"name\":\"Dewdney, Christopher\",\"dates\":\"1951-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/14864700\",\"name\":\"Barbour, Douglas\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/18385392\",\"name\":\"Scobie, Stephen\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/91401282\",\"name\":\"Hartog, Diana\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11347776\",\"name\":\"Dedora, Brian\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/4457154260346024480005\",\"name\":\"Sereda, David\",\"dates\":\"1957-\",\"notes\":\"Vocal for \\\"Let Love Lead You;\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/310713612\",\"name\":\"Van Loon, Nelles\",\"dates\":\"1939-\",\"notes\":\"Music by him\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Pepper, John \",\"dates\":\"\",\"notes\":\"Vocal for \\\"I Am Obsessed\\\" \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Shaw, Maggie \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/7405434\",\"name\":\"McFadden, David\",\"dates\":\"1940-2018\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/111941870\",\"name\":\"Ondaatje, Michael\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/16154730\",\"name\":\"Barreto-Rivera, Rafael\",\"dates\":\"1944-\",\"notes\":\"The Four Horsemen performance \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/36999806\",\"name\":\"Dutton, Paul\",\"dates\":\"1943-\",\"notes\":\"The Four Horsemen performance; he also organized this event\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"The Four Horsemen performance \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Hodge, Paul \",\"dates\":\"\",\"notes\":\"Editor\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/106427805\",\"name\":\"Westlake, Marilyn\",\"dates\":\"\",\"notes\":\"Photographer\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/104842484\",\"name\":\"Swinghammer, Kurt\",\"dates\":\"1957-\",\"notes\":\"Designed by him\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"It's Warren Tallman's Fond\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Pulsiver, Alan\",\"dates\":\"\",\"notes\":\"Piano for \\\"Let Love Lead You;\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/11097095\",\"name\":\"Gatenby, Greg\",\"dates\":\"1950-\",\"notes\":\"He does the introduction part\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"[http://viaf.org/viaf/59627436?]\",\"name\":\"Smith, Whitney\",\"dates\":\"\",\"notes\":\"Guitar for \\\"Let Love Lead You;\\nwe are not sure about the Url\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"[http://viaf.org/viaf/30931468?]\",\"name\":\"Shikatani, Gerry\",\"dates\":\"\",\"notes\":\"We are not sure about the Url\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\" http://viaf.org/viaf/38160442\",\"name\":\"Coleman, Victor\",\"dates\":\"1944-\",\"notes\":\"He organized this event \",\"nation\":[],\"role\":[]},{\"url\":\" http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Publication_Date":[1989],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11933/Warren Tallman Fonds_MsC 26.42_160.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-160-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:51\",\"precision\":\"\",\"size\":\"51.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-160-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:55\",\"precision\":\"\",\"size\":\"52.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1989-12-02\",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Harbourfront \",\"notes\":\" We assume Gala Tribute at Toronto's Harbourfront is The Brigantine Room and Studio Theatre \",\"address\":\"235 Queens Quay W, Toronto ON M5J 2G8\",\"latitude\":\"43.638919\",\"longitude\":\" -79.382862\"}]"],"Address":["235 Queens Quay W, Toronto ON M5J 2G8"],"Venue":["Harbourfront "],"City":["Toronto, Ontario"],"Note":["[{\"note\":\"More information can be fount on https://bpnichol.ca/sites/default/files/archives/document/bp%20A%20TRIBUTE.pdf \\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556689235969,"timestamp":"2026-01-07T15:00:00.983Z","score":0.01643844},{"id":"7160","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. 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The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Ellie Nichol reading in classroom at York University on November 28, 1991"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Nichol, Ellie","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Tallman, Warren","Nichol, Ellie","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Nichol, Ellie \",\"dates\":\"\",\"notes\":\"Ellie Nichol is BP Nichol's sister reading at Warren Tallman classroom \",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\" http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1991],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11941/Warren Tallman Fonds_MsC 26.42_161.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-161-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:45\",\"precision\":\"\",\"size\":\"49 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-161-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:34\",\"precision\":\"\",\"size\":\"50.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1991-11-28\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/15396822\",\"venue\":\"[York University?]\",\"notes\":\"\",\"address\":\"University York University, Keele Campus, Bowsfield Road, Humber River—Black Creek, North York, Toronto, Golden Horseshoe, Ontario, M3J 0K9, Canada\",\"latitude\":\"43.7739\",\"longitude\":\"-79.5048\"}]"],"Address":["University York University, Keele Campus, Bowsfield Road, Humber River—Black Creek, North York, Toronto, Golden Horseshoe, Ontario, M3J 0K9, Canada"],"Venue":["[York University?]"],"City":["Toronto, Ontario"],"Note":["[{\"note\":\"This Ellie Nichol reading would have taken place a few years after her husband bpNichol's passing in 1988. \\n\\nWarren Tallman taught an undergraduate class at York University entitled \\\"Modern Canadian Poetry\\\" in Spring 1992 as a guest instructor, so it is likely that Nichol visited another classroom prior to this time. Tallman traveled to York to visit his former student Adeena Karasick, his son Ken, and friends like bill bissett prior to this time too.\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670556689235970,"timestamp":"2026-01-07T15:00:00.983Z","score":0.01643844},{"id":"7161","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Robert Creeley and Warren Tallman speaking at \"On The Road: The Jack Kerouac Conference\" at Naropa Institute on July 24, 1982 DUPLICATE 2 of 2 ABRIDGED"],"item_title_source":["J-card, Recording, and Internet"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Coolidge, Clark","Fagin, Larry","Kerouac, Jack","Creeley, Robert"],"creator_names_search":["Tallman, Warren","Coolidge, Clark","Fagin, Larry","Kerouac, Jack","Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/66488556\",\"name\":\"Coolidge, Clark\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94390890\",\"name\":\"Fagin, Larry\",\"dates\":\"1937-\",\"notes\":\"He does the introduction part\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/27066713\",\"name\":\"Kerouac, Jack\",\"dates\":\"1922-1969\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11942/Warren Tallman Fonds_MsC 26.42_162.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-162-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:22\",\"precision\":\"\",\"size\":\"64 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-162-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:00\",\"precision\":\"\",\"size\":\"66.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-07-24\",\"type\":\"Production Date\",\"notes\":\"We found the date on http://archives.naropa.edu/digital/collection/p16621coll1/id/485/\",\"source\":\"Internet\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/391232001\",\"venue\":\"Naropa institute \",\"notes\":\"\",\"address\":\"Marine Street, Boulder, Boulder County, Colorado, 80309, United States\",\"latitude\":\"40.01405\",\"longitude\":\"-105.26696\"}]"],"Address":["Marine Street, Boulder, Boulder County, Colorado, 80309, United States"],"Venue":["Naropa institute "],"Note":["[{\"note\":\"Side one and the first 5:34 minutes of side two on tape 189 (SWALLOW ID 7188) is duplicate of this tape\",\"type\":\"General\"},{\"note\":\"Robert Creeley, Warren Tallman, and Clark Coolidge discuss Kerouac's works, including Dr. Sax, Visions of Cody, On the Road, Lonesome Traveler, and Old Angel Midnight. \\n\\n\\\"The Jack Kerouac Conference\\\" took place at the Naropa Institute in Boulder, CO July 23-August 1, 1982 and included William Burroughs, Gregory Corso, Diane diPrima, Lawrence Ferlinghetti, Timothy Leary, Michael McClure, Gary Snyder and Anne Waldman. An ad for the conference appears in a document from Naropa in Warren Tallman's fonds. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556690284544,"timestamp":"2026-01-07T15:00:00.983Z","score":0.01643844},{"id":"7162","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Edwa Rose reading Indian Stories in Warren Tallman's classroom on March 16, 1981"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","[Rose, Edwa?]","Kroetsch, Robert","Wayman, Tom","[McFadden, David?]"],"creator_names_search":["Tallman, Warren","[Rose, Edwa?]","Kroetsch, Robert","Wayman, Tom","[McFadden, David?]"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"[Rose, Edwa?]\",\"dates\":\"\",\"notes\":\"She is Warren Tallman's student \",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\" 1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/98293283\",\"name\":\"Wayman, Tom\",\"dates\":\"1945-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/7405434\",\"name\":\"[McFadden, David?]\",\"dates\":\"1940-2018\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11959/Warren Tallman Fonds_MsC 26.42_163.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-163-Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:42\",\"precision\":\"\",\"size\":\"57.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-163-Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:54\",\"precision\":\"\",\"size\":\"56.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-03-16\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"We hear two individuals reading poetry in Warren Tallman's classroom on the second side. Edwa Rose's reading is recorded on part of an unknown poet who is reading.\\nEdwa's reading part begins at 6:01 and ends at 18:02; Edwa is reading her stories about about three Indian legends named [Angela Sydney?], [Kitty Smith?], and [ Rachel Daus?] -these spellings are just some guesses based on what we heard on the audio file-\\n\",\"type\":\"General\"},{\"note\":\"The poet who reads in Warren Tallman's classroom is a son of a father who is a poet himself; the father is a West Coast poet \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556690284545,"timestamp":"2026-01-07T15:00:00.983Z","score":0.01643844},{"id":"7163","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Jenny Shaw reading \"Katherine\" on Bella Vista Street on January 26, 1989"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Shaw, Jenny"],"creator_names_search":["Tallman, Warren","Shaw, Jenny"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"[http://viaf.org/viaf/114707759?]\",\"name\":\"Shaw, Jenny\",\"dates\":\"[1943-?]\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1989],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11960/Warren Tallman Fonds_MsC 26.42_164.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-164-Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:51\",\"precision\":\"\",\"size\":\"64.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-164-Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:40\",\"precision\":\"\",\"size\":\"63.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1989-01-26\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/30880923\",\"venue\":\"Warren Tallman’s House\",\"notes\":\"In the '70s(?) he moved to 3504 Bella Vista in East Vancouver V5N 3W9 and lived there till his death. We assume this reading happened at Warren Tallman’s House\",\"address\":\"3504 Bella Vista in East Vancouver V5N 3W9\",\"latitude\":\"49.25312\",\"longitude\":\"-123.07054\"}]"],"Address":["3504 Bella Vista in East Vancouver V5N 3W9"],"Venue":["Warren Tallman’s House"],"Note":["[{\"note\":\"Robert Creeley, Warren Tallman, and Clark Coolidge discuss Kerouac's works, including Dr. Sax, Visions of Cody, On the Road, Lonesome Traveler, and Old Angel Midnight. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556690284546,"timestamp":"2026-01-07T15:00:00.983Z","score":0.01643844},{"id":"7164","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Sensasound 90: Toronto Sound Poetry"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Bissett, Bill","Kemp, Penny","Barreto-Rivera, Rafael","Karasick, Adeena","Allen, Lillian","McCaffery, Steve","Dutton, Paul","Joseph, Clifton"],"creator_names_search":["Tallman, Warren","Bissett, Bill","Kemp, Penny","Barreto-Rivera, Rafael","Karasick, Adeena","Allen, Lillian","McCaffery, Steve","Dutton, Paul","Joseph, Clifton"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"This is Warren Tallman collection\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"Bissett, Bill\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/43083879\",\"name\":\"Kemp, Penny\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/16154730\",\"name\":\"Barreto-Rivera, Rafael\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/33686390\",\"name\":\" Allen, Lillian\",\"dates\":\"1951-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/36999806\",\"name\":\"Dutton, Paul\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/104182171\",\"name\":\"Joseph, Clifton\",\"dates\":\"1957-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11961/Warren Tallman Fonds_MsC 26.42_165.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-165-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:05\",\"precision\":\"\",\"size\":\"59.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-165-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:26\",\"precision\":\"\",\"size\":\"64.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/324211#map=11/43.7175/-79.3762\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Toronto, Golden Horseshoe, Ontario, Canada\",\"latitude\":\"43.6540\",\"longitude\":\"-79.3858\"}]"],"Address":["Toronto, Golden Horseshoe, Ontario, Canada"],"City":["Toronto, Ontario"],"Note":["[{\"note\":\"In \\\"ANERCA: woMANIFESTivO,\\\" Adeena Karasick writes, \\\"In 1988, Kedrick [James] and I moved for a year to Montreal where, connecting with both the renegade English and French poetry and music scenes, we organized SENSASOUND—a Sound Poetry Fest\\nin both Montreal at McGill and Toronto (at the Rivoli) where, together with bill bissett, Steve McCaffery, Lillian Allen, Christopher Dewdney, Rafael Barreto-Rivera, Paul Dutton, we tried to revivify a sense of performance in poetry within an increasingly sterile environment\\\" (22). \\n\\nSee: To Breathe Poetry Among the Neighbours: Two Essays on Anerca, a Journal of Experimental Writing (1985-1990), available in pdf format from library.buffalo.edu.\\n\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670556690284547,"timestamp":"2026-01-07T15:00:00.983Z","score":0.01643844},{"id":"7165","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Warren Tallman reading and discussing his essay \"September: A Necessary Politics For Stan Persky\" at Vancouver East Cultural Centre on September 17, 1978"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Persky, Stan","Bowering, George","Bissett, Bill","Siegler, Karl","Williams, William Carlos","Blaser, Robin","Miki, Roy"],"creator_names_search":["Tallman, Warren","Persky, Stan","Bowering, George","Bissett, Bill","Siegler, Karl","Williams, William Carlos","Blaser, Robin","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/57448780\",\"name\":\"Persky, Stan\",\"dates\":\"1941-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"Bissett, Bill\",\"dates\":\"1939-\",\"notes\":\"We get to hear a radio program on the second side at 20:32. The host talks about an ad that helps Vancouver poets to defend themselves from tax while one of Bill Bissette's sound poetry is begin played \",\"nation\":[],\"role\":[\"Performer\",\"Reader\",\"Speaker\"]},{\"url\":\"\",\"name\":\"Siegler, Karl\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/29542054\",\"name\":\"Williams, William Carlos\",\"dates\":\"1883-1963\",\"notes\":\"George Bowering reads a poem from William Carlos Williams\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"He announces Warren Tallman in the beginning of side one\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11979/Warren Tallman Fonds_MsC 26.42_166.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Re-recordings 2023-166- Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:19\",\"precision\":\"\",\"size\":\"61.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Re-recordings 2023-166- Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:21\",\"precision\":\"\",\"size\":\"62.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-09-17\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292789681\",\"venue\":\"Vancouver East Cultural Centre (Historic Theatre, The Cultch)\",\"notes\":\"We found the exact address on the internet (https://videoout.ca/catalog/necessary-politics-stan-persky-12)\",\"address\":\"Theatre The Cultch, 1895, Venables Street, Grandview-Woodland, Vancouver, Metro Vancouver Regional District, British Columbia, V5L, Canada\",\"latitude\":\"49.27690\",\"longitude\":\"-123.06610\"}]"],"Address":["Theatre The Cultch, 1895, Venables Street, Grandview-Woodland, Vancouver, Metro Vancouver Regional District, British Columbia, V5L, Canada"],"Venue":["Vancouver East Cultural Centre (Historic Theatre, The Cultch)"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Warren Tallman reads his essay \\\"September: A Necessary Politics, For Stan Persky,\\\" on September 17, 1978, and is introduced by Robin Blaser. (A typescript of this essay is held in SFU Library's Special Collections in Tallman's \\\"Manuscripts and Typescripts\\\").\\n\\nWe seem to hear a radio program on the second side at 20:32; there are poets talking in this program in regards to tax \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556690284548,"timestamp":"2026-01-07T15:00:00.983Z","score":0.01643844},{"id":"7166","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Warren Tallman lecture on American poets Jack Spicer and Robert Duncan"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Duncan, Robert","Spicer, Jack"],"creator_names_search":["Tallman, Warren","Duncan, Robert","Spicer, Jack"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/46807530\",\"name\":\"Spicer, Jack\",\"dates\":\"1925-1965\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11980/Warren Tallman Fonds_MsC 26.42_167.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-167-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:35\",\"precision\":\"\",\"size\":\"26.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-167-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:28:32\",\"precision\":\"\",\"size\":\"36.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"At the beginning of the second side, we hear Warren Tallman's interview, which the quality of the interview is low.\",\"type\":\"General\"},{\"note\":\"Warren Tallman's lecture is on American poet Jack Spicer and Robert Duncan; he talks about their poetry, their resemblance and their poetry features that distinguish them from one another.\\n\\nThe j-card is labelled \\\"Tallman on Tish / Radio\\\" which seems to diverge from the recorded material somewhat.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556690284549,"timestamp":"2026-01-07T15:00:00.983Z","score":0.01643844},{"id":"7167","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Warren Tallman reading and Warren Tallman recording Adeena Karasick reading her paper, that she'd read at York University's grad class on October 24 in 1990 at Red Wallbarrow on October 26 in 1990  "],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Karasick, Adeena"],"creator_names_search":["Tallman, Warren","Karasick, Adeena"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\",\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12125/Warren Tallman Fonds_MsC 26.44_168.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"168 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:55\",\"precision\":\"\",\"size\":\"29.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"168 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:57\",\"precision\":\"\",\"size\":\"29.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-10-24\",\"type\":\"Production Date\",\"notes\":\"This is the date when Adeena Karasick reads at York University's grad class\",\"source\":\"J-card\"},{\"date\":\"1990-10-26\",\"type\":\"Production Date\",\"notes\":\"Warren Tallman records this tape (side two) on this date at  [Red Wallbarrow?]\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/15396822\",\"venue\":\"York University\",\"notes\":\"Adeena is reading the paper she'd read at York University on October 24 in 1990\",\"address\":\"York University, Keele Campus, York University Busway, Humber River—Black Creek, North York, Toronto, Golden Horseshoe, Ontario, M3J 3M6, Canada\",\"latitude\":\"43.7736\",\"longitude\":\"-79.5040\"},{\"url\":\"https://www.openstreetmap.org/way/298855107\",\"venue\":\"Red Wallbarrow, Tallman's apartment / office\",\"notes\":\"According to what Warren Tallman says in tape 60, [Red Wallbarrow?] is located at \\\"109, 88 East Pender Street, Vancouver, BC, [15L 1W7?] and named after William Carlos Williams by Warren Tallman. The Url we get for 88 East Pender Street, Vancouver, BC points to the current \\\"Vancouver Film School\\\". We are not sure, but this location could be the current Vancouver Film School in 88 E Pender.\\n\",\"address\":\"109, 88 East Pender Street, Vancouver, BC, [15L 1W7?]\",\"latitude\":\"49.28018\",\"longitude\":\"-123.10266\"}]"],"Address":["York University, Keele Campus, York University Busway, Humber River—Black Creek, North York, Toronto, Golden Horseshoe, Ontario, M3J 3M6, Canada","109, 88 East Pender Street, Vancouver, BC, [15L 1W7?]"],"Venue":["York University","Red Wallbarrow, Tallman's apartment / office"],"City":["Toronto, Ontario","Vancouver, British Columbia"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556690284550,"timestamp":"2026-01-07T15:00:00.983Z","score":0.01643844},{"id":"7168","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Douglas Gordon (D.G.) Jones interviewed by Rose Marie on July 19, 1979"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Jones, D. G.","Marie, Rose"],"creator_names_search":["Jones, D. G.","Marie, Rose"],"creators":["[{\"url\":\"http://viaf.org/viaf/41883605\",\"name\":\"Jones, D. G. \",\"dates\":\"1929-2016\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Marie, Rose\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors":["[]"],"Production_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12126/Warren Tallman Fonds_MsC 26.44_169.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"169 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:02:18\",\"precision\":\"\",\"size\":\"57 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"169 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:02:20\",\"precision\":\"\",\"size\":\"57 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-07-19\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"Douglas Gordon Jones (D.G. Jones) begins by talking a bit about his background; he also talked about English Literature programs taught and their students. He discusses translation and the intellectual process of the translator as well as French poetry and English poetry and their cross cultural and political issues. \\nOn the second side, Jones talks about the poets who he believes might be good and interested in taking part in a particular conference. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556691333120,"timestamp":"2026-01-07T15:00:00.983Z","score":0.01643844},{"id":"7169","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Warren Tallman interviewed by Karl Jirgens at Bloor Street in Toronto on February 20, 1992"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Jirgens, Karl"],"creator_names_search":["Tallman, Warren","Jirgens, Karl"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/50647535\",\"name\":\"Jirgens, Karl\",\"dates\":\"1952-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors":["[]"],"Production_Date":[1992],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12127/Warren Tallman Fonds_MsC 26.44_170.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"170 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:20\",\"precision\":\"\",\"size\":\"43.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"170 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:41:03\",\"precision\":\"\",\"size\":\"92.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1992-02-20\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/35090560\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Tertiary Road Bloor Street, Mississauga, Peel Region, Golden Horseshoe, Ontario, L5A 1Z3, Canada\",\"latitude\":\"43.59977\",\"longitude\":\"-79.61130\"}]"],"Address":["Tertiary Road Bloor Street, Mississauga, Peel Region, Golden Horseshoe, Ontario, L5A 1Z3, Canada"],"Note":["[{\"note\":\"Tallman and Jirgens talk about the following topics: how Tish poetry magazine formed; Warren Tallman's idea of how one can come into present through writing; [process oriented writing?]; modernism and postmodernism and Tallman's view; Tallman and his identification of authors of being humanists; shifting of tendencies among recent authors.\\n\\nKarl Jirgens may have been an MA or PhD student at York University at this time, where Tallman taught a class in Spring 1992. Jirgens' name is found in listed in Tallman's notes at the time, along with Darren Wershler-Henry, Gayle Irwin, and Christian Bök.  \\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556691333121,"timestamp":"2026-01-07T15:00:00.983Z","score":0.01643844},{"id":"7170","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. 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The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Hidden Culture Cost - Funding the Individual Literary Artist produced and edited by Paul Mutton for Vancouver Co-op Radio"],"item_title_source":["Recording and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Baker, Jonathon","Twigg, Alan","Maillard, Keith","Campbell, Gordon","Konyves, Tom","Elliott, [Katy?]","Kernaghan, Eileen","Yates, J.Michael","Murray, Gordon","Siegler, Karl","Johnson, Linda","Crossland, Jackie","Lee, Alma","Davies, Libby","Bowering, George","Baker, Jonathan","Mutton, Paul"],"creator_names_search":["Baker, Jonathon","Twigg, Alan","Maillard, Keith","Campbell, Gordon","Konyves, Tom","Elliott, [Katy?]","Kernaghan, Eileen","Yates, J.Michael","Murray, Gordon","Siegler, Karl","Johnson, Linda","Crossland, Jackie","Lee, Alma","Davies, Libby","Bowering, George","Baker, Jonathan","Mutton, Paul"],"creators":["[{\"url\":\"\",\"name\":\"Baker, Jonathon\",\"dates\":\"\",\"notes\":\"Vancouver Alderman\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/68950426\",\"name\":\"Twigg, Alan\",\"dates\":\"1952-\",\"notes\":\"Editor in BC\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/70211652\",\"name\":\"Maillard, Keith\",\"dates\":\"1942-\",\"notes\":\"UBC Creative Writing Department \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/4362924\",\"name\":\"Campbell, Gordon\",\"dates\":\"1948-\",\"notes\":\"Mayor of Vancouver \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/28334185\",\"name\":\"Konyves, Tom\",\"dates\":\"1947-\",\"notes\":\"The league of Canadian poet\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Elliott, [Katy?]\",\"dates\":\"\",\"notes\":\"Canadian Association Poetry in Vancouver \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/23429210\",\"name\":\"Kernaghan, Eileen\",\"dates\":\"1939-\",\"notes\":\"I found her date of birth on the internet. 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She was born on February 27 in 1953\\nVancouver Alderman\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"SFU English Department\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Baker, Jonathan\",\"dates\":\"\",\"notes\":\"Vancouver Alderman\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105181366\",\"name\":\"Mutton, Paul\",\"dates\":\"\",\"notes\":\"He's also the editor of the program. He produced and edited the program in the Co-op Radio 102.7 FM\",\"nation\":[],\"role\":[\"Producer\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12130/Warren Tallman Fonds_MsC 26.44_172.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"172 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:24\",\"precision\":\"\",\"size\":\"29.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"172 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:43\",\"precision\":\"\",\"size\":\"29 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/7802936235\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"Where it was produced/edited\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.28181\",\"longitude\":\"-123.10203\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"This tape is duplicate of #1023 tape in Reading in BC collection \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556691333123,"timestamp":"2026-01-07T15:00:00.983Z","score":0.01643844},{"id":"7172","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. 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She also talks a bit about her marriage [we assume to Robert Creeley]. She talks about her writing and what writing is like for her.  \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556691333124,"timestamp":"2026-01-07T15:00:00.983Z","score":0.01643844},{"id":"7173","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. 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He mostly talks about sound poetry, how he got into sound when he was a child, and the beginning of The Four Horsemen; he also performs some sound poetry in the beginning of the second side. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556693430276,"timestamp":"2026-01-07T15:00:00.983Z","score":0.01643844},{"id":"7182","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. 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We are not sure if 1973 is the publication or production date. 1972 is written on the j-card; 1972 could be the performance date \",\"source\":\"Internet\"},{\"date\":\"1978\",\"type\":\"Publication Date\",\"notes\":\"Live in the West (Toronto: Starborn Productions, 1977); 1978 is written on the j-card. 1978 could be its publication date\",\"source\":\"Internet\"},{\"date\":\"1972\",\"type\":\"Performance Date\",\"notes\":\"Nada Canadada (Toronto: Griffin House, 1973). We are not sure if 1973 is the publication or production date. 1972 is written on the j-card; 1972 could be the performance date \",\"source\":\"Internet\"},{\"date\":\"1991-12-05\",\"type\":\"Production Date\",\"notes\":\"On tape 182, Paul Dutton has an interview with Warren Tallman regarding sound poetry and The Four Horsemen at [York University?] on December 5, 1991; we are not sure if he plays this tape (183) after his interview on not; this date is written on the j-card \",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/241163484#map=19/43.66857/-79.41299\",\"venue\":\"Music Gallery\",\"notes\":\"We are not sure about 2 Nights pieces on this tape, but 2 Nights is recorded and performed at The Music Gallery in Toronto on October 9 and 10 in 1987\",\"address\":\"918 Bathurst, 918, Bathurst Street, Seaton Village, University—Rosedale, Old Toronto, Toronto, Golden Horseshoe, Ontario, M5R 3G5, Canada\",\"latitude\":\"43.66859\",\"longitude\":\"-79.41300\"},{\"url\":\"https://www.openstreetmap.org/relation/324211#map=11/43.7175/-79.3762\",\"venue\":\"\",\"notes\":\"Live in the West (Toronto: Starborn Productions, 1977) and Nada Canadada (Toronto: Griffin House, 1973)\",\"address\":\"City Toronto, Golden Horseshoe, Ontario, Canada\",\"latitude\":\"43.6535\",\"longitude\":\"-79.3831\"},{\"url\":\"https://www.openstreetmap.org/way/876212862\",\"venue\":\"York University\",\"notes\":\"\",\"address\":\"York University, Keele Campus, Hackett Avenue, Humber River—Black Creek, North York, Toronto, Golden Horseshoe, Ontario, M3J 0K9, Canada\",\"latitude\":\"43.77393\",\"longitude\":\"-79.49883\"}]"],"Address":["918 Bathurst, 918, Bathurst Street, Seaton Village, University—Rosedale, Old Toronto, Toronto, Golden Horseshoe, Ontario, M5R 3G5, Canada","City Toronto, Golden Horseshoe, Ontario, Canada","York University, Keele Campus, Hackett Avenue, Humber River—Black Creek, North York, Toronto, Golden Horseshoe, Ontario, M3J 0K9, Canada"],"Venue":["Music Gallery","York University"],"City":["Toronto, Ontario","Toronto, Ontario","Toronto, Ontario"],"Note":["[{\"note\":\"Based on what it's written on the j-card, here are the list of the Four Horsemen performances on this tape:\\n\\nFrom Nada Canadada (Toronto: Griffin House, 1973): \\nAllegro \\nCoffee Break\\nIn the Middle of a Blue Balloon \\n\\nFrom Live in the West (Toronto: Starborn Productions, 1977):\\nMayakovsky\\nAssassin\\nSonada\\n\\nFrom Two Nights, 1988 (Performed on October 9 & 10, 1987)\\n\",\"type\":\"General\"},{\"note\":\"On tape 182, Paul Dutton has an interview with Warren Tallman regarding sound poetry and The Four Horsemen at [York University?] on December 5, 1991; we are not sure if he plays this tape (183) after his interview on not; this date is written on the j-card \",\"type\":\"General\"},{\"note\":\"We are not sure if this tape is part two of tape 182. Both tapes' j-cards have the same dates, locations, and people\",\"type\":\"General\"},{\"note\":\"Some interruptions occur all along this tape \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556693430277,"timestamp":"2026-01-07T15:00:00.983Z","score":0.01643844},{"id":"7183","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Warren Tallman on phone call reading his letter to Frank Davey on Mother's Day in Vancouver on May 13, 1990"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Davey, Frank","Karasick, Adeena"],"creator_names_search":["Tallman, Warren","Davey, Frank","Karasick, Adeena"],"creators":["[{\"url\":\" http://viaf.org/viaf/11397708\",\"name\":\" Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/5029235\",\"name\":\"Davey, Frank\",\"dates\":\"1940-\",\"notes\":\"Warren Tallman is talking to him although his voice is not heard \",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"Warren Tallman talks about Adeena Karasick while he is talking to Frank Davey\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12165/Warren Tallman Fonds_MsC 26.44_184.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"184 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:30\",\"precision\":\"\",\"size\":\"43.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-05-13\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"Warren Tallman refers to Vancouver as \\\"here\\\"\",\"address\":\"Vancouver, Metro Vancouver Regional District, British Columbia, Canada\",\"latitude\":\"49.2604\",\"longitude\":\"-123.1145\"}]"],"Address":["Vancouver, Metro Vancouver Regional District, British Columbia, Canada"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Warren Tallman reads the letter he has written for Frank Davey while he is on the phone. In his letter Warren talks about Tish poets and and his belief in this group and its members; he also Pays Frank his compliments for forming Tish. He ends his letter talking about Adeena Karasick.\\n\\nAfter reading his letter, Warren begins talking about his career over the years at UBC and expressing his feelings. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556694478848,"timestamp":"2026-01-07T15:00:00.983Z","score":0.01643844},{"id":"7184","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. 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The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Robert Creeley Special  on Co-op Radio Program produced and edited by Paul Mutton in honor of Robert Creeley. (Broadcast or copyright August 12, 1990)"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Mutton, Paul","Bull, Hank","Kearns, Lionel","Little, Billy","Kroetsch, Robert","Tallman, Warren","Niechoda, Irene","Kamboureli, Smaro","Karasick, Adeena","Miki, Roy","Bowering, George","Watts, Charles"],"creator_names_search":["Creeley, Robert","Mutton, Paul","Bull, Hank","Kearns, Lionel","Little, Billy","Kroetsch, Robert","Tallman, Warren","Niechoda, Irene","Kamboureli, Smaro","Karasick, Adeena","Miki, Roy","Bowering, George","Watts, Charles"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105181366\",\"name\":\"Mutton, Paul\",\"dates\":\"\",\"notes\":\"Robert Creeley Special program is produced and edited by Paul Mutton in the studios of Co-op radio in Vancouver; he is also the commentary for this program\",\"nation\":[],\"role\":[\"Speaker\",\"Producer\"]},{\"url\":\"http://viaf.org/viaf/205149294089180520706\",\"name\":\"Bull, Hank \",\"dates\":\"1949-\",\"notes\":\"Music is by Hank Bull\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/30784380\",\"name\":\"Kearns, Lionel\",\"dates\":\"1937-\",\"notes\":\"He talks at The Western Front on June 2nd. \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/223141797\",\"name\":\"Little, Billy\",\"dates\":\"1943-\",\"notes\":\"Known as Zonko\\nHe talks at The Western Front on June 2nd. \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"He talks at The Western Front on June 2nd. \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\" http://viaf.org/viaf/11397708\",\"name\":\" Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/43517276\",\"name\":\"Niechoda, Irene\",\"dates\":\"\",\"notes\":\"She talks at Warren Tallman's house on June 1st.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/56633719\",\"name\":\"Kamboureli, Smaro\",\"dates\":\"\",\"notes\":\"She talks at Warren Tallman's house on June 1st.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"She talks at Warren Tallman's house on June 1st.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"He talks at Warren Tallman's house on June 1st.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"He probably talks at 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-08-12\",\"type\":\"Publication Date\",\"notes\":\"This date is written in front of Paul Mutton copyright\",\"source\":\"J-card\"},{\"date\":\"1990-06-02\",\"type\":\"Production Date\",\"notes\":\"Event at The Western Front\",\"source\":\"J-card\"},{\"date\":\"1990-06-01\",\"type\":\"Production Date\",\"notes\":\"Warren Tallman's armchair discussion at his house \",\"source\":\"J-card\"},{\"date\":\"1990-06-03\",\"type\":\"Production Date\",\"notes\":\"Warren Tallman's armchair discussion at his house \",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 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Tape 194 SWALLOW ID 7193 includes the full original recording of the group conversation at Tallman's house.\",\"type\":\"Related Version\"},{\"note\":\"Tape 195 SWALLOW ID 7194 is a duplicate of parts of Tape 185 SWALLOW ID 7184, sides one and two. Tape 195 SWALLOW ID 7194 includes the full original recording of the group conversation at Tallman's house.\",\"type\":\"Related Version\"},{\"note\":\"Tape 197 SWALLOW ID 7196 is a duplicate of parts of Tape 185 SWALLOW ID 7184, sides one and two. Tape 197 SWALLOW ID 7196 includes the full original recording of the group conversation at Tallman's house.\",\"type\":\"Related Version\"},{\"note\":\"Tape 196 SWALLOW ID 7195 is a duplicate of parts of Tape 185 SWALLOW ID 7184, side two. Tape 196 SWALLOW ID 7195 includes the full original recording of the Robert Creeley Tribute event held at the Western Front on June 2, 1990.\",\"type\":\"Related Version\"},{\"note\":\"This tape is a Co-op Radio program produced by Paul Mutton with Warren Tallman's assistance. On the first side (Part 1), Mutton asks Creeley a couple of questions about Black Mountain College and education in general, and they discuss the theme of place with Warren Tallman. This was recorded on June 1st or June 2nd, 1990. The piano intro music is played by Hank Bull.\\n\\nOn the second side, we hear Robert Creeley's live event at the Western Front (June 2, 1990), followed by a discussion led by Warren Tallman  with a group of friends at Tallman's house. The live event broadcast on Co-op Radio includes readings by Lionel Kearns, Billy Little, Robert Kroetsch, Warren Tallman, and Robert Creeley. George Bowering is the emcee. The conversation at Tallman's home includes Creeley, Tallman, Irene Niechoda, Smaro Kamboureli, Adeena Karasick, and Roy Miki. (Miki features prominently). \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556694478849,"timestamp":"2026-01-07T15:00:00.983Z","score":0.01643844},{"id":"7185","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. 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The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Robert Creeley interviewed by Warren Tallman about Charles Olson and his book \"Maximus to Gloucester\" "],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Tallman, Warren","Olson, Charles"],"creator_names_search":["Creeley, Robert","Tallman, Warren","Olson, Charles"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12168/Warren Tallman Fonds_MsC 26.44_187.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"187 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:09\",\"precision\":\"\",\"size\":\"42.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"187 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:12\",\"precision\":\"\",\"size\":\"42.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670556694478851,"timestamp":"2026-01-07T15:00:00.983Z","score":0.01643844},{"id":"7187","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. 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The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Steve Swallow, Robert Creeley, and Sheila Jordan at The Red Mill, Rochester in New York on April 7, 1983"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Swallow, Steve","Jordan, Sheila","Creeley, Robert","Kuhn, Steve","Liebman, Dave","Mays, Lyle","Moses, Bob"],"creator_names_search":["Swallow, Steve","Jordan, Sheila","Creeley, Robert","Kuhn, Steve","Liebman, Dave","Mays, Lyle","Moses, Bob"],"creators":["[{\"url\":\"http://viaf.org/viaf/42026809\",\"name\":\"Swallow, Steve\",\"dates\":\"1940-\",\"notes\":\"Bass Player\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/34643571\",\"name\":\"Jordan, Sheila\",\"dates\":\"1928-\",\"notes\":\"Singer\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"Poet\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/84970988\",\"name\":\"Kuhn, Steve\",\"dates\":\"1938-\",\"notes\":\"Piano Player\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/120079184\",\"name\":\"Liebman, Dave\",\"dates\":\"1946-\",\"notes\":\"Saxophonist\\n\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/39562612\",\"name\":\"Mays, Lyle\",\"dates\":\"1953-2020\",\"notes\":\"Synthesizer Player\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/32184126\",\"name\":\"Moses, Bob\",\"dates\":\"1948-\",\"notes\":\"Drum Player\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12169/Warren Tallman Fonds_MsC 26.44_188.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"188 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:32\",\"precision\":\"\",\"size\":\"43.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"188 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:13\",\"precision\":\"\",\"size\":\"44.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-04-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/176069\",\"venue\":\"The Red Mill\",\"notes\":\"We do not know the exact location of \\\"The Red Mill\\\"\",\"address\":\"Rochester, Monroe County, New York, United States\",\"latitude\":\"43.1576\",\"longitude\":\"-77.6157\"}]"],"Address":["Rochester, Monroe County, New York, United States"],"Venue":["The Red Mill"],"Note":["[{\"note\":\"Based on the j-card, here are the performed pieces:\\n\\nSome Echoes\\t\\n\\\"She Was Young...\\\" (From \\\"The Finger\\\")\\t\\n\\\"Nowhere One...\\\"\\t\\nColors\\t\\nHome\\t\\nIn The Fall\\t\\n\\\"You Didn't Think...\\\"\\t\\nIce Cream\\t\\nEcho\\t\\nMidnight\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556694478852,"timestamp":"2026-01-07T15:00:00.983Z","score":0.01643844},{"id":"7188","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Robert Creeley and Warren Tallman speaking at \"On The Road/ Jack Kerouac\" conference at Naropa Institute on July 24, 1982 DUPLICATE 1 of 2 FULL"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Fagin, Larry","Creeley, Robert","Tallman, Warren"],"creator_names_search":["Fagin, Larry","Creeley, Robert","Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/94390890\",\"name\":\"Fagin, Larry\",\"dates\":\"1937-\",\"notes\":\"Larry Fagin introduces Robert Creeley, Warren Tallman, and Clark Coolidge in the beginning of side one\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12178/Warren Tallman Fonds_MsC 26.44_189.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"189 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:32\",\"precision\":\"\",\"size\":\"43.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"189 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:45\",\"precision\":\"\",\"size\":\"43.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-07-24\",\"type\":\"Production Date\",\"notes\":\"We found the date on http://archives.naropa.edu/digital/collection/p16621coll1/id/485/\",\"source\":\"Internet\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/391232001\",\"venue\":\"Naropa Institute\",\"notes\":\"\",\"address\":\" 2130 Arapahoe Ave, Boulder, CO 80302, United States\",\"latitude\":\"40.01405\",\"longitude\":\"-105.26695\"}]"],"Address":[" 2130 Arapahoe Ave, Boulder, CO 80302, United States"],"Venue":["Naropa Institute"],"Note":["[{\"note\":\"Side one and the first 5:34 minutes of side two is duplicate of tape of #162 (SWALLOW ID 7161)\",\"type\":\"General\"},{\"note\":\"Robert Creeley, Warren Tallman, and Clark Coolidge (not on the tape) discuss Kerouac's works, including Dr. Sax, Visions of Cody, On the Road, Lonesome Traveler, and Old Angel Midnight. \\n\\n\\\"The Jack Kerouac Conference\\\" took place at the Naropa Institute in Boulder, CO July 23-August 1, 1982 and included William Burroughs, Gregory Corso, Diane diPrima, Lawrence Ferlinghetti, Timothy Leary, Michael McClure, Gary Snyder and Anne Waldman. An ad for the conference appears in a document from Naropa in Warren Tallman's fonds. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556695527424,"timestamp":"2026-01-07T15:00:00.983Z","score":0.01643844},{"id":"7189","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Robert Creeley reading poetry in Vancouver on May 16, 1986 and Music performance by The Vancouver Art Trio"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Vancouver Art Trio","Freedman, Bruce","Reed, Clyde","Simpson, Gregg"],"creator_names_search":["Creeley, Robert","Vancouver Art Trio","Freedman, Bruce","Reed, Clyde","Simpson, Gregg"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/137142705\",\"name\":\"Vancouver Art Trio\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/151209964\",\"name\":\"Freedman, Bruce \",\"dates\":\"\",\"notes\":\"Vancouver Art Trio: Drum Player \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Reed, Clyde \",\"dates\":\"\",\"notes\":\"Vancouver Art Trio: Tenor Sax Player\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/62914314\",\"name\":\"Simpson, Gregg\",\"dates\":\"1947- \",\"notes\":\"Vancouver Art Trio: Bass Player \",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Production_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12180/Warren Tallman Fonds_MsC 26.44_190.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"190 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:10\",\"precision\":\"\",\"size\":\"43.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"190 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:22\",\"precision\":\"\",\"size\":\"43.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-05-16\",\"type\":\"Production Date\",\"notes\":\"Robert Creeley reading poetry in Vancouver on May 16, 1986; We are not sure if The Vancouver Art Trio performance was recorded the same day\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Vancouver, Metro Vancouver Regional District, British Columbia, Canada\",\"latitude\":\"49.2604\",\"longitude\":\"-123.1159\"}]"],"Address":["Vancouver, Metro Vancouver Regional District, British Columbia, Canada"],"City":["Vancouver, British Columbia"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556695527425,"timestamp":"2026-01-07T15:00:00.983Z","score":0.01643844},{"id":"7190","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Gerry Gilbert, Robert Creeley, and The Vancouver Art Trio on Robert Creeley's 60th Birthday"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Vancouver Art Trio","Simpson, Gregg","Freedman, Bruce","Reed, Clyde","Tallman, Warren","Gilbert, Gerry"],"creator_names_search":["Creeley, Robert","Vancouver Art Trio","Simpson, Gregg","Freedman, Bruce","Reed, Clyde","Tallman, Warren","Gilbert, Gerry"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/137142705\",\"name\":\"Vancouver Art Trio\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/62914314\",\"name\":\"Simpson, Gregg\",\"dates\":\"1947- \",\"notes\":\"Vancouver Art Trio: Drum Player \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/151209964\",\"name\":\"Freedman, Bruce \",\"dates\":\"\",\"notes\":\"Vancouver Art Trio: Tenor Sax Player \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Reed, Clyde \",\"dates\":\"\",\"notes\":\"Vancouver Art Trio: Bass Player\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"He talks about the event and all the contributors \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry \",\"dates\":\"1936-2009\",\"notes\":\"He introduces Robert Creeley\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12181/Warren Tallman Fonds_MsC 26.44_191.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"191 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:19\",\"precision\":\"\",\"size\":\"43.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"191 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:16\",\"precision\":\"\",\"size\":\"43.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-05\",\"type\":\"Performance Date\",\"notes\":\"It should be the end or the latest the beginning of may, because Creeley's birthday is on May 21\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Vancouver, Metro Vancouver Regional District, British Columbia, Canada\",\"latitude\":\"49.2604\",\"longitude\":\"-123.1159\"}]"],"Address":["Vancouver, Metro Vancouver Regional District, British Columbia, Canada"],"City":["Vancouver, British Columbia"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556695527426,"timestamp":"2026-01-07T15:00:00.983Z","score":0.01643844},{"id":"7191","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Robert Creeley's poetry reading and talk at S.U.N.Y. Buffalo on February 2, 1987 "],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Creeley, Robert","Therrien, Robert"],"creator_names_search":["Tallman, Warren","Creeley, Robert","Therrien, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\",\"Author\"]},{\"url\":\"http://viaf.org/viaf/25435812\",\"name\":\"Therrien, Robert\",\"dates\":\"1947-2019\",\"notes\":\"Warren Tallman and Robert Creeley have a dialogue reagrding \\\"Seven and Six\\\" portfolio made with collaboration of Robert Creeley, Robert Therrien, and Michel Butor \",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Production_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12184/Warren Tallman Fonds_MsC 26.44_192.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"192 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:17\",\"precision\":\"\",\"size\":\"43.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"192 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:27\",\"precision\":\"\",\"size\":\"43.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-02-02\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1986-12\",\"type\":\"Production Date\",\"notes\":\"This date might refer to the time when Robert Creeley, Robert Therrien, and Michel Butor collaboratively made \\\"Seven and Six\\\" portfolio \",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/68036581\",\"venue\":\"Buffalo – S.U.N.Y. (University at Buffalo)\",\"notes\":\"\",\"address\":\"Buffalo, NY 14260, United States\",\"latitude\":\"42.9533\",\"longitude\":\"-78.8181\"}]"],"Address":["Buffalo, NY 14260, United States"],"Venue":["Buffalo – S.U.N.Y. (University at Buffalo)"],"City":["Buffalo, New York"],"Note":["[{\"note\":\"Robert Creeley starts his talk by reading a poem written for his extraordinary great friend named Lise Hoshour. He talks a bit about his \\\"Seven and Six\\\" portfolio made in collaboration with Robert Therrien. Warren and Robert talk a bit about sculpture's language as well. \\n\\nWarren Tallman held a temporary teaching appointment at SUNY Buffalo for the academic year 1987-1988, working alongside his good friend Robert Creeley.  (Creeley was faculty at SUNY Buffalo from 1966-2003 and Tallman visited him several times, though this was his only teaching appointment there).\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556695527427,"timestamp":"2026-01-07T15:00:00.983Z","score":0.01643844},{"id":"7192","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Robert Creeley and Donald Allen interviewed by Warren Tallman on April 11, 1975 in Bolinas, CA"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Creeley, Robert","Allen, Donald"],"creator_names_search":["Tallman, Warren","Creeley, Robert","Allen, Donald"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"His voice is heard in this interview \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/79111075\",\"name\":\"Allen, Donald\",\"dates\":\"1912-2004\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12185/Warren Tallman Fonds_MsC 26.44_193.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"193 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:15\",\"precision\":\"\",\"size\":\"42.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"193 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:17\",\"precision\":\"\",\"size\":\"42.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-04-11\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/150969386\",\"venue\":\"Donald Allen Residence\",\"notes\":\"Donald Allen had a residence in Bolinas, CA, so that was likely the location for this recording.\",\"address\":\"Bolinas, CA\",\"latitude\":\"37° 54' 20.39\\\" N \",\"longitude\":\"-122° 41' 6.59\\\" W\"}]"],"Address":["Bolinas, CA"],"Venue":["Donald Allen Residence"],"Note":["[{\"note\":\"This discussion may have taken place while Tallman and Creeley visited Donald Allen in Bolinas, CA, where he had a residence. \\n\\nTallman spent a sabbatical or study leave in Bolinas in the academic year 1974-1975 so this conversation was likely conducted during this period, though he visited at other times.\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670556696576000,"timestamp":"2026-01-07T15:00:00.983Z","score":0.01643844},{"id":"7193","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Group discussion with Robert Creeley at Warren Tallman's house June 1-3, 1990 Tape 3 of 3"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Creeley, Robert","Karasick, Adeena","Kroetsch, Robert","Miki, Roy","Niechoda, Irene","Watts, Charles","Kamboureli, Smaro"],"creator_names_search":["Tallman, Warren","Creeley, Robert","Karasick, Adeena","Kroetsch, Robert","Miki, Roy","Niechoda, Irene","Watts, Charles","Kamboureli, Smaro"],"creators":["[{\"url\":\" http://viaf.org/viaf/11397708\",\"name\":\" Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"He talks at Warren Tallman's house on June 1,2, and 3, and his voice is heard on this tape\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"She talks at Warren Tallman's house on June 1,2, and 3, and her voice is heard on this tape\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"He talks at Warren Tallman's house on June 1,2, and 3, and his voice is heard on this tape\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"He talks at Warren Tallman's house on June 1,2, and 3, and his voice is heard on this tape\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/43517276\",\"name\":\"Niechoda, Irene\",\"dates\":\"1957-2013\",\"notes\":\"She talks at Warren Tallman's house on June 1,2, and 3, Her voice is heard on this tape\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Watts, Charles\",\"dates\":\"\",\"notes\":\"He talks at Warren Tallman's house on June 1,2, and 3, and his voice is heard on this tape\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/56633719\",\"name\":\"Kamboureli, Smaro\",\"dates\":\"1955- \",\"notes\":\"She is probably present at Warren Tallman's house on June 1,2, and 3,\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12187/Warren Tallman Fonds_MsC 26.44_194.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"194 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:03:21\",\"precision\":\"\",\"size\":\"58 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"194 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:03:22\",\"precision\":\"\",\"size\":\"58 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-06-01\",\"type\":\"Production Date\",\"notes\":\"Paul Mutton mentions the date on the second side of tape #185\",\"source\":\"Recording\"},{\"date\":\"1990-06-03\",\"type\":\"Production Date\",\"notes\":\"Paul Mutton mentions the date on the second side of tape #185\",\"source\":\"Recording\"},{\"date\":\"1990-06-02\",\"type\":\"Production Date\",\"notes\":\"We are not sure if the discussion at Warren Tallman's house happened on June 2 since Robert Creeley Tribute happened on this date. It's highly probable that Warren Tallman discussion happened on June 1 and 3  \",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/322025925\",\"venue\":\"Warren Tallman’s House\",\"notes\":\"Warren Tallman's home during the 70s, 80s, and 90s, where he lived with his daughter Karen Tallman DeBeck and her family.\",\"address\":\"3504 Bella Vista Street Vancouver BC V5N 3W9\",\"latitude\":\"49.252732\",\"longitude\":\"-123.070544\"}]"],"Address":["3504 Bella Vista Street Vancouver BC V5N 3W9"],"Venue":["Warren Tallman’s House"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Portions of Tape 194 SWALLOW ID 7193 are duplicated on Tape 185 SWALLOW ID 7184. Tape 194 SWALLOW ID 7193 may be the last in a series recording the full set of discussions upon which Mutton's radio broadcast, \\\"Robert Creeley Special\\\" (Tape 185 SWALLOW ID 7184) was based.\",\"type\":\"Related Version\"},{\"note\":\"Robert Creeley visited Vancouver in June 1990 and this series of tapes documents conversations held at Warren Tallman's home over June 1, 2, and 3, 1990. Parts of these group discussions were broadcast by Paul Mutton on Co-op Radio (likely on August 12, 1990). A live event \\\"Tribute to Robert Creeley\\\" was held at the Western Front on June 2, 1990 which was also recorded and broadcast in part. \\n\\nSide A begins with a discussion of education, modern poetry, and Allen Ginsberg, specifically Ginsberg's teaching and creative writing in relation to the institution. The group sings happy birthday to Adeena Karasick and eats cake. Primary speakers in this portion are Creeley and Tallman. \\n\\nSide B begins with a discussion of place and urbanization (primarily Creeley) and cuts after Tallman describes how the group will \\\"report\\\" the discussion to \\\"the Kroetschs\\\" (Smaro Kamboureli and Robert Kroetsch) and Roy Miki the following day (14:45). Here Tallman explains how the ideas for Creeley's visit coalesced around a special issue of Line magazine, \\\"Robert Creeley in Vancouver,\\\" proposed by Roy Miki. At 16:25 Tallman summarizes the previous day's discussion. The theme of place is extended and Roy Miki, Irene Niechoda, Smaro Kamboureli and Adeena Karasick discuss the illusions of place and identity.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556696576001,"timestamp":"2026-01-07T15:00:00.983Z","score":0.01643844},{"id":"7194","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Group discussion with Robert Creeley at Warren Tallman's house June 1-3, 1990 Tape 2 of 3"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Creeley, Robert","Karasick, Adeena","Kroetsch, Robert","Niechoda, Irene","Miki, Roy","Watts, Charles","Kamboureli, Smaro"],"creator_names_search":["Tallman, Warren","Creeley, Robert","Karasick, Adeena","Kroetsch, Robert","Niechoda, Irene","Miki, Roy","Watts, Charles","Kamboureli, Smaro"],"creators":["[{\"url\":\" http://viaf.org/viaf/11397708\",\"name\":\" Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"He talks at Warren Tallman's house on June 1,2, and 3, and his voice is heard on this tape\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"She talks at Warren Tallman's house on June 1,2, and 3, and her voice is heard on this tape\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"He talks at Warren Tallman's house on June 1,2, and 3, and his voice is heard on this tape\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/43517276\",\"name\":\"Niechoda, Irene\",\"dates\":\"1957-2013\",\"notes\":\"She talks at Warren Tallman's house on June 1,2, and 3, Her voice is heard on this tape\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"He talks at Warren Tallman's house on June 1,2, and 3, and his voice is heard on this tape\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Watts, Charles\",\"dates\":\"\",\"notes\":\"He talks at Warren Tallman's house on June 1,2, and 3, and his voice is heard on this tape\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/56633719\",\"name\":\"Kamboureli, Smaro\",\"dates\":\"1955-\",\"notes\":\"She is probably present at Warren Tallman's house on June 1,2, and 3,\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12190/Warren Tallman Fonds_MsC 26.44_195.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"195 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:04:58\",\"precision\":\"\",\"size\":\"59.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"195 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:02:34\",\"precision\":\"\",\"size\":\"57.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-06-01\",\"type\":\"Production Date\",\"notes\":\"Paul Mutton mentions the date on the second side of tape #185\",\"source\":\"Recording\"},{\"date\":\"1990-06-03\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1990-06-02\",\"type\":\"Production Date\",\"notes\":\"We are not sure if the discussion at Warren Tallman's house happened on June 2 since Robert Creeley Tribute happened on this date. It's highly probable that Warren Tallman discussion happened on June 1 and 3  \",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/322025925\",\"venue\":\"Warren Tallman’s House\",\"notes\":\"Warren Tallman's home during the 70s, 80s, and 90s, where he lived with his daughter Karen Tallman DeBeck and her family.\",\"address\":\"3504 Bella Vista Street V5N 3W9\",\"latitude\":\"49.252732\",\"longitude\":\"-123.070544\"}]"],"Address":["3504 Bella Vista Street V5N 3W9"],"Venue":["Warren Tallman’s House"],"Note":["[{\"note\":\"Tape 185 SWALLOW ID 7184 includes portions of the discussion here on Tape 195 SWALLOW ID 7194 selected for broadcast by Paul Mutton for the Co-op Radio \\\"Robert Creeley Special.\\\"\",\"type\":\"Related Version\"},{\"note\":\"Robert Creeley visited Vancouver in June 1990 and this series of tapes documents conversations held at Warren Tallman's home over June 1, 2, and 3, 1990. Parts of these group discussions were broadcast by Paul Mutton on Co-op Radio (likely on August 12, 1990). A live event \\\"Tribute to Robert Creeley\\\" was held at the Western Front on June 2, 1990 which was also recorded and broadcast in part. \\n\\nSide A begins with Roy Miki discussing the relationship of place to one's sense of self as well as a concept of mother tongue and its suppression, in dialogue with Adeena Karasick, Tallman, Charles Watts. Later, Miki raises the examples of the Meech Lake Accord and Quebec separatism. Robert Kroetsch raises current questions of class and the group discusses urban poverty. Miki tells the story of his stolen thesis. They continue the general discussion of education.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556696576002,"timestamp":"2026-01-07T15:00:00.983Z","score":0.01643844},{"id":"7195","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Robert Creeley Tribute at The Western Front on June 2, 1990"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Bull, Hank","Gilbert, Gerry","Kearns, Lionel","Little, Billy","Kroetsch, Robert","Bowering, George","Hindmarch, Gladys","Marlatt, Daphne","Gadd, Maxine","Miki, Roy","Copithorne, Judith","Tallman, Warren","Phillips, David","Bowering, Angela","Kiyooka, Roy","Culley, Peter","McKinnon, Barry","Tallman, Ellen","Maud, Ralph","Persky, Stan","Poh Seng, Goh","Watts, Charles"],"creator_names_search":["Creeley, Robert","Bull, Hank","Gilbert, Gerry","Kearns, Lionel","Little, Billy","Kroetsch, Robert","Bowering, George","Hindmarch, Gladys","Marlatt, Daphne","Gadd, Maxine","Miki, Roy","Copithorne, Judith","Tallman, Warren","Phillips, David","Bowering, Angela","Kiyooka, Roy","Culley, Peter","McKinnon, Barry","Tallman, Ellen","Maud, Ralph","Persky, Stan","Poh Seng, Goh","Watts, Charles"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/205149294089180520706\",\"name\":\"Bull, Hank \",\"dates\":\"1949-\",\"notes\":\"Music is by Hank Bull\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry \",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/30784380\",\"name\":\"Kearns, Lionel\",\"dates\":\"1937-\",\"notes\":\"He speaks at The Western Front on June 2nd. \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/223141797\",\"name\":\"Little, Billy\",\"dates\":\"1943-\",\"notes\":\"Known as Zonko\\nHe talks at The Western Front on June 2nd. \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"He speaks at The Western Front on June 2nd. \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"He is the emcee of the event with Angela Bowering.\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/38164256\",\"name\":\"Hindmarch, Gladys\",\"dates\":\"1940-\",\"notes\":\"She reads at the Western Front on June 2.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"She reads at the Western Front on June 2.\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/75225856\",\"name\":\"Gadd, Maxine\",\"dates\":\"1940-\",\"notes\":\"She reads at the Western Front on June 2.\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"He speaks at the Western Front on June 2.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/63020479\",\"name\":\"Copithorne, Judith\",\"dates\":\"1939-\",\"notes\":\"She reads at the Western Front on June 2.\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\" http://viaf.org/viaf/11397708\",\"name\":\" Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"He is also the coordinator of this event for Robert Creeley.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Phillips, David\",\"dates\":\"1944-\",\"notes\":\"He reads at the Western Front on June 2.\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"\",\"name\":\"Bowering, Angela\",\"dates\":\"1940-1999\",\"notes\":\"She is the emcee of this event with George Bowering.\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"He is introduced by the emcee George Bowering but his reading was not recorded.\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Culley, Peter\",\"dates\":\"1958-2015\",\"notes\":\"He read at the Western Front on June 2.\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/60321164\",\"name\":\"McKinnon, Barry\",\"dates\":\"1944-2023\",\"notes\":\"He reads at the Western Front on June 2.\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"\",\"name\":\"Tallman, Ellen\",\"dates\":\"1927-2008\",\"notes\":\"She speaks at the Western Front on June 2.\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Maud, Ralph\",\"dates\":\"1928-2014\",\"notes\":\"He speaks at the Western Front on June 2.\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Persky, Stan\",\"dates\":\"1941-2024\",\"notes\":\"He speaks at the Western Front on June 2.\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Poh Seng, Goh\",\"dates\":\"1936-2010\",\"notes\":\"He reads at the Western Front on June 2.\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Watts, Charles\",\"dates\":\"\",\"notes\":\"He speaks at the Western Front on June 2.\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12192/Warren Tallman Fonds_MsC 26.44_196.jpg\",\"other\":\"\",\"extent\":\"1/8 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"196 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:03:25\",\"precision\":\"\",\"size\":\"58 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-06-01\",\"type\":\"Production Date\",\"notes\":\"Robert Creeley Tribute at The Western Front \",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26392\",\"longitude\":\"-123.09869\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1"],"Venue":["The Western Front"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Tape 185 SWALLOW ID 7184 is a version of this live event edited and broadcast by Paul Mutton for Co-op Radio (August 12, 1990). Tape 196 SWALLOW ID 7195 contains the recording of the full event for Robert Creeley on June 2, 1990.\",\"type\":\"Related Version\"},{\"note\":\"This Robert Creeley tribute event took place at the Western Front on June 2, 1990, organized by Warren Tallman and emceed by Angela and George Bowering. Presentations of poems and speeches are as follows on Side A:\\nHank Bull: piano opening\\nGeorge Bowering: intro, begins reading 4:05\\nAngela Bowering: 8:03\\nLionel Kearns: 17:03\\nGladys Hindmarch: 24:05\\nPeter Culley: 29:48\\nDaphne Marlatt: 39:02\\nRobert Kroetsch: 45:01\\nDavid Phillips: 48:00\\nEllen Tallman: 53:23\\nBarry McKinnnon: 55:52\\n\\nSide B\\nGerry Gilbert: 0:13\\nMaxine Gadd: 8:00\\nRalph Maud: 13:19\\nStan Persky: 20:45\\nGoh Poh Seng: 27:50 \\nJudith Copithorne: 32:50 \\nBilly Little: 36:49 \\nCharles Watts: 45:28 \\nRoy Miki: 52:20 (tape cuts at 59:53)\\n(Roy Kiyooka was introduced by George Bowering but was not recorded)\\n\\n\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556697624576,"timestamp":"2026-01-07T15:00:00.983Z","score":0.01643844},{"id":"7196","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Group discussion with Robert Creeley at Warren Tallman's house on June 1-3, 1990 Tape 1 of 3"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Tallman, Warren","Mutton, Paul","Watts, Charles"],"creator_names_search":["Creeley, Robert","Tallman, Warren","Mutton, Paul","Watts, Charles"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\" http://viaf.org/viaf/11397708\",\"name\":\" Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"He is also the coordinator of this event for Robert Creeley \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105181366\",\"name\":\"Mutton, Paul\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Watts, Charles\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12203/Warren Tallman Fonds_MsC 26.44_197.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"197 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:03:41\",\"precision\":\"\",\"size\":\"58.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"197 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:02:50\",\"precision\":\"\",\"size\":\"57.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-06-02\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/7802936235\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.28181\",\"longitude\":\"-123.10203\"},{\"url\":\"https://www.openstreetmap.org/way/322025925\",\"venue\":\"Warren Tallman's House\",\"notes\":\"Warren Tallman's home during the 70s, 80s, and 90s, where he lived with his daughter Karen Tallman DeBeck and her family.\",\"address\":\"3504 Bella Vista Street Vancouver BC V5N 3W9\",\"latitude\":\"49.252732\",\"longitude\":\"-123.070544\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1","3504 Bella Vista Street Vancouver BC V5N 3W9"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM","Warren Tallman's House"],"City":["Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"Portions of this discussion are duplicated on Tape 185 SWALLOW ID 7184, Paul Mutton's Co-op Radio broadcast of \\\"Robert Creeley Special.\\\"\",\"type\":\"General\"},{\"note\":\"This tape is labelled \\\"Interview - Black Mountain College June 2/90\\\" and \\\"1A\\\" so it may be the first recording in a series of discussions conducted with Robert Creeley at Warren Tallman's home from June 1-3, 1990. Paul Mutton reframes the discussion as an interview for his radio broadcast of the \\\"Robert Creeley Special\\\" on Co-op Radio, copyright August 12, 1990.\\n\\nMidway through Side A, Tallman mentions the date is June 2, 1990 and that the conversation is taking place at \\\"Red Wallbarrow Place School,\\\" which could be his home or an office space he used at the time. More than the other discussions, this conversation primarily features Creeley and Tallman. Charles Watts begins by offering the example of Kootenay School of Writing in Vancouver and Creeley and Tallman go on to discuss Black Mountain College and its closure as well as the broader political climate of the 1950s. Tallman queries the comparison of Black Mountain with Colorado's Naropa Institute, as well as, later, to UBC. They again discuss education in general, creative writing programs, and Side A concludes with Tallman returning to the topic of \\\"Robert Creeley in Vancouver\\\" (a premise for Roy Miki's special issue of Line by the same name).\\n\\nSide B returns to the interrogation of place, drawing from Tallman's ideas of poetic centers as well as Ginsberg and Olson. Here the main speakers are Creeley, Tallman and Watts. They refer to Stein, Kerouac, and Reznickoff.\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556697624577,"timestamp":"2026-01-07T15:00:00.983Z","score":0.01643844},{"id":"7197","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. 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The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Robert Creeley interviewed by Warren Tallman at S.U.N.Y. 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(University at Buffalo)\",\"notes\":\"\",\"address\":\"Buffalo, NY 14260, United States\",\"latitude\":\"42.9533\",\"longitude\":\"-78.8181\"}]"],"Address":["Buffalo, NY 14260, United States"],"Venue":["Buffalo – S.U.N.Y. (University at Buffalo)"],"City":["Buffalo, New York"],"Note":["[{\"note\":\"\\n\\n\\nWarren Tallman held a temporary teaching appointment at SUNY Buffalo for the academic year 1987-1988, working alongside his good friend Robert Creeley.  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The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Victor Coleman talks at Warren Tallman's class at York University on November 21, 1991"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Coleman, Victor","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Tallman, Warren","Coleman, Victor","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\" http://viaf.org/viaf/11397708\",\"name\":\" Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/38160442\",\"name\":\"Coleman, Victor\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"Victor Coleman and Warren Tallman talk about BP Nichol and Victor's collaboration \",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1991],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12212/Warren Tallman Fonds_MsC 26.44_200.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"200 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:00\",\"precision\":\"\",\"size\":\"43 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"200 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:09\",\"precision\":\"\",\"size\":\"43.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1991-11-21\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/15396822\",\"venue\":\" York University\",\"notes\":\"\",\"address\":\"University York University, Keele Campus, The Pond Road, Humber River—Black Creek, North York, Toronto, Golden Horseshoe, Ontario, M3J 3M6, Canada\",\"latitude\":\"43.7741\",\"longitude\":\"-79.5045\"}]"],"Address":["University York University, Keele Campus, The Pond Road, Humber River—Black Creek, North York, Toronto, Golden Horseshoe, Ontario, M3J 3M6, Canada"],"Venue":[" York University"],"City":["Toronto, Ontario"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670556697624580,"timestamp":"2026-01-07T15:00:00.983Z","score":0.01643844},{"id":"7200","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. 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The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Basil Bunting's lecture and reading from Ezra Pound's \"Cantos\" for his English class at UBC on November 30 1970 and bpNichol's reading"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Bunting, Basil","Pound, Ezra","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Tallman, Warren","Bunting, Basil","Pound, Ezra","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\" http://viaf.org/viaf/11397708\",\"name\":\" Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/4949021\",\"name\":\"Bunting, Basil\",\"dates\":\"1900-1985\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/24606774\",\"name\":\"Pound, Ezra\",\"dates\":\"1885-1972\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\",\"Performer\"]}]"],"contributors":["[]"],"Production_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12214/Warren Tallman Fonds_MsC 26.44_201.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"201 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:42\",\"precision\":\"\",\"size\":\"43.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"201 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:06\",\"precision\":\"\",\"size\":\"42.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970-11-30\",\"type\":\"Production Date\",\"notes\":\"Basil Bunting reading poetry at Warren Tallman's classroom \",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Side A contains Basil Bunting's lecture for his own class at UBC on November 30 1970: he's reading from Pound's \\\"Cantos\\\" and discussing the selections of poems as labelled on the cassette's jcard: \\\"Canto 80,\\\" \\\"Canto 81,\\\" \\\"Canto 49\\\", and \\\"Canto 4\\\". Bunting was in a visiting professor position for Fall 1970, brought by Tallman and Peter Quartermain.\\n\\nSide B is a b.p. nichol reading introduced by another speaker (potentially Robin Blaser). It is not clear if this event took place in one of Blaser's classes at SFU, nor is any date given. \\nThe sound quality on side two is better than side one\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556698673152,"timestamp":"2026-01-07T15:00:00.983Z","score":0.01643844},{"id":"7201","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Jane Rule discussion on \"Contract with the World\" on November 27, 1981 DUPLICATE 2 OF 2 (SIDE 2 ONLY)"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Rule, Jane"],"creator_names_search":["Wah, Fred","Rule, Jane"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"He is among the audience since Jane Rule mentions his name answering his question. \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/62399671\",\"name\":\"Rule, Jane\",\"dates\":\"1931-2007\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7302/Fred Wah Fonds_MsC 17f_99.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"099 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:18\",\"precision\":\"\",\"size\":\"49.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"099 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:21:32\",\"precision\":\"\",\"size\":\"85.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-11-27\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"Fred Wah thanks someone called [Erin or Irene?]; she is the one who reads a part of Jane Rule's book in the beginning of the first side.\",\"type\":\"General\"},{\"note\":\"The first 14:15 on the first side is blank, and then Jane Rule begins talking about how she got into sexual writing; she's asked to talk a bit about the difference between eroticism and pornography, and the vocabulary aspect of this type of writing. 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She adds a bit about social responsibility she feels for writing and human relationship. \",\"type\":\"General\"},{\"note\":\"Second side on this tape is a copy of tape #66\\n\\\"Jane Rule discussion on \\\"Contract with the World\\\" on November 27, 1981 DUPLICATE 1 OF 2\\\" (SWALLOW ID 6981)\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556905242625,"timestamp":"2026-01-07T15:00:01.192Z","score":0.01643844},{"id":"7303","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Douglas Gordon Jones reading his paper on 150 years of Canadian Poetry\n"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Jones, D. G. (Douglas Gordon)"],"creator_names_search":["Jones, D. G. (Douglas Gordon)"],"creators":["[{\"url\":\"http://viaf.org/viaf/41883605\",\"name\":\"Jones, D. G. (Douglas Gordon)\",\"dates\":\"1929-2016\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Author\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7303/Fred Wah Fonds_MsC 17f_100.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"100 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:20\",\"precision\":\"\",\"size\":\"46.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"100 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:21:59\",\"precision\":\"\",\"size\":\"22.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556905242626,"timestamp":"2026-01-07T15:00:01.192Z","score":0.01643844},{"id":"7304","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Nicole Brossard reading poetry in English and French at DTUC (David Thompson University Centre)"],"item_title_source":["J-card and Recording"],"item_language":["English, French"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Gary, Bill","Brossard, Nicole"],"creator_names_search":["Wah, Fred","Gary, Bill","Brossard, Nicole"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"Fred Wah introduces Nicole Brossard through reading the intorduction part of a book called \\\"Les Strategies du reel = The Story so far 6\\\" that she had newly edited \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Gary, Bill\",\"dates\":\"\",\"notes\":\"This name is written on the j-card. We are not sure who this person is, and what this name is on the j-card. What we get to hear listening to this tape is Nicole Brossard reading poetry and answering some follow up questions. \",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/7387642\",\"name\":\"Brossard, Nicole\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7304/Fred Wah Fonds_MsC 17f_101.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"101 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:55\",\"precision\":\"\",\"size\":\"31.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"101 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:03\",\"precision\":\"\",\"size\":\"31.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/936493657\",\"venue\":\"David Thompson University Centre\",\"notes\":\"David Thompson University Centre got closed in Nelson in 1984; its current adopted name is Notre Dame University College\\n\\nSince the exact location could not be found on OpenStreetMap, the provided link refers to the closest point on Vernon Street in Downtown Nelson, within the Regional District of Central Kootenay, British Columbia, V1L 4G2, Canada\",\"address\":\"713 Vernon Street, Nelson, BC, V1L 4G8\",\"latitude\":\"49.489145\",\"longitude\":\"-117.301457\"}]"],"Address":["713 Vernon Street, Nelson, BC, V1L 4G8"],"Venue":["David Thompson University Centre"],"Note":["[{\"note\":\"When she finishes reading, the audience starts asking her some questions. She expresses her opinions a little a bit about reading the translated version of her writings and poetry. She talks about her writings in English that are mostly songs and her ideas about what it feels like for her to write in English. She is also asked how she began poetry writing. \\nShe gets to talks about her favorite types of book saying she is also interested in reading scientific books besides biology, anthropology, sociology books since they would be the nourishment for her brain to write poetry. \",\"type\":\"General\"},{\"note\":\"First she begins reading her poem called  \\\"Installations\\\", and then she reads some poetry from \\\"Daydream Mechanics\\\". \\nOn the second side, she begins reading some poetry in French; the first 5 minutes of the second side is blank, and she begins reading at 5:25\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556905242627,"timestamp":"2026-01-07T15:00:01.192Z","score":0.01643844},{"id":"7305","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Nicole Brossard reading poetry at Colloquium on Translation for Markin-Flanagan Distinguished Writers Programme at University of Calgary on February 7, 2001"],"item_title_source":["J-card and Recording"],"item_language":["English, French"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Brossard, Nicole","Wah, Fred","Markin, Allen","Flanagan, Jackie","Mocquais, Pierre-Yves"],"creator_names_search":["Brossard, Nicole","Wah, Fred","Markin, Allen","Flanagan, Jackie","Mocquais, Pierre-Yves"],"creators":["[{\"url\":\"http://viaf.org/viaf/7387642\",\"name\":\"Brossard, Nicole\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"He reads a poem with Nicole Brossard\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Markin, Allen\",\"dates\":\"\",\"notes\":\"Allen Markin and Jackie Flanagan are private donors who established the Markin-Flanagan Distinguished Writers Program at the University of Calgary\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"\",\"name\":\"Flanagan, Jackie\",\"dates\":\"\",\"notes\":\"Allen Markin and Jackie Flanagan are private donors who established the Markin-Flanagan Distinguished Writers Program at the University of Calgary\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/37069206\",\"name\":\"Mocquais, Pierre-Yves\",\"dates\":\"1951-\",\"notes\":\"At the time of recording this, he was the Dean of Humanities and the Chair of the Markin-Flanagan Distinguished Writers Programme at the University of Calgary\",\"nation\":[],\"role\":[\"Interviewer\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[2001],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7305/Fred Wah Fonds_MsC 17f_102.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"102 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:56:31\",\"precision\":\"\",\"size\":\"64.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"102 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:00\",\"precision\":\"\",\"size\":\"30.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2001-02-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/6083716320\",\"venue\":\"University of Calgary (Markin-Flanagan Distinguished Writers Programme)\",\"notes\":\"\",\"address\":\"2500 University Drive Nw, CALGARY ALBERTA T2N 1N4\",\"latitude\":\"51.07827\",\"longitude\":\"-114.13183\"}]"],"Address":["2500 University Drive Nw, CALGARY ALBERTA T2N 1N4"],"Venue":["University of Calgary (Markin-Flanagan Distinguished Writers Programme)"],"City":["Calgary, Alberta"],"Note":["[{\"note\":\"Nicole Brossard is introduced by [Pierive Mokey?] in the beginning of the first side, and then she begins reading her poetry. She reads the following poems:\\nMauve Desert\\nSome from Installations\\nThe Tango\\nAn English poem of hers\\nFred Wah's Transcreation both in French and English\\nLe Cou de Lee Miller / Lee Miller’s Neck\\nMatter Harmonious Still Maneuvering\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556905242628,"timestamp":"2026-01-07T15:00:01.192Z","score":0.01643844},{"id":"7306","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Nicole Brossard interview with Cynthia Hogue in French at DTUC (David Thompson University Centre)"],"item_title_source":["Cassette and J-card"],"item_language":["English, French"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Brossard, Nicole","Wah, Fred","Hogue, Cynthia"],"creator_names_search":["Brossard, Nicole","Wah, Fred","Hogue, Cynthia"],"creators":["[{\"url\":\"http://viaf.org/viaf/7387642\",\"name\":\"Brossard, Nicole\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"His voice is heard at the end of side two.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/22319998\",\"name\":\"Hogue, Cynthia\",\"dates\":\"1951-\",\"notes\":\"Cynthia Hogue and Nicole Brossard are probably talking about Lointaines, a poem written by Nicole Brossard and co-translated with Sylvain Gallais and Cynthia Hogue\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7306/Fred Wah Fonds_MsC 17f_103.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"103 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:48\",\"precision\":\"\",\"size\":\"64.1 MB\",\"bitrate\":\"31 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"103 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:37\",\"precision\":\"\",\"size\":\"30.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/936493657\",\"venue\":\"David Thompson University Centre\",\"notes\":\"David Thompson University Centre got closed in Nelson in 1984; its current adopted name is Notre Dame University College\\n\\nSince the exact location could not be found on OpenStreetMap, the provided link refers to the closest point on Vernon Street in Downtown Nelson, within the Regional District of Central Kootenay, British Columbia, V1L 4G2, Canada\",\"address\":\"713 Vernon Street, Nelson, BC, V1L 4G8\",\"latitude\":\"49.489145\",\"longitude\":\"-117.301457\"}]"],"Address":["713 Vernon Street, Nelson, BC, V1L 4G8"],"Venue":["David Thompson University Centre"],"Note":["[{\"note\":\"Cynthia Hogue and Nicole Brossard are probably talking about Lointaines, a poem written by Nicole Brossard and co-translated with Sylvain Gallais and Cynthia Hogue\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556908388352,"timestamp":"2026-01-07T15:00:01.192Z","score":0.01643844},{"id":"7307","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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There is an argument which is mostly about the usage of technology in literary publication; the fact how much control Telidon would open up for poets and writers is discussed sharing things about the availability of electronic written materials and its flexibility and benefits  \\nSide two end with the argument focusing on the challenges of copy right regarding the implication of Telidon database in literary publication.\\n\\n\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556908388353,"timestamp":"2026-01-07T15:00:01.192Z","score":0.01643844},{"id":"7308","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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He ends talking about current modern sources.\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556908388354,"timestamp":"2026-01-07T15:00:01.192Z","score":0.01643844},{"id":"7310","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. 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The main focus on the second side is the political role of the United States and Canada in association with Nicaraguan and Latin American revolution discussing the impact of writers and their works on.\",\"type\":\"General\"},{\"note\":\"Duplicate of tape 108 \\\"Stan Persky, Brian Fawcett, Nicole Brossard, and Margaret Randall at Writing in Revolution Discussion Panel on March 13, 1982 Part 1 of 2 DUPLICATE 2 OF 2\\\" (SWALLOW ID 7311)\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556909436928,"timestamp":"2026-01-07T15:00:01.192Z","score":0.01643844},{"id":"7311","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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The main focus on the second side is the political role of the United States and Canada in association with Nicaraguan and Latin American revolution discussing the impact of writers and their works on.\",\"type\":\"General\"},{\"note\":\"Duplicate of tape 107 \\\"Stan Persky, Brian Fawcett, Nicole Brossard, and Margaret Randall at Writing in Revolution Discussion Panel on March 13, 1982 Part 1 of 2 DUPLICATE 1 OF 2\\\" (SWALLOW ID 7310)\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556909436929,"timestamp":"2026-01-07T15:00:01.192Z","score":0.01643844},{"id":"7312","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Stan Persky, Nicole Brossard, George Stanley,\nand Margaret Randall reading poetry on March 12, 1982 DUPLICATE 1 OF 2"],"item_title_source":["J-card and Recording"],"item_language":["English, French"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Persky, Stan","Brossard, Nicole","Randall, Margaret","Stanley, George Francis Gilman"],"creator_names_search":["Persky, Stan","Brossard, Nicole","Randall, Margaret","Stanley, George Francis Gilman"],"creators":["[{\"url\":\"http://viaf.org/viaf/57448780\",\"name\":\"Persky, 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"109 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:13\",\"precision\":\"\",\"size\":\"47.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-03-12\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"Stan Persky reading from Topic Sentence: A Writer's Education\\nNicole Brossard reading some poetry in English and French\\nGeorge Stanley reading from Opening Day\\nMargaret Randall reading her poetry written in varied range of years \\n\\n\",\"type\":\"General\"},{\"note\":\"This tape is the first part of tape 107 Stan Persky, Brian Fawcett, Nicole Brossard, and Margaret Randall at Writing in Revolution Discussion Panel on March 13, 1982 Part 1 of 2 DUPLICATE 1 OF 2 (SWALLOW ID 7310) \\nand \\n108 Stan Persky, Brian Fawcett, Nicole Brossard, and Margaret Randall at Writing in Revolution Discussion Panel on March 13, 1982 Part 1 of 2 DUPLICATE 2 OF 2 (SWALLOW ID 7311) \",\"type\":\"General\"},{\"note\":\"This tape is duplicate of tape 110 \\\"Stan Persky, Nicole Brossard, George Stanley, and Margaret Randall reading poetry on March 12, 1982 DUPLICATE 2 OF 2\\\" (SWALLOW ID 7313)\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556909436930,"timestamp":"2026-01-07T15:00:01.192Z","score":0.01643844},{"id":"7313","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Stan Persky, Nicole Brossard, George Stanley,\nand Margaret Randall reading poetry on March 12, 1982 DUPLICATE 2 OF 2"],"item_title_source":["J-card and Recording"],"item_language":["English, French"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Persky, Stan","Brossard, Nicole","Randall, Margaret","Stanley, George Francis Gilman"],"creator_names_search":["Persky, Stan","Brossard, Nicole","Randall, Margaret","Stanley, George Francis Gilman"],"creators":["[{\"url\":\"http://viaf.org/viaf/57448780\",\"name\":\"Persky, 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"110 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:24\",\"precision\":\"\",\"size\":\"49.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-03-12\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"Stan Persky reading from Topic Sentence: A Writer's Education\\nNicole Brossard reading some poetry in English and French\\nGeorge Stanley reading from Opening Day\\nMargaret Randall reading her poetry written in varied range of years \\n\\n\",\"type\":\"General\"},{\"note\":\"This tape is the first part of tape 107 Stan Persky, Brian Fawcett, Nicole Brossard, and Margaret Randall at Writing in Revolution Discussion Panel on March 13, 1982 Part 1 of 2 DUPLICATE 1 OF 2 (SWALLOW ID 7310) \\nand \\n108 Stan Persky, Brian Fawcett, Nicole Brossard, and Margaret Randall at Writing in Revolution Discussion Panel on March 13, 1982 Part 1 of 2 DUPLICATE 2 OF 2 (SWALLOW ID 7311) \",\"type\":\"General\"},{\"note\":\"This tape is duplicate of tape 109 \\\"Stan Persky, Nicole Brossard, George Stanley, and Margaret Randall reading poetry on March 12, 1982 DUPLICATE 1 OF 2\\\" (SWALLOW ID 7312)\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556909436931,"timestamp":"2026-01-07T15:00:01.192Z","score":0.01643844},{"id":"7314","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah 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Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Stan Persky, Brian Fawcett, Nicole Brossard, and Margaret Randall at Writing in Revolution Discussion Panel on March 13, 1982 Part 2 of 2 DUPLICATE 1 OF 2"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Persky, Stan","Brossard, Nicole","Randall, Margaret","Stanley, George Francis Gilman","Wayman, Tom","McFadden, David","Wah, Fred","Derksen, Jeff","Gladys, Ann","Blaser, Robin","[Mariam, David?]"],"creator_names_search":["Persky, Stan","Brossard, Nicole","Randall, Margaret","Stanley, George Francis Gilman","Wayman, Tom","McFadden, David","Wah, Fred","Derksen, Jeff","Gladys, Ann","Blaser, Robin","[Mariam, David?]"],"creators":["[{\"url\":\"http://viaf.org/viaf/57448780\",\"name\":\"Persky, Stan\",\"dates\":\"1941-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/7387642\",\"name\":\"Brossard, Nicole\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/44421332\",\"name\":\"Randall, Margaret\",\"dates\":\"1936-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/66592454\",\"name\":\"Stanley, George Francis Gilman\",\"dates\":\"1907-2002\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/98293283\",\"name\":\"Wayman, Tom\",\"dates\":\"1945-\",\"notes\":\"Not sure if he talks, but his contribution is appreciated at the end of side two.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/7405434\",\"name\":\"McFadden, David\",\"dates\":\"1940-2018\",\"notes\":\"Not sure if he talks, but his contribution is appreciated at the end of side two.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"He is considered one of the contributors to this program. He does not talk, but he is present in the conference \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/30591332\",\"name\":\"Derksen, Jeff\",\"dates\":\"1958-\",\"notes\":\"Not sure if he speaks, but his name is mentioned as one of the present authors in the conference \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/104380559\",\"name\":\"Gladys, Ann \",\"dates\":\"1956-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"[Mariam, David?]\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7314/Fred Wah Fonds_MsC 17f_111.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"111 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:24\",\"precision\":\"\",\"size\":\"52.8 MB\",\"bitrate\":\"31 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"111 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:27\",\"precision\":\"\",\"size\":\"49.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-03-13\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"On the first side of this tape, different writers talk about revolution and their responsibilities toward it.  \\nNicole Brossard talks about the importance of going into the roots of the world to get to know what the reality is believing it's considered to be the author's job; she talks a little bit of her writing, the purpose, and the encouragement she gets to write.  \\nThe other author talks about the definition of revolution; the idea of capitalization, and the fact  \\ncritical artists should reconstruct the notion of what narrative is; how to do thing and how do thing fit into time, the world and us...\\nThe other author states that individuals in communities should get into every level of reality and be active at a reasonable level of what ever interests them.   \\nOne of the audience presents varied social revolutions that had happened in Canada and many had come into consideration by Canadian writers like\\nWomen movement \\nGay and white people \\nChildren rights\\nHandicapped architecture \\nThe fact that authors should write from their understandings and the ideas not the feelings and of course their personal ideas about revolution in writing is also discussed.  \\nMore writers get to talk on the second side. \\n\\n\\n\",\"type\":\"General\"},{\"note\":\"This tape is duplicate of tape 113 \\\"Stan Persky, Brian Fawcett, Nicole Brossard, and Margaret Randall at Writing in Revolution Discussion Panel on March 13, 1982 Part 2 of 2 DUPLICATE 2 OF 2\\\" (SWALLOW ID 7316)\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556909436932,"timestamp":"2026-01-07T15:00:01.192Z","score":0.01643844},{"id":"7315","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["David Arnason and Stephen Scobie at Writers in Critics colloquium on March 2 in 1984 "],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Arnason, David","Scobie, Stephen"],"creator_names_search":["Wah, Fred","Arnason, David","Scobie, Stephen"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/115570529\",\"name\":\"Arnason, David\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/18385392\",\"name\":\"Scobie, Stephen\",\"dates\":\"1943-\",\"notes\":\"Writer, poet and critic who is teaching at University of Victoria\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1984],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7315/Fred Wah Fonds_MsC 17f_112.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"112 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:05\",\"precision\":\"\",\"size\":\"48 MB\",\"bitrate\":\"31 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"112 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:11\",\"precision\":\"\",\"size\":\"48.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1984-03-02\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"Steven and David Arnason talk about the fact that writers should be critic of their own works. The following topics are also discussed to some extent on this tape: \\nWho makes a better critic, the writer or the reader?\\nProfessional critic and its history\\nThe fact that critics is mostly coming from a commentary culture \\nhow to distinguish between criticism and reviews \\nA deconstructive approach to criticism\\nClosure and the Critics\\nNarrators' and readers' (in the text and out of the text) views and reconstruction of a text in critics \\nimplied readers\\nA bit of critics in translated text (French text)\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556909436933,"timestamp":"2026-01-07T15:00:01.192Z","score":0.01643844},{"id":"7316","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Stan Persky, Brian Fawcett, Nicole Brossard, and Margaret Randall at Writing in Revolution Discussion Panel on March 13, 1982 Part 2 of 2 DUPLICATE 2 OF 2"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Persky, Stan","Brossard, Nicole","Randall, Margaret","Stanley, George Francis Gilman","Wayman, Tom","McFadden, David","Wah, Fred","Derksen, Jeff"],"creator_names_search":["Persky, Stan","Brossard, Nicole","Randall, Margaret","Stanley, George Francis Gilman","Wayman, Tom","McFadden, David","Wah, Fred","Derksen, Jeff"],"creators":["[{\"url\":\"http://viaf.org/viaf/57448780\",\"name\":\"Persky, Stan\",\"dates\":\"1941-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/7387642\",\"name\":\"Brossard, Nicole\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/44421332\",\"name\":\"Randall, Margaret\",\"dates\":\"1936-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/66592454\",\"name\":\"Stanley, George Francis Gilman\",\"dates\":\"1907-2002\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/98293283\",\"name\":\"Wayman, Tom\",\"dates\":\"1945-\",\"notes\":\"Not sure if he talks, but his contribution is appreciated at the end of side two.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/7405434\",\"name\":\"McFadden, David\",\"dates\":\"1940-2018\",\"notes\":\"Not sure if he talks, but his contribution is appreciated at the end of side two.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"He is considered one of the contributors to this program. He does not talk, but he is present in the conference \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/30591332\",\"name\":\"Derksen, Jeff\",\"dates\":\"1958-\",\"notes\":\"Not sure if he speaks, but his name is mentioned as one of the present authors in the conference \",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7316/Fred Wah Fonds_MsC 17f_113.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"113 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:34\",\"precision\":\"\",\"size\":\"48.6 MB\",\"bitrate\":\"31 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"113 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:34\",\"precision\":\"\",\"size\":\"48.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-03-13\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"On the first side of this tape, different writers talk about revolution and their responsibilities toward it.  \\nNicole Brossard talks about the importance of going into the roots of the world to get to know what the reality is believing it's considered to be the author's job; she talks a little bit of her writing, the purpose, and the encouragement she gets to write.  \\nThe other author talks about the definition of revolution; the idea of capitalization, and the fact  \\ncritical artists should reconstruct the notion of what narrative is; how to do thing and how do thing fit into time, the world and us...\\nThe other author states that individuals in communities should get into every level of reality and be active at a reasonable level of what ever interests them.   \\nOne of the audience presents varied social revolutions that had happened in Canada and many had come into consideration by Canadian writers like\\nWomen movement \\nGay and white people \\nChildren rights\\nHandicapped architecture \\nThe fact that authors should write from their understandings and the ideas not the feelings and of course their personal ideas about revolution in writing is also discussed.  \\nMore writers get to talk on the second side. \\n\\n\\n\",\"type\":\"General\"},{\"note\":\"This tape is duplicate of tape 111 \\\"Stan Persky, Brian Fawcett, Nicole Brossard, and Margaret Randall at Writing in Revolution Discussion Panel on March 13, 1982 Part 2 of 2 DUPLICATE 1 OF 2\\\" (SWALLOW ID 7314)\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556910485504,"timestamp":"2026-01-07T15:00:01.192Z","score":0.01643844},{"id":"7318","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Toronto CBC Radio Program: On Ideas, Orality and Literacy program, Part 3 (Literacy: The Medium and the Message) and CBC news"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Cayley, David","Folcik, Ray","Lorimer, Tim","Lorne, Tulk","Brownell, Gail","Clayton, Laurie","Wolch, Sara","Sinclair, Lister","Illich, Ivan","Sanders, Barry","De Kerckhove, Derrick","Buckler, Michael","Johnson, Dale","Masterman, Sue","Finkelman, Steve","Moreau, Nanette"],"creator_names_search":["Cayley, David","Folcik, Ray","Lorimer, Tim","Lorne, Tulk","Brownell, Gail","Clayton, Laurie","Wolch, Sara","Sinclair, Lister","Illich, Ivan","Sanders, Barry","De Kerckhove, Derrick","Buckler, Michael","Johnson, Dale","Masterman, Sue","Finkelman, Steve","Moreau, Nanette"],"creators":["[{\"url\":\"http://viaf.org/viaf/19811047\",\"name\":\"Cayley, David\",\"dates\":\"1946-\",\"notes\":\"On Ideas, Orality and Literacy program written and present by him\",\"nation\":[],\"role\":[\"Author\",\"Presenter\"]},{\"url\":\"\",\"name\":\"Folcik, Ray\",\"dates\":\"\",\"notes\":\"Technical Operation of On Ideas, Orality and Literacy program\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Lorimer, Tim\",\"dates\":\"\",\"notes\":\"Technical Operation of On Ideas, Orality and Literacy program\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Lorne, Tulk \",\"dates\":\"\",\"notes\":\"Technical Operation of On Ideas, Orality and Literacy program\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Brownell, Gail\",\"dates\":\"\",\"notes\":\"Production Assistant of On Ideas, Orality and Literacy program\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Clayton, Laurie\",\"dates\":\"\",\"notes\":\"Production Assistant of On Ideas, Orality and Literacy program\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Wolch, Sara\",\"dates\":\"\",\"notes\":\"Producer of On Ideas, Orality and Literacy program\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"http://viaf.org/viaf/86201539\",\"name\":\"Sinclair, Lister\",\"dates\":\"1921-2006\",\"notes\":\"CBC Radio host for On Ideas, Orality and Literacy program\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108129419\",\"name\":\"Illich, Ivan\",\"dates\":\"1926-2002\",\"notes\":\"Literacy: The Medium and the Message\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/76352885\",\"name\":\"Sanders, Barry\",\"dates\":\"1938-\",\"notes\":\"Literacy: The Medium and the Message\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/31998360\",\"name\":\"De Kerckhove, Derrick\",\"dates\":\"1944-\",\"notes\":\"Literacy: The Medium and the Message\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Buckler, Michael \",\"dates\":\"\",\"notes\":\"He's introduced on side two at 7:44\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Johnson, Dale \",\"dates\":\"\",\"notes\":\" Introduced on side two at 12:02\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Masterman, Sue\",\"dates\":\"\",\"notes\":\"Introduced on side two at 7:54 and 9:01. \\n\\nShe was a foreign correspondent, TV producer, ad radio reported based in London.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Finkelman, Steve\",\"dates\":\"\",\"notes\":\"Introduced on side two at 9:59 and 11:09.\\n\\nHe was a reporter and radio producer from Edmonton. \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Moreau, Nanette \",\"dates\":\"\",\"notes\":\" Introduced on side two at 10:46.\\n\\nAt the time of the recording, she was the head of a local citizen's committee in Edmonton. \",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7317/Fred Wah Fonds_MsC 17f_114.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"114 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:12:44\",\"precision\":\"\",\"size\":\"13.6 MB\",\"bitrate\":\"31 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"114 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:12:34\",\"precision\":\"\",\"size\":\"13.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-11-25\",\"type\":\"Production Date\",\"notes\":\"Not sure if this is the correct date for this program; it's just written on the j-card, and j-card seems to be irrelevant to what we heard listening to the tape  \",\"source\":\"J-card\"},{\"date\":\"1988-01\",\"type\":\"Production Date\",\"notes\":\"We found this date on https://www.davidcayley.com/transcripts; it's a website where David Cayley has all the transcripts of his CBC Radio’s Ideas series. It might be the date when David Cayley produced all three parts of this episode \",\"source\":\"Internet \"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"Text in academic setting should come back to the content of stories; emphasis on text devalue the spoken language \\nIvan Illich and Barry Sanders talk about the idea of their book called \\\"ABC: The Alphabetization of the Popular Mind\\\"; They talk about the impact of technology on literacy and language and the fact that the world was entering a new age, an age where men of letters would be out of place.  Barry Sanders states that computerization of education is frightening implication.  \\nDerrick de Kerckhove, on the other hand, goes against Ivan Illich and Barry Sanders explaining about the effects of TV and radio on on literacy and language expressing his agreement with them.   \\nTranscript on this program can be found on \\nhttps://www.davidcayley.com/transcripts\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556910485505,"timestamp":"2026-01-07T15:00:01.192Z","score":0.01643844},{"id":"7319","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Q&A with Michael Ondaatje on January 23, 1985 Part 2 of 2 DUPLICATE 1 OF 2"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ondaatje, Michael"],"creator_names_search":["Ondaatje, Michael"],"creators":["[{\"url\":\"http://viaf.org/viaf/111941870\",\"name\":\"Ondaatje, Michael\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1985],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7317/Fred Wah Fonds_MsC 17f_115.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"115 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:06:39\",\"precision\":\"\",\"size\":\"6.78 MB\",\"bitrate\":\"31 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"115 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:20\",\"precision\":\"\",\"size\":\"47.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-01-23\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"Question and answer period with Michael Ondaatje regarding his poetry books named \\\"Running in the Family\\\" and \\\"Secular Love\\\" on January 23, 1985 \",\"type\":\"General\"},{\"note\":\"This tape is duplicate of tape 119 \\\"Q & A with Michael Ondaatje on January 23, 1985 Part 2 of 2 DUPLICATE 2 OF 2\\\" (SWALLOW ID 7325)\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556911534080,"timestamp":"2026-01-07T15:00:01.192Z","score":0.01643844},{"id":"7320","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Michael Ondaatje reading poetry on January 23, 1985 Part 1 of 2"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ondaatje, Michael"],"creator_names_search":["Ondaatje, Michael"],"creators":["[{\"url\":\"http://viaf.org/viaf/111941870\",\"name\":\"Ondaatje, Michael\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1985],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7320/Fred Wah Fonds_MsC 17f_116.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"116 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:10\",\"precision\":\"\",\"size\":\"46.6 MB\",\"bitrate\":\"31 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-01-23\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"He has a question and answer period at the end of the tape explaining ans answering the audiences' questions about his poems in \\\"Running in the Family\\\" and \\\"Secular Love\\\"\",\"type\":\"General\"},{\"note\":\"Michael Ondaatje reading poetry from two of his books named \\\"Running in the Family\\\" and \\\"Secular Love\\\" on January 23, 1985 \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556911534081,"timestamp":"2026-01-07T15:00:01.192Z","score":0.01643844},{"id":"7321","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Michael Ondaatje reading poetry in Nelson in February 1979 Part 1 of 2"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ondaatje, Michael"],"creator_names_search":["Ondaatje, Michael"],"creators":["[{\"url\":\"http://viaf.org/viaf/111941870\",\"name\":\"Ondaatje, Michael\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1979],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7321/Fred Wah Fonds_MsC 17f_117.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"117 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:08\",\"precision\":\"\",\"size\":\"47.4 MB\",\"bitrate\":\"31 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"117 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:42\",\"precision\":\"\",\"size\":\"45.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1979-02\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2221423\",\"venue\":\"\",\"notes\":\"\",\"address\":\"City Nelson, Regional District of Central Kootenay, British Columbia, Canada\",\"latitude\":\"49.4936\",\"longitude\":\"-117.2962\"}]"],"Address":["City Nelson, Regional District of Central Kootenay, British Columbia, Canada"],"Note":["[{\"note\":\"This quality is quite poor that makes the tape almost inaudible \",\"type\":\"General\"},{\"note\":\"Since the dates on this tape and 118 (SWALLOW ID 7322) are the same, we assume they could both belong to the same poetry reading event\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556911534082,"timestamp":"2026-01-07T15:00:01.192Z","score":0.01643844},{"id":"7322","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Michael Ondaatje reading poetry in Nelson in February 1979 part 2 of 2"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ondaatje, Michael"],"creator_names_search":["Ondaatje, Michael"],"creators":["[{\"url\":\"http://viaf.org/viaf/111941870\",\"name\":\"Ondaatje, Michael\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1979],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7322/Fred Wah Fonds_MsC 17f_118.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"118 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:57\",\"precision\":\"\",\"size\":\"47.7 MB\",\"bitrate\":\"31 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"118 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:06\",\"precision\":\"\",\"size\":\"47.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1979-02\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2221423\",\"venue\":\"\",\"notes\":\"\",\"address\":\"City Nelson, Regional District of Central Kootenay, British Columbia, Canada\",\"latitude\":\"49.4936\",\"longitude\":\"-117.2962\"}]"],"Address":["City Nelson, Regional District of Central Kootenay, British Columbia, Canada"],"Note":["[{\"note\":\"Michael Ondaatje reading poetry [Coming Through] Slaughter in Nelson in February 1979\",\"type\":\"General\"},{\"note\":\"This quality is quite poor which makes the tape almost inaudible. Since the dates on tape 117 (SWALLOW ID 7321) and 118 are the same, we assume they could be part one and two of the same poetry reading event \",\"type\":\"General\"},{\"note\":\"Since the dates on tapes 117 (SWALLOW ID 7321) and this tape are the same, we assume they could both belong to the same poetry reading event\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556911534083,"timestamp":"2026-01-07T15:00:01.192Z","score":0.01643844},{"id":"7325","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Q&A with Michael Ondaatje on January 23, 1985 Part 2 of 2 DUPLICATE 2 OF 2"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ondaatje, Michael"],"creator_names_search":["Ondaatje, Michael"],"creators":["[{\"url\":\"http://viaf.org/viaf/111941870\",\"name\":\"Ondaatje, Michael\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1985],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7325/Fred Wah Fonds_MsC 17f_119.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"119 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:32\",\"precision\":\"\",\"size\":\"46.2 MB\",\"bitrate\":\"31 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"119 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:44\",\"precision\":\"\",\"size\":\"46.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-01-23\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"Question and answer period with Michael Ondaatje regarding his poetry books named \\\"Running in the Family\\\" and \\\"Secular Love\\\" on January 23, 1985 Part 2 of 2 \",\"type\":\"General\"},{\"note\":\"This tape is duplicate of tape 115 \\\"Q & A with Michael Ondaatje on January 23, 1985 Part 2 of 2 DUPLICATE 1 OF 2\\\" (SWALLOW ID 7319)\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556911534084,"timestamp":"2026-01-07T15:00:01.192Z","score":0.01643844},{"id":"7326","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Writing Panel with George Bowering, Robert Creeley, Gladys Maria Hindmarch, and Robert Kroetsch"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","Hindmarch, Gladys","Creeley, Robert","Kroetsch, Robert","Wah, Fred"],"creator_names_search":["Bowering, George","Hindmarch, Gladys","Creeley, Robert","Kroetsch, Robert","Wah, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/38164256\",\"name\":\"Hindmarch, Gladys\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"His name, Bob, is mentioned \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"We assume that Fred Wah is the facilitator of the event\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7326/Fred Wah Fonds_MsC 17f_121.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"121 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:01:31\",\"precision\":\"\",\"size\":\"63.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"121 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:01:31\",\"precision\":\"\",\"size\":\"62.7 MB\",\"bitrate\":\"31 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"The panelists are asked questions about writing, realism and post-modernism in it. They also talk about about the conventional writing, and they ended the event talking about their feelings regarding the fact that they are writer; what it takes to write, and what it cost to stay one.    \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556911534085,"timestamp":"2026-01-07T15:00:01.192Z","score":0.01643844},{"id":"7327","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Barry McKinnon reading poetry at Selkirk College on January 12, 1977\n"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["McKinnon, Barry"],"creator_names_search":["McKinnon, Barry"],"creators":["[{\"url\":\"http://viaf.org/viaf/60321164\",\"name\":\"McKinnon, Barry\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7327/Fred Wah Fonds_MsC 17f_123.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"123 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:02\",\"precision\":\"\",\"size\":\"49.6 MB\",\"bitrate\":\"31 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"123 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:14:24\",\"precision\":\"\",\"size\":\"15.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977-01-12\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/270034909\",\"venue\":\"Selkirk College\",\"notes\":\"Selkirk College has up to 8 campuses, and we are not sure which campus this poetry reading must've taken place; we decided to put Selkirk College,10th Street since most of the events in this collection were held there.\",\"address\":\"College Selkirk College, 10th Street Campus, 11th Street, Fairview, Nelson, Regional District of Central Kootenay, British Columbia, V1L 3C7, Canada\",\"latitude\":\"49.50554\",\"longitude\":\"-117.26734\"}]"],"Address":["College Selkirk College, 10th Street Campus, 11th Street, Fairview, Nelson, Regional District of Central Kootenay, British Columbia, V1L 3C7, Canada"],"Venue":["Selkirk College"],"Note":["[{\"note\":\"Barry McKinnon first talks about his book and how he got it published. he reads some poems from the book. He and the audience get into a conversation talking about the book\",\"type\":\"General\"},{\"note\":\"Barry McKinnon reading poetry from his book named \\\"The Death of a Lyric Poet: Poems & Drafts\\\"\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556912582656,"timestamp":"2026-01-07T15:00:01.192Z","score":0.01643844},{"id":"7328","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. 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He specifically talks about his notion of marginality.\\n\\nHarryette Mullen talks about 20th Century and the necessity of an effort to make our difference more productive; she illustrates the significance of communication and technology; she also talks briefly about marginality sharing some about the survival of artists. \\n\\nSteve McCaffery and Harryette Mullen get to talk more about marginality and its relevant issues when they are asked more questions. \\n\\n\\n \\n\",\"type\":\"General\"},{\"note\":\"This tape is a duplicate of tape 128 \\\"Writing at the Turn: Steve McCaffery and Harryette Mullen panel at the University of Calgary on February 23, 1996 DUPLICATE 1 OF 2\\\" (SWALLOW ID 7332)\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556912582662,"timestamp":"2026-01-07T15:00:01.192Z","score":0.01643844},{"id":"7335","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. 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G.","Quartermaine, Peter","Marlatt, Daphne"],"creators":["[{\"url\":\" http://viaf.org/viaf/46907829\",\"name\":\"Killian, Kevin\",\"dates\":\"1952-2019\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/66592454\",\"name\":\"Stanley, George F. G.\",\"dates\":\"1907-2002\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/12392744\",\"name\":\"Quartermaine, Peter\",\"dates\":\"1942-\",\"notes\":\"Peter Quartermaine reads his paper.\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"Marlatt reads her essay about [the principle of composition in the imagination poems in Holly Forest?] \",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7357/Fred Wah Fonds_MsC 17f_150.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"150 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:22\",\"precision\":\"\",\"size\":\"54.4 MB\",\"bitrate\":\"31 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"150 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:01\",\"precision\":\"\",\"size\":\"60.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"\",\"address\":\"City Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, Canada\",\"latitude\":\"49.2604\",\"longitude\":\"-123.1131\"}]"],"Address":["City Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, Canada"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"15, Sunday morning, written on the j-card could indicate the date. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556916776962,"timestamp":"2026-01-07T15:00:01.192Z","score":0.01643844},{"id":"7358","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Robert Creeley reading poetry from Norton Anthology and Warren Tallman's lecture "],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Tallman, Warren"],"creator_names_search":["Creeley, Robert","Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\" 1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994 \",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7358/Fred Wah Fonds_MsC 17f_151.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"151 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:14\",\"precision\":\"\",\"size\":\"31.5 MB\",\"bitrate\":\"31 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"151 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:32\",\"precision\":\"\",\"size\":\"21.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"\",\"address\":\"City Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, Canada\",\"latitude\":\"49.2604\",\"longitude\":\"-123.1131\"}]"],"Address":["City Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, Canada"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Here's the list of poems which Robert Creeley reads:\\nWait for me\\nLa Noche\\nThe Whip\\nBallad Of The Despairing Husband\\nIf You\\nThe Door\\nThe Hill\\nThe Window\\nI Keep to Myself Such Measures \\nThe World\\n\",\"type\":\"General\"},{\"note\":\"Robert Creeley's reading ends at 28:04, and Warren Tallman's lecture begins right after it.\\nIt seems Warren Tallman's lecture is about a novel. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556916776963,"timestamp":"2026-01-07T15:00:01.192Z","score":0.01643844},{"id":"7359","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Asian (Chinese) Canadian writers reading at National Book Festival on April 25, 1992"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Lau, Evelyn","Wong-Chu, Jim","Lee, Sky","Jew, Anne","Lai, Larissa","Yee, Paul","Wah, Fred","Ng-Chan, Taien","Ching Lee, Paul","Gunn, Sean","Yamada, D. L.","Li, Qingzhao"],"creator_names_search":["Lau, Evelyn","Wong-Chu, Jim","Lee, Sky","Jew, Anne","Lai, Larissa","Yee, Paul","Wah, Fred","Ng-Chan, Taien","Ching Lee, Paul","Gunn, Sean","Yamada, D. L.","Li, Qingzhao"],"creators":["[{\"url\":\"http://viaf.org/viaf/57418207\",\"name\":\"Lau, Evelyn\",\"dates\":\"1971-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/112672229\",\"name\":\"Wong-Chu, Jim\",\"dates\":\"1949-2017\",\"notes\":\"Jim introduces all the writers \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/305308616\",\"name\":\"Lee, Sky\",\"dates\":\"1952-\",\"notes\":\"She reads from \\\"The Woman Down-Stairs\\\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/92383911\",\"name\":\"Jew, Anne\",\"dates\":\"1966-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/41067955\",\"name\":\"Lai, Larissa\",\"dates\":\"1967-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94399108\",\"name\":\"Yee, Paul\",\"dates\":\"1956-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\" Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/73319963\",\"name\":\" Ng-Chan, Taien\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]},{\"url\":\"\",\"name\":\"Ching Lee, Paul \",\"dates\":\"\",\"notes\":\"Departure, North Vancouver\\nOctober \\nDomestic Bliss \\nOn a Death of a Friend\\n[Fall?]\\nBeach Avenue \\nHe also reads some poems in Chinese \",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]},{\"url\":\"\",\"name\":\"Gunn, Sean \",\"dates\":\"\",\"notes\":\"He performs Chinatown piece \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Yamada, D. L. \",\"dates\":\"\",\"notes\":\"The book 'Echoes From Gold Mountain' is written on the j-card. The author is D. L. Yamada\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/73832575\",\"name\":\"Li, Qingzhao\",\"dates\":\"1084-1155\",\"notes\":\"Some of her poems are read in this event\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1992],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7359/Fred Wah Fonds_MsC 17f_152.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"152 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:55:25\",\"precision\":\"\",\"size\":\"57.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"152 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:57:01\",\"precision\":\"\",\"size\":\"59.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1992-04-25\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"The book 'Echoes From Gold Mountain' is written on the j-card. \",\"type\":\"\"},{\"note\":\"Asian (Chinese) Canadian writers reading at National Book Festival on April 25 in 1992: Evelyn Lau, Sky Lee, Ann Jew, Larissa Lai, Paul Yee, Fred Wah, Paul Ching Lee, Taien Ng-Chan, Sean Gunn reading\\n\\n \",\"type\":\"General\"},{\"note\":\"Paul Ching Lee reads some poem in Chinese\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556916776964,"timestamp":"2026-01-07T15:00:01.192Z","score":0.01643844},{"id":"7360","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Translation Conference in Paris on May, 1987"],"item_title_source":["Cassette and J-card"],"item_language":["English, French"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred"],"creator_names_search":["Wah, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7360/Fred Wah Fonds_MsC 17f_153.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"153 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:47\",\"precision\":\"\",\"size\":\"48.2 MB\",\"bitrate\":\"31 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"153 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:00:30\",\"precision\":\"\",\"size\":\"534 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-05\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/71525\",\"venue\":\"\",\"notes\":\"\",\"address\":\"City Paris, Metropolitan France, France \",\"latitude\":\"48.8534\",\"longitude\":\"2.3487\"}]"],"Address":["City Paris, Metropolitan France, France "],"Note":["[{\"note\":\"There are speakers who speak French and also read in French. \\nFred Wah speaks briefly in English \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556916776965,"timestamp":"2026-01-07T15:00:01.192Z","score":0.01643844},{"id":"7361","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Roy Miki and Fred Wah reading at Kiyooka Show at Triangle Gallery of Visual Art in Calgary on April 7, 2001"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kiyooka, Harry","Kiyooka, Roy","Wah, Fred","Miki, Roy"],"creator_names_search":["Kiyooka, Harry","Kiyooka, Roy","Wah, Fred","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/105883397\",\"name\":\"Kiyooka, Harry\",\"dates\":\"1928-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"He is the artist whose this event is all about\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"Fred Wah part is missing \",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy \",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[2001],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7361/Fred Wah Fonds_MsC 17f_154.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"154 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:57:06\",\"precision\":\"\",\"size\":\"60.8 MB\",\"bitrate\":\"31 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2001-04-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/27055405\",\"venue\":\"Triangle Gallery of Visual Art\",\"notes\":\"\",\"address\":\"800 Macleod Trail SE, Calgary, AB T2G 2M3\",\"latitude\":\"51.04561\",\"longitude\":\"-114.05648\"}]"],"Address":["800 Macleod Trail SE, Calgary, AB T2G 2M3"],"Venue":["Triangle Gallery of Visual Art"],"City":["Calgary, Alberta"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556916776966,"timestamp":"2026-01-07T15:00:01.192Z","score":0.01643844},{"id":"7362","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Roy Kiyooka reading at DTUC (David Thompson University Centre ) on March 10, 1982"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kiyooka, Roy","Gomez, Rick","Wah, Fred"],"creator_names_search":["Kiyooka, Roy","Gomez, Rick","Wah, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\",\"Performer\"]},{\"url\":\"http://viaf.org/viaf/21873474\",\"name\":\"Gomez, Rick\",\"dates\":\"1972-\",\"notes\":\"He introduces Roy Kiyooka \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"His voice is heard at the end of side two\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7362/Fred Wah Fonds_MsC 17f_155.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"155 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:51\",\"precision\":\"\",\"size\":\"52.9 MB\",\"bitrate\":\"31 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"155 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:35\",\"precision\":\"\",\"size\":\"53.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-03-10\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/936493657\",\"venue\":\"David Thompson University Centre\",\"notes\":\"David Thompson University Centre got closed in Nelson in 1984; its current adopted name is Notre Dame University College\\n\\nSince the exact location could not be found on OpenStreetMap, the provided link refers to the closest point on Vernon Street in Downtown Nelson, within the Regional District of Central Kootenay, British Columbia, V1L 4G2, Canada\",\"address\":\"713 Vernon Street, Nelson, BC, V1L 4G8\",\"latitude\":\"49.489145\",\"longitude\":\"-117.301457\"}]"],"Address":["713 Vernon Street, Nelson, BC, V1L 4G8"],"Venue":["David Thompson University Centre"],"Note":["[{\"note\":\"Roy Kiyooka reads some parts of his book named Wheels\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556916776967,"timestamp":"2026-01-07T15:00:01.192Z","score":0.01643844},{"id":"7363","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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Mayumi Honda with Sarah Vaughan live performances at the [Western Front?] on February and October, 1984 "],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Honda, W. Mayumi","Vaughan, Sarah","[Blue Mule?]"],"creator_names_search":["Honda, W. Mayumi","Vaughan, Sarah","[Blue Mule?]"],"creators":["[{\"url\":\"\",\"name\":\"Honda, W. Mayumi\",\"dates\":\"\",\"notes\":\"Performer of Ace of Hearts \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/112758178\",\"name\":\"Vaughan, Sarah\",\"dates\":\"1924-1990\",\"notes\":\"Performer of Thanks for the Memory\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/123098114\",\"name\":\"[Blue Mule?]\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Production_Date":[1984],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7363/Fred Wah Fonds_MsC 17f_156.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"156 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:24:32\",\"precision\":\"\",\"size\":\"26.4 MB\",\"bitrate\":\"31 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"156 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:53\",\"precision\":\"\",\"size\":\"56.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1984-10\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1984-02\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"[The Western Front?]\",\"notes\":\"We just assume that [The Western Front?] is the venue based on \\\"W.F.\\\" on the j-card\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26392\",\"longitude\":\"-123.09870\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1"],"Venue":["[The Western Front?]"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"There is no introduction on the tape only music and singing\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556917825536,"timestamp":"2026-01-07T15:00:01.192Z","score":0.01643844},{"id":"7289","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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Audrey Thomas begins talking a bit about the workshop and then reads one one of her book's chapters, which is about her first love, in one of her novels.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556917825537,"timestamp":"2026-01-07T15:00:01.192Z","score":0.01643844},{"id":"7299","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Audrey Thomas reading at Selkirk College on November 3, 1977"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Thomas, Audrey","Wah, Fred"],"creator_names_search":["Thomas, Audrey","Wah, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/27082708\",\"name\":\" Thomas, Audrey\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\" Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"Fred Wah introduces Audrey Thomas in the beginning on the first side  \",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7299/Fred Wah Fonds_MsC 17f_96.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"096 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:57:22\",\"precision\":\"\",\"size\":\"64.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"096 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:55:30\",\"precision\":\"\",\"size\":\"64.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"},{\"date\":\"1977-11-03\",\"type\":\"Production Date\",\"notes\":\"Year (1977) is uncertain.\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/270034909\",\"venue\":\"Selkirk College\",\"notes\":\"Selkirk College has up to 8 campuses, and we are not sure which campus this poetry reading must've taken place; we decided to put Selkirk College,10th Street since most of the events in this collection were held there.\",\"address\":\"College Selkirk College, 10th Street Campus, 11th Street, Fairview, Nelson, Regional District of Central Kootenay, British Columbia, V1L 3C7, Canada\",\"latitude\":\"49.50554\",\"longitude\":\"-117.26734\"}]"],"Address":["College Selkirk College, 10th Street Campus, 11th Street, Fairview, Nelson, Regional District of Central Kootenay, British Columbia, V1L 3C7, Canada"],"Venue":["Selkirk College"],"Note":["[{\"note\":\"The first 4 minutes of side one are audible, and the quality of the rest of side one and side two is not good\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557010100224,"timestamp":"2026-01-07T15:00:01.298Z","score":0.01643844},{"id":"7300","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Robert Kroetsch's interview in Fred Wah's class on April 7, 1976"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kroetsch, Robert","Wah, Fred"],"creator_names_search":["Kroetsch, Robert","Wah, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\" Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7300/Fred Wah Fonds_MsC 17f_97.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"097 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:45\",\"precision\":\"\",\"size\":\"47.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-04-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"Robert Kroetsch answers some students' questions regarding his different aspect of novel writing techniques, language reality versus imagination in novel writing, the structure of his novels, and the process he, as an author, goes through to name the character of his novel and find their voices in the story.  \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557010100225,"timestamp":"2026-01-07T15:00:01.298Z","score":0.01643844},{"id":"7301","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Robert Kroetsch reading from his poetry book Field Notes at DTUC (David Thompson University Centre) on July 16, 1981 "],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kroetsch, Robert"],"creator_names_search":["Kroetsch, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7301/Fred Wah Fonds_MsC 17f_98.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"098 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:33:24\",\"precision\":\"\",\"size\":\"34.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"098 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:33:39\",\"precision\":\"\",\"size\":\"34.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-16\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/936493657\",\"venue\":\"David Thompson University Centre\",\"notes\":\"David Thompson University Centre got closed in Nelson in 1984; its current adopted name is Notre Dame University College\\n\\nSince the exact location could not be found on OpenStreetMap, the provided link refers to the closest point on Vernon Street in Downtown Nelson, within the Regional District of Central Kootenay, British Columbia, V1L 4G2, Canada\",\"address\":\"713 Vernon Street, Nelson, BC, V1L 4G8\",\"latitude\":\"49.489145\",\"longitude\":\"-117.301457\"}]"],"Address":["713 Vernon Street, Nelson, BC, V1L 4G8"],"Venue":["David Thompson University Centre"],"Note":["[{\"note\":\"Robert Kroetsch reading some poems from his book named \\\"Field Notes\\\".\\nPoems in this book are:\\nStone Hammer Poem\\nFIELD NOTES\\nThe Ledger\\nSeed Catalogue\\nHow I Joined the Seal Herd\\nThe Sad Phoenician\\nThe Silent Poet Sequence\\nThe Winnipeg\\nSketches of a Lemon\\nThe Criminal Intensities of Love as Paradise\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557010100226,"timestamp":"2026-01-07T15:00:01.298Z","score":0.01643844},{"id":"7364","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Roy Kiyooka reading on March 4, 1976"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Oppen, George","Kiyooka, Roy","Wah, Fred"],"creator_names_search":["Oppen, George","Kiyooka, Roy","Wah, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/98097764\",\"name\":\"Oppen, George\",\"dates\":\"1908-1984\",\"notes\":\"Roy Kiyooka reads a poem of George Oppen\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Speaker\",\"Reader\",\"Performer\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"Fred Wah is heard on side one asking Roy Kiyooka some questions\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7364/Fred Wah Fonds_MsC 17f_157.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"157 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:00\",\"precision\":\"\",\"size\":\"47.7 MB\",\"bitrate\":\"31 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"157 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:35\",\"precision\":\"\",\"size\":\"46.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-03-04\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"Roy Kiyooka first reads an [introduction to his catalogue called intersection?] sharing a bit what interested him into Art. He also reads a poem from George Oppen;\\nHe's asked some question regarding his initials steps he took to become an artist. \\nHe talks more about painting on side two. Side two ends at 9:23, and then begins again with some music performances at 24:22\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557010100227,"timestamp":"2026-01-07T15:00:01.298Z","score":0.01643844},{"id":"7370","cataloger_name":["Maya,Schwartz"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["SFU Archives Readings"],"source_collection_label":["SFU Archives Readings"],"collection_contributing_unit":["SFU Archives and Records Management"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["A collection of poetry readings and panels that took place at SFU during the 1970s and are located in the SFU Archives. This group includes writers such as Margaret Atwood, Dorothy Livesay, Anne Marriott, Joy Kagawa, P. K. Page, and Irving Layton."],"collection_source_collection_id":["https://atom.archives.sfu.ca/f-231-1-2"],"persistent_url":["https://atom.archives.sfu.ca/f-231-1-2"],"item_title":["Stephen Black reading James Thurber, March 21, 1968"],"item_title_source":["archive entry, recording"],"item_title_note":["Information taken from https://atom.archives.sfu.ca/f-231-3"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Black, Stephen","Thurber, James"],"creator_names_search":["Black, Stephen","Thurber, James"],"creators":["[{\"url\":\"https://viaf.org/viaf/9991168/#Black,_Stephen_A.\",\"name\":\"Black, Stephen\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Performer\",\"Presenter\"]},{\"url\":\"https://viaf.org/viaf/22149445/#Thurber,_James,_1894-1961.\",\"name\":\"Thurber, James\",\"dates\":\"1894-1961\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Performance_Date":[1968],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"OBJ-263.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:52:39\",\"precision\":\"\",\"size\":\"18.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1968-03-21\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"archive entry\"}]"],"Location":["[{\"url\":\"https://nominatim.openstreetmap.org/ui/details.html?osmtype=W&osmid=102254132&class=amenity\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr W, Burnaby, BC V5A 1S6\",\"latitude\":\"49.276709600000004\",\"longitude\":\"-122.91780296438841\"}]"],"Address":["8888 University Dr W, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670557011148800,"timestamp":"2026-01-07T15:00:01.298Z","score":0.01643844},{"id":"7371","cataloger_name":["Maya,Schwartz"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["SFU Archives Readings"],"source_collection_label":["SFU Archives Readings"],"collection_contributing_unit":["SFU Archives and Records Management"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["A collection of poetry readings and panels that took place at SFU during the 1970s and are located in the SFU Archives. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Robert Creeley reading poetry at Selkirk College"],"item_title_source":["Cassettes and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Wah, Fred","Blaser, Robin"],"creator_names_search":["Creeley, Robert","Wah, Fred","Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"His voice is heard at the end of side two\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7412/Fred Wah Fonds_MsC 17f_167.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"167 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:12\",\"precision\":\"\",\"size\":\"32.4 MB\",\"bitrate\":\"31 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"167 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:10\",\"precision\":\"\",\"size\":\"31.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/270034909\",\"venue\":\"Selkirk College\",\"notes\":\"Selkirk College has up to 8 campuses, and we are not sure which campus this poetry reading must've taken place; we decided to put Selkirk College,10th Street since most of the events in this collection were held there.\",\"address\":\"College Selkirk College, 10th Street Campus, 11th Street, Fairview, Nelson, Regional District of Central Kootenay, British Columbia, V1L 3C7, Canada\",\"latitude\":\"49.50554\",\"longitude\":\"-117.26734\"}]"],"Address":["College Selkirk College, 10th Street Campus, 11th Street, Fairview, Nelson, Regional District of Central Kootenay, British Columbia, V1L 3C7, Canada"],"Venue":["Selkirk College"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670557014294532,"timestamp":"2026-01-07T15:00:01.298Z","score":0.01643844},{"id":"7413","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Fielding Dawson reading poetry in November, 1964 "],"item_title_source":["Cassettes and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Dawson, Fielding"],"creator_names_search":["Dawson, Fielding"],"creators":["[{\"url\":\"http://viaf.org/viaf/11120119\",\"name\":\"Dawson, Fielding\",\"dates\":\"1930-2002\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1964],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7413/Fred Wah Fonds_MsC 17f_168.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"168 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:03\",\"precision\":\"\",\"size\":\"21.7 MB\",\"bitrate\":\"31 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1964-11\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670557014294533,"timestamp":"2026-01-07T15:00:01.298Z","score":0.01643844},{"id":"7442","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Robin Blaser poetry Conference at Emily Carr University of Art and Design: Anne Waldman, Jerald Zaslove, Andrew Klobucar, and Michael Davidson reading on June 3, 1995 Tape 1 of 4"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Waldman, Ann","Zaslove, Jerald","Klobucar, Andrew","Davidson, Michael"],"creator_names_search":["Waldman, Ann","Zaslove, Jerald","Klobucar, Andrew","Davidson, Michael"],"creators":["[{\"url\":\"http://viaf.org/viaf/18978485\",\"name\":\"Waldman, Ann\",\"dates\":\"1945-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/76395739\",\"name\":\"Zaslove, Jerald\",\"dates\":\"1934-2021\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/101530801\",\"name\":\"Klobucar, Andrew\",\"dates\":\"1967-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/111011925\",\"name\":\"Davidson, Michael\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1995],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7442/Fred Wah Fonds_MsC 17 g_1.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-01 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:13\",\"precision\":\"\",\"size\":\"52 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-01 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:06\",\"precision\":\"\",\"size\":\"49.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1995\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/96871842\",\"venue\":\"Emily Carr University of Art + Design\",\"notes\":\"Charles indicates that this event is at Emily Carr institute of Art + Design on tape 3\",\"address\":\"520 E 1st Ave, Vancouver, BC V5T 0H2\",\"latitude\":\"49.26763\",\"longitude\":\"-123.09233\"}]"],"Address":["520 E 1st Ave, Vancouver, BC V5T 0H2"],"Venue":["Emily Carr University of Art + Design"],"City":["Vancouver, British Columbia"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670557014294534,"timestamp":"2026-01-07T15:00:01.298Z","score":0.01643844},{"id":"7443","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Robin Blaser poetry Conference at Emily Carr University of Art and Design: Michael Davidson, Kelly Paul, Norman Finkelstein, David Bromige, Jed Rasula, and Miriam Nichols reading in 1995 Tape 2 of 4 "],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Waldman, Ann","Zaslove, Jerald","Klobucar, Andrew","Davidson, Michael","Finkelstein, Norman","Bromige, David","Rasula, Jed","Nichols, Miriam","Kelly, Paul"],"creator_names_search":["Waldman, Ann","Zaslove, Jerald","Klobucar, Andrew","Davidson, Michael","Finkelstein, Norman","Bromige, David","Rasula, Jed","Nichols, Miriam","Kelly, Paul"],"creators":["[{\"url\":\"http://viaf.org/viaf/18978485\",\"name\":\"Waldman, Ann\",\"dates\":\"1945-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/76395739\",\"name\":\"Zaslove, Jerald\",\"dates\":\"1934-2021\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/101530801\",\"name\":\"Klobucar, Andrew\",\"dates\":\"1967-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/111011925\",\"name\":\"Davidson, Michael\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/109956859\",\"name\":\"Finkelstein, Norman\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/7436750\",\"name\":\"Bromige, David\",\"dates\":\"1933-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/56842998\",\"name\":\"Rasula, Jed\",\"dates\":\"1952-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"[ http://viaf.org/viaf/104945553?]\",\"name\":\"Nichols, Miriam\",\"dates\":\"[1952-?]\",\"notes\":\"She made a great contribution for this event and panel\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"\",\"name\":\"Kelly, Paul\",\"dates\":\"\",\"notes\":\"He is a former student of Robin Blaser at Simon Fraser University; he worked on Walter benjamin theory of experience for his PHD thesis in Philosophy department at University of Toronto; back then, he used to teach in Humanities at George Brown College in Toronto\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1995],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7443/Fred Wah Fonds_MsC 17 g_2.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-2 Side 1\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:08\",\"precision\":\"\",\"size\":\"50.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsCg17g-2 Side 2\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:01\",\"precision\":\"\",\"size\":\"49.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1995\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/96871842\",\"venue\":\"Emily Carr University of Art + Design\",\"notes\":\"Charles indicates that this event is at Emily Carr institute of Art + Design on tape 3\",\"address\":\"520 E 1st Ave, Vancouver, BC V5T 0H2\",\"latitude\":\"49.26763\",\"longitude\":\"-123.09233\"}]"],"Address":["520 E 1st Ave, Vancouver, BC V5T 0H2"],"Venue":["Emily Carr University of Art + Design"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"This conference revolves around Robin Blaser poetry and his works. Facilitators are not introduced \",\"type\":\"General\"},{\"note\":\"Authors, Steve McCaffery, [Rachel Blau DuPlessis?], Alan Golding, and Tom Marshall, were present in this event and  they were supposed to read; however, their parts were not recorded on this tape\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557015343104,"timestamp":"2026-01-07T15:00:01.298Z","score":0.01643844},{"id":"7444","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Robin Blaser poetry Conference at Emily Carr University of Art + Design in 1995: Peter Gizzi, Michele Leggott, Susan Clark, Norman Finkelstein, Don Byrd reading Tape 3 of 4"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Waldman, Ann","Zaslove, Jerald","Klobucar, Andrew","Davidson, Michael","[Kelly, Paul?]","Finkelstein, Norman","Bromige, David","Rasula, Jed","Gizzi, Peter","Leggott, Michele J.","Clark, Susan","Byrd, Don","Butling, Pauline"],"creator_names_search":["Waldman, Ann","Zaslove, Jerald","Klobucar, Andrew","Davidson, Michael","[Kelly, Paul?]","Finkelstein, Norman","Bromige, David","Rasula, Jed","Gizzi, Peter","Leggott, Michele J.","Clark, Susan","Byrd, Don","Butling, Pauline"],"creators":["[{\"url\":\"http://viaf.org/viaf/18978485\",\"name\":\"Waldman, Ann\",\"dates\":\"1945-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/76395739\",\"name\":\"Zaslove, Jerald\",\"dates\":\"1934-2021\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/101530801\",\"name\":\"Klobucar, Andrew\",\"dates\":\"1967-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/111011925\",\"name\":\"Davidson, Michael\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Speaker\",\"Reader\"]},{\"url\":\"\",\"name\":\"[Kelly, Paul?]\",\"dates\":\"\",\"notes\":\"He is a former student of Robin Blaser at Simon Fraser University; he worked on Walter benjamin theory of experience for his PHD thesis in Philosophy department at University of Toronto; back then, he used to teach in Humanities at George Brown College in Toronto\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/109956859\",\"name\":\"Finkelstein, Norman\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/7436750\",\"name\":\"Bromige, David\",\"dates\":\"1933-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/56842998\",\"name\":\"Rasula, Jed\",\"dates\":\"1952-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/66631800\",\"name\":\"Gizzi, Peter\",\"dates\":\"1959-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/92139230\",\"name\":\"Leggott, Michele J.\",\"dates\":\"1956-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"\",\"name\":\"Clark, Susan  \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/268961113\",\"name\":\"Byrd, Don\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/44560494\",\"name\":\"Butling, Pauline\",\"dates\":\"1939-\",\"notes\":\"She is the one who introduces speakers in the beginning of side two\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1995],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7444/Fred Wah Fonds_MsC 17 g_3.jpg\",\"other\":\"\",\"extent\":\"1/8 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Tony Lopez reading poetry on November 6, 1996"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Lopez, Antony","Wah, Fred"],"creator_names_search":["Lopez, Antony","Wah, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/77722507\",\"name\":\"Lopez, Antony\",\"dates\":\"1950-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"He's heard on side one\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1996],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7486/Fred Wah Fonds_MsC 17 g_20.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-20 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:43\",\"precision\":\"\",\"size\":\"943 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-20 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:08:23\",\"precision\":\"\",\"size\":\"1.46 GB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-11-06\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"We do not hear Tony Lopez reading poetry on side two. There is a woman, who is not introduced, is reading on side two and after her reading we hear some music; it seems the music belongs to a radio program\",\"type\":\"General\"},{\"note\":\"We assume Tony Lopez is reading in Fred Wah's class. He mostly reads his poems except for the parts when he talks about publishing poetry and books. There is also a period of question and answer at the end of the session on side one.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557022683139,"timestamp":"2026-01-07T15:00:01.298Z","score":0.01643844},{"id":"7487","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Kora in Hell: George Bowering, Roy Miki, and Fred Wah discuss William's Kora in Hell at Bowering's in Vancouver in October 1991 INCOMPLETE DUPLICATE 1 of 2"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","Wah, Fred","Williams, William Carlos","Miki, Roy"],"creator_names_search":["Bowering, George","Wah, Fred","Williams, William Carlos","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/29542054\",\"name\":\"Williams, William Carlos\",\"dates\":\"1883-1963\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1991],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7487/Fred Wah Fonds_MsC 17 g_21.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-21 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:22\",\"precision\":\"\",\"size\":\"31 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1991-10\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/356584778#map=19/49.26359/-123.21061\",\"venue\":\"George and Angela Bowering home\",\"notes\":\"Angela Bowering was George Bowering's first wife who died quite a few years ago, and this is where they used to live in 1979; we are not sure if they kept living in the same house for the following 20 years!\",\"address\":\"401 – 4542 West 10th Vancouver, BC  V6R 2J1\",\"latitude\":\"49.26360\",\"longitude\":\"-123.21062\"}]"],"Address":["401 – 4542 West 10th Vancouver, BC  V6R 2J1"],"Venue":["George and Angela Bowering home"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"These three poets discuss why they each is attracted to this poem.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557023731712,"timestamp":"2026-01-07T15:00:01.298Z","score":0.01643844},{"id":"7488","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Diamond Grill Book: Fred Wah interview with Susan Rudy on November 3, 1999"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Rudy, Susan"],"creator_names_search":["Wah, Fred","Rudy, Susan"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/51948730\",\"name\":\"Rudy, Susan\",\"dates\":\"1961-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors":["[]"],"Production_Date":[1999],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7488/Fred Wah Fonds_MsC 17 g_22.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-22SideA\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:12\",\"precision\":\"\",\"size\":\"44.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-22SideB\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:09\",\"precision\":\"\",\"size\":\"45.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1999-11-03\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"Fred talks about a variety of topics on this tape. Side one, Fred Wah's interview is mostly about Diamond Grill book and the idea of writing about identity and race; on sidetwo, Fred Wah talks a bit about Music at the Heart of Thinking on the second side, his critical writing and poetry, his contribution to a social change and his works at the time of interview\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557023731713,"timestamp":"2026-01-07T15:00:01.298Z","score":0.01643844},{"id":"7489","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Six Cheers for the Fred Wah's 25th Anniversary in Vancouver on August 21 in 1987: Colin Browne, Daphne Marlatt, Warren Tallman, Gladys Hindmarch, and George Bowering reading"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Browne, Colin","Marlatt, Daphne","Tallman, Warren","Hindmarch, Gladys","Kearns, Lionel","Bowering, George","[Bissett, Bill?]"],"creator_names_search":["Wah, Fred","Browne, Colin","Marlatt, Daphne","Tallman, Warren","Hindmarch, Gladys","Kearns, Lionel","Bowering, George","[Bissett, Bill?]"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105886216\",\"name\":\"Browne, Colin\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/38164256\",\"name\":\"Hindmarch, Gladys\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/30784380\",\"name\":\"Kearns, Lionel\",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"[Bissett, Bill?]\",\"dates\":\"1939-\",\"notes\":\"Bill Bissett might be present at this event since his name is mentioned at the end of side one\",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Production_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7489/Fred Wah Fonds_MsC 17 g_23.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-23 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:13\",\"precision\":\"\",\"size\":\"45.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-08-21\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574#map=16/49.2598/-123.1140\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Vancouver, British Columbia, Canada\",\"latitude\":\"49.2608\",\"longitude\":\"-123.1139\"}]"],"Address":["Vancouver, British Columbia, Canada"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"More people, who are not introduced, should be present at this event; a woman called 'Jennifer' is present.  \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557023731714,"timestamp":"2026-01-07T15:00:01.298Z","score":0.01643844},{"id":"7490","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557025828871,"timestamp":"2026-01-07T15:00:01.298Z","score":0.01643844},{"id":"7512","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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Fred and Gail talk a lot about Nicole Brossard and her influence in gail's everyday writing\\n\\nOn side two, they also talk a bit about English Canadian writing. \\n\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670557025828872,"timestamp":"2026-01-07T15:00:01.298Z","score":0.01643844},{"id":"7513","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Vancouver Co-op Radio (Mountain Pass series): Fred Wah interview with Brian Fawcett on December 22, 1976 DUPLICATE 4 of 4"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Fawcett, Brian","Shaddock, Philip","Wah, Fred"],"creator_names_search":["Fawcett, Brian","Shaddock, Philip","Wah, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/62310\",\"name\":\" Fawcett, Brian\",\"dates\":\"1906-1984\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/296045432\",\"name\":\"Shaddock, Philip\",\"dates\":\"1949–\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\",\"Interviewee\"]}]"],"contributors":["[]"],"Production_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7513/Fred Wah Fonds_MsC 17 g_29.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-29 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:50\",\"precision\":\"\",\"size\":\"31.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-29 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:38\",\"precision\":\"\",\"size\":\"30.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-12-22\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/7802936235#map=19/49.28180/-123.10236\",\"venue\":\"Vancouver Co-op Radio\",\"notes\":\"\",\"address\":\"370 Columbia St. Vancouver BC V6A 4J1\",\"latitude\":\"49.2817999\",\"longitude\":\"-123.1020211\"}]"],"Address":["370 Columbia St. Vancouver BC V6A 4J1"],"Venue":["Vancouver Co-op Radio"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"This tape is a duplicate of the following tapes in Fred Wah Fonds with the same title: MsC 17e.40.4 \\\"Vancouver Co-op Radio (Mountain Pass series): Fred Wah interview with Brian Fawcett on December 22, 1976 DUPLICATE 2 of 4\\\" (SWALLOW ID 6918), MsC 17e.41.5 \\\"Vancouver Co-op Radio (Mountain Pass series): Fred Wah interview with Brian Fawcett on December 22, 1976 DUPLICATE 3 of 4\\\" (SWALLOW ID 6919), and 17e.39.3 \\\"Vancouver Co-op Radio (Mountain Pass series): Fred Wah interview with Brian Fawcett on December 22, 1976 DUPLICATE 1 of 4\\\" (SWALLOW ID 6897). Original not determined. Due to variances in sound channels, it is possible that multiple microphones had been arranged in different locations and that multiple tapes were produced. \",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670557026877440,"timestamp":"2026-01-07T15:00:01.298Z","score":0.01643844},{"id":"7514","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Selkirk College Audio Visual: Fred Wah interview on Morning Side on March [1?], 1986"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Wells, Judy","Manuel, Richard"],"creator_names_search":["Wah, Fred","Wells, Judy","Manuel, Richard"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"\",\"name\":\"Wells, Judy \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/56242859\",\"name\":\" Manuel, Richard\",\"dates\":\"1943-1986\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Production_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7514/Fred Wah Fonds_MsC 17 g_30.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-30 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:31\",\"precision\":\"\",\"size\":\"32.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-03-04\",\"type\":\"Production Date\",\"notes\":\"The host mentions that Richard Manuel had passed away in the morning when this program was being recorded. Richard Manuel passed away on March 4, 1986\",\"source\":\"Recording \"},{\"date\":\"1986-03-[01?]\",\"type\":\"Production Date\",\"notes\":\"Written date on the j-card\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https:/https://www.openstreetmap.org/way/989685880www.openstreetmap.org/way/270034\",\"venue\":\"Selkirk College\",\"notes\":\"Selkirk College (10th Street), formerly known as David Thompson University College.\",\"address\":\"College Selkirk College, 10th Street Campus\",\"latitude\":\"49.50554\",\"longitude\":\"-117.26734\"}]"],"Address":["College Selkirk College, 10th Street Campus"],"Venue":["Selkirk College"],"Note":["[{\"note\":\"Fred Wah talks about Waiting for Saskatchewan telling a lot about his father which this book is dedicated to.\",\"type\":\"General\"},{\"note\":\"After Fred Wah interview , the host interviews Judy Wells, the author of Noble Spud talking about potato\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557026877441,"timestamp":"2026-01-07T15:00:01.298Z","score":0.01643844},{"id":"7515","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Phyllis Webb reading poetry in Strathcona Park in Vancouver Island on July 6, 1986"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Webb, Phyllis","Wah, Fred","Bowering, George","Bowering, Angela","[Marlatt, Daphne?]"],"creator_names_search":["Webb, Phyllis","Wah, Fred","Bowering, George","Bowering, Angela","[Marlatt, Daphne?]"],"creators":["[{\"url\":\"http://viaf.org/viaf/29847238\",\"name\":\"Webb, Phyllis\",\"dates\":\"1927-2021\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Author\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939- \",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/93542147\",\"name\":\"Bowering, Angela \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"[Marlatt, Daphne?]\",\"dates\":\"1942-\",\"notes\":\"Not sure, but she could be also present in this reading event\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7515/Fred Wah Fonds_MsC 17 g_31.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-31 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:53\",\"precision\":\"\",\"size\":\"45.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-31 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:49\",\"precision\":\"\",\"size\":\"44 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-07-06\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2227855\",\"venue\":\"Strathcona Provincial Park\",\"notes\":\"\",\"address\":\"Strathcona Regional District, British Columbia, Canada\",\"latitude\":\"49.6303\",\"longitude\":\"-125.6369\"}]"],"Address":["Strathcona Regional District, British Columbia, Canada"],"Venue":["Strathcona Provincial Park"],"Note":["[{\"note\":\"The first 12 minutes on side one are almost blank. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557027926016,"timestamp":"2026-01-07T15:00:01.298Z","score":0.01643844},{"id":"7516","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Discussion on Abstraction facilitated by bp Nichol in Red Deer on July 6, 1987"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939- \",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7516/Fred Wah Fonds_MsC 17 g_32.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-32 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:55\",\"precision\":\"\",\"size\":\"43.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-32 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:53\",\"precision\":\"\",\"size\":\"44.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-07-06\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/4166847\",\"venue\":\"\",\"notes\":\"\",\"address\":\"City Red Deer, Division No. 8, Alberta, Canada\",\"latitude\":\"52.2703\",\"longitude\":\"-113.8149\"}]"],"Address":["City Red Deer, Division No. 8, Alberta, Canada"],"Note":["[{\"note\":\"bp Nicol, Fred Wah and some anonymous authors discuss the concept of abstraction and metaphors in writing. bp introduces abstraction as a challenging part of writing for authors and poets.\\nThey also talk about metaphors and similes, their cliche types, and usage in poetry writing. \\nOn the second side, they also talk about methodology and vision \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557027926017,"timestamp":"2026-01-07T15:00:01.298Z","score":0.01643844},{"id":"7517","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Fred Wah lecture on \"The Odyssey\" at at David Thompson University Centre (DTUC) on February 22, 1984"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Homer"],"creator_names_search":["Wah, Fred","Homer"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939- \",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/224924963\",\"name\":\"Homer\",\"dates\":\"\",\"notes\":\"He is the author of \\\"The Odyssey\\\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1984],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7517/Fred Wah Fonds_MsC 17 g_33.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-33 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:36\",\"precision\":\"\",\"size\":\"43.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-33 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:42\",\"precision\":\"\",\"size\":\"44 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1984-02-22\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/936493657\",\"venue\":\"David Thompson University Centre\",\"notes\":\"David Thompson University Centre got closed in Nelson in 1984; its current adopted name is Notre Dame University College\\n\\nSince the exact location could not be found on OpenStreetMap, the provided link refers to the closest point on Vernon Street in Downtown Nelson, within the Regional District of Central Kootenay, British Columbia, V1L 4G2, Canada\",\"address\":\"713 Vernon Street, Nelson, BC, V1L 4G8\",\"latitude\":\"49.489145\",\"longitude\":\"-117.301457\"}]"],"Address":["713 Vernon Street, Nelson, BC, V1L 4G8"],"Venue":["David Thompson University Centre"],"Note":["[{\"note\":\"Fred Wah lectures on The Odyssey book by Homer; He begins his lecture talking a bit about ethics and morality from different Greek philosophers' viewpoints like Socrates and Aristotle.\\n\\nThen he begins talking about Iliad poem and the synopsis of 24 books it is divided into.\\n\\nFred Wah also talks about structure, geography, and theme and patterns of these books\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557027926018,"timestamp":"2026-01-07T15:00:01.298Z","score":0.01643844},{"id":"7518","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Fred Wah speech in Nanjing on August 23, 1996"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Zhang, Zijing","Huang, Fan","Zhou, Jun"],"creator_names_search":["Wah, Fred","Zhang, Zijing","Huang, Fan","Zhou, Jun"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939- \",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/29866467\",\"name\":\" Zhang, Zijing\",\"dates\":\"1921-2010\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/67558116\",\"name\":\"Huang, Fan\",\"dates\":\"1950-\",\"notes\":\"Not sure who he is on this tape. There are a group of Chinese people who talking on this tape \",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"\",\"name\":\"Zhou, Jun\",\"dates\":\"\",\"notes\":\"Not sure who he is on this tape. There are a group of Chinese people who talking on this tape \",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1996],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7518/Fred Wah Fonds_MsC 17 g_34.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-34 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:41:51\",\"precision\":\"\",\"size\":\"38.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-34 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:03\",\"precision\":\"\",\"size\":\"43.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-08-23\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2131524\",\"venue\":\"\",\"notes\":\"\",\"address\":\"City Nanjing City, Jiangsu, China\",\"latitude\":\"32.097\",\"longitude\":\"118.779\"}]"],"Address":["City Nanjing City, Jiangsu, China"],"Note":["[{\"note\":\"This tape is both in English and Chinese. \\nFred Wah is on a tour in China. He begins his speech tallking about the reason why and how Fred Wah and Tish poet became interested in Chinese contemporary poetry; he shares a bit about the particular Canadian poetry context, and what problems he has with reading British poetry.  \\n\\nFred Wah also talks about new ways of writing, long poems, exchange between American language poets and Canadian language poet, and\\nFeminist poetry (French poets and their crucial role).\\n\\nFred, in addition, talks about [Avenger?] poets; He explains about language poet and performance poets. 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http://viaf.org/viaf/108476705\",\"name\":\"Schiller, Herbert I.\",\"dates\":\"1919-2000\",\"notes\":\"A part from his book named \\\"The mind managers\\\" is read on side two\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/76405283\",\"name\":\"Mander, Jerry\",\"dates\":\" 1936-2023\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Speaker\"]},{\"url\":\"\",\"name\":\"Allen, Max\",\"dates\":\"1962-2002\",\"notes\":\"Producer of Ideas of Telematics: A Series of Four Programs about Information Technology and Communication\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"\",\"name\":\"Wood, Brian\",\"dates\":\"\",\"notes\":\"Technical operations for Ideas of Telematics: A Series of Four Programs about Information Technology and Communication, CBC radio program\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Cuthbert, Mark \",\"dates\":\"\",\"notes\":\"Producer of Sunday Matinee CBC Radio BC\\n\",\"nation\":[],\"role\":[\"Speaker\",\"Producer\"]}]"],"contributors":["[]"],"Production_Date":[1989],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7524/Fred Wah Fonds_MsC 17 g_40.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-40 Side 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Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/6007251\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Town Pond Inlet (Mittimatalik), Qikiqtaaluk Region, Nunavut, Canada\",\"latitude\":\"72.6982\",\"longitude\":\"-77.9590\"},{\"url\":\"https://www.openstreetmap.org/way/456341915#map=19/43.65360/-79.37320\",\"venue\":\"CBC Studio\",\"notes\":\"BC Toronto studio address was changed in 1993 (after this recording took place) to 205 Wellington Street West, Toronto, Ontario, M5V 3G7 from a smaller facility on Jarvis Street, near the former television transmitter. (Source: https://en.wikipedia.org/wiki/Canadian_Broadcasting_Centre)\",\"address\":\"Jarvis Street, Toronto, Ontario, Canada\",\"latitude\":\"43.6562555\",\"longitude\":\"-79.374232\"},{\"url\":\"https://www.openstreetmap.org/way/50259713\",\"venue\":\"CBC studio\",\"notes\":\"CBC Studio Vancouver. Sunday Matinee Radio Program at the end of side two  \",\"address\":\"700 Hamilton Street Vancouver, British Columbia V6B 4A2\",\"latitude\":\"49.27915495\",\"longitude\":\"-123.11434125\"}]"],"Address":["Town Pond Inlet (Mittimatalik), Qikiqtaaluk Region, Nunavut, Canada","Jarvis Street, Toronto, Ontario, Canada","700 Hamilton Street Vancouver, British Columbia V6B 4A2"],"Venue":["CBC Studio","CBC studio"],"City":["Toronto, Ontario","Hamilton, British Columbia"],"Note":["[{\"note\":\"This is CBC Radio One North program; this tape is in three [Inuinnaqtun/Inuktitut?], English and French languages. \\nFred Wah is interviewed about the writing working he held in Pond Inlet. \\nHe's asked \\n1. Why he became an author?\\n2. What he was was doing in Pond Inlet with both students and community. \\n3. What was the purpose of writing workshop? \\n\",\"type\":\"General\"},{\"note\":\"CBC Toronto News host has an interview with the head of the computer communication networks group at university of Waterloo talking about the new technology called Telidon. \\n\\nThe host talks also about the impact of data preprocessing link in everybody's living room would be. Simon Nora explains in French translated to someone else in English\\nDifferent parts of the translated of Simon Nora's passage and reports titled, Computerization of Society is read; the translated conversation with [Philip Lemay?] the head of the French National commission under the Computerization of Society is also read on this radio program.\\nLanguage and how language is impacted by data processing and computer language is discussed.\\n\\nSide two: the role of computer in libraries \\nDorothy Anne Phillips talks about what data Base works the best for people. Psychology of people toward technological push; the analysis of people's attitude toward Telidon.  \\nThe role of television and its role is also discussed.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557231349761,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7525","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Fred Wah reading poetry at St. Lawrence University on March 17, 1983"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred"],"creator_names_search":["Wah, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939- \",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7525/Unknown.jpeg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-41 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:14\",\"precision\":\"\",\"size\":\"47.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-03-17\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/6283189\",\"venue\":\"St. Lawrence University\",\"notes\":\"\",\"address\":\"University Saint Lawrence University, 23, Romoda Drive, Village of Canton, Town of Canton, Saint Lawrence County, New York, 13617, United States\",\"latitude\":\"44.5882\",\"longitude\":\"-75.1504\"}]"],"Address":["University Saint Lawrence University, 23, Romoda Drive, Village of Canton, Town of Canton, Saint Lawrence County, New York, 13617, United States"],"Venue":["St. Lawrence University"],"Note":["[{\"note\":\"Fred Wah reads poetry from his different books of poetry. He talks a bit about the story behind each poetry as well.\\nHe reads poetry from the books below:\\nMountain\\nAmong\\nTree\\nEarth\\nOwners Manual\\nBreathin' my name with a sigh\\nGrasp the Sparrow's Tail\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557231349762,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7526","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Fred Wah interview on Charles Olson at David Thompson University Centre (DTUC) in [1980?]"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Butling, Pauline","McFadden, David"],"creator_names_search":["Wah, Fred","Butling, Pauline","McFadden, David"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939- \",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/44560494\",\"name\":\"Butling, Pauline\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/7405434\",\"name\":\"McFadden, David\",\"dates\":\"1940-2018\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1980],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7526/Fred Wah Fonds_MsC 17 g_42.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-42 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:27\",\"precision\":\"\",\"size\":\"43.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-42 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:30\",\"precision\":\"\",\"size\":\"45.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1980\",\"type\":\"Production Date\",\"notes\":\"This interview took place around 1980 as it's written on j-card\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/936493657\",\"venue\":\"David Thompson University Centre\",\"notes\":\"David Thompson University Centre got closed in Nelson in 1984; its current adopted name is Notre Dame University College\\n\\nSince the exact location could not be found on OpenStreetMap, the provided link refers to the closest point on Vernon Street in Downtown Nelson, within the Regional District of Central Kootenay, British Columbia, V1L 4G2, Canada\",\"address\":\"713 Vernon Street, Nelson, BC, V1L 4G8\",\"latitude\":\"49.489145\",\"longitude\":\"-117.301457\"}]"],"Address":["713 Vernon Street, Nelson, BC, V1L 4G8"],"Venue":["David Thompson University Centre"],"Note":["[{\"note\":\"The quality of this tape keeps changing on side two. The quality of first 22 minutes of side two is moslty poor.\",\"type\":\"General\"},{\"note\":\"Fred Wah talks about Charles Olson, and a bit of history about Tish.\\nFred Wah also shared a bit about the poets whom he got influenced by. \\nHe responds if he uses Charles Olson in his teaching. He also talks about how Charles Olson influenced him and the way he writes  \\n \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557231349763,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7527","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Robin Blaser reading poetry on March 16, 1984"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Blaser, Robin"],"creator_names_search":["Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1984],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7527/Fred Wah Fonds_MsC 17 g_43.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-43 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:53\",\"precision\":\"\",\"size\":\"66.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-43 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:46\",\"precision\":\"\",\"size\":\"61.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1984-03-16\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"The quality of this tape keeps changing on side two. The quality of first 22 minutes of side two is moslty poor.\",\"type\":\"General\"},{\"note\":\"Robin Blaser is reading his poems sharing a bit about each. Here are the poems he reads on this tape:\\nHarp Trees\\nImage-Nation 9 (half and half) for Dennis Wheeler\\nSophia Nichols\\nThe Truth Is Laughter\\n\\n\\n \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557231349764,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7530","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Robin Blaser poetry reading event at Special Collections and Rare Books at SFU on November 20, 2008"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Blaser, Robin","Collis, Stephen","Nichols, Miriam","Grieve, Tom","Copeland, Lynn","Power, Tony"],"creator_names_search":["Blaser, Robin","Collis, Stephen","Nichols, Miriam","Grieve, Tom","Copeland, Lynn","Power, Tony"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/61873157\",\"name\":\"Collis, Stephen\",\"dates\":\"1965-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/104945553\",\"name\":\"Nichols, Miriam\",\"dates\":\"\",\"notes\":\"She introduces Robin Blaser\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Grieve, Tom \",\"dates\":\"\",\"notes\":\"He is a contributor to this event\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Copeland, Lynn\",\"dates\":\"\",\"notes\":\"Lynn is a contributor to this event\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Power, Tony\",\"dates\":\"\",\"notes\":\"He is a contributor to this event\",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Production_Date":[2008],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7530/Fred Wah Fonds_MsC 17 g_44.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-44 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:24\",\"precision\":\"\",\"size\":\"61.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-44 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:23\",\"precision\":\"\",\"size\":\"61 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2008-11-20\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU (Special Collections and Rare Books)\",\"notes\":\"\",\"address\":\" 8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":[" 8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["SFU (Special Collections and Rare Books)"],"City":["Burnaby, British Columbia"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670557232398336,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7531","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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(University at Buffalo)?] in October 1980 "],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Bowering, George","Culley, Peter","Gilbert, Gerry","Marlatt, Daphne","Coleman, Victor","McCaffery, Steve","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Creeley, Robert","Bowering, George","Culley, Peter","Gilbert, Gerry","Marlatt, Daphne","Coleman, Victor","McCaffery, Steve","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"Robert Creeley does the introduction \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/166436053\",\"name\":\"Culley, Peter\",\"dates\":\"1958-2015\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry \",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/38160442\",\"name\":\"Coleman, Victor\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Performer\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\" Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1980],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7535/Fred Wah Fonds_MsC 17 g_49.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-49 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:39\",\"precision\":\"\",\"size\":\"921 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-49 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:34\",\"precision\":\"\",\"size\":\"920 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1980-10\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/68036581\",\"venue\":\"[Buffalo – S.U.N.Y. (University at Buffalo)?]\",\"notes\":\"We are not sure if this event reading happened at Buffalo – S.U.N.Y, but this is where we assume it could've happened \",\"address\":\"Buffalo, NY 14260, United States\",\"latitude\":\"42.9533\",\"longitude\":\"-78.8181\"}]"],"Address":["Buffalo, NY 14260, United States"],"Venue":["[Buffalo – S.U.N.Y. (University at Buffalo)?]"],"City":["Buffalo, New York"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670557232398341,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7536","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Colloquium and reading with Paulette Jiles on December 10, 1982"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Jiles, Paulette"],"creator_names_search":["Jiles, Paulette"],"creators":["[{\"url\":\"http://viaf.org/viaf/85467608\",\"name\":\"Jiles, Paulette\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7536/Fred Wah Fonds_MsC 17 g_50.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-50 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:45\",\"precision\":\"\",\"size\":\"60.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-50 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:41\",\"precision\":\"\",\"size\":\"59.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-12-10\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670557233446912,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7537","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Markin-Flanagan Distinguished Writers Program: Robert Creeley reading at University of Calgary on March 7, 1995"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Wah, Fred","Blaser, Robin","Flanagan, Jackie","Markin, Allen","Butling, Pauline"],"creator_names_search":["Creeley, Robert","Wah, Fred","Blaser, Robin","Flanagan, Jackie","Markin, Allen","Butling, Pauline"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"Fred Wah is present in this event because Robert Creeley mentions his name at the beginning of side one \",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"Robin Blaser is present in this event because Robert Creeley mentions his name at the beginning of side one \",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Flanagan, Jackie\",\"dates\":\"\",\"notes\":\"He is present in this event; Allen Markin and Jackie Flanagan are private donors who established the Markin-Flanagan Distinguished Writers Program at the University of Calgary. \",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"\",\"name\":\"Markin, Allen \",\"dates\":\"\",\"notes\":\"He is present in this event; Allen Markin and Jackie Flanagan are private donors who established the Markin-Flanagan Distinguished Writers Program at the University of Calgary. \",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/44560494\",\"name\":\"Butling, Pauline\",\"dates\":\"1939-\",\"notes\":\"We assume she is present at this event because Robert Creeley mentions her first name\",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Production_Date":[1995],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7537/Fred Wah Fonds_MsC 17 g_51.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-51 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:35\",\"precision\":\"\",\"size\":\"1.04 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-51 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:52\",\"precision\":\"\",\"size\":\"1.02 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1995-03-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/4973042#map=19/51.07909/-114.12691\",\"venue\":\"University of Calgary\",\"notes\":\"\",\"address\":\"Social Sciences, 500 Campus Place NW, Charleswood, Calgary, Alberta, T2N 1N7, Canada\",\"latitude\":\"51.07912\",\"longitude\":\"-114.12695 \"}]"],"Address":["Social Sciences, 500 Campus Place NW, Charleswood, Calgary, Alberta, T2N 1N7, Canada"],"Venue":["University of Calgary"],"City":["Calgary, Alberta"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670557233446913,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7538","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Phyllis Webb reading poetry at David Thompson University Centre (DTUC) on February 13, 1981 "],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Webb, Phyllis"],"creator_names_search":["Webb, Phyllis"],"creators":["[{\"url\":\"http://viaf.org/viaf/29847238\",\"name\":\"Webb, Phyllis\",\"dates\":\"1927-2021\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7538/Fred Wah Fonds_MsC 17 g_52.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-52 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:52\",\"precision\":\"\",\"size\":\"757.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-52 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:34:10\",\"precision\":\"\",\"size\":\"787.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-02-13\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/936493657\",\"venue\":\"David Thompson University Centre (DTUC) \",\"notes\":\"David Thompson University Centre got closed in Nelson in 1984; its current adopted name is Notre Dame University College\\n\\nSince the exact location could not be found on OpenStreetMap, the provided link refers to the closest point on Vernon Street in Downtown Nelson, within the Regional District of Central Kootenay, British Columbia, V1L 4G2, Canada\",\"address\":\"713 Vernon Street, Nelson, BC, V1L 4G8\",\"latitude\":\"49.489145\",\"longitude\":\"-117.301457\"}]"],"Address":["713 Vernon Street, Nelson, BC, V1L 4G8"],"Venue":["David Thompson University Centre (DTUC) "],"Note":["[{\"note\":\"It seems Phyllis Webb is reading from her book called Wilson's Bowl.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557233446914,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7539","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Markin-Flanagan Distinguished Writers Program: Robert Creeley and Robin Blaser colloquium at University of Calgary on March 10, 1995 Tape 2 of 3 Part 1 of 2"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Blaser, Robin","Markin, Allen","Flanagan, Jackie"],"creator_names_search":["Creeley, Robert","Blaser, Robin","Markin, Allen","Flanagan, Jackie"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005 \",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Markin, Allen \",\"dates\":\"\",\"notes\":\"Allen Markin and Jackie Flanagan are private donors who established the Markin-Flanagan Distinguished Writers Program at the University of Calgary. \",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"\",\"name\":\"Flanagan, Jackie\",\"dates\":\"\",\"notes\":\"Allen Markin and Jackie Flanagan are private donors who established the Markin-Flanagan Distinguished Writers Program at the University of Calgary. \",\"nation\":[],\"role\":[\"Donor\"]}]"],"contributors":["[]"],"Production_Date":[1995],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7660/Fred Wah Fonds_MsC 17 g_70.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-70 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:58\",\"precision\":\"\",\"size\":\"62.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-70 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:54\",\"precision\":\"\",\"size\":\"62.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1995-03-10\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/4973042#map=19/51.07909/-114.12691\",\"venue\":\"University of Calgary (Nickle Art Gallery) \",\"notes\":\"\",\"address\":\"Social Sciences, 500 Campus Place NW, Charleswood, Calgary, Alberta, T2N 1N7, Canada\",\"latitude\":\"51.07912\",\"longitude\":\"-114.12695 \"}]"],"Address":["Social Sciences, 500 Campus Place NW, Charleswood, Calgary, Alberta, T2N 1N7, Canada"],"Venue":["University of Calgary (Nickle Art Gallery) "],"City":["Calgary, Alberta"],"Note":["[{\"note\":\"Markin-Flanagan Distinguished Writers Program, Faculty of Humanity, the Canada Council, the English Department, and Special Project grand from University of Calgary are the contributors of this reading panel. \",\"type\":\"General\"},{\"note\":\"This panel is called nationalism and poetic communities. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Warren Tallman reading his written letter to Robert Creeley called \"Proprioceptive poetry or Proprioception in poetry\" in November 1969"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Tallman, Warren"],"creator_names_search":["Creeley, Robert","Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005 \",\"notes\":\"The letter Warren Tallman reads is his written letter to Robert Creeley\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7662/Fred Wah Fonds_MsC 17 g_72.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-72 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:00:30\",\"precision\":\"\",\"size\":\"74.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-72 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:00:31\",\"precision\":\"\",\"size\":\"78.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969-11\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670557236592642,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7663","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Robin Blaser interview with Pauline Butling in March 1995"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Wah, Fred","Butling, Pauline"],"creator_names_search":["Tallman, Warren","Wah, Fred","Butling, Pauline"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"Fred Wah is present in the interview \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Butling, Pauline\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors":["[]"],"Production_Date":[1995],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7663/Fred Wah Fonds_MsC 17 g_73.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-73 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:28\",\"precision\":\"\",\"size\":\"62.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-73 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:37\",\"precision\":\"\",\"size\":\"61.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1995-03\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"At the beginning, Robin Blaser talks about his book which, as he mentions in the interview' is mainly about 'looking for modernism in Canada'; he mostly talks about the experiences he as an American poet in Canada.  \\n\\nThe second part of the interview seems to be recorded somewhere else; they keep talking about random topics; Robin Blaser responds the interviewer questions\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557236592643,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7666","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Sharon Pollock's lecture at Selkirk College on January 13, 1977"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Pollock, Sharon"],"creator_names_search":["Pollock, Sharon"],"creators":["[{\"url\":\"http://viaf.org/viaf/34673422\",\"name\":\"Pollock, Sharon\",\"dates\":\"1936-2021\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7832/Fred Wah Fonds_MsC 17 g_85.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-85 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:08\",\"precision\":\"\",\"size\":\"53.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-85 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:58\",\"precision\":\"\",\"size\":\"49.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977-01-13\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/270034909\",\"venue\":\"Selkirk College\",\"notes\":\"\",\"address\":\"College Selkirk College, 10th Street Campus, 11th Street, Fairview, Nelson, Regional District of Central Kootenay, British Columbia, V1L 3C7, Canada\",\"latitude\":\"49.50554\",\"longitude\":\"-117.26734\"}]"],"Address":["College Selkirk College, 10th Street Campus, 11th Street, Fairview, Nelson, Regional District of Central Kootenay, British Columbia, V1L 3C7, Canada"],"Venue":["Selkirk College"],"Note":["[{\"note\":\"Sharon Pollock talks about being a playwrite; she discusses different purposes she had for her different plays. She mostly talks about Walsh on side two. \\nThe sound quality of side one drops and makes it almost inaudible by 17:00; the quality of side two also drops; however, it's still audible.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557238689798,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7836","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Sharon Pollock's lecture at Selkirk College on January 7, 1977"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Pollock, Sharon"],"creator_names_search":["Pollock, Sharon"],"creators":["[{\"url\":\"http://viaf.org/viaf/34673422\",\"name\":\"Pollock, Sharon\",\"dates\":\"1936-2021\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7836/Fred Wah Fonds_MsC 17 g_86.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-86 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:06:20\",\"precision\":\"\",\"size\":\"145.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-86 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:06:29\",\"precision\":\"\",\"size\":\"160.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"Blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977-01-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/270034909\",\"venue\":\"Selkirk College\",\"notes\":\"\",\"address\":\"College Selkirk College, 10th Street Campus, 11th Street, Fairview, Nelson, Regional District of Central Kootenay, British Columbia, V1L 3C7, Canada\",\"latitude\":\"49.50554\",\"longitude\":\"-117.26734\"}]"],"Address":["College Selkirk College, 10th Street Campus, 11th Street, Fairview, Nelson, Regional District of Central Kootenay, British Columbia, V1L 3C7, Canada"],"Venue":["Selkirk College"],"Note":["[{\"note\":\"The quality of this tape is quite poor\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557238689799,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7837","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Margaret Atwood reading poetry at David Thompson University Centre (DTUC) on August 15, 1980 "],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Atwood, Margaret"],"creator_names_search":["Atwood, Margaret"],"creators":["[{\"url\":\"http://viaf.org/viaf/109322990\",\"name\":\"Atwood, Margaret\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1980],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7837/Fred Wah Fonds_MsC 17 g_87.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-87 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:18\",\"precision\":\"\",\"size\":\"40.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-87 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:54\",\"precision\":\"\",\"size\":\"42 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1980-08-15\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/936493657\",\"venue\":\"David Thompson University Centre\",\"notes\":\"David Thompson University Centre got closed in Nelson in 1984; its current adopted name is Notre Dame University College\\n\\nSince the exact location could not be found on OpenStreetMap, the provided link refers to the closest point on Vernon Street in Downtown Nelson, within the Regional District of Central Kootenay, British Columbia, V1L 4G2, Canada\",\"address\":\"713 Vernon Street, Nelson, BC, V1L 4G8\",\"latitude\":\"49.489145\",\"longitude\":\"-117.301457\"}]"],"Address":["713 Vernon Street, Nelson, BC, V1L 4G8"],"Venue":["David Thompson University Centre"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670557239738368,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7838","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["[ACA (Association of Canadian Archivists)?] Guest Lecture Series: Steve McCaffery on February, [ 1991 or 1992?]"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["McCaffery, Steve"],"creator_names_search":["McCaffery, Steve"],"creators":["[{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[0],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7838/Fred Wah Fonds_MsC 17 g_88.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-88 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:19\",\"precision\":\"\",\"size\":\"62 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-88 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:33:24\",\"precision\":\"\",\"size\":\"115 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"[1991?]-02-13\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"[1992?]-02-13\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/3227127\",\"venue\":\"51.0492\",\"notes\":\"ACA (Association of Canadian Archivists) Guest Lecture Series on side one could be in Calgary, but it's just a guess\",\"address\":\"[Calgary, Alberta, Canada?]\",\"latitude\":\"-114.0559\",\"longitude\":\"\"}]"],"Address":["[Calgary, Alberta, Canada?]"],"Venue":["51.0492"],"City":["Calgary, Alberta"],"Note":["[{\"note\":\"Side one begins with an [interview?] between Steve McCaffery and an unknown speaker. Steve McCaffery begins talking about a movie named [Paradise in Proved?]; he somehow talks about a book called Paradise Lost. The conversation seems to be difficult to make sense of since the person talking to Steve is having a hard time understating him. This conversation ends at 14:08, and at 14:12 we hear Steve McCaffery performing a Telepathic Translation seemed to be recorded at [ Gallery Nine?] in 1984. We hear some Chinese talk translated by Steve \\n\\nAt 17:45, we hear Steve McCaffery answering the audience questions at ACA conference.\\n\\nOne side two, we hear Steve McCaffery [at ACA conference?] talking about his book named The black debt and reading some parts of it; he also reads some parts from his book named  Theory of sediment. In the last part of his reading, he plays a dated sound poetry audio recording named [Five Beyond the [Edio or Video?] recorded in 1979 or 1980. This taps has Steve's documentations of performance pieces which are mostly about writing concerns; Steve plays the last piece that is a documentation of a 7-day performances he had about his film named [Paradise in Proved?].\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557239738369,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7839","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Xi Chuan's lecture on contemporary Chinese poetry at University of Calgary on November 28, 1996"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Xi, Chuan","Haisheng, Zha"],"creator_names_search":["Wah, Fred","Xi, Chuan","Haisheng, Zha"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"Fred Wah introduces Xi Chuan at the beginning of side one\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/103198324\",\"name\":\" Xi, Chuan\",\"dates\":\"1963-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/32168018\",\"name\":\"Haisheng, Zha\",\"dates\":\"1964-1989\",\"notes\":\"Known as Hai Zi; Chuan Xi reads a poem of his\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1996],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7839/Fred Wah Fonds_MsC 17 g_89.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-89 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:11\",\"precision\":\"\",\"size\":\"62.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-89 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:39:40\",\"precision\":\"\",\"size\":\"50.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-11-28\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/4814074\",\"venue\":\"University of Calgary\",\"notes\":\"English Department at University of Calgary funded this program\",\"address\":\" 2500 University Dr NW, Calgary, AB T2N 1N4\",\"latitude\":\"51.07837\",\"longitude\":\"-114.12832\"}]"],"Address":[" 2500 University Dr NW, Calgary, AB T2N 1N4"],"Venue":["University of Calgary"],"City":["Calgary, Alberta"],"Note":["[{\"note\":\"Xi Chuan talks comprehensively about contemporary Chinese poetry introducing a lot of Chinese poets; he also reads poems from some of these poets. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Reading Poetry Series at University of Calgary: Susan Holbrook and Steve Mccaffery reading poetry"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Holbrook, Susan","García Lorca, Federico","McCaffery, Steve","Filliou, Robert"],"creator_names_search":["Holbrook, Susan","García Lorca, Federico","McCaffery, Steve","Filliou, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/75853220\",\"name\":\"Holbrook, Susan\",\"dates\":\"1967-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/34456883\",\"name\":\"García Lorca, Federico\",\"dates\":\"1898-1936\",\"notes\":\"Susan Holbrook reads one of her translated poem called \\\"Canto hondo\\\" from Federico García Lorca in Spanish/ English \",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/64005599\",\"name\":\"Filliou, Robert\",\"dates\":\"1926-1987\",\"notes\":\"Steve McCaffery reads his translated version of Robert's book\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7846/Fred Wah Fonds_MsC 17 g_95.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-95 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:53:17\",\"precision\":\"\",\"size\":\"72.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-95 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:52:48\",\"precision\":\"\",\"size\":\"69.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"[199?]-\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/4814074\",\"venue\":\"University of Calgary\",\"notes\":\"\",\"address\":\" 2500 University Dr NW, Calgary, AB T2N 1N4\",\"latitude\":\"51.07837\",\"longitude\":\"-114.12832\"}]"],"Address":[" 2500 University Dr NW, Calgary, AB T2N 1N4"],"Venue":["University of Calgary"],"City":["Calgary, Alberta"],"Note":["[{\"note\":\"Susan Holbrook reads two short poems and a longer piece. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Jack Hodgins reading at Selkirk College in Castlegar, British Columbia, on [May?] 18, [1980?]"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Hodgins, Jack"],"creator_names_search":["Hodgins, Jack"],"creators":["[{\"url\":\"http://viaf.org/viaf/114666696\",\"name\":\" Hodgins, Jack\",\"dates\":\"1938-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1980],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7847/Fred Wah Fonds_MsC 17 g_96.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-96 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:34\",\"precision\":\"\",\"size\":\"61 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-96 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:05\",\"precision\":\"\",\"size\":\"60.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1980-[05?]-18\",\"type\":\"Production Date\",\"notes\":\"We are not sure if May is written on the j-card; it could be June too\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/270034909\",\"venue\":\"Selkirk College\",\"notes\":\"\",\"address\":\"College Selkirk College, 10th Street Campus\",\"latitude\":\"49.50554\",\"longitude\":\"-117.26734\"}]"],"Address":["College Selkirk College, 10th Street Campus"],"Venue":["Selkirk College"],"Note":["[{\"note\":\"Susan Holbrook reads two short poems and a longer piece. She reads [For Barbies?], \\\"Canto hondo, a longer translate piece. \\n\\nSteve McCaffery reads from his book called \\\"The Cheat of Words\\\". He also reads a part of his translated version of Robert Filliou's book named \\\"14 songs and 1 riddle\\\" and from \\\"Teachable Texts\\\".\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557241835522,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7848","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Thomas Wharton reading parts of \"Icefields\" and \"Rain\" at Alberta University of the Arts on October 16, 1997 "],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Butling, Pauline","Wharton, Thomas"],"creator_names_search":["Butling, Pauline","Wharton, Thomas"],"creators":["[{\"url\":\"http://viaf.org/viaf/44560494\",\"name\":\"Butling, Pauline\",\"dates\":\"\",\"notes\":\"Pauline Butling introduces Thomas Wharton\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/19845769\",\"name\":\"Wharton, Thomas\",\"dates\":\"1963-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1997],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7848/Fred Wah Fonds_MsC 17 g_97.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-97 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:45\",\"precision\":\"\",\"size\":\"52.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-97 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:35\",\"precision\":\"\",\"size\":\"59.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1997-10-16\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/46788766\",\"venue\":\"Alberta University of the Arts (AUArts) \",\"notes\":\"\",\"address\":\"1407 14 Ave NW, Calgary, AB T2N 4R3\",\"latitude\":\"51.06203\",\"longitude\":\"-114.09150\"}]"],"Address":["1407 14 Ave NW, Calgary, AB T2N 4R3"],"Venue":["Alberta University of the Arts (AUArts) "],"City":["Calgary, Alberta"],"Note":["[{\"note\":\"The general quality of this tape is low; however, Thomas Wharton's voice is heard well.\",\"type\":\"General\"},{\"note\":\"The genre of this tape is reading non-fiction. Thomas Wharton also talks about his early ideas of writing these books and resources he used. He also talks about the character of his books and changes he would apply if he had the chance to write them all over again. \\nHe talks about the authors who had an influence on him and his way of writing.\\nHis drawing and painting experience was also a topic he briefly talked about.    \",\"type\":\"General\"},{\"note\":\"Thomas Wharton reading parts of his books named Icefields and The Book of Rain at Alberta University of the Arts on October 16, 1997 \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557242884096,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7849","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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He is also the sponsor of this poetry reading event \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Muir, Tom\",\"dates\":\"\",\"notes\":\"He reads parts of his book named [Subliminal?]\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/19971732\",\"name\":\"Wershler-Henry, Darren Sean\",\"dates\":\"1966-\",\"notes\":\"He reads some parts of from is book named \\\"the tapeworm foundry\\\", \\\"Nickelodeon\\\", and \\\"the magnetic poetry suit\\\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[2000],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7848/Fred Wah Fonds_MsC 17 g_98.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-98 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:42\",\"precision\":\"\",\"size\":\"44.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-98 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:37\",\"precision\":\"\",\"size\":\"42 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2000-03-22\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/4814074\",\"venue\":\"University of Calgary\",\"notes\":\"\",\"address\":\" 2500 University Dr NW, Calgary, AB T2N 1N4\",\"latitude\":\"51.07837\",\"longitude\":\"-114.12832\"}]"],"Address":[" 2500 University Dr NW, Calgary, AB T2N 1N4"],"Venue":["University of Calgary"],"City":["Calgary, Alberta"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670557242884097,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7850","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Carol Bolt's lecture in Pauline Butling's class at Selkirk College on January 22, 1986"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Butling, Pauline","Bolt, Carol"],"creator_names_search":["Butling, Pauline","Bolt, Carol"],"creators":["[{\"url\":\"http://viaf.org/viaf/44560494\",\"name\":\"Butling, Pauline\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/48007247\",\"name\":\"Bolt, Carol\",\"dates\":\"1941-2000\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7850/Fred Wah Fonds_MsC 17 g_99.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-99 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:06\",\"precision\":\"\",\"size\":\"56.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-99 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:48\",\"precision\":\"\",\"size\":\"58.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-01-22\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/270034909\",\"venue\":\"Selkirk College\",\"notes\":\"\",\"address\":\"College Selkirk College, 10th Street Campus\",\"latitude\":\"49.50554\",\"longitude\":\"-117.26734\"}]"],"Address":["College Selkirk College, 10th Street Campus"],"Venue":["Selkirk College"],"Note":["[{\"note\":\"The quality of side one improves a bit after 9:15.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557242884098,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7851","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Kootenay Night Presentation at Kootenay School of Writing on March 11 in 1982: Peter Christensen reading poetry on side one, and on side two: Fred Wah's Kootenay oral anthology: A collection of 20 West Kootenay poets DUPLICATE 1 OF 2\n"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wayman, Tom","Christensen, Peter","Wah, Fred"],"creator_names_search":["Wayman, Tom","Christensen, Peter","Wah, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/98293283\",\"name\":\"Wayman, Tom\",\"dates\":\"1945-\",\"notes\":\"Tom Wayman introduces Peter Christensen and Fred Wah in the beginning of side one \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"[http://viaf.org/viaf/93508345?]\",\"name\":\"Christensen, Peter\",\"dates\":\"[1951-?]\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7851/Fred Wah Fonds_MsC 17 g_100.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-100 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:50\",\"precision\":\"\",\"size\":\"68.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-100 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:46\",\"precision\":\"\",\"size\":\"69.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-3-11\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/299783923\",\"venue\":\"Kootenay School of Writing\",\"notes\":\"\",\"address\":\"112 W Hastings St, Vancouver, BC V6B 1G8\",\"latitude\":\"49.28184\",\"longitude\":\"-123.10779\"}]"],"Address":["112 W Hastings St, Vancouver, BC V6B 1G8"],"Venue":["Kootenay School of Writing"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"On side one, Peter Christensen Reads the following poems int his poetry reading event:\\nGreeting from Rocky Mountain\\nHow to Keep Going When You Are Cold \\nHer Gift\\nThe Angle of My [Tongs?]\\nPretending to Dance\\nUrban Despair \\n[Our Beautest Woman?]\\nI Can Eat All I Want\\nFrom the Rig Talk Poem Series, including: \\nOil Rush\\n[The Recording Crew?]\\nGraveyard Shift\\nChinook \\nHeroes\\nGoing Home\\nThe Fence \\nTwo poems from Hailstorm Book\\nBorder Crossings\\nA Letter to a Friend, (A poem for [Ivan?]\\nMountain Drunk\\nHome Coming\",\"type\":\"General\"},{\"note\":\"On side two, Fred Wah introduces his Kootenay oral anthology: A collection of 20 West Kootenay poets; 20 West Kootenay writers reads poems; none of them is introduced   \",\"type\":\"General\"},{\"note\":\"This tape is duplicate of tape 111 \\\"Kootenay Night Presentation at Kootenay School of Writing on March 11 in 1982: Peter Christensen reading poetry on side one, and on side two: Fred Wah's Kootenay oral anthology: A collection of 20 West Kootenay poets DUPLICATE 2 OF 2\\\" (SWALLOW ID 7870)\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557242884099,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7852","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Bert Almon reading poetry at David Thompson University Centre (DTUC) on October 31, 1980"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Almon, Bert"],"creator_names_search":["Almon, Bert"],"creators":["[{\"url\":\"http://viaf.org/viaf/44456966\",\"name\":\"Almon, Bert\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1980],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7852/Fred Wah Fonds_MsC 17 g_101.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-101 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:37\",\"precision\":\"\",\"size\":\"67.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1980-10-31\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/936493657\",\"venue\":\"David Thompson University Centre\",\"notes\":\"David Thompson University Centre got closed in Nelson in 1984; its current adopted name is Notre Dame University College\\n\\nSince the exact location could not be found on OpenStreetMap, the provided link refers to the closest point on Vernon Street in Downtown Nelson, within the Regional District of Central Kootenay, British Columbia, V1L 4G2, Canada\",\"address\":\"713 Vernon Street, Nelson, BC, V1L 4G8\",\"latitude\":\"49.489145\",\"longitude\":\"-117.301457\"}]"],"Address":["713 Vernon Street, Nelson, BC, V1L 4G8"],"Venue":["David Thompson University Centre"],"Note":["[{\"note\":\"The speaker who introduces Bert Almon indicates that he would read some of his poem from his most recent published book named Blue Sunrise\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557243932672,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7854","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Al Purdy and Eli Mandel reading poetry at [Selkirk College?]"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Purdy, Al","Mandel, Eli"],"creator_names_search":["Purdy, Al","Mandel, Eli"],"creators":["[{\"url\":\"http://viaf.org/viaf/7398775\",\"name\":\"Purdy, Al\",\"dates\":\"1918-2000\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/59095399\",\"name\":\"Mandel, Eli\",\"dates\":\"1922-1992\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7854/Fred Wah Fonds_MsC 17 g_102.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-102 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:46\",\"precision\":\"\",\"size\":\"39 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-102 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:43\",\"precision\":\"\",\"size\":\"38.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/270034909\",\"venue\":\"[Selkirk College?]\",\"notes\":\"This reading could've been held at Selkirk College since Selkirk is written on the j-card with a question mark in front of it.\\nWe are not sure if both poetry readings by Al Purdy and Eli Mandel are at Selkirk College or just Al Purdy's reading part\",\"address\":\"College Selkirk College, 10th Street Campus\",\"latitude\":\"49.50554\",\"longitude\":\"-117.26734\"}]"],"Address":["College Selkirk College, 10th Street Campus"],"Venue":["[Selkirk College?]"],"Note":["[{\"note\":\"Al Purdy finishes reading on side one at 22:17, and then some music is played \",\"type\":\"\"},{\"note\":\"Eli Mandel reads his poems; some are the following:\\nOrpheus\\nEstevan, Saskatchewan\\nHis song about the image of end of things\\nCity Park Merry-Go-Round\\nSome poem from his poetry book named Black and Secret Man\\nGirl on a High Wire \\nHoudini \\nPoem 1 and 2 (Two short poems)\\nPoem to my Children\\nThe Speaking Earth\\nThe Explanations of the Moon\\nListen, the Sea\\n\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670557243932673,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7859","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Bill Schermbrucker Colloquium at David Thompson University Centre (DTUC) on April 6, 1984 Part 2 of 2"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Schermbrucker, Bill"],"creator_names_search":["Schermbrucker, Bill"],"creators":["[{\"url\":\"http://viaf.org/viaf/94357701\",\"name\":\"Schermbrucker, Bill\",\"dates\":\"1938-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\",\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1984],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7860/Fred Wah Fonds_MsC 17 g_104.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-104 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:48\",\"precision\":\"\",\"size\":\"65.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-104 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:23\",\"precision\":\"\",\"size\":\"66.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1984-04-06\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/936493657\",\"venue\":\"David Thompson University Centre\",\"notes\":\"David Thompson University Centre got closed in Nelson in 1984; its current adopted name is Notre Dame University College\\n\\nSince the exact location could not be found on OpenStreetMap, the provided link refers to the closest point on Vernon Street in Downtown Nelson, within the Regional District of Central Kootenay, British Columbia, V1L 4G2, Canada\",\"address\":\"713 Vernon Street, Nelson, BC, V1L 4G8\",\"latitude\":\"49.489145\",\"longitude\":\"-117.301457\"}]"],"Address":["713 Vernon Street, Nelson, BC, V1L 4G8"],"Venue":["David Thompson University Centre"],"Note":["[{\"note\":\"Bill Schermbrucker reads his stories on this tape \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557243932675,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7861","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Joanne Kyger and Duncan McNaughton talking at Joanne's home in Bolinas on February 2, 1975 Part 3 of 3"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kyger, Joanne","McNaughton, Duncan"],"creator_names_search":["Kyger, Joanne","McNaughton, Duncan"],"creators":["[{\"url\":\"http://viaf.org/viaf/71627705\",\"name\":\"Kyger, Joanne\",\"dates\":\" 1934-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/63059516\",\"name\":\"McNaughton, Duncan\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7861/Fred Wah Fonds_MsC 17 g_105.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-105 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:01:52\",\"precision\":\"\",\"size\":\"81.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-105 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:02:39\",\"precision\":\"\",\"size\":\"82.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"BLANK\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-02-02\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/33220733\",\"venue\":\"\",\"notes\":\"This talk happen at Joanne's home in Bolinas; however, we do not have the address. \",\"address\":\"Census Boundary Bolinas, Marin County, California, United States \",\"latitude\":\"37.9054\",\"longitude\":\"-122.6977\"}]"],"Address":["Census Boundary Bolinas, Marin County, California, United States "],"Note":["[]"],"Related_works":["[]"],"_version_":1853670557243932676,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7862","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Marian Engel reading from her book named lunatic villas at at David Thompson University Centre (DTUC) on February 3, 1982"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Engel, Marian"],"creator_names_search":["Engel, Marian"],"creators":["[{\"url\":\"http://viaf.org/viaf/24754124\",\"name\":\"Engel, Marian\",\"dates\":\"1933-1985\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7862/Fred Wah Fonds_MsC 17 g_106.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-106 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:06\",\"precision\":\"\",\"size\":\"64.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-106 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:42\",\"precision\":\"\",\"size\":\"66.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"BLANK\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-02-03\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/936493657\",\"venue\":\"David Thompson University Centre\",\"notes\":\"David Thompson University Centre got closed in Nelson in 1984; its current adopted name is Notre Dame University College\\n\\nSince the exact location could not be found on OpenStreetMap, the provided link refers to the closest point on Vernon Street in Downtown Nelson, within the Regional District of Central Kootenay, British Columbia, V1L 4G2, Canada\",\"address\":\"713 Vernon Street, Nelson, BC, V1L 4G8\",\"latitude\":\"49.489145\",\"longitude\":\"-117.301457\"}]"],"Address":["713 Vernon Street, Nelson, BC, V1L 4G8"],"Venue":["David Thompson University Centre"],"Note":["[{\"note\":\"Marian Engel gives audience a bit of introduction to her book named lunatic villas; then, she starts reading some parts of this book.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557243932677,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7863","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Aritha Van Herk's talk on publishment process in Fred Wah's class at Selkirk College "],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Van Herk, Aritha","Wah, Fred"],"creator_names_search":["Van Herk, Aritha","Wah, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/110789564\",\"name\":\"Van Herk, Aritha\",\"dates\":\" 1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7863/Fred Wah Fonds_MsC 17 g_107.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-107 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:08\",\"precision\":\"\",\"size\":\"64.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-107 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:47\",\"precision\":\"\",\"size\":\"64.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-02-03\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/270034909\",\"venue\":\"Selkirk College\",\"notes\":\"\",\"address\":\"College Selkirk College, 10th Street Campus\",\"latitude\":\"49.50554\",\"longitude\":\"-117.26734\"}]"],"Address":["College Selkirk College, 10th Street Campus"],"Venue":["Selkirk College"],"Note":["[{\"note\":\"Fred Wah and Aritha Van Herk talk about the process of publishing books focusing on the topics below:\\n1. The features of an ideal publisher\\n2. Aritha Van Herk's experience of working with her editor for publishing her book named Judith; her editor is Lily Poritz Miller from Vancouver \\n3. They also talked about the promotion that publishers might miss. \\n4. Writers' first refusal and the contract\\n5. Subsidiary rights  \\n6. Canadian Publishers \\n7. Foreign Publishers and their differences compare to Canadian Publishers \\n8. Her experience of working with New West Press\\n\\nAt the end of side two, students ask her some questions \",\"type\":\"General\"},{\"note\":\"Aritha Van Herk talks about book publishing process in Fred Wah's class at Selkirk College \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557243932678,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7864","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Sound Poetry and Poetry Reading at Selkirk College on February 23 in 1978: Steve McCaffery"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["McCaffery, Steve"],"creator_names_search":["McCaffery, Steve"],"creators":["[{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Production_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7864/Fred Wah Fonds_MsC 17 g_108.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-108 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:45\",\"precision\":\"\",\"size\":\"65.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-108 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:23\",\"precision\":\"\",\"size\":\"65.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-02-23\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/270034909\",\"venue\":\"Selkirk College\",\"notes\":\"\",\"address\":\"College Selkirk College, 10th Street Campus\",\"latitude\":\"49.50554\",\"longitude\":\"-117.26734\"}]"],"Address":["College Selkirk College, 10th Street Campus"],"Venue":["Selkirk College"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670557243932679,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7865","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Reading Event at University of Calgary on February 5 in 2001: Myrna Kostash and Bill Schermbrucker \n"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Kostash, Myrna","Schermbrucker, Bill"],"creator_names_search":["Wah, Fred","Kostash, Myrna","Schermbrucker, Bill"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"Fred's voice is heard in the first three seconds of side one; Myrna Kostash also thanks him once she starts her reading\",\"nation\":[],\"role\":[\"Speaker\",\"Author\"]},{\"url\":\"http://viaf.org/viaf/40697804\",\"name\":\"Kostash, Myrna \",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\",\"Author\"]},{\"url\":\"http://viaf.org/viaf/94357701\",\"name\":\"Schermbrucker, Bill \",\"dates\":\"1938-2019\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\",\"Author\"]}]"],"contributors":["[]"],"Production_Date":[2001],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7865/Fred Wah Fonds_MsC 17 g_109.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-109 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:04\",\"precision\":\"\",\"size\":\"64.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-109 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:49\",\"precision\":\"\",\"size\":\"66.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2001-02-05\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/4814074\",\"venue\":\"University of Calgary\",\"notes\":\"\",\"address\":\" 2500 University Dr NW, Calgary, AB T2N 1N4\",\"latitude\":\"51.07837\",\"longitude\":\"-114.12832\"}]"],"Address":[" 2500 University Dr NW, Calgary, AB T2N 1N4"],"Venue":["University of Calgary"],"City":["Calgary, Alberta"],"Note":["[{\"note\":\"On side one, Myrna Kostash reads from her different kinds of non-fiction that she writes and she can write; she reads from The next Canada, The Gulag, the Crypt and the Gallows, and other books.\\nOn side two, Bill Schermbrucker reads from his book named Mimosa, a book which is mixture of fiction and history \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557243932680,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7867","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["CBC Radio Interview: Frank Davey's on talk Swift Current and Dr. Joel Lexchin's talk \"Real pushers: A Critical Analysis of the Canadian Drug Industry\""],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Davey, Frank","Lexchin, Joel"],"creator_names_search":["Davey, Frank","Lexchin, Joel"],"creators":["[{\"url\":\"http://viaf.org/viaf/5029235\",\"name\":\"Davey, Frank\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/111477430\",\"name\":\"Lexchin, Joel\",\"dates\":\"1948-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Author\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7867/Fred Wah Fonds_MsC 17 g_110.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-110 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:18\",\"precision\":\"\",\"size\":\"44 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-110 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:42\",\"precision\":\"\",\"size\":\"42.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"Frank Davey is being interviewed about telecommunication technology named Swift Current\",\"type\":\"General\"},{\"note\":\"After Fred Davey's interview, we hear another interview with Dr. Joel Lexchin talking about his book named 'Real pushers: A critical analysis of the Canadian drug industry'.\\n\\nBoth CBC interviews are with someone named Peter\",\"type\":\"General\"},{\"note\":\"On the second side, the quality drops in the first three minutes and a play seems to be played; then, at 3:00 CBC radio begins playing music to the end of this side\",\"type\":\"General\"},{\"note\":\"CBC Radio Interview: Frank Davey talking about telecommunication technology named Swift Current and Dr. Joel Lexchin talking about his book named Real pushers: A critical analysis of the Canadian drug industry\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557244981248,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7870","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Kootenay Night Presentation at Kootenay School of Writing on March 11 in 1982: Peter Christensen reading poetry on side one, and on side two: Fred Wah's Kootenay oral anthology: A collection of 20 West Kootenay poets DUPLICATE 2 OF 2\n"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wayman, Tom","Christensen, Peter","Wah, Fred"],"creator_names_search":["Wayman, Tom","Christensen, Peter","Wah, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/98293283\",\"name\":\"Wayman, Tom\",\"dates\":\"1945-\",\"notes\":\"Tom Wayman introduces Peter Christensen and Fred Wah in the beginning of side one \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"[http://viaf.org/viaf/93508345?]\",\"name\":\"Christensen, Peter\",\"dates\":\"[1951-?]\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7870/Fred Wah Fonds_MsC 17 g_111.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-111 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:58\",\"precision\":\"\",\"size\":\"71.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-111 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:50\",\"precision\":\"\",\"size\":\"71.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-3-11\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/299783923\",\"venue\":\"Kootenay School of Writing\",\"notes\":\"\",\"address\":\"112 W Hastings St, Vancouver, BC V6B 1G8\",\"latitude\":\"49.28184\",\"longitude\":\"-123.10779\"}]"],"Address":["112 W Hastings St, Vancouver, BC V6B 1G8"],"Venue":["Kootenay School of Writing"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"On side one, Peter Christensen Reads the following poems int his poetry reading event:\\nGreeting from Rocky Mountain\\nHow to Keep Going When You Are Cold \\nHer Gift\\nThe Angle of My [Tongs?]\\nPretending to Dance\\nUrban Despair \\n[Our Beautest Woman?]\\nI Can Eat All I Want\\nFrom the Rig Talk Poem Series, including: \\nOil Rush\\n[The Recording Crew?]\\nGraveyard Shift\\nChinook \\nHeroes\\nGoing Home\\nThe Fence \\nTwo poems from Hailstorm Book\\nBorder Crossings\\nA Letter to a Friend, (A poem for [Ivan?]\\nMountain Drunk\\nHome Coming\",\"type\":\"General\"},{\"note\":\"On side two, Fred Wah introduces his Kootenay oral anthology: A collection of 20 West Kootenay poets; 20 West Kootenay writers reads poems; none of them is introduced   \",\"type\":\"General\"},{\"note\":\"This tape is duplicate of tape 100 \\\"Kootenay Night Presentation at Kootenay School of Writing on March 11 in 1982: Peter Christensen reading poetry on side one, and on side two: Fred Wah's Kootenay oral anthology: A collection of 20 West Kootenay poets DUPLICATE 2 OF 2\\\" (SWALLOW ID 7851)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670557244981249,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7871","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. 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Harvey, Nicole Brossard, Fred Stenson, having an argument about the separation of fiction and non-fiction; The argument is mainly about if lying occurs more in fiction or non-fiction writing and what are the probable reasons for that.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557244981251,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7873","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["A Sense of Place: Robert Kroetsch interview with Fred Wah at Selkirk College in 1978"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kroetsch, Robert","Wah, Fred"],"creator_names_search":["Kroetsch, Robert","Wah, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors":["[]"],"Production_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7875/Fred Wah Fonds_MsC 17 g_116.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-116 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:52\",\"precision\":\"\",\"size\":\"38.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-116 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:07\",\"precision\":\"\",\"size\":\"39.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"BLANK\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/270034909\",\"venue\":\"Selkirk College\",\"notes\":\"\",\"address\":\"College Selkirk College, 10th Street Campus\",\"latitude\":\"49.50554\",\"longitude\":\"-117.26734\"}]"],"Address":["College Selkirk College, 10th Street Campus"],"Venue":["Selkirk College"],"Note":["[{\"note\":\"Fred Wah and Robert Kroetsch talk about the sense of place in writing. \\nRobert Kroetsch talks how he considers place as a spiritual thing explaining that place is to do with past, dreaming, memories, and an image of the world a poet carries; he also discusses his response to those poets and authors who question his sense of past\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557246029825,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7876","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Sid Marty reading poetry at David Thompson University Centre (DTUC) in [1980?]"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Marty, Sid"],"creator_names_search":["Wah, Fred","Marty, Sid"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"Fred Wah introduces Sid Marty in the beginning of side one \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/114707451\",\"name\":\"Marty, Sid\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[0],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7876/Fred Wah Fonds_MsC 17 g_117.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-117 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:12\",\"precision\":\"\",\"size\":\"46.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-117 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:36\",\"precision\":\"\",\"size\":\"45.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"[1980?]\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/936493657\",\"venue\":\"David Thompson University Centre (DTUC) \",\"notes\":\"David Thompson University Centre got closed in Nelson in 1984; its current adopted name is Notre Dame University College\\n\\nSince the exact location could not be found on OpenStreetMap, the provided link refers to the closest point on Vernon Street in Downtown Nelson, within the Regional District of Central Kootenay, British Columbia, V1L 4G2, Canada\",\"address\":\"713 Vernon Street, Nelson, BC, V1L 4G8\",\"latitude\":\"49.489145\",\"longitude\":\"-117.301457\"}]"],"Address":["713 Vernon Street, Nelson, BC, V1L 4G8"],"Venue":["David Thompson University Centre (DTUC) "],"Note":["[{\"note\":\"Sid Marty reading poetry from his books; he probably reads from [Nobody Danced with Miss Rodeo?], [The Rider with Good Hands?], and his other books\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557246029826,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7542","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Douglas Barbour reading poetry at Selkirk College on February 2, 1978"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Barbour, Douglas"],"creator_names_search":["Wah, Fred","Barbour, Douglas"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"Fred Wah is heard at the end of side two\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/14864700\",\"name\":\"Barbour, Douglas\",\"dates\":\"1940–2021\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7542/Fred Wah Fonds_MsC 17 g_56.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-56 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:41:32\",\"precision\":\"\",\"size\":\"879.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-56 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:53:09\",\"precision\":\"\",\"size\":\"1.13 GB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-02-02\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/270034909\",\"venue\":\"Selkirk College\",\"notes\":\"\",\"address\":\"College Selkirk College, 10th Street Campus\",\"latitude\":\"49.50554\",\"longitude\":\"-117.26734\"}]"],"Address":["College Selkirk College, 10th Street Campus"],"Venue":["Selkirk College"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670557246029827,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7543","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Rick Salutin reading at David Thompson University Centre (DTUC) on March 27, 1981"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Salutin, Rick"],"creator_names_search":["Salutin, Rick"],"creators":["[{\"url\":\"http://viaf.org/viaf/92518462\",\"name\":\"Salutin, Rick\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7543/Fred Wah Fonds_MsC 17 g_57.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-57 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:33:46\",\"precision\":\"\",\"size\":\"44.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-57 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:33:59\",\"precision\":\"\",\"size\":\"43.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-03-27\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/936493657\",\"venue\":\"David Thompson University Centre\",\"notes\":\"David Thompson University Centre got closed in Nelson in 1984; its current adopted name is Notre Dame University College\\n\\nSince the exact location could not be found on OpenStreetMap, the provided link refers to the closest point on Vernon Street in Downtown Nelson, within the Regional District of Central Kootenay, British Columbia, V1L 4G2, Canada\",\"address\":\"713 Vernon Street, Nelson, BC, V1L 4G8\",\"latitude\":\"49.489145\",\"longitude\":\"-117.301457\"}]"],"Address":["713 Vernon Street, Nelson, BC, V1L 4G8"],"Venue":["David Thompson University Centre"],"Note":["[{\"note\":\"Sides one and two are vise versa; on side one, Rick Salutin talks and reads from a number of his plays listed below:\\n1837; or, The Farmer's Revolt\\nCanadiens, Les\\nHe runs a question-and-answer period discussing different aspect of his successful play called Les Canadiens which was written with help from goaltender Ken Dryden. He talks a lot about Ken and his collaboration with Les Canadiens play \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557246029828,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7544","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Sid Marty reading poetry in Castlegar town on October 12, 1978"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Marty, Sid","Wah, Fred"],"creator_names_search":["Marty, Sid","Wah, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/114707451\",\"name\":\"Marty, Sid\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"His name is mentioned by Sid Marty at the beginning of side two\",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Production_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7544/Fred Wah Fonds_MsC 17 g_58.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-58 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:48\",\"precision\":\"\",\"size\":\"61.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-58 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:01\",\"precision\":\"\",\"size\":\"60.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-10-12\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2221417\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Castlegar City, Regional District of Central Kootenay, British Columbia, Canada\",\"latitude\":\"49.3227\",\"longitude\":\" -117.6663\"}]"],"Address":["Castlegar City, Regional District of Central Kootenay, British Columbia, Canada"],"City":["Castlegar, British Columbia"],"Note":["[{\"note\":\"Sid Marty reads from his poetry books named Headwaters and Men for the mountains.\",\"type\":\"General\"},{\"note\":\"The first 4 minutes of side two is blank\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557247078400,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7545","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Pierre Coupey in Nelson on October 13, 1978 (Blank Tape)"],"item_title_source":["Cassette and J-card"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Coupey, Pierre"],"creator_names_search":["Coupey, Pierre"],"creators":["[{\"url\":\"http://viaf.org/viaf/96212091\",\"name\":\"Coupey, Pierre\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Production_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7545/Fred Wah Fonds_MsC 17 f_59.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-59 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:31\",\"precision\":\"\",\"size\":\"26.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-59 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:29\",\"precision\":\"\",\"size\":\"27.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-10-13\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2221423\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Nelson, British Columbia, Canada\",\"latitude\":\"49.4940\",\"longitude\":\"-117.2955\"}]"],"Address":["Nelson, British Columbia, Canada"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670557247078401,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7877","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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he also talks about his classroom and his method of teaching addressing what students need to know and how he takes students on this journey; he also talks about the poets he teaches in his classroom. \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1830083\",\"name\":\"Cabri, Louis\",\"dates\":\"\",\"notes\":\"Like Stephen Guy-Bray, Louis Cabri talks about his role as a teacher in teaching poetry to students in his classroom.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\" http://viaf.org/viaf/44560494\",\"name\":\"Butling, Pauline\",\"dates\":\"\",\"notes\":\"Pauline and Susan doing their presentation together talking about their collaborative project titled \\\"At the Moment: Poetry, Communities, and Institutions\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/51948730\",\"name\":\"Rudy, Susan\",\"dates\":\"1961-\",\"notes\":\"Pauline and Susan doing their presentation together talking about their collaborative project titled \\\"At the Moment: Poetry, Communities, and Institutions\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy \",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[2000],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7883/Fred Wah Fonds_MsC 17 g_123.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-123 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:52:47\",\"precision\":\"\",\"size\":\"73.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-123 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:54:21\",\"precision\":\"\",\"size\":\"76.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2000-03-17\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/4814074\",\"venue\":\"University of Calgary\",\"notes\":\"\",\"address\":\" 2500 University Dr NW, Calgary, AB T2N 1N4\",\"latitude\":\"51.07837\",\"longitude\":\"-114.12832\"}]"],"Address":[" 2500 University Dr NW, Calgary, AB T2N 1N4"],"Venue":["University of Calgary"],"City":["Calgary, Alberta"],"Note":["[{\"note\":\"Stephen Guy-Bray, Louis Cabri, Pauline Butling and Susan Rudy present talking about different aspect of poetry teaching in their classrooms; 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Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Tom Wayman reading poetry at David Thompson University Centre (DTUC) in April [1979/1980?]"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wayman, Tom","Wah, Fred"],"creator_names_search":["Wayman, Tom","Wah, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/98293283\",\"name\":\"Wayman, Tom\",\"dates\":\"1945-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"On the second side, Fred asks Tom Wayman to explain more about his poetry life\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[0],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7886/Fred Wah Fonds_MsC 17 g_125.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-125 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:56\",\"precision\":\"\",\"size\":\"60.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-125 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:47\",\"precision\":\"\",\"size\":\"59.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"[1979?]-04\",\"type\":\"Production Date\",\"notes\":\"Two different years are written on the j-card; This tape could've been recorded either in 1979 or 1980 \",\"source\":\"J-card\"},{\"date\":\"[1980?]-04\",\"type\":\"Production Date\",\"notes\":\"Two different years are written on the j-card; This tape could've been recorded either in 1979 or 1980 \",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/936493657\",\"venue\":\"David Thompson University Centre\",\"notes\":\"David Thompson University Centre got closed in Nelson in 1984; its current adopted name is Notre Dame University College\\n\\nSince the exact location could not be found on OpenStreetMap, the provided link refers to the closest point on Vernon Street in Downtown Nelson, within the Regional District of Central Kootenay, British Columbia, V1L 4G2, Canada\",\"address\":\"713 Vernon Street, Nelson, BC, V1L 4G8\",\"latitude\":\"49.489145\",\"longitude\":\"-117.301457\"}]"],"Address":["713 Vernon Street, Nelson, BC, V1L 4G8"],"Venue":["David Thompson University Centre"],"Note":["[{\"note\":\"Here's the poems he reads on side one:\\nArticulating West\\nWhite Hands\\n[Life on Land Grand Review?]\\nLiterary Criticism from The Country of Everyday book\\nA Cursing Poem: This Poem Wants Gordon Shrum to Die\\nRoutines\\nWe did not catch the poem's name mentioned at 22:02 on side one.\\nSaturday Afternoon in Suburban Richmond\\nGarrison\",\"type\":\"General\"},{\"note\":\"On side two: Fred asks him to explain how he works as a writer. \\nHe begins talking about his method of composition illustrating his purpose of writing; he explains how people may be able to make decisions if they want to end begin a poet or writer. \\nThey also talk about the concept of money in the context of writing/poetry writing.\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557247078405,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7887","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Malaspina Discussion: Robert Kroetsch and Sharon Pollock"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kroetsch, Robert","Pollock, Sharon","Butling, Pauline"],"creator_names_search":["Kroetsch, Robert","Pollock, Sharon","Butling, Pauline"],"creators":["[{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34673422\",\"name\":\"Pollock, Sharon\",\"dates\":\"1936-2021\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/44560494\",\"name\":\"Butling, Pauline\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7887/Fred Wah Fonds_MsC 17 g_126.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-126 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:52:44\",\"precision\":\"\",\"size\":\"67.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-126 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:50\",\"precision\":\"\",\"size\":\"58 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"BLANK\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"A group of Canadian authors discuss the communication writers have with their readers in terms of conveying and transferring their ideas; they discuss if writers have the responsibly to be understood or responded by their readers; they also talk about the social responsibility of author in making differences in the communities where they live in. \\nThey also discuss one of George Bowring's works delving into concepts of content, language, and structure in writing.\\nRobert Kroetsch also discusses his idea about teaching creative writing classes\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557247078406,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7888","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Part of Lapsed WASP: Poems 1978-89 book Launch Event at University of Calgary in December 1994: Victor Coleman reading poetry"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Coleman, Victor"],"creator_names_search":["Wah, Fred","Coleman, Victor"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"Fred Wah introduces Victor Coleman in the beginning of side one; he mostly introduces his books published with a variety of publishing press\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/38160442\",\"name\":\"Coleman, Victor\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7888/Fred Wah Fonds_MsC 17 g_127.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-127 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:08\",\"precision\":\"\",\"size\":\"66 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-127 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:39:52\",\"precision\":\"\",\"size\":\"51.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"BLANK\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-12\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/4814074\",\"venue\":\"University of Calgary\",\"notes\":\"\",\"address\":\" 2500 University Dr NW, Calgary, AB T2N 1N4\",\"latitude\":\"51.07837\",\"longitude\":\"-114.12832\"}]"],"Address":[" 2500 University Dr NW, Calgary, AB T2N 1N4"],"Venue":["University of Calgary"],"City":["Calgary, Alberta"],"Note":["[{\"note\":\"Victor Coleman begins his reading by reading from\\nCorrections, his second book \\nKenkyusha\\nLight Verse\\nParking Lights\\nSpeech Sucks\\nStranger\\n[For Daphne?]\\nTerrific at both ends \\nA Wake for Greg\\nA Wake for Milton\\nA Wake for Zappa\\nA Wake for Roy\\n... He reads his A Wake poems for people whom he feels close to and have passes away\\n[A sequence for BP: Waiting for the Plans on?]\\nThe Exchange \\nThe Sock Exchange \\n[? Pewnd]\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557248126976,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7893","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Ken Mitchell lecture at David Thompson University Centre (DTUC) in January 1979 DUPLICATE (ONLY SIDE ONE) 3 of 3"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Mitchell, Ken","Wah, Fred"],"creator_names_search":["Mitchell, Ken","Wah, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/117468255\",\"name\":\"Mitchell, Ken\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"His name is mentioned by Ken Mitchell in the beginning of side one\",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Production_Date":[1979],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7885/Fred Wah Fonds_MsC 17 g_128.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-128 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:37\",\"precision\":\"\",\"size\":\"61.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1979-01\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/936493657\",\"venue\":\"David Thompson University Centre\",\"notes\":\"It's duplicate of tape #65 in the second of batch of Fred Wah collection; this is the tape that the location of this reading is written on its j-card\\n\\nDavid Thompson University Centre got closed in Nelson in 1984; its current adopted name is Notre Dame University College\\n\\nSince the exact location could not be found on OpenStreetMap, the provided link refers to the closest point on Vernon Street in Downtown Nelson, within the Regional District of Central Kootenay, British Columbia, V1L 4G2, Canada\",\"address\":\"713 Vernon Street, Nelson, BC, V1L 4G8\",\"latitude\":\"49.489145\",\"longitude\":\"-117.301457\"}]"],"Address":["713 Vernon Street, Nelson, BC, V1L 4G8"],"Venue":["David Thompson University Centre"],"Note":["[{\"note\":\"Ken Mitchell reads and shares some of his memories, viewpoints and writing and teaching experiences with the students.\",\"type\":\"General\"},{\"note\":\"Duplicate of tape 65 \\\"Ken Mitchell lecture at David Thompson University Centre (DTUC) in January 1979 DUPLICATE 1 of 3\\\" (SWALLOW ID 6980)\\nand\\nTape 124 \\\"Ken Mitchell lecture at David Thompson University Centre (DTUC) in January 1979 DUPLICATE 2 of 3\\\" (SWALLOW 7885)\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557248126977,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7894","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Alice Munro Colloquium [at David Thompson University Centre (DTUC) on March 8, 1984?]"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Munro, Alice","Butling, Pauline"],"creator_names_search":["Wah, Fred","Munro, Alice","Butling, Pauline"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"Fred Wah is present, and he asks questions on side one\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/68944521\",\"name\":\"Munro, Alice\",\"dates\":\"1931-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/44560494\",\"name\":\"Butling, Pauline\",\"dates\":\"\",\"notes\":\"Pauline Butling is present, and she asks questions \",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[0],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7894/Fred Wah Fonds_MsC 17 g_129.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-129 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:54:10\",\"precision\":\"\",\"size\":\"68.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-129 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:07\",\"precision\":\"\",\"size\":\"61.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"[1984-03-08?]\",\"type\":\"Production Date\",\"notes\":\"We are not sure at all, but we guess it could be the questions and answer period after her reading happening at David Thompson University Centre (DTUC) on tape #79 in Fred Wah's third batch \",\"source\":\"Related Tape\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/936493657\",\"venue\":\"David Thompson University Centre\",\"notes\":\"We are not sure at all, but we guess it could be the questions and answer period after her reading happening at David Thompson University Centre (DTUC) on March 8 in 1984 on tape #79 in Fred Wah's third collection \\n\\n\\nDavid Thompson University Centre got closed in Nelson in 1984; its current adopted name is Notre Dame University College\\n\\nSince the exact location could not be found on OpenStreetMap, the provided link refers to the closest point on Vernon Street in Downtown Nelson, within the Regional District of Central Kootenay, British Columbia, V1L 4G2, Canada\",\"address\":\"713 Vernon Street, Nelson, BC, V1L 4G8\",\"latitude\":\"49.489145\",\"longitude\":\"-117.301457\"}]"],"Address":["713 Vernon Street, Nelson, BC, V1L 4G8"],"Venue":["David Thompson University Centre"],"Note":["[{\"note\":\"Alice Munro answers a variety of questions asked by the audience explaining if she write autobiography or not; she talks a bit about her book titled \\\"The Ottawa Valley\\\" which she finds closest to what she calls autobiography.\\nShe also talks about the following topics:\\nThe way she writes and rewrites her books\\nThe ideas she finds to write about \\nHow she started writing and how she's fitting into this career \\nShe also talks about the magazine editor that she collaborates to write two versions of The turkey Season, the book itself, and linked stories \\nHer way of writing, her initial draft, and the beginning and end of writing\\nHer idea about others criticizing her works and she criticizes others' \\nHer early publishment and she sent her works to get published for free and what a big difference it made to see herself in print \\nHer piece of advice for young writers  \\nHow she thinks she is defined in others' views\",\"type\":\"General\"},{\"note\":\"We are not sure at all, but we guess it could be the questions and answer period after her reading happening at David Thompson University Centre (DTUC) on March 8 in 1984 on tape #79 (SWALLOW ID 7827) in Fred Wah's third collection \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557248126978,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7895","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Bill Schermbrucker Colloquium at David Thompson University Centre (DTUC) on April 6, 1984 Part 1 of 2"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Schermbrucker, Bill","Wah, Fred"],"creator_names_search":["Schermbrucker, Bill","Wah, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/94357701\",\"name\":\"Schermbrucker, Bill \",\"dates\":\"1938-2019\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"Fred Wah is present in this even and he asks questions\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1984],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7895/Fred Wah Fonds_MsC 17 g_130.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-130 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:27\",\"precision\":\"\",\"size\":\"63 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-130 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:56\",\"precision\":\"\",\"size\":\"61.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1984-04-06\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/936493657\",\"venue\":\"David Thompson University Centre\",\"notes\":\"David Thompson University Centre got closed in Nelson in 1984; its current adopted name is Notre Dame University College\\n\\nSince the exact location could not be found on OpenStreetMap, the provided link refers to the closest point on Vernon Street in Downtown Nelson, within the Regional District of Central Kootenay, British Columbia, V1L 4G2, Canada\",\"address\":\"713 Vernon Street, Nelson, BC, V1L 4G8\",\"latitude\":\"49.489145\",\"longitude\":\"-117.301457\"}]"],"Address":["713 Vernon Street, Nelson, BC, V1L 4G8"],"Venue":["David Thompson University Centre"],"Note":["[{\"note\":\"Sides one and two are vice versa on this tape. Side two is where the discussion begins and we get to hear the rest of it on side one\",\"type\":\"General\"},{\"note\":\"Bill Schermbrucker begins his talk introducing himself and how he began writing, his experience of writing and how important it is to listen to criticism.\\nOn side two, he mostly tries to talk about his experiences and his early writings; he gives a bunch of advice to the audience.\\nHe also talks about magazines and how it works to get published by them; he talks about the mistakes editors make at the magazines just out of rush. he talks about his definition of a good editor too\\n\\nOn side one he continues talking about the following topics:\\n1- He starts talking about The Capilano Review and briefly his experience of working there as an editor and the editing process itself.\\n2- Writing about political context and what is happening in the present.\\n3- He also gives advice on what inexperienced writers to write about  \\n4- His advanced composition course\\n5- How he works as a writer; while answering this question, he shares a story behind one of his stories explaining his idea of how he thinks he writes everyday as a writer   \\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557248126979,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7896","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Joanne Kyger and Duncan McNaughton talking at Joanne's home in Bolinas on February 2, 1975 Part 2 of 3"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kyger, Joanne","McNaughton, Duncan"],"creator_names_search":["Kyger, Joanne","McNaughton, Duncan"],"creators":["[{\"url\":\"http://viaf.org/viaf/71627705\",\"name\":\"Kyger, Joanne\",\"dates\":\" 1934-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/63059516\",\"name\":\"McNaughton, Duncan\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7902/Fred Wah Fonds_MsC 17 g_136.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-136 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:54:52\",\"precision\":\"\",\"size\":\"72.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-136 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:56:04\",\"precision\":\"\",\"size\":\"72.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"BLANK\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-02-02\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/33220733\",\"venue\":\"\",\"notes\":\"This talk happens at Joanne's home in Bolinas; however, we do not have the address.\",\"address\":\"Census Boundary Bolinas, Marin County, California, United States \",\"latitude\":\"37.9054\",\"longitude\":\"-122.6977\"}]"],"Address":["Census Boundary Bolinas, Marin County, California, United States "],"Note":["[]"],"Related_works":["[]"],"_version_":1853670557250224128,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7904","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Duncan McNaughton reading poetry at San Francisco State University in February 27, 1975 Tape 2 of 2 and in Vancouver on 4 July, 1975"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["McNaughton, Duncan"],"creator_names_search":["McNaughton, Duncan"],"creators":["[{\"url\":\"http://viaf.org/viaf/63059516\",\"name\":\"McNaughton, Duncan\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7904/Fred Wah Fonds_MsC 17 g_137.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-137 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:24:02\",\"precision\":\"\",\"size\":\"32.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-137 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:01\",\"precision\":\"\",\"size\":\"42.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-02-27\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/28965902\",\"venue\":\"San Francisco State University\",\"notes\":\"\",\"address\":\"San Francisco State University, 1600, Holloway Avenue, Parkmerced, San Francisco, California, 94132, United States \",\"latitude\":\"37.7243\",\"longitude\":\"-122.4803\"}]"],"Address":["San Francisco State University, 1600, Holloway Avenue, Parkmerced, San Francisco, California, 94132, United States "],"Venue":["San Francisco State University"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670557250224129,"timestamp":"2026-01-07T15:00:01.509Z","score":0.01643844},{"id":"7905","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Duncan McNaughton reading poetry at Bella Vista Street (Warren Tallman’s House) in Vancouver on July 4, 1975"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["McNaughton, Duncan","Wah, Fred","Tallman, Warren"],"creator_names_search":["McNaughton, Duncan","Wah, Fred","Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/63059516\",\"name\":\"McNaughton, Duncan\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"Fred Wah introduces Duncan McNaughton in the beginning of side one. \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"Warren Tallman's heard laughing on side one, so he is present; in addition, we assume this recording must have happened at his place\",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Production_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7905/Fred Wah Fonds_MsC 17 g_138.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-138 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:10\",\"precision\":\"\",\"size\":\"61.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-138 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:44\",\"precision\":\"\",\"size\":\"60.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-07-04\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/30880923\",\"venue\":\"Warren Tallman’s House\",\"notes\":\"Bella Vista is the street where Warren Tallman lived; his voice is heard on side, so we assume the recoding must have been recorded at Warren Tallman's house. \\nIn the '70s(?) he moved to 3504 Bella Vista in East Vancouver V5N 3W9 and lived there till his death. \",\"address\":\"3504 Bella Vista in East Vancouver V5N 3W9\",\"latitude\":\"49.25312\",\"longitude\":\"-123.07054\"}]"],"Address":["3504 Bella Vista in East Vancouver V5N 3W9"],"Venue":["Warren Tallman’s House"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670557451550720,"timestamp":"2026-01-07T15:00:01.720Z","score":0.01643844},{"id":"7906","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. 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The he explained how he started writing in the first place and what made him an author.\\nHe then he talked about his feeling toward Montreal story telling and Montreal itself. \\nHe talks about using mythology in his writing; side one ended while he was talking about this topic.\\n\\nOn second side, they mostly talk about Clark Blaise's writing and his translated work in French  \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557455745025,"timestamp":"2026-01-07T15:00:01.720Z","score":0.01643844},{"id":"7952","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Clark Blaise colloquium on October 7, 1983 Part 1 of 2"],"item_title_source":["J-card and Recording "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Blaise, Clark"],"creator_names_search":["Blaise, Clark"],"creators":["[{\"url\":\"http://viaf.org/viaf/7439147\",\"name\":\"Blaise, Clark\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7952/Fred Wah Fonds_MsC 17 g_154.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-154 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:53\",\"precision\":\"\",\"size\":\"62.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-154 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:18\",\"precision\":\"\",\"size\":\"61.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-10-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"Clark Blaise talks about his essay about mentors. He talks about his family background sharing a bit about his mother, father, and his childhood; he begins reading his essay at 22:30 on side one.\\n\\nOn side two, he talks about Iowa Writers' Workshop sharing more about his writing background starting at Iowa and its influence on him as an author; then, he reads something about Montreal; it could be from his stories named Montreal Stories...\",\"type\":\"General\"},{\"note\":\"This colloquium continues on tape #152 \\\"Clark Blaise reading \\\"Resident Alien\\\" on October 7, 1983 Part 2 of 2\\\" (SWALLOW ID 7949) when Clark Blaise reads from his book named Resident Alien\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557455745026,"timestamp":"2026-01-07T15:00:01.720Z","score":0.01643844},{"id":"7953","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Diana Hartog reading poetry at David Thompson University Centre (DTUC) on February 3, [1982?]"],"item_title_source":["J-card and Recording "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Hartog, Diana"],"creator_names_search":["Hartog, Diana"],"creators":["[{\"url\":\"http://viaf.org/viaf/91401282\",\"name\":\"Hartog, Diana\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[0],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7953/Fred Wah Fonds_MsC 17 g_155.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-155 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:27\",\"precision\":\"\",\"size\":\"64.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-155 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:17:00\",\"precision\":\"\",\"size\":\"23 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"BLANK\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"[1982?]-02-03\",\"type\":\"Production Date\",\"notes\":\"There's a question mark next to the year on the j-card. We're unsure if this uncertainty is just about the year or includes the month and day as well.\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/936493657\",\"venue\":\"David Thompson University Centre (DTUC) \",\"notes\":\"David Thompson University Centre got closed in Nelson in 1984; its current adopted name is Notre Dame University College\\n\\nSince the exact location could not be found on OpenStreetMap, the provided link refers to the closest point on Vernon Street in Downtown Nelson, within the Regional District of Central Kootenay, British Columbia, V1L 4G2, Canada\",\"address\":\"713 Vernon Street, Nelson, BC, V1L 4G8\",\"latitude\":\"49.489145\",\"longitude\":\"-117.301457\"}]"],"Address":["713 Vernon Street, Nelson, BC, V1L 4G8"],"Venue":["David Thompson University Centre (DTUC) "],"Note":["[]"],"Related_works":["[]"],"_version_":1853670557455745027,"timestamp":"2026-01-07T15:00:01.720Z","score":0.01643844},{"id":"7954","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["David Zieroth reading poetry at Selkirk College on October 27, 1977"],"item_title_source":["J-card and Recording "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Zieroth, David"],"creator_names_search":["Zieroth, David"],"creators":["[{\"url\":\"http://viaf.org/viaf/48342759\",\"name\":\"Zieroth, David\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7954/Fred Wah Fonds_MsC 17 g_156.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-156 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:24\",\"precision\":\"\",\"size\":\"41.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-156 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:27\",\"precision\":\"\",\"size\":\"40.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977-10-27\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/270034909\",\"venue\":\"Selkirk College\",\"notes\":\"\",\"address\":\"College Selkirk College, 10th Street Campus\",\"latitude\":\"49.50554\",\"longitude\":\"-117.26734\"}]"],"Address":["College Selkirk College, 10th Street Campus"],"Venue":["Selkirk College"],"Note":["[{\"note\":\"The quality of this tape is poor, but it is still audible.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557455745028,"timestamp":"2026-01-07T15:00:01.720Z","score":0.01643844},{"id":"8389","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["BLANK TAPE except few seconds. Warren Tallman reading \"Claw\" Re-Beep on October 8, [1988?]"],"item_title_source":["Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren"],"creator_names_search":["Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Recordist\"]}]"],"contributors":["[]"],"Production_Date":[0],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/8389/Warren Tallman Fonds_MsC 26.42_56.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-56-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:59\",\"precision\":\"\",\"size\":\"67.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-56-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:35:36\",\"precision\":\"\",\"size\":\"130.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"[1988?]-10-08\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Recording\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"This tape is almost blank on both sides. Just in the early few seconds of both sides Warren Tallman says, \\\"Wait unit you hear the beep,\\\" and it goes blank. There is a part on tape #58 when Warren Tallman reads \\\"Claw\\\" and says this sentence prior to reading. \\nOn tape #58, Warren Tallman reads \\\"Claw\\\" on October 15th in1988 and he mentions the location which is Bowering's house at 14:20 on the first side of that tape. \\n\\n\\\"Beep\\\" on the J-card could refer to bpNichol.\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557456793600,"timestamp":"2026-01-07T15:00:01.720Z","score":0.01643844},{"id":"8391","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Warren Tallman's ENGL 312 lecture on Yeats on November 3, 1986 "],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren"],"creator_names_search":["Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/8391/Warren Tallman Fonds_MsC 26.42_77.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-77-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:29:15\",\"precision\":\"\",\"size\":\"111.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-77-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:56\",\"precision\":\"\",\"size\":\"62.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-11-03\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Note":["[{\"note\":\"The quality of the tape is quite poor. In some parts it is inaudible \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557456793601,"timestamp":"2026-01-07T15:00:01.720Z","score":0.01643844},{"id":"8392","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. 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The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["BLANK TAPE. 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The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["BLANK TAPE. 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The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["BLANK TAPE. 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Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Blank. 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Creative Writing conference at Capilano College in March 1979 Tape 2 OF 2\\\" (SWALLOW ID 7552)\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557457842176,"timestamp":"2026-01-07T15:00:01.720Z","score":0.01643844},{"id":"8401","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["BLANK. Gerry Gilbert poetry reading at Selkirk College on November 28, 1974 Tape 2 of 2 DUPLICATE 1 of 2"],"item_title_source":["cassette and j-card"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Gilbert, Gerry"],"creator_names_search":["Gilbert, Gerry"],"creators":["[{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\" 1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Production_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/8401/Fred Wah Fonds_MsC 17f_15.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-015-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:10\",\"precision\":\"\",\"size\":\"30 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-015-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:45\",\"precision\":\"\",\"size\":\"28.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974-11-[28?]\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/270034909\",\"venue\":\"Selkirk College\",\"notes\":\"We assume this poetry reading is recorded at Selkirk College since it's the first part of Gerry Gilbert's talk at Selkirk College on November 28 in 1974, and the location (Selkirk College) is written on the tape's 15 j-card.\\n\\n\",\"address\":\"College Selkirk College, 10th Street Campus\",\"latitude\":\"49.50554\",\"longitude\":\"-117.26734\"}]"],"Address":["College Selkirk College, 10th Street Campus"],"Venue":["Selkirk College"],"Note":["[{\"note\":\"Tapes 15 and 16 (duplicates) look as if they belong to the same event as this tape, however, they are blank, and it is impossible to confirm that. The information for that tapes is taken from this tape anyway.\",\"type\":\"General\"},{\"note\":\"According to the information on the cassette, this tape should contain Side 3 of the recording, however it is empty. On tape 16, the information is the same, so we assume that they were supposed to be duplicates. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557457842177,"timestamp":"2026-01-07T15:00:01.720Z","score":0.01643844},{"id":"8402","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["bpNichol at Selkirk College on January 24, 1977 (Blank Tape)"],"item_title_source":["cassette and j-card"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/8402/Fred Wah Fonds_MsC 17f_26.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[]"],"Dates":["[{\"date\":\"1977-01-24\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/270034909\",\"venue\":\"Selkirk College\",\"notes\":\"\",\"address\":\"College Selkirk College, 10th Street Campus\",\"latitude\":\"49.50554\",\"longitude\":\"-117.26734\"}]"],"Address":["College Selkirk College, 10th Street Campus"],"Venue":["Selkirk College"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670557457842178,"timestamp":"2026-01-07T15:00:01.720Z","score":0.01643844},{"id":"8404","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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Robert Kroetsch at David Thompson University Centre (DTUC) on July 16, 1981"],"item_title_source":["Cassette and J-card"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kroetsch, Robert"],"creator_names_search":["Kroetsch, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\" 1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/8405/Fred Wah Fonds_MsC 17f_89.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[]"],"Dates":["[{\"date\":\"1981-07-16\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/936493657\",\"venue\":\"David Thompson University Centre (DTUC) \",\"notes\":\"David Thompson University Centre got closed in Nelson in 1984; its current adopted name is Notre Dame University College\\n\\nSince the exact location could not be found on OpenStreetMap, the provided link refers to the closest point on Vernon Street in Downtown Nelson, within the Regional District of Central Kootenay, British Columbia, V1L 4G2, Canada\",\"address\":\"713 Vernon Street, Nelson, BC, V1L 4G8\",\"latitude\":\"49.489145\",\"longitude\":\"-117.301457\"}]"],"Address":["713 Vernon Street, Nelson, BC, V1L 4G8"],"Venue":["David Thompson University Centre (DTUC) "],"Note":["[{\"note\":\"It's a blank tape\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557458890753,"timestamp":"2026-01-07T15:00:01.720Z","score":0.01643844},{"id":"8407","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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Page. \\nIn this particular lecture, he focuses on two poems by Adrienne Rich.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557458890760,"timestamp":"2026-01-07T15:00:01.720Z","score":0.01643844},{"id":"8566","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Roy Miki's English 102 Lecture at SFU on March 20, 1990 "],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Miki, Roy"],"creator_names_search":["Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/8566/Roy Miki Fonds_MsC 161_5.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-05 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:24:37\",\"precision\":\"\",\"size\":\"34.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-05 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:50\",\"precision\":\"\",\"size\":\"41.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-03-20\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU (Special Collections and Rare Books)\",\"notes\":\"\",\"address\":\" 8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":[" 8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["SFU (Special Collections and Rare Books)"],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"Roy Miki's poetry analysis discussing the perspectives of [Canadian contemporary poets?]\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557459939328,"timestamp":"2026-01-07T15:00:01.720Z","score":0.01643844},{"id":"7878","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Warren Tallman's retirement speech at UBC on November 27 in 1986 and Warren Tallman's lecture on \"Primary Stress\" and \"Childhood Passage\""],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Stevens, [Dawn?]"],"creator_names_search":["Tallman, Warren","Stevens, [Dawn?]"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"\",\"name\":\"Stevens, [Dawn?]\",\"dates\":\"\",\"notes\":\"At the end of side two at 44:00, we hear [Dawn?] Stevens reading his comment about Warren Tallman \",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7878/Fred Wah Fonds_MsC 17 g_119.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-119 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:20\",\"precision\":\"\",\"size\":\"63.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-119 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:06\",\"precision\":\"\",\"size\":\"63.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-12-14\",\"type\":\"Production Date\",\"notes\":\"Warren Tallman mentions this date in the beginning of the first side explaining that he is going to make an announcement what this tape is going to be about. he also says where is sitting and what he is being surrounded with. It seems, it's the date when Warren Tallman put this tape together \",\"source\":\"Recording \"},{\"date\":\"1986-11-17\",\"type\":\"Production Date\",\"notes\":\"It's the date when Warren Tallman makes his announcement about this tape explaining the propose and the topic\",\"source\":\"Recording \"},{\"date\":\"1986-11-27\",\"type\":\"Production Date\",\"notes\":\"It's the date When Warren Tallmna's retirement speech is happening at UBS \",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"University of British Columbia\",\"notes\":\"Warren Tallmna's retirement speech happening on November 27 in 1986\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"},{\"url\":\"https://www.openstreetmap.org/way/30880923\",\"venue\":\"Warren Tallman’s House\",\"notes\":\"This is where Warren Tallman is making his announcement about this tape; in the '70s(?) he moved to 3504 Bella Vista in East Vancouver V5N 3W9 and lived there till his death.\",\"address\":\"3504 Bella Vista in East Vancouver V5N 3W9\",\"latitude\":\"49.25312\",\"longitude\":\"-123.07054\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4","3504 Bella Vista in East Vancouver V5N 3W9"],"Venue":["University of British Columbia","Warren Tallman’s House"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"At 20:17 on the second side, Warren Tallman finished his speech part and as he mentions for the remaining part of the tape he focuses on the poetics of the passages that he's written: Concentrating on childhood square (Childhood passage)\",\"type\":\"General\"},{\"note\":\"Tape 73  in Warren Tallman collection is a duplicated of this tape in Fred Wah collection. \",\"type\":\"Related Version\"},{\"note\":\"Side one: Warren Tallman's retirement speech at UBC on November 27 in 1986, and Side two: Warren Tallman's lecture on \\\"Primary Stress\\\" and the poetics of his passage focusing on \\\"Childhood Passage\\\"\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557459939329,"timestamp":"2026-01-07T15:00:01.720Z","score":0.01643844},{"id":"7879","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Poetry Series Event in Vancouver on February 22 in 1979: Victor Coleman, Bill Bissett, and Steve McCaffery"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Bissett, Bill","McCaffery, Steve","Coleman, Victor"],"creator_names_search":["Tallman, Warren","Bissett, Bill","McCaffery, Steve","Coleman, Victor"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"He is present in this event because his name is mentioned in the beginning of side one\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"Bissett, Bill\",\"dates\":\" 1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\" http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/38160442\",\"name\":\"Coleman, Victor\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1979],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7879/Fred Wah Fonds_MsC 17 g_120.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-120 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:12\",\"precision\":\"\",\"size\":\"65.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-120 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:22\",\"precision\":\"\",\"size\":\"63.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1979-02-22\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574#map=16/49.2598/-123.1140\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Vancouver, British Columbia, Canada\",\"latitude\":\"49.2608\",\"longitude\":\"-123.1139\"}]"],"Address":["Vancouver, British Columbia, Canada"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"This is a poetry series vvent facilitated by [Nicoalas?] in Vancouver on February 22 in 1979 when Victor Coleman, Bill Bissett, and Steve McCaffery mostly discuss about poetry and sound poetry \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557459939330,"timestamp":"2026-01-07T15:00:01.720Z","score":0.01643844},{"id":"7880","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Telling the Truth the Way the Words Lie (Fiction vs Non-fiction Writing) Panel at [University of Calgary?]: Myrna Kostash, Bill Schermbrucker, Kenneth J. Harvey, Nicole Brossard, and Fred Stenson Part 2 of 2"],"item_title_source":["Recording and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kostash, Myrna","Schermbrucker, Bill","Harvey, Kenneth J.","Brossard, Nicole","Stenson, Fred"],"creator_names_search":["Kostash, Myrna","Schermbrucker, Bill","Harvey, Kenneth J.","Brossard, Nicole","Stenson, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/40697804\",\"name\":\"Kostash, Myrna \",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94357701\",\"name\":\"Schermbrucker, Bill\",\"dates\":\"1938-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/79133904\",\"name\":\"Harvey, Kenneth J.\",\"dates\":\"1962-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/7387642\",\"name\":\"Brossard, Nicole\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/85469424\",\"name\":\"Stenson, Fred\",\"dates\":\"1951-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7880/Fred Wah Fonds_MsC 17 g_121.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-121 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:39\",\"precision\":\"\",\"size\":\"63.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-121 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:24\",\"precision\":\"\",\"size\":\"65.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/4814074\",\"venue\":\"[University of Calgary?]\",\"notes\":\"We are not certain whether the panel discussion was also held at the University of Calgary\",\"address\":\" 2500 University Dr NW, Calgary, AB T2N 1N4\",\"latitude\":\"51.07837\",\"longitude\":\"-114.12832\"}]"],"Address":[" 2500 University Dr NW, Calgary, AB T2N 1N4"],"Venue":["[University of Calgary?]"],"City":["Calgary, Alberta"],"Note":["[{\"note\":\"On side two, the panelists, including Myrna Kostash, Bill Schermbrucker, Kenneth J. 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Here are the key questions Roy Miki asks in this part of the interview:\\nIf Tallman distinguishes between speech and writing? answering this question makes Tallman talk about his family and his marriage to Ellen King.\\nHe keeps talking about his family and himself as a child on side two\\n \",\"type\":\"General\"},{\"note\":\"This tape is a duplicate of tapes MsC 161.37 (SWALLOW ID 8979), MsC 161.246 (SWALLOW ID 8603), MsC 161.247 (SWALLOW ID 8980)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670557464133633,"timestamp":"2026-01-07T15:00:01.720Z","score":0.01643844},{"id":"8603","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Warren Tallman interviewed by Roy Miki at Warren Tallman's house on February 21, 1983 Tape 2 of 13 DUPLICATE 3 OF 4"],"item_title_source":["J-card and Recording "],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Miki, Roy"],"creator_names_search":["Tallman, Warren","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\",\"Recordist\"]}]"],"contributors":["[]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/8603/Roy Miki Fonds_MsC 161_246.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-246 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:13\",\"precision\":\"\",\"size\":\"742.3 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Msc161-246 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:35:27\",\"precision\":\"\",\"size\":\"816.9 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-02-21\",\"type\":\"Production Date\",\"notes\":\"Date written on the j-card. 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He also talks about his early jobs and early exposure to poets like Allen Ginsberg, Snider, Robert Creeley, Robin Blaser.\",\"type\":\"General\"},{\"note\":\"This tape is a duplicate of tapes MsC 161.39 (SWALLOW ID 8606), MsC 161.248 (SWALLOW ID 8981), MsC 161.249 (SWALLOW ID 8982)\",\"type\":\"Related Version\"},{\"note\":\"At the beginning of Side 1, Roy Miki states that this is tape 2 of a long interview.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557464133635,"timestamp":"2026-01-07T15:00:01.720Z","score":0.01643844},{"id":"8606","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Warren Tallman interviewed by Roy Miki at Warren Tallman's house on February 21, 1983 Tape 3 of 13 DUPLICATE 2 OF 4"],"item_title_source":["J-card and Recording "],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Miki, Roy"],"creator_names_search":["Tallman, Warren","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\",\"Recordist\"]}]"],"contributors":["[]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/8606/Roy Miki Fonds_MsC161_39.jpeg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-39 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:05\",\"precision\":\"\",\"size\":\"64.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-39 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:29\",\"precision\":\"\",\"size\":\"62.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-02-21\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/30880923\",\"venue\":\"Warren Tallman’s House\",\"notes\":\"In the '70s(?) 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He also talked about Ellen, his three kids, and his early life in Vancouver.\\n\",\"type\":\"General\"},{\"note\":\"This tape is a duplicate of tapes MsC 161.41 (SWALLOW ID 8608), MsC 161.250 (SWALLOW ID 9011), MsC 161.251 (SWALLOW ID 9012)\",\"type\":\"Related Version\"},{\"note\":\"Roy Miki's interview ends on side two at 16:05. At 16:51, we get to hear some music performance by an unknown female performer. At 23:39 on side two, we hear a female speaker saying \\\"thank you\\\" to someone whose name appears to be [Amanda?].\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557464133637,"timestamp":"2026-01-07T15:00:01.720Z","score":0.01643844},{"id":"8608","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Warren Tallman interviewed by Roy Miki at Warren Tallman's house on February 21, 1983 Tape 4 of 13 DUPLICATE 2 OF 4"],"item_title_source":["J-card and Recording "],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Miki, Roy"],"creator_names_search":["Tallman, Warren","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\",\"Recordist\"]}]"],"contributors":["[]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/8608/Roy Miki Fonds_MsC161_41.jpeg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-41 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:33\",\"precision\":\"\",\"size\":\"64 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-41 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:30\",\"precision\":\"\",\"size\":\"62.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-02-21\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/30880923\",\"venue\":\"Warren Tallman’s House\",\"notes\":\"In the '70s(?) Warren Tallman moved to 3504 Bella Vista in East Vancouver V5N 3W9 and lived there till his death. \",\"address\":\"3504 Bella Vista in East Vancouver V5N 3W9\",\"latitude\":\"49.25312\",\"longitude\":\"-123.07054\"}]"],"Address":["3504 Bella Vista in East Vancouver V5N 3W9"],"Venue":["Warren Tallman’s House"],"Note":["[{\"note\":\"On side one, Warren Tallman mostly talks about his high school period, his courses specially his undergraduate life and his mixed feelings he had back then toward the courses he liked and did not. He talks a bit about the essay he wrote when he was doing his undergraduate; in meanwhile, he talks briefly about his relationship with his first wife, Donna, and how things got difficult between them. \\nTallman continued talking about Ellen King and the common course they both take at University of California, Berkeley.\\n\\nOn side two, Tallman talks about his thesis explaining how he'd got the idea. He also talked about Ellen, his three kids, and his early life in Vancouver.\\n\",\"type\":\"General\"},{\"note\":\"This tape is a duplicate of tapes MsC 161.250 (SWALLOW ID 9011), MsC 161.251 (SWALLOW ID 9012), MsC 161.40 (SWALLOW ID 8607)\",\"type\":\"Related Version\"},{\"note\":\"This tape is a duplicate of Tape 40, with the exception of the music performance on the second side of Tape 40. At 23:39 on side two, we hear a female speaker saying \\\"thank you\\\" to someone whose name appears to be [Amanda?].\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557464133638,"timestamp":"2026-01-07T15:00:01.720Z","score":0.01643844},{"id":"8609","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Warren Tallman interviewed by Roy Miki at Warren Tallman's house on February 28, 1983 Tape 5 of 13 DUPLICATE 1 OF 4"],"item_title_source":["J-card and Recording "],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Miki, Roy"],"creator_names_search":["Tallman, Warren","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\",\"Recordist\"]}]"],"contributors":["[]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/8609/Roy Miki Fonds_MsC161_42.jpeg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-42 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:02\",\"precision\":\"\",\"size\":\"65.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-42 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:05\",\"precision\":\"\",\"size\":\"59.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-02-28\",\"type\":\"Production Date\",\"notes\":\"Tape 1 (Session 2), Side 1\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/30880923\",\"venue\":\"Warren Tallman’s House\",\"notes\":\"In the '70s(?) Warren Tallman moved to 3504 Bella Vista in East Vancouver V5N 3W9 and lived there till his death. \",\"address\":\"3504 Bella Vista in East Vancouver V5N 3W9\",\"latitude\":\"49.25312\",\"longitude\":\"-123.07054\"}]"],"Address":["3504 Bella Vista in East Vancouver V5N 3W9"],"Venue":["Warren Tallman’s House"],"Note":["[{\"note\":\"The interview ends at 7:40, and at 7:58 we hear a woman introducing her music piece named [Watercolour and Shade?]; she continues performing other pieces, introducing each one as she goes.\",\"type\":\"General\"},{\"note\":\"Roy and Tallman begin the tape by discussing how Miki's thesis on William Carlos Williams transformed into a published work. In the process, they delve into Paul Mariani's exploration of Williams' life and times, providing readers with a profound insight into the poet's mind and language. Roy Miki also shared a story about his thesis.\\n\\nThe interview is interrupted at 27:02, transitioning to a different segment that does not belong to Tape 1, Session 2. The full version of Tape 1, Session 2 can be found on Tape 43.\\n\\nThe interview is interrupted at 27:21, transitioning to a different segment that actually belongs to Tape 1, Side 2. We determined this by listening to its duplicate, Tape 253 in this collection, where Roy Miki states that he is recording Tape 1, Side 2 on February 20.\\n\\nAfter 27:21, Miki and Tallman get to talk about different poets and their modes of thinking.\\n\\n\",\"type\":\"General\"},{\"note\":\"Roy Miki states in the beginning of side one that this tape is session two with Tallman, Tape 1, Side 1\",\"type\":\"General\"},{\"note\":\"This tape is a duplicate of tapes 43 (SWALLOW ID 8610), 252 (SWALLOW ID 9014), and 253 (SWALLOW ID 9015). However, these tapes are not exact duplicates of one another, as each contains slightly more or less of Tape 1, Side 1 and Tape 1, Side 2. Portions of both sides can be heard across all four tapes.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557464133639,"timestamp":"2026-01-07T15:00:01.720Z","score":0.01643844},{"id":"8610","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Warren Tallman interviewed by Roy Miki at Warren Tallman's house on February 28, 1983 Tape 5 of 13 DUPLICATE 2 OF 4"],"item_title_source":["J-card and Recording "],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Miki, Roy"],"creator_names_search":["Tallman, Warren","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\",\"Recordist\"]}]"],"contributors":["[]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/8610/Roy Miki Fonds_MsC161_43.jpeg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-43 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:27\",\"precision\":\"\",\"size\":\"65.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-43 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:29\",\"precision\":\"\",\"size\":\"61.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-02-28\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/30880923\",\"venue\":\"[Warren Tallman’s House?]\",\"notes\":\"In the '70s(?) Warren Tallman moved to 3504 Bella Vista in East Vancouver V5N 3W9 and lived there till his death. \\n\\n\\n\\n\\n\\n\",\"address\":\"3504 Bella Vista in East Vancouver V5N 3W9\",\"latitude\":\"49.25312\",\"longitude\":\"-123.07054\"}]"],"Address":["3504 Bella Vista in East Vancouver V5N 3W9"],"Venue":["[Warren Tallman’s House?]"],"Note":["[{\"note\":\"Roy Miki states in the beginning of side one that this tape is session two with Tallman, Tape 1, Side 1\",\"type\":\"General\"},{\"note\":\"Roy and Tallman begin the tape by discussing how Miki's thesis on William Carlos Williams transformed into a published work. In the process, they delve into Paul Mariani's exploration of Williams' life and times, providing readers with a profound insight into the poet's mind and language. Roy Miki also shared a story about his thesis.\\n\\nTallman also discusses the poets whose works influenced him, elaborating on the geographical backgrounds of these poets.\",\"type\":\"General\"},{\"note\":\"This tape is a duplicate of tapes 42 (SWALLOW ID 8609), 252 (SWALLOW ID 9014), and 253 (SWALLOW ID 9015). However, these tapes are not exact duplicates of one another, as each contains slightly more or less of Tape 1, Side 1 and Tape 1, Side 2. Portions of both sides can be heard across all four tapes.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557465182208,"timestamp":"2026-01-07T15:00:01.720Z","score":0.01643844},{"id":"8611","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Warren Tallman interviewed by Roy Miki at Warren Tallman's house on February 28, 1983 Tape 6 of 13 DUPLICATE 1 OF 5"],"item_title_source":["J-card and Recording "],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Miki, Roy"],"creator_names_search":["Tallman, Warren","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\",\"Recordist\"]}]"],"contributors":["[]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/8611/Roy Miki Fonds_MsC161_44.jpeg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-44 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:18\",\"precision\":\"\",\"size\":\"62.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-44 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:32\",\"precision\":\"\",\"size\":\"61.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-02-28\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/30880923\",\"venue\":\"[Warren Tallman’s House?]\",\"notes\":\"In the '70s(?) Warren Tallman moved to 3504 Bella Vista in East Vancouver V5N 3W9 and lived there till his death. \\n\\n\\n\\n\\n\\n\\n\\n\",\"address\":\"3504 Bella Vista in East Vancouver V5N 3W9\",\"latitude\":\"49.25312\",\"longitude\":\"-123.07054\"}]"],"Address":["3504 Bella Vista in East Vancouver V5N 3W9"],"Venue":["[Warren Tallman’s House?]"],"Note":["[{\"note\":\"Roy Miki states in the beginning of side one that this tape is Tape 2, Session 2, Side 1\",\"type\":\"General\"},{\"note\":\"Roy Miki and Warren Tallman focus on discussing the significance of geography and one's surroundings. In the middle of side one, we get to hear Tallman's grandchild's voice and probably his daughter. Allman and Miki continue their conversation, delving into the cultural landscapes of California, New York, and Vancouver, particularly in the context of the possibilities for publication and during the era of Spicer, Blaser, and Duncan\",\"type\":\"General\"},{\"note\":\"This tape is a duplicate of tapes MsC 161.254 (SWALLOW ID 9016), MsC 161.255 (SWALLOW ID 9017), MsC 161.45 (SWALLOW ID 8612), MsC 161.256 (SWALLOW ID 9018)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670557465182209,"timestamp":"2026-01-07T15:00:01.720Z","score":0.01643844},{"id":"8612","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Warren Tallman interviewed by Roy Miki at Warren Tallman's house on February 28, 1983 Tape 6 of 13  DUPLICATE 2 OF 5\n"],"item_title_source":["J-card and Recording "],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Miki, Roy"],"creator_names_search":["Tallman, Warren","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\",\"Recordist\"]}]"],"contributors":["[]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/8612/Roy Miki Fonds_MsC161_45.jpeg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-45 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:33\",\"precision\":\"\",\"size\":\"62 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-45 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:48\",\"precision\":\"\",\"size\":\"62 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-02-28\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/30880923\",\"venue\":\"[Warren Tallman’s House?]\",\"notes\":\"In the '70s(?) Warren Tallman moved to 3504 Bella Vista in East Vancouver V5N 3W9 and lived there till his death. \\n\\n\\n\\n\\n\\n\\n\\n\",\"address\":\"3504 Bella Vista in East Vancouver V5N 3W9\",\"latitude\":\"49.25312\",\"longitude\":\"-123.07054\"}]"],"Address":["3504 Bella Vista in East Vancouver V5N 3W9"],"Venue":["[Warren Tallman’s House?]"],"Note":["[{\"note\":\"Roy Miki states in the beginning of side one that this tape is Tape 2, Session 2, Side 1\",\"type\":\"General\"},{\"note\":\"Roy Miki and Warren Tallman focus on discussing the significance of geography and one's surroundings. In the middle of side one, we get to hear Tallman's grandchild's voice and probably his daughter. Allman and Miki continue their conversation, delving into the cultural landscapes of California, New York, and Vancouver, particularly in the context of the possibilities for publication and during the era of Spicer, Blaser, and Duncan\",\"type\":\"General\"},{\"note\":\"This tape is a duplicate of tapes MsC 161.44 (SWALLOW ID 8611), MsC 161.254 (SWALLOW ID 9016), MsC 161.255 (SWALLOW ID 9017), MsC 161.256 (SWALLOW ID 9018)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670557465182210,"timestamp":"2026-01-07T15:00:01.720Z","score":0.01643844},{"id":"8613","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Warren Tallman interviewed by Roy Miki at Warren Tallman's house on February 28, 1983 Tape 7 of 13 DUPLICATE 1 OF 3"],"item_title_source":["J-card and Recording "],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Miki, Roy"],"creator_names_search":["Tallman, Warren","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\",\"Recordist\"]}]"],"contributors":["[]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/8613/Roy Miki Fonds_MsC161_46.jpeg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-46 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:35:29\",\"precision\":\"\",\"size\":\"124 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-46 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:45\",\"precision\":\"\",\"size\":\"62.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"Blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-02-28\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/30880923\",\"venue\":\"[Warren Tallman’s House?]\",\"notes\":\"In the '70s(?) Warren Tallman moved to 3504 Bella Vista in East Vancouver V5N 3W9 and lived there till his death. \\n\\n\\n\\n\\n\\n\\n\\n\",\"address\":\"3504 Bella Vista in East Vancouver V5N 3W9\",\"latitude\":\"49.25312\",\"longitude\":\"-123.07054\"}]"],"Address":["3504 Bella Vista in East Vancouver V5N 3W9"],"Venue":["[Warren Tallman’s House?]"],"Note":["[{\"note\":\"Roy Miki states at 47:07 on side one that this tape is Tape 3, Session 2, Side 1\",\"type\":\"General\"},{\"note\":\"In this part of the interview, they go back to 1956 and Seattle when some American writers who were important to West Coast like Allen Ginsberg, Robert Duncan, and Gary Snyder. Tallman begins the discussion by referring to the power of women in the literary word back then introducing the female authors and poets who had power. He also talk about the intelligence experiment he had with them. \\n\\n\",\"type\":\"General\"},{\"note\":\"This tape is a duplicate of tapes MsC 161.257 (SWALLOW ID 9019), MsC 161.258 (SWALLOW ID 9020)\",\"type\":\"Related Version\"},{\"note\":\"The first 16:03 is the duplicate of what we hear on the second side of tapes 44 and 45. Then part of the tape is blank, to the moment the recording of Tape 3 starts at 48:50\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557465182211,"timestamp":"2026-01-07T15:00:01.720Z","score":0.01643844},{"id":"8614","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Warren Tallman and Ellen Tallman interviewed by Roy Miki at Warren Tallman's house on March 9, 1983 Tape 8 of 13 DUPLICATE 1 OF 2"],"item_title_source":["J-card and Recording "],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","King, Ellen","Miki, Roy"],"creator_names_search":["Tallman, Warren","King, Ellen","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/104287493\",\"name\":\"King, Ellen\",\"dates\":\"\",\"notes\":\"Warren Tallman's wife\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\",\"Recordist\"]}]"],"contributors":["[]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/8614/Roy Miki Fonds_MsC 161_47.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-47 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:41\",\"precision\":\"\",\"size\":\"62.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-47 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:36\",\"precision\":\"\",\"size\":\"61.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-03-09\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/30880923\",\"venue\":\"Warren Tallman’s House\",\"notes\":\"In the '70s(?) Warren Tallman moved to 3504 Bella Vista in East Vancouver V5N 3W9 and lived there till his death. \\n\\n\\n\\n\\n\\n\\n\\n\",\"address\":\"3504 Bella Vista in East Vancouver V5N 3W9\",\"latitude\":\"49.25312\",\"longitude\":\"-123.07054\"}]"],"Address":["3504 Bella Vista in East Vancouver V5N 3W9"],"Venue":["Warren Tallman’s House"],"Note":["[{\"note\":\"Warren Tallman opens this segment of the interview by discussing Ellen King—how they first met and the significant influence she had on his life and work. Ellen, also present during the interview, offers her perspective by recounting her personal journey, detailing what she was involved in just before meeting Warren, and sharing the story of how their paths eventually crossed. Ellen talks a lot about her circle of friendship especially her close friend named, [Marta?]. They also talked about Ellen's parents and how they thought of her life back then in 1947. She also talks about the literary scene back then and other writers and poets engaged. \\nShe also reflects on her decision to go to Berkeley, her experiences there, and what ultimately brought her back to San Francisco, leading to the moment their paths crossed.\\n\",\"type\":\"General\"},{\"note\":\"This tape is a duplicate of tape MsC 161.259 (SWALLOW ID 9023)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670557465182212,"timestamp":"2026-01-07T15:00:01.720Z","score":0.01643844},{"id":"8615","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Warren Tallman and Ellen Tallman interviewed by Roy Miki at Warren Tallman's house on March 9, 1983 Tape 9 of 13 DUPLICATE 1 OF 2"],"item_title_source":["J-card and Recording "],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","King, Ellen","Miki, Roy"],"creator_names_search":["Tallman, Warren","King, Ellen","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/104287493\",\"name\":\"King, Ellen\",\"dates\":\"\",\"notes\":\"Warren Tallman's wife\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\",\"Recordist\"]}]"],"contributors":["[]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/8615/Roy Miki Fonds_MsC 161_48.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-48 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:38\",\"precision\":\"\",\"size\":\"62.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-48 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:27\",\"precision\":\"\",\"size\":\"61.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-03-09\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/30880923\",\"venue\":\"Warren Tallman’s House\",\"notes\":\"In the '70s(?) Warren Tallman moved to 3504 Bella Vista in East Vancouver V5N 3W9 and lived there till his death. \\n\\n\\n\\n\\n\\n\\n\\n\",\"address\":\"3504 Bella Vista in East Vancouver V5N 3W9\",\"latitude\":\"49.25312\",\"longitude\":\"-123.07054\"}]"],"Address":["3504 Bella Vista in East Vancouver V5N 3W9"],"Venue":["Warren Tallman’s House"],"Note":["[{\"note\":\"Roy Miki asks Ellen about the time she decided to come back from Berkeley and go to Seattle. She talks about how she met Warren Tallman sharing a bit about how it went in the beginning; meanwhile, Ellen gets to talk about her girl fiends and Tallman's early sense of Ellen and her friends.\\nOn side two, they also talk about Ellen's mom and the influence of Ellen on Tallman's literary life \",\"type\":\"General\"},{\"note\":\"This tape is a duplicate of tape MsC 161.260 (SWALLOW ID 9024)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670557466230784,"timestamp":"2026-01-07T15:00:01.720Z","score":0.01643844},{"id":"8616","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Warren Tallman and Ellen Tallman interviewed by Roy Miki at Warren Tallman's house on March 9, 1983 Tape 10 of 13 DUPLICATE 1 OF 2"],"item_title_source":["J-card and Recording "],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","King, Ellen","Miki, Roy"],"creator_names_search":["Tallman, Warren","King, Ellen","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/104287493\",\"name\":\"King, Ellen\",\"dates\":\"\",\"notes\":\"Warren Tallman's wife\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\",\"Recordist\"]}]"],"contributors":["[]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/8616/Roy Miki Fonds_MsC 161_49.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-49 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:29\",\"precision\":\"\",\"size\":\"62.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-49 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:41\",\"precision\":\"\",\"size\":\"62.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-03-09\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/30880923\",\"venue\":\"Warren Tallman’s House\",\"notes\":\"In the '70s(?) Warren Tallman moved to 3504 Bella Vista in East Vancouver V5N 3W9 and lived there till his death. \\n\\n\\n\\n\\n\\n\\n\\n\",\"address\":\"3504 Bella Vista in East Vancouver V5N 3W9\",\"latitude\":\"49.25312\",\"longitude\":\"-123.07054\"}]"],"Address":["3504 Bella Vista in East Vancouver V5N 3W9"],"Venue":["Warren Tallman’s House"],"Note":["[{\"note\":\"Ellen begins talking about Tallman and he inferenced her life; Ellen also talks about her relationship with other poets back then. They talk a lot about all the other poets and Ellen's friendship with her closest friend [Marta?] and her importance.\\n\\nOn side two, Tallman explains how difficult it would have been for him to have any meaningful relationship with Creeley, Bowering, Spider, and Ginsburg and other poets back then without having some intelligence about them on some level. However, as he elaborates, this understanding was impossible because Ellen was the one creating the source. Ellen concludes this tape by reflecting on the period from the early 1960s to the tape's recording in 1983, discussing her connection with Duncan and Creeley over the years.\",\"type\":\"General\"},{\"note\":\"This tape is a duplicate of tape MsC 161.260 (SWALLOW ID 9026)\",\"type\":\"Related Version\"},{\"note\":\"In the beginning, we have Warren Tallman and Ellen talking about Marta for the first couple of side one and the Tallman states Tape 3, Session 3, Side 1 at 1:19; at 2:06 on the second side on this tape, it seems Roy Miki stops the tape and starts recording something on it again, but it sounds the same tape\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557466230785,"timestamp":"2026-01-07T15:00:01.720Z","score":0.01643844},{"id":"8618","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Warren Tallman interviewed by Roy Miki at Warren Tallman's house on January 24, 1983 Tape 1 of 13 DUPLICATE 2 OF 4"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Miki, Roy"],"creator_names_search":["Tallman, Warren","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\",\"Recordist\"]}]"],"contributors":["[]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/8618/Roy Miki Fonds_MsC161_50.jpeg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-50 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:28\",\"precision\":\"\",\"size\":\"63.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-50 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:32\",\"precision\":\"\",\"size\":\"62.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-01-24\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/30880923\",\"venue\":\"Warren Tallman’s House\",\"notes\":\"In the '70s(?) he moved to 3504 Bella Vista in East Vancouver V5N 3W9 and lived there till his death.\",\"address\":\"3504 Bella Vista in East Vancouver V5N 3W9\",\"latitude\":\"49.25312\",\"longitude\":\"-123.07054\"}]"],"Address":["3504 Bella Vista in East Vancouver V5N 3W9"],"Venue":["Warren Tallman’s House"],"Note":["[{\"note\":\"Warren Tallman reflects on the significance of geography and its impact on his work, sharing insights about his life in Vancouver and his early writings. During his discussion, a visitor arrives, prompting him to ask Roy Miki to pause the recording at 27:43. The recording resumes at 27:47, with Tallman speaking about Robert Creeley, but Miki redirects the conversation to Tallman's childhood and the influence of his family during that time. This tape ends at 30:53 on side one and resumes at 33:39, where Tallman shares more details about San Francisco and its vibrant poetry scene, including figures such as Ellen (his wife), Marta, Robert Creeley, Robert Duncan, and Jack Spicer. He explores the relationships among these poets and highlights Ellen's pivotal role in shaping and nurturing these connections. Tallman also discusses the contemporary art festival at UBC and the involvement of these poets in the event.\",\"type\":\"General\"},{\"note\":\"This tape is a duplicate of tapes MsC 161.35 (SWALLOW ID 8599), MsC 161.145 (SWALLOW ID 8967), and MsC 161.144 (SWALLOW ID 9105)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670557466230786,"timestamp":"2026-01-07T15:00:01.720Z","score":0.01643844},{"id":"8619","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Warren Tallman, George Bowering, and Gladys Hindmarch interviewed by Roy Miki at Warren Tallman's house on April 25, 1983 Part 2 Tape 12 of 13 DUPLICATE 1 OF 2"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","Tallman, Warren","Hindmarch, Gladys","Miki, Roy"],"creator_names_search":["Bowering, George","Tallman, Warren","Hindmarch, Gladys","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/38164256\",\"name\":\"Hindmarch, Gladys\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\",\"Recordist\"]}]"],"contributors":["[]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/8619/Roy Miki Fonds_MsC161_51.jpeg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-51 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:28\",\"precision\":\"\",\"size\":\"72.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-51 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:33\",\"precision\":\"\",\"size\":\"63.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-04-25\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/30880923\",\"venue\":\"Warren Tallman’s House\",\"notes\":\"In the '70s(?) he moved to 3504 Bella Vista in East Vancouver V5N 3W9 and lived there till his death.\\nIn Roy Miki's series of interviews, all the previous recordings took place at Warren Tallman's house. However, it is unclear if this particular interview was also conducted there, as George Bowering and Gladys Hindmarch were present, potentially indicating a different setting.\",\"address\":\"3504 Bella Vista in East Vancouver V5N 3W9\",\"latitude\":\"49.25312\",\"longitude\":\"-123.07054\"}]"],"Address":["3504 Bella Vista in East Vancouver V5N 3W9"],"Venue":["Warren Tallman’s House"],"Note":["[{\"note\":\"The discussion begins with a mix of topics, including Roy Miki sharing how he first met Warren Tallman, George Bowering reflecting on his time as a student and the creative writing course he took, and Glady recounting her first meeting with Tallman. They also touch on the topic of the muse. An interruption occurs from 30:15 to 31:53, and when the conversation resumes, Bowering is asked about the significance of Warren Tallman in his life when they first met, while Glady reflects on the writers' workshops from 1958. They also briefly discuss Bowering's time as a student in Tallman's class and talked briefly about Earle Birney and Ezra Pound.\",\"type\":\"General\"},{\"note\":\"This tape is a duplicate of tape MsC 161.264 (SWALLOW ID 9028)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670557466230787,"timestamp":"2026-01-07T15:00:01.720Z","score":0.01643844},{"id":"8620","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Warren Tallman, George Bowering, and Gladys Hindmarch interviewed by Roy Miki at Warren Tallman's house on April 25, 1983 Tape 13 of 13 Part 3 DUPLICATE 1 OF 2 "],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","Hindmarch, Gladys","Tallman, Warren","Miki, Roy"],"creator_names_search":["Bowering, George","Hindmarch, Gladys","Tallman, Warren","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/38164256\",\"name\":\"Hindmarch, Gladys\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\",\"Recordist\"]}]"],"contributors":["[]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/8620/Roy Miki Fonds_MsC161_52.jpeg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-52 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:48\",\"precision\":\"\",\"size\":\"61.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-52 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:44\",\"precision\":\"\",\"size\":\"68.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-04-25\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/30880923\",\"venue\":\"Warren Tallman’s House\",\"notes\":\"In the '70s(?) he moved to 3504 Bella Vista in East Vancouver V5N 3W9 and lived there till his death.\\nIn Roy Miki's series of interviews, all the previous recordings took place at Warren Tallman's house. However, it is unclear if this particular interview was also conducted there, as George Bowering and Gladys Hindmarch were present, potentially indicating a different setting.\",\"address\":\"3504 Bella Vista in East Vancouver V5N 3W9\",\"latitude\":\"49.25312\",\"longitude\":\"-123.07054\"}]"],"Address":["3504 Bella Vista in East Vancouver V5N 3W9"],"Venue":["Warren Tallman’s House"],"Note":["[{\"note\":\"On this tape, Roy Miki asks George Bowering about Earle Birney, prompting responses from both George and Gladys Hindmarch. The discussion shifts to Tallman's opinion of Daniel Roy and his relationship with him. Tallman also reflects on the major conference he organized at UBC. Additionally, they discuss the poets who lived with Tallman and with each other, sharing memories from that period. The interview is interrupted between 23:27 and 31:52 and when it resumes, the conversation centers primarily on Glady's early life and a mixture of other things they get to talk about bout in between.\",\"type\":\"General\"},{\"note\":\"This tape is a duplicate of tape MsC 161.263 (SWALLOW ID 9034)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670557467279360,"timestamp":"2026-01-07T15:00:01.720Z","score":0.01643844},{"id":"8622","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Eli Mandel's English 360 Lecture at SFU on July 7, 1981 Part 1 COPY 1"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Mandel, Eli","Tallman, Warren","Miki, Roy"],"creator_names_search":["Mandel, Eli","Tallman, Warren","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/59095399\",\"name\":\"Mandel, Eli\",\"dates\":\"1922-1992\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"He is present \",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/8622/Roy Miki Fonds_MsC 161_53.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-53SideA\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:03\",\"precision\":\"\",\"size\":\"41.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-53SideB\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:45\",\"precision\":\"\",\"size\":\"41.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\" 8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":[" 8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"At the start of side one, the speaker introduces herself, but due to poor audio quality, her name is difficult to discern. Following this, Roy Miki discusses the structure of the summer course, outlining that it includes both tutorials and lectures. He also explains the modifications made to the course for the current term.\\nIt seems, Eli Mandel and Warren Tallman will be leading the lectures. After Roy Miki, Eli Mandel takes the microphone to outline the four topics he plans to cover during his seminars. Once Mandel finished explaining about the structure of his class, he will clarify a few points about the assignments and the final evaluation and he begins his lecture \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557467279361,"timestamp":"2026-01-07T15:00:01.720Z","score":0.01643844},{"id":"8623","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Eli Mandel's English 360 Lecture at SFU on July 7, 1981 Part 2 COPY 1 "],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Mandel, Eli","Tallman, Warren","Miki, Roy"],"creator_names_search":["Mandel, Eli","Tallman, Warren","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/59095399\",\"name\":\"Mandel, Eli\",\"dates\":\"1922-1992\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"Eli Mandel calls Warren Tallman if he could hear him well, so he is present in the lecture \",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/8623/Roy Miki Fonds_MsC 161_54.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-54SideB\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:07\",\"precision\":\"\",\"size\":\"41.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-54SideA\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:47\",\"precision\":\"\",\"size\":\"40.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\" 8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":[" 8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"Eli Mandel discusses the revisions he has made to the reading list for this term, outlining the sequence of readings he plans to follow for the remainder of the semester. 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Mandel also highlights the work of distinguished British Columbia and West Coast writers on side two.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557467279362,"timestamp":"2026-01-07T15:00:01.720Z","score":0.01643844},{"id":"8624","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Recorded University Lecture"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren"],"creator_names_search":["Tallman, 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recordings do not correspond with what is written on the j-card; the content seems to be irrelevant to English literature \\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557467279363,"timestamp":"2026-01-07T15:00:01.720Z","score":0.01643844},{"id":"8625","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Recorded University Lecture"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren"],"creator_names_search":["Tallman, 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Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC264-29 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:23\",\"precision\":\"\",\"size\":\"44.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC264-29 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:40\",\"precision\":\"\",\"size\":\"44.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound 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\\nhttps://journals.sfu.ca/capreview/index.php/capreview/article/view/2179/2179\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557676994563,"timestamp":"2026-01-07T15:00:01.927Z","score":0.01643844},{"id":"8713","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["The Capilano Review Recordings"],"source_collection_label":["The Capilano Review Recordings"],"collection_contributing_unit":[""],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Interview with Cathy Ford by Bill Schermbrucker and Penelope Connell for the The Capilano Review Issue 1.14, 1978 Tape 2 of 2"],"item_title_source":["cassette"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Schermbrucker, Bill","Ford, Cathy","Connell, 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC264-30 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:27\",\"precision\":\"\",\"size\":\"43.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"Empty\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-05-29\",\"type\":\"Production Date\",\"notes\":\"The interview took place on May 29 and was published in late December 1978\",\"source\":\"cassette\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/485438830\",\"venue\":\"Penelope Connell's home\",\"notes\":\"\",\"address\":\"North Vancouver, BC, 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Fouquet and Tom Cone and Alex Pauk by [Penelope Connell?] for the The Capilano Review Issues 1.13 and 1.14, 1978 "],"item_title_source":["cassette"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Connell, Penelope","Pauk, Alex","Cone, Tom","Fouquet, Monique"],"creator_names_search":["Connell, Penelope","Pauk, Alex","Cone, Tom","Fouquet, Monique"],"creators":["[{\"url\":\"http://viaf.org/viaf/105205403\",\"name\":\"Connell, Penelope \",\"dates\":\"1946-\",\"notes\":\"She does not introduce herself, but she was interviewing other people for this issue, so we assume that it is her voice\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/67644476\",\"name\":\"Pauk, Alex\",\"dates\":\"1945-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/38166607\",\"name\":\"Cone, 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978\",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"The quotes from these interviews were published in Issues 1.13 and  1.14 on 1978 \\nhttps://journals.sfu.ca/capreview/index.php/capreview/article/view/2179/2179\\nhttps://journals.sfu.ca/capreview/index.php/capreview/article/view/706/706 \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557676994565,"timestamp":"2026-01-07T15:00:01.927Z","score":0.01643844},{"id":"8715","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["The Capilano Review Recordings"],"source_collection_label":["The Capilano Review 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interview is abridged into statement by Lois Redmann and published in issue 1.14 on 1978 \\nhttps://journals.sfu.ca/capreview/index.php/capreview/article/view/2179/2179\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557676994566,"timestamp":"2026-01-07T15:00:01.927Z","score":0.01643844},{"id":"8718","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Filling Station Fonds"],"source_collection_label":["Filling Station Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":["https://digital.lib.sfu.ca/unarchiving-margins"],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of records documenting the establishment of the filling Station Publications Society in Calgary, Alberta, in 1993, and its ongoing business editing and publishing \"filling Station\" magazine, individual chapbooks and hosting literary events. Fonds is arranged into the following six series: Administrative records (1993u20132008); Financial records (1993u20132008); Marketing files (1993u20132002); Editorial files (1995u20132004); Event files (1993u20132001); and Chapbooks (1993u20132006)."],"collection_source_collection_id":["MsC 73"],"persistent_url":[""],"item_title":["Filling Station's first poem Slam Bunctious: Live studio poetry reading competition in Calgary on September 24, 1994 DUPLICATE 2 OF 2"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Broadcast"],"item_series_title":["Unarchiving the Margins Collection"],"item_series_description":["Historically, literary studies and literary-archival work has focused on the stories of white, male writers. As a way of disrupting this narrow focus, the Unarchiving the Margins Collection digitizes, preserves, and brings to life almost 80 tapes of literary audio from the fonds of a diverse set of writers from equity deserving groups.\n\nThe digitization and public distribution of this collection amplifies voices of women, queer writers, and writers of colour who have been historically left out of the archive and thus not highlighted in many digitizing projects. SFU is committed to prioritizing projects that promote content by writers from historically underserved groups in order to ensure that more researchers, scholars, and interested members of the public have access to these materials.\n\nHighlights\n\nThe Unarchiving the Margins Collection brings together interviews, readings, and discussions featuring hundreds of voices and writers from equity deserving groups, such as: Daphne Marlatt, Nicole Brossard, Maria Campbell, Dorothy Livesay, Phyllis Webb, Lillian Allen, Ellen Tallman, Penn Kemp, Jeanette Armstrong, Betsy Warland, Fred Wah, Shani Mootoo, Sharon Thesen, Mary Billy, Anita Rau Badami, Lorna Crozier, and many more!\n\nThe collection also features renowned Canadian male writers, including: George Bowering, Stuart McLean, and bp Nichol.\n\nVisit the SFU Library Special Collections and Rare Books Unarchiving the Margins collection page for more details about this collection."],"item_series_uri":["https://digital.lib.sfu.ca/unarchiving-margins"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Walker, Mike","Creepy, Cybele","Rhodes, Shane","[Colin, Jeff?]","Taylor, Colleen","Pickup, Tracey","Flaathen, Jim","Hall, Sean","Collins, Gabriel","Klassen, Peter","Davies, John","Steffens, Josh","Stanklo, Brian","Robinson, Mike","Irvine, Dean"],"creator_names_search":["Walker, Mike","Creepy, Cybele","Rhodes, Shane","[Colin, Jeff?]","Taylor, Colleen","Pickup, Tracey","Flaathen, Jim","Hall, Sean","Collins, Gabriel","Klassen, Peter","Davies, John","Steffens, Josh","Stanklo, Brian","Robinson, Mike","Irvine, Dean"],"creators":["[{\"url\":\"\",\"name\":\"Walker, Mike\",\"dates\":\"\",\"notes\":\"He was one of the seven competitors who got selected by the judges for the second round of the reading competition.\\nThe spelling of the name is taken from https://digital.lib.sfu.ca/spokenweb-200/filling-stations-first-poem-slump-live-stanpit-city-september-24th-competitor-readers\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Creepy, Cybele\",\"dates\":\"\",\"notes\":\"The person was one of the seven competitors who got selected by the judges for the second round of the reading competition.\\nThe spelling of the name is taken from https://digital.lib.sfu.ca/spokenweb-200/filling-stations-first-poem-slump-live-stanpit-city-september-24th-competitor-readers\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Rhodes, Shane\",\"dates\":\"\",\"notes\":\"She was one of the seven competitors who got selected by the judges for the second round of the reading competition.\\nThe spelling of the name is taken from https://digital.lib.sfu.ca/spokenweb-200/filling-stations-first-poem-slump-live-stanpit-city-september-24th-competitor-readers\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"[Colin, Jeff?]\",\"dates\":\"\",\"notes\":\"He is one of the judges at the studio who judged the reader's poetry reading performance \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Taylor, Colleen\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Pickup, Tracey\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Flaathen, Jim\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Hall, Sean\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Collins, Gabriel\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Klassen, Peter\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Davies, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Steffens, Josh\",\"dates\":\"\",\"notes\":\"The person was one of the seven competitors who got selected by the judges for the second round of the reading competition.\\nThe spelling of the name is taken from https://digital.lib.sfu.ca/spokenweb-200/filling-stations-first-poem-slump-live-stanpit-city-september-24th-competitor-readers\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Stanklo, Brian\",\"dates\":\"\",\"notes\":\"The person was one of the seven competitors who got selected by the judges for the second round and the third round of the reading competition.\\nThe spelling of the name is taken from https://digital.lib.sfu.ca/spokenweb-200/filling-stations-first-poem-slump-live-stanpit-city-september-24th-competitor-readers\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Robinson, Mike\",\"dates\":\"\",\"notes\":\"The person was one of the seven competitors who got selected by the judges for the second and the third round of the reading competition.\\nThe spelling of the name is taken from 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He was announced to be the winner at the end of the second side\\nThe spelling of the name is taken from https://digital.lib.sfu.ca/spokenweb-200/filling-stations-first-poem-slump-live-stanpit-city-september-24th-competitor-readers\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/8718/Filling Station Fond_MsC73_7.jpeg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC73-005/MSC73-005-01.mp3\",\"file_path\":\"\",\"filename\":\"MsC73-07 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:25\",\"precision\":\"\",\"size\":\"43.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/filling-stations-first-poem-slump-live-stanpit-city-september-24th-competitor-readers-reading\"},{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC73-005/MSC73-005-02.mp3\",\"file_path\":\"\",\"filename\":\"MsC73-07 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 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The event features a poetry reading where various poets share their work in 8 to 10-minute segments, with each poet introduced by Roy Miki.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557682237440,"timestamp":"2026-01-07T15:00:01.927Z","score":0.01643844},{"id":"8737","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Michael McClure in conversation at SFU on March 3, 1984"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["McClure, Michael","Miki, Roy"],"creator_names_search":["McClure, Michael","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/71493269\",\"name\":\"McClure, Michael\",\"dates\":\"1932-2020\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1984],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/8737/Roy Miki Fonds_MsC 161_109.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-109 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:53\",\"precision\":\"\",\"size\":\"61 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-109 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:08\",\"precision\":\"\",\"size\":\"62.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1984-03-03\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\" 8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":[" 8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"There are more participants in the conversation besides Michael McClure and Roy Miki. 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Laughlin reflects on their first meeting, Williams’s reputation at the time, and his early books—their themes, publication, and Williams’s distinctive writing style, which established him as a pioneer of certain literary forms.\\n\\nThe discussion transitions to Charles Olson’s perspective, highlighting the differences between Williams and Ezra Pound. Laughlin also recounts his experiences working with Williams as a publisher.\\n\\nThe conversation shifts to Williams's health, particularly his first stroke, the play he wrote during that period, and his final book. Miki asks Laughlin to discuss a specific text or poem by Williams that had a significant impact on him and remains vividly memorable.\\n\\nIn the second half of the interview, they delve into Williams’s immediate family, their influence on his life, the publication of his final collection, and the time it required. Laughlin concludes by recalling the last time he saw Williams.\",\"type\":\"General\"},{\"note\":\"An unknown woman’s voice is heard at 13:29 on side two.\\n\\n\\n\\n\\n\\n\",\"type\":\"General\"},{\"note\":\"The quality of the recordings is weak at the beginning of side one, but it improved after a while \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557682237445,"timestamp":"2026-01-07T15:00:01.927Z","score":0.01643844},{"id":"8742","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["James Laughlin interviewed by Roy Miki at Sylvia Hotel on March 18, 1982 DUPLICATE 2 of 2"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Williams, William Carlos","Gyseman, Doug","Miki, Roy","Laughlin, James"],"creator_names_search":["Williams, William Carlos","Gyseman, Doug","Miki, Roy","Laughlin, James"],"creators":["[{\"url\":\"http://viaf.org/viaf/29542054\",\"name\":\"Williams, William Carlos\",\"dates\":\"1883-1963\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"\",\"name\":\"Gyseman, Doug \",\"dates\":\"1936-2017\",\"notes\":\"Also known as Kurtis Vanel\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/97990150\",\"name\":\"Laughlin, James\",\"dates\":\"1914-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewee\"]}]"],"contributors":["[]"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/8742/Roy Miki Fonds_MsC 161_114.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-114 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:24\",\"precision\":\"\",\"size\":\"59.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-114 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:38\",\"precision\":\"\",\"size\":\"59.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-03-18\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/316424818\",\"venue\":\"Sylvia Hotel\",\"notes\":\"\",\"address\":\"1154 Gilford St, Vancouver, BC V6G 2P6\",\"latitude\":\"49.288685\",\"longitude\":\"-123.142464\"}]"],"Address":["1154 Gilford St, Vancouver, BC V6G 2P6"],"Venue":["Sylvia Hotel"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"This interview follows up on James Laughlin's lecture in Roy Miki's class on March 16, where Laughlin delivered an in-depth presentation on William Carlos Williams.\\n\\nThe interview begins with Roy Miki asking Laughlin to share his perspective and vision of William Carlos Williams as a writer. Laughlin reflects on their first meeting, Williams’s reputation at the time, and his early books—their themes, publication, and Williams’s distinctive writing style, which established him as a pioneer of certain literary forms.\\n\\nThe discussion transitions to Charles Olson’s perspective, highlighting the differences between Williams and Ezra Pound. Laughlin also recounts his experiences working with Williams as a publisher.\\n\\nThe conversation shifts to Williams's health, particularly his first stroke, the play he wrote during that period, and his final book. Miki asks Laughlin to discuss a specific text or poem by Williams that had a significant impact on him and remains vividly memorable.\\n\\nIn the second half of the interview, they delve into Williams’s immediate family, their influence on his life, the publication of his final collection, and the time it required. Laughlin concludes by recalling the last time he saw Williams.\",\"type\":\"General\"},{\"note\":\"Side B contains the start of the interview, while the rest continues on Side A.\\n\\n\\n\\n\\n\\n\\n\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557682237446,"timestamp":"2026-01-07T15:00:01.927Z","score":0.01643844},{"id":"8743","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["James Laughlin's Ezra Pound seminar at SFU on March 18, 1982"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Vanel, Kurtis","Laughlin, James","Pound, Ezra"],"creator_names_search":["Vanel, Kurtis","Laughlin, James","Pound, Ezra"],"creators":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/97990150\",\"name\":\"Laughlin, James\",\"dates\":\"1914-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/24606774\",\"name\":\"Pound, Ezra\",\"dates\":\"1885-1972\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/8743/Roy Miki Fonds_MsC 161_115.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-115 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:53\",\"precision\":\"\",\"size\":\"55.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-115 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:36\",\"precision\":\"\",\"size\":\"53 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-03-18\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\" 8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":[" 8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"James Laughlin opens his seminar by reading some of Ezra Pound's early poems from 1906, written during his youth, to illustrate the remarkable progress Pound achieved over his 50-year poetic career. 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They also discussed the concept of open-form poetry, which emerged and gained traction in the 1940s. The conversation touched on the coincidence of the end of World War II, the rise of jazz, and the development of open-form poetry, exploring their interconnected influences.\\n\\nOn the second side of the discussion, they shifted their focus to McCarthyism, with Tallman sharing his perspective on living through that era and its profound impact on poets and authors. 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-130 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:48\",\"precision\":\"\",\"size\":\"63.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-10-30\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/135369791\",\"venue\":\"Waterfront Theatre\",\"notes\":\"\",\"address\":\"Waterfront Theatre, 1412 Cartwright St, Granville Island, Fairview, Vancouver, Metro Vancouver Regional District, British Columbia, Canada\",\"latitude\":\"49.270075\",\"longitude\":\"-123.135627\"}]"],"Address":["Waterfront Theatre, 1412 Cartwright St, Granville Island, Fairview, Vancouver, Metro Vancouver Regional District, British Columbia, Canada"],"Venue":["Waterfront Theatre"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Poets on this tape read from Martyrology\",\"type\":\"General\"},{\"note\":\"There is a list of poets who read in this event; however, their voices are missing on this tape. Here are the poets whose voices are missing: \\n\\nTheresa Kishkan\\nPeter Culley\\nKeivn Davies \\nBarry Mckinnon\\nDavid Phillips\\nPeter Quartermain\\nKarl Siegler \\nRon Smith\\nWarren Tallman\\n\",\"type\":\"General\"},{\"note\":\"This tape includes portions that are duplicates of Tape #137 (SWALLOW ID 8940)\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557684334596,"timestamp":"2026-01-07T15:00:01.927Z","score":0.01643844},{"id":"8829","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["MOMENTO MORI: bpNichol Memorial at Waterfront Theatre on October 30, 1988 Part 2 of 2 DUPLICATE 1 OF 2"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["The Four Horsemen","Tallman, Warren","Barreto-Rivera, Rafael","Dutton, Paul","McCaffery, Steve","Nichol, bp (Barrie Phillip)"],"creator_names_search":["The Four Horsemen","Tallman, Warren","Barreto-Rivera, Rafael","Dutton, Paul","McCaffery, Steve","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/128949455\",\"name\":\"The Four Horsemen\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\" 1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/16154730\",\"name\":\"Barreto-Rivera, Rafael\",\"dates\":\" 1944-\",\"notes\":\"We hear The Four Horsemen performance after Warren Tallman's reading. Rafael Barreto-Rivera is a member of this group, so we suppose he is one of the performers \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/36999806\",\"name\":\"Dutton, Paul\",\"dates\":\" 1943-\",\"notes\":\"We hear The Four Horsemen performance after Warren Tallman's reading. Paul Dutton is a member of this group, so we suppose he is one of the performers \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"We hear The Four Horsemen performance after Warren Tallman's reading. Steve McCaffery is a member of this group, so we suppose he is one of the performers \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"This memorial is dedicated to bpNichol\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/8829/Roy Miki Fonds_MsC 161_131.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-131 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:07\",\"precision\":\"\",\"size\":\"40.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-131 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:03\",\"precision\":\"\",\"size\":\"40.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"Blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-10-30\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/135369791\",\"venue\":\"Waterfront Theatre\",\"notes\":\"\",\"address\":\"Waterfront Theatre, 1412 Cartwright St, Granville Island, Fairview, Vancouver, Metro Vancouver Regional District, British Columbia, Canada\",\"latitude\":\"49.270075\",\"longitude\":\"-123.135627\"}]"],"Address":["Waterfront Theatre, 1412 Cartwright St, Granville Island, Fairview, Vancouver, Metro Vancouver Regional District, British Columbia, Canada"],"Venue":["Waterfront Theatre"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"This tape includes portions that are duplicates of Tape #137 (SWALLOW ID 8940)\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557685383168,"timestamp":"2026-01-07T15:00:01.927Z","score":0.01643844},{"id":"8830","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["bpNichol in poetry seminar at SFU on July 7, 1983 Part 1 of 2"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Miki, Roy","Gyseman, Doug","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Miki, Roy","Gyseman, Doug","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Gyseman, Doug \",\"dates\":\"1936-2017\",\"notes\":\"Also known as Kurtis Vanel\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/8830/Roy Miki Fonds_MsC 161_132.jpg\",\"other\":\"\",\"extent\":\"1/8 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-132 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:47\",\"precision\":\"\",\"size\":\"42.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-07-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\" 8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":[" 8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"In this poetry seminar, bpNichol discusses his early poems, reading selections from them, and then moves on to his most recent works.\\nAudience asks him questions all along the seminar \",\"type\":\"General\"},{\"note\":\"This seminar continues on tape 133 in this collection (SWALLOW ID 8831)\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557779755008,"timestamp":"2026-01-07T15:00:02.033Z","score":0.01643844},{"id":"8831","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["bpNichol in poetry seminar at SFU on July 7, 1983 Part 2 of 2"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Miki, Roy","Gyseman, Doug","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Miki, Roy","Gyseman, Doug","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\" 1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Gyseman, Doug \",\"dates\":\"1936-2017\",\"notes\":\"Also known as Kurtis Vanel\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/8831/Roy Miki Fonds_MsC 161_133.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-133 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:46\",\"precision\":\"\",\"size\":\"40.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-133 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:46\",\"precision\":\"\",\"size\":\"42.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-07-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\" 8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":[" 8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"This tape is the second part of the poetry seminar started on tape 132 (SWALLOW ID 8830)\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557779755009,"timestamp":"2026-01-07T15:00:02.033Z","score":0.01643844},{"id":"8936","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["An evening dedicated to bpNichol, Roy Miki, and Karl Siegler at Langara College on June 1, 1988 Part 1 of 2"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Siegler, Karl","Marlatt, Daphne","Maud, Ralph","Tallman, Warren","Schermbrucker, Bill","Dunham, Robert","Fawcett, Brian","Wah, Fred","Karasick, Adeena","Bissett, Bill","Kattan, Naïm","[Gray, John?]","Scobie, Stephen","Blaser, Robin","Webb, Phyllis","Miki, Roy","Browne, Colin","Findley, Timothy","Watts, Charles","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Siegler, Karl","Marlatt, Daphne","Maud, Ralph","Tallman, Warren","Schermbrucker, Bill","Dunham, Robert","Fawcett, Brian","Wah, Fred","Karasick, Adeena","Bissett, Bill","Kattan, Naïm","[Gray, John?]","Scobie, Stephen","Blaser, Robin","Webb, Phyllis","Miki, Roy","Browne, Colin","Findley, Timothy","Watts, Charles","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"\",\"name\":\"Siegler, Karl \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/66537561\",\"name\":\"Maud, Ralph\",\"dates\":\"1928-2014\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"Warren Tallman is also a contributor for this event at Langara college \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"Schermbrucker, Bill\",\"dates\":\"1939-2019\",\"notes\":\"Warren Tallman mentioned at the end of side one that Bill Schermbrucker has written something for this event that [Glady Good?] reads.\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/107329894\",\"name\":\"Dunham, Robert\",\"dates\":\"1939 - 1990\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/53146998512318941903\",\"name\":\"Fawcett, Brian\",\"dates\":\"1944-2022\",\"notes\":\"He is not present at the venue. Warren Tallman is reading his note to Karl Siegler\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"He is not present, but Collin Brown reads the poem he'd sent \",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"Adeena reads Bill Bissett's note to Karl Siegler\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"Bissett, Bill\",\"dates\":\"1939-\",\"notes\":\"Adeena reads Bill Bissett's note to Karl Siegler\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/111069085\",\"name\":\"Kattan, Naïm\",\"dates\":\" 1928-2021\",\"notes\":\"He is not present, but Warren Tallman reads the message he'd sent for this event \",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"\",\"name\":\"[Gray, John?]\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/18385392\",\"name\":\"Scobie, Stephen\",\"dates\":\"1943-\",\"notes\":\"He also sent a message and Warren Tallman reads it \",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/29847238\",\"name\":\"Webb, Phyllis\",\"dates\":\"1927-2021\",\"notes\":\"She sent something for Karl Siegler, and Warren Tallman said that he would give it him after the event\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\" 1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105886216\",\"name\":\"Browne, Colin\",\"dates\":\"1946-\",\"notes\":\"Colin Browne reads the poem Fred Wah had sent for this event\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/110405550\",\"name\":\"Findley, Timothy\",\"dates\":\"1930-2002\",\"notes\":\"Someone named [Annet Hetric?] reads the letter Timothy Findley sends for this event\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"\",\"name\":\"Watts, Charles \",\"dates\":\"1947-1998\",\"notes\":\"He is reading George Bowering's contribution \",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"He is present, but he reads on the second part of the event \",\"nation\":[],\"role\":[\"Speaker\",\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/8936/Roy Miki Fonds_MsC 161_134.jpg\",\"other\":\"\",\"extent\":\"1/8 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\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557779755010,"timestamp":"2026-01-07T15:00:02.033Z","score":0.01643844},{"id":"8937","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["An evening dedicated to bpNichol, Roy Miki, and Karl Siegler at Langara College on June 1, 1988 Part 2 of 2"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, bp (Barrie Phillip)","Miki, Roy","Tallman, Warren"],"creator_names_search":["Nichol, bp (Barrie Phillip)","Miki, Roy","Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\" 1942-2024\",\"notes\":\"Roy Miki introduces bpNichol in the beginning of side one\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"Warren Tallman managed this event. He facilitates readings on part one of this event on tape 134 (SWALLOW ID 8936)\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/8937/Roy Miki Fonds_MsC 161_135.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-06-01\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/23393992\",\"venue\":\"Langara College\",\"notes\":\"\",\"address\":\"100 W 49th Ave, Vancouver, BC V5Y 2Z6\",\"latitude\":\"49.22483\",\"longitude\":\"-123.10860\"}]"],"Address":["100 W 49th Ave, Vancouver, BC V5Y 2Z6"],"Venue":["Langara College"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"We have a duplicate of part one and part two of this event in the Warren Tallman collection on tapes #151, Part 1 (SWALLOW ID 7150) and #154, Part 2 (SWALLOW ID 7153)\",\"type\":\"General\"},{\"note\":\"When bpNichol finishes reading, we get to hear some people talking, but this part of the second side is not audible \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557780803584,"timestamp":"2026-01-07T15:00:02.033Z","score":0.01643844},{"id":"8938","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["A Tribute to bpNichol at Harbourfront in Toronto on December 2, 1989"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Gatenby, Greg","Tostevin, Lola Lemire","Lee, Dennis","Dewdney, Christopher","Webb, Phyllis","Barbour, Douglas","Scobie, Stephen","Hartog, Diana","Dedora, Brian","Sereda, David","Smith, 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\",\"dates\":\"\",\"notes\":\"Vocal for \\\"I Am Obsessed\\\" \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Shaw, Maggie \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Pulsiver, Alan\",\"dates\":\"\",\"notes\":\"Piano for \\\"Let Love Lead You;\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/7405434\",\"name\":\"McFadden, David\",\"dates\":\"1940-2018\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"[http://viaf.org/viaf/30931468?]\",\"name\":\"Shikatani, Gerry\",\"dates\":\"\",\"notes\":\"We are not sure about the Url\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/111941870\",\"name\":\"Ondaatje, Michael\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\" http://viaf.org/viaf/38160442\",\"name\":\"Coleman, Victor\",\"dates\":\"1944-\",\"notes\":\"He organized this event \",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/16154730\",\"name\":\"Barreto-Rivera, Rafael\",\"dates\":\"1944-\",\"notes\":\"The Four Horsemen performance \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/36999806\",\"name\":\"Dutton, Paul\",\"dates\":\"1943-\",\"notes\":\"The Four Horsemen performance; he also organized this event\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"The Four Horsemen performance \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/128949455\",\"name\":\"The Four 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-136 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:49:22\",\"precision\":\"\",\"size\":\"63.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1989-11-02\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Harbourfront \",\"notes\":\"We assume Gala Tribute at Toronto's Harbourfront is The Brigantine Room and Studio Theatre \",\"address\":\"235 Queens Quay W, Toronto ON M5J 2G8\",\"latitude\":\"43.638919\",\"longitude\":\" -79.382862\"}]"],"Address":["235 Queens Quay W, Toronto ON M5J 2G8"],"Venue":["Harbourfront "],"City":["Toronto, Ontario"],"Note":["[{\"note\":\"More information can be fount on https://bpnichol.ca/sites/default/files/archives/document/bp%20A%20TRIBUTE.pdf \",\"type\":\"General\"},{\"note\":\"This tape is a copy of tape #160 (SWALLOW ID 7159) in the Warren Tallman collection\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557780803585,"timestamp":"2026-01-07T15:00:02.033Z","score":0.01643844},{"id":"8940","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["MOMENTO MORI: bpNichol Memorial at Waterfront 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Gerry","Hindmarch, Gladys","Tallman, Warren","Sereda, David","[Van Loon, Nelles?]","Miki, Roy","Nichol, bp (Barrie Phillip)","Watts, Charles"],"creators":["[{\"url\":\"http://viaf.org/viaf/103866941\",\"name\":\"Phillips, David\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/109322990\",\"name\":\"Atwood, Margaret\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"Bissett, Bill\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/105886216\",\"name\":\"Browne, Colin\",\"dates\":\" 1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/63020479\",\"name\":\"Copithorne, Judith\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/96212091\",\"name\":\"Coupey, Pierre\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/106017797\",\"name\":\"James, Kedrick\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/30784380\",\"name\":\"Kearns, Lionel\",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\" http://viaf.org/viaf/29611411\",\"name\":\"Pass, John\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/115694373\",\"name\":\"Thesen, Sharon\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/223141797\",\"name\":\"Little, Billy\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/38164256\",\"name\":\"Hindmarch, Gladys\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, 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CBC Toronto studio address was changed in 1993 (after this recording took place) to 205 Wellington Street West, Toronto, Ontario, M5V 3G7 from a smaller facility on Jarvis Street, near the former television transmitter. (Source: https://en.wikipedia.org/wiki/Canadian_Broadcasting_Centre)\\n\\nPhyllis Webb primarily worked at CBC in Toronto; the location is not known, but it's probable that the interviewed was recorded in CBC Toronto\",\"address\":\"Jarvis Street, Toronto, Ontario, Canada\",\"latitude\":\"43.6562555\",\"longitude\":\"-79.374232 \"}]"],"Address":["Jarvis Street, Toronto, Ontario, Canada"],"Venue":["CBC Studio"],"City":["Toronto, Ontario"],"Note":["[{\"note\":\"There is some music at the end that two singers perform; they are not introduced on the tape \",\"type\":\"General\"},{\"note\":\"They mostly talked about the foloowing topics:\\nLiterary community in early 60s \\nCoach House\\nbpNichol sound poetry, concrete poetry, and The Four Horsemen\\nInternational poetry and sound poetry on bpNichol\\nbpNichol lifelong poems \",\"type\":\"General\"},{\"note\":\"There seems to be a duplicate of this tape in bpNichol fond at SFU; it's tape 28\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557781852166,"timestamp":"2026-01-07T15:00:02.033Z","score":0.01643844},{"id":"8957","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["bpNichol interview for \"Write On\" on CHRY Radio York, March 18, 1987"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, bp (Barrie Phillip)"],"creator_names_search":["Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewee\",\"Performer\"]}]"],"contributors":["[]"],"Production_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/8957/Roy Miki Fonds_MsC 161_150.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-150 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:21\",\"precision\":\"\",\"size\":\"61.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-150 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:16\",\"precision\":\"\",\"size\":\"61.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-03-18\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/export#map=19/43.77453/-79.50357\",\"venue\":\"York University\",\"notes\":\"\",\"address\":\"Room 413, Student Centre, York University 4700 Keele Street, Toronto, Ontario M3J 1P3\",\"latitude\":\"43.77533\",\"longitude\":\"-79.50512\"}]"],"Address":["Room 413, Student Centre, York University 4700 Keele Street, Toronto, Ontario M3J 1P3"],"Venue":["York University"],"City":["Toronto, Ontario"],"Note":["[{\"note\":\"Dina [Linskey?] and Mary [Tinklack?], the interviewers and radio hosts, fully introduce themselves at 00:35. \\nThey start with different types of poetry bpNichol does and things he finds engaging; 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Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Poetry writers in one time at Vancouver Poetry Center on June 21, 1979"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Marlatt, Daphne","Mandel, Eli","Kearns, Lionel","Tallman, Warren","Mandel, Ann","Dorn, Edward"],"creator_names_search":["Marlatt, Daphne","Mandel, Eli","Kearns, Lionel","Tallman, Warren","Mandel, Ann","Dorn, Edward"],"creators":["[{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/59095399\",\"name\":\"Mandel, Eli\",\"dates\":\"1922-1992\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/30784380\",\"name\":\"Kearns, Lionel\",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Mandel, Ann\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/25166087\",\"name\":\"Dorn, Edward\",\"dates\":\"1929-1999\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1979],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/8965/Fred Wah Fonds_MsC 17 g_15.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-15 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:36\",\"precision\":\"\",\"size\":\"0.97 GB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-15 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:38\",\"precision\":\"\",\"size\":\"0.97 GB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1979-06-21\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/257380852#map=19/49.281736/-123.105775\",\"venue\":\"Vancouver Poetry House\",\"notes\":\"The Url, latitude, and longitude do not exactly refer to the address; we found the closest. 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During his discussion, a visitor arrives, prompting him to ask Roy Miki to pause the recording at 27:47. The recording resumes at 27:49, with Tallman speaking about Robert Creeley, but Miki redirects the conversation to Tallman's childhood and the influence of his family during that time. This tape ends at 30:53 on side one and resumes at 33:39, where Tallman shares more details about San Francisco and its vibrant poetry scene, including figures such as Ellen (his wife), Marta, Robert Creeley, Robert Duncan, and Jack Spicer. He explores the relationships among these poets and highlights Ellen's pivotal role in shaping and nurturing these connections. 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our assumption on what we found on the j-card \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557783949315,"timestamp":"2026-01-07T15:00:02.033Z","score":0.01643844},{"id":"8969","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Steve McCaffery discussion of \"V Beyond Ideo\" at SFU on November 22, 1988"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Miki, Roy","McCaffery, Steve","Tallman, Warren"],"creator_names_search":["Miki, Roy","McCaffery, Steve","Tallman, 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January 10, 1982 \",\"type\":\"General\"},{\"note\":\"Tracks:\\nA1 Dada Lama (1966)\\nA2 Pome Poem (1972)\\nA3 060173 (1973)\\nA4 Eight Part Suite (1971)\\nA5 Cosmic Piece For Orchestra & Chorus (1969) Voice, Tape [Cheap Cassette] – bpNicholVoice, Vocoder – Steve McCaffery\\nA6 Art In Upheaval (begun 1979)\\nA7 Generations Generated (1977)\\nA8 Afternoon Attentions (1973)\\nA9 \\\"meeln\\\" (1973)\\n\\nB1 Acres Rare Meet (1977) Performer – David Penhale, Michael Dean (2), Paul Dutton, Richard Truhlar, Steve McCaffery, Steven Smith (6)\\nB2 Ballads Of The Restless Are (1967)\\nB3 White Text Sure: Version 1 (1978)\\nB4 Outsize Reference (1973)\\nB5 Translating Translating Apollinaire 52 (1978)\\nB6 The Alphabet Game (1972)\\nB7 Interupted Nap (1976 To 80)\",\"type\":\"General\"},{\"note\":\"Liner Notes:\\n\\nEar Rational contains all the single voice pieces I composed in the years 1970 thru 1980 other than sections of The Martyrology Bk V & a part of the May Day Book. In addition I have included: A live recording of the only seven voice piece I've done, Acres Rare Meet; an alternate version of Dada Lama, previously unreleased; the first adequate realization of my composition Cosmic piece for Orchestra & Chorus; and the only remaining unrecorded single voice text from the 60's - Ballads Of The Restless Are. In the seventies I put the bulk of my energy in sound into composing for & with the Four Horsemen. In the single voice pieces the interest began to shift toward the more narrative & prose-based concerns evident in the most recent compositions on this tape, Interupted Nap & Art In Upheaval. This cassette is dedicated to Steve McCaffery, my partner in the C rimes in both the Toronto Research Group & the Four Horsemen. bpNichol, Toronto, January 1982 \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557789192194,"timestamp":"2026-01-07T15:00:02.033Z","score":0.01643844},{"id":"8951","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["bpNichol reading poetry at SFU on July 23, 1981"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Vanel, Kurtis","Nichol, bp (Barrie 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Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-274 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:02\",\"precision\":\"\",\"size\":\"45.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-274 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:10\",\"precision\":\"\",\"size\":\"45.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-11-27\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"j-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/257380852#map=19/49.281736/-123.105775\",\"venue\":\"Vancouver Poetry House\",\"notes\":\"The Url, latitude, and longitude do not exactly refer to the address; we found the closest. We are not even sure if the Vancouver Poetry Centre and Vancouver Poetry House used to be the same place \",\"address\":\"111 W Hastings St #210, Vancouver, BC V6B 1H4\",\"latitude\":\"49.281743\",\"longitude\":\"-123.105792\"},{\"url\":\"https://www.openstreetmap.org/way/23393992\",\"venue\":\"Langara College\",\"notes\":\"\",\"address\":\"100 W 49th Ave, Vancouver, BC V5Y 2Z6\",\"latitude\":\"49.22483\",\"longitude\":\"-123.10860\"}]"],"Address":["111 W Hastings St #210, Vancouver, BC V6B 1H4","100 W 49th Ave, Vancouver, BC V5Y 2Z6"],"Venue":["Vancouver Poetry House","Langara College"],"City":["Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"Side A contains one performance and some not very clear rumble, the rest of it is empty.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557797580810,"timestamp":"2026-01-07T15:00:02.033Z","score":0.01643844},{"id":"9046","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Robin Blaser's lecture on Cabala in March 1974 Part 1 of 2"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Blaser, Robin"],"creator_names_search":["Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Production_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9046/Roy Miki Fonds_MsC 161_199.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-199 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:21\",\"precision\":\"\",\"size\":\"653 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-199 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:22\",\"precision\":\"\",\"size\":\"653 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974-03\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"It is Robin Blaser's lecture and he talks about Cabala. There are other people who are present in this event and ask random questions from Robin\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557798629376,"timestamp":"2026-01-07T15:00:02.033Z","score":0.01643844},{"id":"9047","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Robin Blaser's lecture on Cabala in March 1974 Part 2 of 2"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Blaser, Robin","Tallman, Warren"],"creator_names_search":["Blaser, Robin","Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\" 1921-1994\",\"notes\":\"Tallman is present because his voice is heard on this tape \",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9047/Roy Miki Fonds_MsC 161_200.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-200 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:22\",\"precision\":\"\",\"size\":\"653 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-200 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:19\",\"precision\":\"\",\"size\":\"652 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974-03\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"It is Robin Blaser's lecture and he talks about Cabala. There are other people who are present in this event and ask random questions from Robin\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557798629377,"timestamp":"2026-01-07T15:00:02.033Z","score":0.01643844},{"id":"9048","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["The Astonishment Tapes Talks on Poetry and Autobiography with Robin Blaser and Friends in Vancouver, 1974 Tape 1 of 20"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Blaser, Robin","Tallman, Warren","Marlatt, Daphne","Nichols, Miriam"],"creator_names_search":["Blaser, Robin","Tallman, Warren","Marlatt, Daphne","Nichols, Miriam"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\" 1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/44522700\",\"name\":\"Nichols, Miriam\",\"dates\":\"1952-\",\"notes\":\"Nichols has edited the transcripts only minimally, allowing readers to make their own interpretations of Blaser’s intentions.\",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Production_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9048/Roy Miki Fonds_MsC 161_201.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-201 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:11\",\"precision\":\"\",\"size\":\"681.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-201 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:11\",\"precision\":\"\",\"size\":\"681.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974\",\"type\":\"Production Date\",\"notes\":\"We found the date online through this link: https://writing.upenn.edu/pennsound/x/Blaser.php\\n\",\"source\":\"Internet \"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"We found the location online through this link: https://writing.upenn.edu/pennsound/x/Blaser.php\",\"address\":\"City Vancouver, Metro Vancouver Regional District, British Columbia, Canada \",\"latitude\":\"49.2600\",\"longitude\":\"-123.1149\"}]"],"Address":["City Vancouver, Metro Vancouver Regional District, British Columbia, Canada "],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Robin Blaser provides an in-depth autobiographical account in a series of tapes (201 to 220), reflecting on his life and experiences. In this particular tape, he focuses on his childhood, offering insights into his parents, grandparents, and siblings. He also shares details about his early engagement with literature and reading\",\"type\":\"General\"},{\"note\":\"Although multiple people are present, only the voices of Warren Tallman and Daphne Marlatt are distinctly identifiable.\",\"type\":\"General\"},{\"note\":\"We found the info through following link https://www.amazon.ca/Astonishment-Tapes-Poetry-Autobiography-Friends/dp/0817358099\\n\\nRobin Blaser moved from his native Idaho to attend the University of California, Berkeley, in 1944. While there, he developed as a poet, explored his homosexuality, engaged in a lively arts community, and met fellow travelers and poets Robert Duncan and Jack Spicer. The three men became the founding members of the Berkeley core of what is now known as the San Francisco Renaissance in New American Poetry.\\n\\nIn the company of a small group of friends and writers in 1974, Blaser was asked to narrate his personal story and to comment on the Berkeley poetry scene. In twenty autobiographical audiotapes, Blaser talks about his childhood in Idaho, his time in Berkeley, and his participation in the making of a new kind of poetry. The Astonishment Tapes is the expertly edited transcript of these recordings by Miriam Nichols, Blaser’s editor and biographer.\\n\\nIn The Astonishment Tapes Blaser comments extensively on the poetic principles that he, Duncan, and Spicer worked through, as well as the differences and dissonances between the three of them. Nichols has edited the transcripts only minimally, allowing readers to make their own interpretations of Blaser’s intentions.\\n\\nSometimes gossipy, sometimes profound, Blaser offers his version on the inside story of one of the most significant moments in mid-twentieth century American poetry. The Astonishment Tapes is of considerable value and interest, not only to readers of Blaser, Duncan, and Spicer, but also to scholars of the early postmodern and twentieth-century American poetry.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558003101696,"timestamp":"2026-01-07T15:00:02.246Z","score":0.01643844},{"id":"9049","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["The Astonishment Tapes Talks on Poetry and Autobiography with Robin Blaser and Friends in Vancouver, 1974 Tape 2 of 20"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Blaser, Robin","Tallman, Warren","Marlatt, Daphne","Nichols, Miriam"],"creator_names_search":["Blaser, Robin","Tallman, Warren","Marlatt, Daphne","Nichols, Miriam"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\" 1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/44522700\",\"name\":\"Nichols, Miriam\",\"dates\":\"1952-\",\"notes\":\"Nichols has edited the transcripts only minimally, allowing readers to make their own interpretations of Blaser’s intentions.\",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Production_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9048/Roy Miki Fonds_MsC 161_202.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-202 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:22\",\"precision\":\"\",\"size\":\"745.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-202 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:22\",\"precision\":\"\",\"size\":\"745.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974\",\"type\":\"Production Date\",\"notes\":\"We found the date online through this link: https://writing.upenn.edu/pennsound/x/Blaser.php\",\"source\":\"Internet \"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"We found the location online through this link: https://writing.upenn.edu/pennsound/x/Blaser.php\",\"address\":\"City Vancouver, Metro Vancouver Regional District, British Columbia, Canada \",\"latitude\":\"49.2600 \",\"longitude\":\"-123.1149\"}]"],"Address":["City Vancouver, Metro Vancouver Regional District, British Columbia, Canada "],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Robin Blaser provides an in-depth autobiographical account in a series of tapes (201 to 220), reflecting on his life and experiences. \\nIn this particular tape, he continues focusing on his childhood, offering insights into his relationship with his grandmother, mother, and father\",\"type\":\"General\"},{\"note\":\"We found the info through the following link on https://www.amazon.ca/Astonishment-Tapes-Poetry-Autobiography-Friends/dp/0817358099\\n\\nRobin Blaser moved from his native Idaho to attend the University of California, Berkeley, in 1944. While there, he developed as a poet, explored his homosexuality, engaged in a lively arts community, and met fellow travelers and poets Robert Duncan and Jack Spicer. The three men became the founding members of the Berkeley core of what is now known as the San Francisco Renaissance in New American Poetry.\\n\\nIn the company of a small group of friends and writers in 1974, Blaser was asked to narrate his personal story and to comment on the Berkeley poetry scene. In twenty autobiographical audiotapes, Blaser talks about his childhood in Idaho, his time in Berkeley, and his participation in the making of a new kind of poetry. The Astonishment Tapes is the expertly edited transcript of these recordings by Miriam Nichols, Blaser’s editor and biographer.\\n\\nIn The Astonishment Tapes Blaser comments extensively on the poetic principles that he, Duncan, and Spicer worked through, as well as the differences and dissonances between the three of them. Nichols has edited the transcripts only minimally, allowing readers to make their own interpretations of Blaser’s intentions.\\n\\nSometimes gossipy, sometimes profound, Blaser offers his version on the inside story of one of the most significant moments in mid-twentieth century American poetry. The Astonishment Tapes is of considerable value and interest, not only to readers of Blaser, Duncan, and Spicer, but also to scholars of the early postmodern and twentieth-century American poetry.\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558004150272,"timestamp":"2026-01-07T15:00:02.246Z","score":0.01643844},{"id":"9050","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["The Astonishment Tapes Talks on Poetry and Autobiography with Robin Blaser and Friends in Vancouver, 1974 Tape 3 of 20"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Blaser, Robin","Tallman, Warren","Marlatt, Daphne","Nichols, Miriam"],"creator_names_search":["Blaser, Robin","Tallman, Warren","Marlatt, Daphne","Nichols, Miriam"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\" 1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/44522700\",\"name\":\"Nichols, Miriam\",\"dates\":\"1952-\",\"notes\":\"Nichols has edited the transcripts only minimally, allowing readers to make their own interpretations of Blaser’s intentions.\",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Production_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9050/Roy Miki Fonds_MsC 161_203.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-203 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:18\",\"precision\":\"\",\"size\":\"744.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-203 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:21\",\"precision\":\"\",\"size\":\"745.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974\",\"type\":\"Production Date\",\"notes\":\"We found the date online through this link: https://writing.upenn.edu/pennsound/x/Blaser.php\",\"source\":\"Internet\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"We found the location online through this link: https://writing.upenn.edu/pennsound/x/Blaser.php\",\"address\":\"City Vancouver, Metro Vancouver Regional District, British Columbia, Canada \",\"latitude\":\"49.2600\",\"longitude\":\"-123.1149\"}]"],"Address":["City Vancouver, Metro Vancouver Regional District, British Columbia, Canada "],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Robin Blaser provides an in-depth autobiographical account in a series of tapes (201 to 220), reflecting on his life and experiences. \\nIn this tape, he continues reflecting on his youth, providing insights into his high school years, his pivotal moment in literature, and individuals with a natural talent for writing in his family\\nOn side two, he elaborates on his keen ability to listen to the world around him, emphasizing his sharp auditory perception; he also talked about the poets who had huge influences on him\",\"type\":\"General\"},{\"note\":\"We found the info through the following link on https://www.amazon.ca/Astonishment-Tapes-Poetry-Autobiography-Friends/dp/0817358099\\n\\nRobin Blaser moved from his native Idaho to attend the University of California, Berkeley, in 1944. While there, he developed as a poet, explored his homosexuality, engaged in a lively arts community, and met fellow travelers and poets Robert Duncan and Jack Spicer. The three men became the founding members of the Berkeley core of what is now known as the San Francisco Renaissance in New American Poetry.\\n\\nIn the company of a small group of friends and writers in 1974, Blaser was asked to narrate his personal story and to comment on the Berkeley poetry scene. In twenty autobiographical audiotapes, Blaser talks about his childhood in Idaho, his time in Berkeley, and his participation in the making of a new kind of poetry. The Astonishment Tapes is the expertly edited transcript of these recordings by Miriam Nichols, Blaser’s editor and biographer.\\n\\nIn The Astonishment Tapes Blaser comments extensively on the poetic principles that he, Duncan, and Spicer worked through, as well as the differences and dissonances between the three of them. Nichols has edited the transcripts only minimally, allowing readers to make their own interpretations of Blaser’s intentions.\\n\\nSometimes gossipy, sometimes profound, Blaser offers his version on the inside story of one of the most significant moments in mid-twentieth century American poetry. The Astonishment Tapes is of considerable value and interest, not only to readers of Blaser, Duncan, and Spicer, but also to scholars of the early postmodern and twentieth-century American poetry.\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558005198848,"timestamp":"2026-01-07T15:00:02.246Z","score":0.01643844},{"id":"9051","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["The Astonishment Tapes Talks on Poetry and Autobiography with Robin Blaser and Friends in Vancouver, 1974 Tape 4 of 20"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Blaser, Robin","Tallman, Warren","Marlatt, Daphne","Bowering, George","Bowering, Angela","Nichols, Miriam"],"creator_names_search":["Blaser, Robin","Tallman, Warren","Marlatt, Daphne","Bowering, George","Bowering, Angela","Nichols, Miriam"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\" 1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\" 1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Bowering, Angela\",\"dates\":\"\",\"notes\":\"George Bowering's wife \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/44522700\",\"name\":\"Nichols, Miriam\",\"dates\":\"1952-\",\"notes\":\"Nichols has edited the transcripts only minimally, allowing readers to make their own interpretations of Blaser’s intentions.\",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Production_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9051/Roy Miki Fonds_MsC 161_204.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-204 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:47\",\"precision\":\"\",\"size\":\"698 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-204 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:24:56\",\"precision\":\"\",\"size\":\"548 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974\",\"type\":\"Production Date\",\"notes\":\"We found the date online through this link: https://writing.upenn.edu/pennsound/x/Blaser.php\",\"source\":\"Internet\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"We found the location online through this link: https://writing.upenn.edu/pennsound/x/Blaser.php\",\"address\":\"City Vancouver, Metro Vancouver Regional District, British Columbia, Canada \",\"latitude\":\"49.2600 -123.1149\",\"longitude\":\"-123.1149\"}]"],"Address":["City Vancouver, Metro Vancouver Regional District, British Columbia, Canada "],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Robin Blaser provides an in-depth autobiographical account in a series of tapes (201 to 220), reflecting on his life and experiences. \\nIn this tape, he continues reflecting on his youth, providing insights into his high school years and a bit about his family (grandparents and parents); Other writers also discuss their childhood and teenage experiences with English literature and reading books.\",\"type\":\"General\"},{\"note\":\"We found the info through the following link on https://www.amazon.ca/Astonishment-Tapes-Poetry-Autobiography-Friends/dp/0817358099\\n\\nRobin Blaser moved from his native Idaho to attend the University of California, Berkeley, in 1944. While there, he developed as a poet, explored his homosexuality, engaged in a lively arts community, and met fellow travelers and poets Robert Duncan and Jack Spicer. The three men became the founding members of the Berkeley core of what is now known as the San Francisco Renaissance in New American Poetry.\\n\\nIn the company of a small group of friends and writers in 1974, Blaser was asked to narrate his personal story and to comment on the Berkeley poetry scene. In twenty autobiographical audiotapes, Blaser talks about his childhood in Idaho, his time in Berkeley, and his participation in the making of a new kind of poetry. The Astonishment Tapes is the expertly edited transcript of these recordings by Miriam Nichols, Blaser’s editor and biographer.\\n\\nIn The Astonishment Tapes Blaser comments extensively on the poetic principles that he, Duncan, and Spicer worked through, as well as the differences and dissonances between the three of them. Nichols has edited the transcripts only minimally, allowing readers to make their own interpretations of Blaser’s intentions.\\n\\nSometimes gossipy, sometimes profound, Blaser offers his version on the inside story of one of the most significant moments in mid-twentieth century American poetry. The Astonishment Tapes is of considerable value and interest, not only to readers of Blaser, Duncan, and Spicer, but also to scholars of the early postmodern and twentieth-century American poetry.\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558005198849,"timestamp":"2026-01-07T15:00:02.246Z","score":0.01643844},{"id":"9052","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["The Astonishment Tapes Talks on Poetry and Autobiography with Robin Blaser and Friends in Vancouver, 1974 Tape 5 of 20"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Blaser, Robin","Tallman, Warren","Marlatt, Daphne","Bowering, Angela","Bowering, George","Nichols, Miriam"],"creator_names_search":["Blaser, Robin","Tallman, Warren","Marlatt, Daphne","Bowering, Angela","Bowering, George","Nichols, Miriam"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\" 1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Bowering, Angela\",\"dates\":\"\",\"notes\":\"George Bowering's wife; She is heard on tape 4 of 20\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\" 1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/44522700\",\"name\":\"Nichols, Miriam\",\"dates\":\"1952-\",\"notes\":\"Nichols has edited the transcripts only minimally, allowing readers to make their own interpretations of Blaser’s intentions.\",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Production_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9052/Roy Miki Fonds_MsC 161_205.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-205 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:08\",\"precision\":\"\",\"size\":\"662 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-205 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:51\",\"precision\":\"\",\"size\":\"678 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974\",\"type\":\"Production Date\",\"notes\":\"We found the date online through this link: https://writing.upenn.edu/pennsound/x/Blaser.php\",\"source\":\"Internet \"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"We found the location online through this link: https://writing.upenn.edu/pennsound/x/Blaser.php\\n\",\"address\":\"City Vancouver, Metro Vancouver Regional District, British Columbia, Canada \",\"latitude\":\"49.2600\",\"longitude\":\"-123.1149\"}]"],"Address":["City Vancouver, Metro Vancouver Regional District, British Columbia, Canada "],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Robin Blaser provides an in-depth autobiographical account in a series of tapes (201 to 220), reflecting on his life and experiences. \\nIn this tape, he continues reflecting on his life in Berkeley, his friendship with Jack Spicer and Robert Duncan\",\"type\":\"General\"},{\"note\":\"We found the info through the following link on https://www.amazon.ca/Astonishment-Tapes-Poetry-Autobiography-Friends/dp/0817358099\\n\\nRobin Blaser moved from his native Idaho to attend the University of California, Berkeley, in 1944. While there, he developed as a poet, explored his homosexuality, engaged in a lively arts community, and met fellow travelers and poets Robert Duncan and Jack Spicer. The three men became the founding members of the Berkeley core of what is now known as the San Francisco Renaissance in New American Poetry.\\n\\nIn the company of a small group of friends and writers in 1974, Blaser was asked to narrate his personal story and to comment on the Berkeley poetry scene. In twenty autobiographical audiotapes, Blaser talks about his childhood in Idaho, his time in Berkeley, and his participation in the making of a new kind of poetry. The Astonishment Tapes is the expertly edited transcript of these recordings by Miriam Nichols, Blaser’s editor and biographer.\\n\\nIn The Astonishment Tapes Blaser comments extensively on the poetic principles that he, Duncan, and Spicer worked through, as well as the differences and dissonances between the three of them. Nichols has edited the transcripts only minimally, allowing readers to make their own interpretations of Blaser’s intentions.\\n\\nSometimes gossipy, sometimes profound, Blaser offers his version on the inside story of one of the most significant moments in mid-twentieth century American poetry. The Astonishment Tapes is of considerable value and interest, not only to readers of Blaser, Duncan, and Spicer, but also to scholars of the early postmodern and twentieth-century American poetry.\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558005198850,"timestamp":"2026-01-07T15:00:02.246Z","score":0.01643844},{"id":"9053","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["The Astonishment Tapes Talks on Poetry and Autobiography with Robin Blaser and Friends in Vancouver, 1974 Tape 6 of 20"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Blaser, Robin","Tallman, Warren","Marlatt, Daphne","Bowering, Angela","Bowering, George"],"creator_names_search":["Blaser, Robin","Tallman, Warren","Marlatt, Daphne","Bowering, Angela","Bowering, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\" 1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Bowering, Angela\",\"dates\":\"\",\"notes\":\"George Bowering's wife; She is heard on tape 4 of 20\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\" 1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Production_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9053/Roy Miki Fonds_MsC 161_206.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-206 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:17\",\"precision\":\"\",\"size\":\"687 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-206 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:21\",\"precision\":\"\",\"size\":\"513 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974\",\"type\":\"Production Date\",\"notes\":\"We found the date online through this link: https://writing.upenn.edu/pennsound/x/Blaser.php\",\"source\":\"Internet\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"We found the location online through this link: https://writing.upenn.edu/pennsound/x/Blaser.php\",\"address\":\"City Vancouver, Metro Vancouver Regional District, British Columbia, Canada \",\"latitude\":\"49.2600 \",\"longitude\":\"-123.1149\"}]"],"Address":["City Vancouver, Metro Vancouver Regional District, British Columbia, Canada "],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Robin Blaser provides an in-depth autobiographical account in a series of tapes (201 to 220), reflecting on his life and experiences. \\nIn this recording, Robin Blaser primarily discusses Robert Duncan’s writings and works, along with insights into Jack Spicer and a brief mention of Charles Olson.\",\"type\":\"General\"},{\"note\":\"We found the info through the following link on https://www.amazon.ca/Astonishment-Tapes-Poetry-Autobiography-Friends/dp/0817358099\\n\\nRobin Blaser moved from his native Idaho to attend the University of California, Berkeley, in 1944. While there, he developed as a poet, explored his homosexuality, engaged in a lively arts community, and met fellow travelers and poets Robert Duncan and Jack Spicer. The three men became the founding members of the Berkeley core of what is now known as the San Francisco Renaissance in New American Poetry.\\n\\nIn the company of a small group of friends and writers in 1974, Blaser was asked to narrate his personal story and to comment on the Berkeley poetry scene. In twenty autobiographical audiotapes, Blaser talks about his childhood in Idaho, his time in Berkeley, and his participation in the making of a new kind of poetry. The Astonishment Tapes is the expertly edited transcript of these recordings by Miriam Nichols, Blaser’s editor and biographer.\\n\\nIn The Astonishment Tapes Blaser comments extensively on the poetic principles that he, Duncan, and Spicer worked through, as well as the differences and dissonances between the three of them. Nichols has edited the transcripts only minimally, allowing readers to make their own interpretations of Blaser’s intentions.\\n\\nSometimes gossipy, sometimes profound, Blaser offers his version on the inside story of one of the most significant moments in mid-twentieth century American poetry. 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While there, he developed as a poet, explored his homosexuality, engaged in a lively arts community, and met fellow travelers and poets Robert Duncan and Jack Spicer. The three men became the founding members of the Berkeley core of what is now known as the San Francisco Renaissance in New American Poetry.\\n\\nIn the company of a small group of friends and writers in 1974, Blaser was asked to narrate his personal story and to comment on the Berkeley poetry scene. In twenty autobiographical audiotapes, Blaser talks about his childhood in Idaho, his time in Berkeley, and his participation in the making of a new kind of poetry. The Astonishment Tapes is the expertly edited transcript of these recordings by Miriam Nichols, Blaser’s editor and biographer.\\n\\nIn The Astonishment Tapes Blaser comments extensively on the poetic principles that he, Duncan, and Spicer worked through, as well as the differences and dissonances between the three of them. Nichols has edited the transcripts only minimally, allowing readers to make their own interpretations of Blaser’s intentions.\\n\\nSometimes gossipy, sometimes profound, Blaser offers his version on the inside story of one of the most significant moments in mid-twentieth century American poetry. 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While there, he developed as a poet, explored his homosexuality, engaged in a lively arts community, and met fellow travelers and poets Robert Duncan and Jack Spicer. The three men became the founding members of the Berkeley core of what is now known as the San Francisco Renaissance in New American Poetry.\\n\\nIn the company of a small group of friends and writers in 1974, Blaser was asked to narrate his personal story and to comment on the Berkeley poetry scene. In twenty autobiographical audiotapes, Blaser talks about his childhood in Idaho, his time in Berkeley, and his participation in the making of a new kind of poetry. The Astonishment Tapes is the expertly edited transcript of these recordings by Miriam Nichols, Blaser’s editor and biographer.\\n\\nIn The Astonishment Tapes Blaser comments extensively on the poetic principles that he, Duncan, and Spicer worked through, as well as the differences and dissonances between the three of them. 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meanwhile, he talks about [Frederick?] and [Dante?] poets as well\",\"type\":\"General\"},{\"note\":\"We found the info through the following link on https://www.amazon.ca/Astonishment-Tapes-Poetry-Autobiography-Friends/dp/0817358099\\n\\nRobin Blaser moved from his native Idaho to attend the University of California, Berkeley, in 1944. 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While there, he developed as a poet, explored his homosexuality, engaged in a lively arts community, and met fellow travelers and poets Robert Duncan and Jack Spicer. The three men became the founding members of the Berkeley core of what is now known as the San Francisco Renaissance in New American Poetry.\\n\\nIn the company of a small group of friends and writers in 1974, Blaser was asked to narrate his personal story and to comment on the Berkeley poetry scene. In twenty autobiographical audiotapes, Blaser talks about his childhood in Idaho, his time in Berkeley, and his participation in the making of a new kind of poetry. The Astonishment Tapes is the expertly edited transcript of these recordings by Miriam Nichols, Blaser’s editor and biographer.\\n\\nIn The Astonishment Tapes Blaser comments extensively on the poetic principles that he, Duncan, and Spicer worked through, as well as the differences and dissonances between the three of them. 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While there, he developed as a poet, explored his homosexuality, engaged in a lively arts community, and met fellow travelers and poets Robert Duncan and Jack Spicer. The three men became the founding members of the Berkeley core of what is now known as the San Francisco Renaissance in New American Poetry.\\n\\nIn the company of a small group of friends and writers in 1974, Blaser was asked to narrate his personal story and to comment on the Berkeley poetry scene. In twenty autobiographical audiotapes, Blaser talks about his childhood in Idaho, his time in Berkeley, and his participation in the making of a new kind of poetry. The Astonishment Tapes is the expertly edited transcript of these recordings by Miriam Nichols, Blaser’s editor and biographer.\\n\\nIn The Astonishment Tapes Blaser comments extensively on the poetic principles that he, Duncan, and Spicer worked through, as well as the differences and dissonances between the three of them. 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Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/96871842\",\"venue\":\"Emily Carr University of Art + Design\",\"notes\":\"\",\"address\":\"520 E 1st Ave, Vancouver, BC V5T 0H2\",\"latitude\":\"49.26763\",\"longitude\":\"-123.09233\"}]"],"Address":["520 E 1st Ave, Vancouver, BC V5T 0H2"],"Venue":["Emily Carr University of Art + Design"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"The last part of the evening reading panel, Darren Sean Wershler Henry reading part, is heard at the beginning of tape 192 (SWALLOW ID 9022) , side 1\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558008344576,"timestamp":"2026-01-07T15:00:02.246Z","score":0.01643844},{"id":"9014","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Warren Tallman interviewed by Roy Miki at Warren Tallman's house on February 28, 1983 Tape 5 of 13 DUPLICATE 3 OF 4"],"item_title_source":["J-card and Recording "],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Miki, Roy"],"creator_names_search":["Tallman, Warren","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\",\"Recordist\"]}]"],"contributors":["[]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9014/Roy Miki Fonds_MsC 161_252.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-252 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:45\",\"precision\":\"\",\"size\":\"346.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-252 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:49\",\"precision\":\"\",\"size\":\"347.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-02-28\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/30880923\",\"venue\":\"[Warren Tallman’s House?]\",\"notes\":\"In the '70s(?) Warren Tallman moved to 3504 Bella Vista in East Vancouver V5N 3W9 and lived there till his death. \\n\\n\\n\\n\\n\\n\",\"address\":\"3504 Bella Vista in East Vancouver V5N 3W9\",\"latitude\":\"49.25312\",\"longitude\":\"-123.07054\"}]"],"Address":["3504 Bella Vista in East Vancouver V5N 3W9"],"Venue":["[Warren Tallman’s House?]"],"Note":["[{\"note\":\"Roy and Tallman begin the tape by discussing how Miki's thesis on William Carlos Williams transformed into a published work. In the process, they delve into Paul Mariani's exploration of Williams' life and times, providing readers with a profound insight into the poet's mind and language. Roy Miki also shared a story about his thesis.\\n\\nTallman also discusses the poets whose works influenced him, elaborating on the geographical backgrounds of these poets.\",\"type\":\"General\"},{\"note\":\"The sound quality is not good at times, it becomes wobbly. \",\"type\":\"General\"},{\"note\":\"This tape is a duplicate of tapes 42 (SWALLOW ID 8609), 43 (SWALLOW ID 8610), and 253 (SWALLOW ID 9015). However, these tapes are not exact duplicates of one another, as each contains slightly more or less of Tape 1, Side 1 and Tape 1, Side 2. Portions of both sides can be heard across all four tapes.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558008344577,"timestamp":"2026-01-07T15:00:02.246Z","score":0.01643844},{"id":"9015","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Warren Tallman interviewed by Roy Miki at Warren Tallman's house on February 28, 1983 Tape 5 of 13 DUPLICATE 4 OF 4"],"item_title_source":["J-card and Recording "],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Miki, Roy"],"creator_names_search":["Tallman, Warren","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\",\"Recordist\"]}]"],"contributors":["[]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9015/Roy Miki Fonds_MsC 161_253.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-253 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:21:34\",\"precision\":\"\",\"size\":\"228.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-253 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:48\",\"precision\":\"\",\"size\":\"516.5 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-02-28\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/30880923\",\"venue\":\"[Warren Tallman’s House?]\",\"notes\":\"In the '70s(?) Warren Tallman moved to 3504 Bella Vista in East Vancouver V5N 3W9 and lived there till his death. \\n\\n\\n\\n\\n\\n\",\"address\":\"3504 Bella Vista in East Vancouver V5N 3W9\",\"latitude\":\"49.25312\",\"longitude\":\"-123.07054\"}]"],"Address":["3504 Bella Vista in East Vancouver V5N 3W9"],"Venue":["[Warren Tallman’s House?]"],"Note":["[{\"note\":\"Roy and Tallman begin the tape by discussing how Miki's thesis on William Carlos Williams transformed into a published work. In the process, they delve into Paul Mariani's exploration of Williams' life and times, providing readers with a profound insight into the poet's mind and language. Roy Miki also shared a story about his thesis.\\n\\nTallman also discusses the poets whose works influenced him, elaborating on the geographical backgrounds of these poets.\",\"type\":\"General\"},{\"note\":\"The quality of the sound at the beginning of both sides is not good, however on side B it is inaudible for 2 minutes\",\"type\":\"General\"},{\"note\":\"This tape is a duplicate of tapes 42 (SWALLOW ID 8609), 43 (SWALLOW ID 8610), and 252 (SWALLOW ID 9014). However, these tapes are not exact duplicates of one another, as each contains slightly more or less of Tape 1, Side 1 and Tape 1, Side 2. Portions of both sides can be heard across all four tapes.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558008344578,"timestamp":"2026-01-07T15:00:02.246Z","score":0.01643844},{"id":"9016","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Warren Tallman interviewed by Roy Miki at Warren Tallman's house on February 28, 1983 Tape 6 of 13 DUPLICATE 3 OF 5 ABRIDGED"],"item_title_source":["J-card and Recording "],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Miki, Roy"],"creator_names_search":["Tallman, Warren","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\",\"Recordist\"]}]"],"contributors":["[]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9016/Roy Miki Fonds_MsC 161_254.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-254 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:09\",\"precision\":\"\",\"size\":\"680.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-254 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:22\",\"precision\":\"\",\"size\":\"685.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-02-28\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/30880923\",\"venue\":\"Warren Tallman’s House\",\"notes\":\"In the '70s(?) Warren Tallman moved to 3504 Bella Vista in East Vancouver V5N 3W9 and lived there till his death. \\n\\n\\n\\n\\n\\n\\n\\n\",\"address\":\"3504 Bella Vista in East Vancouver V5N 3W9\",\"latitude\":\"49.25312\",\"longitude\":\"-123.07054\"}]"],"Address":["3504 Bella Vista in East Vancouver V5N 3W9"],"Venue":["Warren Tallman’s House"],"Note":["[{\"note\":\"Roy Miki states in the beginning of side one that this tape is Tape 2, Session 2, Side 1\",\"type\":\"General\"},{\"note\":\"Roy Miki and Warren Tallman focus on discussing the significance of geography and one's surroundings. In the middle of side one, we get to hear Tallman's grandchild's voice and probably his daughter. Allman and Miki continue their conversation, delving into the cultural landscapes of California, New York, and Vancouver, particularly in the context of the possibilities for publication and during the era of Spicer, Blaser, and Duncan\",\"type\":\"General\"},{\"note\":\"This tape is a duplicate of tapes MsC 161.44 (SWALLOW ID 8611), MsC 161.255 (SWALLOW ID 9017), MsC 161.45 (SWALLOW ID 8612), MsC 161.256 (SWALLOW ID 9018)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670558008344579,"timestamp":"2026-01-07T15:00:02.246Z","score":0.01643844},{"id":"9065","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["The Astonishment Tapes Talks on Poetry and Autobiography with Robin Blaser and Friends in Vancouver, 1974 Tape 18 of 20 "],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Marlatt, Daphne","Bowering, Angela","Blaser, Robin","Bowering, George","Nichols, Miriam"],"creator_names_search":["Tallman, Warren","Marlatt, Daphne","Bowering, Angela","Blaser, Robin","Bowering, George","Nichols, Miriam"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\" 1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Bowering, Angela\",\"dates\":\"\",\"notes\":\"George Bowering's wife; She is heard on tape 4 of 20\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\" 1935-\",\"notes\":\"George Bowering's wife; he is heard on some tapes in this series of tapes \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/44522700\",\"name\":\"Nichols, Miriam\",\"dates\":\"1952-\",\"notes\":\"Nichols has edited the transcripts only minimally, allowing readers to make their own interpretations of Blaser’s intentions.\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Publication_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9065/Roy Miki Fonds_MsC 161_218.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-218 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:02\",\"precision\":\"\",\"size\":\"678 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-218 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:02\",\"precision\":\"\",\"size\":\"677.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974\",\"type\":\"Publication Date\",\"notes\":\"We found the date online through this link: https://writing.upenn.edu/pennsound/x/Blaser.php\",\"source\":\"Internet \"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"We found the location online through this link: https://writing.upenn.edu/pennsound/x/Blaser.php\\n\",\"address\":\"City Vancouver, Metro Vancouver Regional District, British Columbia, Canada \",\"latitude\":\"49.2600\",\"longitude\":\"-123.1149\"}]"],"Address":["City Vancouver, Metro Vancouver Regional District, British Columbia, Canada "],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"We found the info through the following link on https://www.amazon.ca/Astonishment-Tapes-Poetry-Autobiography-Friends/dp/0817358099\\n\\nRobin Blaser moved from his native Idaho to attend the University of California, Berkeley, in 1944. While there, he developed as a poet, explored his homosexuality, engaged in a lively arts community, and met fellow travelers and poets Robert Duncan and Jack Spicer. The three men became the founding members of the Berkeley core of what is now known as the San Francisco Renaissance in New American Poetry.\\n\\nIn the company of a small group of friends and writers in 1974, Blaser was asked to narrate his personal story and to comment on the Berkeley poetry scene. In twenty autobiographical audiotapes, Blaser talks about his childhood in Idaho, his time in Berkeley, and his participation in the making of a new kind of poetry. The Astonishment Tapes is the expertly edited transcript of these recordings by Miriam Nichols, Blaser’s editor and biographer.\\n\\nIn The Astonishment Tapes Blaser comments extensively on the poetic principles that he, Duncan, and Spicer worked through, as well as the differences and dissonances between the three of them. Nichols has edited the transcripts only minimally, allowing readers to make their own interpretations of Blaser’s intentions.\\n\\nSometimes gossipy, sometimes profound, Blaser offers his version on the inside story of one of the most significant moments in mid-twentieth century American poetry. The Astonishment Tapes is of considerable value and interest, not only to readers of Blaser, Duncan, and Spicer, but also to scholars of the early postmodern and twentieth-century American poetry.\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558009393152,"timestamp":"2026-01-07T15:00:02.246Z","score":0.01643844},{"id":"9070","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Heritage Festival Poetry Reading at SFU on May 27, 1977 Tape 1 of 2"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Bowering, George","Marlatt, Daphne","Wah, Fred","Blaser, Robin","Siegler, Karl","Fawcett, Brian","[Kearns, Lionel?]","Miki, Roy"],"creator_names_search":["Tallman, Warren","Bowering, George","Marlatt, Daphne","Wah, Fred","Blaser, Robin","Siegler, Karl","Fawcett, Brian","[Kearns, Lionel?]","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/59095399\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, 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notes\n\t\t173\t“Sketches of a lemon”\n\t\t225\t“The criminal intensities of love as paradise”\n\t\t326\tSelections from “Seed catalogue”\n\t\t534\tFrom “The sad Phoenician”\n\t\t\t“a to g,” “The silent poet eats his words”\nTwo\t\t\tFrom Field notes\n\t\t000\t“Stone hammer poem”\n\t\t115\tSelections from “Seed catalogue”\n\t\t211\t“Sketches of a lemon”\n\t\t296\tFrom “The criminal intensities of love as paradise”\n\t\t\t‘Bear story with or without bear’\n\t\t\t‘And dreamers, even then, if dreaming’\n\t\t365\t“How I joined the seal herd”\n\t\t522\t“The silent poet sees red”"],"Note":["[{\"note\":\"This tape is an abridged duplicate of the tape from Readings in BC collection \\\"The Coast is Only a Line: Robert Kroetsch Reading at the SFU Art Gallery on July 28, 1981 #340\\\" (SWALLOW ID 5312)\\nThis tape also has some duplicate parts of tape 285 (SWALLOW ID 9100) \",\"type\":\"Related 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Barry, is the relation between the reader and the text”\n\t\t185\t9.“Notation is the double of the poem”\n\t\t202\t10.“I was in the main railway station”\n\t\t227\t11.“Like I mean out and in…”\n\t\t236\tSounding the Name. 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Page reading her poetry at SFU on July 10, 1981 #336\\\" (SWALLOW ID 6298)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670558012538883,"timestamp":"2026-01-07T15:00:02.246Z","score":0.01643844},{"id":"9099","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Bill Bissett Reading at SFU Art Gallery and Studio on July 17, 1981"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Vanel, Kurtis","Tallman, Warren","Bissett, Bill"],"creator_names_search":["Vanel, Kurtis","Tallman, 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-17\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Gallery\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU Gallery"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t001\tIntroduction by Warren Tallman\n\t\t034\tBissett chanting\n\t\t080\t“running down burrard street”\n\t\t105\t“sailor”\n\t\t111\t“th neatron bomb”\n\t\t124\t“th wunderfulness uv th mountees our secret police”\n\t\t148\t“arisin”\n\t\t185\t“yu sing”\n\t\t194\t“of th land divine service”\n\t\t206\t“I come from Halifax”\n\t\t212\t“beyond even faithful legends”\n\t\t255\t“awake in th red desert”\n\t\t282\t“let me tell yu a story uv how they met”\n\t\t348\t“carrying the torch”\n\t\t375\t“rain bow music”\n\t\t397\t“that great shootin gallery in the sky”\n\t\t408\t“th guy drivin round in” from plutonium missing\n\t\t415\t“oaoabaoadabaaogaoga” from awake in th red desert\n\t\t497\t“and the green wind is moving thru th summer trees”\n\t\t549\t“courting goes on forever”\n\t\t568\t“exposing th core”\n\t\t\t“ovr the edge”\n\t\t612\t“she wantid to get rid of it”\n\t\t621\t“when I first came to Vancouver”\n\t\t646\t“coyotes are fast movin”\n\t\t697\t“th birds in color”\n\t\t746\t“hun-nee”\nTwo\t\t001\tChanting yu want to walk with me through the forest\n\t\t\tCumin into me\n\t\t\tCumin into yu\n\t\t\tPoems from Northern Birds in Colour\n\t\t108\t“th ravens uv faro”\n\t\t216\t“Collingwood”\n\t\t368\t“I remember I was getting kinduv”\n\t\t424\t“keepin th fire goin”\n\t\t496\t“th last day”\n\t\t609\t“darling”\n\t\t633\t“northern birds in colour”"],"Note":["[{\"note\":\"This tape is a duplicate of the tape from the Readings in BC collection \\\"The Coast is Only a Line: Bill Bissett Reading at the SFU Art Gallery on July 17, 1981 #337\\\" (SWALLOW ID 5308)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670558012538884,"timestamp":"2026-01-07T15:00:02.246Z","score":0.01643844},{"id":"9100","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Robert Kroetsch Reading at the SFU Art Gallery on July 28, 1981 DUPLICATE 2 OF 2"],"item_title_source":["cassette and 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lemon”\n\t\t225\t“The criminal intensities of love as paradise”\n\t\t326\tSelections from “Seed catalogue”\n\t\t534\tFrom “The sad Phoenician”\n\t\t\t“a to g,” “The silent poet eats his words”\nTwo\t\t\tFrom Field notes\n\t\t000\t“Stone hammer poem”\n\t\t115\tSelections from “Seed catalogue”\n\t\t211\t“Sketches of a lemon”\n\t\t296\tFrom “The criminal intensities of love as paradise”\n\t\t\t‘Bear story with or without bear’\n\t\t\t‘And dreamers, even then, if dreaming’\n\t\t365\t“How I joined the seal herd”\n\t\t522\t“The silent poet sees red”"],"Note":["[{\"note\":\"This tape is a duplicate of the tape from the Readings in BC collection \\\"The Coast is Only a Line: Robert Kroetsch Reading at the SFU Art Gallery on July 28, 1981 #340\\\" (SWALLOW ID 5312);\\nA part of tape 276 (SWALLOW ID 9091) in this collection is also a duplicate of this tape\",\"type\":\"Related 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days”\n\t\t215\t“Annie of the Corridors”\n\t\t250\t“Wispering Chester”\n\t\t268\t“The Last Living Room”\n\t\t288\t“Boat House”\n\t\t311\t“Brawls”\n\t\t\tPOEMS FROM THE INTERIOR\n\t\t353\t“The Guests”\n\t\t373\t“No Breeze on Lake Louise”\n\t\t390\t“The Abandoned Alexandra bridge”\n\t\t413\t“Hell’s Gate”\n\t\t430\t“Grindrod”\n\t\t\tMISCELLANEOUS POEMS\n\t\t465\t“In the Church Yard”\n\t\t494\t“Overhead Crane”\n\t\t540\t“Outhouse”\n\t\t577\t“Not-so-still life with Damp Beer Tables”\n\t\t590\t“Outside the Courtroom”\n\t\t621\t“The East End Toronto Railroad Insomnia Blues”\n\t\t659\t“A Pay with Big Dutch”\n\t\t705\t“The Popcorn Man’\n\t\t754\t“Kisses in the whiskey” ded. To Tom Waits\n\t\t805\t“Requirements”\nTwo\t\t007\tIntroduction by Peter Trower – “These poems are from a new manuscript called Music Against Midnight”\n\t\t012\t“The ghosts”\n\t\t070\t“Goose quill snags”\n\t\t111\t“Sailor”\n\t\t167\t“The million glitter”\n\t\t205\t“Where roads lead”\n\t\t260\t“Driftwood”\n\t\t309\t“The gathering”\n\t\t406\t“The beginning again”\n\t\t453\t“The storm riders”\n\t\t502\t“Boondocks”\n\t\t619\t“Kingdom of rust”\n\t\t673\t“The crippled girl”\n\t\t720\t“Windworld”\n\t\t774\t“A man goes mad with logging”\n\t\t871\t“The peaks”\n\t\t948\tEnd of tape"],"Note":["[{\"note\":\"This tape is a duplicate of the tape from the Readings in BC collection \\\"\\nThe Coast is Only a Line: Peter Trower Reading at the SFU Art Gallery and the IMC studio on July 31, 1981 #342\\\" (SWALLOW ID 5315)\",\"type\":\"Related 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Poetry is a language used to describe that which lies beyond language – Warren Tallman gives a little talk himself.  Questions audience about Royal Wedding.  Once again introduces Eli Mandel and Frank Davey\n\t\t123\tEli Mandel introduces his “Anima poems” written for his wife, Ann, and discusses the nature of his reading and the fact that his poetry concerns magic and fantasy.\n\t\t\tFour kinds of fantasy (Journey through time, Doppelganger, Double story and Story within story)\n\t\t171\t“Four Kinds of fantasy” prose piece by Martin Avery\n\t\t201\tEli describes a dream he recently had.  He woke up aware of himself as nothing more than a number\n\t\t240\tReintroduces the ‘Anima poems” and discusses ‘courtship’ of his wife\n\t\t248\tQuestions Anima figure\n\t\t252\t“The moon in all her phases”\n\t\t265\t“Woodbine”\n\t\t279\t“Listen the sea”\n\t\t299\t“Marina”\n\t\t335\t“Notes from the underground”\n\t\t380\tDiscusses Anima poetry as sexist.  Introduces “The return”\n\t\t420\tQuestions audience about Dr. Hoffer and his work with LSD\n\t\t440\t“The return”\n\t\t470\t“Petroglyphs at Saint Victor” introduction\n\t\t490\t“Petroglyphs at Saint Victor”\n\t\t539\tEli begins discussion of what it is to live and work within Academia, and the discrimination women face in this field.  A general discussion of discrimination in the university context\n\t\t870\tGeneral discussion of Anima to end of tape\nTwo\t\t000\tContinuation of general discussion of Anima and double\n\t\t025\tEli tells his double story\n\t\t115\tDiscusses meaning of double\n\t\t124\tQuestions from audience\n\t\t144\t“Instructions on the nature of Doubles and Doubling”\n\t\t174\t“The Doppelganger, ways to prevent me” (The double speaking)"],"Note":["[{\"note\":\"This tape is a duplicate of the tape from the Readings in BC collection \\\"\\nThe Coast is Only a Line: Eli Mandel Reading at SFU on July 31, 1981 #347\\\" (SWALLOW ID 5322)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670558016733186,"timestamp":"2026-01-07T15:00:02.246Z","score":0.01643844},{"id":"9128","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds 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“Thursday”\n\t\t183\t“Tobacco”\n\t\t195\tWeeks “Friday”\n\t\t198\t             “Saturday”\n\t\t205\t             “Sunday”\n\t\t213\t             “Monday”\n\t\t223\t            “Tuesday”\n\t\t233\t            “Wednesday”\n\t\t239\t            “Thursday”\n\t\t243\t             “Good Friday”\n\t\t250\t              “Bad Saturday”\n\t\t285\t              “Easter Sunday”\n\t\t299\t“Slow”\n\t\t311\t“Better Monday”\n\t\t318\t“Deep trigger”\n\t\t322\t“BYOP”\n\t\t336\t“Is’s and not’s”\n\t\t361\t“Days”\n\t\t364\t“At least”\n\t\t369\t“Epitaph”\n\t\t370\t“The driver”\n\t\t375\t“Free food”\n\t\t390\t“Naked similarities”\n\t\t400\t“Tune”\n\t\t421\t“A call”\n\t\t504\t“The poor baby that dies…”\n\t\t523\t“I open my notebook on the train”\n\t\t535\t“Canada House Trafalgar Square”\n\t\t561\t“BC monthly”\n\t\t725\tTalks about police downtown\n\t\t736\t“Sunday” (BC Monthly)\n\t\t765\t“Monday”\n\t\t803\t“Tuesday”\n\t\t848\t“Its taken a week and half to run out of tobacco”\n\t\t865\t“Come – 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1.\n\t\t171\t2. “As my father used to say…”\n\t\t173\t3. “I went and looked at Francis Ponge’s poem…”\n\t\t175\t4.“Sketches, I reminded myself”\n\t\t181\t5.“What about oranges?”\n\t\t184\t6. “Smaro is rolling a lemon on the breadboard”\n\t\t188\t7.“I had a very strong desire”\n\t\t190\t8.“I bought a second-hand car”\n\t\t191\t9.“If someone asked me”\n\t\t194\t10.“The lemon cure”\n\t\t197\t11.“Poem for a child who has just bit into”\n\t\t203\t12.“This hour is shaped like”\n\t\t207\t“The Criminal Intensities of Love as Paradise” ‘Morning’, Jasper Park’\n\t\t220\t‘Fire & Pan’\n\t\t233\t‘Breakfast, After, & Looking’\n\t\t244\t‘Standing Near a Waterfall’\n\t\t258\t‘Salt of Ocean Sea, of Tears”\n\t\t270\t‘Awoken and, Again, Hungry, Again’\n\t\t279\t‘Into Town’\n\t\t290\t‘Post Card to a Hillside’\n\t\t299\t‘Nude Swimmers in Late Afternoon’\n\t\t313\t‘Campsite, Home, Away From’\n\t\t324\t‘Bear Story with or without Bear’\n\t\t341\t‘And Dreamers, Even Thou, if Dreaming’\n\t\t363\t“Advice to my friends,” 1.\n\t\t377\t2. “To Eli Mandel, Setting his new alarm”\n\t\t392\t3. “To the Wahs, on the Kootenay River”\n\t\t408\t4. “Slocan Valley, July 17”\n\t\t424\t5. “Listening to the Radio, for Michael Ondaatje”\n\t\t440\t6.“Reading it in the Comics, for bp”\n\t\t456\t7. “The Bridegroom rises to speak”\n\t\t474\t8. “Wedding Dance, country style”\n\t\t493\t9. “Philosophy of composition, for Paul Thompson”\n\t\t512\t10. “Back in the spring of ’76, for Laurie Racoux”\n\t\t533\t11.“Laurie Racoux waiting to present a paper…”\n\t\t552\t12.“Late fall drive, for Berna Barclay”\n\t\t574\t13. “November 9, 1983, for Robert Hillas”\n\t\t597\tEnd of Side One\nTwo\t\t000\t14. “I find myself reading the old guys now”\n\t\t014\t15. “For Doug James: The Explanation”\n\t\t022\t16. “Seeing the Bear”\n\t\t028\t17. “Having a word with Columbus”\n\t\t037\t18. “Four questions for George Bowering”\n\t\t047\t19. “Stairway, for Giovanna Capon”\n\t\t056\t20. “A ritual for one”\n\t\t066\t“Mile Zero” \n\t\t085\t2. “Where did the Virgin come from…”\n\t\t099\t3. “On the third night west”\n\t\t123\t4.“Order Gentlemen, Order’\n\t\t139\t5. “The bindertwine of place”\n\t\t158\t6.“What I took to be an eagle”\n\t\t189\tLetters to Salonika\n\t\t500\tEnd of side two\n"],"Note":["[{\"note\":\"This tape is a duplicate of the tape from the Readings in BC collection \\\"Robert Kroetsch Reading at SFU on July 11, 1986 Tape 2 of 4 #577\\\" (SWALLOW ID 5835)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670558017781769,"timestamp":"2026-01-07T15:00:02.246Z","score":0.01643844},{"id":"9240","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Steve McCaffery 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Canada"],"Venue":["SFU "],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"This tape is a duplicate of tape 33 (SWALLOW ID 8597) in this collection \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558018830336,"timestamp":"2026-01-07T15:00:02.246Z","score":0.01643844},{"id":"9241","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Bridging Language: MUSICWORKS 38"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ajzenstat, Sandor","Prentice, David","Alison, Nancy","Palmer, Madeleine","Labelle, Patti","Pridmore, Helen","Roy, L","Cormier, L","Hall, Helen","Alison, Nancy","Palmer, Madeleine","Fontaine, Louis-Noël","Lerner-Frank, Ivy","Bédard, A","Armour, [Julian?]","Poirier, Gilles","Trylinski, Stella","Stanchuk, Mary","Roberts, William","[Danilevitch?], Mary","Kowalchuk, Olga Kathryn","Kemp, Penny","Frank, Sid","Lerner-Frank, Ivy","Gagnon, G","Dallaire, Louis","Savolie, B","Gauthier, [Daniel?]","Fontaine, Louis-Noël","Mcintosh, G","O'Connor, R"],"creator_names_search":["Ajzenstat, Sandor","Prentice, David","Alison, Nancy","Palmer, Madeleine","Labelle, Patti","Pridmore, Helen","Roy, L","Cormier, L","Hall, Helen","Alison, Nancy","Palmer, Madeleine","Fontaine, Louis-Noël","Lerner-Frank, Ivy","Bédard, A","Armour, [Julian?]","Poirier, Gilles","Trylinski, Stella","Stanchuk, Mary","Roberts, William","[Danilevitch?], Mary","Kowalchuk, Olga Kathryn","Kemp, Penny","Frank, Sid","Lerner-Frank, Ivy","Gagnon, G","Dallaire, Louis","Savolie, B","Gauthier, 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Women's Ensemble\\n\\n\",\"source\":\"J-card\"},{\"date\":\"1984-02-02\",\"type\":\"Production Date\",\"notes\":\"Stella Trylinski plays the Cossacks Whistle on the mandolin. Trylinski introduces the Song in a conversation with William Roberts. 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While there, he developed as a poet, explored his homosexuality, engaged in a lively arts community, and met fellow travelers and poets Robert Duncan and Jack Spicer. The three men became the founding members of the Berkeley core of what is now known as the San Francisco Renaissance in New American Poetry.\\n\\nIn the company of a small group of friends and writers in 1974, Blaser was asked to narrate his personal story and to comment on the Berkeley poetry scene. In twenty autobiographical audiotapes, Blaser talks about his childhood in Idaho, his time in Berkeley, and his participation in the making of a new kind of poetry. The Astonishment Tapes is the expertly edited transcript of these recordings by Miriam Nichols, Blaser’s editor and biographer.\\n\\nIn The Astonishment Tapes Blaser comments extensively on the poetic principles that he, Duncan, and Spicer worked through, as well as the differences and dissonances between the three of them. 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The Astonishment Tapes is of considerable value and interest, not only to readers of Blaser, Duncan, and Spicer, but also to scholars of the early postmodern and twentieth-century American poetry.\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558212816902,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"9068","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Eli Mandel interviewed by Roy Miki on August 10, 1981 Duplicate 1 OF 2"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Mandel, Eli","Miki, Roy"],"creator_names_search":["Mandel, Eli","Miki, Roy"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/59095399\",\"name\":\"Mandel, Eli\",\"dates\":\"1922-1992\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewee\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors":["[]"],"Publication_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9068/Roy Miki Fonds_MsC 161_221.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-221 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:00\",\"precision\":\"\",\"size\":\"928 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-221 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:01\",\"precision\":\"\",\"size\":\"929 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-08-10\",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"Eli Mandel and Roy Miki mainly talk about Mandel's West coast life, the writing exploration in BC, and teaching experiences he has had up to that point in the interview. \\nThey also talk about Tish poets and American poets and their relationships and the issue with Tish poet; 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they also talk about the relationship between Canadian criticism and BC writing and how Eli Mandel fits in with thematic criticism\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670558213865473,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"9270","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["George Bowering's discussion with Roy Miki on conference poetry and writing on February 16, 1981 and Kay Kamitakahara's conversation with Roy Miki in [1980?]"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","[Kamitakahara?], Kay","Miki, Roy"],"creator_names_search":["Bowering, George","[Kamitakahara?], Kay","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"[Kamitakahara?], Kay\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"Roy Miki recorded the discussion with George Bowering\",\"nation\":[],\"role\":[\"Speaker\",\"Recordist\"]}]"],"contributors":["[]"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9270/Roy Miki Fonds_MsC 161_341.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-341_Side-A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:18\",\"precision\":\"\",\"size\":\"45.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-341_Side-B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:19\",\"precision\":\"\",\"size\":\"45.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-02-16\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"[1980?]\",\"type\":\"Production Date\",\"notes\":\"Mrs. Kay Kamitakahara’s conversation with Roy Miki was probably recorded in this year\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"George Bowering and Roy Miki discuss creative writing during Bowering’s earlier years, likely when he was younger and at university. They reflect on Canadian poetry, its influence at the time, and explore a wide range of other topics as their conversation continues, including Tish poets, Coach House Books, Reviews, and etc.\",\"type\":\"General\"},{\"note\":\"Sides A and B are reversed compared to the labels on the j-card. Roy Miki stops the recording at 17:47 on Side A, after which a conversation is heard among individuals who are now all known. The group appears to include a child and a couple of women, one of whom is Mrs. Kay Kamitakahara, speaking with Roy Miki. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558213865474,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"9318","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["George Bowering reading poetry at SFU on August 4 and 5, 1981"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","Tallman, Warren","Vanel, Kurtis","Miki, Roy"],"creator_names_search":["Bowering, George","Tallman, Warren","Vanel, Kurtis","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Vanel, Kurtis \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"Roy Miki is heard on side B\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9318/Roy Miki Fonds_MsC 161_346.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-346_Side-A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:51\",\"precision\":\"\",\"size\":\"42.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-346_Side-B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:51\",\"precision\":\"\",\"size\":\"42.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-08-04\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1981-08-05\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Gallery and Studio \",\"notes\":\"\",\"address\":\" 8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":[" 8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["SFU Gallery and Studio "],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"George Bowering's reading at SFU concludes at 7:20 on Side B, after which he begins reading poetry from Selected Poems: Particular Accidents. Roy Miki is also present on Side B, as his voice is heard at the very end of the recording.\\n\\n\",\"type\":\"General\"},{\"note\":\"George Bowering reads poetry on both Side A and Side B. Side A appears to be recorded at an event at Simon Fraser University, where he is introduced by Warren Tallman. In contrast, Side B, starting at 7:20, seems to be a more private reading, possibly with only Roy Miki present, though the location is uncertain and may not be SFU. Two dates are listed on the J-card, making it unclear which corresponds to which recording; therefore, the exact recording dates for each side remain unknown\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558213865475,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"9371","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Poetry Seminar with George Bowering, bpNichol, Daphne Marlatt, and Roy Miki at SFU on July 21, 1982 Part 3 of 3"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","Miki, Roy","Vanel, Kurtis","Marlatt, Daphne","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Bowering, George","Miki, Roy","Vanel, Kurtis","Marlatt, Daphne","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Vanel, Kurtis \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9371/Roy Miki Fonds_MsC 161_347.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-347_Side-A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:26\",\"precision\":\"\",\"size\":\"21.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-347_Side-B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:21\",\"precision\":\"\",\"size\":\"21.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-07-21\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Pub Seminar Room\",\"notes\":\"\",\"address\":\" 8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":[" 8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["SFU Pub Seminar Room"],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"This tape is related to Tape 142 in the collection, which features bpNichol reading from The Martyrology Book 6 at SFU on July 21, 1982. Given the matching date and bpNichol’s presence on all recordings, Tapes 347, 348, and 349 are connected to Tape 142\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558213865476,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"9580","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Poetry Seminar with George Bowering, bpNichol, Daphne Marlatt, and Roy Miki at SFU on July 21, 1982 Part 2 of 3"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","Miki, Roy","Vanel, Kurtis","Marlatt, Daphne","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Bowering, George","Miki, Roy","Vanel, Kurtis","Marlatt, Daphne","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Vanel, Kurtis \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9580/Roy Miki Fonds_MsC 161_348.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-348_Side-A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:56\",\"precision\":\"\",\"size\":\"28.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-348_Side-B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:56\",\"precision\":\"\",\"size\":\"28.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-07-21\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Pub Seminar Room\",\"notes\":\"\",\"address\":\" 8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":[" 8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["SFU Pub Seminar Room"],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"This tape is related to Tape 142 in the collection, which features bpNichol reading from The Martyrology Book 6 at SFU on July 21, 1982. 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Given the matching date and bpNichol’s presence on all recordings, Tapes 347, 348, and 349 are connected to Tape 142\\n\",\"type\":\"General\"},{\"note\":\"The quality of side B is quite poor, and it is not audible \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558213865478,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"9589","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Roy Miki reading poetry at Kootenay School of Writing on July 22, 1994 and At the Wake for Warren Tallman event at The Western Front on July 17, 1994"],"item_title_source":["Cassette and J-card 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-351_Side-B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:11\",\"precision\":\"\",\"size\":\"45.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1955-02-20\",\"type\":\"Production Date\",\"notes\":\"Ted Heath And His Music – Ted Heath At The London Palladium recorded at the London Palladium\",\"source\":\"Recording \"},{\"date\":\"1983-01-19\",\"type\":\"Production Date\",\"notes\":\"Performing from Standards, Vol. 2 Album in New York City on January 19, 1983\",\"source\":\"Recording\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/3227127\",\"venue\":\"\",\"notes\":\"Gary Fjellgaard performance in Calgary Folk Music Festival \",\"address\":\"City Calgary, Alberta, Canada\",\"latitude\":\"51.0431\",\"longitude\":\"-114.0614\"},{\"url\":\"https://www.openstreetmap.org/way/65489484\",\"venue\":\"London Palladium\",\"notes\":\"Ted Heath And His Music – Ted Heath at The London Palladium recorded at the London Palladium on February 20th, 1955\",\"address\":\"8 Argyll Street, London, United Kingdom\",\"latitude\":\"51.514650\",\"longitude\":\"-0.140175\"},{\"url\":\"https://www.openstreetmap.org/relation/175905\",\"venue\":\"\",\"notes\":\"Performing from Standards, Vol. 2 Album in New York City on January 19, 1983\",\"address\":\"City New York, New York States\",\"latitude\":\"40.7140\",\"longitude\":\"-74.0039\"},{\"url\":\"https://www.openstreetmap.org/relation/9092218\",\"venue\":\"\",\"notes\":\"The CBC program on Side Two is identified as the Halifax CBC Program, as stated by the host. Since the specific studio where it was recorded is unknown, we have listed the city of the program's location instead\",\"address\":\"City Halifax, Halifax Regional Municipality, Halifax County, Nova Scotia, Canada\",\"latitude\":\"44.6491\",\"longitude\":\"-63.5865\"}]"],"Address":["City Calgary, Alberta, Canada","8 Argyll Street, London, United Kingdom","City New York, New York States","City Halifax, Halifax Regional Municipality, Halifax County, Nova Scotia, Canada"],"Venue":["London Palladium"],"City":["Calgary, Alberta","London, United Kingdom","Halifax, Nova Scotia"],"Note":["[{\"note\":\"on side A, we hear several music pieces performed by unidentified musicians until 14:17, after which the remainder of the side is blank.\",\"type\":\"General\"},{\"note\":\"On Side B, a woman and a man are heard asking a series of questions to a child. The woman's voice is clear, while the audio quality of the child’s and the man's voices is poor. This segment lasts for the first 2 minutes and 35 seconds of Side B\",\"type\":\"General\"},{\"note\":\"Side B is blank from 2:35 until 30:30; at 30:50 we hear Gary Fjellgaard signing live at Calgary Folk Music Festival one summer before this radio program was recorded\",\"type\":\"General\"},{\"note\":\"The radio host introduces himself at 36:55 on Side B; his first name is Jerry, but we couldn’t catch his last name\",\"type\":\"General\"},{\"note\":\"The CBC Halifax program begins at 39:38, following the first radio program. We assume the first program may also be a CBC Halifax production; however, this cannot be confirmed\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558213865480,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"9611","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["A Radiofreerainforest Tape - The wake for bpNichol: bpNichol Memorial at George and Angela Bowering's house on October 15, 1988 DUPLICATE 3 of 4"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Miki, Roy","Blaser, Robin","Tallman, Warren","Hindmarch, Gladys","Kamboureli, Smaro","Gilbert, Gerry","Kiyooka, Roy","Scobie, Stephen","Bowering, George","Little, Billy","Webb, Phyllis","Bowering, Angela","Phillips, David","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Miki, Roy","Blaser, Robin","Tallman, Warren","Hindmarch, Gladys","Kamboureli, Smaro","Gilbert, Gerry","Kiyooka, Roy","Scobie, Stephen","Bowering, George","Little, Billy","Webb, Phyllis","Bowering, Angela","Phillips, David","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren \",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/38164256\",\"name\":\"Hindmarch, Gladys\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/56633719\",\"name\":\"Kamboureli, Smaro\",\"dates\":\"1955-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/18385392\",\"name\":\"Scobie, Stephen\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George \",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/223141797\",\"name\":\"Little, Billy\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/29847238\",\"name\":\"Webb, Phyllis \",\"dates\":\"1927-2021\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/93542147\",\"name\":\"Bowering, Angela\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"\",\"name\":\"Phillips, David\",\"dates\":\"1944-2025\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\" 1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9611/Roy Miki Fonds_MsC 161_352.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-352_Side-A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:31\",\"precision\":\"\",\"size\":\"30.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-352_Side-B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:48\",\"precision\":\"\",\"size\":\"30.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-10-15\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/356584778#map=19/49.26359/-123.21061\",\"venue\":\"George and Angela Bowering home\",\"notes\":\"Angela Bowering was George Bowering's first wife who died quite a few years ago, and this is where they used to live in 1979; we are not sure if they kept living in the same house for the following 20 years!\",\"address\":\"[401 – 4542 West 10th Vancouver, BC  V6R 2J1?]\",\"latitude\":\"49.26360\",\"longitude\":\"-123.21062\"}]"],"Address":["[401 – 4542 West 10th Vancouver, BC  V6R 2J1?]"],"Venue":["George and Angela Bowering home"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"This tape is a duplicate of tapes 123 (SWALLOW ID  8751),127 (SWALLOW ID 8823), and 353 (SWALLOW ID 9612) in the collection; however, side 2 of tape 127 is missing.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558214914048,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"9612","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["A Radiofreerainforest Tape - The wake for bpNichol: bpNichol Memorial at George and Angela Bowering's house on October 15, 1988 DUPLICATE 4 of 4"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Miki, Roy","Blaser, Robin","Tallman, Warren","Hindmarch, Gladys","Kamboureli, Smaro","Gilbert, Gerry","Kiyooka, Roy","Scobie, Stephen","Bowering, George","Little, Billy","Webb, Phyllis","Bowering, Angela","Phillips, David","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Miki, Roy","Blaser, Robin","Tallman, Warren","Hindmarch, Gladys","Kamboureli, Smaro","Gilbert, Gerry","Kiyooka, Roy","Scobie, Stephen","Bowering, George","Little, Billy","Webb, Phyllis","Bowering, Angela","Phillips, David","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren \",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/38164256\",\"name\":\"Hindmarch, Gladys\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/56633719\",\"name\":\"Kamboureli, Smaro\",\"dates\":\"1955-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/18385392\",\"name\":\"Scobie, Stephen\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George \",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/223141797\",\"name\":\"Little, Billy\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/29847238\",\"name\":\"Webb, Phyllis \",\"dates\":\"1927-2021\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/93542147\",\"name\":\"Bowering, Angela\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"\",\"name\":\"Phillips, David\",\"dates\":\"1944-2025\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9612/Roy Miki Fonds_MsC 161_353.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-353_Side-A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:26\",\"precision\":\"\",\"size\":\"28.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-353_Side-B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:13\",\"precision\":\"\",\"size\":\"29.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-10-15\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/356584778#map=19/49.26359/-123.21061\",\"venue\":\"George and Angela Bowering home\",\"notes\":\"Angela Bowering was George Bowering's first wife who died quite a few years ago, and this is where they used to live in 1979; we are not sure if they kept living in the same house for the following 20 years!\",\"address\":\"[401 – 4542 West 10th Vancouver, BC  V6R 2J1?]\",\"latitude\":\"49.26360\",\"longitude\":\"-123.21062\"}]"],"Address":["[401 – 4542 West 10th Vancouver, BC  V6R 2J1?]"],"Venue":["George and Angela Bowering home"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"This tape is a duplicate of tapes 123 (SWALLOW ID  8751),127 (SWALLOW ID 8823), and 352 (SWALLOW ID 9611) in the collection; however, side 2 of tape 127 is missing.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558215962624,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"9613","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Recordings of discussions by poets Robert Creeley, Robert Duncan, Allen Ginsberg, and Charles Olson at UBC on July 31, 1963"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Olson, Charles","Creeley, Robert","Duncan, Robert","Ginsberg, Allen","Wah, Fred"],"creator_names_search":["Olson, Charles","Creeley, Robert","Duncan, Robert","Ginsberg, Allen","Wah, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\" 1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred \",\"dates\":\"1939-\",\"notes\":\"Recordings by Fred Wah \",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9613/Roy Miki Fonds_MsC 161_354.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-354_Side-A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:56\",\"precision\":\"\",\"size\":\"29.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-354_Side-B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:04\",\"precision\":\"\",\"size\":\"28.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-07-31\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Internet and Reading in BC Collection\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"This tape may not be an exact duplicate of tape #40a from the Reading in BC collection, as the audio lengths differ. In the Reading in BC collection, tapes are divided into parts “a” and “b,” whereas in the Roy Miki selection, they are labeled with a single number (e.g., 40). However, this tape largely contains the same material as tape #40a.\\n\\nThis tape is an exact duplicate of tape 40a, covering the entirety of Side A and Side B up to the first 14 minutes and 58 seconds\",\"type\":\"General\"},{\"note\":\"This tape largely duplicates the content of tape #40a (SWALLOW ID 5956), titled \\\"UBC Poetry Festival: Olson, Creeley, Duncan, and Ginsberg on July 31, 1963 part 1 of 2 #40a\\\" in Reading in BC Collection \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558215962625,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"9619","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Recordings of discussions by poets Robert Creeley, Robert Duncan, and Allen Ginsberg at UBC on August 16, 1963"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Duncan, Robert","Ginsberg, Allen","Wah, Fred"],"creator_names_search":["Creeley, Robert","Duncan, Robert","Ginsberg, Allen","Wah, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\" 1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred \",\"dates\":\"1939-\",\"notes\":\"Recordings by Fred Wah \",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9619/Roy Miki Fonds_MsC 161_355.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-355_Side-A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:43\",\"precision\":\"\",\"size\":\"42.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-355_Side-B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:53:17\",\"precision\":\"\",\"size\":\"48.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-08-16\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Internet and Reading in BC Collection\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"The initial 4 minutes and 40 seconds may not be directly related to the discussion that occurred on August 16, 1963.\\n \\nThe duplicate part begins from 4:41, so this tape is not an exact duplicate of tape #43b from the Reading in BC collection, as the audio lengths differ. In the Reading in BC collection, tapes are divided into parts “a” and “b,” whereas in the Roy Miki selection, they are labeled with a single number (e.g., 43). However, this tape largely contains the same material as tape #43b.\",\"type\":\"General\"},{\"note\":\"This tape largely duplicates the content of tape #43b (SWALLOW ID 5961), titled \\\"UBC Poetry Festival: Creeley, Duncan, and Ginsberg on August 16, 1963 #43b\\\" in the Reading in BC Collection \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558215962626,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"9621","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Recordings of discussions by poets Robert Creeley, Robert Duncan, Allen Ginsberg, and Denise Levertov at UBC on August 9, 1963"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Duncan, Robert","Ginsberg, Allen","Wah, Fred","Levertov, Denise"],"creator_names_search":["Creeley, Robert","Duncan, Robert","Ginsberg, Allen","Wah, Fred","Levertov, Denise"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\" 1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred \",\"dates\":\"1939-\",\"notes\":\"Recordings by Fred Wah \",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/9868894\",\"name\":\"Levertov, Denise\",\"dates\":\"1923-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9621/Roy Miki Fonds_MsC 161_356.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-356_Side-A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:54\",\"precision\":\"\",\"size\":\"28.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-356_Side-B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:08\",\"precision\":\"\",\"size\":\"28.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-08-09\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Internet and Reading in BC Collection\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"This tape may not be an exact duplicate of tape #46a from the Reading in BC collection, as the audio lengths differ. In the Reading in BC collection, tapes are divided into parts “a” and “b,” whereas in the Roy Miki selection, they are labeled with a single number (e.g., 46). However, this tape largely contains the same material as tape #46a.\",\"type\":\"General\"},{\"note\":\"This tape largely duplicates the content of tape #46a (SWALLOW ID 5964), titled \\\"UBC Poetry Festival: Avison, Olson, Creeley, Duncan, Ginsberg, Whalen, and Levertov on August 9, 1963,\\\" from the Readings in BC collection\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558215962627,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"9624","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Recordings of discussions by poets Robert Creeley, Robert Duncan, Allen Ginsberg, and Denise Levertov at UBC on August 12, 1963 Part 1 of 2"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Duncan, Robert","Ginsberg, Allen","Wah, Fred","Levertov, Denise"],"creator_names_search":["Creeley, Robert","Duncan, Robert","Ginsberg, Allen","Wah, Fred","Levertov, Denise"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\" 1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred \",\"dates\":\"1939-\",\"notes\":\"Recordings by Fred Wah \",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/9868894\",\"name\":\"Levertov, Denise\",\"dates\":\"1923-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9624/Roy Miki Fonds_MsC 161_357.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-357_Side-A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:34\",\"precision\":\"\",\"size\":\"27.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-357_Side-B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:49\",\"precision\":\"\",\"size\":\"28.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-08-12\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Internet and Reading in BC Collection\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"This tape may not be an exact duplicate of tape #47a from the Reading in BC collection, as the audio lengths differ. In the Reading in BC collection, tapes are divided into parts “a” and “b,” whereas in the Roy Miki selection, they are labeled with a single number (e.g., 47). However, this tape largely contains the same material as tape #47a.\\nSide A and the first 14 minutes and 43 seconds of Side B are duplicates of the content found on #47a in the Readings in BC collection.\",\"type\":\"General\"},{\"note\":\"This tape largely duplicates the content of tape #47a (SWALLOW ID 5966), titled \\\"UBC Poetry Festival: Creeley, Duncan, Ginsberg, and Levertov on August 12, 1963 #47a\\\" in the Reading in BC Collection \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558215962628,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"9625","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Recordings of discussions by poets Robert Creeley, Robert Duncan, Allen Ginsberg, and Denise Levertov at UBC on August 12, 1963 Part 2 of 2"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Duncan, Robert","Ginsberg, Allen","Wah, Fred","Levertov, Denise"],"creator_names_search":["Creeley, Robert","Duncan, Robert","Ginsberg, Allen","Wah, Fred","Levertov, Denise"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\" 1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred \",\"dates\":\"1939-\",\"notes\":\"Recordings by Fred Wah \",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/9868894\",\"name\":\"Levertov, Denise\",\"dates\":\"1923-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9625/Roy Miki Fonds_MsC 161_358.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-358_Side-A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:25\",\"precision\":\"\",\"size\":\"19.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-358_Side-B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:21:14\",\"precision\":\"\",\"size\":\"20.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-08-12\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Internet and Reading in BC Collection\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"This tape may not be an exact duplicate of tape #47b from the Reading in BC collection, as the audio lengths differ. In the Reading in BC collection, tapes are divided into parts “a” and “b,” whereas in the Roy Miki selection, they are labeled with a single number (e.g., 47). However, this tape largely contains the same material as tape #47b.\\n\\nThe remainder of Side B on tape #357, along with both Sides A and B of this tape, duplicates the content of tape #47b in the Readings in BC collection.\",\"type\":\"General\"},{\"note\":\"This tape largely duplicates the content of tape #46b (SWALLOW 5967), titled \\\"UBC Poetry Festival: Creeley, Duncan, Ginsberg, and Levertov on August 12, 1963 #47b\\\" in the Reading in BC Collection \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558215962629,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"9629","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Recordings of discussions by poets Robert Creeley, Robert Duncan, Allen Ginsberg, Denise Levertov, and Margaret Avison at UBC on August 5, 1963 Part 1 of 2"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Duncan, Robert","Ginsberg, Allen","Wah, Fred","Levertov, Denise","Avison, Margaret"],"creator_names_search":["Creeley, Robert","Duncan, Robert","Ginsberg, Allen","Wah, Fred","Levertov, Denise","Avison, Margaret"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\" 1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred \",\"dates\":\"1939-\",\"notes\":\"Recordings by Fred Wah \",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/9868894\",\"name\":\"Levertov, Denise\",\"dates\":\"1923-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/79128508\",\"name\":\"Avison, Margaret\",\"dates\":\"1918-2007\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9629/Roy Miki Fonds_MsC 161_359.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-359_Side-A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:12\",\"precision\":\"\",\"size\":\"30 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-359_Side-B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:08\",\"precision\":\"\",\"size\":\"29.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-08-5\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Internet and Reading in BC Collection\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"This tape may not be an exact duplicate of #52a, as the audio lengths differ. In the Reading in BC collection, tapes are divided into parts “a” and “b,” whereas in the Roy Miki selection, they are labeled with a single number (e.g., 52). However, this tape largely contains the same material as tape #52a.\\n\\nThe content on sides A and B of this tape duplicates what is heard on tape #52a; however, side B of tape #52a includes additional material that is not present on this tape\\n \",\"type\":\"General\"},{\"note\":\"This tape largely duplicates the content of tape #52a (SWALLOW ID 5972), titled \\\"UBC Poetry Festival: Avison, Olson, Creeley, Duncan, Ginsberg, and Levertov on August 5, 1963 part 1 of 2 #52a\\\" in the Reading in BC Collection \\nTape 52a: Swallow ID 5972\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558215962630,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"9630","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["P. K. Page reading poetry on July 10, 1981"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["P. K. Page"],"creator_names_search":["P. K. Page"],"creators":["[{\"url\":\"http://viaf.org/viaf/59208470\",\"name\":\"P. K. 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K. Page is recorded reading poetry in a studio; however, the exact location of the studio is not known\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558215962631,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"9631","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Blank. Cindy Mochizuki at the Vancouver Conference at SFU Harbour Centre on November 1, [2003?] Tape 3 of 3"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Mochizuki, Cindy"],"creator_names_search":["Mochizuki, Cindy"],"creators":["[{\"url\":\"http://viaf.org/viaf/102853796\",\"name\":\"Mochizuki, Cindy\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Production_Date":[0],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9631/Roy Miki Fonds_MsC 161_361.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-361_Side-A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:23\",\"precision\":\"\",\"size\":\"62.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-361_Side-B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:45\",\"precision\":\"\",\"size\":\"62.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"[2003?]-11-01\",\"type\":\"Production Date\",\"notes\":\"Two different dates are written on the J-card, so we're unsure whether the conference took place in 2002 or 2003. The tape is also blank, which makes it difficult to investigate further or confirm the correct date\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Harbour Centre\",\"notes\":\"\",\"address\":\" 8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":[" 8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["SFU Harbour Centre"],"City":["Burnaby, British Columbia"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670558215962632,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"9635","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Mari-Lou Rowley reading at Roy Miki's English 105 Lecture at SFU on March 22, 2006"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Rowley, Mari-Lou","Miki, Roy"],"creator_names_search":["Rowley, Mari-Lou","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/51395082\",\"name\":\"Rowley, Mari-Lou\",\"dates\":\" 1953-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-\",\"notes\":\"Mari-Lou Rowley reads in Roy Miki's class\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[2006],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9635/Roy Miki Fonds_MsC 161_362.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-362_Side-A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:50\",\"precision\":\"\",\"size\":\"41.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-362_Side-B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:10\",\"precision\":\"\",\"size\":\"41.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2006-03-22\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\" 8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":[" 8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670558217011200,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"9636","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Can Asian Adian Series: Fred Wah reading in Roy Miki's English 394 Lecture at SFU on October 14, 1997 "],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Miki, Roy","Bowering, George"],"creator_names_search":["Wah, Fred","Miki, Roy","Bowering, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"Roy Miki introduces Fred Wah\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"George Bowering is heard talking after Wah's reading \",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1997],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9636/Roy Miki Fonds_MsC 161_363.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-363_Side-A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:44\",\"precision\":\"\",\"size\":\"80.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-363_Side-B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:06\",\"precision\":\"\",\"size\":\"41.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1997-10-14\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Harbour Centre\",\"notes\":\"\",\"address\":\" 8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":[" 8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["SFU Harbour Centre"],"City":["Burnaby, British Columbia"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670558217011201,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"9637","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Fred Wah Reading in Roy Miki’s English 394 Lecture at SFU on October 14, 1997 Part of the CanAsianadian Series, Roy Miki Poetry Reading and Music Performances "],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Miki, Roy"],"creator_names_search":["Wah, Fred","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1997],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9637/Roy Miki Fonds_MsC 161_364.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-364_Side-A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:18\",\"precision\":\"\",\"size\":\"42.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-364_Side-B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:21\",\"precision\":\"\",\"size\":\"58.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1997-10-14\",\"type\":\"Production Date\",\"notes\":\"Fred Wah Reading in Roy Miki’s English 394 Lecture at SFU on October 14, 1997 Part of the CanAsianadian Series\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Harbour Centre\",\"notes\":\"Fred Wah Reading in Roy Miki’s English 394 Lecture at SFU on October 14, 1997 Part of the CanAsianadian Series\",\"address\":\" 8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":[" 8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["SFU Harbour Centre"],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"Roy Miki begins reading poetry at the start of side two, continuing until 9:19, with brief interruptions by music performances. Music resumes at 12:00 and continues to the end of the side.\",\"type\":\"General\"},{\"note\":\"At the beginning of Side One, Fred Wah is heard reading poetry during Roy Miki's English 394 lecture at SFU on October 14, 1997. This portion contains content that duplicates parts of tape 363 (SWALLOW ID 9636).\\n\\nDetails of duplicated segments:\\nFrom 12:20 to 15:50 on tape 363 corresponds to 00:01 to 03:18 on tape 364\\nFrom 26:26 to 27:49 on tape 363 corresponds to 03:20 to 04:59 on tape 364\\nFrom 31:49 to 34:40  on tape 363 corresponds to 05:46 to 08:40 on tape 364\\n\\nSide one is blank from 8:40 to15:17, followed by music performances that continue to the end of the side. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558217011202,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"9643","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Warren Tallman's memento recorded in November 1988 for Steve McCaffery compiled from Adeena Karasick, Colin Browne, Warren Tallman, bpNichol, and Steve McCaffery reading poetry"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Browne, Colin","Karasick, Adeena","McCaffery, Steve","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Tallman, Warren","Browne, Colin","Karasick, Adeena","McCaffery, Steve","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\",\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/105886216\",\"name\":\"Browne, Colin\",\"dates\":\"1946-\",\"notes\":\"Colin Browne reading Fred Wah \\\"Music at the Heart of Thinking\\\" at Langara College Theater on June 1\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"On the first side, Adeena Karasick reading \\\"Manipulating Stairs\\\" in Cranbrook\\nShe also is reconstructing Bill Bissett Phonetic A B C with various words they spell from London, Ontario \",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"Reading at Bella Vista on November 22, 1988 \",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"bpNichol also reads some of his poems on June 1st at Langara College Theater\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9643/Roy Miki Fonds_MsC 161_365.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-365_Side-A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:16\",\"precision\":\"\",\"size\":\"85.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-365_Side-B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:24\",\"precision\":\"\",\"size\":\"64.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-11\",\"type\":\"Production Date\",\"notes\":\"This tape is recorded in November 1988 by Warren Tallman \",\"source\":\"J-card\"},{\"date\":\"1988-11-09\",\"type\":\"Production Date\",\"notes\":\"Adeena reading \\\"Manipulating Stairs\\\" in Cranbrook \",\"source\":\"Recording \"},{\"date\":\"1988-06-01\",\"type\":\"Production Date\",\"notes\":\"Colin Browne reading Fred Wah \\\"Music at the Heart of Thinking\\\" at Langara College Theater on June 1 bpNichol also reads some of his poems on this date\",\"source\":\"Recording\"},{\"date\":\"1988-10-15\",\"type\":\"Production Date\",\"notes\":\"Warren Tallman reading a piece named \\\"Claw\\\" that he'd written for bpNichol at Bowering's \",\"source\":\"Recording\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/51969524\",\"venue\":\"\",\"notes\":\"Adeena Karasick reading \\\"Manipulating Stairs\\\" on November 9th in Cranbrook\",\"address\":\"Cranbrook, Regional District of East Kootenay, British Columbia, V1C 2N0, Canada\",\"latitude\":\"49.5118\",\"longitude\":\"-115.7671\"},{\"url\":\"\",\"venue\":\"Bowering's house\",\"notes\":\"Warren Tallman reading \\\"Claw\\\" on October 15th, 1988.\\nWarren Tallman mentions Bowering's house location at 14:20 on the first side\\n\",\"address\":\"[2499- Western E 7th?]\",\"latitude\":\"\",\"longitude\":\"\"},{\"url\":\"https://www.openstreetmap.org/way/30880923\",\"venue\":\"Warren Tallman’s House\",\"notes\":\"In the '70s(?) he moved to 3504 Bella Vista in East Vancouver V5N 3W9 and lived there till his death. 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Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-11-16\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/5027360758\",\"venue\":\"\",\"notes\":\"We do not have the exact address of Fred Wah's residence; instead, we have entered the properties of the city where he lived with his wife, Pauline Butling, in 1986\",\"address\":\"South Slocan, British Columbia, Canada\",\"latitude\":\" 49.4447960\",\"longitude\":\"-117.5363728\"}]"],"Address":["South Slocan, British Columbia, Canada"],"City":["South Slocan, British Columbia"],"Note":["[{\"note\":\"The sound quality on side one is poor due to background noise, as a CBC program, mentioned on the j-card, comes through and interferes with the conversation among bpNichol, Pauline Butling, and Fred Wah\\nThe background noise stops at 24:47\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558218059783,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"9681","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Recordings of discussions by poets Robert Creeley, Robert Duncan, Allen Ginsberg, Denise Levertov, and Margaret Avison at UBC on August 5, 1963 Part 2 of 2"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Duncan, Robert","Ginsberg, Allen","Wah, Fred","Levertov, Denise","Avison, Margaret"],"creator_names_search":["Creeley, Robert","Duncan, Robert","Ginsberg, Allen","Wah, Fred","Levertov, Denise","Avison, Margaret"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\" 1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred \",\"dates\":\"1939-\",\"notes\":\"Recordings by Fred Wah \",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/9868894\",\"name\":\"Levertov, Denise\",\"dates\":\"1923-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/79128508\",\"name\":\"Avison, Margaret\",\"dates\":\"1918-2007\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9681/Roy Miki Fonds_MsC 161_378.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-378_Side-A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:19:04\",\"precision\":\"\",\"size\":\"17.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-378_Side-B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:56\",\"precision\":\"\",\"size\":\"29.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-08-5\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Internet and Reading in BC Collection\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"369 part 2 is equal the complete side one OF 52 a - i  have not checked 52 b yets \",\"type\":\"\"},{\"note\":\"The content on sides A and B of this tape mostly duplicates the material found on tape #52b\",\"type\":\"General\"},{\"note\":\"This tape largely duplicates the content of tape #52b (SWALLOW ID 5973), titled \\\"UBC Poetry Festival: Avison, Olson, Creeley, Duncan, Ginsberg, and Levertov on August 5, 1963 part 2 of 2 #52b\\\" in the Reading in BC Collection \\nTape 52b: Swallow ID 5973\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558219108352,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"9683","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["bpNichol Tribute in 1990, Tape 1 of 3: Gifts Launch on November 2 at SFU Harbour Centre and Morning panel at The Western Front on November 3 Part 1 of 2"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kamboureli, Smaro","Davey, Frank","Butling, Pauline","Scobie, Stephen","Miki, Roy","Bowering, George","Niechoda, Irene","McCaffery, Steve","Birdwell, Gene","Nichol, Ellie","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Kamboureli, Smaro","Davey, Frank","Butling, Pauline","Scobie, Stephen","Miki, Roy","Bowering, George","Niechoda, Irene","McCaffery, Steve","Birdwell, Gene","Nichol, Ellie","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/56633719\",\"name\":\"Kamboureli, Smaro\",\"dates\":\"1955-\",\"notes\":\"Speaking at morning panel at the Western Front on November 3\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/5029235\",\"name\":\"Davey, Frank\",\"dates\":\"1940-\",\"notes\":\"Speaking at morning panel at the Western Front on November 3\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/44560494\",\"name\":\"Butling, Pauline\",\"dates\":\"\",\"notes\":\"Speaking at morning panel at the Western Front on November 3\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/18385392\",\"name\":\"Scobie, Stephen\",\"dates\":\"1943-\",\"notes\":\"Speaking at morning panel at the Western Front on November 3\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"Speaking at the Gifts Launch event on November 2 at SFU Harbour Centre\\n\\nReading fictional regrets; however, his reading part is missing on this tape \\n\\nBased on what's written on the j-card, the Morning panel at the Western Front on November 3 was taped by Roy Miki\\n\\n\",\"nation\":[],\"role\":[\"Speaker\",\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\" 1935-\",\"notes\":\"Speaking at the Gifts Launch event on November 2 at SFU Harbour Centre\\nReading fictional regrets; however, Bowering's reading is missing on this tape\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/43517276\",\"name\":\"Niechoda, Irene\",\"dates\":\"\",\"notes\":\"Speaking at the Gifts Launch event on November 2 at SFU Harbour Centre \",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"Speaking at morning panel at the Western Front on November 3; his part is missing on this tape\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"\",\"name\":\"Birdwell, Gene \",\"dates\":\"\",\"notes\":\"Speaking at the Gifts Launch event on November 2 at SFU Harbour Centre\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"\",\"name\":\"Nichol, Ellie\",\"dates\":\"\",\"notes\":\"Speaking at the Gifts Launch event on November 2 at SFU Harbour Centre\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9683/Roy Miki Fonds_MsC 161_379.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-379_Side-A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:36:19\",\"precision\":\"\",\"size\":\"33.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-379_Side-B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:12\",\"precision\":\"\",\"size\":\"43.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-11-02\",\"type\":\"Production Date\",\"notes\":\"Gifts Launch on November 2 at SFU Harbour Centre\",\"source\":\"J-card\"},{\"date\":\"1990-11-03\",\"type\":\"Production Date\",\"notes\":\"Morning panel at the Western Front on November 3\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Harbour Centre\",\"notes\":\"Gifts Launch on November 2 at SFU Harbour Centre\",\"address\":\" 8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"},{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"Morning panel at The Western Front on November 3\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26391\",\"longitude\":\"-123.09869\"}]"],"Address":[" 8888 University Dr, Burnaby, BC V5A 1S6","303 E 8th Ave E, Vancouver, BC V5T 1S1"],"Venue":["SFU Harbour Centre","The Western Front"],"City":["Burnaby, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"Side one of this tape is a partial duplicate of tape 151 (Swallow ID 8959) in this collection (Roy Miki); however, it is not a complete copy, as it omits Warren Tallman’s introduction as well as portions of Roy Miki’s and George Bowering’s readings. Additionally, Frank Davey’s reading is not included. Side one of this tape duplicates the segment from 12:44 to 25:11 on side one of tape 151.\\n\",\"type\":\"General\"},{\"note\":\"Side two of this tape is a partial duplicate of tape 155 (Swallow ID 8963) in this collection (Roy Miki); however, it is not a complete copy, as it omits Steve McCaffery’s and Irene Niechoda's readings.\\nSide two of this tape duplicates the first 29:35 on side one of tape 155.\\n\\nWe hear the missing parts on this tape on tape 380 \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558219108353,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"9684","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["bpNichol Tribute in 1990, Tape 2 of 3: Morning panel at The Western Front on November 3 Part 2 of 2 and Afternoon panel at The Western Front on November 3 Part 1 of 2 "],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Niechoda, Irene","Davey, Frank","Butling, Pauline","Scobie, Stephen","McCaffery, Steve","Kamboureli, Smaro","Miki, Roy","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Niechoda, Irene","Davey, Frank","Butling, Pauline","Scobie, Stephen","McCaffery, Steve","Kamboureli, Smaro","Miki, Roy","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/43517276\",\"name\":\"Niechoda, Irene\",\"dates\":\"\",\"notes\":\"Morning panel at The Western Front on November 3\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/5029235\",\"name\":\"Davey, Frank\",\"dates\":\"1940-\",\"notes\":\"His reading/speaking part is on tape 379\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/44560494\",\"name\":\"Butling, Pauline\",\"dates\":\"\",\"notes\":\"Her reading/speaking part is on tape 379\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/18385392\",\"name\":\"Scobie, Stephen\",\"dates\":\"1943-\",\"notes\":\"His reading/speaking part is on tape 379\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/56633719\",\"name\":\"Kamboureli, Smaro\",\"dates\":\"1955-\",\"notes\":\"She introduces the readers of this event on tape 379\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9684/Roy Miki Fonds_MsC 161_380.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-380_Side-A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:46\",\"precision\":\"\",\"size\":\"44.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-380_Side-B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:02\",\"precision\":\"\",\"size\":\"45.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"Blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-11-03\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26391\",\"longitude\":\"-123.09869\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1"],"Venue":["The Western Front"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Side one of this tape partially duplicates side two of tape 155 (Roy Miki) in this collection, but it is not an exact copy. The beginning of this tape can also be heard on tape 379, which contains a duplicate of side one of tape 155 (Swallow ID 8963).\",\"type\":\"General\"},{\"note\":\"Side two of this tape is blank; however, its content is duplicated on tape 156 (Swallow ID 8964) in the Roy Miki collection, titled “bpNichol Tribute: Afternoon Reading Panel at The Western Front on November 3, 1990 Tape 2 of 4\\\"\\nOn this tape George Bowering, Douglas Barbour,  Victor Coleman, Adeena Karasick, Roy Miki,  Lola Lemire Tostevin are heard speaking/reading.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558219108354,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"9688","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["bpNichol Tribute in 1990, Tape 3 of 3: Afternoon panel at The Western Front on November 3 Part 2 of 2"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tostevin, Lola Lemire","Miki, Roy","Bowering, George","Barbour, Douglas","Karasick, Adeena","Coleman, Victor","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Tostevin, Lola Lemire","Miki, Roy","Bowering, George","Barbour, Douglas","Karasick, Adeena","Coleman, Victor","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/8771515\",\"name\":\" Tostevin, Lola Lemire\",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"He is the moderator of this event \\n\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/14864700\",\"name\":\"Barbour, Douglas\",\"dates\":\"1940-\",\"notes\":\"The section of tape 380 that includes his part is blank\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\" 1965-\",\"notes\":\"The section of tape 380 that includes her part is blank\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/38160442\",\"name\":\" Coleman, Victor\",\"dates\":\"1944-\",\"notes\":\"The section of tape 380 that includes his part is blank\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"This event is dedicated to bpNichol \",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9688/Roy Miki Fonds_MsC 161_381.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-381 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:42:10\",\"precision\":\"\",\"size\":\"40.5 GB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-381 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:03\",\"precision\":\"\",\"size\":\"45.2 GB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"Blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-11-03\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26391\",\"longitude\":\"-123.09869\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1"],"Venue":["The Western Front"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Side two of this tape is blank; however, its content is duplicated on tape 156 (Swallow ID 8964) in the Roy Miki collection, titled “bpNichol Tribute: Afternoon Reading Panel at The Western Front on November 3, 1990 Tape 2 of 4\\\"\\nOn this tape Roy Miki and Lola Lemire Tostevin are heard speaking/reading.\\n\\nThis tape does not contain a complete duplicate of Roy Miki’s segment, which runs from 41:11 on side one of tape 156 to the end of side two.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558219108355,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"9980","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["George Bowering reads selections of poetry from his book Some Writers"],"item_title_source":["Recording "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Miki, Roy","Bowering, George","Compton, Wayde"],"creator_names_search":["Miki, Roy","Bowering, 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Long poem, Kerrisdale Elegies. Relationship with Rilke’s Duino Elegies, a rewriting for Vancouver in the 80s. The work consists of ten elegies, George Bowering reads #4 and #10.\n- [00:01:04] Elegy #4. Interjection #1: This poems speak to him, which is a true story, he did hear his father’s voice. Interjection #2: George Bowering chooses to skip over some French “because it’s so bad” (no laughter heard). Interjection #3: Poetry described by someone as “musical thought,” which George Bowering thought was “less than apt”\n- [00:08:59] Elegy #10. Relates to the concerns of the event – narrative influence. Interjection: “Really uplifting stuff, huh? Really sad.”\n- [00:18:55] Poem that George Bowering wants on his tombstone, “Oh lord if I have but one life to live, I hope this ain’t it” (laughter).\n- [00:19:25] Describes a new book of old poems, poems which are publically and socially oriented\n- [00:20:14] American Cops. Written mid to late 60s and published as a pamphlet prior to inclusion in poetry collection. Dedicated to John Sinclair. Discusses rock n roll political movements, MC5 in Detroit, the political party “Rainbow” which started as the White Panthers. Driving through America as Canadians, unused to seeing guns. Resonates well with the audience (laughter).\n- [00:25:51] Robert Kroetsch introductory remarks. Called post-modern writer in Canada, speaking on narrative because of the event theme and the academic concerns of the students in the audience.\n- [00:26:48] Sketches of a Lemon. Wary of notions of meaning, tried to pick an object lacking inherent meaning. Interjection: there is a lemon tree, deconstructs his poem for him.\n- [00:30:45] Seed Catalogue introduction. Shared text/tradition of seed catalogues, must engage with great garden poetry from Book of Genesis onward. Cabbages as an unexplored entry point. Only two seasons in Canada: winter and poor sledding. Reckoning with the false notion of spring, need to reinterpret our engagement with preconceptions of seasons inherited from British tradition. Interjection #1: Robert Kroetsch did fall off a horse standing still, while also playing with concept of fallen man. Interjection #2: second section picking up on oral tradition, in light of books/media that doesn’t reflect “us” (Canadians) we survive by telling each other stories. Laughter at father killing magpie. Interjection #3: Brome grass section came from telling a young female poet his difficulty in ending, and she told a Saskatchewan cowboy who sent a letter to Robert Kroetsch (the letter became the text).\n- [00:46:34] Four Questions for George George Bowering is a response to Kerrisdale Elegies. \n- [00:48:10] Question period. #1: George skipping over his bad French. How has multiple readings influenced their opinions of the poems – George Bowering: difference between composition and reading. Notation reflecting primary experience (reading). Explaining concept of notation. Robert Kroetsch: Movement away from speech model, dialoguing with George Bowering. #2: Prose and verse, is it clear which way a piece will go when writing. George Bowering: still imagines it being read out loud regardless of whether it is prose or verse. Robert Kroetsch: still reads as lyrical. Movement between writing the two is fluid.\n\n- * Dating determined to be approximately May 1986. Correspondence with Robert Kroetsch and Brian Edwards occurs only following the conference (591/96.6 4.42). George Bowering also corresponds with Edwards in 1984 and 1986 (correspondence housed at Library and Archives Canada). In the recording, a conference which Robert Kroetsch and George Bowering attended took place in Ottawa a “three weeks earlier” can be dated to April 25-27, 1986 (591/96.6 34.8). In another interview with Edwards, Robert Kroetsch references this conference in May (775/04.25 29.2).\n"],"contents":["George Bowering\n[00:01:04] \nPerforms \"Elegy Four\".\nGeorge Bowering\n[00:08:59]\nPerforms \"Elegy Ten\".\nGeorge Bowering\n[00:20:14]\nPerforms \"American Cops\". \nRobert Kroetsch\n[00:26:48]\nPerforms \"Sketches of a Lemon\". \nRobert Kroetsch \n[00:33:11]\nPerforms \"Seed Catalogue\".\nRobert Kroetsch \n[00:47:02]\n\"Four Questions for George Bowering\"."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Bowering, Kerrisdale Elegies (1984). Kroetsch, Sketches of a Lemon (1980); Seed Catalogue (1977); Advice to My Friends (1985).\"}]"],"_version_":1853670558221205508,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"8195","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Learning #2"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Learning #2\" and red \"Master\" sticker; label on tape, side A: \"Walter Learning side A only; tape #2\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[2.2]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2045"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Learning, Walter"],"contributors_names_search":["Learning, Walter"],"contributors":["[{\"url\":\"http://viaf.org/viaf/11093579\",\"name\":\"Learning, Walter\",\"dates\":\"1938-2020\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Learning, Walter"],"Performance_Date":[1995],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Fuji DR-I\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_2.20\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:28:17\",\"precision\":\"\",\"size\":\"932.07 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1995-11\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 2.20\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Conversation with Walter Learning\n- Discussion of the play collaborations between Learning and Alden Nowlan, consideration of audience and Alden Nowlan’s poetry performances.\n- Note from finding aid: “SEE ALSO Gibbs, Robert 1.32”\n- [00:08:45] cut in recording, returns to different conversation\n- [00:20:10] cut in recording, returns to different conversation\n- [00:22:48] cut in recording, returns to different conversation\n- [00:24:03] cut in recording, returns to different conversation\n- Ends mid-conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558221205509,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"8196","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Hamilton - Reese A 2 of 6 - 1995-10-30 b"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Hamilton - Reese A 2 of 6\" and \"2\" sticker and \"A\" sticker; label on tape, A side: \"30.10.95 E. Hamilton, werl [?]\"; label on tape, B side: \"Ervette 1 + 2 - 30.10.95\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[2.1b]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2045"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Hamilton, Ervette","Reese, Albert"],"contributors_names_search":["Hamilton, Ervette","Reese, Albert"],"contributors":["[{\"url\":\"\",\"name\":\"Hamilton, Ervette\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Reese, Albert\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Hamilton, Ervette","Reese, Albert"],"Performance_Date":[1995],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Memorex DB\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_2.1b\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:31:20\",\"precision\":\"\",\"size\":\"1.01 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1995-10-30\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Continuation of conversation with Ervette Hamilton (see also 2.1a & 2.2a).\n- [00:3:38-00:4:10] pause in conversation for kettle on stove\n- [00:5:41-00:6:33] pause in conversation for kettle on stove\n- Ends mid-conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558221205510,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"8197","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Hamilton - Reese A 2 of 6 - 1995-10-30 a"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Hamilton - Reese A 2 of 6\" and \"2\" sticker and \"A\" sticker; label on tape, A side: \"30.10.95 E. Hamilton, werl [?]\"; label on tape, B side: \"Ervette 1 + 2 - 30.10.95\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[2.1a]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2045"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Hamilton, Ervette","Reese, Albert"],"contributors_names_search":["Hamilton, Ervette","Reese, Albert"],"contributors":["[{\"url\":\"\",\"name\":\"Hamilton, Ervette\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Reese, Albert\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Hamilton, Ervette","Reese, Albert"],"Performance_Date":[1995],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Memorex DB\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_2.1a\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:31:20\",\"precision\":\"\",\"size\":\"1.01 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1995-10-30\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Feedback as recorder is set up\n- Conversation with Ervette Hamilton about her family; her son and Alden played together, families lived near each other. Alden Nowlan’s childhood and parents.\n- Ends mid-conversation."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558221205511,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"8198","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Miriam Langley-Cook 28.04.96"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Miriam Langley-Cook 28.04.96\"; label on tape, side A: \"Miriam Langley-Cook 28.04.96 Poor Sound\"; label on tape, side B: \"Miriam Langley-Cook 28.04.96 B: No Track\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[2.19]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Langley-Cook, Miriam"],"contributors_names_search":["Langley-Cook, Miriam"],"contributors":["[{\"url\":\"\",\"name\":\"Langley-Cook, Miriam\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Langley-Cook, Miriam"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Quiet but continual hiss\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_2.19\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:38:43\",\"precision\":\"\",\"size\":\"1.25 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-04-28\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Conversation with Miriam Langley-Cook, saxophone playing in the background at beginning.\n- [00:31:12] cut in recording, returns to same conversation\n- Ends mid-conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558222254080,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"8199","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Richard Keoughan + Brian Gunns 11-12.11.92"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Richard Keoughan + Brian Gunns 11-12.11.92 Master\"; label on tape, side A: \"Richard Koeughan [sic] + Brian Guns [sic] 11.11.95 Fred\"; label on tape, side B: \"Empty\". Post-it note on tape, side A: \"Haven't read Gunns\"; on tape case: \"Cabbie Richard Koeughan [sic] Frederickton 11.11.95\" and \"Brian Gunns Morningtide Fitome Halifax 12.11.95\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[2.18]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2045"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Keoughan, Richard","Gunns, Brian"],"contributors_names_search":["Keoughan, Richard","Gunns, Brian"],"contributors":["[{\"url\":\"\",\"name\":\"Keoughan, Richard\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Gunns, Brian\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Keoughan, Richard","Gunns, Brian"],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_2.18\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:31:10\",\"precision\":\"\",\"size\":\"1.00 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"Performance Date\",\"notes\":\"1995-11-11 to 1995-11-12. Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Conversation with Richard Keoughan and Brian Gunns in car with dispatch radio. Moves indoors (bar or restaurant perhaps) partway through.\n- [00:04:09] cut in recording, returns to later in same conversation\n- [00:13:42] cut in recording, returns to different conversation\n- [00:23:12] and [00:23:31] cuts in recording, return to same conversation\n- [00:29:29] cut in recording, returns to different conversation\n- Ends mid-conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558222254081,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"8200","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["#2 Leroy Johnson"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"#2 Leroy Johnson\" and \"Master\" sticker; label on tape, side A: \"A - Leroy Johnson #2 + B\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[2.17]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Johnson, Leroy"],"contributors_names_search":["Johnson, Leroy"],"contributors":["[{\"url\":\"\",\"name\":\"Johnson, Leroy\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Johnson, Leroy"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"JVC\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_2.17\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:56:24\",\"precision\":\"\",\"size\":\"1.82 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-05\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 2.17\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Conversation with Leslie Jeffrey*\n- *Finding aid notes Leroy Johnson as speaker, but it is Leslie Jeffrey, who is listed under 2.16\n- [00:24:48] cut in recording, returns to same conversation\n- [00:25:02] conversation moves outside, some feedback\n- [00:29:56] cut in recording, return indoors to different conversation\n- [00:31:13] cut in recording, returns to same conversation\n- [00:45:04] cut in recording, return to different conversation\n- [00:49:02] cut in recording, return to different conversation. Greagory Cookand Jeffrey in car driving and telling stories about places passed.\n- Note from finding aid: SEE Donaldson, Allan and Marjory 1.27"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558222254082,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"8201","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Ives #3"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Ives #3\" and red \"Master\" sticker; label on tape, side A: \"Ives #3 Master\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[2.16]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Ives, Edward D.","Ives, Bobbie"],"contributors_names_search":["Ives, Edward D.","Ives, Bobbie"],"contributors":["[{\"url\":\"http://viaf.org/viaf/94295811\",\"name\":\"Ives, Edward D.\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Ives, Bobbie\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Ives, Edward D.","Ives, Bobbie"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_2.16\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:02:46\",\"precision\":\"\",\"size\":\"1.01 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-05\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 2.16\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Continuation of conversation with Sandy (Edward S.) and Bobbie Ives\n- Dog whining in background\n- [00:31:21] cut in recording, returns to different conversation\n- Ends mid-conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558222254083,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"8202","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Ives #2"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Ives #2\" and red \"Master\" sticker; label on tape, side A: \"Ives #2\"; label on tape, side B: \"B. Ives #2 Master\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[2.15]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Ives, Edward D.","Ives, Bobbie"],"contributors_names_search":["Ives, Edward D.","Ives, Bobbie"],"contributors":["[{\"url\":\"http://viaf.org/viaf/94295811\",\"name\":\"Ives, Edward D.\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Ives, Bobbie\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Ives, Edward D.","Ives, Bobbie"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_2.15\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:53:23\",\"precision\":\"\",\"size\":\"1.72 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-05\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 2.15\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Continuation of conversation with Sandy (Edward S.) and Bobbie Ives\n- some whirring feedback of recorder throughout\n- some rather inflammatory remarks in this recording (Greagory Cookand Ives have been drinking)\n- [00:13:21-00:13:30] tape distortion\n- [00:31:21] cut in recording, returns to different conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558223302656,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"8203","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Ives 1"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Ives 1\" and red \"Master\" sticker which covers written \"Master\"; label on tape, side A: \"Ives 1\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[2.14]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Ives, Edward D.","Ives, Bobbie"],"contributors_names_search":["Ives, Edward D.","Ives, Bobbie"],"contributors":["[{\"url\":\"http://viaf.org/viaf/94295811\",\"name\":\"Ives, Edward D.\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Ives, Bobbie\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Ives, Edward D.","Ives, Bobbie"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_2.14\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:02:44\",\"precision\":\"\",\"size\":\"1.01 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-05\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 2.14\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Conversation with Sandy (Edward S.) and Bobbie Ives\n- Some feedback from recorder, persistent whine/whir\n- Begins with conversation with Bobbie Ives\n- [00:08:33] cut in recording. Moves to conversation with Sandy and Bobbie Ives.\n- [00:18:06] cut in recording, returns to different conversation\n- [00:31:21] cut in recording, returns to same conversation\n- Ends mid-conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558223302657,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"8204","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Fred Hazel 2 Master"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Fred Hazel\" and \"2\" sticker and red \"Master\" sticker; label on tape, side A: \"Fred Hazel #2\" and red \"Master\" sticker; label on tape, side B \"Fred Hazel Tape #2\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[2.13]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Hazel, Fred"],"contributors_names_search":["Hazel, Fred"],"contributors":["[{\"url\":\"http://viaf.org/viaf/11590831\",\"name\":\"Hazel, Fred\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Hazel, Fred"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Memorex DB\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_2.13\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:02:48\",\"precision\":\"\",\"size\":\"1.01 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-05\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 2.13\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Continuation of conversation of 2.12. See note above.\n- Some feedback from recorder, low hum\n- [00:03:50] cut in recording, returns to different conversation\n- [00:31:39] skip in recording, returns to same conversation\n- [00:44:54] cut in recording, returns to different conversation\n- [00:56:06] cut in recording, returns to same conversation\n- [01:00:53] cut in recording, returns to different conversation\n- Ends mid-conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558223302658,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"8205","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Fred Hazel 1 Master"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Fred Hazel\" and \"1\" sticker and red \"Master\" sticker; label on tape, side A: \"Fred Hazel\" and \"1\" sticker and red \"Master\" sticker and \"A\" sticker; label on tape, side B \"Fred Hazel\" and \"B\" sticker"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[2.12]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Hazel, Fred"],"contributors_names_search":["Hazel, Fred"],"contributors":["[{\"url\":\"http://viaf.org/viaf/11590831\",\"name\":\"Hazel, Fred\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Hazel, Fred"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Memorex DB\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_2.12\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:02:43\",\"precision\":\"\",\"size\":\"1.01 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-05\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 2.12\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Conversation with Fred Hazel* about Alden Nowlan; Hazel and Ralph Costello were Alden Nowlan’s bosses at New Brunswick newspaper\n*I think this and 2.13 are mis-labelled; they discuss Fred Hazel but interviewee is John (possibly John Glass).\n- Some feedback from recorder, low hum\n- [00:16:18] cut in recording, returns to same conversation\n- [00:31:05] cut in recording, returns to different conversation\n- [00:52:21] cut in recording, returns to different conversation\n- Ends mid-conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558223302659,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"8206","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["End of Hawkes #2 Opening of Bauers"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"End of Hawkes #2 Opening of Bauers\" and \"Master\" sticker; label on tape, side A: \"Bill and Nancy Bauer #1 #ff Hawkes Side 2\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[2.11b]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Hawkes, Robert","Hawkes, Nancy","Bauer, William"],"contributors_names_search":["Hawkes, Robert","Hawkes, Nancy","Bauer, William"],"contributors":["[{\"url\":\"\",\"name\":\"Hawkes, Robert\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Hawkes, Nancy\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Bauer, William\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Hawkes, Robert","Hawkes, Nancy","Bauer, William"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"JVC\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_2.11b\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:31:09\",\"precision\":\"\",\"size\":\"1.00 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-05\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 2.11b\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Continuation of conversation with Nancy and William Bauer (see 2.10)\n- [00:08:00] cut in recording, returns to conversation\n- Ends mid-conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558223302660,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"8207","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["End of Hawkes #2 Opening of Bauers"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"End of Hawkes #2 Opening of Bauers\" and \"Master\" sticker; label on tape, side A: \"Bill and Nancy Bauer #1 #ff Hawkes Side 2\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[2.11a]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Hawkes, Robert","Hawkes, Nancy","Bauer, William"],"contributors_names_search":["Hawkes, Robert","Hawkes, Nancy","Bauer, William"],"contributors":["[{\"url\":\"\",\"name\":\"Hawkes, Robert\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Hawkes, Nancy\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Bauer, William\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Hawkes, Robert","Hawkes, Nancy","Bauer, William"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"JVC\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_2.11a\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:31:09\",\"precision\":\"\",\"size\":\"1.00 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-05\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 2.11a\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Continuation of conversation with Nancy and William Bauer (see 2.10)\n- Ends mid-conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558223302661,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"8208","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Hawkes #1 + Bauers #1"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Hawkes #1 + Bauers #1 Master\"; label on tape, side A: \"Hawkes #1 + Bauers\"; label on tape, side B: \"Haw\" \"BLANK [upside down]\" \"empty\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[2.1]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Hawkes, Robert","Hawkes, Nancy","Bauer, William"],"contributors_names_search":["Hawkes, Robert","Hawkes, Nancy","Bauer, William"],"contributors":["[{\"url\":\"\",\"name\":\"Hawkes, Robert\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Hawkes, Nancy\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Bauer, William\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Hawkes, Robert","Hawkes, Nancy","Bauer, William"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"3M\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_2.10\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:31:21\",\"precision\":\"\",\"size\":\"1.01 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-05\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 2.10\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Conversation with Robert Hawkes about Alden Nowlan, poetics, academics, and Alden Nowlan’s readings. Significant background noise, difficult to hear at times.\n- [00:19:50] cut in recording. Moves to conversation with Nancy and William Bauer. (See also 1.8 & 1.9).\n- Ends mid-conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558223302662,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"8209","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Pythian Monitor"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Writing on aluminum disc."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[111.2]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2040"],"creator_names":["Nowlan, Alden"],"creator_names_search":["Nowlan, Alden"],"creators":["[{\"url\":\"http://viaf.org/viaf/61671170\",\"name\":\"Nowlan, Alden\",\"dates\":\"1933-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"10 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Duodisc\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"33 1/3 rpm\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very fragile\",\"track_configuration\":\"\",\"material_designation\":\"Disc\",\"physical_composition\":\"Aluminum\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Disc"],"physical_compositions":["Aluminum"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"AN_MsC_40.111.2\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:10:45\",\"precision\":\"\",\"size\":\"177.21 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970\",\"type\":\"Performance Date\",\"notes\":\"Dates supplied through research for copyright.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Alden Nowlan is reading from the Knights of Pythias initiaton of The Rank of Knight. He reads a section ascribed to the \"Monitor\" of the ceremony. Some phrases from this ceremony are quotations from Milton. https://www.stichtingargus.nl/vrijmetselarij/pythias_r3.html"],"contents":["Alden Nowlan\nKnights of Pythias, Rank of Knight ceremony. Role of Monitor."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558223302663,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"8210","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Bauers #4"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Bauers #4 A-side only? [crossed out]\" and \"Master\" sticker; Label on tape: \"Bauers 4\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[1.9]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Bauer, Nancy","Bauer, William"],"contributors_names_search":["Bauer, Nancy","Bauer, William"],"contributors":["[{\"url\":\"\",\"name\":\"Bauer, Nancy\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/24618492\",\"name\":\"Bauer, William\",\"dates\":\"1932-2010\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Bauer, Nancy","Bauer, William"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"JVC\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_1.9\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:02:16\",\"precision\":\"\",\"size\":\"2.00 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-05\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 1.9\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Greg Greagory Cookcontinuing conversation with Nancy and William Bauer (see 1.8).\n- [00:7:00-00:8:00] mic readjustment noises\n- Ends mid-conversation\n- Finding aid note: See ALSO 2.10-2.11"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558223302664,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"8211","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Bauers #3"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Bauers #3\" and \"Master\" sticker; Label on tape, A side: \"Bauers #3 Master\"; Label on tape, B side: \"Bauers #3 Master\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[1.8]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Bauer, Nancy","Bauer, William"],"contributors_names_search":["Bauer, Nancy","Bauer, William"],"contributors":["[{\"url\":\"\",\"name\":\"Bauer, Nancy\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/24618492\",\"name\":\"Bauer, William\",\"dates\":\"1932-2010\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Bauer, Nancy","Bauer, William"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"JVC\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Quiet\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_1.8\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:02:30\",\"precision\":\"\",\"size\":\"2.01 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-05\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 1.8\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Greg Greagory Cookin conversation with Nancy and William Bauer; discussing Brian Bartlett, David Andrews, and Alden Nowlan.\n- Remembering Alden Nowlan running writing workshops and mentoring young writers.\n- [00:31:13] beginning of new conversation, William and Nancy Bauer continue discussing Alden Nowlan with Cook\n- Ends mid-conversation (see 1.9)\n- Finding aid note: See ALSO 2.10-2.11"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558223302665,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"8212","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Kennetcook / Misc. readings"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Writing on aluminum disc. Accompanying paper from archivist describing cuts."],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[111.6]"],"rights":["The Public Domain Mark (PDM)"],"creator_names":["Nowlan, Alden"],"creator_names_search":["Nowlan, Alden"],"creators":["[{\"url\":\"http://viaf.org/viaf/61671170\",\"name\":\"Nowlan, Alden\",\"dates\":\"1933-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1954],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"7 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Audiodisc\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"33 1/3 rpm\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Disc\",\"physical_composition\":\"Aluminum\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Disc"],"physical_compositions":["Aluminum"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"AN_MsC_40.111.6\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:15:20\",\"precision\":\"\",\"size\":\"252.79 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1954-10-17\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 111.6\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Hartland, New Brunswick\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Venue":["Hartland, New Brunswick"],"content_notes":["- Cuts and repeats throughout the recording\n- References by Alden Nowlan to recording this tape for the school, indicates he is in Hartland NB when recording. "],"contents":["Alden Nowlan\n[00:00:05]\nPerforms selections from \"Anthony's funeral oration\" from Shakespeare's Julius Caesar. \nAlden Nowlan\n[00:04:29]\nPerforms selections from \"Leaves of Grass\" by Walt Whitman.\nAlden Nowlan \n[00:05:33]\nPerforms Psalm 23 from the Bible.\nAlden Nowlan \n[00:06:43]\nPerforms \"Dreams\" poem [published in Arcture (?) magazine (North Hollywood, California)]. \nAlden Nowlan \n[00:07:39]\nAddresses  Hants County Folk School at Kennetcook in to 1955 [Pre-recorded].\nAlden Nowlan\n[00:12:12]\nSings.\nAlden Nowlan \n[00:13:27]\nReflects on recording. \nAlden Nowlan\n[00:14:55]\nQuotes Milton."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Shakespeare, William, Julius Caesar. Whitman, Walt, \\\"Leaves of Grass\\\". Nowlan, Alden, \\\"Dreams\\\" (published in Arcture [?] magaine). Milton, John. \\\"He that hath light...\\\"\"}]"],"_version_":1853670558224351232,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"8213","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Bruce Armstrong / Campbells"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Bruce Armstrong/Campbells (Master)\"; Label on tape, side A: \"Armstrong 07.11.95 + Campbells\"; Label on tape, B side: \"Campbells\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[1.7]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2045"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Armstrong, Bruce","Campbell, Aileen","Campbell, Glen"],"contributors_names_search":["Armstrong, Bruce","Campbell, Aileen","Campbell, Glen"],"contributors":["[{\"url\":\"\",\"name\":\"Armstrong, Bruce\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/103922051\",\"name\":\"Campbell, Aileen\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Campbell, Glen\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Armstrong, Bruce","Campbell, Aileen","Campbell, Glen"],"Performance_Date":[1995],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Fuji DR-I\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_1.7\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:33:40\",\"precision\":\"\",\"size\":\"1.51 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1995-11-07\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["- [00:00:00] Conversation between Bruce Armstrong and Greg Greagory Cookabout Alden Nowlan.\n- [00:21:01] cut in tape, move to different conversation. Conversation with Aileen Campbell and Greg Greagory Cookabout Alden Nowlan.\n- [00:33:54] cut in recording, Glen Campbell joins conversation. Aileen has called him to come over and talk with Greagory Cookabout Alden Nowlan."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558224351233,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"8214","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Partial tel. convo off [sic] Armstrong / McCormack"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Armstrong/McCormack partial tel. convo copy\"; Label on tape: \"Partial tel. convo off Armstrong/McCormack (copy)\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[1.6]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2045"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Armstrong, Bruce","McCormack, Ken"],"contributors_names_search":["Armstrong, Bruce","McCormack, Ken"],"contributors":["[{\"url\":\"\",\"name\":\"Armstrong, Bruce\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"McCormack, Ken\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Armstrong, Bruce","McCormack, Ken"],"Performance_Date":[1995],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Goldstar\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Distorted\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_1.6\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:04:05\",\"precision\":\"\",\"size\":\"67.29 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1995-11\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 1.6\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Conversation between Bruce Armstrong, Ken McCormack, and Greg Cook. Difficult to discern because of audio warping/distortion.\n- Greg Greagory Cookis on the phone with the interviewee (uncertain who other speaker is)."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558224351234,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"8215","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Jack Whitehead, Charles Shaw, Alden Nowlan"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Writing on aluminum disc. Accompanying paper from archivist describing cuts."],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[111.7]"],"rights":["The Public Domain Mark (PDM)"],"creator_names":["Nowlan, Alden"],"creator_names_search":["Nowlan, Alden"],"creators":["[{\"url\":\"http://viaf.org/viaf/61671170\",\"name\":\"Nowlan, Alden\",\"dates\":\"1933-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Whitehead, Jack E.","Shaw, Charles"],"contributors_names_search":["Whitehead, Jack E.","Shaw, Charles"],"contributors":["[{\"url\":\"\",\"name\":\"Whitehead, Jack E.\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Shaw, Charles\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Whitehead, Jack E.","Shaw, Charles"],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"7 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Audiodisc\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"33 1/3 rpm\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Disc\",\"physical_composition\":\"Aluminum\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Disc"],"physical_compositions":["Aluminum"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"AN_MsC_40.111.7\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:16:44\",\"precision\":\"\",\"size\":\"275.78 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"Performance Date\",\"notes\":\"[before 1956]. Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 111.7\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["- [00:00:00] Female host greets “Al” and another speaker. Conversation about recording and how Alden Nowlan doesn’t know what to say, “What am I supposed to say? What should I say, do you think?” “Well, anything” “Anything at all? - […] The whole trouble is that the thing goes around faster than I can think. And as I talk half as fast as I think, there’s nothing much I can say”\n- [00:00:49] singing, cuts and repeats\n- [00:01:27] Julius Caesar, Shakespeare. Mark Anthony’s speech “Friends, Romans, countrymen, lend me your ears…” (Act 3, Scene 2)\n- [00:03:00] singing, “soldiers of Ireland…”. Cuts and repeats.\n- [00:03:40] conversation on politics, includes female host and additional male speaker."],"contents":["Unknown\n[00:00:00]\nGreets Alden Nowlan.\nAlden Nowlan\n[00:00:49]\nSings.\nAlden Nowlan\n[00:01:27]\nPerforms Mark Anthony’s speech \"Friends, Romans, countrymen, lend me your ears…\" from Julius Caesar [Shakespeare, Act 3, Scene 2]\nAlden Nowlan\n[00:03:00]\nSings “soldiers of Ireland…\". \nAlden Nowlan\n[00:03:40]\nDiscusses politics."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Shakespeare, William, Julius Caesar (Act 3, Scene 2).\"}]"],"_version_":1853670558224351235,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"8216","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Armstrong / McCormack"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Armstrong/McCormack\" and \"Master\" sticker\"; Handwritten note on paper, side of case: \"A: Distortion - 1st half\" and \"B: partial phone conversation w/ ?\"; Label on tape, A side: \"Armstrong + Hope + dead half [?]\"; Label on tape, B side: \"+ Ken McCormack\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[1.5]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2045"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Armstrong, Bruce","McCormack, Ken"],"contributors_names_search":["Armstrong, Bruce","McCormack, Ken"],"contributors":["[{\"url\":\"\",\"name\":\"Armstrong, Bruce\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"McCormack, Ken\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Armstrong, Bruce","McCormack, Ken"],"Performance_Date":[1995],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Unknown acetate\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Distorted\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_1.5\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:06:11\",\"precision\":\"\",\"size\":\"2.13 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1995-11\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 1.5\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Conversation between Bruce Armstrong, Ken McCormack, and Greg Cook. Sounds like they are meeting in a restaurant, lots of voices and noise in background.\n- Issues with recording tape, sound warping/distortion throughout beginning of tape. Cuts at - [00:06:28] and [00:09:52] .\n- Cut at [00:17:18] and have moved to different location, conversation with Bruce Armstrong, Ken McCormack, and Greg Cook. Recording is clear though quiet. Short cut at - [00:35:11] .\n- Cut at [00:37:36] to testing and - [00:38:00] back to conversation. Cut at - [00:47:22] . Woman’s voice interjects in conversation (present, but not named in conversation).\n- Ken McCormack is a photographer contracted often to cover events Alden Nowlan attended.\n- [00:51:58] cut to different point in conversation.\n- [00:54:59] Greagory Cookcuts tape intentionally while poem is read. Turns it back on after one reading and asks for poem to be read for the tape.\n- [00:59:16] cut in tape.\n- [01:02:00] cut in tape. "],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558224351236,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"8217","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Anthony Bros"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Anthony Bros Douglas + Lawrence Tape 2 Master\"; Label on tape, A side: \"Anthony Bros\"; Label on tape, B side: \"Anthony Bros\""],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[1.4]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Anthony, Douglas","Anthony, Lawrence"],"contributors_names_search":["Anthony, Douglas","Anthony, Lawrence"],"contributors":["[{\"url\":\"\",\"name\":\"Anthony, Douglas\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Anthony, Lawrence\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Anthony, Douglas","Anthony, Lawrence"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Memorex DB\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Quiet\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_1.4\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:56:43\",\"precision\":\"\",\"size\":\"1.83 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-02-14\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Home of Douglas Anthony\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Venue":["Home of Douglas Anthony"],"content_notes":["Continuation of conversation between Douglas and Lawrence Anthony and Greg Cook.\n- See MsC 301 1.3 for beginning of conversation.\n- [00:30:35] small pause/skip in recording."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558224351237,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"8218","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Nancy"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on reel. Accompanying paper from archivist describing tape and contents."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[111.9]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2040"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Unknown acetate\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"7 1/2 ips\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"AN_MsC_40.111.9\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:01:40\",\"precision\":\"\",\"size\":\"55.02 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"Performance Date\",\"notes\":\"[ca. 1970]. Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 111.9\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["- Female vocalist accompanied by guitar singing “Looking for Nancy”\n- Follows lines of the poem closely, though adds repetition of “Nancy, looking for Nancy”\n- Noise in background at end of recording\n"],"contents":["[00:00:00] singing"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558224351238,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"8219","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Griffen (Jean, Sherie) Durling, A"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Griffen (Jean, Sherie) Durling, A\"; label on tape, A side: \"Griffen Jean + Ino [?] Alden Durling 29.10.95\"; label on tape, B side: \"/ A Port Williams Griffen - Durling 29.10.95 1-4\". Written on tape box: \"29.10.95 Port Williams, N.S.\"."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[1.37]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2045"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Griffin, Jean","Durling, Sherry","Durling, Alden"],"contributors_names_search":["Griffin, Jean","Durling, Sherry","Durling, Alden"],"contributors":["[{\"url\":\"\",\"name\":\"Griffin, Jean\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Durling, Sherry\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Durling, Alden\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Griffin, Jean","Durling, Sherry","Durling, Alden"],"Performance_Date":[1995],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Memorex DB\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_1.37\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:01:16\",\"precision\":\"\",\"size\":\"1.97 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1995-10-29\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Conversation with Jean and Sherry Griffin and Alden Durling. Discussion of Alden Nowlan and his family. \n- Is possibly the beginning of the conversation that continues in 1.36.\n- [00:30:34] cut in recording, returns to same conversation\n- [00:45:47] cut in recording and returns to different part of conversation\n- Ends mid-conversation\n- Note in finding aid: “SEE Keoughan, Richard 2.18”"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558224351239,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"8220","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Griffen/Durling"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Griffen/Durling\"; label on tape, A side: \"Durling - Griffen 29.10.95 1 side only?\"; label on tape, B side: \"Durling - Griffen 29.10.95\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[1.36]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2045"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Griffin, Jean I.","Durling, Sherry","Durling, Alden"],"contributors_names_search":["Griffin, Jean I.","Durling, Sherry","Durling, Alden"],"contributors":["[{\"url\":\"http://viaf.org/viaf/21189931\",\"name\":\"Griffin, Jean I.\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Durling, Sherry\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Durling, Alden\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Griffin, Jean I.","Durling, Sherry","Durling, Alden"],"Performance_Date":[1995],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Memorex DB\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_1.36\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:41:33\",\"precision\":\"\",\"size\":\"1.34 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1995-10-29\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Conversation with Jean and Sherry Griffin and Alden Durling. Discussion of Alden Nowlan and his family, including his father Freeman.\n- [00:02:16] cut in recording and returns to different part of conversation\n- [00:20:31] mic readjustment\n- Looking at photographs of Alden Nowlan’s family and the community\n- [00:22:03] cut in recording and returns to different part of conversation\n- [00:23:43] cut in recording and returns to different part of conversation\n- [00:30:24] cut in recording and returns to different part of conversation\n- Ends mid-conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558224351240,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"8221","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["\"Remembering Alden Nowlan\" TNB. May 4, 1988."],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape: TNB Special Event \"Remembering Alden Nowlan\" Wed May 4, 1988. Featuring: Janet Amos, Frank McKenna, Robert Gibbs, David Adams Richards, Richard Hatfield, John Plummer (Esso), James Stewart. Note in archival file: Dinner & tribute to A. N. preceding premiere of Lockhartville. Paul Hanna's dramatic adaptation of various persons named Kevin O'Brien. Letter to Apollonia Steele from Eric L. Swanick indicating gift of recording."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[1.1]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2038"],"creator_names":["Nowlan, Alden"],"creator_names_search":["Nowlan, Alden"],"creators":["[{\"url\":\"http://viaf.org/viaf/61671170\",\"name\":\"Nowlan, Alden\",\"dates\":\"1933-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors_names":["Amos, Janet","McKenna, Frank","Gibbs, Robert","Richards, David Adams","Hatfield, Richard","Plummer (Esso), John","Stewart, James"],"contributors_names_search":["Amos, Janet","McKenna, Frank","Gibbs, Robert","Richards, David Adams","Hatfield, Richard","Plummer (Esso), John","Stewart, James"],"contributors":["[{\"url\":\"\",\"name\":\"Amos, Janet \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/16578312\",\"name\":\"McKenna, Frank\",\"dates\":\"1948-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Gibbs, Robert \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/68941629\",\"name\":\"Richards, David Adams\",\"dates\":\"1950-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/57710624\",\"name\":\"Hatfield, Richard\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Plummer (Esso), John \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Stewart, James\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Gibbs, Robert ","Richards, David Adams","Hatfield, Richard","Plummer (Esso), John ","Stewart, James"],"Speaker_name":["Amos, Janet ","McKenna, Frank"],"Performance_Date":[1988],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Realistic Supertape\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"AN_MsC_59.1.1\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:44:54\",\"precision\":\"\",\"size\":\"739.82 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-05-04\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Theatre New Brunswick\",\"notes\":\"\",\"address\":\"Fredericton, New Brunswick, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Fredericton, New Brunswick, Canada"],"Venue":["Theatre New Brunswick"],"content_notes":["Janet Amos (artistic director of TNB from 1884-1988) introducing the event, a play by Alden Nowlan but first some speakers. The night remembering Alden Nowlan.\n- [00:01:50] Premier Frank McKenna\n- [00:05:12] Amos\n- [00:09:38] Bob Gibbs, reads from a letter - [00:11:06] , discussion of The Wanton Troopers published posthumously in 1988. Significant laughter - [00:16:25] , applause at end - [00:17:25] \n- [00:17:30] female speaker (Janet)\n- [00:18:33] David Adams Richards\n- [00:19:33] Richards reads “Ypres: 1915”. Laughter - [00:22:25] , applause at end - [00:22:37] \n- [00:22:47] female speaker (Janet)\n- [00:24:28] Richard Hatfield, applause at his coming onto the stage. Laughter - [00:25:58] , and increases - [26:08-15] . Laughter - [00:26:47] - [00:30:30] - [00:34:50] , applause at end - [00:35:16] \n- Recording loops at - [00:31:12] \n- Amos introduces play the audience will be seeing tonight, Lockhartville written by Paul Hanna, adapted from Alden Nowlan’s book of the same name\n- [00:36:20] John Clemmer from Imperial Oil (sponsor of the play and the dinner)\n- [00:38:48] cut in recording. Returns to Amos.\n- [00:40:56] Jim Stewart, plays music; applause to his coming onto the stage. Applause at end - [00:43:22] \n- Event ends, recording catches end of event conversation."],"contents":["Alden Nowlan\n\"Ypres: 1915\""],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"The Mysterious Naked Man (1969)\"}]"],"_version_":1853670558224351241,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"8222","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Greer April 14 ’9"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Greer April 14 '95\"; label on tape, A side: \"Friday 14th April 1995\"; label on tape, B side: \"Anne Greer re: Nowlan\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[1.35]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2045"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Greer, Anne"],"contributors_names_search":["Greer, Anne"],"contributors":["[{\"url\":\"\",\"name\":\"Greer, Anne\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Greer, Anne"],"Performance_Date":[1995],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Memorex dBS\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_1.35\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:00:59\",\"precision\":\"\",\"size\":\"1.96 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1995-04-14\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Begins mid-conversation with Anne Greer, who worked at CBC Radio and is now a teacher. Discussing poetic influences, spirituality and writing.\n- [00:30:26] cut in recording, returns to different part of conversation\n- Ends mid-conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558225399808,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"8223","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Dr Syd Grant, 17.11.97 - 35 min @ his home"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Dr Syd Grant, 17.11.97 - 35 min @ his home\"; label on tape, A side: \"Dr Syd Grant @ New Mansford 17.11.97\"; label on tape, B side: \"Queries of end of Grant [?]\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[1.34]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2047"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Grant, Dr. Syd"],"contributors_names_search":["Grant, Dr. Syd"],"contributors":["[{\"url\":\"\",\"name\":\"Grant, Dr. Syd\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Grant, Dr. Syd"],"Performance_Date":[1997],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_1.34\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:37:13\",\"precision\":\"\",\"size\":\"1.20 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1997-11-17\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Begins mid-conversation with Dr. Syd Grant. Discussion of Alden Nowlan, Richard Hatfield, and meeting Johnny Cash.\n- Discussion of Alden Nowlan’s medical history and his time at the newspaper after 1966 (after the surgery)\n- [00:05:30] cat meowing in background, intermittent throughout\n- [00:14:30] cut in recording, returns to different part of conversation\n- [00:30:02] skip in recording, returns to same conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558225399809,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"8224","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["A: J Glass B: Longs + Bryant"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"A: J Glass B: Longs + Bryant Master\"; label on tape, A side: \"John Glass A\"; label on tape, B side: \"Longs + Bryant B\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[1.33]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Glass, John","Long, Fred","Long, Evelyn","Bryant, Arthur","Bryant, Mrs."],"contributors_names_search":["Glass, John","Long, Fred","Long, Evelyn","Bryant, Arthur","Bryant, Mrs."],"contributors":["[{\"url\":\"http://viaf.org/viaf/105262275\",\"name\":\"Glass, John\",\"dates\":\"1932\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Long, Fred\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Long, Evelyn\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Bryant, Arthur\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Bryant, Mrs.\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Speaker_name":["Glass, John","Long, Fred","Bryant, Arthur"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"JVC\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_1.33\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:02:24\",\"precision\":\"\",\"size\":\"2.01 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-02\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 1.33\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Begins mid-conversation. Discussion with John Glass, a teacher. Glass knew Claudine and Alden when they were younger; discussion of school, The Observer, and St. John’s\n- [00:22:20] conversation occurring in background of recording\n- [00:28:21] Discussion with Fred and Evelyn Long and Arthur and Mrs. Bryant. They worked at the newspaper with Alden and Claudine. Neighbours and friends of the Alden Nowlan’s\n- [00:31:06] cut in recording, returns to different part of conversation\n- Ends mid-conversation\n- Note in finding aid: “SEE ALSO Fraser, Angus 1.30”"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558225399810,"timestamp":"2026-01-07T15:00:02.444Z","score":0.01643844},{"id":"8225","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["A: Gibbs Nov 9/95 B: Learning Nov 9/95"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"A: Gibbs Nov 9/95 B: Learning Nov 9/95\" and \"1\" sticker; label on tape, A side: \"Gibbs, Robert noon Nov 9 '95 UNB FAC C6\"; label on tape, B side: \"Walter Learning 7pm 09.11.95 been on break\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[1.32]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2045"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Gibbs, Robert","Learning, Walter"],"contributors_names_search":["Gibbs, Robert","Learning, Walter"],"contributors":["[{\"url\":\"\",\"name\":\"Gibbs, Robert\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11093579\",\"name\":\"Learning, Walter\",\"dates\":\"1938-2020\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Gibbs, Robert","Learning, Walter"],"Performance_Date":[1995],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Unknown acetate\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_1.32\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:51:30\",\"precision\":\"\",\"size\":\"1.66 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1995-11-09\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Discussion with Robert Gibbs of Alden in Gildas Roberts’ book, Alden reading at a poetry event, Alden Nowlan and Earle Birney\n- [00:2:03-00:2:06] skips in recording\n- [00:20:10] moves to conversation with Walter Learning, meeting Alden Nowlan, working with Alden Nowlan on plays; discussing Alden Nowlan’s experiences and validation in the theatre, despite others’ misgivings about his move to theatre\n- Ends mid-conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558423580672,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8226","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Ray Fraser + Rigby + Leo Ferari [sic]"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Ray Fraser + Rigby + Leo Ferari [sic] Master\"; label on tape, A side: \"Ray Fraser - tape 2 end of Rigby (1)\"; label on tape, B side: \"Leo Ferari [sic] 2:30pm 18.02.96\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[1.31]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Fraser, Ray","Rigby, Carle","Ferrari, Leo"],"contributors_names_search":["Fraser, Ray","Rigby, Carle","Ferrari, Leo"],"contributors":["[{\"url\":\"http://viaf.org/viaf/120068692\",\"name\":\"Fraser, Ray\",\"dates\":\"1941-2018\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/60390971\",\"name\":\"Rigby, Carle\",\"dates\":\"1904-1996\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Ferrari, Leo\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Fraser, Ray","Rigby, Carle","Ferrari, Leo"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Memorex DB\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_1.31\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:33:28\",\"precision\":\"\",\"size\":\"3.01 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-02-18\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Begins mid-conversation with Ray Fraser\n- Discussing staying at Alden Nowlan’s on weekends, writing and teaching, their estrangement and reunion\n- [00:29:03] feedback on recorder\n- [00:30:31] move to conversation in restaurant with Carle Rigby; feedback at beginning of conversation as recorder is adjusted. Some sections difficult to discern due to loud background noise.\n- Discussing time spent with Alden Nowlan\n- [00:46:51] skip in recording, returns to same conversation\n- [01:15:19] moves to conversation with Leo Ferrari and another male voice at restaurant; feedback at beginning of conversation as recorder adjusted\n- Discussing Alden Nowlan, the Flat Earth Society, writing, and the community\n- Ends mid-conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558423580673,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8227","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["A: A. Fraser B: J. Glass"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"A: A. Fraser B: J. Glass Master\"; label on tape, A side: \"Argus Fraser\"; label on tape, B side: \"Argus Fraser + John Glass\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[1.3]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Fraser, Angus","Glass, John"],"contributors_names_search":["Fraser, Angus","Glass, John"],"contributors":["[{\"url\":\"\",\"name\":\"Fraser, Angus\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105262275\",\"name\":\"Glass, John\",\"dates\":\"1932-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Fraser, Angus","Glass, John"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"JVC\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_1.30\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:02:36\",\"precision\":\"\",\"size\":\"2.01 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-02-18\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Begins mid-conversation with Angus Fraser, some feedback as recorder is set up\n- Discussing the community and local stories, Alden Nowlan and the newsroom\n- [00:31:17] cut in recording, returns to same conversation\n- [00:43:54] moves to conversation with John Glass, significant feedback as recorder is set up\n- Discussing photographs of Hartland; looking at albums of writing and photos about Alden Nowlan\n- Sections of silence or muffled conversation and mic readjustment when looking at albums\n- Ends mid-conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558423580674,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8228","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Anthony, Doug + Lawrence 14.02.96"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Anthony, Doug + Lawrence 14.02.96\" and \"Master\" sticker; Label on tape, A side: \"Anthony Bros Doug + Lawrence 14.02.96\"; Label on tape, B side: \"Anthony Bros\""],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[1.3]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Anthony, Douglas","Anthony, Lawrence"],"contributors_names_search":["Anthony, Douglas","Anthony, Lawrence"],"contributors":["[{\"url\":\"\",\"name\":\"Anthony, Douglas\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Anthony, Lawrence\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Anthony, Douglas","Anthony, Lawrence"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Memorex DB\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Quiet\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_1.3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:59:18\",\"precision\":\"\",\"size\":\"1.91 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-02-14\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Home of Douglas Anthony\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Venue":["Home of Douglas Anthony"],"content_notes":["Discussion between Douglas and Lawrence Anthony and Greg Greagory Cookabout Alden Nowlan\n- Local farmers and mill workers who knew Alden Nowlan as a child and young man, and Alden Nowlan’s family. Discussion of community, particularly during the war.\n- Continues in MsC 301 1.4."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558423580675,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8229","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Fairweather, G"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Fairweather, G\"; label on tape, A side: \"Gordon Fairweather 01.98\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[1.29]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2048"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Fairweather, R. Gordon L."],"contributors_names_search":["Fairweather, R. Gordon L."],"contributors":["[{\"url\":\"\",\"name\":\"Fairweather, R. Gordon L.\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Fairweather, R. Gordon L."],"Performance_Date":[1998],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_1.29\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:49:10\",\"precision\":\"\",\"size\":\"1.58 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1998-01\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 1.29\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Discussion with R. Gordon L. Fairweather of Alden Nowlan and the newsroom, Alden Nowlan and politics, and Fairweather’s experiences in politics\n- Fairweather was an MP and an MLA; Fairweather has papers kept in Ottawa with perhaps some correspondence with Alden Nowlan\n- Fairweather deceased 24 December 2008\n- [00:19:37] recording paused for phone call, returns to later in conversation\n- Ends mid-conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558423580676,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8230","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Donovan #1"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Donovan #1\" and red \"Master\" sticker; label on tape, A side: \"Donovan 1\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[1.28]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Donovan, Bill"],"contributors_names_search":["Donovan, Bill"],"contributors":["[{\"url\":\"\",\"name\":\"Donovan, Bill\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Donovan, Bill"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_1.28\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:29:20\",\"precision\":\"\",\"size\":\"966.94 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996\",\"type\":\"Performance Date\",\"notes\":\"Dates supplied through research for copyright.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Greagory Cookspeaking to recorder, significant background noise\n- [00:00:29] cuts to conversation with Bill Donovan\n- Discussing Alden Nowlan and the newsroom\n- [00:06:40] cut in recording for Donovan to answer a phone call, returns to same conversation\n- Fax machine noises in the background throughout"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558423580677,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8231","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Allan + Marjory Donaldson 02.11.97 Alden Nowlan w/ Leslie Jeffrey"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Allan + Marjory Donaldson 02.11.97 Alden Nowlan w/ Leslie Jeffrey\"; label on tape, A side: \"Allan + Marjory Donaldson 02.11.97\" "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[1.27]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2047"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Donaldson, Allan","Donaldson, Marjory","Jeffrey, Leslie"],"contributors_names_search":["Donaldson, Allan","Donaldson, Marjory","Jeffrey, Leslie"],"contributors":["[{\"url\":\"\",\"name\":\"Donaldson, Allan\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/104162923\",\"name\":\"Donaldson, Marjory\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Jeffrey, Leslie\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Speaker_name":["Donaldson, Allan","Donaldson, Marjory"],"Performance_Date":[1997],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_1.27\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:48:33\",\"precision\":\"\",\"size\":\"1.56 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1997-11-02\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Begins mid-conversation with Allan and Marjory Donaldson at their home joined by Leslie Jeffrey; see also 1.25 and 1.26\n- Music playing in background, group is eating lunch. Sharing stories of Alden Nowlan and the community.\n- [00:30:56] cut in recording, returns to same conversation\n- [00:37:36] cut in recording, returns to a different part in conversation\n- Ends mid-conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558423580678,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8232","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Donaldsons #2 B) Thomas’s"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Donaldsons #2 B) Thomas's Master\"; label on tape, A side: \"Donaldsons #2\"; label on tape, B side: \"Helen + Peter Thomas (B) 14.05.96 #1\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[1.26]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Donaldson, Allan","Donaldson, Marjory","Thomas, Peter","Thomas, Helen"],"contributors_names_search":["Donaldson, Allan","Donaldson, Marjory","Thomas, Peter","Thomas, Helen"],"contributors":["[{\"url\":\"\",\"name\":\"Donaldson, Allan\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/104162923\",\"name\":\"Donaldson, Marjory\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Thomas, Peter\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Thomas, Helen\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Donaldson, Allan","Donaldson, Marjory","Thomas, Peter","Thomas, Helen"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"JVC\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_1.26\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:55:36\",\"precision\":\"\",\"size\":\"1.79 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-05-14\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Begins mid-conversation with Allan and Marjory Donaldson; see also 1.25 and 1.27\n- Discussing Alden and Claudine and their community of friends and writers\n- [00:24:22] moves to conversation with Peter and Helen Thomas at their home; mic readjustment noises at the beginning; Helen enters at - [00:27:30] \n- Discussing the biography Greagory Cookis writing, Alden Nowlan’s writing techniques, relationships with the university and other writers/academics\n- [00:44:00] Discussion of book given to UofC collection by Yvonne - [?] , has sketch in the front by Alden Nowlan. Given right before his death, at what turned out to be his last public reading.\n- [00:53:09] cut in recording, returns to same conversation\n- Ends mid-conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558424629248,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8233","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Donaldson ff 10-min of H Clarke"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Donaldson ff 10-min of H Clarke\"; label on tape, A side: \"End of H. Clarke + A [circled] 1st Donaldson\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[1.25]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Donaldson, Allan","Donaldson, Marjory","Clark, Hugh"],"contributors_names_search":["Donaldson, Allan","Donaldson, Marjory","Clark, Hugh"],"contributors":["[{\"url\":\"\",\"name\":\"Donaldson, Allan\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/104162923\",\"name\":\"Donaldson, Marjory\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Clark, Hugh\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Donaldson, Allan","Donaldson, Marjory","Clark, Hugh"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"JVC\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_1.25\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:02:28\",\"precision\":\"\",\"size\":\"2.01 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-02\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 1.25\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Conversation in restaurant with Hugh Clark\n- Discussing Hartland as a community and Alden Nowlan\n- [00:05:12] phone rings in background\n- [7:56-9:02] sustained silence; Greagory Cookhas gone to change the parking meter, noises from Donaldson while he waits\n- [00:10:55] moves to conversation with Allan and Marjory Donaldson at their home; see also 1.26 and 1.27\n- [00:11:34] cut in recording, returns to same conversation\n- [00:12:09] cut in recording, returns later in conversation \n- [00:53:47] speakers walk away and can be heard in the background; return at - [00:54:47] \n- Ends mid-conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558424629249,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8234","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Costello + Stewart"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Costello + Stewart\" and red \"Master\" sticker; label on tape, A side: \"Costello + Stewart\" and red \"Master\" sticker"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[1.24]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Costello, Ralph","Stewart, James (Jim)","Stewart, Jane"],"contributors_names_search":["Costello, Ralph","Stewart, James (Jim)","Stewart, Jane"],"contributors":["[{\"url\":\"\",\"name\":\"Costello, Ralph\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Stewart, James (Jim)\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Stewart, Jane \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Costello, Ralph","Stewart, James (Jim)","Stewart, Jane "],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Memorex DB\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_1.24\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:02:36\",\"precision\":\"\",\"size\":\"2.02 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-05\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 1.24\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Starts mid-conversation with Ralph Costello at his home\n- Discussion of Tom Forrestall (Nova Scotian painter) and Alden Nowlan collaborating, which becomes book “Shaped by this Land” (1974); discussion of Claudine as manager of Alden Nowlan’s business affairs\n- [00:10:56] moves to conversation with Jim Stewart. Discussion of Jim’s family and work history.\n- [00:16:28-00:17:32] sustained silence\n- Discussion of meeting Alden Nowlan in the late 60s when Stewart was a university student and Alden Nowlan was writer-in-residence; spending time with Claudine and Alden\n- [00:23:55] cut in recording, returns to later part of conversation\n- [28:55-30:21] walk away from recorder to look at old photographs, difficult to make out speaking\n- [00:30:21-00:30:50] significant feedback from recorder\n- [00:30:50] conversation now taking place outside, can hear feedback from wind\n- [00:31:32] cut in recording, return to conversation indoors at later part of conversation\n- Ends mid-conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558424629250,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8235","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Costello"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Costello\" and red \"Master\" sticker; label on tape, A side: \"Ralph Costello\" and \"Master\" sticker; label on tape, B side: \"Ralph Costello\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[1.23]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Costello, Ralph"],"contributors_names_search":["Costello, Ralph"],"contributors":["[{\"url\":\"\",\"name\":\"Costello, Ralph\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Costello, Ralph"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Memorex DB\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_1.23\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:02:26\",\"precision\":\"\",\"size\":\"2.01 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-05\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 1.23\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Starts mid-conversation with Ralph Costello at his home\n- Talking about archive in Calgary, meeting Alden Nowlan in the 1960s, Alden Nowlan and Fred Cogswell when Costello was newspaper publisher in St. John. Discuss early days of Alden Nowlan’s writing and his years in the newspaper business. Described as a dependable newsman and an honest person.\n- [00:31:12] skip in recording, continues in same conversation with minimal loss\n- [01:00:00] short ringing in background\n- Ends mid-conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558425677824,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8236","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Allum, Winnie (Ernedale[?])"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Labels on tape box: \"7. Allum, Winnie 1 side Master\"; Label on tape: \"7. Allum, Winnie (Ernedale [?])\" "],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[1.1]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2045"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Allum, Winnie"],"contributors_names_search":["Allum, Winnie"],"contributors":["[{\"url\":\"\",\"name\":\"Allum, Winnie\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Allum, Winnie"],"Performance_Date":[1995],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Memorex DB\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_1.1\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:01:26\",\"precision\":\"\",\"size\":\"1,012.47 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1995-11-03\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 1.1\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Home of Winnie Allum\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Venue":["Home of Winnie Allum"],"content_notes":["Conversation between Winnie Allum and Greg Greagory Cookabout Alden Nowlan.\n- Radio playing in background of recording at beginning.\n- Discussion of Alden Nowlan’s history, particularly his childhood and the people/history/stories of the area. \n- Winnie Allum lived down the road from the Alden Nowlans.\n- [00:25:35] train whistle in background.\n- [00:31:13] Tape turns over. Cut in discussion, returns mid-conversation in a different topic.\n- See also MsC 301 1.2."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558425677825,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8237","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Louis Cormier"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Louis Cormier\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[1.22]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2047"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Cormier, Louis"],"contributors_names_search":["Cormier, Louis"],"contributors":["[{\"url\":\"\",\"name\":\"Cormier, Louis\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Cormier, Louis"],"Performance_Date":[1997],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Quiet, loud background noise\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_1.22\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:25:48\",\"precision\":\"\",\"size\":\"850.50 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1997-08-22\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Continuation of conversation with Louis Cormier\n- [00:07:45] cut in recording and mic adjustment\n- [00:11:00-00:11:13] waitress enters and leaves\n- [00:19:37-00:19:50] women enters and leaves conversation, she also laughs  [00:20:45] , - [20:57-20:58] , [00:21:09] , [00:21:58-00:22:01] , enters and leaves conversation [00:22:34-00:22:50] , laughs [00:23:41] [00:23:45] , speaks [00:23:48-00:23:51] , laughs [00:23:53] , laughs/speaks [00:23:57-00:24:02] \n- Ends mid-conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558425677826,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8238","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Bobak, Molly and Leroy Johnson"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Molly, Bobak + Leroy Johnson\" and \"Master\" sticker; Label on tape, A side: \"Molly Bobak MASTER\"; Label on tape, B side: \"Leroy Johnson MASTER\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[1.1]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Bobak, Molly","Johnson, Leroy"],"contributors_names_search":["Bobak, Molly","Johnson, Leroy"],"contributors":["[{\"url\":\"http://viaf.org/viaf/95755406\",\"name\":\"Bobak, Molly\",\"dates\":\"1920-2014\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Johnson, Leroy\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Bobak, Molly","Johnson, Leroy"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"JVC\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_1.10\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:30:05\",\"precision\":\"\",\"size\":\"991.57 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-05\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 1.10\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Molly Bobak in conversation with Greg Greagory Cookabout Alden Nowlan\n- Emigrated from Norway to the Maritimes 35 years earlier\n- Bobak requests that she be able to review what Greagory Cookwrites before it is published\n- Wind chimes in the background of recording throughout\n- [00:27:28] recording pauses and resumes, have moved to Bobak’s attic\n- Ends mid-conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558425677827,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8239","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Louis Cormier /22 Aug ’ 97"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Louis Cormier /22 Aug '97\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[1.21]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2047"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Cormier, Louis"],"contributors_names_search":["Cormier, Louis"],"contributors":["[{\"url\":\"\",\"name\":\"Cormier, Louis\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Cormier, Louis"],"Performance_Date":[1997],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Quiet, loud background noise\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_1.21\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:01:58\",\"precision\":\"\",\"size\":\"1.99 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1997-08-22\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["- [0:00-0:27] Begins with testing tape; music and background noise (in a restaurant), noise from moving recording equipment. Music plays throughout.\n- [00:21:10] cut in recording\n- [00:30:58] cut in recording\n- [00:54:01] cut in recording\n- [01:01:15] cut in recording\n- Ends mid-conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558425677828,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8240","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Libby Burnham 03.04.96"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Libby Burnham 03.04.96\"; Label is the same on A side and B side as tape box."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[1.11]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Burnham, Libby"],"contributors_names_search":["Burnham, Libby"],"contributors":["[{\"url\":\"\",\"name\":\"Burnham, Libby\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Burnham, Libby"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_1.11\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:48:08\",\"precision\":\"\",\"size\":\"1.55 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-04-03\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Conversation between Libby Burnham and Greg Greagory Cookregarding Alden Nowlan\n- Discussing photographs of Alden Nowlan; meeting Johnny Cash, Stompin’ Tom, and British royals\n- Worked/interacted with Alden Nowlan and Hatfield significantly\n- Ends mid-conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558425677829,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8241","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Cogswell #2 + Magic Tape"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Cogswell 2 + Magic Tape Master Copy [crossed out]\"; label on tape, A side: \"Magic 11.11.95 accidental walk TofB\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[1.2]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2045"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Cogswell, Fred"],"contributors_names_search":["Cogswell, Fred"],"contributors":["[{\"url\":\"http://viaf.org/viaf/94503298\",\"name\":\"Cogswell, Fred\",\"dates\":\"1917-2004\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Cogswell, Fred"],"Performance_Date":[1995],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Quiet\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_1.20\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:28:52\",\"precision\":\"\",\"size\":\"475.72 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1995-11-11\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Continuation of conversation between Fred Cogswell and Greg Greagory Cookabout Alden Nowlan after the operation, their correspondence, Alden Nowlan’s family.\n- Cogswell’s last visit with Alden Nowlan, conversation about the state of university and what Alden Nowlan would think about it, and Alden Nowlan’s ideas of civilizations, Alden Nowlan’s philosophy \n- [0:00-0:42] adjustment of microphone, music and background noise (in a restaurant)\n- [00:08:36] Cut in recording, returns to different conversation\n- [10:12-10:14] waitress speaks\n- [00:14:23] Cut in recording, returns to different conversation\n- [00:18:15-00:18:17] waitress speaks\n- [00:29:29-00:29:31] loud noise from other restaurant guest\n- [00:29:47] waitress speaks\n- [00:30:31] cut in recording\n- [00:35:27] change in recording sound clarity until end\n- Ends mid conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558425677830,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8242","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Dave Butler 04.05.96 (w/ F. McCarthy)"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Dave Butler 04.05.96 (w/ F. McCarthy); Label on tape, A side: \"David Butler 04.05.96\"; label on tape, B side: \"David Butler 04.05.96 trans. 22.09.97\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[1.12]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Butler, Dave","McCarthy, Farrell"],"contributors_names_search":["Butler, Dave","McCarthy, Farrell"],"contributors":["[{\"url\":\"\",\"name\":\"Butler, Dave\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"McCarthy, Farrell\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Butler, Dave","McCarthy, Farrell"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_1.12\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:50:40\",\"precision\":\"\",\"size\":\"1.63 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-05-04\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Begins mid-conversation. Dave Butler discusses Alden Nowlan and Richard Hatfield with Greg Cook. Another male voice (\"Gary\") in the background also contributes to conversation minimally.\n- Greagory Cookand Butler have been corresponding via letter ahead of this conversation; discussion primarily about writing\n- [00:19:47] cut in recording to change batteries\n- [00:31:04] cut in recording\n- [00:48:00-end of recording] Looking at photographs of Alden Nowlan; noise as microphone is moved\n- [00:49:54] cut in recording, move to another conversation with unknown male voice (Farrell McCarthy?) at different location (possibly another member of university board who served with Alden Nowlan)"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558425677831,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8243","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Allum, Winnie"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Labels on tape box: \"7. Allum, Winne 1-side only?\"; Label on tape: \"Allum 01.11.9s\""],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[1.2]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2045"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Allum, Winnie"],"contributors_names_search":["Allum, Winnie"],"contributors":["[{\"url\":\"\",\"name\":\"Allum, Winnie\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Allum, Winnie"],"Performance_Date":[1995],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Fuji DR-I\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_1.2\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:17:14\",\"precision\":\"\",\"size\":\"2.49 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1995-11-03\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 1.2\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Home of Winnie Allum\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Venue":["Home of Winnie Allum"],"content_notes":["Duplicated recording session of MsC 301 1.1, with a few additional minutes of recording time.\n- Conversation between Winnie Allum and Greg Greagory Cookabout Alden Nowlan."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558426726400,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8244","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Silver Donald Cameron 06/11/95 (Master)"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Silver Donald Cameron 06/11/95 (Master)\"; label on tape, A side: \"Silver Don (Master)\"; label on tape, B side: \"Silver Donald Cameron 06.11.95\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[1.13]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2045"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Cameron, Silver Donald"],"contributors_names_search":["Cameron, Silver Donald"],"contributors":["[{\"url\":\"http://viaf.org/viaf/97717185\",\"name\":\"Cameron, Silver Donald\",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Cameron, Silver Donald"],"Performance_Date":[1995],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Unknown acetate\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Quiet\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_1.13\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:42:18\",\"precision\":\"\",\"size\":\"697.00 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1995-11-06\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Testing at beginning of recording.\n- Conversation while driving between Greg Greagory Cookand Silver Donald Cameron. First met Alden Nowlan while doing a piece for CBC and new to Fredericton, interviewed Alden Nowlan and it went terribly.\n- [00:22:33] extended pause in conversation. Resumes with static - [00:23:35] . Clears around - [00:23:45] . Additional people have joined conversation temporarily.\n- [00:31:14] cut in recording, move to different conversation.\n- [00:39:41] cut in recording, move to different conversation.\n- Ends mid-conversation."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558426726401,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8245","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Cogswell #1 11/11/95"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Cogswell #1 11/11/95 Master\"; label on tape, A side: \"Fred Cogswell 11.11.95 #1 (clear)\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[1.19]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2045"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Cogswell, Fred"],"contributors_names_search":["Cogswell, Fred"],"contributors":["[{\"url\":\"http://viaf.org/viaf/94503298\",\"name\":\"Cogswell, Fred\",\"dates\":\"1917-2004\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Cogswell, Fred"],"Performance_Date":[1995],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Quiet\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_1.19\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:38:57\",\"precision\":\"\",\"size\":\"641.87 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1995-11-11\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["First part of conversation between Fred Cogswell and Greg Greagory Cookabout Alden Nowlan after the operation, their correspondence, Alden Nowlan’s family.\n- [00:00:00] Begins with testing tape; - [00:00:07] music and background noise (in a restaurant), noise from moving recording equipment. Music plays throughout.\n- [00:08:32] break in recording, return at later point in conversation. - [00:14:24] break again. - [00:35:28] pause in recording to change recorder batteries.\n- Ends mid-conversation. Continued on 1.20."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558426726402,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8246","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Campbell’s Aileen & Glen"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Campbell's Aileen & Glen\"; label on tape, A side: \"Aileen & Glen Campbell Side A (B - blank?)\" in two pen colours"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[1.14]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2045"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Campbell, Aileen","Campbell, Glen"],"contributors_names_search":["Campbell, Aileen","Campbell, Glen"],"contributors":["[{\"url\":\"http://viaf.org/viaf/103922051\",\"name\":\"Campbell, Aileen\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Campbell, Glen\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Campbell, Aileen","Campbell, Glen"],"Performance_Date":[1995],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Fuji DR-I\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_1.14\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:41:50\",\"precision\":\"\",\"size\":\"689.43 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1995-11-03\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 1.14\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Conversation with Aileen and Glen Campbell. Discussion of Alden Nowlan’s family, particularly his mother.\n- Note from finding aid: SEE ALSO Armstrong, Bruce 1.7\n- See also 1.15"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558426726403,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8247","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Robert Cockburn A"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Robert Cockburn A\" and \"Master\" sticker; label on tape, A side: \"Robert Cockburn A (only)\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[1.18]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Cockburn, Robert H."],"contributors_names_search":["Cockburn, Robert H."],"contributors":["[{\"url\":\"http://viaf.org/viaf/38161208\",\"name\":\"Cockburn, Robert H.\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Cockburn, Robert H."],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"JVC\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Some feedback from recorder\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_1.18\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:30:22\",\"precision\":\"\",\"size\":\"500.53 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-02\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 1.18\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Conversation between Robert Cockburn and Greg Greagory Cookabout Alden Nowlan as writer in residence at UNB. Cockburn taught at UNB.\n- Sorting through Cockburn’s papers to see if he had correspondence with Alden Nowlan."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558426726404,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8248","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Campbell’s, Aileen + Glen"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Campbell's, Aileen + Glen\"; sticky note inside case cover \"Cook\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[1.15]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2045"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Campbell, Aileen","Campbell, Glen"],"contributors_names_search":["Campbell, Aileen","Campbell, Glen"],"contributors":["[{\"url\":\"http://viaf.org/viaf/103922051\",\"name\":\"Campbell, Aileen\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Campbell, Glen\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Campbell, Aileen","Campbell, Glen"],"Performance_Date":[1995],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Memorex DB\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_1.15\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:30:29\",\"precision\":\"\",\"size\":\"502.37 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1995-11-03\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 1.15\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Duplicate tape of conversation on 1.14"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558426726405,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8249","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Dr WH \"Bill\" Clarke 01.05.96 "],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Dr WH \"Bill\" Clarke 01.05.96\" and red \"Master\" sticker; label on tape, A side: \"\"Bill\" Clarke 01/05/96\" and \"A\" sticker; label on tape, B side: \"B) Bill Clarke 01/05/96\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[1.17]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Clarke, W. H."],"contributors_names_search":["Clarke, W. H."],"contributors":["[{\"url\":\"\",\"name\":\"Clarke, W. H.\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Clarke, W. H."],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Some feedback from recorder\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_1.17\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:55:08\",\"precision\":\"\",\"size\":\"908.60 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-05-01\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Discussion between Bill Clarke and Greg Cook. Begin by discussing letters sent between Clarke and Alden Nowlan. Discussion of Clarke’s mother (influential woman) who also knew Alden Nowlan.\n- Clarke involved in publication of Alden Nowlan books.\n- [00:32:36] brief interruption of interview.\n- [00:38:01] phone rings.\n- [00:40:51] discussion of Alden Nowlan’s funeral\n- [00:52:00] significant background noise, change in conversation. Now in car; ends mid-conversation."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558426726406,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8250","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Hugh Clarke #1"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Hugh Clarke #1\" with \"Donaldsons\" crossed out and \"Master\" sticker; label on tape, A side: \"Donaldsons\" crossed out and \"Hugh Clarke\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[1.16]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Clark, Hugh"],"contributors_names_search":["Clark, Hugh"],"contributors":["[{\"url\":\"http://viaf.org/viaf/311242135\",\"name\":\"Clark, Hugh\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Clark, Hugh"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"JVC\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_1.16\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:02:31\",\"precision\":\"\",\"size\":\"2.01 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996\",\"type\":\"Performance Date\",\"notes\":\"[1996]. Performance date supplied from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 1.16\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Conversation between Greg Greagory Cookand Hugh Clark at restaurant. Interrupted by waitress to order their meal. Conversation and music in the background throughout.\n- Discussing Alden Nowlan and Clark’s grandfather and father, when Alden Nowlan was a newspaper writer. Clark meeting Alden through his family; both were young.\n- Discussion of Alden Nowlan, Hatfield, and Norris and politics.\n- Discussion of Claudine and family life.\n- Ends mid-conversation.\n- Finding aid note: SEE ALSO Donaldson, Allan and Marjory 1.25"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558426726407,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8251","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["A+B: Longs + Bryants"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"A+B: Longs + Bryants Master\"; label on tape, side A: \"Longs + Bryants A\"; label on tape, side B: \"Longs + Bryants B\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[2.21]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Long, Fred","Long, Evelyn","Bryant, Arthur","Bryant, Mrs."],"contributors_names_search":["Long, Fred","Long, Evelyn","Bryant, Arthur","Bryant, Mrs."],"contributors":["[{\"url\":\"\",\"name\":\"Long, Fred\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Long, Evelyn\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Bryant, Arthur\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Bryant, Mrs.\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Long, Fred","Long, Evelyn","Bryant, Arthur","Bryant, Mrs."],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"JVC\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_2.21\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:33:55\",\"precision\":\"\",\"size\":\"1.09 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-02\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 2.21\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Conversation with Fred and Evelyn Long and Arthur and Mrs. Bryant, including discussion of Alden Nowlan and the fish and game society, other townspeople, Richard Hatfield.\n- [00:29:51-end] voice distortion on tape\n- Ends mid-conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558426726408,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8252","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Loomer + Mitchell + Meuse 11/95 a"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Loomer + Mitchell + Meuse 11/95 Master\"; label on tape, side A: \"Loomer.02.11.95 Meuse\". On tape box: \"Slow down on Side B - Distortion\"\n\n\"a\" added to title by Jason Camlot to differentiate title from Loomer + Mitchell + Meuse 11/95 b"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[2.22a]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2045"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Loomer, Larry","Mitchell, Mrs. Eric","Meuse, Roland"],"contributors_names_search":["Loomer, Larry","Mitchell, Mrs. Eric","Meuse, Roland"],"contributors":["[{\"url\":\"\",\"name\":\"Loomer, Larry\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Mitchell, Mrs. Eric\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Meuse, Roland\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Loomer, Larry","Mitchell, Mrs. Eric","Meuse, Roland"],"Performance_Date":[1995],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Fuji DR-I\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_2.22a\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:47:00\",\"precision\":\"\",\"size\":\"1.51 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1995-11-02\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Conversation with Larry Loomer, background noise and voices throughout.\n- [00:23:33] cut in recording, returns to different conversation in different location (possibly Loomer’s home)\n- [00:23:33-00:25:46] feedback from recorder adjustment\n- [00:27:14-00:27:17] feedback and cut in recording, returns to different conversation. Back in place with background noise and voices."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558427774976,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8253","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Loomer + Mitchell + Meuse 11/95 b"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Loomer + Mitchell + Meuse 11/95 Master\"; label on tape, side A: \"Loomer.02.11.95 Meuse\". On tape box: \"Slow down on Side B - Distortion\"\n\n\"b\" added to title by Jason Camlot to differentiate title from Loomer + Mitchell + Meuse 11/95 a"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[2.22b]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2045"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Loomer, Larry","Mitchell, Mrs. Eric","Meuse, Roland"],"contributors_names_search":["Loomer, Larry","Mitchell, Mrs. Eric","Meuse, Roland"],"contributors":["[{\"url\":\"\",\"name\":\"Loomer, Larry\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Mitchell, Mrs. Eric\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Meuse, Roland\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Loomer, Larry","Mitchell, Mrs. Eric","Meuse, Roland"],"Performance_Date":[1995],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Fuji DR-I\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_2.22b\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:46:38\",\"precision\":\"\",\"size\":\"1.50 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1995-11-02\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Conversation with Francis MacDonald. Her mother was the local librarian and a large influence on Alden Nowlan’s young life.\n- [00:5:10-00:46:38] tape distortion"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558427774977,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8254","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Roy Macskimming 12/04/96"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Roy Macskimming 12/04/96\" and red \"Copy\" sticker and \"1\" sticker; label on tape, side A: \"Roy Macskimming 3:45 12/04/96\" and red \"Copy\" sticker; label on tape, side B: \"Roy Macskimming 4:15 12/04/96\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[2.23]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["MacSkimming, Roy"],"contributors_names_search":["MacSkimming, Roy"],"contributors":["[{\"url\":\"http://viaf.org/viaf/290127252\",\"name\":\"MacSkimming, Roy\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["MacSkimming, Roy"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_2.23\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:01:51\",\"precision\":\"\",\"size\":\"1.99 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-04-12\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Conversation with Roy MacSkimming about his own writing and Alden Nowlan.\n- [00:00:00-00:00:44] testing the recorder\n- [00:30:36-00:30:34] cut to different recording, unknown male voice says “Do you know that Saint Matthew mentions hell fifteen times,” then returns to Greagory Cookand MacSkimming conversation\n- [01:01:43-01:01:51] cut to different recording, radio/television program music playing"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558427774978,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8255","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Roy Macskimming 4:45 12.04.96"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Roy Macskimming 4:45 12.04.96\" and red \"Master\" sticker and \"2\" sticker; label on tape, side A: \"Roy Macskimming side 3 4:45.12.04.96 off\" and \"2\" sticker and red \"Master\" sticker; label on tape, side B: \"Roy Macskimming Side 4\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[2.24]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["MacSkimming, Roy"],"contributors_names_search":["MacSkimming, Roy"],"contributors":["[{\"url\":\"http://viaf.org/viaf/290127252\",\"name\":\"MacSkimming, Roy\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["MacSkimming, Roy"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_2.24\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:04:35\",\"precision\":\"\",\"size\":\"151.28 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-04-12\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Continuation of conversation with Roy MacSkimming"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558427774979,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8256","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Farrell McCarthy 04.05.96"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Farrell McCarthy 04.05.96 Master\"; label on tape, side A: \"Farrell McCarthy 04.05.96\"; label on tape, side B: \"Farrell McCarthy 04.05.96\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[2.25]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["McCarthy, Farrell"],"contributors_names_search":["McCarthy, Farrell"],"contributors":["[{\"url\":\"\",\"name\":\"McCarthy, Farrell\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["McCarthy, Farrell"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_2.25\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:56:13\",\"precision\":\"\",\"size\":\"1.81 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-05-04\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Conversation with unknown male, Alden Nowlan and speaker’s shared interest in their genealogy, Alden Nowlan’s columns in the newspaper. Finding aid indicates three possible speakers: Farrell McCarthy, Ken McCormack, Roland Meuse.\n- [00:31:15] cut in recording, returns to same conversation\n- [00:37:20] cut in recording, returns to different conversation in a different location. Looking at photographs. Some feedback from mic.\n- [00:41:48] Feedback on recorder, cut in recording. Returns to different conversation with another male speaker. A teacher who has written about Alden Nowlan’s work.\n- [00:42:38] cut in recording, returns to different conversation.\n- [00:53:20] cut in recording, returns to different conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558427774980,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8257","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["A: Rev. Tom Miles, Mont’l 23.02.96"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"A: Rev. Tom Miles, Mont'l 23.02.96\" and red \"Master\" sticker; label on tape, side A: \"Rev Tom Miles, Montreal 23.02.96\" and red \"Master\" sticker"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[2.26]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Miles, Rev. Tom"],"contributors_names_search":["Miles, Rev. Tom"],"contributors":["[{\"url\":\"\",\"name\":\"Miles, Rev. Tom\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Miles, Rev. Tom"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_2.26\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:19:16\",\"precision\":\"\",\"size\":\"634.81 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-02-23\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Conversation with Rev. Tom Miles in large public space\n- [16:01-16:20] feedback from mic adjustment"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558427774981,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8258","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Jim + Kaye Morrison 05.05.96 #1"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Jim + Kaye  Morrison 05.05.96 #1\" and red \"Master\" sticker; label on tape, side A: \"Jim + Kay [sic]  Morrison 05.05.96\" "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[2.27]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Morrison, Jim","Morrison, Kaye"],"contributors_names_search":["Morrison, Jim","Morrison, Kaye"],"contributors":["[{\"url\":\"\",\"name\":\"Morrison, Jim\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Morrison, Kaye\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Morrison, Jim","Morrison, Kaye"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_2.27\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:01:00\",\"precision\":\"\",\"size\":\"1.96 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-05-05\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Conversation with Jim and Kay Morrison. Feedback from mic adjustment at beginning. Discussing Alden Nowlan’s work at the newspaper.\n- [00:11:36] cut in recording, returns to different conversation\n- [00:12:47] cut in recording, returns to different conversation\n- [00:30:33] cut in recording, returns to same conversation\n- [00:50:13] cut in recording, returns to different conversation\n- [00:52:46] cut in recording, returns to different conversation\n- Ends mid-conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558427774982,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8259","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Jim + Kay Morrison 05.05.96 #2"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Jim + Kay [sic] Morrison 05.05.96 #2\" and red \"Master\" sticker; label on tape, side A: \"Jim + Kay [sic] Morrison Master\" ; label on tape, side B: \"J+K Morrison Master\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[2.28]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Morrison, Jim","Morrison, Kaye"],"contributors_names_search":["Morrison, Jim","Morrison, Kaye"],"contributors":["[{\"url\":\"\",\"name\":\"Morrison, Jim\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Morrison, Kaye\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Morrison, Jim","Morrison, Kaye"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_2.28\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:42:55\",\"precision\":\"\",\"size\":\"1.38 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-05-05\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Continuation of conversation with Jim and Kay Morrison.\n- [00:18:04] cut in recording, returns to same conversation\n- [00:30:33] cut in recording, returns to different conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558427774983,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8260","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Jim + Kay Morrison 05.05.96 #3"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Jim + Kay [sic] Morrison 05.05.96 #3\" and red \"Master\" sticker; label on tape, side A: \"Jim + Kay [sic]  Morrison 05.05.96 #3\" ; label on tape, side B: \"Jim + Kay [sic] Morrison 05.05.96 #2\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[2.29]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Morrison, Jim","Morrison, Kaye"],"contributors_names_search":["Morrison, Jim","Morrison, Kaye"],"contributors":["[{\"url\":\"\",\"name\":\"Morrison, Jim\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Morrison, Kaye\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Morrison, Jim","Morrison, Kaye"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_2.29\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:01:05\",\"precision\":\"\",\"size\":\"1.97 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-05-05\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Continuation of conversation with Jim and Kay Morrison.\n- [00:31:52] cut in recording, returns to different conversation\n- Ends mid-conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558427774984,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8261","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Hamilton - Reese 30.10.95 A"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Hamilton - Reese 30.10.95\" and \"B\" sticker; label on tape, B side: \"Ervette 3 + 4 Hamilton Z Reese\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[2.2a]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2045"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Hamilton, Ervette","Reese, Albert"],"contributors_names_search":["Hamilton, Ervette","Reese, Albert"],"contributors":["[{\"url\":\"\",\"name\":\"Hamilton, Ervette\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Reese, Albert\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Hamilton, Ervette","Reese, Albert"],"Performance_Date":[1995],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_2.2a\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:30:30\",\"precision\":\"\",\"size\":\"1,005.27 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1995-10-30\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 2.2a\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Continuation of conversation with Ervette Hamilton (see also 2.1a & 2.1b).\n- [00:02:08] cut in recording, return to different part of conversation. - [00:02:26] cut in recording, return to different part of conversation, driving in a car.\n- [00:14:12] cut in recording, return to different part of conversation.\n- [00:18:38] cut in recording. Move to conversation with Albert Reese and Ervette Hamilton (see also 2.2b). Discussing Alden Nowlan, the community, the Stanley Mill, and looking at photographs.\n- Ends mid-conversation.\n- Note in finding aid: “Hatfield, Bruce – SEE Thomas, Helen and Peter 3.16”"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558427774985,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8262","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Hamilton - Reese 30.10.95 B"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Hamilton - Reese 30.10.95\" and \"B\" sticker; label on tape, B side: \"Ervette 3 + 4 Hamilton Z Reese\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[2.2b]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2045"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Hamilton, Ervette","Reese, Albert"],"contributors_names_search":["Hamilton, Ervette","Reese, Albert"],"contributors":["[{\"url\":\"\",\"name\":\"Hamilton, Ervette\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Reese, Albert\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Hamilton, Ervette","Reese, Albert"],"Performance_Date":[1995],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_2.2b\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:31:24\",\"precision\":\"\",\"size\":\"1.01 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1995-10-30\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 2.2b\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Continuation of conversation with Albert Reese and Ervette Hamilton (see also 2.2a).\n- [00:22:33-00:23:24] silence\n- Note in finding aid: “Hatfield, Bruce – SEE Thomas, Helen and Peter 3.16”"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558427774986,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8263","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["A: K+F Hatfield B: J. Murray"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"A: K+F Hatfield B: J. Murray\" and \"1\" sticker and red \"Master\" sticker; label on tape, A side: \"Fred + Kaye [sic] Hatfield\" and red \"Master\" sticker; label on tape, B side: \"Jimmy Murray Side 1\" "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[2.3]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Hatfield, Fred","Hatfield, Kay","Murray, James"],"contributors_names_search":["Hatfield, Fred","Hatfield, Kay","Murray, James"],"contributors":["[{\"url\":\"\",\"name\":\"Hatfield, Fred\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Hatfield, Kay\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Murray, James\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Hatfield, Fred","Hatfield, Kay","Murray, James"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Memorex dBS\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_2.3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:52:56\",\"precision\":\"\",\"size\":\"1.70 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-02-18\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 2.3\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Begins mid-conversation with Fred and Kay Hatfield about Alden Nowlan, The Observer, and Fred Hatfield’s work.\n- [00:21:29] cut in recording, moves to conversation with James Murray about Alden Nowlan as a young man and his work at the newspaper. Murray worked at the newpaper as well.\n- Ends mid-conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558428823552,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8264","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["John Mul-Kai (Mulcahey) Copy Magic (last) 3 of 3 side"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"John Mul-Kai (Mulcahey) Copy Magic (last) 3 of 3 side\"; label on tape, side A: \"John Mul-Kai Copy second side blank last 1 of 2\"; sticky note on side B: \"end of interv side 1 only\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[2.3]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Mulcahey, John"],"contributors_names_search":["Mulcahey, John"],"contributors":["[{\"url\":\"\",\"name\":\"Mulcahey, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Mulcahey, John"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Goldstar\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Quiet and slight hiss\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_2.30\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:29:21\",\"precision\":\"\",\"size\":\"967.57 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-05-07\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 2.30\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Conversation with John Mulcahey\n- [00:08:16] cut in recording, returns to different conversation\n- [00:23:52] cut in recording, returns to different conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558428823553,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8265","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["A: J. Murray B: J. Murray"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"A: J. Murray B: J. Murray\" and red \"Master\" sticker; label on tape, side A: \"J. Murrary, ?Hartlood? 18.02.96\" and red \"Master\" sticker and \"A\" sticker; label on tape, side B: \"B - ? J.Murray/2nd tape 3rd side\". Written on tape box: \"Hum\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[2.31]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Murray, James"],"contributors_names_search":["Murray, James"],"contributors":["[{\"url\":\"\",\"name\":\"Murray, James\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Murray, James"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"JVC\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_2.31\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:46:55\",\"precision\":\"\",\"size\":\"773.19 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-02-18\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Conversation with James Murray about Claudine’s family, Claudine and Alden.\n- finding aid note: “SEE ALSO Hatfield, Fred and Kay 2.3”\n- [00:30:46] cut in recording, returns to different conversation with different speaker. Unidentified male, perhaps related to finding aid note on Fred Hatfield. - [00:33:31] returns to conversation with James Murray.\n- [00:44:19] cut in recording, returns to same conversation\n- Ends mid-conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558428823554,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8266","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Hatfields 1+2"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Hatfields 1+2 Master\"; label on tape, A side: \"Hatfields 1 + 2 [crossed out] Master\"; label on tape, B side: \"Hatfields 2\" "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[2.4]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Hatfield, Fred","Hatfield, Kay"],"contributors_names_search":["Hatfield, Fred","Hatfield, Kay"],"contributors":["[{\"url\":\"\",\"name\":\"Hatfield, Fred\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Hatfield, Kay\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Hatfield, Fred","Hatfield, Kay"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"JVC\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_2.4\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:45:31\",\"precision\":\"\",\"size\":\"1.47 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-02-18\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 2.4\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Begins mid-conversation with Fred and Kay Hatfield about Alden Nowlan and his writing, career, and politics. \n- [00:23:25] Richard Hatfield, Alden Nowlan, and Norris Hayward - [?] 's nighttime discussions; neighbourhood/community; politics.\n- [00:31:24] cut in recording, returns to different part of conversation\n- [00:32:12] cut in recording, returns to different part of conversation (may be the beginning of the conversation with the Hatfields)\n- Ends mid-conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558428823555,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8267","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Parker, Jack + Donna #1 31.10.95"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Parker, Jack + Donna #1 31.10.95\" and \"4\" sticker; label on tape, side B: \"AN & Parker's #1 31.10.95\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[2.32]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2045"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Parker, Jack (John)","Parker, Donna"],"contributors_names_search":["Parker, Jack (John)","Parker, Donna"],"contributors":["[{\"url\":\"\",\"name\":\"Parker, Jack (John)\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Parker, Donna\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Parker, Jack (John)","Parker, Donna"],"Performance_Date":[1995],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_2.32\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:00:26\",\"precision\":\"\",\"size\":\"1.95 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1995-10-31\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Conversation with Jack (John) and Donna Parker about Alden Nowlan and the community."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558430920704,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8268","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Hatfields 3 + 4 Master - 1996-02-18 a"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Hatfields 3 + 4 Master\"; label on tape, side A: \"Hatfields 3 Master\"; label on tape, side B: \"Hatfields 4 Master\"\n\n\"a\" added to title by Jason Camlot to differentiate it from \"Hamilton - Reese A 2 of 6 - 1995-10-30 b\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[2.5a]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Hatfield, Fred","Hatfield, Kay"],"contributors_names_search":["Hatfield, Fred","Hatfield, Kay"],"contributors":["[{\"url\":\"\",\"name\":\"Hatfield, Fred\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Hatfield, Kay\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Hatfield, Fred","Hatfield, Kay"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Memorex dBS\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_2.5a\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:31:25\",\"precision\":\"\",\"size\":\"1.01 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-02-18\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 2.5a\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Continuation of conversation with Fred and Kay Hatfield\n- Ends mid-conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558430920705,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8269","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Parkers, Jack + Donna #2"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Parkers, Jack + Donna #2\" and \"5\" sticker; label on tape, side B: \"Parker's tape #2 31.10.95\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[2.33]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2045"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Parker, Jack (John)","Parker, Donna"],"contributors_names_search":["Parker, Jack (John)","Parker, Donna"],"contributors":["[{\"url\":\"\",\"name\":\"Parker, Jack (John)\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Parker, Donna\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Parker, Jack (John)","Parker, Donna"],"Performance_Date":[1995],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Fuji DR-I\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_2.33\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:32:37\",\"precision\":\"\",\"size\":\"1.49 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1995-10-31\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Continuation of conversation with Jack (John) and Donna Parker"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558430920706,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8270","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Hatfields 3 + 4 Master - 1996-02-18 b"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Hatfields 3 + 4 Master\"; label on tape, side A: \"Hatfields 3 Master\"; label on tape, side B: \"Hatfields 4 Master\"\n\n\"b\" added to title by Jason Camlot to differentiate it from \"Hamilton - Reese A 2 of 6 - 1995-10-30 a\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[2.5b]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Hatfield, Fred","Hatfield, Kay"],"contributors_names_search":["Hatfield, Fred","Hatfield, Kay"],"contributors":["[{\"url\":\"\",\"name\":\"Hatfield, Fred\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Hatfield, Kay\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Hatfield, Fred","Hatfield, Kay"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Memorex dBS\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_2.5b\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:31:10\",\"precision\":\"\",\"size\":\"1.00 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-02-18\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 2.5b\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Continuation of conversation with Fred and Kay Hatfield about community\n- Ends mid-conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558430920707,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8271","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["H. Plummer 06.05.96 #2 Pooley’s College, Woodstock"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"H. Plummer 06.05.96 #2 Pooley's College, Woodstock Master\"; label on tape, side A: \"Harold Plummer [smudged] 06.05.96 #2\"; label on tape, side B: \"Empty\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[2.34]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Plummer, Harold"],"contributors_names_search":["Plummer, Harold"],"contributors":["[{\"url\":\"\",\"name\":\"Plummer, Harold\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Plummer, Harold"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_2.34\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:30:34\",\"precision\":\"\",\"size\":\"1,007.25 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-05-06\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Conversation with Harold Plummer"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558430920708,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8272","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Michael Hatfield 10.04.96 of 4 tapes [2.6]"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Michael Hatfield 10.04.96 of 4 tapes Master\"; label on tape, side A: \"Michael Hatfield 10/04/96 Master\" and \"Temp Control #1\"; label on tape, side B \"Michael Hatfield 10/04/96 Master\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[2.6]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Hatfield, Michael"],"contributors_names_search":["Hatfield, Michael"],"contributors":["[{\"url\":\"\",\"name\":\"Hatfield, Michael\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Hatfield, Michael"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_2.6\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:29:01\",\"precision\":\"\",\"size\":\"956.44 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-04-10\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Conversation with Michael Hatfield (son of Fred and Kay Hatfield, nephew of Richard Hatfield) at a restaurant about Alden Nowlan, Richard Hatfield, and politics\n- [00:19:51] cut in conversation, returns to different part of the conversation\n- [00:28:48-00:29:01] tape distortion"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558430920709,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8273","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Harold Plummer 06.05.96 #1"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Harold Plummer 06.05.96 #1- Master\"; label on tape, side A: \"Harold Plummer #1 Master\"; label on tape, side B: \"Plummer #1\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[2.35]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Plummer, Harold"],"contributors_names_search":["Plummer, Harold"],"contributors":["[{\"url\":\"\",\"name\":\"Plummer, Harold\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Plummer, Harold"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_2.35\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:01:07\",\"precision\":\"\",\"size\":\"1.97 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-05-06\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Continuation of conversation with Harold Plummer"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558431969280,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8274","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Michael Hatfield - O’Hara 10.04.96 - of 4 tapes [a]"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Michael Hatfield - O'Hara 10.04.96 - of 4 tapes Master\" on back \"Master Temp Control #2\"; label on tape, side A: \"Michael Hatfield 10/04/96 Master\" and \"Temp Control #2\"; label on tape, side B \"Michael Hatfield 10/04/96 Master\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[2.7a]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Hatfield, Michael"],"contributors_names_search":["Hatfield, Michael"],"contributors":["[{\"url\":\"\",\"name\":\"Hatfield, Michael\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Hatfield, Michael"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_2.7a\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:31:20\",\"precision\":\"\",\"size\":\"1.01 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-04-10\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Continuation of conversation with Michael Hatfield\n- [00:13:52] cut in conversation, returns to different part of the conversation\n- [00:22:38] cut in conversation, returns to different part of the conversation\n- Ends mid-conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558431969281,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8275","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Michael Hatfield - O’Hara 10.04.96 - of 4 tapes [b]"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Michael Hatfield - O'Hara 10.04.96 - of 4 tapes Master\" on back \"Master Temp Control #2\"; label on tape, side A: \"Michael Hatfield 10/04/96 Master\" and \"Temp Control #2\"; label on tape, side B \"Michael Hatfield 10/04/96 Master\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[2.7b]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Hatfield, Michael"],"contributors_names_search":["Hatfield, Michael"],"contributors":["[{\"url\":\"\",\"name\":\"Hatfield, Michael\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Hatfield, Michael"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_2.7b\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:31:21\",\"precision\":\"\",\"size\":\"1.01 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-04-10\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Continuation of conversation with Michael Hatfield\n-  [00:05:13] cut in conversation, returns to different part of the conversation\n - [00:14:33-00:14:48] silence, ambient background noise; - [00:14:49] cut in conversation, returns to different part of the conversation\n- Ends mid-conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558431969282,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8276","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Michael Hatfield 10.04.96 of 4 tapes [2.8a]"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Michael Hatfield 10.04.96 of 4 tapes Master [circled]\"; label on tape, side A: \"Michael Hatfield 10/04/96 Master [circled] Temp Control #3\"; label on tape, side B \"Michael Hatfield 10/04/96 Master Temp Control #3\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[2.8a]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Hatfield, Michael"],"contributors_names_search":["Hatfield, Michael"],"contributors":["[{\"url\":\"\",\"name\":\"Hatfield, Michael\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Hatfield, Michael"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_2.8a\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:31:19\",\"precision\":\"\",\"size\":\"1.01 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-04-10\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Continuation of conversation with Michael Hatfield\n- [00:06:58] cut in conversation, returns to different part of the conversation\n- Ends mid-conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558431969283,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8277","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Michael Hatfield 10.04.96 of 4 tapes [2.8b]"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Michael Hatfield 10.04.96 of 4 tapes Master [circled]\"; label on tape, side A: \"Michael Hatfield 10/04/96 Master [circled] Temp Control #3\"; label on tape, side B \"Michael Hatfield 10/04/96 Master Temp Control #3\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[2.8b]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Hatfield, Michael"],"contributors_names_search":["Hatfield, Michael"],"contributors":["[{\"url\":\"\",\"name\":\"Hatfield, Michael\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Hatfield, Michael"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_2.8b\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:30:38\",\"precision\":\"\",\"size\":\"1,009.49 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-04-10\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Continuation of conversation with Michael Hatfield\n- Ends mid-conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558431969284,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8278","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Michael Hatfield 10.04.96 of 4 tapes [2.9a]"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Michael Hatfield 10.04.96 of 4 tapes Master\"; label on tape, side A: \"Michael Hatfield 10/04/96 Master Temp Control #4\"; label on tape, side B \"Michael Hatfield 10/04/96 Master T.C.  #4\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[2.9a]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Hatfield, Michael"],"contributors_names_search":["Hatfield, Michael"],"contributors":["[{\"url\":\"\",\"name\":\"Hatfield, Michael\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Hatfield, Michael"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_2.9a\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:31:19\",\"precision\":\"\",\"size\":\"1.01 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-04-10\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Continuation of conversation with Michael Hatfield\n- [00:00:00-00:00:05] Distortion at beginning of recording, cut in recording\n- Ends mid-conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558431969285,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8279","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Michael Hatfield 10.04.96 of 4 tapes [2.9b]"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Michael Hatfield 10.04.96 of 4 tapes Master\"; label on tape, side A: \"Michael Hatfield 10/04/96 Master Temp Control #4\"; label on tape, side B \"Michael Hatfield 10/04/96 Master T.C.  #4\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[2.9b]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Hatfield, Michael"],"contributors_names_search":["Hatfield, Michael"],"contributors":["[{\"url\":\"\",\"name\":\"Hatfield, Michael\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Hatfield, Michael"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_2.9b\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:31:19\",\"precision\":\"\",\"size\":\"1.01 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-04-10\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Continuation of conversation with Michael Hatfield\n- [00:03:12] cut in conversation, returns to different part of the conversation. Feedback as recorder is adjusted.\n- Discussing the war and Cook’s experience of being the child of a deceased soldier\n- Ends mid-conversation"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558431969286,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8280","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Pride + Sherman Master 1 [3.1]"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Pride + Sherman Master\" and \"1\" sticker; label on tape, side A: \"Rachae [sic] Pride, R. Sherman Master\"; label on tape, side B: \"Pride + Sherman #1 Master\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[3.1]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Pride, Rachel Pauslon","Sherman, Richard"],"contributors_names_search":["Pride, Rachel Pauslon","Sherman, Richard"],"contributors":["[{\"url\":\"\",\"name\":\"Pride, Rachel Pauslon\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Sherman, Richard\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Speaker_name":["Pride, Rachel Pauslon"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_3.1\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:00:13\",\"precision\":\"\",\"size\":\"1.94 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-05\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 3.1\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Conversation with Rachel Paulson Pride (née Sylvia Reese) and Richard Sherman"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558431969287,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8281","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Elta Rideout 05/96"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Elta Rideout 05/96\" and a red \"Master\" sticker; 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BC V5A 1S6\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":[" 8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670558435115008,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"10016","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Larissa Lai talks at SFU Harbour Centre on March 9, 2005"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Miki, Roy","Lai, 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2005-03-09\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Harbour Centre\",\"notes\":\"\",\"address\":\" 8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":[" 8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["SFU Harbour Centre"],"City":["Burnaby, British Columbia"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670558436163584,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8301","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["D.A Richards Tape 3"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"D.A Richards Tape 3 Master\"; label on tape, side A: \"Richards tape 3\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[3.8]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Richards, David Adams"],"contributors_names_search":["Richards, David Adams"],"contributors":["[{\"url\":\"\",\"name\":\"Richards, David Adams\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Richards, David Adams"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Memorex DB\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_3.8\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:52:51\",\"precision\":\"\",\"size\":\"870.86 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-02\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 3.8\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Continuation of conversation with David Adams Richards"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558436163585,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8306","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Poetry Reading at U.N.B. 1979 Writer’s Workshop"],"item_title_source":["Transcribed from the artifact"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[3.1.2]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2029"],"creator_names":["Nowlan, Alden"],"creator_names_search":["Nowlan, Alden"],"creators":["[{\"url\":\"http://viaf.org/viaf/61671170\",\"name\":\"Nowlan, Alden\",\"dates\":\"1933-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1979],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Concertape\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"AN_523_92.21.3.1.2\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:43:43\",\"precision\":\"\",\"size\":\"80.05 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1979-07\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://nominatim.openstreetmap.org/ui/details.html?osmtype=W&osmid=19797954&class=amenity\",\"venue\":\"University of New Brunswick\",\"notes\":\"\",\"address\":\"3, Bailey Drive, Fredericton, New Brunswick, Canada\",\"latitude\":\"[45.945530250000004]\",\"longitude\":\"[-66.64018313486694]\"}]"],"Address":["3, Bailey Drive, Fredericton, New Brunswick, Canada"],"Venue":["University of New Brunswick"],"content_notes":["- [00:00:00] Introduction of Alden Nowlan by male speaker. This workshop occurring during Alden Nowlan’s time as Writer in Residence at UNB.\n- [00:02:05] Alden Nowlan begins speaking\n- [00:06:36] Prefatory remarks, one of Alden Nowlan’s favourite poems. “A Picnic in Times Square”\n- [00:11:00] Prefatory remarks on zoos, Alden Nowlan finds them depressing places but this tiger struck him as different. “A Tiger in the Dublin Zoo”\n- [00:12:43] “He Grows in Understanding”\no - [00:13:20] Laughter and clapping at end of poem\n- [00:13:25] Prefatory remarks on how this poem is special to him and the epistolic form, written for his friend George Frederick Clarke. “A Poem for George Frederick Clarke”\no Reads final line as “and yes, / such reticence” instead of “yes, / and such reticence”\n- [00:19:18] Prefatory remarks on everyday people hijacking airplanes and his sympathy. “Night Flight from Montreal”\no Reads final line as “I must ask the police what / will happen to my luggage” instead of “Asking the police what / will happen to my luggage”\n- [00:21:15] Prefatory remarks on strange experience of being the subject of a documentary film; a new experience for him, he had naively assume that the camera would follow you around etc. Actually wanted you to perform as yourself, which is very difficult. “On Being the Subject of a Documentary”\n- [00:25:40] Prefatory remarks. “A Very Common Prescription”\n- [00:28:10] Prefatory remarks, trying to capture something of the power of expression of so-called ordinary people in very extraordinary situations. “The Red Wool Shirt”\n- [00:30:18] Prefatory remarks, it’s a found poem, something Alden Nowlan says he doesn’t do very often. “The Carpenter’s Misfortunes”\n- [00:31:45] Prefatory remarks on fifth Prime Minster of Canada and his being forgotten. “Election Song”\n- [00:32:58] Prefatory remarks on re-encountering people as an adult. “In the Blood”\n- [00:35:26] Prefatory remarks, wrote this poem a number of years ago and is recently revisiting and revising. In 1915, battle in a town in Belgium where poison gas was used for the first time by the Nazis. It appeared like something out of science fiction. Started to write this poem on Remembrance Day. “Ypres: 1915” \no A few differences from published version; Alden Nowlan himself acknowledges that he is working on its revision. Some removals or additions of words/phrases.\no Frenchmen leaving: “brandishing their swords, / weeping / for the dishonour of it all”\no The fisherman’s dialect is more colloquial: “and yup” instead of “yes”\no Billy MacNally: in this reading is specifically “from Britain Street from the South End of Saint John, New Brunswick”\n\n“I, Icarus” – “Picnic” published in Bread, Wine and Salt\n“Beggars” – “On Events” published in Between Tears and Laughter\n“Night Flight” – “Documentary” published in I’m a Stranger Here Myself\n“Prescription” – “In the Blood” published in Smoked Glass\n“Ypres: 1915” published in The Mysterious Naked Man\n"],"contents":["Alden Nowlan\n[00:02:55]\nReads \"I, Icarus\".\nAlden Nowlan\n[00:04:36]\nReads \"Daughter of Zion\".\nAlden Nowlan\n[00:06:36]\nReads \"A Picnic in Times Square\".\nAlden Nowlan\n[00:07:21]\nReads \"The Fresh-Ploughed Hill\".\nAlden Nowlan\n[00:08:18]\nReads \"The Beggars of Dublin\".\nAlden Nowlan\n[00:11:00]\nReads \"A Tiger in the Dublin Zoo\".\nAlden Nowlan\n[00:12:43]\nReads \"He Grows in Understanding\".\nAlden Nowlan\n[00:13:25]\nReads \"A Poem for George Frederick Clarke\".\nAlden Nowlan\n[00:16:05]\nReads \"Cornflowers\".\nAlden Nowlan\n[00:17:16]\nReads \"On Events of Varying Importance\".\nAlden Nowlan\n[00:19:18]\nReads \"Night Flight from Montreal\".\nAlden Nowlan\n[00:21:15]\nReads \"On Being the Subject of a Documentary\".\nAlden Nowlan\n[00:25:40]\nReads \"A Very Common Prescription\".\nAlden Nowlan\n[00:28:10]\nReads \"The Red Wool Shirt\".\nAlden Nowlan\n[00:30:18]\nReads \"The Carpenter’s Misfortunes\".\nAlden Nowlan\n[00:31:45]\nReads \"Election Song\".\nAlden Nowlan\n[00:32:58]\nReads \"In the Blood\".\nAlden Nowlan\n[00:35:26]\nReads \"Ypres: 1915\"."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Bread, Wine and Salt (1967), Smoked Glass (1977), Between Tears and Laughter (1971), The Mysterious Naked Man (1969), I'm a Stranger Here Myself (1974)\"}]"],"_version_":1853670558436163586,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8307","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Nov 15 / 77 A. Nowland. A. side only."],"item_title_source":["Transcribed from the artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[3.1.3]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2027"],"creator_names":["Nowlan, Alden"],"creator_names_search":["Nowlan, Alden"],"creators":["[{\"url\":\"http://viaf.org/viaf/61671170\",\"name\":\"Nowlan, Alden\",\"dates\":\"1933-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1977],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Philips\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"AN_523_92.21.3.1.3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:23:16\",\"precision\":\"\",\"size\":\"42.59 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977-11-15\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["- [00:00:00] Recording begins mid-conversation. Discussion of martyrdom in Alden Nowlan’s verse. Dignity as part of the human character. Alden Nowlan appreciates those who know how to die well.\n- [00:04:05] Discussion of Alden Nowlan’s poem “Britain Street,” with the lines “On this street, / even the dogs / would rather fight / than eat”\no Alden Nowlan resists the interviewer’s desire for him to explain the meaning/intention of the poem. He wants readers to do this work and sees danger in the poet himself telling people what this meaning is.\n- [00:08:53] Discussion of gifts based on one of Alden Nowlan’s lines “the purest of gifts, those that consist only in giving.” A young woman at a reading brought Alden Nowlan flower seeds, it was a gift of understanding.\n- [00:10:37] Discussion of “The Sister of Zion” and religion. Presumably, this poem becomes “Daughter of Zion.”\n- [00:14:03] “There is not point in poetry if you withhold the truth” and “All truths are half truths.” Discussion of truth and the necessity (or not) for truth in poetry.\n- [00:18:25] Discussion of marriage.\n- [00:21:40] cuts to another question. Discussion of being an interviewer/being interviewed. Alden Nowlan tells a story of the only time he asked an interviewer to leave.\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558436163587,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8308","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Poems - CBC “Anthology”"],"item_title_source":["Transcribed from the artifact"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[3.2.1]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2044"],"creator_names":["Nowlan, Alden"],"creator_names_search":["Nowlan, Alden"],"creators":["[{\"url\":\"http://viaf.org/viaf/61671170\",\"name\":\"Nowlan, Alden\",\"dates\":\"1933-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Carr, Bill"],"contributors_names_search":["Carr, Bill"],"contributors":["[{\"url\":\"\",\"name\":\"Carr, Bill\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Carr, Bill"],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Concertape\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"AN_523_92.21.3.2.1\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:21:24\",\"precision\":\"\",\"size\":\"39.19 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"Performance Date\",\"notes\":\"[after 1974]. Dates taken from item.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Halifax, Nova Scotia, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Halifax, Nova Scotia, Canada"],"City":["Halifax, Nova Scotia"],"content_notes":["Part of CBC’s “Anthology” evening series about writers and writing\n- Work from Alden Nowlan, Len Gasparini, Norman Levine\n- Alden Nowlan’s poems recorded in Halifax by Elizabeth Fox, and read by Bill Carr: - [00:00:37] “The Uninvited Visitor” (later published as “The Visitor”); - [00:02:32] “Report from Glace Bay”; - [00:04:01] “An Introduction to the Moon People”\n- The couplet at the end of “Visitor” is different; the lines are: “he could have lain awake while we slept / and who can be sure he won’t return / that young man with terrible eyes / or another like him\n- Recording shifts to Alden Nowlan speaking at a workshop - [00:09:28] : It’s unclear where this recording is from, but he is instructing a group of writers on how the weekend of workshops might be scheduled.\n- [00:12:58] child playing with the recording equipment\n- CBC “Anthology” - [19--] is present in the current finding aid as 523/92.21 3.2"],"contents":["Bill Carr\n[00:00:37]\nReads \"The Uninvited Visitor\" by Alden Nowlan from CBC’s \"Anthology\" series.\nBill Carr\n[00:02:32]\nReads \"Report from Glace Bay\" by Alden Nowlan from CBC’s \"Anthology\" series.\nBill Carr\n[00:04:01]\nReads \"An Introduction to the Moon People\" by Alden Nowlan from CBC’s \"Anthology\" series.\nAlden Nowlan\n[00:09:28]\nInstructs writers on the schedule of weekend workshops.\nUnknown (child)\n[00:12:58]\nPlays with recording equipment."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558436163588,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8309","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Poems Broadcast on CBC Radio April 11, 1982"],"item_title_source":["Transcribed from the artifact"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[3.2.2]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2052"],"creator_names":["Nowlan, Alden"],"creator_names_search":["Nowlan, Alden"],"creators":["[{\"url\":\"http://viaf.org/viaf/61671170\",\"name\":\"Nowlan, Alden\",\"dates\":\"1933-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors_names":["McDonnell, Arch"],"contributors_names_search":["McDonnell, Arch"],"contributors":["[{\"url\":\"\",\"name\":\"McDonnell, Arch\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["McDonnell, Arch"],"Performance_Date":[1982],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Permaton\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"AN_523_92.21.3.2.2\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:14:49\",\"precision\":\"\",\"size\":\"27.13 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-04-11\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["- [00:00:00] host introducing Alden Nowlan’s works\n- Arch McDonnell reading a selection from Alden Nowlan’s “new poetry collection” (I Might Not Tell Everybody This)\n- [00:00:32] “My Beard, Once Lionheart Red”\n- [00:03:10] “Small Craft Warnings”\n- [00:04:24] “And Now the Good News”\n- [00:05:05] “A Night in 1938, and the Night After”\n- [00:06:34] “Vampires”\n- [00:07:52] “The War Lost”\n- [00:08:30] “Only When My Heart Freezes”\n- [00:09:34] “He Attempts to Love His Neighbours”\n- [00:11:05] “Guest Spot”\n- [00:12:32] “Bobby Sands: for Robert Weaver”\n- [00:14:35] host returns to end reading program; recording turned off as host moves to next segment.\n"],"contents":["Unknown (host)\n[00:00]\nIntroduces Alden Nowlan’s poetry collection I Might Not Tell Everybody This (1982).\nArch McDonnell\n[00:00:32]\nReads \"My Beard, Once Lionheart Red\".\nArch McDonnell\n[00:03:10]\nReads \"Small Craft Warnings\".\nArch McDonnell\n[00:04:24]\nReads \"And Now the Good News\".\nArch McDonnell\n[00:05:05]\nReads \"A Night in 1938, and the Night After\".\nArch McDonnell\n[00:06:34]\nReads \"Vampires\".\nArch McDonnell\n[00:07:52]\nReads \"The War Lost\".\nArch McDonnell\n[00:08:30]\nReads \"Only When My Heart Freezes\".\nArch McDonnell\n[00:09:34]\nReads \"He Attempts to Love His Neighbours\".\nArch McDonnell\n[00:11:05]\nReads \"Guest Spot\".\nArch McDonnell\n[00:12:32]\nReads \"Bobby Sands: for Robert Weaver\"."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"I Might Not Tell Everybody This (1982)\"}]"],"_version_":1853670558436163589,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8310","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["There Was an Old Woman from Wexford – CBC Radio Play"],"item_title_source":["Transcribed from the artifact"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[3.2.3]"],"rights":["The Public Domain Mark (PDM)"],"creator_names":["Nowlan, Alden"],"creator_names_search":["Nowlan, Alden"],"creators":["[{\"url\":\"http://viaf.org/viaf/61671170\",\"name\":\"Nowlan, Alden\",\"dates\":\"1933-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors_names":["Orenstein, Joan","Allison, Don","Tremaine, Don"],"contributors_names_search":["Orenstein, Joan","Allison, Don","Tremaine, Don"],"contributors":["[{\"url\":\"http://viaf.org/viaf/316992962\",\"name\":\"Orenstein, Joan\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/70684487\",\"name\":\"Allison, Don\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Tremaine, Don\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"performer_name":["Orenstein, Joan","Allison, Don"],"Presenter_name":["Tremaine, Don"],"Performance_Date":[1963],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Simpsons-Sears\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"AN_523_92.21.3.2.3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:36:01\",\"precision\":\"\",\"size\":\"65.95 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963\",\"type\":\"Performance Date\",\"notes\":\"Dates supplied through research for copyright.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Halifax, Nova Scotia, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Halifax, Nova Scotia, Canada"],"City":["Halifax, Nova Scotia"],"content_notes":["Opens with singing; then host (Don Tremaine) announces production by Audio Stage 11, There Was an Old Woman from Wexford. Play specially written for this series by Alden Nowlan and based on his novel Various Persons Named Kevin O’Brien. Grandmother played by Joan Orenstein, Don Allison as narrator. Production from Halifax by Elizabeth Fox.\n- Can hear crickets in the background - [particularly 00:16:50-00:17:30] \n- [Ends at 00:27:50] Tremaine closes out program with full cast and production details.\n- [00:29:10] cuts to television interview with female actress from The Edge of Night (soap opera)\n\n\n"],"contents":["Alden Nowlan\nThere Was an Old Woman from Wexford (radio play)"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558437212160,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8311","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["“The Year of the Revolution” Short Story Read on CBC Radio June 29, 1982"],"item_title_source":["Transcribed from the artifact"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[3.2.4]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2052"],"creator_names":["Nowlan, Alden"],"creator_names_search":["Nowlan, Alden"],"creators":["[{\"url\":\"http://viaf.org/viaf/61671170\",\"name\":\"Nowlan, Alden\",\"dates\":\"1933-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Balter, David"],"contributors_names_search":["Balter, David"],"contributors":["[{\"url\":\"\",\"name\":\"Balter, David\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"Presenter_name":["Balter, David"],"Performance_Date":[1978],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch Highlander\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"AN_523_92.21.3.2.4\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:31:07\",\"precision\":\"\",\"size\":\"56.98 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Host introduces Alden Nowlan and Alden Nowlan’s short story “The Year of the Revolution.” One of a series of stories by Canadian authors commissioned by the CBC Anthology radio series and published in April 1982 in Small Wonders by CBC Books. Short story read by David Balter.\n- [00:03:13; 00:15:50; 00:23:20-40] laughter from person recording the CBC show throughout\n- [00:30:35] host concludes program. Production by Elizabeth Fox.\n"],"contents":["Alden Nowlan\n\"The Year of the Revolution\""],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Small Wonders (1982, CBC Books)\"}]"],"_version_":1853670558437212161,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8312","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Tim’s (Bond) Note for The Dollar Woman"],"item_title_source":["Transcribed from the artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[3.3.1]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2028"],"creator_names":["Nowlan, Alden"],"creator_names_search":["Nowlan, Alden"],"creators":["[{\"url\":\"http://viaf.org/viaf/61671170\",\"name\":\"Nowlan, Alden\",\"dates\":\"1933-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Bond, Tim","Learning, Walter"],"contributors_names_search":["Bond, Tim","Learning, Walter"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34659299\",\"name\":\"Bond, Tim\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11093579\",\"name\":\"Learning, Walter\",\"dates\":\"1938-2020\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Bond, Tim","Learning, Walter"],"Performance_Date":[1978],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"AN_523_92.21.3.3.1\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:01:45\",\"precision\":\"\",\"size\":\"113.07 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978\",\"type\":\"Performance Date\",\"notes\":\"Dates supplied through research for copyright.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Alden Nowlan speaking with Tim Bond and Walter Learning, reviewing notes on The Dollar Woman. Alden Nowlan has already met with some of the people involved in the play previously in Toronto. \n- Discussing draft of script for the play: characterization, staging, setting, audience engagement.\n- Act 3 is still yet to be written, much discussion on where the play needs to go.\n- [00:37:39] female voice interrupts because power in building is going to go off temporarily. Tape cuts to later when they return.\n- Tape is paused and begins again multiple times throughout. Ends mid-conversation.\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558437212162,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8313","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["The Dollar Woman"],"item_title_source":["Transcribed from the artifact"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[3.3.2]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2050"],"creator_names":["Nowlan, Alden"],"creator_names_search":["Nowlan, Alden"],"creators":["[{\"url\":\"http://viaf.org/viaf/61671170\",\"name\":\"Nowlan, Alden\",\"dates\":\"1933-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Learning, Walter","Pisent, Gordon","Weinstein, Joan"],"contributors_names_search":["Learning, Walter","Pisent, Gordon","Weinstein, Joan"],"contributors":["[{\"url\":\"http://viaf.org/viaf/11093579\",\"name\":\"Learning, Walter\",\"dates\":\"1938-2020\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Pisent, Gordon\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Weinstein, Joan\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Pisent, Gordon","Weinstein, Joan"],"Speaker_name":["Learning, Walter"],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Simpsons-Sears\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"AN_523_92.21.3.3.2\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:31:00\",\"precision\":\"\",\"size\":\"166.63 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"Performance Date\",\"notes\":\"[ca. 1978-1980]. Performance date supplied from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 3.3.2\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"CBC Halifax\",\"notes\":\"\",\"address\":\"Halifax, Nova Scotia, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Halifax, Nova Scotia, Canada"],"Venue":["CBC Halifax"],"City":["Halifax, Nova Scotia"],"content_notes":["Back of tape has “Mr. Dinsmore Lighthouse” written on it and crossed out\n- Host announcing The Dollar Woman. On Festival Theatre, CBC Halifax, produced by Elizabeth Fox. First performed at Theatre New Brunswick the year before.\n- Gordon Pinsent as auctioneer, Joan Weinstein as Maggie.\n- Issue with recording at - [00:01:15] , returns at - [00:01:40] .\n- Play opens in 1898, Sussex, New Brunswick, nearing Market Day.\n- Intermission midway (approx. 34 minutes) – fiddle music\n- [01:25:40] host concludes the program with full cast and production credits.\n- [01:28:20] cuts to conversation with unknown speakers, difficult to discern.\n\n- See also Alden Nowlan 2017.93 recording of The Dollar Woman, which includes full Festival Theatre program introduction.\n\n"],"contents":["Alden Nowlan\nThe Dollar Woman, adapted by Alden Nowlan and Walter Learning"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558437212163,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8314","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["La Svengali: Jan. 1/83"],"item_title_source":["Transcribed from the artifact"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[3.3.3]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2053"],"creator_names":["Nowlan, Alden"],"creator_names_search":["Nowlan, Alden"],"creators":["[{\"url\":\"http://viaf.org/viaf/61671170\",\"name\":\"Nowlan, Alden\",\"dates\":\"1933-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Learning, Walter","Colicos, John","Crossley, Elaine","Rubinek, Saul"],"contributors_names_search":["Learning, Walter","Colicos, John","Crossley, Elaine","Rubinek, Saul"],"contributors":["[{\"url\":\"http://viaf.org/viaf/11093579\",\"name\":\"Learning, Walter\",\"dates\":\"1938-2020\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/117145169\",\"name\":\"Colicos, John\",\"dates\":\"1928-2000\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Crossley, Elaine\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/104925712\",\"name\":\"Rubinek, Saul\",\"dates\":\"1948-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Colicos, John","Crossley, Elaine","Rubinek, Saul"],"Speaker_name":["Learning, Walter"],"Performance_Date":[1983],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"BASF\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"AN_523_92.21.3.3.3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:30:05\",\"precision\":\"\",\"size\":\"164.95 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-01-01\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"CBC Radio\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Venue":["CBC Radio"],"content_notes":["On Saturday Stereo Theatre (part of CBC Stereo) hosted by Lorna Jackson; broadcast on the first day of a new year; the time has been extended to ninety minutes in order to present “La Svengali”\n- Play for radio by Walter Learning and Alden Nowlan based on George du Maurier’s novel Trilby (1894).\n- John Colicos as Svengali; Elaine Crossley as Trilby; Saul Rubinek as Gecko.\n- Jackson sets the scene as beginning in Paris in the middle of the last century. Music opens play - [00:01:10] .\n- [00:16:25] end of first scene noted by musical interlude\n- [00:28:57] end of scene, musical interlude.\n- [00:38:35] end of scene, musical interlude.\n- [00:40:12] end of scene, musical interlude.\n- [00:46:15] play intermission.\n- [00:53:30] end of scene, musical interlude.\n- [01:17:07] end of scene, musical interlude.\n- [01:26:45] host closes with full cast and crew. Directed in Toronto by Glen Deerman, executive producer Paul Mills.\n\n- See also Alden Nowlan 2017.93 recording of La Svengali."],"contents":["Alden Nowlan\nLa Svengali, adapted by Alden Nowlan and Walter Learning"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558437212164,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8315","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Notes on Frankenstein. Priceless! / Ypres : 1915"],"item_title_source":["Transcribed from the artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[3.3.4]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2025"],"creator_names":["Nowlan, Alden"],"creator_names_search":["Nowlan, Alden"],"creators":["[{\"url\":\"http://viaf.org/viaf/61671170\",\"name\":\"Nowlan, Alden\",\"dates\":\"1933-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Learning, Walter"],"contributors_names_search":["Learning, Walter"],"contributors":["[{\"url\":\"http://viaf.org/viaf/11093579\",\"name\":\"Learning, Walter\",\"dates\":\"1938-2020\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Learning, Walter"],"Performance_Date":[1975],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"sountrac\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"AN_523_92.21.3.3.4\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:23:11\",\"precision\":\"\",\"size\":\"42.44 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975\",\"type\":\"Performance Date\",\"notes\":\"Dates supplied through research for copyright.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Cassette has note “Priceless!” written underneath the title “Notes on Frankenstein.”\n- Tape begins midway through recording these notes (speaker says “the third thing…”). Speaker is likely Walter Learning.\n- Discussion of Frankenstein radio play.\n- At - [00:05:36] tape stops and restarts, and now Alden Nowlan is present and discussing with Learning.\n- [00:15:45] recording stops and restarts; Alden Nowlan testing recording equipment.\n- [00:16:15] recording of CBC Showcase Anthology Series. Remembrance Day program with writing by Canadian writers on the first and second world wars. This section of the recording has significant hiss.\n- [00:18:22] recording cuts to later in CBC program, “Ypres: 1915” by Alden Nowlan\n"],"contents":["Unknown [likely Walter Learning]\n[00:00:01]\nDiscusses \"Frankenstein\" radio play.\nAlden Nowlan\n[00:05:36]\nTape stope and restarts, continues discussion with Unknown [likely Walter Learning].\nAlden Nowlan\n[15:45]  \nTests recording equipment. \nAlden Nowlan\n[00:18:22]\n\"Ypres: 1915\"."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"The Mysterious Naked Man (1969)\"}]"],"_version_":1853670558437212165,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8316","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Hatfield"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Written on Tape Index Card: Side 1: Malka - Richard Hatfield Premier of New Brunswick / Side 2: Malka - Alden Nowlan. Pink sticky note with title of recording included \"Malka interview with Alden Nowlan also Richard Hatfield (premier of New Brunswick at the time)\". Tape has been recorded over, original label states “No.3 November 15/77”"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[3.4.1]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2028"],"creator_names":["Nowlan, Alden"],"creator_names_search":["Nowlan, Alden"],"creators":["[{\"url\":\"http://viaf.org/viaf/61671170\",\"name\":\"Nowlan, Alden\",\"dates\":\"1933-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Hatfield, Richard","Marom, Malka"],"contributors_names_search":["Hatfield, Richard","Marom, Malka"],"contributors":["[{\"url\":\"\",\"name\":\"Hatfield, Richard\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Marom, Malka\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"Interviewer_name":["Marom, Malka"],"Speaker_name":["Hatfield, Richard"],"Performance_Date":[1978],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Philips\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"AN_523_92.21.3.4.1\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:56:32\",\"precision\":\"\",\"size\":\"103.51 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978\",\"type\":\"Performance Date\",\"notes\":\"Dates supplied through research for copyright.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"New Brunswick, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["New Brunswick, Canada"],"content_notes":["Written on Tape Index Card: Side 1: Malka - Richard Hatfield Premier of New Brunswick / Side 2: Malka - Alden Nowlan. Pink sticky note with title of recording included \"Malka interview with Alden Nowlan also Richard Hatfield (premier of New Brunswick at the time)\".\n- Tape has been recorded over, original label states “No.3 November 15/77”\n- [00:00:00] begins with introduction of Richard Hatfield, and how he has known Alden Nowlan for many years. Malka Marom (interviewer) asks Hatfield about Alden Nowlan’s past and personal history; his contributions to New Brunswick and the writing community in NB.\n- [00:26:40] Hatfield discusses The Dollar Woman\n- [28:24-34] cuts and returns with Marom interviewing Alden Nowlan\n- Discussion of theatre and Alden Nowlan’s foray into playwriting\n- Issues with recording echo - [00:33:45] . Frequent stops to adjust recording equipment.\n- [00:39:46] Discussion of The Dollar Woman.\n- [00:47:27] Alden Nowlan reading poems. - [00:42:35] “Where do flames go when they burn out?”; - [00:42:54] “The Traveller” Between Tears and Laughter; - [00:43:16] “Remembrance of Things Past” Bread, Wine and Salt; - [00:44:22] “The Palomino Stallion” Playing the Jesus Game\n- [00:44:50] asks Alden Nowlan question in relation to interview with Hatfield the day before\n- [00:47:45] Discussion of Canadian winters\n- [00:50:02] Discussion of Alden Nowlan’s pithy/concise lines; i.e. “you’re a liar only if no one believes you”\n- The interview with Alden Nowlan occurred over a number of days (this tape representing one session/meeting)"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558437212166,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8317","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Malka The Dollar Woman"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Written on Tape Index Card: Alden Nowlan Interview w. Malka about \"The Dollar Woman\" etc. Side A on tape has \"The Dollar Woman\" and \"Malka\" written on it. Side B on tape has \"Pre School\" written on it."],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[3.4.2]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2028"],"creator_names":["Nowlan, Alden"],"creator_names_search":["Nowlan, Alden"],"creators":["[{\"url\":\"http://viaf.org/viaf/61671170\",\"name\":\"Nowlan, Alden\",\"dates\":\"1933-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Marom, Malka","Learning, Walter","Hatfield, Richard"],"contributors_names_search":["Marom, Malka","Learning, Walter","Hatfield, Richard"],"contributors":["[{\"url\":\"\",\"name\":\"Marom, Malka\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/11093579\",\"name\":\"Learning, Walter\",\"dates\":\"1938-2020\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Hatfield, Richard\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Interviewer_name":["Marom, Malka"],"Speaker_name":["Learning, Walter","Hatfield, Richard"],"Performance_Date":[1978],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Simpsons-Sears\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"AN_523_92.21.3.4.2\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:30:57\",\"precision\":\"\",\"size\":\"56.66 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978\",\"type\":\"Performance Date\",\"notes\":\"Dates supplied through research for copyright.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"CBC Radio\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Venue":["CBC Radio"],"content_notes":["Festival Theatre, hosted by William Husk. Begins with context of Alden Nowlan’s The Dollar Woman.\n- Comments from Alden Nowlan and Walter Learning on the play (somewhat difficult to make out because of recording quality). History of the pauper auctions in the Atlantic provinces, and how Alden Nowlan’s interest in the project came about. How Alden Nowlan and Learning met and began working on this project.\n- Transitions to interview selections coming from Alden Nowlan’s interview with Malka Marom. As well as Marom’s interview with Richard Hatfield.\n- [00:10:55] bagpipe interlude moves into Alden Nowlan reading a poem “The Palomino Stallion” and - [00:17:25] reading “The Traveller” and - [00:21:58] reading a segment of poetry (unknown)\n- [00:22:40] end of broadcast; recording cuts to TV medical drama, commercials.\n- [00:25:50] cuts to children playing with recording equipment.\n- [00:29:46] Alden Nowlan testing the recording equipment.\n- [00:30:05] returns to children."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558437212167,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8318","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Walter Learning c. Malka"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Pink sticky note with title of recording included \"Walter Learning Alden and Malka\". Tape has been recorded over, original label states “No.1 November 15/77 #1”"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[3.4.3]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2028"],"creator_names":["Nowlan, Alden"],"creator_names_search":["Nowlan, Alden"],"creators":["[{\"url\":\"http://viaf.org/viaf/61671170\",\"name\":\"Nowlan, Alden\",\"dates\":\"1933-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Marom, Malka","Learning, Walter"],"contributors_names_search":["Marom, Malka","Learning, Walter"],"contributors":["[{\"url\":\"\",\"name\":\"Marom, Malka\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/11093579\",\"name\":\"Learning, Walter\",\"dates\":\"1938-2020\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Interviewer_name":["Marom, Malka"],"Speaker_name":["Learning, Walter"],"Performance_Date":[1978],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Philips\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"AN_523_92.21.3.4.3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:56:09\",\"precision\":\"\",\"size\":\"102.80 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978\",\"type\":\"Performance Date\",\"notes\":\"Dates supplied through research for copyright.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Tape has been recorded over, original label states “No.1 November 15/77 #1”\n- Malka begins interview by confusing Walter Learning and Alden Nowlan\n- Discussing The Dollar Woman (particularly its upcoming radio play adaptation). Learning notes that the basis of the story is all true, their only inventions were particular characters. This phenomenon is incredibly well-documented because there was a journalist at the time who took great issue with the poor auctions and dedicated repeated issues of the his column to the issue.\n- Learning notes that the idea of the play “chose them”\n- Audience reception of the stage play\n- The collaborative process for Learning and Alden Nowlan; how the play changed from conception to completion\n- The public feud between Alden Nowlan and Learning prior to their collaboration (and the great fun they had in maintaining this feud)\n- Histories of writing in Canada—playwriting, poetry, “Canadian literature”"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558437212168,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8319","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["All On A Summer’s Day For Alden Nowlan"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Piece of paper with full description of tape (finding aid title). Writing on tape label state \"All On A Summer's Day For Alden Nowlan\""],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[3.5.1(1)]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2052"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony Chrome\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"AN_523_92.21.3.5.1(1)\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:28:16\",\"precision\":\"\",\"size\":\"161.62 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"Performance Date\",\"notes\":\"[ca. 1982]. Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["“All on a Summer’s Day” was aired on CBC July 5, 1979.\n- Begins with whistle music (which will be the opening music of the film)\n- Notes from the producer (with Newfoundland accent) to Alden Nowlan, as a starting point for the poetry Alden Nowlan will be providing for the super special “All on a Summer’s Day.” Music recorded for the show in Halifax the week before, and included in this tape for Alden Nowlan to listen to. Tape focuses on producer’s notes on the script and how Alden Nowlan might approach the poems within the script. The producer is reading the script/describing the visuals to Alden Nowlan; punctuated with songs.\n- Songs sung by Irish-Canadian band Ryan’s Fancy.\n- 13 poems of Alden Nowlan’s will be included in this section of the show."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558438260736,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8320","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["All On A Summer’s Day For Alden Nowlan"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Writing on tape label state \"All On A Summer's Day For Alden Nowlan\""],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[3.5.1(2)]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2052"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony Chrome\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"AN_523_92.21.3.5.1(2)\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:29:00\",\"precision\":\"\",\"size\":\"53.11 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"Performance Date\",\"notes\":\"[ca. 1982]. Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Continuation of previous recording (523/92.21 3.5.1(1))\n- “All on a Summer’s Day” was aired on CBC July 5, 1979.\n- Producer continues to provide notes on film script; one of Alden Nowlan poems in this section. The total number of poems for Alden Nowlan in this film is 14.\n- Songs sung by Irish-Canadian band Ryan’s Fancy."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558438260737,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8321","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Hatfield TV Interview / Notes on FRANKENSTEIN"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Writing on tape label (side 1): SIDE ONE, MED. MAD (crossed out), Hatfield TV Interview. Writing on tape label (side 2): SIDE TWO MED MAD (crossed out), 2 CHOPIN BALLADS (crossed out), Notes on FRANKENSTEIN"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[3.5.2(1)]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2026"],"creator_names":["Nowlan, Alden"],"creator_names_search":["Nowlan, Alden"],"creators":["[{\"url\":\"http://viaf.org/viaf/61671170\",\"name\":\"Nowlan, Alden\",\"dates\":\"1933-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Hatfield, Richard","Learning, Walter"],"contributors_names_search":["Hatfield, Richard","Learning, Walter"],"contributors":["[{\"url\":\"\",\"name\":\"Hatfield, Richard\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11093579\",\"name\":\"Learning, Walter\",\"dates\":\"1938-2020\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Hatfield, Richard","Learning, Walter"],"Performance_Date":[1976],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Philips\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"AN_523_92.21.3.5.2(1)\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:59:14\",\"precision\":\"\",\"size\":\"108.46 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976\",\"type\":\"Performance Date\",\"notes\":\"Dates supplied through research for copyright.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Alden Nowlan is interviewing Richard Hatfield, during election campaign to be re-elected premier.\n- Asks why should the voters believe Hatfield and his government will keep their promises from this campaign (when they haven't kept some during this term)?\n- Discussion of money spending of Hatfield’s government; its focus on social services, keeping the tax burden down.\n- First priority is to develop the economy of the province.\n- [00:26:35] other interviewee clips talking about Hatfield\n- [00:27:46] tape cuts to choral singing.\n- [00:29:16] Notes on the first draft of Frankenstein from Walter Learning. Notes to be typed up and sent to Alden Nowlan.\n- [00:47:45] tape cuts to piano music, presumably the Chopin ballads that had been taped over. - [00:50:50] Can hear tapping in the background—possibly the noise of the radio/record player. - [00:53:43] Alden Nowlan yawns.\n- [00:54:56] tape cuts, muffled noises, and then returns to the Chopin ballad."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558438260738,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8322","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["ONE SIDE Hatfield TV Interview / PRE-SCHOOL -- ONE SIDE"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Writing on tape index card: TV interview with Richard Hatfield (then Premier of New Brunswick). Writing on tape label (side 1): ONE SIDE Hatfield TV Interview. Writing on tape label (side 2): PRE-SCHOOL -- ONE SIDE"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[3.5.2(2)]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2026"],"creator_names":["Nowlan, Alden"],"creator_names_search":["Nowlan, Alden"],"creators":["[{\"url\":\"http://viaf.org/viaf/61671170\",\"name\":\"Nowlan, Alden\",\"dates\":\"1933-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Hatfield, Richard"],"contributors_names_search":["Hatfield, Richard"],"contributors":["[{\"url\":\"\",\"name\":\"Hatfield, Richard\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Hatfield, Richard"],"Performance_Date":[1976],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Zellers\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"AN_523_92.21.3.5.2(2)\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:29:57\",\"precision\":\"\",\"size\":\"54.86 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976\",\"type\":\"Performance Date\",\"notes\":\"Dates supplied through research for copyright.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Recordist (Alden Nowlan) flipping through television channels\n- [00:01:00] ATV News Special Program of Premier Richard Hatfield in conversation with Alden Nowlan\n- Questions from Alden Nowlan to Hatfield: - [00:01:20] Why do you want another term as premier of New Brunswick? - [00:01:47] Are you superstitious? Does it bother you that no Conservative government has been elected premier a second term? - [00:05:20] Why should the voters believe you’ll keep the promises in this campaign? - [00:09:24] What would your reaction be to the charge that you have been spending the taxpayers’ money? \n- [00:09:39] laughter and comments from Alden Nowlan’s female partner in the background.\n- [00:19:45] Issue of federal government’s proposed cut to equalization payment a central concern for this campaign - [00:23:40] Hatfield addressing the (im)possibility of taking a federal job\n- [00:24:17-end of tape] tape slips as recording\n- [00:25:48] cuts to other people being interviewed about Premier Hatfield; ends with campaign endorsement to vote for Progressive Conservative.\n- [00:27:01] cuts to female reading story (likely Alden Nowlan’s partner Claudine Orser), children playing in the background. Frequent cuts and repeats."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558438260739,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8323","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Michael Hatfield and Alden"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Writing on tape: Michael Hatfield and Alden"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[3.5.3(1)]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Nowlan, Alden"],"creator_names_search":["Nowlan, Alden"],"creators":["[{\"url\":\"http://viaf.org/viaf/61671170\",\"name\":\"Nowlan, Alden\",\"dates\":\"1933-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Hatfield, Michael"],"contributors_names_search":["Hatfield, Michael"],"contributors":["[{\"url\":\"\",\"name\":\"Hatfield, Michael\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Hatfield, Michael"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sears\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"AN_523_92.21.3.5.3(1)\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:29:33\",\"precision\":\"\",\"size\":\"54.12 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996\",\"type\":\"Performance Date\",\"notes\":\"Dates supplied through research for copyright.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Personal/conversational discussion between Michael Hatfield, nephew of late premier Richard Hatfield and Alden Nowlan\n- Discussion of inarticulate people, hostility, media\n- The Hatfield legacy – that both Michael and Alden Nowlan are a part of\n- Voting habits – particularly discussing the voting of 1967 and 1970, and the choice of many citizens not to vote\n- Michael has given Alden Nowlan political speeches for Alden Nowlan to read (political figure unspecified)\n- Alden Nowlan giving Michael advice on how to write a speech (event is not specified, though it is certainly for a specific event)\n- Discussion of old-style journalism and speeches vs. new-style; how bias is patterned in media\n- References to Pierre Trudeau and his politics"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558438260740,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8324","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Michael Hatfield talking with Alden"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Writing on tape: Michael Hatfield talking with Alden. Sticky note with \"Michael Hatfield (nephew of the late Richard Hatfield) talking with Alden\" written on it."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[3.5.3(2)]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Nowlan, Alden"],"creator_names_search":["Nowlan, Alden"],"creators":["[{\"url\":\"http://viaf.org/viaf/61671170\",\"name\":\"Nowlan, Alden\",\"dates\":\"1933-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Hatfield, Michael"],"contributors_names_search":["Hatfield, Michael"],"contributors":["[{\"url\":\"\",\"name\":\"Hatfield, Michael\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Hatfield, Michael"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sears\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"AN_523_92.21.3.5.3(2)\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:15:24\",\"precision\":\"\",\"size\":\"28.20 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996\",\"type\":\"Performance Date\",\"notes\":\"Dates supplied through research for copyright.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Continuation of personal/conversational discussion between Michael Hatfield, nephew of late premier Richard Hatfield and Alden Nowlan\n- Discussion of presenting a political candidate in Quebec, uncertain history and precedent of Quebec separatism\n- Importance of directing this speech to the people, not the government or the representatives\n- References to Pierre Trudeau and his stance on separatism; this speech perhaps acting as a response to the separatist question\n- Alden Nowlan is quite involved in this speech’s making; Hatfield refers to bringing copies between the political candidate and Alden Nowlan for revisions"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558438260741,"timestamp":"2026-01-07T15:00:02.646Z","score":0.01643844},{"id":"8325","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["CBC Tape June 2, 1984 Tribute"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Writing on tape: Maritime Magazine - Alden Nowlan.  Case label: CBC Tape June 2, 1984 Tribute"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[4.1.1]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2034"],"creator_names":["Nowlan, Alden"],"creator_names_search":["Nowlan, Alden"],"creators":["[{\"url\":\"http://viaf.org/viaf/61671170\",\"name\":\"Nowlan, Alden\",\"dates\":\"1933-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\",\"Speaker\"]}]"],"contributors_names":["Haywood, Norris","Hatfield, Richard","Bly, Robert","Costello, Ralph","Richards, David Adam","Gibbs, Bob","Donaldson, Alan","Stewart, Jim","Ferrari, Leo C."],"contributors_names_search":["Haywood, Norris","Hatfield, Richard","Bly, Robert","Costello, Ralph","Richards, David Adam","Gibbs, Bob","Donaldson, Alan","Stewart, Jim","Ferrari, Leo C."],"contributors":["[{\"url\":\"\",\"name\":\"Haywood, Norris\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Hatfield, Richard\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/79847862\",\"name\":\"Bly, Robert\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Costello, Ralph\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Richards, David Adam\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Gibbs, Bob\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Donaldson, Alan\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Stewart, Jim\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Ferrari, Leo C.\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Haywood, Norris","Hatfield, Richard","Bly, Robert","Costello, Ralph","Richards, David Adam","Gibbs, Bob","Donaldson, Alan","Stewart, Jim","Ferrari, Leo C."],"Performance_Date":[1984],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"AN_523_92.21.4.1.1\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:41:59\",\"precision\":\"\",\"size\":\"76.88 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1984-06-24\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from item.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Maritime Magazine, Sunday June 24, 1984: Remembering the poet Alden Nowlan\n- [00:00:09] clip of Alden Nowlan speaking\n- “Alden Alden Nowlan, For His Own Amazement: A Feature documentary”\n- Program released one year after his death. Begins with extended biography of Alden Nowlan, his life, childhood, and poetry.\n- [00:01:26] Alden Nowlan discussing his family/childhood\n- [00:02:49] clip of Norris Hayword, a friend of Alden Nowlan’s from Hartland, NB; Alden Nowlan and Hatfield spent a great deal of time with Hayword\n- [00:03:35] clip of Hatfield\n- [00:04:40] clip of Hayword\n- [00:06:07] clip of American poet Robert Bly. Alden Nowlan’s poetry was first picked up in American little magazines and journals. - [00:06:50] Bly reads Alden Nowlan’s poem “Weakness”.\n- [00:08:08] clip of Ralph Costello, editor of Telegraph Journal at the time of Alden Nowlan working there.\n- [00:08:39] Alden Nowlan reading his poem “Britain Street”\n- [00:11:00] clip of David Adams Richards, novelist and student of Alden Nowlan.\n- [00:12:18] clip of Bob Gibbs, UNB professor.\n- [00:13:12] clip of Alan Donaldson, UNB professor.\n- [00:15:35] Alden Nowlan reading his poem “The Night of the Party”\n- [00:16:31] clip of Gibbs\n- [00:17:14] clip of Richards\n- [00:17:38] clip of Hatfield\n- [00:18:06] Alden Nowlan reading his poem “A Pinch or Two of Dust”\n- [00:20:02] clip of Richards\n- [00:21:25] clip of Jim Stewart talking about Alden Nowlan’s past through the novel Various Persons Named Kevin O’Brien\n- [00:22:14] Alden Nowlan discussing his family and the difficulties of their relationship\n- [00:22:41] clip of Hatfield\n- [00:23:09] clip of Leo Ferrari, UNB professor\n- [00:24:17] clip of Gibbs\n- [00:25:59] Alden Nowlan discussing the founding of the Flat Earth Society\n- [00:26:51] clip of Hatfield on Alden Nowlan’s abundant tolerance\n- [00:27:12] clip of Ferrari\n- [00:27:40] clip of Gibbs\n- [00:28:35] clip of Richards\n- [00:29:02] Alden Nowlan reading “Ypres: 1915”\n- [00:30:31] clip of Ferrari\n- [00:30:59] Alden Nowlan discussing writing poems\n- [00:31:11] clip of Stewart\n- [00:31:24] clip of Richards\n- [00:31:58] Alden Nowlan reading “For Claudine, Because I Love Her”\n- [00:33:38] clip of Stewart\n- [00:34:35] Alden Nowlan discussing childhood home. - [00:35:06] Alden Nowlan reading “Blueberries, Strawberries, Winter Bean”\n- [00:36:18] clip of Hatfield\n- [00:38:20] Production notes."],"contents":["Unknown\n[00:00:01]\nReads \"Alden Nowlan, For His Own Amazement: A Feature Documentary\" from Maritime Magazine, Sunday June 24, 1984: Remembering the poet Alden Nowlan.\nRobert Bly\n[00:06:50]\nReads \"Weakness\" by Alden Nowlan.\nAlden Nowlan\n[00:08:39]\nReads \"Britain Street\".\nAlden Nowlan\n[00:15:35]\nReads \"The Night of the Party\".\nAlden Nowlan\n[00:18:06]\nReads \"A Pinch or Two of Dust\".\nAlden Nowlan\n[00:29:02]\nReads \"Ypres: 1915\".\nAlden Nowlan\n[00:31:58]\nReads \"For Claudine Because I Love Her\".\nAlden Nowlan\n[00:35:06]\nReads \"Blueberries, Strawberries, Wintergreen\"."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"The Rose and the Puritan (1958), Bread, Wine and Salt (1967), I'm a Stranger Here Myself (1974), The Mysterious Naked Man (1969)\"}]"],"_version_":1853670558514806784,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8326","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["(1) CBC Tribute to Alden Nowlan This Country in the Morning Irving Layton. (2) Interview w/ Jon Pederson"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Case label: (1) CBC Tribute to Alden Nowlan This Country in the Morning Irving Layton. (2) Interview w/ Jon Pederson. Tape Side 1: CBC Tribute to Alden - This Country in the Morning - June 28/83 + Irving Layton; Tape Side 2: Jammed! (crossed-out) Alden Nowlan Oct 21/82 Rolls 21+21"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[4.1.2]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2033"],"creator_names":["Layton, Irving"],"creator_names_search":["Layton, Irving"],"creators":["[{\"url\":\"http://viaf.org/viaf/66482092\",\"name\":\"Layton, Irving\",\"dates\":\"1912-2006\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors_names":["Pedersen, Jon","Ferrari, Leo [?]"],"contributors_names_search":["Pedersen, Jon","Ferrari, Leo [?]"],"contributors":["[{\"url\":\"\",\"name\":\"Pedersen, Jon\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Ferrari, Leo [?]\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Zellers\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Side 1: Fair; Side 2: Poor\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"AN_523_92.21.4.1.2\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:16:21\",\"precision\":\"\",\"size\":\"29.92 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"Performance Date\",\"notes\":\"Side 1: 1983-06-28; Side 2: 1982-10-21. Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"CBC Radio\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Venue":["CBC Radio"],"content_notes":["Hour 2 of Morningside introduced by Augusta La Paix, remembering Alden Nowlan who passed away the day before.\n- [00:01:41] David Adams Richards, novelist and friend of Alden Nowlan, discussing Alden Nowlan’s writing.\n- [00:02:28] John Stewart, St. John poet, discusses influence of Alden Nowlan on his work.\n- [00:04:12] Alden Nowlan reading an excerpt of poetry collection I Might Not Tell Everybody This, “Hospital”, which was his last published collection before his death.\n- [00:06:16] cuts to different recording – CBC Sunday morning, July 3 1983. News report of Alden Nowlan’s death. Shares clip of Alden Nowlan reading from I Might Not Tell Everybody This, recorded for a CBC program the year before. Alden Nowlan prefacing “Hospital”—same clip as Morningside—recording cuts before reading.\n- [00:07:43] tribute to Alden Nowlan from poet Irving Layton.\n- [00:10:51] cut in recording. Can hear recordist working with equipment in background. - [Side 2, interview with Jon Pedersen] .\n- [00:11:06] poor quality. Interview with Alden Nowlan. Two other voices/two interviewers; one is probably Leo Ferrari."],"contents":["Augusta La Paix\n[00:04:12]\nIntroduces Morningside [CBC Radio].\nDavid Adams Richards\n[1:41]\nDiscusses Nowlan’s writing.\nJohn Stewart\n[2:28]\nDiscusses influence of Alden Nowlan on his work.\nAlden Nowlan\n[4:12] \nReads “Hospital Parking Lot\" from I Might Not Tell Everybody This (1982).\n[6:16]\nAnnounces Alden Nowlan’s death from CBC Sunday Morning, July 3 1983 [Inlcudes reading of “Hospital Parking Lot\" same as reading from Morningside above at 4:12].\nReads “Hospital Parking Lot\" from I Might Not Tell Everybody This (1982).\nIrving Layton\n[7:43]\nPerforms tribute to Alden Nowlan.\nUnknown [recordist]\n[10:51]\nWorks with equipment in background. [Side 2, interview with Jon Pedersen].\nUnknown [probably Leo Ferrari]\n[11:06]\nInterviews Alden Nowlan."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"I Might Not Tell Everybody This (1982)\"}]"],"_version_":1853670558514806785,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8327","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Brahms Clarinet Quintet Stanley McCartney & the Brunswick String Quartet. Opening remarks by Dr. James Downey, President U.N.B. Performance dedicated to the memory of Alden Nowlan, 27 June 1983. The Playhouse, Fredericton N. B."],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Case label: Brahms Clarinet Quintet Stanley McCartney & the Brunswick String Quartet. Opening remarks by Dr. James Downey, President U.N.B. Performance dedicated to the memory of Alden Nowlan, 27 June 1983. The Playhouse, Fredericton N. B."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[4.1.3]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2033"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors_names":["Downey, James"],"contributors_names_search":["Downey, James"],"contributors":["[{\"url\":\"\",\"name\":\"Downey, James\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"Presenter_name":["Downey, James"],"Performance_Date":[1983],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"AN_523_92.21.4.1.3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:41:12\",\"precision\":\"\",\"size\":\"75.43 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-06-27\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"The Playhouse\",\"notes\":\"\",\"address\":\"Fredericton, New Brunswick, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Fredericton, New Brunswick, Canada"],"Venue":["The Playhouse"],"content_notes":["UNB concert the evening of Alden Nowlan’s death. Speaker paying tribute to Alden Nowlan.\n- [00:01:54] speaker reads Alden Nowlan’s poem “Aunt Jane”\n- [00:02:27] “This evening, the Brahms is dedicated to the memory of Alden Nowlan. It is a tribute by the musicians in this festival to a great colleague”\n- [00:02:59] Brahms begins.\n- [00:40:47] applause at end of performance. Cut off mid-applause."],"contents":["[00:01:54] \"Aunt Jane\""],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Under the Ice (1961)\"}]"],"_version_":1853670558515855360,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8328","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Sherlock Holmes - Radio"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Case label: The Incredible Murder of Cardinal Tosca (CBC Radio). Tape label: Sherlock Holmes - Radio."],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[4.2.1]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2053"],"creator_names":["Nowlan, Alden"],"creator_names_search":["Nowlan, Alden"],"creators":["[{\"url\":\"http://viaf.org/viaf/61671170\",\"name\":\"Nowlan, Alden\",\"dates\":\"1933-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors_names":["Learning, Walter"],"contributors_names_search":["Learning, Walter"],"contributors":["[{\"url\":\"http://viaf.org/viaf/11093579\",\"name\":\"Learning, Walter\",\"dates\":\"1938-2020\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":["Learning, Walter"],"Performance_Date":[1983],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Opus\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"AN_523_92.21.4.2.1\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:59:56\",\"precision\":\"\",\"size\":\"109.74 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983\",\"type\":\"Performance Date\",\"notes\":\"Dates supplied through research for copyright.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Indecipherable at beginning, improves at - [00:01:40] \n- Radio play of Sherlock Holmes and the Incredible Murder of Cardinal Tosca. \n- Begins with John Watson’s narration (following in style of Conan Doyle’s stories). Story takes place in 1895.\n- [00:03:15-00:04:00] female voice intermittently in background of recording\n- [00:07:36] pause in recording\n- [00:29:59-00:30:30] breaks in recording, repetition/loop of play\n- [00:41:19] intermission; Alden Nowlan humming\n- [00:48:37-00:52:59] intermission\n- Cut off before end of radio play"],"contents":["Alden Nowlan\nThe Incredible Murder of Cardinal Tosca (radio play)"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558515855361,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8329","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Tosca (noise)"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Tape label: Tape One Tosca (noise)"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[4.2.2(1)]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2053"],"creator_names":["Nowlan, Alden"],"creator_names_search":["Nowlan, Alden"],"creators":["[{\"url\":\"http://viaf.org/viaf/61671170\",\"name\":\"Nowlan, Alden\",\"dates\":\"1933-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors_names":["Learning, Walter"],"contributors_names_search":["Learning, Walter"],"contributors":["[{\"url\":\"http://viaf.org/viaf/11093579\",\"name\":\"Learning, Walter\",\"dates\":\"1938-2020\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":["Learning, Walter"],"Performance_Date":[1983],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Simpsons-Sears\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"AN_523_92.21.4.2.2(1)\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:30:07\",\"precision\":\"\",\"size\":\"165.00 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983\",\"type\":\"Performance Date\",\"notes\":\"Dates supplied through research for copyright.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["The Incredible Murder of Cardinal Tosca radio play. Begins with radio host describing the play by Alden Nowlan and Learning, CBC Stereo Halifax by Elizabeth Fox. John Neville (Holmes) and Dan McDonald (Watson).\n- [00:01:12] coughing in background.\n- [00:09:07] laughter.\n- [00:41:24] intermission\n- [00:44:55] issues with recording, pauses and cuts. Can hear voices in background. Returns at - [00:45:10] significantly further along in the play.\n- [00:50:29] laughter in background.\n- [00:52:58] coughing background. - [00:53:12] laughter. - [54:30-55:00] intermittent laughter.\n- [01:06:00] laughter in background.\n- Recording ends before completion of play."],"contents":["Alden Nowlan\nThe Incredible Murder of Cardinal Tosca (radio play)"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558515855362,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8330","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["2 minutes of Tosca (centre)"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Tape label: 2 Minutes of Tosca (centre)"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[4.2.2(2)]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2053"],"creator_names":["Nowlan, Alden"],"creator_names_search":["Nowlan, Alden"],"creators":["[{\"url\":\"http://viaf.org/viaf/61671170\",\"name\":\"Nowlan, Alden\",\"dates\":\"1933-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors_names":["Learning, Walter"],"contributors_names_search":["Learning, Walter"],"contributors":["[{\"url\":\"http://viaf.org/viaf/11093579\",\"name\":\"Learning, Walter\",\"dates\":\"1938-2020\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":["Learning, Walter"],"Performance_Date":[1983],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Simpsons-Sears\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"AN_523_92.21.4.2.2(2)\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:05:44\",\"precision\":\"\",\"size\":\"10.50 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983\",\"type\":\"Performance Date\",\"notes\":\"Dates supplied through research for copyright.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Fragment of The Incredible Murder of Cardinal Tosca CBC radio play.\n- From the middle of the play, when Holmes shoots the cardinal.\n- [00:03:08] short intermission with music, can hear movement and Alden Nowlan coughing, speaking in the background. Talking to Walter Learning about the play.\n- [00:04:20] cuts to folk music.\n- [00:05:03] cuts to Alden Nowlan testing recording equipment (multiple tests)."],"contents":["Alden Nowlan\nThe Incredible Murder of Cardinal Tosca (radio play)"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558516903936,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8331","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Canada Council 25th Anniversary Maritime Writers Workshop, UNB; July 4, 1982 "],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Case label: Canada Council 25th Anniversary Maritime Writers Workshop, UNB July 4, 1982. Intro: Laurel Boone, Robert Gibbs 5:15; Alfred Bailey 9:30; Alden Nowlan 14:00; Intro: 3:15; Alden Nowlan 21:00. Label on casette has similar information."],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[4.3.1]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2032"],"creator_names":["Nowlan, Alden"],"creator_names_search":["Nowlan, Alden"],"creators":["[{\"url\":\"http://viaf.org/viaf/61671170\",\"name\":\"Nowlan, Alden\",\"dates\":\"1933-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Boone, Laurel","Gibbs, Bob","Bailey, Alfred"],"contributors_names_search":["Boone, Laurel","Gibbs, Bob","Bailey, Alfred"],"contributors":["[{\"url\":\"http://viaf.org/viaf/12151288\",\"name\":\"Boone, Laurel\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Gibbs, Bob\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Bailey, Alfred\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Boone, Laurel","Gibbs, Bob","Bailey, Alfred"],"Performance_Date":[1967],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Slight hiss\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"AN_523_92.21.4.3.1\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:42:52\",\"precision\":\"\",\"size\":\"78.50 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1967\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://nominatim.openstreetmap.org/ui/details.html?osmtype=W&osmid=19797954&class=amenity\",\"venue\":\"University of New Brunswick\",\"notes\":\"\",\"address\":\"3 Bailey Dr, Fredericton, New Brunswick, E3B 5A3, Canada\",\"latitude\":\"[45.945530250000004]\",\"longitude\":\"[-66.64018313486694]\"}]"],"Address":["3 Bailey Dr, Fredericton, New Brunswick, E3B 5A3, Canada"],"Venue":["University of New Brunswick"],"content_notes":["Notes from cassette case: SIDE A Intro: Laurel Boone, Robert Gibbs - [00:05:15] ; Alfred Bailey - [00:09:30] ; Alden Nowlan - [00:14:00] ; SIDE B Intro: - [00:03:15] ; Alden Nowlan - [00:21:00] \n- [00:00:11] Introduction by Laurel Boone to reading event, 7th Annual Maritime Writers workshop, also celebrating 25th anniversary of Canada Council.\n- [00:01:11] Bob Gibbs introduces Alfred Bailey.\n- [00:05:00] Alfred Bailey reading “The Night Country”\n- [00:07:34] Introduction to poem, giving context to allusions and historical context.\n- [00:09:15] “Queen’s Park”\n- [00:11:24] “Gluskap’s Daughter”\n- [00:12:56] “Colour Chart”\n- [00:14:04] applause at end of reading\n- [00:14:25] Bob Gibbs concluding Bailey’s reading, introducing Alden Nowlan.\n- [00:18:08] applause for Alden Nowlan walking up to microphone. \n- [00:18:49] Begins reading poems from I Might Not Tell Everybody This, “My Beard, Once Lionheart Red”\n- [00:22:19] Introduces poem and then reads, - [00:23:29] “What Happened When He Went to the Store for Bread”\n- [00:25:55] Introduces poem and then reads, - [00:26:30] “Word from the Losers”\n- [00:28:06] laughter at poem\n- [00:28:17] “And Now the Good News”. Laughter throughout.\n- [00:29:17] “Ghost Stories”. Laughter at - [00:29:40] .\n- [00:32:06] Introduces poem and then reads, - [00:32:54] “He Visits the Shrine of a Saint”\n- [00:35:52] “The Secretive Fisherman”\n- [00:38:33] “Only When My Heart Freezes”\n- [00:39:56] introduces poem and then reads “Legacy.” Recording ends here."],"contents":["Laurel Boone\n[00:00:11]\nIntroduces \"7th Annual Maritime Writers workshop\".\nRobert Gibbs\n[00:01:11]\nIntroduces Alfred Bailey.\nAlfred Bailey\n[00:05:00]\nReads \"The Night Country\".\nAlfred Bailey\n[00:09:15]\nReads \"Queen’s Park\".\nAlfred Bailey\n[00:11:24]\nReads \"Gluskap’s Daughter\".\nAlfred Bailey\n[00:12:56]\nReads \"Colour Chart\".\nBob Gibbs\n[00:14:25]\nConcludes Alfred Bailey readings and introduces Alden Nowlan.\nAlden Nowlan\n[00:18:49]\nReads \"My Beard, Once Lionheart Red\".\nAlden Nowlan\n[00:23:29]\nReads \"What Happened When He Went to the Store for Bread\".\nAlden Nowlan\n[00:26:30]\nReads \"Word from the Losers\".\nAlden Nowlan\n[00:28:17]\nReads \"And Now the Good News\".\nAlden Nowlan\n[00:29:17]\nReads \"Ghost Stories\".\nAlden Nowlan\n[00:32:54]\nReads \"He Visits the Shrine of a Saint\".\nAlden Nowlan\n[00:35:52]\nReads \"The Secretive Fisherman\".\nAlden Nowlan\n[00:38:33]\nReads \"Only When My Heart Freezes\".\nAlden Nowlan\n[00:39:56]\nReads \"Legacy\"."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Bailey, poems published in various venues including special issue of Canadian Literature (1979) [\\\"The Night Country\\\"]. Can all be found in Miramichi Lightning: The Collected Poems of Alfred Bailey; Nowlan, I Might Not Tell Everybody This (1982)\"}]"],"_version_":1853670558516903937,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8332","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Untitled tape  [\"In memory of Alden Nowlan\" from CBC Anthology series, 1970]"],"item_title_source":["Transcribed from the artifact"],"item_title_note":[" [\"In memory of Alden Nowlan\" from CBC Anthology series, 1970] added by Jason Camlot to create a more informative title."],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[4.3.2]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2054"],"creator_names":["Nowlan, Alden"],"creator_names_search":["Nowlan, Alden"],"creators":["[{\"url\":\"http://viaf.org/viaf/61671170\",\"name\":\"Nowlan, Alden\",\"dates\":\"1933-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors_names":["Burn, Cyril","Doherty, Denny","Wadman, Glenn","Milosovich, Olga"],"contributors_names_search":["Burn, Cyril","Doherty, Denny","Wadman, Glenn","Milosovich, Olga"],"contributors":["[{\"url\":\"\",\"name\":\"Burn, Cyril\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/7136679\",\"name\":\"Doherty, Denny\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Wadman, Glenn\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Milosovich, Olga\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Narrator\"]}]"],"performer_name":["Burn, Cyril","Doherty, Denny","Wadman, Glenn"],"Performance_Date":[1970],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Pulser\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"AN_523_92.21.4.3.2\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:46:40\",\"precision\":\"\",\"size\":\"85.45 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 4.3.2\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Halifax, Nova Scotia, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Halifax, Nova Scotia, Canada"],"City":["Halifax, Nova Scotia"],"content_notes":["CBC Anthology series female announcer (Olga Milosovich) discussing Alden Nowlan’s Will Ye Let the Mummers In, published posthumously.\n- Program titled “In memory of Alden Nowlan”\n- [0:34-0:45] cuts and then returns to program. Different Anthology female announcer discussing Alden Nowlan and introducing program.\n- [00:01:22] “The Drunken Poet” read by a male voice.\n- [00:02:17] Announcer introduces first piece of short fiction, - [00:02:39] “Hello Out There”\n- [00:10:52] Announcer returns\n- [00:11:32] “Two Poems for the Nova Scotia Department of Highways”. Reads both poems.\n- [00:12:59] Announcer introduces next poem, - [00:13:26] “Fives Days in Hospital”\n- [00:15:15] “The Bull Moose”\n- [00:16:55] Announcer introduces “Ypres: 1915” - [00:17:15] \n- [00:21:37] break and return to program\n- [00:21:51] “Will Ye Let the Mummers In?” Squeak on recording throughout the first half of the reading.\n- [00:44:35] announcer ends program, notes that this program is one year after his death\n- [00:45:12] “For Claudine, Because I Love Her”\n- Written by Robert Weaver, produced by Elizabeth Fox, technical support Rod Sneden, production assistant Betty Ann Lloyd. Voiced by Cyril Burn, Denny Doherty, and Glenn Wadman. Narrated by Olga Milosovich."],"contents":["Unknown\n[00:00:01]\nPresents \"In memory of Alden Nowlan\" from CBC Anthology series.\nUnknown\n[00:01:22]\nReads \"The Drunken Poet\".\nUnknown\n[00:02:39]\nReads \"Hello Out There\".\nUnknown\n[00:11:32]\nReads \"Two Poems for the Nova Scotia Department of Highways\".\nUnknown\n[00:13:26]\nReads \"Fives Days in Hospital\".\nUnknown\n[00:15:15]\nReads \"The Bull Moose\".\nUnknown\n[00:17:15]\nReads \"Ypres: 1915\".\nUnknown\n[00:21:51]\nReads \"Will Ye Let the Mummers In?\".\nUnknown\n[00:45:12]\nReads \"For Claudine Because I Love Her\"."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"The Things Which Are (1962), The Mysterious Naked Man (1969)\"}]"],"_version_":1853670558516903938,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8333","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["#2 Nov 15/77"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Writing on tape: #2 Nov 15/77"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[4.3.3]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2027"],"creator_names":["Nowlan, Alden"],"creator_names_search":["Nowlan, Alden"],"creators":["[{\"url\":\"http://viaf.org/viaf/61671170\",\"name\":\"Nowlan, Alden\",\"dates\":\"1933-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Marom, Malka"],"contributors_names_search":["Marom, Malka"],"contributors":["[{\"url\":\"\",\"name\":\"Marom, Malka\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"Interviewer_name":["Marom, Malka"],"Performance_Date":[1977],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Philips\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"AN_523_92.21.4.3.3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:55:29\",\"precision\":\"\",\"size\":\"101.59 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977-11-15\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Writing on tape: #2 Nov 15/77\n- Part of interview with Malka Marom\n- Discussion of drudgery and inspiration in writing\n- Alden Nowlan’s personal history. Includes discussion of Alden Nowlan’s illness.\n- Discussions of writing and poetry"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558516903939,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8334","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Robert Kroetsch fonds"],"source_collection_label":["Robert Kroetsch fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/robert-kroetsch-fonds"],"item_title":["Narrative Traces: Talking with Robert Kroetsch"],"item_title_source":["Transcribed from the artifact"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[29.2]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2037"],"creator_names":["Kroetsch, Robert"],"creator_names_search":["Kroetsch, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Edwards, Brian"],"contributors_names_search":["Edwards, Brian"],"contributors":["[{\"url\":\"\",\"name\":\"Edwards, Brian\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"Interviewer_name":["Edwards, Brian"],"Performance_Date":[1995],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Unknown acetate\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Very clear, studio recorded. Background conversation at 46:03.\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"RK_Acc_775_04.25.29-2\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:47:25\",\"precision\":\"\",\"size\":\"781.34 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1995\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from item.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"University of Calgary Studio, Calgary, Canada\",\"notes\":\"\",\"address\":\"Deakin University Open Campus Program\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Deakin University Open Campus Program"],"Venue":["University of Calgary Studio, Calgary, Canada"],"content_notes":["- Part of a course entitled “Literary Processes” through Deakin University.\n- Discussion of Robert Kroetsch’s recent work. Crow served as inspiration during difficult writing period. Robert Kroetsch prefers magic realism instead of documentary style, finds documentary unnatural to him “because I don’t believe documents are documents, that they themselves are another version of unreality or imagination if you will.” Versions of narrative operating through time, recovery of intermingling voices.\n- Stories of family are important, especially relationships with uncles and aunts because there is a necessary closeness and separation (don’t have the binding structures found with parents).\n- Creative strategies: resisting authorized versions of Alberta (historical, political), recovering personal experience but mediated by words (oral tradition). A few words recover an entire narrative pattern.\n- Interruption and intervention: question of “what is a reader?” The reader has enormous body of narrative in their head which can be tapped into by process of intervention.\n- Influences: earlier texts use myths/stories. In Crow, attempt to let multiple narratives speak at once without privileging one. i.e. the perception of crows as negative in Western world, but is a smart, positive, trickster figure in Indigenous epistemologies.\n- Story doesn’t exist until it is in the reader’s mind? Robert Kroetsch has abandoned romantic notion of the writer/artist. Meta-textualism. \n- Brian: post-modern privileges the reader, reader is invited into the text. Robert Kroetsch: It is difficult and dangerous to be the reader, because reading is no longer a controlled experience, but allows for the reader to explore. There is a sense of play or discovery.\n- Structuring narrative through love and death. Behind comedy there is a notion of great mystery.\n- Plays with the stereotype of active male and passive female\n- The responsibilities of the writer, reader, and critic: It is a gift exchange that goes both ways between reader and writer. The critic extends the reading. Brian: Notion of ideal reading assumes ideal reader. Robert Kroetsch: agrees and resists the ideal reading, through the gift exchange has surrendered himself to the reader. There is no ideal context for reading.\n- Robert Kroetsch writes poetry by resisting poetry. Deprivileging the word and the role of the writer. An interest in language. Poetry is concerned with more than words (he compares this to prose). It is not because of the high rhetoric, but the greater ability to focus on the language.\n- What parts of Crow are distinctly Canadian? Recovering the vitality of the local; skepticism of the “universal.”"],"contents":["Robert Kroetsch and Brian Edwards\n[00:00:01] \nDiscuss What the Crow Said (General Publishing, 1978) [as part of a course “Literary Processes” through Deakin University].\nRobert Kroetsch\n[00:28:55]\nMentions \"Spending the Morning on the Beach\". \nRobert Kroetsch  \n[00:42:00]\nReads \"What the Crow Said\"."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Kroetsch, What the Crow Said (1978)\"}]"],"_version_":1853670558517952512,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8335","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Earle Birney fonds"],"source_collection_label":["Earle Birney fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/index.php/earle-birney-fonds"],"item_title":["Earle Birney reading from a manuscript called Poems new or revised."],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label of recording title and included poems taped to box. Box stamped JS 0X6."],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[7.1]"],"rights":["The Public Domain Mark (PDM)"],"creator_names":["Birney, Earle"],"creator_names_search":["Birney, Earle"],"creators":["[{\"url\":\"http://viaf.org/viaf/97679781\",\"name\":\"Birney, Earle\",\"dates\":\"1904-1995\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"CBC Radio - Canada\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"7 1/2 ips\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Birney_MsC_13.7.1\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:30:01\",\"precision\":\"\",\"size\":\"494.72 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966\",\"type\":\"Performance Date\",\"notes\":\"[1966]. Performance date supplied from creation dates listed for item level descriptions in archival finding aid for the Earle Birney fonds Item number 7.1\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Title based on contents of file.\n- Studio recording from manuscript Poems New or Revised. \n- The first few are audiovisual or kinetic poems, Birney states that they really should be projected on a screen and seen by the audience.\n- In reading “Buildings,” Birney also indicates the titles of the subpoems: “Lines,” “Waiting Room,” “Schoolhouse,” and “Walls”\n- Reads a revised version of “Christmas Comes” which he has updated for December 1966. This revised version has not, as far as can be found, been published despite “Christmas Comes” being republished in various anthologies/magazines since 1966. Birney puts on a British accent for the BBC broadcaster within the poem.\n- \"For Imageorge & Imangela in Calgary” is addressed to George and Angela George Bowering after Birney visited them in Calgary.\n- Untitled - [00:08:26] is a double haiku for John and Elaine Gill, American poets.\n- \"If Only Someone Else Would Come\" is a translation of a Hungarian poem by Endre Ady (1877-1919), from work by Juditte Sarkany-Perret.\n- Untitled - [00:10:07] about the pleasure of reading Chaucer, put into Chaucerian language and rhythms. Birney pronounces the poem in accordance with Middle English (vowel shift).\n- \"In Purdy's Ameliasburg\" to Al Purdy, spending time in Purdy’s shack in Ameliasburgh when Purdy wrote many of his poems. Birney likens it to going to the Lake District after Wordsworth. It is both exhilarating and disappointing, realize that the place exists in the poet’s mind.\n- “The Mammoth Corridor” contains two styles: found poetry and formal poetry. Includes extracts from various Canadian guidebooks (Calgary, BC, Vancouver, etc.). In his reading, Birney indicates what portions are abstracts by reading in a lighter tone/faster pace. Whereas the “formal” sections are read as Birney would normally read.\n"],"contents":["Earle Birney  \n[00:00:24]  \nReads \"Alaska Passage\".  \nEarle Birney  \n[00:01:34]  \nReads \"Buildings\".  \nEarle Birney  \n[00:03:13]  \nReads \"Christmas Comes\".  \nEarle Birney  \n[00:06:01]  \nReads \"For Imageorge & Imangela in Calgary\".  \nEarle Birney  \n[00:08:10]  \nReads \"Haiku\".  \nEarle Birney  \n[00:08:26]  \nReads untitled.  \nEarle Birney  \n[00:09:05]  \nReads \"If Only Someone Else Would Come\".  \nEarle Birney  \n[00:10:07]  \nReads untitled.  \nEarle Birney  \n[00:12:08]  \nReads \"In Purdy's Ameliasburg\".  \nEarle Birney  \n[00:16:45]  \nReads \"I think you are a whole city...\".  \nEarle Birney  \n[00:17:56]  \nReads \"Like an eddy...\".  \nEarle Birney  \n[00:18:16]  \nReads \"There are delicacies in you...\".  \nEarle Birney  \n[00:18:35]  \nReads \"The Mammoth Corridor\".  \nEarle Birney  \n[00:28:01]  \nReads \"To Ikuko With a Single Chopstick\"."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"manuscript of Poems New or Revised\"}]"],"_version_":1853670558517952513,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8336","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Robert Kroetsch fonds"],"source_collection_label":["Robert Kroetsch fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/robert-kroetsch-fonds"],"item_title":["1+2 - Author, author"],"item_title_source":["Transcribed from the artifact"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[29.3]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2058"],"creator_names":["Kroetsch, Robert"],"creator_names_search":["Kroetsch, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Hawkes, John"],"contributors_names_search":["Hawkes, John"],"contributors":["[{\"url\":\"\",\"name\":\"Hawkes, John \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Hawkes, John "],"Performance_Date":[1988],"material_description":["[{\"side\":\"A\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Includes music and sound effects.\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"RK_Acc_775_04.25.29-3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:23:30\",\"precision\":\"\",\"size\":\"387.26 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988\",\"type\":\"Performance Date\",\"notes\":\"Dates supplied through research for copyright.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"CBC Radio\",\"notes\":\"\",\"address\":\"Winnipeg, Manitoba, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Winnipeg, Manitoba, Canada"],"Venue":["CBC Radio"],"City":["Winnipeg, Manitoba"],"content_notes":["Readings are excerpts of Hawkes' novels with and introductions/interpretations by Robert Kroetsch. \n- Opens with introduction by Robert Kroetsch. Musical accompaniment through recording.\n- “I have a suspicion that we are all the novelists of our own lives”\n- The reader of Hawkes’ work is not Robert Kroetsch.\n- Robert Kroetsch discusses John Hawkes. The Lime Twig was set in Britain, Hawkes is rumoured never to have visited. It is a balance between control and loss of control, daydream, reverie, and fantasy. Erotic forces and language of erotics. The landscape and violence that intrudes upon it.\n- [00:08:45] Robert Kroetsch trying to wrestle with Canadian humour and the terrifying, and how those two can exist within each other. Innocence comes through loss. Comedy and terror flow together.\n- [00:16:24] Robert Kroetsch: blood and oranges both speak to fertility rites. Daydreaming of creating new self. In Hawkes the idea of self is replaced by idea of role – “we are each a bundle of contending and related roles”\n- [00:19:51] Robert Kroetsch: writers work to surprise. The translation of pure desire into complexity of love. The question of “who is safe?”\n- [00:21:54] Robert Kroetsch: We are obsessively in our own minds inventing the who/where of our lives. Hawkes as gothic writer: innocence, desire, self-deception, courage. “We make up the stories of our lives and then, in fear and laughter, act them out.”\n- Recording directed to the attention of Geraldine Sherman, State of the Arts."],"contents":["Robert Kroetsch\n[00:00:05]\nIntroduces the novels of John Hawkes, The Lime Twig (1961); The Blood Oranges (1971); Death, Sleep & the Traveler (1974). \nUnknown \n[00:01:57]\nReads from The Lime Twig. \nRobert Kroetsch\n[00:05:34]\nDiscusses The Lime Twig.\nUnknown \n[00:06:40]\nReads from The Lime Twig.\nRobert Kroetsch \n[00:08:45]\nDiscusses The Lime Twig. \nUnknown \n[00:09:26]\nReads from The Lime Twig.\nRobert Kroetsch\n[00:11:06]\nDiscusses The Lime Twig.\nUnknown \n[00:11:54]\nReads from The Blood Oranges.\nRobert Kroetsch\n[00:13:58]\nDiscusses The Blood Oranges.\nUnknown\n[00:14:18]\nReads from The Blood Oranges.\nRobert Kroetsch  \n[00:16:24]\nDiscusses The Blood Oranges.\nUnknown\n[00:17:21]\nReads from Death, Sleep and the Traveler.\nRobert Kroetsch \n[00:19:51]\nDiscusses Death, Sleep and the Traveler.\nUnknown\n[00:20:28]\nReads from Death, Sleep and the Traveler.\nRobert Kroetsch\n[00:21:54]\nDiscusses Death, Sleep and the Traveler."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"John Hawkes, The Lime Twig (1961); The Blood Oranges (1971); Death, Sleep & the Traveler (1974)\"}]"],"_version_":1853670558517952514,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8337","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Earle Birney fonds"],"source_collection_label":["Earle Birney fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/index.php/earle-birney-fonds"],"item_title":["Earle Birney reading an anti-Christmas poem written for Gaudy Night at Massey College"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label of recording title. Label reading \"also: Mens Sportwear Dept; Oil Refinery\". Box stamped JS 0X6."],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[7.2]"],"rights":["The Public Domain Mark (PDM)"],"creator_names":["Birney, Earle"],"creator_names_search":["Birney, Earle"],"creators":["[{\"url\":\"http://viaf.org/viaf/97679781\",\"name\":\"Birney, Earle\",\"dates\":\"1904-1995\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"CBC Radio - Canada\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"7 1/2 ips\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Birney_MsC_13.7.2\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:23:25\",\"precision\":\"\",\"size\":\"385.76 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Earle Birney fonds Item number 7.2\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://nominatim.openstreetmap.org/ui/details.html?osmtype=R&osmid=4323&class=building\",\"venue\":\"Massey College, University of Toronto\",\"notes\":\"\",\"address\":\"4, Devonshire Place, Toronto, Ontario, Canada\",\"latitude\":\"[43.6649588]\",\"longitude\":\"[-79.39736752484228]\"}]"],"Address":["4, Devonshire Place, Toronto, Ontario, Canada"],"Venue":["Massey College, University of Toronto"],"City":["Toronto, Ontario"],"content_notes":["Title based on contents of file.\n- Studio recording of an Anti-Christmas poem requested for Gaudy Night at Massey College, where Birney is in residence.\n- Mixture of plagiarism, found texts accounted and unaccounted for.\n- Opens with a carol from the 16th century, which Birney reads in Middle English. Birney indicates when he is reading quotes. Includes Gaudy Night prayer.\n- Birney also reads holiday prose poem \"Saved by Santa from a Poet's Death: A True Story,\" and two other poems \"Eaton's Men's Sportswear Department\" and \"Oil Refinery.\" “Oil Refinery” was written after Birney spent the night in an oil refinery on the Pacific coast, and it is cast in Anglo-Saxon meter and style.\n"],"contents":["Earle Birney  \n[00:00:00]  \nReads \"Anti-Christmas poem\".  \nEarle Birney  \n[00:12:50]  \nReads \"Saved by Santa from a Poet's Death: A True Story\".  \nEarle Birney  \n[00:20:12]  \nReads \"Eaton's Men's Sportswear Department\".  \nEarle Birney  \n[00:21:10]  \nReads \"Oil Refinery\"."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558517952515,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8338","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Robert Kroetsch fonds"],"source_collection_label":["Robert Kroetsch fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/robert-kroetsch-fonds"],"item_title":["Spoken Word CD. Robert Kroetsch. 1 - 2:52, 2 - 1:31"],"item_title_source":["Transcribed from the artifact"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[29.4]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2045"],"creator_names":["Kroetsch, Robert"],"creator_names_search":["Kroetsch, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1995],"material_description":["[{\"side\":\"A\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Includes sound effects.\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"RK_Acc_775_04.25.29-4\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:04:29\",\"precision\":\"\",\"size\":\"73.99 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1995\",\"type\":\"Performance Date\",\"notes\":\"Dates supplied through research for copyright.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Cassette stamped with G2086068."],"contents":["Robert Kroetsch\n[00:00:00]\nReads \"I Wanted to Write a Manifesto\". \nRobert Kroetsch\n[00:02:53]\nReads \"Poem for My Dead Sister\"."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Kroetsch, A Likely Story (1995)\"}]"],"_version_":1853670558517952516,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8339","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Robert Kroetsch fonds"],"source_collection_label":["Robert Kroetsch fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/robert-kroetsch-fonds"],"item_title":["Ken Galloway Chorus"],"item_title_source":["Transcribed from the artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[29.5]"],"rights":["The Public Domain Mark (PDM)"],"creator_names":["Galloway, Ken"],"creator_names_search":["Galloway, Ken"],"creators":["[{\"url\":\"\",\"name\":\"Galloway, Ken\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1953],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Slightly grainy.\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"RK_Acc_775_04.25.29-5\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:05:11\",\"precision\":\"\",\"size\":\"85.40 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1953\",\"type\":\"Performance Date\",\"notes\":\"Dates supplied through research for copyright.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["- North East Air Command song: “Only the Best Go North” (? assumed title)."],"contents":["Ken Galloway\nPerforms \"Only the Best Go North\""],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558517952517,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8340","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Earle Birney fonds"],"source_collection_label":["Earle Birney fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/index.php/earle-birney-fonds"],"item_title":["Earle Birney reading from Selected poems 1940-1966 (Tape 2)"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label of recording title and included poems taped to box. Box stamped JS 0X6."],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[7.3.2]"],"rights":["The Public Domain Mark (PDM)"],"creator_names":["Birney, Earle"],"creator_names_search":["Birney, Earle"],"creators":["[{\"url\":\"http://viaf.org/viaf/97679781\",\"name\":\"Birney, Earle\",\"dates\":\"1904-1995\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"CBC Radio - Canada\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"7 1/2 ips\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Birney_MsC_13.7.3-2\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:27:56\",\"precision\":\"\",\"size\":\"460.31 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Earle Birney fonds Item number 7.3.2\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Title based on contents of file.\n- “The stick-thighed fellow…” inspired by a London poetry pub.\n- “St Valentine is Past” written in Vancouver Island 1951, inspired by the question asked by Theseus in Shakespeare’s Midsummer Night’s Dream: “St Valentine is past, begin these woodbirds but to couple now?”\n- Ellesmereland I & II are twins, 1952 and 1965, where I is speculating about the barren top of Canada, and II is responding to the Americans putting a station up there.\n- “The Ballad of Mr Chubbs” inspired by road signs, especially from strange little village in Minnesota.\n- “An Appeal to a Lady with a Diaper” is not really a poem, more a topical satire which requires constant revision to remain relevant. Poem with gaps or slots to insert whatever cliché is operating at the moment. Anti-North American poem.\n- \"We are leaving the park now...\": coming out of Yellowstone National Park 1952, but could be applied to any park.\n- “Oldster”: Salt Lake City, 1952\n- \"Billboards build freedom of choice\": Driving down a road in Oregon, 1961-62, Birney’s favourite state. Obstructed view by signboards, Birney invents hitchhiker who he picks up to explain these signs to him. Birney puts on voices to indicate himself and the hitchhiker.\n- “Campus Theatre Steps”: audiovisual poem. University of Oregon theatre just before it opens for the evening.\n- \"Looking from Oregon\": Written on the coast of Oregon August 7th, 1964. The day the American warships moved into the Gulf of Tonkin. Begins with quote from poet friend Robinson Jeffers.\n- \"Mammorial Stanzas for Aimee Semple McPherson\": Canada and California. Joycean celebration of forgotten Ontario heroine Aimee McPherson, evangelist who made significant money off of her evangelizing.\n"],"contents":["Earle Birney\n[00:00:00]\nReads \"El Greco: Espolio\".\nEarle Birney\n[00:01:58]\nReads \"The stick-thighed fellow…\".\nEarle Birney\n[00:02:55]\nReads \"Introvert\".\nEarle Birney\n[00:04:31]\nReads \"St Valentine is Past\".\nEarle Birney\n[00:06:56]\nReads \"Ellesmereland I\" and \"Ellesmereland II\".\nEarle Birney\n[00:10:22]\nReads \"Transcontinental\".\nEarle Birney\n[00:10:22]\nReads \"The Ballad of Mr. Chubb\".\nEarle Birney\n[00:13:03]\nReads \"An Appeal to a Lady with a Diaper\".\nEarle Birney\n[00:15:55]\nReads \"We are leaving the park now...\".\nEarle Birney\n[00:16:55]\nReads \"Oldster\".\nEarle Birney\n[00:18:08]\nReads \"Billboards build freedom of choice\".\nEarle Birney\n[00:21:05]\nReads \"Campus Theatre Steps\".\nEarle Birney\n[00:22:37]\nReads \"Looking from Oregon\".\nEarle Birney\n[00:25:31]\n\"Mammorial Stanzas for Aimee Semple McPherson\"."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Selected Poems, 1940-1966\"}]"],"_version_":1853670558517952518,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8341","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Robert Kroetsch fonds"],"source_collection_label":["Robert Kroetsch fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/robert-kroetsch-fonds"],"item_title":["From John Snow"],"item_title_source":["Transcribed from the artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[29.6]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2052"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[2002],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Ampex\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"RK_Acc_775_04.25.29-6\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:38:56\",\"precision\":\"\",\"size\":\"641.72 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2002\",\"type\":\"Performance Date\",\"notes\":\"Dates supplied through research for copyright.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["- Reading of “Cascando” including musical accompaniment. Two voices, neither of which are Robert Kroetsch.\n- [00:21:45] Robert Kroetsch’s discussion/lecture on Beckett\n- Written on back of tape: Cascando by Beckett\n"],"contents":["Unknown\nReads excerpt of Samuel Beckett's \"Cascando\".\nRobert Kroetsch  \n[00:21:45]\nLectures and discusses of Beckett's works."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558519001088,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8302","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["D.A.R. #4"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"D.A.R. #4 Master\"; label on tape, side A: \"Richards [smudged] #4\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[3.9]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2046"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Richards, David Adams"],"contributors_names_search":["Richards, David Adams"],"contributors":["[{\"url\":\"\",\"name\":\"Richards, David Adams\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Richards, David Adams"],"Performance_Date":[1996],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Memorex DB\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_3.9\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:00:53\",\"precision\":\"\",\"size\":\"1,003.45 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-02\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 3.9\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Continuation of conversation with David Adams Richards"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558519001089,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8303","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Alden Nowlan - 03.29.’68 Acadia University"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Alden Nowlan - 03.29.'68 Acadia University\"; label on tape, side A: \"Alden reading at Acadia Dolby B\""],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[3.24]"],"rights":["The Public Domain Mark (PDM)"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Nowlan, Alden"],"contributors_names_search":["Nowlan, Alden"],"contributors":["[{\"url\":\"http://viaf.org/viaf/61671170\",\"name\":\"Nowlan, Alden\",\"dates\":\"1933-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"performer_name":["Nowlan, Alden"],"author_name":["Nowlan, Alden"],"Performance_Date":[1968],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"3M\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_3.24\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:39:47\",\"precision\":\"\",\"size\":\"1.28 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1968-03-29\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://nominatim.openstreetmap.org/ui/details.html?osmtype=W&osmid=203998377&class=amenity\",\"venue\":\"Acadia University\",\"notes\":\"\",\"address\":\"15 University Ave, Wolfville, Nova Scotia, Canada\",\"latitude\":\"[45.08824955]\",\"longitude\":\"[-64.36658994820328]\"}]"],"Address":["15 University Ave, Wolfville, Nova Scotia, Canada"],"Venue":["Acadia University"],"content_notes":["Greagory Cooktesting mic at beginning\n- [00:00:18] “First Lesson in Theology”\n- [00:00:58] “For Jamil Baroody”\n- [00:04:04] “The Barmaid’s Daughter”\n- [00:04:45] “A Black Plastic Button and a Yellow Yoyo”\n- [00:05:59] “Police Beat”\n- [00:06:64] introduction and “Fireworks”\n- [00:07:44] “On the Nature of Human Compassion”\n- [00:08:43] “The Critic”\n- [00:09:03] “Pop Song”\n- [00:09:42] introduction and “State Visit”\n- [00:11:50] introduction and “The Writer in Residence Poem”\n- [00:13:39] comment from Greg Cook\n- [00:14:19] “Historical Footnote” - [unpublished] \n- [00:15:49] “Playing the Jesus Game”\n- [00:16:46] “The Men in Antonio’s Barber Shop”\n- [00:19:10] “Two Tasmanians” - [unpublished] \n- [00:19:50] “The Bearded Man’s Poem”\n- [00:20:32] “The Mysterious Naked Man”\n- [00:22:19] “The Atheist, Praying”\n- [00:22:49] “Witness to Murder”\n- [00:23:43] introduction and “A great man smells piss…” - [unpublished] \n- [00:25:38] “O’Sullivan’s World”\n- Poems from Bread, Wine and Salt: - [00:27:19] introduction and “Secret Life”; - [00:29:03] “Report from Ottawa”; - [00:30:06] “Verbal Transcription at the Legion Hall in Hartland, New Brunswick”; - [00:30:42] introduction and “A View from the Bridge”; - [00:33:31] “Ancestral Memories Evoked by Attending the Opening of the Playhouse in Fredericton, New Brunswick”; - [00:34:37] “A Treaty to be Signed with Guests”\n- [00:35:06] comment from Greg Cook\n- [00:35:17] “A Mug’s Game”\n- [00:37:09] “A Dog Barking at Night”\n- [00:37:54] “Every Man Owes God a Debt”"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558519001090,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8304","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Canadian Love Song - Jim Stewart - Hal and Tow"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Letter, musical score, and envelope accompany the recording. Envelope: \"Tape & words to a poem put to music by Jamie Stewart\". Letter is dated May 6th 1987."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[2.9]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2037"],"creator_names":["Stewart, Jim"],"creator_names_search":["Stewart, Jim"],"creators":["[{\"url\":\"\",\"name\":\"Stewart, Jim\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Maxell\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"AN_523_92.21.2.9\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:02:49\",\"precision\":\"\",\"size\":\"5.16 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"Performance Date\",\"notes\":\"[before May 6, 1987]. Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://nominatim.openstreetmap.org/ui/details.html?osmtype=W&osmid=138189484&class=highway\",\"venue\":\"Hal and Tow\",\"notes\":\"\",\"address\":\"Hal and Tow, 102, Shore Road, Renforth, Saint John, New Brunswick, Canada\",\"latitude\":\"[45.3049538]\",\"longitude\":\"[-65.6541717]\"}]"],"Address":["Hal and Tow, 102, Shore Road, Renforth, Saint John, New Brunswick, Canada"],"Venue":["Hal and Tow"],"content_notes":["- Singing of “Canadian Love Song” with musical accompaniment\n- Can hear the beginning and ending of the instruments – non-professional recording?\n- Sings through the entire poem, musical interlude, then concludes with repeating the first stanza (four lines)\n- Letter, musical score, and envelope accompany the recording tape"],"contents":["Jim Stewart\nSings \"Canadian Love Song\" from The Things Which Are (1962)"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"The Things Which Are (1962)\"}]"],"_version_":1853670558519001091,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8305","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Alden reading poems"],"item_title_source":["Transcribed from the artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[3.1.1]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2032"],"creator_names":["Nowlan, Alden"],"creator_names_search":["Nowlan, Alden"],"creators":["[{\"url\":\"http://viaf.org/viaf/61671170\",\"name\":\"Nowlan, Alden\",\"dates\":\"1933-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch Highlander\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"AN_523_92.21.3.1.1\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:58:32\",\"precision\":\"\",\"size\":\"107.17 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"Performance Date\",\"notes\":\"[after 1980]. (poems from I Might Not Tell Everyone This, which was published in 1982)\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["- [00:02:33] “Poem” subtitled “for Helen and Martha Knox, Hainesville, New Brunswick. Missionaries to Kenya, 1910-40”\no “bare-naked men, horned gods” (line 3) is read as “stark-naked men, bull gods” by Alden Nowlan\n- [00:17:29] “My Beard, Once Lionheart Red”. Audio is quieter than other poems. Kitchen noises in the background.\n- [00:21:16] wind chimes in background.\n- [00:21:30] “Word From the Losers”\no Line 24 Alden Nowlan reads “If Lucifer got had done to God…” (“got” being an addition to the line)\n- [00:25:05] “He Visits the Shrine of a Saint”\no Cut off mid-poem at - [00:26:52] to another voice testing the microphone. Returns - [00:26:57] to poem (“…he looked out / at that vast army”). Two line fragments now missing from the poem reading (“…human gesture / I’m reminded of how Xerxes felt when…”).\n- [00:36:12] prefatory remarks from Alden Nowlan, trying to capture the speech patterns of “ordinary” people in various parts of Atlantic Canada\no - [00:36:48] “The Red Wool Shirt”. Reads “pegs” instead of “pins” in line 4.\n- [00:39:07] “Election Song”. Includes prefatory remarks, poem is in memory of the 5th Prime Minister of Canada, “now remembered chiefly for having been totally forgotten”\n- [00:41:36] “Decline and Fall”. Recording begins on line 2 of poem.\n- [00:47:25] “Interview”\no - [00:48:46] Alden Nowlan reflects on his experiences with interviews—both as a journalist and as an interviewee. “I long ago concluded that an interview is much more the product of the interviewer than it is of the person being interviewed. In fact, an interview is the product of the interviewer almost in a way that a poem is the product of the poet, because the answers are shaped to such a large extent by the question. And I think this is truer with the electronic media than it is with the print media, because you can take the beginning of a sentence that the person in the interview said at 7 o’clock and connect it with the end of a sentence that he said at 11, and make a completely new sentence neither actually said.”\n- [00:50:17] prefaces by saying it’s a silly little poem. “Plot for a Science Fiction Novel”\n- [00:56:50] Reflections on being a rogue when sick (paraphrasing Samuel Johnson). “X-ray”\n\n- “God sour…” – “Poem” published in Wind in a Rocky Country\n- “Beginning” – “Homecoming” published in Under the Ice\n- “Stars” and “Palomino” published in Playing the Jesus Game\n- “Bull Moose” – “The Execution” published in The Things Which Are\n- “Icarus” and “Footsteps” published in Bread, Wine and Salt\n- “Beard” – “Sits” published in I Might Not Tell Everybody This\n- “Red Wool” – “It’s Good” published in Smoked Glass\n- “Decline” – “Science Fiction” published in Between Tears and Laughter\n- “Mysterious” – “X-ray” published in The Mysterious \n- “Beginning” – “Homecoming” published in Under the Ice\n- “Stars” and “Palomino” published in Playing the Jesus Game\n- “Bull Moose” – “The Execution” published in The Things Which Are\n- “Icarus” and “Footsteps” published in Bread, Wine and Salt\n- “Beard” – “Sits” published in I Might Not Tell Everybody This\n- “Red Wool” – “It’s Good” published in Smoked Glass\n- “Decline” – “Science Fiction” published in Between Tears and Laughter\n- “Mysterious” – “X-ray” published in The Mysterious Naked Man\n\nSignificant pauses between poems. Can hear Alden Nowlan resting and readjusting in his seat, flipping pages in his book."],"contents":["Alden Nowlan\n[00:00:00]\nReads \"God sour the milk of the knacking wench\".\nAlden Nowlan\n[00:00:45]\nReads \"Marian at the Pentecostal Meeting\".\nAlden Nowlan\n[00:01:18]\nReads \"For Nicholas of All the Russias\".\nAlden Nowlan\n[00:02:33]\nReads \"Poem [for Helen and Martha Knox]\".\nAlden Nowlan\n[00:03:25]\nReads \"Beginning\".\nAlden Nowlan\n[00:04:27]\nReads \"Aunt Jane\".\nAlden Nowlan\n[00:05:12]\nReads \"The Anatomy of Angels\".\nAlden Nowlan\n[00:05:59]\nReads \"Looking for Nancy\".\nAlden Nowlan\n[00:06:49]\nReads \"Homecoming\".\nAlden Nowlan\n[00:07:27]\nReads \"Stars\".\nAlden Nowlan\n[00:08:22]\nReads \"The Bull Moose\".\nAlden Nowlan\n[00:10:49]\nReads \"Dancer\".\nAlden Nowlan\n[00:12:16]\nReads \"The Execution\".\nAlden Nowlan\n[00:13:19]\nReads \"I, Icarus\".\nAlden Nowlan\n[00:15:09]\nReads \"Footsteps in the Dark\".\nAlden Nowlan\n[00:16:44]\nReads \"The Palomino Stallion\".\nAlden Nowlan\n[00:17:29]\nReads \"My Beard, Once Lionheart Red\".\nAlden Nowlan\n[00:21:30]\nReads \"Word From the Losers\".\nAlden Nowlan\n[00:23:37]\nReads \"'Why So Sad My Dear?' Said Queen Anne\".\nAlden Nowlan\n[00:25:05]\nReads \"He Visits the Shrine of a Saint\".\nAlden Nowlan\n[00:28:57]\nReads \"He Attempts to Love His Neighbours\".\nAlden Nowlan\n[00:31:24]\nReads \"He Sits down on the Floor of a School for the Retarded\".\nAlden Nowlan\n[00:36:48]\nReads \"The Red Wool Shirt\".\nAlden Nowlan\n[00:39:07]\nReads \"Election Song\".\nAlden Nowlan\n[00:40:24]\nReads \"It’s Good to Be Here\".\nAlden Nowlan\n[00:41:36]\nReads \"Decline and Fall\".\nAlden Nowlan\n[00:42:48]\nReads \"Fair Warning\".\nAlden Nowlan\n[00:43:50]\nReads \"A Tiger in the Dublin Zoo\".\nAlden Nowlan\n[00:44:55]\nReads \"He Grows in Understanding\".\nAlden Nowlan\n[00:45:38]\nReads \"Survival\".\nAlden Nowlan\n[00:46:42]\nReads \"The Married Man’s Poem\".\nAlden Nowlan\n[00:47:25]\nReads \"Interview\".\nAlden Nowlan\n[00:50:17]\nReads \"Plot for a Science Fiction Novel\".\nAlden Nowlan\n[00:50:49]\nReads \"The Mysterious Naked Man\".\nAlden Nowlan\n[00:52:44]\nReads \"Absolution\".\nAlden Nowlan\n[00:53:29]\nReads \"For Claudine Because I Love Her\".\nAlden Nowlan\n[00:55:10]\nReads \"A Poem About Miracles\".\nAlden Nowlan\n[00:56:50]\nReads \"X-ray\"."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Wind in a Rocky Country (1960), Under the Ice (1961), Playing the Jesus Game (1970), The Things Which Are (1962), Bread, Wine and Salt (1967), I Might Not Tell Everybody This (1982), Smoked Glass (1977), Between Tears and Laughter (1971), The Mysterious Naked Man (1969)\"}]"],"_version_":1853670558519001092,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8342","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Earle Birney fonds"],"source_collection_label":["Earle Birney fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/index.php/earle-birney-fonds"],"item_title":["Earle Birney reading from Selected poems 1940-1966 (Tape 3)"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label of recording title and included poems taped to box. Box stamped JH 0X8."],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[7.3.3]"],"rights":["The Public Domain Mark (PDM)"],"creator_names":["Birney, Earle"],"creator_names_search":["Birney, Earle"],"creators":["[{\"url\":\"http://viaf.org/viaf/97679781\",\"name\":\"Birney, Earle\",\"dates\":\"1904-1995\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"CBC Radio - Canada\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"7 1/2 ips\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Birney_MsC_13.7.3-3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:29:55\",\"precision\":\"\",\"size\":\"493.12 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Earle Birney fonds Item number 7.3.3\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Title based on contents of file.\n- “Transistor”: High, wild mountains of Jamaica. Fourth generation of runaway slaves living in the mountains. Written about a woman running a rest house (former plantation).\n- “Meeting of Strangers”: In Trinidad, had many wonderful experiences but through the perversity of a poet only wrote about a not so charming episode. Birney was down at the dock district at the wrong time.\n- “Caracas”: a strange and terrible city. Birney corrects himself when he misreads a line.\n- “Cartagena de Indias”: Visited strange place with long history but off the tourist path. Cartagena de Indias old pirate town (Spanish/French) named after Cartagena, Spain. The town was the focal point in 15th and 16th century for gathering of loot taken by Spain from the rest of South America. Galleons would come to port to take treasure back to Spain, and pirates would wait outside the port. Some forts still stand. Spanish poet J. M. Heredia wrote a poem about this place called “Ciudad triste, ayer reina de la mar” (Sad City, Once Queen of the Sea). Birney’s poem includes discussion of Luis Carlos Lopez (1879-1950) and a monument to his shoes. Birney translates Lopez’s sonnet “A Mi Ciudad Nativa” at the end of the reading."],"contents":["Earle Birney\n[00:00:00]\nReads \"Transistor\".\nEarle Birney\n[00:05:48]\nReads \"Meeting of Strangers\".\nEarle Birney\n[00:08:06]\nReads \"Curacao\".\nEarle Birney\n[00:08:48]\nReads \"Caracas\".\nEarle Birney\n[00:10:36]\nReads \"Cartagena des Indes\".\nEarle Birney\n[00:21:26]\nReads \"Barranquilla Bridge\".\nEarle Birney\n[00:23:44]\nReads \"Machu Picchu\"."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Selected Poems, 1940-1966\"}]"],"_version_":1853670558520049664,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8347","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Robert Kroetsch fonds"],"source_collection_label":["Robert Kroetsch fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/robert-kroetsch-fonds"],"item_title":["Ida Babcock"],"item_title_source":["Transcribed from the artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[29.9]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2034"],"creator_names":["Kroetsch, Robert"],"creator_names_search":["Kroetsch, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1984],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"BASF\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Background noise significant.\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"RK_Acc_775_04.25.29-9\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:32:39\",\"precision\":\"\",\"size\":\"1.49 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1984-09-19\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Morden, Manitoba, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Morden, Manitoba, Canada"],"content_notes":["Conversation, stories to Robert Kroetsch and others by Ida Babcock.\n- Recording of Robert Kroetsch and others interviewing Ida Babcock. Other interviewers are not identified. Trying to learn and (presumably) preserve Robert Kroetsch family history.\n- Stories of travelling through Alberta, including Heisler. Picking berries, hitchhiking, cooking in a bush camp near Smithers\n- Ida Babcock (née Robert Kroetsch) 1900-1996: widowed at 41, no children. Only educated to grade three. Family moved to Langdon, Alberta in 1910.\n- Babcock shows pictures to Robert Kroetsch et al.\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558520049665,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8348","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Earle Birney fonds"],"source_collection_label":["Earle Birney fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/index.php/earle-birney-fonds"],"item_title":["Earle Birney reading from Selected poems 1940-1966 (Tape 6)"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label of recording title and included poems taped to box. Box stamped JH 4W8."],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[7.3.6]"],"rights":["The Public Domain Mark (PDM)"],"creator_names":["Birney, Earle"],"creator_names_search":["Birney, Earle"],"creators":["[{\"url\":\"http://viaf.org/viaf/97679781\",\"name\":\"Birney, Earle\",\"dates\":\"1904-1995\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"CBC Radio - Canada\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"7 1/2 ips\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Birney_MsC_13.7.3-6\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:28:29\",\"precision\":\"\",\"size\":\"469.45 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Earle Birney fonds Item number 7.3.6\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Title based on contents of file.\n- Continuing section “Canada: Case History”\n- “Page of Gaspé”: Begun in Québec in 1943, not worked up into a poem until 1950.\n- “North Star West”: Plane trip from Montreal to Vancouver in North Star, one of the three prop planes that inaugurated transcontinental flights in Canada. First section “Montreal-Toronto” - [00:01:23] , “Toronto-Winnipeg” - [00:05:05] , “Winnipeg-Edmonton” - [00:06:39] , “Edmonton-Vancouver” - [00:09:11] .\n- “From the Hazel Bough”: Scarcely about Canada but happens to contain a memory and in Birney’s private mind is related to Toronto. Began writing in a military hospital in Toronto 1945, completed in Vancouver 1947. “Another way of putting it, all but the last stanza came to me in a half hour. It took me two years keeping the poem aside to get the last stanza the way I wanted it”\n- “The Ebb Begins from Dream”: Toronto, but could perhaps be any city. Begun in Toronto 1945, completed Bowen Island on the West Coast 1947.\n- “Way to the West”: Moved as far west and north from Toronto as the mining district of northern Ontario. On TransCanada highway 1965.\n- “North of Superior”: Much the same country, further along the celebrated Laurentian Shield. One of his earliest poems in the beginnings but not finished until 1946, notes from 1926. From old-time CPR train coming east to Toronto for the first time. Makes note to English Literature students – listen closely for references to examination classics.\n- “Winter Saturday”: Moving to the prairies, August 1947.\n- “Decomposition”: Explanation comes after reading. An early piece from 1921, touched up in 1941.\n- “Holiday in the Foothills”: Written on the foothills on the western edge of the prairies, jotted down in 1921 and revised in Calgary in 1940."],"contents":["Earle Birney\n[00:00:00]\nReads \"Page of Gaspé\" from section \"Canada: Case History\",\nEarle Birney\n[00:01:23]\nReads \"North Star West\".\nEarle Birney\n[00:11:07]\nReads \"From the Hazel Bough\".\nEarle Birney\n[00:12:40]\nReads \"The Ebb Begins from Dream\".\nEarle Birney\n[00:16:02]\nReads \"Way to the West\".\nEarle Birney\n[00:19:58]\nReads \"North of Superior\".\nEarle Birney\n[00:25:04]\nReads \"Winter Saturday\".\nEarle Birney\n[00:26:32]\nReads \"Decomposition\".\nEarle Birney\n[00:27:08]\nReads \"Holiday in the Foothills\"."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Selected Poems, 1940-1966\"}]"],"_version_":1853670558520049666,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8349","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Earle Birney fonds"],"source_collection_label":["Earle Birney fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/index.php/earle-birney-fonds"],"item_title":["Earle Birney reading from Selected poems 1940-1966 (Tape 7)"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label of recording title and included poems taped to box. Box stamped ME 0X5."],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[7.3.7]"],"rights":["The Public Domain Mark (PDM)"],"creator_names":["Birney, Earle"],"creator_names_search":["Birney, Earle"],"creators":["[{\"url\":\"http://viaf.org/viaf/97679781\",\"name\":\"Birney, Earle\",\"dates\":\"1904-1995\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"CBC Radio - Canada\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"7 1/2 ips\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Birney_MsC_13.7.3-7\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:31:54\",\"precision\":\"\",\"size\":\"525.81 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Earle Birney fonds Item number 7.3.7\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Title based on contents of file.\n- Concluding section “Canada: Case History.” Remainder of the poems in this section have to do with Alberta or British Columbia.\n- “First Tree for Frost”: About country between Edmonton and Calgary, from a long time ago.\n- “Biography”: Written on Thetis Island on the West Coast 1949.\n- “Takkakaw Falls”: Reads differently, can tell that it is a more abstract/concrete poem just from his shift in reading style.\n- “Climbers”: Written on Savary Island, B.C. 1950. Climbing takes place in mountains immediately north of city of Vancouver.\n- “Images in Place of Logging”: Written on Vancouver Island 1948.\n- “Slug in Woods”: One of his earliest completed poems, written in Crescent Beach, B. C. 1928.\n- “Aluroid”: Written in back garden in Vancouver 1948. Birney had a Siamese cat called Bast after the Egyptian cat goddess. ‘aluroid’ is a funny dictionary name for cat-like, Birney prefers ‘aluroid’ because it sounds like a sounds his Siamese cat made, his cat was “really far out of this world, more sci-fi type, they are humanoid so they also must be aluroid.”\n- “Haiku for a Young Waitress”: Vancouver 1960.\n- “Gulf of Georgia”: Vancouver 1945, small lyrical poem.\n- “November Walk Near False Creek Mouth”: Begun in 1961 in Vancouver, completed in 1963 in Ametia, Spain - [? cannot find] ."],"contents":["Earle Birney  \n[00:00:00]  \nReads \"First Tree for Frost\" [Section title Canada: Case History].  \nEarle Birney  \n[00:02:29]  \nReads \"Bushed\".  \nEarle Birney  \n[00:04:16]  \nReads \"Biography\".  \nEarle Birney  \n[00:06:10]  \nReads \"Takkakaw Falls\".  \nEarle Birney  \n[00:07:45]  \nReads \"Climbers\".  \nEarle Birney  \n[00:09:48]  \nReads \"Images in Place of Logging\".  \nEarle Birney  \n[00:11:25]  \nReads \"Slug in Woods\".  \nEarle Birney  \n[00:13:12]  \nReads \"Aluroid\".  \nEarle Birney  \n[00:15:21]  \nReads \"Haiku for a Young Waitress\".  \nEarle Birney  \n[00:15:39]  \nReads \"Gulf of Georgia\".  \nEarle Birney  \n[00:16:39]  \nReads \"November Walk Near False Creek Mouth\"."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Selected Poems, 1940-1966\"}]"],"_version_":1853670558520049667,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8350","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Robert Kroetsch fonds"],"source_collection_label":["Robert Kroetsch fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/robert-kroetsch-fonds"],"item_title":["The Bards of March: March 15/86 Intro (Neuman) Kerr/Kreisel B Kamboureli/Sproxton"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Cardbroad wrapper"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[29.10.2]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2036"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors_names":["Kerr, Don","Kreisel, Henry","Kamboureli, Smaro","Sproxton, Brik"],"contributors_names_search":["Kerr, Don","Kreisel, Henry","Kamboureli, Smaro","Sproxton, Brik"],"contributors":["[{\"url\":\"http://viaf.org/viaf/104069577\",\"name\":\"Kerr, Don\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/115554910\",\"name\":\"Kreisel, Henry\",\"dates\":\"1922-1991\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/56633719\",\"name\":\"Kamboureli, Smaro\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/13775858\",\"name\":\"Sproxton, Brik\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Kerr, Don","Kreisel, Henry","Kamboureli, Smaro","Sproxton, Brik"],"Performance_Date":[1986],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"XHE\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"RK_Acc_775_04.25.29.10-2\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:22:50\",\"precision\":\"\",\"size\":\"1.33 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-03-15\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Edmonton [?], Alberta, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Edmonton [?], Alberta, Canada"],"City":["Edmonton, Alberta"],"content_notes":["Accompanying cardboard wrapper: The Bards of March. For Robert Robert Kroetsch. Joy W. Oct 15/86\n- Kerr “Aware”: poems in praise of alcohol. In Saskatchewan a television campaign called the Aware Program, promoting abstinence. \n- “Spirit”: Poem in praise of Edmonton, notes there probably aren’t many of those.\n- Going: Poems about good taste and against mass production.\n- “Transcript”: Poem for university students.\n- “Fight”: Based on the ‘fight for the family farm’, the most used political slogan in Saskatchewan.\n- Kreisel: A trip to Fiji, attempting to find his hotel reservation at the airport. Staying at a guest house and visiting with locals. Second excerpt on attending delegation on Indigenous rights.\n- Kamboureli: immigrant experience, in the form of a journal.\n- Sproxton: a head frame is a part of a mine, he feels the need to explain as many have incorrectly titled or discussed his book title. Some of the poems have to do with languages or voices playing off/against each other.\n"],"contents":["Neuman  \n[00:00:00]  \nIntroduces\nDon Kerr   \n[00:15:01]  \nReads \"1968: An Aware Poem for the Responsible Use of Alcohol\".\nDon Kerr  \n[00:17:55]  \nReads \"1968: The Spirit of Edmonton\".\nDon Kerr \n[00:20:30]  \nReads excerpt from \"Going Places\".\nDon Kerr  \n[00:23:16]  \nReads \"Editing the Prairie\".\nDon Kerr  \n[00:24:19]  \nReads \"The Transcript\".\nDon Kerr   \n[00:25:00]  \nReads \"The Fight for the Family Poet\".\nHenry Kreisel   \n[32:55]\nReads excerpts from \"Another Country\".\nSmaro Kamboureli   \n[00:56:55]  \nReads excerpts from \"In the Second Person\".\nBrix Sproxton\n[01:08:08]  \nReads excerpts from \"Head Frame\"."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558520049668,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8351","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Earle Birney fonds"],"source_collection_label":["Earle Birney fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/index.php/earle-birney-fonds"],"item_title":["Earle Birney reading from Selected poems 1940-1966 (Tape 8)"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label of recording title and included poems taped to box. Box stamped JH 2W5."],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[7.3.8]"],"rights":["The Public Domain Mark (PDM)"],"creator_names":["Birney, Earle"],"creator_names_search":["Birney, Earle"],"creators":["[{\"url\":\"http://viaf.org/viaf/97679781\",\"name\":\"Birney, Earle\",\"dates\":\"1904-1995\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"CBC Radio - Canada\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"7 1/2 ips\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Birney_MsC_13.7.3-8\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:27:02\",\"precision\":\"\",\"size\":\"445.42 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Earle Birney fonds Item number 7.3.8\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Title based on contents of file.\n- Section “Canada: Case History” last poem “Pacific Door”\n- Section 5, “Remarks Decoded from Outer Space”: Written in a military hospital in Ghent in 1945, perhaps reflects some of the depression he was feeling, as Birney was suffering from dysentery “not a very cheering complaint”.\n- “Man is a Snow” “Or a Wind”: Companion poems with conjoined title, written in 1946 in Elphinstone off coast of Vancouver and Bowen Island in 1947. First is more pessimistic mood, other perhaps compensatory optimistic.\n- “Time Bomb”: Written in the last year of the war from military hospital in Watford, England, suffering from diphtheria.\n- “Each Lie”: Written on a hospital ship coming back from England. Much longer in the first published version and then some years later, Paris 1953, shortened down to two stanzas.\n- Two translations from Attila József: Done with the assistance of native Hungarian Ilona Duczynska, completed around 1960. “On the City’s Rim” written in 1930s in Budapest shortly before Attila’s suicide.\n- Two translations from Mao Tse-tung: From literal translation and convocation with Chinese scholar at UBC Ping Ti-ho. First poem about Tse-tung’s youth, when he decides to become young Communist revolutionary. Second poem is after he has successfully built revolutionary army, holds the north, and knows he holds the victory. Going to meet Chiang Kai-shek, his first trip on an airplane. Enchanted with what he sees, also thinking back on the previous leaders of China and flattering himself as the first good poet to rule China.\n- “Answers to a Grade-school Biology Test”: Responding to an exam paper for grade six biology. Also had read an article in Harper’s from scientist speculating what species was best to take over the world after man had ended.\n- “Vitus Bering”: Scandinavian explorer in service of Russian tsarist government in eighteenth century, Bering Strait and Bering Sea named after him. "],"contents":["Earle Birney  \n[00:00:00]  \nReads \"Pacific Door\".  \nEarle Birney  \n[00:02:08]  \nReads \"Remarks Decoded from Outer Space\".  \nEarle Birney  \n[00:03:30]  \nReads \"Man is a Snow\" and \"Or a Wind\".  \nEarle Birney  \n[00:06:56]  \nReads \"Time Bomb\".  \nEarle Birney  \n[00:07:48]  \nReads \"Each Lie\".  \nEarle Birney  \n[00:08:41]  \nReads \"Five Poor Men Speak\"\nEarle Birney  \n[00:11:36]\n\"On the City's Rim\". \nEarle Birney  \n[00:17:21]\nReads \"Midstream\".\nEarle Birney  \n[00:20:40]  \nReads \"Snowscape from a Plane\".   \n[00:22:33]  \nReads \"Answers to a Grade-school Biology Test\".   \nEarle Birney  \n[00:24:13]  \nReads \"Vitus Bering\" from Ice, Cod, Bell or Stone."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Selected Poems, 1940-1966; Ice, Cod, Bell or Stone\"}]"],"_version_":1853670558520049669,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8352","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Earle Birney fonds"],"source_collection_label":["Earle Birney fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/index.php/earle-birney-fonds"],"item_title":["Earle Birney reading from Ice, cod, bell or stone and Near False Creek mouth."],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label of recording title and included poems taped to box. Box stamped JS 0X6."],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[7.4(.1)]"],"rights":["The Public Domain Mark (PDM)"],"creator_names":["Birney, Earle"],"creator_names_search":["Birney, Earle"],"creators":["[{\"url\":\"http://viaf.org/viaf/97679781\",\"name\":\"Birney, Earle\",\"dates\":\"1904-1995\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"CBC Radio - Canada\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"7 1/2 ips\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Birney_MsC_13.7.4-1\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:24:53\",\"precision\":\"\",\"size\":\"410.16 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966\",\"type\":\"Performance Date\",\"notes\":\"Dates supplied through research for copyright.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Title based on contents of file.\n- “Njarit”: state of Mexico, mountainous and dense jungle. Narrow deep canyons called barancas, can look down into jungle villages. Amongst these villages bright schoolhouses or factories appear, appear as irrationality in an otherwise harmonious landscape\n- “Francisco Tresguerra”: Born in Solea, Mexico (1759-1833), Tresguerra was a self-taught architect, sculptor, engraver, and poet who introduced neoclassical form into the churches in his town in opposition to the elaborate rococo style. One church remains which his Last Judgement, which is a self-portrait.\n- “Salt Fish and Akee”: Written after a dinner in Jamaica. Birney notices that you can now buy preserved akee fruit in Toronto now. Proper way to eat this delicacy is with salt fish (salted Newfoundland cod).\n- “Professor”: Written in Jamaica.\n- “On the Beach”: Written in West Indies.\n- “Turbonave Magnolia”: Voyage on a terrible Spanish passenger ship from Trinidad to Spain.\n- “Guadelupe”: Shrine on the edge of Mexico City. Traditional place to go for penance, for the last half-mile/mile penitents travel on their knees to the shrine.\n- “Prosperity”: Oil found near a small jungle village.\n- “Caribbean”: Poems have been circling around Caribbean Sea and now back in flowering islands.\n- “Toronto”: October 1962, the day after the world was supposed to end – Khrushchev and Kennedy and the Cuba crisis. Chartered plane of Toronto Board (60 or 120 people) arrived and upstaged Birney. Birney was invited to the reception at largest club in Chile (Union Club, Santiago de Chile). His poet’s revenge was recording one half of a conversation he overheard.\n"],"contents":["Earle Birney\n[00:00:00]\nReads \"Njarit\".\nEarle Birney\n[00:02:27]\nReads \"Francisco Treguerras\".\nEarle Birney\n[00:04:45]\nReads \"Beldams of Tepoztlán\".\nEarle Birney\n[00:05:30]\nReads \"Conducted Ritua: San Juan de Ulúa\".\nEarle Birney\n[00:06:48]\nReads \"Salt Fish and Akee\".\nEarle Birney\n[00:09:00]\nReads \"Professor of Middle English Confronts Monster\".\nEarle Birney\n[00:09:50]\nReads \"On the Beach\".\nEarle Birney\n[00:10:37]\nReads \"Turbonave Magnolia\".\nEarle Birney\n[00:15:11]\nReads \"Advice to a Hamilton (Ont.) lady about to travel again\".\nEarle Birney\n[00:16:29]\nReads \"Guadelupe\".\nEarle Birney\n[00:17:40]\nReads \"Prosperity in Poza Rica\".\nEarle Birney\n[00:18:33]\nReads \"Caribbean Kingdoms\".\nEarle Birney\n[00:21:05]\nReads \"Toronto Board of Trade goes abroad\"."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Ice, Cod, Bell or Stone; Near False Creek Mouth\"}]"],"_version_":1853670558520049670,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8353","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Earle Birney fonds"],"source_collection_label":["Earle Birney fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/index.php/earle-birney-fonds"],"item_title":["Earle Birney reading from Ice, cod, bell or stone and Near False Creek mouth."],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label of recording title and included poems taped to box. Box stamped JS 0X6."],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[7.4(.2)]"],"rights":["The Public Domain Mark (PDM)"],"creator_names":["Birney, Earle"],"creator_names_search":["Birney, Earle"],"creators":["[{\"url\":\"http://viaf.org/viaf/97679781\",\"name\":\"Birney, Earle\",\"dates\":\"1904-1995\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"CBC Radio - Canada\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"7 1/2 ips\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Birney_MsC_13.7.4-2\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:26:41\",\"precision\":\"\",\"size\":\"439.60 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966\",\"type\":\"Performance Date\",\"notes\":\"Dates supplied through research for copyright.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Toronto [?], Ontario, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Toronto [?], Ontario, Canada"],"City":["Toronto, Ontario"],"content_notes":["Title based on contents of file.\n- Readings which do not appear in Selected Poems\n- “Most of a Dialogue”: A long monologue/half a dialogue. Imagine a Canadian woman talking to an American woman.\n- “Bueno Aires”: Headed by a quotation from Argentinian poet Rafael Alberti.\n- “Orphiasco”: Homage to novelist Ivy Compton-Burnett.\n- “Can. Hist”: A short course in Canadian history.\n- Strait of Anian: initially going to read “Prairie Counterpoint” then decides not to read it on this tape and instead read “Reverse”.\n- “Driftwood”: Written for friend Einer Neilsen of Bowen Island.\n"],"contents":["Earle Birney\n[00:00:00]\nReads \"Most of a Dialogue in Cuzco\".\nEarle Birney\n[00:09:35]\nReads \"Buenos Aires: 1962\".\nEarle Birney\n[00:15:04]\nReads \"Orphiasco\".\nEarle Birney\n[00:16:07]\nReads \"Can. Hist.\".\nEarle Birney\n[00:17:00]\nReads \"Fine Arts\".\nEarle Birney\n[00:17:20]\nReads \"Candidate's Prayer Before Master's Oral\".\nEarle Birney\n[00:18:36]\nReads \"Testimony of a Canadian Educational Leader\".\nEarle Birney\n[00:22:10]\nReads \"Reverse on the Coast Range\".\nEarle Birney\n[00:24:40]\nReads \"Driftwood\"."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Near False Creek Mouth; The Strait of Anian\"}]"],"_version_":1853670558522146816,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8354","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Earle Birney fonds"],"source_collection_label":["Earle Birney fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/index.php/earle-birney-fonds"],"item_title":["Earle Birney reading from The Strait of Anian."],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label of recording title and included poems taped to box. Box stamped JH 2W5."],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[7.5]"],"rights":["The Public Domain Mark (PDM)"],"creator_names":["Birney, Earle"],"creator_names_search":["Birney, Earle"],"creators":["[{\"url\":\"http://viaf.org/viaf/97679781\",\"name\":\"Birney, Earle\",\"dates\":\"1904-1995\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"CBC Radio - Canada\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"7 1/2 ips\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Birney_MsC_13.7.5\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:27:01\",\"precision\":\"\",\"size\":\"445.12 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966\",\"type\":\"Performance Date\",\"notes\":\"Dates supplied through research for copyright.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Toronto [?], Ontario, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Toronto [?], Ontario, Canada"],"City":["Toronto, Ontario"],"content_notes":["Title based on contents of file.\n- “Prairie”: Poem in sections, written back in 1945. Includes poetic speaker in addition to Birney, an old farmer (?).\n- The rest of the poems have to do with the Second World War.\n- “For Steve”: Elegy for his friend Steve Cutwright. They trained together before Steve joined the Air Force. Died as Birney was preparing to ship over to Europe. Written in 1943.\n- “And the Earth”: Written in Ash, Surrey, England. The title line comes from a poem by Shelley.\n- “Invasion”: Next spring (from the previous poem), in southern England 1944. Just before D-Day, when bombers were flying overhead at a rate of one thousand a day. Written for Margaret Crossland.\n- “D-Day”: Written on the evening of D-Day in Surrey. Birney “feeling very much out of it.”\n- “Caverned”: Written later that same year (1944), when in Belgium. Written for two Belgians who hosted Birney, were compelled to host Birney but were not compelled to be his friends. Wrote this poem for them when he left for Holland.\n- “VE-Night”: Back in England after hospitalization. Walked out of the hospital to the center of London on VE Night, wrote this poem in a pub some point that night.\n- “Death”: Written just before coming home, 1945."],"contents":["Earle Birney\n[00:00:00]\nReads \"Prairie Counterpoint\".\nEarle Birney\n[00:05:32]\nReads \"For Steve\".\nEarle Birney\n[00:14:45]\nReads \"And the Earth Grow Young Again\".\nEarle Birney\n[00:17:30]\nReads \"Invasion Spring\".\nEarle Birney\n[00:19:04]\nReads \"D-Day\".\nEarle Birney\n[00:20:40]\nReads \"Within these Caverned Days\".\nEarle Birney\n[00:23:00]\nReads \"VE-night\".\nEarle Birney\n[00:24:45]\nReads \"Death of a War\"."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"The Strait of Anian\"}]"],"_version_":1853670558522146817,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8355","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Robert Kroetsch fonds"],"source_collection_label":["Robert Kroetsch fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/robert-kroetsch-fonds"],"item_title":["Robt. Kroetsch & Rudy Wieb [sic], CBR \"Canada AM\" Show, May 6/76."],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Transcription of entire interview. Recording in envelope stamped with University of Lethbridge."],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[28.3.2]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2026"],"creator_names":["Kroetsch, Robert"],"creator_names_search":["Kroetsch, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Wiebe, Rudy","McDonald, Marguerite"],"contributors_names_search":["Wiebe, Rudy","McDonald, Marguerite"],"contributors":["[{\"url\":\"http://viaf.org/viaf/39385421\",\"name\":\"Wiebe, Rudy\",\"dates\":\"1934-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"McDonald, Marguerite\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"Interviewer_name":["McDonald, Marguerite"],"Speaker_name":["Wiebe, Rudy"],"Performance_Date":[1976],"material_description":["[{\"side\":\"A\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"RK_MsC_27_28.3-2\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:18:28\",\"precision\":\"\",\"size\":\"608.74 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-05-06\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Robert Kroetsch fonds Item number 28.3.2\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Canada AM / CBR Calgary\",\"notes\":\"\",\"address\":\"Calgary, Alberta, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Calgary, Alberta, Canada"],"Venue":["Canada AM / CBR Calgary"],"City":["Calgary, Alberta"],"content_notes":["Transcript of interview included in folder. The casette is enclosed in an envelope with the University of Lethbridge Department of English stamped on it\n- The file contains a full transcription of the interview.\n- Begins mid-sentence with introduction by Marguerite McDonald\n- Robert Kroetsch and Wiebe are at a piano with Collie Banks, they didn’t know they were already being recorded.\n- Rudy was a singer – he sings “Amazing Grace” then Robert Kroetsch sings “Wild, Wild Women”\n- [00:03:07] interview on approach to prairie writing\n- Beer parlours and prairie stories – Wiebe says there are only certain types of stories that you can hear at parlours\n- Space and the prairies – W “space has everything in it” you just have to look\n- Always in relationship with the landscape/earth and the prairies make you aware of this relationship\n- W – man is vertical compared to flatness of prairies, man moves while landscape remains immutable\n- K – why movement across prairies so important to novels\n- K – doesn’t like generalizations about the prairies\n- K – as writers we accept the prairies – earlier writers (Grove, Ross) trying to resist the prairies – trying to impose another cultural pattern onto it\n- W – old writers had a sense that somehow the prairies had to be improved, whereas current writers now live and move within the prairie space and work with it\n- W – When writing Big Bear travelled his prairie routes. Wiebe didn’t try to write notes during the journey, wanted to feel the experience\n- K – did the same for Badlands – a week on Red Deer River\n- Commenting on the quote about Canadian literature that “it’s by our lack of ghosts we’re haunted”: W – disagrees, gives examples of buffalo jumps which are over 4000 years old. He insists that we have ghosts, but it’s “by our ignorance that we’re haunted” because we don’t know or refuse the history.\n- K – in writing, you look for a story that acts out inside of you\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558522146818,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8356","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Earle Birney fonds"],"source_collection_label":["Earle Birney fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/index.php/earle-birney-fonds"],"item_title":["Earle Birney reading from David, and other poems."],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label of recording title and included poems taped to box. Box stamped JH 2W5."],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[7.6]"],"rights":["The Public Domain Mark (PDM)"],"creator_names":["Birney, Earle"],"creator_names_search":["Birney, Earle"],"creators":["[{\"url\":\"http://viaf.org/viaf/97679781\",\"name\":\"Birney, Earle\",\"dates\":\"1904-1995\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"CBC Radio - Canada\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"7 1/2 ips\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Birney_MsC_13.7.6\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:28:53\",\"precision\":\"\",\"size\":\"475.89 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966\",\"type\":\"Performance Date\",\"notes\":\"Dates supplied through research for copyright.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Title based on contents of file.\n- “Man”: Written at the end of the war, when Birney was briefly in Alberta.\n- “West”: Ferry system that stopped functioning thirty years ago.\n- “October”: Written when teaching in Salt Lake City at the University of Utah.\n- “Grey”: Written in Vancouver, early poem, a sonnet. Written when Birney was an undergraduate student. Refers to a cove in the farthest reaches of Burrard Inlet, where an old girlfriend’s family had a cabin.\n- “Eagle”: Coastal terrain of Vancouver. At the time of writing, Eagle Island had only two cabins and could only be accessed with a small boat or swimming. Birney wrote this while nostalgic in Toronto. After reading poem notes, “Yes, I was an unregenerate Westerner in those days.”\n- “European”: Moving into wartime poems again.\n- “France”: The beginning of the de Gaul movement of resistance in conquered France.\n- “On Going”: Ended the book. Written to his wife. Birney starts the reading over after a few lines.\n- “Villanelle”: Early vintage piece. Birney’s voice begins higher, and then becomes normal again.\n"],"contents":["Earle Birney\n[00:00:00]\nReads \"Man on a Tractor\".\nEarle Birney\n[00:06:55]\nReads \"World War III\".\nEarle Birney\n[00:09:34]\nReads \"West Vancouver Ferry\".\nEarle Birney\n[00:11:17]\nReads \"October in Utah\".\nEarle Birney\n[00:12:30]\nReads \"Grey-Rocks\".\nEarle Birney\n[00:14:01]\nReads \"Eagle Island\".\nEarle Birney\n[00:19:25]\nReads \"Kootenay Still-Life\".\nEarle Birney\n[00:20:05]\nReads \"These with Winds\".\nEarle Birney\n[00:20:58]\nReads \"Monody of a Century\".\nEarle Birney\n[00:21:40]\nReads \"European Nocturne\".\nEarle Birney\n[00:22:40]\nReads \"France 1941\".\nEarle Birney\n[00:23:28]\nReads \"On Going to the Wars\".\nEarle Birney\n[00:37:40]\nReads \"Villanelle\"."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"The Strait of Anian; David, and Other Poems\"}]"],"_version_":1853670558522146819,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8357","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Earle Birney fonds"],"source_collection_label":["Earle Birney fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/index.php/earle-birney-fonds"],"item_title":["Earle Birney reading uncollected poems (Tape 1)"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label of recording title and included poems taped to box."],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[8.1-1]"],"rights":["The Public Domain Mark (PDM)"],"creator_names":["Birney, Earle"],"creator_names_search":["Birney, Earle"],"creators":["[{\"url\":\"http://viaf.org/viaf/97679781\",\"name\":\"Birney, Earle\",\"dates\":\"1904-1995\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"CBC Radio - Canada\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"7 1/2 ips\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Birney_MsC_13.8.1-1\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:28:49\",\"precision\":\"\",\"size\":\"474.91 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966\",\"type\":\"Performance Date\",\"notes\":\"Dates supplied through research for copyright.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["- Epigrams: uncollected poems, some as early as 1923. Includes a title piece about epigrams.\n- “Kootenay”: also titled “Creston October” and “Foothills October,” he never made his mind up.\n- “Aubade”: Verses begun in 1926 while living briefly and unhappily in University of Toronto fraternity house. Revised after Second World War.\n- “Stanzas”: Writing on strange animals.\n- “Crow”: Birney can’t remember which academic he is liabling or perhaps he really was looking at a crow\n- “These”: begun 1937, finished later. For a girl named Jessie.\n- “Skull”: After seeing photo of scalped Indigenous skull in prairie grass\n- “Ballad”: Kootenay Brown was an Oxford man, adventurer, pony express rider, Indian trader, owned most of Waterton, won his Cree wife in a horse race. Legend that on his deathbed he told his wife he would come back as an eagle, when the first plane landed in Waterton the next summer she believed it was her husband and ran into the propeller blades.\n- “Moon”: event from 1917, Elphinstone is mountain near Vancouver which was a hideout for draft dodgers. True story of Jim and Harry.\n- “Valentine”: 1929 valentine piece in Chaucerian, based on legend of St. Valentine.\n- “Thanks”: 1929 Chaucerian, written after given homemade doll of Wife of Bath by student Gillian.\n- “Alberni”: story of Pedro Alberni and Charles W. Barkley (Alberni canal and Barkley sound). Written in 1934 when Birney was on SS Philly bound from West coast of Canada to Hull with wheat.\n"],"contents":["Earle Birney  \n[00:00:00]  \nReads \"In This Verandah of the August Heart\".  \nEarle Birney  \n[00:02:04]  \nReads \"Montreal\".  \nEarle Birney  \n[00:02:49]  \nReads \"Toronto\".  \nEarle Birney  \n[00:03:19]  \nReads \"Per Ardua ad Astra\".  \nEarle Birney  \n[00:03:40]  \nReads \"Rara avis\".  \nEarle Birney  \n[00:03:58]  \nReads \"Oregon\".  \nEarle Birney  \n[00:04:17]  \nReads \"Why the Churches Declined\".  \nEarle Birney  \n[00:04:35]  \nReads \"Kootenay October\".  \nEarle Birney  \n[00:05:45]  \nReads \"Aubade for a Fraternity\".  \nEarle Birney  \n[00:08:16]  \nReads \"Stanzas on Certain Politicians\".  \nEarle Birney  \n[00:08:53]  \nReads \"Lines Expressing Confidence in the Future of Canadian Literature\".  \nEarle Birney  \n[00:09:35]  \nReads \"Crow\".  \nEarle Birney  \n[00:10:23]  \nReads \"These With Wind\".  \nEarle Birney  \n[00:11:26]  \nReads \"Skull in Grass\".  \nEarle Birney  \n[00:12:31]  \nReads \"Ballad of Kootenay Brown\".  \nEarle Birney  \n[00:18:40]  \nReads \"Moon Down Elphinstone\".  \nEarle Birney  \n[00:22:10]  \nReads \"Valentine After Chaucer\".  \nEarle Birney  \n[00:23:26]  \nReads \"Thanks to Gillian\".  \nEarle Birney  \n[00:24:42]  \nReads \"Alberni Canal\"."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558522146820,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8358","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Earle Birney fonds"],"source_collection_label":["Earle Birney fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/index.php/earle-birney-fonds"],"item_title":["Earle Birney reading uncollected poems (Tape 2)"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Writing on back of container. Label of recording title and included poems taped to box. Box stamped JH 0X8."],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[8.1-2]"],"rights":["The Public Domain Mark (PDM)"],"creator_names":["Birney, Earle"],"creator_names_search":["Birney, Earle"],"creators":["[{\"url\":\"http://viaf.org/viaf/97679781\",\"name\":\"Birney, Earle\",\"dates\":\"1904-1995\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"CBC Radio - Canada\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"7 1/2 ips\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Birney_MsC_13.8.1-2\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:28:07\",\"precision\":\"\",\"size\":\"463.45 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966\",\"type\":\"Performance Date\",\"notes\":\"Dates supplied through research for copyright.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Contents of file handwritten on container rather than label.\n- 1920s-50s, prose and verse mostly uncollected\n- “Doukhobor”: written in 1920 when Birney was 16 and heading to his job in Canadian Bank of Commerce in B.C., the train passed a Doukhobor settlement.\n- “Night”: made it into the UBC paper, when a freshman, with this poem.\n- “Diary”: Comes from Birney’s second book of poems, not reprinted since. Poem is “somewhat poetic” comments on the diary of a girl Birney met in London during the war, diary begun in 1935 when she was 15. Dedicated to Margaret Crossland, the girl and now a poet in London.\n- “Tea”: 1920s, result of visit with Shetland aunt, upset by sparrows on her roof.\n- “Gabardine Fireman”: anecdote written from friend Eric Nickle’s Vancouver column. Birney restarts the poem when reading.\n"],"contents":["Earle Birney  \n[00:00:00]  \nReads \"The Doukhobor\".  \nEarle Birney  \n[00:02:09]  \nReads \"Night\".  \nEarle Birney  \n[00:04:05]  \nReads \"On a Diary\".  \nEarle Birney  \n[00:16:53]  \nReads \"Tea With My Shetland Grand-Aunt\".  \nEarle Birney  \n[00:19:53]  \nReads \"Gabardine Fireman\"."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558522146821,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8359","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Earle Birney fonds"],"source_collection_label":["Earle Birney fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/index.php/earle-birney-fonds"],"item_title":["Earle Birney reading uncollected poems (Tape 3)"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label of recording title and included poems taped to box. Box stamped HB 1W2."],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[8.1-3]"],"rights":["The Public Domain Mark (PDM)"],"creator_names":["Birney, Earle"],"creator_names_search":["Birney, Earle"],"creators":["[{\"url\":\"http://viaf.org/viaf/97679781\",\"name\":\"Birney, Earle\",\"dates\":\"1904-1995\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"CBC Radio - Canada\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"7 1/2 ips\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Birney_MsC_13.8.1-3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:30:44\",\"precision\":\"\",\"size\":\"506.34 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966\",\"type\":\"Performance Date\",\"notes\":\"Dates supplied through research for copyright.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["- “Masefield”: December 1938. John Masefield (poet laureate) commenting on Chamberlin pact with Hitler, quatrain praising action. Birney adds second stanza. Sent to Saturday Night, reply January 1939 from editor – “Dear Mr. Birney, It’s very neat and well-deserved, but I am trying to keep away from any note of bitterness about the Munich business. Yours truly, B. K. Sandwell.” Typified attitudes of typical Canadian establishment until war actually came.\n- “Lines”: In 1940, felt world was far less sane than what was going on in the comic strips.\n- “Recruit”: a four line piece written which at Niagara-on-the-Lake military camp, Summer 1940.\n- “Last”: A leave, a girl, and a poem. West coast setting.\n- “Prologue”: 1941 Toronto. Birney on summer drilling, would drop into basement of Park Plaza which was a popular drinking place. Sir Charles G. D. Roberts frequented there and held a small court. Birney began scribing the people there to make a sort of 20th century Canterbury Tales – never followed through by reads from draft of what would have been the prologue. Birney comments on where these people are now throughout reading.\n- “Conrad”: 1942, a poem about Conrad Kane, a Canadian professional alpine guide who was born in Austria in 1883 and died in Canada in 1934. This is a free-wheeling ballad based on the fact from his own autobiography. Birney as a small boy was in one of Kane’s first skiing classes, and the first skiing class ever conducted in Banff. This poem was published twice in magazines but never collected.AM40"],"contents":["Earle Birney  \n[00:00:00]  \nReads \"Postscript for Mr. Masefield\".  \nEarle Birney  \n[00:02:30]  \nReads \"Lines for Lotus-Eaters\".  \nEarle Birney  \n[00:06:24]  \nReads \"Recruit at Church Parade\".  \nEarle Birney  \n[00:06:59]  \nReads \"In War…\".  \nEarle Birney  \n[00:07:15]  \nReads \"Last Night\".  \nEarle Birney  \n[00:08:44]  \nReads \"Prologue\".  \nEarle Birney  \n[00:17:25]  \nReads \"Conrad Kane\"."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558523195392,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8360","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Earle Birney fonds"],"source_collection_label":["Earle Birney fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/index.php/earle-birney-fonds"],"item_title":["Earle Birney reading uncollected poems (Tape 4)"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label of recording title and included poems taped to box. Box stamped ME 0X5."],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[8.1-4]"],"rights":["The Public Domain Mark (PDM)"],"creator_names":["Birney, Earle"],"creator_names_search":["Birney, Earle"],"creators":["[{\"url\":\"http://viaf.org/viaf/97679781\",\"name\":\"Birney, Earle\",\"dates\":\"1904-1995\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"CBC Radio - Canada\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"7 1/2 ips\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Birney_MsC_13.8.1-4\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:26:48\",\"precision\":\"\",\"size\":\"444.39 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966\",\"type\":\"Performance Date\",\"notes\":\"Dates supplied through research for copyright.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["- “Cadet”: Brockville Military Hospital July 1942. It was the graduating night of his class of officers but Birney was in the hospital with a broken leg from a training accident. This poem was in a letter to his wife. Birney remarks “it’s not a very good poem, I’m afraid. But let’s see how it sounds.” Birney starts his reading over because he says “radio idiots” instead of “idiot radios” to which he laughs quite a bit and apologizes to the ‘audience’.\n- “Meet”: Written when Birney overseas, children’s poems to his four year old son. Birney was hung up on birds at the time, not sure his son ever read them but he enjoyed writing them. Language is quite dated (slang of the 1940s). The Killdeer; (after reading the Killdeer inserts footnote that he read a line incorrectly); The Nighthawk; The Woodpecker; The Loon; The Chickadee\n- Sonnets: six sonnets from overseas in wartime.\n- “In Praise”: Belgium 1944, it was a cold winter and Birney’s unit was under rocket fire. He received a delayed mail package with a magazine full of bad poetry by fashionable young London writers. Short imitation of them. \n- “Halifax”: When Birney was in Halifax between a hospital ship and a hospital train at the end of the war. Birney lost this poem and only rediscovered it a few days before this recording. It is an unfinished poem, Birney had been looking at Hugh MacLennan’s Barometer Rising in which he says “Halifax periodically sleeps between wars.”\n- “Restricted”: Summer 1945, Birney convalescing for a weekend at Lake Huron after leaving army. This is the first time he sees a sign ‘Gentiles Only’. The poem is in the voice of the man who puts up signs like this. "],"contents":["Earle Birney  \n[00:00:00]  \nReads \"Cadet Hospital\".  \nEarle Birney  \n[00:02:39]  \nReads \"Meet the Birds\".  \nEarle Birney  \n[00:09:05]  \nReads six untitled sonnets.  \nEarle Birney  \n[00:17:36]  \nReads \"Halifax\".  \nEarle Birney  \n[00:20:38]  \nReads \"Restricted Area\".  \nEarle Birney  \n[00:22:36]  \nReads \"Montreal\"."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558523195393,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8361","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Earle Birney fonds"],"source_collection_label":["Earle Birney fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/index.php/earle-birney-fonds"],"item_title":["Earle Birney reading uncollected poems (Tape 5)"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label of recording title and included poems taped to box. Box stamped HB 1W2."],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[8.1-5]"],"rights":["The Public Domain Mark (PDM)"],"creator_names":["Birney, Earle"],"creator_names_search":["Birney, Earle"],"creators":["[{\"url\":\"http://viaf.org/viaf/97679781\",\"name\":\"Birney, Earle\",\"dates\":\"1904-1995\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"CBC Radio - Canada\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"7 1/2 ips\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Birney_MsC_13.8.1-5\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:25:30\",\"precision\":\"\",\"size\":\"420.32 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966\",\"type\":\"Performance Date\",\"notes\":\"Dates supplied through research for copyright.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["- “Monarch”: 1946, commentary on hyperactivity of Canadian customs to keep out ‘obscene’ books like Edmund Wilson’s Hecate County or ‘treasonous’ books such as Trotsky’s Permanent Revolution, Emma Goldman’s Living My Life, Balzac’s Droll Stories, Radclyffe Hall’s The Well of Loneliness, and D. H. Lawrence’s Sons and Lovers. All of these books banned on the authority of one man, identity unknown, called The Examiner of Publications, in Ottawa. This person held so much power that neither he nor the minister who appointed him needed to report to parliament on their activities. Birney uses the verbage of the Customs Act which gave them this power, following Gilbert’s rhythms in HMS Pinafore (“Captain of the King’s Navee”).\n- “Our”: Thoughts on Canadian literature, a bit of infighting.\n- “McSimptom’s”: In 1950, Birney is in Vancouver and going to Nanaimo, but got on the wrong ship. The ship was going to Nanaimo but had been chartered for the Woodward’s annual staff family picnic, everyone supposed to participate in singalong and no one want to. Tunes for the poem are from the song’s which were supposed to be sung, but Birney has changed the words a great deal. Birney notes he has to sing this, as its part of the fun.\n- “Student”: later 1950s, Birney was involved with student committee at UBC to create list of foreign writers to invite over at considerable expense while ignoring Canadian writers.\n- “untitled”: on the occasion of the retirement of one of his classics teachers, who was the father of six sons who all played on the UBC soccer team. Birney notes that this poem has to be sung, but he can’t really remember the tune.\n- “Architects”: Royal Architectural Institute of Canada asked Birney to write poems to accompany an exhibit for an architectural journal. Eight poems.\n- “Hazel”: translation of his poems into Spanish (with assistance). Birney quits halfway through reading, remarks that he needs more practice.\n- “Postprandial”: On February 9th, 1958, CBC broadcast in honour of E.J. Pratt. Birney uses his poetic style at times and borrows some of Pratt’s phrases.\n"],"contents":["Earle Birney  \n[00:00:00]  \nReads \"The Monarch of the Id\".  \nEarle Birney  \n[00:03:44]  \nReads \"Our forefathers literary…\".  \nEarle Birney  \n[00:04:52]  \nReads \"Tonka\".  \nEarle Birney  \n[00:05:13]  \nReads \"The McSimptom’s Marketeria Annual Staff Ferry Picnic to Nanaimo\".  \nEarle Birney  \n[00:10:24]  \nReads \"Student Special Events Committee\".  \nEarle Birney  \n[00:12:15]  \nReads \"untitled for Otis J. Todd\".  \nEarle Birney  \n[00:14:14]  \nReads \"Architects Vancouver\".  \nEarle Birney  \n[00:19:43]  \nReads Spanish translation \"From the Hazel Bough\".  \nEarle Birney  \n[00:21:02]  \nReads \"Postprandial Thanks to Ned\"."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558523195394,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8362","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Robert Kroetsch fonds"],"source_collection_label":["Robert Kroetsch fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/robert-kroetsch-fonds"],"item_title":["Robert Kroetsch reads at Pages book store, 1995"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[1.1]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2045"],"creator_names":["Kroetsch, Robert"],"creator_names_search":["Kroetsch, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Van Herk, Aritha"],"contributors_names_search":["Van Herk, Aritha"],"contributors":["[{\"url\":\"http://viaf.org/viaf/110789564\",\"name\":\"Van Herk, Aritha\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"Interviewer_name":["Van Herk, Aritha"],"Performance_Date":[1995],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"Unknown acetate\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"RK_MsC_265.1.1\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:47:16\",\"precision\":\"\",\"size\":\"778.92 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1995\",\"type\":\"Performance Date\",\"notes\":\"Dates supplied through research for copyright.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["The physical copy of this digitized recording has not been located.\n- Speaking to creative writing students at Pages on Kensington, Calgary. Aritha van Herk introduces.\n- [00:06:00] Writing poetry again through the story of Rita K.\n- “Hornbook #15”: question of identity through place – fallacy of the isolation of writers. Two sentence line format.\n- “Winnipeg”: when writing poetry listening to the speech unit, and therefore the body writes the poem in a sense. Here he is intentionally writing way beyond the breath statement.\n- “New”: Fascination with the Orpheus story. A quest for the new world. Calgary as a part of this dream or illusion.\n- “Oviedo”: Three mound poems which Rita organizes her poems into – “The Battle River Mound,” “The Kyoto Mound,” and “The Oviedo Mound”. Question of ‘where does the poem reside?’.\n- Crow: inspired by readings of South American magic realist texts\n- Qs: What do you do when you aren’t feeling inspired to write?\n- Process for writing – going over drafts repeatedly\n- When did he know he wanted to be a writer? At 16, in an English class in Red Deer High School. His English teacher asked if he ever considered being a writer."],"contents":["Aritha Van Herk\nIntroduces Robert Kroetsch to an audience of creative writing students at Pages book store.\nRobert Kroetsch\n[00:06:44]\nReads \"Hornbook #15\".\nRobert Kroetsch\n[00:09:55]\nReads \"Winnipeg is a Kind of a News\".\nRobert Kroetsch\n[00:12:50]\nReads \"The New World and Finding It\".\nRobert Kroetsch\n[00:21:20]\nReads \"The RK Hornbooks: Retractions\".\nRobert Kroetsch\n[00:25:27]\nReads \"Hornbook B\".\nRobert Kroetsch\n[00:27:05]\nReads \"Hornbook E: Against Reason\".\nRobert Kroetsch\n[00:27:35]\nReads \"Hornbook H\".\nRobert Kroetsch\n[00:28:04]\nReads \"The Oviedo Mound\".\nRobert Kroetsch\n[00:31:07]\nReads \"What the Crow Said\"."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558523195395,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8363","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Earle Birney fonds"],"source_collection_label":["Earle Birney fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/index.php/earle-birney-fonds"],"item_title":["Earle Birney reading uncollected poems (Tape 6)"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label of recording title and included poems taped to box."],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[8.1-6]"],"rights":["The Public Domain Mark (PDM)"],"creator_names":["Birney, Earle"],"creator_names_search":["Birney, Earle"],"creators":["[{\"url\":\"http://viaf.org/viaf/97679781\",\"name\":\"Birney, Earle\",\"dates\":\"1904-1995\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"CBC Radio - Canada\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"7 1/2 ips\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Birney_MsC_13.8.1-6\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:26:35\",\"precision\":\"\",\"size\":\"438.20 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966\",\"type\":\"Performance Date\",\"notes\":\"Dates supplied through research for copyright.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["- “Nobody”: 1960, poem translated from Hungarian poet Jozsef Attila.\n- “Secret”: 1962, response to publisher of Ice, Cod, Bell, Stone about the illustration’s inaccuracy (designer put in large church bell instead of the harebell flower of the poem), Birney wanted it inserted into the book somewhere but it was too late.\n- “Return”: audiovisual, shape poem.\n- “John”: Birney reading the new Canadian Dictionary of National Biographies.\n- “untitled”: Bruce Woodland wrote into the Saturday Night responding to Birney’s “John Cabot,” this is Birney’s reply.\n- “Interview”: an imaginary interview with the city of Vancouver. Have to imagine reporter asking Lady Vancouver about herself.\n- “Song”: Birney on a plane traveling into the sunset a few days prior to this recording.\n- Translation: Second attempt at reading Spanish version of “From the Hazel Bough,” first attempt on previous tape (tape 5).\n- “Leven”: prose short story. Written during the war while Birney was in England. During sneak raids in London, where one plane would come in high and drop a bomb, British fighter planes had to find them. There was no way of knowing where the bombs would land so most people ignored the alerts and went about their day."],"contents":["Earle Birney  \n[00:00:00]  \nReads \"Nobody’s as Poor as a Poor Man\".  \nEarle Birney  \n[00:01:16]  \nReads \"Secret Message from Poet to Reader\".  \nEarle Birney  \n[00:03:08]  \nReads \"Return Flight\".  \nEarle Birney  \n[00:04:10]  \nReads \"John Cabot\".  \nEarle Birney  \n[00:05:18]  \nReads untitled.  \nEarle Birney  \n[00:06:56]  \nReads \"Interview with City of Vancouver\".  \nEarle Birney  \n[00:14:42]  \nReads \"A Song for Sunsets\".  \nEarle Birney  \n[00:15:57]  \nReads Spanish translation \"From the Hazel Bough\".  \nEarle Birney  \n[00:17:24]  \nReads \"The Leven Bolt\"."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558523195396,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8364","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Earle Birney fonds"],"source_collection_label":["Earle Birney fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/index.php/earle-birney-fonds"],"item_title":["Earle Birney reading short stories"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Writing on back of container. Label of recording title and included poems taped to box. Box stamped ?? 1X2."],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[8.2-1]"],"rights":["The Public Domain Mark (PDM)"],"creator_names":["Birney, Earle"],"creator_names_search":["Birney, Earle"],"creators":["[{\"url\":\"http://viaf.org/viaf/97679781\",\"name\":\"Birney, Earle\",\"dates\":\"1904-1995\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"CBC Radio - Canada\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"7 1/2 ips\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Birney_MsC_13.8.2-1\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:29:39\",\"precision\":\"\",\"size\":\"488.60 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966\",\"type\":\"Performance Date\",\"notes\":\"Dates supplied through research for copyright.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Title based on contents of file. Contents of file handwritten on container in addition to label.\n- “Bird”: short story. May 1948, published in Mademoiselle magazine.\n- “Mickey”: short story. Banff in World War I, when Birney was a schoolboy there."],"contents":["Earle Birney  \n[00:00:00]  \nReads \"Bird in the Bush\".  \nEarle Birney  \n[00:14:17]  \nReads \"Mickey was a Swell Guy\"."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558523195397,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8365","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Earle Birney fonds"],"source_collection_label":["Earle Birney fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/index.php/earle-birney-fonds"],"item_title":["Earle Birney reading short stories"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Writing on back of container. Label of recording title. Label of contents: \"Waiting for Queen Emma (Published as Enigma in Ebony in MacLean's, October 15, 1953). Box stamped ?? 0X8."],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[8.2-2]"],"rights":["The Public Domain Mark (PDM)"],"creator_names":["Birney, Earle"],"creator_names_search":["Birney, Earle"],"creators":["[{\"url\":\"http://viaf.org/viaf/97679781\",\"name\":\"Birney, Earle\",\"dates\":\"1904-1995\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"CBC Radio - Canada\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"7 1/2 ips\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Birney_MsC_13.8.2-2\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:27:55\",\"precision\":\"\",\"size\":\"460.13 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966\",\"type\":\"Performance Date\",\"notes\":\"Dates supplied through research for copyright.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Title based on contents of file. Contents of file handwritten on container in addition to label. \"Waiting”: short story published in Maclean’s in 1950. The editor gave it the title “Enigma in Ebony.” Takes place in Curacao, Dutch West Indies, where Birney first visited as a sailor in the 1930s."],"contents":["Earle Birney\n[00:00:00]\nReads \"Waiting for Queen Emma\"."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558524243968,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8366","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Earle Birney fonds"],"source_collection_label":["Earle Birney fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/index.php/earle-birney-fonds"],"item_title":["Earle Birney reading from Turvey"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Writing on back of container. Label of recording title and included poems taped to box. Box stamped CC 1W5."],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[8.3]"],"rights":["The Public Domain Mark (PDM)"],"creator_names":["Birney, Earle"],"creator_names_search":["Birney, Earle"],"creators":["[{\"url\":\"http://viaf.org/viaf/97679781\",\"name\":\"Birney, Earle\",\"dates\":\"1904-1995\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"CBC Radio - Canada\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"7 1/2 ips\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Birney_MsC_13.8.3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:31:30\",\"precision\":\"\",\"size\":\"519.08 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966\",\"type\":\"Performance Date\",\"notes\":\"Dates supplied through research for copyright.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Title based on contents of file. Contents of file handwritten on container in addition to label."],"contents":["Earle Birney\nReads excerpts of Chapter 13, 14, 15, and 19 from Turvey (1949)"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Turvey (1949)\"}]"],"_version_":1853670558524243969,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8367","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Earle Birney fonds"],"source_collection_label":["Earle Birney fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/index.php/earle-birney-fonds"],"item_title":["Earle Birney reading from Down the Long Table"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Writing on back of container. Label of recording title and included poems taped to box. Box stamped JH 0X8."],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[8.4]"],"rights":["The Public Domain Mark (PDM)"],"creator_names":["Birney, Earle"],"creator_names_search":["Birney, Earle"],"creators":["[{\"url\":\"http://viaf.org/viaf/97679781\",\"name\":\"Birney, Earle\",\"dates\":\"1904-1995\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"CBC Radio - Canada\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"7 1/2 ips\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Birney_MsC_13.8.4\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:30:48\",\"precision\":\"\",\"size\":\"507.68 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966\",\"type\":\"Performance Date\",\"notes\":\"Dates supplied through research for copyright.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Title based on contents of file. Contents of file handwritten on container in addition to label. Section breaks have inter-chapter headline pieces taken from newspapers."],"contents":["Earle Birney\nReads excerpts from part of section 16 and the entirety of sections 17 - 21 from Down the Long Table (1955)."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Down the Long Table (1955)\"}]"],"_version_":1853670558524243970,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8368","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Earle Birney fonds"],"source_collection_label":["Earle Birney fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/index.php/earle-birney-fonds"],"item_title":["Earle Birney reading poems for CANUSA Readings"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Writing on front and back of container. Label of recording title and included poems taped to box."],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[8.5]"],"rights":["The Public Domain Mark (PDM)"],"creator_names":["Birney, Earle"],"creator_names_search":["Birney, Earle"],"creators":["[{\"url\":\"http://viaf.org/viaf/97679781\",\"name\":\"Birney, Earle\",\"dates\":\"1904-1995\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1967],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"7 1/2 ips\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Birney_MsC_13.8.5\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:08:51\",\"precision\":\"\",\"size\":\"145.89 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1967-08\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://nominatim.openstreetmap.org/ui/details.html?osmtype=R&osmid=11680616&class=amenity\",\"venue\":\"Department of English, University of Waterloo\",\"notes\":\"\",\"address\":\"200, University Avenue West,\\nWaterloo, Ontario, Canada\",\"latitude\":\"[43.4701994]\",\"longitude\":\"[-80.54524293779451]\"}]"],"Address":["200, University Avenue West,\nWaterloo, Ontario, Canada"],"Venue":["Department of English, University of Waterloo"],"content_notes":["Handwritten note on container: Earle Birney reading & commenting on 6 of his poems at University of Waterloo August 1967. Paper noting poems read and the time they begin on the recording included inside container, printed on Lord Elgin Hotel notepaper. Title based on contents of file. Contents of file handwritten on container in addition to label.\n- Seven poems from Selected Poems (1966). – Ellesmereland is two poems.\n- Birney is recording this while the Centennial Writer-in-Residence at the University of Waterloo.\n- “Billboards”: Driving down the coastal highway in Oregon.\n- “Irapuato”: Takes place in a little town in Mexico in 1955\n- “Hazel”: Written in military hospital 1945. Has nothing to do with the military but with the basic themes of love and death.\n"],"contents":["Earle Birney  \n[00:00:54]  \nReads \"Ellesmereland\".  \nEarle Birney  \n[00:01:26]  \nReads \"Pacific Door\".  \nEarle Birney  \n[00:03:40]  \nReads \"Billboards Build Freedom of Choice\".  \nEarle Birney  \n[00:06:13]  \nReads \"Plaza de Inquisicion\".  \nEarle Birney  \n[00:07:02]  \nReads \"Irapuato\".  \nEarle Birney  \n[00:07:45]  \nReads \"From the Hazel Bough\"."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Selected Poems, 1940-1966 (McClelland and Stewart, 1966)\"}]"],"_version_":1853670558524243971,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8369","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Earle Birney fonds"],"source_collection_label":["Earle Birney fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/index.php/earle-birney-fonds"],"item_title":["Tone Roads (Tape 1)"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label of recording title. Writing on front and back of container."],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[8.6-1]"],"rights":["The Public Domain Mark (PDM)"],"creator_names":["Benson, Warren"],"creator_names_search":["Benson, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/114905987\",\"name\":\"Benson, Warren\",\"dates\":\"1924-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Wilson, Don"],"contributors_names_search":["Wilson, Don"],"contributors":["[{\"url\":\"\",\"name\":\"Wilson, Don\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"Presenter_name":["Wilson, Don"],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"7 1/2 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Birney_MsC_13.8.6-1\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:32:38\",\"precision\":\"\",\"size\":\"537.68 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"Performance Date\",\"notes\":\"[after 1966]. Date taken from creation dates listed for item level descriptions in archival finding aid for the Earle Birney fonds Item number 8.6-1\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Title based on contents of file. Handwritten note on container: Music of Warren Benson, Pt. 1. 7 1/2 mono. A Delphic Serenade - orchestra 1952. Trio for Percussion 1957."],"contents":["A Delphic Serenade for Orchestra (1952), Trio for Percussion (1957)."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558524243972,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8370","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Loute (?) numbers by Inner (?) Boss Oliver"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Writing on aluminum disc."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[111.1]"],"rights":["The Public Domain Mark (PDM)"],"creator_names":["Nowlan, Alden"],"creator_names_search":["Nowlan, Alden"],"creators":["[{\"url\":\"http://viaf.org/viaf/61671170\",\"name\":\"Nowlan, Alden\",\"dates\":\"1933-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Oliver, Buss"],"contributors_names_search":["Oliver, Buss"],"contributors":["[{\"url\":\"\",\"name\":\"Oliver, Buss\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Oliver, Buss"],"Performance_Date":[1967],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"10 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Duodisc\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"33 1/3 rpm\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Disc\",\"physical_composition\":\"Aluminum\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Disc"],"physical_compositions":["Aluminum"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"AN_MsC_40.111.1\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:14:03\",\"precision\":\"\",\"size\":\"231.48 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1967\",\"type\":\"Performance Date\",\"notes\":\"Dates supplied through research for copyright.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Sussex, New Brunswick.\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Venue":["Sussex, New Brunswick."],"content_notes":["Symbol of Freemasonry (square and compass with G in center) sketched on disc. Recording is essentially indecipherable because of very poor quality. Moments of audio repetition and cutting out. Some discussion of Sussex, New Brunswick; brief singing; possibility of additional speakers\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558524243973,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8371","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Earle Birney fonds"],"source_collection_label":["Earle Birney fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/index.php/earle-birney-fonds"],"item_title":["Earle Birney reads his own narrative poem David [sound recording]."],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on disc"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[8.7]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2051"],"creator_names":["Birney, Earle"],"creator_names_search":["Birney, Earle"],"creators":["[{\"url\":\"http://viaf.org/viaf/97679781\",\"name\":\"Birney, Earle\",\"dates\":\"1904-1995\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"7 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"CBC Radio - Canada\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"45 rpm\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Disc\",\"physical_composition\":\"Vinyl\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Disc"],"physical_compositions":["Vinyl"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Birney_MsC_13.8.7\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:15:10\",\"precision\":\"\",\"size\":\"499.83 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981\",\"type\":\"Performance Date\",\"notes\":\"Dates supplied through research for copyright.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["- Birney reading poem David."],"contents":["Earle Birney\nReads \"David\" from David and Other Poems (1942)."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"David and Other Poems (1942)\"}]"],"_version_":1853670558524243974,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8372","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Earle Birney fonds"],"source_collection_label":["Earle Birney fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/index.php/earle-birney-fonds"],"item_title":["Borders [sound recording]"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Two accompanying pieces of paper"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[8.8]"],"rights":["The Public Domain Mark (PDM)"],"creator_names":["Birney, Earle"],"creator_names_search":["Birney, Earle"],"creators":["[{\"url\":\"http://viaf.org/viaf/97679781\",\"name\":\"Birney, Earle\",\"dates\":\"1904-1995\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors_names":["Nichol, B.P."],"contributors_names_search":["Nichol, B.P."],"contributors":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Nichol, B.P."],"Performance_Date":[1996],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"7 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"CBC Radio - Canada\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"33 1/3 rpm\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Floppy Disk\",\"physical_composition\":\"Magnetic Disk\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Floppy Disk"],"physical_compositions":["Magnetic Disk"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Birney_MsC_13.8.8\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:12:53\",\"precision\":\"\",\"size\":\"424.42 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Earle Birney fonds Item number 8.8\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Two papers included inside with disc: \"towards a poetry of shy sounds\" and \"A Letter from Margaret Avison\"\n- bp Nichol’s recording Borders.\n- “Dada”: To the memory of Hugo Ball.\n- “Not”: For Margaret Avison.\n- “Cycle No. 17”: For Jerry."],"contents":["Earle Birney\n[00:03:28]\nReads \"Early Morning June 23rd\".\nEarle Birney\n[00:04:56]\nReads \"Beach at Port Dover\".\nEarle Birney\n[00:06:33]\nReads \"Dada Lama\".\nEarle Birney\n[00:10:30]\nReads \"Cycle No. 22\".\nEarle Birney\n[00:11:01]\nReads \"Not what the siren sand but what the frag ment\".\nEarle Birney\n[00:12:23]\nReads \"One Sing\".\nEarle Birney\n[00:12:38]\nReads \"Cycle no. 17\"."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Borders\"}]"],"_version_":1853670558524243975,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8373","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Gardens of the wind"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Two pieces of paper, notes from archivist."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[111.1]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2040"],"creator_names":["Nowlan, Alden"],"creator_names_search":["Nowlan, Alden"],"creators":["[{\"url\":\"http://viaf.org/viaf/61671170\",\"name\":\"Nowlan, Alden\",\"dates\":\"1933-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Springford, Ruth","Scott, John","Davidson, Richard","Allan, Andrew"],"contributors_names_search":["Springford, Ruth","Scott, John","Davidson, Richard","Allan, Andrew"],"contributors":["[{\"url\":\"\",\"name\":\"Springford, Ruth\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Scott, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Davidson, Richard\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Allan, Andrew\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Springford, Ruth","Scott, John","Davidson, Richard","Allan, Andrew"],"Performance_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Brentwood\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"AN_MsC_40.111.10\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:04:06\",\"precision\":\"\",\"size\":\"1.03 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970-03-07\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 111.10\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Cassette recording of reel also in folder, labeled \"LP's 40.111.10\".\n- [00:00:00] Alden Nowlan talking about getting a particular level, news put on and volume adjusted. Radio program indicates its 11:03pm, and the introduction to CBC Radio Anthology series plays.\n- Last of six “Poems for Voices” commissioned by Anthology.\n- [00:01:18] Introduction to Alden Nowlan\n- [00:01:48] “Gardens of the wind” read by female voice; - [00:02:37] transitions to male voice; - [00:04:12] various voices together; - [00:05:00] .\n- Quotations from various wartime speeches and literature (i.e., “We Shall Fight on the Beaches”), quotations from famous literature and the Bible, and musical accompaniments (military/nationalist—drums, God Save the Queen, parade music).\n- [00:08:04] “There is no order except that which the mind confers” (Jostein Gaarder); - [00:08:17] apocrypha\n- Recurrent image of a prisoner in a court room; inclusion of the “local news” of 1940; RCAF, war planes, and other industries of war related to Canada in the Great War; “we were all children”\n- Poem ends at - [00:15:23] .\n- [00:15:25] Credits for production.Voices of Ruth Springford, John Scott, Richard Davidson, and Andrew Allan.\n- [00:16:04] “Between Ourselves” radio program (with Alan Anderson) discussion of St. John’, Newfoundland. Interviewing locals.\n- [00:43:12] Poem about St. John called “Incident”.\n- [00:50:16] Another poem “Where’s the port of grey St. John…”\n- [01:02:36] credits for radio program."],"contents":["Alden Nowlan \n[0:00] \nDiscusses audio levels and volume, introduction to CBC Radio Anthology series plays. \nUnknown [multiple voices]\n[00:01:48]\nRead \"Gardens of the wind\".\nAnthology series Team [Ruth Springford, John Scott, Richard Davidson, Andrew Allan]\n[00:15:23]\nAnnounces credits for production of show."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Poem commissioned for this radio programme.\"}]"],"_version_":1853670558524243976,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8374","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Tape of First Session (Alden Nowlan and Walter Learning) on \"La Svengali\" Radio Play 1981-1982"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Accompanying paper from archivist describing sides of cassettes. Envelope with typed title for cassette 1."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[111.13-1]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2052"],"creator_names":["Nowlan, Alden"],"creator_names_search":["Nowlan, Alden"],"creators":["[{\"url\":\"http://viaf.org/viaf/61671170\",\"name\":\"Nowlan, Alden\",\"dates\":\"1933-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Learning, Walter"],"contributors_names_search":["Learning, Walter"],"contributors":["[{\"url\":\"http://viaf.org/viaf/11093579\",\"name\":\"Learning, Walter\",\"dates\":\"1938-2020\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Learning, Walter"],"Performance_Date":[1981],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Concertape\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"1 7/8 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"AN_MsC_40.111.13-1\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:53:57\",\"precision\":\"\",\"size\":\"889.10 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-1982\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 111.13-1\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Alden Nowlan and Walter Learning discuss production of “La Svengali” radio play.\n- Discussion of notes from independent readers of the script.\n- Cut to change sides on the tape at 31:04.\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\\\"La Svengali\\\" radio play; Saturday Stereo Theatre, CBC Radio\"}]"],"_version_":1853670558524243977,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8375","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Alden Nowlan and Walter Learning Working on \"Svengali\""],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Accompanying paper from archivist describing sides of cassettes. Envelope with typed title for cassette 1."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[111.13-2]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2052"],"creator_names":["Nowlan, Alden"],"creator_names_search":["Nowlan, Alden"],"creators":["[{\"url\":\"http://viaf.org/viaf/61671170\",\"name\":\"Nowlan, Alden\",\"dates\":\"1933-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Learning, Walter"],"contributors_names_search":["Learning, Walter"],"contributors":["[{\"url\":\"http://viaf.org/viaf/11093579\",\"name\":\"Learning, Walter\",\"dates\":\"1938-2020\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Learning, Walter"],"Performance_Date":[1981],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Realistic Supertape Gold\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"1 7/8 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"AN_MsC_40.111.13-2\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:03:42\",\"precision\":\"\",\"size\":\"1.03 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-1982\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 111.13-2\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Continued discussion with Alden Nowlan and Walter Learning about “La Svengali” radio play. Discussion of notes from independent readers of the script.\n- [00:09:23] cut in recording.\n- [00:31:38] woman’s voice (likely Alden Nowlan’s partner Claudine Orser) interrupts recording, Walter responds excitedly. Recording cuts out.\n- [00:54:55] cut in recording."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\\\"La Svengali\\\" radio play; Saturday Stereo Theatre, CBC Radio\"}]"],"_version_":1853670558524243978,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8376","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Robert Kroetsch fonds"],"source_collection_label":["Robert Kroetsch fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/robert-kroetsch-fonds"],"item_title":["The Bards of March: Mar 15/86 Barbour/Prize Draw/Kroetsch (Nichol) Van Herk B Wiebe"],"item_title_source":["Transcribed from the artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[29.10.1]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2036"],"creator_names":["Kroetsch, Robert"],"creator_names_search":["Kroetsch, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Barbour, Doug","Nichol, B.P.","Van Herk, Aritha","Wiebe, Rudy"],"contributors_names_search":["Barbour, Doug","Nichol, B.P.","Van Herk, Aritha","Wiebe, Rudy"],"contributors":["[{\"url\":\"\",\"name\":\"Barbour, Doug \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/110789564\",\"name\":\"Van Herk, Aritha\",\"dates\":\"-1954\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/39385421\",\"name\":\"Wiebe, Rudy\",\"dates\":\"-1934\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Barbour, Doug ","Nichol, B.P.","Van Herk, Aritha","Wiebe, Rudy"],"Performance_Date":[1986],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"XHE\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"RK_Acc_775_04.25.29.10-1\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:59:20\",\"precision\":\"\",\"size\":\"978.34 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-03-15\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Edmonton [?], Alberta, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Edmonton [?], Alberta, Canada"],"City":["Edmonton, Alberta"],"content_notes":["\nReadings as well as prize draws for the NeWest event.\n- Doug Barbour, two poems about jazz: “Alone on the Road” and “That Gone Tune”. “That Gone Tune” inspired by listening to Dave Holland Quintet at the Yardbird Suite (jazz club in Edmonton). Third poem “For a Branch of Almond Tree in Bloom, 1890” a sonnet responding to Vincent van Gogh’s iconic “Branch of Almond Tree in Bloom” (find now as “Almond Blossom”). Untitled mixing sound and poetry, begins with epigraph from review Smaro Kambourelli wrote of Phyllis Webb.\n- Recording includes prize draw by Jack Lewis (NeWest manager): Rudy Wiebe giving away his books (Wiebe helped organize the event), art prize.\n- Robert Kroetsch (read by bpNichol): Nichol qualifies to read Robert Kroetsch because his father was born in Alberta. Nichol notes that Kroestch seeks to displace the “I” in his poetry, and this is about as far as he can displace it. Reading from section Advice to My Friends, \"1: For a Poet Who Has Stopped Writing,\" \"14: I Find Myself Reading the Old Guys Now December 6th 1983,\" \"Sonnet #1,\" \"I'm Getting Old Now,\" \"Sonnet #5\"; reading from section Sounding the Name, \"Sonnet for My Daughters\"; reading from section The Poet's Mother \"1,\" \"3,\" \"Envoy, To Begin With.\"\n- Aritha Van Herk: Reading from No Fixed Address: something is playing in the background during the reading. Section pertains to characters going to poetry reading, feminist and ironic view of poetry by novelists.\n- Rudy Wiebe: Reading from The Temptation of Big Bear, the last and only speech of big Bear, post-conviction.\n"],"contents":["Doug Barbour  \n[00:00:56]\nReads \"Alone on the Road\".\nDoug Barbour\n[00:03:30]\nReads \"That Gone Tune\".\nDoug Barbour\n[00:08:25]\nReads \"For a Branch of Almond Tree in Bloom, 1890\".\nUnknown\n[00:09:45]\nUntitled [begins with epigraph from review Smaro Kambourelli wrote of Phyllis Webb].\nB.P. Nichol\n[00:20:15]\nReads \"1: For a Poet Who Has Stopped Writing\" by Robert Kroetsch.\nB.P. Nichol\n[00:21:30]\nReads \"14: I Find Myself Reading the Old Guys Now December 6th 1983\" by Robert Kroetsch.\nB.P. Nichol\n[00:22:31]\nReads \"Sonnet #1\" by Robert Kroetsch.\nB.P. Nichol\n[00:23:32]\nReads \"I'm Getting Old Now\" by Robert Kroetsch.\nB.P. Nichol\n[00:24:42]\nReads \"Sonnet #5\" by Robert Kroetsch.\nB.P. Nichol\n[00:25:15]\nReads \"Sonnet for My Daughters\" by Robert Kroetsch.\nB.P. Nichol\n[00:26:00]\nReads \"1\" by Robert Kroetsch.\nB.P. Nichol\n[00:26:31]\nReads \"3\" by Robert Kroetsch.\nB.P. Nichol\n[00:27:05]\nReads \"Envoy, To Begin With\" by Robert Kroetsch.\nAritha Van Herk\n[00:30:57]\nReads excerpt from No Fixed Address.\nRuby Wiebe\n[00:47:04]\nReads excerpt from The Temptation of Big Bear."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Kroetsch, Advice to My Friends. Van Herk, No Fixed Address. Wiebe, The Tempation of Big Bear.\"}]"],"_version_":1853670558525292544,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8377","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Robert Kroetsch fonds"],"source_collection_label":["Robert Kroetsch fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/robert-kroetsch-fonds"],"item_title":["Robert Kroetsch"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Professional box with marbled paper, embossed stamp, and leather embossed title."],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[29.11]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2037"],"creator_names":["Kroetsch, Robert"],"creator_names_search":["Kroetsch, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1987],"material_description":["[{\"side\":\"A\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Somewhat grainy.\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"RK_Acc_775_04.25.29-11\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:57:50\",\"precision\":\"\",\"size\":\"953.11 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-03-10\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from item.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"National Library of Canada\",\"notes\":\"\",\"address\":\"Ottawa, Ontario, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Ottawa, Ontario, Canada"],"Venue":["National Library of Canada"],"City":["Ottawa, Ontario"],"content_notes":["Card inside box.\n- Introduction. Robert Kroetsch begins speaking at 2:11. The last time he was in the building was fifteen years ago doing research for Badlands, and is going to read from Badlands as a sort of thank you. First came upon the material by accident while travelling around Alberta, the kind of story he likes to parody in his writing, but through the archive came to have a sympathy for the men. Reads the beginning and the end, narrated by the daughter of William Dawe.\n- “Seed Catalogue”: Reflection on uncle asking “don’t you understand anything?” Robert Kroetsch notes that he’s been writing poems ever since trying to understand, and that perhaps he was right\n- “Delphi”: The only place where the oracle spoke in a human, female voice. There are four voices in this poem: Robert Kroetsch, quotes from Pausanias, commentary by Sir James Fraser, poem called “The Eggplant Poems.”\n- Excerpts: Using country music, the “hurting song.” Short prose entries that look like diary entries, intrigued by the authority that we grant to the diary entry.\n- Excerpts: anecdote on writers spending a good deal of their time travelling - [00:40:40] \n- Advice: Suppressed stories of his mother, a photograph given to him of his mother produced all these poems.\n- Question period: The questions are not very discernable. First question about what he is writing, Robert Kroetsch answers “not really,” that he is writing a novel that is unendable and not about the prairies, also his study of narrative. Second question, going back to Athens and Greece. Notes that he goes back quite frequently as he is married to a Greek woman. Third question about Advice as very different from his other writing. Robert Kroetsch responds that his voice between Field Notes (as personal) and Advice (as a persona) are in fact very different. Fourth question indiscernible, Robert Kroetsch responds that he doesn’t believe that poetry is dead, that poetry ought to be accessible to all. Fifth question indiscernible, Robert Kroetsch responds that this period of reading may be an aberration in the history of language and that we may go back to more elaborate readings. A return to the hearing of poems instead of the reading of poems.\n"],"contents":["Robert Kroetsch\n[00:04:33]\nReads excerpts from Badlands.\nRobert Kroetsch\n[00:14:20]\nReads excerpts from Field Notes.\nRobert Kroetsch\n[00:15:30]\nReads from \"Seed Catalogue\".\nRobert Kroetsch\n[00:20:30]\nReads from \"Delphi Commentary\".\nRobert Kroetsch\n[00:35:27]\nReads excerpts from the Real World.\nRobert Kroetsch\n[00:44:12]\nReads excerpts from the end of Advice to My Friends."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Badlands; Field Notes; Excerpts from the Real World; Advice to My Friends\"}]"],"_version_":1853670558525292545,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8378","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Robert Kroetsch fonds"],"source_collection_label":["Robert Kroetsch fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/robert-kroetsch-fonds"],"item_title":["Fine Lines #87, Robert Kroetsch interviews Dennis Cooley"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Fine Lines program, listing contents of recording."],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[29.12]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2052"],"creator_names":["Kroetsch, Robert"],"creator_names_search":["Kroetsch, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Cooley, Dennis"],"contributors_names_search":["Cooley, Dennis"],"contributors":["[{\"url\":\"http://viaf.org/viaf/32011503\",\"name\":\"Cooley, Dennis\",\"dates\":\"-1944\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Cooley, Dennis"],"Performance_Date":[2002],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Unknown acetate\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"RK_Acc_775_04.25.29-12\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:02:49\",\"precision\":\"\",\"size\":\"1.01 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2002\",\"type\":\"Performance Date\",\"notes\":\"Dates supplied through research for copyright.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"CFUV Radio, University of Victoria\",\"notes\":\"\",\"address\":\"Victoria, British Columbia, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Victoria, British Columbia, Canada"],"Venue":["CFUV Radio, University of Victoria"],"City":["Victoria, British Columbia"],"content_notes":["- Introduction of Robert Kroetsch and Cooley by Jim Andrews.\n- Discussion of his article “The Vernacular Muse.”\n- Reading of “Making Up” from Bloody Jack to use as an argument in relation to “Vernacular.” The centrality of pun. \n- Erotics between the poet and language, “You With the Stars…”. A great deal of silence in these poems, words surrounded by silence. Working off pauses and spaces.\n- “Strobic”: sitting in a barber’s chair, observing. Hearing and seeing. To what extent is the poem about poetry? To some extent every poem as metapoetic/metaliterary.\n- The range of subject matter in Cooley’s poems. What are the possible forms for poetry in our time? The challenge of writing is to find models to describe experience. Reading of other poems, that poems beget poems. Cooley argues that all poems are love poems (Robert Kroetsch wouldn’t go that far).\n- “Curse”: Someone arguing that Cooley only sees women as machines in Bloody Jack, writing this poem in response to what he considers a “pretty simple-minded” reading.\n- The poem almost forgetting its subject, getting caught up in the language\n- Excerpt from Cooley’s essay “Vernacular Muse” read by Andrews.\n- Crisis of audience in Canadian literature\n- “Sonia”: gains power by virtue of her sexuality. The audience looking at the object of the jar is very much like the audience of the poem, compelled yet somewhat resisting.\n- Connection between being a poet and working as an editor. Discussing small presses and the state of publishing in Canada.\n- “Muse”: How do you write an elegy which resists consolation? Grief as silence.\n- No acts are a-political, including literature.\n"],"contents":["Jim Andrews\n[00:00:00]\nIntroduces Robert Kroetsch and Dennis Cooley.\nRobert Kroetsch\n[00:04:08]\nBegins Interview with and Dennis Cooley.\nDennis Cooley\n[00:06:00]\nReads \"Making Up\" from Bloody Jack.\nDennis Cooley\n[00:10:25]\nReads \"You With the Stars in Your Eyes\".\nDennis Cooley\n[00:12:33]\nReads \"Strobic Flies\".\nDennis Cooley\n[00:21:55]\nReads \"A Curse on a Critic\".\nDennis Cooley\n[00:25:57]\nEND Side 1\nJim Andrews and second side.\nJim Andrews\n[00:27:30]\nReads \"Vernacular Muse\".\nRobert Kroetsch\n[00:33:35]\nResumes interview.\nDennis Cooley\n[00:35:36]\nReads \"Sonia Orlauski\".\nDennis Cooley\n[00:44:15]\nReads \"The Muse of Absence\"."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Bloody Jack\"}]"],"_version_":1853670558525292546,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8379","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Robert Kroetsch fonds"],"source_collection_label":["Robert Kroetsch fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/robert-kroetsch-fonds"],"item_title":["Robert Kroetsch Poetry Reading"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["List of readers."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[29.13]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2041"],"creator_names":["Kroetsch, Robert"],"creator_names_search":["Kroetsch, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["McMaster, Sheila","Vaira, Ursula","Jenkins, Kay","Dingwald, Mairi","Mann, Elizabeth","Marlin, Linda"],"contributors_names_search":["McMaster, Sheila","Vaira, Ursula","Jenkins, Kay","Dingwald, Mairi","Mann, Elizabeth","Marlin, Linda"],"contributors":["[{\"url\":\"http://viaf.org/viaf/106146938\",\"name\":\"McMaster, Sheila\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/35687029\",\"name\":\"Vaira, Ursula\",\"dates\":\"1952-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Jenkins, Kay\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Dingwald, Mairi\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Mann, Elizabeth \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Marlin, Linda\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["McMaster, Sheila","Vaira, Ursula","Jenkins, Kay","Dingwald, Mairi","Mann, Elizabeth ","Marlin, Linda"],"Performance_Date":[1988],"material_description":["[{\"side\":\"A\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Memorex\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"RK_Acc_775_04.25.29-13\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:44:21\",\"precision\":\"\",\"size\":\"1.43 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["- A weeklong poetry workshop in August 1991. Somewhere with a beach (British Columbia?)\n- “I Spoke”: fascinated by the act of naming, by naming something it will exist. Also about chickens.\n- Robert Kroetsch on Kay – she is a successful watercolour painter who has decided to write poems\n- Dingwald – comparatively late to writing, she considers it verse rather than poetry. Living as a learning process.\n- “Song”: “I would not have read tonight except Robert read it and said ‘why not?’”\n- Robert Kroetsch on Mann – poet from the interior\n- Mann: difficulties of building and sustaining a ranch, as well as women’s condition\n- Martin recording is not part of the workshop recording.\n"],"contents":["Sheila McMaster\n[00:00:00]\nReads \"Selene\".\nSheila McMaster\n[00:01:12]\nReads \"Freedom\".\nSheila McMaster\n[00:01:27]\nReads \"His Friend\".\nSheila McMaster\n[00:02:05]\nReads \"Shadow of a Shaman\".\nSheila McMaster\n[00:02:45]\nReads \"Slight of Hand\".\nSheila McMaster\n[00:03:10]\nReads \"Hibiscus\".\nSheila McMaster\n[00:03:26]\nReads \"To Have Known More of You\".\nUrsula Vaira\n[00:05:10]\nReads \"Under a Blue Moon at Midnight\".\nUrsula Vaira\n[00:06:28]\nReads \"The Apple Tree\".\nUrsula Vaira\n[00:08:40]\nReads \"Snapshot Motel 6\".\nUrsula Vaira\n[00:11:08]\nReads \"Cadillac\".\nUrsula Vaira\n[00:12:10]\nReads \"I Spoke the Word and It Rained\".\nUrsula Vaira\n[00:13:00]\nReads \"untitled\".\nKay Jenkins\n[00:14:35]\nReads \"Morocco\".\nKay Jenkins\n[00:15:19]\nReads \"untitled\".\nKay Jenkins\n[00:16:07]\nReads \"Lover\".\nKay Jenkins\n[00:16:30]\nReads \"On Richard Street\".\nKay Jenkins\n[00:17:24]\nReads \"Our Love\".\nKay Jenkins\n[00:18:00]\nReads \"Taped\".\nMairi Dingwald\n[00:20:00]\nReads \"In Defense of Men\".\nMairi Dingwald\n[00:23:00]\nReads \"The Golden Rule in 1991\".\nMairi Dingwald\n[00:25:10]\nReads \"Song of a Wanderer\".\nElizabeth Mann\n[00:30:40]\nReads \"You See No More\".\nElizabeth Mann\n[00:31:32]\nReads \"A Change of Colour\".\nElizabeth Mann\n[00:32:05]\nReads \"I Heard Your Voice\".\nElizabeth Mann\n[00:33:15]\nReads \"Who Is This?\".\nElizabeth Mann\n[00:34:33]\nReads \"Too Hard\".\nElizabeth Mann\n[00:35:02]\nReads \"Leaving\".\nElizabeth Mann\n[00:35:47]\nReads \"First Spring Day\".\nLinda Marlin\n[00:37:02]\nReads \"untitled\".\nLinda Marlin\n[00:39:15]\nReads \"She Had a Cottage\"."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"n/a. Poems written during weeklong workshop.\"}]"],"_version_":1853670558526341120,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8380","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Robert Kroetsch fonds"],"source_collection_label":["Robert Kroetsch fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/robert-kroetsch-fonds"],"item_title":["Robert Kroetsch/Peter Gzowski 6 April 1989"],"item_title_source":["Transcribed from the artifact"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[71.17a]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2059"],"creator_names":["Kroetsch, Robert"],"creator_names_search":["Kroetsch, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Gzowski, Peter"],"contributors_names_search":["Gzowski, Peter"],"contributors":["[{\"url\":\"http://viaf.org/viaf/79064864\",\"name\":\"Gzowski, Peter\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"Interviewer_name":["Gzowski, Peter"],"Performance_Date":[1989],"material_description":["[{\"side\":\"A\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Memorex\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"RK_Acc_96.6.71.17a\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:20:22\",\"precision\":\"\",\"size\":\"671.45 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1989-04-06\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["- Interview on Completed Field Notes\n- There’s poetry in certain places and poets go and harvest it (Al Purdy) – Robert Kroetsch agrees with this sentiment\n- Gzowski asks if Robert Kroetsch revises his poems: Some poems he revises but others he hasn’t touched since he wrote them\n- Is Field Notes one poem? Robert Kroetsch considers it one.\n- Journeying – journeying as a false model from living. Robert Kroetsch asks ‘can we journey?’ and ‘are we really on journeys in life?’\n- Robert Kroetsch notes that the model of the epic is lost\n- Sitting on an airplane, it is almost like you are going nowhere. There is no sense of motion, you’re in one place and then in another without feeling the process or the travel.\n- “Letters to Salonika”:\n- Desire: absence is necessary for desire.\n- The form of a journal entry resists larger poetic schemes\n- When Gzowski asks if the poems are true, Robert Kroetsch responds ‘what is true?’\n- Poems are of this immediate moment, negotiating the presence of absence\n- Robert Kroetsch wants readers to have the pleasure of making their own poems\n- [00:13:57] reads excerpt of Field Notes, dedicated poem to Ishtar (a symbol and a real woman)\n- Gzowski asks about notions of the “tribe” in Canadian poetry scene\n- Robert Kroetsch often hears the voices of his friends talking to him; making poems together\n- Words go on exploring, while the living and the dead might be a marginal difference in the end"],"contents":["Peter Gzowski\nInterviews Robert Kroetsch and discusses Completed Field Notes.\nRobert Kroetsch\n[00:13:57]\nReads excerpt from Completed Field Notes."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Completed Field Notes\"}]"],"_version_":1853670558526341121,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8381","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Robert Kroetsch fonds"],"source_collection_label":["Robert Kroetsch fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/robert-kroetsch-fonds"],"item_title":["What the crow said Episode 1-4"],"item_title_source":["Transcribed from the artifact"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[71.17b]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2039"],"creator_names":["Kroetsch, Robert"],"creator_names_search":["Kroetsch, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Regere, Laurie [?]","Kramer, Ken"],"contributors_names_search":["Regere, Laurie [?]","Kramer, Ken"],"contributors":["[{\"url\":\"\",\"name\":\"Regere, Laurie [?]\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/73233355\",\"name\":\"Kramer, Ken\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Kramer, Ken"],"Performance_Date":[1989],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 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Said\"}]"],"_version_":1853670558526341122,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8382","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Robert Kroetsch fonds"],"source_collection_label":["Robert Kroetsch fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/robert-kroetsch-fonds"],"item_title":["What the crow said Episode 5-8"],"item_title_source":["Transcribed from the artifact"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[71.17c]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2039"],"creator_names":["Kroetsch, Robert"],"creator_names_search":["Kroetsch, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Regere, Laurie [?]","Kramer, Ken"],"contributors_names_search":["Regere, Laurie [?]","Kramer, Ken"],"contributors":["[{\"url\":\"\",\"name\":\"Regere, Laurie [?]\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/73233355\",\"name\":\"Kramer, Ken\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Kramer, Ken"],"Performance_Date":[1989],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 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Said\"}]"],"_version_":1853670558527389696,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8383","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Robert Kroetsch fonds"],"source_collection_label":["Robert Kroetsch fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/robert-kroetsch-fonds"],"item_title":["What the crow said Episode 9-10"],"item_title_source":["Transcribed from the artifact"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[71.17d]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2039"],"creator_names":["Kroetsch, Robert"],"creator_names_search":["Kroetsch, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Regere, Laurie [?]","Kramer, Ken"],"contributors_names_search":["Regere, Laurie [?]","Kramer, Ken"],"contributors":["[{\"url\":\"\",\"name\":\"Regere, Laurie [?]\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/73233355\",\"name\":\"Kramer, Ken\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Kramer, Ken"],"Performance_Date":[1989],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 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MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1989\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Robert Kroetsch fonds Item number 71.17d\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Regina, Saskatchewan, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Regina, Saskatchewan, Canada"],"City":["Regina, Saskatchewan"],"content_notes":["Read by Ken Kramer as part of the evening radio series “Book Time” in Regina, SK."],"contents":["Ken Kramer\nReads from What the Crow Said by Robert Kroetsch."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"What the Crow Said\"}]"],"_version_":1853670558527389697,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8384","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Robert Kroetsch fonds"],"source_collection_label":["Robert Kroetsch fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/robert-kroetsch-fonds"],"item_title":["CBC Stereo Morning Canada"],"item_title_source":["Transcribed from the artifact"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[71.17e]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2059"],"creator_names":["Kroetsch, Robert"],"creator_names_search":["Kroetsch, 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Jeff\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/39386927\",\"name\":\"Paradis, Suzanne\",\"dates\":\"-1936\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/66513400\",\"name\":\"Lane, Patrick\",\"dates\":\"-1939\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Interviewer_name":["Geddes, Gary","Wiseman, Adele"],"Speaker_name":["Munro, Alice","Hancock, Jeff","Paradis, Suzanne","Lane, Patrick"],"Performance_Date":[1989],"material_description":["[{\"side\":\"A\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"RK_Acc_96.6.71.17e\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:30:05\",\"precision\":\"\",\"size\":\"991.49 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1989\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Robert Kroetsch fonds Item number 71.17e\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://nominatim.openstreetmap.org/ui/details.html?osmtype=W&osmid=848186219&class=shop\",\"venue\":\"Pages on Kensington, Calgary, Alberta\",\"notes\":\"\",\"address\":\"1135 Kensington Road NW, Calgary, Alberta, Canada\",\"latitude\":\"[51.0522791]\",\"longitude\":\"[-114.08813504607939]\"}]"],"Address":["1135 Kensington Road NW, Calgary, Alberta, Canada"],"Venue":["Pages on Kensington, Calgary, Alberta"],"City":["Calgary, Alberta"],"content_notes":["Conversation interspersed with pre-recorded segments/readings.\n- [00:00:00] Opens with “Dream” by Patrick Lane.\n- Interview with Gary Geddes and Adele Wiseman on their trip to China with other writers. \n- Geddes organized the trip\n- Wrote a memoir on the ten-day trip – Chinada: Memoirs of the Gang of Seven\n- Discussion of the Chinese writers they spent time with\n- [00:09:50] transcribed interview with Alice Munro\n- There is no alone in China, always people\n- Disappointed with the reservation of the Chinese poets, thought they might be more open\n- Geddes and Wiseman: the mission of the writer, the love of language\n- Specifically the translators and their love of language – wanting to get the right line\n- [00:18:44] Robert Kroetsch writing on the terracotta warriors\n- [00:20:10] Jeff Hancock writing on the terracotta warriors\n- Geddes and Wiseman: Poetry doesn’t have a high value in China at this time, prose and specifically short stories are more popular\n- [00:23:42] Suzanne Paradis reads short, impressionistic poems.\n- Geddes and Wiseman: most significant part of the trip. W – discovery of self through China and colleagues, a widening of her world. G – a burst of new poems which have come out of this experience, the word becoming flesh, becoming concrete through images and experience.\n- [00:27:50] Patrick Lane reading – wrote this poem at the last feast as a group in China.\n"],"contents":["Patrick Lane \n[00:00:00]\n“The Dream of the Red Chamber”.\nGary Geddes and Adele Wiseman\nDiscuss trip to China with other writers.\nAlice Munro \n[00:09:50]\nInterview.\nReturns to Geddes and Wiseman\nRobert Kroetsch \n[00:18:44]\nwriting on the terracotta warriors.\nJeff Hancock \n[00:20:10]\nwriting on the terracotta warriors.\nGary Geddes and Adele Wiseman \nResume discussion on trip to China and writing.\nSuzanne Paradis \n[00:23:42]\nReads Untitled short impressionistic poems.\nGary Geddes and Adele Wiseman\nResume discussion on trip to China and writing.\nPatrick Lane  \n[00:27:50]\nReads “Against Blue Jade Curtains\""],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558527389698,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8385","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Earle Birney fonds"],"source_collection_label":["Earle Birney fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/index.php/earle-birney-fonds"],"item_title":["Earle Birney reading from Selected poems 1940-1966 (Tape 1)"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label of recording title and included poems taped to box. Label taped over writing (unreadable). Box stamped JS 0X6."],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[7.3.1]"],"rights":["The Public Domain Mark (PDM)"],"creator_names":["Birney, Earle"],"creator_names_search":["Birney, Earle"],"creators":["[{\"url\":\"http://viaf.org/viaf/97679781\",\"name\":\"Birney, Earle\",\"dates\":\"1904-1995\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"CBC Radio - Canada\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"7 1/2 ips\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Birney_MsC_13.7.3-1\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:31:52\",\"precision\":\"\",\"size\":\"525.15 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Earle Birney fonds Item number 7.3.1\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Title based on contents of file.\n- “Bankok Boy” is inspired by a boy who ran in front of Birney’s camera.\n- “The Bear on the Delhi Road” comes from Birney’s travels in India. He was haunted by what he saw and couldn’t write anything about his experiences, eventually wrote “The Bear” about men trying to teach a bear to dance. The men probably saved all their money to buy this bear, and are therefore completely reliant on this bear, symbiosis.\n- “Epidaurus”: Birney visited Epidaurus on the day headlines across the world were preoccupied with the H-Bomb scare. Birney is trying to imagine when this theatre was new. At Epidaurus, there is a guide who will send you to the top of the orchestra and drop a pin on the stage so that you can hear it.\n- “El Greco Espolio” is about the curious nature of craftsmanship.\n"],"contents":["Earle Birney\n[00:01:41]\nReads \"The Bear on the Delhi Road\". \nEarle Birney\n[00:01:41]  \nReads \"Twenty-Third Flight\".  \nEarle Birney\n[00:04:12]  \nReads \"Captain Cook\". \nEarle Birney\n[00:06:58]  \nReads \"Honolulu\". \nEarle Birney\n[00:08:41]  \nReads \"Wake Island\". \nEarle Birney\n[00:10:07]  \nReads \"Wind-chimes in a Temple Ruin\". \nEarle Birney\n[00:10:52]  \nReads \"A Walk in Kyoto\".  \nEarle Birney\n[00:14:40]  \nReads \"Bankok Boy\". \nEarle Birney\n[00:17:52]  \nReads \"The Bear on the Delhi Road\".  \nEarle Birney\n[00:22:14]  \nReads \"Tavern by the Hellespont\". \nEarle Birney\n[00:25:28]  \nReads \"Epidaurus\".  \nEarle Birney\n[00:28:08]  \nReads \"Plaza de Inquisicion\".  \nEarle Birney\n[00:28:58]  \nReads \"El Greco: Espolio\"."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Selected Poems, 1940-1966\"}]"],"_version_":1853670558527389699,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8386","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Miracle at Indian River"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Two pieces of paper, notes from archivist. And advertising piece of paper for Audiotape."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[111.11]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2040"],"creator_names":["Nowlan, Alden"],"creator_names_search":["Nowlan, Alden"],"creators":["[{\"url\":\"http://viaf.org/viaf/61671170\",\"name\":\"Nowlan, Alden\",\"dates\":\"1933-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Audiotape\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"AN_MsC_40.111.11\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:40:26\",\"precision\":\"\",\"size\":\"1.62 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970-12-01\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 111.11\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Cassette recording of reel also in folder, labeled \"40.111.11 side 1+2\".\n- [00:00:00] Alden Nowlan testing the audio equipment.\n- [00:00:57] recording begins of end of a CBC radio program. Conversation is audible in the background.\n- [00:04:00] radio reporting of Nova Scotia by-election.\n- [00:04:17] “Miracle at Indian River” radio play on CBC. Begins with singing (scene opens in a congregation worship service). Focuses on the town of Indian River, through the church, and the “crisis” of unmarried young people in Indian River.\n- [00:35:55] cuts to Nova Scotia by-election updates\n- [00:36:29] Returns to “Miracle”\n- [00:38:27] cuts to Nova Scotia by-election results\n- [00:38:46] Returns to “Miracle”\n- [00:50:52] End credits. Dramatized by Noel Stone and presented on CBC Tuesday Night. Jake Creeley starred as Reverend Horace Zwicker. Other credits: Frank Aldice, Bruce Armstrong, Joe Austin, Jim Barron, Marcia Diamond, Alan Deramos, Peg Dickson, Alice Hill, Corinne Langston, Claude Ray, Ruth Springford, and Marie Westgate. Music and arrangement by Carl Taffscott. Sound effects by Bill Robinson. Technical operations by Gary Stubbs. Introduction and broadcast announcer, Jim Chorley.\n- [00:51:33] cuts to Alden reading poems “for Wynn Fracis”\n- [00:51:56] “I, Icarus”\n- [00:53:29] “Daughter of Zion”\n- [00:55:04] “Husband and Wife”\n- [00:55:53] “Britain Street, St. John’s New Brunswick”\n- [00:56:57] “A Picnic in Times Square”\n- [00:57:21] “Secret Life”\n- [00:58:16] “O”\n- [00:59:04] “Verbal Transcription at the Legion Hall in Hartland, New Brunswick”\n- [00:59:45] “The Fresh Ploughed Hill”\n- [01:00:22] “Footsteps in the Dark”\n- [01:01:16] “Remembrance of Things Past”\n- [01:01:57] “The Hollow Men”\n- [01:02:35] “A Treaty to be Signed with Guests”\n- [01:03:00] “The Guide,” a short story\n- [01:11:34] Cut in recording. Can hear voices in the background. A collection of poems from The Mysterious Naked Man. - [01:11:59] “The Mysterious Naked Man”.\n- [01:13:21] Cut in recording. “Ypres: 1915”. Can hear music in the background.\n- [01:17:15] “Brandy of the Damned”\n- [01:19:21] “Absolution”\n- [01:19:38] “Hymn to Dionysius”\n- [01:19:58] “Greatness”\n- [01:20:16] “The Last Leper in Canada”\n- [01:21:25] “Snapshot”\n- [01:22:00] “The Atheist Praying”\n- [01:22:28] “For Claudine Because I Love Her”\n- [01:23:13] “Danse Macabre”\n- [01:24:01] “In an Irish Village”\n- [01:24:37] “A Signboard in Soho”\n- [01:26:26] “Points of Contact”\n- [01:27:40] Cut in recording. “The Barmaid’s Daughter”\n- [01:28:18] “The Dream of the Chocolate Dog”\n- [01:29:42] “A Mime for Lovers”\n- [01:30:39] “Apology”\n- [01:30:56] “A Million Years Ago”\n- [01:31:26] “Dream of Man, Whale and Tiger”\n- [01:32:48] “On the Nature of Human Compassion”\n- [01:33:40] “The Saint’s Apprentice”\n- [01:34:35] “The Backbiters”\n- [01:35:25] Note from Alden Nowlan that he will end with a few older poems. “In the Hainesville Cemetery”\n- [01:36:15] “Lament for James Talbot”\n- [01:37:37] “The Bull Moose”\n- [01:39:38] “The Execution”"],"contents":["Unknown\n[00:04:17]\nReads \"Miracle at Indian River\".\nAlden Nowlan\n[00:51:56]\nReads \"I, Icarus\".\nAlden Nowlan\n[00:53:29]\nReads \"Daughter of Zion\".\nAlden Nowlan\n[00:55:04]\nReads \"Husband and Wife\".\nAlden Nowlan\n[00:55:53]\nReads \"Britain Street, St. John’s New Brunswick\".\nAlden Nowlan\n[00:56:57]\nReads \"A Picnic in Times Square\".\nAlden Nowlan\n[00:57:21]\nReads \"Secret Life\".\nAlden Nowlan\n[00:58:16]\nReads \"O\".\nAlden Nowlan\n[00:59:04]\nReads \"Verbal Transcription at the Legion Hall in Hartland, New Brunswick\".\nAlden Nowlan\n[00:59:45]\nReads \"The Fresh Ploughed Hill\".\nAlden Nowlan\n[01:00:22]\nReads \"Footsteps in the Dark\".\nAlden Nowlan\n[01:01:16]\nReads \"Remembrance of Things Past\".\nAlden Nowlan\n[01:01:57]\nReads \"The Hollow Men\".\nAlden Nowlan\n[01:02:35]\nReads \"A Treaty to be Signed with Guests\".\nAlden Nowlan\n[01:03:00]\nReads \"The Guide\".\nAlden Nowlan\n[01:11:59]\nReads \"The Mysterious Naked Man\".\nAlden Nowlan\n[01:13:21]\nReads \"Ypres: 1915\".\nAlden Nowlan\n[01:17:15]\nReads \"Brandy of the Damned\".\nAlden Nowlan\n[01:19:21]\nReads \"Absolution\".\nAlden Nowlan\n[01:19:38]\nReads \"Hymn to Dionysius\".\nAlden Nowlan\n[01:19:58]\nReads \"Greatness\".\nAlden Nowlan\n[01:20:16]\nReads \"The Last Leper in Canada\".\nAlden Nowlan\n[01:21:25]\nReads \"Snapshot\".\nAlden Nowlan\n[01:22:00]\nReads \"The Atheist Praying\".\nAlden Nowlan\n[01:22:28]\nReads \"For Claudine Because I Love Her\".\nAlden Nowlan\n[01:23:13]\nReads \"Danse Macabre\".\nAlden Nowlan\n[01:24:01]\nReads \"In an Irish Village\".\nAlden Nowlan\n[01:24:37]\nReads \"A Signboard in Soho\".\nAlden Nowlan\n[01:26:26]\nReads \"Points of Contact\".\nAlden Nowlan\n[01:27:40]\nReads \"The Barmaid’s Daughter\".\nAlden Nowlan\n[01:28:18]\nReads \"The Dream of the Chocolate Dog\".\nAlden Nowlan\n[01:29:42]\nReads \"A Mime for Lovers\".\nAlden Nowlan\n[01:30:39]\nReads \"Apology\".\nAlden Nowlan\n[01:30:56]\nReads \"A Million Years Ago\".\nAlden Nowlan\n[01:31:26]\nReads \"Dream of Man, Whale and Tiger\".\nAlden Nowlan\n[01:32:48]\nReads \"On the Nature of Human Compassion\".\nAlden Nowlan\n[01:33:40]\nReads \"The Saint’s Apprentice\".\nAlden Nowlan\n[01:34:35]\nReads \"The Backbiters\".\nAlden Nowlan\n[01:35:25]\nReads \"In the Hainesville Cemetery\".\nAlden Nowlan\n[01:36:15]\nReads \"Lament for James Talbot\".\nAlden Nowlan\n[01:37:37]\nReads \"The Bull Moose\".\nAlden Nowlan\n[01:39:38]\nReads \"The Execution\"."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Miracle at Indian River (1982)\"}]"],"_version_":1853670558527389700,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8387","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Earle Birney fonds"],"source_collection_label":["Earle Birney fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/index.php/earle-birney-fonds"],"item_title":["Tone Roads (Tape 2)"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label of recording title. Writing on front and back of container."],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[8.6-2]"],"rights":["The Public Domain Mark (PDM)"],"creator_names":["Benson, Warren"],"creator_names_search":["Benson, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/114905987\",\"name\":\"Benson, Warren\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Wilson, Don"],"contributors_names_search":["Wilson, Don"],"contributors":["[{\"url\":\"\",\"name\":\"Wilson, Don\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"Presenter_name":["Wilson, Don"],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"7 1/2 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Birney_MsC_13.8.6-2\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:26:37\",\"precision\":\"\",\"size\":\"438.65 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"Performance Date\",\"notes\":\"[after 1966]. Date taken from creation dates listed for item level descriptions in archival finding aid for the Earle Birney fonds Item number 8.6-2\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Title based on contents of file. Handwritten note on container: Music of Warren Benson, Pt. 2. 7 1/2 mono. \"Farewell\" alto - [indecipherable] + piano 1964. \"Cantilena\" \"\" + percussion 1955. \"Recuerdo\" concerto for oboe/English Ha and band 1966."],"contents":["Farewell for Alto Sax and Piano (1964), Cantilena for Alto Sax and Percussion (1955) and Recuerdo (Concerto for Oboe, English Horn and Band) (1966)."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558527389701,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8343","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Robert Kroetsch fonds"],"source_collection_label":["Robert Kroetsch fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/robert-kroetsch-fonds"],"item_title":["Bob Kroetsch CBL Air Check"],"item_title_source":["Transcribed from the artifact"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[29.7]"],"rights":["The Public Domain Mark (PDM)"],"creator_names":["Kroetsch, Robert"],"creator_names_search":["Kroetsch, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Poor quality of recording. Background noise.\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"RK_Acc_775_04.25.29-7\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:03:59\",\"precision\":\"\",\"size\":\"65.76 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-10-19\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"CBL Radio\",\"notes\":\"\",\"address\":\"Toronto, Ontario, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Toronto, Ontario, Canada"],"Venue":["CBL Radio"],"City":["Toronto, Ontario"],"content_notes":["Short interview/discussion ahead of the publication of his first novel But We are Exiles (1965)"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558527389702,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8344","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Earle Birney fonds"],"source_collection_label":["Earle Birney fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/index.php/earle-birney-fonds"],"item_title":["Earle Birney reading from Selected poems 1940-1966 (Tape 4)"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label of recording title and included poems taped to box. Box stamped JH 4W8."],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[7.3.4]"],"rights":["The Public Domain Mark (PDM)"],"creator_names":["Birney, Earle"],"creator_names_search":["Birney, Earle"],"creators":["[{\"url\":\"http://viaf.org/viaf/97679781\",\"name\":\"Birney, Earle\",\"dates\":\"1904-1995\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"CBC Radio - Canada\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"7 1/2 ips\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Birney_MsC_13.7.3-4\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:28:37\",\"precision\":\"\",\"size\":\"471.57 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Earle Birney fonds Item number 7.3.4\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Title based on contents of file.\n- “Hands”: written in and for Vancouver in 1939 at the outset of the war.\n- “Vancouver Lights”: written in 1941, when there was a dim out in Halifax and talk of a black out across Canada as war worsened for Allies.\n- “Dusk on the Bay”: originally called “Dusk on the English Bay,” written in Vancouver at time of the larger sea battles in Mediterranean and off the coast of Norway.\n- “In This Verandah”: Toronto 1941\n- “Anglosaxon Street”: Written in 1942 Toronto. Two streets in Toronto, Yorkville and Cumberland Streets, which in early days of Second World War were slums streets noted in the press because although they were the worst looking streets in Toronto, seemed proud of the fact that they never rented to Jewish or black people. They were a “pure” Anglo-Saxon street. Birney writes in old Anglo-Saxon meter.\n- “War Winters”: Written in winter 1942, in Anglo-Saxon meter.\n- “Conference of Heads”: Written in 1943 on troop ship going from Halifax to England.\n- “Lines for a Peace”: Written in 1943 from London.\n- “This Page My Pigeon”: Sent to Birney’s wife from Portsmouth in 1944 as he was about to sail on a submarine to continent. The page is those airmail blues that soldiers sent in the war, they were allowed one a week.\n- “The Road to Nijmegen”: Written in Holland, January 1945. Written to a friend."],"contents":["Earle Birney\n[00:00:00]\nReads \"Letter from a Cuzco Priest\".\nEarle Birney\n[00:04:55]\nReads section three War Winters  \"Hands\".\nEarle Birney\n[00:08:27]\nReads \"Vancouver Lights\".\nEarle Birney\n[00:12:26]\nReads \"Dusk on the Bay\".\nEarle Birney\n[00:15:36]\nReads \"In This Verandah\".\nEarle Birney\n[00:17:10]\nReads \"Anglosaxon Street\".\nEarle Birney\n[00:20:35]\nReads \"War Winters\".\nEarle Birney\n[00:21:48]\nReads \"Conference of Heads\".\nEarle Birney\n[00:22:30]\nReads \"Lines For a Peace\".\nEarle Birney\n[00:23:53]\nReads \"This Page My Pigeon\".\nEarle Birney\n[00:26:06]\nReads \"The Road to Nijmegen\"."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Selected Poems, 1940-1966\"}]"],"_version_":1853670558527389703,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8345","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Robert Kroetsch fonds"],"source_collection_label":["Robert Kroetsch fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/robert-kroetsch-fonds"],"item_title":["Robert Kroetsch with Elizabeth Alley: \"A literary archaeologist\""],"item_title_source":["Transcribed from the artifact"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[29.8]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2033"],"creator_names":["Kroetsch, Robert"],"creator_names_search":["Kroetsch, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Alley, Elizabeth"],"contributors_names_search":["Alley, Elizabeth"],"contributors":["[{\"url\":\"http://viaf.org/viaf/36164897\",\"name\":\"Alley, Elizabeth\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"Interviewer_name":["Alley, Elizabeth"],"Performance_Date":[1983],"material_description":["[{\"side\":\"A\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Unknown acetate\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"RK_Acc_775_04.25.29-8\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:23:34\",\"precision\":\"\",\"size\":\"388.36 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983\",\"type\":\"Performance Date\",\"notes\":\"[1983]. Performance date supplied from creation dates listed for item level descriptions in archival finding aid for the Robert Kroetsch fonds Item number 29.8\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/160448038\",\"venue\":\"Radio New Zealand House\",\"notes\":\"\",\"address\":\"155, The Terrace, Wellington, New Zealand\",\"latitude\":\"-41.2850884\",\"longitude\":\"174.7743977\"}]"],"Address":["155, The Terrace, Wellington, New Zealand"],"Venue":["Radio New Zealand House"],"content_notes":["Discussion of prairie writing and Robert Kroetsch's life\n- Writing arises from oral tradition: frontier, wilderness, and the university as influences. The importance of stories in rural prairies.\n- “I was a great reader, and I was never in the stories I read”\n- Archaeological process of discovery, a relearning of language. Cannot escape the history but can reimagine the story. Re-writing history in relation to Indigenous peoples and prairies\n- Mythology and where is comes from. Robert Kroetsch considers himself a storyteller.\n- Poetry: Using language and print, and making it work for him.\n- Our daily lives matter, as opposed to the presumptions of “high” literature. Need accumulation of sub-literary genres (letters, notes, ephemera, etc.) to get a more comprehensive picture.\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558528438272,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844},{"id":"8346","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Earle Birney fonds"],"source_collection_label":["Earle Birney fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/index.php/earle-birney-fonds"],"item_title":["Earle Birney reading from Selected poems 1940-1966 (Tape 5)"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label of recording title and included poems taped to box. Box stamped ME 0X5."],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[7.3.5]"],"rights":["The Public Domain Mark (PDM)"],"creator_names":["Birney, Earle"],"creator_names_search":["Birney, Earle"],"creators":["[{\"url\":\"http://viaf.org/viaf/97679781\",\"name\":\"Birney, Earle\",\"dates\":\"1904-1995\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"CBC Radio - Canada\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"7 1/2 ips\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Birney_MsC_13.7.3-5\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:29:04\",\"precision\":\"\",\"size\":\"478.87 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Earle Birney fonds Item number 7.3.5\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Title based on contents of file.\n- Concluding of the section “World Winters”\n- “Joe Harris, 1913-1942”: “This is a prose poem and you must imagine a soldier killed at Dieppe, a Canadian soldier killed at Dieppe, lying in his grave as he is being given a military funeral. And if he could still remember and think and still hear he would be hearing the volley of muskets being fired over him, in his honour, and he would also hear the intoning of the so-called ‘Shortened Service for the Burial of the Dead as Approved for Use in the Canadian Army’. Which is very much like the Anglican - [?] service, but shorter. In the poem, then, you will hear bit by bit the phrases of the burial service with each phrase evoking in the dead soldier’s presumed memory what he ties in, how his mind would lead from that phrase if he were still alive and had a mind.”\n- “Mappemounde”: Written at the end of the war in Europe in 1945. Written in hospital in England, finished on hospital ship, ‘El Neil’, in the Atlantic sometime in May or June. Written in Anglo-Saxon meter. ‘Mappemounde’ is a Chaucerian word meaning ‘map of the world’ but it refers to the maps of Chaucer’s time which were square, had Europe and a bit of Asia completely surrounded by water, and depicted fierce mythological creatures in the corners of the map.\n- “Young Veterans”: Written in Toronto, summer 1945.\n- “Ulysses”: Toronto 1946. End of section “World Winters”\n- Section and title poem “Canada: Case History”: Section #4 in Selected Poems, series of poems from East to West across Canada. Written in Ottawa 1945.\n- “Maritime Faces”: “coming out of the deep Atlantic and approaching Halifax.” Written in 1945, as was last poem (“Atlantic Door”).\n- “Arrivals”: travelling on a small two-car train from Halifax to Wolfville, Nova Scotia in 1962. Incident which caused train to be thirty minutes late. The title is taken from signboard at Wolfville station, only indication something had happened recorded in the station was “Arrivals Wolfville – Locals from Halifax 30 Mins Late”.\n- “Québec May”: Written in 1943."],"contents":["Earle Birney\n[00:00:00]\n\"Joe Harris, 1913-1942\".\nEarle Birney\n[00:11:53]\nReads \"Mappemounde\". \nEarle Birney\n[00:14:09]\n\"Young Veterans\".\nEarle Birney\n[00:15:53]\n\"Ulysses\". \nEarle Birney\n[00:17:08] \n\"Canada: Case History\" [Section and poem title Canada: Case History].\nEarle Birney\n[00:18:42]\n\"Atlantic Door\".\nEarle Birney\n[00:20:36]\n\"Maritime Faces\".\nEarle Birney\n[00:22:09]\n\"Arrivals\".\nEarle Birney \n[00:28:06]\n\"Québec May”."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Selected Poems, 1940-1966\"}]"],"_version_":1853670558528438273,"timestamp":"2026-01-07T15:00:02.734Z","score":0.01643844}]